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+The Project Gutenberg EBook of The Poems of Henry Van Dyke, by Henry Van Dyke
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Poems of Henry Van Dyke
+
+Author: Henry Van Dyke
+
+Release Date: July 7, 2005 [EBook #16229]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE POEMS OF HENRY VAN DYKE ***
+
+
+
+
+Produced by Jonathan Ingram, Daniel Emerson Griffith and
+the Online Distributed Proofreading Team at
+https://www.pgdp.net
+
+
+
+
+
+BY HENRY VAN DYKE
+
+ Six Days of the Week
+
+ Little Rivers
+ Fisherman's Luck
+ Days Off
+ Out-of-Doors in the Holy Land
+
+ The Ruling Passion
+ The Blue Flower
+ The Unknown Quantity
+ The Valley of Vision
+
+ Camp-Fires and Guide-Posts
+ Companionable Books
+
+ Poems, Collection in one volume
+
+ Songs out of Doors
+ Golden Stars
+ The Red Flower
+ The Grand Canyon, and Other Poems
+ The White Bees, and Other Poems
+ The Builders, and Other Poems
+ Music, and Other Poems
+ The Toiling of Felix, and Other Poems
+ The House of Rimmon
+
+ Studies in Tennyson
+ Poems of Tennyson
+ Fighting for Peace
+
+ CHARLES SCRIBNER'S SONS
+
+
+
+
+THE POEMS OF
+
+HENRY VAN DYKE
+
+
+A NEW AND REVISED EDITION
+WITH MANY HITHERTO UNCOLLECTED
+
+
+LONDON ARTHUR F. BIRD MCMXXV
+
+[From an edition:]
+Printed by The Scribner Press,
+New York, U.S.A.
+
+
+Dedicated in Friendship to
+
+KATRINA TRASK
+
+AND
+
+JOHN HUSTON FINLEY
+
+
+
+
+CONTENTS
+
+
+SONGS OUT OF DOORS
+
+EARLY VERSES
+
+ The After-Echo
+ Dulciora
+ Three Alpine Sonnets
+ Matins
+ The Parting and the Coming Guest
+ If All the Skies
+ Wings of a Dove
+ The Fall of the Leaves
+ A Snow-Song
+ Roslin and Hawthornden
+
+
+SONGS OUT OF DOORS
+
+LATER POEMS
+
+ When Tulips Bloom
+ The Whip-Poor-Will
+ The Lily of Yorrow
+ The Veery
+ The Song-Sparrow
+ The Maryland Yellow-Throat
+ A November Daisy
+ The Angler's Reveille
+ The Ruby-Crowned Kinglet
+ School
+ Indian Summer
+ Spring in the North
+ Spring in the South
+ A Noon Song
+ Light Between the Trees
+ The Hermit Thrush
+ Turn o' the Tide
+ Sierra Madre
+ The Grand Canyon
+ The Heavenly Hills of Holland
+ Flood-Tide of Flowers
+ God of the Open Air
+
+
+NARRATIVE POEMS
+
+ The Toiling of Felix
+ Vera
+ Another Chance
+ A Legend of Service
+ The White Bees
+ New Year's Eve
+ The Vain King
+ The Foolish Fir-Tree
+ "Gran' Boule"
+ Heroes of the "Titanic"
+ The Standard-Bearer
+ The Proud Lady
+
+
+LABOUR AND ROMANCE
+
+ A Mile with Me
+ The Three Best Things
+ Reliance
+ Doors of Daring
+ The Child in the Garden
+ Love's Reason
+ The Echo in the Heart
+ "Undine"
+ "Rencontre"
+ Love in a Look
+ My April Lady
+ A Lover's Envy
+ Fire-Fly City
+ The Gentle Traveller
+ Nepenthe
+ Day and Night
+ Hesper
+ Arrival
+ Departure
+ The Black Birds
+ Without Disguise
+ An Hour
+ "Rappelle-Toi"
+ Love's Nearness
+ Two Songs of Heine
+ Eight Echoes from the Poems of Auguste Angellier
+ Rappel d'Amour
+ The River of Dreams
+
+
+HEARTH AND ALTAR
+
+ A Home Song
+ "Little Boatie"
+ A Mother's Birthday
+ Transformation
+ Rendezvous
+ Gratitude
+ Peace
+ Santa Christina
+ The Bargain
+ To the Child Jesus
+ Bitter-Sweet
+ Hymn of Joy
+ Song of a Pilgrim-Soul
+ Ode to Peace
+ Three Prayers for Sleep and Waking
+ Portrait and Reality
+ The Wind of Sorrow
+ Hide and Seek
+ Autumn in the Garden
+ The Message
+ Dulcis Memoria
+ The Window
+ Christmas Tears
+ Dorothea, 1888-1912
+
+
+EPIGRAMS, GREETINGS, AND INSCRIPTIONS
+
+ For Katrina's Sun-Dial
+ For Katrina's Window
+ For the Friends at Hurstmont
+ The Sun-Dial at Morven
+ The Sun-Dial at Wells College
+ To Mark Twain
+ Stars and the Soul
+ To Julia Marlowe
+ To Joseph Jefferson
+ The Mocking-Bird
+ The Empty Quatrain
+ Pan Learns Music
+ The Shepherd of Nymphs
+ Echoes from the Greek Anthology
+ One World
+ Joy and Duty
+ The Prison and the Angel
+ The Way
+ Love and Light
+ _Facta non Verba_
+ Four Things
+ The Great River
+ Inscription for a Tomb in England
+ The Talisman
+ Thorn and Rose
+ "The Signs"
+
+
+PRO PATRIA
+
+ Patria
+ America
+ The Ancestral Dwellings
+ Hudson's Last Voyage
+ Sea-Gulls of Manhattan
+ A Ballad of Claremont Hill
+ Urbs Coronata
+ Mercy for Armenia
+ Sicily, December, 1908
+ "Come Back Again, Jeanne d'Arc"
+ National Monuments
+ The Monument of Francis Makemie
+ The Statue of Sherman by St. Gaudens
+ "America for Me"
+ The Builders
+ Spirit of the Everlasting Boy
+ Texas
+ Who Follow the Flag
+ Stain not the Sky
+ Peace-Hymn of the Republic
+
+
+THE RED FLOWER AND GOLDEN STARS
+
+ The Red Flower
+ A Scrap of Paper
+ Stand Fast
+ Lights Out
+ Remarks About Kings
+ Might and Right
+ The Price of Peace
+ Storm-Music
+ The Bells of Malines
+ Jeanne d'Arc Returns
+ The Name of France
+ America's Prosperity
+ The Glory of Ships
+ Mare Liberum
+ "Liberty Enlightening the World"
+ The Oxford Thrushes
+ Homeward Bound
+ The Winds of War-News
+ Righteous Wrath
+ The Peaceful Warrior
+ From Glory Unto Glory
+ Britain, France, America
+ The Red Cross
+ Easter Road
+ America's Welcome Home
+ The Surrender of the German Fleet
+ Golden Stars
+ In the Blue Heaven
+ A Shrine in the Pantheon
+
+
+IN PRAISE OF POETS
+
+ Mother Earth
+ Milton
+ Wordsworth
+ Keats
+ Shelley
+ Robert Browning
+ Tennyson
+ "In Memoriam"
+ Victor Hugo
+ Longfellow
+ Thomas Bailey Aldrich
+ Edmund Clarence Stedman
+ To James Whitcomb Riley
+ Richard Watson Gilder
+ The Valley of Vain Verses
+
+
+MUSIC
+
+ Music
+ Master of Music
+ The Pipes o' Pan
+ To a Young Girl Singing
+ The Old Flute
+ The First Bird o' Spring
+
+
+THE HOUSE OF RIMMON
+
+A DRAMA IN FOUR ACTS
+
+ The House of Rimmon
+ Dramatis Personae
+
+
+APPENDIX
+
+CARMINA FESTIVA
+
+ The Little-Neck Clam
+ A Fairy Tale
+ The Ballad of the Solemn Ass
+ A Ballad of Santa Claus
+ Ars Agricolaris
+ Angler's Fireside Song
+ How Spring Comes to Shasta Jim
+ A Bunch of Trout-Flies
+
+
+Index of First Lines
+
+
+
+
+SONGS OUT OF DOORS
+
+EARLY VERSES
+
+
+
+THE AFTER-ECHO
+
+
+ How long the echoes love to play
+ Around the shore of silence, as a wave
+ Retreating circles down the sand!
+ One after one, with sweet delay,
+ The mellow sounds that cliff and island gave,
+ Have lingered in the crescent bay,
+ Until, by lightest breezes fanned,
+ They float far off beyond the dying day
+ And leave it still as death.
+ But hark,--
+ Another singing breath
+ Comes from the edge of dark;
+ A note as clear and slow
+ As falls from some enchanted bell,
+ Or spirit, passing from the world below,
+ That whispers back, Farewell.
+
+ So in the heart,
+ When, fading slowly down the past,
+ Fond memories depart,
+ And each that leaves it seems the last;
+ Long after all the rest are flown,
+ Returns a solitary tone,--
+ The after-echo of departed years,--
+ And touches all the soul to tears.
+
+1871.
+
+
+
+DULCIORA
+
+
+ A tear that trembles for a little while
+ Upon the trembling eyelid, till the world
+ Wavers within its circle like a dream,
+ Holds more of meaning in its narrow orb
+ Than all the distant landscape that it blurs.
+
+ A smile that hovers round a mouth beloved,
+ Like the faint pulsing of the Northern Light,
+ And grows in silence to an amber dawn
+ Born in the sweetest depths of trustful eyes,
+ Is dearer to the soul than sun or star.
+
+ A joy that falls into the hollow heart
+ From some far-lifted height of love unseen,
+ Unknown, makes a more perfect melody
+ Than hidden brooks that murmur in the dusk,
+ Or fall athwart the cliff with wavering gleam.
+
+ Ah, not for their own sake are earth and sky
+ And the fair ministries of Nature dear,
+ But as they set themselves unto the tune
+ That fills our life; as light mysterious
+ Flows from within and glorifies the world.
+
+ For so a common wayside blossom, touched
+ With tender thought, assumes a grace more sweet
+ Than crowns the royal lily of the South;
+ And so a well-remembered perfume seems
+ The breath of one who breathes in Paradise.
+
+1872.
+
+
+
+THREE ALPINE SONNETS
+
+
+I
+
+THE GLACIER
+
+ At dawn in silence moves the mighty stream,
+ The silver-crested waves no murmur make;
+ But far away the avalanches wake
+ The rumbling echoes, dull as in a dream;
+ Their momentary thunders, dying, seem
+ To fall into the stillness, flake by flake,
+ And leave the hollow air with naught to break
+ The frozen spell of solitude supreme.
+
+ At noon unnumbered rills begin to spring
+ Beneath the burning sun, and all the walls
+ Of all the ocean-blue crevasses ring
+ With liquid lyrics of their waterfalls;
+ As if a poet's heart had felt the glow
+ Of sovereign love, and song began to flow.
+
+Zermatt, 1872.
+
+
+II
+
+THE SNOW-FIELD
+
+ White Death had laid his pall upon the plain,
+ And crowned the mountain-peaks like monarchs dead;
+ The vault of heaven was glaring overhead
+ With pitiless light that filled my eyes with pain;
+ And while I vainly longed, and looked in vain
+ For sign or trace of life, my spirit said,
+ "Shall any living thing that dares to tread
+ This royal lair of Death escape again?"
+
+ But even then I saw before my feet
+ A line of pointed footprints in the snow:
+ Some roving chamois, but an hour ago,
+ Had passed this way along his journey fleet,
+ And left a message from a friend unknown
+ To cheer my pilgrim-heart, no more alone.
+
+Zermatt, 1872.
+
+
+III
+
+MOVING BELLS
+
+ I love the hour that comes, with dusky hair
+ And dewy feet, along the Alpine dells,
+ To lead the cattle forth. A thousand bells
+ Go chiming after her across the fair
+ And flowery uplands, while the rosy flare
+ Of sunset on the snowy mountain dwells,
+ And valleys darken, and the drowsy spells
+ Of peace are woven through the purple air.
+
+ Dear is the magic of this hour: she seems
+ To walk before the dark by falling rills,
+ And lend a sweeter song to hidden streams;
+ She opens all the doors of night, and fills
+ With moving bells the music of my dreams,
+ That wander far among the sleeping hills.
+
+Gstaad, August, 1909.
+
+
+
+MATINS
+
+
+ Flowers rejoice when night is done,
+ Lift their heads to greet the sun;
+ Sweetest looks and odours raise,
+ In a silent hymn of praise.
+
+ So my heart would turn away
+ From the darkness to the day;
+ Lying open in God's sight
+ Like a flower in the light.
+
+
+
+THE PARTING AND THE COMING GUEST
+
+
+ Who watched the worn-out Winter die?
+ Who, peering through the window-pane
+ At nightfall, under sleet and rain
+ Saw the old graybeard totter by?
+ Who listened to his parting sigh,
+ The sobbing of his feeble breath,
+ His whispered colloquy with Death,
+ And when his all of life was done
+ Stood near to bid a last good-bye?
+ Of all his former friends not one
+ Saw the forsaken Winter die.
+
+ Who welcomed in the maiden Spring?
+ Who heard her footfall, swift and light
+ As fairy-dancing in the night?
+ Who guessed what happy dawn would bring
+ The flutter of her bluebird's wing,
+ The blossom of her mayflower-face
+ To brighten every shady place?
+ One morning, down the village street,
+ "Oh, here am I," we heard her sing,--
+ And none had been awake to greet
+ The coming of the maiden Spring.
+
+ But look, her violet eyes are wet
+ With bright, unfallen, dewy tears;
+ And in her song my fancy hears
+ A note of sorrow trembling yet.
+ Perhaps, beyond the town, she met
+ Old Winter as he limped away
+ To die forlorn, and let him lay
+ His weary head upon her knee,
+ And kissed his forehead with regret
+ For one so gray and lonely,--see,
+ Her eyes with tender tears are wet.
+
+ And so, by night, while we were all at rest,
+ I think the coming sped the parting guest.
+
+1873.
+
+
+
+IF ALL THE SKIES
+
+
+ If all the skies were sunshine,
+ Our faces would be fain
+ To feel once more upon them
+ The cooling plash of rain.
+
+ If all the world were music,
+ Our hearts would often long
+ For one sweet strain of silence.
+ To break the endless song.
+
+ If life were always merry,
+ Our souls would seek relief,
+ And rest from weary laughter
+ In the quiet arms of grief.
+
+
+
+WINGS OF A DOVE
+
+
+I
+
+ At sunset, when the rosy light was dying
+ Far down the pathway of the west,
+ I saw a lonely dove in silence flying,
+ To be at rest.
+
+ Pilgrim of air, I cried, could I but borrow
+ Thy wandering wings, thy freedom blest,
+ I'd fly away from every careful sorrow,
+ And find my rest.
+
+
+II
+
+ But when the filmy veil of dusk was falling,
+ Home flew the dove to seek his nest,
+ Deep in the forest where his mate was calling
+ To love and rest.
+
+ Peace, heart of mine! no longer sigh to wander;
+ Lose not thy life in barren quest.
+ There are no happy islands over yonder;
+ Come home and rest.
+
+1874.
+
+
+
+THE FALL OF THE LEAVES
+
+
+I
+
+ In warlike pomp, with banners flowing,
+ The regiments of autumn stood:
+ I saw their gold and scarlet glowing
+ From every hillside, every wood.
+
+ Above the sea the clouds were keeping
+ Their secret leaguer, gray and still;
+ They sent their misty vanguard creeping
+ With muffled step from hill to hill.
+
+ All day the sullen armies drifted
+ Athwart the sky with slanting rain;
+ At sunset for a space they lifted,
+ With dusk they settled down again.
+
+
+II
+
+ At dark the winds began to blow
+ With mutterings distant, low;
+ From sea and sky they called their strength
+ Till with an angry, broken roar,
+ Like billows on an unseen shore,
+ Their fury burst at length.
+
+ I heard through the night
+ The rush and the clamour;
+ The pulse of the fight
+ Like blows of Thor's hammer;
+ The pattering flight
+ Of the leaves, and the anguished
+ Moan of the forest vanquished.
+
+ At daybreak came a gusty song:
+ "Shout! the winds are strong.
+ The little people of the leaves are fled.
+ Shout! The Autumn is dead!"
+
+
+III
+
+ The storm is ended! The impartial sun
+ Laughs down upon the battle lost and won,
+ And crowns the triumph of the cloudy host
+ In rolling lines retreating to the coast.
+
+ But we, fond lovers of the woodland shade,
+ And grateful friends of every fallen leaf,
+ Forget the glories of the cloud-parade,
+ And walk the ruined woods in quiet grief.
+
+ For ever so our thoughtful hearts repeat
+ On fields of triumph dirges of defeat;
+ And still we turn on gala-days to tread
+ Among the rustling memories of the dead.
+
+1874.
+
+
+
+A SNOW-SONG
+
+
+ Does the snow fall at sea?
+ Yes, when the north winds blow,
+ When the wild clouds fly low,
+ Out of each gloomy wing,
+ Silently glimmering,
+ Over the stormy sea
+ Falleth the snow.
+
+ Does the snow hide the sea?
+ Nay, on the tossing plains
+ Never a flake remains;
+ Drift never resteth there;
+ Vanishing everywhere,
+ Into the hungry sea
+ Falleth the snow.
+
+ What means the snow at sea?
+ Whirled in the veering blast,
+ Thickly the flakes drive past;
+ Each like a childish ghost
+ Wavers, and then is lost;
+ In the forgetful sea
+ Fadeth the snow.
+
+1875.
+
+
+
+ROSLIN AND HAWTHORNDEN
+
+
+ Fair Roslin Chapel, how divine
+ The art that reared thy costly shrine!
+ Thy carven columns must have grown
+ By magic, like a dream in stone.
+
+ Yet not within thy storied wall
+ Would I in adoration fall,
+ So gladly as within the glen
+ That leads to lovely Hawthornden.
+
+ A long-drawn aisle, with roof of green
+ And vine-clad pillars, while between,
+ The Esk runs murmuring on its way,
+ In living music night and day.
+
+ Within the temple of this wood
+ The martyrs of the covenant stood,
+ And rolled the psalm, and poured the prayer,
+ From Nature's solemn altar-stair.
+
+Edinburgh, 1877.
+
+
+
+
+SONGS OUT OF DOORS
+
+LATER POEMS
+
+
+
+WHEN TULIPS BLOOM
+
+
+I
+
+ When tulips bloom in Union Square,
+ And timid breaths of vernal air
+ Go wandering down the dusty town,
+ Like children lost in Vanity Fair;
+
+ When every long, unlovely row
+ Of westward houses stands aglow,
+ And leads the eyes to sunset skies
+ Beyond the hills where green trees grow;
+
+ Then weary seems the street parade,
+ And weary books, and weary trade:
+ I'm only wishing to go a-fishing;
+ For this the month of May was made.
+
+
+II
+
+ I guess the pussy-willows now
+ Are creeping out on every bough
+ Along the brook; and robins look
+ For early worms behind the plough.
+
+ The thistle-birds have changed their dun,
+ For yellow coats, to match the sun;
+ And in the same array of flame
+ The Dandelion Show's begun.
+
+ The flocks of young anemones
+ Are dancing round the budding trees:
+ Who can help wishing to go a-fishing
+ In days as full of joy as these?
+
+
+III
+
+ I think the meadow-lark's clear sound
+ Leaks upward slowly from the ground,
+ While on the wing the bluebirds ring
+ Their wedding-bells to woods around.
+
+ The flirting chewink calls his dear
+ Behind the bush; and very near,
+ Where water flows, where green grass grows,
+ Song-sparrows gently sing, "Good cheer."
+
+ And, best of all, through twilight's calm
+ The hermit-thrush repeats his psalm.
+ How much I'm wishing to go a-fishing
+ In days so sweet with music's balm!
+
+
+IV
+
+ 'Tis not a proud desire of mine;
+ I ask for nothing superfine;
+ No heavy weight, no salmon great,
+ To break the record, or my line.
+
+ Only an idle little stream,
+ Whose amber waters softly gleam,
+ Where I may wade through woodland shade,
+ And cast the fly, and loaf, and dream:
+
+ Only a trout or two, to dart
+ From foaming pools, and try my art:
+ 'Tis all I'm wishing--old-fashioned fishing,
+ And just a day on Nature's heart.
+
+1894.
+
+
+
+THE WHIP-POOR-WILL
+
+
+ Do you remember, father,--
+ It seems so long ago,--
+ The day we fished together
+ Along the Pocono?
+ At dusk I waited for you,
+ Beside the lumber-mill,
+ And there I heard a hidden bird
+ That chanted, "whip-poor-will,"
+ "_Whippoorwill!_ _whippoorwill!_"
+ Sad and shrill,--"_whippoorwill!_"
+
+ The place was all deserted;
+ The mill-wheel hung at rest;
+ The lonely star of evening
+ Was throbbing in the west;
+ The veil of night was falling;
+ The winds were folded still;
+ And everywhere the trembling air
+ Re-echoed "whip-poor-will!"
+ "_Whippoorwill!_ _whippoorwill!_"
+ Sad and shrill,--"_whippoorwill!_"
+
+ You seemed so long in coming,
+ I felt so much alone;
+ The wide, dark world was round me,
+ And life was all unknown;
+ The hand of sorrow touched me,
+ And made my senses thrill
+ With all the pain that haunts the strain
+ Of mournful whip-poor-will.
+ "_Whippoorwill!_ _whippoorwill!_"
+ Sad and shrill,--"_whippoorwill!_"
+
+ What knew I then of trouble?
+ An idle little lad,
+ I had not learned the lessons
+ That make men wise and sad.
+ I dreamed of grief and parting,
+ And something seemed to fill
+ My heart with tears, while in my ears
+ Resounded "whip-poor-will."
+ "_Whippoorwill!_ _whippoorwill!_"
+ Sad and shrill,--"_whippoorwill!_"
+
+ 'Twas but a cloud of sadness,
+ That lightly passed away;
+ But I have learned the meaning
+ Of sorrow, since that day.
+ For nevermore at twilight,
+ Beside the silent mill,
+ I'll wait for you, in the falling dew,
+ And hear the whip-poor-will.
+ "_Whippoorwill!_ _whippoorwill!_"
+ Sad and shrill,--"_whippoorwill!_"
+
+ But if you still remember
+ In that fair land of light,
+ The pains and fears that touch us
+ Along this edge of night,
+ I think all earthly grieving,
+ And all our mortal ill,
+ To you must seem like a sad boy's dream.
+ Who hears the whip-poor-will.
+ "_Whippoorwill!_ _whippoorwill!_"
+ A passing thrill,--"_whippoorwill!_"
+
+1894.
+
+
+
+THE LILY OF YORROW
+
+
+ Deep in the heart of the forest the lily of Yorrow is growing;
+ Blue is its cup as the sky, and with mystical odour o'erflowing;
+ Faintly it falls through the shadowy glades when the south wind is
+ blowing.
+
+ Sweet are the primroses pale and the violets after a shower;
+ Sweet are the borders of pinks and the blossoming grapes on the bower;
+ Sweeter by far is the breath of that far-away woodland flower.
+
+ Searching and strange in its sweetness, it steals like a perfume
+ enchanted
+ Under the arch of the forest, and all who perceive it are haunted,
+ Seeking and seeking for ever, till sight of the lily is granted.
+
+ Who can describe how it grows, with its chalice of lazuli leaning
+ Over a crystalline spring, where the ferns and the mosses are greening?
+ Who can imagine its beauty, or utter the depth of its meaning?
+
+ Calm of the journeying stars, and repose of the mountains olden,
+ Joy of the swift-running rivers, and glory of sunsets golden,
+ Secrets that cannot be told in the heart of the flower are holden.
+
+ Surely to see it is peace and the crown of a life-long endeavour;
+ Surely to pluck it is gladness,--but they who have found it can never
+ Tell of the gladness and peace: they are hid from our vision for ever.
+
+ 'Twas but a moment ago that a comrade was walking near me:
+ Turning aside from the pathway he murmured a greeting to cheer me,--
+ Then he was lost in the shade, and I called but he did not hear me.
+
+ Why should I dream he is dead, and bewail him with passionate sorrow?
+ Surely I know there is gladness in finding the lily of Yorrow:
+ He has discovered it first, and perhaps I shall find it to-morrow.
+
+1894.
+
+
+
+THE VEERY
+
+
+ The moonbeams over Arno's vale in silver flood were pouring,
+ When first I heard the nightingale a long-lost love deploring.
+ So passionate, so full of pain, it sounded strange and eerie;
+ I longed to hear a simpler strain,--the wood-notes of the veery.
+
+ The laverock sings a bonny lay above the Scottish heather;
+ It sprinkles down from far away like light and love together;
+ He drops the golden notes to greet his brooding mate, his dearie;
+ I only know one song more sweet,--the vespers of the veery.
+
+ In English gardens, green and bright and full of fruity treasure,
+ I heard the blackbird with delight repeat his merry measure:
+ The ballad was a pleasant one, the tune was loud and cheery,
+ And yet, with every setting sun, I listened for the veery.
+
+ But far away, and far away, the tawny thrush is singing;
+ New England woods, at close of day, with that clear chant are ringing:
+ And when my light of life is low, and heart and flesh are weary,
+ I fain would hear, before I go, the wood-notes of the veery.
+
+1895.
+
+
+
+THE SONG-SPARROW
+
+
+ There is a bird I know so well,
+ It seems as if he must have sung
+ Beside my crib when I was young;
+ Before I knew the way to spell
+ The name of even the smallest bird,
+ His gentle-joyful song I heard.
+ Now see if you can tell, my dear.
+ What bird it is that, every year,
+ Sings "_Sweet--sweet--sweet--very merry cheer._"
+
+ He comes in March, when winds are strong,
+ And snow returns to hide the earth;
+ But still he warms his heart with mirth,
+ And waits for May. He lingers long
+ While flowers fade; and every day
+ Repeats his small, contented lay;
+ As if to say, we need not fear
+ The season's change, if love is here
+ With "_Sweet--sweet--sweet--very merry cheer._"
+
+ He does not wear a Joseph's-coat
+ Of many colours, smart and gay;
+ His suit is Quaker brown and gray,
+ With darker patches at his throat.
+ And yet of all the well-dressed throng
+ Not one can sing so brave a song.
+ It makes the pride of looks appear
+ A vain and foolish thing, to hear
+ His "_Sweet--sweet--sweet--very merry cheer._"
+
+ A lofty place he does not love,
+ But sits by choice, and well at ease,
+ In hedges, and in little trees
+ That stretch their slender arms above
+ The meadow-brook; and there he sings
+ Till all the field with pleasure rings;
+ And so he tells in every ear,
+ That lowly homes to heaven are near
+ In "_Sweet--sweet--sweet--very merry cheer._"
+
+ I like the tune, I like the words;
+ They seem so true, so free from art,
+ So friendly, and so full of heart,
+ That if but one of all the birds
+ Could be my comrade everywhere,
+ My little brother of the air,
+ I'd choose the song-sparrow, my dear,
+ Because he'd bless me, every year,
+ With "_Sweet--sweet--sweet--very merry cheer._"
+
+1895.
+
+
+
+THE MARYLAND YELLOW-THROAT
+
+
+ When May bedecks the naked trees
+ With tassels and embroideries,
+ And many blue-eyed violets beam
+ Along the edges of the stream,
+ I hear a voice that seems to say,
+ Now near at hand, now far away,
+ "_Witchery--witchery--witchery._"
+
+ An incantation so serene,
+ So innocent, befits the scene:
+ There's magic in that small bird's note--
+ See, there he flits--the Yellow-throat;
+ A living sunbeam, tipped with wings,
+ A spark of light that shines and sings
+ "_Witchery--witchery--witchery._"
+
+ You prophet with a pleasant name,
+ If out of Mary-land you came,
+ You know the way that thither goes
+ Where Mary's lovely garden grows:
+ Fly swiftly back to her, I pray,
+ And try to call her down this way,
+ "_Witchery--witchery--witchery!_"
+
+ Tell her to leave her cockle-shells,
+ And all her little silver bells
+ That blossom into melody,
+ And all her maids less fair than she.
