summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--1668-0.txt1201
-rw-r--r--1668-0.zipbin0 -> 25964 bytes
-rw-r--r--1668-h.zipbin0 -> 27698 bytes
-rw-r--r--1668-h/1668-h.htm1357
-rw-r--r--1668.txt1200
-rw-r--r--1668.zipbin0 -> 25858 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/tpsch10.txt1169
-rw-r--r--old/tpsch10.zipbin0 -> 24176 bytes
11 files changed, 4943 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/1668-0.txt b/1668-0.txt
new file mode 100644
index 0000000..7a098ed
--- /dev/null
+++ b/1668-0.txt
@@ -0,0 +1,1201 @@
+The Project Gutenberg EBook of The Tapestried Chamber, and Death of the
+Laird’s Jock, by Sir Walter Scott
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Tapestried Chamber, and Death of the Laird’s Jock
+
+Author: Sir Walter Scott
+
+Posting Date: November 17, 2008 [EBook #1668]
+Release Date: March, 1999
+Last Updated: August 31, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+
+
+
+Produced by An Anonymous Volunteer
+
+
+
+
+
+THE TAPESTRIED CHAMBER
+
+by Sir Walter Scott
+
+
+
+
+INTRODUCTION.
+
+This is another little story from The Keepsake of 1828. It was told
+to me many years ago by the late Miss Anna Seward, who, among other
+accomplishments that rendered her an amusing inmate in a country house,
+had that of recounting narratives of this sort with very considerable
+effect--much greater, indeed, than any one would be apt to guess from
+the style of her written performances. There are hours and moods when
+most people are not displeased to listen to such things; and I have
+heard some of the greatest and wisest of my contemporaries take their
+share in telling them.
+
+AUGUST 1831
+
+
+
+
+THE TAPESTRIED CHAMBER;
+
+OR,
+
+THE LADY IN THE SACQUE.
+
+The following narrative is given from the pen, so far as memory permits,
+in the same character in which it was presented to the author’s ear; nor
+has he claim to further praise, or to be more deeply censured, than
+in proportion to the good or bad judgment which he has employed in
+selecting his materials, as he has studiously avoided any attempt at
+ornament which might interfere with the simplicity of the tale.
+
+At the same time, it must be admitted that the particular class of
+stories which turns on the marvellous possesses a stronger influence
+when told than when committed to print. The volume taken up at noonday,
+though rehearsing the same incidents, conveys a much more feeble
+impression than is achieved by the voice of the speaker on a circle of
+fireside auditors, who hang upon the narrative as the narrator details
+the minute incidents which serve to give it authenticity, and lowers his
+voice with an affectation of mystery while he approaches the fearful
+and wonderful part. It was with such advantages that the present writer
+heard the following events related, more than twenty years since, by
+the celebrated Miss Seward of Litchfield, who, to her numerous
+accomplishments, added, in a remarkable degree, the power of narrative
+in private conversation. In its present form the tale must necessarily
+lose all the interest which was attached to it by the flexible voice and
+intelligent features of the gifted narrator. Yet still, read aloud to an
+undoubting audience by the doubtful light of the closing evening, or in
+silence by a decaying taper, and amidst the solitude of a half-lighted
+apartment, it may redeem its character as a good ghost story. Miss
+Seward always affirmed that she had derived her information from an
+authentic source, although she suppressed the names of the two persons
+chiefly concerned. I will not avail myself of any particulars I may have
+since received concerning the localities of the detail, but suffer them
+to rest under the same general description in which they were first
+related to me; and for the same reason I will not add to or diminish the
+narrative by any circumstance, whether more or less material, but simply
+rehearse, as I heard it, a story of supernatural terror.
+
+About the end of the American war, when the officers of Lord
+Cornwallis’s army, which surrendered at Yorktown, and others, who had
+been made prisoners during the impolitic and ill-fated controversy, were
+returning to their own country, to relate their adventures, and repose
+themselves after their fatigues, there was amongst them a general
+officer, to whom Miss S. gave the name of Browne, but merely, as I
+understood, to save the inconvenience of introducing a nameless agent
+in the narrative. He was an officer of merit, as well as a gentleman of
+high consideration for family and attainments.
+
+Some business had carried General Browne upon a tour through the western
+counties, when, in the conclusion of a morning stage, he found himself
+in the vicinity of a small country town, which presented a scene of
+uncommon beauty, and of a character peculiarly English.
+
+The little town, with its stately old church, whose tower bore testimony
+to the devotion of ages long past, lay amidst pastures and cornfields of
+small extent, but bounded and divided with hedgerow timber of great age
+and size. There were few marks of modern improvement. The environs of
+the place intimated neither the solitude of decay nor the bustle of
+novelty; the houses were old, but in good repair; and the beautiful
+little river murmured freely on its way to the left of the town, neither
+restrained by a dam nor bordered by a towing-path.
+
+Upon a gentle eminence, nearly a mile to the southward of the town, were
+seen, amongst many venerable oaks and tangled thickets, the turrets of
+a castle as old as the walls of York and Lancaster, but which seemed to
+have received important alterations during the age of Elizabeth and
+her successor, It had not been a place of great size; but whatever
+accommodation it formerly afforded was, it must be supposed, still to
+be obtained within its walls. At least, such was the inference which
+General Browne drew from observing the smoke arise merrily from several
+of the ancient wreathed and carved chimney-stalks. The wall of the park
+ran alongside of the highway for two or three hundred yards; and through
+the different points by which the eye found glimpses into the woodland
+scenery, it seemed to be well stocked. Other points of view opened in
+succession--now a full one of the front of the old castle, and now
+a side glimpse at its particular towers, the former rich in all the
+bizarrerie of the Elizabethan school, while the simple and solid
+strength of other parts of the building seemed to show that they had
+been raised more for defence than ostentation.
+
+Delighted with the partial glimpses which he obtained of the castle
+through the woods and glades by which this ancient feudal fortress was
+surrounded, our military traveller was determined to inquire whether
+it might not deserve a nearer view, and whether it contained family
+pictures or other objects of curiosity worthy of a stranger’s visit,
+when, leaving the vicinity of the park, he rolled through a clean and
+well-paved street, and stopped at the door of a well-frequented inn.
+
+Before ordering horses, to proceed on his journey, General Browne
+made inquiries concerning the proprietor of the chateau which had so
+attracted his admiration, and was equally surprised and pleased at
+hearing in reply a nobleman named, whom we shall call Lord Woodville.
+How fortunate! Much of Browne’s early recollections, both at school
+and at college, had been connected with young Woodville, whom, by a few
+questions, he now ascertained to be the same with the owner of this fair
+domain. He had been raised to the peerage by the decease of his father
+a few months before, and, as the General learned from the landlord, the
+term of mourning being ended, was now taking possession of his paternal
+estate in the jovial season of merry, autumn, accompanied by a select
+party of friends, to enjoy the sports of a country famous for game.
+
+This was delightful news to our traveller. Frank Woodville had been
+Richard Browne’s fag at Eton, and his chosen intimate at Christ Church;
+their pleasures and their tasks had been the same; and the honest
+soldier’s heart warmed to find his early friend in possession of so
+delightful a residence, and of an estate, as the landlord assured
+him with a nod and a wink, fully adequate to maintain and add to his
+dignity. Nothing was more natural than that the traveller should suspend
+a journey, which there was nothing to render hurried, to pay a visit to
+an old friend under such agreeable circumstances.
+
+The fresh horses, therefore, had only the brief task of conveying the
+General’s travelling carriage to Woodville Castle. A porter admitted
+them at a modern Gothic lodge, built in that style to correspond with
+the castle itself, and at the same time rang a bell to give warning of
+the approach of visitors. Apparently the sound of the bell had suspended
+the separation of the company, bent on the various amusements of the
+morning; for, on entering the court of the chateau, several young
+men were lounging about in their sporting dresses, looking at and
+criticizing the dogs which the keepers held in readiness to attend their
+pastime. As General Browne alighted, the young lord came to the gate
+of the hall, and for an instant gazed, as at a stranger, upon the
+countenance of his friend, on which war, with its fatigues and its
+wounds, had made a great alteration. But the uncertainty lasted no
+longer than till the visitor had spoken, and the hearty greeting which
+followed was such as can only be exchanged betwixt those who have passed
+together the merry days of careless boyhood or early youth.
+
+“If I could have formed a wish, my dear Browne,” said Lord Woodville,
+“it would have been to have you here, of all men, upon this occasion,
+which my friends are good enough to hold as a sort of holiday. Do not
+think you have been unwatched during the years you have been absent
+from us. I have traced you through your dangers, your triumphs, your
+misfortunes, and was delighted to see that, whether in victory or
+defeat, the name of my old friend was always distinguished with
+applause.”
+
+The General made a suitable reply, and congratulated his friend on his
+new dignities, and the possession of a place and domain so beautiful.
+
+“Nay, you have seen nothing of it as yet,” said Lord Woodville, “and I
+trust you do not mean to leave us till you are better acquainted with
+it. It is true, I confess, that my present party is pretty large, and
+the old house, like other places of the kind, does not possess so much
+accommodation as the extent of the outward walls appears to promise.
+But we can give you a comfortable old-fashioned room, and I venture
+to suppose that your campaigns have taught you to be glad of worse
+quarters.”
+
+The General shrugged his shoulders, and laughed. “I presume,” he said,
+“the worst apartment in your chateau is considerably superior to the old
+tobacco-cask in which I was fain to take up my night’s lodging when I
+was in the Bush, as the Virginians call it, with the light corps. There
+I lay, like Diogenes himself, so delighted with my covering from the
+elements, that I made a vain attempt to have it rolled on to my next
+quarters; but my commander for the time would give way to no such
+luxurious provision, and I took farewell of my beloved cask with tears
+in my eyes.”
+
+“Well, then, since you do not fear your quarters,” said Lord Woodville,
+“you will stay with me a week at least. Of guns, dogs, fishing-rods,
+flies, and means of sport by sea and land, we have enough and to
+spare--you cannot pitch on an amusement but we will find the means of
+pursuing it. But if you prefer the gun and pointers, I will go with you
+myself, and see whether you have mended your shooting since you have
+been amongst the Indians of the back settlements.”
+
+The General gladly accepted his friendly host’s proposal in all its
+points. After a morning of manly exercise, the company met at dinner,
+where it was the delight of Lord Woodville to conduce to the display of
+the high properties of his recovered friend, so as to recommend him to
+his guests, most of whom were persons of distinction. He led General
+Browne to speak of the scenes he had witnessed; and as every word marked
+alike the brave officer and the sensible man, who retained possession
+of his cool judgment under the most imminent dangers, the company looked
+upon the soldier with general respect, as on one who had proved himself
+possessed of an uncommon portion of personal courage--that attribute of
+all others of which everybody desires to be thought possessed.
+
+The day at Woodville Castle ended as usual in such mansions. The
+hospitality stopped within the limits of good order. Music, in which the
+young lord was a proficient, succeeded to the circulation of the bottle;
+cards and billiards, for those who preferred such amusements, were in
+readiness; but the exercise of the morning required early hours, and not
+long after eleven o’clock the guests began to retire to their several
+apartments.
+
+The young lord himself conducted his friend, General Browne, to the
+chamber destined for him, which answered the description he had given
+of it, being comfortable, but old-fashioned, The bed was of the massive
+form used in the end of the seventeenth century, and the curtains of
+faded silk, heavily trimmed with tarnished gold. But then the sheets,
+pillows, and blankets looked delightful to the campaigner, when he
+thought of his “mansion, the cask.” There was an air of gloom in the
+tapestry hangings, which, with their worn-out graces, curtained the
+walls of the little chamber, and gently undulated as the autumnal breeze
+found its way through the ancient lattice window, which pattered and
+whistled as the air gained entrance. The toilet, too, with its mirror,
+turbaned after the manner of the beginning of the century, with a
+coiffure of murrey-coloured silk, and its hundred strange-shaped boxes,
+providing for arrangements which had been obsolete for more than fifty
+years, had an antique, and in so far a melancholy, aspect. But nothing
+could blaze more brightly and cheerfully than the two large wax candles;
+or if aught could rival them, it was the flaming, bickering fagots in
+the chimney, that sent at once their gleam and their warmth through
+the snug apartment, which, notwithstanding the general antiquity of its
+appearance, was not wanting in the least convenience that modern habits
+rendered either necessary or desirable.
+
+“This is an old-fashioned sleeping apartment, General,” said the
+young lord; “but I hope you find nothing that makes you envy your old
+tobacco-cask.”
+
+“I am not particular respecting my lodgings,” replied the General; “yet
+were I to make any choice, I would prefer this chamber by many degrees
+to the gayer and more modern rooms of your family mansion. Believe
+me that, when I unite its modern air of comfort with its venerable
+antiquity, and recollect that it is your lordship’s property, I shall
+feel in better quarters here than if I were in the best hotel London
+could afford.”
+
+“I trust--I have no doubt--that you will find yourself as comfortable
+as I wish you, my dear General,” said the young nobleman; and once more
+bidding his guest good-night, he shook him by the hand, and withdrew.
+
+The General once more looked round him, and internally congratulating
+himself on his return to peaceful life, the comforts of which were
+endeared by the recollection of the hardships and dangers he had lately
+sustained, undressed himself, and prepared for a luxurious night’s rest.
+
+Here, contrary to the custom of this species of tale, we leave the
+General in possession of his apartment until the next morning.
+
+The company assembled for breakfast at an early hour, but without the
+appearance of General Browne, who seemed the guest that Lord Woodville
+was desirous of honouring above all whom his hospitality had assembled
+around him. He more than once expressed surprise at the General’s
+absence, and at length sent a servant to make inquiry after him. The
+man brought back information that General Browne had been walking abroad
+since an early hour of the morning, in defiance of the weather, which
+was misty and ungenial.
+
+“The custom of a soldier,” said the young nobleman to his friends. “Many
+of them acquire habitual vigilance, and cannot sleep after the early
+hour at which their duty usually commands them to be alert.”
+
+Yet the explanation which Lord Woodville thus offered to the company
+seemed hardly satisfactory to his own mind, and it was in a fit of
+silence and abstraction that he waited the return of the General. It
+took place near an hour after the breakfast bell had rung. He looked
+fatigued and feverish. His hair, the powdering and arrangement of which
+was at this time one of the most important occupations of a man’s whole
+day, and marked his fashion as much as in the present time the tying of
+a cravat, or the want of one, was dishevelled, uncurled, void of
+powder, and dank with dew. His clothes were huddled on with a careless
+negligence, remarkable in a military man, whose real or supposed duties
+are usually held to include some attention to the toilet; and his looks
+were haggard and ghastly in a peculiar degree.
+
+“So you have stolen a march upon us this morning, my dear General,” said
+Lord Woodville; “or you have not found your bed so much to your mind as
+I had hoped and you seemed to expect. How did you rest last night?”
+
+“Oh, excellently well! remarkably well! never better in my life,” said
+General Browne rapidly, and yet with an air of embarrassment which
+was obvious to his friend. He then hastily swallowed a cup of tea, and
+neglecting or refusing whatever else was offered, seemed to fall into a
+fit of abstraction.
+
+“You will take the gun to-day, General?” said his friend and host, but
+had to repeat the question twice ere he received the abrupt answer, “No,
+my lord; I am sorry I cannot have the opportunity of spending another
+day with your lordship; my post horses are ordered, and will be here
+directly.”
+
+All who were present showed surprise, and Lord Woodville immediately
+replied “Post horses, my good friend! What can you possibly want with
+them when you promised to stay with me quietly for at least a week?”
+
+“I believe,” said the General, obviously much embarrassed, “that I
+might, in the pleasure of my first meeting with your lordship, have
+said something about stopping here a few days; but I have since found it
+altogether impossible.”
+
+“That is very extraordinary,” answered the young nobleman. “You seemed
+quite disengaged yesterday, and you cannot have had a summons to-day,
+for our post has not come up from the town, and therefore you cannot
+have received any letters.”
+
+General Browne, without giving any further explanation, muttered
+something about indispensable business, and insisted on the absolute
+necessity of his departure in a manner which silenced all opposition on
+the part of his host, who saw that his resolution was taken, and forbore
+all further importunity.
+
+“At least, however,” he said, “permit me, my dear Browne, since go you
+will or must, to show you the view from the terrace, which the mist,
+that is now rising, will soon display.”
+
+He threw open a sash-window, and stepped down upon the terrace as he
+spoke. The General followed him mechanically, but seemed little to
+attend to what his host was saying, as, looking across an extended
+and rich prospect, he pointed out the different objects worthy of
+observation. Thus they moved on till Lord Woodville had attained
+his purpose of drawing his guest entirely apart from the rest of the
+company, when, turning round upon him with an air of great solemnity, he
+addressed him thus:--
+
+“Richard Browne, my old and very dear friend, we are now alone. Let me
+conjure you to answer me upon the word of a friend, and the honour of a
+soldier. How did you in reality rest during last night?”
+
+“Most wretchedly indeed, my lord,” answered the General, in the same
+tone of solemnity--“so miserably, that I would not run the risk of such
+a second night, not only for all the lands belonging to this castle, but
+for all the country which I see from this elevated point of view.”
+
+“This is most extraordinary,” said the young lord, as if speaking to
+himself; “then there must be something in the reports concerning that
+apartment.” Again turning to the General, he said, “For God’s sake,
+my dear friend, be candid with me, and let me know the disagreeable
+particulars which have befallen you under a roof, where, with consent of
+the owner, you should have met nothing save comfort.”
+
+The General seemed distressed by this appeal, and paused a moment before
+he replied. “My dear lord,” he at length said, “what happened to me last
+night is of a nature so peculiar and so unpleasant, that I could hardly
+bring myself to detail it even to your lordship, were it not that,
+independent of my wish to gratify any request of yours, I think that
+sincerity on my part may lead to some explanation about a circumstance
+equally painful and mysterious. To others, the communication I am about
+to make, might place me in the light of a weak-minded, superstitious
+fool, who suffered his own imagination to delude and bewilder him; but
+you have known me in childhood and youth, and will not suspect me of
+having adopted in manhood the feelings and frailties from which my early
+years were free.” Here he paused, and his friend replied,--
+
+“Do not doubt my perfect confidence in the truth of your communication,
+however strange it may be,” replied Lord Woodville. “I know your
+firmness of disposition too well, to suspect you could be made the
+object of imposition, and am aware that your honour and your friendship
+will equally deter you from exaggerating whatever you may have
+witnessed.”
+
+“Well, then,” said the General, “I will proceed with my story as well
+as I can, relying upon your candour, and yet distinctly feeling that
+I would rather face a battery than recall to my mind the odious
+recollections of last night.”
+
+He paused a second time, and then perceiving that Lord Woodville
+remained silent and in an attitude of attention, he commenced, though
+not without obvious reluctance, the history of his night’s adventures in
+the Tapestried Chamber.
+
+“I undressed and went to bed so soon as your lordship left me yesterday
+evening; but the wood in the chimney, which nearly fronted my bed,
+blazed brightly and cheerfully, and, aided by a hundred exciting
+recollections of my childhood and youth, which had been recalled by the
+unexpected pleasure of meeting your lordship, prevented me from falling
+immediately asleep. I ought, however, to say that these reflections were
+all of a pleasant and agreeable kind, grounded on a sense of having for
+a time exchanged the labour, fatigues, and dangers of my profession for
+the enjoyments of a peaceful life, and the reunion of those friendly and
+affectionate ties which I had torn asunder at the rude summons of war.
+
+“While such pleasing reflections were stealing over my mind, and
+gradually lulling me to slumber, I was suddenly aroused by a sound like
+that of the rustling of a silken gown, and the tapping of a pair of
+high-heeled shoes, as if a woman were walking in the apartment. Ere
+I could draw the curtain to see what the matter was, the figure of a
+little woman passed between the bed and the fire. The back of this form
+was turned to me, and I could observe, from the shoulders and neck, it
+was that of an old woman, whose dress was an old-fashioned gown, which I
+think ladies call a sacque--that is, a sort of robe completely loose in
+the body, but gathered into broad plaits upon the neck and shoulders,
+which fall down to the ground, and terminate in a species of train.
+
+“I thought the intrusion singular enough, but never harboured for a
+moment the idea that what I saw was anything more than the mortal form
+of some old woman about the establishment, who had a fancy to dress like
+her grandmother, and who, having perhaps (as your lordship mentioned
+that you were rather straitened for room) been dislodged from her
+chamber for my accommodation, had forgotten the circumstance, and
+returned by twelve to her old haunt. Under this persuasion I moved
+myself in bed and coughed a little, to make the intruder sensible of
+my being in possession of the premises. She turned slowly round, but,
+gracious Heaven! my lord, what a countenance did she display to me!
+There was no longer any question what she was, or any thought of her
+being a living being. Upon a face which wore the fixed features of a
+corpse were imprinted the traces of the vilest and most hideous passions
+which had animated her while she lived. The body of some atrocious
+criminal seemed to have been given up from the grave, and the soul
+restored from the penal fire, in order to form for a space a union
+with the ancient accomplice of its guilt. I started up in bed, and sat
+upright, supporting myself on my palms, as I gazed on this horrible
+spectre. The hag made, as it seemed, a single and swift stride to the
+bed where I lay, and squatted herself down upon it, in precisely the
+same attitude which I had assumed in the extremity of horror, advancing
+her diabolical countenance within half a yard of mine, with a grin which
+seemed to intimate the malice and the derision of an incarnate fiend.”
+
+Here General Browne stopped, and wiped from his brow the cold
+perspiration with which the recollection of his horrible vision had
+covered it.
+
+“My lord,” he said, “I am no coward, I have been in all the mortal
+dangers incidental to my profession, and I may truly boast that no man
+ever knew Richard Browne dishonour the sword he wears; but in these
+horrible circumstances, under the eyes, and, as it seemed, almost in the
+grasp of an incarnation of an evil spirit, all firmness forsook me,
+all manhood melted from me like wax in the furnace, and I felt my hair
+individually bristle. The current of my life-blood ceased to flow, and
+I sank back in a swoon, as very a victim to panic terror as ever was
+a village girl, or a child of ten years old. How long I lay in this
+condition I cannot pretend to guess.
+
+“But I was roused by the castle clock striking one, so loud that it
+seemed as if it were in the very room. It was some time before I dared
+open my eyes, lest they should again encounter the horrible spectacle.
+When, however, I summoned courage to look up, she was no longer visible.
+My first idea was to pull my bell, wake the servants, and remove to a
+garret or a hay-loft, to be ensured against a second visitation. Nay, I
+will confess the truth that my resolution was altered, not by the shame
+of exposing myself, but by the fear that, as the bell-cord hung by
+the chimney, I might, in making my way to it, be again crossed by the
+fiendish hag, who, I figured to myself, might be still lurking about
+some corner of the apartment.
+
+“I will not pretend to describe what hot and cold fever-fits tormented
+me for the rest of the night, through broken sleep, weary vigils,
+and that dubious state which forms the neutral ground between them. A
+hundred terrible objects appeared to haunt me; but there was the great
+difference betwixt the vision which I have described, and those which
+followed, that I knew the last to be deceptions of my own fancy and
+over-excited nerves.
+
+“Day at last appeared, and I rose from my bed ill in health and
+humiliated in mind. I was ashamed of myself as a man and a soldier,
+and still more so at feeling my own extreme desire to escape from the
+haunted apartment, which, however, conquered all other considerations;
+so that, huddling on my clothes with the most careless haste, I made my
+escape from your lordship’s mansion, to seek in the open air some relief
+to my nervous system, shaken as it was by this horrible rencounter with
+a visitant, for such I must believe her, from the other world. Your
+lordship has now heard the cause of my discomposure, and of my sudden
+desire to leave your hospitable castle. In other places I trust we may
+often meet, but God protect me from ever spending a second night under
+that roof!”
+
+Strange as the General’s tale was, he spoke with such a deep air of
+conviction that it cut short all the usual commentaries which are made
+on such stories. Lord Woodville never once asked him if he was sure he
+did not dream of the apparition, or suggested any of the possibilities
+by which it is fashionable to explain supernatural appearances as
+wild vagaries of the fancy, or deceptions of the optic nerves, On the
+contrary, he seemed deeply impressed with the truth and reality of
+what he had heard; and, after a considerable pause regretted, with much
+appearance of sincerity, that his early friend should in his house have
+suffered so severely.
+
+“I am the more sorry for your pain, my dear Browne,” he continued, “that
+it is the unhappy, though most unexpected, result of an experiment of my
+own. You must know that, for my father and grandfather’s time, at least,
+the apartment which was assigned to you last night had been shut on
+account of reports that it was disturbed by supernatural sights and
+noises. When I came, a few weeks since, into possession of the estate,
+I thought the accommodation which the castle afforded for my friends was
+not extensive enough to permit the inhabitants of the invisible world
+to retain possession of a comfortable sleeping apartment. I therefore
+caused the Tapestried Chamber, as we call it, to be opened, and, without
+destroying its air of antiquity, I had such new articles of furniture
+placed in it as became the modern times. Yet, as the opinion that the
+room was haunted very strongly prevailed among the domestics, and was
+also known in the neighbourhood and to many of my friends, I feared some
+prejudice might be entertained by the first occupant of the Tapestried
+Chamber, which might tend to revive the evil report which it had
+laboured under, and so disappoint my purpose of rendering it a useful
+part or the house. I must confess, my dear Browne, that your arrival
+yesterday, agreeable to me for a thousand reasons besides, seemed the
+most favourable opportunity of removing the unpleasant rumours which
+attached to the room, since your courage was indubitable, and your mind
+free of any preoccupation on the subject. I could not, therefore, have
+chosen a more fitting subject for my experiment.”
+
+“Upon my life,” said General Browne, somewhat hastily, “I am infinitely
+obliged to your lordship--very particularly indebted indeed. I am likely
+to remember for some time the consequences of the experiment, as your
+lordship is pleased to call it.”
+
+“Nay, now you are unjust, my dear friend,” said Lord Woodville. “You
+have only to reflect for a single moment, in order to be convinced that
+I could not augur the possibility of the pain to which you have been
+so unhappily exposed. I was yesterday morning a complete sceptic on the
+subject of supernatural appearances. Nay, I am sure that, had I told
+you what was said about that room, those very reports would have induced
+you, by your own choice, to select it for your accommodation. It was my
+misfortune, perhaps my error, but really cannot be termed my fault, that
+you have been afflicted so strangely.”
+
+“Strangely indeed!” said the General, resuming his good temper; “and I
+acknowledge that I have no right to be offended with your lordship for
+treating me like what I used to think myself--a man of some firmness
+and courage. But I see my post horses are arrived, and I must not detain
+your lordship from your amusement.”
+
+“Nay, my old friend,” said Lord Woodville, “since you cannot stay with
+us another day--which, indeed, I can no longer urge--give me at least
+half an hour more. You used to love pictures, and I have a gallery of
+portraits, some of them by Vandyke, representing ancestry to whom this
+property and castle formerly belonged. I think that several of them will
+strike you as possessing merit.”
+
+General Browne accepted the invitation, though somewhat unwillingly.
+It was evident he was not to breathe freely or at ease till he left
+Woodville Castle far behind him. He could not refuse his friend’s
+invitation, however; and the less so, that he was a little ashamed
+of the peevishness which he had displayed towards his well-meaning
+entertainer.
+
+The General, therefore, followed Lord Woodville through several rooms
+into a long gallery hung with pictures, which the latter pointed out to
+his guest, telling the names, and giving some account of the personages
+whose portraits presented themselves in progression. General Browne was
+but little interested in the details which these accounts conveyed to
+him. They were, indeed, of the kind which are usually found in an old
+family gallery. Here was a Cavalier who had ruined the estate in the
+royal cause; there a fine lady who had reinstated it by contracting a
+match with a wealthy Roundhead. There hung a gallant who had been in
+danger for corresponding with the exiled Court at Saint Germain’s; here
+one who had taken arms for William at the Revolution; and there a third
+that had thrown his weight alternately into the scale of Whig and Tory.
+
+While lord Woodville was cramming these words into his guest’s ear,
+“against the stomach of his sense,” they gained the middle of the
+gallery, when he beheld General Browne suddenly start, and assume an
+attitude of the utmost surprise, not unmixed with fear, as his eyes were
+suddenly caught and riveted by a portrait of an old lady in a sacque,
+the fashionable dress of the end of the seventeenth century.
+
+“There she is!” he exclaimed--“there she is, in form and features,
+though Inferior in demoniac expression to the accursed hag who visited
+me last night!”
+
+“If that be the case,” said the young nobleman, “there can remain no
+longer any doubt of the horrible reality of your apparition. That is the
+picture of a wretched ancestress of mine, of whose crimes a black and
+fearful catalogue is recorded in a family history in my charter-chest.
+The recital of them would be too horrible; it is enough to say, that in
+yon fatal apartment incest and unnatural murder were committed. I will
+restore it to the solitude to which the better judgment of those who
+preceded me had consigned it; and never shall any one, so long as I can
+prevent it, be exposed to a repetition of the supernatural horrors which
+could shake such courage as yours.”
+
+Thus the friends, who had met with such glee, parted in a very different
+mood--Lord Woodville to command the Tapestried Chamber to be unmantled,
+and the door built up; and General Browne to seek in some less beautiful
+country, and with some less dignified friend, forgetfulness of the
+painful night which he had passed in Woodville Castle.
+
+END OF THE TAPESTRIED CHAMBER.
+
+
+*****
+
+
+
+
+DEATH OF THE LAIRD’S JOCK
+
+by Sir Walter Scott.
+
+
+[The manner in which this trifle was introduced at the time to Mr. F.
+M. Reynolds, editor of The Keepsake of 1828, leaves no occasion for a
+preface.]
+
+AUGUST 1831.
+
+
+TO THE EDITOR OF THE KEEPSAKE.
+
+You have asked me, sir, to point out a subject for the pencil, and I
+feel the difficulty of complying with your request, although I am not
+certainly unaccustomed to literary composition, or a total stranger to
+the stores of history and tradition, which afford the best copies for
+the painter’s art. But although SICUT PICTURA POESIS is an ancient and
+undisputed axiom--although poetry and painting both address themselves
+to the same object of exciting the human imagination, by presenting to
+it pleasing or sublime images of ideal scenes--yet the one conveying
+itself through the ears to the understanding, and the other applying
+itself only to the eyes, the subjects which are best suited to the bard
+or tale-teller are often totally unfit for painting, where the artist
+must present in a single glance all that his art has power to tell us.
+The artist can neither recapitulate the past nor intimate the future.
+The single NOW is all which he can present; and hence, unquestionably,
+many subjects which delight us in poetry or in narrative, whether real
+or fictitious, cannot with advantage be transferred to the canvas.
+
+Being in some degree aware of these difficulties, though doubtless
+unacquainted both with their extent and the means by which they may be
+modified or surmounted, I have, nevertheless, ventured to draw up the
+following traditional narrative as a story in which, when the general
+details are known, the interest is so much concentrated in one strong
+moment of agonizing passion, that it can be understood and sympathized
+with at a single glance. I therefore presume that it may be acceptable
+as a hint to some one among the numerous artists who have of late
+years distinguished themselves as rearing up and supporting the British
+school.
+
+Enough has been said and sung about
+
+ “The well-contested ground,
+ The warlike Border-land,”
+
+to render the habits of the tribes who inhabited it before the union of
+England and Scotland familiar to most of your readers. The rougher and
+sterner features of their character were softened by their attachment
+to the fine arts, from which has arisen the saying that on the frontiers
+every dale had its battle, and every river its song. A rude species of
+chivalry was in constant use, and single combats were practised as the
+amusement of the few intervals of truce which suspended the exercise of
+war. The inveteracy of this custom may be inferred from the following
+incident:--
+
+Bernard Gilpin, the apostle of the north, the first who undertook to
+preach the Protestant doctrines to the Border dalesmen, was surprised,
+on entering one of their churches, to see a gauntlet or mail-glove
+hanging above the altar. Upon inquiring; the meaning of a symbol so
+indecorous being displayed in that sacred place, he was informed by the
+clerk that the glove was that of a famous swordsman, who hung it there
+as an emblem of a general challenge and gage of battle to any who should
+dare to take the fatal token down. “Reach it to me,” said the reverend
+churchman. The clerk and the sexton equally declined the perilous
+office, and the good Bernard Gilpin was obliged to remove the glove with
+his own hands, desiring those who were present to inform the champion
+that he, and no other, had possessed himself of the gage of defiance.
+But the champion was as much ashamed to face Bernard Gilpin as the
+officials of the church had been to displace his pledge of combat.
+
+The date of the following story is about the latter years of Queen
+Elizabeth’s reign; and the events took place in Liddesdale, a hilly and
+pastoral district of Roxburghshire, which, on a part of its boundary, is
+divided from England only by a small river.
+
+During the good old times of RUGGING AND RIVING--that is, tugging and
+tearing--under which term the disorderly doings of the warlike age are
+affectionately remembered, this valley was principally cultivated by the
+sept or clan of the Armstrongs. The chief of this warlike race was
+the Laird of Mangerton. At the period of which I speak, the estate of
+Mangerton, with the power and dignity of chief, was possessed by John
+Armstrong, a man of great size, strength, and courage. While his father
+was alive, he was distinguished from others of his clan who bore the
+same name, by the epithet of the LAIRD’S JOCK--that is to say, the
+Laird’s son Jock, or Jack. This name he distinguished by so many bold
+and desperate achievements, that he retained it even after his father’s
+death, and is mentioned under it both in authentic records and in
+tradition. Some of his feats are recorded in the minstrelsy of the
+Scottish Border, and others are mentioned in contemporary chronicles.
+
+At the species of singular combat which we have described the Laird’s
+Jock was unrivalled, and no champion of Cumberland, Westmoreland, or
+Northumberland could endure the sway of the huge two-handed sword which
+he wielded, and which few others could even lift. This “awful sword,” as
+the common people term it, was as dear to him as Durindana or Fushberta
+to their respective masters, and was nearly as formidable to his enemies
+as those renowned falchions proved to the foes of Christendom. The
+weapon had been bequeathed to him by a celebrated English outlaw named
+Hobbie Noble, who, having committed some deed for which he was in danger
+from justice, fled to Liddesdale, and became a follower, or rather a
+brother-in-arms, to the renowned Laird’s Jock; till, venturing into
+England with a small escort, a faithless guide, and with a light
+single-handed sword instead of his ponderous brand, Hobbie Noble,
+attacked by superior numbers, was made prisoner and executed.
+
+With this weapon, and by means of his own strength and address, the
+Laird’s Jock maintained the reputation of the best swordsman on the
+Border side, and defeated or slew many who ventured to dispute with him
+the formidable title.
+
+But years pass on with the strong and the brave as with the feeble
+and the timid. In process of time the Laird’s Jock grew incapable of
+wielding his weapons, and finally of all active exertion, even of the
+most ordinary kind. The disabled champion became at length totally
+bedridden, and entirely dependent for his comfort on the pious duties of
+an only daughter, his perpetual attendant and companion.
+
+Besides this dutiful child, the Laird’s Jock had an only son, upon
+whom devolved the perilous task of leading the clan to battle, and
+maintaining the warlike renown of his native country, which was now
+disputed by the English upon many occasions. The young Armstrong was
+active, brave, and strong, and brought home from dangerous adventures
+many tokens of decided success. Still, the ancient chief conceived,
+as it would seem, that his son was scarce yet entitled by age and
+experience to be entrusted with the two-handed sword, by the use of
+which he had himself been so dreadfully distinguished.
+
+At length an English champion, one of the name of Foster (if I rightly
+recollect), had the audacity to send a challenge to the best swordsman
+in Liddesdale; and young Armstrong, burning for chivalrous distinction,
+accepted the challenge.
+
+The heart of the disabled old man swelled with joy when he heard that
+the challenge was passed and accepted, and the meeting fixed at a
+neutral spot, used as the place of rencontre upon such occasions, and
+which he himself had distinguished by numerous victories. He exulted
+so much in the conquest which he anticipated, that, to nerve his son to
+still bolder exertions, he conferred upon him, as champion of his clan
+and province, the celebrated weapon which he had hitherto retained in
+his own custody.
+
+This was not all. When the day of combat arrived, the Laird’s Jock, in
+spite of his daughter’s affectionate remonstrances, determined, though
+he had not left his bed for two years, to be a personal witness of the
+duel. His will was still a law to his people, who bore him on their
+shoulders, wrapped in plaids and blankets, to the spot where the combat
+was to take place, and seated him on a fragment of rock, which is still
+called the Laird’s Jock’s stone. There he remained with eyes fixed on
+the lists or barrier, within which the champions were about to meet.
+His daughter, having done all she could for his accommodation, stood
+motionless beside him, divided between anxiety for his health, and for
+the event of the combat to her beloved brother. Ere yet the fight began,
+the old men gazed on their chief, now seen for the first time after
+several years, and sadly compared his altered features and wasted
+frame with the paragon of strength and manly beauty which they once
+remembered. The young men gazed on his large form and powerful make as
+upon some antediluvian giant who had survived the destruction of the
+Flood.
+
+But the sound of the trumpets on both sides recalled the attention
+of every one to the lists, surrounded as they were by numbers of both
+nations eager to witness the event of the day. The combatants met in the
+lists. It is needless to describe the struggle: the Scottish champion
+fell. Foster, placing his foot on his antagonist, seized on the
+redoubted sword, so precious in the eyes of its aged owner, and
+brandished it over his head as a trophy of his conquest. The English
+shouted in triumph. But the despairing cry of the aged champion, who saw
+his country dishonoured, and his sword, long the terror of their
+race, in the possession of an Englishman, was heard high above the
+acclamations of victory. He seemed for an instant animated by all his
+wonted power; for he started from the rock on which he sat, and while
+the garments with which he had been invested fell from his wasted frame,
+and showed the ruins of his strength, he tossed his arms wildly to
+heaven, and uttered a cry of indignation, horror, and despair, which,
+tradition says, was heard to a preternatural distance, and resembled the
+cry of a dying lion more than a human sound.
+
+His friends received him in their arms as he sank utterly exhausted by
+the effort, and bore him back to his castle in mute sorrow; while his
+daughter at once wept for her brother, and endeavoured to mitigate and
+soothe the despair of her father. But this was impossible; the old man’s
+only tie to life was rent rudely asunder, and his heart had broken with
+it. The death of his son had no part in his sorrow. If he thought of
+him at all, it was as the degenerate boy through whom the honour of his
+country and clan had been lost; and he died in the course of three
+days, never even mentioning his name, but pouring out unintermitted
+lamentations for the loss of his noble sword.
+
+I conceive that the moment when the disabled chief was roused into a
+last exertion by the agony of the moment is favourable to the object of
+a painter. He might obtain the full advantage of contrasting the form
+of the rugged old man, in the extremity of furious despair, with the
+softness and beauty of the female form. The fatal field might be thrown
+into perspective, so as to give full effect to these two principal
+figures, and with the single explanation that the piece represented a
+soldier beholding his son slain, and the honour of his country lost, the
+picture would be sufficiently intelligible at the first glance. If it
+was thought necessary to show more clearly the nature of the conflict,
+it might be indicated by the pennon of Saint George being displayed at
+one end of the lists, and that of Saint Andrew at the other.
+
+I remain, sir,
+
+Your obedient servant,
+
+THE AUTHOR OF WAVERLEY.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Tapestried Chamber, and Death of
+the Laird’s Jock, by Sir Walter Scott
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+***** This file should be named 1668-0.txt or 1668-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/6/1668/
+
+Produced by An Anonymous Volunteer
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/1668-0.zip b/1668-0.zip
new file mode 100644
index 0000000..9e30c04
--- /dev/null
+++ b/1668-0.zip
Binary files differ
diff --git a/1668-h.zip b/1668-h.zip
new file mode 100644
index 0000000..c102778
--- /dev/null
+++ b/1668-h.zip
Binary files differ
diff --git a/1668-h/1668-h.htm b/1668-h/1668-h.htm
new file mode 100644
index 0000000..0e993bf
--- /dev/null
+++ b/1668-h/1668-h.htm
@@ -0,0 +1,1357 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Tapestried Chamber, by Sir Walter Scott
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd7; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Tapestried Chamber, and Death of the
+Laird's Jock, by Sir Walter Scott
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Tapestried Chamber, and Death of the Laird's Jock
+
+Author: Sir Walter Scott
+
+Release Date: November 17, 2008 [EBook #1668]
+Last Updated: August 31, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+
+
+
+Produced by An Anonymous Volunteer, and David Widger
+
+
+
+
+
+</pre>
+
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE TAPESTRIED CHAMBER
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ by Sir Walter Scott
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_INTR"> INTRODUCTION. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> THE TAPESTRIED CHAMBER; </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> DEATH OF THE LAIRD&rsquo;S JOCK </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_INTR" id="link2H_INTR">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ INTRODUCTION.
