summaryrefslogtreecommitdiff
path: root/old/hmndr10.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/hmndr10.txt')
-rw-r--r--old/hmndr10.txt4271
1 files changed, 4271 insertions, 0 deletions
diff --git a/old/hmndr10.txt b/old/hmndr10.txt
new file mode 100644
index 0000000..29b3e6a
--- /dev/null
+++ b/old/hmndr10.txt
@@ -0,0 +1,4271 @@
+*The Project Gutenberg Etext of The Human Drift, by Jack London*
+#62-#69 in our series by Jack London
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Human Drift
+
+by Jack London
+
+March, 1999 [Etext #1669]
+
+
+*The Project Gutenberg Etext of The Human Drift, by Jack London*
+******This file should be named hmndr10.txt or hmndr10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, hmndr11.txt
+VERSIONS based on separate sources get new LETTER, hmndr10a.txt
+
+
+This etext was prepared from the 1919 Mills and Boon edition
+by David Price, email ccx074@coventry.ac.uk
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we do NOT keep these books
+in compliance with any particular paper edition, usually otherwise.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+This etext was prepared from the 1919 Mills and Boon edition
+by David Price, email ccx074@coventry.ac.uk
+
+
+
+
+
+THE HUMAN DRIFT
+
+by Jack London
+
+
+
+
+Contents:
+
+
+The Human Drift
+Small-Boat Sailing
+Four Horses and a Sailor
+Nothing that Ever Came to Anything
+That Dead Men Rise up Never
+A Classic of the Sea
+ A Wicked Woman (Curtain Raiser)
+ The Birth Mark (Sketch)
+
+
+
+
+THE HUMAN DRIFT
+
+
+
+"The Revelations of Devout and Learn'd
+Who rose before us, and as Prophets Burn'd,
+Are all but stories, which, awoke from Sleep,
+They told their comrades, and to Sleep return'd."
+
+
+The history of civilisation is a history of wandering, sword in
+hand, in search of food. In the misty younger world we catch
+glimpses of phantom races, rising, slaying, finding food, building
+rude civilisations, decaying, falling under the swords of stronger
+hands, and passing utterly away. Man, like any other animal, has
+roved over the earth seeking what he might devour; and not romance
+and adventure, but the hunger-need, has urged him on his vast
+adventures. Whether a bankrupt gentleman sailing to colonise
+Virginia or a lean Cantonese contracting to labour on the sugar
+plantations of Hawaii, in each case, gentleman and coolie, it is a
+desperate attempt to get something to eat, to get more to eat than
+he can get at home.
+
+It has always been so, from the time of the first pre-human
+anthropoid crossing a mountain-divide in quest of better berry-
+bushes beyond, down to the latest Slovak, arriving on our shores
+to-day, to go to work in the coal-mines of Pennsylvania. These
+migratory movements of peoples have been called drifts, and the
+word is apposite. Unplanned, blind, automatic, spurred on by the
+pain of hunger, man has literally drifted his way around the
+planet. There have been drifts in the past, innumerable and
+forgotten, and so remote that no records have been left, or
+composed of such low-typed humans or pre-humans that they made no
+scratchings on stone or bone and left no monuments to show that
+they had been.
+
+These early drifts we conjecture and know must have occurred, just
+as we know that the first upright-walking brutes were descended
+from some kin of the quadrumana through having developed "a pair
+of great toes out of two opposable thumbs." Dominated by fear,
+and by their very fear accelerating their development, these early
+ancestors of ours, suffering hunger-pangs very like the ones we
+experience to-day, drifted on, hunting and being hunted, eating
+and being eaten, wandering through thousand-year-long odysseys of
+screaming primordial savagery, until they left their skeletons in
+glacial gravels, some of them, and their bone-scratchings in cave-
+men's lairs.
+
+There have been drifts from east to west and west to east, from
+north to south and back again, drifts that have criss-crossed one
+another, and drifts colliding and recoiling and caroming off in
+new directions. From Central Europe the Aryans have drifted into
+Asia, and from Central Asia the Turanians have drifted across
+Europe. Asia has thrown forth great waves of hungry humans from
+the prehistoric "round-barrow" "broad-heads" who overran Europe
+and penetrated to Scandinavia and England, down through the hordes
+of Attila and Tamerlane, to the present immigration of Chinese and
+Japanese that threatens America. The Phoenicians and the Greeks,
+with unremembered drifts behind them, colonised the Mediterranean.
+Rome was engulfed in the torrent of Germanic tribes drifting down
+from the north before a flood of drifting Asiatics. The Angles,
+Saxons, and Jutes, after having drifted whence no man knows,
+poured into Britain, and the English have carried this drift on
+around the world. Retreating before stronger breeds, hungry and
+voracious, the Eskimo has drifted to the inhospitable polar
+regions, the Pigmy to the fever-rotten jungles of Africa. And in
+this day the drift of the races continues, whether it be of
+Chinese into the Philippines and the Malay Peninsula, of Europeans
+to the United States or of Americans to the wheat-lands of
+Manitoba and the Northwest.
+
+Perhaps most amazing has been the South Sea Drift. Blind,
+fortuitous, precarious as no other drift has been, nevertheless
+the islands in that waste of ocean have received drift after drift
+of the races. Down from the mainland of Asia poured an Aryan
+drift that built civilisations in Ceylon, Java, and Sumatra. Only
+the monuments of these Aryans remain. They themselves have
+perished utterly, though not until after leaving evidences of
+their drift clear across the great South Pacific to far Easter
+Island. And on that drift they encountered races who had
+accomplished the drift before them, and they, the Aryans, passed,
+in turn, before the drift of other and subsequent races whom we
+to-day call the Polynesian and the Melanesian.
+
+Man early discovered death. As soon as his evolution permitted,
+he made himself better devices for killing than the old natural
+ones of fang and claw. He devoted himself to the invention of
+killing devices before he discovered fire or manufactured for
+himself religion. And to this day, his finest creative energy and
+technical skill are devoted to the same old task of making better
+and ever better killing weapons. All his days, down all the past,
+have been spent in killing. And from the fear-stricken, jungle-
+lurking, cave-haunting creature of long ago, he won to empery over
+the whole animal world because he developed into the most terrible
+and awful killer of all the animals. He found himself crowded.
+He killed to make room, and as he made room ever he increased and
+found himself crowded, and ever he went on killing to make more
+room. Like a settler clearing land of its weeds and forest bushes
+in order to plant corn, so man was compelled to clear all manner
+of life away in order to plant himself. And, sword in hand, he
+has literally hewn his way through the vast masses of life that
+occupied the earth space he coveted for himself. And ever he has
+carried the battle wider and wider, until to-day not only is he a
+far more capable killer of men and animals than ever before, but
+he has pressed the battle home to the infinite and invisible hosts
+of menacing lives in the world of micro-organisms.
+
+It is true, that they that rose by the sword perished by the
+sword. And yet, not only did they not all perish, but more rose
+by the sword than perished by it, else man would not to-day be
+over-running the world in such huge swarms. Also, it must not be
+forgotten that they who did not rise by the sword did not rise at
+all. They were not. In view of this, there is something wrong
+with Doctor Jordan's war-theory, which is to the effect that the
+best being sent out to war, only the second best, the men who are
+left, remain to breed a second-best race, and that, therefore, the
+human race deteriorates under war. If this be so, if we have sent
+forth the best we bred and gone on breeding from the men who were
+left, and since we have done this for ten thousand millenniums and
+are what we splendidly are to-day, then what unthinkably splendid
+and god-like beings must have been our forebears those ten
+thousand millenniums ago! Unfortunately for Doctor Jordan's
+theory, those ancient forebears cannot live up to this fine
+reputation. We know them for what they were, and before the
+monkey cage of any menagerie we catch truer glimpses and hints and
+resemblances of what our ancestors really were long and long ago.
+And by killing, incessant killing, by making a shambles of the
+planet, those ape-like creatures have developed even into you and
+me. As Henley has said in "The Song of the Sword":
+
+
+"The Sword Singing -
+
+Driving the darkness,
+Even as the banners
+And spear of the Morning;
+Sifting the nations,
+The Slag from the metal,
+The waste and the weak
+From the fit and the strong;
+Fighting the brute,
+The abysmal Fecundity;
+Checking the gross
+Multitudinous blunders,
+The groping, the purblind
+Excesses in service
+Of the Womb universal,
+The absolute drudge."
+
+
+As time passed and man increased, he drifted ever farther afield
+in search of room. He encountered other drifts of men, and the
+killing of men became prodigious. The weak and the decadent fell
+under the sword. Nations that faltered, that waxed prosperous in
+fat valleys and rich river deltas, were swept away by the drifts
+of stronger men who were nourished on the hardships of deserts and
+mountains and who were more capable with the sword. Unknown and
+unnumbered billions of men have been so destroyed in prehistoric
+times. Draper says that in the twenty years of the Gothic war,
+Italy lost 15,000,000 of her population; "and that the wars,
+famines, and pestilences of the reign of Justinian diminished the
+human species by the almost incredible number of 100,000,000."
+Germany, in the Thirty Years' War, lost 6,000,000 inhabitants.
+The record of our own American Civil War need scarcely be
+recalled.
+
+And man has been destroyed in other ways than by the sword.
+Flood, famine, pestilence and murder are potent factors in
+reducing population--in making room. As Mr. Charles Woodruff, in
+his "Expansion of Races," has instanced: In 1886, when the dikes
+of the Yellow River burst, 7,000,000 people were drowned. The
+failure of crops in Ireland, in 1848, caused 1,000,000 deaths.
+The famines in India of 1896-7 and 1899-1900 lessened the
+population by 21,000,000. The T'ai'ping rebellion and the
+Mohammedan rebellion, combined with the famine of 1877-78,
+destroyed scores of millions of Chinese. Europe has been swept
+repeatedly by great plagues. In India, for the period of 1903 to
+1907, the plague deaths averaged between one and two millions a
+year. Mr. Woodruff is responsible for the assertion that
+10,000,000 persons now living in the United States are doomed to
+die of tuberculosis. And in this same country ten thousand
+persons a year are directly murdered. In China, between three and
+six millions of infants are annually destroyed, while the total
+infanticide record of the whole world is appalling. In Africa,
+now, human beings are dying by millions of the sleeping sickness.
+
+More destructive of life than war, is industry. In all civilised
+countries great masses of people are crowded into slums and
+labour-ghettos, where disease festers, vice corrodes, and famine
+is chronic, and where they die more swiftly and in greater numbers
+than do the soldiers in our modern wars. The very infant
+mortality of a slum parish in the East End of London is three
+times that of a middle-class parish in the West End. In the
+United States, in the last fourteen years, a total of coal-miners,
+greater than our entire standing army, has been killed and
+injured. The United States Bureau of Labour states that during
+the year 1908, there were between 30,000 and 35,000 deaths of
+workers by accidents, while 200,000 more were injured. In fact,
+the safest place for a working-man is in the army. And even if
+that army be at the front, fighting in Cuba or South Africa, the
+soldier in the ranks has a better chance for life than the
+working-man at home.
+
+And yet, despite this terrible roll of death, despite the enormous
+killing of the past and the enormous killing of the present, there
+are to-day alive on the planet a billion and three quarters of
+human beings. Our immediate conclusion is that man is exceedingly
+fecund and very tough. Never before have there been so many
+people in the world. In the past centuries the world's population
+has been smaller; in the future centuries it is destined to be
+larger. And this brings us to that old bugbear that has been so
+frequently laughed away and that still persists in raising its
+grisly head--namely, the doctrine of Malthus. While man's
+increasing efficiency of food-production, combined with
+colonisation of whole virgin continents, has for generations given
+the apparent lie to Malthus' mathematical statement of the Law of
+Population, nevertheless the essential significance of his
+doctrine remains and cannot be challenged. Population DOES press
+against subsistence. And no matter how rapidly subsistence
+increases, population is certain to catch up with it.
+
+When man was in the hunting stage of development, wide areas were
+necessary for the maintenance of scant populations. With the
+shepherd stages, the means of subsistence being increased, a
+larger population was supported on the same territory. The
+agricultural stage gave support to a still larger population; and,
+to-day, with the increased food-getting efficiency of a machine
+civilisation, an even larger population is made possible. Nor is
+this theoretical. The population is here, a billion and three
+quarters of men, women, and children, and this vast population is
+increasing on itself by leaps and bounds.
+
+A heavy European drift to the New World has gone on and is going
+on; yet Europe, whose population a century ago was 170,000,000,
+has to-day 500,000,000. At this rate of increase, provided that
+subsistence is not overtaken, a century from now the population of
+Europe will be 1,500,000,000. And be it noted of the present rate
+of increase in the United States that only one-third is due to
+immigration, while two-thirds is due to excess of births over
+deaths. And at this present rate of increase, the population of
+the United States will be 500,000,000 in less than a century from
+now.
+
+Man, the hungry one, the killer, has always suffered for lack of
+room. The world has been chronically overcrowded. Belgium with
+her 572 persons to the square mile is no more crowded than was
+Denmark when it supported only 500 palaeolithic people. According
+to Mr. Woodruff, cultivated land will produce 1600 times as much
+food as hunting land. From the time of the Norman Conquest, for
+centuries Europe could support no more than 25 to the square mile.
+To-day Europe supports 81 to the square mile. The explanation of
+this is that for the several centuries after the Norman Conquest
+her population was saturated. Then, with the development of
+trading and capitalism, of exploration and exploitation of new
+lands, and with the invention of labour-saving machinery and the
+discovery and application of scientific principles, was brought
+about a tremendous increase in Europe's food-getting efficiency.
+And immediately her population sprang up.
+
+According to the census of Ireland, of 1659, that country had a
+population of 500,000. One hundred and fifty years later, her
+population was 8,000,000. For many centuries the population of
+Japan was stationary. There seemed no way of increasing her food-
+getting efficiency. Then, sixty years ago, came Commodore Perry,
+knocking down her doors and letting in the knowledge and machinery
+of the superior food-getting efficiency of the Western world.
+Immediately upon this rise in subsistence began the rise of
+population; and it is only the other day that Japan, finding her
+population once again pressing against subsistence, embarked,
+sword in hand, on a westward drift in search of more room. And,
+sword in hand, killing and being killed, she has carved out for
+herself Formosa and Korea, and driven the vanguard of her drift
+far into the rich interior of Manchuria.
+
+For an immense period of time China's population has remained at
+400,000,000--the saturation point. The only reason that the
+Yellow River periodically drowns millions of Chinese is that there
+is no other land for those millions to farm. And after every such
+catastrophe the wave of human life rolls up and now millions flood
+out upon that precarious territory. They are driven to it,
+because they are pressed remorselessly against subsistence. It is
+inevitable that China, sooner or later, like Japan, will learn and
+put into application our own superior food-getting efficiency.
+And when that time comes, it is likewise inevitable that her
+population will increase by unguessed millions until it again
+reaches the saturation point. And then, inoculated with Western
+ideas, may she not, like Japan, take sword in hand and start forth
+colossally on a drift of her own for more room? This is another
+reputed bogie--the Yellow Peril; yet the men of China are only
+men, like any other race of men, and all men, down all history,
+have drifted hungrily, here, there and everywhere over the planet,
+seeking for something to eat. What other men do, may not the
+Chinese do?
+
+But a change has long been coming in the affairs of man. The more
+recent drifts of the stronger races, carving their way through the
+lesser breeds to more earth-space, has led to peace, ever to wider
+and more lasting peace. The lesser breeds, under penalty of being
+killed, have been compelled to lay down their weapons and cease
+killing among themselves. The scalp-talking Indian and the head-
+hunting Melanesian have been either destroyed or converted to a
+belief in the superior efficacy of civil suits and criminal
+prosecutions. The planet is being subdued. The wild and the
+hurtful are either tamed or eliminated. From the beasts of prey
+and the cannibal humans down to the death-dealing microbes, no
+quarter is given; and daily, wider and wider areas of hostile
+territory, whether of a warring desert-tribe in Africa or a
+pestilential fever-hole like Panama, are made peaceable and
+habitable for mankind. As for the great mass of stay-at-home
+folk, what percentage of the present generation in the United
+States, England, or Germany, has seen war or knows anything of war
+at first hand? There was never so much peace in the world as
+there is to-day.
+
+War itself, the old red anarch, is passing. It is safer to be a
+soldier than a working-man. The chance for life is greater in an
+active campaign than in a factory or a coal-mine. In the matter
+of killing, war is growing impotent, and this in face of the fact
+that the machinery of war was never so expensive in the past nor
+so dreadful. War-equipment to-day, in time of peace, is more
+expensive than of old in time of war. A standing army costs more
+to maintain than it used to cost to conquer an empire. It is more
+expensive to be ready to kill, than it used to be to do the
+killing. The price of a Dreadnought would furnish the whole army
+of Xerxes with killing weapons. And, in spite of its magnificent
+equipment, war no longer kills as it used to when its methods were
+simpler. A bombardment by a modern fleet has been known to result
+in the killing of one mule. The casualties of a twentieth century
+war between two world-powers are such as to make a worker in an
+iron-foundry turn green with envy. War has become a joke. Men
+have made for themselves monsters of battle which they cannot face
+in battle. Subsistence is generous these days, life is not cheap,
+and it is not in the nature of flesh and blood to indulge in the
+carnage made possible by present-day machinery. This is not
+theoretical, as will be shown by a comparison of deaths in battle
+and men involved, in the South African War and the Spanish-
+American War on the one hand, and the Civil War or the Napoleonic
+Wars on the other.
+
+Not only has war, by its own evolution, rendered itself futile,
+but man himself, with greater wisdom and higher ethics, is opposed
+to war. He has learned too much. War is repugnant to his common
+sense. He conceives it to be wrong, to be absurd, and to be very
+expensive. For the damage wrought and the results accomplished,
+it is not worth the price. Just as in the disputes of individuals
+the arbitration of a civil court instead of a blood feud is more
+practical, so, man decides, is arbitration more practical in the
+disputes of nations.
+
+War is passing, disease is being conquered, and man's food-getting
+efficiency is increasing. It is because of these factors that
+there are a billion and three quarters of people alive to-day
+instead of a billion, or three-quarters of a billion. And it is
+because of these factors that the world's population will very
+soon be two billions and climbing rapidly toward three billions.
+The lifetime of the generation is increasing steadily. Men live
+longer these days. Life is not so precarious. The newborn infant
+has a greater chance for survival than at any time in the past.
+Surgery and sanitation reduce the fatalities that accompany the
+mischances of life and the ravages of disease. Men and women,
+with deficiencies and weaknesses that in the past would have
+effected their rapid extinction, live to-day and father and mother
+a numerous progeny. And high as the food-getting efficiency may
+soar, population is bound to soar after it. "The abysmal
+fecundity" of life has not altered. Given the food, and life will
+increase. A small percentage of the billion and three-quarters
+that live to-day may hush the clamour of life to be born, but it
+is only a small percentage. In this particular, the life in the
+man-animal is very like the life in the other animals.
+
+And still another change is coming in human affairs. Though
+politicians gnash their teeth and cry anathema, and man, whose
+superficial book-learning is vitiated by crystallised prejudice,
+assures us that civilisation will go to smash, the trend of
+society, to-day, the world over, is toward socialism. The old
+individualism is passing. The state interferes more and more in
+affairs that hitherto have been considered sacredly private. And
+socialism, when the last word is said, is merely a new economic
+and political system whereby more men can get food to eat. In
+short, socialism is an improved food-getting efficiency.
+
+Furthermore, not only will socialism get food more easily and in
+greater quantity, but it will achieve a more equitable
+distribution of that food. Socialism promises, for a time, to
+give all men, women, and children all they want to eat, and to
+enable them to eat all they want as often as they want.
+Subsistence will be pushed back, temporarily, an exceedingly long
+way. In consequence, the flood of life will rise like a tidal
+wave. There will be more marriages and more children born. The
+enforced sterility that obtains to-day for many millions, will no
+longer obtain. Nor will the fecund millions in the slums and
+labour-ghettos, who to-day die of all the ills due to chronic
+underfeeding and overcrowding, and who die with their fecundity
+largely unrealised, die in that future day when the increased
+food-getting efficiency of socialism will give them all they want
+to eat.
+
+It is undeniable that population will increase prodigiously-just
+as it has increased prodigiously during the last few centuries,
+following upon the increase in food-getting efficiency. The
+magnitude of population in that future day is well nigh
+unthinkable. But there is only so much land and water on the
+surface of the earth. Man, despite his marvellous
+accomplishments, will never be able to increase the diameter of
+the planet. The old days of virgin continents will be gone. The
+habitable planet, from ice-cap to ice-cap, will be inhabited. And
+in the matter of food-getting, as in everything else, man is only
+finite. Undreamed-of efficiencies in food-getting may be
+achieved, but, soon or late, man will find himself face to face
+with Malthus' grim law. Not only will population catch up with
+subsistence, but it will press against subsistence, and the
+pressure will be pitiless and savage. Somewhere in the future is
+a date when man will face, consciously, the bitter fact that there
+is not food enough for all of him to eat.
+
+When this day comes, what then? Will there be a recrudescence of
+old obsolete war? In a saturated population life is always cheap,
+as it is cheap in China, in India, to-day. Will new human drifts
+take place, questing for room, carving earth-space out of crowded
+life. Will the Sword again sing:
+
+
+"Follow, O follow, then,
+Heroes, my harvesters!
