path: root/16433-8.txt

The Project Gutenberg EBook of The Gay Cockade, by Temple Bailey

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Gay Cockade

Author: Temple Bailey

Illustrator: C. E. Chambers

Release Date: August 4, 2005 [EBook #16433]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE GAY COCKADE ***




Produced by Suzanne Shell, Laura Wisewell and the Online
Distributed Proofreading Team at https://www.pgdp.net





[Illustration: AND HERE, DAY AFTER DAY, HE SAT ALONE]




                                  THE
                              GAY COCKADE


                                   BY
                             TEMPLE BAILEY

                               AUTHOR OF
                          THE TRUMPETER SWAN,
                          THE TIN SOLDIER, Etc.


                            FRONTISPIECE BY
                             C.E. CHAMBERS

                             [Illustration]


                            GROSSET & DUNLAP
                          PUBLISHERS NEW YORK
                  Made in the United States of America



                               COPYRIGHT
                                1921 BY
                                THE PENN
                               PUBLISHING
                                COMPANY

                             [Illustration]

                             Manufacturing
                                 Plant
                              Camden, N.J.

Made in U.S.A.


                            The Gay Cockade



For permission to reprint some of the stories in this volume, the author
is indebted to the courtesy of the editors of _Harper's Magazine_,
_Scribner's Magazine_, _Collier's Magazine_, _Ladies' Home Journal_,
_Saturday Evening Post_, _Good Housekeeping_, and _Harper's Bazar_.




Contents

THE GAY COCKADE                 7

THE HIDDEN LAND                33

WHITE BIRCHES                  84

THE EMPEROR'S GHOST           118

THE RED CANDLE                132

RETURNED GOODS                149

BURNED TOAST                  165

PETRONELLA                    187

THE CANOPY BED                205

SANDWICH JANE                 223

LADY CRUSOE                   272

A REBELLIOUS GRANDMOTHER      310

WAIT--FOR PRINCE CHARMING     327

BEGGARS ON HORSEBACK          351




                            THE GAY COCKADE




THE GAY COCKADE


From the moment that Jimmie Harding came into the office, he created an
atmosphere. We were a tired lot. Most of us had been in the government
service for years, and had been ground fine in the mills of departmental
monotony.

But Jimmie was young, and he wore his youth like a gay cockade. He
flaunted it in our faces, and because we were so tired of our dull and
desiccated selves, we borrowed of him, remorselessly, color and
brightness until, gradually, in the light of his reflected glory, we
seemed a little younger, a little less tired, a little less petrified.

In his gay and gallant youth there was, however, a quality which partook
of earlier times. He should, we felt, have worn a feather in his
cap--and a cloak instead of his Norfolk coat. He walked with a little
swagger, and stood with his hand on his hip, as if his palm pressed the
hilt of his sword. If he ever fell in love, we told one another, he
would, without a doubt, sing serenades and apostrophize the moon.

He did fall in love before he had been with us a year. His love-affair
was a romance for the whole office. He came among us every morning
glorified; he left us in the afternoon as a knight enters upon a quest.

He told us about the girl. We pictured her perfectly before we saw her,
as a little thing, with a mop of curled brown hair; an oval face,
pearl-tinted; wide, blue eyes. He dwelt on all her small
perfections--the brows that swept across her forehead in a thin black
line, the transparency of her slender hands, the straight set of her
head on her shoulders, the slight halt in her speech like that of an
enchanting child.

Yet she was not in the least a child. "She holds me up to my best, Miss
Standish," Jimmie told me; "she says I can write."

We knew that Jimmie had written a few things, gay little poems that he
showed us now and then in the magazines. But we had not taken them at
all seriously. Indeed, Jimmie had not taken them seriously himself.

But now he took them seriously. "Elise says that I can do great things.
That I must get out of the Department."

To the rest of us, getting out of the government service would have
seemed a mad adventure. None of us would have had the courage to
consider it. But it seemed a natural thing that Jimmie should fare forth
on the broad highway--a modern D'Artagnan, a youthful Quixote, an Alan
Breck--!

We hated to have him leave. But he had consolation. "Of course you'll
come and see us. We're going back to my old house in Albemarle. It's a
rotten shack, but Elise says it will be a corking place for me to write.
And you'll all come down for week-ends."

We felt, I am sure, that it was good of him to ask us, but none of us
expected that we should ever go. We had a premonition that Elise
wouldn't want the deadwood of Jimmie's former Division. I know that for
myself, I was content to think of Jimmie happy in his old house. But I
never really expected to see it. I had reached the point of expecting
nothing except the day's work, my dinner at the end, a night's sleep,
and the same thing over again in the morning.

Yet Jimmie got all of us down, not long after he was married, to what he
called a housewarming. He had inherited a few pleasant acres in
Virginia, and the house was two hundred years old. He had never lived in
it until he came with Elise. It was in rather shocking condition, but
Elise had managed to make it habitable by getting it scrubbed very
clean, and by taking out everything that was not in keeping with the
oldness and quaintness. The resulting effect was bare but beautiful.
There were a great many books, a few oil-portraits, mahogany sideboards
and tables and four-poster beds, candles in sconces and in branched
candlesticks. They were married in April, and when we went down in June
poppies were blowing in the wide grass spaces, and honeysuckle rioting
over the low stone walls. I think we all felt as if we had passed
through purgatory and had entered heaven. I know I did, because this was
the kind of thing of which I had dreamed, and there had been a time when
I, too, had wanted to write.

The room in which Jimmie wrote was in a little detached house, which had
once been the office of his doctor grandfather. He had his typewriter
out there, and a big desk, and from the window in front of his desk he
could look out on green slopes and the distant blue of mountain ridges.

We envied him and told him so.

"Well, I don't know," Jimmie said. "Of course I'll get a lot of work
done. But I'll miss your darling old heads bending over the other
desks."

"You couldn't work, Jimmie," Elise reminded him, "with other people in
the room."

"Perhaps not. Did I tell you old dears that I am going to write a play?"

That was, it seems, what Elise had had in mind for him from the
beginning--a great play!

"She wouldn't even, have a honeymoon"--Jimmie's arm was around her; "she
brought me here, and got this room ready the first thing."

"Well, he mustn't be wasting time," said Elise, "must he? Jimmie's
rather wonderful, isn't he?"

They seemed a pair of babies as they stood there together. Elise had on
a childish one-piece pink frock, with sleeves above the elbow, and an
organdie sash. Yet, intuitively, the truth came to me--she was ages
older than Jimmie in spite of her twenty years to his twenty-four. Here
was no Juliet, flaming to the moon--no mistress whose steed would gallop
by wind-swept roads to midnight trysts. Here was, rather, the cool blood
that had sacrificed a honeymoon--_and, oh, to honeymoon with Jimmie
Harding_!--for the sake of an ambitious future.

She was telling us about it "We can always have a honeymoon, Jimmie and
I. Some day, when he is famous, we'll have it. But now we must not."

"I picked out the place"--Jimmie was eager--"a dip in the hills, and big
pines--And then Elise wouldn't."

We went in to lunch after that. The table was lovely and the food
delicious. There was batter-bread, I remember, and an omelette, and peas
from the garden.

Duncan Street and I talked all the way home of Jimmie and his wife. He
didn't agree with me in the least about Elise. "She'll be the making of
him. Such wives always are."

But I held that he would lose something,--that he would not be the same
Jimmie.

       *       *       *       *       *

Jimmie wrote plays and plays. In between he wrote pot-boiling books. The
pot-boilers were needed, because none of his plays were accepted. He
used to stop in our office and joke about it.

"If it wasn't for Elise's faith in me, Miss Standish, I should think
myself a poor stick. Of course, I can make money enough with my books
and short stuff to keep things going, but it isn't just money that
either of us is after."

Except when Jimmie came into the office we saw very little of him. Elise
gathered about her the men and women who would count in Jimmie's future.
The week-ends in the still old house drew not a few famous folk who
loathed the commonplaceness of convivial atmospheres. Elise had
old-fashioned flowers in her garden, delectable food, a library of old
books. It was a heavenly change for those who were tired of cocktail
parties, bridge-madness, illicit love-making. I could never be quite
sure whether Elise really loved dignified living for its own sake, or
whether she was sufficiently discriminating to recognize the kind of
bait which would lure the fine souls whose presence gave to her
hospitality the stamp of exclusiveness.

They had a small car, and it was when Jimmie motored up to Washington
that we saw him. He had a fashion of taking us out to lunch, two at a
time. When he asked me, he usually asked Duncan Street. Duncan and I
have worked side by side for twenty-five years. There is nothing in the
least romantic about our friendship, but I should miss him if he were to
die or to resign from office. I have little fear of the latter
contingency. Only death, I feel, will part us.

In our moments of reunion Jimmie always talked a great deal about
himself. The big play was, he said, in the back of his mind. "Elise says
that I can do it," he told us one day over our oysters, "and I am
beginning to think that I can. I say, why can't you old dears in the
office come down for Christmas, and I'll read you what I've written."

We were glad to go. There were to be no other guests, and I found out
afterward that Elise rarely invited any of their fashionable friends
down in winter. The place showed off better in summer with the garden,
and the vines hiding all deficiencies.

We arrived in a snow-storm on Christmas Eve, and when we entered the
house there was a roaring fire on the hearth. I hadn't seen a fire like
that for thirty years. You may know how I felt when I knelt down in
front of it and warmed my hands.

The candles in sconces furnished the only other illumination. Elise,
moving about the shadowy room, seemed to draw light to herself. She wore
a flame-colored velvet frock and her curly hair was tucked into a golden
net. I think that she had planned the medieval effect deliberately, and
it was a great success. As she flitted about like a brilliant bird, our
eyes followed her. My eyes, indeed, drank of her, like new wine. I have
always loved color, and my life has been drab.

I spoke of her frock when she showed me my room.

"Oh, do you like it?" she asked. "Jimmie hates to see me in dark things.
He says that when I wear this he can see his heroine."

"Is she like you?"

"Not a bit. She is rather untamed. Jimmie does her very well. She
positively gallops through the play."

"And do you never gallop?"

She shook her head. "It's a good thing that I don't. If I did, Jimmie
would never write. He says that I keep his nose to the grindstone. It
isn't that, but I love him too much to let him squander his talent. If
he had no talent, I should love him without it. But, having it, I must
hold him up to it."

She was very sure of herself, very sure of the rightness of her attitude
toward Jimmie. "I know how great he is," she said, as we went down, "and
other people don't. So I've got to prove it."

       *       *       *       *       *

It was at dinner that I first noticed a change in Jimmie. It was a
change which was hard to define. Yet I missed something in him--the
enthusiasm, the buoyancy, the almost breathless radiance with which he
had rekindled our dying fires. Yet he looked young enough and happy
enough as he sat at the table in his velvet studio coat, with his crisp,
burnt-gold hair catching the light of the candles. He and his wife were
a handsome pair. His manner to her was perfect. There could be no
question of his adoration.

After dinner we had the tree. It was a young pine set up at one end of
the long dining-room, and lighted in the old fashion by red wax candles.
There were presents on it for all of us. Jimmie gave me an adorably
illustrated _Mother Goose_.

"You are the only other child here, Miss Standish," he said, as he
handed it to me. "I saw this in a book-shop, and couldn't resist it."

We looked over the pictures together. They were enchanting. All the
bells of old London rang out for a wistful Whittington in a ragged
jacket; Bo-Peep in panniers and pink ribbons wailed for her historic
sheep; Mother Hubbard, quaint in a mammoth cap, pursued her fruitless
search for bones. There was, too, an entrancing Boy Blue who wound his
horn, a sturdy darling with his legs planted far apart and distended
rosy cheeks.

"That picture is worth the price of the whole book," said Jimmie, and
hung over it. Then suddenly he straightened up. "There should be
children in this old house."

I knew then what I had missed from the tree. Elise had a great many
gifts--exquisite trifles sent to her by sophisticated friends--a
wine-jug of seventeenth-century Venetian glass, a bag of Chinese brocade
with handles of carved ivory, a pair of ancient silver buckles, a box of
rare lacquer filled with Oriental sweets, a jade pendant, a crystal ball
on a bronze base--all of them lovely, all to be exclaimed over; but the
things I wanted were drums and horns and candy canes, and tarletan bags,
and pop-corn chains, and things that had to be wound up, and things that
whistled, and things that squawked, and things that sparkled. And Jimmie
wanted these things, but Elise didn't. She was perfectly content with
her elegant trifles.

It was late when we went out finally to the studio. There was snow
everywhere, but it was a clear night with a moon above the pines. A
great log burned in the fireplace, a shaded lamp threw a circle of gold
on shining mahogany. It seemed to me that Jimmie's writing quarters were
even more attractive in December than in June.

Yet, looking back, I can see that to Jimmie the little house was a sort
of prison. He loved men and women, contact with his own kind. He had
even liked our dingy old office and our dreary, dried-up selves. And
here, day after day, he sat alone--as an artist must sit if he is to
achieve--_es bildet ein Talent sich in der Stille_.

We sat around the fire in deep leather chairs, all except Elise, who had
a cushion on the floor at Jimmie's feet.

He read with complete absorption, and when he finished he looked at me.
"What do you think of it?"

I had to tell the truth. "It isn't your masterpiece."

He ran his fingers through his hair with a nervous gesture. "I told
Elise that it wasn't."

"But the girl"--Elise's gaze held hot resentment--"is wonderful. Surely
you can see that."

"She doesn't seem quite real."

"Then Jimmie shall make her real." Elise laid her hand lightly on her
husband's shoulder. Her gown and golden net were all flame and sparkle,
but her voice was cold. "He shall make her real."

"No"--it seemed to me that as he spoke Jimmie drew away from her
hand--"I am not going to rewrite it, Elise. I'm tired of it."

"Jimmie!"

"I'm tired of it--"

"Finish it, and then you'll be free--"

"Shall I ever be free?" He stood up and turned his head from side to
side, as if he sought some way of escape. "Shall I ever be free? I
sometimes think that you and I will stick to this old house until we
grow as dry as dust. I want to live, Elise! I want to live--!"

       *       *       *       *       *

But Elise was not ready to let Jimmie live. To her, Jimmie the artist was
more than Jimmie the lover. I may have been unjust, but she seemed to me
a sort of mental vampire, who was sucking Jimmie's youth. Duncan Street
snorted when I told him what I thought. Elise was a pretty woman, and a
pretty woman in the eyes of men can do no wrong.

"You'll see," I said, "what she'll do to him."

The situation was to me astounding. Here was Life holding out its hands
to Elise, glory of youth demanding glorious response, and she,
incredibly, holding back. In spite of my gray hair and stiff figure, I
am of the galloping kind, and my soul followed Jimmie Harding's in its
quest for freedom.

But there was one thing that Elise could not do. She could not make
Jimmie rewrite his play. "I'll come to it some day," he said, "but not
yet. In the meantime I'll see what I can do with books."

He did a great deal with books, so that he wrote several best-sellers.
This eased the financial situation and they might have had more time for
things. But Elise still kept him at it. She wanted to be the wife of a
great man.

Yet as the years went on, Duncan and I began to wonder if her hopes
would be realized. Jimmie wrote and wrote. He was successful in a
commercial sense, but fame did not come to him. There was gray in his
burnt-gold hair; his shoulders acquired a scholarly droop, and he wore
glasses on a black ribbon. It was when he put on glasses that I began to
feel a thousand years old. Yet always when he was away from me I thought
of him as the Jimmie whose youth had shone with blinding radiance.

His constancy to Duncan and to me began to take on a rather pathetic
quality. The others in the office drifted gradually out of his life.
Some of them died, some of them resigned, some of them worked on, plump
or wizened parodies of their former selves. I was stouter than ever, and
stiffer, and the top of Duncan's head was a shining cone. And the one
interesting thing in our otherwise dreary days was Jimmie.

"You're such darling old dears," was his pleasant way of putting it.

But Duncan dug up the truth for me. "We knew him before he wrote. He
gets back to that when he is with us."

I had grown to hate Elise. It was not a pleasant emotion, and I am not
sure that she really deserved it. But Duncan hated her, too. "You're
right," he said one day when we had lunched with Jimmie; "she's sucked
him dry." Jimmie had been unusually silent. He had laughed little. He
had tapped the table with his finger, and had kept his eyes on his
finger. He had been absent-minded. "She has sucked him dry," said
Duncan, with great heat.

But she hadn't. That was the surprising thing. Just as we were all
giving up hope of Jimmie's proving himself something more than a hack,
he did the great thing and the wonderful thing that years ago Elise had
prophesied. His play, "The Gay Cockade," was accepted by a New York
manager, and after the first night the world went wild about it.

I had helped Jimmie with the name. I had spoken once of youth as a gay
cockade. "That's a corking title," Jimmie had said, and had written it
in his note-book.

When his play was put in rehearsal, Duncan and I were there to see. We
took our month's leave, traveled to New York, and stayed at an
old-fashioned boarding-house in Washington Square. Every day we went to
the theatre. Elise was always there, looking younger than ever in the
sables bought with Jimmie's advance royalty, and with various gowns and
hats which were the by-products of his best-sellers.

The part of the heroine of "The Gay Cockade" was taken by Ursula Simms.
She was, as those of you who have seen her know, a Rosalind come to
life. With an almost boyish frankness she combined feminine witchery.
She had glowing red hair, a voice that was gay and fresh, a temper that
was hot. She galloped through the play as Jimmie had meant that she
should gallop in that first poor draft which he had read to us in
Albemarle, and it was when I saw Ursula in rehearsal that I realized
what Jimmie had done--he had embodied in his heroine all the youth that
he had lost--she stood for everything that Elise had stolen from
him--for the wildness, the impetuosity, the passion which swept away
prudence and went neck to nothing to fulfilment.

Indeed, the whole play partook of the madness of youth. It bubbled over.
Everybody galloped to a rollicking measure. We laughed until we cried.
But there was more than laughter in it. There was the melancholy which
belongs to tender years set in exquisite contrast to the prevailing
mirth.

Jimmie had a great deal to do with the rehearsals. Several times he
challenged Ursula's reading of the part.

"You must not give your kisses with such ease," he told her upon one
occasion; "the girl in the play has never been kissed."

She shrugged her shoulders and ignored him. Again he remonstrated.
"She's frank and free," he said. "Make her that. Make her that. Men must
fight for her favors."

She came to it at last, helped by that Rosalind-like quality in herself.
She was young, as he had wanted Elise to be, clean-hearted,
joyous--girlhood at its best.

Gradually Jimmie ceased to suggest. He would sit beside us in the
dimness of the empty auditorium, and watch her as if he drank her in.
Now and then he would laugh a little, and say, under his breath: "How
did I ever write it? How did it ever happen?"

Elise, on the other side of him, said, at last, "I knew you could do it,
Jimmie."

"You thought I could do great things. You never knew I could do--this--"

It was toward the end of the month that Duncan said to me one night as
we rode home on the top of a 'bus, "You don't suppose that he--"

"Elise thinks it," I said. "It's waking her up."

Elise and Jimmie had been married fifteen years, and had never had a
honeymoon, not in the sense that Jimmie wanted it--an adventure in
romance, to some spot where they could forget the world of work, the
world of sordid things, the world that was making Jimmie old. Every
summer Jimmie had asked for it, and always Elise had said, "Wait."

But now it was Elise who began to plan. "When your play is produced,
we'll run away somewhere. Do you remember the place you always talked
about--up in the hills?"

He looked at her through his round glasses. "I can't get away from
this"--he waved his hand toward the stage.

"If it's a success you can, Jimmie."

"It will be a success. Ursula Simms is a wonder. Look at her, Elise.
Look at her!"

Duncan and I could look at nothing else. As many times as I had seen her
in the part, I came to it always eagerly. It was her great scene--where
the girl, breaking free from all that has bound her, takes the hand of
her vagabond lover and goes forth, leaving behind wealth and a marriage
of distinction, that she may wander across the moors and down on the
sands, with the wild wind in her face, the stars for a canopy!

It tugged at our hearts. It would tug, we knew, at the heart of any
audience. It was the human nature in us all which responded. Not one of
us but would have broken bonds. Oh, youth, youth! Is there anything like
it in the whole wide world?

I do not think that it tugged at the heart of Elise. Her heart was not
like that. It was a stay-at-home heart. A workaday-world heart. Elise
would never under any circumstance have gone forth with a vagabond on a
wild night.

But here was Ursula doing it every day. On the evening of the first
dress-rehearsal she wore clothes that showed her sense of fitness. As if
in casting off conventional restraints, she renounced conventional
attire; she came down to her lover wrapped in a cloak of the deep-purple
bloom of the heather of the moor, and there was a pheasant's feather in
her cap.

"_May you never regret it, my dear, my dear_," said the lover on the
stage.

"_I shall love you for a million years_," said Ursula, and we felt that
she would, and that love was eternal, and that any woman might have it
if she would put her hand in her lover's and run away with him on a
wild night!

And it was the genius of Jimmie Harding that made us feel that the thing
could be done. He sat forward in his chair, his arms on the back of the
seat in front of him. "Jove!" he kept saying under his breath. "It's the
real thing. It's the real thing--"

When the scene was over, he went on the stage and stood by Ursula. Elise
from her seat watched them. Ursula had taken off the cap with the
pheasant's feather. Her glorious hair shone like copper, her hand was on
her hip, her little swagger matched the swagger that we remembered in
the old Jimmie. I wondered if Elise remembered.

       *       *       *       *       *

I am not sure what made Ursula care for Jimmie Harding. He was no longer
a figure for romance. But she did care. It was, perhaps, that she saw in
him the fundamental things which belonged to both of them, and which did
not belong to Elise.

As the days went on I was sorry for Elise. I should never have believed
that I could be sorry, but I was. Jimmie was always punctiliously polite
to her. But he was only that.

"She's getting what she deserves," Duncan said, but I felt that she was,
perhaps, getting more than she deserved. For, after all, it was she who
had kept Jimmie at it, and it was her keeping him at it which had
brought success.

Neither Duncan nor I could tell how Jimmie felt about Ursula. But the
thought of her troubled my sleep. Stripped of her art, she was not in
the least the heroine of Jimmie's play. She was of coarser clay,
commoner. And Jimmie was fine. The fear I had was that he might clothe
her with the virtues which he had created, and the thought, as I have
said, troubled me.

At last Duncan and I had to go home, although we promised to return for
the opening night. Ursula gave a farewell supper for us. She lived alone
with a housekeeper and maid. Her apartment was furnished in good taste,
with, perhaps, a touch of over-emphasis. The table had unshaded purple
candles and heather in glass dishes. Ursula wore woodland green, with a
chaplet of heather about her glorious hair. Elise was in white with
pearls. She was thirty-five, but she did not look it. Ursula was older,
but she would always be in a sense ageless, as such women are--one would
thrill to Sara Bernhardt were she seventeen or seventy.

Jimmie seemed to have dropped the years from him. He was very confident
of the success of his play. "It can't fail," he said, "with Ursula to
make it sure--"

I wondered whether it was Ursula or Elise who had made it sure. Could he
ever have written it if Elise had not kept him at it? Yet she had stolen
his youth!

And now Ursula was giving his youth back to him! As I saw the cock of
his head, heard the ring of his gay laughter, I felt that it might be
so. And suddenly I knew that I didn't want Jimmie to be young again. Not
if he had to take his youth from the hands of Ursula Simms!

There were many toasts before the supper ended--and the last one Jimmie
drank "To Ursula"! As he stood up to propose it, his glasses dangled
from their ribbon, his shoulders were squared. In the soft and shaded
light we were spared the gray in his hair--it was the old Jimmie, gay
and gallant!

"To Ursula!" he said, and the words sparkled. "To Ursula!"

I looked at Elise. She might have been the ghost of the woman who had
flamed in the old house in Albemarle. In her white and pearls she was
shadowy, unsubstantial, almost spectral, but she raised her glass. "To
Ursula!" she said.

All the way home on the train Duncan and I talked about it. We were
scared to death. "Oh, he mustn't, he must not," I kept saying, and
Duncan snorted.

"He's a young fool. She's not the woman for him--"

"Neither of them is the woman," I said, "but Elise has made him--"

"No man was ever held by gratitude."

"He'd hate Ursula in a year."

"He thinks he'd live--"

"And lose his soul--"

       *       *       *       *       *

Jimmie's play opened to a crowded house. There had been extensive
advertising, and Ursula had a great following.

Elise and Duncan and I had seats in an upper box. Elise sat where she
was hidden by the curtains. Jimmie came and went unseen by the audience.
Between acts he was behind the scenes. Elise had little to say. Once she
reached over and laid her hand on mine.

"I--I think I'm frightened," she said, with a catch of her breath.

"It can't fail, my dear--"

"No, of course. But it's very different from what I expected."

"What is different?"

"Success."

As the great scene came closer, I seemed to hold my breath. I was so
afraid that the audience might not see it as we had seen it at
rehearsal. But they did see it, and it was a stupendous thing to sit
there and watch the crowd, and know that Jimmie's genius was making its
heart beat fast and faster. When Ursula in her purple cloak and
pheasant's feather spoke her lines at the end of the third act, "_I
shall love you for a million years_," the house went wild. Men and women
who had never loved for a moment roared for this woman who had made them
think they could love until eternity. They wanted her back and they got
her. They wanted Jimmie and they got him. Ursula made a speech; Jimmie
made a speech. They came out for uncounted curtain-calls, hand-in-hand.
The play was a success!

The last act was, of course, an anti-climax. Before it was finished,
Elise said to me, in a, stifled voice, "I've got to get back to Jimmie."

It seemed significant that Jimmie had not come to her. Surely he had not
forgotten the part she had played. For fifteen years she had worked for
this.

We found ourselves presently behind the scenes. The curtain was down,
the audience was still shouting, everybody was excited, everybody was
shaking hands. The stage-people caught at Elise as she passed, and held
her to offer congratulations. I was not held and went on until I came to
where Jimmie and Ursula stood, a little separate from the rest. Although
I went near enough to touch them, they were so absorbed in each other
that they did not see me. Ursula was looking up at Jimmie and his head
was bent to her.

"Jimmie," she said, and her rich voice above the tumult was clear as a
bell, "do you know how great you are?"

"Yes," he said. "I--I feel a little drunk with it, Ursula."

"Oh," she said, and now her words stumbled, "I--I love you for it. Oh,
Jimmie, Jimmie, let's run away and love for a million years--"

All that he had wanted was in her words--the urge of youth, the beat of
the wind, the song of the sea. My heart stood still.

He drew back a little. He had wanted this. But he did not want it
now--with Ursula. I saw it and she saw it.

"What a joke it would be," he said, "but we have other things to do, my
dear."

"What things?"

The roar of the crowd came louder to their ears. "Harding, Harding!
Jimmie Harding!"

"Listen," he said, and the light in his eyes was not for her. "Listen,
Ursula, they're calling me."

She stood alone after he had left her. I am sure that even then she did
not quite believe it was the end. She did not know how, in all the
years, his wife had molded him.

When he had satisfied the crowd, Jimmie fought his way to where Elise
and Duncan and I stood together.

Elise was wrapped in a great cloak of silver brocade. There was a touch
of silver, too, in her hair. But she had never seemed to me so small, so
childish.

"Oh, Jimmie," she said, as he came up, "you've done it!"

"Yes"--he was flushed and laughing, his head held high--"you always said
I could do it. And I shall do it again. Did you hear them shout, Elise?"

"Yes."

"Jove! I feel like the old woman in the nursery rhyme, 'Alack-a-daisy,
do this be I?'" He was excited, eager, but it was not the old eagerness.
There was an avidity, a greediness.

She laid her hand on his arm. "You've earned a rest, dearest. Let's go
up in the hills."

"In the hills? Oh, we're too old, Elise."

"We'll grow young."

"To-night I've given youth to the world. That's enough for me"--the
light in his eyes was not for her--"that's enough for me. We'll hang
around New York for a week or two, and then we'll go back to Albemarle.
I want to get to work on another play. It's a great game, Elise. It's a
great game!"

She knew then what she had done. Here was a monster of her own making.
She had sacrificed her lover on the altar of success. Jimmie needed her
no longer.

I would not have you think this an unhappy ending. Elise has all that
she had asked, and Jimmie, with fame for a mistress, is no longer an
unwilling captive in the old house. The prisoner loves his prison,
welcomes his chains.

But Duncan and I talk at times of the young Jimmie who came years ago
into our office. The Jimmie Harding who works down in Albemarle, and who
struts a little in New York when he makes his speeches, is the ghost of
the boy we knew. But he loves us still.




THE HIDDEN LAND


The mystery of Nancy Greer's disappearance has never been explained. The
man she was to have married has married another woman. For a long time
he mourned Nancy. He has always held the theory that she was drowned
while bathing, and the rest of Nancy's world agrees with him. She had
left the house one morning for her usual swim. The fog was coming in,
and the last person to see her was a fisherman returning from his nets.
He had stopped and watched her flitting wraith-like through the mist. He
reported later that Nancy wore a gray bathing suit and cap and carried a
blue cloak.

"You are sure she carried a cloak?" was the question which was
repeatedly asked. For no cloak had been found on the sands, and it was
unlikely that she had worn it into the water. The disappearance of the
blue cloak was the only point which seemed to contradict the theory of
accidental drowning. There were those who held that the cloak might have
been carried off by some acquisitive individual. But it was not likely;
the islanders are, as a rule, honest, and it was too late in the season
for "off-islanders."

I am the only one who knows the truth. And as the truth would have been
harder for Anthony Peak to bear than what he believed had happened, I
have always withheld it.

There was, too, the fear that if I told they might try to bring Nancy
back. I think Anthony would have searched the world for her. Not,
perhaps, because of any great and passionate need of her, but because he
would have thought her unhappy in what she had done, and would have
sought to save her.

I am twenty years older than Nancy, her parents are dead, and it was at
my house that she always stayed when she came to Nantucket. She has
island blood in her veins, and so has Anthony Peak. Back of them were
seafaring folk, although in the foreground was a generation or two of
cosmopolitan residence. Nancy had been educated in France, and Anthony
in England. The Peaks and the Greers owned respectively houses in Beacon
Street and in Washington Square. They came every summer to the island,
and it was thus that Anthony and Nancy grew up together, and at last
became engaged.

As I have said, I am twenty years older than Nancy, and I am her cousin.
I live in the old Greer house on Orange Street, for it is mine by
inheritance, and was to have gone to Nancy at my death. But it will not
go to her now. Yet I sometimes wonder--will the ship which carried her
away ever sail back into the harbor? Some day, when she is old, will she
walk up the street and be sorry to find strangers in the house?

I remember distinctly the day when the yacht first anchored within the
Point. It was a Sunday morning and Nancy and I had climbed to the top of
the house to the Captain's Walk, the white-railed square on the roof
which gave a view of the harbor and of the sea.

Nancy was twenty-five, slim and graceful. She wore that morning a short
gray-velvet coat over white linen. Her thick brown hair was gathered
into a low knot and her fine white skin had a touch of artificial color.
Her eyes were a clear blue. She was really very lovely, but I felt that
the gray coat deadened her--that if she had not worn it she would not
have needed that touch of color in her cheeks.

She lighted a cigarette and stood looking off, with her hand on the
rail. "It is a heavenly morning, Ducky. And you are going to church?"

I smiled at her and said, "Yes."

Nancy did not go to church. She practiced an easy tolerance. Her people
had been, originally, Quakers. In later years they had turned to
Unitarianism. And now in this generation, Nancy, as well as Anthony
Peak, had thrown off the shackles of religious observance.

"But it is worth having the churches just for the bells," Nancy conceded
on Sunday mornings when their music rang out from belfry and tower.

It was worth having the churches for more than the bells. But it was
useless to argue with Nancy. Her morals and Anthony's were
irreproachable. That is, from the modern point of view. They played
cards for small stakes, drank when they pleased, and, as I have
indicated, Nancy smoked. She was, also, not unkissed when Anthony asked
her to marry him. These were not the ideals of my girlhood, but Anthony
and Nancy felt that such small vices as they cultivated saved them from
the narrow-mindedness of their forebears.

"Anthony and I are going for a walk," she said. "I will bring you some
flowers for your bowls, Elizabeth."

It was just then that the yacht steamed into the harbor--majestically,
like a slow-moving swan. I picked out the name with my sea-glasses, _The
Viking_.

I handed the glasses to Nancy. "Never heard of it," she said. "Did you?"

"No," I answered. Most of the craft which came in were familiar, and I
welcomed them each year.

"Some new-rich person probably," Nancy decided. "Ducky, I have a feeling
that the owner of _The Viking_ bought it from the proceeds of pills or
headache powders."

"Or pork."

I am not sure that Nancy and I were justified in our disdain--whale-oil
has perhaps no greater claim to social distinction than bacon and ham
or--pills.

The church bells were ringing, and I had to go down. Nancy stayed on the
roof.

"Send Anthony up if he's there," she said; "we will sit here aloft like
two cherubs and look down on you, and you will wish that you were with
us."

But I knew that I should not wish it; that I should be glad to walk
along the shaded streets with my friends and neighbors, to pass the
gardens that were yellow with sunlight, and gay with larkspur and
foxglove and hollyhocks, and to sit in the pew which was mine by
inheritance.

Anthony was down-stairs. He was a tall, perfectly turned out youth, and
he greeted me in his perfect manner.

"Nancy is on the roof," I told him, "and she wants you to come up."

"So you are going to church? Pray for me, Elizabeth."

Yet I knew he felt that he did not need my prayers. He had Nancy, more
money than he could spend, and life was before him. What more, he would
ask, could the gods give?

I issued final instructions to my maids about the dinner and put on my
hat. It was a rather superlative hat and had come from Fifth Avenue. I
spend the spring and fall in New York and buy my clothes at the smartest
places. The ladies of Nantucket have never been provincial in their
fashions. Our ancestors shopped in the marts of the world. When our
captains sailed the seas they brought home to their womenfolk the
treasures of loom and needle from Barcelona and Bordeaux, from Bombay
and Calcutta, London and Paris and Tokio.

And perhaps because of my content in my new hat, perhaps because of the
pleasant young pair of lovers which I had left behind me in the old
house, perhaps because of the shade and sunshine, and the gardens,
perhaps because of the bells, the world seemed more than ever good to me
as I went on my way.

My pew in the church is well toward the middle. My ancestors were
modest, or perhaps they assumed that virtue. They would have neither the
highest nor the lowest seat in the synagogue.

It happens, therefore, that strangers who come usually sit in front of
me. I have a lively curiosity, and I like to look at them. In the winter
there are no strangers, and my mind is, I fancy, at such times, more
receptive to the sermon.

I was early and sat almost alone in the great golden room whose
restraint in decoration suggests the primitive bareness of early days.
Gradually people began to come in, and my attention was caught by the
somewhat unusual appearance of a man who walked up the aisle preceded by
the usher.

He was rather stocky as to build, but with good, square military
shoulders and small hips. He wore a blue reefer, white trousers, and
carried a yachtsman's cap. His profile as he passed into his pew showed
him young, his skin slightly bronzed, his features good, if a trifle
heavy.

Yet as he sat down and I studied his head, what seemed most significant
about him was his hair. It was reddish-gold, thick, curled, and
upstanding, like the hair on the head of a lovely child, or in the
painting of a Titian or a Tintoretto.

In a way he seemed out of place. Young men of his type so rarely came to
church alone. Indeed, they rarely came to church at all. He seemed to
belong to the out-of-doors--to wide spaces. I was puzzled, too, by a
faint sense of having seen him before.

It was in the middle of the sermon that it all connected up. Years ago a
ship had sailed into the harbor, and I had been taken down to see it. I
had been enchanted by the freshly painted figurehead--a strong young god
of some old Norse tale, with red-gold hair and a bright blue tunic. And
now in the harbor was _The Viking_, and here, in the shadow of a
perfectly orthodox pulpit, sat that strong young god, more glorious even
than my memory of his wooden prototype.

He seemed to be absolutely at home--sat and stood at the right places,
sang the hymns in a delightful barytone which was not loud, but which
sounded a clear note above the feebler efforts of the rest of us.

It has always been my custom to welcome the strangers within our gates,
and I must confess to a preference for those who seem to promise
something more than a perfunctory interchange.

So as my young viking came down the aisle, I held out my hand. "We are
so glad to have you with us."

He stopped at once, gave me his hand, and bent on me his clear gaze.
"Thank you." And then, immediately: "You live here? In Nantucket?"

"Yes."

"All the year round?"

"Practically."

"That is very interesting." Again his clear gaze appraised me. "May I
walk a little way with you? I have no friends here, and I want to ask a
lot of questions about the island."

The thing which struck me most as we talked was his utter lack of
self-consciousness. He gave himself to the subject in hand as if it were
a vital matter, and as if he swept all else aside. It is a quality
possessed by few New Englanders; it is, indeed, a quality possessed by
few Americans. So when he offered to walk with me, it seemed perfectly
natural that I should let him. Not one man in a thousand could have made
such a proposition without an immediate erection on my part of the
barriers of conventionality. To have erected any barrier in this
instance would have been an insult, to my perception of the kind of man
with whom I had to deal.

He was a gentleman, individual, and very much in earnest; and more than
all, he was immensely attractive. There was charm in that clear blue
gaze of innocence. Yet it was innocence plus knowledge, plus something
which as yet I could not analyze.

He left me at my doorstep. I found that he had come to the island not to
play around for the summer at the country clubs and on the bathing
beach, but to live in the past--see it as it had once been--when its men
went down to the sea in ships. And because there was still so much that
we had to say to each other, I asked him to have a cup of tea with me,
"this afternoon at four."

He accepted at once, with his air of sweeping aside everything but the
matter in hand. I entered the house with a sense upon me of high
adventure. I could not know that I was playing fate, changing in that
moment the course of Nancy's future.

       *       *       *       *       *

Dinner was at one o'clock. It seems an impossible hour to people who
always dine at night. But on the Sabbath we Nantucketers eat our
principal meal when we come home from church.

Nancy and Anthony protested as usual. "Of course you can't expect us to
dress."

Nancy sat down at the table with her hat on, and minus the velvet coat.
She was a bit disheveled and warm from her walk. She had brought in a
great bunch of blue vetch and pale mustard, and we had put it in the
center of the table in a bowl of gray pottery. My dining-room is in gray
and white and old mahogany, and Nancy had had an eye to its coloring
when she picked the flowers. They would not have fitted in with the
decorative scheme of my library, which is keyed up, or down, to an
antique vase of turquoise glaze, or to the drawing-room, which is in
English Chippendale with mulberry brocade.

We had an excellent dinner, served by my little Portuguese maid. Nancy
praised the lobster bisque and Anthony asked for a second helping of
roast duck. They had their cigarettes with their coffee.

Long before we came to the coffee, however, Anthony had asked in his
pleasant way of the morning service.

"Tell us about the sermon, Elizabeth."

"And the text," said Nancy.

I am apt to forget the text, and they knew it. It was always a sort of
game between us at Sunday dinner, in which they tried to prove that my
attention had strayed, and that I might much better have stayed at home,
and thus have escaped the bondage of dogma and of dressing up.

I remembered the text, and then I told them about Olaf Thoresen.

Nancy lifted her eyebrows. "The pills man? Or was it--pork?"

"It was probably neither. Don't be a snob, Nancy."

She shrugged her shoulders. "It was you who said 'pork,' Elizabeth."

"He is coming to tea."

"To-day?"

"Yes."

"Sorry," said Nancy. "I'd like to see him, but I have promised to drive
Bob Needham to 'Sconset for a swim."

Anthony had made the initial engagement--to play tennis with Mimi Sears,
"Provided, of course, that you have no other plans for me," he had told
Nancy, politely.

She had no plans, nor would she, under the circumstances, have urged
them. That was their code--absolute freedom. "We'll be a lot happier if
we don't tie each other up."

It was to me an amazing attitude. In my young days lovers walked out on
Sunday afternoons to the old cemetery, or on the moor, or along the
beach, and came back at twilight together, and sat together after
supper, holding hands.

I haven't the slightest doubt that Anthony held Nancy's hands, but there
was nothing fixed about the occasions. They had done away with billing
and cooing in the old sense, and what they had substituted seemed to
satisfy them.

Anthony left about three, and I went up to get into something thin and
cool, and to rest a bit before receiving my guest. I heard Nancy at the
telephone making final arrangements with the Drakes. After that I fell
asleep, and knew nothing more until Anita came up to announce that Mr.
Thoresen was down-stairs.

Tea was served in the garden at the back of the house, where there were
some deep wicker chairs, and roses in a riot of bloom.

"This is--enchanting--" said Olaf. He did not sit down at once. He stood
looking about him, at the sun-dial, and the whale's jaw lying bleached
on a granite pedestal, and at the fine old houses rising up around us.
"It is enchanting. Do you know, I have been thinking myself very
fortunate since you spoke to me in church this morning."

After that it was all very easy. He asked and I answered. "You see," he
explained, finally, "I am hungry for anything that tells me about the
sea. Three generations back we were all sailors--my great-grandfather
and his fathers before him in Norway--and far back of that--the
vikings." He drew a long breath. "Then my grandfather came to America.
He settled in the West--in Dakota, and planted grain. He made money, but
he was a thousand miles away from the sea. He starved for it, but he
wanted money, and, as I have said, he made it. And my father made more
money. Then I came. The money took me to school in the East--to
college. My mother died and my father. And now the money is my own. I
bought a yacht, and I have lived on the water. I can't get enough of it.
I think that I am making up for all that my father and my grandfather
denied themselves."

I can't in the least describe to you how he said it. There was a
tenseness, almost a fierceness, in his brilliant blue eyes. Yet he
finished up with a little laugh. "You see," he said, "I am a sort of
Flying Dutchman--sailing the seas eternally, driven not by any sinister
force but by my own delight in it."

"Do you go alone?"

"Oh, I have guests--at times. But I am often my own--good company--"

He stopped and rose. Nancy had appeared in the doorway. She crossed the
porch and came down toward us. She was in her bathing suit and cap, gray
again, with a line of green on the edges, and flung over her shoulders
was a gray cloak. She was on her way to the stables--it was before the
day of motor-cars on the island, those halcyon, heavenly days. The door
was open and her horse harnessed and waiting for her. She could not, of
course, pass us without speaking, and so I presented Olaf.

Anita had brought the tea, and Nancy stayed to eat a slice of thin bread
and butter. "In this air one is always hungry," she said to Olaf, and
smiled at him.

He did not smile back. He was surveying her with a sort of frowning
intensity. She spoke of it afterward, "Does he always stare like that?"
But I think that, in a way, she was pleased.

She drove her own horse, wrapped in her cloak and with an utter
disregard to the informality of her attire. She would, I knew, gather up
the Drakes and Bob Needham, likewise attired in bathing costumes, and
they would all have tea on the other side of the island, naiad-like and
utterly unconcerned. I did not approve of it, but Nancy did not cut her
life to fit my pattern.

When she had gone, Olaf said to me, abruptly, "Why does she wear gray?"

"Oh, she has worked out a theory that repression in color is an evidence
of advanced civilization. The Japanese, for example--"

"Why should civilization advance? It has gone far enough--too far--And
she should wear a blue cloak--sea-blue--the color of her eyes--"

"And of yours." I smiled at him.

"Yes. Are they like hers?"

They were almost uncannily alike. I had noticed it when I saw them
together. But there the resemblance stopped.

"She belongs to the island?"

"She lives in New York. But every drop of blood in her is seafaring
blood."

"Good!" He sat for a moment in silence, then spoke of something else.
But when he was ready to go, he included Nancy in an invitation. "If you
and Miss Greer could lunch with me to-morrow on my yacht--"

I was not sure about Nancy's engagements, but I thought we might. "You
can call us up in the morning."

Nancy brought the Drakes and Bob Needham back with her for supper, and
Mimi Sears was with Anthony. Supper on Sunday is an informal
meal--everything on the table and the servants out.

Nancy, clothed in something white and exquisite, served the salad. "So
your young viking didn't stay, Elizabeth?"

"I didn't ask him."

It was then that she spoke of his frowning gaze. "Does he always stare
like that?"

Anthony, breaking in, demanded, "Did he stare at Nancy?"

I nodded. "It was her eyes."

They all looked at me. "Her eyes?"

"Yes. He said that her cloak should have matched them."

Anthony flushed. He has a rather captious code for outsiders. Evidently
Olaf had transgressed it.

"Is the man a dressmaker?"

"Of course not, Anthony."

"Then why should he talk of Nancy's clothes?"

"Well," Nancy remarked, "perhaps the less said about my clothes the
better. I was in my bathing suit."

Anthony was irritable. "Well, why not? You had a right to wear what you
pleased, but he did not have a right to make remarks about it."

I came to Olaf's defense. "You would understand better if you could see
him. He is rather different, Anthony."

"I don't like different people," and in that sentence was a summary of
Anthony's prejudices. He and Nancy mingled with their own kind.
Anthony's friends were the men who had gone to the right schools, who
lived in the right streets, belonged to the right clubs, and knew the
right people. Within those limits, humanity might do as it pleased;
without them, it was negligible, and not to be considered.

After supper the five of them were to go for a sail. There was a moon,
and all the wonder of it.

Anthony was not keen about the plan. "Oh, look here, Nancy," he
complained, "we have done enough for one day--"

"I haven't."

Of course that settled it. Anthony shrugged his shoulders and submitted.
He did not share Nancy's almost idolatrous worship of the sea. It was
the one fundamental thing about her. She bathed in it, swam in it,
sailed on it, and she was never quite happy away from it.

I heard Anthony later in the hall, protesting. I had gone to the library
for a book, and their voices reached me.

"I thought you and I might have one evening without the others."

"Oh, don't be silly, Anthony."

I think my heart lost a beat. Here was a lover asking his mistress for a
moment--and she laughed at him. It did not fit in with my ideas of young
romance.

Yet late that night I heard the murmur of their voices and looked out
into the white night. They stood together by the sun-dial, and his arm
was about her, her head on his shoulder. And it was not the first time
that a pair of lovers had stood by that dial under the moon.

I went back to bed, but I could not sleep. I lighted my bedside lamp,
and read _Vanity Fair_. I find Thackeray an excellent corrective when I
am emotionally keyed up.

Nancy, too, was awake; I could see her light shining across the hall.
She came in, finally, and sat on the foot of my bed.

"Your viking was singing as we passed his boat--"

"Singing?"

"Yes, hymns, Elizabeth. The others laughed, Anthony and Mimi, but I
didn't laugh. His voice is--wonderful--"

She had on a white-crêpe _peignoir_, and there was no color in her
cheeks. Her skin had the soft whiteness of a rose petal. Her eyes were
like stars. As I lay there and looked at her I wondered if it was
Anthony's kisses or the memory of Olaf's singing which had made her eyes
shine like that.

I had heard him sing, and I said so, "in church."

Her arms clasped her knees. "Isn't it queer that he goes to church and
sings hymns?"

"Why queer? I go to church."

"Yes. But you are different. You belong to another generation,
Elizabeth, and he doesn't look it."

I knew what she meant. I had thought the same thing when I first saw him
walking up the aisle. "He has asked us to lunch with him to-morrow on
his boat."

It was the first time that I had mentioned it. Somehow I had not cared
to speak of it before Anthony.

She showed her surprise. "So soon? Doesn't that sound a
little--pushing?"

"It sounds as if he goes after a thing when he wants it."

"Yes, it does. I believe I should like to accept. But I can't to-morrow.
There's a clambake, and I have promised the crowd."

"He will ask you again."

"Will he? You can say 'yes' for Wednesday then. And I'll keep it."

"I am not sure that we had better accept."

"Why not?"

"Well, there's Anthony."

She slid from the bed and stood looking down at me. "You think he
wouldn't like it?"

"I am afraid he wouldn't. And, after all, you are engaged to him,
Nancy."

"Of course I am, but he is not my jailer. He does as he pleases and I do
as I please."

"In my day lovers pleased to do the same thing."

"Did they? I don't believe it. They just pretended, and there is no
pretense between Anthony and me"--she stooped and kissed me--"they just
pretended, Elizabeth, and the reason that I love Anthony is because we
don't pretend."

After that I felt that I need fear nothing. Nancy and Anthony--freedom
and self-confidence--why should I try to match their ideals with my own
of yesterday? Yet, as I laid my book aside, I resolved that Olaf should
know of Anthony.

I had my opportunity the next day. Olaf came over to sit in my garden
and again we had tea. He was much pleased when he knew that Nancy and I
would be his guests on Wednesday.

"Come early. Do you swim? We can run the launch to the beach--or, better
still, dive in the deeper water near my boat."

"Nancy swims," I told him. "I don't. And I am not sure that we can come
early. Nancy and Anthony usually play golf in the morning."

"Who is Anthony?"

"Anthony Peak. The man she is going to marry."

He hesitated a moment, then said, "Bring him, too." His direct gaze met
mine, and his direct question followed. "Does she love him?"

"Of course."

