summaryrefslogtreecommitdiff
path: root/1683-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:34 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:34 -0700
commitcde15bd9eb1320da14152287caed7cb9165b5960 (patch)
tree9cf0f89d1612bc821d8e139b50c9b113bb13a95d /1683-h
initial commit of ebook 1683HEADmain
Diffstat (limited to '1683-h')
-rw-r--r--1683-h/1683-h.htm3900
1 files changed, 3900 insertions, 0 deletions
diff --git a/1683-h/1683-h.htm b/1683-h/1683-h.htm
new file mode 100644
index 0000000..2da66f4
--- /dev/null
+++ b/1683-h/1683-h.htm
@@ -0,0 +1,3900 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Honorine, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Honorine, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Honorine
+
+Author: Honore de Balzac
+
+Translator: Clara Bell
+
+Release Date: February 28, 2010 [EBook #1683]
+Last Updated: April 3, 2013
+Last Updated: November 22, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HONORINE ***
+
+
+
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ HONORINE
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated by Clara Bell
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ DEDICATION<br /><br /> To Monsieur Achille Deveria<br /><br /> An affectionate
+ remembrance from the Author.<br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ <a href="#link2H_4_0001"> <b>HONORINE</b> </a><br /><br /> <a
+ href="#link2H_4_0002"> ADDENDUM </a><br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ HONORINE
+ </h1>
+ <p>
+ If the French have as great an aversion for traveling as the English have
+ a propensity for it, both English and French have perhaps sufficient
+ reasons. Something better than England is everywhere to be found; whereas
+ it is excessively difficult to find the charms of France outside France.
+ Other countries can show admirable scenery, and they frequently offer
+ greater comfort than that of France, which makes but slow progress in that
+ particular. They sometimes display a bewildering magnificence, grandeur,
+ and luxury; they lack neither grace nor noble manners; but the life of the
+ brain, the talent for conversation, the &ldquo;Attic salt&rdquo; so familiar at Paris,
+ the prompt apprehension of what one is thinking, but does not say, the
+ spirit of the unspoken, which is half the French language, is nowhere else
+ to be met with. Hence a Frenchman, whose raillery, as it is, finds so
+ little comprehension, would wither in a foreign land like an uprooted
+ tree. Emigration is counter to the instincts of the French nation. Many
+ Frenchmen, of the kind here in question, have owned to pleasure at seeing
+ the custom-house officers of their native land, which may seem the most
+ daring hyperbole of patriotism.
+ </p>
+ <p>
+ This preamble is intended to recall to such Frenchmen as have traveled the
+ extreme pleasure they have felt on occasionally finding their native land,
+ like an oasis, in the drawing-room of some diplomate: a pleasure hard to
+ be understood by those who have never left the asphalt of the Boulevard
+ des Italiens, and to whom the Quais of the left bank of the Seine are not
+ really Paris. To find Paris again! Do you know what that means, O
+ Parisians? It is to find&mdash;not indeed the cookery of the <i>Rocher de
+ Cancale</i> as Borel elaborates it for those who can appreciate it, for
+ that exists only in the Rue Montorgueil&mdash;but a meal which reminds you
+ of it! It is to find the wines of France, which out of France are to be
+ regarded as myths, and as rare as the woman of whom I write! It is to find&mdash;not
+ the most fashionable pleasantry, for it loses its aroma between Paris and
+ the frontier&mdash;but the witty understanding, the critical atmosphere in
+ which the French live, from the poet down to the artisan, from the duchess
+ to the boy in the street.
+ </p>
+ <p>
+ In 1836, when the Sardinian Court was residing at Genoa, two Parisians,
+ more or less famous, could fancy themselves still in Paris when they found
+ themselves in a palazzo, taken by the French Consul-General, on the hill
+ forming the last fold of the Apennines between the gate of San Tomaso and
+ the well-known lighthouse, which is to be seen in all the keepsake views
+ of Genoa. This palazzo is one of the magnificent villas on which Genoese
+ nobles were wont to spend millions at the time when the aristocratic
+ republic was a power.
+ </p>
+ <p>
+ If the early night is beautiful anywhere, it surely is at Genoa, after it
+ has rained as it can rain there, in torrents, all the morning; when the
+ clearness of the sea vies with that of the sky; when silence reigns on the
+ quay and in the groves of the villa, and over the marble heads with
+ yawning jaws, from which water mysteriously flows; when the stars are
+ beaming; when the waves of the Mediterranean lap one after another like
+ the avowal of a woman, from whom you drag it word by word. It must be
+ confessed, that the moment when the perfumed air brings fragrance to the
+ lungs and to our day-dreams; when voluptuousness, made visible and ambient
+ as the air, holds you in your easy-chair; when, a spoon in your hand, you
+ sip an ice or a sorbet, the town at your feet and fair woman opposite&mdash;such
+ Boccaccio hours can be known only in Italy and on the shores of the
+ Mediterranean.
+ </p>
+ <p>
+ Imagine to yourself, round the table, the Marquis di Negro, a knight
+ hospitaller to all men of talent on their travels, and the Marquis Damaso
+ Pareto, two Frenchmen disguised as Genoese, a Consul-General with a wife
+ as beautiful as a Madonna, and two silent children&mdash;silent because
+ sleep has fallen on them&mdash;the French Ambassador and his wife, a
+ secretary to the Embassy who believes himself to be crushed and
+ mischievous; finally, two Parisians, who have come to take leave of the
+ Consul&rsquo;s wife at a splendid dinner, and you will have the picture
+ presented by the terrace of the villa about the middle of May&mdash;a
+ picture in which the predominant figure was that of a celebrated woman, on
+ whom all eyes centered now and again, the heroine of this improvised
+ festival.
+ </p>
+ <p>
+ One of the two Frenchmen was the famous landscape painter, Leon de Lora;
+ the other a well known critic Claude Vignon. They had both come with this
+ lady, one of the glories of the fair sex, Mademoiselle des Touches, known
+ in the literary world by the name of Camille Maupin.
+ </p>
+ <p>
+ Mademoiselle des Touches had been to Florence on business. With the
+ charming kindness of which she is prodigal, she had brought with her Leon
+ de Lora to show him Italy, and had gone on as far as Rome that he might
+ see the Campagna. She had come by Simplon, and was returning by the
+ Cornice road to Marseilles. She had stopped at Genoa, again on the
+ landscape painter&rsquo;s account. The Consul-General had, of course, wished to
+ do the honors of Genoa, before the arrival of the Court, to a woman whose
+ wealth, name, and position recommend her no less than her talents. Camille
+ Maupin, who knew her Genoa down to its smallest chapels, had left her
+ landscape painter to the care of the diplomate and the two Genoese
+ marquises, and was miserly of her minutes. Though the ambassador was a
+ distinguished man of letters, the celebrated lady had refused to yield to
+ his advances, dreading what the English call an exhibition; but she had
+ drawn in the claws of her refusals when it was proposed that they should
+ spend a farewell day at the Consul&rsquo;s villa. Leon de Lora had told Camille
+ that her presence at the villa was the only return he could make to the
+ Ambassador and his wife, the two Genoese noblemen, the Consul and his
+ wife. So Mademoiselle des Touches had sacrificed one of those days of
+ perfect freedom, which are not always to be had in Paris by those on whom
+ the world has its eye.
+ </p>
+ <p>
+ Now, the meeting being accounted for, it is easy to understand that
+ etiquette had been banished, as well as a great many women even of the
+ highest rank, who were curious to know whether Camille Maupin&rsquo;s manly
+ talent impaired her grace as a pretty woman, and to see, in a word,
+ whether the trousers showed below her petticoats. After dinner till nine
+ o&rsquo;clock, when a collation was served, though the conversation had been gay
+ and grave by turns, and constantly enlivened by Leon de Lora&rsquo;s sallies&mdash;for
+ he is considered the most roguish wit of Paris to-day&mdash;and by the
+ good taste which will surprise no one after the list of guests, literature
+ had scarcely been mentioned. However, the butterfly flittings of this
+ French tilting match were certain to come to it, were it only to flutter
+ over this essentially French subject. But before coming to the turn in the
+ conversation which led the Consul-General to speak, it will not be out of
+ place to give some account of him and his family.
+ </p>
+ <p>
+ This diplomate, a man of four-and-thirty, who had been married about six
+ years, was the living portrait of Lord Byron. The familiarity of that face
+ makes a description of the Consul&rsquo;s unnecessary. It may, however, be noted
+ that there was no affectation in his dreamy expression. Lord Byron was a
+ poet, and the Consul was poetical; women know and recognize the
+ difference, which explains without justifying some of their attachments.
+ His handsome face, thrown into relief by a delightful nature, had
+ captivated a Genoese heiress. A Genoese heiress! the expression might
+ raise a smile at Genoa, where, in consequence of the inability of
+ daughters to inherit, a woman is rarely rich; but Onorina Pedrotti, the
+ only child of a banker without heirs male, was an exception.
+ Notwithstanding all the flattering advances prompted by a spontaneous
+ passion, the Consul-General had not seemed to wish to marry. Nevertheless,
+ after living in the town for two years, and after certain steps taken by
+ the Ambassador during his visits to the Genoese Court, the marriage was
+ decided on. The young man withdrew his former refusal, less on account of
+ the touching affection of Onorina Pedrotti than by reason of an unknown
+ incident, one of those crises of private life which are so instantly
+ buried under the daily tide of interests that, at a subsequent date, the
+ most natural actions seem inexplicable.
+ </p>
+ <p>
+ This involution of causes sometimes affects the most serious events of
+ history. This, at any rate, was the opinion of the town of Genoa, where,
+ to some women, the extreme reserve, the melancholy of the French Consul
+ could be explained only by the word passion. It may be remarked, in
+ passing, that women never complain of being the victims of a preference;
+ they are very ready to immolate themselves for the common weal. Onorina
+ Pedrotti, who might have hated the Consul if she had been altogether
+ scorned, loved her <i>sposo</i> no less, and perhaps more, when she know
+ that he had loved. Women allow precedence in love affairs. All is well if
+ other women are in question.
+ </p>
+ <p>
+ A man is not a diplomate with impunity: the <i>sposo</i> was as secret as
+ the grave&mdash;so secret that the merchants of Genoa chose to regard the
+ young Consul&rsquo;s attitude as premeditated, and the heiress might perhaps
+ have slipped through his fingers if he had not played his part of a
+ love-sick <i>malade imaginaire</i>. If it was real, the women thought it
+ too degrading to be believed.
+ </p>
+ <p>
+ Pedrotti&rsquo;s daughter gave him her love as a consolation; she lulled these
+ unknown griefs in a cradle of tenderness and Italian caresses.
+ </p>
+ <p>
+ Il Signor Pedrotti had indeed no reason to complain of the choice to which
+ he was driven by his beloved child. Powerful protectors in Paris watched
+ over the young diplomate&rsquo;s fortunes. In accordance with a promise made by
+ the Ambassador to the Consul-General&rsquo;s father-in-law, the young man was
+ created Baron and Commander of the Legion of Honor. Signor Pedrotti
+ himself was made a Count by the King of Sardinia. Onorina&rsquo;s dower was a
+ million of francs. As to the fortune of the Casa Pedrotti, estimated at
+ two millions, made in the corn trade, the young couple came into it within
+ six months of their marriage, for the first and last Count Pedrotti died
+ in January 1831.
+ </p>
+ <p>
+ Onorina Pedrotti is one of those beautiful Genoese women who, when they
+ are beautiful, are the most magnificent creatures in Italy. Michael Angelo
+ took his models in Genoa for the tomb of Giuliano. Hence the fulness and
+ singular placing of the breast in the figures of Day and Night, which so
+ many critics have thought exaggerated, but which is peculiar to the women
+ of Liguria. A Genoese beauty is no longer to be found excepting under the
+ mezzaro, as at Venice it is met with only under the <i>fazzioli</i>. This
+ phenomenon is observed among all fallen nations. The noble type survives
+ only among the populace, as after the burning of a town coins are found
+ hidden in the ashes. And Onorina, an exception as regards her fortune, is
+ no less an exceptional patrician beauty. Recall to mind the figure of
+ Night which Michael Angelo has placed at the feet of the <i>Pensieroso</i>,
+ dress her in modern garb, twist that long hair round the magnificent head,
+ a little dark in complexion, set a spark of fire in those dreamy eyes,
+ throw a scarf about the massive bosom, see the long dress, white,
+ embroidered with flowers, imagine the statue sitting upright, with her
+ arms folded like those of Mademoiselle Georges, and you will see before
+ you the Consul&rsquo;s wife, with a boy of six, as handsome as a mother&rsquo;s
+ desire, and a little girl of four on her knees, as beautiful as the type
+ of childhood so laboriously sought out by the sculptor David to grace a
+ tomb.
+ </p>
+ <p>
+ This beautiful family was the object of Camille&rsquo;s secret study. It struck
+ Mademoiselle des Touches that the Consul looked rather too absent-minded
+ for a perfectly happy man.
+ </p>
+ <p>
+ Although, throughout the day, the husband and wife had offered her the
+ pleasing spectacle of complete happiness, Camille wondered why one of the
+ most superior men she had ever met, and whom she had seen too in Paris
+ drawing-rooms, remained as Consul-General at Genoa when he possessed a
+ fortune of a hundred odd thousand francs a year. But, at the same time,
+ she had discerned, by many of the little nothings which women perceive
+ with the intelligence of the Arab sage in <i>Zadig</i>, that the husband
+ was faithfully devoted. These two handsome creatures would no doubt love
+ each other without a misunderstanding till the end of their days. So
+ Camille said to herself alternately, &ldquo;What is wrong?&mdash;Nothing is
+ wrong,&rdquo; following the misleading symptoms of the Consul&rsquo;s demeanor; and
+ he, it may be said, had the absolute calmness of Englishmen, of savages,
+ of Orientals, and of consummate diplomatists.
+ </p>
+ <p>
+ In discussing literature, they spoke of the perennial stock-in-trade of
+ the republic of letters&mdash;woman&rsquo;s sin. And they presently found
+ themselves confronted by two opinions: When a woman sins, is the man or
+ the woman to blame? The three women present&mdash;the Ambassadress, the
+ Consul&rsquo;s wife, and Mademoiselle des Touches, women, of course, of
+ blameless reputations&mdash;were without pity for the woman. The men tried
+ to convince these fair flowers of their sex that some virtues might remain
+ in a woman after she had fallen.
+ </p>
+ <p>
+ &ldquo;How long are we going to play at hide-and-seek in this way?&rdquo; said Leon de
+ Lora.
+ </p>
+ <p>
+ &ldquo;<i>Cara vita</i>, go and put your children to bed, and send me by Gina
+ the little black pocket-book that lies on my Boule cabinet,&rdquo; said the
+ Consul to his wife.
+ </p>
+ <p>
+ She rose without a reply, which shows that she loved her husband very
+ truly, for she already knew French enough to understand that her husband
+ was getting rid of her.
+ </p>
+ <p>
+ &ldquo;I will tell you a story in which I played a part, and after that we can
+ discuss it, for it seems to me childish to practise with the scalpel on an
+ imaginary body. Begin by dissecting a corpse.&rdquo;
+ </p>
+ <p>
+ Every one prepared to listen, with all the greater readiness because they
+ had all talked enough, and this is the moment to be chosen for telling a
+ story. This, then, is the Consul-General&rsquo;s tale:&mdash;
+ </p>
+ <p>
+ &ldquo;When I was two-and-twenty, and had taken my degree in law, my old uncle,
+ the Abbe Loraux, then seventy-two years old, felt it necessary to provide
+ me with a protector, and to start me in some career. This excellent man,
+ if not indeed a saint, regarded each year of his life as a fresh gift from
+ God. I need not tell you that the father confessor of a Royal Highness had
+ no difficulty in finding a place for a young man brought up by himself,
+ his sister&rsquo;s only child. So one day, towards the end of the year 1824,
+ this venerable old man, who for five years had been Cure of the White
+ Friars at Paris, came up to the room I had in his house, and said:
+ </p>
+ <p>
+ &ldquo;&lsquo;Get yourself dressed, my dear boy; I am going to introduce you to some
+ one who is willing to engage you as secretary. If I am not mistaken, he
+ may fill my place in the event of God&rsquo;s taking me to Himself. I shall have
+ finished mass at nine o&rsquo;clock; you have three-quarters of an hour before
+ you. Be ready.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;What, uncle! must I say good-bye to this room, where for four years I
+ have been so happy?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I have no fortune to leave you,&rsquo; said he.
+ </p>
+ <p>
+ &ldquo;&lsquo;Have you not the reputation of your name to leave me, the memory of your
+ good works&mdash;&mdash;?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;We need say nothing of that inheritance,&rsquo; he replied, smiling. &lsquo;You do
+ not yet know enough of the world to be aware that a legacy of that kind is
+ hardly likely to be paid, whereas by taking you this morning to M. le
+ Comte&rsquo;&mdash;Allow me,&rdquo; said the Consul, interrupting himself, &ldquo;to speak
+ of my protector by his Christian name only, and to call him Comte Octave.&mdash;&lsquo;By
+ taking you this morning to M. le Comte Octave, I hope to secure you his
+ patronage, which, if you are so fortunate as to please that virtuous
+ statesman&mdash;as I make no doubt you can&mdash;will be worth, at least,
+ as much as the fortune I might have accumulated for you, if my
+ brother-in-law&rsquo;s ruin and my sister&rsquo;s death had not fallen on me like a
+ thunder-bolt from a clear sky.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Are you the Count&rsquo;s director?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;If I were, could I place you with him? What priest could be capable of
+ taking advantage of the secrets which he learns at the tribunal of
+ repentance? No; you owe this position to his Highness, the Keeper of the
+ Seals. My dear Maurice, you will be as much at home there as in your
+ father&rsquo;s house. The Count will give you a salary of two thousand four
+ hundred francs, rooms in his house, and an allowance of twelve hundred
+ francs in lieu of feeding you. He will not admit you to his table, nor
+ give you a separate table, for fear of leaving you to the care of
+ servants. I did not accept the offer when it was made to me till I was
+ perfectly certain that Comte Octave&rsquo;s secretary was never to be a mere
+ upper servant. You will have an immense amount of work, for the Count is a
+ great worker; but when you leave him, you will be qualified to fill the
+ highest posts. I need not warn you to be discreet; that is the first
+ virtue of any man who hopes to hold public appointments.&rsquo;
+ </p>
+ <p>
+ &ldquo;You may conceive of my curiosity. Comte Octave, at that time, held one of
+ the highest legal appointments; he was in the confidence of Madame the
+ Dauphiness, who had just got him made a State Minister; he led such a life
+ as the Comte de Serizy, whom you all know, I think; but even more quietly,
+ for his house was in the Marais, Rue Payenne, and he hardly ever
+ entertained. His private life escaped public comment by its hermit-like
+ simplicity and by constant hard work.
+ </p>
+ <p>
+ &ldquo;Let me describe my position to you in a few words. Having found in the
+ solemn headmaster of the College Saint-Louis a tutor to whom my uncle
+ delegated his authority, at the age of eighteen I had gone through all the
+ classes; I left school as innocent as a seminarist, full of faith, on
+ quitting Saint-Sulpice. My mother, on her deathbed, had made my uncle
+ promise that I should not become a priest, but I was as pious as though I
+ had to take orders. On leaving college, the Abbe Loraux took me into his
+ house and made me study law. During the four years of study requisite for
+ passing all the examinations, I worked hard, but chiefly at things outside
+ the arid fields of jurisprudence. Weaned from literature as I had been at
+ college, where I lived in the headmaster&rsquo;s house, I had a thirst to
+ quench. As soon as I had read a few modern masterpieces, the works of all
+ the preceding ages were greedily swallowed. I became crazy about the
+ theatre, and for a long time I went every night to the play, though my
+ uncle gave me only a hundred francs a month. This parsimony, to which the
+ good old man was compelled by his regard for the poor, had the effect of
+ keeping a young man&rsquo;s desires within reasonable limits.
+ </p>
+ <p>
+ &ldquo;When I went to live with Comte Octave I was not indeed an innocent, but I
+ thought of my rare escapades as crimes. My uncle was so truly angelic, and
+ I was so much afraid of grieving him, that in all those four years I had
+ never spent a night out. The good man would wait till I came in to go to
+ bed. This maternal care had more power to keep me within bounds than the
+ sermons and reproaches with which the life of a young man is diversified
+ in a puritanical home. I was a stranger to the various circles which make
+ up the world of Paris society; I only knew some women of the better sort,
+ and none of the inferior class but those I saw as I walked about, or in
+ the boxes at the play, and then only from the depths of the pit where I
+ sat. If, at that period, any one had said to me, &lsquo;You will see Canalis, or
+ Camille Maupin,&rsquo; I should have felt hot coals in my head and in my bowels.
+ Famous people were to me as gods, who neither spoke, nor walked, nor ate
+ like other mortals.
+ </p>
+ <p>
+ &ldquo;How many tales of the Thousand-and-one Nights are comprehended in the
+ ripening of a youth! How many wonderful lamps must we have rubbed before
+ we understand that the True Wonderful Lamp is either luck, or work, or
+ genius. In some men this dream of the aroused spirit is but brief; mine
+ has lasted until now! In those days I always went to sleep as Grand Duke
+ of Tuscany,&mdash;as a millionaire,&mdash;as beloved by a princess,&mdash;or
+ famous! So to enter the service of Comte Octave, and have a hundred louis
+ a year, was entering on independent life. I had glimpses of some chance of
+ getting into society, and seeking for what my heart desired most, a
+ protectress, who would rescue me from the paths of danger, which a young
+ man of two-and-twenty can hardly help treading, however prudent and well
+ brought up he may be. I began to be afraid of myself.
