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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16418-8.txt b/16418-8.txt new file mode 100644 index 0000000..ccd39cd --- /dev/null +++ b/16418-8.txt @@ -0,0 +1,2832 @@ +Project Gutenberg's What Great Men Have Said About Women, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: What Great Men Have Said About Women + Ten Cent Pocket Series No. 77 + +Author: Various + +Editor: Marcet Haldeman-Julius + +Release Date: August 2, 2005 [EBook #16418] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + + + + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + +TEN CENT POCKET SERIES NO. 77 + +Edited by E. Haldeman-Julius + + +WHAT GREAT MEN HAVE SAID ABOUT WOMEN + + +HALDEMAN-JULIUS COMPANY +GIRARD. KANSAS + + + + + SHAKESPEARE. + + + Where is any author in the world + Teaches such beauty as a woman's eye? + + _Love's Labour's Lost, A. 4, S. 3._ + + + The idea of her life shall sweetly creep + Into his study of imagination; + And every lovely organ of her life + Shall come apparel'd in more precious habit, + More moving-delicate, and full of life, + Into the eye and prospect of his soul. + + _Much Ado About Nothing, A. 4, S. 1._ + + + Kindness in women, not their beauteous looks, + Shall win my love. + + _Taming of the Shrew, A. 4, S. 2._ + + + Win her with gifts, if she respect not words; + Dumb jewels often, in their silent kind, + More than quick words, do move a woman's mind. + + _Two Gentlemen of Verona, A. 3, S. 1._ + + + You, that have so fair parts of woman on you, + Have too a woman's heart: which ever yet + Affected eminence, wealth, sovereignty. + + _Henry VIII., A. 2, S. 3._ + + + 'Tis beauty that doth oft make women proud; + 'Tis virtue that doth make them most admired. + + _Henry VI., Pt. 3, A. 1, S. 4._ + + + From woman's eyes this doctrine I derive; + They sparkle still the right Promethean fire; + They are the books, the arts, the academes, + That show, contain, and nourish all the world. + + _Love's Labour's Lost, A. 4, S. 3._ + + + Her voice was ever soft, + Gentle, and low: an excellent thing in woman. + + _King Lear, A. 5, S. 3._ + + + Have you not heard it said full oft, + A woman's nay doth stand for naught? + + _The Passionate Pilgrim, Line 14._ + + + Thou shalt find she will outstrip all praise, + And make it halt behind her. + + _The Tempest, A. 4. S. 1._ + + + Good name in man and woman, + Is the immediate jewel of their souls. + + _Othello, A. 3, S. 3._ + + + Women are soft, pitiful, and flexible. + + _Henry VI., Pt. 3, A. 1. S. 4._ + + + Such duty as the subject owes the prince, + Even such a woman oweth to her husband; + And, when she's froward, peevish, sullen, sour, + And not obedient to his honest will, + What is she, but a contending rebel, + And graceless traitor to her loving lord? + + _Taming of the Shrew, A. 5, S. 2._ + + + Age cannot wither her, nor custom stale + Her infinite variety: other women cloy + The appetites they feed: but she makes hungry + Where most she satisfies. + + _Antony and Cleopatra, A. 2, S. 2._ + + + She's beautiful, and therefore to be wooed; + She is a woman, therefore to be won. + + _Henry VI., Pt. 1, A. 5, S. 3._ + + + Say, that she rail; why, then I'll tell her plain + She sings as sweetly as a nightingale; + Say, that she frown; I'll say, she looks as clear + As morning roses newly wash'd with dew; + Say, she be mute, and will not speak a word; + Then I'll commend her volubility, + And say she uttereth piercing eloquence. + + _Taming of the Shrew, A. 2, S. 1._ + + + Flatter, and praise, commend, extol their graces; + ... Say they have angels' faces. + That man that hath a tongue, I say, is no man, + If with his tongue he cannot win a woman. + + _Two Gentlemen of Verona, A. 3. S. 1._ + + + Bethink thee on her virtues that Surmount, + And natural graces that extinguish art; + * * * * * + And, which is more, she is not so divine, + So full-replete with choice of all delights, + But, with as humble lowliness of mind, + She is content to be at your command. + + _Henry VI., Pt. 1, A. 5, S. 5._ + + + Let still the woman take + An elder than herself; so wears she to him, + So sways she level in her husband's heart. + For, boy, however we do praise ourselves, + Our fancies are more giddy and unfirm, + More longing, wavering, sooner lost and worn. + Than women's are. + + _Twelfth Night, A. 2, S. 4. + + + 'Tis beauty truly blent, whose red and white + Nature's own sweet and cunning hand laid on. + + _Twelfth Night, A. 1, S. 5._ + + + Fresh tears + Stood on her cheeks, as doth the honey-dew + Upon a gather'd lily almost wither'd. + + _Titus Andronicus, A. 3, S. 1._ + + + Patience and sorrow strove + Who should express her goodliest. You have seen + Sunshine and rain at once; her smiles and tears + Were like a better day: those happy smilets, + That play'd on her ripe lip, seem'd not to know + What guests were in her eyes; which parted thence, + As pearls from diamonds dropp'd. + + _King Lear, A. 4, S. 2._ + + + She is mine own; + And I as rich in having such a jewel + As twenty seas, if all their sand were pearl, + The water nectar, and the rocks pure gold. + + _Two Gentlemen of Verona, A. 2, S. 4._ + + + A woman impudent and mannish grown + Is not more loath'd than an effeminate man + In time of action. + + _Troilus and Cressida, A. 3, S. 3._ + + + A woman's face, with Nature's own hand painted, + Hast thou ... + A woman's gentle heart, but not acquainted + With shifting change, as is false woman's fashion: + An eye more bright than theirs, less false in rolling + Gilding the object whereupon it gazeth. + + _Sonnet XX._ + + + No other but a woman's reason; + I think him so, because I think him so. + + _Two Gentlemen of Verona, A. 1, S. 2._ + + + The hand that hath made you fair hath made + you good: the goodness that is cheap in beauty + makes beauty brief in goodness; but grace + being the soul of your complexion, should keep + the body of it ever fair. + + _Measure for Measure, A. 3, S. 1._ + + + If ladies be but young and fair, + They have the gift to know it. + + _As You Like It, A. 2, S. 7._ + + + If she do frown, 'tis not in hate of you, + But rather to beget more love in you: + If she do chide, 'tis not to have you gone; + * * * * * + Take no repulse, whatever she doth say; + For "_Get you gone_," she doth not mean "_Away!_" + + _Two Gentlemen of Verona, A. 3, S. 1._ + + + She never told her love, + But let concealment, like a worm i' the bud, + Feed on her damask cheek: she pin'd in thought, + And, with a green and yellow melancholy, + She saw, like Patience on a monument, + Smiling at grief. + + _Twelfth Night, A. 2, S. 4._ + + + She shall be + A pattern to all ... living with her.... + Holy and heavenly thoughts shall still counsel her; + She shall be lov'd and fear'd. Her own shall bless her.... + ... Those about her + From her shall read the perfect ways of honour.... + ... Yet a virgin, + A most unspotted lily shall she pass + To the ground, and all shall mourn her. + + _Henry VIII., A. 5, S. 4._ + + + + + JOHN MILTON. + + + Grace was in all her steps, Heaven in her eye, + In every gesture dignity and love. + + _Paradise Lost, Book 8._ + + + When I approach + Her loveliness, so absolute she seems + And in herself complete, so well to know + Her own, that what she wills to do or say + Seems wisest, virtuest, discreetest, best. + + _Paradise Lost, Book 8._ + + + Nothing lovelier can be found + In woman than to study household good, + And good works in her husband to promote. + + _Paradise Lost, Book 9._ + + + For contemplation he and valour form'd; + For softness she and sweet attractive grace; + He for God only, she for God in him. + + _Paradise Lost, Book 4._ + + + Among daughters of men ... + Many are in each region passing fair + As the noon sky; more like to goddesses + Than mortal creatures; graceful and discreet; + ... Persuasive ... + Such objects have the power to soften and tame + Severest temper. + + _Paradise Regained, Book 2._ + + + Ladies, whose bright eyes + Rain influence. + + _L'Allegro._ + + + Love, sweetness, goodness, in her person shined. + + _Sonnet._ + + + O fairest of Creation, last and best + Of all God's works, creature in whom excell'd + Whatever can to sight or thought be form'd, + Holy, divine, good, amiable, or sweet! + + _Paradise Lost, Book 9._ + + + Curiosity, inquisitive, importune + Of secrets, then with like infirmity + To publish them, both common female faults. + + _Samson Agonistes._ + + + In argument with men, a woman ever + Goes by the worse, whatever be her cause. + + _Samson Agonistes._ + + + Thus it will befall + Him who to worth in woman overturning + Lets her will rule; restraint she will not brook, + And left to herself, if evil thence ensue, + She first his weak indulgence will accuse. + + _Paradise Lost, Book 9._ + + + Daughter of God ... + I, from the influence of thy looks, receive + Access in every virtue: and in thy sight + More wise, more watchful, stronger, if need were + Of outward strength; while shame, thou looking on. + Shame to be overcome or overreach'd. + Would utmost vigour raise, and raised unite. + Why shouldst not thou like sense within thee feel + When I am present, and thy trial choose + With me, best witness of thy virtue tried? + + _Paradise Lost, Book 9._ + + + By his countenance he seem'd + Entering on studious thoughts abstruse; which Eve + Perceiving, where she sat retired in sight, + With lowliness majestic from her seat, + And grace that won who saw to wish her stay, + Rose, and went forth among her fruits and flowers, + To visit how they prosper'd, bud and bloom, + Her nursery; they at her coming sprung, + And, touch'd by her fair tendance gladlier grew. + + _Paradise Lost, Book 8._ + + + So dear to Heaven is saintly chastity, + That, when a soul is found sincerely so + A thousand liveried angels lackey her, + Driving far off each thing of sin and guilt, + And in clear dream and solemn vision + Tell her of things that no gross ear can hear; + Till oft converse with heavenly habitants + Begin to cast a beam on the outward shape. + + _Comus._ + + + A smile that glow'd + Celestial rosy red, love's proper hue. + + _Paradise Lost, Book 8._ + + + She has a hidden strength ... + ... The strength of Heaven, + It may be termed her own. + 'Tis chastity ... chastity.... + She that has that, is clad in complete steel; + And, like a quiver'd Nymph with arrows keen, + May trace huge forests, and unharbour'd heaths, + ... and sandy perilous wilds ... + She may pass on with unblench'd majesty + Be it not done in pride, or in presumption. + + _Comus._ + + + O Woman, in thy native innocence, rely + On what thou hast of virtue: summon all, + For God toward thee hath done His part, do thine. + + _Paradise Lost, Book 9._ + + + What higher in her society thou find'st + Attractive, human, rational, love still; + In loving thou dost well, in passion not + Wherein true love consists not. + + _Paradise Lost, Book 8._ + + + The wife, where danger or dishonour lurks, + Safest and seemliest by her husband stays, + Who guards her, or with her the worst endures. + + _Paradise Lost, Book 9._ + + + Greatness of mind and nobleness their seat + Build in her loveliest, and create an awe + About her, as a guard angelic placed. + + _Paradise Lost, Book 8._ + + + Those graceful acts, + Those thousand decencies that daily flow + From all her words and actions mix'd with love + And sweet compliance, which declare unfeign'd + Union of mind, or in us both one soul; + Harmony to behold in wedded pair + More grateful than harmonious sound to the ear. + + _Paradise Lost, Book 8._ + + + Come, pensive Nun, devout and pure, + Sober, steadfast, and demure. + * * * * * + With even step and musing gait; + And looks commercing with the skies, + Thy wrapt soul sitting in thine eyes. + + _Il Penseroso._ + + + Innocence and virgin modesty + Her virtue, and the conscience of her worth, + That would be woo'd, and not unsought be won + Not obvious, not obtrusive, but retired + The more desirable. + + _Paradise Lost, Book 8._ + + + Lady, thy care is fix'd, and zealously attends + To fill thy odorous lamp with deeds of light. + And hope that reaps not shame. + + _Sonnet._ + + + A creature ... + ... So lovely fair, + That what seem'd fair in all the world seem'd now + Mean, or in her summ'd up, in her contain'd. + + _Paradise Lost, Book 8._ + + + All things from her air inspired + The spirit of love and amorous delight. + + _Paradise Lost, Book 8._ + + + It is for homely features to keep home-- + They had their name thence: coarse complexions + And cheeks of sorry grain will serve to ply + The sampler and to tease the housewife's wool. + + _Comus._ + + + With dispatchful looks in haste + She turns, on hospitable thoughts intent. + What choice to choose for delicacy best, + What order, so contrived, as not to mix + Tastes, not well join'd, inelegant, but bring + Taste after taste upheld with kindliest change. + + _Paradise Lost, Book 5._ + + + I do not think my sister ... + ... So unprincipled in Virtue's book + And the sweet peace that goodness bosoms ever, + As that single want of light and noise + Could stir the constant mood of her calm thoughts, + And put them into misbecoming plight. + Virtue could see to do what Virtue would + By her own radiant light, though sun and moon + Were in the flat sea sunk. And Wisdom's self + Oft seeks to sweet retired solitude: + Where, with her best nurse, Contemplation, + She plumes her feathers, and lets grow her wings. + That in the various bustle of resort + Were all too ruffled, and sometimes impair'd. + + _Comus._ + + + + + LORD BYRON. + + + Around her shone + The nameless charms unmark'd by her alone: + The light of love, the purity of grace, + The mind, the music breathing from her face, + The heart whose softness harmonized the whole-- + And, oh! that eye was in itself a soul! + + _The Bride of Abydos, Canto 1._ + + + Maidens, like moths, are ever caught by glare, + And Mammon wins his way where seraphs might despair. + + _Childe Harold's Pilgrimage, Canto 1._ + + + She was a form of life and light, + That, seen, became a part of sight; + And rose wher'er I turned mine eye, + The morning-star of memory! + + _The Giaour._ + + + You know, or ought to know, enough of women, + Since you have studied, them so steadily, + That what they ask in aught that touches on + The heart, is dearer to their feelings or + Their fancy than the whole external world. + + _Sardanapalus, A. 4._ + + + Oh! too convincing--dangerously dear-- + In woman's eye the unanswerable tear! + That weapon of her weakness she can wield + To save, subdue--at once her spear and shield. + + _Corsair, Canto 2._ + + + Who hath not proved how feebly words essay + To fix one spark of beauty's heavenly ray? + Who doth not feel, until his failing sight + Faints into dimness with its own delight, + His changing cheek, his sinking heart confess + The might--the majesty of loveliness? + + _Bride of Abydos, Canto 1._ + + + So bright the tear in beauty's eye, + Love half regrets to kiss it dry; + So sweet the blush of bashfulness, + Even pity scarce can wish it less! + + _The Bride of Abydos, Canto 1._ + + + Her glossy hair was cluster'd o'er a brow + Bright with intelligence, and fair and smooth; + Her eyebrow's shape was like the aërial bow + Her cheek all purple with the beam of youth + Mounting, at times to a transparent glow, + As if her veins ran lightning. + + _Don Juan, Canto 1._ + + + Man's love is of man's life a thing apart, + Is woman's whole existence. + + _Don Juan, Canto 1._ + + + Her very smile was haughty, though so sweet; + Her very nod was not an inclination; + There was a self-will even in her small feet, + As though they were quite conscious of her station;-- + * * * * * + But nature teaches more than power can spoil, + And when a strong although a strange sensation + Moves--female hearts are such a genial soil + For kinder feelings, whatsoe'er their nation. + They naturally pour the "wine and oil," + Samaritans in every situation. + + _Don Juan, Canto 5._ + + + The earth has nothing like a she epistle, + And hardly heaven--because it never ends. + I love the mystery of a female missal, + Which like a creed ne'er says all it intends. + + _Don Juan, Canto 13._ + + + Her chief resource was in her own high spirit, + Which judged mankind at their due estimation; + And for coquetry, she disdain'd to wear it: + Secure of admiration, its impression + Was faint, as of an every-day possession. + + _Don Juan, Canto 13._ + + + An eye's an eye, and whether black or blue, + Is no great matter, so 'tis in request. + 'Tis nonsense to dispute about a hue, + The kindest may be taken as a test. + The fair sex should be always fair; and no man + Till thirty, should perceive there's a plain woman. + + _Beppo._ + + + + She was not violently lively, but + Stole on your spirit like a May-day breaking; + Her eyes were not too sparkling, yet, half shut, + They put beholders in a tender taking. + + _Don Juan, Canto 6._ + + + The very first + Of human life must spring from woman's breast, + Your first small words are taught you from her lips, + Your first tears quench'd by her, and your last sighs + Too often breathed out in a woman's hearing, + When men have shrunk from the ignoble care + Of watching the last hour of him who led them. + + _Sardanapalus, A. 1._ + + + Soft, as the memory of buried love; + Pure, as the prayer which childhood wafts above + Was she. + + _Bride of Abydos; Canto 1._ + + + She was a soft landscape of mild earth, + Where all was harmony, and calm and quiet, + Luxuriant, budding; cheerful without mirth, + Which, if not happiness, is more nigh it + Than are your mighty passions and so forth, + Which some call "the sublime": I wish they'd try it; + I've seen your stormy seas and stormy women, + And pity lovers rather more than seamen. + + _Don Juan, Canto 6._ + + + The tender blue of that large loving eye. + + _The Corsair, Canto 1._ + + + Now Laura moves along the joyous crowd, + Smiles in her eyes, and simpers on her lips; + To some she whispers, others speaks aloud; + To some she curtsies, and to some she dips; + Complains of warmth, and this complaint avow'd, + Her lover brings the lemonade,--she sips: + She then surveys, condemns, but pities still + Her dearest friends for being drest so ill. + One had false curls, another too much paint, + A third--where did she buy that frightful turban? + A fourth's so pale she fears she's going to faint, + A fifth's look's vulgar, dowdyish, and suburban, + A sixth's white silk has got a yellow tint, + A seventh's thin muslin surely will be her bane, + And lo! an eighth appears,--I'll see no more! + For fear, like Banquo's kings, they reach a score. + + _Beppo._ + + + She was blooming still, had made the best + Of time, and time return'd the compliment, + And treated her genteely, so that, drest, + She look'd extremely well where'er she went; + A pretty woman is a welcome guest, + And her brow a frown had rarely bent; + Indeed she shone all smiles, and seem'd to flatter + Mankind with her black eyes for looking at her. + + _Beppo._ + + + I think, with all due deference + To the fair _single_ part of the creation, + That married ladies should preserve the preference + In tête-à-tête or general conversation-- + Because they know the world, and are at ease, + And being natural, naturally please. + + _Beppo._ + + + She walks in beauty, like the night + Of cloudless climes and starry skies; + And all that's best of dark and bright + Meet in her aspect and her eyes; + Thus mellow'd to that tender light + Which heaven to gaudy day denies. + + One shade the more, one ray the less, + Had half impair'd the nameless grace + Which waves in every raven tress, + Or softly lightens o'er her face; + Where thoughts serenely sweet express + How pure, how dear their dwelling-place. + + And on that cheek, and o'er that brow, + So soft, so calm, yet eloquent, + The smiles that win, the tints that glow, + But tell of days in goodness spent, + A mind at peace with all below, + A heart whose love is innocent! + + _Hebrew Melodies._ + + + I saw thee weep--the big bright tear + Came o'er that eye of blue: + And then methought it did appear + A violet dropping dew; + I saw thee smile--the sapphire's blaze + Beside thee ceased to shine, + It could not match the living rays + That fill'd that glance of thine. + + As clouds from yonder sun receive + A deep and mellow die, + Which scarce the shade of coming eve + Can banish from the sky, + Those smiles unto the moodiest mind + Their own pure joy impart; + Their sunshine leaves a glow behind + That lightens o'er the heart. + + _Hebrew Melodies._ + + + I have observed your sex, once roused to wrath, + Are timidly vindictive to a pitch + Of perseverance, which I would not copy. + + _Sardanapalus, A. 2._ + + + She was pensive more than melancholy, + And serious more than pensive, and serene, + It may be, more than either ... + The strangest thing was, beauteous, she was wholly + Unconscious, albeit turn'd of quick seventeen, + That she was fair, or dark, or short, or tall; + She never thought about herself at all. + + _Don Juan, Canto 6. + _ + + A learned lady, famed + For every branch of every science known-- + In every Christian language ever named, + With virtues equall'd by her wit alone. + She made the cleverest people quite ashamed, + And even the good with inward envy groan, + Finding themselves so very much exceeded + In their own way by all the things that she did. + + _Don Juan, Canto 1._ + + + 'Tis pity learned virgins ever wed + With persons of no sort of education, + Or gentlemen who, though well-born and bred, + Grow tired of scientific conversation: + * * * * * + Oh! ye lords of ladies intellectual, + Inform us truly, have they not hen-peck'd you all? + + _Don Juan, Canto 1._ + + + What a strange thing is man! and what a stranger + Is woman? what a whirlwind is her head, + And what a whirlpool full of depth and danger + Is all the rest about her! whether wed, + Or widow, maid, or mother, she can change her + Mind like the wind; whatever she has said + Or done, is light to what she'll say or do;-- + The oldest thing on record, and yet new! + + _Don Juan, Canto 9._ + + + Round her she made an atmosphere of life, + The very air seem'd lighter from her eyes, + They were so soft and beautiful, and rife + With all we can imagine of the skies;-- + * * * * * + Her overpowering presence made you feel, + It would not be idolatry to kneel. + + _Don Juan, Canto 3._ + + + Through her eye the Immortal shone; + * * * * * + Her eyes' dark charm 'twere vain to tell, + But gaze on that of the gazelle, + It will assist thy fancy well; + As large, as languishingly dark, + But soul beamed forth in every spark + That darted from beneath the lid, + Bright as the jewel of Giamschid, + Yea, soul! + + _The Giaour._ + + + So--this feminine farewell + Ends as such partings end, in _no_ departure. + + _Sardanapalus, A. 4._ + + + + + SIR WALTER SCOTT. + + + Even the most simple and unsuspicious of the female sex have (God + bless them!) an instinctive sharpness of perception in love + matters, which sometimes goes the length of observing partialities + that never existed, but rarely misses to detect such as pass + actually under their observation.--_Waverley._ + + + Her accents stole + On the dark visions of their soul, + And bade their mournful musings fly, + Like mist before the zephyr's sigh. + + _Rokeby, Canto 4._ + + + She sung with great taste and feeling, and with a respect to the + sense of what she uttered, that might be proposed in example to + ladies of much superior musical talent. Her natural good sense + taught her, that if, as we are assured, "music must be married to + immortal verse," they are very often divorced by the performer in a + most shameful manner. It was perhaps owing to this sensibility to + poetry, and combining its expression with those of the musical + notes, that her singing gave more pleasure to all the unlearned in + music, and even to many of the learned, than could have been + communicated by a much finer voice and more brilliant execution, + unguided by the same delicacy of feeling.--_Waverley._ + + + Like every beautiful woman, she was conscious of her own power, and + pleased with its effects.... But as she possessed excellent sense, + she gave accidental circumstances, full weight in appreciating the + feeling she aroused.--_Waverley._ + + + There was a soft and pensive grace, + A cast of thought upon her face, + That suited well the forehead high, + The eye-lash dark, and downcast eye; + The mild expression spoke a mind + In duty firm, composed, resign'd. + + _Rokeby, Canto 4._ + + + The rose, with faint and feeble streak + So slightly tinged the maiden's cheek, + That you had said her hue was pale; + But if she faced the summer-gale, + Or spoke, or sung, or quicker moved, + Or heard the praise of those she loved, + Or when of interest was express'd + Aught that waked feeling in her breast, + That mantling blood in ready play + Rivall'd the blush of rising day. + + _Rokeby, Canto 4._ + + + What woman knows not her own road to victory?--_The Talisman._ + + + She had been beautiful, and was stately and majestic in her + appearance. Endowed by nature with strong powers and violent + passions, experience had taught her to employ the one, and to + conceal, if not to moderate, the other. She was a severe and strict + observer of the external forms, at least, of devotion; her + hospitality was splendid, even to ostentation; her address and + manners were grave, dignified, and severely regulated by the rules + of etiquette.... And yet, with all these qualities to excite + respect, she was seldom mentioned in the terms of love or + affection. Interest,--the interest of her family, if not her + own--seemed too obviously the motive of her actions: and when this + is the case, the sharp-judging and malignant public are not easily + imposed upon by outward show.--_The Bride of Lammermoor._ + + + Reasoning--like a woman, to whom external appearance is scarcely in + any circumstance a matter of unimportance, and like a beauty who + has confidence in her own charms.--_Kenilworth._ + + + Her affection and sympathy dictated at once the kindest course. + Without attempting to control the torrent of grief in its full + current, she gently sat her down beside the mourner.... She waited + a more composed moment to offer her little stock of consolation in + deep silence and stillness.--_The Betrothed._ + + + Her kindness and her worth to spy + You need but gaze on Ellen's eye; + Not Katrine in her mirror blue, + Gives back the shaggy banks more true, + Than every free-born glance confess'd + The guileless movements of her breast; + Whether joy danced in her dark eye, + Or woe or pity claim'd a sigh, + Or filial love was glowing there, + Or meek devotion pour'd a prayer. + Or hate of injury call'd forth + The indignant spirit of the North. + One only passion unreveal'd, + With maiden pride, the maid conceal'd, + Yet no less purely felt the flame-- + O need I tell that passion's name? + + _The Lady of the Lake, Canto 1._ + + + She is fairer in feature than becometh a man of my order to speak + of; and she has withal a breathing of her father's lofty spirit. + The look and the word of such a lady will give a man double + strength in the hour of need.--_The Betrothed._ + + + Her smile, her speech, with winning sway, + Wiled the old harper's mood away. + With such a look as hermits throw + When angels stoop to soothe their woe, + He gazed, till fond regret and pride + Thrill'd to a tear. + + _The Lady of the Lake, Canto 2._ + + + All her soul is in her eye, + Yet doubts she still to tender free + The wonted words of courtesy. + * * * * * + Go to her now--be bold of cheer, + While her soul floats 'twixt hope and fear: + It is the very change of tide, + When best the female heart is tried-- + Pride, prejudice ... + Are in the current swept to sea. + + _Rokeby, Canto 2._ + + + She was highly accomplished; yet she had not learned to substitute + the gloss of politeness for the reality of feeling.--_Waverley._ + + + A deep-thinking and impassioned woman, ready to make exertions + alike, and sacrifices, with all that vain devotion to a favorite + object of affection, which is often so basely rewarded.--_The + Fortunes of Nigel._ + + + The spotless virgin fears not the raging lion.--_The Talisman._ + + + Sweet was her blue eye's modest smile ... + And down her shoulders graceful roll'd + Her locks profuse of paly gold ... + She charm'd at once, and tamed the heart. + + _Marmion, Canto 5._ + + + At length, an effort sent apart + The blood that curdled to her heart, + And light came to her eye, + And color dawn'd upon her cheek, + A hectic and a flutter'd streak. + * * * * * + And when her silence broke at length, + Still as she spoke she gather'd strength, + And arm'd herself to bear;-- + It was a fearful sight to see + Such high resolve and constancy, + In form so soft and fair. + + _Marmion, Canto 2._ + + + She look'd down to blush, and she look'd up to sigh, + With a smile on her lips, and a tear in her eye. + + _Marmion, Canto 5._ + + + Her very soul is in home, and in the discharge of all those quiet + virtues of which home is the centre. Her husband will be to her the + object of all her care, solicitude, and affection. She will see + nothing, but by him, and through him. If he is a man of sense and + virtue, she will sympathize in his sorrows, divert his fatigue, and + share his pleasures. If she becomes the property of a churlish or + negligent husband, she will suit his taste also, for she will not + long survive his unkindness.--_Waverley._ + + + When there can be no confidence betwixt a man and his plighted + wife, it is a sign she has no longer the regard for him that made + their engagement safe and suitable.--_The Heart of Mid-Lothian._ + + + She was by nature perfectly good-humoured, and if her due share of + admiration and homage was duly resigned to her, no one could + possess better temper, or a more friendly disposition; but then, + like all despots, the more power that was voluntarily yielded to + her, the more she desired to extend her sway. Sometimes, even when + all her ambition was gratified, she chose to be a little out of + health, and a little out of spirits.--- _The Talisman._ + + + Her look composed, and steady eye, + Bespoke a matchless constancy. + + _Marmion, Canto 2._ + + + The noble dame, amid the broil, + Shared the gray seneschal's high toil, + And spoke of danger with a smile; + Cheer'd the young knights, and council sage + Held with the chiefs of riper age. + + _The Lay of the Last Minstrel, Canto 3._ + + + Woman's faith and woman's trust, + Write the characters in dust. + + _The Betrothed._ + + + Ne'er did Grecian chisel trace + A Nymph, or Naiad, or a Grace, + Of finer form, or lovelier face! + What though the sun, with ardent frown, + Had slightly tinged her cheek with brown, + The sportive toil, which, short and light + Had dyed her glowing hue so bright, + Served too in hastier swell to show + Short glimpses of a breast of snow; + What though no rule of courtly grace + To measured mood had train'd her pace,-- + A foot more light, a step more true, + Ne'er from the heath-flower dash'd the dew; + E'en the slight hare-bell raised its head, + Elastic from her airy tread; + What though upon her speech there hung + The accent of the mountain tongue, + Those silver sounds, so soft, so clear, + The list'ner held his breath to hear. + + _Lady of the Lake, Canto 1._ + + + Spoilt she was on all hands.... But though, from these + circumstances, the city-beauty had become as wilful, as capricious, + and as affected, as unlimited indulgence seldom fails to render + those to whom it is extended; and although she exhibited upon many + occasions that affectation of extreme shyness, silence, and + reserve, which misses are apt to take for an amiable modesty; and + upon others, a considerable portion of that flippancy which youth + sometimes confounds with wit, she had much real shrewdness and + judgment, which wanted only opportunities of observation to refine + it--a lively, good-humoured, playful disposition, and an excellent + heart.--_The Fortunes of Nigel._ + + + The buoyant vivacity with which she had resisted every touch of + adversity, had now assumed the air of composed and submissive, but + dauntless, resolution and constancy.--_Rob Roy._ + + + Her complexion was exquisitely fair, but the noble cast of her head + and features prevented the insipidity which sometimes attaches to + fair beauties. Her clear blue eye, which sat enshrined beneath a + graceful eyebrow of brown, sufficiently marked to give expression + to the forehead, seemed capable to kindle as well as to melt, to + command as well as to beseech.