diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:49:35 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:49:35 -0700 |
| commit | 431ead3ff10c5489ae366662d377f35bdff2350f (patch) | |
| tree | 37623240764eed38d8dacf22464ba1035083e8fd /16740.txt | |
Diffstat (limited to '16740.txt')
| -rw-r--r-- | 16740.txt | 4452 |
1 files changed, 4452 insertions, 0 deletions
diff --git a/16740.txt b/16740.txt new file mode 100644 index 0000000..44d04fd --- /dev/null +++ b/16740.txt @@ -0,0 +1,4452 @@ +The Project Gutenberg EBook of The Busie Body, by Susanna Centlivre + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Busie Body + +Author: Susanna Centlivre + +Commentator: Jess Byrd + +Release Date: September 24, 2005 [EBook #16740] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BUSIE BODY *** + + + + +Produced by Louise Hope, David Starner and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + The Augustan Reprint Society + + + SUSANNA CENTLIVRE + _THE BUSIE BODY_ + (1709) + + With an Introduction by + Jess Byrd + + + Publication Number 19 + (Series V, No. 3) + + + + + Los Angeles + William Andrews Clark Memorial Library + University of California + 1949 + + + * * * * * + +_GENERAL EDITORS_ + + +H. RICHARD ARCHER, _Clark Memorial Library_ +RICHARD C. BOYS, _University of Michigan_ +EDWARD NILES HOOKER, _University of California, Los Angeles_ +H.T. SWEDENBERG, JR., _University of California, Los Angeles_ + + +_ASSISTANT EDITOR_ + +W. EARL BRITTON, _University of Michigan_ + + +_ADVISORY EDITORS_ + +EMMETT L. AVERY, _State College of Washington_ +BENJAMIN BOYCE, _University of Nebraska_ +LOUIS I. BREDVOLD, _University of Michigan_ +CLEANTH BROOKS, _Yale University_ +JAMES L. CLIFFORD, _Columbia University_ +ARTHUR FRIEDMAN, _University of Chicago_ +SAMUEL H. MONK, _University of Minnesota_ +ERNEST MOSSNER, _University of Texas_ +JAMES SUTHERLAND, _Queen Mary College, London_ + + * * * * * + + +INTRODUCTION + + +Susanna Centlivre (1667?-1723) in _The Busie Body_ (1709) contributed +to the stage one of the most successful comedies of intrigue of the +eighteenth and nineteenth centuries. This play, written when there was a +decided trend in England toward sentimental drama, shows Mrs. Centlivre +a strong supporter of laughing comedy. She had turned for a time to +sentimental comedy and with one of her three sentimental plays, _The +Gamester_ (1704), had achieved a great success. But her true bent seems +to have been toward realistic comedies, chiefly of intrigue: of her +nineteen plays written from 1700 to 1723, ten are realistic comedies. +Three of these proved very popular in her time and enjoyed a long stage +history: _The Busie Body_ (1709); _The Wonder: A Woman Keeps a Secret_ +(1714); and _A Bold Stroke for a Wife_ (1717). _The Busie Body_ best +illustrates Mrs. Centlivre's preference for laughing comedy with an +improved moral tone. The characters and the plot are amusing but +inoffensive, and, compared to those of Restoration drama, satisfy the +desire of the growing eighteenth-century middle-class audience for +respectability on the stage. + +The theory of comedy on which _The Busie Body_ rests is a traditional +one, but Mrs. Centlivre's simple pronouncements on the virtues of +realistic over sentimental comedy are interesting because of the +controversy on this subject among critics and writers at this time. In +the preface to her first play, _The Perjur'd Husband_ (1700), she takes +issue with Jeremy Collier on the charge of immorality in realistic +plays. The stage, she believes, should present characters as they are; +it is unreasonable to expect a "Person, whose inclinations are always +forming Projects to the Dishonor of her Husband, should deliver her +Commands to her Confident in the Words of a Psalm." In a letter written +in 1700 she says: "I think the main design of Comedy is to make us +laugh." (Abel Boyer, _Letters of Wit, Politicks, and Morality_, London, +1701, p. 362). But, she adds, since Collier has taught religion to the +"Rhiming Trade, the Comick Muse in Tragick Posture sat" until she +discovered Farquhar, whose language is amusing but decorous and whose +plots are virtuous. This insistence on decorum and virtue indicates a +concession to Collier and to the public. Thus in the preface to _Love's +Contrivance_ (1703), she reiterates her belief that comedy should amuse +but adds that she strove for a "modest stile" which might not "disoblige +the nicest ear." This modest style, not practiced in early plays, is +achieved admirably in _The Busie Body_. Yet, as she says in the +epilogue, she has not followed the critics who balk the pleasure of +the audience to refine their taste; her play will with "good humour, +pleasure crown the Night." In dialogue, in plot, and particularly in +the character of the amusing but inoffensive Marplot, she fulfills her +simple theory of comedy designed not for reform but for laughter. + +Mrs. Centlivre followed the practices of her contemporaries in borrowing +the plot for _The Busie Body_. The three sources for the play are: _The +Devil Is an Ass_ (1616) by Jonson; _L'Etourdi_ (1658) by Moliere; and +_Sir Martin Mar-all or The Feigned Innocence_ (1667) by Dryden. From +_The Devil Is an Ass_, Mrs. Centlivre borrowed minor details and two +episodes, one of them the amusing dumb scene. This scene, though a close +imitation, seems more amusing in _The Busie Body_ than in Jonson's play, +perhaps because the characters, especially Sir Francis Gripe and +Miranda, are more credible and more fully portrayed. From the second +source for _The Busie Body_, Moliere's _L'Etourdi_, I believe Mrs. +Centlivre borrowed the framework for her parallel plots, the theme of +Marplot's blundering, and the name and general character of Marplot. But +she has improved what she borrowed. She places in Moliere's framework +more credible women characters than his, especially in the charming +Miranda and the crafty Patch; she constructs a more skillful intrigue +plot for the stage than his subplot and emphasizes Spanish customs in +the lively Charles-Isabinda-Traffick plot. Mrs. Centlivre concentrates +on Marplot's blundering, whereas Moliere concentrates on the servant +Mascarille's schemes. Marplot's funniest blunder, in the "monkey" scene, +is entirely original as far as I know (IV, iv). But her greatest change +is in the character of Marplot, who in her hands becomes not so much +stupid as human and irresistibly ludicrous. Mrs. Centlivre's style is +of course inferior to that of Moliere. In the preface to _Love's +Contrivance_ (1703), in speaking of borrowings from Moliere, she said +that borrowers "must take care to touch the Colors with an English +Pencil, and form the Piece according to our Manners." Of course her +touching the "Colors with an English Pencil" meant changing the style +of Moliere to suit the less delicate taste of the middle-class English +audience. + +A third source for _The Busie Body_ is Dryden's _Sir Martin Mar-all_ +(1667). Since Dryden followed Moliere with considerable exactness, it +would be difficult to prove beyond doubt that Mrs. Centlivre borrowed +from Moliere rather than from Dryden. Yet I believe, after a careful +analysis of the plays, that she borrowed from Moliere. She made of _The +Busie Body_ a comedy of intrigue based on the theme and plot used by +both Moliere and Dryden, but she omitted the scandalous Restoration +third plot which Dryden had added to Moliere. Her characters are English +in speech and action, but they lack the coarseness apparent in Dryden's +_Sir Martin Mar-all_. Though it is impossible to prove the exact sources +of Mrs. Centlivre's borrowings, there is no doubt that she has improved +what she borrowed. + +Whatever the truth may be about Mrs. Centlivre's use of her sources, her +play remained in the repertory of acting plays long after _L'Etourdi_ +and _Sir Martin Mar-all_ had disappeared. _The Busie Body_ opened at the +Drury Lane Theater on May 12, 1709. Steele, who listed the play in _The +Tatler_ for May 14, 1709, does not mention the length of the run. Thomas +Whincop says that the play ran thirteen nights (_Scanderbeg_, London, +1747, p. 190), but Genest says the play had an opening run of seven +nights (_Some Account of the English Stage from the Restoration in 1660 +to 1830_, II, 419). The play remained popular throughout the eighteenth +and nineteenth centuries. Genest lists it as being presented in +twenty-three seasons from 1709 to 1800. It was certainly presented much +more frequently than this record shows, for Dougald MacMillan in _The +Drury Lane Calendar_ lists fifty-three performances from 1747-1776, +whereas Genest records two performances in this period. The greatest +number of performances in any season was fourteen in 1758-59, the year +David Garrick appeared in the play. From the records available _The +Busie Body_ seems to have reached its greatest popularity in England +in the middle and late eighteenth century and the early part of the +nineteenth century. William Hazlitt, in the "Prefatory Remarks" to the +Oxberry acting edition of 1819, says _The Busie Body_ has been acted a +"thousand times in town and country, giving delight to the old, the +young, and the middle-aged." + +_The Busie Body_ enjoyed a similar place of importance in the stage +history of America but achieved its greatest popularity, in New York +at least, in the nineteenth century. First performed in Williamsburg +on September 10, 1736, the play was presented fifteen times in New +York in the eighteenth century. In the nineteenth century forty-five +performances were given in New York in sixteen seasons from 1803 to 1885 +(George Odell, _Annals of the New York Stage_). _The Busie Body_ is +frequently cited with _The Rivals_ and _The School for Scandal_ for +opening seasons and for long runs by great actors. + +The text here reproduced is from a copy of the first edition now in the +library of the University of Michigan. + + _Jess Byrd_ + _Salem College_ + + + * * * * * + * * * * + * * * * * + + + THE + BUSIE BODY: + + A + COMEDY. + + As it is Acted at the + THEATRE-ROYAL + in + _DRURY-LANE_, + + By Her Majesty's Servants. + + Written by Mrs. SUSANNA CENTLIVRE. + + + Quem tulit ad scenam ventoso Gloria curru, + Exanimat lentus Spectator, sedulus inflat. + Sic Leve, sic parvum est, animum quod laudis avarum + Subruit aut reficit-- + + Horat. Epist. Lib. II. Ep. 1. + + + _LONDON_, + +Printed for BERNARD LINTOTT, at the _Cross-Keys_ +between the Two _Temple-Gates_ in _Fleet-street_. + + * * * * * + + To The + RIGHT HONOURABLE + + _JOHN_ Lord _SOMMERS_, + + Lord-President of Her HAJESTY's most + Honourable Privy-Council. + + +_May it please Your Lordship,_ + +As it's an Establish'd Custom in these latter Ages, for all Writers, +particularly the Poetical, to shelter their Productions under the +Protection of the most Distinguish'd, whose Approbation produces a kind +of Inspiration, much superior to that which the _Heathenish_ Poets +pretended to derive from their Fictitious _Apollo_: So it was my +Ambition to Address one of my weak Performances to Your Lordship, who, +by Universal Consent, are justly allow'd to be the best Judge of all +kinds of Writing. + +I was indeed at first deterr'd from my Design, by a Thought that it +might be accounted unpardonable Rudeness to obtrude a Trifle of this +Nature to a Person, whose sublime Wisdom moderates that Council, which +at this Critical Juncture, over-rules the Fate of all _Europe_. But then +I was encourag'd by Reflecting, that _Lelius_ and _Scipio_, the two +greatest Men in their Time, among the _Romans_, both for Political and +Military Virtues, in the height of their important Affairs, thought +the Perusal and Improving of _Terence_'s Comedies the noblest way of +Unbinding their Minds. I own I were guilty of the highest Vanity, should +I presume to put my Composures in Parallel with those of that Celebrated +_Dramatist_. But then again, I hope that Your Lordship's native Goodness +and Generosity, in Condescension to the Taste of the Best and Fairest +part of the Town, who have been pleas'd to be diverted by the following +SCENES, will excuse and overlook such Faults as your nicer Judgment +might discern. + +And here, my Lord, the Occasion seems fair for me to engage in a +Panegyrick upon those Natural and Acquired Abilities, which so brightly +Adorn your Person: But I shall resist that Temptation, being conscious +of the Inequality of a Female Pen to so Masculine an Attempt; and having +no other Ambition, than to Subscribe my self, + + My Lord, + Your Lordship's + Most Humble and + Most Obedient Servant, + + SUSANNA CENTLIVRE. + + + + +PROLOGUE. + +By the Author of TUNBRIDGE-WALKS. + + +Tho' modern Prophets were expos'd of late, +The Author cou'd not Prophesie his Fate; +If with such Scenes an Audience had been Fir'd, +The Poet must have really been Inspir'd. +But these, alas! are Melancholy Days +For Modern Prophets, and for Modern Plays. +Yet since Prophetick Lyes please Fools o'Fashion, +And Women are so fond of Agitation; +To Men of Sense, I'll Prophesie anew, +And tell you wond'rous things, that will prove true: +_Undaunted Collonels will to Camps repair,_ +_Assur'd, there'll be no Skirmishes this Year;_ +On our own Terms will flow the wish'd-for Peace, +All Wars, except 'twixt Man and Wife, will cease. +The Grand Monarch may wish his Son a Throne, +But hardly will advance to lose his own. +This Season most things bear a smiling Face; +But Play'rs in Summer have a dismal Case, +Since your Appearance only is our Act of Grace. +Court Ladies will to Country Seats be gone, +My Lord can't all the Year live Great in Town, +Where wanting _Opera's_, _Basset_, and a _Play_, +They'll Sigh and stitch a Gown, to pass the time away. +Gay City-Wives at _Tunbridge_ will appear, +Whose Husbands long have laboured for an Heir; +Where many a Courtier may their Wants relieve, +But by the Waters only they Conceive. +The _Fleet-street_ Sempstress--Toast of _Temple_ Sparks, +That runs Spruce Neckcloths for Attorney's Clerks; +At _Cupid_'s _Gardens_ will her Hours regale, +Sing fair _Dorinda_, and drink Bottl'd Ale. +At all Assemblies, Rakes are up and down, +And Gamesters, where they think they are not known. + Shou'd I denounce our Author's fate to Day, +To cry down Prophecies, you'd damn the Play: +Yet Whims like these have sometimes made you Laugh; +'Tis Tattling all, like _Isaac Bickerstaff_. + Since War, and Places claim the Bards that write, +Be kind, and bear a Woman's Treat to-Night; +Let your Indulgence all her Fears allay, +And none but Woman-Haters damn this Play. + + + + +EPILOGUE. + + +In me you see one _Busie-Body_ more; +Tho' you may have enough of one before. +With Epilogues, the _Busie-Body_'s Way, +We strive to help; but sometimes mar a Play. +At this mad Sessions, half condemn'd e'er try'd, +Some, in three Days, have been turn'd off, and dy'd, +In spight of Parties, their Attempts are vain, +For like false Prophets, they ne'er rise again. +Too late, when cast, your Favour one beseeches, +And Epilogues prove Execution Speeches. +Yet sure I spy no _Busie-Bodies_ here; +And one may pass, since they do ev'ry where. +Sowr Criticks, Time and Breath, and Censures waste, +And baulk your Pleasure to refine your Taste. +One busie Don ill-tim'd high Tenets Preaches, +Another yearly shows himself in Speeches. +Some snivling Cits, wou'd have a Peace for spight, +To starve those Warriours who so bravely fight. +Still of a Foe upon his Knees affraid; +Whose well-hang'd Troops want Money, Heart, and Bread. +Old Beaux, who none not ev'n themselves can please, +Are busie still; for nothing--but to teize +The Young, so busie to engage a Heart, +The Mischief done, are busie most to part. +Ungrateful Wretches, who still cross ones Will, +When they more kindly might be busie still! +One to a Husband, who ne'er dreamt of Horns, +Shows how dear Spouse, with Friend his Brows adorns. +Th' Officious Tell-tale Fool, (he shou'd repent it.) +Parts three kind Souls that liv'd at Peace contented, +Some with Law Quirks set _Houses_ by the Ears; +With Physick one what he wou'd heal impairs. +Like that dark Mob'd up Fry, that neighb'ring Curse, +Who to remove Love's Pain, bestow a worse. +Since then this meddling Tribe infest the Age, +Bear one a while, expos'd upon the Stage. +Let none but _Busie-Bodies_ vent their Spight! +And with good Humour, Pleasure crown the Night!_ + + + + +Dramatis Personae. + +Men. + +Sir _George Airy_. A Gentleman of Four Thousand a Year +in Love with _Miranda_. + Acted by Mr. _Wilks_. + +Sir _Francis Gripe_. Guardian to _Miranda_ and _Marplot_, +Father to _Charles_, in Love with _Miranda_. + Mr. _Estcourt_. + +_Charles_. Friend to _Sir George_, in Love with _Isabinda_. + Mr. _Mills_. + +Sir _Jealous Traffick_. A Merchant that had liv'd sometime +in _Spain_, a great Admirer of the _Spanish_ Customs, +Father to _Isabinda_. + Mr. _Bullock_. + +_Marplot_. A sort of a silly Fellow, Cowardly, but very +Inquisitive to know every Body's Business, generally spoils +all he undertakes, yet without Design. + Mr. _Pack_. + +_Whisper_. Servant to _Charles_. + Mr. _Bullock_ jun. + + +Women. + +_Miranda_. An Heiress, worth Thirty Thousand Pound, really +in Love with Sir _George_, but pretends to be so with her +Guardian Sir _Francis_. + Mrs. _Cross_. + +_Isabinda_. Daughter to Sir _Jealous_, in Love with _Charles_, +but design'd for a _Spanish_ Merchant by her Father, and kept +up from the sight of all Men. + Mrs. _Rogers_. + +_Patch_. Her Woman. + Mrs. _Saunders_. + +_Scentwell_. Woman to _Miranda_. + Mrs. _Mills_. + + +[Transcriber's Note: +The scenes within each Act are not numbered. Their descriptions are +listed here for convenience: + +ACT I [scene i] The Park +ACT II [scene i] [Sir Francis Gripe's house] + [scene ii] Sir Jealous Traffick's House + [scene iii] Charles's Lodging +ACT III [scene i] [outside Sir Jealous Traffick's house] + [scene ii] the Street + [scene iii] Sir Francis Gripe's House + [scene iv] a Tavern +ACT IV [scene i] the Out-side of Sir Jealous Traffick's House + [scene ii] Isabinda's Chamber + [scene iii] a Garden Gate open + [scene iv] the House [of Sir Jealous Traffick] +ACT V [scene i] [Sir Francis Gripe's house] + [scene ii] the Street before Sir _Jealous_'s Door + [scene iii] Inside the House [of Sir Jealous Traffick] ] + + + THE + BUSIE BODY. + + + ACT I. SCENE _The Park_. + + Sir _George Airy_ meeting _Charles_. + + +_Cha._ Ha! Sir _George Airy!