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diff --git a/16335-h/16335-h.htm b/16335-h/16335-h.htm new file mode 100644 index 0000000..e38abe1 --- /dev/null +++ b/16335-h/16335-h.htm @@ -0,0 +1,3092 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<title>Preface to the Campaigners</title> +<meta http-equiv = "Content-Type" content = "text/html; charset=ISO-8859-1"> + +<style type = "text/css"> +body {margin-left: 10%; margin-right: 25%;} + +hr {width: 80%;} +hr.small {width: 50%;} +sup {font-size: 85%} + +h1 {text-align: center; font-size: 250%; font-weight: normal;} +h2 {text-align: center; font-size: 175%; font-weight: normal; +font-style: italic; letter-spacing: .1em;} +h3 {text-align: center; font-size: 150%; font-weight: normal;} + +blockquote {margin-left: 1.5em; margin-right: 1.5em; margin-top: .5em; +margin-bottom: .5em;} +td {vertical-align: top;} +td.ARS {vertical-align: top; font-size: 90%;} + +.verse {margin-left: 2em; margin-top: .1em; margin-bottom: .1em;} +.verse2 {margin-left: 3em; margin-top: .1em; margin-bottom: .1em;} +.verse3 {margin-left: 4em; margin-top: .1em; margin-bottom: .1em;} +.verse4 {margin-left: 5em; margin-top: .1em; margin-bottom: .1em;} +.versepair {margin-left: 3em; text-indent: -1em; margin-top: .1em; +margin-bottom: .1em;} +.versenum {margin-left: 10em; margin-top: .1em; margin-bottom: .1em;} + +.indent {text-indent: 40%;} + +.pagenum {position: absolute; right: 94%; font-size: 95%; +font-weight: normal; font-style: normal; text-align: right;} +.folionum {position: absolute; left: 94%; font-size: 95%; +font-style: normal; text-align: left;} + +.mynote {font-family: sans-serif; font-size: 90%; margin-left: 10%;} +.contents {font-family: sans-serif;} +ins.correction {text-decoration: none; border-bottom: thin dotted red;} + +.sidenote {position: absolute; left: 77%; right: 10%; padding-left: 1em; +padding-top: 0.5em; padding-bottom: 0.5em; font-size: 90%; +font-style: normal;} +.picture {float: left; clear: both; margin: 1em;} +.firstletter {float: left; padding-right: 0.2em; font-size: 300%;} + +.smallcaps {font-variant: small-caps;} +.extended {letter-spacing: 0.3em;} +.flag {border-bottom: thin dotted #666666;} + +</style> +</head> + +<body> + + +<pre> + +Project Gutenberg's Essays on the Stage, by Thomas D'Urfey and Bossuet + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Essays on the Stage + Preface to the Campaigners (1689) and Preface to the + Translation of Bossuet's Maxims and Reflections on Plays + (1699) + +Author: Thomas D'Urfey and Bossuet + +Commentator: Joseph Wood Krutch + +Release Date: July 20, 2005 [EBook #16335] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS ON THE STAGE *** + + + + +Produced by Louise Hope, David Starner and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class = "mynote"> +Transcriber's Note:<br> +A few typographical errors have been corrected. They have been +marked with <ins class = "correction" title = "like this">popups</ins>. +Conjectural readings have been <span class = "flag">underlined</span>.<br> +Both original texts labeled the recto (odd) pages of the first leaves of +each signature. +These will appear in the right margin as A, A2, A3... +</div> + +<hr> +<br> +<p align = "center"><font size = "+2">Series Three:<br> +<i>Essays on the Stage</i></font><br> +<br> +<br> +<font size = "+1">No. 4</font><br> +<br> +Thomas D'Urfey, Preface to <i>The Campaigners</i> (1698)<br> +and<br> +Anonymous, Preface to the Translation of Bossuet's<br> +<i>Maxims and Reflections upon Plays</i> (1699)<br> +<br> +<br> +<font size = "-1">With an Introduction by</font><br> +Joseph Wood Krutch<br> +<br> +<br> +<br> +<br> +The Augustan Reprint Society<br> +<font size = "-1">March, 1948<br> +<i>Price</i>: $1.00</font></p> +<br> +<hr> +<br> +<table align = "center"> +<tr><td> +<div class = "contents"> +<a href = "#intro">Editor's Introduction</a><br> +<a href = "#campaigners">D'Urfey, Preface to <i>The Campaigners</i></a><br> + <a href = "#chaucer">Transcriber's Footnote: "Chaucer"</a><br> +<a href = "#maxims">Preface to the Translation of Bossuet's +<i>Maxims...</i></a><br> +<a href = "#ARSpubs">ARS Publications</a> +</div> +</td></tr> +</table> +<br> +<hr> +<p align = "center"><i>GENERAL EDITORS</i><br> +<br> +<span class = "smallcaps">Richard C. Boys</span>, <i>University of +Michigan</i><br> +<span class = "smallcaps">Edward Niles Hooker</span>, <i>University of +California, Los Angeles</i><br> +<span class = "smallcaps">H. T. Swedenberg, Jr.</span>, <i>University +of California, Los Angeles</i><br> +<br> +<br> +<i>ASSISTANT EDITOR</i><br> +<br> +<span class = "smallcaps">W. Earl Britton</span>, <i>University of +Michigan</i><br> +<br> +<br> +<i>ADVISORY EDITORS</i><br> +<br> +<span class = "smallcaps">Emmett L. Avery</span>, <i>State College of +Washington</i><br> +<span class = "smallcaps">Benjamin Boyce</span>, <i>University of +Nebraska</i><br> +<span class = "smallcaps">Louis I. Bredvold</span>, <i>University of +Michigan</i><br> +<span class = "smallcaps">Cleanth Brooks</span>, <i>Yale +University</i><br> +<span class = "smallcaps">James L. Clifford</span>, <i>Columbia +University</i><br> +<span class = "smallcaps">Arthur Friedman</span>, <i>University of +Chicago</i><br> +<span class = "smallcaps">Samuel H. Monk</span>, <i>University of +Minnesota</i><br> +<span class = "smallcaps">Ernest Mossner</span>, <i>University of +Texas</i><br> +<span class = "smallcaps">James Sutherland</span>, <i>Queen Mary +College, London</i> +<br> +<br> +<br> +<br> +<font size = "-1">Lithoprinted from copy supplied by author<br> +by<br> +Edwards Brothers, Inc.<br> +Ann Arbor, Michigan, U.S.A.<br> +1948</font></p> +<hr> +<span class = "pagenum">1</span> + +<p align = "center"><a name = "intro"><tt>Introduction</tt></a></p> + +<p><tt>The three parts of D'Urfey's "The Comical History of Don +Quixote" were performed between 1694 and (probably) the end of +1696. Some of the songs included were conspicuously "smutty"--to +use a word which D'Urfey ridiculed--but the fact that the +plays were fresh in the public mind was probably the most effective +reason for Jeremy Collier's decision to include the not +very highly respected author among the still living playwrights +to be singled out for attack in "A Short View of the Immorality +and Profaneness of the English Stage", which appeared at Easter +time 1698. In July of the same year D'Urfey replied with the +preface to his "smutty" play "The Campaigners". It is this preface +which is given as the first item of the present reprint.</tt></p> + +<p><tt>Pope's contemptuous prologue, written many years later and +apparently for a benefit performance of one of D'Urfey's plays, is +sufficient evidence that the playwright was not highly regarded; +but he was reputed to be a good natured man and, by the standards +of the time, his twitting of Collier--whom he accused of having +a better nose for smut than a clergyman should have--is not +conspicuously vituperative. Even his attack on the political +character of the notorious Non-Juror is bitter without being really +scurrilous. But like his betters Congreve and Vanbrugh, D'Urfey +both missed the opportunity to grapple with the real issues of +the controversy and misjudged the temper of the public. Had that +public been, as all the playwrights seem to have assumed, ready +to side with them against Collier, there might have been some +<span class = "pagenum">2</span> +justification in resting content as he and Congreve did with +the scoring of a few debater's points. But the public, even +"the town", was less interested in mere sally and rejoinder +than it was in the serious question of the relation of comedy +to morality, and hence Collier was allowed to win the victory +almost by default.</tt></p> + +<p><tt>Collier's own argument was either confused or deliberately +disingenuous, since he shifts his ground several times. On occasion +he argues merely in the role of a moderate man who is +shocked by the extravagances of the playwrights, and on other +occasions as an ascetic to whom all worldly diversion, however +innocent of any obvious offence, is wicked. At one time, moreover, +he accuses the playwrights of recommending the vices which +they should satirize and at other times denies that even the +most sincere satiric intention can justify the lively representation +of wickedness. But none of his opponents actually seized +the opportunity to completely clarify the issues. Vanbrugh, it +is true, makes some real points in his "A Short Vindication of +The Relapse and The Provok'd Wife", and John Dennis, in his +heavy handed way, showed some realization of what the issues were +both in "The Usefulness of the Stage to the Happiness of Mankind, +to Government and to Religion" (1698) and, much later, In "The +Stage Defended" (1726). But, Vanbrugh is casual, Dennis is slow +witted, and it is only by comparison with the triviality of +D'Urfey or the contemptuous disingenuity of Congreve's "Amendments +of Mr. Collier's False and Imperfect Citations" (1698) that +they seem effective.</tt></p> + +<span class = "pagenum">3</span> +<p><tt>At least forty books and pamphlets published between 1698 +and 1725 are definitely part of the Collier controversy, but the +fact that none of them really discusses adequately fundamental +premises concerning the nature, method, and function of comedy +had serious consequences for the English stage. The situation +was further complicated by the rise of sentimental comedy and +the fact that the theories supposed to justify it were expounded +with all the completeness and clarity which were so conspicuously +lacking in the case of those who undertook halfheartedly to +defend what we call "high" or "pure", as opposed to both sentimental +and satiric comedy. Steele's epilogue to "The Lying Lover", +which versified Hobbes' comments on laughter and then rejected +laughter itself as unworthy of a refined human being, is a triumphant +epitaph inscribed over the grave of the comic spirit.</tt></p> + +<p><tt>The second item included in the present reprint, namely the +anonymous preface to a translation of Bossuet's "Maxims and Reflections +Upon Plays", belongs to a different phase of the Collier +controversy. It serves as an illustration of the fact that +Collier was soon joined by men who were, somewhat more frankly +than he had himself admitted he was, open enemies of the stage +as such. He had begun with arguments supported by citations +from literary critics and he called in the support of ascetic religious +writers after his discourse was well under way. But the +direct approach by way of religion was soon taken up by others, +of whom Arthur Bedford was probably the most redoubtable as he was +certainly the most long winded, since his "Evil and Danger of +Stage Plays" (1706) crowds into its two hundred and twenty-seven +<span class = "pagenum">4</span> +pages some two thousand instances of alleged profaneness and immorality +with specific references to the texts of scripture which +condemn each one. But Bedford had not been the first to treat +the issue as one to be decoded by theologians rather than playwrights +or critics. Somewhat unwisely, perhaps, Motteux had printed +before his comedy "Beauty in Distress" a discourse "Of the Lawfulness +and Unlawfulness of Plays" (1698), written by the Italian +monk Father Caffaro, who was professor of divinity at the Sorbonne. +Unfortunately Caffaro had, some years before this English translation +appeared, already retracted his mild opinion that stage plays +were not, <i>per</i> <i>se</i>, unlawful, and it was +possible not only to cite +his retraction but also to offer the opinions of the Bishop of Meux, +who was better known to English readers than Father Caffaro. The +anonymous author of the preface to "Maxims and Reflections" grants +that dramatic poetry might, under certain circumstances, be theoretically +permissible, but rather more frankly than Collier he makes +it clear that his real intention is to urge the outlawing of the +theater itself, since all efforts to reform it are foredoomed to +failure. "But if", he writes, "the Reformation of the Stage be +no longer practicable, reason good that the incurable Evil should +be cut off". That lets the cat out of the bag.</tt></p> + +<p><tt>Both pieces reprinted here are from copies owned by the University +of Michigan.</tt></p> + +<div class = "indent"> +<tt>Joseph Wood Krutch</tt> +</div> +<div class = "indent"> +<tt>Columbia University</tt> +</div> +<br> +<hr> +<a name = "campaigners"> </a><br> +<p align = "center"><font size = "+3">The Campaigners:</font><br> +<br> +OR, THE<br> +<br> +<font size = "+2"><i>Pleasant Adventures at</i> +Brussels.</font><br> +<br> +<font size = "+1">A</font><br> +<br> +<font size = "+3"><span class = "extended">COMEDY</span></font><br> +<br> +As it is Acted at the <i>Theatre-Royal</i>.<br> +<br> +WITH A<br> +<font size = "+2">FAMILIAR PREFACE</font><br> +<br> +UPON<br> +<font size = "+1"><i>A Late Reformer of the STAGE.</i></font><br> +<br> +Ending with a Satyrical Fable<br> +<br> +OF<br> +<font size = "+1"><i>the </i>DOG<i> and the</i> OTTOR.</font></p> +<hr class = "small"> +<p align = "center">Written by Mr. <i>D'urfey</i>.</p> +<hr class = "small"> +<p align = "center"><font size = "-1"><i>LONDON</i>,<br> +Printed for <i>A. Baldwin</i>, near the <i>Oxford Arms</i> Inn<br> +in <i>Warwick lane</i>. MDCXCVIII.</font></p> +<hr> +<span class = "pagenum">1</span> +<span class = "folionum">a</span> +<h1>PREFACE.</h1> + +<p><span class= "firstletter">I</span>Must necessarily inform the +Partial, as well as Impartial Reader, that I had once design'd another +kind of Preface to my Comedy than what will appear in the following +sheets; but having in the interim been entertain'd with a Book lately +Printed, full of Abuses on all our Antient as well as Modern Poets, call'd +<span class = "sidenote">Collier, p. 196.</span> +<i>A view of the Immorality and Prophaness of the English Stage</i>; and +finding the Author, who, no doubt, extreamly values himself upon his +Talent of <i>Stage-reforming</i>, not only (to use his own Ironical +words) <i>particular in his Genius and Civilities</i>, but indecently, +unmanner'd, and scurrilous in his unjust Remarks on me, and two of my +Plays, <i>viz.</i> the first and second parts of the <i>Comical History +of</i> Don Quixote; I thought I cou'd not do better, first as a +Diversion to the Town, and next to do a little Iustice to my self, than +(instead of the other) to print a short Answer to this very Severe and +Critical Gentleman; and at the same time give him occasion to descant +upon the following Comick Papers, and my self the opportunity of +vindicating the other; with some familiar Returns (<i>en Raillere</i>) +upon his own Extraordinary <i>Integrity</i>, and Justness of the +<i>Censure</i>.</p> + +<p>But first, lest I should plunge my self out of my depth, or like an +unskilful Swimmer, endanger my self by a too precipitate Rashness, let +me warily consider the Office and Habit of this unchristianlike Critick +before I Attack him: He has, or had the honour to wear the Robe of a +Clergyman of the Church of <i>England</i>: A Church, which for its +Purity, Principles, and most Incomparable Doctrines, surpasses without +objection all others in the world, which with a number of its pious, +virtuous and learned Rulers and Ministers, I admire and acknowledge with +all the faculties of my soul, heart and understanding; and on which I +never seriously reflect, but I feel a secret shame for my remissness of +duty, and my neglect, in not living hitherto up to its Admirable +Principles. This reflection would indeed have been enough to awe any one +in my circumstances from proceeding to answer his bold Censures, had I +not Courage to consider that the rest of the worthy Gentlemen of that +Robe are so good, that they will not excuse or defend our aforesaid +Critick's Injustice or Mistakes in some places, tho they are pleas'd +with his Truths in others; or be angry at me for endeavouring to gain +their good opinion, by defending my self from most of his black +Aspersions (how fair soever as yet they seem) and by unfolding him be +judg'd by their impartial reason, start a question, whither he, tho a +happy member of the aforesaid Adorable Church, does not come in for his +share of <i>Immorality</i>, +<span class = "pagenum">2</span> +and other frailties; and consequently is not as fit to be detected, by +the Wit of a Satyrical Poet; as the Poet by the positive Authority of an +Angry Malecontent, tho in the garb of an humble Churchman.</p> + +<p>The <i>Vates</i>, or Poets in antient times were held in special +veneration, even their Kings, and other chief Rulers, often submitted to +the virtue of their Inspiration: Amongst which, the never enough admir'd +Mr <i>Cowley</i>, in his noble version of the <i>Davideidos</i>, gives +the <i>Royal David</i> this Title, <i>Rex olim & +Vates duo Maxima munera +Coeli</i>; and numbers of others might be inserted to prove Poetical +Authority, and the respect it bore in past Ages; which, tho I have not +capacity to parallel, I hope I may be allow'd to imitate on another +subject; and in this have leave to acquit my self of several heinous +Accusations, which this Tyrannical Critick has Impos'd upon me.