--_Ivanhoe._ + + + + + WILLIAM WORDSWORTH. + + + She was a Phantom of delight + When first she gleamed upon my sight; + A lovely Apparition, sent + To be a moment's ornament; + Her eyes as stars of Twilight fair; + Like Twilight's, too, her dusky hair; + But all things else about her drawn + From May-time and the cheerful Dawn; + A dancing Shape, and Image gay, + To haunt, to startle, and waylay. + + _A Phantom of Delight._ + + + A gentle maid, whose heart is lowly bred, + With joyousness, and with a thoughtful cheer. + + _A Farewell._ + + + A Spirit, yet a Woman too! + Her household motions light and free, + And steps of virgin liberty; + A countenance in which did meet + Sweet records, promises as sweet; + A Creature not too bright or good + For human nature's daily food; + For transient sorrows, simple wiles, + Praise, blame, love, kisses, tears, and smiles. + + _A Phantom of Delight._ + + + Sister ... Thy mind + Shall be a mansion for all lovely forms, + Thy memory be as a dwelling-place + For all sweet sounds and harmonies. + + _Tintern Abbey._ + + + She gave me eyes, she gave me ears; + And humble cares, and delicate fears; + A heart, the fountain of sweet tears; + And love and thought and joy. + + _The Sparrow's Nest._ + + + 'Tis her's to pluck the amaranthine flower + Of faith, and 'round the sufferer's temples bind + Wreaths that endure affliction's heaviest shower, + And do not shrink from sorrow's keenest wind. + + _Weak is the Will of Man._ + + + I praise thee, Matron! and thy due + Is praise.... + With admiration I behold + Thy gladness unsubdued and bold; + Thy looks, thy gestures, all present + The picture of a life well spent. + + _The Matron of Jedborough._ + + + A blooming girl, whose hair was wet + With points of morning due.... + Her brow was smooth and white.... + * * * * * + No fountain from its rocky cave + E'er tripped with foot so free, + She seemed as happy as a wave, + That dances on the sea. + + _The Two April Mornings._ + + + The floating clouds their state shall lend + To her; for her the willow bend; + Nor shall she fail to see, + Even in the motions of the storm, + Grace that shall mould the Maiden's form + By silent sympathy. + The stars of midnight shall be dear + To her; and she shall lean her ear + In many a secret place, + Where rivulets dance their wayward round, + And beauty born of murmuring sound + Shall pass into her face. + And vital feelings of delight + Shall rear her form to stately height, + Her virgin bosom swell. + + _Three Years She Grew in Sun and Shower._ + + + How blest the Maid whose heart--yet free + From Love's uneasy sovereignty-- + Beats with a fancy running high, + Her simple cares to magnify; + Whom Labour, never urged to toil, + Hath cherished on a healthful soil; + Who knows not pomp, who heeds not pelf; + Whose heaviest sin it is to look + Askance upon her pretty self + Reflected in some crystal brook; + Whom grief hath spared,--who sheds no tear + But in sweet pity; and can hear + Another's praise from envy clear. + + _The Three Cottage Girls._ + + + A Being breathing thoughtful breath, + A Traveller between life and death; + The reason firm, the temperate will, + Endurance, foresight, strength, and skill; + A perfect Woman, nobly planned, + To warn, to comfort, and command; + And yet a Spirit still, and bright + With something of angelic light. + + _A Phantom of Delight._ + + + She was happy, + Like a spirit of air she moved, + Wayward, yet by all who knew her + For her tender heart beloved. + + _The Westmoreland Girl._ + + + This light-hearted Maiden.... + High is her aim as Heaven above, + And wide as either her good-will; + And, like the lowly reed, her love + Can drink its nurture from the scantiest rill; + Insight as keen as frosty star + Is to her charity no bar, + Nor interrupts her frolic graces. + + + _The Triad._ + + + O Lady bright, + Whose mortal lineaments seem all refined + By favouring Nature, and a saintly mind, + To something purer and more exquisite + Than flesh and blood! + + _Sonnet._ + + + A maid whom there wore none to praise + And very few to love; + A violet by a mossy stone + Half hidden from the eye! + Fair as a star when only one + Is shining in the sky. + + _Poems of the Affections, 8._ + + + Whether in the semblance drest + Of Dawn, or Eve, fair vision of the west, + Come with each anxious hope subdued, + By woman's gentle fortitude, + Each grief, through weakness, settling into rest. + + _The Triad._ + + + How rich that forehead's calm expanse! + How bright that heaven-directed glance! + + _Poems of the Affections, 17._ + + + Softly she treads, as if her foot were loth + To crush the mountain dew-drops,--soon to melt + On the flower's breast; as if she felt + That flowers themselves, whate'er their hue, + With all their fragrance, all their glistening, + Call to the heart for inward listening. + + _The Triad._ + + + Let other bards of angels sing, + Bright suns without a spot; + But thou art no such perfect thing; + Rejoice that thou art not! + + Heed not though none should call thee fair; + So, Mary, let it be + If naught in loveliness compare + With what thou art to me. + + True beauty dwells in deep retreats, + Whose veil is unremoved + Till heart to heart in concord beats, + And the lover is beloved. + + _Poems of the Affections, 15._ + + + What heavenly smiles! O Lady mine, + Through my very heart they shine; + And, if my brow gives back their light, + Do thou look gladly on the sight; + As the clear moon with modest pride + Beholds her own bright beams + Reflected from the mountain's side + And from the headlong streams. + + _Poems of the Affections, 18._ + + + How beautiful when up a lofty height + Honour ascends. + * * * * * + A Widow ... + She wasted no complaint, but strove to make + A just repayment, both for conscience's sake + And that herself and hers should stand upright + In the world's eye. + + _The Widow._ + + + The Maiden grew + Pious and pure, modest and yet so brave, + Though young, so wise, though meek, so resolute. + + _Grace Darling._ + + + In her face and mien + The soul's pure brightness he beheld, + Without a veil between. + + _The Russian Fugitive._ + + + We her discretion have observed, + Her just opinions, delicate reserve, + Her patience, and humility of mind. + Unspoiled by commendation.... + + _The Borderers._ + + + O Lady, worthy of earth's proudest throne! + Nor less, by excellence of nature, fit + Beside an unambitious hearth to sit + Domestic queen, where grandeur is unknown; + What living man could fear + The worst of Fortune's malice, wert thou near, + Humbling that lily-stem, thy sceptre meek, + That its fair flowers may from his cheek + Brush the too happy tear! + + _The Triad._ + + + Queen, and handmaid lowly! + Whose skill can speed the day with lively cares, + And banish melancholy + By all that mind invents or hand prepares; + * * * * * + Who that hath seen thy beauty could content + His soul with but a glimpse! + + _The Triad._ + + + Dear girl ... + If thou appear untouched by solemn thought, + Thy nature is not therefore less divine; + Thou liest in Abraham's bosom all the year; + And worshipp'st at the Temple's inner shrine, + God being with thee when we know it not. + + _Sonnet._ + + + I knew a maid, + A young enthusiast ... + Her eye was not the mistress of her heart; + Far less did rules prescribed by passive taste + Or barren, intermeddling subtleties, + Perplex her mind; but wise as women are + When genial circumstance hath favoured them, + She welcomed what was given, and craved no more, + Whate'er the scene presented to her view. + That was the best, to that she was attuned + By her benign simplicity of life, + ... God delights + In such a being; for her common thoughts + Are piety, her life is gratitude. + + _The Prelude._ + + + Sweet girl, a very shower + Of beauty is thy earthly dower!... + Never saw I mien, or face, + In which more plainly I could trace + Benignity and homebred sense + Ripening in perfect innocence. + * * * * * + A face with gladness overspread! + Soft smiles, by human kindness bred! + And seemliness complete, that sways + Thy courtesies, about three plays. + + _To A Highland Girl._ + + + A maiden ... + Lovely as spring's first note ... Pure + As beautiful, and gentle and benign. + * * * * * + A Flower.... + Fairest of all flowers was she.... + She hath an eye that smiles into all hearts, + * * * * * + Soon would her gentle words make peace. + + _The Borderers._ + + + Yes! thou art fair, yet be not moved + To scorn the declaration, + That sometimes I in thee have loved + My fancy's own creation. + + Imagination needs must stir; + Dear Maid, this truth believe, + Minds that have nothing to confer, + Find little to perceive. + + Be pleased that Nature made thee fit + To feed my heart's devotion, + By laws to which all forms submit + In sky, air, earth, and ocean. + + _Poems of the Affections, 16._ + + + + + THOMAS CARLYLE. + + + Clearly a superior woman.--That is the way with female intellects + when they are good; nothing equals their acuteness, and their + rapidity is almost excessive.--_Frederick the Great._ + + + Perfection of housekeeping was her clear and speedy attainment in + that new scene. Strange how she made the desert blossom for herself + and me there; what a fairy palace she had made of that wild + moorland home of the poor man! From the baking of a loaf, or the + darning of a stocking, up to comporting herself in the highest + scenes or most intricate emergencies, all was insight, veracity, + graceful success (if you could judge it), fidelity to insight of + the fact given.--_Reminiscences._ + + + Meek and retiring by the softness of her nature, yet glowing with + an ethereal ardour for all that is illustrious and lovely.--_Life + of Schiller._ + + She was of a compassionate nature, and had a loving, patient, and + noble heart; prudent she was; the skilfulest and thriftiest of + financiers; could well keep silence, too, and with a gentle + stoicism endure much small unreason.--_Life of Schiller._ + + + Her life was busy and earnest; she was help-mate, not in name only, + to an ever-busy man.--_Frederick the Great._ + + Peculiar among all dames and damosels, glanced Blumine, there in + her modesty, like a star among earthly lights. Noblest maiden! whom + he bent to, in body and in soul; yet scarcely dared look at, for + the presence filled him with painful yet sweetest embarrassment. + --_Sartor Resartus._ + + + A bright airy lady; very graceful, very witty and ingenious; + skilled to speak, skilled to hold her tongue.--_Frederick the + Great._ + + + Far and wide was the fair one heard of, for her gifts, her graces, + her caprices; from all which vague colourings of Rumour, from the + censures no less than from the praises, had our friend painted for + himself a certain imperious Queen of Hearts, and blooming warm + Earth-angel, much more enchanting than your mere white + Heaven-angels of women, in whose placid veins circulates too little + naphtha-fire.--_Sartor Resartus._ + + + A tall, rather thin figure; a face pale, intelligent, and + penetrating; nose fine, rather large, and decisively Roman; pair of + bright, not soft, but sharp and small black eyes, with a cold smile + as of enquiry in them; fine brow; fine chin; thin lips--lips always + gently shut, as if till the enquiry were completed, and the time + came for something of royal speech upon it. She had a slight + accent, but spoke--Dr. Hugh Blair could not have picked a hole in + it--and you might have printed every word, so queen-like, gentle, + soothing, measured, prettily royal toward subjects whom she wished + to love her. The voice was modulated, low, not inharmonious; yet + there was something of metallic in it, akin to that smile in the + eyes. One durst not quite love this high personage as she wished to + be loved! Her very dress was notable; always the same, and in a + fashion of its own;--and must have required daily the fastening of + sixty or eighty pins.--_Reminiscences._ + + + She had a pleasant, attractive physiognomy; which may be considered + better than strict beauty.--_Frederick the Great._ + + + That light, yet so stately form; those dark tresses, shading a face + where smiles and sun-light played over earnest deeps.... He + ventured to address her, she answered with attention: nay, what if + there were a slight tremour in that silver voice; what if the red + glow of evening were hiding a transient blush!--_Sartor Resartus._ + + + The whims of women must be humoured.--_French Revolution._ + + + A woman of many household virtues; to a warm affection for her + children and husband she joined a degree of taste and intelligence + which is of much rarer occurrence.--_Life of Schiller._ + + + She is meek and soft and maiden-like.... + A young woman fair to look upon. + + _Life of Schiller._ + + + My dear mother, with the trustfulness of a mother's heart, + ministered to all my woes, outward and inward, and even against + hope kept prophesying good.--_Reminiscences._ + + + Women are born worshippers; in their good little hearts lies the + most craving relish for greatness; it is even said, each chooses + her husband on the hypothesis of his being a great man--in his way. + The good creatures, yet the foolish!--_Essay on Goethe's Works._ + + + She is of that light unreflecting class, of that light unreflecting + sex: _varium semper et mutabile_. And then her Fine-ladyism, though + a purseless one: capricious, coquettish, and with all the finer + sensibilities of the heart; now in the rackets, now in the sullens; + vivid in contradictory resolves; laughing, weeping, without + reason,--though these acts are said to be signs of season. + Consider, too, how she has had to work her way, all along, by + flattery and cajolery; wheedling, eaves-dropping, namby-pambying; + how she needs wages, and knows no other productive trades.--_The + Diamond Necklace._ + + + Thought can hardly be said to exist in her; only Perception and + Device. With an understanding lynx-eyed for the surface of things, + but which pierces beyond the surface of nothing, every individual + thing (for she has never seized the heart of it) turns up a new + face to her every new day, and seems a thing changed, a different + thing.--_The Diamond Necklace._ + + + Reader! thou for thy sins must have met with such fair Irrationals; + fascinating, with their lively eyes, with their quick snappish + fancies; distinguished in the higher circles, in Fashion, even in + Literature; they hum and buzz there, on graceful + film-wings:--searching, nevertheless, with the wonderfullest skill + for honey; _un_tamable as flies!--_The Diamond Necklace._ + + + Nature is very kind to all children, and to all mothers that are + true to her.--_Frederick the Great._ + + + She is of stately figure;--of beautiful still countenance.--A + completeness, a decision is in this fair female figure; by energy + she means the spirit that will prompt one to sacrifice himself for + his country.--_French Revolution._ + + + A clever, high-mannered, massive-minded old lady; admirable as a + finished piece of social art, but hardly otherwise + much.--_Reminiscences._ + + + Who can account for the taste of females?--_The Diamond Necklace._ + + + A Beauty, but over light-headed: a Booby who had fine legs. How + these first courted, billed, and cooed, according to nature; then + pouted, fretted, grew utterly enraged and blew one another + up.--_Boswell's Life of Johnson._ + + + With delicate female tact, with fine female stoicism too, keeping + all things within limits.--_Frederick the Great._ + + + A true-hearted, sharp-witted sister.--_Essay of Diderot._ + + + A graceful, brave, and amiable woman;--her choicest gift an open + eye and heart.--_Oliver Cromwell._ + + + Every graceful and generous quality of womanhood harmoniously + blended in her nature.--_Life of Schiller._ + + + She is a fair vision, the _beau idéal_ of a poet's first + mistress.--_Life of Schiller._ + + + Heaven, though severe, is _not_ unkind; Heaven is kind, as a noble + mother; as that Spartan mother, saying while she gave her son his + shield, "With it, my son, or upon it!"--Complain not; the very + Spartans did not complain.--_Past and Present_. + + + + + VICTOR HUGO. + + + All her face, all her person, breathed an ineffable love and + kindness. She had always been predestined to gentleness, but Faith, + Hope, and Charity, those three virtues that softly warm the soul, + had gradually elevated that gentleness to sanctity. Nature had only + made her a lamb, and religion had made her an angel.--_Les + Misérables._ + + + She was the very embodiment of joy as she went to and fro in the + house; she brought with her a perpetual spring.--_Toilers of the + Sea_. + + + Her entire person was simplicity, ingenuousness, whiteness, candor, + and radiance, and it might have been said of her that she was + transparent. She produced a sensation of April and daybreak, and + she had dew in her eyes. She was the condensation of the light of + dawn in a woman's form.--_Les Misérables._ + + + The woman was weak, but the mother found strength.--_Ninety-Three._ + + + Woman feels and speaks with the infallibility which is the tender + instinct of the heart.--_Les Misérables._ + + + What is a husband but the pilot in the voyage of matrimony? Wife, + let your fine weather be your husband's smiles.--_Toilers of the + Sea._ + + + No one knows like a woman how to say things which are at once + gentle and deep. Gentleness and depth,--in these things the whole + of woman is contained, and it is heaven.--_Les Misérables._ + + + Beauty heightened by simplicity is ineffable, and nothing is so + adorable as a beauteous, innocent maiden, who walks along + unconsciously, holding in her hand the key of Paradise.--_Les + Misérables._ + + + She had the prettiest little hands in the world, and little feet + to match them. Sweetness and goodness reigned throughout her + person; ... her occupation was only to live her daily life; her + accomplishments were the knowledge of a few songs; her intellectual + gifts were summed up in her simple innocence.--_Toilers of the + Sea._ + + + The coquette is blind: she does not see her wrinkles.--_By Order of + the King._ + + + A mother's arms are made of tenderness, and children sleep soundly + in them.--_Les Misérables._ + + + There are moments when a woman accepts, like a sombre and resigned + duty, the worship of love.--_Les Misérables._ + + + She was pale with that paleness which is like the transparency of a + divine life in an earthly face.... A soul standing in the + dawn.--_By Order of the King._ + + He looked at her, and saw nothing but her. This is love; one may be + carried away for a moment by the importunity of some other idea, + but the beloved one enters, and all that does not appertain to her + presence immediately fades away, without her dreaming that perhaps + she is effacing in us a world.--_By Order of the King._ + + She walked on with a light and free step, so little suggestive of + the burden of life that it might easily be seen that she was young. + Her movements possessed that subtle grace which indicates the most + delicate of all transitions--the soft intermingling, as it-were, + of two twilights,--the passage from the condition of a child to + that of womanhood.--_Toilers of the Sea._ + + She had never been pretty, but her whole life, which had been but a + succession of pious works, had eventually cast over her a species + of whiteness and brightness, and in growing older she had acquired + what may be called the beauty of goodness. What had been thinness + in her youth had became in her maturity transparency, and through + this transparency the angel could be seen.--_Les Misérables._ + + A ray of happiness was visible upon her face. Never had she + appeared more beautiful. Her features were remarkable for + prettiness rather than what is called beauty. Their fault, if fault + it be, lay in a certain excess of grace.... The ideal virgin is the + transfiguration of a face like this. Dèruchette, touched by her + sorrow and love, seemed to have caught that higher and more holy + expression. It was the difference between the field daisy and the + lily.--_Toilers of the Sea._ + + The glance of a woman resembles certain wheels which are apparently + gentle but are formidable.... You come, you go, you dream, you + speak, you laugh, and all in a minute you feel yourself caught, and + it is all over with you. The wheel holds you, the glance has caught + you.--_Les Misérables._ + + She had listened to nothing, but mothers hear certain things + without listening.--_Ninety-Three._ + + She was really a respectable, firm, equitable, and just person, + full of that charity which consists in giving, but not possessing + to the same extent the charity which comprehends and pardons.--_Les + Misérables._ + + She seemed a vision scarcely embodied; ... in her fairness, which + amounted almost to serenity of her look; ... in the sacred + innocence of her smile, she was almost an angel, and yet just a + woman.--_By Order of the King._ + + The girl becomes a maiden, fresh and joyous as the lark. Noting her + movements, we feel as if it were good of her not to fly away. The + dear familiar companion moves at her own sweet will about the + house; flits from branch to branch, or rather from room to room; + goes to and fro; approaches and retires.... She asks a question and + is answered; is asked something in return, and chirps a reply. It + is delightful to chat with her when tired of serious talk; for this + creature carries with her something of her skyey element. She is, + as it were, a thread of gold interwoven with your sombre thoughts; + you feel almost grateful to her for her kindness in not making + herself invisible, when it would be so easy for her to be even + impalpable; for the beautiful is a necessity of life. There is in + the world no function more important than that of being + charming.... To shed joy around, to radiate happiness, to cast + light upon dark days, to be the golden thread of our destiny, and + the very spirit of grace and harmony, is not this to render a + service?--_Toilers of the Sea._ + + She scarcely knew, perhaps, the meaning of the word love, and yet + not unwillingly ensnared those about her in the toils.--_Toilers of + the Sea._ + + She stopped. She walked back a few paces, stopped again; she + inclined her head, with those thoughtful eyes which look attentive + yet see nothing.... Her lowered eyelids had that vague contraction + which suggests a tear checked in its course, or a thought + suppressed.... Her face, which might inspire adoration, seemed + meditative, like portraits of the Virgin.--_Toilers of the Sea._ + + She broke the bread into two fragments, and gave them to the + children, who ate with avidity. "She has kept none for herself," + grumbled the sergeant. "Because she is not hungry," said a soldier. + "Because she is a mother," said the sergeant.--_Ninety-Three._ + + Extreme simplicity touches on extreme coquetry.... They did not + speak, they did not bow, they did not know each other, but they + met; and like the stars in the heavens, they lived by looking at + each other. It was thus that she gradually became a woman, and was + developed into a beautiful and loving woman, conscious of her + beauty and ignorant of her love. She was a coquette into the + bargain, through her innocence.--_Les Misérables._ + + Does not beauty confer a benefit upon us, even by the simple fact + of being beautiful?--Here and there we meet with one who possesses + that fairy-like power of enchanting all about her; sometimes she is + ignorant herself of this magical influence, which is, however, for + that reason only the more perfect. Her presence lights up the home; + her approach is like cheerful warmth; she passes by, and we are + content; she stays awhile, and we are happy.--_Toilers of the Sea._ + + To behold her is to live; she is the Aurora with a human face. She + has no need to do more than simply to be, she makes an Eden of the + house; Paradise breathes from her: and she communicates this + delight to all, without taking any greater trouble than that of + existing beside them. Is it not a thing divine to have a smile + which, none know how, has the power to lighten the weight of that + enormous chain which all the living, in common, drag behind + them?--_Toilers of the Sea._ + + On the day when a woman who passes before you emits light as she + walks you are lost, for you love. You have from that moment but one + thing to do: think of her so intently that she will be compelled to + think of you.--_Les Misérables._ + + The soul only needs to see a smile in a white crêpe bonnet in order + to enter the palace of dreams.--_Les Misérables._ + + She had upon her lips almost the light of a smile, with the fulness + of tears in her eyes.... The reflection of an angel was in her + look.--_Toilers of the Sea._ + + + + + ROBERT BROWNING. + + + There is a vision in the heart of each + Of justice, mercy, wisdom, tenderness + To wrong and pain, and knowledge of its cure: + And these embodied in a woman's form + That best transmits them, pure as first received, + From God above her, to mankind below. + + _Colombe's Birthday._ + + + This woman ... + ... Being true, devoted, constant--she + Found constancy, devotion, truth, the plain + And easy commonplace of character. + + + _The Inn Album._ + + + ... The good and tender heart, + Its girl's trust and its woman's constancy, + How pure yet passionate, how calm yet kind, + How grave yet joyous, how reserved yet free + As light where friends are--how imbued with lore + The world most prizes, yet the simplest. + * * * * * + Herself creates + The want she means to satisfy. + + _A Blot on the 'Scutcheon._ + + + Truly, the woman's way + High to lift heart up. + + _Agamemnon._ + + + And Michal's face + Still wears that quiet and peculiar light + Like the dim circlet floating 'round a pearl. + * * * * * + And yet her calm sweet countenance, + Though saintly, was not sad; for she would sing + Alone ... bird-like, + Not dreaming you were near.--Her carols dropt + In flakes through that old leafy bower. + + _Paracelsus._ + + + ... Such a lady, cheeks so round and lips so red,-- + On her neck the small face buoyant like a bell-flower on its bed. + + _Lyric._ + + + There's a woman like a dew-drop, she's so purer than the purest; + And her noble heart's the noblest, yes, and her sure faith's the surest; + And her eyes are dark and humid, like the depth on depth of lustre + Hid i' the harebell, while her tresses, sunnier than the wild-grape cluster, + Gush in golden-tinted plenty down her neck's rose-misted marble; + Then her voice's music ... call it the well's bubbling, the bird's warble! + + _A Blot on the 'Scutcheon._ + + + How twinks thine eye, my Love, + Blue as yon star-beam. + + _Ferishtah's Fancies._ + + + That flower-like love of hers; + * * * * * + She was true--she only of them all! + True to her eyes, ... those glorious eyes. + * * * * * + With truth and purity go other gifts. + All gifts come clustering to that. + + _The Return of the Druses._ + + + Good as beautiful is she, + With gifts that match her goodness, no faint flaw + I' the white;--she were the pearl you think you saw. + + _Daniel Bartoli._ + + + Since beneath my roof + Housed she who made home heaven, in heaven's behoof + I went forth every day, and all day long + Worked for the world. Look, how the laborer's song + Cheers him! Thus sang my soul, at each sharp throe + Of laboring flesh and blood--"She loves me so!" + + _A Forgiveness._ + + + It is conspicuous in a woman's nature + Before its view to take a grace for granted: + Too trustful,--on her boundary, usurpature + Is swftly made; + But swftly, too, decayed, + The glory perishes by woman vaunted. + + _Agamemnon._ + + + That fawn-skin-dappled hair of hers; + And the blue eye + Dear and dewy, + And that infantine fresh air of hers! + * * * * * + Eyes and mouth too, + All the face composed of flowers.... + * * * * * + ... The sweet face ... + Be its beauty + Its sole duty! + + _A Pretty Woman._ + + + Women hate a debt as + Men a gift. + + _In a Balcony._ + + + A pretty woman's worth some pains to see, + Nor is she spoiled, I take it, if a crown + Complete the forehead pale and tresses pure. + + _Colombe's Birthday._ + + + Sure, 'tis no woman's part to long for battle; + * * * * * + Who conquers mildly + God from afar benignantly regardeth. + + _Agamemnon._ + + + Man's best and woman's worse + Amount so nearly to the same thing. + + _Daniel Bartoli._ + + + Nature's law ... + Given the peerless woman, certainly + Somewhere shall be the peerless man to match. + + _The Inn Album._ + + + Show me where's the woman won without + The help of one lie which she believes-- + That--never mind how things have come to pass, + And let who loves have loved a thousand times-- + All the same he now loves her only, loves + Her ever.... + + _The Inn Album._ + + + Girl with sparkling eyes.... + * * * * * + What an angelic mystery you are-- + * * * * * + You have a full fresh joyous sense of life + That finds you out life's fit food everywhere; + * * * * * + By joyance you inspire joy. + + _The Inn Album._ + + + Now makes twice + That I have seen her, walked and talked + With the poor pretty thoughtful thing, + Whose worth I weigh; she tries to sing: + Draws, hopes in time the eye grows nice; + Reads verse and thinks she understands; + Loves all, at any rate, that's great, + Good, beautiful.... + + _Dis Aliter Visum._ + + + Wave my lady dear a last farewell, + Lamenting who to one and all of us + Domestics was a mother, myriad harms + She used to ward away from every one, + And mollify her husband's ireful mood. + + _Balaustion's Adventure._ + + + Men? say you have the power + To make them yours, rule men, throughout life's little hour, + According to the phrase: what follows? + Men, you make, + By ruling them, your own; each man for his own sake + Accepts you as his guide, avails him of what worth + He apprehends in you to sublimate his earth + With fire; content, if so you convey him through night, + That you shall play the sun, and he, the satellite, + Pilfer your light and heat and virtue, starry pelf, + While, caught up by your course, he turns upon himself. + + _Fifine at the Fair._ + + + Any sort of woman may bestow + Her atom on the star, or clod she counts for such,-- + Each little making less bigger by just that much. + Women grow you, while men depend on you at best. + + _Fifine at the Fair._ + + + Woman, and will you cast + For a word, quite off at last + Me your own, your You,-- + Love, if you knew the light + That your soul casts in my sight, + How I look to you + For the pure and true, + And the beauteous and the right,-- + Bear with a moment's spite + When a mere mote threats the white! + + _A Lover's Quarrel._ + + + Love, you did give all I asked, I think-- + More than I merit, yes, by many times. + And perfect eyes, and more than perfect mouth, + But had you--oh, with the same perfect brow, + And the low voice my soul hears, as a bird + The fowler's pipe, and follows to the snare-- + Had you, with these the same, but brought a mind! + Some women do so. Had the mouth there urged, + "God and the glory! never care for gain; + The present by the future, what is that? + Live for fame, side by side with Agnolo! + Rafael is waiting: up to God, all three!" + I might have done it for you. So it seems; + Perhaps not. All is as God overrules. + + _Andrea Del Sarto._ + + + All women love great men + If young or old; it is in all the tales; + Young beauties love old poets who can love-- + * * * * * + Who was a queen and loved a poet once + Humpbacked, a dwarf? ah, women can do that! + + _In a Balcony._ + + + For women + There is no good of life but love--but love! + What else looks good, is some shade flung from love; + Love gilds it, gives it worth. Be warned by me. + Never you cheat yourself one instant! Love, + Give love, ask only love, and leave the rest! + + _In a Balcony._ + + + Oh, the beautiful girl ... + ... Her flesh was the soft seraphic screen + Of a soul that is meant ... + To just see earth, and hardly be seen, + And blossom in heaven instead. + Yet earth saw one thing, one how fair? + One grace that grew to its full ... + ... She had her great gold hair. + + Hair, such a wonder of flix and floss, + Freshness and fragrance--floods of it, too! + Gold, did I say? Nay, gold's mere dross! + + _Gold Hair._ + + + She had + A heart--how shall I say?--too soon made glad, + Too easily impressed: she liked whate'er + She looked on, and her looks went everywhere. + * * * * * + 'Twas all one! My favour at her breast, + The dropping of the daylight in the West, + The bough of cherries some officious fool + Broke in the orchard for her,--all and each + Would draw from her alike the approving speech, + Or blush at least ... + ... Who'd stoop to blame + This sort of trifling? + + _My Last Duchess._ + + + + + W. M. THACKERAY. + + + To be doing good for some one else, is the life of most good women. + They are exuberant of kindness, as it were, and must impart it to + some one.--_Henry Esmond._ + + + Who ever accused women of being just? They are always sacrificing + themselves or somebody for somebody else's sake.