_ A Birding thus early, what forbidden Game +rouz'd you so soon? For no lawful Occasion cou'd invite a Person of your +Figure abroad at such unfashionable Hours. + +Sir _Geo._ There are some Men, _Charles_, whom Fortune has left free +from Inquietudes, who are diligently Studious to find out Ways and Means +to make themselves uneasie. + +_Cha._ Is it possible that any thing in Nature can ruffle the Temper of +a Man, whom the four Seasons of the Year compliment with as many +Thousand Pounds, nay! and a Father at Rest with his Ancestors. + +Sir _Geo._ Why there 'tis now! a Man that wants Money thinks none can be +unhappy that has it; but my Affairs are in such a whimsical Posture, +that it will require a Calculation of my Nativity to find if my Gold +will relieve me or not. + +_Cha._ Ha, ha, ha, never consult the Stars about that; Gold has a Power +beyond them; Gold unlocks the Midnight Councils; Gold out-does the Wind, +becalms the Ship, or fills her Sails; Gold is omnipotent below; it makes +whole Armies fight, or fly; It buys even Souls, and bribes the Wretches +to betray their Country: Then what can thy Business be, that Gold won't +serve thee in? + +Sir _Geo._ Why, I'm in Love. + +_Cha._ In Love--Ha, ha, ha, ha; In Love, Ha, ha, ha, with what, prithee, +a _Cherubin!_ + +Sir _Geo._ No, with a Woman. + +_Cha._ A Woman, Good, Ha, ha, ha, and Gold not help thee? + +Sir _Geo._ But suppose I'm in Love with two-- + +_Cha._ Ay, if thou'rt in Love with two hundred, Gold will fetch 'em, I +warrant thee, Boy. But who are they? who are they? come. + +Sir _Geo._ One is a Lady, whose Face I never saw, but Witty as an Angel; +the other Beautiful as _Venus_-- + +_Cha._ And a Fool-- + +Sir _Geo._ For ought I know, for I never spoke to her, but you can +inform me; I am charm'd by the Wit of One, and dye for the Beauty of the +Other? + +_Cha._ And pray, which are you in Quest of now? + +Sir _Geo._ I prefer the Sensual Pleasure, I'm for her I've seen, who is +thy Father's Ward _Miranda_. + +_Cha._ Nay then, I pity you; for the Jew my Father will no more part +with her, and 30000 Pound, than he wou'd with a Guinea to keep me from +starving. + +Sir _Geo._ Now you see Gold can't do every thing, _Charles_. + +_Cha._ Yes, for 'tis her Gold that bars my Father's Gate against you. + +Sir _Geo._ Why, if he is this avaricious Wretch, how cam'st thou by such +a Liberal Education? + +_Cha._ Not a Souse out of his Pocket, I assure you; I had an Uncle who +defray'd that Charge, but for some litte Wildnesses of Youth, tho' he +made me his Heir, left Dad my Guardian till I came to Years of +Discretion, which I presume the old Gentleman will never think I am; and +now he has got the Estate into his Clutches, it does me no more good, +than if it lay in _Prester John_'s Dominions. + +Sir _Geo._ What can'st thou find no Stratagem to redeem it? + +_Cha._ I have made many Essays to no purpose; tho' Want, the Mistress of +Invention, still tempts me on, yet still the old Fox is too cunning for +me--I am upon my last Project, which if it fails, then for my last +Refuge, a Brown Musquet. + +Sir _Geo._ What is't, can I assist thee? + +_Cha._ Not yet, when you can, I have Confidence enough in you to ask it. + +Sir _Geo._ I am always ready, but what do's he intend to do with +_Miranda?_ Is she to be sold in private? or will he put her up by way of +Auction, at who bids most? If so, Egad, I'm for him: my Gold, as you +say, shall be subservient to my Pleasure. + +_Cha._ To deal ingeniously with you, Sir _George_, I know very little of +Her, or Home; for since my Uncle's Death, and my Return from Travel, I +have never been well with my Father; he thinks my Expences too great, +and I his Allowance too little; he never sees me, but he quarrels; and +to avoid that, I shun his House as much as possible. The Report is, he +intends to marry her himself. + +Sir _Geo._ Can she consent to it? + +_Cha._ Yes faith, so they say; but I tell you, I am wholly ignorant of +the matter. _Miranda_ and I are like two violent Members of a contrary +Party, I can scarce allow her Beauty, tho' all the World do's; nor she +me Civility, for that Contempt, I fancy she plays the Mother-in-law +already, and sets the old Gentleman on to do mischief. + +Sir _Geo._ Then I've your free Consent to get her. + +_Cha._ Ay and my helping-hand, if occasion be. + +Sir _Geo._ Pugh, yonder's a Fool coming this way, let's avoid him. + +_Cha._ What _Marplot_, no no, he's my Instrument; there's a thousand +Conveniences in him, he'll lend me his Money when he has any, run of my +Errands and be proud on't; in short, he'll Pimp for me, Lye for me, +Drink for me, do any thing but Fight for me, and that I trust to my own +Arm for. + +Sir _Geo._ Nay then he's to be endur'd; I never knew his Qualifications +before. + + _Enter _Marplot_ with a Patch cross his Face._ + +_Marpl._ Dear _Charles_, your's,--Ha! Sir _George Airy_, the Man in the +World, I have an Ambition to be known to (_aside_.) Give me thy Hand, +dear Boy-- + +_Cha._ A good Assurance! But heark ye, how came your Beautiful +Countenance clouded in the wrong place? + +_Marpl._ I must confess 'tis a little _Mal-a-propos_, but no matter for +that; a Word with you, _Charles_; Prithee, introduce me to Sir +_George_--he is a Man of Wit, and I'd give ten Guinea's to-- + +_Cha._ When you have 'em, you mean. + +_Marpl._ Ay, when I have 'em; pugh, pox, you cut the Thread of my +Discourse--I wou'd give ten Guinea's, I say, to be rank'd in his +Acquaintance: Well, 'tis a vast Addition to a Man's Fortune, according +to the Rout of the World, to be seen in the Company of Leading Men; for +then we are all thought to be Politicians, or Whigs, or Jacks, or +High-Flyers, or Low-Flyers, or Levellers--and so forth; for you must +know, we all herd in Parties now. + +_Cha._ Then a Fool for Diversion is out of Fashion, I find. + +_Marpl._ Yes, without it be a mimicking Fool, and they are Darlings +every where; but prithee introduce me. + +_Cha._ Well, on Condition you'll give us a true Account how you came by +that Mourning Nose, I will. + +_Marpl._ I'll do it. + +_Cha._ Sir _George_, here's a Gentleman has a passionate Desire to kiss +your Hand. + +Sir _Geo._ Oh, I honour Men of the Sword, and I presume this Gentleman +is lately come from _Spain_ or _Portugal_--by his Scars. + +_Marpl._ No really, Sir _George_, mine sprung from civil Fury, happening +last Night into the Groom-Porters--I had a strong Inclination to go ten +Guineas with a sort of a, sort of a--kind of a Milk Sop, as I thought: A +Pox of the Dice he flung out, and my Pockets being empty as _Charles_ +knows they sometimes are, he prov'd a surly _North-Britain_, and broke +my Face for my Deficiency. + +Sir _Geo._ Ha! ha! and did not you draw? + +_Marpl._ Draw, Sir, why, I did but lay my Hand upon my Sword to make a +swift Retreat, and he roar'd out. Now the Deel a Ma sol, Sir, gin ye +touch yer Steel, Ise whip mine through yer Wem. + +Sir _Geo._ Ha, ha, ha, + +_Cha._ Ha, ha, ha, ha, fase was the Word, so you walk'd off, I suppose. + +_Marp._ Yes, for I avoid fighting, purely to be serviceable to my +Friends you know-- + +Sir _Geo._ Your Friends are much oblig'd to you, Sir, I hope you'll rank +me in that Number. + +_Marpl._ Sir _George_, a Bow from the side Box, or to be seen in your +Chariot, binds me ever yours. + +Sir _Geo._ Trifles, you may command 'em when you please. + +_Cha._ Provided he may command you-- + +_Marpl._ Me! why I live for no other purpose--Sir _George_, I have the +Honour to be carest by most of the reigning Toasts of the Town, I'll +tell 'em you are the finest Gentleman-- + +Sir _Geo._ No, no, prithee let me alone to tell the Ladies--my +Parts--can you convey a Letter upon Occasion, or deliver a Message with +an Air of Business, Ha! + +_Marpl._ With the Assurance of a Page and the Gravity of a Statesman. + +Sir _Geo._ You know _Miranda!_ + +_Marpl._ What, my Sister _Ward?_ Why, her Guardian is mine, we are +Fellow Sufferers: Ah! he is a covetous, cheating, sanctify'd Curmudgeon; +that Sir _Francis Gripe_ is a damn'd old-- + +_Char._ I suppose, Friend, you forget that he is my Father-- + +_Marpl._ I ask your Pardon, _Charles_, but it is for your sake I hate +him. Well, I say, the World is mistaken in him, his Out-side Piety, +makes him every Man's Executor, and his Inside Cunning, makes him every +Heir's Jaylor. Egad, _Charles_, I'm half persuaded that thou'rt some +_Ward_ too, and never of his getting: For thou art as honest a Debauchee +as ever Cuckolded Man of Quality. + +Sir _Geo._ A pleasant Fellow. + +_Cha._ The Dog is Diverting sometimes, or there wou'd be no enduring his +Impertinence: He is pressing to be employ'd and willing to execute, but +some ill Fate generally attends all he undertakes, and he oftner spoils +an Intreague than helps it-- + +_Marpl._ If I miscarry 'tis none of my Fault, I follow my Instructions. + +_Cha._ Yes, witness the Merchant's Wife. + +_Marpl._ Pish, Pox, that was an Accident. + +Sir _Geo._ What was it, prithee? + +_Ch._ Why, you must know, I had lent a certain Merchant my hunting +Horses, and was to have met his Wife in his Absence: Sending him along +with my Groom to make the Complement, and to deliver a Letter to the +Lady at the same time; what does he do, but gives the Husband the +Letter, and offers her the Horses. + +_Marpl._ I remember you was even with me, for you deny'd the Letter to +be yours, and swore I had a design upon her, which my Bones paid for. + +_Cha._ Come, Sir _George_, let's walk round, if you are not ingag'd, for +I have sent my Man upon a little earnest Business, and have order'd him +to bring me the Answer into the Park. + +_Marpl._ Business, and I not know it, Egad I'll watch him. + +Sir _Geo._ I must beg your Pardon, _Charles_, I am to meet your Father +here. + +_Ch._ My Father! + +Sir _Geo._ Aye! and about the oddest Bargain perhaps you ever heard off; +but I'll not impart till I know the Success. + +_Marpl._ What can his Business be with Sir _Francis?_ Now wou'd I give +all the World to know it; why the Devil should not one know every Man's +Concern. + (_Aside_. + +_Cha._ Prosperity to't whate'er it be, I have private Affairs too; over +a Bottle we'll compare Notes. + +_Marpl._ _Charles_ knows I love a Glass as well as any Man, I'll make +one; shall it be to Night? Ad I long to know their Secrets. + (_Aside._ + + _Enter _Whisper_._ + +_Whis._ Sir, Sir, Mis _Patch_ says, _Isabinda_'s Spanish Father has +quite spoil'd the Plot, and she can't meet you in the Park, but he +infallibly will go out this Afternoon, she says; but I must step again +to know the Hour. + +_Marpl._ What did _Whisper_ say now? I shall go stark Mad, if I'm not +let into this Secret. + (_Aside._ + +_Cha._ Curst Misfortune, come along with me, my Heart feels Pleasure at +her Name. Sir _George_, yours; we'll meet at the old place the usual +Hour. + +Sir _Geo._ Agreed; I think I see Sir _Francis_ yonder. + (_Exit._ + +_Cha._ _Marplot_, you must excuse me, I am engag'd. + (_Exit._ + +_Marpl._ Engag'd, Egad I'll engage my Life, I'll know what your +Engagement is. + (_Exit._ + +_Miran._ (_Coming out of a Chair._) Let the Chair wait: My Servant, That +dog'd Sir _George_ said he was in the Park. + + _Enter _Patch_._ + +Ha! Mis _Patch_ alone, did not you tell me you had contriv'd a way to +bring _Isabinda_ to the Park? + +_Patch._ Oh, Madam, your Ladiship can't imagine what a wretched +Disappointment we have met with: Just as I had fetch'd a Suit of my +Cloaths for a Disguise: comes my old Master into his Closet, which is +right against her Chamber Door; this struck us into a terrible +Fright--At length I put on a Grave Face, and ask'd him if he was at +leisure for his Chocolate, in hopes to draw him out of his Hole; but he +snap'd my Nose off, No, I shall be busie here this two Hours; at which +my poor Mistress seeing no way of Escape, order'd me to wait on your +Ladiship with the sad Relation. + +_Miran._ Unhappy _Isabinda!_ Was ever any thing so unaccountable as the +Humour of Sir _Jealousie Traffick_. + +_Patch._ Oh, Madam, it's his living so long in _Spain_, he vows he'll +spend half his Estate, but he'll be a Parliament-Man, on purpose to +bring in a Bill for Women to wear Veils, and the other odious _Spanish_ +Customs--He swears it is the height of Impudence to have a Woman seen +Bare-fac'd even at Church, and scarce believes there's a true begotten +Child in the City. + +_Miran._ Ha, ha, ha, how the old Fool torments himself! Suppose he could +introduce his rigid Rules--does he think we cou'd not match them in +Contrivance? No, no; Let the Tyrant Man make what Laws he will, if +there's a Woman under the Government, I warrant she finds a way to break +'em: Is his Mind set upon the _Spaniard_ for his Son-in-law still? + +_Patch._ Ay, and he expects him by the next Fleet, which drives his +Daughter to Melancholy and Despair: But, Madam, I find you retain the +same gay, cheerful Spirit you had, when I waited on your Ladiship.--My +Lady is mighty good-humour'd too, and I have found a way to make Sir +_Jealousie_ believe I am wholly in his Interest, when my real Design is +to serve her; he makes me her Jaylor, and I set her at Liberty. + +_Miran._ I know thy Prolifick Brain wou'd be of singular Service to her, +or I had not parted with thee to her Father. + +_Patch._ But, Madam, the Report is that you are going to marry your +Guardian. + +_Miran._ It is necessary such a Report shou'd be, _Patch_. + +_Patch._ But is it true, Madam? + +_Miran._ That's not absolutely necessary. + +_Patch._ I thought it was only the old Strain, coaxing him still for +your own, and railing at all the young Fellows about Town; in my Mind +now, you are as ill plagu'd with your Guardian, Madam, as my Lady is +with her Father. + +_Miran._ No, I have Liberty, Wench, that she wants; what would she give +now to be in this _dissabilee_ in the--open Air, nay more, in pursuit of +the young Fellow she likes; for that's my Case, I assure thee. + +_Patch._ As for that, Madam, she's even with you; for tho' she can't +come abroad, we have a way to bring him home in spight of old _Argus_. + +_Miran._ Now _Patch_, your Opinion of my Choice, for here he comes--Ha! +my Guardian with him; what can be the meaning of this? I'm sure Sir +_Francis_ can't know me in this Dress--Let's observe 'em. + (_They +withdraw._ + + _Enter Sir _Francis Gripe_ and Sir _George Airy_._ + +Sir _Fran._ Verily, Sir _George_, thou wilt repent throwing away thy +Money so, for I tell thee sincerely, _Miranda_, my Charge do's not love +a young Fellow, they are all vicious, and seldom make good Husbands; in +sober Sadness she cannot abide 'em. + +_Miran._ (_Peeping._) In sober Sadness you are mistaken--what can this +mean? + +Sir _Geo._ Look ye, Sir _Francis_, whether she can or cannot abide young +Fellows is not the Business; will you take the fifty Guineas? + +Sir _Fran._ In good truth--I will not, for I knew thy Father, he was a +hearty wary Man, and I cannot consent that his Son should squander away +what he sav'd, to no purpose. + +_Mirand._ (_Peeping._) Now, in the Name of Wonder, what Bargain can he +be driving about me for fifty Guineas? + +_Patch._ I wish it ben't for the first Night's Lodging, Madam. + +Sir _Geo._ Well, Sir _Francis_, since you are so conscientious for my +Father's sake, then permit me the Favour, _Gratis_. + +_Miran._ (_Peeping._) The Favour! Oh my Life! I believe 'tis as you +said, _Patch_. + +Sir _Fran._ No verily, if thou dost not buy thy Experience, thou wou'd +never be wise; therefore give me a Hundred and try Fortune. + +Sir _Geo._ The Scruples arose, I find, from the scanty Sum--Let me +see--a Hundred Guineas-- (_Takes 'em out of a Purse and chinks 'em._) +Ha! they have a very pretty Sound, and a very pleasing Look--But then, +_Miranda_--But if she should be cruel-- + +_Miran._ (_Peeping._) As Ten to One I shall-- + +Sir _Fran._ Ay, do consider on't, He, he, he, he. + +Sir _Geo._ No, I'll do't. + +_Patch._ Do't, what, whether you will or no, Madam? + +Sir _Geo._ Come to the Point, here's the Gold, sum up the Conditions-- + +Sir _Fran._ (_Pulling out a Paper_.) + +_Miran._ (_Peeping_.) Ay for Heaven's sake do, for my Expectation is on +the Rack. + +Sir _Fran._ Well at your own Peril be it. + +Sir _Geo._ Aye, aye, go on. + +Sir _Fran._ _Imprimis_, you are to be admitted into my House in order to +move your Suit to _Miranda_, for the space of Ten Minutes, without Lett +or Molestation, provided I remain in the same Room. + +Sir _Geo._ But out of Ear shot-- + +Sir _Fran._ Well, well, I don't desire to hear what you say, Ha, ha, ha, +in consideration I am to have that Purse and a hundred Guineas. + +Sir _Geo._ Take it-- + (_Gives him the Purse_. + +_Miran._ (_Peeping_.) So, 'tis well it's no worse, I'll fit you both-- + +Sir _Geo._ And this Agreement is to be perform'd to Day. + +Sir _Fran._ Aye, aye, the sooner the better, poor Fool, how _Miranda_ +and I shall laugh at him--Well, Sir _George_, Ha, ha, ha, take the last +sound of your Guineas, Ha, ha, ha. (_Chinks 'em_.) + (Exit. + +_Miran._ (_Peeping_.) Sure he does not know I am _Miranda_. + +Sir _Geo._ A very extraordinary Bargain I have made truly, if she should +be really in Love with this old Cuff now--Psha, that's morally +impossible--but then what hopes have I to succeed, I never spoke to +her-- + +_Miran._ (_Peeping_.) Say you so? Then I am safe. + +Sir _Geo._ What tho' my Tongue never spoke, my Eyes said a thousand +Things, and my Hopes flatter'd me hers answer'd 'em. If I'm lucky--if +not, 'tis but a hundred Guineas thrown away. + (__Miranda_ and _Patch_ come forwards._ + +_Miran._ Upon what Sir _George?