+ </h2>
+ <p>
+ This is another little story from The Keepsake of 1828. It was told to me
+ many years ago by the late Miss Anna Seward, who, among other
+ accomplishments that rendered her an amusing inmate in a country house,
+ had that of recounting narratives of this sort with very considerable
+ effect&mdash;much greater, indeed, than any one would be apt to guess from
+ the style of her written performances. There are hours and moods when most
+ people are not displeased to listen to such things; and I have heard some
+ of the greatest and wisest of my contemporaries take their share in
+ telling them.
+ </p>
+ <p>
+ AUGUST 1831 <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ THE TAPESTRIED CHAMBER;
+ </h1>
+ <h3>
+ OR,
+ </h3>
+ <h2>
+ THE LADY IN THE SACQUE.
+ </h2>
+ <p>
+ The following narrative is given from the pen, so far as memory permits,
+ in the same character in which it was presented to the author&rsquo;s ear; nor
+ has he claim to further praise, or to be more deeply censured, than in
+ proportion to the good or bad judgment which he has employed in selecting
+ his materials, as he has studiously avoided any attempt at ornament which
+ might interfere with the simplicity of the tale.
+ </p>
+ <p>
+ At the same time, it must be admitted that the particular class of stories
+ which turns on the marvellous possesses a stronger influence when told
+ than when committed to print. The volume taken up at noonday, though
+ rehearsing the same incidents, conveys a much more feeble impression than
+ is achieved by the voice of the speaker on a circle of fireside auditors,
+ who hang upon the narrative as the narrator details the minute incidents
+ which serve to give it authenticity, and lowers his voice with an
+ affectation of mystery while he approaches the fearful and wonderful part.
+ It was with such advantages that the present writer heard the following
+ events related, more than twenty years since, by the celebrated Miss
+ Seward of Litchfield, who, to her numerous accomplishments, added, in a
+ remarkable degree, the power of narrative in private conversation. In its
+ present form the tale must necessarily lose all the interest which was
+ attached to it by the flexible voice and intelligent features of the
+ gifted narrator. Yet still, read aloud to an undoubting audience by the
+ doubtful light of the closing evening, or in silence by a decaying taper,
+ and amidst the solitude of a half-lighted apartment, it may redeem its
+ character as a good ghost story. Miss Seward always affirmed that she had
+ derived her information from an authentic source, although she suppressed
+ the names of the two persons chiefly concerned. I will not avail myself of
+ any particulars I may have since received concerning the localities of the
+ detail, but suffer them to rest under the same general description in
+ which they were first related to me; and for the same reason I will not
+ add to or diminish the narrative by any circumstance, whether more or less
+ material, but simply rehearse, as I heard it, a story of supernatural
+ terror.
+ </p>
+ <p>
+ About the end of the American war, when the officers of Lord Cornwallis&rsquo;s
+ army, which surrendered at Yorktown, and others, who had been made
+ prisoners during the impolitic and ill-fated controversy, were returning
+ to their own country, to relate their adventures, and repose themselves
+ after their fatigues, there was amongst them a general officer, to whom
+ Miss S. gave the name of Browne, but merely, as I understood, to save the
+ inconvenience of introducing a nameless agent in the narrative. He was an
+ officer of merit, as well as a gentleman of high consideration for family
+ and attainments.
+ </p>
+ <p>
+ Some business had carried General Browne upon a tour through the western
+ counties, when, in the conclusion of a morning stage, he found himself in
+ the vicinity of a small country town, which presented a scene of uncommon
+ beauty, and of a character peculiarly English.
+ </p>
+ <p>
+ The little town, with its stately old church, whose tower bore testimony
+ to the devotion of ages long past, lay amidst pastures and cornfields of
+ small extent, but bounded and divided with hedgerow timber of great age
+ and size. There were few marks of modern improvement. The environs of the
+ place intimated neither the solitude of decay nor the bustle of novelty;
+ the houses were old, but in good repair; and the beautiful little river
+ murmured freely on its way to the left of the town, neither restrained by
+ a dam nor bordered by a towing-path.
+ </p>
+ <p>
+ Upon a gentle eminence, nearly a mile to the southward of the town, were
+ seen, amongst many venerable oaks and tangled thickets, the turrets of a
+ castle as old as the walls of York and Lancaster, but which seemed to have
+ received important alterations during the age of Elizabeth and her
+ successor, It had not been a place of great size; but whatever
+ accommodation it formerly afforded was, it must be supposed, still to be
+ obtained within its walls. At least, such was the inference which General
+ Browne drew from observing the smoke arise merrily from several of the
+ ancient wreathed and carved chimney-stalks. The wall of the park ran
+ alongside of the highway for two or three hundred yards; and through the
+ different points by which the eye found glimpses into the woodland
+ scenery, it seemed to be well stocked. Other points of view opened in
+ succession&mdash;now a full one of the front of the old castle, and now a
+ side glimpse at its particular towers, the former rich in all the
+ bizarrerie of the Elizabethan school, while the simple and solid strength
+ of other parts of the building seemed to show that they had been raised
+ more for defence than ostentation.
+ </p>
+ <p>
+ Delighted with the partial glimpses which he obtained of the castle
+ through the woods and glades by which this ancient feudal fortress was
+ surrounded, our military traveller was determined to inquire whether it
+ might not deserve a nearer view, and whether it contained family pictures
+ or other objects of curiosity worthy of a stranger&rsquo;s visit, when, leaving
+ the vicinity of the park, he rolled through a clean and well-paved street,
+ and stopped at the door of a well-frequented inn.
+ </p>
+ <p>
+ Before ordering horses, to proceed on his journey, General Browne made
+ inquiries concerning the proprietor of the chateau which had so attracted
+ his admiration, and was equally surprised and pleased at hearing in reply
+ a nobleman named, whom we shall call Lord Woodville. How fortunate! Much
+ of Browne&rsquo;s early recollections, both at school and at college, had been
+ connected with young Woodville, whom, by a few questions, he now
+ ascertained to be the same with the owner of this fair domain. He had been
+ raised to the peerage by the decease of his father a few months before,
+ and, as the General learned from the landlord, the term of mourning being
+ ended, was now taking possession of his paternal estate in the jovial
+ season of merry, autumn, accompanied by a select party of friends, to
+ enjoy the sports of a country famous for game.
+ </p>
+ <p>
+ This was delightful news to our traveller. Frank Woodville had been
+ Richard Browne&rsquo;s fag at Eton, and his chosen intimate at Christ Church;
+ their pleasures and their tasks had been the same; and the honest
+ soldier&rsquo;s heart warmed to find his early friend in possession of so
+ delightful a residence, and of an estate, as the landlord assured him with
+ a nod and a wink, fully adequate to maintain and add to his dignity.
+ Nothing was more natural than that the traveller should suspend a journey,
+ which there was nothing to render hurried, to pay a visit to an old friend
+ under such agreeable circumstances.
+ </p>
+ <p>
+ The fresh horses, therefore, had only the brief task of conveying the
+ General&rsquo;s travelling carriage to Woodville Castle. A porter admitted them
+ at a modern Gothic lodge, built in that style to correspond with the
+ castle itself, and at the same time rang a bell to give warning of the
+ approach of visitors. Apparently the sound of the bell had suspended the
+ separation of the company, bent on the various amusements of the morning;
+ for, on entering the court of the chateau, several young men were lounging
+ about in their sporting dresses, looking at and criticizing the dogs which
+ the keepers held in readiness to attend their pastime. As General Browne
+ alighted, the young lord came to the gate of the hall, and for an instant
+ gazed, as at a stranger, upon the countenance of his friend, on which war,
+ with its fatigues and its wounds, had made a great alteration. But the
+ uncertainty lasted no longer than till the visitor had spoken, and the
+ hearty greeting which followed was such as can only be exchanged betwixt
+ those who have passed together the merry days of careless boyhood or early
+ youth.
+ </p>
+ <p>
+ &ldquo;If I could have formed a wish, my dear Browne,&rdquo; said Lord Woodville, &ldquo;it
+ would have been to have you here, of all men, upon this occasion, which my
+ friends are good enough to hold as a sort of holiday. Do not think you
+ have been unwatched during the years you have been absent from us. I have
+ traced you through your dangers, your triumphs, your misfortunes, and was
+ delighted to see that, whether in victory or defeat, the name of my old
+ friend was always distinguished with applause.&rdquo;
+ </p>
+ <p>
+ The General made a suitable reply, and congratulated his friend on his new
+ dignities, and the possession of a place and domain so beautiful.
+ </p>
+ <p>
+ &ldquo;Nay, you have seen nothing of it as yet,&rdquo; said Lord Woodville, &ldquo;and I
+ trust you do not mean to leave us till you are better acquainted with it.
+ It is true, I confess, that my present party is pretty large, and the old
+ house, like other places of the kind, does not possess so much
+ accommodation as the extent of the outward walls appears to promise. But
+ we can give you a comfortable old-fashioned room, and I venture to suppose
+ that your campaigns have taught you to be glad of worse quarters.&rdquo;
+ </p>
+ <p>
+ The General shrugged his shoulders, and laughed. &ldquo;I presume,&rdquo; he said,
+ &ldquo;the worst apartment in your chateau is considerably superior to the old
+ tobacco-cask in which I was fain to take up my night&rsquo;s lodging when I was
+ in the Bush, as the Virginians call it, with the light corps. There I lay,
+ like Diogenes himself, so delighted with my covering from the elements,
+ that I made a vain attempt to have it rolled on to my next quarters; but
+ my commander for the time would give way to no such luxurious provision,
+ and I took farewell of my beloved cask with tears in my eyes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, since you do not fear your quarters,&rdquo; said Lord Woodville,
+ &ldquo;you will stay with me a week at least. Of guns, dogs, fishing-rods,
+ flies, and means of sport by sea and land, we have enough and to spare&mdash;you
+ cannot pitch on an amusement but we will find the means of pursuing it.
+ But if you prefer the gun and pointers, I will go with you myself, and see
+ whether you have mended your shooting since you have been amongst the
+ Indians of the back settlements.&rdquo;
+ </p>
+ <p>
+ The General gladly accepted his friendly host&rsquo;s proposal in all its
+ points. After a morning of manly exercise, the company met at dinner,
+ where it was the delight of Lord Woodville to conduce to the display of
+ the high properties of his recovered friend, so as to recommend him to his
+ guests, most of whom were persons of distinction. He led General Browne to
+ speak of the scenes he had witnessed; and as every word marked alike the
+ brave officer and the sensible man, who retained possession of his cool
+ judgment under the most imminent dangers, the company looked upon the
+ soldier with general respect, as on one who had proved himself possessed
+ of an uncommon portion of personal courage&mdash;that attribute of all
+ others of which everybody desires to be thought possessed.
+ </p>
+ <p>
+ The day at Woodville Castle ended as usual in such mansions. The
+ hospitality stopped within the limits of good order. Music, in which the
+ young lord was a proficient, succeeded to the circulation of the bottle;
+ cards and billiards, for those who preferred such amusements, were in
+ readiness; but the exercise of the morning required early hours, and not
+ long after eleven o&rsquo;clock the guests began to retire to their several
+ apartments.
+ </p>
+ <p>
+ The young lord himself conducted his friend, General Browne, to the
+ chamber destined for him, which answered the description he had given of
+ it, being comfortable, but old-fashioned, The bed was of the massive form
+ used in the end of the seventeenth century, and the curtains of faded
+ silk, heavily trimmed with tarnished gold. But then the sheets, pillows,
+ and blankets looked delightful to the campaigner, when he thought of his
+ &ldquo;mansion, the cask.&rdquo; There was an air of gloom in the tapestry hangings,
+ which, with their worn-out graces, curtained the walls of the little
+ chamber, and gently undulated as the autumnal breeze found its way through
+ the ancient lattice window, which pattered and whistled as the air gained
+ entrance. The toilet, too, with its mirror, turbaned after the manner of
+ the beginning of the century, with a coiffure of murrey-coloured silk, and
+ its hundred strange-shaped boxes, providing for arrangements which had
+ been obsolete for more than fifty years, had an antique, and in so far a
+ melancholy, aspect. But nothing could blaze more brightly and cheerfully
+ than the two large wax candles; or if aught could rival them, it was the
+ flaming, bickering fagots in the chimney, that sent at once their gleam
+ and their warmth through the snug apartment, which, notwithstanding the
+ general antiquity of its appearance, was not wanting in the least
+ convenience that modern habits rendered either necessary or desirable.
+ </p>
+ <p>
+ &ldquo;This is an old-fashioned sleeping apartment, General,&rdquo; said the young
+ lord; &ldquo;but I hope you find nothing that makes you envy your old
+ tobacco-cask.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not particular respecting my lodgings,&rdquo; replied the General; &ldquo;yet
+ were I to make any choice, I would prefer this chamber by many degrees to
+ the gayer and more modern rooms of your family mansion. Believe me that,
+ when I unite its modern air of comfort with its venerable antiquity, and
+ recollect that it is your lordship&rsquo;s property, I shall feel in better
+ quarters here than if I were in the best hotel London could afford.&rdquo;
+ </p>
+ <p>
+ &ldquo;I trust&mdash;I have no doubt&mdash;that you will find yourself as
+ comfortable as I wish you, my dear General,&rdquo; said the young nobleman; and
+ once more bidding his guest good-night, he shook him by the hand, and
+ withdrew.
+ </p>
+ <p>
+ The General once more looked round him, and internally congratulating
+ himself on his return to peaceful life, the comforts of which were
+ endeared by the recollection of the hardships and dangers he had lately
+ sustained, undressed himself, and prepared for a luxurious night&rsquo;s rest.
+ </p>
+ <p>
+ Here, contrary to the custom of this species of tale, we leave the General
+ in possession of his apartment until the next morning.
+ </p>
+ <p>
+ The company assembled for breakfast at an early hour, but without the
+ appearance of General Browne, who seemed the guest that Lord Woodville was
+ desirous of honouring above all whom his hospitality had assembled around
+ him. He more than once expressed surprise at the General&rsquo;s absence, and at
+ length sent a servant to make inquiry after him. The man brought back
+ information that General Browne had been walking abroad since an early
+ hour of the morning, in defiance of the weather, which was misty and
+ ungenial.
+ </p>
+ <p>
+ &ldquo;The custom of a soldier,&rdquo; said the young nobleman to his friends. &ldquo;Many
+ of them acquire habitual vigilance, and cannot sleep after the early hour
+ at which their duty usually commands them to be alert.&rdquo;
+ </p>
+ <p>
+ Yet the explanation which Lord Woodville thus offered to the company
+ seemed hardly satisfactory to his own mind, and it was in a fit of silence
+ and abstraction that he waited the return of the General. It took place
+ near an hour after the breakfast bell had rung. He looked fatigued and
+ feverish. His hair, the powdering and arrangement of which was at this
+ time one of the most important occupations of a man&rsquo;s whole day, and
+ marked his fashion as much as in the present time the tying of a cravat,
+ or the want of one, was dishevelled, uncurled, void of powder, and dank
+ with dew. His clothes were huddled on with a careless negligence,
+ remarkable in a military man, whose real or supposed duties are usually
+ held to include some attention to the toilet; and his looks were haggard
+ and ghastly in a peculiar degree.
+ </p>
+ <p>
+ &ldquo;So you have stolen a march upon us this morning, my dear General,&rdquo; said
+ Lord Woodville; &ldquo;or you have not found your bed so much to your mind as I
+ had hoped and you seemed to expect. How did you rest last night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, excellently well! remarkably well! never better in my life,&rdquo; said
+ General Browne rapidly, and yet with an air of embarrassment which was
+ obvious to his friend. He then hastily swallowed a cup of tea, and
+ neglecting or refusing whatever else was offered, seemed to fall into a
+ fit of abstraction.
+ </p>
+ <p>
+ &ldquo;You will take the gun to-day, General?&rdquo; said his friend and host, but had
+ to repeat the question twice ere he received the abrupt answer, &ldquo;No, my
+ lord; I am sorry I cannot have the opportunity of spending another day
+ with your lordship; my post horses are ordered, and will be here
+ directly.&rdquo;
+ </p>
+ <p>
+ All who were present showed surprise, and Lord Woodville immediately
+ replied &ldquo;Post horses, my good friend! What can you possibly want with them
+ when you promised to stay with me quietly for at least a week?&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe,&rdquo; said the General, obviously much embarrassed, &ldquo;that I might,
+ in the pleasure of my first meeting with your lordship, have said
+ something about stopping here a few days; but I have since found it
+ altogether impossible.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is very extraordinary,&rdquo; answered the young nobleman. &ldquo;You seemed
+ quite disengaged yesterday, and you cannot have had a summons to-day, for
+ our post has not come up from the town, and therefore you cannot have
+ received any letters.&rdquo;
+ </p>
+ <p>
+ General Browne, without giving any further explanation, muttered something
+ about indispensable business, and insisted on the absolute necessity of
+ his departure in a manner which silenced all opposition on the part of his
+ host, who saw that his resolution was taken, and forbore all further
+ importunity.
+ </p>
+ <p>
+ &ldquo;At least, however,&rdquo; he said, &ldquo;permit me, my dear Browne, since go you
+ will or must, to show you the view from the terrace, which the mist, that
+ is now rising, will soon display.&rdquo;
+ </p>
+ <p>
+ He threw open a sash-window, and stepped down upon the terrace as he
+ spoke. The General followed him mechanically, but seemed little to attend
+ to what his host was saying, as, looking across an extended and rich
+ prospect, he pointed out the different objects worthy of observation. Thus
+ they moved on till Lord Woodville had attained his purpose of drawing his
+ guest entirely apart from the rest of the company, when, turning round
+ upon him with an air of great solemnity, he addressed him thus:&mdash;
+ </p>
+ <p>
+ &ldquo;Richard Browne, my old and very dear friend, we are now alone. Let me
+ conjure you to answer me upon the word of a friend, and the honour of a
+ soldier. How did you in reality rest during last night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Most wretchedly indeed, my lord,&rdquo; answered the General, in the same tone
+ of solemnity&mdash;&ldquo;so miserably, that I would not run the risk of such a
+ second night, not only for all the lands belonging to this castle, but for
+ all the country which I see from this elevated point of view.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is most extraordinary,&rdquo; said the young lord, as if speaking to
+ himself; &ldquo;then there must be something in the reports concerning that
+ apartment.&rdquo; Again turning to the General, he said, &ldquo;For God&rsquo;s sake, my
+ dear friend, be candid with me, and let me know the disagreeable
+ particulars which have befallen you under a roof, where, with consent of
+ the owner, you should have met nothing save comfort.&rdquo;
+ </p>
+ <p>
+ The General seemed distressed by this appeal, and paused a moment before
+ he replied. &ldquo;My dear lord,&rdquo; he at length said, &ldquo;what happened to me last
+ night is of a nature so peculiar and so unpleasant, that I could hardly
+ bring myself to detail it even to your lordship, were it not that,
+ independent of my wish to gratify any request of yours, I think that
+ sincerity on my part may lead to some explanation about a circumstance
+ equally painful and mysterious. To others, the communication I am about to
+ make, might place me in the light of a weak-minded, superstitious fool,
+ who suffered his own imagination to delude and bewilder him; but you have
+ known me in childhood and youth, and will not suspect me of having adopted
+ in manhood the feelings and frailties from which my early years were
+ free.&rdquo; Here he paused, and his friend replied,&mdash;
+ </p>
+ <p>
+ &ldquo;Do not doubt my perfect confidence in the truth of your communication,
+ however strange it may be,&rdquo; replied Lord Woodville. &ldquo;I know your firmness
+ of disposition too well, to suspect you could be made the object of
+ imposition, and am aware that your honour and your friendship will equally
+ deter you from exaggerating whatever you may have witnessed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then,&rdquo; said the General, &ldquo;I will proceed with my story as well as I
+ can, relying upon your candour, and yet distinctly feeling that I would
+ rather face a battery than recall to my mind the odious recollections of
+ last night.&rdquo;
+ </p>
+ <p>
+ He paused a second time, and then perceiving that Lord Woodville remained
+ silent and in an attitude of attention, he commenced, though not without
+ obvious reluctance, the history of his night&rsquo;s adventures in the
+ Tapestried Chamber.