</p> + +<p>I am not at all Ignorant of his eminent parts, Learning, and other +qualifications; nor am I insensible, as well as the rest of his Readers, +that his Book has a very fair and engaging Title-page, and is no less +Illustrated with many weighty and just censures upon the <i>Immorality of +the Stage</i>, and our licentious Writings for many years past; and tho +this has been proved by the late Ingenious Author of <i>the Vindication +of the Stage</i> to be occasion'd by the vices of the Times, and not +those of the Poets; yet thus for we can endure the Scourge, and kiss his +Rod with patience enough: And for my own part, I declare if I had found +his Severity had been moral, and had ended in the good design of +cleansing the Stage from its Impurities, and had been only a kind +Instruction to my Brethren and my self, to reform our Immoral errors, I +had, as the rest of us, with all humility imaginable, thank'd him for +his wit and good reproof; and had been so far from answering in this +manner, that I should have been proud to have my name before his Book, +with a Copy of Verses in applause of his Admirable Design. But when, +instead of this, I find he strikes at the root of our Dramatick Labours, +and the Town's diversion, for some sly and selfish ends; and instead of +reproving us with a Pastorly Mildness, Charity and Good Nature, gives us +the basest language, and with the most scurillous expression, sometimes +raging and even foaming at mouth, taxing the little liberty has always +been us'd, with <ins class = "correction" +title = "duplication in original">horrid horrid</ins> +Blasphemy, Prophaneness, and Damnable +Impiety; when Reason must inform every one we intend nothing of the +matter, besides the poor priviledge <i>Poetica Licentia</i>: and +pretending to prove this with false Quotations, unnatural Mistakes, and +Hypocritical Hypotheses, I resolv'd to controvert him, and endeavour to +prove that 'tis meerly his malice that has abus'd me and the rest, +without Reason or Provocation; and that his own Wit and Morals are not +so Infallible, but they lye also open to the censure of any Poetical +Critick, who has Courage and Sense enough to attack 'em.</p> + +<p>I once more therefore address my self to the Reverend of the Gown, +from highest to the lowest, and humbly desire that they will not appear +Interested against me, because I defend myself against one that has +abus'd me, and has the honour to wear one, (to what purpose the Judgment +and Clemency of our Government knows best) I assure 'em my design is +only to turn, like the Worm that is trod upon, complain being hurt, +vindicate my self from abusive malice, and at the same time am heartily +sorry that ever I had the occasion.</p> + +<span class = "pagenum">3</span> +<span class = "folionum">a2</span> +<p> +'Tis a pleasure to me however to know that I have for many years, as +well as now, the honour of the Conversation of several eminent men of +the Church; and I dare say, upon occasion, I could easily gain their +good words to prove my good behaviour. I do declare I never abus'd the +sacred order in my life, but have always had, and still have, all the +veneration for 'em that's possible; nor have any of my printed Writings +contradicted this, unless when spoken in the person of Atheists, +Libertines, and Ignorants, where 'tis natural in Comedy; nay, in my Book +of Poems you will find a <i>Satyr against Atheists</i>, and in another +Book, call'd <i>Colin's walk thro' London and Westminster</i>, a Moral +through the whole, and design'd in the honour of the Church of +<i>England</i>, to shew the stubbornness of <i>Romanists</i>, Grumblers, +and other dissenting Sects; but this my partial Antagonist never read, +nor heard of; nay, tho by his Book we may suppose he has read a +thousand, yet amongst twenty of my Comedies Acted and Printed, he never +heard of the <i>Royalist</i>, the <i>Boarding School</i>, the +<i>Marriage Hater Match'd</i>, the <i>Richmond Heiress</i>, the +<i>Virtuous Wife</i>, and others, all whose whole Plots and designs I +dare affirm, tend to that principal instance, which he proposes, and +which we allow, <i>viz.</i> the depression of Vice and encouragement of +Virtue. Not he, he has not had leisure since his last <i>holding forth +in the late Reign</i>, to do me this Justice, 'tis enough for him that +he has encounter'd <i>Don Quixot</i>: +<span class = "sidenote">Collier, <ins class = "correction" title = +"page number missing">p. </ins></span> +And truly, I must own, was a most proper Combatant for him; for if he +had not been mad with the Wind-mill that was in his pate, or had ever +perus'd that <i>Giant</i> of an Author, upon whom I am the <i>Pigmy</i>, +as he wittily observes, he would have found the <ins class = +"correction" title = "original reads 'Bockheaded'">Blockheaded</ins> +Chaplain had been greazing his old <ins class = "correction" title = +"original reads 'Gassock'">Cassock</ins> there long before I new rigg'd +him: But that's all one, I, poor I, must be denounc'd as Criminal; I +brought him upon the Stage, I wash'd his Face, put on a new Crape Vest, +and a clean Band, which, oh, fatal accident, made him look so like +somebody, that I, in his opinion, and condemn'd by his infallibility, +have been no body ever since, <i>vox & pręterea nihil</i>. Well, however +this is determin'd, let me beg of my impartial Readers, to give me leave +to try what I can be, I have had good fortune I am told by others in +Lyrical Verse, which I am sure is one principal part of Poetry, I'll see +now if I can match my Antagonist in Rallying Prose. Several ingenious +Authors have already, I think, so well confuted his Assertions against +the Stage, by proofs from the Antient Poets, the Primitive Fathers, and +their Authorities, that they have far excell'd what I can pretend to do +there; only, I could have wish'd one who is best able, and whose +admirable Genius and Skill in Poetry would have been remarkably +serviceable, had drawn his Pen to defend the Rights of the Stage, tho he +had own'd the loosenesses of it, and had ventured the being presented +for it; but since we, the forlorn, are not so happy to have that Aid, +let my Antagonist, the Reformer, who, for all the gravity in some part +of his Book, and the solid Piety he would insinuate in his Arguments, I +perceive to be a Joker, and as full of Puns, Conundrums, Quibbles, +Longinquipetites, and Tipiti-witchets, as the rest of us mortals, be +pleas'd to take the length of my Weapon at that sport, for now I cannot +help telling my Audience, which is the Town, that he has laid his +reforming +<span class = "pagenum">4</span> +Cudgel upon me so severely, and it smarts so damnably, that I can't +forbear smiting again if I were to be hang'd, desiring only, as the +usual method is, a clear Stage, and from him no favour.</p> + +<p>To begin then, I shall illustrate my first Scene with a comical hint +upon some part of his Character; and that the Jest may be worthy of +making you laugh, you are to know, that the first view I ever had of +this extraordinary Person, was neither better nor worse than under the +<i>Gallows</i>. Well, but think you, I warrant, 'twas about some +Charitable Duty that his sacred Function and Piety oblig'd him to, such +as Exhorting the poor Souls to confess their Crimes, in order to be +sav'd, or the like; no, faith, but quite contrary, for he was rather +hardning them, and infusing a strong Portion of his own obstinacy, to +fortifie 'em for their dubious Journey; and in few minutes after, +possess'd with a stronger Spirit of Priesthood than e'er, for some past +Ages there has been Example for, pronounc'd the <i>Absolution</i>, the +extremest and most mysterious Grace the Church can possibly give to the +most repentant Sinner, to wretches Justly condemn'd by Law to die, for +the most horrible Crimes in nature, <i>viz.</i> the intended Murder of +the King, and Subversion of the Protestant Religion and Government. Now +that such a Person should set up for a Protestant Example, and a Teacher +of Morality, is somewhat new, for upon my veracity, this Gentleman may +insinuate as he pleases, that our Church, and its Doctrines govern his +heart; but as to that matter what may be in his heart I can't tell, but +if a Pope is not crept into his belly, very near it, I am very much +mistaken.</p> + +<p><i>Pliny</i> indeed, in his Natural History, <i>Lib.</i> 28, +<i>Cap.</i> 10. tells ye, He that is bitten by a Scorpion may have +relief, if immediately he go and whisper his grief into the Ear of an +Ass. This Historian, perhaps, had so great credit with these Malefactors +that they thought the remedy, by Auricular Confession, might serve too +in their Concerns. But we are confirm'd, they were enough mistaken in +the rest of their Opinions, and so 'tis very likely were in this. If +this Parallel be found a little gross, I hope the Reader will excuse it, +when he examines the bold Critick's Stile relating to the Poets. +Besides, how wise soever he may be in other things, I'm sure all those +that are so, and true Sons of the Church, when they reflect on that +Action of his, will own that he deserves that, or a worse Title. And so +to proceed.</p> + +<p>But before we inspect further, or touch upon the Moralist's +Immorality, for I dare ingage it is not altogether impossible to prove, +the <i>Pulpiteer</i> may be tainted a little as well as the +<i>Poetaster</i>, let us see whether we can find him guilty of the first +Charge against us, which is <i>Immodesty</i>; and upon this subject +indeed, if our Learn'd Reformer did not impose upon us with a Fallacy, I +should (to shew my good Nature walk hand in hand with my resentment) +once more admire him for his Character of Modesty in the 11th page of +his Book, which is, to do him Justice, very fine; but then he only tells +us of one kind of Modesty, when he knows there are two, and therein he +is Falacious, in not exposing the other, which is decency of Speech and +Behaviour; and truly, meerly, I believe, through a conscious reflection +of his own frequent miscarriages in that case. If therefore, these +Papers differ a little from that Civility which is proper, I beg the +Readers pardon, and assure him 'tis only in +<span class = "pagenum">5</span> +imitation of his Stile to me, as all those that read his Book may +find.</p> + +<p> +For, in the first place, he does not shew his own, nor, indeed, any part +of decent modesty, in exposing any Gentlemans Name in print, when the +subject matter is Satyr, Reflection, Scandal, &<i>c.</i> and in +which case I believe the Law might do Justice, if apply'd to; but if +not, I am sure good Manners, and civil Education, ought to tie the +Cassock as close as the Sash or Sursingle; but this our Divine helper, +most Bully-like, disallows; for he, puff'd with his Priestly Authority, +calls us boldly to the Bar of his Injustice by our own Names, the same +minute that he is roaringly accusing us of Blasphemy, Smuttery, Foolery, +and a thousand Monstrosities besides, as he'd make you believe; unless +for variety, he picks out one amongst the rest, now and then, to abuse a +little more civilly, and then, rubbing up his old College Wit, he +Nicknames 'em, as you may find elegantly made out at +the latter end of his Book, +(for he shall see that I have read it quite through, and can hop over +pages as fast as he for the life of him) where he can find no other Name +or Character for two Gentlemen of Honour and Merit, <i>viz.</i> Mr. +<i>Congreve</i> and Captain <i>Vanbrooke</i>, who have written several +excellent Plays, and who are only scandalous to our Critick, by being +good Poets, yet these he can give no other Names or Characters, but what +are Abusive and Ridiculous. +<span class = "sidenote">Collier, <i>p.</i> 74.</span> +The first, for only making <i>Jeremy</i>, in <i>Love for Love</i>, call +the Natural inclinations to eating and drinking, <i>Whorson +Appetites</i>, he tells, That the <i>Manicheans, who made Creation the +Work of the Devil, scarcely spoke any thing so course</i>. And then very +modestly proceeding onwards says, <i>The Poet was </i>Jeremy<i>'s +Tutor</i>. The t'other Gentleman he dignifies by a new Coin'd name of +his own, <i>viz.</i> <i>The Relapser</i>, and much like an humble Son of +the Church, a Man of Morals and Manners tells us, <i>This Poet is fit to +Ride a Match with Witches:</i> +<span class = "sidenote">Collier, <i>p.</i> 230.</span> +<i>And, that </i>Juliana Cox<i> </i>(a Non-juring Hag, I suppose, of his +Acquaintance)<i> never switch'd a Broom-stick with more expedition.</i> +Faith, such sentences as these, may be taking enough amongst his Party; +but if this be his way of Reproving the Stage, and Teaching the Town +Modesty, he will have fewer Pupils, I believe, than he +imagines.</p> + +<p> +But to do that Gentleman Broom-stick Rider some Justice, and because we +shall want a Name hereafter to Christen the t'other, as he has given the +Name of <i>Relapser</i>, so I think that of the <i>Absolver</i> will be +a very proper one to distinguish our Switcher, by which the Reader may +observe, that we are civiller to him than he to us however. And first +then, I desire all Persons to observe, that in other places of the same +Chapter of his Book, our <i>Absolver</i>, for all his detestation of the +Stage, and of Poetry in general, yet takes a huge deal of pains in +taking to pieces, and mending the Comedy of the <i>Relapse</i>; nay, and +to shew how transcendent his own Skill in these things is, he has help'd +the Author to a better Name for his Play, and says, +<span class = "sidenote">Collier, <i>p.</i> 210.</span> +<i>The Younger Brother</i>, or, <i>The Fortunate Cheat</i>, had been +much properer. This shews some good will he has to the Comick Trade +however; and I doubt not, but if his Closet were Ransack'd, we might +find a divertive Scene or two, effects of his idle Non-preaching hours, +where Modesty, Wit, and good Behaviour, would be shewn in +perfection.<p> + +<span class = "pagenum">6</span> +<p>And yet, as to his own humour, we find it to be, by his Book, more +fickle than even the Wind, or Feminine frailty in its highest +Inconstancy. One while he's for Instructing our Stage, Modelling our +Plays, Correcting the Drama, the Unity, Time and Place, and acts as very +a Poet as ever writ an ill Play, or slept at an ill Sermon; and then, +presently after, wheiw, in the twinkling of an +<ins class = "correction" title = +"original reads 'Ejaculution', Congreve has 'ejaculation'">Ejaculation</ins>, +as Parson <i>Say-grace</i> has it, he's summoning together a Convocation +of old Fathers, to prove the Stage in past Ages exploded, and all Plays +horrible, abominable Debauchers of youth, and not to be encourag'd in a +Civil Government. What can we think of this, especialiy when I find him +in this Paragraph of his Book<ins class = "correction" +title = "asterisk in original"> * </ins>raving on at this rate, +and quoting to us, That +St. <i>Cyprian</i>, or the Author <i>de Spectaculis</i>, argues thus +against those who thought the Play-House no unlawful diversion; 'tis too +tedious to recite all, but enough of St. <i>Cyprian</i> for my purpose +runs thus: <i>What business has a Christian at such Places as these? A +Christian who has not the liberty so much as to think of an ill thing, +why does he entertain himself with lewd Representations? Has he a mind +to discharge his Modesty, and be flesh'd for the Practice? Yes, this is +the consequence, by using to see these things, he'll learn to do them; +what need I mention the Levities and Impertinencies in Comedies, or the +Ranting distractions of Tragedy, were these things unconcern'd with +Idolatry, Christians ought not to be at them, for were they not highly +Criminal, the foolery of them is Egregious, and unbecoming the gravity +of Believers.</i> And then again, before he is out of breath, <i>A +Christian has much better Sights than these to look at, he has solid +Satisfactions in his power, which will please and improve him at the +same time. Would a Christian be agreeably refresh'd, let him read the +Scriptures, here the Entertainment will suit his Character, and be big +enough for his quality. Ah, Beloved, how noble, how moving, how +profitable a thing is it, to be thus employ'd, to have our expectations +always in prospect, and be intent on the glories of Heaven!</i> Very +good, and who is he so reprobated, that will not allow this to be +devout, and admirable good Counsel? But now let us see how the +<i>Absolver</i>, for all Pious quotation, has follow'd St. +<i>Cyprian</i>'s Advice; that holy Father charges him not to entertain +himself with such lewd things as Plays, and he very dutifully reads a +thousand as fast as he can; nay, scans and weighs 'em, and, no doubt, +not without tickling satisfaction, at the present, for all his Saturnine +Remarks at last. Now if his Answer to this is, That it belongs to his +Office, as a Church-man, and that he could not reprehend the Vices in +'em without reading the Books themselves, I must tell him, That St. +<i>Cyprian</i>, nor the rest of the Fathers, did not allow that, neither +do we find they did it themselves, for all their inveighing against the +Stage; so that he makes his own Quotation altogether invalid, <i>He not +being to do ill that good might come of it.