_ + +Sir _Geo._ Ha! my _Incognito_--upon a Woman, Madam. + +_Miran._ They are the worst Things you can deal in, and damage the +soonest; your very Breath destroys 'em, and I fear you'll never see your +Return, Sir _George_, Ha, ha! + +Sir _Geo._ Were they more brittle than _China_, and drop'd to pieces +with a Touch, every Atom of her I have ventur'd at, if she is but +Mistress of thy Wit, ballances Ten times the Sum--Prithee let me see thy +Face. + +_Miran._ By no means, that may spoil your Opinion of my Sense-- + +Sir _Geo._ Rather confirm it, Madam. + +_Patch._ So rob the Lady of your Gallantry, Sir. + +Sir _Geo._ No Child, a Dish of Chocolate in the Morning never spoils my +Dinner; the other Lady, I design a set Meal; so there's no danger-- + +_Miran._ Matrimony! Ha, ha, ha; what Crimes have you committed against +the God of Love, that he should revenge 'em so severely to stamp Husband +upon your Forehead-- + +Sir _Geo._ For my Folly in having so often met you here, without +pursuing the Laws of Nature, and exercising her command--But I resolve +e'er we part now, to know who you are, where you live, and what kind of +Flesh and Blood your Face is; therefore unmask and don't put me to the +trouble of doing it for you. + +_Miran._ My Face is the same Flesh and Blood with my Hand, Sir _George_, +which if you'll be so rude to provoke. + +Sir _Geo._ You'll apply it to my Cheek--The Ladies Favours are always +Welcome; but I must have that Cloud withdrawn. (_Taking hold of her_.) +Remember you are in the _Park_, Child, and what a terrible thing would +it be to lose this pretty white Hand. + +_Miran._ And how will it sound in a _Chocolate-House_, that Sir _George +Airy_ rudely pull'd off a Ladies Mask, when he had given her his Honour, +that he never would, directly or indirectly endeavour to know her till +she gave him Leave. + +_Patch._ I wish we were safe out. + (_Aside._ + +Sir _Geo._ But if that Lady thinks fit to pursue and meet me at every +turn like some troubl'd Spirit, shall I be blam'd if I inquire into the +Reality? I would have nothing dissatisfy'd in a Female Shape. + +_Miran._ What shall I do? + (_Pause._ + +Sir _Geo._ Ay, prithee consider, for thou shalt find me very much at thy +Service. + +_Patch._ Suppose, Sir, the Lady shou'd be in Love with you. + +Sir _Geo._ Oh! I'll return the Obligation in a Moment. + +_Patch._ And marry her? + +Sir _Geo._ Ha, ha, ha, that's not the way to Love her Child. + +_Miran._ If he discovers me, I shall die--Which way shall I escape?--Let +me see. + (_Pauses._ + +Sir _Geo._ Well, Madam-- + +_Miran._ I have it--Sir _George_, 'tis fit you should allow something; +if you'll excuse my Face, and turn your Back (if you look upon me I +shall sink, even mask'd as I am) I will confess why I have engag'd you +so often, who I am, and where I live? + +Sir _Geo._ Well, to show you I'm a Man of Honour I accept the +Conditions. Let me but once know those, and the Face won't be long a +Secret to me. + (_Aside._ + +_Patch._ What mean you, Madam? + +_Miran._ To get off. + +Sir _Geo._ 'Tis something indecent to turn ones Back upon a Lady; but +you command and I obey. (_Turns his Back._) Come, Madam, begin-- + +_Miran._ First then it was my unhappy Lot to see you at _Paris_ (_Draws +back a little while and speaks_) at a Ball upon a Birth-Day; your Shape +and Air charm'd my Eyes; your Wit and Complaisance my Soul, and from +that fatal Night I lov'd you. (_Drawing back._) And when you left the +Place, Grief seiz'd me so--No Rest my Heart, no Sleep my Eyes cou'd +know.-- + + _Last I resolv'd a hazardous Point to try,_ + _And quit the Place in search of Liberty._ + (Exit. + +Sir _Geo._ Excellent--I hope she's Handsome--Well, Now, Madam, to the +other two Things: Your Name, and where you live?--I am a Gentleman, and +this Confession will not be lost upon me.--Nay, prithee don't weep, but +go on--for I find my Heart melts in thy Behalf--speak quickly or I shall +turn about--Not yet.--Poor Lady, she expects I shou'd comfort her; and +to do her Justice, she has said enough to encourage me. (_Turns about._) +Ha? gone! The Devil, jilted? Why, what a Tale has she invented--of +_Paris_, Balls, and Birth-Days.--Egad I'd give Ten Guineas to know who +this Gipsie is.--A Curse of my Folly--I deserve to lose her; what Woman +can forgive a Man that turns his Back. + + _The Bold and Resolute, in Love and War, + To Conquer take the Right, and swiftest way; + The boldest Lover soonest gains the Fair, + As Courage makes the rudest Force obey, + Take no denial, and the Dames adore ye, + Closely pursue them and they fall before ye._ + +The End of the First ACT. + + + + +ACT the Second. + + _Enter Sir _Francis Gripe_, _Miranda_._ + + +Sir _Fran._ Ha, ha, ha, ha, ha, ha, ha. + +_Miran._ Ha, ha, ha, ha, ha, ha, ha; Oh, I shall die with Laughing.--The +most Romantick Adventure: Ha, ha! what does the odious young Fop mean? A +Hundred Pieces to talk an Hour with me; Ho, ha. + +Sir _Fran._ And I'm to be by too; there's the Jest; Adod, if it had been +in Private, I shou'd not have car'd to trust the young Dog. + +_Mirand._ Indeed and Indeed, but you might _Gardy_.--Now methinks +there's no Body Handsomer than you; So Neat, so Clean, so Good-Humour'd, +and so Loving.-- + +Sir _Fran._ Pritty Rogue, Pritty Rogue, and so thou shalt find me, if +thou do'st prefer thy _Gardy_ before these Caperers of the Age, thou +shalt out-shine the Queen's Box on an _Opera_ Night; thou shalt be the +Envy of the Ring (for I will Carry thee to _Hide-Park_) and thy Equipage +shall Surpass, the what--d'ye call 'em Ambassadors. + +_Miran._ Nay, I'm sure the Discreet Part of my Sex will Envy me more for +the Inside Furniture, when you are in it, than my Outside Equipage. + +Sir _Fran._ A Cunning Bagage, a faith thou art, and a wise one too; and +to show thee thou hast not chose amiss, I'll this moment Disinherit my +Son, and Settle my whole Estate upon thee. + +_Miran._ There's an old Rogue now: (_Aside._) No, _Gardy_, I would not +have your Name be so Black in the World--You know my Father's Will runs, +that I am not to possess my Estate, without your Consent, till I'm Five +and Twenty; you shall only abate the odd Seven Years, and make me +Mistress of my Estate to Day, and I'll make you Master of my Person to +Morrow. + +Sir _Fran._ Humph? that may not be safe--No _Chargy_, I'll Settle it +upon thee for _Pin-mony_; and that will be every bit as well, thou +know'st. + +_Miran._ Unconscionable old Wretch, Bribe me with my own Money--Which +way shall I get out of his Hands? + (_Aside._ + +Sir _Fran._ Well, what art thou thinking on, my Girl, ha? How to Banter +Sir _George?_ + +_Miran._ I must not pretend to Banter: He knows my Tongue too well: +(_Aside._) No, _Gardy_, I have thought of a way will Confound him more +than all I cou'd say, if I shou'd talk to him Seven Years. + +Sir _Fran._ How's that? Oh! I'm Transported, I'm Ravish'd, I'm Mad-- + +_Miran._ It wou'd make you Mad, if you knew All, (_Aside._) I'll not +Answer him one Word, but be Dumb to all he says-- + +Sir _Fran._ Dumb, good; Ha, ha, ha. Excellent, ha, ha, I think I have +you now, Sir _George_: Dumb! he'll go Distracted--Well, she's the +wittiest Rogue--Ha, ha, Dumb! I can but Laugh, ha, ha, to think how +damn'd Mad he'll be when he finds he has given his Money away for a a +Dumb Show. Ha, ha, ha. + +_Miran._ Nay, _Gardy_, if he did but know my Thoughts of him, it wou'd +make him ten times Madder: Ha, ha, ha. + +Sir _Fran._ Ay, so it wou'd _Chargy_, to hold him in such Derision, to +scorn to Answer him, to be Dumb: Ha, ha, ha, ha. + + _Enter _Charles_._ + +Sir _Fran._ How now, Sirrah, Who let you in? + +_Char._ My Necessity, Sir. + +Sir _Fran._ Sir, your Necessities are very Impertinent, and ought to +have sent before they Entred. + +_Char._ Sir, I knew 'twas a Word wou'd gain Admittance no where. + +Sir _Fran._ Then, Sirrah, how durst you Rudely thrust that upon your +Father, which no Body else wou'd admit? + +_Char._ Sure the Name of a Son is a sufficient Plea. I ask this Lady's +Pardon if I have intruded. + +Sir _Fran._ Ay, Ay, ask her Pardon and her Blessing too, if you expect +any thing from me. + +_Miran._ I believe yours, Sir _Francis_, in a Purse of Guinea's wou'd be +more material. Your Son may have Business with you, I'll retire. + +Sir _Fran._ I guess his Business, but I'll dispatch him, I expect the +Knight every Minute: You'll be in Readiness. + +_Miran._ Certainly! my Expectation is more upon the wing than yours, old +Gentleman. + [_Exit._ + +Sir _Fran._ Well, Sir! + +_Char._ Nay, it is very Ill, Sir; my Circumstances are, I'm sure. + +Sir _Fran,_ And what's that to me, Sir: Your Management shou'd have made +them better. + +_Char._ If you please to intrust me with the Management of my Estate, I +shall endeavour it, Sir. + +Sir _Fran._ What to set upon a Card, and buy a Lady's Favour at the +Price of a Thousand Pieces, to Rig out an Equipage for a Wench, or by +your Carelessness enrich your Steward to fine for Sheriff, or put up for +Parliament-Man. + +_Char._ I hope I shou'd not spend it this way: However, I ask only for +what my Uncle left me; Your's you may dispose of as you please, Sir. + +Sir _Fran._ That I shall, out of your Reach, I assure you, Sir. Adod +these young Fellows think old Men get Estates for nothing but them to +squander away, in Dicing, Wenching, Drinking, Dressing, and so forth. + +_Char._ I think I was born a Gentleman, Sir; I'm sure my Uncle bred me +like one. + +Sir _Fran._ From which you wou'd infer, Sir, that Gaming, Whoring, and +the Pox, are Requisits to a Gentleman. + +_Char._ Monstrous! when I wou'd ask him only for a Support, he falls +into these unmannerly Reproaches; I must, tho' against my Will, employ +Invention, and by Stratagem relieve my self. + (_Aside._ + +Sir _Fran._ Sirrah, what is it you mutter, Sirrah, ha? (_Holds up his +Cane._) I say, you sha'n't have a Groat out of my Hands till I +Please--and may be I'll never Please, and what's that to you? + +_Char._ Nay, to be Robb'd, or have one's Throat Cut is not much-- + +Sir _Fran._ What's that, Sirrah? wou'd ye Rob me, or Cut my Throat, ye +Rogue? + +_Char._ Heaven forbid, Sir,--I said no such thing. + +Sir _Fran._ Mercy on me! What a Plague it is to have a Son of One and +Twenty, who wants to Elbow one out of one's Life, to Edge himself into +the Estate. + + _Enter _Marplot_._ + +_Marpl._ Egad he's here--I was afraid I had lost him: His Secret cou'd +not be with his Father, his Wants are Publick there--Guardian,--your +Servant _Charles_, I know by that sorrowful Countenance of thine. The +old Man's Fist is as close as his strong Box--But I'll help thee-- + +Sir _Fran._ So: Here's another extravagant Coxcomb, that will spend his +Fortune before he comes to't; but he shall pay swinging Interest, and so +let the Fool go on--Well, what do's Necessity bring you too, Sir? + +_Marpl._ You have hit it, Guardian--I want a Hundred Pound. + +Sir _Fran._ For what? + +_Marpl._ Po'gh, for a Hundred Things, I can't for my Life tell you for +what. + +_Char._ Sir, I suppose I have received all the Answer I am like to have. + +_Marpl._ Oh, the Devil, if he gets out before me, I shall lose him +agen. + +Sir _Fran._ Ay, Sir, and you may be marching as soon as you please--I +must see a Change in your Temper e'er you find one in mine. + +_Marpl._ Pray, Sir, dispatch me; the Money, Sir, I'm in mighty haste. + +Sir _Fran._ Fool, take this and go to the Cashier; I sha'n't be long +plagu'd with thee. + (_Gives him a Note._ + +_Marpl._ Devil take the Cashier, I shall certainly have _Charles_ gone +before I come back agen. + (_Runs out._ + +_Char._ Well, Sir, I take my Leave--But remember, you Expose an only Son +to all the Miseries of wretched Poverty, which too often lays the Plan +for Scenes of Mischief. + +Sir _Fran._ Stay, _Charles_, I have a sudden Thought come into my Head, +may prove to thy Advantage. + +_Char._ Ha, does he Relent? + +Sir _Fran._ My Lady _Wrinkle_, worth Forty Thousand Pound, sets up for a +Handsome young Husband; she prais'd thee t'other Day; tho' the +Match-makers can get Twenty Guinea's for a sight of her, I can introduce +thee for nothing. + +_Char._ My Lady _Wrinkle_, Sir, why she has but one Eye. + +Sir _Fran._ Then she'll see but half your Extravagance, Sir. + +_Char._ Condemn me to such a piece of Deformity! Toothless, Dirty, +Wry-neck'd, Hunch-back'd Hag. + +Sir _Fran._ Hunch-back'd! so much the better, then she has a Rest for +her Misfortunes; for thou wilt Load her swingingly. Now I warrant you +think, this is no Offer of a Father; Forty Thousand Pound is nothing +with you. + +_Char._ Yes, Sir, I think it is too much; a young Beautiful Woman with +half the Money wou'd be more agreeable. I thank you, Sir; but you Chose +better for your self, I find. + +Sir _Fran._ Out of my Doors, you Dog; you pretend to meddle with my +Marriage, Sirrah. + +_Char._ Sir, I obey: But-- + +Sir _Fran._ But me no Buts--Be gone, Sir: Dare to ask me for Money +agen--Refuse Forty Thousand Pound! Out of my Doors, I say, without +Reply. + + (_Exit _Char_._ + + _Enter Servant._ + +_Serv._ One Sir _George Airy_ enquires for you, Sir. + + _Enter _Marplot_ Running._ + +_Marpl._. Ha? gone! Is _Charles_ gone, Guardian? + +Sir _Fran._ Yes; and I desire your wise Worship to walk after him. + +_Marpl._ Nay, Egad, I shall Run, I tell you but that. Ah, Pox of the +Cashier for detaining me so long, where the Devil shall I find him now. +I shall certainly lose this Secret. + (_Exit, hastily._ + +Sir _Fran._ What is the Fellow distracted?--Desire Sir _George_ to walk +up--Now for a Tryal of Skill that will make me Happy, and him a Fool: +Ha, ha, ha, in my Mind he looks like an Ass already. + + _Enter Sir _George_._ + +Sir _Fran._ Well, Sir _George_, Dee ye hold in the same Mind? or wou'd +you Capitulate? Ha, ha, ha: Look, here are the Guinea's, (_Chinks +them._) Ha, ha, ha. + +Sir _Geo._ Not if they were twice the Sum, Sir _Francis_: Therefore be +brief, call in the Lady, and take your Post--if she's a Woman, and, not +seduc'd by Witchcraft to this old Rogue, I'll make his Heart ake; for if +she has but one Grain of Inclination about her, I'll vary a Thousand +Shapes, but find it. + (_Aside._ + + _Enter _Mirand_._ + +Sir _Fran._ Agreed--_Miranda._ There Sir _George_, try your Fortune, +(_Takes out his Watch._) + +Sir _Geo._ + So from the Eastern Chambers breaks the Sun, + Dispels the Clouds, and gilds the Vales below. + (_Salutes her._ + +Sir _Fran._ Hold, Sir, Kissing was not in our Agreement. + +Sir _Geo._ Oh! That's by way of Prologue:--Prithee, Old Mammon, to thy +Post. + +Sir _Fran._ Well, young _Timon_, 'tis now 4 exactly; one Hour, remember +is your utmost Limit, not a Minute more. + (_Retires to the bottom of +the Stage._ + +Sir _Geo._ Madam, whether you will Excuse or Blame my Love, the Author +of this rash Proceeding depends upon your Pleasure, as also the Life of +your Admirer; your sparkling Eyes speak a Heart susceptible of Love; +your Vivacity a Soul too delicate to admit the Embraces of decay'd +Mortality. + +_Miran._ (_Aside._) Oh, that I durst speak-- + +Sir _Geo._ Shake off this Tyrant _Guardian_'s Yoke, assume your self, +and dash his bold aspiring Hopes; the Deity of his Desires, is Avarice; +a Heretick in Love, and ought to be banish'd by the Queen of Beauty. +See, Madam, a faithful Servant kneels and begs to be admitted in the +Number of your Slaves. + (Miranda _gives him her Hand to Raise him._ + +Sir _Fran._ I wish I cou'd hear what he says now. (_Running up._) Hold, +hold, hold, no Palming, that's contrary to Articles-- + +Sir _Geo._ Death, Sir, Keep your Distance, or I'll write another Article +in your Guts. + (_Lays his Hand to his Sword._ + +Sir _Fran._ (_Going back._) A Bloody-minded Fellow!-- + +Sir _Geo._ Not Answer me! Perhaps she thinks my Address too Grave: I'll +be more free--Can you be so Unconscionable, Madam, to let me say all +these fine things to you without one single Compliment in Return? View +me well, am I not a proper Handsome Fellow, ha? Can you prefer that old, +dry, wither'd, sapless Log of Sixty-five, to the vigorous, gay, +sprightly Love of Twenty-four? With Snoring only he'll awake thee, but I +with Ravishing Delight wou'd make thy Senses Dance in Consort with the +Joyful Minutes--ha? not yet, sure she is Dumb--Thus wou'd I steal and +touch thy Beauteous Hand, (_Takes bold of her Hand_) till by degrees I +reach'd thy snowy Breasts, then Ravish Kisses thus, + (_Embraces her in Extasie._ + +_Miran._ (_Strugles and flings from him._) Oh Heavens! I shall not be +able to contain my self. + (_Aside._ + +Sir _Fran._ (_Running up with his Watch in his Hand._) Sure she did not +speak to him--There's Three Quarters of the Hour gone, Sir +_George_--Adod, I don't like those close Conferences-- + +Sir _Geo._ More Interruptions--You will have it, Sir. + (_Lays his Hand to his Sword._ + +Sir _Fran._ (_Going back._) No, no, you shan't have her neither. + (_Aside._ + +Sir _Geo._ Dumb still--sure this old Dog has enjoyn'd her Silence; I'll +try another way--I must conclude, Madam, that in Compliance to your +Guardian's Humour, you refuse to answer me--Consider the Injustice of +his Injunction. This single Hour cost me a Hundred Pound--and wou'd you +answer me, I cou'd purchase the 24 so: However, Madam, you must give me +leave to make the best Interpretation I can for my Money, and take the +Indication of your Silence for the secret Liking of my Person: +Therefore, Madam, I will instruct you how to keep your Word inviolate to +Sir _Francis_, and yet Answer me to every Question: As for Example, When +I ask any thing, to which you wou'd Reply in the Affirmative, gently Nod +your Head--thus; and when in the Negative thus; (_(Shakes his Head_.) +and in the doubtful a tender Sigh, thus + (_Sighs._ + +_Miran._ How every Action charms me--but I'll fit him for Signs I +warrant him. + (_Aside._ + +Sir _Fran._ Ha, ha, ha, ha, poor Sir _George_, Ha, ha, ha, ha. + (_Aside._ + +Sir _Geo._ Was it by his desire that you are Dumb, Madam, to all that I +can say? + +_Miran._ (_Nods._) + +Sir _Geo._ Very well! she's tractable I find--And is it possible that +you can love him? Miraculous! (__Miran._ Nods._) Pardon the bluntness of +my Questions, for my Time is short; may I not hope to supplant him in +your Esteem? (__Miran._ Sighs._) Good! she answers me as I could +wish--You'll not consent to marry him then? (__Miran._ Sighs._) How, +doubtful in that--Undone again--Humph! but that may proceed from his +Power to keep her out of her Estate till Twenty Five; I'll try +that--Come, Madam, I cannot think you hesitate in this Affair out of any +Motive, but your Fortune--Let him keep it till those few Years are +expir'd; make me Happy with your Person, let him enjoy your +Wealth--(__Miran._ holds up her Hands._) Why, what Sign is that now? +Nay, nay, Madam, except you observe my Lesson, I can't understand your +meaning-- + +Sir _Fran._ What a Vengeance, are they talking by Signs, 'ad I may be +fool'd here; what do you mean, Sir _George?_ + +Sir _Geo._ To Cut your Throat if you dare Mutter another Syllable. + +Sir _Fran._ Od! I wish he were fairly out of my House. + +Sir _Geo._ Pray, Madam, will you answer me to the Purpose? (__Miran._ +shakes her Head, and points to Sir _Francis_._) What! does she mean she +won't answer me to the purpose, or is she afraid yon' old Cuff should +understand her Signs?