+Where the tall grain is ripe
+Thrust in your sickles!
+Stripped and adust
+In a stubble of empire
+Scything and binding
+The full sheaves of sovereignty."
+
+
+Even if, as of old, man should wander hungrily, sword in hand,
+slaying and being slain, the relief would be only temporary. Even
+if one race alone should hew down the last survivor of all the
+other races, that one race, drifting the world around, would
+saturate the planet with its own life and again press against
+subsistence. And in that day, the death rate and the birth rate
+will have to balance. Men will have to die, or be prevented from
+being born. Undoubtedly a higher quality of life will obtain, and
+also a slowly decreasing fecundity. But this decrease will be so
+slow that the pressure against subsistence will remain. The
+control of progeny will be one of the most important problems of
+man and one of the most important functions of the state. Men
+will simply be not permitted to be born.
+
+Disease, from time to time, will ease the pressure. Diseases are
+parasites, and it must not be forgotten that just as there are
+drifts in the world of man, so are there drifts in the world of
+micro-organisms--hunger-quests for food. Little is known of the
+micro-organic world, but that little is appalling; and no census
+of it will ever be taken, for there is the true, literal "abysmal
+fecundity." Multitudinous as man is, all his totality of
+individuals is as nothing in comparison with the inconceivable
+vastness of numbers of the micro-organisms. In your body, or in
+mine, right now, are swarming more individual entities than there
+are human beings in the world to-day. It is to us an invisible
+world. We only guess its nearest confines. With our powerful
+microscopes and ultramicroscopes, enlarging diameters twenty
+thousand times, we catch but the slightest glimpses of that
+profundity of infinitesimal life.
+
+Little is known of that world, save in a general way. We know
+that out of it arise diseases, new to us, that afflict and destroy
+man. We do not know whether these diseases are merely the drifts,
+in a fresh direction, of already-existing breeds of micro-
+organisms, or whether they are new, absolutely new, breeds
+themselves just spontaneously generated. The latter hypothesis is
+tenable, for we theorise that if spontaneous generation still
+occurs on the earth, it is far more likely to occur in the form of
+simple organisms than of complicated organisms.
+
+Another thing we know, and that is that it is in crowded
+populations that new diseases arise. They have done so in the
+past. They do so to-day. And no matter how wise are our
+physicians and bacteriologists, no matter how successfully they
+cope with these invaders, new invaders continue to arise--new
+drifts of hungry life seeking to devour us. And so we are
+justified in believing that in the saturated populations of the
+future, when life is suffocating in the pressure against
+subsistence, that new, and ever new, hosts of destroying micro-
+organisms will continue to arise and fling themselves upon earth-
+crowded man to give him room. There may even be plagues of
+unprecedented ferocity that will depopulate great areas before the
+wit of man can overcome them. And this we know: that no matter
+how often these invisible hosts may be overcome by man's becoming
+immune to them through a cruel and terrible selection, new hosts
+will ever arise of these micro-organisms that were in the world
+before he came and that will be here after he is gone.
+
+After he is gone? Will he then some day be gone, and this planet
+know him no more? Is it thither that the human drift in all its
+totality is trending? God Himself is silent on this point, though
+some of His prophets have given us vivid representations of that
+last day when the earth shall pass into nothingness. Nor does
+science, despite its radium speculations and its attempted
+analyses of the ultimate nature of matter, give us any other word
+than that man will pass. So far as man's knowledge goes, law is
+universal. Elements react under certain unchangeable conditions.
+One of these conditions is temperature. Whether it be in the test
+tube of the laboratory or the workshop of nature, all organic
+chemical reactions take place only within a restricted range of
+heat. Man, the latest of the ephemera, is pitifully a creature of
+temperature, strutting his brief day on the thermometer. Behind
+him is a past wherein it was too warm for him to exist. Ahead of
+him is a future wherein it will be too cold for him to exist. He
+cannot adjust himself to that future, because he cannot alter
+universal law, because he cannot alter his own construction nor
+the molecules that compose him.
+
+It would be well to ponder these lines of Herbert Spencer's which
+follow, and which embody, possibly, the wildest vision the
+scientific mind has ever achieved:
+
+
+"Motion as well as Matter being fixed in quantity, it would seem
+that the change in the distribution of Matter which Motion
+effects, coming to a limit in whichever direction it is carried,
+the indestructible Motion thereupon necessitates a reverse
+distribution. Apparently, the universally-co-existent forces of
+attraction and repulsion, which, as we have seen, necessitate
+rhythm in all minor changes throughout the Universe, also
+necessitate rhythm in the totality of its changes--produce now an
+immeasurable period during which the attractive forces
+predominating, cause universal concentration, and then an
+immeasurable period during which the repulsive forces
+predominating, cause universal diffusion--alternate eras of
+Evolution and Dissolution. AND THUS THERE IS SUGGESTED THE
+CONCEPTION OF A PAST DURING WHICH THERE HAVE BEEN SUCCESSIVE
+EVOLUTIONS ANALOGOUS TO THAT WHICH IS NOW GOING ON; A FUTURE
+DURING WHICH SUCCESSIVE OTHER EVOLUTIONS MAY GO ON--EVER THE SAME
+IN PRINCIPLE BUT NEVER THE SAME IN CONCRETE RESULT."
+
+
+That is it--the most we know--alternate eras of evolution and
+dissolution. In the past there have been other evolutions similar
+to that one in which we live, and in the future there may be other
+similar evolutions--that is all. The principle of all these
+evolutions remains, but the concrete results are never twice
+alike. Man was not; he was; and again he will not be. In
+eternity which is beyond our comprehension, the particular
+evolution of that solar satellite we call the "Earth" occupied but
+a slight fraction of time. And of that fraction of time man
+occupies but a small portion. All the whole human drift, from the
+first ape-man to the last savant, is but a phantom, a flash of
+light and a flutter of movement across the infinite face of the
+starry night.
+
+When the thermometer drops, man ceases--with all his lusts and
+wrestlings and achievements; with all his race-adventures and
+race-tragedies; and with all his red killings, billions upon
+billions of human lives multiplied by as many billions more. This
+is the last word of Science, unless there be some further,
+unguessed word which Science will some day find and utter. In the
+meantime it sees no farther than the starry void, where the
+"fleeting systems lapse like foam." Of what ledger-account is the
+tiny life of man in a vastness where stars snuff out like candles
+and great suns blaze for a time-tick of eternity and are gone?
+
+And for us who live, no worse can happen than has happened to the
+earliest drifts of man, marked to-day by ruined cities of
+forgotten civilisation--ruined cities, which, on excavation, are
+found to rest on ruins of earlier cities, city upon city, and
+fourteen cities, down to a stratum where, still earlier, wandering
+herdsmen drove their flocks, and where, even preceding them, wild
+hunters chased their prey long after the cave-man and the man of
+the squatting-place cracked the knuckle-bones of wild animals and
+vanished from the earth. There is nothing terrible about it.
+With Richard Hovey, when he faced his death, we can say: "Behold!
+I have lived!" And with another and greater one, we can lay
+ourselves down with a will. The one drop of living, the one taste
+of being, has been good; and perhaps our greatest achievement will
+be that we dreamed immortality, even though we failed to realise
+it.
+
+
+
+SMALL-BOAT SAILING
+
+
+
+A sailor is born, not made. And by "sailor" is meant, not the
+average efficient and hopeless creature who is found to-day in the
+forecastle of deepwater ships, but the man who will take a fabric
+compounded of wood and iron and rope and canvas and compel it to
+obey his will on the surface of the sea. Barring captains and
+mates of big ships, the small-boat sailor is the real sailor. He
+knows--he must know--how to make the wind carry his craft from one
+given point to another given point. He must know about tides and
+rips and eddies, bar and channel markings, and day and night
+signals; he must be wise in weather-lore; and he must be
+sympathetically familiar with the peculiar qualities of his boat
+which differentiate it from every other boat that was ever built
+and rigged. He must know how to gentle her about, as one instance
+of a myriad, and to fill her on the other tack without deadening
+her way or allowing her to fall off too far.
+
+The deepwater sailor of to-day needs know none of these things.
+And he doesn't. He pulls and hauls as he is ordered, swabs decks,
+washes paint, and chips iron-rust. He knows nothing, and cares
+less. Put him in a small boat and he is helpless. He will cut an
+even better figure on the hurricane deck of a horse.
+
+I shall never forget my child-astonishment when I first
+encountered one of these strange beings. He was a runaway English
+sailor. I was a lad of twelve, with a decked-over, fourteen-foot,
+centre-board skiff which I had taught myself to sail. I sat at
+his feet as at the feet of a god, while he discoursed of strange
+lands and peoples, deeds of violence, and hair-raising gales at
+sea. Then, one day, I took him for a sail. With all the
+trepidation of the veriest little amateur, I hoisted sail and got
+under way. Here was a man, looking on critically, I was sure, who
+knew more in one second about boats and the water than I could
+ever know. After an interval, in which I exceeded myself, he took
+the tiller and the sheet. I sat on the little thwart amidships,
+open-mouthed, prepared to learn what real sailing was. My mouth
+remained open, for I learned what a real sailor was in a small
+boat. He couldn't trim the sheet to save himself, he nearly
+capsized several times in squalls, and, once again, by
+blunderingly jibing over; he didn't know what a centre-board was
+for, nor did he know that in running a boat before the wind one
+must sit in the middle instead of on the side; and finally, when
+we came back to the wharf, he ran the skiff in full tilt,
+shattering her nose and carrying away the mast-step. And yet he
+was a really truly sailor fresh from the vasty deep.
+
+Which points my moral. A man can sail in the forecastles of big
+ships all his life and never know what real sailing is. From the
+time I was twelve, I listened to the lure of the sea. When I was
+fifteen I was captain and owner of an oyster-pirate sloop. By the
+time I was sixteen I was sailing in scow-schooners, fishing salmon
+with the Greeks up the Sacramento River, and serving as sailor on
+the Fish Patrol. And I was a good sailor, too, though all my
+cruising had been on San Francisco Bay and the rivers tributary to
+it. I had never been on the ocean in my life.
+
+Then, the month I was seventeen, I signed before the mast as an
+able seaman on a three-top-mast schooner bound on a seven-months'
+cruise across the Pacific and back again. As my shipmates
+promptly informed me, I had had my nerve with me to sign on as
+able seaman. Yet behold, I WAS an able seaman. I had graduated
+from the right school. It took no more than minutes to learn the
+names and uses of the few new ropes. It was simple. I did not do
+things blindly. As a small-boat sailor I had learned to reason
+out and know the WHY of everything. It is true, I had to learn
+how to steer by compass, which took maybe half a minute; but when
+it came to steering "full-and-by" and "close-and-by," I could beat
+the average of my shipmates, because that was the very way I had
+always sailed. Inside fifteen minutes I could box the compass
+around and back again. And there was little else to learn during
+that seven-months' cruise, except fancy rope-sailorising, such as
+the more complicated lanyard knots and the making of various kinds
+of sennit and rope-mats. The point of all of which is that it is
+by means of small-boat sailing that the real sailor is best
+schooled.
+
+And if a man is a born sailor, and has gone to the school of the
+sea, never in all his life can he get away from the sea again.
+The salt of it is in his bones as well as his nostrils, and the
+sea will call to him until he dies. Of late years, I have found
+easier ways of earning a living. I have quit the forecastle for
+keeps, but always I come back to the sea. In my case it is
+usually San Francisco Bay, than which no lustier, tougher, sheet
+of water can be found for small-boat sailing.
+
+It really blows on San Francisco Bay. During the winter, which is
+the best cruising season, we have southeasters, southwesters, and
+occasional howling northers. Throughout the summer we have what
+we call the "sea-breeze," an unfailing wind off the Pacific that
+on most afternoons in the week blows what the Atlantic Coast
+yachtsmen would name a gale. They are always surprised by the
+small spread of canvas our yachts carry. Some of them, with
+schooners they have sailed around the Horn, have looked proudly at
+their own lofty sticks and huge spreads, then patronisingly and
+even pityingly at ours. Then, perchance, they have joined in a
+club cruise from San Francisco to Mare Island. They found the
+morning run up the Bay delightful. In the afternoon, when the
+brave west wind ramped across San Pablo Bay and they faced it on
+the long beat home, things were somewhat different. One by one,
+like a flight of swallows, our more meagrely sparred and canvassed
+yachts went by, leaving them wallowing and dead and shortening
+down in what they called a gale but which we called a dandy
+sailing breeze. The next time they came out, we would notice
+their sticks cut down, their booms shortened, and their after-
+leeches nearer the luffs by whole cloths.
+
+As for excitement, there is all the difference in the world
+between a ship in trouble at sea, and a small boat in trouble on
+land-locked water. Yet for genuine excitement and thrill, give me
+the small boat. Things happen so quickly, and there are always so
+few to do the work--and hard work, too, as the small-boat sailor
+knows. I have toiled all night, both watches on deck, in a
+typhoon off the coast of Japan, and been less exhausted than by
+two hours' work at reefing down a thirty-foot sloop and heaving up
+two anchors on a lee shore in a screaming south-easter.
+
+Hard work and excitement? Let the wind baffle and drop in a heavy
+tide-way just as you are sailing your little sloop through a
+narrow draw-bridge. Behold your sails, upon which you are
+depending, flap with sudden emptiness, and then see the impish
+wind, with a haul of eight points, fill your jib aback with a
+gusty puff. Around she goes, and sweeps, not through the open
+draw, but broadside on against the solid piles. Hear the roar of
+the tide, sucking through the trestle. And hear and see your
+pretty, fresh-painted boat crash against the piles. Feel her
+stout little hull give to the impact. See the rail actually pinch
+in. Hear your canvas tearing, and see the black, square-ended
+timbers thrusting holes through it. Smash! There goes your
+topmast stay, and the topmast reels over drunkenly above you.
+There is a ripping and crunching. If it continues, your starboard
+shrouds will be torn out. Grab a rope--any rope--and take a turn
+around a pile. But the free end of the rope is too short. You
+can't make it fast, and you hold on and wildly yell for your one
+companion to get a turn with another and longer rope. Hold on!
+You hold on till you are purple in the face, till it seems your
+arms are dragging out of their sockets, till the blood bursts from
+the ends of your fingers. But you hold, and your partner gets the
+longer rope and makes it fast. You straighten up and look at your
+hands. They are ruined. You can scarcely relax the crooks of the
+fingers. The pain is sickening. But there is no time. The
+skiff, which is always perverse, is pounding against the barnacles
+on the piles which threaten to scrape its gunwale off. It's drop
+the peak! Down jib! Then you run lines, and pull and haul and
+heave, and exchange unpleasant remarks with the bridge-tender who
+is always willing to meet you more than half way in such repartee.
+And finally, at the end of an hour, with aching back, sweat-soaked
+shirt, and slaughtered hands, you are through and swinging along
+on the placid, beneficent tide between narrow banks where the
+cattle stand knee-deep and gaze wonderingly at you. Excitement!
+Work! Can you beat it in a calm day on the deep sea?
+
+I've tried it both ways. I remember labouring in a fourteen days'
+gale off the coast of New Zealand. We were a tramp collier, rusty
+and battered, with six thousand tons of coal in our hold. Life
+lines were stretched fore and aft; and on our weather side,
+attached to smokestack guys and rigging, were huge rope-nettings,
+hung there for the purpose of breaking the force of the seas and
+so saving our mess-room doors. But the doors were smashed and the
+mess-rooms washed out just the same. And yet, out of it all,
+arose but the one feeling, namely, of monotony.
+
+In contrast with the foregoing, about the liveliest eight days of
+my life were spent in a small boat on the west coast of Korea.
+Never mind why I was thus voyaging up the Yellow Sea during the
+month of February in below-zero weather. The point is that I was
+in an open boat, a sampan, on a rocky coast where there were no
+light-houses and where the tides ran from thirty to sixty feet.
+My crew were Japanese fishermen. We did not speak each other's
+language. Yet there was nothing monotonous about that trip.
+Never shall I forget one particular cold bitter dawn, when, in the
+thick of driving snow, we took in sail and dropped our small
+anchor. The wind was howling out of the northwest, and we were on
+a lee shore. Ahead and astern, all escape was cut off by rocky
+headlands, against whose bases burst the unbroken seas. To
+windward a short distance, seen only between the snow-squalls, was
+a low rocky reef. It was this that inadequately protected us from
+the whole Yellow Sea that thundered in upon us.
+
+The Japanese crawled under a communal rice mat and went to sleep.
+I joined them, and for several hours we dozed fitfully. Then a
+sea deluged us out with icy water, and we found several inches of
+snow on top the mat. The reef to windward was disappearing under
+the rising tide, and moment by moment the seas broke more strongly
+over the rocks. The fishermen studied the shore anxiously. So
+did I, and with a sailor's eye, though I could see little chance
+for a swimmer to gain that surf-hammered line of rocks. I made
+signs toward the headlands on either flank. The Japanese shook
+their heads. I indicated that dreadful lee shore. Still they
+shook their heads and did nothing. My conclusion was that they
+were paralysed by the hopelessness of the situation. Yet our
+extremity increased with every minute, for the rising tide was
+robbing us of the reef that served as buffer. It soon became a
+case of swamping at our anchor. Seas were splashing on board in
+growing volume, and we baled constantly. And still my fishermen
+crew eyed the surf-battered shore and did nothing.
+
+At last, after many narrow escapes from complete swamping, the
+fishermen got into action. All hands tailed on to the anchor and
+hove it up. For'ard, as the boat's head paid off, we set a patch
+of sail about the size of a flour-sack. And we headed straight
+for shore. I unlaced my shoes, unbottoned my great-coat and coat,
+and was ready to make a quick partial strip a minute or so before
+we struck. But we didn't strike, and, as we rushed in, I saw the
+beauty of the situation. Before us opened a narrow channel,
+frilled at its mouth with breaking seas. Yet, long before, when I
+had scanned the shore closely, there had been no such channel. I
+HAD FORGOTTEN THE THIRTY-FOOT TIDE. And it was for this tide that
+the Japanese had so precariously waited. We ran the frill of
+breakers, curved into a tiny sheltered bay where the water was
+scarcely flawed by the gale, and landed on a beach where the salt
+sea of the last tide lay frozen in long curving lines. And this
+was one gale of three in the course of those eight days in the
+sampan. Would it have been beaten on a ship? I fear me the ship
+would have gone aground on the outlying reef and that its people
+would have been incontinently and monotonously drowned.
+
+There are enough surprises and mishaps in a three-days' cruise in
+a small boat to supply a great ship on the ocean for a full year.
+I remember, once, taking out on her trial trip a little thirty-
+footer I had just bought. In six days we had two stiff blows,
+and, in addition, one proper southwester and one ripsnorting
+southeaster. The slight intervals between these blows were dead
+calms. Also, in the six days, we were aground three times. Then,
+too, we tied up to the bank in the Sacramento River, and,
+grounding by an accident on the steep slope on a falling tide,
+nearly turned a side somersault down the bank. In a stark calm
+and heavy tide in the Carquinez Straits, where anchors skate on
+the channel-scoured bottom, we were sucked against a big dock and
+smashed and bumped down a quarter of a mile of its length before
+we could get clear. Two hours afterward, on San Pablo Bay, the
+wind was piping up and we were reefing down. It is no fun to pick
+up a skiff adrift in a heavy sea and gale. That was our next
+task, for our skiff, swamping, parted both towing painters we had
+bent on. Before we recovered it we had nearly killed ourselves
+with exhaustion, and we certainly had strained the sloop in every
+part from keelson to truck. And to cap it all, coming into our
+home port, beating up the narrowest part of the San Antonio
+Estuary, we had a shave of inches from collision with a big ship
+in tow of a tug. I have sailed the ocean in far larger craft a
+year at a time, in which period occurred no such chapter of moving
+incident.
+
+After all, the mishaps are almost the best part of small-boat
+sailing. Looking back, they prove to be punctuations of joy. At
+the time they try your mettle and your vocabulary, and may make
+you so pessimistic as to believe that God has a grudge against
+you--but afterward, ah, afterward, with what pleasure you remember
+them and with what gusto do you relate them to your brother
+skippers in the fellowhood of small-boat sailing!
+
+A narrow, winding slough; a half tide, exposing mud surfaced with
+gangrenous slime; the water itself filthy and discoloured by the
+waste from the vats of a near-by tannery; the marsh grass on
+either side mottled with all the shades of a decaying orchid; a
+crazy, ramshackled, ancient wharf; and at the end of the wharf a
+small, white-painted sloop. Nothing romantic about it. No hint
+of adventure. A splendid pictorial argument against the alleged
+joys of small-boat sailing. Possibly that is what Cloudesley and
+I thought, that sombre, leaden morning as we turned out to cook
+breakfast and wash decks. The latter was my stunt, but one look
+at the dirty water overside and another at my fresh-painted deck,
+deterred me. After breakfast, we started a game of chess. The
+tide continued to fall, and we felt the sloop begin to list. We
+played on until the chess men began to fall over. The list
+increased, and we went on deck. Bow-line and stern-line were
+drawn taut. As we looked the boat listed still farther with an
+abrupt jerk. The lines were now very taut.
+
+"As soon as her belly touches the bottom she will stop," I said.
+
+Cloudesley sounded with a boat-hook along the outside.
+
+"Seven feet of water," he announced. "The bank is almost up and
+down. The first thing that touches will be her mast when she
+turns bottom up."