</i></p> + +<p>And therefore, why may not a Poet now, who, perhaps, is a greater +Votary to St. <i>Cyprian</i> in other Matters than the <i>Absolver</i> +is in this, rally him thus, and turn his Quotation upon himself, Phrase +by Phrase? "What business has a Parson with such Books as these? A +Parson who has not the liberty so much as to think of an ill thing? Why +does he entertain himself with lewd Comedies? Has he a mind to discharge +his Priestcraft, and flesh himself up for a Poet? Yes, this is the +consequence, by using to see these <i>smutty</i> things, he'll learn to +write 'em. +<span class = "pagenum">7</span> +What need I mention the Sham-Oaths, and looseness of Farce, or the +Fustian raving against the Gods in Tragedy, were these things really +unconcern'd with Idolatry, a Parson, of all Mankind, should not be known +to ogle them, for were they not highly Criminal, the foolery of them is +Egregious, and unbecoming the gravity of all that thump the Cushion, or +intend to thump a true Belief into the Pates of an incorrigible +Congregation."</p> + +<p>And now methinks I see the Spiritual Critick, with a certain sallow +Male-contented Phiz, poring upon this Page, and sucking his Ring-finger, +gives himself an unpleasurable minute to Judge whether I have +paraphras'd right or no; well, all's one, fall back fall edge, I'm +resolv'd to bait him with St. <i>Cyprian</i> a little more. "A Parson +has, or should have, much better Books than Plays to look in; he has +many Authors of Pious and Solid Authorities to please, and improve +himself with, at the same time. Would a Parson be agreeably refresh'd, +let him read the Scriptures, let him find out Treatises of Morality, +Meekness, Charity, and holy Life, there the Entertainment will suit his +Character. Ah, Beloved, how noble, how moving, how profitable a pleasure +would it be to us, to see a Parson thus employ'd, to let the Stage's +diversions be too little for his grave Consideration, and be intent +himself on the glories of Heaven!" And here now, I do not at all +question but the <i>Absolver</i>, a little nettled at this last +Parallel, will fall to biting of his fingers again, his Righteous Spirit +being offended at my Insolence, in scribling the Word <i>Parson</i> so +oft, it being a Nickname, and only invented by some idle fellow, who +resolv'd to use the Order with no more respect. Why truly, I confess, in +this Case, Modesty is a little gravell'd, but then she may thank him for +it, for he has dignify'd the Poets with so many <i>Hell-defying</i>, +<i>deep-mouth'd Swearing</i>, <i>Relapsing</i>, <i>Witch-riding +Titles</i>, that the worthy Ministry cannot reasonably be angry, +especially when the Word is only meant to him, whom I shall prove has +lessen'd the true Title, by his <i>Immorality</i> and +<i>Hypocrisie</i>, more than ever the Poets did the Reputation of the +Stage, by their Time-serving Loosenesses and Licentious +Diversions.</p> + +<p>It is, no doubt, a considerable Maim to us, in some Peoples opinions, +who never digested the benefits arising from the Stage in its Moral +Representations, that this smarting Lash is given us by a Clergy-man of +the Church of <i>England</i>, that is, good friends, if he be so, for +some Judicious Heads are not resolv'd in that Affirmative—but let +that be <i>discuss'd</i> in another place, I'm sure, if he is, +<i>Obedience to Government, in the first place, should be his principal +Tenet</i>; and whether that is a part of the <i>Absolver</i>'s +Character, I think has sufficiently appear'd. But let him be what he +will, I shall now take the pleasure to inform those People, that but few +years since, we had a Man of Wit and Learning, that wore the Gown, and +as true a Son of the Church as she could possibly breed; that was +intirely devoted a Champion in our Cause, and Asserted the Rights of the +Stage with Success and Applause; and whoever will but look back a +little, and incline his Eyes towards the delectable River <i>Cam</i>, +may Encounter the fam'd Wit of that University, the Ingenious Mr. +<i>Thomas Randolph</i>, who in one of his great many admirable Pieces, +call'd the <i>Muses Looking-glass</i>, makes his whole Moral to be the +Vindication +<span class = "pagenum">8</span> +of the Stage, and its usefulness, and by shewing the passions in their +Kinds, <ins class = "correction" +title = "original reads 'coutrives'">contrives</ins> +to confute some canting prejudic'd Zealots, +whose ignorance and frenzy had conspir'd before to run it down; I will +treat the Reader here with some of it.</p> + +<div class = "verse"> +<span class = "sidenote"><i>Muses Looking-Glass.</i></span> +A Country Lass, for such she was, tho here<br> +In th' City may be Sluts as well as there;<br> +Kept her hands clean, for those being always seen,<br> +Had told her else how sluttish she had been;<br> +Yet was her Face, as dirty as the Stall<br> +Of a Fish-monger, or a Usurer's Hall<br> +Begrim'd with filth, that you might boldly say,<br> +She was a true piece of <i>Prometheus</i>'s Clay.<br> +At last, within a Pail, for Country Lasses<br> +Have oft you know, no other Looking-glasses,<br> +She view'd her dirty Face, and doubtless would<br> +Have blush'd, if through so much dirt she could.<br> +At last, within that Water, that I say,<br> +That shew'd the Dirt, she wash'd the Dirt away. +</div> +<div class = "verse2"> +<i>So, Comedies, as Poets still intend 'em,</i><br> +<i>Serve first to shew your faults, and then to mend +'em.</i> +</div> + +<p>Here was a pretty Compliment to our Art now, a good Moral with good +Manners into the bargain; and yet 'tis certain the times then were as +Licentious as now, and the Poets took as little care of their Writings; +but Mr <i>Randolph</i> always made his good Nature agree with his Wit, +and put as favourable construction upon Scenes of Diversion, as reason +would allow, tho he perhaps had as much occasion for 50 <i>l.</i> as the +Absolver when he writ his Book. He knew that if there was so stupid a +Temper, that the Moral of a Play could not reform, the looseness that +was in it could not prejudice; nor if a wild Town-Fellow, or a baffl'd +Bully, or passionate Lover, being characters in a Play, spoke some +extravagances proper for 'em, would he roar it out for <ins class = +"correction" title = "original reads 'Balsphemy'">Blasphemy</ins>, +Profaneness, &<i>c.</i> and make a malicious scrutiny, and unreasonable +interpretation of words, which had no other intention but to make the +Character natural by customary manner of Speech, as he has shewn +examples by two of his own, in the extremes of Vain-glory and +Hypocrisie: And yet this Gentleman was as Learned, as good a Critick, +and as Consciencious a man, as our Absolver can pretend to be; and if I +say, I had somewhat a better Title to Modesty and good Manners, I think +it may be made out, he having a civil regard to the Poets, defended +their Cause, and excus'd some failings for the sake of some other +Merits, when this treats 'em all like fools, tho he has only rak'd up a +few of their errors, which he has made a huge heap of Rubbish, by +peering through his own Magnifying Glass, without any allowance to their +qualifications, or any modest care to do 'em justice, which ought to +have been one way as well as another.</p> + +<p>So much then for his <i>Modesty</i> in one of its kinds, which is +decency of behaviour and expression; as for the other, he has plaid such +a Game at Hide and Seek with us, that we have been long in a Mist, not +knowing how to discover it: But the Air clears, and 'tis time for us now +to take the right end of the perspective, tho he would give +us +<span class = "pagenum">9</span> +<span class = "folionum">b</span> +the Wrong, and then try if we cannot discern, in the midst of his Garden +of Divinity, a neat friend of his call'd Immorality, tho he would subtly +insinuate him into the world as a stranger, leading his darling daughter +dear Hypocrisie into an Arbor; where, after they had been some time +alone, our Critick knowing how to be civil to his own creature, and to +give 'em time enough to beget a right understanding, he is very glad at +last to be a third in the company.</p> + +<p>I should not have put him upon this warm Office, if I had not found +him too hot and bold with our Famous Ancient Truth-telling Poet +<i>Juvenal</i>, when in his Book he tells us, +<span class = "sidenote">Collier, p. 70, 71.</span> +<i>he teaches those vices he would correct, and writes more like a Pimp +than a Poet</i>—But upon just consideration, I believe if the +Absolver taught the Art of Rebellion no more than <i>Juvenal</i> the Art +of Pimping, the one would be respected in after Ages, as much as we know +the other has in the former: But every one is Fool or Knave that is not +of this Gentlemans kidney. A little while after, at the usual rate of +his own accustom'd civility, he falls upon the <i>Renown'd +Shakespear</i>, and says, +<span class = "sidenote">Collier, p. 50.</span> +he is so guilty, that he is not fit to make an Evidence. Why now it +'twere possible for his Complexion to blush, there's ne're a Robe of any +Friend Cardinal the Absolver has at <i>Rome</i>, that can be redder than +his would be for such a Position: Nor does it end here, but is mixt with +some more foolish and insolent Remarks in another place, upon the +admirable Tragedy of <i>Hamlet</i>. And here he has no other way to shew +his malice, but by ridiculously quibbling upon the prettiest Character +in it, +<span class = "sidenote">Collier, p. 10.</span> +the innocent young Virgin <i>Ophelia</i>, who, because the Poet makes +her run mad for the death of her Father, and loss of her Lover, and +consequently makes her sing and speak some idle extravagant things, as +on such an occasion is natural, and at last drown her self, he very +masterly tells us, the Poet, <i>since he was resolv'd to drown her like +a Kitten, should have set her a swimming a little sooner; to keep her +alive, only to sully her Reputation, is very cruel</i>. Yes, but I would +fain ask Doctor Absolution in what she has sullied her Reputation, I am +sure five hundred Audiences that have view'd her could never find it +out, tho he has; but the Absolver can't help being positive and partial +to his own humour, tho he were to be hang'd, as the Lady was drown'd, +for he is very angry in another place with the aforesaid Author, for +making +<span class = "sidenote">Collier, p. 125.</span> +<i>Sir </i>Hugh Evens<i> in the Merry Wives of Windsor</i>, a silly, +eating, chattering <i>Welch</i> Priest, but vindicates and speaks well, +of <i>Sir </i>John<i>, Parson of </i>Wrotham<i>, in the History of Sir +</i>John Oldcastle; tho he swears, games, wenches, pads, tilts and +drinks, and does things which our Reformers Guts are ready to come up at +another time, only, forsooth, because he is stout; but 'tis indeed only +<i>because he is a Parson</i>, and sullen, which he thinks wise, for he +cannot endure that Copyhold should be touch'd, as you may see more +plainly a little further, where he says in <i>Loves Labour Lost</i>, the +Curate plays the fool egregiously; and so does the Poet too: there he +clenches the Nail, there he gives <i>Shakespear</i> a bold stroke, there +obstinacy and malice appear in true colours: And yet if a parcel of the +ones Plays, were set up by way of Auction against t'others <i>Sermons +and Essays</i>; nay, tho the Loyal and Politick <i>Desertion +discussd</i> was thrown in to boot, I know not what the Grave would do, +but I am sure the Wise would quickly find difference. And yet +to +<span class = "pagenum">10</span> +Remark him nicely, this humour of railing is only where the Poets do not +suit with his design; for in another place you'll find this same +<i>Shakespear</i>, that was before too guilty to make an Evidence, a +very civil person now; for the Reformer is troubl'd with Fits, you must +know, disturbances i th' brain, which makes him forget one hour what he +rails at another, for here now +<span class = "sidenote"><ins class = "correction" title = +"text missing"> </ins>54</span> +<i>Shakespear</i>'s <i>Falstaff</i> is call'd the admir'd, because he is +to serve his turn. And that the Poet <i>was not so partial as to let his +humour compound for his lewdness</i>; but punishes him at last, tho he +makes him all his life time a damnable, <i>smutty</i> fellow. And now, I +think, having said enough of his modest behaviour, 'twon't be amiss to +have a touch or two at his Hypocrisy. And first, concerning the word +Smutt.</p> + +<p>"Smutt, Smutt"! Why does this tarmagant Correcter of our Lives and +Manners pretend to make us believe that his Mouth or Conscience is so +streight, that the t'other word can't get passage, or did his Mistress +(honourable I mean) sit knotting under his Nose when he was writing, and +so gave occasion for the changing it instead of Bawdy, that that odious +word might not offend her, tho the Phrase was made Nonsence by +it—hum—No faith, the case seems to me now to be quite +otherwise, and really the effect of downright <i>Hypocrisy</i>, unless +done as I said for the last reason; for those that have read his Book, +may find sprinkling up and down the other words extreamly plain upon +occasion, <i>Ribaldry</i> and <i>Bawdy</i>, and <i>Whores</i>, and +<i>Whoring</i>, and <i>Strumpets</i>, and <i>Cuckoldmakers</i>, with as +fat a signification as any of the last nam'd could wish for their +hearts; for example, by way of Tract, first, he says, +<span class = "sidenote">Collier, p. 30, 32.</span> +<i>Euripides</i> in his <i>Hipolitus</i>, calls <i>Whoring</i> +stupidness and playing the fool; and secondly, does <i>Ribaldry</i>, +(not Smut) and Nonsence become the dignity of their station. +Again, +<span class = "sidenote">p. 74.</span> +<i>Berinthia</i> incourages <i>Amanda</i> to play the <i>Whore</i>; and +then sowse upon <i>Don Quixot</i>, when there is not so much as one +little tiny todpol of <i>Smut</i>, that I know of, unless he creates +it—Yet I am Crambo'd with, +<span class = "sidenote">p. 208.<br> +p. 178.</span> +<i>who, with low, nauseous Bawdry fills his Plays</i>. Again speaking of +<i>Jupiter</i> and <i><ins class = "correction" +title = "original reads 'Aclmena'">Alcmena</ins></i>—but her +Lover—<i>that is her Whore-master</i>. And at last with a +Rowzer upon Mr <i>Congreeve</i>'s <i>Double Dealer</i>, where he +particularly Remarks, +<span class = "sidenote">p. 12.</span> +<i>that there are but four Ladies in his Play, and three of em are +Whores</i>; adding, withal, that 'tis <i>a great Compliment to Quality, +to tell em there is but a quarter of 'em honest</i>. Why who, in the +name of <i>Diana</i>, and all the rest of the Maiden <i>Goddesses</i>, +does tell 'em so, unless it be Doctor <i>Crambo</i> here—If any +one calls +'em <i>Whores</i> 'tis he, he that by an assum'd Authority thinks he may +say any thing; the Ladies, I dare say for the Poet, were drest in such +clean Linnen, and were so far from being Tawdry, that no Scrutineer but +our severe Master of Art but wou'd have thought Charitably of 'em. Well, +but huge Rampant <i>Whores</i> they must be with him tho, and through +that very mouth that simper'd and primm'd before, as if such a filthy +word cou'd not possibly break through: It comes out now in sound and +emphasis, and the modest Pen is as prone and ready to write it. So that +I once more affirm, that if it were not done in respect to his Lady, +who, no doubt, peruses him extreamly, it must naturally be the effect of +<i>Hypcrisie</i>, for, to be squeamish in one place and not in another +is Ridiculous, especially when one word is Innocent in its kind, and +makes the sense, and the other when us'd makes it wretched Affectation, +and almost Nonsence.</p> + +<span class = "pagenum">11</span> +<span class = "folionum">b2</span> +<p>Now if the <i>Absolver</i> thought Affectation would appear a vertue +in him, he ought to have squeamifyed the before-mention'd Ladies with +some title that was new, and if <i>Smutt</i> was chosen to be his fine +darling word (and the course one of <i>Whores</i> slipt out of his +Mouth, or from his Pen, by misfortune or chance) he should, in my +opinion, have given 'em the title of <i>Smutters</i>: a primming neat +word extremely proper for the occasion: And I hope I shall live to see +the Master of Art have Modesty enough to thank me for't; or else (for my +fancy wou'd fain oblige him if it cou'd) to make it yet more +<i>German</i> to the matter, as <i>Shakespear</i> has it, to call em +<i>Colliers</i> would be as significant as any thing; for there's +allusion enough to <i>Smutt</i>, or the Devil's in't: For, to deal +sincerely, and without <i>Hypocrisie</i>, I cannot imagine what this +learned Gentleman can mean by all that Smutt, Smutt, when the other word +is as decent and more significant, unless he banters, or dissembles, or +fear'd the Ladies peeping, or is so full of his own name, that he goes +along quibbling upon't through his Book, with design that way to make +himself more famous.