--Aye, it must be that, I perceive, Madam, you are +too apprehensive of the Promise you have made to follow my Rules; +therefore I'll suppose your Mind and answer for you--First, for my self, +Madam, that I am in Love with you is an infallible Truth. Now for you: +(_Turns on her side._) Indeed, Sir, and may I believe it--As certainly, +Madam, as that 'tis Day light, or that I Die if you persist in +Silence--Bless me with the Musick of your Voice, and raise my Spirits to +their proper Heaven: Thus low let me intreat; e'er I'm oblig'd to quit +this Place, grant me some Token of a favourable Reception to keep my +Hopes alive. (_Arises hastily turns of her side._) Rise, Sir, and since +my Guardian's Presence will not allow me Privilege of Tongue, Read that +and rest assured you are not indifferent to me. (_Offers her a Letter._) +Ha! right Woman! But no (_She strikes it down._) matter I'll go on. + +Sir _Fran._ Ha! what's that a Letter--Ha, ha, ha, thou art baulk'd. + +_Miran._ The best Assurance I ever saw-- + (_Aside._ + +Sir _Geo._ Ha? a Letter, Oh! let me Kiss it with the same Raptures that +I would do the dear Hand that touch'd it. (_Opens it._) Now for a quick +Fancy and a long _Extempore_--What's here? (_Reads._) "Dear, Sir +_George_, this Virgin Muse I consecrate to you, which when it has +receiv'd the Addition of your Voice, 'twill Charm me into Desire of +Liberty to Love, which you, and only you can fix." My Angel! Oh you +transport me! (_Kisses the Letter._) And see the Power of your Command; +the God of Love has set the Verse already; the flowing Numbers Dance +into a Tune, and I'm inspir'd with a Voice to sing it. + +_Miran._ I'm sure thou art inspir'd with Impudence enough. + +Sir _Geo._ (_Sings._) + _Great Love inspire him; + Say I admire him. + Give me the Lover + That can discover + Secret Devotion + from silent Motion; + Then don't betray me, + But hence convey me._ + +Sir _Geo._ (_Taking hold of _Miranda_._) With all my Heart, this Moment +let's Retire. + + (_Sir _Francis_ coming up hastily._) + +Sir _Fran._ The Hour is expir'd, Sir, and you must take your leave. +There, my Girl, there's the Hundred Pound which thou hast won, go, I'll +be with you presently, Ha, ha, ha, ha. + + (_Exit _Miranda_._ + +Sir _Geo._ Ads Heart, Madam, you won't leave me just in the Nick, will +you? + +Sir _Fran._ Ha, ha, ha, she has nick'd you, Sir _George_, I think, Ha, +ha, ha: Have you any more Hundred Pounds to throw away upon Courtship, +Ha, ha, ha. + +Sir _Geo._ He, he, he, he, a Curse of your fleering Jests--Yet, however +ill I succeeded, I'll venture the same Wager, she does not value thee a +spoonful of Snuff--Nay more, though you enjoyn'd her Silence to me, +you'll never make her speak to the Purpose with your self. + +Sir _Fran._ Ha, ha, ha, did not I tell thee thou would'st repent thy +Money? Did not I say she hated young Fellow's, Ha, ha, ha. + +Sir _Geo._ And I'm positive she's not in Love with Age. + +Sir _Fran._ Ha, ha, no matter for that, Ha, ha, she's not taken with +your Youth, nor your Rhetorick to boot, ha, ha. + +Sir _Geo._ Whate'er her Reasons are for disliking a me, I am certain she +can be taken with nothing about thee. + +Sir _Fran._ Ha, ha, ha; how he swells with Envy!--Poor Man, poor +Man--Ha, ha; I must beg your Pardon, Sir _George_, _Miranda_ will be +Impatient to have her share of Mirth: Verily we shall Laugh at thee most +Egregiously; Ha, ha, ha. + +Sir _Geo._ With all my Heart, faith--I shall Laugh in my Turn too--For +if you dare marry her old _Belzebub_, you would be Cuckolded most +Egregiously; Remember that, and Tremble-- + + _She that to Age her Beauteous Self resigns, + Shows witty Management for close Designs. + Then if thou'rt grac'd with fair _Miranda_'s Bed, + _Actaeon_'s Horns she Means, shall Crown thy Head._ + (_Exit._ + +Sir _Fran._ Ha, ha, ha; he is mad. + + _These fluttering Fops imagine they can Wind, + Turn, and Decoy to Love, all Women-kind: + But here's a Proof of Wisdom in my Charge, + Old Men are Constant, Young Men live at Large. + The Frugal Hand can Bills at Sight defray, + When he that Lavish is, has Nought to pay._ + (_Exit._ + + +SCENE _Changes to Sir _Jealous Traffick_'s House._ + + _Enter Sir _Jealous_, _Isabinda_, _Patch_ following._ + +Sir _Jeal._ What in the Balcone agen, notwithstanding my positive +Commands to the contrary!--Why don't you write a Bill upon your +Forehead, to show Passengers there's something to be Let-- + +_Isab._ What harm can there be in a little fresh Air, Sir? + +Sir _Jeal._ Is your Constitution so hot, Mistriss, that it wants +cooling, ha? Apply the Virtuous _Spanish_ Rules, banish your Tast, and +Thoughts of Flesh, feed upon Roots, and quench your Thirst with Water. + +_Isab._ That, and a close Room, wou'd certainly make me die of the +Vapours. + +Sir _Jeal._ No, Mistriss, 'tis your High-fed, Lusty, Rambling, Rampant +Ladies--that are troubl'd with the Vapours; 'tis your Ratifia, Persico, +Cynamon, Citron, and Spirit of Clary, cause such Swi--m--ing in the +Brain, that carries many a Guinea full-tide to the Doctor. But you are +not to be Bred this way; No Galloping abroad, no receiving Visits at +home; for in our loose Country, the Women are as dangerous as the Men. + +_Patch._ So I told her, Sir; and that it was not Decent to be seen in a +Balcone--But she threaten'd to slap my Chaps, and told me, I was her +Servant, not her Governess. + +Sir _Jeal._ Did she so? But I'll make her to know, that you are her +_Duenna_: Oh that incomparable Custom of _Spain!_ why here's no +depending upon old Women in my Country--for they are as Wanton at +Eighty, as a Girl of Eighteen; and a Man may as safely trust to +_Asgill_'s Translation, as to his great Grand-Mother's not marrying +agen. + +_Isab._ Or to the _Spanish_ Ladies Veils, and _Duenna's_, for the +Safeguard of their Honour. + +Sir _Jeal._ Dare to Ridicule the Cautious Conduct of that wise Nation, +and I'll have you Lock'd up this Fortnight, without a Peephole. + +_Isab._ If we had but the Ghostly Helps in _England_, which they have in +_Spain_, I might deceive you if you did,--Sir, 'tis not the Restraint, +but the Innate Principles, secures the Reputation and Honour of our +Sex--Let me tell you, Sir, Confinement sharpens the Invention, as want +of Sight strengthens the other Senses, and is often more Pernicious than +the Recreation innocent Liberty allows. + +Sir _Jeal._ Say you so, Mistress, who the Devil taught you the Art of +Reasoning? I assure you, they must have a greater Faith than I pretend +to, that can think any Woman innocent who requires Liberty. Therefore, +_Patch_, to your Charge I give her; Lock her up till I come back from +Change: I shall have some sauntring Coxcomb, with nothing but a Red Coat +and a Feather, think, by Leaping into her Arms, to Leap into my +Estate--But I'll prevent them, she shall be only Signeur _Babinetto_'s. + +_Patch._ Really, Sir, I wish you wou'd employ any Body else in this +Affair; I lead a Life like a Dog with obeying your Commands. Come, +Madam, will you please to be Lock'd up. + +_Isab._ Ay, to enjoy more Freedom than he is aware of. + (_Aside._ + (_Exit with _Patch_._ + +Sir _Jeal._ I believe this Wench is very true to my Interest: I am happy +I met with her, if I can but keep my Daughter from being blown upon till +Signeur _Babinetto_ arrives; who shall marry her as soon as he comes, +and carry her to _Spain_ as soon as he has marry'd her; she has a +pregnant Wit, and I'd no more have her an _English_ Wife, than the Grand +Signior's Mistress. + (_Exit._ + + _Enter _Whisper_._ + +_Whisp._ So, I see Sir _Jealous_ go out; where shall I find Mrs. _Patch_ +now. + + _Enter _Patch_._ + +_Patch._ Oh Mr. _Whisper_, my Lady saw you out at the Window, and +order'd me to bid you fly, and let your Master know she's now alone. + +_Whisp._ Hush, Speak softly; I go, go: But hark'e Mrs. _Patch_, shall +not you and I have a little Confabulation, when my Master and your Lady +is engag'd? + +_Patch._ Ay, Ay, Farewell. + (_Goes in, and shuts the Door._ + + _Re-enter Sir _Jealous Traffick_ meeting _Whisper_._ + +Sir _Jeal._ Sure whil'st I was talking with Mr. _Tradewell_, I heard my +Door clap. (_Seeing _Whisper_._) Ha! a Man lurking about my House; who +do you want there, Sir? + +_Whisp._ Want--want, a pox, Sir _Jealous!_ what must I say now?-- + (_Aside._ + +Sir _Jeal._ Ay, want; have you a Letter or Message for any Body +there?--O my Conscience, this is some He-Bawd-- + +_Whisp._ Letter or Message, Sir! + +Sir _Jeal._ Ay, Letter or Message, Sir. + +_Whisp._ No, not I, Sir. + +Sir _Jeal._ Sirrah, Sirrah, I'll have you set in the Stocks, if you +don't tell me your Business immediately. + +_Whisp._ Nay, Sir, my Business--is no great matter of Business neither; +and yet 'tis Business of Consequence too. + +Sir _Jeal._ Sirrah, don't trifle with me. + +_Whisp._ Trifle, Sir, have you found him, Sir? + +Sir _Jeal._ Found what, you Rascal. + +_Whisp._ Why _Trifle_ is the very Lap-Dog my Lady lost, Sir; I fancy'd I +see him run into this House. I'm glad you have him--Sir, my Lady will be +over-joy'd that 1 have found him. + +Sir _Jeal._ Who is your Lady Friend? + +_Whisp._ My Lady Love-puppy, Sir. + +Sir _Jeal._ My Lady Love-puppy! then prithee carry thy self to her, for +I know no other Whelp that belongs to her; and let me catch ye no more +Puppy-hunting about my Doors, lest I have you prest into the Service, +Sirrah. + +_Whisp._ By no means, Sir--Your humble Servant; I must watch whether he +goes, or no, before I can tell my Master. + (_Exit._ + +Sir _Jeal._ This Fellow has the Officious Leer of a Pimp; and I half +suspect a Design, but I'll be upon them before they think on me, I +warrant 'em. + (_Exit._ + + +SCENE __Charles_'s Lodging._ + + _Enter _Charles_ and _Marplot_._ + +_Char._ Honest _Marplot_, I thank thee for this Supply; I expect my +Lawyer with a Thousand Pound I have order'd him to take up, and then you +shall be Repaid. + +_Marpl._ Pho, pho, no more of that: Here comes Sir _George Airy_-- + + _Enter Sir _George_._ + +Cursedly out of Humour at his Disappointment; see how he looks! Ha, ha, +ha. + +Sir _Geo._ Ah, _Charles_, I am so humbled in my Pretensions to Plots +upon Women, that I believe I shall never have Courage enough to attempt +a Chamber-maid agen--I'll tell thee. + +_Char._ Ha, ha; I'll spare you the Relation by telling you--Impatient to +know your Business with my Father, when I saw you Enter, I slipt back +into the next Room, where I overheard every Syllable. + +Sir _Geo._ That I said--But I'll be hang'd if you heard her Answer--. +But prithee tell me, _Charles_, is she a Fool? + +_Char._ I ne'er suspected her for one; but _Marplot_ can inform you +better, if you'll allow him a Judge. + +_Marpl._ A Fool! I'll justifie she has more Wit than all the rest of her +Sex put together; why she'll Rally me, till I han't one word to say for +my self. + +_Char._ A mighty Proof of her Wit truly-- + +_Marpl._ There must be some Trick in't, Sir _George_; Egad I'll find it +out if it cost me the Sum you paid for't. + +Sir _Geo._ Do and Command me-- + +_Marpl._ Enough, let me alone to Trace a Secret.-- + + _Enter _Whisper_, and speaks aside to his Master._ + +The Devil! _Whisper_ here agen, that Fellow never speaks out; is this +the same, or a new Secret? Sir _George_, won't you ask _Charles_ what +News _Whisper_ brings? + +Sir _Geo._ Not I, Sir; I suppose it does not relate to me. + +_Marpl._ Lord, Lord, how little Curiosity some People have! Now my chief +Pleasure lies in knowing every Body's Business. + +Sir _Geo._ I fancy, _Charles_, thou hast some Engagement upon thy Hands: +I have a little Business too. _Marplot_, if it falls in your way to +bring me any Intelligence from _Miranda_, you'll find me at the Thatch'd +House at Six-- + +_Marpl._ You do me much Honour. + +_Char._ You guess right, Sir _George_, wish me Success. + +Sir _Geo._ Better than attended me. _Adieu_. + (_Exit._ + +_Char._ _Marplot_, you must Excuse me.-- + +_Marpl._ Nay, nay, what need of any Excuse amongst Friends! I'll go with +you. + +_Char._ Indeed you must not. + +_Marpl._ No, then I suppose 'tis a Duel, and I will go to secure ye. + +_Char._ Secure me, why you won't fight. + +_Marpl._ What then! I can call People to part ye. + +_Char._ Well, but it is no Duel, Consequently no Danger. Therefore +prithee be Answer'd. + +_Marpl._ What is't a Mistress then?--Mum--You know I can be silent upon +occasion. + +_Char._ I wish you cou'd be Civil too: I tell you, You neither Must nor +Shall go with me. Farewel. + (_Exit._ + +_Marpl._ Why then--I Must and Will follow you. + _Exit._ + + _The End of the Second Act._ + + + + +ACT the Third + + + _Enter _Charles_._ + +_Char._ Well, here's the House, which holds the Lovely Prize quiet and +serene; here no noisie Footmen throng to tell the World, that Beauty +dwells within; no Ceremonious Visit makes the Lover wait; no Rival to +give my Heart a Pang; who wou'd not scale the Window at Midnight without +fear of the Jealous Father's Pistol, rather than fill up the Train of a +Coquet, where every Minute he is jostled out of Place. (_Knocks +softly._) Mrs. _Patch_, Mrs. _Patch._ + + _Enter _Patch_._ + +_Patch._ Oh, are you come, Sir? All's safe. + +_Char._ So in, in then. + + _Enter _Marplot_._ + +_Marpl._ There he goes: Who the Devil lives here? Except I can find out +that, I am as far from knowing his Business as ever; gad I'll watch, it +may be a Bawdy-House, and he may have his Throat cut; if there shou'd be +any Mischief, I can make Oath, he went in. Well, _Charles_, in spight of +your Endeavour to keep me out of the Secret; I may save your Life, for +ought I know: At that Corner I'll plant my self; there I shall see +whoever goes in, or comes out. Gad, I love Discoveries. + _(Exit._ + + +SCENE _Draws. _Charles_, _Isabinda_, and _Patch_._ + +_Isab._ _Patch_, look out sharp; have a care of Dad. + +_Patch._ I warrant you. + _(Exit._ + +_Isab._ Well, Sir, if I may judge your Love by your Courage, I ought to +believe you sincere; for you venture into the Lyons Den when you come to +see me. + +_Char._ If you'd consent whilst the furious Beast is abroad, I'd free +you from the Reach of his Paws. + +_Isab._ That wou'd be but to avoid one Danger, by running into another; +like the poor Wretches, who fly the Burning Ship, and meet their Fate in +the Water. Come, come, _Charles_, I fear if I consult my Reason, +Confinement and Plenty is better than Liberty and Starving. I know you'd +make the Frolick pleasing for a little time, by Saying and Doing a World +of tender things; but when our small Substance is once Exhausted, and a +Thousand Requisits for Life are Wanting; Love, who rarely dwells with +Poverty, wou'd also fail us. + +_Char._ Faith, I fancy not; methinks my Heart has laid up a Stock will +last for Life; to back which, I have taken a Thousand Pound upon my +Uncle's Estate; that surely will support us, till one of our Fathers +relent. + +_Isab._ There's no trusting to that my Friend, I doubt your Father will +carry his Humour to the Grave, and mine till he sees me settled in +_Spain_. + +_Char._ And can ye then cruelly Resolve to stay till that curs'd _Don_ +arrives, and suffer that Youth, Beauty, Fire and Wit, to be sacrific'd +to the Arms of a dull _Spaniard_, to be Immur'd and forbid the Sight of +any thing that's Humane. + +_Isab._ No, when it comes to the Extremity, and no Stratagem can Relieve +us, thou shalt List for a Soldier, and I'll carry thy Knapsack after +thee. + +_Char._ Bravely Resolv'd; the World cannot be more Savage than our +Parents, and Fortune generally assists the Bold; therefore Consent now: +Why shou'd we put it to a future Hazard? who knows when we shall have +another Opportunity? + +_Isab._ Oh, you have your Ladder of Ropes, I suppose, and the Closet +Window stands just where it did; and if you han't forgot to write in +Characters, _Patch_ will find a way for our Assignations. Thus much of +the _Spanish_ Contrivance, my Father's Severity has taught me, I thank +him; tho' I hate the Nation, I admire their Management in these Affairs. + + _Enter _Patch_._ + +_Patch._ Oh, Madam, I see my Master coming up the Street. + +_Char._ Oh the Devil, wou'd I had my Ladder now; I thought you had not +expected him till Night; why, why, why, why; what shall I do, Madam? + +_Isab._ Oh, for Heaven's sake! don't go that way, you'll meet him full +in the Teeth: Oh unlucky Moment!-- + +_Char._ Adsheart, can you shut me into no Cupboard, Ram me into no +Chest, ha? + +_Patch._ Impossible, Sir, he Searches every Hole in the House. + +_Isab._ Undone for ever! if he sees you, I shall never see you more. + +_Patch._ I have thought on't: Run you to your Chamber, Madam; and Sir, +come you along with me, I'm certain you may easily get down from the +Balcone. + +_Char._ My Life, _Adieu_--Lead on, Guide. + (_Exit._ + +_Isab._ Heaven preserve him. + (_Exit._ + + +SCENE Changes to the Street. + + _Enter Sir _Jealous_, with _Marplot_ behind him_._ + +Sir _Jeal._ I don't know what's the matter; but I have a strong +Suspicion, all is not right within; that Fellow's sauntring about my +Door, and his Tale of a Puppy, had the Face of a Lye, methought. By St. +_Jago_, if I shou'd find a Man in the House, I'd make Mince-Meat of +him-- + +_Marpl._ Ah, poor _Charles_--ha? Agad he is old--I fancy I might bully +him, and make _Charles_ have an Opinion of my Courage. + +Sir _Jeal._ My own Key shall let me in; I'll give them no Warning. + (_Feeling for his Key._ + +_Marpl._ What's that you say, Sir. (_Going up to Sir _Jealous_._ + +Sir _Jeal._ What's that to you, Sir. (_Turns quick upon him._ + +_Marpl._ Yes, 'tis to me, Sir; for the Gentleman you threaten is a very +honest Gentleman. Look to't, for if he comes not as safe out of your +House, as he went in, I have half a Dozen _Mirmidons_ hard-by shall beat +it about your Ears. + +Sir _Jeal._ Went in; what is he in then? Ah! a Combination to undo +me--I'll _Mirmidon_ you, ye Dog you--Thieves, Thieves. + (_Beat_'s Marplot_ all this while he cries _Thieves_._ + +_Marpl._ Murder, Murder; I was not in your House, Sir. + + _Enter Servant._ + +_Serv._ What's the matter, Sir? + +Sir _Jeal._ The Matter, Rascals? Have you let a Man into my House; but +I'll flea him Alive, follow me, I'll not leave a Mousehole unsearch'd; +if I find him, by St. _Jago_, I'll Equip him for the _Opera._ + (_Exit._ + +_Marpl._ A Duce of his Cane, there's no trusting to Age--what shall I do +to Relieve _Charles!_ Egad, I'll raise the Neighbourhood--Murder, +Murder-- (__Charles_ drops down upon him from the Balcone._) _Charles_ +faith I'm glad to see thee safe out, with all my Heart. + +_Char._ A Pox of your Bawling: How the Devil came you here? + +_Marpl._ Here, gad I have done you a piece of Service; I told the old +Thunderbolt, that the Gentleman that was gone in was-- + +_Char._ Was it you that told him, Sir? (_Laying hold of him._) Z'death, +I cou'd crush thee into Atoms. + (_Exit _Charles_._ + +_Marpl._ What will you choak me for my Kindness?