+
+An ominous, minute snapping noise came from the stern-line. Even
+as we looked, we saw a strand fray and part. Then we jumped.
+Scarcely had we bent another line between the stern and the wharf,
+when the original line parted. As we bent another line for'ard,
+the original one there crackled and parted. After that, it was an
+inferno of work and excitement.
+
+We ran more and more lines, and more and more lines continued to
+part, and more and more the pretty boat went over on her side. We
+bent all our spare lines; we unrove sheets and halyards; we used
+our two-inch hawser; we fastened lines part way up the mast, half
+way up, and everywhere else. We toiled and sweated and enounced
+our mutual and sincere conviction that God's grudge still held
+against us. Country yokels came down on the wharf and sniggered
+at us. When Cloudesley let a coil of rope slip down the inclined
+deck into the vile slime and fished it out with seasick
+countenance, the yokels sniggered louder and it was all I could do
+to prevent him from climbing up on the wharf and committing
+murder.
+
+By the time the sloop's deck was perpendicular, we had unbent the
+boom-lift from below, made it fast to the wharf, and, with the
+other end fast nearly to the mast-head, heaved it taut with block
+and tackle. The lift was of steel wire. We were confident that
+it could stand the strain, but we doubted the holding-power of the
+stays that held the mast.
+
+The tide had two more hours to ebb (and it was the big run-out),
+which meant that five hours must elapse ere the returning tide
+would give us a chance to learn whether or not the sloop would
+rise to it and right herself.
+
+The bank was almost up and down, and at the bottom, directly
+beneath us, the fast-ebbing tide left a pit of the vilest, illest-
+smelling, illest-appearing muck to be seen in many a day's ride.
+Said Cloudesley to me gazing down into it:
+
+"I love you as a brother. I'd fight for you. I'd face roaring
+lions, and sudden death by field and flood. But just the same,
+don't you fall into that." He shuddered nauseously. "For if you
+do, I haven't the grit to pull you out. I simply couldn't. You'd
+be awful. The best I could do would be to take a boat-hook and
+shove you down out of sight."
+
+We sat on the upper side-wall of the cabin, dangled our legs down
+the top of the cabin, leaned our backs against the deck, and
+played chess until the rising tide and the block and tackle on the
+boom-lift enabled us to get her on a respectable keel again.
+Years afterward, down in the South Seas, on the island of Ysabel,
+I was caught in a similar predicament. In order to clean her
+copper, I had careened the Snark broadside on to the beach and
+outward. When the tide rose, she refused to rise. The water
+crept in through the scuppers, mounted over the rail, and the
+level of the ocean slowly crawled up the slant of the deck. We
+battened down the engine-room hatch, and the sea rose to it and
+over it and climbed perilously near to the cabin companion-way and
+skylight. We were all sick with fever, but we turned out in the
+blazing tropic sun and toiled madly for several hours. We carried
+our heaviest lines ashore from our mast-heads and heaved with our
+heaviest purchase until everything crackled including ourselves.
+We would spell off and lie down like dead men, then get up and
+heave and crackle again. And in the end, our lower rail five feet
+under water and the wavelets lapping the companion-way combing,
+the sturdy little craft shivered and shook herself and pointed her
+masts once more to the zenith.
+
+There is never lack of exercise in small-boat sailing, and the
+hard work is not only part of the fun of it, but it beats the
+doctors. San Francisco Bay is no mill pond. It is a large and
+draughty and variegated piece of water. I remember, one winter
+evening, trying to enter the mouth of the Sacramento. There was a
+freshet on the river, the flood tide from the bay had been beaten
+back into a strong ebb, and the lusty west wind died down with the
+sun. It was just sunset, and with a fair to middling breeze, dead
+aft, we stood still in the rapid current. We were squarely in the
+mouth of the river; but there was no anchorage and we drifted
+backward, faster and faster, and dropped anchor outside as the
+last breath of wind left us. The night came on, beautiful and
+warm and starry. My one companion cooked supper, while on deck I
+put everything in shape Bristol fashion. When we turned in at
+nine o'clock the weather-promise was excellent. (If I had carried
+a barometer I'd have known better.) By two in the morning our
+shrouds were thrumming in a piping breeze, and I got up and gave
+her more scope on her hawser. Inside another hour there was no
+doubt that we were in for a southeaster.
+
+It is not nice to leave a warm bed and get out of a bad anchorage
+in a black blowy night, but we arose to the occasion, put in two
+reefs, and started to heave up. The winch was old, and the strain
+of the jumping head sea was too much for it. With the winch out
+of commission, it was impossible to heave up by hand. We knew,
+because we tried it and slaughtered our hands. Now a sailor hates
+to lose an anchor. It is a matter of pride. Of course, we could
+have buoyed ours and slipped it. Instead, however, I gave her
+still more hawser, veered her, and dropped the second anchor.
+
+There was little sleep after that, for first one and then the
+other of us would be rolled out of our bunks. The increasing size
+of the seas told us we were dragging, and when we struck the
+scoured channel we could tell by the feel of it that our two
+anchors were fairly skating across. It was a deep channel, the
+farther edge of it rising steeply like the wall of a canyon, and
+when our anchors started up that wall they hit in and held.
+
+Yet, when we fetched up, through the darkness we could hear the
+seas breaking on the solid shore astern, and so near was it that
+we shortened the skiff's painter.
+
+Daylight showed us that between the stern of the skiff and
+destruction was no more than a score of feet. And how it did
+blow! There were times, in the gusts, when the wind must have
+approached a velocity of seventy or eighty miles an hour. But the
+anchors held, and so nobly that our final anxiety was that the
+for'ard bitts would be jerked clean out of the boat. All day the
+sloop alternately ducked her nose under and sat down on her stern;
+and it was not till late afternoon that the storm broke in one
+last and worst mad gust. For a full five minutes an absolute dead
+calm prevailed, and then, with the suddenness of a thunderclap,
+the wind snorted out of the southwest--a shift of eight points and
+a boisterous gale. Another night of it was too much for us, and
+we hove up by hand in a cross head-sea. It was not stiff work.
+It was heart-breaking. And I know we were both near to crying
+from the hurt and the exhaustion. And when we did get the first
+anchor up-and-down we couldn't break it out. Between seas we
+snubbed her nose down to it, took plenty of turns, and stood clear
+as she jumped. Almost everything smashed and parted except the
+anchor-hold. The chocks were jerked out, the rail torn off, and
+the very covering-board splintered, and still the anchor held. At
+last, hoisting the reefed main-sail and slacking off a few of the
+hard-won feet of the chain, we sailed the anchor out. It was nip
+and tuck, though, and there were times when the boat was knocked
+down flat. We repeated the manoeuvre with the remaining anchor,
+and in the gathering darkness fled into the shelter of the river's
+mouth.
+
+I was born so long ago that I grew up before the era of gasolene.
+As a result, I am old-fashioned. I prefer a sail-boat to a motor-
+boat, and it is my belief that boat-sailing is a finer, more
+difficult, and sturdier art than running a motor. Gasolene
+engines are becoming fool-proof, and while it is unfair to say
+that any fool can run an engine, it is fair to say that almost any
+one can. Not so, when it comes to sailing a boat. More skill,
+more intelligence, and a vast deal more training are necessary.
+It is the finest training in the world for boy and youth and man.
+If the boy is very small, equip him with a small, comfortable
+skiff. He will do the rest. He won't need to be taught. Shortly
+he will be setting a tiny leg-of-mutton and steering with an oar.
+Then he will begin to talk keels and centreboards and want to take
+his blankets out and stop aboard all night.
+
+But don't be afraid for him. He is bound to run risks and
+encounter accidents. Remember, there are accidents in the nursery
+as well as out on the water. More boys have died from hot-house
+culture than have died on boats large and small; and more boys
+have been made into strong and reliant men by boat-sailing than by
+lawn-croquet and dancing-school.
+
+And once a sailor, always a sailor. The savour of the salt never
+stales. The sailor never grows so old that he does not care to go
+back for one more wrestling bout with wind and wave. I know it of
+myself. I have turned rancher, and live beyond sight of the sea.
+Yet I can stay away from it only so long. After several months
+have passed, I begin to grow restless. I find myself day-dreaming
+over incidents of the last cruise, or wondering if the striped
+bass are running on Wingo Slough, or eagerly reading the
+newspapers for reports of the first northern flights of ducks.
+And then, suddenly, there is a hurried pack of suit-cases and
+overhauling of gear, and we are off for Vallejo where the little
+Roamer lies, waiting, always waiting, for the skiff to come
+alongside, for the lighting of the fire in the galley-stove, for
+the pulling off of gaskets, the swinging up of the mainsail, and
+the rat-tat-tat of the reef-points, for the heaving short and the
+breaking out, and for the twirling of the wheel as she fills away
+and heads up Bay or down.
+
+JACK LONDON
+On Board Roamer,
+Sonoma Creek,
+April 15, 1911
+
+
+
+FOUR HORSES AND A SAILOR
+
+
+
+"Huh! Drive four horses! I wouldn't sit behind you--not for a
+thousand dollars--over them mountain roads."
+
+So said Henry, and he ought to have known, for he drives four
+horses himself.
+
+Said another Glen Ellen friend: "What? London? He drive four
+horses? Can't drive one!"
+
+And the best of it is that he was right. Even after managing to
+get a few hundred miles with my four horses, I don't know how to
+drive one. Just the other day, swinging down a steep mountain
+road and rounding an abrupt turn, I came full tilt on a horse and
+buggy being driven by a woman up the hill. We could not pass on
+the narrow road, where was only a foot to spare, and my horses did
+not know how to back, especially up-hill. About two hundred yards
+down the hill was a spot where we could pass. The driver of the
+buggy said she didn't dare back down because she was not sure of
+the brake. And as I didn't know how to tackle one horse, I didn't
+try it. So we unhitched her horse and backed down by hand. Which
+was very well, till it came to hitching the horse to the buggy
+again. She didn't know how. I didn't either, and I had depended
+on her knowledge. It took us about half an hour, with frequent
+debates and consultations, though it is an absolute certainty that
+never in its life was that horse hitched in that particular way.
+
+No; I can't harness up one horse. But I can four, which compels
+me to back up again to get to my beginning. Having selected
+Sonoma Valley for our abiding place, Charmian and I decided it was
+about time we knew what we had in our own county and the
+neighbouring ones. How to do it, was the first question. Among
+our many weaknesses is the one of being old-fashioned. We don't
+mix with gasolene very well. And, as true sailors should, we
+naturally gravitate toward horses. Being one of those lucky
+individuals who carries his office under his hat, I should have to
+take a typewriter and a load of books along. This put saddle-
+horses out of the running. Charmian suggested driving a span.
+She had faith in me; besides, she could drive a span herself. But
+when I thought of the many mountains to cross, and of crossing
+them for three months with a poor tired span, I vetoed the
+proposition and said we'd have to come back to gasolene after all.
+This she vetoed just as emphatically, and a deadlock obtained
+until I received inspiration.
+
+"Why not drive four horses?" I said.
+
+"But you don't know how to drive four horses," was her objection.
+
+I threw my chest out and my shoulders back. "What man has done, I
+can do," I proclaimed grandly. "And please don't forget that when
+we sailed on the Snark I knew nothing of navigation, and that I
+taught myself as I sailed."
+
+"Very well," she said. (And there's faith for you! ) "They shall
+be four saddle horses, and we'll strap our saddles on behind the
+rig."
+
+It was my turn to object. "Our saddle horses are not broken to
+harness."
+
+"Then break them."
+
+And what I knew about horses, much less about breaking them, was
+just about as much as any sailor knows. Having been kicked,
+bucked off, fallen over backward upon, and thrown out and run
+over, on very numerous occasions, I had a mighty vigorous respect
+for horses; but a wife's faith must be lived up to, and I went at
+it.
+
+King was a polo pony from St. Louis, and Prince a many-gaited
+love-horse from Pasadena. The hardest thing was to get them to
+dig in and pull. They rollicked along on the levels and galloped
+down the hills, but when they struck an up-grade and felt the
+weight of the breaking-cart, they stopped and turned around and
+looked at me. But I passed them, and my troubles began. Milda
+was fourteen years old, an unadulterated broncho, and in
+temperament was a combination of mule and jack-rabbit blended
+equally. If you pressed your hand on her flank and told her to
+get over, she lay down on you. If you got her by the head and
+told her to back, she walked forward over you. And if you got
+behind her and shoved and told her to "Giddap!" she sat down on
+you. Also, she wouldn't walk. For endless weary miles I strove
+with her, but never could I get her to walk a step. Finally, she
+was a manger-glutton. No matter how near or far from the stable,
+when six o'clock came around she bolted for home and never missed
+the directest cross-road. Many times I rejected her.
+
+The fourth and most rejected horse of all was the Outlaw. From
+the age of three to seven she had defied all horse-breakers and
+broken a number of them. Then a long, lanky cowboy, with a fifty-
+pound saddle and a Mexican bit had got her proud goat. I was the
+next owner. She was my favourite riding horse. Charmian said I'd
+have to put her in as a wheeler where I would have more control
+over her. Now Charmian had a favourite riding mare called Maid.
+I suggested Maid as a substitute. Charmian pointed out that my
+mare was a branded range horse, while hers was a near-
+thoroughbred, and that the legs of her mare would be ruined
+forever if she were driven for three months. I acknowledged her
+mare's thoroughbredness, and at the same time defied her to find
+any thoroughbred with as small and delicately-viciously pointed
+ears as my Outlaw. She indicated Maid's exquisitely thin
+shinbone. I measured the Outlaw's. It was equally thin,
+although, I insinuated, possibly more durable. This stabbed
+Charmian's pride. Of course her near-thoroughbred Maid, carrying
+the blood of "old" Lexington, Morella, and a streak of the super-
+enduring Morgan, could run, walk, and work my unregistered Outlaw
+into the ground; and that was the very precise reason why such a
+paragon of a saddle animal should not be degraded by harness.
+
+So it was that Charmian remained obdurate, until, one day, I got
+her behind the Outlaw for a forty-mile drive. For every inch of
+those forty miles the Outlaw kicked and jumped, in between the
+kicks and jumps finding time and space in which to seize its team-
+mate by the back of the neck and attempt to drag it to the ground.
+Another trick the Outlaw developed during that drive was suddenly
+to turn at right angles in the traces and endeavour to butt its
+team-mate over the grade. Reluctantly and nobly did Charmian give
+in and consent to the use of Maid. The Outlaw's shoes were pulled
+off, and she was turned out on range.
+
+Finally, the four horses were hooked to the rig--a light
+Studebaker trap. With two hours and a half of practice, in which
+the excitement was not abated by several jack-poles and numerous
+kicking matches, I announced myself as ready for the start. Came
+the morning, and Prince, who was to have been a wheeler with Maid,
+showed up with a badly kicked shoulder. He did not exactly show
+up; we had to find him, for he was unable to walk. His leg
+swelled and continually swelled during the several days we waited
+for him. Remained only the Outlaw. In from pasture she came,
+shoes were nailed on, and she was harnessed into the wheel.
+Friends and relatives strove to press accident policies on me, but
+Charmian climbed up alongside, and Nakata got into the rear seat
+with the typewriter--Nakata, who sailed cabin-boy on the Snark for
+two years and who had shown himself afraid of nothing, not even of
+me and my amateur jamborees in experimenting with new modes of
+locomotion. And we did very nicely, thank you, especially after
+the first hour or so, during which time the Outlaw had kicked
+about fifty various times, chiefly to the damage of her own legs
+and the paintwork, and after she had bitten a couple of hundred
+times, to the damage of Maid's neck and Charmian's temper. It was
+hard enough to have her favourite mare in the harness without also
+enduring the spectacle of its being eaten alive.
+
+Our leaders were joys. King being a polo pony and Milda a rabbit,
+they rounded curves beautifully and darted ahead like coyotes out
+of the way of the wheelers. Milda's besetting weakness was a
+frantic desire not to have the lead-bar strike her hocks. When
+this happened, one of three things occurred: either she sat down
+on the lead-bar, kicked it up in the air until she got her back
+under it, or exploded in a straight-ahead, harness-disrupting
+jump. Not until she carried the lead-bar clean away and danced a
+break-down on it and the traces, did she behave decently. Nakata
+and I made the repairs with good old-fashioned bale-rope, which is
+stronger than wrought-iron any time, and we went on our way.
+
+In the meantime I was learning--I shall not say to tool a four-in-
+hand--but just simply to drive four horses. Now it is all right
+enough to begin with four work-horses pulling a load of several
+tons. But to begin with four light horses, all running, and a
+light rig that seems to outrun them--well, when things happen they
+happen quickly. My weakness was total ignorance. In particular,
+my fingers lacked training, and I made the mistake of depending on
+my eyes to handle the reins. This brought me up against a
+disastrous optical illusion. The bight of the off head-line,
+being longer and heavier than that of the off wheel-line, hung
+lower. In a moment requiring quick action, I invariably mistook
+the two lines. Pulling on what I thought was the wheel-line, in
+order to straighten the team, I would see the leaders swing
+abruptly around into a jack-pole. Now for sensations of sheer
+impotence, nothing can compare with a jack-pole, when the
+horrified driver beholds his leaders prancing gaily up the road
+and his wheelers jogging steadily down the road, all at the same
+time and all harnessed together and to the same rig.
+
+I no longer jack-pole, and I don't mind admitting how I got out of
+the habit. It was my eyes that enslaved my fingers into ill
+practices. So I shut my eyes and let the fingers go it alone.
+To-day my fingers are independent of my eyes and work
+automatically. I do not see what my fingers do. They just do it.
+All I see is the satisfactory result.
+
+Still we managed to get over the ground that first day--down sunny
+Sonoma Valley to the old town of Sonoma, founded by General
+Vallejo as the remotest outpost on the northern frontier for the
+purpose of holding back the Gentiles, as the wild Indians of those
+days were called. Here history was made. Here the last Spanish
+mission was reared; here the Bear flag was raised; and here Kit
+Carson, and Fremont, and all our early adventurers came and rested
+in the days before the days of gold.
+
+We swung on over the low, rolling hills, through miles of dairy
+farms and chicken ranches where every blessed hen is white, and
+down the slopes to Petaluma Valley. Here, in 1776, Captain Quiros
+came up Petaluma Creek from San Pablo Bay in quest of an outlet to
+Bodega Bay on the coast. And here, later, the Russians, with
+Alaskan hunters, carried skin boats across from Fort Ross to poach
+for sea-otters on the Spanish preserve of San Francisco Bay.
+Here, too, still later, General Vallejo built a fort, which still
+stands--one of the finest examples of Spanish adobe that remain to
+us. And here, at the old fort, to bring the chronicle up to date,
+our horses proceeded to make peculiarly personal history with
+astonishing success and dispatch. King, our peerless, polo-pony
+leader, went lame. So hopelessly lame did he go that no expert,
+then and afterward, could determine whether the lameness was in
+his frogs, hoofs, legs, shoulders, or head. Maid picked up a nail
+and began to limp. Milda, figuring the day already sufficiently
+spent and maniacal with manger-gluttony, began to rabbit-jump.
+All that held her was the bale-rope. And the Outlaw, game to the
+last, exceeded all previous exhibitions of skin-removing, paint-
+marring, and horse-eating.
+
+At Petaluma we rested over while King was returned to the ranch
+and Prince sent to us. Now Prince had proved himself an excellent
+wheeler, yet he had to go into the lead and let the Outlaw retain
+his old place. There is an axiom that a good wheeler is a poor
+leader. I object to the last adjective. A good wheeler makes an
+infinitely worse kind of a leader than that. I know . . . now. I
+ought to know. Since that day I have driven Prince a few hundred
+miles in the lead. He is neither any better nor any worse than
+the first mile he ran in the lead; and his worst is even extremely
+worse than what you are thinking. Not that he is vicious. He is
+merely a good-natured rogue who shakes hands for sugar, steps on
+your toes out of sheer excessive friendliness, and just goes on
+loving you in your harshest moments.
+
+But he won't get out of the way. Also, whenever he is reproved
+for being in the wrong, he accuses Milda of it and bites the back
+of her neck. So bad has this become that whenever I yell
+"Prince!" in a loud voice, Milda immediately rabbit-jumps to the
+side, straight ahead, or sits down on the lead-bar. All of which
+is quite disconcerting. Picture it yourself. You are swinging
+round a sharp, down-grade, mountain curve, at a fast trot. The
+rock wall is the outside of the curve. The inside of the curve is
+a precipice. The continuance of the curve is a narrow, unrailed
+bridge. You hit the curve, throwing the leaders in against the
+wall and making the polo-horse do the work. All is lovely. The
+leaders are hugging the wall like nestling doves. But the moment
+comes in the evolution when the leaders must shoot out ahead.
+They really must shoot, or else they'll hit the wall and miss the
+bridge. Also, behind them are the wheelers, and the rig, and you
+have just eased the brake in order to put sufficient snap into the
+manoeuvre. If ever team-work is required, now is the time. Milda
+tries to shoot. She does her best, but Prince, bubbling over with
+roguishness, lags behind. He knows the trick. Milda is half a
+length ahead of him. He times it to the fraction of a second.