+ She does not need these pretty things,
+ For everywhere she comes, she brings
+ "_Witchery--witchery--witchery!_"
+
+ The woods are greening overhead,
+ And flowers adorn each mossy bed;
+ The waters babble as they run--
+ One thing is lacking, only one:
+ If Mary were but here to-day,
+ I would believe your charming lay,
+ "_Witchery--witchery--witchery!_"
+
+ Along the shady road I look--
+ Who's coming now across the brook?
+ A woodland maid, all robed in white--
+ The leaves dance round her with delight,
+ The stream laughs out beneath her feet--
+ Sing, merry bird, the charm's complete,
+ "_Witchery--witchery--witchery!_"
+
+1895.
+
+
+
+A NOVEMBER DAISY
+
+
+ Afterthought of summer's bloom!
+ Late arrival at the feast,
+ Coming when the songs have ceased
+ And the merry guests departed,
+ Leaving but an empty room,
+ Silence, solitude, and gloom,--
+ Are you lonely, heavy-hearted;
+ You, the last of all your kind,
+ Nodding in the autumn-wind;
+ Now that all your friends are flown,
+ Blooming late and all alone?
+
+ Nay, I wrong you, little flower,
+ Reading mournful mood of mine
+ In your looks, that give no sign
+ Of a spirit dark and cheerless!
+ You possess the heavenly power
+ That rejoices in the hour.
+ Glad, contented, free, and fearless,
+ Lift a sunny face to heaven
+ When a sunny day is given!
+ Make a summer of your own,
+ Blooming late and all alone!
+
+ Once the daisies gold and white
+ Sea-like through the meadow rolled:
+ Once my heart could hardly hold
+ All its pleasures. I remember,
+ In the flood of youth's delight
+ Separate joys were lost to sight.
+ That was summer! Now November
+ Sets the perfect flower apart;
+ Gives each blossom of the heart
+ Meaning, beauty, grace unknown,--
+ Blooming late and all alone.
+
+November, 1899.
+
+
+
+THE ANGLER'S REVEILLE
+
+
+ What time the rose of dawn is laid across the lips of night,
+ And all the little watchman-stars have fallen asleep in light,
+ 'Tis then a merry wind awakes, and runs from tree to tree,
+ And borrows words from all the birds to sound the reveille.
+
+ This is the carol the Robin throws
+ Over the edge of the valley;
+ Listen how boldly it flows,
+ Sally on sally:
+ _Tirra-lirra,
+ Early morn,
+ New born!
+ Day is near,
+ Clear, clear.
+ Down the river
+ All a-quiver,
+ Fish are breaking;
+ Time for waking,
+ Tup, tup, tup!
+ Do you hear?
+ All clear--
+ Wake up!_
+
+ The phantom flood of dreams has ebbed and vanished with the dark,
+ And like a dove the heart forsakes the prison of the ark;
+ Now forth she fares thro' friendly woods and diamond-fields of dew,
+ While every voice cries out "Rejoice!" as if the world were new.
+
+ This is the ballad the Bluebird sings,
+ Unto his mate replying,
+ Shaking the tune from his wings
+ While he is flying:
+ _Surely, surely, surely,
+ Life is dear
+ Even here.
+ Blue above,
+ You to love,
+ Purely, purely, purely._
+
+ There's wild azalea on the hill, and iris down the dell,
+ And just one spray of lilac still abloom beside the well;
+ The columbine adorns the rocks, the laurel buds grow pink,
+ Along the stream white arums gleam, and violets bend to drink.
+
+ This is the song of the Yellow-throat,
+ Fluttering gaily beside you;
+ Hear how each voluble note
+ Offers to guide you:
+ _Which way, sir?
+ I say, sir,
+ Let me teach you,
+ I beseech you!
+ Are you wishing
+ Jolly fishing?
+ This way, sir!
+ I'll teach you._
+
+ Then come, my friend, forget your foes and leave your fears behind,
+ And wander forth to try your luck, with cheerful, quiet mind;
+ For be your fortune great or small, you take what God will give,
+ And all the day your heart will say, "'Tis luck enough to live."
+
+ This is the song the Brown Thrush flings
+ Out of his thicket of roses;
+ Hark how it bubbles and rings,
+ Mark how it closes:
+ _Luck, luck,
+ What luck?
+ Good enough for me,
+ I'm alive, you see!
+ Sun shining,
+ No repining;
+ Never borrow
+ Idle sorrow;
+ Drop it!
+ Cover it up!
+ Hold your cup!
+ Joy will fill it,
+ Don't spill it,
+ Steady, be ready,
+ Good luck!_
+
+1899.
+
+
+
+THE RUBY-CROWNED KINGLET
+
+
+I
+
+ Where's your kingdom, little king?
+ Where the land you call your own,
+ Where your palace and your throne?
+ Fluttering lightly on the wing
+ Through the blossom-world of May,
+ Whither lies your royal way,
+ Little king?
+
+ _Far to northward lies a land
+ Where the trees together stand
+ Closely as the blades of wheat
+ When the summer is complete.
+ Rolling like an ocean wide
+ Over vale and mountainside,
+ Balsam, hemlock, spruce and pine,--
+ All those mighty trees are mine.
+ There's a river flowing free,--
+ All its waves belong to me.
+ There's a lake so clear and bright
+ Stars shine out of it all night;
+ Rowan-berries round it spread
+ Like a belt of coral red.
+ Never royal garden planned
+ Fair as my Canadian land!
+ There I build my summer nest,
+ There I reign and there I rest,
+ While from dawn to dark I sing,
+ Happy kingdom! Lucky king!_
+
+
+II
+
+ Back again, my little king!
+ Is your happy kingdom lost
+ To the rebel knave, Jack Frost?
+ Have you felt the snow-flakes sting?
+ Houseless, homeless in October,
+ Whither now? Your plight is sober,
+ Exiled king!
+
+ _Far to southward lie the regions
+ Where my loyal flower-legions
+ Hold possession of the year,
+ Filling every month with cheer.
+ Christmas wakes the winter rose;
+ New Year daffodils unclose;
+ Yellow jasmine through the wood
+ Flows in February flood,
+ Dropping from the tallest trees
+ Golden streams that never freeze.
+ Thither now I take my flight
+ Down the pathway of the night,
+ Till I see the southern moon
+ Glisten on the broad lagoon,
+ Where the cypress' dusky green,
+ And the dark magnolia's sheen,
+ Weave a shelter round my home.
+ There the snow-storms never come;
+ There the bannered mosses gray
+ Like a curtain gently sway,
+ Hanging low on every side
+ Round the covert where I bide,
+ Till the March azalea glows,
+ Royal red and heavenly rose,
+ Through the Carolina glade
+ Where my winter home is made.
+ There I hold my southern court,
+ Full of merriment and sport:
+ There I take my ease and sing,
+ Happy kingdom! Lucky king!_
+
+
+III
+
+ Little boaster, vagrant king,
+ Neither north nor south is yours,
+ You've no kingdom that endures!
+ Wandering every fall and spring,
+ With your ruby crown so slender,
+ Are you only a Pretender,
+ Landless king?
+
+ _Never king by right divine
+ Ruled a richer realm than mine!
+ What are lands and golden crowns,
+ Armies, fortresses and towns,
+ Jewels, sceptres, robes and rings,--
+ What are these to song and wings?
+ Everywhere that I can fly,
+ There I own the earth and sky;
+ Everywhere that I can sing.
+ There I'm happy as a king._
+
+1900.
+
+
+
+SCHOOL
+
+
+ I put my heart to school
+ In the world where men grow wise:
+ "Go out," I said, "and learn the rule;
+ Come back when you win a prize."
+
+ My heart came back again:
+ "Now where is the prize?" I cried.--
+ "The rule was false, and the prize was pain,
+ And the teacher's name was Pride."
+
+ I put my heart to school
+ In the woods where veeries sing
+ And brooks run clear and cool,
+ In the fields where wild flowers spring.
+
+ "And why do you stay so long
+ My heart, and where do you roam?"
+ The answer came with a laugh and a song,--
+ "I find this school is home."
+
+April, 1901.
+
+
+
+INDIAN SUMMER
+
+
+ A silken curtain veils the skies,
+ And half conceals from pensive eyes
+ The bronzing tokens of the fall;
+ A calmness broods upon the hills,
+ And summer's parting dream distils
+ A charm of silence over all.
+
+ The stacks of corn, in brown array,
+ Stand waiting through the tranquil day,
+ Like tattered wigwams on the plain;
+ The tribes that find a shelter there
+ Are phantom peoples, forms of air,
+ And ghosts of vanished joy and pain.
+
+ At evening when the crimson crest
+ Of sunset passes down the West,
+ I hear the whispering host returning;
+ On far-off fields, by elm and oak,
+ I see the lights, I smell the smoke,--
+ The Camp-fires of the Past are burning.
+
+_Tertius and Henry van Dyke._
+
+November, 1903.
+
+
+
+SPRING IN THE NORTH
+
+
+I
+
+ Ah, who will tell me, in these leaden days,
+ Why the sweet Spring delays,
+ And where she hides,--the dear desire
+ Of every heart that longs
+ For bloom, and fragrance, and the ruby fire
+ Of maple-buds along the misty hills,
+ And that immortal call which fills
+ The waiting wood with songs?
+ The snow-drops came so long ago,
+ It seemed that Spring was near!
+ But then returned the snow
+ With biting winds, and earth grew sere,
+ And sullen clouds drooped low
+ To veil the sadness of a hope deferred:
+ Then rain, rain, rain, incessant rain
+ Beat on the window-pane,
+ Through which I watched the solitary bird
+ That braved the tempest, buffeted and tossed
+ With rumpled feathers down the wind again.
+ Oh, were the seeds all lost
+ When winter laid the wild flowers in their tomb?
+ I searched the woods in vain
+ For blue hepaticas, and trilliums white,
+ And trailing arbutus, the Spring's delight,
+ Starring the withered leaves with rosy bloom.
+ But every night the frost
+ To all my longing spoke a silent nay,
+ And told me Spring was far away.
+ Even the robins were too cold to sing,
+ Except a broken and discouraged note,--
+ Only the tuneful sparrow, on whose throat
+ Music has put her triple finger-print,
+ Lifted his head and sang my heart a hint,--
+ "Wait, wait, wait! oh, wait a while for Spring!"
+
+
+II
+
+ But now, Carina, what divine amends
+ For all delay! What sweetness treasured up,
+ What wine of joy that blends
+ A hundred flavours in a single cup,
+ Is poured into this perfect day!
+ For look, sweet heart, here are the early flowers
+ That lingered on their way,
+ Thronging in haste to kiss the feet of May,
+ Entangled with the bloom of later hours,--
+ Anemones and cinque-foils, violets blue
+ And white, and iris richly gleaming through
+ The grasses of the meadow, and a blaze
+ Of butter-cups and daisies in the field,
+ Filling the air with praise,
+ As if a chime of golden bells had pealed!
+ The frozen songs within the breast
+ Of silent birds that hid in leafless woods,
+ Melt into rippling floods
+ Of gladness unrepressed.
+ Now oriole and bluebird, thrush and lark,
+ Warbler and wren and vireo,
+ Mingle their melody; the living spark
+ Of Love has touched the fuel of desire,
+ And every heart leaps up in singing fire.
+ It seems as if the land
+ Were breathing deep beneath the sun's caress,
+ Trembling with tenderness,
+ While all the woods expand,
+ In shimmering clouds of rose and gold and green,
+ To veil a joy too sacred to be seen.
+
+
+III
+
+ Come, put your hand in mine,
+ True love, long sought and found at last,
+ And lead me deep into the Spring divine
+ That makes amends for all the wintry past.
+ For all the flowers and songs I feared to miss
+ Arrive with you;
+ And in the lingering pressure of your kiss
+ My dreams come true;
+ And in the promise of your generous eyes
+ I read the mystic sign
+ Of joy more perfect made
+ Because so long delayed,
+ And bliss enhanced by rapture of surprise.
+ Ah, think not early love alone is strong;
+ He loveth best whose heart has learned to wait:
+ Dear messenger of Spring that tarried long,
+ You're doubly dear because you come so late.
+
+
+
+SPRING IN THE SOUTH
+
+
+ Now in the oak the sap of life is welling,
+ Tho' to the bough the rusty leafage clings;
+ Now on the elm the misty buds are swelling;
+ Every little pine-wood grows alive with wings;
+ Blue-jays are fluttering, yodeling and crying,
+ Meadow-larks sailing low above the faded grass,
+ Red-birds whistling clear, silent robins flying,--
+ Who has waked the birds up? What has come to pass?
+
+ Last year's cotton-plants, desolately bowing,
+ Tremble in the March-wind, ragged and forlorn;
+ Red are the hillsides of the early ploughing,
+ Gray are the lowlands, waiting for the corn.
+ Earth seems asleep, but she is only feigning;
+ Deep in her bosom thrills a sweet unrest;
+ Look where the jasmine lavishly is raining
+ Jove's golden shower into Danaee's breast!
+
+ Now on the plum-tree a snowy bloom is sifted,
+ Now on the peach-tree, the glory of the rose,
+ Far o'er the hills a tender haze is drifted,
+ Full to the brim the yellow river flows.
+ Dark cypress boughs with vivid jewels glisten,
+ Greener than emeralds shining in the sun.
+ Whence comes the magic? Listen, sweetheart, listen!
+ The mocking-bird is singing: Spring is begun.
+
+ Hark, in his song no tremor of misgiving!
+ All of his heart he pours into his lay,--
+ "Love, love, love, and pure delight of living:
+ Winter is forgotten: here's a happy day!"
+ Fair in your face I read the flowery presage,
+ Snowy on your brow and rosy on your mouth:
+ Sweet in your voice I hear the season's message,--
+ Love, love, love, and Spring in the South!
+
+1904.
+
+
+
+A NOON SONG
+
+
+ There are songs for the morning and songs for the night,
+ For sunrise and sunset, the stars and the moon;
+ But who will give praise to the fulness of light,
+ And sing us a song of the glory of noon?
+ Oh, the high noon, the clear noon,
+ The noon with golden crest;
+ When the blue sky burns, and the great sun turns
+ With his face to the way of the west!
+
+ How swiftly he rose in the dawn of his strength!
+ How slowly he crept as the morning wore by!
+ Ah, steep was the climbing that led him at length
+ To the height of his throne in the wide summer sky.
+ Oh, the long toil, the slow toil,
+ The toil that may not rest,
+ Till the sun looks down from his journey's crown,
+ To the wonderful way of the west!
+
+ Then a quietness falls over meadow and hill,
+ The wings of the wind in the forest are furled,
+ The river runs softly, the birds are all still,
+ The workers are resting all over the world.
+ Oh, the good hour, the kind hour,
+ The hour that calms the breast!
+ Little inn half-way on the road of the day,
+ Where it follows the turn to the west!
+
+ There's a plentiful feast in the maple-tree shade,
+ The lilt of a song to an old-fashioned tune,
+ The talk of a friend, or the kiss of a maid,
+ To sweeten the cup that we drink to the noon.
+ Oh, the deep noon, the full noon,
+ Of all the day the best!
+ When the blue sky burns, and the great sun turns
+ To his home by the way of the west!
+
+1906.
+
+
+
+LIGHT BETWEEN THE TREES
+
+
+ Long, long, long the trail
+ Through the brooding forest-gloom,
+ Down the shadowy, lonely vale
+ Into silence, like a room
+ Where the light of life has fled,
+ And the jealous curtains close
+ Round the passionless repose
+ Of the silent dead.
+
+ Plod, plod, plod away,
+ Step by step in mouldering moss;
+ Thick branches bar the day
+ Over languid streams that cross
+ Softly, slowly, with a sound
+ Like a smothered weeping,
+ In their aimless creeping
+ Through enchanted ground.
+
+ "Yield, yield, yield thy quest,"
+ Whispers through the woodland deep;
+ "Come to me and be at rest;
+ I am slumber, I am sleep."
+ Then the weary feet would fail,
+ But the never-daunted will
+ Urges "Forward, forward still!
+ Press along the trail!"
+
+ Breast, breast, breast the slope
+ See, the path is growing steep.
+ Hark! a little song of hope
+ Where the stream begins to leap.
+ Though the forest, far and wide,
+ Still shuts out the bending blue,
+ We shall finally win through,
+ Cross the long divide.
+
+ On, on, on we tramp!
+ Will the journey never end?
+ Over yonder lies the camp;
+ Welcome waits us there, my friend.
+ Can we reach it ere the night?
+ Upward, upward, never fear!
+ Look, the summit must be near;
+ See the line of light!
+
+ Red, red, red the shine
+ Of the splendour in the west,
+ Glowing through the ranks of pine,
+ Clear along the mountain-crest!
+ Long, long, long the trail
+ Out of sorrow's lonely vale;
+ But at last the traveller sees
+ Light between the trees!
+
+March, 1904.
+
+
+
+THE HERMIT THRUSH
+
+
+ O wonderful! How liquid clear
+ The molten gold of that ethereal tone,
+ Floating and falling through the wood alone,
+ A hermit-hymn poured out for God to hear!
+
+ _O holy, holy, holy! Hyaline,
+ Long light, low light, glory of eventide!
+ Love far away, far up,--up,--love divine!
+ Little love, too, for ever, ever near,
+ Warm love, earth love, tender love of mine,
+ In the leafy dark where you hide,
+ You are mine,--mine,--mine!_
+
+ Ah, my beloved, do you feel with me
+ The hidden virtue of that melody,
+ The rapture and the purity of love,
+ The heavenly joy that can not find the word?
+ Then, while we wait again to hear the bird,
+ Come very near to me, and do not move,--
+ Now, hermit of the woodland, fill anew
+ The cool, green cup of air with harmony,
+ And we will drink the wine of love with you.
+
+May, 1908.
+
+
+
+TURN O' THE TIDE
+
+
+ The tide flows in to the harbour,--
+ The bold tide, the gold tide, the flood o' the sunlit sea,--
+ And the little ships riding at anchor,
+ Are swinging and slanting their prows to the ocean, panting
+ To lift their wings to the wide wild air,
+ And venture a voyage they know not where,--
+ To fly away and be free!
+
+ The tide runs out of the harbour,--
+ The low tide, the slow tide, the ebb o' the moonlit bay,--
+ And the little ships rocking at anchor,
+ Are rounding and turning their bows to the landward, yearning
+ To breathe the breath of the sun-warmed strand,
+ To rest in the lee of the high hill land,--
+ To hold their haven and stay!
+
+ My heart goes round with the vessels,--
+ My wild heart, my child heart, in love with the sea and the land,--
+ And the turn o' the tide passes through it,
+ In rising and falling with mystical currents, calling
+ At morn, to range where the far waves foam,
+ At night, to a harbour in love's true home,
+ With the hearts that understand!
+
+Seal Harbour, August 12, 1911.
+
+
+
+SIERRA MADRE
+
+
+ O Mother mountains! billowing far to the snow-lands,
+ Robed in aerial amethyst, silver, and blue,
+ Why do ye look so proudly down on the lowlands?
+ What have their groves and gardens to do with you?
+
+ Theirs is the languorous charm of the orange and myrtle,
+ Theirs are the fruitage and fragrance of Eden of old,--
+ Broad-boughed oaks in the meadows fair and fertile,
+ Dark-leaved orchards gleaming with globes of gold.
+
+ You, in your solitude standing, lofty and lonely,
+ Bear neither garden nor grove on your barren breasts;
+ Rough is the rock-loving growth of your canyons, and only
+ Storm-battered pines and fir-trees cling to your crests.
+
+ Why are ye throned so high, and arrayed in splendour
+ Richer than all the fields at your feet can claim?
+ What is your right, ye rugged peaks, to the tender
+ Queenly promise and pride of the mother-name?
+
+ Answered the mountains, dim in the distance dreaming:
+ "Ours are the forests that treasure the riches of rain;
+ Ours are the secret springs and the rivulets gleaming
+ Silverly down through the manifold bloom of the plain.
+
+ "Vain were the toiling of men in the dust of the dry land,
+ Vain were the ploughing and planting in waterless fields,
+ Save for the life-giving currents we send from the sky-land,
+ Save for the fruit our embrace with the storm-cloud yields."
+
+ O mother mountains, Madre Sierra, I love you!
+ Rightly you reign o'er the vale that your bounty fills--
+ Kissed by the sun, or with big, bright stars above you,--
+ I murmur your name and lift up mine eyes to the hills.
+
+Pasadena, March, 1913.
+
+
+
+THE GRAND CANYON
+
+DAYBREAK
+
+
+ What makes the lingering Night so cling to thee?
+ Thou vast, profound, primeval hiding-place
+ Of ancient secrets,--gray and ghostly gulf
+ Cleft in the green of this high forest land,
+ And crowded in the dark with giant forms!
+ Art thou a grave, a prison, or a shrine?
+
+ A stillness deeper than the dearth of sound
+ Broods over thee: a living silence breathes
+ Perpetual incense from thy dim abyss.
+ The morning-stars that sang above the bower
+ Of Eden, passing over thee, are dumb
+ With trembling bright amazement; and the Dawn
+ Steals through the glimmering pines with naked feet,
+ Her hand upon her lips, to look on thee!
+ She peers into thy depths with silent prayer
+ For light, more light, to part thy purple veil.
+ O Earth, swift-rolling Earth, reveal, reveal,--
+ Turn to the East, and show upon thy breast
+ The mightiest marvel in the realm of Time!
+
+ 'Tis done,--the morning miracle of light,--
+ The resurrection of the world of hues
+ That die with dark, and daily rise again
+ With every rising of the splendid Sun!
+
+ Be still, my heart! Now Nature holds her breath
+ To see the solar flood of radiance leap
+ Across the chasm, and crown the western rim
+ Of alabaster with a far-away
+ Rampart of pearl, and flowing down by walls
+ Of changeful opal, deepen into gold
+ Of topaz, rosy gold of tourmaline,
+ Crimson of garnet, green and gray of jade,
+ Purple of amethyst, and ruby red,
+ Beryl, and sard, and royal porphyry;
+ Until the cataract of colour breaks
+ Upon the blackness of the granite floor.
+
+ How far below! And all between is cleft
+ And carved into a hundred curving miles
+ Of unimagined architecture! Tombs,
+ Temples, and colonnades are neighboured there
+ By fortresses that Titans might defend,
+ And amphitheatres where Gods might strive.
+ Cathedrals, buttressed with unnumbered tiers
+ Of ruddy rock, lift to the sapphire sky
+ A single spire of marble pure as snow;
+ And huge aerial palaces arise
+ Like mountains built of unconsuming flame.
+ Along the weathered walls, or standing deep
+ In riven valleys where no foot may tread,
+ Are lonely pillars, and tall monuments
+ Of perished aeons and forgotten things.
+ My sight is baffled by the wide array
+ Of countless forms: my vision reels and swims
+ Above them, like a bird in whirling winds.
+ Yet no confusion fills the awful chasm;
+ But spacious order and a sense of peace
+ Brood over all. For every shape that looms
+ Majestic in the throng, is set apart
+ From all the others by its far-flung shade,
+ Blue, blue, as if a mountain-lake were there.
+
+ How still it is! Dear God, I hardly dare
+ To breathe, for fear the fathomless abyss
+ Will draw me down into eternal sleep.
+
+ What force has formed this masterpiece of awe?
+ What hands have wrought these wonders in the waste?
+ O river, gleaming in the narrow rift
+ Of gloom that cleaves the valley's nether deep,--
+ Fierce Colorado, prisoned by thy toil,
+ And blindly toiling still to reach the sea,--
+ Thy waters, gathered from the snows and springs
+ Amid the Utah hills, have carved this road
+ Of glory to the Californian Gulf.
+ But now, O sunken stream, thy splendour lost,
+ 'Twixt iron walls thou rollest turbid waves,
+ Too far away to make their fury heard!
+
+ At sight of thee, thou sullen labouring slave
+ Of gravitation,--yellow torrent poured
+ From distant mountains by no will of thine,
+ Through thrice a hundred centuries of slow
+ Fallings and liftings of the crust of Earth,--
+ At sight of thee my spirit sinks and fails.
+ Art thou alone the Maker? Is the blind
+ Unconscious power that drew thee dumbly down
+ To cut this gash across the layered globe,
+ The sole creative cause of all I see?
+ Are force and matter all? The rest a dream?
+
+ Then is thy gorge a canyon of despair,
+ A prison for the soul of man, a grave
+ Of all his dearest daring hopes! The world
+ Wherein we live and move is meaningless,
+ No spirit here to answer to our own!
+ The stars without a guide: The chance-born Earth
+ Adrift in space, no Captain on the ship:
+ Nothing in all the universe to prove
+ Eternal wisdom and eternal love!
+ And man, the latest accident of Time,--
+ Who thinks he loves, and longs to understand,
+ Who vainly suffers, and in vain is brave,
+ Who dupes his heart with immortality,--
+ Man is a living lie,--a bitter jest
+ Upon himself,--a conscious grain of sand
+ Lost in a desert of unconsciousness,
+ Thirsting for God and mocked by his own thirst.
+
+ Spirit of Beauty, mother of delight,
+ Thou fairest offspring of Omnipotence
+ Inhabiting this lofty lone abode,
+ Speak to my heart again and set me free
+ From all these doubts that darken earth and heaven!
+ Who sent thee forth into the wilderness
+ To bless and comfort all who see thy face?
+ Who clad thee in this more than royal robe
+ Of rainbows? Who designed these jewelled thrones
+ For thee, and wrought these glittering palaces?
+ Who gave thee power upon the soul of man
+ To lift him up through wonder into joy?
+ God! let the radiant cliffs bear witness, God!
+ Let all the shining pillars signal, God!
+ He only, on the mystic loom of light.
+ Hath woven webs of loveliness to clothe
+ His most majestic works: and He alone
+ Hath delicately wrought the cactus-flower
+ To star the desert floor with rosy bloom.
+
+ O Beauty, handiwork of the Most High,
+ Where'er thou art He tells his Love to man,
+ And lo, the day breaks, and the shadows flee!
+
+ Now, far beyond all language and all art
+ In thy wild splendour, Canyon marvellous,
+ The secret of thy stillness lies unveiled
+ In wordless worship! This is holy ground;
+ Thou art no grave, no prison, but a shrine.
+ Garden of Temples filled with Silent Praise,
+ If God were blind thy Beauty could not be!
+
+February 24-26, 1913.
+
+
+
+THE HEAVENLY HILLS OF HOLLAND
+
+
+ The heavenly hills of Holland,--
+ How wondrously they rise
+ Above the smooth green pastures
+ Into the azure skies!
+ With blue and purple hollows,
+ With peaks of dazzling snow,
+ Along the far horizon
+ The clouds are marching slow.
+
+ No mortal foot has trodden
+ The summits of that range,
+ Nor walked those mystic valleys
+ Whose colours ever change;
+ Yet we possess their beauty,
+ And visit them in dreams,
+ While ruddy gold of sunset
+ From cliff and canyon gleams.
+
+ In days of cloudless weather
+ They melt into the light;
+ When fog and mist surround us
+ They're hidden from our sight;
+ But when returns a season
+ Clear shining after rain,
+ While the northwest wind is blowing,
+ We see the hills again.
+
+ The old Dutch painters loved them,
+ Their pictures show them fair,--
+ Old Hobbema and Ruysdael,
+ Van Goyen and Vermeer.
+ Above the level landscape,
+ Rich polders, long-armed mills,
+ Canals and ancient cities,--
+ Float Holland's heavenly hills.
+
+The Hague, November, 1916.
+
+
+
+FLOOD-TIDE OF FLOWERS
+
+IN HOLLAND
+
+
+ The laggard winter ebbed so slow
+ With freezing rain and melting snow,
+ It seemed as if the earth would stay
+ Forever where the tide was low,
+ In sodden green and watery gray.
+
+ But now from depths beyond our sight,
+ The tide is turning in the night,
+ And floods of colour long concealed
+ Come silent rising toward the light,
+ Through garden bare and empty field.
+
+ And first, along the sheltered nooks,
+ The crocus runs in little brooks
+ Of joyance, till by light made bold
+ They show the gladness of their looks
+ In shining pools of white and gold.
+
+ The tiny scilla, sapphire blue,
+ Is gently seeping in, to strew
+ The earth with heaven; and sudden rills
+ Of sunlit yellow, sweeping through,
+ Spread into lakes of daffodils.
+
+ The hyacinths, with fragrant heads,
+ Have overflowed their sandy beds,
+ And fill the earth with faint perfume,
+ The breath that Spring around her sheds.
+ And now the tulips break in bloom!
+
+ A sea, a rainbow-tinted sea,
+ A splendour and a mystery,
+ Floods o'er the fields of faded gray:
+ The roads are full of folks in glee,
+ For lo,--to-day is Easter Day!
+
+April, 1916.
+
+
+
+ODE
+
+GOD OF THE OPEN AIR
+
+
+I
+
+ Thou who hast made thy dwelling fair
+ With flowers below, above with starry lights
+ And set thine altars everywhere,--
+ On mountain heights,
+ In woodlands dim with many a dream,
+ In valleys bright with springs,
+ And on the curving capes of every stream:
+ Thou who hast taken to thyself the wings
+ Of morning, to abide
+ Upon the secret places of the sea,
+ And on far islands, where the tide
+ Visits the beauty of untrodden shores,
+ Waiting for worshippers to come to thee
+ In thy great out-of-doors!
+ To thee I turn, to thee I make my prayer,
+ God of the open air.
+
+
+II
+
+ Seeking for thee, the heart of man
+ Lonely and longing ran,
+ In that first, solitary hour,
+ When the mysterious power
+ To know and love the wonder of the morn
+ Was breathed within him, and his soul was born;
+ And thou didst meet thy child,
+ Not in some hidden shrine,
+ But in the freedom of the garden wild,
+ And take his hand in thine,--
+ There all day long in Paradise he walked,
+ And in the cool of evening with thee talked.
+
+
+III
+
+ Lost, long ago, that garden bright and pure,
+ Lost, that calm day too perfect to endure,
+ And lost the child-like love that worshipped and was sure!
+ For men have dulled their eyes with sin,
+ And dimmed the light of heaven with doubt,
+ And built their temple walls to shut thee in,
+ And framed their iron creeds to shut thee out.
+ But not for thee the closing of the door,
+ O Spirit unconfined!
+ Thy ways are free
+ As is the wandering wind,
+ And thou hast wooed thy children, to restore
+ Their fellowship with thee,
+ In peace of soul and simpleness of mind.
+
+
+IV
+
+ Joyful the heart that, when the flood rolled by,
+ Leaped up to see the rainbow in the sky;
+ And glad the pilgrim, in the lonely night,
+ For whom the hills of Haran, tier on tier,
+ Built up a secret stairway to the height
+ Where stars like angel eyes were shining clear.
+ From mountain-peaks, in many a land and age,
+ Disciples of the Persian seer
+ Have hailed the rising sun and worshipped thee;
+ And wayworn followers of the Indian sage
+ Have found the peace of God beneath a spreading tree.
+
+
+V
+
+ But One, but One,--ah, Son most dear,
+ And perfect image of the Love Unseen,--
+ Walked every day in pastures green,
+ And all his life the quiet waters by,
+ Reading their beauty with a tranquil eye.
+ To him the desert was a place prepared
+ For weary hearts to rest;
+ The hillside was a temple blest;
+ The grassy vale a banquet-room
+ Where he could feed and comfort many a guest.
+ With him the lily shared
+ The vital joy that breathes itself in bloom;
+ And every bird that sang beside the nest
+ Told of the love that broods o'er every living thing.
+ He watched the shepherd bring
+ His flock at sundown to the welcome fold,
+ The fisherman at daybreak fling
+ His net across the waters gray and cold,
+ And all day long the patient reaper swing
+ His curving sickle through the harvest-gold.
+ So through the world the foot-path way he trod,
+ Breathing the air of heaven in every breath;
+ And in the evening sacrifice of death
+ Beneath the open sky he gave his soul to God.
+ Him will I trust, and for my Master take;
+ Him will I follow; and for his dear sake,
+ God of the open air,
+ To thee I make my prayer.
+
+
+VI
+
+ From the prison of anxious thought that greed has builded,
+ From the fetters that envy has wrought and pride has gilded,
+ From the noise of the crowded ways and the fierce confusion,
+ From the folly that wastes its days in a world of illusion,
+ (Ah, but the life is lost that frets and languishes there!)
+ I would escape and be free in the joy of the open air.
+
+ By the breadth of the blue that shines in silence o'er me,
+ By the length of the mountain-lines that stretch before me,
+ By the height of the cloud that sails, with rest in motion,
+ Over the plains and the vales to the measureless ocean,
+ (Oh, how the sight of the greater things enlarges the eyes!)
+ Draw me away from myself to the peace of the hills and skies.
+
+ While the tremulous leafy haze on the woodland is spreading,
+ And the bloom on the meadow betrays where May has been treading;
+ While the birds on the branches above, and the brooks flowing under,
+ Are singing together of love in a world full of wonder,
+ (Lo, in the magic of Springtime, dreams are changed into truth!)
+ Quicken my heart, and restore the beautiful hopes of youth.
+
+ By the faith that the wild-flowers show when they bloom unbidden,
+ By the calm of the river's flow to a goal that is hidden,
+ By the strength of the tree that clings to its deep foundation,
+ By the courage of birds' light wings on the long migration,
+ (Wonderful spirit of trust that abides in Nature's breast!)
+ Teach me how to confide, and live my life, and rest.
+
+ For the comforting warmth of the sun that my body embraces,
+ For the cool of the waters that run through the shadowy places,
+ For the balm of the breezes that brush my face with their fingers,
+ For the vesper-hymn of the thrush when the twilight lingers,
+ For the long breath, the deep breath, the breath of a heart without
+ care,--
+ I will give thanks and adore thee, God of the open air!
+
+
+VII
+
+ These are the gifts I ask
+ Of thee, Spirit serene:
+ Strength for the daily task,
+ Courage to face the road,
+ Good cheer to help me bear the traveller's load,
+ And, for the hours of rest that come between,
+ An inward joy in all things heard and seen.
+ These are the sins I fain
+ Would have thee take away:
+ Malice, and cold disdain,
+ Hot anger, sullen hate,
+ Scorn of the lowly, envy of the great,
+ And discontent that casts a shadow gray
+ On all the brightness of the common day.
+ These are the things I prize
+ And hold of dearest worth:
+ Light of the sapphire skies,
+ Peace of the silent hills,
+ Shelter of forests, comfort of the grass,
+ Music of birds, murmur of little rills,
+ Shadows of cloud that swiftly pass,
+ And, after showers,
+ The smell of flowers
+ And of the good brown earth,--
+ And best of all, along the way, friendship and mirth.
+ So let me keep
+ These treasures of the humble heart
+ In true possession, owning them by love;
+ And when at last I can no longer move
+ Among them freely, but must part
+ From the green fields and from the waters clear,
+ Let me not creep
+ Into some darkened room and hide
+ From all that makes the world so bright and dear;
+ But throw the windows wide
+ To welcome in the light;
+ And while I clasp a well-beloved hand,
+ Let me once more have sight
+ Of the deep sky and the far-smiling land,--
+ Then gently fall on sleep,
+ And breathe my body back to Nature's care,
+ My spirit out to thee, God of the open air.
+
+1904.
+
+
+
+
+NARRATIVE POEMS
+
+
+
+THE TOILING OF FELIX
+
+A LEGEND ON A NEW SAYING OF JESUS
+
+
+In the rubbish heaps of the ancient city of Oxyrhynchus, near the
+River Nile, a party of English explorers, in the winter of 1897,
+discovered a fragment of a papyrus book, written in the second or
+third century, and hitherto unknown. This single leaf contained
+parts of seven short sentences of Christ, each introduced by the
+words, "Jesus says." It is to the fifth of these Sayings of Jesus
+that the following poem refers.
+
+
+
+THE TOILING OF FELIX
+
+
+I
+
+PRELUDE
+
+ Hear a word that Jesus spake
+ Nineteen hundred years ago,
+ Where the crimson lilies blow
+ Round the blue Tiberian lake:
+ There the bread of life He brake,
+ Through the fields of harvest walking
+ With His lowly comrades, talking
+ Of the secret thoughts that feed
+ Weary souls in time of need.
+ Art thou hungry? Come and take;
+ Hear the word that Jesus spake!
+ 'Tis the sacrament of labour, bread and wine divinely blest;
+ Friendship's food and sweet refreshment, strength and courage, joy and
+ rest.
+
+ But this word the Master said
+ Long ago and far away,
+ Silent and forgotten lay
+ Buried with the silent dead,
+ Where the sands of Egypt spread
+ Sea-like, tawny billows heaping
+ Over ancient cities sleeping,
+ While the River Nile between
+ Rolls its summer flood of green
+ Rolls its autumn flood of red:
+ There the word the Master said,
+ Written on a frail papyrus, wrinkled, scorched by fire, and torn,
+ Hidden by God's hand was waiting for its resurrection morn.
+
+ Now at last the buried word
+ By the delving spade is found,
+ Sleeping in the quiet ground.
+ Now the call of life is heard:
+ Rise again, and like a bird,
+ Fly abroad on wings of gladness
+ Through the darkness and the sadness,
+ Of the toiling age, and sing
+ Sweeter than the voice of Spring,
+ Till the hearts of men are stirred
+ By the music of the word,--
+ Gospel for the heavy-laden, answer to the labourer's cry:
+ "_Raise the stone, and thou shall find me; cleave the wood and there
+ am I._"
+
+
+II
+
+LEGEND
+
+ Brother-men who look for Jesus, long to see Him close and clear,
+ Hearken to the tale of Felix, how he found the Master near.
+
+ Born in Egypt, 'neath the shadow of the crumbling gods of night,
+ He forsook the ancient darkness, turned his young heart toward the Light.
+
+ Seeking Christ, in vain he waited for the vision of the Lord;
+ Vainly pondered many volumes where the creeds of men were stored;
+
+ Vainly shut himself in silence, keeping vigil night and day;
+ Vainly haunted shrines and churches where the Christians came to pray.
+
+ One by one he dropped the duties of the common life of care,
+ Broke the human ties that bound him, laid his spirit waste and bare,
+
+ Hoping that the Lord would enter that deserted dwelling-place,
+ And reward the loss of all things with the vision of His face.
+
+ Still the blessed vision tarried; still the light was unrevealed;
+ Still the Master, dim and distant, kept His countenance concealed.
+
+ Fainter grew the hope of finding, wearier grew the fruitless quest;
+ Prayer and penitence and fasting gave no comfort, brought no rest.
+
+ Lingering in the darkened temple, ere the lamp of faith went out,
+ Felix knelt before the altar, lonely, sad, and full of doubt.
+
+ "Hear me, O my Lord and Master," from the altar-step he cried,
+ "Let my one desire be granted, let my hope be satisfied!
+
+ "Only once I long to see Thee, in the fulness of Thy grace:
+ Break the clouds that now enfold Thee, with the sunrise of Thy face!
+
+ "All that men desire and treasure have I counted loss for Thee;
+ Every hope have I forsaken, save this one, my Lord to see.
+
+ "Loosed the sacred bands of friendship, solitary stands my heart;
+ Thou shalt be my sole companion when I see Thee as Thou art.
+
+ "From Thy distant throne in glory, flash upon my inward sight,
+ Fill the midnight of my spirit with the splendour of Thy light.
+
+ "All Thine other gifts and blessings, common mercies, I disown;
+ Separated from my brothers, I would see Thy face alone.
+
+ "I have watched and I have waited as one waiteth for the morn:
+ Still the veil is never lifted, still Thou leavest me forlorn.
+
+ "Now I seek Thee in the desert, where the holy hermits dwell;
+ There, beside the saint Serapion, I will find a lonely cell.
+
+ "There at last Thou wilt be gracious; there Thy presence,
+ long-concealed,
+ In the solitude and silence to my heart shall be revealed.
+
+ "Thou wilt come, at dawn or twilight, o'er the rolling waves of sand;
+ I shall see Thee close beside me, I shall touch Thy pierced hand.
+
+ "Lo, Thy pilgrim kneels before Thee; bless my journey with a word;
+ Tell me now that if I follow, I shall find Thee, O my Lord!"
+
+ Felix listened: through the darkness, like a murmur of the wind,
+ Came a gentle sound of stillness: "Never faint, and thou shalt find."
+
+ Long and toilsome was his journey through the heavy land of heat,
+ Egypt's blazing sun above him, blistering sand beneath his feet.
+
+ Patiently he plodded onward, from the pathway never erred,
+ Till he reached the river-headland called the Mountain of the Bird.
+
+ There the tribes of air assemble, once a year, their noisy flock,
+ Then, departing, leave a sentinel perched upon the highest rock.
+
+ Far away, on joyful pinions, over land and sea they fly;
+ But the watcher on the summit lonely stands against the sky.
+
+ There the eremite Serapion in a cave had made his bed;
+ There the faithful bands of pilgrims sought his blessing, brought him
+ bread.
+
+ Month by month, in deep seclusion, hidden in the rocky cleft,
+ Dwelt the hermit, fasting, praying; once a year the cave he left.
+
+ On that day a happy pilgrim, chosen out of all the band,
+ Won a special sign of favour from the holy hermit's hand.
+
+ Underneath the narrow window, at the doorway closely sealed,
+ While the afterglow of sunset deepened round him, Felix kneeled.
+
+ "Man of God, of men most holy, thou whose gifts cannot be priced!
+ Grant me thy most precious guerdon; tell me how to find the Christ."
+
+ Breathless, Felix bent and listened, but no answering voice he heard;
+ Darkness folded, dumb and deathlike, round the Mountain of the Bird.
+
+ Then he said, "The saint is silent; he would teach my soul to wait:
+ I will tarry here in patience, like a beggar at his gate."
+
+ Near the dwelling of the hermit Felix found a rude abode,
+ In a shallow tomb deserted, close beside the pilgrim-road.
+
+ So the faithful pilgrims saw him waiting there without complaint,--
+ Soon they learned to call him holy, fed him as they fed the saint.
+
+ Day by day he watched the sunrise flood the distant plain with gold,
+ While the River Nile beneath him, silvery coiling, sea-ward rolled.
+
+ Night by night he saw the planets range their glittering court on high,
+ Saw the moon, with queenly motion, mount her throne and rule the sky.
+
+ Morn advanced and midnight fled, in visionary pomp attired;
+ Never morn and never midnight brought the vision long-desired.
+
+ Now at last the day is dawning when Serapion makes his gift;
+ Felix kneels before the threshold, hardly dares his eyes to lift.
+
+ Now the cavern door uncloses, now the saint above him stands,
+ Blesses him without a word, and leaves a token in his hands.
+
+ 'Tis the guerdon of thy waiting! Look, thou happy pilgrim, look!
+ Nothing but a tattered fragment of an old papyrus book.
+
+ Read! perchance the clue to guide thee hidden in the words may lie:
+ "_Raise the stone, and thou shalt find me; cleave the wood, and there
+ am I._"
+
+ Can it be the mighty Master spake such simple words as these?
+ Can it be that men must seek Him at their toil 'mid rocks and trees?
+
+ Disappointed, heavy-hearted, from the Mountain of the Bird
+ Felix mournfully descended, questioning the Master's word.
+
+ Not for him a sacred dwelling, far above the haunts of men:
+ He must turn his footsteps backward to the common life again.
+
+ From a quarry near the river, hollowed out amid the hills,
+ Rose the clattering voice of labour, clanking hammers, clinking drills.
+
+ Dust, and noise, and hot confusion made a Babel of the spot:
+ There, among the lowliest workers, Felix sought and found his lot.
+
+ Now he swung the ponderous mallet, smote the iron in the rock--
+ Muscles quivering, tingling, throbbing--blow on blow and shock on shock;
+
+ Now he drove the willow wedges, wet them till they swelled and split,
+ With their silent strength, the fragment, sent it thundering down the
+ pit.
+
+ Now the groaning tackle raised it; now the rollers made it slide;
+ Harnessed men, like beasts of burden, drew it to the river-side.
+
+ Now the palm-trees must be riven, massive timbers hewn and dressed;
+ Rafts to bear the stones in safety on the rushing river's breast.
+
+ Axe and auger, saw and chisel, wrought the will of man in wood:
+ 'Mid the many-handed labour Felix toiled, and found it good.
+
+ Every day the blood ran fleeter through his limbs and round his heart;
+ Every night he slept the sweeter, knowing he had done his part.
+
+ Dreams of solitary saintship faded from him; but, instead,
+ Came a sense of daily comfort in the toil for daily bread.
+
+ Far away, across the river, gleamed the white walls of the town
+ Whither all the stones and timbers day by day were floated down.
+
+ There the workman saw his labour taking form and bearing fruit,
+ Like a tree with splendid branches rising from a humble root.
+
+ Looking at the distant city, temples, houses, domes, and towers,
+ Felix cried in exultation: "All that mighty work is ours.
+
+ "Every toiler in the quarry, every builder on the shore,
+ Every chopper in the palm-grove, every raftsman at the oar,
+
+ "Hewing wood and drawing water, splitting stones and cleaving sod,
+ All the dusty ranks of labour, in the regiment of God,
+
+ "March together toward His triumph, do the task His hands prepare:
+ Honest toil is holy service; faithful work is praise and prayer."
+
+ While he bore the heat and burden Felix felt the sense of rest
+ Flowing softly like a fountain, deep within his weary breast;
+
+ Felt the brotherhood of labour, rising round him like a tide,
+ Overflow his heart and join him to the workers at his side.
+
+ Oft he cheered them with his singing at the breaking of the light,
+ Told them tales of Christ at noonday, taught them words of prayer at
+ night.
+
+ Once he bent above a comrade fainting in the mid-day heat,
+ Sheltered him with woven palm-leaves, gave him water, cool and sweet.
+
+ Then it seemed, for one swift moment, secret radiance filled the place;
+ Underneath the green palm-branches flashed a look of Jesus' face.
+
+ Once again, a raftsman, slipping, plunged beneath the stream and sank;
+ Swiftly Felix leaped to rescue, caught him, drew him toward the bank--
+
+ Battling with the cruel river, using all his strength to save--
+ Did he dream? or was there One beside him walking on the wave?
+
+ Now at last the work was ended, grove deserted, quarry stilled;
+ Felix journeyed to the city that his hands had helped to build.
+
+ In the darkness of the temple, at the closing hour of day,
+ As of old he sought the altar, as of old he knelt to pray:
+
+ "Hear me, O Thou hidden Master! Thou hast sent a word to me;
+ It is written--Thy commandment--I have kept it faithfully.
+
+ "Thou hast bid me leave the visions of the solitary life,
+ Bear my part in human labour, take my share in human strife.
+
+ "I have done Thy bidding, Master; raised the rock and felled the tree,
+ Swung the axe and plied the hammer, working every day for Thee.
+
+ "Once it seemed I saw Thy presence through the bending palm-leaves gleam;
+ Once upon the flowing water--Nay, I know not; 'twas a dream!
+
+ "This I know: Thou hast been near me: more than this I dare not ask.
+ Though I see Thee not, I love Thee. Let me do Thy humblest task!"
+
+ Through the dimness of the temple slowly dawned a mystic light;
+ There the Master stood in glory, manifest to mortal sight:
+
+ Hands that bore the mark of labour, brow that bore the print of care;
+ Hands of power, divinely tender; brow of light, divinely fair.
+
+ "Hearken, good and faithful servant, true disciple, loyal friend!
+ Thou hast followed me and found me; I will keep thee to the end.
+
+ "Well I know thy toil and trouble; often weary, fainting, worn,
+ I have lived the life of labour, heavy burdens I have borne.
+
+ "Never in a prince's palace have I slept on golden bed,
+ Never in a hermit's cavern have I eaten unearned bread.
+
+ "Born within a lowly stable, where the cattle round me stood,
+ Trained a carpenter in Nazareth, I have toiled, and found it good.
+
+ "They who tread the path of labour follow where my feet have trod;
+ They who work without complaining do the holy will of God.
+
+ "Where the many toil together, there am I among my own;
+ Where the tired workman sleepeth, there am I with him alone.
+
+ "I, the peace that passeth knowledge, dwell amid the daily strife;
+ I, the bread of heaven, am broken in the sacrament of life.
+
+ "Every task, however simple, sets the soul that does it free;
+ Every deed of love and mercy, done to man, is done to me.
+
+ "Thou hast learned the open secret; thou hast come to me for rest;
+ With thy burden, in thy labour, thou art Felix, doubly blest.
+
+ "Nevermore thou needest seek me; I am with thee everywhere;
+ _Raise the stone, and thou shall find me; cleave the wood, and
+ I am there._"
+
+
+III
+
+ENVOY
+
+ The legend of Felix is ended, the toiling of Felix is done;
+ The Master has paid him his wages, the goal of his journey is won;
+ He rests, but he never is idle; a thousand years pass like a day,
+ In the glad surprise of that Paradise where work is sweeter than play.
+
+ Yet often the King of that country comes out from His tireless host,
+ And walks in this world of the weary as if He loved it the most;
+ For here in the dusty confusion, with eyes that are heavy and dim,
+ He meets again the labouring men who are looking and longing for Him.
+
+ He cancels the curse of Eden, and brings them a blessing instead:
+ Blessed are they that labour, for Jesus partakes of their bread.
+ He puts His hand to their burdens, He enters their homes at night:
+ Who does his best shall have as a guest the Master of life and light.
+
+ And courage will come with His presence, and patience return at His
+ touch,
+ And manifold sins be forgiven to those who love Him much;
+ The cries of envy and anger will change to the songs of cheer,
+ The toiling age will forget its rage when the Prince of Peace draws near.
+
+ This is the gospel of labour, ring it, ye bells of the kirk!
+ The Lord of Love came down from above, to live with the men who work.
+ This is the rose that He planted, here in the thorn-curst soil:
+ Heaven is blest with perfect rest, but the blessing of Earth is toil.
+
+1898.
+
+
+
+VERA
+
+
+I
+
+ A silent world,--yet full of vital joy
+ Uttered in rhythmic movements manifold,
+ And sunbeams flashing on the face of things
+ Like sudden smilings of divine delight,--
+ A world of many sorrows too, revealed
+ In fading flowers and withering leaves and dark
+ Tear-laden clouds, and tearless, clinging mists
+ That hung above the earth too sad to weep,--
+ A world of fluent change, and changeless flow,
+ And infinite suggestion of new thought,
+ Reflected in the crystal of the heart,--
+ A world of many meanings but no words,
+ A silent world was Vera's home.
+ For her
+ The inner doors of sound were closely sealed
+ The outer portals, delicate as shells
+ Suffused with faintest rose of far-off morn,
+ Like underglow of daybreak in the sea,--
+ The ear-gates of the garden of her soul,
+ Shaded by drooping tendrils of brown hair,--
+ Waited in vain for messengers to pass,
+ And thread the labyrinth with flying feet,
+ And swiftly knock upon the inmost door,
+ And enter in, and speak the mystic word.
+ But through those gates no message ever came.
+ Only with eyes did she behold and see,--
+ With eyes as luminous and bright and brown
+ As waters of a woodland river,--eyes
+ That questioned so they almost seemed to speak,
+ And answered so they almost seemed to hear,--
+ Only with wondering eyes did she behold
+ The silent splendour of a living world.
+
+ She saw the great wind ranging freely down
+ Interminable archways of the wood,
+ While tossing boughs and bending tree-tops hailed
+ His coming: but no sea-toned voice of pines,
+ No roaring of the oaks, no silvery song
+ Of poplars or of birches, followed him.
+ He passed; they waved their arms and clapped their hands;
+ There was no sound.
+ The torrents from the hills
+ Leaped down their rocky pathways, like wild steeds
+ Breaking the yoke and shaking manes of foam.
+ The lowland brooks coiled smoothly through the fields,
+ And softly spread themselves in glistening lakes
+ Whose ripples merrily danced among the reeds.
+ The standing waves that ever keep their place
+ In the swift rapids, curled upon themselves,
+ And seemed about to break and never broke;
+ And all the wandering waves that fill the sea
+ Came buffeting in along the stony shore,
+ Or plunging in along the level sands,
+ Or creeping in along the winding creeks
+ And inlets. Yet from all the ceaseless flow
+ And turmoil of the restless element
+ Came neither song of joy nor sob of grief;
+ For there were many waters, but no voice.
+
+ Silent the actors all on Nature's stage
+ Performed their parts before her watchful eyes,
+ Coming and going, making war and love,
+ Working and playing, all without a sound.
+ The oxen drew their load with swaying necks;
+ The cows came sauntering home along the lane;
+ The nodding sheep were led from field to fold
+ In mute obedience. Down the woodland track
+ The hounds with panting sides and lolling tongues
+ Pursued their flying prey in noiseless haste.
+ The birds, the most alive of living things,
+ Mated, and built their nests, and reared their young,
+ And swam the flood of air like tiny ships
+ Rising and falling over unseen waves,
+ And, gathering in great navies, bore away
+ To North or South, without a note of song.
+
+ All these were Vera's playmates; and she loved
+ To watch them, wondering oftentimes how well
+ They knew their parts, and how the drama moved
+ So swiftly, smoothly on from scene to scene
+ Without confusion. But she sometimes dreamed
+ There must be something hidden in the play
+ Unknown to her, an utterance of life
+ More clear than action and more deep than looks.
+ And this she felt most deeply when she watched
+ Her human comrades and the throngs of men,
+ Who met and parted oft with moving lips
+ That had a meaning more than she could see.
+ She saw a lover bend above a maid,
+ With moving lips; and though he touched her not
+ A sudden rose of joy bloomed in her face.
+ She saw a hater stand before his foe
+ And move his lips; whereat the other shrank
+ As if he had been smitten on the mouth.
+ She saw the regiments of toiling men
+ Marshalled in ranks and led by moving lips.
+ And once she saw a sight more strange than all:
+ A crowd of people sitting charmed and still
+ Around a little company of men
+ Who touched their hands in measured, rhythmic time
+ To curious instruments; a woman stood
+ Among them, with bright eyes and heaving breast,
+ And lifted up her face and moved her lips.
+ Then Vera wondered at the idle play,
+ But when she looked around, she saw the glow
+ Of deep delight on every face, as if
+ Some visitor from a celestial world
+ Had brought glad tidings. But to her alone
+ No angel entered, for the choir of sound
+ Was vacant in the temple of her soul,
+ And worship lacked her golden crown of song.
+
+ So when by vision baffled and perplexed
+ She saw that all the world could not be seen,
+ And knew she could not know the whole of life
+ Unless a hidden gate should be unsealed,
+ She felt imprisoned. In her heart there grew
+ The bitter creeping plant of discontent,
+ The plant that only grows in prison soil,
+ Whose root is hunger and whose fruit is pain.
+ The springs of still delight and tranquil joy
+ Were drained as dry as desert dust to feed
+ That never-flowering vine, whose tendrils clung
+ With strangling touch around the bloom of life
+ And made it wither. Vera could not rest
+ Within the limits of her silent world;
+ Along its dumb and desolate paths she roamed
+ A captive, looking sadly for escape.
+
+ Now in those distant days, and in that land
+ Remote, there lived a Master wonderful,
+ Who knew the secret of all life, and could,
+ With gentle touches and with potent words,
+ Open all gates that ever had been sealed,
+ And loose all prisoners whom Fate had bound.
+ Obscure he dwelt, not in the wilderness,
+ But in a hut among the throngs of men,
+ Concealed by meekness and simplicity.
+ And ever as he walked the city streets,
+ Or sat in quietude beside the sea,
+ Or trod the hillsides and the harvest fields,
+ The multitude passed by and knew him not.
+ But there were some who knew, and turned to him
+ For help; and unto all who asked, he gave.
+ Thus Vera came, and found him in the field,
+ And knew him by the pity in his face.
+ She knelt to him and held him by one hand,
+ And laid the other hand upon her lips
+ In mute entreaty. Then she lifted up
+ The coils of hair that hung about her neck,
+ And bared the beauty of the gates of sound,--
+ Those virgin gates through which no voice had passed,--
+ She made them bare before the Master's sight,
+ And looked into the kindness of his face
+ With eyes that spoke of all her prisoned pain,
+ And told her great desire without a word.
+
+ The Master waited long in silent thought,
+ As one reluctant to bestow a gift,
+ Not for the sake of holding back the thing
+ Entreated, but because he surely knew
+ Of something better that he fain would give
+ If only she would ask it. Then he stooped
+ To Vera, smiling, touched her ears and spoke:
+ "Open, fair gates, and you, reluctant doors,
+ Within the ivory labyrinth of the ear,
+ Let fall the bar of silence and unfold!
