diff options
Diffstat (limited to '1664.txt')
| -rw-r--r-- | 1664.txt | 1372 |
1 files changed, 1372 insertions, 0 deletions
diff --git a/1664.txt b/1664.txt new file mode 100644 index 0000000..e145148 --- /dev/null +++ b/1664.txt @@ -0,0 +1,1372 @@ +The Project Gutenberg EBook of Songs for Parents, by John Farrar + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Songs for Parents + +Author: John Farrar + +Posting Date: November 7, 2008 [EBook #1664] +Release Date: March, 1999 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SONGS FOR PARENTS *** + + + + +Produced by Stewart A. Levin, and Curtis Farrar + + + + + +SONGS FOR PARENTS + +By John Farrar + + + + +Dedication + + + Here's a rhyme for Barbara, + Laughing white and pink, + Here's a rhyme for smiling Ted, + And one for Wink. + + Now Dick's not much at reading rhymes, + He'd rather sit and fish. + Well here's a couple of verses, Dick, + Read them if you wish! + + + +Contents + + + + Dedication + + + SONGS OF DESIRE + + Summer Explorer + Spring Wish + Ambition + Dreams + Water-Lily + Humor + Independence + + + SONGS FOR OUT OF DOORS + + A Comparison + Speculation + Parade + Flower Preferences + Parental Advice + Song for a Child Watching Clouds + Problem + Garden Musings + My Garden + Tracks + Chanticleer + Rainbow + Windmill + Cat-Fish + Visiting + Castles + Parenthood + + + SONGS OF CIRCUMSTANCE + + Moral Song + Serious Omission + Choice + Natural Fireworks + Conspiracy + Cuckoo Clock + The Sentinel + Royalty + Crackers + The Drum + Theatricals + Sally + + + SONGS FOR A CHRISTMAS TREE + + Bundles + The Candy Santa Claus + The Tinsel Star + The Ambitious Mouse + Prayer + + + + +SONGS OF DESIRE + + + + +Summer Explorer + + + I'd like to be a gypsy + With gold rings in my ears, + Along the road to sit and sing, + And not do another thing + For years and years; + + A road to dream upon by day, + A fire for dreams at night, + Free to wander far away, + Free to shout and free to play, + Quite impolite. + + I'd pitch my tent beside a wall, + All apple trees within, + And if the apples didn't fall, + I wouldn't hesitate at all. + I'd climb--and sin! + + But if the weather wasn't fine, + If all the world were rain, + If there weren't anywhere to dine + And goose-flesh quivered up my spine-- + I _might_ come home again! + + + + +Spring Wish + + + A frog's a very happy thing, + Cool and green in early spring, + Quick and silver through the pool, + With no thought of books or school. + + Oh, I want to be a frog, + Sunning, stretching on a log, + Blinking there in splendid ease, + Swimming naked when I please, + Nosing into magic nooks, + Quiet marshes, noisy brooks. + + Free! And fit for anything! + Oh, to be a frog in spring! + + + + +Ambition + + + If I were a rocket + Shot high across the night, + I'd rather burst in silver stars + Than green or purple light; + + For then, perhaps, I'd fool the moon, + Although she's very wise, + And thinking me a baby star + She'd keep me in the skies. + + + + +Dreams + + + I'd like to dream my own dreams, + Instead of dreaming those + The silly sandman brings along + Like moving picture shows. + + I'd like to dream of palaces, + Of magic meadowlands, + Of silver gates and golden thrones + And chanting fairy bands; + + Of seas of spraying jewels, + Of dancing crystal ships, + Of the queen of all the elves herself-- + Two rubies for her lips; + + But, alas! I never dream such things, + And when I jump and wake + As an oozy ogre clutches me-- + It's just a stomach ache! + + + + +Water-Lily + + + I'd like to be a water-lily sleeping on the river, + Where solemn rushes whisper, and funny ripples quiver. + All day I'd watch the blue sky--all night I'd watch the black, + Floating in the soft waves, dreaming on my back, + And when I'd tired of dreaming, I'd call a passing fish, + "I want to find the sea!" I'd shout, "Come! You can grant my wish!" + + He'd bite me from my moorings, and softly I would slip + To the center of the river like an ocean-going ship. + The waves would laugh upon me. The wind would blow me fast, + And oh, what shores and wonders would greet me as I passed! + Yes, if I were a water-lily, I'd sail to sea in state-- + A green frog for my captain--and a dragon-fly for mate! + + + + +Humor + + + Have you ever watched the clowns at play, + White, red and black on circus day? + They're always very, very gay. + I wonder how