+Maid, in the wheel, over-running him, naturally bites him. This
+disturbs the Outlaw, who has been behaving beautifully, and she
+immediately reaches across for Maid. Simultaneously, with a fine
+display of firm conviction that it's all Milda's fault, Prince
+sinks his teeth into the back of Milda's defenceless neck. The
+whole thing has occurred in less than a second. Under the
+surprise and pain of the bite, Milda either jumps ahead to the
+imminent peril of harness and lead-bar, or smashes into the wall,
+stops short with the lead-bar over her back, and emits a couple of
+hysterical kicks. The Outlaw invariably selects this moment to
+remove paint. And after things are untangled and you have had
+time to appreciate the close shave, you go up to Prince and
+reprove him with your choicest vocabulary. And Prince, gazelle-
+eyed and tender, offers to shake hands with you for sugar. I
+leave it to any one: a boat would never act that way.
+
+We have some history north of the Bay. Nearly three centuries and
+a half ago, that doughty pirate and explorer, Sir Francis Drake,
+combing the Pacific for Spanish galleons, anchored in the bight
+formed by Point Reyes, on which to-day is one of the richest dairy
+regions in the world. Here, less than two decades after Drake,
+Sebastien Carmenon piled up on the rocks with a silk-laden galleon
+from the Philippines. And in this same bay of Drake, long
+afterward, the Russian fur-poachers rendezvous'd their bidarkas
+and stole in through the Golden Gate to the forbidden waters of
+San Francisco Bay.
+
+Farther up the coast, in Sonoma County, we pilgrimaged to the
+sites of the Russian settlements. At Bodega Bay, south of what
+to-day is called Russian River, was their anchorage, while north
+of the river they built their fort. And much of Fort Ross still
+stands. Log-bastions, church, and stables hold their own, and so
+well, with rusty hinges creaking, that we warmed ourselves at the
+hundred-years-old double fireplace and slept under the hand-hewn
+roof beams still held together by spikes of hand-wrought iron.
+
+We went to see where history had been made, and we saw scenery as
+well. One of our stretches in a day's drive was from beautiful
+Inverness on Tomales Bay, down the Olema Valley to Bolinas Bay,
+along the eastern shore of that body of water to Willow Camp, and
+up over the sea-bluffs, around the bastions of Tamalpais, and down
+to Sausalito. From the head of Bolinas Bay to Willow Camp the
+drive on the edge of the beach, and actually, for half-mile
+stretches, in the waters of the bay itself, was a delightful
+experience. The wonderful part was to come. Very few San
+Franciscans, much less Californians, know of that drive from
+Willow Camp, to the south and east, along the poppy-blown cliffs,
+with the sea thundering in the sheer depths hundreds of feet below
+and the Golden Gate opening up ahead, disclosing smoky San
+Francisco on her many hills. Far off, blurred on the breast of
+the sea, can be seen the Farallones, which Sir Francis Drake
+passed on a S. W. course in the thick of what he describes as a
+"stynking fog." Well might he call it that, and a few other
+names, for it was the fog that robbed him of the glory of
+discovering San Francisco Bay.
+
+It was on this part of the drive that I decided at last I was
+learning real mountain-driving. To confess the truth, for
+delicious titillation of one's nerve, I have since driven over no
+mountain road that was worse, or better, rather, than that piece.
+
+And then the contrast! From Sausalito, over excellent, park-like
+boulevards, through the splendid redwoods and homes of Mill
+Valley, across the blossomed hills of Marin County, along the
+knoll-studded picturesque marshes, past San Rafael resting warmly
+among her hills, over the divide and up the Petaluma Valley, and
+on to the grassy feet of Sonoma Mountain and home. We covered
+fifty-five miles that day. Not so bad, eh, for Prince the Rogue,
+the paint-removing Outlaw, the thin-shanked thoroughbred, and the
+rabbit-jumper? And they came in cool and dry, ready for their
+mangers and the straw.
+
+Oh, we didn't stop. We considered we were just starting, and that
+was many weeks ago. We have kept on going over six counties which
+are comfortably large, even for California, and we are still
+going. We have twisted and tabled, criss-crossed our tracks, made
+fascinating and lengthy dives into the interior valleys in the
+hearts of Napa and Lake Counties, travelled the coast for hundreds
+of miles on end, and are now in Eureka, on Humboldt Bay, which was
+discovered by accident by the gold-seekers, who were trying to
+find their way to and from the Trinity diggings. Even here, the
+white man's history preceded them, for dim tradition says that the
+Russians once anchored here and hunted sea-otter before the first
+Yankee trader rounded the Horn, or the first Rocky Mountain
+trapper thirsted across the "Great American Desert" and trickled
+down the snowy Sierras to the sun-kissed land. No; we are not
+resting our horses here on Humboldt Bay. We are writing this
+article, gorging on abalones and mussels, digging clams, and
+catching record-breaking sea-trout and rock-cod in the intervals
+in which we are not sailing, motor-boating, and swimming in the
+most temperately equable climate we have ever experienced.
+
+These comfortably large counties! They are veritable empires.
+Take Humboldt, for instance. It is three times as large as Rhode
+Island, one and a half times as large as Delaware, almost as large
+as Connecticut, and half as large as Massachusetts. The pioneer
+has done his work in this north of the bay region, the foundations
+are laid, and all is ready for the inevitable inrush of population
+and adequate development of resources which so far have been no
+more than skimmed, and casually and carelessly skimmed at that.
+This region of the six counties alone will some day support a
+population of millions. In the meanwhile, O you home-seekers, you
+wealth-seekers, and, above all, you climate-seekers, now is the
+time to get in on the ground floor.
+
+Robert Ingersoll once said that the genial climate of California
+would in a fairly brief time evolve a race resembling the
+Mexicans, and that in two or three generations the Californians
+would be seen of a Sunday morning on their way to a cockfight with
+a rooster under each arm. Never was made a rasher generalisation,
+based on so absolute an ignorance of facts. It is to laugh. Here
+is a climate that breeds vigour, with just sufficient geniality to
+prevent the expenditure of most of that vigour in fighting the
+elements. Here is a climate where a man can work three hundred
+and sixty-five days in the year without the slightest hint of
+enervation, and where for three hundred and sixty-five nights he
+must perforce sleep under blankets. What more can one say? I
+consider myself somewhat of climate expert, having adventured
+among most of the climates of five out of the six zones. I have
+not yet been in the Antarctic, but whatever climate obtains there
+will not deter me from drawing the conclusion that nowhere is
+there a climate to compare with that of this region. Maybe I am
+as wrong as Ingersoll was. Nevertheless I take my medicine by
+continuing to live in this climate. Also, it is the only medicine
+I ever take.
+
+But to return to the horses. There is some improvement. Milda
+has actually learned to walk. Maid has proved her
+thoroughbredness by never tiring on the longest days, and, while
+being the strongest and highest spirited of all, by never causing
+any trouble save for an occasional kick at the Outlaw. And the
+Outlaw rarely gallops, no longer butts, only periodically kicks,
+comes in to the pole and does her work without attempting to
+vivisect Maid's medulla oblongata, and--marvel of marvels--is
+really and truly getting lazy. But Prince remains the same
+incorrigible, loving and lovable rogue he has always been.
+
+And the country we've been over! The drives through Napa and Lake
+Counties! One, from Sonoma Valley, via Santa Rosa, we could not
+refrain from taking several ways, and on all the ways we found the
+roads excellent for machines as well as horses. One route, and a
+more delightful one for an automobile cannot be found, is out from
+Santa Rosa, past old Altruria and Mark West Springs, then to the
+right and across to Calistoga in Napa Valley. By keeping to the
+left, the drive holds on up the Russian River Valley, through the
+miles of the noted Asti Vineyards to Cloverdale, and then by way
+of Pieta, Witter, and Highland Springs to Lakeport. Still another
+way we took, was down Sonoma Valley, skirting San Pablo Bay, and
+up the lovely Napa Valley. From Napa were side excursions through
+Pope and Berryessa Valleys, on to AEtna Springs, and still on,
+into Lake County, crossing the famous Langtry Ranch.
+
+Continuing up the Napa Valley, walled on either hand by great rock
+palisades and redwood forests and carpeted with endless vineyards,
+and crossing the many stone bridges for which the County is noted
+and which are a joy to the beauty-loving eyes as well as to the
+four-horse tyro driver, past Calistoga with its old mud-baths and
+chicken-soup springs, with St. Helena and its giant saddle ever
+towering before us, we climbed the mountains on a good grade and
+dropped down past the quicksilver mines to the canyon of the
+Geysers. After a stop over night and an exploration of the
+miniature-grand volcanic scene, we pulled on across the canyon and
+took the grade where the cicadas simmered audibly in the noon
+sunshine among the hillside manzanitas. Then, higher, came the
+big cattle-dotted upland pastures, and the rocky summit. And here
+on the summit, abruptly, we caught a vision, or what seemed a
+mirage. The ocean we had left long days before, yet far down and
+away shimmered a blue sea, framed on the farther shore by rugged
+mountains, on the near shore by fat and rolling farm lands. Clear
+Lake was before us, and like proper sailors we returned to our
+sea, going for a sail, a fish, and a swim ere the day was done and
+turning into tired Lakeport blankets in the early evening. Well
+has Lake County been called the Walled-in County. But the
+railroad is coming. They say the approach we made to Clear Lake
+is similar to the approach to Lake Lucerne. Be that as it may,
+the scenery, with its distant snow-capped peaks, can well be
+called Alpine.
+
+And what can be more exquisite than the drive out from Clear Lake
+to Ukiah by way of the Blue Lakes chain!--every turn bringing into
+view a picture of breathless beauty; every glance backward
+revealing some perfect composition in line and colour, the intense
+blue of the water margined with splendid oaks, green fields, and
+swaths of orange poppies. But those side glances and backward
+glances were provocative of trouble. Charmian and I disagreed as
+to which way the connecting stream of water ran. We still
+disagree, for at the hotel, where we submitted the affair to
+arbitration, the hotel manager and the clerk likewise disagreed.
+I assume, now, that we never will know which way that stream runs.
+Charmian suggests "both ways." I refuse such a compromise. No
+stream of water I ever saw could accomplish that feat at one and
+the same time. The greatest concession I can make is that
+sometimes it may run one way and sometimes the other, and that in
+the meantime we should both consult an oculist.
+
+More valley from Ukiah to Willits, and then we turned westward
+through the virgin Sherwood Forest of magnificent redwood,
+stopping at Alpine for the night and continuing on through
+Mendocino County to Fort Bragg and "salt water." We also came to
+Fort Bragg up the coast from Fort Ross, keeping our coast journey
+intact from the Golden Gate. The coast weather was cool and
+delightful, the coast driving superb. Especially in the Fort Ross
+section did we find the roads thrilling, while all the way along
+we followed the sea. At every stream, the road skirted dizzy
+cliff-edges, dived down into lush growths of forest and ferns and
+climbed out along the cliff-edges again. The way was lined with
+flowers--wild lilac, wild roses, poppies, and lupins. Such
+lupins!--giant clumps of them, of every lupin-shade and -colour.
+And it was along the Mendocino roads that Charmian caused many
+delays by insisting on getting out to pick the wild blackberries,
+strawberries, and thimble-berries which grew so profusely. And
+ever we caught peeps, far down, of steam schooners loading lumber
+in the rocky coves; ever we skirted the cliffs, day after day,
+crossing stretches of rolling farm lands and passing through
+thriving villages and saw-mill towns. Memorable was our launch-
+trip from Mendocino City up Big River, where the steering gears of
+the launches work the reverse of anywhere else in the world; where
+we saw a stream of logs, of six to twelve and fifteen feet in
+diameter, which filled the river bed for miles to the obliteration
+of any sign of water; and where we were told of a white or albino
+redwood tree. We did not see this last, so cannot vouch for it.
+
+All the streams were filled with trout, and more than once we saw
+the side-hill salmon on the slopes. No, side-hill salmon is not a
+peripatetic fish; it is a deer out of season. But the trout! At
+Gualala Charmian caught her first one. Once before in my life I
+had caught two . . . on angleworms. On occasion I had tried fly
+and spinner and never got a strike, and I had come to believe that
+all this talk of fly-fishing was just so much nature-faking. But
+on the Gualala River I caught trout--a lot of them--on fly and
+spinners; and I was beginning to feel quite an expert, until
+Nakata, fishing on bottom with a pellet of bread for bait, caught
+the biggest trout of all. I now affirm there is nothing in
+science nor in art. Nevertheless, since that day poles and
+baskets have been added to our baggage, we tackle every stream we
+come to, and we no longer are able to remember the grand total of
+our catch.
+
+At Usal, many hilly and picturesque miles north of Fort Bragg, we
+turned again into the interior of Mendocino, crossing the ranges
+and coming out in Humboldt County on the south fork of Eel River
+at Garberville. Throughout the trip, from Marin County north, we
+had been warned of "bad roads ahead." Yet we never found those
+bad roads. We seemed always to be just ahead of them or behind
+them. The farther we came the better the roads seemed, though
+this was probably due to the fact that we were learning more and
+more what four horses and a light rig could do on a road. And
+thus do I save my face with all the counties. I refuse to make
+invidious road comparisons. I can add that while, save in rare
+instances on steep pitches, I have trotted my horses down all the
+grades, I have never had one horse fall down nor have I had to
+send the rig to a blacksmith shop for repairs.
+
+Also, I am learning to throw leather. If any tyro thinks it is
+easy to take a short-handled, long-lashed whip, and throw the end
+of that lash just where he wants it, let him put on automobile
+goggles and try it. On reconsideration, I would suggest the
+substitution of a wire fencing-mask for the goggles. For days I
+looked at that whip. It fascinated me, and the fascination was
+composed mostly of fear. At my first attempt, Charmian and Nakata
+became afflicted with the same sort of fascination, and for a long
+time afterward, whenever they saw me reach for the whip, they
+closed their eyes and shielded their heads with their arms.
+
+Here's the problem. Instead of pulling honestly, Prince is
+lagging back and manoeuvring for a bite at Milda's neck. I have
+four reins in my hands. I must put these four reins into my left
+hand, properly gather the whip handle and the bight of the lash in
+my right hand, and throw that lash past Maid without striking her
+and into Prince. If the lash strikes Maid, her thoroughbredness
+will go up in the air, and I'll have a case of horse hysteria on
+my hands for the next half hour. But follow. The whole problem
+is not yet stated. Suppose that I miss Maid and reach the
+intended target. The instant the lash cracks, the four horses
+jump, Prince most of all, and his jump, with spread wicked teeth,
+is for the back of Milda's neck. She jumps to escape--which is
+her second jump, for the first one came when the lash exploded.
+The Outlaw reaches for Maid's neck, and Maid, who has already
+jumped and tried to bolt, tries to bolt harder. And all this
+infinitesimal fraction of time I am trying to hold the four
+animals with my left hand, while my whip-lash, writhing through
+the air, is coming back to me. Three simultaneous things I must
+do: keep hold of the four reins with my left hand; slam on the
+brake with my foot; and on the rebound catch that flying lash in
+the hollow of my right arm and get the bight of it safely into my
+right hand. Then I must get two of the four lines back into my
+right hand and keep the horses from running away or going over the
+grade. Try it some time. You will find life anything but
+wearisome. Why, the first time I hit the mark and made the lash
+go off like a revolver shot, I was so astounded and delighted that
+I was paralysed. I forgot to do any of the multitudinous other
+things, tangled the whip lash in Maid's harness, and was forced to
+call upon Charmian for assistance. And now, confession. I carry
+a few pebbles handy. They're great for reaching Prince in a tight
+place. But just the same I'm learning that whip every day, and
+before I get home I hope to discard the pebbles. And as long as I
+rely on pebbles, I cannot truthfully speak of myself as "tooling a
+four-in-hand."
+
+From Garberville, where we ate eel to repletion and got acquainted
+with the aborigines, we drove down the Eel River Valley for two
+days through the most unthinkably glorious body of redwood timber
+to be seen anywhere in California. From Dyerville on to Eureka,
+we caught glimpses of railroad construction and of great concrete
+bridges in the course of building, which advertised that at least
+Humboldt County was going to be linked to the rest of the world.
+
+We still consider our trip is just begun. As soon as this is
+mailed from Eureka, it's heigh ho! for the horses and pull on. We
+shall continue up the coast, turn in for Hoopa Reservation and the
+gold mines, and shoot down the Trinity and Klamath rivers in
+Indian canoes to Requa. After that, we shall go on through Del
+Norte County and into Oregon. The trip so far has justified us in
+taking the attitude that we won't go home until the winter rains
+drive us in. And, finally, I am going to try the experiment of
+putting the Outlaw in the lead and relegating Prince to his old
+position in the near wheel. I won't need any pebbles then.
+
+
+
+NOTHING THAT EVER CAME TO ANYTHING
+
+
+
+It was at Quito, the mountain capital of Ecuador, that the
+following passage at correspondence took place. Having occasion
+to buy a pair of shoes in a shop six feet by eight in size and
+with walls three feet thick, I noticed a mangy leopard skin on the
+floor. I had no Spanish. The shop-keeper had no English. But I
+was an adept at sign language. I wanted to know where I should go
+to buy leopard skins. On my scribble-pad I drew the interesting
+streets of a city. Then I drew a small shop, which, after much
+effort, I persuaded the proprietor into recognising as his shop.
+Next, I indicated in my drawing that on the many streets there
+were many shops. And, finally, I made myself into a living
+interrogation mark, pointing all the while from the mangy leopard
+skin to the many shops I had sketched.
+
+But the proprietor failed to follow me. So did his assistant.
+The street came in to help--that is, as many as could crowd into
+the six-by-eight shop; while those that could not force their way
+in held an overflow meeting on the sidewalk. The proprietor and
+the rest took turns at talking to me in rapid-fire Spanish, and,
+from the expressions on their faces, all concluded that I was
+remarkably stupid. Again I went through my programme, pointing on
+the sketch from the one shop to the many shops, pointing out that
+in this particular shop was one leopard skin, and then questing
+interrogatively with my pencil among all the shops. All regarded
+me in blank silence, until I saw comprehension suddenly dawn on
+the face of a small boy.
+
+"Tigres montanya!" he cried.
+
+This appealed to me as mountain tigers, namely, leopards; and in
+token that he understood, the boy made signs for me to follow him,
+which I obeyed. He led me for a quarter of a mile, and paused
+before the doorway of a large building where soldiers slouched on
+sentry duty and in and out of which went other soldiers.
+Motioning for me to remain, he ran inside.
+
+Fifteen minutes later he was out again, without leopard skins, but
+full of information. By means of my card, of my hotel card, of my
+watch, and of the boy's fingers, I learned the following: that at
+six o'clock that evening he would arrive at my hotel with ten
+leopard skins for my inspection. Further, I learned that the
+skins were the property of one Captain Ernesto Becucci. Also, I
+learned that the boy's name was Eliceo.
+
+The boy was prompt. At six o'clock he was at my room. In his
+hand was a small roll addressed to me. On opening it I found it
+to be manuscript piano music, the Hora Tranquila Valse, or
+"Tranquil Hour Waltz," by Ernesto Becucci. I came for leopard
+skins, thought I, and the owner sends me sheet music instead. But
+the boy assured me that he would have the skins at the hotel at
+nine next morning, and I entrusted to him the following letter of
+acknowledgment:
+
+
+"DEAR CAPTAIN BECUCCI:
+
+"A thousand thanks for your kind presentation of Hora Tranquila
+Valse. Mrs. London will play it for me this evening.
+
+Sincerely yours,
+
+"Jack London."
+
+
+Next morning Eliceo was back, but without the skins. Instead, he
+gave me a letter, written in Spanish, of which the following is a
+free translation:
+
+
+"To my dearest and always appreciated friend, I submit myself -
+
+"DEAR SIR:
+
+" I sent you last night an offering by the bearer of this note,
+and you returned me a letter which I translated.
+
+"Be it known to you, sir, that I am giving this waltz away in the
+best society, and therefore to your honoured self. Therefore it
+is beholden to you to recognise the attention, I mean by a
+tangible return, as this composition was made by myself. You will
+therefore send by your humble servant, the bearer, any offering,
+however minute, that you may be prompted to make. Send it under
+cover of an envelope. The bearer may be trusted.
+
+"I did not indulge in the pleasure of visiting your honourable
+self this morning, as I find my body not to be enjoying the normal
+exercise of its functions.
+
+"As regards the skins from the mountain, you shall be waited on by
+a small boy at seven o'clock at night with ten skins from which
+you may select those which most satisfy your aspirations.
+
+"In the hope that you will look upon this in the same light as
+myself, I beg to be allowed to remain,
+
+"Your most faithful servant,
+
+" CAPTAIN ERNESTO BECUCCI."
+
+
+Well, thought I, this Captain Ernesto Becucci has shown himself to
+be such an undependable person, that, while I don't mind rewarding
+him for his composition, I fear me if I do I never shall lay eyes
+on those leopard skins. So to Eliceo I gave this letter for the
+Captain:
+
+
+"MY DEAR CAPTAIN BECUCCI:
+
+"Have the boy bring the skins at seven o'clock this evening, when
+I shall be glad to look at them. This evening when the boy brings
+the skins, I shall be pleased to give him, in an envelope, for
+you, a tangible return for your musical composition.
+
+"Please put the price on each skin, and also let me know for what
+sum all the skins will sell together.
+
+"Sincerely yours,
+
+"JACK LONDON."
+
+
+Now, thought I, I have him. No skins, no tangible return; and
+evidently he is set on receiving that tangible return.