"It is not always 'of course.'" He stopped and talked of other things,
but in some subtle fashion I was aware that my news had been a shock to
him, and that he was trying to adjust himself to it, and to the
difference that it must make in his attitude toward Nancy.

       *       *       *       *       *

When I told Nancy that Anthony had been invited, she demanded, "How did
Olaf Thoresen know about him?"

"I told him you were engaged."

"But why, Elizabeth? Why shout it from the housetops?"

"Well, I didn't want him to be hurt."

"You are taking a lot for granted."

I shrugged my shoulders. "We won't quarrel, and a party of four is much
nicer than three."

As it turned put, however, Anthony could not go. He was called back to
Boston on business. That was where Fate again stepped in. It was, I am
sure, those three days of Anthony's absence which turned the scale of
Nancy's destiny. If he had been with us that first morning on the boat
Olaf would not have dared....

Nancy wore her white linen and her gray-velvet coat, and a hat with a
gull's wing. She carried her bathing suit. "He intends, evidently, to
entertain us in his own way."

Olaf's yacht was modern, but there was a hint of the barbaric in its
furnishings. The cabin into which we were shown and in which Nancy was
to change was in strangely carved wood, and there was a wolfskin on the
floor in front of the low bed. The coverlet was of a fine-woven red-silk
cloth, weighed down by a border of gold and silver threads. On the wall
hung a square of tapestry which showed a strange old ship with sails of
blue and red and green, and with golden dragon-heads at stem and stern.

Nancy, crossing the threshold, said to Olaf, who had opened the door for
us, "It is like coming into another world; as if you had set the stage,
run up the curtain, and the play had begun."

"You like it? It was a fancy of mine to copy a description I found in
an old book. King Olaf, the Thick-set, furnished a room like this for
his bride."

Olaf, the Thick-set! The phrase fitted perfectly this strong, stocky,
blue-eyed man, who smiled radiantly upon us as he shut the door and left
us alone.

Nancy stood in the middle of the room looking about her. "I like it,"
she said, with a queer shake in her voice. "Don't you, Elizabeth?"

I liked it so much that I felt it wise to hide my pleasure in a pretense
of indifference. "Well, it is original to say the least."

But it was more than original, it was poetic. It was--Melisande in the
wood--one of Sinding's haunting melodies, an old Saga caught and fixed
in color and carving.

In this glowing room Nancy in her white and gray was a cold and
incongruous figure, and when at last she donned her dull cap, and the
dull cloak that she wore over her swimming costume, she seemed a ghostly
shadow of the bright bride whom that other Olaf had brought--a thousand
years before--to his strange old ship.

I realize that what comes hereafter in this record must seem to the
unimaginative overdrawn. Even now, as I look back upon it, it has a
dream quality, as if it might never have happened, or as if, as Nancy
had said, it was part of a play, which would be over when the curtain
was rung down and the actors had returned to the commonplace.

But the actors in this drama have never returned to the commonplace. Or
have they? Shall I ever know? I hope I may never know, if Nancy and Olaf
have lost the glamour of their dreams.

Well, we found Olaf on deck waiting for us. In a sea-blue tunic, with
strong white arms, and the dazzling fairness of his strong neck, he was
more than ever like the figurehead on the old ship that I had seen in my
childhood. He carried over his arm a cloak of the same sea-blue. It was
this cloak which afterward played an important part in the mystery of
Nancy's disappearance.

His quick glance swept Nancy--the ghostly Nancy in gray, with only the
blue of her eyes, and that touch of artificial pink in her cheeks to
redeem her from somberness. He shook his head with a gesture of
impatience.

"I don't like it," he said, abruptly. "Why do you deaden your beauty
with dull colors?"

Nancy's eyes challenged him. "If it is deadened, how do you know it is
beauty?"

"May I show you?" Again there was that tense excitement which I had
noticed in the garden.

"I don't know what you mean," yet in that moment the color ran up from
her neck to her chin, the fixed pink spots were lost in a rush of lovely
flaming blushes.

For with a sudden movement he had snatched off her cap, and had thrown
the cloak around her. The transformation was complete. It was as if he
had waved a wand. There she stood, the two long, thick braids, which she
had worn pinned close under her cap, falling heavily like molten metal
to her knees, the blue cloak covering her--heavenly in color, matching
her eyes, matching the sea, matching the sky, matching the eyes of Olaf.

I think I must have uttered some sharp exclamation, for Olaf turned to
me. "You see," he said, triumphantly, "I have known it all the time. I
knew it the first time that I saw her in the garden."

Nancy had recovered herself. "But I can't stalk around the streets in a
blue cloak with my hair down."

He laughed with her. "Oh, no, no. But the color is only a symbol. Modern
life has robbed you of vivid things. Even your emotions. You
are--afraid--" He caught himself up. "We can talk of that after our
swim. I think we shall have a thousand things to talk about."

Nancy held out her hand for her cap, but he would not give it to her.
"Why should you care if your hair gets wet? The wind and the sun will
dry it--"

I was amazed when I saw that she was letting him have his way. Never for
a moment had Anthony mastered her. For the first time in her life Nancy
was dominated by a will that was stronger than her own.

I sat on deck and watched them as they swam like two young sea gods,
Nancy's bronze hair bright under the sun. Olaf's red-gold crest....

The blue cloak lay across my knee. Nancy had cast it off as she had
descended into the launch. I had examined it and had found it of soft,
thick wool, with embroidery of a strange and primitive sort in faded
colors. Yet the material of the cloak had not faded, or, if it had,
there remained that clear azure, like the Virgin's cloak in old
pictures.

I knew now why Olaf had wanted Nancy on board, why he had wanted to swim
with her in the sea which was as blue as her eyes and his own. It was to
reveal her to himself as the match of the women of the Sagas. I found
this description later in one of the old books in the ship's library:

       *       *       *       *       *

Then Hallgerd was sent for, and came with two women. She wore a blue
woven mantle ... her hair reached down to her waist on both sides, and
she tucked it under her belt.

And there was, too, this account of a housewife in her "kyrtil":

    The dress-train was trailing,
    The skirt had a blue tint;
    Her brow was brighter,
    Her neck was whiter
    Than pure new fallen snow.

In other words, that one glance at Nancy in the garden, when he had
risen at her entrance, had disclosed to Olaf the fundamental in her. He
had known her as a sea-maiden. And she had not known it, nor I, nor
Anthony.

       *       *       *       *       *

Luncheon was served on deck. We were waited on by fair-haired, but very
modern Norsemen. The crew on _The Viking_ were all Scandinavians. Most
of them spoke English, and there seemed nothing uncommon about any of
them. Yet, in the mood of the moment, I should have felt no surprise had
they served us in the skins of wild animals, or had set sail like
pirates with the two of us captive on board.

I will confess, also, to a feeling of exaltation which clouded my
judgment. I knew that Olaf was falling in love with Nancy, and I half
guessed that Nancy might be falling in love with Olaf, yet I sat there
and let them do it. If Anthony should ever know! Yet how can he know? As
I weigh it now, I am not sure that I have anything with which to
reproach myself, for the end, at times, justifies the means, and the
Jesuitical theory had its origin, perhaps, in the profound knowledge
that Fate does not always use fair methods in gaining her ends.

I can't begin to tell you what we talked about. Nancy had dried her
hair, and it was wound loosely, high on her head. The blue cloak was
over her shoulders, and she was the loveliest thing that I ever hope to
see. By the flame in her cheeks and the light in her eyes, I was made
aware of an exaltation which matched my own. She, too, was caught up
into the atmosphere of excitement which Olaf created. He could not take
his eyes from her. I wondered what Anthony would have said could he have
visioned for the moment this blue-and-gold enchantress.

When coffee was served there were no cigarettes or cigars. Nancy had her
own silver case hanging at her belt. I knew that she would smoke, and I
did not try to stop her. She always smoked after her meals and she was
restless without it.

It was Olaf who stopped her. "You will hate my bad manners," he said,
with his gaze holding hers, "but I wish you wouldn't."

She was lighting her own little wax taper and she looked her surprise.

"My cigarette?"

He nodded. "You are too lovely."

"But surely you are not so--old-fashioned."

"No. I am perhaps so--new-fashioned that my reason might take your
breath away." He laughed but did not explain.

Nancy sat undecided while the taper burned out futilely. Then she said,
"Of course you are my host--"

"Don't do it for that reason. Do it because"--he stopped, laughed again,
and went on--"because you are a goddess--a woman of a new race--"

With parted lips she looked at him, then tried to wrench herself back to
her attitude of light indifference.

"Oh, we've grown beyond all that."

"All what?"

"Goddess-women. We are just nice and human together."

"You are nice and human. But you are more than that."

Nancy put her unlighted cigarette back in its case. "I'll keep it for
next time," she said, with a touch of defiance.

"There will be no next time," was his secure response, and his eyes held
hers until, with an effort, she withdrew her gaze.

Then he rose, and his men placed deep chairs for us in a sheltered
corner, where we could look out across the blue to the low hills of the
moor. There was a fur rug over my chair, and I sank gratefully into the
warmth of it.

"With a wind like this in the old days," Olaf said, as he stood beside
me looking out over the sparkling water, "how the sails would have been
spread, and now there is nothing but steam and gasoline and
electricity."

"Why don't you have sails then," Nancy challenged him, "instead of
steam?"

"I have a ship. Shall I show you the picture of it?"

He left to get it, and Nancy said to me, "Ducky, will you pinch me?"

"You mean that it doesn't seem real?"

She nodded.

"Well, maybe it isn't. He said he was a sort of Flying Dutchman."

"I should hate to think that he wasn't real, Elizabeth. He is as alive
as a--burning coal."

Olaf came back with the pictures of his ship, a clean-cut, beautiful
craft, very up-to-date, except for the dragon-heads at prow and stem.

"If I could have had my way," he told us, "I should have built it like
the ship on the tapestry in there--but it wasn't practical--we haven't
manpower for the oars in these days."

He had other pictures--of a strange house, or, rather, of a collection
of buildings set in the form of a quadrangle, and inclosed by low walls.
There were great gateways of carved wood with ironwork and views of the
interior--a wide hall with fireplaces--a raised platform, with carved
seats that gave a throne-like effect. The house stood on a sort of high
peninsula with a forest back of it, and the sea spreading out beyond.

"The house looks old," Olaf said, "but I planned it."

He had, he explained, during one of his voyages, come upon a hidden
harbor. "There is only a fishing village and a few small boats at the
landing place, but the people claim to be descendants of the vikings.
They are utterly isolated, but a God-fearing, hardy folk.

"It is strangely cut off from the rest of the world. I call it 'The
Hidden Land.' It is not on any map. I have looked and have not found
it."

"But why," was Nancy's demand, "did you build there?"

It was a question, I think, for which he had waited. "Some day I may
tell you, but not now, except this--that I love the sea, and I shall end
my days where, when I open my gates, my eyes may rest upon it ... where
its storms may beat upon my roof, and where the men about me shall sail
it, and get their living from it.

"I have told your cousin," he went on, "something of the life of my
grandfather and of my father. With all of their sea-blood, they were
shut away for two generations from the sea. Can you grasp the meaning of
that to me?--the heritage of suppressed longings? I think my father must
have felt it as I did, for he drank heavily before he died. My
grandfather sought an outlet in founding the family fortunes. But when I
came, there was not the compelling force of poverty to make me work, and
I had before me the warning of my father's excesses. But this
sea-madness! It has driven me on and on, and at last it has driven me
here." He stopped, then took up the theme again in his tense, excited
fashion, "It will drive me on again."

"Why should it drive you on?"

When Nancy asked that question, I knew what had happened. The thrill of
her voice was the answer of a bird to its mate. When I think of her, I
see her always as she was then, the blue cloak falling about her, her
hair blowing, her cheeks flaming with lovely color.

I saw his fingers clench the arm of his chair as if in an effort of
self-control. Then he said: "Perhaps I shall tell you that, too. But not
now." He rose abruptly. "It is warmer inside, and we can have some
music. I am sure you must be tired of hearing me talk about myself."

He played for us, in masterly fashion, the Peer Gynt suite, and after
that a composition of his own. At last he sang, with all the swing of
the sea in voice and accompaniment, and the song drew our hearts out of
us.

Nancy was very quiet as we drove from the pier, and it was while I was
dressing for dinner that she came into my room.

"Elizabeth," she said, "I am not sure whether we have been to a
Methodist revival or to a Wagner music-drama--"

"Neither," I told her. "There's nothing artificial about him. You asked
me back there if he was real. I believe that he is utterly real, Nancy.
It is not a pose. I am convinced that it is not a pose."

"Yes," she said, "that's the queer thing. He's not--putting it
on--and he makes everybody else seem--stale and shallow--like
ghosts--or--shadow-shapes--"

       *       *       *       *       *

I read _Vanity Fair_ late into the night, and the morning was coming on
before I tried to sleep. I waked to find Nancy standing by my bed.

"His boat is gone."

"Gone?"

"Yes. It went an hour ago. I saw it from the roof."

"From the roof?"

"Yes. I got up--early. I--I could not sleep. And when I looked--it was
gone--your glasses showed it almost out of sight."

She was wrapped in the blue cloak. Olaf had made her bring it with her.
She had protested. But he had been insistent.

"I found this in the pocket," Nancy said, and held out a card on which
Olaf had written, "When she lifted her arms, opening the door, a light
shone on them from the sea, and the air and all the world were
brightened for her."

"What does it mean, Elizabeth?"

"I think you know, my dear."

"That he cares?"

"What do you think?"

Her eyes were like stars. "But how can he? He has seen me--twice--"

"Some men are like that."

"If you only hadn't told him about Anthony."

"I am glad that I told him."

"Oh, but he might have stayed."

"Well?"

"And I might have loved him." She was still glowing with the fires that
Olaf had lighted in her.

"But you are going to marry Anthony."

"Yes," she said, "I am going to marry Anthony. I am going to flirt and
smoke cigarettes and let him--flirt--when I might have been a--goddess."

It was after breakfast on the same day that a letter came to me,
delivered into my own hands by messenger. It was from Olaf, and he left
it to me whether Nancy should see it. It covered many pages and it shook
my soul, but I did not show it to Nancy.

There were nights after that when I found it hard to sleep, nights in
which I thought of Olaf sailing toward the hidden land, holding in his
heart a hope which it was in my power to crown with realization or dash
to the ground. Yet I had Nancy's happiness to think of, and, in a sense,
Anthony's. It seemed almost incredible that I must carry, too, on my
heart, the burden of the happiness of Olaf Thoresen.

When Anthony came back, he and Nancy were caught in a net of
engagements, and I saw very little of them. Of course they romped in now
and then with their own particular crowd, and treated me, as it were,
to a cross-section of modern life. Except for two things, I should have
judged that Nancy had put away all thoughts of Olaf, but these two
things were significant. She had stopped smoking, and she no longer
touched her cheeks with artificial bloom.

Anthony's amazement, when he offered her a cigarette and she refused,
had in it a touch of irritation. "But, my dear girl, why not?"

"Well, I have to think of my complexion, Tony."

I think he knew it was not that and was puzzled. "I never saw you
looking better in my life."

She was wearing a girdle of blue with her clear, crisp white, and her
fairness was charming. She had, indeed, the look which belongs to young
Catholic girls dedicated to the Virgin who wear her colors.

It was not, however, until Anthony had been home for a week that he saw
the blue cloak. We were all on the beach--Mimi Sears and Bob Needham and
the Drakes, myself and Anthony. Nancy was late, having a foursome to
finish on the golf grounds. She came at last, threading her way gayly
through the crowd of bathers. She was without her cap, and her hair was
wound in a thick braid about her head. I saw people turning to look at
her as they had never turned to look when she had worn her shadowy gray.

"Great guns!" said a man back of me. "What a beauty!"

A deep flush stained Anthony's face, and I knew at once that he did not
like it. It was as if, having attuned his taste to the refinement of a
Japanese print, he had been called upon to admire a Fra Angelico. He
hated the obvious, and Nancy's loveliness at this moment was as definite
as the loveliness of the sky, the sea, the moon, the stars. Later I was
to learn that Anthony's taste was for a sophisticated Nancy, a mocking
Nancy, a slim, mysterious creature, with charms which were caviar to the
mob.

But Bob Needham spoke from the depths of his honest and undiscriminating
soul. "Heavens! Nancy. Where did you get it?"

"Get what?"

"That cloak."

"Do you like it?"

"Like it--! I wish Tony would run away while I tell you."

Anthony, forcing a smile, asked, "Where did you get it, Nan?"

"It was given to me." She sat down on the sand and smiled at him.

Mrs. Drake, feeling the thickness and softness, exclaiming over the
embroidery, said finally: "It is a splendid thing. Like a queen's robe."

"You haven't told us yet," Anthony persisted, "where you got it."

"No? Well, Elizabeth will tell you. It's rather a long story. I am going
into the water. Come on, Bob."

She left the cloak with me. Anthony followed her and the others. I sat
alone under a great orange umbrella and wondered if Anthony would ask me
about the cloak.

He did not, and when Nancy came back finally with her hair down and
blowing in the wind to dry, Anthony was with her. The cloud was gone
from his face, in the battle with the wares he had forgotten his
vexation.

But he remembered when he saw the cloak. "Tell me about it, Nancy."

"I got it from Elizabeth's viking."

That was the calm way in which she put it.

"He isn't my viking," I told her.

"Well, you were responsible for him."

"Do you mean to say," Anthony demanded, "that you accepted a gift like
that from a man you didn't know?"

Nancy, hugging herself in the cloak, said, "I felt that I knew him very
well."

"How long was he here?"

"Three days. I saw him twice."

"I don't think I quite like the--idea--" Anthony began, then broke off.
"Of course you have a right to do as you please."

"Of course," said Nancy, with a flame in her cheek.

"But it would please me very much if you would send it back to him."

"If I wanted to," she told him, "I couldn't."

"Why not?"

"Can you mail parcel post packages to the--Flying Dutchman? Or express
things to--to Odin?"

"I don't in the least know what you are talking about, Nancy."

"Well, he sailed in and he sailed out. He didn't leave any address. He
left the cloak--and a rather intriguing memory, Anthony."

That was all the satisfaction she would give him. And I am not sure that
he deserved more at her hands. The agreement between them had
been--absolute freedom.

I am convinced that if it had not been for the garden party I should
never have shown Olaf's letter to Nancy. The garden party is an annual
event. We always hold it in August, when the "off-islanders" crowd the
hotels, and when money is more plentiful than at any other time during
the year.

Nancy had charge of the fish pond. I had helped her to make the fish,
which were gay objects of painted paper, numbered to indicate a
corresponding prize package, and to be caught with a dangling line from
a lily-wreathed artificial pool.

The day of the garden party was a glorious one--with the air so clear
that the flying pennants of the decorated booths, and the gowns of the
women, gained brilliancy and beauty from the shining atmosphere.

Nancy wore a broad blue hat which matched her eyes, one of her clear
white dresses, and a silken scarf of the same blue as her hat. She loved
children, and as she stood in a circle of them all the afternoon,
untiring, eager--bending down to them, hooking the fish on the dangling
line--handing out the prizes, smiling into the flushed eager faces,
helping the very littlest ones to achieve a catch, I sat in a chair not
far away from her and watched. I saw Anthony come and go, urging her to
let some one else take her place, pressing a dozen reasons upon her for
desertion of her task, and coming back, when she refused, to complain to
me:

"Such things are a deadly bore."

"Not to Nancy."

"But they used to be. She's changed, Elizabeth."

"Beautifully changed."

"I am not sure. She was always such, a good sport."

"And isn't she now?"

"She is different," he caught himself up, "but of course--adorable."

Mimi Sears joined us, and she and Anthony went off together. Bob Needham
hung around Nancy until she sent him away. At last the hour arrived for
the open-air play which was a special attraction, and the crowds surged
toward the inclosure. The booths were deserted, and only one
rapturous child remained by the fish pond.

Nancy sat down and lifted the baby to her lap. She had taken off her
hat, and her blue scarf fell about her. Something tugged at my heart as
I looked at her. With that little head in the hollow of her arm she was
the eternal mother.

I saw Anthony approaching. He stopped, and I caught his words. "You must
come now, Nancy. I am saving a seat for you."

She shook her head, and looked down at the child. "I told his nurse to
go and he is almost asleep."

He flung himself away from her and came over to me. "I have good seats
for both of you in the enclosure. But Nancy won't go."

I rose and went with him, although I should have been content to sit
there by the fish pond and feast my eyes on Nancy.

"It is perfectly silly of her to stay," Anthony fumed as we walked on
together.

"But she loves the children."

"I hate children."

I am sure that he did not mean it. What he hated was the fact that the
child had for the moment held Nancy from him. It was as if, looking
forward into the future, he could see like moments, and set himself
against the thought of any interruption of what might be otherwise an
untrammeled and independent partnership. He had, I think, little
jealousy where men were concerned. He was willing to give Nancy the
reins and let her go, believing that she would inevitably come back to
him. He was not, perhaps, so willing to trust her with ties which might
prove more absorbing than himself.

If I had not had Olaf's letter, I might not have weighed Anthony's
attitude so carefully, but against those burning words and their
comprehension of the divinity and beauty of my Nancy's nature, Anthony's
querulous complaint struck cold.

I think it was then, as we walked toward the inclosure, that I made
up my mind to let Nancy hear what Olaf had to say to her.

She stayed out late that night--there was a dinner and a dance--and
Anthony brought her home. I confess that I felt like a traitor as I
heard the murmur of his voice in the hall.

But when he had gone, and Nancy passed my door on her way to her room, I
called her, and she came in.

I was in bed, and I had the letter in my hand. "I want you to read it,"
I said. "It is from Olaf Thoresen."

She looked at it, and asked, "When did it come?"

"Two months ago. The day that he left."

"Why haven't you shown it to me?"

"I couldn't make up my mind. I do not know even now that I am right in
letting you see it. But I feel that you have a right to see it. It is
you who must answer it. Not I."

When she had gone, I turned to the chapter in my book where Becky weeps
crocodile tears over poor Rawdon Crawley on the night before Waterloo.
There is no scene in modern literature to match it. But I couldn't get
my mind on it. Nancy was reading Olaf's letter!

I kept a copy of it, and here it is:

     "I knew when I first saw her in the garden that she was the One
     Woman. I had wanted sea-blood, and when she came, ready for a dip
     in the sea, it seemed a sign. One knows these things somehow, and I
     knew. I shan't attempt to explain it.

     "When you told me of her lover, I felt that Fate had played a trick
     on me. I could not now with honor pursue the woman who was promised
     to another. Yet I permitted myself that one day--the day on my
     boat.

     "I learned in those hours that I spent with her that she had been
     molded by the man she is to marry and that in the years to come she
     will shrink to the measure of his demands upon her. She is feminine
     enough to be swayed by masculine will. That is at once her strength
     and her weakness. Loving a man who will love her for the wonder of
     her womanhood, she will fulfill her greatest destiny. Loving, on
     the other hand, one who aspires only to fit her into some
     attenuated social scheme, she will wither and fade. I think you
     know that this is true, that you will not accuse me of being unfair
     to any one.

     "And now may I tell you what my dreams have been for her?

     "I am not young. I mean I am past those hot and early years when
     men play--Romeo. The dream that is mine is one which has come to a
     man of thirty, who, having seen the world, has weighed it and
     wants--something more.

     "I have told you of my house in that hidden land which is washed by
     the sea. I want to spend the rest of my days there, and I had hoped
     that some woman might be found whose love of life, whose love of
     adventure, whose love of me, might be so strong that she would see
     nothing strange in my demand that she forsake all others and cleave
     only to me.

     "By forsaking all others, I mean, literally, what I say. I should
     want to cut her off entirely from all former ties. To let any one
     into our secret, to reveal that hidden land to a gaping world,
     would be to destroy it. We should be followed, tracked by the
     newspapers, written up, judged eccentric--mad. And I do not wish to
     be judged at all. My separation from my kind would have in it more
     than a selfish whim, an obsession for solitude. I want to get back
     to primitive civilization. I want my children to face a simpler
     world than the one I faced. Do you know what it means for a man to
     inherit money, with nothing back of it for two generations but hard
     work, although back of that there were, perhaps, kings? It means
     that I had, unaided, to fit myself into a social scheme so complex
     that I have not yet mastered its intricacies. I do not want to
     master them. I do not want my sons to master them. I want them to
     find life a thing of the day's work, the day's worship, the day's
     out-of-door delights. I want them to have time to think and to
     dream. And then some day they shall come back if they wish to
     challenge civilization--young prophets, perhaps, out of the
     wilderness--seeing a new vision of God and man because of their
     detachment from all that might have blinded them.

     "I have a feeling that your Nancy might, if she knew this, dream
     with me of a new race, rising to the level of the needs of a new
     world. She might see herself as the mother of such a
     race--sheltered in my hidden land, sailing the seas with me, held
     close to my heart. I think I am a masterful man, but I should be
     masterful only to keep her to her best. If she faltered I should
     strengthen her. And I should make her happy. I know that I could
     make her happy. And for me there will never be another.

     "I am leaving it to you to decide whether you will show her this. I
     want her to see it, because it seems to me that she has a right to
     decide between the life that I can offer her and the life she must
     live if she marries Anthony Peak. But it all involves a point of
     honor which I feel that I am not unprejudiced enough to decide. So
     to-morrow I shall go away. I shall sail far in the two months that
     I shall give myself before I come back. And when I come, you will
     let me know whether I am to turn once more to the trackless seas,
     or stay to find my happiness."

This letter when I had first read it had stirred me profoundly, as I
think it must have stirred any man or woman who has yearned amid the
complexities of modern existence to find some land of dreams. Even to my
island, comparatively untouched by the problems of existence in crowded
centers, come the echoes of discord, of social unrest, of political
upheavals, of commercial greed. In this hidden land of Olaf's would be
life stripped of its sordidness, love free from the blight of cynicism
and disillusion--faith, firm in its nearness to God and the wonder of
His works. I envied Olaf his hidden land as I envied Nancy her
opportunity. My blood is the same as Nancy's, and I love the sea. And as
we grow older our souls adventure!

When Nancy came in to me, she had put on her white _peignoir_, and she
had Olaf's letter in her hand.

"Ducky," she said, and her voice shook, "I have read it twice--and--I
shouldn't dare to think he was in earnest."

"Why not?"

"I should want to go, Elizabeth."

"And leave the world behind you?"

"Oh, I haven't any world. It might be different if mother were alive, or
daddy. There'd be only you, Ducky, my dear, dear Ducky." She caught my
hand and held it.

"And Anthony--"

"Anthony would get over it"--sharply. "Wouldn't he, Elizabeth? You know
he would."

"My dear, I don't know."

"But I know. If I hadn't been in his life, Mimi Sears would have been,
just as Bob Needham would have been in my life if it hadn't been for
Anthony. There isn't any question between Anthony and me of--one woman
for one man. You know that, Elizabeth. But with Olaf--if he doesn't have
me, there will be no one else--ever. He--he will go sailing on--alone--"

"My dear, how do you know?"

She flung herself down beside me, a white rose, all fragrance. "I don't
know"--she began to cry. "How silly I am," she sobbed against my
shoulder. "I--I don't know anything about him, do I, Elizabeth--? But it
would be wonderful to be loved--like that."

All through the night she slept on my arm, with her hand curled in the
hollow of my neck as she had slept as a child. But I did not sleep. My
mind leaped forward into the future, and I saw my world without her.

       *       *       *       *       *

Nancy stayed with me through September. Anthony's holiday was up the
day after the garden party, and he went back to Boston, keeping touch
with Nancy in the modern way by wire, special delivery, and
long-distance telephone.

It was on a stormy night with wind and beating rain that Nancy told me
Anthony was insisting that she marry him in December.

"But I can't, Elizabeth. I am going to write to him to-night."

"When will it be?"

"Who knows? I--I'm not ready. If he can't wait--he can let me go."

She did not stay to listen to my comment on her mutiny--she swept out of
the library and sat down at the piano in the other room, making a
picture of herself between the tall white candles which illumined the
dark mahogany and the mulberry brocades.

I leaned back in my chair and watched her, her white fingers straying
over the keys, her thin blue sleeves flowing back from her white arms.
Now and then I caught a familiar melody among the chords, and once I was
aware of the beat and the swing of the waves in the song which Olaf had
once sung.

She did not finish it. She rose and wandered to the window, parting the
curtain and looking out into the streaming night.

"It's an awful storm, Ducky."

"Yes, my dear. On nights like this I always think of the old days when
the men were on the sea, and the women waited."

"I'd rather think of my man on the sea, even if I had to wait for him,
Ducky, than shut up in office, stagnating."

The door-bell rang suddenly. It was a dreadful night for any one to be
out, but Anita, undisturbed and crisp in her white apron and cap, came
through the hall. A voice asked a question, and the blood began to pound
in my body. Things were blurred for a bit, and when my vision cleared--I
saw Olaf in the shine of the candles in the room beyond, with Nancy
crushed to him, his bright head bent, the sheer blue of her frock
infolding him--the archway of the door framing them like the figures of
saints in the stained glass of a church window!

I knew then that I had lost her. But she did not yield at once.

"I love him, of course. But a woman couldn't do a thing like that," was
the way she put it to me the next morning.

I felt, however, that Olaf would master her. Will was set against will,
mind against mind. And at last she showed him the way. "A thousand years
ago you would have carried me off."

I can see him now as he caught the idea and laughed at her. "Whether you
go of your own accord or I carry you, you will be happy." He lifted her
in his strong hands as if she were a feather, held her, kissed her, and
flashed a glance at me. "You see how easy it would be, and there's a
chaplain on board."

There is not much more to tell. Nancy went down one morning to the beach
for her bath--and the fog swallowed her up. I have often wondered
whether she planned it, or whether, knowing that she would be there, he
had come in his launch and had borne her away struggling, but not, I am
sure, unwilling. However it happened, the cloak went with her, and I
like to think that she was held in his arms, wrapped in it, when they
reached the ship.

I like to think, too, of my Nancy in the glowing room with the wolfskins
and the strange old tapestry--and the storms beating helpless against
her happiness.

I like to think of her as safe in that hidden land, where most of us
fain would follow her--the mistress of that guarded mansion, the wife of
a young sea god, the mother of a new race.

But, most of all, I like to think of the children. And I have but one
wish for a long life, which might otherwise weigh upon me, that the
years may bring back to the world those prophets from a hidden land,
those young voices crying from the wilderness--the children of Olaf and
of Nancy Greer.




WHITE BIRCHES

I


A woman, who under sentence of death could plan immediately for a trip
to the circus, might seem at first thought incredibly light-minded.

You had, however, to know Anne Dunbar and the ten years of her married
life to understand. Her husband was fifteen years her senior, and he had
few illusions. He had fallen in love with Anne because of a certain gay
youth in her which had endured throughout the days of a dreadful
operation and a slow convalescence. He had been her surgeon, and,
propped up in bed, Anne's gray eyes had shone upon him, the red-gold
curls of her cropped hair had given her a look of almost boyish beauty,
and this note of boyishness had been emphasized by the straight
slenderness of the figure outlined beneath the white covers.

Anne had married Ridgeley Dunbar because she loved him. And love to Anne
had been all fire and flame and spirit. It did not take her long to
learn that her husband looked upon love and life as matters of flesh and
blood--and bones. By degrees his materialism imposed itself upon Anne.
She admired Ridgeley immensely. She worshiped, in fact, the wonder of
his day's work. He healed the sick, he cured the halt and blind, and he
scoffed at Anne's superstitions--"I can match every one of your Bible
miracles. There's nothing to it, my dear. Death is death and life is
life--so make the most of it."

Anne tried to make the most of it. But she found it difficult. In the
first place her husband was a very busy man. He seemed to be perfectly
happy with his cutting people up, and his medical books, and the
articles which he wrote about the intricate clockwork inside of us which
ticks off the hours from birth to death. Now and then he went out to the
theatre with his wife or to dine with friends. But, as a rule, she went
alone. She had a limousine, a chauffeur, a low swung touring car--and an
electric. Her red hair was still wonderful, and she dressed herself
quite understanding in grays and whites and greens. If she did not wear
habitually her air of gay youth, it was revived in her now and then when
something pleased or excited her. And her eyes would shine as they had
shone in the hospital when Ridgeley Dunbar had first bent over her bed.

They shone on Christopher Carr when he came home from the war. He was a
friend of her husband. Or rather, as a student in the medical school, he
had listened to the lectures of the older man, and had made up his mind
to know him personally, and had thus, by sheer persistence, linked their
lives together.

Anne had never met him. He had been in India When she had married
Ridgeley, and then there had been a few years in Egypt where he had
studied some strange germ, of which she could never remember the name.
He had plenty of money, hence he was not tied to a practice. But when
the war began, he had offered his services, and had made a great record.
"He is one of the big men of the future," Ridgeley Dunbar had said.

But when Christopher came back with an infected arm, which might give
him trouble, it was not the time to talk of futures. He was invited to
spend July at the Dunbars' country home in Connecticut, and Ridgeley
brought him out at the week-end.

The Connecticut estate consisted of a rambling stone house, an
old-fashioned garden, and beyond the garden a grove of white birches.

"What a heavenly place," Christopher said, toward the end of dinner;
"how did you happen to find it?"

"Oh, Anne did it. She motored for weeks, and she bought it because of
the birches."

Anne's eyes were shining. "I'll show them to you after dinner."

She had decided at once that she liked Christopher. He still wore his
uniform, and had the look of a soldier. But it wasn't that--it was the
things he had been saying ever since the soup was served. No one had
talked of the war as he talked of it. There had been other doctors whose
minds had been on arms and legs--amputated; on wounds and shell
shock--And there had been a few who had sentimentalized. But Christopher
had seemed neither to resent the frightfulness nor to care about the
moral or spiritual consequences. He had found in it all a certain beauty
of which he spoke with enthusiasm--"A silver dawn, and a patch of Blue
Devils like smoke against it--;" ... "A blood-red sunset, and a lot of
airmen streaming across--"

He painted pictures, so that Anne saw battles as if a great brush had
splashed them on an invisible canvas. There were just four at the
table--the two men, Anne, and her second cousin, Jeanette Ware, who
lived the year round in the Connecticut house, and was sixty and
slightly deaf, but who wore modern clothes and had a modern mind.

It was not yet dark, and the light of the candles in sconces and on the
table met the amethyst light that came through, the wide-flung lattice.
Anne's summer gown was something very thin in gray, and she wore an
Indian necklace of pierced silver beads. Christopher had sent it to her
as a wedding-present and she had always liked it.

When they rose from the table, Christopher said, "Now for the birches."

Somewhere in the distance the telephone rang, and a maid came in to say
that Dr. Dunbar was wanted. "Don't wait for me," he said, "I'll follow
you."

Jeanette Ware hated the night air, and took her book to the lamp on the
screened porch, and so it happened that Anne and Christopher came alone
to the grove where the white bodies of the birches shone like slender
nymphs through the dusk. A little wind shook their leaves.

"No wonder," said Christopher, looking down at Anne, "that you wanted
this--but tell me precisely why."

She tried to tell him, but found it difficult. "I seem to find something
here that I thought I had lost."

"What things?"

"Well--guardian angels--do you believe in them?" She spoke lightly, as
if it were not in the least serious, but he felt that it was serious.

"I believe in all beautiful things--"

"I used to think when I was a little girl that they were around me when
I was asleep--

   'Matthew, Mark, Luke, and John--
    Bless the bed that I lie on--'"

her laugh was a bit breathless--"but I don't believe in them any more.
Ridgeley doesn't, you know. And it does seem silly--"

"Oh, no, it isn't--"

"Ridgeley feels that it is a bit morbid--and perhaps he is right. He
says that we must eat and drink and--be merry," she flung out her hands
with a little gesture of protest, "but he really isn't merry--"

"I see. He just eats and drinks?" He smiled at her.

"And works. And his work is--wonderful."

They sat down on a stone bench which had been hewn out of solid gray
rock. "I wish Ridgeley had time to play," Anne said; "it would be nice
for both of us--"

The amethyst light had gone, and the dusk descended. Anne's gray dress
was merged into the gray of the rock. She seemed just voice, and phantom
outline, and faint rose fragrance. Christopher recognized the scent. He
had sent her a precious vial in a sandalwood box. Nothing had seemed too
good for the wife of his old friend Dunbar.

"Life for you and Ridgeley," he told her, "should be something more than
work or play--it should be infinite adventure."

"Yes. But Ridgeley hasn't time for adventure."

"Oh, he thinks he hasn't--"

As Christopher talked after that, Anne was not sure that he was in
earnest. He complained that romance had fallen into disrepute. "With all
the modern stories--you know the formula--an ounce of sordidness, a
flavor of sensationalism, a dash of sex--" One had to look back for the
real thing--Aucassin and Nicolette, and all the rest. "That's why I
haven't married."

"Well, I have often wondered."

"If I loved a woman, I should want to make her life all glow and
color--and mine--with her--"

Anne's eyes were shining. What a big pleasant boy he was. He seemed so
young. He had a way of running his fingers up through his hair. She was
aware of the gesture in the dark. Yes, she liked him. And she felt
suddenly gay and light-hearted, as she had felt in the days when she
first met Ridgeley.

They talked until the stars shone in the tips of the birch trees.
Ridgeley did not come, and when they went back to the house, they found
that he had been called to New York on an urgent case. He would not
return until the following Friday.

Anne and Christopher were thus left together for a week to get
acquainted. With only old Jeanette Ware to play propriety.



II


It did not take Christopher long to decide that Ridgeley was no longer
in love with his wife. "Of course he would call it love. But he could
live just as well without her. He has made a machine of himself."

He spoke to Dunbar one night about Anne. "Do you think she is perfectly
well?"

"Why not?"

"There's a touch of breathlessness when we walk. Are you sure about her
heart?"

"She has never been strong--" and that had seemed to be the end of it.

But it was not the end of it for Christopher. He watched Anne closely,
and once when they climbed a hill together and she gave out, he carried
her to the top. He managed to get his ear against her heart, and what he
heard drained the blood from his face.

As for Anne, she thought how strong he was--and how fair his hair was
with the sun upon it, for he had tucked his cap in his pocket.

That night Christopher again spoke to Ridgeley. "Anne's in a bad way."
He told of the walk to the top of the hill.

Ridgeley listened this time, and the next day he took Anne down into his
office, and did things to her. "But I don't see why you are doing all
this," she complained, as he stuck queer instruments in his ears, and
made her draw long breaths while he listened.

"Christopher says you get tired when you walk."

"Well, I do. But there's nothing really the matter, is there?"

There was a great deal the matter, but there was no hint of it in his
manner. If she had not been his wife, he would probably have told her
the truth--that she had a few months, perhaps a few years ahead of her.
He was apt to be frank with his patients. But he was not frank with
Anne. He had intended to tell Christopher at once. But Christopher was
away for a week.

In the week that he was separated from her, Christopher learned that he
loved Anne; that he had been in love with her from the moment that she
had stood among the birches--like one of them in her white
slenderness--and had talked to him of guardian angels;--"_Matthew, Mark,
Luke, and John_!"

He did not believe in saints, nor in the angels whose wings seemed to
enfold Anne, but he believed in beauty--and Anne's seemed lighted from
within, like an alabaster lamp.

Yet she was very human--and the girl in her and the boy in him had met
in the weeks that he had spent with her. They had found a lot of things
to do--they had fished in shallow brown streams, they had ridden
through miles of lovely country. They had gone forth in search of
adventure, and they had found it; in cherries on a tree by the road, and
he had climbed the tree and had dropped them down to her, and she had
hung them over her ears--He had milked a cow in a pasture as they
passed, and they had drunk it with their sandwiches, and had tied up a
bill in Anne's fine handkerchief and had knotted it to the halter of the
gentle, golden-eared Guernsey.

But they had found more than adventure--they had found romance--shining
upon them everywhere. "If I were a gipsy to follow the road, and she
could follow it with me," Christopher meditated as he sat in the train
on his way back to Anne.

But there was Anne's husband, and Christopher's friend--and more than
all there were all the specters of modern life--all the hideous wheels
which must turn if Anne were ever to be his--treachery to Ridgeley--the
divorce court--and then, himself and Anne, living the aftermath, of it
all, facing, perhaps, disillusion--

"Oh, not _that_," Christopher told himself, "she'd never grow
less--never anything less than she is--if she could once--care--"

For he did not know whether Anne cared or not. He might guess as he
pleased--but there had not been a word between them.

Once more the thought flashed, "If I were a gipsy to follow the road--"

As his train sped through the countryside, he became aware of flaming
bill-boards--a circus was showing in the towns--the fences fairly blazed
with golden chariots, wild beasts, cheap gods and goddesses, clowns in
frilled collars and peaked hats. He remembered a glorious day that he
had spent as a boy!

"I'll take Anne," was his sudden decision.

He laughed to himself, and spent the rest of the way in seeing her at
it. They would drink pink lemonade, and there would be pop-corn
balls--the entrancing smell of sawdust--the beat of the band. He hoped
there would be a tom-tom, and some of the dark people from the Far East.

He reached his destination at seven o'clock. Dunbar met him at the
station. Anne sat with her husband, and Jeanette was in the back seat.
Christopher had, therefore, a side view of Anne as she turned a little
that she might talk to him. The glint of her bright hair under her gray
sports hat, the light of welcome in her eyes--!

"I am going to take you to the circus to-morrow. Ridgeley, you'll go
too?"

Dunbar shook his head. "I've got to get back to town in the morning. And
I'm not sure that the excitement will be good for Anne."

"Why not?" quickly. "Aren't you well, Anne?"

She shrugged her shoulders. "Ridgeley seems to think I'm not. But the
circus can't hurt me."

Nothing more was said about it. Christopher decided to ask Ridgeley
later. But the opportunity did not come until Anne had gone up-stairs,
and Dunbar and Christopher were smoking a final cigar on the porch.

"What's the matter with her?" Christopher asked.

Dunbar told him, "She can't get well."



III


Anne, getting ready for bed, on the evening of Christopher's arrival,
felt unaccountably tired. His presence had been, perhaps, a bit
over-stimulating. It was good to have him back. She scarcely dared admit
to herself how good. After dinner she and Ridgeley and Christopher had
walked down to the grove of birches. There had been a new moon, and she
and Ridgeley had sat on the stone bench with Christopher at their feet.
She had leaned her head against her husband's shoulder, and he had put
his arm about her in the dark and had drawn her to him. He was rarely
demonstrative, and his tenderness had to-night for some reason hurt her.
She had learned to do without it.

She had talked very little, but Christopher had talked a great deal. She
had been content to listen. He really told such wonderful things--he
gave her to-night the full story of her silver beads, and how they had
been filched from an ancient temple--and he had bought them from the
thief. "Until I saw you wear them, I always had a feeling that they
ought to go back to the temple--to the god who had perhaps worn them for
a thousand years. If I had known which god, I might have carried them
back. But the thief wouldn't tell me."

"It would have done no good to carry them back," Ridgeley had said, "and
they are nice for Anne." His big hand had patted his wife's shoulder.

"Oh," Christopher had been eager, "I want you to hear those temple bells
some day, Anne. Why won't you take her, Dunbar? Next winter--drop your
work, and we'll all go--"

"I've a fat chance of going."

"Haven't you made money enough?"

"It isn't money. You know that. But my patients would set up a howl--"

"Let 'em howl. You've got a life of your own to live, and so has Anne."

Dunbar had hesitated for a moment--then, "Anne's better off here."

Anne, thinking of these things as she got out of her dinner dress and
into a sheer negligee of lace and faint blue, wondered why Ridgeley
should think she was better off. She wanted to see the things of which
Christopher had told her--to hear the temple bells in the dusk--the beat
of the tom-tom on white nights.

She stood at the window looking out at the moon. She decided that she
could not sleep. She would go down and get a book that she had left on
the table. The men were out-of-doors, on the porch; she heard the murmur
of their voices.

The voices were distinct as she stood in the library, and Christopher's
words came to her, "What's the matter with Anne?"

Then her husband's technical explanation, the scientific name which
meant nothing to her, then the crashing climax, "She can't get well."

She gave a quick cry, and when the men got into the room, she was
crumpled up on the floor.

Her husband reached her first. "My dear," he said, "you heard?"

"Yes. Do you mean that I am--going to die, Ridgeley?"

There was, of course, no way out of it. "It means, my dear, that I've
got to take awfully good care of you. Your heart is bad."

Christopher interposed. "People live for years with a heart like that."

But her eyes sought her husband's. "How long do they live?"

"Many months--perhaps years--without excitement--"

This then had been the reason for his tenderness. He had known that she
was going to die, and was sorry. But for ten years she had wanted what
he might have given her--what he couldn't give her now--life as she had
dreamed of it.

She drew a quivering breath--"It isn't quite fair--is it?"

It didn't seem fair. The two doctors had faced much unfairness of the
kind of which she complained. But it was the first time that, for either
of them, it had come so close.

They had little comfort to give her, although they attempted certain
platitudes, and presently Ridgeley carried her to her room.



IV


She insisted the next morning on going to the circus with Christopher.
She had not slept well, and there were shadows under her eyes. The
physician in Christopher warred with the man. "You ought to rest," he
said at breakfast. Dunbar had gone to New York in accordance with his
usual schedule. There were other lives to think of; and Anne, when he
had looked in upon her that morning, had seemed almost shockingly
callous.

"No, I don't want to stay in bed, Ridgeley. I am going to the circus. I
shall follow your prescription--to eat and drink and be merry--"

"I don't think I have put it quite that way, Anne."

"You have. Quite. 'Death is death and life is life--so make the most of
it.'"

Perhaps she was cruel. But he knew, too, that she was afraid. "My dear,"
he said gently, "if you can get any comfort out of your own ideas, it
might be better."

"But you believe they are just my own ideas--you don't believe they are
true?"

"I should like to think they were true."

"You ought to rest," said Christopher at the breakfast table.

"I ought not. There are to be no more oughts--ever--"

He nodded as if he understood, leaning elbows on the table.

"I am going to pack the days full"--she went on. "Why not? I shall have
only a few months--and then--annihilation--" She flung her question
across the table. "You believe that, don't you?"

He evaded. "We sleep--'perchance to dream.'"

"I don't want to dream. They might be horrid dreams--"

And then Jeanette came down, and poured their coffee, and asked about
the news in the morning paper.

Dressed for her trip to the circus, Anne looked like a girl in her
teens--white skirt and short green coat--stout sports shoes and white
hat. She wore her silver beads, and Christopher said, "I'm not sure that
I would if I were you."

"Why not?"

"In such a crowd."

But she kept them on.

They motored to the circus grounds, and came in out of the white glare
to the cool dimness of the tent as if they had dived from the sun-bright
surface of the sea. But there the resemblance ceased. Here was no
silence, but blatant noise--roar and chatter and shriek, the beat of the
tom-tom, the thin piping of a flute--the crash of a band. But it was the
thin piping which Christopher followed, guiding Anne with his hand on
her arm.

Following the plaintive note, they came at last to the snake-charmer--an
old man in a white turban. The snakes were in a covered basket. He sat
with his feet under him and piped.

Christopher spoke to him in a strange tongue. The piping broke off
abruptly and the man answered with eagerness. There was a quick
interchange of phrases.

"I know his village," Christopher said; "he is going to show you his
snakes."

A crowd gathered, but the snake-charmer saw only the big man who had
spoken to his homesick heart, and the girl with the silver beads. He
knew another girl who had had a string of beads like that--and they had
brought her luck--a dark-skinned girl, his daughter. Her husband had
bestowed the beads on her marriage night, and her first child had been a
son.

He put the thin reed to his lips, and blew upon it. The snakes lifted
their heads. He drew them up and out of the basket, and put them through
their fantastic paces. Then he laid aside his pipe, shut them in their
basket, and spoke to Christopher.

"He says that no evil can teach you while you wear the beads,"
Christopher told Anne.

The old man, with his eyes on her intent face, spoke again. "What you
think is evil--cannot be evil," Christopher interpreted. "The gods know
best."

They moved toward the inner tent.

"Are you tired?" Christopher asked. "We don't have to stay."

"I want to stay," and so they went in, and presently with a blare of
trumpets the great parade began. They looked down on men and women in
Roman chariots, men on horseback, women on horseback, on elephants, on
camels--painted ladies in howdahs, painted ladies in sedan
chairs--Cleopatra, Pompadour--history reduced to pantomime, color
imposed upon color, glitter upon glitter, the beat of the tom-tom, the
crash of the band, the thin piping, as the white-turbaned snake-charmer
showed in the press of the crowd.

Christopher's eyes went to Anne. She was leaning forward, one hand
clasping the silver beads. He would have given much to know what was in
her mind. How little she was and how young. And how he wanted to get her
away from the thing which hung suspended over her like a keen-edged
sword.

But to get her away--how? He could never get her away from her thoughts.
Unless....