--_Pendennis._ + + + I think it is not national prejudice which makes me believe that a + high-bred English lady is the most complete of all Heaven's + subjects in this world. In whom else do you see so much grace, and + so much virtue; so much faith, and so much tenderness; with such a + perfect refinement and chastity? And by high-bred ladies I don't + mean duchesses and countesses. Be they ever so high in station, + they can be but ladies, and no more. But almost every man who lives + in the world has the happiness, let us hope, of counting a few such + persons amongst his circle of acquaintance,--women, in whose + angelical natures there is something awful, as well as beautiful, + to contemplate; at whose feet the wildest and fiercest of us must + fall down and humble ourselves, in admiration of that adorable + purity which never seems to do or to think wrong.--_Pendennis._ + + + What kind-hearted woman, young or old, does not love + match-making?--_The Newcomes._ + + + Who does not know how ruthlessly women will tyrannize when they are + let to domineer? And who does not know how useless advice is?... A + man gets his own experience about women, and will take nobody's + hearsay; nor, indeed, is the young fellow worth a fig that + would.--_Henry Esmond._ + + + Stupid! Why not? Some women ought to be stupid. What you call + dullness I call repose. Give me a calm woman, a slow woman,--a + lazy, majestic woman. Show me a gracious virgin bearing a lily; + not a leering giggler frisking a rattle. A lively woman would be + the death of me.... Why shouldn't the Sherrick be stupid, I say? + About great beauty there should always reign a silence. As you look + at the great stars, the great ocean, any great scene of nature, you + hush, sir. You laugh at a pantomime, but you are still in a temple. + When I saw the great Venus of the Louvre, I thought,--Wert thou + alive, O goddess, thou shouldst never open those lovely lips but to + speak lowly, slowly; thou shouldst never descend from that pedestal + but to walk stately to some near couch, and assume another attitude + of beautiful calm. To be beautiful is enough. If a woman can do + that well; who shall demand more from her? You don't want a rose to + sing. And I think wit is as out of place where there's great + beauty; as I wouldn't have a queen to cut jokes on her + throne.--_The Newcomes._ + + + And so it is,--a pair of bright eyes with a dozen glances suffice + to subdue a man; to enslave him, and inflame him; to make him even + forget; they dazzle him so that the past becomes straightway dim to + him; and he would give all his life to possess 'em.--_Henry + Esmond._ + + + She is as good a little creature as can be. She is never out of + temper; I don't think she is very wise; but she is uncommonly + pretty, and her beauty grows on you.... I look at her like a little + wild-flower in a field,--like a little child at play, sir. Pretty + little tender nursling. If I see her passing in the street I feel + as if I would like some fellow to be rude to her that I might have + the pleasure of knocking him down. She is like a little songbird, + sir,--a tremulous, fluttering little linnet that you would take + into your hand, and smooth its little plumes, and let it perch on + your finger and sing.--_The Newcomes._ + + + That fine blush which is her pretty symbol of youth, modesty, and + beauty.... I never saw such a beautiful violet as that of her eyes. + Her complexion is of the pink of the blush-rose.--_The Newcomes._ + + + He thought and wondered at the way in which women play with men, + and coax them and win them and drop them.--_Pendennis._ + + + It was this lady's disposition to think kindnesses, and devise + silent bounties and to scheme benevolence, for those about her. We + take such goodness, for the most part, as if it were our due; the + Marys who bring ointment for our feet get but little thanks. Some + of us never feel this devotion at all, or are moved by it to + gratitude or acknowledgment; others only recall it years after, + when the days are past in which those sweet kindnesses were spent + on us, and we offer back our return for the debt by a poor tardy + payment of tears. The forgotten tones of love recur to us, and kind + glances shine out of the past--O so bright and clear!--O so longed + after! because they are out of reach; as holiday music from + with-inside a prison wall--or sunshine seen through the bars; more + prized because unattainable, more bright because of the contrast of + present darkness and solitude, whence there is no escape.--_Henry + Esmond._ + + + In houses where, in place of that sacred, inmost flame of love, + there is discord at the centre, the whole household becomes + hypocritical, and each lies to his neighbor.... Alas that youthful + love and truth should end in bitterness and bankruptcy.... 'Tis a + hard task for women in life, that mask which the world bids them + wear. But there is no greater crime than for a woman who is ill + used and unhappy to show that she is so. The world is quite + relentless about bidding her to keep a cheerful face.--_Henry + Esmond._ + + + O, what a mercy it is that these women do not exercise their powers + oftener. We can't resist them if they do. Let them show ever so + little inclination and men go down on their knees at once; old or + ugly it is all the same, and this I set down as a positive truth. A + woman with fair opportunities, and without an absolute hump, may + marry whom she likes. Only let us be thankful that the darlings are + like the beasts of the field and don't know their own powers. They + would overcome us entirely if they did.--_The Newcomes._ + + + As for women--O my dear friends and brethren in this vale of + tears--did you ever see anything so curious and monstrous and + annoying as the way in which women court Princekin when he is + marriageable!--_The Newcomes._ + + + She was as gentle and amenable to reason, as good-natured a girl + as could be; a little vacant and silly, but some men like dolls for + wives.--_The Newcomes._ + + + She had been bred to measure her actions by a standard which the + world may nominally admit, but which it leaves for the most part + unheeded. Worship, love, duty, as taught her by the devout study of + the sacred law which interprets and defines it--if these formed the + outward practice of her life, they were also its constant and + secret endeavor and occupation. She spoke but very seldom of her + religion, though it filled her heart and influenced all her + behavior. What must the world appear to such a person?--_The + Newcomes._ + + + There are ladies, who may be called men's women, being welcomed + entirely by all the gentlemen, and cut or slighted by all their + wives.... But while simple folks who are out of the world, or + country people with a taste for the genteel, behold these ladies in + their seeming glory in public places, or envy them from afar off, + persons who are better instructed could inform them that these + envied ladies have no more chance of establishing themselves in + "Society," than the benighted squire's wife in Somersetshire, who + reads of their doings in the _Morning Post_. Men living about town + are aware of these awful truths. You hear how pitilessly many + ladies of seeming rank and wealth are excluded from this "Society." + The frantic efforts which they make to enter this circle, the + meannesses to which they submit, the insults which they undergo, + are matters of wonder to those who take human or woman kind for a + study; and the pursuit of fashion under difficulties would be a + fine theme for any very great person who had the wit, the leisure, + and the knowledge of the English language necessary for the + compiling of such a history.--_Vanity Fair._ + + + I can fancy nothing more cruel than to have to sit day after day + with a dull handsome woman opposite; to answer her speeches about + the weather, housekeeping, and what not.... Women go through this + simpering and smiling life and bear it quite easily. Theirs is a + life of hypocrisy. What good woman does not laugh at her husband's + or father's jokes and stories time after time and would not laugh + at breakfast, lunch, and dinner if he told them? Flattery is their + nature,--to coax, flatter, and sweetly befool some one is every + woman's business. She is none, if she declines this office.--_The + Newcomes._ + + + He had placed himself at her feet so long that the poor little + woman had been accustomed to trample upon him. She didn't wish to + marry him, but she wished to keep him. She wished to give him + nothing, but that he should give her all. It is a bargain not + unfrequently levied in love.--_Vanity Fair._ + + + Every woman would rather be beautiful, than be anything else in the + world,--ever so rich, or ever so good, or have all the gifts of the + fairies.--_The Virginians._ + + + If a man is in grief, who cheers him; in trouble, who consoles + him; in wrath, who soothes him; in joy, who makes him doubly happy; + in prosperity, who rejoices; in disgrace, who backs him against the + world, and dresses with gentle unguents and warm poultices the + rankling wounds made by the stings and arrows of outrageous + Fortune? Who but woman, if you please? You who are ill and sore + from the buffets of Fate, have you one or two of these sweet + physicians? Return thanks to the gods that they have left you so + much of consolation. What gentleman is not more or less a + Prometheus? Who has not his rock, his chain? But the sea-nymphs + come,--the gentle, the sympathizing; ... they do their blessed best + to console us Titans; _they_ don't turn their backs upon us after + our overthrow.--_The Virginians._ + + + Is not a young mother one of the sweetest sights which life shows + us? If she has been beautiful before, does not her present pure joy + give a character of refinement and sacredness almost to her beauty, + touch her sweet cheeks with fairer blushes, and impart I know not + what serene brightness to her eyes?--_The Newcomes._ + + + This lady moved through the world quite regardless of all the + comments that were made in her praise or disfavor. She did not seem + to know that she was admired or hated for being so perfect, but + went on calmly through life, saving her prayers, loving her family, + helping her neighbors, and doing good.--_Pendennis._ + + + She had a fault of character which flawed her perfections. With + the other sex perfectly tolerant and kindly, of her own she was + invariably jealous; and a proof that she had this vice is, that + though she would acknowledge a thousand faults that she had not, to + which she had she could never be got to own.--_Henry Esmond._ + + + She was a critic, not by reason, but by feeling. Feeling was her + reason.--_Henry Esmond._ + + + Her eyes were gray; her voice low and sweet: and her smile when it + lighted up her face and eyes as beautiful as spring sunshine, also, + they could brighten and flash often, and sometimes though rarely + rain.--_Pendennis._ + + + + + + +End of Project Gutenberg's What Great Men Have Said About Women, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + +***** This file should be named 16418-8.txt or 16418-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/4/1/16418/ + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Haldeman-Julius. +</title> +<style type="text/css"> + <!-- + body { margin-left: 10%; margin-right: 10%; } + p { text-indent: 1em; + margin-top: .75em; + font-size: 100%; + text-align: justify; + margin-bottom: .75em; } + h1,h2,h3,h4,h5,h6 { text-align: center; } + hr { width: 50%; margin-left: 10%; } + hr.full { width: 100%; } + hr.normal {width: 65%;} + .source {text-align: right; margin-right: 15%; margin-top: -1em; margin-bottom: 2em; + font-size: smaller;} + .poem { margin-left: 10%; margin-right: 10%; text-align: left; } + .poem .stanza { margin: 1em 0em 1em 0em; } + .poem p { margin: 0; padding-left: 3em; text-indent: -3em; } + .poem p.i4 { margin-left: 2.5em; } + .poem p.i5 { margin-left: 3.0em; } + .poem p.i6 { margin-left: 3.5em; } + .poem p.i7 { margin-left: 4.0em; } + .poem p.i8 { margin-left: 4.5em; } + .poem p.i9 { margin-left: 5.0em; } + .poem p.i10 { margin-left: 5.5em; } + .poem p.i12 { margin-left: 6.5em; } + .poem p.i14 { margin-left: 7.5em; } + .poem p.i16 { margin-left: 8.5em; } + .poem p.i19 { margin-left: 10.0em; } + .poem p.i20 { margin-left: 10.5em; } + .quote { margin-left: 6%; margin-right: 6%; margin-bottom: 1.8em; text-indent: 1.2em; } + .toc { margin-left: 25%; margin-bottom: 1em;} + center { padding: 0.8em;} + // --> +</style> +</head> +<body> + + +<pre> + +Project Gutenberg's What Great Men Have Said About Women, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: What Great Men Have Said About Women + Ten Cent Pocket Series No. 77 + +Author: Various + +Editor: Marcet Haldeman-Julius + +Release Date: August 2, 2005 [EBook #16418] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + + + + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + +<h3> + TEN CENT POCKET SERIES NO. 77 +</h3> +<h4> +Edited by E. Haldeman-Julius +</h4> +<p> </p> +<h1> +What Great Men Have<br /> +Said About Women +</h1> +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> +<h4> +HALDEMAN-JULIUS COMPANY<br /> +GIRARD. KANSAS</h4> +<p> </p> + +<hr class="normal" /> + +<div class="toc"> +<p> +<a href="#SHAKESPEARE"> SHAKESPEARE. </a></p> +<p> +<a href="#MILTON"> JOHN MILTON. </a></p> +<p> +<a href="#BYRON"> LORD BYRON. </a></p> +<p> +<a href="#SCOTT"> SIR WALTER SCOTT. </a></p> +<p> +<a href="#WORDSWORTH"> WILLIAM WORDSWORTH. </a></p> +<p> +<a href="#CARLYLE"> THOMAS CARLYLE. </a></p> +<p> +<a href="#HUGO"> VICTOR HUGO. </a></p> +<p> +<a href="#BROWNING"> ROBERT BROWNING. </a></p> +<p> +<a href="#THACKERAY"> W. M. THACKERAY. </a></p> +</div> +<hr class="normal" /> + +<p> </p> +<p> </p> +<h2><a name="SHAKESPEARE" id="SHAKESPEARE"></a>SHAKESPEARE.</h2> +<p> </p> + +<div class="poem"> +<div class="stanza"> +<p class="i10"> Where is any author in the world</p> +<p class="i4"> Teaches such beauty as a woman's eye?</p> +</div> +</div> +<p class="source"> +<i>Love's Labour's Lost, A. 4, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> The idea of her life shall sweetly creep </p> +<p class="i4"> Into his study of imagination; </p> +<p class="i4"> And every lovely organ of her life </p> +<p class="i4"> Shall come apparel'd in more precious habit, </p> +<p class="i4"> More moving-delicate, and full of life, </p> +<p class="i4"> Into the eye and prospect of his soul. </p> +</div> +</div> + +<p class="source"> +<i>Much Ado About Nothing, A. 4, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Kindness in women, not their beauteous looks, </p> +<p class="i4"> Shall win my love. </p> +</div> +</div> + +<p class="source"> +<i>Taming of the Shrew, A. 4, S. 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Win her with gifts, if she respect not words; </p> +<p class="i4"> Dumb jewels often, in their silent kind, </p> +<p class="i4"> More than quick words, do move a woman's mind. </p> +</div> +</div> + +<p class="source"> +<i>Two Gentlemen of Verona, A. 3, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> You, that have so fair parts of woman on you, </p> +<p class="i4"> Have too a woman's heart: which ever yet </p> +<p class="i4"> Affected eminence, wealth, sovereignty. </p> +</div> +</div> + +<p class="source"> +<i>Henry VIII., A. 2, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> 'Tis beauty that doth oft make women proud;</p> +<p class="i4"> 'Tis virtue that doth make them most admired.</p> +</div> +</div> +<p class="source"> +<i>Henry VI., Pt. 3, A. 1, S. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> From woman's eyes this doctrine I derive; </p> +<p class="i4"> They sparkle still the right Promethean fire; </p> +<p class="i4"> They are the books, the arts, the academes, </p> +<p class="i4"> That show, contain, and nourish all the world. </p> +</div> +</div> + +<p class="source"> +<i>Love's Labour's Lost, A. 4, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Her voice was ever soft, </p> +<p class="i4"> Gentle, and low: an excellent thing in woman. </p> +</div> +</div> + +<p class="source"> +<i>King Lear, A. 5, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Have you not heard it said full oft, </p> +<p class="i4"> A woman's nay doth stand for naught? </p> +</div> +</div> + +<p class="source"> +<i>The Passionate Pilgrim, Line 14.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Thou shalt find she will outstrip all praise, </p> +<p class="i4"> And make it halt behind her. </p> +</div> +</div> + +<p class="source"> +<i>The Tempest, A. 4. S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> Good name in man and woman, </p> +<p class="i4"> Is the immediate jewel of their souls. </p> +</div> +</div> + +<p class="source"> +<i>Othello, A. 3, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Women are soft, pitiful, and flexible. </p> +</div> +</div> + +<p class="source"> +<i>Henry VI., Pt. 3, A. 1. S. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Such duty as the subject owes the prince, </p> +<p class="i4"> Even such a woman oweth to her husband; </p> +<p class="i4"> And, when she's froward, peevish, sullen, sour, </p> +<p class="i4"> And not obedient to his honest will, </p> +<p class="i4"> What is she, but a contending rebel, </p> +<p class="i4"> And graceless traitor to her loving lord? </p> +</div> +</div> + +<p class="source"> +<i>Taming of the Shrew, A. 5, S. 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Age cannot wither her, nor custom stale</p> +<p class="i4"> Her infinite variety: other women cloy</p> +<p class="i4"> The appetites they feed: but she makes hungry</p> +<p class="i4"> Where most she satisfies.</p> +</div> +</div> +<p class="source"> +<i>Antony and Cleopatra, A. 2, S. 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> She's beautiful, and therefore to be wooed; </p> +<p class="i4"> She is a woman, therefore to be won. </p> +</div> +</div> + +<p class="source"> +<i>Henry VI., Pt. 1, A. 5, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Say, that she rail; why, then I'll tell her plain </p> +<p class="i4"> She sings as sweetly as a nightingale; </p> +<p class="i4"> Say, that she frown; I'll say, she looks as clear </p> +<p class="i4"> As morning roses newly wash'd with dew; </p> +<p class="i4"> Say, she be mute, and will not speak a word; </p> +<p class="i4"> Then I'll commend her volubility, </p> +<p class="i4"> And say she uttereth piercing eloquence. </p> +</div> +</div> + +<p class="source"> +<i>Taming of the Shrew, A. 2, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Flatter, and praise, commend, extol their graces; </p> +<p class="i4"> ... Say they have angels' faces. </p> +<p class="i4"> That man that hath a tongue, I say, is no man, </p> +<p class="i4"> If with his tongue he cannot win a woman. </p> +</div> +</div> + +<p class="source"> +<i>Two Gentlemen of Verona, A. 3. S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Bethink thee on her virtues that Surmount, </p> +<p class="i4"> And natural graces that extinguish art; </p> +<hr /> +<p class="i4"> And, which is more, she is not so divine, </p> +<p class="i4"> So full-replete with choice of all delights, </p> +<p class="i4"> But, with as humble lowliness of mind, </p> +<p class="i4"> She is content to be at your command. </p> +</div> +</div> + +<p class="source"> +<i>Henry VI., Pt. 1, A. 5, S. 5.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i14"> Let still the woman take </p> +<p class="i4"> An elder than herself; so wears she to him, </p> +<p class="i4"> So sways she level in her husband's heart. </p> +<p class="i4"> For, boy, however we do praise ourselves, </p> +<p class="i4"> Our fancies are more giddy and unfirm, </p> +<p class="i4"> More longing, wavering, sooner lost and worn. </p> +<p class="i4"> Than women's are. </p> +</div> +</div> + +<p class="source"> +<i>Twelfth Night, A. 2, S. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> 'Tis beauty truly blent, whose red and white</p> +<p class="i4"> Nature's own sweet and cunning hand laid on.</p> +</div> +</div> +<p class="source"> +<i>Twelfth Night, A. 1, S. 5.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i19"> Fresh tears</p> +<p class="i4"> Stood on her cheeks, as doth the honey-dew</p> +<p class="i4"> Upon a gather'd lily almost wither'd.</p> +</div> +</div> +<p class="source"> +<i>Titus Andronicus, A. 3, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> Patience and sorrow strove</p> +<p class="i4"> Who should express her goodliest. You have seen</p> +<p class="i4"> Sunshine and rain at once; her smiles and tears</p> +<p class="i4"> Were like a better day: those happy smilets,</p> +<p class="i4"> That play'd on her ripe lip, seem'd not to know</p> +<p class="i4"> What guests were in her eyes; which parted thence,</p> +<p class="i4"> As pearls from diamonds dropp'd.</p> +</div> +</div> +<p class="source"> +<i>King Lear, A. 4, S. 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i19"> She is mine own; </p> +<p class="i4"> And I as rich in having such a jewel </p> +<p class="i4"> As twenty seas, if all their sand were pearl, </p> +<p class="i4"> The water nectar, and the rocks pure gold. </p> +</div> +</div> + +<p class="source"> +<i>Two Gentlemen of Verona, A. 2, S. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> A woman impudent and mannish grown</p> +<p class="i4"> Is not more loath'd than an effeminate man</p> +<p class="i4"> In time of action.</p> +</div> +</div> +<p class="source"> +<i>Troilus and Cressida, A. 3, S. 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> A woman's face, with Nature's own hand painted, </p> +<p class="i4"> Hast thou ... </p> +<p class="i4"> A woman's gentle heart, but not acquainted </p> +<p class="i4"> With shifting change, as is false woman's fashion: </p> +<p class="i4"> An eye more bright than theirs, less false in rolling </p> +<p class="i4"> Gilding the object whereupon it gazeth. </p> +</div> +</div> + +<p class="source"> +<i>Sonnet XX.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> No other but a woman's reason; </p> +<p class="i4"> I think him so, because I think him so. </p> +</div> +</div> + +<p class="source"> +<i>Two Gentlemen of Verona, A. 1, S. 2.</i> +</p> +<p class="quote"> + The hand that hath made you fair hath made + you good: the goodness that is cheap in beauty + makes beauty brief in goodness; but grace + being the soul of your complexion, should keep + the body of it ever fair. +</p> +<p class="source"> +<i>Measure for Measure, A. 3, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i16"> If ladies be but young and fair, </p> +<p class="i4"> They have the gift to know it. </p> +</div> +</div> + +<p class="source"> +<i>As You Like It, A. 2, S. 7.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> If she do frown, 'tis not in hate of you, </p> +<p class="i4"> But rather to beget more love in you: </p> +<p class="i4"> If she do chide, 'tis not to have you gone; </p> +<hr /> +<p class="i4"> Take no repulse, whatever she doth say; </p> +<p class="i4"> For "<i>Get you gone</i>," she doth not mean "<i>Away!</i>" </p> +</div> +</div> + +<p class="source"> +<i>Two Gentlemen of Verona, A. 3, S. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i14"> She never told her love, </p> +<p class="i4"> But let concealment, like a worm i' the bud, </p> +<p class="i4"> Feed on her damask cheek: she pin'd in thought, </p> +<p class="i4"> And, with a green and yellow melancholy, </p> +<p class="i4"> She saw, like Patience on a monument, </p> +<p class="i4"> Smiling at grief. </p> +</div> +</div> + +<p class="source"> +<i>Twelfth Night, A. 2, S. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i19"> She shall be </p> +<p class="i4"> A pattern to all ... living with her.... </p> +<p class="i4"> Holy and heavenly thoughts shall still counsel her; </p> +<p class="i4"> She shall be lov'd and fear'd. Her own shall bless her.... </p> +<p class="i4"> ... Those about her </p> +<p class="i4"> From her shall read the perfect ways of honour.... </p> +<p class="i4"> ... Yet a virgin, </p> +<p class="i4"> A most unspotted lily shall she pass </p> +<p class="i4"> To the ground, and all shall mourn her. </p> +</div> +</div> + +<p class="source"> +<i>Henry VIII., A. 5, S. 4.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="MILTON" id="MILTON"></a>JOHN MILTON.</h2> +<p> </p> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> Grace was in all her steps, Heaven in her eye, </p> +<p class="i4"> In every gesture dignity and love. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> + <p class="i16">When I approach</p> +<p class="i4"> Her loveliness, so absolute she seems</p> +<p class="i4"> And in herself complete, so well to know</p> +<p class="i4"> Her own, that what she wills to do or say</p> +<p class="i4"> Seems wisest, virtuest, discreetest, best.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i16"> Nothing lovelier can be found </p> +<p class="i4"> In woman than to study household good, </p> +<p class="i4"> And good works in her husband to promote. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> For contemplation he and valour form'd; </p> +<p class="i4"> For softness she and sweet attractive grace; </p> +<p class="i4"> He for God only, she for God in him. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i14"> Among daughters of men … </p> +<p class="i4"> Many are in each region passing fair </p> +<p class="i4"> As the noon sky; more like to goddesses </p> +<p class="i4"> Than mortal creatures; graceful and discreet; </p> +<p class="i4"> … Persuasive … </p> +<p class="i4"> Such objects have the power to soften and tame </p> +<p class="i4"> Severest temper. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Regained, Book 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i14"> Ladies, whose bright eyes</p> +<p class="i4"> Rain influence.</p> +</div> +</div> +<p class="source"> +<i>L'Allegro.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Love, sweetness, goodness, in her person shined. </p> +</div> +</div> + +<p class="source"> +<i>Sonnet.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> O fairest of Creation, last and best</p> +<p class="i4"> Of all God's works, creature in whom excell'd</p> +<p class="i4"> Whatever can to sight or thought be form'd,</p> +<p class="i4"> Holy, divine, good, amiable, or sweet!</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Curiosity, inquisitive, importune</p> +<p class="i4"> Of secrets, then with like infirmity</p> +<p class="i4"> To publish them, both common female faults.</p> +</div> +</div> +<p class="source"> +<i>Samson Agonistes.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> In argument with men, a woman ever</p> +<p class="i4"> Goes by the worse, whatever be her cause.</p> +</div> +</div> +<p class="source"> +<i>Samson Agonistes.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i14"> Thus it will befall </p> +<p class="i4"> Him who to worth in woman overturning </p> +<p class="i4"> Lets her will rule; restraint she will not brook, </p> +<p class="i4"> And left to herself, if evil thence ensue, </p> +<p class="i4"> She first his weak indulgence will accuse. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> + +<p class="i12"> Daughter of God …</p> +<p class="i4"> I, from the influence of thy looks, receive</p> +<p class="i4"> Access in every virtue: and in thy sight</p> +<p class="i4"> More wise, more watchful, stronger, if need were</p> +<p class="i4"> Of outward strength; while shame, thou looking on.</p> +<p class="i4"> Shame to be overcome or overreach'd.</p> +<p class="i4"> Would utmost vigour raise, and raised unite.</p> +<p class="i4"> Why shouldst not thou like sense within thee feel</p> +<p class="i4"> When I am present, and thy trial choose</p> +<p class="i4"> With me, best witness of thy virtue tried?</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> By his countenance he seem'd </p> +<p class="i4"> Entering on studious thoughts abstruse; which Eve </p> +<p class="i4"> Perceiving, where she sat retired in sight, </p> +<p class="i4"> With lowliness majestic from her seat, </p> +<p class="i4"> And grace that won who saw to wish her stay, </p> +<p class="i4"> Rose, and went forth among her fruits and flowers, </p> +<p class="i4"> To visit how they prosper'd, bud and bloom, </p> +<p class="i4"> Her nursery; they at her coming sprung, </p> +<p class="i4"> And, touch'd by her fair tendance gladlier grew. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> So dear to Heaven is saintly chastity, </p> +<p class="i4"> That, when a soul is found sincerely so </p> +<p class="i4"> A thousand liveried angels lackey her, </p> +<p class="i4"> Driving far off each thing of sin and guilt, </p> +<p class="i4"> And in clear dream and solemn vision </p> +<p class="i4"> Tell her of things that no gross ear can hear; </p> +<p class="i4"> Till oft converse with heavenly habitants </p> +<p class="i4"> Begin to cast a beam on the outward shape. </p> +</div> +</div> + +<p class="source"> +<i>Comus.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i19"> A smile that glow'd</p> +<p class="i4"> Celestial rosy red, love's proper hue.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> She has a hidden strength … </p> +<p class="i4"> … The strength of Heaven, </p> +<p class="i4"> It may be termed her own. </p> +<p class="i4"> 'Tis chastity … chastity…. </p> +<p class="i4"> She that has that, is clad in complete steel; </p> +<p class="i4"> And, like a quiver'd Nymph with arrows keen, </p> +<p class="i4"> May trace huge forests, and unharbour'd heaths, </p> +<p class="i4"> … and sandy perilous wilds … </p> +<p class="i4"> She may pass on with unblench'd majesty </p> +<p class="i4"> Be it not done in pride, or in presumption. </p> +</div> +</div> + +<p class="source"> +<i>Comus.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> O Woman, in thy native innocence, rely </p> +<p class="i4"> On what thou hast of virtue: summon all, </p> +<p class="i4"> For God toward thee hath done His part, do thine. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> What higher in her society thou find'st</p> +<p class="i4"> Attractive, human, rational, love still;</p> +<p class="i4"> In loving thou dost well, in passion not</p> +<p class="i4"> Wherein true love consists not.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> The wife, where danger or dishonour lurks, </p> +<p class="i4"> Safest and seemliest by her husband stays, </p> +<p class="i4"> Who guards her, or with her the worst endures. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Greatness of mind and nobleness their seat</p> +<p class="i4"> Build in her loveliest, and create an awe</p> +<p class="i4"> About her, as a guard angelic placed.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i16"> Those graceful acts,</p> +<p class="i4"> Those thousand decencies that daily flow</p> +<p class="i4"> From all her words and actions mix'd with love</p> +<p class="i4"> And sweet compliance, which declare unfeign'd</p> +<p class="i4"> Union of mind, or in us both one soul;</p> +<p class="i4"> Harmony to behold in wedded pair</p> +<p class="i4"> More grateful than harmonious sound to the ear.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Come, pensive Nun, devout and pure, </p> +<p class="i4"> Sober, steadfast, and demure. </p> +<hr /> +<p class="i4"> With even step and musing gait; </p> +<p class="i4"> And looks commercing with the skies, </p> +<p class="i4"> Thy wrapt soul sitting in thine eyes. </p> +</div> +</div> + +<p class="source"> +<i>Il Penseroso.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> Innocence and virgin modesty</p> +<p class="i4"> Her virtue, and the conscience of her worth,</p> +<p class="i4"> That would be woo'd, and not unsought be won</p> +<p class="i4"> Not obvious, not obtrusive, but retired</p> +<p class="i4"> The more desirable.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i6"> Lady, thy care is fix'd, and zealously attends </p> +<p class="i4"> To fill thy odorous lamp with deeds of light. </p> +<p class="i4"> And hope that reaps not shame. </p> +</div> +</div> + +<p class="source"> +<i>Sonnet.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i20"> A creature … </p> +<p class="i4"> … So lovely fair, </p> +<p class="i4"> That what seem'd fair in all the world seem'd now </p> +<p class="i4"> Mean, or in her summ'd up, in her contain'd. </p> +</div> +</div> + +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> All things from her air inspired</p> +<p class="i4"> The spirit of love and amorous delight.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> It is for homely features to keep home—</p> +<p class="i4"> They had their name thence: coarse complexions</p> +<p class="i4"> And cheeks of sorry grain will serve to ply</p> +<p class="i4"> The sampler and to tease the housewife's wool.</p> +</div> +</div> +<p class="source"> +<i>Comus.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> With dispatchful looks in haste</p> +<p class="i4"> She turns, on hospitable thoughts intent.