</p> + +<p>In another part of his Treatise too I fancy I find the +<i>Hypocrite</i> a great deal more than the <i>Moralist</i>, and that +is, in his kecking at a word in one place, and gobbling it up in +another. To prove this, I find him very like a Ghostly Father of the old +<i>Roman</i> Kidney, condemning even to the Inquisition: One +<i>Carlos</i> in Mr <i>Dryden</i>'s <i>Love Triumphant</i>, for +blundring out this <i>horrible Expression</i>, as he calls +it, +<span class = "sidenote">Collier, p. 82.</span> +<i>Nature has given me my portion of Sense, with a Pox to her</i>. Now +pray observe, the <i>Absolvers</i> Stomach is so horribly squeamish, at +this he belches, turns pale, and is so very sick, that a quartern of +Cherry is administered in vain, to set him to rights; he prints instead +of the word only a great P—— and tells the gentle Reader, +(that he is intending to lead by the Nose) that the <i>Hellish +syllable</i> may be found there at length if he pleases. Would not any +one think now, that did not know that the Small Pox is a common Disease, +that this word had been <i>Blasphemy</i> in the extremity, the +renouncing the Deity, or something beyond pardon, and would not one lay +a Scholars Egg against a Tost and Ale, that the Doctor would ne're be +concern'd with it as long as he was able to eat or drink either of 'em. +Why see now how an honest man may be cheated; do but turn to the one +hundred seventy second page of his Book, and you will find this +horrible, this hellish, syllable, in its Pontificallibus, at length, +sitting almost a straddle upon the top of the Page, and +<span class = "sidenote">Collier, p. 172.</span> +us'd familiarly and friendly, without so much as once kacking at it, or +one invective near it, tho the sense of the Curse is as broad as +t'other, and has rather the worse signification.</p> + +<p>And pray what can this be else but Hypocrisy; if the word were really +terrifying and horrible to him, it would certainly be so in one place as +well as another. No, no, these are only flights and amusements, tricks +of his own studied Legerdemain, to make the bubbled ignorants believe +him a Saint, and admire his Divinity, when, if they could dive to the +bottom of the secret, 'tis solemnly believ'd by many of the dutiful Sons +of the Church, that our Sham-reformer is a much fitter man to win Money +by his skill at a game of Whisk and Swabbers, than as the case of +Allegiance, and Morality, stand with +<span class = "pagenum">12</span> +him, to win Souls from Reprobation by the Integrity of his +Principles.</p> + +<p>I must treat ye with one instance more of his <i>Hypocrisie</i>, and +then I pass on to another Head. This instance I find Mr <i>Vanbrook</i> +has taken particular notice of at the latter end of his Book, where, +'tis true, every one may see the <i>Absolvers</i> Foible is very plain, +but that Author has not made the Case parallel with the others Remark +upon <i>Mr.Congreve</i>'s Comedy the <i>Old Batchelor</i>, which shews +his contradiction of himself, and his fallacy undeniable, +<span class = "sidenote">Collier, p. 63.</span> +for there he seems to roar at young <i>Belmour</i> for his forgetfulness +of Religion, at a minute when he is desiring <i>Letitia to give him +leave to swear by her Lips and Eyes</i>, when he is kissing and telling +her, <i>Eternity was in that moment</i>. In short, when he has got her +fast in his Arms, and intends to go through stitch with the matter; for +which he calls the Lady Strumpet, and raves at the smuttiness of the +Action; and yet, a little while after, in another page, rallies, jokes +upon, and banters young <i>Worthy</i> in the <i>Relapse</i>, for letting +his Lady slip through his fingers, and +<span class = "sidenote">Collier, p. 127.</span> +calls him a <i>Town-Spark</i>, and a <i>Platonick Fool</i> for't. Hey +Jingo, here's Riddling for ye! what would this whimsical Gentleman be +at? first he rails at a Lover for holding a pretty Woman fast, and then +he jokes upon him for letting her go; this runs almost parallel with the +Fable of the Satyr and the Traveller; but if the Doctor is observ'd to +have the faculty of blowing hot and cold thus, I believe he may keep his +breath either to cool his Porridge, or to warm his fingers, and be much +better employ'd, than by using it to make any Proselytes to his +Doctrine; and so much for this Head. Now let us try if we can scratch +another, and find it out under his Night-cap of</p> + + +<h2>IMMORALITY.</h2> + +<p>It is not enough to prove a Man is a Moralist, only because he is +noted for a Regular Life; that may be one good instance indeed; but it +can never arrive to a proof of the whole, for his living Soberly, and by +Rule, may as well be caus'd by the defect of his Constitution, as by the +effect of his Inclination, but 'tis the Spirit and Will, by the fire of +whose other Virtues, this of Morality is kindled and illustrated. Now I +will not be so byass'd by other Peoples opinions that know him, to say, +That our devout Critick owes him seeming Piety, and good life, to his +ill habit of Body; nor will I load him with Abuse, <i>right or wrong, as +he has done me, particularly through a whole Chapter</i>, but leave that +charitably to natural Conscience, or studied Artifice, which he pleases, +and only reflect a little on the temper of his Mind, as I have found it +blazing in this last, as well as others of his Books. In the first +place, if Stubbornness, which causes wrong opinion of the present Regal +Authority and Government, is an Immoral Vice, if he is not tainted, I +know not who is; for let any one, who is not blinded with Partiality, +but read his <i>Desertion Discuss'd</i>, with the admirable Answer to +it, and I am satisfied he cannot help joining with me in this opinion, +That what he would insinuate to be the effect of Right in others, and of +Conscience in himself, is nothing but the effect of Error in one, and +Obstinacy and Stubborn +<span class = "pagenum">13</span> +Will in t'other, a humour resolv'd to defend and carry on a hot +Argument, tho it has been never so plain and reasonably confuted: the +Positions and Answers on this subject I shall not insert here, but leave +the Reader, whose curiosity obliges him, to the Papers themselves, only +I wish the <i>Absolver</i> had made <i>Newgate</i> the last Scene of +that part of his <i>Immorality</i>, and by an humble acknowledgment to +his Patron that redeemed him, (I hope the word will bear in this place) +have spar'd his Office of <i>Absolution</i> in another Scene, and +consequently given no occasion to believe that his disobedient humour, +and turbulent nature, still proceeds daily, to cultivate his Party with +the same Principles as far as he can.</p> + +<p>Another spice of <i>Immorality</i> I believe I can make appear by his +Pride, and tho' in other places it is to be found, yet is most fairly +instanc'd in his <i>Book of Essays</i>, where, tho' we find one Chapter +wholly upon that Vice, which, to shew his Justice, begins with a +Compliment upon the same <i>Juvenal</i>, now he has use for him whom he +call'd Pimp before, yet it has not bulk enough to Skreen from us his +haughtiness in another, which he calls the <i>Office of a Chaplain</i>, +for there you shall find he has collected the Spirit of them all, and +blended them into one Character; I mean the ill Spirits of the ill +<i>Chaplains</i>, <i>those that are good I honour</i>. Here you may find +his Likeness in <i>Don Quixot</i>, <i>Roger</i> in the <i>Scornful +Lady</i>, <i>Bull</i> in the <i>Relapse</i>, <i>Say-grace</i>, +<i>Cuff-cushion</i>, and others, all learning their Lessons of their +stubborn Superior our Reformer, and all tending to governing, +brow-beating, snubbing, commanding Families, and the like, but not one +word of <i>humility</i> tack'd to't, for fear of spoiling the Character; +there you may find 24 pages, one after another, all written to prove +most gloriously, that 'tis impossible for a <i>Chaplain</i> to be a +Servant; that tho' you find a poor fellow in a tatter'd Excommunicated +Gown with one sleeve, Shoes without heels, miserable Antichristian +breeches, with some two dozen of creepers brooding in the seams; and +tho' you take him charitably to your House, feed, clothe, and give him +wages, yet he belongs only <i>to God</i>, and not you, and you must not +think him your <i>Domestick</i>, but your <i>Superior</i>. Why, what a +Scheme is here laid for Vanity and Folly, add how much more shining and +beautiful does gratitude and humility appear in such a Depender, than +such a bloated opinion as this? Would any honest Gentleman, that has his +sences, shew his Indulgence and Generosity to Wit or Learning, on such +terms as these? And does not this Chapter shew more the Spirit of Pride +in our <i>Absolver</i>, relating to his own humour, than the veneration +he has for the Clergy, or the Justice he would seem to do them in it? I +dare affirm, most of them are against this Opinion, at least I'm sure +all the modest part are, who cannot but own themselves subservient to +their Patrons that maintain them, tho' at the same time they are +Ministers of <i>Gods holy Words and Sacraments</i>. Yet he <ins class = +"correction" title = "possible error for 'busily'">buffly</ins> goes +on, +<span class = "sidenote"><i>Office of a Chaplain</i>, p. +178.<br> +<br> +Ib. <i>p.</i> 185.</span> +<i>He is Gods Minister, not Mans Servant</i>. And a little way further, +he clenches this admirable Notion through and through; therefore, says +he, +<i>for a Patron to acconnt such a Consecrated Person, as if he belong'd +to him as a Servant, is in effect to challenge Divine Honours, and set +himself up for a God</i>. Here's Ambition, here's Perfection, here's old +<i>Bonner</i> for ye. Now by his <i>Hollidame</i>, for I can't forbear +that Oath now, what can a squeamish Critick, +<span class = "pagenum">14</span> +that would make <i>Remarks</i> upon the <i>Remarker</i> call this? But +stay, he's at it again, +<span class = "sidenote">Collier, <i>p.</i> 113.</span> +<i>Dolopion</i>, says he, <i>was Priest to </i>Scamander<i>, and +regarded like the God he belong'd to</i>. Pray mind him, the Priest was +worshipp'd equal with the God—oh rare Moralist—if he were, +'twas an <i>Ęgyptian</i> Worship, where only <i>Calves</i> and +<i>Apes</i>, and <i>Carrots</i> and <i>Onions</i>, were <i>Gods</i>. But +pray let us see a little, has not this Divine quotation a tang of +<i>Blasphemy</i> in't? Oh fie, no; what, the <i>Moralist</i>! +<i>Reformer</i> of <i>Vices</i>! Speak <i>Blasphemy</i>! Impossible! he +can't sure! Yes, yes, he may, when he thinks no body can find him out: +and faith, to my sence now, this smells as rank of <i>Pandemonium</i>, +of fire and brimstone, to the full, if not worse, than Mr. +<i>Dryden</i>'s Verse, +<span class = "sidenote">Absalom <i>and</i> Achit.<br> +<br> +Collier <i>p.</i> 184.</span> +<i>Whether inspir'd with a Diviner Lust his father got him</i>, &c. +which is spoken only in the figurative Person of <i>David</i>; yet he +says 'tis <i>downright defiance of the Living God, and the very Essence +and Spirit of Blasphemy</i>. And here now his Stomach wambled more +terribly than before; so that if his Friend were by, he must of +necessity hold the Bason. Oh me! he reaches and reaches, and first up +comes—egh—<i>I question whether</i>—egh—<i>the +torments and despair of the Damn'd</i>—egh—<i>dare venture +at such flights as these</i>. And now the Head being held by the same +hand, at two reaches more it comes all up, mix'd with a Tincture of old +<i>Bonner</i> again—egh—<i>I can't forbear saying, that the +next bad thing to writing these Impieties</i>—egh—<i>is to +suffer them</i>. And now the Fit's over, leaving us to imagine what rare +Church Discipline we should have, if this Gentleman, and his Cat with +nine Tails, were in Power; I think a Couplet or two here, by way of +Advice to him, is not improper. + +<div class = "verse"> +<span class = "sidenote"><i>Weesils</i>, p. 11.</span> +Your Tribe should all be in Opinion steady,<br> +Not turn or wind for Power or for Place,<br> +Nor covet Wealth but in Spiritual Grace.<br> +The Gifts of <i>Mammon</i> you should ne'r implore,<br> +Nor wish for Gold, unless to give the Poor;<br> +It makes your Art contemptible appear,<br> +Less follow'd too, and look'd into more near;<br> +For if all those that preach up Paradise,<br> +Will have their shares of every human Vice,<br> +They shall Cant long enough e're I believe,<br> +Or pin my Soul's Salvation on their sleeve. +</div> + +<p>Here now, ten to one, but I shall make our Reformer fall into another +fit, by pretending to Counsel him, or take his Office of Ordinary upon +my self; for in page 138, he will not give up that leave, +<span class = "sidenote">Collier, <i>p.</i> 138.</span> +<i>What, is the Pulpit under the Discipline of the Stage? And are those +fit to correct the Church, that are not fit to come into it</i>? Ah! +Doctor, rub your eyes a little, and see what the Vindicator of the Stage +says, quoting Divine <i>Herbert</i>:</p> + +<div class = "verse"> +<i>A Verse may find him who a Sermon flies,</i><br> +<i>And turn delight into a Sacrifice</i>. +</div> + +<p>Besides I do assure you, spite of your Ghostly Authority, and +Uncharitable Position, that we are not fit, we will come in, and not +only imbibe the Mystery of <i>Divinity</i> from the Pulpit, but unriddle +the Mystery of <i>Iniquity</i>, if we can find any there. <i>Ben +Johnson</i> found out <i>Ananias</i> and <i>Rabby <ins class = +"correction" title = "spelling as in original">Buisy</ins></i>; +<i>Fletcher</i>, <i>Hypocritical Roger</i>; <i>Shakespear</i>, +<i>Sir</i> +<span class = "pagenum">15</span> +<i>John</i> of <i>Wrotham</i>; <i>Congreve</i>, <i>Say-grace</i>; +<i>Vanbrook</i>, <i>Bull</i>; <i>Shadwell</i>, <i>Smirk;</i> and if +<i>Durfey</i> can find out a proud, stubborn, immoral +<span class = "sidenote"><i>The Chaplains Name in </i>Don +Quixot<i>.</i></span> +<i>Bernard</i>, one, that when he was a Country Curate, <i>would not let +the Children be brought to Church to be Christned for some odd +Jesuitical Reasons</i> best known to himself, he shall presume to draw +his Picture, tho the <i>Absolver</i> drop another Chapter of Abuse upon +him for so doing.</p> + +<p>We find, for many Ages past, Poets have enjoy'd this Priviledge; our +Prince of Poets, <i>Chaucer,</i> had so much to do in this kind, that we +find him weary himself, and loth to weary others with.</p> + +<span class = "sidenote">Chaucer<a href = "#chaucer" name = +"notetag"> *</a></span> +<div class = "versepair"> +Of Freers I have told before,<br> +In a making of a Crede,</div> +<div class = "versepair"> +And yet I cold tell worse, or more,<br> +But Men would werien it to read. +</div> + +<p>This I think is pithy, but here again I think his Counsel to them is +much better.</p> + +<div class = "versepair"> +Fly fro the Prease and dwell with soothfastness,<br> +Suffice unto thy good, tho it be small,</div> +<div class = "versepair"> +For horde <ins class = "correction" title = "so in original">hath, +and</ins> climbing tickleness,<br> +Prease hath Envy, and wele is blent ore all;</div> +<div class = "verse"> +<ins class = "correction" title = "so in original">Savour</ins> no more +then thee behove shall,<br> +Rede wele thy self that other folk canst rede,<br> +And trouth thee shall deliver it is no drede. +</div> + +<p>Now if he be Moral enough to take old <i>Chaucer</i>'s Advice I shall +be glad; and so much for that subject. There is nothing now remains, +before I come to vindicate <i>Don Quixot</i>, but a large Remark of his, +upon the little or no swearing in Plays, which commonly is only a kind +of an Interjection, as gad, I cod, oonz, &<i>c.</i> which I don't +defend neither, and if any others have carelesly past the Press I'm +sorry for't, for I hate them as much as he, yet because the Doctor has +quoted the Statute Law against it and Players, to slander on one side, +tho to reform on t'other, I will in return quote another piece of Law +relating to Oaths, extreamly for his advantage, for there is only this +quibbling difference between us, 'Tis a fault in us in swearing when we +should not, and in him for not swearing when he should; but that now he +may have occasion to say my Civilities are particular to him, I will +make him do't.</p> + +<p><i>I </i>J.C.<i> do sincerely promise and swear, that I will be +faithful, and bear true Allegiance to His Majesty King </i>William<i>: +And I do swear that I do, from my heart, abhor, detest and abjure, as +Impious and Heretical, that damnable Doctrine and Position, that Princes +excommunicated, or depriv'd by the Pope, or any Authority of the See of +</i>Rome<i>, may be Depos'd or Murther'd by their Subjects, or any other +whatsoever.</i></p> + +<p><i>And I do declare that no Foreign Prince, Person, Prelate, State or +Potentate, hath, or aught to have, any Jurisdiction, Power, Superiority, +Preeminence or Authority, Ecclesiastical or Spiritual, within this +Realm.</i> So help me God.