+
+At seven o'clock Eliceo was back, but without leopard skins. He
+handed me this letter:
+
+
+"SENOR LONDON:
+
+"I wish to instil in you the belief that I lost to-day, at half
+past three in the afternoon, the key to my cubicle. While
+distributing rations to the soldiers I dropped it. I see in this
+loss the act of God.
+
+"I received a letter from your honourable self, delivered by the
+one who bears you this poor response of mine. To-morrow I will
+burst open the door to permit me to keep my word with you. I feel
+myself eternally shamed not to be able to dominate the evils that
+afflict colonial mankind. Please send me the trifle that you
+offered me. Send me this proof of your appreciation by the
+bearer, who is to be trusted. Also give to him a small sum of
+money for himself, and earn the undying gratitude of
+
+Your most faithful servant,
+
+"CAPTAIN ERNESTO BECUCCI."
+
+
+Also, inclosed in the foregoing letter was the following original
+poem, e propos neither of leopard skins nor tangible returns, so
+far as I can make out:
+
+
+EFFUSION
+
+
+Thou canst not weep;
+Nor ask I for a year
+To rid me of my woes
+Or make my life more dear.
+
+The mystic chains that bound
+Thy all-fond heart to mine,
+Alas! asundered are
+For now and for all time.
+
+In vain you strove to hide,
+From vulgar gaze of man,
+The burning glance of love
+That none but Love can scan.
+
+Go on thy starlit way
+And leave me to my fate;
+Our souls must needs unite -
+But, God! 'twill be too late.
+
+
+To all and sundry of which I replied:
+
+
+"MY DEAR CAPTAIN BECUCCI:
+
+"I regret exceedingly to hear that by act of God, at half past
+three this afternoon, you lost the key to your cubicle. Please
+have the boy bring the skins at seven o'clock to-morrow morning,
+at which time, when he brings the skins, I shall be glad to make
+you that tangible return for your "Tranquil Hour Waltz."
+
+"Sincerely yours,
+
+"JACK LONDON."
+
+
+At seven o'clock came no skins, but the following:
+
+
+"SIR:
+
+"After offering you my most sincere respects, I beg to continue by
+telling you that no one, up to the time of writing, has treated me
+with such lack of attention. It was a present to GENTLEMEN who
+were to retain the piece of music, and who have all, without
+exception, made me a present of five dollars. It is beyond my
+humble capacity to believe that you, after having offered to send
+me money in an envelope, should fail to do so.
+
+"Send me, I pray of you, the money to remunerate the small boy for
+his repeated visits to you. Please be discreet and send it in an
+envelope by the bearer.
+
+"Last night I came to the hotel with the boy. You were dining. I
+waited more than an hour for you and then went to the theatre.
+Give the boy some small amount, and send me a like offering of
+larger proportions.
+
+"Awaiting incessantly a slight attention on your part,
+
+"CAPTAIN ERNESTO BECUCCI."
+
+
+And here, like one of George Moore's realistic studies, ends this
+intercourse with Captain Ernesto Becucci. Nothing happened.
+Nothing ever came to anything. He got no tangible return, and I
+got no leopard skins. The tangible return he might have got, I
+presented to Eliceo, who promptly invested it in a pair of
+trousers and a ticket to the bull-fight.
+
+(NOTE TO EDITOR.--This is a faithful narration of what actually
+happened in Quito, Ecuador.)
+
+
+
+THAT DEAD MEN RISE UP NEVER
+
+
+
+The month in which my seventeenth birthday arrived I signed on
+before the mast on the Sophie Sutherland, a three-topmast schooner
+bound on a seven-months' seal-hunting cruise to the coast of
+Japan. We sailed from San Francisco, and immediately I found
+confronting me a problem of no inconsiderable proportions. There
+were twelve men of us in the forecastle, ten of whom were
+hardened, tarry-thumbed sailors. Not alone was I a youth and on
+my first voyage, but I had for shipmates men who had come through
+the hard school of the merchant service of Europe. As boys, they
+had had to perform their ship's duty, and, in addition, by
+immemorial sea custom, they had had to be the slaves of the
+ordinary and able-bodied seamen. When they became ordinary seamen
+they were still the slaves of the able-bodied. Thus, in the
+forecastle, with the watch below, an able seaman, lying in his
+bunk, will order an ordinary seaman to fetch him his shoes or
+bring him a drink of water. Now the ordinary seaman may be lying
+in HIS bunk. He is just as tired as the able seaman. Yet he must
+get out of his bunk and fetch and carry. If he refuses, he will
+be beaten. If, perchance, he is so strong that he can whip the
+able seaman, then all the able seamen, or as many as may be
+necessary, pitch upon the luckless devil and administer the
+beating.
+
+My problem now becomes apparent. These hard-bit Scandinavian
+sailors had come through a hard school. As boys they had served
+their mates, and as able seamen they looked to be served by other
+boys. I was a boy--withal with a man's body. I had never been to
+sea before--withal I was a good sailor and knew my business. It
+was either a case of holding my own with them or of going under.
+I had signed on as an equal, and an equal I must maintain myself,
+or else endure seven months of hell at their hands. And it was
+this very equality they resented. By what right was I an equal?
+I had not earned that high privilege. I had not endured the
+miseries they had endured as maltreated boys or bullied
+ordinaries. Worse than that, I was a land-lubber making his first
+voyage. And yet, by the injustice of fate, on the ship's articles
+I was their equal.
+
+My method was deliberate, and simple, and drastic. In the first
+place, I resolved to do my work, no matter how hard or dangerous
+it might be, so well that no man would be called upon to do it for
+me. Further, I put ginger in my muscles. I never malingered when
+pulling on a rope, for I knew the eagle eyes of my forecastle
+mates were squinting for just such evidences of my inferiority. I
+made it a point to be among the first of the watch going on deck,
+among the last going below, never leaving a sheet or tackle for
+some one else to coil over a pin. I was always eager for the run
+aloft for the shifting of topsail sheets and tacks, or for the
+setting or taking in of topsails; and in these matters I did more
+than my share.
+
+Furthermore, I was on a hair-trigger of resentment myself. I knew
+better than to accept any abuse or the slightest patronizing. At
+the first hint of such, I went off-- I exploded. I might be
+beaten in the subsequent fight, but I left the impression that I
+was a wild-cat and that I would just as willingly fight again. My
+intention was to demonstrate that I would tolerate no imposition.
+I proved that the man who imposed on me must have a fight on his
+hands. And doing my work well, the innate justice of the men,
+assisted by their wholesome dislike for a clawing and rending
+wild-cat ruction, soon led them to give over their hectoring.
+After a bit of strife, my attitude was accepted, and it was my
+pride that I was taken in as an equal in spirit as well as in
+fact. From then on, everything was beautiful, and the voyage
+promised to be a happy one.
+
+But there was one other man in the forecastle. Counting the
+Scandinavians as ten, and myself as the eleventh, this man was the
+twelfth and last. We never knew his name, contenting ourselves
+with calling him the "Bricklayer." He was from Missouri--at least
+he so informed us in the one meagre confidence he was guilty of in
+the early days of the voyage. Also, at that time, we learned
+several other things. He was a brick-layer by trade. He had
+never even seen salt water until the week before he joined us, at
+which time he had arrived in San Francisco and looked upon San
+Francisco Bay. Why he, of all men, at forty years of age, should
+have felt the prod to go to sea, was beyond all of us; for it was
+our unanimous conviction that no man less fitted for the sea had
+ever embarked on it. But to sea he had come. After a week's stay
+in a sailors' boarding-house, he had been shoved aboard of us as
+an able seaman.
+
+All hands had to do his work for him. Not only did he know
+nothing, but he proved himself unable to learn anything. Try as
+they would, they could never teach him to steer. To him the
+compass must have been a profound and awful whirligig. He never
+mastered its cardinal points, much less the checking and steadying
+of the ship on her course. He never did come to know whether
+ropes should be coiled from left to right or from right to left.
+It was mentally impossible for him to learn the easy muscular
+trick of throwing his weight on a rope in pulling and hauling.
+The simplest knots and turns were beyond his comprehension, while
+he was mortally afraid of going aloft. Bullied by captain and
+mate, he was one day forced aloft. He managed to get underneath
+the crosstrees, and there he froze to the ratlines. Two sailors
+had to go after him to help him down.
+
+All of which was bad enough had there been no worse. But he was
+vicious, malignant, dirty, and without common decency. He was a
+tall, powerful man, and he fought with everybody. And there was
+no fairness in his fighting. His first fight on board, the first
+day out, was with me, when he, desiring to cut a plug of chewing
+tobacco, took my personal table-knife for the purpose, and
+whereupon, I, on a hair-trigger, promptly exploded. After that he
+fought with nearly every member of the crew. When his clothing
+became too filthy to be bearable by the rest of us, we put it to
+soak and stood over him while he washed it. In short, the
+Bricklayer was one of those horrible and monstrous things that one
+must see in order to be convinced that they exist.
+
+I will only say that he was a beast, and that we treated him like
+a beast. It is only by looking back through the years that I
+realise how heartless we were to him. He was without sin. He
+could not, by the very nature of things, have been anything else
+than he was. He had not made himself, and for his making he was
+not responsible. Yet we treated him as a free agent and held him
+personally responsible for all that he was and that he should not
+have been. As a result, our treatment of him was as terrible as
+he was himself terrible. Finally we gave him the silent
+treatment, and for weeks before he died we neither spoke to him
+nor did he speak to us. And for weeks he moved among us, or lay
+in his bunk in our crowded house, grinning at us his hatred and
+malignancy. He was a dying man, and he knew it, and we knew it.
+And furthermore, he knew that we wanted him to die. He cumbered
+our life with his presence, and ours was a rough life that made
+rough men of us. And so he died, in a small space crowded by
+twelve men and as much alone as if he had died on some desolate
+mountain peak. No kindly word, no last word, was passed between.
+He died as he had lived, a beast, and he died hating us and hated
+by us.
+
+And now I come to the most startling moment of my life. No sooner
+was he dead than he was flung overboard. He died in a night of
+wind, drawing his last breath as the men tumbled into their
+oilskins to the cry of "All hands!" And he was flung overboard,
+several hours later, on a day of wind. Not even a canvas wrapping
+graced his mortal remains; nor was he deemed worthy of bars of
+iron at his feet. We sewed him up in the blankets in which he
+died and laid him on a hatch-cover for'ard of the main-hatch on
+the port side. A gunnysack, half full of galley coal, was
+fastened to his feet.
+
+It was bitter cold. The weather-side of every rope, spar, and
+stay was coated with ice, while all the rigging was a harp,
+singing and shouting under the fierce hand of the wind. The
+schooner, hove to, lurched and floundered through the sea, rolling
+her scuppers under and perpetually flooding the deck with icy salt
+water. We of the forecastle stood in sea-boots and oilskins. Our
+hands were mittened, but our heads were bared in the presence of
+the death we did not respect. Our ears stung and numbed and
+whitened, and we yearned for the body to be gone. But the
+interminable reading of the burial service went on. The captain
+had mistaken his place, and while he read on without purpose we
+froze our ears and resented this final hardship thrust upon us by
+the helpless cadaver. As from the beginning, so to the end,
+everything had gone wrong with the Bricklayer. Finally, the
+captain's son, irritated beyond measure, jerked the book from the
+palsied fingers of the old man and found the place. Again the
+quavering voice of the captain arose. Then came the cue: "And
+the body shall be cast into the sea." We elevated one end of the
+hatch-cover, and the Bricklayer plunged outboard and was gone.
+
+Back into the forecastle we cleaned house, washing out the dead
+man's bunk and removing every vestige of him. By sea law and sea
+custom, we should have gathered his effects together and turned
+them over to the captain, who, later, would have held an auction
+in which we should have bid for the various articles. But no man
+wanted them, so we tossed them up on deck and overboard in the
+wake of the departed body--the last ill-treatment we could devise
+to wreak upon the one we had hated so. Oh, it was raw, believe
+me; but the life we lived was raw, and we were as raw as the life.
+
+The Bricklayer's bunk was better than mine. Less sea water leaked
+down through the deck into it, and the light was better for lying
+in bed and reading. Partly for this reason I proceeded to move
+into his bunk. My other reason was pride. I saw the sailors were
+superstitious, and by this act I determined to show that I was
+braver than they. I would cap my proved equality by a deed that
+would compel their recognition of my superiority. Oh, the
+arrogance of youth! But let that pass. The sailors were appalled
+by my intention. One and all, they warned me that in the history
+of the sea no man had taken a dead man's bunk and lived to the end
+of the voyage. They instanced case after case in their personal
+experience. I was obdurate. Then they begged and pleaded with
+me, and my pride was tickled in that they showed they really liked
+me and were concerned about me. This but served to confirm me in
+my madness. I moved in, and, lying in the dead man's bunk, all
+afternoon and evening listened to dire prophecies of my future.
+Also were told stories of awful deaths and gruesome ghosts that
+secretly shivered the hearts of all of us. Saturated with this,
+yet scoffing at it, I rolled over at the end of the second dog-
+watch and went to sleep.
+
+At ten minutes to twelve I was called, and at twelve I was dressed
+and on deck, relieving the man who had called me. On the sealing
+grounds, when hove to, a watch of only a single man is kept
+through the night, each man holding the deck for an hour. It was
+a dark night, though not a black one. The gale was breaking up,
+and the clouds were thinning. There should have been a moon, and,
+though invisible, in some way a dim, suffused radiance came from
+it. I paced back and forth across the deck amidships. My mind
+was filled with the event of the day and with the horrible tales
+my shipmates had told, and yet I dare to say, here and now, that I
+was not afraid. I was a healthy animal, and furthermore,
+intellectually, I agreed with Swinburne that dead men rise up
+never. The Bricklayer was dead, and that was the end of it. He
+would rise up never--at least, never on the deck of the Sophie
+Sutherland. Even then he was in the ocean depths miles to
+windward of our leeward drift, and the likelihood was that he was
+already portioned out in the maws of many sharks. Still, my mind
+pondered on the tales of the ghosts of dead men I had heard, and I
+speculated on the spirit world. My conclusion was that if the
+spirits of the dead still roamed the world they carried the
+goodness or the malignancy of the earth-life with them.
+Therefore, granting the hypothesis (which I didn't grant at all),
+the ghost of the Bricklayer was bound to be as hateful and
+malignant as he in life had been. But there wasn't any
+Bricklayer's ghost--that I insisted upon.
+
+A few minutes, thinking thus, I paced up and down. Then, glancing
+casually for'ard, along the port side, I leaped like a startled
+deer and in a blind madness of terror rushed aft along the poop,
+heading for the cabin. Gone was all my arrogance of youth and my
+intellectual calm. I had seen a ghost. There, in the dim light,
+where we had flung the dead man overboard, I had seen a faint and
+wavering form. Six-feet in length it was, slender, and of
+substance so attenuated that I had distinctly seen through it the
+tracery of the fore-rigging.
+
+As for me, I was as panic-stricken as a frightened horse. I, as
+I, had ceased to exist. Through me were vibrating the fibre-
+instincts of ten thousand generations of superstitious forebears
+who had been afraid of the dark and the things of the dark. I was
+not I. I was, in truth, those ten thousand forebears. I was the
+race, the whole human race, in its superstitious infancy. Not
+until part way down the cabin-companionway did my identity return
+to me. I checked my flight and clung to the steep ladder,
+suffocating, trembling, and dizzy. Never, before nor since, have
+I had such a shock. I clung to the ladder and considered. I
+could not doubt my senses. That I had seen something there was no
+discussion. But what was it? Either a ghost or a joke. There
+could be nothing else. If a ghost, the question was: would it
+appear again? If it did not, and I aroused the ship's officers, I
+would make myself the laughing stock of all on board. And by the
+same token, if it were a joke, my position would be still more
+ridiculous. If I were to retain my hard-won place of equality, it
+would never do to arouse any one until I ascertained the nature of
+the thing.
+
+I am a brave man. I dare to say so; for in fear and trembling I
+crept up the companion-way and went back to the spot from which I
+had first seen the thing. It had vanished. My bravery was
+qualified, however. Though I could see nothing, I was afraid to
+go for'ard to the spot where I had seen the thing. I resumed my
+pacing up and down, and though I cast many an anxious glance
+toward the dread spot, nothing manifested itself. As my
+equanimity returned to me, I concluded that the whole affair had
+been a trick of the imagination and that I had got what I deserved
+for allowing my mind to dwell on such matters.
+
+Once more my glances for'ard were casual, and not anxious; and
+then, suddenly, I was a madman, rushing wildly aft. I had seen
+the thing again, the long, wavering attenuated substance through
+which could be seen the fore-rigging. This time I had reached
+only the break of the poop when I checked myself. Again I
+reasoned over the situation, and it was pride that counselled
+strongest. I could not afford to make myself a laughing-stock.
+This thing, whatever it was, I must face alone. I must work it
+out myself. I looked back to the spot where we had tilted the
+Bricklayer. It was vacant. Nothing moved. And for a third time
+I resumed my amid-ships pacing.
+
+In the absence of the thing my fear died away and my intellectual
+poise returned. Of course it was not a ghost. Dead men did not
+rise up. It was a joke, a cruel joke. My mates of the
+forecastle, by some unknown means, were frightening me. Twice
+already must they have seen me run aft. My cheeks burned with
+shame. In fancy I could hear the smothered chuckling and laughter
+even then going on in the forecastle. I began to grow angry.
+Jokes were all very well, but this was carrying the thing too far.
+I was the youngest on board, only a youth, and they had no right
+to play tricks on me of the order that I well knew in the past had
+made raving maniacs of men and women. I grew angrier and angrier,
+and resolved to show them that I was made of sterner stuff and at
+the same time to wreak my resentment upon them. If the thing
+appeared again, I made my mind up that I would go up to it--
+furthermore, that I would go up to it knife in hand. When within
+striking distance, I would strike. If a man, he would get the
+knife-thrust he deserved. If a ghost, well, it wouldn't hurt the
+ghost any, while I would have learned that dead men did rise up.
+
+Now I was very angry, and I was quite sure the thing was a trick;
+but when the thing appeared a third time, in the same spot, long,
+attenuated, and wavering, fear surged up in me and drove most of
+my anger away. But I did not run. Nor did I take my eyes from
+the thing. Both times before, it had vanished while I was running
+away, so I had not seen the manner of its going. I drew my
+sheath-knife from my belt and began my advance. Step by step,
+nearer and nearer, the effort to control myself grew more severe.
+The struggle was between my will, my identity, my very self, on
+the one hand, and on the other, the ten thousand ancestors who
+were twisted into the fibres of me and whose ghostly voices were
+whispering of the dark and the fear of the dark that had been
+theirs in the time when the world was dark and full of terror.
+
+I advanced more slowly, and still the thing wavered and flitted
+with strange eerie lurches. And then, right before my eyes, it
+vanished. I saw it vanish. Neither to the right nor left did it
+go, nor backward. Right there, while I gazed upon it, it faded
+away, ceased to be. I didn't die, but I swear, from what I
+experienced in those few succeeding moments, that I know full well
+that men can die of fright. I stood there, knife in hand, swaying
+automatically to the roll of the ship, paralysed with fear. Had
+the Bricklayer suddenly seized my throat with corporeal fingers
+and proceeded to throttle me, it would have been no more than I
+expected. Dead men did rise up, and that would be the most likely
+thing the malignant Bricklayer would do.
+
+But he didn't seize my throat. Nothing happened. And, since
+nature abhors a status, I could not remain there in the one place
+forever paralysed. I turned and started aft. I did not run.
+What was the use? What chance had I against the malevolent world
+of ghosts? Flight, with me, was the swiftness of my legs. The
+pursuit, with a ghost, was the swiftness of thought. And there
+were ghosts. I had seen one.
+
+And so, stumbling slowly aft, I discovered the explanation of the
+seeming. I saw the mizzen topmast lurching across a faint
+radiance of cloud behind which was the moon. The idea leaped in
+my brain. I extended the line between the cloudy radiance and the
+mizzen-topmast and found that it must strike somewhere near the
+fore-rigging on the port side. Even as I did this, the radiance
+vanished. The driving clouds of the breaking gale were
+alternately thickening and thinning before the face of the moon,
+but never exposing the face of the moon. And when the clouds were
+at their thinnest, it was a very dim radiance that the moon was
+able to make. I watched and waited. The next time the clouds
+thinned I looked for'ard, and there was the shadow of the topmast,
+long and attenuated, wavering and lurching on the deck and against
+the rigging.
+
+This was my first ghost. Once again have I seen a ghost. It
+proved to be a Newfoundland dog, and I don't know which of us was
+the more frightened, for I hit that Newfoundland a full right-arm
+swing to the jaw. Regarding the Bricklayer's ghost, I will say
+that I never mentioned it to a soul on board. Also, I will say
+that in all my life I never went through more torment and mental
+suffering than on that lonely night-watch on the Sophie
+Sutherland.
+
+(TO THE EDITOR.--This is not a fiction. It is a true page out of
+my life.)
+
+
+
+A CLASSIC OF THE SEA
+
+
+
+Introduction to "Two Years before the Mast."
+
+
+Once in a hundred years is a book written that lives not alone for
+its own century but which becomes a document for the future
+centuries. Such a book is Dana's. When Marryat's and Cooper's
+sea novels are gone to dust, stimulating and joyful as they have
+been to generations of men, still will remain "Two Years Before
+the Mast."