--will my Enquiring Soul +never leave Searching into other Peoples Affairs, till it gets squeez'd +out of my Body? I dare not follow him now, for my Blood, he's in such a +Passion--I'll to _Miranda_; if I can discover ought that may oblige Sir +_George_, it may be a means to Reconcile me agen to _Charles_. + (_Exit._ + + _Enter Sir _Jealous_ and _Servants_._ + +Sir _Jeal._ Are you sure you have search'd every where? + +_Serv._ Yes, from the Top of the House to the Bottom. + +Sir _Jeal._ Under the Beds, and over the Beds? + +_Serv._ Yes, and in them too, but found no Body, Sir. + +Sir _Jeal._ Why, what cou'd this Rogue mean? + + _Enter _Isabinda_ and _Patch_._ + +_Patch._ Take Courage, Madam, I saw him safe out. (_Aside to _Isab_._ + +_Isab._ Bless me! what's the matter, Sir? + +Sir _Jeal._ You know best--Pray where's the Man that was here just now? + +_Isab._ What Man, Sir? I saw none! + +_Patch._ Nor I, by the Trust you repose in me; do you think I wou'd let +a Man come within these Doors, when you were absent? + +Sir _Jeal._ Ah _Patch_, she may be too cunning for thy Honesty; the very +Scout that he had set to give Warning discover'd it to me--and +threaten'd me with half a Dozen _Mirmidons_--But I think I maul'd the +Villain. These Afflictions you draw upon me, Mistress! + +_Isab._ Pardon me, Sir, 'tis your own Ridiculous Humour draws you into +these Vexations, and gives every Fool pretence to banter you. + +Sir _Jeal._ No, 'tis your Idle Conduct, your Coquetish Flurting into the +Balcone--Oh with what Joy shall I resign thee into the Arms of Don +_Diego Babinetto!_ + +_Isab._ And with what Industry shall I avoid him! + (_Aside._ + +Sir _Jeal._ Certainly that Rogue had a Message from some body or other; +but being baulk'd by my coming, popt that Sham upon me. Come along, ye +Sots, let's see if we can find the Dog again. _Patch_, lock her up; D'ye +hear? + (_Exit with Servants._ + +_Patch._ Yes, Sir--ay, walk till your Heels ake, you'll find no Body, I +promise you. + +_Isab._ Who cou'd that Scout be, which he talks of? + +_Patch._ Nay, I can't imagine, without it was _Whisper_. + +_Isab._ Well, dear _Patch_, let's employ all our Thoughts how to escape +this horrid Don _Diego_, my very Heart sinks at his Terrible Name. + +_Patch._ Fear not, Madam, Don _Carlo_ shall be the Man, or I'll lose the +Reputation of Contriving, and then what's a Chambermaid good for? + +_Isab._ Say'st thou so, my Girl: Then-- + _Let Dad be Jealous, multiply his Cares, + While Love instructs me to avoid the Snares; + I'll, spight of all his _Spanish_ Caution, show + How much for Love a _British_ Maid can do._ + (Exit. + + +SCENE _Sir _Francis Gripe_'s House._ + +_Sir _Francis_ and _Miranda_ meeting._ + +_Miran._ Well, _Gardee_, how did I perform my Dumb Scene? + +Sir _Fran._ To Admiration--Thou dear little Rogue, let me buss thee for +it: Nay, adod, I will, _Chargee_, so muzle, and tuzle, and hug thee; I +will, I faith, I will. + (_Hugging and Kissing her._ + +_Miran._ Nay, _Gardee_, don't be so lavish; who wou'd Ride Post, when +the Journey lasts for Life? + +Sir _Fran._ Ah wag, ah wag--I'll buss thee agen for that. + +_Miran._ Faugh! how he stinks of Tobacco! what a delicate Bedfellow I +shou'd have! + (_Aside._ + +Sir _Fran._ Oh I'm Transported! When, when, my Dear, wilt thou Convince +the World of thy Happy Day? when shall we marry, ha? + +_Miran._ There's nothing wanting but your Consent, Sir _Francis_. + +Sir _Fran._ My Consent! what do's my Charmer mean? + +_Miran._ Nay, 'tis only a Whim: But I'll have every thing according to +form--Therefore when you sign an Authentick Paper, drawn up by an able +Lawyer, that I have your Leave to marry, the next Day makes me yours, +_Gardee_. + +Sir _Fran._ Ha, ha, ha, a Whim indeed! why is it not Demonstration I +give my Leave when I marry thee. + +_Miran._ Not for your Reputation, _Gardee_; the malicious World will be +apt to say, you trick'd me into Marriage, and so take the Merit from my +Choice. Now I will have the Act my own, to let the idle Fops see how +much I prefer a Man loaded with Years and Wisdom. + +Sir _Fran._ Humph! Prithee leave out Years, _Chargee_, I'm not so old, +as thou shalt find: Adod, I'm young; there's a Caper for ye. + (_Jumps_. + +_Miran._ Oh never excuse it, why I like you the better for being +old--But I shall suspect you don't love me, if you Refuse me this +Formality. + +Sir _Fran._ Not Love thee, _Chargee!_ Adod I do love thee better than, +than, than, better than--what shall I say? Egad, better than Money, I +faith I do-- + +_Miran._ That's false I'm sure (_Aside._) To prove it do this then. + +Sir _Fran._ Well, I will do it, _Chargee_, provided I bring a License at +the same time. + +_Miran._ Ay, and a Parson too, if you please; Ha, ha, ha, I can't help +Laughing to think how all the young Coxcombs about Town will be +mortify'd when they hear of our Marriage. + +Sir _Fran._ So they will, so they will; Ha, ha, ha. + +_Miran._ Well, I fancy I shall be so happy with my _Gardee!_ + +Sir _Fran._ If wearing Pearls and Jewels, or eating Gold, as the old +Saying is, can make thee happy, thou shalt be so, my Sweetest, my +Lovely, my Charming, my--verily I know not what to call thee. + +_Miran._ You must know, _Gardee_, that I am so eager to have this +Business concluded, that I have employ'd my Womans Brother, who is a +Lawyer in the _Temple_, to settle Matters just to your Liking, you are +to give your Consent to my Marriage, which is to your self, you know: +But Mum, you must take up notice of that. So then I will, that is, with +your Leave, put my Writings into his Hands; then to Morrow we come slap +upon them with a Wedding, that no body thought on; by which you seize me +and my Estate, and I suppose make a Bonfire of your own Act and Deed. + +Sir _Fran._ Nay, but _Chargee_, if-- + +_Miran._ Nay, _Gardee_, no Ifs--Have I refus'd three _Northern_ Lords, +two _British_ Peers, and half a score Knights, to have you put in your +Ifs?-- + +Sir _Fran._ So thou hast indeed, and I will trust to thy Management. Od, +I'm all of a Fire. + +_Miran._ 'Tis a wonder the dry Stubble does not blaze. + + _Enter _Marplot_._ + +Sir _Fran._ How now! who sent for you, Sir? What's the Hundred Pound +gone already? + +_Marpl._ No, Sir, I don't want Money now. + +Sir _Fran._ No, that's a Miracle! But there's one thing you want, I'm +sure. + +_Marpl._ Ay, what's that, _Guardian?_ + +Sir _Fran._ Manners, what had I no Servants without? + +_Marpl._ None that cou'd do my Business, _Guardian_, which is at present +with this Lady. + +_Miran._ With me, Mr. _Marplot!_ what is it, I beseech you? + +Sir _Fran._ Ay, Sir, what is it? any thing that relates to her may be +deliver'd to me. + +_Marpl._ I deny that. + +_Miran._ That's more than I do, Sir. + +_Marpl._ Indeed, Madam, why then to proceed: Fame says, that you and my +most Conscionable _Guardian_ here, design'd, contriv'd, plotted and +agreed to chouse a very civil, honourable, honest Gentleman, out of a +Hundred Pound. + +_Miran._ That I contrived it! + +_Marpl._ Ay you--You said never a Word against it, so far you are +Guilty. + +Sir _Fran._ Pray tell that civil, honourable, honest Gentleman, that if +he has any more such Sums to fool away, they shall be received like the +last; Ha, ha, ha, ha, chous'd, quotha! But hark ye, let him know at the +same time, that if he dare to report I trick'd him of it, I shall +recommend a Lawyer to him shall shew him a Trick for twice as much; D'ye +hear, tell him that. + +_Marpl._ So, and this is the way you use a Gentleman, and my Friend. + +_Miran._ Is the Wretch thy Friend? + +_Marpl._ The Wretch! Look ye, Madam, don't call Names; Egad I won't take +it. + +_Miran._ Why you won't beat me, will you? Ha, ha. + +_Marpl._ I don't know whether I will or no. + +Sir _Fran._ Sir, I shall make a Servant shew you out at the Window if +you are sawcy. + +_Marpl._ I am your most humble Servant, _Guardian_; I design to go out +the same way I came in. I wou'd only ask this Lady, if she do's not +think in her Soul Sir _George Airy_ is not a fine Gentleman. + +_Miram._ He Dresses well. + +Sir _Fran._ Which is chiefly owing to his Taylor, and _Valet de +Chamber_. + +_Miran._ And if you allow that a proof of his being a fine Gentleman, he +is so. + +_Marpl._ The judicious part of the World allow him Wit, Courage, +Gallantry and Management; tho' I think he forfeited that Character, when +he flung away a Hundred Pound upon your Dumb Ladyship. + +Sir _Fran._ Does that gaul him? Ha, ha, ha. + +_Miran._ So, Sir _George_ remaining in deep Discontent, has sent you his +trusty Squire, to utter his Complaint: Ha, ha, ha. + +_Marpl._ Yes, Madam; and you, like a cruel, hard-hearted Jew, value it +no more--than I wou'd your Ladyship, were I Sir _George_, you, you, +you-- + +_Miran._ Oh, don't call Names. I know you love to be employ'd, and I'll +oblige you; and you shall carry him a Message from me. + +_Marpl._ According as I like it: What is it? + +_Miran._ Nay, a kind one you may be sure--First tell him, I have chose +this Gentleman to have, and to hold, and so forth. + (_Clapping her Hand into Sir _Francis_'s._ + +Sir _Fran._ Oh the dear Rogue, how I dote on her! + (_Aside._ + +_Miran._ And advise his Impertinence to trouble me no more, for I prefer +Sir _Francis_ for a Husband before all the Fops in the Universe. + +_Marpl._ Oh Lord, Oh Lord! She's bewitch'd, that's certain; Here's a +Husband for Eighteen--Here's a Shape--Here's Bones ratling in a Leathern +Bag. (_Turning Sir _Francis_ about._) Here's Buckram, and Canvass, to +scrub you to Repentance. + +Sir _Fran._ Sirrah, my Cane shall teach you Repentance presently. + +_Marpl._ No faith, I have felt its Twin-Brother from just such a +wither'd Hand too lately. + +_Miran._ One thing more, advise him to keep from the Garden Gate on the +left Hand; for if he dares to saunter there, about the Hour of Eight, as +he used to do, he shall be saluted with a Pistol or a Blunderbuss. + +_Sir Fran._ Oh monstrous! why _Chargee_; did he use to come to the +Garden Gate? + +_Miran._ The Gardner describ'd just such another Man that always watch'd +his coming out, and fain wou'd have bribed him for his Entrance--tell +him he shall find a warm Reception if he comes this Night. + +_Marpl._ Pistols and Blunderbusses! Egad, a warm Reception indeed; I +shall take care to inform him of your Kindness, and advise him to keep +farther off. + +_Miran._ I hope he will understand my Meaning better, than to follow +your Advice. + (_Aside._ + +Sir _Fran._ Thou hast sign'd, seal'd, and ta'en Possession of my Heart; +for ever, _Chargee_, Ha, ha, ha; and for you, Mr. Sauce-box, let me have +no more of your Messages, if ever you design to inherit your Estate, +Gentleman. + +_Marpl._ Why there 'tis now. Sure I shall be out of your Clutches one +Day.--Well, _Guardian_, I say no more; but if you be not as errant a +Cuckold, as e're drove Bargain upon the Exchange, or paid Attendance to +a Court; I am the Son of a Whetstone; and so your humble Servant. + (_Exit._ + +_Miran._ Don't forget the Message; Ha, ha. + +Sir _Fran._ I am so provok'd!--'tis well he's gone. + +_Miran._ Oh mind him not, _Gardee_, but let's sign Articles, and then-- + +Sir _Fran._ And then--Adod, I believe I am Metamorphos'd; my Pulse beats +high, and my Blood boils, methinks-- + (_Kissing and Hugging her._ + +_Miran._ Oh fye, _Gardee_, be not so violent; Consider the Market lasts +all the Year--Well, I'll in and see if the Lawyer be come, you'll +follow. + (_Exit._ + +Sir _Fran._ Ay, to the World's End, my Dear. Well, _Franck_, thou art a +lucky Fellow in thy old Age, to have such a delicate Morsel, and Thirty +Thousand Pound in love with thee; I shall be the Envy of Batchelors, the +Glory of Marry'd Men, and the Wonder of the Town. Some Guardians wou'd +be glad to compound for part of the Estate, at dispatching an Heiress, +but I engross the whole: _O! Mihi praeteritos referet si Jupiter Annos._ + (Exit. + + +SCENE _Changes to a Tavern; discovers Sir _George_ and _Charles_ with +Wine before them, and _Whisper_ waiting._ + +Sir _Geo._ Nay, prithee don't be Grave, _Charles;_ Misfortunes will +happen: Ha, ha, ha, 'tis some Comfort to have a Companion in our +Sufferings. + +_Char._ I am only apprehensive for _Isabinda_, her Father's Humour is +implacable; and how far his Jealousie may transport him to her Undoing, +shocks my Soul to think. + +Sir _Geo._ But since you escap'd undiscover'd by him, his Rage will +quickly lash into a Calm, never fear it. + +_Char._ But who knows what that unlucky Dog, _Marplot_, told him; nor +can I imagine what brought him thither; that Fellow is ever doing +Mischief; and yet, to give him his due, he never designs it. This is +some Blundering Adventure, wherein he thought to shew his Friendship, as +he calls it: A Curse on him. + +Sir _Geo._ Then you must forgive him; what said he? + +_Char._ Said! nay, I had more mind to cut his Throat, than hear his +Excuses. + +Sir _Geo._ Where is he? + +_Whisp._ Sir, I saw him go into Sir _Francis Gripe_'s just now. + +_Char._ Oh! then he is upon your Business, Sir _George_; a thousand to +one, but he makes some Mistake there too. + +Sir _Geo._ Impossible, without he huffs the Lady, and makes Love to Sir +_Francis_. + + _Enter Drawer._ + +_Draw._ Mr. _Marplot_ is below, Gentlemen, and desires to know if he may +have Leave to wait upon ye. + +_Char._ How civil the Rogue is when he has done a fault! + +Sir _Geo._ Ho! Desire him to walk up. Prithee, _Charles_, throw off this +Chagreen, and be good Company. + +_Char._ Nay, hang him, I'm not angry with him. _Whisper_, fetch me Pen, +Ink and Paper. + +_Whisp._ Yes, Sir. + + (_Ex. _Whisp_._ + + _Enter _Marplot_._ + +_Char._ Do but mark his sheepish Look, Sir _George_. + +_Marpl._ Dear _Charles,_ don't o'erwhelm a Man--already under +insupportable Affliction. I'm sure I always intend to serve my Friends; +but if my malicious Stars deny the Happiness, is the fault mine? + +Sir _Geo._ Never mind him, Mr. _Marplot_, he is eat up with Spleen. But +tell me, what says _Miranda?_ + +_Marpl._ Says--nay, we are all undone there too. + +_Char._ I told you so; nothing prospers that he undertakes. + +_Marpl._ Why can I help her having chose your Father for Better for +Worse? + +_Char._ So: There's another of Fortune's Strokes; I suppose I shall be +Edg'd out of my Estate, with Twins every Year, let who will get 'em. + +Sir _Geo._ What is the Woman really Possest? + +_Marpl._ Yes with the Spirit of Contradiction, she rail'd at you most +prodigiously. + +Sir _Geo._ That's no ill Sign. + + _Enter _Whisper_, with Pen, Ink and Paper._ + +_Marpl._ You'd say it was no good Sign, if you knew all. + +Sir _Geo._ Why, prithee? + +_Marpl._ Hark'e, Sir _George_, Let me warn you, pursue your old Haunt no +more, it may be dangerous. + (Charles _sits down to write._ + +Sir _Geo._ My old Haunt, what d'you mean? + +_Marpl._ Why in short then, since you will have it, _Miranda_ vows if +you dare approach the Garden-Gate at Eight a Clock, as you us'd, you +shall be saluted with a Blunderbuss, Sir. These were her Words; nay, she +bid me tell you so too. + +Sir _George_, Ha! The Garden-Gate at Eight, as I us'd to do! There must +be a Meaning in this. Is there such a Gate, _Charles?_ + +_Char._ Yes, yes; it opens into the Park, I suppose her Ladyship has +made many a Scamper through it. + +Sir _Geo_. It must be an Assignation then. Ha, my Heart springs with +Joy, 'tis a propitious Omen. My dear _Marplot_, let me embrace thee, +thou art my Friend, my better Angel-- + +_Marpl._ What do you mean, Sir _George?_ + +Sir _Geo._ No matter what I mean. Here take a Bumper to the Garden-Gate, +ye dear Rogue, you. + +_Marpl._ You have Reason to be transported, Sir _George_; I have sav'd +your Life. + +Sir _Geo_. My Life! thou hast sav'd my Soul, Man. _Charles_, if thou +do'st not pledge this Health, may'st thou never taste the Joys of Love. + +_Char._ _Whisper_, be sure you take care how you deliver this (_gives +him the Letter_) bring me the Answer to my Lodgings. + +_Whisp._ I warrant you, Sir. + (_Exit._ + +_Marpl._ Whither does that Letter go?--Now dare I not ask for my Blood. + +_Char._ Now I'm for you. + +Sir _Geo._ To the Garden-Gate at the Hour of Eight, _Charles_, along, +Huzza! + +_Char._ I begin to conceive you. + +_Marpl._ That's more than I do, Egad--to the Garden-Gate, Huzza, +(_Drinks._) But I hope you design to keep far enough off on't, Sir +_George_. + +Sir _Geo._ Ay, ay, never fear that; she shall see I despise her Frowns, +let her use her Blunderbuss against the next Fool, she shan't reach me +with the Smoak, I warrant her, Ha, ha, ha. + +_Marpl._ Ah, _Charles_, if you cou'd receive a Disappointment thus _En +Cavalier_, one shou'd have some comfort in being beat for you. + +_Char._ The Fool comprehends nothing. + +Sir _Geo._ Nor wou'd I have him; prithee take him along with thee. + +_Char._ Enough: _Marplot_, you shall go home with me. + +_Marpl._ I'm glad I'm well with him however. Sir _George_, yours. Egad, +_Charles_, asking me to go home with him, gives me a shrewd suspicion +there's more in the Garden-Gate, than I comprehend. Faith, I'll give him +the drop, and away to _Guardians_, and find it out. + +Sir _Geo._ I kiss both your Hands--And now for the Garden-Gate. + + _It's Beauty gives the Assignation there,_ + _And Love too powerful grows t' admit of Fear._ + (_Exit._ + +_The End of the Third Act._ + + + + +ACT the Fourth. + +SCENE the Out-side of Sir _Jealous Traffick_'s House, _Patch_ peeping +out of Door. + + + _Enter _Whisper_._ + +_Whisp._ Ha, Mrs. _Patch_, this is a lucky Minute, to find you so +readily, my Master dies with Impatience. + +_Patch._ My Lady imagin'd so, and by her Orders I have been scouting +this hour in search of you, to inform you that Sir _Jealous_ has invited +some Friends to Supper with him to Night, which gives an Opportunity to +your Master to make use of his Ladder of Ropes: The Closet Window shall +be open, and _Isabinda_ ready to receive him; bid him come immediately. + +_Whisp._ Excellent, He'll not disappoint I warrant him: But hold, I have +a Letter here, which I'm to carry an Answer of: I can't think what +Language the Direction is. + +_Patch._ Pho, 'tis no Language, but a Character which the Lovers +invented to avert Discovery: Ha, I hear my old Master coming down +Stairs, it is impossible you shou'd have an Answer; away, and bid him +come himself for that--begone we are ruined if you're seen, for he has +doubl'd his Care since the last Accident. + +_Whisp._ I go, I go. + [_Exit._ + +_Patch._ There, go thou into my Pocket. [_Puts it besides, and it falls +down._] Now I'll up the back Stairs, lest I meet him. Well, a dexterous +Chamber-maid is the Ladies best Utensil, I say. + [_Exit._ + + _Enter Sir _Jealous_ with a Letter in his Hand._ + +Sir _Jeal._ So, this is some Comfort, this tells me that _Seignior Don +Diego Babinetto_ is safely arriv'd, he shall marry my Daughter the +Minute he comes, ha. What's here [_takes up the Letter _Patch_ drop'd_] +a Letter! I don't know what to make of the Superscription. I'll see +what's within side, [_opens it_] humph; 'tis _Hebrew_ I think. What can +this mean. There must be some trick in it; this was certainly design'd +for my Daughter, but I don't know that she can speak any Language but +her Mother-Tongue. No matter for that, this may be one of Love's +Hieroglyphicks, and I fancy I saw _Patch_'s Tail sweep by. That Wench +may be a Slut, and instead of guarding my Honour, betray it; I'll find +it out I'm resolv'd; who's there? What Answer did you bring from the +Gentlemen I sent you to invite? + +_Serv._ That they'd all wait of you, Sir, as I told you before, but I +suppose you forget, Sir. + +Sir _Jeal._ Did I so, Sir, but I shan't forget to break your Head, if +any of 'em come, Sir. + +_Serv._ Come, Sir, why did not you send me to desire their Company, Sir? + +Sir _Jeal._ But I send you now to desire their Absence; say I have +something extraordinary fallen out, which calls me abroad, contrary to +Expectation, and ask their Pardon, and d'ye hear, send the Butler to me. + +_Serv._ Yes, Sir. + [_Exit._ + + _Enter _Butler_._ + +Sir _Jeal._ If this Paper has a Meaning I'll find it. Lay the Cloath in +my Daughter's Chamber, and bid the Cook send Supper thither presently. + +_Butl._ Yes, Sir,--hey day, what's the Matter now? + [_Exit._ + +Sir _Jeal._ He wants the Eyes of _Argus_, that has a young handsome +Daughter in this Town, but my Comfort is, I shall not be troubl'd long +with her. He that pretends to rule a Girl once in her Teens, had better +be at Sea in a Storm, and would be in less Danger. + _For let him do, or Counsel all he can,_ + _She thinks and dreams of nothing else but Man._ + [_Exit._ + + +SCENE _Isabinda_'s Chamber, _Isabinda_ and _Patch_. + +_Isab._ Are you sure, no Body saw you speak to _Whisper?