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diff --git a/16402.txt b/16402.txt new file mode 100644 index 0000000..6c7bcd4 --- /dev/null +++ b/16402.txt @@ -0,0 +1,17309 @@ +The Project Gutenberg EBook of The Works Of John Dryden, Vol. 7 (of 18) +by John Dryden + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Works Of John Dryden, Vol. 7 (of 18) + The Duke of Guise; Albion and Albanius; Don Sebastian + +Author: John Dryden + +Editor: Walter Scott, Esq. + +Release Date: July 31, 2005 [EBook #16402] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF JOHN DRYDEN *** + + + + +Produced by Jonathan Ingram, Fred Robinson and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + THE + + WORKS + + OF + + JOHN DRYDEN, + + NOW FIRST COLLECTED + + _IN EIGHTEEN VOLUMES._ + + + + ILLUSTRATED + + WITH NOTES, + + HISTORICAL, CRITICAL, AND EXPLANATORY, + + AND + + A LIFE OF THE AUTHOR, + + BY + + WALTER SCOTT, ESQ. + + + + VOL. VII. + + LONDON: + + PRINTED FOR WILLIAM MILLER, ALBEMARLE STREET, + + BY JAMES BALLANTYNE AND CO. EDINBURGH + + + 1808. + + + * * * * * + + + CONTENTS + + OF + + VOLUME SEVENTH. + + +The Duke of Guise, a Tragedy + Epistle Dedicatory to the Earl of Rochester + The Vindication of the Duke of Guise + + +Albion and Albanius, an Opera + Preface + + +Don Sebastian, a Tragedy + Epistle Dedicatory to the Earl of Leicester + Preface + + + * * * * * + + + THE + + DUKE OF GUISE. + + + A TRAGEDY. + + + Outos de philotimoi physeis en tais politeiais to agan me + phylaxamenai, toi agathou meizon to kakon echousi. + PLUTARCH. IN AGESILAO. + + + + + THE DUKE OF GUISE. + + +In the latter part of Charles the Second's reign, the stage, as well +as every other engine which could affect the popular mind, was eagerly +employed in the service of the contending factions. Settle and +Shadwell had, in tragedy and comedy, contributed their mite to the +support of the popular cause. In the stormy session of parliament, in +1680, the famous bill was moved, for the exclusion of the Duke of +York, as a papist, from the succession, and accompanied by others of a +nature equally peremptory and determined. The most remarkable was a +bill to order an association for the safety of his majesty's person, +for defence of the protestant religion, for the preservation of the +protestant liege subjects against invasion and opposition, and for +preventing any papist from succeeding to the throne of England. To +recommend these rigid measures, and to keep up that zealous hatred and +terror of the catholic religion, which the plot had inspired, Settle +wrote his forgotten tragedy of "Pope Joan," in which he revives the +old fable of a female pope, and loads her with all the crimes of which +a priest, or a woman, could possibly be guilty. Shadwell's comedy of +the "Lancashire Witches" was levelled more immediately at the papists, +but interspersed with most gross and scurrilous reflections upon the +English divines of the high church party. Otway, Lee, and Dryden were +the formidable antagonists, whom the court opposed to the whig poets. +Thus arrayed and confronted, the stage absolutely foamed with +politics; the prologues and epilogues, in particular formed channels, +through which the tenets of the opposite parties were frequently +assailed, and the persons of their leaders and their poets exposed to +scandal and derision. + +In the middle of these political broils, Dryden was called upon, as he +informs us, by Lee, to return the assistance which that poet had +afforded in composing "OEdipus." The history of the Duke of Guise had +formerly occupied his attention, as an acceptable subject to the court +after the Restoration. A League, formed under pretence of religion, +and in defence of the king's authority, against his person, presented +facilities of application to the late civil wars, to which, we may be +sure, our poet was by no means insensible. But however apt these +allusions might have been in 1665, the events which had taken place in +1681-2 admitted of a closer parallel, and excited a deeper interest. +The unbounded power which Shaftesbury had acquired in the city of +London, and its state of factious fermentation, had been equalled by +nothing but the sway exercised by the leaders of the League in the +metropolis of France. The intrigues by which the Council of Sixteen +placed and displaced, flattered or libelled, those popular officers of +Paris, whom the French call _echevins_, admitted of a direct and +immediate comparison with the contest between the court and the whigs, +for the election of the sheriffs of London; contests which attained so +great violence, that, at one time, there was little reason to hope +they would have terminated without bloodshed. The tumultuous day of +the barricades, when Henry the second, after having in vain called in +the assistance of his guards, was obliged to abandon his capital to +the Duke of Guise and his faction, and assemble the states of his +kingdom at Blois, was not entirely without a parallel in the annals of +1681. The violence of the parliament at London had led to its +dissolution; and, in order to insure the tractability of their +successors, they were assembled, by the king, at Oxford, where a +concurrence of circumstances rendered the royal authority more +paramount than in any other city of the kingdom. To this parliament +the members came in an array, which more resembled the parliament of +the White Bands, in the reign of Edward the second, than any that had +since taken place. Yet, though armed, and attended by their retainers +and the more ardent of their favourers, the leaders of opposition +expressed their apprehensions of danger from the royal party. The +sixteen whig peers, in their memorable petition against this removal, +complained, that the parliament would at Oxford be exposed to the +bloody machinations of the papists and their adherents, "of whom too +many had crept into his majesty's guards." The aid of ballads and +libellous prints was called in, to represent this alteration of the +usual place of meeting as a manoeuvre to throw the parliament, its +members, and its votes, at the feet of an arbitrary monarch[1]. It is +probable that this meeting, which rather resembled a Polish diet than +a British parliament, would not have separated without some signal, +and perhaps bloody catastrophe, if the political art of Halifax, who +was at the head of the small moderate party, called Trimmers, joined +to the reluctance of either faction to commence hostilities against an +enemy as fully prepared as themselves, had not averted so eminent a +crisis. In all particulars, excepting the actual assassination, the +parliament of Oxford resembled the assembly of the States General at +Blois. The general character of the Duke of Monmouth certainly had not +many points of similarity to that of the Duke of Guise; but in one +particular incident his conduct had been formed on that model, and it +is an incident which makes a considerable figure in the tragedy. In +September 1679, after the king's illness, Monmouth was disgraced, and +obliged to leave the kingdom. He retired to Holland, where he resided +until the intrigues of Shaftesbury assured him the support of a party +so strongly popular, that he might return, in open defiance of the +court. In the November following, he conceived his presence necessary +to animate his partizans; and, without the king's permission for his +return, he embarked at the Brill, and landed at London on the 27th, at +midnight, where the tumultuous rejoicings of the popular party more +than compensated for the obscurity of his departure[2]. This bold step +was, in all its circumstances, very similar to the return of the Duke +of Guise from his government to Paris, against the express command of +Henry the second, together with his reception by the populace, whom he +came prepared to head in insurrection. Above all, the bill of +exclusion bore a striking resemblance to the proceedings of the League +against the King of Navarre, presumptive heir of the throne, whom, on +account of his attachment to the protestant faith, they threatened to +deprive of the succession. + +The historical passages, corresponding in many particulars with such +striking accuracy, offered an excellent groundwork for a political +play, and the "Duke of Guise" was composed accordingly; Dryden making +use of the scenes which he had formerly written on the subject, and +Lee contributing the remainder, which he eked out by some scenes and +speeches adopted from the "Massacre of Paris," then, lying by him in +manuscript. The court, however, considered the representation of the +piece as at least of dubious propriety. The parallel was capable of +being so extended as to exhibit no very flattering picture of the +king's politics; and, on the other hand, it is possible, that the fate +of the Duke of Guise, as identified with Monmouth, might shock the +feelings of Charles, and the justice of the audience. + +Accordingly, we learn from the "Vindication," that the representation +of the piece was prohibited; that it lay in the hands of the lord +chamberlain (Henry Lord Arlington) from before mid-summer, 1682, till +two months after that term; and that orders were not finally given for +its being acted until the month of December in the same year. The +king's tenderness for the Duke of Monmouth had by this time so far +given way, that he had ordered his arrest at Stafford; and, from the +dark preparations on both sides, it was obvious, that no measures were +any longer to be kept betwixt them. All the motives of delicacy and +prudence, which had prevented the representation of this obnoxious +party performance, were now therefore annihilated or overlooked. + +Our author's part of the "Duke of Guise" is important, though not of +great extent, as his scenes contain some of the most striking +political sketches. The debate of the Council of Sixteen, with which +the play opens, was his composition; the whole of the fourth act, +which makes him responsible for the alleged parallel betwixt Guise and +Monmouth, and the ridicule cast upon the sheriffs and citizens of the +popular party, with the first part of the fifth, which implicates him +in vindicating the assassination of Guise. The character and +sentiments of the king, in these scenes, are drawn very closely after +Davila, as the reader will easily see, from the Italian original +subjoined in the notes. That picturesque historian had indeed +anticipated almost all that even a poet could do, in conveying a +portraiture, equally minute and striking, of the stormy period which +he had undertaken to describe; and, had his powers of description been +inferior, it is probable, that Dryden, hampered as he was, by +restraints of prudence and delicacy, would not have chosen to go far +beyond the authority to which he referred the lord chamberlain. The +language of the play, at least in these scenes, seldom rises above +that of the higher tone of historical oratory; and the descriptions +are almost literally taken from Davila, and thrown into beautiful +verse. In the character of Marmoutiere, there seems to be an allusion +to the duchess of Buccleuch and Monmouth, whose influence was always, +and sometimes successfully, used to detach her husband from the +desperate schemes of Shaftesbury and Armstrong. The introduction of +the necromancer, Malicorn, seems to refer to some artifices, by which +the party of Monmouth endeavoured to call to their assistance the +sanction of supernatural powers[3]. The particular story of Malicorn +is said to be taken from a narrative in Rosset's _Histoires +Tragiques_, a work which the present editor has never seen. In the +conference between Malicorn and Melanax, Dryden has made much use of +his astrological knowledge; and its mystical terms give a solemnity to +the spirit's predictions, which was probably deepened by the poet's +secret belief in this visionary study. As he borrowed liberally from +Davila in the other parts of the play, he has not here disdained to +use the assistance of Pulci, from whose romantic poem he has +translated one or two striking passages, as the reader will find upon +consulting the notes. The last scene betwixt the necromancer and the +fiend is horribly fine: the description of the approach of the Evil +One, and the effect which his presence produces upon the attendants, +the domestic animals, and the wizard himself, is an instance, amongst +many, of the powerful interest which may be produced by a judicious +appeal to the early prejudices of superstition. I may be pardoned, +however, when I add, that such scenes are, in general, unfit for the +stage, where the actual appearance of a demon is apt to excite +emotions rather ludicrous than terrific. Accordingly, that of Dryden +failed in the representation. The circumstance, upon which the +destruction of the wizard turns, is rather puerile; but there are many +similar fables in the annals of popular superstition[4]. + +Lee's part of this play is, in general, very well written, and +contains less rant than he usually puts in the mouths of his +characters. + +The factions have been long at rest which were so deeply agitated by +the first representation of this performance; yet some pains has been +taken to trace those points of resemblance, which gave so much offence +to one party, and triumph to the other. Many must doubtless have +escaped our notice; but enough remains to shew the singular felicity +with which Dryden, in the present instance, as in that of "Absalom and +Achitophel," could adapt the narrative of ancient or foreign +transactions to the political events of his own time, and "moralize +two meanings in one word." Altogether abstracted from this +consideration, the "Duke of Guise," as a historical play, possesses +merit amply sufficient to rescue it from the oblivion into which it +has fallen. + +The play was first acted 4th December, 1682, and encountered a stormy +and dubious, if not an unfavourable, reception. But as, the strength +of the court party increased, the piece was enabled to maintain its +ground with more general approbation. It was performed by the united +companies, and printed in 1683. + + +Footnotes: +1. I cannot resist transcribing that ballad, which cost poor College, + the protestant joiner, so extremely dear. It is extracted from Mr + Luttrell's collection, who has marked it thus. "A most scandalous + libel against the government, for which, with other things, College + was justly executed." The justice of the execution may, I think, be + questioned, unless, like Cinna the poet, the luckless ballad-monger + was hanged for his bad verses. There is prefixed a cut, + representing the king with a double face, carrying the house of + commons in a shew-box at his back. In another copartment, he sticks + fast in the mud with his burden. In another, Topham, the serjeant + of the house of commons, with the other officers of parliament, + liberate the members, and cram the bishops into the shew-box. + + A RAREE SHOW. + + To the tune of--"I am a senseless thing." + + _Leviathan._ + + Come hither, Topham, come, with a hey, with a hey; + Bring a pipe and a drum, with a ho; + Where'er about I go, + Attend my raree show, + With a hey, trany, nony, nony, no. + + _Topham._ + + That monstrous foul beast, with a hey, with a hey, + Has houses twain in's chest, with a ho; + O Cowper, Hughes, and Snow, + Stop thief with raree show, + With a hey, &c. + + For if he should escape, with a hey, with a hey, + With Halifaxe's trap, with a ho, + He'll carry good Dom. Com. + Unto the pope of Rome, + With a hey, &c. + + _Leviathan._ + + Be quiet, ye dull tools, with a hey, with a hey, + As other free-born fools, with a ho, + Do not all gaping stand + To see my slight of hand. + With a hey, &c. + + 'Tis not to Rome that I, with a hey, with a hey, + Lug about my trumpery, with a ho, + But Oxford, York, Carlisle, + And round about the isle, + With a hey, &c. + + But if they would come out, with a hey, with a hey, + Let them first make a vote, with a ho. + To yield up all they have, + And Tower lords to save, + With a hey, &c. + + _Topham._ + + Now that is very hard, with a hey, with a hey, + Thou art worse than cut-nose guard, with a ho. + And Clifford, Danby, Hide, + Halifax does all outride, + With a hey, &c. + + Holy Ghost, in bag of cloak, with a hey, with a hey, + Quaking King in royal oak, with a ho. + And Rosamond in bower, + All badges are of power. + With a hey, &c. + + And popularity, with a hey, with a hey, + Adds power to majesty, with a ho; + But Dom. Com. in little ease, + Will all the world displease, + With a hey, &c. + + _Leviathan._ + + Let 'um hate me, so they fear, with a hey, with a hey, + Curst fox has the best cheer, with a ho; + Two states, in blind house pent, + Make brave strong government. + With a hey, &c. + + _Topham._ + + But child of heathen Hobbes, with a hey, with a hey, + Remember old Dry Bobs, with a ho, + For fleecing England's flocks. + Long fed with bits and knocks, + With a hey, &c. + + _Leviathan._ + + What's past is not to come, with a hey, with a hey, + Now safe is David's bum, with a ho; + Then hey for Oxford ho, + Strong government, raree show, + With a hey, &c. + + Raree show is resouled, with a hey, with a hey, + This is worse than desouled, with a ho; + May the mighty weight at's back + Make's lecherous loins to crack, + With a hey, &c. + + Methinks he seems to stagger, with a hey, with a hey, + Who but now did so swagger, with a ho; + God's fish he's stuck in the mire, + And all the fat's in the fire, + With a hey, &c. + + Help Cooper, Hughs, and Snow, with a hey, with a hey, + To pull down raree show, with a ho: + So, so, the gyant's down, + Let's masters out of pound, + With a hey, &c. + + And now you've freed the nation, with a hey, with a hey, + Cram in the convocation, with a ho, + With pensioners all and some. + Into this chest of Rome, + With a hey, &c. + + And thrust in six-and-twenty, with a hey, with a hey. + With _not guilties_ good plenty, with a ho, + And hoot them hence away + To Cologn or Breda, + With a hey, &c. + + Haloo, the hunt's begun, with a hey, with a hey, + Like father like son, with a ho; + Raree show in French lap + Is gone to take a nap, + And succession has the clap, + With a hey, trany, nony, nony, no. + +2. "The news of his landing being reported by the watch, it soon + spread abroad through the whole city; insomuch, that before + day-light they rang the bells at St Giles in the Fields, placing + several flambeaus on the top of the steeple, and divers great + bonefires were made, two of which were very large, one in the + Palace-yard at Westminster, and the other in Thames-street, near + the custom-house, which was kindled in the morning, and maintained + burning all day till evening, and then the universal joy of the + people was expressed in most of the streets throughout London and + Westminster by bone-fires, fireworks, and ringing of bells, + accompanied with loud acclamations of joy, to the great grief of + the papists." _An Account of the heroick Life and magnanimous + Actions of the most illustrious Protestant Prince, James, Duke of + Monmouth._ London, 1683. p. 95. + +3. "A relation was published in the name of one Elizabeth Freeman, + afterwards called the mayor of Hatfield, setting forth, that, on + the 24th of January, the apparition of a woman, all in white [the + Duke of Monmouth's mother was here to be understood], with a white + veil over her face, accosted her with these words; 'Sweetheart, the + 15th of May is appointed for the blood-royal to be poisoned. Be not + afraid, for I am sent to tell thee.' That on the 27th the same + appearance stood before her again, and she having then acquired + courage enough to lay it under the usual adjuration, in the name, + &c. it assumed a more glorious shape, and said in a harsher tone of + voice, 'Tell King Charles from me, and bid him not remove his + parliament (i.e. from London to Oxford), and stand to his council;' + adding, 'Do as I bid you.' That on the 26th, it appeared to her a + third time, but said only, 'Do your message;' and that on the next + night, when she saw it for the last time, it said nothing at all. + Those, who depend upon the people for support, must try all manner + of practices upon them, and such fooleries as these sometimes + operate more forcibly than experiments of a more rational kind. + Care was besides taken to have this relation attested by Sir Joseph + Jordan, a justice of peace, and the rector of Hatfield, Dr Lee, who + was one of the king's chaplains. Nay, the message was actually sent + to his majesty, and the whole forgery very officially circulated + over the kingdom." RALPH'S _History_ Vol. I. p. 562. + +4. In truth, the devil and the conjuror did not always play upon the + square, but often took the most unfair advantages of each other. + There is more than one instance of bad faith in the history of that + renowned enchanter, Peter Fabel. On one occasion, he prevailed upon + the devil, when he came to carry him off, to repose himself in an + enchanted chair, from which he refused to liberate him, until he + had granted him an additional lease of seven years. When this term + was also expired, he had the eloquence and art to prevail on the + fiend to allow him a farther respite, till a wax taper, then nearly + expiring, was burned out. This boon being granted, he instantly put + out the light, and deposited the taper in the church at Edmonton. + Hence, in Weiver's "Funeral Monuments," he is thus mentioned: "Here + (at Edmonton) lieth interred, under a seemly tombe without + inscription, the body of Peter Fabell, as the report goes, upon + whom this fable was fathered, that he, by his wittie devices, + beguiled the devill." p 514. See also the _Book of his Merry + Prankes_. Another instance occurs, in the famous history of Friar + Bacon, (London 1666) where that renowned conjurer is recorded to + have saved a man, that had given himself to the devil on condition + of his debts being paid. "The case was referred to the friar. + 'Deceiver of mankind, said he (speaking to the devil), it was thy + bargain never to meddle with him so long as he was indebted to any; + now how canst thou demand of him any thing, when he is indebted for + all he hath to thee? When he payeth thee thy money, then take him + as thy due; till then thou hast nothing to do with him; and so I + charge thee to be gone.' At this the devil vanished with great + horrour; but Fryar Bacon comforted the gentleman, and sent him home + with a quiet conscience, bidding him never to pay the devil's money + back, as he tendred his own safety, which he promised for to + observe." From these instances, Melanax might have quoted precedent + for insisting on the literal execution of his stipulation with + Malicorn, since, to give the devil his due, the strict legal + interpretation appears always to have been applied to bargains of + that nature. + + + + + TO + + THE RIGHT HONOURABLE + + LAWRENCE, + + EARL OF ROCHESTER, &c.[1] + + +MY LORD, + +The authors of this poem present it humbly to your lordship's +patronage, if you shall think it worthy of that honour. It has already +been a confessor, and was almost made a martyr for the royal cause: +but having stood two trials from its enemies,--one before it was +acted, another in the representation,--and having been in both +acquitted, it is now to stand the public censure in the reading: where +since, of necessity, it must have the same enemies, we hope it may +also find the same friends; and therein we are secure, not only of the +greater number, but of the more honest and loyal party. We only +expected bare justice in the permission to have it acted; and that we +had, after a severe and long examination, from an upright and knowing +judge, who, having heard both sides, and examined the merits of the +cause, in a strict perusal of the play, gave sentence for us, that it +was neither a libel, nor a parallel of particular persons[2]. In the +representation itself, it was persecuted with so notorious malice by +one side, that it procured us the partiality of the other; so that the +favour more than recompensed the prejudice. And it is happier to have +been saved (if so we were) by the indulgence of our good and faithful +fellow-subjects, than by our own deserts; because, thereby the +weakness of the faction is discovered, which, in us, at that time +attacked the government, and stood combined, like the members of the +rebellious League, against the lawful sovereign authority. To what +topic will they have recourse, when they are manifestly beaten from +their chief post, which has always been popularity, and majority of +voices? They will tell us,--that the voices of a people are not to be +gathered in a play-house; and yet, even there, the enemies, as well as +friends, have free admission: but, while our argument was serviceable +to their interests, they could boast, that the theatres were true +protestant; and came insulting to the plays, when their own triumphs +were represented[3]. But let them now assure themselves, that they can +make the major part of no assembly, except it be of a meeting-house[4]. +Their tide of popularity is spent; and the natural current of +obedience is, in spite of them, at last prevalent. In which, my lord, +after the merciful providence of God, the unshaken resolution, and +prudent carriage of the king, and the inviolable duty, and manifest +innocence of his royal highness,--the prudent management of the +ministers is also most conspicuous. I am not particular in this +commendation, because I am unwilling to raise envy to your lordship, +who are too just, not to desire that praise should be communicated to +others, which was the common endeavour and co-operation of all. It is +enough, my lord, that your own part was neither obscure in it, nor +unhazardous. And if ever this excellent government, so well +established by the wisdom of our forefathers, and so much shaken by +the folly of this age, shall recover its ancient splendour, posterity +cannot be so ungrateful as to forget those, who, in the worst of +times, have stood undaunted by their king and country, and, for the +safeguard of both, have exposed themselves to the malice of false +patriots, and the madness of an headstrong rabble. But since this +glorious work is yet unfinished, and though we have reason to hope +well of the success, yet the event depends on the unsearchable +providence of Almighty God, it is no time to raise trophies, while +the victory is in dispute; but every man, by your example, to +contribute what is in his power to maintain so just a cause, on which +depends the future settlement and prosperity of three nations. The +pilot's prayer to Neptune was not amiss in the middle of the storm: +"Thou mayest do with me, O Neptune, what thou pleasest, but I will be +sure to hold fast the rudder." We are to trust firmly in the Deity, +but so as not to forget, that he commonly works by second causes, and +admits of our endeavours with his concurrence. For our own parts, we +are sensible, as we ought, how little we can contribute with our weak +assistance. The most we can boast of, is, that we are not so +inconsiderable as to want enemies, whom we have raised to ourselves +on no other account than that we are not of their number; and, since +that is their quarrel, they shall have daily occasion to hate us +more. It is not, my lord, that any man delights to see himself +pasquined and affronted by their inveterate scribblers; but, on the +other side, it ought to be our glory, that themselves believe not of +us what they write. Reasonable men are well satisfied for whose sakes +the venom of their party is shed on us; because they see, that at the +same time our adversaries spare not those to whom they owe allegiance +and veneration. Their despair has pushed them to break those bonds; +and it is observable, that the lower they are driven, the more +violently they write; as Lucifer and his companions were only proud +when angels, but grew malicious when devils. Let them rail, since it +is the only solace of their miseries, and the only revenge which, we +hope, they now can take. The greatest and the best of men are above +their reach; and, for our meanness, though they assault us like +footpads in the dark, their blows have done us little harm: we yet +live to justify ourselves in open day, to vindicate our loyalty to +the government, and to assure your lordship, with all submission and +sincerity, that we are + + YOUR LORDSHIP'S + Most obedient, faithful servants, + JOHN DRYDEN. + NAT. LEE. + + +Footnotes: +1. Lawrence Hyde, created Earl of Rochester in 1682, was the second + son of the famous Lord Clarendon, and affords a rare instance of + the son of a disgraced minister recovering that favour at court, + which had been withdrawn from his father. He was now at the head of + the Commissioners for the Treasury, and a patron of our poet; as + appears from the terms of Dryden's letter, soliciting his interest + in very affecting terms, and from the subsequent dedication of + "Cleomenes," where he acknowledges his lordship's goodness during + the reign of two masters; and that, even from a bare treasury, his + success was contrary to that of Mr Cowley; Gideon's fleece having + been moistened, when all the ground was dry around it. The Earl of + Rochester was the more proper patron for the "Duke of Guise," as he + was a violent opponent of the bill of exclusion. He was Lord High + Treasurer in the reign of James II., and died in 1711. + +2. Henry Bennet, Earl of Arlington, then Lord Chamberlain. + +3. Dryden seems here to allude to the triumphant strain in which + Shadwell mentions the reception of "The Lancashire Witches:" "I + could not imagine," he says, "till I heard that great opposition + was designed against the play a month before it was acted, by a + party who, being ashamed to say it was for the sake of the Irish + priest, pretended that I had written a satire on the Church of + England; and several profest Papists railed at it violently before + they had seen it, alleging that for a reason, such dear friends + they are to our Church: and, notwithstanding all was put out that + could any way be wrested to an offence against the Church, yet they + came with the greatest malice in the world to hiss it; and many, + that called themselves Protestants, joined with them in that noble + enterprise. + + "But, for all this, they came resolved to hiss it, right or wrong, + and had gotten mercenary fellows, who were such fools they did not + know when to hiss; and this was evident to all the audience. It was + wonderful to see men of great quality, and gentlemen, in so mean a + combination; but, to my great satisfaction, they came off as meanly + as I could wish. I had so numerous an assembly of the best sort of + men, who stood so generously in my defence for the three first + days, that they quashed all the vain attempts of my enemies; the + inconsiderable party of hissers yielded, and the play lived in + spite of them. + + "Had it been never so bad, I had valued the honour of having so + many and such friends as eminently appeared for me, above that of + excelling the most admirable Jonson, if it were possible to be done + by me." + + This flourish of exultation contains many things which were + doubtless offensive to Dryden's jealousy of dramatic fame, as well + as to his political principles. Nor was he probably insensible to + the affected praise bestowed on Jonson, whose merit, it was + fashionable to say, he had attempted to depreciate. + +4. The greater, and, perhaps, the most formidable, part of those who + now opposed the court, were the remnants of the old fanatics, whose + religious principles were shocked by the dissolute manners of + Charles and his courtiers. These, of course, added little to the + force of the party in the theatres, which they never frequented. + Shadwell seems to acknowledge this disadvantage in the epilogue to + "The Lancashire Witches:" + + Our Popes and friars on one side offend, + And yet, alas! the city's not our friend: + The city neither like us nor our wit, + They say their wives learn ogling in the pit; + They're from the boxes taught to make advances, + To answer stolen sighs and naughty glances. + We virtuous ladies some new ways must seek, + For all conspire our playing trade to break. + + But although the citizens declined to frequent even the plays + written on their own side of the question, Armstrong, and the + personal followers of Monmouth, were of a gayer complexion, and + doubtless, as they were not inferior to the courtiers in the + licence assumed by the age, formed the principal part of the + audience at the protestant plays. The discovery of the Rye-house + Plot broke the strength of this part of the confederacy, and the + odium attending that enterprise rendered their opposition to the + court in public assemblies both fruitless and dangerous. + + + + + PROLOGUE + + WRITTEN BY MR DRYDEN. + + SPOKEN BY MR SMITH. + + + Our play's a parallel: the Holy League + Begot our Covenant: Guisards got the whig: + Whate'er our hot-brained sheriffs did advance, + Was, like our fashions, first produced in France; + And, when worn out, well scourged, and banished there, + Sent over, like their godly beggars, here. + Could the same trick, twice played, our nation gull? + It looks as if the devil were grown dull; + Or served us up, in scorn, his broken meat, + And thought we were not worth a better cheat. + The fulsome Covenant, one would think in reason, + Had given us all our bellies full of treason; + And yet, the name but changed, our nasty nation + Chews its own excrements, the Association[1]. + 'Tis true, we have not learned their poisoning way, + For that's a mode but newly come in play; + Resides, your drug's uncertain to prevail, + But your true protestant can never fail + With that compendious instrument, a flail[2]. + Go on, and bite, even though the hook lies bare; + Twice in one age expel the lawful heir; + Once more decide religion by the sword, + And purchase for us a new tyrant lord. + Pray for your king, but yet your purses spare; + Make him not two-pence richer by your prayer. + To show you love him much, chastise him more, + And make him very great, and very poor. + Push him to wars, but still no peace advance; + Let him lose England, to recover France. + Cry freedom up, with popular noisy votes, + And get enough to cut each other's throats. + Lop all the rights that fence your monarch's throne; + For fear of too much power, pray leave him none. + A noise was made of arbitrary sway; + But, in revenge, you whigs have found a way + An arbitrary duty now to pay. + Let his own servants turn to save their stake, + Glean from his plenty, and his wants forsake; + But let some Judas near his person stay, + To swallow the last sop, and then betray. + Make London independent of the crown; + A realm apart; the kingdom of the town. + Let ignoramus juries find no traitors[3], + And ignoramus poets scribble satires. + And, that your meaning none may fail to scan, + Do what in coffee-houses you began,-- + Pull down the master, and set up the man. + + +Footnotes: +1. The association proposed in parliament was, by the royalists, said + to be, a revival of the Solemn League and Covenant. But the draught + of an association, found in Lord Shaftesbury's cabinet, and + produced on his trial, in which that memorable engagement seems to + be pretty closely copied, was probably what our poet alludes to. + +2. The protestant flail was a kind of bludgeon, so jointed as to fold + together, and lie concealed in the pocket. They are supposed to + have been invented to arm the insurgents about this period. In the + trial of Braddon and Spoke for a misdemeanor, the recorder offered + to prove, that Braddon had bragged, that "he was the only inventor + of the protestant flails; an instrument you have heard of, + gentlemen, and for what use designed." This circumstance was not + omitted by Jefferies, in his characteristic address to the + prisoner. "But oh what a happiness it was for this sort of people, + that they had got Mr Braddon, an honest man and a man of courage, + says Mr Speke, a man _a propos_! and pray, says he to his friend, + give him the best advice you can, for he is a man very fit for the + purpose; and pray secure him under a sham name, for I'll undertake + there are such designs upon pious Mr Braddon, such connivances to + do him mischief, that, if he had not had his _protestant flail_ + about him, somebody or other would have knocked him on the head; + and he is such a wonderful man, that all the king's courts must + needs conspire to do Mr Braddon a mischief. A very pretty sort of + man, upon my word, and he must be used accordingly." _State + Trials_, Vol. III. p. 897. In one of the scarce medals struck by + James II. Justice is represented weighing mural crowns, which + preponderate against a naked sword, a serpent, and a protestant + flail: on each side of the figure are a head and trunk, + representing those of Argyle and Monmouth. An accurate description + of this weapon occurs in the following passage from Roger North: + "There was much recommendation of silk armour, and the prudence of + being provided with it against the time protestants were to be + massacred. And accordingly there were abundance of these silken + backs, breasts, and pots (i.e. head-pieces), made and sold, that + were pretended to be pistol proof; in which any man dressed up was + as safe as in a house, for it was impossible any one could go to + strike him for laughing. So ridiculous was the figure, as they say, + of hogs in armour; an image of derision, insensible but to the + view, as I have had it. This was armour of defence; but our sparks + were not altogether so tame as to carry their provisions no + farther, for truly they intended to be assailants upon fair + occasion, and had for that end recommended also to them a certain + pocket weapon, which, for its design and efficacy, had the honour + to be called a _protestant flail_. It was for street and + crowd-work; and the engine lying perdue in a coat pocket, might + readily sally out to execution, and by clearing a great hall, a + piazza, or so, carry an election by a choice way of polling, called + _knocking down_. The handle resembled a farrier's blood-stick, and + the fall was joined to the end by a strong nervous ligature, that + in its swing fell just short of the hand, and was made of _lignum + vitae_, or rather, as the poet termed it, _mortis_." _Examen._ p. + 572. The following is the first stanza of "The Protestant Flail; an + excellent new song, to the tune of, Lacy's Maggot, or the Hobby + Horse." It is thus labelled by Luttrell: "A bonny thing, 14 June, + 1632." + + Listen a while, and I'll tell you a tale + Of a new device of a protestant flail; + With a thump, thump, thump a thump. + Thump a thump, thump. + This flail it was made of the finest wood, + All lined with lead, and notable good + For splitting of bones, and shedding the blood + Of all that withstood, + With a thump, &c. + +3. Shaftesbury, College, and others, were liberated by grand juries, + who refused to find bills against them, bringing in what are + technically called verdicts of _ignoramus_. It was here that the + whig sheriffs were of most consequence to their party; for by their + means the juries were picked from the very centre of the faction; + and although they included many men of eminence, both for rank and + talents, yet they were generally such as had made up their minds to + cast the bill long before they came into court. This gave great + offence to the royalists. North says, "There lay the barrier of the + faction; and that stately word (_ignoramus_) became the appellative + of the whole corrupt practice, and the infamous title of all the + persons concerned in it." In Luttrell's Collection I find, + "Ignoramus, an excellent new song, to the tune of Lay by your + Pleading, Law lies a Bleeding." 15 Dec. 1681. + + At the Old Bailey, + Where rogues flock daily, + A greater rogue far than Coleman, White, or Stayley, + Was late indicted. + Witnesses cited, + But then he was set free, so the king was righted. + 'Gainst princes offences + Proved in all senses, + But 'gainst a whig there is no truth in evidences; + They sham us, and flam us, + And ram us, and damn us. + And then, in spite of law, come off with ignoramus, &c. + + This song, according to the invariable practice of the scribblers + on both sides, was answered by a new Ignoramus. + + + + + DRAMATIS PERSONAE. + + + _The King of France._ + _Duke of_ GUISE. + _Duke of_ MAYENNE. + GRILLON, _Colonel of the Guard._ + ALPHONSO CORSO, _a Colonel._ + BELLEURE, _a Courtier._ + ABBOT DEL BENE, } _Royalists._ + M. MONFERT, } + _The Cardinal of_ GUISE. } + _Archbishop of_ LYONS. } + POLIN, } + AUMALE, } _Of Guise's_ + BUSSY, } _Faction._ + _The Curate of St_ EUSTACE, } + MALICORN, _a Necromancer,_ } + MELANAX, _a Spirit,_ } + _Two Sheriffs,_ + _Citizens and Rabble, &c._ + + _Queen Mother._ + MARMOUTIERE, _Niece to_ GRILLON. + +SCENE,--_Paris._ + + + + + THE DUKE OF GUISE. + + +ACT I. + +SCENE I.--_The Council of Sixteen seated; an empty Chair prepared for +the Duke of Guise._ + + BUSSY _and_ POLIN, _two of the Sixteen._ + +_Buss._ Lights there! more lights! What, burn the tapers dim, +When glorious Guise, the Moses, Gideon, David, +The saviour of the nation, makes approach? + +_Pol._ And therefore are we met; the whole sixteen, +That sway the crowd of Paris, guide their votes, +Manage their purses, persons, fortunes, lives, +To mount the Guise, where merit calls him, high, +And give him a whole heaven for room to shine. + + _Enter Curate of St_ EUSTACE. + +_Buss._ The curate of St Eustace comes at last: +But, father, why so late? + +_Cur._ I have been taking godly pains to satisfy some scruples raised +amongst weak brothers of our party, that were staggering in the cause. + +_Pol._ What could they find to object? + +_Cur._ They thought, to arm against the king was treason. + +_Buss._ I hope you set them right? + +_Cur._ Yes; and for answer, I produced this book. +A Calvinist minister of Orleans +Writ this, to justify the admiral +For taking arms against the king deceased; +Wherein he proves, that irreligious kings +May justly be deposed, and put to death. + +_Buss._ To borrow arguments from heretic books, +Methinks, was not so prudent. + +_Cur._ Yes; from the devil, if it would help our cause. +The author was indeed a heretic; +The matter of the book is good and pious. + +_Pol._ But one prime article of our Holy League +Is to preserve the king, his power, and person. + +_Cur._ That must be said, you know, for decency; +A pretty blind to make the shoot secure. + +_Buss._ But did the primitive Christians e'er rebel, +When under heathen lords? I hope they did. + +_Cur._ No sure, they did not; for they had not power; +The conscience of a people is their power. + +_Pol._ Well; the next article in our solemn covenant +Has cleared the point again. + +_Buss._ What is't? I should be glad to find the king +No safer than needs must. + +_Pol._ That, in case of opposition from any person whatsoever-- + +_Cur._ That's well, that well; then the king is not excepted, if he +oppose us.-- + +_Pol._ We are obliged to join as one, to punish +All, who attempt to hinder or disturb us. + +_Buss._ 'Tis a plain case; the king's included in the punishment, in +case he rebel against the people. + +_Pol._ But how can he rebel? + +_Cur._ I'll make it out: Rebellion is an insurrection against the +government; but they that have the power are actually the government; +therefore, if the people have the power, the rebellion is in the king. + +_Buss._ A most convincing argument for faction. + +_Cur._ For arming, if you please, but not for faction: +For still the faction is the fewest number: +So what they call the lawful government, +Is now the faction; for the most are ours. + +_Pol._ Since we are proved to be above the king, I would gladly +understand whom we are to obey, or, whether we are to be all kings +together? + +_Cur._ Are you a member of the League, and ask that question? There's +an article, that, I may say, is as necessary as any in the creed; +namely, that we, the said associates, are sworn to yield ready +obedience, and faithful service, to that head which shall be deputed. + +_Buss._ 'Tis most manifest, that, by virtue of our oath, we are all +subjects to the Duke of Guise. The king's an officer that has betrayed +his trust; and therefore we have turned him out of service. + +_Omn._ Agreed, agreed. + + _Enter the Duke of_ GUISE, _Cardinal of_ GUISE, AUMALE: _Torches + before them. The Duke takes the Chair._ + +_Buss._ Your highness enters in a lucky hour; +The unanimous vote you heard, confirms your choice. +As head of Paris and the Holy League. + +_Card._ I say amen to that. + +_Pol._ You are our champion, buckler of our faith. + +_Card._ The king, like Saul, is heaven's repented choice; +You his anointed one, on better thought. + +_Gui._ I'm what you please to call me; any thing, +Lieutenant-general, chief, or constable, +Good decent names, that only mean--your slave. + +_Buss._ You chased the Germans hence, exiled Navarre, +And rescued France from heretics and strangers. + +_Aum._ What he, and all of us have done, is known. +What's our reward? Our offices are lost, +Turned out, like laboured oxen after harvest, +To the bare commons of the withered field. + +_Buss._ Our charters will go next; because we sheriffs +Permit no justice to be done on those +The court calls rebels, but we call them saints. + +_Gui._ Yes; we are all involved, as heads, or parties; +Dipt in the noisy crime of state, called treason; +And traitors we must be, to king, or country. + +_Buss._ Why then my choice is made. + +_Pol._ And mine. + +_Omn._ And all. + +_Card._ Heaven is itself head of the Holy League; +And all the saints are cov'nanters and Guisards. + +_Gui._ What say you, curate? + +_Cur._ I hope well, my lord. + +_Card._ That is, he hopes you mean to make him abbot, +And he deserves your care of his preferment; +For all his prayers are curses on the government, +And all his sermons libels on the king; +In short, a pious, hearty, factious priest. + +_Gui._ All that are here, my friends, shall share my fortunes: +There's spoil, preferments, wealth enough in France; +'Tis but deserve, and have. The Spanish king +Consigns me fifty thousand crowns a-week +To raise, and to foment a civil war. +'Tis true, a pension, from a foreign prince, +Sounds treason in the letter of the law, +But good intentions justify the deed. + +_Cur._ Heaven's good; the cause is good; the money's good; +No matter whence it comes. + +_Buss._ Our city-bands are twenty thousand strong, +Well-disciplined, well-armed, well-seasoned traitors, +Thick-rinded heads, that leave no room for kernel; +Shop-consciences, of proof against an oath, +Preached up, and ready tined for a rebellion[1]. + +_Gui._ Why then the noble plot is fit for birth; +And labouring France cries out for midwife hands. +We missed surprising of the king at Blois, +When last the states were held: 'twas oversight; +Beware we make not such another blot. + +_Card._ This holy time of Lent we have him sure; +He goes unguarded, mixed with whipping friars. +In that procession, he's more fit for heaven: +What hinders us to seize the royal penitent, +And close him in a cloister? + +_Cur._ Or dispatch him; I love to make all sure. + +_Gui._ No; guard him safe; +Thin diet will do well; 'twill starve him into reason, +'Till he exclude his brother of Navarre, +And graft succession on a worthier choice. +To favour this, five hundred men in arms +Shall stand prepared, to enter at your call, +And speed the work; St Martin's gate was named; +But the sheriff Conty, who commands that ward, +Refused me passage there. + +_Buss._ I know that Conty; +A snivelling, conscientious, loyal rogue; +He'll peach, and ruin all. + +_Card._ Give out he's arbitrary, a Navarist, +A heretic; discredit him betimes, +And make his witness void. + +_Cur._ I'll swear him guilty. +I swallow oaths as easy as snap-dragon, +Mock-fire that never burns. + +_Gui._ Then, Bussy, be it your care to admit my troops, +At Port St Honore: [_Rises._] Night wears apace, +And day-light must not peep on dark designs. +I will myself to court, pay formal duty, +Take leave, and to my government retire; +Impatient to be soon recalled, to see +The king imprisoned, and the nation free[2]. [_Exeunt._ + + +SCENE II. + + _Enter_ MALICORN _solus._ + +_Mal._ Each dismal minute, when I call to mind +The promise, that I made the Prince of Hell, +In one-and-twenty years to be his slave, +Of which near twelve are gone, my soul runs back, +The wards of reason roll into their spring. +O horrid thought! but one-and-twenty years, +And twelve near past, then to be steeped in fire, +Dashed against rocks, or snatched from molten lead, +Reeking, and dropping, piece-meal borne by winds, +And quenched ten thousand fathom in the deep!-- +But hark! he comes: see there! my blood stands still, + [_Knocking at the Door._ +My spirits start on end for Guise's fate. + + _A Devil rises._ + +_Mal._ What counsel does the fate of Guise require? + +_Dev._ Remember, with his prince there's no delay. +But, the sword drawn, to fling the sheath away; +Let not the fear of hell his spirit grieve, +The tomb is still, whatever fools believe: +Laugh at the tales which withered sages bring, +Proverbs and morals; let the waxen king, +That rules the hive, be born without a sting; +Let Guise by blood resolve to mount to power. +And he is great as Mecca's emperor. +He comes; bid him not stand on altar-vows, +But then strike deepest, when he lowest bows; +Tell him, fate's awed when an usurper springs, +And joins to crowd out just indulgent kings. [_Vanishes._ + + +SCENE III. + + _Enter the Duke of_ GUISE, _and Duke of_ MAYENNE. + +_May._ All offices and dignities he gives +To your profest and most inveterate foes; +But if he were inclined, as we could wish him, +There is a lady-regent at his ear, +That never pardons. + +_Gui._ Poison on her name! +Take my hand on't, that cormorant dowager +Will never rest, till she has all our heads +In her lap. I was at Bayonne with her, +When she, the king, and grisly d'Alva met. +Methinks, I see her listening now before me, +Marking the very motion of his beard, +His opening nostrils, and his dropping lids. +I hear him croak too to the gaping council,-- +Fish for the great fish, take no care for frogs, +Cut off the poppy-heads, sir;--madam, charm +The winds but fast, the billows will be still[3]. + +_May._ But, sir, how comes it you should be thus warm, +Still pushing counsels when among your friends; +Yet, at the court, cautious, and cold as age, +Your voice, your eyes, your mien so different, +You seem to me two men? + +_Gui._ The reason's plain. +Hot with my friends, because, the question given, +I start the judgment right, where others drag. +This is the effect of equal elements, +And atoms justly poised; nor should you wonder +More at the strength of body than of mind; +'Tis equally the same to see me plunge +Headlong into the Seine, all over armed, +And plow against the torrent to my point, +As 'twas to hear my judgment on the Germans, +This to another man would be a brag; +Or at the court among my enemies, +To be, as I am here, quite off my guard, +Would make me such another thing as Grillon, +A blunt, hot, honest, downright, valiant fool. + +_May._ Yet this you must allow a failure in you,-- +You love his niece; and to a politician +All passion's bane, but love directly death. + +_Gui._ False, false, my Mayenne; thou'rt but half Guise again. +Were she not such a wond'rous composition, +A soul, so flushed as mine is with ambition, +Sagacious and so nice, must have disdained her: +But she was made when nature was in humour, +As if a Grillon got her on the queen, +Where all the honest atoms fought their way, +Took a full tincture of the mother's wit, +But left the dregs of wickedness behind. + +_May._ Have you not told her what we have in hand? + +_Gui._ My utmost aim has been to hide it from her, +But there I'm short; by the long chain of causes +She has scanned it, just as if she were my soul; +And though I flew about with circumstances. +Denials, oaths, improbabilities; +Yet, through the histories of our lives, she looked, +She saw, she overcame. + +_May._ Why then, we're all undone. + +_Gui._ Again you err. +Chaste as she is, she would as soon give up +Her honour, as betray me to the king: +I tell thee, she's the character of heaven; +Such an habitual over-womanly goodness, +She dazzles, walks mere angel upon earth. +But see, she comes; call the cardinal Guise, +While Malicorn attends for some dispatches, +Before I take my farewell of the court. [_Exit_ MAY. + + _Enter_ MARMOUTIERE. + +_Mar._ Ah Guise, you are undone! + +_Gui._ How, madam? + +_Mar._ Lost, +Beyond the possibility of hope: +Despair, and die. + +_Gui._ You menace deeply, madam: +And should this come from any mouth but yours, +My smile should answer how the ruin touched me. + +_Mar._ Why do you leave the court? + +_Gui._ The court leaves me. + +_Mar._ Were there no more, but weariness of state, +Or could you, like great Scipio, retire, +Call Rome ungrateful, and sit down with that; +Such inward gallantry would gain you more +Than all the sullied conquests you can boast: +But oh, you want that Roman mastery; +You have too much of the tumultuous times, +And I must mourn the fate of your ambition. + +_Gui._ Because the king disdains my services, +Must I not let him know I dare be gone? +What, when I feel his council on my neck, +Shall I not cast them backward if I can, +And at his feet make known their villainy? + +_Mar._ No, Guise, not at his feet, but on his head; +For there you strike. + +_Gui._ Madam, you wrong me now: +For still, whate'er shall come in fortune's whirl, +His person must be safe. + +_Mar._ I cannot think it. +However, your last words confess too much. +Confess! what need I urge that evidence, +When every hour I see you court the crowd, +When with the shouts of the rebellious rabble, +I see you borne on shoulders to cabals; +Where, with the traitorous Council of Sixteen, +You sit, and plot the royal Henry's death; +Cloud the majestic name with fumes of wine, +Infamous scrolls, and treasonable verse; +While, on the other side, the name of Guise, +By the whole kennel of the slaves, is rung. +Pamphleteers, ballad-mongers sing your ruin. +While all the vermin of the vile Parisians +Toss up their greasy caps where'er you pass, +And hurl your dirty glories in your face. + +_Gui._ Can I help this? + +_Mar._ By heaven, I'd earth myself, +Rather than live to act such black ambition: +But, sir, you seek it with your smiles and bows. +This side and that side congeing to the crowd. +You have your writers too, that cant your battles, +That stile you, the new David, second Moses, +Prop of the church, deliverer of the people. +Thus from the city, as from the heart, they spread +Through all the provinces, alarm the countries, +Where they run forth in heaps, bellowing your wonders; +Then cry,--The king, the king's a Hugonot, +And, spite of us, will have Navarre succeed, +Spite of the laws, and spite of our religion: +But we will pull them down, down with them, down[4]. [_Kneels._ + +_Gui._ Ha, madam! Why this posture? + +_Mar._ Hear me, sir; +For, if 'tis possible, my lord, I'll move you. +Look back, return, implore the royal mercy, +Ere 'tis too late; I beg you by these tears, +These sighs, and by the ambitious love you bear me; +By all the wounds of your poor groaning country, +That bleeds to death. O seek the best of kings, +Kneel, fling your stubborn body at his feet: +Your pardon shall be signed, your country saved, +Virgins and matrons all shall sing your fame, +And every babe shall bless the Guise's name. + +_Gui._ O rise, thou image of the deity! +You shall prevail, I will do any thing: +You've broke the very gall of my ambition, +And all my powers now float in peace again. +Be satisfied that I will see the king, +Kneel to him, ere I journey to Champaigne, +And beg a kind farewell. + +_Mar._ No, no, my lord; +I see through that; you but withdraw a while, +To muster all the forces that you can, +And then rejoin the Council of Sixteen. +You must not go. + +_Gui._ All the heads of the League +Expect me, and I have engaged my honour. + +_Mar._ Would all those heads were off, so yours were saved! +Once more, O Guise, the weeping Marmoutiere +Entreats you, do not go. + +_Gui._ Is't possible +That Guise should say, in this he must refuse you! + +_Mar._ Go then, my lord. I late received a letter +From one at court, who tells me, the king loves me: +Read it,--there is no more than what you hear. +I've jewels offered too,--perhaps may take them; +And if you go from Paris, I'll to court. + +_Gui._ But, madam, I have often heard you say, +You loved not courts. + +_Mar._ Perhaps I've changed my mind: +Nothing as yet could draw me, but a king; +And such a king,--so good, so just, so great, +That, at his birth, the heavenly council paused, +And then, at last, cried out,--This is a man. + +_Gui._ Come, 'tis but counterfeit; you dare not go. + +_Mar._ Go to your government, and try. + +_Gui._ I will. + +_Mar._ Then I'll to court, nay--to the king. + +_Gui._ By heaven, +I swear you cannot, shall not,--dare not see him. + +_Mar._ By heaven, I can, I dare, nay--and I will; +And nothing but your stay shall hinder me; +For now, methinks, I long for't. + +_Gui._ Possible! + +_Mar._ I'll give you yet a little time to think; +But, if I hear you go to take your leave, +I'll meet you there; before the throne I'll stand,-- +Nay you shall see me kneel and kiss his hand. [_Exit._ + +_Gui._ Furies and hell! She does but try me,--Ha! +This is the mother-queen, and Espernon, +Abbot Delbene, Alphonso Corso too, +All packed to plot, and turn me into madness. [_Reading the Letter._ + + _Enter Cardinal_ GUISE, _Duke Of_ MAYENNE, MALICORN, _&c._ + +Ha! can it be! "Madam, the king loves you."-- [_Reads._ +But vengeance I will have; to pieces, thus, +To pieces with them all. [_Tears the Letter._ + +_Card._ Speak lower. + +_Gui._ No; +By all the torments of this galling passion, +I'll hollow the revenge I vow, so loud, +My father's ghost shall hear me up to heaven. + +_Card._ Contain yourself; this outrage will undo us. + +_Gui._ All things are ripe, and love new points their ruin. +Ha! my good lords, what if the murdering council +Were in our power, should they escape our justice? +I see, by each man's laying of his hand +Upon his sword, you swear the like revenge. +For me, I wish that mine may both rot off-- + +_Card._ No more. + +_May._ The Council of Sixteen attend you. + +_Gui._ I go--that vermin may devour my limbs; +That I may die, like the late puling Francis[5], +Under the barber's hands, imposthumes choak me,-- +If while alive, I cease to chew their ruin; +Alphonso Corso, Grillon, priest, together: +To hang them in effigy,--nay, to tread, +Drag, stamp, and grind them, after they are dead. [_Exeunt._ + + +ACT II. SCENE I. + + _Enter Queen-Mother, Abbot_ DELBENE, _and_ POLIN. + +_Qu. M._ Pray, mark the form of the conspiracy: +Guise gives it out, he journeys to Champaigne, +But lurks indeed at Lagny, hard by Paris, +Where every hour he hears and gives instructions. +Mean time the Council of Sixteen assure him, +They have twenty thousand citizens in arms. +Is it not so, Polin? + +_Pol._ True, on my life; +And, if the king doubts the discovery, +Send me to the Bastile till all be proved. + +_Qu. M._ Call colonel Grillon; the king would speak with him. + +_Ab._ Was ever age like this? [_Exit_ POLIN. + +_Qu. M._ Polin is honest; +Beside, the whole proceeding is so like +The hair-brained rout, I guessed as much before. +Know then, it is resolved to seize the king, +When next he goes in penitential weeds +Among the friars, without his usual guards; +Then, under shew of popular sedition, +For safety, shut him in a monastery, +And sacrifice his favourites to their rage. + +_Ab._ When is this council to be held again? + +_Qu. M._ Immediately upon the duke's departure. + +_Ab._ Why sends not then the king sufficient guards, +To seize the fiends, and hew them into pieces? + +_Qu. M._ 'Tis in appearance easy, but the effect +Most hazardous; for straight, upon the alarm, +The city would be sure to be in arms; +Therefore, to undertake, and not to compass, +Were to come off with ruin and dishonour. +You know the Italian proverb--_Bisogna copriersi_[6],-- +He, that will venture on a hornet's nest, +Should arm his head, and buckler well his breast. + +_Ab._ But wherefore seems the king so unresolved? + +_Qu. M._ I brought Polin, and made the demonstration; +Told him--necessity cried out, to take +A resolution to preserve his life, +And look on Guise as a reclaimless rebel: +But, through the natural sweetness of his temper, +And dangerous mercy, coldly he replied,-- +Madam I will consider what you say. + +_Ab._ Yet after all, could we but fix him-- + +_Qu. M._ Right,-- +The business were more firm for this delay; +For noblest natures, though they suffer long, +When once provoked, they turn the face to danger. +But see, he comes, Alphonso Corso with him; +Let us withdraw, and when 'tis fit rejoin him. [_Exeunt._ + + _Enter King, and_ ALPHONSO CORSO. + +_King._ Alphonso Corso. + +_Alph._ Sir. + +_King._ I think thou lovest me. + +_Alph._ More than my life. + +_King._ That's much; yet I believe thee. +My mother has the judgment of the world, +And all things move by that; but, my Alphonso, +She has a cruel wit. + +_Alph._ The provocation, sir. + +_King._ I know it well; +But,--if thou'dst have my heart within thy hand,-- +All conjurations blot the name of kings. +What honours, interest, were the world to buy him, +Shall make a brave man smile, and do a murder? +Therefore I hate the memory of Brutus, +I mean the latter, so cried up in story. +Caesar did ill, but did it in the sun, +And foremost in the field; but sneaking Brutus, +Whom none but cowards and white-livered knaves +Would dare commend, lagging behind his fellows, +His dagger in his bosom, stabbed his father. +This is a blot, which Tully's eloquence +Could ne'er wipe off, though the mistaken man +Makes bold to call those traitors,--men divine. + +_Alph._ Tully was wise, but wanted constancy. + + _Enter Queen Mother, and Abbot_ DELBENE. + +_Qu. M._ Good-even, sir; 'tis just the time you ordered +To wait on your decrees. + +_King._ Oh, madam! + +_Qu. M._ Sir? + +_King._ Oh mother,--but I cannot make it way;-- +Chaos and shades,--'tis huddled up in night. + +_Qu. M._ Speak then, for speech is morning to the mind; +It spreads the beauteous images abroad, +Which else lie furled and clouded in the soul. + +_King._ You would embark me in a sea of blood. + +_Qu. M._ You see the plot directly on your person; +But give it o'er, I did but state the case. +Take Guise into your heart, and drive your friends; +Let knaves in shops prescribe you how to sway, +And, when they read your acts with their vile breath, +Proclaim aloud, they like not this or that; +Then in a drove come lowing to the Louvre, +And cry,--they'll have it mended, that they will, +Or you shall be no king. + +_King._ 'Tis true, the people +Ne'er know a mean, when once they get the power; +But O, if the design we lay should fail, +Better the traitors never should be touched, +If execution cries not out--'Tis done. + +_Qu. M._ No, sir, you cannot fear the sure design: +But I have lived too long, since my own blood +Dares not confide in her that gave him being. + +_King._ Stay, madam, stay; come back, forgive my fears, +Where all our thoughts should creep like deepest streams: +Know, then, I hate aspiring Guise to death; +Whored Margarita,--plots upon my life,-- +And shall I not revenge?[7] + +_Qu. M._ Why, this is Harry; +Harry at Moncontour, when in his bloom +He saw the admiral Coligny's back.[8] + +_King._ O this whale Guise, with all the Lorrain fry! +Might I but view him, after his plots and plunges, +Struck on those cowring shallows that await him,-- +This were a Florence master-piece indeed. + +_Qu. M._ He comes to take his leave. + +_King._ Then for Champaigne; +But lies in wait till Paris is in arms. +Call Grillon in. All that I beg you now, +Is to be hushed upon the consultation, +As urns, that never blab. + +_Qu. M._ Doubt not your friends; +Love them, and then you need not fear your foes. + + _Enter_ GRILLON. + +_King._ Welcome, my honest man, my old tried friend. +Why dost thou fly me, Grillon, and retire? + +_Gril._ Rather let me demand your majesty, +Why fly you from yourself? I've heard you say, +You'd arm against the League; why do you not? +The thoughts of such as you, are starts divine; +And when you mould with second cast the spirit, +The air, the life, the golden vapour's gone. + +_King._ Soft, my old friend; Guise plots upon my life; +Polin shall tell thee more. Hast thou not heard +The insufferable affronts he daily offers,-- +War without treasure on the Huguenots; +While I am forced against my bent of soul, +Against all laws, all custom, right, succession, +To cast Navarre from the Imperial line? + +_Gril._ Why do you, sir? Death, let me tell the traitor-- + +_King._ Peace, Guise is going to his government; +You are his foe of old; go to him, Grillon; +Visit him as from me, to be employed +In this great war against the Huguenots; +And, pr'ythee, tell him roundly of his faults, +No farther, honest Grillon. + +_Gril._ Shall I fight him? + +_King._ I charge thee, not. + +_Gril._ If he provokes me, strike him; +You'll grant me that? + +_King._ Not so, my honest soldier; +Yet speak to him. + +_Gril._ I will, by heaven, to the purpose; +And, if he force a beating, who can help it? [_Exit._ + +_King._ Follow, Alphonso; when the storm is up, +Call me to part them. + +_Qu. M._ Grillon, to ask him pardon, +Will let Guise know we are not in the dark. + +_King._ You hit the judgment; yet, O yet, there's more; +Something upon my heart, after these counsels, +So soft, and so unworthy to be named!-- + +_Qu. M._ They say, that Grillon's niece is come to court, +And means to kiss your hand. [_Exit._ + +_King._ Could I but hope it! +O my dear father, pardon me in this, +And then enjoin me all that man can suffer; +But sure the powers above will take our tears +For such a fault--love is so like themselves. [_Exeunt._ + + +SCENE II.--_The Louvre._ + + _Enter_ GUISE, _attended with his Family;_ MARMOUTIERE _meeting him + new drest, attended, &c._ + +_Gui._ Furies! she keeps her word, and I am lost; +Yet let not my ambition shew it to her; +For, after all, she does it but to try me, +And foil my vowed design.--Madam, I see +You're come to court; the robes you wear become you; +Your air, your mien, your charms, your every grace, +Will kill at least your thousand in a day. + +_Mar._ What, a whole day, and kill but one poor thousand! +An hour you mean, and in that hour ten thousand. +Yes, I would make with every glance a murder.-- +Mend me this curl. + +_Gui._ Woman! [_Aside._ + +_Mar._ You see, my lord, +I have my followers, like you. I swear, +The court's a heavenly place; but--O, my heart! +I know not why that sigh should come uncalled; +Perhaps, 'twas for your going; yet I swear, +I never was so moved, O Guise, as now, +Just as you entered, when from yonder window +I saw the king. + +_Gui._ Woman, all over woman! [_Aside._ +The world confesses, madam, Henry's form +Is noble and majestic. + +_Mar._ O you grudge +The extorted praise, and speak him but by halves. + +_Gui._ Priest, Corso, devils! how she carries it! + +_Mar._ I see, my lord, you're come to take your leave; +And were it not to give the court suspicion, +I would oblige you, sir, before you go, +To lead me to the king. + +_Gui._ Death and the devil! + +_Mar._ But since that cannot be, I'll take my leave +Of you, my lord; heaven grant your journey safe! +Farewell, once more. [_Offers her hand._] + Not stir! does this become you,-- +Does your ambition swell into your eyes?-- +Jealousy by this light; nay then, proud Guise, +I tell you, you're not worthy of the grace; +But I will carry't, sir, to those that are, +And leave you to the curse of bosom-war. [_Exit._ + +_May._ Is this the heavenly-- + +_Gui._ Devil, devil, as they are all. +'Tis true, at first she caught the heavenly form, +But now ambition sets her on her head, +By hell, I see the cloven mark upon her. +Ha! Grillon here! some new court-trick upon me. + + _Enter_ GRILLON. + +_Gril._ Sir, I have business for your ear. + +_Gui._ Retire. [_Exeunt his Followers._ + +_Gril._ The king, my lord, commanded me to wait you, +And bid you welcome to the court. + +_Gui._ The king +Still loads me with new honours; but none greater +Than this, the last. + +_Gril._ There is one greater yet, +Your high commission 'gainst the Huguenots; +I and my family shall shortly wait you, +And 'twill be glorious work. + +_Gui._ If you are there, +There must be action. + +_Gril._ O, your pardon, sir; +I'm but a stripling in the trade of war: +But you, whose life is one continued broil, +What will not your triumphant arms accomplish! +You, that were formed for mastery in war. +That, with a start, cried to your brother Mayenne,-- +"To horse!" and slaughtered forty thousand Germans[9]. + +_Gui._ Let me beseech you, colonel, no more. + +_Gril._ But, sir, since I must make at least a figure +In this great business, let me understand +What 'tis you mean, and why you force the king +Upon so dangerous an expedition. + +_Gui._ Sir, I intend the greatness of the king; +The greatness of all France, whom it imports +To make their arms their business, aim, and glory; +And where so proper as upon those rebels, +That covered all the state with blood and death? + +_Gril._ Stored arsenals and armouries, fields of horse, +Ordnance, munition, and the nerve of war, +Sound infantry, not harassed and diseased, +To meet the fierce Navarre, should first be thought on. + +_Gui._ I find, my lord, the argument grows warm, +Therefore, thus much, and I have done: I go +To join the Holy League in this great war, +In which no place of office, or command, +Not of the greatest, shall be bought or sold; +Whereas too often honours are conferred +On soldiers, and no soldiers: This man knighted, +Because he charged a troop before his dinner, +And sculked behind a hedge i'the afternoon: +I will have strict examination made +Betwixt the meritorious and the base. + +_Gril._ You have mouthed it bravely, and there is no doubt +Your deeds would answer well your haughty words; +Yet let me tell you, sir, there is a man, +(Curse on the hearts that hate him!) that would better, +Better than you, or all your puffy race, +That better would become the great battalion; +That when he shines in arms, and suns the field, +Moves, speaks, and fights, and is himself a war. + +_Gui._ Your idol, sir; you mean the great Navarre: +But yet-- + +_Gril._ No _yet_, my lord of Guise, no _yet_; +By arms, I bar you that; I swear, no _yet_; +For never was his like, nor shall again. +Though voted from his right by your cursed League. + +_Gui._ Judge not too rashly of the Holy League, +But look at home. + +_Gril._ Ha! darest thou justify +Those villains? + +_Gui._ I'll not justify a villain, +More than yourself; but if you thus proceed, +If every heated breath can puff away, +On each surmise, the lives of free-born people, +What need that awful general convocation, +The assembly of the states?--nay, let me urge,-- +If thus they vilify the Holy League, +What may their heads expect? + +_Gril._ What, if I could, +They should be certain of,--whole piles of fire. + +_Gui._ Colonel, 'tis very well I know your mind, +Which, without fear, or flattery to your person, +I'll tell the king; and then, with his permission, +Proclaim it for a warning to our people. + +_Gril._ Come, you're a murderer yourself within, +A traitor. + +_Gui._ Thou a ---- hot old hair-brained fool. + +_Gril._ You were complotter with the cursed League, +The black abettor of our Harry's death. + +_Gui._ 'Tis false. + +_Gril._ 'Tis true, as thou art double-hearted: +Thou double traitor, to conspire so basely; +And when found out, more basely to deny't. + +_Gui._ O gracious Harry, let me sound thy name, +Lest this old rust of war, this knotty trifler, +Should raise me to extremes. + +_Gril._ If thou'rt a man, +That didst refuse the challenge of Navarre, +Come forth[10]. + +_Gui._ Go on; since thou'rt resolved on death, +I'll follow thee, and rid thy shaking soul. + + _Enter King, Queen-Mother,_ ALPHONSO, _Abbot, &c._ + +But see, the king: I scorn to ruin thee, +Therefore go tell him, tell him thy own story. + +_King._ Ha, colonel, is this your friendly visit? +Tell me the truth, how happened this disorder? +Those ruffled hands, red looks, and port of fury? + +_Gril._ I told him, sir, since you will have it so, +He was the author of the rebel-league; +Therefore, a traitor and a murderer. + +_King._ Is't possible? + +_Gui._ No matter, sir, no matter; +A few hot words, no more, upon my life; +The old man roused, and shook himself a little: +So, if your majesty will do me honour, +I do beseech you, let the business die. + +_King._ Grillon, submit yourself, and ask his pardon. + +_Gril._ Pardon me, I cannot do't. + +_King._ Where are the guards! + +_Gui._ Hold, sir;--come, colonel, I'll ask pardon for you; +This soldierly embrace makes up the breach; +We will be sorry, sir, for one another. + +_Gril._ My lord, I know not what to answer you; +I'm friends,--and I am not,--and so farewell. [_Exit._ + +_King._ You have your orders; yet before you go, +Take this embrace: I court you for my friend, +Though Grillon would not. + +_Gui._ I thank you on my knees; +And still, while life shall last, will take strict care +To justify my loyalty to your person. [_Exit._ + +_Qu. M._ Excellent loyalty, to lock you up! + +_King._ I see even to the bottom of his soul; +And, madam, I must say the Guise has beauties, +But they are set in night, and foul design: +He was my friend when young, and might be still. + +_Ab._ Marked you his hollow accents at the parting? + +_Qu. M._ Graves in his smiles. + +_King._ Death in his bloodless hands.-- +O Marmoutiere! now I will haste to meet thee: +The face of beauty, on this rising horror, +Looks like the midnight moon upon a murder; + It gilds the dark design that stays for fate, + And drives the shades, that thicken, from the state. [_Exuent._ + + +ACT III. SCENE I. + + _Enter_ GRILLON _and_ POLIN._ + +_Gril._ Have then this pious Council of Sixteen +Scented your late discovery of the plot? + +_Pol._ Not as from me; for still I kennel with them. +And bark as loud as the most deep-mouthed traitor, +Against the king, his government, and laws; +Whereon immediately there runs a cry +Of,--Seize him on the next procession! seize him. +And clap the Chilperick in a monastery! +Thus it was fixt, as I before discovered; +But when, against his custom, they perceived +The king absented, strait the rebels met, +And roared,--they were undone. + +_Gril._ O, 'tis like them; +'Tis like their mongrel souls: flesh them with fortune, +And they will worry royalty to death; +But if some crabbed virtue turn and pinch them, +Mark me, they'll run, and yelp, and clap their tails, +Like curs, betwixt their legs, and howl for mercy. + +_Pol._ But Malicorn, sagacious on the point, +Cried,--Call the sheriffs, and bid them arm their bands; +Add yet to this, to raise you above hope, +The Guise, my master, will be here to-day.-- +For on bare guess of what has been revealed, +He winged a messenger to give him notice; +Yet, spite of all this factor of the fiends +Could urge, they slunk their heads, like hinds in storms. +But see, they come. + + _Enter Sheriffs, with the Populace._ + +_Gril._ Away, I'll have amongst them; +Fly to the king, warn him of Guise's coming, +That he may strait despatch his strict commands +To stop him. [_Exit_ POLIN. + +_1 Sher._ Nay, this is colonel Grillon, +The blunderbuss o'the court; away, away, +He carries ammunition in his face. + +_Gril._ Hark you, my friends, if you are not in haste, +Because you are the pillars of the city, +I would inform you of a general ruin. + +_2 Sher._ Ruin to the city! marry, heaven forbid! + +_Gril._ Amen, I say; for, look you, I'm your friend. +'Tis blown about, you've plotted on the king, +To seize him, if not kill him; for, who knows, +When once your conscience yields, how far 'twill stretch; +Next, quite to dash your firmest hopes in pieces, +The duke of Guise is dead. + +_1 Sher._ Dead, colonel! + +_2 Sher._ Undone, undone! + +_Gril._ The world cannot redeem you; +For what, sirs, if the king, provoked at last, +Should join the Spaniard, and should fire your city; +Paris, your head,--but a most venomous one,-- +Which must be blooded? + +_1 Sher._ Blooded, colonel! + +_Gril._ Ay, blooded, thou most infamous magistrate, +Or you will blood the king, and burn the Louvre; +But ere that be, fall million miscreant souls, +Such earth-born minds as yours; for, mark me, slaves, +Did you not, ages past, consign your lives, +Liberties, fortunes, to Imperial hands, +Made them the guardians of your sickly years? +And now you're grown up to a booby's greatness, +What, would you wrest the sceptre from his hand? +Now, by the majesty of kings I swear, +You shall as soon be saved for packing juries. + +_1 Sher._ Why, sir, mayn't citizens be saved? + +_Gril._ Yes, sir, +From drowning, to be hanged, burnt, broke o'the wheel. + +_1 Sher._ Colonel, you speak us plain. + +_Gril._ A plague confound you, +Why should I not? what is there in such rascals, +Should make me hide my thought, or hold my tongue? +Now, in the devil's name, what make you here, +Daubing the inside of the court, like snails, +Sliming our walls, and pricking out your horns? +To hear, I warrant, what the king's a doing, +And what the cabinet-council; then to the city, +To spread your monstrous lies, and sow sedition? +Wild fire choke you! + +_1 Sher._ Well, we'll think of this; +And so we take our leaves. + +_Gril._ Nay, stay, my masters; +For I'm a thinking now just whereabouts +Grow the two tallest trees in Arden forest. + +_1 Sher._ For what, pray, colonel, if we may be so bold? + +_Gril._ Why, to hang you upon the highest branches. +'Fore God, it will be so; and I shall laugh +To see you dangling to and fro i'the air, +With the honest crows pecking your traitors' limbs. + +_All._ Good colonel! + +_Gril._ Good rats, my precious vermin. +You moving dirt, you rank stark muck o'the world, +You oven-bats, you things so far from souls, +Like dogs, you're out of Providence's reach, +And only fit for hanging; but be gone, +And think of plunder.--You right elder sheriff, +Who carved our Henry's image on a table, +At your club-feast, and after stabbed it through,--[11] + +_1 Sher._ Mercy, good colonel. + +_Gril._ Run with your nose to earth; +Run, blood-hound, run, and scent out royal murder.-- +You second rogue, but equal to the first, +Plunder, go hang,--nay, take your tackling with you, +For these shall hold you fast,--your slaves shall hang you. +To the mid region in the sun: +Plunder! Begone, vipers, asps, and adders! + [_Exeunt Sheriffs and People._ + + _Enter_ MALICORN. + +Ha! but here comes a fiend, that soars above; +A prince o'the air, that sets the mud a moving. + +_Mal._ Colonel, a word. + +_Gril._ I hold no speech with villains. + +_Mal._ But, sir, it may concern your fame and safety. + +_Gril._ No matter; I had rather die traduced, +Than live by such a villain's help as thine. + +_Mal._ Hate then the traitor, but yet love the treason. + +_Gril._ Why, are you not a villain? + +_Mal._ 'Tis confessed. + +_Gril._ Then, in the name of all thy brother-devils, +What wouldst thou have with me? + +_Mal._ I know you're honest; +Therefore it is my business to disturb you. + +_Gril._ 'Fore God, I'll beat thee, if thou urge me farther. + +_Mal._ Why, though you should, yet, if you hear me after, +The pleasure I shall take in your vexation, +Will heal my bruises. + +_Gril._ Wert thou definite rogue, +I'faith, I think, that I should give thee hearing; +But such a boundless villainy as thine +Admits no patience. + +_Mal._ Your niece is come to court, +And yields her honour to our Henry's bed. + +_Gril._ Thou liest, damned villain. [_Strikes him._ + +_Mal._ So: why this I looked for; +But yet I swear by hell, and my revenge, +'Tis true, as you have wronged me. + +_Gril._ Wronged thee, villain! +And name revenge! O wert thou Grillon's match, +And worthy of my sword, I swear, by this +One had been past an oath; but thou'rt a worm, +And if I tread thee, darest not turn again. + +_Mal._ 'Tis false; I dare, like you, but cannot act; +There is no force in this enervate arm. +Blasted I was ere born--curse on my stars!-- +Got by some dotard in his pithless years, +And sent a withered sapling to the world. +Yet I have brain, and there is my revenge; +Therefore I say again, these eyes have seen +Thy blood at court, bright as a summer's morn, +When all the heaven is streaked with dappled fires. +And flecked with blushes like a rifled maid; +Nay, by the gleamy fires that melted from her, +Fast sighs and smiles, swol'n lips, and heaving breasts, +My soul presages Henry has enjoyed her. + +_Gril._ Again thou liest! and I will crumble thee, +Thou bottled spider, into thy primitive earth, +Unless thou swear thy very thought's a lie. + +_Mal._ I stand in adamant, and thus defy thee! +Nay, draw, and with the edge betwixt my lips, +Even while thou rak'st it through my teeth, I'll swear +All I have said is true, as thou art honest, +Or I a villain. + +_Gril._ Damned infamous wretch! +So much below my scorn, I dare not kill thee; +And yet so much my hate, that I must fear thee. +For should it be as thou hast said, not all +The trophies of my laurelled honesty +Should bar me from forsaking this bad world, +And never draw my sword for Henry more. + +_Mal._ Ha! 'tis well, and now I am revenged. +I was in hopes thou wouldst have uttered treason, +And forfeited thy head, to pay me fully. + +_Gril._ Hast thou compacted for a lease of years +With hell, that thus thou ventured to provoke me? + +_Mal._ Perhaps I have: (How right the blockhead hits!) +Yet more to rack thy heart, and break thy brain, +Thy niece has been before the Guise's mistress. + +_Gril._ Hell-hound, avaunt! + +_Mal._ Forgive my honest meaning. [_Exit._ + +_Gril._ 'Tis hatched beneath, a plot upon mine honour; +And thus he lays his baits to catch my soul:-- +Ha! but the presence opens; who comes here? +By heaven, my niece! led by Alphonso Corso! +Ha, Malicorn! is't possible? truth from thee! +'Tis plain! and I, in justifying woman, +Have done the devil wrong. + + _Enter_ ALPHONSO CORSO, _leading in_ MARMOUTIERE. + +_Alph._ Madam, the king +(Please you to sit) will instantly attend you. [_Exit._ + +_Gril._ Death, hell, and furies! ha! she comes to seek him!-- +O prostitute!--and, on her prodigal flesh, +She has lavished all the diamonds of the Guise, +To set her off, and sell her to the king. + +_Mar._ O heavens! did ever virgin yet attempt +An enterprise like mine? I, that resolved +Never to leave those dear delightful shades, +But act the little part that nature gave me, +On the green carpets of some guiltless grove, +And having finished it, forsake the world; +Unless sometimes my heart might entertain +Some small remembrance of the taking Guise: +But that far, far from any darkening thought, +To cloud my honour, or eclipse my virtue. + +_Gril._ Thou liest! and if thou hadst not glanced aside, +And spied me coming, I had had it all. + +_Mar._ By heaven! by all that's good-- + +_Gril._ Thou hast lost thy honour. +Give me this hand, this hand by which I caught thee +From the bold ruffian in the massacre, +That would have stained thy almost infant honour, +With lust, and blood;--dost thou remember it? + +_Mar._ I do, and bless the godlike arm, that saved me. + +_Gril._ 'Tis false! thou hast forgot my generous action; +And now thou laugh'st, to think how thou hast cheated, +For all his kindness, this old grisled fool. + +_Mar._ Forbid it heaven! + +_Gril._ But oh, that thou hadst died +Ten thousand deaths, ere blasted Grillon's glory; +Grillon, that saved thee from a barbarous world. +Where thou hadst starved, or sold thyself for bread; +Took thee into his bosom, fostered thee +As his own soul, and laid thee in his heart-strings; +And now, for all my cares, to serve me thus! +O 'tis too much, ye powers! double confusion +On all my wars; and oh,--out, shame upon thee! +It wrings the tears from Grillon's iron heart, +And melts me to a babe. + +_Mar._ Sir! father! hear me! +I come to court, to save the life of Guise. + +_Gril._ And prostitute thy honour to the king. + +_Mar._ I have looked, perhaps, too nicely for my sex, +Into the dark affairs of fatal state; +And, to advance this dangerous inquisition, +I listened to the love of daring Guise. + +_Gril._ By arms, by honesty, I swear thou lovest him! + +_Mar._ By heaven, that gave those arms success, I swear +I do not, as you think! but take it all. +I have heard the Guise, not with an angel's temper, +Something beyond the tenderness of pity, +And yet, not love. +Now, by the powers that framed me, this is all! +Nor should the world have wrought this close confession, +But to rebate your jealousy of honour. + +_Gril._ I know not what to say, nor what to think; +There's heaven still in thy voice, but that's a sign +Virtue's departing; for thy better angel +Still makes the woman's tongue his rising ground, +Wags there a while, and takes his flight for ever. + +_Mar._ You must not go. + +_Gril._ Though I have reason, plain +As day, to judge thee false, I think thee true: +By heaven, methinks I see a glory round thee! +There's something says, thou wilt not lose thy honour:-- +Death and the devil! that's my own honesty; +My foolish open nature, that would have +All like myself;--but off; I'll hence and curse thee! + +_Mar._ O, stay! + +_Gril._ I will not. +_Mar._ Hark! the king's coming. +Let me conjure you, for your own soul's quiet, +And for the everlasting rest of mine, +Stir not, till you have heard my heart's design. + +_Gril._ Angel, or devil, I will.--Nay, at this rate, +She'll make me shortly bring him to her bed.-- +Bawd for him? no, he shall make me run my head +Into a cannon, when 'tis firing, first; +That's honourable sport. But I'll retire, +And if she plays me false, here's that shall mend her. + [_Touching his Dagger, exit._ MARMOUTIERE + _sits. Song and Dance._ + + _Enter the King._ + +_King._ After the breathing of a love-sick heart +Upon your hand, once more,--nay twice,--forgive me. + +_Mar._ I discompose you, sir. + +_King._ Thou dost, by heaven; +But with such charming pleasure, +I love, and tremble, as at angels' view. + +_Mar._ Love me, my lord? + +_King._ Who should be loved, but you? +So loved, that even my crown, and self are vile, +While you are by. Try me upon despair; +My kingdom at the stake, ambition starved, +Revenge forgot, and all great appetites +That whet uncommon spirits to aspire, +So once a day I may have leave-- +Nay, madam, then you fear me. + +_Mar._ Fear you, sir! what is there dreadful in you? +You've all the graces that can crown mankind; +Yet wear them so, as if you did not know them; +So stainless, fearless, free in all your actions, +As if heaven lent you to the world to pattern. + +_King._ Madam, I find you are no petitioner; +My people would not treat me in this sort, +Though 'twere to gain a part of their design; +But to the Guise they deal their faithless praise +As fast, as you your flattery to me; +Though for what end I cannot guess, except +You come, like them, to mock at my misfortunes. + +_Mar._ Forgive you, heaven, that thought! No, mighty monarch, +The love of all the good, and wonder of the great; +I swear, by heaven, my heart adores, and loves you. + +_King._ O madam, rise. + +_Mar._ Nay, were you, sir, unthroned +By this seditious rout that dare despise you, +Blast all my days, ye powers! torment my nights; +Nay, let the misery invade my sex, +That could not for the royal cause, like me, +Throw all their luxury before your feet, +And follow you, like pilgrims, through the world. + +_Gril._ Sound wind and limb! 'fore God, a gallant girl! [_Aside._ + +_King._ What shall I answer to thee, O thou balm +To heal a broken, yet a kingly heart! +For, so I swear I will be to my last. +Come to my arms, and be thy Harry's angel, +Shine through my cares, and make my crown sit easy. + +_Mar._ O never, sir. + +_King._ What said you, Marmoutiere? +Why dost thou turn thy beauties into frowns? + +_Mar._ You know, sir, 'tis impossible; no more. + +_King._ No more?--and with that stern resolved behaviour? +By heaven! were I a dying, and the priest +Should urge my last confession, I'd cry out, +Oh Marmoutiere! and yet thou say'st,--No more! + +_Mar._ 'Tis well, sir; I have lost my aim, farewell. + +_King._ Come back! O stay, my life flows after you. + +_Mar._ No, sir, I find I am a trouble to you; +You will not hear my suit. + +_King._ You cannot go, +You shall not.