+ Enter, you voices of all living things,
+ Enter the garden sealed,--but softly, slowly,
+ Not with a noise confused and broken tumult,--
+ Come in an order sweet as I command you,
+ And bring the double gift of speech and hearing."
+
+ Vera began to hear. At first the wind
+ Breathed a low prelude of the birth of sound,
+ As if an organ far away were touched
+ By unseen fingers; then the little stream
+ That hurried down the hillside, swept the harp
+ Of music into merry, tinkling notes;
+ And then the lark that poised above her head
+ On wings a-quiver, overflowed the air
+ With showers of song; and one by one the tones
+ Of all things living, in an order sweet,
+ Without confusion and with deepening power,
+ Entered the garden sealed. And last of all
+ The Master's voice, the human voice divine,
+ Passed through the gates and called her by her name,
+ And Vera heard.
+
+
+II
+
+ What rapture of new life
+ Must come to one for whom a silent world
+ Is suddenly made vocal, and whose heart
+ By the same magic is awaked at once,
+ Without the learner's toil and long delay,
+ Out of a night of dumbly moving dreams,
+ Into a day that overflows with music!
+ This joy was Vera's; and to her it seemed
+ As if a new creative morn had risen
+ Upon the earth, and after the full week
+ When living things unfolded silently,
+ And after the long, quiet Sabbath day,
+ When all was still, another day had dawned,
+ And through the calm expectancy of heaven
+ A secret voice had said, "Let all things speak."
+ The world responded with an instant joy;
+ And all the unseen avenues of sound
+ Were thronged with varying forms of viewless life.
+
+ To every living thing a voice was given
+ Distinct and personal. The forest trees
+ Were not more varied in their shades of green
+ Than in their tones of speech; and every bird
+ That nested in their branches had a song
+ Unknown to other birds and all his own.
+ The waters spoke a hundred dialects
+ Of one great language; now with pattering fall
+ Of raindrops on the glistening leaves, and now
+ With steady roar of rivers rushing down
+ To meet the sea, and now with rhythmic throb
+ And measured tumult of tempestuous waves,
+ And now with lingering lisp of creeping tides,--
+ The manifold discourse of many waters.
+ But most of all the human voice was full
+ Of infinite variety, and ranged
+ Along the scale of life's experience
+ With changing tones, and notes both sweet and sad,
+ All fitted to express some unseen thought,
+ Some vital motion of the hidden heart.
+ So Vera listened with her new-born sense
+ To all the messengers that passed the gates,
+ In measureless delight and utter trust,
+ Believing that they brought a true report
+ From every living thing of its true life,
+ And hoping that at last they would make clear
+ The mystery and the meaning of the world.
+
+ But soon there came a trouble in her joy,
+ A note discordant that dissolved the chord
+ And broke the bliss of hearing into pain.
+ Not from the harsher sounds and voices wild
+ Of anger and of anguish, that reveal
+ The secret strife in nature, and confess
+ The touch of sorrow on the heart of life,--
+ From these her trouble came not. For in these,
+ However sad, she felt the note of truth,
+ And truth, though sad, is always musical.
+ The raging of the tempest-ridden sea,
+ The crash of thunder, and the hollow moan
+ Of winds complaining round the mountain-crags,
+ The shrill and quavering cry of birds of prey,
+ The fiercer roar of conflict-loving beasts,--
+ All these wild sounds are potent in their place
+ Within life's mighty symphony; the charm
+ Of truth attunes them, and the hearing ear
+ Finds pleasure in their rude sincerity.
+ Even the broken and tumultuous noise
+ That rises from great cities, where the heart
+ Of human toil is beating heavily
+ With ceaseless murmurs of the labouring pulse,
+ Is not a discord; for it speaks to life
+ Of life unfeigned, and full of hopes and fears,
+ And touched through all the trouble of its notes
+ With something real and therefore glorious.
+
+ One voice alone of all that sound on earth,
+ Is hateful to the soul, and full of pain,--
+ The voice of falsehood. So when Vera heard
+ This mocking voice, and knew that it was false;
+ When first she learned that human lips can speak
+ The thing that is not, and betray the ear
+ Of simple trust with treachery of words;
+ The joy of hearing withered in her heart.
+ For now she felt that faithless messengers
+ Could pass the open and unguarded gates
+ Of sound, and bring a message all untrue,
+ Or half a truth that makes the deadliest lie,
+ Or idle babble, neither false nor true,
+ But hollow to the heart, and meaningless.
+ She heard the flattering voices of deceit,
+ That mask the hidden purposes of men
+ With fair attire of favourable words,
+ And hide the evil in the guise of good:
+ The voices vain and decorous and smooth,
+ That fill the world with empty-hearted talk;
+ The foolish voices, wandering and confused,
+ That never clearly speak the thing they would,
+ But ramble blindly round their true intent
+ And tangle sense in hopeless coils of sound,--
+ All these she heard, and with a deep mistrust
+ Began to doubt the value of her gift.
+ It seemed as if the world, the living world,
+ Sincere, and vast, and real, were still concealed,
+ And she, within the prison of her soul,
+ Still waiting silently to hear the voice
+ Of perfect knowledge and of perfect peace.
+
+ So with the burden of her discontent
+ She turned to seek the Master once again,
+ And found him sitting in the market-place,
+ Half-hidden in the shadow of a porch,
+ Alone among the careless crowd.
+ She spoke:
+ "Thy gift was great, dear Master, and my heart
+ Has thanked thee many times because I hear
+ But I have learned that hearing is not all;
+ For underneath the speech of men, there flows
+ Another current of their hidden thoughts;
+ Behind the mask of language I perceive
+ The eyes of things unsaid.
+ Touch me again,
+ O Master, with thy liberating hand,
+ And free me from the bondage of deceit.
+ Open another gate, and let me hear
+ The secret thoughts and purposes of men;
+ For only thus my heart will be at rest,
+ And only thus, at last, I shall perceive
+ The mystery and the meaning of the world."
+
+ The Master's face was turned aside from her;
+ His eyes looked far away, as if he saw
+ Something beyond her sight; and yet she knew
+ That he was listening; for her pleading voice
+ No sooner ceased than he put forth his hand
+ To touch her brow, and very gently spoke:
+ "Thou seekest for thyself a wondrous gift,--
+ The opening of the second gate, a gift
+ That many wise men have desired in vain:
+ But some have found it,--whether well or ill
+ For their own peace, they have attained the power
+ To hear unspoken thoughts of other men.
+ And thou hast begged this gift? Thou shalt receive,--
+ Not knowing what thou seekest,--it is thine:
+ The second gate is open! Thou shalt hear
+ All that men think and feel within their hearts:
+ Thy prayer is granted, daughter, go thy way!
+ But if thou findest sorrow on this path,
+ Come back again,--there is a path to peace."
+
+
+III
+
+ Beyond our power of vision, poets say,
+ There is another world of forms unseen,
+ Yet visible to purer eyes than ours.
+ And if the crystal of our sight were clear,
+ We should behold the mountain-slopes of cloud,
+ The moving meadows of the untilled sea,
+ The groves of twilight and the dales of dawn,
+ And every wide and lonely field of air,
+ More populous than cities, crowded close
+ With living creatures of all shapes and hues.
+ But if that sight were ours, the things that now
+ Engage our eyes would seem but dull and dim
+ Beside the wonders of our new-found world,
+ And we should be amazed and overwhelmed
+ Not knowing how to use the plenitude
+ Of vision.
+ So in Vera's soul, at first,
+ The opening of the second gate of sound
+ Let in confusion like a whirling flood.
+ The murmur of a myriad-throated mob;
+ The trampling of an army through a place
+ Where echoes hide; the sudden, whistling flight
+ Of an innumerable flock of birds
+ Along the highway of the midnight sky;
+ The many-whispered rustling of the reeds
+ Beneath the passing feet of all the winds;
+ The long-drawn, inarticulate, wailing cry
+ Of million-pebbled beaches when the lash
+ Of stormy waves is drawn across their back,--
+ All these were less bewildering than to hear
+ What now she heard at once: the tangled sound
+ Of all that moves within the minds of men.
+ For now there was no measured flow of words
+ To mark the time; nor any interval
+ Of silence to repose the listening ear.
+ But through the dead of night, and through the calm
+ Of weary noon-tide, through the solemn hush
+ That fills the temple in the pause of praise,
+ And through the breathless awe in rooms of death,
+ She heard the ceaseless motion and the stir
+ Of never-silent hearts, that fill the world
+ With interwoven thoughts of good and ill,
+ With mingled music of delight and grief,
+ With songs of love, and bitter cries of hate,
+ With hymns of faith, and dirges of despair,
+ And murmurs deeper and more vague than all,--
+ Thoughts that are born and die without a name,
+ Or rather, never die, but haunt the soul,
+ With sad persistence, till a name is given.
+ These Vera heard, at first with mind perplexed
+ And half-benumbed by the disordered sound.
+ But soon a clearer sense began to pierce
+ The cloudy turmoil with discerning power.
+ She learned to know the tones of human thought
+ As plainly as she knew the tones of speech.
+ She could divide the evil from the good,
+ Interpreting the language of the mind,
+ And tracing every feeling like a thread
+ Within the mystic web the passions weave
+ From heart to heart around the living world.
+
+ But when at last the Master's second gift
+ Was perfected within her, and she heard
+ And understood the secret thoughts of men,
+ A sadness fell upon her, and the load
+ Of insupportable knowledge pressed her down
+ With weary wishes to know more, or less.
+ For all she knew was like a broken word
+ Inscribed upon the fragment of a ring;
+ And all she heard was like a broken strain
+ Preluding music that is never played.
+
+ Then she remembered in her sad unrest
+ The Master's parting word,--"a path to peace,"--
+ And turned again to seek him with her grief.
+ She found him in a hollow of the hills,
+ Beside a little spring that issued forth
+ Beneath the rocks and filled a mossy cup
+ With never-failing water. There he sat,
+ With waiting looks that welcomed her afar.
+ "I know that thou hast heard, my child," he said,
+ "For all the wonder of the world of sound
+ Is written in thy face. But hast thou heard,
+ Among the many voices, one of peace?
+ And is thy heart that hears the secret thoughts,
+ The hidden wishes and desires of men,
+ Content with hearing? Art thou satisfied?"
+ "Nay, Master," she replied, "thou knowest well
+ That I am not at rest, nor have I heard
+ The voice of perfect peace; but what I hear
+ Brings me disquiet and a troubled mind.
+ The evil voices in the souls of men,
+ Voices of rage and cruelty and fear
+ Have not dismayed me; for I have believed
+ The voices of the good, the kind, the true,
+ Are more in number and excel in strength.
+ There is more love than hate, more hope than fear,
+ In the deep throbbing of the human heart.
+ But while I listen to the troubled sound,
+ One thing torments me, and destroys my rest
+ And presses me with dull, unceasing pain.
+ For out of all the minds of all mankind,
+ There rises evermore a questioning voice
+ That asks the meaning of this mighty world
+ And finds no answer,--asks, and asks again,
+ With patient pleading or with wild complaint,
+ But wakens no response, except the sound
+ Of other questions, wandering to and fro,
+ From other souls in doubt. And so this voice
+ Persists above all others that I hear,
+ And binds them up together into one,
+ Until the mingled murmur of the world
+ Sounds through the inner temple of my heart
+ Like an eternal question, vainly asked
+ By every human soul that thinks and feels.
+ This is the heaviness that weighs me down,
+ And this the pain that will not let me rest.
+ Therefore, dear Master, shut the gates again,
+ And let me live in silence as before!
+ Or else,--and if there is indeed a gate
+ Unopened yet, through which I might receive
+ An answer in the voice of perfect peace--"
+
+ She ceased; and in her upward faltering tone
+ The question echoed.
+ Then the Master said:
+ "There is another gate, not yet unclosed.
+ For through the outer portal of the ear
+ Only the outer voice of things may pass;
+ And through the middle doorway of the mind
+ Only the half-formed voice of human thoughts,
+ Uncertain and perplexed with endless doubt;
+ But through the inmost gate the spirit hears
+ The voice of that great Spirit who is Life.
+ Beneath the tones of living things He breathes
+ A deeper tone than ever ear hath heard;
+ And underneath the troubled thoughts of men
+ He thinks forever, and His thought is peace.
+ Behold, I touch thee once again, my child:
+ The third and last of those three hidden gates
+ That closed around thy soul and shut thee in,
+ Is open now, and thou shalt truly hear."
+
+ Then Vera heard. The spiritual gate
+ Was opened softly as a full-blown flower
+ Unfolds its heart to welcome in the dawn,
+ And on her listening face there shone a light
+ Of still amazement and completed joy
+ In the full gift of hearing.
+ What she heard
+ I cannot tell; nor could she ever tell
+ In words; because all human words are vain.
+ There is no speech nor language, to express
+ The secret messages of God, that make
+ Perpetual music in the hearing heart.
+ Below the voice of waters, and above
+ The wandering voice of winds, and underneath
+ The song of birds, and all the varying tones
+ Of living things that fill the world with sound,
+ God spoke to her, and what she heard was peace.
+
+ So when the Master questioned, "Dost thou hear?"
+ She answered, "Yea, at last I hear." And then
+ He asked her once again, "What hearest thou?
+ What means the voice of Life?" She answered, "Love!
+ For love is life, and they who do not love
+ Are not alive. But every soul that loves,
+ Lives in the heart of God and hears Him speak."
+
+1898.
+
+
+
+ANOTHER CHANCE
+
+A DRAMATIC LYRIC
+
+
+ Come, give me back my life again, you heavy-handed Death!
+ Uncrook your fingers from my throat, and let me draw my breath.
+ You do me wrong to take me now--too soon for me to die--
+ Ah, loose me from this clutching pain, and hear the reason why.
+
+ I know I've had my forty years, and wasted every one;
+ And yet, I tell you honestly, my life is just begun;
+ I've walked the world like one asleep, a dreamer in a trance;
+ But now you've gripped me wide awake--I want another chance.
+
+ My dreams were always beautiful, my thoughts were high and fine;
+ No life was ever lived on earth to match those dreams of mine.
+ And would you wreck them unfulfilled? What folly, nay, what crime!
+ You rob the world, you waste a soul; give me a little time.
+
+ You'll hear me? Yes, I'm sure you will, my hope is not in vain:
+ I feel the even pulse of peace, the sweet relief from pain;
+ The black fog rolls away from me; I'm free once more to plan:
+ Another chance is all I need to prove myself a man!
+
+ * * * * *
+
+ The world is full of warfare 'twixt the evil and the good;
+ I watched the battle from afar as one who understood
+ The shouting and confusion, the bloody, blundering fight--
+ How few there are that see it clear, how few that wage it right!
+
+ The captains flushed with foolish pride, the soldiers pale with fear,
+ The faltering flags, the feeble fire from ranks that swerve and veer,
+ The wild mistakes, the dismal doubts, the coward hearts that flee--
+ The good cause needs a nobler knight to win the victory.
+
+ A man whose soul is pure and strong, whose sword is bright and keen,
+ Who knows the splendour of the fight and what its issues mean;
+ Who never takes one step aside, nor halts, though hope be dim,
+ But cleaves a pathway thro' the strife, and bids men follow him.
+
+ No blot upon his stainless shield, no weakness in his arm;
+ No sign of trembling in his face to break his valour's charm:
+ A man like this could stay the flight and lead the wavering line;
+ Ah, give me but a year of life--I'll make that glory mine!
+
+ * * * * *
+
+ Religion? Yes, I know it well; I've heard its prayers and creeds,
+ And seen men put them all to shame with poor, half-hearted deeds.
+ They follow Christ, but far away; they wander and they doubt.
+ I'll serve him in a better way, and live his precepts out.
+
+ You see, I waited just for this; I could not be content
+ To own a feeble, faltering faith with human weakness blent.
+ Too many runners in the race move slowly, stumble, fall;
+ But I will run so straight and swift I shall outstrip them all.
+
+ Oh, think what it will mean to men, amid their foolish strife,
+ To see the clear, unshadowed light of one true Christian life,
+ Without a touch of selfishness, without a taint of sin,--
+ With one short month of such a life a new world would begin!
+
+ * * * * *
+
+ And love!--I often dream of that--the treasure of the earth;
+ How little they who use the coin have realised its worth!
+ 'Twill pay all debts, enrich all hearts, and make all joys secure.
+ But love, to do its perfect work, must be sincere and pure.
+
+ My heart is full of virgin gold. I'll pour it out and spend
+ My hidden wealth with open hand on all who call me friend.
+ Not one shall miss the kindly deed, the largess of relief,
+ The generous fellowship of joy, the sympathy of grief.
+
+ I'll say the loyal, helpful things that make life sweet and fair,
+ I'll pay the gratitude I owe for human love and care.
+ Perhaps I've been at fault sometimes--I'll ask to be forgiven,
+ And make this little room of mine seem like a bit of heaven.
+
+ For one by one I'll call my friends to stand beside my bed;
+ I'll speak the true and tender words so often left unsaid;
+ And every heart shall throb and glow, all coldness melt away
+ Around my altar-fire of love--ah, give me but one day!
+
+ * * * * *
+
+ What's that? I've had another day, and wasted it again?
+ A priceless day in empty dreams, another chance in vain?
+ Thou fool--this night--it's very dark--the last--this choking breath--
+ One prayer--have mercy on a dreamer's soul--God, this is death!
+
+
+
+A LEGEND OF SERVICE
+
+
+ It pleased the Lord of Angels (praise His name!)
+ To hear, one day, report from those who came
+ With pitying sorrow, or exultant joy,
+ To tell of earthly tasks in His employ.
+ For some were grieved because they saw how slow
+ The stream of heavenly love on earth must flow;
+ And some were glad because their eyes had seen,
+ Along its banks, fresh flowers and living green.
+ At last, before the whiteness of the throne
+ The youngest angel, Asmiel, stood alone;
+ Nor glad, nor sad, but full of earnest thought,
+ And thus his tidings to the Master brought
+ "Lord, in the city Lupon I have found
+ Three servants of thy holy name, renowned
+ Above their fellows. One is very wise,
+ With thoughts that ever range beyond the skies;
+ And one is gifted with the golden speech
+ That makes men gladly hear when he will teach;
+ And one, with no rare gift or grace endued,
+ Has won the people's love by doing good.
+ With three such saints Lupon is trebly blest;
+ But, Lord, I fain would know, which loves Thee best?"
+ Then spake the Lord of Angels, to whose look
+ The hearts of all are like an open book:
+ "In every soul the secret thought I read,
+ And well I know who loves me best indeed.
+ But every life has pages vacant still,
+ Whereon a man may write the thing he will;
+ Therefore I read the record, day by day,
+ And wait for hearts untaught to learn my way.
+ But thou shalt go to Lupon, to the three
+ Who serve me there, and take this word from me:
+ Tell each of them his Master bids him go
+ Alone to Spiran's huts, across the snow;
+ There he shall find a certain task for me:
+ But what, I do not tell to them nor thee.
+ Give thou the message, make my word the test,
+ And crown for me the one who loves me best."
+ Silent the angel stood, with folded hands,
+ To take the imprint of his Lord's commands;
+ Then drew one breath, obedient and elate,
+ And passed the self-same hour, through Lupon's gate.
+
+ * * * * *
+
+ First to the Temple door he made his way;
+ And there, because it was a holy-day,
+ He saw the folk in thousands thronging, stirred
+ By ardent thirst to hear the preacher's word.
+ Then, while the people whispered Bernol's name,
+ Through aisles that hushed behind him Bernol came;
+ Strung to the keenest pitch of conscious might,
+ With lips prepared and firm, and eyes alight.
+ One moment at the pulpit step he knelt
+ In silent prayer, and on his shoulder felt
+ The angel's hand:--"The Master bids thee go
+ Alone to Spiran's huts, across the snow,
+ To serve Him there." Then Bernol's hidden face
+ Went white as death, and for about the space
+ Of ten slow heart-beats there was no reply;
+ Till Bernol looked around and whispered, "_Why?_"
+ But answer to his question came there none;
+ The angel sighed, and with a sigh was gone.
+
+ * * * * *
+
+ Within the humble house where Malvin spent
+ His studious years, on holy things intent,
+ Sweet stillness reigned; and there the angel found
+ The saintly sage immersed in thought profound,
+ Weaving with patient toil and willing care
+ A web of wisdom, wonderful and fair:
+ A seamless robe for Truth's great bridal meet,
+ And needing but one thread to be complete.
+ Then Asmiel touched his hand, and broke the thread
+ Of fine-spun thought, and very gently said,
+ "The One of whom thou thinkest bids thee go
+ Alone to Spiran's huts, across the snow,
+ To serve Him there." With sorrow and surprise
+ Malvin looked up, reluctance in his eyes.
+ The broken thought, the strangeness of the call,
+ The perilous passage of the mountain-wall,
+ The solitary journey, and the length
+ Of ways unknown, too great for his frail strength,
+ Appalled him. With a doubtful brow
+ He scanned the doubtful task, and muttered "_How?_"
+ But Asmiel answered, as he turned to go,
+ With cold, disheartened voice, "I do not know."
+
+ * * * * *
+
+ Now as he went, with fading hope, to seek
+ The third and last to whom God bade him speak,
+ Scarce twenty steps away whom should he meet
+ But Fermor, hurrying cheerful down the street,
+ With ready heart that faced his work like play,
+ And joyed to find it greater every day!
+ The angel stopped him with uplifted hand,
+ And gave without delay his Lord's command:
+ "He whom thou servest here would have thee go
+ Alone to Spiran's huts, across the snow,
+ To serve Him there." Ere Asmiel breathed again
+ The eager answer leaped to meet him, "_When?_"
+
+ The angel's face with inward joy grew bright,
+ And all his figure glowed with heavenly light;
+ He took the golden circlet from his brow
+ And gave the crown to Fermor, answering, "Now!
+ For thou hast met the Master's hidden test,
+ And I have found the man who loves Him best.
+ Not thine, nor mine, to question or reply
+ When He commands us, asking 'how?' or 'why?'
+ He knows the cause; His ways are wise and just;
+ Who serves the King must serve with perfect trust."
+
+February, 1902.
+
+
+
+THE WHITE BEES
+
+
+I
+
+LEGEND
+
+ Long ago Apollo called to Aristaeus, youngest of the shepherds,
+ Saying, "I will make you keeper of my bees."
+ Golden were the hives and golden was the honey; golden, too, the music
+ Where the honey-makers hummed among the trees.
+
+ Happy Aristaeus loitered in the garden, wandered in the orchard,
+ Careless and contented, indolent and free;
+ Lightly took his labour, lightly took his pleasure, till the fated moment
+ When across his pathway came Eurydice.
+
+ Then her eyes enkindled burning love within him; drove him wild with
+ longing
+ For the perfect sweetness of her flower-like face;
+ Eagerly he followed, while she fled before him, over mead and mountain,
+ On through field and forest, in a breathless race.
+
+ But the nymph, in flying, trod upon a serpent; like a dream she vanished;
+ Pluto's chariot bore her down among the dead!
+ Lonely Aristaeus, sadly home returning, found his garden empty,
+ All the hives deserted, all the music fled.
+
+ Mournfully bewailing,--"Ah, my honey-makers, where have you departed?"
+ Far and wide he sought them over sea and shore;
+ Foolish is the tale that says he ever found them, brought them home in
+ triumph,--
+ Joys that once escape us fly for evermore.
+
+ Yet I dream that somewhere, clad in downy whiteness, dwell the
+ honey-makers,
+ In aerial gardens that no mortal sees:
+ And at times returning, lo, they flutter round us, gathering mystic
+ harvest,--
+ So I weave the legend of the long-lost bees.
+
+
+II
+
+THE SWARMING OF THE BEES
+
+ Who can tell the hiding of the white bees' nest?
+ Who can trace the guiding of their swift home flight?
+ Far would be his riding on a life-long quest:
+ Surely ere it ended would his beard grow white.
+
+ Never in the coming of the rose-red Spring,
+ Never in the passing of the wine-red Fall,
+ May you hear the humming of the white bee's wing
+ Murmur o'er the meadow ere the night bells call.
+
+ Wait till winter hardens in the cold gray sky,
+ Wait till leaves are fallen and the brooks all freeze,
+ Then above the gardens where the dead flowers lie,
+ Swarm the merry millions of the wild white bees.
+
+ Out of the high-built airy hive,
+ Deep in the clouds that veil the sun,
+ Look how the first of the swarm arrive;
+ Timidly venturing, one by one,
+ Down through the tranquil air,
+ Wavering here and there,
+ Large, and lazy in flight,--
+ Caught by a lift of the breeze,
+ Tangled among the naked trees,--
+ Dropping then, without a sound,
+ Feather-white, feather-light,
+ To their rest on the ground.
+
+ Thus the swarming is begun.
+ Count the leaders, every one
+ Perfect as a perfect star
+ Till the slow descent is done.
+ Look beyond them, see how far
+ Down the vistas dim and gray,
+ Multitudes are on the way.
+ Now a sudden brightness
+ Dawns within the sombre day,
+ Over fields of whiteness;
+ And the sky is swiftly alive
+ With the flutter and the flight
+ Of the shimmering bees, that pour
+ From the hidden door of the hive
+ Till you can count no more.
+
+ Now on the branches of hemlock and pine
+ Thickly they settle and cluster and swing,
+ Bending them low; and the trellised vine
+ And the dark elm-boughs are traced with a line
+ Of beauty wherever the white bees cling.
+ Now they are hiding the wrecks of the flowers,
+ Softly, softly, covering all,
+ Over the grave of the summer hours
+ Spreading a silver pall.
+ Now they are building the broad roof ledge,
+ Into a cornice smooth and fair,
+ Moulding the terrace, from edge to edge,
+ Into the sweep of a marble stair.
+ Wonderful workers, swift and dumb,
+ Numberless myriads, still they come,
+ Thronging ever faster, faster, faster!
+ Where is their queen? Who is their master?
+ The gardens are faded, the fields are frore,--
+ What is the honey they toil to store
+ In the desolate day, where no blossoms gleam?
+ _Forgetfulness and a dream!_
+
+ But now the fretful wind awakes;
+ I hear him girding at the trees;
+ He strikes the bending boughs, and shakes
+ The quiet clusters of the bees
+ To powdery drift;
+ He tosses them away,
+ He drives them like spray;
+ He makes them veer and shift
+ Around his blustering path.
+ In clouds blindly whirling,
+ In rings madly swirling,
+ Full of crazy wrath,
+ So furious and fast they fly
+ They blur the earth and blot the sky
+ In wild, white mirk.
+ They fill the air with frozen wings
+ And tiny, angry, icy stings;
+ They blind the eyes, and choke the breath,
+ They dance a maddening dance of death
+ Around their work,
+ Sweeping the cover from the hill,
+ Heaping the hollows deeper still,
+ Effacing every line and mark,
+ And swarming, storming in the dark
+ Through the long night;
+ Until, at dawn, the wind lies down
+ Weary of fight;
+ The last torn cloud, with trailing gown,
+ Passes the open gates of light;
+ And the white bees are lost in flight.
+
+ Look how the landscape glitters wide and still,
+ Bright with a pure surprise!
+ The day begins with joy, and all past ill,
+ Buried in white oblivion, lies
+ Beneath the snow-drifts under crystal skies.
+ New hope, new love, new life, new cheer,
+ Flow in the sunrise beam,--
+ The gladness of Apollo when he sees,
+ Upon the bosom of the wintry year,
+ The honey-harvest of his wild white bees,
+ _Forgetfulness and a dream!_
+
+
+III
+
+LEGEND
+
+ Listen, my beloved, while the silver morning, like a tranquil vision,
+ Fills the world around us and our hearts with peace;
+ Quiet is the close of Aristaeus' legend, happy is the ending--
+ Listen while I tell you how he found release.
+
+ Many months he wandered far away in sadness, desolately thinking
+ Only of the vanished joys he could not find;
+ Till the great Apollo, pitying his shepherd, loosed him from the burden
+ Of a dark, reluctant, backward-looking mind.
+
+ Then he saw around him all the changeful beauty of the changing seasons,
+ In the world-wide regions where his journey lay;
+ Birds that sang to cheer him, flowers that bloomed beside him, stars that
+ shone to guide him,--
+ Traveller's joy was plenty all along the way!