_ + +_Patch._ Yes, very sure Madam, but I heard Sir _Jealous_ coming down +Stairs, so I clap'd this Letter into my Pocket. + (_Feels for the Letter._ + +_Isab._ A Letter! give it me quickly. + +_Patch._ Bless me! what's become on't--I'm sure I put it-- + (_Searching still._ + +_Isab._ Is it possible, thou could'st be so Careless--Oh! I'm undone for +ever if it be lost. + +_Patch._ I must have drop'd it upon the Stairs. But why are you so much +alarm'd, if the worst happens no body can read it, Madam, nor find out +whom it was design'd for. + +_Isab._ If it falls into my Father's Hands the very Figure of a Letter +will produce ill Consequences. Run and look for it upon the Stairs this +Moment. + +_Patch._ Nay, I'm sure it can be no where else.-- (_As she's going out +of the Door meets the Butler._) How now, what do you want? + +_Butl._ My Master order'd me to lay the Cloth here for his Supper. + +_Isab._ Ruin'd past Redemption-- + (_Aside._ + +_Patch._ You mistake sure; what shall we do? + +_Isab._ I thought he expected Company to Night--Oh! poor _Charles_--Oh! +unfortunate _Isabinda_. + +_Butl._ I thought so too Madam, but I suppose he has alter'd his Mind. + (_Lays the Cloth, and Exit._ + +_Isab._ The Letter is the Cause; this heedless Action has undone me: Fly +and fasten the Closet-window, which will give _Charles_ notice to +retire. Ha, my Father, oh! Confusion. + + _Enter Sir _Jealous_._ + +Sir _Jeal._ Hold, hold, _Patch_, whither are you going. I'll have no +body stir out of the Room till after Supper. + +_Patch._ Sir, I was only going to reach your easie Chair--Oh! wretched +Accident! + +Sir _Jeal._ I'll have no body stir out of the Room. I don't want my +easie Chair. + +_Isab._ What will be the event of this? (_Aside._ + +Sir _Jeal._ Hark ye Daughter, do you know this Hand? + +_Isab._ As I suspected--Hand do you call it, Sir? 'Tis some School-boy's +Scraul. + +_Patch._ Oh! Invention, thou Chamber-maid's best Friend, assist me. + (_Aside._ + +Sir _Jeal._ Are you sure you don't understand it? + +(_Patch._ _Feels in her Bosom, and shakes her Coats._) + +_Isab._ Do you understand it, Sir? + +Sir _Jeal._ I wish I did. + +_Isab._ Thank Heaven you do not. (_aside_) Then I know no more of it +than you do indeed, Sir. + +_Patch._ Oh Lord, Oh Lord, what have you done, Sir? Why the Paper is +mine, I drop'd it out of my Bosom. + (_Snatching it from him._ + +Sir _Jeal._ Ha! yours, Mistress. + +_Isab._ What does she mean by owning it. + (_Aside._ + +_Patch._ Yes, Sir, it is. + +Sir _Jeal._ What is it? Speak. + +_Patch._ Why, Sir, it is a Charm for the Tooth-ach--I have worn it this +seven Year, 'twas given me by an Angel for ought I know, when I was +raving with the Pain; for no body knew from whence he came, nor whither +he went, he charg'd me never to open it, lest some dire Vengeance befal +me, and Heaven knows what will be the Event. Oh! cruel Misfortune that I +should drop it, and you should open it--If you had not open'd it-- + +_Isab._ Excellent Wench. + (_Aside._ + +Sir _Jeal._ Pox of your Charms, and Whims for me, if that be all 'tis +well enough; there, there, burn it, and I warrant you no Vengeance will +follow. + +_Patch._ So, all's right again thus far. + (_Aside._ + +_Isab._ I would not lose _Patch_ for the World--I'll take courage a +little. (_aside_) Is this Usage for your Daughter, Sir, must my Virtue +and Conduct be suspected? For every Trifle, you immure me like some dire +Offender here, and deny me all Recreations which my Sex enjoy, and the +Custom of the Country and Modesty allow; yet not content with that you +make my Confinement more intolerable by your Mistrusts and Jealousies; +wou'd I were dead, so I were free from this. + (_Weeps._ + +Sir _Jeal._ To morrow rids you of this tiresome Load,--_Don Diego +Babinetto_ will be here, and then my Care ends and his begins. + +_Isab._ Is he come then! Oh how shall I avoid this hated Marriage? + (_Aside._ + + _Enter Servants with Supper._ + +Sir _Jeal._ Come will you sit down? + +_Isab._ I can't eat, Sir. + +_Patch._ No, I dare swear he has given her Supper enough. I wish I cou'd +get into the Closet-- + (_Aside._ + +Sir _Jeal._ Well, if you can't eat, then give me a Song whilst I do. + +_Isab._ I have such a Cold I can scarce speak, Sir, much less sing. How +shall I prevent _Charles_ coming in. + (_Aside._ + +Sir _Jeal._ I hope you have the Use of your Fingers, Madam. Play a Tune +upon your _Spinnet_, whilst your Woman sings me a Song. + +_Patch._ I'm as much out of Tune as my Lady, if he knew all. + (_Aside._ + +_Isab._ I shall make excellent Musick. (_Sits down to play._ + +_Patch._ Really, Sir, I'm so frighted about your opening this Charm, +that I can't remember one Song. + +Sir _Jeal._ Pish, hang your Charm; come, come, sing any thing. + +_Patch._ Yes, I'm likely to sing truly (_aside_) humph, humph, bless me, +Sir, I cannot raise my Voice, my Heart pants so. + +Sir _Jeal._ Why, what does your Heart pant so that you can't play +neither? Pray what Key are you in, ha? + +_Patch._ Ah, wou'd the Key was turn'd of you once. + (_Aside._ + +Sir _Jeal._ Why don't you sing, I say! + +_Patch._ When Madam has put her _Spinnet_ in Tune, Sir, humph, humph.-- + +_Isab._ I cannot play, Sir, whatever ails me. + (_Rising._ + +Sir _Jeal._ Zounds sit down, and play me a Tune, or I'll break the +_Spinnet_ about your Ears. + +_Isab._ What will become of me? + (_Sits down and plays._ + +Sir _Jeal._ Come, Mistress. + (_To_ Patch + +_Patch._ Yes, Sir. + (_Sings, but horribly out of Tune._ + +Sir _Jeal._ Hey, hey, why you are a top of the House, and you are down +in the Cellar. What is the meaning of this? Is it on purpose to cross +me, ha? + +_Patch._ Pray Madam, take it a little lower, I cannot reach that +Note--nor any Note I fear. + +_Isab._ Well, begin--Oh! _Patch_ we shall be discover'd. + +_Patch._ I sink with the Apprehension, Madam,--humph, humph-- (_Sings_) + + (__Charles_ pulls open the Closet Door._ + +_Char._ Musick and Singing + _'Tis thus the bright Coelestial Court above,_ + _Beguiles the Hours with Musick and with Love._ +Death! her Father there, (_The Women shriek_) then I must fly-- + (_Exit into the Closet_) + + (_Sir _Jealous_ rises up hastily, seeing _Charles_ slip back into + the Closet._ + +Sir _Jeal._ Hell and Furies, a Man in the Closet-- + +_Patch._ Ah! a Ghost, a Ghost--he must not enter the Closet-- + (Isabinda _throws her self down before the Closet-door as in + a Sound._ + +Sir _Jeal._ The Devil! I'll make a Ghost of him I warrant you. + (_Strives to get by._ + +_Patch._ Oh hold, Sir, have a care, you'l tread upon my Lady-- who waits +there? Bring some Water: Oh! this comes of your opening the Charm: Oh, +oh, oh, oh. + (_Weeps aloud._ + +Sir _Jeal._ I'll Charm you, House-wife, here lies the Charm, that +conjur'd this Fellow in I'm sure on't, come out you Rascal, do so: +Zounds take her from the Door, or I'll spurn her from it, and break your +Neck down Stairs. + +_Isab._ Oh, oh, where am I--He's gone, I heard him leap down. + (_Aside to _Patch_._ + +_Patch._ Nay, then let him enter--here, here Madam, smell to this; come +give me your Hand; come nearer to the Window, the Air will do you good. + +Sir _Jeal._ I wou'd she were in her Grave. Where are you, Sirrah, +Villain, Robber of my Honour; I'll pull you out of your Nest. + (_Goes into the Closet._ + +_Patch._ You'l be mistaken, old Gentleman, the Bird is flown. + +_Isab._ I'm glad I have 'scap'd so well. I was almost dead in earnest +with the Fright. + + _Re-enter Sir _Jealous_ out of the Closet._ + +Sir _Jeal._ Whoever the Dog were he has escap'd out of the Window, for +the Sash is up. But tho' he is got out of my Reach, you are not: And +first Mrs. _Pandor_, with your Charms for Tooth-ach, get out of my +House, go, troop; yet hold, stay, I'll see you out of my Doors my self, +but I'll secure your Charge e'er I go. + +_Isab._ What do you mean, Sir? Was she not a Creature of your own +providing? + +Sir _Jeal._ She was of the Devil's providing for ought I know. + +_Patch._ What have I done, Sir to merit your Displeasure? + +Sir _Jeal._ I don't know which of you have done it; but you shall both +suffer for it, till I can discover whose Guilt it is: Go get in there, +I'll move you from this side of the House (_Pushes _Isabinda_ in at the +other Door, and locks it; puts the Key in his Pocket._) I'll keep the +Key my self: I'll try what Ghost will get into that Room. And now +forsooth I'll wait on you down Stairs. + +_Patch._ Ah, my poor Lady--Down Stairs, Sir, but I won't go out, Sir, +till I have look'd up my Cloaths. + +Sir _Jeal._ If thou wer't as naked as thou wer't born, thou should'st +not stay to put on a Smock. Come along, I say, when your Mistress is +marry'd you shall have your Rags, and every thing that belongs to you; +but till then-- + (_Exit, pulling her out._ + +_Patch._ Oh! barbarous Usage for nothing. + + _Re-enter at the lower Door._ + +Sir _Jeal._ There, go, and, come no more within sight of my Habitation, +these three Days, I charge you. + (_Slaps the Door after her._ + +_Patch._ Did ever any Body see such an old Monster! + + _Enter _Charles_._ + +_Patch._ Oh! Mr. _Charles_ your Affairs and mine are in an ill Posture. + +_Char._ I am immur'd to the Frowns of Fortune: But what has befal'n +thee? + +_Patch._ Sir _Jealous_, whose suspicious Nature's always on the Watch; +nay, even whilst one Eye sleeps, the other keeps Sentinel: Upon sight of +you, flew into such a violent Passion, that I cou'd find no Stratagem to +appease him, but in spight of all Arguments, lock'd his Daughter into +his own Apartment, and turn'd me out of Doors. + +_Char._ Ha! oh, _Isabinda_. + +_Patch._ And swears she shall neither see Sun nor Moon, till she is _Don +Diego Babinetto_'s Wife, who arrived last Night, and is expected with +impatience. + +_Char._ He dies, yes, by all the Wrongs of Love he shall; here will I +plant my self, and thro' my Breast he shall make his Passage, if he +enters. + +_Patch._ A most heroick Resolution. There might be ways found out more +to your Advantage. Policy is often preferr'd to open force. + +_Char._ I apprehend you not. + +_Patch._ What think you of personating this _Spaniard_, imposing upon +the Father, and marrying your Mistress by his own Consent. + +_Char._ Say'st thou so my Angel! Oh cou'd that be done, my Life to come +wou'd be too short to recompence thee: But how can I do that, when I +neither know what Ship he came in, nor from what part of _Spain_; who +recommends him, nor how attended. + +_Patch._ I can solve all this. He is from _Madrid_, his Father's Name +_Don Pedro Questo Portento Babinetto_. Here's a Letter of his to Sir +_Jealous_, which he drop'd one Day; you understand _Spanish_, and the +Hand may be counterfeited: You conceive me, Sir. + +_Char._ My better Genius, thou hast reviv'd my drooping Soul: I'll about +it instantly. Come to my Lodgings, and we'll concert Matters. + + (_Exeunt._ + + +SCENE a Garden Gate open, _Scentwell_ waiting within. + + _Enter Sir _George Airy_._ + +Sir _Geo._ So, this is the Gate, and most invitingly open: If there +shou'd be a Blunderbuss here now, what a dreadful Ditty wou'd my Fall +make for Fools; and what a Jest for the Wits; how my Name wou'd be +roar'd about Streets. Well I'll venture all. + +_Scentw._ Hist, hist, Sir _George Airy_-- + (_Enters._ + +Sir _Geo._ A Female Voice, thus far I'm safe, my Dear. + +_Scentw._ No, I'm not your Dear, but I'll conduct you to her, give me +your Hand; you must go thro' many a dark Passage and dirty Step before +you arrive-- + +Sir _Geo._ I know I must before I arrive at Paradise; therefore be quick +my charming Guide. + +_Scentw._ For ought you know; come, come your Hand and away. + +Sir _Geo._ Here, here Child, you can't be half so swift as my Desires. + + (_Exeunt._ + + +SCENE the House. + + _Enter _Miranda_._ + +_Miran._ Well, let me reason a little with my mad self. Now don't I +transgress all Rules to venture upon a Man, without the Advice of the +Grave and Wise; but then a rigid knavish Guardian who wou'd have marry'd +me. To whom? Even to his nauseous self, or no Body: Sir _George_ is what +I have try'd in Conversation, inquir'd into his Character, am satisfied +in both. Then his Love; who wou'd have given a hundred Pound only to +have seen a Woman he had not infinitely loved? So I find my liking him +has furnish'd me with Arguments enough of his side; and now the only +Doubt remains whether he will come or no. + + _Enter _Scentwell_._ + +_Scentw._ That's resolv'd, Madam, for here's the Knight. + _Exit_ Scentwell. + +Sir _Geo._ And do I once more behold that lovely Object, whose Idea +fills my Mind, and forms my pleasing Dreams! + +_Miran._ What beginning again in Heroicks!--Sir _George_, don't you +remember how little Fruit your last Prodigal Oration produced, not one +bare single Word in answer. + +Sir _Geo._ Ha! the Voice of my _Incognita_--Why did you take Ten +Thousand ways to captivate a Heart your Eyes alone had vanquish'd? + +_Miran._ Prithee, no more of these Flights; for our Time's but short, +and we must fall into Business: Do you think we can agree on that same +terrible Bugbear, _Matrimony_, without heartily Repenting on both sides. + +Sir _Geo._ It has been my wish since first my longing Eyes beheld ye. + +_Miran._ And your happy Ears drank in the pleasing News, I had Thirty +Thousand Pound. + +Sir _Geo._ Unkind! Did I not offer you in those purchas'd Minutes to run +the Risque of your Fortune, so you wou'd but secure that lovely Person +to my Arms. + +_Miran._ Well, if you have such Love and Tenderness, (since our Woing +has been short) pray reserve it for our future Days, to let the World +see we are Lovers after Wedlock; 'twill be a Novelty-- + +Sir _Geo._ Haste then, and let us tye the Knot, and prove the envy'd +Pair-- + +_Miran._ Hold! not so fast, I have provided better than to venture on +dangerous Experiments headlong--My _Guardian_, trusting to my dissembled +Love, has given up my Fortune to my own dispose; but with this +_Proviso_, that he to Morrow morning weds me. He is now gone to _Doctors +Commons_ for a License. + +Sir _Geo._ Ha, a License! + +_Miran._ But I have planted Emissaries that infallibly take him down to +_Epsom_, under pretence that a Brother Usurer of his, is to make him his +Executor; the thing on Earth he covets. + +Sir _Geo._ 'Tis his known Character. + +_Miran._ Now my Instruments confirm him, this Man is dying, and he sends +me word he goes this Minute; it must be to Morrow e'er he can be +undeceiv'd. That time is ours. + +Sir _Geo._ Let us improve it then, and settle on our coming Years, +endless, endless Happiness. + +_Miran._ I dare not stir till I hear he's on the Road--then I and my +Writings, the most material point, are soon removed. + +Sir _Geo._ I have one Favour to ask, if it lies in your power, you wou'd +be a Friend to poor _Charles_, tho' the Son of this tenacious Man: He is +as free from all his Vices, as Nature and a good Education can make him; +and what now I have vanity enough to hope will induce you, he is the Man +on Earth I love. + +_Miran._ I never was his Enemy, and only put it on as it help'd my +Designs on his Father. If his Uncle's Estate ought to be in his +Possession, which I shrewdly suspect, I may do him a singular piece of +Service. + +Sir _Geo._ You are all Goodness. + + _Enter _Scentwell_._ + +_Scentw._ Oh, Madam, my Master and Mr. _Marplot_ are just coming into +the House. + +_Miran._ Undone, undone! if he finds you here in this Crisis, all my +Plots are unravell'd. + +Sir _Geo._ What shall I do! can't I get back into the Garden? + +_Scentw._ Oh, no! he comes up those Stairs. + +_Miran._ Here, here, here! can you condescend to stand behind this +Chimney-Board, Sir _George?_ + +Sir _Geo._ Any where, any where, dear Madam, without Ceremony. + +_Scentw._ Come, come, Sir; lie close-- + (_They put him behind the Chimney-Board._ + + _Enter Sir _Francis_ and _Marplot_: Sir _Francis_ peeling an Orange_._ + +Sir _Fran._ I cou'd not go, tho' 'tis upon Life and Death, without +taking leave of dear _Chargee_. Besides, this Fellow buz'd in my Ears, +that thou might'st be so desperate to shoot that wild Rake which haunts +the Garden-Gate; and that wou'd bring us into Trouble, dear-- + +_Miran._ So, _Marplot_ brought you back then: I am oblig'd to him for +that, I'm sure-- + (_Frowning at _Marplot_ aside._ + +_Marpl._ By her Looks she means she is not oblig'd to me. I have done +some Mischief now, but what I can't imagine. + +Sir _Fran._ Well, _Chargee_, I have had three Messengers to come to +_Epsom_ to my Neighbour _Squeezum_'s who, for all his vast Riches, is +departing. + (_Sighs._ + +_Marpl._ Ay, see what all you Usurers must come to. + +Sir _Fran._ Peace, ye young Knave! Some Forty Years hence I may think +on't--But, _Chargee_, I'll be with thee to Morrow, before those pretty +Eyes are open; I will, I will, _Chargee_, I'll rouze you, I saith.