</p> +<p class="i4"> What choice to choose for delicacy best,</p> +<p class="i4"> What order, so contrived, as not to mix</p> +<p class="i4"> Tastes, not well join'd, inelegant, but bring</p> +<p class="i4"> Taste after taste upheld with kindliest change.</p> +</div> +</div> +<p class="source"> +<i>Paradise Lost, Book 5.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> I do not think my sister … </p> +<p class="i4"> … So unprincipled in Virtue's book </p> +<p class="i4"> And the sweet peace that goodness bosoms ever, </p> +<p class="i4"> As that single want of light and noise </p> +<p class="i4"> Could stir the constant mood of her calm thoughts, </p> +<p class="i4"> And put them into misbecoming plight. </p> +<p class="i4"> Virtue could see to do what Virtue would </p> +<p class="i4"> By her own radiant light, though sun and moon </p> +<p class="i4"> Were in the flat sea sunk. And Wisdom's self </p> +<p class="i4"> Oft seeks to sweet retired solitude: </p> +<p class="i4"> Where, with her best nurse, Contemplation, </p> +<p class="i4"> She plumes her feathers, and lets grow her wings. </p> +<p class="i4"> That in the various bustle of resort </p> +<p class="i4"> Were all too ruffled, and sometimes impair'd. </p> +</div> +</div> + +<p class="source"> +<i>Comus.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="BYRON" id="BYRON"></a>LORD BYRON.</h2> +<p> </p> + +<div class="poem"> +<div class="stanza"> +<p class="i10"> Around her shone </p> +<p class="i4"> The nameless charms unmark'd by her alone: </p> +<p class="i4"> The light of love, the purity of grace, </p> +<p class="i4"> The mind, the music breathing from her face, </p> +<p class="i4"> The heart whose softness harmonized the whole— </p> +<p class="i4"> And, oh! that eye was in itself a soul! </p> +</div> +</div> + +<p class="source"> +<i>The Bride of Abydos, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Maidens, like moths, are ever caught by glare, </p> +<p class="i4"> And Mammon wins his way where seraphs might despair. </p> +</div> +</div> + +<p class="source"> +<i>Childe Harold's Pilgrimage, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> She was a form of life and light, </p> +<p class="i4"> That, seen, became a part of sight; </p> +<p class="i4"> And rose wher'er I turned mine eye, </p> +<p class="i4"> The morning-star of memory! </p> +</div> +</div> + +<p class="source"> +<i>The Giaour.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> You know, or ought to know, enough of women, </p> +<p class="i4"> Since you have studied, them so steadily, </p> +<p class="i4"> That what they ask in aught that touches on </p> +<p class="i4"> The heart, is dearer to their feelings or </p> +<p class="i4"> Their fancy than the whole external world. </p> +</div> +</div> + +<p class="source"> +<i>Sardanapalus, A. 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Oh! too convincing—dangerously dear— </p> +<p class="i4"> In woman's eye the unanswerable tear! </p> +<p class="i4"> That weapon of her weakness she can wield </p> +<p class="i4"> To save, subdue—at once her spear and shield. </p> +</div> +</div> + +<p class="source"> +<i>Corsair, Canto 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Who hath not proved how feebly words essay</p> +<p class="i4"> To fix one spark of beauty's heavenly ray?</p> +<p class="i4"> Who doth not feel, until his failing sight</p> +<p class="i4"> Faints into dimness with its own delight,</p> +<p class="i4"> His changing cheek, his sinking heart confess</p> +<p class="i4"> The might—the majesty of loveliness?</p> +</div> +</div> +<p class="source"> +<i>Bride of Abydos, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> So bright the tear in beauty's eye, </p> +<p class="i4"> Love half regrets to kiss it dry; </p> +<p class="i4"> So sweet the blush of bashfulness, </p> +<p class="i4"> Even pity scarce can wish it less! </p> +</div> +</div> + +<p class="source"> +<i>The Bride of Abydos, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her glossy hair was cluster'd o'er a brow</p> +<p class="i4"> Bright with intelligence, and fair and smooth;</p> +<p class="i4"> Her eyebrow's shape was like the aërial bow</p> +<p class="i4"> Her cheek all purple with the beam of youth</p> +<p class="i4"> Mounting, at times to a transparent glow,</p> +<p class="i4"> As if her veins ran lightning.</p> +</div> +</div> +<p class="source"> +<i>Don Juan, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Man's love is of man's life a thing apart, </p> +<p class="i6"> Is woman's whole existence. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her very smile was haughty, though so sweet; </p> +<p class="i6"> Her very nod was not an inclination; </p> +<p class="i4"> There was a self-will even in her small feet, </p> +<p class="i6"> As though they were quite conscious of her station;— </p> +<hr /> +<p class="i4"> But nature teaches more than power can spoil, </p> +<p class="i6"> And when a strong although a strange sensation </p> +<p class="i4"> Moves—female hearts are such a genial soil </p> +<p class="i6"> For kinder feelings, whatsoe'er their nation. </p> +<p class="i4"> They naturally pour the "wine and oil," </p> +<p class="i6"> Samaritans in every situation. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 5.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> The earth has nothing like a she epistle, </p> +<p class="i6"> And hardly heaven—because it never ends. </p> +<p class="i4"> I love the mystery of a female missal, </p> +<p class="i6"> Which like a creed ne'er says all it intends. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 13.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her chief resource was in her own high spirit, </p> +<p class="i6"> Which judged mankind at their due estimation; </p> +<p class="i4"> And for coquetry, she disdain'd to wear it: </p> +<p class="i6"> Secure of admiration, its impression </p> +<p class="i6"> Was faint, as of an every-day possession. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 13.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> An eye's an eye, and whether black or blue, </p> +<p class="i6"> Is no great matter, so 'tis in request. </p> +<p class="i4"> 'Tis nonsense to dispute about a hue, </p> +<p class="i6"> The kindest may be taken as a test. </p> +<p class="i4"> The fair sex should be always fair; and no man </p> +<p class="i4"> Till thirty, should perceive there's a plain woman. </p> +</div> +</div> + +<p class="source"> +<i>Beppo.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She was not violently lively, but </p> +<p class="i6"> Stole on your spirit like a May-day breaking; </p> +<p class="i4"> Her eyes were not too sparkling, yet, half shut, </p> +<p class="i6"> They put beholders in a tender taking. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 6.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> The very first </p> +<p class="i4"> Of human life must spring from woman's breast, </p> +<p class="i4"> Your first small words are taught you from her lips, </p> +<p class="i4"> Your first tears quench'd by her, and your last sighs </p> +<p class="i4"> Too often breathed out in a woman's hearing, </p> +<p class="i4"> When men have shrunk from the ignoble care </p> +<p class="i4"> Of watching the last hour of him who led them. </p> +</div> +</div> + +<p class="source"> +<i>Sardanapalus, A. 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Soft, as the memory of buried love; </p> +<p class="i4"> Pure, as the prayer which childhood wafts above </p> +<p class="i4"> Was she. </p> +</div> +</div> + +<p class="source"> +<i>Bride of Abydos; Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She was a soft landscape of mild earth, </p> +<p class="i6"> Where all was harmony, and calm and quiet, </p> +<p class="i4"> Luxuriant, budding; cheerful without mirth, </p> +<p class="i6"> Which, if not happiness, is more nigh it </p> +<p class="i4"> Than are your mighty passions and so forth, </p> +<p class="i6"> Which some call "the sublime": I wish they'd try it; </p> +<p class="i4"> I've seen your stormy seas and stormy women, </p> +<p class="i4"> And pity lovers rather more than seamen. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 6.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i6"> The tender blue of that large loving eye. </p> +</div> +</div> + +<p class="source"> +<i>The Corsair, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Now Laura moves along the joyous crowd, </p> +<p class="i6"> Smiles in her eyes, and simpers on her lips; </p> +<p class="i4"> To some she whispers, others speaks aloud; </p> +<p class="i6"> To some she curtsies, and to some she dips; </p> +<p class="i4"> Complains of warmth, and this complaint avow'd, </p> +<p class="i6"> Her lover brings the lemonade,—she sips: </p> +<p class="i4"> She then surveys, condemns, but pities still </p> +<p class="i4"> Her dearest friends for being drest so ill. </p> +<p class="i4"> One had false curls, another too much paint, </p> +<p class="i6"> A third—where did she buy that frightful turban? </p> +<p class="i4"> A fourth's so pale she fears she's going to faint, </p> +<p class="i6"> A fifth's look's vulgar, dowdyish, and suburban, </p> +<p class="i4"> A sixth's white silk has got a yellow tint, </p> +<p class="i6"> A seventh's thin muslin surely will be her bane, </p> +<p class="i4"> And lo! an eighth appears,—I'll see no more! </p> +<p class="i4"> For fear, like Banquo's kings, they reach a score. </p> +</div> +</div> + +<p class="source"> +<i>Beppo.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She was blooming still, had made the best </p> +<p class="i6"> Of time, and time return'd the compliment, </p> +<p class="i4"> And treated her genteely, so that, drest, </p> +<p class="i6"> She look'd extremely well where'er she went; </p> +<p class="i4"> A pretty woman is a welcome guest, </p> +<p class="i6"> And her brow a frown had rarely bent; </p> +<p class="i4"> Indeed she shone all smiles, and seem'd to flatter </p> +<p class="i4"> Mankind with her black eyes for looking at her. </p> +</div> +</div> + +<p class="source"> +<i>Beppo.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> I think, with all due deference </p> +<p class="i6"> To the fair <i>single</i> part of the creation, </p> +<p class="i4"> That married ladies should preserve the preference </p> +<p class="i6"> In tête-à-tête or general conversation— </p> +<p class="i4"> Because they know the world, and are at ease, </p> +<p class="i4"> And being natural, naturally please. </p> +</div> +</div> + +<p class="source"> +<i>Beppo.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She walks in beauty, like the night </p> +<p class="i6"> Of cloudless climes and starry skies; </p> +<p class="i4"> And all that's best of dark and bright </p> +<p class="i6"> Meet in her aspect and her eyes; </p> +<p class="i4"> Thus mellow'd to that tender light </p> +<p class="i6"> Which heaven to gaudy day denies. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> One shade the more, one ray the less, </p> +<p class="i6"> Had half impair'd the nameless grace </p> +<p class="i4"> Which waves in every raven tress, </p> +<p class="i6"> Or softly lightens o'er her face; </p> +<p class="i4"> Where thoughts serenely sweet express </p> +<p class="i6"> How pure, how dear their dwelling-place. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> And on that cheek, and o'er that brow, </p> +<p class="i6"> So soft, so calm, yet eloquent, </p> +<p class="i4"> The smiles that win, the tints that glow, </p> +<p class="i6"> But tell of days in goodness spent, </p> +<p class="i4"> A mind at peace with all below, </p> +<p class="i6"> A heart whose love is innocent! </p> +</div> +</div> + +<p class="source"> +<i>Hebrew Melodies.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> I saw thee weep—the big bright tear</p> +<p class="i6"> Came o'er that eye of blue:</p> +<p class="i4"> And then methought it did appear</p> +<p class="i6"> A violet dropping dew;</p> +<p class="i4"> I saw thee smile—the sapphire's blaze</p> +<p class="i6"> Beside thee ceased to shine,</p> +<p class="i4"> It could not match the living rays</p> +<p class="i6"> That fill'd that glance of thine.</p> +</div> +<div class="stanza"> +<p class="i4"> As clouds from yonder sun receive</p> +<p class="i6"> A deep and mellow die,</p> +<p class="i4"> Which scarce the shade of coming eve</p> +<p class="i6"> Can banish from the sky,</p> +<p class="i4"> Those smiles unto the moodiest mind</p> +<p class="i6"> Their own pure joy impart;</p> +<p class="i4"> Their sunshine leaves a glow behind</p> +<p class="i6"> That lightens o'er the heart.</p> +</div> +</div> +<p class="source"> +<i>Hebrew Melodies.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> I have observed your sex, once roused to wrath, </p> +<p class="i4"> Are timidly vindictive to a pitch </p> +<p class="i4"> Of perseverance, which I would not copy. </p> +</div> +</div> + +<p class="source"> +<i>Sardanapalus, A. 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She was pensive more than melancholy, </p> +<p class="i4"> And serious more than pensive, and serene, </p> +<p class="i4"> It may be, more than either … </p> +<p class="i4"> The strangest thing was, beauteous, she was wholly </p> +<p class="i4"> Unconscious, albeit turn'd of quick seventeen, </p> +<p class="i4"> That she was fair, or dark, or short, or tall; </p> +<p class="i4"> She never thought about herself at all. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 6. +</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A learned lady, famed </p> +<p class="i6"> For every branch of every science known— </p> +<p class="i4"> In every Christian language ever named, </p> +<p class="i6"> With virtues equall'd by her wit alone. </p> +<p class="i4"> She made the cleverest people quite ashamed, </p> +<p class="i6"> And even the good with inward envy groan, </p> +<p class="i4"> Finding themselves so very much exceeded </p> +<p class="i4"> In their own way by all the things that she did. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> 'Tis pity learned virgins ever wed </p> +<p class="i6"> With persons of no sort of education, </p> +<p class="i4"> Or gentlemen who, though well-born and bred, </p> +<p class="i6"> Grow tired of scientific conversation: </p> +<hr /> +<p class="i4"> Oh! ye lords of ladies intellectual, </p> +<p class="i4"> Inform us truly, have they not hen-peck'd you all? </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 1.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> What a strange thing is man! and what a stranger</p> +<p class="i4"> Is woman? what a whirlwind is her head,</p> +<p class="i4"> And what a whirlpool full of depth and danger</p> +<p class="i4"> Is all the rest about her! whether wed,</p> +<p class="i4"> Or widow, maid, or mother, she can change her</p> +<p class="i4"> Mind like the wind; whatever she has said</p> +<p class="i4"> Or done, is light to what she'll say or do;—</p> +<p class="i4"> The oldest thing on record, and yet new!</p> +</div> +</div> +<p class="source"> +<i>Don Juan, Canto 9.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Round her she made an atmosphere of life, </p> +<p class="i6"> The very air seem'd lighter from her eyes, </p> +<p class="i4"> They were so soft and beautiful, and rife </p> +<p class="i6"> With all we can imagine of the skies;— </p> +<hr /> +<p class="i4"> Her overpowering presence made you feel, </p> +<p class="i4"> It would not be idolatry to kneel. </p> +</div> +</div> + +<p class="source"> +<i>Don Juan, Canto 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Through her eye the Immortal shone; </p> +<hr /> +<p class="i4"> Her eyes' dark charm 'twere vain to tell, </p> +<p class="i4"> But gaze on that of the gazelle, </p> +<p class="i4"> It will assist thy fancy well; </p> +<p class="i4"> As large, as languishingly dark, </p> +<p class="i4"> But soul beamed forth in every spark </p> +<p class="i4"> That darted from beneath the lid, </p> +<p class="i4"> Bright as the jewel of Giamschid, </p> +<p class="i4"> Yea, soul! </p> +</div> +</div> + +<p class="source"> +<i>The Giaour.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> So—this feminine farewell</p> +<p class="i4"> Ends as such partings end, in <i>no</i> departure.</p> +</div> +</div> +<p class="source"> +<i>Sardanapalus, A. 4.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="SCOTT" id="SCOTT"></a>SIR WALTER SCOTT.</h2> +<p> </p> + +<p class="quote"> + Even the most simple and unsuspicious of the female sex have (God + bless them!) an instinctive sharpness of perception in love + matters, which sometimes goes the length of observing partialities + that never existed, but rarely misses to detect such as pass + actually under their observation.—<i>Waverley.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Her accents stole </p> +<p class="i4"> On the dark visions of their soul, </p> +<p class="i4"> And bade their mournful musings fly, </p> +<p class="i4"> Like mist before the zephyr's sigh. </p> +</div> +</div> + +<p class="source"> +<i>Rokeby, Canto 4.</i> +</p> +<p class="quote"> + She sung with great taste and feeling, and with a respect to the + sense of what she uttered, that might be proposed in example to + ladies of much superior musical talent. Her natural good sense + taught her, that if, as we are assured, "music must be married to + immortal verse," they are very often divorced by the performer in a + most shameful manner. It was perhaps owing to this sensibility to + poetry, and combining its expression with those of the musical + notes, that her singing gave more pleasure to all the unlearned in + music, and even to many of the learned, than could have been + communicated by a much finer voice and more brilliant execution, + unguided by the same delicacy of feeling.—<i>Waverley.</i> +</p> +<p class="quote"> + Like every beautiful woman, she was conscious of her own power, and + pleased with its effects…. But as she possessed excellent sense, + she gave accidental circumstances, full weight in appreciating the + feeling she aroused.—<i>Waverley.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> There was a soft and pensive grace, </p> +<p class="i4"> A cast of thought upon her face, </p> +<p class="i4"> That suited well the forehead high, </p> +<p class="i4"> The eye-lash dark, and downcast eye; </p> +<p class="i4"> The mild expression spoke a mind </p> +<p class="i4"> In duty firm, composed, resign'd. </p> +</div> +</div> + +<p class="source"> +<i>Rokeby, Canto 4.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> The rose, with faint and feeble streak </p> +<p class="i4"> So slightly tinged the maiden's cheek, </p> +<p class="i4"> That you had said her hue was pale; </p> +<p class="i4"> But if she faced the summer-gale, </p> +<p class="i4"> Or spoke, or sung, or quicker moved, </p> +<p class="i4"> Or heard the praise of those she loved, </p> +<p class="i4"> Or when of interest was express'd </p> +<p class="i4"> Aught that waked feeling in her breast, </p> +<p class="i4"> That mantling blood in ready play </p> +<p class="i4"> Rivall'd the blush of rising day. </p> +</div> +</div> + +<p class="source"> +<i>Rokeby, Canto 4.</i> +</p> +<p class="quote"> + What woman knows not her own road to victory?—<i>The Talisman.</i> +</p> +<p class="quote"> + She had been beautiful, and was stately and majestic in her + appearance. Endowed by nature with strong powers and violent + passions, experience had taught her to employ the one, and to + conceal, if not to moderate, the other. She was a severe and strict + observer of the external forms, at least, of devotion; her + hospitality was splendid, even to ostentation; her address and + manners were grave, dignified, and severely regulated by the rules + of etiquette…. And yet, with all these qualities to excite + respect, she was seldom mentioned in the terms of love or + affection. Interest,—the interest of her family, if not her + own—seemed too obviously the motive of her actions: and when this + is the case, the sharp-judging and malignant public are not easily + imposed upon by outward show.—<i>The Bride of Lammermoor.</i> +</p> +<p class="quote"> + Reasoning—like a woman, to whom external appearance is scarcely in + any circumstance a matter of unimportance, and like a beauty who + has confidence in her own charms.—<i>Kenilworth.</i> +</p> +<p class="quote"> + Her affection and sympathy dictated at once the kindest course. + Without attempting to control the torrent of grief in its full + current, she gently sat her down beside the mourner…. She waited + a more composed moment to offer her little stock of consolation in + deep silence and stillness.—<i>The Betrothed.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her kindness and her worth to spy </p> +<p class="i4"> You need but gaze on Ellen's eye; </p> +<p class="i4"> Not Katrine in her mirror blue, </p> +<p class="i4"> Gives back the shaggy banks more true, </p> +<p class="i4"> Than every free-born glance confess'd </p> +<p class="i4"> The guileless movements of her breast; </p> +<p class="i4"> Whether joy danced in her dark eye, </p> +<p class="i4"> Or woe or pity claim'd a sigh, </p> +<p class="i4"> Or filial love was glowing there, </p> +<p class="i4"> Or meek devotion pour'd a prayer. </p> +<p class="i4"> Or hate of injury call'd forth </p> +<p class="i4"> The indignant spirit of the North. </p> +<p class="i4"> One only passion unreveal'd, </p> +<p class="i4"> With maiden pride, the maid conceal'd, </p> +<p class="i4"> Yet no less purely felt the flame— </p> +<p class="i4"> O need I tell that passion's name? </p> +</div> +</div> + +<p class="source"> +<i>The Lady of the Lake, Canto 1.</i> +</p> +<p class="quote"> + She is fairer in feature than becometh a man of my order to speak + of; and she has withal a breathing of her father's lofty spirit. + The look and the word of such a lady will give a man double + strength in the hour of need.—<i>The Betrothed.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her smile, her speech, with winning sway, </p> +<p class="i4"> Wiled the old harper's mood away. </p> +<p class="i4"> With such a look as hermits throw </p> +<p class="i4"> When angels stoop to soothe their woe, </p> +<p class="i4"> He gazed, till fond regret and pride </p> +<p class="i4"> Thrill'd to a tear. </p> +</div> +</div> + +<p class="source"> +<i>The Lady of the Lake, Canto 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> All her soul is in her eye, </p> +<p class="i4"> Yet doubts she still to tender free </p> +<p class="i4"> The wonted words of courtesy. </p> +<hr /> +<p class="i4"> Go to her now—be bold of cheer, </p> +<p class="i4"> While her soul floats 'twixt hope and fear: </p> +<p class="i4"> It is the very change of tide, </p> +<p class="i4"> When best the female heart is tried— </p> +<p class="i4"> Pride, prejudice … </p> +<p class="i4"> Are in the current swept to sea. </p> +</div> +</div> + +<p class="source"> +<i>Rokeby, Canto 2.</i> +</p> +<p class="quote"> + She was highly accomplished; yet she had not learned to substitute + the gloss of politeness for the reality of feeling.—<i>Waverley.</i> +</p> +<p class="quote"> + A deep-thinking and impassioned woman, ready to make exertions + alike, and sacrifices, with all that vain devotion to a favorite + object of affection, which is often so basely rewarded.—<i>The + Fortunes of Nigel.</i> +</p> +<p class="quote"> + The spotless virgin fears not the raging lion.—<i>The Talisman.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Sweet was her blue eye's modest smile …</p> +<p class="i4"> And down her shoulders graceful roll'd</p> +<p class="i4"> Her locks profuse of paly gold …</p> +<p class="i4"> She charm'd at once, and tamed the heart.</p> +</div> +</div> +<p class="source"> +<i>Marmion, Canto 5.</i> +</p> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> At length, an effort sent apart </p> +<p class="i4"> The blood that curdled to her heart, </p> +<p class="i4"> And light came to her eye, </p> +<p class="i4"> And color dawn'd upon her cheek, </p> +<p class="i4"> A hectic and a flutter'd streak. </p> +<hr /> +<p class="i4"> And when her silence broke at length, </p> +<p class="i4"> Still as she spoke she gather'd strength, </p> +<p class="i4"> And arm'd herself to bear;— </p> +<p class="i4"> It was a fearful sight to see </p> +<p class="i4"> Such high resolve and constancy, </p> +<p class="i4"> In form so soft and fair. </p> +</div> +</div> + +<p class="source"><i>Marmion, Canto 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She look'd down to blush, and she look'd up to sigh,</p> +<p class="i4"> With a smile on her lips, and a tear in her eye.</p> +</div> +</div> +<p class="source"> +<i>Marmion, Canto 5.</i> +</p> +<p class="quote"> + Her very soul is in home, and in the discharge of all those quiet + virtues of which home is the centre. Her husband will be to her the + object of all her care, solicitude, and affection. She will see + nothing, but by him, and through him. If he is a man of sense and + virtue, she will sympathize in his sorrows, divert his fatigue, and + share his pleasures. If she becomes the property of a churlish or + negligent husband, she will suit his taste also, for she will not + long survive his unkindness.—<i>Waverley.</i> +</p> +<p class="quote"> + When there can be no confidence betwixt a man and his plighted + wife, it is a sign she has no longer the regard for him that made + their engagement safe and suitable.—<i>The Heart of Mid-Lothian.</i> +</p> +<p class="quote"> + She was by nature perfectly good-humoured, and if her due share of + admiration and homage was duly resigned to her, no one could + possess better temper, or a more friendly disposition; but then, + like all despots, the more power that was voluntarily yielded to + her, the more she desired to extend her sway. Sometimes, even when + all her ambition was gratified, she chose to be a little out of + health, and a little out of spirits.—- <i>The Talisman.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Her look composed, and steady eye, </p> +<p class="i4"> Bespoke a matchless constancy. </p> +</div> +</div> + +<p class="source"> +<i>Marmion, Canto 2.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> The noble dame, amid the broil, </p> +<p class="i4"> Shared the gray seneschal's high toil, </p> +<p class="i4"> And spoke of danger with a smile; </p> +<p class="i4"> Cheer'd the young knights, and council sage </p> +<p class="i4"> Held with the chiefs of riper age. </p> +</div> +</div> + +<p class="source"> +<i>The Lay of the Last Minstrel, Canto 3.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Woman's faith and woman's trust, </p> +<p class="i4"> Write the characters in dust. </p> +</div> +</div> + +<p class="source"> +<i>The Betrothed.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Ne'er did Grecian chisel trace </p> +<p class="i4"> A Nymph, or Naiad, or a Grace, </p> +<p class="i4"> Of finer form, or lovelier face! </p> +<p class="i4"> What though the sun, with ardent frown, </p> +<p class="i4"> Had slightly tinged her cheek with brown, </p> +<p class="i4"> The sportive toil, which, short and light </p> +<p class="i4"> Had dyed her glowing hue so bright, </p> +<p class="i4"> Served too in hastier swell to show </p> +<p class="i4"> Short glimpses of a breast of snow; </p> +<p class="i4"> What though no rule of courtly grace </p> +<p class="i4"> To measured mood had train'd her pace,— </p> +<p class="i4"> A foot more light, a step more true, </p> +<p class="i4"> Ne'er from the heath-flower dash'd the dew; </p> +<p class="i4"> E'en the slight hare-bell raised its head, </p> +<p class="i4"> Elastic from her airy tread; </p> +<p class="i4"> What though upon her speech there hung </p> +<p class="i4"> The accent of the mountain tongue, </p> +<p class="i4"> Those silver sounds, so soft, so clear, </p> +<p class="i4"> The list'ner held his breath to hear. </p> +</div> +</div> + +<p class="source"> +<i>Lady of the Lake, Canto 1.</i> +</p> +<p class="quote"> + Spoilt she was on all hands…. But though, from these + circumstances, the city-beauty had become as wilful, as capricious, + and as affected, as unlimited indulgence seldom fails to render + those to whom it is extended; and although she exhibited upon many + occasions that affectation of extreme shyness, silence, and + reserve, which misses are apt to take for an amiable modesty; and + upon others, a considerable portion of that flippancy which youth + sometimes confounds with wit, she had much real shrewdness and + judgment, which wanted only opportunities of observation to refine + it—a lively, good-humoured, playful disposition, and an excellent + heart.—<i>The Fortunes of Nigel.</i> +</p> +<p class="quote"> + The buoyant vivacity with which she had resisted every touch of + adversity, had now assumed the air of composed and submissive, but + dauntless, resolution and constancy.—<i>Rob Roy.</i> +</p> +<p class="quote"> + Her complexion was exquisitely fair, but the noble cast of her head + and features prevented the insipidity which sometimes attaches to + fair beauties. Her clear blue eye, which sat enshrined beneath a + graceful eyebrow of brown, sufficiently marked to give expression + to the forehead, seemed capable to kindle as well as to melt, to + command as well as to beseech.—<i>Ivanhoe.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="WORDSWORTH" id="WORDSWORTH"></a>WILLIAM WORDSWORTH.</h2> +<p> </p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She was a Phantom of delight </p> +<p class="i4"> When first she gleamed upon my sight; </p> +<p class="i4"> A lovely Apparition, sent </p> +<p class="i4"> To be a moment's ornament; </p> +<p class="i4"> Her eyes as stars of Twilight fair; </p> +<p class="i4"> Like Twilight's, too, her dusky hair; </p> +<p class="i4"> But all things else about her drawn </p> +<p class="i4"> From May-time and the cheerful Dawn; </p> +<p class="i4"> A dancing Shape, and Image gay, </p> +<p class="i4"> To haunt, to startle, and waylay. </p> +</div> +</div> + +<p class="source"> +<i>A Phantom of Delight.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A gentle maid, whose heart is lowly bred, </p> +<p class="i4"> With joyousness, and with a thoughtful cheer. </p> +</div> +</div> + +<p class="source"> +<i>A Farewell.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A Spirit, yet a Woman too! </p> +<p class="i4"> Her household motions light and free, </p> +<p class="i4"> And steps of virgin liberty; </p> +<p class="i4"> A countenance in which did meet </p> +<p class="i4"> Sweet records, promises as sweet; </p> +<p class="i4"> A Creature not too bright or good </p> +<p class="i4"> For human nature's daily food; </p> +<p class="i4"> For transient sorrows, simple wiles, </p> +<p class="i4"> Praise, blame, love, kisses, tears, and smiles. </p> +</div> +</div> + +<p class="source"> +<i>A Phantom of Delight.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Sister … Thy mind</p> +<p class="i4"> Shall be a mansion for all lovely forms,</p> +<p class="i4"> Thy memory be as a dwelling-place</p> +<p class="i4"> For all sweet sounds and harmonies.</p> +</div> +</div> +<p class="source"> +<i>Tintern Abbey.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She gave me eyes, she gave me ears; </p> +<p class="i4"> And humble cares, and delicate fears; </p> +<p class="i4"> A heart, the fountain of sweet tears; </p> +<p class="i4"> And love and thought and joy. </p> +</div> +</div> + +<p class="source"> +<i>The Sparrow's Nest.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> 'Tis her's to pluck the amaranthine flower</p> +<p class="i6"> Of faith, and 'round the sufferer's temples bind</p> +<p class="i4"> Wreaths that endure affliction's heaviest shower,</p> +<p class="i6"> And do not shrink from sorrow's keenest wind.</p> +</div> +</div> +<p class="source"> +<i>Weak is the Will of Man.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> I praise thee, Matron! and thy due</p> +<p class="i4"> Is praise….</p> +<p class="i4"> With admiration I behold</p> +<p class="i4"> Thy gladness unsubdued and bold;</p> +<p class="i4"> Thy looks, thy gestures, all present</p> +<p class="i4"> The picture of a life well spent.</p> +</div> +</div> +<p class="source"> +<i>The Matron of Jedborough.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A blooming girl, whose hair was wet </p> +<p class="i4"> With points of morning due…. </p> +<p class="i4"> Her brow was smooth and white…. </p> +<hr /> +<p class="i4"> No fountain from its rocky cave </p> +<p class="i6"> E'er tripped with foot so free, </p> +<p class="i4"> She seemed as happy as a wave, </p> +<p class="i6"> That dances on the sea. </p> +</div> +</div> + +<p class="source"> +<i>The Two April Mornings.