Suddenly he heard her laughing. Two clowns were performing with a lot of
little dogs. One of the dogs was a poodle who played the fool. "What a
darling," Anne was saying.

There was more than they could look at--each ring seemed a separate
circus--one had to have more than a single pair of eyes. Christopher was
blind to it all--except when Anne insisted, "Look--look!"

Six acrobats were in the ring--four men and two women. Their tights were
of a clear shimmering blue, with silver trunks. One could not tell the
women from the men, except by their curled heads, and their smaller
stature. They were strong, wholesome, healthy. Christopher knew the
quality of that health--hearts that pumped like machines--obedient
muscles under satin skins. One of the women whirled in a series of
handsprings, like a blue balloon--her body as fluid as quicksilver. If
he could only borrow one-tenth of that endurance for Anne--he might keep
her for years.

Then came Pantaloon, and Harlequin and Columbine. The old man was funny,
but the youth and the girl were exquisite--he, diamond-spangled and lean
as a lizard, she in tulle skirts and wreath of flowers. They did all the
old tricks of masks and slapping sticks, of pursuit and retreat, but
they did them so beautifully that Anne and Christopher sat
spellbound--what they were seeing was not two clever actors on a sawdust
stage, but love in its springtime--girl and boy--dreams, rapture,
radiance.

Then, in a moment, Columbine was dead, and Harlequin wept over
her--frost had killed the flower--love and life were at an end.

Christopher was drawing deep breaths. Anne was tense. But
now--Columbine was on her feet, and Harlequin was blowing kisses to the
audience!

"Let's get out of this," Christopher said, almost roughly, and led Anne
down the steps and into the almost deserted outer tent. They looked for
the snake-charmer, but he was gone. "Eating rice somewhere or saying his
prayers," Christopher surmised.

"How could he know about the gods?" Anne asked, as they drove home.

"They know a great deal--these old men of the East," Christopher told
her, and talked for the rest of the way about the strange people among
whom he had spent so many years.



V


Ridgeley did not come home to dinner. He telephoned that he would be
late. It was close and warm. Christopher, sitting with Anne and Jeanette
on the porch, decided that a storm was brewing.

Anne was restless. She went down into the garden, and Christopher
followed her. She wore white, and he was aware of the rose scent. He
picked a rose for her as he passed through the garden. "Bend your head,
and I'll put it in your hair."

"I can't wear pink."

"It is white in the dusk--" He put his hands on her shoulders, stopped
her, and stuck the rose behind her ear. Then he let her go.

They came to the grove of birches, and sat down on the stone seat. It
had grown dark, and the lightning flashing up from the horizon gave to
the birches a spectral whiteness--Anne was a silver statue.

"It was queer," she said, "about the old man at the circus."

"About the beads?"

"Yes. I wonder what he meant, Christopher? _'What you think is
evil--cannot be evil'?_ Do you think he meant--Death?"

He did not answer at once, then he said, abruptly, "Anne, how did it
happen that you and Ridgeley drifted apart?"

"Oh, it's hard to tell."

"But tell me."

"Well, when we were first married, I expected so much ... things that
girls dream about--that he would always have me in his thoughts, and
that our lives would be knit together. I think we both tried hard to
have it that way. I used to ride with him on his rounds, and he would
tell me about his patients. And at night I'd wait up for him, and have
something to eat, and it was--heavenly. Ridgeley was so ... fine. But
his practice got so big, and sometimes he wouldn't say a word when I
rode with him.... And he would be so late coming in at night, and he'd
telephone that I'd better go to bed.... And, well, that was the
beginning. I don't think it is really his fault or mine ... it's just
... life."

"It isn't life, and you know it," passionately. "Anne, if you had
married me ... do you think...?" He reached out in the dark and took
her hand. "Oh, my dear, we might as well talk it out."

She withdrew her hand. "Talk what out?"

"You know. I've learned to care for you an awful lot. I had planned to
go away. But I can't go now ... not and leave you to face things alone."

He heard her quick breath. "But I've got to face them."

"But not alone. Anne, do you remember what you said ... this morning?
That you were going to pack the days full? And you can't do that without
some one to help you. And Ridgeley won't help. Anne, let me do it. Let
me take you away from here ... away from Ridgeley. We will go where we
can hear the temple bells. We'll ride through the desert ... we'll set
our sails for strange harbors. We'll love until we forget everything,
but the day, the hour,--the moment! And when the time comes for endless
dreams...."

"Christopher...."

"Anne, listen."

"You mustn't say things like that to me ... you must not...!"

"I must. I want you to have happiness. We'll crowd more in to a few
short months than some people have in a lifetime. And you have a right
to it."

"Would it be happiness?"

"Why not? In a way we are all pushing death ahead of us. Who knows that
he will be alive to-morrow? There's this arm of mine ... there's every
chance that I'll have trouble with it. And an automobile accident may
wreck a honeymoon. You've as much time as thousands who are counting on
more."

The lightning flashed and showed the birches writhing.

"But afterward, Christopher, _afterward_...?"

"Well, if it is Heaven, we'll have each other. And if it is Hell ...
there were Paolo and Francesca ... and if it is sleep, I'll dream
eternally of you! Anne ... Anne, do you love me enough to do it?"

"Christopher, please!"

But the storm was upon them--rain and wind, and the thunder a cannonade.
Christopher, brought at last to the knowledge of its menace, picked Anne
up in his arms, and ran for shelter. When they reached the house, they
found Ridgeley there. He was stern. "It was a bad business to keep her
out. She's afraid of storms."

"Were you afraid?" Christopher asked her, as Ridgeley went to look after
the awnings.

"I forgot the storm," she said, and did not meet his eyes.



VI


Lying awake in her wide bed, Anne thought it over. She was still shaken
by Christopher's vehemence. She had believed him her friend, and had
found him her lover--and oh, he had brought back youth to her. If he
left her now, how could she stand it--the days with no one but Jeanette
Ware, and the soul-shaking knowledge of what was ahead?

And Ridgeley would not care--much. In a week be swallowed up by his
work....

She tried to read, but found it difficult. Across each page flamed
Christopher's sentences.... "We'll ride through the desert.... We'll set
our sails for strange harbors...."

Was that what the old man had meant at the circus.... "What you think is
evil--cannot be evil"? Would Christopher give her all that she had hoped
of Ridgeley? If she lived to be eighty, she and Ridgeley would--jog. Was
Christopher right--"You'll have more happiness in a few months than some
people in a lifetime?"

She heard her husband moving about in the next room, the water booming
in his bath. A thin line of light showed under his door.

She shut her book and turned out her lamp. The storm had died down and
the moon was up. Through the open window she could see beyond the garden
to the grove of birches.

Hitherto, the thought of the little grove had been as of a sanctuary.
She was aware, suddenly, that it had become a place of contending
forces. Were the guardian angels driven out...?

_But there weren't any guardian angels_! Ridgeley had said that they
were silly. And Christopher didn't believe in them. She wished that her
mother might have lived to talk it over. Her mother had had no doubts.

The door of her husband's room opened, and he was silhouetted against
the light. Coming up to the side of her bed, he found her wide-eyed.

"Can't you sleep, my dear?"

"No."

"I don't want to give you anything."

"I don't want anything."

He sat down by the side of the bed. He had on his blue bathrobe, and the
open neck showed his strong white throat. "My dear," he said, "I've been
thinking of what you said this morning--about my lack of belief and the
effect it has had on yours. And--I'm sorry."

"Being sorry doesn't help any, does it, Ridgeley?"

"I should like to think that you had your old faiths to--comfort you."

She had no answer for that, and presently he said, "Are you warm
enough?" and brought an extra blanket, because the air was cool after
the storm, and then he bent and kissed her forehead. "Shut your eyes and
sleep if you can."

But of course she couldn't sleep. She lay there for hours, weighing what
he had said to her against what Christopher had said. Each man was
offering her something--Christopher, life at the expense of all her
scruples. Ridgeley, the resurrection of burnt-out beliefs.

She shivered a bit under the blanket. It would be heavenly to hear the
temple bells--with youth beside her. To drink the wine of life from a
brimming cup. But all the time she would be afraid, nothing could take
away that fear.--Nothing, nothing, _nothing_.

She was glad that her husband was awake. The thin line of light still
showed beneath his door. It would be dreadful to be alone--in the dark.
At last she could stand it no longer. She got out of bed, wrapped
herself in a robe that lay at the foot of it, and opened the door.

"May I leave it open?"

As her husband turned in his chair, she saw his hand go quickly, as if
to cover the paper on which he was writing. "Of course, my dear. Are you
afraid?"

"I am always afraid, Ridgeley. Always--"

She put her hands up to her face and began to cry. He came swiftly
toward her and took her in his arms. "Hush," he said, "nothing can hurt
you, Anne."



VII


When she waked in the morning, it was with, the remembrance of his
tenderness. Well, of course he was sorry for her. Anybody would be. But
Christopher was sorry, too. And Christopher had something to offer
her--more than Ridgeley--yes, it was more--

She was half afraid to go down-stairs. Christopher would be at breakfast
on the porch. Jeanette would be there, pouring coffee, and perhaps
Ridgeley if he had no calls. And Christopher would talk in his gay young
voice--and Ridgeley would read the newspaper, and she and Christopher
would make their plans for the day--

She rose and began to dress, but found herself suddenly panic-stricken
at the thought of the plans that Christopher might make. If they motored
off together, he would talk to her as he had talked in the grove of
birches--of the temple bells, and of the desert, and the strange
harbors--and how could she be sure that she would be strong enough to
resist--and what if she listened, and let him have his way?

She decided to eat her breakfast in bed, and rang for it. A note came up
from Christopher. "Don't stay up-stairs. Ridgeley left hours ago, and I
shan't enjoy my toast and bacon if you aren't opposite me. I have picked
a white rose to put by your plate. And I have a thousand things to say
to you--"

His words had a tonic effect. Oh, why not--? What earthly difference
would it make? And hadn't Browning said something like that--"_Who knows
but the world may end to-night_?"

She was not sure that was quite the way that Browning had put it, and
she thought she would like to be sure--she could almost see herself
saying it to Christopher.

So she went into her husband's room to get the book.

Ridgeley's books were on the shelf above his desk. They had nothing to
do with his medical library--that was down-stairs in his office, and now
and then he would bring up a great volume. But he had a literary side,
and he had revealed some of it to Anne in the days before he had been
too busy. His Browning was marked, and it was not hard to find "The Last
Ride." She opened at the right page, and stood reading--an incongruous
figure amid Ridgeley's masculine belongings in her sheer negligee of
faint blue.

She closed the book, put it back on the shelf, and was moving away, when
her eyes were caught by two words--"For Anne," at the top of a sheet of
paper which lay on Ridgeley's desk. The entire page was filled with
Ridgeley's neat professional script, and in a flash the gesture which he
had made the night before returned to her, as if he were trying to hide
something from her gaze.

She bent and read....

Oh, was this the way he had spent the hours of the night? Searching for
words which might comfort her, might clear away her doubts, might bring
hope to her heart?

And he had found things like this: "_My little sister, Death_," said
good St. Francis; ... "_The darkness is no darkness with thee, but the
night is as clear as day; the darkness and light to thee are both
alike_..." "_Yea, though I Walk through the Valley of the Shadow_ ..."
These and many others, truths which had once been a part of her.

She read, avidly. Oh, she had been thirsty--for this! Hungry for this!
And _Ridgeley_--! The tears dripped so that she could hardly see the
lines. She laid her cheek against the paper, and her tears blistered it.

She carried it into her room. Christopher's note still lay on her
pillow. She read it again, but she had no ears now for its call. She
rang for her maid. "I shall stay in bed and write some letters."

She wrote to Christopher, after many attempts. "We have been such good,
_good_ friends. And we mustn't spoil it. Perhaps if you could go away
for a time, it would be best for both of us. I am going to believe that
some day you will find great happiness. And you would never have found
happiness with me, you would have found only--fear. And I know now what
the old man meant about the beads--'What you think is evil--cannot be
evil.' Christopher, death isn't evil, if it isn't the end of things. And
I am going to believe that it is not the end ..."

Christopher went into town before lunch, and later Anne sat alone on
the stone bench in her grove of birches. They were serene and still in
the gold of the afternoon. Yet last night they had writhed in the storm.
She, too, had been swept by a storm.... She missed her playmate--but she
had a sense of relief in the absence of her tempestuous lover.

Ridgeley came home that night with news of Christopher's sudden
departure. "He found telegrams. He told me to say 'good-bye' to you."

"I am sorry," Anne said, and meant it. Sorry that it had to be--but
being sorry could not change it.

After dinner Ridgeley had a call to make, and Anne went up to bed. But
she was awake when her husband came in, and the thin line of light
showed. She waited until she heard the boom of water in his bath, and
then she slipped out of bed and opened the door between. She was propped
up in her pillows when he reappeared in his blue bathrobe.

"Hello," he called, "did you want me?"

"Yes, Ridgeley."

He came in. "Anything the matter?"

"No. I'm not sick. But I want to talk."

"About what?"

"This--" She showed him the paper with its caption, "For Anne."

"Ridgeley, did you write it because I was--afraid?" her hand went out to
him.

His own went over it. "I think I wrote it because I was afraid."

"You?"

His grip almost hurt her. "My dear, my dear, I haven't believed in
things. How could I ... with all the facts that men like me have to deal
with? But when I faced ... losing you...! love's _got_ to be eternal..."

"Ridgeley."

"I won't ... lose you. Oh, I know. We've grown apart. I don't know how a
man is going to help it ... in this darned whirlpool.... But you've
always been right ... here.... I've felt I might ... have you, if I ever
had time ..." his voice broke.

"And I thought you didn't care."

"I was afraid of that, and somehow I couldn't get ... back ... to where
we began. I was always thinking I would.... And then this came....

"I always hated to kill the things that you believed, Anne. I thought I
had to be honest ... that it would be better for you to face the
truth.... But which one of us knows the Truth? Not a man among us. And I
came across this ... '_Thou fool, that which thou sowest is not
quickened except it die_....' We are all fools--the wisest of us...."

She held out her arms to him, and he gathered her close. She felt that
it had been a thousand years since she had prayed, yet she heard herself
speaking.... And when he laid her back upon her pillows, she was aware
that together they had approached some height from which they would
never again descend.

"I'll leave the door open," he said, as he left her. "I shall be
reading, and you can see the light."

It seemed as if the light from his room flooded the world. The four
posts of her bed once more were tipped with shining saints! She turned
on her pillow--beyond the garden, the grove of white birches was steeped
in celestial radiance.

"_My little sister, Death_," said good St. Francis.

With her hand under her cheek, she slept at last, as peacefully as a
child.




THE EMPEROR'S GHOST

I


I had not known Tom Randolph a week before I was aware that life was not
real to him. All his world was a stage, with himself as chief player. He
dramatized everything--actions, emotions, income. Thus he made poverty
picturesque, love a thing of the stars, the day's work a tragedy, or, if
the professors proved kind, a comedy. He ate and drank, as it were, to
music, combed his hair and blacked his boots in the glare of footlights;
made exits and entrances of a kind unknown to men like myself who lacked
his sense of the histrionic.

He was Southern and chivalric. His traditions had to do with the doffed
hat and the bent knee. He put woman on a pedestal and kept her there. No
man, he contended, was worthy of her--what she gave was by the grace of
her own sweet charity!

It will be seen that in all this he missed the modern note. As a boy he
had been fed upon Scott, and his later reading had not robbed him of his
sense of life as a flamboyant spectacle.

He came to us in college with a beggarly allowance from an impoverished
estate owned by his grandfather, a colonel of the Confederacy, who after
the war had withdrawn with his widowed daughter to his worthless acres.
In due time the daughter had died, and her child had grown up in a world
of shadows. On nothing a year the colonel had managed, in some
miraculous fashion, to preserve certain hospitable old customs.
Distinguished guests still sat at his table and ate ducks cooked to the
proper state of rareness, and terrapin in a chafing-dish, with a dash of
old sherry. If between these feasts there was famine the world never
knew.

It was perhaps from the colonel that Randolph had learned to make
poverty picturesque. His clothes were old and his shoes were shabby. But
his strength lay in the fact that he did not think of himself as poor.
He had so much, you see, that the rest of us lacked. He was a Randolph.
He had name, position, ancestry. He was, in short, a gentleman!

I do not think he looked upon any of us as gentlemen, not in the Old
Dominion sense. He had come to our small Middle-Western college because
it was cheap and his finances would not compass education anywhere else.

In an older man his prejudices would have been insufferable, but his
youth and charm made us lenient. We contented ourselves with calling him
"Your Highness," and were always flattered when he asked us to his
rooms.

His strong suit was hospitality. It was in his blood, of course. When
his allowance came he spent it in giving the rest of us a good time. His
room was as shabby as himself--a table, an ink-spotted desk, a couch
with a disreputable cover, a picture of Washington, a half-dozen books,
and a chafing-dish.

The chafing-dish was the hump and the hoof of his festivities. He made
rarebits and deviled things with an air that had been handed down from
generations of epicures. I can see him now with his black hair in a
waving lock on his forehead, in worn slippers and faded corduroy coat,
sitting on the edge of the table smoking a long pipe, visualizing
himself as the lord of a castle--the rest of us as vassals of a rather
agreeable and intelligent sort!

It was perfectly natural that he should stage his first love-affair, and
when he was jilted that he should dramatize his despair. For days after
Madge Ballou had declared her preference for Dicky Carson, Randolph
walked with melancholy. He came to my rooms and sat, a very young and
handsome Hamlet, on my fire-bench, with his chin in his hand.

"Why should she like Dicky best?"

"She has no imagination."

"But Dicky's a--beast--"

"With a fat bank-account."

"Money wouldn't count with Madge."

"I'm not so sure--"

"Women are not like that, MacDonald."

I saw, as he went on with his arguments, that she had become to him an
Ophelia, weakly led. Women in his lexicon of romance might be weak but
never mercenary. I think he finally overthrew her in his mind with "_Get
thee to a nunnery!_" I know that he burned her picture; he showed me the
ashes in a silver stamp-box.

He had, of course, his heroes--there were moments when unconsciously he
aped them. It was after a debate that the boys began to call him
"Bonaparte." He had defended the Little Corporal, and in defending him
had personified him. With that dark lock over his forehead, his arms
folded, he had flung defiance to the deputies, and for that moment he
had been not Tom Randolph but the Emperor himself.

He won the debate, amid much acclaim, and when he came down to us I will
confess to a feeling, which I think the others shared, of a soul within
his body which did not belong there. Tom Randolph was, of course, Tom
Randolph, but the voice which had spoken to us had rung with the power
of that other voice which had been stilled at St. Helena!

The days that followed dispelled the illusion, but the name clung to
him. I think he liked it, and emphasized the resemblance. He let his
hair grow long, sunk his head between his shoulders, was quick and
imperious in his speech.

Then came the war. Belgium devastated, France invaded. Randolph was
fired at once.

"I'm going over."

"But, my dear fellow--"

"There's our debt to Lafayette."

With his mind made up there was no moving him. The rest of us held back.
Our imaginations did not grasp at once the world's need of us.

But Randolph saw himself a Henry of Navarre--_white plumes_; a Richard
of the Lion Heart--_crusades and red crosses_; a Cyrano without the
nose--"_These be cadets of Gascony_--"

"You see, MacDonald," he said, flaming, "we Randolphs have always done
it."

"Done what?"

"Fought. There's been a Randolph in every war over here, and before that
in a long line of battles--"

He told me a great deal about the ancient Randolphs, and the way they
had fought on caparisoned steeds with lances.

"War to-day is different," I warned him. "Not so pictorial."

But I knew even then that he would make it pictorial. He would wear his
khaki like chain armor.

He gave us a farewell feast in his room. It was the season for young
squirrels, and he made us a Brunswick stew. It was the best thing I had
ever tasted, with red peppers in it and onions, and he served it with
an old silver ladle which he had brought from home.

While we ate he talked of war, of why men should fight--"for your own
honor and your country's."

There were pacifists among us and they challenged him. He flung them
off; their protests died before his passion.

"We are men, not varlets!"

Nobody laughed at him. It showed his power over us that none of us
laughed. We simply sat there and listened while he told us what he
thought of us.

At last one who was braver than the rest cried out: "Go to it,
Bonaparte!"

In a sudden flashing change Randolph hunched his shoulders, set his
slouched hat sidewise low on his brows, wrapped the couch-cover like a
cloak about him. His glance swept the room. There was no anger in it,
just a sort of triumphant mockery as he gave the famous speech to
Berthier.

"They send us a challenge in which our honor is at stake--a thing a
Frenchman has never refused--and since a beautiful queen wishes to be a
witness to the combat, let us be courteous, and in order not to keep her
waiting, _let us march without sleeping as far as Saxony--_!"

I can't tell you of the effect it had on us. We were gripped by the
throats, and the room was so still that we heard ourselves breathe. Four
of the fellows left next day with Randolph. I think he might have taken
us all if we had not been advised and held back by the protests of our
professors, who spoke of war with abhorrence.



II


Three years later I saw him again, in France. Our own country had gotten
into the fight by that time, and I was caught in the first draft. I had
heard now and then from Randolph. He had worked for nearly three years
with the Ambulance Corps, and was now fighting for democracy with his
fellows.

We had been shivering in the rain for a week in one of the recaptured
French towns when a group of seasoned officers were sent to lick us into
shape. Among the other officers was Randolph, and when he came upon me
he gave a shout of welcome.

"Good old MacDonald--at last!"

I'll confess that his "at last" carried a sting, and I remember feeling
the injustice of our equal rank, as I set his years of privation and
hardship against my few weeks in a training camp.

He was very glad to see me, and the very first night he made me a
Brunswick stew. This time there were no squirrels, but he begged young
rabbits from the old couple who had once been servants in the château
where we were billeted. They had trudged back at once on the retirement
of the Boches, and were making the best of the changed conditions.

There was, of course, no chafing-dish, and the stew was cooked in an
iron pot which hung over an open fire in the ancient kitchen. Before
they sold the rabbits the old people had made one condition:

"If we may have a bit for mademoiselle--?"

"For mademoiselle?"

"She is here with us, monsieur. She had not been well. We have been
saving the rabbits for her."

Randolph made the grand gesture that I so well remembered.

"My good people--if she would dine with us--?"

The old woman shook her head. She was not sure. She would see.

Perhaps she said pleasant things of us, perhaps mademoiselle was lonely.
But whatever the reason, mademoiselle consented to dine, coming out of
her seclusion, very thin and dark and small, but self-possessed.

I have often wondered what she thought, in those first moments of
meeting, of Randolph, as with a spoon for a sceptre, the manner of a
king, he presided over the feast. She spoke very good English, but
needed to have many things explained.

"Do gentlemen cook in your country?"

Randolph sketched life as he had known it on his grandfather's
plantation--negroes to do it all, except when gentlemen pleased.

She drew the mantle of her distaste about her. "Black men? I shouldn't
like it."

Well, I saw before the evening ended that Randolph had met his peer. For
every one of his aristocratic prejudices she matched him with a dozen.
And he loved her for it! At last here was a lady who would buckle on his
armor, watch his shield, tie her token on his sleeve!

He sat on the edge of the table in his favorite attitude--hunched-up
shoulders, folded arms. His hair was cut too short now for the dark
lock, but even without it I saw her glance at him now and then in a
puzzled fashion, as if she weighed some familiar memory.

But it was one of the peasants who voiced it--the old man carrying away
the remains of the stew muttered among the shadows to his wife:

"C'est Napoleon."

Mademoiselle caught her breath. "Oui, Gaston." Then to me, in English:
"Do you see it?"

"Yes. We called him that at school."

"Bonaparte?"

"Yes."

She was thin and dark no longer--illumined, the color staining her
cheeks. "Oh, if he were here--to save France!"

I protested. "An emperor against an emperor?"

"He was a great democrat--he loved the common people. For a little while
power spoiled him--but he loved the people. And the Bourbons did not
love them--Louis laughed at them--and lost his head. And Napoleon never
laughed. He loved France--if he had lived he would have saved us."

Out of the shadows the old woman spoke. "They say he will come again."

"Oui, Margot." Mademoiselle was standing, with her hand on her heart.
Randolph's eyes devoured her. He had taken no part in the conversation.
It was almost uncanny to see him sitting there, silent, arms folded,
shoulders hunched, sparkling eyes missing nothing. "It is true,"
mademoiselle told us earnestly, "that the tra-dee-tion says he will come
back--when France needs him--the soldiers talk of it."

"In almost every country," I said, "there is a story like that, of
heroes who will come again."

"But Napoleon, monsieur--surely he would not fail France?"

The thing that followed was inevitable. Randolph and Mademoiselle Julie
fell in love with each other. He drew her as he had drawn us at school.
She was not a Madge Ballou, mundane and mercenary; she was rather a
Heloise, a Nicolette, a Jeanne d'Arc, self-sacrificing, impassioned. She
met Randolph on equal ground. They soared together--mixed love of
country with love of lovers. They rose at dawn to worship the sun, they
walked forth at twilight to adore together the crescent moon.

And all the while war was at the gates; we could hear the boom of big
guns. The spring drive was on and the Germans were coming back.

I shall never forget the night that Randolph and I were ordered to the
front. Mademoiselle had come in with her hands full of violets.
Randolph, meeting her for the first time after a busy day, took her
hands and the frail blossoms in his eager clasp. He was an almost
perfect lover--Aucassin if you will--Abelard at his best.

"Violets," he said. "May I have three?"

"Why three, monsieur?"

"For love, mademoiselle, and truth and constancy."

He took his prayer-book from his pocket, and she gave him the violets.
He touched them to her lips, then crushed them to his own. I saw
it--sitting back in the shadows. I should never have thought of kissing
a girl like that. But it was rather wonderful.

He shut the violets in the little book.

They sat very late that night by the fire. I went in and out, not
disturbing them. I saw him kneel at her feet as he left her, and she
bent forward and kissed his forehead.

He talked of her a great deal after that. More than I would have talked
of love, but his need of an audience drove him to confidences. He felt
that he must make himself worthy of her--to go back to her as anything
less than a hero might seem to belittle her. I am not sure that he was
braver than other men, but his feeling for effect gave him a sort of
reckless courage. Applause was a part of the game--he could not do
without it.

And so came that night when a small band of us were cut off from the
rest. We were intrenched behind a small eminence which hid us from our
enemies, with little hope of long escaping their observation. It had
been wet and cold, and there had been no hot food for days. We, French
and Americans, had fought long and hard; we were in no state to stand
suspense, yet there was nothing to do but wait for a move on the other
side, a move which could end in only one way--bayonets and bare hands,
and I, for one, hated it.

I think the others hated it, too, all but Randolph. The rain had stopped
and the moon flooded the world. He turned his face up to it and dreamed.

The knowledge came to us before midnight that the Huns had found us. It
became only a matter of moments before they would be upon us, the thing
would happen which we hated--bayonets and bare hands, with the chances
in favor of the enemy!

Somewhere among our men rose a whimper of fear, and then another. You
see, they were cold and hungry and some of them were wounded, and they
were cut off from hope. It wasn't cowardice. I call no man a coward.
They had faced death a thousand times, some of them. Yet there was
danger in their fears.

Randolph was next to me. "My God, MacDonald," he said, "they've lost
their nerve--"

There wasn't a second to spare. I saw him doing something to his hat.

As I have said, there was a moon. It lighted that battle-scarred world
with a sort of wild beauty, and suddenly in a clear space above us on
the little hill a figure showed, motionless against the still white
night--a figure small yet commanding, three-cornered hat pulled low--oh,
you have seen it in pictures a thousand times--Napoleon of Marengo, of
Austerlitz, of Jena, of Friedland--but over and above everything,
Napoleon of France!

Of course the Germans shot him. But when they came over the top they
were met by Frenchmen who had seen a ghost. "C'est l'Empereur! C'est
l'Empereur!" they had gasped. "He returns to lead us."

They fought like devils, and--well, the rest of us fought, too, and all
the time, throughout the bloody business, I had before me that vision of
Randolph alone in the moonlight. Or was it Randolph? Who knows? Do great
souls find time for such small business? And was it small?

His medals were, of course, sent to the colonel. But the violets in the
little book went back to mademoiselle. And the old hat, crushed into
three-cornered shape, went back. And I told her what he had done.

She wrote to me in her stiff English:

"I have loved a great man. For me, monsieur, it is enough. Their souls
unite in victory!"




THE RED CANDLE


It was so cold that the world seemed as stiff and stark as a poet's
hell. A little moon was frozen against a pallid sky. The old dark houses
with their towers and gables wore the rigid look of iron edifices. The
saint over the church door at the corner had an icicle on his nose.
Even the street lights shone faint and benumbed through clouded glass.

Ostrander, with his blood like ice within his veins, yearned for a
Scriptural purgatory with red fire and flame. To be warm would be
heaven. It was a wise old Dante who had made hell cold!

As he crossed the threshold of his filthy tenement he felt for the first
time a sense of its shelter. Within its walls there was something that
approached warmth, and in his room at the top there was a bed with a
blanket.

Making his way toward the bed and its promise of comfort, he was stopped
on the second stairway by a voice which came out of the dark.

"Mr. Tony, you didn't see our tree."

Peering down, he answered the voice: "I was going up to get warm."

"Milly said to tell you that we had a fire."

"A real fire, Pussy? I didn't know that there was one in the world."

He came down again to the first floor. Pussy was waiting--a freckled dot
of a child tied up in a man's coat.

The fire was in a small round stove. On top of the stove something was
boiling. The room was neat but bare, the stove, a table, and three
chairs its only furnishing. In a room beyond were two beds covered with
patchwork quilts.

On the table was a tree. It was a Christmas tree--just a branch of pine
and some cheap spangly things. The mother of the children sewed all day
and late into the night. She had worked a little longer each night for a
month that the children might have the tree.

There was no light in the room but that of a small and smoky lamp.

Milly spoke of it. "We ought to have candles."

Ostrander, shrugged close to the stove, with his hands out to its heat,
knew that they ought to have electric lights, colored ones, a hundred
perhaps, and a tree that touched the stars!

But he said: "When I go out I'll bring you a red candle--a long one--and
we'll put it on the shelf over the table."

Milly, who was resting her tired young body in a big rocker with the
baby in her arms, asked: "Can we put it in a bottle or stand it in a
cup? We haven't any candlestick."

"We can do better than that," he told her, "with a saucer turned upside
down and covered with salt to look like snow."

Pussy, economically anxious, asked, "Can we eat the salt afterward?"

"Of course."

"Then, may we do it, Milly?"

"Darling, yes. How nice you always fix things, Mr. Tony!"

Long before he had known them he had fixed things--things which would
have turned this poor room into an Aladdin's palace. There was that
Christmas Eve at the Daltons'. It had been his idea to light the great
hall with a thousand candles when they brought in the Yule log, and to
throw perfumed fagots on the fire.

He came back to the round stove and the tiny tree. "I like to fix
things," he said. "Once upon a time--"

They leaned forward eagerly to this opening.

"Of course you know it isn't true," he prefaced.

"Of course it couldn't be true"--Pussy was reassuringly sceptical--"the
things that you tell us couldn't really happen--ever--"

"Well, once upon a time, there was a tree in a great house by a great
river, and it was set in a great room with squares of black-and-white
marble for a floor, and with a fountain with goldfish swimming in its
basin, and there were red-and-blue parrots on perches, and orange-trees
in porcelain pots, and the tree itself wasn't a pine-tree or a fir or a
cedar; it was a queer round, clipped thing of yew, and it had red and
blue and orange balls on it, and in the place of a wax angel on top
there was a golden Buddha, and there were no candles--but the light
shone out and out of it, like the light shines from the moon."

"Was it a Christmas tree?" Pussy asked, as he paused.

"Yes, but the people who trimmed it and the ones who came to see it
didn't believe in the Wise Men, or the Babe in the Manger, or the
shepherds who watched their flocks by night--they just worshiped beauty
and art--and other gods--but it was a corking tree--"

"You use such funny words," Pussy crowed ecstatically. "Who ever heard
of a corking tree?"

He smiled at her indulgently. He was warmer now, and as he leaned back
in his chair and unbuttoned his coat he seemed to melt suddenly into
something that was quite gentlemanly in pose and outline. "Well, it
really was a corking tree, Pussy."

"What's a Buddha?" Milly asked, making a young Madonna of herself as she
bent over the baby.

"A gentle god that half of the world worships," Ostrander said, "but the
people who put him on the tree didn't worship anything--they put him
there because he was of gold and ivory and was a lovely thing to look
at--"

"Oh," said Pussy, with her mouth round to say it, "oh, how funny you
talk, Mr. Tony!" She laughed, with her small hands beating her knees.

She was presently, however, very serious, as she set the table. There
was little formality of service. Just three plates and some bread.

Milly, having carried the baby into the other room, was hesitatingly
hospitable. "Won't you have supper with us, Mr. Tony?"

He wanted it. There was a savory smell as Milly lifted the pot from the
stove. But he knew there would be only three potatoes--one for Pussy and
one for Milly and one for the mother who was almost due, and there would
be plenty of gravy. How queer it seemed that his mind should dwell on
gravy!

"Onions are so high," Milly had said, as she stirred it. "I had to put
in just a very little piece."

He declined hastily and got away.

In the hall he met their mother coming in. She was a busy little mother,
and she did not approve of Ostrander. She did not approve of any human
being who would not work.

"A merry Christmas," he said to her, standing somewhat wistfully above
her on the stairs.

She smiled at that. "Oh, Mr. Tony, Mr. Tony, they want a man in the
shop. It would be a good way to begin the New Year."

"Dear lady, I have never worked in a shop--and they wouldn't want me
after the first minute--"

Her puzzled eyes studied him. "Why wouldn't they want you?"

"I am not--dependable--"

"How old are you?" she asked abruptly.

"Twice your age--"

"Nonsense--"

"Not in years, perhaps--but I have lived--oh, how I have lived--!"

He straightened his shoulders and ran his fingers through his hair. She
had a sudden vision of what he might be if shorn of his poverty. There
was something debonair--finished--an almost youthful grace--a hint of
manner--

She sighed. "Oh, the waste of it!"

"Of what?"

She flamed. "Of you!"

Then she went in and shut the door.

He stood uncertainly in the hall. Then once again he faced the cold.

Around the corner was a shop where he would buy the red candle. The ten
cents which he would pay was to have gone for his breakfast. He had
sacrificed his supper that he might not go hungry on Christmas morning.
He had planned a brace of rolls and a bottle of milk. It had seemed to
him that he could face a lean night with the promise of these.

There were no red candles in the shop. There were white ones, but a red
candle was a red candle--with a special look of Christmas cheer. He
would have no other.

The turn of a second corner brought him to the great square. Usually he
avoided it. The blaze of gold on the west side was the club.

A row of motors lined the curb. There was Baxter's limousine and
Fenton's French car. He knew them all. He remembered when his own French
car had overshadowed Fenton's Ford.

There were wreaths to-night in the club windows, and when Sands opened
the doors there was a mass of poinsettia against the hall mirror.

How warm it looked with all that gold and red!

In the basement was the grill. It was a night when one might order
something heavy and hot. A planked steak--with deviled oysters at the
start and a salad at the end.

And now another motor-car was poking its nose against the curb. And
Whiting climbed out, a bear in a big fur coat.

Whiting's car was a closed one. And it would stay there for an hour.
Ostrander knew the habits of the man. From the office to the club, and
from the club--home. Whiting was methodical to a minute. At seven sharp
the doors would open and let him out.

The clock on the post-office tower showed six!

There was a policeman on the east corner, beating his arms against the
cold. Ostrander did not beat his arms. He cowered frozenly in the shadow
of a big building until the policeman passed on.

Then he darted across the street and into Whiting's car!

Whiting, coming out in forty minutes, found his car gone. Sands, the
door man, said that he had noticed nothing. The policeman on the corner
had not noticed.

"I usually stay longer," Whiting said, "but to-night I wanted to get
home. I have a lot of things for the kids."

"Were the things in your car?" the policeman asked.

"Yes. Toys and all that--"

Ostrander, with his hand on the wheel, his feet on the brakes, slipped
through the crowded streets unchallenged. It had been easy to unlock the
car. He had learned many things in these later years.

It was several minutes before he was aware of faint fragrances--warm
tropical fragrances of flowers and fruits and spices--Christmas
fragrances which sent him back to the great kitchen where his
grandmother's servants had baked and brewed.

He stopped the car and touched a button. The light showed booty. He had
not expected this. He had wanted the car for an hour, to feel the thrill
of it under his fingers, to taste again the luxury of its warmth and
softness. He had meant to take it back unharmed--with nothing more than
the restless ghost of his poor desires to haunt Whiting when again he
entered it.

But now here were toys and things which Whiting, in a climax of
generosity, had culled from bake-shop and grocer, from flower-shop,
fruit-shop, and confectioner.

He snapped out the light and drove on. He had still a half-hour for his
adventure.

It took just three of the thirty minutes to slide up to the curb in
front of the tall tenement. He made three trips in and up to the top
floor. He risked much, but Fate was with him and he met no one.

Fate was with him, too, when he left the car at a corner near the club,
and slipped out of it like a shadow, and thence like a shadow back to
the shop whence his steps had tended before his adventures.

When he returned to the tall tenement the small family on the first
floor had finished supper, and the mother had gone back to work. The
baby was asleep. Milly and Pussy, wrapped up to their ears, were hugging
the waning warmth of the little stove.

"Mr. Tony, did you get the candle?" Pussy asked as he came in.

"Yes. But I've been thinking"--his manner was mysterious--"I don't want
to put it on the shelf. I want it in the window--to shine out--"

"To shine out--why?"

"Well, you know, there's St. Nicholas."

"Oh--"

"He ought to come here, Pussy. Why shouldn't he come here? Why should he
go up-town and up-town, and take all the things to children who have
more than they want?"

Milly was philosophic. "St. Nicholas is fathers and mothers--"

But Pussy was not so sure. "Do you think he'd come--if we did? Do you
really and truly think he would?"

"I think he might--"

The candle set in the window made a fine show from the street. They all
went out to look at it. Coming in, they sat around the stove together.

Pussy drew her chair very close to Ostrander. She laid her hand on his
knee. It was a little hand with short, fat fingers. In spite of lean
living, Pussy had managed to keep fat. She was adorably dimpled.

Ostrander, looking down at the fat little hand, began: "Once upon a
time--there was a doll--a Fluffy Ruffles doll, in a rosy gown--"

"Oh!" Pussy beat the small, fat hand upon his knee.

"And pink slippers--and it traveled miles to find some one to--love it.
And at last it said to St. Nicholas, 'Oh, dear St. Nick, I want to find
a little girl who hasn't any doll--'"

"Like me?" said Pussy.

"Like you--"

"And St. Nicholas said, 'Will you keep your pink slippers clean and
your nice pink frock clean if I give you to a poor little girl?' and the
Fluffy Ruffles doll said 'Yes,' so St. Nicholas looked and looked for a
poor little girl, and at last he came to a window--with a red candle--"

The fat little hand was still and Pussy was breathing hard.

"With a red candle, and there was a little girl who--didn't have any
doll--"

Pussy threw herself on him bodily. "Is it true? Is it true?" she
shrieked.

Milly, a little flushed and excited by the story, tried to say sedately:
"Of course it isn't true. It couldn't be--true--"

"Let's wish it to be true--" Ostrander said, "all three of us, with our
eyes shut--"

With this ceremony completed the little girls were advised gravely to go
to bed. "If Fluffy Ruffles and old St. Nick come by and find you up they
won't stop--"

"Won't they?"

"Of course not. You must shut the door and creep under your quilt and
cover up your head, and if you hear a noise you mustn't look."

Milly eyed him dubiously. "I think it is a shame to tell Pussy such--"

"Corking things?" He lifted her chin with a light finger and looked into
her innocent eyes. "Oh, Milly, Milly, once upon a time there was a
Princess, with eyes like yours, and she lived in a garden where black
swans swam on a pool, and she wore pale-green gowns and there were
poppies in the garden. And a Fool loved her. But she shut him out of the
garden. He wasn't good enough even to kneel at her feet, so she shut him
out and married a Prince with a white feather in his cap."

He had a chuckling sense of Whiting as the white-feathered Prince. But
Milly's eyes were clouded. "I don't like to think that she shut the poor
Fool out of the garden."

For a moment he cupped her troubled face in his two hands. "You dear
kiddie." Then as he turned away he found his own eyes wet.

As he started up-stairs Pussy peeped out at him.

"Wouldn't it be--corking--to see a Fluffy Ruffles doll--a-walking up the
street?"

In a beautiful box up-stairs the Fluffy Ruffles doll stared at him. She
was as lovely as a dream, and as expensive as they make 'em. There was
another doll in blue, also as expensive, also as lovely. Ostrander could
see Milly with the blue doll matching her eyes.

There were toys, too, for the baby. And there was a bunch of violets.
And boxes of candy. And books. And there were things to eat. Besides the
fruits a great cake, and a basket of marmalades and jellies and
gold-sealed bottles and meat pastes in china jars, and imported things
in glass, and biscuits in tins.

Ostrander, after some consideration, opened the tin of biscuits and,
munching, he wrote a note. Having no paper, he tore a wrapper from one
of the boxes. He had the stub of a pencil, and the result was a scrawl.

     "MY DEAR WHITING:

     "It was I who borrowed your car--and who ran away with your junk. I
     am putting my address at the head of this, so that if you want it
     back you can come and get it. But perhaps you won't want it back.

     "I have a feeling that to you and your wife I am as good as dead.
     If you have any thought of me it is, I am sure, to pity me. Yet I
     rather fancy that you needn't. I am down and out, and living on ten
     dollars a month. That's all I got when the crash came--it is all I
     shall ever get. I pay four dollars a month for my room and twenty
     cents a day for food. Sometimes I pay less than twenty cents when I
     find myself in need of other--luxuries. Yet there's an adventure in
     it, Whiting. A good little woman who lives in this house begs me to
     work. But I have never worked. And why begin? I've a heritage of
     bad habits, and one does not wish to seem superior to one's
     ancestors.

     "The winters are the worst. I spend the summers on the open road.
     Ask Marion if she remembers the days when we read Stevenson
     together in the garden? Tell her it is like that--under the
     stars--Tell her that I am getting more out of it than she is--with
     you--

     "But the winters send me back to town--and this winter Fate has
     brought me to an old house in a shabby street just a bit back from
     the Club. On the first floor there is a little family. Three
     kiddies and a young mother who works to keep the wolf from the
     door. There's a Pussy-Kiddie, and a Milly-Kiddie, and a baby, and
     they have adopted me as a friend.

     "And this Christmas I had nothing to give them--but a red candle to
     light their room.

     "When I got into your car it was just for the adventure. To breathe
     for a moment the air I once breathed--to fancy that Marion's ghost
     might sit beside me for one little moment, as she will sit beside
     you to the end of your days.

     "I have played all roles but that of robber--but when I saw the
     things that you had bought with Marion's money for Marion's
     children--it went to my head--and I wanted them in the worst way
     for those poor kiddies--who haven't any dolls or Christmas dinners.

     "I am playing Santa Claus for them to-night. I shall take the
     things down and leave them in their poor rooms. It will be up to
     you to come and take them away. It will be up to you, too, to give
     this note to the police and steal my freedom.

     "You used to be a good sport, Whiting. I have nothing against you
     except that you stole Marion--perhaps this will square our
     accounts. And if your children are, because of me, without their
     dolls to-morrow, you can remember this, that the kiddies are happy
     below stairs--since Dick Turpin dwells aloft!

     "From among the rest I have chosen for myself a squat bottle, a box
     of biscuits, and a tin of the little imported sausages that you
     taught me to like.

     "Well, my dear fellow, happy days! To-morrow morning I shall
     breakfast at your expense, unless you shall decide that I must
     breakfast behind bars.

     "If you should come to-night, you will find in the window a red
     candle shining. They have put it there to guide St. Nicholas and a
     certain Fluffy Ruffles doll!

                              "Ever yours,
                                                  "Tony."


He found an envelope, sealed, and addressed it. Then he went to work.

Four trips he made down the stairs. Four times he tiptoed into the
shadowed room, where the long red candle burned. And when he turned to
take a last look there on the table beside the tree stood the blue doll
for Milly and the Fluffy Ruffles doll for Pussy and the rattles and
rings and blocks for the baby, and on the chairs and the shelf above the
tree were the other things--the great cake and the fruit and the big
basket and the boxes of candy.

And for the little mother there were the violets and a note:

"The red candle winked at your window and brought me in. It is useless
to search for me--for now and then a Prince passes and goes on. And he
is none the less a Prince because you do not know him."

And now there was that other note to deliver. Out in the cold once more,
he found the moon gone and the snow falling. As he passed the saint on
the old church, it seemed to smile down at him. The towers and gables
were sheeted with white. His footsteps made no sound on the padded
streets.

He left the note at Whiting's door. He fancied that, as the footman held
it open, he saw Marion shining on the stairs!

He was glad after that to get home and to bed, and to the warmth of his
blanket. There was the warmth, too, of the wine.

In a little while he was asleep. On the table by his untidy bed was the
box of biscuits and the bottle and the tin of tiny sausages.

If all went well he would feast like a lord on Christmas morning!




RETURNED GOODS


Perhaps the most humiliating moment of Dulcie Cowan's childhood had been
when Mary Dean had called her Indian giver. Dulcie was a child of
affluence. She had always had everything she wanted; but she had not
been spoiled. She had been brought up beautifully and she had been
taught to consider the rights of others. She lived in an old-fashioned
part of an old city, and her family was churchly and conscientious.
Indeed, so well-trained was Dulcie's conscience that it often caused her
great unhappiness. It seemed to her that her life was made up largely of
denying herself the things she wanted. She was tied so rigidly to the
golden rule that her own rights were being constantly submerged in the
consideration of the rights of others.

So it had happened that when she gave to Mary Dean a certain lovely
doll, because her mother had suggested that Dulcie had so many and Mary
so few, Dulcie had spent a night of agonized loneliness. Then she had
gone to Mary.

"I want my Peggy back."

"You gave her to me."

"But I didn't know how much I loved her, Mary. I'll buy you a nice new
doll, but I want my Peggy back."

It was then that Mary had called her Indian giver. Mary had been a
sturdy little thing with tight-braided brown hair. She had worn on that
historic occasion a plain blue gingham with a white collar. To the
ordinary eye she seemed just an every-day freckled sort of child, but to
Dulcie she had been a little dancing devil, as she had stuck out her
forefinger and jeered "Indian giver!"

Dulcie had held to her point and had carried her Peggy off in triumph.
Mary, with characteristic independence, had refused to accept the
beautiful doll which Dulcie bought with the last cent of her allowance
and brought as a peace offering. In later years they grew to be rather
good friends. They might, indeed, have been intimate, if it had not been
for Dulcie's money and Mary's dislike of anything which savored of
patronage.

It was Mary's almost boyish independence that drew Mills Richardson to
her. Mills wrote books and was the editor of a small magazine. He came
to board with Mary's mother because of the quiet neighborhood. He was
rather handsome in a dark slender fashion. He had the instincts of a
poet, and he was not in the least practical. He needed a prop to lean
on, and Mary gradually became the prop.

She was teaching by that time, but she helped her mother with the
boarders. When Mills came in late at night she would have something for
him in the dining-room--oysters or a club sandwich or a pot of
coffee--and she and her mother and Mills would have a cozy time of it.
In due season Mills asked her to marry him, and his dreams had to do
with increased snugness and with shelter from the outside world.

They had been engaged three months when Dulcie came home from college.
There was nothing independent or practical about Dulcie. She was a real
romantic lady, and she appealed to Mills on the æsthetic side. He saw
her first in church with the light shining on her from a stained-glass
window. In the middle of that same week Mrs. Cowan gave a garden party
as a home-coming celebration for her daughter. Dulcie wore embroidered
white and a floppy hat, and her eyes when she talked to Mills were
worshipful.

He found himself swayed at last by a grand passion. He thought of Dulcie
by day and dreamed of her by night. Then he met her by accident one
afternoon on Connecticut Avenue, and they walked down together to the
Speedway, where the willows were blowing in the wind and the water was
ruffled; and there with the shining city back of them and the Virginia
hills ahead, Mills, flaming, declared his passion, and Dulcie,
trembling, confessed that she too cared.

Mills grew tragic: "Oh, my beloved, have you come too late?"

Dulcie had not heard of his engagement to Mary. Mills told her, and that
settled it. She had very decided ideas on such matters. A man had no
right to fall in love with two women. If such a thing happened, there
was only one way out of it. He had given his promise and he must keep
it. He begged, but could not shake her. She cared a great deal, but she
would not take him away from Mary.

Mary knew nothing of what had occurred; she thought that Mills was
working too hard. She was working hard herself, but she was very happy.
She had a hope chest and sat up sewing late o' nights.