--Here +Mrs. _Scentwell_, lift up your Lady's Chimney-Board, that I may throw my +Peel in, and not litter her Chamber. + +_Miran._ Oh my Stars! what will become of us now? + +_Scentw._ Oh, pray Sir, give it me; I love it above all things in +Nature, indeed I do. + +Sir _Fran._ No, no, Hussy; you have the Green Pip already, I'll have no +more Apothecary's Bills. + (_Goes towards the Chimney._ + +_Miran._ Hold, hold, hold, dear _Gardee_, I have a, a, a, a, a Monkey +shut up there; and if you open it before the Man comes that is to tame +it, 'tis so wild 'twill break all my China, or get away, and that wou'd +break my Heart; for I am fond on't to Distraction, next thee, dear +_Gardee_. + (_In a flattering Tone._ + +Sir _Fran._ Well, well, _Chargee_, I wont open it; she shall have her +Monkey, poor Rogue; here throw this Peel out of the Window. + + (_Exit _Scentwell_._ + +_Marpl._ A Monkey, dear Madam, let me see it; I can tame a Monkey as +well as the best of them all. Oh how I love the little Minatures of Man. + +_Miran._ Be quiet, Mischief, and stand farther from the Chimney--You +shall not see my Monkey--why sure-- + (_Striving with him._ + +_Marpl._ For Heaven's sake, dear Madam, let me but peep, to see if it be +as pretty as my Lady _Fiddle-Faddle_'s. Has it got a Chain? + +_Miran._ Not yet, but I design it one shall last its Life-time: Nay, you +shall not see it--Look, _Gardee_, how he teazes me! + +Sir _Fran._ (_Getting between him and the Chimney._) Sirrah, Sirrah, let +my _Chargee_'s Monkey alone, or _Bambo_ shall fly about your Ears. What +is there no dealing with you? + +_Marpl._ Pugh, pox of the Monkey! here's a Rout: I wish he may Rival +you. + + _Enter a Servant._ + +_Serv._ Sir, they put two more Horses in the Coach, as you order'd, and +'tis ready at the Door. + +Sir _Fran._ Well, I'm going to be Executor, better for thee, Jewel. B'ye +_Chargee_, one Buss!--I'm glad thou hast got a a Monkey to divert thee a +little. + +_Miran._ Thank'e, dear _Gardee_.--Nay, I'll see you to the Coach. + +Sir _Fran._ That's kind, adod. + +_Miran._ Come along, Impertinence. + (_To _Marplot_._ + +_Marpl._ (_Stepping back._) Egad, I will see the Monkey: Now (_Lifts up +the Board, and discovers Sir_ George_._) Oh Lord, Oh Lord! Thieves, +Thieves, Murder! + +Sir _Geo._ Dam'e, you unlucky Dog! 'tis I, which way shall I get out, +shew me instantly, or I'll cut your Throat. + +_Marpl._ Undone, undone! At that Door there. But hold, hold, break that +China, and I'll bring you off. + (_He runs off at the Corner, and throws down some China._ + + _Re-enter Sir _Francis_, _Miranda_, and _Scentwell_._ + +Sir _Fran._ Mercy on me! what's the matter? + +_Miran._ Oh, you Toad! what have you done? + +_Marpl._ No great harm, I beg of you to forgive me: Longing to see the +Monkey, I did but just raise up the Board, and it flew over my +Shoulders, scratch'd all my Face, broke yon' China, and whisk'd out of +the Window. + +Sir _Fran._ Was ever such an unlucky Rogue! Sirrah, I forbid you my +House. Call the Servants to get the Monkey again; I wou'd stay my self +to look it, but that you know my earnest Business. + +_Scentw._ Oh my Lady will be the best to lure it back; all them +Creatures love my Lady extremely. + +_Miran._ Go, go, dear _Gardee_; I hope I shall recover it. + +Sir _Fran._ B'ye, by'e, Dear'e. Ah, Mischief, how you look now! B'ye, +b'ye. + (_Exit._ + +_Miran._ _Scentwell_, see him in the Coach, and bring me word. + +_Scentw._ Yes, Madam. + +_Miran._ So, Sir, you have done your Friend a signal piece of Service, I +suppose. + +_Marpl._ Why look you, Madam! if I have committed a fault, thank your +self; no Man is more Serviceable when I am let into a Secret, nor none +more Unlucky at finding it out. Who cou'd divine your Meaning, when you +talk'd of a Blunderbuss, who thought of a Rendevous? and when you talk'd +of a Monkey, who the Devil dreamt of Sir _George?_ + +_Miran._ A sign you converse but little with our Sex, when you can't +reconcile Contradictions. + + _Enter _Scentwell_._ + +_Scentw._ He's gone, Madam, as fast as the Coach, and Six can carry him. + + _Enter Sir _George_._ + +Sir _Geo._ Then I may appear. + +_Marpl._ Dear, Sir _George_, make my Peace! On my Soul, I did not think +of you. + +Sir _Geo._ I dare swear thou didst not. Madam, I beg you to forgive him. + +_Miran._ Well, Sir _George_, if he can be secret. + +_Marpl._ Ods heart, Madam, I'm as secret as a Priest when I'm trusted. + +Sir _Geo._ Why 'tis with a Priest our Business is at present. + +_Scentw._ Madam, here's Mrs. _Isabinda_'s Woman to wait on you. + +_Miran._ Bring her up. + + _Enter _Patch_._ + +How do'e, Mrs. _Patch_, what News from your Lady? + +_Patch._ That's for your private Ear, Madam. Sir _George_, there's a +Friend of yours has an urgent Occasion for your Assistance. + +Sir _Geo._ His Name. + +_Patch._ _Charles._ + +_Marpl._ Ha! then there is something a-foot that I know nothing of. I'll +wait on you, Sir _George_. + +Sir _Geo._ A third Person may not be proper perhaps; as soon as I have +dispatch'd my own Affairs, I am at his Service. I'll send my Servant to +tell him, I'll wait upon him in half an Hour. + +_Miran._ How come you employ'd in this Message, Mrs. _Patch?_ + +_Patch._ Want of Business, Madam. I am discharg'd by my Master, but hope +to serve my Lady still. + +_Miran._ How discharg'd! you must tell me the whole Story within. + +_Patch._ With all my Heart, Madam. + +_Marpl._ Pish! Pox, I wish I were fairly out of the House. I find +Marriage is the end of this Secret: And now I am half mad to know what +_Charles_ wants him for. + (_Aside._ + +Sir _Geo._ Madam, I'm doubly press'd, by Love and Friendship: This +Exigence admits of no delay. Shall we make _Marplot_ of the Party? + +_Miran._ If you'll run the Hazard, Sir _George_; I believe he means +well. + +_Marpl._ Nay, nay, for my part, I desire to be let into nothing: I'll +begon, therefore pray don't mistrust me. + (_Going._ + +Sir _Geo._ So now has he a mind to be gone to _Charles_: but not knowing +what Affairs he may have upon his Hands at present, I'm resolv'd he +sha'n't stir: No, Mr. _Marplot_, you must not leave us, we want a third +Person. + (_Takes hold of him._ + +_Marpl._ I never had more mind to be gone in my Life. + +_Miran._ Come along then; if we fail in the Voyage, thank your self for +taking this ill starr'd Gentleman on Board. + +_Sir_ Geo. + _That Vessel ne'er can Unsuccessful prove,_ + _Whose Freight is Beauty, and whose Pilot Love._ + +The End of the Fourth ACT. + + + + +ACT the Fifth. + + + _Enter _Miranda_, _Patch_, and _Scentwell_._ + +_Miran._ Well, _Patch_, I have done a strange bold thing! my Fate is +determin'd, and Expectation is no more. Now to avoid the Impertinence +and Roguery of an old Man, I have thrown my self into the Extravagance +of a young one; if he shou'd despise, slight or use me ill, there's no +Remedy from a Husband, but the Grave; and that's a terrible Sanctuary to +one of my Age and Constitution. + +_Patch._ O fear not, Madam, you'll find your account in Sir _George +Airy_; it is impossible a Man of Sense shou'd use a Woman ill, indued +with Beauty, Wit and Fortune. It must be the Lady's fault, if she does +not wear the unfashionable Name of Wife easie, when nothing but +Complaisance and good Humour is requisite on either side to make them +happy. + +_Miran._ I long till I am out of this House, lest any Accident shou'd +bring my _Guardian_ back. _Scentwell_, put my best Jewels into the +little Casket, slip them, into thy Pocket, and let us march off to Sir. +_Jealous_'s. + +_Scentw._ It shall be done, Madam. + (_Exit_ Scentwell. + +_Patch._ Sir _George_ will be impatient, Madam; if their Plot succeeds, +we shall be well receiv'd; if not, he will be able to protect us. +Besides, I long to know how my young Lady fares. + +_Miran._ Farewell, old _Mammon_, and thy detested Walls; 'twill be no +more sweet Sir _Francis_, I shall be compell'd to the odious Task of +Dissembling no longer to get my own, and coax him with the wheedling +Names of my _Precious_, my _Dear_, dear _Gardee_. Oh Heavens! + + _Enter Sir _Francis_ behind._ + +Sir _Fran._ Ah, my sweet _Chargee_, don't be frighted. (_She starts._) +But thy poor _Gardee_ has been abused, cheated, fool'd, betray'd, but no +Body knows by whom. + +_Miran._ (_Aside._) Undone! past Redemption. + +Sir _Fran._ What won't you speak to me, _Chargee!_ + +_Miran._ I'm so surpriz'd with Joy to see you, I know not what to say. + +Sir _Fran._ Poor, dear Girl! But do'e know that my Son, or some such +Rogue, to rob or murder me, or both, contriv'd this Journey? For upon +the Road I met my Neighbour _Squeezum_ well, and coming to Town. + +_Miran._ Good lack, good lack! what Tricks are there in this World! + + _Enter _Scentwell_, with a Diamond Necklace in her Hand; not seeing +Sir _Francis_._ + +_Scentw._ Madam, be pleas'd to tye this Neck-lace on; for I can't get it +into the-- (_Seeing Sir _Francis_._ + +_Miran._ The Wench is a Fool, I think! cou'd you not have carry'd it to +be mended, without putting it in the Box? + +Sir _Fran._ What's the matter? + +_Miran._ Only Dear'e, I bid her, I bid her--Your ill Usage has put every +thing out of my Head. But won't you go, _Gardee_, and find out these +Fellows, and have them punish'd! and, and-- + +Sir _Fran._ Where shou'd I look them, Child? No I'll sit me down +contented with my Safety, nor stir out of my own Doors, till I go with +thee to a Parson. + +_Miran._ (_Aside._) If he goes into his Closet I am ruin'd. Oh! bless me +in this Fright, I had forgot Mrs. _Patch_. + +_Patch._ Ay, Madam, and I stay for your speedy Answer. + +_Miran._ (_Aside._) I must get him out of the House. Now assist me +Fortune. + +Sir _Fran._ Mrs. _Patch_, I profess I did not see you, how dost thou do, +Mrs. _Patch_; well don't you repent leaving my _Chargee?_ + +_Patch._ Yes, every body must love her--but I came now--Madam, what did +I come for, my Invention is at the last Ebb. + (_Aside to _Miranda_._ + +Sir _Fran._ Nay, never Whisper, tell me. + +_Miran._ She came, dear _Gardee_ to invite me to her Lady's Wedding, and +you shall go with me _Gardee_, 'tis to be done this Moment to a +_Spanish_ Merchant; Old Sir _Jealous_ keeps on his Humour, the first +Minute he sees her, the next he marries her. + +Sir _Fran._ Ha, ha, ha, I'd go if I thought the sight of Matrimony wou'd +tempt _Chargee_ to perform her Promise: There was a smile, there was a +consenting Look with those pretty Twinklers, worth a Million. Ods +precious, I am happier than the Great _Mogul_, the Emperour of _China_, +or all the Potentates that are not in Wars. Speak, confirm it, make me +leap out of my Skin. + +_Miran._ When one has resolv'd, 'tis in vain to stand shall I, shall I, +if ever I marry, positively this is my Wedding Day. + +Sir _Fran._ Oh! happy, happy Man--Verily I will beget a Son, the first +Night shall disinherit that Dog, _Charles_. I have Estate enough to +purchase a Barony, and be the immortalizing the whole Family of the +Gripes. + +_Miran._ Come then _Gardee_, give me thy Hand, let's to this House +of _Hymen_. + _My Choice is fix'd, let good or ill betide,_ + +Sir _Fran._ + _The joyful Bridegroom, I_ + +_Miran._ + _And I the happy Bride._ + + (Exeunt. + + + _Enter Sir _Jealous_ meeting a Servant._ + +_Serv._ Sir, here's a couple of Gentlemen enquire for you; one of 'em +calls himself _Seignor Diego Babinetto_. + +Sir _Jeal._ Ha! _Seignor Babinetto!_ Admit 'em instantly--Joyful Minute; +I'll have my Daughter marry'd to Night. + + _Enter _Charles_ in _Spanish_ Habit, with Sir _George_ drest like a +Merchant._ + +Sir _Jeal._ Senior, beso Las Manos vuestra merced es muy bien venido en +esta tierra. + +_Char._ Senhor, soy muy humilde, y muy obligado Cryado de vuestra +merced: Mi Padre Embia a vuestra merced, los mas profondos de sus +respetos; y a Commissionado este Mercadel Ingles, de concluyr un +negocio, que me Haze el mas dichoso hombre del mundo, Haziendo me su +yerno. + +Sir _Jeal._ I am glad on't, for I find I have lost much of my _Spanish_. +Sir, I am your most humble Servant. _Seignor Don Diego Babinetto_ has +inform'd me that you are Commission'd by _Seignor Don Pedro_, &c. his +worthy Father. + +Sir _Geo._ To see an Affair of Marriage Consummated between a Daughter +of yours, and _Seignor Diego Babinetto_ his Son here. True, Sir, such a +Trust is repos'd in me as that Letter will inform you. I hope 'twill +pass upon him. + (_Aside._) + (_Gives him a Letter._ + +Sir _Jeal._ Ay, 'tis his Hand. + (_Seems to read._ + +Sir _Geo._ Good ---- you have counterfeited to a Nicety, _Charles._ + (_Aside to _Charles_._ + +_Char._ If the whole Plot succeeds as well, I'm happy. + +Sir _Jeal._ Sir I find by this, that you are a Man of Honour and +Probity; I think, Sir, he calls you _Meanwell_. + +Sir _Geo._ _Meanwell_ is my Name, Sir. + +Sir _Jeal._ A very good Name, and very Significant. + +_Char._ Yes, Faith if he knew all. + (_Aside._ + +Sir _Jeal._ For to Mean-well is to be honest, and to be honest is the +Virtue of a Friend, and a Friend is the Delight and Support of Human +Society. + +Sir _Geo._ You shall find that I'll Discharge the part of a Friend in +what I have undertaken, Sir _Jealous_. + +_Char._ But little does he think to whom. + (_Aside._ + +Sir _Geo._ Therefore, Sir, I must intreat the Presence of your fair +Daughter, and the Assistance of your Chaplain; for _Seignor Don Pedro_ +strictly enjoyn'd me to see the Marriage Rites perform'd as soon as we +should arrive, to avoid the Accidental Overtures of _Venus_. + +Sir _Jeal._ Overtures of _Venus!_ + +Sir _Geo._ Ay, Sir, that is, those little Hawking Females that traverse +the Park, and the Play-house to put off their damag'd Ware--they fasten +upon Foreigners like Leeches, and watch their Arrival as carefully, as +the _Kentish_ Men do a Ship-wreck. I warrant you they have heard of him +already. + +Sir _Jeal._ Nay, I know this Town swarms with them. + +Sir _Geo._ Ay, and then you know the _Spaniards_ are naturally Amorous, +but very Constant, the first Face fixes 'em, and it may be dangerous to +let him ramble e'er he is tied. + +_Char._ Well hinted. + (_Aside._ + +Sir _Jeal._ Pat to my Purpose--Well, Sir, there is but one thing more, +and they shall be married instantly. + +_Char._ Pray Heaven, that one thing more don't spoil all. + (_Aside._ + +Sir _Jeal._ _Don Pedro_ writ me Word in his last but one, that he +design'd the Sum of Five Thousand Crowns by way of Joynture for my +Daughter; and that it shou'd be paid into my Hand upon the Day of +Marriage. + +_Char._ Oh! the Devil. + (_Aside._ + +Sir _Jeal._ In order to lodge it in some of our Funds, in case she +should become a Widow, and return for _England_. + +Sir _Geo._ Pox on't, this is an unlucky Turn. What shall I say? + (_Aside._ + +Sir _Jeal._ And he does not mention one Word of it in this Letter. + +_Char._ I don't know how he should. + (_Aside._ + +Sir _Geo._ Humph! True, Sir _Jealous_, he told me such a Thing, but, +but, but, but--he, he, he, he--he did not imagine that you would insist +upon the very Day, for, for, for, for Money you know is dangerous +returning by Sea, an, an, an, an-- + +_Char._ Zounds, say we have brought it in Commodities. + (_Aside to Sir_ George. + +Sir _Geo._ And so Sir, he has sent it in Merchandize, _Tobacco_, +_Sugars_, _Spices_, _Limons_, and so forth, which shall be turn'd into +Money with all Expedition: In the mean time, Sir, if you please to +accept of my Bond for Performance. + +Sir _Jeal._ It is enough, Sir, I am so pleas'd with the Countenance of +_Seignor Diego_, and the Harmony of your Name, that I'll take your Word, +and will fetch my Daughter this Moment. Within there (_Enter Servant_) +desire Mr. _Tackum_ my Neighbour's Chaplain to walk hither. + +_Serv._ Yes, Sir. + (_Exit._ + +Sir _Jeal._ Gentlemen, I'll return in an Instant. + (_Exit._ + +_Char._ Wondrous well. Let me embrace thee. + +Sir _Geo._ Egad that 5000 _l._ had like to have ruin'd the Plot. + +_Char._ But that's over! And if Fortune throws no more Rubs in our way. + +Sir _Geo._ Thou'lt carry the Prize--but hist, here he comes. + + _Enter Sir _ Jealous_, dragging in _Isabinda_._ + +Sir _Jeal._ Come along, you stubborn Baggage you, come along. + +_Isab._ + Oh hear me, Sir! hear me but speak one Word, + Do not destroy my everlasting Peace; + My Soul abhors this _Spaniard_ you have chose + Nor can I wed him without being curst. + +Sir _Jeal._ How's that! + +_Isab._ + Let this Posture move your tender Nature. (_Kneels._ + For ever will I hang upon these Knees; + Nor loose my Hands till you cut off my hold, + If you refuse to hear me, Sir. + +_Char._ Oh! that I cou'd discover my self to her. + (_Aside_ + +Sir _Geo._ Have a care what you do. You had better trust to his +Obstinacy. + (_Aside_ + +Sir _Jeal._ Did you ever see such a perverse Slut: Off I say Mr. +_Meanwell_ pray help me a little. + +Sir _Geo._ Rise, Madam, and do not disoblige your Father, who has +provided a Husband worthy of you, one that will Love you equal with his +Soul, and one that you will Love, when once you know him. + +_Isab._ Oh! never, never. Cou'd I suspect that Falshood in my Heart, I +wou'd this Moment tear it from my Breast, and streight present him with +the Treacherous Part. + +_Char._ Oh! my charming faithful Dear. + (_Aside._ + +Sir _Jeal._ Falshood! why, who the Devil are you in Love with? Ha! Don't +provoke me, for by St. _Jago_ I shall beat you, Housewife. + +_Char._ Heaven forbid; for I shall infallibly discover my self if he +should. + (_Aside._ + +Sir _Geo._ Have Patience, Madam! and look at him: Why will you +prepossess your self against a Man that is Master of all the Charms you +would desire in a Husband? + +Sir _Jeal._ Ay, look at him, _Isabinda_, _Senior pase vind adelante._ + +_Char._ My Heart bleeds to see her grieve, whom I imagin'd would with +Joy receive me. _Seniora obligue me vuestra merced de sumano._ + +Sir _Jeal._ (_Pulling up her Head._) Hold up your Head, hold up your +Head, Housewife, and look at him: Is there a properer, handsomer, better +shap'd Fellow in _England_, ye Jade you. Ha! see, see the obstinate +Baggage shuts her Eyes; by St. _Jago_, I have a good Mind to beat 'em +out. + (_Pushes her down._ + +_Isab._ + Do then, Sir, kill me, kill me instantly. + 'Tis much the kinder Action of the Two, + For 'twill be worse than Death to wed him. + +Sir _Geo._ Sir _Jealous_, you are too passionate. Give me leave, I'll +try by gentle Words to work her to your Purpose. + +Sir _Jeal._ I pray do, Mr. _Meanwell_, I pray do; she'll break my Heart. +(_weeps_) There is in that, Jewels of the Value of 3000 _l._ which were +her Mother's; and a Paper wherein I have settled one half of my Estate +upon her now, and the whole when I dye. But provided she marries this +Gentleman, else by St. _Jago_, I'll turn her out of Doors to beg or +starve. Tell her this, Mr. _Meanwell_, pray do. + (_Walks off._ + +Sir _Geo._ Ha! this is beyond Expectation--Trust to me, Sir, I'll lay +the dangerous Consequence of disobeying you at this Juncture before her, +I warrant you. + +_Char._ A sudden Joy runs thro' my Heart like a propitious Omen. + (_Aside._ + +Sir _Geo._ Come, Madam, do not blindly cast your Life away just in the +Moment you would wish to have it. + +_Isab._ Pray cease your Trouble, Sir, I have no Wish but sudden Death to +free me from this hated _Spaniard_. If you are his Friend inform him +what I say; my Heart is given to another Youth, whom I love with the +same strength of Passion that I hate this _Diego_; with whom, if I am +forc'd to wed, my own Hand shall cut the Gordian Knot. + +Sir _Geo._ Suppose this _Spaniard_ which you strive to shun should be +the very Man to whom you'd flye? + +_Isab._ Ha! + +Sir _Geo._ Would you not blame your rash Result, and curse those Eyes +that would not look on _Charles_. + +_Isab._ On _Charles!