they stay that way! + + I'd like to be a clown, + Playing tricks around the town, + Turning somersaults and springs, + As if they were easy things, + Laughing morning, noon and night, + Being such a funny sight! + + Do you think, then, I'd grow tired of fun, + Laughing so from sun to sun? + Or, when performances are done, + Do clown-folk cry like anyone? + + + + +Independence + + + I like to go out in the night + When there's neither a sound nor a light, + With my hands and feet bare, + And the wind in my hair, + Not a nurse nor a parent in sight; + + But only the night, moon and me + As I dance in the dew joyfully, + Quite daring and bold + For there's no one to scold, + Because there is no one to see. + + + + +SONGS FOR OUT OF DOORS + + + + +A Comparison + + + Apple blossoms look like snow, + They're different, though. + Snow falls softly, but it brings + Noisy things: + Sleighs and bells, forts and fights, + Cosy nights. + + But apple blossoms when they go, + White and slow, + Quiet all the orchard space, + Till the place + Hushed with falling sweetness seems + Filled with dreams. + + + + +Speculation + + + I wonder if God sits alone + Upon the highest mountain stone + To stir the clouds and drop the rain, + And then to pick it up again. + + I wonder if he sends the brooks + Foaming from their distant nooks, + And, sitting there in robes of gray, + Turns rivers on at break of day. + + + + +Parade + + + The scarlet trumpet flowers are gay + And yet they never seem to play, + They never trumpet up the dawn + Nor blow retreat across the lawn. + + But oh, to-day I heard a strain, + A happy, martial, quick refrain, + As down across the garden grass + I saw the marching flowers pass: + + Gaudy phlox and flaunting rose, + Stiff and straight and on their toes, + And, blaring from the garden wall, + The trumpet flower led them all. + + + + +Flower Preferences + + + If I were a tiny fairy + With nothing else to do + But to wriggle into flowers + All the long day through, + + I'd dance among the roses, + I'd take a stately walk, + Balancing precisely + On an Easter-lily stalk. + + For play I'd choose the jonquils, + For swimming, poppy cups, + For jokes and tricks and tiny naps, + The Johnny-jump-ups! + + But on some quiet evening, + I'd leave my fairy band, + And on a star-flower through the sky + I'd sail to fairyland. + + + + +Parental Advice + + + Who laid the egg that hatched the moon? + Was it the earth, I wonder, + Was it the sun, the clouds, or rain, + Was it night or thunder? + + If I were mother to the moon + I'd spank her every day + Until she learned to stay at home + And _never_ run away! + + + + +Song for a Child Watching Clouds + + + I've watched the clouds by day and night, + Great fleecy ones all filled with light, + Gray beasts that steal across the sky, + And little fellows slipping by. + + Sometimes they seem like sheep at play, + Sometimes when they are dull and gray + The pale sun seems a ship to me, + Sailing through a rolling sea; + + And I've seen faces in them too, + Funny white men on the blue, + They look so many different ways, + And not one single cloudlet stays; + + But on across the heavens they blow, + I often wonder where they go, + Now sometime, maybe when I die, + I, too, will wander through the sky. + + + + +Problem + + + If I were a violet I'd think it a shame + To be always so simple and modest and tame, + To be hidden away like a hermit or nun + While the hare-brained pink roses can dance in the sun! + But consider the naughty wild ways of the rose-- + There _must_ be _respectable_ flowers, I suppose! + + + + +Garden Musings + + + Why is the lily so stately and still? + Why doesn't she dance like the gay daffodil? + Why doesn't she blush like the rose or the pink, + Or, like mischievous pansy, indulge in a wink? + Do you think it's because she is holier than they, + Or did God just decide he would make her that way? + + + + +My Garden + + + My garden was silly and stubborn; + I worked, but the weeds worked, too; + I dug and scraped and scrambled-- + They hustled themselves and grew; + + Now Ted's garden's fine and cleanly, + He has lettuce and roses and peas-- + Oh, most probably plants are like children-- + They only behave when they please! + + + + +Tracks + + + I wonder where the rabbits go + Who leave their tracks across the snow; + For when I follow to their den + The tracks always start