+ </p>
+ <p>
+ &ldquo;The persistent study of other people&rsquo;s rights into which I had plunged
+ was not always enough to repress painful imaginings. Yes, sometimes in
+ fancy I threw myself into theatrical life; I thought I could be a great
+ actor; I dreamed of endless triumphs and loves, knowing nothing of the
+ disillusion hidden behind the curtain, as everywhere else&mdash;for every
+ stage has its reverse behind the scenes. I have gone out sometimes, my
+ heart boiling, carried away by an impulse to rush hunting through Paris,
+ to attach myself to some handsome woman I might meet, to follow her to her
+ door, watch her, write to her, throw myself on her mercy, and conquer her
+ by sheer force of passion. My poor uncle, a heart consumed by charity, a
+ child of seventy years, as clear-sighted as God, as guileless as a man of
+ genius, no doubt read the tumult of my soul; for when he felt the tether
+ by which he held me strained too tightly and ready to break, he would
+ never fail to say, &lsquo;Here, Maurice, you too are poor! Here are twenty
+ francs; go and amuse yourself, you are not a priest!&rsquo; And if you could
+ have seen the dancing light that gilded his gray eyes, the smile that
+ relaxed his fine lips, puckering the corners of his mouth, the adorable
+ expression of that august face, whose native ugliness was redeemed by the
+ spirit of an apostle, you would understand the feeling which made me
+ answer the Cure of White Friars only with a kiss, as if he had been my
+ mother.
+ </p>
+ <p>
+ &ldquo;&lsquo;In Comte Octave you will find not a master, but a friend,&rsquo; said my uncle
+ on the way to the Rue Payenne. &lsquo;But he is distrustful, or to be more
+ exact, he is cautious. The statesman&rsquo;s friendship can be won only with
+ time; for in spite of his deep insight and his habit of gauging men, he
+ was deceived by the man you are succeeding, and nearly became a victim to
+ his abuse of confidence. This is enough to guide you in your behavior to
+ him.&rsquo;
+ </p>
+ <p>
+ &ldquo;When we knocked at the enormous outer door of a house as large as the
+ Hotel Carnavalet, with a courtyard in front and a garden behind, the sound
+ rang as in a desert. While my uncle inquired of an old porter in livery if
+ the Count were at home, I cast my eyes, seeing everything at once, over
+ the courtyard where the cobblestones were hidden in the grass, the
+ blackened walls where little gardens were flourishing above the
+ decorations of the elegant architecture, and on the roof, as high as that
+ of the Tuileries. The balustrade of the upper balconies was eaten away.
+ Through a magnificent colonnade I could see a second court on one side,
+ where were the offices; the door was rotting. An old coachman was there
+ cleaning an old carriage. The indifferent air of this servant allowed me
+ to assume that the handsome stables, where of old so many horses had
+ whinnied, now sheltered two at most. The handsome facade of the house
+ seemed to me gloomy, like that of a mansion belonging to the State or the
+ Crown, and given up to some public office. A bell rang as we walked
+ across, my uncle and I, from the porter&rsquo;s lodge&mdash;<i>Inquire of the
+ Porter</i> was still written over the door&mdash;towards the outside
+ steps, where a footman came out in a livery like that of Labranche at the
+ Theatre Francais in the old stock plays. A visitor was so rare that the
+ servant was putting his coat on when he opened a glass door with small
+ panes, on each side of which the smoke of a lamp had traced patterns on
+ the walls.
+ </p>
+ <p>
+ &ldquo;A hall so magnificent as to be worthy of Versailles ended in a staircase
+ such as will never again be built in France, taking up as much space as
+ the whole of a modern house. As we went up the marble steps, as cold as
+ tombstones, and wide enough for eight persons to walk abreast, our tread
+ echoed under sonorous vaulting. The banister charmed the eye by its
+ miraculous workmanship&mdash;goldsmith&rsquo;s work in iron&mdash;wrought by the
+ fancy of an artist of the time of Henri III. Chilled as by an icy mantle
+ that fell on our shoulders, we went through ante-rooms, drawing-rooms
+ opening one out of the other, with carpetless parquet floors, and
+ furnished with such splendid antiquities as from thence would find their
+ way to the curiosity dealers. At last we reached a large study in a cross
+ wing, with all the windows looking into an immense garden.
+ </p>
+ <p>
+ &ldquo;&lsquo;Monsieur le Cure of the White Friars, and his nephew, Monsieur de
+ l&rsquo;Hostal,&rsquo; said Labranche, to whose care the other theatrical servant had
+ consigned us in the first ante-chamber.
+ </p>
+ <p>
+ &ldquo;Comte Octave, dressed in long trousers and a gray flannel morning coat,
+ rose from his seat by a huge writing-table, came to the fireplace, and
+ signed to me to sit down, while he went forward to take my uncle&rsquo;s hands,
+ which he pressed.
+ </p>
+ <p>
+ &ldquo;&lsquo;Though I am in the parish of Saint-Paul,&rsquo; said he, &lsquo;I could scarcely
+ have failed to hear of the Cure of the White Friars, and I am happy to
+ make his acquaintance.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Your Excellency is most kind,&rsquo; replied my uncle. &lsquo;I have brought to you
+ my only remaining relation. While I believe that I am offering a good gift
+ to your Excellency, I hope at the same time to give my nephew a second
+ father.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;As to that, I can only reply, Monsieur l&rsquo;Abbe, when we shall have tried
+ each other,&rsquo; said Comte Octave. &lsquo;Your name?&rsquo; he added to me.
+ </p>
+ <p>
+ &ldquo;&lsquo;Maurice.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;He has taken his doctor&rsquo;s degree in law,&rsquo; my uncle observed.
+ </p>
+ <p>
+ &ldquo;&lsquo;Very good, very good!&rsquo; said the Count, looking at me from head to foot.
+ &lsquo;Monsieur l&rsquo;Abbe, I hope that for your nephew&rsquo;s sake in the first
+ instance, and then for mine, you will do me the honor of dining here every
+ Monday. That will be our family dinner, our family party.&rsquo;
+ </p>
+ <p>
+ &ldquo;My uncle and the Count then began to talk of religion from the political
+ point of view, of charitable institutes, the repression of crime, and I
+ could at my leisure study the man on whom my fate would henceforth depend.
+ The Count was of middle height; it was impossible to judge of his build on
+ account of his dress, but he seemed to me to be lean and spare. His face
+ was harsh and hollow; the features were refined. His mouth, which was
+ rather large, expressed both irony and kindliness. His forehead perhaps
+ too spacious, was as intimidating as that of a madman, all the more so
+ from the contrast of the lower part of the face, which ended squarely in a
+ short chin very near the lower lip. Small eyes, of turquoise blue, were as
+ keen and bright as those of the Prince de Talleyrand&mdash;which I admired
+ at a later time&mdash;and endowed, like the Prince&rsquo;s, with the faculty of
+ becoming expressionless to the verge of gloom; and they added to the
+ singularity of a face that was not pale but yellow. This complexion seemed
+ to bespeak an irritable temper and violent passions. His hair, already
+ silvered, and carefully dressed, seemed to furrow his head with streaks of
+ black and white alternately. The trimness of this head spoiled the
+ resemblance I had remarked in the Count to the wonderful monk described by
+ Lewis after Schedoni in the <i>Confessional of the Black Penitents (The
+ Italian)</i>, a superior creation, as it seems to me, to <i>The Monk</i>.
+ </p>
+ <p>
+ &ldquo;The Count was already shaved, having to attend early at the law courts.
+ Two candelabra with four lights, screened by lamp-shades, were still
+ burning at the opposite ends of the writing-table, and showed plainly that
+ the magistrate rose long before daylight. His hands, which I saw when he
+ took hold of the bell-pull to summon his servant, were extremely fine, and
+ as white as a woman&rsquo;s.
+ </p>
+ <p>
+ &ldquo;As I tell you this story,&rdquo; said the Consul-General, interrupting himself,
+ &ldquo;I am altering the titles and the social position of this gentleman, while
+ placing him in circumstances analogous to what his really were. His
+ profession, rank, luxury, fortune, and style of living were the same; all
+ these details are true, but I would not be false to my benefactor, nor to
+ my usual habits of discretion.
+ </p>
+ <p>
+ &ldquo;Instead of feeling&mdash;as I really was, socially speaking&mdash;an
+ insect in the presence of an eagle,&rdquo; the narrator went on after a pause,
+ &ldquo;I felt I know not what indefinable impression from the Count&rsquo;s
+ appearance, which, however, I can now account for. Artists of genius&rdquo; (and
+ he bowed gracefully to the Ambassador, the distinguished lady, and the two
+ Frenchmen), &ldquo;real statesmen, poets, a general who has commanded armies&mdash;in
+ short, all really great minds are simple, and their simplicity places you
+ on a level with themselves.&mdash;You who are all of superior minds,&rdquo; he
+ said, addressing his guests, &ldquo;have perhaps observed how feeling can bridge
+ over the distances created by society. If we are inferior to you in
+ intellect, we can be your equals in devoted friendship. By the temperature&mdash;allow
+ me the word&mdash;of our hearts I felt myself as near my patron as I was
+ far below him in rank. In short, the soul has its clairvoyance; it has
+ presentiments of suffering, grief, joy, antagonism, or hatred in others.
+ </p>
+ <p>
+ &ldquo;I vaguely discerned the symptoms of a mystery, from recognizing in the
+ Count the same effects of physiognomy as I had observed in my uncle. The
+ exercise of virtue, serenity of conscience, and purity of mind had
+ transfigured my uncle, who from being ugly had become quite beautiful. I
+ detected a metamorphosis of a reverse kind in the Count&rsquo;s face; at the
+ first glance I thought he was about fifty-five, but after an attentive
+ examination I found youth entombed under the ice of a great sorrow, under
+ the fatigue of persistent study, under the glowing hues of some suppressed
+ passion. At a word from my uncle the Count&rsquo;s eyes recovered for a moment
+ the softness of the periwinkle flower, and he had an admiring smile, which
+ revealed what I believed to be his real age, about forty. These
+ observations I made, not then but afterwards, as I recalled the
+ circumstances of my visit.
+ </p>
+ <p>
+ &ldquo;The man-servant came in carrying a tray with his master&rsquo;s breakfast on
+ it.
+ </p>
+ <p>
+ &ldquo;&lsquo;I did not ask for breakfast,&rsquo; remarked the Count; &lsquo;but leave it, and
+ show monsieur to his rooms.&rsquo;
+ </p>
+ <p>
+ &ldquo;I followed the servant, who led the way to a complete set of pretty
+ rooms, under a terrace, between the great courtyard and the servants&rsquo;
+ quarters, over a corridor of communication between the kitchens and the
+ grand staircase. When I returned to the Count&rsquo;s study, I overheard, before
+ opening the door, my uncle pronouncing this judgment on me:
+ </p>
+ <p>
+ &ldquo;&lsquo;He may do wrong, for he has strong feelings, and we are all liable to
+ honorable mistakes; but he has no vices.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well,&rsquo; said the Count, with a kindly look, &lsquo;do you like yourself there?
+ Tell me. There are so many rooms in this barrack that, if you were not
+ comfortable, I could put you elsewhere.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;At my uncle&rsquo;s I had but one room,&rsquo; replied I.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, you can settle yourself this evening,&rsquo; said the Count, &lsquo;for your
+ possessions, no doubt, are such as all students own, and a hackney coach
+ will be enough to convey them. To-day we will all three dine together,&rsquo;
+ and he looked at my uncle.
+ </p>
+ <p>
+ &ldquo;A splendid library opened from the Count&rsquo;s study, and he took us in
+ there, showing me a pretty little recess decorated with paintings, which
+ had formerly served, no doubt, as an oratory.
+ </p>
+ <p>
+ &ldquo;&lsquo;This is your cell,&rsquo; said he. &lsquo;You will sit there when you have to work
+ with me, for you will not be tethered by a chain;&rsquo; and he explained in
+ detail the kind and duration of my employment with him. As I listened I
+ felt that he was a great political teacher.
+ </p>
+ <p>
+ &ldquo;It took me about a month to familiarize myself with people and things, to
+ learn the duties of my new office, and accustom myself to the Count&rsquo;s
+ methods. A secretary necessarily watches the man who makes use of him.
+ That man&rsquo;s tastes, passions, temper, and manias become the subject of
+ involuntary study. The union of their two minds is at once more and less
+ than a marriage.
+ </p>
+ <p>
+ &ldquo;During these months the Count and I reciprocally studied each other. I
+ learned with astonishment that Comte Octave was but thirty-seven years
+ old. The merely superficial peacefulness of his life and the propriety of
+ his conduct were the outcome not solely of a deep sense of duty and of
+ stoical reflection; in my constant intercourse with this man&mdash;an
+ extraordinary man to those who knew him well&mdash;I felt vast depths
+ beneath his toil, beneath his acts of politeness, his mask of benignity,
+ his assumption of resignation, which so closely resembled calmness that it
+ is easy to mistake it. Just as when walking through forest-lands certain
+ soils give forth under our feet a sound which enables us to guess whether
+ they are dense masses of stone or a void; so intense egoism, though hidden
+ under the flowers of politeness, and subterranean caverns eaten out by
+ sorrow sound hollow under the constant touch of familiar life. It was
+ sorrow and not despondency that dwelt in that really great soul. The Count
+ had understood that actions, deeds, are the supreme law of social man. And
+ he went on his way in spite of secret wounds, looking to the future with a
+ tranquil eye, like a martyr full of faith.
+ </p>
+ <p>
+ &ldquo;His concealed sadness, the bitter disenchantment from which he suffered,
+ had not led him into philosophical deserts of incredulity; this brave
+ statesman was religious, without ostentation; he always attended the
+ earliest mass at Saint-Paul&rsquo;s for pious workmen and servants. Not one of
+ his friends, no one at Court, knew that he so punctually fulfilled the
+ practice of religion. He was addicted to God as some men are addicted to a
+ vice, with the greatest mystery. Thus one day I came to find the Count at
+ the summit of an Alp of woe much higher than that on which many are who
+ think themselves the most tried; who laugh at the passions and the beliefs
+ of others because they have conquered their own; who play variations in
+ every key of irony and disdain. He did not mock at those who still follow
+ hope into the swamps whither she leads, nor those who climb a peak to be
+ alone, nor those who persist in the fight, reddening the arena with their
+ blood and strewing it with their illusions. He looked on the world as a
+ whole; he mastered its beliefs; he listened to its complaining; he was
+ doubtful of affection, and yet more of self-sacrifice; but this great and
+ stern judge pitied them, or admired them, not with transient enthusiasm,
+ but with silence, concentration, and the communion of a deeply-touched
+ soul. He was a sort of catholic Manfred, and unstained by crime, carrying
+ his choiceness into his faith, melting the snows by the fires of a sealed
+ volcano, holding converse with a star seen by himself alone!
+ </p>
+ <p>
+ &ldquo;I detected many dark riddles in his ordinary life. He evaded my gaze not
+ like a traveler who, following a path, disappears from time to time in
+ dells or ravines according to the formation of the soil, but like a
+ sharpshooter who is being watched, who wants to hide himself, and seeks a
+ cover. I could not account for his frequent absences at the times when he
+ was working the hardest, and of which he made no secret from me, for he
+ would say, &lsquo;Go on with this for me,&rsquo; and trust me with the work in hand.
+ </p>
+ <p>
+ &ldquo;This man, wrapped in the threefold duties of the statesman, the judge,
+ and the orator, charmed me by a taste for flowers, which shows an elegant
+ mind, and which is shared by almost all persons of refinement. His garden
+ and his study were full of the rarest plants, but he always bought them
+ half-withered. Perhaps it pleased him to see such an image of his own
+ fate! He was faded like these dying flowers, whose almost decaying
+ fragrance mounted strangely to his brain. The Count loved his country; he
+ devoted himself to public interests with the frenzy of a heart that seeks
+ to cheat some other passion; but the studies and work into which he threw
+ himself were not enough for him; there were frightful struggles in his
+ mind, of which some echoes reached me. Finally, he would give utterance to
+ harrowing aspirations for happiness, and it seemed to me he ought yet to
+ be happy; but what was the obstacle? Was there a woman he loved? This was
+ a question I asked myself. You may imagine the extent of the circles of
+ torment that my mind had searched before coming to so simple and so
+ terrible a question. Notwithstanding his efforts, my patron did not
+ succeed in stifling the movements of his heart. Under his austere manner,
+ under the reserve of the magistrate, a passion rebelled, though coerced
+ with such force that no one but I who lived with him ever guessed the
+ secret. His motto seemed to be, &lsquo;I suffer, and am silent.&rsquo; The escort of
+ respect and admiration which attended him; the friendship of workers as
+ valiant as himself&mdash;Grandville and Serizy, both presiding judges&mdash;had
+ no hold over the Count: either he told them nothing, or they knew all.
+ Impassible and lofty in public, the Count betrayed the man only on rare
+ intervals when, alone in his garden or his study, he supposed himself
+ unobserved; but then he was a child again, he gave course to the tears
+ hidden beneath the toga, to the excitement which, if wrongly interpreted,
+ might have damaged his credit for perspicacity as a statesman.
+ </p>
+ <p>
+ &ldquo;When all this had become to me a matter of certainty, Comte Octave had
+ all the attractions of a problem, and won on my affection as much as
+ though he had been my own father. Can you enter into the feeling of
+ curiosity, tempered by respect? What catastrophe had blasted this learned
+ man, who, like Pitt, had devoted himself from the age of eighteen to the
+ studies indispensable to power, while he had no ambition; this judge, who
+ thoroughly knew the law of nations, political law, civil and criminal law,
+ and who could find in these a weapon against every anxiety, against every
+ mistake; this profound legislator, this serious writer, this pious
+ celibate whose life sufficiently proved that he was open to no reproach? A
+ criminal could not have been more hardly punished by God than was my
+ master; sorrow had robbed him of half his slumbers; he never slept more
+ than four hours. What struggle was it that went on in the depths of these
+ hours apparently so calm, so studious, passing without a sound or a
+ murmur, during which I often detected him, when the pen had dropped from
+ his fingers, with his head resting on one hand, his eyes like two fixed
+ stars, and sometimes wet with tears? How could the waters of that living
+ spring flow over the burning strand without being dried up by the
+ subterranean fire? Was there below it, as there is under the sea, between
+ it and the central fires of the globe, a bed of granite? And would the
+ volcano burst at last?
+ </p>
+ <p>
+ &ldquo;Sometimes the Count would give me a look of that sagacious and keen-eyed
+ curiosity by which one man searches another when he desires an accomplice;
+ then he shunned my eye as he saw it open a mouth, so to speak, insisting
+ on a reply, and seeming to say, &lsquo;Speak first!&rsquo; Now and then Comte Octave&rsquo;s
+ melancholy was surly and gruff. If these spurts of temper offended me, he
+ could get over it without thinking of asking my pardon; but then his
+ manners were gracious to the point of Christian humility.
+ </p>
+ <p>
+ &ldquo;When I became attached like a son to this man&mdash;to me such a mystery,
+ but so intelligible to the outer world, to whom the epithet eccentric is
+ enough to account for all the enigmas of the heart&mdash;I changed the
+ state of the house. Neglect of his own interests was carried by the Count
+ to the length of folly in the management of his affairs. Possessing an
+ income of about a hundred and sixty thousand francs, without including the
+ emoluments of his appointments&mdash;three of which did not come under the
+ law against plurality&mdash;he spent sixty thousand, of which at least
+ thirty thousand went to his servants. By the end of the first year I had
+ got rid of all these rascals, and begged His Excellency to use his
+ influence in helping me to get honest servants. By the end of the second
+ year the Count, better fed and better served, enjoyed the comforts of
+ modern life; he had fine horses, supplied by a coachman to whom I paid so
+ much a month for each horse; his dinners on his reception days, furnished
+ by Chevet at a price agreed upon, did him credit; his daily meals were
+ prepared by an excellent cook found by my uncle, and helped by two
+ kitchenmaids. The expenditure for housekeeping, not including purchases,
+ was no more than thirty thousand francs a year; we had two additional
+ men-servants, whose care restored the poetical aspect of the house; for
+ this old palace, splendid even in its rust, had an air of dignity which
+ neglect had dishonored.
+ </p>
+ <p>
+ &ldquo;&lsquo;I am no longer astonished,&rsquo; said he, on hearing of these results, &lsquo;at
+ the fortunes made by servants. In seven years I have had two cooks, who
+ have become rich restaurant-keepers.&rsquo;
+ </p>
+ <p>
+ &ldquo;Early in the year 1826 the Count had, no doubt, ceased to watch me, and
+ we were as closely attached as two men can be when one is subordinate to
+ the other. He had never spoken to me of my future prospects, but he had
+ taken an interest, both as a master and as a father, in training me. He
+ often required me to collect materials for his most arduous labors; I drew
+ up some of his reports, and he corrected them, showing the difference
+ between his interpretation of the law, his views and mine. When at last I
+ had produced a document which he could give in as his own he was
+ delighted; this satisfaction was my reward, and he could see that I took
+ it so. This little incident produced an extraordinary effect on a soul
+ which seemed so stern. The Count pronounced sentence on me, to use a legal
+ phrase, as supreme and royal judge; he took my head in his hands, and
+ kissed me on the forehead.
+ </p>
+ <p>
+ &ldquo;&lsquo;Maurice,&rsquo; he exclaimed, &lsquo;you are no longer my apprentice; I know not yet
+ what you will be to me&mdash;but if no change occurs in my life, perhaps
+ you will take the place of a son.&rsquo;
+ </p>
+ <p>
+ &ldquo;Comte Octave had introduced me to the best houses in Paris, whither I
+ went in his stead, with his servants and carriage, on the too frequent
+ occasions when, on the point of starting, he changed his mind, and sent
+ for a hackney cab to take him&mdash;Where?&mdash;that was the mystery. By
+ the welcome I met with I could judge of the Count&rsquo;s feelings towards me,
+ and the earnestness of his recommendations. He supplied all my wants with
+ the thoughtfulness of a father, and with all the greater liberality
+ because my modesty left it to him always to think of me. Towards the end
+ of January 1827, at the house of the Comtesse de Serizy, I had such
+ persistent ill-luck at play that I lost two thousand francs, and I would
+ not draw them out of my savings. Next morning I asked myself, &lsquo;Had I
+ better ask my uncle for the money, or put my confidence in the Count?&rsquo;
+ </p>
+ <p>
+ &ldquo;I decided on the second alternative.