+
+Paradoxical as it may seem, Dana's book is the classic of the sea,
+not because there was anything extraordinary about Dana, but for
+the precise contrary reason that he was just an ordinary, normal
+man, clear-seeing, hard-headed, controlled, fitted with adequate
+education to go about the work. He brought a trained mind to put
+down with untroubled vision what he saw of a certain phase of
+work-a-day life. There was nothing brilliant nor fly-away about
+him. He was not a genius. His heart never rode his head. He was
+neither overlorded by sentiment nor hag-ridden by imagination.
+Otherwise he might have been guilty of the beautiful exaggerations
+in Melville's "Typee" or the imaginative orgies in the latter's
+"Moby Dick." It was Dana's cool poise that saved him from being
+spread-eagled and flogged when two of his mates were so treated;
+it was his lack of abandon that prevented him from taking up
+permanently with the sea, that prevented him from seeing more than
+one poetical spot, and more than one romantic spot on all the
+coast of Old California. Yet these apparent defects were his
+strength. They enabled him magnificently to write, and for all
+time, the picture of the sea-life of his time.
+
+Written close to the middle of the last century, such has been the
+revolution worked in man's method of trafficking with the sea,
+that the life and conditions described in Dana's book have passed
+utterly away. Gone are the crack clippers, the driving captains,
+the hard-bitten but efficient foremast hands. Remain only
+crawling cargo tanks, dirty tramps, greyhound liners, and a
+sombre, sordid type of sailing ship. The only records broken to-
+day by sailing vessels are those for slowness. They are no longer
+built for speed, nor are they manned before the mast by as sturdy
+a sailor stock, nor aft the mast are they officered by sail-
+carrying captains and driving mates.
+
+Speed is left to the liners, who run the silk, and tea, and
+spices. Admiralty courts, boards of trade, and underwriters frown
+upon driving and sail-carrying. No more are the free-and-easy,
+dare-devil days, when fortunes were made in fast runs and lucky
+ventures, not alone for owners, but for captains as well. Nothing
+is ventured now. The risks of swift passages cannot be abided.
+Freights are calculated to the last least fraction of per cent.
+The captains do no speculating, no bargain-making for the owners.
+The latter attend to all this, and by wire and cable rake the
+ports of the seven seas in quest of cargoes, and through their
+agents make all business arrangements.
+
+It has been learned that small crews only, and large carriers
+only, can return a decent interest on the investment. The
+inevitable corollary is that speed and spirit are at a discount.
+There is no discussion of the fact that in the sailing merchant
+marine the seamen, as a class, have sadly deteriorated. Men no
+longer sell farms to go to sea. But the time of which Dana writes
+was the heyday of fortune-making and adventure on the sea--with
+the full connotation of hardship and peril always attendant.
+
+It was Dana's fortune, for the sake of the picture, that the
+Pilgrim was an average ship, with an average crew and officers,
+and managed with average discipline. Even the HAZING that took
+place after the California coast was reached, was of the average
+sort. The Pilgrim savoured not in any way of a hell-ship. The
+captain, while not the sweetest-natured man in the world, was only
+an average down-east driver, neither brilliant nor slovenly in his
+seamanship, neither cruel nor sentimental in the treatment of his
+men. While, on the one hand, there were no extra liberty days, no
+delicacies added to the meagre forecastle fare, nor grog or hot
+coffee on double watches, on the other hand the crew were not
+chronically crippled by the continual play of knuckle-dusters and
+belaying pins. Once, and once only, were men flogged or ironed--a
+very fair average for the year 1834, for at that time flogging on
+board merchant vessels was already well on the decline.
+
+The difference between the sea-life then and now can be no better
+epitomised than in Dana's description of the dress of the sailor
+of his day:
+
+"The trousers tight around the hips, and thence hanging long and
+loose around the feet, a superabundance of checked shirt, a low-
+crowned, well-varnished black hat, worn on the back of the head,
+with half a fathom of black ribbon hanging over the left eye, and
+a peculiar tie to the black silk neckerchief."
+
+Though Dana sailed from Boston only three-quarters of a century
+ago, much that is at present obsolete was then in full sway. For
+instance, the old word LARBOARD was still in use. He was a member
+of the LARBOARD watch. The vessel was on the LARBOARD tack. It
+was only the other day, because of its similarity in sound to
+starboard, that LARBOARD was changed to PORT. Try to imagine "All
+larboard bowlines on deck!" being shouted down into the forecastle
+of a present day ship. Yet that was the call used on the Pilgrim
+to fetch Dana and the rest of his watch on deck.
+
+The chronometer, which is merely the least imperfect time-piece
+man has devised, makes possible the surest and easiest method by
+far of ascertaining longitude. Yet the Pilgrim sailed in a day
+when the chronometer was just coming into general use. So little
+was it depended upon that the Pilgrim carried only one, and that
+one, going wrong at the outset, was never used again. A navigator
+of the present would be aghast if asked to voyage for two years,
+from Boston, around the Horn to California, and back again,
+without a chronometer. In those days such a proceeding was a
+matter of course, for those were the days when dead reckoning was
+indeed something to reckon on, when running down the latitude was
+a common way of finding a place, and when lunar observations were
+direly necessary. It may be fairly asserted that very few
+merchant officers of to-day ever make a lunar observation, and
+that a large percentage are unable to do it.
+
+"Sept. 22nd., upon coming on deck at seven bells in the morning we
+found the other watch aloft throwing water upon the sails, and
+looking astern we saw a small, clipper-built brig with a black
+hull heading directly after us. We went to work immediately, and
+put all the canvas upon the brig which we could get upon her,
+rigging out oars for studding-sail yards; and contined wetting
+down the sails by buckets of water whipped up to the mast-head . .
+. She was armed, and full of men, and showed no colours."
+
+The foregoing sounds like a paragraph from "Midshipman Easy" or
+the "Water Witch," rather than a paragraph from the soberest,
+faithfullest, and most literal chronicle of the sea ever written.
+And yet the chase by a pirate occurred, on board the brig Pilgrim,
+on September 22nd, 1834--something like only two generations ago.
+
+Dana was the thorough-going type of man, not overbalanced and
+erratic, without quirk or quibble of temperament. He was
+efficient, but not brilliant. His was a general all-round
+efficiency. He was efficient at the law; he was efficient at
+college; he was efficient as a sailor; he was efficient in the
+matter of pride, when that pride was no more than the pride of a
+forecastle hand, at twelve dollars a month, in his seaman's task
+well done, in the smart sailing of his captain, in the clearness
+and trimness of his ship.
+
+There is no sailor whose cockles of the heart will not warm to
+Dana's description of the first time he sent down a royal yard.
+Once or twice he had seen it done. He got an old hand in the crew
+to coach him. And then, the first anchorage at Monterey, being
+pretty THICK with the second mate, he got him to ask the mate to
+be sent up the first time the royal yards were struck.
+"Fortunately," as Dana describes it, "I got through without any
+word from the officer; and heard the 'well done' of the mate, when
+the yard reached the deck, with as much satisfaction as I ever
+felt at Cambridge on seeing a 'bene' at the foot of a Latin
+exercise."
+
+"This was the first time I had taken a weather ear-ring, and I
+felt not a little proud to sit astride of the weather yard-arm,
+past the ear-ring, and sing out 'Haul out to leeward!'" He had
+been over a year at sea before he essayed this able seaman's task,
+but he did it, and he did it with pride. And with pride, he went
+down a four-hundred foot cliff, on a pair of top-gallant studding-
+sail halyards bent together, to dislodge several dollars worth of
+stranded bullock hides, though all the acclaim he got from his
+mates was: "What a d-d fool you were to risk your life for half a
+dozen hides!"
+
+In brief, it was just this efficiency in pride, as well as work,
+that enabled Dana to set down, not merely the photograph detail of
+life before the mast and hide-droghing on the coast of California,
+but of the untarnished simple psychology and ethics of the
+forecastle hands who droghed the hides, stood at the wheel, made
+and took in sail, tarred down the rigging, holystoned the decks,
+turned in all-standing, grumbled as they cut about the kid,
+criticised the seamanship of their officers, and estimated the
+duration of their exile from the cubic space of the hide-house.
+
+JACK LONDON
+Glen Ellen, California,
+August 13, 1911.
+
+
+
+A WICKED WOMAN
+(Curtain Raiser)
+BY JACK LONDON
+
+
+
+Scene--California.
+Time--Afternoon of a summer day.
+
+CHARACTERS
+
+LORETTA, A sweet, young thing. Frightfully innocent. About
+nineteen years old. Slender, delicate, a fragile flower.
+Ingenuous.
+
+NED BASHFORD, A jaded young man of the world, who has
+philosophised his experiences and who is without faith in the
+veracity or purity of women.
+
+BILLY MARSH, A boy from a country town who is just about as
+innocent as Loretta. Awkward. Positive. Raw and callow youth.
+
+ALICE HEMINGWAY, A society woman, good-hearted, and a match-maker.
+
+JACK HEMINGWAY, Her husband.
+
+MAID.
+
+
+A WICKED WOMAN
+
+
+[Curtain rises on a conventional living room of a country house in
+California. It is the Hemingway house at Santa Clara. The room
+is remarkable for magnificent stone fireplace at rear centre. On
+either side of fireplace are generous, diamond-paned windows.
+Wide, curtained doorways to right and left. To left, front,
+table, with vase of flowers and chairs. To right, front, grand
+piano.]
+
+[Curtain discovers LORETTA seated at piano, not playing, her back
+to it, facing NED BASHFORD, who is standing.]
+
+LORETTA. [Petulantly, fanning herself with sheet of music.] No,
+I won't go fishing. It's too warm. Besides, the fish won't bite
+so early in the afternoon.
+
+NED. Oh, come on. It's not warm at all. And anyway, we won't
+really fish. I want to tell you something.
+
+LORETTA. [Still petulantly.] You are always wanting to tell me
+something.
+
+NED. Yes, but only in fun. This is different. This is serious.
+Our . . . my happiness depends upon it.
+
+LORETTA. [Speaking eagerly, no longer petulant, looking, serious
+and delighted, divining a proposal.] Then don't wait. Tell me
+right here.
+
+NED. [Almost threateningly.] Shall I?
+
+LORETTA. [Challenging.] Yes.
+
+[He looks around apprehensively as though fearing interruption,
+clears his throat, takes resolution, also takes LORETTA's hand.]
+
+[LORETTA is startled, timid, yet willing to hear, naively unable
+to conceal her love for him.]
+
+NED. [Speaking softly.] Loretta . . . I, . . . ever since I met
+you I have -
+
+[JACK HEMINGWAY appears in the doorway to the left, just
+entering.]
+
+[NED suddenly drops LORETTA's hand. He shows exasperation.]
+
+[LORETTA shows disappointment at interruption.]
+
+NED. Confound it
+
+LORETTA. [Shocked.] Ned! Why will you swear so?
+
+NED. [Testily.] That isn't swearing.
+
+LORETTA. What is it, pray?
+
+NED. Displeasuring.
+
+JACK HEMINGWAY. [Who is crossing over to right.] Squabbling
+again?
+
+LORETTA. [Indignantly and with dignity.] No, we're not.
+
+NED. [Gruffly.] What do you want now?
+
+JACK HEMINGWAY. [Enthusiastically.] Come on fishing.
+
+NED. [Snappily.] No. It's too warm.
+
+JACK HEMINGWAY. [Resignedly, going out right.] You needn't take
+a fellow's head off.
+
+LORETTA. I thought you wanted to go fishing.
+
+NED. Not with Jack.
+
+LORETTA. [Accusingly, fanning herself vigorously.] And you told
+me it wasn't warm at all.
+
+NED. [Speaking softly.] That isn't what I wanted to tell you,
+Loretta. [He takes her hand.] Dear Loretta -
+
+[Enter abruptly ALICE HEMINGWAY from right.]
+
+[LORETTA sharply jerks her hand away, and looks put out.]
+
+[NED tries not to look awkward.]
+
+ALICE HEMINGWAY. Goodness! I thought you'd both gone fishing!
+
+LORETTA. [Sweetly.] Is there anything you want, Alice?
+
+NED. [Trying to be courteous.] Anything I can do?
+
+ALICE HEMINGWAY. [Speaking quickly, and trying to withdraw.] No,
+no. I only came to see if the mail had arrived.
+
+LORETTA AND NED
+
+[Speaking together.] No, it hasn't arrived.
+
+LORETTA. [Suddenly moving toward door to right.] I am going to
+see.
+
+[NED looks at her reproachfully.]
+
+[LORETTA looks back tantalisingly from doorway and disappears.]
+
+[NED flings himself disgustedly into Morris chair.]
+
+ALICE HEMINGWAY. [Moving over and standing in front of him.
+Speaks accusingly.] What have you been saying to her?
+
+NED. [Disgruntled.] Nothing.
+
+ALICE HEMINGWAY. [Threateningly.] Now listen to me, Ned.
+
+NED. [Earnestly.] On my word, Alice, I've been saying nothing to
+her.
+
+ALICE HEMINGWAY. [With sudden change of front.] Then you ought
+to have been saying something to her.
+
+NED. [Irritably. Getting chair for her, seating her, and seating
+himself again.] Look here, Alice, I know your game. You invited
+me down here to make a fool of me.
+
+ALICE HEMINGWAY. Nothing of the sort, sir. I asked you down to
+meet a sweet and unsullied girl--the sweetest, most innocent and
+ingenuous girl in the world.
+
+NED. [Dryly.] That's what you said in your letter.
+
+ALICE HEMINGWAY. And that's why you came. Jack had been trying
+for a year to get you to come. He did not know what kind of a
+letter to write.
+
+NED. If you think I came because of a line in a letter about a
+girl I'd never seen -
+
+ALICE HEMINGWAY. [Mockingly.] The poor, jaded, world-worn man,
+who is no longer interested in women . . . and girls! The poor,
+tired pessimist who has lost all faith in the goodness of women -
+
+NED. For which you are responsible.
+
+ALICE HEMINGWAY. [Incredulously.] I?
+
+NED. You are responsible. Why did you throw me over and marry
+Jack?
+
+ALICE HEMINGWAY. Do you want to know?
+
+NED. Yes.
+
+ALICE HEMINGWAY. [Judiciously.] First, because I did not love
+you. Second, because you did not love me. [She smiles at his
+protesting hand and at the protesting expression on his face.]
+And third, because there were just about twenty-seven other women
+at that time that you loved, or thought you loved. That is why I
+married Jack. And that is why you lost faith in the goodness of
+women. You have only yourself to blame.
+
+NED. [Admiringly.] You talk so convincingly. I almost believe
+you as I listen to you. And yet I know all the time that you are
+like all the rest of your sex--faithless, unveracious, and . . .
+
+[He glares at her, but does not proceed.]
+
+ALICE HEMINGWAY. Go on. I'm not afraid.
+
+NED. [With finality.] And immoral.
+
+ALICE HEMINGWAY. Oh! You wretch!
+
+NED. [Gloatingly.] That's right. Get angry. You may break the
+furniture if you wish. I don't mind.
+
+ALICE HEMINGWAY. [With sudden change of front, softly.] And how
+about Loretta?
+
+[NED gasps and remains silent.]
+
+ALICE HEMINGWAY. The depths of duplicity that must lurk under
+that sweet and innocent exterior . . . according to your
+philosophy!
+
+NED. [Earnestly.] Loretta is an exception, I confess. She is
+all that you said in your letter. She is a little fairy, an
+angel. I never dreamed of anything like her. It is remarkable to
+find such a woman in this age.
+
+ALICE HEMINGWAY. [Encouragingly.] She is so naive.
+
+NED. [Taking the bait.] Yes, isn't she? Her face and her tongue
+betray all her secrets.
+
+ALICE HEMINGWAY. [Nodding her head.] Yes, I have noticed it.
+
+NED. [Delightedly.] Have you?
+
+ALICE HEMINGWAY. She cannot conceal anything. Do you know that
+she loves you?
+
+NED. [Falling into the trap, eagerly.] Do you think so?
+
+ALICE HEMINGWAY. [Laughing and rising.] And to think I once
+permitted you to make love to me for three weeks!
+
+[NED rises.]
+
+[MAID enters from left with letters, which she brings to ALICE
+HEMINGWAY.]
+
+ALICE HEMINGWAY. [Running over letters.] None for you, Ned.
+[Selecting two letters for herself.] Tradesmen. [Handing
+remainder of letters to MAID.] And three for Loretta. [Speaking
+to MAID.] Put them on the table, Josie.
+
+[MAID puts letters on table to left front, and makes exit to
+left.]
+
+NED. [With shade of jealousy.] Loretta seems to have quite a
+correspondence.
+
+ALICE HEMINGWAY. [With a sigh.] Yes, as I used to when I was a
+girl.
+
+NED. But hers are family letters.
+
+ALICE HEMINGWAY. Yes, I did not notice any from Billy.
+
+NED. [Faintly.] Billy?
+
+ALICE HEMINGWAY. [Nodding.] Of course she has told you about
+him?
+
+NED. [Gasping.] She has had lovers . . . already?
+
+ALICE HEMINGWAY. And why not? She is nineteen.
+
+NED. [Haltingly.] This . . . er . . . this Billy . . . ?
+
+ALICE HEMINGWAY. [Laughing and putting her hand reassuringly on
+his arm.] Now don't be alarmed, poor, tired philosopher. She
+doesn't love Billy at all.
+
+[LORETTA enters from right.]
+
+ALICE HEMINGWAY. [To LORETTA, nodding toward table.] Three
+letters for you.
+
+LORETTA. [Delightedly.] Oh! Thank you.
+
+[LORETTA trips swiftly across to table, looks at letters, sits
+down, opens letters, and begins to read.]
+
+NED. [Suspiciously.] But Billy?
+
+ALICE HEMINGWAY. I am afraid he loves her very hard. That is why
+she is here. They had to send her away. Billy was making life
+miserable for her. They were little children together--playmates.
+And Billy has been, well, importunate. And Loretta, poor child,
+does not know anything about marriage. That is all.
+
+NED. [Reassured.] Oh, I see.
+
+[ALICE HEMINGWAY starts slowly toward right exit, continuing
+conversation and accompanied by NED.]
+
+ALICE HEMINGWAY. [Calling to LORETTA.] Are you going fishing,
+Loretta?
+
+[LORETTA looks up from letter and shakes head.]
+
+ALICE HEMINGWAY. [To NED.] Then you're not, I suppose?
+
+NED. No, it's too warm.
+
+ALICE HEMINGWAY. Then I know the place for you.
+
+NED. Where?
+
+ALICE HEMINGWAY. Right here. [Looks significantly in direction
+of LORETTA.] Now is your opportunity to say what you ought to
+say.
+
+[ALICE HEMINGWAY laughs teasingly and goes out to right.]
+
+[NED hesitates, starts to follow her, looks at LORETTA, and stops.
+He twists his moustache and continues to look at her
+meditatively.]
+
+[LORETTA is unaware of his presence and goes on reading. Finishes
+letter, folds it, replaces in envelope, looks up, and discovers
+NED.]
+
+LORETTA. [Startled.] Oh! I thought you were gone.
+
+NED. [Walking across to her.] I thought I'd stay and finish our
+conversation.
+
+LORETTA. [Willingly, settling herself to listen.] Yes, you were
+going to . . . [Drops eyes and ceases talking.]
+
+NED. [Taking her hand, tenderly.] I little dreamed when I came
+down here visiting that I was to meet my destiny in--[Abruptly
+releases LORETTA's hand.]
+
+[MAID enters from left with tray.]
+
+[LORETTA glances into tray and discovers that it is empty. She
+looks inquiringly at MAID.]
+
+MAID. A gentleman to see you. He hasn't any card. He said for
+me to tell you that it was Billy.
+
+LORETTA. [Starting, looking with dismay and appeal to NED.] Oh!
+. . . Ned!
+
+NED [Gracefully and courteously, rising to his feet and preparing
+to go.] If you'll excuse me now, I'll wait till afterward to tell
+you what I wanted.
+
+LORETTA. [In dismay.] What shall I do?
+
+NED. [Pausing.] Don't you want to see him? [LORETTA shakes her
+head.] Then don't.
+
+LORETTA. [Slowly.] I can't do that. We are old friends. We . .
+. were children together. [To the MAID.] Send him in. [To NED,
+who has started to go out toward right.] Don't go, Ned.
+
+[MAID makes exit to left.]
+
+NED. [Hesitating a moment.] I'll come back.
+
+[NED makes exit to right.]
+
+[LORETTA, left alone on stage, shows perturbation and dismay.]
+
+[BILLY enters from left. Stands in doorway a moment. His shoes
+are dusty. He looks overheated. His eyes and face brighten at
+sight of LORETTA.]
+
+BILLY. [Stepping forward, ardently.] Loretta!
+
+LORETTA. [Not exactly enthusiastic in her reception, going slowly
+to meet him.] You never said you were coming.
+
+[BILLY shows that he expects to kiss her, but she merely shakes
+his hand.]
+
+BILLY. [Looking down at his very dusty shoes.] I walked from the
+station.
+
+LORETTA. If you had let me know, the carriage would have been
+sent for you.
+
+BILLY. [With expression of shrewdness.] If I had let you know,
+you wouldn't have let me come.
+
+[BILLY looks around stage cautiously, then tries to kiss her.]
+
+LORETTA. [Refusing to be kissed. ] Won't you sit down?
+
+BILLY. [Coaxingly.] Go on, just one. [LORETTA shakes head and
+holds him off.] Why not? We're engaged.