_ Oh you have inspir'd new Life, and collected every +wandring Sense. Where is he? Oh! let me flye into his Arms. + (_Rises._ + +Sir _Geo._ Hold, hold, hold, 'Zdeath, Madam, you'll ruin all, your +Father believes him to be _Seignor Barbinetto_. Compose your self a +little, pray Madam. + (_He runs to Sir _Jealous_._ + +_Char._ Her Eyes declare she knows me. + (_Aside._ + +Sir _Geo._ She begins to hear Reason, Sir, the fear of being turn'd out +of Doors has done it. + (_Runs back to_ Isabinda. + +_Isab._ 'Tis he, oh! my ravish'd Soul. + +Sir _Geo._ Take heed, Madam, you don't betray your self. Seem with +Reluctance to consent, or you are undone, (_runs to Sir _Jealous_._) +speak gently to her, Sir, I'm sure she'll yield, I see it in her Face. + +Sir _Jeal._ Well, _Isabinda_, can you refuse to bless a Father, whose +only Care is to make you happy, as Mr. _Meanwell_ has inform'd you. +Come, wipe thy Eyes; nay, prithee do, or thou wilt break thy Father's +Heart; see thou bring'st the Tears in mine to think of thy undutiful +Carriage to me. + (_Weeps._ + +_Isab._ Oh! do not weep, Sir, your Tears are like a Ponyard to my Soul; +do with me what you please, I am all Obedience. + +Sir _Jeal._ Ha! then thou art my Child agen. + +Sir _Geo._ 'Tis done, and now Friend the Day's thy own. + +_Char._ The happiest of my Life, if nothing Intervene. + +Sir _Jeal._ And wilt thou love him? + +_Isab._ I will endeavour it, Sir. + + _Enter Servant._ + +_Serv._ Sir, Here is Mr. _Tackum_. + +Sir _Jeal._ Show him into the Parlour--_Senior tome vind sueipora; cete +Momenta les Junta les Manos._ + (_Gives her to_ Charles. + +_Char._ Oh! transport--_Senior yo la recibo Como se deve un Tesoro tan +Grande._ Oh! my Joy, my Life, my Soul. + (_Embrace._ + +_Isab._ My Faithful everlasting Comfort. + +Sir _Jeal._ Now, Mr. _Meanwell_ let's to the Parson, + _Who, by his Art will join this Pair for Life,_ + _Make me the happiest Father, her the happiest Wife._ + (_Exit._ + + +SCENE Changes to the Street before Sir _Jealous_'s Door. + + _Enter _Marplot_, Solus._ + +_Marpl._ I have hunted all over the Town for _Charles_, but can't find +him; and by _Whisper_'s scouting at the End of the Street, I suspect he +must be in this House again. I'm inform'd too that he has borrow'd a +_Spanish_ Habit out of the _Play-house_. What can it mean? + + _Enter a Servant of Sir _Jealous_'s to him, out of the House._ + +Hark'e, Sir, do you belong to this House? + +_Serv._ Yes, Sir. + +_Marpl._ Pray can you tell if there be a Gentleman in it in _Spanish_ +Habit? + +_Serv._ There is a _Spanish_ Gentleman within, that is just a going to +marry my young Lady, Sir. + +_Marpl._ Are you sure he is a _Spanish_ Gentleman? + +_Serv._ I'm sure he speaks no _English_, that I hear of. + +_Marpl._ Then that can't be him I want; for 'tis an _English_ Gentleman, +tho' I suppose he may be dress'd like a _Spaniard_, that I enquire +after. + +_Serv._ Ha! who knows but this may be an Impostor? I'll inform my +Master; for if he shou'd be impos'd upon, he'll beat us all round. +(_Aside._) Pray, come in, Sir, and see if this be the Person you enquire +for. + + +SCENE Changes to the Inside the House. + + _Enter _Marplot_._ + +_Marpl._ So, this was a good Contrivance: If this be _Charles_, now will +he wonder how I found him out. + + _Enter Servant and _Jealous_._ + +Sir _Jeal._ What is your earnest Business, Blockhead, that you must +speak with me before the Ceremony's past? Ha! who's this? + +_Serv._ Why this Gentleman, Sir, wants another Gentleman in _Spanish_ +Habit, he says. + +Sir _Jeal._ In _Spanish_ Habit! 'tis some Friend of Seignior _Don +Diego_'s, I warrant. Sir, I suppose you wou'd speak with Seignior +_Barbinetto_-- + +_Marpl._ Hy-day! what the Devil does he say now!--Sir, I don't +understand you. + +Sir _Jeal._ Don't you understand _Spanish_, Sir? + +_Marpl._ Not I indeed, Sir. + +Sir _Jeal._ I thought you had known Seignior _Barbinetto_. + +_Marpl._ Not I, upon my word, Sir. + +Sir _Jeal._ What then you'd speak with his Friend, the _English_ +Merchant, Mr. _Meanwell_. + +_Marpl._ Neither, Sir; not I. + +Sir _Jeal._ Why who are you then, Sir? and what do you want? + (_In an angry Tone._ + +_Marpl._ Nay, nothing at all, not I, Sir. Pox on him! I wish I were out, +he begins to exalt his Voice, I shall be beaten agen. + +Sir _Jeal._ Nothing at all, Sir! Why then what Business have you in my +House? ha? + +_Serv._ You said you wanted a Gentleman in _Spanish_ Habit. + +_Marpl._ Why ay, but his Name is neither _Barbinetto_ nor _Meanwell_. + +Sir _Jeal._ What is his Name then, Sirrah, ha? Now I look at you agen, I +believe you are the Rogue threaten'd me with half a Dozen +_Mirmidons_--Speak, Sir, who is it you look for? or, or-- + +_Marpl._ A terrible old Dog!--Why, Sir, only an honest young Fellow of +my Acquaintance--I thought that here might be a Ball, and that he might +have been here in a Masquerade; 'tis _Charles_, Sir _Francis Gripe_'s +Son, because I know he us'd to come hither sometimes. + +Sir _Jeal._ Did he so?--Not that I know of, I'm sure. Pray Heaven that +this be Don _Diego_--If I shou'd be trick'd now--Ha! my Heart misgives +me plaguily--within there! stop the Marriage--Run, Sirrah, call all my +Servants! I'll be satisfy'd that this is Seignior _Pedro_'s Son e're he +has my Daughter. + +_Marpl._ Ha, Sir _George_, what have I done now ? + + _Enter Sir _George_ with a drawn Sword between the Scenes._ + +Sir _Geo._ Ha! _Marplot_, here--Oh the unlucky Dog--what's the matter, +Sir _Jealous?_ + +Sir _Jeal._ Nay, I don't know the matter, Mr._Meanwell_. + +_Marpl._ Upon my Soul, Sir _George_-- + (_Going up to Sir _Geo.__ + +Sir _Jeal._ Nay then, I'm betray'd, ruin'd, undone: Thieves, Traytors, +Rogues! (_Offers to go in._) Stop the Marriage, I say-- + +Sir _Geo._ I say, go on Mr._Tackum_--Nay, no Ent'ring here, I guard this +Passage, old Gentleman; the Act and Deed were both your own, and I'll +see 'em sign'd, or die for't. + + _Enter Servants._ + +Sir _Jeal._ A pox on the Act and Deed!--Fall on, knock him down. + +Sir _Geo._ Ay, come on, Scoundrils! I'll prick your Jackets for you. + +Sir _Jeal._ Z'ounds, Sirrah, I'll be Reveng'd on you. + (_Beats _Marplot_._ + +Sir _Geo._ Ay, there your Vengeance is due; Ha, ha. + +_Marpl._ Why, what do you beat me for? I ha'nt marry'd your Daughter. + +Sir _Jeal._ Rascals! why don't you knock him down? + +_Serv._ We are afraid of his Sword, Sir; if you'll take that from him, +we'll knock him down presently. + + _Enter _Charles_ and _Isabinda_._ + +Sir _Jeal._ Seize her then. + +_Char._ Rascals, retire; she's my Wife, touch her if you dare, I'll make +Dogs meat of you. + +Sir _Jeal._ Ah! downright _English_:--Oh, oh, oh, oh! + + _Enter Sir _Francis Gripe_, _Mirand_, _Patch_, _Scentwell_, + and _Whisper_._ + +Sir _Fran._ Into the House of Joy we Enter without knocking: Ha! I think +'tis the House of Sorrow, Sir _Jealous_. + +Sir _Jeal._ Oh Sir _Francis!_ are you come? What was this your +Contrivance, to abuse, trick, and chouse me of my Child! + +Sir _Fran._ My Contrivance! what do you mean? + +Sir _Jeal._ No, you don't know your Son there in _Spanish_ Habit. + +Sir _Fran._ How! my Son in _Spanish_ Habit. Sirrah, you'll come to be +hang'd; get out of my sight, ye Dog! get out of my sight. + +Sir _Jeal._ Get out of your sight, Sir! Get out with your Bags; let's +see what you'll give him now to maintain my Daughter on. + +Sir _Fran._ Give him! He shall be never the better for a Penny of +mine--and you might have look'd after your Daughter better, Sir +_Jealous_. Trick'd, quotha! Egad, I think you design'd to trick me: But +look ye, Gentlemen, I believe I shall trick you both. This Lady is my +Wife, do you see? And my Estate shall descend only to the Heirs of her +Body. + +Sir _Geo._ Lawfully begotten by me--I shall be extremely oblig'd to you, +Sir _Francis_. + +Sir _Fran._ Ha, ha, ha, ha, poor Sir _George!_ You see your Project was +of no use. Does not your Hundred Pound stick in your Stomach? Ha, ha, +ha. + +Sir _Geo._ No faith, Sir _Francis_, this Lady has given me a Cordial for +that. + (_Takes her by the Hand._ + +Sir _Fran._ Hold, Sir, you have nothing to say to this Lady. + +Sir _Geo._ Nor you nothing to do with my Wife, Sir. + +Sir _Fran._ Wife, Sir! + +_Miran._ Ay really, _Guardian_, 'tis even so. I hope you'll forgive my +first Offence. + +Sir _Fran._ What have you chous'd me out of my Consent, and your +Writings then, Mistress, ha? + +_Miran._ Out of nothing but my own, _Guardian_. + +Sir _Jeal._ Ha, ha, ha, 'tis some Comfort at least to see you are +over-reach'd as well as my self. Will you settle your Estate upon your +Son now? + +Sir _Fran._ He shall starve first. + +_Miran._ That I have taken care to prevent. There, Sir, is the Writings +of your Uncle's _Estate_, which has been your due these three Years. + (_Gives _Char._ Papers._ + +_Char._ I shall study to deserve this Favour. + +Sir _Fran._ What have you robb'd me too, Mistress! Egad I'll make you +restore 'em.--Huswife, I will so. + +Sir _Jeal._ Take care I don't make you pay the Arrears, Sir. 'Tis well +it's no worse, since 'tis no better. Come, young Man, seeing thou hast +out-witted me, take her, and Bless you both. + +_Char._ I hope, Sir, you'll bestow your Blessing too, 'tis all I'll ask. + (_Kneels._ + +Sir _Fran._ Confound you all! + (_Exit._ + +_Marpl._ Mercy upon us! how he looks! + +Sir _Geo._ Ha, ha, ne'er mind his Curses, _Charles_; thou'lt thrive not +one jot the worse for 'em. Since this Gentleman is reconcil'd, we are +all made happy. + +Sir _Jeal._ I always lov'd Precaution, and took care to avoid Dangers. +But when a thing was past, I ever had Philosophy to be easie. + +_Char._ Which is the true sign of a great Soul: I lov'd your Daughter, +and she me, and you shall have no reason to repent her Choice. + +_Isab._ You will not blame me, Sir, for loving my own Country best. + +_Marpl._ So here's every Body happy, I find, but poor _Pilgarlick_. I +wonder what Satisfaction I shall have, for being cuff'd, kick'd, and +beaten in your Service. + +Sir _Jeal._ I have been a little too familiar with you, as things are +fallen out; but since there's no help for't, you must forgive me. + +_Marpl._ Egad I think so--But provided that you be not so familiar for +the future. + +Sir _Geo._ Thou hast been an unlucky Rogue. + +_Marpl._ But very honest. + +_Char._ That I'll vouch for; and freely forgive thee. + +Sir _Geo._ And I'll do you one piece of Service more, _Marplot_, I'll +take care that Sir _Francis_ make you Master of your Estate. + +_Marpl._ That will make me as happy as any of you. + +_Patch._ Your humble Servant begs leave to remind you, Madam. + +_Isab._ Sir, I hope you'll give me leave to take _Patch_ into favour +again. + +Sir _Jeal._ Nay, let your Husband look to that, I have done with my +Care. + +_Char._ Her own Liberty shall always oblige me. Here's no Body but +honest _Whisper_ and Mrs. _Scentwell_ to be provided for now. It shall +be left to their Choice to Marry, or keep their Services. + +_Whisp._ Nay then, I'll stick to my Master. + +_Scentw._ Coxcomb! and I prefer my Lady before a Footman. + +Sir _Jeal._ Hark, I hear Musick, the Fidlers smell a Wedding. What say +you, young Fellows, will ye have a Dance? + +Sir _Geo._ With all my Heart; call'em in. + + +A DANCE. + + +Sir _Jeal._ Now let us in and refresh our selves with a chearful Glass, +in which we'll bury all Animosities: And + + _By my Example let all Parents move, + And never strive to cross their Childrens Love; + But still submit that Care to Providence above._ + + +FINIS + + * * * * * + * * * * + * * * * * + + + The Editors of THE AUGUSTAN REPRINT SOCIETY + + are pleased to announce that + + THE WILLIAM ANDREWS CLARK MEMORIAL LIBRARY + of The University of California, Los Angeles + +will become the publisher of the Augustan Reprints in May, 1949. The +editorial policy of the Society will continue unchanged. As in the past, +the editors will strive to furnish members inexpensive reprints of rare +seventeenth and eighteenth century works. + + +Publications for the fourth year (1949-1950) + +[Transcriber's Note: +Many of the listed titles are or will be available from Project +Gutenberg. Where possible, the e-text number is given in brackets.] + +(_At least six items will be printed in the main from the following +list_) + + +SERIES IV: MEN, MANNERS, AND CRITICS + +John Dryden, _His Majesties Declaration Defended_ (1681) [#15074] +Daniel Defoe (?), _Vindication of the Press_ (1718) [#14084] +_Critical Remarks on Sir Charles Grandison, Clarissa, and Pamela_ (1754) + + +SERIES V: DRAMA + +Thomas Southerne, _Oroonoko_ (1696) +Mrs. Centlivre, _The Busie Body_ (1709) +Charles Johnson, _Caelia_ (1733) +Charles Macklin, _Man of the World_ (1781) [#14463] + + +SERIES VI: POETRY AND LANGUAGE + +Andre Dacier, _Essay on Lyric Poetry_ +_Poems_ by Thomas Sprat +_Poems_ by the Earl of Dorset +Samuel Johnson, _Vanity of Human Wishes_ (1749), and one of the 1750 + _Rambler_ papers. [#13350] + + +EXTRA SERIES: + +Lewis Theobald, _Preface to Shakespeare's Works_ (1733) [#16346] + +A few copies of the early publications of the Society are still +available at the original rate. + + + + +GENERAL EDITORS + +H. RICHARD ARCHER, _William Andrews Clark Memorial Library_ +R.C. BOYS, _University of Michigan_ +E.N. HOOKER, _University of California, Los Angeles_ +H.T. SWEDENBERG, JR., _University of California, Los Angeles_ + + + + +PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY + + +First Year (1946-1947) + + 1. Richard Blackmore's _Essay upon Wit_ (1716), and Addison's + _Freeholder_ No. 45 (1716). (I, 1) [#13484] + + 2. Samuel Cobb's _Of Poetry_ and _Discourse on Criticism_ (1707). + (II, 1) [#14528] + + 3. _Letter to A.H. Esq.; concerning the Stage_ (1698), and Richard + Willis' _Occasional Paper No. IX_ (1698). (III, 1) [#14047] + + 4. _Essay on Wit_ (1748), together with Characters by Flecknoe, and + Joseph Warton's _Adventurer_ Nos. 127 and 133. (I, 2) [#14973] + + 5. Samuel Wesley's _Epistle to a Friend Concerning Poetry_ (1700) and + _Essay on Heroic Poetry_ (1693). (II, 2) + + 6. _Representation of the Impiety and Immorality of the Stage_ (1704) + and _Some Thoughts Concerning the Stage_ (1704). (III, 2) [#15656] + + +Second Year (1947-1948) + + 7. John Gay's _The Present State of Wit_ (1711); and a section on Wit + from _The English Theophrastus_ (1702). (I, 3) [#14800] + + 8. Rapin's _De Carmine Pastorali_, translated by Creech (1684). (II, 3) + [#14495] + + 9. T. Hanmer's (?) _Some Remarks on the Tragedy of Hamlet_ (1736). + (III, 3) [#14899] + +10. Corbyn Morris' _Essay towards Fixing the True Standards of Wit, + etc._ (1744). (I, 4) [#16233] + +11. Thomas Purney's _Discourse on the Pastoral_ (1717). (II, 4) [#15313] + +12. Essays on the Stage, selected, with an Introduction by Joseph Wood + Krutch. (III, 4) [#16335] + + +Third Year (1948-1949) + +13. Sir John Falstaff (pseud.), _The Theatre_ (1720). (IV, 1) [#15999] + +14. Edward Moore's _The Gamester_ (1753). (V, 1) [#16267] + +15. John Oldmixon's _Reflections on Dr. Swift's Letter to Harley_ + (1712); and Arthur Mainwaring's _The British Academy_ (1712). + (VI, 1) + +16. Nevil Payne's _Fatal Jealousy_ (1673). (V, 2) [_in preparation_] + +17. Nicholas Rowe's _Some Account of the Life of Mr. William Shakespear_ + (1709). (Extra Series, 1) [#16275] + +18. Aaron Hill's Preface to _The Creation_; and Thomas Brereton's + Preface to _Esther_. (IV, 2) [#15870] + + * * * * * + * * * * + * * * * * + +[Errors and Anomalies Noted by Transcriber: + +Introduction (1949): + it is unreasonable to expect... + _text reads_ is it... + +Dedication: + Lord-President of Her HAJESTY's most / Honourable Privy-Council. + _so in original_ + +Act I + Ad I long to know their Secrets. + _The word "ad" with related forms ("adod") occurs several times + in the play_ + + Sir _Jealousie Traffick_ + The name occurs twice in this form. + +Act II + _Enter _Mirand_._ + _The name occurs in this form four times: twice where the full form + _Miranda_ is expected, twice in place of its usual abbreviation + _Miran._ + + Sir _Geo._ Whate'er her Reasons are for disliking a me + _reading "a" uncertain_ + +Act II scene iii + (_Beat_'s Marplot_ all this while he cries _Thieves_._ + _punctuation and typography as in original_ + +Act II scene iv + Sir _Fran._ No, that's a Miracle! But there's one thing you want... + _text reads_ one thing you wan't + + _Miran._ The Gardner describ'd just such another Man + _text gives two consecutive lines to Marplot_ + +Act IV scene ii + (Isabinda _throws her self down before the Closet-door as in a Sound._ + _so in original_: swound? + +Act IV scene iv + _Enter Sir _Francis_ and _Marplot_ + _text reads_ Marplott + +Act V scene iv + Changes to the Inside the House. + _so in original_ + +Act V final scene + Sir _Geo._ With all my Heart; call'em in. + _text reads_ with all my ] + + + + + +End of the Project Gutenberg EBook of The Busie Body, by Susanna Centlivre + +*** END OF THIS PROJECT GUTENBERG EBOOK THE BUSIE BODY *** + +***** This file should be named 16740.txt or 16740.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/7/4/16740/ + +Produced by Louise Hope, David Starner and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