</p> + +<span class = "pagenum">16</span> +<p>This now, with a sincerity proper, and coming to Church to hear our +Divine Service, with the <i>Prayer</i> for the <i>King</i> in't, would +give one a little satisfaction as to the Doctors present opinion, for +what he has been, if you will but examine and scan it by his Book, tho +it be a Reforming Book, is I am sure very disputable; in one Page of it +he seems very zealous for the Protestant Reformation, and +says, +<span class = "sidenote">Collier, p. 108.</span> +being very much piqu'd at <i>Sir John Brute</i>'s putting on a +Clergy-man's Habit in the <i>Provok'd Wife</i>, <i>that the Church of +</i>England<i>, he means the Men in her, is the only communion in the +world, that will endure such insolencies as these</i>; and this, tho it +be somewhat <i>Bonnerish</i> again, and <i>Switcher</i>-like, yet +however seems to <ins class = "correction" +title = "reading uncertain, perhaps 'loer'">leer</ins> +of our side; but then presently in another +place he's as zealous for the <i>Roman</i> Sect, and Jesuitically +condemns a little wholesom Satyr in the Character of a pamper'd +hypocritical covetous <i>Spanish Fryer</i>, +<span class = "sidenote">Collier, p. 98.</span> +for incivility in making him a Pimp to <i>Lorenzo</i>, and is very angry +at the Author for calling this virtuous person <i>a parcel of holy Guts +and Garbidge</i>, and telling him <i>that he has room in his Belly for +his Church-steeple</i>; and here his Lash is up again for abusing +them—oh—if <i>Doctor Absolution</i> were Inquisitor general, +and a Satyrist against Priests came under his hand, mercy upon us, how +that poor Rascal would be flaug'd, for I find 'tis only the person of +the Priest that he would have reverenc'd, let his opinion be what it +will; nay, tho he were a <i>Priest of Baal</i>, as may be prov'd a +little further, for here his Zeal shews itself not only for Christians, +but the very <i>Turks</i> too; +<span class = "sidenote">Collier, p. 61.</span> +and cavils again with <i>Jacinta</i>, in the <i>Mock Astrologer</i>, for +jesting with <i>Alla</i>, and honest <i>Mahomet</i>, for he was a +Brother Priest too: But stay, what's worst of all, have but patience to +walk to another Page, and here you will find him just sinking into a +downright doze and despondency, whither he had best set up for any +Religion at all, or at least for one very indifferent.</p> + +<p> +<span class = "sidenote">Collier, p. 28.</span> +<i>Our Poets, I suppose, would call this Preaching, and think it a dull +business; however, I can't forbear saying, an honest Heathen is none of +the worst men, a very indifferent Religion well believ'd, will go a +great way</i>—Will it so, pray friends de'e not think our hot +reforming Gentleman is very Luke-warm here, or not a little craz'd when +he writ this, or, as the vulgar have it, was not his mighty Wit run a +Wool-gathering; for if he be for <i>Protestantism</i>, and +<i>Popery</i>, and then whip—amongst the <i>Bens of the +</i>Arabians<i> for </i>Alla<i> and </i>Mahomet<i>,</i> and at last for +little or no Religion at all, I'm afraid I shall never bring my self to +be reform'd by him. And so at him agen Weesil.</p> + +<div class = "verse"> +<span class = "sidenote"><i>Weesils</i>.</span> +For who with Reason, if this be your way,<br> +Will ever value what you Preach or Pray. +</div> + +<p>But now I think I have said enough for the Plays, whose Authors are +much better able to speak for themselves; and therefore will fall off to +vindicate my self a little, and my Acquaintance <i>Don Quixot</i>; in +which I will endeavour to prove another Immoral Vice in our +Stage-Reformer, which is</p> + +<h2>Injustice and Error in Criticism.</h2> + +<p>And first, his <i>Injustice</i> appears by his ungentlemanlike +exposing me and others by name, upon a scandalous occasion (as he +endeavours to +<span class = "pagenum">17</span> +<span class = "folionum">c</span> +make it) without any Injury done by me to him, or ever giving him any +provocation, or the Play's any way deserving it. Oh, but he'll say his +Conscience urg'd him to do it—No—not a jot; 'twas dear +darling Interest, in good faith, as shall hereafter appear; but in the +mean time I am planted upon the shoulders of a Gyant, which is the +Ingenious Author of the History of <i>Don Quixote</i>; and there indeed +he guesses right, tho he knows nothing of him or of his History, as I +will prove by and by, yet confidently, and Absolver-like, he ranges his +objections under three heads, which are every one malicious and false, +<i>viz.</i></p> + +<p>First, <i>The Prophaneness, with respect to Religion and the Holy +Scriptures</i>.</p> + +<p>Secondly, <i>The Abuse of the Clergy</i>.</p> + +<p>Thirdly, <i>The want of Modesty, and Regard to the +Audience</i>.</p> + +<p> +Well, to prove the Prophaneness, he first instances a bold Song of mine, +as he calls it, against Providence; four of the last lines of which he +is only pleas'd to shew ye. + +<div class = "versepair"> +<span class = "sidenote">D. Quix. <ins class = "correction" +title = "? part 1, page 20">p. 1. p. 20.</ins></span> +<i>But Providence, that form'd the fair<br> +In such a charming skin,</i></div> +<div class = "versepair"> +<i>Their outside made its only care,<br> +And never look'd within.</i> +</div> + +<p> +<span class = "sidenote">Collier p. 97.</span> +<i>Here</i>, says he, <i>the Poet tells ye Providence makes Mankind by +halves, huddles up the Soul, and takes the least care of the better +Moyety; this is direct blaspheming the Creation, and a Satyr upon God +Almighty</i>. Why, now this, I confess, is enough to provoke some heat +in a fellow of my Constitution, to hear this Religious Raving; but yet +it looks so like <i>Oliver's Porter's in Bedlam</i>, that I will be +calm, and patiently holding up my hand, plead <i>Not Guilty</i>—to +all of these objections. But first, pray why does he foyst in the word +Mankind here to express the Female Sex, when t'other word is so much +more proper. I did intend indeed a small Satyr upon <i>Womankind</i>, +pursuant to <i>Marcella</i>'s Character, and he has vary'd from that +word, I suppose, to amuse the Reader—I'll give ye the whole +Stanza.</p> + +<div class = "versepair"> +Did coy <i>Marcella</i> own a Soul<br> +As beauteous as her Eyes,</div> +<div class = "versepair"> +Her Judgment wou'd her Sence controul,<br> +And teach her how to prize.</div> +<div class = "versepair"> +But Providence, that form'd the fair<br> +In such a charming Skin,</div> +<div class = "versepair"> +Their outside made its only care,<br> +And never look'd within. +</div> + +<p>I only rally a pretty coy wench here for her sullen ill nature, +without any Satyr on the Deity, or any thing like it; for as to the +<i>Blasphemy</i>, as he calls it, by naming the word <i>Providence</i>, +'tis generally intended in Lyrical Poetry for <i>Goddess Nature</i>, or +<i>Fortune</i>, as Mr <i>Vanbrooke</i> notes; but never apply'd +seriously to the true Deity, but only by Dr <i>Crambo</i>. How often +have we this phrase in Poetry, <i>Nature has made her Body charming; see +her bright Eyes, the charming gifts of Nature</i>, &c. making use +still of the second cause instead of the first, which we yet know to be +the original of all. And 'tis no more Blasphemy to say that Providence +took more care of a perverse beautiful Womans Body than her Soul, than +'tis to say that the Sun made a gay Tulip flourish in a +Garden +<span class = "pagenum">18</span> +to delight the Eye, not caring three-pence tho it never smelt so sweet +as a Province rose.</p> + +<p>But I have a Rigid Critick and a Severe Inquisitor to deal +with—He will have a Satyr upon the true Deity, tho I intend +nothing of it. And to go on, my next advance he says is to Droll upon +the <i>Resurrection</i>; and to prove it, squirts out these two lines, +which are pick'd out of twenty—which he thinks are fit for his +purpose—</p> + +<div class = "verse"> +<span class = "sidenote">Ibid.</span> +<i>Sleep and Indulge thy self with rest,</i><br> +<i>Nor dream thou e're shalt rise again.</i> +</div> + +<p>Now you must know this Song was design'd a solemn piece of morality, +and sung as a Requiem or Dirge at the Funeral of <i>Ambrosio</i>—A +young Gentleman that dy'd for Love of the aforesaid +<i>Marcella</i>—You shall have it all, that you may judge what +Drolling is in't.</p> + +<span class = "sidenote">D. Quix. p 20.</span> +<div class = "versenum">(1.)</div> +<div class = "versepair"> +Sleep, sleep, poor Youth, sleep, sleep in Peace,<br> +Reliev'd from Love, and mortal care,</div> +<div class = "versepair"> +Whilst we that pine in Life's disease,<br> +Uncertain blest, less happy are. +</div> +<div class = "versenum">(2.)</div> +<div class = "versepair"> +Couch'd in the dark and silent Grave,<br> +No ills of Fate thou now canst fear;</div> +<div class = "versepair"> +No more shall Tyrant Power inslave,<br> +Or scornful Beauty be severe. +</div> +<div class = "versenum">(3.)</div> +<div class = "versepair"> +Wars, that do fatal storms disperse,<br> +Far from thy happy Mansion keep;</div> +<div class = "versepair"> +Earthquakes, that shake the Universe,<br> +Can't rock thee into sounder sleep. +</div> +<div class = "versenum">(4.)</div> +<div class = "versepair"> +With all the Charms of Peace possest,<br> +Secur'd from Life's tormentor, Pain:</div> +<div class = "versepair"> +Sleep and indulge thy self with rest,<br> +Nor dream thou e're shall rise again. +</div> +<div class = "versenum">(5.)</div> +<div class = "versepair"> +Past are the Pangs of fear and doubt,<br> +The Sun is from the Dial gone,</div> +<div class = "versepair"> +The Sands are sunk, the Glass is out,<br> +The folly of the Farce is done. +</div> + +<p>Now will I be judg'd by any reasonable Man, if these words +comparatively are not fitter for an <i>Anthem</i> than a Droll, but the +Reformers way of doing me Justice, is to take bits and morsels out of +things, that for want of the connexion, they may consequently appear +ridiculous, as here he does. Again, in his third objection against my +third Song, where he says— +<span class = "sidenote">Ibid.</span> +<i>I</i>, (that is in my own person) <i>make a jest of the Fall, rail at +</i>Adam<i> and </i>Eve<i>;</i> and then <i>Oliver's Porter</i>, raving +again, says, <i>I burlesque the Conduct of God Almighty</i>; now, pray +judge whether it ought to be Constru'd so or no. This Song is suppos'd +to be made and sung by <i>Gines de Passamonte</i>, a most notorious +Atheistical Villain, who, as he is going Chain'd to the Galleys, is +redeem'd from them by <i>Don Quixot</i> in his frantick fit; after +which, being extreamly pleas'd at +<span class = "pagenum">19</span> +<span class = "folionum">c2</span> +the success, he, to make his deliverer merry, entertains him with this +Vindication of a Rogue, which is indeed a Satyr upon Humanity in +general. I will add agen to our Criticks morsel, for he notes but the +four first lines in a place, and give ye one whole Stanza.</p> + +<div class = "verse3"> +When the World first knew Creation,<br> +A Rogue was a Top profession;<br> +When there were no more</div> +<div class = "verse4"> +In all Nature but four,</div> +<div class = "verse2"> +There were two of 'em in Transgression.</div> +<div class = "verse3"> +And the seeds are no less<br> +Since that we may guess,</div> +<div class = "verse2"> +But have in all Ages bin growing apace;</div> +<div class = "verse3"> +And Lying and Thieving,<br> +Craft, Pride and Deceiving,</div> +<div class = "verse2"> +Rage, Murder and Roaring,</div> +<div class = "verse3"> +Rape, Incest and Whoring,</div> +<div class = "verse"> +Branch out from Stock, the rank Vices in vogue,</div> +<div class = "verse2"> +And make all Mankind one Gigantical Rogue. +</div> + +<p>And so on: Now tho I grant this might be look'd on as prophane in it +self, without application, yet when spoken by one of his character, whom +I design to expose, it is no more than natural Character, and has so +little the quality of <ins class = "correction" title = "original reads +'Prohaneness'">Prophaneness</ins>, that my impartial Reader will find a +very good Moral in it, by the odious representation of such Atheistical +impudence; yet our good natur'd Critick makes me the Prophaner. He, +cramm'd full of wonderful Justice, makes me the <i>Vice</i> my self, +that only act the true duty of a Poet, and hold up the Glass for others +to see their <i>Vices</i> in, but his Malice will not be Authentick with +every one, no more than his next Addle Criticism, upon my using the word +<i>Redeemer</i> will bear the Test; for he that will argue that that +word may not be innocently spoken in Temporal Matters, because it is +sometimes us'd as a <i>Divine Attribute</i>, will prove himself rather a +Coxcomb than a Casuist: And yet for only this poor word the Cat with +Nine Tails are up again, and the Inquisitor in a rage cries +out, +<span class = "sidenote">Collier, p. 198.</span> +<i>these insolencies are too big for the Correction of a Pen</i>. Very +fine, what horrible correction this deserves, is easily judg'd, and I +believe 'twill be own'd too, that if Doctor Absolution (when the +charitable Prelates good Nature and Purse got him out of his Stone +Apartment yonder, into which <i>his bigotted obstinacy and not his +tender Conscience</i> had thrown him) did not think him his +<i>Redeemer</i>, and thank him as his <i>Redeemer</i>, he does not only +deserve Correction for his wicked ingratitude, (which <i>especially in +one of his Coat, is an immoral Cheat upon Heaven</i>) but to have the +same punishment that another of his Coat and Kidney lately had, for a +Cheat upon the Government and People.</p> + +<p>But to go on: In the next place he finds fault with my making sport +with Hell, and recites six Lines, which are made of Dogril Stuff, on +purpose by the Duke's Servants, who, for his diversion, Acting a kind of +Farce are to fright <i>Sancho</i> with Goblings and Furies—but to +shew his own Wit in the first Onset here, he has notably made the two +first Lines half nonsence.</p> +<span class = "pagenum">20</span> + +<div class = "verse2"> +<span class = "sidenote">Collier, p. 198.</span> +<i>Appear ye fat Fiends that in Limbo do groan,</i><br> +<i>That were, when in flesh, the same Souls as his own.</i></div> +<div class = "verse"> +Instead of ——<i>that wore when in flesh</i>, +&c.</div> +<div class = "verse2"> +<i>You that always in </i>Lucifer<i>'s Kitchin reside,</i><br> +<i>'Mongst Sea-coal and Kettles, and grease newly Try'd,</i><br> +<i>That pamper'd each day with the Garbidge of Souls,</i><br> +<i>Broil Rashers of Fools for a Break-fast on Coals.</i> +</div> + +<p>Words adapted only to <i>Sancho</i>'s Clownship, course Breeding, and +Kitchin Profession, and with no more intent of Impiety in them, than if +one should put on a Devils Vizard to play with a Child, does he note +again as horrible Prophaneness, and says he does me no wrong in't; now +if he insists that Hell is too serious a thing to ridicule, why, +perhaps, I think so too, in its Intense quality; but to act a Goblin, a +Ghost, a Frog, or a Fury, and to sing to a Country Clown of such Bugbear +matters, only to cause a little Diversion in a Noblemans House, has +always been very customary, especially at Festivals, and far from being +thought to ridicule the main matter. The <i>Absolver</i>, to turn back a +little, affirms indeed, That +<span class = "sidenote">Collier, p. 189.</span> +<i>those that bring Devils upon the <span class = "flag">stage</span>, +can hardly believe them any where else</i>; but I can give an instance, +that our famous <i>Ben Johnson</i>, who I will believe had a Conscience +as good as the Doctors, and who liv'd in as Pious an Age, in his Comedy +call'd the +<span class = "sidenote">Vid. <i>Devil's an Ass</i>, p. +9.</span> +<i>Devil's an Ass</i>, makes his first Scene a Solemn Hell, where +<i>Lucifer</i> sits in State with all his Privy-Council about him: and +when he makes an under Pug there beaten and fool'd by a Clod-pated +Squire and his wanton Wife, the Audience took the Representation +morally, and never keck'd at the matter. Nay, <i>Milton</i>, tho' upon +his secred Subject, comes very near the same thing too; but we must not +laugh at silly <i>Sancho</i>, nor put on a Devils face to fright him, +but we must be disciplin'd; nay, more, Presented for it. Here, tho' I +digress a little, I cannot forbear telling some, that were too busie in +doing that Office, that 'tis more easie to accuse our Writings for +Blasphemous, than to prove them to be so. To detect us indeed fairly, +and prove it upon us, would deserve severe Chastisement; but if it be +mistake, and our reputations are injur'd by Rashness and Injustice, or +Ignorance, reflection upon it is at least reasonable, and just reproof I +think not improper. But to go on; my next fault is the Ass that's +brought upon the Stage in the Epilogue, with two lines alluding to +<i>Balaam</i>'s.</p> + +<div class = "verse"> +<i>And as 'tis said a Parlous Ass once spoke,</i><br> +<i>When Crab-tree Cudgel did his rage provoke, &c.</i> +</div> + +<p>Here he says, +<span class = "sidenote">Collier, p. 199.