--O your suit, I kneel to grant it; +I beg you take whatever you demand. + +_Mar._ Then, sir, thus low, or prostrate if you please, +Let me intreat for Guise. + +_King._ Ha, madam, what! +For Guise; for Guise! that stubborn arrogant rebel, +That laughs at proffered mercy, slights his pardon, +Mocks royal grace, and plots upon my life? +Ha! and do you protect him? then the world +Is sworn to Henry's death: Does beauty too, +And innocence itself conspire against me? +Then let me tamely yield my glories up, +Which once I vowed with my drawn sword to wear +To my last drop of blood.--Come Guise, come cardinal, +All you loved traitors, come--I strip to meet you; +Sheathe all your daggers in curst Henry's heart. + +_Mar._ This I expected; but when you have heard +How far I would intreat your majesty, +Perhaps you'll be more calm. + +_King._ See, I am hushed; +Speak then; how far, madam, would you command? + +_Mar._ Not to proceed to last extremities, +Before the wound is desperate. Think alone, +For no man judges like your majesty: +Take your own methods; all the heads of France +Cannot so well advise you, as yourself. +Therefore resume, my lord, your god-like temper, +Yet do not bear more than a monarch should; +Believe it, sir, the more your majesty +Draws back your arm, the more of fate it carries. + +_King._ Thou genius of my state, thou perfect model +Of heaven itself, and abstract of the angels, +Forgive the late disturbance of my soul! +I'm clear by nature, as a rockless stream; +But they dig through the gravel of my heart, +And raise the mud of passions up to cloud me; +Therefore let me conjure you, do not go; +'Tis said, the Guise will come in spite of me; +Suppose it possible, and stay to advise me. + +_Mar._ I will; but, on your royal word, no more. + +_King._ I will be easy, +To my last gasp, as your own virgin thoughts, +And never dare to breathe my passion more; +Yet you'll allow me now and then to sigh +As we discourse, and court you with my eyes? + + _Enter_ ALPHONSO. + +Why do you wave your hand, and warn me hence? +So looks the poor condemned, +When justice beckons, there's no hope of pardon. +Sternly, like you, the judge the victim eyes, +And thus, like me, the wretch, despairing, dies. + [_Exit with_ ALPHONSO. + + _Enter_ GRILLON. + +_Gril._ O rare, rare creature! By the power that made me, +Wer't possible we could be damned again +By some new Eve, such virtue might redeem us. +Oh I could clasp thee, but that my arms are rough, +Till all thy sweets were broke with my embraces, +And kiss thy beauties to a dissolution! + +_Mar._ Ah father, uncle, brother, all the kin, +The precious blood that's left me in the world, +Believe, dear sir, whate'er my actions seem, +I will not lose my virtue, for a throne. + +_Gril._ Why, I will carve thee out a throne myself; +I'll hew down all the kings in Christendom, +And seat thee on their necks, as high as heaven. + + _Enter Abbot_ DELBENE. + +_Abb._ Colonel, your ear. + +_Mar._ By these whispering councils, +My soul presages that the Guise is coming. +If he dares come, were I a man, a king, +I'd sacrifice him in the city's sight.-- +O heavens! what was't I said? Were I a man, +I know not that; but, as I am a virgin, +If I would offer thee, too lovely Guise, +It should be kneeling to the throne of mercy.-- +Ha! then thou lovest, that thou art thus concerned. +Down, rising mischief, down, or I will kill thee, +Even in thy cause, and strangle new-born pity!-- +Yet if he were not married!--ha, what then? +His charms prevail;--no, let the rebel die. +I faint beneath this strong oppression here; +Reason and love rend my divided soul; +Heaven be the judge, and still let virtue conquer. +Love to his tune my jarring heart would bring, +But reason over-winds, and cracks the string. [_Exit._ + +_Abb._ The king dispatches order upon order, +With positive command to stop his coming. +Yet there is notice given to the city; +Besides, Belleure brought but a half account, +How that the Guise replied, he would obey +His majesty in all; yet, if he might +Have leave to justify himself before him, +He doubted not his cause. + +_Gril._ The axe, the axe: +Rebellion's pampered to a pleurisy, +And it must bleed. [_Shout within._ + +_Abb._ Hark, what a shout was there! +I'll to the king; it may be, 'tis reported +On purpose thus. +Let there be truth or lies +In this mad fame, I'll bring you instant word. [_Exit Abbot._ + + _Manet_ GRILLON: _Enter_ GUISE, CARDINAL, MAYENNE, MALICORN, + _Attendants, &c. Shouts again._ + +_Gril._ Death, and thou devil Malicorn, is that +Thy master? + +_Gui._ Yes, Grillon, 'tis the Guise; +One, that would court you for a friend. + +_Gril._ A friend! +Traitor thou mean'st, and so I bid thee welcome; +But since thou art so insolent, thy blood +Be on thy head, and fall by me unpitied. [_Exit._ + +_Gui._ The bruises of his loyalty have crazed him. [_Shouts louder._ + + _Spirit within sings._ + + _Malicorn, Malicorn, Malicorn, ho! + If the Guise resolves to go, + I charge, I warn thee let him know, + Perhaps his head may lie too low._ + +_Gui._ Why, Malicorn. + +_Mal._ [_Starting._] Sir, do not see the king. + +_Gui._ I will. + +_Mal._ 'Tis dangerous. + +_Gui._ Therefore I will see him, +And so report my danger to the people. +Halt--to your judgment.--[MALICORN _makes signs of Assassination._] + Let him, if he dare.-- +But more, more, more;--why, Malicorn!--again? +I thought a look, with us, had been a language; +I'll talk my mind on any point but this +By glances;--ha! not yet? thou mak'st me blush +At thy delay; why, man, 'tis more than life, +Ambition, or a crown[12]. + +_Mal._ What, Marmoutiere? + +_Gui._ Ay, there a general's heart beat like a drum! +Quick, quick! my reins, my back, and head and breast +Ache, as I'd been a horse-back forty hours. + +_Mal._ She has seen the king. + +_Gui._ I thought she might. A trick upon me; well. + +_Mal._ Passion o' both sides. + +_Gui._ His, thou meanest. + +_Mal._ On hers. +Down on her knees. + +_Gui._ And up again; no matter. + +_Mal._ Now all in tears, now smiling, sad at parting. + +_Gui._ Dissembled, for she told me this before; +'Twas all put on, that I might hear and rave. + +_Mal._ And so, to make sure work on't, by consent +Of Grillon, who is made their bawd,-- + +_Gui._ Away! + +_Mal._ She's lodged at court. + +_Gui._ 'Tis false, they do belie her. + +_Mal._ But, sir, I saw the apartment. + +_Gui._ What, at court? + +_Mal._ At court, and near the king; 'tis true, by heaven: +I never play'd you foul, why should you doubt me? + +_Gui._ I would thou hadst, ere thus unmanned my heart! +Blood, battles, fire, and death! I run, I run! +With this last blow he drives me like a coward; +Nay, let me never win a field again, +If, with the thought of these irregular vapours, +The blood ha'nt burst my lips. + +_Card._ Peace, brother. + +_Gui._ By heaven, I took thee for my soul's physician, +And dost thou vomit me with this loathed peace? +'Tis contradiction: no, my peaceful brother, +I'll meet him now, though fire-armed cherubins +Should cross my way. O jealousy of love! +Greater than fame! thou eldest of the passions, +Or rather all in one, I here invoke thee, +Where'er thou'rt throned in air, in earth, or hell, +Wing me to my revenge, to blood, and ruin! + +_Card._ Have you no temper? + +_Gui._ Pray, sir, give me leave. +A moment's thought;--ha, but I sweat and tremble, +My brain runs this and that way; it will not fix +On aught but vengeance.--Malicorn, call the people. [_Shouts within._ +But hark, they shout again: I'll on and meet them; +Nay, head them to his palace, as my guards. +Yet more, on such exalted causes borne, +I'll wait him in his cabinet alone, +And look him pale; while in his courts without, +The people shout him dead with their alarms, +And make his mistress tremble in his arms. [_Exeunt._ + + +SCENE II. + + _Enter King and Council._ [_Shouts without._ + +_King._ What mean these shouts? + +_Abb._ I told your majesty, +The sheriffs have puffed the populace with hopes +Of their deliverer. [_Shouts again._ + +_King._ Hark! there rung a peal +Like thunder: see, Alphonso, what's the cause. + + _Enter_ GRILLON. + +_Gril._ My lord, the Guise is come. + +_King._ Is't possible! ha, Grillon, said'st thou, come? + +_Gril._ Why droops the royal majesty? O sir! + +_King._ O villain, slave, wert thou my late-born heir, +Given me by heaven, even when I lay a-dying-- +But peace, thou festering thought, and hide thy wound;-- +Where is he? + +_Gril._ With her majesty, your mother; +She has taken chair, and he walks bowing by her, +With thirty thousand rebels at his heels. + +_King._ What's to be done? No pall upon my spirit; +But he that loves me best, and dares the most +On this nice point of empire, let him speak. + +_Alph._ I would advise you, sir, to call him in, +And kill him instantly upon the spot. + +_Abb._ I like Alphonso's counsel, short, sure work; +Cut off the head, and let the body walk. + + _Enter_ QUEEN-MOTHER. + +_Qu. M._ Sir, the Guise waits. + +_King._ He enters on his fate. + +_Qu. M._ Not so,--forbear; the city is up in arms; +Nor doubt, if, in their heat, you cut him off, +That they will spare the royal majesty. +Once, sir, let me advise, and rule your fury. + +_King._ You shall: I'll see him, and I'll spare him now. + +_Qu. M._ What will you say? + +_King._ I know not;-- +Colonel Grillon, call the archers in, +Double your guards, and strictly charge the Swiss +Stand to their arms, receive him as a traitor. [_Exit_ GRILLON. +My heart has set thee down, O Guise, in blood,-- +Blood, mother, blood, ne'er to be blotted out. + +_Qu. M._ Yet you'll relent, when this hot fit is over. + +_King._ If I forgive him, may I ne'er be forgiven! +No, if I tamely bear such insolence, +What act of treason will the villains stop at? +Seize me, they've sworn; imprison me is the next, +Perhaps arraign me, and then doom me dead. +But ere I suffer that, fall all together, +Or rather, on their slaughtered heaps erect +My throne, and then proclaim it for example. +I'm born a monarch, which implies alone +To wield the sceptre, and depend on none. [_Exeunt[13]._ + + +ACT IV. + +SCENE I._--The Louvre._ + + _A Chair of State placed; the King appears sitting in it; a Table by + him, on which he leans; Attendants on each Side of him; amongst the + rest,_ ABBOT, GRILLON, _and_ BELLIEURE. _The_ QUEEN-MOTHER _enters, + led by the Duke of_ GUISE, _who makes his Approach with three + Reverences to the King's Chair; after the third, the King rises, and + coming forward, speaks._ + +_King._ I sent you word, you should not come. + +_Gui._ Sir, that I came-- + +_King._ Why, that you came, I see. +Once more, I sent you word, you should not come. + +_Gui._ Not come to throw myself, with all submission, +Beneath your royal feet! to put my cause +And person in the hands of sovereign justice! + +_King._ Now 'tis with all submission,--that's the preface,-- +Yet still you came against my strict command; +You disobeyed me, duke, with all submission. + +_Gui._ Sir, 'twas the last necessity that drove me, +To clear myself of calumnies, and slanders, +Much urged, but never proved, against my innocence; +Yet had I known 'twas your express command, +I should not have approached. + +_King._ 'Twas as express, as words could signify;-- +Stand forth, Bellieure,--it shall be proved you knew it,-- +Stand forth, and to this false man's face declare +Your message, word for word. + +_Bel._ Sir, thus it was. I met him on the way, +And plain as I could speak, I gave your orders, +Just in these following words:-- + +_King._ Enough, I know you told him; +But he has used me long to be contemned, +And I can still be patient, and forgive. + +_Gui._ And I can ask forgiveness, when I err; +But let my gracious master please to know +The true intent of my misconstrued faith. +Should I not come to vindicate my fame +From wrong constructions? And-- + +_King._ Come, duke, you were not wronged; your conscience knows +You were not wronged; were you not plainly told, +That, if you dared to set your foot in Paris, +You should be held the cause of all commotions +That should from thence ensue? and yet you came. + +_Gui._ Sir, will you please with patience but to hear me? + +_King._ I will; and would be glad, my lord of Guise, +To clear you to myself. + +_Gui._ I had been told, +There were in agitation here at court, +Things of the highest note against religion, +Against the common properties of subjects, +And lives of honest well-affected men; +I therefore judged,-- + +_King._ Then you, it seems, are judge +Betwixt the prince and people? judge for them, +And champion against me? + +_Gui._ I feared it might be represented so, +And came resolved,-- + +_King._ To head the factious crowd. + +_Gui._ To clear my innocence. + +_King._ The means for that, +Had been your absence from this hot-brained town, +Where you, not I, are king!-- +I feel my blood kindling within my veins; +The genius of the throne knocks at my heart: +Come what may come, he dies. + +_Qu. M._ [_Stopping the king._] What mean you, sir? +You tremble and look pale; for heaven's sake think, +'Tis your own life you venture, if you kill him. + +_King._ Had I ten thousand lives, I'll venture all. +Give me way, madam! + +_Qu. M._ Not to your destruction. +The whole Parisian herd is at your gates; +A crowd's a name too small, they are a nation, +Numberless, armed, enraged, one soul informs them. + +_King._ And that one soul's the Guise. I'll rend it out, +And damn the rabble all at once in him. + +_Gui._ My fate is now in the balance; fool within, +I thank thee for thy foresight. [_Aside._ + +_Qu. M._ Your guards oppose them! + +_King._ Why not? a multitude's a bulky coward. + +_Qu. M._ By heaven, there are not limbs in all your guards, +For every one a morsel. + +_King._ Caesar quelled them, +But with a look and word. + +_Qu. M._ So Galba thought. + +_King._ But Galba was not Caesar. + +_Gui._ I must not give them time for resolution.-- [_Aside._ +My journey, sir, has discomposed my health, [_To the king._ +I humbly beg your leave, I may retire, +Till your commands recall me to your service. [_Exit[14]._ + +_King._ So, you have counselled well; the traitor's gone, +To mock the meekness of an injured king. [_To Qu. M._ +Why did not you, who gave me part of life, +Infuse my father stronger in my veins? +But when you kept me cooped within your womb, +You palled his generous blood with the dull mixture +Of your Italian food, and milked slow arts +Of womanish tameness in my infant mouth. +Why stood I stupid else, and missed a blow, +Which heaven and daring folly made so fair? + +_Qu. M._ I still maintain, 'twas wisely done to spare him. + +_Gril._ A pox on this unseasonable wisdom! +He was a fool to come; if so, then they, +Who let him go, were somewhat. + +_King._ The event, the event will shew us what we were; +For, like a blazing meteor hence he shot, +And drew a sweeping fiery train along.-- +O Paris, Paris, once my seat of triumph, +But now the scene of all thy king's misfortunes; +Ungrateful, perjured, and disloyal town, +Which by my royal presence I have warmed +So long, that now the serpent hisses out, +And shakes his forked tongue at majesty, +While I-- + +_Qu. M._ While you lose time in idle talk, +And use no means for safety and prevention. + +_King._ What can I do? O mother, Abbot, Grillon! +All dumb! nay, then 'tis plain, my cause is desperate. +Such an overwhelming ill makes grief a fool, +As if redress were past. + +_Gril._ I'll go to the next sheriff, +And beg the first reversion of a rope: +Dispatch is all my business; I'll hang for you. + +_Abb._ 'Tis not so bad, as vainly you surmise; +Some space there is, some little space, some steps +Betwixt our fate and us: our foes are powerful, +But yet not armed, nor marshalled into order; +Believe it, sir, the Guise will not attempt, +Till he have rolled his snow-ball to a heap. + +_King._ So then, my lord, we're a day off from death: +What shall to-morrow do? + +_Abb._ To-morrow, sir, +If hours between slide not too idly by, +You may be master of their destiny, +Who now dispose so loftily of yours. +Not far without the suburbs there are quartered +Three thousand Swiss, and two French regiments. + +_King._ Would they were here, and I were at their head! + +_Qu. M._ Send Mareschal Byron to lead them up. + +_King._ It shall be so: by heaven there's life in this! +The wrack of clouds is driving on the winds, +And shews a break of sunshine-- +Go Grillon, give my orders to Byron, +And see your soldiers well disposed within, +For safeguard of the Louvre. + +_Qu. M._ One thing more: +The Guise (his business yet not fully ripe,) +Will treat, at least, for shew of loyalty; +Let him be met with the same arts he brings. + +_King._ I know, he'll make exorbitant demands, +But here your part of me will come in play; +The Italian soul shall teach me how to sooth: +Even Jove must flatter with an empty hand, +'Tis time to thunder, when he gripes the brand. [_Exeunt._ + + +SCENE _II.--A Night Scene._ + + _Enter_ MALICORN _solus._ + +_Mal._ Thus far the cause of God; but God's or devil's,-- +I mean my master's cause, and mine,--succeed, +What shall the Guise do next? [_A flash of lightning._ + + _Enter the spirit_ MELANAX. + +_Mel._ First seize the king, and after murder him. + +_Mal._ Officious fiend, thou comest uncalled to-night. + +_Mel._ Always uncalled, and still at hand for mischief. + +_Mal._ But why in this fanatic habit, devil? +Thou look'st like one that preaches to the crowd; +Gospel is in thy face, and outward garb, +And treason on thy tongue. + +_Mel._ Thou hast me right: +Ten thousand devils more are in this habit; +Saintship and zeal are still our best disguise: +We mix unknown with the hot thoughtless crowd, +And quoting scriptures, (which too well we know,) +With impious glosses ban the holy text, +And make it speak rebellion, schism, and murder; +So turn the arms of heaven against itself. + +_Mal._ What makes the curate of St. Eustace here? + +_Mel._ Thou art mistaken, master; 'tis not he, +But 'tis a zealous, godly, canting devil, +Who has assumed the churchman's lucky shape, +To talk the crowd to madness and rebellion. + +_Mal._ O true enthusiastic devil, true,-- +(For lying is thy nature, even to me,) +Did'st thou not tell me, if my lord, the Guise, +Entered the court, his head should then lie low? +That was a lie; he went, and is returned. + +_Mel._ 'Tis false; I said, _perhaps_ it should lie low; +And, but I chilled the blood in Henry's veins, +And crammed a thousand ghastly, frightful thoughts, +Nay, thrust them foremost in his labouring brain, +Even so it would have been. + +_Mal._ Thou hast deserved me, +And I am thine, dear devil: what do we next? + +_Mel._ I said, first seize the king. + +_Mal._ Suppose it done: +He's clapt within a convent, shorn a saint, +My master mounts the throne. + +_Mel._ Not so fast, Malicorn; +Thy master mounts not, till the king be slain. + +_Mal._ Not when deposed? + +_Mel._ He cannot be deposed: +He may be killed, a violent fate attends him; +But at his birth there shone a regal star. + +_Mal._ My master had a stronger. + +_Mel._ No, not a stronger, but more popular. +Their births were full opposed, the Guise now strongest +But if the ill influence pass o'er Harry's head, +As in a year it will, France ne'er shall boast +A greater king than he; now cut him off, +While yet his stars are weak. + +_Mal._ Thou talk'st of stars: +Can'st thou not see more deep into events, +And by a surer way? + +_Mel._ No, Malicorn; +The ways of heaven are broken since our fall, +Gulph beyond gulph, and never to be shot. +Once we could read our mighty Maker's mind, +As in a crystal mirror, see the ideas +Of things that always are, as he is always; +Now, shut below in this dark sphere, +By second causes dimly we may guess, +And peep far off on heaven's revolving orbs, +Which cast obscure reflections from the throne. + +_Mal._ Then tell me thy surmises of the future. + +_Mel._ I took the revolution of the year, +Just when the Sun was entering in the Ham: +The ascending Scorpion poisoned all the sky, +A sign of deep deceit and treachery. +Full on his cusp his angry master sate, +Conjoined with Saturn, baleful both to man: +Of secret slaughters, empires overturned, +Strife, blood, and massacres, expect to hear, +And all the events of an ill-omened year. + +_Mal._ Then flourish hell, and mighty mischief reign! +Mischief, to some, to others must be good. +But hark! for now, though 'tis the dead of night, +When silence broods upon our darkened world, +Methinks I hear a murmuring hollow sound, +Like the deaf chimes of bells in steeples touched. + +_Mel._ It is truly guessed; +But know, 'tis from no nightly sexton's hand. +There's not a damned ghost, nor hell-born fiend, +That can from limbo 'scape, but hither flies; +With leathern wings they beat the dusky skies, +To sacred churches all in swarms repair; +Some crowd the spires, but most the hallowed bells, } +And softly toll for souls departing knells: } +Each chime, thou hear'st, a future death foretells, } +Now there they perch to have them in their eyes, +'Till all go loaded to the nether skies[15]. + +_Mal._ To-morrow then. + +_Mel._ To-morrow let it be; +Or thou deceiv'st those hungry, gaping fiends, +And Beelzebub will rage. + +_Mal._ Why Beelzebub? hast thou not often said, +That Lucifer's your king? + +_Mel._ I told thee true; +But Lucifer, as he who foremost fell, +So now lies lowest in the abyss of hell, +Chained till the dreadful doom; in place of whom +Sits Beelzebub, vicegerent of the damned, +Who, listening downward, hears his roaring lord, +And executes his purpose.--But no more[16]. +The morning creeps behind yon eastern hill, +And now the guard is mine, to drive the elves, +And foolish fairies, from their moonlight play, +And lash the laggers from the sight of day. [_Descends._ + [_Exit_ MAL. + + +SCENE III. + + _Enter_ GUISE, MAYENNE, CARDINAL, _and_ ARCHBISHOP. + +_May._ Sullen, methinks, and slow the morning breaks, +As if the sun were listless to appear, +And dark designs hung heavy on the day. + +_Gui._ You're an old man too soon, you're superstitious; +I'll trust my stars, I know them now by proof; +The genius of the king bends under mine: +Environed with his guards, he durst not touch me; +But awed and cravened, as he had been spelled, +Would have pronounced, Go kill the Guise, and durst not. + +_Card._ We have him in our power, coop'd in his court. +Who leads the first attack? Now by yon heaven, +That blushes at my scarlet robes, I'll doff +This womanish attire of godly peace, +And cry,--Lie there, Lord Cardinal of Guise. + +_Gui._ As much too hot, as Mayenne is too cool. +But 'tis the manlier fault of the two. + +_Arch._ Have you not heard the king, preventing day, +Received the guards into the city gates, +The jolly Swisses marching to their fifes? +The crowd stood gaping, heartless and amazed, +Shrunk to their shops, and left the passage free. + +_Gui._ I would it should be so, 'twas a good horror[17]. +First let them fear for rapes, and ransacked houses; +That very fright, when I appear to head them, +Will harden their soft city courages: +Cold burghers must be struck, and struck like flints, +Ere their hid fire will sparkle. + +_Arch._ I'm glad the king has introduced these guards. + +_Card._ Your reason. + +_Arch._ They are too few for us to fear; +Our numbers in old martial men are more, +The city not cast in; but the pretence, +That hither they are brought to bridle Paris, +Will make this rising pass for just defence. + +_May._ Suppose the city should not rise? + +_Gui._ Suppose, as well, the sun should never rise: +He may not rise, for heaven may play a trick; +But he has risen from Adam's time to ours. +Is nothing to be left to noble hazard? +No venture made, but all dull certainty? +By heaven I'll tug with Henry for a crown, +Rather than have it on tame terms of yielding: +I scorn to poach for power. + + _Enter a Servant, who whispers_ GUISE. + +A lady, say'st thou, young and beautiful, +Brought in a chair? +Conduct her in.-- [_Exit Servant._ + +_Card._ You would be left alone? + +_Gui._ I would; retire. [_Exeunt_ MAY. CARD. _&c._ + + _Re-enter Servant with_ MARMOUTIERE, _and exit._ + +_Starting back._] Is't possible? I dare not trust my eyes! +You are not Marmoutiere? + +_Mar._ What am I then? + +_Gui._ Why, any thing but she: +What should the mistress of a king do here? + +_Mar._ Find him, who would be master of a king. + +_Gui._ I sent not for you, madam. + +_Mar._ I think, my lord, the king sent not for you. + +_Gui._ Do you not fear, your visit will be known? + +_Mar._ Fear is for guilty men, rebels, and traitors: +Where'er I go, my virtue is my guard. + +_Gui._ What devil has sent thee here to plague my soul? +O that I could detest thee now as much +As ever I have loved, nay, even as much +As yet, in spite of all thy crimes, I love! +But 'tis a love so mixt with dark despair, +The smoke and soot smother the rising flame, +And make my soul a furnace. Woman, woman, +What can I call thee more? if devil, 'twere less. +Sure, thine's a race was never got by Adam, +But Eve played false, engendering with the serpent, +Her own part worse than his. + +_Mar._ Then they got traitors. + +_Gui._ Yes, angel-traitors, fit to shine in palaces, +Forked into ills, and split into deceits; +Two in their very frame. 'Twas well, 'twas well, +I saw thee not at court, thou basilisk; +For if I had, those eyes, without his guards, +Had done the tyrant's work. + +_Mar._ Why then it seems +I was not false in all: I told you, Guise, +If you left Paris, I would go to court: +You see I kept my promise. + +_Gui._ Still thy sex: +Once true in all thy life, and that for mischief. + +_Mar._ Have I said I loved you? + +_Gui._ Stab on, stab: +'Tis plain you love the king. + +_Mar._ Nor him, nor you, +In that unlawful way you seem to mean. +My eyes had once so far betrayed my heart, +As to distinguish you from common men; +Whate'er you said, or did, was charming all. + +_Gui._ But yet, it seems, you found a king more charming. + +_Mar._ I do not say more charming, but more noble, +More truly royal, more a king in soul, +Than you are now in wishes. + +_Gui._ May be so: +But love has oiled your tongue to run so glib,-- +Curse on your eloquence! + +_Mar._ Curse not that eloquence that saved your life: +For, when your wild ambition, which defied +A royal mandate, hurried you to town; +When over-weening pride of popular power +Had thrust you headlong in the Louvre toils, +Then had you died: For know, my haughty lord, +Had I not been, offended majesty +Had doomed you to the death you well deserved. + +_Gui._ Then was't not Henry's fear preserved my life? + +_Mar._ You know him better, or you ought to know him: +He's born to give you fear, not to receive it. + +_Gui._ Say this again; but add, you gave not up +Your honour as the ransom of my life; +For, if you did, 'twere better I had died. + +_Mar._ And so it were. + +_Gui._ Why said you, so it were? +For though 'tis true, methinks 'tis much unkind. + +_Mar._ My lord, we are not now to talk of kindness. +If you acknowledge I have saved your life, +Be grateful in return, and do an act, +Your honour, though unasked by me, requires. + +_Gui._ By heaven, and you, whom next to heaven I love, +(If I said more, I fear I should not lie,) +I'll do whate'er my honour will permit. + +_Mar._ Go, throw yourself at Henry's royal feet, +And rise not till approved a loyal subject. + +_Gui._ A duteous loyal subject I was ever. + +_Mar._ I'll put it short, my lord; depart from Paris. + +_Gui._ I cannot leave +My country, friends, religion, all at stake. +Be wise, and be before-hand with your fortune; +Prevent the turn, forsake the ruined court; +Stay here, and make a merit of your love. + +_Mar._ No; I'll return, and perish in those ruins. +I find thee now, ambitious, faithless, Guise. +Farewell, the basest and the last of men! + +_Gui._ Stay, or--O heaven!--I'll force you: Stay-- + +_Mar._ I do believe +So ill of you, so villainously ill, +That, if you durst, you would: +Honour you've little, honesty you've less; +But conscience you have none: +Yet there's a thing called fame, and men's esteem, +Preserves me from your force. Once more, farewell. +Look on me, Guise; thou seest me now the last; +Though treason urge not thunder on thy head, +This one departing glance shall flash thee dead. [_Exit._ + +_Gui._ Ha, said she true? Have I so little honour? +Why, then, a prize so easy and so fair +Had never 'scaped my gripe: but mine she is; +For that's set down as sure as Henry's fall. +But my ambition, that she calls my crime;-- +False, false, by fate! my right was born with me. +And heaven confest it in my very frame; +The fires, that would have formed ten thousand angels, +Were crammed together for my single soul. + + _Enter_ MALICORN. + +_Mal._ My lord, you trifle precious hours away; +The heavens look gaudily upon your greatness, +And the crowned moments court you as they fly. +Brisac and fierce Aumale have pent the Swiss, +And folded them like sheep in holy ground; +Where now, with ordered pikes, and colours furled, +They wait the word that dooms them all to die: +Come forth, and bless the triumph of the day. + +_Gui._ So slight a victory required not me: +I but sat still, and nodded, like a god, +My world into creation; now 'tis time +To walk abroad, and carelessly survey +How the dull matter does the form obey. [_Exit with_ MALICORN. + + +SCENE IV. + + _Enter Citizens, and_ MELANAX, _in his fanatic Habit, at the head + them._ + +_Mel._ Hold, hold, a little, fellow citizens; and you, gentlemen of +the rabble, a word of godly exhortation to strengthen your hands, ere +you give the onset. + +_1 Cit._ Is this a time to make sermons? I would not hear the devil +now, though he should come in God's name, to preach peace to us. + +_2 Cit._ Look you, gentlemen, sermons are not to be despised; we have +all profited by godly sermons that promote sedition: let the precious +man hold forth. + +_Omn._ Let him hold forth, let him hold forth. + +_Mel._ To promote sedition is my business: It has been so before any +of you were born, and will be so, when you are all dead and damned; I +have led on the rabble in all ages. + +_1 Cit._ That's a lie, and a loud one. + +_2 Cit._ He has led the rabble both old and young, that's all ages: A +heavenly sweet man, I warrant him; I have seen him somewhere in a +pulpit. + +_Mel._ I have sown rebellion every where. + +_1 Cit._ How, every where? That's another lie: How far have you +travelled, friend? + +_Mel._ Over all the world. + +_1 Cit._ Now, that's a rapper. + +_2 Cit._ I say no: For, look you, gentlemen, if he has been a +traveller, he certainly says true, for he may lie by authority. + +_Mel._ That the rabble may depose their prince, has in all times, and +in all countries, been accounted lawful. + +_1 Cit._ That's the first true syllable he has uttered: but as how, +and whereby, and when, may they depose him? + +_Mel._ Whenever they have more power to depose, than he has to oppose; +and this they may do upon the least occasion. + +_1 Cit._ Sirrah, you mince the matter; you should say, we may do it +upon no occasion, for the less the better. + +_Mel._ [_Aside._] Here's a rogue now, will out-shoot the devil in his +own bow. + +_2 Cit._ Some occasion, in my mind, were not amiss: for, look you, +gentlemen, if we have no occasion, then whereby we have no occasion to +depose him; and therefore, either religion or liberty, I stick to +those occasions; for when they are gone, good night to godliness and +freedom. + +_Mel._ When the most are of one side, as that's our case, we are +always in the right; for they, that are in power, will ever be the +judges: so that if we say white is black, poor white must lose the +cause, and put on mourning; for white is but a single syllable, and we +are a whole sentence. Therefore, go on boldly, and lay on resolutely +for your Solemn League and Covenant; and if here be any squeamish +conscience who fears to fight against the king,--though I, that have +known you, citizens, these thousand years, suspect not any,--let such +understand that his majesty's politic capacity is to be distinguished +from his natural; and though you murder him in one, you may preserve +him in the other; and so much for this time, because the enemy is at +hand. + +_2 Cit._ [_Looking out._] Look you, gentlemen, 'tis Grillon, the +fierce colonel; he that devours our wives, and ravishes our children. + +_1 Cit._ He looks so grum, I don't care to have to do with him; would +I were safe in my shop, behind the counter. + +_2 Cit._ And would I were under my wife's petticoats. Look you, +gentlemen. + +_Mel._ You, neighbour, behind your counter, yesterday paid a bill of +exchange in glass louis d'ors; and you, friend, that cry, look you, +gentlemen, this very morning was under another woman's petticoats, and +not your wife's. + +_2 Cit._ How the devil does he know this? + +_Mel._ Therefore, fight lustily for the cause of heaven, and to make +even tallies for your sins; which, that you may do with a better +conscience, I absolve you both, and all the rest of you: Now, go on +merrily; for those, that escape, shall avoid killing; and those, who +do not escape, I will provide for in another world. + [_Cry within, on the other side of the + stage,_ Vive le Roi, vive le Roi! + + _Enter_ GRILLON, _and his Party._ + +_Gril._ Come on, fellow soldiers, _Commilitones_; that's my word, as +'twas Julius Caesar's, of pagan memory. 'Fore God, I am no speech +maker; but there are the rogues, and here's bilbo, that's a word and a +blow; we must either cut their throats, or they cut ours, that's pure +necessity, for your comfort: Now, if any man can be so unkind to his +own body,--for I meddle not with your souls,--as to stand still like a +good Christian, and offer his weasand to a butcher's whittle,--I say +no more, but that he may be saved, and that's the best can come on +him. [_Cry on both sides,_ Vive le Roi, + vive Guise! _They fight._ + +_Mel._ Hey, for the duke of Guise, and property! Up with religion and +the cause, and down with those arbitrary rogues there! Stand to't, you +associated cuckolds. [_Citizens go back._] O rogues! O cowards!--Damn +these half-strained shopkeepers, got between gentlemen and city wives; +how naturally they quake, and run away from their own fathers! twenty +souls a penny were a dear bargain of them. + [_They all run off,_ MELANAX _with them; + the 1st and 2d Citizens taken._ + +_Gril._ Possess yourselves of the place, Maubert, and hang me up those +two rogues, for an example. + +_1 Cit._ O spare me, sweet colonel; I am but a young beginner, and new +set up. + +_Gril._ I'll be your customer, and set you up a little better, +sirrah;--go, hang him at the next sign-post:--What have you to say for +yourself, scoundrel? why were you a rebel? + +_2 Cit._ Look you, colonel, 'twas out of no ill meaning to the +government; all that I did, was pure obedience to my wife. + +_Gril._ Nay, if thou hast a wife that wears the breeches, thou shalt +be condemned to live: Get thee home for a hen-pecked traitor.--What, +are we encompassed? Nay, then, faces this way; we'll sell our skins to +the fairest chapmen. + + _Enter_ AUMALE _and Soldiers, on the one side, Citizens on the + other._ GRILLON, _and his Party, are disarmed._ + +_1 Cit._ Bear away that bloody-minded colonel, and hang him up at the +next sign-post: Nay, when I am in power, I can make examples too. + +_Omn._ Tear him piece-meal; tear him piece-meal. [_Pull and haul him._ + +_Gril._ Rogues, villains, rebels, traitors, cuckolds! 'Swounds, what +do you make of a man? do you think legs and arms are strung upon a +wire, like a jointed baby? carry me off quickly, you were best, and +hang me decently, according to my first sentence. + +_2 Cit._ Look you, colonel; you are too bulky to be carried off all at +once; a leg or an arm is one man's burden: give me a little finger for +a sample of him, whereby I'll carry it for a token to my sovereign +lady. + +_Gril._ 'Tis too little, in all conscience, for her; take a bigger +token, cuckold. _Et tu, Brute,_ whom I saved? O the conscience of a +shopkeeper! + +_2 Cit._ Look you, colonel, for your saving of me, I thank you +heartily, whereby that debt's paid; but for speaking treason against +my anointed wife, that's a new reckoning between us. + + _Enter_ GUISE, _with a General's Staff in his Hand;_ MAYENNE, + _Cardinal, Archbishop,_ MALICORN, _and Attendants._ + +_Omn._ _Vive_ Guise! + +_Gui._ [_Bowing, and bareheaded._] +I thank you, countrymen: the hand of heaven +In all our safeties has appeared this day. +Stand on your guard, and double every watch, +But stain your triumph with no Christian blood; +French we are all, and brothers of a land. + +_Card._ What mean you, brother, by this godly talk, +Of sparing Christian blood? why, these are dogs; +Now, by the sword that cut off Malchus' ear, +Mere dogs, that neither can be saved nor damned. + +_Arch._ Where have you learnt to spare inveterate foes? + +_Gui._ You know the book. + +_Arch._ And can expound it too: +But Christian faith was in the nonage then, +And Roman heathens lorded o'er the world. +What madness were it for the weak and few, +To fight against the many and the strong? +Grillon must die, so must the tyrant's guards, +Lest, gathering head again, they make more work. + +_Mal._ My lord, the people must be fleshed in blood, +To teach them the true relish; dip them with you, +Or they'll perhaps repent. + +_Gui._ You are fools; to kill them, were to shew I feared them; +The court, disarmed, disheartened and besieged, +Are all as much within my power, as if +I griped them in my fist. + +_May._ 'Tis rightly judged: +And, let me add, who heads a popular cause, +Must prosecute that cause by popular ways: +So, whether you are merciful or no, +You must affect to be. + +_Gui._ Dismiss those prisoners.--Grillon, you are free; +I do not ask your love, be still my foe. + +_Gril._ I will be so: but let me tell you, Guise, +As this was greatly done, 'twas proudly too: +I'll give you back your life when next we meet; +'Till then I am your debtor. + +_Gui._ That's till dooms-day. [GRILLON _and his Party exeunt + one way, Rabble the other._ +Haste, brother, draw out fifteen thousand men, +Surround the Louvre, lest the prey should 'scape. +I know the king will send to treat; +We'll set the dice on him in high demands, +No less than all his offices of trust; +He shall be pared, and cantoned out, and clipped +So long, he shall not pass. + +_Card._ What! do we talk +Of paring, clipping, and such tedious work, +Like those that hang their noses o'er a potion, +And qualm, and keck, and take it down by sips! + +_Arch._ Best make advantage of this popular rage, +Let in the o'erwhelming tide on Harry's head; +In that promiscuous fury, who shall know, +Among a thousand swords, who killed the king? + +_Mal._ O my dear lord, upon this only day +Depends the series of your following fate: +Think your good genius has assumed my shape, +In this prophetic doom. + +_Gui._ Peace, croaking raven!-- +I'll seize him first, then make him a led monarch; +I'll be declared lieutenant-general +Amidst the three estates, that represent +The glorious, full, majestic face of France, +Which, in his own despite, the king shall call: +So let him reign my tenant during life, +His brother of Navarre shut out for ever, +Branded with heresy, and barred from sway; +That, when Valois consumed in ashes lies, +The Phoenix race of Charlemain may rise. [_Exeunt._ + + +SCENE V.--_The Louvre._ + + _Enter King, Queen-Mother, Abbot, and_ GRILLON. + +_King._ Dismissed with such contempt? + +_Gril._ Yes, 'faith, we past like beaten Romans underneath the fork. + +_King._ Give me my arms. + +_Gril._ For what? + +_King._ I'll lead you on. + +_Gril._ You are a true lion, but my men are sheep; +If you run first, I'll swear they'll follow you. + +_King._ What, all turned cowards? not a man in France +Dares set his foot by mine, and perish by me? + +_Gril._ Troth, I can't find them much inclined to perishing. + +_King._ What can be left in danger, but to dare? +No matter for my arms, I'll go barefaced, +And seize the first bold rebel that I meet. + +_Abb._ There's something of divinity in kings, +That sits between their eyes, and guards their life. + +_Gril._ True, Abbot; but the mischief is, you churchmen +Can see that something further than the crowd; +These musket bullets have not read much logic, +Nor are they given to make your nice distinctions: + [_One enters, and gives the + Queen a Note, she reads--_ +One of them possibly may hit the king +In some one part of him that's not divine; +And so that mortal part of his majesty would draw +the divinity of it into another world, sweet Abbot. + +_Qu. M._ 'Tis equal madness to go out or stay; +The reverence due to kings is all transferred +To haughty Guise; and when new gods are made, +The old must quit the temple; you must fly. + +_King._ Death! had I wings, yet would I scorn to fly. + +_Gril._ Wings, or no wings, is not the question: +If you won't fly for't, you must ride for't, +And that comes much to one. + +_King._ Forsake my regal town! + +_Qu. M._ Forsake a bedlam; +This note informs me fifteen thousand men +Are marching to inclose the Louvre round. + +_Abb._ The business then admits no more dispute, +You, madam, must be pleased to find the Guise; +Seem easy, fearful, yielding, what you will; +But still prolong the treaty all you can, +To gain the king more time for his escape. + +_Qu. M._ I'll undertake it.--Nay, no thanks, my son. +My blessing shall be given in your deliverance; +That once performed, their web is all unravelled, +And Guise is to begin his work again. [_Exit Q.M._ + +_King._ I go this minute. + + _Enter_ MARMOUTIERE. + +Nay, then another minute must be given.-- +O how I blush, that thou shouldst see thy king +Do this low act, that lessens all his fame: +Death, must a rebel force me from my love! +If it must be-- + +_Mar._ It must not, cannot be. + +_Gril._ No, nor shall not, wench, as long as my soul wears a body. + +_King._ Secure in that, I'll trust thee;--shall I trust thee? +For conquerors have charms, and women frailty:-- +Farewell thou mayst behold me king again; +My soul's not yet deposed:--why then farewell!-- +I'll say't as comfortably as I can: +But O cursed Guise, for pressing on my time, +And cutting off ten thousand more adieus! + +_Mar._ The moments that retard your flight are traitors. +Make haste, my royal master, to be safe, +And save me with you, for I'll share your fate. + +_King._ Wilt thou go too? +Then I am reconciled to heaven again: +O welcome, thou good angel of my way, +Thou pledge and omen of my safe return! +Not Greece, nor hostile Juno could destroy +The hero that abandoned burning Troy; +He 'scaped the dangers of the dreadful night, +When, loaded with his gods, he took his flight. + [_Exuent, the King leading her._ + + +ACT V. + +SCENE I.--_The Castle of Blois._ + + _Enter_ GRILLON, _and_ ALPHONSO CORSO. + +_Gril._ Welcome, colonel, welcome to Blois. + +_Alph._ Since last we parted at the barricadoes, +The world's turned upside down. + +_Gril._ No, 'faith, 'tis better now, 'tis downside up: +Our part o'the wheel is rising, though but slowly. + +_Alph._ Who looked for an assembly of the States? + +_Gril._ When the king was escaped from Paris, and got out of the +toils, 'twas time for the Guise to take them down, and pitch others: +that is, to treat for the calling of a parliament, where, being sure +of the major part, he might get by law what he had missed by force. + +_Alph._ But why should the king assemble the States, to satisfy the +Guise, after so many affronts? + +_Gril._ For the same reason, that a man in a duel says he has received +satisfaction, when he is first wounded, and afterwards disarmed. + +_Alph._ But why this parliament at Blois, and not at Paris? + +_Gril._ Because no barricadoes have been made at Blois. This Blois is +a very little town, and the king can draw it after him; but Paris is a +damned unwieldy bulk; and when the preachers draw against the king, a +parson in a pulpit is a devilish fore-horse. Besides, I found in that +insurrection what dangerous beasts these townsmen are; I tell you, +colonel, a man had better deal with ten of their wives, than with one +zealous citizen: O your inspired cuckold is most implacable. + +_Alph._ Is there any seeming kindness between the king and the duke of +Guise? + +_Gril._ Yes, most wonderful: they are as dear to one another as an old +usurer, and a rich young heir upon a mortgage. The king is very loyal +to the Guise, and the Guise is very gracious to the king: Then the +cardinal of Guise, and the archbishop of Lyons, are the two pendants +that are always hanging at the royal ear; they ease his majesty of all +the spiritual business, and the Guise of all the temporal; so that the +king is certainly the happiest prince in Christendom, without any care +upon him; so yielding up every thing to his loyal subjects, that he's +infallibly in the way of being the greatest and most glorious king in +all the world. + +_Alph._ Yet I have heard he made a sharp reflecting speech upon their +party at the opening of the parliament, admonished men of their +duties, pardoned what was past, but seemed to threaten vengeance if +they persisted for the future. + +_Gril._ Yes; and then they all took the sacrament together: he +promising to unite himself to them, and they to obey him, according to +the laws; yet the very next morning they went on, in pursuance of +their old commonwealth designs, as violently as ever. + +_Alph._ Now, I am dull enough to think they have broken their oath. + +_Gril._ Ay, but you are but one private man, and they are the three +States; and if they vote that they have not broken their oaths, who is +to be judge? + +_Alph._ There's one above. + +_Gril._ I hope you mean in heaven; or else you are a bolder man than I +am in parliament time[18]; but here comes the master and my niece. + +_Alph._ Heaven preserve him! if a man may pray for him without +treason. + +_Gril._ O yes, you may pray for him; the preachers of the Guise's side +do that most formally; nay, you may be suffered civilly to drink his +health; be of the court, and keep a place of profit under him: for, in +short, 'tis a judged case of conscience, to make your best of the +king, and to side against him. + + _Enter_ KING _and_ MARMOUTIERE. + +_King._ Grillon, be near me, +There's something for my service to be done, +Your orders will be sudden; now, withdraw. + +_Gril._ [_Aside._] Well, I dare trust my niece, even though she comes +of my own family; but if she cuckolds my good opinion of her honesty, +there's a whole sex fallen under a general rule, without one +exception. [_Exeunt_ GRIL. _and_ ALPH. + +_Mar._ You bid my uncle wait you. + +_King._ Yes. + +_Mar._ This hour? + +_King._ I think it was. + +_Mar._ Something of moment hangs upon this hour. + +_King._ Not more on this, than on the next, and next. +My time is all ta'en up on usury; +I never am beforehand with my hours, +But every one has work before it comes. + +_Mar._ "There's something for my service to be done;"-- +Those were your words. + +_King._ And you desire their meaning? + +_Mar._ I dare not ask, and yet, perhaps, may guess. + +_King._ 'Tis searching there where heaven can only pry, +Not man, who knows not man but by surmise; +Nor devils, nor angels of a purer mould, +Can trace the winding labyrinths of thought. +I tell thee, Marmoutiere, I never speak, +Not when alone, for fear some fiend should hear, +And blab my secrets out. + +_Mar._ You hate the Guise. + +_King._ True, I did hate him. + +_Mar._ And you hate him still. + +_King._ I am reconciled. + +_Mar._ Your spirit is too high, +Great souls forgive not injuries, till time +Has put their enemies into their power, +That they may shew, forgiveness is their own; +For else, 'tis fear to punish, that forgives; +The coward, not the king. + +_King._ He has submitted. + +_Mar._ In show; for in effect he still insults. + +_King._ Well, kings must bear sometimes. + +_Mar._ They must, till they can shake their burden off; +And that's, I think, your aim. + +_King._ Mistaken still: +All favours, all preferments, pass through them; +I'm pliant, and they mould me as they please. + +_Mar._ These are your arts, to make them more secure; +Just so your brother used the admiral. +Brothers may think, and act like brothers too. + +_King._ What said you, ha! what mean you, Marmoutiere? + +_Mar._ Nay, what mean you? that start betrayed you, sir. + +_King._ This is no vigil of St Bartholomew, +Nor is Blois Paris. + +_Mar._ 'Tis an open town. + +_King._ What then? + +_Mar._ Where you are strongest. + +_King._ Well, what then? + +_Mar._ No more; but you have power, and are provoked. + +_King._ O, thou hast set thy foot upon a snake! +Get quickly off, or it will sting thee dead. + +_Mar._ Can I unknow it? + +_King._ No, but keep it secret. + +_Mar._ Think, sir, your thoughts are still as much your own, +As when you kept the key of your own breast; +But since you let me in, I find it filled +With death and horror: you would murder Guise. + +_King._ Murder! what, murder! use a softer word, +And call it sovereign justice. + +_Mar._ Would I could! +But justice bears the godlike shape of law, +And law requires defence, and equal plea +Betwixt the offender, and the righteous judge. + +_King._ Yes, when the offender can be judged by laws: +But when his greatness overturns the scales, +Then kings are justice in the last appeal, +And, forced by strong necessity, may strike; +In which, indeed, they assert the public good, +And, like sworn surgeons, lop the gangrened limb: +Unpleasant, wholesome, work. + +_Mar._ If this be needful. + +_King._ Ha! didst not thou thyself, in fathoming +The depth of my designs, drop there the plummet? +Didst thou not say--Affronts so great, so public, +I never could forgive? + +_Mar._ I did; but yet-- + +_King._ What means, _but yet?_ 'tis evidence so full, +If the last trumpet sounded in my ears, +Undaunted I should meet the saints half way, +And in the face of heaven maintain the fact. + +_Mar._ Maintain it then to heaven, but not to me. +Do you love me? + +_King._ Can you doubt it? + +_Mar._ Yes, I can doubt it, if you can deny; +Love begs once more this great offender's life. +Can you forgive the man you justly hate, +That hazards both your life and crown to spare him? +One, whom you may suspect I more than pity,-- +For I would have you see, that what I ask, +I know, is wondrous difficult to grant,-- +Can you be thus extravagantly good? + +_King._ What then? for I begin to fear my firmness, +And doubt the soft destruction of your tongue. + +_Mar._ Then, in return, I swear to heaven and you, +To give you all the preference of my soul; +No rebel rival to disturb you there; +Let him but live, that he may be my convert! + [_King walks awhile, then wipes + his eyes, and speaks._ + +_King._ You've conquered; all that's past shall be forgiven. +My lavish love has made a lavish grant; +But know, this act of grace shall be my last. +Let him repent, yes, let him well repent; +Let him desist, and tempt revenge no further: +For, by yon heaven, that's conscious of his crimes, +I will no more by mercy be betrayed. + + _Deputies appearing at the Door._ + +The deputies are entering; you must leave me. +Thus, tyrant business all my hours usurps, +And makes me live for others. + +_Mar._ Now heaven reward you with a prosperous reign, +And grant, you never may be good in vain! [_Exit._ + + _Enter Deputies of the Three States: Cardinal of_ GUISE, _and + Archbishop of_ LYONS, _at the head of them._ + +_King._ Well, my good lords, what matters of importance +Employed the States this morning? + +_Arch._ One high point +Was warmly canvassed in the Commons House, +And will be soon resolved. + +_King._ What was't? + +_Card._ Succession. + +_King._ That's one high point indeed, but not to be +So warmly canvassed, or so soon resolved. + +_Card._ Things necessary must sometimes be sudden. + +_King._ No sudden danger threatens you, my lord. + +_Arch._ What may be sudden, must be counted so. +We hope and wish your life; but yours and ours +Are in the hand of heaven. + +_King._ My lord, they are; +Yet, in a natural way, I may live long, +If heaven, and you my loyal subjects, please. + +_Arch._ But since good princes, like your majesty, +Take care of dangers merely possible, +Which may concern their subjects, whose they are, +And for whom kings are made-- + +_King._ Yes; we for them, +And they for us; the benefits are mutual, +And so the ties are too. + +_Card._ To cut things short, +The Commons will decree, to exclude Navarre +From the succession of the realm of France. + +_King._ Decree, my lord! What! one estate decree? +Where then are the other two, and what am I? +The government is cast up somewhat short, +The clergy and nobility cashiered, +Five hundred popular figures on a row, +And I myself, that am, or should be, king, +An o'ergrown cypher set before the sum: +What reasons urge our sovereigns for the exclusion? + +_Arch._ He stands suspected, sir, of heresy. + +_King._ Has he been called to make his just defence? + +_Card._ That needs not, for 'tis known. + +_King._ To whom? + +_Card._ The Commons. + +_King._ What is't those gods, the Commons, do not know? +But heresy, you churchmen teach us vulgar, +Supposes obstinate, and stiff persisting +In errors proved, long admonitions made, +And all rejected: Has this course been used? + +_Arch._ We grant it has not; but-- + +_King._ Nay, give me leave,-- +I urge, from your own grant, it has not been. +If then, in process of a petty sum, +Both parties having not been fully heard, +No sentence can be given; +Much less in the succession of a crown, +Which, after my decease, by right inherent, +Devolves upon my brother of Navarre. + +_Card._ The right of souls is still to be preferred; +Religion must not suffer for a claim. + +_King._ If kings may be excluded, or deposed, +Whene'er you cry religion to the crowd; +That doctrine makes rebellion orthodox, +And subjects must be traitors, to be saved. + +_Arch._ Then heresy's entailed upon the throne. + +_King._ You would entail confusion, wars, and slaughters: +Those ills are certain; what you name, contingent. +I know my brother's nature; 'tis sincere, +Above deceit, no crookedness of thought; +Says what he means, and what he says performs; +Brave, but not rash; successful, but not proud; +So much acknowledging, that he's uneasy, +Till every petty service be o'erpaid. + +_Arch._ Some say, revengeful. + +_King._ Some then libel him; +But that's what both of us have learned to bear. +He can forgive, but you disdain forgiveness. +Your chiefs are they no libel must profane; +Honour's a sacred thing in all but kings; +But when your rhymes assassinate our fame, +You hug your nauseous, blundering ballad-wits, +And pay them, as if nonsense were a merit, +If it can mean but treason. + +_Arch._ Sir, we have many arguments to urge-- + +_King._ And I have more to answer: Let them know, +My royal brother of Navarre shall stand +Secure by right, by merit, and my love. +God, and good men, will never fail his cause, +And all the bad shall be constrained by laws. + +_Arch._ Since gentle means to exclude Navarre are vain, +To-morrow, in the States, 'twill be proposed, +To make the duke of Guise lieutenant-general; +Which power, most graciously confirmed by you, +Will stop this headlong torrent of succession, +That bears religion, laws, and all before it. +In hope you'll not oppose what must be done, +We wish you, sir, a long and prosperous reign. + [_Exeunt all but the King._ + +_King._ To-morrow Guise is made lieutenant-general;-- +Why, then, to-morrow I no more am king. +'Tis time to push my slackened vengeance home, +To be a king, or not to be at all. +The vow that manacled my rage is loosed; +Even heaven is wearied with repeated crimes, +Till lightning flashes round, to guard the throne, +And the curbed thunder grumbles to be gone. + + _Enter_ GRILLON _to him._ + +_Gril._ 'Tis just the appointed hour you bid me wait. + +_King._ So just, as if thou wert inspired to come; +As if the guardian-angel of my throne, +Who had o'erslept himself so many years, +Just now was roused, and brought thee to my rescue. + +_Gril._ I hear the Guise will be lieutenant-general. + +_King._ And canst thou suffer it? + +_Gril._ Nay, if you will suffer it, then well may I. If kings will be +so civil to their subjects, to give up all things tamely, they first +turn rebels to themselves, and that's a fair example for their +friends. 'Slife, sir, 'tis a dangerous matter to be loyal on the wrong +side, to serve my prince in spite of him; if you'll be a royalist +yourself, there are millions of honest men will fight for you; but if +you will not, there are few will hang for you. + +_King._ No more: I am resolved. +The course of things can be with-held no longer +From breaking forth to their appointed end: +My vengeance, ripened in the womb of time, +Presses for birth, and longs to be disclosed. +Grillon, the Guise is doomed to sudden death: +The sword must end him:--has not thine an edge? + +_Gril._ Yes, and a point too; I'll challenge him. + +_King._ I bid thee kill him. [_Walking._ + +_Gril._ So I mean to do. + +_King._ Without thy hazard. + +_Gril._ Now I understand you; I should murder him: +I am your soldier, sir, but not your hangman. + +_King._ Dost thou not hate him? + +_Gril._ Yes. + +_King._ Hast thou not said, +That he deserves it? + +_Gril._ Yes; but how have I +Deserved to do a murder? + +_King._ 'Tis no murder; +'Tis sovereign justice, urged from self-defence. + +_Gril._ 'Tis all confest, and yet I dare not do't. + +_King._ Go; thou art a coward. + +_Gril._ You are my king. + +_King._ Thou say'st, thou dar'st not kill him. + +_Gril._ Were I a coward, I had been a villain, +And then I durst have done't. + +_King._ Thou hast done worse, in thy long course of arms. +Hast thou ne'er killed a man? + +_Gril._ Yes, when a man would have killed me. + +_King._ Hast thou not plundered from the helpless poor? +Snatched from the sweating labourer his food? + +_Gril._ Sir, I have eaten and drank in my own defence, when I was +hungry and thirsty; I have plundered, when you have not paid me; I +have been content with a farmer's daughter, when a better whore was +not to be had. As for cutting off a traitor, I'll execute him lawfully +in my own function, when I meet him in the field; but for your +chamber-practice, that's not my talent. + +_King._ Is my revenge unjust, or tyrannous? +Heaven knows I love not blood. + +_Gril._ No, for your mercy is your only vice. You may dispatch a rebel +lawfully, but the mischief is, that rebel has given me my life at the +barricadoes, and, till I have returned his bribe, I am not upon even +terms with him. + +_King._ Give me thy hand; I love thee not the worse: +Make much of honour, 'tis a soldier's conscience. +Thou shalt not do this act; thou art even too good; +But keep my secret, for that's conscience too. + +_Gril._ When I disclose it, think I am a coward. + +_King._ No more of that, I know thou art not one. +Call Lognac hither straight, and St Malin; +Bid Larchant find some unsuspected means, +To keep guards doubled at the council-door, +That none pass in or out, but those I call: +The rest I'll think on further; so farewell. + +_Gril._ Heaven bless your majesty! Though I'll not kill him for you, +I'll defend you when he's killed: For the honest part of the job let +me alone[19]. [_Exeunt severally._ + + +SCENE II.--SCENE _opens, and discovers Men and Women at a Banquet,_ +MALICORN _standing by._ + +_Mal._ This is the solemn annual feast I keep, +As this day twelve year, on this very hour, +I signed the contract for my soul with hell. +I bartered it for honours, wealth, and pleasure, +Three things which mortal men do covet most; +And 'faith, I over-sold it to the fiend: +What, one-and-twenty years, nine yet to come! +How can a soul be worth so much to devils? +O how I hug myself, to out-wit these fools of hell! +And yet a sudden damp, I know not why, +Has seized my spirits, and, like a heavy weight, +Hangs on their active springs. I want a song +To rouse me; my blood freezes.--Music there. + + A SONG BETWIXT A SHEPHERD AND SHEPHERDESS. + + Shepherdess. + + _Tell me, Thyrsis, tell your anguish, + Why you sigh, and why you languish; + When the nymph whom you adore, + Grants the blessing + Of possessing, + What can love and I do more?_ + + Shepherd. + + _Think it's love beyond all measure, + Makes me faint away with pleasure; + Strength of cordial may destroy. + And the blessing + Of possessing, + Kills me with excess of joy._ + + Shepherdess. + + _Thyrsis, how can I believe you! + But confess, and I'll forgive you; + Men are false, and so are you, + Never nature + Framed a creature + To enjoy, and yet be true._ + + Shepherd. + + _Mine's a flame beyond expiring, + Still possessing, still desiring, + Fit for love's imperial crown; + Ever shining, + And refining, + Still the more 'tis melted down._ + + Chorus together. + + _Mine's a flame beyond expiring. + Still possessing, still desiring, + Fit for love's imperial crown; + Ever shining, + And refining, + Still the more 'tis melted down._ + + _After a Song and Dance, loud knocking at the Door,_ + + _Enter a Servant._ + +_Mal._ What noise is that? + +_Serv._ An ill-looked surly man, +With a hoarse voice, says he must speak with you. + +_Mal._ Tell him I dedicate this day to pleasure. +I neither have, nor will have, business with him. [_Exit_ SERV. +What, louder yet? what saucy slave is this? [_Knock louder._ + + _Re-enter Servant._ + +_Serv._ He says you have, and must have, business with him. +Come out, or he'll come in, and spoil your mirth. + +_Mal._ I will not. + +_Serv._ Sir, I dare not tell him so; [_Knocking again more fiercely._ +My hair stands up in bristles when I see him; +The dogs run into corners; the spay'd bitch +Bays at his back, and howls[20]. + +_Mal._ Bid him enter, and go off thyself. [_Exit Serv._ + + SCENE _closes upon the company._ + + _Enter_ MELANAX, _an hour-glass in his hand, almost empty._ + +How dar'st thou interrupt my softer hours? +By heaven, I'll ram thee in some knotted oak, +Where thou shalt sigh, and groan to whistling winds, +Upon the lonely plain. +Or I'll confine thee deep in the red sea, groveling on the sands, +Ten thousand billows rolling o'er thy head. + +_Mel._ Hoh, hoh, hoh! + +_Mal._ Laughest thou, malicious fiend? +I'll ope my book of bloody characters, +Shall rumple up thy tender airy limbs, +Like parchment in a flame. + +_Mel._ Thou can'st not do it. +Behold this hour-glass. + +_Mal._ Well, and what of that? + +_Mel._ Seest thou these ebbing sands? +They run for thee, and when their race is run, +Thy lungs, the bellows of thy mortal breath, +Shall sink for ever down, and heave no more. + +_Mal._ What, resty, fiend? +Nine years thou hast to serve. + +_Mel._ Not full nine minutes. + +_Mal._ Thou liest; look on thy bond, and view the date. + +_Mel._ Then, wilt thou stand to that without appeal? + +_Mal.._ I will, so help me heaven! + +_Mel._ So take thee hell. [_Gives him the bond._ +There, fool; behold who lies, the devil, or thou? + +_Mal._ Ha! one-and-twenty years are shrunk to twelve! +Do my eyes dazzle? + +_Mel._ No, they see too true: +They dazzled once, I cast a mist before them, +So what was figured twelve, to thy dull sight +Appeared full twenty-one. + +_Mal._ There's equity in heaven for this, a cheat. + +_Mel._ Fool, thou hast quitted thy appeal to heaven, +To stand to this. + +_Mal._ Then I am lost for ever! + +_Mel._ Thou art. + +_Mal._ O why was I not warned before? + +_Mel._ Yes, to repent; then thou hadst cheated me. + +_Mal._ Add but a day, but half a day, an hour: +For sixty minutes, I'll forgive nine years. + +_Mel._ No, not a moment's thought beyond my time. +Dispatch; 'tis much below me to attend +For one poor single fare. + +_Mal._ So pitiless? +But yet I may command thee, and I will: +I love the Guise, even with my latest breath, +Beyond my soul, and my lost hopes of heaven: +I charge thee, by my short-lived power, disclose +What fate attends my master. + +_Mel._ If he goes +To council when he next is called, he dies. + +_Mal._ Who waits? + + _Enter Servant._ + +Go, give my lord my last adieu; +Say, I shall never see his eyes again; +But if he goes, when next he's called, to council, +Bid him believe my latest breath, he dies.-- [_Exit Serv._ +The sands run yet.--O do not shake the glass!-- + [_Devil shakes the glass._ +I shall be thine too soon!--Could I repent!-- +Heaven's not confined to moments.--Mercy, mercy! + +_Mel._ I see thy prayers dispersed into the winds, +And heaven has past them by. +I was an angel once of foremost rank, +Stood next the shining throne, and winked but half; +So almost gazed I glory in the face, +That I could bear it, and stared farther in; +'Twas but a moment's pride, and yet I fell, +For ever fell; but man, base earth-born man, +Sins past a sum, and might be pardoned more: +And yet 'tis just; for we were perfect light, +And saw our crimes; man, in his body's mire, +Half soul, half clod, sinks blindfold into sin, +Betrayed by frauds without, and lusts within. + +_Mel._ Then I have hope. + +_Mal._ Not so; I preached on purpose +To make thee lose this moment of thy prayer. +Thy sand creeps low; despair, despair, despair! + +_Mal._ Where am I now? upon the brink of life, +The gulph before me, devils to push me on, +And heaven behind me closing all its doors. +A thousand years for every hour I've past, +O could I 'scape so cheap! but ever, ever! +Still to begin an endless round of woes, +To be renewed for pains, and last for hell! +Yet can pains last, when bodies cannot last? +Can earthy substance endless flames endure? +Or, when one body wears and flits away, +Do souls thrust forth another crust of clay, +To fence and guard their tender forms from fire? +I feel my heart-strings rend!--I'm here,--I'm gone! +Thus men, too careless of their future state, +Dispute, know nothing, and believe too late. + [_A flash of lightning, they sink together._ + + +SCENE III.--_Enter Duke of_ GUISE; _Cardinal, and_ AUMALE. + +_Card._ A dreadful message from a dying man, +A prophesy indeed! +For souls, just quitting earth, peep into heaven, +Make swift acquaintance with their kindred forms, +And partners of immortal secrets grow. + +_Aum._ 'Tis good to lean on the securer side: +When life depends, the mighty stake is such, +Fools fear too little, and they dare too much. + + _Enter Arch-Bishop._ + +_Gui._ You have prevailed, I will not go to council. +I have provoked my sovereign past a pardon, +It but remains to doubt if he dare kill me: +Then if he dares but to be just, I die. +'Tis too much odds against me; I'll depart, +And finish greatness at some safer time. + +_Arch._ By heaven, 'tis Harry's plot to fright you hence, +That, coward-like, you might forsake your friends. + +_Gui._ The devil foretold it dying Malicorn. + +_Arch._ Yes, some court-devil, no doubt: +If you depart, consider, good my lord, +You are the master-spring that moves our fabric, +Which once removed, our motion is no more. +Without your presence, which buoys up our hearts, +The League will sink beneath a royal name; +The inevitable yoke prepared for kings +Will soon be shaken off; things done, repealed; +And things undone, past future means to do. + +_Card._ I know not; I begin to taste his reasons. + +_Arch._ Nay, were the danger certain of your stay, +An act so mean would lose you all your friends, +And leave you single to the tyrant's rage: +Then better 'tis to hazard life alone, +Than life, and friends, and reputation too. + +_Gui._ Since more I am confirmed, I'll stand the shock. +Where'er he dares to call, I dare to go. +My friends are many, faithful, and united; +He will not venture on so rash a deed: +And now, I wonder I should fear that force, +Which I have used to conquer and contemn. + + _Enter_ MARMOUTIERE. + +_Arch._ Your tempter comes, perhaps, to turn the scale, +And warn you not to go. + +_Gui._ O fear her not, +I will be there. [_Exeunt Arch-Bishop and Cardinal._ +What can she mean?--repent? +Or is it cast betwixt the king and her +To sound me? come what will, it warms my heart +With secret joy, which these my ominous statesmen +Left dead within me;--ha! she turns away. + +_Mar._ Do you not wonder at this visit, sir? + +_Gui._ No, madam, I at last have gained the point +Of mightiest minds, to wonder now at nothing. + +_Mar._ Believe me, Guise, 'twere gallantly resolved, +If you could carry it on the inside too. +Why came that sigh uncalled? For love of me, +Partly, perhaps; but more for thirst of glory, +Which now again dilates itself in smiles, +As if you scorned that I should know your purpose. + +_Gui._ I change, 'tis true, because I love you still; +Love you, O heaven, even in my own despite; +I tell you all, even at that very moment, +I know you straight betray me to the king. + +_Mar._ O Guise, I never did; but, sir, I come +To tell you, I must never see you more. + +_Gui._ The king's at Blois, and you have reason for it; +Therefore, what am I to expect from pity,-- +From yours, I mean,--when you behold me slain? + +_Mar._ First answer me, and then I'll speak my heart. +Have you, O Guise, since your last solemn oath, +Stood firm to what you swore? Be plain, my lord, +Or run it o'er a while, because again +I tell you, I must never see you more. + +_Gui._ Never!--She's set on by the king to sift me. +Why, by that never then, all I have sworn +Is true, as that the king designs to end me. + +_Mar._ Keep your obedience,--by the saints, you live. + +_Gui._ Then mark; 'tis judged by heads grown white in council, +This very day he means to cut me off. + +_Mar._ By heaven, then you're forsworn; you've broke your vows. + +_Gui._ By you, the justice of the earth, I have not. + +_Mar._ By you, dissembler of the world, you have. +I know the king. + +_Gui._ I do believe you, madam. + +_Mar._ I have tried you both. + +_Gui._ Not me, the king you mean. + +_Mar._ Do these o'erboiling answers suit the Guise? +But go to council, sir, there shew your truth; +If you are innocent, you're safe; but O, +If I should chance to see you stretched along, +Your love, O Guise, and your ambition gone, +That venerable aspect pale with death, +I must conclude you merited your end. + +_Gui._ You must, you will, and smile upon my murder. + +_Mar._ Therefore, if you are conscious of a breach, +Confess it to me. Lead me to the king; +He has promised me to conquer his revenge, +And place you next him; therefore, if you're right, +Make me not fear it by asseverations, +But speak your heart, and O resolve me truly! + +_Gui._ Madam, I've thought, and trust you with my soul. +You saw but now my parting with my brother, +The prelate too of Lyons; it was debated +Warmly against me, that I should go on. + +_Mar._ Did I not tell you, sir? + +_Gui._ True; but in spite +Of those imperial arguments they urged, +I was not to be worked from second thought: +There we broke off; and mark me, if I live, +You are the saint that makes a convert of me. + +_Mar._ Go then:--O heaven! Why must I still suspect you? +Why heaves my heart, and overflow my eyes? +Yet if you live, O Guise,--there, there's the cause,-- +I never shall converse, nor see you more. + +_Gui._ O say not so, for once again I'll see you. +Were you this very night to lodge with angels, +Yet say not never; for I hope by virtue +To merit heaven, and wed you late in glory. + +_Mar._ This night, my lord, I'm a recluse for ever. + +_Gui._ Ha! stay till morning: tapers are too dim; +Stay till the sun rises to salute you; +Stay till I lead you to that dismal den +Of virgins buried quick, and stay for ever. + +_Mar._ Alas! your suit is vain, for I have vowed it: +Nor was there any other way to clear +The imputed stains of my suspected honour. + +_Gui._ Hear me a word!--one sigh, one tear, at parting, +And one last look; for, O my earthly saint, +I see your face pale as the cherubins' +At Adam's fall. + +_Mar._ O heaven! I now confess, +My heart bleeds for thee, Guise. + +_Gui._ Why, madam, why? + +_Mar._ Because by this disorder, +And that sad fate that bodes upon your brow, +I do believe you love me more than glory. + +_Gui._ Without an oath I do; therefore have mercy, +And think not death could make me tremble thus; +Be pitiful to those infirmities +Which thus unman me; stay till the council's over; +If you are pleased to grant an hour or two +To my last prayer, I'll thank you as my saint: +If you refuse me, madam, I'll not murmur. + +_Mar._ Alas, my Guise!--O heaven, what did I say? +But take it, take it; if it be too kind, +Honour may pardon it, since 'tis my last. + +_Gui._ O let me crawl, vile as I am, and kiss +Your sacred robe.--Is't possible! your hand! + [_She gives him her hand._ +O that it were my last expiring moment, +For I shall never taste the like again. + +_Mar._ Farewell, my proselyte! your better genius +Watch your ambition. + +_Gui._ I have none but you: +Must I ne'er see you more? + +_Mar._ I have sworn you must not: +Which thought thus roots me here, melts my resolves, [_Weeps._ +And makes me loiter when the angels call me. + +_Gui._ O ye celestial dews! O paradise! +O heaven! O joys, ne'er to be tasted more! + +_Mar._ Nay, take a little more: cold Marmoutiere, +The temperate, devoted Marmoutiere +Is gone,--a last embrace I must bequeath you. + +_Gui._ And O let me return it with another! + +_Mar._ Farewell for ever; ah, Guise, though now we part, +In the bright orbs, prepared us by our fates, +Our souls shall meet,--farewell!--and Io's sing above, +Where no ambition, nor state-crime, the happier spirits prove, +But all are blest, and all enjoy an everlasting love. + [_Exit_ MARMOUTIERE. + + GUISE _solus._ + +_Gui._ Glory, where art thou? fame, revenge, ambition, +Where are you fled? there's ice upon my nerves; +My salt, my metal, and my spirits gone, +Palled as a slave, that's bed-rid with an ague, +I wish my flesh were off. [_Blood falls from his nose._ +What now! thou bleed'st:-- +Three, and no more!--what then? and why, what then? +But just three drops! and why not just three drops, +As well as four or five, or five and twenty? + + _Enter a Page._ + +_Page._ My lord, your brother and the arch-bishop wait you. + +_Gui._ I come;--down, devil!--ha! must I stumble too? +Away, ye dreams! what if it thundered now, +Or if a raven crossed me in my way? +Or now it comes, because last night I dreamt +The council-hall was hung with crimson round, +And all the ceiling plaistered o'er with black. +No more!--Blue fires, and ye dull rolling lakes, +Fathomless caves, ye dungeons of old night, +Phantoms, be gone! if I must die, I'll fall +True politician, and defy you all. [_Exit._ + + +SCENE II.--_The Court before the Council-hall._ + + GRILLON, LARCHANT, _Soldiers placed, People crowding_ + +_Gril._ Are your guards doubled, captain? + +_Larch._ Sir, they are. + +_Gril._ When the Guise comes, remember your petition.-- +Make way there for his eminence; give back.-- +Your eminence comes late. + + _Enter two Cardinals, Counsellors, the Cardinal of_ GUISE, + _Arch-bishop of Lyons, last the_ GUISE. + +_Gui._ Well, colonel, are we friends? + +_Gril._ 'Faith, I think not. + +_Gui._ Give me your hand. + +_Gril._ No, for that gives a heart. + +_Gui._ Yet we shall clasp in heaven. + +_Gril._ By heaven, we shall not, +Unless it be with gripes. + +_Gui._ True Grillon still. + +_Larch._ My lord. + +_Gui._ Ha! captain, you are well attended: +If I mistake not, sir, your number's doubled. + +_Larch._ All these have served against the heretics; +And therefore beg your grace you would remember +Their wounds and lost arrears[21]. + +_Gui._ It shall be done.-- +Again, my heart! there is a weight upon thee, +But I will sigh it off.--Captain, farewell. + [_Exeunt Cardinal,_ GUISE, _&c._ + +_Gril._ Shut the hall-door, and bar the castle-gates: +March, march there closer yet, captain, to the door. [_Exeunt._ + + +SCENE III.--_The Council-hall._ + +_Gui._ I do not like myself to-day. + +_Arch._ A qualm! he dares not. + +_Card._ That's one man's thought; he dares, and that's another's. + + _Enter_ GRILLON. + +_Gui._ O Marmoutiere! ha, never see thee more? +Peace, my tumultuous heart! why jolt my spirits +In this unequal circling of my blood? +I'll stand it while I may. O mighty nature! +Why this alarm? why dost thou call me on +To fight, yet rob my limbs of all their use? [_Swoons._ + +_Card._ Ha! he's fallen, chafe him. He comes again. + +_Gui._ I beg your pardons; vapours, no more. + +_Gril._ The effect +Of last night's lechery with some working whore[22]. + + _Enter_ REVOL. + +_Rev._ My lord of Guise, the king would speak with you. + +_Gui._ O cardinal, O Lyons!--but no more; +Yes, one word more: thou hast a privilege [_To the Cardinal._ +To speak with a recluse; O therefore tell her, +If never thou behold'st me breathe again, +Tell her I sighed it last.--O Marmoutiere! [_Exit bowing._ + +_Card._ You will have all things your own way, my lord. +By heaven, I have strange horror on my soul. + +_Arch._ I say again, that Henry dares not do it. + +_Card._ Beware, your grace, of minds that bear like him. +I know he scorns to stoop to mean revenge; +But when some mightier mischief shocks his toure, +He shoots at once with thunder on his wings, +And makes it air.--but hark, my lord, 'tis doing! + +_Guise within._] Murderers, villains! + +_Arch._ I hear your brother's voice; run to the door. + + CARD. _and_ ARCH. _run to the door._ + +_Card._ Help, help, the Guise is murdered! + +_Arch._ Help, help! + +_Gril._ Cease your vain cries, you are the king's prisoners;-- +Take them, Dugast, into your custody. + +_Card._ We must obey, my lord, for heaven calls us. [_Exeunt._ + + _The_ SCENE _draws, behind it a Traverse._ + + _The_ GUISE _is assaulted by eight. They stab him in all parts, but + most in the head._ + +_Gui._ O villains! hell-hounds! hold. + [_Half draws his sword, is held._ +Murdered, O basely, and not draw my sword!-- +Dog, Lognac,--but my own blood choaks me. +Down, villain, down!--I'm gone,--O Marmoutiere! + [_Flings himself upon him, dies[23]._ + + _The Traverse is drawn._ + + _The King rises from his Chair, comes forward with his + Cabinet-council._ + +_King._ Open the closet, and let in the council; +Bid Dugast execute the cardinal; +Seize all the factious leaders, as I ordered, +And every one be answered, on your lives. + + _Enter Queen-Mother followed by the Counsellors._ + +O, madam, you are welcome; how goes your health? + +_Qu. M._ A little mended, sir.--What have you done? + +_King._ That which has made me king of France; for there +The king of Paris at your feet lies dead. + +_Qu. M._ You have cut out dangerous work, but make it up +With speed and resolution[24]. + +_King._ Yes, I'll wear +The fox no longer, but put on the lion; +And since I could resolve to take the heads +Of this great insurrection, you, the members, +Look to it; beware, turn from your stubbornness, +And learn to know me, for I will be king. + +_Gril._ 'Sdeath, how the traitors lower, and quake, and droop, +And gather to the wing of his protection, +As if they were his friends, and fought his cause! + +_King._ [_Looking upon_ GUISE.] +Be witness, heaven, I gave him treble warning! +He's gone--no more.--Disperse, and think upon it. +Beware my sword, which, if I once unsheath, +By all the reverence due to thrones and crowns, +Nought shall atone the vows of speedy justice, +Till fate to ruin every traitor brings, +That dares the vengeance of indulgent kings. [_Exuent._ + + +Footnotes: +1. The Council of Sixteen certainly offered to place twenty thousand + disciplined citizens of Paris at the devotion of the Duke of Guise; + and here the intended parallel came close: for Shaftesbury used to + boast, that he could raise the like number of brisk boys in the + city of London, by merely holding up his finger. + +2. During the cabals of the Council of Sixteen, the Duke of Aumale + approached Paris with five hundred veteran horse, levied in the + disaffected province of Picardy. Jean Conti, one of the sheriffs + (_Echevins_) of Paris, was tampered with to admit them by St + Martin's gate; but as he refused, the leaguers stigmatised him as a + heretic and favourer of Navarre. Another of these officers + consented to open to Aumale the gate of St Denis, of which the keys + were intrusted to him. + + The conspirators had determined, as is here expressed, to seize the + person of the king, when he should attend the procession of the + Flagellants, as he was wont to do in time of Lent. But he was + apprised of their purpose by Poltrot, one of their number, and used + the pretext of indisposition to excuse his absence from the + penitential procession. _Davila_, lib. viii. + +3. In the year 1565, an interview took place at Bayonne between + Catharine of Medicis, her son Charles IX., and the Queen of Spain, + attended by the famous Duke of Alva, and the Count of Benevento. + Many political discussions took place; and the opinion of Alva, as + expressed in the text, is almost literally versified from Davila's + account of the conference. "_Il Duca D'Alva, uomo di veemente + natura risolutamente diceva, che per distruggere la novita della + fede, e le sollevazioni di stato, bisognava levare le teste de' + papaveri, pescare i pesci grossi e non si curare di prendere le + ranocchie: erano questi i concetti proferiti da lui; perche cessati + i venti, l'onde della plebe facilmente si sarebbono da se stesse + composte e acquietate: aggiugneva, che un prencipe non puo far cosa + piu vituperosa ne piu dannosa a se stesso, quanto il permettere al + popolo il vivere secondo la loro coscienza, ponendo tanta varieta + di religioni in uno stato, quanto sono i capricci degli huomini e + le fantasie delle persone inquiete, aprendo la porta alla discordia + e alla confusione: e dimostrava con lunga commemorazione di + segnalati esempj, che la diversita della fede aveva sempre messo + l'arme in mano ai sudditi, e sempre sollevate atroci perfidie e + funeste rebellioni contra i superiori: onde conchiudeva nel fine, + che siccome le controversie della fede avevan sempre servito di + pretesto e di argumento alle sollevazioni de' mal contenti, cosi + era necessario rimovere a primo tratto questa coperta, e poi con + severi rimedj, e senza riguardo di ferro, ne di fuoco, purgare le + radici di quel male, il quale colla dolcezza e con la sofferenza + perniciosamente germogliando si dilatava sempre, e si + accresceva._"--Delle Guerre Civili di Francia, lib. iii. + +4. The popular arts of the Duke of Monmouth are here alluded to, which + his fine person and courteous manners rendered so eminently, and + for himself so unfortunately, successful. The lady, in whose mouth + these remonstrances are placed, may be supposed to be the duchess, + by whose prayers and tears he was more than once induced to suspend + his career. + +5. Francis II. of France, a prince of delicate health and mean + talents, died of an imposthume in the head. + +6. When Poltrot had discovered the intentions of the Council of + Sixteen against the king's person, it was warmly debated in the + council of Henry, whether the persons of the conspirators ought not + to be seized at their next meeting. But, upon considering the + numbers of the citizens, and their zeal for the League, together + with the small number of the king's guards and adherents, this + advice was rejected as too hazardous. It was upon this occasion + that Catherine quoted the Tuscan proverb in the text,--"_Bisogna + copriersi bene il viso inanzi che struzzicare il vespaio;_" + Davila, lib. IX. + +7. Margaret of Navarre, sister of Henry II., was suspected of an + intrigue with the Duke of Guise. + +8. Henry II., when Duke of Anjou, defeated the Huguenots, commanded by + the famous Admiral Coligni, with very great loss, taking all his + artillery and baggage, with two hundred standards and colours, + 1569. + +9. Alluding to a celebrated battle fought near Montargis, in 1587, + when Guise, with very disproportioned forces, surprised and cut to + pieces a large army of German auxiliaries, who had advanced into + France to join the king of Navarre, afterwards Henry IV. Upon that + occasion, the Duke of Guise kept his resolution to fight a profound + secret till the very day of the attack, when, after having dined, + and remained thoughtful and silent for a few minutes, he suddenly + ordered the trumpets to sound to horse, and, to the astonishment of + the Duke of Mayenne, and his other generals, who had never + suspected his intention, instantly moved forward against the + enemy.--_Davila_, lib. viii. + +10. The king of Navarre (Henry IV.), by his manifesto, published in + 1585, after discussing sundry points of state with the leaguers, + defied the Duke of Guise, their loader, to mortal combat, body to + body, or two to two, or ten to ten, or twenty to twenty. To this + romantic defiance the Duke returned no direct answer; but his + partizans alleged, that as the quarrel betwixt the king of Navarre + and their patron did not arise from private enmity, it could not + become the subject of single combat. _Davila_ lib. vii.] + +11. This alludes to the defacing the Duke of York's picture at + Guildhall; an outrage stigmatized in the epilogue to "Venice + Preserved," where Otway says, + + Nothing shall daunt his pen, when truth does call; + No, not the picture-mangler at Guildhall. + The rebel tribe, of which that vermin's one. + Have now set forward, and their course begun; + And while that prince's figure they deface, + As they before had massacred his name, + Durst their base fears but look him in the face, + They'd use his person as they've used his fame; + A face, in which such lineaments they read + Of that great Martyr's, whose rich blood they shed. + + The picture-mangler is explained by a marginal note to be, "the + rascal, that cut the Duke of York's picture." The same circumstance + is mentioned in "_Musa Praefica_, or the London Poem, or a humble + Oblation on the sacred Tomb of our late gracious Monarch King + Charles II., of ever blessed and eternal Memory; by a Loyal + Apprentice of the honourable City of London." The writer mentions + the Duke of York as + + --loaded with indignity, + Already martyred in effigy. + O blast the arm, that dared that impious blow! + Let heaven reward him with a vengeance meet, + Who God's anointed dared to overthrow! + His head had suffered, when they pierced his feet. + + Explained to allude to the Duke of York's "picture in Guildhall, + cut from the legs downward undiscovered." + + In another tory ballad, we have this stanza in the character of a + fanatic: + + We'll smite the idol in Guildhall, + And then, as we are wont, + We'll cry it was a Popish plot, + And swear these rogues have done't. + +12. This speech depends on the gesticulation of the sorcerer: Guise + first desires him report the danger to the people,--then bids him + halt, and express his judgment more fully. Malicorn makes signs of + assassination.--Guise goes on-- + + --Let him if he dare. + But more, more, more;-- + + i.e. I have a further reason than state policy for my + visit.--Malicorn makes repeated signs of ignorance and discontent; + and Guise urges him to speak out on a subject, which he himself was + unwilling to open. + +13. The business of this scene is taken from the following passage. + + _"Entro il Duca di Guisa in Parigi il Lunedi nono giorno di Maggio, + ch' era gia vicino il mezzogiorno, non con maggior comitiva che di + sette cavalli tra gentiluomini e servitori: ma come una piccolo + palla di neve, che discende dall' erto si va tanto ingrossando, che + nel fine diviene quasi una montagna eminente; cosi abandonando il + popolo le case e le botteghe, con plauso e con allegrezza, per + seguitarlo, non fu a mezzo la citta, che aveva dietro piu di + trentamila persone, ed era tanta la calca, che a pena egli medesimo + poteva seguitare la sua strada. Andavan le grida del popolo insino + al cielo, ne mai fu con tanto plauso gridato, "Vita il Re" con + quanto ora si gridava "Vita Guisa." Chi lo sulutava, chi lo + ringraziava, chi se gl' inchinava, chi gli baciava le falde de' + vestimenti, chi, non potendo accostarsi, con le mani e con i gesti + di tutto il corpo dava segui profusi d' allegrezza; e furono veduti + di quelli che, adorandolo come santo, lo toccavano con le corone, e + le medesime poi o baciavano, o con esse si toccavano gli occhi e la + fronte; e sino le donne dalle finestra, spargendo fiori e fronde, + onoravano e benedicevano la sua venuta. Egli all' incontro, con + viso popolare e con faccia ridente, altri accarezzava con le + parole, altri risalutava con i gesti, altri rallegrava con l' + occhio, e traversando le caterve del popolo con la testa scoperta, + non permetteva cosa alcuna, che fosse a proposito per finire a + conciliarsi la benevolenza e l' applauso popolare. In questa + maniera, senza fermarsi alla sua casa, ando a dirittura a smontare + a Sant' Eustachio al palazzo della Reina Madre, la quale mezza + attonita per il suo venire improvviso; perche Monsignor di + Bellieure arrivato tre ore innanzi aveva posto in dubbio la sua + venuta; lo riceve pallida nel volto, tutta tremante e contra l' + ordinario costume della natura sua quasi smarrita. Le dimostrazioni + del Duca di Guisa furono piene d' affettuosa umilta e di profonda + sommissione: le parole della Reina ambigue, dicendoli; che lo + vedeva volentieri, ma che molto piu volontieri l' arebbe veduto in + altro tempo; alla quale egli rispose con sembiante modestissimo ma + con parole altiere: Ch' egli era buon servitore del Re, e che + avendo intese le calunnie date all' innocenza sua, e le cose che si + trattavano contra la religione e contra gli uomini dabbene di quel + popolo, era venuto, o per divertire il male, e espurgarese stesso, + ovvero per lasciar la vita in servizio di Santa Chiesa e della + salute universale. La Reina, interrotto il ragionamento, mentre + egli salutava, come e solito, le altre Dame della corte, chiamo + Luigi Davila suo Gentiluomo d' onore, e gli commise, che facesse + intendere al Re, ch' era arrivato il Duca di Guisa, e ch' ella fra + poco l' arebbe condotto al Lovero personalmente. Si commosse di + maniera il Re, ch' era nel suo gabinetto con Monsignore di + Villaclera, con Bellieure e con l' abbate del Bene, che fu + costretto appogiarsi col braccio, coprendosi la faccia, al + tavolino, e interrogato il Davila d' ogni particolare, gli + commando, che dicesse segretamente alla Reina, che framettesse piu + tempo che fosse possibile alla venuta. L' Abbate del Bene e il + Colonello Alfonso Corso, il quale entro in questo punto nel + gabinetto, e era confidentissimo, servitore del Re, e pieno di + merito verso la corona, lo consigliavano, che ricevendo il Duca di + Guisa nel medesimo gabinetto, lo facese uccidere subito nell' + istesso luogo, dicendo l' abbate questo_ Percutiam pastorem, et + dispergentur oves_. Ma Villaclera, Bellieure, e il gran Cancelliere + che sopravvenne, furono di contrario parere allegando esesr tanta + la commozione del popolo, che in caso tale, sprezzando la Maesta + regia, e rompendo tutti i vincoli delle leggi, sarebbe corso a + precipitosa vendetta, e che non essendo le cose ancora + apparecchiate per la difesa propria, e per frenare il furore della + citta le forze de' Parigini erano troppo poderose parole per + stuzzicarle."