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> The floating clouds their state shall lend </p> +<p class="i4"> To her; for her the willow bend; </p> +<p class="i4"> Nor shall she fail to see, </p> +<p class="i4"> Even in the motions of the storm, </p> +<p class="i4"> Grace that shall mould the Maiden's form </p> +<p class="i4"> By silent sympathy. </p> +<p class="i4"> The stars of midnight shall be dear </p> +<p class="i4"> To her; and she shall lean her ear </p> +<p class="i4"> In many a secret place, </p> +<p class="i4"> Where rivulets dance their wayward round, </p> +<p class="i4"> And beauty born of murmuring sound </p> +<p class="i4"> Shall pass into her face. </p> +<p class="i4"> And vital feelings of delight </p> +<p class="i4"> Shall rear her form to stately height, </p> +<p class="i4"> Her virgin bosom swell. </p> +</div> +</div> + +<p class="source"> +<i>Three Years She Grew in Sun and Shower.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> How blest the Maid whose heart—yet free </p> +<p class="i4"> From Love's uneasy sovereignty— </p> +<p class="i4"> Beats with a fancy running high, </p> +<p class="i4"> Her simple cares to magnify; </p> +<p class="i4"> Whom Labour, never urged to toil, </p> +<p class="i4"> Hath cherished on a healthful soil; </p> +<p class="i4"> Who knows not pomp, who heeds not pelf; </p> +<p class="i4"> Whose heaviest sin it is to look </p> +<p class="i4"> Askance upon her pretty self </p> +<p class="i4"> Reflected in some crystal brook; </p> +<p class="i4"> Whom grief hath spared,—who sheds no tear </p> +<p class="i4"> But in sweet pity; and can hear </p> +<p class="i4"> Another's praise from envy clear. </p> +</div> +</div> + +<p class="source"> +<i>The Three Cottage Girls.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A Being breathing thoughtful breath, </p> +<p class="i4"> A Traveller between life and death; </p> +<p class="i4"> The reason firm, the temperate will, </p> +<p class="i4"> Endurance, foresight, strength, and skill; </p> +<p class="i4"> A perfect Woman, nobly planned, </p> +<p class="i4"> To warn, to comfort, and command; </p> +<p class="i4"> And yet a Spirit still, and bright </p> +<p class="i4"> With something of angelic light. </p> +</div> +</div> + +<p class="source"> +<i>A Phantom of Delight.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> She was happy, </p> +<p class="i4"> Like a spirit of air she moved, </p> +<p class="i4"> Wayward, yet by all who knew her </p> +<p class="i4"> For her tender heart beloved. </p> +</div> +</div> + +<p class="source"> +<i>The Westmoreland Girl.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> This light-hearted Maiden…. </p> +<p class="i4"> High is her aim as Heaven above, </p> +<p class="i4"> And wide as either her good-will; </p> +<p class="i4"> And, like the lowly reed, her love </p> +<p class="i4"> Can drink its nurture from the scantiest rill; </p> +<p class="i4"> Insight as keen as frosty star </p> +<p class="i4"> Is to her charity no bar, </p> +<p class="i4"> Nor interrupts her frolic graces. </p> +</div> +</div> + +<p class="source"> +<i>The Triad.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> O Lady bright, </p> +<p class="i4"> Whose mortal lineaments seem all refined </p> +<p class="i4"> By favouring Nature, and a saintly mind, </p> +<p class="i4"> To something purer and more exquisite </p> +<p class="i4"> Than flesh and blood! </p> +</div> +</div> + +<p class="source"> +<i>Sonnet.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A maid whom there wore none to praise</p> +<p class="i4"> And very few to love;</p> +<p class="i4"> A violet by a mossy stone</p> +<p class="i4"> Half hidden from the eye!</p> +<p class="i4"> Fair as a star when only one</p> +<p class="i4"> Is shining in the sky.</p> +</div> +</div> +<p class="source"> +<i>Poems of the Affections, 8.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Whether in the semblance drest </p> +<p class="i4"> Of Dawn, or Eve, fair vision of the west, </p> +<p class="i4"> Come with each anxious hope subdued, </p> +<p class="i4"> By woman's gentle fortitude, </p> +<p class="i4"> Each grief, through weakness, settling into rest. </p> +</div> +</div> + +<p class="source"> +<i>The Triad.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> How rich that forehead's calm expanse! </p> +<p class="i4"> How bright that heaven-directed glance! </p> +</div> +</div> + +<p class="source"> +<i>Poems of the Affections, 17.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Softly she treads, as if her foot were loth</p> +<p class="i4"> To crush the mountain dew-drops,—soon to melt</p> +<p class="i4"> On the flower's breast; as if she felt</p> +<p class="i4"> That flowers themselves, whate'er their hue,</p> +<p class="i4"> With all their fragrance, all their glistening,</p> +<p class="i4"> Call to the heart for inward listening.</p> +</div> +</div> +<p class="source"> +<i>The Triad.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Let other bards of angels sing, </p> +<p class="i6"> Bright suns without a spot; </p> +<p class="i4"> But thou art no such perfect thing; </p> +<p class="i6"> Rejoice that thou art not! </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> Heed not though none should call thee fair; </p> +<p class="i6"> So, Mary, let it be </p> +<p class="i4"> If naught in loveliness compare </p> +<p class="i6"> With what thou art to me. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> True beauty dwells in deep retreats, </p> +<p class="i6"> Whose veil is unremoved </p> +<p class="i4"> Till heart to heart in concord beats, </p> +<p class="i6"> And the lover is beloved. </p> +</div> +</div> + +<p class="source"> +<i>Poems of the Affections, 15.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> What heavenly smiles! O Lady mine, </p> +<p class="i4"> Through my very heart they shine; </p> +<p class="i4"> And, if my brow gives back their light, </p> +<p class="i4"> Do thou look gladly on the sight; </p> +<p class="i4"> As the clear moon with modest pride </p> +<p class="i6"> Beholds her own bright beams </p> +<p class="i4"> Reflected from the mountain's side </p> +<p class="i6"> And from the headlong streams. </p> +</div> +</div> + +<p class="source"> +<i>Poems of the Affections, 18.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> How beautiful when up a lofty height</p> +<p class="i4"> Honour ascends.</p> + <hr /> +<p class="i8"> A Widow …</p> +<p class="i4"> She wasted no complaint, but strove to make</p> +<p class="i4"> A just repayment, both for conscience's sake</p> +<p class="i4"> And that herself and hers should stand upright</p> +<p class="i4"> In the world's eye.</p> +</div> +</div> +<p class="source"> +<i>The Widow.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> The Maiden grew </p> +<p class="i4"> Pious and pure, modest and yet so brave, </p> +<p class="i4"> Though young, so wise, though meek, so resolute. </p> +</div> +</div> + +<p class="source"> +<i>Grace Darling.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> In her face and mien </p> +<p class="i4"> The soul's pure brightness he beheld, </p> +<p class="i4"> Without a veil between. </p> +</div> +</div> + +<p class="source"> +<i>The Russian Fugitive.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> We her discretion have observed, </p> +<p class="i4"> Her just opinions, delicate reserve, </p> +<p class="i4"> Her patience, and humility of mind. </p> +<p class="i4"> Unspoiled by commendation…. </p> +</div> +</div> + +<p class="source"> +<i>The Borderers.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> O Lady, worthy of earth's proudest throne! </p> +<p class="i4"> Nor less, by excellence of nature, fit </p> +<p class="i4"> Beside an unambitious hearth to sit </p> +<p class="i4"> Domestic queen, where grandeur is unknown; </p> +<p class="i4"> What living man could fear </p> +<p class="i4"> The worst of Fortune's malice, wert thou near, </p> +<p class="i4"> Humbling that lily-stem, thy sceptre meek, </p> +<p class="i4"> That its fair flowers may from his cheek </p> +<p class="i4"> Brush the too happy tear! </p> +</div> +</div> + +<p class="source"> +<i>The Triad.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Queen, and handmaid lowly! </p> +<p class="i4"> Whose skill can speed the day with lively cares, </p> +<p class="i10"> And banish melancholy </p> +<p class="i4"> By all that mind invents or hand prepares; </p> +<hr /> +<p class="i4"> Who that hath seen thy beauty could content </p> +<p class="i4"> His soul with but a glimpse! </p> +</div> +</div> + +<p class="source"> +<i>The Triad.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Dear girl … </p> +<p class="i4"> If thou appear untouched by solemn thought, </p> +<p class="i4"> Thy nature is not therefore less divine; </p> +<p class="i4"> Thou liest in Abraham's bosom all the year; </p> +<p class="i4"> And worshipp'st at the Temple's inner shrine, </p> +<p class="i4"> God being with thee when we know it not. </p> +</div> +</div> + +<p class="source"> +<i>Sonnet.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i9"> I knew a maid, </p> +<p class="i4"> A young enthusiast … </p> +<p class="i4"> Her eye was not the mistress of her heart; </p> +<p class="i4"> Far less did rules prescribed by passive taste </p> +<p class="i4"> Or barren, intermeddling subtleties, </p> +<p class="i4"> Perplex her mind; but wise as women are </p> +<p class="i4"> When genial circumstance hath favoured them, </p> +<p class="i4"> She welcomed what was given, and craved no more, </p> +<p class="i4"> Whate'er the scene presented to her view. </p> +<p class="i4"> That was the best, to that she was attuned </p> +<p class="i4"> By her benign simplicity of life, </p> +<p class="i4"> … God delights </p> +<p class="i4"> In such a being; for her common thoughts </p> +<p class="i4"> Are piety, her life is gratitude. </p> +</div> +</div> + +<p class="source"> +<i>The Prelude.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Sweet girl, a very shower </p> +<p class="i4"> Of beauty is thy earthly dower!… </p> +<p class="i4"> Never saw I mien, or face, </p> +<p class="i4"> In which more plainly I could trace </p> +<p class="i4"> Benignity and homebred sense </p> +<p class="i4"> Ripening in perfect innocence. </p> +<hr /> +<p class="i4"> A face with gladness overspread! </p> +<p class="i4"> Soft smiles, by human kindness bred! </p> +<p class="i4"> And seemliness complete, that sways </p> +<p class="i4"> Thy courtesies, about three plays. </p> +</div> +</div> + +<p class="source"> +<i>To A Highland Girl.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> A maiden … </p> +<p class="i4"> Lovely as spring's first note … Pure </p> +<p class="i6"> As beautiful, and gentle and benign. </p> +<hr /> +<p class="i10"> A Flower…. </p> +<p class="i4"> Fairest of all flowers was she…. </p> +<p class="i6"> She hath an eye that smiles into all hearts, </p> +<hr /> +<p class="i4"> Soon would her gentle words make peace. </p> +</div> +</div> + +<p class="source"> +<i>The Borderers.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Yes! thou art fair, yet be not moved </p> +<p class="i6"> To scorn the declaration, </p> +<p class="i4"> That sometimes I in thee have loved </p> +<p class="i6"> My fancy's own creation. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> Imagination needs must stir; </p> +<p class="i6"> Dear Maid, this truth believe, </p> +<p class="i4"> Minds that have nothing to confer, </p> +<p class="i6"> Find little to perceive. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> Be pleased that Nature made thee fit </p> +<p class="i6"> To feed my heart's devotion, </p> +<p class="i4"> By laws to which all forms submit </p> +<p class="i6"> In sky, air, earth, and ocean. </p> +</div> +</div> + +<p class="source"> +<i>Poems of the Affections, 16.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="CARLYLE" id="CARLYLE"></a>THOMAS CARLYLE.</h2> +<p> </p> + +<p class="quote"> + Clearly a superior woman.—That is the way with female intellects + when they are good; nothing equals their acuteness, and their + rapidity is almost excessive.—<i>Frederick the Great.</i> +</p> +<p class="quote"> + Perfection of housekeeping was her clear and speedy attainment in + that new scene. Strange how she made the desert blossom for herself + and me there; what a fairy palace she had made of that wild + moorland home of the poor man! From the baking of a loaf, or the + darning of a stocking, up to comporting herself in the highest + scenes or most intricate emergencies, all was insight, veracity, + graceful success (if you could judge it), fidelity to insight of + the fact given.—<i>Reminiscences.</i> +</p> +<p class="quote"> + Meek and retiring by the softness of her nature, yet glowing with + an ethereal ardour for all that is illustrious and lovely.—<i>Life + of Schiller.</i> +</p> +<p class="quote"> + She was of a compassionate nature, and had a loving, patient, and + noble heart; prudent she was; the skilfulest and thriftiest of + financiers; could well keep silence, too, and with a gentle + stoicism endure much small unreason.—<i>Life of Schiller.</i> +</p> +<p class="quote"> + Her life was busy and earnest; she was help-mate, not in name only, + to an ever-busy man.—<i>Frederick the Great.</i> +</p> +<p class="quote"> + Peculiar among all dames and damosels, glanced Blumine, there in + her modesty, like a star among earthly lights. Noblest maiden! whom + he bent to, in body and in soul; yet scarcely dared look at, for + the presence filled him with painful yet sweetest embarrassment.—<i>Sartor Resartus.</i> +</p> +<p class="quote"> + A bright airy lady; very graceful, very witty and ingenious; + skilled to speak, skilled to hold her tongue.—<i>Frederick the + Great.</i> +</p> +<p class="quote"> + Far and wide was the fair one heard of, for her gifts, her graces, + her caprices; from all which vague colourings of Rumour, from the + censures no less than from the praises, had our friend painted for + himself a certain imperious Queen of Hearts, and blooming warm + Earth-angel, much more enchanting than your mere white + Heaven-angels of women, in whose placid veins circulates too little + naphtha-fire.—<i>Sartor Resartus.</i> +</p> +<p class="quote"> + A tall, rather thin figure; a face pale, intelligent, and + penetrating; nose fine, rather large, and decisively Roman; pair of + bright, not soft, but sharp and small black eyes, with a cold smile + as of enquiry in them; fine brow; fine chin; thin lips—lips always + gently shut, as if till the enquiry were completed, and the time + came for something of royal speech upon it. She had a slight + accent, but spoke—Dr. Hugh Blair could not have picked a hole in + it—and you might have printed every word, so queen-like, gentle, + soothing, measured, prettily royal toward subjects whom she wished + to love her. The voice was modulated, low, not inharmonious; yet + there was something of metallic in it, akin to that smile in the + eyes. One durst not quite love this high personage as she wished to + be loved! Her very dress was notable; always the same, and in a + fashion of its own;—and must have required daily the fastening of + sixty or eighty pins.—<i>Reminiscences.</i> +</p> +<p class="quote"> + She had a pleasant, attractive physiognomy; which may be considered + better than strict beauty.—<i>Frederick the Great.</i> +</p> +<p class="quote"> + That light, yet so stately form; those dark tresses, shading a face + where smiles and sun-light played over earnest deeps…. He + ventured to address her, she answered with attention: nay, what if + there were a slight tremour in that silver voice; what if the red + glow of evening were hiding a transient blush!—<i>Sartor Resartus.</i> +</p> +<p class="quote"> + The whims of women must be humoured.—<i>French Revolution.</i> +</p> +<p class="quote"> + A woman of many household virtues; to a warm affection for her + children and husband she joined a degree of taste and intelligence + which is of much rarer occurrence.—<i>Life of Schiller.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> She is meek and soft and maiden-like…. </p> +<p class="i4"> A young woman fair to look upon. </p> +</div> +</div> + +<p class="source"> +<i>Life of Schiller.</i> +</p> +<p class="quote"> + My dear mother, with the trustfulness of a mother's heart, + ministered to all my woes, outward and inward, and even against + hope kept prophesying good.—<i>Reminiscences.</i> +</p> +<p class="quote"> + Women are born worshippers; in their good little hearts lies the + most craving relish for greatness; it is even said, each chooses + her husband on the hypothesis of his being a great man—in his way. + The good creatures, yet the foolish!—<i>Essay on Goethe's Works.</i> +</p> +<p class="quote"> + She is of that light unreflecting class, of that light unreflecting + sex: <i>varium semper et mutabile</i>. And then her Fine-ladyism, though + a purseless one: capricious, coquettish, and with all the finer + sensibilities of the heart; now in the rackets, now in the sullens; + vivid in contradictory resolves; laughing, weeping, without + reason,—though these acts are said to be signs of season. + Consider, too, how she has had to work her way, all along, by + flattery and cajolery; wheedling, eaves-dropping, namby-pambying; + how she needs wages, and knows no other productive trades.—<i>The + Diamond Necklace.</i> +</p> +<p class="quote"> + Thought can hardly be said to exist in her; only Perception and + Device. With an understanding lynx-eyed for the surface of things, + but which pierces beyond the surface of nothing, every individual + thing (for she has never seized the heart of it) turns up a new + face to her every new day, and seems a thing changed, a different + thing.—<i>The Diamond Necklace.</i> +</p> +<p class="quote"> + Reader! thou for thy sins must have met with such fair Irrationals; + fascinating, with their lively eyes, with their quick snappish + fancies; distinguished in the higher circles, in Fashion, even in + Literature; they hum and buzz there, on graceful + film-wings:—searching, nevertheless, with the wonderfullest skill + for honey; <i>un</i>tamable as flies!—<i>The Diamond Necklace.</i> +</p> +<p class="quote"> + Nature is very kind to all children, and to all mothers that are + true to her.—<i>Frederick the Great.</i> +</p> +<p class="quote"> + She is of stately figure;—of beautiful still countenance.—A + completeness, a decision is in this fair female figure; by energy + she means the spirit that will prompt one to sacrifice himself for + his country.—<i>French Revolution.</i> +</p> +<p class="quote"> + A clever, high-mannered, massive-minded old lady; admirable as a + finished piece of social art, but hardly otherwise + much.—<i>Reminiscences.</i> +</p> +<p class="quote"> + Who can account for the taste of females?—<i>The Diamond Necklace.</i> +</p> +<p class="quote"> + A Beauty, but over light-headed: a Booby who had fine legs. How + these first courted, billed, and cooed, according to nature; then + pouted, fretted, grew utterly enraged and blew one another + up.—<i>Boswell's Life of Johnson.</i> +</p> +<p class="quote"> + With delicate female tact, with fine female stoicism too, keeping + all things within limits.—<i>Frederick the Great.</i> +</p> +<p class="quote"> + A true-hearted, sharp-witted sister.—<i>Essay of Diderot.</i> +</p> +<p class="quote"> + A graceful, brave, and amiable woman;—her choicest gift an open + eye and heart.—<i>Oliver Cromwell.</i> +</p> +<p class="quote"> + Every graceful and generous quality of womanhood harmoniously + blended in her nature.—<i>Life of Schiller.</i> +</p> +<p class="quote"> + She is a fair vision, the <i>beau idéal</i> of a poet's first + mistress.—<i>Life of Schiller.</i> +</p> +<p class="quote"> + Heaven, though severe, is <i>not</i> unkind; Heaven is kind, as a noble + mother; as that Spartan mother, saying while she gave her son his + shield, "With it, my son, or upon it!"—Complain not; the very + Spartans did not complain.—<i>Past and Present</i>. +</p> +<p> </p> +<p> </p> +<h2><a name="HUGO" id="HUGO"></a>VICTOR HUGO.</h2> +<p> </p> + +<p class="quote"> + All her face, all her person, breathed an ineffable love and + kindness. She had always been predestined to gentleness, but Faith, + Hope, and Charity, those three virtues that softly warm the soul, + had gradually elevated that gentleness to sanctity. Nature had only + made her a lamb, and religion had made her an angel.—<i>Les + Misérables.</i> +</p> +<p class="quote"> + She was the very embodiment of joy as she went to and fro in the + house; she brought with her a perpetual spring.—<i>Toilers of the + Sea</i>. +</p> +<p class="quote"> + Her entire person was simplicity, ingenuousness, whiteness, candor, + and radiance, and it might have been said of her that she was + transparent. She produced a sensation of April and daybreak, and + she had dew in her eyes. She was the condensation of the light of + dawn in a woman's form.—<i>Les Misérables.</i> +</p> +<p class="quote"> + The woman was weak, but the mother found strength.—<i>Ninety-Three.</i> +</p> +<p class="quote"> + Woman feels and speaks with the infallibility which is the tender + instinct of the heart.—<i>Les Misérables.</i> +</p> +<p class="quote"> + What is a husband but the pilot in the voyage of matrimony? Wife, + let your fine weather be your husband's smiles.—<i>Toilers of the + Sea.</i> +</p> +<p class="quote"> + No one knows like a woman how to say things which are at once + gentle and deep. Gentleness and depth,—in these things the whole + of woman is contained, and it is heaven.—<i>Les Misérables.</i> +</p> +<p class="quote"> + Beauty heightened by simplicity is ineffable, and nothing is so + adorable as a beauteous, innocent maiden, who walks along + unconsciously, holding in her hand the key of Paradise.—<i>Les + Misérables.</i> +</p> +<p class="quote"> + She had the prettiest little hands in the world, and little feet + to match them. Sweetness and goodness reigned throughout her + person; … her occupation was only to live her daily life; her + accomplishments were the knowledge of a few songs; her intellectual + gifts were summed up in her simple innocence.—<i>Toilers of the + Sea.</i> +</p> +<p class="quote"> + The coquette is blind: she does not see her wrinkles.—<i>By Order of + the King.</i> +</p> +<p class="quote"> + A mother's arms are made of tenderness, and children sleep soundly + in them.—<i>Les Misérables.</i> +</p> +<p class="quote"> + There are moments when a woman accepts, like a sombre and resigned + duty, the worship of love.—<i>Les Misérables.</i> +</p> +<p class="quote"> + She was pale with that paleness which is like the transparency of a + divine life in an earthly face…. A soul standing in the + dawn.—<i>By Order of the King.</i> +</p> +<p class="quote"> + He looked at her, and saw nothing but her. This is love; one may be + carried away for a moment by the importunity of some other idea, + but the beloved one enters, and all that does not appertain to her + presence immediately fades away, without her dreaming that perhaps + she is effacing in us a world.—<i>By Order of the King.</i> +</p> +<p class="quote"> + She walked on with a light and free step, so little suggestive of + the burden of life that it might easily be seen that she was young. + Her movements possessed that subtle grace which indicates the most + delicate of all transitions—the soft intermingling, as it-were, + of two twilights,—the passage from the condition of a child to + that of womanhood.—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + She had never been pretty, but her whole life, which had been but a + succession of pious works, had eventually cast over her a species + of whiteness and brightness, and in growing older she had acquired + what may be called the beauty of goodness. What had been thinness + in her youth had became in her maturity transparency, and through + this transparency the angel could be seen.—<i>Les Misérables.</i> +</p> +<p class="quote"> + A ray of happiness was visible upon her face. Never had she + appeared more beautiful. Her features were remarkable for + prettiness rather than what is called beauty. Their fault, if fault + it be, lay in a certain excess of grace…. The ideal virgin is the + transfiguration of a face like this. Dèruchette, touched by her + sorrow and love, seemed to have caught that higher and more holy + expression. It was the difference between the field daisy and the + lily.—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + The glance of a woman resembles certain wheels which are apparently + gentle but are formidable…. You come, you go, you dream, you + speak, you laugh, and all in a minute you feel yourself caught, and + it is all over with you. The wheel holds you, the glance has caught + you.—<i>Les Misérables.</i> +</p> +<p class="quote"> + She had listened to nothing, but mothers hear certain things + without listening.—<i>Ninety-Three.</i> +</p> +<p class="quote"> + She was really a respectable, firm, equitable, and just person, + full of that charity which consists in giving, but not possessing + to the same extent the charity which comprehends and pardons.—<i>Les + Misérables.</i> +</p> +<p class="quote"> + She seemed a vision scarcely embodied; … in her fairness, which + amounted almost to serenity of her look; … in the sacred + innocence of her smile, she was almost an angel, and yet just a + woman.—<i>By Order of the King.</i> +</p> +<p class="quote"> + The girl becomes a maiden, fresh and joyous as the lark. Noting her + movements, we feel as if it were good of her not to fly away. The + dear familiar companion moves at her own sweet will about the + house; flits from branch to branch, or rather from room to room; + goes to and fro; approaches and retires…. She asks a question and + is answered; is asked something in return, and chirps a reply. It + is delightful to chat with her when tired of serious talk; for this + creature carries with her something of her skyey element. She is, + as it were, a thread of gold interwoven with your sombre thoughts; + you feel almost grateful to her for her kindness in not making + herself invisible, when it would be so easy for her to be even + impalpable; for the beautiful is a necessity of life. There is in + the world no function more important than that of being + charming…. To shed joy around, to radiate happiness, to cast + light upon dark days, to be the golden thread of our destiny, and + the very spirit of grace and harmony, is not this to render a + service?—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + She scarcely knew, perhaps, the meaning of the word love, and yet + not unwillingly ensnared those about her in the toils.—<i>Toilers of + the Sea.</i> +</p> +<p class="quote"> + She stopped. She walked back a few paces, stopped again; she + inclined her head, with those thoughtful eyes which look attentive + yet see nothing…. Her lowered eyelids had that vague contraction + which suggests a tear checked in its course, or a thought + suppressed…. Her face, which might inspire adoration, seemed + meditative, like portraits of the Virgin.—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + She broke the bread into two fragments, and gave them to the + children, who ate with avidity. "She has kept none for herself," + grumbled the sergeant. "Because she is not hungry," said a soldier. + "Because she is a mother," said the sergeant.—<i>Ninety-Three.</i> +</p> +<p class="quote"> + Extreme simplicity touches on extreme coquetry…. They did not + speak, they did not bow, they did not know each other, but they + met; and like the stars in the heavens, they lived by looking at + each other. It was thus that she gradually became a woman, and was + developed into a beautiful and loving woman, conscious of her + beauty and ignorant of her love. She was a coquette into the + bargain, through her innocence.—<i>Les Misérables.</i> +</p> +<p class="quote"> + Does not beauty confer a benefit upon us, even by the simple fact + of being beautiful?—Here and there we meet with one who possesses + that fairy-like power of enchanting all about her; sometimes she is + ignorant herself of this magical influence, which is, however, for + that reason only the more perfect. Her presence lights up the home; + her approach is like cheerful warmth; she passes by, and we are + content; she stays awhile, and we are happy.—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + To behold her is to live; she is the Aurora with a human face. She + has no need to do more than simply to be, she makes an Eden of the + house; Paradise breathes from her: and she communicates this + delight to all, without taking any greater trouble than that of + existing beside them. Is it not a thing divine to have a smile + which, none know how, has the power to lighten the weight of that + enormous chain which all the living, in common, drag behind + them?—<i>Toilers of the Sea.</i> +</p> +<p class="quote"> + On the day when a woman who passes before you emits light as she + walks you are lost, for you love. You have from that moment but one + thing to do: think of her so intently that she will be compelled to + think of you.—<i>Les Misérables.</i> +</p> +<p class="quote"> + The soul only needs to see a smile in a white crêpe bonnet in order + to enter the palace of dreams.—<i>Les Misérables.</i> +</p> +<p class="quote"> + She had upon her lips almost the light of a smile, with the fulness + of tears in her eyes…. The reflection of an angel was in her + look.—<i>Toilers of the Sea.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="BROWNING" id="BROWNING"></a>ROBERT BROWNING.</h2> +<p> </p> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> There is a vision in the heart of each</p> +<p class="i4"> Of justice, mercy, wisdom, tenderness</p> +<p class="i4"> To wrong and pain, and knowledge of its cure:</p> +<p class="i4"> And these embodied in a woman's form</p> +<p class="i4"> That best transmits them, pure as first received,</p> +<p class="i4"> From God above her, to mankind below.</p> +</div> +</div> +<p class="source"> +<i>Colombe's Birthday.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> This woman …</p> +<p class="i4"> … Being true, devoted, constant—she</p> +<p class="i4"> Found constancy, devotion, truth, the plain</p> +<p class="i4"> And easy commonplace of character.</p> +</div> +</div> +<p class="source"> +<i>The Inn Album.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> … The good and tender heart, </p> +<p class="i4"> Its girl's trust and its woman's constancy, </p> +<p class="i4"> How pure yet passionate, how calm yet kind, </p> +<p class="i4"> How grave yet joyous, how reserved yet free </p> +<p class="i4"> As light where friends are—how imbued with lore </p> +<p class="i4"> The world most prizes, yet the simplest. </p> +<hr /> +<p class="i10"> Herself creates </p> +<p class="i4"> The want she means to satisfy. </p> +</div> +</div> + +<p class="source"> +<i>A Blot on the 'Scutcheon.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Truly, the woman's way</p> +<p class="i4"> High to lift heart up.</p> +</div> +</div> +<p class="source"> +<i>Agamemnon.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> And Michal's face</p> +<p class="i4"> Still wears that quiet and peculiar light</p> +<p class="i4"> Like the dim circlet floating 'round a pearl.</p> +<hr /> +<p class="i4"> And yet her calm sweet countenance,</p> +<p class="i4"> Though saintly, was not sad; for she would sing</p> +<p class="i4"> Alone … bird-like,</p> +<p class="i4"> Not dreaming you were near.—Her carols dropt</p> +<p class="i4"> In flakes through that old leafy bower.</p> +</div> +</div> +<p class="source"> +<i>Paracelsus.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> … Such a lady, cheeks so round and lips so red,—</p> +<p class="i4"> On her neck the small face buoyant like a bell-flower on its bed.</p> +</div> +</div> +<p class="source"> +<i>Lyric.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p> There's a woman like a dew-drop, she's so purer than the purest; </p> +<p> And her noble heart's the noblest, yes, and her sure faith's the surest; </p> +<p> And her eyes are dark and humid, like the depth on depth of lustre </p> +<p> Hid i' the harebell, while her tresses, sunnier than the wild-grape cluster, </p> +<p> Gush in golden-tinted plenty down her neck's rose-misted marble; </p> +<p> Then her voice's music … call it the well's bubbling, the bird's warble! </p> +</div> +</div> + +<p class="source"> +<i>A Blot on the 'Scutcheon.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> How twinks thine eye, my Love, </p> +<p class="i4"> Blue as yon star-beam. </p> +</div> +</div> + +<p class="source"> +<i>Ferishtah's Fancies.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> That flower-like love of hers; </p> +<hr /> +<p class="i4"> She was true—she only of them all! </p> +<p class="i4"> True to her eyes, … those glorious eyes. </p> +<hr /> +<p class="i4"> With truth and purity go other gifts. </p> +<p class="i4"> All gifts come clustering to that. </p> +</div> +</div> + +<p class="source"> +<i>The Return of the Druses.