+ </p>
+ <p>
+ &ldquo;I undressed and went to bed so soon as your lordship left me yesterday
+ evening; but the wood in the chimney, which nearly fronted my bed, blazed
+ brightly and cheerfully, and, aided by a hundred exciting recollections of
+ my childhood and youth, which had been recalled by the unexpected pleasure
+ of meeting your lordship, prevented me from falling immediately asleep. I
+ ought, however, to say that these reflections were all of a pleasant and
+ agreeable kind, grounded on a sense of having for a time exchanged the
+ labour, fatigues, and dangers of my profession for the enjoyments of a
+ peaceful life, and the reunion of those friendly and affectionate ties
+ which I had torn asunder at the rude summons of war.
+ </p>
+ <p>
+ &ldquo;While such pleasing reflections were stealing over my mind, and gradually
+ lulling me to slumber, I was suddenly aroused by a sound like that of the
+ rustling of a silken gown, and the tapping of a pair of high-heeled shoes,
+ as if a woman were walking in the apartment. Ere I could draw the curtain
+ to see what the matter was, the figure of a little woman passed between
+ the bed and the fire. The back of this form was turned to me, and I could
+ observe, from the shoulders and neck, it was that of an old woman, whose
+ dress was an old-fashioned gown, which I think ladies call a sacque&mdash;that
+ is, a sort of robe completely loose in the body, but gathered into broad
+ plaits upon the neck and shoulders, which fall down to the ground, and
+ terminate in a species of train.
+ </p>
+ <p>
+ &ldquo;I thought the intrusion singular enough, but never harboured for a moment
+ the idea that what I saw was anything more than the mortal form of some
+ old woman about the establishment, who had a fancy to dress like her
+ grandmother, and who, having perhaps (as your lordship mentioned that you
+ were rather straitened for room) been dislodged from her chamber for my
+ accommodation, had forgotten the circumstance, and returned by twelve to
+ her old haunt. Under this persuasion I moved myself in bed and coughed a
+ little, to make the intruder sensible of my being in possession of the
+ premises. She turned slowly round, but, gracious Heaven! my lord, what a
+ countenance did she display to me! There was no longer any question what
+ she was, or any thought of her being a living being. Upon a face which
+ wore the fixed features of a corpse were imprinted the traces of the
+ vilest and most hideous passions which had animated her while she lived.
+ The body of some atrocious criminal seemed to have been given up from the
+ grave, and the soul restored from the penal fire, in order to form for a
+ space a union with the ancient accomplice of its guilt. I started up in
+ bed, and sat upright, supporting myself on my palms, as I gazed on this
+ horrible spectre. The hag made, as it seemed, a single and swift stride to
+ the bed where I lay, and squatted herself down upon it, in precisely the
+ same attitude which I had assumed in the extremity of horror, advancing
+ her diabolical countenance within half a yard of mine, with a grin which
+ seemed to intimate the malice and the derision of an incarnate fiend.&rdquo;
+ </p>
+ <p>
+ Here General Browne stopped, and wiped from his brow the cold perspiration
+ with which the recollection of his horrible vision had covered it.
+ </p>
+ <p>
+ &ldquo;My lord,&rdquo; he said, &ldquo;I am no coward, I have been in all the mortal dangers
+ incidental to my profession, and I may truly boast that no man ever knew
+ Richard Browne dishonour the sword he wears; but in these horrible
+ circumstances, under the eyes, and, as it seemed, almost in the grasp of
+ an incarnation of an evil spirit, all firmness forsook me, all manhood
+ melted from me like wax in the furnace, and I felt my hair individually
+ bristle. The current of my life-blood ceased to flow, and I sank back in a
+ swoon, as very a victim to panic terror as ever was a village girl, or a
+ child of ten years old. How long I lay in this condition I cannot pretend
+ to guess.
+ </p>
+ <p>
+ &ldquo;But I was roused by the castle clock striking one, so loud that it seemed
+ as if it were in the very room. It was some time before I dared open my
+ eyes, lest they should again encounter the horrible spectacle. When,
+ however, I summoned courage to look up, she was no longer visible. My
+ first idea was to pull my bell, wake the servants, and remove to a garret
+ or a hay-loft, to be ensured against a second visitation. Nay, I will
+ confess the truth that my resolution was altered, not by the shame of
+ exposing myself, but by the fear that, as the bell-cord hung by the
+ chimney, I might, in making my way to it, be again crossed by the fiendish
+ hag, who, I figured to myself, might be still lurking about some corner of
+ the apartment.
+ </p>
+ <p>
+ &ldquo;I will not pretend to describe what hot and cold fever-fits tormented me
+ for the rest of the night, through broken sleep, weary vigils, and that
+ dubious state which forms the neutral ground between them. A hundred
+ terrible objects appeared to haunt me; but there was the great difference
+ betwixt the vision which I have described, and those which followed, that
+ I knew the last to be deceptions of my own fancy and over-excited nerves.
+ </p>
+ <p>
+ &ldquo;Day at last appeared, and I rose from my bed ill in health and humiliated
+ in mind. I was ashamed of myself as a man and a soldier, and still more so
+ at feeling my own extreme desire to escape from the haunted apartment,
+ which, however, conquered all other considerations; so that, huddling on
+ my clothes with the most careless haste, I made my escape from your
+ lordship&rsquo;s mansion, to seek in the open air some relief to my nervous
+ system, shaken as it was by this horrible rencounter with a visitant, for
+ such I must believe her, from the other world. Your lordship has now heard
+ the cause of my discomposure, and of my sudden desire to leave your
+ hospitable castle. In other places I trust we may often meet, but God
+ protect me from ever spending a second night under that roof!&rdquo;
+ </p>
+ <p>
+ Strange as the General&rsquo;s tale was, he spoke with such a deep air of
+ conviction that it cut short all the usual commentaries which are made on
+ such stories. Lord Woodville never once asked him if he was sure he did
+ not dream of the apparition, or suggested any of the possibilities by
+ which it is fashionable to explain supernatural appearances as wild
+ vagaries of the fancy, or deceptions of the optic nerves, On the contrary,
+ he seemed deeply impressed with the truth and reality of what he had
+ heard; and, after a considerable pause regretted, with much appearance of
+ sincerity, that his early friend should in his house have suffered so
+ severely.
+ </p>
+ <p>
+ &ldquo;I am the more sorry for your pain, my dear Browne,&rdquo; he continued, &ldquo;that
+ it is the unhappy, though most unexpected, result of an experiment of my
+ own. You must know that, for my father and grandfather&rsquo;s time, at least,
+ the apartment which was assigned to you last night had been shut on
+ account of reports that it was disturbed by supernatural sights and
+ noises. When I came, a few weeks since, into possession of the estate, I
+ thought the accommodation which the castle afforded for my friends was not
+ extensive enough to permit the inhabitants of the invisible world to
+ retain possession of a comfortable sleeping apartment. I therefore caused
+ the Tapestried Chamber, as we call it, to be opened, and, without
+ destroying its air of antiquity, I had such new articles of furniture
+ placed in it as became the modern times. Yet, as the opinion that the room
+ was haunted very strongly prevailed among the domestics, and was also
+ known in the neighbourhood and to many of my friends, I feared some
+ prejudice might be entertained by the first occupant of the Tapestried
+ Chamber, which might tend to revive the evil report which it had laboured
+ under, and so disappoint my purpose of rendering it a useful part or the
+ house. I must confess, my dear Browne, that your arrival yesterday,
+ agreeable to me for a thousand reasons besides, seemed the most favourable
+ opportunity of removing the unpleasant rumours which attached to the room,
+ since your courage was indubitable, and your mind free of any
+ preoccupation on the subject. I could not, therefore, have chosen a more
+ fitting subject for my experiment.&rdquo;
+ </p>
+ <p>
+ &ldquo;Upon my life,&rdquo; said General Browne, somewhat hastily, &ldquo;I am infinitely
+ obliged to your lordship&mdash;very particularly indebted indeed. I am
+ likely to remember for some time the consequences of the experiment, as
+ your lordship is pleased to call it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, now you are unjust, my dear friend,&rdquo; said Lord Woodville. &ldquo;You have
+ only to reflect for a single moment, in order to be convinced that I could
+ not augur the possibility of the pain to which you have been so unhappily
+ exposed. I was yesterday morning a complete sceptic on the subject of
+ supernatural appearances. Nay, I am sure that, had I told you what was
+ said about that room, those very reports would have induced you, by your
+ own choice, to select it for your accommodation. It was my misfortune,
+ perhaps my error, but really cannot be termed my fault, that you have been
+ afflicted so strangely.&rdquo;
+ </p>
+ <p>
+ &ldquo;Strangely indeed!&rdquo; said the General, resuming his good temper; &ldquo;and I
+ acknowledge that I have no right to be offended with your lordship for
+ treating me like what I used to think myself&mdash;a man of some firmness
+ and courage. But I see my post horses are arrived, and I must not detain
+ your lordship from your amusement.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, my old friend,&rdquo; said Lord Woodville, &ldquo;since you cannot stay with us
+ another day&mdash;which, indeed, I can no longer urge&mdash;give me at
+ least half an hour more. You used to love pictures, and I have a gallery
+ of portraits, some of them by Vandyke, representing ancestry to whom this
+ property and castle formerly belonged. I think that several of them will
+ strike you as possessing merit.&rdquo;
+ </p>
+ <p>
+ General Browne accepted the invitation, though somewhat unwillingly. It
+ was evident he was not to breathe freely or at ease till he left Woodville
+ Castle far behind him. He could not refuse his friend&rsquo;s invitation,
+ however; and the less so, that he was a little ashamed of the peevishness
+ which he had displayed towards his well-meaning entertainer.
+ </p>
+ <p>
+ The General, therefore, followed Lord Woodville through several rooms into
+ a long gallery hung with pictures, which the latter pointed out to his
+ guest, telling the names, and giving some account of the personages whose
+ portraits presented themselves in progression. General Browne was but
+ little interested in the details which these accounts conveyed to him.
+ They were, indeed, of the kind which are usually found in an old family
+ gallery. Here was a Cavalier who had ruined the estate in the royal cause;
+ there a fine lady who had reinstated it by contracting a match with a
+ wealthy Roundhead. There hung a gallant who had been in danger for
+ corresponding with the exiled Court at Saint Germain&rsquo;s; here one who had
+ taken arms for William at the Revolution; and there a third that had
+ thrown his weight alternately into the scale of Whig and Tory.
+ </p>
+ <p>
+ While lord Woodville was cramming these words into his guest&rsquo;s ear,
+ &ldquo;against the stomach of his sense,&rdquo; they gained the middle of the gallery,
+ when he beheld General Browne suddenly start, and assume an attitude of
+ the utmost surprise, not unmixed with fear, as his eyes were suddenly
+ caught and riveted by a portrait of an old lady in a sacque, the
+ fashionable dress of the end of the seventeenth century.
+ </p>
+ <p>
+ &ldquo;There she is!&rdquo; he exclaimed&mdash;&ldquo;there she is, in form and features,
+ though Inferior in demoniac expression to the accursed hag who visited me
+ last night!&rdquo;
+ </p>
+ <p>
+ &ldquo;If that be the case,&rdquo; said the young nobleman, &ldquo;there can remain no
+ longer any doubt of the horrible reality of your apparition. That is the
+ picture of a wretched ancestress of mine, of whose crimes a black and
+ fearful catalogue is recorded in a family history in my charter-chest. The
+ recital of them would be too horrible; it is enough to say, that in yon
+ fatal apartment incest and unnatural murder were committed. I will restore
+ it to the solitude to which the better judgment of those who preceded me
+ had consigned it; and never shall any one, so long as I can prevent it, be
+ exposed to a repetition of the supernatural horrors which could shake such
+ courage as yours.&rdquo;
+ </p>
+ <p>
+ Thus the friends, who had met with such glee, parted in a very different
+ mood&mdash;Lord Woodville to command the Tapestried Chamber to be
+ unmantled, and the door built up; and General Browne to seek in some less
+ beautiful country, and with some less dignified friend, forgetfulness of
+ the painful night which he had passed in Woodville Castle.
+ </p>
+ <p>
+ END OF THE TAPESTRIED CHAMBER.
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ DEATH OF THE LAIRD&rsquo;S JOCK
+ </h2>
+ <h3>
+ by Sir Walter Scott.
+ </h3>
+ <p>
+ [The manner in which this trifle was introduced at the time to Mr. F. M.
+ Reynolds, editor of The Keepsake of 1828, leaves no occasion for a
+ preface.]
+ </p>
+ <p>
+ AUGUST 1831. TO THE EDITOR OF THE KEEPSAKE.
+ </p>
+ <p>
+ You have asked me, sir, to point out a subject for the pencil, and I feel
+ the difficulty of complying with your request, although I am not certainly
+ unaccustomed to literary composition, or a total stranger to the stores of
+ history and tradition, which afford the best copies for the painter&rsquo;s art.
+ But although SICUT PICTURA POESIS is an ancient and undisputed axiom&mdash;although
+ poetry and painting both address themselves to the same object of exciting
+ the human imagination, by presenting to it pleasing or sublime images of
+ ideal scenes&mdash;yet the one conveying itself through the ears to the
+ understanding, and the other applying itself only to the eyes, the
+ subjects which are best suited to the bard or tale-teller are often
+ totally unfit for painting, where the artist must present in a single
+ glance all that his art has power to tell us. The artist can neither
+ recapitulate the past nor intimate the future. The single NOW is all which
+ he can present; and hence, unquestionably, many subjects which delight us
+ in poetry or in narrative, whether real or fictitious, cannot with
+ advantage be transferred to the canvas.
+ </p>
+ <p>
+ Being in some degree aware of these difficulties, though doubtless
+ unacquainted both with their extent and the means by which they may be
+ modified or surmounted, I have, nevertheless, ventured to draw up the
+ following traditional narrative as a story in which, when the general
+ details are known, the interest is so much concentrated in one strong
+ moment of agonizing passion, that it can be understood and sympathized
+ with at a single glance. I therefore presume that it may be acceptable as
+ a hint to some one among the numerous artists who have of late years
+ distinguished themselves as rearing up and supporting the British school.
+ </p>
+ <p>
+ Enough has been said and sung about
+ </p>
+<pre xml:space="preserve">
+ &ldquo;The well-contested ground,
+ The warlike Border-land,&rdquo;
+ </pre>
+ <p>
+ to render the habits of the tribes who inhabited it before the union of
+ England and Scotland familiar to most of your readers. The rougher and
+ sterner features of their character were softened by their attachment to
+ the fine arts, from which has arisen the saying that on the frontiers
+ every dale had its battle, and every river its song. A rude species of
+ chivalry was in constant use, and single combats were practised as the
+ amusement of the few intervals of truce which suspended the exercise of
+ war. The inveteracy of this custom may be inferred from the following
+ incident:&mdash;
+ </p>
+ <p>
+ Bernard Gilpin, the apostle of the north, the first who undertook to
+ preach the Protestant doctrines to the Border dalesmen, was surprised, on
+ entering one of their churches, to see a gauntlet or mail-glove hanging
+ above the altar. Upon inquiring; the meaning of a symbol so indecorous
+ being displayed in that sacred place, he was informed by the clerk that
+ the glove was that of a famous swordsman, who hung it there as an emblem
+ of a general challenge and gage of battle to any who should dare to take
+ the fatal token down. &ldquo;Reach it to me,&rdquo; said the reverend churchman. The
+ clerk and the sexton equally declined the perilous office, and the good
+ Bernard Gilpin was obliged to remove the glove with his own hands,
+ desiring those who were present to inform the champion that he, and no
+ other, had possessed himself of the gage of defiance. But the champion was
+ as much ashamed to face Bernard Gilpin as the officials of the church had
+ been to displace his pledge of combat.
+ </p>
+ <p>
+ The date of the following story is about the latter years of Queen
+ Elizabeth&rsquo;s reign; and the events took place in Liddesdale, a hilly and
+ pastoral district of Roxburghshire, which, on a part of its boundary, is
+ divided from England only by a small river.
+ </p>
+ <p>
+ During the good old times of RUGGING AND RIVING&mdash;that is, tugging and
+ tearing&mdash;under which term the disorderly doings of the warlike age
+ are affectionately remembered, this valley was principally cultivated by
+ the sept or clan of the Armstrongs. The chief of this warlike race was the
+ Laird of Mangerton. At the period of which I speak, the estate of
+ Mangerton, with the power and dignity of chief, was possessed by John
+ Armstrong, a man of great size, strength, and courage. While his father
+ was alive, he was distinguished from others of his clan who bore the same
+ name, by the epithet of the LAIRD&rsquo;S JOCK&mdash;that is to say, the Laird&rsquo;s
+ son Jock, or Jack. This name he distinguished by so many bold and
+ desperate achievements, that he retained it even after his father&rsquo;s death,
+ and is mentioned under it both in authentic records and in tradition. Some
+ of his feats are recorded in the minstrelsy of the Scottish Border, and
+ others are mentioned in contemporary chronicles.
+ </p>
+ <p>
+ At the species of singular combat which we have described the Laird&rsquo;s Jock
+ was unrivalled, and no champion of Cumberland, Westmoreland, or
+ Northumberland could endure the sway of the huge two-handed sword which he
+ wielded, and which few others could even lift. This &ldquo;awful sword,&rdquo; as the
+ common people term it, was as dear to him as Durindana or Fushberta to
+ their respective masters, and was nearly as formidable to his enemies as
+ those renowned falchions proved to the foes of Christendom. The weapon had
+ been bequeathed to him by a celebrated English outlaw named Hobbie Noble,
+ who, having committed some deed for which he was in danger from justice,
+ fled to Liddesdale, and became a follower, or rather a brother-in-arms, to
+ the renowned Laird&rsquo;s Jock; till, venturing into England with a small
+ escort, a faithless guide, and with a light single-handed sword instead of
+ his ponderous brand, Hobbie Noble, attacked by superior numbers, was made
+ prisoner and executed.
+ </p>
+ <p>
+ With this weapon, and by means of his own strength and address, the
+ Laird&rsquo;s Jock maintained the reputation of the best swordsman on the Border
+ side, and defeated or slew many who ventured to dispute with him the
+ formidable title.
+ </p>
+ <p>
+ But years pass on with the strong and the brave as with the feeble and the
+ timid. In process of time the Laird&rsquo;s Jock grew incapable of wielding his
+ weapons, and finally of all active exertion, even of the most ordinary
+ kind. The disabled champion became at length totally bedridden, and
+ entirely dependent for his comfort on the pious duties of an only
+ daughter, his perpetual attendant and companion.
+ </p>
+ <p>
+ Besides this dutiful child, the Laird&rsquo;s Jock had an only son, upon whom
+ devolved the perilous task of leading the clan to battle, and maintaining
+ the warlike renown of his native country, which was now disputed by the
+ English upon many occasions. The young Armstrong was active, brave, and
+ strong, and brought home from dangerous adventures many tokens of decided
+ success. Still, the ancient chief conceived, as it would seem, that his
+ son was scarce yet entitled by age and experience to be entrusted with the
+ two-handed sword, by the use of which he had himself been so dreadfully
+ distinguished.
+ </p>
+ <p>
+ At length an English champion, one of the name of Foster (if I rightly
+ recollect), had the audacity to send a challenge to the best swordsman in
+ Liddesdale; and young Armstrong, burning for chivalrous distinction,
+ accepted the challenge.
+ </p>
+ <p>
+ The heart of the disabled old man swelled with joy when he heard that the
+ challenge was passed and accepted, and the meeting fixed at a neutral
+ spot, used as the place of rencontre upon such occasions, and which he
+ himself had distinguished by numerous victories. He exulted so much in the
+ conquest which he anticipated, that, to nerve his son to still bolder
+ exertions, he conferred upon him, as champion of his clan and province,
+ the celebrated weapon which he had hitherto retained in his own custody.
+ </p>
+ <p>
+ This was not all. When the day of combat arrived, the Laird&rsquo;s Jock, in
+ spite of his daughter&rsquo;s affectionate remonstrances, determined, though he
+ had not left his bed for two years, to be a personal witness of the duel.
+ His will was still a law to his people, who bore him on their shoulders,
+ wrapped in plaids and blankets, to the spot where the combat was to take
+ place, and seated him on a fragment of rock, which is still called the
+ Laird&rsquo;s Jock&rsquo;s stone. There he remained with eyes fixed on the lists or
+ barrier, within which the champions were about to meet. His daughter,
+ having done all she could for his accommodation, stood motionless beside
+ him, divided between anxiety for his health, and for the event of the
+ combat to her beloved brother. Ere yet the fight began, the old men gazed
+ on their chief, now seen for the first time after several years, and sadly
+ compared his altered features and wasted frame with the paragon of
+ strength and manly beauty which they once remembered. The young men gazed
+ on his large form and powerful make as upon some antediluvian giant who
+ had survived the destruction of the Flood.