+
+ Everywhere he journeyed strangers made him welcome, listened while he
+ taught them
+ Secret lore of field and forest he had learned:
+ How to train the vines and make the olives fruitful; how to guard the
+ sheepfolds;
+ How to stay the fever when the dog-star burned.
+
+ Friendliness and blessing followed in his footsteps; richer were the
+ harvests,
+ Happier the dwellings, wheresoe'er he came;
+ Little children loved him, and he left behind him, in the hour of
+ parting,
+ Memories of kindness and a god-like name.
+
+ So he travelled onward, desolate no longer, patient in his seeking,
+ Reaping all the wayside comfort of his quest;
+ Till at last in Thracia, high upon Mount Haemus, far from human dwelling,
+ Weary Aristaeus laid him down to rest.
+
+ Then the honey-makers, clad in downy whiteness, fluttered soft around
+ him,
+ Wrapt him in a dreamful slumber pure and deep.
+ This is life, beloved: first a sheltered garden, then a troubled journey,
+ Joy and pain of seeking,--and at last we sleep!
+
+1905.
+
+
+
+NEW YEAR'S EVE
+
+
+I
+
+ The other night I had a dream, most clear
+ And comforting, complete
+ In every line, a crystal sphere,
+ And full of intimate and secret cheer.
+ Therefore I will repeat
+ That vision, dearest heart, to you,
+ As of a thing not feigned, but very true,
+ Yes, true as ever in my life befell;
+ And you, perhaps, can tell
+ Whether my dream was really sad or sweet.
+
+
+II
+
+ The shadows flecked the elm-embowered street
+ I knew so well, long, long ago;
+ And on the pillared porch where Marguerite
+ Had sat with me, the moonlight lay like snow.
+ But she, my comrade and my friend of youth,
+ Most gaily wise,
+ Most innocently loved,--
+ She of the blue-gray eyes
+ That ever smiled and ever spoke the truth,--
+ From that familiar dwelling, where she moved
+ Like mirth incarnate in the years before,
+ Had gone into the hidden house of Death.
+ I thought the garden wore
+ White mourning for her blessed innocence,
+ And the syringa's breath
+ Came from the corner by the fence
+ Where she had made her rustic seat,
+ With fragrance passionate, intense,
+ As if it breathed a sigh for Marguerite.
+ My heart was heavy with a sense
+ Of something good for ever gone. I sought
+ Vainly for some consoling thought,
+ Some comfortable word that I could say
+ To her sad father, whom I visited again
+ For the first time since she had gone away.
+ The bell rang shrill and lonely,--then
+ The door was opened, and I sent my name
+ To him,--but ah! 'twas Marguerite who came!
+ There in the dear old dusky room she stood
+ Beneath the lamp, just as she used to stand,
+ In tender mocking mood.
+ "You did not ask for me," she said,
+ "And so I will not let you take my hand;
+ But I must hear what secret talk you planned
+ With father. Come, my friend, be good,
+ And tell me your affairs of state:
+ Why you have stayed away and made me wait
+ So long. Sit down beside me here,--
+ And, do you know, it seems a year
+ Since we have talked together,--why so late?"
+ Amazed, incredulous, confused with joy
+ I hardly dared to show,
+ And stammering like a boy,
+ I took the place she showed me at her side;
+ And then the talk flowed on with brimming tide
+ Through the still night,
+ While she with influence light
+ Controlled it, as the moon the flood.
+ She knew where I had been, what I had done,
+ What work was planned, and what begun;
+ My troubles, failures, fears she understood,
+ And touched them with a heart so kind,
+ That every care was melted from my mind,
+ And every hope grew bright,
+ And life seemed moving on to happy ends.
+ (Ah, what self-beggared fool was he
+ That said a woman cannot be
+ The very best of friends?)
+ Then there were memories of old times,
+ Recalled with many a gentle jest;
+ And at the last she brought the book of rhymes
+ We made together, trying to translate
+ The Songs of Heine (hers were always best).
+ "Now come," she said,
+ "To-night we will collaborate
+ Again; I'll put you to the test.
+ Here's one I never found the way to do,--
+ The simplest are the hardest ones, you know,--
+ I give this song to you."
+ And then she read:
+ _Mein Kind, wir waren Kinder,
+ Zwei Kinder, jung und froh._
+
+ * * * * *
+
+ But all the while, a silent question stirred
+ Within me, though I dared not speak the word:
+ "Is it herself, and is she truly here,
+ And was I dreaming when I heard
+ That she was dead last year?
+ Or was it true, and is she but a shade
+ Who brings a fleeting joy to eye and ear,
+ Cold though so kind, and will she gently fade
+ When her sweet ghostly part is played
+ And the light-curtain falls at dawn of day?"
+
+ But while my heart was troubled by this fear
+ So deeply that I could not speak it out,
+ Lest all my happiness should disappear,
+ I thought me of a cunning way
+ To hide the question and dissolve the doubt.
+ "Will you not give me now your hand,
+ Dear Marguerite," I asked, "to touch and hold,
+ That by this token I may understand
+ You are the same true friend you were of old?"
+ She answered with a smile so bright and calm
+ It seemed as if I saw the morn arise
+ In the deep heaven of her eyes;
+ And smiling so, she laid her palm
+ In mine. Dear God, it was not cold
+ But warm with vital heat!
+ "You live!" I cried, "you live, dear Marguerite!"
+ When I awoke; but strangely comforted,
+ Although I knew again that she was dead.
+
+
+III
+
+ Yes, there's the dream! And was it sweet or sad?
+ Dear mistress of my waking and my sleep,
+ Present reward of all my heart's desire,
+ Watching with me beside the winter fire,
+ Interpret now this vision that I had.
+ But while you read the meaning, let me keep
+ The touch of you: for the Old Year with storm
+ Is passing through the midnight, and doth shake
+ The corners of the house,--and oh! my heart would break
+ Unless both dreaming and awake
+ My hand could feel your hand was warm, warm, warm!
+
+1905.
+
+
+
+THE VAIN KING
+
+
+ In robes of Tyrian blue the King was drest,
+ A jewelled collar shone upon his breast,
+ A giant ruby glittered in his crown:
+ Lord of rich lands and many a splendid town,
+ In him the glories of an ancient line
+ Of sober kings, who ruled by right divine,
+ Were centred; and to him with loyal awe
+ The people looked for leadership and law.
+ Ten thousand knights, the safeguard of the land,
+ Were like a single sword within his hand;
+ A hundred courts, with power of life and death,
+ Proclaimed decrees of justice by his breath;
+ And all the sacred growths that men had known
+ Of order and of rule upheld his throne.
+
+ Proud was the King: yet not with such a heart
+ As fits a man to play a royal part.
+ Not his the pride that honours as a trust
+ The right to rule, the duty to be just:
+ Not his the dignity that bends to bear
+ The monarch's yoke, the master's load of care,
+ And labours like the peasant at his gate,
+ To serve the people and protect the State.
+ Another pride was his, and other joys:
+ To him the crown and sceptre were but toys,
+ With which he played at glory's idle game,
+ To please himself and win the wreaths of fame.
+ The throne his fathers held from age to age,
+ To his ambition seemed a fitting stage
+ Built for King Martin to display at will,
+ His mighty strength and universal skill.
+ No conscious child, that, spoiled with praising, tries
+ At every step to win admiring eyes,
+ No favourite mountebank, whose acting draws
+ From gaping crowds the thunder of applause,
+ Was vainer than the King: his only thirst
+ Was to be hailed, in every race, the first.
+ When tournament was held, in knightly guise
+ The King would ride the lists and win the prize;
+ When music charmed the court, with golden lyre
+ The King would take the stage and lead the choir;
+ In hunting, his the lance to slay the boar;
+ In hawking, see his falcon highest soar;
+ In painting, he would wield the master's brush;
+ In high debate,--"the King is speaking! Hush!"
+ Thus, with a restless heart, in every field
+ He sought renown, and made his subjects yield.
+ But while he played the petty games of life
+ His kingdom fell a prey to inward strife;
+ Corruption through the court unheeded crept,
+ And on the seat of honour justice slept.
+ The strong trod down the weak; the helpless poor
+ Groaned under burdens grievous to endure;
+ The nation's wealth was spent in vain display,
+ And weakness wore the nation's heart away.
+
+ Yet think not Earth is blind to human woes--
+ Man has more friends and helpers than he knows;
+ And when a patient people are oppressed,
+ The land that bore them feels it in her breast.
+ Spirits of field and flood, of heath and hill,
+ Are grieved and angry at the spreading ill;
+ The trees complain together in the night,
+ Voices of wrath are heard along the height,
+ And secret vows are sworn, by stream and strand,
+ To bring the tyrant low and free the land.
+
+ But little recked the pampered King of these;
+ He heard no voice but such as praise and please.
+ Flattered and fooled, victor in every sport,
+ One day he wandered idly with his court
+ Beside the river, seeking to devise
+ New ways to show his skill to wondering eyes.
+ There in the stream a patient angler stood,
+ And cast his line across the rippling flood.
+ His silver spoil lay near him on the green:
+ "Such fish," the courtiers cried, "were never seen!
+ Three salmon longer than a cloth-yard shaft--
+ This man must be the master of his craft!"
+ "An easy art!" the jealous King replied:
+ "Myself could learn it better, if I tried,
+ And catch a hundred larger fish a week--
+ Wilt thou accept the challenge, fellow? Speak!"
+ The angler turned, came near, and bent his knee:
+ "'Tis not for kings to strive with such as me;
+ Yet if the King commands it, I obey.
+ But one condition of the strife I pray:
+ The fisherman who brings the least to land
+ Shall do whate'er the other may command."
+ Loud laughed the King: "A foolish fisher thou!
+ For I shall win, and rule thee then as now."
+
+ Then to Prince John, a sober soul, sedate
+ And slow, King Martin left the helm of State,
+ While to the novel game with eager zest
+ He all his time and all his powers addressed.
+ Sure such a sight was never seen before!
+ In robe and crown the monarch trod the shore;
+ His golden hooks were decked with feathers fine,
+ His jewelled reel ran out a silken line.
+ With kingly strokes he flogged the crystal stream;
+ Far-off the salmon saw his tackle gleam;
+ Careless of kings, they eyed with calm disdain
+ The gaudy lure, and Martin fished in vain.
+ On Friday, when the week was almost spent,
+ He scanned his empty creel with discontent,
+ Called for a net, and cast it far and wide,
+ And drew--a thousand minnows from the tide!
+ Then came the angler to conclude the match,
+ And at the monarch's feet spread out his catch--
+ A hundred salmon, greater than before.
+ "I win!" he cried: "the King must pay the score."
+ Then Martin, angry, threw his tackle down:
+ "Rather than lose this game I'd lose my crown!"
+ "Nay, thou hast lost them both," the angler said;
+ And as he spoke a wondrous light was shed
+ Around his form; he dropped his garments mean,
+ And in his place the River-god was seen.
+ "Thy vanity has brought thee in my power,
+ And thou must pay the forfeit at this hour:
+ For thou hast shown thyself a royal fool,
+ Too proud to angle, and too vain to rule,
+ Eager to win in every trivial strife,--
+ Go! Thou shalt fish for minnows all thy life!"
+ Wrathful, the King the magic sentence heard;
+ He strove to answer, but he only _chirr-r-ed_:
+ His royal robe was changed to wings of blue,
+ His crown a ruby crest,--away he flew!
+
+ So every summer day along the stream
+ The vain King-fisher darts, an azure gleam,
+ And scolds the angler with a mocking scream.
+
+April, 1904.
+
+
+
+THE FOOLISH FIR-TREE
+
+
+ _A tale that the poet Rueckert told
+ To German children, in days of old;
+ Disguised in a random, rollicking rhyme
+ Like a merry mummer of ancient time,
+ And sent, in its English dress, to please
+ The little folk of the Christmas trees._
+
+
+ A little fir grew in the midst of the wood
+ Contented and happy, as young trees should.
+ His body was straight and his boughs were clean;
+ And summer and winter the bountiful sheen
+ Of his needles bedecked him, from top to root,
+ In a beautiful, all-the-year, evergreen suit.
+
+ But a trouble came into his heart one day,
+ When he saw that the other trees were gay
+ In the wonderful raiment that summer weaves
+ Of manifold shapes and kinds of leaves:
+ He looked at his needles so stiff and small,
+ And thought that his dress was the poorest of all.
+ Then jealousy clouded the little tree's mind,
+ And he said to himself, "It was not very kind
+ To give such an ugly old dress to a tree!
+ If the fays of the forest would only ask me,
+ I'd tell them how I should like to be dressed,--
+ In a garment of gold, to bedazzle the rest!"
+ So he fell asleep, but his dreams were bad.
+ When he woke in the morning, his heart was glad;
+ For every leaf that his boughs could hold
+ Was made of the brightest beaten gold.
+ I tell you, children, the tree was proud;
+ He was something above the common crowd;
+ And he tinkled his leaves, as if he would say
+ To a pedlar who happened to pass that way,
+ "Just look at me! Don't you think I am fine?
+ And wouldn't you like such a dress as mine?"
+ "Oh, yes!" said the man, "and I really guess
+ I must fill my pack with your beautiful dress."
+ So he picked the golden leaves with care,
+ And left the little tree shivering there.
+
+ "Oh, why did I wish for golden leaves?"
+ The fir-tree said, "I forgot that thieves
+ Would be sure to rob me in passing by.
+ If the fairies would give me another try,
+ I'd wish for something that cost much less,
+ And be satisfied with glass for my dress!"
+ Then he fell asleep; and, just as before,
+ The fairies granted his wish once more.
+ When the night was gone, and the sun rose clear,
+ The tree was a crystal chandelier;
+ And it seemed, as he stood in the morning light,
+ That his branches were covered with jewels bright.
+ "Aha!" said the tree. "This is something great!"
+ And he held himself up, very proud and straight;
+ But a rude young wind through the forest dashed,
+ In a reckless temper, and quickly smashed
+ The delicate leaves. With a clashing sound
+ They broke into pieces and fell on the ground,
+ Like a silvery, shimmering shower of hail,
+ And the tree stood naked and bare to the gale.
+
+ Then his heart was sad; and he cried, "Alas
+ For my beautiful leaves of shining glass!
+ Perhaps I have made another mistake
+ In choosing a dress so easy to break.
+ If the fairies only would hear me again
+ I'd ask them for something both pretty and plain:
+ It wouldn't cost much to grant my request,--
+ In leaves of green lettuce I'd like to be dressed!"
+ By this time the fairies were laughing, I know;
+ But they gave him his wish in a second; and so
+ With leaves of green lettuce, all tender and sweet,
+ The tree was arrayed, from his head to his feet.
+ "I knew it!" he cried, "I was sure I could find
+ The sort of a suit that would be to my mind.
+ There's none of the trees has a prettier dress,
+ And none as attractive as I am, I guess."
+ But a goat, who was taking an afternoon walk,
+ By chance overheard the fir-tree's talk.
+ So he came up close for a nearer view;--
+ "My salad!" he bleated, "I think so too!
+ You're the most attractive kind of a tree,
+ And I want your leaves for my five-o'clock tea."
+ So he ate them all without saying grace,
+ And walked away with a grin on his face;
+ While the little tree stood in the twilight dim,
+ With never a leaf on a single limb.
+
+ Then he sighed and groaned; but his voice was weak--
+ He was so ashamed that he could not speak.
+ He knew at last he had been a fool,
+ To think of breaking the forest rule,
+ And choosing a dress himself to please,
+ Because he envied the other trees.
+ But it couldn't be helped, it was now too late,
+ He must make up his mind to a leafless fate!
+ So he let himself sink in a slumber deep,
+ But he moaned and he tossed in his troubled sleep,
+ Till the morning touched him with joyful beam,
+ And he woke to find it was all a dream.
+ For there in his evergreen dress he stood,
+ A pointed fir in the midst of the wood!
+ His branches were sweet with the balsam smell,
+ His needles were green when the white snow fell.
+ And always contented and happy was he,--
+ The very best kind of a Christmas tree.
+
+
+
+"GRAN' BOULE"
+
+A SEAMAN'S TALE OF THE SEA
+
+
+ We men hat go down for a livin' in ships to the sea,--
+ We love it a different way from you poets that 'bide on the land.
+ We are fond of it, sure! But, you take it as comin' from me,
+ There's a fear and a hate in our love that a landsman can't understand.
+
+ Oh, who could help likin' the salty smell, and the blue
+ Of the waves that are lazily breathin' as if they dreamed in the sun?
+ She's a Sleepin' Beauty, the sea,--but you can't tell what she'll do;
+ And the seamen never trust her,--they know too well what she's done!
+
+ She's a wench like one that I saw in a singin'-play,--
+ Carmen they called her,--Lord, what a life her lovers did lead!
+ She'd cuddle and kiss you, and sing you and dance you away;
+ And then,--she'd curse you, and break you, and throw you down like a
+ weed.
+
+ You may chance it awhile with the girls like that, if you please;
+ But you want a woman to trust when you settle down with a wife;
+ And a seaman's thought of growin' old at his ease
+ Is a snug little house on the land to shelter the rest of his life.
+
+ So that was old Poisson's dream,--did you know the Cap'?
+ A brown little Frenchman, clever, and brave, and quick as a fish,--
+ Had a wife and kids on the other side of the map,--
+ And a rose-covered cottage for them and him was his darlin' wish.
+
+ "I 'ave sail," says he, in his broken-up Frenchy talk,
+ "Mos' forty-two year; I 'ave go on all part of de worl' dat ees wet.
+ I'm seeck of de boat and de water. I rader walk
+ Wid ma Josephine in one garden; an' eef we get tire', we set!
+
+ "You see dat _bateau_, _Sainte Brigitte_? I bring 'er dh'are
+ From de Breton coas', by gar, jus' feefteen year bifore.
+ She ole w'en she come on Kebec, but _Holloway Freres_
+ Dey buy 'er, an' hire me run 'er along dat dam' Nort' Shore.
+
+ "Dose engine one leetl' bit cranky,--too ole, you see,--
+ She roll and peetch in de wave'. But I lak' 'er pretty well;
+ An' dat sheep she lak' 'er captaine, sure, dat's me!
+ Wit' forty ton coal in de bunker, I tek' dat sheep t'rou' hell.
+
+ "But I don' wan' risk it no more; I had _bonne chance_:
+ I save already ten t'ousan' dollar', dat's plenty I s'pose!
+ Nex' winter I buy dat house wid de garden on France
+ An' I tell _adieu_ to de sea, and I leev' on de lan' in ripose."
+
+ All summer he talked of his house,--you could see the flowers
+ Abloom, and the pear-trees trained on the garden-wall so trim,
+ And the Captain awalkin' and smokin' away the hours,--
+ He thought he had done with the sea, but the sea hadn't done with him!
+
+ It was late in the fall when he made the last regular run,
+ Clear down to the Esquimault Point and back with his rickety ship;
+ She hammered and pounded a lot, for the storms had begun;
+ But he drove her,--and went for his season's pay at the end of the trip.
+
+ Now the Holloway Brothers are greedy and thin little men,
+ With their eyes set close together, and money's their only God;
+ So they told the Cap' he must run the "Bridget" again,
+ To fetch a cargo from Moisie, two thousand quintals of cod.
+
+ He said the season was over. They said: "Not yet.
+ You finish the whole of your job, old man, or you don't draw a cent!"
+ (They had the "Bridget" insured for all they could get.)
+ And the Captain objected, and cursed, and cried. But he _went_.
+
+ They took on the cargo at Moisie, and folks beside,--
+ Three traders, a priest, and a couple of nuns, and a girl
+ For a school at Quebec,--when the Captain saw her he sighed,
+ And said: "Ma littl' Fifi got hair lak' dat, all curl!"
+
+ The snow had fallen a foot, and the wind was high,
+ When the "Bridget" butted her way thro' the billows on Moisie bar.
+ The darkness grew with the gale, not a star in the sky,
+ And the Captain swore: "We mus' make _Sept Isles_ to-night, by gar!"
+
+ He couldn't go back, for he didn't dare to turn;
+ The sea would have thrown the ship like a mustang noosed with a rope;
+ For the monstrous waves were leapin' high astern,
+ And the shelter of Seven Island Bay was the only hope.
+
+ There's a bunch of broken hills half sunk in the mouth
+ Of the bay, with their jagged peaks afoam; and the Captain thought
+ He could pass to the north; but the sea kept shovin' him south,
+ With her harlot hands, in the snow-blind murk, till she had him caught.
+
+ She had waited forty years for a night like this,--
+ Did he think he could leave her now, and live in a cottage, the fool?
+ She headed him straight for the island he couldn't miss;
+ And heaved his boat in the dark,--and smashed it against _Gran' Boule_.
+
+ How the Captain and half of the people clambered ashore,
+ Through the surf and the snow in the gloom of that horrible night,
+ There's no one ever will know. For two days more
+ The death-white shroud of the tempest covered the island from sight.
+
+ How they suffered, and struggled, and died, will never be told;
+ We discovered them all at last when we reached _Gran' Boule_ with a boat;
+ The drowned and the frozen were lyin' stiff and cold,
+ And the poor little girl with the curls was wrapped in the Captain's
+ coat.
+
+ Go write your song of the sea as the landsmen do,
+ And call her your "great sweet mother," your "bride," and all the rest;
+ She was made to be loved,--but remember, she won't love you,--
+ The men who trust her the least are the sailors who know her the best.
+
+
+
+HEROES OF THE "TITANIC"
+
+
+ Honour the brave who sleep
+ Where the lost "Titanic" lies,
+ The men who knew what a man must do
+ When he looks Death in the eyes.
+
+ "Women and children first,"--
+ Ah, strong and tender cry!
+ The sons whom women had borne and nursed,
+ Remembered,--and dared to die.
+
+ The boats crept off in the dark:
+ The great ship groaned: and then,--
+ O stars of the night, who saw that sight,
+ Bear witness, _These were men!_
+
+November 9, 1912.
+
+
+
+THE STANDARD-BEARER
+
+
+I
+
+ "How can I tell," Sir Edmund said,
+ "Who has the right or the wrong o' this thing?
+ Cromwell stands for the people's cause,
+ Charles is crowned by the ancient laws;
+ English meadows are sopping red,
+ Englishmen striking each other dead,--
+ Times are black as a raven's wing.
+ Out of the ruck and the murk I see
+ Only one thing!
+ The King has trusted his banner to me,
+ And I must fight for the King."
+
+
+II
+
+ Into the thick of the Edgehill fight
+ Sir Edmund rode with a shout; and the ring
+ Of grim-faced, hard-hitting Parliament men
+ Swallowed him up,--it was one against ten!
+ He fought for the standard with all his might,
+ Never again did he come to sight--
+ Victor, hid by the raven's wing!
+ After the battle had passed we found
+ Only one thing,--
+ The hand of Sir Edmund gripped around
+ The banner-staff of his King.
+
+1914.
+
+
+
+THE PROUD LADY
+
+
+ When Staevoren town was in its prime
+ And queened the Zuyder Zee,
+ Her ships went out to every clime
+ With costly merchantry.
+
+ A lady dwelt in that rich town,
+ The fairest in all the land;
+ She walked abroad in a velvet gown,
+ With many rings on her hand.
+
+ Her hair was bright as the beaten gold,
+ Her lips as coral red,
+ Her roving eyes were blue and bold,
+ And her heart with pride was fed.
+
+ For she was proud of her father's ships,
+ As she watched them gaily pass;
+ And pride looked out of her eyes and lips
+ When she saw herself in the glass.
+
+ "Now come," she said to the captains ten,
+ Who were ready to put to sea,
+ "Ye are all my men and my father's men,
+ And what will ye do for me?"
+
+ "Go north and south, go east and west,
+ And get me gifts," she said.
+ "And he who bringeth me home the best,
+ With that man will I wed."
+
+ So they all fared forth, and sought with care
+ In many a famous mart,
+ For satins and silks and jewels rare,
+ To win that lady's heart.
+
+ She looked at them all with never a thought,
+ And careless put them by;
+ "I am not fain of the things ye brought,
+ Enough of these have I."
+
+ The last that came was the head of the fleet,
+ His name was Jan Borel;
+ He bent his knee at the lady's feet,--
+ In truth he loved her well.
+
+ "I've brought thee home the best i' the world,
+ A shipful of Danzig corn!"
+ She stared at him long; her red lips curled,
+ Her blue eyes filled with scorn.
+
+ "Now out on thee, thou feckless kerl,
+ A loon thou art," she said.
+ "Am I a starving beggar girl?
+ Shall I ever lack for bread?"
+
+ "Go empty all thy sacks of grain
+ Into the nearest sea,
+ And never show thy face again
+ To make a mock of me."
+
+ Young Jan Borel, he answered naught,
+ But in the harbour cast
+ The sacks of golden corn he brought,
+ And groaned when fell the last.
+
+ Then Jan Borel, he hoisted sail,
+ And out to sea he bore;
+ He passed the Helder in a gale
+ And came again no more.
+
+ But the grains of corn went drifting down
+ Like devil-scattered seed,
+ To sow the harbour of the town
+ With a wicked growth of weed.
+
+ The roots were thick and the silt and sand
+ Were gathered day by day,
+ Till not a furlong out from land
+ A shoal had barred the way.
+
+ Then Staevoren town saw evil years,
+ No ships could out or in,
+ The boats lay rotting at the piers,
+ And the mouldy grain in the bin.
+
+ The grass-grown streets were all forlorn,
+ The town in ruin stood,
+ The lady's velvet gown was torn,
+ Her rings were sold for food.
+
+ Her father had perished long ago,
+ But the lady held her pride,
+ She walked with a scornful step and slow,
+ Till at last in her rags she died.
+
+ Yet still on the crumbling piers of the town,
+ When the midnight moon shines free,
+ A woman walks in a velvet gown
+ And scatters corn in the sea.
+
+1917.
+
+
+
+
+LYRICS OF LABOUR AND ROMANCE
+
+
+
+A MILE WITH ME
+
+
+ O who will walk a mile with me
+ Along life's merry way?
+ A comrade blithe and full of glee,
+ Who dares to laugh out loud and free,
+ And let his frolic fancy play,
+ Like a happy child, through the flowers gay
+ That fill the field and fringe the way
+ Where he walks a mile with me.
+
+ And who will walk a mile with me
+ Along life's weary way?
+ A friend whose heart has eyes to see
+ The stars shine out o'er the darkening lea,
+ And the quiet rest at the end o' the day,--
+ A friend who knows, and dares to say,
+ The brave, sweet words that cheer the way
+ Where he walks a mile with me.
+
+ With such a comrade, such a friend,
+ I fain would walk till journeys end,
+ Through summer sunshine, winter rain,
+ And then?--Farewell, we shall meet again!
+
+
+
+THE THREE BEST THINGS
+
+
+I
+
+WORK
+
+ Let me but do my work from day to day,
+ In field or forest, at the desk or loom,
+ In roaring market-place or tranquil room;
+ Let me but find it in my heart to say,
+ When vagrant wishes beckon me astray,
+ "This is my work; my blessing, not my doom;
+ Of all who live, I am the one by whom
+ This work can best be done in the right way."
+
+ Then shall I see it not too great, nor small,
+ To suit my spirit and to prove my powers;
+ Then shall I cheerful greet the labouring hours,
+ And cheerful turn, when the long shadows fall
+ At eventide, to play and love and rest,
+ Because I know for me my work is best.
+
+
+II
+
+LOVE
+
+ Let me but love my love without disguise,
+ Nor wear a mask of fashion old or new,
+ Nor wait to speak till I can hear a clue,
+ Nor play a part to shine in others' eyes,
+ Nor bow my knees to what my heart denies;
+ But what I am, to that let me be true,
+ And let me worship where my love is due,
+ And so through love and worship let me rise.
+
+ For love is but the heart's immortal thirst
+ To be completely known and all forgiven,
+ Even as sinful souls that enter Heaven:
+ So take me, dear, and understand my worst,
+ And freely pardon it, because confessed,
+ And let me find in loving thee, my best.
+
+
+III
+
+LIFE
+
+ Let me but live my life from year to year,
+ With forward face and unreluctant soul;
+ Not hurrying to, nor turning from, the goal;
+ Not mourning for the things that disappear
+ In the dim past, nor holding back in fear
+ From what the future veils; but with a whole
+ And happy heart, that pays its toll
+ To Youth and Age, and travels on with cheer.