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Good as beautiful is she, </p> +<p class="i4"> With gifts that match her goodness, no faint flaw </p> +<p class="i4"> I' the white;—she were the pearl you think you saw. </p> +</div> +</div> + +<p class="source"> +<i>Daniel Bartoli.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i12"> Since beneath my roof</p> +<p class="i4"> Housed she who made home heaven, in heaven's behoof</p> +<p class="i4"> I went forth every day, and all day long</p> +<p class="i4"> Worked for the world. Look, how the laborer's song</p> +<p class="i4"> Cheers him! Thus sang my soul, at each sharp throe</p> +<p class="i4"> Of laboring flesh and blood—"She loves me so!"</p> +</div> +</div> +<p class="source"> +<i>A Forgiveness.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> It is conspicuous in a woman's nature </p> +<p class="i4"> Before its view to take a grace for granted: </p> +<p class="i4"> Too trustful,—on her boundary, usurpature </p> +<p class="i4"> Is swftly made; </p> +<p class="i4"> But swftly, too, decayed, </p> +<p class="i4"> The glory perishes by woman vaunted. </p> +</div> +</div> + +<p class="source"> +<i>Agamemnon.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> That fawn-skin-dappled hair of hers; </p> +<p class="i10"> And the blue eye </p> +<p class="i10"> Dear and dewy, </p> +<p class="i4"> And that infantine fresh air of hers! </p> +<hr /> +<p class="i10"> Eyes and mouth too, </p> +<p class="i4"> All the face composed of flowers…. </p> +<hr /> +<p class="i4"> … The sweet face … </p> +<p class="i8"> Be its beauty </p> +<p class="i8"> Its sole duty! </p> +</div> +</div> + +<p class="source"> +<i>A Pretty Woman.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Women hate a debt as</p> +<p class="i4"> Men a gift.</p> +</div> +</div> +<p class="source"> +<i>In a Balcony.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> A pretty woman's worth some pains to see, </p> +<p class="i4"> Nor is she spoiled, I take it, if a crown </p> +<p class="i4"> Complete the forehead pale and tresses pure. </p> +</div> +</div> + +<p class="source"> +<i>Colombe's Birthday.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Sure, 'tis no woman's part to long for battle;</p> +<hr /> +<p class="i4"> Who conquers mildly</p> +<p class="i4"> God from afar benignantly regardeth.</p> +</div> +</div> +<p class="source"> +<i>Agamemnon.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Man's best and woman's worse</p> +<p class="i4"> Amount so nearly to the same thing.</p> +</div> +</div> +<p class="source"> +<i>Daniel Bartoli.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Nature's law … </p> +<p class="i4"> Given the peerless woman, certainly </p> +<p class="i4"> Somewhere shall be the peerless man to match. </p> +</div> +</div> + +<p class="source"> +<i>The Inn Album.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Show me where's the woman won without </p> +<p class="i4"> The help of one lie which she believes— </p> +<p class="i4"> That—never mind how things have come to pass, </p> +<p class="i4"> And let who loves have loved a thousand times— </p> +<p class="i4"> All the same he now loves her only, loves </p> +<p class="i4"> Her ever…. </p> +</div> +</div> + +<p class="source"> +<i>The Inn Album.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Girl with sparkling eyes….</p> +<hr /> +<p class="i4"> What an angelic mystery you are—</p> +<hr /> +<p class="i4"> You have a full fresh joyous sense of life</p> +<p class="i4"> That finds you out life's fit food everywhere;</p> +<hr /> +<p class="i4"> By joyance you inspire joy.</p> +</div> +</div> +<p class="source"> +<i>The Inn Album.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Now makes twice </p> +<p class="i4"> That I have seen her, walked and talked </p> +<p class="i4"> With the poor pretty thoughtful thing, </p> +<p class="i4"> Whose worth I weigh; she tries to sing: </p> +<p class="i4"> Draws, hopes in time the eye grows nice; </p> +<p class="i4"> Reads verse and thinks she understands; </p> +<p class="i4"> Loves all, at any rate, that's great, </p> +<p class="i4"> Good, beautiful…. </p> +</div> +</div> + +<p class="source"> +<i>Dis Aliter Visum.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Wave my lady dear a last farewell, </p> +<p class="i4"> Lamenting who to one and all of us </p> +<p class="i4"> Domestics was a mother, myriad harms </p> +<p class="i4"> She used to ward away from every one, </p> +<p class="i4"> And mollify her husband's ireful mood. </p> +</div> +</div> + +<p class="source"> +<i>Balaustion's Adventure.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Men? say you have the power </p> +<p class="i4"> To make them yours, rule men, throughout life's little hour, </p> +<p class="i4"> According to the phrase: what follows? </p> +<p class="i10"> Men, you make, </p> +<p class="i4"> By ruling them, your own; each man for his own sake </p> +<p class="i4"> Accepts you as his guide, avails him of what worth </p> +<p class="i4"> He apprehends in you to sublimate his earth </p> +<p class="i4"> With fire; content, if so you convey him through night, </p> +<p class="i4"> That you shall play the sun, and he, the satellite, </p> +<p class="i4"> Pilfer your light and heat and virtue, starry pelf, </p> +<p class="i4"> While, caught up by your course, he turns upon himself. </p> +</div> +</div> + +<p class="source"> +<i>Fifine at the Fair.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> Any sort of woman may bestow </p> +<p class="i4"> Her atom on the star, or clod she counts for such,— </p> +<p class="i4"> Each little making less bigger by just that much. </p> +<p class="i4"> Women grow you, while men depend on you at best. </p> +</div> +</div> + +<p class="source"> +<i>Fifine at the Fair.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Woman, and will you cast</p> +<p class="i4"> For a word, quite off at last</p> +<p class="i8"> Me your own, your You,—</p> +<p class="i4"> Love, if you knew the light</p> +<p class="i4"> That your soul casts in my sight,</p> +<p class="i8"> How I look to you</p> +<p class="i8"> For the pure and true,</p> +<p class="i4"> And the beauteous and the right,—</p> +<p class="i4"> Bear with a moment's spite</p> +<p class="i4"> When a mere mote threats the white!</p> +</div> +</div> +<p class="source"> +<i>A Lover's Quarrel.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i4"> Love, you did give all I asked, I think— </p> +<p class="i4"> More than I merit, yes, by many times. </p> +<p class="i4"> And perfect eyes, and more than perfect mouth, </p> +<p class="i4"> But had you—oh, with the same perfect brow, </p> +<p class="i4"> And the low voice my soul hears, as a bird </p> +<p class="i4"> The fowler's pipe, and follows to the snare— </p> +<p class="i4"> Had you, with these the same, but brought a mind! </p> +<p class="i4"> Some women do so. Had the mouth there urged, </p> +<p class="i4"> "God and the glory! never care for gain; </p> +<p class="i4"> The present by the future, what is that? </p> +<p class="i4"> Live for fame, side by side with Agnolo! </p> +<p class="i4"> Rafael is waiting: up to God, all three!" </p> +<p class="i4"> I might have done it for you. So it seems; </p> +<p class="i4"> Perhaps not. All is as God overrules. </p> +</div> +</div> + +<p class="source"> +<i>Andrea Del Sarto.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> All women love great men</p> +<p class="i4"> If young or old; it is in all the tales;</p> +<p class="i4"> Young beauties love old poets who can love—</p> +<hr /> +<p class="i4"> Who was a queen and loved a poet once</p> +<p class="i4"> Humpbacked, a dwarf? ah, women can do that!</p> +</div> +</div> +<p class="source"> +<i>In a Balcony.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> For women </p> +<p class="i4"> There is no good of life but love—but love! </p> +<p class="i4"> What else looks good, is some shade flung from love; </p> +<p class="i4"> Love gilds it, gives it worth. Be warned by me. </p> +<p class="i4"> Never you cheat yourself one instant! Love, </p> +<p class="i4"> Give love, ask only love, and leave the rest! </p> +</div> +</div> + +<p class="source"> +<i>In a Balcony.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i8"> Oh, the beautiful girl … </p> +<p class="i4"> … Her flesh was the soft seraphic screen </p> +<p class="i4"> Of a soul that is meant … </p> +<p class="i6"> To just see earth, and hardly be seen, </p> +<p class="i4"> And blossom in heaven instead. </p> +<p class="i4"> Yet earth saw one thing, one how fair? </p> +<p class="i6"> One grace that grew to its full … </p> +<p class="i4"> … She had her great gold hair. </p> +</div> +</div> + +<div class="poem"> +<div class="stanza"> +<p class="i4"> Hair, such a wonder of flix and floss, </p> +<p class="i6"> Freshness and fragrance—floods of it, too! </p> +<p class="i4"> Gold, did I say? Nay, gold's mere dross! </p> +</div> +</div> + +<p class="source"> +<i>Gold Hair.</i> +</p> +<div class="poem"> +<div class="stanza"> +<p class="i10"> She had </p> +<p class="i4"> A heart—how shall I say?—too soon made glad, </p> +<p class="i4"> Too easily impressed: she liked whate'er </p> +<p class="i4"> She looked on, and her looks went everywhere. </p> +<hr /> +<p class="i4"> 'Twas all one! My favour at her breast, </p> +<p class="i4"> The dropping of the daylight in the West, </p> +<p class="i4"> The bough of cherries some officious fool </p> +<p class="i4"> Broke in the orchard for her,—all and each </p> +<p class="i4"> Would draw from her alike the approving speech, </p> +<p class="i4"> Or blush at least … </p> +<p class="i4"> … Who'd stoop to blame </p> +<p class="i4"> This sort of trifling? </p> +</div> +</div> + +<p class="source"> +<i>My Last Duchess.</i> +</p> +<p> </p> +<p> </p> +<h2><a name="THACKERAY" id="THACKERAY"></a>W. M. THACKERAY.</h2> +<p> </p> + +<p class="quote"> + To be doing good for some one else, is the life of most good women. + They are exuberant of kindness, as it were, and must impart it to + some one.—<i>Henry Esmond.</i> +</p> +<p class="quote"> + Who ever accused women of being just? They are always sacrificing + themselves or somebody for somebody else's sake.—<i>Pendennis.</i> +</p> +<p class="quote"> + I think it is not national prejudice which makes me believe that a + high-bred English lady is the most complete of all Heaven's + subjects in this world. In whom else do you see so much grace, and + so much virtue; so much faith, and so much tenderness; with such a + perfect refinement and chastity? And by high-bred ladies I don't + mean duchesses and countesses. Be they ever so high in station, + they can be but ladies, and no more. But almost every man who lives + in the world has the happiness, let us hope, of counting a few such + persons amongst his circle of acquaintance,—women, in whose + angelical natures there is something awful, as well as beautiful, + to contemplate; at whose feet the wildest and fiercest of us must + fall down and humble ourselves, in admiration of that adorable + purity which never seems to do or to think wrong.—<i>Pendennis.</i> +</p> +<p class="quote"> + What kind-hearted woman, young or old, does not love + match-making?—<i>The Newcomes.</i> +</p> +<p class="quote"> + Who does not know how ruthlessly women will tyrannize when they are + let to domineer? And who does not know how useless advice is?… A + man gets his own experience about women, and will take nobody's + hearsay; nor, indeed, is the young fellow worth a fig that + would.—<i>Henry Esmond.</i> +</p> +<p class="quote"> + Stupid! Why not? Some women ought to be stupid. What you call + dullness I call repose. Give me a calm woman, a slow woman,—a + lazy, majestic woman. Show me a gracious virgin bearing a lily; + not a leering giggler frisking a rattle. A lively woman would be + the death of me…. Why shouldn't the Sherrick be stupid, I say? + About great beauty there should always reign a silence. As you look + at the great stars, the great ocean, any great scene of nature, you + hush, sir. You laugh at a pantomime, but you are still in a temple. + When I saw the great Venus of the Louvre, I thought,—Wert thou + alive, O goddess, thou shouldst never open those lovely lips but to + speak lowly, slowly; thou shouldst never descend from that pedestal + but to walk stately to some near couch, and assume another attitude + of beautiful calm. To be beautiful is enough. If a woman can do + that well; who shall demand more from her? You don't want a rose to + sing. And I think wit is as out of place where there's great + beauty; as I wouldn't have a queen to cut jokes on her + throne.—<i>The Newcomes.</i> +</p> +<p class="quote"> + And so it is,—a pair of bright eyes with a dozen glances suffice + to subdue a man; to enslave him, and inflame him; to make him even + forget; they dazzle him so that the past becomes straightway dim to + him; and he would give all his life to possess 'em.—<i>Henry + Esmond.</i> +</p> +<p class="quote"> + She is as good a little creature as can be. She is never out of + temper; I don't think she is very wise; but she is uncommonly + pretty, and her beauty grows on you…. I look at her like a little + wild-flower in a field,—like a little child at play, sir. Pretty + little tender nursling. If I see her passing in the street I feel + as if I would like some fellow to be rude to her that I might have + the pleasure of knocking him down. She is like a little songbird, + sir,—a tremulous, fluttering little linnet that you would take + into your hand, and smooth its little plumes, and let it perch on + your finger and sing.—<i>The Newcomes.</i> +</p> +<p class="quote"> + That fine blush which is her pretty symbol of youth, modesty, and + beauty…. I never saw such a beautiful violet as that of her eyes. + Her complexion is of the pink of the blush-rose.—<i>The Newcomes.</i> +</p> +<p class="quote"> + + He thought and wondered at the way in which women play with men, + and coax them and win them and drop them.—<i>Pendennis.</i> +</p> +<p class="quote"> + It was this lady's disposition to think kindnesses, and devise + silent bounties and to scheme benevolence, for those about her. We + take such goodness, for the most part, as if it were our due; the + Marys who bring ointment for our feet get but little thanks. Some + of us never feel this devotion at all, or are moved by it to + gratitude or acknowledgment; others only recall it years after, + when the days are past in which those sweet kindnesses were spent + on us, and we offer back our return for the debt by a poor tardy + payment of tears. The forgotten tones of love recur to us, and kind + glances shine out of the past—O so bright and clear!—O so longed + after! because they are out of reach; as holiday music from + with-inside a prison wall—or sunshine seen through the bars; more + prized because unattainable, more bright because of the contrast of + present darkness and solitude, whence there is no escape.—<i>Henry + Esmond.</i> +</p> +<p class="quote"> + In houses where, in place of that sacred, inmost flame of love, + there is discord at the centre, the whole household becomes + hypocritical, and each lies to his neighbor…. Alas that youthful + love and truth should end in bitterness and bankruptcy…. 'Tis a + hard task for women in life, that mask which the world bids them + wear. But there is no greater crime than for a woman who is ill + used and unhappy to show that she is so. The world is quite + relentless about bidding her to keep a cheerful face.—<i>Henry + Esmond.</i> +</p> +<p class="quote"> + O, what a mercy it is that these women do not exercise their powers + oftener. We can't resist them if they do. Let them show ever so + little inclination and men go down on their knees at once; old or + ugly it is all the same, and this I set down as a positive truth. A + woman with fair opportunities, and without an absolute hump, may + marry whom she likes. Only let us be thankful that the darlings are + like the beasts of the field and don't know their own powers. They + would overcome us entirely if they did.—<i>The Newcomes.</i> +</p> +<p class="quote"> + As for women—O my dear friends and brethren in this vale of + tears—did you ever see anything so curious and monstrous and + annoying as the way in which women court Princekin when he is + marriageable!—<i>The Newcomes.</i> +</p> +<p class="quote"> + She was as gentle and amenable to reason, as good-natured a girl + as could be; a little vacant and silly, but some men like dolls for + wives.—<i>The Newcomes.</i> +</p> +<p class="quote"> + She had been bred to measure her actions by a standard which the + world may nominally admit, but which it leaves for the most part + unheeded. Worship, love, duty, as taught her by the devout study of + the sacred law which interprets and defines it—if these formed the + outward practice of her life, they were also its constant and + secret endeavor and occupation. She spoke but very seldom of her + religion, though it filled her heart and influenced all her + behavior. What must the world appear to such a person?—<i>The + Newcomes.</i> +</p> +<p class="quote"> + There are ladies, who may be called men's women, being welcomed + entirely by all the gentlemen, and cut or slighted by all their + wives…. But while simple folks who are out of the world, or + country people with a taste for the genteel, behold these ladies in + their seeming glory in public places, or envy them from afar off, + persons who are better instructed could inform them that these + envied ladies have no more chance of establishing themselves in + "Society," than the benighted squire's wife in Somersetshire, who + reads of their doings in the <i>Morning Post</i>. Men living about town + are aware of these awful truths. You hear how pitilessly many + ladies of seeming rank and wealth are excluded from this "Society." + The frantic efforts which they make to enter this circle, the + meannesses to which they submit, the insults which they undergo, + are matters of wonder to those who take human or woman kind for a + study; and the pursuit of fashion under difficulties would be a + fine theme for any very great person who had the wit, the leisure, + and the knowledge of the English language necessary for the + compiling of such a history.—<i>Vanity Fair.</i> +</p> +<p class="quote"> + I can fancy nothing more cruel than to have to sit day after day + with a dull handsome woman opposite; to answer her speeches about + the weather, housekeeping, and what not…. Women go through this + simpering and smiling life and bear it quite easily. Theirs is a + life of hypocrisy. What good woman does not laugh at her husband's + or father's jokes and stories time after time and would not laugh + at breakfast, lunch, and dinner if he told them? Flattery is their + nature,—to coax, flatter, and sweetly befool some one is every + woman's business. She is none, if she declines this office.—<i>The + Newcomes.</i> +</p> +<p class="quote"> + He had placed himself at her feet so long that the poor little + woman had been accustomed to trample upon him. She didn't wish to + marry him, but she wished to keep him. She wished to give him + nothing, but that he should give her all. It is a bargain not + unfrequently levied in love.—<i>Vanity Fair.</i> +</p> +<p class="quote"> + Every woman would rather be beautiful, than be anything else in the + world,—ever so rich, or ever so good, or have all the gifts of the + fairies.—<i>The Virginians.</i> +</p> +<p class="quote"> + If a man is in grief, who cheers him; in trouble, who consoles + him; in wrath, who soothes him; in joy, who makes him doubly happy; + in prosperity, who rejoices; in disgrace, who backs him against the + world, and dresses with gentle unguents and warm poultices the + rankling wounds made by the stings and arrows of outrageous + Fortune? Who but woman, if you please? You who are ill and sore + from the buffets of Fate, have you one or two of these sweet + physicians? Return thanks to the gods that they have left you so + much of consolation. What gentleman is not more or less a + Prometheus? Who has not his rock, his chain? But the sea-nymphs + come,—the gentle, the sympathizing; … they do their blessed best + to console us Titans; <i>they</i> don't turn their backs upon us after + our overthrow.—<i>The Virginians.</i> +</p> +<p class="quote"> + Is not a young mother one of the sweetest sights which life shows + us? If she has been beautiful before, does not her present pure joy + give a character of refinement and sacredness almost to her beauty, + touch her sweet cheeks with fairer blushes, and impart I know not + what serene brightness to her eyes?—<i>The Newcomes.</i> +</p> +<p class="quote"> + This lady moved through the world quite regardless of all the + comments that were made in her praise or disfavor. She did not seem + to know that she was admired or hated for being so perfect, but + went on calmly through life, saving her prayers, loving her family, + helping her neighbors, and doing good.—<i>Pendennis.</i> +</p> +<p class="quote"> + She had a fault of character which flawed her perfections. With + the other sex perfectly tolerant and kindly, of her own she was + invariably jealous; and a proof that she had this vice is, that + though she would acknowledge a thousand faults that she had not, to + which she had she could never be got to own.—<i>Henry Esmond.</i> +</p> +<p class="quote"> + She was a critic, not by reason, but by feeling. Feeling was her + reason.—<i>Henry Esmond.</i> +</p> +<p class="quote"> + Her eyes were gray; her voice low and sweet: and her smile when it + lighted up her face and eyes as beautiful as spring sunshine, also, + they could brighten and flash often, and sometimes though rarely + rain.—<i>Pendennis.</i> +</p> + + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's What Great Men Have Said About Women, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + +***** This file should be named 16418-h.htm or 16418-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/4/1/16418/ + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: What Great Men Have Said About Women + Ten Cent Pocket Series No. 77 + +Author: Various + +Editor: Marcet Haldeman-Julius + +Release Date: August 2, 2005 [EBook #16418] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + + + + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + +TEN CENT POCKET SERIES NO. 77 + +Edited by E. Haldeman-Julius + + +WHAT GREAT MEN HAVE SAID ABOUT WOMEN + + +HALDEMAN-JULIUS COMPANY +GIRARD. KANSAS + + + + + SHAKESPEARE. + + + Where is any author in the world + Teaches such beauty as a woman's eye? + + _Love's Labour's Lost, A. 4, S. 3._ + + + The idea of her life shall sweetly creep + Into his study of imagination; + And every lovely organ of her life + Shall come apparel'd in more precious habit, + More moving-delicate, and full of life, + Into the eye and prospect of his soul. + + _Much Ado About Nothing, A. 4, S. 1._ + + + Kindness in women, not their beauteous looks, + Shall win my love. + + _Taming of the Shrew, A. 4, S. 2._ + + + Win her with gifts, if she respect not words; + Dumb jewels often, in their silent kind, + More than quick words, do move a woman's mind. + + _Two Gentlemen of Verona, A. 3, S. 1._ + + + You, that have so fair parts of woman on you, + Have too a woman's heart: which ever yet + Affected eminence, wealth, sovereignty. + + _Henry VIII., A. 2, S. 3._ + + + 'Tis beauty that doth oft make women proud; + 'Tis virtue that doth make them most admired. + + _Henry VI., Pt. 3, A. 1, S. 4._ + + + From woman's eyes this doctrine I derive; + They sparkle still the right Promethean fire; + They are the books, the arts, the academes, + That show, contain, and nourish all the world. + + _Love's Labour's Lost, A. 4, S. 3._ + + + Her voice was ever soft, + Gentle, and low: an excellent thing in woman. + + _King Lear, A. 5, S. 3._ + + + Have you not heard it said full oft, + A woman's nay doth stand for naught? + + _The Passionate Pilgrim, Line 14._ + + + Thou shalt find she will outstrip all praise, + And make it halt behind her. + + _The Tempest, A. 4. S. 1._ + + + Good name in man and woman, + Is the immediate jewel of their souls. + + _Othello, A. 3, S. 3._ + + + Women are soft, pitiful, and flexible. + + _Henry VI., Pt. 3, A. 1. S. 4._ + + + Such duty as the subject owes the prince, + Even such a woman oweth to her husband; + And, when she's froward, peevish, sullen, sour, + And not obedient to his honest will, + What is she, but a contending rebel, + And graceless traitor to her loving lord? + + _Taming of the Shrew, A. 5, S. 2._ + + + Age cannot wither her, nor custom stale + Her infinite variety: other women cloy + The appetites they feed: but she makes hungry + Where most she satisfies. + + _Antony and Cleopatra, A. 2, S. 2._ + + + She's beautiful, and therefore to be wooed; + She is a woman, therefore to be won. + + _Henry VI., Pt. 1, A. 5, S. 3._ + + + Say, that she rail; why, then I'll tell her plain + She sings as sweetly as a nightingale; + Say, that she frown; I'll say, she looks as clear + As morning roses newly wash'd with dew; + Say, she be mute, and will not speak a word; + Then I'll commend her volubility, + And say she uttereth piercing eloquence. + + _Taming of the Shrew, A. 2, S. 1._ + + + Flatter, and praise, commend, extol their graces; + ... Say they have angels' faces. + That man that hath a tongue, I say, is no man, + If with his tongue he cannot win a woman. + + _Two Gentlemen of Verona, A. 3. S. 1._ + + + Bethink thee on her virtues that Surmount, + And natural graces that extinguish art; + * * * * * + And, which is more, she is not so divine, + So full-replete with choice of all delights, + But, with as humble lowliness of mind, + She is content to be at your command. + + _Henry VI., Pt. 1, A. 5, S. 5._ + + + Let still the woman take + An elder than herself; so wears she to him, + So sways she level in her husband's heart. + For, boy, however we do praise ourselves, + Our fancies are more giddy and unfirm, + More longing, wavering, sooner lost and worn. + Than women's are. + + _Twelfth Night, A. 2, S. 4. + + + 'Tis beauty truly blent, whose red and white + Nature's own sweet and cunning hand laid on. + + _Twelfth Night, A. 1, S. 5._ + + + Fresh tears + Stood on her cheeks, as doth the honey-dew + Upon a gather'd lily almost wither'd. + + _Titus Andronicus, A. 3, S. 1._ + + + Patience and sorrow strove + Who should express her goodliest. You have seen + Sunshine and rain at once; her smiles and tears + Were like a better day: those happy smilets, + That play'd on her ripe lip, seem'd not to know + What guests were in her eyes; which parted thence, + As pearls from diamonds dropp'd. + + _King Lear, A. 4, S. 2._ + + + She is mine own; + And I as rich in having such a jewel + As twenty seas, if all their sand were pearl, + The water nectar, and the rocks pure gold. + + _Two Gentlemen of Verona, A. 2, S. 4._ + + + A woman impudent and mannish grown + Is not more loath'd than an effeminate man + In time of action. + + _Troilus and Cressida, A. 3, S. 3._ + + + A woman's face, with Nature's own hand painted, + Hast thou ... + A woman's gentle heart, but not acquainted + With shifting change, as is false woman's fashion: + An eye more bright than theirs, less false in rolling + Gilding the object whereupon it gazeth. + + _Sonnet XX._ + + + No other but a woman's reason; + I think him so, because I think him so. + + _Two Gentlemen of Verona, A. 1, S. 2._ + + + The hand that hath made you fair hath made + you good: the goodness that is cheap in beauty + makes beauty brief in goodness; but grace + being the soul of your complexion, should keep + the body of it ever fair. + + _Measure for Measure, A. 3, S. 1._ + + + If ladies be but young and fair, + They have the gift to know it. + + _As You Like It, A. 2, S. 7._ + + + If she do frown, 'tis not in hate of you, + But rather to beget more love in you: + If she do chide, 'tis not to have you gone; + * * * * * + Take no repulse, whatever she doth say; + For "_Get you gone_," she doth not mean "_Away!_" + + _Two Gentlemen of Verona, A. 3, S. 1._ + + + She never told her love, + But let concealment, like a worm i' the bud, + Feed on her damask cheek: she pin'd in thought, + And, with a green and yellow melancholy, + She saw, like Patience on a monument, + Smiling at grief. + + _Twelfth Night, A. 2, S. 4._ + + + She shall be + A pattern to all ... living with her.... + Holy and heavenly thoughts shall still counsel her; + She shall be lov'd and fear'd. Her own shall bless her.... + ... Those about her + From her shall read the perfect ways of honour.... + ... Yet a virgin, + A most unspotted lily shall she pass + To the ground, and all shall mourn her. + + _Henry VIII., A. 5, S. 4._ + + + + + JOHN MILTON. + + + Grace was in all her steps, Heaven in her eye, + In every gesture dignity and love. + + _Paradise Lost, Book 8._ + + + When I approach + Her loveliness, so absolute she seems + And in herself complete, so well to know + Her own, that what she wills to do or say + Seems wisest, virtuest, discreetest, best. + + _Paradise Lost, Book 8._ + + + Nothing lovelier can be found + In woman than to study household good, + And good works in her husband to promote. + + _Paradise Lost, Book 9._ + + + For contemplation he and valour form'd; + For softness she and sweet attractive grace; + He for God only, she for God in him. + + _Paradise Lost, Book 4._ + + + Among daughters of men ... + Many are in each region passing fair + As the noon sky; more like to goddesses + Than mortal creatures; graceful and discreet; + ... Persuasive ... + Such objects have the power to soften and tame + Severest temper. + + _Paradise Regained, Book 2._ + + + Ladies, whose bright eyes + Rain influence. + + _L'Allegro._ + + + Love, sweetness, goodness, in her person shined. + + _Sonnet._ + + + O fairest of Creation, last and best + Of all God's works, creature in whom excell'd + Whatever can to sight or thought be form'd, + Holy, divine, good, amiable, or sweet! + + _Paradise Lost, Book 9._ + + + Curiosity, inquisitive, importune + Of secrets, then with like infirmity + To publish them, both common female faults. + + _Samson Agonistes._ + + + In argument with men, a woman ever + Goes by the worse, whatever be her cause. + + _Samson Agonistes._ + + + Thus it will befall + Him who to worth in woman overturning + Lets her will rule; restraint she will not brook, + And left to herself, if evil thence ensue, + She first his weak indulgence will accuse. + + _Paradise Lost, Book 9._ + + + Daughter of God ... + I, from the influence of thy looks, receive + Access in every virtue: and in thy sight + More wise, more watchful, stronger, if need were + Of outward strength; while shame, thou looking on. + Shame to be overcome or overreach'd. + Would utmost vigour raise, and raised unite. + Why shouldst not thou like sense within thee feel + When I am present, and thy trial choose + With me, best witness of thy virtue tried? + + _Paradise Lost, Book 9._ + + + By his countenance he seem'd + Entering on studious thoughts abstruse; which Eve + Perceiving, where she sat retired in sight, + With lowliness majestic from her seat, + And grace that won who saw to wish her stay, + Rose, and went forth among her fruits and flowers, + To visit how they prosper'd, bud and bloom, + Her nursery; they at her coming sprung, + And, touch'd by her fair tendance gladlier grew. + + _Paradise Lost, Book 8._ + + + So dear to Heaven is saintly chastity, + That, when a soul is found sincerely so + A thousand liveried angels lackey her, + Driving far off each thing of sin and guilt, + And in clear dream and solemn vision + Tell her of things that no gross ear can hear; + Till oft converse with heavenly habitants + Begin to cast a beam on the outward shape. + + _Comus._ + + + A smile that glow'd + Celestial rosy red, love's proper hue. + + _Paradise Lost, Book 8._ + + + She has a hidden strength ... + ... The strength of Heaven, + It may be termed her own. + 'Tis chastity ... chastity.... + She that has that, is clad in complete steel; + And, like a quiver'd Nymph with arrows keen, + May trace huge forests, and unharbour'd heaths, + ... and sandy perilous wilds ... + She may pass on with unblench'd majesty + Be it not done in pride, or in presumption. + + _Comus._ + + + O Woman, in thy native innocence, rely + On what thou hast of virtue: summon all, + For God toward thee hath done His part, do thine. + + _Paradise Lost, Book 9._ + + + What higher in her society thou find'st + Attractive, human, rational, love still; + In loving thou dost well, in passion not + Wherein true love consists not. + + _Paradise Lost, Book 8._ + + + The wife, where danger or dishonour lurks, + Safest and seemliest by her husband stays, + Who guards her, or with her the worst endures. + + _Paradise Lost, Book 9._ + + + Greatness of mind and nobleness their seat + Build in her loveliest, and create an awe + About her, as a guard angelic placed. + + _Paradise Lost, Book 8._ + + + Those graceful acts, + Those thousand decencies that daily flow + From all her words and actions mix'd