+ </p>
+ <p>
+ But the sound of the trumpets on both sides recalled the attention of
+ every one to the lists, surrounded as they were by numbers of both nations
+ eager to witness the event of the day. The combatants met in the lists. It
+ is needless to describe the struggle: the Scottish champion fell. Foster,
+ placing his foot on his antagonist, seized on the redoubted sword, so
+ precious in the eyes of its aged owner, and brandished it over his head as
+ a trophy of his conquest. The English shouted in triumph. But the
+ despairing cry of the aged champion, who saw his country dishonoured, and
+ his sword, long the terror of their race, in the possession of an
+ Englishman, was heard high above the acclamations of victory. He seemed
+ for an instant animated by all his wonted power; for he started from the
+ rock on which he sat, and while the garments with which he had been
+ invested fell from his wasted frame, and showed the ruins of his strength,
+ he tossed his arms wildly to heaven, and uttered a cry of indignation,
+ horror, and despair, which, tradition says, was heard to a preternatural
+ distance, and resembled the cry of a dying lion more than a human sound.
+ </p>
+ <p>
+ His friends received him in their arms as he sank utterly exhausted by the
+ effort, and bore him back to his castle in mute sorrow; while his daughter
+ at once wept for her brother, and endeavoured to mitigate and soothe the
+ despair of her father. But this was impossible; the old man&rsquo;s only tie to
+ life was rent rudely asunder, and his heart had broken with it. The death
+ of his son had no part in his sorrow. If he thought of him at all, it was
+ as the degenerate boy through whom the honour of his country and clan had
+ been lost; and he died in the course of three days, never even mentioning
+ his name, but pouring out unintermitted lamentations for the loss of his
+ noble sword.
+ </p>
+ <p>
+ I conceive that the moment when the disabled chief was roused into a last
+ exertion by the agony of the moment is favourable to the object of a
+ painter. He might obtain the full advantage of contrasting the form of the
+ rugged old man, in the extremity of furious despair, with the softness and
+ beauty of the female form. The fatal field might be thrown into
+ perspective, so as to give full effect to these two principal figures, and
+ with the single explanation that the piece represented a soldier beholding
+ his son slain, and the honour of his country lost, the picture would be
+ sufficiently intelligible at the first glance. If it was thought necessary
+ to show more clearly the nature of the conflict, it might be indicated by
+ the pennon of Saint George being displayed at one end of the lists, and
+ that of Saint Andrew at the other.
+ </p>
+ <p>
+ I remain, sir,
+ </p>
+ <p>
+ Your obedient servant,
+ </p>
+ <p>
+ THE AUTHOR OF WAVERLEY. <br /><br /><br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Tapestried Chamber, and Death of
+the Laird&rsquo;s Jock, by Sir Walter Scott
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+***** This file should be named 1668-h.htm or 1668-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/6/1668/
+
+Produced by An Anonymous Volunteer, and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/1668.txt b/1668.txt
new file mode 100644
index 0000000..aa615e9
--- /dev/null
+++ b/1668.txt
@@ -0,0 +1,1200 @@
+The Project Gutenberg EBook of The Tapestried Chamber, and Death of the
+Laird's Jock, by Sir Walter Scott
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Tapestried Chamber, and Death of the Laird's Jock
+
+Author: Sir Walter Scott
+
+Posting Date: November 17, 2008 [EBook #1668]
+Release Date: March, 1999
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+
+
+
+Produced by An Anonymous Volunteer
+
+
+
+
+
+THE TAPESTRIED CHAMBER
+
+by Sir Walter Scott
+
+
+
+
+INTRODUCTION.
+
+This is another little story from The Keepsake of 1828. It was told
+to me many years ago by the late Miss Anna Seward, who, among other
+accomplishments that rendered her an amusing inmate in a country house,
+had that of recounting narratives of this sort with very considerable
+effect--much greater, indeed, than any one would be apt to guess from
+the style of her written performances. There are hours and moods when
+most people are not displeased to listen to such things; and I have
+heard some of the greatest and wisest of my contemporaries take their
+share in telling them.
+
+AUGUST 1831
+
+
+
+
+THE TAPESTRIED CHAMBER;
+
+OR,
+
+THE LADY IN THE SACQUE.
+
+The following narrative is given from the pen, so far as memory permits,
+in the same character in which it was presented to the author's ear; nor
+has he claim to further praise, or to be more deeply censured, than
+in proportion to the good or bad judgment which he has employed in
+selecting his materials, as he has studiously avoided any attempt at
+ornament which might interfere with the simplicity of the tale.
+
+At the same time, it must be admitted that the particular class of
+stories which turns on the marvellous possesses a stronger influence
+when told than when committed to print. The volume taken up at noonday,
+though rehearsing the same incidents, conveys a much more feeble
+impression than is achieved by the voice of the speaker on a circle of
+fireside auditors, who hang upon the narrative as the narrator details
+the minute incidents which serve to give it authenticity, and lowers his
+voice with an affectation of mystery while he approaches the fearful
+and wonderful part. It was with such advantages that the present writer
+heard the following events related, more than twenty years since, by
+the celebrated Miss Seward of Litchfield, who, to her numerous
+accomplishments, added, in a remarkable degree, the power of narrative
+in private conversation. In its present form the tale must necessarily
+lose all the interest which was attached to it by the flexible voice and
+intelligent features of the gifted narrator. Yet still, read aloud to an
+undoubting audience by the doubtful light of the closing evening, or in
+silence by a decaying taper, and amidst the solitude of a half-lighted
+apartment, it may redeem its character as a good ghost story. Miss
+Seward always affirmed that she had derived her information from an
+authentic source, although she suppressed the names of the two persons
+chiefly concerned. I will not avail myself of any particulars I may have
+since received concerning the localities of the detail, but suffer them
+to rest under the same general description in which they were first
+related to me; and for the same reason I will not add to or diminish the
+narrative by any circumstance, whether more or less material, but simply
+rehearse, as I heard it, a story of supernatural terror.
+
+About the end of the American war, when the officers of Lord
+Cornwallis's army, which surrendered at Yorktown, and others, who had
+been made prisoners during the impolitic and ill-fated controversy, were
+returning to their own country, to relate their adventures, and repose
+themselves after their fatigues, there was amongst them a general
+officer, to whom Miss S. gave the name of Browne, but merely, as I
+understood, to save the inconvenience of introducing a nameless agent
+in the narrative. He was an officer of merit, as well as a gentleman of
+high consideration for family and attainments.
+
+Some business had carried General Browne upon a tour through the western
+counties, when, in the conclusion of a morning stage, he found himself
+in the vicinity of a small country town, which presented a scene of
+uncommon beauty, and of a character peculiarly English.
+
+The little town, with its stately old church, whose tower bore testimony
+to the devotion of ages long past, lay amidst pastures and cornfields of
+small extent, but bounded and divided with hedgerow timber of great age
+and size. There were few marks of modern improvement. The environs of
+the place intimated neither the solitude of decay nor the bustle of
+novelty; the houses were old, but in good repair; and the beautiful
+little river murmured freely on its way to the left of the town, neither
+restrained by a dam nor bordered by a towing-path.
+
+Upon a gentle eminence, nearly a mile to the southward of the town, were
+seen, amongst many venerable oaks and tangled thickets, the turrets of
+a castle as old as the walls of York and Lancaster, but which seemed to
+have received important alterations during the age of Elizabeth and
+her successor, It had not been a place of great size; but whatever
+accommodation it formerly afforded was, it must be supposed, still to
+be obtained within its walls. At least, such was the inference which
+General Browne drew from observing the smoke arise merrily from several
+of the ancient wreathed and carved chimney-stalks. The wall of the park
+ran alongside of the highway for two or three hundred yards; and through
+the different points by which the eye found glimpses into the woodland
+scenery, it seemed to be well stocked. Other points of view opened in
+succession--now a full one of the front of the old castle, and now
+a side glimpse at its particular towers, the former rich in all the
+bizarrerie of the Elizabethan school, while the simple and solid
+strength of other parts of the building seemed to show that they had
+been raised more for defence than ostentation.
+
+Delighted with the partial glimpses which he obtained of the castle
+through the woods and glades by which this ancient feudal fortress was
+surrounded, our military traveller was determined to inquire whether
+it might not deserve a nearer view, and whether it contained family
+pictures or other objects of curiosity worthy of a stranger's visit,
+when, leaving the vicinity of the park, he rolled through a clean and
+well-paved street, and stopped at the door of a well-frequented inn.
+
+Before ordering horses, to proceed on his journey, General Browne
+made inquiries concerning the proprietor of the chateau which had so
+attracted his admiration, and was equally surprised and pleased at
+hearing in reply a nobleman named, whom we shall call Lord Woodville.
+How fortunate! Much of Browne's early recollections, both at school
+and at college, had been connected with young Woodville, whom, by a few
+questions, he now ascertained to be the same with the owner of this fair
+domain. He had been raised to the peerage by the decease of his father
+a few months before, and, as the General learned from the landlord, the
+term of mourning being ended, was now taking possession of his paternal
+estate in the jovial season of merry, autumn, accompanied by a select
+party of friends, to enjoy the sports of a country famous for game.
+
+This was delightful news to our traveller. Frank Woodville had been
+Richard Browne's fag at Eton, and his chosen intimate at Christ Church;
+their pleasures and their tasks had been the same; and the honest
+soldier's heart warmed to find his early friend in possession of so
+delightful a residence, and of an estate, as the landlord assured
+him with a nod and a wink, fully adequate to maintain and add to his
+dignity. Nothing was more natural than that the traveller should suspend
+a journey, which there was nothing to render hurried, to pay a visit to
+an old friend under such agreeable circumstances.
+
+The fresh horses, therefore, had only the brief task of conveying the
+General's travelling carriage to Woodville Castle. A porter admitted
+them at a modern Gothic lodge, built in that style to correspond with
+the castle itself, and at the same time rang a bell to give warning of
+the approach of visitors. Apparently the sound of the bell had suspended
+the separation of the company, bent on the various amusements of the
+morning; for, on entering the court of the chateau, several young
+men were lounging about in their sporting dresses, looking at and
+criticizing the dogs which the keepers held in readiness to attend their
+pastime. As General Browne alighted, the young lord came to the gate
+of the hall, and for an instant gazed, as at a stranger, upon the
+countenance of his friend, on which war, with its fatigues and its
+wounds, had made a great alteration. But the uncertainty lasted no
+longer than till the visitor had spoken, and the hearty greeting which
+followed was such as can only be exchanged betwixt those who have passed
+together the merry days of careless boyhood or early youth.
+
+"If I could have formed a wish, my dear Browne," said Lord Woodville,
+"it would have been to have you here, of all men, upon this occasion,
+which my friends are good enough to hold as a sort of holiday. Do not
+think you have been unwatched during the years you have been absent
+from us. I have traced you through your dangers, your triumphs, your
+misfortunes, and was delighted to see that, whether in victory or
+defeat, the name of my old friend was always distinguished with
+applause."
+
+The General made a suitable reply, and congratulated his friend on his
+new dignities, and the possession of a place and domain so beautiful.
+
+"Nay, you have seen nothing of it as yet," said Lord Woodville, "and I
+trust you do not mean to leave us till you are better acquainted with
+it. It is true, I confess, that my present party is pretty large, and
+the old house, like other places of the kind, does not possess so much
+accommodation as the extent of the outward walls appears to promise.
+But we can give you a comfortable old-fashioned room, and I venture
+to suppose that your campaigns have taught you to be glad of worse
+quarters."
+
+The General shrugged his shoulders, and laughed. "I presume," he said,
+"the worst apartment in your chateau is considerably superior to the old
+tobacco-cask in which I was fain to take up my night's lodging when I
+was in the Bush, as the Virginians call it, with the light corps. There
+I lay, like Diogenes himself, so delighted with my covering from the
+elements, that I made a vain attempt to have it rolled on to my next
+quarters; but my commander for the time would give way to no such
+luxurious provision, and I took farewell of my beloved cask with tears
+in my eyes."
+
+"Well, then, since you do not fear your quarters," said Lord Woodville,
+"you will stay with me a week at least. Of guns, dogs, fishing-rods,
+flies, and means of sport by sea and land, we have enough and to
+spare--you cannot pitch on an amusement but we will find the means of
+pursuing it. But if you prefer the gun and pointers, I will go with you
+myself, and see whether you have mended your shooting since you have
+been amongst the Indians of the back settlements."
+
+The General gladly accepted his friendly host's proposal in all its
+points. After a morning of manly exercise, the company met at dinner,
+where it was the delight of Lord Woodville to conduce to the display of
+the high properties of his recovered friend, so as to recommend him to
+his guests, most of whom were persons of distinction. He led General
+Browne to speak of the scenes he had witnessed; and as every word marked
+alike the brave officer and the sensible man, who retained possession
+of his cool judgment under the most imminent dangers, the company looked
+upon the soldier with general respect, as on one who had proved himself
+possessed of an uncommon portion of personal courage--that attribute of
+all others of which everybody desires to be thought possessed.
+
+The day at Woodville Castle ended as usual in such mansions. The
+hospitality stopped within the limits of good order. Music, in which the
+young lord was a proficient, succeeded to the circulation of the bottle;
+cards and billiards, for those who preferred such amusements, were in
+readiness; but the exercise of the morning required early hours, and not
+long after eleven o'clock the guests began to retire to their several
+apartments.
+
+The young lord himself conducted his friend, General Browne, to the
+chamber destined for him, which answered the description he had given
+of it, being comfortable, but old-fashioned, The bed was of the massive
+form used in the end of the seventeenth century, and the curtains of
+faded silk, heavily trimmed with tarnished gold. But then the sheets,
+pillows, and blankets looked delightful to the campaigner, when he
+thought of his "mansion, the cask." There was an air of gloom in the
+tapestry hangings, which, with their worn-out graces, curtained the
+walls of the little chamber, and gently undulated as the autumnal breeze
+found its way through the ancient lattice window, which pattered and
+whistled as the air gained entrance. The toilet, too, with its mirror,
+turbaned after the manner of the beginning of the century, with a
+coiffure of murrey-coloured silk, and its hundred strange-shaped boxes,
+providing for arrangements which had been obsolete for more than fifty
+years, had an antique, and in so far a melancholy, aspect. But nothing
+could blaze more brightly and cheerfully than the two large wax candles;
+or if aught could rival them, it was the flaming, bickering fagots in
+the chimney, that sent at once their gleam and their warmth through
+the snug apartment, which, notwithstanding the general antiquity of its
+appearance, was not wanting in the least convenience that modern habits
+rendered either necessary or desirable.
+
+"This is an old-fashioned sleeping apartment, General," said the
+young lord; "but I hope you find nothing that makes you envy your old
+tobacco-cask."
+
+"I am not particular respecting my lodgings," replied the General; "yet
+were I to make any choice, I would prefer this chamber by many degrees
+to the gayer and more modern rooms of your family mansion. Believe
+me that, when I unite its modern air of comfort with its venerable
+antiquity, and recollect that it is your lordship's property, I shall
+feel in better quarters here than if I were in the best hotel London
+could afford."
+
+"I trust--I have no doubt--that you will find yourself as comfortable
+as I wish you, my dear General," said the young nobleman; and once more
+bidding his guest good-night, he shook him by the hand, and withdrew.
+
+The General once more looked round him, and internally congratulating
+himself on his return to peaceful life, the comforts of which were
+endeared by the recollection of the hardships and dangers he had lately
+sustained, undressed himself, and prepared for a luxurious night's rest.
+
+Here, contrary to the custom of this species of tale, we leave the
+General in possession of his apartment until the next morning.
+
+The company assembled for breakfast at an early hour, but without the
+appearance of General Browne, who seemed the guest that Lord Woodville
+was desirous of honouring above all whom his hospitality had assembled
+around him. He more than once expressed surprise at the General's
+absence, and at length sent a servant to make inquiry after him. The
+man brought back information that General Browne had been walking abroad
+since an early hour of the morning, in defiance of the weather, which
+was misty and ungenial.
+
+"The custom of a soldier," said the young nobleman to his friends. "Many
+of them acquire habitual vigilance, and cannot sleep after the early
+hour at which their duty usually commands them to be alert."
+
+Yet the explanation which Lord Woodville thus offered to the company
+seemed hardly satisfactory to his own mind, and it was in a fit of
+silence and abstraction that he waited the return of the General. It
+took place near an hour after the breakfast bell had rung. He looked
+fatigued and feverish. His hair, the powdering and arrangement of which
+was at this time one of the most important occupations of a man's whole
+day, and marked his fashion as much as in the present time the tying of
+a cravat, or the want of one, was dishevelled, uncurled, void of
+powder, and dank with dew. His clothes were huddled on with a careless
+negligence, remarkable in a military man, whose real or supposed duties
+are usually held to include some attention to the toilet; and his looks
+were haggard and ghastly in a peculiar degree.
+
+"So you have stolen a march upon us this morning, my dear General," said
+Lord Woodville; "or you have not found your bed so much to your mind as
+I had hoped and you seemed to expect. How did you rest last night?"
+
+"Oh, excellently well! remarkably well! never better in my life," said
+General Browne rapidly, and yet with an air of embarrassment which
+was obvious to his friend. He then hastily swallowed a cup of tea, and
+neglecting or refusing whatever else was offered, seemed to fall into a
+fit of abstraction.
+
+"You will take the gun to-day, General?" said his friend and host, but
+had to repeat the question twice ere he received the abrupt answer, "No,
+my lord; I am sorry I cannot have the opportunity of spending another
+day with your lordship; my post horses are ordered, and will be here
+directly."
+
+All who were present showed surprise, and Lord Woodville immediately
+replied "Post horses, my good friend! What can you possibly want with
+them when you promised to stay with me quietly for at least a week?"
+
+"I believe," said the General, obviously much embarrassed, "that I
+might, in the pleasure of my first meeting with your lordship, have
+said something about stopping here a few days; but I have since found it
+altogether impossible."
+
+"That is very extraordinary," answered the young nobleman. "You seemed
+quite disengaged yesterday, and you cannot have had a summons to-day,
+for our post has not come up from the town, and therefore you cannot
+have received any letters."
+
+General Browne, without giving any further explanation, muttered
+something about indispensable business, and insisted on the absolute
+necessity of his departure in a manner which silenced all opposition on
+the part of his host, who saw that his resolution was taken, and forbore
+all further importunity.
+
+"At least, however," he said, "permit me, my dear Browne, since go you
+will or must, to show you the view from the terrace, which the mist,
+that is now rising, will soon display."
+
+He threw open a sash-window, and stepped down upon the terrace as he
+spoke. The General followed him mechanically, but seemed little to
+attend to what his host was saying, as, looking across an extended
+and rich prospect, he pointed out the different objects worthy of
+observation. Thus they moved on till Lord Woodville had attained
+his purpose of drawing his guest entirely apart from the rest of the
+company, when, turning round upon him with an air of great solemnity, he
+addressed him thus:--
+
+"Richard Browne, my old and very dear friend, we are now alone. Let me
+conjure you to answer me upon the word of a friend, and the honour of a
+soldier. How did you in reality rest during last night?"
+
+"Most wretchedly indeed, my lord," answered the General, in the same
+tone of solemnity--"so miserably, that I would not run the risk of such
+a second night, not only for all the lands belonging to this castle, but
+for all the country which I see from this elevated point of view."
+
+"This is most extraordinary," said the young lord, as if speaking to
+himself; "then there must be something in the reports concerning that
+apartment." Again turning to the General, he said, "For God's sake,
+my dear friend, be candid with me, and let me know the disagreeable
+particulars which have befallen you under a roof, where, with consent of
+the owner, you should have met nothing save comfort."
+
+The General seemed distressed by this appeal, and paused a moment before
+he replied. "My dear lord," he at length said, "what happened to me last
+night is of a nature so peculiar and so unpleasant, that I could hardly
+bring myself to detail it even to your lordship, were it not that,
+independent of my wish to gratify any request of yours, I think that
+sincerity on my part may lead to some explanation about a circumstance
+equally painful and mysterious. To others, the communication I am about
+to make, might place me in the light of a weak-minded, superstitious
+fool, who suffered his own imagination to delude and bewilder him; but
+you have known me in childhood and youth, and will not suspect me of
+having adopted in manhood the feelings and frailties from which my early
+years were free." Here he paused, and his friend replied,--
+
+"Do not doubt my perfect confidence in the truth of your communication,
+however strange it may be," replied Lord Woodville. "I know your
+firmness of disposition too well, to suspect you could be made the
+object of imposition, and am aware that your honour and your friendship
+will equally deter you from exaggerating whatever you may have
+witnessed."