</span> +<i>I brought the Ass in only to laugh at the Miracle</i>: Not I, truly, +I had no such intention upon my word; I brought the Ass in, and +<i>Dogget</i> upon him, only to make the Audience laugh at his figure at +the end of the Play, as well as they had at the beginning; but I believe +if I had put an <i>Absolver</i> upon his back, giving him a Blessing, it +would have been more divertive by half; but let him alone, the next +horrible Crime is, I meddle with Churchmen, and there +my +<span class = "sidenote">Collier, p. 200.</span> +<i>malice makes me</i>, he says, <i>lay about me like a Knight +Errant</i>; but I believe I shall prove, for all the modesty he pretends +to, that his malice is more in reference to Poets, than ever mine was to +Churchmen. Well, my Second Part begins, he says, with <i>Devil's being +brought upon the Stage</i>, who cries, +<span class = "pagenum">21</span> +<i>As he hopes to be sav'd; and </i>Sancho<i> warrants him a good +Christian.</i> Now this is a ridiculous mistake, for this Devil is only +a Butler, and a Jest of his <i>Giants</i>, the witty Author of the +History of <i>Don Quixot</i>, where one of the Duke's Servants acting a +Devils Part to fright the Knight and Squire, blunders it out before he +is aware, and <i>Sancho</i> hearing it, as foolishly replies. This would +be humorously witty now with any one but our Critick; but he's resolv'd +to see double, as he does presently again with my <i>deep-mouth'd +swearing</i> which he says is frequent, tho he has quoted none on't, and +therefore the Reader is not oblig'd to believe him. But then I have made +the <i>Curate </i><ins class = "correction" +title = "unclear: character's name is Pero Perez">Perez</ins><i> +assist at the ridiculous +Ceremony of </i>Don Quixot<i>;</i> I have so—what then?—but +I have made him <i>have wit enough</i>, however, to know <i>Don +Quixot</i> for a Madman; but then <i>Sancho</i>, by way of Proverb, +tells him, <i>Ah—Consider dear Sir, no Man is born wise</i>: to +which briskly replies the Doctor, +<span class = "sidenote">Collier, Ibid.</span> +<i>What if he were born wise, he might be bred a Fool</i>. Faith, no +Doctor: and to be free with ye, (<i>en Raillere</i>) as you have been +with me, must beg leave to tell ye, If you had been born wise enough to +be a Reformer, your Breeding could never have made ye Fool enough to be +an Absolver; I mean in a Case like you know what; but let us proceed. +The next is a swinger, and his Lash cuts even to the blood: for here +<i>Sancho</i>, full of innocent simplicity, says, <i>A Bishop is no more +than another Man, without Grace and good Breeding</i>. To which he +presently darts out, +<span class = "sidenote">Ibid.</span> +<i>I must needs say, if the Poet had any share of either of these +Qualities, he would be less bold with his Superiors, and not give his +Clowns the liberty to Droll thus heavily upon a solemn Character</i>. +Why, faith, now this is very hard, I have known a Country Wench name a +<i>Bishop</i> in the Burning-too of a Hasty-Pudding, and never heard +that any of the Reverend took it ill, because it was a Common Saying, +and below their notice. But poor <i>Sancbo</i>, or rather indeed +<i>Sancho</i>'s Poet, my self, must be corrected for it, tho the Phrase +be Moral, and no more than an honest truth: But come, since it must be +so, let me ask the <span class = "flag">doctor</span> why he does not +shew me an example for this himself, and <span class = +"flag">Practice</span> better before he Accuses; for let the Reader look +into his <i>Desertion Discuss'd</i> (for he shall find that I have +trac'd him through all his <span class = "flag">Writings) and</span> +page the 3d you will find him, I think, somewhat more guilty of this +fault than I have been, for there you'll +<span class = "picture"> +<a href = "images/pg21upper.png"><img src = "images/pg21upper.png" width += "425" height = "76" alt = "page image"></a> +</span> +see he insolently affirms, +<span class = "sidenote"><i>Desertion Discuss'd</i>, Anno +1688.</span> +<i>That the Succession cannot be interrupted by an Act of Parliament, +especially when the Royal Assent is given by a King </i>de Facto<i>, and +not </i>de Jure<i>.</i> And again; tho this next is hinted covertly, +with the meaning disguis'd, yet Sir <i>William Temple</i> in his +Memoirs, page 295, and the aforesaid Vindicater of the Stage, as well as +my self, have observed, that the <span class = "flag"><i>Absolver</i></span> +in the first Volume of his Essays, page 120, in his Chapter of the +<i><ins class = "correction" title = +"word unreadable">A </ins></i> tells us, +<span class = "sidenote"><i>Essays</i>, p.120.</span> +<i>Whether the honesty or dishonesty are discernable in the face, <span +class = "flag">is a question</span> which admits of dispute; King +</i>Charles<i> the Second thought he could depend upon these +Observations, but with submission, I believe an <span class = +"flag">instance</span> might be given, in which his Rules of Physiognomy +fail'd.</i> +<span class = "picture"> +<a href = "images/pg21lower.png"><img src = "images/pg21lower.png" width += "427" height = "76" alt = "page image"></a> +</span> +Now I'm sure the first is insolently plain, and the next shews enough to +let us into his meaning; which granted, I think I may say, he ought to +be less bold with his Superiors too, and not give himself the liberty to +treat at this rate, not only a Solemn, but a <i>Royal Character</i>. +Well, the next is, I, (naming me) take care to tell ye, +that +<span class = "pagenum">22</span> +<i>Sancho</i> is <i>a dry shrewd Countryfellow</i> in his Character, +<i>because he blunders out Proverbs upon all occasions, tho never so far +from the purpose</i>—and merrily drolls upon me for making +blundering and talking nothing to the purpose, an argument of +shrewdness—Why truly, I must confess to the Doctor, there is no +great matter in that Argument, and not much whither there be or +no—But, as unperforming as I am, I fancy I shall find as great a +Blunder in his performance presently— +<span class = "sidenote">Essays p. 118.</span> +<i>We ought to be just in our Looks, as well as in our Actions</i>, says +he in his Essays, <i>for the mind may be declar'd one way no less than +the other: A man might as good break his Word as his Face, especially +upon some Critical occasions</i>. Now what he means by a mans breaking +his Face there, unless he is to run his Nose against a Post, I can't +imagine; and therefore will set it down for a Blunder—And so +there's Tit for Tat, and the Dice in my hand still. But poor +<i>Sancho</i> is horribly unfortunate agen, for by and by he catches him +answering the Curate, who threatens him for calling him Finisher of +Fornication, and Conjunction Copulative, with Excommunication, +<span class = "sidenote">Collier, p. 201.</span> +<i>I care not if you do, says Sancho, I shall lose nothing by it but my +Nap in an afternoon</i>. Why truly this might be thought a little sawcy +from one in Trowsers, to one in a Cassock, especially as the Reformer +would have him reverenc'd. But perhaps this Pragmatical Curate +<i>Perez</i> was some <i>Non-Juror</i>, and poor <i>Sancho</i> did not +think he should profit by his Doctrine; and then the honest fellow was +much in the right. This puts me in mind of a passage in one of Mr +<i>Crown</i>'s Comedies, where a surly Joyner is rallying with a Doctor +of no very good Reputation too; <i>Sirrah, Sirrah, says the Doctor, I +shall have your Ears—No, No, says </i>Chizzel<i>, never when you +preach, Doctor</i>. Our Absolver may apply this now as he +pleases.</p> + +<p>And here are a bundle of faults together—<i>Jodolet</i>, +another Priest, is call'd +<span class = "sidenote">Ibid.</span> +holy Cormorant, only because he eats a Turkey, and drinks a Bottle or +two of Malaga for his Breakfast; and the Poet is jerk'd because a +gormandizing <i>Romish</i> Priest is call'd a Pimp agen; and the Duke's +Steward, <i>Manuel</i>, is no <i>witty pleasant fellow</i>, because he +calls the Chaplain, whom I mentioned in the beginning of my Preface, and +who is, no doubt, the sole occasion of this Gentleman's Pique to +me—Mr <i>Cuff-cushion</i>; and because having an insight into his +Character, he tells him, +<span class = "sidenote">Ibid.</span> +<i>a Whore is a Pulpit be loves</i>; but my hope is, that my Reader will +think him no fool for this, tho the Carper does, who then tells the +Chaplain <i>Saygrace</i>, <i>and he supposes prays to God to bless the +entertainment of the Devil</i>, tho there is not a word of a Grace spoke +at all; and after, when he grows hot, positive, and impertinent, which +the Duke his patron being at Table, only bears with, to divert himself, +he insolently calls <i>Don Quixot</i>, Don Coxcomb, who justly enrag'd, +returns him in this Language: +<span class = "sidenote">Collier, p. 202.</span> +<i>Oh thou vile black Fox, with a Firebrand in thy Tail, thou very +priest, thou kindler of all Mischiefs in all Nations, de'e hear, Homily, +did not the reverence I bear these Nobles—I would so thrum your +Cassock, you Church Vermin</i>—Here now, to shew his Justice he +slily stops and gives a dash, so makes it Nonsense, but I shall make +bold to piece it out again. <i>Did not the reverence I bear these +Nobles, tye up my hands from doing myself Justice, I would so thrum your +Cassock you Church Vermin</i>—Now, because my Reader shall find +that I have naturally pursu'd +<span class = "pagenum">23</span> +the character of this Chaplain, as <i>Don Quixot</i>'s Historian has +presented him to me, you shall hear what account he gives of him. Here +is, says he, +<span class = "sidenote">Shelton's <i>Translation of the History of +</i>D. Quix.<i> Chap.</i> 31. p. 152.</span> +<i>a good Character of a poor Pedant; one of them that govern great +men's Houses, one of those, that as they are not born Noble, so they +know not how to instruct those that are; one of those, that would have +great men's Liberality measur'd by the streightness of their own Minds; +one of those, that teaching those they govern to be frugal, would make +'em miserable.</i> Now this considerable person as you find him here, +who was indeed for his senseless humour of designing to +govern—us'd no otherwise than as the Buffoon of the +Family—takes upon him to call <i>Don Quixot</i> (whom the Authour +imbellishes, with all manner of learning and good sense, bating his +whimsical Chimęra of Knight Errantry,) <i>Goodman Dulpate</i> and <i>Don +Coxcomb</i>. Well, however the <i>Switcher</i> here has escap'd for his +usage of a <ins class = "correction" +title = "original reads 'Gentlemen'">Gentleman</ins> +in or near this manner, I believe my Judges +will agree, that my Knight was so far from injuring the sawcy +Trencherfly, by the reply he give him, that if he had not known and +practic'd good breeding, better than the other, he would have broke his +head into the bargain. As for his bidding him adieu in Language too +prophane and scandalous for our Reformer to relate, is impossible, for +he has prov'd often enough the contrary of that in his Book already. But +for the Song in the Fourth Act, where the Country Fellow says, <i>Folks +never mind now what those black Cattle say</i>: +<span class = "sidenote">Ibid.</span> +He is only suppos'd for another Bumpkin, that amongst the rest of the +Parishioners, had found out the Parsons blind side, and so behind his +back took occasion to put a joke upon him, as well as the rest in that +Satyr mention'd.</p> + +<p>And now his third place is to prove my want of Modesty, and regard to +the Audience—And here he's chewing his savoury word <i>Smutt</i> +agen, and says +<span class = "sidenote">Collier, p. 203.</span> +<i>Sancho</i> and <i>Teresa</i> talk it broad; but since his Modesty has +not quoted it, I hope my Reader will believe so well of mine, to think I +have not written it; I assure him I don't know of any. And I have prov'd +our Reformer can mistake, as he does of <i>Marcellas</i> Epilogue, who +Raves, he says, with Raptures of Indecency, when the poor Creature is so +cold, after her hot fit, that she rather wants a dram of the +Bottle—But now, Bounce, for a full charge of Small Shot; here he +has gather'd up a heap of Epithets together, without any words between, +or connexion to make 'em sense; and this he says I divert the Ladies +with—<i>Snotty nose, filthy vermin in the Beard, Nitty Jerkin, and +Louse snapper, with the Letter in the Chamber-pot, and natural +evacuation</i>. Why truly this is pretty stuff indeed, as his Ingenuity +has put it together—but I hope every one will own, that each of +these singly, when they are tagg'd to their sensible phrases, may be +proper enough in Farce or Low Comedy; but as he has modell'd 'em, 'tis +true they are very frightful—And if I had nothing to sing or say +to divert Ladies better than this, I should think my self so despicable, +that I would e'en get into the next Plot, amongst his Brother +Grumblers—then despairing, do some doughty thing to deserve +hanging, and depend upon no other comfort but his Absolution.</p> + +<p>I remember, being lately at St. <i>James</i>'s, this very part of the +Doctors Book was read or rather spelt out to me, with tickling +satisfaction, by one whose Wit and good Manners are known to be just of +the same +<span class = "pagenum">24</span> +weight, who, since he can be merry so easily, he shall laugh at some of +the Reformers Hotch-potch too, as I have mingled it for +him. +<span class = "sidenote">Collier's Epithetes.<br> +<br> +Collier, p. 257.</span> +<i>Jewish Tetragramaton, Stigian Frogs, reeking Pandęmoniums, Debauch'd +Protagonists, Nauseous Ribaldry, Ranting Smutt, Abominable Stench</i>, +Venus <i>and St </i>George Juliana<i>, the Witch and the Parson of +</i>Wrotham, +<i>with the admirable Popish story of the Woman that went to the +Play-House and brought home the Devil with her</i>—And the Devil's +in't indeed, if this charming Rhetorick of his, (since he calls mine so) +especially joyn'd with that fine story from <i>Tertullian</i>, don't +divert the Ladies as well as t'other; for 'tis very like a Catholick +miracle you must know, and the top wit of it is, that when the Parson is +Conjuring, <i>he asks the Devil how he durst attack a Christian?</i> +who, like an admirable Joker as he was, answers, <i>I have done nothing +but what I can justify, for I seiz'd her upon my own ground</i>. Now let +the Devil be as witty as he can, I am sure the story, maugre +<i>Tertullian</i>'s Authority, or the Doctor's either, is confounded +silly, and downright nonsense, what credit soever it has with him for +its likeness to Jesuiticism. And now I think I have prov'd too, that +<i>a Clergy man can speak nonsense, pass it for humour too, and gratify +his ease and his malice at once, without a Poet's putting his into his +Mouth</i>. And since we have been speaking of quibbling, I shall digress +a little to entertain the Reader on that subject. Our Critick rallies Mr +<i>Dryden</i>'s <i>Sancho</i> in <i>Love Triumphant</i>, for saying, +<i>dont provoke me, I'm mischievously bent</i>, to which <i>Carlos</i> a +man of sense replys, +<span class = "sidenote">Collier, p. 170.</span> +<i>nay you are bent enough in conscience, but I have a bent Fist for +Boxing; Here</i> says he (smartly) <i>you have a brace of quibbles +started in a line and a half</i>—Very true, you have so—But +suppose quibbling or punning—but I think this is call'd +punning—Is this Gentlemans humour—if so, being a Soldier, I +don't see it calls his sense in question at all—but now pray let's +see, how our Critick manages a quibble, with a blunder tack'd to the +Tail on't, in the page before, there, in the aforesaid Play, +<i>Celidea</i> in a passion cries,</p> + +<div class = "verse"> +<span class = "sidenote">Collier, p. 68.</span> +<i>Great Nature break thy Chain that links together<br> +The Fabrick of this Globe, and make a Chaos,<br> +Like that within my Soul</i>— +</div> + +<p><i>Now</i>, says the Doctor, keen as a Razor, <i>if she had call'd +for a Chair, instead of a Chaos, tripp'd off, and kept her folly to +herself, the woman had been wiser.</i> Calling for a Chair instead of a +Chaos is an extreme pretty Quibble truly—but if the Critick had +let the Chair-men have tripp'd off with her, instead of doing it herself +as she sat in a <ins class = "correction" +title = "original reads 'Chiar'">Chair</ins>, +I'm sure the blunder had been sav'd, and I think +he had exprest himself a little wiser than he has—And come, now my +hand's in, let's parallel Mr <i>Dryden</i> with our Reformer a little +longer—<i>Church-men</i> (says <i>Benducar</i> in <i>Don +Sebastian</i>,</p> + +<div class = "verse"> +<span class = "sidenote">Collier, p.104.</span> +<i>Tho they Itch to govern all,</i><br> +<i>Are silly, woful awkward Politicians,</i><br> +<i>They make lame mischiefs, tho they meant it well.</i> +</div> + +<p><i>So much the better</i>, says he, <i>for tis a sign they are not +beaten to the trade</i>—Oh, that's a mistake, Doctor, they may be +beaten to the Trade, and yet be bunglers—And proceeding:</p> + +<div class = "verse"> +<span class = "sidenote">Ibid.