with love + And sweet compliance, which declare unfeign'd + Union of mind, or in us both one soul; + Harmony to behold in wedded pair + More grateful than harmonious sound to the ear. + + _Paradise Lost, Book 8._ + + + Come, pensive Nun, devout and pure, + Sober, steadfast, and demure. + * * * * * + With even step and musing gait; + And looks commercing with the skies, + Thy wrapt soul sitting in thine eyes. + + _Il Penseroso._ + + + Innocence and virgin modesty + Her virtue, and the conscience of her worth, + That would be woo'd, and not unsought be won + Not obvious, not obtrusive, but retired + The more desirable. + + _Paradise Lost, Book 8._ + + + Lady, thy care is fix'd, and zealously attends + To fill thy odorous lamp with deeds of light. + And hope that reaps not shame. + + _Sonnet._ + + + A creature ... + ... So lovely fair, + That what seem'd fair in all the world seem'd now + Mean, or in her summ'd up, in her contain'd. + + _Paradise Lost, Book 8._ + + + All things from her air inspired + The spirit of love and amorous delight. + + _Paradise Lost, Book 8._ + + + It is for homely features to keep home-- + They had their name thence: coarse complexions + And cheeks of sorry grain will serve to ply + The sampler and to tease the housewife's wool. + + _Comus._ + + + With dispatchful looks in haste + She turns, on hospitable thoughts intent. + What choice to choose for delicacy best, + What order, so contrived, as not to mix + Tastes, not well join'd, inelegant, but bring + Taste after taste upheld with kindliest change. + + _Paradise Lost, Book 5._ + + + I do not think my sister ... + ... So unprincipled in Virtue's book + And the sweet peace that goodness bosoms ever, + As that single want of light and noise + Could stir the constant mood of her calm thoughts, + And put them into misbecoming plight. + Virtue could see to do what Virtue would + By her own radiant light, though sun and moon + Were in the flat sea sunk. And Wisdom's self + Oft seeks to sweet retired solitude: + Where, with her best nurse, Contemplation, + She plumes her feathers, and lets grow her wings. + That in the various bustle of resort + Were all too ruffled, and sometimes impair'd. + + _Comus._ + + + + + LORD BYRON. + + + Around her shone + The nameless charms unmark'd by her alone: + The light of love, the purity of grace, + The mind, the music breathing from her face, + The heart whose softness harmonized the whole-- + And, oh! that eye was in itself a soul! + + _The Bride of Abydos, Canto 1._ + + + Maidens, like moths, are ever caught by glare, + And Mammon wins his way where seraphs might despair. + + _Childe Harold's Pilgrimage, Canto 1._ + + + She was a form of life and light, + That, seen, became a part of sight; + And rose wher'er I turned mine eye, + The morning-star of memory! + + _The Giaour._ + + + You know, or ought to know, enough of women, + Since you have studied, them so steadily, + That what they ask in aught that touches on + The heart, is dearer to their feelings or + Their fancy than the whole external world. + + _Sardanapalus, A. 4._ + + + Oh! too convincing--dangerously dear-- + In woman's eye the unanswerable tear! + That weapon of her weakness she can wield + To save, subdue--at once her spear and shield. + + _Corsair, Canto 2._ + + + Who hath not proved how feebly words essay + To fix one spark of beauty's heavenly ray? + Who doth not feel, until his failing sight + Faints into dimness with its own delight, + His changing cheek, his sinking heart confess + The might--the majesty of loveliness? + + _Bride of Abydos, Canto 1._ + + + So bright the tear in beauty's eye, + Love half regrets to kiss it dry; + So sweet the blush of bashfulness, + Even pity scarce can wish it less! + + _The Bride of Abydos, Canto 1._ + + + Her glossy hair was cluster'd o'er a brow + Bright with intelligence, and fair and smooth; + Her eyebrow's shape was like the aerial bow + Her cheek all purple with the beam of youth + Mounting, at times to a transparent glow, + As if her veins ran lightning. + + _Don Juan, Canto 1._ + + + Man's love is of man's life a thing apart, + Is woman's whole existence. + + _Don Juan, Canto 1._ + + + Her very smile was haughty, though so sweet; + Her very nod was not an inclination; + There was a self-will even in her small feet, + As though they were quite conscious of her station;-- + * * * * * + But nature teaches more than power can spoil, + And when a strong although a strange sensation + Moves--female hearts are such a genial soil + For kinder feelings, whatsoe'er their nation. + They naturally pour the "wine and oil," + Samaritans in every situation. + + _Don Juan, Canto 5._ + + + The earth has nothing like a she epistle, + And hardly heaven--because it never ends. + I love the mystery of a female missal, + Which like a creed ne'er says all it intends. + + _Don Juan, Canto 13._ + + + Her chief resource was in her own high spirit, + Which judged mankind at their due estimation; + And for coquetry, she disdain'd to wear it: + Secure of admiration, its impression + Was faint, as of an every-day possession. + + _Don Juan, Canto 13._ + + + An eye's an eye, and whether black or blue, + Is no great matter, so 'tis in request. + 'Tis nonsense to dispute about a hue, + The kindest may be taken as a test. + The fair sex should be always fair; and no man + Till thirty, should perceive there's a plain woman. + + _Beppo._ + + + + She was not violently lively, but + Stole on your spirit like a May-day breaking; + Her eyes were not too sparkling, yet, half shut, + They put beholders in a tender taking. + + _Don Juan, Canto 6._ + + + The very first + Of human life must spring from woman's breast, + Your first small words are taught you from her lips, + Your first tears quench'd by her, and your last sighs + Too often breathed out in a woman's hearing, + When men have shrunk from the ignoble care + Of watching the last hour of him who led them. + + _Sardanapalus, A. 1._ + + + Soft, as the memory of buried love; + Pure, as the prayer which childhood wafts above + Was she. + + _Bride of Abydos; Canto 1._ + + + She was a soft landscape of mild earth, + Where all was harmony, and calm and quiet, + Luxuriant, budding; cheerful without mirth, + Which, if not happiness, is more nigh it + Than are your mighty passions and so forth, + Which some call "the sublime": I wish they'd try it; + I've seen your stormy seas and stormy women, + And pity lovers rather more than seamen. + + _Don Juan, Canto 6._ + + + The tender blue of that large loving eye. + + _The Corsair, Canto 1._ + + + Now Laura moves along the joyous crowd, + Smiles in her eyes, and simpers on her lips; + To some she whispers, others speaks aloud; + To some she curtsies, and to some she dips; + Complains of warmth, and this complaint avow'd, + Her lover brings the lemonade,--she sips: + She then surveys, condemns, but pities still + Her dearest friends for being drest so ill. + One had false curls, another too much paint, + A third--where did she buy that frightful turban? + A fourth's so pale she fears she's going to faint, + A fifth's look's vulgar, dowdyish, and suburban, + A sixth's white silk has got a yellow tint, + A seventh's thin muslin surely will be her bane, + And lo! an eighth appears,--I'll see no more! + For fear, like Banquo's kings, they reach a score. + + _Beppo._ + + + She was blooming still, had made the best + Of time, and time return'd the compliment, + And treated her genteely, so that, drest, + She look'd extremely well where'er she went; + A pretty woman is a welcome guest, + And her brow a frown had rarely bent; + Indeed she shone all smiles, and seem'd to flatter + Mankind with her black eyes for looking at her. + + _Beppo._ + + + I think, with all due deference + To the fair _single_ part of the creation, + That married ladies should preserve the preference + In tete-a-tete or general conversation-- + Because they know the world, and are at ease, + And being natural, naturally please. + + _Beppo._ + + + She walks in beauty, like the night + Of cloudless climes and starry skies; + And all that's best of dark and bright + Meet in her aspect and her eyes; + Thus mellow'd to that tender light + Which heaven to gaudy day denies. + + One shade the more, one ray the less, + Had half impair'd the nameless grace + Which waves in every raven tress, + Or softly lightens o'er her face; + Where thoughts serenely sweet express + How pure, how dear their dwelling-place. + + And on that cheek, and o'er that brow, + So soft, so calm, yet eloquent, + The smiles that win, the tints that glow, + But tell of days in goodness spent, + A mind at peace with all below, + A heart whose love is innocent! + + _Hebrew Melodies._ + + + I saw thee weep--the big bright tear + Came o'er that eye of blue: + And then methought it did appear + A violet dropping dew; + I saw thee smile--the sapphire's blaze + Beside thee ceased to shine, + It could not match the living rays + That fill'd that glance of thine. + + As clouds from yonder sun receive + A deep and mellow die, + Which scarce the shade of coming eve + Can banish from the sky, + Those smiles unto the moodiest mind + Their own pure joy impart; + Their sunshine leaves a glow behind + That lightens o'er the heart. + + _Hebrew Melodies._ + + + I have observed your sex, once roused to wrath, + Are timidly vindictive to a pitch + Of perseverance, which I would not copy. + + _Sardanapalus, A. 2._ + + + She was pensive more than melancholy, + And serious more than pensive, and serene, + It may be, more than either ... + The strangest thing was, beauteous, she was wholly + Unconscious, albeit turn'd of quick seventeen, + That she was fair, or dark, or short, or tall; + She never thought about herself at all. + + _Don Juan, Canto 6. + _ + + A learned lady, famed + For every branch of every science known-- + In every Christian language ever named, + With virtues equall'd by her wit alone. + She made the cleverest people quite ashamed, + And even the good with inward envy groan, + Finding themselves so very much exceeded + In their own way by all the things that she did. + + _Don Juan, Canto 1._ + + + 'Tis pity learned virgins ever wed + With persons of no sort of education, + Or gentlemen who, though well-born and bred, + Grow tired of scientific conversation: + * * * * * + Oh! ye lords of ladies intellectual, + Inform us truly, have they not hen-peck'd you all? + + _Don Juan, Canto 1._ + + + What a strange thing is man! and what a stranger + Is woman? what a whirlwind is her head, + And what a whirlpool full of depth and danger + Is all the rest about her! whether wed, + Or widow, maid, or mother, she can change her + Mind like the wind; whatever she has said + Or done, is light to what she'll say or do;-- + The oldest thing on record, and yet new! + + _Don Juan, Canto 9._ + + + Round her she made an atmosphere of life, + The very air seem'd lighter from her eyes, + They were so soft and beautiful, and rife + With all we can imagine of the skies;-- + * * * * * + Her overpowering presence made you feel, + It would not be idolatry to kneel. + + _Don Juan, Canto 3._ + + + Through her eye the Immortal shone; + * * * * * + Her eyes' dark charm 'twere vain to tell, + But gaze on that of the gazelle, + It will assist thy fancy well; + As large, as languishingly dark, + But soul beamed forth in every spark + That darted from beneath the lid, + Bright as the jewel of Giamschid, + Yea, soul! + + _The Giaour._ + + + So--this feminine farewell + Ends as such partings end, in _no_ departure. + + _Sardanapalus, A. 4._ + + + + + SIR WALTER SCOTT. + + + Even the most simple and unsuspicious of the female sex have (God + bless them!) an instinctive sharpness of perception in love + matters, which sometimes goes the length of observing partialities + that never existed, but rarely misses to detect such as pass + actually under their observation.--_Waverley._ + + + Her accents stole + On the dark visions of their soul, + And bade their mournful musings fly, + Like mist before the zephyr's sigh. + + _Rokeby, Canto 4._ + + + She sung with great taste and feeling, and with a respect to the + sense of what she uttered, that might be proposed in example to + ladies of much superior musical talent. Her natural good sense + taught her, that if, as we are assured, "music must be married to + immortal verse," they are very often divorced by the performer in a + most shameful manner. It was perhaps owing to this sensibility to + poetry, and combining its expression with those of the musical + notes, that her singing gave more pleasure to all the unlearned in + music, and even to many of the learned, than could have been + communicated by a much finer voice and more brilliant execution, + unguided by the same delicacy of feeling.--_Waverley._ + + + Like every beautiful woman, she was conscious of her own power, and + pleased with its effects.... But as she possessed excellent sense, + she gave accidental circumstances, full weight in appreciating the + feeling she aroused.--_Waverley._ + + + There was a soft and pensive grace, + A cast of thought upon her face, + That suited well the forehead high, + The eye-lash dark, and downcast eye; + The mild expression spoke a mind + In duty firm, composed, resign'd. + + _Rokeby, Canto 4._ + + + The rose, with faint and feeble streak + So slightly tinged the maiden's cheek, + That you had said her hue was pale; + But if she faced the summer-gale, + Or spoke, or sung, or quicker moved, + Or heard the praise of those she loved, + Or when of interest was express'd + Aught that waked feeling in her breast, + That mantling blood in ready play + Rivall'd the blush of rising day. + + _Rokeby, Canto 4._ + + + What woman knows not her own road to victory?--_The Talisman._ + + + She had been beautiful, and was stately and majestic in her + appearance. Endowed by nature with strong powers and violent + passions, experience had taught her to employ the one, and to + conceal, if not to moderate, the other. She was a severe and strict + observer of the external forms, at least, of devotion; her + hospitality was splendid, even to ostentation; her address and + manners were grave, dignified, and severely regulated by the rules + of etiquette.... And yet, with all these qualities to excite + respect, she was seldom mentioned in the terms of love or + affection. Interest,--the interest of her family, if not her + own--seemed too obviously the motive of her actions: and when this + is the case, the sharp-judging and malignant public are not easily + imposed upon by outward show.--_The Bride of Lammermoor._ + + + Reasoning--like a woman, to whom external appearance is scarcely in + any circumstance a matter of unimportance, and like a beauty who + has confidence in her own charms.--_Kenilworth._ + + + Her affection and sympathy dictated at once the kindest course. + Without attempting to control the torrent of grief in its full + current, she gently sat her down beside the mourner.... She waited + a more composed moment to offer her little stock of consolation in + deep silence and stillness.--_The Betrothed._ + + + Her kindness and her worth to spy + You need but gaze on Ellen's eye; + Not Katrine in her mirror blue, + Gives back the shaggy banks more true, + Than every free-born glance confess'd + The guileless movements of her breast; + Whether joy danced in her dark eye, + Or woe or pity claim'd a sigh, + Or filial love was glowing there, + Or meek devotion pour'd a prayer. + Or hate of injury call'd forth + The indignant spirit of the North. + One only passion unreveal'd, + With maiden pride, the maid conceal'd, + Yet no less purely felt the flame-- + O need I tell that passion's name? + + _The Lady of the Lake, Canto 1._ + + + She is fairer in feature than becometh a man of my order to speak + of; and she has withal a breathing of her father's lofty spirit. + The look and the word of such a lady will give a man double + strength in the hour of need.--_The Betrothed._ + + + Her smile, her speech, with winning sway, + Wiled the old harper's mood away. + With such a look as hermits throw + When angels stoop to soothe their woe, + He gazed, till fond regret and pride + Thrill'd to a tear. + + _The Lady of the Lake, Canto 2._ + + + All her soul is in her eye, + Yet doubts she still to tender free + The wonted words of courtesy. + * * * * * + Go to her now--be bold of cheer, + While her soul floats 'twixt hope and fear: + It is the very change of tide, + When best the female heart is tried-- + Pride, prejudice ... + Are in the current swept to sea. + + _Rokeby, Canto 2._ + + + She was highly accomplished; yet she had not learned to substitute + the gloss of politeness for the reality of feeling.--_Waverley._ + + + A deep-thinking and impassioned woman, ready to make exertions + alike, and sacrifices, with all that vain devotion to a favorite + object of affection, which is often so basely rewarded.--_The + Fortunes of Nigel._ + + + The spotless virgin fears not the raging lion.--_The Talisman._ + + + Sweet was her blue eye's modest smile ... + And down her shoulders graceful roll'd + Her locks profuse of paly gold ... + She charm'd at once, and tamed the heart. + + _Marmion, Canto 5._ + + + At length, an effort sent apart + The blood that curdled to her heart, + And light came to her eye, + And color dawn'd upon her cheek, + A hectic and a flutter'd streak. + * * * * * + And when her silence broke at length, + Still as she spoke she gather'd strength, + And arm'd herself to bear;-- + It was a fearful sight to see + Such high resolve and constancy, + In form so soft and fair. + + _Marmion, Canto 2._ + + + She look'd down to blush, and she look'd up to sigh, + With a smile on her lips, and a tear in her eye. + + _Marmion, Canto 5._ + + + Her very soul is in home, and in the discharge of all those quiet + virtues of which home is the centre. Her husband will be to her the + object of all her care, solicitude, and affection. She will see + nothing, but by him, and through him. If he is a man of sense and + virtue, she will sympathize in his sorrows, divert his fatigue, and + share his pleasures. If she becomes the property of a churlish or + negligent husband, she will suit his taste also, for she will not + long survive his unkindness.--_Waverley._ + + + When there can be no confidence betwixt a man and his plighted + wife, it is a sign she has no longer the regard for him that made + their engagement safe and suitable.--_The Heart of Mid-Lothian._ + + + She was by nature perfectly good-humoured, and if her due share of + admiration and homage was duly resigned to her, no one could + possess better temper, or a more friendly disposition; but then, + like all despots, the more power that was voluntarily yielded to + her, the more she desired to extend her sway. Sometimes, even when + all her ambition was gratified, she chose to be a little out of + health, and a little out of spirits.--- _The Talisman._ + + + Her look composed, and steady eye, + Bespoke a matchless constancy. + + _Marmion, Canto 2._ + + + The noble dame, amid the broil, + Shared the gray seneschal's high toil, + And spoke of danger with a smile; + Cheer'd the young knights, and council sage + Held with the chiefs of riper age. + + _The Lay of the Last Minstrel, Canto 3._ + + + Woman's faith and woman's trust, + Write the characters in dust. + + _The Betrothed._ + + + Ne'er did Grecian chisel trace + A Nymph, or Naiad, or a Grace, + Of finer form, or lovelier face! + What though the sun, with ardent frown, + Had slightly tinged her cheek with brown, + The sportive toil, which, short and light + Had dyed her glowing hue so bright, + Served too in hastier swell to show + Short glimpses of a breast of snow; + What though no rule of courtly grace + To measured mood had train'd her pace,-- + A foot more light, a step more true, + Ne'er from the heath-flower dash'd the dew; + E'en the slight hare-bell raised its head, + Elastic from her airy tread; + What though upon her speech there hung + The accent of the mountain tongue, + Those silver sounds, so soft, so clear, + The list'ner held his breath to hear. + + _Lady of the Lake, Canto 1._ + + + Spoilt she was on all hands.... But though, from these + circumstances, the city-beauty had become as wilful, as capricious, + and as affected, as unlimited indulgence seldom fails to render + those to whom it is extended; and although she exhibited upon many + occasions that affectation of extreme shyness, silence, and + reserve, which misses are apt to take for an amiable modesty; and + upon others, a considerable portion of that flippancy which youth + sometimes confounds with wit, she had much real shrewdness and + judgment, which wanted only opportunities of observation to refine + it--a lively, good-humoured, playful disposition, and an excellent + heart.--_The Fortunes of Nigel._ + + + The buoyant vivacity with which she had resisted every touch of + adversity, had now assumed the air of composed and submissive, but + dauntless, resolution and constancy.--_Rob Roy._ + + + Her complexion was exquisitely fair, but the noble cast of her head + and features prevented the insipidity which sometimes attaches to + fair beauties. Her clear blue eye, which sat enshrined beneath a + graceful eyebrow of brown, sufficiently marked to give expression + to the forehead, seemed capable to kindle as well as to melt, to + command as well as to beseech.--_Ivanhoe._ + + + + + WILLIAM WORDSWORTH. + + + She was a Phantom of delight + When first she gleamed upon my sight; + A lovely Apparition, sent + To be a moment's ornament; + Her eyes as stars of Twilight fair; + Like Twilight's, too, her dusky hair; + But all things else about her drawn + From May-time and the cheerful Dawn; + A dancing Shape, and Image gay, + To haunt, to startle, and waylay. + + _A Phantom of Delight._ + + + A gentle maid, whose heart is lowly bred, + With joyousness, and with a thoughtful cheer. + + _A Farewell._ + + + A Spirit, yet a Woman too! + Her household motions light and free, + And steps of virgin liberty; + A countenance in which did meet + Sweet records, promises as sweet; + A Creature not too bright or good + For human nature's daily food; + For transient sorrows, simple wiles, + Praise, blame, love, kisses, tears, and smiles. + + _A Phantom of Delight._ + + + Sister ... Thy mind + Shall be a mansion for all lovely forms, + Thy memory be as a dwelling-place + For all sweet sounds and harmonies. + + _Tintern Abbey._ + + + She gave me eyes, she gave me ears; + And humble cares, and delicate fears; + A heart, the fountain of sweet tears; + And love and thought and joy. + + _The Sparrow's Nest._ + + + 'Tis her's to pluck the amaranthine flower + Of faith, and 'round the sufferer's temples bind + Wreaths that endure affliction's heaviest shower, + And do not shrink from sorrow's keenest wind. + + _Weak is the Will of Man._ + + + I praise thee, Matron! and thy due + Is praise.... + With admiration I behold + Thy gladness unsubdued and bold; + Thy looks, thy gestures, all present + The picture of a life well spent. + + _The Matron of Jedborough._ + + + A blooming girl, whose hair was wet + With points of morning due.... + Her brow was smooth and white.... + * * * * * + No fountain from its rocky cave + E'er tripped with foot so free, + She seemed as happy as a wave, + That dances on the sea. + + _The Two April Mornings._ + + + The floating clouds their state shall lend + To her; for her the willow bend; + Nor shall she fail to see, + Even in the motions of the storm, + Grace that shall mould the Maiden's form + By silent sympathy. + The stars of midnight shall be dear + To her; and she shall lean her ear + In many a secret place, + Where rivulets dance their wayward round, + And beauty born of murmuring sound + Shall pass into her face. + And vital feelings of delight + Shall rear her form to stately height, + Her virgin bosom swell. + + _Three Years She Grew in Sun and Shower._ + + + How blest the Maid whose heart--yet free + From Love's uneasy sovereignty-- + Beats with a fancy running high, + Her simple cares to magnify; + Whom Labour, never urged to toil, + Hath cherished on a healthful soil; + Who knows not pomp, who heeds not pelf; + Whose heaviest sin it is to look + Askance upon her pretty self + Reflected in some crystal brook; + Whom grief hath spared,--who sheds no tear + But in sweet pity; and can hear + Another's praise from envy clear. + + _The Three Cottage Girls._ + + + A Being breathing thoughtful breath, + A Traveller between life and death; + The reason firm, the temperate will, + Endurance, foresight, strength, and skill; + A perfect Woman, nobly planned, + To warn, to comfort, and command; + And yet a Spirit still, and bright + With something of angelic light. + + _A Phantom of Delight._ + + + She was happy, + Like a spirit of air she moved, + Wayward, yet by all who knew her + For her tender heart beloved. + + _The Westmoreland Girl._ + + + This light-hearted Maiden.... + High is her aim as Heaven above, + And wide as either her good-will; + And, like the lowly reed, her love + Can drink its nurture from the scantiest rill; + Insight as keen as frosty star + Is to her charity no bar, + Nor interrupts her frolic graces. + + + _The Triad._ + + + O Lady bright, + Whose mortal lineaments seem all refined + By favouring Nature, and a saintly mind, + To something purer and more exquisite + Than flesh and blood! + + _Sonnet._ + + + A maid whom there wore none to praise + And very few to love; + A violet by a mossy stone + Half hidden from the eye! + Fair as a star when only one + Is shining in the sky. + + _Poems of the Affections, 8._ + + + Whether in the semblance drest + Of Dawn, or Eve, fair vision of the west, + Come with each anxious hope subdued, + By woman's gentle fortitude, + Each grief, through weakness, settling into rest. + + _The Triad._ + + + How rich that forehead's calm expanse! + How bright that heaven-directed glance! + + _Poems of the Affections, 17._ + + + Softly she treads, as if her foot were loth + To crush the mountain dew-drops,--soon to melt + On the flower's breast; as if she felt + That flowers themselves, whate'er their hue, + With all their fragrance, all their glistening, + Call to the heart for inward listening. + + _The Triad._ + + + Let other bards of angels sing, + Bright suns without a spot; + But thou art no such perfect thing; + Rejoice that thou art not! + + Heed not though none should call thee fair; + So, Mary, let it be + If naught in loveliness compare + With what thou art to me. + + True beauty dwells in deep retreats, + Whose veil is unremoved + Till heart to heart in concord beats, + And the lover is beloved. + + _Poems of the Affections, 15._ + + + What heavenly smiles! O Lady mine, + Through my very heart they shine; + And, if my brow gives back their light, + Do thou look gladly on the sight; + As the clear moon with modest pride + Beholds her own bright beams + Reflected from the mountain's side + And from the headlong streams. + + _Poems of the Affections, 18._ + + + How beautiful when up a lofty height + Honour ascends. + * * * * * + A Widow ... + She wasted no complaint, but strove to make + A just repayment, both for conscience's sake + And that herself and hers should stand upright + In the world's eye. + + _The Widow._ + + + The Maiden grew + Pious and pure, modest and yet so brave, + Though young, so wise, though meek, so resolute. + + _Grace Darling._ + + + In her face and mien + The soul's pure brightness he beheld, + Without a veil between. + + _The Russian Fugitive._ + + + We her discretion have observed, + Her just opinions, delicate reserve, + Her patience, and humility of mind. + Unspoiled by commendation.... + + _The Borderers._ + + + O Lady, worthy of earth's proudest throne! + Nor less, by excellence of nature, fit + Beside an unambitious hearth to sit + Domestic queen, where grandeur is unknown; + What living man could fear + The worst of Fortune's malice, wert thou near, + Humbling that lily-stem, thy sceptre meek, + That its fair flowers may from his cheek + Brush the too happy tear! + + _The Triad._ + + + Queen, and handmaid lowly! + Whose skill can speed the day with lively cares, + And banish melancholy + By all that mind invents or hand prepares; + * * * * * + Who that hath seen thy beauty could content + His soul with but a glimpse! + + _The Triad._ + + + Dear girl ... + If thou appear untouched by solemn thought, + Thy nature is not therefore less divine; + Thou liest in Abraham's bosom all the year; + And worshipp'st at the Temple's inner shrine, + God being with thee when we know it not. + + _Sonnet._ + + + I knew a maid, + A young enthusiast ... + Her eye was not the mistress of her heart; + Far less did rules prescribed by passive taste + Or barren, intermeddling subtleties, + Perplex her mind; but wise as women are + When genial circumstance hath favoured them, + She welcomed what was given, and craved no more, + Whate'er the scene presented to her view. + That was the best, to that she was attuned + By her benign simplicity of life, + ... God delights + In such a being; for her common thoughts + Are piety, her life is gratitude. + + _The Prelude._ + + + Sweet girl, a very shower + Of beauty is thy earthly dower!... + Never saw I mien, or face, + In which more plainly I could trace + Benignity and homebred sense + Ripening in perfect innocence. + * * * * * + A face with gladness overspread! + Soft smiles, by human kindness bred! + And seemliness complete, that sways + Thy courtesies, about three plays. + + _To A Highland Girl._ + + + A maiden ... + Lovely as spring's first note ... Pure + As beautiful, and gentle and benign. + * * * * * + A Flower.... + Fairest of all flowers was she.... + She hath an eye that smiles into all hearts, + * * * * * + Soon would her gentle words make peace. + + _The Borderers._ + + + Yes! thou art fair, yet be not moved + To scorn the declaration, + That sometimes I in thee have loved + My fancy's own creation. + + Imagination needs must stir; + Dear Maid, this truth believe, + Minds that have nothing to confer, + Find little to perceive. + + Be pleased that Nature made thee fit + To feed my heart's devotion, + By laws to which all forms submit + In sky, air, earth, and ocean. + + _Poems of the Affections, 16._ + + + + + THOMAS CARLYLE. + + + Clearly a superior woman.--That is the way with female intellects + when they are good; nothing equals their acuteness, and their + rapidity is almost excessive.--_Frederick the Great._ + + + Perfection of housekeeping was her clear and speedy attainment in + that new scene. Strange how she made the desert blossom for herself + and me there; what a fairy palace she had made of that wild + moorland home of the poor man! From the baking of a loaf, or the + darning of a stocking, up to comporting herself in the highest + scenes or most intricate emergencies, all was insight, veracity, + graceful success (if you could judge it), fidelity to insight of + the fact given.--_Reminiscences._ + + + Meek and retiring by the softness of her nature, yet glowing with + an ethereal ardour for all that is illustrious and lovely.--_Life + of Schiller._ + + She was of a compassionate nature, and had a loving, patient, and + noble heart; prudent she was; the skilfulest and thriftiest of + financiers; could well keep silence, too, and with a gentle + stoicism endure much small unreason.--_Life of Schiller._ + + + Her life was busy and earnest; she was help-mate, not in name only, + to an ever-busy man.--_Frederick the Great._ + + Peculiar among all dames and damosels, glanced Blumine, there in + her modesty, like a star among earthly lights. Noblest maiden! whom + he bent to, in body and in soul; yet scarcely dared look at, for + the presence filled him with painful yet sweetest embarrassment. + --_Sartor Resartus._ + + + A bright airy lady; very graceful, very witty and ingenious; + skilled to speak, skilled to hold her tongue.--_Frederick the + Great._ + + + Far and wide was the fair one heard of, for her gifts, her graces, + her caprices; from all which vague colourings of Rumour, from the + censures no less than from the praises, had our friend painted for + himself a certain imperious Queen of Hearts, and blooming warm + Earth-angel, much more enchanting than your mere white + Heaven-angels of women, in whose placid veins circulates too little + naphtha-fire.--_Sartor Resartus._ + + + A tall, rather thin figure; a face pale, intelligent, and + penetrating; nose fine, rather large, and decisively Roman; pair of + bright, not soft, but sharp and small black eyes, with a cold smile + as of enquiry in them; fine brow; fine chin; thin lips--lips always + gently shut, as if till the enquiry were completed, and the time + came for something of royal speech upon it. She had a slight + accent, but spoke--Dr. Hugh Blair could not have picked a hole in + it--and you might have printed every word, so queen-like, gentle, + soothing, measured, prettily royal toward subjects whom she wished + to love her. The voice was modulated, low, not inharmonious; yet + there was something of metallic in it, akin to that smile in the + eyes. One durst not quite love this high personage as she wished to + be loved! Her very dress was notable; always the same, and in a + fashion of its own;--and must have required daily the fastening of + sixty or eighty pins.