+ </p>
+ <p>
+ &ldquo;&lsquo;Yesterday,&rsquo; said I, when he was at breakfast, &lsquo;I lost persistently at
+ play; I was provoked, and went on; I owe two thousand francs. Will you
+ allow me to draw the sum on account of my year&rsquo;s salary?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No,&rsquo; said he, with the sweetest smile; &lsquo;when a man plays in society, he
+ must have a gambling purse. Draw six thousand francs; pay your debts.
+ Henceforth we must go halves; for since you are my representative on most
+ occasions, your self-respect must not be made to suffer for it.&rsquo;
+ </p>
+ <p>
+ &ldquo;I made no speech of thanks. Thanks would have been superfluous between
+ us. This shade shows the character of our relations. And yet we had not
+ yet unlimited confidence in each other; he did not open to me the vast
+ subterranean chambers which I had detected in his secret life; and I, for
+ my part, never said to him, &lsquo;What ails you? From what are you suffering?&rsquo;
+ </p>
+ <p>
+ &ldquo;What could he be doing during those long evenings? He would often come in
+ on foot or in a hackney cab when I returned in a carriage&mdash;I, his
+ secretary! Was so pious a man a prey to vices hidden under hypocrisy? Did
+ he expend all the powers of his mind to satisfy a jealousy more dexterous
+ than Othello&rsquo;s? Did he live with some woman unworthy of him? One morning,
+ on returning from I have forgotten what shop, where I had just paid a
+ bill, between the Church of Saint-Paul and the Hotel de Ville, I came
+ across Comte Octave in such eager conversation with an old woman that he
+ did not see me. The appearance of this hag filled me with strange
+ suspicions, suspicions that were all the better founded because I never
+ found that the Count invested his savings. Is it not shocking to think of?
+ I was constituting myself my patron&rsquo;s censor. At that time I knew that he
+ had more than six hundred thousand francs to invest; and if he had bought
+ securities of any kind, his confidence in me was so complete in all that
+ concerned his pecuniary interests, that I certainly should have known it.
+ </p>
+ <p>
+ &ldquo;Sometimes, in the morning, the Count took exercise in his garden, to and
+ fro, like a man to whom a walk is the hippogryph ridden by dreamy
+ melancholy. He walked and walked! And he rubbed his hands enough to rub
+ the skin off. And then, if I met him unexpectedly as he came to the angle
+ of a path, I saw his face beaming. His eyes, instead of the hardness of a
+ turquoise, had that velvety softness of the blue periwinkle, which had so
+ much struck me on the occasion of my first visit, by reason of the
+ astonishing contrast in the two different looks; the look of a happy man,
+ and the look of an unhappy man. Two or three times at such a moment he had
+ taken me by the arm and led me on; then he had said, &lsquo;What have you come
+ to ask?&rsquo; instead of pouring out his joy into my heart that opened to him.
+ But more often, especially since I could do his work for him and write his
+ reports, the unhappy man would sit for hours staring at the goldfish that
+ swarmed in a handsome marble basin in the middle of the garden, round
+ which grew an amphitheatre of the finest flowers. He, an accomplished
+ statesman, seemed to have succeeded in making a passion of the mechanical
+ amusement of crumbling bread to fishes.
+ </p>
+ <p>
+ &ldquo;This is how the drama was disclosed of this second inner life, so deeply
+ ravaged and storm-tossed, where, in a circle overlooked by Dante in his <i>Inferno</i>,
+ horrible joys had their birth.&rdquo;
+ </p>
+ <p>
+ The Consul-General paused.
+ </p>
+ <p>
+ &ldquo;On a certain Monday,&rdquo; he resumed, &ldquo;as chance would have it, M. le
+ President de Grandville and M. de Serizy (at that time Vice-President of
+ the Council of State) had come to hold a meeting at Comte Octave&rsquo;s house.
+ They formed a committee of three, of which I was the secretary. The Count
+ had already got me the appointment of Auditor to the Council of State. All
+ the documents requisite for their inquiry into the political matter
+ privately submitted to these three gentlemen were laid out on one of the
+ long tables in the library. MM. de Grandville and de Serizy had trusted to
+ the Count to make the preliminary examination of the papers relating to
+ the matter. To avoid the necessity for carrying all the papers to M. de
+ Serizy, as president of the commission, it was decided that they should
+ meet first in the Rue Payenne. The Cabinet at the Tuileries attached great
+ importance to this piece of work, of which the chief burden fell on me&mdash;and
+ to which I owed my appointment, in the course of that year, to be Master
+ of Appeals.
+ </p>
+ <p>
+ &ldquo;Though the Comtes de Grandville and de Serizy, whose habits were much the
+ same as my patron&rsquo;s, never dined away from home, we were still discussing
+ the matter at a late hour, when we were startled by the man-servant
+ calling me aside to say, &lsquo;MM. the Cures of Saint-Paul and of the White
+ Friars have been waiting in the drawing-room for two hours.&rsquo;
+ </p>
+ <p>
+ &ldquo;It was nine o&rsquo;clock.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, gentlemen, you find yourselves compelled to dine with priests,&rsquo;
+ said Comte Octave to his colleagues. &lsquo;I do not know whether Grandville can
+ overcome his horror of a priest&rsquo;s gown&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;It depends on the priest.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;One of them is my uncle, and the other is the Abbe Gaudron,&rsquo; said I. &lsquo;Do
+ not be alarmed; the Abbe Fontanon is no longer second priest at Saint-Paul&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, let us dine,&rsquo; replied the President de Grandville. &lsquo;A bigot
+ frightens me, but there is no one so cheerful as a truly pious man.&rsquo;
+ </p>
+ <p>
+ &ldquo;We went into the drawing-room. The dinner was delightful. Men of real
+ information, politicians to whom business gives both consummate experience
+ and the practice of speech, are admirable story-tellers, when they tell
+ stories. With them there is no medium; they are either heavy, or they are
+ sublime. In this delightful sport Prince Metternich is as good as Charles
+ Nodier. The fun of a statesman, cut in facets like a diamond, is sharp,
+ sparkling, and full of sense. Being sure that the proprieties would be
+ observed by these three superior men, my uncle allowed his wit full play,
+ a refined wit, gentle, penetrating, and elegant, like that of all men who
+ are accustomed to conceal their thoughts under the black robe. And you may
+ rely upon it, there was nothing vulgar nor idle in this light talk, which
+ I would compare, for its effect on the soul, to Rossini&rsquo;s music.
+ </p>
+ <p>
+ &ldquo;The Abbe Gaudron was, as M. de Grandville said, a Saint Peter rather than
+ a Saint Paul, a peasant full of faith, as square on his feet as he was
+ tall, a sacerdotal of whose ignorance in matters of the world and of
+ literature enlivened the conversation by guileless amazement and
+ unexpected questions. They came to talking of one of the plague spots of
+ social life, of which we were just now speaking&mdash;adultery. My uncle
+ remarked on the contradiction which the legislators of the Code, still
+ feeling the blows of the revolutionary storm, had established between
+ civil and religious law, and which he said was at the root of all the
+ mischief.
+ </p>
+ <p>
+ &ldquo;&lsquo;In the eyes of the Church,&rsquo; said he, &lsquo;adultery is a crime; in those of
+ your tribunals it is a misdemeanor. Adultery drives to the police court in
+ a carriage instead of standing at the bar to be tried. Napoleon&rsquo;s Council
+ of State, touched with tenderness towards erring women, was quite
+ inefficient. Ought they not in this case to have harmonized the civil and
+ the religious law, and have sent the guilty wife to a convent, as of old?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;To a convent!&rsquo; said M. de Serizy. &lsquo;They must first have created
+ convents, and in those days monasteries were being turned into barracks.
+ Besides, think of what you say, M. l&rsquo;Abbe&mdash;give to God what society
+ would have none of?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh!&rsquo; said the Comte de Grandville, &lsquo;you do not know France. They were
+ obliged to leave the husband free to take proceedings: well, there are not
+ ten cases of adultery brought up in a year.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;M. l&rsquo;Abbe preaches for his own saint, for it was Jesus Christ who
+ invented adultery,&rsquo; said Comte Octave. &lsquo;In the East, the cradle of the
+ human race, woman was merely a luxury, and there was regarded as a
+ chattel; no virtues were demanded of her but obedience and beauty. By
+ exalting the soul above the body, the modern family in Europe&mdash;a
+ daughter of Christ&mdash;invented indissoluble marriage, and made it a
+ sacrament.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Ah! the Church saw the difficulties,&rsquo; exclaimed M. de Grandville.
+ </p>
+ <p>
+ &ldquo;&lsquo;This institution has given rise to a new world,&rsquo; the Count went on with
+ a smile. &lsquo;But the practices of that world will never be that of a climate
+ where women are marriageable at seven years of age, and more than old at
+ five-and-twenty. The Catholic Church overlooked the needs of half the
+ globe.&mdash;So let us discuss Europe only.
+ </p>
+ <p>
+ &ldquo;&lsquo;Is woman our superior or our inferior? That is the real question so far
+ as we are concerned. If woman is our inferior, by placing her on so high a
+ level as the Church does, fearful punishments for adultery were needful.
+ And formerly that was what was done. The cloister or death sums up early
+ legislation. But since then practice has modified the law, as is always
+ the case. The throne served as a hotbed for adultery, and the increase of
+ this inviting crime marks the decline of the dogmas of the Catholic
+ Church. In these days, in cases where the Church now exacts no more than
+ sincere repentance from the erring wife, society is satisfied with a
+ brand-mark instead of an execution. The law still condemns the guilty, but
+ it no longer terrifies them. In short, there are two standards of morals:
+ that of the world, and that of the Code. Where the Code is weak, as I
+ admit with our dear Abbe, the world is audacious and satirical. There are
+ so few judges who would not gladly have committed the fault against which
+ they hurl the rather stolid thunders of their &ldquo;Inasmuch.&rdquo; The world, which
+ gives the lie to the law alike in its rejoicings, in its habits, and in
+ its pleasures, is severer than the Code and the Church; the world punishes
+ a blunder after encouraging hypocrisy. The whole economy of the law on
+ marriage seems to me to require reconstruction from the bottom to the top.
+ The French law would be perfect perhaps if it excluded daughters from
+ inheriting.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;We three among us know the question very thoroughly,&rsquo; said the Comte de
+ Grandville with a laugh. &lsquo;I have a wife I cannot live with. Serizy has a
+ wife who will not live with him. As for you, Octave, yours ran away from
+ you. So we three represent every case of the conjugal conscience, and, no
+ doubt, if ever divorce is brought in again, we shall form the committee.&rsquo;
+ </p>
+ <p>
+ &ldquo;Octave&rsquo;s fork dropped on his glass, broke it, and broke his plate. He had
+ turned as pale as death, and flashed a thunderous glare at M. de
+ Grandville, by which he hinted at my presence, and which I caught.
+ </p>
+ <p>
+ &ldquo;&lsquo;Forgive me, my dear fellow. I did not see Maurice,&rsquo; the President went
+ on. &lsquo;Serizy and I, after being the witnesses to your marriage, became your
+ accomplices; I did not think I was committing an indiscretion in the
+ presence of these two venerable priests.&rsquo;
+ </p>
+ <p>
+ &ldquo;M. de Serizy changed the subject by relating all he had done to please
+ his wife without ever succeeding. The old man concluded that it was
+ impossible to regulate human sympathies and antipathies; he maintained
+ that social law was never more perfect than when it was nearest to natural
+ law. Now Nature takes no account of the affinities of souls; her aim is
+ fulfilled by the propagation of the species. Hence, the Code, in its
+ present form, was wise in leaving a wide latitude to chance. The
+ incapacity of daughters to inherit so long as there were male heirs was an
+ excellent provision, whether to hinder the degeneration of the race, or to
+ make households happier by abolishing scandalous unions and giving the
+ sole preference to moral qualities and beauty.
+ </p>
+ <p>
+ &ldquo;&lsquo;But then,&rsquo; he exclaimed, lifting his hand with a gesture of disgust,
+ &lsquo;how are we to perfect legislation in a country which insists on bringing
+ together seven or eight hundred legislators!&mdash;After all, if I am
+ sacrificed,&rsquo; he added, &lsquo;I have a child to succeed me.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Setting aside all the religious question,&rsquo; my uncle said, &lsquo;I would
+ remark to your Excellency that Nature only owes us life, and that it is
+ society that owes us happiness. Are you a father?&rsquo; asked my uncle.
+ </p>
+ <p>
+ &ldquo;&lsquo;And I&mdash;have I any children?&rsquo; said Comte Octave in a hollow voice,
+ and his tone made such an impression that there was no more talk of wives
+ or marriage.
+ </p>
+ <p>
+ &ldquo;When coffee had been served, the two Counts and the two priests stole
+ away, seeing that poor Octave had fallen into a fit of melancholy which
+ prevented his noticing their disappearance. My patron was sitting in an
+ armchair by the fire, in the attitude of a man crushed.
+ </p>
+ <p>
+ &ldquo;&lsquo;You now know the secret of my life, said he to me on noticing that we
+ were alone. &lsquo;After three years of married life, one evening when I came in
+ I found a letter in which the Countess announced her flight. The letter
+ did not lack dignity, for it is in the nature of women to preserve some
+ virtues even when committing that horrible sin.&mdash;The story is now
+ that my wife went abroad in a ship that was wrecked; she is supposed to be
+ dead. I have lived alone for seven years!&mdash;Enough for this evening,
+ Maurice. We will talk of my situation when I have grown used to the idea
+ of speaking of it to you. When we suffer from a chronic disease, it needs
+ time to become accustomed to improvement. That improvement often seems to
+ be merely another aspect of the complaint.&rsquo;
+ </p>
+ <p>
+ &ldquo;I went to bed greatly agitated; for the mystery, far from being
+ explained, seemed to me more obscure than ever. I foresaw some strange
+ drama indeed, for I understood that there could be no vulgar difference
+ between the woman that Count could choose and such a character as his. The
+ events which had driven the Countess to leave a man so noble, so amiable,
+ so perfect, so loving, so worthy to be loved, must have been singular, to
+ say the least. M. de Grandville&rsquo;s remark had been like a torch flung into
+ the caverns over which I had so long been walking; and though the flame
+ lighted them but dimly, my eyes could perceive their wide extent! I could
+ imagine the Count&rsquo;s sufferings without knowing their depths or their
+ bitterness. That sallow face, those parched temples, those overwhelming
+ studies, those moments of absentmindedness, the smallest details of the
+ life of this married bachelor, all stood out in luminous relief during the
+ hour of mental questioning, which is, as it were, the twilight before
+ sleep, and to which any man would have given himself up, as I did.
+ </p>
+ <p>
+ &ldquo;Oh! how I loved my poor master! He seemed to me sublime. I read a poem of
+ melancholy, I saw perpetual activity in the heart I had accused of being
+ torpid. Must not supreme grief always come at last to stagnation? Had this
+ judge, who had so much in his power, ever revenged himself? Was he feeding
+ himself on her long agony? Is it not a remarkable thing in Paris to keep
+ anger always seething for ten years? What had Octave done since this great
+ misfortune&mdash;for the separation of husband and wife is a great
+ misfortune in our day, when domestic life has become a social question,
+ which it never was of old?
+ </p>
+ <p>
+ &ldquo;We allowed a few days to pass on the watch, for great sorrows have a
+ diffidence of their own; but at last, one evening, the Count said in a
+ grave voice:
+ </p>
+ <p>
+ &ldquo;&lsquo;Stay.&rsquo;
+ </p>
+ <p>
+ &ldquo;This, as nearly as may be, is his story.
+ </p>
+ <p>
+ &ldquo;&lsquo;My father had a ward, rich and lovely, who was sixteen at the time when
+ I came back from college to live in this old house. Honorine, who had been
+ brought up by my mother, was just awakening to life. Full of grace and of
+ childish ways, she dreamed of happiness as she would have dreamed of
+ jewels; perhaps happiness seemed to her the jewel of the soul. Her piety
+ was not free from puerile pleasures; for everything, even religion, was
+ poetry to her ingenuous heart. She looked to the future as a perpetual
+ fete. Innocent and pure, no delirium had disturbed her dream. Shame and
+ grief had never tinged her cheek nor moistened her eye. She did not even
+ inquire into the secret of her involuntary emotions on a fine spring day.
+ And then, she felt that she was weak and destined to obedience, and she
+ awaited marriage without wishing for it. Her smiling imagination knew
+ nothing of the corruption&mdash;necessary perhaps&mdash;which literature
+ imparts by depicting the passions; she knew nothing of the world, and was
+ ignorant of all the dangers of society. The dear child had suffered so
+ little that she had not even developed her courage. In short, her
+ guilelessness would have led her to walk fearless among serpents, like the
+ ideal figure of Innocence a painter once created. We lived together like
+ two brothers.
+ </p>
+ <p>
+ &ldquo;&lsquo;At the end of a year I said to her one day, in the garden of this house,
+ by the basin, as we stood throwing crumbs to the fish:
+ </p>
+ <p>
+ &ldquo;&lsquo;"Would you like that we should be married? With me you could do whatever
+ you please, while another man would make you unhappy.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;"Mamma,&rdquo; said she to my mother, who came out to join us, &ldquo;Octave and I
+ have agreed to be married&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;"What! at seventeen?&rdquo; said my mother. &ldquo;No, you must wait eighteen
+ months; and if eighteen months hence you like each other, well, your birth
+ and fortunes are equal, you can make a marriage which is suitable, as well
+ as being a love match.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;When I was six-and-twenty, and Honorine nineteen, we were married. Our
+ respect for my father and mother, old folks of the Bourbon Court, hindered
+ us from making this house fashionable, or renewing the furniture; we lived
+ on, as we had done in the past, as children. However, I went into society;
+ I initiated my wife into the world of fashion; and I regarded it as one of
+ my duties to instruct her.
+ </p>
+ <p>
+ &ldquo;&lsquo;I recognized afterwards that marriages contracted under such
+ circumstances as ours bear in themselves a rock against which many
+ affections are wrecked, many prudent calculations, many lives. The husband
+ becomes a pedagogue, or, if you like, a professor, and love perishes under
+ the rod which, sooner or later, gives pain; for a young and handsome wife,
+ at once discreet and laughter-loving, will not accept any superiority
+ above that with which she is endowed by nature. Perhaps I was in the
+ wrong? During the difficult beginnings of a household I, perhaps, assumed
+ a magisterial tone? On the other hand, I may have made the mistake of
+ trusting too entirely to that artless nature; I kept no watch over the
+ Countess, in whom revolt seemed to me impossible? Alas! neither in
+ politics nor in domestic life has it yet been ascertained whether empires
+ and happiness are wrecked by too much confidence or too much severity!
+ Perhaps again, the husband failed to realize Honorine&rsquo;s girlish dreams?
+ Who can tell, while happy days last, what precepts he has neglected?&rsquo;
+ </p>
+ <p>
+ &ldquo;I remember only the broad outlines of the reproaches the Count addressed
+ to himself, with all the good faith of an anatomist seeking the cause of a
+ disease which might be overlooked by his brethren; but his merciful
+ indulgence struck me then as really worthy of that of Jesus Christ when He
+ rescued the woman taken in adultery.
+ </p>
+ <p>
+ &ldquo;&lsquo;It was eighteen months after my father&rsquo;s death&mdash;my mother followed
+ him to the tomb in a few months&mdash;when the fearful night came which
+ surprised me by Honorine&rsquo;s farewell letter. What poetic delusion had
+ seduced my wife? Was it through her senses? Was it the magnetism of
+ misfortune or of genius? Which of these powers had taken her by storm or
+ misled her?&mdash;I would not know. The blow was so terrible, that for a
+ month I remained stunned. Afterwards, reflection counseled me to continue
+ in ignorance, and Honorine&rsquo;s misfortunes have since taught me too much
+ about all these things.&mdash;So far, Maurice, the story is commonplace
+ enough; but one word will change it all: I love Honorine, I have never
+ ceased to worship her. From the day when she left me I have lived on
+ memory; one by one I recall the pleasures for which Honorine no doubt had
+ no taste.
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh!&rsquo; said he, seeing the amazement in my eyes, &lsquo;do not make a hero of
+ me, do not think me such a fool, as the Colonel of the Empire would say,
+ as to have sought no diversion. Alas, my boy! I was either too young or
+ too much in love; I have not in the whole world met with another woman.