+
+ So let the way wind up the hill or down,
+ O'er rough or smooth, the journey will be joy:
+ Still seeking what I sought when but a boy,
+ New friendship, high adventure, and a crown,
+ My heart will keep the courage of the quest,
+ And hope the road's last turn will be the best.
+
+
+
+RELIANCE
+
+
+ Not to the swift, the race:
+ Not to the strong, the fight:
+ Not to the righteous, perfect grace
+ Not to the wise, the light.
+
+ But often faltering feet
+ Come surest to the goal;
+ And they who walk in darkness meet
+ The sunrise of the soul.
+
+ A thousand times by night
+ The Syrian hosts have died;
+ A thousand times the vanquished right
+ Hath risen, glorified.
+
+ The truth the wise men sought
+ Was spoken by a child;
+ The alabaster box was brought
+ In trembling hands defiled.
+
+ Not from my torch, the gleam,
+ But from the stars above:
+ Not from my heart, life's crystal stream,
+ But from the depths of Love.
+
+
+
+DOORS OF DARING
+
+
+ The mountains that inclose the vale
+ With walls of granite, steep and high,
+ Invite the fearless foot to scale
+ Their stairway toward the sky.
+
+ The restless, deep, dividing sea
+ That flows and foams from shore to shore,
+ Calls to its sunburned chivalry,
+ "Push out, set sail, explore!"
+
+ The bars of life at which we fret,
+ That seem to prison and control,
+ Are but the doors of daring, set
+ Ajar before the soul.
+
+ Say not, "Too poor," but freely give;
+ Sigh not, "Too weak," but boldly try;
+ You never can begin to live
+ Until you dare to die.
+
+
+
+THE CHILD IN THE GARDEN
+
+
+ When to the garden of untroubled thought
+ I came of late, and saw the open door,
+ And wished again to enter, and explore
+ The sweet, wild ways with stainless bloom inwrought,
+ And bowers of innocence with beauty fraught,
+ It seemed some purer voice must speak before
+ I dared to tread that garden loved of yore,
+ That Eden lost unknown and found unsought.
+
+ Then just within the gate I saw a child,--
+ A stranger-child, yet to my heart most dear;
+ He held his hands to me, and softly smiled
+ With eyes that knew no shade of sin or fear:
+ "Come in," he said, "and play awhile with me;
+ I am the little child you used to be."
+
+
+
+LOVE'S REASON
+
+
+ For that thy face is fair I love thee not;
+ Nor yet because thy brown benignant eyes
+ Have sudden gleams of gladness and surprise,
+ Like woodland brooks that cross a sunlit spot:
+ Nor for thy body, born without a blot,
+ And loveliest when it shines with no disguise
+ Pure as the star of Eve in Paradise,--
+ For all these outward things I love thee not:
+
+ But for a something in thy form and face,
+ Thy looks and ways, of primal harmony;
+ A certain soothing charm, a vital grace
+ That breathes of the eternal womanly,
+ And makes me feel the warmth of Nature's breast,
+ When in her arms, and thine, I sink to rest.
+
+
+
+THE ECHO IN THE HEART
+
+
+ It's little I can tell
+ About the birds in books;
+ And yet I know them well,
+ By their music and their looks:
+ When May comes down the lane,
+ Her airy lovers throng
+ To welcome her with song,
+ And follow in her train:
+ Each minstrel weaves his part
+ In that wild-flowery strain,
+ And I know them all again
+ By their echo in my heart.
+
+ It's little that I care
+ About my darling's place
+ In books of beauty rare,
+ Or heraldries of race:
+ For when she steps in view,
+ It matters not to me
+ What her sweet type may be,
+ Of woman, old or new.
+ I can't explain the art,
+ But I know her for my own,
+ Because her lightest tone
+ Wakes an echo in my heart.
+
+
+
+"UNDINE"
+
+
+ 'Twas far away and long ago,
+ When I was but a dreaming boy,
+ This fairy tale of love and woe
+ Entranced my heart with tearful joy;
+ And while with white Undine I wept
+ Your spirit,--ah, how strange it seems,--
+ Was cradled in some star, and slept,
+ Unconscious of her coming dreams.
+
+
+
+"RENCONTRE"
+
+
+ Oh, was I born too soon, my dear, or were you born too late,
+ That I am going out the door while you come in the gate?
+ For you the garden blooms galore, the castle is _en fete_;
+ You are the coming guest, my dear,--for me the horses wait.
+
+ I know the mansion well, my dear, its rooms so rich and wide;
+ If you had only come before I might have been your guide,
+ And hand in hand with you explore the treasures that they hide;
+ But you have come to stay, my dear, and I prepare to ride.
+
+ Then walk with me an hour, my dear, and pluck the reddest rose
+ Amid the white and crimson store with which your garden glows,--
+ A single rose,--I ask no more of what your love bestows;
+ It is enough to give, my dear,--a flower to him who goes.
+
+ The House of Life is yours, my dear, for many and many a day,
+ But I must ride the lonely shore, the Road to Far Away:
+ So bring the stirrup-cup and pour a brimming draught, I pray,
+ And when you take the road, my dear, I'll meet you on the way.
+
+
+
+LOVE IN A LOOK
+
+
+ Let me but feel thy look's embrace,
+ Transparent, pure, and warm,
+ And I'll not ask to touch thy face,
+ Or fold thee in mine arm.
+ For in thine eyes a girl doth rise,
+ Arrayed in candid bliss,
+ And draws me to her with a charm
+ More close than any kiss.
+
+ A loving-cup of golden wine,
+ Songs of a silver brook,
+ And fragrant breaths of eglantine,
+ Are mingled in thy look.
+ More fair they are than any star,
+ Thy topaz eyes divine--
+ And deep within their trysting-nook
+ Thy spirit blends with mine.
+
+
+
+MY APRIL LADY
+
+
+ When down the stair at morning
+ The sunbeams round her float,
+ Sweet rivulets of laughter
+ Are rippling in her throat;
+ The gladness of her greeting
+ Is gold without alloy;
+ And in the morning sunlight
+ I think her name is Joy.
+
+ When in the evening twilight
+ The quiet book-room lies,
+ We read the sad old ballads,
+ While from her hidden eyes
+ The tears are falling, falling,
+ That give her heart relief;
+ And in the evening twilight,
+ I think her name is Grief.
+
+ My little April lady,
+ Of sunshine and of showers
+ She weaves the old spring magic,
+ And my heart breaks in flowers!
+ But when her moods are ended,
+ She nestles like a dove;
+ Then, by the pain and rapture,
+ I know her name is Love.
+
+
+
+A LOVER'S ENVY
+
+
+ I envy every flower that blows
+ Along the meadow where she goes,
+ And every bird that sings to her,
+ And every breeze that brings to her
+ The fragrance of the rose.
+
+ I envy every poet's rhyme
+ That moves her heart at eventime,
+ And every tree that wears for her
+ Its brightest bloom, and bears for her
+ The fruitage of its prime.
+
+ I envy every Southern night
+ That paves her path with moonbeams white,
+ And silvers all the leaves for her,
+ And in their shadow weaves for her
+ A dream of dear delight.
+
+ I envy none whose love requires
+ Of her a gift, a task that tires:
+ I only long to live to her,
+ I only ask to give to her,
+ All that her heart desires.
+
+
+
+FIRE-FLY CITY
+
+
+ Like a long arrow through the dark the train is darting,
+ Bearing me far away, after a perfect day of love's delight:
+ Wakeful with all the sad-sweet memories of parting,
+ I lift the narrow window-shade and look out on the night.
+
+ Lonely the land unknown, and like a river flowing,
+ Forest and field and hill are gliding backward still athwart my dream;
+ Till in that country strange, and ever stranger growing,
+ A magic city full of lights begins to glow and gleam.
+
+ Wide through the landscape dim the lamps are lit in millions;
+ Long avenues unfold clear-shining lines of gold across the green;
+ Clusters and rings of light, and luminous pavilions,--
+ Oh, who will tell the city's name, and what these wonders mean?
+
+ Why do they beckon me, and what have they to show me?
+ Crowds in the blazing street, mirth where the feasters meet, kisses and
+ wine:
+ Many to laugh with me, but never one to know me:
+ A cityful of stranger-hearts and none to beat with mine!
+
+ Look how the glittering lines are wavering and lifting,--
+ Softly the breeze of night scatters the vision bright: and, passing
+ fair,
+ Over the meadow-grass and through the forest drifting,
+ The Fire-Fly City of the Dark is lost in empty air!
+
+
+
+THE GENTLE TRAVELLER
+
+
+ "Through many a land your journey ran,
+ And showed the best the world can boast:
+ Now tell me, traveller, if you can,
+ The place that pleased you most."
+
+ She laid her hands upon my breast,
+ And murmured gently in my ear,
+ "The place I loved and liked the best
+ Was in your arms, my dear!"
+
+
+
+NEPENTHE
+
+
+ Yes, it was like you to forget,
+ And cancel in the welcome of your smile
+ My deep arrears of debt,
+ And with the putting forth of both your hands
+ To sweep away the bars my folly set
+ Between us--bitter thoughts, and harsh demands,
+ And reckless deeds that seemed untrue
+ To love, when all the while
+ My heart was aching through and through
+ For you, sweet heart, and only you.
+
+ Yet, as I turned to come to you again,
+ I thought there must be many a mile
+ Of sorrowful reproach to cross,
+ And many an hour of mutual pain
+ To bear, until I could make plain
+ That all my pride was but the fear of loss,
+ And all my doubt the shadow of despair
+ To win a heart so innocent and fair;
+ And even that which looked most ill
+ Was but the fever-fret and effort vain
+ To dull the thirst which you alone could still.
+
+ But as I turned, the desert miles were crossed,
+ And when I came, the weary hours were sped!
+ For there you stood beside the open door,
+ Glad, gracious, smiling as before,
+ And with bright eyes and tender hands outspread
+ Restored me to the Eden I had lost.
+ Never a word of cold reproof,
+ No sharp reproach, no glances that accuse
+ The culprit whom they hold aloof,--
+ Ah, 'tis not thus that other women use
+ The empire they have won!
+ For there is none like you, beloved,--none
+ Secure enough to do what you have done.
+ Where did you learn this heavenly art,--
+ You sweetest and most wise of all that live,--
+ With silent welcome to impart
+ Assurance of the royal heart
+ That never questions where it would forgive?
+
+ None but a queen could pardon me like this!
+ My sovereign lady, let me lay
+ Within each rosy palm a loyal kiss
+ Of penitence, then close the fingers up,
+ Thus--thus! Now give the cup
+ Of full nepenthe in your crimson mouth,
+ And come--the garden blooms with bliss,
+ The wind is in the south,
+ The rose of love with dew is wet--
+ Dear, it was like you to forget!
+
+
+
+DAY AND NIGHT
+
+
+ _How long is the night, brother,
+ And how long is the day?_
+ Oh, the day's too short for a happy task,
+ And the day's too short for play;
+ And the night's too short for the bliss of love,
+ For look, how the edge of the sky grows gray,
+ While the stars die out in the blue above,
+ And the wan moon fades away.
+
+ _How short is the day, brother,
+ And how short is the night?_
+ Oh, the day's too long for a heavy task,
+ And long, long, long is the night,
+ When the wakeful hours are filled with pain,
+ And the sad heart waits for the thing it fears,
+ And sighs for the dawn to come again,--
+ The night is a thousand years!
+
+ _How long is a life, dear God,
+ And how fast does it flow?_
+ The measure of life is a flame in the soul:
+ It is neither swift nor slow.
+ But the vision of time is the shadow cast
+ By the fleeting world on the body's wall;
+ When it fades there is neither future nor past,
+ But love is all in all.
+
+
+
+HESPER
+
+
+ Her eyes are like the evening air,
+ Her voice is like a rose,
+ Her lips are like a lovely song,
+ That ripples as it flows,
+ And she herself is sweeter than
+ The sweetest thing she knows.
+
+ A slender, haunting, twilight form
+ Of wonder and surprise,
+ She seemed a fairy or a child,
+ Till, deep within her eyes,
+ I saw the homeward-leading star
+ Of womanhood arise.
+
+
+
+ARRIVAL
+
+
+ Across a thousand miles of sea, a hundred leagues of land,
+ Along a path I had not traced and could not understand,
+ I travelled fast and far for this,--to take thee by the hand.
+
+ A pilgrim knowing not the shrine where he would bend his knee,
+ A mariner without a dream of what his port would be,
+ So fared I with a seeking heart until I came to thee.
+
+ O cooler than a grove of palm in some heat-weary place,
+ O fairer than an isle of calm after the wild sea race,
+ The quiet room adorned with flowers where first I saw thy face!
+
+ Then furl the sail, let fall the oar, forget the paths of foam!
+ The fate that made me wander far at last has brought me home
+ To thee, dear haven of my heart, and I no more will roam.
+
+
+
+DEPARTURE
+
+
+ Oh, why are you shining so bright, big Sun,
+ And why is the garden so gay?
+ Do you know that my days of delight are done,
+ Do you know I am going away?
+ If you covered your face with a cloud, I'd dream
+ You were sorry for me in my pain,
+ And the heavily drooping flowers would seem
+ To be weeping with me in the rain.
+
+ But why is your head so low, sweet heart,
+ And why are your eyes overcast?
+ Are you crying because you know we must part,
+ Do you think this embrace is our last?
+ Then kiss me again, and again, and again,
+ Look up as you bid me good-bye!
+ For your face is too dear for the stain of a tear,
+ And your smile is the sun in my sky.
+
+
+
+THE BLACK BIRDS
+
+
+I
+
+ Once, only once, I saw it clear,--
+ That Eden every human heart has dreamed
+ A hundred times, but always far away!
+ Ah, well do I remember how it seemed,
+ Through the still atmosphere
+ Of that enchanted day,
+ To lie wide open to my weary feet:
+ A little land of love and joy and rest,
+ With meadows of soft green,
+ Rosy with cyclamen, and sweet
+ With delicate breath of violets unseen,--
+ And, tranquil 'mid the bloom
+ As if it waited for a coming guest,
+ A little house of peace and joy and love
+ Was nested like a snow-white dove.
+
+
+II
+
+ From the rough mountain where I stood,
+ Homesick for happiness,
+ Only a narrow valley and a darkling wood
+ To cross, and then the long distress
+ Of solitude would be forever past,--
+ I should be home at last.
+ But not too soon! oh, let me linger here
+ And feed my eyes, hungry with sorrow,
+ On all this loveliness, so near,
+ And mine to-morrow!
+
+
+III
+
+ Then, from the wood, across the silvery blue,
+ A dark bird flew,
+ Silent, with sable wings.
+ Close in his wake another came,--
+ Fragments of midnight floating through
+ The sunset flame,--
+ Another and another, weaving rings
+ Of blackness on the primrose sky,--
+ Another, and another, look, a score,
+ A hundred, yes, a thousand rising heavily
+ From that accursed, dumb, and ancient wood,
+ They boiled into the lucid air
+ Like smoke from some deep caldron of despair!
+ And more, and more, and ever more,
+ The numberless, ill-omened brood
+ Flapping their ragged plumes,
+ Possessed the landscape and the evening light
+ With menaces and glooms.
+ Oh, dark, dark, dark they hovered o'er the place
+ Where once I saw the little house so white
+ Amid the flowers, covering every trace
+ Of beauty from my troubled sight,--
+ And suddenly it was night!
+
+
+IV
+
+ At break of day I crossed the wooded vale;
+ And while the morning made
+ A trembling light among the tree-tops pale,
+ I saw the sable birds on every limb,
+ Clinging together closely in the shade,
+ And croaking placidly their surly hymn.
+ But, oh, the little land of peace and love
+ That those night-loving wings had poised above,--
+ Where was it gone?
+ Lost, lost, forevermore!
+ Only a cottage, dull and gray,
+ In the cold light of dawn,
+ With iron bars across the door:
+ Only a garden where the drooping head
+ Of one sad rose, foreboding its decay,
+ Hung o'er a barren bed:
+ Only a desolate field that lay
+ Untilled beneath the desolate day,--
+ Where Eden seemed to bloom I found but these!
+ So, wondering, I passed along my way,
+ With anger in my heart, too deep for words,
+ Against that grove of evil-sheltering trees,
+ And the black magic of the croaking birds.
+
+
+
+WITHOUT DISGUISE
+
+
+ If I have erred in showing all my heart,
+ And lost your favour by a lack of pride;
+ If standing like a beggar at your side
+ With naked feet, I have forgot the art
+ Of those who bargain well in passion's mart,
+ And win the thing they want by what they hide;
+ Be mine the fault as mine the hope denied,
+ Be mine the lover's and the loser's part.
+
+ The sin, if sin it was, I do repent,
+ And take the penance on myself alone;
+ Yet after I have borne the punishment,
+ I shall not fear to stand before the throne
+ Of Love with open heart, and make this plea:
+ "At least I have not lied to her nor Thee!"
+
+
+
+AN HOUR
+
+
+ You only promised me a single hour:
+ But in that hour I journeyed through a year
+ Of life: the joy of finding you,--the fear
+ Of losing you again,--the sense of power
+ To make you all my own,--the sudden shower
+ Of tears that came because you were more dear
+ Than words could ever tell you,--then,--the clear
+ Soft rapture when I plucked love's crimson flower.
+
+ An hour,--a year,--I felt your bosom rise
+ And fall with mystic tides, and saw the gleam
+ Of undiscovered stars within your eyes,--
+ A year,--an hour? I knew not, for the stream
+ Of love had carried me to Paradise,
+ Where all the forms of Time are like a dream.
+
+
+
+"RAPPELLE-TOI"
+
+
+ Remember, when the timid light
+ Through the enchanted hall of dawn is gleaming;
+ Remember, when the pensive night
+ Beneath her silver-sprinkled veil walks dreaming;
+ When pleasure calls thee and thy heart beats high,
+ When tender joys through evening shades draw nigh,
+ Hark, from the woodland deeps
+ A gentle whisper creeps,
+ Remember!
+
+ Remember, when the hand of fate
+ My life from thine forevermore has parted;
+ When sorrow, exile, and the weight
+ Of lonely years have made me heavy-hearted;
+ Think of my loyal love, my last adieu;
+ Absence and time are naught, if we are true;
+ Long as my heart shall beat,
+ To thine it will repeat,
+ Remember!
+
+ Remember, when the cool, dark tomb
+ Receives my heart into its quiet keeping,
+ And some sweet flower begins to bloom
+ Above the grassy mound where I am sleeping;
+ Ah then, my face thou nevermore shalt see,
+ But still my soul will linger close to thee,
+ And in the holy place of night,
+ The litany of love recite,--
+ Remember!
+
+_Freely rendered from the French of Alfred de Musset._
+
+
+
+LOVE'S NEARNESS
+
+
+ I think of thee when golden sunbeams glimmer
+ Across the sea;
+ And when the waves reflect the moon's pale shimmer
+ I think of thee.
+
+ I see thy form when down the distant highway
+ The dust-clouds rise;
+ In darkest night, above the mountain by-way
+ I see thine eyes.
+
+ I hear thee when the ocean-tides returning
+ Aloud rejoice;
+ And on the lonely moor in silence yearning
+ I hear thy voice.
+
+ I dwell with thee; though thou art far removed,
+ Yet thou art near.
+ The sun goes down, the stars shine out,--Beloved
+ If thou wert here!
+
+_From the German of Goethe_, 1898.
+
+
+
+TWO SONGS OF HEINE
+
+
+I
+
+"EIN FICHTENBAUM"
+
+ A fir-tree standeth lonely
+ On a barren northern height,
+ Asleep, while winter covers
+ His rest with robes of white.
+
+ In dreams, he sees a palm-tree
+ In the golden morning-land;
+ She droops alone and silent
+ In burning wastes of sand.
+
+
+II
+
+"DU BIST WIE EINE BLUME"
+
+ Fair art thou as a flower
+ And innocent and shy:
+ I look on thee and sorrow;
+ I grieve, I know not why.
+
+ I long to lay, in blessing,
+ My hand upon thy brow,
+ And pray that God may keep thee
+ As fair and pure as now.
+
+1872.
+
+
+
+EIGHT ECHOES FROM THE POEMS OF AUGUSTE ANGELLIER
+
+
+I
+
+THE IVORY CRADLE
+
+ The cradle I have made for thee
+ Is carved of orient ivory,
+ And curtained round with wavy silk
+ More white than hawthorn-bloom or milk.
+
+ A twig of box, a lilac spray,
+ Will drive the goblin-horde away;
+ And charm thy childlike heart to keep
+ Her happy dream and virgin sleep.
+
+ Within that pure and fragrant nest,
+ I'll rock thy gentle soul to rest,
+ With tender songs we need not fear
+ To have a passing angel hear.
+
+ Ah, long and long I fain would hold
+ The snowy curtain's guardian fold
+ Around thy crystal visions, born
+ In clearness of the early morn.
+
+ But look, the sun is glowing red
+ With triumph in his golden bed;
+ Aurora's virgin whiteness dies
+ In crimson glory of the skies.
+
+ The rapid flame will burn its way
+ Through these white curtains, too, one day;
+ The ivory cradle will be left
+ Undone, and broken, and bereft.
+
+
+II
+
+DREAMS
+
+ Often I dream your big blue eyes,
+ Though loth their meaning to confess,
+ Regard me with a clear surprise
+ Of dawning tenderness.
+
+ Often I dream you gladly hear
+ The words I hardly dare to breathe,--
+ The words that falter in their fear
+ To tell what throbs beneath.
+
+ Often I dream your hand in mine
+ Falls like a flower at eventide,
+ And down the path we leave a line
+ Of footsteps side by side.
+
+ But ah, in all my dreams of bliss,
+ In passion's hunger, fever's drouth,
+ I never dare to dream of this:
+ My lips upon your mouth.
+
+ And so I dream your big blue eyes,
+ That look on me with tenderness,
+ Grow wide, and deep, and sad, and wise,
+ And dim with dear distress.
+
+
+III
+
+THE GARLAND OF SLEEP
+
+ A wreath of poppy flowers,
+ With leaves of lotus blended,
+ Is carved on Life's facade of hours,
+ From night to night suspended.
+
+ Along the columned wall,
+ From birth's low portal starting,
+ It flows, with even rise and fall,
+ To death's dark door of parting.
+
+ How short each measured arc,
+ How brief the columns' number!
+ The wreath begins and ends in dark,
+ And leads from sleep to slumber.
+
+ The marble garland seems,
+ With braided leaf and bloom,
+ To deck the palace of our dreams
+ As if it were a tomb.
+
+
+IV
+
+TRANQUIL HABIT
+
+ Dear tranquil Habit, with her silent hands,
+ Doth heal our deepest wounds from day to day
+ With cooling, soothing oil, and firmly lay
+ Around the broken heart her gentle bands.
+
+ Her nursing is as calm as Nature's care;
+ She doth not weep with us; yet none the less
+ Her quiet fingers weave forgetfulness,--
+ We fall asleep in peace when she is there.
+
+ Upon the mirror of the mind her breath
+ Is like a cloud, to hide the fading trace
+ Of that dear smile, of that remembered face,
+ Whose presence were the joy and pang of death.
+
+ And he who clings to sorrow overmuch,
+ Weeping for withered grief, has cause to bless,
+ More than all cries of pity and distress,--
+ Dear tranquil Habit, thy consoling touch!
+
+
+V
+
+THE OLD BRIDGE
+
+ On the old, old bridge, with its crumbling stones
+ All covered with lichens red and gray,
+ Two lovers were talking in sweet low tones:
+ And we were they!
+
+ As he leaned to breathe in her willing ear
+ The love that he vowed would never die,
+ He called her his darling, his dove most dear:
+ And he was I!
+
+ She covered her face from the pale moonlight
+ With her trembling hands, but her eyes looked through,
+ And listened and listened with long delight:
+ And she was you!
+
+ On the old, old bridge, where the lichens rust,
+ Two lovers are learning the same old lore;
+ He tells his love, and she looks her trust:
+ But we,--no more!
+
+
+VI
+
+EYES AND LIPS
+
+
+1
+
+ Our silent eyes alone interpreted
+ The new-born feeling in the heart of each:
+ In yours I read your sorrow without speech,
+ Your lonely struggle in their tears unshed.
+ Behind their dreamy sweetness, as a veil,
+ I saw the moving lights of trouble shine;
+ And then my eyes were brightened as with wine,
+ My spirit reeled to see your face grow pale!
+
+ Our deepening love, that is not yet allowed
+ Another language than the eyes, doth learn
+ To speak it perfectly: above the crowd
+ Our looks exchange avowals and desires,--
+ Like wave-divided beacon lights that burn,
+ And talk to one another by their fires.
+
+
+2
+
+ When I embrace her in a fragrant shrine
+ Of climbing roses, my first kiss shall fall
+ On you, sweet eyes, that mutely told me all,--
+ Through you my soul will rise to make her mine.
+ Upon your drooping lids, blue-veined and fair,
+ The touch of tenderness I first will lay,
+ You springs of joy, lights of my gloomy day,
+ Whose dear discovered secret bade me dare!
+
+ And when you open, eyes of my fond dove,
+ Your look will shine with new delight, made sure
+ By this forerunner of a faithful love.
+ Tis just, dear eyes, so pensive and so pure,
+ That you should bear the sealing kisses true
+ Of love unhoped that came to me through you.
+
+
+3
+
+ This was my thought; but when beneath the rose
+ That hides the lonely bench where lovers rest,
+ In friendly dusk I held her on my breast
+ For one brief moment,--while I saw you close,
+ Dear, yielding eyes, as if your lids, blue-veined
+ And pure, were meekly fain at last to bear
+ The proffered homage of my wistful prayer,--
+ In that high moment, by your grace obtained,
+
+ Forgetting your avowals, your alarms,
+ Your anguish and your tears, sweet weary eyes,
+ Forgetting that you gave her to my arms,
+ I broke my promise; and my first caress,
+ Ungrateful, sought her lips in sweet surprise,--
+ Her lips, which breathed a word of tenderness!
+
+
+VII
+
+AN EVOCATION
+
+ When first upon my brow I felt your kiss,
+ A sudden splendour filled me, like the ray
+ That promptly runs to crown the hills with bliss
+ Of purple dawn before the golden day,
+ And ends the gloom it crosses at one leap.
+ My brow was not unworthy your caress;
+ For some foreboding joy had bade me keep
+ From all affront the place your lips would bless.
+
+ Yet when your mouth upon my mouth did lay
+ The royal touch, no rapture made me thrill,
+ But I remained confused, ashamed, and still.
+ Beneath your kiss, my queen without a stain,
+ I felt,--like ghosts who rise at Judgment Day,--
+ A throng of ancient kisses vile and vain!
+
+
+VIII
+
+RESIGNATION
+
+
+1
+
+ Well, you will triumph, dear and noble friend!
+ The holy love that wounded you so deep
+ Will bring you balm, and on your heart asleep
+ The fragrant dew of healing will descend.
+ Your children,--ah, how quickly they will grow
+ Between us, like a wall that fronts the sun,
+ Lifting a screen with rosy buds o'errun,
+ To hide the shaded path where I must go.
+
+ You'll walk in light; and dreaming less and less
+ Of him who droops in gloom beyond the wall,
+ Your mother-soul will fill with happiness
+ When first you hear your grandchild's babbling call,
+ Beneath the braided bloom of flower and leaf
+ That We has wrought to veil your vanished grief.
+
+
+2
+
+ Then I alone shall suffer! I shall bear
+ The double burden of our grief alone,
+ While I enlarge my soul to take your share
+ Of pain and hold it close beside my own.
+ Our love is torn asunder; but the crown
+ Of thorns that love has woven I will make
+ My relic sacrosanct, and press it down
+ Upon my bleeding heart that will not break.
+
+ Ah, that will be the depth of solitude!
+ For my regret, that evermore endures,
+ Will know that new-born hope has conquered yours;
+ And when the evening comes, no gentle brood
+ Of wondering children, gathered at my side,
+ Will soothe away the tears I cannot hide.
+
+_Freely rendered from the French_, 1911.
+
+
+
+RAPPEL D'AMOUR
+
+
+ Come home, my love, come home!
+ The twilight is falling,
+ The whippoorwill calling,
+ The night is very near,
+ And the darkness full of fear,
+ Come home to my arms, come home!
+
+ Come home, my love, come home!
+ In folly we parted,
+ And now, lonely hearted,
+ I know you look in vain
+ For a love like mine again;
+ Come home to my arms, come home!