--_Reminiscences._ + + + She had a pleasant, attractive physiognomy; which may be considered + better than strict beauty.--_Frederick the Great._ + + + That light, yet so stately form; those dark tresses, shading a face + where smiles and sun-light played over earnest deeps.... He + ventured to address her, she answered with attention: nay, what if + there were a slight tremour in that silver voice; what if the red + glow of evening were hiding a transient blush!--_Sartor Resartus._ + + + The whims of women must be humoured.--_French Revolution._ + + + A woman of many household virtues; to a warm affection for her + children and husband she joined a degree of taste and intelligence + which is of much rarer occurrence.--_Life of Schiller._ + + + She is meek and soft and maiden-like.... + A young woman fair to look upon. + + _Life of Schiller._ + + + My dear mother, with the trustfulness of a mother's heart, + ministered to all my woes, outward and inward, and even against + hope kept prophesying good.--_Reminiscences._ + + + Women are born worshippers; in their good little hearts lies the + most craving relish for greatness; it is even said, each chooses + her husband on the hypothesis of his being a great man--in his way. + The good creatures, yet the foolish!--_Essay on Goethe's Works._ + + + She is of that light unreflecting class, of that light unreflecting + sex: _varium semper et mutabile_. And then her Fine-ladyism, though + a purseless one: capricious, coquettish, and with all the finer + sensibilities of the heart; now in the rackets, now in the sullens; + vivid in contradictory resolves; laughing, weeping, without + reason,--though these acts are said to be signs of season. + Consider, too, how she has had to work her way, all along, by + flattery and cajolery; wheedling, eaves-dropping, namby-pambying; + how she needs wages, and knows no other productive trades.--_The + Diamond Necklace._ + + + Thought can hardly be said to exist in her; only Perception and + Device. With an understanding lynx-eyed for the surface of things, + but which pierces beyond the surface of nothing, every individual + thing (for she has never seized the heart of it) turns up a new + face to her every new day, and seems a thing changed, a different + thing.--_The Diamond Necklace._ + + + Reader! thou for thy sins must have met with such fair Irrationals; + fascinating, with their lively eyes, with their quick snappish + fancies; distinguished in the higher circles, in Fashion, even in + Literature; they hum and buzz there, on graceful + film-wings:--searching, nevertheless, with the wonderfullest skill + for honey; _un_tamable as flies!--_The Diamond Necklace._ + + + Nature is very kind to all children, and to all mothers that are + true to her.--_Frederick the Great._ + + + She is of stately figure;--of beautiful still countenance.--A + completeness, a decision is in this fair female figure; by energy + she means the spirit that will prompt one to sacrifice himself for + his country.--_French Revolution._ + + + A clever, high-mannered, massive-minded old lady; admirable as a + finished piece of social art, but hardly otherwise + much.--_Reminiscences._ + + + Who can account for the taste of females?--_The Diamond Necklace._ + + + A Beauty, but over light-headed: a Booby who had fine legs. How + these first courted, billed, and cooed, according to nature; then + pouted, fretted, grew utterly enraged and blew one another + up.--_Boswell's Life of Johnson._ + + + With delicate female tact, with fine female stoicism too, keeping + all things within limits.--_Frederick the Great._ + + + A true-hearted, sharp-witted sister.--_Essay of Diderot._ + + + A graceful, brave, and amiable woman;--her choicest gift an open + eye and heart.--_Oliver Cromwell._ + + + Every graceful and generous quality of womanhood harmoniously + blended in her nature.--_Life of Schiller._ + + + She is a fair vision, the _beau ideal_ of a poet's first + mistress.--_Life of Schiller._ + + + Heaven, though severe, is _not_ unkind; Heaven is kind, as a noble + mother; as that Spartan mother, saying while she gave her son his + shield, "With it, my son, or upon it!"--Complain not; the very + Spartans did not complain.--_Past and Present_. + + + + + VICTOR HUGO. + + + All her face, all her person, breathed an ineffable love and + kindness. She had always been predestined to gentleness, but Faith, + Hope, and Charity, those three virtues that softly warm the soul, + had gradually elevated that gentleness to sanctity. Nature had only + made her a lamb, and religion had made her an angel.--_Les + Miserables._ + + + She was the very embodiment of joy as she went to and fro in the + house; she brought with her a perpetual spring.--_Toilers of the + Sea_. + + + Her entire person was simplicity, ingenuousness, whiteness, candor, + and radiance, and it might have been said of her that she was + transparent. She produced a sensation of April and daybreak, and + she had dew in her eyes. She was the condensation of the light of + dawn in a woman's form.--_Les Miserables._ + + + The woman was weak, but the mother found strength.--_Ninety-Three._ + + + Woman feels and speaks with the infallibility which is the tender + instinct of the heart.--_Les Miserables._ + + + What is a husband but the pilot in the voyage of matrimony? Wife, + let your fine weather be your husband's smiles.--_Toilers of the + Sea._ + + + No one knows like a woman how to say things which are at once + gentle and deep. Gentleness and depth,--in these things the whole + of woman is contained, and it is heaven.--_Les Miserables._ + + + Beauty heightened by simplicity is ineffable, and nothing is so + adorable as a beauteous, innocent maiden, who walks along + unconsciously, holding in her hand the key of Paradise.--_Les + Miserables._ + + + She had the prettiest little hands in the world, and little feet + to match them. Sweetness and goodness reigned throughout her + person; ... her occupation was only to live her daily life; her + accomplishments were the knowledge of a few songs; her intellectual + gifts were summed up in her simple innocence.--_Toilers of the + Sea._ + + + The coquette is blind: she does not see her wrinkles.--_By Order of + the King._ + + + A mother's arms are made of tenderness, and children sleep soundly + in them.--_Les Miserables._ + + + There are moments when a woman accepts, like a sombre and resigned + duty, the worship of love.--_Les Miserables._ + + + She was pale with that paleness which is like the transparency of a + divine life in an earthly face.... A soul standing in the + dawn.--_By Order of the King._ + + He looked at her, and saw nothing but her. This is love; one may be + carried away for a moment by the importunity of some other idea, + but the beloved one enters, and all that does not appertain to her + presence immediately fades away, without her dreaming that perhaps + she is effacing in us a world.--_By Order of the King._ + + She walked on with a light and free step, so little suggestive of + the burden of life that it might easily be seen that she was young. + Her movements possessed that subtle grace which indicates the most + delicate of all transitions--the soft intermingling, as it-were, + of two twilights,--the passage from the condition of a child to + that of womanhood.--_Toilers of the Sea._ + + She had never been pretty, but her whole life, which had been but a + succession of pious works, had eventually cast over her a species + of whiteness and brightness, and in growing older she had acquired + what may be called the beauty of goodness. What had been thinness + in her youth had became in her maturity transparency, and through + this transparency the angel could be seen.--_Les Miserables._ + + A ray of happiness was visible upon her face. Never had she + appeared more beautiful. Her features were remarkable for + prettiness rather than what is called beauty. Their fault, if fault + it be, lay in a certain excess of grace.... The ideal virgin is the + transfiguration of a face like this. Deruchette, touched by her + sorrow and love, seemed to have caught that higher and more holy + expression. It was the difference between the field daisy and the + lily.--_Toilers of the Sea._ + + The glance of a woman resembles certain wheels which are apparently + gentle but are formidable.... You come, you go, you dream, you + speak, you laugh, and all in a minute you feel yourself caught, and + it is all over with you. The wheel holds you, the glance has caught + you.--_Les Miserables._ + + She had listened to nothing, but mothers hear certain things + without listening.--_Ninety-Three._ + + She was really a respectable, firm, equitable, and just person, + full of that charity which consists in giving, but not possessing + to the same extent the charity which comprehends and pardons.--_Les + Miserables._ + + She seemed a vision scarcely embodied; ... in her fairness, which + amounted almost to serenity of her look; ... in the sacred + innocence of her smile, she was almost an angel, and yet just a + woman.--_By Order of the King._ + + The girl becomes a maiden, fresh and joyous as the lark. Noting her + movements, we feel as if it were good of her not to fly away. The + dear familiar companion moves at her own sweet will about the + house; flits from branch to branch, or rather from room to room; + goes to and fro; approaches and retires.... She asks a question and + is answered; is asked something in return, and chirps a reply. It + is delightful to chat with her when tired of serious talk; for this + creature carries with her something of her skyey element. She is, + as it were, a thread of gold interwoven with your sombre thoughts; + you feel almost grateful to her for her kindness in not making + herself invisible, when it would be so easy for her to be even + impalpable; for the beautiful is a necessity of life. There is in + the world no function more important than that of being + charming.... To shed joy around, to radiate happiness, to cast + light upon dark days, to be the golden thread of our destiny, and + the very spirit of grace and harmony, is not this to render a + service?--_Toilers of the Sea._ + + She scarcely knew, perhaps, the meaning of the word love, and yet + not unwillingly ensnared those about her in the toils.--_Toilers of + the Sea._ + + She stopped. She walked back a few paces, stopped again; she + inclined her head, with those thoughtful eyes which look attentive + yet see nothing.... Her lowered eyelids had that vague contraction + which suggests a tear checked in its course, or a thought + suppressed.... Her face, which might inspire adoration, seemed + meditative, like portraits of the Virgin.--_Toilers of the Sea._ + + She broke the bread into two fragments, and gave them to the + children, who ate with avidity. "She has kept none for herself," + grumbled the sergeant. "Because she is not hungry," said a soldier. + "Because she is a mother," said the sergeant.--_Ninety-Three._ + + Extreme simplicity touches on extreme coquetry.... They did not + speak, they did not bow, they did not know each other, but they + met; and like the stars in the heavens, they lived by looking at + each other. It was thus that she gradually became a woman, and was + developed into a beautiful and loving woman, conscious of her + beauty and ignorant of her love. She was a coquette into the + bargain, through her innocence.--_Les Miserables._ + + Does not beauty confer a benefit upon us, even by the simple fact + of being beautiful?--Here and there we meet with one who possesses + that fairy-like power of enchanting all about her; sometimes she is + ignorant herself of this magical influence, which is, however, for + that reason only the more perfect. Her presence lights up the home; + her approach is like cheerful warmth; she passes by, and we are + content; she stays awhile, and we are happy.--_Toilers of the Sea._ + + To behold her is to live; she is the Aurora with a human face. She + has no need to do more than simply to be, she makes an Eden of the + house; Paradise breathes from her: and she communicates this + delight to all, without taking any greater trouble than that of + existing beside them. Is it not a thing divine to have a smile + which, none know how, has the power to lighten the weight of that + enormous chain which all the living, in common, drag behind + them?--_Toilers of the Sea._ + + On the day when a woman who passes before you emits light as she + walks you are lost, for you love. You have from that moment but one + thing to do: think of her so intently that she will be compelled to + think of you.--_Les Miserables._ + + The soul only needs to see a smile in a white crepe bonnet in order + to enter the palace of dreams.--_Les Miserables._ + + She had upon her lips almost the light of a smile, with the fulness + of tears in her eyes.... The reflection of an angel was in her + look.--_Toilers of the Sea._ + + + + + ROBERT BROWNING. + + + There is a vision in the heart of each + Of justice, mercy, wisdom, tenderness + To wrong and pain, and knowledge of its cure: + And these embodied in a woman's form + That best transmits them, pure as first received, + From God above her, to mankind below. + + _Colombe's Birthday._ + + + This woman ... + ... Being true, devoted, constant--she + Found constancy, devotion, truth, the plain + And easy commonplace of character. + + + _The Inn Album._ + + + ... The good and tender heart, + Its girl's trust and its woman's constancy, + How pure yet passionate, how calm yet kind, + How grave yet joyous, how reserved yet free + As light where friends are--how imbued with lore + The world most prizes, yet the simplest. + * * * * * + Herself creates + The want she means to satisfy. + + _A Blot on the 'Scutcheon._ + + + Truly, the woman's way + High to lift heart up. + + _Agamemnon._ + + + And Michal's face + Still wears that quiet and peculiar light + Like the dim circlet floating 'round a pearl. + * * * * * + And yet her calm sweet countenance, + Though saintly, was not sad; for she would sing + Alone ... bird-like, + Not dreaming you were near.--Her carols dropt + In flakes through that old leafy bower. + + _Paracelsus._ + + + ... Such a lady, cheeks so round and lips so red,-- + On her neck the small face buoyant like a bell-flower on its bed. + + _Lyric._ + + + There's a woman like a dew-drop, she's so purer than the purest; + And her noble heart's the noblest, yes, and her sure faith's the surest; + And her eyes are dark and humid, like the depth on depth of lustre + Hid i' the harebell, while her tresses, sunnier than the wild-grape cluster, + Gush in golden-tinted plenty down her neck's rose-misted marble; + Then her voice's music ... call it the well's bubbling, the bird's warble! + + _A Blot on the 'Scutcheon._ + + + How twinks thine eye, my Love, + Blue as yon star-beam. + + _Ferishtah's Fancies._ + + + That flower-like love of hers; + * * * * * + She was true--she only of them all! + True to her eyes, ... those glorious eyes. + * * * * * + With truth and purity go other gifts. + All gifts come clustering to that. + + _The Return of the Druses._ + + + Good as beautiful is she, + With gifts that match her goodness, no faint flaw + I' the white;--she were the pearl you think you saw. + + _Daniel Bartoli._ + + + Since beneath my roof + Housed she who made home heaven, in heaven's behoof + I went forth every day, and all day long + Worked for the world. Look, how the laborer's song + Cheers him! Thus sang my soul, at each sharp throe + Of laboring flesh and blood--"She loves me so!" + + _A Forgiveness._ + + + It is conspicuous in a woman's nature + Before its view to take a grace for granted: + Too trustful,--on her boundary, usurpature + Is swftly made; + But swftly, too, decayed, + The glory perishes by woman vaunted. + + _Agamemnon._ + + + That fawn-skin-dappled hair of hers; + And the blue eye + Dear and dewy, + And that infantine fresh air of hers! + * * * * * + Eyes and mouth too, + All the face composed of flowers.... + * * * * * + ... The sweet face ... + Be its beauty + Its sole duty! + + _A Pretty Woman._ + + + Women hate a debt as + Men a gift. + + _In a Balcony._ + + + A pretty woman's worth some pains to see, + Nor is she spoiled, I take it, if a crown + Complete the forehead pale and tresses pure. + + _Colombe's Birthday._ + + + Sure, 'tis no woman's part to long for battle; + * * * * * + Who conquers mildly + God from afar benignantly regardeth. + + _Agamemnon._ + + + Man's best and woman's worse + Amount so nearly to the same thing. + + _Daniel Bartoli._ + + + Nature's law ... + Given the peerless woman, certainly + Somewhere shall be the peerless man to match. + + _The Inn Album._ + + + Show me where's the woman won without + The help of one lie which she believes-- + That--never mind how things have come to pass, + And let who loves have loved a thousand times-- + All the same he now loves her only, loves + Her ever.... + + _The Inn Album._ + + + Girl with sparkling eyes.... + * * * * * + What an angelic mystery you are-- + * * * * * + You have a full fresh joyous sense of life + That finds you out life's fit food everywhere; + * * * * * + By joyance you inspire joy. + + _The Inn Album._ + + + Now makes twice + That I have seen her, walked and talked + With the poor pretty thoughtful thing, + Whose worth I weigh; she tries to sing: + Draws, hopes in time the eye grows nice; + Reads verse and thinks she understands; + Loves all, at any rate, that's great, + Good, beautiful.... + + _Dis Aliter Visum._ + + + Wave my lady dear a last farewell, + Lamenting who to one and all of us + Domestics was a mother, myriad harms + She used to ward away from every one, + And mollify her husband's ireful mood. + + _Balaustion's Adventure._ + + + Men? say you have the power + To make them yours, rule men, throughout life's little hour, + According to the phrase: what follows? + Men, you make, + By ruling them, your own; each man for his own sake + Accepts you as his guide, avails him of what worth + He apprehends in you to sublimate his earth + With fire; content, if so you convey him through night, + That you shall play the sun, and he, the satellite, + Pilfer your light and heat and virtue, starry pelf, + While, caught up by your course, he turns upon himself. + + _Fifine at the Fair._ + + + Any sort of woman may bestow + Her atom on the star, or clod she counts for such,-- + Each little making less bigger by just that much. + Women grow you, while men depend on you at best. + + _Fifine at the Fair._ + + + Woman, and will you cast + For a word, quite off at last + Me your own, your You,-- + Love, if you knew the light + That your soul casts in my sight, + How I look to you + For the pure and true, + And the beauteous and the right,-- + Bear with a moment's spite + When a mere mote threats the white! + + _A Lover's Quarrel._ + + + Love, you did give all I asked, I think-- + More than I merit, yes, by many times. + And perfect eyes, and more than perfect mouth, + But had you--oh, with the same perfect brow, + And the low voice my soul hears, as a bird + The fowler's pipe, and follows to the snare-- + Had you, with these the same, but brought a mind! + Some women do so. Had the mouth there urged, + "God and the glory! never care for gain; + The present by the future, what is that? + Live for fame, side by side with Agnolo! + Rafael is waiting: up to God, all three!" + I might have done it for you. So it seems; + Perhaps not. All is as God overrules. + + _Andrea Del Sarto._ + + + All women love great men + If young or old; it is in all the tales; + Young beauties love old poets who can love-- + * * * * * + Who was a queen and loved a poet once + Humpbacked, a dwarf? ah, women can do that! + + _In a Balcony._ + + + For women + There is no good of life but love--but love! + What else looks good, is some shade flung from love; + Love gilds it, gives it worth. Be warned by me. + Never you cheat yourself one instant! Love, + Give love, ask only love, and leave the rest! + + _In a Balcony._ + + + Oh, the beautiful girl ... + ... Her flesh was the soft seraphic screen + Of a soul that is meant ... + To just see earth, and hardly be seen, + And blossom in heaven instead. + Yet earth saw one thing, one how fair? + One grace that grew to its full ... + ... She had her great gold hair. + + Hair, such a wonder of flix and floss, + Freshness and fragrance--floods of it, too! + Gold, did I say? Nay, gold's mere dross! + + _Gold Hair._ + + + She had + A heart--how shall I say?--too soon made glad, + Too easily impressed: she liked whate'er + She looked on, and her looks went everywhere. + * * * * * + 'Twas all one! My favour at her breast, + The dropping of the daylight in the West, + The bough of cherries some officious fool + Broke in the orchard for her,--all and each + Would draw from her alike the approving speech, + Or blush at least ... + ... Who'd stoop to blame + This sort of trifling? + + _My Last Duchess._ + + + + + W. M. THACKERAY. + + + To be doing good for some one else, is the life of most good women. + They are exuberant of kindness, as it were, and must impart it to + some one.--_Henry Esmond._ + + + Who ever accused women of being just? They are always sacrificing + themselves or somebody for somebody else's sake.--_Pendennis._ + + + I think it is not national prejudice which makes me believe that a + high-bred English lady is the most complete of all Heaven's + subjects in this world. In whom else do you see so much grace, and + so much virtue; so much faith, and so much tenderness; with such a + perfect refinement and chastity? And by high-bred ladies I don't + mean duchesses and countesses. Be they ever so high in station, + they can be but ladies, and no more. But almost every man who lives + in the world has the happiness, let us hope, of counting a few such + persons amongst his circle of acquaintance,--women, in whose + angelical natures there is something awful, as well as beautiful, + to contemplate; at whose feet the wildest and fiercest of us must + fall down and humble ourselves, in admiration of that adorable + purity which never seems to do or to think wrong.--_Pendennis._ + + + What kind-hearted woman, young or old, does not love + match-making?--_The Newcomes._ + + + Who does not know how ruthlessly women will tyrannize when they are + let to domineer? And who does not know how useless advice is?... A + man gets his own experience about women, and will take nobody's + hearsay; nor, indeed, is the young fellow worth a fig that + would.--_Henry Esmond._ + + + Stupid! Why not? Some women ought to be stupid. What you call + dullness I call repose. Give me a calm woman, a slow woman,--a + lazy, majestic woman. Show me a gracious virgin bearing a lily; + not a leering giggler frisking a rattle. A lively woman would be + the death of me.... Why shouldn't the Sherrick be stupid, I say? + About great beauty there should always reign a silence. As you look + at the great stars, the great ocean, any great scene of nature, you + hush, sir. You laugh at a pantomime, but you are still in a temple. + When I saw the great Venus of the Louvre, I thought,--Wert thou + alive, O goddess, thou shouldst never open those lovely lips but to + speak lowly, slowly; thou shouldst never descend from that pedestal + but to walk stately to some near couch, and assume another attitude + of beautiful calm. To be beautiful is enough. If a woman can do + that well; who shall demand more from her? You don't want a rose to + sing. And I think wit is as out of place where there's great + beauty; as I wouldn't have a queen to cut jokes on her + throne.--_The Newcomes._ + + + And so it is,--a pair of bright eyes with a dozen glances suffice + to subdue a man; to enslave him, and inflame him; to make him even + forget; they dazzle him so that the past becomes straightway dim to + him; and he would give all his life to possess 'em.--_Henry + Esmond._ + + + She is as good a little creature as can be. She is never out of + temper; I don't think she is very wise; but she is uncommonly + pretty, and her beauty grows on you.... I look at her like a little + wild-flower in a field,--like a little child at play, sir. Pretty + little tender nursling. If I see her passing in the street I feel + as if I would like some fellow to be rude to her that I might have + the pleasure of knocking him down. She is like a little songbird, + sir,--a tremulous, fluttering little linnet that you would take + into your hand, and smooth its little plumes, and let it perch on + your finger and sing.--_The Newcomes._ + + + That fine blush which is her pretty symbol of youth, modesty, and + beauty.... I never saw such a beautiful violet as that of her eyes. + Her complexion is of the pink of the blush-rose.--_The Newcomes._ + + + He thought and wondered at the way in which women play with men, + and coax them and win them and drop them.--_Pendennis._ + + + It was this lady's disposition to think kindnesses, and devise + silent bounties and to scheme benevolence, for those about her. We + take such goodness, for the most part, as if it were our due; the + Marys who bring ointment for our feet get but little thanks. Some + of us never feel this devotion at all, or are moved by it to + gratitude or acknowledgment; others only recall it years after, + when the days are past in which those sweet kindnesses were spent + on us, and we offer back our return for the debt by a poor tardy + payment of tears. The forgotten tones of love recur to us, and kind + glances shine out of the past--O so bright and clear!--O so longed + after! because they are out of reach; as holiday music from + with-inside a prison wall--or sunshine seen through the bars; more + prized because unattainable, more bright because of the contrast of + present darkness and solitude, whence there is no escape.--_Henry + Esmond._ + + + In houses where, in place of that sacred, inmost flame of love, + there is discord at the centre, the whole household becomes + hypocritical, and each lies to his neighbor.... Alas that youthful + love and truth should end in bitterness and bankruptcy.... 'Tis a + hard task for women in life, that mask which the world bids them + wear. But there is no greater crime than for a woman who is ill + used and unhappy to show that she is so. The world is quite + relentless about bidding her to keep a cheerful face.--_Henry + Esmond._ + + + O, what a mercy it is that these women do not exercise their powers + oftener. We can't resist them if they do. Let them show ever so + little inclination and men go down on their knees at once; old or + ugly it is all the same, and this I set down as a positive truth. A + woman with fair opportunities, and without an absolute hump, may + marry whom she likes. Only let us be thankful that the darlings are + like the beasts of the field and don't know their own powers. They + would overcome us entirely if they did.--_The Newcomes._ + + + As for women--O my dear friends and brethren in this vale of + tears--did you ever see anything so curious and monstrous and + annoying as the way in which women court Princekin when he is + marriageable!--_The Newcomes._ + + + She was as gentle and amenable to reason, as good-natured a girl + as could be; a little vacant and silly, but some men like dolls for + wives.--_The Newcomes._ + + + She had been bred to measure her actions by a standard which the + world may nominally admit, but which it leaves for the most part + unheeded. Worship, love, duty, as taught her by the devout study of + the sacred law which interprets and defines it--if these formed the + outward practice of her life, they were also its constant and + secret endeavor and occupation. She spoke but very seldom of her + religion, though it filled her heart and influenced all her + behavior. What must the world appear to such a person?--_The + Newcomes._ + + + There are ladies, who may be called men's women, being welcomed + entirely by all the gentlemen, and cut or slighted by all their + wives.... But while simple folks who are out of the world, or + country people with a taste for the genteel, behold these ladies in + their seeming glory in public places, or envy them from afar off, + persons who are better instructed could inform them that these + envied ladies have no more chance of establishing themselves in + "Society," than the benighted squire's wife in Somersetshire, who + reads of their doings in the _Morning Post_. Men living about town + are aware of these awful truths. You hear how pitilessly many + ladies of seeming rank and wealth are excluded from this "Society." + The frantic efforts which they make to enter this circle, the + meannesses to which they submit, the insults which they undergo, + are matters of wonder to those who take human or woman kind for a + study; and the pursuit of fashion under difficulties would be a + fine theme for any very great person who had the wit, the leisure, + and the knowledge of the English language necessary for the + compiling of such a history.--_Vanity Fair._ + + + I can fancy nothing more cruel than to have to sit day after day + with a dull handsome woman opposite; to answer her speeches about + the weather, housekeeping, and what not.... Women go through this + simpering and smiling life and bear it quite easily. Theirs is a + life of hypocrisy. What good woman does not laugh at her husband's + or father's jokes and stories time after time and would not laugh + at breakfast, lunch, and dinner if he told them? Flattery is their + nature,--to coax, flatter, and sweetly befool some one is every + woman's business. She is none, if she declines this office.--_The + Newcomes._ + + + He had placed himself at her feet so long that the poor little + woman had been accustomed to trample upon him. She didn't wish to + marry him, but she wished to keep him. She wished to give him + nothing, but that he should give her all. It is a bargain not + unfrequently levied in love.--_Vanity Fair._ + + + Every woman would rather be beautiful, than be anything else in the + world,--ever so rich, or ever so good, or have all the gifts of the + fairies.--_The Virginians._ + + + If a man is in grief, who cheers him; in trouble, who consoles + him; in wrath, who soothes him; in joy, who makes him doubly happy; + in prosperity, who rejoices; in disgrace, who backs him against the + world, and dresses with gentle unguents and warm poultices the + rankling wounds made by the stings and arrows of outrageous + Fortune? Who but woman, if you please? You who are ill and sore + from the buffets of Fate, have you one or two of these sweet + physicians? Return thanks to the gods that they have left you so + much of consolation. What gentleman is not more or less a + Prometheus? Who has not his rock, his chain? But the sea-nymphs + come,--the gentle, the sympathizing; ... they do their blessed best + to console us Titans; _they_ don't turn their backs upon us after + our overthrow.--_The Virginians._ + + + Is not a young mother one of the sweetest sights which life shows + us? If she has been beautiful before, does not her present pure joy + give a character of refinement and sacredness almost to her beauty, + touch her sweet cheeks with fairer blushes, and impart I know not + what serene brightness to her eyes?--_The Newcomes._ + + + This lady moved through the world quite regardless of all the + comments that were made in her praise or disfavor. She did not seem + to know that she was admired or hated for being so perfect, but + went on calmly through life, saving her prayers, loving her family, + helping her neighbors, and doing good.--_Pendennis._ + + + She had a fault of character which flawed her perfections. With + the other sex perfectly tolerant and kindly, of her own she was + invariably jealous; and a proof that she had this vice is, that + though she would acknowledge a thousand faults that she had not, to + which she had she could never be got to own.--_Henry Esmond._ + + + She was a critic, not by reason, but by feeling. Feeling was her + reason.--_Henry Esmond._ + + + Her eyes were gray; her voice low and sweet: and her smile when it + lighted up her face and eyes as beautiful as spring sunshine, also, + they could brighten and flash often, and sometimes though rarely + rain.--_Pendennis._ + + + + + + +End of Project Gutenberg's What Great Men Have Said About Women, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK WHAT GREAT MEN HAVE SAID *** + +***** This file should be named 16418.txt or 16418.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/4/1/16418/ + +Produced by Ted Garvin, Hemantkumar N Garach and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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