+ After frightful struggles with myself, I tried to forget; money in hand, I
+ stood on the very threshold of infidelity, but there the memory of
+ Honorine rose before me like a white statue. As I recalled the infinite
+ delicacy of that exquisite skin, through which the blood might be seen
+ coursing and the nerves quivering; as I saw in fancy that ingenuous face,
+ as guileless on the eve of my sorrows as on the day when I said to her,
+ &ldquo;Shall we marry?&rdquo; as I remembered a heavenly fragrance, the very odor of
+ virtue, and the light in her eyes, the prettiness of her movements, I fled
+ like a man preparing to violate a tomb, who sees emerging from it the
+ transfigured soul of the dead. At consultations, in Court, by night, I
+ dream so incessantly of Honorine that only by excessive strength of mind
+ do I succeed in attending to what I am doing and saying. This is the
+ secret of my labors.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, I felt no more anger with her than a father can feel on seeing his
+ beloved child in some danger it has imprudently rushed into. I understood
+ that I had made a poem of my wife&mdash;a poem I delighted in with such
+ intoxication, that I fancied she shared the intoxication. Ah! Maurice, an
+ indiscriminating passion in a husband is a mistake that may lead to any
+ crime in a wife. I had no doubt left all the faculties of this child,
+ loved as a child, entirely unemployed; I had perhaps wearied her with my
+ love before the hour of loving had struck for her! Too young to understand
+ that in the constancy of the wife lies the germ of the mother&rsquo;s devotion,
+ she mistook this first test of marriage for life itself, and the
+ refractory child cursed life, unknown to me, nor daring to complain to me,
+ out of sheer modesty perhaps! In so cruel a position she would be
+ defenceless against any man who stirred her deeply.&mdash;And I, so wise a
+ judge as they say&mdash;I, who have a kind heart, but whose mind was
+ absorbed&mdash;I understood too late these unwritten laws of the woman&rsquo;s
+ code, I read them by the light of the fire that wrecked my roof. Then I
+ constituted my heart a tribunal by virtue of the law, for the law makes
+ the husband a judge: I acquitted my wife, and I condemned myself. But love
+ took possession of me as a passion, the mean, despotic passion which comes
+ over some old men. At this day I love the absent Honorine as a man of
+ sixty loves a woman whom he must possess at any cost, and yet I feel the
+ strength of a young man. I have the insolence of the old man and the
+ reserve of a boy.&mdash;My dear fellow, society only laughs at such a
+ desperate conjugal predicament. Where it pities a lover, it regards a
+ husband as ridiculously inept; it makes sport of those who cannot keep the
+ woman they have secured under the canopy of the Church, and before the
+ Maire&rsquo;s scarf of office. And I had to keep silence.
+ </p>
+ <p>
+ &ldquo;&lsquo;Serizy is happy. His indulgence allows him to see his wife; he can
+ protect and defend her; and, as he adores her, he knows all the perfect
+ joys of a benefactor whom nothing can disturb, not even ridicule, for he
+ pours it himself on his fatherly pleasures. &ldquo;I remain married only for my
+ wife&rsquo;s sake,&rdquo; he said to me one day on coming out of court.
+ </p>
+ <p>
+ &ldquo;&lsquo;But I&mdash;I have nothing; I have not even to face ridicule, I who live
+ solely on a love which is starving! I who can never find a word to say to
+ a woman of the world! I who loathe prostitution! I who am faithful under a
+ spell!&mdash;But for my religious faith, I should have killed myself. I
+ have defied the gulf of hard work; I have thrown myself into it, and come
+ out again alive, fevered, burning, bereft of sleep!&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;I cannot remember all the words of this eloquent man, to whom passion
+ gave an eloquence indeed so far above that of the pleader that, as I
+ listened to him, I, like him, felt my cheeks wet with tears. You may
+ conceive of my feelings when, after a pause, during which we dried them
+ away, he finished his story with this revelation:&mdash;
+ </p>
+ <p>
+ &ldquo;&lsquo;This is the drama of my soul, but it is not the actual living drama
+ which is at this moment being acted in Paris! The interior drama interests
+ nobody. I know it; and you will one day admit that it is so, you, who at
+ this moment shed tears with me; no one can burden his heart or his skin
+ with another&rsquo;s pain. The measure of our sufferings is in ourselves.&mdash;You
+ even understand my sorrows only by very vague analogy. Could you see me
+ calming the most violent frenzy of despair by the contemplation of a
+ miniature in which I can see and kiss her brow, the smile on her lips, the
+ shape of her face, can breathe the whiteness of her skin; which enables me
+ almost to feel, to play with the black masses of her curling hair?&mdash;Could
+ you see me when I leap with hope&mdash;when I writhe under the myriad
+ darts of despair&mdash;when I tramp through the mire of Paris to quell my
+ irritation by fatigue? I have fits of collapse comparable to those of a
+ consumptive patient, moods of wild hilarity, terrors as of a murderer who
+ meets a sergeant of police. In short, my life is a continual paroxysm of
+ fears, joy, and dejection.
+ </p>
+ <p>
+ &ldquo;&lsquo;As to the drama&mdash;it is this. You imagine that I am occupied with
+ the Council of State, the Chamber, the Courts, Politics.&mdash;Why, dear
+ me, seven hours at night are enough for all that, so much are my faculties
+ overwrought by the life I lead! Honorine is my real concern. To recover my
+ wife is my only study; to guard her in her cage, without her suspecting
+ that she is in my power; to satisfy her needs, to supply the little
+ pleasure she allows herself, to be always about her like a sylph without
+ allowing her to see or to suspect me, for if she did, the future would be
+ lost,&mdash;that is my life, my true life.&mdash;For seven years I have
+ never gone to bed without going first to see the light of her night-lamp,
+ or her shadow on the window curtains.
+ </p>
+ <p>
+ &ldquo;&lsquo;She left my house, choosing to take nothing but the dress she wore that
+ day. The child carried her magnanimity to the point of folly!
+ Consequently, eighteen months after her flight she was deserted by her
+ lover, who was appalled by the cold, cruel, sinister, and revolting aspect
+ of poverty&mdash;the coward! The man had, no doubt, counted on the easy
+ and luxurious life in Switzerland or Italy which fine ladies indulge in
+ when they leave their husbands. Honorine has sixty thousand francs a year
+ of her own. The wretch left the dear creature expecting an infant, and
+ without a penny. In the month of November 1820 I found means to persuade
+ the best <i>accoucheur</i> in Paris to play the part of a humble suburban
+ apothecary. I induced the priest of the parish in which the Countess was
+ living to supply her needs as though he were performing an act of charity.
+ Then to hide my wife, to secure her against discovery, to find her a
+ housekeeper who would be devoted to me and be my intelligent confidante&mdash;it
+ was a task worthy of Figaro! You may suppose that to discover where my
+ wife had taken refuge I had only to make up my mind to it.
+ </p>
+ <p>
+ &ldquo;&lsquo;After three months of desperation rather than despair, the idea of
+ devoting myself to Honorine with God only in my secret, was one of those
+ poems which occur only to the heart of a lover through life and death!
+ Love must have its daily food. And ought I not to protect this child,
+ whose guilt was the outcome of my imprudence, against fresh disaster&mdash;to
+ fulfil my part, in short, as a guardian angel?&mdash;At the age of seven
+ months her infant died, happily for her and for me. For nine months more
+ my wife lay between life and death, deserted at the time when she most
+ needed a manly arm; but this arm,&rsquo; said he, holding out his own with a
+ gesture of angelic dignity, &lsquo;was extended over her head. Honorine was
+ nursed as she would have been in her own home. When, on her recovery, she
+ asked how and by whom she had been assisted, she was told&mdash;&ldquo;By the
+ Sisters of Charity in the neighborhood&mdash;by the Maternity Society&mdash;by
+ the parish priest, who took an interest in her.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;This woman, whose pride amounts to a vice, has shown a power of
+ resistance in misfortune, which on some evenings I call the obstinacy of a
+ mule. Honorine was bent on earning her living. My wife works! For five
+ years past I have lodged her in the Rue Saint-Maur, in a charming little
+ house, where she makes artificial flowers and articles of fashion. She
+ believes that she sells the product of her elegant fancywork to a shop,
+ where she is so well paid that she makes twenty francs a day, and in these
+ six years she had never had a moment&rsquo;s suspicion. She pays for everything
+ she needs at about the third of its value, so that on six thousand francs
+ a year she lives as if she had fifteen thousand. She is devoted to
+ flowers, and pays a hundred crowns to a gardener, who costs me twelve
+ hundred in wages, and sends me in a bill for two thousand francs every
+ three months. I have promised the man a market-garden with a house on it
+ close to the porter&rsquo;s lodge in the Rue Saint-Maur. I hold this ground in
+ the name of a clerk of the law courts. The smallest indiscretion would
+ ruin the gardener&rsquo;s prospects. Honorine has her little house, a garden,
+ and a splendid hothouse, for a rent of five hundred francs a year. There
+ she lives under the name of her housekeeper, Madame Gobain, the old woman
+ of impeccable discretion whom I was so lucky as to find, and whose
+ affection Honorine has won. But her zeal, like that of the gardener, is
+ kept hot by the promise of reward at the moment of success. The porter and
+ his wife cost me dreadfully dear for the same reasons. However, for three
+ years Honorine has been happy, believing that she owes to her own toil all
+ the luxury of flowers, dress, and comfort.
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh! I know what you are about to say,&rsquo; cried the Count, seeing a
+ question in my eyes and on my lips. &lsquo;Yes, yes; I have made the attempt. My
+ wife was formerly living in the Faubourg Saint-Antoine. One day when, from
+ what Gobain told me, I believed in some chance of a reconciliation, I
+ wrote by post a letter, in which I tried to propitiate my wife&mdash;a
+ letter written and re-written twenty times! I will not describe my
+ agonies. I went from the Rue Payenne to the Rue de Reuilly like a
+ condemned wretch going from the Palais de Justice to his execution, but he
+ goes on a cart, and I was on foot. It was dark&mdash;there was a fog; I
+ went to meet Madame Gobain, who was to come and tell me what my wife had
+ done. Honorine, on recognizing my writing, had thrown the letter into the
+ fire without reading it.&mdash;&ldquo;Madame Gobain,&rdquo; she had exclaimed, &ldquo;I
+ leave this to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;What a dagger-stroke was this to a man who found inexhaustible pleasure
+ in the trickery by which he gets the finest Lyons velvet at twelve francs
+ a yard, a pheasant, a fish, a dish of fruit, for a tenth of their value,
+ for a woman so ignorant as to believe that she is paying ample wages with
+ two hundred and fifty francs to Madame Gobain, a cook fit for a bishop.
+ </p>
+ <p>
+ &ldquo;&lsquo;You have sometimes found me rubbing my hands in the enjoyment of a sort
+ of happiness. Well, I had just succeeded in some ruse worthy of the stage.
+ I had just deceived my wife&mdash;I had sent her by a purchaser of
+ wardrobes an Indian shawl, to be offered to her as the property of an
+ actress who had hardly worn it, but in which I&mdash;the solemn lawyer
+ whom you know&mdash;had wrapped myself for a night! In short, my life at
+ this day may be summed up in the two words which express the extremes of
+ torment&mdash;I love, and I wait! I have in Madame Gobain a faithful spy
+ on the heart I worship. I go every evening to chat with the old woman, to
+ hear from her all that Honorine has done during the day, the lightest word
+ she has spoken, for a single exclamation might betray to me the secrets of
+ that soul which is wilfully deaf and dumb. Honorine is pious; she attends
+ the Church services and prays, but she has never been to confession or
+ taken the Communion; she foresees what a priest would tell her. She will
+ not listen to the advice, to the injunction, that she should return to me.
+ This horror of me overwhelms me, dismays me, for I have never done her the
+ smallest harm. I have always been kind to her. Granting even that I may
+ have been a little hasty when teaching her, that my man&rsquo;s irony may have
+ hurt her legitimate girlish pride, is that a reason for persisting in a
+ determination which only the most implacable hatred could have inspired?
+ Honorine has never told Madame Gobain who she is; she keeps absolute
+ silence as to her marriage, so that the worthy and respectable woman can
+ never speak a word in my favor, for she is the only person in the house
+ who knows my secret. The others know nothing; they live under the awe
+ caused by the name of the Prefect of Police, and their respect for the
+ power of a Minister. Hence it is impossible for me to penetrate that
+ heart; the citadel is mine, but I cannot get into it. I have not a single
+ means of action. An act of violence would ruin me for ever.
+ </p>
+ <p>
+ &ldquo;&lsquo;How can I argue against reasons of which I know nothing? Should I write
+ a letter, and have it copied by a public writer, and laid before Honorine?
+ But that would be to run the risk of a third removal. The last cost me
+ fifty thousand francs. The purchase was made in the first instance in the
+ name of the secretary whom you succeeded. The unhappy man, who did not
+ know how lightly I sleep, was detected by me in the act of opening a box
+ in which I had put the private agreement; I coughed, and he was seized
+ with a panic; next day I compelled him to sell the house to the man in
+ whose name it now stands, and I turned him out.
+ </p>
+ <p>
+ &ldquo;&lsquo;If it were not that I feel all my noblest faculties as a man satisfied,
+ happy, expansive; if the part I am playing were not that of divine
+ fatherhood; if I did not drink in delight by every pore, there are moments
+ when I should believe that I was a monomaniac. Sometimes at night I hear
+ the jingling bells of madness. I dread the violent transitions from a
+ feeble hope, which sometimes shines and flashes up, to complete despair,
+ falling as low as man can fall. A few days since I was seriously
+ considering the horrible end of the story of Lovelace and Clarissa
+ Harlowe, and saying to myself, if Honorine were the mother of a child of
+ mine, must she not necessarily return under her husband&rsquo;s roof?
+ </p>
+ <p>
+ &ldquo;&lsquo;And I have such complete faith in a happy future, that ten months ago I
+ bought and paid for one of the handsomest houses in the Faubourg
+ Saint-Honore. If I win back Honorine, I will not allow her to see this
+ house again, nor the room from which she fled. I mean to place my idol in
+ a new temple, where she may feel that life is altogether new. That house
+ is being made a marvel of elegance and taste. I have been told of a poet
+ who, being almost mad with love for an actress, bought the handsomest bed
+ in Paris without knowing how the actress would reward his passion. Well,
+ one of the coldest of lawyers, a man who is supposed to be the gravest
+ adviser of the Crown, was stirred to the depths of his heart by that
+ anecdote. The orator of the Legislative Chamber can understand the poet
+ who fed his ideal on material possibilities. Three days before the arrival
+ of Maria Louisa, Napoleon flung himself on his wedding bed at Compiegne.
+ All stupendous passions have the same impulses. I love as a poet&mdash;as
+ an emperor!&rsquo;
+ </p>
+ <p>
+ &ldquo;As I heard the last words, I believed that Count Octave&rsquo;s fears were
+ realized; he had risen, and was walking up and down, and gesticulating,
+ but he stopped as if shocked by the vehemence of his own words.
+ </p>
+ <p>
+ &ldquo;&lsquo;I am very ridiculous,&rsquo; he added, after a long pause, looking at me, as
+ if craving a glance of pity.
+ </p>
+ <p>
+ &ldquo;&lsquo;No, monsieur, you are very unhappy.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Ah yes!&rsquo; said he, taking up the thread of his confidences. &lsquo;From the
+ violence of my speech you may, you must believe in the intensity of a
+ physical passion which for nine years has absorbed all my faculties; but
+ that is nothing in comparison with the worship I feel for the soul, the
+ mind, the heart, all in that woman; the enchanting divinities in the train
+ of Love, with whom we pass our life, and who form the daily poem of a
+ fugitive delight. By a phenomenon of retrospection I see now the graces of
+ Honorine&rsquo;s mind and heart, to which I paid little heed in the time of my
+ happiness&mdash;like all who are happy. From day to day I have appreciated
+ the extent of my loss, discovering the exquisite gifts of that capricious
+ and refractory young creature who has grown so strong and so proud under
+ the heavy hand of poverty and the shock of the most cowardly desertion.
+ And that heavenly blossom is fading in solitude and hiding!&mdash;Ah! The
+ law of which we were speaking,&rsquo; he went on with bitter irony, &lsquo;the law is
+ a squad of gendarmes&mdash;my wife seized and dragged away by force! Would
+ not that be to triumph over a corpse? Religion has no hold on her; she
+ craves its poetry, she prays, but she does not listen to the commandments
+ of the Church. I, for my part, have exhausted everything in the way of
+ mercy, of kindness, of love; I am at my wits&rsquo; end. Only one chance of
+ victory is left to me; the cunning and patience with which bird-catchers
+ at last entrap the wariest birds, the swiftest, the most capricious, and
+ the rarest. Hence, Maurice, when M. de Grandville&rsquo;s indiscretion betrayed
+ to you the secret of my life, I ended by regarding this incident as one of
+ the decrees of fate, one of the utterances for which gamblers listen and
+ pray in the midst of their most impassioned play.... Have you enough
+ affection for me to show me romantic devotion?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I see what you are coming to, Monsieur le Comte,&rsquo; said I, interrupting
+ him; &lsquo;I guess your purpose. Your first secretary tried to open your deed
+ box. I know the heart of your second&mdash;he might fall in love with your
+ wife. And can you devote him to destruction by sending him into the fire?
+ Can any one put his hand into a brazier without burning it?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;You are a foolish boy,&rsquo; replied the Count. &lsquo;I will send you well gloved.
+ It is no secretary of mine that will be lodged in the Rue Saint-Maur in
+ the little garden-house which I have at his disposal. It is my distant
+ cousin, Baron de l&rsquo;Hostal, a lawyer high in office...&rdquo;
+ </p>
+ <p>
+ &ldquo;After a moment of silent surprise, I heard the gate bell ring, and a
+ carriage came into the courtyard. Presently the footman announced Madame
+ de Courteville and her daughter. The Count had a large family connection
+ on his mother&rsquo;s side. Madame de Courteville, his cousin, was the widow of
+ a judge on the bench of the Seine division, who had left her a daughter
+ and no fortune whatever. What could a woman of nine-and-twenty be in
+ comparison with a young girl of twenty, as lovely as imagination could
+ wish for an ideal mistress?
+ </p>
+ <p>
+ &ldquo;&lsquo;Baron, and Master of Appeals, till you get something better, and this
+ old house settled on her,&mdash;would not you have enough good reasons for
+ not falling in love with the Countess?&rsquo; he said to me in a whisper, as he
+ took me by the hand and introduced me to Madame de Courteville and her
+ daughter.
+ </p>
+ <p>
+ &ldquo;I was dazzled, not so much by these advantages of which I had never
+ dreamed, but by Amelie de Courteville, whose beauty was thrown into relief
+ by one of those well-chosen toilets which a mother can achieve for a
+ daughter when she wants to see her married.
+ </p>
+ <p>
+ &ldquo;But I will not talk of myself,&rdquo; said the Consul after a pause.
+ </p>
+ <p>
+ &ldquo;Three weeks later I went to live in the gardener&rsquo;s cottage, which had
+ been cleaned, repaired, and furnished with the celerity which is explained
+ by three words: Paris; French workmen; money! I was as much in love as the
+ Count could possibly desire as a security. Would the prudence of a young
+ man of five-and-twenty be equal to the part I was undertaking, involving a
+ friend&rsquo;s happiness? To settle that matter, I may confess that I counted
+ very much on my uncle&rsquo;s advice; for I had been authorized by the Count to
+ take him into confidence in any case where I deemed his interference
+ necessary. I engaged a garden; I devoted myself to horticulture; I worked
+ frantically, like a man whom nothing can divert, turning up the soil of
+ the market-garden, and appropriating the ground to the culture of flowers.
+ Like the maniacs of England, or of Holland, I gave it out that I was
+ devoted to one kind of flower, and especially grew dahlias, collecting
+ every variety. You will understand that my conduct, even in the smallest
+ details, was laid down for me by the Count, whose whole intellectual
+ powers were directed to the most trifling incidents of the tragi-comedy
+ enacted in the Rue Saint-Maur. As soon as the Countess had gone to bed, at
+ about eleven at night, Octave, Madame Gobain, and I sat in council. I
+ heard the old woman&rsquo;s report to the Count of his wife&rsquo;s least proceedings
+ during the day. He inquired into everything: her meals, her occupations,
+ her frame of mind, her plans for the morrow, the flowers she proposed to
+ imitate. I understood what love in despair may be when it is the threefold
+ passion of the heart, the mind, and the senses. Octave lived only for that
+ hour.
+ </p>
+ <p>
+ &ldquo;During two months, while my work in the garden lasted, I never set eyes
+ on the little house where my fair neighbor dwelt. I had not even inquired
+ whether I had a neighbor, though the Countess&rsquo; garden was divided from
+ mine by a paling, along which she had planted cypress trees already four
+ feet high. One fine morning Madame Gobain announced to her mistress, as a
+ disastrous piece of news, the intention, expressed by an eccentric
+ creature who had become her neighbor, of building a wall between the two
+ gardens, at the end of the year. I will say nothing of the curiosity which
+ consumed me to see the Countess! The wish almost extinguished my budding
+ love for Amelie de Courteville. My scheme for building a wall was indeed a
+ dangerous threat. There would be no more fresh air for Honorine, whose
+ garden would then be a sort of narrow alley shut in between my wall and
+ her own little house. This dwelling, formerly a summer villa, was like a
+ house of cards; it was not more than thirty feet deep, and about a hundred
+ feet long. The garden front, painted in the German fashion, imitated a
+ trellis with flowers up to the second floor, and was really a charming
+ example of the Pompadour style, so well called rococo. A long avenue of
+ limes led up to it. The gardens of the pavilion and my plot of ground were
+ in the shape of a hatchet, of which this avenue was the handle. My wall
+ would cut away three-quarters of the hatchet.
+ </p>
+ <p>
+ &ldquo;The Countess was in despair.
+ </p>
+ <p>
+ &ldquo;&lsquo;My good Gobain,&rsquo; said she, &lsquo;what sort of man is this florist?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;On my word,&rsquo; said the housekeeper, &lsquo;I do not know whether it will be
+ possible to tame him. He seems to have a horror of women. He is the nephew
+ of a Paris cure. I have seen the uncle but once; a fine old man of sixty,
+ very ugly, but very amiable. It is quite possible that this priest
+ encourages his nephew, as they say in the neighborhood, in his love of
+ flowers, that nothing worse may happen&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Why&mdash;what?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, your neighbor is a little cracked!&rsquo; said Gobain, tapping her head!
+ </p>
+ <p>
+ &ldquo;Now a harmless lunatic is the only man whom no woman ever distrusts in
+ the matter of sentiment. You will see how wise the Count had been in
+ choosing this disguise for me.