+
+LORETTA. [With decision. ] We're not. You know we're not. You
+know I broke it off the day before I came away. And . . . and . .
+. you'd better sit down.
+
+[BILLY sits down on edge of chair. LORETTA seats herself by
+table. Billy, without rising, jerks his chair forward till they
+are facing each other, his knees touching hers. He yearns toward
+her. She moves back her chair slightly.]
+
+BILLY. [With supreme confidence.] That's what I came to see you
+for--to get engaged over again.
+
+[BILLY hudges chair forward and tries to take her hand.]
+
+[LORETTA hudges her chair back.]
+
+BILLY. [Drawing out large silver watch and looking at it.] Now
+look here, Loretta, I haven't any time to lose. I've got to leave
+for that train in ten minutes. And I want you to set the day.
+
+LORETTA. But we're not engaged, Billy. So there can't be any
+setting of the day.
+
+BILLY. [With confidence.] But we're going to be. [Suddenly
+breaking out.] Oh, Loretta, if you only knew how I've suffered.
+That first night I didn't sleep a wink. I haven't slept much ever
+since. [Hudges chair forward.] I walk the floor all night.
+[Solemnly.] Loretta, I don't eat enough to keep a canary bird
+alive. Loretta . . . [Hudges chair forward.]
+
+LORETTA. [Hudging her chair back maternally.] Billy, what you
+need is a tonic. Have you seen Doctor Haskins?
+
+BILLY. [Looking at watch and evincing signs of haste.] Loretta,
+when a girl kisses a man, it means she is going to marry him.
+
+LORETTA. I know it, Billy. But . . . [She glances toward letters
+on table.] Captain Kitt doesn't want me to marry you. He says .
+. . [She takes letter and begins to open it.]
+
+BILLY. Never mind what Captain Kitt says. He wants you to stay
+and be company for your sister. He doesn't want you to marry me
+because he knows she wants to keep you.
+
+LORETTA. Daisy doesn't want to keep me. She wants nothing but my
+own happiness. She says--[She takes second letter from table and
+begins to open it.]
+
+BILLY. Never mind what Daisy says -
+
+LORETTA. [Taking third letter from table and beginning to open
+it.] And Martha says -
+
+BILLY. [Angrily.] Darn Martha and the whole boiling of them!
+
+LORETTA. [Reprovingly.] Oh, Billy!
+
+BILLY. [Defensively.] Darn isn't swearing, and you know it
+isn't.
+
+[There is an awkward pause. Billy has lost the thread of the
+conversation and has vacant expression.]
+
+BILLY. [Suddenly recollecting.] Never mind Captain Kitt, and
+Daisy, and Martha, and what they want. The question is, what do
+you want?
+
+LORETTA. [Appealingly.] Oh, Billy, I'm so unhappy.
+
+BILLY. [Ignoring the appeal and pressing home the point.] The
+thing is, do you want to marry me? [He looks at his watch.] Just
+answer that.
+
+LORETTA. Aren't you afraid you'll miss that train?
+
+BILLY. Darn the train!
+
+LORETTA. [Reprovingly.] Oh, Billy!
+
+BILLY. [Most irascibly.] Darn isn't swearing. [Plaintively.]
+That's the way you always put me off. I didn't come all the way
+here for a train. I came for you. Now just answer me one thing.
+Do you want to marry me?
+
+LORETTA. [Firmly.] No, I don't want to marry you.
+
+BILLY. [With assurance.] But you've got to, just the same.
+
+LORETTA. [With defiance.] Got to?
+
+BILLY. [With unshaken assurance.] That's what I said--got to.
+And I'll see that you do.
+
+LORETTA. [Blazing with anger.] I am no longer a child. You
+can't bully me, Billy Marsh!
+
+BILLY. [Coolly.] I'm not trying to bully you. I'm trying to
+save your reputation.
+
+LORETTA. [Faintly.] Reputation?
+
+BILLY. [Nodding.] Yes, reputation. [He pauses for a moment,
+then speaks very solemnly.] Loretta, when a woman kisses a man,
+she's got to marry him.
+
+LORETTA. [Appalled, faintly.] Got to?
+
+BILLY. [Dogmatically.] It is the custom.
+
+LORETTA. [Brokenly.] And when . . . a . . . a woman kisses a man
+and doesn't . . . marry him . . . ?
+
+BILLY. Then there is a scandal. That's where all the scandals
+you see in the papers come from.
+
+[BILLY looks at watch.]
+
+[LORETTA in silent despair.]
+
+LORETTA. [In abasement.] You are a good man, Billy. [Billy
+shows that he believes it.] And I am a very wicked woman.
+
+BILLY. No, you're not, Loretta. You just didn't know.
+
+LORETTA. [With a gleam of hope.] But you kissed me first.
+
+BILLY. It doesn't matter. You let me kiss you.
+
+LORETTA. [Hope dying down.] But not at first.
+
+BILLY. But you did afterward and that's what counts. You let me
+you in the grape-arbour. You let me -
+
+LORETTA. [With anguish] Don't! Don't!
+
+BILLY. [Relentlessly.]--kiss you when you were playing the piano.
+You let me kiss you that day of the picnic. And I can't remember
+all the times you let me kiss you good night.
+
+LORETTA. [Beginning to weep.] Not more than five.
+
+BILLY. [With conviction.] Eight at least.
+
+LORETTA. [Reproachfully, still weeping.] You told me it was all
+right.
+
+BILLY. [Emphatically.] So it was all right--until you said you
+wouldn't marry me after all. Then it was a scandal--only no one
+knows it yet. If you marry me no one ever will know it. [Looks
+at watch.] I've got to go. [Stands up.] Where's my hat?
+
+LORETTA. [Sobbing.] This is awful.
+
+BILLY. [Approvingly.] You bet it's awful. And there's only one
+way out. [Looks anxiously about for hat.] What do you say?
+
+LORETTA. [Brokenly.] I must think. I'll write to you.
+[Faintly.] The train? Your hat's in the hall.
+
+BILLY. [Looks at watch, hastily tries to kiss her, succeeds only
+in shaking hand, starts across stage toward left.] All right.
+You write to me. Write to-morrow. [Stops for a moment in door-
+way and speaks very solemnly.] Remember, Loretta, there must be
+no scandal.
+
+[Billy goes out.]
+
+[LORETTA sits in chair quietly weeping. Slowly dries eyes, rises
+from chair, and stands, undecided as to what she will do next.]
+
+[NED enters from right, peeping. Discovers that LORETTA is alone,
+and comes quietly across stage to her. When NED comes up to her
+she begins weeping again and tries to turn her head away. NED
+catches both her hands in his and compels her to look at him. She
+weeps harder.]
+
+NED. [Putting one arm protectingly around her shoulder and
+drawing her toward him.] There, there, little one, don't cry.
+
+LORETTA. [Turning her face to his shoulder like a tired child,
+sobbing.] Oh, Ned, if you only knew how wicked I am.
+
+NED. [Smiling indulgently.] What is the matter, little one? Has
+your dearly beloved sister failed to write to you? [LORETTA
+shakes head.] Has Hemingway been bullying you? [LORETTA shakes
+head.] Then it must have been that caller of yours? [Long pause,
+during which LORETTA's weeping grows more violent.] Tell me
+what's the matter, and we'll see what I can do. [He lightly
+kisses her hair--so lightly that she does not know.]
+
+LORETTA. [Sobbing.] I can't. You will despise me. Oh, Ned, I
+am so ashamed.
+
+NED. [Laughing incredulously.] Let us forget all about it. I
+want to tell you something that may make me very happy. My
+fondest hope is that it will make you happy, too. Loretta, I love
+you -
+
+LORETTA. [Uttering a sharp cry of delight, then moaning.] Too
+late!
+
+NED. [Surprised.] Too late?
+
+LORETTA. [Still moaning.] Oh, why did I? [NED somewhat
+stiffens.] I was so young. I did not know the world then.
+
+NED. What is it all about anyway?
+
+LORETTA. Oh, I . . . he . . . Billy . . . I am a wicked woman,
+Ned. I know you will never speak to me again.
+
+NED. This . . . er . . . this Billy--what has he been doing?
+
+LORETTA. I . . . he . . . I didn't know. I was so young. I
+could not help it. Oh, I shall go mad, I shall go mad!
+
+[NED's encircling arm goes limp. He gently disengages her and
+deposits her in big chair.]
+
+[LORETTA buries her face and sobs afresh.]
+
+NED. [Twisting moustache fiercely, regarding her dubiously,
+hesitating a moment, then drawing up chair and sitting down.] I .
+. . I do not understand.
+
+LORETTA. [Wailing.] I am so unhappy!
+
+NED. [Inquisitorially.] Why unhappy?
+
+LORETTA. Because . . . he . . . he wants to marry me.
+
+NED. [His face brightening instantly, leaning forward and laying
+a hand soothingly on hers.] That should not make any girl
+unhappy. Because you don't love him is no reason--[Abruptly
+breaking off.] Of course you don't love him? [LORETTA shakes her
+head and shoulders vigorously.] What?
+
+LORETTA. [Explosively.] No, I don't love Billy! I don't want to
+love Billy!
+
+NED. [With confidence.] Because you don't love him is no reason
+that you should be unhappy just because he has proposed to you.
+
+LORETTA. [Sobbing.] That's the trouble. I wish I did love him.
+Oh, I wish I were dead.
+
+NED. [Growing complacent.] Now my dear child, you are worrying
+yourself over trifles. [His second hand joins the first in
+holding her hands.] Women do it every day. Because you have
+changed your mind, or did not know you mind, because you have--to
+use an unnecessarily harsh word--jilted a man -
+
+LORETTA. [Interrupting, raising her head and looking at him.]
+Jilted? Oh Ned, if that were a all!
+
+NED. [Hollow voice.] All!
+
+[NED's hands slowly retreat from hers. He opens his mouth as
+though to speak further, then changes his mind and remains
+silent.]
+
+LORETTA. [Protestingly.] But I don't want to marry him!
+
+NED. Then I shouldn't.
+
+LORETTA. But I ought to marry him.
+
+NED. OUGHT to marry him? [LORETTA nods.] That is a strong word.
+
+LORETTA. [Nodding.] I know it is. [Her lips are trembling, but
+she strives for control and manages to speak more calmly.] I am a
+wicked woman. A terrible wicked woman. No one knows how wicked I
+am . . . except Billy.
+
+NED. [Starting, looking at her queerly.] He . . . Billy knows?
+[LORETTA nods. He debates with himself a moment.] Tell me about
+it. You must tell me all of it.
+
+LORETTA. [Faintly, as though about to weep again.] All of it?
+
+NED. [Firmly.] Yes, all of it.
+
+LORETTA. [Haltingly.] And . . . will . . . you . . . ever . . .
+forgive . . . me?
+
+NED. [Drawing a long, breath, desperately.] Yes, I'll forgive
+you. Go ahead.
+
+LORETTA. There was no one to tell me. We were with each other so
+much. I did not know anything of the world . . . then. [Pauses.]
+
+NED. [Impatiently.] Go on.
+
+LORETTA. If I had only known. [Pauses.]
+
+NED. [Biting his lip and clenching his hands.] Yes, yes. Go on.
+
+LORETTA. We were together almost every evening.
+
+NED. [Savagely.] Billy?
+
+LORETTA. Yes, of course, Billy. We were with each other so much
+. . . If I had only known . . . There was no one to tell me . . .
+I was so young . . . [Breaks down crying.]
+
+NED. [Leaping to his feet, explosively.] The scoundrel!
+
+LORETTA. [Lifting her head.] Billy is not a scoundrel . . . He .
+. . he . . . is a good man.
+
+NED. [Sarcastically.] I suppose you'll be telling me next that
+it was all your fault. [LORETTA nods.] What!
+
+LORETTA. [Steadily.] It was all my fault. I should never have
+let him. I was to blame.
+
+NED. [Paces up and down for a minute, stops in front of her, and
+speaks with resignation.] All right. I don't blame you in the
+least, Loretta. And you have been very honest. It is . . . er .
+. . commendable. But Billy is right, and you are wrong. You must
+get married.
+
+LORETTA. [In dim, far-away voice.] To Billy?
+
+NED. Yes, to Billy. I'll see to it. Where does he live? I'll
+make him. If he won't I'll . . . I'll shoot him!
+
+LORETTA. [Crying out with alarm.] Oh, Ned, you won't do that?
+
+NED. [Sternly.] I shall.
+
+LORETTA. But I don't want to marry Billy.
+
+NED. [Sternly.] You must. And Billy must. Do you understand?
+It is the only thing.
+
+LORETTA. That's what Billy said.
+
+NED. [Triumphantly.] You see, I am right.
+
+LORETTA. And if . . . if I don't marry him . . . there will be .
+. . scandal?
+
+NED. [Calmly.] Yes, there will be scandal.
+
+LORETTA. That's what Billy said. Oh, I am so unhappy!
+
+[LORETTA breaks down into violent weeping.]
+
+[NED paces grimly up and down, now and again fiercely twisting his
+moustache.]
+
+LORETTA. [Face buried, sobbing and crying all the time.]
+
+I don't want to leave Daisy! I don't want to leave Daisy! What
+shall I do? What shall I do? How was I to know? He didn't tell
+me. Nobody else ever kissed me. [NED stops curiously to listen.
+As he listens his face brightens.] I never dreamed a kiss could
+be so terrible . . . until . . . until he told me. He only told
+me this morning.
+
+NED. [Abruptly.] Is that what you are crying about?
+
+LORETTA. [Reluctantly.] N-no.
+
+NED. [In hopeless voice, the brightness gone out of his face,
+about to begin pacing again.] Then what are you crying about?
+
+LORETTA. Because you said I had to marry Billy. I don't want to
+marry Billy. I don't want to leave Daisy. I don't know what I
+want. I wish I were dead.
+
+NED. [Nerving himself for another effort.] Now look here,
+Loretta, be sensible. What is this about kisses? You haven't
+told me everything after all.
+
+LORETTA. I . . . I don't want to tell you everything.
+
+NED. [Imperatively.] You must.
+
+LORETTA. [Surrendering.] Well, then . . . must I?
+
+NED. You must.
+
+LORETTA. [Floundering.] He . . . I . . . we . . . I let him,
+and he kissed me.
+
+NED. [Desperately, controlling himself.] Go on.
+
+LORETTA. He says eight, but I can't think of more than five
+times.
+
+NED. Yes, go on.
+
+LORETTA. That's all.
+
+NED. [With vast incredulity.] All?
+
+LORETTA. [Puzzled.] All?
+
+NED. [Awkwardly.] I mean . . . er . . . nothing worse?
+
+LORETTA. [Puzzled.] Worse? As though there could be. Billy
+said -
+
+NED. [Interrupting.] When?
+
+LORETTA. This afternoon. Just now. Billy said that my . . . our
+. . . our . . . our kisses were terrible if we didn't get married.
+
+NED. What else did he say?
+
+LORETTA. He said that when a woman permitted a man to kiss her
+she always married him. That it was awful if she didn't. It was
+the custom, he said; and I say it is a bad, wicked custom, and it
+has broken my heart. I shall never be happy again. I know I am
+terrible, but I can't help it. I must have been born wicked.
+
+NED. [Absent-mindedly bringing out a cigarette and striking a
+match.] Do you mind if I smoke? [Coming to himself again, and
+flinging away match and cigarette.] I beg your pardon. I don't
+want to smoke. I didn't mean that at all. What I mean is . . .
+[He bends over LORETTA, catches her hands in his, then sits on arm
+of chair, softly puts one arm around her, and is about to kiss
+her.]
+
+LORETTA. [With horror, repulsing him.] No! No!
+
+NED. [Surprised.] What's the matter?
+
+LORETTA. [Agitatedly.] Would you make me a wickeder woman than I
+am?
+
+NED. A kiss?
+
+LORETTA. There will be another scandal. That would make two
+scandals.
+
+NED. To kiss the woman I love . . . a scandal?
+
+LORETTA. Billy loves me, and he said so.
+
+NED. Billy is a joker . . . or else he is as innocent as you.
+
+LORETTA. But you said so yourself.
+
+NED. [Taken aback.] I?
+
+LORETTA. Yes, you said it yourself, with your own lips, not ten
+minutes ago. I shall never believe you again.
+
+NED. [Masterfully putting arm around her and drawing her toward
+him.] And I am a joker, too, and a very wicked man.
+Nevertheless, you must trust me. There will be nothing wrong.
+
+LORETTA. [Preparing to yield.] And no . . . scandal?
+
+NED. Scandal fiddlesticks. Loretta, I want you to be my wife.
+[He waits anxiously.]
+
+[JACK HEMINGWAY, in fishing costume, appears in doorway to right
+and looks on.]
+
+NED. You might say something.
+
+LORETTA. I will . . . if . . .
+
+[ALICE HEMINGWAY appears in doorway to left and looks on.]
+
+NED. [In suspense.] Yes, go on.
+
+LORETTA. If I don't have to marry Billy.
+
+NED. [Almost shouting.] You can't marry both of us!
+
+LORETTA. [Sadly, repulsing him with her hands.] Then, Ned, I
+cannot marry you.
+
+NED. [Dumbfounded.] W-what?
+
+LORETTA. [Sadly.] Because I can't marry both of you.
+
+NED. Bosh and nonsense!
+
+LORETTA. I'd like to marry you, but . . .
+
+NED. There is nothing to prevent you.
+
+LORETTA. [With sad conviction.] Oh, yes, there is. You said
+yourself that I had to marry Billy. You said you would s-s-shoot
+him if he didn't.
+
+NED. [Drawing her toward him.] Nevertheless . . .
+
+LORETTA. [Slightly holding him off.] And it isn't the custom . .
+. what . . . Billy said?
+
+NED. No, it isn't the custom. Now, Loretta, will you marry me?
+
+LORETTA. [Pouting demurely.] Don't be angry with me, Ned. [He
+gathers her into his arms and kisses her. She partially frees
+herself, gasping.] I wish it were the custom, because now I'd
+have to marry you, Ned, wouldn't I?
+
+[NED and LORETTA kiss a second time and profoundly.]
+
+[JACK HEMINGWAY chuckles.]
+
+[NED and LORETTA, startled, but still in each other's arms, look
+around. NED looks sillily at ALICE HEMINGWAY. LORETTA looks at
+JACK HEMINGWAY.]
+
+LORETTA. I don't care.
+
+CURTAIN
+
+
+
+THE BIRTH MARK
+SKETCH BY JACK LONDON written for Robert and Julia Fitzsimmons
+
+
+
+SCENE--One of the club rooms of the West Bay Athletic Club. Near
+centre front is a large table covered with newspapers and
+magazines. At left a punching-bag apparatus. At right, against
+wall, a desk, on which rests a desk-telephone. Door at rear
+toward left. On walls are framed pictures of pugilists,
+conspicuous among which is one of Robert Fitzsimmons. Appropriate
+furnishings, etc., such as foils, clubs, dumb-bells and trophies.
+
+[Enter MAUD SYLVESTER.]
+
+[She is dressed as a man, in evening clothes, preferably a Tuxedo.
+In her hand is a card, and under her arm a paper-wrapped parcel.
+She peeps about curiously and advances to table. She is timorous
+and excited, elated and at the same time frightened. Her eyes are
+dancing with excitement.]
+
+MAUD. [Pausing by table.] Not a soul saw me. I wonder where
+everybody is. And that big brother of mine said I could not get
+in. [She reads back of card.] "Here is my card, Maudie. If you
+can use it, go ahead. But you will never get inside the door. I
+consider my bet as good as won." [Looking up, triumphantly.] You
+do, do you? Oh, if you could see your little sister now. Here
+she is, inside. [Pauses, and looks about.] So this is the West
+Bay Athletic Club. No women allowed. Well, here I am, if I don't
+look like one. [Stretches out one leg and then the other, and
+looks at them. Leaving card and parcel on table, she struts
+around like a man, looks at pictures of pugilists on walls,
+reading aloud their names and making appropriate remarks. But she
+stops before the portrait of Fitzsimmons and reads aloud.]
+"Robert Fitzsimmons, the greatest warrior of them all." [Clasps
+hands, and looking up at portrait murmurs.] Oh, you dear!
+
+[Continues strutting around, imitating what she considers are a
+man's stride and swagger, returns to table and proceeds to unwrap
+parcel.] Well, I'll go out like a girl, if I did come in like a
+man. [Drops wrapping paper on table and holds up a woman's long
+automobile cloak and a motor bonnet. Is suddenly startled by
+sound of approaching footsteps and glances in a frightened way
+toward door.] Mercy! Here comes somebody now! [Glances about
+her in alarm, drops cloak and bonnet on floor close to table,
+seizes a handful of newspapers, and runs to large leather chair to
+right of table, where she seats herself hurriedly. One paper she
+holds up before her, hiding her face as she pretends to read.
+Unfortunately the paper is upside down. The other papers lie on
+her lap.]
+
+[Enter ROBERT FITZSIMMONS.]
+
+[He looks about, advances to table, takes out cigarette case and
+is about to select one, when he notices motor cloak and bonnet on
+floor. He lays cigarette case on table and picks them up. They
+strike him as profoundly curious things to be in a club room. He
+looks at MAUD, then sees card on table. He picks it up and reach
+it to himself, then looks at her with comprehension. Hidden by
+her newspaper, she sees nothing. He looks at card again and reads
+and speaks in an aside.]