</span> +<i>Their Interest is not finely drawn, and hid,</i><br> +<i>But Seams are coursely bungled up, and seen.</i> +</div> + +<p> +<span class = "pagenum">25</span> +<span class = "folionum">d</span> +<i>These Lines</i>, says he, <i>are an Illustration taken from a +Taylor.</i> They are so, but what Justice is it in him to lessen 'em, +whose own flights are ten times more ridiculous: For example, talking +just before of tumbling the Elements together, he says, +<span class = "sidenote">Collier, p. 158.</span> +<i>and since we have shewn our skill of Vaulting on the High Ropes, a +little Tumbling on the Stage may not do amiss for variety</i>. And now I +will refer my self to the severest Critick of his party, whether an +Illustration taken from a Taylor is not better than one taken from a +Vagabond Rope-dancer, or Tumbler, forty times over; but his sense and +way of Writing he thinks will <ins class = "correction" title = +"original reads 'iufallibly'">infallibly</ins> overcome censure; not +with me I assure him, to confirm it I must remark him once more, and +then my digression shall end. He tells ye <i>Cleora</i>, in the Tragedy +of <i>Cleomenes</i>, <i>is not very charming, her part is to tell +you</i>, her Child suck'd to no purpose.</p> + +<div class = "verse"> +<span class = "sidenote">Cleomenes.</span> +<i>It pull'd and pull'd but now, but nothing came;</i><br> +<i>At last it drew so hard that the Blood follow'd,</i><br> +<i>And that red Milk I found upon its Lips,</i><br> +<i>Which made me swoon for fear.</i> +</div> + +<p>There, says he, <span class = "flag">is</span> a description of +sucking for ye: And then like another Devil of a Joker <ins class = +"correction" title = "original reads 'ruus'">runs</ins> on, truly <i>one +would think the Muse on't were scarcely wean'd</i>—Very likely; +and here I warrant he thinks his Witty Criticism, as safely hous'd now +as a Thief in a Mill, as the old Saw has it, did not his <ins class = +"correction" title = "so in original">plaguee</ins> want of Memory now +and then contrive to disgrace him; or if you turn to the thirty fourth +page of his Lampoon, as Mr <i>Vanbrooke</i> calls it, after he has been +comparing a fine young Lady to a <i>Setting-bitch-teacher.</i></p> + +<p><i>Lower yet—down, down</i>, and after he has been bringing +forth a Litter of Mr. <i>Congreeves</i> Epithetes, <span class = +"flag">as he</span> calls them, +<span class = "sidenote">Collier, p. 34.</span> +<i>soothing softness, sinking Ease, wafting Air, thrilling Fears, and +<span class = "flag">incessant</span> scalding Rain</i>, all Crude, just +as he did mine before, without any connexion of sense +to +'em: He tells ye more plain in <span class = "flag">troth than</span> +wittily, that +<span class = "sidenote">Ibid,<ins class = "correction" +title = "page number missing"> </ins>.</span> +<i>they make the Poem look like a Bitch overstock'd with <span class = +"flag">Puppies</span>, and suck <span class = "flag">the</span> sense +almost to Skin and Bone</i>. For a <span class = "flag">Child</span> to +suck <span class = "flag">the</span> Mother <span class = "flag">till +the</span> Blood follows, I think is not <span class = +"flag">unreasonable</span>, but for a <span class = "flag">Litter</span> +of <span class = "flag">Epithetes</span> to suck the sense of a Poem to +the Skin and Bone, is such Fustian <span class = "flag">stuff</span> +that nothing but a Creature, only fit for a Sucking-bottle, could be +<span class = "flag">Author</span> of—And now I think if he has +given me any <i>Crocus Metallorum</i>, I am even with him with a Dose of +<ins class = "correction" +title = "first letter uncertain"><i>Jollop</i></ins>, +and can whisk too from one Play to another +<span class = "picture"> +<a href = "images/pg25.png"><img src = "images/pg25.png" width = "469" +height = "174" alt = "page image"></a> +</span> +indifferently well, tho not so fast as he; for when I perus'd him first, +I could compare him to nothing but an Humble Bee in a Meadow, Buz upon +this Daizy, Hum upon that Clover, then upon that Butter-flower—sucking +of Honey, as he is of Sense—or as if upon the hunt for knowledge, +he could fly from hence to the Colledge at <i>Downy</i>, then to St. +<i>Peter</i>'s at <i>Rome</i>, then to <i>Mahomet</i> at <i>Mecha</i>, +then to the Inquisition at <i>Goa</i>—And then buz home again to +his own dormitory in <i><span class = "flag">Shooe</span>-lane</i>: And +so much for his injustice, now to his errour in Criticism again, and to +proceed in defence of <i>Don Quixot</i>.</p> + +<p><i>Mary</i> the Buxom, he says now swears faster 'tis false, and I +deny it, she is so far from swearing fast, that she does not (rude as +her character is) swear at all, unless the poor interjection +I'cod—by his Authority can be made an Oath; and then if you'll +peruse him on, here +<span class = "pagenum">26</span> +is a whole page and half upon this hint, +<span class = "sidenote">Collier, p. 204.</span> +That the Ladies must have left their Wits and Modesties behind them that +came, and lik'd her Words or Actions; and that her Nastiness, and dirty +Conversation, is a Midnight Cart, or a Dunghil, instead of an Ornamental +Scene. Now you don't find out our Gentlemans malicious meaning by this, +but I shall inform ye. He says, I'm sorry the Ladies brought their Wits +and Modesties with them, that came to see this Character; and yet all +the whole Town can witness, that as many of the Ladies as could get into +the Play-House came thither, to wait upon Her late <i>Majesty of Sacred +Memory</i>, who did me that honour only for my benefit; and who was of +so nice a Temper, relating to Modesty, that if so much as a hint had +been given her by those had seen it before, of such a thing as +Immodesty, she had never came, much less had been diverted, as she was, +when she did come; but this I take as striking at <i>her</i> through my +sides; and I think, to use his own words, +<span class = "sidenote">Collier, p. 206.</span> +<i>is above the Correction of the Pen</i>. The next is such senseless +malice, or ignorance, that it deserves a hoot; he finds <i>Manuel</i> in +<i>Don Quixot</i> (playing in his Farce for the Dukes diversion) +addressing to the Dutchess in this manner, in a Jargon of Phrase made +ridiculous on purpose: +<span class = "sidenote">Vid. Shelton's <i>Translation of </i>Don +Quixot<i>, p.</i> 205.</span> +<i>Illustrious beauty, I must desire to know whether the most +purifidiferous </i>Don Quixot<i> of the </i>Manchissima<i>, and the +Squireiferous </i>Pancha<i>, be in this Company or no</i>. To whom +<i>Sancho</i> replies, imitating, as he thinks this fine stile, <i>Why +lookee, forsooth, without any more flourishes, the Governor +</i>Pancha<i> is here, and </i>Don Quixotissimo<i> too, therefore, most +Afflictedissimous Matronissima, speak what you Willissimus, for we are +all ready to be your Servitorissimus</i>. And this now he inserts as my +own Invention and manner of Stile, which is taken <i>verbatim</i> from +the History of <i>Don Quixot</i>, and is by all those that can judge of +humour, very pleasant and fit for that purpose. Now if he has never read +that History, his ignorance has abus'd me; and if he has, his impudence +has, of which us perceiv'd he has Stock enough, for presently he worries +me for saying, in my Epistle Dedicatory to the Duchess of <i>Ormond</i>, +That +<span class = "sidenote">Collier, p. 207.</span> +<i>I date my good fortune from her prosperous influence</i>, and says +'tis <i>Astrological</i>. I don't know whether it has that sort of +Learning in't or no, but 'tis as good sense as when he says, like a Wag +as he is, that the Ladies fancy is just +<span class = "sidenote">Collier, p. 92.</span> +<i>slip-stocking high, and she seems to want sense more than her +Break-fast</i>. Fancy slip-stocking high? no, no, the merry Grig must +mean her pretty Leg was seen so high, for the Master of Art, I beg +pardon of the rest that their Title is scandaliz'd, could never mean +such Nonsence as t'other sure.</p> + +<p>And now drawing near to an end, his malice grows more plainly to a +head, by endeavouring to lessen my Credit with my Patron Mr. +<i>Montague</i>, whose generous Candor and good Nature to me, and indeed +to us all, he perhaps has heard of, for here our modest and moral +Critick, has either mistaken the words, or found out a slip of the +Press, which because it happens to be Nonsence, he has very gladly +exposed for mine; 'tis in my Epistle to my aforesaid Patron, +thus: +<span class = "sidenote">Collier, p. 207.</span> +<i>Had your Eyes shot the haughty Austerity upon me of a right Courtier, +your valued minutes had never been disturbed with dilatory Trifles of +this nature; but my heart, on dull Consideration of your Merit, had +supinely wish'd you Prosperity at a distance</i>. Mine in my Copy was +written [<i>due Consideration</i>] but Doctor Crambo will have you +believe, I consider'd so little to write the t'other; +but +<span class = "pagenum">27</span> +<span class = "folionum">d2</span> +now I will hold twenty Stubble Geese to the same number of Tithe Pigs, +whenever he is preferr'd to be a Curate again, that I make my Patron +smile more at my Entertainment of him at his own Cost, than ever he did +at his quoting my <i>dull Consideration</i>, which no body but the +<i>dull Absolver</i> could imagine a Man with any Brains could write. +And to prove I have yet a few, I will try to Paraphrase upon his Farewel +to me, the Translation in Verse, but the Reader shall have his +first.</p> + +<div class = "verse"> +<span class = "sidenote"><ins class = "correction" title = +"page reference missing">Collier,</ins></span> +<i>I like an Author that Reforms the Age,<br> +And keeps the right Decorum of the Stage;<br> +That always pleases by Just Reason's Rule;<br> +But for a tedious Droll, a quibbling Fool,<br> +Who with low nauseous Bawdry fills his Plays,<br> +Let him be gone, and on two Tressels raise<br> +Some </i>Smithfield<i> Stage, where he may act his Pranks,<br> +And make </i>Jack Puddings<i> speak to Mountebanks.</i> +</div> + +<p>Your humble Servant good Doctor—Well, now for +me.</p> + +<div class = "verse"> +I like a Parson, that no Souls does Lurch,<br> +And keeps the true Decorum of the Church;<br> +That always preaches by Just Reason's Rule;<br> +But for a Hypocrite, a Canting Fool,<br> +Who, cramm'd with Malice, takes the Rebels side,<br> +<i>And would, for Conscience, palm on us his Pride,</i><br> +<span class = "sidenote">* <i>A Savage kind of People in the West of</i> +England.</span> +Let him, for Stipend, to the *<i>Gubbins</i> sail,<br> +And there Hold-forth for Crusts and Juggs of Ale. +</div> + +<p>And so much by way of Prose, I shall only now give the Reformer a +little further Advice, in return of his, in my Lyrical way, which is in +a Fable of <i>A Dog and an Otter</i>; and to turn his own words upon +him, the Citation may possibly be of some service to him, for if not +concern'd in the Application, he may at least be precaution'd by the +Moral. I find he knows I can sing to other Peoples sense, I'll try now +if I can make him sing to mine: And when he Diverts, or is Diverted with +<i>Vox</i>, then, <i>Preterea nihil</i>.</p> +<hr> +<br> +<div class = "mynote"> +<a name = "chaucer" href = "#notetag">* </a>Transcriber's Footnote: +"Chaucer"<br> +<br> +Neither of the quoted passages is by Chaucer. The first is from <i>The +Plowman's Tale</i>, written about 1380 and traditionally attributed to +Chaucer:<br> +<div class = "versepair"> +Of freres I have tolde before,<br> +In a makynge of a Crede. +</div> +<div class = "versepair"> +And yet I coulde tell worse and more,<br> +But men wolde weryen it to rede. +</div> +The second was printed in "Tottel's Miscellany" (Richard Tottel, +<i>Songes and Sonettes...</i>), 1557:<br> +<div class = "verse"> +Flee frõ the prese & dwell with sothfastnes<br> +Suffise to thee thy good though it be small,<br> +For horde hath hate and climyng ticklenesse<br> +Praise hath enuy, and weall is blinde in all<br> +Fauour no more, then thee behoue shall.<br> +Rede well thy self that others well canst rede,<br> +And trouth shall the deliuer it is no drede. +</div> +</div> +<br> +<hr> +<a name = "maxims"> </a><br> +<p align = "center"><font size = "+3"><i>Maxims</i> and +<i>Reflections</i></font></p> + +<p align = "center">UPON</p> + +<p align = "center"><font size = "+4"><span class = +"extended"> PLAYS</span></font></p> + +<p align = "center">(<i>In Answer to a Discourse,</i> Of <i>the +Lawfullness<br> +and Vnlawfullness of PLAYS. Printed<br> +Before a late <span class = "extended">PLAY</span> Entituled,<br> +BEAVTY</i> in <i>DISTRESS</i>.)</p> +<hr class = "small"> +<p align = "center"><font size = "+1">Written in +<span class = "extended"><i>FRENCH</i></span> by<br> +the Bp. of <span class = "extended"><i>MEAVX</i></span>.</font></p> + +<p align = "center">And now made <i>ENGLISH</i>.</p> +<hr class = "small"> +<p align = "center">The PREFACE By another <i>HAND</i>.</p> +<hr class = "small"> +<p align = "center"><i>LONDON</i>,<br> +Printed for <b>R. Sare</b>, at <i>Grays-Inn</i> Gate, in<br> +<i>Holborne</i>. 1699.</p> +<br> +<hr> + +<span class = "pagenum">|</span> +<span class = "folionum">A2</span> + +<h1>THE PREFACE</h1> + +<p><i>The Charge drawn up by </i>Mr. Collier<i>, +against the English Stage hath obliged +the Persons concerned in it, to use all +possible methods for their own Vindication. But +their Endeavours of this kind have been such as +seem to have done no great Service to their Cause. +The natural Reflection, arising upon the present +State of the Controversy, is, that, when Persons so +nearly concerned and so well qualified, to say all that +the case will bear, have yet been able to say so little +to the main points of the Accusation brought against +them, the only effectual Reply would be either to +write no more for the Stage, or to write for it after +quite another manner, than of late hath been done. +They that have attempted to answer the </i>View<i> are in +good hands already. But since other Succours are +called in from abroad, 'tis fit the World should +know, that this Reserve too hath been already defeated +in it's own Countrey. And that we ought not +to be imposed upon here in England, with an Adversary,</i> +<span class = "pagenum">|</span> +<i>whose Arguments have been not only confuted +and Scorned by Others, but also retracted by Himself, at home.</i></p> + +<p><i>That Moroseness of humour, which Some in great +good manners have of late been pleased to fix upon +the English as their peculiar Character, might +<ins class = "correction" title = +"original reads 'possiby'">possibly</ins> +be thought to dispose us to a blameable Extreme +of Rigor in these matters. And therefore a Forreign +Authority was artificially enough brought in, to +reproach our pretended Niceness and Austerity. +But when the Arguments of this Reply are observed +to carry the Point as high, as even the so much +upbraided </i>View<i> it self; All but the Willfully blind +must see, that even the Gayeties of France could not +endure the Corruptions of the Modern Theatres. +And that the Complaints against such detestable +Abuses are not due to any Quality of the Climate, +or particular turn of Temper; but to the common +and uniform Principles of Christianity and Virtue, +which are the same in every Nation, professing to be +governed by them.</i></p> + +<p><i>To give that </i>Discourse<i> a better face, it is introduced +by way of Letter from a </i>Worthy Divine<i> +of the Church of England; and published +before a late Play called </i>Beauty in Distress. +<span class = "sidenote"><i>P. IX. X. XXVI.</i></span> +<i>Tis said to be approved, and recommended by that Reverend +Person, for the satisfying some Scruples, +</i>whether a man may Lawfully write for the +Stage<i>. For a full Resolution whereof the doubting +Poet is referred to this </i>Discourse<i>, as that which +is presumed </i>to come fully up to his purpose<i>. +But we are not told, whether the </i>Divine<i> or the </i>Poet<i>, +or who else was the Translator of this Discourse: Or +whether that </i>Worthy<i> Friend perused it in French, +or in English only. Which yet in the present Case</i> +<span class = "pagenum">|</span> +<span class = "folionum">A3</span> +<i>are Material Circumstances, and such as ought not +to have been concealed, for Two Reasons particularly, +which I hold myself obliged to give the Reader +Intimation of.</i></p> + +<p><i>The First is, That the following Reply produces +and answers some Passages of the French Discourse, +not to be found in the English. And these not only +Expressions or single Sentences, but entire Arguments. +Such is that of Plays being a Diversion +suitable to the Design of instituting the Sabbath. +Such again That which justifies the Acting them +the whole Lent throughout. Now this manner of +dealing is not exactly agreeable with that</i> +<span class = "sidenote"><i>P. IX.</i></span> +Impartiality<i> and </i>Freedom<i> promised +in the beginning of the </i>Worthy Divines<i> Letter. +And therefore I can +very hardly be perswaded, that One of that Character +and Function, had the Forming of the </i>Discourse<i>, +in the manner it now appears before </i>Mr. M's.