+ </p>
+ <p>
+ &ldquo;&lsquo;What ails him then?&rsquo; asked the Countess.
+ </p>
+ <p>
+ &ldquo;&lsquo;He has studied too hard,&rsquo; replied Gobain; &lsquo;he has turned misanthropic.
+ And he has his reasons for disliking women&mdash;well, if you want to know
+ all that is said about him&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well,&rsquo; said Honorine, &lsquo;madmen frighten me less than sane folks; I will
+ speak to him myself! Tell him that I beg him to come here. If I do not
+ succeed, I will send for the cure.&rsquo;
+ </p>
+ <p>
+ &ldquo;The day after this conversation, as I was walking along my graveled path,
+ I caught sight of the half-opened curtains on the first floor of the
+ little house, and of a woman&rsquo;s face curiously peeping out. Madame Gobain
+ called me. I hastily glanced at the Countess&rsquo; house, and by a rude shrug
+ expressed, &lsquo;What do I care for your mistress!&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Madame,&rsquo; said Gobain, called upon to give an account of her errand, &lsquo;the
+ madman bid me leave him in peace, saying that even a charcoal seller is
+ master in his own premises, especially when he has no wife.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;He is perfectly right,&rsquo; said the Countess.
+ </p>
+ <p>
+ &ldquo;&lsquo;Yes, but he ended by saying, &ldquo;I will go,&rdquo; when I told him that he would
+ greatly distress a lady living in retirement, who found her greatest
+ solace in growing flowers.&rsquo;
+ </p>
+ <p>
+ &ldquo;Next day a signal from Gobain informed me that I was expected. After the
+ Countess&rsquo; breakfast, when she was walking to and fro in front of her
+ house, I broke out some palings and went towards her. I had dressed myself
+ like a countryman, in an old pair of gray flannel trousers, heavy wooden
+ shoes, and shabby shooting coat, a peaked cap on my head, a ragged bandana
+ round my neck, hands soiled with mould, and a dibble in my hand.
+ </p>
+ <p>
+ &ldquo;&lsquo;Madame,&rsquo; said the housekeeper, &lsquo;this good man is your neighbor.&rsquo;
+ </p>
+ <p>
+ &ldquo;The Countess was not alarmed. I saw at last the woman whom her own
+ conduct and her husband&rsquo;s confidences had made me so curious to meet. It
+ was in the early days of May. The air was pure, the weather serene; the
+ verdure of the first foliage, the fragrance of spring formed a setting for
+ this creature of sorrow. As I then saw Honorine I understood Octave&rsquo;s
+ passion and the truthfulness of his description, &lsquo;A heavenly flower!&rsquo;
+ </p>
+ <p>
+ &ldquo;Her pallor was what first struck me by its peculiar tone of white&mdash;for
+ there are as many tones of white as of red or blue. On looking at the
+ Countess, the eye seemed to feel that tender skin, where the blood flowed
+ in the blue veins. At the slightest emotion the blood mounted under the
+ surface in rosy flushes like a cloud. When we met, the sunshine, filtering
+ through the light foliage of the acacias, shed on Honorine the pale gold,
+ ambient glory in which Raphael and Titian, alone of all painters, have
+ been able to enwrap the Virgin. Her brown eyes expressed both tenderness
+ and vivacity; their brightness seemed reflected in her face through the
+ long downcast lashes. Merely by lifting her delicate eyelids, Honorine
+ could cast a spell; there was so much feeling, dignity, terror, or
+ contempt in her way of raising or dropping those veils of the soul. She
+ could freeze or give life by a look. Her light-brown hair, carelessly
+ knotted on her head, outlined a poet&rsquo;s brow, high, powerful, and dreamy.
+ The mouth was wholly voluptuous. And to crown all by a grace, rare in
+ France, though common in Italy, all the lines and forms of the head had a
+ stamp of nobleness which would defy the outrages of time.
+ </p>
+ <p>
+ &ldquo;Though slight, Honorine was not thin, and her figure struck me as being
+ one that might revive love when it believed itself exhausted. She
+ perfectly represented the idea conveyed by the word <i>mignonne</i>, for
+ she was one of those pliant little women who allow themselves to be taken
+ up, petted, set down, and taken up again like a kitten. Her small feet, as
+ I heard them on the gravel, made a light sound essentially their own, that
+ harmonized with the rustle of her dress, producing a feminine music which
+ stamped itself on the heart, and remained distinct from the footfall of a
+ thousand other women. Her gait bore all the quarterings of her race with
+ so much pride, that, in the street, the least respectful working man would
+ have made way for her. Gay and tender, haughty and imposing, it was
+ impossible to understand her, excepting as gifted with these apparently
+ incompatible qualities, which, nevertheless, had left her still a child.
+ But it was a child who might be as strong as an angel; and, like the
+ angel, once hurt in her nature, she would be implacable.
+ </p>
+ <p>
+ &ldquo;Coldness on that face must no doubt be death to those on whom her eyes
+ had smiled, for whom her set lips had parted, for those whose soul had
+ drunk in the melody of that voice, lending to her words the poetry of song
+ by its peculiar intonation. Inhaling the perfume of violets that
+ accompanied her, I understood how the memory of this wife had arrested the
+ Count on the threshold of debauchery, and how impossible it would be ever
+ to forget a creature who really was a flower to the touch, a flower to the
+ eye, a flower of fragrance, a heavenly flower to the soul.... Honorine
+ inspired devotion, chivalrous devotion, regardless of reward. A man on
+ seeing her must say to himself:
+ </p>
+ <p>
+ &ldquo;&lsquo;Think, and I will divine your thought; speak, and I will obey. If my
+ life, sacrificed in torments, can procure you one day&rsquo;s happiness, take my
+ life, I will smile like a martyr at the stake, for I shall offer that day
+ to God, as a token to which a father responds on recognizing a gift to his
+ child.&rsquo; Many women study their expression, and succeed in producing
+ effects similar to those which would have struck you at first sight of the
+ Countess; only, in her, it was all the outcome of a delightful nature,
+ that inimitable nature went at once to the heart. If I tell you all this,
+ it is because her soul, her thoughts, the exquisiteness of her heart, are
+ all we are concerned with, and you would have blamed me if I had not
+ sketched them for you.
+ </p>
+ <p>
+ &ldquo;I was very near forgetting my part as a half-crazy lout, clumsy, and by
+ no means chivalrous.
+ </p>
+ <p>
+ &ldquo;&lsquo;I am told, madame, that you are fond of flowers?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I am an artificial flower-maker,&rsquo; said she. &lsquo;After growing flowers, I
+ imitate them, like a mother who is artist enough to have the pleasure of
+ painting her children.... That is enough to tell you that I am poor and
+ unable to pay for the concession I am anxious to obtain from you?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But how,&rsquo; said I, as grave as a judge, &lsquo;can a lady of such rank as yours
+ would seem to be, ply so humble a calling? Have you, like me, good reasons
+ for employing your fingers so as to keep your brains from working?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Let us stick to the question of the wall,&rsquo; said she, with a smile.
+ </p>
+ <p>
+ &ldquo;&lsquo;Why, we have begun at the foundations,&rsquo; said I. &lsquo;Must not I know which
+ of us ought to yield to the other in behalf of our suffering, or, if you
+ choose, of our mania?&mdash;Oh! what a charming clump of narcissus! They
+ are as fresh as this spring morning!&rsquo;
+ </p>
+ <p>
+ &ldquo;I assure you, she had made for herself a perfect museum of flowers and
+ shrubs, which none might see but the sun, and of which the arrangement had
+ been prompted by the genius of an artist; the most heartless of landlords
+ must have treated it with respect. The masses of plants, arranged
+ according to their height, or in single clumps, were really a joy to the
+ soul. This retired and solitary garden breathed comforting scents, and
+ suggested none but sweet thoughts and graceful, nay, voluptuous pictures.
+ On it was set that inscrutable sign-manual, which our true character
+ stamps on everything, as soon as nothing compels us to obey the various
+ hypocrisies, necessary as they are, which Society insists on. I looked
+ alternately at the mass of narcissus and at the Countess, affecting to be
+ far more in love with the flowers than with her, to carry out my part.
+ </p>
+ <p>
+ &ldquo;&lsquo;So you are very fond of flowers?&rsquo; said she.
+ </p>
+ <p>
+ &ldquo;&lsquo;They are,&rsquo; I replied, &lsquo;the only beings that never disappoint our cares
+ and affection.&rsquo; And I went on to deliver such a diatribe while comparing
+ botany and the world, that we ended miles away from the dividing wall, and
+ the Countess must have supposed me to be a wretched and wounded sufferer
+ worthy of her pity. However, at the end of half an hour my neighbor
+ naturally brought me back to the point; for women, when they are not in
+ love, have all the cold blood of an experienced attorney.
+ </p>
+ <p>
+ &ldquo;&lsquo;If you insist on my leaving the paling,&rsquo; said I, &lsquo;you will learn all the
+ secrets of gardening that I want to hide; I am seeking to grow a blue
+ dahlia, a blue rose; I am crazy for blue flowers. Is not blue the favorite
+ color of superior souls? We are neither of us really at home; we might as
+ well make a little door of open railings to unite our gardens.... You,
+ too, are fond of flowers; you will see mine, I shall see yours. If you
+ receive no visitors at all, I, for my part, have none but my uncle, the
+ Cure of the White Friars.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No,&rsquo; said she, &lsquo;I will give you the right to come into my garden, my
+ premises at any hour. Come and welcome; you will always be admitted as a
+ neighbor with whom I hope to keep on good terms. But I like my solitude
+ too well to burden it with any loss of independence.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;As you please,&rsquo; said I, and with one leap I was over the paling.
+ </p>
+ <p>
+ &ldquo;&lsquo;Now, of what use would a door be?&rsquo; said I, from my own domain, turning
+ round to the Countess, and mocking her with a madman&rsquo;s gesture and
+ grimace.
+ </p>
+ <p>
+ &ldquo;For a fortnight I seemed to take no heed of my neighbor. Towards the end
+ of May, one lovely evening, we happened both to be out on opposite sides
+ of the paling, both walking slowly. Having reached the end, we could not
+ help exchanging a few civil words; she found me in such deep dejection,
+ lost in such painful meditations, that she spoke to me of hopefulness, in
+ brief sentences that sounded like the songs with which nurses lull their
+ babies. I then leaped the fence, and found myself for the second time at
+ her side. The Countess led me into the house, wishing to subdue my
+ sadness. So at last I had penetrated the sanctuary where everything was in
+ harmony with the woman I have tried to describe to you.
+ </p>
+ <p>
+ &ldquo;Exquisite simplicity reigned there. The interior of the little house was
+ just such a dainty box as the art of the eighteenth century devised for
+ the pretty profligacy of a fine gentleman. The dining-room, on the ground
+ floor, was painted in fresco, with garlands of flowers, admirably and
+ marvelously executed. The staircase was charmingly decorated in
+ monochrome. The little drawing-room, opposite the dining-room, was very
+ much faded; but the Countess had hung it with panels of tapestry of
+ fanciful designs, taken off old screens. A bath-room came next. Upstairs
+ there was but one bedroom, with a dressing-room, and a library which she
+ used as her workroom. The kitchen was beneath in the basement on which the
+ house was raised, for there was a flight of several steps outside. The
+ balustrade of a balcony in garlands a la Pompadour concealed the roof;
+ only the lead cornices were visible. In this retreat one was a hundred
+ leagues from Paris.
+ </p>
+ <p>
+ &ldquo;But for the bitter smile which occasionally played on the beautiful red
+ lips of this pale woman, it would have been possible to believe that this
+ violet buried in her thicket of flowers was happy. In a few days we had
+ reached a certain degree of intimacy, the result of our close neighborhood
+ and of the Countess&rsquo; conviction that I was indifferent to women. A look
+ would have spoilt all, and I never allowed a thought of her to be seen in
+ my eyes. Honorine chose to regard me as an old friend. Her manner to me
+ was the outcome of a kind of pity. Her looks, her voice, her words, all
+ showed that she was a hundred miles away from the coquettish airs which
+ the strictest virtue might have allowed under such circumstances. She soon
+ gave me the right to go into the pretty workshop where she made her
+ flowers, a retreat full of books and curiosities, as smart as a boudoir
+ where elegance emphasized the vulgarity of the tools of her trade. The
+ Countess had in the course of time poetized, as I may say, a thing which
+ is at the antipodes to poetry&mdash;a manufacture.
+ </p>
+ <p>
+ &ldquo;Perhaps of all the work a woman can do, the making of artificial flowers
+ is that of which the details allow her to display most grace. For coloring
+ prints she must sit bent over a table and devote herself, with some
+ attention, to this half painting. Embroidering tapestry, as diligently as
+ a woman must who is to earn her living by it, entails consumption or
+ curvature of the spine. Engraving music is one of the most laborious, by
+ the care, the minute exactitude, and the intelligence it demands. Sewing
+ and white embroidery do not earn thirty sous a day. But the making of
+ flowers and light articles of wear necessitates a variety of movements,
+ gestures, ideas even, which do not take a pretty woman out of her sphere;
+ she is still herself; she may chat, laugh, sing, or think.
+ </p>
+ <p>
+ &ldquo;There was certainly a feeling for art in the way in which the Countess
+ arranged on a long deal table the myriad-colored petals which were used in
+ composing the flowers she was to produce. The saucers of color were of
+ white china, and always clean, arranged in such order that the eye could
+ at once see the required shade in the scale of tints. Thus the
+ aristocratic artist saved time. A pretty little cabinet with a hundred
+ tiny drawers, of ebony inlaid with ivory, contained the little steel
+ moulds in which she shaped the leaves and some forms of petals. A fine
+ Japanese bowl held the paste, which was never allowed to turn sour, and it
+ had a fitted cover with a hinge so easy that she could lift it with a
+ finger-tip. The wire, of iron and brass, lurked in a little drawer of the
+ table before her.
+ </p>
+ <p>
+ &ldquo;Under her eyes, in a Venetian glass, shaped like a flower-cup on its
+ stem, was the living model she strove to imitate. She had a passion for
+ achievement; she attempted the most difficult things, close racemes, the
+ tiniest corollas, heaths, nectaries of the most variegated hues. Her
+ hands, as swift as her thoughts, went from the table to the flower she was
+ making, as those of an accomplished pianist fly over the keys. Her fingers
+ seemed to be fairies, to use Perrault&rsquo;s expression, so infinite were the
+ different actions of twisting, fitting, and pressure needed for the work,
+ all hidden under grace of movement, while she adapted each motion to the
+ result with the lucidity of instinct.
+ </p>
+ <p>
+ &ldquo;I could not tire of admiring her as she shaped a flower from the
+ materials sorted before her, padding the wire stem and adjusting the
+ leaves. She displayed the genius of a painter in her bold attempts; she
+ copied faded flowers and yellowing leaves; she struggled even with
+ wildflowers, the most artless of all, and the most elaborate in their
+ simplicity.
+ </p>
+ <p>
+ &ldquo;&lsquo;This art,&rsquo; she would say, &lsquo;is in its infancy. If the women of Paris had
+ a little of the genius which the slavery of the harem brings out in
+ Oriental women, they would lend a complete language of flowers to the
+ wreaths they wear on their head. To please my own taste as an artist I
+ have made drooping flowers with leaves of the hue of Florentine bronze,
+ such as are found before or after the winter. Would not such a crown on
+ the head of a young woman whose life is a failure have a certain poetical
+ fitness? How many things a woman might express by her head-dress! Are
+ there not flowers for drunken Bacchantes, flowers for gloomy and stern
+ bigots, pensive flowers for women who are bored? Botany, I believe, may be
+ made to express every sensation and thought of the soul, even the most
+ subtle.&rsquo;
+ </p>
+ <p>
+ &ldquo;She would employ me to stamp out the leaves, cut up material, and prepare
+ wires for the stems. My affected desire for occupation made me soon
+ skilful. We talked as we worked. When I had nothing to do, I read new
+ books to her, for I had my part to keep up as a man weary of life, worn
+ out with griefs, gloomy, sceptical, and soured. My person led to adorable
+ banter as to my purely physical resemblance&mdash;with the exception of
+ his club foot&mdash;to Lord Byron. It was tacitly acknowledged that her
+ own troubles, as to which she kept the most profound silence, far
+ outweighed mine, though the causes I assigned for my misanthropy might
+ have satisfied Young or Job.
+ </p>
+ <p>
+ &ldquo;I will say nothing of the feelings of shame which tormented me as I
+ inflicted on my heart, like the beggars in the street, false wounds to
+ excite the compassion of that enchanting woman. I soon appreciated the
+ extent of my devotedness by learning to estimate the baseness of a spy.
+ The expressions of sympathy bestowed on me would have comforted the
+ greatest grief. This charming creature, weaned from the world, and for so
+ many years alone, having, besides love, treasures of kindliness to bestow,
+ offered these to me with childlike effusiveness and such compassion as
+ would inevitably have filled with bitterness any profligate who should
+ have fallen in love with her; for, alas, it was all charity, all sheer
+ pity. Her renunciation of love, her dread of what is called happiness for
+ women, she proclaimed with equal vehemence and candor. These happy days
+ proved to me that a woman&rsquo;s friendship is far superior to her love.
+ </p>
+ <p>
+ &ldquo;I suffered the revelations of my sorrows to be dragged from me with as
+ many grimaces as a young lady allows herself before sitting down to the
+ piano, so conscious are they of the annoyance that will follow. As you may
+ imagine, the necessity for overcoming my dislike to speak had induced the
+ Countess to strengthen the bonds of our intimacy; but she found in me so
+ exact a counterpart of her own antipathy to love, that I fancied she was
+ well content with the chance which had brought to her desert island a sort
+ of Man Friday. Solitude was perhaps beginning to weigh on her. At the same
+ time, there was nothing of the coquette in her; nothing survived of the
+ woman; she did not feel that she had a heart, she told me, excepting in
+ the ideal world where she found refuge. I involuntarily compared these two
+ lives&mdash;hers and the Count&rsquo;s:&mdash;his, all activity, agitation, and
+ emotion; hers, all inaction, quiescence, and stagnation. The woman and the
+ man were admirably obedient to their nature. My misanthropy allowed me to
+ utter cynical sallies against men and women both, and I indulged in them,
+ hoping to bring Honorine to the confidential point; but she was not to be
+ caught in any trap, and I began to understand that mulish obstinacy which
+ is commoner among women than is generally supposed.
+ </p>
+ <p>
+ &ldquo;&lsquo;The Orientals are right,&rsquo; I said to her one evening, &lsquo;when they shut you
+ up and regard you merely as the playthings of their pleasure. Europe has
+ been well punished for having admitted you to form an element of society
+ and for accepting you on an equal footing. In my opinion, woman is the
+ most dishonorable and cowardly being to be found. Nay, and that is where
+ her charm lies. Where would be the pleasure of hunting a tame thing? When
+ once a woman has inspired a man&rsquo;s passion, she is to him for ever sacred;
+ in his eyes she is hedged round by an imprescriptible prerogative. In men
+ gratitude for past delights is eternal. Though he should find his mistress
+ grown old or unworthy, the woman still has rights over his heart; but to
+ you women the man you have loved is as nothing to you; nay, more, he is
+ unpardonable in one thing&mdash;he lives on! You dare not own it, but you
+ all have in your hearts the feeling which that popular calumny called
+ tradition ascribes to the Lady of the Tour de Nesle: &ldquo;What a pity it is
+ that we cannot live on love as we live on fruit, and that when we have had
+ our fill, nothing should survive but the remembrance of pleasure!&rdquo;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;God has, no doubt, reserved such perfect bliss for Paradise,&rsquo; said she.
+ &lsquo;But,&rsquo; she added, &lsquo;if your argument seems to you very witty, to me it has
+ the disadvantage of being false. What can those women be who give
+ themselves up to a succession of loves?&rsquo; she asked, looking at me as the
+ Virgin in Ingres&rsquo; picture looks at Louis XIII. offering her his kingdom.
+ </p>
+ <p>
+ &ldquo;&lsquo;You are an actress in good faith,&rsquo; said I, &lsquo;for you gave me a look just
+ now which would make the fame of an actress. Still, lovely as you are, you
+ have loved; <i>ergo</i>, you forget.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I!&rsquo; she exclaimed, evading my question, &lsquo;I am not a woman. I am a nun,
+ and seventy-two years old!&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Then, how can you so positively assert that you feel more keenly than I?
+ Sorrow has but one form for women. The only misfortunes they regard are
+ disappointments of the heart.&rsquo;
+ </p>
+ <p>
+ &ldquo;She looked at me sweetly, and, like all women when stuck between the
+ issues of a dilemma, or held in the clutches of truth, she persisted,
+ nevertheless, in her wilfulness.
+ </p>
+ <p>
+ &ldquo;&lsquo;I am a nun,&rsquo; she said, &lsquo;and you talk to me of the world where I shall
+ never again set foot.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Not even in thought?&rsquo; said I.
+ </p>
+ <p>
+ &ldquo;&lsquo;Is the world so much to be desired?&rsquo; she replied. &lsquo;Oh! when my mind
+ wanders, it goes higher. The angel of perfection, the beautiful angel
+ Gabriel, often sings in my heart. If I were rich, I should work, all the
+ same, to keep me from soaring too often on the many-tinted wings of the
+ angel, and wandering in the world of fancy. There are meditations which
+ are the ruin of us women! I owe much peace of mind to my flowers, though
+ sometimes they fail to occupy me. On some days I find my soul invaded by a
+ purposeless expectancy; I cannot banish some idea which takes possession
+ of me, which seems to make my fingers clumsy. I feel that some great event
+ is impending, that my life is about to change; I listen vaguely, I stare
+ into the darkness, I have no liking for my work, and after a thousand
+ fatigues I find life once more&mdash;everyday life. Is this a warning from
+ heaven? I ask myself&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;After three months of this struggle between two diplomates, concealed
+ under the semblance of youthful melancholy, and a woman whose disgust of
+ life made her invulnerable, I told the Count that it was impossible to
+ drag this tortoise out of her shell; it must be broken. The evening
+ before, in our last quite friendly discussion, the Countess had exclaimed:
+ </p>
+ <p>
+ &ldquo;&lsquo;Lucretia&rsquo;s dagger wrote in letters of blood the watchword of woman&rsquo;s
+ charter: <i>Liberty!</i>&rsquo;
+ </p>
+ <p>
+ &ldquo;From that moment the Count left me free to act.