+
+ Come home, dear love, come home!
+ I've much to forgive you,
+ And more yet to give you.
+ I'll put a little light
+ In the window every night,--
+ Come home to my arms, come home.
+
+
+
+THE RIVER OF DREAMS
+
+
+ The river of dreams runs quietly down
+ From its hidden home in the forest of sleep,
+ With a measureless motion calm and deep;
+ And my boat slips out on the current brown,
+ In a tranquil bay where the trees incline
+ Far over the waves, and creepers twine
+ Far over the boughs, as if to steep
+ Their drowsy bloom in the tide that goes
+ By a secret way that no man knows,
+ Under the branches bending,
+ Under the shadows blending,
+ And the body rests, and the passive soul
+ Is drifted along to an unseen goal,
+ While the river of dreams runs down.
+
+ The river of dreams runs gently down,
+ With a leisurely flow that bears my bark
+ Out of the visionless woods of dark,
+ Into a glory that seems to crown
+ Valley and hill with light from far,
+ Clearer than sun or moon or star,
+ Luminous, wonderful, weird, oh, mark
+ How the radiance pulses everywhere,
+ In the shadowless vault of lucid air!
+ Over the mountains shimmering,
+ Up from the fountains glimmering,--
+ Tis the mystical glow of the inner light,
+ That shines in the very noon of night,
+ While the river of dreams runs down.
+
+ The river of dreams runs murmuring down,
+ Through the fairest garden that ever grew;
+ And now, as my boat goes drifting through,
+ A hundred voices arise to drown
+ The river's whisper, and charm my ear
+ With a sound I have often longed to hear,--
+ A magical music, strange and new,
+ The wild-rose ballad, the lilac-song,
+ The virginal chant of the lilies' throng,
+ Blue-bells silverly ringing,
+ Pansies merrily singing,--
+ For all the flowers have found their voice;
+ And I feel no wonder, but only rejoice,
+ While the river of dreams runs down.
+
+ The river of dreams runs broadening down,
+ Away from the peaceful garden-shore,
+ With a current that deepens more and more,
+ By the league-long walls of a mighty town;
+ And I see the hurrying crowds of men
+ Gather like clouds and dissolve again;
+ But never a face I have seen before.
+ They come and go, they shift and change,
+ Their ways and looks are wild and strange,--
+ This is a city haunted,
+ A multitude enchanted!
+ At the sight of the throng I am dumb with fear,
+ And never a sound from their lips I hear,
+ While the river of dreams runs down.
+
+ The river of dreams runs darkly down
+ Into the heart of a desolate land,
+ With ruined temples half-buried in sand,
+ And riven hills, whose black brows frown
+ Over the shuddering, lonely wave.
+ The air grows dim with the dust of the grave;
+ No sign of life on the dreary strand;
+ No ray of light on the mountain's crest;
+ And a weary wind that cannot rest
+ Comes down the valley creeping,
+ Lamenting, wailing, weeping,--
+ I strive to cry out, but my fluttering breath
+ Is choked with the clinging fog of death,
+ While the river of dreams runs down.
+
+ The river of dreams runs trembling down,
+ Out of the valley of nameless fear,
+ Into a country calm and clear,
+ With a mystical name of high renown,--
+ A name that I know, but may not tell,--
+ And there the friends that I loved so well,
+ Old companions forever dear,
+ Come beckoning down to the river shore,
+ And hail my boat with the voice of yore.
+ Fair and sweet are the places
+ Where I see their unchanged faces!
+ And I feel in my heart with a secret thrill,
+ That the loved and lost are living still,
+ While the river of dreams runs down.
+
+ The river of dreams runs dimly down
+ By a secret way that no man knows;
+ But the soul lives on while the river flows
+ Through the gardens bright and the forests brown;
+ And I often think that our whole life seems
+ To be more than half made up of dreams.
+ The changing sights and the passing shows,
+ The morning hopes and the midnight fears,
+ Are left behind with the vanished years;
+ Onward, with ceaseless motion,
+ The life-stream flows to the ocean,
+ While we follow the tide, awake or asleep,
+ Till we see the dawn on Love's great deep,
+ And the shadows melt, and the soul is free,--
+ The river of dreams has reached the sea.
+
+1900.
+
+
+
+
+SONGS OF HEARTH AND ALTAR
+
+
+
+A HOME SONG
+
+
+ I read within a poet's book
+ A word that starred the page:
+ "Stone walls do not a prison make,
+ Nor iron bars a cage!"
+
+ Yes, that is true, and something more:
+ You'll find, where'er you roam,
+ That marble floors and gilded walls
+ Can never make a home.
+
+ But every house where Love abides,
+ And Friendship is a guest,
+ Is surely home, and home-sweet-home:
+ For there the heart can rest.
+
+
+
+"LITTLE BOATIE"
+
+A SLUMBER-SONG FOR THE FISHERMAN'S CHILD
+
+
+ Furl your sail, my little boatie;
+ Here's the haven still and deep,
+ Where the dreaming tides in-streaming
+ Up the channel creep.
+ Now the sunset breeze is dying;
+ Hear the plover, landward flying,
+ Softly down the twilight crying;
+ Come to anchor, little boatie,
+ In the port of Sleep.
+
+ Far away, my little boatie,
+ Roaring waves are white with foam;
+ Ships are striving, onward driving,
+ Day and night they roam.
+ Father's at the deep-sea trawling,
+ In the darkness, rowing, hauling,
+ While the hungry winds are calling,--
+ God protect him, little boatie,
+ Bring him safely home!
+
+ Not for you, my little boatie,
+ Is the wide and weary sea;
+ You're too slender, and too tender,
+ You must bide with me.
+ All day long you have been straying
+ Up and down the shore and playing;
+ Come to harbour, no delaying!
+ Day is over, little boatie,
+ Night falls suddenly.
+
+ Furl your sail, my little boatie,
+ Fold your wings, my weary dove.
+ Dews are sprinkling, stars are twinkling
+ Drowsily above.
+ Cease from sailing, cease from rowing;
+ Rock upon the dream-tide, knowing
+ Safely o'er your rest are glowing,
+ All the night, my little boatie,
+ Harbour-lights of love.
+
+1897.
+
+
+
+A MOTHER'S BIRTHDAY
+
+
+ Lord Jesus, Thou hast known
+ A mother's love and tender care:
+ And Thou wilt hear,
+ While for my own
+ Mother most dear
+ I make this birthday prayer.
+
+ Protect her life, I pray,
+ Who gave the gift of life to me;
+ And may she know,
+ From day to day,
+ The deepening glow
+ Of joy that comes from Thee.
+
+ As once upon her breast
+ Fearless and well content I lay,
+ So let her heart,
+ On Thee at rest,
+ Feel fear depart
+ And trouble fade away.
+
+ Ah, hold her by the hand,
+ As once her hand held mine;
+ And though she may
+ Not understand
+ Life's winding way,
+ Lead her in peace divine.
+
+ I cannot pay my debt
+ For all the love that she has given;
+ But Thou, love's Lord,
+ Wilt not forget
+ Her due reward,--
+ Bless her in earth and heaven.
+
+
+
+TRANSFORMATION
+
+
+ Only a little shrivelled seed,
+ It might be flower, or grass, or weed;
+ Only a box of earth on the edge
+ Of a narrow, dusty window-ledge;
+ Only a few scant summer showers;
+ Only a few clear shining hours;
+ That was all. Yet God could make
+ Out of these, for a sick child's sake,
+ A blossom-wonder, fair and sweet
+ As ever broke at an angel's feet.
+
+ Only a life of barren pain,
+ Wet with sorrowful tears for rain,
+ Warmed sometimes by a wandering gleam
+ Of joy, that seemed but a happy dream;
+ A life as common and brown and bare
+ As the box of earth in the window there;
+ Yet it bore, at last, the precious bloom
+ Of a perfect soul in that narrow room;
+ Pure as the snowy leaves that fold
+ Over the flower's heart of gold.
+
+
+
+RENDEZVOUS
+
+
+ I count that friendship little worth
+ Which has not many things untold,
+ Great longings that no words can hold,
+ And passion-secrets waiting birth.
+
+ Along the slender wires of speech
+ Some message from the heart is sent;
+ But who can tell the whole that's meant?
+ Our dearest thoughts are out of reach.
+
+ I have not seen thee, though mine eyes
+ Hold now the image of thy face;
+ In vain, through form, I strive to trace
+ The soul I love: that deeper lies.
+
+ A thousand accidents control
+ Our meeting here. Clasp hand in hand,
+ And swear to meet me in that land
+ Where friends hold converse soul to soul.
+
+
+
+GRATITUDE
+
+
+ "Do you give thanks for this?--or that?" No, God be thanked
+ I am not grateful
+ In that cold, calculating way, with blessings ranked
+ As one, two, three, and four,--that would be hateful.
+
+ I only know that every day brings good above
+ My poor deserving;
+ I only feel that in the road of Life true Love
+ Is leading me along and never swerving.
+
+ Whatever gifts and mercies to my lot may fall,
+ I would not measure
+ As worth a certain price in praise, or great or small;
+ But take and use them all with simple pleasure.
+
+ For when we gladly eat our daily bread, we bless
+ The Hand that feeds us;
+ And when we tread the road of Life in cheerfulness,
+ Our very heart-beats praise the Love that leads us.
+
+
+
+PEACE
+
+
+ With eager heart and will on fire,
+ I strove to win my great desire.
+ "Peace shall be mine," I said; but life
+ Grew bitter in the barren strife.
+
+ My soul was weary, and my pride
+ Was wounded deep; to Heaven I cried,
+ "God grant me peace or I must die;"
+ The dumb stars glittered no reply.
+
+ Broken at last, I bowed my head,
+ Forgetting all myself, and said,
+ "Whatever comes, His will be done;"
+ And in that moment peace was won.
+
+
+
+SANTA CHRISTINA
+
+
+ Saints are God's flowers, fragrant souls
+ That His own hand hath planted,
+ Not in some far-off heavenly place,
+ Or solitude enchanted,
+ But here and there and everywhere,--
+ In lonely field, or crowded town,
+ God sees a flower when He looks down.
+
+ Some wear the lily's stainless white,
+ And some the rose of passion,
+ And some the violet's heavenly blue,
+ But each in its own fashion,
+ With silent bloom and soft perfume,
+ Is praising Him who from above
+ Beholds each lifted face of love.
+
+ One such I knew,--and had the grace
+ To thank my God for knowing:
+ The beauty of her quiet life
+ Was like a rose in blowing,
+ So fair and sweet, so all-complete
+ And all unconscious, as a flower,
+ That light and fragrance were her dower.
+
+ No convent-garden held this rose,
+ Concealed like secret treasure;
+ No royal terrace guarded her
+ For some sole monarch's pleasure.
+ She made her shrine, this saint of mine,
+ In a bright home where children played;
+ And there she wrought and there she prayed.
+
+ In sunshine, when the days were glad,
+ She had the art of keeping
+ The clearest rays, to give again
+ In days of rain and weeping;
+ Her blessed heart could still impart
+ Some portion of its secret grace,
+ And charity shone in her face.
+
+ In joy she grew from year to year;
+ And sorrow made her sweeter;
+ And every comfort, still more kind;
+ And every loss, completer.
+ Her children came to love her name,--
+ "Christina,"--'twas a lip's caress;
+ And when they called, they seemed to bless.
+
+ No more they call, for she is gone
+ Too far away to hear them;
+ And yet they often breathe her name
+ As if she lingered near them;
+ They cannot reach her with love's speech,
+ But when they say "Christina" now
+ 'Tis like a prayer or like a vow:
+
+ A vow to keep her life alive
+ In deeds of pure affection,
+ So that her love shall find in them
+ A daily resurrection;
+ A constant prayer that they may wear
+ Some touch of that supernal light
+ With which she blossoms in God's sight.
+
+
+
+THE BARGAIN
+
+
+ What shall I give for thee,
+ Thou Pearl of greatest price?
+ For all the treasures I possess
+ Would not suffice.
+
+ I give my store of gold;
+ It is but earthly dross:
+ But thou wilt make me rich, beyond
+ All fear of loss.
+
+ Mine honours I resign;
+ They are but small at best:
+ Thou like a royal star wilt shine
+ Upon my breast.
+
+ My worldly joys I give,
+ The flowers with which I played;
+ Thy beauty, far more heavenly fair,
+ Shall never fade.
+
+ Dear Lord, is that enough?
+ _Nay, not a thousandth part._
+ Well, then, I have but one thing more:
+ Take Thou my heart.
+
+
+
+TO THE CHILD JESUS
+
+
+I
+
+THE NATIVITY
+
+ Could every time-worn heart but see Thee once again,
+ A happy human child, among the homes of men,
+ The age of doubt would pass,--the vision of Thy face
+ Would silently restore the childhood of the race.
+
+
+II
+
+THE FLIGHT INTO EGYPT
+
+ Thou wayfaring Jesus, a pilgrim and stranger,
+ Exiled from heaven by love at thy birth,
+ Exiled again from thy rest in the manger,
+ A fugitive child 'mid the perils of earth,--
+ Cheer with thy fellowship all who are weary,
+ Wandering far from the land that they love;
+ Guide every heart that is homeless and dreary,
+ Safe to its home in thy presence above.
+
+
+
+BITTER-SWEET
+
+
+ Just to give up, and trust
+ All to a Fate unknown,
+ Plodding along life's road in the dust,
+ Bounded by walls of stone;
+ Never to have a heart at peace;
+ Never to see when care will cease;
+ Just to be still when sorrows fall--
+ This is the bitterest lesson of all.
+
+ Just to give up, and rest
+ All on a Love secure,
+ Out of a world that's hard at the best,
+ Looking to heaven as sure;
+ Ever to hope, through cloud and fear,
+ In darkest night, that the dawn is near;
+ Just to wait at the Master's feet--
+ Surely, now, the bitter is sweet.
+
+
+
+HYMN OF JOY
+
+TO THE MUSIC OF BEETHOVEN'S NINTH SYMPHONY
+
+
+ Joyful, joyful, we adore Thee,
+ God of glory, Lord of love;
+ Hearts unfold like flowers before Thee,
+ Praising Thee their sun above.
+ Melt the clouds of sin and sadness;
+ Drive the dark of doubt away;
+ Giver of immortal gladness,
+ Fill us with the light of day!
+
+ All Thy works with joy surround Thee,
+ Earth and heaven reflect Thy rays,
+ Stars and angels sing around Thee,
+ Centre of unbroken praise:
+ Field and forest, vale and mountain,
+ Blooming meadow, flashing sea,
+ Chanting bird and flowing fountain,
+ Call us to rejoice in Thee.
+
+ Thou art giving and forgiving,
+ Ever blessing, ever blest,
+ Well-spring of the joy of living,
+ Ocean-depth of happy rest!
+ Thou our Father, Christ our Brother,--
+ All who live in love are Thine:
+ Teach us how to love each other,
+ Lift us to the Joy Divine.
+
+ Mortals join the mighty chorus,
+ Which the morning stars began;
+ Father-love is reigning o'er us,
+ Brother-love binds man to man.
+ Ever singing march we onward,
+ Victors in the midst of strife;
+ Joyful music lifts us sunward
+ In the triumph song of life.
+
+1908.
+
+
+
+SONG OF A PILGRIM-SOUL
+
+
+ March on, my soul, nor like a laggard stay!
+ March swiftly on. Yet err not from the way
+ Where all the nobly wise of old have trod,--
+ The path of faith, made by the sons of God.
+
+ Follow the marks that they have set beside
+ The narrow, cloud-swept track, to be thy guide:
+ Follow, and honour what the past has gained,
+ And forward still, that more may be attained.
+
+ Something to learn, and something to forget:
+ Hold fast the good, and seek the better yet:
+ Press on, and prove the pilgrim-hope of youth:
+ The Creeds are milestones on the road to Truth.
+
+
+
+ODE TO PEACE
+
+
+I
+
+IN EXCELSIS
+
+ Two dwellings, Peace, are thine.
+ One is the mountain-height,
+ Uplifted in the loneliness of light
+ Beyond the realm of shadows,--fine,
+ And far, and clear,--where advent of the night
+ Means only glorious nearness of the stars,
+ And dawn unhindered breaks above the bars
+ That long the lower world in twilight keep.
+ Thou sleepest not, and hast no need of sleep,
+ For all thy cares and fears have dropped away;
+ The night's fatigue, the fever-fret of day,
+ Are far below thee; and earth's weary wars,
+ In vain expense of passion, pass
+ Before thy sight like visions in a glass,--
+ Or like the wrinkles of the storm that creep
+ Across the sea and leave no trace
+ Of trouble on that immemorial face,--
+ So brief appear the conflicts, and so slight
+ The wounds men give, the things for which they fight!
+ Here hangs a fortress on the distant steep,--
+ A lichen clinging to the rock.
+ There sails a fleet upon the deep,--
+ A wandering flock
+ Of snow-winged gulls. And yonder, in the plain,
+ A marble palace shines,--a grain
+ Of mica glittering in the rain.
+ Beneath thy feet the clouds are rolled
+ By voiceless winds: and far between
+ The rolling clouds, new shores and peaks are seen,
+ In shimmering robes of green and gold,
+ And faint aerial hue
+ That silent fades into the silent blue.
+ Thou, from thy mountain-hold,
+ All day in tranquil wisdom looking down
+ On distant scenes of human toil and strife,
+ All night, with eyes aware of loftier life
+ Uplifted to the sky where stars are sown,
+ Dost watch the everlasting fields grow white
+ Unto the harvest of the sons of light,
+ And welcome to thy dwelling-place sublime
+ The few strong souls that dare to climb
+ The slippery crags, and find thee on the height.
+
+
+II
+
+DE PROFUNDIS
+
+ But in the depth thou hast another home,
+ For hearts less daring, or more frail.
+ Thou dwellest also in the shadowy vale;
+ And pilgrim-souls that roam
+ With weary feet o'er hill and dale,
+ Bearing the burden and the heat
+ Of toilful days,
+ Turn from the dusty ways
+ To find thee in thy green and still retreat.
+ Here is no vision wide outspread
+ Before the lonely and exalted seat
+ Of all-embracing knowledge. Here, instead,
+ A little cottage, and a garden-nook,
+ With outlooks brief and sweet
+ Across the meadows, and along the brook,--
+ A little stream that nothing knows
+ Of the great sea to which it gladly flows,--
+ A little field that bears a little wheat
+ To make a portion of earth's daily bread.
+ The vast cloud-armies overhead
+ Are marshalled, and the wild wind blows
+ Its trumpet, but thou canst not tell
+ Whence comes the wind nor where it goes;
+ Nor dost thou greatly care, since all is well.
+ Thy daily task is done,
+ And now the wages of repose are won.
+ Here friendship lights the fire, and every heart,
+ Sure of itself and sure of all the rest,
+ Dares to be true, and gladly takes its part
+ In open converse, bringing forth its best:
+ And here is music, melting every chain
+ Of lassitude and pain:
+ And here, at last, is sleep with silent gifts,--
+ Kind sleep, the tender nurse who lifts
+ The soul grown weary of the waking world,
+ And lays it, with its thoughts all furled,
+ Its fears forgotten, and its passions still,
+ On the deep bosom of the Eternal Will.
+
+
+
+THREE PRAYERS FOR SLEEP AND WAKING
+
+
+I
+
+BEDTIME
+
+ Ere thou sleepest gently lay
+ Every troubled thought away:
+ Put off worry and distress
+ As thou puttest off thy dress:
+ Drop thy burden and thy care
+ In the quiet arms of prayer.
+
+ _Lord, Thou knowest how I live,
+ All I've done amiss forgive:
+ All of good I've tried to do,
+ Strengthen, bless, and carry through,
+ All I love in safety keep,
+ While in Thee I fall asleep._
+
+
+II
+
+NIGHT WATCH
+
+ If slumber should forsake
+ Thy pillow in the dark,
+ Fret not thyself to mark
+ How long thou liest awake.
+ There is a better way;
+ Let go the strife and strain,
+ Thine eyes will close again,
+ If thou wilt only pray.
+
+ _Lord, Thy peaceful gift restore,
+ Give my body sleep once more:
+ While I wait my soul will rest
+ Like a child upon Thy breast._
+
+
+III
+
+NEW DAY
+
+ Ere thou risest from thy bed,
+ Speak to God Whose wings were spread
+ O'er thee in the helpless night:
+ Lo, He wakes thee now with light!
+ Lift thy burden and thy care
+ In the mighty arms of prayer.
+
+ _Lord, the newness of this day
+ Calls me to an untried way:
+ Let me gladly take the road,
+ Give me strength to bear my load,
+ Thou my guide and helper be--
+ I will travel through with Thee._
+
+The Mission Inn, California, Easter, 1913.
+
+
+
+PORTRAIT AND REALITY
+
+
+ If on the closed curtain of my sight
+ My fancy paints thy portrait far away,
+ I see thee still the same, by night or day;
+ Crossing the crowded street, or moving bright
+ 'Mid festal throngs, or reading by the light
+ Of shaded lamp some friendly poet's lay,
+ Or shepherding the children at their play,--
+ The same sweet self, and my unchanged delight.
+
+ But when I see thee near, I recognize
+ In every dear familiar way some strange
+ Perfection, and behold in April guise
+ The magic of thy beauty that doth range
+ Through many moods with infinite surprise,--
+ Never the same, and sweeter with each change.
+
+
+
+THE WIND OF SORROW
+
+
+ The fire of love was burning, yet so low
+ That in the peaceful dark it made no rays,
+ And in the light of perfect-placid days
+ The ashes hid the smouldering embers' glow.
+ Vainly, for love's delight, we sought to throw
+ New pleasures on the pyre to make it blaze:
+ In life's calm air and tranquil-prosperous ways
+ We missed the radiant heat of long ago.
+
+ Then in the night, a night of sad alarms,
+ Bitter with pain and black with fog of fears
+ That drove us trembling to each other's arms,
+ Across the gulf of darkness and salt tears
+ Into life's calm the wind of sorrow came,
+ And fanned the fire of love to clearest name.
+
+
+
+HIDE AND SEEK
+
+
+I
+
+ All the trees are sleeping, all the winds are still,
+ All the fleecy flocks of cloud, gone beyond the hill;
+ Through the noon-day silence, down the woods of June,
+ Hark, a little hunter's voice, running with a tune.
+ "Hide and seek!
+ When I speak,
+ You must answer me:
+ Call again,
+ Merry men,
+ Coo-ee, coo-ee, coo-ee!"
+
+ Now I hear his footsteps rustling in the grass:
+ Hidden in my leafy nook, shall I let him pass?
+ Just a low, soft whistle,--quick the hunter turns,
+ Leaps upon me laughing loud, rolls me in the ferns.
+ "Hold him fast,
+ Caught at last!
+ Now you're it, you see.
+ Hide your eye,
+ Till I cry,
+ Coo-ee, coo-ee, coo-ee!"
+
+
+II
+
+ Long ago he left me, long and long ago;
+ Now I wander thro' the world, seeking high and low.
+ Hidden safe and happy, in some pleasant place,--
+ If I could but hear his voice, soon I'd see his face!
+ Far away,
+ Many a day,
+ Where can Barney be?
+ Answer, dear,
+ Don't you hear?
+ Coo-ee, coo-ee, coo-ee!
+
+ Birds that every spring-time sung him full of joy,
+ Flowers he loved to pick for me, mind me of my boy.
+ Somewhere he is waiting till my steps come nigh;
+ Love may hide itself awhile, but love can never die.
+ Heart, be glad,
+ The little lad
+ Will call again to thee:
+ "Father dear,
+ Heaven is here,
+ Coo-ee, coo-ee, coo-ee!"
+
+1898.
+
+
+
+AUTUMN IN THE GARDEN
+
+
+ When the frosty kiss of Autumn in the dark
+ Makes its mark
+ On the flowers, and the misty morning grieves
+ Over fallen leaves;
+ Then my olden garden, where the golden soil
+ Through the toil
+ Of a hundred years is mellow, rich, and deep,
+ Whispers in its sleep.
+
+ 'Mid the crumpled beds of marigold and phlox,
+ Where the box
+ Borders with its glossy green the ancient walks,
+ There's a voice that talks
+ Of the human hopes that bloomed and withered here
+ Year by year,--
+ And the dreams that brightened all the labouring hours.
+ Fading as the flowers.
+
+ Yet the whispered story does not deepen grief;
+ But relief
+ For the loneliness of sorrow seems to flow
+ From the Long-Ago,
+ When I think of other lives that learned, like mine,
+ To resign,
+ And remember that the sadness of the fall
+ Comes alike to all.
+
+ What regrets, what longings for the lost were theirs I
+ And what prayers
+ For the silent strength that nerves us to endure
+ Things we cannot cure!
+ Pacing up and down the garden where they paced,
+ I have traced
+ All their well-worn paths of patience, till I find
+ Comfort in my mind.
+
+ Faint and far away their ancient griefs appear:
+ Yet how near
+ Is the tender voice, the careworn, kindly face,
+ Of the human race!
+ Let us walk together in the garden, dearest heart,--
+ Not apart!
+ They who know the sorrows other lives have known
+ Never walk alone.
+
+October, 1903.
+
+
+
+THE MESSAGE
+
+
+ Waking from tender sleep,
+ My neighbour's little child
+ Put out his baby hand to me,
+ Looked in my face, and smiled.
+
+ It seems as if he came
+ Home from a happy land,
+ To bring a message to my heart
+ And make me understand.
+
+ Somewhere, among bright dreams,
+ A child that once was mine
+ Has whispered wordless love to him,
+ And given him a sign.
+
+ Comfort of kindly speech,
+ And counsel of the wise,
+ Have helped me less than what I read
+ In those deep-smiling eyes.
+
+ Sleep sweetly, little friend,
+ And dream again of heaven:
+ With double love I kiss your hand,--
+ Your message has been given.
+
+November, 1903.
+
+
+
+DULCIS MEMORIA
+
+
+ Long, long ago I heard a little song,
+ (Ah, was it long ago, or yesterday?)
+ So lowly, slowly wound the tune along,
+ That far into my heart it found the way:
+ A melody consoling and endearing;
+ And now, in silent hours, I'm often hearing
+ The small, sweet song that does not die away.
+
+ Long, long ago I saw a little flower--
+ (Ah, was it long ago, or yesterday?)
+ So fair of face and fragrant for an hour,
+ That something dear to me it seemed to say,--
+ A wordless joy that blossomed into being;
+ And now, in winter days, I'm often seeing
+ The friendly flower that does not fade away.
+
+ Long, long ago we had a little child,--
+ (Ah, was it long ago, or yesterday?)
+ Into his mother's eyes and mine he smiled
+ Unconscious love; warm in our arms he lay.
+ An angel called! Dear heart, we could not hold him;
+ Yet secretly your arms and mine infold him--
+ Our little child who does not go away.
+
+ Long, long ago? Ah, memory, make it clear--
+ (It was not long ago, but yesterday.)
+ So little and so helpless and so dear--
+ Let not the song be lost, the flower decay!
+ His voice, his waking eyes, his gentle sleeping:
+ The smallest things are safest in thy keeping,--
+ Sweet memory, keep our child with us alway.
+
+November, 1903.
+
+
+
+THE WINDOW
+
+
+ All night long, by a distant bell
+ The passing hours were notched
+ On the dark, while her breathing rose and fell;
+ And the spark of life I watched
+ In her face was glowing, or fading,--who could tell?--
+ And the open window of the room,
+ With a flare of yellow light,
+ Was peering out into the gloom,
+ Like an eye that searched the night.
+
+ _Oh, what do you see in the dark, little window, and why do you peer?
+ "I see that the garden is crowded with creeping forms of fear:
+ Little white ghosts in the locust-tree, wave in the night-wind's breath,
+ And low in the leafy laurels the lurking shadow of death."_
+
+ Sweet, clear notes of a waking bird
+ Told of the passing away
+ Of the dark,--and my darling may have heard;
+ For she smiled in her sleep, while the ray
+ Of the rising dawn spoke joy without a word,
+ Till the splendour born in the east outburned
+ The yellow lamplight, pale and thin,
+ And the open window slowly turned
+ To the eye of the morning, looking in.
+
+ _Oh, what do you see in the room, little window, that makes you so
+ bright?