out again. + + + + +Chanticleer + + + High and proud on the barnyard fence + Walks rooster in the morning. + He shakes his comb, he shakes his tail + And gives his daily warning. + + "Get up, you lazy boys and girls, + It's time you should be dressing!" + I wonder if he keeps a clock, + Or if he's only guessing. + + + + +Rainbow + + + The rainbow comes across the hill, + It shines upon the sky, until + It frightens all the tears from rain, + And then it hides itself again. + + Now when I'm very tired of play + I'll cross that rainbow bridge some day; + And while dear nurse and father scold, + I'll reach the end--and find the gold! + + + + +Windmill + + + The windmill stands up like a flower on the hill + With its petals a-whirling--they seldom stay still-- + And its funny old voice creaking all the long day + As it scolds little breezes for running away. + + + + +Cat-Fish + + + The cat-fish with whiskers that lives in the brook, + Is an ugly old beast with the wickedest look. + I suppose there were mouse-fish one time in brook town + Till that ugly old cat-fish gulped all of them down. + + + + +Visiting + + + You and I shall travel far, + We'll pass the old earth by, + We'll ride the moon and drive a star + Across the evening sky. + + We'll flash upon the milky way + To pay Dame Night a call-- + But should we happen on old Day-- + We'd fall and fall and fall. + + + + +Castles + + + I used to build me castles of moisty sand and shells, + And dream they were for princesses who wove me magic spells; + But yesterday along the beach my fairy princess came-- + And she's too big for castles--now isn't that a shame! + + + + +Parenthood + + + The birches that dance on the top of the hill + Are so slender and young that they cannot keep still, + They bend and they nod at each whiff of a breeze, + For you see they are still just the children of trees. + + But the birches below in the valley are older, + They are calmer and straighter and taller and colder. + Perhaps when we've grown up as solemn and grave, + We, too, will have children who do not behave! + + + + + + +SONGS OF CIRCUMSTANCE + + + + + +Moral Song + + + Oh, so cool + In his deep green pool + Was a frog on a log one day! + He would blink his eyes + As he snapped at flies, + For his mother was away, + _For his mother was away!_ + + Now that naughty frog + Left his own home log + And started out to play. + He flipped and he flopped + And he never stopped + Till he reached the great blue bay, + _Till he reached the great blue bay!_ + + Alas, with a swish + Came a mighty fish, + And swallowed him where he lay. + Now it's things like this + That never miss + Little frogs who don't obey, + _Little frogs who don't obey!_ + + + + +Serious Omission + + + I know that there are dragons, + St. George's, Jason's, too, + And many modern dragons + With scales of green and blue; + + But though I've been there many times + And carefully looked through, + I can't find a dragon + In the cages at the zoo! + + + + +Choice + + + If I had just one penny + On the Fourth of July, + Oh, what a problem it would be + To think what I should buy! + + With lollypops and fire-works, + With cakes and whiz-bangs, too, + With tops and candy cigarettes, + Whatever should I do? + + Torpedoes have a splendid noise, + But noise is quickly past, + And the sweetness of a lollypop + Is something that will last. + + + + +Natural Fireworks + + + The fireflies in the valley + Are having their display + Among the river willows + Like little bits of day! + + Come, light your silver sparkler + And wave it in the air. + Go dance among the willows + And sprinkle sparkles there. + + Then, oh, the world will wonder + To see the willows shine, + And even the fireflies will not know + Their tiny sparks from mine. + + + + +Conspiracy + + + The sun has a face that is laughing and red + When nurse pulls me out in the morning from bed; + But he's not half so sly as the silly old moon, + Who winks when I'm sent to my bedroom too soon. + + + + +Cuckoo Clock + + + The cuckoo in the clock by day + Is usually very gay; + And that's because, with people near, + There's not a thing for him to fear; + + But when the sitting room is dim + And no one's there to welcome him-- + How tremblingly he must come out + To flap his wings and look about. + + Why! Only just the other night + The cuckoo stopped the clock from fright! + + + + +The