+ </p>
+ <p>
+ &ldquo;&lsquo;I have been paid a hundred francs for the flowers and caps I made this
+ week!&rsquo; Honorine exclaimed gleefully one Saturday evening when I went to
+ visit her in the little sitting-room on the ground floor, which the
+ unavowed proprietor had had regilt.
+ </p>
+ <p>
+ &ldquo;It was ten o&rsquo;clock. The twilight of July and a glorious moon lent us
+ their misty light. Gusts of mingled perfumes soothed the soul; the
+ Countess was clinking in her hand the five gold pieces given to her by a
+ supposititious dealer in fashionable frippery, another of Octave&rsquo;s
+ accomplices found for him by a judge, M. Popinot.
+ </p>
+ <p>
+ &ldquo;&lsquo;I earn my living by amusing myself,&rsquo; said she; &lsquo;I am free, when men,
+ armed with their laws, have tried to make us slaves. Oh, I have transports
+ of pride every Saturday! In short, I like M. Gaudissart&rsquo;s gold pieces as
+ much as Lord Byron, your double, liked Mr. Murray&rsquo;s.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;This is not becoming in a woman,&rsquo; said I.
+ </p>
+ <p>
+ &ldquo;&lsquo;Pooh! Am I a woman? I am a boy gifted with a soft soul, that is all; a
+ boy whom no woman can torture&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Your life is the negation of your whole being,&rsquo; I replied. &lsquo;What? You,
+ on whom God has lavished His choicest treasures of love and beauty, do you
+ never wish&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;For what?&rsquo; said she, somewhat disturbed by a speech which, for the first
+ time, gave the lie to the part I had assumed.
+ </p>
+ <p>
+ &ldquo;&lsquo;For a pretty little child, with curling hair, running, playing among the
+ flowers, like a flower itself of life and love, and calling you mother!&rsquo;
+ </p>
+ <p>
+ &ldquo;I waited for an answer. A too prolonged silence led me to perceive the
+ terrible effect of my words, though the darkness at first concealed it.
+ Leaning on her sofa, the Countess had not indeed fainted, but frozen under
+ a nervous attack of which the first chill, as gentle as everything that
+ was part of her, felt, as she afterwards said, like the influence of a
+ most insidious poison. I called Madame Gobain, who came and led away her
+ mistress, laid her on her bed, unlaced her, undressed her, and restored
+ her, not to life, it is true, but to the consciousness of some dreadful
+ suffering. I meanwhile walked up and down the path behind the house,
+ weeping, and doubting my success. I only wished to give up this part of
+ the bird-catcher which I had so rashly assumed. Madame Gobain, who came
+ down and found me with my face wet with tears, hastily went up again to
+ say to the Countess:
+ </p>
+ <p>
+ &ldquo;&lsquo;What has happened, madame? Monsieur Maurice is crying like a child.&rsquo;
+ </p>
+ <p>
+ &ldquo;Roused to action by the evil interpretation that might be put on our
+ mutual behavior, she summoned superhuman strength to put on a wrapper and
+ come down to me.
+ </p>
+ <p>
+ &ldquo;&lsquo;You are not the cause of this attack,&rsquo; said she. &lsquo;I am subject to these
+ spasms, a sort of cramp of the heart&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And will you not tell me of your troubles?&rsquo; said I, in a voice which
+ cannot be affected, as I wiped away my tears. &lsquo;Have you not just now told
+ me that you have been a mother, and have been so unhappy as to lose your
+ child?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Marie!&rsquo; she called as she rang the bell. Gobain came in.
+ </p>
+ <p>
+ &ldquo;&lsquo;Bring lights and some tea,&rsquo; said she, with the calm decision of a Mylady
+ clothed in the armor of pride by the dreadful English training which you
+ know too well.
+ </p>
+ <p>
+ &ldquo;When the housekeeper had lighted the tapers and closed the shutters, the
+ Countess showed me a mute countenance; her indomitable pride and gravity,
+ worthy of a savage, had already reasserted their mastery. She said:
+ </p>
+ <p>
+ &ldquo;&lsquo;Do you know why I like Lord Byron so much? It is because he suffered as
+ animals do. Of what use are complaints when they are not an elegy like
+ Manfred&rsquo;s, nor bitter mockery like Don Juan&rsquo;s, nor a reverie like Childe
+ Harold&rsquo;s? Nothing shall be known of me. My heart is a poem that I lay
+ before God.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;If I chose&mdash;&mdash;&rsquo; said I.
+ </p>
+ <p>
+ &ldquo;&lsquo;If?&rsquo; she repeated.
+ </p>
+ <p>
+ &ldquo;&lsquo;I have no interest in anything,&rsquo; I replied, &lsquo;so I cannot be inquisitive;
+ but, if I chose, I could know all your secrets by to-morrow.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I defy you!&rsquo; she exclaimed, with ill-disguised uneasiness.
+ </p>
+ <p>
+ &ldquo;&lsquo;Seriously?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Certainly,&rsquo; said she, tossing her head. &lsquo;If such a crime is possible, I
+ ought to know it.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;In the first place, madame,&rsquo; I went on, pointing to her hands, &lsquo;those
+ pretty fingers, which are enough to show that you are not a mere girl&mdash;were
+ they made for toil? Then you call yourself Madame Gobain, you, who, in my
+ presence the other day on receiving a letter, said to Marie: &ldquo;Here, this
+ is for you?&rdquo; Marie is the real Madame Gobain; so you conceal your name
+ behind that of your housekeeper.&mdash;Fear nothing, madame, from me. You
+ have in me the most devoted friend you will ever have: Friend, do you
+ understand me? I give this word its sacred and pathetic meaning, so
+ profaned in France, where we apply it to our enemies. And your friend, who
+ will defend you against everything, only wishes that you should be as
+ happy as such a woman ought to be. Who can tell whether the pain I have
+ involuntarily caused you was not a voluntary act?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Yes,&rsquo; replied she with threatening audacity, &lsquo;I insist on it. Be
+ curious, and tell me all that you can find out about me; but,&rsquo; and she
+ held up her finger, &lsquo;you must also tell me by what means you obtain your
+ information. The preservation of the small happiness I enjoy here depends
+ on the steps you take.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;That means that you will fly&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;On wings!&rsquo; she cried, &lsquo;to the New World&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Where you will be at the mercy of the brutal passions you will inspire,&rsquo;
+ said I, interrupting her. &lsquo;Is it not the very essence of genius and beauty
+ to shine, to attract men&rsquo;s gaze, to excite desires and evil thoughts?
+ Paris is a desert with Bedouins; Paris is the only place in the world
+ where those who must work for their livelihood can hide their life. What
+ have you to complain of? Who am I? An additional servant&mdash;M. Gobain,
+ that is all. If you have to fight a duel, you may need a second.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Never mind; find out who I am. I have already said that I insist. Now, I
+ beg that you will,&rsquo; she went on, with the grace which you ladies have at
+ command,&rdquo; said the Consul, looking at the ladies.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, then, to-morrow, at the same hour, I will tell you what I may have
+ discovered,&rsquo; replied I. &lsquo;But do not therefore hate me! Will you behave
+ like other women?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;What do other women do?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;They lay upon us immense sacrifices, and when we have made them, they
+ reproach us for it some time later as if it were an injury.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;They are right if the thing required appears to be a sacrifice!&rsquo; replied
+ she pointedly.
+ </p>
+ <p>
+ &ldquo;&lsquo;Instead of sacrifices, say efforts and&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;It would be an impertinence,&rsquo; said she.
+ </p>
+ <p>
+ &ldquo;&lsquo;Forgive me,&rsquo; said I. &lsquo;I forget that woman and the Pope are infallible.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Good heavens!&rsquo; said she after a long pause, &lsquo;only two words would be
+ enough to destroy the peace so dearly bought, and which I enjoy like a
+ fraud&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;She rose and paid no further heed to me.
+ </p>
+ <p>
+ &ldquo;&lsquo;Where can I go?&rsquo; she said. &lsquo;What is to become of me?&mdash;Must I leave
+ this quiet retreat, that I had arranged with such care to end my days in?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;To end your days!&rsquo; exclaimed I with visible alarm. &lsquo;Has it never struck
+ you that a time would come when you could no longer work, when competition
+ will lower the price of flowers and articles of fashion&mdash;&mdash;?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I have already saved a thousand crowns,&rsquo; she said.
+ </p>
+ <p>
+ &ldquo;&lsquo;Heavens! what privations such a sum must represent!&rsquo; I exclaimed.
+ </p>
+ <p>
+ &ldquo;&lsquo;Leave me,&rsquo; said she, &lsquo;till to-morrow. This evening I am not myself; I
+ must be alone. Must I not save my strength in case of disaster? For, if
+ you should learn anything, others besides you would be informed, and then&mdash;Good-night,&rsquo;
+ she added shortly, dismissing me with an imperious gesture.
+ </p>
+ <p>
+ &ldquo;&lsquo;The battle is to-morrow, then,&rsquo; I replied with a smile, to keep up the
+ appearance of indifference I had given to the scene. But as I went down
+ the avenue I repeated the words:
+ </p>
+ <p>
+ &ldquo;&lsquo;The battle is to-morrow.&rsquo;
+ </p>
+ <p>
+ &ldquo;Octave&rsquo;s anxiety was equal to Honorine&rsquo;s. The Count and I remained
+ together till two in the morning, walking to and fro by the trenches of
+ the Bastille, like two generals who, on the eve of a battle, calculate all
+ the chances, examine the ground, and perceive that the victory must depend
+ on an opportunity to be seized half-way through the fight. These two
+ divided beings would each lie awake, one in the hope, the other in
+ agonizing dread of reunion. The real dramas of life are not in
+ circumstances, but in feelings; they are played in the heart, or, if you
+ please, in that vast realm which we ought to call the Spiritual World.
+ Octave and Honorine moved and lived altogether in the world of lofty
+ spirits.
+ </p>
+ <p>
+ &ldquo;I was punctual. At ten next evening I was, for the first time, shown into
+ a charming bedroom furnished with white and blue&mdash;the nest of this
+ wounded dove. The Countess looked at me, and was about to speak, but was
+ stricken dumb by my respectful demeanor.
+ </p>
+ <p>
+ &ldquo;&lsquo;Madame la Comtesse,&rsquo; said I with a grave smile.
+ </p>
+ <p>
+ &ldquo;The poor woman, who had risen, dropped back into her chair and remained
+ there, sunk in an attitude of grief, which I should have liked to see
+ perpetuated by a great painter.
+ </p>
+ <p>
+ &ldquo;&lsquo;You are,&rsquo; I went on, &lsquo;the wife of the noblest and most highly respected
+ of men; of a man who is acknowledged to be great, but who is far greater
+ in his conduct to you than he is in the eyes of the world. You and he are
+ two lofty natures.&mdash;Where do you suppose yourself to be living?&rsquo; I
+ asked her.
+ </p>
+ <p>
+ &ldquo;&lsquo;In my own house,&rsquo; she replied, opening her eyes with a wide stare of
+ astonishment.
+ </p>
+ <p>
+ &ldquo;&lsquo;In Count Octave&rsquo;s,&rsquo; I replied. &lsquo;You have been tricked. M. Lenormand, the
+ usher of the Court, is not the real owner; he is only a screen for your
+ husband. The delightful seclusion you enjoy is the Count&rsquo;s work, the money
+ you earn is paid by him, and his protection extends to the most trivial
+ details of your existence. Your husband has saved you in the eyes of the
+ world; he has assigned plausible reasons for your disappearance; he
+ professes to hope that you were not lost in the wreck of the <i>Cecile</i>,
+ the ship in which you sailed for Havana to secure the fortune to be left
+ to you by an old aunt, who might have forgotten you; you embarked,
+ escorted by two ladies of her family and an old man-servant. The Count
+ says that he has sent agents to various spots, and received letters which
+ give him great hopes. He takes as many precautions to hide you from all
+ eyes as you take yourself. In short, he obeys you...&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;That is enough,&rsquo; she said. &lsquo;I want to know but one thing more. From whom
+ have you obtained all these details?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, madame, my uncle got a place for a penniless youth as secretary to
+ the Commissary of police in this part of Paris. That young man told me
+ everything. If you leave this house this evening, however stealthily, your
+ husband will know where you are gone, and his care will follow you
+ everywhere.&mdash;How could a woman so clever as you are believe that
+ shopkeepers buy flowers and caps as dear as they sell them? Ask a thousand
+ crowns for a bouquet, and you will get it. No mother&rsquo;s tenderness was ever
+ more ingenious than your husband&rsquo;s! I have learned from the porter of this
+ house that the Count often comes behind the fence when all are asleep, to
+ see the glimmer of your nightlight! Your large cashmere shawl cost six
+ thousand francs&mdash;your old-clothes-seller brings you, as second hand,
+ things fresh from the best makers. In short, you are living here like
+ Venus in the toils of Vulcan; but you are alone in your prison by the
+ devices of a sublime magnanimity, sublime for seven years past, and at
+ every hour.&rsquo;
+ </p>
+ <p>
+ &ldquo;The Countess was trembling as a trapped swallow trembles while, as you
+ hold it in your hand, it strains its neck to look about it with wild eyes.
+ She shook with a nervous spasm, studying me with a defiant look. Her dry
+ eyes glittered with a light that was almost hot: still, she was a woman!
+ The moment came when her tears forced their way, and she wept&mdash;not
+ because she was touched, but because she was helpless; they were tears of
+ desperation. She had believed herself independent and free; marriage
+ weighed on her as the prison cell does on the captive.
+ </p>
+ <p>
+ &ldquo;&lsquo;I will go!&rsquo; she cried through her tears. &lsquo;He forces me to it; I will go
+ where no one certainly will come after me.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;What,&rsquo; I said, &lsquo;you would kill yourself?&mdash;Madame, you must have
+ some very powerful reasons for not wishing to return to Comte Octave.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Certainly I have!&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, then, tell them to me; tell them to my uncle. In us you will find
+ two devoted advisers. Though in the confessional my uncle is a priest, he
+ never is one in a drawing-room. We will hear you; we will try to find a
+ solution of the problems you may lay before us; and if you are the dupe or
+ the victim of some misapprehension, perhaps we can clear the matter up.
+ Your soul, I believe, is pure; but if you have done wrong, your fault is
+ fully expiated.... At any rate, remember that in me you have a most
+ sincere friend. If you should wish to evade the Count&rsquo;s tyranny, I will
+ find you the means; he shall never find you.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh! there is always a convent!&rsquo; said she.
+ </p>
+ <p>
+ &ldquo;&lsquo;Yes. But the Count, as Minister of State, can procure your rejection by
+ every convent in the world. Even though he is powerful, I will save you
+ from him&mdash;; but&mdash;only when you have demonstrated to me that you
+ cannot and ought not to return to him. Oh! do not fear that you would
+ escape his power only to fall into mine,&rsquo; I added, noticing a glance of
+ horrible suspicion, full of exaggerated dignity. &lsquo;You shall have peace,
+ solitude, and independence; in short, you shall be as free and as little
+ annoyed as if you were an ugly, cross old maid. I myself would never be
+ able to see you without your consent.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And how? By what means?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;That is my secret. I am not deceiving you, of that you may be sure.
+ Prove to me that this is the only life you can lead, that it is preferable
+ to that of the Comtesse Octave, rich, admired, in one of the finest houses
+ in Paris, beloved by her husband, a happy mother... and I will decide in
+ your favor.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But,&rsquo; said she, &lsquo;will there never be a man who understands me?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No. And that is why I appeal to religion to decide between us. The Cure
+ of the White Friars is a saint, seventy-five years of age. My uncle is not
+ a Grand Inquisitor, he is Saint John; but for you he will be Fenelon&mdash;the
+ Fenelon who said to the Duc de Bourgogne: &lsquo;Eat a calf on a Friday by all
+ means, monseigneur. But be a Christian.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Nay, nay, monsieur, the convent is my last hope and my only refuge.
+ There is none but God who can understand me. No man, not Saint Augustine
+ himself, the tenderest of the Fathers of the Church, could enter into the
+ scruples of my conscience, which are to me as the circles of Dante&rsquo;s hell,
+ whence there is no escape. Another than my husband, a different man,
+ however unworthy of the offering, has had all my love. No, he has not had
+ it, for he did not take it; I gave it him as a mother gives her child a
+ wonderful toy, which it breaks. For me there never could be two loves. In
+ some natures love can never be on trial; it is, or it is not. When it
+ comes, when it rises up, it is complete.&mdash;Well, that life of eighteen
+ months was to me a life of eighteen years; I threw into it all the
+ faculties of my being, which were not impoverished by their effusiveness;
+ they were exhausted by that delusive intimacy in which I alone was
+ genuine. For me the cup of happiness is not drained, nor empty; and
+ nothing can refill it, for it is broken. I am out of the fray; I have no
+ weapons left. Having thus utterly abandoned myself, what am I?&mdash;the
+ leavings of a feast. I had but one name bestowed on me, Honorine, as I had
+ but one heart. My husband had the young girl, a worthless lover had the
+ woman&mdash;there is nothing left!&mdash;Then let myself be loved! that is
+ the great idea you mean to utter to me. Oh! but I still am something, and
+ I rebel at the idea of being a prostitute! Yes, by the light of the
+ conflagration I saw clearly; and I tell you&mdash;well, I could imagine
+ surrendering to another man&rsquo;s love, but to Octave&rsquo;s?&mdash;No, never.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Ah! you love him,&rsquo; I said.
+ </p>
+ <p>
+ &ldquo;&lsquo;I esteem him, respect him, venerate him; he never has done me the
+ smallest hurt; he is kind, he is tender; but I can never more love him.
+ However,&rsquo; she went on, &lsquo;let us talk no more of this. Discussion makes
+ everything small. I will express my notions on this subject in writing to
+ you, for at this moment they are suffocating me; I am feverish, my feet
+ are standing in the ashes of my Paraclete. All that I see, these things
+ which I believed I had earned by my labor, now remind me of everything I
+ wish to forget. Ah! I must fly from hence as I fled from my home.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Where will you go?&rsquo; I asked. &lsquo;Can a woman exist unprotected? At thirty,
+ in all the glory of your beauty, rich in powers of which you have no
+ suspicion, full of tenderness to be bestowed, are you prepared to live in
+ the wilderness where I could hide you?&mdash;Be quite easy. The Count, who
+ for nine years has never allowed himself to be seen here, will never go
+ there without your permission. You have his sublime devotion of nine years
+ as a guarantee for your tranquillity. You may therefore discuss the future
+ in perfect confidence with my uncle and me. My uncle has as much influence
+ as a Minister of State. So compose yourself; do not exaggerate your
+ misfortune. A priest whose hair has grown white in the exercise of his
+ functions is not a boy; you will be understood by him to whom every
+ passion has been confided for nearly fifty years now, and who weighs in
+ his hands the ponderous heart of kings and princes. If he is stern under
+ his stole, in the presence of your flowers he will be as tender as they
+ are, and as indulgent as his Divine Master.&rsquo;
+ </p>
+ <p>
+ &ldquo;I left the Countess at midnight; she was apparently calm, but depressed,
+ and had some secret purpose which no perspicacity could guess. I found the
+ Count a few paces off, in the Rue Saint-Maur. Drawn by an irresistible
+ attraction, he had quitted the spot on the Boulevards where we had agreed
+ to meet.
+ </p>
+ <p>
+ &ldquo;&lsquo;What a night my poor child will go through!&rsquo; he exclaimed, when I had
+ finished my account of the scene that had just taken place. &lsquo;Supposing I
+ were to go to her!&rsquo; he added; &lsquo;supposing she were to see me suddenly?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;At this moment she is capable of throwing herself out of the window,&rsquo; I
+ replied. &lsquo;The Countess is one of those Lucretias who could not survive any
+ violence, even if it were done by a man into whose arms she could throw
+ herself.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;You are young,&rsquo; he answered; &lsquo;you do not know that in a soul tossed by
+ such dreadful alternatives the will is like waters of a lake lashed by a
+ tempest; the wind changes every instant, and the waves are driven now to
+ one shore, now to the other. During this night the chances are quite as
+ great that on seeing me Honorine might rush into my arms as that she would
+ throw herself out of the window.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And you would accept the equal chances,&rsquo; said I.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well, come,&rsquo; said he, &lsquo;I have at home, to enable me to wait till
+ to-morrow, a dose of opium which Desplein prepared for me to send me to
+ sleep without any risk!&rsquo;
+ </p>
+ <p>
+ &ldquo;Next day at noon Gobain brought me a letter, telling me that the Countess
+ had gone to bed at six, worn out with fatigue, and that, having taken a
+ soothing draught prepared by the chemist, she had now fallen asleep.