Before Mary and Mills were married Dulcie's mother died, and Dulcie went
abroad to live with an aunt. Five years later she married an American
living in Paris. He was much older than she, and it was rumored that she
was not happy. Ten years after her marriage she returned to Washington a
widow.

It was at once apparent that she had changed. She wore charming but
sophisticated clothes, made on youthful lines so that she seemed nearer
twenty-five than thirty-five. Her hair was still soft and shining. She
had been a pretty girl, she was a beautiful woman. But the greatest
change was in her attitude toward life. In Paris her golden-rule
philosophy had been turned topsy-turvy.

Hence when she met Mills and found the old flames lighted in his eyes,
she stirred the ashes of her dead romance and discovered a spark. It was
pleasant after that to talk with him in dim corners at people's houses.
Now and then she invited him and Mary to her own big house with plenty
of other guests, so that she was not missed if she walked with Mills in
the garden. She meant no harm and she was really fond of Mary.

The years had not been so kind to Mills as to Dulcie. They had stolen
some of his slenderness, and his hair was thin at the back. But he wrote
better books, and it was Mary who had helped him write them. She had
made of his house a home. She was still the same sturdy soul. Her bright
color had faded and her hair was gray. Life with Mills had not been an
easy road to travel. She had traveled it with loss of youth, perhaps,
but with no loss of self-respect. She knew that her husband was in some
measure what he was because of her. She had kept the children away from
his study door; she had seen that he was nourished and sustained. She
had prodded him at times to increased activities. He had resented the
prodding, but it had resulted in a continuity of effort which had added
to his income.

Dulcie came into Mary's life as something very fresh and stimulating.
She spoke of it to Mills.

"It is almost as if I had been abroad to hear her talk. She has had such
interesting experiences."

It was not Dulcie's experiences which interested Mills; it was the
loveliness of her profile, the glint of her hair, the youth in her, the
renewed urge of youth in himself.

Priscilla Dodd saw what had happened. Priscilla was the aunt with whom
Dulcie had lived in Paris; and she was a wise, if worldly, old woman.
She saw rocks ahead for Dulcie.

"He's in love with you, my dear."

Dulcie, in a rose satin house coat which shone richly in the flame of
Aunt Priscilla's open fire, was not disconcerted.

"I know. Mary doesn't satisfy him, Aunt Cilla."

"And you do?"

"Yes."

"The less you see of him the better."

"I'm not sure of that."

"Why not?"

"I can inspire him, be the torch to illumine his path."

"So that's the way you are putting it to yourself! But how will Mary
like that?"

"Oh, Mary"--Dulcie moved restlessly--"I don't want to hurt Mary. I
don't want to hurt Mary," she said again, out of a long silence, "but
after all I have a right to save Mills' soul for him, haven't I, Aunt
Cilla?"

"Saving souls had better be left to those who make a business of it."

"I mean his poetic soul." Dulcie studied the toes of her rosy slippers.
"A man can't live by bread alone."

Yet Mills had thrived rather well on the bread that Mary had given him,
and there was this to say for Mills, he was very fond of his wife. She
was not the love of his life, but she had been a helpmate for many
years. He felt that he owed many things to her affection and strength.
Like Dulcie, he shrank from making her unhappy.

It was because of Mary, therefore, that the lovers dallied. Otherwise,
they said to each other, Mills would cast off his shackles, ask for his
freedom, and then he and Dulcie would fly to Paris, where nobody probed
into pasts and where they could make their dreams come true.

They found many ways in which to see each other. Dulcie had a little
town car, and she picked Mills up at all hours and took him on long and
lovely rides, from which he returned ecstatic, with wild flowers in his
coat and a knowledge of work left undone.

Gossip began to fly about. Aunt Priscilla warned Dulcie.

"It is a dangerous thing to do, my dear. People will talk."

"What do Mills and I care for people? Oh, if it were not for Mary--" She
had just come in from a ride with Mills, and her eyes were shining.

"I wish we were not dining there to-night," said Aunt Priscilla. "I
wonder how Mary manages a dinner of eight with only one servant."

"She is so splendid and competent, Aunt Cilla. Mills says so. Everybody
says it. Things are easy for her that would be hard for other people."

"I wonder what she thinks of you?"

Dulcie, drawing off her gloves, meditated.

"I fancy she likes me. I know I love her, but not so much as I love
Mills."

Fifteen years ago Dulcie would have died rather than admit her love for
a married man. But since then she had seen life through the eyes of a
worldly-minded old husband, and it had made a difference.

At dinner that night Dulcie was exquisite in orchid tulle with a string
of pearls that hung to her knees. Her hair was like ripe corn, waved and
parted on the side with a girlish knot behind. Her skin was as fresh as
a baby's. Mary was in black net. She had been very busy helping the
cook, and she had had little time to spend on her hair. She looked ten
years older than Dulcie, and her mind was absolutely on the dinner. The
dinner was really very good. Mills had been extremely anxious about it.
He had called up Mary from down-town to tell her that he was bringing
home fresh asparagus. He wanted it served as an extra course with
Hollandaise sauce. Mary protested, but gave in. It was the Hollandaise
sauce that had kept her from curling her hair.

There were orchids for a centerpiece--in harmony with Dulcie's gown. In
fact, the whole dinner seemed keyed up to Dulcie. The guests were for
the most part literary folk, to whom Mills wanted to display his Egeria.
After dinner Dulcie sang for them. She had set to music the words of one
of Mills' poems, and she was much applauded.

After everybody had gone Mary went to bed with a headache. She was glad
that it was Saturday, for Sunday promised a rest. She decided to send
the children over to her mother and to have a quiet day with Mills. She
wouldn't even go to church in the morning. There was an afternoon
service; perhaps she and Mills might go together.

But Mills had other plans. He walked as far as the church door with
Mary, and left her there. Mary wasn't sorry to be left; her headache had
returned, and she was glad to sit alone in the peaceful dimness. But the
pain proved finally too much for her, so she slipped out quietly and
went home.

Clouds had risen, and she hurried before the shower. It was a real April
shower, wind with a rush and a silver downpour. Mary, coming into the
dark living-room, threw herself on the couch in a far corner and drew a
rug over her. The couch was backed up against a table which held a lamp
and a row of books. Mary had a certain feeling of content in the way the
furniture seemed to shut her in. There was no sound but the splashing of
rain against the windows.

She fell asleep at last, and waked to find that Mills and Dulcie had
come in. No lights were on; the room was in twilight dimness.

Mills had met Dulcie at her front door. "How dear of you to come," she
had told him.

He had spoken of his desertion of Mary. "But this day was made for you,
Dulcie."

They had walked on together, not heeding where they went, and when the
storm had caught them they were nearer Mills' house than Dulcie's and so
he had taken her there. They had entered the apparently empty room.

"Mary is still at church. Come and dry your little feet by my fire,
Dulcie." Mills knelt and fanned the flame.

Mary, coming slowly back from her dreams, heard this and other things,
and at last Dulcie's voice in protest:

"Dear, we must think of Mary."

"Poor Mary!"

Now the thing that Mary hated more than anything else in the whole world
was pity. Through all the shock of the astounding revelation that Mills
and Dulcie cared for each other came the sting of their sympathy. She
sat up, a shadow among the shadows.

"I mustn't stay, Mills," Dulcie was declaring.

"Why not?"

"I feel like a--thief--"

"Nonsense, we are only taking our own, Dulcie. We should have taken it
years ago. Loving you I should never have married Mary."

"I had a conscience then, Mills, and you had promised."

"But now you see it differently, Dulcie?"

"Perhaps."

Mills was on his knees beside Dulcie's chair, kissing her hands. The
fire lighted them. It was like a play, with Mary a forlorn spectator in
the blackness of the pit.

"Let me go now, Mills."

"Wait till Mary comes--we'll tell her."

"No, oh, poor Mary!"

Poor Mary indeed!

"Anyhow you've got to stay, Dulcie, and sing for me, and when Mary comes
back she'll get us some supper and I'll read you my new verses."

Among the shadows Mary had a moment of tragic mirth. Then she set her
feet on the floor and spoke:

"I'm sorry, Mills, but I couldn't cook supper to-night if I died for
it--"

From their bright circle of light they peered at her.

"Oh, my poor dear!" Dulcie said.

"I'm not poor," Mary told her, "but I'm tired, dead tired, and my head
aches dreadfully, and if you want Mills you can have him."

"Have him?" Dulcie whispered.

"Yes. I don't want him."

Mills exploded.

"What?"

"I don't want you, Mills. I'm tired of being a prop; I'm tired of
planning your meals, I'm tired of deciding whether you shall have
mushrooms with your steak or--onions. You can have him, Dulcie. I know
you think I've lost my mind." She came forward within the radius of the
light. "But I haven't. As long as I thought Mills cared I could stick it
out. But I have learned to-night that he loved you before he married me.
You gave him to me, Dulcie, and now you want him back."

Indian giver! Like a flash Dulcie's mind went to the little Mary of the
pigtails and pointing forefinger.

"You want him and you can have him. Perhaps if you had taken him years
ago he might have been different. I don't know. Perhaps even now he can
live up to all the lovely, lovely things that you and he are always
talking about. But I've had to talk to Mills about what he likes to eat
and what we have to pay for things; I've had to push him and prod him
and praise him, and it has been hard work. If you want him you can have
him, Dulcie."

Mills had a stunned look.

"Don't you love me, Mary?"

"I think I've proved it," she said quietly; "but I couldn't possibly go
on loving you now. You have Dulcie to love you, and one woman is enough
for any man. I don't know what you are planning to do, but you needn't
run away or do anything spectacular. I'll make it as easy for you as
possible. And now if you don't mind I'll go up and take a headache
powder; my head is splitting."

Left alone, they tried to regain their air of high romance.

"Poor Mary!"

But the words rang hollow. One couldn't possibly call a woman poor who
had given away so much with a single gesture.

They tried to talk it over but found nothing to say. At last Mills took
Dulcie home. She asked him in and he went. Aunt Priscilla was out, and
tea was served for the two of them from a lacquered tea cart--Orange
Pekoe and Japanese wafers. It was delicious but unsubstantial. Dulcie
with her coat off was like a wood sprite in leaf green. Her hair was
gold, her eyes wet violets; but Mills missed something. He had a feeling
that he wanted to get home and talk things over with Mary.

At last he rose, and it was then that Dulcie laid her hand on his arm.

"Mills, I can't."

"Can't what?"

"Let you leave Mary."

"Why not?"

"It wouldn't be right."

"It would be as right as it has ever been, Dulcie."

"I know how it must look to you, but--but I knew all the time that wrong
is wrong. I thought I was a different Dulcie from the girl of long ago,
but I'm not. I still have a conscience; I can't take you away from
Mary."

"You're not taking me away. You heard what she said--she doesn't want
me."

And Dulcie didn't want him! He saw it in that moment! The things that
Mary had said had scared her. She didn't want to prod and push and
praise. She didn't want to decide what he should have for dinner. She
didn't want to weigh the merits of beefsteak and mushrooms or beefsteak
and onions--onions!

He felt suddenly old, fat, bald-headed! The glow had faded from
everything. He did not protest or attempt to persuade her. He took his
hat, kissed her hand and got away.

Aunt Priscilla coming in found Dulcie in tears by the fire.

"I've given him up, Aunt Cilla."

"Why?"

"Well, it wouldn't be right."

She came into Aunt Priscilla's bedroom later to talk it over. She had
on the rosy house coat. She spoke of going back to Paris.

"It will be better for both of us. After all, Aunt Cilla, we are what we
are fundamentally, and we Puritans can't get away from our consciences,
can we?"

"Some of us," said Aunt Priscilla, "can't."

The old woman lay awake a long time that night, thinking it out. She was
glad that Dulcie had stopped the thing in time. But she had a feeling
that the solution of the situation could not be laid to an awakened
conscience. She hoped that some day Dulcie would tell her the truth.

       *       *       *       *       *

It was still raining when Mills reached home. The house was dark, the
fire had died down. He went up-stairs. The boys were in bed. There was a
light in Mary's room. He opened the door. Mary was propped up on her
pillows reading a book.

He stopped, uncertain, on the threshold.

"Come in," she said, "my head's better."

He crossed the room and stood beside her.

"Oh, Mary," he said, and his face worked. He dropped on his knees by the
bed and cried like a child.

She laid her hand on his head and smoothed his thin hair.

"Poor Mills!" she said softly; "poor old Mills!" Then after a moment,
brightly: "It will do us both good to have some coffee. Run along,
Mills, and start the percolator; I'll be down in a minute to get the
supper."




BURNED TOAST

I


Perry Cunningham and I had been friends for years. I was older than he,
and I had taught him in his senior year at college. After that we had
traveled abroad, frugally, as befitted our means. The one quarrel I had
with fate was that Perry was poor. Money would have given him the
background that belonged to him--he was a princely chap, with a
high-held head. He had Southern blood in his veins, which accounted
perhaps for an almost old-fashioned charm of manner, as if he carried on
a gentlemanly tradition.

We went through the art galleries together. There could have been
nothing better than those days with him--the Louvre, the Uffizi, the
Pitti Palace. Perry's search for beauty was almost breathless. We swept
from Filippo Lippi to Botticelli and Bellini, then on to Ghirlandajo,
Guido Reni, Correggio, Del Sarto--the incomparable Leonardo.

"If I had lived then," Perry would say, glowing, "in Florence or in
Venice!"

And I, smiling at his enthusiasm, had a vision of him among those golden
painters, his own young beauty enhanced by robes of clear color, his
thirst for loveliness appeased by the sumptuous settings of that age of
romance.

Then when the great moderns confronted us--Sorolla and the rest--Perry
complained, "Why did I study law, Roger, when I might be doing things
like this?"

"It is not too late," I told him.

I felt that he must not be curbed, that his impassioned interest might
blossom and bloom into genius if it were given a proper outlet.

So it came about that he decided to paint. He would stay in Paris a year
or two in a studio, and test his talent.

But his people would not hear of it. There had been lawyers in his
family for generations. Since the Civil War they had followed more or
less successful careers. Perry's own father had made no money, but
Perry's mother was obsessed by the idea that the fortunes of the family
were bound up in her son's continuance of his father's practice.

So Perry went home and opened an office. His heart was not in it, but he
made enough to live on, and at last he made money enough to marry a
wife. He would have married her whether he had enough to live on or not.
She was an artist, and she was twenty when Perry met her. We had been
spending a month in Maine, on an island as charming as it was cheap.
Rosalie was there with a great-aunt and uncle. She was painting the sea
on the day that Perry first saw her, and she wore a jade-green smock.
Her hair was red, drawn back rather tightly from her forehead, but
breaking into waves over her ears. With the red of her cheeks and the
red of her lips she had something of the look of Lorenzo Lotto's lovely
ladies, except for a certain sharp slenderness, a slenderness which
came, I was to learn later, from an utter indifference to the claims of
appetite. She was one of those who sell bread to buy hyacinths.

I speak of this here because Rosalie's almost ascetic indifference to
material matters, in direct contrast to Perry's vivid enjoyment of the
good things of life, came to have a tragic significance in later days.
Perry loved a warm hearth in winter, a cool porch in summer. He had the
Southerner's epicurean appreciation of the fine art of feasting. The
groaning board had been his inheritance from a rollicking, rackety set
of English ancestors, to whom dining was a rather splendid ceremony. On
his mother's table had been fish and game from Chesapeake, fruits and
vegetables in season and out--roast lamb when prices soared high in the
spring, strawberries as soon as they came up from Florida. There had
always been money for these in the Cunningham exchequer, when there had
been money for nothing else.

Rosalie, on the other hand, ate an orange in the morning, a square of
toast at noon, a chop and perhaps a salad for dinner. One felt that she
might have fared equally well on dew and nectar. She had absolutely no
interest in what was set before her, and after she married Perry this
attitude of mind remained unchanged.

She was a wretched cook, and made no effort to acquire expertness. She
and Perry lived in a small but well-built bungalow some miles out from
town, and they could not afford a maid. When I dined with them I made up
afterward for the deficiencies of their menu by a square meal at the
club. There was no chance for Perry to make up, and I wondered as the
years went on how he stood it.

He seemed to stand it rather well, except that in time he came to have
that same sharpened look of delicacy which added a spiritual note to
Rosalie's rich bloom. He always lighted up when he spoke of his wife,
and he was always urging me to come and see them. I must admit that
except for the meals I liked to go. Rosalie's success at painting had
been negligible, but her love of beauty was expressed in the atmosphere
she gave to her little home; she had achieved rather triumphant results
in backgrounds and in furnishing.

I remember one spring twilight. I was out for the week-end, and we dined
late. The little house was on a hill, and with the French windows wide
open we seemed to hang above an abyss of purple sky, cut by a thin
crescent. White candles lighted the table, and there were white lilacs.
There was a silver band about Rosalie's red hair.

There was not much to eat, and Perry apologized, "Rose hates to fuss
with food in hot weather."

Rosalie, as mysterious in that light as the young moon, smiled dreamily.

"Why should one think about such things--when there is so much else in
the world?"

Perry removed the plates and made the coffee. Rosalie did not drink
coffee. She wandered out into the garden, and came back with three
violets, which she kissed and stuck in Perry's coat.

The next morning when I came down Rosalie was cutting bread for toast.
She was always exquisitely neat, and in her white linen and in her
white-tiled kitchen she seemed indubitably domestic. I was hungry and
had hopes of her efforts.

"Peer is setting the table", she told me.

She always called him "Peer". She had her own way of finding names for
people. I was never "Roger", but "Jim Crow". When questioned as to her
reason for the appellation she decided vaguely that it might be some
connection of ideas--dances--Sir Roger de Coverley--and didn't somebody
"dance Jim Crow"?

"You don't mind, do you?" she had asked, and I had replied that I did
not.

I did not confess how much I liked it. I had always been treated in a
distinctly distant and dignified fashion by my family and friends, so
that Rosalie's easy assumption of intimacy was delightful.

Well, I went out on the porch and left Rosalie to her culinary devices.
I found the morning paper, and fifteen minutes later there came up
across the lawn a radiant figure.

Rosalie, hearing the garden call, had chucked responsibility--and her
arms were full of daffodils!

We had burned toast for breakfast! Rosalie had forgotten it and Perry
had not rescued it until it was well charred. There was no bread to make
more, so we had to eat it.

For the rest we had coffee and fruit. It was an expensive season for
eggs, and Rosalie had her eye on a bit of old brocade which was to light
a corner of her studio. She breakfasted contentedly on grapefruit, but
Perry was rather silent, and I saw for the first time a shadow on his
countenance. I wondered if for the moment his mind had wandered to the
past, and to his mother's table, with Sunday waffles, omelet, broiled
bacon. Yet--there had been no bits of gay brocade to light the
mid-Victorian dullness of his mother's dining-room, no daffodils on a
radiant morning, no white lilacs on a purple twilight, no slender
goddess, mysterious as the moon.

It was in the middle of the following winter that I began to realize
that Perry was not well. He had come home on a snowy night, tired and
chilled to the bone. He was late and Rosalie had kept dinner waiting for
him. It was a rather sorry affair when it was served. Perry pushed his
chair back and did not eat. I had as little appetite for it as he, but I
did my best. I had arrived on an earlier train, with some old prints
that I wanted to show him. Rosalie and I looked at them after dinner,
but Perry crouched over the fire and coughed at intervals.

At last I couldn't stand it any longer.

"He needs some hot milk, a foot bath, and to be tucked up in bed."

Rosalie stared at me above the prints. "Perry?"

"Yes. He isn't well."

"Don't croak, Jim Crow."

But I knew what I was talking about. "I am going to get him to bed. You
can have the milk ready when I come down."

It developed that there was no milk. I walked half a mile to a road
house and brought back oysters and a bottle of cream. I cooked them
myself in the white-tiled kitchen, and served them piping hot in a bowl
with crackers.

Perry, propped up in bed, ate like a starved bird.

"I've never tasted anything better," he said; and, warmed and fed, he
slept after a bit as soundly as a satisfied baby.

It was while he was eating the oysters that Rosalie came to the door and
looked at him. He was not an æsthetic object--I must admit that no sick
man is--and I saw distaste in her glance, as if some dainty instinct in
her shrank from the spectacle.

When I went down I found her sitting in front of the fire, wrapped in a
Chinese robe of black and gold. You can imagine the effect of that with
the red of her hair and the red of her cheeks and lips. Her feet, in
black satin slippers, were on a jade-green cushion, and back of her head
was the strip of brocade that she had bought with her housekeeping
money. It was a gorgeous bit, repeating the color of the cushion, and
with a touch of blue which matched her eyes.

She wanted me to show her the rest of the prints. I tried to talk to her
of Perry's health, but she wouldn't.

"Don't croak, Jim Crow," she said again.

As I look back at the two of us by the fire that night I feel as one
might who had been accessory to a crime. Rosalie's charm was undoubted.
Her quickness of mind, her gayety of spirit, her passion for all that
was lovely in art and Nature--made her indescribably interesting. I
stayed late. And not once, after my first attempt, did we speak of
Perry.



II


It was in March that I made Perry see a doctor. "Nothing organic," was
Perry's report. Beyond that he was silent. So I went to the doctor
myself.

"What's the matter with him?"

"He is not getting the proper nourishment," the doctor told me. "He must
have plenty of milk and eggs, and good red meat."

It sounded easy enough, but it wasn't. Rosalie couldn't grasp the fact
that diet in Perry's case was important. For the first time I saw a
queer sort of obstinacy in her.

"Oh, my poor Peer!" And she laughed lightly. "Do they want to make a
stuffed pig of you?"

Well, you simply couldn't get it into her head that Perry needed the
bread that she sold for hyacinths. She cooked steaks and chops for him,
and served them with an air of protest that took away his appetite.

Of course there remained the eggs and milk, but he didn't like them.
What Perry really needed was three good meals a day according to the
tradition of his mother's home.

But he couldn't have them. His mother was dead, and the home broken up.
The little bungalow, with its old brocades, its Venetian glass, its
Florentine carvings, its sun-dial and its garden, was the best that life
could offer him. And I must confess that he seemed to think it very
good. He adored Rosalie. When in moments of rebellion against her
seeming indifference I hinted that she lacked housewifely qualities he
smiled and shifted the subject abruptly.

Once he said, "She feeds--my soul."

Of course she loved him. But love to her meant what it had meant in
those first days on the Maine coast when she had seen him, slender and
strong, his brown hair blowing back from his sun-tanned skin; it meant
those first days in their new home when, handsome and debonair in the
velvet coat which she had made him wear, he had added a high light to
the picture she had made of her home.

This new Perry, pale and coughing--shivering in the warmth of the
fire--did not fit into the picture. Her dreams of the future had not
included a tired man who worked for his living, and who was dying for
lack of intelligent care.

To put it into cold words makes it sound ghoulish. But of course Rosalie
was not really that. She was merely absorbed in her own exalted theories
and she was not maternal. I think when I compared her, unthinking, to
the young moon, that I was subconsciously aware of her likeness to the
"orbed maiden" whose white fire warms no one.

She tried to do her best, and I am quite sure that Perry never knew the
truth--that he might have been saved if she could have left her heights
for a moment and had become womanly and wifely. If she had mothered him
a bit--poured out her tenderness upon him--oh, my poor Perry. He loved
her too much to ask it, but I knew what it would have meant to him.

All through his last illness Rosalie clung to me. I think it grew to be
a horror to her to see him, gaunt and exhausted, in the west room. He
had a good nurse, toward the last, and good food. I had had a small
fortune left to me, too late, by a distant relative. I paid for the cook
and the nurse, and I sent flowers to Rosalie that she might take them to
Perry and let his hungry eyes feed upon her.

It was in the winter that he died, and after all was over Rosalie and I
went out and stood together on the little porch. There was snow on the
ground and the bright stars seemed caught in the branches of the pines.

Rosalie shook and sobbed.

"I hate--death," she said. "Oh, Jim Crow, why did God let my poor Peer
die?" She was completely unstrung. "Death is so--ugly."

I said, "It is not ugly. Peer will live again--like the daffodils in
the spring."

"Do you believe that, Jim Crow?"

I did believe it, and I told her so--that even now her Peer was strong
and well; and I think it comforted her. It gave her lover back to her,
as it were, in the glory of his youth.

She did not wear mourning, or, rather, she wore mourning which was like
that worn by no other woman. Her robes were of purple. She kept Perry's
picture on the table, and out of the frame his young eyes laughed at us,
so that gradually the vision of that ravaged figure in the west room
faded.

I went to see her once a week. It seemed the only thing to do. She was
utterly alone, with no family but the great-aunt and uncle who had been
with her when she met Perry. She was a child in business matters, and
Perry had left it to me to administer the affairs of his little estate.
Rosalie had her small bungalow, Perry's insurance, and she turned her
knowledge of painting to practical account. She made rather special
things in lamp-shades and screens, and was well paid for them.

I went, as I have said, once a week. A woman friend shared part of her
house, but was apt to be out, and so I saw Rosalie usually alone. I
lived now at the club and kept a car. Rosalie often dined with me, but I
rarely ate at the bungalow. Now and then in the afternoon she made me a
cup of tea, rather more, I am sure, for the picturesque service with
her treasured Sheffield than for any desire to contribute to my own
cheer or comfort.

And so, gradually, I grew into her life and she grew into mine. I was
forty-five, she twenty-five. In the back of my mind was always a sense
of the enormity of her offense against Perry. In my hottest moments I
said to myself that she had sacrificed his life to her selfishness; she
might have been a Borgia or a Medici.

Yet when I was with her my resentment faded; one could as little hold
rancor against a child.

Thus the months passed, and it was in the autumn, I remember, that a
conversation occurred which opened new vistas. She had been showing me a
parchment lamp-shade which she had painted. There was a peacock with a
spreading tail, and as she held the shade over the lamp the light shone
through and turned every feathered eye into a glittering jewel. Rosalie
wore one of her purple robes, and I can see her now as I shut my eyes,
as glowing and gorgeous as some of those unrivaled masterpieces in the
Pitti Palace.

"Jim Crow," she said, "I shall do a parrot next--all red and blue, with
white rings round his eyes."

"You will never do anything better than that peacock."

"Shan't I?" She left the shade over the lamp and sat down. "Do you think
I shall paint peacocks and parrots for the rest of my life, Jim Crow?"

"What would you like to do?" I asked her.

"Travel." She was eager. "Do you know, I have never been to Europe?
Perry used to tell me about it--Botticelli and Raphael--and
Michaelangelo--"

"We had a great time," I said, remembering it all--that breathless
search for beauty.

"He promised that some day he and I would go--together."

"Poor Perry!"

She rose restlessly.

"Oh, take me out somewhere, Jim Crow! I feel as if this little house
would stifle me."

We motored to the country club. She wore the color which she now
affected, a close little hat and a straight frock. People stared at her.
I think she was aware of their admiration and liked it.

She smiled at me as she sat down at the table. "I always love to come
with you, Jim Crow."

"Why?"

"You do things so well, and you're such a darling."

I do not believe that it was intended as flattery. I am sure that she
meant it. She was happy because of the lights and the lovely old room
with its cavernous fireplace and its English chintzes; and out of her
happiness she spoke.

She could not, of course, know the effect of her words on me. No one had
ever called me a darling or had thought that I did things well.

She used, too, to tell me things about my looks. "You'd be like one of
those distinguished gentlemen of Vandyke's if you'd wear a ruff and
leave off your eye-glasses."

I wonder if you know how it seemed to have a child like that saying such
things. For she was more than a child, she was a beautiful woman, and
everything surrounding her was beautiful. And there had been a great
many gray years before I met Perry and before the money came which made
pleasant living possible.

"I like you because you are strong," was another of her tributes.

"How do you know I am strong?"

"Well, you look it. And not many men could have carried me so easily
up-stairs."

She had sprained her ankle in getting out of my car on the night that we
had dined at the country club. She had worn high-heeled slippers and had
stepped on a pebble.

It was on that night that I first faced the fact that I cared for her.
In my arms she had clung to me like a child, her hair had swept my
cheek, there had been the fragrance of violets.

I did not want to care for her. I remembered Perry--the burned toast
which had seemed to mark the beginning of their tragedy--those last
dreadful days. I knew that Perry's fate would not be mine; there would
be no need to sell bread to buy hyacinths. There was money enough and to
spare, money to let her live in the enjoyment of the things she craved;
money enough to--travel.

The more I thought of it the more I was held by the thought of what such
a trip would mean to me. It would be like that pilgrimage with young
Perry. There would be the same impassioned interest--there would be more
than that--there would be youth and loveliness--all mine.

I felt that I was mad to think of it. Yet she made me think of it. It
was what she wanted. She was not in the least unwomanly, but she was
very modern in her frank expression of the pleasure she felt in my
companionship.

"Oh, what would I do without you, Jim Crow?" was the way she put it.

I grew young in my months of association with her. I had danced a little
in my college days, but I had given it up. She taught me the new
steps--and we would set the phonograph going and take up the rugs.

When I grew expert we danced together at the country club and at some of
the smart places down-town. It was all very delightful. I made up my
mind that I should marry her.

I planned to ask her on Christmas Eve. I had a present for her, an
emerald set in antique silver with seed pearls. It was hung on a black
ribbon, and I could fancy it shining against the background of her
velvet smock. I carried flowers, too, and a book. I was keen with
anticipation. The years seemed to drop from me. I was a boy of twenty
going to meet the lady of my first romance.

When I arrived at the bungalow I found that Rosalie had with her the old
great-aunt and uncle who had been with her when we first met in Maine.
They had come on for Christmas unexpectedly, anticipating an eager
welcome, happy in their sense of surprise.

Rosalie, when we had a moment alone, expressed her dismay.

"They are going to stay until to-morrow night, Jim Crow. And I haven't
planned any Christmas dinner."

"We'll take them to the country club."

"How heavenly of you to think of it!"

I gave her the flowers and the book. But I kept the jewel for the high
moment when I should ask her for a greater gift in exchange.

But the high moment did not come that night. The old uncle and aunt sat
up with us. They had much to talk about. They were a comfortable
pair--silver-haired and happy in each other--going toward the end of the
journey hand in hand.

The old man went to the door with me when I left, and we stood for a
moment under the stars.

"Mother and I miss hanging up the stockings for the kiddies," he said.

"Were there many kiddies?"

"Three. Two dead and one married and out West. Rosalie seemed the
nearest that we had, and that's why we came. I thought mother might be
lonely in our big old house."

The next day at the country club the old gentleman was genial but
slightly garrulous. The old lady talked about her children and her
Christmas memories. I saw that Rosalie was frankly bored.

As for myself, I was impatient for my high moment.

But I think I gave the old folks a good time and that they missed
nothing in my manner. And, indeed, I think that they missed nothing in
Rosalie's. They had the gentle complacency of the aged who bask in their
own content.

It was toward the end of dinner that I caught a look in Rosalie's eyes
which almost made my heart stop beating. I had not seen it since Perry's
death. I had seen it first when she had stood in the door of his room on
the night that I tucked him up in bed and gave him the hot oysters. It
was that look of distaste--that delicate shrinking from an unpleasant
spectacle.

Following her gaze I saw that the old gentleman had sunk in his chair
and was gently nodding. His wife leaned toward me.

"Milton always takes a cat nap after meals," she said, smiling. And I
smiled back, she was so rosy and round and altogether comfortable.

Rosalie and I went with them to the train, and it was as we drove back
that I spoke of them.

"They are rather great dears, aren't they?"

Rosalie was vehement. "I hate old people!"

A chill struck to my bones. "You hate them? Why?"

"They're--ugly, Jim Crow. Did you see how they had shrunk since I last
saw them--and the veins in their hands--and the skull showing through
his forehead?"

She was twenty-five, and I was almost twice her age. When I was old she
would still be young--young enough to see my shrunken body and the
skull showing through!

The look that had been in her eyes for Perry would some day be in her
eyes for me. And I knew that if I ever saw it it would strike me dead.
It might not kill me physically, but it would wither like a flame all
joy and hope forever.

When we reached the bungalow I built up a fire, and Rosalie, leaving me
for a little, came back in something sheer and lovely in green. It was
the first time since Perry's death that she had discarded her purple
robes. She sank into a big chair opposite me and put her
silver-slippered feet on the green cushion.

"Isn't it heavenly to be alone, Jim Crow?"

It was the high moment which I had planned, but I could not grasp it.
Between me and happiness stood the shadow of that other Rosalie,
shrinking from me when I was old as she had shrunk from Perry.

"My dear," I said, and I did not look at her, "I've been thinking a lot
about you."

Her chin was in her hand. "I know."

But she didn't know.

"I've been thinking, Rosalie; and I want to give you something for
Christmas which will make you happy throughout the year."

"You are such a darling, Jim Crow."

"And I have thought of this--a trip to Europe. You'll let me do it,
won't you? There'll be the art galleries, and you can stay as long as
you like."

I could see that she was puzzled. "Do you mean that I am to go--alone?"
she asked slowly.

"There may be some one going. I'll find out."

There was dead silence.

"You will let me do it?" I asked finally.

She came over to my chair and stood looking down at me.

"Why are you sending me alone, Jim Crow?"

I think, then, that she saw the anguish in my eyes. She sank on her
knees beside my chair.

"I don't want to go alone, Jim Crow. I want to stay--with--you."

       *       *       *       *       *

Well, the jewel is on her breast and a ring to match is on her finger.
And when the spring comes we are to sail for Italy, for France.

Perhaps we shall never come back. And I am going to give Rosalie all
the loveliness that life can hold for her. Now and then she whispers
that she never knew love until I taught it to her. That what she felt
for Perry was but the echo of his own need of her.

"But I'd tramp the muddy roads with you, Jim Crow."

I wonder if she really means it. I wish with all my heart that I might
know it true. I have never told her of my fears and I believe that I can
make her happy. I shall try not to look too far beyond the days we shall
have in the Louvre and the Uffizi and the Pitti Palace. We shall search
for beauty, and perhaps I can teach her to find it, before it is too
late, in the things that count.




PETRONELLA


"If you loved a man, and knew that he loved you, and he wouldn't ask you
to marry him, what would you do?"

The Admiral surveyed his grand-niece thoughtfully. "What do you expect
to do, my dear?"

Petronella stopped on the snowy top step and looked down at him. "Who
said I had anything to do with it?" she demanded.

The Admiral's old eyes twinkled. "Let me come in, and tell me about
it."

Petronella smiled at him over her big muff. "If you'll promise not to
stay after five, I'll give you a cup of tea."

"Who's coming at five?"

The color flamed into Petronella's cheeks. In her white coat and white
furs, with her wind-blown brown hair, her beauty satisfied even the
Admiral's critical survey, and he hastened to follow his question by the
assertion, "Of course I'll come in."

Petronella, with her coat off, showed a slenderness which was enhanced
by the straight lines of her white wool gown, with the long sleeves
fur-edged, and with fur at the top of the high, transparent collar. She
wore her hair curled over her ears and low on her forehead, which made
of her face a small and delicate oval. In the big hall, with a roaring
fire in the wide fireplace, she dispensed comforting hospitality to the
adoring Admiral. And when she had given him his tea she sat on a stool
at his feet. "Oh, wise great-uncle," she said, "I am going to tell you
about the Man!"

"Have I ever seen him?"

"No. I met him in London last year, and--well, you know what a trip home
on shipboard means, with all the women shut up in their cabins, and with
moonlight nights, and nobody on deck--"

"So it was an affair of moonlight and propinquity?"

After a pause: "No, it was an affair of the only man in the world for
me."

"My dear child--!"

Out of a long silence she went on: "He thought I was poor. You know how
quietly I traveled with Miss Danvers. And he didn't associate Nell
Hewlett with Petronella Hewlett of New York and Great Rock. And
so--well, you know, uncle, he let himself go, and I let myself go, and
then--"

She drew a long breath. "When we landed, things stopped. He had found
out who I was, and he wrote me a little note, and said he would never
forget our friendship--and that's--all."

She finished drearily, and the bluff old Admiral cleared his throat.
There was something wrong with the scheme of things when his Petronella
couldn't have the moon if she wanted it!

"And what can I do--what can any woman do?" Petronella demanded, turning
on him. "I can't go to him and say, 'Please marry me.' I can't even
think it"; her cheeks burned. "And he'd die before _he'd_ say another
word, and I suppose that now we'll go on growing old, and I'll get
thinner and thinner, and he'll get fatter and fatter, and I'll be an old
maid, and he'll marry some woman who's poor enough to satisfy his pride,
and--well, that will be the end of it, uncle."

"The end of it?" said the gentleman who had once commanded a squadron.
"Well, I guess not, Petronella, if you want him. Oh, the man's a fool!"

"He's not a fool, uncle." The sparks in Petronella's eyes matched the
sparks in the Admiral's.

"Well, if he's worthy of you--"

Petronella laid her cheek against his hand. "The question is not," she
said, faintly, "of his worthiness, but of mine, dear uncle."

Dumbly the Admiral gazed down at that drooping head. Could this be
Petronella--confident, imperious, the daughter of a confident and
imperious race?

He took refuge in the question, "But who is coming at five?"

"He is coming. He is passing through Boston on his way to visit his
mother in Maine. I asked him to come. I told him I was down here by the
sea, and intended to spend Christmas at Great Rock because you were
here, and because this was the house I lived in when I was a little
girl, and that I wanted him to see it; and--I told him the truth,
uncle."

"The truth?"

"That I missed him. That was all I dared say, and I wish you had read
his note of assent. Such a stiff little thing. It threw me back upon
myself, and I wished that I hadn't written him--I wished that he
wouldn't come. Oh, uncle, if I were a man, I'd give a woman the right to
choose. That's the reason there are so many unhappy marriages. Nine
wrong men ask a woman, and the tenth right one _won't_. And finally she
gets tired of waiting for the tenth right one, and marries one of the
nine wrong ones."

"There are women to-day," said the Admiral, "who are preaching a woman's
right to propose."

Petronella gazed at him, thoughtfully. "I could preach a doctrine like
that--but I couldn't practice it. It's easy enough to say to some other
woman, 'Ask him,' but it's different when you are the woman."

"Yet if he asked you," suggested the Admiral, "the world might say that
he wanted your money."

"Why should we care what the world would say?" Petronella was on her
feet now, defending her cause vigorously. "Why should we care? Why, it's
our love against the world, uncle! Why should we care?"

The Admiral stood up, too, and paced the rug as in former days he had
paced the decks. "There must be some way out," he said at last, and
stopped short. "Suppose I speak to him--"

"And spoil it all! Oh, uncle!" Petronella shook him by the lapels of
his blue coat. "A man never knows how a woman feels about such things.
Even you don't, you old darling. And now will you please go; and take
this because I love you," and she kissed him on one cheek, "and this
because it is a quarter to five and you'll have to hurry," and she
kissed him on the other cheek.

The Admiral, being helped into his big cape in the hall, called back, "I
forgot to give you your Christmas present," and he produced a small
package.

"Come here and let me open it," Petronella insisted. And the Admiral,
without a glance at the accusing clock, went back. And thus it happened
that he was there to meet the Man.

It must be confessed that the Admiral suffered a distinct shock as he
was presented to the hero of Petronella's romance. Here was no courtly
youth of the type of the military male line of Petronella's family, but
a muscular young giant of masterful bearing. The Hewlett men had
commanded men; one could see at a glance that Justin Hare had also
commanded women. This, the wise old Admiral decided at once, was the
thing which had attracted Petronella--Petronella, who had held her own
against all masculine encroachments, and who was heart-free at
twenty-five!

"Look what this dearest dear of an uncle has given me," said Petronella,
and held up for the young surgeon's admiration a string of pearls with a
sapphire clasp. "They belonged to my great-aunt. I was named for her,
and uncle says I look like her."

"You have her eyes, my dear, and some of her ways. But she was less
independent. In her time women leaned more, as it were, on man's
strength."

Justin Hare looked at them with interest--at the slender girl in her
white gown, at the tall, straight old man with his air of command.

"Women in these days do not lean," he said, with decision; "they lead."

A spark came into Petronella's eyes. "And do you like the modern type
best?" she challenged.

He answered with smiling directness, "I like you."

The Admiral was pleased with that, though he was still troubled by this
man's difference from the men of his own race. Yet if back of that
honest bluntness there was a heart which would enshrine her--well, that
was all he would ask for this dearest of girls.

He glanced at the clock, and spoke hurriedly: "I must be going, my dear;
it is long after five."

"Must you really go?" asked the mendacious Petronella.

An hour later she was alone. The visit had been a failure. She admitted
that, as she gazed with a sort of agonized dismay through the wide
window to where the sea was churned by the wildness of the northeast
gale. Snow had come with the wind, shutting out the view of the great
empty hotels on the Point, shutting out, too, the golden star of hope
which gleamed from the top of the lighthouse.

Petronella turned away from the blank scene with a little shudder. Thus
had Justin Hare shut her out of his life. He had talked of his mother in
Maine, of his hospital plans for the winter, but not a word had he said
of those moonlight nights when he had masterfully swayed her by the
force of his own passion, had wooed her, won her.

And now there was nothing that she could do. There was never anything
that a woman could do! And so she must bear it. Oh, if she could bear
it!

A little later, when a maid slipped in to light the candles, Petronella
said out of the shadows, "When Jenkins goes to the post-office, I have a
parcel for the mail."

"He's been, miss, and there won't be any train out to-night; the snow
has stopped the trains."

"Not any train!" At first the remark held little significance, but
finally the fact beat against her brain. If the one evening train could
not leave, then Justin Hare must stay in town, and he would have to stay
until Christmas morning!

Petronella went at once to the telephone, and called up the only hotel
which was open at that season. Presently she had Hare at the other end
of the line.

"You must come to my house to dinner," she said. "Jenkins has told me
about your train. Please don't dress--there'll be only Miss Danvers and
uncle; and you shall help me trim my little tree."

Although she told him not to dress, she changed her gown for one of dull
green velvet, built on the simple lines of the white wool she had worn
in the afternoon. The square neck was framed by a collar of Venetian
point, and there was a queer old pin of pearls.

The Admiral, arriving early, demanded: "My dear, what is this? I was
just sitting down to bread and milk and a handful of raisins, and now I
must dine in six courses, and drink coffee, which will keep me awake."

She laid her cheek against his arm. "Mr. Hare's train couldn't get out
of town on account of the snow."

"And he's coming?"

"Yes."

"But what of this afternoon, my dear?"

She slipped her hand into his, and they stood gazing into the fire. "It
was dreadful, uncle. I had a feeling that I had compelled him to
come--against his will."

"Yet you have asked him to come again to-night?"

She shivered a little, and her hand was cold. "Perhaps I shall regret
it--but oh, uncle, can't I have for this one evening the joy of his
presence? And if to-morrow my heart dies--"

"Nella, my dear child--"

The Admiral's own Petronella had never drawn in this way upon his
emotions. She had been gentle, perhaps a little cold. But then he had
always worshiped at her shrine. Perhaps a woman denied the lore she
yearns for learns the value of it. At any rate, here in his arms was the
dearest thing in his lonely life, sobbing as if her heart would break.

When Justin came, a half-hour later, he found them still in front of the
fire in the great hall, and as she rose to welcome him he saw that
Petronella had been sitting on a stool at her uncle's feet.

"When I was a little girl," she explained, when Hare had taken a chair
on the hearth and she had chosen another with, a high, carved back, in
which she sat with her silken ankles crossed and the tips of her slipper
toes resting on a leopard-skin which the Admiral had brought back from
India--"when I was a little girl we always spent Christmas Eve in this
house by the sea instead of in town. We were all here then--mother and
dad and dear Aunt Pet, and we hung our stockings at this very
fireplace--and now there is no one but Miss Danvers and me, and uncle,
who lives up aloft in his big house across the way, where he has a
lookout tower. I always feel like calling up to him when I go there,
'Oh, Anne, Sister Anne, do you see anybody coming?'"

She was talking nervously, with her cheeks as white as a lily, but with
her eyes shining. The Admiral glanced at Hare. The young man was
drinking in her beauty. But suddenly he frowned and turned away his
eyes.

"It was very good of you to ask me over," he said, formally.

That steadied Petronella. Her nervous self-consciousness fled, and she
was at once the gracious, impersonal hostess.

The Admiral glowed with pride of her. "She'll carry it off," he said to
himself; "it's in her blood."

"Dinner is served," announced Jenkins from the doorway, and then Miss
Danvers came down and greeted Justin, and they all went out together.

There was holly for a centerpiece, and four red candles in silver
holders. The table was of richly carved mahogany, and the Admiral,
following an old custom, served the soup from a silver tureen, upheld by
four fat cupids. From the wide arch which led into the great hall was
hung a bunch of mistletoe; beyond the arch, the roaring fire made a
background of gleaming, golden light.

To the young surgeon it seemed a fairy scene flaming with the color and
glow of a life which he had never known. He had lived so long surrounded
by the bare, blank walls of a hospital. Even Petronella's soft green
gown seemed made of some mystical stuff which had nothing in common with
the cool white or blue starchiness of the uniforms of nurses.

They talked of many things, covering with, their commonplaces the
tenseness of the situation. Then suddenly the conversation took a
significant turn.

"I love these stormy nights," Petronella had said, "with the snow
blowing, and the wind, and the house all warm and bright."

"Think of the poor sailors at sea," Hare had reminded her.

"Please--I don't want to think of them. We have done our best for them,
uncle and I. We have opened a reading-room down by the docks, so that
all who are ashore can have soup and coffee and sandwiches, and there's
a big stove, and newspapers and magazines."

"You dispense charity?"

"Why not?" she asked him, confidently. "We have plenty--why shouldn't we
give?"

"Because it takes away from their manhood to receive."

The Admiral spoke bluntly. "The men don't feel it that way. This
charity, as you call it, is a memorial to my wife. The grandfathers of
these boys used to see her light in the window of the old house on
stormy nights, and they knew that it was an invitation to good cheer.
More than one crew coming in half frozen were glad of the soup and
coffee which were sent down to them in cans with baskets of bread. And
this little coffee-room has been the outgrowth of just such hospitality.
There are too many of the men to have in my house. I simply entertain
them elsewhere, and I like to go and talk to them, and sometimes
Petronella goes."

"There's a picture of dear Aunt Pet hanging there," said Petronella,
"and you can't imagine how it softens the manners of the men. It is as
if her spirit brooded over the place. They have made it into a sort of
shrine, and they bring shells and queer carved things to put on the
shelf below it."

"In the city we are beginning to think that such methods weaken
self-respect."

"That's because," said the wise old Admiral, "in the city there isn't
any real democracy. You give your friend a cup of coffee and think
nothing of it, yet when I give a cup of coffee to a sailor whose
grandfather and mine fished together on the banks, you warn me that my
methods tend to pauperize. In the city the poor are never your
friends--in this little town no man would admit that he is less than I.
They like my coffee and they drink it."

Petronella, seeing her chance, took it. "I think people are horrid to
let money make a difference."

"You say that," said Hare, "because you have never had to accept
favors--you have, in other words, never been on the other side."

The Admiral, taking up cudgels for his niece, answered, "If she had been
on the other side, she would have taken life as she takes it now--like a
gentleman and a soldier," and he smiled at Petronella.

Hare had a baffled sense that the Admiral was right--that Petronella's
fineness and delicacy would never go down in defeat or despair. She
would hold her head high though the heavens fell. But could any man make
such demands upon her? For himself, he would not.

So he answered, doggedly, "We shall hope she need never be tested." And
Petronella's heart sank like lead.

But presently she began to talk about the little tree. "We have always
had it in uncle's lookout tower. That was another of dear Aunt Pet's
thoughts for the sailors. On clear nights they looked through their
glasses for the little colored lights, and on stormy nights they knew
that back of all the snow was the Christmas brightness."

"I never had a tree," said Justin. "When I was a kiddie we had pretty
hard times, and the best Christmas I remember was one when mother made
us boys put up a shelf for our books, and she started our collection
with 'Treasure Island' and 'Huckleberry Finn.'"

In the adjoining room, volumes reached from floor to ceiling, from end
to end. Petronella had a vision of this vivid young giant gloating over
his two books on a rude shelf. And all her life she had had the things
she wanted! Somehow the thought took the bitterness out of her attitude
toward him. How strong he must be to deny himself now the one great
thing that he craved when his life had held so little.

"How lovely to begin with just those two books," she said, softly, and
the radiance of her smile was dazzling.

When she showed him her presents she was still radiant. There was a
queer opera-bag of Chinese needlework, with handles of jade, a Damascus
bowl of pierced brass, a tea-caddy in quaint Dutch _repoussé_; there was
a silver-embroidered altar-cloth for a cushion, a bit of Copenhagen
faience, all the sophisticated artistry which is sent to those who have
no need for the commonplace. There were jewels, too: a bracelet of
topazes surrounded by brilliants, a pair of slipper buckles of
turquoises set in silver, a sapphire circlet for her little finger, a
pendant of seed pearls.