_ Lib. ix. + +14. For this scene also, which gave great offence to the followers of + Monmouth, our author had the authority of Davila in the + continuation of the passage already quoted. + + _"Mentre il Re sta dubbioso nell' animo, sopraggiunse la Reina, che + conduceva il Duca di Guisa essendo venuta nella sua seggetta, e il + Duca accompagnatala sempre a piedi; ma con tanto seguito e + frequenza di gente, che tutta la Citta pareva ridotta nel giro del + cortile del Lovero e nelle strade vicine. Traversarono fra la + spalliera de' soldati, essendo presente Monsignor di Griglione + maestro di campo della guardia, il quale uomo libero e militare, e + poco amico del Duca di Guisa, mentre egli s' inchina ad ogni + privato soldato, fece pochissimo sembiante di riverirlo, il che da + lui fu con qualche pallidezza del volto ben osservato, la quale + continuo maggiormente, poiche vide gli Suizzeri far spalliera con + l'arme a piedi della scala, e nella sala gli arcieri, e nelle + camere i gentiluomini tutti radunati per aspettarlo. Entrarono + nella camera del Re, il quale mentre il Duca di Guisa con profonda + riverenza se gl' inchino, con viso scorrucciato gli disse; Io v' + avevo fatto intendere, che non veniste. A queste parole il Duca con + l' istessa sommissione, che aveva fatto alla Reina, ma con parole + piu ritenute, rispose. Ch' Egli era venuto a mettersi nelle braccia + della giustitia di Sua Maesta, per iscolparsi delle calunnie, che + gli erano apposte da' suoi nemici, e che nondimeno non sarebbe + venuto, quando gli fosse stato detto chiaramente, che Sua Maesta + comandata, che non venisse. Il Re rivolto a Bellieure, + alteratamente lo domando s' era vero, che gli avesse data + commissione di dire al Duca di Guisa, che non venisse, se non + voleva esser tenuto per autore delli scandali, e delle sollevazioni + de' Parigini. Monseignor di Bellieure si feceinnanzi, e volle + render conto dell' ambasciata sua; ma nel principio del parlare, il + Re l' interruppe, dicendogli, che bastava, e rivolto al Duca di + Guisa disse; che non sapeva, ch' egii fosse stato calunniato da + persona alcuna, ma che la sua innocenza sarebbe apparsa chiara, + quando dalla sua venuta non fosse nata alcuna novita, e interrotta + la quiete del governo, come si prevedeva. La Reina pratica della + natura del Re, conoscendolo dalla faccia inclinato a qualche + gagliarda risoluzione, lo tiro da parte, e gli disse in sostanza + quel che aveva veduto della concorrenza del popolo, e che non + pensasse a deliberazioni precipitose, perche non era tempo. Il + medesimo soggiunse la Duchessa d' Uzes, che gli era vicina, e il + Duca di Guisa osservando attentamente ogni minuzia, come vide + questa fluttazione, per non dar tempo al Re di deliberare, si + finse stracco dal viaggio, e licenziandosi brevemente da lui, + accompagnato dall' istessa frequenza di popolo, ma da niuno di + quelli della corte, si ritiro nella strada di Sant' Antonio alle + sue case."_ Lib. ix.] + +15. See the speech of Ashtaroth and his companions, on taking leave of + Rinaldo, whom they had transported to the field of Roncisvalles: + + _Noi ce n' andremo or, io e Farfarello, + Tra le campane, e soneremo a festa, + Quando vedrem, che tu farai macello. + In Roncisvalle una certa chiesetta + Era in quel tempo, ch' avea due campane, + Quivi stetton coloro alla veletta, + Per ciuffar di quell' anime pagane, + Come sparvier tra ramo e ramo aspetta; + E bisogno, che menassin le mane, + E che e' batessin tutto il giorno l' ali, + A presentarle a' guidici infernali._ + Il Morgante Maggiore, Canto XXVI. St. 82, 89. + +16. See the speech of Ashtaroth to Rinaldo, in the Morgante Maggiore. + + _Noi abbiam come voi principe e duce + Giu nell' Inferno, e 'l primo e Belzebue, + Chi una cosa, e chi altra conduce, + Ognuno attende alle faccende sue; + Ma tutto a Belzebu, poi si riduce + Perche Lucifer relegato fue + Ultimo a tutti, e nel centro piu imo, + Poi ch' egli intese esser nel Ciel su primo._ + Canto XV. St. 207. + +17. This striking account of the entry of the guards is literally from + DAVILA. + + "_La mattina del Giovedi duodecimo giorno di maggio, un' ora + innanzi giorno, si sentirono i pifferi e i tamburi degli Suizzeri, + che battendo l' ordinanza entrarono nella citta per la porta di + Sant' Onorato, precedendo il Maresciallo di Birone a cavallo, e + conseguentamente sotto i loro capitani entrarono con le corde + accese le compagnie de' Francesi."--"All' entrare della milizia, + nota a tutta la citta per lo strepito de' tamburi, il popolo pieno + di spavento, e gia certo, che la fama divolgata dell' intenzione + del re era piu che sicura, comincio a radunarsi, serrando le porte + delle case, e chiudendo l'entrate delle botteghe, che conforme all' + uso della citta di lavorare innanzi giorno, gia s' erano cominciare + ad aprire, e ognuno si messe a preparare l'armi, apettando l'ordine + di quello si dovesse operare._" Lib. IX. + +18. It was a frequent complaint of the tories at this period, that the + commons, in zeal for their own privileges and immunities, were apt + sometimes to infringe the personal liberties of the subject. This + is set forth with some humour in a political pamphlet of the day, + called, "A Dialogue betwixt Sam, the ferryman of Datchet, Will, a + waterman of London, and Tom, a bargeman of Oxford;" upon the king's + calling a parliament to meet at Oxford, London, 1681. "As to their + own members, they turned them out, and took others in at their will + and pleasure; and if they made any fault, they expelled them; and + wherever any stood in competition for any town, him they knew would + give his vote along with them was admitted, right or wrong. And then + they terrified all the sheriffs, mayors, and bailiffs in the + kingdom, besides abundance of gentlemen and other honest + countrymen. For, on the least complaint of any man's misdemeanour, + or information from any member, immediately a serjeant at arms was + sent for them, and so much a mile and hour paid, and down on their + marrowbones to their worships, and a sound scolding from Mr + Speaker, or else to the Tower or Gatehouse they went. The king, God + bless him, never took a quarter of that state on him they did ... + It was brought to that pass, that two footboys, boxing one day in + the Palace-yard, he that was beaten proved to belong to a member, + and told the other boy, if he knew his master, he would cause him + to be sent for in custody, for keeping such a rogue as he was, that + had committed a breach of privilege in beating a member's servant. + The boy replied, if it would do him any kindness, he would beat him + again, and tell him his master's name into the bargain; and would + lay him a crown, that, though his master should bid the Speaker, + and all the House of Commons, kiss, &c. they durst not send a + serjeant at arms for him. The beaten boy, much nettled at his + speech, laid down his money, as the other did: now, said the boy, + my master is the king of France, and I am come over with some of + his servants to fetch horses out of England; go, bid thy master and + the House of Commons send a serjeant at arms to fetch him + over.--_Sam._ Before my heart it was a good answer; I hope he won + his monies?--_Will._ So he did; but it was put into a waterman's + hands, and when it was demanded, says the beaten boy, Sirrah, give + it him, if you dare; if his master be the king of France, I'll make + you answer it before the House of Commons. The waterman durst do no + other, but gave either their own monies. There's no contending with + parliament men, or parliament men's men, nor boys." + + Some occasion was given for these reproaches by the summary and + arbitrary commitment of many individuals, who had addressed the + king in terms expressing their abhorrence of the vehement petitions + presented by the other party for the sitting of parliament, and + were thence distinguished by the name of Abhorrers. This course was + ended by the sturdy resistance of one Stowell, who had, as foreman + of the grand jury at Exeter, presented an _abhorring_ address to + the king. A serjeant at arms having been sent to apprehend him, he + refused to submit, and bid the officer take his course, adding, he + knew no law which made him accountable for what he did as a grand + juryman. The House were so much embarrassed by his obstinacy, that + they hushed up the matter by voting that he was indisposed, and + adjourning the debate _sine dic._ + +19. This famous interview betwixt Grillon and the king deserved to + have been brought on the stage, in a nobler strain, and free from + the buffoonery, by which the veteran's character is degraded. It is + thus told by Davila: _"Trattandosi delle persone, che avessero da + eseguire il fatto, il Re elesse di fidarsene nel Maestro di campo + della sua guardia Griglione, uomo feroce e ardito e per molte + cagioni nemico del Duca di Guisa. Fattolo percio venire, gli espose + con accomodate parole il suo pensiero, e gli significo aver + disegnato, che egli fosse quello, che eseguisse l' impresa, nella + quale consisteva tutta la sua salute. Griglione rispose con brevi e + significanti parole: Sire, Io sono ben servitore a Vostra Maesta di + somma fedelta e divozione, ma faccio professione di soldato, e di + cavuliero; s' ella vuoles ch' io vada a sfidare il Duca di Guisa, e + che mi ammazzi a corpo a corpo con lui, son pronto a farlo in + questo istesso punto; ma ch' io serva di manigoldo, mentre la + giustizia sua determina di farlo morire, questo non si conviene a + par mio, ne sono per farlo giammai. Il Re non si stupi molto della + liberta di Griglione, noto a lui e a tutta la corte per uomo + schietto, e che libramente diceva i suoi sensi senza timore alcuno, + e pero replico; che gli bastava, che tenesse segreta questo + pensiero, perche non l' aveva communicato ad alcun altro, e + divulgandosi egli sarebbe stato colpevole d' averlo palesato. A + questo rispose Griglione: Essere servitore di fede, d' onore, ne + dover mai ridire i segreti interessi del padrone, e partito lascio + il Re grandemente dubbioso di quello dovesse operare."_ Lib. ix. + +20. A similar assemblage of terrific circumstances announces the + arrival of a fiend upon a similar errand, in the old play, + entitled, the "Merry Devil of Edmonton." + + What means the trolling of this fatal chime? + O what a trembling horror strikes my heart! + My stiffened hair stands upright on my head, + As do the bristles of a porcupine. + * * * * * + Coreb, is't thou? + I know thee well; I hear the watchful dogs, + With hollow howling, tell of thy approach. + The lights burn dim, affrighted with thy presence, + And this distempered and tempestuous night + Tells me the air is troubled with some devil! + + Dryden certainly appears to have had the old play in his memory + though he has far excelled it. + +21. On the evening previous to the assassination, the Seigneur de + Larchant accosted the duke as he passed from his own lodging to the + king's, accompanied by a body of soldiers, who, he pretended, were + petitioners for the duke's interest, to obtain payment of their + arrears, and would attend at the door of the council next day, to + remind him of their case. This pretext was to account for the + unusual number of guards, which might otherwise have excited G + uise's suspicion. + +22. _Intanto il Duca entrato nel consiglio, e pustosi in una sedia + vicina al fuoco si senti un poco di svenimento, o che allora, gli + sovcenisse il pericolo, net quale si ritrovava, separato e diviso + da tutti i suoi, o che natura, come bene spesso avviene, presaga + del mal futuro da se medesima allora si risentizze, o come dissero + i suoi malevoli, per essere stato la medesima notte con Madama di + Marmoutiere amata grandemente da lui, e essersi soverchiamente + debilitato._ Davila, Lib. ix.] + +23. The murder of Guise was perpetrated in the Anti-chamber, before + the door of the king's cabinet. Lognac, a gentleman of the king's + chamber, and a creature of the late duke de Joyeuse, commanded the + assassins, who were eight in number. The duke never was able to + unsheath his sword, being slain with many wounds as he grappled + with Lognac. The king himself was in the cabinet, and listened to + the murderous scuffle, till the noise of Guise's fall announced its + termination. The cardinal of Guise, and the archbishop of Lyons + were also within hearing, and were arrested, while they were + endeavouring to call their attendants to Guise's assistance. The + cardinal was next day murdered by Da Gast, to whose custody he had + been commuted.] + +24. Literally from Davila: _"Ora comparse il Re, le dimanda egli + primo, come ella stava; al quale avendo risposto che si sentisse + meglio, egli ripiglio: Ancor io mi trovo ora molto meglio, perche + questa mattina son fatto Re di Francia avendo fatto morire il Re di + Parigi. Alle quali parole, replico la Reina: Voi avete fatto morire + il Duca di Guisa, ma Dio voglia che non siate ora fatto Re da + niente; avete tagliato bene, non so, se cucirete cosi bene. Avete + voi preveduti i mali, che sono per succedere? Provvedetevi + diligentemente. Due cose sono necessarie, prestezza e + risoluzione."_ Lib. ix.] + + + + + EPILOGUE. + + WRITTEN BY MR DRYDEN[1]. + + SPOKEN BY MRS COOK. + + + Much time and trouble this poor play has cost; + And, 'faith, I doubted once the cause was lost. + Yet no one man was meant, nor great, nor small; + Our poets, like frank gamesters, threw at all. + They took no single aim:-- + But, like bold boys, true to their prince, and hearty, + Huzza'd, and fired broadsides at the whole party. + Duels are crimes; but, when the cause is right, + In battle every man is bound to fight. + For what should hinder me to sell my skin, } + Dear as I could, if once my hand were in? } + _Se defendendo_ never was a sin. } + 'Tis a fine world, my masters! right or wrong, + The Whigs must talk, and Tories hold their tongue. + They must do all they can, + But we, forsooth, must bear a christian mind; + And fight, like boys, with one hand tied behind; + Nay, and when one boy's down, 'twere wond'rous wise, + To cry,--box fair, and give him time to rise. + When fortune favours, none but fools will dally; } + Would any of you sparks, if Nan, or Mally, } + Tip you the inviting wink, stand, shall I, shall I? } + A Trimmer cried, (that heard me tell this story) + Fie, mistress Cook, 'faith you're too rank a Tory! + Wish not Whigs hanged, but pity their hard cases; + You women love to see men make wry faces.-- + Pray, sir, said I, don't think me such a Jew; + I say no more, but give the devil his due.-- + Lenitives, says he, suit best with our condition.-- + Jack Ketch, says I, is an excellent physician.-- + I love no blood.--Nor I, sir, as I breathe; + But hanging is a fine dry kind of death.-- + We Trimmers are for holding all things even.-- + Yes; just like him that hung 'twixt hell and heaven.-- + Have we not had men's lives enough already?-- + Yes, sure: but you're for holding all things steady. + Now since the weight hangs all on one side, brother, + You Trimmers should, to poize it, hang on t'other. + Damned neuters, in their middle way of steering, + Are neither fish, nor flesh, nor good red-herring: + Not Whigs, nor Tories they; nor this, nor that; + Not birds, nor beasts; but just a kind of bat: + A twilight animal, true to neither cause, + With Tory wings, but Whigish teeth and claws[2]. + + +Footnotes: +1. There is in Mr Bindley's collection another Epilogue, which appears + to have been originally subjoined to the "Duke of Guise." It is + extremely coarse; and as the author himself suppressed it, the + editor will not do his better judgment the injustice to revive it. + +2. The Trimmers, a body small and unpopular, as must always be the + case with those, who in violent times declare for moderate and + temporising measures, were headed by the ingenious and politic + Halifax. He had much of the confidence, at least of the countenance + of Charles, who was divided betwixt tenderness for Monmouth, and + love of ease, on the one hand, and, on the other, desire of + arbitrary power, and something like fear of the duke of York. + Halifax repeatedly prevented each of these parties from subjugating + the other, and his ambidexter services seem to have been rewarded + by the sincere hatred of both. In 1688 was published a vindication + of this party, entitled, "the Character of a Trimmer;" and his + opinion of,--I. The laws of government. II. Protestant Religion. + III. Foreign affairs. By the Hon. Sir William Coventry. + + + + + THE + + VINDICATION: + + OR, THE + + PARALLEL + + OF THE + + FRENCH HOLY LEAGUE, + + AND THE + + ENGLISH LEAGUE AND COVENANT, + + TURNED INTO A SEDITIOUS LIBEL AGAINST THE KING + + AND HIS ROYAL HIGHNESS, + + + BY + + THOMAS HUNT, + + AND THE AUTHORS OF THE REFLECTIONS UPON THE + + PRETENDED PARALLEL IN THE PLAY CALLED + + THE DUKE OF GUISE. + + + _Turno tempus erit magno cum optaverit emptum + Intactum Pallanta: et cum spolia ista, diemque + Oderit.--_ + + + + + VINDICATION OF THE DUKE OF GUISE. + + +It was easy to foresee, that a play, which professed to be a +_broadside_ discharged at the whole popular party, would not long +remain uncensured. The satire being derived from a historical parallel +of some delicacy, offered certain facilities of attack to the critics. +It was only stretching the resemblance beyond the bounds to which +Dryden had limited it, and the comparison became odious, if not +dangerous. The whig writers did not neglect this obvious mode of +attack, now rendered more popular by the encroachment lately attempted +by the court upon the freedom of the city, whose magistrates had been +exposed to ridicule in the play. + +Our readers cannot but remember, that, in order to break the spirit of +the city of London, a writ of _quo warranto_ was issued against the +incorporation, by which was instituted a vexatious and captious +inquiry into the validity of the charter of London. The purpose of +this process was to compel the city to resign their freedom and +immunities into the king's hands, and to receive a new grant of them, +so limited, as might be consistent with the views of the crown, or +otherwise to declare them forfeited. One Thomas Hunt, a lawyer of some +eminence, who had been solicitor for the Viscount Stafford when that +unfortunate nobleman was tried for high treason, and had written upon +the side of the tories, but had now altered his principles, stepped +forward upon this occasion as the champion of the immunities of the +city of London[1]. The ludicrous light in which the sheriffs are +placed, during the scene with Grillon in the third act, gave great +offence to this active partizan; and he gives vent to his displeasure +in the following attack upon the author, and the performance. + + "They have already condemned the charter and city, and have executed + the magistrates in effigy upon the stage, in a play called "The Duke + of Guise," frequently acted and applauded; intended most certainly, + to provoke the rabble into tumults and disorder. The Roman priest + had no success, (God be thanked,) when he animated the people not to + suffer the same sheriffs to be carried through the city to the + Tower, prisoners. Now the poet hath undertaken, for their being + kicked three or four times a-week about the stage to the gallows, + infamously rogued and rascalled, to try what he can do towards + making the charter forfeitable, by some extravagancy and disorder of + the people, which the authority of the best governed cities have not + been able to prevent, sometimes under far less provocations. + + "But this ought not to move the citizens, when he hath so + maliciously and mischievously represented the king, and the king's + son, nay, and his favourite the duke too, to whom he gives the worst + strokes of his unlucky fancy. + + "He puts the king under the person of Henry III. of France, who + appeared in the head of the _Parisian_ massacre; the king's son + under the person of the Duke of Guise, who concerted it with the + Queen-mother of France, and was slain in that very place, by the + righteous judgment of God, where he and his mother had first + contrived it. + + "The Duke of Guise ought to have represented a great prince, that + had inserved to some most detestable villany, to please the rage, or + lust, of a tyrant. + + "Such great courtiers have been often sacrificed, to appease the + furies of the tyrant's guilty conscience, to expiate for his sin, + and to atone the people. + + "Besides, that a tyrant naturally stands in fear of ministers of + mighty wickedness; he is always obnoxious to them, he is a slave to + them, as long as they live they remember him of his guilt, and awe + him. These wicked slaves become most imperious masters: they drag + him to greater evils for their own impunity, than they first + perpetrated for his pleasure, and their own ambition. + + "But such are best given up to public justice, but by no means to be + assassinated. Until this age, never before was an assassination + invited, commended, and encouraged upon a public theatre. + + "It is no wonder that _Trimmers_ (so they call men of some + moderation of that party) displease them; for they seem to have + designs for which it behoves them to know their men; they must be + perfectly wicked, or perfectly deceived; of the Catiline make; bold, + and without understanding; that can adhere to men that publicly + profess murders, and applaud the design. + + "Caius Caesar (to give unto Caesar the things that are Caesar's) was in + the Catiline conspiracy; and then the word was, _he that is not for + us is against us;_ for the instruments of wickedness must be men + that are resolute and forward, and without consideration; or they + will deceive the design, and relent when they enterprize. + + "But when he was made dictator, and had some pretences, and a + probability by means less wicked and mischievous to arrive at the + government, his words were, _he that is not against us is with us._ + But to Pompey only it belonged, and to his cause, or the like cause, + to the defenders of ancient established governments, of the English + monarchy and liberties, to say, they that are not with us are + against us. _In internecino bello,_ in attacks upon government, + _medii pro hostibus habentur,_ neutral men are traitors, and assist, + by their indifferency, to the destruction of the government. As many + as applaud this play, ought to be put under sureties of the peace; + and yet not one warrant, that we hear of yet, granted by the Lord + Chief Justice. + + "But it is not a Duke of Guise to be assassinated, a turbulent, + wicked, and haughty courtier; but an innocent and gentle prince, as + well as brave, and renowned for noble achievements: a prince, that + hath no fault, but that he is the king's son; and the best too of + all his sons; such a son, as would have made the best of emperors + happy. + + "Except it be, that the people honour him and love him, and every + where publicly and loudly show it: But this they do, for that the + best people of England have no other way left to show their loyalty + to the king, and love to their religion and government, in long + intervals of Parliament, than by prosecuting his son, for the sake + of the king and his own merit, with all the demonstrations of the + highest esteem. + + "But he hath not used his patron Duke much better; for he hath put + him under a most dismal and unfortunate character of a successor, + excluded from the crown by act of state for his religion, who fought + his way to the crown, changed his religion, and died by the hand of + a Roman assassinate. + + "It is enough to make his great duke's courage quail, to find + himself under such an unlucky and disastrous representation, and + thus personated; besides, he hath offered a justification of an act + of exclusion against a popish successor, in a Protestant kingdom, by + remembering what was done against the king of Navarre. + + "The Popish religion, in France, did, _de facto,_ by act of state, + exclude a Protestant prince, who is under no obligation, from his + religion, to destroy his Popish subjects. + + "Though a Popish prince is, to destroy his Protestant subjects. + + "A Popish prince, to a Protestant kingdom, without more, must be the + most insufferable tyrant, and exceed the character that any story + can furnish for that sort of monster: And yet all the while to + himself a religious and an applauded prince; discharged from the + tortures that ordinarily tear and rend the hearts of the most cruel + princes, and make them as uneasy to themselves as they are to their + subjects, and sometimes prevail so far as to lay some restraints + upon their wicked minds. + + "But this his patron will impute to his want of judgment; for this + poet's heroes are commonly such monsters as Theseus and Hercules + are, renowned throughout all ages for destroying. + + "But to excuse him, this man hath forsaken his post, and entered + upon another province. To "The Observator"[2] it belongs to confound + truth and falsehood; and, by his false colours and impostures, to + put out the eyes of the people, and leave them without + understanding. + + "But our poet hath not so much art left him as to frame any thing + agreeable, or _verisimilar_, to amuse the people, or wherewith to + deceive them. + + "His province is to corrupt the manners of the nation, and lay waste + their morals; his understanding is clapt, and his brains are + vitiated, and he is to rot the age. + + "His endeavours are more happily applied, to extinguish the little + remains of the virtue of the age by bold impieties, and befooling + religion by impious and inept rhymes, to confound virtue and vice, + good and evil, and leave us without consciences. + + "And thus we are prepared for destruction. + + "But to give the world a taste of his atheism and impiety, I shall + recite two of his verses, as recited upon the stage, viz. + + For conscience, and heaven's fear, religious rules, + They are all state-bells to toll in pious fools; + + which I have done the rather, that some honest judge, or justice, + may direct a process against this bold impious man; or some honest + surrogate, or official, may find leisure to proceed, _ex officio,_ + against him, notwithstanding at present they are so encumbered with + the dissenters. + + "Such public blasphemies against religion, never were unpunished in + any country, or age, but this. + + "But I have made too long a digression, but that it carries with it + some instructions towards the preserving of the honour of your + august city, viz. + + "That you do not hereafter authorise the stage to expose and revile + your great officers, and offices, by the indignities yourselves do + them; whilst the Papists clap their hands, and triumph at your + public disgraces, and in the hopes they conceive thereby of the ruin + of your government, as if that were as sure and certain to them, as + it is to us, without doubt, that they once fired it. + + "And further, for that it was fit to set forth to the world, of what + spirit our enemies are, how they intend to attack us; as also, how + bold they are with his majesty, what false and dishonourable + representations they make of him, and present to the world upon a + public theatre; which, I must confess, hath moved me with some + passion." + +This angry barrister was not the only adversary whom Dryden had to +encounter on this occasion. Thomas Shadwell, a man of some talents for +comedy, and who professed to tread in the footsteps of Ben Jonson, had +for some time been at variance with Dryden and Otway. He was probably +the author of a poem, entitled, "A Lenten Prologue, refused by the +Players;" which is marked by Mr Luttrel, 11th April, 1683, and +contains the following direct attack on "The Duke of Guise," and the +author: + + Our prologue wit grows flat; the nap's worn off, + And howsoe'er we turn and trim the stuff, + The gloss is gone that looked at first so gaudy; + 'Tis now no jest to hear young girls talk bawdry. + But plots and parties give new matters birth, + And state distractions serve you here for mirth. + At England's cost poets now purchase fame; + While factious heats destroy us, without shame, + These wanton Neroes fiddle to the flame; + The stage, like old rump-pulpits, is become + The scene of news, a furious party's drum: + Here poets beat their brains for volunteers, + And take fast hold of asses by their ears; + Their jingling rhimes for reason here you swallow, + Like Orpheus' music, it makes beasts to follow. + What an enlightening grace is want of bread! + How it can change a libeller's heart, and clear a laureat's head; + Open his eyes, till the mad prophet see + _Plots working in a future power to be!_ (Medal, p. 14.) + Traitors unformed to his second sight are clear. + And squadrons here and squadrons there appear; + Rebellion is the burden of the seer. + To Bayes, in vision, were of late revealed, + _Whig armies, that at Knightsbridge lay concealed;_ + And though no mortal eye could see't before, + _The battle just was entering at the door._ + A dangerous association, signed by none, + The joiner's plot to seize the king alone. + Stephen with College[3] made this dire compact; + The watchful Irish took them in the fact. + Of riding armed; O traitorous overt act! + With each of them an ancient Pistol sided, + Against the statute in that case provided. + But, why was such a host of swearers pressed? + Their succour was ill husbandry at best. + Bayes's crowned muse, by sovereign right of satire, + Without desert, can dub a man a traitor; + And tories, without troubling law or reason, + By loyal instinct can find plots and treason. + +A more formal attack was made in a pamphlet, entitled, "Some +Reflections on the pretended parallel in the Play called the Duke of +Guise." This Dryden, in the following Vindication, supposes to have +been sketched by Shadwell, and finished by a gentleman of the +Temple[4]. In these Reflections, the obvious ground of attack, +occupied by Hunt, is again resumed. The general indecency of a +theatrical exhibition, which alluded to state-transactions of a grave +and most important nature; the indecorum of comparing the king to such +a monarch as Henry III., infamous for treachery, cruelty, and vices of +the most profligate nature; above all, the parallel betwixt the Dukes +of Monmouth and Guise, by which the former is exhibited as a traitor +to his father, and recommended as no improper object for +assassination--are topics insisted on at some length, and with great +vehemence. + +Our author was not insensible to these attacks, by which his loyalty +to the king, and the decency of his conduct towards Monmouth, the +king's offending, but still beloved, son, and once Dryden's own +patron, stood painfully compromised. Accordingly, shortly after these +pamphlets had appeared, the following advertisement was annexed to +"The Duke of Guise:" + + "There was a preface intended to this play in vindication of it, + against two scurrilous libels lately printed; but it was judged, + that a defence of this nature would require more room than a preface + reasonably could allow. For this cause, and for the importunities of + the stationers, who hastened their impression, it is deferred for + some little time, and will be printed by itself. Most men are + already of opinion, that neither of the pamphlets deserve an answer, + because they are stuffed with open falsities, and sometimes + contradict each other; but, for once, they shall have a day or two + thrown away upon them, though I break an old custom for their sakes, + which was,--to scorn them." + +The resolution, thus announced, did not give universal satisfaction to +our author's friends; one of whom published the following +remonstrance, which contains some good sense, in very indifferent +poetry: + + _An Epode to his worthy Friend_ JOHN DRYDEN, _to advise him not to + answer two malicious Pamphlets against his Tragedy called_ "The + Duke of Guise." (_Marked by Luttrel, 10 March, 1683/4._) + + Can angry frowns rest on thy noble brow + For trivial things; + Or, can a stream of muddy water flow + From the Muses' springs; + Or great Apollo bend his vengeful bow + 'Gainst popular stings? + Desist thy passion then; do not engage + Thyself against the wittols of the age. + + Should we by stiff Tom Thimble's faction fall, + Lord, with what noise + The Coffee throats would bellow, and the Ball + O' the Change rejoice, + And with the company of Pinner's Hall + Lift up their voice! + Once the head's gone, the good cause is secure; + The members cannot long resist our power. + + Crop not their humours; let the wits proceed + Till they have thrown + Their venom up; and made themselves indeed + Rare fops o'ergrown: + Let them on nasty garbage prey and feed, + Till all is done; + And, by thy great resentment, think it fit + To crush their hopes, as humble as their wit. + + Consider the occasion, and you'll find + Yourself severe, + And unto rashness much more here inclined, + By far, than they're: + Consider them as in their proper kind, + 'Tween rage and fear, + And then the reason will appear most plain,-- + A worm that's trod on will turn back again. + + What if they censure without brain or sense, + 'Tis now the fashion; + Each giddy fop endeavours to commence + A reformation. + Pardon them for their native ignorance, + And brainsick passion; + For, after all, true men of sense will say,-- + Their works can never parallel thy play. + + 'Twere fond to pamper spleen, 'cause owls detest + The light of day; + Or real nonsense, which endures no test, + Condemns thy play. + Lodge not such petty trifles in thy breast, + But bar their sway; + And let them know, that thy heroic bays + Can scorn their censure, as it doth their praise. + + Think not thy answer will their nice reclaim, + Whose heads are proof + Against all reason, and in spite of shame + Will stand aloof; + 'Twould cherish further libels on thy fame, + Should these thee move. + Stand firm, my Dryden, maugre all their plots, + Thy bays shall flourish when their ivy rots. + + But if you are resolved to break your use, + And basely sin, + In answer; I'll be sworn some haggard muse + Has you in her gin; + Or in a fit you venture to abuse + Your Polyhymn', + You may serve him so far: But if you do, + All your true friends, sir, will reflect on you. + +The remonstrance of this friendly poet was unavailing; Dryden having +soon after published the following Vindication. + + +Footnotes: +1. "A Defence of the Charter and Municipal Rights of the City of + London, and the Rights of other Municipal Cities and Towns of + England. Directed to the Citizens of London, by Thomas Hunt. + + _Si populus vult decipi, decipiatur._ + + London, printed, and to be sold, by Richard Baldwin." 4to, pages + 46. + + Wood informs us, that Thomas Hunt, the author, was educated at + Queen's College, Cambridge, and was esteemed a person of quick + parts, and of a ready fluency in discourse, but withal too pert and + forward. He was called to the bar, and esteemed a good lawyer. In + 1659 he became clerk of the assizes at Oxford circuit, but was + ejected from the office at the Restoration, to his great loss, to + make room for the true owner. He wrote, "An Argument for the + Bishops' right of judging in capital Cases in Parliament, &c.;" for + which he expected (says Anthony) no less than to be made lord chief + baron of the exchequer in Ireland. But falling short of that + honourable office, which he too ambitiously catched at, and + considering the loss of another place, which he unjustly possessed, + he soon after appeared one of the worst and most inveterate enemies + to church and state that was in his time, and the most malicious, + and withal the most ignorant, scribbler of the whole herd; and was + thereupon stiled, by a noted author, (Dryden, in the following + Vindication,) _Magni nominis umbra_. Hunt also published, "Great + and weighty Considerations on the Duke of York, &c." in favour of + the exclusion. He had also the boldness to republish his high + church tract in favour of the bishops' jurisdiction, with a whig + postscript tending to destroy his own arguments.--_Ath. Ox._ II, p. + 728. + +2. A tory paper, then conducted with great zeal, and some + controversial talent, by Sir Roger L'Estrange. + +3. Alluding to the fate of Stephen College, the Protestant joiner; a + meddling, pragmatical fellow, who put himself so far forward in the + disputes at Oxford, as to draw down the vengeance of the court. He + was very harshly treated during his trial; and though in the toils, + and deprived of all assistance, defended himself with right English + manliness. He was charged with the ballad on page 6. and with + coming to Oxford armed to attack the guards. He said he did not + deny he had pistols in his holsters at Oxford; to which Jefferies + answered, indecently, but not unaptly, he "thought a chissel might + have been more proper for a joiner." Poor College was executed; a + vengeance unworthy of the king, who might have apostrophised him as + Hamlet does Polonius: + + Thou wretched, rash, intruding fool, farewell; + I took thee for thy betters--take thy fortune. + Thou findst, to be too busy is some danger. + +4. Anthony Wood is followed by Mr Malone in supposing, that Hunt + himself is the Templar alluded to. But Dryden seems obviously to + talk of the author of the Defence, and the two Reflectors, as three + separate persons. He calls them, "the sputtering triumvirate, Mr + Hunt, and the two Reflectors;" and again, "What says my lord chief + baron (i.e. Hunt) to the business? What says the livery-man + Templar? What says Og, the king of Basan (i.e. Shadwell) to it?" + The Templar may be discovered, when we learn, who hired a + livery-gown to give a vote among the electors. + + + + + THE + + VINDICATION + + OF + + THE DUKE OF GUISE. + + +In the year of his majesty's happy Restoration, the first play I +undertook was the "Duke of Guise;" as the fairest way, which the Act +of Indemnity had then left us, of setting forth the rise of the late +rebellion; and by exploding the villainies of it upon the stage, to +precaution posterity against the like errors. + +As this was my first essay, so it met with the fortune of an +unfinished piece; that is to say, it was damned in private, by the +advice of some friends to whom I shewed it; who freely told me, that +it was an excellent subject; but not so artificially wrought, as they +could have wished; and now let my enemies make their best of this +confession. + +The scene of the Duke of Guise's return to Paris, against the king's +positive command, was then written. I have the copy of it still by me, +almost the same which it now remains, being taken verbatim out of +Davila; for where the action is remarkable, and the very words +related, the poet is not at liberty to change them much; and if he +will be adding any thing for ornament, it ought to be wholly of a +piece. This do I take for a sufficient justification of that scene, +unless they will make the pretended parallel to be a prophecy, as well +as a parallel of accidents, that were twenty years after to come.[1] +Neither do I find, that they can suggest the least colour for it in +any other part of the tragedy. + +But now comes the main objection,--why was it stopt then? To which I +shall render this just account, with all due respects to those who +were the occasion of it. + +Upon a wandering rumour (which I will divide betwixt malice and +mistake) that some great persons were represented, or personated in +it, the matter was complained of to my Lord Chamberlain; who, +thereupon, appointed the play to be brought to him, and prohibited the +acting of it until further order; commanding me, after this, to wait +upon his lordship; which I did, and humbly desired him to compare the +play with the history, from whence the subject was taken, referring to +the first scene of the fourth act, whereupon the exception was +grounded, and leaving Davila (the original) with his lordship. This +was before midsummer; and about two months after, I received the play +back again from his lordship, but without any positive order whether +it should be acted or not; neither was Mr Lee, or myself, any way +solicitous about it. But this indeed I ever said, that it was intended +for the king's service; and his majesty was the best judge, whether it +answered that end or no; and that I reckoned it my duty to submit, if +his majesty, for any reason whatsoever, should deem it unfit for the +stage. In the interim, a strict scrutiny was made, and no parallel of +the great person designed, could be made out. But this push failing, +there were immediately started some terrible insinuations, that the +person of his majesty was represented under that of Henry the Third; +which if they could have found out, would have concluded, perchance, +not only in the stopping of the play, but in the hanging up of the +poets. But so it was, that his majesty's wisdom and justice acquitted +both the one, and the other; and when the play itself was almost +forgotten, there were orders given for the acting of it. + +This is matter of fact; and I have the honour of so great witnesses to +the truth of what I have delivered, that it will need no other appeal. +As to the exposing of any person living, our innocency is so clear, +that it is almost unnecessary to say, it was not in my thought; and, +as far as any one man can vouch for another, I do believe it was as +little in Mr Lee's. And now since some people have been so busy as to +cast out false and scandalous surmises, how far we two agreed upon the +writing of it, I must do a common right both to Mr Lee and myself, to +declare publicly, that it was at his earnest desire, without any +solicitation of mine, that this play was produced betwixt us. After +the writing of OEdipus, I passed a promise to join with him in +another; and he happened to claim the performance of that promise, +just upon the finishing of a poem,[2] when I would have been glad of a +little respite before the undertaking of a second task. The person, +that passed betwixt us, knows this to be true; and Mr Lee himself, I +am sure, will not disown it; So that I did not "seduce him to join +with me," as the malicious authors of the Reflections are pleased to +call it; but Mr Lee's loyalty is above so ridiculous a slander. I know +very well, that the town did ignorantly call and take this to be my +play; but I shall not arrogate to myself the merits of my friend. +Two-thirds of it belonged to him; and to me only the first scene of +the play; the whole fourth act, and the first half, or somewhat more, +of the fifth. + +The pamphleteers, I know, do very boldly insinuate, that, "before the +acting of it, I took the whole play to myself; but finding afterwards +how ill success it had upon the stage, I threw as much of it as +possibly I could upon my fellow." Now here are three damned lies +crowded together into a very little room; first, that I assumed any +part of it to myself, which I had not written; wherein I appeal, not +only to my particular acquaintance, but to the whole company of +actors, who will witness for me, that, in all the rehearsals, I never +pretended to any one scene of Mr Lee's, but did him all imaginable +right, in his title to the greater part of it. I hope I may, without +vanity, affirm to the world, that I never stood in need of borrowing +another man's reputation; and I have been as little guilty of the +injustice, of laying claim to any thing which was not my own. Nay, I +durst almost refer myself to some of the angry poets on the other +side, whether I have not rather countenanced and assisted their +beginnings, than hindered them from rising.[3] The two other falsities +are, the "ill success of the play," and "my disowning it." The former +is manifestly without foundation; for it succeeded beyond my very +hopes, having been frequently acted, and never without a considerable +audience; and then it is a thousand to one, that, having no ground to +disown it, I did not disown it; but the universe to a nutshell that I +did not disown it for want of success, when it succeeded so much +beyond my expectation. But my malignant adversaries are the more +excusable for this coarse method of breaking in upon truth and good +manners, because it is the only way they have to gratify the genius +and the interest of the faction together; and never so much pains +taken neither, to so very, very little purpose. They decry the play, +but in such a manner, that it has the effect of a recommendation. They +call it "a dull entertainment;" and that is a dangerous word, I must +confess, from one of the greatest masters in human nature, of that +faculty. Now I can forgive them this reproach too, after all the rest; +for this play does openly discover the original and root of the +practices and principles, both of their party and cause; and they are +so well acquainted with all the trains and mazes of rebellion, that +there is nothing new to them in the whole history. Or what if it were +a little insipid, there was no conjuring that I remember in "Pope +Joan;" and the "Lancashire Witches" were without doubt the most +insipid jades that ever flew upon a stage; and even these, by the +favour of a party, made a shift to hold up their heads.[4] Now, if we +have out-done these plays in their own dull way, their authors have +some sort of privilege to throw the first stone; but we shall rather +chuse to yield the point of dulness, than contend for it, against so +indisputable a claim. + +But "matters of state (it seems) are canvassed on the stage, and +things of the gravest concernment there managed;" and who were the +aggressors, I beseech you, but a few factious, popular hirelings, that +by tampering the theatres, and by poisoning the people, made a +play-house more seditious than a conventicle; so that the loyal party +crave only the same freedom of defending the government, which the +other took beforehand of exposing and defaming it. There was no +complaint of any disorders of the stage, in the bustle that was made +(even to the forming of a party) to uphold a farce of theirs.[5] Upon +the first day, the whole faction (in a manner) appeared; but after one +sight of it, they sent their proxies of serving-men and porters, to +clap in the right of their patrons; and it was impossible ever to have +gotten off the nonsense of three hours for half-a-crown, but for the +providence of so congruous an audience. Thus far, I presume, the +reckoning is even, for bad plays on both sides, and for plays written +for a party. I shall say nothing of their poets' affection to the +government; unless upon an absolute and an odious necessity. But to +return to the pretended Parallel. + +I have said enough already to convince any man of common sense, that +there neither was, nor could be, any Parallel intended; and it will +farther appear, from the nature of the subject; there being no +relation betwixt Henry the Third and the Duke of Guise, except that of +the king's marrying into the family of Lorraine. If a comparison had +been designed, how easy had it been either to have found a story, or +to have invented one, where the ties of nature had been nearer? If we +consider their actions, or their persons, a much less proportion will +be yet found betwixt them; and if we bate the popularity, perhaps none +at all. If we consider them in reference to their parties, the one was +manifestly the leader; the other, at the worst, is but misled. The +designs of the one tended openly to usurpation; those of the other may +yet be interpreted more fairly; and I hope, from the natural candour +and probity of his temper, that it will come to a perfect submission +and reconcilement at last. But that which perfectly destroys this +pretended Parallel is, that our picture of the Duke of Guise is +exactly according to the original in the history; his actions, his +manners, nay, sometimes his very words, are so justly copied, that +whoever has read him in Davila, sees him the same here. There is no +going out of the way, no dash of a pen to make any by-feature resemble +him to any other man; and indeed, excepting his ambition, there was +not in France, or perhaps in any other country, any man of his age +vain enough to hope he could be mistaken for him.[6] So that if you +would have made a Parallel, we could not. And yet I fancy, that where +I make it my business to draw likeness, it will be no hard matter to +judge who sate for the picture. For the Duke of Guise's return to +Paris contrary to the king's order, enough already has been said; it +was too considerable in the story to be omitted, because it occasioned +the mischiefs that ensued. But in this likeness, which was only +casual, no danger followed. I am confident there was none intended; +and am satisfied that none was feared. But the argument drawn from our +evident design is yet, if possible, more convincing. The first words +of the prologue spake the play to be a Parallel, and then you are +immediately informed how far that Parallel extended, and of what it is +so: "The Holy League begot the Covenant, Guisards got the Whig, &c." +So then it is not, (as the snarling authors of the Reflections tell +you) a Parallel of the men, but of the times; a Parallel of the +factions, and of the leaguers. And every one knows that this prologue +was written before the stopping of the play. Neither was the name +altered on any such account as they insinuate, but laid aside long +before, because a book called the Parallel had been printed, +resembling the French League to the English Covenant; and therefore we +thought it not convenient to make use of another man's title.[7] The +chief person in the tragedy, or he whose disasters are the subject of +it, may in reason give the name; and so it was called the "Duke of +Guise." Our intention therefore was to make the play a Parallel +betwixt the Holy League, plotted by the house of Guise and its +adherents, with the Covenant plotted by the rebels in the time of king +Charles I. and those of the new Association, which was the spawn of +the old Covenant. + +But this parallel is plain, that the exclusion of the lawful heir was +the main design of both parties; and that the endeavours to get the +lieutenancy of France established on the head of the League, is in +effect the same with offering to get the militia out of the king's +hand (as declared by parliament,) and consequently, that the power of +peace and war should be wholly in the people. It is also true that the +tumults in the city, in the choice of their officers, have had no +small resemblance with a Parisian rabble: and I am afraid that both +their faction and ours had the same good lord. I believe also, that if +Julian had been written and calculated for the Parisians, as it was +for our sectaries, one of their sheriffs might have mistaken too, and +called him Julian the Apostle.[8] I suppose I need not push this point +any further; where the parallel was intended, I am certain it will +reach; but a larger account of the proceedings in the city may be +expected from a better hand, and I have no reason to forestall it.[9] +In the mean time, because there has been no actual rebellion, the +faction triumph in their loyalty; which if it were out of principle, +all our divisions would soon be ended, and we the happy people, which +God and the constitution of our government have put us in condition to +be; but so long as they take it for a maxim, that the king is but an +officer in trust, that the people, or their representatives, are +superior to him, judges of miscarriages, and have power of revocation, +it is a plain case, that whenever they please they may take up arms; +and, according to their doctrine, lawfully too. Let them jointly +renounce this one opinion, as in conscience and law they are bound to +do, because both scripture and acts of parliament oblige them to it, +and we will then thank their obedience for our quiet, whereas now we +are only beholden to them for their fear. The miseries of the last war +are yet too fresh in all men's memory; and they are not rebels, only +because they have been so too lately. An author of theirs has told us +roundly the west-country proverb; _Chud eat more cheese, and chad it;_ +their stomach is as good as ever it was; but the mischief on't is, +they are either muzzled, or want their teeth. If there were as many +fanatics now in England, as there were christians in the empire, when +Julian reigned, I doubt we should not find them much inclined to +passive obedience; and, "Curse ye Meroz"[10] would be oftener preached +upon, than "Give to Caesar," except in the sense Mr Hunt means it. + +Having clearly shewn wherein the parallel consisted, which no man can +mistake, who does not wilfully, I need not justify myself, in what +concerns the sacred person of his majesty. Neither the French history, +nor our own, could have supplied me, nor Plutarch himself, were he now +alive, could have found a Greek or Roman to have compared to him, in +that eminent virtue of his clemency; even his enemies must acknowledge +it to be superlative, because they live by it. Far be it from +flattery, if I say, that there is nothing under heaven, which can +furnish me with a parallel; and that, in his mercy, he is of all men +the truest image of his Maker. + +Henry III. was a prince of a mixed character; he had, as an old +historian says of another, _magnas virtutes, nec minora vitia;_ but +amongst those virtues, I do not find his forgiving qualities to be +much celebrated. That he was deeply engaged in the bloody massacre of +St Bartholomew, is notoriously known; and if the relation printed in +the memoirs of Villeroy be true, he confesses there that the Admiral +having brought him and the queen-mother into suspicion with his +brother then reigning, for endeavouring to lessen his authority, and +draw it to themselves, he first designed his accuser's death by +Maurevel, who shot him with a carbine, but failed to kill him; after +which, he pushed on the king to that dreadful revenge, which +immediately succeeded. It is true, the provocations were high; there +had been reiterated rebellions, but a peace was now concluded; it was +solemnly sworn to by both parties, and as great an assurance of safety +given to the protestants, as the word of a king and public instruments +could make it. Therefore the punishment was execrable, and it pleased +God, (if we may dare to judge of his secret providence,) to cut off +that king in the very flower of his youth, to blast his successor in +his undertakings, to raise against him the Duke of Guise, the +complotter and executioner of that inhuman action, (who, by the divine +justice, fell afterwards into the same snare which he had laid for +others,) and, finally, to die a violent death himself, murdered by a +priest, an enthusiast of his own religion.[11] From these premises, +let it be concluded, if reasonably it can, that we could draw a +parallel, where the lines were so diametrically opposite. We were +indeed obliged, by the laws of poetry, to cast into shadows the vices +of this prince; for an excellent critic has lately told us, that when +a king is named, a hero is supposed;[12] it is a reverence due to +majesty, to make the virtues as conspicuous, and the vices as obscure, +as we can possibly; and this, we own, we have either performed, or at +least endeavoured. But if we were more favourable to that character +than the exactness of history would allow, we have been far from +diminishing a greater, by drawing it into comparison. You may see, +through the whole conduct of the play, a king naturally severe, and a +resolution carried on to revenge himself to the uttermost on the +rebellious conspirators. That this was sometimes shaken by reasons of +policy and pity, is confessed; but it always returned with greater +force, and ended at last in the ruin of his enemies. In the mean time +we cannot but observe the wonderful loyalty on the other side; that +the play was to be stopped, because the king was represented. May we +have many such proofs of their duty and respect! but there was no +occasion for them here. It is to be supposed, that his majesty himself +was made acquainted with this objection; if he were so, he was the +supreme and only judge of it; and then the event justifies us. If it +were inspected only by those whom he commanded, it is hard if his own +officers and servants should not see as much ill in it as other men, +and be as willing to prevent it; especially when there was no +solicitation used to have it acted. It is known that noble person,[13] +to whom it was referred, is a severe critic on good sense, decency, +and morality; and I can assure the world, that the rules of Horace are +more familiar to him, than they are to me. He remembers too well that +the _vetus comaedia_ was banished from the Athenian theatre for its too +much licence in representing persons, and would never have pardoned it +in this or any play. + +What opinion Henry III. had of his successor, is evident from the +words he spoke upon his deathbed: "he exhorted the nobility," says +Davila, "to acknowledge the king of Navarre, to whom the kingdom of +right belonged; and that they should not stick at the difference of +religion; for both the king of Navarre, a man of a sincere noble +nature, would in the end return into the bosom of the church, and the +pope, being better informed, would receive him into his favour, to +prevent the ruin of the whole kingdom." I hope I shall not need in +this quotation to defend myself, as if it were my opinion, that the +pope has any right to dispose of kingdoms; my meaning is evident, that +the king's judgment of his brother-in-law, was the same which I have +copied; and I must farther add from Davila, that the arguments I have +used in defence of that succession were chiefly drawn from the king's +answer to the deputies, as they may be seen more at large in pages +730, and 731, of the first edition of that history in English. There +the three estates, to the wonder of all men, jointly concurred in +cutting off the succession; the clergy, who were managed by the +archbishop of Lyons and cardinal of Guise, were the first who promoted +it; and the commons and nobility afterwards consented, as referring +themselves, says our author, to the clergy; so that there was only the +king to stand in the gap; and he by artifice diverted that storm which +was breaking upon posterity. + +The crown was then reduced to the lowest ebb of its authority; and the +king, in a manner, stood single, and yet preserved his negative +entire; but if the clergy and nobility had been on his part of the +balance, it might reasonably be supposed, that the meeting of those +estates at Blois had healed the breaches of the nation, and not forced +him to the _ratio ultima regum_, which is never to be praised, nor is +it here, but only excused as the last result of his necessity. As for +the parallel betwixt the king of Navarre, and any other prince now +living, what likeness the God of Nature, and the descent of virtues in +the same channel have produced, is evident; I have only to say, that +the nation certainly is happy, where the royal virtues of the +progenitors are derived on their descendants.[14] + +In that scene, it is true, there is but one of the three estates +mentioned; but the other two are virtually included; for the +archbishop and cardinal are at the head of the deputies: And that the +rest are mute persons every critic understands the reason, _ne quarta +loqui persona laboret_. I am never willing to cumber the stage with +many speakers, when I can reasonably avoid it, as here I might. And +what if I had a mind to pass over the clergy and nobility of France in +silence, and to excuse them from joining in so illegal, and so ungodly +a decree? Am I tied in poetry to the strict rules of history? I have +followed it in this play more closely than suited with the laws of the +drama, and a great victory they will have, who shall discover to the +world this wonderful secret, that I have not observed the unities of +place and time; but are they better kept in the farce of the +"Libertine destroyed?"[15] It was our common business here to draw the +parallel of the times, and not to make an exact tragedy. For this once +we were resolved to err with honest Shakespeare; neither can +"Catiline" or "Sejanus," (written by the great master of our art,) +stand excused, any more than we, from this exception; but if we must +be criticised, some plays of our adversaries may be exposed, and let +them reckon their gains when the dispute is ended. I am accused of +ignorance, for speaking of the third estate, as not sitting in the +same house with the other two. Let not those gentlemen mistake +themselves; there are many things in plays to be accommodated to the +country in which we live; I spoke to the understanding of an English +audience. Our three estates now sit, and have long done so, in two +houses; but our records bear witness, that they, according to the +French custom, have sate in one; that is, the lords spiritual and +temporal within the bar, and the commons without it. If that custom +had been still continued here, it should have been so represented; but +being otherwise, I was forced to write so as to be understood by our +own countrymen. If these be errors, a bigger poet than either of us +two has fallen into greater, and the proofs are ready, whenever the +suit shall be recommenced. + +Mr Hunt, the Jehu of the party, begins very furiously with me, and +says, "I have already condemned the charter and city, and have +executed the magistrates in effigy upon the stage, in a play called +the Duke of Guise, frequently acted and applauded, &c.[16]" + +Compare the latter end of this sentence with what the two authors of +the Reflections, or perhaps the Associating Club of the +Devil-tavern[17] write in the beginning of their libel:--"Never was +mountain delivered of such a mouse; the fiercest Tories have been +ashamed to defend this piece; they who have any sparks of wit among +them are so true to their pleasure, that they will not suffer dulness +to pass upon them for wit, nor tediousness for diversion; which is the +reason that this piece has not met with the expected applause: I never +saw a play more deficient in wit, good characters, or entertainment, +than this is." + +For shame, gentlemen, pack your evidence a little better against +another time. You see, my lord chief baron[18] has delivered his +opinion, that the play was frequently acted and applauded; but you of +the jury have found _Ignoramus_, on the wit and the success of it. +Oates, Dugdale and Turberville, never disagreed more than you do; let +us know at last, which of the witnesses are true Protestants, and +which are Irish[19]. But it seems your authors had contrary designs: +Mr Hunt thought fit to say, "it was frequently acted and applauded, +because," says he, "it was intended to provoke the rabble into tumults +and disorder." Now, if it were not seen frequently, this argument +would lose somewhat of its force. The Reflector's business went +another way; it was to be allowed no reputation, no success; but to be +damned root and branch, to prevent the prejudice it might do their +party: accordingly, as much as in them lay, they have drawn a bill of +exclusion for it on the stage. But what rabble was it to provoke? Are +the audience of a play-house, which are generally persons of honour, +noblemen, and ladies, or, at worst, as one of your authors calls his +gallants, men of wit and pleasure about the town[20],--are these the +rabble of Mr Hunt? I have seen a rabble at Sir Edmundbury Godfrey's +night, and have heard of such a name as true Protestant +meeting-houses; but a rabble is not to be provoked, where it never +comes. Indeed, we had one in this tragedy, but it was upon the stage; +and that's the reason why your Reflectors would break the glass, which +has shewed them their own faces. The business of the theatre is to +expose vice and folly; to dissuade men by examples from one, and to +shame them out of the other. And however you may pervert our good +intentions, it was here particularly to reduce men to loyalty, by +shewing the pernicious consequences of rebellion, and popular +insurrections. I believe no man, who loves the government, would be +glad to see the rabble in such a posture, as they were represented in +our play; but if the tragedy had ended on your side, the play had been +a loyal witty poem; the success of it should have been recorded by +immortal Og or Doeg[21], and the rabble scene should have been true +Protestant, though a whig-devil were at the head of it. + +In the mean time, pray, where lies the relation betwixt the "Tragedy +of the Duke of Guise," and the charter of London? Mr Hunt has found a +rare connection, for he tacks them together, by the kicking of the +sheriff's. That chain of thought was a little ominous, for something +like a kicking has succeeded the printing of his book; and the charter +of London was the quarrel. For my part, I have not law enough to state +that question, much less decide it; let the charter shift for itself +in Westminster-hall the government is somewhat wiser than to employ my +ignorance on such a subject. My promise to honest Nat. Lee, was the +only bribe I had, to engage me in this trouble; for which he has the +good fortune to escape Scot-free, and I am left in pawn for the +reckoning, who had the least share in the entertainment. But the +rising, it seems, should have been on the true protestant side; "for +he has tried," says ingenious Mr Hunt, "what he could do, towards +making the charter forfeitable, by some extravagancy and disorder of +the people." A wise man I had been, doubtless, for my pains, to raise +the rabble to a tumult, where I had been certainly one of the first +men whom they had limbed, or dragged to the next convenient sign-post. + +But on second thought, he says, this ought not to move the citizens. +He is much in the right; for the rabble scene was written on purpose +to keep his party of them in the bounds of duty. It is the business of +factious men to stir up the populace: Sir Edmond on horseback, +attended by a swinging pope in effigy, and forty thousand true +protestants for his guard to execution, are a show more proper for +that design, than a thousand stage-plays[22]. + +Well, he has fortified his opinion with a reason, however, why the +people should not be moved; "because I have so maliciously and +mischievously represented the king, and the king's son; nay, and his +favourite," saith he, "the duke too; to whom I give the worst strokes +of my unlucky fancy." + +This need not be answered; for it is already manifest that neither the +king, nor the king's son, are represented; neither that son he means, +nor any of the rest, God bless them all. What strokes of my unlucky +fancy I have given to his royal highness, will be seen; and it will be +seen also, who strikes him worst and most unluckily. + +"The Duke of Guise," he tells us, "ought to have represented a great +prince, that had inserved to some most detestable villainy, to please +the rage or lust of a tyrant; such great courtiers have been often +sacrificed, to appease the furies of the tyrant's guilty conscience; +to expiate for his sin, and to attone the people. For a tyrant +naturally stands in fear of such wicked ministers, is obnoxious to +them, awed by them, and they drag him to greater evils, for their own +impunity, than they perpetrated for his pleasure, and their own +ambition[23]." + +Sure, he said not all this for nothing. I would know of him, on what +persons he would fix the sting of this sharp satire? What two they +are, whom, to use his own words, he "so maliciously and mischievously +would represent?" For my part, I dare not understand the villainy of +his meaning; but somebody was to have been shown a tyrant, and some +other "a great prince, inserving to some detestable villainy, and to +that tyrant's rage and lust;" this great prince or courtier ought to +be sacrificed, to atone the people, and the tyrant is persuaded, for +his own interest, to give him up to public justice. I say no more, but +that he has studied the law to good purpose. He is dancing on the rope +without a metaphor; his knowledge of the law is the staff that poizes +him, and saves his neck. The party, indeed, speaks out sometimes, for +wickedness is not always so wise as to be secret, especially when it +is driven to despair. By some of their discourses, we may guess at +whom he points; but he has fenced himself in with so many evasions, +that he is safe in his sacrilege; and he, who dares to answer him, may +become obnoxious. It is true, he breaks a little out of the clouds, +within two paragraphs; for there he tells you, that "Caius Caesar (to +give into Caesar the things that were Caesar's,) was in the catiline +conspiracy;" a fine insinuation this, to be sneered at by his party, +and yet not to be taken hold of by public justice. They would be glad +now, that I, or any man, should bolt out their covert treason for +them; for their loop-hole is ready, that the Caesar, here spoken of, +was a private man. But the application of the text declares the +author's to be another Caesar; which is so black and so infamous an +aspersion, that nothing less than the highest clemency can leave it +unpunished. I could reflect on his ignorance in this place, for +attributing these words to Caesar, "He that is not with us, is against +us:" He seems to have mistaken them out of the New-Testament, and that +is the best defence I can make for him; for if he did it knowingly, it +was impiously done, to put our Saviour's words into Caesar's mouth. But +his law and our gospel are two things; this gentleman's knowledge is +not of the bible, any more than his practice is according to it. He +tells you, he will give the world a taste of my atheism and impiety; +for which he quotes these following verses, in the second or third act +of the "Duke of Guise." + + For conscience or heaven's fear, religious rules, + Are all state bells, to toll in pious fools. + +In the first place, he is mistaken in his man, for the verses are not +mine, but Mr Lee's: I asked him concerning them, and have this +account,--that they were spoken by the devil; now, what can either +whig or devil say, more proper to their character, than that religion +is only a name, a stalking-horse, as errant a property as godliness +and property themselves are amongst their party? Yet for these two +lines, which, in the mouth that speaks them, are of no offence, he +halloos on the whole pack against me: judge, justice, surrogate, and +official are to be employed, at his suit, to direct process; and +boring through the tongue for blasphemy, is the least punishment his +charity will allow me. + +I find it is happy for me, that he was not made a judge, and yet I had +as lieve have him my judge as my council, if my life were at stake. My +poor Lord Stafford was well helped up with this gentleman for his +solicitor: no doubt, he gave that unfortunate nobleman most admirable +advice towards the saving of his life; and would have rejoiced +exeedingly, to have seen him cleared[24]. I think, I have disproved +his instance of my atheism; it remains for him to justify his +religion, in putting the words of Christ into a Heathen's mouth; and +much more in his prophane allusion to the scripture, in the other +text,--"Give unto Caesar the things that are Caesar's;" which, if it be +not a profanation of the bible, for the sake of a silly witticism, let +all men, but his own party, judge. I am not malicious enough to return +him the names which he has called me; but of all sins, I thank God, I +have always abhorred atheism; and I had need be a better Christian +than Mr Hunt has shown himself, if I forgive him so infamous a +slander. + +But as he has mistaken our Saviour for Julius Caesar, so he would +Pompey too, if he were let alone; to him, and to his cause, or to the +like cause it belonged, he says, to use these words:--"he that is not +for us is against us." I find he cares not whose the expression is, so +it be not Christ's. But how comes Pompey the Great to be a whig? He +was, indeed, a defender of the ancient established Roman government; +but Caesar was the whig who took up arms unlawfully to subvert it. Our +liberties and our religion both are safe; they are secured to us by +the laws; and those laws are executed under an established government, +by a lawful king. The Defender of our Faith is the defender of our +common freedom; to cabal, to write, to rail against this +administration are all endeavours to destroy the government; and to +oppose the succession, in any private man, is a treasonable practice +against the foundation of it. Pompey very honourably maintained the +liberty of his country, which was governed by a common-wealth: so that +there lies no parallel betwixt his cause and Mr Hunt's, except in the +bare notion of a common-wealth, as it is opposed to monarchy; and +that's the thing he would obliquely slur upon us. Yet on these +premises, he is for ordering my lord chief justice to grant out +warrants against all those who have applauded the "Duke of Guise;" as +if they committed a riot when they clapped. I suppose they paid for +their places, as well as he and his party did, who hissed. If he were +not half distracted, for not being lord chief baron, methinks he +should be lawyer enough to advise my lord chief justice better. To +clap and hiss are the privileges of a free-born subject in a +playhouse: they buy them with their money, and their hands and mouths +are their own property. It belongs to the Master of the Revels to see +that no treason or immorality be in the play; but when it is acted, +let every man like or dislike freely: not but that respect should be +used too, in the presence of the king; for by his permission the +actors are allowed: it is due to his person, as he is sacred; and to +the successors, as being next related to him: there are opportunities +enow for men to hiss, who are so disposed, in their absence; for when +the king is in sight, though but by accident, a malefactor is +reprieved from death. Yet such is the duty, and good manners of these +good subjects, that they forbore not some rudeness in his majesty's +presence; but when his Royal Highness and his court were only there, +they pushed it as far as their malice had power; and if their party +had been more numerous, the affront had been greater. + +The next paragraph of our author's is a panegyric on the Duke of +Monmouth, which concerns not me, who am very far from detracting from +him. The obligations I have had to him, were those of his countenance, +his favour, his good word, and his esteem; all which I have likewise +had, in a greater measure, from his excellent duchess, the patroness +of my poor unworthy poetry. If I had not greater, the fault was never +in their want of goodness to me, but in my own backwardness to ask, +which has always, and, I believe, will ever, keep me from rising in +the world. Let this be enough, with reasonable men, to clear me from +the imputation of an ungrateful man, with which my enemies have most +unjustly taxed me. If I am a mercenary scribbler, the lords +commissioners of the treasury best know: I am sure, they have found me +no importunate solicitor; for I know myself, I deserved little, and, +therefore, have never desired much. I return that slander, with just +disdain, on my accusers: it is for men who have ill consciences to +suspect others; I am resolved to stand or fall with the cause of my +God, my king, and country; never to trouble myself for any railing +aspersions, which I have not deserved; and to leave it as a portion to +my children,--that they had a father, who durst do his duty, and was +neither covetous nor mercenary. + +As little am I concerned at that imputation of my back-friends, that I +have confessed myself to be put on to write as I do. If they mean this +play in particular, that is notoriously proved against them to be +false; for the rest of my writings, my hatred of their practices and +principles was cause enough to expose them as I have done, and will do +more. I do not think as they do; for, if I did, I must think treason; +but I must in conscience write as I do, because I know, which is more +than thinking, that I write for a lawful established government, +against anarchy, innovation, and sedition: but "these lies (as prince +Harry said to Falstaff) are as gross as he that made them[25]." More I +need not say, for I am accused without witness. I fear not any of +their evidences, not even him of Salamanca; who though he has disowned +his doctorship in Spain, yet there are some allow him to have taken a +certain degree in Italy; a climate, they say, more proper for his +masculine constitution[26]. To conclude this ridiculous accusation +against me, I know but four men, in their whole party, to whom I have +spoken for above this year last past; and with them neither, but +casually and cursorily. We have been acquaintance of a long standing, +many years before this accursed plot divided men into several parties; +I dare call them to witness, whether the most I have at any time said +will amount to more than this, that "I hoped the time would come, when +these names of whig and tory would cease among us; and that we might +live together, as we had done formerly." I have, since this pamphlet, +met accidentally with two of them; and I am sure, they are so far from +being my accusers, that they have severally owned to me, that all men, +who espouse a party, must expect to be blackened by the contrary side; +that themselves knew nothing of it, nor of the authors of the +"Reflections." It remains, therefore, to be considered, whether, if I +were as much a knave as they would make me, I am fool enough to be +guilty of this charge; and whether they, who raised it, would have +made it public, if they had thought I was theirs inwardly. For it is +plain, they are glad of worse scribblers than I am, and maintain them +too, as I could prove, if I envied them their miserable subsistence. I +say no more, but let my actions speak for me: _Spectemur +agendo,_--that is the trial. + +Much less am I concerned at the noble name of Bayes; that is a brat so +like his own father, that he cannot be mistaken for any other +body[27]. They might as reasonably have called Tom Sternhold, Virgil, +and the resemblance would have held as well. + +As for knave, and sycophant, and rascal, and impudent, and devil, and +old serpent, and a thousand such good morrows, I take them to be only +names of parties; and could return murderer, and cheat, and +whig-napper, and sodomite; and, in short, the goodly number of the +seven deadly sins, with all their kindred and relations, which are +names of parties too; but saints will be saints, in spite of villainy. +I believe they would pass themselves upon us for such a compound as +mithridate, or Venice-treacle; as if whiggism were an admirable +cordial in the mass, though the several ingredients are rank poisons. + +But if I think either Mr Hunt a villain, or know any of my Reflectors +to be ungrateful rogues, I do not owe them so much kindness as to call +them so; for I am satisfied that to prove them either, would but +recommend them to their own party. Yet if some will needs make a merit +of their infamy, and provoke a legend of their sordid lives, I think +they must be gratified at last; and though I will not take the +scavenger's employment from him, yet I may be persuaded to point at +some men's doors, who have heaps of filth before them. But this must +be when they have a little angered me; for hitherto I am provoked no +further than to smile at them. And indeed, to look upon the whole +faction in a lump, never was a more pleasant sight than to behold +these builders of a new Babel, how ridiculously they are mixed, and +what a rare confusion there is amongst them. One part of them is +carrying stone and mortar for the building of a meeting-house; another +sort understand not that language; they are for snatching away their +work-fellows' materials to set up a bawdy-house: some of them +blaspheme, and others pray; and both, I believe, with equal godliness +at bottom: some of them are atheists, some sectaries, yet all true +protestants. Most of them love all whores, but her of Babylon. In few +words, any man may be what he will, so he be one of them. It is enough +to despise the King, to hate the Duke, and rail at the succession: +after this it is no matter how a man lives; he is a saint by +infection; he goes along with the party, has their mark upon him; his +wickedness is no more than frailty; their righteousness is imputed to +him: so that, as ignorant rogues go out doctors when a prince comes to +an university, they hope, at the last day, to take their degree in a +crowd of true protestants, and thrust unheeded into heaven[28]. + +It is a credit to be railed at by such men as these. The charter-man, +in the very title-page, where he hangs out the cloth of the city +before his book, gives it for his motto, _Si populus vult decipi, +decipiatur_[29]; as if he should have said, "you have a mind to be +cozened, and the devil give you good on't." If I cry a sirreverence, +and you take it for honey, make the best of your bargain. For shame, +good Christians, can you suffer such a man to starve, when you see his +design is upon your purses? He is contented to expose the ears +representative of your party on the pillory, and is in a way of doing +you more service than a worn-out witness, who can hang nobody +hereafter but himself. He tells you, "The papists clap their hands, in +the hopes they conceive of the ruin of your government:" Does not this +single syllable _your_ deserve a pension, if he can prove the +government to be yours, and that the king has nothing to do in your +republic? He continues, as if that were as sure and certain to them, +as it is to us, without doubt, that they (the papists) once fired the +city, just as certain in your own consciences. I wish the papists had +no more to answer for than that accusation. Pray let it be put to the +vote, and resolved upon the question, by your whole party, that the +North-east wind is not only ill-affected to man and beast, but is also +a tory or tantivy papist in masquerade[30]. I am satisfied, not to +have "so much art left me, as to frame any thing agreeable, or +verisimilar;" but it is plain that he has, and therefore, as I ought +in justice, I resign my laurel, and my bays too, to Mr Hunt; it is he +sets up for the poet now, and has the only art to amuse and to deceive +the people. You may see how profound his knowledge is in poetry; for +he tells you just before, "that my heroes are commonly such monsters +as Theseus and Hercules; renowned throughout all ages for +destroying[31]." Now Theseus and Hercules, you know, have been the +heroes of all poets, and have been renowned through all ages, for +destroying monsters, for succouring the distressed, and for putting to +death inhuman arbitrary tyrants. Is this your oracle? If he were to +write the acts and monuments of whig heroes, I find they should be +quite contrary to mine: Destroyers indeed,--but of a lawful +government; murderers,--but of their fellow-subjects; lovers, as +Hercules was of Hylas; with a journey at last to hell, like that of +Theseus. + +But mark the wise consequences of our author. "I have not," he says, +"so much art left me to make any thing agreeable, or verisimilar, +wherewith to amuse or deceive the people." And yet, in the very next +paragraph, "my province is to corrupt the manners of the nation, and +lay waste their morals, and my endeavours are more happily applied, to +extinguish the little remainders of the virtue of the age." Now, I am +to perform all this, it seems, without making any thing verisimilar or +agreeable! Why, Pharaoh never set the Israelites such a task, to build +pyramids without brick or straw. If the fool knows it not, +verisimilitude and agreeableness are the very tools to do it; but I am +willing to disclaim them both, rather than to use them to so ill +purpose as he has done. + +Yet even this their celebrated writer knows no more of stile and +English than the Northern dictator; as if dulness and clumsiness were +fatal to the name of _Tom_. It is true, he is a fool in three +languages more than the poet; for, they say, "he understands Latin, +Greek, and Hebrew," from all which, to my certain knowledge, I acquit +the other. Og may write against the king, if he pleases, so long as he +drinks for him, and his writings will never do the government so much +harm, as his drinking does it good; for true subjects will not be much +perverted by his libels; but the wine-duties rise considerably by his +claret. He has often called me an atheist in print; I would believe +more charitably of him, and that he only goes the broad way, because +the other is too narrow for him. He may see, by this, I do not delight +to meddle with his course of life, and his immoralities, though I have +a long bead-roll of them. I have hitherto contented myself with the +ridiculous part of him, which is enough, in all conscience, to employ +one man; even without the story of his late fall at the Old Devil, +where he broke no ribs, because the hardness of the stairs could reach +no bones; and, for my part, I do not wonder how he came to fall, for I +have always known him heavy: the miracle is, how he got up again. I +have heard of a sea captain as fat as he, who, to escape arrests, +would lay himself flat upon the ground, and let the bailiffs carry him +to prison, if they could. If a messenger or two, nay, we may put in +three or four, should come, he has friendly advertisement how to +escape them. But to leave him, who is not worth any further +consideration, now I have done laughing at him,--would every man knew +his own talent, and that they, who are only born for drinking, would +let both poetry and prose alone[32]! + +I am weary with tracing the absurdities and mistakes of our great +lawyer, some of which indeed are wilful; as where he calls the +_Trimmers_ the more moderate sort of tories. It seems those +politicians are odious to both sides; for neither own them to be +theirs. We know them, and so does he too in his conscience, to be +secret whigs, if they are any thing; but now the designs of whiggism +are openly discovered, they tack about to save a stake; that is, they +will not be villains to their own ruin. While the government was to be +destroyed, and there was probability of compassing it, no men were so +violent as they; but since their fortunes are in hazard by the law, +and their places at court by the king's displeasure, they pull in +their horns, and talk more peaceably; in order, I suppose, to their +vehemence on the right side, if they were to be believed. For in +laying of colours, they observe a medium; black and white are too far +distant to be placed directly by one another, without some shadowings +to soften their contrarieties. It is Mariana, I think, (but am not +certain) that makes the following relation; and let the noble family +of Trimmers read their own fortune in it. "Don Pedro, king of Castile, +surnamed the Cruel, who had been restored by the valour of our Edward +the Black Prince, was finally dispossessed by Don Henry, the bastard, +and he enjoyed the kingdom quietly, till his death; which when he felt +approaching, he called his son to him, and gave him this his last +counsel. I have (said he,) gained this kingdom, which I leave you, by +the sword; for the right of inheritance was in Don Pedro; but the +favour of the people, who hated my brother for his tyranny, was to me +instead of title. You are now to be the peaceable possessor of what I +have unjustly gotten; and your subjects are composed of these three +sorts of men. One party espoused my brother's quarrel, which was the +undoubted lawful cause; those, though they were my enemies, were men +of principle and honour: Cherish them, and exalt them into places of +trust about you, for in them you may confide safely, who prized their +fidelity above their fortune. Another sort, are they who fought my +cause against Don Pedro; to those you are indeed obliged, because of +the accidental good they did me; for they intended only their private +benefit, and helped to raise me, that I might afterwards promote them: +you may continue them in their offices, if you please; but trust them +no farther than you are forced; for what they did was against their +conscience. But there is a third sort, which, during the whole wars, +were neuters; let them be crushed on all occasions, for their business +was only their own security. They had neither courage enough to engage +on my side, nor conscience enough to help their lawful sovereign: +_Therefore let them be made examples, as the worst sort of interested +men, which certainly are enemies to both, and would be profitable to +neither._" + +I have only a dark remembrance of this story, and have not the Spanish +author by me, but, I think, I am not much mistaken in the main of it; +and whether true or false, the counsel given, I am sure, is such, as +ought, in common prudence, to be practised against Trimmers, whether +the lawful or unlawful cause prevail. Loyal men may justly be +displeased with this party, not for their moderation, as Mr Hunt +insinuates, but because, under that mask of seeming mildness, there +lies hidden either a deep treachery, or, at best, an interested +luke-warmness. But he runs riot into almost treasonable expressions, +as if "Trimmers were hated because they are not perfectly wicked, or +perfectly deceived; of the Catiline make, bold, and without +understanding; that can adhere to men that publicly profess murders, +and applaud the design:" by all which villainous names he +opprobriously calls his majesty's most loyal subjects; as if men must +be perfectly wicked, who endeavour to support a lawful government; or +perfectly deceived, who on no occasion dare take up arms against their +sovereign: as if acknowledging the right of succession, and resolving +to maintain it in the line, were to be in a Catiline conspiracy; and +at last, (which is ridiculous enough, after so much serious treason) +as if "to clap the Duke of Guise" were to adhere to men that publicly +profess murders, and applaud the design of the assassinating poets. + +But together with his villainies, pray let his incoherences be +observed. He commends the Trimmers, (at least tacitly excuses them) +for men of some moderation; and this in opposition to the instruments +of wickedness of the Catiline make, that are resolute and forward, and +without consideration. But he forgets all this in the next twenty +lines; for there he gives them their own, and tells them roundly, _in +internecino bello, medii pro hostibus habentur._ Neutral men are +traitors, and assist by their indifferency to the destruction of the +government. The plain English of his meaning is this; while matters +are only in dispute, and in machination, he is contented they should +be moderate; but when once the faction can bring about a civil war, +then they are traitors, if they declare not openly for them. + +"But it is not," says he, "the Duke of Guise who is to be +assassinated, a turbulent, wicked, and haughty courtier, but an +innocent and gentle prince." By his favour, our Duke of Guise was +neither innocent nor gentle, nor a prince of the blood royal, though +he pretended to descend from Charlemagne, and a genealogy was printed +to that purpose, for which the author was punished, as he deserved; +witness Davila, and the journals of Henry III. where the story is at +large related. Well, who is it then? why, "it is a prince who has no +fault, but that he is the king's son:" then he has no fault by +consequence; for I am certain, that is no fault of his. The rest of +the compliment is so silly, and so fulsome, as if he meant it all in +ridicule; and to conclude the jest, he says, that "the best people of +England have no other way left, to shew their loyalty to the king, +their religion and government, in long intervals of parliament, than +by prosecuting his son, for the sake of the king, and his own merit, +with all the demonstrations of the highest esteem." + +Yes, I can tell them one other way to express their loyalty, which is, +to obey the king, and to respect his brother, as the next lawful +successor; their religion commands them both, and the government is +secured in so doing. But why in intervals of parliament? How are they +more obliged to honour the king's son out of parliament, than in it? +And why this prosecution of love for the king's sake? Has he ordered +more love to be shewn to one son, than to another? Indeed, his own +quality is cause sufficient for all men to respect him, and I am of +their number, who truly honour him, and who wish him better than this +miserable sycophant; for I wish him, from his father's royal kindness, +what justice can make him, which is a greater honour than the rabble +can confer upon him. + +But our author finds, that commendation is no more his talent, than +flattery was that of AEsop's ass; and therefore falls immediately, from +pawing with his fore-feet, and grinning upon one prince, to downright +braying against another. + +He says, I have not used "my patron duke much better; for I have put +him under a most dismal and unfortunate character of a successor, +excluded from the crown by act of state, for his religion; who fought +his way to the crown, changed his religion, and died by the hand of a +Roman assassinate." + +If it please his Royal Highness to be my patron, I have reason to be +proud of it; because he never yet forsook any man, whom he has had the +goodness to own for his. But how have I put him under an unfortunate +character? the authors of the Reflections, and our John-a-Nokes, have +not laid their noddles together about this accusation. For it is their +business to prove the king of Navarre to have been a most successful, +magnanimous, gentle, and grateful prince; in which character they have +followed the stream of all historians. How then happens this jarring +amongst friends, that the same man is put under such dismal +circumstances on one side, and so fortunate on the other, by the +writers of the same party? The answer is very plain; that they take +the cause by several handles. They, who will not have the Duke +resemble the king of Navarre, have magnified the character of that +prince, to debase his Royal Highness; and therein done what they can +to shew the disparity. Mr Hunt, who will have it to be the Duke's +character, has blackened that king as much as he is able, to shew the +likeness. Now this would be ridiculous pleading at a bar, by lawyers +retained for the same cause; and both sides would call each other +fools, because the jury betwixt them would be confounded, and perhaps +the judges too. + +But this it is to have a bad cause, which puts men of necessity upon +knavery; and that knavery is commonly found out. Well, Mr Hunt has in +another place confessed himself to be in passion, and that is the +reason he is so grosly mistaken in opening of the cause. For, first, +the king of Navarre was neither under dismal, nor unfortunate +circumstances: before the end of that very sentence, our lawyer has +confessed, that he fought his way to the crown; that is, he gloriously +vanquished all his rebels, and happily possessed his inheritance many +years after he had regained it. In the next place, he was never +excluded from the crown by act of state. He changed his religion +indeed, but not until he had almost weathered the storm, recovered the +best part of his estate, and gained some glorious victories in pitched +battles; so that his changing cannot without injustice be attributed +to his fear. Monsieur Chiverny, in his Memoirs of those times, plainly +tells us, that he solemnly promised to his predecessor Henry III. then +dying, that he would become a Romanist; and Davila, though he says not +this directly, yet denies it not. By whose hands Henry IV. died, is +notoriously known; but it is invidiously urged, both by Mr Hunt and +the Reflectors: for we may, to our shame, remember, that a king of our +own country was barbarously murdered by his subjects, who professed +the same religion; though I believe, that neither Jaques Clement, nor +Ravaillac, were better papists, than the independents and +presbyterians were protestants; so that their argument only proves, +that there are rogues of all religions: _Iliacos infra muros peccatur, +et extra._ But Mr Hunt follows his blow again, that I have "offered a +justification of an act of exclusion against a popish successor in a +protestant kingdom, by remembering what was done against the king of +Navarre, who was _de facto_ excluded by an act of state." My +gentleman, I perceive, is very willing to call that an act of +exclusion, and an act of state, which is only, in our language, called +a bill; for Henry III. could never be gained to pass it, though it was +proposed by the three estates at Blois. The Reflectors are more +modest; for they profess, (though I am afraid it is somewhat against +the grain,) that a vote of the House of Commons is not an act; but the +times are turned upon them, and they dare speak no other language. Mr +Hunt, indeed, is a bold republican, and tells you the bottom of their +meaning. Yet why should it make the "courage of his Royal Highness +quail, to find himself under this representation," which; by our +author's favour, is neither dismal, nor disastrous? Henry IV. escaped +this dreadful machine of the League; I say dreadful, for the three +estates were at that time composed generally of Guisards, factious, +hot-headed, rebellious interested men. The king in possession was but +his brother-in-law, and at the time publicly his enemy; for the king +of Navarre was then in arms against him; and yet the sense of common +justice, and the good of his people so prevailed, that he withstood +the project of the states, which he also knew was levelled at himself; +for had the exclusion proceeded, he had been immediately laid by, and +the lieutenancy of France conferred on Guise; after which the rebel +would certainly have put up his title for the crown. In the case of +his Royal Highness, only one of the three estates have offered at the +exclusion, and have been constantly opposed by the other two, and by +his majesty. Neither is it any way probable, that the like will ever +be again attempted; for the fatal consequences, as well as the +illegality of that design, are seen through already by the people; so +that, instead of offering a justification of an act of exclusion, I +have exposed a rebellious, impious, and fruitless contrivance tending +to it. If we look on the parliament of Paris, when they were in their +right wits, before they were intoxicated by the League, (at least +wholly) we shall find them addressing to king Henry III. in another +key, concerning the king of Navarre's succession, though he was at +that time, as they called it, a relapsed heretic. And to this purpose +I will quote a passage out of the journals of Henry III. so much +magnified by my adversaries. + +Towards the end of September, 1585, there was published at Paris a +bull of excommunication against the king of Navarre, and the prince of +Conde. The parliament of Paris made their remonstrance to the king +upon it, which was both grave, and worthy of the place they held, and +of the authority they have in this kingdom; saying for conclusion, +that "their court had found the stile of this bull so full of +innovation, and so distant from the modesty of ancient Popes, that +they could not understand in it the voice of an Apostle's successor; +forasmuch, as they found not in their records, nor in the search of +all antiquity, that the princes of France had ever been subject to the +justice or jurisdiction of the Pope, and they could not take it into +consideration, until first he made appear the right which he pretended +in the translation of kingdoms, established and ordained by Almighty +God, before the name of Pope was heard of in the world." It is plain +by this, that the parliament of Paris acknowledged an inherent right +of succession in the king of Navarre, though of a contrary religion to +their own. And though, after the duke of Guise's murder at Blois, the +city of Paris revolted from their obedience to their king, pretending, +that he was fallen from the crown, by reason of that and other +actions, with which they charged him; yet the sum of all their power +to renounce him, and create the duke of Mayenne lieutenant-general, +depended ultimately on the Pope's authority; which, as you see, but +three years before, they had peremptorily denied. + +The college of Sorbonne began the dance, by their determination, that +the kingly right was forfeited; and, stripping him of all his +dignities, they called him plain Henry de Valois: after this, says my +author, "sixteen rascals (by which he means the council of that +number) having administered the oath of government to the duke of +Mayenne, to take in quality of lieutenant-general of the estate and +crown of France, the same ridiculous dignity was confirmed to him by +an imaginary parliament, the true parliament being detained prisoners, +in divers of the city gaols, and two new seals were ordered to be +immediately made, with this inscription,--the Seal of the Kingdom of +France." I need not enlarge on this relation: it is evident from +hence, that the Sorbonnists were the original, and our Schismatics in +England were the copiers of rebellion; that Paris began, and London +followed. + +The next lines of my author are, that "a gentleman of Paris made the +duke of Mayenne's picture to be drawn, with a crown imperial on his +head;" and I have heard of an English nobleman, who has at this day a +picture of old Oliver, with this motto underneath it,--_Utinam +vixeris._ All this while, this cannot be reckoned an act of state, for +the deposing king Henry III., because it was an act of overt rebellion +in the Parisians; neither could the holding of the three estates at +Paris, afterwards, by the same duke of Mayenne, devolve any right on +him, in prejudice of king Henry IV.; though those pretended states +declared his title void, on the account of his religion; because those +estates could neither be called nor holden, but by, and under the +authority of, the lawful king. It would take more time than I have +allowed for this Vindication, or I could easily trace from the French +history, what misfortunes attended France, and how near it was to +ruin, by the endeavours to alter the succession. For first, it was +actually dismembered, the duke of Mercaeur setting up a principality in +the dutchy of Bretagne, independent of the crown. The duke of Mayenne +had an evident design to be elected king, by the favour of the people +and the Pope: the young dukes of Guise and of Nemours aspired, with +the interest of the Spaniards, to be chosen, by their marriage with +the Infanta Isabella. The duke of Lorraine was for cantling out some +part of France, which lay next his territories; and the duke of Savoy +had, before the death of Henry III., actually possessed himself of the +marquisate of Saluces. But above all, the Spaniards fomented these +civil wars, in hopes to reduce that flourishing kingdom under their +own monarchy. To as many, and as great mischiefs, should we be +evidently subject, if we should madly engage ourselves in the like +practices of altering the succession, which our gracious king in his +royal wisdom well foresaw, and has cut up that accursed project by the +roots; which will render the memory of his justice and prudence +immortal and sacred to future ages, for having not only preserved our +present quiet, but secured the peace of our posterity. + +It is clearly manifest, that no act of state passed, to the exclusion +of either the King of Navarre, or of Henry the fourth, consider him in +either of the two circumstances; but Oracle Hunt, taking this for +granted, would prove _a fortiori_, "that if a protestant prince were +actually excluded from a popish kingdom, then a popish successor is +more reasonably to be excluded from a protestant kingdom; because," +says he, "a protestant prince is under no obligation to destroy his +popish subjects, but a popish prince is to destroy his protestant +subjects:" Upon which bare supposition, without farther proof, he +calls him insufferable tyrant, and the worst of monsters. + +Now, I take the matter quite otherwise, and bind myself to maintain +that there is not, nor can be any obligation, for a king to destroy +his subjects of a contrary persuasion to the established religion of +his country; for, _quatenus_ subjects, of what religion soever he is +infallibly bound to preserve and cherish, and not to destroy them; and +this is the first duty of a lawful sovereign, as such, antecedent to +any tie or consideration of his religion. Indeed, in those countries +where the Inquisition is introduced, it goes harder with protestants, +and the reason is manifest; because the protestant religion has not +gotten footing there, and severity is the means to keep it out; but to +make this instance reach England, our religion must not only be +changed, (which in itself is almost impossible to imagine,) but the +council of Trent received, and the Inquisition admitted, which many +popish countries have rejected. I forget not the cruelties, which were +exercised in Queen Mary's time against the protestants; neither do I +any way excuse them; but it follows not, that every popish successor +should take example by them, for every one's conscience of the same +religion is not guided by the same dictates in his government; neither +does it follow, that if one be cruel, another must, especially when +there is a stronger obligation, and greater interest to the contrary: +for, if a popish king in England should be bound to destroy his +protestant people, I would ask the question, over whom he meant to +reign afterwards? And how many subjects would be left? + +In Queen Mary's time, the protestant religion had scarcely taken root; +and it is reasonable to be supposed, that she found the number of +papists equalling that of the protestants, at her entrance to the +kingdom; especially if we reckon into the account those who were the +Trimmers of the times; I mean such, who privately were papists, though +under her protestant predecessor they appeared otherwise; therefore +her difficulties in persecuting her reformed subjects, were far from +being so insuperable as ours now are, when the strength and number of +the papists is so very inconsiderable. They, who cast in the church of +England as ready to embrace popery, are either knaves enough to know +they lie, or fools enough not to have considered the tenets of that +church, which are diametrically opposite to popery; and more so than +any of the sects. + +Not to insist on the quiet and security, which protestant subjects at +this day enjoy in some parts of Germany, under popish princes; where I +have been assured, that mass is said, and a Lutheran sermon preached +in different parts of the same church, on the same day, without +disturbance on either side; nor on the privileges granted by Henry the +fourth of France to his party, after he had forsaken their opinions, +which they quietly possessed for a long time after his death. + +The French histories are full of examples, manifestly proving, that +the fiercest of their popish princes have not thought themselves bound +to destroy their protestant subjects; and the several edicts, granted +under them, in favour of the reformed religion, are pregnant instances +of this truth. I am not much given to quotations, but Davila lies open +for every man to read. Tolerations, and free exercise of religion, +granted more amply in some, more restrainedly in others, are no sign +that those princes held themselves obliged in conscience to destroy +men of a different persuasion. It will be said, those tolerations were +gained by force of arms. In the first place, it is no great credit to +the protestant religion, that the protestants in France were actually +rebels; but the truth is, they were only Geneva protestants, and their +opinions were far distant from those of the church of England, which +teaches passive obedience to all her sons, and not to propagate +religion by rebellion. But it is further to be considered, that those +French kings, though papists, thought the preservation of their +subjects, and the public peace, were to be considered, before the +gratification of the court of Rome; and though the number of the +papists exceeded that of the protestants, in the proportion of three +to one, though the protestants were always beaten when they fought, +and though the pope pressed continually with exhortations and +threatenings to extirpate Calvinism, yet kings thought it enough to +continue in their own religion themselves, without forcing it upon +their subjects, much less destroying them who professed another. But +it will be objected, those edicts of toleration were not kept on the +papists' side: they would answer, because the protestants stretched +their privileges further than was granted, and that they often +relapsed into rebellion; but whether or no the protestants were in +fault, I leave history to determine. It is matter of fact, that they +were barbarously massacred, under the protection of the public faith; +therefore, to argue fairly, either an oath from protestants is not to +be taken by a popish prince; or, if taken, ought inviolably to be +preserved. For, when we oblige ourselves to any one, it is not his +person we so much consider, as that of the Most High God, who is +called to witness this our action; and it is to Him we are to +discharge our conscience. Neither is there, or can be any tie on human +society, when that of an oath is no more regarded; which being an +appeal to God, He is immediate judge of it; and chronicles are not +silent how often He has punished perjured kings. The instance of +Vladislaus King of Hungary, breaking his faith with Amurath the Turk, +at the instigation of Julian the Pope's legate, and his miserable +death ensuing it, shews that even to infidels, much more to +Christians, that obligation ought to be accounted sacred[33]. And I +the rather urge this, because it is an argument taken almost +_verbatim_ from a papist, who accuses Catharine de Medicis for +violating her word given to the protestants during her regency of +France. What securities in particular we have, that our own religion +and liberties would be preserved though under a popish successor, any +one may inform himself at large in a book lately written by the +reverend and learned doctor Hicks, called Jovian, in answer to Julian +the Apostate[34]; in which that truly Christian author has satisfied +all scruples which reasonable men can make, and proved that we are in +no danger of losing either; and wherein also, if those assurances +should all fail, (which is almost morally impossible,) the doctrine of +passive obedience is unanswerably demonstrated; a doctrine delivered +with so much sincerity, and resignation of spirit, that it seems +evident the assertor of it is ready, if there were occasion, to seal +it with his blood. + +I have done with mannerly Mr Hunt, who is only _magni nominis umbra_; +the most malicious, and withal, the most incoherent ignorant scribbler +of the whole party. I insult not over his misfortunes, though he has +himself occasioned them; and though I will not take his own excuse, +that he is in passion, I will make a better for him, for I conclude +him cracked; and if he should return to England, am charitable enough +to wish his only prison might be Bedlam. This apology is truer than +that he makes for me; for writing a play, as I conceive, is not +entering into the Observator's province; neither is it the +Observator's manner to confound truth with falsehood, to put out the +eyes of people, and leave them without understanding. The quarrel of +the party to him is, that he has undeceived the ignorant, and laid +open the shameful contrivances of the new vamped Association; that +though he is "on the wrong side of life," as he calls it, yet he +pleads not his age to be _emeritus_; that, in short, he has left the +faction as bare of arguments, as AEsop's bird of feathers; and plumed +them of all those fallacies and evasions which they borrowed from +jesuits and presbyterians. + +Now for my templar and poet in association for a libel, like the +conjunction of Saturn and Jupiter in a fiery sign. What the one wants +in wit, the other must supply in law. As for malice, their quotas are +indifferently well adjusted; the rough draught, I take for granted, is +the poet's, the finishings the lawyer's. They begin,--that in order to +one Mr Friend's commands, one of them went to see the play. This was +not the poet, I am certain; for nobody saw him there, and he is not of +a size to be concealed. But the mountain, they say, was delivered of a +mouse. I have been gossip to many such labours of a dull fat +scribbler, where the mountain has been bigger, and the mouse less. The +next sally is on the city-elections, and a charge is brought against +my lord mayor, and the two sheriffs, for excluding true electors. I +have heard, that a Whig gentleman of the Temple hired a livery-gown, +to give his voice among the companies at Guild-hall; let the question +be put, whether or no he were a true elector?--Then their own juries +are commended from several topics; they are the wisest, richest, and +most conscientious: to which is answered, _ignoramus_. But our juries +give most prodigious and unheard-of damages. Hitherto there is nothing +but boys-play in our authors: _My mill grinds pepper and spice, your +mill grinds rats and mice._ They go on,--"if I may be allowed to +judge;" (as men that do not poetize may be judges of wit, human +nature, and common decencies;) so then the sentence is begun with _I_; +there is but one of them puts in for a judge's place, that is, he in +the grey; but presently it is--_men_; two more in buckram would be +judges too. Neither of them, it seems, poetize; that is true, but both +of them are in at rhime doggrel; witness the song against the bishops, +and the Tunbridge ballad[35]. By the way, I find all my scribbling +enemies have a mind to be judges, and chief barons. Proceed, +gentlemen:--"This play, as I am informed by some, who have a nearer +communication with the poets and the players, than I have,--". Which +of the two Sosias is it that now speaks? If the lawyer, it is true he +has but little communication with the players; if the poet, the +players have but little communication with him; for it is not long +ago, he said to somebody, "By G----, my lord, those Tory rogues will +act none of my plays." Well, but the accusation,--that this play was +once written by another, and then it was called the "Parisian +Massacre." Such a play I have heard indeed was written; but I never +saw it[36]. Whether this be any of it or no, I can say no more than +for my own part of it. But pray, who denies the unparalleled villainy +of the papists in that bloody massacre? I have enquired, why it was +not acted, and heard it was stopt by the interposition of an +ambassador, who was willing to save the credit of his country, and not +to have the memory of an action so barbarous revived; but that I +tempted my friend to alter it, is a notorious whiggism, to save the +broader word. The "Sicilian Vespers" I have had plotted by me above +these seven years: the story of it I found under borrowed names in +Giraldo Cinthio; but the rape in my tragedy of "Amboyna" was so like +it, that I forbore the writing. But what had this to do with +protestants? For the massacrers and the massacred were all papists. + +But it is observable, they say, that "though the massacre could not be +acted, as it was first written against papists, yet when it was turned +upon protestants, it found reception." + +Now all is come out; the scandal of the story turns at last upon the +government: that patronizes popish plays, and forbids protestant[37]. +Ours is to be a popish play; why? Because it exposes the villainy of +sectaries and rebels. Prove them first to be protestants, and see what +you will get by it when you have done. Your party are certainly the +men whom the play attacks, and so far I will help you; the designs and +actions, represented in the play, are such as you have copied from the +League; for though you have wickedness enough, yet you wanted the wit +to make a new contrivance. But for shame, while you are carrying on +such palpable villainy, do not assume the name of protestants. You +will tell us, you are friends to the government, and the king's best +subjects; but all the while you are aspersing both it and him. Who +shall be judges, whether you are friends or not? The government or +you? Have not all rebels always sung the same song? Was ever thief or +murderer fool enough to plead guilty? For your love and loyalty to the +king, they, who mean him best among you, are no better subjects than +Duke Trinculo; they would be content he should be viceroy, so they may +be viceroys over him[38]. + +The next accusation is particular to me,--"that I, the said Bayes, +would falsely and feloniously have robbed Nat. Lee of his share in the +representation of OEdipus." Now I am culprit; I writ the first and +third acts of OEdipus, and drew the scenery of the whole play: +whenever I have owned a farther proportion, let my accusers speak: +this was meant mischievously, to set us two at variance. Who is the +old serpent and Satan now? When my friends help my barren fancy, I am +thankful for it: I do not use to receive assistance, and afterwards +ungratefully disown it. + +Not long after, "exemplary punishment" is due to me for this most +"devilish parallel." It is a devilish one indeed; but who can help it? +If I draw devils like one another, the fault is in themselves for +being so: I neither made their horns nor claws, nor cloven feet. I +know not what I should have done, unless I had drawn the devil a +handsome proper gentleman, like the painter in the fable, to have made +a friend of him[39]; but I ought to be exemplarily punished for it: +when the devil gets uppermost, I shall expect it. "In the mean time, +let magistrates (that respect their oaths and office)"--which words, +you see, are put into a parenthesis, as if (God help us) we had none +such now,--let them put the law in execution against lewd scribblers; +the mark will be too fair upon a pillory, for a turnip or a rotten egg +to miss it. But, for my part, I have not malice enough to wish him so +much harm,--not so much as to have a hair of his head perish, much +less that one whole side of it should be dismantled. I am no informer, +who writ such a song, or such a libel; if the dulness betrays him not, +he is safe for me. And may the same dulness preserve him ever from +public justice; it is a sufficient thick mud-wall betwixt him and law; +it is his guardian angel, that protects him from punishment, because, +in spite of him, he cannot deserve it. It is that which preserves him +innocent when he means most mischief, and makes him a saint when he +intends to be a devil. He can never offend enough, to need the mercy +of government, for it is beholden to him, that he writes against it; +and he never offers at a satire, but he converts his readers to a +contrary opinion. + +Some of the succeeding paragraphs are intended for very Ciceronian: +there the lawyer flourishes in the pulpit, and the poet stands in +socks among the crowd to hear him. Now for narration, resolution, +calumniation, aggravation, and the whole artillery of tropes and +figures, to defend the proceedings at Guild-hall. The most minute +circumstances of the elections are described so lively, that a man, +who had not heard he was there in a livery-gown, might suspect there +was a _quorum pars magna fui_ in the case; and multitudes of electors, +just as well qualified as himself, might give their party the greater +number: but throw back their gilt shillings, which were told for +guineas, and their true sum was considerably less. Well, there was no +rebellion at this time; therefore, says my adversary, there was no +parallel. It is true there was no rebellion; but who ever told him +that I intended this parallel so far? if the likeness had been +throughout, I may guess, by their good will to me, that I had never +lived to write it. But, to show his mistake, which I believe wilful, +the play was wholly written a month or two before the last election of +the sheriffs. Yet it seems there was some kind of prophecy in the +case; and, till the faction gets clear of a riot, a part of the +comparison will hold even there; yet, if he pleases to remember, there +has been a king of England forced by the inhabitants from his imperial +town. It is true, the son has had better fortune than the father; but +the reason is, that he has now a stronger party in the city than his +enemies; the government of it is secured in loyal and prudent hands, +and the party is too weak to push their designs farther. "They rescued +not their beloved sheriffs at a time (he tells you) when they had a +most important use of them." What the importancy of the occasion was, +I will not search: it is well if their own consciences will acquit +them. But let them be never so much beloved, their adherents knew it +was a lawful authority that sent them to the Tower; and an authority +which, to their sorrow, they were not able to resist: so that, if four +men guarded them without disturbance, and, to the contempt of their +strength, at broad noon-day and at full exchange-time, it was no more +their honesty to stand looking on with their hands in their pockets, +than it is of a small band of robbers to let a caravan go by, which is +too strong for them to assault. + +After this, I am called, after the old rate, loose and infamous +scribbler; and it is well I escape so cheap. Bear your good fortune +moderately, Mr Poet; for, as loose and infamous as I am, if I had +written for your party, your pension would have been cut off as +useless. But they must take up with Settle, and such as they can get: +Bartholomew-fair writers[40], and Bartholemew-close printers; there is +a famine of wit amongst them, they are forced to give unconscionable +rates, and, after all, to have only carrion for their money. + +Then, I am "an ignorant fellow for not knowing there were no juries in +Paris." I do not remember to have written any such thing; but whoever +did, I am confident it was not his ignorance. Perhaps he had a mind to +bring the case a little nearer home: If they had not juries in Paris, +we had them from the Normans, who were Frenchmen; and, as you managed +them, we had as good have had none in London. Let it satisfy you we +have them now; and some of your loose and infamous scribblers may come +to understand it a little better. + +The next is, the justification of a noble peer deceased; the case is +known, and I have no quarrel to his memory: let it sleep; he is now +before another judge. Immediately after, I am said to have intended an +"abuse to the House of Commons;" which is called by our authors "the +most august assembly of Europe." They are to prove I have abused that +House; but it is manifest they have lessened the House of Lords, by +owning the Commons to be the "more august assembly."--"It is an House +chosen (they say) by every protestant who has a considerable +inheritance in England;" which word _considerable_ signifies forty +shillings _per annum_ of free land. For the interest of the loyal +party, so much under-valued by our authors, they have long ago +confessed in print, that the nobility and gentry have disowned them; +and the yeomanry have at last considered, _queis haec consevimus arva_? +They have had enough of unlawful and arbitrary power; and know what an +august assembly they had once without a King and House of Peers. + +But now they have me in a burning scent, and run after me full cry: +"Was ever such licence connived at, in an impious libeller and +scribbler, that the succession, so solemn a matter, that is not fit to +be debated of but in parliament, should be profaned so far as to be +played with on the stage?" + +Hold a little, gentlemen, hold a little; (as one of your fellow +citizens says in "The Duke of Guise,") is it so unlawful for me to +argue for the succession in the right line upon the stage; and is it +so very lawful for Mr Hunt, and the scribblers of your party, to +oppose it in their libels off the stage? Is it so sacred, that a +parliament only is suffered to debate it, and dare you run it down +both in your discourses, and pamphlets out of parliament? In +conscience, what can you urge against me, which I cannot return an +hundred times heavier on you? And by the way, you tell me, that to +affirm the contrary to this, is a _praemunire_ against the statute of +the 13th of Elizabeth. If such _praemunire_ be, pray, answer me, who +has most incurred it? In the mean time, do me the favour to look into +the statute-book, and see if you can find the statute; you know +yourselves, or you have been told it, that this statute is virtually +repealed, by that of the 1st of king James, acknowledging his +immediate lawful and undoubted right to this imperial crown, as the +next lineal heir; those last words are an implicit anti-declaration to +the statute in queen Elizabeth, which, for that reason, is now omitted +in our books. The lawful authority of an House of Commons I +acknowledge; but without fear and trembling, as my Reflectors would +have it. For why should I fear my representatives? they are summoned +to consult about the public good, and not to frighten those who chose +them. It is for you to tremble, who libel the supreme authority of the +nation. But we knavish coxcombs and villains are to know, say my +authors, that "a vote is the opinion of that House." Lord help our +understandings, that know not this without their telling! What +Englishman, do you think, does not honour his representatives, and +wish a parliament void of heat and animosities, to secure the quiet of +the nation? You cite his majesty's declaration against those that dare +trifle with parliaments; a declaration, by the way, which you +endeavoured not to have read publicly in churches, with a threatening +to those that did it. "But we still declare (says his majesty) that no +irregularities of parliament shall make us out of love with them." Are +not you unfortunate quoters? why now should you rub up the remembrance +of those irregularities mentioned in that declaration, which caused, +as the king informs us, its dissolution? + +The next paragraph is already answered; it is only a clumsy +commendation of the Duke of Monmouth, copied after Mr Hunt, and a +proof that he is unlike the Duke of Guise. + +After having done my drudgery for me, and having most officiously +proved, that the English duke is no parallel for the French, which I +am sure he is not, they are next to do their own business, which is, +that I meant a parallel betwixt Henry III. and our most gracious +sovereign. But, as fallacies are always couched in general +propositions, they plead the whole course of the drama, which, they +say, seems to insinuate my intentions. One may see to what a miserable +shift they are driven, when, for want of any one instance, to which I +challenge them, they have only to allege, that the play SEEMS to +insinuate it. I answer, it does not seem; which is a bare negative to +a bare affirmative; and then we are just where we were before. Fat +Falstaff was never set harder by the Prince for a reason, when he +answered, "that, if reasons grew as thick as blackberries, he would +not give one." Well, after long pumping, lest the lie should appear +quite barefaced, they have found I said, that, at king Henry's birth, +there shone a regal star; so there did at king Charles the Second's; +therefore I have made a parallel betwixt Henry III. and Charles II. A +very concluding syllogism, if I should answer it no farther. + +Now, let us look upon the play; the words are in the fourth act. The +conjurer there is asking his devil, "what fortune attended his master, +the Guise, and what the king?" The familiar answers concerning the +king,--"He cannot be deposed, he may be killed; a violent fate attends +him; but, at his birth, there shone a regal star."--_Conj._ "My master +had a stronger."--_Devil._ "No, not a stronger, but more popular." Let +the whole scene, (which is one of the best in the tragedy, though +murdered in the acting) be read together, and it will be as clear as +day light, that the Devil gave an astrological account of the French +king's _horoscope_; that the regal star, then culminating, was the sun +in the tenth house, or mid-heaven; which, _caeteris paribus,_ is a +regal nativity in that art. The rest of the scene confirms what I have +said; for the Devil has taken the position of the heavens, or scheme +of the world, at the point of the sun's entrance into Aries. I dispute +not here the truth or lawfulness of that art; but it is usual with +poets, especially the Italians, to mix astrology in their poems. +Chaucer, amongst us, is frequent in it: but this revolution +particularly I have taken out of Luigi Pulci; and there is one almost +the same in Boiardo's "_Orlando Inamorato._" Now, if these poets knew, +that a star were to appear at our king's birth, they were better +prophets than Nostradamus, who has told us nothing of it. Yet this +they say "is treason with a witness," and one of the crimes for which +they condemned me to be hanged, drawn and quartered. I find they do +not believe me to be one of their party at the bottom, by their +charitable wishes to me; and am proud enough to think, I have done +them some little mischief, because they are so desirous to be rid of +me. But if Jack Ketch must needs have the handling of us poets, let +him begin first where he may take the deepest say[41]; let me be +hanged, but in my turn; for I am sure I am neither the fattest +scribbler, nor the worst; I'll be judged by their own party. But, for +all our comforts, the days of hanging are a little out of date; and I +hope there will be no more treason with a witness or witnesses; for +now there is no more to be got by swearing, and the market is +overstocked besides. + +But are you in earnest when you say, I have made Henry III. "fearful, +weak, bloody, perfidious, hypocritical, and fawning, in the play?" I +am sure an unbiassed reader will find a more favourable image of him +in the tragedy, whatever he was out of it. You would not have told a +lie so shameless, but that you were resolved to second it with a +worse--that I made a parallel of that prince. And now it comes to my +turn, pray let me ask you,--why you spend three pages and a half in +heaping up all the villainies, true or false, which you can rake +together, to blast his memory? Why is all this pains taken to expose +the person of king Henry III.? Are you leaguers, or covenanters, or +associators? What has the poor dead man done to nettle you? Were his +rebels your friends or your relations? Were your Norman ancestors of +any of those families, which were conspirators in the play? I smell a +rat in this business; Henry III. is not taken thus to task for +nothing. Let me tell you, this is little better than an implicit +confession of the parallel I intended. This gentleman of Valois sticks +in your stomachs; and, though I do not defend his proceedings in the +States, any otherwise than by the inevitable necessity which caused +them, yet acknowledging his crime does not extenuate their guilt that +forced him to it. It was bad on both sides, but the revenge was not so +wicked as the treason; for it was a voluntary act of theirs, and a +compelled one of his. The short on't is, he took a violent course to +cut up the Covenant by the roots; and there is your quarrel to him. + +Now for a long-winded panegyric of the king of Navarre; and here I am +sure they are in earnest, when they take such overpains to prove there +is no likeness where they say I intended it. The hero, at whom their +malice is levelled, does but laugh at it, I believe; and, amongst the +other virtues of that predecessor, wants neither his justice nor his +clemency, to forgive all the heads of the League, as fast as they +submit. As for obliging them, (which our author would fain hook in for +an ingredient) let them be satisfied, that no more enemies are to be +bought off with places and preferments; the trial which has been made +in two kings reigns, will warn the family from so fruitless and +dangerous an expedient. The rest is already answered, in what I have +said to Mr Hunt; but I thank them, by the way, for their instance of +the fellow whom the king of Navarre had pardoned and done good to, +"yet he would not love him;" for that story reaches home somewhere. + +I must make haste to get out of hearing from this Billingsgate +oratory; and, indeed, to make an end with these authors, except I +could call rogue and rascal as fast as they. Let us examine the little +reason they produce concerning the Exclusion. + +"Did the pope, the clergy, the nobility and commonalty of France think +it reasonable to exclude a prince for professing a different religion; +and will the papists be angry if the protestants be of the same +opinion? No, sure, they cannot have the impudence." + +First, here is the difference of religion taken for granted, which was +never proved on one side, though in the king of Navarre it was openly +professed. Then the pope, and the three estates of France had no power +to alter the succession, neither did the king in being consent to it: +or afterwards, did the greater part of the nobility, clergy, and +gentry adhere to the Exclusion, but maintained the lawful king +successfully against it; as we are bound to do in England, by the +oaths of allegiance and supremacy, made for the benefit of our kings, +and their successors? the objections concerning which oath are fully +answered by Dr Hicks, in his preface to Jovian; and thither I refer +the reader. + +They tell us, that what it concerns protestants to do in that case, +enough has been heard by us in parliament debates. + +I answer, that debates coming not by an act to any issue, conclude, +that there is nothing to be done against a law established, and +fundamental of the monarchy. They dare not infer a right of taking up +arms, by virtue of a debate or vote, and yet they tacitly insinuate +this. I ask them, what it does concern protestants to do in this case, +and whether they mean anything by that expression? They have hampered +themselves before they were aware; for they proceed in the very next +lines to tell us, they believe "the crown of England being hereditary, +the next in blood have an undoubted right to succeed, unless God make +them, or they make themselves uncapable of reigning." So that +according to them, if either of those two impediments shall happen, +then it concerns the protestants of England to do that something, +which, if they had spoken out, had been direct treason. Here is fine +legerdemain amongst them: they have acknowledged a vote to be no more +than the opinion of an house, and yet from a debate, which was +abortive before it quickened into a vote, they argue after the old +song, "that there is something more to be done, which you cannot chuse +but guess." In the next place, there is no such thing as incapacity to +be supposed, in the immediate successor of the crown. That is, the +rightful heir cannot be made uncapable on any account whatsoever to +succeed. It may please God, that he may be _inhabilis_, or _inidoneus +ad gerendam rempublicam_,--unfit or unable to govern the kingdom; but +this is no impediment to his right of reigning: he cannot either be +excluded or deposed for such imperfection; for the laws which have +provided for private men in this case, have also made provision for +the sovereign, and for the public; and the council of state, or the +next of blood, is to administer the kingdom for him. Charles the Sixth +of France, (for I think we have no English examples which will reach +it) forfeited not his kingdom by his lunacy, though a victorious king +of England was then knocking at his gates; but all things under his +name, and by his authority were managed. The case is the same, betwixt +a king _non compos mentis_, and one who is _nondum compos mentis_; a +distracted or an infant-king. Then the people cannot incapacitate the +king, because he derives not his right from them, but from God only; +neither can any action, much less opinion of a sovereign, render him +uncapable, for the same reason; excepting only a voluntary resignation +to his immediate heir, as in the case of Charles the Fifth: for that +of our Richard the Second was invalid, because forced, and not made to +the next successor. + +Neither does it follow, as our authors urge, that an unalterable +succession supposes England to be the king's estate, and the people +his goods and chattels on it. For the preservation of his right +destroys not our propriety, but maintains us in it. He has tied +himself by law, not to invade our possessions; and we have obliged +ourselves as subjects to him, and all his lawful successors: by which +irrevocable act of ours, both for ourselves and our posterity, we can +no more exclude the successor, than we can depose the present king. +The estate of England is indeed the king's; and I may safely grant +their supposition, as to the government of England: but it follows +not, that the people are his goods and chattels on it; for then he +might sell, alienate, or destroy them as he pleased: from all which he +has tied himself by the liberties and privileges which he has granted +us by laws. + +There is little else material in this pamphlet: for to say, "I would +insinuate into the king a hatred to his capital city," is to say, he +should hate his best friends, the last, and the present Lord Mayor, +our two honourable Sheriffs, the Court of Aldermen, the worthy and +loyal Mr Common Serjeant, with the rest of the officers, who are +generally well affected and who have kept out their factious members +from its government. To say, I would insinuate a scorn of authority in +the city, is, in effect, to grant the parallel in the play: for the +authority of tumults and seditions is only scorned in it,--an +authority which they derived not from the crown, but exercised against +it. And for them to confess I exposed this, is to confess, that London +was like Paris. + +They conclude with a prayer to Almighty God, in which I therefore +believe, the poet did not club. To libel the king through all the +pamphlet, and to pray for him in the conclusion, is an action of more +prudence in them than of piety. Perhaps they might hope to be +forgiven, as one of their predecessors was by king James; who, after +he had railed at him abundantly, ended his lampoon with these two +verses: + + Now God preserve our king, queen, prince and peers, + And grant the author long may wear his ears[42]. + +To take a short review of the whole.--It is manifest, that there is no +such parallel in the play, as the faction have pretended; that the +story would not bear one where they have placed it; and that I could +not reasonably intend one, so contrary to the nature of the play, and +so repugnant to the principles of the loyal party. On the other side, +it is clear that the principles and practices of the public enemies, +have both formerly resembled those of the League, and continue to hold +the same resemblance. It appears by the outcry of the party before the +play was acted, that they dreaded and foresaw the bringing of the +faction upon the stage: and by the hasty printing of Mr Hunt's libel, +and the Reflections, before the tragedy was published, that they were +infinitely concerned to prevent any farther operation of it. It +appears from the general consent of the audiences, that their party +were known to be represented; and themselves owned openly, by their +hissings, that they were incensed at it, as an object which they could +not bear. It is evident by their endeavours to shift off this parallel +from their side, that their principles are too shameful to be +maintained. It is notorious, that they, and they only, have made the +parallel betwixt the Duke of Guise and the Duke of Monmouth, and that +in revenge for the manifest likeness they find in the parties +themselves, they have carried up the parallel to the heads of the +parties, where there is no resemblance at all; under which colour, +while they pretend to advert upon one libel, they set up another. For +what resemblance could they suggest betwixt two persons so unlike in +their descent, the qualities of their minds, and the disparity of +their warlike actions, if they grant not, that there is a faction +here, which is like that other which was in France? so that if they do +not first acknowledge one common cause, there is no foundation for a +parallel. The dilemma therefore lies strong upon them; and let them +avoid it if they can,--that either they must avow the wickedness of +their designs, or disown the likeness of those two persons. I do +further charge those audacious authors, that they themselves have made +the parallel which they call mine, and that under the covert of this +parallel they have odiously compared our present king with king Henry +the Third; and farther, that they have forced this parallel expressly +to wound His Majesty in the comparison: for, since there is a parallel +(as they would have it) it must be either theirs or mine. I have +proved that it cannot possibly be mine: and in so doing, that it must +be theirs by consequence. Under this shadow all the vices of the +French king are charged by those libellers (by a side-wind) upon ours; +and it is indeed the bottom of their design to make the king cheap, +his royal brother odious, and to alter the course of the succession. + +Now, after the malice of this sputtering triumvirate (Mr Hunt, and the +two Reflectors), against the person and dignity of the king, and +against all that endeavour to serve him (which makes their hatred to +his cause apparent), the very charging of our play to be a libel, and +such a parallel as these ignoramuses would render it, is almost as +great an affront to His Majesty, as the libellous picture itself, by +which they have exposed him to his subjects. For it is no longer our +parallel, but the king's, by whose order it was acted, without any +shuffling or importunity from the poets. The tragedy (cried the +faction) is a libel against such and such illustrious persons. Upon +this the play was stopt, examined, acquitted, and ordered to be +brought upon the stage: not one stroke in it of a resemblance, to +answer the scope and intent of the complaint. There were some +features, indeed, that the illustrious Mr Hunt and his brace of +beagles (the Reflectors) might see resembling theirs; and no other +parallel either found or meant, but betwixt the French leaguers and +ours: and so far the agreement held from point to point, as true as a +couple of tallies. But when neither the king, nor my lord chamberlain, +with other honourable persons of eminent faith, integrity, and +understanding, upon a strict perusal of the papers, could find one +syllable to countenance the calumny; up starts the defender of the +charter, &c. opens his mouth, and says, "What do ye talk of the king? +he's abused, he's imposed upon. Is my lord chamberlain, and the +scrutineers that succeed him, to tell us, when the king and the duke +of York are abused?" What says my lord chief baron of Ireland to the +business? What says the livery-man templer? What says Og the king of +Basan to it? "We are men that stand up for the king's supremacy in all +causes, and over all persons, as well ecclesiastical as civil, next +and immediately under God and the people. We are for easing His Royal +Highness of his title to the crown, and the cares that attend any such +prospect; and we shall see the king and the Royal Family paralleled at +this rate, and not reflect upon it?" + +But to draw to an end. Upon the laying of matters fairly together, +what a king have these balderdash scribblers given us, under the +resemblance of Henry the Third! How scandalous a character again, of +His Majesty, in telling the world that he is libelled, and affronted +to his face, told on't, pointed to it; and yet neither he, nor those +about him, can be brought to see or understand it. There needs no more +to expound the meaning of these people, than to compare them with +themselves: when it will evidently appear, that their lives and +conversations, their writings and their practices, do all take the +same bias; and when they dare not any longer revile His Majesty or his +government point blank, they have an intention to play the libellers +in masquerade, and do the same thing in a way of mystery and parable. +This is truly the case of the pretended parallel. They lay their heads +together, and compose the lewdest character of a prince that can be +imagined, and then exhibit that monster to the people, as the picture +of the king in the "Duke of Guise." So that the libel passes for +current in the multitude, whoever was the author of it; and it will be +but common justice to give the devil his due. But the truth is, their +contrivances are now so manifest, that their party moulders both in +town and country; for I will not suspect that there are any of them +left in court. Deluded well-meaners come over out of honesty, and +small offenders out of common discretion or fear. None will shortly +remain with them, but men of desperate fortunes or enthusiasts: those +who dare not ask pardon, because they have transgressed beyond it, and +those who gain by confusion, as thieves do by fires: to whom +forgiveness were as vain, as a reprieve to condemned beggars; who must +hang without it, or starve with it. + + +Footnotes: +1. As the whole passage from Davila is subjoined to the text in the + play, the reader may easily satisfy himself of the accuracy of what + is here stated. But, although the scene may have been written in + 1661, we must be allowed to believe, that its extreme resemblance + to the late events occasioned its being revived and re-presented in + 1682. + +2. The poem, alluded to, was probably the _Religio Laici_, first + published in November l682. + +3. Dryden and Shadwell had once been friends. In the preface to "The + Humourists," acted, according to Mr Malone, in 1676, Shadwell thus + mentions his great contemporary: + + "And here I must make a little digression, and take liberty to + dissent from my particular friend, for whom I have a very great + respect, and whose writings I extremely admire; and, though I will + not say, his is the best way of writing, yet, I am sure his manner + of writing is much the best that ever was. And I may say of him, as + was said of a celebrated poet, _Cui unquam poetarum magis proprium + fuit subito astro incalescere? Quis ubi incaluit, fortius et + faeclicius debacchatur_? His verse is smoother and deeper, his + thoughts more quick and surprising, his raptures more mettled and + higher, and he has more of that in his writings, which Plato calls + _sophrona manian_ than any other heroic poet. And those who shall + go about to imitate him, will be found to flutter and make a noise, + but never to rise." + + Such a compliment, from a rival dramatist, could only have been + extracted by previous good offices and kindly countenance. + Accordingly we find, that Dryden, in 1678-9, wrote a prologue to + Shadwell's play, of "The True Widow." + +4. "The Female Prelate, or Pope Joan," is a bombast, silly performance + of Elkanah Settle; the catastrophe of which consists in the + accouchement of the Pope in the streets of Rome. The aid necessary + in the conclusion of an English tragedy, (usually loudly called + for, but never brought) is of a surgical nature; but here Lucina + was the deity to be implored, and the midwife's assistance most + requisite. + + Shadwell's comedy of "The Lancashire Witches," was popular for many + years after the Revolution, chiefly, because the papists were + reflected upon in the character of Teague O'Divelly, an Irish + Priest, the high-church clergy ridiculed under that of Smerk, and + the whole Tory faction generally abused through the play. It is by + no means one of Shadwell's happiest efforts. The introduction of + the witches celebrating their satanical sabbath on the stage, + besides that the scene is very poorly and lamely written, is at + variance with the author's sentiments, as delivered through Sir + Edward Hartfort, "a worthy, hospitable, true English gentleman, of + good understanding and honest principles," who ridicules the belief + in witches at all. A different and totally inconsistent doctrine is + thus to be collected from the action of the piece and the + sentiments expressed by those, whose sentiments are alone marked as + worthy of being attended to. This obvious fault, with many others, + is pointed out in a criticism on the "Lancashire Witches," + published in the Spectator. The paper is said to have been written + by Hughes, but considerably softened by Addison. + +5. Half-a-crown was then the box price. + + You visit our plays and merit the stocks, + For paying half-crowns of brass to our box; + Nay, often you swear when places are shewn ye, + That your hearing is thick, + And so by a love trick, + You pass through our scenes up to the balcony. + _Epilogue to_ "The Man's the Master." + + The farce, alluded to, seems to have been "The Lancashire Witches." + See Shadwell's account of the reception of that piece, from which + it appears, that the charge of forming a party in the theatre was a + subject of mutual reproach betwixt the dramatists of the contending + parties. + +6. This single remark is amply sufficient to exculpate Dryden from + having intended any general parallel between Monmouth and the Duke + of Guise. To have produced such a parallel, it would have been + necessary to unite, in one individual, the daring political courage + of Shaftesbury, his capacity of seizing the means to attain his + object, and his unprincipled carelessness of their nature, with the + fine person, chivalrous gallantry, military fame, and courteous + manners of the Duke of Monmouth. Had these talents, as they were + employed in the same cause, been vested in the same person, the + Duke of Guise must have yielded the palm. The partial resemblance, + in one point of their conduct, is stated by our poet, not to have + been introduced as an _intended_ likeness, betwixt the Duke of + Guise, and the Protestant Duke. We may observe, in the words of + Bertran, + + The dial spoke not--but it made shrewd signs. + _Spanish Friar._ + +7. Alluding to a book, called "The Parallel," published by J. + Northleigh L.L.B. the same who afterwards wrote "the Triumph of the + Monarchy," and was honoured by a copy of verses from our author. + +8. "Julian the Apostate, with a short account of his life, and a + parallel betwixt Popery and Paganism," was a treatise, written by + the Rev. Samuel Johnson, chaplain to Lord Russell, for the purpose + of forwarding the bill of exclusion, by shewing the consequences to + Christianity of a Pagan Emperor attaining the throne. It would + seem, that one of the sheriffs had mistaken so grossly, as to talk + of Julian the Apostle; or, more probably, such a blunder was + circulated as true, by some tory wit. Wood surmises, that Hunt had + some share in composing Julian. _Ath. Ox._ II. p. 729.] + +9. This probably alludes to L'Estrange, who answered Hunt in the + "Lawyer Outlawed." + +10. "Curse ye Meroz," was a text much in vogue among the fanatic + preachers in the civil wars. It was preached upon in Guildhall, + before the Lord Mayor, 9th May, 1630, by Edmund Hickeringill, + rector of All Saints, in Colchester: + + There's Colchester Hickeringil, the fanatic's delight, + Who Gregory Greybeard and Meroz did write, + You may see who are saints in a pharisee's sight. + _The Assembly of the Moderate Divines, stanza 18._ + + Gregory Greybeard was probably some ballad, alluding to the + execution of Charles I, who was beheaded by a person disguised by a + visor and greybeard. The name of the common hangman, at that time, + was Gregory. + +11. Jaques Clement, a Jacobin Monk, stabbed Henry III. on the 1st of + August, 1589. He expired the following day. + +12. "All crowned heads by poetical right are heroes. This character is + a flower, a prerogative so certain, so inseparably annexed to the + crown as by no poet, no parliament of poets, ever to be invaded." + _Rymer's Remarks on the Tragedies of the last age_, p. 6l. This + critical dogma, although here and else-where honoured by our + author's sanction, fell into disuse with the doctrines of passive + obedience, and indefeasible right. + +13. The Earl of Arlington, Lord Chamberlain. + +14. Charles II. and his brother the Duke of York, were grandchildren + of Henry IV. of France, by their mother Henrietta Maria. + +15. A very poor imitation of Moliere's "Festin de Pierre;" with the + story of which the admirers of mute-shew have since been + entertained, under the title of Don Juan. In the preface, Shadwell, + after railing abundantly at Settle, is at the pains to assure us, + there is no act in the piece which cost him above four days + writing, and the last two (the play-house having great occasion for + a play) were both written in four days. The Libertine, and his + companions, travel by sea and land over the whole kingdom of Spain. + +16. See the full passage prefixed to the Vindication. + +17. The club alluded to seems to be the same which originally met at + the King's-Head tavern, of which North gives the following lively + account. "The gentlemen of that worthy society held their evening + session continually at the King's-Head tavern, over against the + Inner Temple gate. But upon occasion of the signal of a green + ribbon, agreed to be worn in their hats in the days of secret + engagements, like the coats of arms of valiant knights of old, + whereby all the warriors of the society might be distinguished, and + not mistake friends for enemies, they were called also the Green + Ribbon Club. Their seat was in a sort of carrefour, at + Chancery-Lane end, a centre of business and company, most proper + for such anglers of fools. The house was double-balconied in front, + as may be yet seen, for the clubsters to issue forth, in fresco, + with hats and no peruques, pipes in their mouths, merry faces, and + diluted throats, for vocal encouragement of the canaglia below, at + bonfires, on usual and unusual occasions. They admitted all + strangers that were confidingly introduced; for, it was a main end + of their institution to make proselytes, especially of the raw + estated youths newly come to town. This copious society were, to + the faction in and about London, a sort of executive power, and by + correspondence all over England. The resolves of the more retired + councils and ministry of the faction, were brought in here, and + orally insinuated to the company, whether it were lies, + defamations, commendations, projects, &c. and so, like water + diffused, spread over all the town; whereby that which was digested + at the club over night, was, like nourishment, at every assembly, + male and female, the next day. And thus the younglings tasted of + political administration, and took themselves for notable + counsellors." _Examen_, p. 572. The place of meeting is altered by + Dryden, from the King's-Head, to the Devil-Tavern, either because + he thought the name more appropriate, or wished slightly to + disguise what he plainly insinuated. + +18. Our author never omits an opportunity of twitting Hunt with his + expected preferment of lord chief baron of exchequer in Ireland; + L'Estrange, whose ready pen was often drawn for the court, answered + Hunt's defence of the charter by a pamphlet entitled "The Lawyer + Outlawed," in which he fails not to twit his antagonist with the + same disappointment. + +19. The foul practice of taking away lives by false witness, casts an + indelible disgrace on this period. Oates, Dugdale, and Turberville, + were the perjured evidences of the Popish plot. To meet them with + equal arms, counter-plots were sworn against Shaftesbury and + others, by Haines, Macnamara, and other Irishmen. But the true + Protestant juries would only swallow the perjuries which made for + their own opinions; nay, although they believed Dugdale, when he + zealously forswore himself for the cause of the Protestant faith, + they refused him credit when he bore false witness for the crown. + "Thus," says Hume, "the two parties, actuated by mutual rage, but + cooped up within the narrow limits of the law, levelled with + poisoned daggers the most deadly blows against each other's breast, + and buried in their factious divisions all regard to truth, honour, + and humanity."-- + +20. In the Dramatis Personae to Shadwell's play of Epsom-Wells, we have + Rains, Bevil, Woodly, described as "men of wit and pleasure." + +21. Dryden had already distinguished Shadwell and Settle by those + names, which were destined to consign the poor wights to a painful + immortality, in the second part of Absalom and Achitophel, + published in 1682. + +22. See note on p. 222. Vol. VI. describing this famous procession. + +23. This passage, in Hunt's defence of the charter, obviously alludes + to the Duke of York, whom he elsewhere treats with little ceremony, + and to the king, whose affection for his brother was not without a + mixture of fear, inspired by his more stubborn and resolved temper. + +24. William Viscount Stafford, the last who suffered for the Popish + plot, was tried and executed in 1680. It appears, that his life was + foully sworn away by Dugdale and Turberville. The manly and patient + deportment of the noble sufferer went far to remove the woful + delusion which then pervaded the people. It would seem that Hunt + had acted as his solicitor. + +25. A quip at his corpulent adversary Shadwell. + +26. The infamous Titus Oates pretended, amongst other more abominable + falsehoods, to have taken a doctor's degree at Salamanca. In 1679, + there was an attempt to bring him to trial for unnatural practices, + but the grand jury threw out the bill. These were frequent subjects + of reproach among the tory authors. In the Luttrel Collection, + there is "An Address from Salamanca to her unknown offspring Dr + T.O. concerning the present state of affairs in England." Also a + coarse ballad, entitled, "The Venison Doctor, with his brace of + Alderman Stags;" + + Showing how a Doctor had defiled + Two aldermen, and got them both with child, + Who longed for venison, but were beguiled. + +27. Our author has elsewhere expressed, in the same terms, his + contempt for the satire of "The Rehearsal." "I answered not the + Rehearsal, because I knew the author sat to himself when he drew + the picture, and was the very Bayes of his own farce." _Dedication + to Juvenal._--The same idea occurs in a copy of verses on the Duke + of Buckingham sometimes ascribed to Dryden: + + But when his poet, John Bayes, did appear, + 'Twas known to more than one-half that were there, + That the great'st part was his Grace's character; + + For he many years plagued his friends for their crimes, + Repeating his verses in other men's rhymes, + To the very same person ten thousand times. + _State Poems_, Vol. II, p. 216. + +28. Besides those who were alarmed for civil liberty, and those who + dreaded encroachment on their religion, the whig party, like every + one which promises to effect a great political change, was embraced + by many equally careless of the one motive or the other; but who + hoped to indulge their licentious passions, repair their broken + fortunes, or gratify their inordinate ambition amidst a + revolutionary convulsion. + +29. The motto to Hunt's pamphlet. + +30. _Tantivi_ was a cant phrase for furious tories and high-flyers. In + one of College's unlucky strokes of humour, he had invented a print + called _Mac Ninny_, in which the Duke of York was represented + half-jesuit half-devil; and a parcel of tories, mounted on the + church of England, were driving it at full gallop, _tantivy_, to + Rome. Hickeringill's poem, called "The Mushroom," written against + our author's "Hind and Panther," is prefaced by an epistle to the + tories and tantivies. + +31. This passage is inaccurately quoted. Mr Hunt wrote, "Such monsters + as Theseus and Hercules _are_, renowned throughout all ages for + destroying." The learned gentleman obviously meant that Dryden's + heroes (whom he accounted tyrants) resembled not the demi-gods, but + the monsters whom they destroyed. But the comma is so unhappily + placed after _are_, as to leave the sense capable of the malicious + interpretation which Dryden has put upon it. + +32. Shadwell, as he resembled Ben Jonson in extreme corpulence, and + proposed him for the model of dramatic writing, seems to have + affected the coarse and inelegant debauchery of his prototype. He + lived chiefly in taverns, was a gross sensualist in his habits, and + brutal in his conversation. His fine gentlemen all partake of their + parent's grossness and vulgarity; they usually open their dialogue, + by complaining of the effects of last night's debauch. He is + probably the only author, who ever chose for his heroes a set of + riotous bloods, or _scowerers_, as they were then termed, and + expected the public should sympathise in their brutal orgies. True + it is, that the heroes are _whig_ scowerers; and, whilst breaking + windows, stabbing watchmen, and beating passengers, do not fail to + express a due zeal for the Protestant religion, and the liberty of + the subject. Much of the interest also turns, it must be allowed, + upon the Protestant scowerers aforesaid baffling and beating, + without the least provocation, a set of inferior scowerers, who + were Jacobites at least, if not Papists. Shadwell is thus described + in the "Sessions of the Poets:" + + Next into the crowd Tom Shadwell does wallow, + And swears by his guts, his paunch, and his tallow, + 'Tis he that alone best pleases the age, + Himself and his wife have supported the stage. + Apollo, well pleased with so bonny a lad, + To oblige him, he told him he should be huge glad, + Had he half so much wit as he fancied he had. + However, to please so jovial a wit, + And to keep him in humour, Apollo thought fit + To bid him drink on, and keep his old trick + Of railing at poets-- + + Those, who consult the full passage, will see good reason to think + Dryden's censure on Shadwell's brutality by no means too severe. + +33. In 1444, Ladislaus king of Hungary, in breach of a treaty solemnly + sworn upon the gospel, invaded Bulgaria, at the instigation of the + Cardinal Legate. He was slain, and his army totally routed in the + bloody battle of Warna, where ten thousand Christians fell before + the janissaries of Amurath II. It is said, that while the battle + remained undecided, the sultan displayed the solemn treaty, and + invoked the God of truth, and the blessed name of Jesus, to revenge + the impious infidelity of the Hungarian. This battle would have + laid Hungary under the Turkish yoke, had it not been for the + exploits of John Corvinus Huniades, the white knight of Walachia, + and the more dubious prowess of the famous John Castriot, king of + Epirus. + +34. In the preface to which the author alleges, that Hunt contributed + no small share towards the composition of "Julian the Apostate." + See WOOD'S _Ath. Oxon._ v. ii. p. 729. + +35. The song against the bishops is probably a ballad, upon their + share in throwing out the bill of exclusion, beginning thus: + + The grave house of Commons, by hook, or by crook, + Resolved to root out both the pope and the duke; + Let them vote, let them move, let them do what they will; + The bishops, the bishops, have thrown out the bill. + + It concludes with the following stanza: + + The best of expedients, the law can propose, + Our church to preserve, and to quiet our foes, + Is not to let lawn sleeves our parliament fill, + But throw out the bishops, that threw out the bill. + _State Poems_, Vol. III. p. 154. + + The Tunbridge ballad, which our author also ascribes to Shadwell or + his assistant, I have not found among the numerous libels of the + time. + +36. The "Massacre of Paris" appears to have been written by Lee, + during the time of the Popish plot, and if then brought out, the + subject might have been extravagantly popular. It would appear it + was suppressed at the request of the French ambassador. Several + speeches, and even a whole scene seem to have been transplanted to + the "Duke of Guise," which were afterwards replaced, when the + Revolution rendered the "Massacre of Paris," again a popular topic. + There were, among others, the description of the meeting of Alva + and the queen mother at Bayonne; the sentiments expressed + concerning the assassination of Caesar, and especially the whole + quarrelling scene between Guise and Grillon, which, in the + "Massacre of Paris," passes between Guise and the admiral + Chastillon. In the preface to the "Princess of Cleves," which was + acted in 1689, Lee gives the following account of the transposition + of these passages. "The Duke of Guise, who was notorious for a + bolder fault, has wrested two whole scenes from the original, (the + Massacre just before mentioned,) which, after the vacation, he will + be forced to pay. I was, I confess, through indignation, forced to + limb my own child, which time, the true cure for all maladies and + injustice, has set together again. The play cost me much pains, the + story is true, and, I hope, the object will display treachery in + its own colours. But this farce, comedy, tragedy, or mere play, was + a revenge for the refusal of the other." This last sentence alludes + to the suppression of the "Massacre of Paris," which, according to + the author's promise, appeared with all its appurtenances restored + in 1690, the year following.] + +37. When the days of Whiggish prosperity shone forth, Shadwell did his + best to retort upon our poet. In the prologue to "Bury Fair," we + find the following lines of exultation, on his having regained + possession of the stage: + + Those wretched poetitos, who got praise, + By writing most _confounded loyal plays_, + With viler coarser jests, than at Bear-garden, + And silly Grub-street songs, worse than Tom Farthing; + If any noble patriot did excel, + His own and country's rights defending well, + These yelping curs were straight 'looed on to bark, + On the deserving man to set a mark; + Those abject fawning parasites and knaves. + Since they were such, would have all others slaves. + 'Twas precious _loyalty_, that was thought fit + To atone for want of honesty and wit; + No wonder common sense was all cried down, + And noise and nonsense swaggered through the town; + Our author then opprest would have you know it. + Was silenced for a non-conformist poet; + Now, sirs, since common sence has won the day, + Be kind to this as to his last year's play; + His friends stood firmly to him, when distressed, + He hopes the number is not now decreast. + He found esteem from those he valued most; + Proud of his friends, he of his foes could boast. + +38. "Know then, to prevent the farther shedding of Christian blood, we + are all content Ventoso shall be viceroy, upon condition I may be + viceroy over him." Tempest, as altered by Dryden, vol. iii. p. 124. + +39. The fable alluded to occurs in the _Pia Hilaria_ of Gazaeus, and in + Le Grand's _Fabliaux_; it makes the subject of a humorous tale by + Mr Robert Southey. + +40. Alluding to the well-known catastrophe of poor Settle acting in + Bartholomew fair: + + "Reduced at last to hiss in his own dragon." + +41. The _say_, or _assay_, is the first cut made on the stag when he + is killed. The hunter begins at the brisket, and draws the knife + downwards. The purpose is, to ascertain how fat he is: + + "At the assay kitle him, that Lends may se + Anon Fat or lene whether that he be." + _Boke of St Alban's._ + + The allusion in the text is to the cruel punishment of high treason + by quartering. + +42. "And so thou shalt for me," said James, when he came to the + passage; "thou art a biting knave, but a witty one." + + + * * * * * + + + ALBION AND ALBANIUS: + + + AN + + OPERA + + + _Discite justitiam, moniti, et non temnere divos._ + VIRG. + + + + + ALBION AND ALBANIUS. + + +This opera, like the play which precedes it, had an avowed political +object. It was intended to celebrate the victory of the crown over its +opponents, or, as our author would have expressed it, of loyalty over +sedition and insurrection. The events, which followed the Restoration, +are rapidly, but obviously and distinctly, traced down to the death of +Charles, and the quiet accession of his brother, who, after all the +storms which had threatened to blast his prospects, found himself +enabled to mount the throne, with ease sufficient to encourage him to +the measures which precipitated him from that elevation. The leading +incidents of the busy and intriguing reign of Charles II. are +successively introduced in the following order. The city of London is +discovered occupied by the republicans and fanatics, depicted under +the allegorical personages Democracy and Zeal. General Monk, as +Archon, charms the factions to sleep, and the Restoration is +emblematized by the arrival of Charles, and the Duke of York, under +the names of Albion and Albanius. The second act opens with a council +of the fiends, where the popish plot is hatched, and Democracy and +Zeal are dismissed, to propagate it upon earth, with Oates, the famous +witness, in their train. The next entry presents Augusta, or London, +stung by a snake, to intimate the revival of the popular faction in +the metropolis. Democracy and Zeal, under the disguise of Patriotism +and Religion, insinuate themselves into the confidence of the city, +and are supposed to foment the parliamentary opposition, which, ending +on the bill of exclusion, rendered it necessary, that the Duke of York +should leave the kingdom. We have then, in allegorical representation, +the internal feuds of the parties, which, from different causes, +opposed the crown. The adherents of Monmouth, and the favourers of +republican tenets, are represented as disputing with each other, until +the latter, by the flight of Shaftesbury, obtains a final ascendancy. +In the mean while, Charles, or Albion, has recourse to the advice of +Proteus; under which emblem an evil minded whig might suppose Halifax, +and the party of Trimmers, to be represented; actuated by whose +versatile, and time-serving politics, Charles gave way to each wave, +but remained buoyant amid the tempest. The Rye-house plot is then +presented in allegory,--an unfit subject for exultation, since the +dark intrigues of the interior conspirators were made the instruments +of the fall of Sidney and Russell. The return of the Duke of York, +with his beautiful princess, and the rejoicings which were supposed to +take place, in heaven and earth, upon Charles' attaining the pinnacle +of uncontrolled power, was originally the intended termination of the +opera; which, as first written, consisted of only one act, +introductory to the drama of "King Arthur." But the eye and the ear of +Charles were never to be regaled by this flattering representation: he +died while the opera was in rehearsal. A slight addition, as the +author has himself informed us, adapted the conclusion of his piece to +this new and unexpected event. The apotheosis of Albion, and the +succession of Albanius to the uncontrouled domination of a willing +people, debased by circumstances expressing an unworthy triumph over +deceased foes, was substituted as the closing scene. Altered as it +was, to suit the full-blown fortune of James, an ominous fatality +attended these sugared scenes, which were to present the exulting +recapitulation of his difficulties and triumph. While the opera was +performing, for the sixth time only, news arrived that Monmouth had +landed in the west, the audience dispersed, and the players never +attempted to revive a play, which seemed to be of evil augury to the +crown. + +Our author appears to have found it difficult to assign a name for +this performance, which was at once to address itself to the eye, the +ear, and the understanding. The ballad-opera, since invented, in which +part is sung, part acted and spoken, comes nearest to its description. +The plot of the piece contains nothing brilliantly ingenious: the +deities of Greece and Rome had been long hacknied machines in the +masks and operas of the sixteenth century; and it required little +invention to paint the duchess of York as Venus, or to represent her +husband protected by Neptune, and Charles consulting with Proteus. But +though the device be trite, the lyrical diction of the opera is most +beautifully sweet and flowing. The reader finds none of these harsh +inversions, and awkward constructions, by which ordinary poets are +obliged to screw their verses into the fetters of musical time. +Notwithstanding the obstacles stated by Dryden himself, every line +seems to flow in its natural and most simple order; and where the +music required repetition of a line, or a word, the iteration seems to +improve the sense and poetical effect. Neither is the piece deficient +in the higher requisites of lyric poetry. When music is to be "married +to immortal verse," the poet too commonly cares little with how +indifferent a yoke-mate he provides her. But Dryden, probably less +from a superior degree of care, than from that divine impulse which he +could not resist, has hurried along in the full stream of real poetry. +The description of the desolation of London, at the opening of the +piece, the speech of Augusta, in act second, and many other passages, +fully justify this encomium. + +The music of the piece was entrusted to Louis Grabut, or Grabu, the +master of the king's band, whom Charles, French in his politics, his +manners, and his taste, preferred to the celebrated Purcell. "Purcell, +however," says an admirable judge, "having infinitely more fancy, and, +indeed, harmonical resources, than the Frenchified Tuscan, his +predecessor, now offered far greater pleasure and amusement to a +liberal lover of music, than can be found, not only in the productions +of Cambert and Grabu, whom Charles II., and, to flatter his majesty, +Dryden, patronised in preference to Purcell, but in all the noisy +monotony of the rhapsodist of Quinault."--_Burney's History of Music_, +Vol. III. p. 500. + +It seems to be generally admitted, that the music of "Albion and +Albanius" was very indifferent. From the preface, as well as the stage +directions, it appears that a vast expence was incurred, in shew, +dress, and machinery. Downes informs us, that, owing to the +interruption of the run of the piece in the manner already mentioned, +the half of the expence was never recovered, and the theatre was +involved considerably in debt.--_Rosc. Anglic._ p. 40. The whigs, +against whom the satire was levelled, the rival dramatists of the day, +and the favourers of the English school of music, united in triumphing +in its downfall[1]. + +Mr Luttrell's manuscript note has fixed the first representation of +"Albion and Albanius" to the 3d of June, 1685; and the laudable +accuracy of Mr Malone has traced its sixth night to Saturday the 13th +of the same month, when an express brought the news of Monmouth's +landing. The opera was shortly after published. In 1687 Grabut +published the music, with a dedication to James II.[2] + + +Footnotes: +1. The following verses are rather better worthy of preservation than + most which have been written against Dryden. + + From Father Hopkins, whose vein did inspire him, + Bayes sends this raree-show to public view; + Prentices, fops, and their footmen admire him, + Thanks patron, painter, and Monsieur Grabu. + + Each actor on the stage his luck bewailing, + Finds that his loss is infallibly true; + Smith, Nokes, and Leigh, in a fever with railing, + Curse poet, painter, and Monsieur Grabu. + + Betterton, Betterton, thy decorations, + And the machines, were well written, we knew; + But, all the words were such stuff, we want patience, + And little better is Monsieur Grabu. + + Damme, says Underhill, I'm out of two hundred, + Hoping that rainbows and peacocks would do; + Who thought infallible Tom[a] could have blundered? + A plague upon him and Monsieur Grabu! + + Lane, thou hast no applause for thy capers, + Though all, without thee, would make a man spew; + And a month hence will not pay for the tapers, + Spite of Jack Laureat, and Monsieur Grabu. + + Bayes, thou wouldst have thy skill thought universal, + Though thy dull ear be to music untrue; + Then, whilst we strive to confute the Rehearsal, + Prithee leave thrashing of Monsieur Grabu. + + With thy dull prefaces still thou wouldst treat us, + Striving to make thy dull bauble look fair; + So the horned herd of the city do cheat us, + Still most commending the worst of their ware. + + Leave making operas and writing of lyricks, + Till thou hast ears, and can alter thy strain; + Stick to thy talent of bold panegyricks, + And still remember--_breathing the vein_[b]. + + Yet, if thou thinkest the town will extoll them, + Print thy dull notes; but be thrifty and wise: + Instead of angels subscribed for the volume, + Take a round shilling, and thank my advice. + + In imitating thee, this may be charming, + Gleaning from laureats is no shame at all; + And let this song be sung next performing, + Else, ten to one that the prices will fall. + + Footnotes: + a. Thomas Betterton. + + b. An expression in Dryden's poem on the death of Cromwell, which + his libeller insisted on applying to the death of Charles I. + +2. Langbaine has preserved another jest upon our author's preference + of Grabut to the English musicians. + + Grabut, his yokemate, ne'er shall be forgot. + Whom th' god of tunes upon a muse begot; + Bayes on a double score to him belongs, + As well for writing, as for setting songs; + For some have sworn the intrigue so odd is laid, + That Bayes and he mistook each other's trade, + Grabut the lines, and he the music made. + + + + + THE + + PREFACE. + + +If wit has truly been defined, "a propriety of thoughts and words,[1]" +then that definition will extend to all sorts of poetry; and, among +the rest, to this present entertainment of an opera. Propriety of +thought is that fancy which arises naturally from the subject, or +which the poet adapts to it; propriety of words is the clothing of +those thoughts with such expressions as are naturally proper to them; +and from both these, if they are judiciously performed, the delight of +poetry results. An opera is a poetical tale, or fiction, represented +by vocal and instrumental music, adorned with scenes, machines, and +dancing. The supposed persons of this musical drama are generally +supernatural, as gods, and goddesses, and heroes, which at least are +descended from them, and are in due time to be adopted into their +number. The subject, therefore, being extended beyond the limits of +human nature, admits of that sort of marvellous and surprising +conduct, which is rejected in other plays. Human impossibilities are +to be received as they are in faith; because, where gods are +introduced, a supreme power is to be understood, and second causes are +out of doors; yet propriety is to be observed even here. The gods are +all to manage their peculiar provinces; and what was attributed by the +heathens to one power, ought not to be performed by any other. Phoebus +must foretel, Mercury must charm with his caduceus, and Juno must +reconcile the quarrels of the marriage-bed; to conclude, they must all +act according to their distinct and peculiar characters. If the +persons represented were to speak upon the stage, it would follow, of +necessity, that the expressions should be lofty, figurative, and +majestical: but the nature of an opera denies the frequent use of +these poetical ornaments; for vocal music, though it often admits a +loftiness of sound, yet always exacts an harmonious sweetness; or, to +distinguish yet more justly, the recitative part of the opera requires +a more masculine beauty of expression and sound. The other, which, for +want of a proper English word, I must call the _songish part_, must +abound in the softness and variety of numbers; its principal intention +being to please the hearing, rather than to gratify the understanding. +It appears, indeed, preposterous at first sight, that rhyme, on any +consideration, should take place of reason; but, in order to resolve +the problem, this fundamental proposition must be settled, that the +first inventors of any art or science, provided they have brought it +to perfection, are, in reason, to give laws to it; and, according to +their model, all after-undertakers are to build. Thus, in epic poetry, +no man ought to dispute the authority of Homer, who gave the first +being to that masterpiece of art, and endued it with that form of +perfection in all its parts, that nothing was wanting to its +excellency. Virgil therefore, and those very few who have succeeded +him, endeavoured not to introduce, or innovate, any thing in a design +already perfected, but imitated the plan of the inventor; and are only +so far true heroic poets, as they have built on the foundations of +Homer. Thus, Pindar, the author of those Odes, which are so admirably +restored by Mr Cowley in our language, ought for ever to be the +standard of them; and we are bound, according to the practice of +Horace and Mr Cowley, to copy him. Now, to apply this axiom to our +present purpose, whosoever undertakes the writing of an opera, which +is a modern invention, though built indeed on the foundation of ethnic +worship, is obliged to imitate the design of the Italians, who have +not only invented, but brought to perfection, this sort of dramatic +musical entertainment. I have not been able, by any search, to get any +light, either of the time when it began, or of the first author; but I +have probable reasons, which induce me to believe, that some Italians, +having curiously observed the gallantries of the Spanish Moors at +their zambras, or royal feasts, where music, songs, and dancing, were +in perfection, together with their machines, which are usual at their +_sortija_, or running at the ring, and other solemnities, may possibly +have refined upon those moresque divertisements, and produced this +delightful entertainment, by leaving out the warlike part of the +carousals, and forming a poetical design for the use of the machines, +the songs, and dances. But however it began, (for this is only +conjectural,) we know, that, for some centuries, the knowledge of +music has flourished principally in Italy, the mother of learning and +of arts[2]; that poetry and painting have been there restored, and so +cultivated by Italian masters, that all Europe has been enriched out +of their treasury; and the other parts of it, in relation to those +delightful arts, are still as much provincial to Italy, as they were +in the time of the Roman empire. Their first operas seem to have been +intended for the celebration of the marriages of their princes, or for +the magnificence of some general time of joy; accordingly, the +expences of them were from the purse of the sovereign, or of the +republic, as they are still practised at Venice, Rome, and at other +places, at their carnivals. Savoy and Florence have often used them in +their courts, at the weddings of their dukes; and at Turin +particularly, was performed the "Pastor Fido," written by the famous +Guarini, which is a pastoral opera made to solemnise the marriage of a +Duke of Savoy. The prologue of it has given the design to all the +French; which is a compliment to the sovereign power by some god or +goddess; so that it looks no less than a kind of embassy from heaven +to earth. I said in the beginning of this preface, that the persons +represented in operas are generally gods, goddesses, and heroes +descended from them, who are supposed to be their peculiar care; which +hinders not, but that meaner persons may sometimes gracefully be +introduced, especially if they have relation to those first times, +which poets call the Golden Age; wherein, by reason of their +innocence, those happy mortals were supposed to have had a more +familiar intercourse with superior beings; and therefore shepherds +might reasonably be admitted, as of all callings the most innocent, +the most happy, and who, by reason of the spare time they had, in +their almost idle employment, had most leisure to make verses, and to +be in love; without somewhat of which passion, no opera can possibly +subsist. + +It is almost needless to speak any thing of that noble language, in +which this musical drama was first invented and performed. All, who +are conversant in the Italian, cannot but observe, that it is the +softest, the sweetest, the most harmonious, not only of any modern +tongue, but even beyond any of the learned. It seems indeed to have +been invented for the sake of poetry and music; the vowels are so +abounding in all words, especially in terminations of them, that, +excepting some few monosyllables, the whole language ends in them. +Then the pronunciation is so manly, and so sonorous, that their very +speaking has more of music in it than Dutch poetry and song. It has +withal derived, so much copiousness and eloquence from the Greek and +Latin, in the composition of words, and the formation of them, that +if, after all, we must call it barbarous, it is the most beautiful and +most learned of any barbarism in modern tongues; and we may, at least, +as justly praise it, as Pyrrhus did the Roman discipline and martial +order, that it was of barbarians, (for so the Greeks called all other +nations,) but had nothing in it of barbarity. This language has in a +manner been refined and purified from the Gothic ever since the time +of Dante, which is above four hundred years ago; and the French, who +now cast a longing eye to their country, are not less ambitious to +possess their elegance in poetry and music; in both which they labour +at impossibilities. It is true, indeed, they have reformed their +tongue, and brought both their prose and poetry to a standard; the +sweetness, as well as the purity, is much improved, by throwing off +the unnecessary consonants, which made their spelling tedious and +their pronunciation harsh: but, after all, as nothing can be improved +beyond its own _species_, or farther than its original nature will +allow; as an ill voice, though ever so thoroughly instructed in the +rules of music, can never be brought to sing harmoniously, nor many an +honest critic ever arrive to be a good poet; so neither can the +natural harshness of the French, or their perpetual ill accent, be +ever refined into perfect harmony like the Italian. The English has +yet more natural disadvantages than the French; our original Teutonic, +consisting most in monosyllables, and those incumbered with +consonants, cannot possibly be freed from those inconveniencies. The +rest of our words, which are derived from the Latin chiefly, and the +French, with some small sprinklings of Greek, Italian, and Spanish, +are some relief in poetry, and help us to soften our uncouth numbers; +which, together with our English genius, incomparably beyond the +trifling of the French, in all the nobler parts of verse, will justly +give us the pre-eminence. But, on the other hand, the effeminacy of +our pronunciation, (a defect common to us and to the Danes,) and our +scarcity of female rhymes, have left the advantage of musical +composition for songs, though not for recitative, to our neighbours. + +Through these difficulties I have made a shift to struggle in my part +of the performance of this opera; which, as mean as it is, deserves at +least a pardon, because it has attempted a discovery beyond any former +undertaker of our nation; only remember, that if there be no +north-east passage to be found, the fault is in nature, and not in me; +or, as Ben Jonson tells us in "The Alchymist," when projection had +failed, and the glasses were all broken, there was enough, however, in +the bottoms of them, to cure the itch; so I may thus be positive, that +if I have not succeeded as I desire, yet there is somewhat still +remaining to satisfy the curiosity, or itch of sight and hearing. Yet +I have no great reason to despair; for I may, without vanity, own some +advantages, which are not common to every writer; such as are the +knowledge of the Italian and French language, and the being conversant +with some of their best performances in this kind; which have +furnished me with such variety of measures as have given the composer, +Monsieur Grabut, what occasions he could wish, to shew his +extraordinary talent in diversifying the recitative, the lyrical part, +and the chorus; in all which, not to attribute any thing to my own +opinion, the best judges and those too of the best quality, who have +honoured his rehearsals with their presence, have no less commended +the happiness of his genius than his skill. And let me have the +liberty to add one thing, that he has so exactly expressed my sense in +all places where I intended to move the passions, that he seems to +have entered into my thoughts, and to have been the poet as well as +the composer. This I say, not to flatter him, but to do him right; +because amongst some English musicians, and their scholars, who are +sure to judge after them, the imputation of being a Frenchman is +enough to make a party, who maliciously endeavour to decry him. But +the knowledge of Latin and Italian poets, both which he possesses, +besides his skill in music, and his being acquainted with all the +performances of the French operas, adding to these the good sense to +which he is born, have raised him to a degree above any man, who shall +pretend to be his rival on our stage. When any of our countrymen excel +him, I shall be glad, for the sake of old England, to be shewn my +error; in the mean time, let virtue be commended, though in the person +of a stranger[3]. + +If I thought it convenient, I could here discover some rules which I +have given to myself in writing of an opera in general, and of this +opera in particular; but I consider, that the effect would only be, to +have my own performance measured by the laws I gave; and, +consequently, to set up some little judges, who, not understanding +thoroughly, would be sure to fall upon the faults, and not to +acknowledge any of the beauties; an hard measure, which I have often +found from false critics. Here, therefore, if they will criticise, +they shall do it out of their own _fond_; but let them first be +assured that their ears are nice; for there is neither writing nor +judgment on this subject without that good quality. It is no easy +matter, in our language, to make words so smooth, and numbers so +harmonious, that they shall almost set themselves. And yet there are +rules for this in nature, and as great a certainty of quantity in our +syllables, as either in the Greek or Latin: but let poets and judges +understand those first, and then let them begin to study English. When +they have chewed a while upon these preliminaries, it may be they will +scarce adventure to tax me with want of thought and elevation of fancy +in this work; for they will soon be satisfied, that those are not of +the nature of this sort of writing. The necessity of double rhimes, +and ordering of the words and numbers for the sweetness of the voice, +are the main hinges on which an opera must move; and both of these are +without the compass of any art to teach another to perform, unless +nature, in the first place, has done her part, by enduing the poet +with that nicety of hearing, that the discord of sounds in words shall +as much offend him, as a seventh in music would a good composer. I +have therefore no need to make excuses for meanness of thought in many +places: the Italians, with all the advantages of their language, are +continually forced upon it, or, rather, affect it. The chief secret is +the choice of words; and, by this choice, I do not here mean elegancy +of expression, but propriety of sound, to be varied according to the +nature of the subject. Perhaps a time may come when I may treat of +this more largely, out of some observations which I have made from +Homer and Virgil, who, amongst all the poets, only understood the art +of numbers, and of that which was properly called _rhythmus_ by the +ancients. + +The same reasons, which depress thought in an opera, have a stronger +effect upon the words, especially in our language; for there is no +maintaining the purity of English in short measures, where the rhime +returns so quick, and is so often female, or double rhime, which is +not natural to our tongue, because it consists too much of +monosyllables, and those, too, most commonly clogged with consonants; +for which reason I am often forced to coin new words, revive some that +are antiquated, and botch others; as if I had not served out my time +in poetry, but was bound apprentice to some doggrel rhimer, who makes +songs to tunes, and sings them for a livelihood. It is true, I have +not been often put to this drudgery; but where I have, the words will +sufficiently shew, that I was then a slave to the composition, which I +will never be again: it is my part to invent, and the musician's to +humour that invention. I may be counselled, and will always follow my +friend's advice where I find it reasonable, but will never part with +the power of the militia[4]. + +I am now to acquaint my reader with somewhat more particular +concerning this opera, after having begged his pardon for so long a +preface to so short a work. It was originally intended only for a +prologue to a play of the nature of "The Tempest;" which is a tragedy +mixed with opera, or a drama, written in blank verse, adorned with +scenes, machines, songs, and dances, so that the fable of it is all +spoken and acted by the best of the comedians; the other part of the +entertainment to be performed by the same singers and dancers who were +introduced in this present opera. It cannot properly be called a play, +because the action of it is supposed to be conducted sometimes by +supernatural means, or magic; nor an opera, because the story of it is +not sung.--But more of this at its proper time.--But some intervening +accidents having hitherto deferred the performance of the main design, +I proposed to the actors, to turn the intended Prologue into an +entertainment by itself, as you now see it, by adding two acts more to +what I had already written. The subject of it is wholly allegorical; +and the allegory itself so very obvious, that it will no sooner be +read than understood. It is divided, according to the plain and +natural method of every action, into three parts. For even Aristotle +himself is contented to say simply, that in all actions there is a +beginning, a middle, and an end; after which model all the Spanish +plays are built. + +The descriptions of the scenes, and other decorations of the stage, I +had from Mr Betterton, who has spared neither for industry, nor cost, +to make this entertainment perfect, nor for invention of the ornaments +to beautify it. + +To conclude, though the enemies of the composer are not few, and that +there is a party formed against him of his own profession, I hope, and +am persuaded, that this prejudice will turn in the end to his +advantage. For the greatest part of an audience is always +uninterested, though seldom knowing; and if the music be well +composed, and well performed, they, who find themselves pleased, will +be so wise as not to be imposed upon, and fooled out of their +satisfaction. The newness of the undertaking is all the hazard. When +operas were first set up in France, they were not followed over +eagerly; but they gained daily upon their hearers, till they grew to +that height of reputation, which they now enjoy. The English, I +confess, are not altogether so musical as the French; and yet they +have been pleased already with "The Tempest," and some pieces that +followed, which were neither much better written, nor so well composed +as this. If it finds encouragement, I dare promise myself to mend my +hand, by making a more pleasing fable. In the mean time, every loyal +Englishman cannot but be satisfied with the moral of this, which so +plainly represents the double restoration of His Sacred Majesty. + + + POSTSCRIPT. + +This preface being wholly written before the death of my late royal +master, (_quem semper acerbum, semper honoratum, sic dii voluistis, +habebo_) I have now lately reviewed it, as supposing I should find +many notions in it, that would require correction on cooler thoughts. +After four months lying by me, I looked on it as no longer mine, +because I had wholly forgotten it; but I confess with some +satisfaction, and perhaps a little vanity, that I found myself +entertained by it; my own judgment was new to me, and pleased me when +I looked on it as another man's. I see no opinion that I would retract +or alter, unless it be, that possibly the Italians went not so far as +Spain, for the invention of their operas. They might have it in their +own country; and that by gathering up the shipwrecks of the Athenian +and Roman theatres, which we know were adorned with scenes, music, +dances, and machines, especially the Grecian. But of this the learned +Monsieur Vossius, who has made our nation his second country, is the +best, and perhaps the only judge now living. As for the opera itself, +it was all composed, and was just ready to have been performed, when +he, in honour of whom it was principally made, was taken from us. + +He had been pleased twice or thrice to command, that it should be +practised before him, especially the first and third acts of it; and +publicly declared more than once, that the composition and choruses +were more just, and more beautiful, than any he had heard in England. +How nice an ear he had in music, is sufficiently known; his praise +therefore has established the reputation of it above censure, and made +it in a manner sacred. It is therefore humbly and religiously +dedicated to his memory. + +It might reasonably have been expected that his death must have +changed the whole fabric of the opera, or at least a great part of it. +But the design of it originally was so happy, that it needed no +alteration, properly so called; for the addition of twenty or thirty +lines in the apotheosis of Albion, has made it entirely of a piece, +This was the only way which could have been invented, to save it from +botched ending; and it fell luckily into my imagination; as if there +were a kind of fatality even in the most trivial things concerning the +succession: a change was made, and not for the worse, without the +least confusion or disturbance; and those very causes, which seemed to +threaten us with troubles, conspired to produce our lasting happiness. + + +Footnotes: +1. This definition occurs in the preface to the "State of Innocence;" + but although given by Dryden, and sanctioned by Pope, it has a very + limited resemblance to that which is defined. Mr Addison has, + however, mistaken Dryden, in supposing that he applied this + definition exclusively to what we now properly call _wit_. From the + context it is plain, that he meant to include all poetical + composition.--_Spectator_, No. 62. The word once comprehended human + knowledge in general. We still talk of the wit of man, to signify + all that man can devise. + +2. The first Italian opera is said to have been that of "Dafne," + performed at Florence in 1597.--_See_ BURNEY'S _History of Music_, + Vol. iv. p. 17. + +3. This passage gave great offence, being supposed to contain an + oblique reflection on Purcell and the other English composers. + +4. Alluding to the disputes betwixt the King and Parliament, on the + important point of the command of the militia.] + + + + + PROLOGUE + + + Full twenty years, and more, our labouring stage + Has lost, on this incorrigible age: + Our poets, the John Ketches of the nation, + Have seemed to lash ye, even to excoriation; + But still no sign remains; which plainly notes, + You bore like heroes, or you bribed like Oates.-- + What can we do, when mimicking a fop, + Like beating nut-trees, makes a larger crop? + 'Faith, we'll e'en spare our pains! and, to content you, + Will fairly leave you what your Maker meant you. + Satire was once your physic, wit your food; + One nourished not, and t'other drew no blood: + We now prescribe, like doctors in despair, + The diet your weak appetites can bear. + Since hearty beef and mutton will not do, + Here's julep-dance, ptisan of song and show: + Give you strong sense, the liquor is too heady; + You're come to farce,--that's asses milk,--already. + Some hopeful youths there are, of callow wit, + Who one day may be men, if heaven think fit; + Sound may serve such, ere they to sense are grown, + Like leading-strings, till they can walk alone.-- + But yet, to keep our friends in countenance, know, + The wise Italians first invented show; + Thence into France the noble pageant past: + 'Tis England's credit to be cozened last. + Freedom and zeal have choused you o'er and o'er; } + Pray give us leave to bubble you once more; } + You never were so cheaply fooled before: } + We bring you change, to humour your disease; + Change for the worse has ever used to please: + Then, 'tis the mode of France; without whose rules, + None must presume to set up here for fools. + In France, the oldest man is always young, + Sees operas daily, learns the tunes so long, + Till foot, hand, head, keep time with every song: + Each sings his part, echoing from pit and box, + With his hoarse voice, half harmony, half pox[1]. + _Le plus grand roi du monde_ is always ringing, + They show themselves good subjects by their singing: + On that condition, set up every throat; + You whigs may sing, for you have changed your note. + Cits and citesses, raise a joyful strain, + 'Tis a good omen to begin a reign; + Voices may help your charter to restoring, + And get by singing, what you lost by roaring. + + +Footnote: +1. This practice continued at the opera of Paris in the time of Gay. + It could hardly have obtained any where else. + + "But, hark! the full orchestra strikes the strings, + The hero struts, and the whole audience sings; + My jarring ear harsh grating murmurs wound. + Hoarse and confused, like Babel's mingled sound. + Hard chance had placed me near a noisy throat, + That, in rough quavers, bellowed every note: + "Pray, Sir," said I, "suspend awhile your song, + The opera's drowned, your lungs are wondrous strong; + I wish to hear your Roland's ranting strain, + When he with rooted forests strews the plain."-- + "_Monsieur assurement n'aime pas la musique._" + Then turning round, he joined the ungrateful noise, + And the loud chorus thundered with his voice." + _Epistle to the Right Hon. William Pulteney._ + + + + + Names of the Persons, represented in the same + order as they appear first upon the stage. + + MERCURY. + AUGUSTA. _London._ + THAMESIS. + DEMOCRACY. + ZELOTA. _Feigned Zeal._ + ARCHON. _The General._ + JUNO. + IRIS. + ALBION. + ALBANIUS. + PLUTO. + ALECTO. + APOLLO. + NEPTUNE. + NEREIDS. + ACACIA. _Innocence._ + TYRANNY. + ASEBIA. _Atheism,_ or _Ungodliness._ + PROTEUS. + VENUS. + FAME. + _A Chorus of Cities._ + _A Chorus of Rivers._ + _A Chorus of the People._ + _A Chorus of Furies._ + _A Chorus of Nereids and Tritons._ + _A grand Chorus of Heroes, Loves, and Graces._ + + + + + THE + + FRONTISPIECE. + + +The curtain rises, and a new frontispiece is seen, joined to the great +pilasters, which are seen on each side of the stage: on the flat of +each basis is a shield, adorned with gold; in the middle of the +shield, on one side, are two hearts, a small scroll of gold over them, +and an imperial crown over the scroll; on the other hand, in the +shield, are two quivers full of arrows saltyre, &c.; upon each basis +stands a figure bigger than the life; one represents Peace, with a +palm in one, and an olive branch in the other hand; the other Plenty, +holding a cornucopia, and resting on a pillar. Behind these figures +are large columns of the Corinthian order, adorned with fruit and +flowers: over one of the figures on the trees is the king's cypher; +over the other, the queen's: over the capitals, on the cornice, sits a +figure on each side; one represents Poetry, crowned with laurel, +holding a scroll in one hand, the other with a pen in it, and resting +on a book; the other, Painting, with a pallet and pencils, &c.: on the +sweep of the arch lies one of the Muses, playing on a bass-viol; +another of the Muses, on the other side, holding a trumpet in one +hand, and the other on a harp. Between these figures, in the middle of +the sweep of the arch, is a very large pannel in a frame of gold; in +this pannel is painted, on one side, a Woman, representing the city of +London, leaning her head on her hand in a dejected posture, showing +her sorrow and penitence for her offences; the other hand holds the +arms of the city, and a mace lying under it: on the other side is a +figure of the Thames, with his legs shackled, and leaning on an empty +urn: behind these are two imperial figures; one representing his +present majesty; and the other the queen: by the king stands Pallas, +(or wisdom and valour,) holding a charter for the city, the king +extending his hand, as raising her drooping head, and restoring her to +her ancient honour and glory: over the city are the envious devouring +Harpies flying from the face of his majesty: By the queen stand the +Three Graces, holding garlands of flowers, and at her feet Cupids +bound, with their bows and arrows broken, the queen pointing with her +sceptre to the river, and commanding the Graces to take off their +fetters. Over the king, in a scroll, is this verse of Virgil, + + _Discite justitiam, moniti, et non temnere divos._ + +Over the queen, this of the same author, + + _Non ignara mali, miscris succurrere disco._ + + + + + ALBION AND ALBANIUS. + + AN + + OPERA. + + + DECORATIONS OF THE STAGE IN THE FIRST ACT. + +_The Curtain rises, and there appears on either side of the Stage, +next to the Frontispiece, a Statue on Horseback of Gold, on Pedestals +of Marble, enriched with Gold, and bearing the Imperial Arms of +England. One of these Statues is taken from that of the late King at +Charing-cross; the other from that figure of his present Majesty (done +by that noble Artist, Mr. Gibbons) at Windsor._ + +_The Scene is a Street of Palaces, which lead to the Front of the +Royal-Exchange; the great Arch is open, and the view is continued +through the open part of the Exchange, to the Arch on the other side, +and thence to as much of the Street beyond, as could possibly be +taken._ + + MERCURY DESCENDS IN A CHARIOT DRAWN BY RAVENS. + +_He comes to Augusta and Thamesis. They lie on Couches at a distance +from each other in dejected postures; She attended by Cities, He by +Rivers._ + +_On the side of Augusta's Couch are painted towers falling, a Scarlet +Gown, and a Gold Chain, a Cap of Maintenance thrown down, and a Sword +in a Velvet Scabbard thrust through it, the City Arms, a Mace with an +old useless Charter, and all in disorder. Before Thamesis are broken +Reeds, Bull-rushes, Sedge, &c. with his Urn Reverst._ + + +ACT I. + + MERCURY _Descends._ + +_Mer._ Thou glorious fabric! stand, for ever stand: +Well worthy thou to entertain +The God of Traffic, and of Gain, +To draw the concourse of the land, +And wealth of all the main. +But where the shoals of merchants meeting? +Welcome to their friends repeating, +Busy bargains' deafer sound? +Tongue confused of every nation? +Nothing here but desolation, +Mournful silence reigns around. + +_Aug._ O Hermes! pity me! +I was, while heaven did smile, +The queen of all this isle, +Europe's pride, +And Albion's bride; +But gone my plighted lord! ah, gone is he! +O Hermes! pity me! + +_Tham._ And I the noble Flood, whose tributary tide +Does on her silver margent smoothly glide; +But heaven grew jealous of our happy state, +And bid revolving fate +Our doom decree; +No more the King of Floods am I, +No more the Queen of Albion, she! + [_These two Lines are sung by Reprises + betwixt_ AUGUSTA _and_ THAMESIS. + +_Aug._ O Hermes! pity me! } _Sung by_ AUG. _and_ + } THAM. _together._ +_Tham._ O Hermes! pity me! } + +_Aug._ Behold! + +_Tham._ Behold! + +_Aug._ My turrets on the ground, +That once my temples crowned! + +_Tham._ The sedgy honours of my brows dispersed! +My urn reversed! + +_Merc._ Rise, rise, Augusta, rise! +And wipe thy weeping eyes: +Augusta!--for I call thee so: +'Tis lawful for the gods to know +Thy future name, +And growing fame. +Rise, rise, Augusta, rise. + +_Aug._ O never, never will I rise, +Never will I cease my mourning, +Never wipe my weeping eyes, +Till my plighted lord's returning! +Never, never will I rise! + +_Merc._ What brought thee, wretch, to this despair? +The cause of thy misfortune show. + +_Aug._ It seems the gods take little care +Of human things below, +When even our sufferings here they do not know. + +_Merc._ Not unknowing came I down, +Disloyal town! +Speak! didst not thou +Forsake thy faith, and break thy nuptial vow? + +_Aug._ Ah, 'tis too true! too true! +But what could I, unthinking city, do? +Faction swayed me, +Zeal allured me, +Both assured me. +Both betrayed me! + +_Merc._ Suppose me sent +Thy Albion to restore,-- +Can'st thou repent? + +_Aug._ My falsehood I deplore! + +_Tham._ Thou seest her mourn, and I +With all my waters will her tears supply. + +_Merc._ Then by some loyal deed regain +Thy long-lost reputation, +To wash away the stain +That blots a noble nation, +And free thy famous town again +From force of usurpation. + +_Chorus of all._ We'll wash away the stain +That blots a noble nation, +And free this famous town again +From force of usurpation. [_Dance of the Followers of_ MERCURY. + +_Aug._ Behold Democracy and Zeal appear; +She, that allured my heart away, +And he, that after made a prey. + +_Merc._ Resist, and do not fear! + +_Chorus of all._ Resist, and do not fear! + + _Enter_ DEMOCRACY _and_ ZEAL _attended by_ ARCHON. + +_Democ._ Nymph of the city! bring thy treasures, +Bring me more +To waste in pleasures. + +_Aug._ Thou hast exhausted all my store, +And I can give no more. + +_Zeal._ Thou horny flood, for Zeal provide +A new supply; and swell thy moony tide, +That on thy buxom back the floating gold may glide. + +_Tham._ Not all the gold the southern sun produces, +Or treasures of the famed Levant, +Suffice for pious uses, +To feed the sacred hunger of a saint! + +_Democ._ Woe to the vanquished, woe! +Slave as thou art, +Thy wealth impart, +And me thy victor know! + +_Zeal._ And me thy victor know. +Resistless arms are in my hand, +Thy bars shall burst at my command, +Thy tory head lie low. +Woe to the vanquished, woe! + +_Aug._ Were I not bound by fate +For ever, ever here, +My walls I would translate +To some more happy sphere, +Removed from servile fear. + +_Tham._ Removed from servile fear. +Would I could disappear, +And sink below the main; +For commonwealth's a load, +My old imperial flood +Shall never, never bear again. +A commonwealth's a load, } THAMES. _and_ +Our old imperial flood, } AUG. _together._ +Shall never, never, never, bear again. } + +_Dem._ Pull down her gates, expose her bare; +I must enjoy the proud disdainful fair. +Haste, Archon, haste +To lay her waste[1]! + +_Zeal._ I'll hold her fast +To be embraced! + +_Dem._ And she shall see +A thousand tyrants are in thee, +A thousand thousand more in me! + +_Archon._ to _Aug._ From the Caledonian shore +Hither am I come to save thee, +Not to force or to enslave thee, +But thy Albion to restore: +Hark! the peals the people ring, +Peace, and freedom, and a king. + +_Chorus._ Hark! the peals the people ring, +Peace, and freedom, and a king. + +_Aug._ and _Tham._ To arms! to arms! + +_Archon._ I lead the way! + +_Merc._ Cease your alarms! +And stay, brave Archon, stay! +'Tis doomed by fate's decree, +'Tis doomed that Albion's dwelling, +All other isles excelling, +By peace shall happy be. + +_Archon._ What then remains for me? + +_Merc._ Take my caduceus! Take this awful wand, +With this the infernal ghosts I can command, +And strike a terror through the Stygian land. +Commonwealth will want pretences, +Sleep will creep on all his senses; +Zeal that lent him her assistance, +Stand amazed without resistance. + [ARCHON _touches_ DEMOCRACY _with a Wand._ + +_Dem._ I feel a lazy slumber lays me down: +Let Albion, let him take the crown. +Happy let him reign, +Till I wake again. [_Falls asleep._ + +_Zeal._ In vain I rage, in vain +I rouse my powers; +But I shall wake again, +I shall, to better hours. +Even in slumber will I vex him; +Still perplex him, +Still incumber: +Know, you that have adored him, +And sovereign power afford him, +We'll reap the gains +Of all your pains, +And seem to have restored him. [ZEAL _falls asleep._ + +_Aug._ and _Tham._ A stupifying sadness +Leaves her without motion; +But sleep will cure her madness, +And cool her to devotion. + + _A double Pedestal rises: on the Front of it is painted, in + Stone-colour, two Women; one holding a double-faced Vizor; the other + a Book, representing_ HYPOCRISY _and_ FANATICISM; _when_ ARCHON _has + charmed_ DEMOCRACY _and_ ZEAL _with the Caduceus of_ MERCURY, _they + fall asleep on the Pedestal, and it sinks with them._ + +_Merc._ Cease, Augusta! cease thy mourning, +Happy days appear; +God-like Albion is returning +Loyal hearts to chear. +Every grace his youth adorning, +Glorious as the star of morning, +Or the planet of the year. + +_Chor._ Godlike Albion is returning, &c. + +_Merc._ to _Arch._ Haste away, loyal chief, haste away, +No delay, but obey; +To receive thy loved lord, haste away. [_Ex._ ARCH. + +_Tham._ Medway and Isis, you that augment me, +Tides that increase my watery store, +And you that are friends to peace and plenty, +Send my merry boys all ashore; +Seamen skipping, +Mariners leaping, +Shouting, tripping, +Send my merry boys all ashore! + + _A dance of Watermen in the King's and Duke's Liveries._ + + _The Clouds divide, and_ JUNO _appears in a Machine drawn by + Peacocks; while a Symphony is playing, it moves gently forward, and + as it descends, it opens and discovers the Tail of the Peacock, + which is so large, that it almost fills the opening of the Stage + between Scene and Scene._ + +_Merc._ The clouds divide; what wonders, +What wonders do I see! +The wife of Jove! 'Tis she, +That thunders, more than thundering he! + +_Juno._ No, Hermes, no; +'Tis peace above +As 'tis below; +For Jove has left his wand'ring love. + +_Tham._ Great queen of gathering clouds, +Whose moisture fills our floods, +See, we fall before thee, +Prostrate we adore thee! + +_Aug._ Great queen of nuptial rites, +Whose power the souls unites, +And fills the genial bed with chaste delights, +See, we fall before thee, +Prostrate we adore thee! + +_Juno._ 'Tis ratified above by every god, +And Jove has firmed it with an awful nod, +That Albion shall his love renew: +But oh, ungrateful fair, +Repeated crimes beware, +And to his bed be true! + + IRIS _appears on a very large Machine. This was really seen the 18th + of March, 1684, by Captain_ Christopher Gunman, _on Board his R.H. + Yacht, then in Calais Pierre: He drew it as it then appeared, and + gave a Draught of it to us. We have only added the Cloud where the + Person of_ IRIS _sits._ + +_Juno._ Speak, Iris, from Batavia, speak the news! +Has he performed my dread command, +Returning Albion to his longing land, +Or dare the nymph refuse? + +_Iris._ Albion, by the nymph attended, +Was to Neptune recommended; +Peace and Plenty spread the sails, +Venus, in her shell before him, +From the sands in safety bore him, +And supplied Etesian gales. [_Retornella._ +Archon, on the shore commanding, +Lowly met him at his landing, +Crowds of people swarmed around; +Welcome rang like peals of thunder; +Welcome, rent the skies asunder; +Welcome, heaven and earth resound. + +_Juno._ Why stay we then on earth, +When mortals laugh and love? +'Tis time to mount above, +And send Astraea down, +The ruler of his birth, +And guardian of his crown. +'Tis time to mount above, +And send Astraea down. + +_Mer. Jun. Ir._ 'Tis time to mount above, +And send Astraea down. [MER. JU. _and_ IR. _ascend._ + +_Aug._ and _Tham._ The royal squadron marches, +Erect triumphal arches, +For Albion and Albanius; +Rejoice at their returning, +The passages adorning: +The royal squadron marches, +Erect triumphal arches +For Albion and Albanius. + + _Part of the Scene disappears, and the Four Triumphal arches, + erected on his Majesty's Coronation, are seen._ + + ALBION _appears,_ ALBANIUS _by his Side, preceded by_ ARCHON, + _followed by a Train, &c._ + +_Full Chorus._ Hail, royal Albion, Hail! + +_Aug._ Hail, royal Albion, hail to thee, +Thy longing people's expectation! + +_Tham._ Sent from the gods to set us free +From bondage and from usurpation! + +_Aug._ To pardon and to pity me, +And to forgive a guilty nation! + +_Tham._ Behold the differing Climes agree, +Rejoicing in thy restoration. + + Entry. _Representing the Four Parts of the World, rejoicing at the + Restoration of_ ALBION. + + +ACT II. + + _The Scene is a Poetical Hell. The Change is total; The Upper Part + of the House, as well as the Side-Scenes. There is the Figure of_ + PROMETHEUS _chained to a Rock, the Vulture gnawing his Liver;_ + SISYPHUS _rolling the Stone; the_ BELIDES, _&c. Beyond, Abundance of + Figures in various Torments. Then a great Arch of Fire. Behind this, + three Pyramids of Flames in perpetual Agitation. Beyond this, + glowing Fire, which terminates the Prospect._ + + PLUTO, _and the_ FURIES; _with_ ALECTO, DEMOCRACY, _and_ ZELOTA. + +_Plu._ Infernal offspring of the night, +Debarred of heaven your native right, +And from the glorious fields of light, +Condemned in shades to drag the chain, +And fill with groans the gloomy plain; +Since, pleasures here are none below, +Be ill our good, our joy be woe; +Our work to embroil the worlds above, +Disturb their union, disunite their love, +And blast the beauteous frame of our victorious foe. + +_Dem._ and _Zel._ O thou, for whom those worlds are made, +Thou sire of all things, and their end, +From hence they spring, and when they fade, +In shuffled heaps they hither tend; +Here human souls receive their breath, +And wait for bodies after death. + +_Dem._ Hear our complaint, and grant our prayer. + +_Plu._ Speak what you are, +And whence you fell? + +_Dem._ I am thy first-begotten care, +Conceived in heaven, but born in hell. +When thou didst bravely undertake in fight +Yon arbitrary power, +That rules by sovereign might, +To set thy heaven-born fellows free, +And leave no difference in degree, +In that auspicious hour +Was I begot by thee. + +_Zel._ One mother bore us at a birth, +Her name was Zeal before she fell; +No fairer nymph in heaven or earth, +'Till saintship taught her to rebel: +But losing fame, +And changing name, +She's now the Good Old Cause in hell. + +_Plu._ Dear pledges of a flame not yet forgot, +Say, what on earth has been your lot? + +_Dem._ and _Zel._ The wealth of Albion's isle was ours, +Augusta stooped with all her stately towers. + +_Dem._ Democracy kept nobles under. + +_Zel._ Zeal from the pulpit roared like thunder. + +_Dem._ I trampled on the state. + +_Zel._ I lorded o'er the gown. + +_Dem._ and _Zel._ We both in triumph sate, +Usurpers of the crown. +But oh, prodigious turn of fate! +Heaven controuling, +Sent us rolling, rolling down. + +_Plu._ I wondered how of late our Acherontic shore +Grew thin, and hell unpeopled of her store; +Charon, for want of use, forgot his oar. +The souls of bodies dead flew all sublime, +And hither none returned to purge a crime: +But now I see, since Albion is restored, +Death has no business, nor the vengeful sword. + 'Tis too, too much that here I lie + From glorious empire hurled; + By Jove excluded from the sky; + By Albion from the world. + +_Dem._ Were common-wealth restored again, +Thou shouldst have millions of the slain +To fill thy dark abode. + +_Zel._ For he a race of rebels sends, +And Zeal the path of heaven pretends, +But still mistakes the road. + +_Plu._ My labouring thought +At length hath wrought +A bravely bold design, +In which you both shall join. +In borrowed shapes to earth return; +Thou, Common-wealth, a Patriot seem, +Thou, Zeal, like true Religion burn, +To gain the giddy crowd's esteem.-- +Alecto, thou to fair Augusta go, +And all thy snakes into her bosom throw. + +_Dem._ Spare some, to fling +Where they may sting +The breast of Albion's king. + +_Zel._ Let jealousies so well be mixed, +That great Albanius be unfixed. + +_Plu._ Forbear your vain attempts, forbear: +Hell can have no admittance there; +The people's fear will serve as well, +Make him suspected, them rebel. + +_Zel._ You've all forgot +To forge a plot, +In seeming care of Albion's life; +Inspire the crowd +With clamours loud, +To involve his brother and his wife. + +_Alec._ Take, of a thousand souls at thy command, +The basest, blackest of the Stygian band, +One, that will swear to all they can invent, +So thoroughly damned, that he can ne'er repent: +One, often sent to earth, +And still at every birth +He took a deeper stain: +One, that in Adam's time was Cain; +One, that was burnt in Sodom's flame, +For crimes even here too black to name: +One, who through every form of ill has run: +One, who in Naboth's days was Belial's son; +One, who has gained a body fit for sin; +Where all his crimes +Of former times +Lie crowded in a skin[2]. + +_Plu._ Take him, +Make him +What you please; +For he can be +A rogue with ease. +One for mighty mischief born; +He can swear, and be forsworn. + +_Plu._ and _Alect._ Take him, make him what you please; +For he can be a rogue with ease. + +_Plu._ Let us laugh, let us laugh, let us laugh at our woes, +The wretch that is damned has nothing to lose.-- +Ye furies, advance +With the ghosts in a dance. +'Tis a jubilee when the world is in trouble; +When people rebel, +We frolic in hell; +But when the king falls, the pleasure is double. + [_A single entry of a Devil, followed + by an entry of twelve Devils._ + +_Chorus._ Let us laugh, let us laugh, let us laugh at our woes, +The wretch that is damned hath nothing to lose. + + _The Scene changes to a Prospect taken from the middle of the + Thames; one side of it begins at York-Stairs, thence to White-Hall, + and the Mill-bank, &c. The other from the Saw-mill, thence to the + Bishop's Palace, and on as far as can be seen in a clear day._ + + _Enter_ AUGUSTA: _She has a Snake in her Bosom hanging down._ + +_Aug._ O jealousy, thou raging ill, +Why hast thou found a room in lovers' hearts, +Afflicting what thou canst not kill, +And poisoning love himself, with his own darts? +I find my Albion's heart is gone, +My first offences yet remain, +Nor can repentance love regain; +One writ in sand, alas, in marble one. +I rave, I rave! my spirits boil +Like flames increased, and mounting high with pouring oil; +Disdain and love succeed by turns; +One freezes me, and t'other burns; it burns. +Away, soft love, thou foe to rest! +Give hate the full possession of my breast. +Hate is the nobler passion far, +When love is ill repaid; +For at one blow it ends the war, +And cures the love-sick maid. + + _Enter_ DEMOCRACY _and_ ZELOTA; _one represents a Patriot, the + other, Religion._ + +_Dem._ Let not thy generous passion waste its rage, +But once again restore our golden age; +Still to weep and to complain, +Does but more provoke disdain. +Let public good +Inflame thy blood; +With crowds of warlike people thou art stored. +And heaps of gold; +Reject thy old, +And to thy bed receive another lord. + +_Zel._ Religion shall thy bonds release, +For heaven can loose, as well as tie all; +And when 'tis for the nation's peace, +A king is but a king on trial; +When love is lost, let marriage end, +And leave a husband for a friend. + +_Dem._ With jealousy swarming, +The people are arming, +The frights of oppression invade them. + +_Zel._ If they fall to relenting, +For fear of repenting, +Religion shall help to persuade them. + +_Aug._ No more, no more temptations use +To bend my will; +How hard a task 'tis to refuse +A pleasing ill! + +_Dem._ Maintain the seeming duty of a wife, +A modest show with jealous eyes deceive; +Affect a fear for hated Albion's life, +And for imaginary dangers grieve. + +_Zel._ His foes already stand protected, +His friends by public fame suspected, +Albanius must forsake his isle; +A plot, contrived in happy hour, +Bereaves him of his royal power, +For heaven to mourn, and hell to smile. + + _The former Scene continues._ + + _Enter_ ALBION _and_ ALBANIUS _with a train._ + +_Alb._ Then Zeal and Common-wealth infest +My land again; +The fumes of madness, that possest +The people's giddy brain, +Once more disturb the nation's rest, +And dye rebellion in a deeper stain. + + II. + +Will they at length awake the sleeping sword, +And force revenge from their offended lord? +How long, ye gods, how long +Can royal patience bear +The insults and wrong +Of madmen's jealousies, and causeless fear? + + III. + +I thought their love by mildness might be gained, +By peace I was restored, in peace I reigned; +But tumults, seditions, +And haughty petitions, +Are all the effects of a merciful nature; +Forgiving and granting, +Ere mortals are wanting, +But leads to rebelling against their creator. + + MERCURY _descends._ + +_Mer._ With pity Jove beholds thy state, +But Jove is circumscribed by fate; +The o'erwhelming tide rolls on so fast, +It gains upon this island's waste; +And is opposed too late! too late! + +_Alb._ What then must helpless Albion do? + +_Mer._ Delude the fury of the foe, +And, to preserve Albanius, let him go; +For 'tis decreed, +Thy land must bleed, +For crimes not thine, by wrathful Jove; +A sacred flood +Of royal blood +Cries vengeance, vengeance, loud above. [MERCURY _ascends._ + +_Alb._ Shall I, to assuage +Their brutal rage, +The regal stem destroy? +Or must I lose, +To please my foes, +My sole remaining joy? +Ye gods, what worse, +What greater curse, +Can all your wrath employ! + +_Alban._ Oh Albion! hear the gods and me! +Well am I lost, in saving thee. +Not exile or danger can fright a brave spirit, +With innocence guarded, +With virtue rewarded; +I make of my sufferings a merit. + +_Alb._ Since then the gods and thou will have it so, +Go; (Can I live once more to bid thee?) go, +Where thy misfortunes call thee, and thy fate; +Go, guiltless victim of a guilty state! +In war, my champion to defend, +In peaceful hours, when souls unbend, +My brother, and, what's more, my friend! +Borne where the foamy billows roar, +On seas less dangerous than the shore; +Go, where the gods thy refuge have assigned, +Go from my sight; but never from my mind. + +_Alban._ Whatever hospitable ground +Shall be for me, unhappy exile, found, +'Till heaven vouchsafe to smile; +What land soe'er,-- +Though none so dear +As this ungrateful isle,-- +O think! O think! no distance can remove +My vowed allegiance, and my loyal love. + +_Alb._ and _Alban._ The rosy-fingered morn appears, +And from her mantle shakes her tears, +In promise of a glorious day; +The sun, returning, mortals chears, +And drives the rising mists away, +In promise of a glorious day. [_Ritornelle._ + + _The farther part of the heaven opens, and discovers a Machine; as + it moves forward, the clouds which are before it divide, and shew + the person of_ APOLLO, _holding the Reins in his Hand. As they fall + lower, the Horses appear with the Rays, and a great glory about_ + APOLLO. + +_Apol._ All hail, ye royal pair, +The Gods' peculiar care! +Fear not the malice of your foes; +Their dark designing, +And combining, +Time and truth shall once expose: +Fear not the malice of your foes. + + II. + +My sacred oracles assure, +The tempest shall not long endure; +But when the nation's crimes are purged away, +Then shall you both in glory shine; +Propitious both, and both divine; +In lustre equal to the god of day. + [APOLLO _goes forward out of sight._ + + NEPTUNE _rises out of the Water, and a Train of Rivers, Tritons, and + Sea-Nymphs attend him._ + +_Tham._ Old father Ocean calls my tide; +Come away, come away; +The barks upon the billows ride, +The master will not stay; +The merry boatswain from his side +His whistle takes, to check and chide +The lingering lads' delay, +And all the crew aloud have cried, +Come away, come away. + +See, the god of seas attends thee, +Nymphs divine, a beauteous train; +All the calmer gales befriend thee, +In thy passage o'er the main; +Every maid her locks is binding, +Every Triton's horn is winding; +Welcome to the watry plain! + + CHACON[3]. + + _Two Nymphs and Tritons sing._ + +Ye Nymphs, the charge is royal, + Which you must convey; +Your hearts and hands employ all, + Hasten to obey; +When earth is grown disloyal, +Shew there's honour in the sea. + + _The_ CHACON _continues._ + + _The Chorus of Nymphs and Tritons repeat the same Verses._ + + _The_ CHACON _continues._ + + _Two Nymphs and Tritons._ + +Sports and pleasures shall attend you + Through all the watry plains, + Where Neptune reigns; +Venus ready to defend you, + And her nymphs to ease your pains, + No storm shall offend you, + Passing the main; +Nor billow threat in vain + So sacred a train, +'Till the gods, that defend you, + Restore you again. + + _The_ CHACON _continues._ + + _The Chorus repeat the same Verses,_ Sports and Pleasures _&c._ + + _The_ CHACON _continues._ + + _The two Nymphs and Tritons sing._ + +See, at your blest returning, + Rage disappears; +The widowed isle in mourning + Dries up her tears; + With flowers the meads adorning, + Pleasure appears, +And love dispels the nation's causeless fears. + + _The_ CHACON _continues._ + + _The Chorus of Nymphs and Tritons repeat the same Verses,_ See at + your blest returning, _&c._ + + _The_ CHACON _continues._ + + _Then the Chorus repeat,_ See the god of Seas, _&c. And this + Chorus concludes the Act._ + + +ACT III. + + _The Scene is a View of Dover, taken from the Sea. A row of Cliffs + fill up each Side of the Stage, and the Sea the middle of it, which + runs into the Pier; Beyond the Pier, is the town of Dover; On each + side of the Town, is seen a very high hill; on one of which is the + Castle of Dover; on the other, the great stone which they call the + Devil's-Drop. Behind the Town several Hills are seen at a great + distance, which finish the View._ + + _Enter_ ALBION _bare-headed;_ ACACIA _or_ INNOCENCE _with him._ + +_Alb._ Behold, ye powers! from whom I own +A birth immortal, and a throne; +See a sacred king uncrowned, +See your offspring, Albion, bound; +The gifts, you gave with lavish hand, +Are all bestowed in vain; +Extended empire on the land, +Unbounded o'er the main. + +_Aca._ Empire o'er the land and main, +Heaven, that gave, can take again; +But a mind, that's truly brave, +Stands despising +Storms arising, +And can ne'er be made a slave. + +_Alb._ Unhelped I am, who pitied the distressed, +And, none oppressing, am by all oppressed; +Betrayed, forsaken, and of hope bereft. + +_Aca._ Yet still the gods, and Innocence are left. + +_Alb._ Ah! what canst thou avail, +Against rebellion armed with zeal, +And faced with public good? +O monarchs, see +Your fate in me! +To rule by love, +To shed no blood, +May be extolled above; +But here below, +Let princes know, +'Tis fatal to be good. + +_Chorus of both._ To rule by love, _&c._ + +_Aca._ Your father Neptune, from the seas, +Has Nereids and blue Tritons sent, +To charm your discontent. + + _Nereids rise out of the Sea, and sing; Tritons dance._ + +From the low palace of old father Ocean, +Come we in pity your cares to deplore; +Sea-racing dolphins are trained for our motion, +Moony tides swelling to roll us ashore. + + II. + +Every nymph of the flood, her tresses rending, +Throws off her armlet of pearl in the main; +Neptune in anguish his charge unattending, +Vessels are foundering, and vows are in vain. + + _Enter_ TYRANNY, DEMOCRACY, _represented by Men, attended by_ ASEBIA + _and_ ZELOTA, Women._ + +_Tyr._ Ha, ha! 'tis what so long I wished and vowed: +Our plots and delusions +Have wrought such confusions, +That the monarch's a slave to the crowd. + +_Dem._ A design we fomented,-- + +_Tyr._ By hell it was new! + +_Dem._ A false plot invented,-- + +_Tyr._ To cover a true. + +_Dem._ First with promised faith we flattered. + +_Tyr._ Then jealousies and fears we scattered. + +_Aseb._ We never valued right and wrong, +But as they served our cause. + +_Zel._ Our business was to please the throng, +And court their wild applause; + +_Aseb._ For this we bribed the lawyer's tongue. +And then destroyed the laws. + +_Cho._ For this, &c. + +_Tyr._ To make him safe, we made his friends our prey; + +_Dem._ To make him great, we scorned his royal sway,-- + +_Tyr._ And to confirm his crown, we took his heir away. + +_Dem._ To encrease his store, +We kept him poor; + +_Tyr._ And when to wants we had betrayed him, +To keep him low, +Pronounced a foe, +Whoe'er presumed to aid him. + +_Aseb._ But you forget the noblest part, +And master piece of all your art,-- +You told him he was sick at heart. + +_Zel._ And when you could not work belief +In Albion of the imagined grief; +Your perjured vouchers, in a breath, +Made oath, that he was sick to death; +And then five hundred quacks of skill +Resolved, 'twas fit he should be ill. + +_Aseb._ Now hey for a common-wealth, +We merrily drink and sing! +'Tis to the nation's health, +For every man's a king. + +_Zel._ Then let the mask begin, +The Saints advance, +To fill the dance, +And the Property Boys come in. + + _The Boys in white begin a Fantastic Dance[4]._ + +_Cho._ Let the saints ascend the throne. + +_Dem._ Saints have wives, and wives have preachers, +Gifted men, and able teachers; +These to get, and those to own. + +_Cho._ Let the saints ascend the throne. + +_Aseb._ Freedom is a bait alluring; +Them betraying, us securing, +While to sovereign power we soar. + +_Zel._ Old delusions, new repeated, +Shews them born but to be cheated, +As their fathers were before. + + _Six Sectaries begin a formal affected Dance; the two gravest + whisper the other four, and draw them into the Plot; they pull out + and deliver Libels to them, which they receive._ + +_Dem._ See friendless Albion there alone, +Without defence +But innocence; +Albanius now is gone. + +_Tyr._ Say then, what must be done? + +_Dem._ The gods have put him in our hand[5]. + +_Zel._ He must be slain. + +_Tyr._ But who shall then command? + +_Dem._ The people; for the right returns to those. +Who did the trust impose. + +_Tyr._ 'Tis fit another sun should rise, +To cheer the world, and light the skies. + +_Dem._ But when the sun +His race has run, +And neither cheers the world, nor lights the skies, +'Tis fit a common-wealth of stars should rise. + +_Aseb._ Each noble vice +Shall bear a price, +And virtue shall a drug become; +An empty name +Was all her fame, +But now she shall be dumb. + +_Zel._ If open vice be what you drive at, +A name so broad we'll ne'er connive at. +Saints love vice, but, more refinedly, +Keep her close, and use her kindly. + +_Tyr._ Fall on. + +_Dem._ Fall on; e'er Albion's death, we'll try, +If one or many shall his room supply. + + _The White Boys dance about the Saints; the Saints draw out the + Association, and offer it to them; they refuse it, and quarrel about + it; then the White Boys and Saints fall into a confused dance, + imitating fighting. The White Boys, at the end of the dance, being + driven out by the Sectaries, with Protestant Flails.[6]_ + +_Alb._ See the gods my cause defending, +When all human help was past! + +_Acac._ Factions mutually contending, +By each other fall at last. + +_Alb._ But is not yonder Proteus' cave, +Below that steep, +Which rising billows brave? + +_Acac._ It is; and in it lies the god asleep; +And snorting by, +We may descry +The monsters of the deep. + +_Alb._ He knows the past, +And can resolve the future too. + +_Acac._ 'Tis true! +But hold him fast, +For he can change his hue.[7] + + _The Cave of_ PROTEUS _rises out of the Sea; it consists of several + arches of Rock-work adorned with mother-of-pearl, coral, and + abundance of shells of various kinds. Through the arches is seen the + Sea, and parts of Dover-pier; in the middle of the Cave is_ PROTEUS + _asleep on a rock adorned with shells, &c. like the Cave._ ALBION + _and_ ACACIA _seize on him; and while a symphony is playing, he + sinks as they are bringing him forward, and changes himself into a + Lion, a Crocodile, a Dragon, and then to his own shape again; he + comes forward to the front of the stage, and sings._ + + SYMPHONY. + +_Pro._ Albion, loved of gods and men, +Prince of peace, too mildly reigning, +Cease thy sorrow and complaining; +Thou shall be restored again: +Albion, loved of gods and men. + + II. + +Still thou art the care of heaven, +In thy youth to exile driven; +Heaven thy ruin then prevented, +'Till the guilty land repented. +In thy age, when none could aid thee, +Foes conspired, and friends betrayed thee; +To the brink of danger driven, +Still thou art the care of heaven. + +_Alb._ To whom shall I my preservation owe? + +_Pro._ Ask me no more; for 'tis by Neptune's foe.[8] + + PROTEUS _descends._ + + DEMOCRACY _and_ ZELOTA _return with their faction._ + +_Dem._ Our seeming friends, who joined alone, +To pull down one, and build another throne, +Are all dispersed and gone; +We brave republic souls remain. + +_Zel._ And 'tis by us that Albion must be slain; +Say, whom shall we employ +The tyrant to destroy? + +_Dem._ That Archer is by fate designed, +With one eye clear, and t'other blind. + +_Zel._ He comes inspired to do't. + +_Omnes._ Shoot, holy Cyclop, shoot. + + _The one-eyed Archer advances, the rest follow. A fire arises + betwixt them and_ ALBION.[9] + [_Ritornel._ + +_Dem._ Lo! heaven and earth combine +To blast our bold design. +What miracles are shewn! +Nature's alarmed, +And fires are armed, +To guard the sacred throne. + +_Zel._ What help, when jarring elements conspire, +To punish our audacious crimes? +Retreat betimes, +To shun the avenging fire. + +_Chor._ To shun the avenging fire. [_Ritor._ + + _As they are going back, a fire arises from behind; they all sink + together._[10] + +_Alb._ Let our tuneful accents upwards move, +Till they reach the vaulted arch of those above; +Let us adore them; +Let us fall before them. + +_Acac._ Kings they made, and kings they love. +When they protect a rightful monarch's reign, +The gods in heaven, the gods on earth maintain. + +_Both._ When they protect, &c. + +_Alb._ But see, what glories gild the main! + +_Acac._ Bright Venus brings Albanius back again, +With all the Loves and Graces in her train. + + _A machine rises out of the sea; it opens, and discovers_ VENUS + _and_ ALBANIUS _sitting in a great scallop-shell, richly adorned._ + VENUS _is attended by the Loves and Graces,_ ALBANIUS _by Heroes; + the shell is drawn by dolphins; it moves forward, while a symphony + of flutes-doux, &c. is playing, till it lands them on the stage, and + then it closes and sinks._ + + VENUS _sings._ + +Albion, hail! the gods present thee +All the richest of their treasures, +Peace and pleasures, +To content thee, +Dancing their eternal measures. [_Graces and Loves dance an entry._ + +_Venus._ But, above all human blessing, +Take a warlike loyal brother, +Never prince had such another; +Conduct, courage, truth expressing, +All heroic worth possessing. [_Here the Heroes' dance is performed._ + +_Chor. of all._ But above all, &c. [_Ritor._ + + _Whilst a Symphony is playing, a very large, and a very glorious + Machine descends; the figure of it oval, all the clouds shining with + gold, abundance of Angels and Cherubins flying about them, and + playing in them; in the midst of it sits_ APOLLO _on a throne of + gold; he comes from the machine to_ ALBION. + +_Phoeb._ From Jove's imperial court, +Where all the gods resort, +In awful counsel met, +Surprising news I bear; +Albion the great +Must change his seat, +For he is adopted there. + +_Venus._ What stars above shall we displace? +Where shall he fill a room divine? + +_Nept._ Descended from the sea-gods' race, +Let him by my Orion shine. + +_Phoeb._ No, not by that tempestuous sign; +Betwixt the Balance and the Maid, +The just, +August, +And peaceful shade, +Shall shine in heaven with beams displayed, +While great Albanius is on earth obeyed. + +_Venus._ Albanius, lord of land and main, +Shall with fraternal virtues reign; +And add his own, +To fill the throne; +Adored and feared, and loved no less; +In war victorious, mild in peace, +The joy of man, and Jove's increase. + +_Acac._ O thou! who mountest the aethereal throne, +Be kind and happy to thy own; +Now Albion is come, +The people of the sky +Run gazing, and cry,--Make room, +Make room, make room, +Make room for our new deity! + + _Here_ ALBION _mounts the machine, which moves upward slowly._ + + _A full chorus of all that_ ACACIA _sung._ + +_Ven._ Behold what triumphs are prepared to grace +Thy glorious race, +Where love and honour claim an equal place; +Already they are fixed by fate, +And only ripening ages wait. + + _The Scene changes to a Walk of very high trees; at the end of the + Walk is a view of that part of Windsor, which faces Eton; in the + midst of it is a row of small trees, which lead to the Castle-Hill. + In the first scene, part of the Town and part of the Hill. In the + next, the Terrace Walk, the King's lodgings, and the upper part of + St George's chapel, then the keep; and, lastly, that part of the + Castle beyond the keep._ + + _In the air is a vision of the Honours of the Garter; the Knights in + procession, and the King under a canopy; beyond this, the upper end + of St George's hall._ + + FAME _rises out of the middle of the Stage, standing on a Globe, on + which is the Arms of England: the Globe rests on a Pedestal; on the + front of the Pedestal in drawn a Man with a long, lean, pale face, + with fiends' wings, and snakes twisted round his body; he is + encompassed by several fanatical rebellious heads, who suck poison + from him, which runs out of a tap in his side._[11] + +_Fame._ Renown, assume thy trumpet! +From pole to pole resounding +Great Albion's name; +Great Albion's name shall be +The theme of Fame, shall be great Albion's name, +Great Albion's name, great Albion's name. +Record the garter's glory; +A badge for heroes, and for kings to bear; +For kings to bear! +And swell the immortal story, +With songs of Gods, and fit for Gods to hear; +And swell the immortal story, +With songs of Gods, and fit for Gods to hear; +For Gods to hear. + + _A full Chorus of all the Voices and Instruments; trumpets and + hautboys make Ritornello's of all_ FAME _sings; and twenty-four + Dancers, all the time in a chorus, and dance to the end of the + Opera._ + + +Footnotes: +1. The reader must recollect the orders of the Rump parliament to + general Monk, to destroy the gates and portcullises of the city of + London; which commission, by the bye, he actually executed, with + all the forms of contempt, although, in a day or two after, he took + up his quarters in the city, apologized for what had passed, and + declared against the parliament. + +2. Dr. Titus Oates, the principal witness to the Popish Plot, was + accused of unnatural and infamous crimes. He was certainly a most + ineffably impudent, perjured villain. + +3. The Chacon is supposed by Sir John Hawkins to be of Moorish or + Saracenic origin. "The characteristic of the Chacone is a bass, or + ground, consisting of four measures, wherein three crotchets make + the bar, and the repetition thereof with variations in the several + parts, from the beginning to the end of the air, which in respect + of its length, has no limit but the discretion of the composer. The + whole of the twelfth sonata of the second opera of Corelli is a + Chacone." _Hist. of Music_, vol. iv. p. 388. There is also, I am + informed, a very celebrated Chacon composed by Jomelli. + +4. By the _White Boys_ or _Property Boys_, are meant the adherents of + the Duke of Monmouth, who affected great zeal for liberty and + property, and assumed white badges, as marks of the innocence of + their intentions. When the Duke came to the famous Parliament held + at Oxford, "he was met by about 100 Batchellors all in white, + except black velvet caps, with white wands in their hands, who + divided themselves, and marched as a guard to his person." _Account + of the Life of the Duke of Monmouth_, p. 107. In the Duke's tour + through the west of England, he was met at Exeter, by "a brave + company of brisk stout young men, all cloathed in linen waistcoats + and drawers, _white and harmless,_ having not so much as a stick in + their hands; they were in number about 900 or 1000." _ibid._ p. + 103. See the notes on Absalom and Achitophel. The saints, on the + other hand, mean the ancient republican zealots and fanatics, who, + though they would willingly have joined in the destruction of + Charles, did not wish that Monmouth should succeed him, but aimed + at the restoration of the commonwealth. Hence the following dispute + betwixt Tyranny and Democracy. + +5. The atrocious and blasphemous sentiment in the text was actually + used by the fanatics who murdered Sharpe, the archbishop of St + Andrews. When they unexpectedly met him during their search for + another person, they exclaimed, that "the Lord had delivered him + into their hands." + +6. It is easy to believe, that, whatever was the, nature of the + schemes nourished by Monmouth, Russel, and Essex, they could have + no concern with the low and sanguinary cabal of Ramsay, Walcot, and + Rumbold, who were all of them old republican officers and + commonwealth's men. The flight of Shaftesbury, whose bustling and + politic brain had rendered him the sole channel of communication + betwixt these parties, as well as the means of uniting them in one + common design, threw loose all connection between them; so that + each, after his retreat, seems to have acted independantly of, and + often in contradiction to the other. + +7. The reader may judge, whether some distant and obscure allusion to + the trimming politics of Halifax, to whom the Duke of York, our + author's patron, was hostile, may not be here insinuated. During + the stormy session of his two last parliaments, Charles was much + guided by his temporising and camelion-like policy. + +8. That is by fire. See next note. + +9. The allegory of the one-eyed Archer, and the fire arising betwixt + him and Albion, will be made evident by the following extracts from + Sprat's history of the Conspiracy. In enumerating the persons + engaged in the Rye-house plot, he mentions "Richard Rumbold, + maltster, an old army officer, a desperate and bloody Ravaillac." + After agitating several schemes for assassinating Charles, the + Rye-house was fixed upon as a spot which the king must necessarily + pass in his journey trom Newmarket, and which, being a solitary + moated house, in the actual occupation of Rumbold, afforded the + conspirators facility of previous concealment and subsequent + defence. "All other propositions, as subject to far more casualties + and hazards, soon gave place to that of the Rye, in Herefordshire, + a house then inhabited by the foresaid Richard Rumbold, who + proposed that to be the seat of the action, offering himself to + command the party, that was to do the work. Him, therefore, as the + most daring captain, and by reason of a blemish in one of his eyes, + they were afterwards wont, in common discourse, to call Hannibal; + often drinking healths to _Hannibal and his boys_, meaning Rumbold + and his _hellish crew_. + + "Immediately upon the coaches coming within the gates and hedges + about the house, the conspirators were to divide into several + parties; some before, in the habit of labourers, were to overthrow + a cart in the narrowest passage, so as to prevent all possibility + of escape: others were to fight the guards, Walcot chusing that + part upon a punctilio of honour; others were to shoot at the + coachman, postillion, and horses; others to aim only at his + Majesty's coach, which party was to be under the particular + direction of Rumbold himself; the villain declaring beforehand, + that, upon that occasion, he would make use of a very good + blunderbuss, which was in West's possession, and blasphemously + adding, that Ferguson should first consecrate it." ... "But whilst + they were thus wholly intent on this barbarous work, and proceeded + securely in its contrivance without any the least doubt of a + prosperous success, behold! on a sudden, God miraculously + disappointed all their hopes and designs, by the terrible + conflagration unexpectedly breaking out at Newmarket. In which + extraordinary event there was one remarkable passage, that is not + so generally taken notice of, as, for the glory of God, and the + confusion of his Majesty's enemies, it ought to be. + + "For, after that the approaching fury of the flames had driven the + king out of his own palace, his Majesty, at first, removed into + another quarter of the town, remote from the fire, and, as yet, + free from any annoyance of smoke and ashes. There his Majesty, + finding he might be tolerably well accommodated, had resolved to + stay, and continue his recreations as before, till the day first + named for his journey back to London. But his Majesty had no sooner + made that resolution, when the wind, as conducted by an invisible + power from above, presently changed about, and blew the smoke and + cinders directly on his new lodging, making them in a moment as + untenable as the other. Upon this, his Majesty being put to a new + shift, and not finding the like conveniency elsewhere, immediately + declared, he would speedily return to Whitehall, as he did; which + happening to be several days before the assassins expected him, or + their preparations for the Rye were in readiness, it may justly + give occasion to all the world to acknowledge, what one of the very + conspirators could not but do, _that it was a providential + fire._"--Pages 51_ et seq._ + + The proprietor of the Rye-house (for Rumbold was but a tenant) + shocked at the intended purpose, for which it was to have been + used, is said to have fired it with his own hand. This is the + subject of a poem, called the Loyal Incendiary, or the generous + _Boute-feu_. + +10. The total ruin of those, who were directly involved in the + Rye-house, was little to be regretted, had it not involved the fate + of those who were pursuing reform, by means more manly and + constitutional,--the fate of Russel, Essex, and Sidney. + + Rumbold, "the one-eyed archer," fled to Holland, and came to + Scotland with Argyle, on his ill-concerted expedition. He was + singled out and pursued, after the dispersion of his companions in + a skirmish. He defended himself with desperate resolution against + two armed peasants, till a third, coming behind him with a + pitch-fork, turned off his head-piece, when he was cut down and + made prisoner, exclaiming, "Cruel countryman, to use me thus, while + my face was to mine enemy." He suffered the doom of a traitor at + Edinburgh, and maintained on the scaffold, with inflexible + firmness, the principles in which he had lived. He could never + believe, he said, that the many of human kind came into the world + bridled and saddled, and the few with whips and spurs to ride them. + "His rooted ingrained opinion, says Fountainhall, was for a + republic against monarchy, to pull down which he thought a duty, + and no sin." At his death, he declared, that were every hair of his + head a man, he would venture them all in the good old cause. + +11. "I must not," says Langbaine, "take the pains to acquaint my + reader, that by the man on the pedestal, &c. is meant the late Lord + Shaftesbury. I shall not pretend to pass my censure, whether he + deserved this usage from our author or no, but leave it to the + judgments of statesmen and politicians." Shaftesbury having been + overturned in a carriage, received some internal injury which + required a constant discharge by an issue in his side. Hence he was + ridiculed under the name of _Tapski_. In a mock account of an + apparition, stated to have appeared to Lady Gray, it says, "Bid + Lord Shaftesbury have a care to his spigot--if he is tapt, all the + plot will run out." _Ralph's History_, vol. i. p. 562. from a + pamphlet in Lord Somers' collection. There are various allusions to + this circumstance in the lampoons of the time. A satire called "The + Hypocrite," written by Carryl, concludes thus: + + His body thus and soul together vie. + In vice's empire for the sovereignty; + In ulcers shut this does abound in sin, + Lazar without and Lucifer within. + The silver pipe is no sufficient drain + For the corruption of this little man; + Who, though he ulcers have in every part, + Is no where so corrupt as in his heart. + + At length, in prosecution of this coarse and unhandsome jest, a + sort of vessel with a turn-cock was constructed for holding wine, + which was called a Shaftesbury, and used in the taverns of the + royal party. + + + + + EPILOGUE + + + After our AEsop's fable shown to-day, + I come to give the moral of the play. + Feigned Zeal, you saw, set out the speedier pace; + But the last heat, Plain Dealing won the race: + Plain Dealing for a jewel has been known; + But ne'er till now the jewel of a crown. + When heaven made man, to show the work divine, + Truth was his image, stamped upon the coin: + And when a king is to a God refined, + On all he says and does he stamps his mind: + This proves a soul without alloy, and pure; + Kings, like their gold, should every touch endure. + To dare in fields is valour; but how few + Dare be so throughly valiant,--to be true! + The name of great, let other kings affect: + He's great indeed, the prince that is direct. + His subjects know him now, and trust him more + Than all their kings, and all their laws before. + What safety could their public acts afford? + Those he can break; but cannot break his word. + So great a trust to him alone was due; + Well have they trusted whom so well they knew. + The saint, who walked on waves, securely trod, + While he believed the beck'ning of his God; + But when his faith no longer bore him out, + Began to sink, as he began to doubt. + Let us our native character maintain; + 'Tis of our growth, to be sincerely plain. + To excel in truth we loyally may strive, + Set privilege against prerogative: + He plights his faith, and we believe him just; + His honour is to promise, ours to trust. + Thus Britain's basis on a word is laid, + As by a word the world itself was made[1]. + + +Footnote: +1. From this Epilogue we learn, what is confirmed by many proofs + elsewhere, that the attribute for which James desired to be + distinguished and praised, was that of openness of purpose, and + stern undeviating inflexibility of conduct. He scorned to disguise + his designs, either upon the religion or the constitution of his + country. He forgot that it was only the temporising concessions of + his brother which secured his way to the throne, when his + exclusion, or a civil war, seemed the only alternatives. His + brother was the reed, which bent before the whirlwind, and + recovered its erect posture when it had passed away; and James, the + inflexible oak, which the first tempest rooted up for ever. + + + * * * * * + + + DON SEBASTIAN. + + + A + + TRAGEDY. + + + _--Nec tarda senectus + Debilitat vires animi, mutatque vigorem._ + VIRG. + + + + + DON SEBASTIAN. + + +The following tragedy is founded upon the adventures supposed to have +befallen Sebastian, king of Portugal, after the fatal battle of +Alcazar. The reader may be briefly reminded of the memorable +expedition of that gallant monarch to Africa, to signalize, against +the Moors, his chivalry as a warrior, and his faith as a Christian. +The ostensible pretext of invasion was the cause of Muly Mahomet, son +of Abdalla, emperor of Morocco; upon whose death, his brother, Muly +Moluch, had seized the crown, and driven his nephew into exile. The +armies joined battle near Alcazar. The Portuguese, far inferior in +number to the Moors, displayed the most desperate valour, and had +nearly won the day, when Muly Moluch, who, though almost dying, was +present on the field in a litter, fired with shame and indignation, +threw himself on horseback, rallied his troops, renewed the combat, +and, being carried back to his litter, immediately expired, with his +finger placed on his lips, to impress on the chiefs, who surrounded +him, the necessity of concealing his death. The Moors, rallied by +their sovereign's dying exertion, surrounded, and totally routed, the +army of Sebastian. Mahomet, the competitor for the throne of Morocco, +was drowned in passing a river in his flight, and Sebastian, as his +body was never found, probably perished in the same manner. But where +the region of historical certainty ends, that of romantic tradition +commences. The Portuguese, to whom the memory of their warlike +sovereign was deservedly dear, grasped at the feeble hope which the +uncertainty of his fate afforded, and long, with vain fondness, +expected the return of Sebastian, to free them from the yoke of Spain. +This mysterious termination of a hero's career, as it gave rise to +various political intrigues, (for several persons assumed the name and +character of Sebastian,) early afforded a subject for exercising the +fancy of the dramatist and romance writer. "The Battle of Alcazar[1]" +is known to the collectors of old plays; a ballad on the same subject +is reprinted in Evans's collection; and our author mentions a French +novel on the adventures of Don Sebastian, to which Langbaine also +refers. + +The situation of Dryden, after the Revolution, was so delicate as to +require great caution and attention, both in his choice of a subject, +and his mode of treating it. His distressed circumstances and lessened +income compelled him to come before the public as an author; while the +odium attached to the proselyte of a hated religion, and the partizan +of a depressed faction, was likely, upon the slightest pretext, to +transfer itself from the person of the poet to the labours on which +his support depended. He was, therefore, not only obliged to chuse a +theme, which had no offence in it, and to treat it in a manner which +could not admit of misconstruction, but also so to exert the full +force of his talents, as, by the conspicuous pre-eminence of his +genius, to bribe prejudice and silence calumny. An observing reader +will accordingly discover, throughout the following tragedy, symptoms +of minute finishing, and marks of accurate attention, which, in our +author's better days, he deigned not to bestow upon productions, to +which his name alone was then sufficient to give weight and privilege. +His choice of a subject was singularly happy: the name of Sebastian +awaked historical recollections and associations, favourable to the +character of his hero; while the dark uncertainty of his fate removed +all possibility of shocking the audience by glaring offence against +the majesty of historical truth. The subject has, therefore, all the +advantages of a historical play, without the detects, which either a +rigid coincidence with history, or a violent contradiction of known +truth, seldom fail to bring along with them. Dryden appears from his +preface to have been fully sensible of this; and he has not lost the +advantage of a happy subject by treating it with the carelessness he +sometimes allowed himself to indulge. + +The characters in "Don Sebastian" are contrasted with singular ability +and judgment. Sebastian, high-spirited and fiery; the soul of royal +and military honour; the soldier and the king; almost embodies the +idea which the reader forms at the first mention of his name. Dorax, +to whom he is so admirable a contrast, is one of those characters whom +the strong hand of adversity has wrested from their natural bias; and +perhaps no equally vivid picture can be found, of a subject so awfully +interesting. Born with a strong tendency to all that was honourable +and virtuous, the very excess of his virtues became vice, when his own +ill fate, and Sebastian's injustice, had driven him into exile. By +comparing, as Dryden has requested, the character of Dorax, in the +fifth act, with that he maintains in the former part of the play, the +difference may be traced betwixt his natural virtues, and the vices +engrafted on them by headlong passion and embittering calamity. There +is no inconsistence in the change which takes place after his scene +with Sebastian; as was objected by those, whom the poet justly terms, +"the more ignorant sort of creatures." It is the same picture in a new +light; the same ocean in tempest and in calm; the same traveller, whom +sunshine has induced to abandon his cloak, which the storm only forced +him to wrap more closely around him. The principal failing of Dorax is +the excess of pride, which renders each supposed wound to his honour +more venomously acute; yet he is not devoid of gentler affections, +though even in indulging these the hardness of his character is +conspicuous. He loves Violante, but that is a far subordinate feeling +to his affection for Sebastian. Indeed, his love appears so inferior +to his loyal devotion to his king, that, unless to gratify the taste +of the age, I see little reason for its being introduced at all. It is +obvious he was much more jealous of the regard of his sovereign, than +of his mistress; he never mentions Violante till the scene of +explanation with Sebastian; and he appears hardly to have retained a +more painful recollection of his disappointment in that particular, +than of the general neglect and disgrace he had sustained at the court +of Lisbon. The last stage of a virtuous heart, corroded into evil by +wounded pride, has been never more forcibly displayed than in the +character of Dorax. When once induced to take the fatal step which +degraded him in his own eyes, all his good affections seem to be +converted into poison. The religion, which displays itself in the +fifth act in his arguments against suicide, had, in his efforts to +justify his apostacy, or at least to render it a matter of no moment, +been exchanged for sentiments approaching, perhaps to atheism, +certainly to total scepticism. His passion for Violante is changed +into contempt and hatred for her sex, which he expresses in the +coarsest terms. His feelings of generosity, and even of humanity, are +drowned in the gloomy and stern misanthropy, which has its source in +the self-discontent that endeavours to wreak itself upon others. This +may be illustrated by his unfeeling behaviour, while Alvarez and +Antonio, well known to him in former days, approach, and draw the +deadly lot, which ratifies their fate. No yielding of compassion, no +recollection of former friendship, has power to alter the cold and +sardonic sarcasm with which he sketches their characters, and marks +their deportment in that awful moment. Finally, the zealous attachment +of Alonzo for his king, which, in its original expression, partakes of +absolute devotion, is changed, by the circumstances of Dorax, into an +irritated and frantic jealousy, which he mistakes for hatred; and +which, in pursuing the destruction of its object, is almost more +inveterate than hatred itself. Nothing has survived of the original +Alonzo at the opening of the piece, except the gigantic passion which +has caused his ruin. This character is drawn on a large scale, and in +a heroic proportion; but it is so true to nature, that many readers +must have lamented, even within the circle of domestic acquaintance, +instances of feelings hardened, and virtues perverted, where a high +spirit has sustained severe and unjust neglect and disgrace. The whole +demeanour of this exquisite character suits the original sketch. From +"the long stride and sullen port," by which Benducar distinguishes him +at a distance, to the sullen stubbornness with which he obeys, or the +haughty contempt with which he resists, the commands of the peremptory +tyrant under whom he had taken service, all announce the untamed pride +which had robbed Dorax of virtue, and which yet, when Benducar would +seduce him into a conspiracy, and in his conduct towards Sebastian, +assumes the port and dignity of virtue herself. In all his conduct and +bearing, there is that mixed feeling and impulse, which constitutes +the real spring of human action. The true motive of Alonzo in saving +Sebastian, is not purely that of honourable hatred, which he proposes +to himself; for to himself every man endeavours to appear consistent, +and readily find arguments to prove to himself that he is so. Neither +is his conduct to be ascribed altogether to the gentler feelings of +loyal and friendly affection, relenting at the sight of his +sovereign's ruin, and impending death. It is the result of a mixture +of these opposite sensations, clashing against each other like two +rivers at their conflux, yet urging their united course down the same +channel. Actuated by a mixture of these feelings, Dorax meets +Sebastian; and the art of the poet is displayed in that admirable +scene, by suggesting a natural motive to justify to the injured +subject himself the change of the course of his feelings. As his +jealousy of Sebastian's favour, and resentment of his unjust neglect, +was chiefly founded on the avowed preference which the king had given +to Henriquez, the opportune mention of his rival's death, by removing +the cause of that jealousy, gives the renegade an apology to his own +pride, for throwing himself at the feet of that very sovereign, whom a +moment before he was determined to force to combat. They are little +acquainted with human passions, at least have only witnessed their +operations among men of common minds, who doubt, that at the height of +their very spring-tide, they are often most susceptible of sudden +changes; revolutions, which seem to those who have not remarked how +nearly the most opposite feelings are allied and united, the most +extravagant and unaccountable. Muly Moluch is an admirable specimen of +that very frequent theatrical character,--a stage tyrant. He is fierce +and boisterous enough to be sufficiently terrible and odious, and that +without much rant, considering he is an infidel Soldan, who, from the +ancient deportment of Mahomed and Termagaunt, as they appeared in the +old Mysteries, might claim a prescriptive right to tear a passion to +tatters. Besides, the Moorish emperor has fine glances of savage +generosity, and that free, unconstrained, and almost noble openness, +the only good quality, perhaps, which a consciousness of unbounded +power may encourage in a mind so firm as not to be totally depraved by +it. The character of Muly Moluch, like that of Morat, in +"Aureng-Zebe," to which it bears a strong resemblance, was admirably +represented by Kynaston; who had, says Cibber, "a fierce lion-like +majesty in his port and utterance, that gave the spectator a kind of +trembling admiration." It is enough to say of Benducar, that the cool, +fawning, intriguing, and unprincipled statesman, is fully developed in +his whole conduct; and of Alvarez, that the little he has to say and +do, is so said and done, as not to disgrace his common-place character +of the possessor of the secret on which the plot depends; for it may +be casually observed, that the depositary of such a clew to the +catastrophe, though of the last importance to the plot, is seldom +himself of any interest whatever. The haughty and high-spirited +Almeyda is designed by the author as the counterpart of Sebastian. She +breaks out with the same violence, I had almost said fury, and +frequently discovers a sort of kindred sentiment, intended to prepare +the reader for the unfortunate discovery, that she is the sister of +the Portuguese monarch. + +Of the diction, Dr Johnson has said, with meagre commendation, that it +has "some sentiments which leave a strong impression," and "others of +excellence, universally acknowledged." This, even when the admiration +of the scene betwixt Dorax and Sebastian has been sanctioned by that +great critic, seems scanty applause for the _chef d'oeuvre_ of +Dryden's dramatic works. The reader will be disposed to look for more +unqualified praise, when such a poet was induced, by every pressing +consideration, to combine, in one effort, the powers of his mighty +genius, and the fruits of his long theatrical experience: Accordingly, +Shakespeare laid aside, it will be perhaps difficult to point out a +play containing more animatory incident, impassioned language, and +beautiful description, than "Don Sebastian." Of the former, the scene +betwixt Dorax and the king, had it been the only one ever Dryden +wrote, would have been sufficient to insure his immortality. There is +not,--no, perhaps, not even in Shakespeare,--an instance where the +chord, which the poet designed should vibrate, is more happily struck; +strains there are of a higher mood, but not more correctly true; in +evidence of which, we have known those, whom distresses of a gentler +nature were unable to move, feel their stubborn feelings roused and +melted by the injured pride and deep repentance of Dorax. The burst of +anguish with which he answers the stern taunt of Sebastian, is one of +those rare, but natural instances, in which high-toned passion assumes +a figurative language, because all that is familiar seems inadequate +to express its feelings: + + _Dor._ Thou hast dared + To tell me, what I durst not tell myself: + I durst not think that I was spurned, and live; + And live to hear it boasted to my face. + All my long avarice of honour lost, + Heaped up in youth, and hoarded up for age! + Has honour's fountain then sucked back the stream? + He has; and hooting boys may dry-shod pass, + And gather pebbles from the naked ford. + Give me my love, my honour; give them back-- + Give me revenge, while I have breath to ask it! + +But I will not dwell on the beauties of this scene. If any one is +incapable of relishing it, he may safely conclude, that nature has not +merely denied him that rare gift, poetical taste, but common powers of +comprehending the ordinary feelings of humanity. The love scene, +betwixt Sebastian and Almeyda, is more purely conceived, and expressed +with more reference to sentiment, than is common with our author. The +description which Dorax gives of Sebastian, before his appearance, +coming from a mortal enemy, at least from one whose altered love was +as envenomed as hatred, is a grand preparation for the appearance of +the hero. In many of the slighter descriptive passages, we recognize +the poet by those minute touches, which a mind susceptible of poetic +feeling is alone capable of bringing out. The approach of the emperor, +while the conspirators are caballing, is announced by Orchan, with +these picturesque circumstances: + + I see the blaze of torches from afar, + And hear the trampling of thick-beating feet-- + This way they move.-- + +The following account, given by the slave sent to observe what passed +in the castle of Dorax, believed to be dead, or dying, is equally +striking: + + _Haly._ Two hours I warily have watched his palace: + All doors are shut, no servant peeps abroad; + Some officers, with striding haste, past in; + While others outward went on quick dispatch. + Sometimes hushed silence seemed to reign within; + Then cries confused, and a joint clamour followed; + Then lights went gliding by, from room to room, + And shot like thwarting meteors cross the house. + Not daring further to inquire, I came + With speed to bring you this imperfect news. + +The description of the midnight insurrection of the rabble is not less +impressive: + + _Ham._ What you wish: + The streets are thicker in this noon of night, + Than at the mid-day sun: A drouzy horror + Sits on their eyes, like fear, not well awake: + All crowd in heaps, as, at a night alarm, + The bees drive out upon each others backs, + T'imboss their hives in clusters; all ask news: + Their busy captain runs the weary round + To whisper orders; and, commanding silence, + Makes not noise cease, but deafens it to murmurs. + +These illustrations are designedly selected from the parts of the +lower characters, because they at once evince the diligence and +success with which Dryden has laboured even the subordinate points of +this tragedy. + +"Don Sebastian" has been weighed, with reference to its tragic merits, +against "Love for Love;" and one or other is universally allowed to be +the first of Dryden's dramatic performances. To the youth of both +sexes the latter presents the most pleasing subject of emotion; but to +those whom age has rendered incredulous upon the romantic effects of +love, and who do not fear to look into the recesses of the human +heart, when agitated by darker and more stubborn passions, "Don +Sebastian" offers a far superior source of gratification. + +To point out the blemishes of so beautiful a tragedy, is a painful, +though a necessary, task. The style, here and there, exhibits marks of +a reviving taste for those frantic bursts of passion, which our author +has himself termed the "Dalilahs of the theatre." The first speech of +Sebastian has been often noticed as an extravagant rant, more worthy +of Maximin, or Almanzor, than of a character drawn by our author in +his advanced years, and chastened taste: + + I beg no pity for this mouldering clay; + For if you give it burial, there it takes + Possession of your earth: + If burnt and scatter'd in the air, the winds, + That strew my dust, diffuse my royalty, + And spread me o'er your clime; for where one atom + Of mine shall light, know, there Sebastian reigns. + +The reader's discernment will discover some similar extravagancies in +the language of Almeyda and the Emperor. + +It is a separate objection, that the manners of the age and country +are not adhered to. Sebastian, by disposition a crusading +knight-errant, devoted to religion and chivalry, becomes, in the hands +of Dryden, merely a gallant soldier and high-spirited prince, such as +existed in the poet's own days. But, what is worse, the manners of +Mahometans are shockingly violated. Who ever heard of human +sacrifices, or of any sacrifices, being offered up to Mahomet[2]; and +when were his followers able to use the classical and learned +allusions which occur throughout the dialogue! On this last topic +Addison makes the following observations, in the "Guardian," No. 110. + + "I have now Mr Dryden's "Don Sebastian" before me, in which I find + frequent allusions to ancient poetry, and the old mythology of the + heathens. It is not very natural to suppose a king of Portugal would + be borrowing thoughts out of Ovid's "Metamorphoses," when he talked + even to those of his own court; but to allude to these Roman fables, + when he talks to an emperor of Barbary, seems very extraordinary. + But observe how he defies him out of the classics in the following + lines: + + Why didst not thou engage me man to man, + And try the virtue of that Gorgon face, + To stare me into statue? + + "Almeyda, at the same time, is more book-learned than Don Sebastian. + She plays an Hydra upon the Emperor, that is full as good as the + Gorgon: + + O that I had the fruitful heads of Hydra, + That one might bourgeon where another fell! + Still would I give thee work, still, still, thou tyrant, + And hiss thee with the last. + + "She afterwards, in allusion to Hercules, bids him 'lay down the + lion's skin, and take the distaff;' and, in the following speech, + utters her passion still more learnedly: + + No; were we joined, even though it were in death, + Our bodies burning in one funeral pile, + The prodigy of Thebes would be renewed, + And my divided flame should break from thine. + + "The emperor of Barbary shews himself acquainted with the Roman + poets as well as either of his prisoners, and answers the foregoing + speech in the same classic strain: + + Serpent, I will engender poison with thee: + Our offspring, like the seed of dragon's teeth, + Shall issue armed, and fight themselves to death. + + "Ovid seems to have been Muley-Moloch's favourite author; witness + the lines that follow: + + She, still inexorable, still imperious, + And loud, as if, like Bacchus, born in thunder. + + "I shall conclude my remarks on his part with that poetical + complaint of his being in love; and leave my reader to consider, how + prettily it would sound in the mouth of an emperor of Morocco: + + The god of love once more has shot his fires + Into my soul, and my whole heart receives him. + + "Muley Zeydan is as ingenious a man as his brother Muley Moloch; as + where he hints at the story of Castor and Pollux: + + May we ne'er meet; + For, like the twins of Leda, when I mount, + He gallops down the skies. + + "As for the Mufti, we will suppose that he was bred up a scholar, + and not only versed in the law of Mahomet, but acquainted with all + kinds of polite learning. For this reason he is not at all surprised + when Dorax calls him a Phaeton in one place, and in another tells him + he is like Archimedes. + + "The Mufti afterwards mentions Ximenes, Albornoz, and cardinal + Wolsey, by name. The poet seems to think, he may make every person, + in his play, know as much as himself, and talk as well as he could + have done on the same occasion. At least, I believe, every reader + will agree with me, that the above-mentioned sentiments, to which I + might have added several others, would have been better suited to + the court of Augustus than that of Muley Moloch. I grant they are + beautiful in themselves, and much more so in that noble language, + which was peculiar to this great poet. I only observe, that they are + improper for the persons who make use of them." + +The catastrophe of the tragedy may be also censured, not only on the +grounds objected to that of "OEdipus," but because it does not +naturally flow from the preceding events, and opens, in the fifth act, +a new set of persons, and a train of circumstances, unconnected with +the preceding action. In the concluding scene, it was remarked, by the +critics, that there is a want of pure taste in the lovers dwelling +more upon the pleasures than the horrors of their incestuous +connection. + +Of the lighter scenes, which were intended for comic, Dr Johnson has +said, "they are such as that age did not probably commend, and as the +present would not endure." Dryden has remarked, with self-complacency, +the art with which they are made to depend upon the serious business. +This has not, however, the merit of novelty; being not unlike the +connection between the tragic and comic scenes of the "Spanish Friar." +The persons introduced have also some resemblance; though the gaiety +of Antonio is far more gross than that of Lorenzo, and Morayma is a +very poor copy of Elvira. It is rather surprising, that when a gay +libertine was to be introduced, Dryden did not avail himself of a real +character, the English Stukely; a wild gallant, who, after spending a +noble fortune, became the leader of a band of Italian Condottieri, +engaged in the service of Sebastian, and actually fell in the battle +of Alcazar. Collier complains, and with very good reason, that, in the +character of the Mufti, Dryden has seized an opportunity to deride and +calumniate the priesthood of every religion; an opportunity which, I +am sorry to say, he seldom fails to use with unjustifiable inveteracy. +The rabble scenes were probably given, as our author himself says of +that in Cleomenes, "to gratify the more barbarous part of the +audience." Indeed, to judge from the practice of the drama at this +time, the representation of a riot upon the stage seems to have had +the same charms for the popular part of the English audience, which +its reality always possesses in the streets. + +Notwithstanding the excellence of this tragedy, it appears to have +been endured, rather than applauded, at its first representation; +although, being judiciously curtailed, it soon became a great +favourite with the public[3]; and, omitting the comic scenes, may be +again brought forward with advantage, when the public shall be tired +of children and of show. The tragedy of "Don Sebastian" was acted and +printed in 1690. + + +Footnotes: +1. "The Battle of Alcazar, with Captain Stukely's death, acted by the + Lord High Admiral's servants, 1594," 4to. Baker thinks Dryden might + have taken the hint of "Don Sebastian" from this old play. + Shakespeare drew from it some of the bouncing rants of Pistol, as, + "Feed, and be fat; my fair Callipolis," &c. + +2. In a Zambra dance, introduced in the "Conquest of Granada," our + author had previously introduced the Moors bowing to the image of + Jupiter; a gross solecism, hardly more pardonable, as Langbaine + remarks, than the introduction of a pistol in the hand of + Demetrius, a successor of Alexander the Great, which Dryden has + justly censured. + +3. Langbaine says, it was acted "with great applause;" but this must + refer to its reception after the first night; for the author's own + expressions, that "the audience endured it with much patience, and + were weary with much good nature and silence," exclude the idea of + a brilliant reception on the first representation. See the + beginning of the Preface. + + + + + TO + + THE RIGHT HONOURABLE + + PHILIP, + + EARL OF LEICESTER, &c.[1] + + +Far be it from me, my most noble lord, to think, that any thing which +my meanness can produce, should be worthy to be offered to your +patronage; or that aught which I can say of you should recommend you +farther to the esteem of good men in this present age, or to the +veneration which will certainly be paid you by posterity. On the other +side, I must acknowledge it a great presumption in me, to make you +this address; and so much the greater, because by the common suffrage +even of contrary parties, you have been always regarded as one of the +first persons of the age, and yet not one writer has dared to tell you +so; whether we have been all conscious to ourselves that it was a +needless labour to give this notice to mankind, as all men are ashamed +to tell stale news; or that we were justly diffident of our own +performances, as even Cicero is observed to be in awe when he writes +to Atticus; where, knowing himself over-matched in good sense, and +truth of knowledge, he drops the gaudy train of words, and is no +longer the vain-glorious orator. From whatever reason it may be, I am +the first bold offender of this kind: I have broken down the fence, +and ventured into the holy grove. How I may be punished for my profane +attempt, I know not; but I wish it may not be of ill omen to your +lordship: and that a crowd of bad writers do not rush into the quiet +of your recesses after me. Every man in all changes of government, +which have been, or may possibly arrive, will agree, that I could not +have offered my incense, where it could be so well deserved. For you, +my lord, are secure in your own merit; and all parties, as they rise +uppermost, are sure to court you in their turns; it is a tribute which +has ever been paid your virtue. The leading men still bring their +bullion to your mint, to receive the stamp of their intrinsic value, +that they may afterwards hope to pass with human kind. They rise and +fall in the variety of revolutions, and are sometimes great, and +therefore wise in men's opinions, who must court them for their +interest. But the reputation of their parts most commonly follows +their success; few of them are wise, but as they are in power; because +indeed, they have no sphere of their own, but, like the moon in the +Copernican system of the world, are whirled about by the motion of a +greater planet. This it is to be ever busy; neither to give rest to +their fellow-creatures, nor, which is more wretchedly ridiculous, to +themselves; though, truly, the latter is a kind of justice, and giving +mankind a due revenge, that they will not permit their own hearts to +be at quiet, who disturb the repose of all beside them. Ambitious +meteors! how willing they are to set themselves upon the wing, and +taking every occasion of drawing upward to the sun, not considering +that they have no more time allowed them for their mounting, than the +short revolution of a day; and that when the light goes from them, +they are of necessity to fall. How much happier is he, (and who he is +I need not say, for there is but one phoenix in an age) who, centering +on himself, remains immoveable, and smiles at the madness of the dance +about him? he possesses the midst, which is the portion of safety and +content. He will not be higher, because he needs it not; but by the +prudence of that choice, he puts it out of fortune's power to throw +him down. It is confest, that if he had not so been born, he might +have been too high for happiness; but not endeavouring to ascend, he +secures the native height of his station from envy, and cannot descend +from what he is, because he depends not on another. What a glorious +character was this once in Rome! I should say, in Athens; when, in the +disturbances of a state as mad as ours, the wise Pomponius transported +all the remaining wisdom and virtue of his country into the sanctuary +of peace and learning. But I would ask the world, (for you, my lord, +are too nearly concerned to judge this cause) whether there may not +yet be found a character of a noble Englishman, equally shining with +that illustrious Roman? Whether I need to name a second Atticus? or +whether the world has not already prevented me, and fixed it there, +without my naming? Not a second, with a _longo sed proximus +intervallo_; not a young Marcellus, flattered by a poet into the +resemblance of the first, with a _frons laeta parum, et dejecto lumina +vultu_, and the rest that follows, _si qua fata aspera rumpas, tu +Marcellus eris_; but a person of the same stamp and magnitude, who +owes nothing to the former, besides the word Roman, and the +superstition of reverence, devolving on him by the precedency of +eighteen hundred years; one who walks by him with equal paces, and +shares the eyes of beholders with him; one who had been first, had he +first lived; and, in spite of doating veneration, is still his equal: +both of them born of noble families, in unhappy ages of change and +tumult; both of them retiring from affairs of state; yet not leaving +the commonwealth, till it had left itself; but never returning to +public business, when they had once quitted it, though courted by the +heads of either party. But who would trust the quiet of their lives +with the extravagancies of their countrymen, when they are just in the +giddiness of their turning; when the ground was tottering under them +at every moment; and none could guess whether the next heave of the +earthquake would settle them on the first foundation, or swallow it? +Both of them knew mankind exactly well, for both of them began that +study in themselves, and there they found the best part of human +composition; the worst they learned by long experience of the folly, +ignorance, and immorality of most beside them. Their philosophy, on +both sides, was not wholly speculative, for that is barren, and +produces nothing but vain ideas of things which cannot possibly be +known, or, if they could, yet would only terminate in the +understanding; but it was a noble, vigorous and practical philosophy, +which exerted itself in all the offices of pity, to those who were +unfortunate, and deserved not so to be. The friend was always more +considered by them than the cause; and an Octavius, or an Antony in +distress, were relieved by them, as well as a Brutus or a Cassius; for +the lowermost party, to a noble mind, is ever the fittest object of +good-will. The eldest of them, I will suppose, for his honour, to have +been of the academic sect, neither dogmatist nor stoick; if he were +not, I am sure he ought, in common justice, to yield the precedency to +his younger brother. For stiffness of opinion is the effect of pride, +and not of philosophy; it is a miserable presumption of that knowledge +which human nature is too narrow to contain; and the ruggedness of a +stoick is only a silly affectation of being a god,--to wind himself up +by pullies to an insensibility of suffering, and, at the same time, to +give the lie to his own experience, by saying he suffers not, what he +knows he feels. True philosophy is certainly of a more pliant nature, +and more accommodated to human use; _Homo sum, humani a me nihil +alienum puto._ A wise man will never attempt an impossibility; and +such it is to strain himself beyond the nature of his being, either to +become a deity, by being above suffering, or to debase himself into a +stock or stone, by pretending not to feel it. To find in ourselves the +weaknesses and imperfections of our wretched kind, is surely the most +reasonable step we can make towards the compassion of our +fellow-creatures. I could give examples of this kind in the second +Atticus. In every turn of state, without meddling on either side, he +has always been favourable and assisting to opprest merit. The praises +which were given by a great poet to the late queen-mother, on her +rebuilding Somerset Palace, one part of which was fronting to the mean +houses on the other side of the water, are as justly his: + + For the distrest and the afflicted lie + Most in his thoughts, and always in his eye[2]. + +Neither has he so far forgotten a poor inhabitant of his suburbs, +whose best prospect is on the garden of Leicester House, but that more +than once he has been offering him his patronage, to reconcile him to +a world, of which his misfortunes have made him weary[3]. There is +another Sidney still remaining, though there can never be another +Spenser to deserve the favour. But one Sidney gave his patronage to +the applications of a poet; the other offered it unasked. Thus, +whether as a second Atticus, or a second Sir Philip Sidney, the latter +in all respects will not have the worse of the comparison; and if he +will take up with the second place, the world will not so far flatter +his modesty, as to seat him there, unless it be out of a deference of +manners, that he may place himself where he pleases at his own table. + +I may therefore safely conclude, that he, who, by the consent of all +men, bears so eminent a character, will out of his inborn nobleness +forgive the presumption of this address. It is an unfinished picture, +I confess, but the lines and features are so like, that it cannot be +mistaken for any other; and without writing any name under it, every +beholder must cry out, at first sight,--this was designed for Atticus; +but the bad artist has cast too much of him into shades. But I have +this excuse, that even the greatest masters commonly fall short of the +best faces. They may flatter an indifferent beauty; but the +excellencies of nature can have no right done to them; for there both +the pencil and pen are overcome by the dignity of the subject; as our +admirable Waller has expressed it, + + The heroe's race transcends the poet's thought. + +There are few in any age who can bear the load of a dedication; for +where praise is undeserved, it is satire; though satire on folly is +now no longer a scandal to any one person, where a whole age is dipt +together. Yet I had rather undertake a multitude one way, than a +single Atticus the other; for it is easier to descend than it is to +climb. I should have gone ashamed out of the world, if I had not at +least attempted this address, which I have long thought owing: and if +I had never attempted, I might have been vain enough to think I might +have succeeded in it. Now I have made the experiment, and have failed +through my unworthiness, I may rest satisfied, that either the +adventure is not to be atchieved, or that it is reserved for some +other hand. + +Be pleased, therefore, since the family of the Attici is and ought to +be above the common forms of concluding letters, that I may take my +leave in the words of Cicero to the first of them: _Me, O Pomponi, +valde paenitet vivere: tantum te oro, ut quoniam me ipse semper amasti, +ut eodem amore sis; ego nimirum idem sum. Inimici mei mea mihi non +meipsum ademerunt. Cura, Attice, ut valeas._ + + Dabam. Cal. + Jan. 1690. + + +Footnotes: +1. In order to escape as far as possible the odium, which after the + Revolution was attached to Dryden's politics and religion, he seems + occasionally to have sought for patrons amongst those Nobles of + opposite principles, whom moderation, or love of literature, + rendered superior to the suggestions of party rancour; or, as he + himself has expressed it in the Dedication of "Amphitryon," who, + though of a contrary opinion themselves, blamed him not for + adhering to a lost cause, and judging for himself what he could not + chuse but judge. Philip Sidney, the third earl of Leicester, had + taken an active part against the king in the civil wars, had been + named one of his judges, though he never look his seat among the + regicides, and had been one of Cromwell's Council of State. He was + brother of the famous Algernon Sidney, and although retired from + party strife, during the violent contests betwixt the Whigs and + Tories in 1682-3, there can be no doubt which way his inclinations + leaned. He died 6th March, 1696-7, aged more than eighty years. Mr + Malone has strongly censured the strain of this Dedication, because + it represents Leicester as abstracted from parties and public + affairs, notwithstanding his active share in the civil wars. Yet + Dryden was not obliged to draw the portrait of his patron from his + conduct thirty years before; and if Leicester's character was to be + taken from the latter part of his life, surely the praise of + moderation is due to him, who, during the factious contests of + Charles II's. reign, in which his own brother made so conspicuous a + figure, maintained the neutrality of Pomponius Atticus. + +2. When Henrietta Maria, widow of Charles I. and queen-dowager of + England, visited her son after the Restoration, she chose + Somerset-House for her residence, and added all the buildings + fronting the river. Cowley, whom she had long patronised, composed + a poem on the "Queen's repairing Somerset-House," to which our + author refers. Mr Malone's accuracy has detected a slight + alteration in the verses, as quoted by Dryden, and as written by + Cowley: + + If any prouder virtuoso's sense + At that part of my prospect take offence, + By which the meaner cabanes are descried + Of my imperial river's humbler side; + If they call that a blemish, let them know, + God and my godlike mistress think not so; + For the distressed and the afflicted lie + Most in _their care_, and always in _their_ eye. + +3. Our poet's house was in Gerard-Street, looking upon the gardens of + Leicester-House. + + + + + THE + + PREFACE. + + +Whether it happened through a long disuse of writing, that I forgot +the usual compass of a play, or that, by crowding it with characters +and incidents, I put a necessity upon myself of lengthening the main +action, I know not; but the first day's audience sufficiently +convinced me of my error, and that the poem was insupportably too +long. It is an ill ambition of us poets, to please an audience with +more than they can bear; and supposing that we wrote as well as vainly +we imagine ourselves to write, yet we ought to consider, that no man +can bear to be long tickled. There is a nauseousness in a city-feast, +when we are to sit four hours after we are cloyed. I am therefore, in +the first place, to acknowledge, with all manner of gratitude, their +civility, who were pleased to endure it with so much patience; to be +weary with so much good-nature and silence; and not to explode an +entertainment which was designed to please them, or discourage an +author, whose misfortunes have once more brought him, against his +will, upon the stage. While I continue in these bad circumstances, +(and, truly, I see very little probability of coming out) I must be +obliged to write; and if I may still hope for the same kind usage, I +shall the less repent of that hard necessity. I write not this out of +any expectation to be pitied, for I have enemies enow to wish me yet +in a worse condition; but give me leave to say, that if I can please +by writing, as I shall endeavour it, the town may be somewhat obliged +to my misfortunes for a part of their diversion. Having been longer +acquainted with the stage than any poet now living, and having +observed how difficult it was to please; that the humours of comedy +were almost spent; that love and honour (the mistaken topics of +tragedy) were quite worn out; that the theatres could not support +their charges; that the audience forsook them; that young men, without +learning, set up for judges, and that they talked loudest, who +understood the least; all these discouragements had not only weaned me +from the stage, but had also given me a loathing of it. But enough of +this: the difficulties continue; they increase; and I am still +condemned to dig in those exhausted mines. + +Whatever fault I next commit, rest assured it shall not be that of too +much length: Above twelve hundred lines have been cut off from this +tragedy since it was first delivered to the actors. They were indeed +so judiciously lopped by Mr Betterton, to whose care and excellent +action I am equally obliged, that the connection of the story was not +lost; but, on the other side, it was impossible to prevent some part +of the action from being precipitated, and coming on without that due +preparation which is required to all great events: as, in particular, +that of raising the mobile, in the beginning of the fourth act, which +a man of Benducar's cool character could not naturally attempt, +without taking all those precautions, which he foresaw would be +necessary to render his design successful. On this consideration, I +have replaced those lines through the whole poem, and thereby restored +it to that clearness of conception, and (if I may dare to say it) that +lustre and masculine vigour, in which it was first written. It is +obvious to every understanding reader, that the most poetical parts, +which are descriptions, images, similitudes, and moral sentences, are +those which of necessity were to be pared away, when the body was +swollen into too large a bulk for the representation of the stage. But +there is a vast difference betwixt a public entertainment on the +theatre, and a private reading in the closet: In the first, we are +confined to time; and though we talk not by the hour-glass, yet the +watch often drawn out of the pocket warns the actors that their +audience is weary; in the last, every reader is judge of his own +convenience; he can take up the book and lay it down at his pleasure, +and find out those beauties of propriety in thought and writing, which +escaped him in the tumult and hurry of representing. And I dare boldly +promise for this play, that in the roughness of the numbers and +cadences, (which I assure was not casual, but so designed) you will +see somewhat more masterly arising to your view, than in most, if not +any, of my former tragedies. There is a more noble daring in the +figures, and more suitable to the loftiness of the subject; and, +besides this, some newnesses of English, translated from the beauties +of modern tongues, as well as from the elegancies of the Latin; and +here and there some old words are sprinkled, which, for their +significance and sound, deserved not to be antiquated; such as we +often find in Sallust amongst the Roman authors, and in Milton's +"Paradise" amongst ours; though perhaps the latter, instead of +sprinkling, has dealt them with too free a hand, even sometimes to the +obscuring of his sense. + +As for the story, or plot, of the tragedy, it is purely fiction; for I +take it up where the history has laid it down. We are assured by all +writers of those times, that Sebastian, a young prince of great +courage and expectation, undertook that war, partly upon a religious +account, partly at the solicitation of Muley Mahomet, who had been +driven out of his dominions by Abdelmelech, or, as others call him, +Muley Moluch, his nigh kinsman, who descended from the same family of +Xeriffs, whose fathers, Hamet and Mahomet, had conquered that empire +with joint forces, and shared it betwixt them after their victory; +that the body of Don Sebastian was never found in the field of battle, +which gave occasion for many to believe, that he was not slain[1]; +that some years after, when the Spaniards, with a pretended title, by +force of arms, had usurped the crown of Portugal from the house of +Braganza, a certain person, who called himself Don Sebastian, and had +all the marks of his body and features of his face, appeared at +Venice, where he was owned by some of his countrymen; but being seized +by the Spaniards, was first imprisoned, then sent to the gallies, and +at last put to death in private. It is most certain, that the +Portuguese expected his return for almost an age together after that +battle, which is at least a proof of their extreme love to his memory; +and the usage they had from their new conquerors, might possibly make +them so extravagant in their hopes and wishes for their old master[2]. + +This ground-work the history afforded me, and I desire no better to +build a play upon; for where the event of a great action is left +doubtful, there the poet is left master. He may raise what he pleases +on that foundation, provided he makes it of a piece, and according to +the rule of probability. From hence I was only obliged, that Sebastian +should return to Portugal no more; but at the same time I had him at +my own disposal, whether to bestow him in Afric, or in any other +corner of the world, or to have closed the tragedy with his death; and +the last of these was certainly the most easy, but for the same reason +the least artful; because, as I have somewhere said, the poison and +the dagger are still at hand to butcher a hero, when a poet wants the +brains to save him. It being therefore only necessary, according to +the laws of the drama, that Sebastian should no more be seen upon the +throne, I leave it for the world to judge, whether or no I have +disposed of him according to art, or have bungled up the conclusion of +his adventure. In the drawing of his character, I forgot not piety, +which any one may observe to be one principal ingredient of it, even +so far as to be a habit in him; though I shew him once to be +transported from it by the violence of a sudden passion, to endeavour +a self-murder. This being presupposed, that he was religious, the +horror of his incest, though innocently committed, was the best reason +which the stage could give for hindering his return. It is true, I +have no right to blast his memory with such a crime; but declaring it +to be fiction, I desire my audience to think it no longer true, than +while they are seeing it represented; for that once ended, he may be a +saint, for aught I know, and we have reason to presume he is. On this +supposition, it was unreasonable to have killed him; for the learned +Mr Rymer has well observed, that in all punishments we are to regulate +ourselves by poetical justice; and according to those measures, an +involuntary sin deserves not death; from whence it follows, that to +divorce himself from the beloved object, to retire into a desert, and +deprive himself of a throne, was the utmost punishment which a poet +could inflict, as it was also the utmost reparation which Sebastian +could make. For what relates to Almeyda, her part is wholly +fictitious. I know it is the surname of a noble family in Portugal, +which was very instrumental in the restoration of Don John de +Braganza, father to the most illustrious and most pious princess, our +queen-dowager. The French author of a novel, called "Don Sebastian," +has given that name to an African lady of his own invention, and makes +her sister to Muley Mahomet; but I have wholly changed the accidents, +and borrowed nothing but the supposition, that she was beloved by the +king of Portugal. Though, if I had taken the whole story, and wrought +it up into a play, I might have done it exactly according to the +practice of almost all the ancients, who were never accused of being +plagiaries for building their tragedies on known fables. Thus, +Augustus Caesar wrote an "Ajax," which was not the less his own, +because Euripides had written a play before him on that subject. Thus, +of late years, Corneille writ an "OEdipus" after Sophocles; and I have +designed one after him, which I wrote with Mr Lee; yet neither the +French poet stole from the Greek, nor we from the Frenchman. It is the +contrivance, the new turn, and new characters, which alter the +property, and make it ours. The _materia poetica_ is as common to all +writers, as the _materia medica_ to all physicians. Thus, in our +Chronicles, Daniel's history is still his own, though Matthew Paris, +Stow, and Hollingshed writ before him; otherwise we must have been +content with their dull relations, if a better pen had not been +allowed to come after them, and writ his own account after a new and +better manner. + +I must further declare freely, that I have not exactly kept to the +three mechanic rules of unity. I knew them, and had them in my eye, +but followed them only at a distance; for the genius of the English +cannot bear too regular a play: we are given to variety, even to a +debauchery of pleasure. My scenes are therefore sometimes broken, +because my underplot required them so to be, though the general scene +remains,--of the same castle; and I have taken the time of two days, +because the variety of accidents, which are here represented, could +not naturally be supposed to arrive in one: but to gain a greater +beauty, it is lawful for a poet to supersede a less. + +I must likewise own, that I have somewhat deviated from the known +history, in the death of Muley Moluch, who, by all relations, died of +a fever in the battle, before his army had wholly won the field; but +if I have allowed him another day of life, it was because I stood in +need of so shining a character of brutality as I have given him; which +is indeed the same with that of the present emperor Muley-Ishmael, as +some of our English officers, who have been in his court, have +credibly informed me. + +I have been listening--what objections had been made against the +conduct of the play; but found them all so trivial, that if I should +name them, a true critic would imagine that I played booty, and only +raised up phantoms for myself to conquer. Some are pleased to say--the +writing is dull; but, _aetatem habet, de se loquatur._ Others, that the +double poison is unnatural: let the common received opinion, and +Ausonius his famous epigram, answer that[3]. Lastly, a more ignorant +sort of creatures than either of the former maintain, that the +character of Dorax is not only unnatural, but inconsistent with +itself: let them read the play, and think again; and if yet they are +not satisfied, cast their eyes on that chapter of the wise Montaigne, +which is intitled, _De l'Inconstance des Actions humaines_. A longer +reply is what those cavillers deserve not; but I will give them and +their fellows to understand, that the earl of Dorset was pleased to +read the tragedy twice over before it was acted, and did me the favour +to send me word, that I had written beyond any of my former plays, and +that he was displeased any thing should be cut away. If I have not +reason to prefer his single judgment to a whole faction, let the world +be judge; for the opposition is the same with that of Lucan's hero +against an army; _concurrere bellum, atque virum_. + +I think I may modestly conclude, that whatever errors there may be, +either in the design, or writing of this play, they are not those +which have been objected to it. I think also, that I am not yet +arrived to the age of doting; and that I have given so much +application to this poem, that I could not probably let it run into +many gross absurdities; which may caution my enemies from too rash a +censure, and may also encourage my friends, who are many more than I +could reasonably have expected, to believe their kindness has not been +very undeservedly bestowed on me. This is not a play that was huddled +up in haste; and, to shew it was not, I will own, that, besides the +general moral of it, which is given in the four last lines, there is +also another moral, couched under every one of the principal parts and +characters, which a judicious critic will observe, though I point not +to it in this preface. And there may be also some secret beauties in +the decorum of parts, and uniformity of design, which my puny judges +will not easily find out: let them consider in the last scene of the +fourth act, whether I have not preserved the rule of decency, in +giving all the advantage to the royal character, and in making Dorax +first submit. Perhaps too they may have thought, that it was through +indigence of characters that I have given the same to Sebastian and +Almeyda, and consequently made them alike in all things but their sex. +But let them look a little deeper into the matter, and they will find, +that this identity of character in the greatness of their souls was +intended for a preparation of the final discovery, and that the +likeness of their nature was a fair hint to the proximity of their +blood. + +To avoid the imputation of too much vanity, (for all writers, and +especially poets, will have some,) I will give but one other instance, +in relation to the uniformity of the design. I have observed, that the +English will not bear a thorough tragedy; but are pleased, that it +should be lightened with underparts of mirth. It had been easy for me +to have given my audience a better course of comedy, I mean a more +diverting, than that of Antonio and Morayma; but I dare appeal, even +to my enemies, if I, or any man, could have invented one, which had +been more of a piece, and more depending on the serious part of the +design. For what could be more uniform, than to draw from out of the +members of a captive court, the subject of a comical entertainment? To +prepare this episode, you see Dorax giving the character of Antonio, +in the beginning of the play, upon his first sight of him at the +lottery; and to make the dependence, Antonio is engaged, in the fourth +act, for the deliverance of Almeyda; which is also prepared, by his +being first made a slave to the captain of the rabble. + +I should beg pardon for these instances; but perhaps they may be of +use to future poets, in the conduct of their plays; at least, if I +appear too positive, I am growing old, and thereby in possession of +some experience, which men in years will always assume for a right of +talking. Certainly if a man can ever have reason to set a value on +himself, it is when his ungenerous enemies are taking the advantage of +the times upon him, to ruin him in his reputation. And therefore, for +once, I will make bold to take the counsel of my old master Virgil, + + _Tu ne cede mails, sed contra audentior ito._ + + +Footnotes: +1. There was a Portuguese prophecy to this purpose, which they applied + to the expected return of Sebastian: + + _Vendra et Incubierto, + Vendra cierto; + Entrera en el huerto, + Per el puerto, + Questa mas a ca del muro; + Y'lo que paresce escuro, + Se vra claro e abierto._ + + Two false Sebastians, both hermits, laid claim to the throne of + Portugal. One was hanged, and the other died in the galleys. Vide + _Le Quien's Histoire Generale de Portugal_.--There are two tracts + which appear to regard the last of these impostors, and which may + have furnished our author with some slight hints; namely, "The true + History of the late and lamentable Adventures of Don Sebastian, + King of Portugal, after his imprisonment at Naples until this + present day, being now in Spain, at San Lucar de Barrameda.--1602;" + and, "A continuation of the lamentable and admirable Adventures of + Don Sebastian, King of Portugal, with a Declaration of all his time + employed since the Battle in Africk against the Infidels, 1578, + until this present year 1603. London, 1603." Both pieces are + reprinted in the Harleian Miscellany, Vols IV. and V. + +2. The uncertainty of his fate is alluded to by Fletcher: + + _Wittypate._ In what service have ye been, sir? + + _Ruinous._ The first that fleshed me a soldier, sir, + Was that great battle at Alcazar, in Barbary, + Where the noble English Stukely fell, and where + The royal Portugal Sebastian ended + His untimely days. + + _Wittypate._ Are you sure Sebastian died there? + + _Ruinous._ Faith, sir, there was some other rumour hoped + Amongst us, that he, wounded, escaped, and touched + On his native shore again, where finding his country at home + More distressed by the invasion of the Spaniard + Than his loss abroad, forsook it, still supporting + A miserable and unfortunate life, + Which where he ended is yet uncertain. + _Wit at several Weapons._ + + I have printed this quotation as I find it in the edition of 1778; + though I am unable to discover what pretensions it claims to be + arranged as blank verse. + +3. _Toxica zelotypo dedit uxor maecha marito, + Nec satis ad mortem credidit esse datum. + Micuit argenti letalia pondera vivi; + Cogeret ut celerem vis geminata necem. + Dividat haec si quis, faciunt discreta venenum: + Antidotum sumet, qui sociata bibet. + Ergo inter sese dum noxia pocula certant, + Cessit letalis noxa salutiferae. + Protinus et vacuos alvi petiere recessus + Lubrica dejectis qua via nota cibis. + Quam pia cura deum! prodest crudelior uxor, + Et quum fata volunt, bina venena juvant._ + + + + + PROLOGUE + + + SENT TO THE AUTHOR BY AN UNKNOWN HAND, AND PROPOSED TO BE SPOKEN BY + MRS MOUNTFORD, DRESSED LIKE AN OFFICER[1]. + + Bright beauties, who in awful circle sit, + And you, grave synod of the dreadful pit, + And you the upper-tire of pop-gun wit, + + Pray ease me of my wonder, if you may; + Is all this crowd barely to see the play; + Or is't the poet's execution-day? + + His breath is in your hands I will presume, + But I advise you to defer his doom, + Till you have got a better in his room; + + And don't maliciously combine together, + As if in spite and spleen you were come hither; + For he has kept the pen, tho' lost the feather[2]. + + And, on my honour, ladies, I avow, + This play was writ in charity to you; + For such a dearth of wit who ever knew? + + Sure 'tis a judgment on this sinful nation, + For the abuse of so great dispensation; + And, therefore, I resolve to change vocation. + + For want of petticoat, I've put on buff, + To try what may be got by lying rough: + How think you, sirs? is it not well enough? + + Of bully-critics I a troop would lead; + But, one replied,--Thank you, there's no such need, + I at Groom-Porter's, sir, can safer bleed. + + Another, who the name of danger loaths, + Vow'd he would go, and swore me forty oaths, + But that his horses were in body-clothes. + + A third cried,--Damn my blood, I'll be content + To push my fortune, if the parliament + Would but recal claret from banishment. + + A fourth (and I have done) made this excuse-- + I'd draw my sword in Ireland, sir, to chuse; + Had not their women gouty legs, and wore no shoes. + + Well, I may march, thought I, and fight, and trudge, + But, of these blades, the devil a man will budge; + They there would fight, e'en just as here they judge. + + Here they will pay for leave to find a fault; + But, when their honour calls, they can't be bought; + Honour in danger, blood, and wounds is sought. + + Lost virtue, whither fled? or where's thy dwelling + Who can reveal? at least, 'tis past my telling, + Unless thou art embarked for Inniskilling. + + On carrion-tits those sparks denounce their rage, + In boot of wisp and Leinster frise engage; + What would you do in such an equipage[3]? + + The siege of Derry does you gallants threaten; + Not out of errant shame of being beaten, + As fear of wanting meat, or being eaten. + + Were wit like honour, to be won by fighting, + How few just judges would there be of writing! + Then you would leave this villainous back-biting. + + Your talents lie how to express your spite; + But, where is he who knows to praise aright? + You praise like cowards, but like critics fight. + + Ladies, be wise, and wean these yearling calves, + Who, in your service too, are meer faux braves; + They judge, and write, and fight, and love--by halves. + + +Footnotes: +1. The humour of this intended prologue turns upon the unwillingness + displayed to attend King William into Ireland by many of the + nobility and gentry, who had taken arms at the Revolution. The + truth is, that, though invited to go as volunteers, they could not + but consider themselves as hostages, of whom William did not chuse + to lose sight, lest, while he was conquering Ireland, he might, + perchance, lose England, by means of the very men by whom he had + won it. The disbanding of the royal regiment had furnished a + subject for the satirical wit of Buckingham, at least, such a piece + is printed in his Miscellanies; and for that of Shadwell, in his + epilogue to Bury-fair. But Shadwell was now poet-laureat, and his + satire was privileged, like the wit of the ancient royal jester. + Our author was suspected of disaffection, and liable to + misconstruction: For which reason, probably, he declined this + sarcastic prologue, and substituted that which follows, the tone of + which is submissive, and conciliatory towards the government. + Contrary to custom, it was spoken by a woman. + +2. In allusion to his being deprived of the office of poet laureat. + +3. The Inniskilling horse, who behaved with great courage against King + James, joined Schomberg and King William's forces at Dundalk, in + 1689, rather resembled a foreign frey-corps, than regular troops. + "They were followed by multitudes of their women; they were uncouth + in their appearance; they rode on small horses, called _Garrons_; + their pistols were not fixed in holsters, but dangled about their + persons, being slung to their sword-belts; they offered, with + spirit, to make always the forlorn of the army; but, upon the first + order they received, they cried out, 'They could thrive no longer, + since they were now put under orders.'--_Memoirs_, Vol. II. p. 133. + The allusion in the next verse is to the dreadful siege of + Londonderry, when the besieged suffered the last extremities of + famine. The account of this memorable leaguer, by the author just + quoted, is a most spirited piece of historical painting. + + + + + PROLOGUE, + + SPOKEN BY A WOMAN. + + + The judge removed, though he's no more my lord, + May plead at bar, or at the council-board: + So may cast poets write; there's no pretension + To argue loss of wit, from loss of pension. + Your looks are chearful; and in all this place + I see not one that wears a damning face. + The British nation is too brave, to show + Ignoble vengeance on a vanquished foe. + At last be civil to the wretch imploring; + And lay your paws upon him, without roaring. + Suppose our poet was your foe before, + Yet now, the business of the field is o'er; + 'Tis time to let your civil wars alone, + When troops are into winter-quarters gone. + Jove was alike to Latian and to Phrygian; + And you well know, a play's of no religion. + Take good advice, and please yourselves this day; + No matter from what hands you have the play. + Among good fellows every health will pass, + That serves to carry round another glass: + When with full bowls of Burgundy you dine, } + Though at the mighty monarch you repine, } + You grant him still Most Christian in his wine. } + Thus far the poet; but his brains grow addle, + And all the rest is purely from this noddle. + You have seen young ladies at the senate-door, + Prefer petitions, and your grace implore; + However grave the legislators were, + Their cause went ne'er the worse for being fair. + Reasons as weak as theirs, perhaps, I bring; + But I could bribe you with as good a thing. + I heard him make advances of good nature; + That he, for once, would sheath his cutting satire. + Sign but his peace, he vows he'll ne'er again + The sacred names of fops and beaus profane. + Strike up the bargain quickly; for I swear, + As times go now, he offers very fair. + Be not too hard on him with statutes neither; } + Be kind; and do not set your teeth together, } + To stretch the laws, as coblers do their leather. } + Horses by Papists are not to be ridden, + But sure the muses' horse was ne'er forbidden; + For in no rate-book it was ever found + That Pegasus was valued at five pound[1]: + Fine him to daily drudging and inditing: + And let him pay his taxes out in writing. + + +Footnote: +1. Alluding to the act for disarming the Catholics, by which, _inter + alia_, it is enacted, "that no Papist, or reputed Papist, so + refusing, or making default, as aforesaid, at any time after the + 15th of May, 1689, shall, or may have, and keep in his own + possession, or in the possession of any other person for his use, + or at his disposition, any horse or horses, which shall be above + the value of L.5."--1st William and Mary, c. 15. + + + + + DRAMATIS PERSONAE. + + + _Don_ SEBASTIAN, _King of Portugal._ + MULEY-MOLUCH, _Emperor of Barbary._ + DORAX, _a noble Portuguese, now a renegade; formerly Don_ ALONZO DE + SYLVERA, _Alcade, or Governor of Alcazar._ + BENDUCAR, _chief Minister, and favourite to the Emperor._ + _The Mufti_ ABDALLA. + MULEY-ZEYDAN, _brother to the Emperor._ + _Don_ ANTONIO, _a young, noble, amorous Portuguese; now a slave._ + _Don_ ALVAREZ, _an old counsellor to Don_ SEBASTIAN; _now a slave also._ + MUSTAPHA, _Captain of the Rabble._ + _Two Merchants._ + _Rabble._ + _A Servant to_ BENDUCAR. + _A Servant to the Mufti._ + + ALMEYDA, _a captive Queen of Barbary._ + MORAYMA, _daughter to the Mufti._ + JOHAYMA, _chief wife to the Mufti._ + +SCENE,--_In the Castle of Alcazar._ + + + + + DON SEBASTIAN, + + KING OF PORTUGAL. + + +ACT I. SCENE I. + + _The scene at Alcazar, representing a market-place under the + Castle._ + + _Enter_ MULEY-ZEYDAN _and_ BENDUCAR. + +_M. Zey._ Now Africa's long wars are at an end, +And our parched earth is drenched in Christian blood; +My conquering brother will have slaves enow, +To pay his cruel vows for victory.-- +What hear you of Sebastian, king of Portugal? + +_Bend._ He fell among a heap of slaughtered Moors, +Though yet his mangled carcase is not found. +The rival of our threatened empire, Mahomet, +Was hot pursued; and, in the general rout, +Mistook a swelling current for a ford, +And in Mucazar's flood was seen to rise: +Thrice was he seen: At length his courser plunged, +And threw him off; the waves whelmed over him, +And, helpless, in his heavy arms he drowned. + +_M. Zey._ Thus, then, a doubtful title is extinguished; +Thus Moluch, still the favourite of fate, +Swims in a sanguine torrent to the throne, +As if our prophet only worked for him: +The heavens, and all the stars, are his hired servants; +As Muley-Zeydan were not worth their care, +And younger brothers but the draff of nature. + +_Bend._ Be still, and learn the soothing arts of court: +Adore his fortune, mix with flattering crowds; +And, when they praise him most, be you the loudest. +Your brother is luxurious, close, and cruel; +Generous by fits, but permanent in mischief. +The shadow of a discontent would ruin us; +We must be safe, before we can be great. +These things observed, leave me to shape the rest. + +_M. Zey._ You have the key; he opens inward to you. + +_Bend._ So often tried, and ever found so true, +Has given me trust; and trust has given me means +Once to be false for all. I trust not him; +For, now his ends are served, and he grown absolute, +How am I sure to stand, who served those ends? +I know your nature open, mild, and grateful: +In such a prince the people may be blest, +And I be safe. + +_M. Zey._ My father! [_Embracing him._ + +_Bend._ My future king, auspicious Muley-Zeydan! +Shall I adore you?--No, the place is public: +I worship you within; the outward act +Shall be reserved till nations follow me, +And heaven shall envy you the kneeling world.-- +You know the alcade of Alcazar, Dorax? + +_M. Zey._ The gallant renegade you mean? + +_Bend._ The same. +That gloomy outside, like a rusty chest, +Contains the shining treasure, of a soul +Resolved and brave: He has the soldiers' hearts, +And time shall make him ours. + +_M. Zey._ He's just upon us. + +_Bend._ I know him from afar, +By the long stride, and by the sullen port.-- +Retire, my lord. +Wait on your brother's triumph; yours is next: +His growth is but a wild and fruitless plant; +I'll cut his barren branches to the stock, +And graft you on to bear. + +_M. Zey._ My oracle! [_Exit_ M. ZEY. + +_Bend._ Yes, to delude your hopes.--Poor credulous fool! +To think that I would give away the fruit +Of so much toil, such guilt, and such damnation! +If I am damned, it shall be for myself. +This easy fool must be my stale, set up +To catch the people's eyes: He's tame and merciful; +Him I can manage, till I make him odious +By some unpopular act; and then dethrone him. + + _Enter_ DORAX. + +Now, Dorax. + +_Dor._ Well, Benducar. + +_Bend._ Bare Benducar! + +_Dor._ Thou would'st have titles; take them then,--chief minister, +First hangman of the state. + +_Bend._ Some call me, favourite. + +_Dor._ What's that?--his minion?-- +Thou art too old to be a catamite!-- +Now pr'ythee tell me, and abate thy pride, +Is not Benducar, bare, a better name +In a friend's mouth, than all those gaudy titles, +Which I disdain to give the man I love? + +_Bend._ But always out of humour,-- + +_Dor._ I have cause: +Though all mankind is cause enough for satire. + +_Bend._ Why, then, thou hast revenged thee on mankind. +They say, in fight, thou hadst a thirsty sword, +And well 'twas glutted there. + +_Dor._ I spitted frogs; I crushed a heap of emmets; +A hundred of them to a single soul, +And that but scanty weight too. The great devil +Scarce thanked me for my pains; he swallows vulgar +Like whipped cream,--feels them not in going down. + +_Bend._ Brave renegade!--Could'st thou not meet Sebastian? +Thy master had been worthy of thy sword. + +_Dor._ My master!--By what title? +Because I happened to be born where he +Happened to be king?--And yet I served him; +Nay, I was fool enough to love him too.-- +You know my story, how I was rewarded +For fifteen hard campaigns, still hooped in iron, +And why I turned Mahometan. I'm grateful; +But whosoever dares to injure me, +Let that man know, I dare to be revenged. + +_Bend._ Still you run off from bias:--Say, what moves +Your present spleen? + +_Dor._ You marked not what I told you. +I killed not one that was his maker's image; +I met with none but vulgar two-legged brutes: +Sebastian was my aim; he was a man: +Nay,--though he hated me, and I hate him, +Yet I must do him right,--he was a man, +Above man's height, even towering to divinity: +Brave, pious, generous, great, and liberal; +Just as the scales of heaven, that weigh the seasons. +He loved his people; him they idolized; +And thence proceeds my mortal hatred to him; +That, thus unblameable to all besides, +He erred to me alone: +His goodness was diffused to human kind, +And all his cruelty confined to me. + +_Bend._ You could not meet him then? + +_Dor._ No, though I sought +Where ranks fell thickest.--'Twas indeed the place +To seek Sebastian.--Through a track of death +I followed him, by groans of dying foes; +But still I came too late; for he was flown, +Like lightning, swift before me to new slaughters. +I mowed across, and made irregular harvest, +Defaced the pomp of battle, but in vain; +For he was still supplying death elsewhere. +This mads me, that perhaps ignoble hands +Have overlaid him,--for they could not conquer: +Murdered by multitudes, whom I alone +Had right to slay. I too would have been slain; +That, catching hold upon his flitting ghost, +I might have robbed him of his opening heaven, +And dragged him down with me, spite of predestination. + +_Bend._ 'Tis of as much import as Africk's worth, +To know what came of him, and of Almeyda, +The sister of the vanquished Mahomet, +Whose fatal beauty to her brother drew +The land's third part, as Lucifer did heaven's. + +_Dor._ I hope she died in her own female calling, +Choked up with man, and gorged with circumcision. +As for Sebastian, we must search the field; +And, where we see a mountain of the slain, +Send one to climb, and, looking down below, +There he shall find him at his manly length, +With his face up to heaven, in the red monument, +Which his true sword has digged. + +_Bend._ Yet we may possibly hear farther news; +For, while our Africans pursued the chace, +The captain of the rabble issued out, +With a black shirtless train, to spoil the dead, +And seize the living. + +_Dor._ Each of them an host, +A million strong of vermin every villain: +No part of government, but lords of anarchy, +Chaos of power, and privileged destruction. + +_Bend._ Yet I must tell you, friend, the great must use them +Sometimes, as necessary tools of tumult. + +_Dor._ I would use them +Like dogs in times of plague; outlaws of nature, +Fit to be shot and brained, without a process, +To stop infection; that's their proper death. + +_Bend._ No more;-- +Behold the emperor coming to survey +The slaves, in order to perform his vow. + + _Enter_ MULEY-MOLUCH _the Emperor, with Attendants; the Mufti, and_ + MULEY-ZEYDAN. + +_M. Mol._ Our armours now may rust; our idle scymiters +Hang by our sides for ornament, not use: +Children shall beat our atabals and drums, +And all the noisy trades of war no more +Shall wake the peaceful morn; the Xeriff's blood +No longer in divided channels runs, +The younger house took end in Mahomet: +Nor shall Sebastian's formidable name +Be longer used to lull the crying babe. + +_Muf._ For this victorious day, our mighty prophet +Expects your gratitude, the sacrifice +Of Christian slaves, devoted, if you won. + +_M. Mol._ The purple present shall be richly paid; +That vow performed, fasting shall be abolished; +None e'er served heaven well with a starved face: +Preach abstinence no more; I tell thee, Mufti, +Good feasting is devout; and thou, our head, +Hast a religious, ruddy countenance. +We will have learned luxury; our lean faith +Gives scandal to the christians; they feed high: +Then look for shoals of converts, when thou hast +Reformed us into feasting. + +_Muf._ Fasting is but the letter of the law, +Yet it shews well to preach it to the vulgar; +Wine is against our law; that's literal too, +But not denied to kings and to their guides; +Wine is a holy liquor for the great. + +_Dor._ [_Aside._] This Mufti, in my conscience, is some English +renegado, he talks so savourily of toping. + +_M. Mol._ Bring forth the unhappy relicks of the war. + + _Enter_ MUSTAPHA, _Captain of the Rabble, with his followers of the + Black Guard, &c. and other Moors; With them a Company of Portuguese + Slaves, without any of the chief Persons._ + +_M. Mol._ These are not fit to pay an emperor's vow; +Our bulls and rams had been more noble victims: +These are but garbage, not a sacrifice. + +_Muf._ The prophet must not pick and chuse his offerings; +Now he has given the day, 'tis past recalling, +And he must be content with such as these. + +_M. Mol._ But are these all? Speak you, that are their masters. + +_Must._ All, upon my honour; if you will take them as their fathers +got them, so; if not, you must stay till they get a better generation. +These christians are mere bunglers; they procreate nothing but out of +their own wives, and these have all the looks of eldest sons. + +_M. Mol._ Pain of your lives, let none conceal a slave. + +_Must._ Let every man look to his own conscience; I am sure mine shall +never hang me. + +_Bend._ Thou speak'st as if thou wert privy to concealments; then thou +art an accomplice. + +_Must._ Nay, if accomplices must suffer, it may go hard with me: but +here's the devil on't, there's a great man, and a holy man too, +concerned with me; now, if I confess, he'll be sure to escape between +his greatness and his holiness, and I shall be murdered, because of my +poverty and rascality. + +_Muf._ [_Winking at him._] +Then, if thy silence save the great and holy, +'Tis sure thou shalt go straight to paradise. + +_Must._ 'Tis a fine place, they say; but, doctor, I am not worthy +on't. I am contented with this homely world; 'tis good enough for such +a poor, rascally Mussulman, as I am; besides, I have learnt so much +good manners, doctor, as to let my betters be served before me. + +_M. Mol._ Thou talk'st as if the Mufti were concerned. + +_Must._ Your majesty may lay your soul on't. But, for my part, though +I am a plain fellow, yet I scorn to be tricked into paradise; I would +he should know it. The truth on't is, an't like you, his reverence +bought of me the flower of all the market: these--these are but +dogs-meat to them; and a round price he paid me, too, I'll say that +for him; but not enough for me to venture my neck for. If I get +paradise when my time comes, I can't help myself; but I'll venture +nothing before-hand, upon a blind bargain. + +_M. Mol._ Where are those slaves? produce them. + +_Muf._ They are not what he says. + +_M. Mol._ No more excuses. [_One goes out to fetch them._ +Know, thou may'st better dally +With a dead prophet, than a living king. + +_Muf._ I but reserved them to present thy greatness +An offering worthy thee. + +_Must._ By the same token there was a dainty virgin, (virgin, said I! +but I wont be too positive of that, neither) with a roguish leering +eye! he paid me down for her upon the nail a thousand golden +sultanins, or he had never had her, I can tell him that; now, is it +very likely he would pay so dear for such a delicious morsel, and give +it away out of his own mouth, when it had such a farewell with it too? + + _Enter_ SEBASTIAN, _conducted in mean Habit, with_ ALVAREZ, ANTONIO, + _and_ ALMEYDA, _her Face veiled with a Barnus._ + +_M. Mol._ Ay; these look like the workmanship of heaven; +This is the porcelain clay of human kind, +And therefore cast into these noble moulds. + +_Dor._ By all my wrongs, + [_Aside, while the Emperor whispers Benducar._ +'Tis he! damnation seize me, but 'tis he! +My heart heaves up and swells; he's poison to me; +My injured honour, and my ravished love, +Bleed at their murderer's sight. + +_Ben._ [_Aside to Dor._] +The emperor would learn these prisoners' names; +You know them? + +_Dor._ Tell him, no; +And trouble me no more--I will not know them. +Shall I trust heaven, that heaven which I renounced, +With my revenge? Then, where's my satisfaction? +No; It must be my own, I scorn a proxy. [_Aside._ + +_M. Mol._ 'Tis decreed; +These of a better aspect, with the rest, +Shall share one common doom, and lots decide it. +For every numbered captive, put a ball +Into an urn; three only black be there, +The rest, all white, are safe. + +_Muf._ Hold, sir; the woman must not draw. + +_M. Mol_ O Mufti, +We know your reason; let her share the danger. + +_Muf._ Our law says plainly, women have no souls. + +_M, Mol._ 'Tis true; their souls are mortal, set her by; +Yet, were Almeyda here, though fame reports her +The fairest of her sex, so much, unseen, +I hate the sister of our rival-house, +Ten thousand such dry notions of our Alcoran +Should not protect her life, if not immortal; +Die as she could, all of a piece, the better +That none of her remain. [_Here an Urn is brought in; the Prisoners + approach with great concernment, and + among the rest,_ SEBASTIAN, ALVAREZ, + _and_ ANTONIO, _who come more chearfully._ + +_Dor._ Poor abject creatures, how they fear to die! +These never knew one happy hour in life, +Yet shake to lay it down. Is load so pleasant? +Or has heaven hid the happiness of death, +That men may dare to live?--Now for our heroes. [_The Three approach._ +O, these come up with spirits more resolved. +Old venerable Alvarez;--well I know him, +The favourite once of this Sebastian's father; +Now minister, (too honest for his trade) +Religion bears him out; a thing taught young, +In age ill practised, yet his prop in death. +O, he has drawn a black; and smiles upon't, +As who should say,--My faith and soul are white, +Though my lot swarthy: Now, if there be hereafter, +He's blest; if not, well cheated, and dies pleased. + +_Anton._ [_Holding his lot in his clenched hand._] +Here I have thee; +Be what thou wilt, I will not look too soon: +Thou hast a colour; if thou prov'st not right, +I have a minute good ere I behold thee. +Now, let me roll and grubble thee: +Blind men say, white feels smooth, and black feels rough; +Thou hast a rugged skin, I do not like thee. + +_Dor._ There's the amorous airy spark, Antonio, +The wittiest woman's toy in Portugal: +Lord, what a loss of treats and serenades! +The whole she-nation will be in mourning for him. + +_Anton._ I've a moist sweaty palm; the more's my sin: +If it be black, yet only dyed, not odious +Damned natural ebony, there's hope, in rubbing, +To wash this Ethiop white.--[_Looks._] Pox o'the proverb! +As black as hell;--another lucky saying! +I think the devil's in me;--good again! +I cannot speak one syllable, but tends +To death or to damnation. [_Holds up his ball._ + +_Dor._ He looks uneasy at his future journey, [_Aside._ +And wishes his boots off again, for fear +Of a bad road, and a worse inn at night. +Go to bed, fool, and take secure repose, +For thou shalt wake no more. [SEBASTIAN _comes up to draw._ + +_M. Mol._ [_To Ben._] Mark him, who now approaches to the lottery: +He looks secure of death, superior greatness, +Like Jove, when he made Fate, and said, Thou art +The slave of my creation.--I admire him. + +_Bend._ He looks as man was made; with face erect, +That scorns his brittle corpse, and seems ashamed +He's not all spirit; his eyes, with a dumb pride, +Accusing fortune that he fell not warm; +Yet now disdains to live. [SEBAST. _draws a black._ + +_M. Mol._ He has his wish; +And I have failed of mine. + +_Dor._ Robbed of my vengeance, by a trivial chance! [_Aside._ +Fine work above, that their anointed care +Should die such little death! or did his genius +Know mine the stronger daemon, feared the grapple, +And looking round him, found this nook of fate, +To skulk behind my sword?--Shall I discover him?-- +Still he would not die mine; no thanks to my +Revenge; reserved but to more royal shambles. +'Twere base, too, and below those vulgar souls, +That shared his danger, yet not one disclosed him, +But, struck with reverence, kept an awful silence. +I'll see no more of this;--dog of a prophet! [_Exit_ DORAX. + +_M. Mol._ One of these three is a whole hecatomb, +And therefore only one of them shall die: +The rest are but mute cattle; and when death +Comes like a rushing lion, couch like spaniels, +With lolling tongues, and tremble at the paw: +Let lots again decide it. [_The Three draw again; and the + Lot falls on_ SEBASTIAN. + +_Sebast._ Then there's no more to manage: if I fall, +It shall be like myself; a setting sun +Should leave a track of glory in the skies.-- +Behold Sebastian, king of Portugal. + +_M. Mol._ Sebastian! ha! it must be he; no other +Could represent such suffering majesty. +I saw him, as he terms himself, a sun +Struggling in dark eclipse, and shooting day +On either side of the black orb that veiled him. + +_Sebast._ Not less even in this despicable now, +Than when my name filled Afric with affright, +And froze your hearts beneath your torrid zone. + +_Bend._ [_To M. Mol._] +Extravagantly brave! even to an impudence +Of greatness. + +_Sebast._ Here satiate all your fury: +Let fortune empty her whole quiver on me; +I have a soul, that, like an ample shield, +Can take in all, and verge enough for more. +I would have conquered you; and ventured only +A narrow neck of land for a third world, +To give my loosened subjects room to play. +Fate was not mine, +Nor am I fate's. Now I have pleased my longing, +And trod the ground which I beheld from far, +I beg no pity for this mouldering clay; +For, if you give it burial, there it takes +Possession of your earth; +If burnt and scattered in the air, the winds, +That strow my dust, diffuse my royalty, +And spread me o'er your clime: for where one atom +Of mine shall light, know, there Sebastian reigns. + +_M. Mol._ What shall I do to conquer thee? + +_Sebast._ Impossible! +Souls know no conquerors. + +_M. Mol._ I'll shew thee for a monster through my Afric. + +_Sebast._ No, thou canst only shew me for a man: +Afric is stored with monsters; man's a prodigy, +Thy subjects have not seen. + +_M. Mol._ Thou talk'st as if +Still at the head of battle. + +_Sebast._ Thou mistakest, +For then I would not talk. + +_Bend._ Sure he would sleep. + +_Sebast._ Till doomsday, when the trumpet sounds to rise; +For that's a soldier's call. + +_M. Mol._ Thou'rt brave too late; +Thou shouldst have died in battle, like a soldier. + +_Sebast._ I fought and fell like one, but death deceived me; +I wanted weight of feeble Moors upon me, +To crush my soul out. + +_M. Mol._ Still untameable! +In what a ruin has thy head-strong pride, +And boundless thirst of empire, plunged thy people! + +_Sebast._ What sayst thou? ha! no more of that. + +_M. Mol._ Behold, +What carcases of thine thy crimes have strewed, +And left our Afric vultures to devour. + +_Bend._ Those souls were those thy God intrusted with thee, +To cherish, not destroy. + +_Sebast._ Witness, O heaven, how much +This sight concerns me! would I had a soul +For each of these; how gladly would I pay +The ransom down! But since I have but one, +'Tis a king's life, and freely 'tis bestowed. +Not your false prophet, but eternal justice +Has destined me the lot, to die for these: +'Tis fit a sovereign so should pay such subjects; +For subjects such as they are seldom seen, +Who not forsook me at my greatest need; +Nor for base lucre sold their loyalty, +But shared my dangers to the last event, +And fenced them with their own. These thanks I pay you; + [_Wipes his eyes._ +And know, that, when Sebastian weeps, his tears +Come harder than his blood. + +_M. Mol._ They plead too strongly +To be withstood. My clouds are gathering too, +In kindly mixture with his royal shower. +Be safe; and owe thy life, not to my gift, +But to the greatness of thy mind, Sebastian. +Thy subjects too shall live; a due reward +For their untainted faith, in thy concealment. + +_Muf._ Remember, sir, your vow. [_A general shout._ + +_M. Mol._ Do thou remember +Thy function, mercy, and provoke not blood. + +_Mul. Zeyd._ One of his generous fits, too strong to last. + [_Aside to_ BENDUCAR. + +_Bend._ The Mufti reddens; mark that holy cheek. [_To him._ +He frets within, froths treason at his mouth, +And churns it thro' his teeth; leave me to work him. + +_Seb._ A mercy unexpected, undesired, +Surprises more: you've learnt the art to vanquish. +You could not,--give me leave to tell you, sir,-- +Have given me life but in my subjects' safety: +Kings, who are fathers, live but in their people. + +_M. Mol._ Still great, and grateful; that's thy character.-- +Unveil the woman; I would view the face, +That warmed our Mufti's zeal: +These pious parrots peck the fairest fruit: +Such tasters are for kings. [_Officers go to_ ALMEYDA _to unveil her._ + +_Alm._ Stand off, ye slaves! I will not be unveiled. + +_M. Mol_ Slave is thy title:--force her. + +_Sebast._ On your lives, approach her not. + +_M. Mol._ How's this! + +_Sebast._ Sir, pardon me, +And hear me speak.-- + +_Aim._ Hear me; I will be heard. +I am no slave; the noblest blood of Afric +Runs in my veins; a purer stream than thine: +For, though derived from the same source, thy current +Is puddled and defiled with tyranny. + +_M. Mol._ What female fury have we here! + +_Aim._ I should be one, +Because of kin to thee. Wouldst thou be touched +By the presuming hands of saucy grooms? +The same respect, nay more, is due to me: +More for my sex; the same for my descent. +These hands are only fit to draw the curtain. +Now, if thou dar'st, behold Almeyda's face. [_Unveils herself._ + +_Bend._ Would I had never seen it! [_Aside._ + +_Alm._ She whom thy Mufti taxed to have no soul; +Let Afric now be judge. +Perhaps thou think'st I meanly hope to 'scape, +As did Sebastian, when he owned his greatness. +But to remove that scruple, know, base man, +My murdered father, and my brother's ghost, +Still haunt this breast, and prompt it to revenge. +Think not I could forgive, nor dar'st thou pardon. + +_M. Mol._ Wouldst thou revenge thee, trait'ress, hadst thou power? + +_Alm._ Traitor, I would; the name's more justly thine; +Thy father was not, more than mine, the heir +Of this large empire: but with arms united +They fought their way, and seized the crown by force; +And equal as their danger was their share: +For where was eldership, where none had right +But that which conquest gave? 'Twas thy ambition +Pulled from my peaceful father what his sword +Helped thine to gain; surprised him and his kingdom, +No provocation given, no war declared. + +_M. Mol._ I'll hear no more. + +_Alm._ This is the living coal, that, burning in me, +Would flame to vengeance, could it find a vent; +My brother too, that lies yet scarcely cold +In his deep watery bed;--my wandering mother, +Who in exile died-- +O that I had the fruitful heads of Hydra, +That one might bourgeon where another fell! +Still would I give thee work; still, still, thou tyrant, +And hiss thee with the last. + +_M. Mol._ Something, I know not what, comes over me: +Whether the toils of battle, unrepaired +With due repose, or other sudden qualm.-- +Benducar, do the rest. [_Goes off, the court follows him._ + +_Bend._ Strange! in full health! this pang is of the soul; +The body's unconcerned: I'll think hereafter.-- +Conduct these royal captives to the castle; +Bid Dorax use them well, till further order. [_Going off, stops._ +The inferior captives their first owners take, +To sell, or to dispose.--You Mustapha, +Set ope the market for the sale of slaves. [_Exit_ BEND. + [_The Masters and Slaves come forward, and + Buyers of several Qualities come in, and + chaffer about the several Owners, who + make their slaves do Tricks[1]._ + +_Must._ My chattels are come into my hands again, and my conscience +will serve me to sell them twice over; any price now, before the Mufti +come to claim them. + +_1st Mer._ [_To_ MUST.] What dost hold that old fellow at?--[_Pointing +to_ ALVAR.] He's tough, and has no service in his limbs. + +_Must._ I confess he's somewhat tough; but I suppose you would not +boil him, I ask for him a thousand crowns. + +_1st Mer._ Thou mean'st a thousand marvedis. + +_Must._ Pr'ythee, friend, give me leave to know my own meaning. + +_1st Mer._ What virtues has he to deserve that price? + +_Must._ Marry come up, sir! virtues, quotha! I took him in the king's +company; he's of a great family, and rich; what other virtues wouldst +thou have in a nobleman? + +_1st Mer._ I buy him with another man's purse, that's my comfort. My +lord Dorax, the governor, will have him at any rate:--There's hansel. +Come, old fellow, to the castle. + +_Alvar._ To what is miserable age reserved! [_Aside._ +But oh the king! and oh the fatal secret! +Which I have kept thus long to time it better, +And now I would disclose, 'tis past my power. [_Exit with his Master._ + +_Must._ Something of a secret, and of the king, I heard him mutter: a +pimp, I warrant him, for I am sure he is an old courtier. Now, to put +off t'other remnant of my merchandize.--Stir up, sirrah! [_To_ ANT. + +_Ant._ Dog, what wouldst thou have? + +_Must._ Learn better manners, or I shall serve you a dog-trick; come +down upon all-four immediately; I'll make you know your rider. + +_Ant._ Thou wilt not make a horse of me? + +_Must._ Horse or ass, that's as thy mother made thee: but take +earnest, in the first place, for thy sauciness.--[_Lashes him with his +Whip._]--Be advised, friend, and buckle to thy geers: Behold my ensign +of royalty displayed over thee. + +_Ant._ I hope one day to use thee worse in Portugal. + +_Must._ Ay, and good reason, friend; if thou catchest me a-conquering +on thy side of the water, lay on me lustily; I will take it as kindly +as thou dost this.-- [_Holds up his Whip._ + +_Ant._ [_Lying down._] Hold, my dear Thrum-cap: I obey thee +cheerfully.--I see the doctrine of non-resistance is never practised +thoroughly, but when a man can't help himself. + + _Enter a second Merchant._ + +_2d Mer._ You, friend, I would see that fellow do his postures. + +_Must._ [_Bridling_ ANT.] Now, sirrah, follow, for you have rope +enough: To your paces, villain, amble trot, and gallop:--Quick about, +there.--Yeap! the more money's bidden for you, the more your credit. + [ANTONIO _follows, at the end of the + Bridle, on his Hands and Feet, and + does all his Postures._ + +_2d Mer._ He is well chined, and has a tolerable good back; that is +half in half.--[_To_ MUST.]--I would see him strip; has he no diseases +about him? + +_Must._ He is the best piece of man's flesh in the market, not an +eye-sore in his whole body. Feel his legs, master; neither splint, +spavin, nor wind-gall. [_Claps him on the Shoulder._ + +_Mer._ [_Feeling about him, and then putting his Hand on his Side._] +Out upon him, how his flank heaves! The whore-son is broken-winded. + +_Must._ Thick-breathed a little; nothing but a sorry cold with lying +out a-nights in trenches; but sound, wind and limb, I warrant +him.--Try him at a loose trot a little. [_Puts the Bridle into his + Hand, he strokes him._ + +_Ant._ For heaven's sake, owner, spare me: you know I am but new +broken. + +_2d Mer._ 'Tis but a washy jade, I see: what do you ask for this +bauble? + +_Must._ Bauble, do you call him? he is a substantial true-bred beast; +bravely forehanded. Mark but the cleanness of his shapes too: his dam +may be a Spanish gennet, but a true barb by the sire, or I have no +skill in horseflesh:--Marry, I ask six hundred xeriffs for him. + + _Enter_ MUFTI. + +_Mufti._ What is that you are asking, sirrah? + +_Must._ Marry, I ask your reverence six hundred pardons; I was doing +you a small piece of service here, putting off your cattle for you. + +_Mufti._ And putting the money into your own pocket. + +_Must._ Upon vulgar reputation, no, my lord; it was for your profit +and emolument. What! wrong the head of my religion? I was sensible you +would have damned me, or any man, that should have injured you in a +single farthing; for I knew that was sacrifice. + +_Mufti._ Sacrilege, you mean, sirrah,--and damning shall be the least +part of your punishment: I have taken you in the manner, and will have +the law upon you. + +_Must._ Good my lord, take pity upon a poor man in this world, and +damn me in the next. + +_Mufti._ No, sirrah, so you may repent and escape punishment: Did not +you sell this very slave amongst the rest to me, and take money for +him? + +_Must._ Right, my lord. + +_Mufti._ And selling him again? take money twice for the same +commodity? Oh, villain! but did you not know him to be my slave, +sirrah? + +_Must._ Why should I lie to your honour? I did know him; and +thereupon, seeing him wander about, took him up for a stray, and +impounded him, with intention to restore him to the right owner. + +_Mufti._ And yet at the same time was selling him to another: How +rarely the story hangs together! + +_Must._ Patience, my lord. I took him up, as your herriot, with +intention to have made the best of him, and then have brought the +whole product of him in a purse to you; for I know you would have +spent half of it upon your pious pleasures, have hoarded up the other +half, and given the remainder in charities to the poor. + +_Mufti._ And what's become of my other slave? Thou hast sold him too, +I have a villainous suspicion. + +_Must._ I know you have, my lord; but while I was managing this young +robustious fellow, that old spark, who was nothing but skin and bone, +and by consequence very nimble, slipt through my fingers like an eel, +for there was no hold-fast of him, and ran away to buy himself a new +master. + +_Muft._ [_To_ ANT.] Follow me home, sirrah:--[_To_ MUST.] I shall +remember you some other time. [_Exit_ MUFTI _with_ ANT. + +_Must._ I never doubted your lordship's memory for an ill turn: And I +shall remember him too in the next rising of the mobile for this act +of resumption; and more especially for the ghostly counsel he gave me +before the emperor, to have hanged myself in silence to have saved his +reverence. The best on't is, I am beforehand with him for selling one +of his slaves twice over; and if he had not come just in the nick, I +might have pocketed up the other; for what should a poor man do that +gets his living by hard labour, but pray for bad times when he may get +it easily? O for some incomparable tumult! Then should I naturally +wish that the beaten party might prevail; because we have plundered +the other side already, and there is nothing more to get of them. + Both rich and poor for their own interest pray, + 'Tis ours to make our fortune while we may; + For kingdoms are not conquered every day. [_Exit._ + + +ACT II. + +SCENE I.