+ </p>
+ <p>
+ &ldquo;This is her letter, of which I kept a copy&mdash;for you, mademoiselle,&rdquo;
+ said the Consul, addressing Camille, &ldquo;know all the resources of art, the
+ tricks of style, and the efforts made in their compositions by writers who
+ do not lack skill; but you will acknowledge that literature could never
+ find such language in its assumed pathos; there is nothing so terrible as
+ truth. Here is the letter written by this woman, or rather by this
+ anguish:&mdash;
+ </p>
+ <h3>
+ &ldquo;&lsquo;MONSIEUR MAURICE,&mdash;
+ </h3>
+ <p>
+ &ldquo;&lsquo;I know all your uncle would say to me; he is not better informed than my
+ own conscience. Conscience is the interpreter of God to man. I know that
+ if I am not reconciled to Octave, I shall be damned; that is the sentence
+ of religious law. Civil law condemns me to obey, cost what it may. If my
+ husband does not reject me, the world will regard me as pure, as virtuous,
+ whatever I may have done. Yes, that much is sublime in marriage; society
+ ratifies the husband&rsquo;s forgiveness; but it forgets that the forgiveness
+ must be accepted. Legally, religiously, and from the world&rsquo;s point of view
+ I ought to go back to Octave. Keeping only to the human aspect of the
+ question, is it not cruel to refuse him happiness, to deprive him of
+ children, to wipe his name out of the Golden Book and the list of peers?
+ My sufferings, my repugnance, my feelings, all my egoism&mdash;for I know
+ that I am an egoist&mdash;ought to be sacrificed to the family. I shall be
+ a mother; the caresses of my child will wipe away many tears! I shall be
+ very happy; I certainly shall be much looked up to. I shall ride, haughty
+ and wealthy, in a handsome carriage! I shall have servants and a fine
+ house, and be the queen of as many parties as there are weeks in the year.
+ The world will receive me handsomely. I shall not have to climb up again
+ to the heaven of aristocracy, I shall never have come down from it. So
+ God, the law, society are all in accord.
+ </p>
+ <p>
+ &ldquo;&lsquo;"What are you rebelling against?&rdquo; I am asked from the height of heaven,
+ from the pulpit, from the judge&rsquo;s bench, and from the throne, whose august
+ intervention may at need be invoked by the Count. Your uncle, indeed, at
+ need, would speak to me of a certain celestial grace which will flood my
+ heart when I know the pleasure of doing my duty.
+ </p>
+ <p>
+ &ldquo;&lsquo;God, the law, the world, and Octave all wish me to live, no doubt. Well,
+ if there is no other difficulty, my reply cuts the knot: I will not live.
+ I will become white and innocent again; for I will lie in my shroud, white
+ with the blameless pallor of death. This is not in the least &ldquo;mulish
+ obstinacy.&rdquo; That mulish obstinacy of which you jestingly accused me is in
+ a woman the result of confidence, of a vision of the future. Though my
+ husband, sublimely generous, may forget all, I shall not forget. Does
+ forgetfulness depend on our will? When a widow re-marries, love makes a
+ girl of her; she marries a man she loves. But I cannot love the Count. It
+ all lies in that, do not you see?
+ </p>
+ <p>
+ &ldquo;&lsquo;Every time my eyes met his I should see my sin in them, even when his
+ were full of love. The greatness of his generosity would be the measure of
+ the greatness of my crime. My eyes, always uneasy, would be for ever
+ reading an invisible condemnation. My heart would be full of confused and
+ struggling memories; marriage can never move me to the cruel rapture, the
+ mortal delirium of passion. I should kill my husband by my coldness, by
+ comparisons which he would guess, though hidden in the depths of my
+ conscience. Oh! on the day when I should read a trace of involuntary, even
+ of suppressed reproach in a furrow on his brow, in a saddened look, in
+ some imperceptible gesture, nothing could hold me: I should be lying with
+ a fractured skull on the pavement, and find that less hard than my
+ husband. It might be my own over-susceptibility that would lead me to this
+ horrible but welcome death; I might die the victim of an impatient mood in
+ Octave caused by some matter of business, or be deceived by some unjust
+ suspicion. Alas! I might even mistake some proof of love for a sign of
+ contempt!
+ </p>
+ <p>
+ &ldquo;&lsquo;What torture on both sides! Octave would be always doubting me, I
+ doubting him. I, quite involuntarily, should give him a rival wholly
+ unworthy of him, a man whom I despise, but with whom I have known raptures
+ branded on me with fire, which are my shame, but which I cannot forget.
+ </p>
+ <p>
+ &ldquo;&lsquo;Have I shown you enough of my heart? No one, monsieur, can convince me
+ that love may be renewed, for I neither can nor will accept love from any
+ one. A young bride is like a plucked flower; but a guilty wife is like a
+ flower that had been walked over. You, who are a florist, you know whether
+ it is ever possible to restore the broken stem, to revive the faded
+ colors, to make the sap flow again in the tender vessels of which the
+ whole vegetative function lies in their perfect rigidity. If some botanist
+ should attempt the operation, could his genius smooth out the folds of the
+ bruised corolla? If he could remake a flower, he would be God! God alone
+ can remake me! I am drinking the bitter cup of expiation; but as I drink
+ it I painfully spell out this sentence: Expiation is not annihilation.
+ </p>
+ <p>
+ &ldquo;&lsquo;In my little house, alone, I eat my bread soaked in tears; but no one
+ sees me eat nor sees me weep. If I go back to Octave, I must give up my
+ tears&mdash;they would offend him. Oh! monsieur, how many virtues must a
+ woman tread under foot, not to give herself, but to restore herself to a
+ betrayed husband? Who could count them? God alone; for He alone can know
+ and encourage the horrible refinements at which the angels must turn pale.
+ Nay, I will go further. A woman has courage in the presence of her husband
+ if he knows nothing; she shows a sort of fierce strength in her hypocrisy;
+ she deceives him to secure him double happiness. But common knowledge is
+ surely degrading. Supposing I could exchange humiliation for ecstasy?
+ Would not Octave at last feel that my consent was sheer depravity?
+ Marriage is based on esteem, on sacrifices on both sides; but neither
+ Octave nor I could esteem each other the day after our reunion. He would
+ have disgraced me by a love like that of an old man for a courtesan, and I
+ should for ever feel the shame of being a chattel instead of a lady. I
+ should represent pleasure, and not virtue, in his house. These are the
+ bitter fruits of such a sin. I have made myself a bed where I can only
+ toss on burning coals, a sleepless pillow.
+ </p>
+ <p>
+ &ldquo;&lsquo;Here, when I suffer, I bless my sufferings; I say to God, &ldquo;I thank
+ Thee!&rdquo; But in my husband&rsquo;s house I should be full of terror, tasting joys
+ to which I have no right.
+ </p>
+ <p>
+ &ldquo;&lsquo;All this, monsieur, is not argument; it is the feeling of a soul made
+ vast and hollow by seven years of suffering. Finally, must I make a
+ horrible confession? I shall always feel at my bosom the lips of a child
+ conceived in rapture and joy, and in the belief in happiness, of a child I
+ nursed for seven months, that I shall bear in my womb all the days of my
+ life. If other children should draw their nourishment from me, they would
+ drink in tears mingling with the milk, and turning it sour. I seem a light
+ thing, you regard me as a child&mdash;Ah yes! I have a child&rsquo;s memory, the
+ memory which returns to us on the verge of the tomb. So, you see, there is
+ not a situation in that beautiful life to which the world and my husband&rsquo;s
+ love want to recall me, which is not a false position, which does not
+ cover a snare or reveal a precipice down which I must fall, torn by
+ pitiless rocks. For five years now I have been wandering in the sandy
+ desert of the future without finding a place convenient to repent in,
+ because my soul is possessed by true repentance.
+ </p>
+ <p>
+ &ldquo;&lsquo;Religion has its answers ready to all this, and I know them by heart.
+ This suffering, these difficulties, are my punishment, she says, and God
+ will give me strength to endure them. This, monsieur, is an argument to
+ certain pious souls gifted with an energy which I have not. I have made my
+ choice between this hell, where God does not forbid my blessing Him, and
+ the hell that awaits me under Count Octave&rsquo;s roof.
+ </p>
+ <p>
+ &ldquo;&lsquo;One word more. If I were still a girl, with the experience I now have,
+ my husband is the man I should choose; but that is the very reason of my
+ refusal. I could not bear to blush before that man. What! I should be
+ always on my knees, he always standing upright; and if we were to exchange
+ positions, I should scorn him! I will not be better treated by him in
+ consequence of my sin. The angel who might venture under such
+ circumstances on certain liberties which are permissible when both are
+ equally blameless, is not on earth; he dwells in heaven! Octave is full of
+ delicate feeling, I know; but even in his soul (which, however generous,
+ is a man&rsquo;s soul after all) there is no guarantee for the new life I should
+ lead with him.
+ </p>
+ <p>
+ &ldquo;&lsquo;Come then, and tell me where I may find the solitude, the peace, the
+ silence, so kindly to irreparable woes, which you promised me.&rsquo;
+ </p>
+ <p>
+ &ldquo;After making this copy of the letter to preserve it complete, I went to
+ the Rue Payenne. Anxiety had conquered the power of opium. Octave was
+ walking up and down his garden like a madman.
+ </p>
+ <p>
+ &ldquo;&lsquo;Answer that!&rsquo; said I, giving him his wife&rsquo;s letter. &lsquo;Try to reassure the
+ modesty of experience. It is rather more difficult than conquering the
+ modesty of ignorance, which curiosity helps to betray.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;She is mine!&rsquo; cried the Count, whose face expressed joy as he went on
+ reading the letter.
+ </p>
+ <p>
+ &ldquo;He signed to me with his hand to leave him to himself. I understood that
+ extreme happiness and extreme pain obey the same laws; I went in to
+ receive Madame de Courteville and Amelie, who were to dine with the Count
+ that day. However handsome Mademoiselle de Courteville might be, I felt,
+ on seeing her once more, that love has three aspects, and that the women
+ who can inspire us with perfect love are very rare. As I involuntarily
+ compared Amelie with Honorine, I found the erring wife more attractive
+ than the pure girl. To Honorine&rsquo;s heart fidelity had not been a duty, but
+ the inevitable; while Amelie would serenely pronounce the most solemn
+ promises without knowing their purport or to what they bound her. The
+ crushed, the dead woman, so to speak, the sinner to be reinstated, seemed
+ to me sublime; she incited the special generosities of a man&rsquo;s nature; she
+ demanded all the treasures of the heart, all the resources of strength;
+ she filled his life and gave the zest of a conflict to happiness; whereas
+ Amelie, chaste and confiding, would settle down into the sphere of
+ peaceful motherhood, where the commonplace must be its poetry, and where
+ my mind would find no struggle and no victory.
+ </p>
+ <p>
+ &ldquo;Of the plains of Champagne and the snowy, storm-beaten but sublime Alps,
+ what young man would choose the chalky, monotonous level? No; such
+ comparisons are fatal and wrong on the threshold of the Mairie. Alas! only
+ the experience of life can teach us that marriage excludes passion, that a
+ family cannot have its foundation on the tempests of love. After having
+ dreamed of impossible love, with its infinite caprices, after having
+ tasted the tormenting delights of the ideal, I saw before me modest
+ reality. Pity me, for what could be expected! At five-and-twenty I did not
+ trust myself; but I took a manful resolution.
+ </p>
+ <p>
+ &ldquo;I went back to the Count to announce the arrival of his relations, and I
+ saw him grown young again in the reflected light of hope.
+ </p>
+ <p>
+ &ldquo;&lsquo;What ails you, Maurice?&rsquo; said he, struck by my changed expression.
+ </p>
+ <p>
+ &ldquo;&lsquo;Monsieur le Comte&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No longer Octave? You, to whom I shall owe my life, my happiness&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;My dear Octave, if you should succeed in bringing the Countess back to
+ her duty, I have studied her well&rsquo;&mdash;(he looked at me as Othello must
+ have looked at Iago when Iago first contrived to insinuate a suspicion
+ into the Moor&rsquo;s mind)&mdash;&lsquo;she must never see me again; she must never
+ know that Maurice was your secretary. Never mention my name to her, or all
+ will be undone.... You have got me an appointment as Maitre des Requetes&mdash;well,
+ get me instead some diplomatic post abroad, a consulship, and do not think
+ of my marrying Amelie.&mdash;Oh! do not be uneasy,&rsquo; I added, seeing him
+ draw himself up, &lsquo;I will play my part to the end.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Poor boy!&rsquo; said he, taking my hand, which he pressed, while he kept back
+ the tears that were starting to his eyes.
+ </p>
+ <p>
+ &ldquo;&lsquo;You gave me the gloves,&rsquo; I said, laughing, &lsquo;but I have not put them on;
+ that is all.&rsquo;
+ </p>
+ <p>
+ &ldquo;We then agreed as to what I was to do that evening at Honorine&rsquo;s house,
+ whither I presently returned. It was now August; the day had been hot and
+ stormy, but the storm hung overhead, the sky was like copper; the scent of
+ the flowers was heavy, I felt as if I were in an oven, and caught myself
+ wishing that the Countess might have set out for the Indies; but she was
+ sitting on a wooden bench shaped like a sofa, under an arbor, in a loose
+ dress of white muslin fastened with blue bows, her hair unadorned in
+ waving bands over her cheeks, her feet on a small wooden stool, and
+ showing a little way beyond her skirt. She did not rise; she showed me
+ with her hand to the seat by her side, saying:
+ </p>
+ <p>
+ &ldquo;&lsquo;Now, is not life at a deadlock for me?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Life as you have made it, I replied. &lsquo;But not the life I propose to make
+ for you; for, if you choose, you may be very happy....&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;How?&rsquo; said she; her whole person was a question.
+ </p>
+ <p>
+ &ldquo;&lsquo;Your letter is in the Count&rsquo;s hands.&rsquo;
+ </p>
+ <p>
+ &ldquo;Honorine started like a frightened doe, sprang to a few paces off, walked
+ down the garden, turned about, remained standing for some minutes, and
+ finally went in to sit alone in the drawing-room, where I joined her,
+ after giving her time to get accustomed to the pain of this poniard
+ thrust.
+ </p>
+ <p>
+ &ldquo;&lsquo;You&mdash;a friend? Say rather a traitor! A spy, perhaps, sent by my
+ husband.&rsquo;
+ </p>
+ <p>
+ &ldquo;Instinct in women is as strong as the perspicacity of great men.
+ </p>
+ <p>
+ &ldquo;&lsquo;You wanted an answer to your letter, did you not? And there was but one
+ man in the world who could write it. You must read the reply, my dear
+ Countess; and if after reading it you still find that your life is a
+ deadlock, the spy will prove himself a friend; I will place you in a
+ convent whence the Count&rsquo;s power cannot drag you. But, before going there,
+ let us consider the other side of the question. There is a law, alike
+ divine and human, which even hatred affects to obey, and which commands us
+ not to condemn the accused without hearing his defence. Till now you have
+ passed condemnation, as children do, with your ears stopped. The devotion
+ of seven years has its claims. So you must read the answer your husband
+ will send you. I have forwarded to him, through my uncle, a copy of your
+ letter, and my uncle asked him what his reply would be if his wife wrote
+ him a letter in such terms. Thus you are not compromised. He will himself
+ bring the Count&rsquo;s answer. In the presence of that saintly man, and in
+ mine, out of respect for your own dignity, you must read it, or you will
+ be no better than a wilful, passionate child. You must make this sacrifice
+ to the world, to the law, and to God.&rsquo;
+ </p>
+ <p>
+ &ldquo;As she saw in this concession no attack on her womanly resolve, she
+ consented. All the labor or four or five months had been building up to
+ this moment. But do not the Pyramids end in a point on which a bird may
+ perch? The Count had set all his hopes on this supreme instant, and he had
+ reached it.
+ </p>
+ <p>
+ &ldquo;In all my life I remember nothing more formidable than my uncle&rsquo;s
+ entrance into that little Pompadour drawing-room, at ten that evening. The
+ fine head, with its silver hair thrown into relief by the entirely black
+ dress, and the divinely calm face, had a magical effect on the Comtesse
+ Honorine; she had the feeling of cool balm on her wounds, and beamed in
+ the reflection of that virtue which gave light without knowing it.
+ </p>
+ <p>
+ &ldquo;&lsquo;Monsieur the Cure of the White Friars,&rsquo; said old Gobain.
+ </p>
+ <p>
+ &ldquo;&lsquo;Are you come, uncle, with a message of happiness and peace?&rsquo; said I.
+ </p>
+ <p>
+ &ldquo;&lsquo;Happiness and peace are always to be found in obedience to the precepts
+ of the Church,&rsquo; replied my uncle, and he handed the Countess the following
+ letter:&mdash;
+ </p>
+ <h3>
+ &ldquo;&lsquo;MY DEAR HONORINE,&mdash;
+ </h3>
+ <p>
+ &ldquo;&lsquo;If you had but done me the favor of trusting me, if you had read the
+ letter I wrote to you five years since, you would have spared yourself
+ five years of useless labor, and of privations which have grieved me
+ deeply. In it I proposed an arrangement of which the stipulations will
+ relieve all your fears, and make our domestic life possible. I have much
+ to reproach myself with, and in seven years of sorrow I have discovered
+ all my errors. I misunderstood marriage. I failed to scent danger when it
+ threatened you. An angel was in the house. The Lord bid me guard it well!
+ The Lord has punished me for my audacious confidence.
+ </p>
+ <p>
+ &ldquo;&lsquo;You cannot give yourself a single lash without striking me. Have mercy
+ on me, my dear Honorine. I so fully appreciated your susceptibilities that
+ I would not bring you back to the old house in the Rue Payenne, where I
+ can live without you, but which I could not bear to see again with you. I
+ am decorating, with great pleasure, another house, in the Faubourg
+ Saint-Honore, to which, in hope, I conduct not a wife whom I owe to her
+ ignorance of life, and secured to me by law, but a sister who will allow
+ me to press on her brow such a kiss as a father gives the daughter he
+ blesses every day.
+ </p>
+ <p>
+ &ldquo;&lsquo;Will you bereave me of the right I have conquered from your despair&mdash;that
+ of watching more closely over your needs, your pleasures, your life even?
+ Women have one heart always on their side, always abounding in excuses&mdash;their
+ mother&rsquo;s; you never knew any mother but my mother, who would have brought
+ you back to me. But how is it that you never guessed that I had for you
+ the heart of a mother, both of my mother and of your own? Yes, dear, my
+ affection is neither mean nor grasping; it is one of those which will
+ never let any annoyance last long enough to pucker the brow of the child
+ it worships. What can you think of the companion of your childhood,
+ Honorine, if you believe him capable of accepting kisses given in
+ trembling, of living between delight and anxiety? Do not fear that you
+ will be exposed to the laments of a suppliant passion; I would not want
+ you back until I felt certain of my own strength to leave you in perfect
+ freedom.
+ </p>
+ <p>
+ &ldquo;&lsquo;Your solitary pride has exaggerated the difficulties. You may, if you
+ will, look on at the life of a brother, or of a father, without either
+ suffering or joy; but you will find neither mockery nor indifference, nor
+ have any doubt as to his intentions. The warmth of the atmosphere in which
+ you live will be always equable and genial, without tempests, without a
+ possible squall. If, later, when you feel secure that you are as much at
+ home as in your own little house, you desire to try some other elements of
+ happiness, pleasures, or amusements, you can expand their circle at your
+ will. The tenderness of a mother knows neither contempt nor pity. What is
+ it? Love without desire. Well, in me admiration shall hide every sentiment
+ in which you might see an offence.
+ </p>
+ <p>
+ &ldquo;&lsquo;Thus, living side by side, we may both be magnanimous. In you the
+ kindness of a sister, the affectionate thoughtfulness of a friend, will
+ satisfy the ambition of him who wishes to be your life&rsquo;s companion; and
+ you may measure his tenderness by the care he will take to conceal it.
+ Neither you nor I will be jealous of the past, for we may each acknowledge
+ that the other has sense enough to look only straight forward.
+ </p>
+ <p>
+ &ldquo;&lsquo;Thus you will be at home in your new house exactly as you are in the Rue
+ Saint-Maur; unapproachable, alone, occupied as you please, living by your
+ own law; but having in addition the legitimate protection, of which you
+ are now exacting the most chivalrous labors of love, with the
+ consideration which lends so much lustre to a woman, and the fortune which
+ will allow of your doing many good works. Honorine, when you long for an
+ unnecessary absolution, you have only to ask for it; it will not be forced
+ upon you by the Church or by the Law; it will wait on your pride, on your
+ own impulsion. My wife might indeed have to fear all the things you dread;
+ but not my friend and sister, towards whom I am bound to show every form
+ and refinement of politeness. To see you happy is enough happiness for me;
+ I have proved this for the seven years past. The guarantee for this,
+ Honorine, is to be seen in all the flowers made by you, carefully
+ preserved, and watered by my tears. Like the <i>quipos</i>, the tally
+ cords of the Peruvians, they are the record of our sorrows.
+ </p>
+ <p>
+ &ldquo;&lsquo;If this secret compact does not suit you, my child, I have begged the
+ saintly man who takes charge of this letter not to say a word in my
+ behalf. I will not owe your return to the terrors threatened by the
+ Church, nor to the bidding of the Law. I will not accept the simple and
+ quiet happiness that I ask from any one but yourself. If you persist in
+ condemning me to the lonely life, bereft even of a fraternal smile, which
+ I have led for nine years, if you remain in your solitude and show no
+ sign, my will yields to yours. Understand me perfectly: you shall be no
+ more troubled than you have been until this day. I will get rid of the
+ crazy fellow who has meddled in your concerns, and has perhaps caused you
+ some annoyance...&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Monsieur,&rsquo; said Honorine, folding up the letter, which she placed in her
+ bosom, and looking at my uncle, &lsquo;thank you very much. I will avail myself
+ of Monsieur le Comte&rsquo;s permission to remain here&mdash;&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Ah!&rsquo; I exclaimed.
+ </p>
+ <p>
+ &ldquo;This exclamation made my uncle look at me uneasily, and won from the
+ Countess a mischievous glance, which enlightened me as to her motives.