+
+"Well, then," said the General, "I will proceed with my story as well
+as I can, relying upon your candour, and yet distinctly feeling that
+I would rather face a battery than recall to my mind the odious
+recollections of last night."
+
+He paused a second time, and then perceiving that Lord Woodville
+remained silent and in an attitude of attention, he commenced, though
+not without obvious reluctance, the history of his night's adventures in
+the Tapestried Chamber.
+
+"I undressed and went to bed so soon as your lordship left me yesterday
+evening; but the wood in the chimney, which nearly fronted my bed,
+blazed brightly and cheerfully, and, aided by a hundred exciting
+recollections of my childhood and youth, which had been recalled by the
+unexpected pleasure of meeting your lordship, prevented me from falling
+immediately asleep. I ought, however, to say that these reflections were
+all of a pleasant and agreeable kind, grounded on a sense of having for
+a time exchanged the labour, fatigues, and dangers of my profession for
+the enjoyments of a peaceful life, and the reunion of those friendly and
+affectionate ties which I had torn asunder at the rude summons of war.
+
+"While such pleasing reflections were stealing over my mind, and
+gradually lulling me to slumber, I was suddenly aroused by a sound like
+that of the rustling of a silken gown, and the tapping of a pair of
+high-heeled shoes, as if a woman were walking in the apartment. Ere
+I could draw the curtain to see what the matter was, the figure of a
+little woman passed between the bed and the fire. The back of this form
+was turned to me, and I could observe, from the shoulders and neck, it
+was that of an old woman, whose dress was an old-fashioned gown, which I
+think ladies call a sacque--that is, a sort of robe completely loose in
+the body, but gathered into broad plaits upon the neck and shoulders,
+which fall down to the ground, and terminate in a species of train.
+
+"I thought the intrusion singular enough, but never harboured for a
+moment the idea that what I saw was anything more than the mortal form
+of some old woman about the establishment, who had a fancy to dress like
+her grandmother, and who, having perhaps (as your lordship mentioned
+that you were rather straitened for room) been dislodged from her
+chamber for my accommodation, had forgotten the circumstance, and
+returned by twelve to her old haunt. Under this persuasion I moved
+myself in bed and coughed a little, to make the intruder sensible of
+my being in possession of the premises. She turned slowly round, but,
+gracious Heaven! my lord, what a countenance did she display to me!
+There was no longer any question what she was, or any thought of her
+being a living being. Upon a face which wore the fixed features of a
+corpse were imprinted the traces of the vilest and most hideous passions
+which had animated her while she lived. The body of some atrocious
+criminal seemed to have been given up from the grave, and the soul
+restored from the penal fire, in order to form for a space a union
+with the ancient accomplice of its guilt. I started up in bed, and sat
+upright, supporting myself on my palms, as I gazed on this horrible
+spectre. The hag made, as it seemed, a single and swift stride to the
+bed where I lay, and squatted herself down upon it, in precisely the
+same attitude which I had assumed in the extremity of horror, advancing
+her diabolical countenance within half a yard of mine, with a grin which
+seemed to intimate the malice and the derision of an incarnate fiend."
+
+Here General Browne stopped, and wiped from his brow the cold
+perspiration with which the recollection of his horrible vision had
+covered it.
+
+"My lord," he said, "I am no coward, I have been in all the mortal
+dangers incidental to my profession, and I may truly boast that no man
+ever knew Richard Browne dishonour the sword he wears; but in these
+horrible circumstances, under the eyes, and, as it seemed, almost in the
+grasp of an incarnation of an evil spirit, all firmness forsook me,
+all manhood melted from me like wax in the furnace, and I felt my hair
+individually bristle. The current of my life-blood ceased to flow, and
+I sank back in a swoon, as very a victim to panic terror as ever was
+a village girl, or a child of ten years old. How long I lay in this
+condition I cannot pretend to guess.
+
+"But I was roused by the castle clock striking one, so loud that it
+seemed as if it were in the very room. It was some time before I dared
+open my eyes, lest they should again encounter the horrible spectacle.
+When, however, I summoned courage to look up, she was no longer visible.
+My first idea was to pull my bell, wake the servants, and remove to a
+garret or a hay-loft, to be ensured against a second visitation. Nay, I
+will confess the truth that my resolution was altered, not by the shame
+of exposing myself, but by the fear that, as the bell-cord hung by
+the chimney, I might, in making my way to it, be again crossed by the
+fiendish hag, who, I figured to myself, might be still lurking about
+some corner of the apartment.
+
+"I will not pretend to describe what hot and cold fever-fits tormented
+me for the rest of the night, through broken sleep, weary vigils,
+and that dubious state which forms the neutral ground between them. A
+hundred terrible objects appeared to haunt me; but there was the great
+difference betwixt the vision which I have described, and those which
+followed, that I knew the last to be deceptions of my own fancy and
+over-excited nerves.
+
+"Day at last appeared, and I rose from my bed ill in health and
+humiliated in mind. I was ashamed of myself as a man and a soldier,
+and still more so at feeling my own extreme desire to escape from the
+haunted apartment, which, however, conquered all other considerations;
+so that, huddling on my clothes with the most careless haste, I made my
+escape from your lordship's mansion, to seek in the open air some relief
+to my nervous system, shaken as it was by this horrible rencounter with
+a visitant, for such I must believe her, from the other world. Your
+lordship has now heard the cause of my discomposure, and of my sudden
+desire to leave your hospitable castle. In other places I trust we may
+often meet, but God protect me from ever spending a second night under
+that roof!"
+
+Strange as the General's tale was, he spoke with such a deep air of
+conviction that it cut short all the usual commentaries which are made
+on such stories. Lord Woodville never once asked him if he was sure he
+did not dream of the apparition, or suggested any of the possibilities
+by which it is fashionable to explain supernatural appearances as
+wild vagaries of the fancy, or deceptions of the optic nerves, On the
+contrary, he seemed deeply impressed with the truth and reality of
+what he had heard; and, after a considerable pause regretted, with much
+appearance of sincerity, that his early friend should in his house have
+suffered so severely.
+
+"I am the more sorry for your pain, my dear Browne," he continued, "that
+it is the unhappy, though most unexpected, result of an experiment of my
+own. You must know that, for my father and grandfather's time, at least,
+the apartment which was assigned to you last night had been shut on
+account of reports that it was disturbed by supernatural sights and
+noises. When I came, a few weeks since, into possession of the estate,
+I thought the accommodation which the castle afforded for my friends was
+not extensive enough to permit the inhabitants of the invisible world
+to retain possession of a comfortable sleeping apartment. I therefore
+caused the Tapestried Chamber, as we call it, to be opened, and, without
+destroying its air of antiquity, I had such new articles of furniture
+placed in it as became the modern times. Yet, as the opinion that the
+room was haunted very strongly prevailed among the domestics, and was
+also known in the neighbourhood and to many of my friends, I feared some
+prejudice might be entertained by the first occupant of the Tapestried
+Chamber, which might tend to revive the evil report which it had
+laboured under, and so disappoint my purpose of rendering it a useful
+part or the house. I must confess, my dear Browne, that your arrival
+yesterday, agreeable to me for a thousand reasons besides, seemed the
+most favourable opportunity of removing the unpleasant rumours which
+attached to the room, since your courage was indubitable, and your mind
+free of any preoccupation on the subject. I could not, therefore, have
+chosen a more fitting subject for my experiment."
+
+"Upon my life," said General Browne, somewhat hastily, "I am infinitely
+obliged to your lordship--very particularly indebted indeed. I am likely
+to remember for some time the consequences of the experiment, as your
+lordship is pleased to call it."
+
+"Nay, now you are unjust, my dear friend," said Lord Woodville. "You
+have only to reflect for a single moment, in order to be convinced that
+I could not augur the possibility of the pain to which you have been
+so unhappily exposed. I was yesterday morning a complete sceptic on the
+subject of supernatural appearances. Nay, I am sure that, had I told
+you what was said about that room, those very reports would have induced
+you, by your own choice, to select it for your accommodation. It was my
+misfortune, perhaps my error, but really cannot be termed my fault, that
+you have been afflicted so strangely."
+
+"Strangely indeed!" said the General, resuming his good temper; "and I
+acknowledge that I have no right to be offended with your lordship for
+treating me like what I used to think myself--a man of some firmness
+and courage. But I see my post horses are arrived, and I must not detain
+your lordship from your amusement."
+
+"Nay, my old friend," said Lord Woodville, "since you cannot stay with
+us another day--which, indeed, I can no longer urge--give me at least
+half an hour more. You used to love pictures, and I have a gallery of
+portraits, some of them by Vandyke, representing ancestry to whom this
+property and castle formerly belonged. I think that several of them will
+strike you as possessing merit."
+
+General Browne accepted the invitation, though somewhat unwillingly.
+It was evident he was not to breathe freely or at ease till he left
+Woodville Castle far behind him. He could not refuse his friend's
+invitation, however; and the less so, that he was a little ashamed
+of the peevishness which he had displayed towards his well-meaning
+entertainer.
+
+The General, therefore, followed Lord Woodville through several rooms
+into a long gallery hung with pictures, which the latter pointed out to
+his guest, telling the names, and giving some account of the personages
+whose portraits presented themselves in progression. General Browne was
+but little interested in the details which these accounts conveyed to
+him. They were, indeed, of the kind which are usually found in an old
+family gallery. Here was a Cavalier who had ruined the estate in the
+royal cause; there a fine lady who had reinstated it by contracting a
+match with a wealthy Roundhead. There hung a gallant who had been in
+danger for corresponding with the exiled Court at Saint Germain's; here
+one who had taken arms for William at the Revolution; and there a third
+that had thrown his weight alternately into the scale of Whig and Tory.
+
+While lord Woodville was cramming these words into his guest's ear,
+"against the stomach of his sense," they gained the middle of the
+gallery, when he beheld General Browne suddenly start, and assume an
+attitude of the utmost surprise, not unmixed with fear, as his eyes were
+suddenly caught and riveted by a portrait of an old lady in a sacque,
+the fashionable dress of the end of the seventeenth century.
+
+"There she is!" he exclaimed--"there she is, in form and features,
+though Inferior in demoniac expression to the accursed hag who visited
+me last night!"
+
+"If that be the case," said the young nobleman, "there can remain no
+longer any doubt of the horrible reality of your apparition. That is the
+picture of a wretched ancestress of mine, of whose crimes a black and
+fearful catalogue is recorded in a family history in my charter-chest.
+The recital of them would be too horrible; it is enough to say, that in
+yon fatal apartment incest and unnatural murder were committed. I will
+restore it to the solitude to which the better judgment of those who
+preceded me had consigned it; and never shall any one, so long as I can
+prevent it, be exposed to a repetition of the supernatural horrors which
+could shake such courage as yours."
+
+Thus the friends, who had met with such glee, parted in a very different
+mood--Lord Woodville to command the Tapestried Chamber to be unmantled,
+and the door built up; and General Browne to seek in some less beautiful
+country, and with some less dignified friend, forgetfulness of the
+painful night which he had passed in Woodville Castle.
+
+END OF THE TAPESTRIED CHAMBER.
+
+
+*****
+
+
+
+
+DEATH OF THE LAIRD'S JOCK
+
+by Sir Walter Scott.
+
+
+[The manner in which this trifle was introduced at the time to Mr. F.
+M. Reynolds, editor of The Keepsake of 1828, leaves no occasion for a
+preface.]
+
+AUGUST 1831.
+
+
+TO THE EDITOR OF THE KEEPSAKE.
+
+You have asked me, sir, to point out a subject for the pencil, and I
+feel the difficulty of complying with your request, although I am not
+certainly unaccustomed to literary composition, or a total stranger to
+the stores of history and tradition, which afford the best copies for
+the painter's art. But although SICUT PICTURA POESIS is an ancient and
+undisputed axiom--although poetry and painting both address themselves
+to the same object of exciting the human imagination, by presenting to
+it pleasing or sublime images of ideal scenes--yet the one conveying
+itself through the ears to the understanding, and the other applying
+itself only to the eyes, the subjects which are best suited to the bard
+or tale-teller are often totally unfit for painting, where the artist
+must present in a single glance all that his art has power to tell us.
+The artist can neither recapitulate the past nor intimate the future.
+The single NOW is all which he can present; and hence, unquestionably,
+many subjects which delight us in poetry or in narrative, whether real
+or fictitious, cannot with advantage be transferred to the canvas.
+
+Being in some degree aware of these difficulties, though doubtless
+unacquainted both with their extent and the means by which they may be
+modified or surmounted, I have, nevertheless, ventured to draw up the
+following traditional narrative as a story in which, when the general
+details are known, the interest is so much concentrated in one strong
+moment of agonizing passion, that it can be understood and sympathized
+with at a single glance. I therefore presume that it may be acceptable
+as a hint to some one among the numerous artists who have of late
+years distinguished themselves as rearing up and supporting the British
+school.
+
+Enough has been said and sung about
+
+ "The well-contested ground,
+ The warlike Border-land,"
+
+to render the habits of the tribes who inhabited it before the union of
+England and Scotland familiar to most of your readers. The rougher and
+sterner features of their character were softened by their attachment
+to the fine arts, from which has arisen the saying that on the frontiers
+every dale had its battle, and every river its song. A rude species of
+chivalry was in constant use, and single combats were practised as the
+amusement of the few intervals of truce which suspended the exercise of
+war. The inveteracy of this custom may be inferred from the following
+incident:--
+
+Bernard Gilpin, the apostle of the north, the first who undertook to
+preach the Protestant doctrines to the Border dalesmen, was surprised,
+on entering one of their churches, to see a gauntlet or mail-glove
+hanging above the altar. Upon inquiring; the meaning of a symbol so
+indecorous being displayed in that sacred place, he was informed by the
+clerk that the glove was that of a famous swordsman, who hung it there
+as an emblem of a general challenge and gage of battle to any who should
+dare to take the fatal token down. "Reach it to me," said the reverend
+churchman. The clerk and the sexton equally declined the perilous
+office, and the good Bernard Gilpin was obliged to remove the glove with
+his own hands, desiring those who were present to inform the champion
+that he, and no other, had possessed himself of the gage of defiance.
+But the champion was as much ashamed to face Bernard Gilpin as the
+officials of the church had been to displace his pledge of combat.
+
+The date of the following story is about the latter years of Queen
+Elizabeth's reign; and the events took place in Liddesdale, a hilly and
+pastoral district of Roxburghshire, which, on a part of its boundary, is
+divided from England only by a small river.
+
+During the good old times of RUGGING AND RIVING--that is, tugging and
+tearing--under which term the disorderly doings of the warlike age are
+affectionately remembered, this valley was principally cultivated by the
+sept or clan of the Armstrongs. The chief of this warlike race was
+the Laird of Mangerton. At the period of which I speak, the estate of
+Mangerton, with the power and dignity of chief, was possessed by John
+Armstrong, a man of great size, strength, and courage. While his father
+was alive, he was distinguished from others of his clan who bore the
+same name, by the epithet of the LAIRD'S JOCK--that is to say, the
+Laird's son Jock, or Jack. This name he distinguished by so many bold
+and desperate achievements, that he retained it even after his father's
+death, and is mentioned under it both in authentic records and in
+tradition. Some of his feats are recorded in the minstrelsy of the
+Scottish Border, and others are mentioned in contemporary chronicles.
+
+At the species of singular combat which we have described the Laird's
+Jock was unrivalled, and no champion of Cumberland, Westmoreland, or
+Northumberland could endure the sway of the huge two-handed sword which
+he wielded, and which few others could even lift. This "awful sword," as
+the common people term it, was as dear to him as Durindana or Fushberta
+to their respective masters, and was nearly as formidable to his enemies
+as those renowned falchions proved to the foes of Christendom. The
+weapon had been bequeathed to him by a celebrated English outlaw named
+Hobbie Noble, who, having committed some deed for which he was in danger
+from justice, fled to Liddesdale, and became a follower, or rather a
+brother-in-arms, to the renowned Laird's Jock; till, venturing into
+England with a small escort, a faithless guide, and with a light
+single-handed sword instead of his ponderous brand, Hobbie Noble,
+attacked by superior numbers, was made prisoner and executed.
+
+With this weapon, and by means of his own strength and address, the
+Laird's Jock maintained the reputation of the best swordsman on the
+Border side, and defeated or slew many who ventured to dispute with him
+the formidable title.
+
+But years pass on with the strong and the brave as with the feeble
+and the timid. In process of time the Laird's Jock grew incapable of
+wielding his weapons, and finally of all active exertion, even of the
+most ordinary kind. The disabled champion became at length totally
+bedridden, and entirely dependent for his comfort on the pious duties of
+an only daughter, his perpetual attendant and companion.
+
+Besides this dutiful child, the Laird's Jock had an only son, upon
+whom devolved the perilous task of leading the clan to battle, and
+maintaining the warlike renown of his native country, which was now
+disputed by the English upon many occasions. The young Armstrong was
+active, brave, and strong, and brought home from dangerous adventures
+many tokens of decided success. Still, the ancient chief conceived,
+as it would seem, that his son was scarce yet entitled by age and
+experience to be entrusted with the two-handed sword, by the use of
+which he had himself been so dreadfully distinguished.
+
+At length an English champion, one of the name of Foster (if I rightly
+recollect), had the audacity to send a challenge to the best swordsman
+in Liddesdale; and young Armstrong, burning for chivalrous distinction,
+accepted the challenge.
+
+The heart of the disabled old man swelled with joy when he heard that
+the challenge was passed and accepted, and the meeting fixed at a
+neutral spot, used as the place of rencontre upon such occasions, and
+which he himself had distinguished by numerous victories. He exulted
+so much in the conquest which he anticipated, that, to nerve his son to
+still bolder exertions, he conferred upon him, as champion of his clan
+and province, the celebrated weapon which he had hitherto retained in
+his own custody.
+
+This was not all. When the day of combat arrived, the Laird's Jock, in
+spite of his daughter's affectionate remonstrances, determined, though
+he had not left his bed for two years, to be a personal witness of the
+duel. His will was still a law to his people, who bore him on their
+shoulders, wrapped in plaids and blankets, to the spot where the combat
+was to take place, and seated him on a fragment of rock, which is still
+called the Laird's Jock's stone. There he remained with eyes fixed on
+the lists or barrier, within which the champions were about to meet.
+His daughter, having done all she could for his accommodation, stood
+motionless beside him, divided between anxiety for his health, and for
+the event of the combat to her beloved brother. Ere yet the fight began,
+the old men gazed on their chief, now seen for the first time after
+several years, and sadly compared his altered features and wasted
+frame with the paragon of strength and manly beauty which they once
+remembered. The young men gazed on his large form and powerful make as
+upon some antediluvian giant who had survived the destruction of the
+Flood.
+
+But the sound of the trumpets on both sides recalled the attention
+of every one to the lists, surrounded as they were by numbers of both
+nations eager to witness the event of the day. The combatants met in the
+lists. It is needless to describe the struggle: the Scottish champion
+fell. Foster, placing his foot on his antagonist, seized on the
+redoubted sword, so precious in the eyes of its aged owner, and
+brandished it over his head as a trophy of his conquest. The English
+shouted in triumph. But the despairing cry of the aged champion, who saw
+his country dishonoured, and his sword, long the terror of their
+race, in the possession of an Englishman, was heard high above the
+acclamations of victory. He seemed for an instant animated by all his
+wonted power; for he started from the rock on which he sat, and while
+the garments with which he had been invested fell from his wasted frame,
+and showed the ruins of his strength, he tossed his arms wildly to
+heaven, and uttered a cry of indignation, horror, and despair, which,
+tradition says, was heard to a preternatural distance, and resembled the
+cry of a dying lion more than a human sound.
+
+His friends received him in their arms as he sank utterly exhausted by
+the effort, and bore him back to his castle in mute sorrow; while his
+daughter at once wept for her brother, and endeavoured to mitigate and
+soothe the despair of her father. But this was impossible; the old man's
+only tie to life was rent rudely asunder, and his heart had broken with
+it. The death of his son had no part in his sorrow. If he thought of
+him at all, it was as the degenerate boy through whom the honour of his
+country and clan had been lost; and he died in the course of three
+days, never even mentioning his name, but pouring out unintermitted
+lamentations for the loss of his noble sword.