As she opened the parcels and displayed her riches Justin felt
bewildered. His gifts to his mother had included usually gloves and a
generous check; if he had ventured to choose anything for Petronella he
would not have dared go beyond a box of candy or a book; he had given
his nurses pocketbooks and handkerchiefs. And the men of Petronella's
world bestowed on her brass bowls and tea-caddies!

Miss Danvers vanished up-stairs. The Admiral, having admired, slipped
away to the library, encouraged by Petronella's whispered: "Oh, uncle
dear, leave us alone for just a little minute. I've found a way!"

Then Petronella, with that radiance still upon her, sat down on her
little stool in front of the fire, and looked at Justin on the other
side of the hearth.

"You haven't given me anything," she began, reproachfully.

"What could I give that would compare with these?" His hand swept toward
the exquisite display. "What could I give--"

"There's one thing," softly.

"What?"

"That copy of 'Treasure Island' that your mother gave you long ago."

Dead silence. Then, unsteadily: "Why should you want that?"

"Because your mother--loved you."

Again dead silence. Hare did not look at her. His hand clenched the arm
of his chair. His face was white. Then, very low, "Why do you--make it
hard for me?"

"Because I want--the book"; she was smiling at him with her eyes like
stars. "I want to read it with the eyes of the little boy--with the eyes
of the little boy who looked into the future and saw life as a great
adventure; who looked into the future--and dreamed."

He had a vision, too, of that little boy, reading, in the old house in
the Maine woods, by the light of an oil-lamp, on Christmas Eve, with the
snow blowing outside as it blew to-night.

"And your mother loved you because she loved your father," the girl's
voice went on, "and you were all very happy up there in the forest. Do
you remember that you told me about it on the ship?--you were happy,
although you were poor, and hadn't any books but 'Treasure Island' and
'Huckleberry Finn.' But your mother was happy--because she--loved your
father."

As she repeated it, she leaned forward. "Could you think of your mother
as having been happy with any one else but your father?" she asked.
"Could you think of her as having never married him, of having gone
through the rest of her days a half-woman, because he would not--take
her--into his life? Can you think that all the money in the world--all
the money in the whole world--would--would have made up--"

The room seemed to darken. Hare was conscious that her face was hidden
in her hands, that he stumbled toward her, that he knelt beside
her--that she was in his arms.

"Hush," he was saying in that beating darkness of emotion. "Hush, don't
cry--I--I will never let you go--"

When the storm had spent itself and when at last she met his long gaze,
he whispered, "I'm not sure now that it is right--"

"You will be sure as the years go on," she whispered back; then,
tremulously: "but I--I could never have--talked that way if I had
thought of you as the man. I had to think of you as the little boy--who
dreamed."




THE CANOPY BED


"My great-grandfather slept in it," Van Alen told the caretaker, as she
ushered him into the big stuffy bedroom.

The old woman set her candlestick down on the quaint dresser. "He must
have been a little man," she said; "none of my sons could sleep in it.
Their feet would hang over."

Van Alen eyed the big bed curiously. All his life he had heard of it,
and now he had traveled far to see it. It was a lumbering structure of
great width and of strangely disproportionate length. And the coverlet
and the canopy were of rose-colored chintz.

"I think I shall fit it," he said slowly.

Mrs. Brand's critical glance weighed his smallness, his immaculateness,
his difference from her own great sons.

"Yes," she said, with the open rudeness of the country-bred; "yes, you
ain't very big."

Van Alen winced. Even from the lips of this uncouth woman the truth
struck hard. But he carried the topic forward with the light ease of a
man of the world.

"My grandfather had the bed sawed to his own length," he explained; "did
you ever hear the story?"

"No," she said; "I ain't been here long. They kept the house shut up
till this year."

"Well, I'll tell you when I come down," and Van Alen opened his bag with
a finality that sent the old woman to the door.

"Supper's ready," she told him, "whenever you are."

At the supper table the four big sons towered above Van Alen. They ate
with appetites like giants, and they had big ways and hearty laughs
that seemed to dwarf their guest into insignificance.

But the insignificance was that of body only, for Van Alen, fresh from
the outside world and a good talker at all times, dominated the table
conversationally.

To what he had to say the men listened eagerly, and the girl who waited
on the table listened.

She was a vivid personality, with burnished hair, flaming cheeks, eyes
like the sea. Her hands, as she passed the biscuits, were white, and the
fingers went down delicately to little points. Van Alen, noting these
things keenly, knew that she was out of her place, and wondered how she
came there.

At the end of the meal he told the story of the Canopy Bed.

"My great-grandfather was a little man, and very sensitive about his
height. In the days of his early manhood he spent much time in devising
ways to deceive people into thinking him taller. He surrounded himself
with big things, had a big bed made, wore high-heeled boots, and the
crown of his hat was so tall that he was almost overbalanced.

"But for all that, he was a little man among the sturdy men of his
generation, and if it had not been for the Revolution I think he would
have died railing at fate. But the war brought him opportunity. My
little great-grandfather fought in it, and won great honors, and
straight back home he came and had the bed sawed off! He wanted future
generations to see what a little man could do, and his will provided
that this house should not be sold, and that, when his sons and
grandsons had proved themselves worthy of it by some achievement, they
should come here and sleep. I think he swaggered a little when he wrote
that will, and he has put his descendants in an embarrassing position.
We can never sleep in the canopy bed without taking more upon ourselves
than modesty permits!"

He laughed, and instinctively his eyes sought those of the girl who
waited on the table. Somehow he felt that she was the only one who could
understand.

She came back at him with a question: "What have you done?"

"I have written a book," he told her.

She shook her head, and there were little sparks of light in her eyes.
"I don't believe that was what your grandfather meant," she said,
slowly.

They stared at her--three of the brothers with their knives and forks
uplifted, the fourth, a blond Titanic youngster, with his elbows on the
table, his face turned up to her, as to the sun.

"I don't believe he meant something done with your brains, but something
fine, heroic--" There was a hint of scorn in her voice.

Van Alen flushed. He was fresh from the adulation of his bookish world.

"I should not have come," he explained, uncomfortably, "if my mother had
not desired that I preserve the tradition of the family."

"It is a great thing to write a book"--she was leaning forward, aflame
with interest--"but I don't believe he meant just that--"

He laughed. "Then I am not to sleep in the canopy bed?"

The girl laughed too. "Not unless you want to be haunted by his ghost."

With a backward flashing glance, she went into the kitchen, and Van
Alen, lighting a cigarette, started to explore the old house.

Except for the wing, occupied by the caretaker, nothing had been
disturbed since the family, seeking new fortunes in the city, had left
the old homestead to decay among the desolate fields that yielded now a
meagre living for Mrs. Brand and her four strapping sons.

In the old parlor, where the ancient furniture showed ghostlike shapes
in the dimness, and the dead air was like a tomb, Van Alen found a
picture of his great-grandfather.

The little man had been painted without flattery. There he
sat--Lilliputian on the great charger! At that moment Van Alen hated
him--that Hop-o'-my-Thumb of another age, founder of a pigmy race, who,
by his braggart will, had that night brought upon this one of his
descendants the scorn of a woman.

And even as he thought of her, she came in, with the yellow flare of a
candle lighting her vivid face.

"I thought you might need a light," she said; "it grows dark so soon."

As he took the candle from her, he said abruptly: "I shall not sleep in
the canopy bed; there is a couch in the room."

"Oh," her tone was startled, "you shouldn't have taken all that I said
in earnest."

"But you meant it?"

"In a way, yes. I have been in here so often and have looked at your
grandfather's picture. He was a great little man--you can tell from his
eyes--they seem to speak at times."

"To you?"

"Yes. Of how he hated to be little, and how he triumphed when fame came
at last."

"I hate to be little--"

It was the first time that he had ever owned it. Even as a tiny boy he
had brazened it out, boasting of his mental achievements and slurring
the weakness of his stunted body.

"I know," she had shut the kitchen door behind her, and they were
standing in the hallway alone, "I know. Every man must want to be big."

She was only the girl who had waited on the table, but as she stood
there, looking at him with luminous eyes, he burned with dull
resentment, envying the blond boy who had sprawled at the head of the
supper table. After all, it was to such a man as Otto Brand that this
woman would some day turn.

He spoke almost roughly: "Size isn't everything." She flushed. "How rude
you must think me," she said; "but I have been so interested in
dissecting your grandfather that I forgot--you--"

Van Alen was moved by an impulse that he could not control, a primitive
impulse that was not in line with his usual repression.

"I am tempted to make you remember me," he said slowly, and after that
there was a startled silence. And then she went away.

As he passed the sitting-room on his way up-stairs, he looked in, and
spoke to Otto Brand.

More than any of the other brothers, Otto typified strength and beauty,
but in his eyes was never a dream, his brain had mastered nothing. He
was playing idly with the yellow cat, but he stopped at Van Alen's
question.

"Her great-grandfather and yours were neighbors," the boy said, with his
cheeks flushing; "they own the next farm."

"The Wetherells?" Van Alen inquired.

The boy nodded. "They ain't got a cent. They're land poor. That's why
she's here. But she don't need to work."

"Why not?"

"There's plenty that wants to marry her round about," was the boy's
self-conscious summing up.

With a sense of revolt, Van Alen left him, and, undressing in the room
with the canopy bed, he called up vaguely the vision of a little girl
who had visited them in the city. She had had green eyes and freckles
and red hair. Beyond that she had made no impression on his callowness.
And her name was Mazie Wetherell.

He threw himself on the couch, and the night winds, coming in through
the open window, stirred the curtains of the canopy bed with the light
touch of a ghostly hand.

Then dreams came, and through them ran the thread of his hope of seeing
Mazie Wetherell in the morning.

But even with such preparation, her beauty seemed to come upon him
unawares when he saw her at breakfast. And again at noon, and again at
night. But it was the third day before he saw her alone.

All that day he had explored the length and breadth of the family
estate, finding it barren, finding that the population of the little
village at its edge had decreased to a mere handful of laggards, finding
that there was no lawyer within miles and but one doctor; gaining a
final impression that back here in the hills men would come no more
where once men had thronged.

It was almost evening when he followed a furrowed brown road that led
westward. Above the bleak line of the horizon the sun hung, a red gold
disk. There were other reds, too, along the way--the sumac flaming
scarlet against the gray fence-rails; the sweetbrier, crimson-spotted
with berries; the creeper, clinging with ruddy fingers to dead
tree-trunks; the maple leaves rosy with first frosts.

And into this vividness came the girl who had waited on the table, and
her flaming cheeks and copper hair seemed to challenge the glow of the
autumn landscape.

She would have passed him with a nod, but he stopped her.

"You must not run away, Mazie Wetherell," he said; "you used to treat me
better than that when you were a little girl."

She laughed. "Do you remember my freckles and red hair?"

"I remember your lovely manners."

"I had to have nice manners. It is only pretty children who can afford
to be bad."

"And pretty women?" he asked, with his eyes on the color that came and
went.

She flung out her hands in a gesture of protest "I have seen so few."

His lips were opened to tell her of her own beauty, but something
restrained him, some perception of maidenly dignity that enfolded her
and made her more than the girl who had waited on the table.

"You were a polite little boy," she recalled, filling the breach made by
his silence. "I remember that you carried me across the street, to save
my slippers from the wet. I thought you were wonderful. I have never
forgotten."

Neither had Van Alen forgotten. It had been a great feat for his little
strength. There had been other boys there, bigger boys, but he had
offered, and had been saved humiliation by her girlish slimness and
feather weight.

"I was a strong little fellow then," was his comment: "I am a strong
little fellow now."

She turned on him reproachful eyes. "Why do you always harp on it?" she
demanded.

"On what?"

"Your size. You twist everything, turn everything, so that we come back
to it."

He tried to answer lightly, but his voice shook. "Perhaps it is because
in your presence I desire more than ever the full stature of a man."

He was in deadly earnest. Hitherto he had been willing to match his
brain, his worldly knowledge, his ancestry, against the charms of the
women he had met; but here with this girl, standing like a young goddess
under the wide, sunset sky, he felt that only for strength and beauty
should she choose her mate.

He wondered what he must seem in her eyes; with his shoulder on a level
with hers, with his stocky build that saved him from effeminacy, his
carefulness of attire--which is at once the burden and the salvation of
the small man.

As for his face, he knew that its homeliness was redeemed by a certain
strength of chin, by keen gray eyes, and by a shock of dark hair that
showed a little white at the temples. There were worse-looking men, he
knew, but that, at the present moment, gave little comfort.

She chose to receive his remark in silence, and, as they came to a path
that branched from the road, she said:

"I am going to help take care of a child who is sick. You see I am
mistress of all trades--nurse, waitress, charwoman, when there is
nothing else."

He glanced at her hands. "I cannot believe that you scrub," he said.

"I sit up at night to care for my hands"--there was a note of bitterness
in her tone--"and I wear gloves when I work. There are some things that
one desires to hold on to, and my mother and my grandmother were ladies
of leisure."

"Would you like that--to be a lady of leisure?"

She turned and smiled at him. "How can I tell?" she asked; "I have never
tried it."

She started to leave him as she said it, but he held her with a
question: "Shall you sit up all night?"

She nodded. "His mother has had no sleep for two nights."

"Is he very ill?"

The girl shrugged her shoulders. "Who knows? There is no doctor near,
and his mother is poor. We are fighting it out together."

There was something heroic in her cool acceptance of her hard life. He
was silent for a moment, and then he said: "Would you have time to read
my book to-night?"

"Oh, if I might," she said eagerly, "but you haven't it with you."

"I will bring it," he told her, "after supper."

"But," she protested.

"There are no 'buts,'" he said, smiling; "if you will read it, I will
get it to you."

The sky had darkened, and, as he went toward home, he faced clouds in
the southeast.

"It is going to rain," Otto Brand prophesied as they sat down to supper.

The other three men hoped that it would not. Already the ground was
soaked, making the cutting of corn impossible, and another rain with a
frost on top of it would spoil all chance of filling the silo.

Van Alen could not enter into their technical objections. He hoped it
would not rain, because he wanted to take a book to Mazie Wetherell, and
he had not brought a rain-coat.

But it did rain, and he went without a rain-coat!

The house, as he neared it, showed no light, and under the thick canopy
of the trees there was no sound but the drip, drip of the rain. By
feeling and instinct he found the front door, and knocked.

There was a movement inside, and then Mazie Wetherell asked softly:
"Who's there?"

"I have brought the book."

The bolt was withdrawn, and in the hall, scarcely lighted by the shaded
lamp in the room beyond, stood the girl, in a loose gray gown, with
braided shining hair--a shadowy being, half-merged into the shadows.

"I thought you would not come," in a hushed tone, "in such a storm."

"I said I should come. The book may help you through the long night."

She caught her breath quickly. "The child is awfully ill."

"Are you afraid? Let me stay."

"Oh, no, no. His mother is sleeping, and I shall have your book."

She did not ask him in, and so he went away at once, beating his way
back in the wind and rain, fording a little stream where the low
foot-bridge was covered, reaching home soaking wet, but afire with
dreams.

Otto Brand was waiting for him, a little curious as to what had taken
him out so late, but, getting no satisfaction, he followed Van Alen
up-stairs, and built a fire for him in the big bedroom. And presently,
in the light of the leaping flames, the roses on the canopy of the bed
glowed pink.

"Ain't you goin' to sleep in the bed?" Otto asked, as he watched Van
Alen arrange the covers on the couch.

"No," said Van Alen shortly, "the honor is too great. It might keep me
awake."

"My feet would hang over," Otto said. "Funny thing, wasn't it, for a man
to make a will like that?"

"I suppose every man has a right to do as he pleases," Van Alen
responded coldly. He was not inclined to discuss the eccentricities of
his little old ancestor with this young giant.

"Of course," Otto agreed, and his next remark was called forth by Van
Alen's pale blue pajamas.

"Well, those are new on me."

Van Alen explained that in the city they were worn, and that silk was
cool, but while he talked he was possessed by a kind of fury. For the
first time the delicate garments, the luxurious toilet articles packed
in his bag, seemed foppish, unnecessary, things for a woman. With all of
them, he could not compete with this fair young god, who used a rough
towel and a tin basin on the kitchen bench.

"Maybe I'd better go," the boy offered. "You'll want to go to bed."

But Van Alen held him. "I always smoke first," he said, and, wrapped in
his dressing-gown, he flung himself into a chair on the opposite side of
the fireplace.

And after a time he brought the conversation around to Mazie Wetherell.

He found the boy rather sure of his success with her.

"All women are alike," he said; "you've just got to keep after them long
enough."

To Van Alen the idea of this hulking youngster as a suitor for such a
woman seemed preposterous. He was not fit to touch the hem of her
garment. He was unmannerly, uneducated; he was not of her class--and
even as he analyzed, the boy stood up, perfect in his strong young
manhood.

"I've never had much trouble making women like me," he said; "and I
ain't goin' to give up, just because she thinks she's better than the
rest round about here."

He went away, and Van Alen stared long into the fire, until the flames
left a heart of opal among the ashes.

He had not been unsuccessful with women himself. Many of them had liked
him, and might have loved him if he had cared to make them. But until
he met Mazie Wetherell he had not cared.

Desperately he wished for some trial of courage where he might be
matched against Otto Brand. He grew melodramatic in his imaginings, and
saw himself at a fire, fighting the flames to reach Mazie, while Otto
Brand shrank back. He stood in the path of runaway horses, and Otto
showed the white feather. He nursed her through the plague, and Otto
fled fearfully from the disease.

And then having reached the end of impossibilities, he stood up and
shook himself.

"I'm a fool," he said to the flames, shortly, and went to bed, to lie
awake, wondering whether Mazie Wetherell had reached that chapter of his
book where he had written of love, deeply, reverently, with a
foreknowledge of what it might mean to him some day. It was that chapter
which had assured the success of his novel. Would it move her, as it had
moved him when he reread it? That was what love ought to be--a thing
fine, tender, touching the stars! That was what love might be to him, to
Mazie Wetherell, what it could never be to Otto Brand.

At breakfast the next morning he found Mrs. Brand worrying about her
waitress.

"I guess she couldn't get back, and I've got a big day's work."

"I'll go and look her up," Van Alen offered; but he found that he was
not to go alone, for Otto was waiting for him at the gate.

"I ain't got nothin' else to do," the boy said; "everything is held up
by the rain."

It was when they came to the little stream that Van Alen had forded the
night before that they saw Mazie Wetherell.

"I can't get across," she called from the other side.

The bridge, which had been covered when Van Alen passed, was now washed
away, and the foaming brown waters overflowed the banks.

"I'll carry you over," Otto called, and straightway he waded through the
stream, and the water came above his high boots to his hips.

He lifted her in his strong arms and brought her back, with her bright
hair fluttering against his lips, and Van Alen, raging impotently, stood
and watched him.

It seemed to him that Otto's air was almost insultingly triumphant as he
set the girl on her feet and smiled down at her. And as she smiled back,
Van Alen turned on his heel and left them.

Presently he heard her running after him lightly over the sodden ground.

And when she reached his side she said: "Your book was wonderful."

"But he carried you over the stream."

Her eyes flashed a question, then blazed. "There, you've come back to
it," she said. "What makes you?"

"Because I wanted to carry you myself."

"Silly," she said; "any man could carry me across the stream--but only
you could write that chapter in the middle of the book."

"You liked it?" he cried, radiantly.

"Like it?" she asked. "I read it once, and then I read it again--on my
knees."

Her voice seemed to drop away breathless. Behind them Otto Brand
tramped, whistling; but he might have been a tree, or the sky, or the
distant hills, for all the thought they took of him.

"I wanted to beg your pardon," the girl went on, "for what I said the
other day--it is a great thing to write a book like that--greater than
fighting a battle or saving a life, for it saves people's ideals;
perhaps in that way it saves their souls."

"Then I may sleep in the canopy bed?" His voice was calm, but inwardly
he was much shaken by her emotion.

Her eyes, as she turned to him, had in them the dawn of that for which
he had hoped.

"Why not?" she said, quickly. "You are greater than your
grandfather--you are--" She stopped and laughed a little, and, in this
moment of her surrender, her beauty shone like a star.

"Oh, little great man," she said, tremulously, "your head touches the
skies!"




SANDWICH JANE

I


"No man," said O-liver Lee, "should earn more than fifteen dollars a
week. After that he gets--soft."

"Soft nothing!"

O-liver sat on a box in front of the post-office. He was lean and young
and without a hat. His bare head was one of the things that made him
unique. The other men within doors and without wore hats--broad hats
that shielded them from the California sun; or, as in the case of Atwood
Jones, who came from the city, a Panama of an up-to-the-minute model.

But O-liver's blond mane waved in every passing breeze. It was only when
he rode forth on his mysterious journeys that he crowned himself with a
Chinese straw helmet.

Because he wore no hat his skin was tanned. He had blue eyes that
twinkled and, as I have said, a blond mane.

"Fifteen dollars a week," he reaffirmed, "is enough."

Fifteen dollars was all that O-liver earned. He was secretary to an
incipient oil king. As the oil king's monarchy was largely on paper he
found it hard at times to compass even the fifteen dollars that went to
his secretary.

The other men scorned O-liver's point of view and told him so. They were
a rather prosperous bunch, all except Tommy Drew, who dealt in a
dilettante fashion in insurance, and who sat at O-liver's feet and
worshiped him.

It was Saturday and some of the men had drifted in from the surrounding
ranches; others from the cities, from the mountains, from the valleys,
from the desert, from the sea. Tinkersfield had assumed a sudden
importance as an oil town. All of the men had business connected in some
way with Tinkersfield. And all of them earned more than fifteen dollars
a week.

Therefore they disputed O-liver's statement. "If you had a wife--" said
one.

"Ah," said O-liver, "if I had--"

"Ain't you got any ambition?" Henry Bittinger demanded. Henry was
pumping out oil in prodigious quantities. He had bought a motor car and
a fur coat. It was too hot most of the time for the coat, but the car
stood now at rest across the road--long and lovely--much more of an
aristocrat than the man who owned it.

"Ambition for what?" O-liver demanded.

Henry's eyes went to the pride of his heart.

"Well, I should think you'd want a car."

"I'd give," said O-liver, "my kingdom for a horse, but not for a car."

O-liver's little mare stood quite happily in the shade; she was slim as
to leg, shining as to coat, and with the eyes of a loving woman.

"I should think you'd want to get ahead," said Atwood Jones, who sold
shoes up and down the coast. He was a junior member of the firm, but
still liked to go on the road. He liked to lounge like this in front of
the post-office and smoke in the golden air with a lot of men sitting
round. Atwood had been raised on a ranch. He had listened to the call of
the city, but he was still a small-town man.

"Ahead of what?" asked O-liver.

Atwood was vague. He felt himself a rising citizen. Some day he expected
to marry and set his wife up in a mansion in San Francisco, with
seasons of rest and recreation at Del Monte and Coronado and the East.
If the shoe business kept to the present rate of prosperity he would
probably have millions to squander in his old age.

He tried to say something of this to O-liver.

"Well, will you be any happier?" asked the young man with the bare head.
"I'll wager my horse against your car that when you're drunk with
dollars you'll look back to a day like this and envy yourself. It's
happiness I'm talking about."

"Well, are you happy?" Atwood challenged.

"Why not?" asked the young man lightly. "I have enough to eat, money for
tobacco, a book or two--an audience." He waved his hand to include the
listening group and smiled.

It was O-liver's lightness which gave him the whip hand in an argument.
They were most of them serious men; not serious in a Puritan sense of
taking thought of their souls' salvation and the world's redemption, but
serious in their pursuit of wealth. They had to be rich. If they weren't
they couldn't marry, or if they were married they had to be rich so that
their wives could keep up with the wives of the other fellows who were
getting rich. They had to have cars and money to spend at big hotels and
for travel, money for diamonds and furs, money for everything.

But here was O-liver Lee, who said lightly that money weighed upon him.
He didn't want it. He'd be darned if he wanted it. Money brought
burdens. As for himself, he'd read and ride Mary Pick.

"Anyhow," said Henry, with his hands folded across his stomach--Henry
had grown fat riding in his car--"anyhow, when you get old you'll be
sorry."

"I shall never grow old," said O-liver, and stood up. "I shall be
young--till I--die."

They laughed at him outwardly, but in their hearts they did not laugh.
They could not think of him as old. They felt that in a hundred years he
would still be strong and sure, his blond mane untouched by gray, his
clear blue eyes unblurred.

Atwood rounding them all up for a drink found that O-liver wouldn't
drink.

"Drank too much, once upon a time," he confessed frankly. "But I'll give
you a toast."

He gave it, poised on his box like a young god on the edge of the world.

"Here's to poverty! May we learn to love her for the favors she denies!"

"Queer chap," said Atwood to Henry later.

Henry nodded. "He's queer, but he's great company. Always has a crowd
round him. But no ambition."

"Pity," said Atwood. "How'd he get that name--O-liver?"

"One of the fellows got gay and called him 'Ollie.' Lee stopped him. 'My
name is Oliver Lee. If you want a nickname you can say "O-liver." But
I'm not "Ollie" from this time on, understand?' And I'm darned if the
fellow didn't back down. There was something about O-liver that would
have made anybody back down. He didn't have a gun; it was just something
in his voice."

"Say, he's wasted," said Atwood. "A man with his line of talk might be
President of the United States."

"Sure he might," Henry agreed. "I've told him a lot of times he's
throwing away his chance."



II


The office of the incipient oil king was on the main street of the
straggling town. At the back there was a window which gave a view of a
hill or two and a mountain beyond. The mountain stuck its nose into the
clouds and was whitecapped.

It was this view at the back which O-liver faced when he sat at his
machine. When he rested he liked to fix his eyes on that white mountain.
O-liver had acquired of late a fashion of looking up. There had been a
time when he had kept his eyes on the ground. He did not care to
remember that time. The work that he did was intermittent, and between
his industrious spasms he read a book. He had a shelf at hand where he
kept certain volumes--Walt Whitman, Vanity Fair, Austin Dobson, Landor's
Imaginary Conversations, and a rather choice collection of Old Mission
literature. He had had it in mind that he might some day write a play
with Santa Barbara as a background, but he had stopped after the first
act. He had ridden down one night and had reached the mission at dawn.
The gold cross had flamed as the sun rose over the mountain. After that
it had seemed somehow a desecration to put it in a painted scene.
O-liver had rather queer ideas as to the sacredness of certain things.

Tommy Drew, who had a desk in the same office, read Vanity Fair and
wanted to talk about it. "Say, I don't like that girl, O-liver."

"What girl?"

"Becky."

"Why not?"

"Well, she's a grafter. And her husband was a poor nut."

"I'm afraid he was," said O-liver.

"He oughta of dragged her round by the hair of her head."

"They don't do it, Tommy," O-liver was thoughtful. "After all a woman's
a woman. It's easier to let her go."

An astute observer might have found O-liver cynical about women. If he
said nothing against them he certainly never said anything for them. And
he kept strictly away from everything feminine in Tinkersfield, in spite
of the fact that his good looks won him more than one glance from
sparkling eyes.

"He acts afraid of skirts," Henry had said to Tommy on one occasion.

"He?" Tommy was scornful. "He ain't afraid of anything!"

Henry knew it. "Maybe it's because you can't do much with women on
fifteen a week."

"Well, I guess that's so," said Tommy, who made twenty and who had a
hopeless passion.

His hopeless passion was Jane. Jane lived with her mother in a small
rose-bowered bungalow at the edge of the town. She and her mother owned
the bungalow, which was fortunate; they hadn't a penny for rent. Jane's
father had died of a weak lung and the failure of his oil well. He had
left the two women without an income. Jane's mother was delicate and
Jane couldn't leave her to go out to work. So Jane dug in the little
garden, and they lived largely on vegetables. She sewed for the
neighbors, and bought medicine and now and then a bit of meat. She was
young and strong and she had wonderful red hair. Tommy thought it was
the most beautiful hair in the world. Jane was for him a sort of goddess
woman. She was, he felt, infinitely above him. She knew a great deal
that he didn't, about books and things--like O-liver. She sewed for his
mother, and that was the way he had met her. He would go over and sit on
her front steps and talk. He felt that she treated him like a little dog
that she wouldn't harm, but wouldn't miss if it went away. He told her
of Vanity Fair and of how he felt about Becky.

"If she had been content to earn an honest living," Jane stated
severely, "the story would have had a different ending."

"Well, she wanted things," Tommy said.

"Most women do." Jane jabbed her needle into a length of pink gingham
which, when finished, would be rompers for a youngster across the
street. "I do; and I intend to have them."

"How?" asked the interested Tommy.

"Work for them."

"O-liver says that fifteen dollars a week is enough for anybody to
earn."

Jane had heard of O-liver. Tommy sang his constant praises.

"Why fifteen?"

"After that you get soft."

Jane laid down the length of pink gingham and looked at him. She hated
to sew on pink; it clashed dreadfully with her hair.

"I should say," she stated with scorn, "that your O-liver's lazy."

"No, he isn't. He only wants enough to eat and enough to smoke and
enough to read."

"That sounds all right, but it isn't. What's he going to do when he's
old?"

"He ain't ever going to grow old. He said so, and if you'd see him you'd
know."

Jane felt within her the stirring of curiosity. But she put it down
sternly. She had no time for it.

"Tommy," she said, "I've been thinking. I've got to earn more money, and
I want your help."

Tommy's faithful eyes held a look of doglike affection.

"Oh, if I can--" he quavered.

"I've got to get ahead." Jane was breathless. Her eyes shone.

"I've got to get ahead, Tommy. I can't live all my life like this." She
held up the pink strip. "Even if I am a woman, there ought to be
something more than making rompers for the rest of my days."

"You might," said the infatuated Tommy, "marry."

"Marry? Marry whom?"

Tommy wished that he might shout "Me!" from the housetops. But he knew
the futility of it.

"I shall never marry," she said, "until I find somebody different from
anything I've ever seen."

Jane's ideas of men were bounded largely by the weakness of her father
and the crudeness of men like Henry Bittinger, Atwood Jones and others
of their kind. She didn't consider Tommy at all. He was a nice boy and a
faithful friend. His mother, too, was a faithful friend. She classed
them together.

Her plan, told with much coming and going of lovely color, was this: She
had read that the way to make money was to find the thing that a
community lacked and supply it. Considering it seriously she had decided
that in Tinkersfield there was need of good food.

"There's just one horrid little eating house," she told Tommy, "when the
men come in from out of town."

"Nothing fit to eat either," Tommy agreed; "and they make up on booze."

She nodded. "Tommy," she said, and leaned toward him, "I had thought of
sandwiches--home-made bread and slices of ham--wrapped in waxed paper;
and of taking them down and selling them in front of the post-office on
Saturday nights."

Tommy's eyes bulged. "You take them down?"

"Why not? Any work is honorable, Tommy."

Tommy felt that it wouldn't be a goddess role.

"I can't see it." The red crept up into his honest freckled face. "You
know the kind of women that's round on Saturday nights."

"I am not that kind of woman." She was suddenly austere.

He found himself stammering. "I didn't mean--"

"Of course you didn't. But it's a good plan, Tommy. Say you think it's a
good plan."

He would have said anything to please her. "Well, you might try."

The next day he found himself talking it over with O-liver. "She wants
to sell them on Saturday nights."

"Tell her," said O-liver, "to stay at home."

"But she's got to have some money."

"Money," said O-liver, "is the root of evil. You say she has a garden.
Let her live on leeks and lettuce."

"Leeks and lettuce?" said poor Tommy, who had never heard of leeks.

"Her complexion will be better," said O-liver, "and her peace of mind
great."

"Her complexion is perfect," Tommy told him, "and she isn't the peaceful
kind. Her hair is red."

"Red-haired women"--O-liver had his eye on Vanity Fair--"red-haired
women always flaunt themselves."

Tommy, softening O-liver's words a bit, gave them in the form of advice
to Jane: "He thinks you'd better live on leeks and lettuce than go
down-town like that."

Jane gasped. "Leeks and lettuce? Me? He doesn't know what he's talking
about! And anyhow, what can you expect of a man like that?"



III


A week later Jane in a white shirt-waist and white apron came down with
her white-covered basket into the glare of the town's white lights. The
night was warm and she wore no hat. Her red hair was swept back from her
forehead with a droop over the ears. She had white skin and strong white
teeth. Her eyes were as gray as the sea on stormy days. Tommy came after
her with a wooden box, which he set on end, and she placed her basket on
it. The principal stores of the small town, the one hotel and the
post-office were connected by a covered walk which formed a sort of
arcade, so that the men lounging against doorways or tip-tilted in
chairs seemed in a sort of gallery from which they surveyed the
Saturday-night crowd which paraded the street.

Jane folded up the cloth which covered her basket and displayed her
wares. "Don't stick round, Tommy," she said. "I shall do better alone."

But as she raised her head and saw the eyes of the men upon her a rich
color surged into her cheeks.

She put out her little sign bravely:

     HOME-MADE SANDWICHES--TWENTY CENTS

With a sense of adventure upon them the men flocked down at once. They
bought at first because the wares were offered by a pretty girl. They
came back to buy because never had there been such sandwiches.

Jane had improved upon her first idea. There were not only ham
sandwiches; there were baked beans between brown bread, thin slices of
broiled bacon in hot baking-powder biscuit. Henry Bittinger said to
Atwood Jones afterward: "The food was so good that if she had been as
ugly as sin she'd have got away with it."

"She isn't ugly," said Atwood, and had a fleeting moment of speculation
as to whether Jane with her red hair would fit into his plutocratic
future.

Jane had made fifty sandwiches. She sold them all, and took ten dollars
home with her.

"I shall make a hundred next time," she said to Tommy, whom she picked
up on the way back. "And--it wasn't so dreadful, Tommy."

But that night as she lay in bed looking out toward the mountain,
silver-tipped in the moonlight, she had a shivering sense of the eyes of
some of the men--of Tillotson, who kept the hotel, and of others of his
kind.

O-liver had stayed at home that Saturday night to write a certain weekly
letter. He had stayed at home also because he didn't approve of Jane.

"But you haven't seen her," Tommy protested.

"I know the type."

On Sunday morning Tommy brought him a baked-bean sandwich. "It isn't as
fresh as it might be. But you can see what she's giving us."

There were months of O-liver's life which had been spent with a
grandmother in Boston. His grandmother had made brown bread and she had
baked beans. And now as he ate his sandwich there was the savor of all
the gastronomic memories of a healthy and happy childhood.

"It's delicious," he said, "but she'd better not mix with that crowd."

"She doesn't mix," said Tommy.

"She'll have to." O-liver had in mind a red-haired woman, raw-boned,
with come-hither eyes. Her kind was not uncommon. Tommy's infatuation
would of course elevate her to a pedestal.

"She's going to make a hundred sandwiches next week," Tommy vouchsafed.

O-liver's mind could scarcely compass one hundred sandwiches. "She'd
better stick to her leeks and lettuce."

He rode away the next Saturday night. It was his protest against the
interest roused in the community by this Jane who sold sandwiches. He
heard of her everywhere. Some of the men were respectful and some were
not. It depended largely on the nature of the particular male.

O-liver rode Mary Pick and wore his straw helmet. His way led down into
the valley and up again and down, until at last he came to the sea. Then
he followed the water's edge, letting Mary Pick dance now and then on
the hard beach, with the waves curling up like cream, and beyond the
waves a stretch of pale azure to the horizon.

He reached finally a fantastic settlement. Against the sky towered walls
which might have inclosed an ancient city--walls built of cloth and wood
instead of stone. Beyond these walls were thatched cottages which had no
occupants; a quaint church which had no congregation; a Greek temple
which had no vestals, no sacred fire, no altar; hedges which had no
roots. O-liver weighing the hollowness of it all had thought whimsically
of an old nursery rime:

    The first sent a goose without a bone;
    The second sent a cherry without a stone;
    The third sent a blanket without a thread;
    The fourth sent a book that no man could read.

At the end of the settlement was a vast studio lighted by a glass roof.
Entering, O-liver was transported at once to the dance hall on the
Barbary Coast--a great room with a bar at one end, the musicians on a
platform at the other, a stairway leading upward. Groups of people
waited for a signal to dance, to drink, to act whatever part had been
assigned them--people with unearthly pink complexions. The heat was
intense.

With her face upturned to the director, who was mounted on a chair,
stood a childish creature who was pinker, if possible, than the rest.
She had fluffy hair of pale gold. She ran up the stairway presently, and
the light was turned on her. It made of her fluffy hair a halo. In the
strong glare everything about her was overemphasized, but O-liver knew
that when she showed up on the screen she would be entrancing.

He had first seen her on the screen. He had met her afterward at her
hotel. She had seemed as ingenuous as the parts she played. Perhaps she
was. He could never be quite sure. Perhaps the money she had made
afterward had spoiled her. She had jumped from fifty dollars a week to a
thousand.

After that O-liver could give her nothing. He had an allowance from his
mother of three thousand a year. Fluffy Hair made as much as that in
three weeks. Where he had been king of his own domain he became a sort
of gentleman footman, carrying her sables and her satchels. But that was
not the worst of it. He found that they had not a taste in common. She
laughed at his books, at his love of sea and sky. She even laughed at
his Mary Pick, whose name suggested a hated rival.

And so he left her--laughing.

A certain sense of responsibility, however, took him to her once a
month, and a letter went to her every week. She was his wife. He
continued in a sense to watch over her. Yet she resented his watching.

From her stairway she had seen him, and when a rest was granted she came
down to him.

"I'll be through presently," she said. "We can go to my hotel."

Her rooms in the hotel overlooked the sea. There was a balcony, and they
sat on it in long lazy chairs and had iced things to drink.

O-liver drank lemonade. His wife had something stronger.

"I have not been well," she said; "it's a part of the doctor's
prescription."

She had removed the pink from her face, and he saw that she was pale.

"You are working too hard," he told her. "You'd better take a month in
the desert, out of doors."

She shivered. She hated the out-of-doors that he raved about. They had
spent their honeymoon in a tent. She had been wild to get back to
civilization. It had been their first moment of disillusion.

She showed him before he went some of the things she had acquired since
his last visit--an ermine coat, a string of pearls.

"I saw them in your last picture," he told her. "You really visit me by
proxy. I find your name on the boards, and walk in with a lot of other
men and look at you. And not one of them dreams that I've ever seen the
woman on the screen."

"Well, they wouldn't of course." She had never taken his name. Her own
was too valuable.

When he told her good-bye he asked a question: "Are you happy?"

For a moment her face clouded. "I'm not quite sure. Is anybody? But I
like the way I am living, Ollie."

He had a sense of relief. "So do I," he said. "I earn fifteen dollars a
week. The papers say that you earn fifteen hundred--and you're not quite
twenty."

"There isn't a man in this hotel that makes so much," she told him
complacently. "The women try to snub me, but they can't. Money talks."

It seemed to him that in her case it shouted. As he rode back on Mary
Pick he thought seriously of his fifteen dollars a week and her fifteen
hundred; and of how little either weighed in the balance of happiness.



IV


It was not until the following Saturday that he saw Jane. She had made
two hundred sandwiches. She had got Tommy's mother to help her. She had
invented new combinations, always holding to the idea of satisfying the
substantial appetites of men.

There would be no use, she argued, in offering five-o'clock-tea
combinations.

She was very busy and very happy and very hopeful.

"If this keeps up," she told her mother, "I shall rent a little shop and
sell them over the counter."

Her mother had an invalid's pessimism. "They may tire of them."

They were not yet tired. They gave Jane and her basket vociferous
greeting, crowding round her and buying eagerly. Atwood and Henry having
placed orders hung back, content to wait for a later moment when she
might have leisure to talk to them.

Tommy helped Jane to hand out sandwiches and make change. He felt like
the faithful squire of a great lady. He had read much romantic
literature, and he served as well if not as picturesquely as a page in
doublet and hose.

So O-liver saw them. He had been riding all the afternoon on Mary Pick.
He had gone up into the Cañon of the Honey Pots. No one knew it by that
name but O-liver, but at all the houses one could buy honey. Up and down
the road were little stands on which were set forth glasses and jars of
amber sweet. The bees flashed like motes in the sunlight, the air was
heavy with the fragrance of the flowers which yielded their largess to
the marauders.

It was dark when he rode down toward the town. It lay before him, all
twinkling lights. Above it hung a thin moon and countless stars. It
might have been a fairy town under the kindly cover of the night.

But when he reached the central square the illusion ceased. It was what
men had made it--sordid, cheap. He stopped Mary Pick under a pepper tree
and surveyed the scene.

Jane and her basket were the center of an excited group. She had almost
reached the end of her supplies, and some one had suggested auctioning
off the remainder. Jane had protested, but her protests had not availed.
She had turned to Tommy for help, to Henry, to Atwood. They had done
their best. But the man who led the crowd had an object in his
leadership. It was Tillotson of the little hotel--red-faced,
whisky-soaked.

"Sandwich Jane, Sandwich Jane!" he shouted. "That's the name for her,
boys."

And they took it up and shouted "Sandwich Jane!"

It was at this moment that O-liver stopped under the pepper tree. The
bright light fell directly on Jane's distressed face. He saw the
swept-back brightness of her hair, her clear-cut profile, her white
skin, her white teeth. But he saw more than this. "By Jove," he said,
"she's a lady!"

If he had been talking to the men he would have said "Gosh!" It was only
when he was alone that he permitted himself the indulgence of more
formal language.

That Jane was harried he could see. And suddenly he rode forward on Mary
Pick.

The crowd made way for him expectantly. There were always interesting
developments when O-liver was on the scene.

"Gentlemen," he said, "let the lady speak for herself. I am not sure
what you are trying to do, but it is evidently something she doesn't
want done."

Jane flashed a grateful glance up at him. He was the unknown knight
throwing down the gauntlet in her defense. He was different from the
others--his voice was different.

"They want to auction off my sandwiches," she explained, "and they won't
listen."

"I'm sure they will listen." O-liver on Mary Pick, with his hat off and
his mane tossed back, might have been Henry of the white plumes. "Of
course they'll listen."

And they did!

Jane stood on her box and addressed them.

"I don't want to get any more for my sandwiches than they are worth,"
she said earnestly. "I make good ones, and I sell them for twenty cents
because they are the best of their kind. I am glad you like them. I want
to earn my living and my mother's. She is sick, and I have to stay at
home with her. And I don't mind being called 'Sandwich Jane.' It's a
good name and I shall use it in my business. But I don't like being
treated as you have treated me to-night. If it happens again I shall
have to stop selling sandwiches; and I'd be sorry to have that happen,
and I hope you'd be sorry too."

Her little speech was over. She stepped down composedly from the box,
folded her cloth and picked up her basket. She said "Thank you" to
O-liver, "Come on" to Tommy, and walked from among them with her light
step and free carriage; and they stared after her.

O-liver sitting later in front of the post-office with his satellites
round him found himself compelled to listen to praise of Jane.

"She's made a hit," Atwood said earnestly. "When a woman talks like that
it's the straight goods."

Henry agreed. "She's got grit. It's her kind that get ahead. But it's a
pity that she's got to work to make a living."

Atwood, too, thought it was a pity. And presently he and Henry fell into
silence as they fitted Jane into various dreams. Atwood's dream had to
do with a mansion high on Frisco's hills. But Henry saw her beside him
in his long and lovely car. He saw her, too, in a fur coat.



V


"I feel," said Jane, "like a murderer." Tommy and O-liver had stopped at
her front gate to leave her some books.

"Why?" It was O-liver who asked it.

"Come and see." She led them round the house. Death and destruction
reigned.

"I poured gasoline into the ants' nests and set them on fire--and now
look at them!"

There were a few survivors toiling among the ruins.

"They are taking out the dead bodies," Jane explained. "It's so human
that it's tragic. I'll never do it again."

"You can't let them eat you up."

"I know. It's one of the puzzles." She sat looking down at them. "How
busy they are!"

"Too busy," O-liver stated. "They are worse than bees. There are at
least some drones in the hive."

"Poor drones," said Jane.

"Why?" quickly.

"To miss the best."

"Is work the best?"

She said "Yes," adding after a little: "I don't just mean making
sandwiches. That's just a beginning. There's everything ahead."

She said it as if the world were hers. O-liver, in spite of himself, was
thrilled. "How do you know that everything is ahead?"

"I shall make it come"--securely.

They sat in silence for a while; then O-liver said: "I have brought you
a book."

It was an old copy of Punch.

"I shall like it," she said. "Sometimes the evenings are dull when my
work is over."

"Dullness comes for me when work begins."

Her straight gaze met his. "You say that with your lips; you don't mean
it."

"How do you know?"

"I'm not sure how I know. But you haven't found the thing yet that you
like--the incentive."

"Tommy wants me to go into politics. He and Henry Bittinger. Henry says
I ought to be President." O-liver chuckled.

But she took it seriously. "Why not? You've the brains and the
magnetism. Can't you see how the crowd draws to you on Saturday nights?"

"Like bees round a honey pot? Yes." His face grew suddenly stern. "But
so will mosquitoes buzz round a stagnant pool."

"You're not a stagnant pool and you know it."

"What am I?"

She made a sudden gesture as if she gave him up. "Sometimes I think you
are like the sea--on a lazy day--with a storm brewing."

He wondered as he went home--what storm?

He had seen a good deal of Jane since that Saturday night when he had
championed her cause. It had been fall then, with the hills brown and
the berries red on the pepper trees. It was spring now, with all the
world green and growing.

She had spoken of him to Tommy, and Tommy had been a faithful
go-between. He had played upon their mutual love of books. At first
O-liver had sent her books, then he had taken them. He had met her
mother, had seen her in her home doing feminine things, sewing on
lengths of pink and blue--filling the vases with the flowers that he
brought.

And as they had met and talked his veins had been filled with new wine.
He had never known intimately such a woman. His mother transplanted from
the East by her marriage to a Western man had turned her eyes always
backward. Her son had been born in the East, he had spent his holidays
and vacations with his Eastern relatives. He had gone to an Eastern
school to prepare for an Eastern college. Except for this one obsession
with regard to her son's education his mother was self-centered. She was
an idolized wife, a discontented woman--- she had shown O-liver no
heights to which to aspire.

And so he had not aspired. He had spent his days in what might be
termed, biblically, riotous living. His mother had hoped for an
aristocratic and Eastern marriage. When he married Fluffy Hair she had
allowed him three thousand a year and had asked him not to bring his
wife to see her. His father had refused to give him a penny. O-liver's
wild oats and wilfulness cut him off, he ruled, from parental
consideration. "You are not my son," he had said sternly. "If the time
ever comes when you can say you are sorry, I'll see you."

O-liver having married Fluffy Hair had found her also
self-centered--not a lady like his mother, but fundamentally of the same
type. Neither of them had made him feel that he might be more than he
was. They had always shrunk him to their own somewhat small patterns.

Jane's philosophy came to him therefore like a long-withheld stimulant.
"You might be President of the United States."

When Henry or Atwood or Tommy had said it to him he had laughed. When
Jane said it he did not laugh.



VI


And so it came about that one day he rose and went to his father. And he
said: "Dad, will you kill the fatted calf?"

His father lived in a great Tudor house which gave the effect of age but
was not old. It had a minstrels' gallery, a big hall and a little hall,
mullioned windows and all the rest of it. It had been built because of a
whim of his wife's. But O-liver's father in the ten years he had lived
in it had learned to love it. But more than he loved the house he loved
the hills that sloped away from it, the mountains that towered above it,
the sea that lay at the foot of the cliff.

"It is God's country," he would say with long-drawn breath. He had been
born and bred in this golden West. All the passion he might have given
to his alien wife and alien son was lavished on this land which was
bone of his bone and flesh of his flesh.

And now his son had ridden up to him over those low hills at the foot of
the mountain and had said: "Father, I have sinned."

O-liver had not put it scripturally. He had said: "I'm sorry, dad. You
said I needn't come back until I admitted the husks and swine."

There was a light on the fine face of the older man. "Oliver, I never
hoped to hear you say it." His hand dropped lightly on the boy's
shoulders. "My son which was dead is alive again?"

"Yes, dad."

"What brought you to life?"

"A woman."

The hand dropped. "Not--"

"Not my wife. Put your hand back, dad. Another woman."

He sat down beside his father on the terrace. The sea far below them was
sapphire, the cliffs pink with moss--gorgeous color. Orange umbrellas
dotted the distant beach.

"Your mother is down there," Jason Lee said. "Sun baths and all that.
You said there was another woman, Oliver."

"Yes." Quite simply and honestly he told him about Sandwich Jane. "She's
made me see things."

"What things?"

"Well, she thinks I've got it in me to get anywhere. She insists that if
I'd put my heart into it I might be--President."

One saw their likeness to each other in their twinkling eyes!

"She says that men follow me; and they do. I've found that out since I
went to Tinkersfield. She wants me to go into politics--there's a gang
down there that rules the town--rotten crowd. It would be some fight if
I did."

His father was interested at once. "It was what I wanted--when I was
young--politics--clean politics, with a chance at statesmanship. Yes, I
wanted it. But your mother wanted--money."