+ </p>
+ <p>
+ &ldquo;Honorine had wanted to ascertain whether I were an actor, a bird snarer;
+ and I had the melancholy satisfaction of deceiving her by my exclamation,
+ which was one of those cries from the heart which women understand so
+ well.
+ </p>
+ <p>
+ &ldquo;&lsquo;Ah, Maurice,&rsquo; said she, &lsquo;you know how to love.&rsquo;
+ </p>
+ <p>
+ &ldquo;The light that flashed in my eyes was another reply which would have
+ dissipated the Countess&rsquo; uneasiness if she still had any. Thus the Count
+ found me useful to the very last.
+ </p>
+ <p>
+ &ldquo;Honorine then took out the Count&rsquo;s letter again to finish reading it. My
+ uncle signed to me, and I rose.
+ </p>
+ <p>
+ &ldquo;&lsquo;Let us leave the Countess,&rsquo; said he.
+ </p>
+ <p>
+ &ldquo;&lsquo;You are going already Maurice?&rsquo; she said, without looking at me.
+ </p>
+ <p>
+ &ldquo;She rose, and still reading, followed us to the door. On the threshold
+ she took my hand, pressed it very affectionately, and said, &lsquo;We shall meet
+ again...&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No,&rsquo; I replied, wringing her hand, so that she cried out. &lsquo;You love your
+ husband. I leave to-morrow.&rsquo;
+ </p>
+ <p>
+ &ldquo;And I rushed away, leaving my uncle, to whom she said:
+ </p>
+ <p>
+ &ldquo;&lsquo;Why, what is the matter with your nephew?&rsquo;
+ </p>
+ <p>
+ &ldquo;The good Abbe completed my work by pointing to his head and heart, as
+ much as to say, &lsquo;He is mad, madame; you must forgive him!&rsquo; and with all
+ the more truth, because he really thought it.
+ </p>
+ <p>
+ &ldquo;Six days after, I set out with an appointment as vice-consul in Spain, in
+ a large commercial town, where I could quickly qualify to rise in the
+ career of a consul, to which I now restricted my ambition. After I had
+ established myself there, I received this letter from the Count:&mdash;
+ </p>
+ <h3>
+ &ldquo;&lsquo;MY DEAR MAURICE,&mdash;
+ </h3>
+ <p>
+ &ldquo;&lsquo;If I were happy, I should not write to you, but I have entered on a new
+ life of suffering. I have grown young again in my desires, with all the
+ impatience of a man of forty, and the prudence of a diplomatist, who has
+ learned to moderate his passion. When you left I had not yet been admitted
+ to the <i>pavillon</i> in the Rue Saint-Maur, but a letter had promised me
+ that I should have permission&mdash;the mild and melancholy letter of a
+ woman who dreaded the agitations of a meeting. After waiting for more than
+ a month, I made bold to call, and desired Gobain to inquire whether I
+ could be received. I sat down in a chair in the avenue near the lodge, my
+ head buried in my hands, and there I remained for almost an hour.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Madame had to dress,&rdquo; said Gobain, to hide Honorine&rsquo;s hesitancy under a
+ pride of appearance which was flattering to me.
+ </p>
+ <p>
+ &ldquo;&lsquo;During a long quarter of an hour we both of us were possessed by an
+ involuntary nervous trembling as great as that which seizes a speaker on
+ the platform, and we spoke to each other sacred phrases, like those of
+ persons taken by surprise who &ldquo;make believe&rdquo; a conversation.
+ </p>
+ <p>
+ &ldquo;&lsquo;"You see, Honorine,&rdquo; said I, my eyes full of tears, &ldquo;the ice is broken,
+ and I am so tremulous with happiness that you must forgive the incoherency
+ of my language. It will be so for a long time yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;"There is no crime in being in love with your wife,&rdquo; said she with a
+ forced smile.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Do me the favor,&rdquo; said I, &ldquo;no longer to work as you do. I have heard
+ from Madame Gobain that for three weeks you have been living on your
+ savings; you have sixty thousand francs a year of your own, and if you
+ cannot give me back your heart, at least do not abandon your fortune to
+ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;"I have long known your kindness,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Though you should prefer to remain here,&rdquo; said I, &ldquo;and to preserve your
+ independence; though the most ardent love should find no favor in your
+ eyes, still, do not toil.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I gave her three certificates for twelve thousand francs a year each;
+ she took them, opened them languidly, and after reading them through she
+ gave me only a look as my reward. She fully understood that I was not
+ offering her money, but freedom.
+ </p>
+ <p>
+ &ldquo;&lsquo;"I am conquered,&rdquo; said she, holding out her hand, which I kissed. &ldquo;Come
+ and see me as often as you like.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;So she had done herself a violence in receiving me. Next day I found her
+ armed with affected high spirits, and it took two months of habit before I
+ saw her in her true character. But then it was like a delicious May, a
+ springtime of love that gave me ineffable bliss; she was no longer afraid;
+ she was studying me. Alas! when I proposed that she should go to England
+ to return ostensibly to me, to our home, that she should resume her rank
+ and live in our new residence, she was seized with alarm.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Why not live always as we are?&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;&lsquo;I submitted without saying a word.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Is she making an experiment?&rdquo; I asked myself as I left her. On my way
+ from my own house to the Rue Saint-Maur thoughts of love had swelled in my
+ heart, and I had said to myself, like a young man, &ldquo;This evening she will
+ yield.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;All my real or affected force was blown to the winds by a smile, by a
+ command from those proud, calm eyes, untouched by passion. I remembered
+ the terrible words you once quoted to me, &ldquo;Lucretia&rsquo;s dagger wrote in
+ letters of blood the watchword of woman&rsquo;s charter&mdash;Liberty!&rdquo; and they
+ froze me. I felt imperatively how necessary to me was Honorine&rsquo;s consent,
+ and how impossible it was to wring it from her. Could she guess the storms
+ that distracted me when I left as when I came?
+ </p>
+ <p>
+ &ldquo;&lsquo;At last I painted my situation in a letter to her, giving up the attempt
+ to speak of it. Honorine made no answer, and she was so sad that I made as
+ though I had not written. I was deeply grieved by the idea that I could
+ have distressed her; she read my heart and forgave me. And this was how.
+ Three days ago she received me, for the first time, in her own
+ blue-and-white room. It was bright with flowers, dressed, and lighted up.
+ Honorine was in a dress that made her bewitching. Her hair framed that
+ face that you know in its light curls; and in it were some sprays of Cape
+ heath; she wore a white muslin gown, a white sash with long floating ends.
+ You know what she is in such simplicity, but that day she was a bride, the
+ Honorine of long past days. My joy was chilled at once, for her face was
+ terribly grave; there were fires beneath the ice.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Octave,&rdquo; she said, &ldquo;I will return as your wife when you will. But
+ understand clearly that this submission has its dangers. I can be resigned&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I made a movement.
+ </p>
+ <p>
+ &ldquo;&lsquo;"Yes,&rdquo; she went on, &ldquo;I understand: resignation offends you, and you want
+ what I cannot give&mdash;Love. Religion and pity led me to renounce my vow
+ of solitude; you are here!&rdquo; She paused.
+ </p>
+ <p>
+ &ldquo;&lsquo;"At first,&rdquo; she went on, &ldquo;you asked no more. Now you demand your wife.
+ Well, here I give you Honorine, such as she is, without deceiving you as
+ to what she will be.&mdash;What shall I be? A mother? I hope it. Believe
+ me, I hope it eagerly. Try to change me; you have my consent; but if I
+ should die, my dear, do not curse my memory, and do not set down to
+ obstinacy what I should call the worship of the Ideal, if it were not more
+ natural to call the indefinable feeling which must kill me the worship of
+ the Divine! The future will be nothing to me; it will be your concern;
+ consult your own mind.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And she sat down in the calm attitude you used to admire, and watched me
+ turning pale with the pain she had inflicted. My blood ran cold. On seeing
+ the effect of her words she took both my hands, and, holding them in her
+ own, she said:
+ </p>
+ <p>
+ &ldquo;&lsquo;"Octave, I do love you, but not in the way you wish to be loved. I love
+ your soul.... Still, understand that I love you enough to die in your
+ service like an Eastern slave, and without a regret. It will be my
+ expiation.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;She did more; she knelt before me on a cushion, and in a spirit of
+ sublime charity she said:
+ </p>
+ <p>
+ &ldquo;&lsquo;"And perhaps I shall not die!&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;For two months now I have been struggling with myself. What shall I do?
+ My heart is too full; I therefore seek a friend, and send out this cry,
+ &ldquo;What shall I do?&rdquo;&rsquo;
+ </p>
+ <p>
+ &ldquo;I did not answer this letter. Two months later the newspapers announced
+ the return on board an English vessel of the Comtesse Octave, restored to
+ her family after adventures by land and sea, invented with sufficient
+ probability to arouse no contradiction.
+ </p>
+ <p>
+ &ldquo;When I moved to Genoa I received a formal announcement of the happy event
+ of the birth of a son to the Count and Countess. I held that letter in my
+ hand for two hours, sitting on this terrace&mdash;on this bench. Two
+ months after, urged by Octave, by M. de Grandville, and Monsieur de
+ Serizy, my kind friends, and broken by the death of my uncle, I agreed to
+ take a wife.
+ </p>
+ <p>
+ &ldquo;Six months after the revolution of July I received this letter, which
+ concludes the story of this couple:&mdash;
+ </p>
+ <p>
+ &ldquo;&lsquo;MONSIEUR MAURICE,&mdash;I am dying though I am a mother&mdash;perhaps
+ because I am a mother. I have played my part as a wife well; I have
+ deceived my husband. I have had happiness not less genuine than the tears
+ shed by actresses on the stage. I am dying for society, for the family,
+ for marriage, as the early Christians died for God! I know not of what I
+ am dying, and I am honestly trying to find out, for I am not perverse; but
+ I am bent on explaining my malady to you&mdash;you who brought that
+ heavenly physician your uncle, at whose word I surrendered. He was my
+ director; I nursed him in his last illness, and he showed me the way to
+ heaven, bidding me persevere in my duty.
+ </p>
+ <p>
+ &ldquo;&lsquo;And I have done my duty.
+ </p>
+ <p>
+ &ldquo;&lsquo;I do not blame those who forget. I admire them as strong and necessary
+ natures; but I have the malady of memory! I have not been able twice to
+ feel that love of the heart which identifies a woman with the man she
+ loves. To the last moment, as you know, I cried to your heart, in the
+ confessional, and to my husband, &ldquo;Have mercy!&rdquo; But there was no mercy.
+ Well, and I am dying, dying with stupendous courage. No courtesan was ever
+ more gay than I. My poor Octave is happy; I let his love feed on the
+ illusions of my heart. I throw all my powers into this terrible
+ masquerade; the actress is applauded, feasted, smothered in flowers; but
+ the invisible rival comes every day to seek its prey&mdash;a fragment of
+ my life. I am rent and I smile. I smile on two children, but it is the
+ elder, the dead one, that will triumph! I told you so before. The dead
+ child calls me, and I am going to him.
+ </p>
+ <p>
+ &ldquo;&lsquo;The intimacy of marriage without love is a position in which my soul
+ feels degraded every hour. I can never weep or give myself up to dreams
+ but when I am alone. The exigencies of society, the care of my child, and
+ that of Octave&rsquo;s happiness never leave me a moment to refresh myself, to
+ renew my strength, as I could in my solitude. The incessant need for
+ watchfulness startles my heart with constant alarms. I have not succeeded
+ in implanting in my soul the sharp-eared vigilance that lies with
+ facility, and has the eyes of a lynx. It is not the lip of one I love that
+ drinks my tears and kisses them; my burning eyes are cooled with water,
+ and not with tender lips. It is my soul that acts a part, and that perhaps
+ is why I am dying! I lock up my griefs with so much care that nothing is
+ to be seen of it; it must eat into something, and it has attacked my life.
+ </p>
+ <p>
+ &ldquo;&lsquo;I said to the doctors, who discovered my secret, &ldquo;Make me die of some
+ plausible complaint, or I shall drag my husband with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;So it is quite understood by M. Desplein, Bianchon, and myself that I am
+ dying of the softening of some bone which science has fully described.
+ Octave believes that I adore him, do you understand? So I am afraid lest
+ he should follow me. I now write to beg you in that case to be the little
+ Count&rsquo;s guardian. You will find with this a codicil in which I have
+ expressed my wish; but do not produce it excepting in case of need, for
+ perhaps I am fatuously vain. My devotion may perhaps leave Octave
+ inconsolable but willing to live.&mdash;Poor Octave! I wish him a better
+ wife than I am, for he deserves to be well loved.
+ </p>
+ <p>
+ &ldquo;&lsquo;Since my spiritual spy is married, I bid him remember what the florist
+ of the Rue Saint-Maur hereby bequeaths to him as a lesson: May your wife
+ soon be a mother! Fling her into the vulgarest materialism of household
+ life; hinder her from cherishing in her heart the mysterious flower of the
+ Ideal&mdash;of that heavenly perfection in which I believed, that
+ enchanted blossom with glorious colors, and whose perfume disgusts us with
+ reality. I am a Saint-Theresa who has not been suffered to live on ecstasy
+ in the depths of a convent, with the Holy Infant, and a spotless winged
+ angel to come and go as she wished.
+ </p>
+ <p>
+ &ldquo;&lsquo;You saw me happy among my beloved flowers. I did not tell you all: I saw
+ love budding under your affected madness, and I concealed from you my
+ thoughts, my poetry; I did not admit you to my kingdom of beauty. Well,
+ well; you will love my child for love of me if he should one day lose his
+ poor father. Keep my secrets as the grave will keep them. Do not mourn for
+ me; I have been dead this many a day, if Saint Bernard was right in saying
+ that where there is no more love there is no more life.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;And the Countess died,&rdquo; said the Consul, putting away the letters and
+ locking the pocket-book.
+ </p>
+ <p>
+ &ldquo;Is the Count still living?&rdquo; asked the Ambassador, &ldquo;for since the
+ revolution of July he has disappeared from the political stage.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you remember, Monsieur de Lora,&rdquo; said the Consul-General, &ldquo;having seen
+ me going to the steamboat with&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;A white-haired man! an old man?&rdquo; said the painter.
+ </p>
+ <p>
+ &ldquo;An old man of forty-five, going in search of health and amusement in
+ Southern Italy. That old man was my poor friend, my patron, passing
+ through Genoa to take leave of me and place his will in my hands. He
+ appoints me his son&rsquo;s guardian. I had no occasion to tell him of
+ Honorine&rsquo;s wishes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does he suspect himself of murder?&rdquo; said Mademoiselle des Touches to the
+ Baron de l&rsquo;Hostal.
+ </p>
+ <p>
+ &ldquo;He suspects the truth,&rdquo; replied the Consul, &ldquo;and that is what is killing
+ him. I remained on board the steam packet that was to take him to Naples
+ till it was out of the roadstead; a small boat brought me back. We sat for
+ some little time taking leave of each other&mdash;for ever, I fear. God
+ only knows how much we love the confidant of our love when she who
+ inspired it is no more.
+ </p>
+ <p>
+ &ldquo;&lsquo;That man,&rsquo; said Octave, &lsquo;holds a charm and wears an aureole.&rsquo; the Count
+ went to the prow and looked down on the Mediterranean. It happened to be
+ fine, and, moved no doubt by the spectacle, he spoke these last words:
+ &lsquo;Ought we not, in the interests of human nature, to inquire what is the
+ irresistible power which leads us to sacrifice an exquisite creature to
+ the most fugitive of all pleasures, and in spite of our reason? In my
+ conscience I heard cries. Honorine was not alone in her anguish. And yet I
+ would have it!... I am consumed by remorse. In the Rue Payenne I was dying
+ of the joys I had not; now I shall die in Italy of the joys I have had....
+ Wherein lay the discord between two natures, equally noble, I dare
+ assert?&rsquo;&rdquo;
+ </p>
+ <p>
+ For some minutes profound silence reigned on the terrace.
+ </p>
+ <p>
+ Then the Consul, turning to the two women, asked, &ldquo;Was she virtuous?&rdquo;
+ </p>
+ <p>
+ Mademoiselle des Touches rose, took the Consul&rsquo;s arm, went a few steps
+ away, and said to him:
+ </p>
+ <p>
+ &ldquo;Are not men wrong too when they come to us and make a young girl a wife
+ while cherishing at the bottom of their heart some angelic image, and
+ comparing us to those unknown rivals, to perfections often borrowed from a
+ remembrance, and always finding us wanting?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mademoiselle, you would be right if marriage were based on passion; and
+ that was the mistake of those two, who will soon be no more. Marriage with
+ heart-deep love on both sides would be Paradise.&rdquo;
+ </p>
+ <p>
+ Mademoiselle des Touches turned from the Consul, and was immediately
+ joined by Claude Vignon, who said in her ear:
+ </p>
+ <p>
+ &ldquo;A bit of a coxcomb is M. de l&rsquo;Hostal.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; replied she, whispering to Claude these words: &ldquo;for he has not yet
+ guessed that Honorine would have loved him.&mdash;Oh!&rdquo; she exclaimed,
+ seeing the Consul&rsquo;s wife approaching, &ldquo;his wife was listening! Unhappy
+ man!&rdquo;
+ </p>
+ <p>
+ Eleven was striking by all the clocks, and the guests went home on foot
+ along the seashore.
+ </p>
+ <p>
+ &ldquo;Still, that is not life,&rdquo; said Mademoiselle des Touches. &ldquo;That woman was
+ one of the rarest, and perhaps the most extraordinary exceptions in
+ intellect&mdash;a pearl! Life is made up of various incidents, of pain and
+ pleasure alternately. The Paradise of Dante, that sublime expression of
+ the ideal, that perpetual blue, is to be found only in the soul; to ask it
+ of the facts of life is a luxury against which nature protests every hour.
+ To such souls as those the six feet of a cell, and the kneeling chair are
+ all they need.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are right,&rdquo; said Leon de Lora; &ldquo;but good-for-nothing as I may be, I
+ cannot help admiring a woman who is capable, as that one was, of living by
+ the side of a studio, under a painter&rsquo;s roof, and never coming down, nor
+ seeing the world, nor dipping her feet in the street mud.&rdquo;
+ </p>
+ <p>
+ &ldquo;Such a thing has been known&mdash;for a few months,&rdquo; said Claude Vignon,
+ with deep irony.
+ </p>
+ <p>
+ &ldquo;Comtesse Honorine is not unique of her kind,&rdquo; replied the Ambassador to
+ Mademoiselle des Touches. &ldquo;A man, nay, and a politician, a bitter writer,
+ was the object of such a passion; and the pistol shot which killed him hit
+ not him alone; the woman who loved lived like a nun ever after.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then there are yet some great souls in this age!&rdquo; said Camille Maupin,
+ and she stood for some minutes pensively leaning on the balustrade of the
+ quay.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personages appear in other stories of the Human Comedy.
+ </h3>
+<pre xml:space="preserve">
+ Bauvan, Comte Octave de
+ Scenes from a Courtesan&rsquo;s Life
+
+ Bianchon, Horace
+ Father Goriot
+ The Atheist&rsquo;s Mass
+ Cesar Birotteau
+ The Commission in Lunacy
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor&rsquo;s Establishment
+ The Secrets of a Princess
+ The Government Clerks
+ Pierrette
+ A Study of Woman
+ Scenes from a Courtesan&rsquo;s Life
+ The Seamy Side of History
+ The Magic Skin
+ A Second Home
+ A Prince of Bohemia
+ Letters of Two Brides
+ The Muse of the Department
+ The Imaginary Mistress
+ The Middle Classes
+ Cousin Betty
+ The Country Parson
+ In addition, M. Bianchon narrated the following:
+ Another Study of Woman
+ La Grande Breteche
+
+ Desplein
+ The Atheist&rsquo;s Mass
+ Cousin Pons
+ Lost Illusions
+ The Thirteen
+ The Government Clerks
+ Pierrette
+ A Bachelor&rsquo;s Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan&rsquo;s Life
+
+ Fontanon, Abbe
+ A Second Home
+ The Government Clerks
+ The Member for Arcis
+
+ Gaudissart, Felix
+ Scenes from a Courtesan&rsquo;s Life
+ Cousin Pons
+ Cesar Birotteau
+ Gaudissart the Great
+
+ Gaudron, Abbe
+ The Government Clerks
+ A Start in Life
+
+ Granville, Vicomte de (later Comte)
+ The Gondreville Mystery
+ A Second Home
+ Farewell (Adieu)
+ Cesar Birotteau
+ Scenes from a Courtesan&rsquo;s Life
+ A Daughter of Eve
+ Cousin Pons
+
+ Lora, Leon de
+ The Unconscious Humorists
+ A Bachelor&rsquo;s Establishment
+ A Start in Life
+ Pierre Grassou
+ Cousin Betty
+ Beatrix
+
+ Loraux, Abbe
+ A Start in Life
+ A Bachelor&rsquo;s Establishment
+ Cesar Birotteau
+
+ Popinot, Jean-Jules
+ Cesar Birotteau
+ The Commission in Lunacy
+ The Seamy Side of History
+ The Middle Classes
+
+ Serizy, Comte Hugret de
+ A Start in Life
+ A Bachelor&rsquo;s Establishment
+ Modeste Mignon
+ Scenes from a Courtesan&rsquo;s Life
+
+ Touches, Mademoiselle Felicite des
+ Beatrix
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor&rsquo;s Establishment
+ Another Study of Woman
+ A Daughter of Eve
+ Beatrix
+ The Muse of the Department
+
+ Vignon, Claude
+ A Distinguished Provincial at Paris
+ A Daughter of Eve
+ Honorine
+ Beatrix
+ Cousin Betty
+ The Unconscious Humorists
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Honorine, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HONORINE ***
+
+***** This file should be named 1683-h.htm or 1683-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/8/1683/
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>