+
+I conceive that the moment when the disabled chief was roused into a
+last exertion by the agony of the moment is favourable to the object of
+a painter. He might obtain the full advantage of contrasting the form
+of the rugged old man, in the extremity of furious despair, with the
+softness and beauty of the female form. The fatal field might be thrown
+into perspective, so as to give full effect to these two principal
+figures, and with the single explanation that the piece represented a
+soldier beholding his son slain, and the honour of his country lost, the
+picture would be sufficiently intelligible at the first glance. If it
+was thought necessary to show more clearly the nature of the conflict,
+it might be indicated by the pennon of Saint George being displayed at
+one end of the lists, and that of Saint Andrew at the other.
+
+I remain, sir,
+
+Your obedient servant,
+
+THE AUTHOR OF WAVERLEY.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Tapestried Chamber, and Death of
+the Laird's Jock, by Sir Walter Scott
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE TAPESTRIED CHAMBER ***
+
+***** This file should be named 1668.txt or 1668.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/6/1668/
+
+Produced by An Anonymous Volunteer
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/1668.zip b/1668.zip
new file mode 100644
index 0000000..6fab60c
--- /dev/null
+++ b/1668.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..d78d731
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #1668 (https://www.gutenberg.org/ebooks/1668)
diff --git a/old/tpsch10.txt b/old/tpsch10.txt
new file mode 100644
index 0000000..5dbb486
--- /dev/null
+++ b/old/tpsch10.txt
@@ -0,0 +1,1169 @@
+*The Project Gutenberg Etext of The Tapestried Chamber, by Scott*
+and
+The Project Gutenberg Etext of Death of the Laird's Jock by Scott
+
+#7 and #8 in our series by Walter Scott
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Tapestried Chamber, by Sir Walter Scott
+
+and
+
+Death of the Laird's Jock, by Sir Walter Scott
+
+March, 1999 [Etext #1668]
+
+
+*The Project Gutenberg Etext of The Tapestried Chamber, by Scott*
+and
+The Project Gutenberg Etext of Death of the Laird's Jock by Scott
+******This file should be named tpsch10.txt or tpsch10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, tpsch11.txt
+VERSIONS based on separate sources get new LETTER, tpsch10a.txt
+
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we do NOT keep these books
+in compliance with any particular paper edition, usually otherwise.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+THE TAPESTRIED CHAMBER
+
+by Sir Walter Scott
+
+
+
+
+INTRODUCTION.
+
+This is another little story from The Keepsake of 1828. It was
+told to me many years ago by the late Miss Anna Seward, who,
+among other accomplishments that rendered her an amusing inmate
+in a country house, had that of recounting narratives of this
+sort with very considerable effect--much greater, indeed, than
+any one would be apt to guess from the style of her written
+performances. There are hours and moods when most people are not
+displeased to listen to such things; and I have heard some of the
+greatest and wisest of my contemporaries take their share in
+telling them.
+
+AUGUST 1831
+
+*
+
+THE TAPESTRIED CHAMBER;
+
+OR,
+
+THE LADY IN THE SACQUE.
+
+The following narrative is given from the pen, so far as memory
+permits, in the same character in which it was presented to the
+author's ear; nor has he claim to further praise, or to be more
+deeply censured, than in proportion to the good or bad judgment
+which he has employed in selecting his materials, as he has
+studiously avoided any attempt at ornament which might interfere
+with the simplicity of the tale.
+
+At the same time, it must be admitted that the particular class
+of stories which turns on the marvellous possesses a stronger
+influence when told than when committed to print. The volume
+taken up at noonday, though rehearsing the same incidents,
+conveys a much more feeble impression than is achieved by the
+voice of the speaker on a circle of fireside auditors, who hang
+upon the narrative as the narrator details the minute incidents
+which serve to give it authenticity, and lowers his voice with an
+affectation of mystery while he approaches the fearful and
+wonderful part. It was with such advantages that the present
+writer heard the following events related, more than twenty years
+since, by the celebrated Miss Seward of Litchfield, who, to her
+numerous accomplishments, added, in a remarkable degree, the
+power of narrative in private conversation. In its present form
+the tale must necessarily lose all the interest which was
+attached to it by the flexible voice and intelligent features of
+the gifted narrator. Yet still, read aloud to an undoubting
+audience by the doubtful light of the closing evening, or in
+silence by a decaying taper, and amidst the solitude of a half-
+lighted apartment, it may redeem its character as a good ghost
+story. Miss Seward always affirmed that she had derived her
+information from an authentic source, although she suppressed the
+names of the two persons chiefly concerned. I will not avail
+myself of any particulars I may have since received concerning
+the localities of the detail, but suffer them to rest under the
+same general description in which they were first related to me;
+and for the same reason I will not add to or diminish the
+narrative by any circumstance, whether more or less material, but
+simply rehearse, as I heard it, a story of supernatural terror.
+
+About the end of the American war, when the officers of Lord
+Cornwallis's army, which surrendered at Yorktown, and others, who
+had been made prisoners during the impolitic and ill-fated
+controversy, were returning to their own country, to relate their
+adventures, and repose themselves after their fatigues, there was
+amongst them a general officer, to whom Miss S. gave the name of
+Browne, but merely, as I understood, to save the inconvenience of
+introducing a nameless agent in the narrative. He was an officer
+of merit, as well as a gentleman of high consideration for family
+and attainments.
+
+Some business had carried General Browne upon a tour through the
+western counties, when, in the conclusion of a morning stage, he
+found himself in the vicinity of a small country town, which
+presented a scene of uncommon beauty, and of a character
+peculiarly English.
+
+The little town, with its stately old church, whose tower bore
+testimony to the devotion of ages long past, lay amidst pastures
+and cornfields of small extent, but bounded and divided with
+hedgerow timber of great age and size. There were few marks of
+modern improvement. The environs of the place intimated neither
+the solitude of decay nor the bustle of novelty; the houses were
+old, but in good repair; and the beautiful little river murmured
+freely on its way to the left of the town, neither restrained by
+a dam nor bordered by a towing-path.
+
+Upon a gentle eminence, nearly a mile to the southward of the
+town, were seen, amongst many venerable oaks and tangled
+thickets, the turrets of a castle as old as the walls of York and
+Lancaster, but which seemed to have received important
+alterations during the age of Elizabeth and her successor, It had
+not been a place of great size; but whatever accommodation it
+formerly afforded was, it must be supposed, still to be obtained
+within its walls. At least, such was the inference which General
+Browne drew from observing the smoke arise merrily from several
+of the ancient wreathed and carved chimney-stalks. The wall of
+the park ran alongside of the highway for two or three hundred
+yards; and through the different points by which the eye found
+glimpses into the woodland scenery, it seemed to be well stocked.
+Other points of view opened in succession--now a full one of the
+front of the old castle, and now a side glimpse at its particular
+towers, the former rich in all the bizarrerie of the Elizabethan
+school, while the simple and solid strength of other parts of the
+building seemed to show that they had been raised more for
+defence than ostentation.
+
+Delighted with the partial glimpses which he obtained of the
+castle through the woods and glades by which this ancient feudal
+fortress was surrounded, our military traveller was determined to
+inquire whether it might not deserve a nearer view, and whether
+it contained family pictures or other objects of curiosity worthy
+of a stranger's visit, when, leaving the vicinity of the park, he
+rolled through a clean and well-paved street, and stopped at the
+door of a well-frequented inn.
+
+Before ordering horses, to proceed on his journey, General Browne
+made inquiries concerning the proprietor of the chateau which had
+so attracted his admiration, and was equally surprised and
+pleased at hearing in reply a nobleman named, whom we shall call
+Lord Woodville. How fortunate! Much of Browne's early
+recollections, both at school and at college, had been connected
+with young Woodville, whom, by a few questions, he now
+ascertained to be the same with the owner of this fair domain.
+He had been raised to the peerage by the decease of his father a
+few months before, and, as the General learned from the landlord,
+the term of mourning being ended, was now taking possession of
+his paternal estate in the jovial season of merry, autumn,
+accompanied by a select party of friends, to enjoy the sports of
+a country famous for game.
+
+This was delightful news to our traveller. Frank Woodville had
+been Richard Browne's fag at Eton, and his chosen intimate at
+Christ Church; their pleasures and their tasks had been the same;
+and the honest soldier's heart warmed to find his early friend in
+possession of so delightful a residence, and of an estate, as the
+landlord assured him with a nod and a wink, fully adequate to
+maintain and add to his dignity. Nothing was more natural than
+that the traveller should suspend a journey, which there was
+nothing to render hurried, to pay a visit to an old friend under
+such agreeable circumstances.
+
+The fresh horses, therefore, had only the brief task of conveying
+the General's travelling carriage to Woodville Castle. A porter
+admitted them at a modern Gothic lodge, built in that style to
+correspond with the castle itself, and at the same time rang a
+bell to give warning of the approach of visitors. Apparently the
+sound of the bell had suspended the separation of the company,
+bent on the various amusements of the morning; for, on entering
+the court of the chateau, several young men were lounging about
+in their sporting dresses, looking at and criticizing the dogs
+which the keepers held in readiness to attend their pastime. As
+General Browne alighted, the young lord came to the gate of the
+hall, and for an instant gazed, as at a stranger, upon the
+countenance of his friend, on which war, with its fatigues and
+its wounds, had made a great alteration. But the uncertainty
+lasted no longer than till the visitor had spoken, and the hearty
+greeting which followed was such as can only be exchanged betwixt
+those who have passed together the merry days of careless boyhood
+or early youth.
+
+"If I could have formed a wish, my dear Browne," said Lord
+Woodville, "it would have been to have you here, of all men, upon
+this occasion, which my friends are good enough to hold as a sort
+of holiday. Do not think you have been unwatched during the
+years you have been absent from us. I have traced you through
+your dangers, your triumphs, your misfortunes, and was delighted
+to see that, whether in victory or defeat, the name of my old
+friend was always distinguished with applause."
+
+The General made a suitable reply, and congratulated his friend
+on his new dignities, and the possession of a place and domain so
+beautiful.
+
+"Nay, you have seen nothing of it as yet," said Lord Woodville,
+"and I trust you do not mean to leave us till you are better
+acquainted with it. It is true, I confess, that my present party
+is pretty large, and the old house, like other places of the
+kind, does not possess so much accommodation as the extent of the
+outward walls appears to promise. But we can give you a
+comfortable old-fashioned room, and I venture to suppose that
+your campaigns have taught you to be glad of worse quarters."
+
+The General shrugged his shoulders, and laughed. "I presume," he
+said, "the worst apartment in your chateau is considerably
+superior to the old tobacco-cask in which I was fain to take up
+my night's lodging when I was in the Bush, as the Virginians call
+it, with the light corps. There I lay, like Diogenes himself, so
+delighted with my covering from the elements, that I made a vain
+attempt to have it rolled on to my next quarters; but my
+commander for the time would give way to no such luxurious
+provision, and I took farewell of my beloved cask with tears in
+my eyes."
+
+"Well, then, since you do not fear your quarters," said Lord
+Woodville, "you will stay with me a week at least. Of guns,
+dogs, fishing-rods, flies, and means of sport by sea and land, we
+have enough and to spare--you cannot pitch on an amusement but we
+will find the means of pursuing it. But if you prefer the gun
+and pointers, I will go with you myself, and see whether you have
+mended your shooting since you have been amongst the Indians of
+the back settlements."
+
+The General gladly accepted his friendly host's proposal in all
+its points. After a morning of manly exercise, the company met
+at dinner, where it was the delight of Lord Woodville to conduce
+to the display of the high properties of his recovered friend, so
+as to recommend him to his guests, most of whom were persons of
+distinction. He led General Browne to speak of the scenes he had
+witnessed; and as every word marked alike the brave officer and
+the sensible man, who retained possession of his cool judgment
+under the most imminent dangers, the company looked upon the
+soldier with general respect, as on one who had proved himself
+possessed of an uncommon portion of personal courage--that
+attribute of all others of which everybody desires to be thought
+possessed.
+
+The day at Woodville Castle ended as usual in such mansions. The
+hospitality stopped within the limits of good order. Music, in
+which the young lord was a proficient, succeeded to the
+circulation of the bottle; cards and billiards, for those who
+preferred such amusements, were in readiness; but the exercise of
+the morning required early hours, and not long after eleven
+o'clock the guests began to retire to their several apartments.
+
+The young lord himself conducted his friend, General Browne, to
+the chamber destined for him, which answered the description he
+had given of it, being comfortable, but old-fashioned, The bed
+was of the massive form used in the end of the seventeenth
+century, and the curtains of faded silk, heavily trimmed with
+tarnished gold. But then the sheets, pillows, and blankets
+looked delightful to the campaigner, when he thought of his
+"mansion, the cask." There was an air of gloom in the tapestry
+hangings, which, with their worn-out graces, curtained the walls
+of the little chamber, and gently undulated as the autumnal
+breeze found its way through the ancient lattice window, which
+pattered and whistled as the air gained entrance. The toilet,
+too, with its mirror, turbaned after the manner of the beginning
+of the century, with a coiffure of murrey-coloured silk, and its
+hundred strange-shaped boxes, providing for arrangements which
+had been obsolete for more than fifty years, had an antique, and
+in so far a melancholy, aspect. But nothing could blaze more
+brightly and cheerfully than the two large wax candles; or if
+aught could rival them, it was the flaming, bickering fagots in
+the chimney, that sent at once their gleam and their warmth
+through the snug apartment, which, notwithstanding the general
+antiquity of its appearance, was not wanting in the least
+convenience that modern habits rendered either necessary or
+desirable.
+
+"This is an old-fashioned sleeping apartment, General," said the
+young lord; "but I hope you find nothing that makes you envy your
+old tobacco-cask."
+
+"I am not particular respecting my lodgings," replied the
+General; "yet were I to make any choice, I would prefer this
+chamber by many degrees to the gayer and more modern rooms of
+your family mansion. Believe me that, when I unite its modern
+air of comfort with its venerable antiquity, and recollect that
+it is your lordship's property, I shall feel in better quarters
+here than if I were in the best hotel London could afford."
+
+"I trust--I have no doubt--that you will find yourself as
+comfortable as I wish you, my dear General," said the young
+nobleman; and once more bidding his guest good-night, he shook
+him by the hand, and withdrew.
+
+The General once more looked round him, and internally
+congratulating himself on his return to peaceful life, the
+comforts of which were endeared by the recollection of the
+hardships and dangers he had lately sustained, undressed himself,
+and prepared for a luxurious night's rest.
+
+Here, contrary to the custom of this species of tale, we leave
+the General in possession of his apartment until the next
+morning.
+
+The company assembled for breakfast at an early hour, but without
+the appearance of General Browne, who seemed the guest that Lord
+Woodville was desirous of honouring above all whom his
+hospitality had assembled around him. He more than once
+expressed surprise at the General's absence, and at length sent a
+servant to make inquiry after him. The man brought back
+information that General Browne had been walking abroad since an
+early hour of the morning, in defiance of the weather, which was
+misty and ungenial.
+
+"The custom of a soldier," said the young nobleman to his
+friends. "Many of them acquire habitual vigilance, and cannot
+sleep after the early hour at which their duty usually commands
+them to be alert."
+
+Yet the explanation which Lord Woodville thus offered to the
+company seemed hardly satisfactory to his own mind, and it was in
+a fit of silence and abstraction that he waited the return of the
+General. It took place near an hour after the breakfast bell had
+rung. He looked fatigued and feverish. His hair, the powdering
+and arrangement of which was at this time one of the most
+important occupations of a man's whole day, and marked his
+fashion as much as in the present time the tying of a cravat, or
+the want of one, was dishevelled, uncurled, void of powder, and
+dank with dew. His clothes were huddled on with a careless
+negligence, remarkable in a military man, whose real or supposed
+duties are usually held to include some attention to the toilet;
+and his looks were haggard and ghastly in a peculiar degree.
+
+"So you have stolen a march upon us this morning, my dear
+General," said Lord Woodville; "or you have not found your bed so
+much to your mind as I had hoped and you seemed to expect. How
+did you rest last night?"
+
+"Oh, excellently well! remarkably well! never better in my
+life," said General Browne rapidly, and yet with an air of
+embarrassment which was obvious to his friend. He then hastily
+swallowed a cup of tea, and neglecting or refusing whatever else
+was offered, seemed to fall into a fit of abstraction.
+
+"You will take the gun to-day, General?" said his friend and
+host, but had to repeat the question twice ere he received the
+abrupt answer, "No, my lord; I am sorry I cannot have the
+opportunity of spending another day with your lordship; my post
+horses are ordered, and will be here directly."
+
+All who were present showed surprise, and Lord Woodville
+immediately replied "Post horses, my good friend! What can you
+possibly want with them when you promised to stay with me quietly
+for at least a week?"
+
+"I believe," said the General, obviously much embarrassed, "that
+I might, in the pleasure of my first meeting with your lordship,
+have said something about stopping here a few days; but I have
+since found it altogether impossible."
+
+"That is very extraordinary," answered the young nobleman. "You
+seemed quite disengaged yesterday, and you cannot have had a
+summons to-day, for our post has not come up from the town, and
+therefore you cannot have received any letters."
+
+General Browne, without giving any further explanation, muttered
+something about indispensable business, and insisted on the
+absolute necessity of his departure in a manner which silenced
+all opposition on the part of his host, who saw that his
+resolution was taken, and forbore all further importunity.
+
+"At least, however," he said, "permit me, my dear Browne, since
+go you will or must, to show you the view from the terrace, which
+the mist, that is now rising, will soon display."
+
+He threw open a sash-window, and stepped down upon the terrace as
+he spoke. The General followed him mechanically, but seemed
+little to attend to what his host was saying, as, looking across
+an extended and rich prospect, he pointed out the different
+objects worthy of observation. Thus they moved on till Lord
+Woodville had attained his purpose of drawing his guest entirely
+apart from the rest of the company, when, turning round upon him
+with an air of great solemnity, he addressed him thus:--
+
+"Richard Browne, my old and very dear friend, we are now alone.
+Let me conjure you to answer me upon the word of a friend, and
+the honour of a soldier. How did you in reality rest during last
+night?"
+
+"Most wretchedly indeed, my lord," answered the General, in the
+same tone of solemnity--"so miserably, that I would not run the
+risk of such a second night, not only for all the lands
+belonging to this castle, but for all the country which I see
+from this elevated point of view."
+
+"This is most extraordinary," said the young lord, as if speaking
+to himself; "then there must be something in the reports
+concerning that apartment." Again turning to the General, he
+said, "For God's sake, my dear friend, be candid with me, and let
+me know the disagreeable particulars which have befallen you
+under a roof, where, with consent of the owner, you should have
+met nothing save comfort."
+
+The General seemed distressed by this appeal, and paused a moment
+before he replied. "My dear lord," he at length said, "what
+happened to me last night is of a nature so peculiar and so
+unpleasant, that I could hardly bring myself to detail it even to
+your lordship, were it not that, independent of my wish to
+gratify any request of yours, I think that sincerity on my part
+may lead to some explanation about a circumstance equally painful
+and mysterious. To others, the communication I am about to make,
+might place me in the light of a weak-minded, superstitious fool,
+who suffered his own imagination to delude and bewilder him; but
+you have known me in childhood and youth, and will not suspect me
+of having adopted in manhood the feelings and frailties from
+which my early years were free." Here he paused, and his friend
+replied,--
+
+"Do not doubt my perfect confidence in the truth of your
+communication, however strange it may be," replied Lord
+Woodville. "I know your firmness of disposition too well, to
+suspect you could be made the object of imposition, and am aware
+that your honour and your friendship will equally deter you from
+exaggerating whatever you may have witnessed."
+
+"Well, then," said the General, "I will proceed with my story as
+well as I can, relying upon your candour, and yet distinctly
+feeling that I would rather face a battery than recall to my mind
+the odious recollections of last night."
+
+He paused a second time, and then perceiving that Lord Woodville
+remained silent and in an attitude of attention, he commenced,
+though not without obvious reluctance, the history of his night's
+adventures in the Tapestried Chamber.
+
+"I undressed and went to bed so soon as your lordship left me
+yesterday evening; but the wood in the chimney, which nearly
+fronted my bed, blazed brightly and cheerfully, and, aided by a
+hundred exciting recollections of my childhood and youth, which
+had been recalled by the unexpected pleasure of meeting your
+lordship, prevented me from falling immediately asleep. I ought,
+however, to say that these reflections were all of a pleasant and
+agreeable kind, grounded on a sense of having for a time
+exchanged the labour, fatigues, and dangers of my profession for
+the enjoyments of a peaceful life, and the reunion of those
+friendly and affectionate ties which I had torn asunder at the
+rude summons of war.