Sentinel + + + I'm only a little toy dough-boy, + And I have neither sorrows nor fears; + But I patiently wait, + With my gun pointed straight + And my helmet pulled down on my ears. + + The ugly wood lions and tigers + May show their white teeth if they please, + If the whole Noah's ark + Should threaten and bark + It wouldn't unstiffen my knees. + + And some day when you are a soldier + With your helmet pulled down on your ears + I'll still be as straight + As I wonder and wait, + Standing my watch through the years. + + + + +Royalty + + + If I should meet a king or queen + Upon the street some day, + Do you think that I'd be frightened? + Why, I'd know just what to say. + + "Your reverend majesties," I'd say, + And humbly bow the knee, + "I am your very humble swain, + And will you honor me?" + + The king would strike my shoulder + With a sword of passing might, + He'd lift me grandly to my feet, + He'd say, "Arise, O Knight!" + + Oh, I would not be frightened, + For I've seen kings galore, + Don't you think it's just to learn of them + That playing cards are for? + + + + +Crackers + + + Oh, there are very many kinds + Of crackers, great and small, + Saltines and ginger-snaps and such, + I'd like to eat them all; + + But there's a kind of cracker + That I _need much worse,_ + A bright red giant cracker + To set off under nurse! + + + + +The Drum + + + The drum's a very quiet fellow + When he's left alone; + But oh, how he does roar and bellow, + Rattle, snap and groan, + Clatter, spatter, dash and patter, + Rumble, shriek and moan + Whene'er I take my sticks in hand + And beat him soundly for the band. + + + + +Theatricals + + + Now I'll play at being queen, + Hold my head quite stiff and haughty, + Always proud and never naughty, + Sweeping grandly down the green. + + Or I'll be a moonlight fairy, + Bobbing lightly on the river, + Dancing where the shadows quiver, + Winged and shining, swift and wary. + + If the doctor thinks I'm sick, + He's just silly. _I am not!_ + I'm just tired and very hot, + Hating drink that's sweet and thick. + + Flowers dance across the walls, + Mother's face seems far away, + She's the audience, I'm the play, + She will clap for curtain calls. + + No!--I do not want to play! + Seven thrones around my bed, + Circling gold about my head-- + Angels always fly away! + + + + +Sally + + + If I were a stately sailboat, + I'd sail to Zanzibar, + I'd sail the seven secret seas, + Where the secret cities are, + And some day I'd be sailing with the wind before my prow, + And all the mermaids of the sea would clamber up the bow. + They'd beckon me with laughter, + They'd beckon me with smiles, + They'd show me cakes and candies + In half a dozen styles, + They'd promise me a life of ease + Eating sweets beneath the seas, + They'd promise me a life of play-- + A never ending holiday; + But I would say quite plainly, + And, oh, how stern I'd look! + Do you think that you can tempt me + While Sally is our cook? + + If I were a little fire balloon + I'd float aloft to Mars, + I'd pay a call on Venus + And chatter with the stars, + And just as I'd be fluttering across the yellow moon, + The angels would come singing a solemn Sunday tune. + They'd beckon to me gravely, + They'd tell me I could stay, + They'd show me all the jewels + That pave the milky way. + They'd promise me a golden crown + And silver robes like eider-down, + They'd give me harps with shiny strings + And wonderfully fluffy wings; + BUT--I would tell them plainly + I didn't want to die-- + Till all the angel cooks had learned + How Sally makes mince pie! + + + + +SONGS FOR A CHRISTMAS TREE + + + + +Bundles + + + A bundle is a funny thing, + It always sets me wondering; + For whether it is thin or wide + You never know just what's inside. + + Especially on Christmas week, + Temptation is so great to peek! + Now wouldn't it be much more fun + If shoppers carried things undone? + + + + +The Candy Santa Claus + + + I'm very fond of candles + With their quaint coquettish way, + But alas! I wooed too often, + And now my life's to pay. + + They knew I was important + When they decked the Christmas tree, + Yes, they hung me on the tip-top + For all the world to see. + + But, alas! A lady candle + Has come with me to the top, + And I'm melting with affection, + I'm dying drop by drop. + + + + +The Tinsel Star + + + I'm just a shiny tinsel star, + Boxed