"Money hasn't any meaning to me now, dad. If I slaved until I dropped I
couldn't make fifteen hundred a week."

"Does--your wife make that now?"

"Yes. She's making it and spending it, I fancy."

Silence. Then: "What of this--other woman. What are you going to do
about her?"

O-liver leaned forward, speaking earnestly. "I love her. But I'm not
free. It's all a muddle."

"Does she know you're married?"

"No. I've got to tell her. But I'll lose her if I do. Her comradeship, I
mean. And I don't want to give it up."

"There is of course a solution."

"What solution?"

"Divorce."

"It wouldn't be a solution for Jane. She's not that kind. Marriage with
her means till death parts. I'll have to lose her. But it hurts."



VII


It was when Jane rented an empty room fronting on the arcade and set up
a sandwich shop that Tillotson saw how serious the thing was going to
be.

He had had all the restaurant and hotel trade. Men coming up in motors
or on horseback, dusty and tired, had eaten and drunk at his squalid
tables, swearing at the food but unable to get anything better. And now
here was a woman who covered her counters with snowy oilcloth--who had
shining urns of coffees, delectable pots of baked beans, who put up in
neat boxes lunches that made men rush back for more and more and
more--and whose sandwiches were the talk of the coast!

It had to be stopped.

The only way to stop it was to make it uncomfortable for Jane. There
were many ways in which the thing could be done--by small and subtle
persecutions, by insinuations, by words bandied from one man's evil
mouth to another. Tillotson had done the thing before. But he found as
the days went on that he had not before had a Jane to deal with. She was
linked in the minds of most of the men with a whiteness like that of her
own spotless shop.

Gradually Jane became aware of a sinister undercurrent. She found
herself dealing with forces that threatened her. There were men who came
into her shop to buy, and who stayed to say things that set her cheeks
flaming. She mentioned none of these things to Henry or Atwood or Tommy.
But she spoke once to O-liver.

"Tillotson must be at the bottom of it. Two drunken loafers stumbled in
the other day, straight from the hotel. And when I telephoned to
Tillotson to come and get them he laughed at me."

Tillotson was the sheriff. It was an office which he did not honor. In a
month or two his term would be up. O-liver riding alone into the
mountains stated the solution: "I've got to beat Tillotson."

But first he had things to say to Jane. Since his talk with his father
he had known that it must come. He had stayed away from her as much as
possible. It had not been a conspicuous withdrawal, for she was very
busy and had little time for him. Tommy's mother kept her little home in
order and looked after the invalid, so that Jane could give undivided
attention to her growing business. O-liver saw her most often at the
shop, when he stopped in for a pot of beans--eating them on the spot and
discoursing on many things.

"My Boston grandmother baked beans like this," he told her on one
occasion. "She was a great little woman, Jane, as essentially of the
East as you are of the West. She held to the traditions of the past; you
are blazing new ways for women, selling sandwiches in the market-place.
By Jove, it was superb the way you did it, Jane!"

She was always in a glow when he left her. Here was a man different from
her father, different from Henry Bittinger and Atwood Jones. She smiled
a little as she thought of Atwood. He had asked her to marry him. He had
told her of the things he had ahead of him that he wanted her to share.
And he had been much downcast when she had refused him. She had, he
felt, smudged the brightness of his splendid future. He couldn't
understand a woman throwing away a thing like that.

But he bore her no grudge and was still her friend. Henry, too, was her
friend. He had not yet tried his fate with Jane, but he still dreamed of
her as lovely in his long car and a fur coat. And he hoped to make his
dreams come true.

Tommy had set aside all selfish hopes. He had a feeling that Jane liked
O-liver. He loved them both. If he could not have Jane he wanted O-liver
to have her. He kept a wary eye therefore on Henry and Atwood.

It was Tommy who found out first about Fluffy Hair. She had never cared
to have the world know of her marriage. She had felt that those who
loved her on the screen would prefer her fancy free. But it was known at
the studio, and some one drifting up to Tinkersfield recognized O-liver
and told Tommy.

Tommy for once in his life was stern. "He oughta of told Jane.
Somebody's got to tell her."

So the next day he took it on himself--feeling a traitor to his friend.

"Jane," he said, sitting on a high stool in her little sandwich
shop--"Jane, O-liver's married."

Jane on the other side of the spotless counter gave him her earnest
glance. "Yes," she said; "he told me."

"He did? Well, I'm glad. It wasn't a thing to keep, was it?"

"No," said Jane; "it wasn't. But you mustn't blame him, Tommy, and now
that we both know, everything is all right, isn't it?"

"Yes," Tommy agreed; "if Tillotson doesn't get hold of it."

For it had been decided that O-liver was to run against Tillotson in the
next election, and beat him if he could.

O-liver had told Jane about his marriage on the night before Tommy came
to her. He had asked her to ride with him. "If you'll go this afternoon
at four you shall have Mary Pick, and I'll take Tommy's horse."

They had carried their lunch with them and had eaten it at sunset in a
lovely spot where the cañon opened out to show a shining yellow stretch
of sea, with the hills like black serpents running into it.

Yet it was dark, with the stars above them and the sea a faint gray
below, before O-liver said to her what he had brought her there to say.

He told her of his father and mother. Of Fluffy Hair.

"I waked up at last to the fact that I was letting two women support me.
So I came here and began to work at fifteen dollars a week. And for the
first time in my life I respected myself--and was content. And then I
met you and saw things ahead. You made me see them."

He turned toward her in the dark. "Jane, I'm finding that I love
you--mightily." He tried to speak lightly. "And I'm not free. And
because I love you I've got to keep away. But I want you to understand
that my friendship is the same--that it will always be the same. But
I've got to keep away."

She was very honest about it. "I didn't dream that you felt like
that--about me."

"No, you wouldn't. That's a part of your splendidness. Never taking
anything to yourself. Jane, will you believe this--that what I may be
hereafter will be because of you? If I ever do a big thing or a fine
thing it will be because I came upon you that night with your head high
and that rabble round you. You were light shining into the darkness of
Tinkersfield. Jove, I wish I were a painter to put you on canvas as you
were that night!"

They had ridden down later under the stars, and as they had stood for a
moment overlooking the lights of the little town O-liver had said: "I
make my big speech to-morrow night to beat Tillotson. I want you to be
there. Will you? If I know you are there somewhere in the dark I shall
pour out my soul--to you."

Was it any wonder that Jane, talking to Tommy the next morning about
O-liver, felt her pulses pounding, her cheeks burning? She had lain
awake all night thinking of the things he had said to her. It seemed a
very big and wonderful thing that a man could love her like that. As
toward morning the moonlight streamed in and she still lay awake she
permitted herself to let her mind dwell for a moment on what her future
might mean if he were in it. She was too busy and healthy to indulge in
useless regrets. But she knew in that moment in the moonlight if he was
not to be in her future no other man would ever be.



VIII


O-liver's speech was made in the open. There was a baseball park in
Tinkersfield, bounded at the west end by a grove of eucalyptus. With
this grove as a background a platform had been erected. From the
platform the rival candidates would speak. At this time of the year it
would be daylight when the meeting opened. Tillotson was not to speak
for himself. He had brought a man down from San Francisco, a big
politician with an oily tongue. O-liver would of course present his own
case. The thing, as Atwood told Henry, promised to be exciting.

Jane came with Tommy. There was a sort of rude grand stand opposite the
platform, and she had a seat well up toward the top. She wore a white
skirt, a gray sweater and a white hat. She had a friendly smile for the
people about her. And they smiled back. They liked Jane.

O-liver spoke first. Bare-headed, slender, with his air of eternal
youth, he was silhouetted against the rose red of the afterglow.

When he began he led them lightly along paths of easy thought. He got
their attention as he had so often got it in front of the post-office.
He made them smile, he made them laugh, he led them indeed finally into
roaring laughter. And when he had brought them thus into sympathy he
began with earnestness to speak of Tinkersfield.

Jane, leaning forward, not missing a word, felt his magnetism. He spoke
of the future of Tinkersfield. Of what must be done if it was to fulfill
its destiny as a decent town. He did not mince his words.

"It will be just what you make up your minds now to have it--good and
honest and clean, a place that the right kind of people will want to
live in, or the place that will attract loungers and loafers."

He laid upon them the burden of individual responsibility. If a town was
honest, he said, it was because the men in it were honest; if it was
clean it was because its men were clean. It was for each man to decide
at this election whether Tinkersfield should have a future of darkness
or of light. There were men in that crowd who squared their shoulders to
meet the blows of his eloquence, who kept them squared as they made
their decision to do their part in the upbuilding of Tinkersfield.

Yet it was not perhaps so much the things that O-liver said as the way
he said them. He had the qualities of leadership--a sincerity of the
kind that sways men level with their leaders--the sincerity of a
Lincoln, a Roosevelt. For him a democracy meant all the people. Not
merely plain people, not indeed selected classes. Rich man, poor man,
one, working together for the common good.

Back of his sincerity there was fire--and gradually his audience was
lighted by his flame. They listened in a tense silence, which broke now
and then into cheers. To Jane sitting high up on the benches he was a
prophet--the John the Baptist of Tinkersfield.

"And he's mine, he's mine!" she exulted. This fineness of spirit, the
fire and flame were hers. "If I know you are there somewhere in the dark
I shall pour out my soul--to you--"

The darkness had not yet fallen, but the dusk had come. The platform was
illumined by little lights like stars. Back of the platform the
eucalyptus trees were now pale spectres, their leaves hanging nerveless
in the still air.

O-liver sitting down amid thunders of applause let his eyes go for the
moment to Jane. A lamp hung almost directly over her head. She had taken
off her wide hat and her hair was glorious. She was leaning forward a
little, her lips parted, her hands clasped, as if he still spoke to her.

As Tillotson's sponsor rose Jane straightened up, smiled at Tommy, and
again set herself to listen.

The unctuous voice of the speaker was a contrast to O-liver's crisp
tones. There were other contrasts not so apparent. This man was in the
game for what he could get out of it. He wanted Tillotson to win because
Tillotson's winning would strengthen his own position politically. He
meant indeed that Tillotson should win. He was not particular as to
methods.

He said the usual things: Tinkersfield was no Sunday school; and they
weren't slaves to have their liberty taken from them by a lot of
impractical reformers. And Lee was that kind. What had he ever done to
prove that he'd make good? They knew Tillotson. They didn't know Lee.
Who was Lee anyhow?

He flung the interrogation at them. "What do you know about Lee?"

The pebble that he threw had widening circles. People began to ask
themselves what, after all, they knew of O-liver. From somewhere in the
darkness went up the words of an evil chant:

    What's the matter with O-liver, O-liver,
    White-livered O-liver?
    Ask Jane, Sandwich Jane,
    O-liver, white liver,
    Jane, Jane, Jane.

Jane felt her heart stand still. Back of her she heard Tommy swearing:
"It's all their damned wickedness!" She saw O-liver start from his chair
and sink back, helpless against the insidiousness of this attack.

The speaker went on. It would seem, he said, from what he could learn,
that Tillotson's honorable opponent was sailing under false colors. He
was a married man. He had deserted his wife. He sat among them as a
saint, when he was really a sinner.

"A sinner, gentlemen." The speaker paused for the effect, then proceeded
with his argument. Of course they were all sinners, but they weren't
hypocrites. Tillotson wasn't a hypocrite. He was a good fellow. He
didn't want Tinkersfield to be a Sunday school. He wanted it to be a
town. You know--a town that every fellow would want to hit on
Saturday night.

There were those in the crowd who began to feel that a weak spot had
been found in O-liver's armor. Secrecy! They didn't like it. There were
signs of wavering among some who had squared their shoulders. After all,
they didn't want to make a Sunday school of Tinkersfield. They wondered,
too, if there wasn't some truth in the things that were being hinted by
that low chant in the darkness:

    Ask Jane, Sandwich Jane,
    O-liver, white liver,
    Jane, Jane, Jane.


O-liver was restless, his hands clenched at his sides. Atwood and Henry
were restless. Tommy was restless. They couldn't let such insults go
unnoticed. Somebody had to fight for Jane!

Tillotson's supporters kept the thing stirring. If the meeting could end
in a brawl the odds would be in favor of Tillotson. The effect of
O-liver's uplift would be lost. Even his friends couldn't sway a
fighting crowd back to him.

But they had forgotten to reckon with Jane!

She had seen in a sudden crystal flash the thing which might happen. A
fight would end it all for O-liver. She had seen his efforts at
self-control. She knew his agony of soul. She knew that at any moment he
might knock somebody down--Tillotson or Tillotson's sponsor. And it
would all be in the morning papers. There would be innuendo--the hint of
scandalous things. And O-liver's reputation would pay the price. It was
characteristic that she did not at the moment think of her own
reputation. It was O-liver who must be saved!

And so when Tillotson's backer sat down Jane stood up.

"Please, listen!" she said; and the crowd turned toward her. "Please,
listen, and stop singing that silly song. I never heard anything so
silly as that song in my life!"

Before her scorn the chant died away in a gasp!

"The thing you've got to think about," she went on, "isn't Tillotson or
O-liver Lee. It's Tinkersfield. You want an honest man. And O-liver
Lee's honest. He doesn't want your money. He's got enough of his own.
His father's the richest man in his part of the state and his wife's a
movie actress and makes as much as the President. It sounds like a fairy
tale, but it isn't. If O-liver Lee wanted to live on his father or his
wife he could hold out his hand and let things drop into it. But he'd
rather earn fifteen dollars a week and own his soul. And he isn't a
hypocrite. His friends knew about his marriage. Tommy Drew knew, and I
knew. And there wasn't any particular reason why he should tell the rest
of you, was there? There wasn't any particular reason why he should tell
Tillotson?"

A murmur of laughter followed her questions. There was a feeling in the
crowd that the joke was on Tillotson.

"I wonder how many of you have told your pasts to Tinkersfield! How many
of you have made Tillotson your father confessor?

"As for me"--her head was high--"I sell sandwiches. I am very busy. I
hardly have time to think. But when I do think it is of something
besides village gossip."

She grew suddenly earnest; leaned down to them. "You haven't time to
think of it either," she told them; "have you, men of Tinkersfield?"

Her appeal was direct, and the answer came back to her in a roar from
the men who knew courage when they saw it; who knew, indeed, innocence!

"No!"

And it was that "No" which beat Tillotson.

"The way she put it over," Atwood exulted afterward, "to a packed crowd
like this!"

"The thing about Jane"--Henry was very seriously trying to say the thing
as he saw it--"the thing about Jane is that she sees things straight.
And she makes other people see."



IX


Well, Tillotson was beaten, and the men who supported O-liver came out
of the fight feeling as if they had killed something unclean.

And the morning after the election O-liver had a little note from Jane.

"I've got to go away. I didn't want to worry you with it before this. I
have saved enough money to start in at some college where I can work for
a part of my tuition. I have had experience in my little lunch room that
ought to be a help somewhere.

"When I finish college I'm going into some sort of occupation that will
provide a pleasant home for mother and me. I want books, and lovely
things, and a garden; and I'd like to speak a language or two and have
cultured friends. Then some day when you are made President you can say
to yourself: 'I am proud of my friend, Jane.' And I'll come to your
inauguration and watch you ride to the White House, and I'll say to
myself as I see you ride, 'I've loved him all these years.'

"But I shan't let myself say it now. And that's why I'm going away. And
I'm going without saying good-bye because I think it will be easier for
both of us. You and I can't be friends. What we feel is too big. I found
that out about myself that night when you sat there on the platform, and
I wanted to save you from Tillotson. If I'm going to work and be happy
in my work I've got to get away. And you will work better because I am
gone. I mustn't be here--O-liver."

Jane had indeed seen straight. O-liver laid the note down on his desk
and looked up at the mountain. He needed to look up. If he had looked
down for a moment he would have followed Jane.



X


And now there was no sandwich stand in Tinkersfield. But there was a
good hotel. O-liver saw to that. He got Henry Bittinger to put up the
money, with Tommy and his mother in charge. O-liver lived in the hotel
in a suite of small rooms, and when Atwood Jones passed that way the
four men dined together as O-liver's guests.

"Some day we'll eat with you in Washington," was Atwood's continued
prophecy.

They always drank "To Jane." Now and then Atwood brought news of her.
First from the college, and then as the years passed from the beach
resort where she had opened a tea room. She was more beautiful than
ever, more wonderful. Her tea room and shop were most exclusive and
artistic.

"Sandwich Jane!" said O-liver. "How long ago it seems!"

It was five years now and he had not seen her. And next month he was to
go to Washington. Not as President, but representing his district in
Congress. Tommy's hotel had outgrown the original modest building and
was now modern and fireproof. Henry was married, he had had several new
cars, and his wife wore sables and seal.

The old arcade was no more; nor the old post-office. But O-liver still
talked to admiring circles in the hotel lobby or to greater crowds in
the town hall.

He still would take no money from his father, but he saw much of him,
for Mrs. Lee was dead. The Tudor house was without a mistress. It seemed
a pity that O-liver had no wife to grace its halls.

The newspapers stated that Fluffy Hair's income had doubled. Whether
this was true or not it sounded well, and Fluffy Hair still seemed young
on the screen. Jane would go now and then and look at her and wonder
what sort of woman this was who had laughed at O-liver.

Then one day a telegram came to O-liver in his suite of rooms. And that
day and for two nights he rode Mary Pick over the hills and through the
cañon and down to the sea, and came to a place where Jane's tea room was
met in the center of a Japanese garden--a low lovely building, with its
porches open to the wide Pacific.

He had not seen her for so long that he was not quite prepared for the
change. She was thinner and paler and more beautiful, with an air of
distinction that was new. It was as if in visualizing his future she had
pictured herself in it--as first lady of the land. Such a silly dream
for Sandwich Jane!

They were quite alone when he came to her. It was morning, and the
porches were empty of guests. Jane was in a long wicker chair, with her
pot of coffee on an hour-glass table. Far down on the terrace two Jap
gardeners clipped and cut and watered and saw nothing.

"You are younger than ever," Jane said when they had clasped hands.
"Will you ever grow old, O-liver?"

"The men say not." He seated himself opposite her. "Jane, Jane, it's
heavenly to see you. I've been--starved!"

She had hungered and thirsted for him. Her hand shook a little as she
poured him a cup of coffee.

"I told you not to come, O-liver."

He laid the telegram before her. Fluffy Hair was dead!

The yellow sheet lay between, defying them to speak so soon of
happiness.

"To-morrow," O-liver said, "I go to Washington. When will you come to
me, Jane?"

Her hand went out to him. Her breath was quick. "In time to hear your
first speech, O-liver. I'll sit in the gallery, and lean over and listen
and say to myself, 'He's mine, he's mine!'"

She heard many speeches in the months that followed, and sometimes Tommy
or Atwood or Henry, traveling across the continent, came and sat beside
her. And Atwood always clung to his prophecy: "He'll be governor next;
and then it'll be the White House. Why not?"

And Jane, dreaming, asked herself "Why?"

The East had had its share. Had the time not come for a nation to seek
its leader in the golden West?




LADY CRUSOE


Billy and I came down from the North and opened a grocery store at
Jefferson Corners. It is a little store and there aren't many houses
near it--just the railroad station and a big shed or two. Beyond the
sheds a few cabins straggle along the road, and then begin the great
plantations, which really aren't plantations any more, because nobody
around here raises much of anything in these days. They just sit and
sigh over the things that are different since the war.

That's what Billy says about them. Billy is up-to-date and he has a
motor-cycle. He made up his mind when he came that he was going to put
some ginger into the neighborhood. So he rides miles every morning on
his motor-cycle to get orders, and he delivers the things himself unless
it is barrels of flour or cans of kerosene or other heavy articles, and
then he hires somebody to help him. At first he had William Watters and
his mule. William is black and his mule is gray, and they are both old.
It took them hours to get anywhere, and I used to feel sorry for them.
But when I found out that compared to Billy and me they lived on flowery
beds of ease, I stopped sympathizing. They both have enough, to eat, and
they work only when they want to. Billy and I work all the time. We have
our way to make in the world, and we feel that it all depends on
ourselves. We started out with nothing ahead of us but my ambitions and
Billy's energy, and a few hundred dollars which my guardian turned over
to me when I married Billy on my twenty-first birthday.

As soon as we were married, we came to Virginia. Billy and I had an idea
that everything south of the Mason and Dixon line was just waiting for
us, and we wanted to earn the eternal gratitude of the community by
helping it along. But after we had lived at Jefferson Corners for a
little while, we began to feel that there wasn't any community. There
didn't seem to be any towns like our nice New England ones, with
sociable trolley-cars connecting them and farmhouses in a lovely line
between. You can ride for miles through this country and never pass
anything but gates. Then way up in the hills you will see a clump of
trees, and in the clump you can be pretty sure there is a house. In the
winter when the leaves are off the trees you can see the house, but in
the summer there is no sign of it. In the old days they seemed to feel
that they were lacking somewhat in delicacy if they exposed their
mansions to the rude gaze of the public.

There was one mansion that Billy took me to now and then. It was empty,
and that was why we went. The big houses which were occupied were not
open to us, except in a trades-person sort of fashion, and Billy and I
are not to be condescended to--we had a pair of grandfathers in the
_Mayflower_. But that doesn't count down here, where everybody goes back
to William the Conqueror.

That great big empty house was a fine place for our Sunday afternoon
outings. We always went to church in the morning, and people were very
kind, but it was kindness with a question-mark. You see Billy and I live
over the store, and none of them had ever lived on anything but
ancestral acres.

So our Sunday mornings were a bit stiff and disappointing, but our
afternoons were heavenly. We discovered the Empty House in the spring,
and there was laurel on the mountains and the grass was young and green
on the slopes, and the sky was a faint warm blue with the sailing
buzzards black against it. Billy and I used to stop at the second gate,
which was at the top of the hill, and look off over the other hills
where the pink sheep were pastured. I am perfectly sure that there are
no other sheep in the whole wide world like those Albemarle sheep. The
spring rains turn the red clay into a mud which sticks like paint, and
the sheep are colored a lovely terra-cotta which fades gradually to
pink.

The effect is impressionistic, like purple cows. Billy doesn't care for
it, but I do. And I adore the brilliant red of the roads. Billy says
he'll take good brown earth and white flocks. He might be reconciled to
black sheep but never to pink ones.

We used to eat our supper on the porch of the Empty House. It had great
pillars, and it was rather awe-inspiring to sit on the front steps and
look up the whole length, of those Corinthian columns. Billy and I felt
dwarfed and insignificant, but we forgot it when we turned our eyes to
the hills.

The big door behind us and the blank windows were shut and shuttered
close. There were flying squirrels on the roof and little blue-tailed
lizards on the stone flagging in front of the house; and there was an
old toad who used to keep us company. I called him Prince Charming, and
I am sure he was as old as Methuselah, and lived under that stone in
some prehistoric age.

We just loved our little suppers. We had coffee in our thermos bottle,
and cold fried chicken and bread and butter sandwiches and chocolate
cake. We never changed, because we were always afraid that we shouldn't
like anything else so well, and we were sure of the chicken and the
chocolate cake.

And after we had eaten our suppers we would talk about what kind of
house we would build when our ship came in. Billy and I both have nice
tastes, and we know what we want; and we feel that the grocery store is
just a stepping-stone to better things.

The sunsets were late in those spring days, and there would be pink and
green and pale amethyst in the western sky, and after that deep sapphire
and a silver moon. And as it grew darker the silver would turn to gold,
and there would be a star--and then more stars until the night came on.

I can't tell you how we used to feel. You see we were young and in
love, and life was a pretty good thing to us. There was one perfect
night when the hills were flooded with moonlight. We seemed all alone in
a lovely world and I whispered:

"Oh, Billy, Billy, and some folks think that there isn't any God--"

And Billy put his arm around me and patted my cheek, and we didn't say
anything for a long time.

It was just a week later that Lady Crusoe came. I knew that some one was
in the house as soon as we passed the second gate. The door was still
closed, and the shutters were not opened, but I heard a clock strike--a
ship's clock--with bells.

I clutched Billy. "Listen," I said.

He heard it, too; "Who in the dickens?" he demanded.

"There's somebody in the house--"

"Nonsense--"

"Billy, there must be, and we can't sit on the porch."

"You stay here, and I'll go around to the back."

But I wouldn't let him go alone. At the back of the house a window was
open, and then we were sure.

"We'd better leave," I said, but Billy insisted that we stay. "If they
are new people, I'll find out their names, and come up to-morrow and get
their orders."

We went around to the front door and knocked and knocked, but nobody
answered. So we sat down on the front step and presently Billy said that
we might as well eat our supper, for very evidently nobody was at home.

I didn't feel a bit comfortable about it, but I opened our basket and
got out our cups and plates, and Billy poured the coffee and passed the
chicken and the bread and butter sandwiches. And just then the door
creaked and the knob turned!

My first impulse was to gather up the lunch and tumble it into the
basket; but I didn't. I just sat there looking up as calmly as if I were
serving tea at my own table, and Billy sat there too looking up.

The door opened and a voice said, "Oh, if you are eating supper, may I
have some?"

It was a lovely voice, and Billy jumped to his feet. A lovely head came
after the voice. Just the head, peeping around--the body was hidden by
the door. On the head was a lace cap with a gold rose, and the hair
under the cap was gold.

"You see, I just got up," said the voice, "and I haven't had any
breakfast--"

Billy and I gasped. It was seven P.M., and the meal that we were
serving was supper!

"Do you mind my coming out?" said the voice. "I am not exactly clothed
and in my right mind, but perhaps I'll do."

She opened the door wider and stepped down. I saw that her slippers had
gold roses and that they were pale pink like the sunset. She wore a
motor coat of tan cloth which covered her up, but I had a glimpse of a
pink silk negligee underneath.

She sat quite sociably on the steps with us. "I am famished," she said.
"I haven't had a thing to eat for twenty-four hours."

We gasped again. "How did it happen?"

"I was--shipwrecked," she said, "in a motor-car--I am the only
survivor--"

Her eyes twinkled. "I'll tell you all about it presently." Then she
broke off and laughed.

"But first will you feed a starving castaway?"

Yet she didn't really tell us anything. She ate and ate, and it was the
prettiest thing to see her. She was dainty and young and eager like a
child at a party.

"How good everything is!" she said, at last with a sigh. "I don't think
I was ever so hungry in my life."

Billy and I didn't eat much. You see we were too interested, and
besides we had had our dinner.

As I have said, she didn't really tell us anything. "It was an accident,
and I came up here. And the old clock that you heard strike belonged to
my grandfather. He was an admiral, and it was his clock. I used to
listen to it as a child."

"What happened to the rest--?" Billy asked, bluntly. He was more
concerned about the automobile accident than about her ancestors.

"Oh, do you mean the others in the car?" she came reluctantly back from
the admiral and his ship's clock. "I am sure I don't know. And I am very
sure that I don't care."

"But were any of them killed?"

"No--they are all alive--but you see--it was a shipwreck--and I floated
away--by myself--and this is my island, and you are the nice friendly
savages--" she touched Billy on the arm. He drew away a bit. I knew that
he was afraid she had lost her mind, but I had seen her twinkling eyes.
"Oh, it's all a joke!" I said.

She shook her head. "It isn't exactly a joke, but it might look like
that to other people."

"Are you going to stay?"

"Yes."

"I'll come up in the morning for orders," said Billy promptly. "I keep
the grocery store at Jefferson Corners."

"Oh," she said, and seemed to hesitate; "there won't be any orders."

Billy stared at her. "But there isn't any other store."

"Robinson Crusoe didn't have stores, did he? He found things and lived
on the land. And I am Lady Crusoe."

"Really?" I asked her.

"I've another name--but--if people around here question you--you won't
tell them, will you, that I am here--?"

She said it in such a pretty pleading fashion that of course we
promised. It was late when we had to go. I insisted that we should leave
what remained of the supper, and she seemed glad to get it. "You are
nice friendly savages," she said, with that twinkle in her eyes, "and I
am very grateful. Come into the house and let me show you my clock--"

She showed us more than the clock. I hadn't dreamed in those days when
Billy and I sat alone on the steps of the treasures that were shut up
behind us. The old furniture was dusty, but all the dust in the world
couldn't hide its beauty. The dining-room was hung with cobwebs, but
when the candles were lighted we saw the Sheffield on the old
sideboard, the Chinese porcelains, the Heppelwhite chairs, the painted
sheepskin screen--

She picked out a lovely little pitcher and gave it to me. I did not
learn until afterward that it was pink lustre and worth a pretty penny.
She paid in that way, you see, for her supper, and something in her
manner made me feel that I must not refuse it.

She did not ask us to come again, yet I was sure that she liked us. I
felt that perhaps it was the grocery store which had made her hesitate.
But whatever it was, I must confess that I was a little lonely as I went
away. You see we had come to look forward to our welcome at the Empty
House. We had known that we were the honored guests of the flying
squirrels and the lizards and of old Prince Charming. But now that the
house was no longer empty, we would not be welcome. I was sorry that I
had accepted the pink pitcher. I should have preferred to feel that I
owed no favor to the lady with the twinkling eyes.

It wasn't long after our adventure at the Empty House that Billy asked
William Watters to take a big load to a customer two miles out. But
William couldn't. He was working, he said, at a regular place. We
couldn't imagine William as being regular about anything. He and his
mule were so irregular in their habits. They came and went as they
pleased, and they would take naps whenever the spirit moved them. But
now, as William said, he was "wukin' regular," and he refused to say for
whom he worked. But we found out one day when he drove Lady Crusoe down
in a queer old carriage with his mule as a prancing steed.

He helped her descend as if she had been a queen, and she came in and
talked to Billy. "You see, I've hunted up my friendly savages," she
said. "I've reached the end of my resources." She gave a small order,
and told Billy that she wasn't at all sure when she could pay her bill,
but that there were a lot of things in her old house which he could have
for security.

Billy said gallantly that he didn't need any security, and that her
account could run as long as she wished and that he was glad to serve
her. And he got out his pad and pencil and stood in that nice way of his
at attention.

I listened and looked through a window at the back. I had seen her drive
up, and she was stunning in the same tan motor-coat that she had worn
when we first saw her. But she had on a brown hat and veil and brown
shoes instead of the lace cap and rosy slippers.

She asked about me, and Billy told her that I was in the garden. And I
was in the garden when she came out; but I had to run. She sat down in a
chair on the other side of my little sewing-table and talked to me. It
is such a scrap of a garden that there is only room for a tiny table and
two chairs, but a screen of old cedars hides it from the road, and
there's a twisted apple-tree, and the fields beyond and a glimpse of the
mountains.

"How is the island?" Billy asked her.

She twinkled. "I have a man Friday."

"William Watters?"

She nodded. "The Watters negroes have been our servants for generations.
And William thinks that he belongs to me. He cooks for me and forages.
He shot two squirrels one morning and made me a Brunswick stew. But I
couldn't stand that. You see the squirrels are my friends."

I thought of the flying squirrels and the blue-tailed lizards and the
old toad, and I knew how she felt. And I said so. She looked at me
sharply, and then she laid her hand over mine: "Are you lonely, my
dear?"

I said that I was--a little. Billy had gone in to wait on a customer, so
I dared say it. I told her that nobody had called.

"But why not?" she demanded.

"I think," I said slowly, "it is because we live--over the store."

"I see." And she did see; it was in her blood as well as in the blood of
the rest of them.

Presently she stood up and said that she must go, and it was then that
she noticed the work that was in my basket on the table. She lifted out
a little garment and the red came into her cheeks. "Oh, oh!" she said,
and stood looking at it. When she laid it down, she came around the
table and kissed me. "What a dear you are!" she said, and then she went
away.

William Watters came in very often after that; but he said very little
about Lady Crusoe. He was a faithful old thing, and he had evidently had
instructions. But one morning he brought a fine old Sheffield tray to
Billy and asked him to take his pay out of it, and let Lady Crusoe have
the rest in cash. William Watters didn't call her "Lady Crusoe," he
called her "Miss Lily," which didn't give us the key to the situation in
the least. Billy didn't know how to value the tray, so he asked me. I
knew more than he did, but I wasn't sure. I told him to advance what he
thought was best, and to send it to the city and have it appraised, or
whatever they call it, so he did; and when the check from the antique
shop came it was a big one.

It wasn't long after that that Lady Crusoe called on me. It was a real
call, and she left a card. And she said as she laid it on the table: "As
I told you, I'd rather the rest of the natives didn't know--they haven't
seen me since I was a child, and they think that I am just some stranger
who rents the old place and who wants to be alone."

After she had gone I picked up the card, and what I read there nearly
took my breath away. There are certain names which mean so much that we
get to look upon them as having special significance. The name that was
on Lady Crusoe's card had always stood in my mind for money--oceans of
it. I simply couldn't believe my eyes, and I took it down to Billy.

"Look at that," I said, and laid it before him, "and she has asked us to
supper for next Sunday!"

Well, we couldn't make anything of it. Why was a woman with a name like
that down here with nothing to eat but the things that William Watters
could forage for, and that Billy could supply from his little store, and
that she paid for with Sheffield trays?

We had supper that Sunday night in the great dining-room. There was a
five-branched candlestick with tall white candles in the center of the
shining mahogany table and William Watters acted as butler. You never
would have believed how well he did it. And after supper we had coffee
on the front porch and looked out over the hills at the sunset, and the
silver moon and the old toad came out from under his stone and sat with
us.

Lady Crusoe was in a thin white dress which she had made for herself,
and she talked of the old place and of her childhood there. But not a
word did she say of why she had come back to live alone on the Davenant
ancestral acres.

It was her mother, we learned, who was a Davenant, and it was her
mother's father who was the old admiral. She said nothing of the man
whose name was on her card. It was as if she stopped short when she came
to that part of her life, or as if it had never been.

She took me up-stairs after a while and left Billy to smoke on the
porch. She said that she had something that she wanted me to see. Her
room was a huge square one at the southwest corner of the house. There
was a massive four-poster bed with faded blue satin curtains, and there
was a fireplace with fire-dogs and an Adam screen. Lady Crusoe carried a
candle, and as she stood in the center of the room she seemed to gather
all of the light to her, like the saints in the old pictures. She was so
perfectly lovely that I almost wanted to cry. I can't explain it, but
there was something pathetic about her beauty.

She set the candle down and opened an old brass-bound chest. She took
out a roll of cloth and brought it over and laid it on the table beside
the candle.

"I bought it with some of the money that your Billy got for my Sheffield
tray," she said. Then she turned to me with a quick motion and laid her
hands on my shoulders. "Oh, you very dear--when I saw you making those
little things--I knew that--that the good Lord had led me. Will
you--will you--show me--how?"

I told Billy about it on the way home.

"She doesn't know anything about sewing, and she hasn't any patterns,
and I am to go up every day, and William Watters will come for me with
his mule--"

Then I cried about her a little, because it seemed so dreadful that she
should be there all alone, without any one to sustain her and cherish
her as Billy did me.

"Oh, Billy, Billy," I said to him, "I'd rather live over a grocery store
with you than live in a palace with anybody else--"

And Billy said, "Don't cry, lady love, you are not going to live with
anybody else."

And he put his arm around me, and as we walked along together in the
April night it was like the days when we had been young lovers, only our
joy in each other was deeper and finer, for then we had only guessed at
happiness, and now we knew--

Well, I went up every day. William Watters came for me, and I carried my
patterns and we sat in the big west room, and right under the window a
pair of robins were building a nest.

We watched them as they worked, and it seemed to us that no matter how
hard we toiled those two birds kept ahead. "I never dreamed," Lady
Crusoe remarked one morning, "that they were at it all the time like
this."

"You wait until they begin to feed their young," I told her. "People
talk about being as free as a bird. But I can tell you that they slave
from dawn until dark. I have seen a mother bird at dusk giving a last
bite to one squalling baby while the father fed another."

Lady Crusoe laid down her work and looked out over the hills. "The
father," she said, and that was all for a long time, and we stitched and
stitched, but at last she spoke straight from her thoughts: "How dear
your husband is to you!"

"That's what husbands are made for."

"Some of them are not, dear," her voice was hard, "some of them expect
so much and give so little--"

I kept still and presently she began again. "They give money--and they
think that is--enough. They give jewels--and think we ought to be
profoundly grateful."

"Well, my experience," I told her, "is that the men give as much love as
the women--"

She looked at me. "What do you mean?"

"Love costs them a lot."

"In what way?"

"They work for us. Now there's Billy's grocery store. If Billy didn't
have me, he'd be doing things that he likes better. You wouldn't believe
it, but Billy wanted to study law, but it meant years of hard work
before he could make a cent, and he and I would have wasted our youth in
waiting--and so he went into business--and that's a big thing for a man
to do for a woman--to give up a future that he has hoped for--and that's
why I feel that I can't do enough for Billy--"

"I don't see why you should look at it in that way," she said, and her
eyes were big and bright. "Women are queens, and they honor men when
they marry them--"

"If women are queens," I told her, "men are kings--Billy honored me--"

She smiled at me. "Oh, you blessed dear--" she said, and all of a sudden
she came over and knelt beside me. "What would you think of a man who
married a woman whom the world called beautiful and brilliant, and
whom--whom princes wanted to marry--And he was a very plain man, except
that he had a lot of money--millions and millions--and after he married
the woman whom he had said that he worshiped, he wanted to make just an
every-day wife of her. He wanted her to stay at home and look after his
house. He told her one night that it would be a great happiness for him
if he could come in and find her warming--his slippers. And he said that
his ideal of a woman was one who--who--held a child in her arms--"

I looked down at her. "Well, right in the beginning," I said, "I should
like to know if the woman loved the man--"

She stared at me and then she stood up. "If she did, what then? She had
not married to be--his slave--"

I pointed to the mother robin on the branch below. "I wonder if she
calls it slavery! You see--she is so busy--building her nest she hasn't
time to think whether Cock Robin is singing fewer love songs than he
sang early in the spring."

She laughed and was down on her knees beside me again. "Oh, you funny
little practical thing! But it wasn't because I missed the love songs.
He sang them. But because I couldn't be an every-day wife--"

"What kind of wife did you want to be?"

"I wanted to travel with him alone--I planned a honeymoon in the desert,
and we had it--and I planned after that to sail the seas to the land of
Nowhere--and we sailed--and then--I wanted to go to the high plains--and
ride and camp--and into the forests to hunt and fish--but he wouldn't.
He said that we had wandered enough. He wanted to build a house--and
have me warm--his slippers--"

"And so you quarreled?"

"We quarreled--great hot heavy quarrels--and we said things--horrid
things--that we can't forgive--"

She was sobbing on my shoulder and I said softly: "Things that _you_
can't forgive?"

"Yes. And that _he_ can't. That's why I ran away from him."

I waited.

"I couldn't stand it to see him going around with his face stern and set
and not like my lover's. And he didn't speak to me except to be polite.
And he asked people to go with us--everywhere. And we were never
alone--"

"What had you said to make him--like that?"

She raised her head. "I told him that I--hated him--"

"Oh, oh--"

She knelt back on her heels.

"It was a dreadful thing to say, wasn't it? That's why I ran away. I
couldn't stand it. I knew it was a thing no man--could--forgive--"

I smoothed her hair and rocked her back and forth while she cried. It
was strange how much of a child she seemed to me. And I was only the
wife of a country grocer and lived over the store, and she was the wife
of a man whose name was known from east to west, and all around the
world. But you see she hadn't learned to live. Neither have I, really.
But Billy has taught me a lot.

I think it was a comfort for her to feel that she had confided in me.
But she made me promise that whatever happened I wouldn't let him know.

"Unless I--die," she said, and she was as white as a lily, "unless I
die, and then you can--set him--free--"

Billy was sorry that I had promised. "Somehow I feel responsible,
sweetheart, and I'll bet her poor husband is almost crazy."

"Would you be, Billy?"

He caught me to him so quickly that he almost shook the breath out of
me. "Don't ask a thing like that," he said, and his voice didn't sound
like his own. "If anything should happen to you--if anything should
happen--I should--I should--oh, why will women ask things like that--?"

In the days that followed, Billy didn't want me out of his sight. He
even hated to have me go up to the Davenant house with William Watters.
"Take care of her, William," he would say, and stand looking after us.

William and I got to be very good friends. He was a wise old darky, and
he was devoted to Lady Crusoe. He usually served tea for us out under
the trees, unless it was a rainy day, and then we had it in the library.

It was on a rainy day that Lady Crusoe said: "I wonder what has become
of William. I haven't seen him since you came. I have hunted and called,
and I can't find him."

He appeared at tea time, however, with a plate of hot waffles with
powdered sugar between. When his mistress asked him about his mysterious
disappearance, he said that he had cleaned the attic.

"But, William, on such a day?"

"I kain't wuk out in the rain, Miss Lily, so I wuks in--"

That was all he would say about it, and after we had had our tea, she
said to me, "There are a lot of interesting things in the attic. Let's
go up and see what Willie has been doing--"

The dim old place was as shining as soap and water could make it, and
there was the damp smell of suds. There was the beat of the rain on the
roof, and the splash of it against the round east window. Through the
west window came a pale green light, and there was a view over the
hills. As we became accustomed to the dimness our eyes picked out the
various objects--an old loom like a huge spider under a peaked gable, a
chest of drawers which would have set a collector crazy, Chippendale
chairs with the seats out, Windsor chairs with the backs broken, gilt
mirror frames with no glass in them--boxes--books--bottles--all the
flotsam and jetsam of such old establishments. Most of the things had
been set back against the wall, but right in the middle of the floor was
an object which I took at first for a small trunk.

Lady Crusoe reached it first, and knelt beside it. She gave a little
cry. "My dear, come here!" and I went to her, and in another moment, I,
too, was on my knees. For the dark object was a cradle--a lovely hooded
thing of mahogany, in which the Davenants had been rocked for
generations.

"William got it out," Lady Crusoe said, "ready to be carried down. Oh,
my good old man Friday! Do you mind if I cry a little, you very dear?"

It rained a great deal that summer, and it was hot and humid. Billy and
I longed for the cold winds that sweep across the sea on the North
Shore, but we didn't complain, for we had each other, and I wouldn't
exchange Billy for any breeze that blows.

Lady Crusoe suffered less than I, for she was on her native heath, and
in the afternoon when we sewed together William Watters made lemonade,
and in the evening when Billy came up for me we sat out under the stars
until whispers of wind stirred the trees, and then we went away and left
our dear lady alone.

As the time went on we hated more and more to leave her, but she was
very brave about it. "I have my good man Friday," she told us, "to
protect me, and my grandfather's revolver."

So the summer passed, and the fall came, and the busy robin and all of
her red-breasted family started for the South, and there was rain and
more rain, so that when October rolled around the roads were perfect
rivers of red mud, and the swollen streams swept under the bridges in
raging torrents of terra-cotta, and the sheep on the hills were pinker
than ever. There was no lack of color in those gray days, for the trees
burst through the curtain of mist in great splashes of red and green and
gold. But now I did not go abroad with William Watters behind his old
gray mule, for things had happened which kept me at home.

It was on a rainy November night that I came down to the store to call
Billy to supper. I had brought a saucer for old Tid, the store cat, and
when he had finished Billy had cut him a bit of cheese and he was
begging for it. We had taught Tid to sit up and ask, and he looked so
funny, for he is fat and black and he hates to beg, but he loves cheese.
We were laughing at him when a great flash of light seemed to sweep
through the store, and a motor stopped.

Billy went forward at once. The front door opened, and a man in a
rain-coat was blown in by the storm.

"Jove, it's a wet night!" I heard him say, and I knew it wasn't any of
Billy's customers from around that part of the country. This was no
drawling Virginia voice. It was crisp and clear-cut and commanding.

He took off his hat, and even at that distance I could see his shining
blond head. He towered above Billy, and Billy isn't short. "I wonder if
you could help me," he began, and then he hesitated, "it is a rather
personal matter."

"If you'll come up-stairs," Billy told him, "there'll be only my wife
and me, and I can shut up the store for the night."

"Good!" he said, and I went ahead of them with old Tid following, and
presently the men arrived and Billy presented the stranger to me.

He told us at once what he wanted. "I thought that as you kept the
store, you might hear the neighborhood news. I have lost--my wife--"

"Dead?" Billy inquired solicitously.

"No. Several months ago we motored down into this part of the country.
Some miles from here I had trouble with my engine, and I had to walk to
town for help. When I came back my wife was gone--"

I pinched Billy under the table. "Gone?" I echoed.

"Yes. She left a note. She said that she could catch a train at the
station and that she would take it. Some one evidently gave her a lift,
for she had her traveling bag with her. She said that she would sail at
once for France, and that I must not try to follow her. Of course I did
follow her, and I searched through Europe, but I found no trace, and
then it occurred to me that after all she might still be in this part of
the country--"

I held on to Billy. "Had you quarreled or anything?"

He ran his fingers through his hair. "Things had gone wrong somehow,"
he said, uncertainly, "I don't know why. I love her."

If you could have heard him say it! If _she_ could have heard him! There
was a silence out of which I said: "Did you ask her to warm your
slippers?"

He stared at me, then he reached out his hands across the table and
caught hold of mine in such a strong grip that it hurt. "You've seen
her," he said, "_you've seen her_--?"

Then I remembered. "I can't say any more. You see--I've promised--"

"That you wouldn't tell me?"

"Yes."

He threw back his head and laughed. "If she's in this part of the
country, I'll find her." And I knew that he would. He was the kind of
man you felt wouldn't know there were obstacles in the way when he went
after the thing he wanted.

I made him stay to supper. It was a drizzly cold night and he looked
very tired.

"Jove," he said, "you're comfortable here, with your fire and your
pussy-cat, and your teakettle on the hearth! This is the sort of thing I
like--"

"You wouldn't like living over a grocery store," I told him.

"Why not?"

"Oh, nobody around here ever has, and they are all descended from
signers of the Declaration of Independence and back of that from William
the Conqueror, and they stick their noses in the air."

"Shades of Jefferson!--why should they?"

"They shouldn't. But they do--"

He came back to the subject of his wife. "I didn't want her to warm my
slippers. It was only that I wanted her to feel like warming them," he
appealed to Billy, and Billy nodded. Billy positively purrs when I make
him comfortable after his day's work. He says that it is the homing
instinct in men and that women ought to encourage it.

"Does she warm yours?" he asked Billy.

"Not now, she's too busy--" and then as if the stage were set for it,
there came from the next room a little, little cry.

I went in and brought out--Junior! He was only a month old, but you know
how heavenly sweet they are with their rose-leaf skins, and their little
crumpled hands and their downy heads--Junior's down was brown, for Billy
and I are both dark.

"You see he keeps me busy," I said.

I was so proud I am perfectly sure it stuck out all over me, and as for
Billy he beamed on us in a funny fatherly fashion that he had adopted
from the moment that he first called me "Little Mother."

"Do you wonder that she hasn't time to warm my slippers?" was his
question.

The stranger held out his arms--"Let me hold the little chap." And he
sat there, without a smile, looking down at my baby. When he raised his
head he said in a dry sort of fashion, "I thought the pussy-cat and the
teakettle were enough--but this seems almost too good to be true--"

I can't tell you how much I liked him. He seemed so big and fine--and
tender. I came across a poem the other day, and he made me think of it:

              "... the strong"
    The Master whispered, "are the tenderest!"

Before he went away, he took my hand in his. "I want you to play a game
with me. Do you remember when we were children that we used to hide
things, and then guide the ones who hunted by saying 'warmer' when we
were near them, and 'colder' when they wandered away? Will you say
'warm' and 'cold' to me? That won't be breaking your promise, will it?"

"No."

"Then let's begin now. To-morrow morning I shall go to the north and
east--"

"Cold!"

"To the south and west--"

"Warmer."

"Up a hill?"

"Very warm. But you mustn't ask me any more."

"All right. But I am coming again, and we will play the game."

Billy went down with him, and when he came back we stood looking into
the fire, and he said, "You didn't tell him?"

"Of course not. That's the lovely, lovely thing that he must find out
for himself--"

The next day I went to see Lady Crusoe. William Watters took me. "They's
a man been hangin' round this mawnin'," he complained, "an' a dawg--"

"What kind of man, William?"

"He's huntin', and Miss Lily she doan' like things killed--"

Half-way up, we passed the man. His hat came off when he saw me. "It's
cold weather we're having," he said pleasantly.

"It's getting warmer," I flung back at him, and William drove on with a
grunt.

I had Junior with me, and when I reached the house I went straight
up-stairs. In the very center of the room in the hooded mahogany cradle
was another crumpled rose-leaf of a child. But this was not a "Junior."

"Robin-son," Lady Crusoe had whispered, when I had first bent over her
and had asked the baby's name.

"Because of the robins?" I had asked.

She shook her head. "I couldn't call him Crusoe, could I?"

So there he lay, little Robinson Crusoe, in a desert expanse of polished
floor, and there he crowed a welcome to my own beautiful baby!