+
+"While such pleasing reflections were stealing over my mind, and
+gradually lulling me to slumber, I was suddenly aroused by a
+sound like that of the rustling of a silken gown, and the tapping
+of a pair of high-heeled shoes, as if a woman were walking in the
+apartment. Ere I could draw the curtain to see what the matter
+was, the figure of a little woman passed between the bed and the
+fire. The back of this form was turned to me, and I could
+observe, from the shoulders and neck, it was that of an old
+woman, whose dress was an old-fashioned gown, which I think
+ladies call a sacque--that is, a sort of robe completely loose in
+the body, but gathered into broad plaits upon the neck and
+shoulders, which fall down to the ground, and terminate in a
+species of train.
+
+"I thought the intrusion singular enough, but never harboured for
+a moment the idea that what I saw was anything more than the
+mortal form of some old woman about the establishment, who had a
+fancy to dress like her grandmother, and who, having perhaps (as
+your lordship mentioned that you were rather straitened for room)
+been dislodged from her chamber for my accommodation, had
+forgotten the circumstance, and returned by twelve to her old
+haunt. Under this persuasion I moved myself in bed and coughed a
+little, to make the intruder sensible of my being in possession
+of the premises. She turned slowly round, but, gracious Heaven!
+my lord, what a countenance did she display to me! There was no
+longer any question what she was, or any thought of her being a
+living being. Upon a face which wore the fixed features of a
+corpse were imprinted the traces of the vilest and most hideous
+passions which had animated her while she lived. The body of
+some atrocious criminal seemed to have been given up from the
+grave, and the soul restored from the penal fire, in order to
+form for a space a union with the ancient accomplice of its
+guilt. I started up in bed, and sat upright, supporting myself
+on my palms, as I gazed on this horrible spectre. The hag made,
+as it seemed, a single and swift stride to the bed where I lay,
+and squatted herself down upon it, in precisely the same attitude
+which I had assumed in the extremity of horror, advancing her
+diabolical countenance within half a yard of mine, with a grin
+which seemed to intimate the malice and the derision of an
+incarnate fiend."
+
+Here General Browne stopped, and wiped from his brow the cold
+perspiration with which the recollection of his horrible vision
+had covered it.
+
+"My lord," he said, "I am no coward, I have been in all the
+mortal dangers incidental to my profession, and I may truly boast
+that no man ever knew Richard Browne dishonour the sword he
+wears; but in these horrible circumstances, under the eyes, and,
+as it seemed, almost in the grasp of an incarnation of an evil
+spirit, all firmness forsook me, all manhood melted from me like
+wax in the furnace, and I felt my hair individually bristle. The
+current of my life-blood ceased to flow, and I sank back in a
+swoon, as very a victim to panic terror as ever was a village
+girl, or a child of ten years old. How long I lay in this
+condition I cannot pretend to guess.
+
+"But I was roused by the castle clock striking one, so loud that
+it seemed as if it were in the very room. It was some time
+before I dared open my eyes, lest they should again encounter the
+horrible spectacle. When, however, I summoned courage to look
+up, she was no longer visible. My first idea was to pull my
+bell, wake the servants, and remove to a garret or a hay-loft, to
+be ensured against a second visitation. Nay, I will confess the
+truth that my resolution was altered, not by the shame of
+exposing myself, but by the fear that, as the bell-cord hung by
+the chimney, I might, in making my way to it, be again crossed by
+the fiendish hag, who, I figured to myself, might be still
+lurking about some corner of the apartment.
+
+"I will not pretend to describe what hot and cold fever-fits
+tormented me for the rest of the night, through broken sleep,
+weary vigils, and that dubious state which forms the neutral
+ground between them. A hundred terrible objects appeared to
+haunt me; but there was the great difference betwixt the vision
+which I have described, and those which followed, that I knew the
+last to be deceptions of my own fancy and over-excited nerves.
+
+"Day at last appeared, and I rose from my bed ill in health and
+humiliated in mind. I was ashamed of myself as a man and a
+soldier, and still more so at feeling my own extreme desire to
+escape from the haunted apartment, which, however, conquered all
+other considerations; so that, huddling on my clothes with the
+most careless haste, I made my escape from your lordship's
+mansion, to seek in the open air some relief to my nervous
+system, shaken as it was by this horrible rencounter with a
+visitant, for such I must believe her, from the other world.
+Your lordship has now heard the cause of my discomposure, and of
+my sudden desire to leave your hospitable castle. In other
+places I trust we may often meet, but God protect me from ever
+spending a second night under that roof!"
+
+Strange as the General's tale was, he spoke with such a deep air
+of conviction that it cut short all the usual commentaries which
+are made on such stories. Lord Woodville never once asked him if
+he was sure he did not dream of the apparition, or suggested any
+of the possibilities by which it is fashionable to explain
+supernatural appearances as wild vagaries of the fancy, or
+deceptions of the optic nerves, On the contrary, he seemed deeply
+impressed with the truth and reality of what he had heard; and,
+after a considerable pause regretted, with much appearance of
+sincerity, that his early friend should in his house have
+suffered so severely.
+
+"I am the more sorry for your pain, my dear Browne," he
+continued, "that it is the unhappy, though most unexpected,
+result of an experiment of my own. You must know that, for my
+father and grandfather's time, at least, the apartment which was
+assigned to you last night had been shut on account of reports
+that it was disturbed by supernatural sights and noises. When I
+came, a few weeks since, into possession of the estate, I thought
+the accommodation which the castle afforded for my friends was
+not extensive enough to permit the inhabitants of the invisible
+world to retain possession of a comfortable sleeping apartment.
+I therefore caused the Tapestried Chamber, as we call it, to be
+opened, and, without destroying its air of antiquity, I had such
+new articles of furniture placed in it as became the modern
+times. Yet, as the opinion that the room was haunted very
+strongly prevailed among the domestics, and was also known in the
+neighbourhood and to many of my friends, I feared some prejudice
+might be entertained by the first occupant of the Tapestried
+Chamber, which might tend to revive the evil report which it had
+laboured under, and so disappoint my purpose of rendering it a
+useful part or the house. I must confess, my dear Browne, that
+your arrival yesterday, agreeable to me for a thousand reasons
+besides, seemed the most favourable opportunity of removing the
+unpleasant rumours which attached to the room, since your courage
+was indubitable, and your mind free of any preoccupation on the
+subject. I could not, therefore, have chosen a more fitting
+subject for my experiment."
+
+"Upon my life," said General Browne, somewhat hastily, "I am
+infinitely obliged to your lordship--very particularly indebted
+indeed. I am likely to remember for some time the consequences
+of the experiment, as your lordship is pleased to call it."
+
+"Nay, now you are unjust, my dear friend," said Lord Woodville.
+"You have only to reflect for a single moment, in order to be
+convinced that I could not augur the possibility of the pain to
+which you have been so unhappily exposed. I was yesterday
+morning a complete sceptic on the subject of supernatural
+appearances. Nay, I am sure that, had I told you what was said
+about that room, those very reports would have induced you, by
+your own choice, to select it for your accommodation. It was my
+misfortune, perhaps my error, but really cannot be termed my
+fault, that you have been afflicted so strangely."
+
+"Strangely indeed!" said the General, resuming his good temper;
+"and I acknowledge that I have no right to be offended with your
+lordship for treating me like what I used to think myself--a man
+of some firmness and courage. But I see my post horses are
+arrived, and I must not detain your lordship from your
+amusement."
+
+"Nay, my old friend," said Lord Woodville, "since you cannot stay
+with us another day--which, indeed, I can no longer urge--give me
+at least half an hour more. You used to love pictures, and I
+have a gallery of portraits, some of them by Vandyke,
+representing ancestry to whom this property and castle formerly
+belonged. I think that several of them will strike you as
+possessing merit."
+
+General Browne accepted the invitation, though somewhat
+unwillingly. It was evident he was not to breathe freely or at
+ease till he left Woodville Castle far behind him. He could not
+refuse his friend's invitation, however; and the less so, that he
+was a little ashamed of the peevishness which he had displayed
+towards his well-meaning entertainer.
+
+The General, therefore, followed Lord Woodville through several
+rooms into a long gallery hung with pictures, which the latter
+pointed out to his guest, telling the names, and giving some
+account of the personages whose portraits presented themselves in
+progression. General Browne was but little interested in the
+details which these accounts conveyed to him. They were, indeed,
+of the kind which are usually found in an old family gallery.
+Here was a Cavalier who had ruined the estate in the royal cause;
+there a fine lady who had reinstated it by contracting a match
+with a wealthy Roundhead. There hung a gallant who had been in
+danger for corresponding with the exiled Court at Saint
+Germain's; here one who had taken arms for William at the
+Revolution; and there a third that had thrown his weight
+alternately into the scale of Whig and Tory.
+
+While lord Woodville was cramming these words into his guest's
+ear, "against the stomach of his sense," they gained the middle
+of the gallery, when he beheld General Browne suddenly start, and
+assume an attitude of the utmost surprise, not unmixed with fear,
+as his eyes were suddenly caught and riveted by a portrait of an
+old lady in a sacque, the fashionable dress of the end of the
+seventeenth century.
+
+"There she is!" he exclaimed--"there she is, in form and
+features, though Inferior in demoniac expression to the accursed
+hag who visited me last night!"
+
+"If that be the case," said the young nobleman, "there can remain
+no longer any doubt of the horrible reality of your apparition.
+That is the picture of a wretched ancestress of mine, of whose
+crimes a black and fearful catalogue is recorded in a family
+history in my charter-chest. The recital of them would be too
+horrible; it is enough to say, that in yon fatal apartment incest
+and unnatural murder were committed. I will restore it to the
+solitude to which the better judgment of those who preceded me
+had consigned it; and never shall any one, so long as I can
+prevent it, be exposed to a repetition of the supernatural
+horrors which could shake such courage as yours."
+
+Thus the friends, who had met with such glee, parted in a very
+different mood--Lord Woodville to command the Tapestried Chamber
+to be unmantled, and the door built up; and General Browne to
+seek in some less beautiful country, and with some less dignified
+friend, forgetfulness of the painful night which he had passed in
+Woodville Castle.
+
+END OF THE TAPESTRIED CHAMBER.
+
+
+*
+
+
+DEATH OF THE LAIRD'S JOCK by Sir Walter Scott.
+
+
+[The manner in which this trifle was introduced at the time to
+Mr. F. M. Reynolds, editor of The Keepsake of 1828, leaves no
+occasion for a preface.]
+
+AUGUST 1831.
+
+
+TO THE EDITOR OF THE KEEPSAKE.
+
+You have asked me, sir, to point out a subject for the pencil,
+and I feel the difficulty of complying with your request,
+although I am not certainly unaccustomed to literary composition,
+or a total stranger to the stores of history and tradition, which
+afford the best copies for the painter's art. But although SICUT
+PICTURA POESIS is an ancient and undisputed axiom--although
+poetry and painting both address themselves to the same object of
+exciting the human imagination, by presenting to it pleasing or
+sublime images of ideal scenes--yet the one conveying itself
+through the ears to the understanding, and the other applying
+itself only to the eyes, the subjects which are best suited to
+the bard or tale-teller are often totally unfit for painting,
+where the artist must present in a single glance all that his art
+has power to tell us. The artist can neither recapitulate the
+past nor intimate the future. The single NOW is all which he can
+present; and hence, unquestionably, many subjects which delight
+us in poetry or in narrative, whether real or fictitious, cannot
+with advantage be transferred to the canvas.
+
+Being in some degree aware of these difficulties, though
+doubtless unacquainted both with their extent and the means by
+which they may be modified or surmounted, I have, nevertheless,
+ventured to draw up the following traditional narrative as a
+story in which, when the general details are known, the interest
+is so much concentrated in one strong moment of agonizing
+passion, that it can be understood and sympathized with at a
+single glance. I therefore presume that it may be acceptable as
+a hint to some one among the numerous artists who have of late
+years distinguished themselves as rearing up and supporting the
+British school.
+
+Enough has been said and sung about
+
+ "The well-contested ground,
+ The warlike Border-land,"
+
+to render the habits of the tribes who inhabited it before the
+union of England and Scotland familiar to most of your readers.
+The rougher and sterner features of their character were softened
+by their attachment to the fine arts, from which has arisen the
+saying that on the frontiers every dale had its battle, and every
+river its song. A rude species of chivalry was in constant use,
+and single combats were practised as the amusement of the few
+intervals of truce which suspended the exercise of war. The
+inveteracy of this custom may be inferred from the following
+incident:--
+
+Bernard Gilpin, the apostle of the north, the first who undertook
+to preach the Protestant doctrines to the Border dalesmen, was
+surprised, on entering one of their churches, to see a gauntlet
+or mail-glove hanging above the altar. Upon inquiring; the
+meaning of a symbol so indecorous being displayed in that sacred
+place, he was informed by the clerk that the glove was that of a
+famous swordsman, who hung it there as an emblem of a general
+challenge and gage of battle to any who should dare to take the
+fatal token down. "Reach it to me," said the reverend churchman.
+The clerk and the sexton equally declined the perilous office,
+and the good Bernard Gilpin was obliged to remove the glove with
+his own hands, desiring those who were present to inform the
+champion that he, and no other, had possessed himself of the gage
+of defiance. But the champion was as much ashamed to face
+Bernard Gilpin as the officials of the church had been to
+displace his pledge of combat.
+
+The date of the following story is about the latter years of
+Queen Elizabeth's reign; and the events took place in Liddesdale,
+a hilly and pastoral district of Roxburghshire, which, on a part
+of its boundary, is divided from England only by a small river.
+
+During the good old times of RUGGING AND RIVING--that is, tugging
+and tearing--under which term the disorderly doings of the
+warlike age are affectionately remembered, this valley was
+principally cultivated by the sept or clan of the Armstrongs.
+The chief of this warlike race was the Laird of Mangerton. At
+the period of which I speak, the estate of Mangerton, with the
+power and dignity of chief, was possessed by John Armstrong, a
+man of great size, strength, and courage. While his father was
+alive, he was distinguished from others of his clan who bore the
+same name, by the epithet of the LAIRD'S JOCK--that is to say,
+the Laird's son Jock, or Jack. This name he distinguished by so
+many bold and desperate achievements, that he retained it even
+after his father's death, and is mentioned under it both in
+authentic records and in tradition. Some of his feats are
+recorded in the minstrelsy of the Scottish Border, and others are
+mentioned in contemporary chronicles.
+
+At the species of singular combat which we have described the
+Laird's Jock was unrivalled, and no champion of Cumberland,
+Westmoreland, or Northumberland could endure the sway of the huge
+two-handed sword which he wielded, and which few others could
+even lift. This "awful sword," as the common people term it, was
+as dear to him as Durindana or Fushberta to their respective
+masters, and was nearly as formidable to his enemies as those
+renowned falchions proved to the foes of Christendom. The weapon
+had been bequeathed to him by a celebrated English outlaw named
+Hobbie Noble, who, having committed some deed for which he was in
+danger from justice, fled to Liddesdale, and became a follower,
+or rather a brother-in-arms, to the renowned Laird's Jock; till,
+venturing into England with a small escort, a faithless guide,
+and with a light single-handed sword instead of his ponderous
+brand, Hobbie Noble, attacked by superior numbers, was made
+prisoner and executed.
+
+With this weapon, and by means of his own strength and address,
+the Laird's Jock maintained the reputation of the best swordsman
+on the Border side, and defeated or slew many who ventured to
+dispute with him the formidable title.
+
+But years pass on with the strong and the brave as with the
+feeble and the timid. In process of time the Laird's Jock grew
+incapable of wielding his weapons, and finally of all active
+exertion, even of the most ordinary kind. The disabled champion
+became at length totally bedridden, and entirely dependent for
+his comfort on the pious duties of an only daughter, his
+perpetual attendant and companion.
+
+Besides this dutiful child, the Laird's Jock had an only son,
+upon whom devolved the perilous task of leading the clan to
+battle, and maintaining the warlike renown of his native country,
+which was now disputed by the English upon many occasions. The
+young Armstrong was active, brave, and strong, and brought home
+from dangerous adventures many tokens of decided success. Still,
+the ancient chief conceived, as it would seem, that his son was
+scarce yet entitled by age and experience to be entrusted with
+the two-handed sword, by the use of which he had himself been so
+dreadfully distinguished.
+
+At length an English champion, one of the name of Foster (if I
+rightly recollect), had the audacity to send a challenge to the
+best swordsman in Liddesdale; and young Armstrong, burning for
+chivalrous distinction, accepted the challenge.
+
+The heart of the disabled old man swelled with joy when he heard
+that the challenge was passed and accepted, and the meeting fixed
+at a neutral spot, used as the place of rencontre upon such
+occasions, and which he himself had distinguished by numerous
+victories. He exulted so much in the conquest which he
+anticipated, that, to nerve his son to still bolder exertions, he
+conferred upon him, as champion of his clan and province, the
+celebrated weapon which he had hitherto retained in his own
+custody.
+
+This was not all. When the day of combat arrived, the Laird's
+Jock, in spite of his daughter's affectionate remonstrances,
+determined, though he had not left his bed for two years, to be a
+personal witness of the duel. His will was still a law to his
+people, who bore him on their shoulders, wrapped in plaids and
+blankets, to the spot where the combat was to take place, and
+seated him on a fragment of rock, which is still called the
+Laird's Jock's stone. There he remained with eyes fixed on the
+lists or barrier, within which the champions were about to meet.
+His daughter, having done all she could for his accommodation,
+stood motionless beside him, divided between anxiety for his
+health, and for the event of the combat to her beloved brother.
+Ere yet the fight began, the old men gazed on their chief, now
+seen for the first time after several years, and sadly compared
+his altered features and wasted frame with the paragon of
+strength and manly beauty which they once remembered. The young
+men gazed on his large form and powerful make as upon some
+antediluvian giant who had survived the destruction of the Flood.
+
+But the sound of the trumpets on both sides recalled the
+attention of every one to the lists, surrounded as they were by
+numbers of both nations eager to witness the event of the day.
+The combatants met in the lists. It is needless to describe the
+struggle: the Scottish champion fell. Foster, placing his foot
+on his antagonist, seized on the redoubted sword, so precious in
+the eyes of its aged owner, and brandished it over his head as a
+trophy of his conquest. The English shouted in triumph. But the
+despairing cry of the aged champion, who saw his country
+dishonoured, and his sword, long the terror of their race, in the
+possession of an Englishman, was heard high above the
+acclamations of victory. He seemed for an instant animated by
+all his wonted power; for he started from the rock on which he
+sat, and while the garments with which he had been invested fell
+from his wasted frame, and showed the ruins of his strength, he
+tossed his arms wildly to heaven, and uttered a cry of
+indignation, horror, and despair, which, tradition says, was
+heard to a preternatural distance, and resembled the cry of a
+dying lion more than a human sound.
+
+His friends received him in their arms as he sank utterly
+exhausted by the effort, and bore him back to his castle in mute
+sorrow; while his daughter at once wept for her brother, and
+endeavoured to mitigate and soothe the despair of her father.
+But this was impossible; the old man's only tie to life was rent
+rudely asunder, and his heart had broken with it. The death of
+his son had no part in his sorrow. If he thought of him at all,
+it was as the degenerate boy through whom the honour of his
+country and clan had been lost; and he died in the course of
+three days, never even mentioning his name, but pouring out
+unintermitted lamentations for the loss of his noble sword.
+
+I conceive that the moment when the disabled chief was roused
+into a last exertion by the agony of the moment is favourable to
+the object of a painter. He might obtain the full advantage of
+contrasting the form of the rugged old man, in the extremity of
+furious despair, with the softness and beauty of the female form.
+The fatal field might be thrown into perspective, so as to give
+full effect to these two principal figures, and with the single
+explanation that the piece represented a soldier beholding his
+son slain, and the honour of his country lost, the picture would
+be sufficiently intelligible at the first glance. If it was
+thought necessary to show more clearly the nature of the
+conflict, it might be indicated by the pennon of Saint George
+being displayed at one end of the lists, and that of Saint Andrew
+at the other.
+
+I remain, sir,
+
+Your obedient servant,
+
+THE AUTHOR OF WAVERLEY.
+
+
+
+
+
+End of
+*The Project Gutenberg Etext of The Tapestried Chamber, by Scott*
+and
+The Project Gutenberg Etext of Death of the Laird's Jock by Scott
+
diff --git a/old/tpsch10.zip b/old/tpsch10.zip
new file mode 100644
index 0000000..5dc0fbc
--- /dev/null
+++ b/old/tpsch10.zip
Binary files differ