all the time as such things are, + And only used just once a year, + Oh, life is very dull and drear! + + A real star has far fields to roam, + A tinsel star must stay at home. + It is a terrible vexation + To be a silly imitation! + + + + +The Ambitious Mouse + + + If all the world were candy + And the sky were frosted cake, + Oh, it would be a splendid job + For a mouse to undertake! + + To eat a path of sweetmeats + Through candy forest aisles-- + Explore the land of Pepper-mint + Stretched out for miles and miles. + + To gobble up a cloudlet, + A little cup-cake star, + To swim a lake of liquid sweet + With shores of chocolate bar. + + But, best of all the eating, + Would be the toothsome fat, + Triumphant hour of mouse-desire, + To eat a candy cat! + + + + +Prayer + + + Last night I crept across the snow, + Where only tracking rabbits go, + And then I waited quite alone + Until the Christmas radiance shone! + + At midnight twenty angels came, + Each white and shining like a flame. + At midnight twenty angels sang, + The stars swung out like bells and rang. + + They lifted me across the hill, + They bore me in their arms until + A greater glory greeted them. + It was the town of Bethlehem. + + And gently, then, they set me down, + All worshipping that holy town, + And gently, then, they bade me raise + My head to worship and to praise. + + And gently, then, the Christ smiled down. + Ah, there was glory in that town! + It was as if the world were free + And glistening with purity. + + And in that vault of crystal blue, + It was as if the world were new, + And myriad angels, file on file, + Glorified in the Christ-child's smile. + + It was so beautiful to see + Such glory, for a child like me, + So beautiful, it does not seem + It could have been a Christmas dream. + + + + +About the author: + + +John Chipman Farrar (1896-1974), late of the New York publishing firm of +Farrar, Straus and Giroux, attended Yale University where his poem +"Portraits" was the Yale University Prize Poem in 1916. After serving +during the First World War as an intelligence officer with the U.S. Air +Service, Farrar returned to Yale and graduated in 1919. His first book +"Forgotten Shrines" was published late that same year as the second +volume of the Yale Series of Younger Poets, reprinted in 1971, over half +a century later. + +After graduation, Farrar turned to publishing and literary criticism, +editing George H. Doran Company's periodical "The Bookman". Between 1927 +and 1929, Farrar was editor at Doubleday, Doran and Company. In mid- +1929, he and two sons of the famous mystery writer Mary Robert Rinehart +started the publishing firm if Farrar and Rinehart, Inc. His connection +with that firm lasted until 1945, although he was absent during the war +years assisting in U.S. government psychological war efforts. Farrar +and Rinehart was later absorbed by Henry Holt. + +As a young editor in New York, Farrar volunteered in 1922 for the +organizing committee of an American chapter of PEN (originally Poets, +Essayists and Novelists) founded in England the year before by Sappho +(Amy Dawson Scott) to foster support of visiting foreign writers. PEN +grew quickly to become an international advocate for freedom of +expression and continues its activism to this day. (See +http://www.pen.org) + +After the Second World War, the American chapter of PEN foundered for +lack of direction. Farrar, co-principal of the newly formed publishing +house of Farrar, Straus and Company, now Farrar, Straus and Giroux, +stepped in to refocus its energies and recruit dozens of new members. He +served as president twice, once from 1951-1953 and again from 1963-1965. + +In his roles as both and editor and a publisher, Farrar had a lasting +impact on literature through the years. Farrar, Straus & Giroux has +published many Nobel Laureates (20 as of 1995) and dozens of +distinguished poets and authors. It is my privilege to reprint this +etext of some of his own work for posterity. + +--Stewart A. Levin + + + + + +End of the Project Gutenberg EBook of Songs for Parents, by John Farrar + +*** END OF THIS PROJECT GUTENBERG EBOOK SONGS FOR PARENTS *** + +***** This file should be named 1664.txt or 1664.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/6/6/1664/ + +Produced by Stewart A. Levin, and Curtis Farrar + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |