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| author | pgww <pgww@lists.pglaf.org> | 2026-03-14 17:53:41 -0700 |
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| committer | pgww <pgww@lists.pglaf.org> | 2026-03-14 17:53:41 -0700 |
| commit | bf304860e93597501e232bb74e8d7a04c46203cc (patch) | |
| tree | dbec18de5163ed5f10aa4ad8d9ae9511dad326a7 /1640-h | |
| parent | 6680a9bc9cfcb683b2f8ab9f2c56f1ceb3f3ebe1 (diff) | |
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| -rw-r--r-- | 1640-h/1640-h.htm | 762 |
1 files changed, 177 insertions, 585 deletions
diff --git a/1640-h/1640-h.htm b/1640-h/1640-h.htm index 90b653d..1c9cdde 100644 --- a/1640-h/1640-h.htm +++ b/1640-h/1640-h.htm @@ -1,18 +1,11 @@ -<?xml version="1.0" encoding="utf-8"?> - -<!DOCTYPE html - PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> - <title> - Lilith, by George Macdonald - </title> - <style type="text/css" xml:space="preserve"> + <meta charset="utf-8"> + <title>Lilith | Project Gutenberg</title> + <style> - body { margin:5%; background:#faebd0; text-align:justify} + body { margin:5%; text-align:justify} P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } hr { width: 50%; text-align: center;} @@ -33,123 +26,91 @@ </style> </head> <body> -<pre xml:space="preserve"> - -The Project Gutenberg EBook of Lilith, by George MacDonald - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Lilith - -Author: George MacDonald - -Release Date: October 15, 2008 [EBook #1640] -Last Updated: October 10, 2016 - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK LILITH *** - - - - -Produced by John Bechard, and David Widger - - - - - -</pre> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 1640 ***</div> <p> - <br /><br /> + <br ><br > </p> <h1> LILITH </h1> <p> - <br /> + <br > </p> <h2> By George MacDonald </h2> <p> - <br /> <br /> + <br > <br > </p> - <hr /> + <hr > <p> - <br /> <br /> + <br > <br > </p> <blockquote> <p class="toc"> - <big><b>CONTENTS</b></big> + <span style="font-size: larger"><b>CONTENTS</b></span> </p> <p> - <br /> <a href="#link2HCH0001"> CHAPTER I. </a> THE LIBRARY - <br /><br /> <a href="#link2HCH0002"> CHAPTER II. </a> THE - MIRROR <br /><br /> <a href="#link2HCH0003"> CHAPTER III. </a> THE - RAVEN <br /><br /> <a href="#link2HCH0004"> CHAPTER IV. </a> SOMEWHERE - OR NOWHERE? <br /><br /> <a href="#link2HCH0005"> CHAPTER V. </a> THE - OLD CHURCH <br /><br /> <a href="#link2HCH0006"> CHAPTER VI. </a> THE - SEXTON’S COTTAGE <br /><br /> <a href="#link2HCH0007"> CHAPTER VII. </a> THE - CEMETERY <br /><br /> <a href="#link2HCH0008"> CHAPTER VIII. </a> MY - FATHER’S MANUSCRIPT <br /><br /> <a href="#link2HCH0009"> CHAPTER IX. </a> I - REPENT <br /><br /> <a href="#link2HCH0010"> CHAPTER X. </a> THE - BAD BURROW <br /><br /> <a href="#link2HCH0011"> CHAPTER XI. </a> THE - EVIL WOOD <br /><br /> <a href="#link2HCH0012"> CHAPTER XII. </a> FRIENDS - AND FOES <br /><br /> <a href="#link2HCH0013"> CHAPTER XIII. </a> THE - LITTLE ONES <br /><br /> <a href="#link2HCH0014"> CHAPTER XIV. </a> A - CRISIS <br /><br /> <a href="#link2HCH0015"> CHAPTER XV. </a> A - STRANGE HOSTESS <br /><br /> <a href="#link2HCH0016"> CHAPTER XVI. </a> A - GRUESOME DANCE <br /><br /> <a href="#link2HCH0017"> CHAPTER XVII. </a> A - GROTESQUE TRAGEDY <br /><br /> <a href="#link2HCH0018"> CHAPTER XVIII. - </a> DEAD OR ALIVE? <br /><br /> <a href="#link2HCH0019"> - CHAPTER XIX. </a> THE WHITE LEECH <br /><br /> <a + <br > <a href="#link2HCH0001"> CHAPTER I. </a> THE LIBRARY + <br ><br > <a href="#link2HCH0002"> CHAPTER II. </a> THE + MIRROR <br ><br > <a href="#link2HCH0003"> CHAPTER III. </a> THE + RAVEN <br ><br > <a href="#link2HCH0004"> CHAPTER IV. </a> SOMEWHERE + OR NOWHERE? <br ><br > <a href="#link2HCH0005"> CHAPTER V. </a> THE + OLD CHURCH <br ><br > <a href="#link2HCH0006"> CHAPTER VI. </a> THE + SEXTON’S COTTAGE <br ><br > <a href="#link2HCH0007"> CHAPTER VII. </a> THE + CEMETERY <br ><br > <a href="#link2HCH0008"> CHAPTER VIII. </a> MY + FATHER’S MANUSCRIPT <br ><br > <a href="#link2HCH0009"> CHAPTER IX. </a> I + REPENT <br ><br > <a href="#link2HCH0010"> CHAPTER X. </a> THE + BAD BURROW <br ><br > <a href="#link2HCH0011"> CHAPTER XI. </a> THE + EVIL WOOD <br ><br > <a href="#link2HCH0012"> CHAPTER XII. </a> FRIENDS + AND FOES <br ><br > <a href="#link2HCH0013"> CHAPTER XIII. </a> THE + LITTLE ONES <br ><br > <a href="#link2HCH0014"> CHAPTER XIV. </a> A + CRISIS <br ><br > <a href="#link2HCH0015"> CHAPTER XV. </a> A + STRANGE HOSTESS <br ><br > <a href="#link2HCH0016"> CHAPTER XVI. </a> A + GRUESOME DANCE <br ><br > <a href="#link2HCH0017"> CHAPTER XVII. </a> A + GROTESQUE TRAGEDY <br ><br > <a href="#link2HCH0018"> CHAPTER XVIII. + </a> DEAD OR ALIVE? <br ><br > <a href="#link2HCH0019"> + CHAPTER XIX. </a> THE WHITE LEECH <br ><br > <a href="#link2HCH0020"> CHAPTER XX. </a> GONE!—BUT HOW? - <br /><br /> <a href="#link2HCH0021"> CHAPTER XXI. </a> THE - FUGITIVE MOTHER <br /><br /> <a href="#link2HCH0022"> CHAPTER XXII. </a> BULIKA - <br /><br /> <a href="#link2HCH0023"> CHAPTER XXIII. </a> A - WOMAN OF BULIKA <br /><br /> <a href="#link2HCH0024"> CHAPTER XXIV. </a> THE - WHITE LEOPARDESS <br /><br /> <a href="#link2HCH0025"> CHAPTER XXV. </a> THE - PRINCESS <br /><br /> <a href="#link2HCH0026"> CHAPTER XXVI. </a> A - BATTLE ROYAL <br /><br /> <a href="#link2HCH0027"> CHAPTER XXVII. </a> THE - SILENT FOUNTAIN <br /><br /> <a href="#link2HCH0028"> CHAPTER XXVIII. </a> I - AM SILENCED <br /><br /> <a href="#link2HCH0029"> CHAPTER XXIX. </a> THE - PERSIAN CAT <br /><br /> <a href="#link2HCH0030"> CHAPTER XXX. </a> ADAM - EXPLAINS <br /><br /> <a href="#link2HCH0031"> CHAPTER XXXI. </a> THE - SEXTON’S OLD HORSE <br /><br /> <a href="#link2HCH0032"> CHAPTER XXXII. - </a> THE LOVERS AND THE BAGS <br /><br /> <a + <br ><br > <a href="#link2HCH0021"> CHAPTER XXI. </a> THE + FUGITIVE MOTHER <br ><br > <a href="#link2HCH0022"> CHAPTER XXII. </a> BULIKA + <br ><br > <a href="#link2HCH0023"> CHAPTER XXIII. </a> A + WOMAN OF BULIKA <br ><br > <a href="#link2HCH0024"> CHAPTER XXIV. </a> THE + WHITE LEOPARDESS <br ><br > <a href="#link2HCH0025"> CHAPTER XXV. </a> THE + PRINCESS <br ><br > <a href="#link2HCH0026"> CHAPTER XXVI. </a> A + BATTLE ROYAL <br ><br > <a href="#link2HCH0027"> CHAPTER XXVII. </a> THE + SILENT FOUNTAIN <br ><br > <a href="#link2HCH0028"> CHAPTER XXVIII. </a> I + AM SILENCED <br ><br > <a href="#link2HCH0029"> CHAPTER XXIX. </a> THE + PERSIAN CAT <br ><br > <a href="#link2HCH0030"> CHAPTER XXX. </a> ADAM + EXPLAINS <br ><br > <a href="#link2HCH0031"> CHAPTER XXXI. </a> THE + SEXTON’S OLD HORSE <br ><br > <a href="#link2HCH0032"> CHAPTER XXXII. + </a> THE LOVERS AND THE BAGS <br ><br > <a href="#link2HCH0033"> CHAPTER XXXIII. </a> LONA’S NARRATIVE - <br /><br /> <a href="#link2HCH0034"> CHAPTER XXXIV. </a> PREPARATION - <br /><br /> <a href="#link2HCH0035"> Chapter XXXV. </a> THE - LITTLE ONES IN BULIKA <br /><br /> <a href="#link2HCH0036"> CHAPTER XXXVI. - </a> MOTHER AND DAUGHTER <br /><br /> <a href="#link2HCH0037"> - CHAPTER XXXVII. </a> THE SHADOW <br /><br /> <a + <br ><br > <a href="#link2HCH0034"> CHAPTER XXXIV. </a> PREPARATION + <br ><br > <a href="#link2HCH0035"> Chapter XXXV. </a> THE + LITTLE ONES IN BULIKA <br ><br > <a href="#link2HCH0036"> CHAPTER XXXVI. + </a> MOTHER AND DAUGHTER <br ><br > <a href="#link2HCH0037"> + CHAPTER XXXVII. </a> THE SHADOW <br ><br > <a href="#link2HCH0038"> CHAPTER XXXVIII. </a> TO - THE HOUSE OF BITTERNESS <br /><br /> <a href="#link2HCH0039"> CHAPTER - XXXIX. </a> THAT NIGHT <br /><br /> <a href="#link2HCH0040"> - CHAPTER XL. </a> THE HOUSE OF DEATH <br /><br /> <a - href="#link2HCH0041"> CHAPTER XLI. </a> I AM SENT <br /><br /> + THE HOUSE OF BITTERNESS <br ><br > <a href="#link2HCH0039"> CHAPTER + XXXIX. </a> THAT NIGHT <br ><br > <a href="#link2HCH0040"> + CHAPTER XL. </a> THE HOUSE OF DEATH <br ><br > <a + href="#link2HCH0041"> CHAPTER XLI. </a> I AM SENT <br ><br > <a href="#link2HCH0042"> CHAPTER XLII. </a> I SLEEP THE SLEEP - <br /><br /> <a href="#link2HCH0043"> CHAPTER XLIII. </a> THE - DREAMS THAT CAME <br /><br /> <a href="#link2HCH0044"> CHAPTER XLIV. </a> THE - WAKING <br /><br /> <a href="#link2HCH0045"> CHAPTER XLV. </a> THE - JOURNEY HOME <br /><br /> <a href="#link2HCH0046"> CHAPTER XLVI. </a> THE - CITY <br /><br /> <a href="#link2HCH0047"> CHAPTER XLVII. </a> THE - “ENDLESS ENDING” <br /><br /> + <br ><br > <a href="#link2HCH0043"> CHAPTER XLIII. </a> THE + DREAMS THAT CAME <br ><br > <a href="#link2HCH0044"> CHAPTER XLIV. </a> THE + WAKING <br ><br > <a href="#link2HCH0045"> CHAPTER XLV. </a> THE + JOURNEY HOME <br ><br > <a href="#link2HCH0046"> CHAPTER XLVI. </a> THE + CITY <br ><br > <a href="#link2HCH0047"> CHAPTER XLVII. </a> THE + “ENDLESS ENDING” <br ><br > </p> </blockquote> <p> - <br /> <br /> + <br > <br > </p> - <hr /> + <hr > <p> - <br /> <br /> + <br > <br > </p> <p> I took a walk on Spaulding’s Farm the other afternoon. I saw the setting @@ -189,11 +150,11 @@ Produced by John Bechard, and David Widger Thoreau: “WALKING.” </p> <p> - <a name="link2HCH0001" id="link2HCH0001"> + <a id="link2HCH0001"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER I. THE LIBRARY @@ -387,11 +348,11 @@ Produced by John Bechard, and David Widger seemed immovable. </p> <p> - <a name="link2HCH0002" id="link2HCH0002"> + <a id="link2HCH0002"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER II. THE MIRROR @@ -484,11 +445,11 @@ Produced by John Bechard, and David Widger in the open air, on a houseless heath! </p> <p> - <a name="link2HCH0003" id="link2HCH0003"> + <a id="link2HCH0003"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER III. THE RAVEN @@ -786,11 +747,11 @@ Produced by John Bechard, and David Widger In the morning all that horror of the empty garret spaces had left me. </p> <p> - <a name="link2HCH0004" id="link2HCH0004"> + <a id="link2HCH0004"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER IV. SOMEWHERE OR NOWHERE? @@ -1209,11 +1170,11 @@ Produced by John Bechard, and David Widger “Thank you. Let us go!” I answered, and immediately he led the way. </p> <p> - <a name="link2HCH0005" id="link2HCH0005"> + <a id="link2HCH0005"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER V. THE OLD CHURCH @@ -1363,11 +1324,11 @@ Produced by John Bechard, and David Widger flower. </p> <p> - <a name="link2HCH0006" id="link2HCH0006"> + <a id="link2HCH0006"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER VI. THE SEXTON’S COTTAGE @@ -1684,11 +1645,11 @@ Produced by John Bechard, and David Widger door, and led the way. I went close behind her, and the sexton followed. </p> <p> - <a name="link2HCH0007" id="link2HCH0007"> + <a id="link2HCH0007"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER VII. THE CEMETERY @@ -1894,7 +1855,7 @@ Produced by John Bechard, and David Widger <p> “I have just told you that the dead are there also, </p> -<pre xml:space="preserve"> +<pre> ‘Thick as autumnal leaves that strow the brooks In Vallombrosa,’” </pre> @@ -1980,11 +1941,11 @@ Produced by John Bechard, and David Widger down in one of the western windows, and read what follows. </p> <p> - <a name="link2HCH0008" id="link2HCH0008"> + <a id="link2HCH0008"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER VIII. MY FATHER’S MANUSCRIPT @@ -2261,11 +2222,11 @@ Produced by John Bechard, and David Widger in terror from the place. </p> <p> - <a name="link2HCH0009" id="link2HCH0009"> + <a id="link2HCH0009"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER IX. I REPENT @@ -2520,11 +2481,11 @@ Produced by John Bechard, and David Widger metaphysical argument. </p> <p> - <a name="link2HCH0010" id="link2HCH0010"> + <a id="link2HCH0010"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER X. THE BAD BURROW @@ -2695,11 +2656,11 @@ Produced by John Bechard, and David Widger The moon went below, and the world again was dark. </p> <p> - <a name="link2HCH0011" id="link2HCH0011"> + <a id="link2HCH0011"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XI. THE EVIL WOOD @@ -2871,11 +2832,11 @@ Produced by John Bechard, and David Widger kept wearily travelling “north-west and by south.” </p> <p> - <a name="link2HCH0012" id="link2HCH0012"> + <a id="link2HCH0012"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XII. FRIENDS AND FOES @@ -3041,11 +3002,11 @@ Produced by John Bechard, and David Widger refreshed and strengthened me. </p> <p> - <a name="link2HCH0013" id="link2HCH0013"> + <a id="link2HCH0013"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XIII. THE LITTLE ONES @@ -3578,11 +3539,11 @@ Produced by John Bechard, and David Widger He did not know his loss, and I had to be taught mine! </p> <p> - <a name="link2HCH0014" id="link2HCH0014"> + <a id="link2HCH0014"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XIV. A CRISIS @@ -3798,11 +3759,11 @@ Produced by John Bechard, and David Widger must begin by pulling the beam out of his own eye. </p> <p> - <a name="link2HCH0015" id="link2HCH0015"> + <a id="link2HCH0015"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XV. A STRANGE HOSTESS @@ -4307,11 +4268,11 @@ Produced by John Bechard, and David Widger but did not repent. </p> <p> - <a name="link2HCH0016" id="link2HCH0016"> + <a id="link2HCH0016"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XVI. A GRUESOME DANCE @@ -4427,7 +4388,7 @@ Produced by John Bechard, and David Widger <p> The wood thinned yet more, and the pines grew yet larger, sending up huge stems, like columns eager to support the heavens. More trees of other - kinds appeared; the forest was growing richer! The roses wore now trees, + kinds appeared; the forest was growing richer! The roses were now trees, and their flowers of astonishing splendour. </p> <p> @@ -4608,11 +4569,11 @@ Produced by John Bechard, and David Widger rising, and I turned my face toward it. </p> <p> - <a name="link2HCH0017" id="link2HCH0017"> + <a id="link2HCH0017"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XVII. A GROTESQUE TRAGEDY @@ -5053,11 +5014,11 @@ Produced by John Bechard, and David Widger several yards from me, flying low and fast. </p> <p> - <a name="link2HCH0018" id="link2HCH0018"> + <a id="link2HCH0018"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XVIII. DEAD OR ALIVE? @@ -5381,11 +5342,11 @@ Produced by John Bechard, and David Widger poorest of creatures, was yet a possible man! </p> <p> - <a name="link2HCH0019" id="link2HCH0019"> + <a id="link2HCH0019"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XIX. THE WHITE LEECH @@ -5711,11 +5672,11 @@ Produced by John Bechard, and David Widger ground, wet and shivering. </p> <p> - <a name="link2HCH0020" id="link2HCH0020"> + <a id="link2HCH0020"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XX. GONE!—BUT HOW? @@ -5928,11 +5889,11 @@ Produced by John Bechard, and David Widger search, I set out in the track of the two animals. </p> <p> - <a name="link2HCH0021" id="link2HCH0021"> + <a id="link2HCH0021"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXI. THE FUGITIVE MOTHER @@ -6125,11 +6086,11 @@ Produced by John Bechard, and David Widger company; so I stood still, and heard her footsteps die away on the grass. </p> <p> - <a name="link2HCH0022" id="link2HCH0022"> + <a id="link2HCH0022"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXII. BULIKA @@ -6217,7 +6178,7 @@ Produced by John Bechard, and David Widger near one of the gates, I encountered a group of young men who reminded me not a little of the bad giants. They came about me staring, and presently began to push and hustle me, then to throw things at me. I bore it as well - as I could, wishing not to provoke enmity where wanted to remain for a + as I could, wishing not to provoke enmity where I wanted to remain for a while. Oftener than once or twice I appealed to passers-by whom I fancied more benevolent-looking, but none would halt a moment to listen to me. I looked poor, and that was enough: to the citizens of Bulika, as to @@ -6275,11 +6236,11 @@ Produced by John Bechard, and David Widger my bosom, like a pebble in a child’s rattle. </p> <p> - <a name="link2HCH0023" id="link2HCH0023"> + <a id="link2HCH0023"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXIII. A WOMAN OF BULIKA @@ -6424,11 +6385,11 @@ Produced by John Bechard, and David Widger advantage of the shelter, poor as it was. </p> <p> - <a name="link2HCH0024" id="link2HCH0024"> + <a id="link2HCH0024"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXIV. THE WHITE LEOPARDESS @@ -6562,11 +6523,11 @@ Produced by John Bechard, and David Widger to encounter her, be she what she might. </p> <p> - <a name="link2HCH0025" id="link2HCH0025"> + <a id="link2HCH0025"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXV. THE PRINCESS @@ -6944,11 +6905,11 @@ Produced by John Bechard, and David Widger anxiety on her beautiful face. </p> <p> - <a name="link2HCH0026" id="link2HCH0026"> + <a id="link2HCH0026"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXVI. A BATTLE ROYAL @@ -7108,11 +7069,11 @@ Produced by John Bechard, and David Widger gate. </p> <p> - <a name="link2HCH0027" id="link2HCH0027"> + <a id="link2HCH0027"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXVII. THE SILENT FOUNTAIN @@ -7288,11 +7249,11 @@ Produced by John Bechard, and David Widger “I told you so!” croaked a voice in my ear. </p> <p> - <a name="link2HCH0028" id="link2HCH0028"> + <a id="link2HCH0028"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXVIII. I AM SILENCED @@ -7491,11 +7452,11 @@ Produced by John Bechard, and David Widger Lovers, Mr. Vane! You speculated about them instead of helping them!” </p> <p> - <a name="link2HCH0029" id="link2HCH0029"> + <a id="link2HCH0029"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXIX. THE PERSIAN CAT @@ -7590,7 +7551,7 @@ Produced by John Bechard, and David Widger the shapes which those he read have finally taken in passing again through my brain:— </p> -<pre xml:space="preserve"> +<pre> “But if I found a man that could believe In what he saw not, felt not, and yet knew, From him I should take substance, and receive @@ -7601,7 +7562,7 @@ Produced by John Bechard, and David Widger <p> He turned a leaf and read again:— </p> -<pre xml:space="preserve"> +<pre> “In me was every woman. I had power Over the soul of every living man, Such as no woman ever had in dower— @@ -7619,7 +7580,7 @@ Produced by John Bechard, and David Widger <p> Again he paused, again turned a leaf, and again began:— </p> -<pre xml:space="preserve"> +<pre> “For by his side I lay, a bodiless thing; I breathed not, saw not, felt not, only thought, And made him love me—with a hungering @@ -7646,7 +7607,7 @@ Produced by John Bechard, and David Widger <p> Mr. Raven turned several leaves, and went on:— </p> -<pre xml:space="preserve"> +<pre> “Sudden I woke, nor knew the ghastly fear That held me—not like serpent coiled about, But like a vapour moist, corrupt, and drear, @@ -7673,7 +7634,7 @@ Produced by John Bechard, and David Widger shape nor motion. Mr. Raven seemed to listen a moment, but again turned several pages, and resumed:— </p> -<pre xml:space="preserve"> +<pre> “Hideously wet, my hair of golden hue Fouled my fair hands: to have it swiftly shorn I had given my rubies, all for me dug new— @@ -7695,7 +7656,7 @@ Produced by John Bechard, and David Widger “I thought some foul thing was in the room!” said the librarian, casting a glance around him; but instantly he turned a leaf or two, and again read:— </p> -<pre xml:space="preserve"> +<pre> “For I had bathed in milk and honey-dew, In rain from roses shook, that ne’er touched earth, And ointed me with nard of amber hue; @@ -7725,7 +7686,7 @@ Produced by John Bechard, and David Widger crouched instantly, her eyes fixed on the book. But his voice went on as if still he read, and his eyes seemed also fixed on the book:— </p> -<pre xml:space="preserve"> +<pre> “Ah, the two worlds! so strangely are they one, And yet so measurelessly wide apart! Oh, had I lived the bodiless alone @@ -7878,11 +7839,11 @@ Produced by John Bechard, and David Widger furtively wiping tears from his eyes. </p> <p> - <a name="link2HCH0030" id="link2HCH0030"> + <a id="link2HCH0030"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXX. ADAM EXPLAINS @@ -8111,11 +8072,11 @@ Produced by John Bechard, and David Widger must make haste to sleep!” </p> <p> - <a name="link2HCH0031" id="link2HCH0031"> + <a id="link2HCH0031"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXI. THE SEXTON’S OLD HORSE @@ -8369,11 +8330,11 @@ Produced by John Bechard, and David Widger the body, and buried my face in my hands. </p> <p> - <a name="link2HCH0032" id="link2HCH0032"> + <a id="link2HCH0032"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXII. THE LOVERS AND THE BAGS @@ -8611,11 +8572,11 @@ Produced by John Bechard, and David Widger And I heard no more of him till he woke me in the morning. </p> <p> - <a name="link2HCH0033" id="link2HCH0033"> + <a id="link2HCH0033"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXIII. LONA’S NARRATIVE @@ -8912,11 +8873,11 @@ Produced by John Bechard, and David Widger valley, and never after ventured into the forest. </p> <p> - <a name="link2HCH0034" id="link2HCH0034"> + <a id="link2HCH0034"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXIV. PREPARATION @@ -9177,11 +9138,11 @@ Produced by John Bechard, and David Widger moral ruin to the Little Ones! </p> <p> - <a name="link2HCH0035" id="link2HCH0035"> + <a id="link2HCH0035"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> Chapter XXXV. THE LITTLE ONES IN BULIKA @@ -9381,11 +9342,11 @@ Produced by John Bechard, and David Widger rest. </p> <p> - <a name="link2HCH0036" id="link2HCH0036"> + <a id="link2HCH0036"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXVI. MOTHER AND DAUGHTER @@ -9582,11 +9543,11 @@ Produced by John Bechard, and David Widger our all-beloved queen! My life was bare! my heart was empty! </p> <p> - <a name="link2HCH0037" id="link2HCH0037"> + <a id="link2HCH0037"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXVII. THE SHADOW @@ -9748,11 +9709,11 @@ Produced by John Bechard, and David Widger Lona. </p> <p> - <a name="link2HCH0038" id="link2HCH0038"> + <a id="link2HCH0038"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXVIII. TO THE HOUSE OF BITTERNESS @@ -10226,11 +10187,11 @@ Produced by John Bechard, and David Widger to bed on the floor of the garret. </p> <p> - <a name="link2HCH0039" id="link2HCH0039"> + <a id="link2HCH0039"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XXXIX. THAT NIGHT @@ -10810,11 +10771,11 @@ Produced by John Bechard, and David Widger asleep. </p> <p> - <a name="link2HCH0040" id="link2HCH0040"> + <a id="link2HCH0040"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XL. THE HOUSE OF DEATH @@ -11572,18 +11533,18 @@ Produced by John Bechard, and David Widger outstretched, and her head couching between them. </p> <p> - <a name="link2HCH0041" id="link2HCH0041"> + <a id="link2HCH0041"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLI. I AM SENT </h2> - <h3> + <p> Then I turned and said to Eve, - </h3> + </p> <p> “Mother, one couch next to Lona is empty: I know I am unworthy, but may I not sleep this night in your chamber with my dead? Will you not pardon @@ -11778,11 +11739,11 @@ Produced by John Bechard, and David Widger utterly fatigued, I dropped beside it, and fell asleep. </p> <p> - <a name="link2HCH0042" id="link2HCH0042"> + <a id="link2HCH0042"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLII. I SLEEP THE SLEEP @@ -12036,7 +11997,7 @@ Produced by John Bechard, and David Widger larks, higher than man had ever yet lifted up his heart. I heard every word she sang, but could keep only this:— </p> -<pre xml:space="preserve"> +<pre> “Many a wrong, and its curing song; Many a road, and many an inn; Room to roam, but only one home @@ -12139,11 +12100,11 @@ Produced by John Bechard, and David Widger was asleep also, nor knew that I slept. </p> <p> - <a name="link2HCH0043" id="link2HCH0043"> + <a id="link2HCH0043"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLIII. THE DREAMS THAT CAME @@ -12490,11 +12451,11 @@ Produced by John Bechard, and David Widger thee!’” </p> <p> - <a name="link2HCH0044" id="link2HCH0044"> + <a id="link2HCH0044"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLIV. THE WAKING @@ -12814,11 +12775,11 @@ Produced by John Bechard, and David Widger waiting for us. We were too happy to mount them, and they followed us. </p> <p> - <a name="link2HCH0045" id="link2HCH0045"> + <a id="link2HCH0045"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLV. THE JOURNEY HOME @@ -12971,11 +12932,11 @@ Produced by John Bechard, and David Widger one monkey of any sort could they see. </p> <p> - <a name="link2HCH0046" id="link2HCH0046"> + <a id="link2HCH0046"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLVI. THE CITY @@ -13174,11 +13135,11 @@ Produced by John Bechard, and David Widger me. I stood alone in my library. </p> <p> - <a name="link2HCH0047" id="link2HCH0047"> + <a id="link2HCH0047"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> CHAPTER XLVII. THE “ENDLESS ENDING” @@ -13264,13 +13225,13 @@ Produced by John Bechard, and David Widger one.” </p> <p> - <br /> <br /> + <br > <br > </p> - <hr /> + <hr > <p> - <br /> <br /> + <br > <br > </p> -<pre xml:space="preserve"> +<pre> *Chapter 42: William Law. **Chapter 45: Tin tin sonando con sì dolce nota @@ -13281,377 +13242,8 @@ Produced by John Bechard, and David Widger Del Purgatorio, ii. 30. </pre> <div style="height: 6em;"> - <br /><br /><br /><br /><br /><br /> + <br ><br ><br ><br ><br ><br > </div> -<pre xml:space="preserve"> - - - - - -End of the Project Gutenberg EBook of Lilith, by George MacDonald - -*** END OF THIS PROJECT GUTENBERG EBOOK LILITH *** - -***** This file should be named 1640-h.htm or 1640-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/1/6/4/1640/ - -Produced by John Bechard, and David Widger - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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