--_Supposed to be a Terrace Walk, on the side of the Castle of +Alcazar._ + + _Enter_ EMPEROR _and_ BENDUCAR. + +_Emp._ And thinkst thou not, it was discovered? + +_Bend._ No: +The thoughts of kings are like religious groves, +The walks of muffled gods: Sacred retreat, +Where none, but whom they please to admit, approach. + +_Emp._ Did not my conscious eye flash out a flame, +To lighten those brown horrors, and disclose +The secret path I trod? + +_Bend._ I could not find it, till you lent a clue +To that close labyrinth; how then should they? + +_Emp._ I would be loth they should: it breeds contempt +For herds to listen, or presume to pry, +When the hurt lion groans within his den: +But is't not strange? + +_Bend._ To love? not more than 'tis to live; a tax +Imposed on all by nature, paid in kind, +Familiar as our being. + +_Emp._ Still 'tis strange +To me: I know my soul as wild as winds, +That sweep the desarts of our moving plains; +Love might as well be sowed upon our sands, +As in a breast so barren. +To love an enemy, the only one +Remaining too, whom yester sun beheld +Mustering her charms, and rolling, as she past +By every squadron, her alluring eyes, +To edge her champions' swords, and urge my ruin. +The shouts of soldiers, and the burst of cannon, +Maintain even still a deaf and murmuring noise; +Nor is heaven yet recovered of the sound, +Her battle roused: Yet, spite of me, I love. + +_Bend._ What then controuls you? +Her person is as prostrate as her party. + +_Emp._ A thousand things controul this conqueror: +My native pride to own the unworthy passion, +Hazard of interest, and my people's love. +To what a storm of fate am I exposed!-- +What if I had her murdered!--'tis but what +My subjects all expect, and she deserves,-- +Would not the impossibility +Of ever, ever seeing, or possessing, +Calm all this rage, this hurricane of soul? + +_Bend._ That _ever, ever,_-- +I marked the double,--shows extreme reluctance +To part with her for ever. + +_Emp._ Right, thou hast me. +I would, but cannot kill: I must enjoy her: +I must, and what I must, be sure I will. +What's royalty, but power to please myself? +And if I dare not, then am I the slave, +And my own slaves the sovereigns:--'tis resolved. +Weak princes flatter, when they want the power +To curb their people; tender plants must bend: +But when a government is grown to strength, +Like some old oak, rough with its armed bark, +It yields not to the tug, but only nods, +And turns to sullen state. + +_Bend._ Then you resolve +To implore her pity, and to beg relief? + +_Emp._ Death! must I beg the pity of my slave? +Must a king beg?--Yes; love's a greater king; +A tyrant, nay, a devil, that possesses me: +He tunes the organs of my voice, and speaks, +Unknown to me, within me; pushes me, +And drives me on by force.-- +Say I should wed her, would not my wise subjects +Take check, and think it strange? perhaps revolt? + +_Bend._ I hope they would not. + +_Emp._ Then thou doubtst they would? + +_Bend._ To whom? + +_Emp._ To her +Perhaps,--or to my brother,--or to thee. + +_Bend._ [_in disorder._] +To me! me, did you mention? how I tremble! +The name of treason shakes my honest soul. +If I am doubted, sir, +Secure yourself this moment, take my life. + +_Emp._ No more: If I suspected thee--I would. + +_Bend._ I thank your kindness.--Guilt had almost lost me. [_Aside._ + +_Emp._ But clear my doubts:--thinkst thou they may rebel? + +_Bend._ This goes as I would wish.-- [_Aside._ +'Tis possible: +A secret party still remains, that lurks +Like embers raked in ashes,--wanting but +A breath to blow aside the involving dust, +And then they blaze abroad. + +_Emp._ They must be trampled out. + +_Bend._ But first be known. + +_Emp._ Torture shall force it from them. + +_Bend._ You would not put a nation to the rack? + +_Emp._ Yes, the whole world; so I be safe, I care not. + +_Bend._ Our limbs and lives +Are yours; but mixing friends with foes is hard. + +_Emp._ All may be foes; or how to be distinguished, +If some be friends? + +_Bend._ They may with ease be winnowed. +Suppose some one, who has deserved your trust, +Some one, who knows mankind, should be employed +To mix among them, seem a malcontent, +And dive into their breasts, to try how far +They dare oppose your love? + +_Emp._ I like this well; 'tis wholesome wickedness. + +_Bend._ Whomever he suspects, he fastens there, +And leaves no cranny of his soul unsearched; +Then like a bee bag'd with his honeyed venom, +He brings it to your hive;--if such a man, +So able and so honest, may be found; +If not, my project dies. + +_Emp._ By all my hopes, thou hast described thyself: +Thou, thou alone, art fit to play that engine, +Thou only couldst contrive. + +_Bend._ Sure I could serve you: +I think I could:--but here's the difficulty; +I am so entirely yours, +That I should scurvily dissemble hate; +The cheat would be too gross. + +_Emp._ Art thou a statesman, +And canst not be a hypocrite? Impossible! +Do not distrust thy virtues. + +_Bend._ If I must personate this seeming villain, +Remember 'tis to serve you. + +_Emp._ No more words: +Love goads me to Almeyda, all affairs +Are troublesome but that; and yet that most. [_Going._ +Bid Dorax treat Sebastian like a king; +I had forgot him;--but this love mars all, +And takes up my whole breast. [_Exit_ EMPEROR. + +_Bend._ [_To the_ EMP.] Be sure I'll tell him-- +With all the aggravating circumstances [_Alone._ +I can, to make him swell at that command. +The tyrant first suspected me; +Then with a sudden gust he whirled about, +And trusted me too far:--Madness of power! +Now, by his own consent, I ruin him. +For, should some feeble soul, for fear or gain. +Bolt out to accuse me, even the king is cozened, +And thinks he's in the secret. +How sweet is treason, when the traitor's safe! + + _Sees the_ MUFTI _and_ DORAX _entering, and seeming to confer._ + +The Mufti, and with him my sullen Dorax. +That first is mine already: +'Twas easy work to gain a covetous mind, +Whom rage to lose his prisoners had prepared: +Now caught himself, +He would seduce another. I must help him: +For churchmen, though they itch to govern all, +Are silly, woeful, aukward politicians: +They make lame mischief, though they mean it well: +Their interest is not finely drawn, and hid, +But seams are coarsely bungled up, and seen. + +_Muf._ He'll tell you more. + +_Dor._ I have heard enough already, +To make me loath thy morals. + +_Bend._ [_To_ DOR.] You seem warm; +The good man's zeal perhaps has gone too far. + +_Dor._ Not very far; not farther than zeal goes; +Of course a small day's journey short of treason. + +_Muf._ By all that's holy, treason was not named: +I spared the emperor's broken vows, to save +The slaves from death, though it was cheating heaven; +But I forgave him that. + +_Dor._ And slighted o'er +The wrongs himself sustained in property; +When his bought slaves were seized by force, no loss +Of his considered, and no cost repaid. [_Scornfully._ + +_Muf._ Not wholly slighted o'er, not absolutely.-- +Some modest hints of private wrongs I urged. + +_Dor._ Two-thirds of all he said: there he began +To shew the fulness of his heart; there ended. +Some short excursions of a broken vow +He made indeed, but flat insipid stuff; +But, when he made his loss the theme, he flourished, +Relieved his fainting rhetoric with new figures, +And thundered at oppressing tyranny. + +_Muf._ Why not, when sacrilegious power would seize +My property? 'tis an affront to heaven, +Whose person, though unworthy, I sustain. + +_Dor._ You've made such strong alliances above, +That 'twere profaneness in us laity +To offer earthly aid. +I tell thee, Mufti, if the world were wise, +They would not wag one finger in your quarrels. +Your heaven you promise, but our earth you covet; +The Phaetons of mankind, who fire that world, +Which you were sent by preaching but to warm. + +_Bend._ This goes beyond the mark. + +_Muf._ No, let him rail; +His prophet works within him; +He's a rare convert. + +_Dor._ Now his zeal yearns +To see me burned; he damns me from his church, +Because I would restrain him to his duty.-- +Is not the care of souls a load sufficient? +Are not your holy stipends paid for this? +Were you not bred apart from worldly noise, +To study souls, their cures and their diseases? +If this be so, we ask you but our own: +Give us your whole employment, all your care. +The province of the soul is large enough +To fill up every cranny of your time, +And leave you much to answer, if one wretch +Be damned by your neglect. + +_Bend._ [_To the_ MUFTI.] He speaks but reason. + +_Dor._ Why, then, these foreign thoughts of state-employments, +Abhorrent to your function and your breedings? +Poor droning truants of unpractised cells, +Bred in the fellowship of bearded boys, +What wonder is it if you know not men? +Yet there you live demure, with down-cast eyes, +And humble as your discipline requires; +But, when let loose from thence to live at large, +Your little tincture of devotion dies: +Then luxury succeeds, and, set agog +With a new scene of yet untasted joys, +You fall with greedy hunger to the feast. +Of all your college virtues, nothing now +But your original ignorance remains; +Bloated with pride, ambition, avarice, +You swell to counsel kings, and govern kingdoms. + +_Muf._ He prates as if kings had not consciences, +And none required directors but the crowd. + +_Dor._ As private men they want you, not as kings; +Nor would you care to inspect their public conscience, +But that it draws dependencies of power +And earthly interest, which you long to sway; +Content you with monopolizing heaven, +And let this little hanging ball alone: +For, give you but a foot of conscience there, +And you, like Archimedes, toss the globe. +We know your thoughts of us that laymen are, +Lag souls, and rubbish of remaining clay, +Which heaven, grown weary of more perfect work, +Set upright with a little puff of breath, +And bid us pass for men. + +_Muf._ I will not answer, +Base foul-mouthed renegade; but I'll pray for thee, +To shew my charity. [_Exit_ MUFTI. + +_Dor._ Do; but forget not him who needs it most: +Allow thyself some share.--He's gone too soon; +I had to tell him of his holy jugglings; +Things that would startle faith, and make us deem +Not this, or that, but all religions false. + +_Bend._ Our holy orator has lost the cause. [_Aside._ +But I shall yet redeem it.--[_To_ DORAX.] Let him go; +For I have secret orders from the emperor, +Which none but you must hear: I must confess, +I could have wished some other hand had brought them. +When did you see your prisoner, great Sebastian? + +_Dor._ You might as well have asked me, when I saw +A crested dragon, or a basilisk; +Both are less poison to my eyes and nature, +He knows not I am I; nor shall he see me, +Till time has perfected a labouring thought, +That rolls within my breast. + +_Bend._ 'Twas my mistake. +I guessed indeed that time, and his misfortunes, +And your returning duty, had effaced +The memory of past wrongs; they would in me, +And I judged you as tame, and as forgiving. + +_Dor._ Forgive him! no: I left my foolish faith, +Because it would oblige me to forgiveness. + +_Bend._ I can't but grieve to find you obstinate, +For you must see him; 'tis our emperor's will, +And strict command. + +_Dor._ I laugh at that command. + +_Bend._ You must do more than see; serve, and respect him. + +_Dor._ See, serve him, and respect! and after all +My yet uncancelled wrongs, I must do this!-- +But I forget myself. + +_Bend._ Indeed you do. + +_Dor._ The emperor is a stranger to my wrongs; +I need but tell my story, to revoke +This hard commission. + +_Bend._ Can you call me friend, +And think I could neglect to speak, at full, +The affronts you had from your ungrateful master? + +_Dor._ And yet enjoined my service and attendance! + +_Bend._ And yet enjoined them both: would that were all! +He screwed his face into a hardened smile, +And said, Sebastian knew to govern slaves. + +_Dor._ Slaves are the growth of Africk, not of Europe.-- +By heaven! I will not lay down my commission; +Not at his foot, I will not stoop so low: +But if there be a part in all his face +More sacred than the rest, I'll throw it there. + +_Bend._ You may; but then you lose all future means +Of vengeance on Sebastian, when no more +Alcayde of this fort. + +_Dor._ That thought escaped me. + +_Bend._ Keep your command, and be revenged on both: +Nor sooth yourself; you have no power to affront him; +The emperor's love protects him from insults; +And he, who spoke that proud, ill-natured word, +Following the bent of his impetuous temper, +May force your reconcilement to Sebastian; +Nay, bid you kneel, and kiss the offending foot, +That kicked you from his presence.-- +But think not to divide their punishment; +You cannot touch a hair of loathed Sebastian, +While Muley-Moluch lives. + +_Dor._ What means this riddle? + +_Bend._ 'Tis out;--there needs no OEdipus to solve it. +Our emperor is a tyrant, feared and hated; +I scarce remember, in his reign, one day +Pass guiltless o'er his execrable head. +He thinks the sun is lost, that sees not blood: +When none is shed, we count it holiday. +We, who are most in favour, cannot call +This hour our own.--You know the younger brother, +Mild Muley-Zeydan? + +_Dor._ Hold, and let me think. + +_Bend._ The soldiers idolize you; +He trusts you with the castle, +The key of all his kingdom. + +_Dor._ Well; and he trusts you too. + +_Bend._ Else I were mad, +To hazard such a daring enterprize. + +_Dor._ He trusts us both; mark that!--Shall we betray him; +A master, who reposes life and empire +On our fidelity:--I grant he is a tyrant, +That hated name my nature most abhors: +More,--as you say,--has loaded me with scorn, +Even with the last contempt, to serve Sebastian; +Yet more, I know he vacates my revenge, +Which, but by this revolt, I cannot compass: +But, while he trusts me, 'twere so base a part, +To fawn, and yet betray,--I should be hissed, +And whooped in hell for that ingratitude. + +_Bend._ Consider well what I have done for you. + +_Dor._ Consider thou, what thou wouldst have me do. + +_Bend._ You've too much honour for a renegade. + +_Dor._ And thou too little faith to be a favourite. +Is not the bread thou eat'st, the robe thou wear'st, +Thy wealth, and honours, all the pure indulgence +Of him thou would'st destroy? +And would his creature, nay, his friend, betray him? +Why then no bond is left on human kind! +Distrusts, debates, immortal strifes ensue; +Children may murder parents, wives their husbands; +All must be rapine, wars, and desolation, +When trust and gratitude no longer bind. + +_Bend._ Well have you argued in your own defence; +You, who have burst asunder all those bonds, +And turned a rebel to your native prince. + +_Dor._ True, I rebelled: But when did I betray?-- +Indignities, which man could not support, +Provoked my vengeance to this noble crime; +But he had stripped me first of my command, +Dismissed my service, and absolved my faith; +And, with disdainful language, dared my worst: +I but accepted war, which he denounced. +Else had you seen, not Dorax, but Alonzo, +With his couched lance, against your foremost Moors; +Perhaps, too, turned the fortune of the day, +Made Africk mourn and Portugal triumph. + +_Bend._ Let me embrace thee! + +_Dor._ Stand off, sycophant, +And keep infection distant. + +_Bend._ Brave and honest! + +_Dor._ In spite of thy temptations. + +_Bend._ Call them, trials; +They were no more. Thy faith was held in balance, +And nicely weighed by jealousy of power. +Vast was the trust of such a royal charge: +And our wise emperor might justly fear, +Sebastian might be freed and reconciled, +By new obligements, to thy former love. + +_Dor._ I doubt thee still: Thy reasons were too strong, +And driven too near the head, to be but artifice: +And, after all, I know thou art a statesman, +Where truth is rarely found. + +_Bend._ Behold the emperor:-- + + _Enter Emperor,_ SEBASTIAN, _and_ ALMEYDA. + +Ask him, I beg thee,--to be justified,-- +If he employed me not to ford thy soul, +And try the footing, whether false or firm. + +_Dor._ Death to my eyes, I see Sebastian with him! +Must he be served?--Avoid him: If we meet, +It must be like the crush of heaven and earth, +To involve us both in ruin. [_Exit._ + +_Bend._ 'Twas a bare saving game I made with Dorax; +But better so than lost. He cannot hurt me; +That I precautioned: I must ruin him.-- +But now this love; ay, there's the gathering storm! +The tyrant must not wed Almeyda: No! +That ruins all the fabric I am raising. +Yet, seeming to approve, it gave me time; +And gaining time gains all. [_Aside._ + [BENDUCAR _goes and waits behind the Emperor. + The Emperor,_ SEBASTIAN, _and_ ALMEYDA, + _advance to the front of the stage: Guards + and Attendants._ + +_Emp._ to _Seb._ I bade them serve you; and, if they obey not, +I keep my lions keen within their dens, +To stop their maws with disobedient slaves. + +_Seb._ If I had conquered, +They could not have with more observance waited: +Their eyes, hands, feet, +Are all so quick, they seem to have but one motion, +To catch my flying words. Only the alcayde +Shuns me; and, with a grim civility, +Bows, and declines my walks. + +_Emp._ A renegade: +I know not more of him, but that he's brave, +And hates your Christian sect. If you can frame +A farther wish, give wing to your desires, +And name the thing you want. + +_Seb._ My liberty; +For were even paradise itself my prison, +Still I should long to leap the crystal walls. + +_Emp._ Sure our two souls have somewhere been acquainted +In former beings; or, struck out together, +One spark to Afric flew, and one to Portugal. +Expect a quick deliverance: Here's a third, [_Turning to_ ALMEYDA. +Of kindred sold to both: pity our stars +Have made us foes! I should not wish her death. + +_Alm._ I ask no pity; if I thought my soul +Of kin to thine, soon would I rend my heart-strings, +And tear out that alliance; but thou, viper, +Hast cancelled kindred, made a rent in nature, +And through her holy bowels gnawed thy way, +Through thy own blood, to empire. + +_Emp._ This again! +And yet she lives, and only lives to upbraid me! + +_Seb._ What honour is there in a woman's death! +Wronged, as she says, but helpless to revenge; +Strong in her passion, impotent of reason, +Too weak to hurt, too fair to be destroyed. +Mark her majestic fabric; she's a temple +Sacred by birth, and built by hands divine; +Her souls the deity that lodges there; +Nor is the pile unworthy of the god. + +_Emp._ She's all that thou canst say, or I can think; +But the perverseness of her clamourous tongue +Strikes pity deaf. + +_Seb._ Then only hear her eyes! +Though they are mute, they plead; nay, more, command; +For beauteous eyes have arbitrary power. +All females have prerogative of sex; +The she's even of the savage herd are safe; +And when they snarl or bite, have no return +But courtship from the male. + +_Emp._ Were she not she, and I not Muley-Moluch, +She's mistress of inevitable charms, +For all but me; nor am I so exempt, +But that--I know not what I was to say-- +But I am too obnoxious to my friends, +And swayed by your advice. + +_Seb._ Sir, I advised not; +By heaven, I never counselled love, but pity. + +_Emp._ By heaven thou didst; deny it not, thou didst: +For what was all that prodigality +Of praise, but to inflame me? + +_Seb._ Sir-- + +_Emp._ No more; +Thou hast convinced me that she's worth my love. + +_Seb._ Was ever man so ruined by himself? [_Aside._ + +_Alm._ Thy love! That odious mouth was never framed +To speak a word so soft: +Name death again, for that thou canst pronounce +With horrid grace, becoming of a tyrant. +Love is for human hearts, and not for thine, +Where the brute beast extinguishes the man. + +_Emp._ Such if I were, yet rugged lions love, +And grapple, and compel their savage dames.-- +Mark my Sebastian, how that sullen frown, [_She frowns._ +Like flashing lightning, opens angry heaven, +And, while it kills, delights!--But yet, insult not +Too soon, proud beauty! I confess no love. + +_Seb._ No, sir; I said so, and I witness for you, +Not love, but noble pity, moved your mind: +Interest might urge you too to save her life; +For those, who wish her party lost, might murmur +At shedding royal blood. + +_Emp._ Right, thou instruct'st me; +Interest of state requires not death, but marriage, +To unite the jarring titles of our line. + +_Seb._ Let me be dumb for ever; all I plead, [_Aside._ +Like wildfire thrown against the winds, returns +With double force to burn me. + +_Emp._ Could I but bend, to make my beauteous foe +The partner of my throne, and of my bed-- + +_Alm._ Still thou dissemblest; but, I read thy heart, +And know the power of my own charms; thou lov'st, +And I am pleased, for my revenge, thou dost. + +_Emp._ And thou hast cause. + +_Alm._ I have, for I have power to make thee wretched. +Be sure I will, and yet despair of freedom. + +_Emp._ Well then, I love; +And 'tis below my greatness to disown it; +Love thee implacably, yet hate thee too; +Would hunt thee barefoot, in the mid-day sun, +Through the parched desarts and the scorching sands, +To enjoy thy love, and, once enjoyed, to kill thee. + +_Alm._ 'Tis a false courage, when thou threaten'st me; +Thou canst not stir a hand to touch my life: +Do not I see thee tremble, while thou speak'st? +Lay by the lion's hide, vain conqueror, +And take the distaff; for thy soul's my slave. + +_Emp._ Confusion! How thou view'st my very heart! +I could as soon +Stop a spring-tide, blown in, with my bare hand, +As this impetuous love:--Yes, I will wed thee; +In spite of thee, and of myself, I will. + +_Alm._ For what? to people Africa with monsters, +Which that unnatural mixture must produce? +No, were we joined, even though it were in death, +Our bodies burning in one funeral pile, +The prodigy of Thebes would be renewed, +And my divided flame should break from thine. + +_Emp._ Serpent, I will engender poison with thee; +Join hate with hate, add venom to the birth: +Our offspring, like the seed of dragons' teeth, +Shall issue armed, and fight themselves to death. + +_Alm._ I'm calm again; thou canst not marry me. + +_Emp._ As gleams of sunshine soften storms to showers, +So, if you smile, the loudness of my rage +In gentle whispers shall return but this-- +That nothing can divert my love but death. + +_Alm._ See how thou art deceived; I am a Christian: +'Tis true, unpractised in my new belief, +Wrongs I resent, nor pardon yet with ease; +Those fruits come late, and are of slow increase +In haughty hearts, like mine: Now, tell thyself +If this one word destroy not thy designs: +Thy law permits thee not to marry me. + +_Emp._ 'Tis but a specious tale, to blast my hopes, +And baffle my pretensions.--Speak, Sebastian, +And, as a king, speak true. + +_Seb._ Then, thus adjured, +On a king's word 'tis truth, but truth ill-timed; +For her dear life is now exposed anew, +Unless you wholly can put on divinity, +And graciously forgive. + +_Alm._ Now learn, by this, +The little value I have left for life, +And trouble me no more. + +_Emp._ I thank thee, woman; +Thou hast restored me to my native rage, +And I will seize my happiness by force. + +_Seb._ Know, Muley Moluch, when thou darest attempt-- + +_Emp._ Beware! I would not be provoked to use +A conqueror's right, and therefore charge thy silence. +If thou wouldst merit to be thought my friend, +I leave thee to persuade her to compliance: +If not, there's a new gust in ravishment, +Which I have never tried. + +_Bend._ They must be watched; [_Aside._ +For something I observed creates a doubt. [_Exeunt Emp. and_ BEND. + +_Seb._ I've been too tame, have basely borne my wrongs, +And not exerted all the king within me: +I heard him, O sweet heavens! he threatened rape; +Nay, insolently urged me to persuade thee, +Even thee, thou idol of my soul and eyes, +For whom I suffer life, and drag this being. + +_Alm._ You turn my prison to a paradise; +But I have turned your empire to a prison: +In all your wars good fortune flew before you; +Sublime you sat in triumph on her wheel, +Till in my fatal cause your sword was drawn; +The weight of my misfortunes dragged you down. + +_Seb._ And is't not strange, that heaven should bless my arms +In common causes, and desert the best? +Now in your greatest, last extremity, +When I would aid you most, and most desire it, +I bring but sighs, the succours of a slave. + +_Alm._ Leave then the luggage of your fate behind; +To make your flight more easy leave Almeyda: +Nor think me left a base, ignoble prey, +Exposed to this inhuman tyrant's lust; +My virtue is a guard beyond my strength, +And death, my last defence, within my call. + +_Seb._ Death may be called in vain, and cannot come; +Tyrants can tie him up from your relief; +Nor has a Christian privilege to die. +Alas, thou art too young in thy new faith: +Brutus and Cato might discharge their souls, +And give them furloughs for another world; +But we, like sentries, are obliged to stand +In starless nights, and wait the appointed hour[2]. + +_Alm._ If shunning ill be good +To those, who cannot shun it but by death, +Divines but peep on undiscovered worlds, +And draw the distant landscape as they please; +But who has e'er returned from those bright regions, +To tell their manners, and relate their laws? +I'll venture landing on that happy shore +With an unsullied body and white mind; +If I have erred, some kind inhabitant +Will pity a strayed soul, and take me home. + +_Seb._ Beware of death! thou canst not die unperjured, +And leave an unaccomplished love behind. +Thy vows are mine; nor will I quit my claim: +The ties of minds are but imperfect bonds, +Unless the bodies join to seal the contract. + +_Alm._ What joys can you possess, or can I give, +Where groans of death succeed the sighs of love? +Our Hymen has not on his saffron robe; +But, muffled up in mourning, downward holds +His drooping torch, extinguished with his tears. + +_Seb._ The God of Love stands ready to revive it, +With his etherial breath. + +_Alm._ 'Tis late to join, when we must part so soon. + +_Seb._ Nay, rather let us haste it, ere we part; +Our souls, for want of that acquaintance here, +May wander in the starry walks above, +And, forced on worse companions, miss ourselves. + +_Alm._ The tyrant will not long be absent hence; +And soon I shall be ravished from your arms. + +_Seb._ Wilt thou thyself become the greater tyrant, +And give not love, while thou hast love to give? +In dangerous days, when riches are a crime, +The wise betimes make over their estates: +Make o'er thy honour, by a deed of trust, +And give me seizure of the mighty wealth. + +_Alm._ What shall I do? O teach me to refuse! +I would,--and yet I tremble at the grant; +For dire presages fright my soul by day, +And boding visions haunt my nightly dreams; +Sometimes, methinks, I hear the groans of ghosts, +Thin, hollow sounds, and lamentable screams; +Then, like a dying echo, from afar, +My mother's voice, that cries,--Wed not, Almeyda! +Forewarned, Almeyda, marriage is thy crime. + +_Seb._ Some envious demon to delude our joys; +Love is not sin, but where 'tis sinful love. + +_Alm._ Mine is a flame so holy and so clear, +That the white taper leaves no soot behind; +No smoke of lust; but chaste as sisters' love, +When coldly they return a brother's kiss, +Without the zeal that meets at lovers' mouths[3]. + +_Seb._ Laugh then at fond presages. I had some;-- +Famed Nostradamus, when he took my horoscope, +Foretold my father, I should wed with incest. +Ere this unhappy war my mother died, +And sisters I had none;--vain augury! +A long religious life, a holy age, +My stars assigned me too;--impossible! +For how can incest suit with holiness, +Or priestly orders with a princely state? + +_Alm._ Old venerable Alvarez-- [_Sighing._ + +_Seb._ But why that sigh in naming that good man? + +_Alm._ Your father's counsellor and confident-- + +_Seb._ He was; and, if he lives, my second father. + +_Alm._ Marked our farewell, when, going to the fight, +You gave Almeyda for the word of battle. +'Twas in that fatal moment, he discovered +The love, that long we laboured to conceal. +I know it; though my eyes stood full of tears, +Yet through the mist I saw him stedfast gaze; +Then knocked his aged breast, and inward groaned, +Like some sad prophet, that foresaw the doom +Of those whom best he loved, and could not save. + +_Seb._ It startles me! and brings to my remembrance, +That, when the shock of battle was begun, +He would have much complained (but had not time) +Of our hid passion: then, with lifted hands, +He begged me, by my father's sacred soul, +Not to espouse you, if he died in fight; +For, if he lived, and we were conquerors, +He had such things to urge against our marriage, +As, now declared, would blunt my sword in battle, +And dastardize my courage. + +_Alm._ My blood curdles, +And cakes about my heart. + +_Seb._ I'll breathe a sigh so warm into thy bosom, +Shall make it flow again. My love, he knows not +Thou art a Christian: that produced his fear, +Lest thou shouldst sooth my soul with charms so strong, +That heaven might prove too weak. + +_Alm._ There must be more: +This could not blunt your sword. + +_Seb._ Yes, if I drew it, with a curst intent, +To take a misbeliever to my bed: +It must be so. + +_Alm._ Yet-- + +_Seb._ No, thou shalt not plead, +With that fair mouth, against the cause of love. +Within this castle is a captive priest, +My holy confessor, whose free access +Not even the barbarous victors have refused; +This hour his hands shall make us one. + +_Alm._ I go, with love and fortune, two blind guides, +To lead my way, half loth, and half consenting. +If, as my soul forebodes, some dire event +Pursue this union, or some crime unknown, +Forgive me, heaven! and, all ye blest above, +Excuse the frailty of unbounded love! [_Exeunt._ + + +SCENE II.--_Supposed a Garden, with lodging rooms behind it, or on the +sides._ + + _Enter_ MUFTI, ANTONIO _as a slave, and_ JOHAYMA _the_ MUFTI'S + _wife._ + +_Muf._ And how do you like him? look upon him well; he is a personable +fellow of a Christian dog. Now, I think you are fitted for a gardener. +Ha, what sayest thou, Johayma? + +_Joh._ He may make a shift to sow lettuce, raise melons, and water a +garden-plat; but otherwise, a very filthy fellow: how odiously he +smells of his country garlick! fugh, how he stinks of Spain. + +_Muf._ Why honey bird, I bought him on purpose for thee: didst thou +not say, thou longedst for a Christian slave? + +_Joh._ Ay, but the sight of that loathsome creature has almost cured +me; and how can I tell that he is a christian? an he were well +searched, he may prove a Jew, for aught I know. And, besides, I have +always longed for an eunuch; for they say that's a civil creature, and +almost as harmless as yourself, husband.--Speak, fellow, are not you +such a kind of peaceable thing? + +_Ant._ I was never taken for one in my own country; and not very +peaceable neither, when I am well provoked. + +_Muf._ To your occupation, dog; bind up the jessamines in yonder +arbour, and handle your pruning-knife with dexterity: tightly I say, +go tightly to your business; you have cost me much, and must earn it +in your work. Here's plentiful provision for you, rascal; salading in +the garden, and water in the tank, and on holidays the licking of a +platter of rice, when you deserve it. + +_Joh._ What have you been bred up to, sirrah? and what can you +perform, to recommend you to my service? + +_Ant._ [_Making Legs._] Why, madam, I can perform as much as any man, +in a fair lady's service. I can play upon the flute, and sing; I can +carry your umbrella, and fan your ladyship, and cool you when you are +too hot; in fine, no service, either by day or by night, shall come +amiss to me; and, besides I am of so quick an apprehension, that you +need but wink upon me at any time to make me understand my duty. [_She +winks at him._]--Very fine, she has tipt the wink already. [_Aside._ + +_Joh._ The whelp may come to something in time, when I have entered +him into his business. + +_Muf._ A very malapert cur, I can tell him that; I do not like his +fawning--You must be taught your distance, sirrah. [_Strikes him._ + +_Joh._ Hold, hold. He has deserved it, I confess; but, for once, let +his ignorance plead his pardon; we must not discourage a beginner. +Your reverence has taught us charity, even to birds and beasts:--here, +you filthy brute, you, take this little alms to buy you plasters. + [_Gives him a piece of money._ + +_Ant._ Money, and a love-pinch in the inside of my palm into the +bargain. [_Aside._ + + _Enter a Servant._ + +_Serv._ Sir, my lord Benducar is coming to wait on you, and is already +at the palace gate. + +_Muf._ Come in, Johayma; regulate the rest of +my wives and concubines, and leave the fellow to +his work. + +_Joh._ How stupidly he stares about him, like a calf new come into the +world! I shall teach you, sirrah, to know your business a little +better. This way, you awkward rascal; here lies the arbour; must I be +shewing you eternally? [_Turning him about._ + +_Muf._ Come away, minion; you shall shew him nothing. + +_Joh._ I'll but bring him into the arbour, where a rose-tree and a +myrtle-tree are just falling for want of a prop; if they were bound +together, they would help to keep up one another. He's a raw gardener, +and 'tis but charity to teach him. + +_Muf._ No more deeds of charity to-day; come in, or I shall think you +a little better disposed than I could wish you. + +_Joh._ Well, go before, I will follow my pastor. + +_Muf._ So you may cast a sheep's eye behind you? in before me;--and +you, sauciness, mind your pruning-knife, or I may chance to use it for +you. [_Exeunt Mufti and_ JOHAYMA. + +_Ant._ [_Alone._] Thank you for that, but I am in no such haste to be +made a mussulman. For his wedlock, for all her haughtiness, I find her +coming. How far a Christian should resist, I partly know; but how far +a lewd young Christian can resist, is another question. She's +tolerable, and I am a poor stranger, far from better friends, and in a +bodily necessity. Now have I a strange temptation to try what other +females are belonging to this family: I am not far from the women's +apartment, I am sure; and if these birds are within distance, here's +that will chuckle them together. [_Pulls out his Flute._] If there be +variety of Moors' flesh in this holy market, 'twere madness to lay out +all my money upon the first bargain. [_He plays. A Grate opens, and_ +MORAYMA, _the Mufti's Daughter, appears at it._]--Ay, there's an +apparition! This is a morsel worthy of a Mufti; this is the relishing +bit in secret; this is the mystery of his Alcoran, that must be +reserved from the knowledge of the prophane vulgar; this is his +holiday devotion.--See, she beckons too. [_She beckons to him._ + +_Mor._ Come a little nearer, and speak softly. + +_Ant._ I come. I come, I warrant thee; the least twinkle had brought +me to thee; such another kind syllable or two would turn me to a +meteor, and draw me up to thee. + +_Mor._ I dare not speak, for fear of being overheard; but if you think +my person worth your hazard, and can deserve my love, the rest this +note shall tell you. [_Throws down a Handkerchief._] No more, my heart +goes with you. [_Exit from the Grate._ + +_Ant._ O thou pretty little heart, art thou flown hither? I'll keep it +warm, I warrant it, and brood upon it in the new nest.--But now for my +treasure trove, that's wrapt up in the handkerchief; no peeping here, +though I long to be spelling her Arabic scrawls and pot-hooks. But I +must carry off my prize as robbers do, and not think of sharing the +booty before I am free from danger, and out of eye-shot from the other +windows. If her wit be as poignant as her eyes, I am a double slave. +Our northern beauties are mere dough to these; insipid white earth, +mere tobacco pipe clay, with no more soul and motion in them than a +fly in winter. + Here the warm planet ripens and sublimes + The well-baked beauties of the southern climes. + Our Cupid's but a bungler in his trade; + His keenest arrows are in Africk made. [_Exit._ + + +ACT III. + +SCENE I.--_A Terrace Walk; or some other public place in the castle of +Alcazar._ + + _Enter Emperor_ MULEY-MOLUCH, _and_ BENDUCAR. + +_Emp._ Married! I'll not believe it; 'tis imposture; +Improbable they should presume to attempt, +Impossible they should effect their wish. + +_Bend._ Have patience, till I clear it. + +_Emp._ I have none: +Go bid our moving plains of sand lie still, +And stir not, when the stormy south blows high: +From top to bottom thou hast tossed my soul, +And now 'tis in the madness of the whirl, +Requir'st a sudden stop? unsay thy lie; +That may in time do somewhat. + +_Bend._ I have done: +For, since it pleases you it should be forged, +'Tis fit it should: far be it from your slave +To raise disturbance in your sacred breast. + +_Emp._ Sebastian is my slave as well as thou; +Nor durst offend my love by that presumption. + +_Bend._ Most sure he ought not. + +_Emp._ Then all means were wanting: +No priest, no ceremonies of their sect; +Or, grant we these defects could be supplied, +How could our prophet do an act so base, +So to resume his gifts, and curse my conquests, +By making me unhappy? No, the slave, +That told thee so absurd a story, lied. + +_Bend._ Yet till this moment I have found him faithful: +He said he saw it too. + +_Emp._ Dispatch; what saw he? + +_Bend._ Truth is, considering with what earnestness +Sebastian pleaded for Almeyda's life, +Enhanced her beauty, dwelt upon her praise-- + +_Emp._ O stupid, and unthinking as I was! +I might have marked it too; 'twas gross and palpable. + +_Bend._ Methought I traced a lover ill disguised, +And sent my spy, a sharp observing slave, +To inform me better, if I guessed aright. +He told me, that he saw Sebastian's page +Run cross the marble square, who soon returned, +And after him there lagged a puffing friar; +Close wrapt he bore some secret instrument +Of Christian superstition in his hand: +My servant followed fast, and through a chink +Perceived the royal captives hand in hand; +And heard the hooded father mumbling charms, +That make those misbelievers man and wife; +Which done, the spouses kissed with such a fervour, +And gave such furious earnest of their flames, +That their eyes sparkled, and their mantling blood +Flew flushing o'er their faces. + +_Emp._ Hell confound them! + +_Bend._ The reverend father, with a holy leer, +Saw he might well be spared, and soon withdrew: +This forced my servant to a quick retreat, +For fear to be discovered.--Guess the rest. + +_Emp._ I do: My fancy is too exquisite, +And tortures me with their imagined bliss. +Some earthquake should have risen and rent the ground, +Have swallowed him, and left the longing bride +In agony of unaccomplished love. [_Walks disorderly._ + + _Enter the Mufti._ + +_Bend._ In an unlucky hour +That fool intrudes, raw in this great affair, +And uninstructed how to stem the tide.-- [_Aside._ +[_Coming up the Mufti,--aside._] +The emperor must not marry, nor enjoy:-- +Keep to that point: Stand firm, for all's at stake. + +_Emp._ [_Seeing him._] +You druggerman[4] of heaven, must I attend +Your droning prayers? Why came ye not before? +Dost thou not know the captive king has dared +To wed Almeyda? Cancel me that marriage, +And make her mine: About the business, quick!-- +Expound thy Mahomet; make him speak my sense, +Or he's no prophet here, and thou no Mufti; +Unless thou know'st the trick of thy vocation, +To wrest and rend the law, to please thy prince. + +_Muf._ Why, verily, the law is monstrous plain: +There's not one doubtful text in all the alcoran, +Which can be wrenched in favour to your project. + +_Emp._ Forge one, and foist it into some bye-place +Of some old rotten roll: Do't, I command thee! +Must I teach thee thy trade? + +_Muf._ It cannot be; +For matrimony being the dearest point +Of law, the people have it all by heart: +A cheat on procreation will not pass. +Besides, [_In a higher tone._] the offence is so exorbitant, +To mingle with a misbelieving race, +That speedy vengeance would pursue your crime, +And holy Mahomet launch himself from heaven, +Before the unready thunderbolts were formed. + [_Emperor, taking him by the throat with one + hand, snatches out his sword with the + other, and points it to his breast._ + +_Emp._ Slave, have I raised thee to this pomp and power, +To preach against my will?--Know, I am law; +And thou, not Mahomet's messenger but mine!-- +Make it, I charge thee, make my pleasure lawful; +Or, first, I strip thee of thy ghostly greatness, +Then send thee post to tell thy tale above. +And bring thy vain memorials to thy prophet, +Of justice done below for disobedience. + +_Muf._ For heaven's sake hold!--The respite of a moment!-- +To think for you-- + +_Emp._ And for thyself. + +_Muf._ For both. + +_Bend._ Disgrace, and death, and avarice, have lost him! [_Aside._ + +_Muf._ 'Tis true, our law forbids to wed a Christian; +But it forbids you not to ravish her. +You have a conqueror's right upon your slave; +And then the more despite you do a Christian, +You serve the prophet more, who loathes that sect. + +_Emp._ O, now it mends; and you talk reason, Mufti.-- +But, stay! I promised freedom to Sebastian; +Now, should I grant it, his revengeful soul +Would ne'er forgive his violated bed. + +_Muf._ Kill him; for then you give him liberty: +His soul is from his earthly prison freed. + +_Emp._ How happy is the prince who has a churchman, +So learned and pliant, to expound his laws! + +_Bend._ Two things I humbly offer to your prudence. + +_Emp._ Be brief, but let not either thwart my love. + +_Bend._ First, since our holy man has made rape lawful, +Fright her with that; Proceed not yet to force: +Why should you pluck the green distasteful fruit +From the unwilling bough, +When it may ripen of itself, and fall? + +_Emp._ Grant her a day; though that's too much to give +Out of a life which I devote to love. + +_Bend._ Then, next, to bar +All future hopes of her desired Sebastian, +Let Dorax be enjoined to bring his head. + +_Emp._ [_To the Mufti._] +Go, Mufti, call him to receive his orders.-- [_Exit Mufti._ +I taste thy counsel; her desires new roused, +And yet unslaked, will kindle in her fancy, +And make her eager to renew the feast. + +_Bend._ [_Aside._] Dorax, I know before, will disobey: +There's a foe's head well cropped.-- +But this hot love precipitates my plot, +And brings it to projection ere its time. + + _Enter_ SEBASTIAN _and_ ALMEYDA, _hand in hand; upon sight of the + Emperor, they separate, and seem disturbed._ + +_Alm._ He breaks at unawares upon our walks, +And, like a midnight wolf, invades the fold. +Make speedy preparation of your soul, +And bid it arm apace: He comes for answer, +And brutal mischief sits upon his brow. + +_Seb._ Not the last sounding could surprise me more, +That summons drowsy mortals to their doom, +When called in haste to fumble for their limbs, +And tremble, unprovided for their charge: +My sense has been so deeply plunged in joys, +The soul out-slept her hour; and, scarce awake, +Would think too late, but cannot: But brave minds, +At worst, can dare their fate. [_Aside._ + +_Emp._ [_Coming up to them._] Have you performed +Your embassy, and treated with success? + +_Seb._ I had no time. + +_Emp._ No, not for my affairs; +But, for your own, too much. + +_Seb._ You talk in clouds; explain your meaning, sir. + +_Emp._ Explain yours first.--What meant you, hand in hand? +And, when you saw me, with a guilty start, +You loosed your hold, affrighted at my presence. + +_Seb._ Affrighted! + +_Emp._ Yes, astonished and confounded. + +_Seb._ What mak'st thou of thyself, and what of me? +Art thou some ghost, some demon, or some god, +That I should stand astonished at thy sight? +If thou could'st deem so meanly of my courage, +Why didst thou not engage me man for man, +And try the virtue of that Gorgon face, +To stare me into statue? + +_Emp._ Oh, thou art now recovered; but, by heaven, +Thou wert amazed at first, as if surprised +At unexpected baseness brought to light. +For know, ungrateful man, that kings, like gods, +Are every where; walk in the abyss of minds, +And view the dark recesses of the soul. + +_Seb._ Base and ungrateful never was I thought; +Nor, till this turn of fate, durst thou have called me: +But, since thou boast'st the omniscience of a god, +Say in what cranny of Sebastian's soul, +Unknown to me, so loathed a crime is lodged? + +_Emp._ Thou hast not broke my trust, reposed in thee! + +_Seb._ Imposed, but not received.--Take back that falsehood. + +_Emp._ Thou art not married to Almeyda? + +_Seb._ Yes. + +_Emp._ And own'st the usurpation of my love? + +_Seb._ I own it, in the face of heaven and thee; +No usurpation, but a lawful claim, +Of which I stand possessed. + +_Emp._ She has chosen well, +Betwixt a captive and a conqueror. + +_Alm._ Betwixt a monster, and the best of men!-- +He was the envy of his neighbouring kings; +For him their sighing queens despised their lords; +And virgin daughters blushed when he was named. +To share his noble chains is more to me, +Than all the savage greatness of thy throne. + +_Seb._ Were I to chuse again, and knew my fate, +For such a night I would be what I am. +The joys I have possessed are ever mine; +Out of thy reach; behind eternity; +Hid in the sacred treasure of the past: +But blest remembrance brings them hourly back. + +_Emp._ Hourly indeed, who hast but hours to live. +O, mighty purchase of a boasted bliss! +To dream of what thou hadst one fugitive night, +And never shalt have more! + +_Seb._ Barbarian, thou canst part us but a moment! +We shall be one again in thy despite. +Life is but air, +That yields a passage to the whistling sword, +And closes when 'tis gone. + +_Alm._ How can we better die than close embraced, +Sucking each other's souls while we expire? +Which, so transfused, and mounting both at once, +The saints, deceived, shall, by a sweet mistake, +Hand up thy soul for mine, and mine for thine. + +_Emp._ No, I'll untwist you: +I have occasion for your stay on earth. +Let him mount first, and beat upon the wing, +And wait an age for what I here detain; +Or sicken at immortal joys above, +And languish for the heaven he left below. + +_Alm._ Thou wilt not dare to break what heaven has joined? + +_Emp._ Not break the chain; but change a rotten link, +And rivet one to last. +Think'st thou I come to argue right and wrong?-- +Why lingers Dorax thus? Where are my guards, + [BENDUCAR _goes out for the + Guards, and returns._ +To drag that slave to death?-- [_Pointing to_ SEB. +Now storm and rage; +Call vainly on thy prophet, then defy him +For wanting power to save thee. + +_Seb._ That were to gratify thy pride. I'll shew thee +How a man should, and how a king dare die! +So even, that my soul shall walk with ease +Out of its flesh, and shut out life as calmly +As it does words; without a sign to note +One struggle, in the smooth dissolving frame. + +_Alm._ [_To the Emp._] +Expect revenge from heaven, inhuman wretch! +Nor hope to ascend Sebastian's holy bed. +Flames, daggers, poisons, guard the sacred steps: +Those are the promised pleasures of my love. + +_Emp._ And these might fright another, but not me; +Or me, if I designed to give you pleasure. +I seek my own; and while that lasts, you live.-- + + _Enter two of the Guards._ + +Go, bear the captive to a speedy death, +And set my soul at ease. + +_Alm._ I charge you hold, ye ministers of death!-- +Speak my Sebastian; +Plead for thy life; Oh, ask it of the tyrant: +'Tis no dishonour; trust me, love, 'tis none. +I would die for thee, but I cannot plead; +My haughty heart disdains it, even for thee.-- +Still silent! Will the king of Portugal +Go to his death like a dumb sacrifice? +Beg him to save my life in saving thine. + +_Seb._ Farewell; my life's not worth another word. + +_Emp._ [_To the Guards._] Perform your orders. + +_Alm._ Stay, take my farewell too! +Farewell the greatness of Almeyda's soul!-- +Look, tyrant, what excess of love can do; +It pulls me down thus low as to thy feet; [_Kneels to him._ +Nay, to embrace thy knees with loathing hands, +Which blister when they touch thee: Yet even thus, +Thus far I can, to save Sebastian's life. + +_Emp._ A secret pleasure trickles through my veins: +It works about the inlets of my soul, +To feel thy touch, and pity tempts the pass: +But the tough metal of my heart resists; +'Tis warmed with the soft fire, not melted down. + +_Alm._ A flood of scalding tears will make it run. +Spare him, Oh spare! Can you pretend to love, +And have no pity? Love and that are twins. +Here will I grow; +Thus compass you with these supplanting cords, +And pull so long till the proud fabrick falls. + +_Emp._ Still kneel, and still embrace: 'Tis double pleasure, +So to be hugged, and see Sebastian die. + +_Alm._ Look, tyrant, when thou nam'st Sebastian's death, +Thy very executioners turn pale. +Rough as they are, and hardened in their trade +Of death, they start at an anointed head, +And tremble to approach.--He hears me not, +Nor minds the impression of a god on kings; +Because no stamp of heaven was on his soul, +But the resisting mass drove back the seal.-- +Say, though thy heart be rock of adamant, +Yet rocks are not impregnable to bribes: +Instruct me how to bribe thee; name thy price; +Lo, I resign my title to the crown; +Send me to exile with the man I love, +And banishment is empire. + +_Emp._ Here's my claim, [_Clapping his Hand to his Sword._ +And this extinguished thine; thou giv'st me nothing. + +_Alm._ My father's, mother's, brother's death, I pardon; +That's somewhat sure; a mighty sum of murder, +Of innocent and kindred blood struck off. +My prayers and penance shall discount for these, +And beg of heaven to charge the bill on me: +Behold what price I offer, and how dear, +To buy Sebastian's life! + +_Emp._ Let after-reckonings trouble fearful fools; +I'll stand the trial of those trivial crimes: +But, since thou begg'st me to prescribe my terms, +The only I can offer are thy love, +And this one day of respite to resolve. +Grant, or deny; for thy next word is fate, +And fate is deaf to prayer. + +_Alm._ May heaven be so, [_Rising up._ +At thy last breath, to thine! I curse thee not; +For, who can better curse the plague, or devil, +Than to be what they are? That curse be thine.-- +Now, do not speak, Sebastian, for you need not; +But die, for I resign your life.--Look, heaven, +Almeyda dooms her dear Sebastian's death! +But is there heaven? for I begin to doubt; +The skies are hushed, no grumbling thunders roll.-- +Now take your swing, ye impious; sin unpunished; +Eternal Providence seems overwatched, +And with a slumbering nod assents to murder. + + _Enter_ DORAX, _attended by three Soldiers._ + +_Emp._ Thou mov'st a tortoise-pace to my relief. +Take hence that once a king; that sullen pride, +That swells to dumbness: lay him in the dungeon, +And sink him deep with irons, that, when he would, +He shall not groan to hearing; when I send, +The next commands are death. + +_Alm._ Then prayers are vain as curses. + +_Emp._ Much at one +In a slave's mouth, against a monarch's power. +This day thou hast to think; +At night, if thou wilt curse, thou shalt curse kindly; +Then I'll provoke thy lips, lay siege so close, +That all thy sallying breath shall turn to blessings.-- +Make haste, seize, force her, bear her hence. + +_Alm._ Farewell, my last Sebastian! +I do not beg, I challenge justice now.-- +O Powers, if kings be your peculiar care, +Why plays this wretch with your prerogative? +Now flash him dead, now crumble him to ashes, +Or henceforth live confined in your own palace; +And look not idly out upon a world, +That is no longer yours. [_She is carried off struggling; Emperor and_ + BENDUCAR _follow._ SEBASTIAN _struggles in + his Guards' arms, and shakes off one of + them; but two others come in, and hold him; + he speaks not all the while._ + +_Dor._ I find I'm but a half-strained villain yet; +But mongrel-mischievous; for my blood boiled, +To view this brutal act; and my stern soul +Tugged at my arm, to draw in her defence. [_Aside._ +Down, thou rebelling Christian in my heart! +Redeem thy fame on this Sebastian first; [_Walks a turn._ +Then think on other wrongs, when thine are righted. +But how to right them? on a slave disarmed, +Defenceless, and submitted to my rage? +A base revenge is vengeance on myself:-- [_Walks again._ +I have it, and I thank thee, honest head, +Thus present to me at my great necessity.-- [_Comes up to_ SEBASTIAN. +You know me not? + +_Seb._ I hear men call thee Dorax. + +_Dor._ 'Tis well; you know enough for once:--you speak too; +You were struck mute before. + +_Seb._ Silence became me then. + +_Dor._ Yet we may talk hereafter. + +_Seb._ Hereafter is not mine: +Dispatch thy work, good executioner. + +_Dor._ None of my blood were hangmen; add that falsehood +To a long bill, that yet remains unreckoned. + +_Seb._ A king and thou can never have a reckoning. + +_Dor._ A greater sum, perhaps, than you can pay. +Meantime, I shall make bold to increase your debt; + [_Gives him his Sword._ +Take this, and use it at your greatest need. + +_Seb._ This hand and this have been acquainted well: [_Looks on it._ +It should have come before into my grasp, +To kill the ravisher. + +_Dor._ Thou heard'st the tyrant's orders; guard thy life +When 'tis attacked, and guard it like a man. + +_Seb._ I'm still without thy meaning, but I thank thee. + +_Dor._ Thank me when I ask thanks; thank me with that. + +_Seb._ Such surly kindness did I never see. + +_Dor._ [_To the Captain of his Guards._] +Musa, draw out a file; pick man by man. +Such who dare die, and dear will sell their death. +Guard him to the utmost; now conduct him hence, +And treat him as my person. + +_Seb._ Something like +That voice, methinks, I should have somewhere heard; +But floods of woes have hurried it far off, +Beyond my ken of soul. [_Exit_ SEBASTIAN, _with the Soldiers._ + +_Dor._ But I shall bring him back, ungrateful man! +I shall, and set him full before thy sight, +When I shall front thee, like some staring ghost, +With all my wrongs about me.--What, so soon +Returned? this haste is boding. + + _Enter to him Emperor,_ BENDUCAR, _and_ MUFTI. + +_Emp._ She's still inexorable, still imperious, +And loud, as if, like Bacchus, born in thunder. +Be quick, ye false physicians of my mind; +Bring speedy death, or cure. + +_Bend._ What can be counselled, while Sebastian lives? +The vine will cling, while the tall poplar stands; +But, that cut down, creeps to the next support, +And twines as closely there. + +_Emp._ That's done with ease; I speak him dead:--proceed. + +_Muf._ Proclaim your marriage with Almeyda next, +That civil wars may cease; this gains the crowd: +Then you may safely force her to your will; +For people side with violence and injustice, +When done for public good. + +_Emp._ Preach thou that doctrine. + +_Bend._ The unreasonable fool has broached a truth, +That blasts my hopes; but, since 'tis gone so far, +He shall divulge Almeyda is a Christian; +If that produce no tumult, I despair. [_Aside._ + +_Emp_ Why speaks not Dorax? + +_Dor._ Because my soul abhors to mix with him. +Sir, let me bluntly say, you went too far, +To trust the preaching power on state-affairs +To him, or any heavenly demagogue: +'Tis a limb lopt from your prerogative, +And so much of heaven's image blotted from you. + +_Muf._ Sure thou hast never heard of holy men, +(So Christians call them) famed in state affairs! +Such as in Spain, Ximenes, Albornoz; +In England, Wolsey; match me these with laymen. + +_Dor._ How you triumph in one or two of these, +Born to be statesmen, happening to be churchmen! +Thou call'st them holy; so their function was: +But tell me, Mufti, which of them were saints?-- +Next sir, to you: the sum of all is this,-- +Since he claims power from heaven, and not from kings, +When 'tis his interest, he can interest heaven +To preach you down; and ages oft depend +On hours, uninterrupted, in the chair. + +_Emp._ I'll trust his preaching, while I rule his pay; +And I dare trust my Africans to hear +Whatever he dare preach. + +_Dor._ You know them not. +The genius of your Moors is mutiny; +They scarcely want a guide to move their madness; +Prompt to rebel on every weak pretence; +Blustering when courted, crouching when opprest; +Wise to themselves, and fools to all the world; +Restless in change, and perjured to a proverb. +They love religion sweetened to the sense; +A good, luxurious, palatable faith. +Thus vice and godliness,--preposterous pair!-- +Ride cheek by jowl, but churchmen hold the reins: +And whene'er kings would lower clergy-greatness, +They learn too late what power the preachers have, +And whose the subjects are; the Mufti knows it, +Nor dares deny what passed betwixt us two. + +_Emp._ No more; whate'er he said was my command. + +_Dor._ Why, then, no more, since you will hear no more; +Some kings are resolute to their own ruin. + +_Emp._ Without your meddling where you are not asked, +Obey your orders, and dispatch Sebastian. + +_Dor._ Trust my revenge; be sure I wish him dead. + +_Emp._ What mean'st thou? What's thy wishing to my will? +Dispatch him; rid me of the man I loath. + +_Dor_ I hear you, sir; I'll take my time, and do't. + +_Emp._ Thy time! What's all thy time? What's thy whole life +To my one hour of ease? No more replies, +But see thou dost it; or-- + +_Dor._ Choke in that threat; I can say _or_ as loud. + +_Emp._ 'Tis well; I see my words have no effect, +But I may send a message to dispose you. [_Is going off._ + +_Dor._ Expect an answer worthy of that message. + +_Muf._ The prophet owed him this; +And, thanked be heaven, he has it. [_Aside._ + +_Bend._ By holy Alla, I conjure you stay, +And judge not rashly of so brave a man. + [_Draws the Emperor aside, and whispers him._ +I'll give you reasons why he cannot execute +Your orders now, and why he will hereafter. + +_Muf._ Benducar is a fool, to bring him off; +I'll work my own revenge, and speedily. [_Aside._ + +_Bend._ The fort is his, the soldiers' hearts are his; +A thousand Christian slaves are in the castle, +Which he can free to reinforce his power; +Your troops far off, beleaguering Larache, +Yet in the Christians' hands. + +_Emp._ I grant all this; +But grant me he must die. + +_Bend._ He shall, by poison; +'Tis here, the deadly drug, prepared in powder, +Hot as hell fire: Then, to prevent his soldiers +From rising to revenge their general's death, +While he is struggling with his mortal pangs, +The rabble on the sudden may be raised +To seize the castle. + +_Emp._ Do't;--'tis left to thee. + +_Bend._ Yet more;--but clear your brow, for he observes. + [_They whisper again._ + +_Dor._ What, will the favourite prop my falling fortunes? +O prodigy of court! [_Aside_ + [_Emp. and_ BEND. _return to_ DOR. + +_Emp._ Your friend has fully cleared your innocence; +I was too hasty to condemn unheard, +And you, perhaps, too prompt in your replies. +As far as fits the majesty of kings, +I ask excuse. + +_Dor._ I'm sure I meant it well. + +_Emp._ I know you did:--This to our love renewed.-- [_Emp. drinks._ +Benducar, fill to Dorax. [BEND. _turns, and mixes a Powder in it._ + +_Dor._ Let it go round, for all of us have need +To quench our heats: 'Tis the king's health, Benducar, [_He drinks._ +And I would pledge it, though I knew 'twere poison. + +_Bend._ Another bowl; for what the king has touched, +And you have pledged, is sacred to your loves. + [_Drinks out of another Bowl._ + +_Muf._ Since charity becomes my calling, thus +Let me provoke your friendship; and heaven bless it, +As I intend it well. [_Drinks; and, turning aside, pours some + drops out of a little vial into the + Bowl; then presents it to_ DORAX. + +_Dor._ Heaven make thee honest; +On that condition we shall soon be friends. [_Drinks._ + +_Muf._ Yes, at our meeting in another world; +For thou hast drunk thy passport out of this. +Not the Nonacrian font, nor Lethe's lake, +Could sooner numb thy nimble faculties, +Than this, to sleep eternal. [_Aside._ + +_Emp._ Now farewell, Dorax; this was our first quarrel, +And, I dare prophecy, will prove our last. + [_Exeunt Emp._ BEND. _and the Mufti._ + +_Dor._ It may be so.--I'm strangely discomposed; +Quick shootings thro' my limbs, and pricking pains, +Qualms at my heart, convulsions in my nerves, +Shiverings of cold, and burnings of my entrails, +Within my little world make medley war, +Lose and regain, beat, and are beaten back, +As momentary victors quit their ground.-- +Can it be poison! Poison's of one tenor, +Or hot, or cold; this neither, and yet both. +Some deadly draught, some enemy of life, +Boils in my bowels, and works out my soul. +Ingratitude's the growth of every clime; +Africk, the scene removed, is Portugal. +Of all court service, learn the common lot,-- +To-day 'tis done, to-morrow 'tis forgot. +Oh, were that all! my honest corpse must lie +Exposed to scorn, and public infamy; +My shameful death will be divulged alone; +The worth and honour of my soul unknown. [_Exit._ + + +SCENE II.--_A Night-Scene of the Mufti's Garden, where an Arbour is +discovered._ + + _Enter_ ANTONIO. + +_Ant._ She names herself Morayma; the Mufti's only daughter, and a +virgin! This is the time and place that she appointed in her letter, +yet she comes not. Why, thou sweet delicious creature, why torture me +with thy delay! Dar'st thou be false to thy assignation? What, in the +cool and silence of the night, and to a new lover?--Pox on the +hypocrite, thy father, for instructing thee so little in the sweetest +point of his religion.--Hark, I hear the rustling of her silk mantle. +Now she comes, now she comes:--no, hang it, that was but the whistling +of the wind through the orange-trees.--Now, again, I hear the +pit-a-pat of a pretty foot through the dark alley:--No, 'tis the son +of a mare, that's broken loose, and munching upon the melons.--Oh, the +misery of an expecting lover! Well, I'll e'en despair, go into my +arbour, and try to sleep; in a dream I shall enjoy her, in despite of +her. [_Goes into the Arbour, and lies down._ + + _Enter_ JOHAYMA, _wrapt up in a Moorish mantle._ + +_Joh._ Thus far my love has carried me, almost without my knowledge +whither I was going. Shall I go on? shall I discover myself?--What an +injury am I doing to my old husband! Yet what injury, since he's old, +and has three wives, and six concubines, besides me! 'tis but stealing +my own tithe from him. [_She comes a little nearer the Arbour._ + +_Ant._ [_Raising himself a little, and looking._] At last 'tis she; +this is no illusion, I am sure; 'tis a true she-devil of flesh and +blood, and she could never have taken a fitter time to tempt me. + +_Joh._ He's young and handsome-- + +_Ant._ Yes, well enough, I thank nature. [_Aside._ + +_Joh._ And I am yet neither old nor ugly: Sure he will not refuse me. + +_Ant._ No; thou may'st pawn thy maidenhead upon't, he wont. [_Aside._ + +_Joh._ The Mufti would feast himself upon other women, and keep me +fasting. + +_Ant._ O, the holy curmudgeon! [_Aside._ + +_Joh._ Would preach abstinence, and practise luxury! but, I thank my +stars, I have edified more by his example than his precept. + +_Ant._ [_Aside._] Most divinely argued; she's the best casuist in all +Africk. [_He rushes out, and embraces her._] I can hold no longer from +embracing thee, my dear Morayma; the old unconscionable whoreson, thy +father, could he expect cold chastity from a child of his begetting? + +_Joh._ What nonsense do you talk? do you take me for the Mufti's +daughter? + +_Ant._ Why, are you not, madam? [_Throwing off her barnus._ + +_Joh._ I find you had an appointment with Morayma. + +_Ant._ By all that's good, the nauseous wife! [_Aside._ + +_Joh._ What! you are confounded, and stand mute? + +_Ant._ Somewhat nonplust, I confess, to hear you deny your name so +positively. Why, are not you Morayma, the Mufti's daughter? Did not I +see you with him: did not he present me to you? were you not so +charitable as to give me money? ay, and to tread upon my foot, and +squeeze my hand too, if I may be so bold to remember you of past +favours? + +_Joh._ And you see I am come to make them good; but I am neither +Morayma, nor the Mufti's daughter. + +_Ant._ Nay, I know not that: but I am sure he is old enough to be your +father; and either father, or reverend father, I heard you call him. + +_Joh._ Once again, how came you to name Morayma? + +_Ant._ Another damned mistake of mine: for, asking one of my +fellow-slaves, who were the chief ladies about the house, he answered +me, Morayma and Johayma; but she, it seems, is his daughter, with a +pox to her, and you are his beloved wife. + +_Joh._ Say your beloved mistress, if you please; for that's the title +I desire. This moonshine grows offensive to my eyes; come, shall we +walk into the arbour? there we may rectify all mistakes. + +_Ant._ That's close and dark. + +_Joh._ And are those faults to lovers? + +_Ant._ But there I cannot please myself with the sight of your beauty. + +_Joh._ Perhaps you may do better. + +_Ant._ But there's not a breath of air stirring. + +_Joh._ The breath of lovers is the sweetest air; but you are fearful. + +_Ant._ I am considering indeed, that, if I am taken with you-- + +_Joh._ The best way to avoid it is to retire, where we may not be +discovered. + +_Ant._ Where lodges your husband? + +_Joh._ Just against the face of this open walk. + +_Ant._ Then he has seen us already, for aught I know. + +_Joh._ You make so many difficulties, I fear I am displeasing to you. + +_Ant._ [_Aside._] If Morayma comes, and takes me in the arbour with +her, I have made a fine exchange of that diamond for this pebble. + +_Joh._ You are much fallen off, let me tell you, from the fury of your +first embrace. + +_Ant._ I confess I was somewhat too furious at first, but you will +forgive the transport of my passion; now I have considered it better, +I have a qualm of conscience. + +_Joh._ Of conscience! why, what has conscience to do with two young +lovers that have opportunity? + +_Ant._ Why, truly, conscience is something to blame for interposing in +our matters: but how can I help it, if I have a scruple to betray my +master? + +_Joh._ There must be something more in't; for your conscience was very +quiet when you took me for Morayma. + +_Ant._ I grant you, madam, when I took you for his daughter; for then +I might have made you an honourable amends by marriage. + +_Joh._ You Christians are such peeking sinners! you tremble at a +shadow in the moonshine. + +_Ant._ And you Africans are such termagants, you stop at nothing. I +must be plain with you,--you are married, and to a holy man, the head +of your religion: go back to your chamber; go back, I say, and +consider of it for this night, as I will do on my part: I will be true +to you, and invent all the arguments I can to comply with you; and who +knows but at our next meeting the sweet devil may have more power over +me? I am true flesh and blood, I can tell you that for your comfort. + +_Joh._ Flesh without blood, I think thou art; or, if any, it is as +cold as that of fishes. But I'll teach thee, to thy cost, what +vengeance is in store for refusing a lady who has offered thee her +love.--Help, help, there! will nobody come to my assistance? + +_Ant._ What do you mean, madam? for heaven's sake, peace; your husband +will hear you; think of your own danger, if you will not think of +mine. + +_Joh._ Ungrateful wretch, thou deservest no pity!--Help, help, +husband, or I shall be ravished! the villain will be too strong for +me! Help, help, for pity of a poor distressed creature! + +_Ant._ Then I have nothing but impudence to assist me: I must drown +her clamour, whatever comes on't. [_He takes out his Flute, and plays + as loud as he can possibly, and + she continues crying out._ + + _Enter the_ MUFTI, _in his Night-gown, and two Servants._ + +_Muf._ O thou villain, what horrible impiety art thou committing! +what, ravishing the wife of my bosom!--Take him away; ganch him[5], +impale him, rid the world of such a monster! [_Servants seize him._ + +_Ant._ Mercy, dear master, mercy! hear me first, and after, if I have +deserved hanging, spare me not. What have you seen to provoke you to +this cruelty? + +_Muf._ I have heard the outcries of my wife; the bleatings of the poor +innocent lamb.--Seen nothing, sayst thou? If I see the lamb lie +bleeding, and the butcher by her with his knife drawn, and bloody, is +not that evidence sufficient of the murder? I come too late, and the +execution is already done. + +_Ant._ Pray think in reason, sir; is a man to be put to death for a +similitude? No violence has been committed; none intended; the lamb's +alive: and, if I durst tell you so, no more a lamb than I am a +butcher. + +_Joh._ How's that, villain, dar'st thou accuse me? + +_Ant._ Be patient, madam, and speak but truth, and I'll do any thing +to serve you: I say again, and swear it too, I'll do any thing to +serve you. [_Aside._ + +_Joh._ [_Aside._] I understand him; but I fear it is now too late to +save him:--Pray, hear him speak, husband; perhaps he may say something +for himself; I know not. + +_Muf._ Speak thou, has he not violated my bed, and thy honour? + +_Joh._ I forgive him freely, for he has done nothing. What he will do +hereafter to make me satisfaction, himself best knows. + +_Ant._ Any thing, any thing, sweet madam: I shall refuse no drudgery. + +_Muf._ But did he mean no mischief? was he endeavouring nothing? + +_Joh._ In my conscience, I begin to doubt he did not. + +_Muf._ It's impossible:--then what meant all those outcries? + +_Joh._ I heard music in the garden, and at an unseasonable time of +night; and I stole softly out of my bed, as imagining it might be he. + +_Muf._ How's that, Johayma? imagining it was he, and yet you went? + +_Joh._ Why not, my lord? am not I the mistress of the family? and is +it not my place to see good order kept in it? I thought he might have +allured some of the she-slaves to him, and was resolved to prevent +what might have been betwixt him and them; when, on the sudden, he +rushed out upon me, caught me in his arms with such a fury-- + +_Muf._ I have heard enough.--Away with him! + +_Joh._ Mistaking me, no doubt, for one of his fellow-slaves: with +that, affrighted as I was, I discovered myself, and cried aloud; but +as soon as ever he knew me, the villain let me go; and I must needs +say, he started back as if I were some serpent; and was more afraid of +me than I of him. + +_Muf._ O thou corrupter of my family, that's cause enough of +death!--once again, away with him. + +_Joh._ What, for an intended trespass? No harm has been done, whatever +may be. He cost you five hundred crowns, I take it. + +_Muf._ Thou say'st true, a very considerable sum: he shall not die, +though he had committed folly with a slave; it is too much to lose by +him. + +_Ant._ My only fault has ever been to love playing in the dark; and +the more she cried, the more I played, that it might be seen I +intended nothing to her. + +_Muf._ To your kennel, sirrah; mortify your flesh, and consider in +whose family you are. + +_Joh._ And one thing more,--remember from henceforth to obey better. + +_Muf._ [_Aside._] For all her smoothness, I am not quite cured of my +jealousy; but I have thought of a way that will clear my doubts. + [_Exit_ MUF. _with_ JOH. _and Servants._ + +_Ant._ I am mortified sufficiently already, without the help of his +ghostly counsel. Fear of death has gone farther with me in two +minutes, than my conscience would have gone in two months. I find +myself in a very dejected condition, all over me; poor sin lies +dormant; concupiscence is retired to his winter-quarters; and if +Morayma should now appear,--I say no more; but, alas for her and me! + [MORAYMA _comes out of the Arbour, + she steals behind him, and claps + him on the Back._ + +_Mor._ And if Morayma should appear, as she does appear,--alas! you +say, for her and you. + +_Ant._ Art thou there, my sweet temptation! my eyes, my life, my soul, +my all! + +_Mor._ A mighty compliment! when all these, by your own confession, +are just nothing. + +_Ant._ Nothing, till thou camest to new create me; thou dost not know +the power of thy own charms: Let me embrace thee, and thou shalt see +how quickly I can turn wicked. + +_Mor._ [_Stepping back._] Nay, if you are so dangerous, it is best +keeping you at a distance, I have no mind to warm a frozen snake in my +bosom; he may chance to recover, and sting me for my pains. + +_Ant._ Consider what I have suffered for thy sake already, and make me +some amends; two disappointments in a night: O cruel creature! + +_Mor._ And you may thank yourself for both. I came eagerly to the +charge before my time, through the back-walk behind the arbour; and +you, like a fresh-water soldier, stood guarding the pass before. If +you missed the enemy, you may thank your own dulness. + +_Ant._ Nay, if you will be using stratagems, you shall give me leave +to make use of my advantages, now I have you in my power: we are +fairly met; I'll try it out, and give no quarter. + +_Mor._ By your favour, sir, we meet upon treaty now, and not upon +defiance. + +_Ant._ If that be all, you shall have _carte blanche_ immediately; for +I long to be ratifying. + +_Mor._ No; now I think on't, you are already entered into articles +with my enemy Johayma:--"Any thing to serve you, madam; I shall refuse +no drudgery:"--Whose words were those, gentleman? was that like a +cavalier of honour? + +_Ant._ Not very heroic; but self-preservation is a point above honour +and religion too. Antonio was a rogue, I must confess; but you must +give me leave to love him. + +_Mor._ To beg your life so basely, and to present your sword to your +enemy; Oh, recreant! + +_Ant._ If I had died honourably, my fame indeed would have sounded +loud, but I should never have heard the blast:--Come, don't make +yourself worse-natured than you are; to save my life, you would be +content I should promise any thing. + +_Mor._ Yes, if I were sure you would perform nothing. + +_Ant._ Can you suspect I would leave you for Johayma? + +_Mor._ No; but I can expect you would have both of us. Love is +covetous; I must have all of you; heart for heart is an equal trick. +In short, I am younger, I think handsomer, and am sure I love you +better. She has been my stepmother these fifteen years: You think that +is her face you see, but it is only a daubed vizard; she wears an +armour of proof upon it; an inch thick of paint, besides the wash. Her +face is so fortified, that you can make no approaches to it without a +shovel; but, for her constancy, I can tell you for your comfort, she +will love till death, I mean till yours; for when she has worn you +out, she will certainly dispatch you to another world, for fear of +telling tales, as she has already served three slaves, your +predecessors, of happy memory, in her favours. She has made my pious +father a three-piled cuckold to my knowledge; and now she would be +robbing me of my single sheep too. + +_Ant._ Pr'ythee, prevent her then; and at least take the shearing of +me first. + +_Mor._ No; I'll have a butcher's pennyworth of you; first secure the +carcase, and then take the fleece into the bargain. + +_Ant._ Why, sure, you did not put yourself and me to all this trouble +for a dry come-off; by this hand-- [_Taking it._ + +_Mor._ Which you shall never touch, but upon better assurances than +you imagine. [_Pulling her hand away._ + +_Ant._ I'll marry thee, and make a Christian of thee, thou pretty +damned infidel. + +_Mor._ I mean you shall; but no earnest till the bargain be made +before witness: there is love enough to be had, and as much as you can +turn you to, never doubt; but all upon honourable terms. + +_Ant._ I vow and swear by Love; and he's a deity in all religions. + +_Mor._ But never to be trusted in any: he has another name too, of a +worse sound. Shall I trust an oath, when I see your eyes languishing, +your cheeks flushing, and can hear your heart throbbing? No, I'll not +come near you: he's a foolish physician, who will feel the pulse of a +patient, that has the plague-spots upon him. + +_Ant._ Did one ever hear a little moppet argue so perversely against +so good a cause! Come, pr'ythee, let me anticipate a little of my +revenue. + +_Mor._ You would fain be fingering your rents before-hand; but that +makes a man an ill husband ever after. Consider, marriage is a painful +vocation, as you shall prove it; manage your incomes as thriftily as +you can, you shall find a hard task on't to make even at the year's +end, and yet to live decently. + +_Ant._ I came with a Christian intention to revenge myself upon thy +father, for being the head of a false religion. + +_Mor._ And so you shall; I offer you his daughter for your second. But +since you are so pressing, meet me under my window to-morrow night, +body for body, about this hour; I'll slip down out of my lodging, and +bring my father in my hand. + +_Ant._ How, thy father! + +_Mor._ I mean, all that's good of him; his pearls and jewels, his +whole contents, his heart and soul; as much as ever I can carry! I'll +leave him his Alcoran, that's revenue enough for him; every page of it +is gold and diamonds. He has the turn of an eye, a demure smile, and a +godly cant, that are worth millions to him. I forgot to tell you, that +I will have a slave prepared at the postern gate, with two horses +ready saddled.--No more, for I fear I may be missed; and think I hear +them calling for me.--If you have constancy and courage-- + +_Ant._ Never doubt it; and love in abundance, to wander with thee all +the world over. + +_Mor._ The value of twelve hundred thousand crowns in a casket!-- + +_Ant._ A heavy burden, heaven knows! but we must pray for patience to +support it. + +_Mor._ Besides a willing titt, that will venture her corps with you. +Come, I know you long to have a parting blow with me; and therefore, +to shew I am in charity-- [_He kisses her._ + +_Ant._ Once more for pity, that I may keep the flavour upon my lips +till we meet again. + +_Mor._ No, frequent charities make bold beggars; and, besides, I have +learned of a falconer, never to feed up a hawk when I would have him +fly. That's enough; but, if you would be nibbling, here's a hand to +stay your stomach. [_Kissing her hand._ + +_Ant._ Thus conquered infidels, that wars may cease, +Are forced to give their hands, and sign the peace. + +_Mor._ Thus Christians are outwitted by the foe; +You had her in your power, and let her go. +If you release my hand, the fault's not mine; +You should have made me seal, as well as sign. + [_She runs off, he follows her to the door; then + comes back again, and goes out at the other._ + + +ACT IV. + +SCENE I.--BENDUCAR'S _Palace, in the Castle of Alcazar._ + + BENDUCAR _solus._ + +_Bend._ My future fate, the colour of my life, +My all, depends on this important hour: +This hour my lot is weighing in the scales, +And heaven, perhaps, is doubting what to do. +Almeyda and a crown have pushed me forward: +'Tis fixed, the tyrant must not ravish her; +He and Sebastian stand betwixt my hopes; +He most, and therefore first to be dispatched. +These, and a thousand things, are to be done +In the short compass of this rolling night; +And nothing yet performed, +None of my emissaries yet returned. + + _Enter_ HALY, _first Servant._ + +Oh Haly, thou hast held me long in pain. +What hast thou learnt of Dorax? is he dead? + +_Haly._ Two hours I warily have watched his palace; +All doors are shut, no servant peeps abroad; +Some officers, with striding haste, passed in, +While others outward went on quick dispatch. +Sometimes hushed silence seemed to reign within; +Then cries confused, and a joint clamour, followed; +Then lights went gliding by, from room to room, +And shot, like thwarting meteors, cross the house. +Not daring further to inquire, I came +With speed, to bring you this imperfect news. + +_Bend._ Hence I conclude him either dead, or dying. +His mournful friends, summoned to take their leaves, +Are thronged about his couch, and sit in council. +What those caballing captains may design, +I must prevent, by being first in action.-- +To Muley-Zeydan fly with speed, desire him +To take my last instructions; tell the importance, +And haste his presence here.-- [_Exit_ HALY. +How has this poison lost its wonted way? +It should have burnt its passage, not have lingered +In the blind labyrinths and crooked turnings +Of human composition; now it moves +Like a slow fire, that works against the wind, +As if his stronger stars had interposed.-- + + _Enter_ HAMET. + +Well, Hamet, are our friends, the rabble, raised? +From Mustapha what message? + +_Ham._ What you wish. +The streets are thicker in this noon of night, +Than at the mid-day sun; a drowsy horror +Sits on their eyes, like fear, not well awake; +All crowd in heaps, as, at a night alarm, +The bees drive out upon each others backs, +To imboss their hives in clusters; all ask news; +Their busy captain runs the weary round, +To whisper orders; and, commanding silence, +Makes not noise cease, but deafens it to murmurs. + +_Bend._ Night wastes apace; when, when will he appear! + +_Ham._ He only waits your summons. + +_Bend._ Haste their coming. +Let secrecy and silence be enjoined +In their close march. What news from the lieutenant? + +_Ham._ I left him at the gate, firm to your interest, +To admit the townsmen at their first appearance. + +_Bend._ Thus far 'tis well: Go, hasten Mustapha. [_Exit_ HAMET. + + _Enter_ ORCHAN, _the third Servant._ + +O, Orchan, did I think thy diligence +Would lag behind the rest!--What from the Mufti? + +_Orc._ I sought him round his palace; made inquiry +Of all the slaves; in short, I used your name, +And urged the importance home; but had for answer, +That, since the shut of evening, none had seen him. + +_Bend._ O the curst fate of all conspiracies! +They move on many springs; if one but fail, +The restiff machine stops. In an ill hour he's absent; +'Tis the first time, and sure will be the last, +That e'er a Mufti was not in the way, +When tumults and rebellion should be broached. +Stay by me; thou art resolute and faithful; +I have employment worthy of thy arm. [_Walks._ + + _Enter_ MULEY-ZEYDAN. + +_Mul. Zeyd._ You see me come, impatient of my hopes, +And eager as the courser for the race: +Is all in readiness? + +_Bend._ All but the Mufti. + +_Mul. Zeyd._ We must go on without him. + +_Bend._ True, we must; +For 'tis ill stopping in the full career, +Howe'er the leap be dangerous and wide. + +_Orc._ [_Looking out._] +I see the blaze of torches from afar, +And hear the trampling of thick-beating feet; +This way they move. + +_Bend._ No doubt, the emperor. +We must not be surprised in conference. +Trust to my management the tyrant's death, +And haste yourself to join with Mustapha. +The officer, who guards the gate, is yours: +When you have gained that pass, divide your force; +Yourself in person head one chosen half, +And march to oppress the faction in consult +With dying Dorax. Fate has driven them all +Into the net; you must be bold and sudden: +Spare none; and if you find him struggling yet +With pangs of death, trust not his rolling eyes +And heaving gasps; for poison may be false,-- +The home thrust of a friendly sword is sure. + +_Mul. Zeyd._ Doubt not my conduct; they shall be surprised. +Mercy may wait without the gate one night, +At morn I'll take her in. + +_Bend._ Here lies your way; +You meet your brother there. + +_Mul. Zeyd._ May we ne'er meet! +For, like the twins of Leda, when I mount, +He gallops down the skies. [_Exit_ MUL. ZEYD. + +_Bend._ He comes:--Now, heart, +Be ribbed with iron for this one attempt; +Set ope thy sluices, send the vigorous blood +Through every active limb for my relief; +Then take thy rest within thy quiet cell, +For thou shalt drum no more. + + _Enter Emperor, and Guards attending him._ + +_Emp._ What news of our affairs, and what of Dorax? +Is he no more? say that, and make me happy. + +_Bend._ May all your enemies be like that dog, +Whose parting soul is labouring at the lips. + +_Emp._ The people, are they raised? + +_Bend._ And marshalled too; +Just ready for the march. + +_Emp._ Then I'm at ease. + +_Bend._ The night is yours; the glittering host of heaven +Shines but for you; but most the star of love, +That twinkles you to fair Almeyda's bed. +Oh, there's a joy to melt in her embrace, +Dissolve in pleasure, +And make the gods curse immortality, +That so they could not die. +But haste, and make them yours. + +_Emp._ I will; and yet +A kind of weight hangs heavy at my heart; +My flagging soul flies under her own pitch, +Like fowl in air too damp, and lugs along, +As if she were a body in a body, +And not a mounting substance made of fire. +My senses, too, are dull and stupified, +Their edge rebated:--sure some ill approaches, +And some kind sprite knocks softly at my soul, +To tell me, fate's at hand[6]. + +_Bend._ Mere fancies all. +Your soul has been before-hand with your body, +And drunk so deep a draught of promised bliss, +She slumbers o'er the cup; no danger's near, +But of a surfeit at too full a feast. + +_Emp._ It may be so; it looks so like the dream +That overtook me, at my waking hour, +This morn; and dreams, they say, are then divine, +When all the balmy vapours are exhaled, +And some o'erpowering god continues sleep. +'Twas then, methought, Almeyda, smiling, came, +Attended with a train of all her race, +Whom, in the rage of empire, I had murdered: +But now, no longer foes, they gave me joy +Of my new conquest, and, with helping hands, +Heaved me into our holy prophet's arms, +Who bore me in a purple cloud to heaven[7]. + +_Bend._ Good omen, sir; I wish you in that heaven +Your dream portends you,-- +Which presages death. [_Aside._ + +_Emp._ Thou too wert there; +And thou, methought, didst push me from below, +With thy full force, to Paradise. + +_Bend._ Yet better. + +_Emp._ Ha! what's that grizly fellow, that attends thee? + +_Bend._ Why ask you, sir? + +_Emp._ For he was in my dream, +And helped to heave me up. + +_Bend._ With prayers and wishes; +For I dare swear him honest. + +_Emp._ That may be; +But yet he looks damnation. + +_Bend._ You forget +The face would please you better. Do you love, +And can you thus forbear? + +_Emp._ I'll head my people, +Then think of dalliance when the danger's o'er. +My warlike spirits work now another way, +And my soul's tuned to trumpets. + +_Bend._ You debase yourself, +To think of mixing with the ignoble herd; +Let such perform the servile work of war, +Such who have no Almeyda to enjoy. +What, shall the people know their god-like prince +Skulked in a nightly skirmish? Stole a conquest, +Headed a rabble, and profaned his person, +Shouldered with filth, borne in a tide of ordure, +And stifled with their rank offensive sweat? + +_Emp._ I am off again; I will not prostitute +The regal dignity so far, to head them. + +_Bend._ There spoke a king. +Dismiss your guards, to be employed elsewhere +In ruder combats; you will want no seconds +In those alarms you seek. + +_Emp._ Go, join the crowd;-- [_To the Guards._ +Benducar, thou shalt lead them in my place. [_Exeunt Guards._ +The God of Love once more has shot his fires +Into my soul, and my whole heart receives him. +Almeyda now returns with all her charms; +I feel her as she glides along my veins, +And dances in my blood. So when our prophet +Had long been hammering, in his lonely cell, +Some dull, insipid, tedious Paradise, +A brisk Arabian girl came tripping by; +Passing she cast at him a side-long glance, +And looked behind, in hopes to be pursued: +He took the hint, embraced the flying fair, +And, having found his heaven, he fixed it there. [_Exit Emperor._ + +_Bend._ That Paradise thou never shalt possess. +His death is easy now, his guards are gone, +And I can sin but once to seize the throne; +All after-acts are sanctified by power. + +_Orc._ Command my sword and life. + +_Bend._ I thank thee, Orchan, +And shall reward thy faith. This master-key +Frees every lock, and leads us to his person; +And, should we miss our blow,--as heaven forbid!-- +Secures retreat. Leave open all behind us; +And first set wide the Mufti's garden gate, +Which is his private passage to the palace; +For there our mutineers appoint to meet, +And thence we may have aid.--Now sleep, ye stars, +That silently o'erwatch the fate of kings! +Be all propitious influences barred, +And none but murderous planets mount the guard. [_Exit with_ ORCHAN. + + +SCENE II.