Lady Crusoe was in a big chair. She was not strong, and William Watters
had brought his sister Mandy to wait on her. She was very pale, this
lovely lady, and there were shadows under her eyes. As I sat down beside
her, she said: "I shall have to have your Billy sell some more things
for me. You see the servants must be paid, and my Robin must be comfy.
There's a console-table that ought to bring a lot from a city dealer."

"I wish that you needn't be worried," I said. "I wish--I wish--that
you'd let me send for Robin's father--"

"Robin's father!" she drew a quick breath, "how funny it
sounds!--_Robin's father_--"

I waited for that to sink in, and then I said: "I know how you feel.
When I think of Billy as Junior's father it is different from thinking
of him as my husband, and it makes a funny sensation in my throat as if
I wanted to cry--"

"You've nothing to cry about," she told me fiercely, "nothing, but I
sometimes feel as if I could weep rivers of tears!"

I realized that I must be careful, so I changed the subject. "William,"
I said after a pause, "is worrying about a man who is hunting over the
grounds."

"He told me. I can't understand why any one should trespass when the
place is posted. I sent William to tell him, but it didn't seem to have
any effect. I haven't heard him shoot. When I do, I shall go out and
speak to him myself."

I wondered if Fate were going to settle it in that way, and I wondered
too if it would be breaking my promise to tell him to shoot! We sewed in
silence for a while, but Lady Crusoe was restless. At last she wandered
to the window. It was a long French window which opened on a balcony.
She parted the velvet curtains and looked out. "There he is again," she
said, with irritation, "by the gate with his gun and dog--"

I rose and joined her. The man stood by the gate-post, and the dog sat
at his feet. They might have been a pair of statues planted on the round
top of the hill, with the valleys rolling away beneath them and the
mountain peaks and the golden sky beyond. Lady Crusoe was much stirred
up over it.

"I'll send William again, when he comes with our tea. I won't have my
wild things shot. There was a covey of partridges on the lawn this
morning, and my squirrels come up to the porch to be fed. Men are cruel
creatures with their guns and their traps."

"Women are cruel, too," I told her, and now I took my courage in my
hands. "Suppose, oh, suppose, that the mother robin had stolen her nest
and had never let the father robin share her happiness, wouldn't you
call that cruel?"

"What do you mean?" her voice shook.

"You have stolen your--nest--"

"Why shouldn't I steal it? I had always felt that when I wanted a real
home it would be here. And the time had come when I wanted a--home. So I
planned to come--with him. It was to be my surprise--he doesn't even
know that the old place belongs to me. He thought it was just another of
my restless demands, but he let me have my way. We had friends with us
when we started; they left us at Washington. It was after we were alone
that--we quarreled--and I ran away. I left a note and told him that I
had gone to France. I suppose he followed and didn't find me. I am not
even sure that he wants to find me."

"Do you want to be found?"

"I don't know. I'd rather not talk about it."

William came in with the tea and was told to send the intruder off.

"I done sent him, Miss Lily," he said, with dignity, "but he ain't gwine
to go. He say he ain't, and I kain't make him."

She went again to the window, and this time she drew back the faded
hangings and stepped out on the balcony.

I heard her utter a cry; then the whole room seemed to whirl about me as
she came in, dragging the curtains together behind her. Every drop of
blood was drained from her face.

"William," she said, sharply, "that man--is coming toward the house! If
he asks for me--I am not--at home."

"Nawm," and William went down to answer the blows of the brass knocker.

We heard him open the door, we heard the crisp, quick voice. We heard
William's stately response. Then the quick voice said: "Will you tell
your mistress that I shall wait?"

William came up with the message. "He's settin' on the po'ch, an' he
looks like he was makin' out to set there all night."

"Let him sit," said Lady Crusoe inelegantly. "Lock all of the doors,
William, and serve the tea."

She sat there and drank a cup of it scalding hot, with her head in the
air and her foot tapping the floor. But I couldn't drink a drop. I was
just sick with the thought of how he loved her, and of how she had
hardened her heart.

At last I couldn't stand it any longer. The tears rolled down my cheeks.
Lady Crusoe set her cup on the tray and stared at me in amazement.
"What's the matter?"

"Oh, how can you--when he loves you?"

I don't know how I dared say it, for her eyes were blazing in her white
face, and my heart was thumping, but there was Robinson Crusoe crowing
in his hooded cradle, and Robin's father was on the front step, with the
old oak door shut and barred against him.

She leaned forward, and I knew what was coming. "How did you know it
was--my husband?"

My eyes met hers squarely. "He came to the store. He was looking for
you."

"And you told him that I was here?"

"No. I wanted to. But I had promised."

For a little while neither of us spoke. The silence was broken by a
thud, as if a flying squirrel had dropped from the roof to the balcony.
A stick of wood fell apart in the grate, and the crow of the baby in the
hooded cradle was answered by the baby on my lap.

Lady Crusoe hugged her knees with her white arms as if she were cold,
although the room was hot with the blazing fire. "I think you might have
told me. It would have been the friendly thing to have told me--"

"Billy thought it wasn't best."

"What had Billy to do with it?"

"Billy has everything to do with me. I talked it over with him--and--and
Billy's such a darling to talk things over--"

I broke down and sobbed and sobbed, and the tears dripped on Junior's
precious head. And at last she said, her face softened, "You silly
little thing, what do you want me to do?"

"If it were Billy, I should ask him in--and show him--the baby--"

"If it were Billy, you would set your heart under his heel for him to
step on. I am not like that--"

Another squirrel dropped to the balcony. The sun was setting, and
between the velvet curtains I could see it blood-red behind the hills.

Lady Crusoe rose, pacing the room restlessly. The wind rising rattled
the long windows. A shadow blotted out the sun.

"I suppose if you were I," she said at last, "you'd take your baby in
your arms, and go down and say to that man on the steps, 'Come in and be
lord of the manor and the ruler of your wife and child.'"

I held Junior close and my voice trembled. "I should never say a thing
like that to--Billy--"

"What would you say?"

"I should say"--I choked over it, and broke down at the end--"oh, lover,
lover, this is your son--and I am his happy mother--"

She stopped in front of me and stood looking down, with the anger all
gone from her eyes. Then, before she could turn or cry out, the long
windows were struck open by something that was stronger than the wind.
There had been no flying squirrels on the balcony, and the shadow which
had hidden the sun was the breadth and height of the big man who stood
between the velvet curtains! He crossed the room at a stride.

"Did you think that bolts and bars could keep me from you?" he asked,
and took Lady Crusoe's hands in a tight grip and drew her toward him.
She resisted for a moment. Then her white slenderness was crushed in his
hungry arms.

Well, as soon as I could gather up Junior and his belongings, I went
down to wait for Billy. But before I went I saw her drop on her knees
beside the hooded cradle and lift out little Robin, and, still kneeling,
hold him up toward his father, as the nun holds up Galahad in the Holy
Grail.

And what do you think I heard her say?

_"Oh, lover, lover, this is your son--and I am his happy mother!"_

Billy came in glowing from his walk in the sharp air, and I can't tell
you how good it seemed to feel his cold cheek against my cheek, and his
warm lips on mine. We were a rapturous trio in front of the library
fire, and there we were joined presently by the rapturous trio from
above stairs. They treated Billy and me as if we were a pair of guardian
angels. Then we had dinner together, with Mandy and William in the
background beaming.

And that night I told Billy all about it. "Isn't it beautiful, Billy?
They are going to live on the old Davenant place, and it is to be their
home."

Everybody calls on us now. You see, Lady Crusoe's family is older than
any of the others, and then there's her husband's money. And I shine in
her reflected light, for our friendship, as she says, is founded on a
rock. But Billy says it is founded on a wreck. Yet while he jokes about
it, I know that he is proud of his friendship with Robin's father. And
when the spring comes, we are to take old Tid and our blessed Junior and
our family effects to an adorable cottage with a garden on all four
sides of it and set well back from the road. You see, we feel that we
can afford it, for we have the exclusive business of supplying the needs
of the Davenant estate, and we are thus financially on our feet.




A REBELLIOUS GRANDMOTHER


Mrs. Cissy Beale and her daughter Cecily sat together in the latter's
bedroom--a bewitching apartment, in which pale-gray paper and pale-gray
draperies formed an effective background for the rosewood furniture and
the French mirrors and tapestried screens.

Between the two women was a bassinet and a baby.

"You act," said Cecily, "as if you were sorry about--the baby."

Her mother, who lay stretched at ease on a pillowed couch, shook her
head.

"I'm not sorry about the baby--she's a darling--but you needn't think
I'm going to be called 'grandmother,' Cecily. A grandmother is a person
who settles down. I don't expect to settle down. My life has been hard.
I struggled and strove through all those awful years after your
father--left me. I educated you and Bob. And now you've both married
well, and I've a bit of money ahead from my little book. For the first
time in my life I can have leisure and pretty clothes; for the first
time in my life I feel young; and then, absolutely without warning, you
come back from Europe with your beautiful Surprise, and expect me to
live up to it--"

"Oh, no!" Cecily protested.

"Yes, you do," insisted little Mrs. Beale. She sat up and gazed at her
daughter accusingly. With the lace of her boudoir cap framing her small,
fair face, she looked really young--as young almost as the demure
Cecily, who, in less coquettish garb, was taking her new motherhood very
seriously.

"Yes, you do," Mrs. Beale repeated. "I know just what you expect of me.
You expect me to put on black velvet and old lace and diamonds. I shan't
dare to show you my new afternoon frock--it's _red_, Cecily, geranium
_red_; I shan't dare to wear even the tiniest slit in my skirts; I
shan't dare to wear a Bulgarian sash or a Russian blouse, or a low
neck--without expecting to hear some one say, disapprovingly, 'And
she's a _grandmother_!'" She paused, and Cecily broke in tumultuously:

"I should think you'd be proud of--the baby."

"No, I'm not proud." Mrs. Beale thrust her toes into a pair of
silver-embroidered Turkish slippers and stood up. "I'm not proud just at
this moment, Cecily. You see--there's Valentine Landry."

"Mother--!"

"Now please don't say it that way, Cecily. He's half in love with me,
and I'm beginning to like him, awfully. I've never had a bit of romance
in my life. I married your father when I was too young to know my own
mind, and he was much older than I. Then came the years of struggle
after he went away.... I was a good wife and a good mother. I worshiped
you and Bob, and I gave my youth for you. I never thought of any other
man while your father lived, even though he did not belong to me. And
now he is dead. You'll never know--I hope you may _never_ know--what
drudgery means as I have known it. I've written my poor little screeds
when I was half-dead with fatigue; I've been out in cold and rain to get
news; I've interviewed all sorts of people when I've hated them and
hated the work. And if now I want to have my little fling, why not?
Everybody effervesces some time. This is my moment--and you can't expect
me to spoil it by playing the devoted grandmother."

The baby was wailing, a little hungry call, which made her mother take
her up and say, hastily: "It's time to feed her. You won't mind,
mother?"

"Yes, I _do_ mind," said the little lady. "I don't like that Madonna
effect, with the baby in your arms. It makes me feel horribly frivolous
and worldly, Cecily. But it doesn't change my mind a bit."

After a pause, the Madonna-creature asked, "Who is Valentine Landry?"

Mrs. Beale had her saucy little cap off, and was brushing out her thin,
light locks in which the gray showed slightly. But she stopped long
enough to explain. "He isn't half as sentimental as his name. I met him
in Chicago at the Warburtons', just before I made a success of my book.
I was very tired, and he cheered me a lot. He's from Denver, and he made
his money in mines. He hasn't married, because he hasn't had time. We're
awfully good friends, but he doesn't know my age. He knows that I have a
daughter, but not a grand-daughter. He thinks of me as a young
woman--not as a grandmother-creature in black silk and mitts--"

"_Mother_! nobody expects you to wear black silk and mitts--"

"Well, you expect me to have a black-silk-and-mitt mind. You know you
are thinking this very minute that there is no idiot like an old
one--Cecily--"

The girl flushed. "I don't think you are quite kind, mother."

Mrs. Beale laughed and forgot to be cynical. "I know what you'd like to
have me, dearie, but this is my moment of emancipation." She crossed the
room and looked down at the tiny bit of humanity curled like a kitten in
the curve of her daughter's arm. "I'm not going to be your grandmother,
yet, midget," she announced, with decision. Then, "Cecily, I think when
she's old enough I shall have her call me--Cupid--"

And laughing in the face of her daughter's horrified protest, the
mutinous grandparent retired precipitately to her own room.

Three hours later, Mrs. Cissy Beale went forth to conquer, gowned in a
restaurant frock of shadow lace topped by a black tulle hat.

Valentine Landry, greeting her in Cecily's white-and-gold drawing-room,
was breezy and radiant. "You're as lovely as ever," he said, as he took
her hand; "perhaps a bit lovelier because you are glad to see me."

"I am glad," she assured him; "and it is so nice to have you come before
the summer is at an end. We can have a ride out into Westchester, and
come back by daylight to dinner."

"And no chaperons?"

"No." She was looking up at him a little wistfully. "We know each other
too well to have to drag in a lot of people, don't we? It is the men
whom women trust with whom they go alone."

He met her glance gravely. "Do you know," he said, "that you have the
sweetest way of putting things? A man simply has to come up to your
expectations. He'd as soon think of disappointing a baby as of
disappointing you."

His selection of a simile was unfortunate. Mrs. Beale's eyes became
fixed upon a refractory button of her glove.

"Please help me," she said; "your fingers are stronger," and as he bent
above her hand she forgot the baby, forgot her new estate, forgot
everything except the joy she felt at having his smooth gray head so
close to her own.

When he had her safely beside him in his big car he asked, "What made
you run away from me in Chicago?"

"My daughter came home from Europe."

"I can't quite think of you with a grown daughter."

"Cecily's a darling." Mrs. Beale's voice held no enthusiasm.

Landry, noting her tone, looked faintly surprised. "You and she must
have great good times together."

"Oh, yes--"

Mrs. Beale wished that he wouldn't talk about Cecily. Cecily had married
before good times were possible. They had never played together--she and
the little daughter for whom she had toiled and sacrificed.

Landry's voice broke in upon her meditations: "I should like to meet
Cecily."

Mrs. Beale switched him away from the topic expeditiously. He should not
see her as yet in the bosom of her family. _He should not_. He should
not see Cecily with her air of mature motherliness. He should not see
Victor, Cecily's husband, who was ten years older than Cecily and only
ten years younger than herself. He should not hear her big son Bob call
her "Grandma." He should not gaze upon the pretty deference of Bob's
little wife toward the queen-dowager!

Dining later opposite Landry in a great golden palace, Cissy seemed like
some gay tropical bird. In her new and lovely clothes she was very
pretty, very witty, almost girlishly charming. Yet Landry was conscious
of a vague feeling of disappointment. She had been more serenely
satisfying in Chicago--not so brilliantly hard, not so persistently
vivacious. How could he know that the change was one of desperation?
Cissy, as grandmother, felt that she must prove, even to herself, that
she was not yet a back number.

With this rift in the lute of their budding romance, they ate and drank
and went to the play and had what might otherwise have been an
enchanted ride home in the moonlight. But when Landry said "Good-night"
Cissy felt the loss of something in his manner. His greeting that
afternoon had had in it something almost of tenderness; his farewell was
commonplace and slightly constrained.

As Mrs. Beale went through the dimly lighted hall to her room, she met
Cecily in a flowing garment, pacing back and forth with the baby in her
arms.

"She isn't well," Cecily whispered, as the little lady in the lace frock
questioned her. "I don't know whether I ought to call a doctor or not."

Mrs. Beale poked the tiny mite with an expert finger. "I'll give her a
drink of hot water with a drop of peppermint in it," she said, "as soon
as I get my hat off, and you'd better go back to bed, Cecily; you aren't
well enough to worry with her."

Cecily looked relieved. "I was worried," she confessed. "It's nurse's
night out and Victor had to go to a board meeting unexpectedly--and with
you away--I lost my nerve. It seemed dreadful to be alone, mother."

Mrs. Beale knew how dreadful it was. She had carried the wailing Cecily
in her arms night after night in the weeks which followed the crushing
knowledge of her husband's infidelity. But she had carried a heavier
burden than the child--the burden of poverty, of desertion, of an
unknown future.

But these things were not to be voiced. "You go to bed, Cecily," she
said. "I'll look after her."

Walking the floor later with the baby in her arms, Mrs. Beale's mind was
on Landry. "Heavens! if he could see me now!" was her shocked thought,
as she stopped in front of a mirror to survey the picture she made.

Her hair was down and the grayest lock of all showed plainly. She had
discarded frills and furbelows and wore a warm gray wrapper. She looked
nice and middle-aged, yet carried, withal, a subtle air of
girlishness--would carry it, in spite of storm or stress, until the end,
as the sign and seal of her undaunted spirit.

The baby stirred in her arms, and again Mrs. Beale went back and forth,
crooning the lullaby with which she had once put her own babies to bed.

In the morning the baby was much better, but Mrs. Beale was haggard. She
stayed in bed until eleven o'clock, however. Cecily, coming in at
twelve, found her ready to go out. In response to an inquiry, Mrs. Beale
spoke of a luncheon engagement with Valentine Landry.

"Mother--are you going to marry him?"

Cissy, studying the adjustment of her veil, confessed, "He hasn't asked
me."

"But he will--"

Mrs. Beale shrugged her shoulders. "Who knows?"

In the weeks which followed, the little lady was conscious that things
were not drawing to a comfortable climax. By all the rules of the game,
Landry should long ago have declared himself. But he seemed to be
slipping more and more into the fatal role of good friend and comrade.

Cissy's pride would not let her admit, even to herself, that she had
failed to attract at the final moment. But there was something deeper
than her pride involved, and she found her days restless and her nights
sleepless. One night in the dense darkness she faced the truth
relentlessly. "You're in love, Cissy Beale," she told herself,
scornfully. "You're in love for the first time in your life--and you
a--grandmother!"

Then she turned over on her pillow, hid her face in its white warmth,
and cried as if her heart would break.

In the meantime the baby drooped. Cecily, worried, consulted her mother
continually. Thus it came about that Mrs. Beale lived a double life.
From noon until midnight she was of to-day--smartly gowned, girlish;
from midnight until dawn she was of yesterday--waking from her fitful
slumbers at the first wailing note, presiding in gray gown and slippers
over strange brews of catnip and of elderflower.

Cecily's doctor, being up-to-date, remonstrated at this return to the
primitive, but was forced to admit, after the baby had come triumphantly
through a half-dozen critical attacks, that Cissy's back-to-grandma
methods were effective.

It was on a morning following one of these struggles that Cissy said to
her daughter, wearily, "I can't escape it--"

"Escape what?" demanded Cecily, who, in the pale-gray bedroom was
endeavoring to observe the doctor's injunction to let the wailing baby
stay in her bassinet, instead of walking the floor with her.

"The black-silk-and-mitt destiny," said the depressed lady.

"What has happened?" Cecily demanded.

"Nothing has happened," responded her weary little mother, and refused
to discuss the matter further.

But to herself she was beginning to admit that she had lost Landry. An
hour later she had a telephone message from him.

"I want you to go with me for a last ride together," he said. "I leave
to-morrow."

"To-morrow!" Her voice showed her dismay.

"But why this sudden decision--"

"I have played long enough," he said; "business calls--"

As Mrs. Beale made ready for the ride she surveyed herself wistfully in
her mirror. There were shadows under her eyes, and faint little lines
toward the corners of her lips--it even seemed to her that her chin
sagged. She had a sudden sense of revolt. "If I were young, _really_
young," she thought, "he would not be going away--"

With this idea firmly fixed in her mind, she exerted herself to please
him; and her little laugh made artificial music in his ears, her fixed
smile wore upon his nerves, her staccato questions irritated him.

Again they had dinner together, and as she sat opposite him, gorgeous
and gay in her gown of geranium red, he began to talk with her of her
daughter.

"I've never met her. It has seemed to me that you might have let me see
her--"

Cissy flushed. "She's such a great grown-up," she said. "Somehow when
I'm with her I feel--old--"

"You will never seem old," he said, with the nearest approach to
tenderness that had softened his voice for days. "You have in you the
spirit of eternal youth--"

Then he floundered on. "But a mother and a daughter--when you used to
speak of her in Chicago, it seemed to me that I could see you together,
and I liked the sweetness and womanliness of the thought; but I have
never seen you together."

With a sense of recklessness upon her, Cissy suddenly determined to tell
him the truth. "Cecily hasn't been going out much. You see, there's the
baby--"

He stared. "The baby--?"

"Her baby--Cecily's--"

"_Then you're a grandmother_?"

It seemed to Cissy that the whole restaurant rang with the emphasis of
the words. Yet he had not spoken loudly; not a head was turned in their
direction; even the waiter stood unmoved.

When she came to herself Landry was laughing softly. "When are you going
to let me see--the baby--?"

"Never--"

"Why not?"

Cissy went on to her doom. "Because you'll want to put me on the shelf
like all the rest of them. You'll want to see me with--my
hair--parted--and spectacles. And my eyes are perfectly good--and my
hair is my own--"

She stopped. Landry was surveying her with hard eyes.

"Don't you love--the baby--?"

Cissy shrugged. "Perhaps. I don't know yet. Some day I may when I
haven't anything to do but sit in a chimney-corner."

Thus spoke Cissy Beale, making of herself a heartless creature, flinging
back into the face of Valentine Landry his most cherished ideals.

But what did it matter? She had known from the moment of her confession
that he would be repelled. What man could stand up in the face of the
world and marry a grandmother!--the idea was preposterous.

She finished dinner with her head in the air; she was hypocritically
lively during the drive home; she said "Good-night" and "Good-bye"
without feeling, and went up-stairs with her heart like lead to find the
nurse weeping wildly on the first landing.

The baby, it appeared, was very ill. And the baby's father and mother,
having left the little cherub sleeping peacefully, were motoring
somewhere in the wide spaces of the world. The family doctor was out.
She had called up another doctor, and he would come as soon as he could.
But in the meantime the baby was dying--

"Nonsense, Kate," said Cissy Beale, and pulling off her gloves as she
ran, she made for the pale-gray room.

Now, as it happened, Valentine Landry, driving away in a priggish state
of mind, was suddenly overwhelmed by miserable remorse. Reviewing the
evening, he seemed to see, for the first time, the unhappiness in the
eyes of the little woman who had borne herself so bravely. In a sudden
moment of illumination he realized all that she must have been feeling.
Perhaps it had not been heartlessness; perhaps it had been--heart
hunger.

Leaning forward, he spoke to his chauffeur. They stopped at the first
drug-store, and Landry called up Cissy. Her voice from the other end
answered, sharply, then broke as he gave his name.

"I thought it was the doctor," she said. "Can you come back, please? The
baby, oh, the baby is very ill!"

Five minutes later the nurse let him into the house. He followed her up
the stairs and into the nursery. Cissy sat with the baby in her arms.
The baby was in a blanket and Cissy was in her gray wrapper. She had
donned it while the nurse held the baby in the hot bath which saved its
life. Cissy's hair was out of curl and the color was out of her cheeks.
But to Valentine Landry she was beautiful.

"It was a convulsion," she told him, simply. "I am afraid she will have
another. We haven't been able to get a doctor--will you get one for us?"

Out he went on his mission for the lady of his heart, and the lady of
his heart, sitting wet and worried in the pale-gray bedroom, was saying
to herself, monotonously, "It's all over now--no man could see me like
this and love me--"

Cecily and her husband and the doctor and Landry came in out of the
darkness together. They went up-stairs together, then stopped on the
threshold as Cissy held up a warning hand.

She continued to croon softly the lullaby which had belonged to her own
babies: "Hushaby, sweet, my own--"

It was Cecily and the doctor who went in to her, and Landry, standing
back in the shadows, waited. He spoke to Cissy as she came out.

"I am going so early in the morning," he said, "will you give me just
one little minute now?"

In that minute he told her that he loved her.

And Cissy, standing in the library in all the disorder of uncurled locks
and gray kimono, demanded, after a rapturous pause, "But why didn't you
tell me before?"

He found it hard to explain. "I didn't quite realize it--until I saw you
there so tender and sweet, with the baby in your arms--"

"A Madonna-creature," murmured Cissy Beale.

But he did not understand. "It isn't because I want you to sit in a
chimney-corner--it wasn't fair of you to say that--"

Then in just one short speech Cissy Beale showed him her heart. She told
of the years of devotion, always unrewarded by the affection she craved.
"And here was the baby," she finished, "to grow up--and find somebody
else, and forget me--"

As he gathered her into his protecting embrace, his big laugh comforted
her.

"I'm yours till the end of the world, little grandmother," he whispered.
"I shall never find any one else--and I shall never forget."




WAIT--FOR PRINCE CHARMING


Kingdon Knox was not conscious of any special meanness of spirit. He was
a lawyer and a good one. He was fifty, and wore his years with an effect
of youth. He exercised persistently and kept his boyish figure. He had
keen, dark eyes, and silver in his hair. He was always well groomed and
well dressed, and his income provided him with the proper settings. His
home in the suburb was spacious and handsome and presided over by a
handsome and socially successful wife. His office was presided over by
Mary Barker, who was his private secretary. She was thirty-five and had
been in his office for fifteen years. She had come to him an unformed
girl of twenty; she was now a perfect adjunct to his other office
appointments. She wore tailored frocks, her hair was exquisitely dressed
in shining waves, her hands were white and her nails polished, her
slender feet shod in unexceptional shoes.

Nannie Ashburner, who was also in the office and who now and then took
Knox's dictation, had an immense admiration for Mary. "I wish I could
wear my clothes as you do," she would say as they walked home together.

"Clothes aren't everything."

"Well, they are a lot."

"I would give them all to be as young as you are."

"You don't look old, Mary."

"Of course I take care of myself," said Mary, "but if I were as young as
you I'd begin over again."

"How do you mean 'begin,' Mary?"

But Mary was not communicative. "Oh, well, I'd have some things that I
might have had and can't get now," was all the satisfaction that she
gave Nannie.

It was through Mary that Nannie had obtained her position in Kingdon
Knox's office. Mary had boarded with Nannie's mother for five years.
Nannie was fourteen when Mary came. She had finished high school and had
had a year in a business college, and then Mrs. Ashburner had asked Mary
if there was any chance for her in Kingdon Knox's office.

Mary had considered it, but had seemed to hesitate. "We need another
typist, but I am not sure it is the place for her."

"Why not?"

Mary did not say why. "I wish she didn't have to work at all. She ought
to get married."

"Dick McDonald wants her. But she's too young, Mary."

"You were married at nineteen."

"Yes, and a lot I got out of it." Mrs. Ashburner was sallow and cynical.
"I kept boarders to make a living for my husband, Mary; and since he
died I've kept boarders to make a living for Nannie and me."

"But Dick gets good wages."

"Well, he can wait till he saves something."

"Don't make him wait too long."

It was against her better judgment that Mary Barker spoke to her
employer about Nannie. "I should want her to help me. She is not expert
enough to take your dictation, but she could relieve me of a lot of
detail."

"Well, let me have a look at her," Kingdon Knox had said.

So Nannie had come to be looked over, and she had blushed a little and
had been rather breathless as she had talked to Mr. Kingdon, and he had
been aware of the vividness of her young beauty; for Nannie had red hair
that curled over her ears, and her skin was warm ivory, and her eyes
were gray.

Her clothes were not quite up to the office standard, but Knox, having
hired her, referred the matter to Mary. "You might suggest that she cut
out thin waists and high heels," he had said; "you know what I like."

Mary knew, and Nannie's first month's salary had been spent in the
purchase of a serge one-piece frock.

Mrs. Ashburner had rebelled at the expense. But Mary had been firm. "Mr.
Knox won't have anybody around the office who looks slouchy or sloppy.
It will pay in the end."

Nannie thought Mr. Knox wonderful. "He says that he wants me to work
hard so that I can handle some of his letters."

"When did he tell you that?"

"Last night, while you were taking testimony in the library."

The office library was lined with law books. There were a handsome long
mahogany table, green covered, and six handsome mahogany chairs. Mary,
shut in with three of Knox's clients and a consulting partner, had had a
sense of uneasiness. It was after hours. Nannie was waiting for her in
the outer office. Everybody else had gone home except Knox, who was
waiting for his clients.

Mary remembered how, when she was Nannie's age, she had often sat in
that outer office after hours, and Knox had talked to her. He had been
thirty-five and she, twenty. He had a wife and a handsome home; she had
nothing but a hall room. And he had made her feel that she was very
necessary to him. "I don't know how we should ever get along without
you," he had said.

He had said other things.

It was because he had spoken of her lovely hair that she had kept it
brushed and shining. It was because his eyes had followed her pencil
that she had rubbed cold cream on her hands at night and had looked well
after her nails. It was because she had learned his taste that she wore
simple but expensive frocks. It was because of her knowledge that
nothing escaped him that she shod her pretty feet in expensive shoes.

He had set standards for her, and she had followed them. And now he
would set standards for Nannie!

She spoke abruptly. "Is Dick McDonald coming to-night?"

"Yes. He has had a raise, Mary. He telephoned--"

The two girls were in Mary's room. Dinner was over and Mary had slipped
on a Chinese coat of dull blue and had settled down for an evening with
her books. Mary's room was charming. In fifteen years she had had gifts
of various kinds from Knox. They had always been well chosen and
appropriate. Nothing could have been in better taste as an offering from
an employer to an employee than the embossed leather book ends and desk
set, the mahogany reading lamp with its painted parchment shade, the
bronze Buddha, the antique candlesticks, the Chelsea teacups, the
Sheffield tea caddy. Mary's comfortable salary had permitted her to buy
the book shelves and the tea table and the mahogany day bed. There was a
lovely rug which Mrs. Knox had sent her on the tenth anniversary of her
association with the office. Mrs. Knox looked upon Mary as a valuable
business asset. She invited her once a year to dinner.

Nannie wore her blue serge one-piece frock and a new winter hat. The hat
was a black velvet tam.

"You need something to brighten you up," Mary said; "take my beads."

The beads were jade ones which Mr. Knox had brought to Mary when he came
back from a six months' sojourn in the Orient. Mary had looked after the
office while he was away. He had clasped the beads about her neck. "Bend
your head while I put them on, Mary," he had commanded. He had been at
his desk in his private office while she sat beside him with her
note-book. And when he had clasped the beads and she had lifted her
head, he had said with a quick intake of his breath: "I've been a long
time away from you, Mary."

Nannie with the jade beads and her red hair and her velvet tam was
rather rare and wonderful. "Dick is going to take me to the show to
celebrate. He's got tickets to Jack Barrymore."

"Dick is such a nice boy," said Mary. "I'm glad you are going to marry
him, Nannie."

"Who said I was going to marry him?"

"That's what he wants, Nannie, and you know it."

"Mr. Knox says it is a pity for a girl like me to get married."

Mary's heart seemed to stop beating. She knew just how Knox had said it.

She spoke quietly. "I think it would be a pity for you not to marry,
Nannie."

"I don't see why. You aren't married, Mary."

"No."

"And Mr. Knox says that unless a girl can marry a man who can lift her
up she had better stay single."

The same old arguments! "What does he mean by 'lift her up,' Nannie?"

"Well"--Nannie laughed self-consciously--"he says that any one as pretty
and refined as I might marry anybody; that I must be careful not to
throw myself away."

"Would it be throwing yourself away to marry Dick?"

"It might be. He looked all right to me before I went into the office.
But after you've seen men like Mr. Knox--well, our kind seem--common."

Mrs. Ashburner was calling that Dick McDonald was down-stairs. Nannie,
powdering her nose with Mary's puff, was held by the earnestness of the
other woman's words.

"Let Dick love you, Nannie. He's such a dear."

Dick was, Nannie decided before the evening was over, a dear and a
darling. He had brought her a box of candy and something else in a box.
Mrs. Ashburner had shown him into the dining-room, which she and Nannie
used as a sitting-room when the meals were over. The boarders occupied
the parlor and were always in the way.

"Say, girlie, see here," Dick said as he brought out the box; and Nannie
had gazed upon a ring which sparkled and shone and which looked, as Dick
said proudly, "like a million dollars."

"I wanted you to have the best." His arm went suddenly around her. "I
always want you to have the best, sweetheart."

He kissed her in his honest, boyish fashion, and she took the ring and
wore it; and they went to the play in a rosy haze of happiness, and when
they came home he kissed her again.

"The sooner you get out of that office the better," he said. "We'll get
a little flat, and I've saved enough to furnish it."

Nannie was lighting the lamp under the percolator. Mrs. Ashburner had
left a plate of sandwiches on one end of the dining-room table. Nannie
was young and Mrs. Ashburner was old-fashioned. Her daughter was not
permitted to eat after-the-theatre suppers in restaurants. "You can
always have something here."

"Don't let's settle down yet," Nannie said, standing beside the
percolator like a young priestess beside an altar. "There's plenty of
time---"

"Plenty of time for what?" asked her lover. "We've no reason to wait,
Nannie."

So Dick kissed her, and she let him kiss her. She loved him, but she
would make no promises as to the important day. Dick went away a bit
puzzled by her attitude. He wanted her at once in his home. It hurt him
that she did not seem to care to come to him.

It was a cold night, with white flakes falling, and the policeman on the
beat greeted Dick as he passed him. "It is a nice time in the morning
for you to be getting home."

"Oh, hello, Tommy! I'm going to be married. How's that?"

"Who's the girl?"

"Nannie Ashburner."

"That little redhead?"

"You're jealous, Tommy."

"I am; she'll cook sausages for you when you come home on cold nights,
and kiss you at your front door, and set the talking machine going, with
John McCormack shouting love songs as you come in."

Dick laughed. "Some picture, Tommy. And a lot you know about it. Why
don't you get married and try it out?"

Tommy, who was tall and ruddy and forty, plus a year or two, gave a
short laugh. "I might find somebody to cook the sausages, but there's
only one that I'd care to kiss."

"So that's it. She turned you down, Tommy?"

"She did, and we won't talk about it."

"Oh, very well. Good-night, Tommy."

"Good-night."

So Dick passed on, and Tommy Jackson beat his hands against his breast
as he made his way through the whirling snow, his footsteps deadened by
the frozen carpet which the storm had spread.

Mary Barker was delighted when Nannie told of her engagement to Dick.
She talked it over with Mrs. Ashburner. "It will be the best thing for
her."

Mrs. Ashburner was not sure. "I've drudged all my life and I hate to see
her drudge."

"She won't have it as hard as you have had it," Mary said. "Dick will
always make a good income."

"She will have a harder time than you've had, Mary," said Mrs.
Ashburner, and her eyes swept the pretty room wistfully. "Many a time
when I've been down in my steaming old kitchen I have thought of you up
here in your blue coat and your pretty slippers, with your hair
shining, and I've wished to heaven that I had never married."

"Things haven't been easy for you," said Mary gently.

"They have been harder than nails, Mary. You've escaped all that."

"Yes." Mary's eyes did not meet Mrs. Ashburner's. "I have
escaped--that."

Nannie and her mother slept in the back parlor of the boarding-house.
They had single beds and it was in the middle of the night that Mrs.
Ashburner said: "Are you awake, Nannie?"

"Yes, I am."

"Well, I can't seem to get to sleep. Maybe it's the coffee and maybe
it's because I have you on my mind. I keep thinking that I hate to have
you get married, honey."

"Oh, mother, don't you like Dick?"

"Yes. It ain't that. But it's nice for you in the office and you don't
have to slave."

Nannie sat up in bed, and the light from the street lamp shone in and
showed her wide-eyed, with her hair in a red glory. "I shan't slave,"
she said. "I told Dick."

"Men don't know." Mrs. Ashburner spoke with a sort of weary bitterness.
"They'll promise anything."

"And I am not going to be married in a hurry, mother. Dick's got to wait
for me if he wants me."

It sounded very worldly-minded and decisive and Mrs. Ashburner gained an
envious comfort in her daughter's declaration. She had never set herself
against a man's will in that way. Perhaps, after all, Nannie would make
a success of marriage.

But Nannie was not so resolute as her words might have seemed to imply.
Long after her mother slept she lay awake in the dark and thought of
Dick, of the break in his voice when he had made his plea, the light in
his eyes when he had won a response, his flaming youth, his fine boy's
reverence for her own youth and innocence. It would be--rather
wonderful, she whispered to her heart, and fell asleep, dreaming.

The next morning was very cold, and Nannie, coming early into Kingdon
Knox's office to take his letters, was in a glow after her walk through
the snowy streets. Her cheeks were red, her eyes sparkled, and the ring
on her finger sparkled.

Knox at once noticed the ring. "So that's it," he said, and leaned back
in his chair. "Let's talk about it a little."

They talked about it more than a little, and the burden of Kingdon
Knox's argument was that it was a pity. She was too young and pretty to
marry a poor man and live in a funny little flat and do her own work
and spoil her nails with dishwashing. "Personally, I think it's rather
dreadful. A waste of you, if you want the truth."

Poor Nannie, listening, saw her castles falling. It would be rather
dreadful--dishwashing and a gas stove and getting meals.

"He is awfully in love with me," she managed to say at last.

"And you?" He leaned forward a little. Nannie was aware of the feeling
of excitement which he could always rouse in her. When he spoke like
that she saw herself as something rather perfect and princesslike.

"Wait--for Prince Charming," he said.

Nannie was sure that when Prince Charming came he would be like Mr.
Knox; younger perhaps, but with that same lovely manner.

"Of course," Mr. Knox said gently, "I suppose I ought not to advise, but
if I were you"--he touched the sparkling ring--"I should give it back to
him."

So after several absorbing talks with her employer on the subject,
Nannie gave the ring back, and when poor Dick passed his friend the
policeman on his way home he stopped and told his story.

"They are all like that," Tommy said, "but if I were you I wouldn't
take 'no' for an answer."

Dick brightened. "Wouldn't you?"

"Not if I had to carry her off under my arm," said Tommy between his
teeth.

"But I can't carry her off, Tommy--and she won't go."

"She'll go if you ain't afraid of her," Tommy told him with solemn
emphasis. "I was afraid."

They were under the street lamp, and Dick stared at him in astonishment.
"I didn't know you were afraid of anything."

"I didn't know it either," was Tommy's grim response, "until I met her.
But I've known it ever since."

"Well, it's hard luck."

"It is hardest at Christmas time," said Tommy, "and my beat ain't the
best one to make me cheerful. There are too many stores. And dolls in
the windows. And drums. And horns. And Santa Claus handing out things to
kids. And I've got to see it, with money just burning in my pocket to
buy things and to have a tree of my own and a turkey in my oven and a
table with some one who cares at the other end. And all I'll get out of
the merry season is a table d'hôte at Nitti's and a box of cigars from
the boys."

"Ain't women the limit, Tommy?"

"Well"--Tommy's tone held a note of forced cheerfulness--"that little
redhead must have had some reason for not wanting you, Dick. Maybe we
men ain't worth it."

"Worth what?"

"Marrying. A woman's got a square deal coming to her, and she doesn't
always get it."

"She'd get it with you, and she'd get it with me; you know that, Tommy."

"She might," said Tommy pessimistically, "if the good Lord helped us."

Nannie on the day after her break with Dick was blushingly aware of the
bareness of her third finger as she took Kingdon Knox's dictation. When
he had finished his letters, Knox smiled at her. "So you gave it back,"
he said.

"Yes."

"Good little girl. You'll find something much better if you wait. And I
don't want you wasted." He opened a drawer and took out a long box. He
opened it and lifted a string of beads. They were of carved ivory, and
matched the cream of Nannie's complexion. They were strung strongly on a
thick thread of scarlet silk, and there was a scarlet tassel at the end.

"They are for you," he said. "It is my first Christmas present to you;
but I hope it won't be the last."

Nannie's heart beat so that she could almost hear it. "Oh, thank you,"
she said breathlessly; "they're so beautiful."

But she did not know how rare they were, nor how expensive until she
wore them in Mary's room that night.

"Where did you get them, Nannie?"

"Mr. Knox gave them to me."

There was dead silence, then Mary said: "Nannie, you ought not to take
them."

"Why not?"

"They cost such an awful lot, Nannie. They look simple, but they aren't.
The carving is exquisite."

"Well, he gave you beads, Mary."

Mary's face was turned away. "It was different. I have been such a long
time in the office."

"I don't think it is much different, and I don't see how I can give them
back, Mary."

Mary did not argue, but when a little later Nannie told of her broken
engagement, Mary said sharply: "But, Nannie--why?"

"Well, mother doesn't care much for the idea. She--she thinks a girl is
much better off to keep on at the office."

Mary was lying in her long chair under the lamp. She had a cushion under
her head, and her hand shaded her eyes. "Did--Mr. Knox have anything to
do with it?"

"What makes you ask that, Mary?"

"Did he?"

"Well, yes. You know what I told you; he thinks I'd be--wasted."

"On Dick?"

"Yes."

Mary lay for a long time with her hand over her eyes; then she said: "If
you don't marry Dick, what about your future, Nannie?"

"There's time enough to think about that. And--and I can wait."

"For what?"

Nannie blushed and laughed a little. "Prince Charming."

After that there was a silence, out of which Nannie asked: "Does your
head ache, Mary?"

"A little."

"Can't I get you something?"

"No. After I've rested a bit I'll take a walk."

Mary's walk led her by the lighted shop windows. The air was keen and
cold and helped her head. But it did not help her heart. She had a sense
of suffocation when she thought of Nannie.

She stopped in front of one of the shops. There were dolls in the
window, charming, round-eyed, ringleted. One of them was especially
captivating, with fat blond curls, fat legs, blue silk socks and
slippers, crisp frills and a broad blue hat.

"How I should have loved her when I was a little girl," was Mary's
thought as she stood looking in. Then: "How a child of my own would have
loved her."

She made up her mind that she would buy the doll--in the morning when
the shop opened. It was a whimsical thing to do, to give herself a doll
at her time of life. But it would be in a sense symbolic. She had no
child to which to give it; she would give it to the child who was once
herself.

She came home with a lighter heart and with the knowledge of what she
had to do. She put on her blue house coat and sat down to her desk with
its embossed leather fittings, and there under the lovely, lamp which
Kingdon Knox had given her she wrote to Nannie.

She gave the letter to Nannie the next morning. "I want you to read it
when you are all alone. Then tear it up. It must always be just between
you and me, Nannie."

Nannie read the letter in the lunch hour. She got her lunch at a
cafeteria and there was a rest room. It was very quiet and she had a
corner to herself. She wondered what Mary had to say to her, and why she
didn't talk it out instead of writing about it.

But Mary had felt that she could not trust herself to speak. There would
have been Nannie's eyes to meet, questions to answer; and this meant so
much. Paper and pen were impersonal.

     "It isn't easy to talk such things out, Nannie. I should never have
     written this if I had not realized last night that your feet were
     following the path which my own have followed for fifteen years.
     And I knew that you were envying me and wanting to be like me; and
     I am saying what I shall say in this letter so that I may save you,
     Nannie.

     "When I first came into Mr. Knox's office I was young like you, and
     I had a lover, young and fine like Dick, and he satisfied me. We
     had our plans--of a home and the happiness we should have together.
     If I had married him, I should now have sons and daughters growing
     up about me, and when Christmas came there would be a tree and
     young faces smiling, and my husband, smiling.

     "But Mr. Knox talked to me as he talked to you. He told me, too, to
     wait--for Prince Charming. He told me I was too fine to be wasted.
     He hinted that the man I was planning to marry was a plain fellow,
     not good enough for me. He talked and I listened. He opened vistas.
     I saw myself raised to a different sphere by some man like Mr.
     Knox--just as well groomed, just as distinguished, just as rich and
     wonderful.

     "But such men don't come often into the lives of girls like you and
     me, Nannie. I know that now. I did not know it then. But Mr. Knox
     should have known it. Yet he held out the hope; and at last he
     robbed me of my future, of the little home, my fine, strong
     husband. He robbed me of my woman's heritage of a child in my arms.

     "And in return he gave me--nothing. I have found in the years that
     I have been with him that he likes to be admired and looked up to
     by pretty women. He likes to mold us into something exquisite and
     ornamental, he likes to feel that he has molded us. He likes to see
     our blushes. All these years that I have been with him, he has
     liked to feel that I looked upon him as the ideal toward which all
     my girlish dreams tended.

     "He is not in love with me, and I am not in love with him. But he
     has always known that if he had been free and had wooed me, I
     should have felt that King Cophetua had come to the beggar maid.
     Yet, too late, I can see that if he had been free he would never
     have wooed me. His ambition would have carried him up and beyond
     anything I can ever hope to be, and he would have sought some woman
     of his own circle who would have contributed to his material
     success.

     "And now he is trying to spoil your life, Nannie--to make you
     discontented with your future with Dick. You look at him and see in
     your life some day a Prince Charming. But I tell you this, Nannie,
     that Prince Charming will never come. And after a time all you will
     have to show for the years that you have spent in the office will
     be just a pretty room, a few bits of wood and leather and bronze in
     exchange for warm, human happiness, clinging hands, a husband like
     Dick, who adores you, who comes home at night, eager--for you!

     "You can have all this--and I have lost it. And there isn't much
     ahead of me. I shan't always be ornamental, and then Mr. Knox will
     let me drop out of his life, as he has let others drop out. And
     there'll be loneliness and old age and--nothing else.

     "Oh, Nannie, I want you to marry Dick. I want you to know that all
     the rest is dust and ashes. I feel tired and old; and when I think
     of your youth, and beauty, I want Dick to have it, not Mr. Knox,
     who will flatter and--forget.

     "Tear this letter up, Nannie. It hasn't been easy to write. I don't
     want anybody but you to read it."


But Nannie did not tear it up.

She tucked it in her bag and went to telephone to Dick.

And would he meet her on the corner under the street lamp that night
when she came home from the office? She had something to tell him.

Dick met Nannie, and presently they pursued their rapturous way. A
little later Tommy Jackson passed by. Something caught his eye.

A bit of white paper.

He stooped and picked it up. It was Mary's letter to Nannie. Nannie had
cried into her little handkerchief while she talked to Dick, and in
getting the handkerchief out of the bag the letter had come with it and
had dropped unnoticed to the ground.

It had been years since Tommy had seen any of Mary's writing. A sentence
caught his eye, and he read straight through. After all, there are
things permitted an officer of the law which might be unseemly in the
average citizen.

And when he had read, Tommy began to say things beneath his breath. And
the chances are that had Kingdon Knox appeared at that moment things
would have fared badly with him.

But it was Mary Barker who came. She had under her arm in a paper
parcel the fat doll with the blond curls and the blue socks. She did not
see Tommy until she was almost upon him.

Then she said: "What are you doing here, Tommy?"

"Why shouldn't I be here?"

"This isn't your beat."

"It has been my beat since two weeks ago. I've seen you go by every
night, Mary."

She stood looking up at him. And he looked down at her; and so, of
course, their gaze met, and something that she saw in Tommy's eyes made
Mary's overflow.

"Mary, darling," said Tommy tenderly.

"You said you wouldn't forgive me."

"That was fifteen years ago."

"Tommy, I'm sorry."

Tommy stood very straight as became an officer of the law with, the eyes
of the world upon him.

"May," he said, "I just read your letter to Nannie. She dropped it. If
I'd known the things in that letter fifteen years ago I'd have stayed on
my job until I got you. But I thought you didn't care."

"I thought so too," said Mary.

"But the letter told me that you wanted a husband's loving heart and a
strong arm," said Tommy, "and, please God, you are going to have them,
Mary. And now you run along, girl, dear. I can't be making love when I'm
on duty. But I'll come and kiss you at nine."

So Mary ran along, and her heart sang. And when she got home she
unwrapped the fat doll and kissed every curl of her, and she set her
under the lovely lamp; and then she got a long box and put something in
it and wrapped it and addressed it to Kingdon Knox.

And after that she went to the window and stood there, watching until
she saw Tommy coming.

And the next morning when Kingdon Knox found the long box on his desk,
addressed in Mary's handwriting, he thought it was a Christmas present,
and he opened it, smiling.

But his smile died as he read the note which lay on top of a string of
jade beads:

     "I am sending them back, Mr. Knox, with my resignation. I should
     never have taken them. But somehow you made me feel that I was a
     sort of fairy princess, and that jade beads belonged to me, and
     everything beautiful, and that some day life would bring them. But
     life isn't that, and you knew it and I didn't. Life is just warm
     human happiness, and a home, and work for those we love. And so,
     after all, I am going to marry Tommy. And Nannie is going to marry
     Dick. In a way it is a happy ending, and in a way it isn't, because
     I've grown away from the kind of life I must live with Tommy, and I
     am afraid that in some ways I am not fitted for it. But Tommy says
     that I am silly to be afraid. And in the future I am going to trust
     Tommy."


And so Mary went out of Kingdon Knox's life. And on Christmas Day at the
head of a great table, with servants to the right of him and servants to
the left, he carved a mammoth turkey; and there was silver shining, and
glass sparkling and lovely women smiling, all in honor of the merry
season.

But Kingdon Knox was not merry as he thought of the jade beads and of
Mary's empty desk.




BEGGARS ON HORSEBACK

I


With the Merryman girls economy was a fine art. Money was spent by them
to preserve the family traditions. Nothing else counted. Everything was
sacrificed to the gods of yesterday.

Little Anne Merryman had shivered all her short life in the bleakness
of this domestic ideal.

"Why can't I have butter on my bread?" she had demanded in her
long-legged schoolgirl days, when she had worn her fair hair in a fat
braid down her back.

The answers had never been satisfying. Well-bred people might, Amy
indicated, go without butter. Their income was not elastic, and there
were things more important.

"What things? Amy, I'm so hungry I could eat a house."

It was these expressions of Anne's about food which shocked Amy and
Ethel.

"I'd sell my soul for a slice of roast beef."

"Anne!"

"Well, I would!"

"I--I don't see how you can be so ordinary, Anne."

"Ordinary" in the lexicon of Amy and Ethel meant "plebeian." No one in
the Merryman family had ever been so ordinary as Anne. Hitherto the
Merrymans had been content to warm themselves by the fires of their own
complacency, to feed themselves on past splendors; for the Merrymans
were as old as Norman rule in England. They had come to America with
grants from the king, they had family portraits and family silver and
family diamonds, and now in this generation of orphaned girls, two of
them at least were fighting the last battles of family pride. The
fortunes of the Merrymans had declined, and Amy and Ethel, with their
backs, as it were, to the wall, were making a final stand.

"We must have evening clothes, we must entertain our friends, we must
pay for the family pew"; this was their nervous litany. The Merrymans
had always dressed and entertained and worshiped properly; hence it was
for lace or tulle or velvet, as the case might be, that their money
went. It went, too, for the very elegant and exclusive little dinners to
which, on rare occasions, their friends were bidden; and it went for the
high place in the synagogue from which they prayed their pharisaical
prayers.

"We thank thee, Lord, that we are not as others," prayed Amy and Ethel
fervently.

But Anne prayed no such prayers. She wanted to be like other people. She
wanted to eat and drink with the multitude, she wanted a warm, warm
heart, a groaning board. She wanted snugness and coziness and comfort.
And she grew up loving these things, and hating the pale walls of their
old house in Georgetown, the family portraits, the made-over dinner
gowns that her sisters wore, her own made-over party frocks.

"Can't I have a new one, Amy?"

"It's Ethel's turn."

So it was when Anne went to a certain diplomatic reception in a
made-over satin slip, hidden by a cloud of snowy tulle, that Murray
Flint first waked to the fact of her loveliness.

He had waked ten years earlier to the loveliness of Amy, and five years
later to the beauty of Ethel.

And now here was Anne!

"She's different though," he told old Molly Winchell; "more spiritual
than the others."

It was Anne's thinness which deceived him. It was an attractive
thinness. She was pale, with red lips, and the fat fair braids had given
way to a shining knot. She wore the family pearls, and the effect was,
as Murray had said, spiritual. Anne had the look, indeed, of one who
sees heavenly visions.

Amy had never had that look. She was dark and vivid. If at thirty the
vividness was emphasized by artificial means the fault lay in Amy's
sacrifice to her social ideals, She needed the butter which she denied
herself. She needed cream, and eggs, and her doctor had told her so. And
Amy had kept the knowledge to herself.

Ethel, eating as little as Amy--or even less--had escaped, miraculously,
attenuation. At twenty she had been a plump little beauty. She was still
plump. Her neck in her low-cut gown was lovely. Her figure was not
fashionable, and she lacked Amy's look of race.

"They are all charming," Molly Winchell said. "Why don't you marry one
of them, Murray?"

"Marriage," said Murray, "would spoil it."

"Spoil what?"

Murray turned on her his fine dark eyes. "They are such darlings--the
three of them."

"You Turk!" Molly surveyed him over the top of her sapphire feather fan.
"So that's it, is it? You want them all."

Murray thought vaguely it was something like that. For ten years he had
had Amy and Ethel--Amy at twenty, fire and flame, Ethel at fifteen, with
bronze locks and lovely color. In those years Anne had promised little
in the way of beauty or charm. She had read voraciously, curled up in
chairs or on rugs, and had waked now and then to his presence and a hot
argument.

"Why don't you like Dickens, Murray?"

"Oh, his people, Anne--clowns."

"They're not!"

"Boors; beggars." He made a gesture of distaste.

"They're darlings--Mark Tapley and Ruth Pinch. Murray, if I had a
beefsteak I'd make a beefsteak pie."

There was more of pathos in this than Murray imagined. There had been no
beef on the Merryman table for many moons.

"Murray, did you ever eat tripe?"

"My dear child---"

"It sounds dee-licious when Toby Veck has it on a cold morning. And
there's the cricket on the hearth and the teakettle singing. I'd love to
hear a kettle sing like that, Murray; wouldn't you?"

But Murray wouldn't. He had the same kind of mind as Amy and Ethel. He
did not like robust and hearty things or robust and hearty people. He
wore a corset to keep his hips small, and stood up at teas and
receptions with an almost military carriage. Of course he had to sit
down at dinners, but he sat very straight. He, too, had family portraits
and family silver, and he lived scrupulously up to them. His fortunes,
unlike the Merrymans', had not declined. He had money enough and to
spare. He could have made Amy or Ethel very comfortable if he had
married either of them. But he had not wanted to marry. There had been a
time when he had liked to think of Amy as presiding over his table. She
would have fitted in perfectly with the old portraits and old silver and
the family diamonds. Then Ethel had come along. She had not fitted in
with the diamonds and portraits and silver, but she had stirred his
pulses.

"Anywhere else but in Georgetown," old Molly Winchell was saying, "those
girls would have been snapped up long ago. It's a poor matrimonial
market."

Murray was complacently aware that he was geographically the only
eligible man on the Merryman horizon. Unless Amy and Ethel could marry
with distinction they would not marry at all. It was not lack of
attraction which kept them single, but lack of suitors in their own set.

And now here was Anne, with Ethel's loveliness and Amy's look of race.
There was also that look of angelic detachment from the things of earth.

So Murray's eyes rested on Anne with great content as she came and sat
beside Molly Winchell.

Other eyes rested on her--Amy's with quick jealousy. "So now it's Anne,"
she said to herself as she perceived Murray's preoccupation. Five years
ago she had said, "Now it's Ethel," as she had seen him turn to the
fresher beauty. Before that she had dreamed of herself as loving and
beloved. It had been hard to shut her eyes to that vision.

Yet--better Anne than an outsider. Amy had a fierce sense of
proprietorship in Murray. If she gave him to Ethel, to Anne, he would be
still in a sense hers. With Anne or Ethel she would share his future,
partake of his present.

A third pair of eyes surveyed Anne with interest as she sat by Molly.

"Corking kid," said the owner of the eyes to himself.

His name was Maxwell Sears. He was not in the least like Murray Flint.
He was from the Middle West, he was red-blooded, and he cared nothing
for the past. He held it as a rather negligible honor that he had a
Declaration-signing ancestor. The important things to Maxwell were that
he was representing his district in Congress; that he was still young
enough to carry his college ideals into politics, and that he had just
invested a small portion of the fortune which his father had left him in
a model stock farm in Illinois.

For the rest, he was big, broad-shouldered, clean-minded. Now and then
he looked up at the stars, and what he saw there swayed him level with
the men about him. Because of the stars he called no man a fool, except
such as deemed himself wiser than the rest. Because he believed in the
people they believed in him. It was that which had elected him. It was
that which would elect him again.

"Corking kid," said Maxwell Sears, with his smiling eyes on Anne.



II


In the course of the evening Maxwell managed an introduction. He found
Anne quaint and charming. That she was reading Dickens amused him. He
had thought that no one read Dickens in these days. How did it happen?

She said that she had discovered him for herself--many years ago.

How many years?

Well, to be explicit, ten. She had been eleven when she had found a new
world in the fat little books. They had a lot of old books. She loved
them all. But Dickens more than any. Didn't he?

He did. "His heart beat with the heart of the common people. It was that
which made him great."

"Murray hates him."

"Who is Murray?"

Anne pondered. "Well, he's a family friend. We girls were brought up on
him."

"Brought up on him?"

"Yes. Anything Murray likes we are expected to like. If he doesn't like
things we don't."

"Oh."

"He's over there by Mrs. Winchell."

Maxwell looked and knew the type. "But you don't agree about Dickens?"

"No. And Amy says that Murray's wiser than I. But I'm not sure. Amy
thinks that all men are wiser than women."

Maxwell chuckled. Anne was refreshing. She was far from modern in her
modes of thought. She was--he hunted for the word and found
it--mid-Victorian in her attitude of mind.

He wondered what Winifred Reed would think of her. Winifred lived in
Chicago. She was athletic and intellectual. She wrote tabloid dramas,
drove her own car, dressed smartly, and took a great interest in
Maxwell's career. She wrote to him once a week, and he always answered
her letters. Now and then she failed to write, and he missed her letters
and told her so. It was altogether a pleasant friendship.

She hated the idea of Maxwell's farm. She thought it a backward step.
"Are you going to spend the precious years ahead of you in the company
of cows?"

"There'll be pigs too, Winifred; and chickens. And, of course, my
horses."

"You belong in a world of men. It's the secret of your success that men
like you."

"My cows like me--and there's great comfort after the stress of a
stormy session in the reposefulness of a pig."

"I wish you'd be serious."

"I am serious. Perhaps it's a throwback, Winifred. There is farmer blood
in my veins."

It was something deeper than that. It was his virile joy in
fundamentals. He loved his golden-eared Guernseys and his black
Berkshires and his White Wyandottes--not because of their choiceness but
because they were cows and pigs and chickens; and he kept a pair of
pussy cats, half a dozen dogs, and as many horses, because man
primitively had made friends of the dumb brutes upon whom the ease and
safety of his life depended.

There was, rather strangely, something about Anne which fitted in with
this atavistic idea. She was, more than Winifred, a hearthstone woman. A
man might carry her over his threshold and find her when he came home o'
nights. It was hard to visualize Winifred as waiting or watching or
welcoming. She was always going somewhere with an air of having
important things to do, and coming back with an air of having done them.
Maxwell felt that these important things were not connected in any way
with domestic matters. One did not, indeed, expect domesticity of
Winifred.

Thus Anne, drawing upon him by mysterious forces, drew him also by her
beauty and a certain wistfulness in her eyes. He had once had a dog,
Amber Witch, whose eyes had held always a wistful question. He had
tried to answer it. She had grown old on his hearth, yet always to the
end of her eyes had asked. He hoped now that in some celestial hunting
ground she had found an answer to that subtle need.

He told Anne about Amber Witch. "I have one of her puppies on my farm."

She was much interested. "I've never had a dog; or a cat."

He had, he said, a big pair of tabbies who slept in the hay and came up
to the dairy when the milk was strained. There were two blue porcelain
dishes for their sacred use. There was, he said, milk and to spare. He
grew eloquent as he told of the number of quarts daily. He bragged of
his butter. His cheeses had won prizes at county fairs. As for
chickens--they had fresh eggs and broilers without end. He had his own
hives, too, white-clover honey. And his housekeeper made hot biscuit. In
a month or two there'd be asparagus and strawberries. Say! Yes, he was
eloquent.

Anne was hungry. There had been a meagre dinner that evening. The other
girls had not seemed to care. But Anne had cared.

"I'm starved," she had said as she had surveyed the table. "Let's pawn
the spoons and have one square meal."

"Anne!"

"Oh, we're beggars on horseback"--bitterly--"and I hate it."

It was her moment of rebellion against the tyranny of tradition. Amy had
had such a moment years ago when her mother had taken her away from
school. Amy had a brilliant mind, and she had loved study, but her
mother had brought her to see that there was no money for college.
"You'd better have a year or two in society, Amy. And this craze for
higher education is rather middle-class."

Ethel's rebellion had come when she had wanted to marry a round-faced
chap who lived across the street. They had played together from
childhood. His people were pleasant folks but lacked social background.
So Ethel's romance had been nipped in the bud. The round-faced chap had
married another girl. And now Amy at thirty and Ethel at twenty-five
were crystallizing into something rather hard and brilliant, as Anne
would perhaps crystallize if something didn't happen.

The something which happened was Maxwell Sears. Anne listened to the
things he said about his farm and felt that they couldn't be true.

"It sounds like a fairy tale."

"It isn't. And it's all tremendously interesting."

He looked very much alive as he said it, and Anne felt the thrill of his
energy and enthusiasm. Murray was never enthusiastic; neither were Amy
and Ethel. They were all indeed a bit petrified.

Before he left her Maxwell asked Anne if he could call. He came promptly
two nights later and brought with him a bunch of violets and a box of
chocolates. Anne pinned the violets in the front of the gray frock that
gave her the look of a cloistered nun, and ate up the chocolates.

Amy was shocked. "Anne, you positively gobbled--"

"I didn't."

"Well, you ate a pound at least."

Anne protested. Maxwell had eaten a lot, and Ethel and Amy had eaten a
few, and Murray had come in.

"You remember, Amy, Murray came in."

"He didn't touch one, Anne. He never eats chocolates."

"He's afraid of getting fat."

"Anne!"

"He is. When he takes me out to lunch he thinks of himself, not of me.
The last time we had grapefruit and broiled mushrooms and lettuce; and I
wanted chops."

Maxwell had been glad to see Anne eat the chocolates. She had seemed as
happy as a child, and he had liked that. There was nothing childish
about Winifred. She had been always grown-up and competent and helpful.
He felt that he owed Winifred a great deal. They were not engaged, but
he rather hoped that some day they might marry. Of course that would
depend upon Winifred. She would probably make him give up the farm and
he would hate that. But a man might give up a farm for a woman like
Winifred and still have more than he deserved.

It will be seen that Maxwell was modest, especially where women were
concerned. The complacency of Murray Flint, weighing Amy against Ethel
and Ethel against Amy and Anne against both, would have seemed infamous
to Maxwell. He felt that it was only by the grace of God that any woman
gave herself to any man. He had a sense of honor which was founded on
decency rather than on convention. He had also a sense of high romance
which belonged more fittingly to the fifteenth than to the twentieth
century. He was not, however, aware of it. He looked upon himself as a
plain and practical chap who had a few things to work out politically
before he settled down to the serious business of farming. Of course if
he married Winifred he wouldn't settle down to the farm, but he would
settle down to something.

In the meantime here was Anne, reading Dickens, eating chocolates, and
leaning over the rail of the House Gallery to listen to his speeches.

It was rather wonderful to have her there. She wore a gray cape with a
chinchilla collar made out of Amy's old muff. A straight sailor hat of
rough straw came well down over her forehead and showed fluffs of
shining hair at the sides. Her little gray-gloved hands clasped the
violets he had given her. Above the violets her eyes were a deeper blue.

She came always alone. "Amy doesn't know," she had told him frankly;
"she wouldn't let me, come if she did."

"Why not?"

"I am supposed to be chaperoned."

"My dear child, I told you to bring either or both of your sisters."

"I don't want them. They would spoil it."

"How?"

She tried to explain. He and she could see things in the old Capitol
that Amy and Ethel couldn't.

He laughed, but knew it true. Anne's imagination met his in a rather
remarkable fashion. When they walked through Statuary Hall they saw not
Fulton and Père Marquette and Carroll of Carrollton; they saw, rather, a
thousand ships issuing forth on the steam of a teakettle; they saw
civilization following a black-frocked prophet; they saw aristocracy
raising its voice in the interest of democracy.

As for the mysterious whispering echo, they repudiated all talk of
acoustics. It was for them an eerie thing, like the laughter of elves or
the shriek of a banshee.

"Don't say every-day things to me," Anne had instructed Maxwell when he
had first placed her behind a mottled marble pillar before leaving for
the spot where he could speak to her by this unique wireless.

There came to her, therefore, a part of a famous speech; the murmured
words flung back by that strange sounding board rang like a bell:

"Give me liberty or give me death!"

She emerged from her corner, starry-eyed. "It was as if I heard him say
it."

"Perhaps it was he, and I was only a mouthpiece."

"I should think they'd like to come back. Will you come?"

He laughed. "Who knows? I'll come if you are here."

To have brought a third into these adventures would have robbed them of
charm. Knowing this he argued that the child was safe with him. Why
worry?

They always lunched together before he took her up to the Members'
Gallery, and went himself to the floor of the House. He let her order
what she pleased and liked The definite way in which she did it. They
had usually, chops and peas, or steak, and ice-cream at the end.



III


Then suddenly; things stopped. The reason that they stopped was Murray.
He saw Anne one day in the House Gallery and asked Amy about it.

"How did she happen to be up there alone?"

Amy asked Anne. Anne told the truth.

"I've had lunch three times with Mr. Sears, and I've listened to his
speeches. It's something about the League of Nations. He believes in it,
but thinks we've got to be careful about tying ourselves up."

Amy did not care in the least what Maxwell Sears believed. The thing
that worried her was Murray. She wanted him to approve of Anne. If Amy
had thought in a less limited circle she might have worked the thing out
that if Maxwell married Anne it would narrow Murray's choice down to
herself and Ethel. But there was always that vague fear of some outside
siren who would capture Murray. If he had Anne, he would then be safely
in the family.

She realized, in the days following the revelation of the clandestine
meetings with Maxwell, that Murray was depending upon her to see that
Anne's affections did not stray into forbidden paths. He said as much
one afternoon when he found Amy alone in an atmosphere of old portraits,
old books, old bronzes. She sat in a Jacobean chair and poured tea for
him. The massive lines of the chair made her proportions seem
wraithlike. Her white face with its fixed spots of red was a high light
among the shadows.

"Where's Anne?"

"She and Ethel have gone to the matinée with Molly Winchell."

"Why didn't you go?"

"Molly never takes but two of us and, of course, this is Anne's first
winter out. I have to step back--and let her have her chance."

He chose to be gallant. "You are always lovely, Amy."

His compliment fell cold. Amy felt old and tired. She had a pain in her
side. It had been getting very bad of late, and she coughed at night.
She had been to her doctor, and again he had emphasized the need of a
change of climate and of nourishing food. Amy had come away unconvinced.

She would have a chance in July when she and her sisters would go to
the Eastern Shore for their annual visit to their Aunt Elizabeth. As for
different food, she ate enough--all the doctors in the world couldn't
make her spend any more money on the table.

Murray stood up very straight by the mantelpiece, under the portrait of
one of the Merryman great-grandfathers in a bag wig, and talked of Anne:

"I believe I am falling in love with her, Amy."

Amy's heart said, "It has come at last." Her brain said, "He has
discovered it because of Maxwell Sears." Her lips said, "I don't wonder.
She's a dear child, Murray."

"She's beautiful."

Murray swayed up a little on his toes. It made him seem thinner and
taller. He could see himself reflected in the long mirror on the
opposite wall. He liked the reflection of the thin tall man.

"She's beautiful, Amy. I am going to ask her to marry me. I can't have
some other fellow running off with her. She belongs to Georgetown."

He seemed to think that settled it. The pain in Amy's side was sharper.
She felt that she couldn't quite stand seeing Murray happy with Anne.
"She's--she's such a child." Her voice shook.

"Well," said Murray, glancing at the tall thin man in the mirror, "of
course she is young. But Maxwell Sears is coming here a lot. Is he in
love with her?"

"I'm not sure. She amuses him. She isn't in love with him or with
anybody."

"Not even with me?" Murray laughed a little. "But we can remedy that,
can't we, Amy? But you might hint at what I'm expecting of her. I don't
want to startle her." He came and sat down beside her. "You are always a
great dear about doing things for me."

The pain stabbed her like a knife. "I'll do my best."

She had a nervous feeling that she must keep Murray from talking to her
like that. She rang for hot water, and their one maid, Charlotte,
brought it in a Sheffield jug. Then Ethel and Anne and Molly Winchell
arrived, and once more Murray stood up, tall and self-conscious as he
stole side glances at himself in the mirror.

Maxwell Sears had brought the three women home. He had a fashion of
following up Anne's engagements and putting his car at her disposal.
When Amy had vetoed any more adventures at the Capitol he had conceded
good-naturedly that she was right. After that he had always included Amy
or Ethel in his invitations.

"They are very pretty dragons," he had written to Winifred, "and little
Anne is like a princess shut in a tower."

Winifred, reading the letter, had brooded upon it. "He's falling in
love. A child like that--she'll spoil his future."

Congress was having night sessions. "If I could only have you up there,"
Maxwell had said to Anne as he had driven her home from the matinée,
with old Molly and Ethel on the back seat. "I should steal you if I
dared."

"Please dare."

"Do you mean it?"

"Yes. To-night. Ethel and Amy are going to a Colonial Dames meeting with
Molly Winchell. I never go. I hate ancestors."

"I shouldn't let you do it," he hesitated, "but ghosts walk after dark
in the Capitol corridors."

"I know," she nodded. "Washington, Jefferson, Lincoln."

"Yes. Then you'll come?"

"Of course."

It was the thought of her rendezvous with him that lighted her eyes when
she talked to Murray. But Murray did not know. So he swayed up on his
toes and glanced in the glass and was glad of his thinness and
tallness.

Maxwell came for Anne promptly. "You must get me back by ten," she told
him. "I have a key, and Charlotte's out."

It was a night of nights, never to be forgotten. Maxwell did not take
Anne into the Gallery. He had not brought her there to hear speeches or
to be conspicuous in the glare of lights. He led her through shadowy
corridors--up wide dim stairways.

At one turn he touched her arm. "Look!" he whispered.

"What?"

"Lafayette passed us--on the stairs."

It was a great game! On the east front Columbus spoke to them of ships
that sailed toward the sunset; in the Rotunda they kept a tryst with
William Penn; from the west-front portico they saw a city beautiful--the
streets under the moon were rivers of light--the great monument reached
like the soul of Washington toward the stars!

Out there in the moonlight Maxwell spoke of another great soul, gone of
late to join a glorious company.

"It was he who taught me that life is an adventure."

"Greatheart?"

"Yes."

"You loved him too?"

"Yes."

Anne caught her breath. "To think of him dead--to think of them
all--dead."

Maxwell looked down at her. "They live somewhere. You believe that,
don't you?"

"Yes."

He was silent for a moment; then he laid his hand lightly on her
shoulder. "I feel to-night as if they pressed close."

Oh, it was a rare game to meet great souls in odd corners! They could
scarcely tear themselves away. But he got her home before her sisters
arrived, and Anne went to bed soberly, and lay long awake, thinking it
out. She had never before had such a playmate. In all these years she
had starved for other things than food.



IV


In due time Congress adjourned, but Maxwell did not go home. He
continued to see Anne. Amy was at last driven to her duty by Murray. She
could not forbid Maxwell the house. There was nothing to do but talk to
Anne.

Having made up her mind she sought Anne's room at once. Anne, in a
cheap cotton kimono, was braiding her hair for the night. The sleeves of
the kimono were short and showed her thin white arms. Amy had on a
blanket wrapper. Her hair was in metal curlers. She looked old and
tired, and now and then she coughed.

Anne got into bed and drew the covers up to her chin. "I'm so cold, I
believe there are icicles on my eyebrows. Amy, my idea of heaven is a
place where it is as hot as--Hades."

"I don't see where you get such ideas. Ethel and I don't talk that way.
We don't even think that way, Anne."

"Maybe when I am as old as you---" Anne began, and was startled at the
look on Amy's face.

"I'm not old!" Amy said passionately. "Anne, I haven't lived at all, and
I'm only thirty."

Anne stared at her. "Oh, my darling, I didn't mean---"

"Of course you didn't. And it was silly of me to say such a thing. Anne,
I'm cold. I'm going to sit on the foot of your bed and wrap up while I
talk to you."

Anne's bed had four pineapple posts and a pink canopy. The governor of a
state had slept in that bed for years. He was one of the Merryman
grandfathers. Amy could have bought mountains of food for the price of
that bed. But she would have starved rather than sell it.

Anne under the pink canopy was like a rose--a white rose with a faint
flush. The color in Amy's cheeks was fixed and hard. Yet even with her
oldness and tiredness and metal curlers she had the look of race which
attracted Murray.

"Anne," she said, "Murray and I had a long talk about you the other
day."

"Murray always talks--long." Anne was yawning.

"Please be serious, Anne. He wants to marry you."

"Marry me!" incredulously. "I thought it was you; or Ethel."

"Well, it isn't," wearily. "And it's a great opportunity--for you,
Anne."

"Opportunity for what?"

Amy had a sense of the futility of trying to explain.

"There aren't many men like him."

"Fortunately."

"Anne, how can you? He's really paying you a great compliment."

"Why didn't he ask me himself?"

"He didn't want to startle you. You're so young. Murray has extreme
fineness of feeling."

Anne tilted her chin. "I don't see what he finds in me."

"You're young"--with a tinge of bitterness--"and he says you are
beautiful."

Anne threw off the covers and set her bare feet on the floor.
"Beautiful!" she scoffed, but went to the mirror. "I'm thin," she
meditated, "but I've got nice hair."

"We all have nice hair," said Amy; "but you've got Ethel's complexion
and my figure."

"I don't think I want to be loved for my complexion." Anne turned
suddenly and faced her sister. "Or my figure. I'd rather be loved for my
mind."

"Men don't love women for their minds," said Amy wearily. "You'll learn
that when you have lived as long as I have. Get back into bed, Anne.
You'll freeze."

But Anne, shivering in the cotton kimono, argued the question hotly: "I
should think Murray would want to marry someone with congenial tastes.
He hates everything that I like."

"He'll make an excellent husband. You ought to be happy to know that
he--cares."

She began to cough--a racking cough that left her exhausted.

Anne, bending over her, said, "Why, Amy, are you sick?"

"I'm--I'm rather wretched, Anne."

"Are you taking anything for your cough?"

"Yes."

"You ought to have a doctor."

"I have had one."

"What did he say?"

Amy put her off. "I'll feel better in the morning, Anne. Don't worry."
Again the cough tore her. Anne flew to Ethel.

"See what you can do for her. There is blood on her handkerchief! I am
going to call a doctor."

The doctor, arriving, checked the cough. Later he told Anne that Amy
must have a change and strengthening food.

"At once. She's in a very serious state. I've told her, but she won't
listen."

In the days that followed Anne arraigned herself hotly. "I've been a
selfish pig--eating up everything--and Amy needed it."

In this state of mind she fasted--and was famished.

Maxwell, noting her paleness, demanded, "What's the matter? Aren't you
well?"

She wanted to cry out, "I'm hungry." But she, too, had her pride.

"Amy's ill."

He got it out of her finally. "The doctor is much worried about her. He
says she needs a change."

"You need it too."

She needed food, but she couldn't tell him that. The state of their
exchequer was alarming. It had been revealed to her since Amy's illness
that there was really nothing coming in until the next quarter.

"Why didn't you let Charlotte go, Ethel?"

"We've always had a maid. What would people think?"

"And because of what people think, Amy is to starve?"

"Anne, how can you?"

"Well, it comes to that. She needs things; and we don't need Charlotte."

But when they spoke to Amy of sending Charlotte away she was feverishly
excited. "There's nobody to do the work."

"I can do it," said Anne.

"We Merrymans have never worked," Amy began to cry. "I'd rather die,"
she said, "than have people think we are--poor."



V


Maxwell was a man of action. When he saw Anne pale he sought a remedy.
"Look here, why can't you and your sisters come out to my farm?"

Anne, remembering certain things--broilers and fresh eggs--was thrilled
by the invitation. "I'd love it! But Amy won't accept."

"Why not?"

"She's terribly stiff."

He laughed. "Perhaps I can talk her over."

Amy, lying on her couch, very weary, facing a shadowy future, felt his
magnetism as he talked to her. It was as if life spoke through his lips.
Murray had sat there beside her only an hour before. He had brought her
roses but he had brought no hope.

Fear had for weeks kept Amy company. Through her nights and days it had
stalked, a pale spectre. And now Maxwell was saying: "You'll be well in
a month. Of course you'll come! There's room for half a dozen. You three
won't half fill the house."

It was decided, however, that Ethel must stay in town. Amy had a nervous
feeling that with the house closed Murray might slip away from them.

Old Molly Winchell, summing up the situation, said to Murray: "Of course
Anne will marry Maxwell Sears. There's nothing like propinquity."

Murray, startled, admitted the danger. "It would be an awful thing for
Anne."

"Why?"

"He's rather a bounder."

Old Molly Winchell hit him on the arm with her fan. Her eyes twinkled
maliciously. "He's nothing of the sort, and you know it. You're jealous,
Murray."

Murray's jealousy was, quite uniquely, not founded on any great depth of
love for Anne. His appropriation of the three sisters had been a pretty
and pleasant pastime. When he had finally decided upon Anne as the
pivotal center of his universe he had contemplated a future in which the
other sisters also figured--especially Amy. He had, indeed, not thought
of a world without Amy.

Her illness had troubled him, but not greatly. Things had always come to
him as he had wanted them, and he was quite sure that if Anne was to be
the flame to light his future, Providence would permit Amy to be, as it
were, the keeper of the light.

He felt it necessary to warn Anne: "Don't fall in love with Sears."

"Don't be silly, Murray."

"Is it silly to say that I love you, Anne?"

They were alone in the old library, with its books and bronzes and
bag-wigged ancestors. And Murray sat down beside Anne and took her hand
in his and said, "I love you, Anne."

It was a proposal which was not to be treated lightly. In spite of
herself, Anne was flattered. Murray had always loomed on her horizon as
something of a bore but none the less a person of importance.

She caught her breath quickly. "Please, Murray"--her blushes were
bewitching--"I'm too young to think about such things. And I'm not in
love with anybody."

Murray raised her hand to his lips. "Keep yourself for me, little Anne."
He rose and stood looking down at her. "You're a very charming child,"
he said. "Do you know it?"

Anne, gazing at herself in the glass later, wondered if it were true. It
was nice of Murray to say it. But she was not in the least in love with
Murray. He was too old. And Maxwell was too old. Anne's dreams of
romance had to do with glorified youth. She wanted a young Romeo
shouting his passion to the stars!

She packed her bag, however, in high anticipation. Maxwell was a
splendid playmate, and she thought of his farm as flowing with milk and
honey!

Maxwell wrote to Winifred that he was coming home and bringing guests.

"Run down and meet them. Anne's a corking kid."

Winifred knew what had happened. Some girl had got hold of Maxwell. It
was always the way with men like that--big men; they were credulous
creatures where women were concerned, and it would make such a
difference to Maxwell's future if he married the wrong woman.

She decided to go down as soon as she could. She felt that she ought to
hurry, but there were things that held her. And so it happened that
before she reached the farm Maxwell had asked Anne to marry him. There
had been a cool evening when the scent of lilacs had washed in great
waves through the open windows. Amy had gone to bed and he and Anne had
dined alone with the flare of candles between them, and the rest of the
room in pleasant shadow. And then their coffee had been served, and Aunt
Mittie, his housekeeper, had asked if there was anything else, and had
withdrawn, and he had risen and had walked round to Anne's place and had
laid his hands on her shoulders.

"Little Anne," he had said, "I should like to see you here always."

"Here?"

"As my wife."

"Oh!"

She had had a rapturous week at the farm. She had never known anything
like it. Aunt Elizabeth, of the Eastern Shore, lived in a sleepy town,
and Anne's other brief vacations had been spent in more or less
fashionable resorts. But here was a paradise of plenty; the big wide
house, the spreading barns, the opulent garden, the rolling fields, the
enchanting creatures who were sheltered by the barns and fed by the
fields, and who in return gave payment of yellow cream and warm white
eggs, and who lowed at night and cackled in the morning, and whose days
were measured by the rising and the setting of the sun.

She loved it all--the purring pussies, the companionable pups, the
steady, faithful older dogs, the lambs in the pasture, the good things
to eat.

She was glowing with gratitude, and Maxwell was asking insistently,
"Won't you, Anne?"

She had never been so happy, and he was the source of her happiness.
Against this background of vivid life the thought of Murray was a pale
memory.

So her wistful eyes met Maxwell's. "It would be lovely--to live
here--always."

Later, when she had started up-stairs with her candle, he had kissed
her, leaning over the rail to watch her as she went up, and Anne had
gone to sleep tremulous with the thought that her future would lie here
in this great house with this fine and kindly man.

Winifred, coming down at last, found that she had come too late. Maxwell
told her as they motored up from the station.

"Wish me happiness, Win. I am going to marry little Anne."

It did not enter his head for a moment that the woman by his side loved
him. He had thought that if she ever married him it would be a sort of
concession on her part, a sacrifice to her interest in his future. He
had a feeling that she would be glad if such a sacrifice were not
demanded.

But Winifred was not glad. "You are sure you are making no mistake,
Max?"

"Wait till you see her."

Winifred waited and saw. "She's not in the least in love with him. She
likes the warm nest she has fallen into. And she'll spoil his future.
He'll settle down here, and he belongs to the world."

He belonged at least to his constituency.

"I've got to make a speech," he told the three women one morning, "in a
town twenty miles away. If you girls would like the ride you can motor
over with me. You needn't listen to my speech if you don't want to."

Amy and Winifred said that of course they wanted to listen. Anne smiled
happily and said nothing. She was, of course, glad to go, but Maxwell's
speeches were to her the abstract things of life; the concrete things at
this moment were the delicious dinner which was before her and the fact
that in the barn, curled up in the hay, was a new family of
kittens--little tabbies like their adoring mother.

"Isn't it a lovely world?" she had said to her lover as she had sat in
the loft with the cuddly cats in her lap.

"Yes."

He knew that it was not all lovely, that somewhere there were lean and
hungry kittens and lean and hungry folks--but why remind her at such a
moment?



VI


On the way over Anne sat with Winifred. She had insisted that Amy should
have the front seat with Max. Amy was much better. Life had begun to
flow into her veins like wine. She had written to Murray: "It is as if a
miracle had happened."

Winifred, on the back seat, talked to Anne. She had a great deal to say
about Maxwell's future. "I am sorry he bought the farm."

"Oh, not really." Anne's attention strayed. She had one of the puppies
in her lap. He kept peeping out from between the folds of her cape with
his bright eyes. "Isn't he a darling, Winifred?"

"He ought to sell it." Winifred liked dogs, but at this moment she
wanted Anne's attention. "He ought to sell the farm. He has a great
future before him. Everybody says it. He simply must not settle down."

"Oh, well, he won't," said Anne easily.

"He will if you let him."

"If I let him?"

"If he thinks you like it."

There was a deep flush on Winifred's cheeks. She was really a very
handsome girl, with bright brown hair and brown eyes. She wore a small
brown hat and a sable collar. The collar was open and showed her strong
white throat.

"If he thinks you like it," she repeated, "he will stay; and he belongs
to the world; nobody must hold him back. He's the biggest man in his
party to-day. There is no limit to his powers."

Anne stared at her. "Of course there isn't." She wondered why Winifred
seemed so terribly in earnest about it. She pulled the puppy's ears.
"But I should hate to have him sell the farm."

Winifred settled back with a sharp sigh and gazed at the long gray road
ahead of her. She gazed indeed into a rather blank future. Her talents
would be, she felt, to some extent wasted. If Max rose to greater
heights of fame it would be because of his own unaided efforts. This
child would be no help to him.

The speech Max made to his constituents was not cool and clear-cut like
the speeches which Anne had heard him make to his colleagues in the
House. He spoke now with warmth and persuasiveness. Anne, sitting in the
big car on the edge of the crowd, found herself listening intently. She
was aware, as he went on, of a new Max. The mass of men who had gathered
were largely foreigners who knew little of the real meanings of
democracy. Max was telling them what it meant to be a good American. He
told it simply, but he was in dead earnest. Anne felt that this
earnestness was the secret of his power. He wanted men to be good
Americans, he wanted them to know the privileges they might enjoy in a
free country, and he was telling them how to keep it free-not by
violence and mob rule but by remembering their obligations as citizens.
He told them that they must be always on the side of law and order, that
they must fight injustice not with the bomb and the red flag but with
their votes.

"Vote for the man you trust, and not for the man who inflames your
passions. Your vote is a sacred thing; when you sell it you dishonor
yourself. Respect yourself, and you'll respect the country that has made
a man of you."

The response was immediate, the applause tumultuous. After his speech
they crowded about him. They knew him for their friend. But they knew
him for more than that. He asked nothing of their manhood but the best.
He preached honesty and practiced it.

Yet as he climbed into the car Anne had little to say to him. Winifred,
leaning forward, was emphatic in her praise:

"You have no right to bury yourself, Max."

"My dear girl, I'm not dead yet." He was a bit impatient. He had hoped
for a word from Anne. But she sat silent, pulling the puppy's ears.

"He's asleep," she said finally as she caught the inquiry in her lover's
eyes. "He's tired out, poor darling."

She seemed indifferent, but she was not. She had been much stirred. She
had a strange feeling that something had happened to her while she had
listened to Maxwell's speech. Some string had broken and her romance was
out of tune.

She lay awake for a long time that night, thinking it over. She grew hot
with the thought of the limitations of her previous conception of her
lover. She had considered him a sort of background for the pleasant
things he could do for her. She had fitted him to the measure of the
boxes of candy that he had brought her, the luncheons in the House
restaurant, the bountiful hospitality of the farm. How lightly she had
looked down on him as he had stood below her on the stairs with her
candle in his hand. How casually she had accepted his kiss. She had a
sudden feeling that she must not let him kiss her again!

Early in the morning she went into Amy's room. "Amy," she said, "how
soon do you think we can go to Aunt Elizabeth's?"

"Aunt Elizabeth's? Why, Anne?"

"I want to leave here."

"To leave here?" Amy sat up. Even in the bright light of the morning her
face looked young. Good food and fresh air had done much for her. It had
been quite heavenly, too, to let care slip away, to have no thought of
what she should eat or what she should drink or what she should wear.
"To leave here? I thought you loved it, Anne."

"I've got to get away. I'm not going to marry Maxwell, Amy."

"Anne! What made you change your mind?"

"I can't tell you. Please don't ask me. But I wish you would write to
Aunt Elizabeth."

"I had a letter from her yesterday. She says we can come at any time.
But--have you told Max?"

"Not yet."

"Has he done anything?"

"No. It's just--that I can't marry him. Don't ask me, Amy." She broke
down in a storm of tears.

Amy, soothing her, wondered if after all Anne cared for Murray Flint. It
was, she felt, the only solution possible. Surely a girl would not throw
away a chance to marry a man like Maxwell Sears for nothing.

For Amy had learned in the days that she had spent at the farm that
Maxwell Sears was a man to reckon with. She was very grateful for what
he had done for her, and she had been glad of Anne's engagement. Murray
would perhaps be disappointed, but there would still be herself and
Ethel.

It was not easy to explain things to Maxwell.

"Why are you going now?" he demanded, and was impatient when they told
him that Aunt Elizabeth expected them. "I don't understand it at all. It
upsets all of my plans for you, Anne."

That night when he brought Anne's candle she was not on the stairs.
Winifred and Amy had gone up.

"Anne! Anne!" he called softly.

She came to the top rail and leaned over. "I'm going to bed in the dark.
There's a wonderful moon."

"Come down--for a minute."

"No."

"Then I'll come up," masterfully.

He mounted the stairs two at a time; but when he reached the landing the
door was shut!

In the morning he asked her about it. "Why, dearest?"

"Max dear, I can't marry you."

"Nonsense!" His voice was sharp. He laid his hands heavily on her
shoulders. "Why not? Look at me, Anne. Why not?"

"I'm not going to marry--anybody."

That was all he could get out of her. He pleaded, raged, and grew at
last white and still with anger. "You might at least tell me your
reasons."

She said that she would write. Perhaps she could say it better on paper.
And she was very, very sorry, but she couldn't.

Winifred knew that something was up, but made no comment. Amy, carrying
out their program of departure, had a sense of regret.

After all, it had been a lovely life, and there were worse things than
being a sister to Maxwell Sears. Her voice broke a little as she tried
to thank him on their last morning.

He wrung her hand. "Say a good word for me with Anne. I don't know
what's the matter with her."

Neither did Amy. And if she was Maxwell's advocate how could she be
Murray's? She flushed a little.

"Anne's such a child."

He remembered how he had called her a corking kid. She was more than
that to him now. She stood in the doorway in her gray sailor hat and
gray cape.

"Anne," he said, "you must have a last bunch of pansies from the
garden. Come out and help me pick them."

In the garden he asked, "Are you going to kiss me good-bye?"

"No, Max. Please--"

"Then it's 'God bless you, dearest.'"

He forgot the pansies and they went back to where the car waited.



VII


Anne's letter, written from the Eastern Shore, was a long and childish
screed. "We have always been beggars on horseback," she said. "Of course
you couldn't know that, Max. We have gone without bread so that we could
be grand and elegant. We have gone without fire so that we could buy our
satin gowns for fashionable functions. We went without butter for a year
so that Amy could entertain the Strangeways, whom she had met years ago
in Europe. I wouldn't dare tell you what that dinner cost us, but we had
a cabinet member or two, and the British Ambassador.

"You wondered why I liked Dickens. Well, I read him so that I could get
a good meal by proxy. I used to gloat over the feasts at Wardle's, and
Mr. Stiggins' hot toast. And when I met you you gave me--everything.
Murray Flint thinks that because I am thin and pale I am all spirit,
and I'm afraid you have the same idea. You didn't dream, did you, that I
was pale because I hadn't had enough to eat? And when you told me that
you wanted me to be your wife I looked ahead and saw the good food and
the roaring fires, and I didn't think of anything else. I honestly
didn't think of you for a moment, Max.

"There were days, though, when you meant more to me than just that. When
we played at the Capitol--that night when we met Lafayette on the
stairs! Nobody had ever played with me. But after we went to the farm I
was smothered in ease. And I loved it. And I didn't love you. You were
just--the man who gave me things. Do you see what I mean? And when you
kissed me on the stairs it was as if I were being kissed by a nice old
Santa Claus.

"Everybody saw it but you. I am sure Amy knew--and Winifred Reed.
You--you ought to marry Winifred, Max. Perhaps you will. You won't want
me after you read this letter. And Winifred is splendid.

"It was your speech to the men that waked me. I saw how big you were,
and I just--shriveled up.

"And you mustn't worry about me. I am not hungry any more. I feel as if
I should never want anything to eat. Perhaps it is because I am older
and haven't a growing appetite. And I am not any of the things you
thought me. And of course you would be disappointed, and it wouldn't be
fair."

Having posted this, Anne had other things to do. She wrote mysterious
letters, and finally came into a room where her sisters and Aunt
Elizabeth were sewing, with an important-looking paper in her hand.

"I am going to work, Amy."

"To work!"

"Yes."

Amy and Ethel and Aunt Elizabeth wore white frocks, and looked very cool
and feminine and high-bred. Aunt Elizabeth had a nose like Amy's and the
same look of race.

It was Aunt Elizabeth who said in her commanding voice: "What are you
talking about, Anne?"

"I am going to work in the War Risk Bureau, Aunt Elizabeth. I wrote to
two senators, and they helped me."

No woman of the Merryman family had ever worked in an office.

Anne faced a storm of disapproval, but she stood there slim and defiant,
and stated her reasons.

"We need money. I don't see how we can get through a winter like the
last. I can't keep my self-respect if we go on living as we did last
winter."

"Haven't you any pride, Anne?"

"I have self-respect."

She left the room a conqueror. After she had gone the three women talked
about her. They did not say it openly, but they felt that there was
really an ordinary streak in Anne. Otherwise she would not have wanted
to work in an office.

There was, however, nothing to be done. Anne was twenty-one. She was to
get a hundred dollars a month. In spite of herself, Amy felt a throb of
the heart as she thought of what that hundred dollars would mean to
them.

Murray Flint was much perturbed when he heard of Anne's decision. He
wrote to her that of course she knew that there was no reason why she
should go into an office--his home and hearthstone were hers. She wrote
back that she should never marry! After that, Murray felt, with Amy and
Ethel and Aunt Elizabeth, that there was an ordinary streak in Anne!

When he arrived in August at Aunt Elizabeth's he was astonished at the
change in Amy. She looked really very young as she came to meet him, and
Aunt Elizabeth's house was a perfect setting for her charms. Murray was
very fond of Aunt Elizabeth's house. It was an ancient, stately edifice,
and within there were the gold-framed portraits of men and women with
noses like Amy's and Aunt Elizabeth's.

Murray had missed Amy very much and he told her so.

"It was a point of honor for me to ask Anne again. But when I thought I
was going to lose you I learned that my life would be empty without
you."

He really believed what he was telling her. If Amy did not believe it
she made no sign. She was getting much more than she expected, and she
accepted him graciously and elegantly, as became a daughter of the
Merrymans.

It was when he told Anne of his engagement to Amy that Murray again
offered her a home. "There will always be a place for Amy's sisters,
Anne."

"You are very good, Murray--but I can't."

She had said the same thing to Maxwell, who had come hot-footed to tell
her that her letter had made no difference in his feeling for her.

"How could you think it, Anne? My darling, you are making a mountain of
a molehill!"

She had been tremulous but firm. "I've got to have my--self-respect,
Max."

Because he understood men he understood her. And when he had left her he
had said to himself with long-drawn breath, "She's a corking kid."

And this time there had been no laughter in his eyes.

All that winter Anne worked, a little striving creature, with her head
held high!

Maxwell was in town, for Congress had convened. But he had not come to
see her. Now and then when there was a night session she went up to the
House and sat far back in the Gallery, where, unperceived, she could
listen to her lover's voice. Then she would steal away, a little ghost,
down the shadowy stairway; but there were no games now with Lafayette!

Amy and Murray were to be married in June. They had enjoyed a dignified
and leisurely engagement, and Amy had bloomed in the sunshine of
Murray's approbation. Anne's salary had helped a great deal in getting
the trousseau together. Most of the salary, indeed, had been spent for
that. The table was, as usual, meagre, but Anne had not seemed to care.

She was therefore rather white and thin when, on the day that Congress
adjourned, Maxwell came out to Georgetown to see her. It had been a long
session, and it was spring.

There were white lilacs in a great blue jar in the Merryman library, and
through the long window a glimpse of a thin little moon in a faint green
sky.

As he looked at Anne, Maxwell felt a lump in his throat. She had given
him her hand and had smiled at him. "How are the kittens?" she had asked
in an effort to be gay.

He did not answer her question. He went, rather, directly to the point.
"Anne, why wouldn't you kiss me on that last night?"

She flushed to the roots of her hair. "It--it was because I loved you,
Max."

"I thought so. But you had to prove it to yourself?"

"Yes."

"Anne, that's why I've let you alone all winter--so that you might prove
it. But--I can't go on. It has been an awful winter for me, Anne."

It had been an awful winter for her. But she had come out of it knowing
herself. And even when at last his arms were about her and he was
telling her that he would never let her go, she had a plea to make:

"Don't let me live too softly, Max. Life isn't a feather bed--You belong
to the world. I must go with you toward the big things. But now and then
we'll run back to the farm."

"What do I care where we run, so that we run--together!"





THE NOVELS OF TEMPLE BAILEY


May be had wherever books are sold. Ask for Grosset & Dunlap's list.

"Although my ancestry is all of New England, I was born in the old town
of Petersburg, Virginia. I went later to Richmond and finally at the age
of five to Washington, D.C., returning to Richmond for a few years in a
girl's school, which was picturesquely quartered in General Lee's
mansion."


PEACOCK FEATHERS

The eternal conflict between wealth and love. Jerry, the idealist who is
poor, loves Mimi, a beautiful, spoiled society girl.


THE DIM LANTERN

The romance of little Jane Barnes who is loved by two men.


THE GAY COCKADE

Unusual short stories where Miss Bailey shows her keen knowledge of
character and environment, and how romance comes to different people.


THE TRUMPETER SWAN

Randy Paine comes back from France to the monotony of every-day
affairs. But the girl he loves shows him the beauty in the commonplace.


THE TIN SOLDIER

A man who wishes to serve his country, but is bound by a tie he cannot
in honor break--that's Derry. A girl who loves him, shares his
humiliation and helps him to win--that's Jean. Their love is the story.


MISTRESS ANNE

A girl in Maryland teaches school, and believes that work is worthy
service. Two men come to the little community: one is weak, the other
strong, and both need Anne.


CONTRARY MARY

An old-fashioned love story that is nevertheless modern.


GLORY OF YOUTH

A novel that deals with a question, old and yet ever new--how far should
an engagement of marriage bind two persons who discover they no longer
love.


Grosset & Dunlap, Publishers, New York






End of the Project Gutenberg EBook of The Gay Cockade, by Temple Bailey

*** END OF THIS PROJECT GUTENBERG EBOOK THE GAY COCKADE ***

***** This file should be named 16433-8.txt or 16433-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/6/4/3/16433/

Produced by Suzanne Shell, Laura Wisewell and the Online
Distributed Proofreading Team at https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***