<i> +Play.</i></p> + +<p><i>The other Reason, why I Suspect the </i>Discourse<i> +not to be translated, or indeed so throughly approved, +by a </i>Divine of the Church of England<i>, is, +that, even in what does appear there, he speaks very +favourably of acting Plays upon Sundays. Now +admitting, that all the Profession are not such +sowr Criticks as </i>Mr. Collier<i>, yet this is a Liberty, +which I do not remember to have heard, that any +Modern Divines of that Church allow. And +whatever the Poet's Friend may be in </i>His<i> +esteem, I shrewdly suspect, that He would hardly +pass for a very </i>Worthy Divine<i>, who should so far +Countenance these </i>Diversions<i>, as to let them into +a share of that Holy day, dedicated to the Worship +and more immediate Service of Almighty +God,</i></p> + +<span class = "pagenum">|</span> +<p><i>One would not hastily question Testimonies +in matters of Fact, where there appears any probable +Arguments to support them. And therefore +I am far from objecting against the Knowledge and +Integrity of the Booksellers called in to vouch for +that Letter, But withall I must beg leave to +think it strange, that a Person of Learning and +Character should so incautiously espouse a </i>Discourse<i>, +and recommend it for the direction of a Gentleman's +Conscience, who consulted him for Advice; the Reasoning +whereof is not only so weak and Superficiall, +but grounded upon Misconstruction in some, and +Misrepresentation in Other Authorities cited by it. +Methinks these ought to have been well examined, +before a man had so perfectly gone into the Consequences +drawn from them: such of them at least as +are exceeding obvious, and might have been detected +by recurring to Books, which almost every +Divine hath ready at hand.</i></p> + +<p><i>In this translated Reply the Reader will not have +cause to complain of such Neglect. The Passages +out of </i>Thom: Aquinas, St. Jerom<i>, and some +others, have been diligently compared, and the Originals +faithfully inserted in most material points. +And I cannot but wish, that this Book, extant at +Paris ever since </i>1694<i>, had fallen into the hands +of this Doubting Gentleman, instead of that </i>Discourse<i>, +which it was intended to confute: That neither +the Translator, nor his Friend the </i>Worthy +Divine<i>, might have given themselves the Trouble +of a Vindication of Plays; so reproachfully treated, +and so substantially answered, that one would wonder +it should have the confidence to appear in English afterwards, +to tempt the same Scorn here, when followed +cross the Seas by the Bishop of Meaux.</i></p> + +<span class = "pagenum">|</span> +<span class = "folionum">A4</span> +<p><i>By some expressions, I confess one might +be apt to think, that the Author of the Discourse +was not perfectly known. But of that no +reasonable Doubt can remain, when we find +the Replyer to have retracted: and Submitted +to the Censure of the Church, Why the Author +expresses himself in Terms so soft and general +I undertake not to determine. He +might in Tenderness forbear his Adversarys +Name; He might be content to look upon him +as an unwary Publisher, rather than the +Writer; and, after Submission made, might +charitably desire, as far as might be, to cover +his Reproach. It Suffices, that the Opinions +in the Book be confuted, and exposed to shame; +and when this is done in the Punishment of +the Reputed Author, the matter is not great, if +the Name from thenceforth be forgotten. If +Mons'r </i>Caffaro<i> had the Hardiness to assert +a Tract so unworthy his Character, his Answerer +would not add perhaps to the Scandall, +when that Shame had been taken to himself, +with a Remorse becoming the Fact. But be +this how it will, Censures, we know, are not inflicted +upon </i>Indefinite Some-bodies<i>; that +such were inflicted, and a Retractation made, +the very first period is peremptory: And I +hope the Bp. of Meaux, and his manner of +writing, are at least as credible an Evidence +of this, as the Booksellers can be Allowed to</i> +<span class = "pagenum">|</span> +<i>be, of that Letter being genuine, which refers +</i>Mr. M's<i> Conscience to the </i>Discourse<i> for +Satisfaction.</i></p> + +<p><i>I am heartily glad, if the Plays written by +that ingenious Gentleman are so chast and +inoffensive, as he declares them to be. The +rather, because the Success he mentions overthrows +that frivolous Pretence, of the Poets +lying under a Necessity of writing lewdly in +order to please the Town. And if this Gentleman +do yet retain the same tenderness of +doing nothing for Gain or Glory, which does +not strictly become him: If he be still as +desirous to be satisfied what does, or does not, +become him to do, with regard to the matter in +hand, as I ought to presume he was, when he +consulted his Friend, I would make it my +request, that this Reply may be Seriously and +impartially considered. And I cannot but +hope, that it may disabuse him of the Errours +the </i>Discourse<i> might lead him into, and I am +much mistaken, if, upon these Terms, he ever +writes for the Stage any more. Prejudice and +Passion, Vainglory and Profit, not Reason, +and Virtue, and the Common Good, seem but +too plainly, to support this Practice, and the +Defence of it, as the matter is at present +managed among us. And a Person of </i>Mr. M's<i> +Parts and Attainments cannot be at a loss, for +much nobler subjects to employ them upon.</i></p> + +<span class = "pagenum">|</span> +<p><i>A Popular one perhaps it may be, but +sure a wilder Suggestion, never was offered to +men of Common sense, than, that </i>if the Stage +be damned<i>, the </i>Art used<i> by </i>Moses, and +David, and Solomon, must be no more. +<span class = "sidenote"><i>See Mr. D's. verses before Beauty, +in Distress.</i></span> +<i>Are we fallen into an Age so incapable of of +distinguishing, that there should be no visible +difference left between, the Excellencies and the +Abuse of any Art? No. </i>Mr: Dryden<i> himself +hath taught us better. We will have all +due regard for the Author of </i>Absalom<i> and +</i>Achitophel<i>, and several other pieces of just +renown, and should admire him for a rich Vein of +Poetry, though he had never written a Play +in his whole Life. Nor shall we think our selves +obliged to burn the Translation of </i>Virgil<i> by +vertue of that sentence, which seems here to be +pronounced upon that of the Fourth Book of +</i>Lucretius<i>. The World, I Suppose, are not +all agreed, that then is but </i>One<i> Sort of Poetry, +and as far from allowing, that the </i>Dramatick<i>, is +that One. They who write after those</i> Divine, +Patterns of Moses &c<i>: will be no whit the less +Poets, though there were not a Theatre left +upon the Face of the Earth; Their Honours +will be more deserved, Their Laurells more verdant +and lasting, when blemished with none of +those Reproaches from Others, or their own +breasts, which are due to the Corrupters of +Mankind, And such are all They, who soften</i> +<span class = "pagenum">|</span> +<i>men's abhorrence of Vice, and cherish their +dangerous Passions. To tell us then, that All, +even Divine, Poetry must be silenced and +for ever lost, when the Play-houses are once +shut up, is to impose too grossely upon our +Understandings. And their Sophistry bears +hard, methinks, upon Profaneness, which insinuates +the Hymns dictated by the Holy Spirit, +of God, to be so nearly related to the Modern +Compositions for the Stage, that both must of +necessity stand and fall together.</i></p> + +<p><i>If Poetry have of late sunk in its credit, +that misfortune is owing to the degenerate and +Mercenary Pens, of some who have set up for +the great Masters of it. No man I presume, +is for exterminating that noble Art, no not +even in the </i>Dramatick<i> part; provided it can +be effectually reformed. But if the Reformation +of the Stage be no longer practicable, reason +good that the incurable Evil should be cut +off: If it be practicable, let the Persons concerned +give Evidence of it to the World, by +tempering their Wit so, as to render it Serviceable +to Virtuous purposes, without giving +just offence to wise, and Good men. For +it is not the Pretence of a good Design which +can free the Undertakers from Blame, unless +the Goodness of the end and Intention be Seconded +with a Prudent Management of the +Means. And if Matters once should come to</i> +<span class = "pagenum">|</span> +<i>that Extremity, better and much more becoming +of the Two, no doubt it were, that our +</i>Maker's Praises should be sunk into Prose<i> +(as this Ingenious Person phrases it) than that +in the midst of a Christan City, that </i>Maker<i> +should be six days in seven publickly insulted +and blasphemed in poetry.</i></p> +<br> +<hr> +<br> +<p align = "center"><a name = "ARSpubs"><font size = "+1">THE AUGUSTAN +REPRINT SOCIETY</font></a><br> +<br> +ANNOUNCES ITS<br> +<br> +<i><font size = "+2">Publications for the Third Year (1948-1949)</font></i></p> + +<!--PG hyperlinks begin here--> + +<div class = "mynote"> +[Transcriber's Note:<br> +Most of the listed titles are or will be available from Project +Gutenberg. Where possible, a link to the e-text is given.] +</div> +<br> +<table> +<tr> +<td></td> +<td class = "ARS"> +<i>At least two</i> items will be printed from each of the +<i>three</i> following groups:<br> +<br> +</td> +</tr> +<tr> +<td class = "ARS">Series IV:</td> +<td class = "ARS"> +Men, Manners, and Critics<br> +Sir John Falstaff (pseud.), <i>The Theatre </i>(1720).<br> +Aaron Hill, <a href = "https://www.gutenberg.org/etext/15870">Preface to +<i>The Creation</i></a>; and Thomas Brereton, Preface to <i>Esther</i>.<br> +Ned Ward, Selected Tracts.<br> +</td> +</tr> +<tr> +<td class = "ARS">Series V:</td> +<td class = "ARS"> +Drama<br> +Edward Moore, <a href = "https://www.gutenberg.org/etext/16267"><i>The +Gamester</i></a> (1753).<br> +Nevil Payne, <i>Fatal Jealousy </i>(1673).<br> +Mrs. Centlivre, <i>The Busie Body </i>(1709).<br> +Charles Macklin, <i>Man of the World </i>(1781).<br> +</td> +</tr> +<tr> +<td class = "ARS">Series VI:</td> +<td class = "ARS"> +Poetry and Language<br> +John Oldmixon, <i>Reflections on Dr. Swift's Letter to Harley </i>(1712); +and Arthur Mainwaring, <i>The British Academy </i>(1712).<br> +Pierre Nicole, <i>De Epigrammate</i>.<br> +Andre Dacier, Essay on Lyric Poetry. +</td> +</tr> +</table> +<br> +<hr> +<br> +<p align = "center"><font size = "+1"><i>THE AUGUSTAN REPRINT +SOCIETY</i></font><br> +<br> +MAKES AVAILABLE<br> +<br> +<br> +<font size = "+2"><i>Inexpensive Reprints of Rare Materials</i></font><br> +<br> +<br> +FROM<br> +<br> +ENGLISH LITERATURE OF THE<br> +SEVENTEENTH AND EIGHTEENTH CENTURIES</p> + +<div class = "indent">Students, scholars, and bibliographers +of literature, history, and +philology will find the publications valuable. <i>The Johnsonian News +Letter</i> has said of them: "Excellent facsimiles, and cheap in +price, these represent the triumph of modern scientific reproduction. +Be sure to become a subscriber; and take it upon yourself to see that +your college library is on the mailing list."</div> + +<div class = "indent">The Augustan Reprint Society is a +non-profit, scholarly +organization, run without overhead expense. By careful management it +is able to offer at least six publications each year at the unusually +low membership fee of $2.50 per year in the United States and Canada, +and $2.75 in Great Britain and the continent.</div> + +<div class = "indent">Libraries as well as individuals are +eligible for membership. Since +the publications are issued without profit, however, no discount can +be allowed to libraries, agents, or booksellers.</div> + +<div class = "indent">New members may still obtain a complete +run of the first year's +publications for $2.50, the annual membership fee.</div> + +<div class = "indent">During the first two years the publications +are issued in three +series: I. Essays on Wit; II. Essays on Poetry and Language; and III. +Essays on the Stage.</div> +<br> +<br> +<table> +<tr align = "center"><td colspan = "2"><i><b>PUBLICATIONS FOR THE +FIRST YEAR (1946-1947)</b></i><br> +<br> +</td> +</tr> +<tr> +<td width = "25%" class = "ARS">MAY, 1946:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/13484">Series +I, No. 1</a>—Richard Blackmore's <i>Essay upon Wit</i> (1716), and +Addison's <i>Freeholder</i> No. 45 (1716).</td> +</tr> +<tr> +<td class = "ARS">JULY, 1946: </td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/14528">Series +II, No. 1</a>—Samuel Cobb's <i>Of Poetry</i> and <i>Discourse on +Criticism</i> (1707)</td> +</tr> +<tr> +<td class = "ARS">SEPT., 1946:</td> +<td class = "ARS">Series III, No. 1—Anon., <i>Letter to A.H. +Esq.; concerning the Stage</i> (1698), and Richard Willis' <i>Occasional +Paper</i> No. IX (1698).</td> +</tr> +<tr> +<td class = "ARS">NOV., 1946:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/14973">Series +I, No. 2</a>—Anon., <i>Essay on Wit</i> (1748), together with +Characters by Flecknoe, and Joseph Warton's <i>Adventurer</i> Nos. 127 +and 133.</td> +</tr> +<tr> +<td class = "ARS">JAN., 1947:</td> +<td class = "ARS">Series II, No. 2—Samuel Wesley's <i>Epistle to a +Friend Concerning Poetry</i> (1700) and <i>Essay on Heroic Poetry</i> (1693).</td> +</tr> +<tr> +<td class = "ARS">MARCH, 1947:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/15656">Series +III, No. 2</a>—Anon., <i>Representation of the Impiety and +Immorality of the Stage</i> (1704) and anon., <i>Some Thoughts Concerning +the Stage</i> (1704).</td> +</tr> +<tr align = "center"><td colspan = "2"> + <br> + <br> +<i><b>PUBLICATIONS FOR THE SECOND YEAR (1947-1948)</b></i><br> +<br> +</td> +</tr> +<tr> +<td class = "ARS">MAY, 1947:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/14800">Series +I, No. 3</a>—John Gay's <i>The Present State of Wit</i>; and a +section on Wit from <i>The English Theophrastus</i>. With an +Introduction by Donald Bond.</td> +</tr> +<tr> +<td class = "ARS">JULY, 1947:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/14495">Series +II, No. 3</a>—Rapin's <i>De Carmine Pastorali,</i> translated +by Creech. With an Introduction by J. E. Congleton.</td> +</tr> +<tr> +<td class = "ARS">SEPT., 1947:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/14899">Series +III, No. 3</a>—T. Hanmer's (?) <i>Some Remarks on the Tragedy +of Hamlet</i>. With an Introduction by Clarence D. Thorpe.</td> +</tr> +<tr> +<td class = "ARS">NOV., 1947:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/16233">Series +I, No. 4</a>—Corbyn Morris' <i>Essay towards Fixing the True +Standards of Wit,</i> etc. With an Introduction by James L. Clifford.</td> +</tr> +<tr> +<td class = "ARS">JAN., 1948:</td> +<td class = "ARS"><a href = "https://www.gutenberg.org/etext/15313">Series +II, No. 4</a>—Thomas Purney's <i>Discourse on the +Pastoral</i>. With an Introduction by Earl Wasserman.</td> +</tr> +<tr> +<td class = "ARS">MARCH, 1948:</td> +<td class = "ARS">Series III, No. 4—Essays on the Stage, selected, +with an Introduction by Joseph Wood Krutch.</td> +</tr> +</table> +<br> +<br> +<div class = "indent">The list of publications is subject to modification +in response to requests by members. From time to time Bibliographical +Notes will be included in the issues. Each issue contains an Introduction +by a scholar of special competence in the field represented.</div> + +<div class = "indent">The Augustan Reprints are available only to +members. They will never be offered at "remainder" prices.</div> +<br> +<p align = "center"><i>GENERAL EDITORS</i><br> +<br> +<span class = "smallcaps">Richard C. Boys</span>, <i>University of +Michigan</i><br> +<span class = "smallcaps">Edward Niles Hooker</span>, <i>University of +California, Los Angeles</i><br> +<span class = "smallcaps">H. T. Swedenberg, Jr.</span>, <i>University +of California, Los Angeles</i><br> +<br> +<br> +<i>ADVISORY EDITORS</i><br> +<br> +<span class = "smallcaps">Emmett L. Avery</span>, <i>State College of +Washington</i><br> +<span class = "smallcaps">Louis I. Bredvold</span>, <i>University of +Michigan</i><br> +<span class = "smallcaps">Benjamin Boyce</span>, <i>University of +Nebraska</i><br> +<span class = "smallcaps">Cleanth Brooks</span>, <i>Louisiana State +University</i><br> +<span class = "smallcaps">James L. Clifford</span>, <i>Columbia +University</i><br> +<span class = "smallcaps">Arthur Friedman</span>, <i>University of +Chicago</i><br> +<span class = "smallcaps">Samuel H. Monk</span>, <i>University of +Minnesota</i><br> +<span class = "smallcaps">James Sutherland</span>, <i>Queen Mary +College, London</i></p> +<br> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Essays on the Stage, by Thomas D'Urfey and Bossuet + +*** END OF THIS PROJECT GUTENBERG EBOOK ESSAYS ON THE STAGE *** + +***** This file should be named 16335-h.htm or 16335-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/3/3/16335/ + +Produced by Louise Hope, David Starner and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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