+
+FITZSIMMONS. "Maudie. John H. Sylvester." That must be Jack
+Sylvester's sister Maud. [FITZSIMMONS shows by his expression
+that he is going to play a joke. Tossing cloak and bonnet under
+the table he places card in his vest pocket, selects a chair, sits
+down, and looks at MAUD. He notes paper is upside down, is hugely
+tickled, and laughs silently.] Hello! [Newspaper is agitated by
+slight tremor. He speaks more loudly.] Hello! [Newspaper shakes
+badly. He speaks very loudly.] Hello!
+
+MAUD. [Peeping at him over top of paper and speaking
+hesitatingly.] H-h-hello!
+
+FITZSIMMONS. [Gruffly.] You are a queer one, reading a paper
+upside down.
+
+MAUD. [Lowering newspaper and trying to appear at ease.] It's
+quite a trick, isn't it? I often practise it. I'm real clever at
+it, you know.
+
+FITZSIMMONS. [Grunts, then adds.] Seems to me I have seen you
+before.
+
+MAUD. [Glancing quickly from his face to portrait and back
+again.] Yes, and I know you--You are Robert Fitzsimmons.
+
+FITZSIMMONS. I thought I knew you.
+
+MAUD. Yes, it was out in San Francisco. My people still live
+there. I'm just--ahem--doing New York.
+
+FITZSIMMONS. But I don't quite remember the name.
+
+MAUD. Jones--Harry Jones.
+
+FITZSIMMONS. [Hugely delighted, leaping from chair and striding
+over to her.] Sure. [Slaps her resoundingly on shoulder.]
+
+[She is nearly crushed by the weight of the blow, and at the same
+time shocked. She scrambles to her feet.]
+
+FITZSIMMONS. Glad to see you, Harry. [He wrings her hand, so
+that it hurts.] Glad to see you again, Harry. [He continues
+wringing her hand and pumping her arm.]
+
+MAUD. [Struggling to withdraw her hand and finally succeeding.
+Her voice is rather faint.] Ye-es, er . . . Bob . . . er . . .
+glad to see you again. [She looks ruefully at her bruised fingers
+and sinks into chair. Then, recollecting her part, she crosses
+her legs in a mannish way.]
+
+FITZSIMMONS. [Crossing to desk at right, against which he leans,
+facing her.] You were a wild young rascal in those San Francisco
+days. [Chuckling.] Lord, Lord, how it all comes back to me.
+
+MAUD. [Boastfully.] I was wild--some.
+
+FITZSIMMONS. [Grinning.] I should say! Remember that night I
+put you to bed?
+
+MAUD. [Forgetting herself, indignantly.] Sir!
+
+FITZSIMMONS. You were . . . er . . . drunk.
+
+MAUD. I never was!
+
+FITZSIMMONS. Surely you haven't forgotten that night! You began
+with dropping champagne bottles out of the club windows on the
+heads of the people on the sidewalk, and you wound up by
+assaulting a cabman. And let me tell you I saved you from a good
+licking right there, and squared it with the police. Don't you
+remember?
+
+MAUD. [Nodding hesitatingly.] Yes, it is beginning to come back
+to me. I was a bit tight that night.
+
+FITZSIMMONS. [Exultantly.] A bit tight! Why, before I could get
+you to bed you insisted on telling me the story of your life.
+
+MAUD. Did I? I don't remember that.
+
+FITZSIMMONS. I should say not. You were past remembering
+anything by that time. You had your arms around my neck -
+
+MAUD. [Interrupting.] Oh!
+
+FITZSIMMONS. And you kept repeating over and over, "Bob, dear
+Bob."
+
+MAUD. [Springing to her feet.] Oh! I never did! [Recollecting
+herself.] Perhaps I must have. I was a trifle wild in those
+days, I admit. But I'm wise now. I've sowed my wild oats and
+steadied down.
+
+FITZSIMMONS. I'm glad to hear that, Harry. You were tearing off
+a pretty fast pace in those days. [Pause, in which MAUD nods.]
+Still punch the bag?
+
+MAUD. [In quick alarm, glancing at punching bag.] No, I've got
+out of the hang of it.
+
+FITZSIMMONS. [Reproachfully.] You haven't forgotten that right-
+and-left, arm, elbow and shoulder movement I taught you?
+
+MAUD. [With hesitation.] N-o-o.
+
+FITZSIMMONS. [Moving toward bag to left.] Then, come on.
+
+MAUD. [Rising reluctantly and following.] I'd rather see you
+punch the bag. I'd just love to.
+
+FITZSIMMONS. I will, afterward. You go to it first.
+
+MAUD. [Eyeing the bag in alarm.] No; you. I'm out of practice.
+
+FITZSIMMONS. [Looking at her sharply.] How many drinks have you
+had to-night?
+
+MAUD. Not a one. I don't drink--that is--er--only occasionally.
+
+FITZSIMMONS. [Indicating bag.] Then go to it.
+
+MAUD. No; I tell you I am out of practice. I've forgotten it
+all. You see, I made a discovery.
+
+[Pauses.]
+
+FITZSIMMONS. Yes?
+
+MAUD. I--I--you remember what a light voice I always had--almost
+soprano?
+
+[FITZSIMMONS nods.]
+
+MAUD. Well, I discovered it was a perfect falsetto.
+
+[FITZSIMMONS nods.]
+
+MAUD. I've been practising it ever since. Experts, in another
+room, would swear it was a woman's voice. So would you, if you
+turned your back and I sang.
+
+FITZSIMMONS. [Who has been laughing incredulously, now becomes
+suspicious.] Look here, kid, I think you are an impostor. You
+are not Harry Jones at all.
+
+MAUD. I am, too.
+
+FITZSIMMONS. I don't believe it. He was heavier than you.
+
+MAUD. I had the fever last summer and lost a lot of weight.
+
+FITZSIMMONS. You are the Harry Jones that got sousesd and had to
+be put to bed?
+
+MAUD. Y-e-s.
+
+FITZSIMMONS. There is one thing I remember very distinctly.
+Harry Jones had a birth mark on his knee. [He looks at her legs
+searchingly.]
+
+MAUD. [Embarrassed, then resolving to carry it out.] Yes, right
+here. [She advances right leg and touches it.]
+
+FITZSIMMONS. [Triumphantly.] Wrong. It was the other knee.
+
+MAUD. I ought to know.
+
+FITZSIMMONS. You haven't any birth mark at all.
+
+MAUD. I have, too.
+
+FITZSIMMONS. [Suddenly springing to her and attempting to seize
+her leg.] Then we'll prove it. Let me see.
+
+MAUD. [In a panic backs away from him and resists his attempts,
+until grinning in an aside to the audience, he gives over. She,
+in an aside to audience.] Fancy his wanting to see my birth mark.
+
+FITZSIMMONS. [Bullying.] Then take a go at the bag. [She shakes
+her head.] You're not Harry Jones.
+
+MAUD. [Approaching punching bag.] I am, too.
+
+FITZSIMMONS. Then hit it.
+
+MAUD. [Resolving to attempt it, hits bag several nice blows, and
+then is struck on the nose by it.] Oh!
+
+[Recovering herself and rubbing her nose.] I told you I was out
+of practice. You punch the bag, Bob.
+
+FITZSIMMONS. I will, if you will show me what you can do with
+that wonderful soprano voice of yours.
+
+MAUD. I don't dare. Everybody would think there was a woman in
+the club.
+
+FITZSIMMONS. [Shaking his head.] No, they won't. They've all
+gone to the fight. There's not a soul in the building.
+
+MAUD. [Alarmed, in a weak voice.] Not--a--soul--in--the
+building?
+
+FITZSIMMONS. Not a soul. Only you and I.
+
+MAUD. [Starting hurriedly toward door.] Then I must go.
+
+FITZSIMMONS. What's your hurry? Sing.
+
+MAUD. [Turning back with new resolve.] Let me see you punch the
+bag,--er--Bob.
+
+FITZSIMMONS. You sing first.
+
+MAUD. No; you punch first.
+
+FITZSIMMONS. I don't believe you are Harry -
+
+MAUD. [Hastily.] All right, I'll sing. You sit down over there
+and turn your back.
+
+[FITZSIMMONS obeys.]
+
+[MAUD walks over to the table toward right. She is about to sing,
+when she notices FITZSIMMONS' cigarette case, picks it up, and in
+an aside reads his name on it and speaks.]
+
+MAUD. "Robert Fitzsimmons." That will prove to my brother that I
+have been here.
+
+FITZSIMMONS. Hurry up.
+
+[MAUD hastily puts cigarette case in her pocket and begins to
+sing.]
+
+SONG
+
+[During the song FITZSIMMONS turns his head slowly and looks at
+her with growing admiration.]
+
+MAUD. How did you like it?
+
+FITZSIMMONS. [Gruffly.] Rotten. Anybody could tell it was a
+boy's voice -
+
+MAUD. Oh!
+
+FITZSIMMONS. It is rough and coarse and it cracked on every high
+note.
+
+MAUD. Oh! Oh!
+
+[Recollecting herself and shrugging her shoulders.] Oh, very
+well. Now let's see if you can do any better with the bag.
+
+[FITZSIMMONS takes off coat and gives exhibition.]
+
+[MAUD looks on in an ecstasy of admiration.]
+
+MAUD. [As he finishes.] Beautiful! Beautiful!
+
+[FITZSIMMONS puts on coat and goes over and sits down near table.]
+Nothing like the bag to limber one up. I feel like a fighting
+cock. Harry, let's go out on a toot, you and I.
+
+MAUD. Wh-a-a-t?
+
+FITZSIMMONS. A toot. You know--one of those rip-snorting nights
+you used to make.
+
+MAUD. [Emphatically, as she picks up newspapers from leather
+chair, sits down, and places them on her lap.] I'll do nothing of
+the sort. I've--I've reformed.
+
+FITZSIMMONS. You used to joy-ride like the very devil.
+
+MAUD. I know it.
+
+FITZSIMMONS. And you always had a pretty girl or two along.
+
+MAUD. [Boastfully, in mannish, fashion.] Oh, I still have my
+fling. Do you know any--well,--er,--nice girls?
+
+FITZSIMMONS. Sure.
+
+MAUD. Put me wise.
+
+FITZSIMMONS. Sure. You know Jack Sylvester?
+
+MAUD. [Forgetting herself.] He's my brother -
+
+FITZSIMMONS. [Exploding.] What!
+
+MAUD. --In-law's first cousin.
+
+FITZSIMMONS. Oh!
+
+MAUD. So you see I don't know him very well. I only met him
+once--at the club. We had a drink together.
+
+FITZSIMMONS. Then you don't know his sister?
+
+MAUD. [Starting.] His sister? I--I didn't know he had a sister.
+
+FITZSIMMONS. [Enthusiastically.] She's a peach. A queen. A
+little bit of all right. A--a loo-loo.
+
+MAUD. [Flattered.] She is, is she?
+
+FITZSIMMONS. She's a scream. You ought to get acquainted with
+her.
+
+MAUD. [Slyly.] You know her, then?
+
+FITZSIMMONS. You bet.
+
+MAUD. [Aside.] Oh, ho! [To FITZSIMMONS.] Know her very well?
+
+FITZSIMMONS. I've taken her out more times than I can remember.
+You'll like her, I'm sure.
+
+MAUD. Thanks. Tell me some more about her.
+
+FITZSIMMONS. She dresses a bit loud. But you won't mind that.
+And whatever you do, don't take her to eat.
+
+MAUD. [Hiding her chagrin.] Why not?
+
+FITZSIMMONS. I never saw such an appetite -
+
+MAUD. Oh!
+
+FITZSIMMONS. It's fair sickening. She must have a tape-worm.
+And she thinks she can sing.
+
+MAUD. Yes?
+
+FITZSIMMONS. Rotten. You can do better yourself, and that's not
+saying much. She's a nice girl, really she is, but she is the
+black sheep of the family. Funny, isn't it?
+
+MAUD. [Weak voice.] Yes, funny.
+
+FITZSIMMONS. Her brother Jack is all right. But he can't do
+anything with her. She's a--a -
+
+MAUD. [Grimly.] Yes. Go on.
+
+FITZSIMMONS. A holy terror. She ought to be in a reform school.
+
+MAUD. [Springing to her feet and slamming newspapers in his
+face.] Oh! Oh! Oh! You liar! She isn't anything of the sort!
+
+FITZSIMMONS. [Recovering from the onslaught and making believe he
+is angry, advancing threateningly on her.] Now I'm going to put a
+head on you. You young hoodlum.
+
+MAUD. [All alarm and contrition, backing away from him.] Don't!
+Please don't! I'm sorry! I apologise. I--I beg your pardon,
+Bob. Only I don't like to hear girls talked about that way, even-
+-even if it is true. And you ought to know.
+
+FITZSIMMONS. [Subsiding and resuming seat.] You've changed a
+lot, I must say.
+
+MAUD. [Sitting down in leather chair.] I told you I'd reformed.
+Let us talk about something else. Why is it girls like prize-
+fighters? I should think--ahem--I mean it seems to me that girls
+would think prize-fighters horrid.
+
+FITZSIMMONS. They are men.
+
+MAUD. But there is so much crookedness in the game. One hears
+about it all the time.
+
+FITZSIMMONS. There are crooked men in every business and
+profession. The best fighters are not crooked.
+
+MAUD. I--er--I thought they all faked fights when there was
+enough in it.
+
+FITZSIMMONS. Not the best ones.
+
+MAUD. Did you--er --ever fake a fight?
+
+FITZSIMMONS. [Looking at her sharply, then speaking solemnly.]
+Yes. Once.
+
+MAUD. [Shocked, speaking sadly.] And I always heard of you and
+thought of you as the one clean champion who never faked.
+
+FITZSIMMONS. [Gently and seriously.] Let me tell you about it.
+It was down in Australia. I had just begun to fight my way up.
+It was with old Bill Hobart out at Rushcutters Bay. I threw the
+fight to him.
+
+MAUD. [Repelled, disgusted.] Oh! I could not have believed it
+of you.
+
+FITZSIMMONS. Let me tell you about it. Bill was an old fighter.
+Not an old man, you know, but he'd been in the fighting game a
+long time. He was about thirty-eight and a gamer man never
+entered the ring. But he was in hard luck. Younger fighters were
+coming up, and he was being crowded out. At that time it wasn't
+often he got a fight and the purses were small. Besides it was a
+drought year in Australia. You don't know what that means. It
+means that the rangers are starved. It means that the sheep are
+starved and die by the millions. It means that there is no money
+and no work, and that the men and women and kiddies starve.
+
+Bill Hobart had a missus and three kids and at the time of his
+fight with me they were all starving. They did not have enough to
+eat. Do you understand? They did not have enough to eat. And
+Bill did not have enough to eat. He trained on an empty stomach,
+which is no way to train you'll admit. During that drought year
+there was little enough money in the ring, but he had failed to
+get any fights. He had worked at long-shoring, ditch-digging,
+coal-shovelling--anything, to keep the life in the missus and the
+kiddies. The trouble was the jobs didn't hold out. And there he
+was, matched to fight with me, behind in his rent, a tough old
+chopping-block, but weak from lack of food. If he did not win the
+fight, the landlord was going to put them into the street.
+
+MAUD. But why would you want to fight with him in such weak
+condition?
+
+FITZSIMMONS. I did not know. I did not learn till at the
+ringside just before the fight. It was in the dressing rooms,
+waiting our turn to go on. Bill came out of his room, ready for
+the ring. "Bill," I said--in fun, you know. "Bill, I've got to
+do you to-night." He said nothing, but he looked at me with the
+saddest and most pitiful face I have ever seen. He went back into
+his dressing room and sat down.
+
+"Poor Bill!" one of my seconds said. "He's been fair starving
+these last weeks. And I've got it straight, the landlord chucks
+him out if he loses to-night."
+
+Then the call came and we went into the ring. Bill was desperate.
+He fought like a tiger, a madman. He was fair crazy. He was
+fighting for more than I was fighting for. I was a rising
+fighter, and I was fighting for the money and the recognition.
+But Bill was fighting for life--for the life of his loved ones.
+
+ Well, condition told. The strength went out of him, and I was
+fresh as a daisy. "What's the matter, Bill?" I said to him in a
+clinch. "You're weak." "I ain't had a bit to eat this day," he
+answered. That was all.
+
+By the seventh round he was about all in, hanging on and panting
+and sobbing for breath in the clinches, and I knew I could put him
+out any time. I drew back my right for the short-arm jab that
+would do the business. He knew it was coming, and he was
+powerless to prevent it.
+
+"For the love of God, Bob," he said; and--[Pause.]
+
+MAUD. Yes? Yes?
+
+FITZSIMMONS. I held back the blow. We were in a clinch.
+
+"For the love of God, Bob," he said again, "the misses and the
+kiddies!"
+
+And right there I saw and knew it all. I saw the hungry children
+asleep, and the missus sitting up and waiting for Bill to come
+home, waiting to know whether they were to have food to eat or be
+thrown out in the street.
+
+"Bill," I said, in the next clinch, so low only he could hear.
+"Bill, remember the La Blanche swing. Give it to me, hard."
+
+We broke away, and he was tottering and groggy. He staggered away
+and started to whirl the swing. I saw it coming. I made believe
+I didn't and started after him in a rush. Biff! It caught me on
+the jaw, and I went down. I was young and strong. I could eat
+punishment. I could have got up the first second. But I lay
+there and let them count me out. And making believe I was still
+dazed, I let them carry me to my corner and work to bring me to.
+[Pause.]
+
+Well, I faked that fight.
+
+MAUD. [Springing to him and shaking his hand.] Thank God! Oh!
+You are a man! A--a--a hero!
+
+FITZSIMMONS. [Dryly, feeling in his pocket.] Let's have a smoke.
+[He fails to find cigarette case.]
+
+MAUD. I can't tell you how glad I am you told me that.
+
+FITZSIMMONS. [Gruffly.] Forget it. [He looks on table, and
+fails to find cigarette case. Looks at her suspiciously, then
+crosses to desk at right and reaches for telephone.]
+
+MAUD. [Curiously.] What are you going to do?
+
+FITZSIMMONS. Call the police.
+
+MAUD. What for?
+
+FITZSIMMONS. For you.
+
+MAUD. For me?
+
+FITZSIMMONS. You are not Harry Jones. And not only are you an
+impostor, but you are a thief.
+
+MAUD. [Indignantly.] How dare you?
+
+FITZSIMMONS. You have stolen my cigarette case.
+
+MAUD. [Remembering and taken aback, pulls out cigarette case.]
+Here it is.
+
+FITZSIMMONS. Too late. It won't save you. This club must be
+kept respectable. Thieves cannot be tolerated.
+
+MAUD. [Growing alarm.] But you won't have me arrested?
+
+FITZSIMMONS. I certainly will.
+
+MAUD. [Pleadingly.] Please! Please!
+
+FITZSIMMONS. [Obdurately.] I see no reason why I should not.
+
+MAUD. [Hurriedly, in a panic.] I'll give you a reason--a--a good
+one. I--I--am not Harry Jones.
+
+FITZSIMMONS. [Grimly.] A good reason in itself to call in the
+police.
+
+MAUD. That isn't the reason. I'm--a--Oh! I'm so ashamed.
+
+FITZSIMMONS. [Sternly.] I should say you ought to be. [Reaches
+for telephone receiver.]
+
+MAUD. [In rush of desperation.] Stop! I'm a--I'm a--a girl.
+There! [Sinks down in chair, burying her face in her hands.]
+
+[FITZSIMMONS, hanging up receiver, grunts.]
+
+[MAUD removes hands and looks at him indignantly. As she speaks
+her indignation grows.]
+
+MAUD. I only wanted your cigarette case to prove to my brother
+that I had been here. I--I'm Maud Sylvester, and you never took
+me out once. And I'm not a black sheep. And I don't dress
+loudly, and I haven't a--a tapeworm.
+
+FITZSIMMONS. [Grinning and pulling out card from vest pocket.]
+I knew you were Miss Sylvester all the time.
+
+MAUD. Oh! You brute! I'll never speak to you again.
+
+FITZSIMMONS. [Gently.] You'll let me see you safely out of here.
+
+MAUD. [Relenting.] Ye-e-s. [She rises, crosses to table, and is
+about to stoop for motor cloak and bonnet, but he forestall her,
+holds cloak and helps her into it.] Thank you. [She takes off
+wig, fluffs her own hair becomingly, and puts on bonnet, looking
+every inch a pretty young girl, ready for an automobile ride.]
+
+FITZSIMMONS. [Who, all the time, watching her transformation, has
+been growing bashful, now handing her the cigarette case.] Here's
+the cigarette case. You may k-k-keep it.
+
+MAUD. [Looking at him, hesitates, then takes it.] I thank you--
+er--Bob. I shall treasure it all my life. [He is very
+embarrassed.] Why, I do believe you're bashful. What is the
+matter?
+
+FITZSIMMONS. [Stammering.] Why--I--you-- You are a girl--and--a-
+-a--deuced pretty one.
+
+MAUD. [Taking his arm, ready to start for door.] But you knew it
+all along.
+
+FITZSIMMONS. But it's somehow different now when you've got your
+girl's clothes on.
+
+MAUD. But you weren't a bit bashful--or nice, when--you--you--
+[Blurting it out.] Were so anxious about birth marks.
+
+[They start to make exit.]
+
+CURTAIN
+
+
+
+
+
+End of The Project Gutenberg Etext of The Human Drift, by Jack London
+