--_A Night-Scene of the Mufti's Garden._ + + _Enter the Mufti alone, in a Slave's Habit, like that of_ ANTONIO. + +_Muf._ This it is to have a sound head-piece; by this I have got to be +chief of my religion; that is, honestly speaking, to teach others what +I neither know nor believe myself. For what's Mahomet to me, but that +I get by him? Now for my policy of this night: I have mewed up my +suspected spouse in her chamber;--no more embassies to that lusty +young stallion of a gardener. Next, my habit of a slave; I have made +myself as like him as I can, all but his youth and vigour; which when +I had, I passed my time as well as any of my holy predecessors. Now, +walking under the windows of my seraglio, if Johayma look out, she +will certainly take me for Antonio, and call to me; and by that I +shall know what concupiscence is working in her. She cannot come down +to commit iniquity, there's my safety; but if she peep, if she put her +nose abroad, there's demonstration of her pious will; and I'll not +make the first precedent for a churchman to forgive injuries. + + _Enter_ MORAYMA, _running to him with a Casket in her hand, and + embracing him._ + +_Mor._ Now I can embrace you with a good conscience; here are the +pearls and jewels, here's my father. + +_Muf._ I am indeed thy father; but how the devil didst thou know me in +this disguise? and what pearls and jewels dost thou mean? + +_Mor._ [_Going back._] What have I done, and what will now become of +me! + +_Muf._ Art thou mad, Morayma? + +_Mor._ I think you'll make me so. + +_Muf._ Why, what have I done to thee? Recollect thyself, and speak +sense to me. + +_Mor._ Then give me leave to tell you, you are the worst of fathers. + +_Muf._ Did I think I had begotten such a monster!--Proceed, my dutiful +child, proceed, proceed. + +_Mor._ You have been raking together a mass of wealth, by indirect and +wicked means: the spoils of orphans are in these jewels, and the tears +of widows in these pearls. + +_Muf._ Thou amazest me! + +_Mor._ I would do so. This casket is loaded with your sins; 'tis the +cargo of rapines, simony, and extortions; the iniquity of thirty years +muftiship converted into diamonds. + +_Muf._ Would some rich railing rogue would say as much to me, that I +might squeeze his purse for scandal! + +_Mor._ No, sir, you get more by pious fools than railers, when you +insinuate into their families, manage their fortunes while they live, +and beggar their heirs, by getting legacies, when they die. And do you +think I'll be the receiver of your theft? I discharge my conscience of +it: Here, take again your filthy mammon, and restore it, you had best, +to the true owners. + +_Muf._ I am finely documented by my own daughter! + +_Mor._ And a great credit for me to be so: Do but think how decent a +habit you have on, and how becoming your function to be disguised like +a slave, and eaves-dropping under the women's windows, to be saluted, +as you deserve it richly, with a piss-pot. If I had not known you +casually by your shambling gait, and a certain reverend awkwardness +that is natural to all of your function, here you had been exposed to +the laughter of your own servants; who have been in search of you +through the whole seraglio, peeping under every petticoat to find you. + +_Muf._ Pr'ythee, child, reproach me no more of human failings; they +are but a little of the pitch and spots of the world, that are still +sticking on me; but I hope to scour them out in time. I am better at +bottom than thou thinkest; I am not the man thou takest me for. + +_Mor._ No, to my sorrow, sir, you are not. + +_Muf._ It was a very odd beginning though, methought, to see thee come +running in upon me with such a warm embrace; pr'ythee, what was the +meaning of that violent hot hug? + +_Mor._ I am sure I meant nothing by it, but the zeal and affection +which I bear to the man of the world, whom I may love lawfully. + +_Muf._ But thou wilt not teach me, at this age, the nature of a close +embrace? + +_Mor._ No, indeed; for my mother-in-law complains, that you are past +teaching: But if you mistook my innocent embrace for sin, I wish +heartily it had been given where it would have been more acceptable. + +_Muf._ Why this is as it should be now; take the treasure again, it +can never be put into better hands. + +_Mor._ Yes, to my knowledge, but it might. I have confessed my soul to +you, if you can understand me rightly. I never disobeyed you till this +night; and now, since, through the violence of my passion, I have been +so unfortunate, I humbly beg your pardon, your blessing, and your +leave, that, upon the first opportunity, I may go for ever from your +sight; for heaven knows, I never desire to see you more. + +_Muf._ [_Wiping his eyes._] Thou makest me weep at thy unkindness; +indeed, dear daughter, we will not part. + +_Mor._ Indeed, dear daddy, but we will. + +_Muf._ Why, if I have been a little pilfering, or so, I take it +bitterly of thee to tell me of it, since it was to make thee rich; and +I hope a man may make bold with his own soul, without offence to his +own child. Here, take the jewels again; take them, I charge thee, upon +thy obedience. + +_Mor._ Well then, in virtue of obedience, I will take them; but, on my +soul, I had rather they were in a better hand. + +_Muf._ Meaning mine, I know it. + +_Mor._ Meaning his, whom I love better than my life. + +_Muf._ That's me again. + +_Mor._ I would have you think so. + +_Muf._ How thy good nature works upon me! Well, I can do no less than +venture damning for thee; and I may put fair for it, if the rabble be +ordered to rise to-night. + + _Enter_ ANTONIO, _in a rich African habit._ + +_Ant._ What do you mean, my dear, to stand talking in this suspicious +place, just underneath Johayma's window?--[_To the Mufti._] You are +well met, comrade; I know you are the friend of our flight: are the +horses ready at the postern gate? + +_Muf._ Antonio, and in disguise! now I begin to smell a rat. + +_Ant._ And I another, that out-stinks it. False Morayma, hast thou +thus betrayed me to thy father! + +_Mor._ Alas! I was betrayed myself. He came disguised like you, and I, +poor innocent, ran into his hands. + +_Muf._ In good time you did so; I laid a trap for a bitch-fox, and a +worse vermin has caught himself in it. You would fain break loose now, +though you left a limb behind you; but I am yet in my own territories, +and in call of company; that's my comfort. + +_Ant._ [_Taking him by the throat._] No; I have a trick left to put +thee past thy squeaking. I have given thee the quinsy; that ungracious +tongue shall preach no more false doctrine. + +_Mor._ What do you mean? you will not throttle him? consider he's my +father. + +_Ant._ Pr'ythee, let us provide first for our own safety; if I do not +consider him, he will consider us, with a vengeance, afterwards. + +_Mor._ You may threaten him for crying out; but, for my sake, give him +back a little cranny of his windpipe, and some part of speech. + +_Ant._ Not so much as one single interjection.--Come away, +father-in-law, this is no place for dialogues; when you are in the +mosque, you talk by hours, and there no man must interrupt you. This +is but like for like, good father-in-law; now I am in the pulpit, it +is your turn to hold your tongue. [_He struggles._] Nay, if you will +be hanging back, I shall take care you shall hang forward. + [_Pulls him along the Stage, with + his Sword at his Reins._ + +_Mor._ The other way to the arbour with him; and make haste, before we +are discovered. + +_Ant._ If I only bind and gag him there, he may commend me hereafter +for civil usage; he deserves not so much favour by any action of his +life. + +_Mor._ Yes, pray bate him one,--for begetting your mistress. + +_Ant._ I would, if he had not thought more of thy mother than of thee. +Once more, come along in silence, my Pythagorean father-in-law. + +_Joh._ [_At the Balcony._] A bird in a cage may peep, at least, though +she must not fly.--What bustle's there beneath my window? Antonio, by +all my hopes! I know him by his habit. But what makes that woman with +him, and a friend, a sword drawn, and hasting hence? This is no time +for silence:--Who's within? call there, where are the servants? why, +Omar, Abedin, Hassan, and the rest, make haste, and run into the +garden; there are thieves and villains; arm all the family, and stop +them. + +_Ant._ [_Turning back._] O that screech owl at the window! we shall be +pursued immediately; which way shall we take? + +_Mor._ [_Giving him the Casket._] 'Tis impossible to escape them; for +the way to our horses lies back again by the house, and then we shall +meet them full in the teeth. Here, take these jewels; thou mayst leap +the walls, and get away. + +_Ant._ And what will become of thee, then, poor kind soul? + +_Mor._ I must take my fortune. When you are got safe into your own +country, I hope you will bestow a sigh on the memory of her who loved +you. + +_Ant._ It makes me mad to think, how many a good night will be lost +betwixt us! Take back thy jewels; 'tis an empty casket without thee: +besides, I should never leap well with the weight of all thy father's +sins about me; thou and they had been a bargain. + +_Mor._ Pr'ythee take them, 'twill help me to be revenged on him. + +_Ant._ No, they'll serve to make thy peace with him. + +_Mor._ I hear them coming; shift for yourself at least; remember I am +yours for ever. [_Servants crying,_ "this way, this + way," _behind the Scenes._ + +_Ant._ And I but the empty shadow of myself without thee!--Farewell, +father-in-law, that should have been, if I had not been curst in my +mother's belly.--Now, which way, Fortune? + [_Runs amazedly backwards and forwards. + Servants within,_ "Follow, follow; + yonder are the villains." +O, here's a gate open; but it leads into the castle; yet I must +venture it. [_A shout behind the Scenes, where_ + ANTONIO _is going out._ +There's the rabble in a mutiny; what, is the devil up at midnight! +However, 'tis good herding in a crowd. + [_Runs out._ MUFTI _runs to_ MORAYMA, + _and lays hold on her, then snatches + away the Casket._ + +_Muf._ Now, to do things in order, first I seize upon the bag, and +then upon the baggage; for thou art but my flesh and blood, but these +are my life and soul. + +_Mor._ Then let me follow my flesh and blood, and keep to yourself +your life and soul. + +_Muf._ Both, or none; come away to durance. + +_Mor._ Well, if it must be so, agreed; for I have another trick to +play you, and thank yourself for what shall follow. + + _Enter Servants._ + +_Joh._ [_From above._] One of them took through the private way into +the castle; follow him, be sure, for these are yours already. + +_Mor._ Help here quickly, Omar, Abedin! I have hold on the villain +that stole my jewels; but 'tis a lusty rogue, and he will prove too +strong for me. What! help, I say; do you not know your master's +daughter? + +_Muf._ Now, if I cry out, they will know my voice, and then I am +disgraced for ever. O thou art a venomous cockatrice! + +_Mor._ Of your own begetting. [_The Servants seize him._ + +_1 Serv._ What a glorious deliverance have you had, madam, from this +bloody-minded Christian! + +_Mor._ Give me back my jewels, and carry this notorious malefactor to +be punished by my father.--I'll hunt the other dry-foot. + [_Takes the jewels, and runs out after_ + ANTONIO _at the same passage._ + +_1 Serv._ I long to be hanselling his hide, before we bring him to my +master. + +_2 Serv._ Hang him, for an old covetous hypocrite; he deserves a worse +punishment himself, for keeping us so hardly. + +_1 Serv._ Ay, would he were in this villain's place! thus I would lay +him on, and thus. [_Beats him._ + +_2 Serv._ And thus would I revenge myself of my last beating. + [_He beats him too, and then the rest._ + +_Muf._ Oh, ho, ho! + +_1 Serv._ Now, supposing you were the Mufti, sir.-- + [_Beats him again._ + +_Muf._ The devil's in that supposing rascal!--I can bear no more; and +I am the Mufti. Now suppose yourselves my servants, and hold your +hands: an anointed halter take you all! + +_1 Serv._ My master!--You will pardon the excess of our zeal for you, +sir: Indeed we all took you for a villain, and so we used you. + +_Muf._ Ay, so I feel you did; my back and sides are abundant +testimonies of your zeal.--Run, rogues, and bring me back my jewels, +and my fugitive daughter; run, I say. + [_They run to the gate, and the first + Servant runs back again._ + +_1 Serv._ Sir, the castle is in a most terrible combustion; you may +hear them hither. + +_Muf._ 'Tis a laudable commotion; the voice of the mobile is the voice +of heaven.--I must retire a little, to strip me of the slave, and to +assume the Mufti, and then I will return; for the piety of the people +must be encouraged, that they may help me to recover my jewels, and my +daughter. [_Exeunt Mufti and Servants._ + + +SCENE III.--_Changes to the Castle Yard,_ + + _And discovers_ ANTONIO, MUSTAPHA, _and the Rabble shouting. They + come forward._ + +_Ant._ And so at length, as I informed you, I escaped out of his +covetous clutches; and now fly to your illustrious feet for my +protection. + +_Must._ Thou shalt have it, and now defy the Mufti. 'Tis the first +petition that has been made to me since my exaltation to tumult, in +this second night of the month Abib, and in the year of the +Hegira,--the Lord knows what year; but 'tis no matter; for when I am +settled, the learned are bound to find it out for me; for I am +resolved to date my authority over the rabble, like other monarchs. + +_Ant._ I have always had a longing to be yours again, though I could +not compass it before; and had designed you a casket of my master's +jewels too; for I knew the custom, and would not have appeared before +a great person, as you are, without a present: But he has defrauded my +good intentions, and basely robbed you of them; 'tis a prize worthy a +million of crowns, and you carry your letters of marque about you. + +_Must._ I shall make bold with his treasure, for the support of my new +government.--[_The people gather about him._]--What do these vile +raggamuffins so near our person? your savour is offensive to us; bear +back there, and make room for honest men to approach us: These fools +and knaves are always impudently crowding next to princes, and keeping +off the more deserving: Bear back, I say.--[_They make a wider +circle._]--That's dutifully done! Now shout, to shew your loyalty. [_A +great shout._]--Hear'st thou that, slave Antonio? These obstreperous +villains shout, and know not for what they make a noise. You shall see +me manage them, that you may judge what ignorant beasts they are.--For +whom do you shout now? Who's to live and reign; tell me that, the +wisest of you? + +_1 Rabble._ Even who you please, captain. + +_Must._ La, you there! I told you so. + +_2 Rabble._ We are not bound to know, who is to live and reign; our +business is only to rise upon command, and plunder. + +_3 Rabble._ Ay, the richest of both parties; for they are our enemies. + +_Must._ This last fellow is a little more sensible than the rest; he +has entered somewhat into the merits of the cause. + +_1 Rabble._ If a poor man may speak his mind. I think, captain, that +yourself are the fittest to live and reign; I mean not over, but next, +and immediately under, the people; and thereupon I say, _A Mustapha, a +Muatapha!_ + +_Omnes._ A Mustapha, a Mustapha! + +_Must._ I must confess the sound is pleasing, and tickles the ears of +my ambition; but alas, good people, it must not be! I am contented to +be a poor simple viceroy. But prince Muley-Zeydan is to be the man: I +shall take care to instruct him in the arts of government, and in his +duty to us all; and, therefore, mark my cry, _A Muley-Zeydan, a +Muley-Zeydan!_ + +_Omnes._ A Muley-Zeydan, a Muley-Zeydan! + +_Must._ You see, slave Antonio, what I might have been? + +_Ant._ I observe your modesty. + +_Must._ But for a foolish promise, I made once to my lord Benducar, to +set up any one he pleased.-- + + _Re-enter the Mufti, with his Servants._ + +_Ant._ Here's the old hypocrite again.--Now stand your ground and bate +him not an inch. Remember the jewels, the rich and glorious jewels; +they are designed to be yours, by virtue of prerogative. + +_Must._ Let me alone to pick a quarrel; I have an old grudge to him +upon thy account. + +_Muf._ [_Making up to the Mobile._] Good people, here you are met +together. + +_1 Rabble._ Ay, we know that without your telling: But why are we met +together, doctor? for that's it which no body here can tell. + +_2 Rabble._ Why, to see one another in the dark; and to make holiday +at midnight. + +_Muf._ You are met, as becomes good Mussulmen, to settle the nation; +for I must tell you, that, though your tyrant is a lawful emperor, yet +your lawful emperor is but a tyrant. + +_Ant._ What stuff he talks! + +_Must._ 'Tis excellent fine matter, indeed, slave Antonio! He has a +rare tongue! Oh, he would move a rock, or elephant! + +_Ant._ What a block have I to work upon! [_Aside._]--But still, +remember the jewels, sir; the jewels. + +_Must._ Nay, that's true, on the other side; the jewels must be mine. +But he has a pure fine way of talking; my conscience goes along with +him, but the jewels have set my heart against him. + +_Muf._ That your emperor is a tyrant, is most manifest; for you were +born to be Turks, but he has played the Turk with you, and is taking +your religion away. + +_2 Rabble._ We find that in our decay of trade. I have seen, for these +hundred years, that religion and trade always go together. + +_Muf._ He is now upon the point of marrying himself, without your +sovereign consent: And what are the effects of marriage? + +_3 Rabble._ A scolding domineering wife, if she prove honest; and, if +a whore, a fine gaudy minx, that robs our counters every night, and +then goes out, and spends it upon our cuckold-makers. + +_Muf._ No; the natural effects of marriage are children: Now, on whom +would he beget these children? Even upon a Christian! O, horrible! how +can you believe me, though I am ready to swear it upon the Alcoran! +Yes, true believers, you may believe, that he is going to beget a race +of misbelievers. + +_Must._ That's fine, in earnest; I cannot forbear hearkening to his +enchanting tongue. + +_Ant._ But yet remember-- + +_Must._ Ay, ay, the jewels! Now again I hate him; but yet my +conscience makes me listen to him. + +_Muf._ Therefore, to conclude all, believers, pluck up your hearts, +and pluck down the tyrant. Remember the courage of your ancestors; +remember the majesty of the people; remember yourselves, your wives, +and children; and, lastly, above all, remember your religion, and our +holy Mahomet. All these require your timeous assistance;--shall I say, +they beg it? No; they claim it of you, by all the nearest and dearest +ties of these three P's, self-preservation, our property, and our +prophet.--Now answer me with an unanimous cheerful cry, and follow me, +who am your leader, to a glorious deliverance. + +_Omnes._ A Mufti, a Mufti! [_Following him off the stage._ + +_Ant._ Now you see what comes of your foolish qualms of conscience; +the jewels are lost, and they are all leaving you. + +_Must._ What, am I forsaken of my subjects? Would the rogue purloin my +liege people from me!--I charge you, in my own name, come back, ye +deserters, and hear me speak. + +_1 Rabble._ What, will he come with his balderdash, after the Mufti's +eloquent oration? + +_2 Rabble._ He's our captain, lawfully picked up, and elected upon a +stall; we will hear him. + +_Omnes._ Speak, captain, for we will hear you. + +_Must._ Do you remember the glorious rapines and robberies you have +committed? Your breaking open and gutting of houses, your rummaging of +cellars, your demolishing of Christian temples, and bearing off, in +triumph, the superstitious plate and pictures, the ornaments of their +wicked altars, when all rich moveables were sentenced for idolatrous, +and all that was idolatrous was seized? Answer first, for your +remembrance of all these sweetnesses of mutiny; for upon those grounds +I shall proceed. + +_Omnes._ Yes, we do remember, we do remember. + +_Must._ Then make much of your retentive faculties.--And who led you +to those honey-combs? Your Mufti? No, believers; he only preached you +up to it, but durst not lead you: He was but your counsellor, but I +was your captain; he only looed you, but, 'twas I that led you. + +_Omnes._ That's true, that's true. + +_Ant._ There you were with him for his figures. + +_Must._ I think I was, slave Antonio. Alas, I was ignorant of my own +talent!--Say then, believers, will you have a captain for your Mufti, +or a Mufti for your captain? And, further, to instruct you how to cry, +will you have _A mufti_, or _No mufti_? + +_Omnes._ No Mufti, no Mufti! + +_Must._ That I laid in for them, slave Antonio--Do I then spit upon +your faces? Do I discourage rebellion, mutiny, rapine, and plundering? +You may think I do, believers; but, heaven forbid! No, I encourage you +to all these laudable undertakings; you shall plunder, you shall pull +down the government; but you shall do this upon my authority, and not +by his wicked instigation. + +_3 Rabble._ Nay, when his turn is served, he may preach up loyalty +again, and restitution, that he might have another snack among us. + +_1 Rabble._ He may indeed; for it is but his saying it is sin, and +then we must restore; and therefore I would have a new religion, where +half the commandments should be taken away, the rest mollified, and +there should be little or no sin remaining. + +_Omnes._ Another religion, a new religion, another religion! + +_Must._ And that may easily be done, with the help of a little +inspiration; for I must tell you, I have a pigeon at home, of +Mahomet's own breed; and when I have learnt her to pick pease out of +my ear, rest satisfied till then, and you shall have another. But, now +I think on't, I am inspired already, that 'tis no sin to depose the +Mufti. + +_Ant._ And good reason; for when kings and queens are to be discarded, +what should knaves do any longer in the pack? + +_Omnes._ He is deposed, he is deposed, he is deposed! + +_Must._ Nay, if he and his clergy will needs be preaching up +rebellion, and giving us their blessing, 'tis but justice they should +have the first-fruits of it.--Slave Antonio, take him into custody; +and dost thou hear, boy, be sure to secure the little transitory box +of jewels. If he be obstinate, put a civil question to him upon the +rack, and he squeaks, I warrant him. + +_Ant._ [_Seizing the Mufti._] Come, my _quondam_ master, you and I +must change qualities. + +_Muf._ I hope you will not be so barbarous to torture me: we may +preach suffering to others, but, alas! holy flesh is too well pampered +to endure martyrdom. + +_Must._ Now, late Mufti, not forgetting my first quarrel to you, we +will enter ourselves with the plunder of your palace: 'tis good to +sanctify a work, and begin a God's name. + +_1 Rabble._ Our prophet let the devil alone with the last mob. + +_Mob._ But he takes care of this himself. + + _As they are going out, enter_ BENDUCAR, _leading_ ALMEYDA: _he with + a sword in one hand;_ BENDUCAR'S _Slave follows, with_ + MULEY-MOLUCH'S _head upon a spear._ + +_Must._ Not so much haste, masters; comeback again; you are so bent +upon mischief, that you take a man upon the first word of plunder. +Here is a sight for you; the emperor is come upon his head to visit +you. [_Bowing._] Most noble emperor, now I hope you will not hit us in +the teeth, that we have pulled you down; for we can tell you to your +face, that we have exalted you. [_They all shout._ + +_Bend._ Think what I am, and what yourself may be, + [_To_ ALMEYDA _apart._ +In being mine: refuse not proffered love, +That brings a crown. + +_Alm._ [_To him._] I have resolved, +And these shall know my thoughts. + +_Bend._ [_To her._] On that I build.-- [_He comes up to the Rabble._ +Joy to the people for the tyrant's death! +Oppression, rapine, banishment, and blood, +Are now no more; but speechless as that tongue, +That lies for ever still. +How is my grief divided with my joy, +When I must own I killed him! Bid me speak; +For not to bid me, is to disallow +What for your sakes is done. + +_Must._ In the name of the people, we command you speak: but that +pretty lady shall speak first; for we have taken somewhat of a liking +to her person.--Be not afraid, lady, to speak to these rude +raggamuffians; there is nothing shall offend you, unless it be their +stink, an't please you. [_Making a leg._ + +_Alm._ Why should I fear to speak, who am your queen? +My peaceful father swayed the sceptre long, +And you enjoyed the blessings of his reign, +While you deserved the name of Africans. +Then, not commanded, but commanding you, +Fearless I speak: know me for what I am. + +_Bend._ How she assumes! I like not this beginning. [_Aside._ + +_Alm._ I was not born so base to flatter crowds, +And move your pity by a whining tale. +Your tyrant would have forced me to his bed; +But in the attempt of that foul brutal act, +These loyal slaves secured me by his death. [_Pointing to_ BENDUCAR. + +_Bend._ Makes she no more of me than of a slave?-- [_Aside._ +Madam, I thought I had instructed you [_To_ ALMEYDA. +To frame a speech more suiting to the times: +The circumstances of that dire design, +Your own despair, my unexpected aid, +My life endangered by his bold defence, +And, after all, his death, and your deliverance, +Were themes that ought not to be slighted o'er. + +_Must._ She might have passed over all your petty businesses, and no +great matter; but the raising of my rabble is an exploit of +consequence, and not to be mumbled up in silence, for all her +pertness. + +_Alm._ When force invades the gift of nature, life, +The eldest law of nature bids defend; +And if in that defence a tyrant fall, +His death's his crime, not ours, +Suffice it, that he's dead; all wrongs die with him; +When he can wrong no more, I pardon him: +Thus I absolve myself, and him excuse, +Who saved my life and honour, but praise neither. + +_Bend._ 'Tis cheap to pardon, whom you would not pay. +But what speak I of payment and reward! +Ungrateful woman, you are yet no queen, +Nor more than a proud haughty christian slave: +As such I seize my right. [_Going to lay hold of her._ + +_Alm._ [_Drawing a Dagger._] Dare not to approach me!-- +Now, Africans, +He shows himself to you; to me he stood +Confessed before, and owned his insolence +To espouse my person, and assume the crown, +Claimed in my right; for this, he slew your tyrant; +Oh no! he only changed him for a worse; +Embased your slavery by his own vileness, +And loaded you with more ignoble bonds. +Then think me not ungrateful, not to share +The imperial crown with a presuming traitor. +He says, I am a Christian; true, I am, +But yet no slave: If Christians can be thought +Unfit to govern those of other faith, +'Tis left for you to judge. + +_Bend._ I have not patience; she consumes the time +In idle talk, and owns her false belief: +Seize her by force, and bear her thence unheard. + +_Alm._ [_To the People._] +No, let me rather die your sacrifice, +Than live his triumph. +I throw myself into my people's arms; +As you are men, compassionate my wrongs, +And, as good men, protect me. + +_Ant._ Something must be done to save her. [_Aside to_ MUST.] This is +all addressed to you, sir: she singled you out with her eye, as +commander in chief of the mobility. + +_Must._ Think'st thou so, slave Antonio? + +_Ant._ Most certainly, sir; and you cannot, in honour, but protect +her: now look to your hits, and make your fortune. + +_Must._ Methought, indeed, she cast a kind leer towards me. Our +prophet was but just such another scoundrel as I am, till he raised +himself to power, and consequently to holiness, by marrying his +master's widow. I am resolved I'll put forward for myself; for why +should I be my lord Benducar's fool and slave, when I may be my own +fool and his master? + +_Bend._ Take her into possession, Mustapha. + +_Must._ That's better counsel than you meant it: Yes, I do take her +into possession, and into protection too. What say you, masters, will +you stand by me? + +_Omnes._ One and all, one and all. + +_Bend._ Hast thou betrayed me, traitor?--Mufti, speak, and mind them +of religion. [_MUFTI shakes his head._ + +_Must._ Alas! the poor gentleman has gotten a cold with a sermon of +two hours long, and a prayer of fear; and, besides, if he durst speak, +mankind is grown wiser at this time of day than to cut one another's +throats about religion. Our Mufti's is a green coat, and the +Christian's is a black coat; and we must wisely go together by the +ears, whether green or black shall sweep our spoils. + [_Drums within, and shouts._ + +_Bend._ Now we shall see whose numbers will prevail: +The conquering troops of Muley-Zeydan come, +To crush rebellion, and espouse my cause. + +_Must._ We will have a fair trial of skill for it, I can tell him +that. When we have dispatched with Muley-Zeydan, your lordship shall +march, in equal proportions of your body, to the four gates of the +city, and every tower shall have a quarter of you. + [ANTONIO _draws them up, and takes_ ALM. + by_ the hand. Shouts again, and Drums._ + + _Enter_ DORAX _and_ SEBASTIAN, _attended by African Soldiers and + Portugueses._ ALMEYDA _and_ SEBASTIAN _run into each others arms, + and both speak together._ + +_Seb._ and _Alm._ My Sebastian! my Almeyda! + +_Alm._ Do you then live? + +_Seb._ And live to love thee ever. + +_Bend._ How! Dorax and Sebastian still alive! +The Moors and Christians joined!--I thank thee, prophet. + +_Dor._ The citadel is ours; and Muley-Zeydan +Safe under guard, but as becomes a prince. +Lay down your arms; such base plebeian blood +Would only stain the brightness of my sword, +And blunt it for some nobler work behind. + +_Must._ I suppose you may put it up without offence to any man here +present. For my part, I have been loyal to my sovereign lady, though +that villain Benducar, and that hypocrite the Mufti, would have +corrupted me; but if those two escape public justice, then I and all +my late honest subjects here deserve hanging. + +_Bend._ [_To_ DOR.] I'm sure I did my part to poison thee, +What saint soe'er has soldered thee again: +A dose less hot had burst through ribs of iron. + +_Muf._ Not knowing that, I poisoned him once more, +And drenched him with a draught so deadly cold, +That, hadst not thou prevented, had congealed +The channel of his blood, and froze him dry. + +_Bend._ Thou interposing fool, to mangle mischief, +And think to mend the perfect work of hell! + +_Dor._ Thus, when heaven pleases, double poisons cure[8]. +I will not tax thee of ingratitude +To me, thy friend, who hast betrayed thy prince: +Death he deserved indeed, but not from thee. +But fate, it seems, reserved the worst of men +To end the worst of tyrants.-- +Go, bear him to his fate, +And send him to attend his master's ghost. +Let some secure my other poisoning friend, +Whose double diligence preserved my life. + +_Ant._ You are fallen into good hands, father-in-law; your sparkling +jewels, and Morayma's eyes, may prove a better bail than you deserve. + +_Muf._ The best that can come of me, in this condition, is, to have my +life begged first, and then to be begged for a fool afterwards[9]. + [_Exeunt_ ANTONIO, _with the Mufti; and, at + the same time,_ BENDUCAR _is carried off._ + +_Dor._ [_To_ MUST.] +You, and your hungry herd, depart untouched; +For justice cannot stoop so low, to reach +The groveling sin of crowds: but curst be they, +Who trust revenge with such mad instruments, +Whose blindfold business is but to destroy; +And, like the fire, commissioned by the winds, +Begins on sheds, but, rolling in a round, +On palaces returns. Away, ye scum, +That still rise upmost when the nation boils; +Ye mongrel work of heaven, with human shapes, +Not to be damned or saved, but breathe and perish, +That have but just enough of sense, to know +The master's voice, when rated, to depart. + [_Exeunt_ MUSTAPHA _and Rabble._ + +_Alm._ With gratitude as low as knees can pay [_Kneeling to him._ +To those blest holy fires, our guardian angels, +Receive these thanks, till altars can be raised. + +_Dor._ Arise, fair excellence, and pay no thanks, [_Raising her up._ +Till time discover what I have deserved. + +_Seb._ More than reward can answer. +If Portugal and Spain were joined to Africa, +And the main ocean crusted into land, +If universal monarchy were mine, +Here should the gift be placed. + +_Dor._ And from some hands I should refuse that gift. +Be not too prodigal of promises; +But stint your bounty to one only grant, +Which I can ask with honour. + +_Seb._ What I am +Is but thy gift; make what thou canst of me, +Secure of no repulse. + +_Dor._ [_To_ SEB.] Dismiss your train.-- +[_To_ ALM.] You, madam, please one moment to retire. + [SEBASTIAN _signs to the Portugueses to go + off;_ ALMEYDA, _bowing to him, gives off + also. The Africans follow her._ + +_Dor._ [_To the Captain of the Guard._] +With you one word in private. [_Goes out with the Captain._ + +_Seb._ [_Solus._] Reserved behaviour, open nobleness, +A long mysterious track of stern bounty: +But now the hand of fate is on the curtain, +And draws the scene to sight. + + _Re-enter_ DORAX, _having taken off his Turban, and put on a Peruke, + Hat, and Cravat._ + +_Dor._ Now, do you know me? + +_Seb._ Thou shouldst be Alonzo. + +_Dor._ So you should be Sebastian: +But when Sebastian ceased to be himself, +I ceased to be Alonzo. + +_Seb._ As in a dream, +I see thee here, and scarce believe mine eyes. + +_Dor._ Is it so strange to find me, where my wrongs, +And your inhuman tyranny, have sent me? +Think not you dream; or, if you did, my injuries +Shall call so loud, that lethargy should wake, +And death should give you back to answer me. +A thousand nights have brushed their balmy wings +Over these eyes; but ever when they closed, +Your tyrant image forced them ope again, +And dried the dews they brought: +The long expected hour is come at length, +By manly vengeance to redeem my fame; +And, that once cleared, eternal sleep is welcome. + +_Seb._ I have not yet forgot I am a king, +Whose royal office is redress of wrongs: +If I have wronged thee, charge me face to face;-- +I have not yet forgot I am a soldier. + +_Dor._ 'Tis the first justice thou hast ever done me. +Then, though I loath this woman's war of tongues, +Yet shall my cause of vengeance first be clear; +And, honour, be thou judge. + +_Seb._ Honour befriend us both.-- +Beware I warn thee yet, to tell thy griefs +In terms becoming majesty to hear: +I warn thee thus, because I know thy temper +Is insolent, and haughty to superiors. +How often hast thou braved my peaceful court, +Filled it with noisy brawls, and windy boasts; +And with past service, nauseously repeated, +Reproached even me, thy prince? + +_Dor._ And well I might, when you forgot reward, +The part of heaven in kings; for punishment +Is hangman's work, and drudgery for devils.-- +I must, and will reproach thee with my service, +Tyrant!--It irks me so to call my prince; +But just resentment, and hard usage, coined +The unwilling word; and, grating as it is, +Take it, for 'tis thy due. + +_Seb._ How, tyrant? + +_Dor._ Tyrant. + +_Seb._ Traitor!--that name thou canst not echo back; +That robe of infamy, that circumcision +Ill hid beneath that robe, proclaim thee traitor; +And, if a name +More foul than traitor be, 'tis renegade. + +_Dor._ If I'm a traitor, think,--and blush, thou tyrant,-- +Whose injuries betrayed me into treason, +Effaced my loyalty, unhinged my faith, +And hurried me, from hopes of heaven, to hell. +All these, and all my yet unfinished crimes, +When I shall rise to plead before the saints, +I charge on thee, to make thy damning sure. + +_Seb._ Thy old presumptuous arrogance again, +That bred my first dislike, and then my loathing.-- +Once more be warned, and know me for thy king. + +_Dor._ Too well I know thee, but for king no more. +This is not Lisbon; nor the circle this, +Where, like a statue, thou hast stood besieged +By sycophants and fools, the growth of courts; +Where thy gulled eyes, in all the gaudy round, +Met nothing but a lie in every face, +And the gross flattery of a gaping crowd, +Envious who first should catch, and first applaud, +The stuff of royal nonsense: When I spoke, +My honest homely words were carped and censured +For want of courtly style; related actions, +Though modestly reported, passed for boasts; +Secure of merit if I asked reward, +Thy hungry minions thought their rights invaded, +And the bread snatched from pimps and parasites. +Henriquez answered, with a ready lie, +To save his king's,--the boon was begged before! + +_Seb._ What say'st thou of Henriquez? Now, by heaven, +Thou mov'st me more by barely naming him, +Than all thy foul unmannered scurril taunts. + +_Dor._ And therefore 'twas, to gall thee, that I named him. +That thing, that nothing, but a cringe and smile; +That woman, but more daubed; or, if a man, +Corrupted to a woman; thy man-mistress. + +_Seb._ All false as hell, or thou. + +_Dor._ Yes; full as false +As that I served thee fifteen hard campaigns, +And pitched thy standard in these foreign fields: +By me thy greatness grew, thy years grew with it, +But thy ingratitude outgrew them both. + +_Seb._ I see to what thou tend'st: but, tell me first, +If those great acts were done alone for me? +If love produced not some, and pride the rest? + +_Dor._ Why, love does all that's noble here below; +But all the advantage of that love was thine. +For, coming fraughted back, in either hand +With palm and olive, victory and peace, +I was indeed prepared to ask my own, +(For Violante's vows were mine before:) +Thy malice had prevention, ere I spoke; +And asked me Violante for Henriquez. + +_Seb._ I meant thee a reward of greater worth. + +_Dor._ Where justice wanted, could reward be hoped? +Could the robbed passenger expect a bounty +From those rapacious hands, who stripped him first? + +_Seb._ He had my promise, ere I knew thy love. + +_Dor._ My services deserved thou shouldst revoke it. + +_Seb._ Thy insolence had cancelled all thy service: +To violate my laws, even in my court, +Sacred to peace, and safe from all affronts; +Even to my face, and done in my despite, +Under the wing of awful majesty, +To strike the man I loved! + +_Dor._ Even in the face of heaven, a place more sacred, +Would I have struck the man, who, prompt by power, +Would seize my right, and rob me of my love: +But, for a blow provoked by thy injustice, +The hasty product of a just despair, +When he refused to meet me in the field, +That thou shouldst make a coward's cause thy own! + +_Seb._ He durst; nay more, desired, and begged with tears, +To meet thy challenge fairly: 'Twas thy fault +To make it public; but my duty, then, +To interpose, on pain of my displeasure, +Betwixt your swords. + +_Dor._ On pain of infamy, +He should have disobeyed. + +_Seb._ The indignity, thou didst, was meant to me: +Thy gloomy eyes were cast on me with scorn, +As who should say,--the blow was there intended: +But that thou didst not dare to lift thy hands +Against anointed power. So was I forced +To do a sovereign justice to myself, +And spurn thee from my presence. + +_Dor._ Thou hast dared +To tell me, what I durst not tell myself: +I durst not think that I was spurned, and live; +And live to hear it boasted to my face. +All my long avarice of honour lost, +Heaped up in youth, and hoarded up for age! +Has honour's fountain then sucked back the stream? +He has; and hooting boys may dry-shod pass, +And gather pebbles from the naked ford.-- +Give me my love, my honour; give them back-- +Give me revenge, while I have breath to ask it! + +_Seb._ Now, by this honoured order which I wear, +More gladly would I give, than thou dar'st ask it; +Nor shall the sacred character of king +Be urged, to shield me from thy bold appeal. +If I have injured thee, that makes us equal; +The wrong, if done, debased me down to thee. +But thou hast charged me with ingratitude; +Hast thou not charged me? speak! + +_Dor._ Thou know'st I have: +If thou disown'st that imputation, draw, +And prove my charge a lie. + +_Seb._ No; to disprove that lie, I must not draw. +Be conscious to thy worth, and tell thy soul, +What thou hast done this day in my defence. +To fight thee after this, what were it else +Than owning that ingratitude thou urgest? +That isthmus stands between two rushing seas; +Which, mounting, view each other from afar, +And strive in vain to meet. + +_Dor._ I'll cut that isthmus. +Thou know'st I meant not to preserve thy life, +But to reprieve it, for my own revenge. +I saved thee out of honourable malice: +Now, draw;--I should be loth to think thou dar'st not: +Beware of such another vile excuse. + +_Seb._ O patience, heaven! + +_Dor._ Beware of patience, too; +That's a suspicious word. It had been proper, +Before thy foot had spurned me; now 'tis base: +Yet, to disarm thee of thy last defence, +I have thy oath for my security. +The only boon I begged was this fair combat: +Fight, or be perjured now; that's all thy choice. + +_Seb._ Now can I thank thee as thou would'st be thanked. [_Drawing._ +Never was vow of honour better paid, +If my true sword but hold, than this shall be. +The sprightly bridegroom, on his wedding night, +More gladly enters not the lists of love: +Why, 'tis enjoyment to be summoned thus. +Go, bear my message to Henriquez ghost; +And say, his master and his friend revenged him. + +_Dor._ His ghost! then is my hated rival dead? + +_Seb._ The question is beside our present purpose: +Thou seest me ready; we delay too long. + +_Dor._ A minute is not much in either's life, +When there's but one betwixt us; throw it in, +And give it him of us who is to fail. + +_Seb._ He's dead; make haste, and thou may'st yet o'ertake him. + +_Dor._ When I was hasty, thou delayed'st me longer-- +I pr'ythee let me hedge one moment more +Into thy promise: For thy life preserved, +Be kind; and tell me how that rival died, +Whose death, next thine, I wished. + +_Seb._ If it would please thee, thou shouldst never know; +But thou, like jealousy, enquir'st a truth, +Which, found, will torture thee.--He died in fight; +Fought next my person; as in concert fought; +Kept pace for pace, and blow for every blow; +Save when he heaved his shield in my defence, +And on his naked side received my wound. +Then, when he could no more, he fell at once; +But rolled his falling body cross their way, +And made a bulwark of it for his prince. + +_Dor._ I never can forgive him such a death! + +_Seb._ I prophesied thy proud soul could not bear it.-- +Now, judge thyself, who best deserved my love? +I knew you both; and (durst I say) as heaven +Foreknew, among the shining angel host, +Who would stand firm, who fall. + +_Dor._ Had he been tempted so, so had he fallen; +And so had I been favoured, had I stood. + +_Seb._ What had been, is unknown; what is, appears. +Confess, he justly was preferred to thee. + +_Dor._ Had I been born with his indulgent stars, +My fortune had been his, and his been mine.-- +O worse than hell! what glory have I lost, +And what has he acquired, by such a death! +I should have fallen by Sebastian's side, +My corps had been the bulwark of my king. +His glorious end was a patched work of fate, +Ill sorted with a soft effeminate life; +It suited better with my life than his, +So to have died: Mine had been of a piece, +Spent in your service, dying at your feet. + +_Seb._ The more effeminate and soft his life, +The more his fame, to struggle to the field, +And meet his glorious fate. Confess, proud spirit, +(For I will have it from thy very mouth) +That better he deserved my love than thou? + +_Dor._ O, whither would you drive me? I must grant,-- +Yes, I must grant, but with a swelling soul,-- +Henriquez had your love with more desert. +For you he fought, and died: I fought against you; +Through all the mazes of the bloody field, +Hunted your sacred life; which that I missed +Was the propitious error of my fate, +Not of my soul: My soul's a regicide. + +_Seb._ [_More calmly._] +Thou might'st have given it a more gentle name. +Thou meant'st to kill a tyrant, not a king: +Speak, didst thou not, Alonzo? + +_Dor._ Can I speak! +Alas, I cannot answer to Alonzo!-- +No, Dorax cannot answer to Alonzo; +Alonzo was too kind a name for me. +Then, when I fought and conquered with your arms, +In that blest age, I was the man you named: +Till rage and pride debased me into Dorax, +And lost, like Lucifer, my name above. + +_Seb._ Yet twice this day I owed my life to Dorax. + +_Dor._ I saved you but to kill you: There's my grief. + +_Seb._ Nay, if thou can'st be grieved, thou can'st repent; +Thou could'st not be a villain, though thou would'st: +Thou own'st too much, in owning thou hast erred; +And I too little, who provoked thy crime. + +_Dor._ O stop this headlong torrent of your goodness! +It comes too fast upon a feeble soul, +Half drowned in tears before: Spare my confusion; +For pity spare; and say not first, you erred; +For yet I have not dared, through guilt and shame, +To throw myself beneath your royal feet.-- [_Falls at his feet._ +Now spurn this rebel, this proud renegade; +'Tis just you should, nor will I more complain. + +_Seb._ Indeed thou should'st not ask forgiveness first; +But thou prevent'st me still, in all that's noble. [_Taking him up._ +Yes, I will raise thee up with better news. +Thy Violante's heart was ever thine; +Compelled to wed, because she was my ward, +Her soul was absent when she gave her hand; +Nor could my threats, or his pursuing courtship, +Effect the consummation of his love: +So, still indulging tears, she pines for thee, +A widow, and a maid. + +_Dor._ Have I been cursing heaven, while heaven blest me? +I shall run mad with extacy of joy: +What! in one moment, to be reconciled +To heaven, and to my king, and to my love!-- +But pity is my friend, and stops me short, +For my unhappy rival:--Poor Henriquez! + +_Seb._ Art thou so generous, too, to pity him? +Nay, then, I was unjust to love him better. +Here let me ever hold thee in my arms; [_Embracing him._ +And all our quarrels be but such as these, +Who shall love best, and closest shall embrace. +Be what Henriquez was,--be my Alonzo. + +_Dor._ What, my Alonzo, said you? my Alonzo! +Let my tears thank you, for I cannot speak; +And, if I could, +Words were not made to vent such thoughts as mine. + +_Seb._ Some strange reverse of fate must sure attend +This vast profusion, this extravagance +Of heaven, to bless me thus. 'Tis gold so pure, +It cannot bear the stamp, without alloy.-- +Be kind, ye powers! and take but half away: +With ease the gifts of fortune I resign; +But let my love and friend be ever mine. [_Exeunt._ + + +ACT V. SCENE I. + +_The Scene is, a Room of State._ + + _Enter_ DORAX _and_ ANTONIO. + +_Dor._ Joy is on every face, without a cloud; +As, in the scene of opening paradise, +The whole creation danced at their new being, +Pleased to be what they were, pleased with each other, +Such joy have I, both in myself and friends; +And double joy that I have made them happy. + +_Ant._ Pleasure has been the business of my life; +And every change of fortune easy to me, +Because I still was easy to myself. +The loss of her I loved would touch me nearest; +Yet, if I found her, I might love too much, +And that's uneasy pleasure. + +_Dor._ If she be fated +To be your wife, your fate will find her for you: +Predestinated ills are never lost. + +_Ant._ I had forgot +To inquire before, but long to be informed, +How, poisoned and betrayed, and round beset, +You could unwind yourself from all these dangers, +And move so speedily to our relief? + +_Dor._ The double poisons, after a short combat, +Expelled each other in their civil war, +By nature's benefit, and roused my thoughts +To guard that life which now I found attacked. +I summoned all my officers in haste, +On whose experienced faith I might rely; +All came resolved to die in my defence, +Save that one villain who betrayed the gate. +Our diligence prevented the surprise +We justly feared: So Muley-Zeydan found us +Drawn up in battle, to receive the charge. + +_Ant._ But how the Moors and Christian slaves were joined, +You have not yet unfolded. + +_Dor._ That remains. +We knew their interest was the same with ours: +And, though I hated more than death Sebastian, +I could not see him die by vulgar hands; +But, prompted by my angel, or by his, +Freed all the slaves, and placed him next myself, +Because I would not have his person known. +I need not tell the rest, the event declares it. + +_Ant._ Your conquests came of course; their men were raw, +And yours were disciplined.--One doubt remains, +Why you industriously concealed the king, +Who, known, had added courage to his men? + +_Dor._ I would not hazard civil broils betwixt +His friends and mine; which might prevent our combat. +Yet, had he fallen, I had dismissed his troops; +Or, if victorious, ordered his escape.-- +But I forgot a new increase of joy +To feast him with surprise; I must about it: +Expect my swift return. [_Exit._ + + _Enter a Servant._ + +_Serv._ Here's a lady at the door, that bids me tell you, she is come +to make an end of the game, that was broken off betwixt you. + +_Ant._ What manner of woman is she? Does she not want two of the four +elements? has she any thing about her but air and fire? + +_Serv._ Truly, she flies about the room as if she had wings instead of +legs; I believe she's just turning into a bird:--A house bird I +warrant her:--And so hasty to fly to you, that, rather than fail of +entrance, she would come tumbling down the chimney, like a swallow. + + _Enter_ MORAYMA. + +_Ant._ [_Running to her, and embracing her._] Look, if she be not here +already!--What, no denial it seems will serve your turn? Why, thou +little dun, is thy debt so pressing? + +_Mor._ Little devil, if you please: Your lease is out, good master +conjurer, and I am come to fetch your soul and body; not an hour of +lewdness longer in this world for you. + +_Ant._ Where the devil hast thou been? and how the devil didst thou +find me here? + +_Mor._ I followed you into the castle-yard, but there was nothing but +tumult and confusion: and I was bodily afraid of being picked up by +some of the rabble; considering I had a double charge about me,--my +jewels, and my maidenhead. + +_Ant._ Both of them intended for my worship's sole use and property. + +_Mor._ And what was poor little I among them all? + +_Ant._ Not a mouthful a-piece: 'Twas too much odds, in conscience! + +_Mor._ So, seeking for shelter, I naturally ran to the old place of +assignation, the garden-house; where, for the want of instinct, you +did not follow me. + +_Ant._ Well, for thy comfort, I have secured thy father; and I hope +thou hast secured his effects for us. + +_Mor._ Yes, truly, I had the prudent foresight to consider, that, when +we grow old, and weary of solacing one another, we might have, at +least, wherewithal to make merry with the world; and take up with a +worse pleasure of eating and drinking, when we were disabled for a +better. + +_Ant._ Thy fortune will be even too good for thee; for thou art going +into the country of serenades and gallantries, where thy street will +be haunted every night with thy foolish lovers, and my rivals, who +will be sighing and singing, under thy inexorable windows, lamentable +ditties, and call thee cruel, and goddess, and moon, and stars, and +all the poetical names of wicked rhime; while thou and I are minding +our business, and jogging on, and laughing at them, at leisure +minutes, which will be very few; take that by way of threatening. + +_Mor._ I am afraid you are not very valiant, that you huff so much +beforehand. But, they say, your churches are fine places for +love-devotion; many a she-saint is there worshipped. + +_Ant._ Temples are there, as they are in all other countries, good +conveniences for dumb interviews. I hear the protestants are not much +reformed in that point neither; for their sectaries call their +churches by the natural name of meeting-houses. Therefore I warn thee +in good time, not more of devotion than needs must, good future +spouse, and always in a veil; for those eyes of thine are damned +enemies to mortification. + +_Mor._ The best thing I have heard of Christendom is, that we women +are allowed the privilege of having souls; and I assure you, I shall +make bold to bestow mine upon some lover, whenever you begin to go +astray; and, if I find no convenience in a church, a private chamber +will serve the turn. + +_Ant._ When that day comes, I must take my revenge, and turn gardener +again; for I find I am much given to planting. + +_Mor._ But take heed, in the mean time, that some young Antonio does +not spring up in your own family; as false as his father, though of +another man's planting. + + _Re-enter_ DORAX, _with_ SEBASTIAN _and_ ALMEYDA, SEBASTIAN _enters + speaking to_ DORAX, _while in the mean time_ ANTONIO _presents_ + MORAYMA _to_ ALMEYDA. + +_Seb._ How fares our royal prisoner, Muley-Zeydan? + +_Dor._ Disposed to grant whatever I desire, +To gain a crown, and freedom. Well I know him, +Of easy temper, naturally good, +And faithful to his word. + +_Seb._ Yet one thing wants, +To fill the measure of my happiness; +I'm still in pain for poor Alvarez' life. + +_Dor._ Release that fear, the good old man is safe; +I paid his ransom, +And have already ordered his attendance. + +_Seb._ O bid him enter, for I long to see him. + + _Enter_ ALVAREZ _with a Servant, who departs when_ ALVAREZ _is + entered._ + +_Alv._ Now by my soul, and by these hoary hairs, + [_Falling down, and embracing the King's knees._ +I'm so o'erwhelmed with pleasure, that I feel +A latter spring within my withering limbs, +That shoots me out again. + +_Seb._ Thou good old man, [_Raising him._ +Thou hast deceived me into more, more joys, +Who stood brim-full before. + +_Alv._ O my dear child,-- +I love thee so, I cannot call thee king,-- +Whom I so oft have dandled in these arms! +What, when I gave thee lost, to find thee living! +'Tis like a father, who himself had 'scaped +A falling house, and, after anxious search, +Hears from afar his only son within; +And digs through rubbish, till he drags him out, +To see the friendly light. +Such is my haste, so trembling is my joy, +To draw thee forth from underneath thy fate. + +_Seb._ The tempest is o'erblown, the skies are clear, +And the sea charmed into a calm so still, +That not a wrinkle ruffles her smooth face. + +_Alv._ Just such she shows before a rising storm; +And therefore am I come with timely speed, +To warn you into port. + +_Alm._ My soul forebodes +Some dire event involved in those dark words, +And just disclosing in a birth of fate. [_Aside._ + +_Alv._ Is there not yet an heir of this vast empire, +Who still survives, of Muley-Moluch's branch? + +_Dor._ Yes, such a one there is a captive here, +And brother to the dead. + +_Alv._ The powers above +Be praised for that! My prayers for my good master, +I hope, are heard. + +_Seb._ Thou hast a right in heaven. +But why these prayers for me? + +_Alv._ A door is open yet for your deliverance.-- +Now you, my countrymen, and you, Almeyda, +Now all of us, and you, my all in one, +May yet be happy in that captive's life. + +_Seb._ We have him here an honourable hostage +For terms of peace; what more he can contribute +To make me blest, I know not. + +_Ah._ Vastly more; +Almeyda may be settled in the throne, +And you review your native clime with fame. +A firm alliance and eternal peace, +The glorious crown of honourable war, +Are all included in that prince's life. +Let this fair queen be given to Muley-Zeydan, +And make her love the sanction of your league. + +_Seb._ No more of that; his life's in my dispose, +And prisoners are not to insist on terms; +Or, if they were, yet he demands not these. + +_Alv._ You should exact them. + +_Alm._ Better may be made, +These cannot: I abhor the tyrant's race,-- +My parents' murderers, my throne's usurpers. +But, at one blow, to cut off all dispute, +Know this, thou busy, old, officious man,-- +I am a Christian; now be wise no more; +Or, if thou wouldst be still thought wise, be silent. + +_Alv._ O, I perceive you think your interest touched: +'Tis what before the battle I observed; +But I must speak, and will. + +_Seb._ I pr'ythee, peace; +Perhaps she thinks they are too near of blood. + +_Alv._ I wish she may not wed to blood more near. + +_Seb._ What if I make her mine? + +_Alv._ Now heaven forbid! + +_Seb._ Wish rather heaven may grant; +For, if I could deserve, I have deserved her: +My toils, my hazards, and my subjects' lives, +Provided she consent, may claim her love; +And, that once granted, I appeal to these, +If better I could chuse a beauteous bride. + +_Ant._ The fairest of her sex. + +_Mor._ The pride of nature. + +_Dor._ He only merits her, she only him; +So paired, so suited in their minds and persons, +That they were framed the tallies for each other. +If any alien love had interposed, +It must have been an eye-sore to beholders, +And to themselves a curse. + +_Alv._ And to themselves +The greatest curse that can be, were to join. + +_Seb._ Did not I love thee past a change to hate, +That word had been thy ruin; but no more, +I charge thee, on thy life, perverse old man! + +_Alv._ Know, sir, I would be silent if I durst: +But if, on shipboard, I should see my friend +Grown frantic in a raging calenture, +And he, imagining vain flowery fields, +Would headlong plunge himself into the deep,-- +Should I not hold him from that mad attempt, +Till his sick fancy were by reason cured? + +_Seb._ I pardon thee the effects of doting age, +Vain doubts, and idle cares, and over-caution; +The second nonage of a soul more wise, +But now decayed, and sunk into the socket; +Peeping by fits, and giving feeble light. + +_Alv._ Have you forgot? + +_Seb._ Thou mean'st my father's will, +In bar of marriage to Almeyda's bed. +Thou seest my faculties are still entire, +Though thine are much impaired. I weighed that will, +And found 'twas grounded on our different faiths; +But, had he lived to see her happy change, +He would have cancelled that harsh interdict, +And joined our hands himself. + +_Alv._ Still had he lived and seen this change, +He still had been the same. + +_Seb._ I have a dark remembrance of my father: +His reasonings and his actions both were just; +And, granting that, he must have changed his measures. + +_Alv._ Yes, he was just, and therefore could not change. + +_Seb._ 'Tis a base wrong thou offer'st to the dead. + +_Alv._ Now heaven forbid, +That I should blast his pious memory! +No, I am tender of his holy fame; +For, dying, he bequeathed it to my charge. +Believe, I am; and seek to know no more, +But pay a blind obedience to his will; +For, to preserve his fame, I would be silent. + +_Seb._ Crazed fool, who would'st be thought an oracle, +Come down from off the tripos, and speak plain. +My father shall be justified, he shall: +'Tis a son's part to rise in his defence, +And to confound thy malice, or thy dotage. + +_Alv._ It does not grieve me, that you hold me crazed; +But, to be cleared at my dead master's cost, +O there's the wound! but let me first adjure you, +By all you owe that dear departed soul, +No more to think of marriage with Almeyda. + +_Seb._ Not heaven and earth combined can hinder it. + +_Alv._ Then witness heaven and earth, how loth I am +To say, you must not, nay, you cannot, wed: +And since not only a dead father's fame, +But more, a lady's honour, must be touched, +Which, nice as ermines, will not bear a soil, +Let all retire, that you alone may hear +What even in whispers I would tell your ear. [_All are going out._ + +_Alm._ Not one of you depart; I charge you, stay! +And were my voice a trumpet loud as fame, +To reach the round of heaven, and earth, and sea, +All nations should be summoned to this place, +So little do I fear that fellow's charge: +So should my honour, like a rising swan, +Brush with her wings the falling drops away, +And proudly plough the waves. + +_Seb._ This noble pride becomes thy innocence; +And I dare trust my father's memory, +To stand the charge of that foul forging tongue. + +_Alv._ It will be soon discovered if I forge. +Have you not heard your father in his youth, +When newly married, travelled into Spain, +And made a long abode in Philip's court? + +_Seb._ Why so remote a question, which thyself +Can answer to thyself? for thou wert with him, +His favourite, as I oft have heard thee boast, +And nearest to his soul. + +_Alv._ Too near, indeed; forgive me, gracious heaven, +That ever I should boast I was so near, +The confident of all his young amours!-- +And have not you, unhappy beauty, heard, [_To ALM._ +Have you not often heard, your exiled parents +Were refuged in that court, and at that time? + +_Alm._ 'Tis true; and often since my mother owned, +How kind that prince was to espouse her cause; +She counselled, nay enjoined me on her blessing, +To seek the sanctuary of your court; +Which gave me first encouragement to come, +And, with my brother, beg Sebastian's aid. + +_Seb._ Thou helpst me well to justify my war: +[_To ALM._] My dying father swore me, then a boy, +And made me kiss the cross upon his sword, +Never to sheath it, till that exiled queen +Were by my arms restored. + +_Alm._ And can you find +No mystery couched in this excess of kindness? +Were kings e'er known, in this degenerate age, +So passionately fond of noble acts, +Where interest shared not more than half with honour? + +_Seb._ Base grovelling soul, who know'st not honour's worth, +But weigh'st it out in mercenary scales! +The secret pleasure of a generous act +Is the great mind's great bribe. + +_Alv._ Show me that king, and I'll believe the Phoenix. +But knock at your own breast, and ask your soul, +If those fair fatal eyes edged not your sword +More than your father's charge, and all your vows? +If so,--and so your silence grants it is,-- +Know king, your father had, like you, a soul, +And love is your inheritance from him. +Almeyda's mother, too, had eyes, like her, +And not less charming; and were charmed no less +Than yours are now with her, and hers with you. + +_Alm._ Thou liest, impostor! perjured fiend, thou liest! + +_Seb._ Was't not enough to brand my father's fame, +But thou must load a lady's memory? +O infamous! O base, beyond repair! +And to what end this ill-concerted lie, +Which palpable and gross, yet granted true, +It bars not my inviolable vows? + +_Alv._ Take heed, and double not your father's crimes; +To his adultery do not add your incest. +Know, she's the product of unlawful love, +And 'tis your carnal sister you would wed. + +_Seb._ Thou shalt not say thou wer't condemned unheard; +Else, by my soul, this moment were thy last. + +_Alm._ But think not oaths shall justify thy charge, +Nor imprecations on thy cursed head; +For who dares lie to heaven, thinks heaven a jest. +Thou hast confessed thyself the conscious pandar +Of that pretended passion; +A single witness infamously known, +Against two persons of unquestioned fame. + +_Alv._ What interest can I have, or what delight, +To blaze their shame, or to divulge my own? +If proved, you hate me; if unproved, condemn. +Not racks or tortures could have forced this secret, +But too much care to save you from a crime, +Which would have sunk you both. For, let me say, +Almeyda's beauty well deserves your love. + +_Alm._ Out, base impostor! I abhor thy praise. + +_Dor._ It looks not like imposture; but a truth, +On utmost need revealed. + +_Seb._ Did I expect from Dorax this return? +Is this the love renewed? + +_Dor._ Sir, I am silent; +Pray heaven my fears prove false! + +_Seb._ Away! you all combine to make me wretched. + +_Alv._ But hear the story of that fatal love, +Where every circumstance shall prove another; +And truth so shine by her own native light, +That, if a lie were mixt, it must be seen. + +_Seb._ No; all may still be forged, and of a piece. +No; I can credit nothing thou canst say. + +_Alv._ One proof remains, and that's your father's hand, +Firmed with his signet; both so fully known, +That plainer evidence can hardly be, +Unless his soul would want her heaven awhile, +And come on earth to swear. + +_Seb._ Produce that writing. + +_Alv._ [_To DORAX._] Alonzo has it in his custody; +The same, which, when his nobleness redeemed me, +And in a friendly visit owned himself +For what he is, I then deposited, +And had his faith to give it to the king. + +_Dor._ Untouched, and sealed, as when intrusted with me, + [_Giving a sealed Paper to the King._ +Such I restore it with a trembling hand, +Lest aught within disturb your peace of soul. + +_Seb._ Draw near, Almeyda; thou art most concerned, +For I am most in thee.-- [_Tearing open the Seals._ +Alonzo, mark the characters; +Thou know'st my father's hand, observe it well; +And if the impostor's pen have made one slip +That shews it counterfeit, mark that, and save me. + +_Dor._ It looks indeed too like my master's hand: +So does the signet: more I cannot say; +But wish 'twere not so like. + +_Seb._ Methinks it owns +The black adultery, and Almeyda's birth; +But such a mist of grief comes o'er my eyes, +I cannot, or I would not, read it plain. + +_Alm._ Heaven cannot be more true, than this is false. + +_Seb._ O couldst thou prove it with the same assurance! +Speak, hast thou ever seen my father's hand? + +_Alm._ No; but my mother's honour has been read +By me, and by the world, in all her acts, +In characters more plain and legible +Than this dumb evidence, this blotted lie.-- +Oh that I were a man, as my soul's one, +To prove thee traitor, and assassinate +Of her fame! thus moved, I'd tear thee thus,-- [_Tearing the Paper._ +And scatter o'er the field thy coward limbs, +Like this foul offspring of thy forging brain. + [_Scattering the Paper._ + +_Alv._ Just so shalt thou be torn from all thy hopes; +For know, proud woman, know, in thy despite, +The most authentic proof is still behind,-- +Thou wear'st it on thy finger: 'Tis that ring, +Which, matched to that on his, shall clear the doubt. +'Tis no dumb forgery, for that shall speak, +And sound a rattling peal to either's conscience. + +_Seb._ This ring, indeed, my father, with a cold +And shaking hand, just in the pangs of death, +Put on my finger, with a parting sigh; +And would have, spoke, but faultered in his speech, +With undistinguished sound. + +_Alv._ I know it well, +For I was present.--Now, Almeyda, speak, +And truly tell us how you came by yours. + +_Alm._ My mother, when I parted from her sight +To go to Portugal, bequeathed it to me, +Presaging she should never see me more. +She pulled it from her finger, shed some tears, +Kissed it, and told me 'twas a pledge of love, +And hid a mystery of great importance, +Relating to my fortunes. + +_Alv._ Mark me now, +While I disclose that fatal mystery:-- +Those rings, when you were born and thought another's, +Your parents, glowing yet in sinful love, +Bid me bespeak: a curious artist wrought them. +With joints so close, as not to be perceived, +Yet are they both each other's counterpart; +Her part had _Juan_ inscribed, and his had _Zayda_, +(You know those names are theirs,) and in the midst +A heart divided in two halves was placed. +Now, if the rivets of those rings inclosed +Fit not each other, I have forged this lie; +But, if they join, you must for ever part. + [SEBASTIAN _pulling off his Ring,_ ALMEYDA + _does the same, and gives it to_ ALVAREZ, + _who unscrews both the Rings, and fits + one half to the other[10]._ + +_Seb._ Now life, or death. + +_Alm._ And either thine, or ours.-- +I'm lost for ever. [_Swoons. The Women and_ MORAYMA _take her up, + and carry her off._ SEBASTIAN _here stands + amazed without motion, his eyes fixed upward._ + +_Seb._ Look to the queen, my wife; for I am past +All power of aid to her, or to myself. + +_Alv._ His wife! said he, his wife! O fatal sound! +For, had I known it, this unwelcome news +Had never reached their ears: +So they had still been blest in ignorance, +And I alone unhappy. + +_Dor._ I knew it, but too late, and durst not speak. + +_Seb._ [_Starting out of his amazement._] +I will not live, no not a moment more; +I will not add one moment more to incest; +I'll cut it off, and end a wretched being: +For, should I live, my soul's so little mine, +And so much hers, that I should still enjoy.-- +Ye cruel powers, +Take me, as you have made me, miserable; +You cannot make me guilty; 'twas my fate, +And you made that, not I. [_Draws his Sword._ ANTONIO _and_ ALVAREZ + _lay hold on him, and_ DORAX _wrests the + Sword out of his hand._ + +_Ant._ For heaven's sake hold, and recollect your mind! + +_Alv._ Consider whom you punish, and for what; +Yourself unjustly; you have charged the fault +On heaven, that best may bear it. +Though incest is indeed a deadly crime, +You are not guilty, since unknown 'twas done, +And, known, had been abhorred. + +_Seb._ By heaven, you're traitors all, that hold my hands. +If death be but cessation of our thought, +Then let me die, for I would think no more. +I'll boast my innocence above, +And let them see a soul they could not sully, +I shall be there before my father's ghost, +That yet must languish long in frosts and fires, +For making me unhappy by his crime.-- +Stand oft, and let me take my fill of death; [_Struggling again._ +For I can hold my breath in your despite, +And swell my heaving soul out when I please. + +_Alv._ Heaven comfort you! + +_Seb._ What, art thou giving comfort! +Wouldst thou give comfort, who hast given despair? +Thou seest Alonzo silent; he's a man. +He knows, that men, abandoned of their hopes, +Should ask no leave, nor stay for sueing out +A tedious writ of ease from lingering heaven, +But help themselves as timely as they could, +And teach the Fates their duty. + +_Dor._ [_To_ ALV. _and_ ANT.] Let him go; +He is our king, and he shall be obeyed. + +_Alv._ What, to destroy himself? O parricide! + +_Dor._ Be not injurious in your foolish zeal, +But leave him free; or, by my sword, I swear +To hew that arm away, that stops the passage +To his eternal rest. + +_Ant._ [_Letting go his hold._] Let him be guilty of his own death, if +he pleases; for I'll not be guilty of mine, by holding him. + [_The King shakes off_ ALV. + +_Alv._ [_To_ DOR.] Infernal fiend, +Is this a subject's part? + +_Dor._ 'Tis a friend's office. +He has convinced me, that he ought to die; +And, rather than he should not, here's my sword, +To help him on his journey. + +_Seb._ My last, my only friend, how kind art thou, +And how inhuman these! + +_Dor._ To make the trifle, death, a thing of moment! + +_Seb._ And not to weigh the important cause I had +To rid myself of life! + +_Dor._ True; for a crime +So horrid, in the face of men and angels, +As wilful incest is! + +_Seb._ Not wilful, neither. + +_Dor._ Yes, if you lived, and with repeated acts +Refreshed your sin, and loaded crimes with crimes, +To swell your scores of guilt. + +_Seb._ True; if I lived. + +_Dor._ I said so, if you lived. + +_Seb._ For hitherto was fatal ignorance, +And no intended crime. + +_Dor._ That you best know; +But the malicious world will judge the worst. + +_Alv._ O what a sophister has hell procured, +To argue for damnation! + +_Dor._ Peace, old dotard. +Mankind, that always judge of kings with malice, +Will think he knew this incest, and pursued it. +His only way to rectify mistakes, +And to redeem her honour, is to die. + +_Seb._ Thou hast it right, my dear, my best Alonzo! +And that, but petty reparation too; +But all I have to give. + +_Dor._ Your, pardon, sir; +You may do more, and ought. + +_Seb._ What, more than death? + +_Dor._ Death! why, that's children's sport; a stage-play death; +We act it every night we go to bed. +Death, to a man in misery, is sleep. +Would you,--who perpetrated such a crime, +As frightened nature, made the saints above +Shake heavens eternal pavement with their trembling +To view that act,--would you but barely die? +But stretch your limbs, and turn on t'other side. +To lengthen out a black voluptuous slumber, +And dream you had your sister in your arms? + +_Seb._ To expiate this, can I do more than die? + +_Dor._ O yes, you must do more, you must be damned; +You must be damned to all eternity; +And sure self-murder is the readiest way. + +_Seb._ How, damned? + +_Dor._ Why, is that news? + +_Alv._ O horror, horror! + +_Dor._ What, thou a statesman, +And make a business of damnation +In such a world as this! why, 'tis a trade; +The scrivener, usurer, lawyer, shopkeeper, +And soldier, cannot live but by damnation. +The politician does it by advance, +And gives all gone beforehand. + +_Seb._ O thou hast given me such a glimpse of hell, +So pushed me forward, even to the brink +Of that irremeable burning gulph, +That, looking in the abyss, I dare not leap. +And now I see what good thou mean'st my soul, +And thank thy pious fraud; thou hast indeed +Appeared a devil, but didst an angel's work. + +_Dor._ 'Twas the last remedy, to give you leisure; +For, if you could but think, I knew you safe. + +_Seb._ I thank thee, my Alonzo; I will live, +But never more to Portugal return; +For, to go back and reign, that were to show +Triumphant incest, and pollute the throne. + +_Alv._ Since ignorance-- + +_Seb._ O, palliate not my wound; +When you have argued all you can, 'tis incest. +No, 'tis resolved: I charge you plead no more; +I cannot live without Almeyda's sight, +Nor can I see Almeyda, but I sin. +Heaven has inspired me with a sacred thought, +To live alone to heaven, and die to her. + +_Dor._ Mean you to turn an anchorite? + +_Seb._ What else? +The world was once too narrow for my mind, +But one poor little nook will serve me now, +To hide me from the rest of human kind. +Africk has deserts wide enough to hold +Millions of monsters; and I am, sure, the greatest. + +_Alv._ You may repent, and wish your crown too late. + +_Seb._ O never, never; I am past a boy: +A sceptre's but a plaything, and a globe +A bigger bounding stone. He, who can leave +Almeyda, may renounce the rest with ease. + +_Dor._ O truly great! +A soul fixed high, and capable of heaven. +Old as he is, your uncle cardinal +Is not so far enamoured of a cloister, +But he will thank you for the crown you leave him. + +_Seb._ To please him more, let him believe me dead, +That he may never dream I may return. +Alonzo, I am now no more thy king, +But still thy friend; and by that holy name +Adjure thee, to perform my last request;-- +Make our conditions with yon captive king; +Secure me but my solitary cell; +'Tis all I ask him for a crown restored. + +_Dor._ I will do more: +But fear not Muley-Zeydan; his soft metal +Melts down with easy warmth, runs in the mould, +And needs no further forge. [_Exit_ DORAX. + + _Re-enter_ ALMEYDA _led by_ MORAYMA, _and followed by her + Attendants._ + +_Seb._ See where she comes again! +By heaven, when I behold those beauteous eyes, +Repentance lags, and sin comes hurrying on. + +_Alm._ This is too cruel! + +_Seb._ Speak'st thou of love, of fortune, or of death, +Or double death? for we must part, Almeyda. + +_Alm._ I speak of all, +For all things that belong to us are cruel; +But, what's most cruel, we must love no more. +O 'tis too much that I must never see you, +But not to love you is impossible. +No, I must love you; heaven may bate me that, +And charge that sinful sympathy of souls +Upon our parents, when they loved too well. + +_Seb._ Good heaven, thou speak'st my thoughts, and I speak thine! +Nay, then there's incest in our very souls, +For we were formed too like. + +_Alm._ Too like indeed, +And yet not for each other. +Sure when we part, (for I resolved it too, +Though you proposed it first,) however distant, +We shall be ever thinking of each other, +And the same moment for each other pray. + +_Seb._ But if a wish should come athwart our prayers! + +_Alm._ It would do well to curb it, if we could. + +_Seb._ We cannot look upon each other's face, +But, when we read our love, we read our guilt: +And yet, methinks, I cannot chuse but love. + +_Aim._ I would have asked you, if I durst for shame, +If still you loved? you gave it air before me. +Ah, why were we not born both of a sex? +For then we might have loved without a crime. +Why was not I your brother? though that wish +Involved our parents' guilt, we had not parted; +We had been friends, and friendship is no incest. + +_Seb._ Alas, I know not by what name to call thee! +Sister and wife are the two dearest names, +And I would call thee both, and both are sin. +Unhappy we! that still we must confound +The dearest names into a common curse. + +_Alm._ To love, and be beloved, and yet be wretched! + +_Seb._ To have but one poor night of all our lives; +It was indeed a glorious, guilty night; +So happy, that--forgive me, heaven!--I wish, +With all its guilt, it were to come again. +Why did we know so soon, or why at all, +That sin could be concealed in such a bliss? +_Alm._ Men have a larger privilege of words, +Else I should speak; but we must part, Sebastian,-- +That's all the name that I have left to call thee;-- +I must not call thee by the name I would; +But when I say Sebastian, dear Sebastian, +I kiss the name I speak. + +_Seb._ We must make haste, or we shall never part. +I would say something that's as dear as this; +Nay, would do more than say: One moment longer, +And I should break through laws divine and human, +And think them cobwebs spread for little man, +Which all the bulky herd of nature breaks. +The vigorous young world was ignorant +Of these restrictions; 'tis decrepit now; +Not more devout, but more decayed, and cold.-- +All this is impious, therefore we must part; +For, gazing thus, I kindle at thy sight, +And, once burnt down to tinder, light again +Much sooner than before. + + _Re-enter_ DORAX. + +_Alm._ Here comes the sad denouncer of my fate, +To toll the mournful knell of separation; +While I, as on my deathbed, hear the sound, +That warns me hence for ever. + +_Seb._ [_To_ DOR.] Now be brief, +And I will try to listen, +And share the minute, that remains, betwixt +The care I owe my subjects, and my love. + +_Dor._ Your fate has gratified you all she can; +Gives easy misery, and makes exile pleasing. +I trusted Muley-Zeydan as a friend, +But swore him first to secrecy: He wept +Your fortune, and with tears not squeezed by art, +But shed from nature, like a kindly shower: +In short, he proffered more than I demanded; +A safe retreat, a gentle solitude, +Unvexed with noise, and undisturbed with fears. +I chose you one-- + +_Alm._ O do not tell me where; +For, if I knew the place of his abode, +I should be tempted to pursue his steps, +And then we both were lost. + +_Seb._ Even past redemption; +For, if I knew thou wert on that design, +(As I must know, because our souls are one,) +I should not wander, but by sure instinct +Should meet thee just half-way in pilgrimage, +And close for ever; for I know my love +More strong than thine, and I more frail than thou. + +_Alm._ Tell me not that; for I must boast my crime, +And cannot bear that thou should'st better love. + +_Dor._ I may inform you both; for you must go, +Where seas, and winds, and deserts will divide you. +Under the ledge of Atlas lies a cave, +Cut in the living rock by Nature's hands, +The venerable seat of holy hermits; +Who there, secure in separated cells, +Sacred even to the Moors, enjoy devotion; +And from the purling streams, and savage fruits. +Have wholesome beverage, and unbloody feasts. + +_Seb._ 'Tis penance too voluptuous for my crime[11]. + +_Dor._ Your subjects, conscious of your life, are few; +But all desirous to partake your exile, +And to do office to your sacred person. +The rest, who think you dead, shall be dismissed. +Under safe convoy, till they reach your fleet. + +_Alm._ But how am wretched I to be disposed?-- +A vain enquiry, since I leave my lord; +For all the world beside is banishment. + +_Dor._ I have a sister, abbess in Terceras, +Who lost her lover on her bridal day. + +_Alm._ There fate provided me a fellow-turtle, +To mingle sighs with sighs, and tears with tears. + +_Dor._ Last, for myself, if I have well fulfilled +My sad commission, let me beg the boon, +To share the sorrows of your last recess, +And mourn the common losses of our loves. + +_Alv._ And what becomes of me? must I be left, +As age and time had worn me out of use? +These sinews are not yet so much unstrung, +To fail me when my master should be served; +And when they are, then will I steal to death, +Silent and unobserved, to save his tears. + +_Seb._ I've heard you both;--Alvarez, have thy wish;-- +But thine, Alonzo, thine is too unjust. +I charge thee with my last commands, return, +And bless thy Violante with thy vows.-- +Antonio, be thou happy too in thine. +Last, let me swear you all to secrecy; +And, to conceal my shame, conceal my life. + +_Dor. Ant. Mor._ We swear to keep it secret. + +_Alm._ Now I would speak the last farewell, I cannot. +It would be still farewell a thousand times; +And, multiplied in echoes, still farewell. +I will not speak, but think a thousand thousand. +And be thou silent too, my last Sebastian; +So let us part in the dumb pomp of grief. +My heart's too great, or I would die this moment; +But death, I thank him, in an hour, has made +A mighty journey, and I haste to meet him. + [_She staggers, and her Women hold her up._ + +_Seb._ Help to support this feeble drooping flower. +This tender sweet, so shaken by the storm; +For these fond arms must thus be stretched in vain, +And never, never must embrace her more. +'Tis past:--my soul goes in that word--farewell. + [ALVAREZ _goes with_ SEBASTIAN _to one end + of the Stage; Women, with_ ALMEYDA, _to + the other:_ DORAX _coming up to_ ANTONIO + _and_ MORAYMA, _who stand on the middle + of the Stage._ + +_Dor._ Haste to attend Almeyda:--For your sake +Your father is forgiven; but to Antonio +He forfeits half his wealth. Be happy both; +And let Sebastian and Almeyda's fate +This dreadful sentence to the world relate,-- +That unrepented crimes, of parents dead, +Are justly punished on their children's head. + + +Footnotes: +1. This whimsical account of the Slave-market is probably taken from + the following passage in the "Captivity and escape of Adam Elliot, + M.A."--"By sun-rising next morning, we were all of us, who came + last to Sallee, driven to market, where, the Moors sitting + taylor-wise on stalls round about, we were severally run up and + down by persons who proclaimed our qualities or trades, and what + might best recommend us to the buyer. I had a great black who was + appointed to sell me; this fellow, holding me by the hand, coursed + me up and down from one person to another, who called upon me at + pleasure to examine what trade I was of, and to see what labour my + hands had been accustomed to. All the seamen were soon bought up, + but it was mid-day ere I could meet with a purchaser."--See _A + modest Vindication of Titus Oates_, London, 1682. + +2. The knight much wondered at his sudden wit; + And said, The term of life is limited, + Ne may a man prolong nor shorten it; + The soldier may not move from watchful sted, + Nor leave his stand until his captain bed. + _Fairy Queen, Book i. Canto 9._ + +3. The same artifice is used in "OEdipus," vol. vi. p. 149. to + impress, by a description of the feelings of the unfortunate pair + towards each other, a presentiment of their fatal relationship. The + prophecy of Nostradamus is also obviously imitated from the + response of the Delphic Pythoness to OEdipus.--_Ibid. See_ p. 156. + +4. For, interpreter; more usually spelled dragoman. + +5. A horrid Moorish punishment. The criminal was precipitated from a + high tower upon iron scythes and hooks, which projected from its + side. This scene Settle introduces in one of his tragedies. + +6. These presages of misfortune may remind the reader of the ominous + feelings of the Duke of Guise, in the scene preceding his murder. + The superstitious belief, that dejection of spirits, without cause, + announces an impending violent death, is simply but well expressed + in an old ballad called the "Warning to all Murderers:" + + And after this most bad pretence, + The gentleman each day + Still felt his heart to throb and faint, + And sad he was alway. + + His sleep was full of dreadful dreams, + In bed where he did lie; + His heart was heavy in the day, + Yet knew no reason why. + + And oft as he did sit at meat, + His nose most suddenly + Would spring and gush out crimson blood, + And straight it would be dry. + +7. There is great art in rendering the interpretation of this ominous + dream so ingeniously doubtful. The latter circumstance, where the + Emperor recognises his murderer as a personage in his vision, seems + to be borrowed from the story of one of the caliphs, who, before + his death, dreamed, that a sable hand and arm shook over his head a + handful of red earth, and denounced, that such was the colour of + the earth on which he should die. When taken ill on an expedition, + he desired to know the colour of the earth on which his tent was + pitched. A negro slave presented him with a specimen; and in the + black's outstretched arm, bared, from respect, to the elbow, as + well as in the colour of the earth, the caliph acknowledged the + apparition he had seen in his sleep, and prepared for immediate + death. + +8. _Et quum fata volunt, bina venena juvant._--AUSONIUS. + +9. Idiots were anciently wards of the crown; and the custody of their + person, and charge of their estate, was often granted to the suit + of some favourite, where the extent of the latter rendered it an + object of plunder. Hence the common phrase of being _begged for a + fool._ + +10. This incident seems to be taken from the following passage in the + _Continuation of the Adventures of Don Sebastian_. + + "In Moran, an island some half league from Venice, there is an + abbot called Capelo, a gentleman of Venice, a grave personage, and + of great authority, hearing that the king laid wait for certain + jewels that he had lost, (hoping thereby to recover some of them,) + having a diamond in his keeping with the arms of Portugal, came to + the town to the conventicles of St Francis, called Frari, where the + king lay concealed, for that he was pursued by some that meant him + no good, who no sooner beheld the ring, but he said, 'Verily this + is mine, and I either lost the same in Flanders, or else it was + stolen from me.' And when the king had put it upon his finger, it + appeared otherwise engraven than before. The abbot enquiring of him + that brought him the ring, how he came by it? he answered, it is + true that the king hath said. Hence arose a strange rumour of a + ring, that, by turning the stone, you might discern three great + letters engraven, S.R.P. as much as to say, _Sebastianus Rex + Portugallix."--Harl. Mis._ vol. v. p. 462. + +11. It is said, in the pamphlets alluded to, that Don Sebastian, out + of grief and shame for having fought against the advice of his + generals, and lost the flower of his army, took the resolution of + never returning to his country, but of burying himself in a + hermitage; and that he resided for three years as an anchorite, on + the top of a mountain in Dalmatia. + + + + + EPILOGUE, + + SPOKEN BETWIXT ANTONIO AND MORAYMA + + + _Mor._ I quaked at heart, for fear the royal fashion + Should have seduced us two to separation: + To be drawn in, against our own desire, + Poor I to be a nun, poor you, a friar. + + _Ant._ I trembled, when the old man's hand was in, + He would have proved we were too near of kin: + Discovering old intrigues of love, like t'other, } + Betwixt my father and thy sinful mother; } + To make us sister Turk and Christian brother. } + + _Mor._ Excuse me there; that league should have been rather + Betwixt your mother and my Mufti father; + 'Tis for my own and my relations' credit, + Your friends should bear the bastard, mine should get it. + + _Ant._ Suppose us two, Almeyda and Sebastian, + With incest proved upon us-- + + _Mor._ Without question, + Their conscience was too queazy of digestion. + + _Ant._ Thou wouldst have kept the counsel of thy brother, + And sinned, till we repented of each other. + + _Mor._ Beast as you are, on Nature's laws to trample! + 'Twere fitter that we followed their example. + And, since all marriage in repentance ends, + 'Tis good for us to part when we are friends. + To save a maid's remorses and confusions, + E'en leave me now before we try conclusions. + + _Ant._ To copy their example, first make certain + Of one good hour, like theirs, before our parting; + Make a debauch, o'er night, of love and madness; + And marry, when we wake, in sober sadness. + + _Mor._ I'll follow no new sects of your inventing. + One night might cost me nine long months repenting; + First wed, and, if you find that life a fetter, + Die when you please; the sooner, sir, the better. + My wealth would get me love ere I could ask it: + Oh! there's a strange temptation in the casket. + All these young sharpers would my grace importune, + And make me thundering votes of lives and fortune[1]. + + +Footnote: +1. Alluding to the addresses upon the Revolution. + + + * * * * * + + + END OF THE SEVENTH VOLUME. + + + Edinburgh: + + Printed by James Ballantyne & Co. + + + + + +End of the Project Gutenberg EBook of The Works Of John Dryden, Vol. 7 +(of 18), by John Dryden + +*** END OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF JOHN DRYDEN *** + +***** This file should be named 16402.txt or 16402.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/4/0/16402/ + +Produced by Jonathan Ingram, Fred Robinson and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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