+ "I see that a child is asleep on her pillow, soft and white:
+ With the rose of life on her lips, the pulse of life in her breast,
+ And the arms of God around her, she quietly takes her rest."_
+
+Neuilly, June, 1909.
+
+
+
+CHRISTMAS TEARS
+
+
+ The day returns by which we date our years:
+ Day of the joy of giving,--that means love;
+ Day of the joy of living,--that means hope;
+ Day of the Royal Child,--and day that brings
+ To older hearts the gift of Christmas tears!
+
+ Look, how the candles twinkle through the tree,
+ The children shout when baby claps his hands,
+ The room is full of laughter and of song!
+ Your lips are smiling, dearest,--tell me why
+ Your eyes are brimming full of Christmas tears?
+
+ Was it a silent voice that joined the song?
+ A vanished face that glimmered once again
+ Among the happy circle round the tree?
+ Was it an unseen hand that touched your cheek
+ And brought the secret gift of Christmas tears?
+
+ Not dark and angry like the winter storm
+ Of selfish grief,--but full of starry gleams,
+ And soft and still that others may not weep,--
+ Dews of remembered happiness descend
+ To bless us with the gift of Christmas tears.
+
+ Ah, lose them not, dear heart,--life has no pearls
+ More pure than memories of joy love-shared.
+ See, while we count them one by one with prayer,
+ The Heavenly hope that lights the Christmas tree
+ Has made a rainbow in our Christmas tears!
+
+1912.
+
+
+
+DOROTHEA
+
+1888-1912
+
+
+ A deeper crimson in the rose,
+ A deeper blue in sky and sea,
+ And ever, as the summer goes,
+ A deeper loss in losing thee!
+
+ A deeper music in the strain
+ Of hermit-thrush from lonely tree;
+ And deeper grows the sense of gain
+ My life has found in having thee.
+
+ A deeper love, a deeper rest,
+ A deeper joy in all I see;
+ And ever deeper in my breast
+ A silver song that comes from thee!
+
+Seal Harbour, August 1, 1912.
+
+
+
+
+EPIGRAMS, GREETINGS, AND INSCRIPTIONS
+
+
+
+FOR KATRINA'S SUN-DIAL
+
+IN HER GARDEN OF YADDO
+
+
+ Hours fly,
+ Flowers die
+ New days,
+ New ways,
+ Pass by.
+ Love stays.
+
+ * * *
+
+ Time is
+ Too Slow for those who Wait,
+ Too Swift for those who Fear,
+ Too Long for those who Grieve,
+ Too Short for those who Rejoice;
+ But for those who Love,
+ Time is not.
+
+
+
+FOR KATRINA'S WINDOW
+
+IN HER TOWER OF YADDO
+
+
+ This is the window's message,
+ In silence, to the Queen:
+ "Thou hast a double kingdom
+ And I am set between:
+ Look out and see the glory,
+ On hill and plain and sky:
+ Look in and see the light of love
+ That nevermore shall die!"
+
+
+_L'ENVOI_
+
+ _Window in the Queen's high tower,
+ This shall be thy magic power!
+ Shut the darkness and the doubt,
+ Shut the storm and conflict, out;
+ Wind and hail and snow and rain
+ Dash against thee all in vain.
+ Let in nothing from the night,--
+ Let in every ray of light!_
+
+
+
+FOR THE FRIENDS AT HURSTMONT
+
+
+THE HOUSE
+
+ The cornerstone in Truth is laid,
+ The guardian walls of Honour made,
+ The roof of Faith is built above,
+ The fire upon the hearth is Love:
+ Though rains descend and loud winds call,
+ This happy house shall never fall.
+
+
+THE HEARTH
+
+ When the logs are burning free,
+ Then the fire is full of glee:
+ When each heart gives out its best,
+ Then the talk is full of zest:
+ Light your fire and never fear,
+ Life was made for love and cheer.
+
+
+THE DOOR
+
+ The lintel low enough to keep out pomp and pride:
+ The threshold high enough to turn deceit aside:
+ The fastening strong enough from robbers to defend:
+ This door will open at a touch to welcome every friend.
+
+
+THE DIAL
+
+ Time can never take
+ What Time did not give;
+ When my shadows have all passed,
+ You shall live.
+
+
+
+THE SUN-DIAL AT MORVEN
+
+FOR BAYARD AND HELEN STOCKTON
+
+
+ Two hundred years of blessing I record
+ For Morven's house, protected by the Lord:
+ And still I stand among old-fashioned flowers
+ To mark for Morven many sunlit hours.
+
+
+
+THE SUN-DIAL AT WELLS COLLEGE
+
+FOR THE CLASS OF 1904
+
+
+ The shadow by my finger cast
+ Divides the future from the past:
+ Before it, sleeps the unborn hour,
+ In darkness, and beyond thy power:
+ Behind its unreturning line,
+ The vanished hour, no longer thine:
+ One hour alone is in thy hands,--
+ The NOW on which the shadow stands.
+
+March, 1904.
+
+
+
+TO MARK TWAIN
+
+
+I
+
+AT A BIRTHDAY FEAST
+
+ With memories old and wishes new
+ We crown our cups again,
+ And here's to you, and here's to you
+ With love that ne'er shall wane!
+ And may you keep, at sixty-seven,
+ The joy of earth, the hope of heaven,
+ And fame well-earned, and friendship true,
+ And peace that comforts every pain,
+ And faith that fights the battle through,
+ And all your heart's unbounded wealth,
+ And all your wit, and all your health,--
+ Yes, here's a hearty health to you,
+ And here's to you, and here's to you,
+ Long life to you, Mark Twain.
+
+November 30, 1902.
+
+
+II
+
+AT THE MEMORIAL MEETING
+
+ We knew you well, dear Yorick of the West,
+ The very soul of large and friendly jest!
+ You loved and mocked the broad grotesque of things
+ In this new world where all the folk are kings.
+
+ Your breezy humour cleared the air, with sport
+ Of shams that haunt the democratic court;
+ For even where the sovereign people rule,
+ A human monarch needs a royal fool.
+
+ Your native drawl lent flavour to your wit;
+ Your arrows lingered but they always hit;
+ Homeric mirth around the circle ran,
+ But left no wound upon the heart of man.
+
+ We knew you kind in trouble, brave in pain;
+ We saw your honour kept without a stain;
+ We read this lesson of our Yorick's years,--
+ True wisdom comes with laughter and with tears.
+
+November 30, 1910.
+
+
+
+STARS AND THE SOUL
+
+(TO CHARLES A. YOUNG, ASTRONOMER)
+
+
+ "Two things," the wise man said, "fill me with awe:
+ The starry heavens and the moral law."
+ Nay, add another wonder to thy roll,--
+ The living marvel of the human soul!
+
+ Born in the dust and cradled in the dark,
+ It feels the fire of an immortal spark,
+ And learns to read, with patient, searching eyes,
+ The splendid secret of the unconscious skies.
+
+ For God thought Light before He spoke the word;
+ The darkness understood not, though it heard:
+ But man looks up to where the planets swim,
+ And thinks God's thoughts of glory after Him.
+
+ What knows the star that guides the sailor's way,
+ Or lights the lover's bower with liquid ray,
+ Of toil and passion, danger and distress,
+ Brave hope, true love, and utter faithfulness?
+
+ But human hearts that suffer good and ill,
+ And hold to virtue with a loyal will,
+ Adorn the law that rules our mortal strife
+ With star-surpassing victories of life.
+
+ So take our thanks, dear reader of the skies,
+ Devout astronomer, most humbly wise,
+ For lessons brighter than the stars can give,
+ And inward light that helps us all to live.
+
+
+
+TO JULIA MARLOWE
+
+(READING KEATS' ODE ON A GRECIAN URN)
+
+
+ Long had I loved this "Attic shape," the brede
+ Of marble maidens round this urn divine:
+ But when your golden voice began to read,
+ The empty urn was filled with Chian wine.
+
+
+
+TO JOSEPH JEFFERSON
+
+
+_May 4th_, 1898.--_To-day, fishing down the Swiftwater, I
+found Joseph Jefferson on a big rock in the middle of the brook,
+casting the fly for trout. He said he had fished this very stream
+three-and-forty years ago; and near by, in the Paradise Valley,
+he wrote his famous play._--Leaf from my Diary.
+
+ We met on Nature's stage,
+ And May had set the scene,
+ With bishop-caps standing in delicate ranks,
+ And violets blossoming over the banks,
+ While the brook ran full between.
+
+ The waters rang your call,
+ With frolicsome waves a-twinkle,--
+ They knew you as boy, and they knew you as man,
+ And every wave, as it merrily ran,
+ Cried, "Enter Rip van Winkle!"
+
+
+
+THE MOCKING-BIRD
+
+
+ In mirth he mocks the other birds at noon,
+ Catching the lilt of every easy tune;
+ But when the day departs he sings of love,--
+ His own wild song beneath the listening moon.
+
+
+
+THE EMPTY QUATRAIN
+
+
+ A flawless cup: how delicate and fine
+ The flowing curve of every jewelled line!
+ Look, turn it up or down, 'tis perfect still,--
+ But holds no drop of life's heart-warming wine.
+
+
+
+PAN LEARNS MUSIC
+
+FOR A SCULPTURE BY SARA GREENE
+
+
+ Limber-limbed, lazy god, stretched on the rock,
+ Where is sweet Echo, and where is your flock?
+ What are you making here? "Listen," said Pan,--
+ "Out of a river-reed music for man!"
+
+
+
+THE SHEPHERD OF NYMPHS
+
+
+ The nymphs a shepherd took
+ To guard their snowy sheep;
+ He led them down along the brook,
+ And guided them with pipe and crook,
+ Until he fell asleep.
+
+ But when the piping stayed,
+ Across the flowery mead
+ The milk-white nymphs ran out afraid:
+ O Thyrsis, wake! Your flock has strayed,--
+ The nymphs a shepherd need.
+
+
+
+ECHOES FROM THE GREEK ANTHOLOGY
+
+
+I
+
+STARLIGHT
+
+ With two bright eyes, my star, my love,
+ Thou lookest on the stars above:
+ Ah, would that I the heaven might be
+ With a million eyes to look on thee.
+
+_Plato._
+
+
+II
+
+ROSELEAF
+
+ A little while the rose,
+ And after that the thorn;
+ An hour of dewy morn,
+ And then the glamour goes.
+ Ah, love in beauty born,
+ A little while the rose!
+
+_Unknown._
+
+
+III
+
+PHOSPHOR--HESPER
+
+ O morning star, farewell!
+ My love I now must leave;
+ The hours of day I slowly tell,
+ And turn to her with the twilight bell,--
+ O welcome, star of eve!
+
+_Meleager._
+
+
+IV
+
+SEASONS
+
+ Sweet in summer, cups of snow,
+ Cooling thirsty lips aglow;
+ Sweet to sailors winter-bound,
+ Spring arrives with garlands crowned;
+ Sweeter yet the hour that covers
+ With one cloak a pair of lovers,
+ Living lost in golden weather,
+ While they talk of love together.
+
+_Asclepiades._
+
+
+V
+
+THE VINE AND THE GOAT
+
+ Although you eat me to the root,
+ I yet shall bear enough of fruit
+ For wine to sprinkle your dim eyes,
+ When you are made a sacrifice.
+
+_Euenus._
+
+
+VI
+
+THE PROFESSOR
+
+ Seven pupils, in the class
+ Of Professor Callias,
+ Listen silent while he drawls,--
+ Three are benches, four are walls.
+
+_Unknown._
+
+
+
+ONE WORLD
+
+ _"The worlds in which we live are two:
+ The world 'I am' and the world 'I do,'"_
+
+
+ The worlds in which we live at heart are one,
+ The world "I am," the fruit of "I have done";
+ And underneath these worlds of flower and fruit,
+ The world "I love,"--the only living root.
+
+
+
+JOY AND DUTY
+
+
+ "Joy is a Duty,"--so with golden lore
+ The Hebrew rabbis taught in days of yore,
+ And happy human hearts heard in their speech
+ Almost the highest wisdom man can reach.
+
+ But one bright peak still rises far above,
+ And there the Master stands whose name is Love,
+ Saying to those whom weary tasks employ:
+ "Life is divine when Duty is a Joy."
+
+
+
+THE PRISON AND THE ANGEL
+
+
+ Self is the only prison that can ever bind the soul;
+ Love is the only angel who can bid the gates unroll;
+ And when he comes to call thee, arise and follow fast;
+ His way may lie through darkness, but it leads to light at last.
+
+
+
+THE WAY
+
+
+ Who seeks for heaven alone to save his soul,
+ May keep the path, but will not reach the goal;
+ While he who walks in love may wander far,
+ But God will bring him where the Blessed are.
+
+
+
+LOVE AND LIGHT
+
+
+ There are many kinds of love, as many kinds of light,
+ And every kind of love makes a glory in the night.
+ There is love that stirs the heart, and love that gives it rest,
+ But the love that leads life upward is the noblest and the best.
+
+
+
+_FACTA NON VERBA_
+
+
+ _Deeds not Words_: I say so too!
+ And yet I find it somehow true,
+ A word may help a man in need,
+ To nobler act and braver deed.
+
+
+
+FOUR THINGS
+
+
+ Four things a man must learn to do
+ If he would make his record true:
+ To think without confusion clearly;
+ To love his fellow-men sincerely;
+ To act from honest motives purely;
+ To trust in God and Heaven securely.
+
+
+
+THE GREAT RIVER
+
+ _"In la sua volontade e nostra pace."_
+
+
+ O mighty river! strong, eternal Will,
+ Wherein the streams of human good and ill
+ Are onward swept, conflicting, to the sea!
+ The world is safe because it floats in Thee.
+
+
+
+INSCRIPTION FOR A TOMB IN ENGLAND
+
+
+ Read here, O friend unknown,
+ Our grief, of her bereft;
+ Yet think not tears alone
+ Within our hearts are left.
+ The gifts she came to give,
+ Her heavenly love and cheer,
+ Have made us glad to live
+ And die without a fear.
+
+1912.
+
+
+
+THE TALISMAN
+
+
+ What is Fortune, what is Fame?
+ Futile gold and phantom name,--
+ Riches buried in a cave,
+ Glory written on a grave.
+
+ What is Friendship? Something deep
+ That the heart can spend and keep:
+ Wealth that greatens while we give,
+ Praise that heartens us to live.
+
+ Come, my friend, and let us prove
+ Life's true talisman is love!
+ By this charm we shall elude
+ Poverty and solitude.
+
+January 21, 1914.
+
+
+
+THORN AND ROSE
+
+
+ Far richer than a thornless rose
+ Whose branch with beauty never glows,
+ Is that which every June adorns
+ With perfect bloom among its thorns.
+
+ Merely to live without a pain
+ Is little gladness, little gain,
+ Ah, welcome joy tho' mixt with grief,--
+ The thorn-set flower that crowns the leaf.
+
+June 20, 1914.
+
+
+
+"THE SIGNS"
+
+_Dedicated to the Zodiac Club_
+
+
+ Who knows how many thousand years ago
+ The twelvefold Zodiac was made to show
+ The course of stars above and men below?
+
+ The great sun plows his furrow by its "lines":
+ From all its "houses" mystic meaning shines:
+ Deep lore of life is written in its "signs."
+
+ _Aries_--Sacrifice.
+ Snow-white and sacred is the sacrifice
+ That Heaven demands for what our heart doth prize:
+ The man who fears to suffer, ne'er can rise.
+
+ _Taurus_--Strength.
+ Rejoice, my friend, if God has made you strong:
+ Put forth your force to move the world along:
+ Yet never shame your strength to do a wrong.
+
+ _Gemini_--Brotherhood.
+ Bitter his life who lives for self alone,
+ Poor would he be with riches and a throne:
+ But friendship doubles all we are and own.
+
+ _Cancer_--The Wisdom of Retreat.
+ Learn from the crab, O runner fresh and fleet,
+ Sideways to move, or backward, when discreet;
+ Life is not all advance,--sometimes retreat!
+
+ _Leo_--Fire.
+ The sign of Leo is the sign of fire.
+ Hatred we hate: but no man should desire
+ A heart too cold to flame with righteous ire.
+
+ _Virgo_--Love.
+ Mysterious symbol, words are all in vain
+ To tell the secret power by which you reign.
+ The more we love, the less we can explain.
+
+ _Libra_--Justice.
+ Examine well the scales with which you weigh;
+ Let justice rule your conduct every day;
+ For when you face the Judge you'll need fair play.
+
+ _Scorpio_--Self-Defense.
+ There's not a creature in the realm of night
+ But has the wish to live, likewise the right:
+ Don't tread upon the scorpion, or he'll fight.
+
+ _Sagittarius_--The Archer.
+ Life is an arrow, therefore you must know
+ What mark to aim at, how to use the bow,--
+ Then draw it to the head and let it go!
+
+ _Capricornus_--The Goat.
+ The goat looks solemn, yet he likes to run,
+ And leap the rocks, and gambol in the sun:
+ The truly wise enjoy a little fun.
+
+ _Aquarius_--Water.
+ "Like water spilt upon the ground,"--alas,
+ Our little lives flow swiftly on and pass;
+ Yet may they bring rich harvests and green grass!
+
+ _Pisces_--The Fishes.
+ Last of the sacred signs, you bring to me
+ A word of hope, a word of mystery,--
+ _We all are swimmers in God's mighty sea._
+
+February 28, 1918.
+
+
+
+
+PRO PATRIA
+
+
+
+PATRIA
+
+
+ I would not even ask my heart to say
+ If I could love another land as well
+ As thee, my country, had I felt the spell
+ Of Italy at birth, or learned to obey
+ The charm of France, or England's mighty sway.
+ I would not be so much an infidel
+ As once to dream, or fashion words to tell,
+ What land could hold my heart from thee away.
+
+ For like a law of nature in my blood,
+ America, I feel thy sovereignty,
+ And woven through my soul thy vital sign.
+ My life is but a wave and thou the flood;
+ I am a leaf and thou the mother-tree;
+ Nor should I be at all, were I not thine.
+
+June, 1904.
+
+
+
+AMERICA
+
+
+ I love thine inland seas,
+ Thy groves of giant trees,
+ Thy rolling plains;
+ Thy rivers' mighty sweep,
+ Thy mystic canyons deep,
+ Thy mountains wild and steep,
+ All thy domains;
+
+ Thy silver Eastern strands,
+ Thy Golden Gate that stands
+ Wide to the West;
+ Thy flowery Southland fair,
+ Thy sweet and crystal air,--
+ O land beyond compare,
+ Thee I love best!
+
+March, 1906.
+
+
+
+THE ANCESTRAL DWELLINGS
+
+
+ Dear to my heart are the ancestral dwellings of America,
+ Dearer than if they were haunted by ghosts of royal splendour;
+ They are simple enough to be great in their friendly dignity,--
+ Homes that were built by the brave beginners of a nation.
+
+ I love the old white farmhouses nestled in New England valleys,
+ Ample and long and low, with elm-trees feathering over them:
+ Borders of box in the yard, and lilacs, and old-fashioned roses,
+ A fan-light above the door, and little square panes in the windows,
+ The wood-shed piled with maple and birch and hickory ready for winter,
+ The gambrel-roof with its garret crowded with household relics,--
+ All the tokens of prudent thrift and the spirit of self-reliance.
+
+ I love the weather-beaten, shingled houses that front the ocean;
+ They seem to grow out of the rocks, there is something indomitable
+ about them:
+ Their backs are bowed, and their sides are covered with lichens;
+ Soft in their colour as gray pearls, they are full of a patient courage.
+ Facing the briny wind on a lonely shore they stand undaunted,
+ While the thin blue pennant of smoke from the square-built chimney
+ Tells of a haven for man, with room for a hearth and a cradle.
+
+ I love the stately southern mansions with their tall white columns,
+ They look through avenues of trees, over fields where the cotton is
+ growing;
+ I can see the flutter of white frocks along their shady porches,
+ Music and laughter float from the windows, the yards are full of
+ hounds and horses.
+ Long since the riders have ridden away, yet the houses have not
+ forgotten,
+ They are proud of their name and place, and their doors are always open,
+ For the thing they remember best is the pride of their ancient
+ hospitality.
+
+ In the towns I love the discreet and tranquil Quaker dwellings,
+ With their demure brick faces and immaculate marble doorsteps;
+ And the gabled houses of the Dutch, with their high stoops and iron
+ railings,
+ (I can see their little brass knobs shining in the morning sunlight);
+ And the solid self-contained houses of the descendants of the Puritans,
+ Frowning on the street with their narrow doors and dormer-windows;
+ And the triple-galleried, many-pillared mansions of Charleston,
+ Standing open sideways in their gardens of roses and magnolias.
+
+ Yes, they are all dear to my heart, and in my eyes they are beautiful;
+ For under their roofs were nourished the thoughts that have made the
+ nation;
+ The glory and strength of America come from her ancestral dwellings.
+
+July, 1909.
+
+
+
+HUDSON'S LAST VOYAGE
+
+THE SHALLOP ON HUDSON BAY
+
+June 22, 1611
+
+
+ One sail in sight upon the lonely sea,
+ And only one! For never ship but mine
+ Has dared these waters. We were first,
+ My men, to battle in between the bergs
+ And floes to these wide waves. This gulf is mine;
+ I name it! and that flying sail is mine!
+ And there, hull-down below that flying sail,
+ The ship that staggers home is mine, mine, mine!
+ My ship _Discoverie_!
+ The sullen dogs
+ Of mutineers, the bitches' whelps that snatched
+ Their food and bit the hand that nourished them,
+ Have stolen her. You ingrate Henry Greene,
+ I picked you from the gutter of Houndsditch,
+ And paid your debts, and kept you in my house,
+ And brought you here to make a man of you!
+ You Robert Juet, ancient, crafty man,
+ Toothless and tremulous, how many times
+ Have I employed you as a master's mate
+ To give you bread? And you Abacuck Prickett,
+ You sailor-clerk, you salted puritan,
+ You knew the plot and silently agreed,
+ Salving your conscience with a pious lie!
+ Yes, all of you--hounds, rebels, thieves! Bring back
+ My ship!
+ Too late,--I rave,--they cannot hear
+ My voice: and if they heard, a drunken laugh
+ Would be their answer; for their minds have caught
+ The fatal firmness of the fool's resolve,
+ That looks like courage but is only fear.
+ They'll blunder on, and lose my ship, and drown;
+ Or blunder home to England and be hanged.
+ Their skeletons will rattle in the chains
+ Of some tall gibbet on the Channel cliffs,
+ While passing mariners look up and say:
+ "Those are the rotten bones of Hudson's men
+ Who left their captain in the frozen North!"
+
+ O God of justice, why hast Thou ordained
+ Plans of the wise and actions of the brave
+ Dependent on the aid of fools and cowards?
+
+ Look,--there she goes,--her topsails in the sun
+ Gleam from the ragged ocean edge, and drop
+ Clean out of sight! So let the traitors go
+ Clean out of mind! We'll think of braver things!
+ Come closer in the boat, my friends. John King,
+ You take the tiller, keep her head nor'west.
+ You Philip Staffe, the only one who chose
+ Freely to share our little shallop's fate,
+ Rather than travel in the hell-bound ship,--
+ Too good an English sailor to desert
+ Your crippled comrades,--try to make them rest
+ More easy on the thwarts. And John, my son,
+ My little shipmate, come and lean your head
+ Against my knee. Do you remember still
+ The April morn in Ethelburga's church,
+ Five years ago, when side by side we kneeled
+ To take the sacrament with all our men,
+ Before the _Hopewell_ left St. Catherine's docks
+ On our first voyage? It was then I vowed
+ My sailor-soul and yours to search the sea
+ Until we found the water-path that leads
+ From Europe into Asia.
+ I believe
+ That God has poured the ocean round His world,
+ Not to divide, but to unite the lands.
+ And all the English captains that have dared
+ In little ships to plough uncharted waves,--
+ Davis and Drake, Hawkins and Frobisher,
+ Raleigh and Gilbert,--all the other names,--
+ Are written in the chivalry of God
+ As men who served His purpose. I would claim
+ A place among that knighthood of the sea;
+ And I have earned it, though my quest should fail!
+ For, mark me well, the honour of our life
+ Derives from this: to have a certain aim
+ Before us always, which our will must seek
+ Amid the peril of uncertain ways.
+ Then, though we miss the goal, our search is crowned
+ With courage, and we find along our path
+ A rich reward of unexpected things.
+ Press towards the aim: take fortune as it fares!
+
+ I know not why, but something in my heart
+ Has always whispered, "Westward seek your goal!"
+ Three times they sent me east, but still I turned
+ The bowsprit west, and felt among the floes
+ Of ruttling ice along the Greenland coast,
+ And down the rugged shore of Newfoundland,
+ And past the rocky capes and wooded bays
+ Where Gosnold sailed,--like one who feels his way
+ With outstretched hand across a darkened room,--
+ I groped among the inlets and the isles,
+ To find the passage to the Land of Spice.
+ I have not found it yet,--but I have found
+ Things worth the finding!
+ Son, have you forgot
+ Those mellow autumn days, two years ago,
+ When first we sent our little ship _Half-Moon_,--
+ The flag of Holland floating at her peak,--
+ Across a sandy bar, and sounded in
+ Among the channels, to a goodly bay
+ Where all the navies of the world could ride?
+ A fertile island that the redmen called
+ Manhattan, lay above the bay: the land
+ Around was bountiful and friendly fair.
+ But never land was fair enough to hold
+ The seaman from the calling of the sea.
+ And so we bore to westward of the isle,
+ Along a mighty inlet, where the tide
+ Was troubled by a downward-flowing flood
+ That seemed to come from far away,--perhaps
+ From some mysterious gulf of Tartary?
+ Inland we held our course; by palisades
+ Of naked rock; by rolling hills adorned
+ With forests rich in timber for great ships;
+ Through narrows where the mountains shut us in
+ With frowning cliffs that seemed to bar the stream;
+ And then through open reaches where the banks
+ Sloped to the water gently, with their fields
+ Of corn and lentils smiling in the sun.
+ Ten days we voyaged through that placid land,
+ Until we came to shoals, and sent a boat
+ Upstream to find,--what I already knew,--
+ We travelled on a river, not a strait.
+
+ But what a river! God has never poured
+ A stream more royal through a land more rich.
+ Even now I see it flowing in my dream,
+ While coming ages people it with men
+ Of manhood equal to the river's pride.
+ I see the wigwams of the redmen changed
+ To ample houses, and the tiny plots
+ Of maize and green tobacco broadened out
+ To prosperous farms, that spread o'er hill and dale
+ The many-coloured mantle of their crops.
+ I see the terraced vineyard on the slope
+ Where now the fox-grape loops its tangled vine,
+ And cattle feeding where the red deer roam,
+ And wild-bees gathered into busy hives
+ To store the silver comb with golden sweet;
+ And all the promised land begins to flow
+ With milk and honey. Stately manors rise
+ Along the banks, and castles top the hills,
+ And little villages grow populous with trade,
+ Until the river runs as proudly as the Rhine,--
+ The thread that links a hundred towns and towers!
+ Now looking deeper in my dream, I see
+ A mighty city covering the isle
+ They call Manhattan, equal in her state
+ To all the older capitals of earth,--
+ The gateway city of a golden world,--
+ A city girt with masts, and crowned with spires,
+ And swarming with a million busy men,
+ While to her open door across the bay
+ The ships of all the nations flock like doves.
+ My name will be remembered there, the world
+ Will say, "This river and this isle were found
+ By Henry Hudson, on his way to seek
+ The Northwest Passage."
+ Yes, I seek it still,--
+ My great adventure and my guiding star!
+ For look ye, friends, our voyage is not done;
+ We hold by hope as long as life endures!
+ Somewhere among these floating fields of ice,
+ Somewhere along this westward widening bay,
+ Somewhere beneath this luminous northern night,
+ The channel opens to the Farthest East,--
+ I know it,--and some day a little ship
+ Will push her bowsprit in, and battle through!
+ And why not ours,--to-morrow,--who can tell?
+ The lucky chance awaits the fearless heart!
+ These are the longest days of all the year;
+ The world is round and God is everywhere,
+ And while our shallop floats we still can steer.
+
+ So point her up, John King, nor'west by north
+ We'll keep the honour of a certain aim
+ Amid the peril of uncertain ways,
+ And sail ahead, and leave the rest to God.
+
+July, 1909.
+
+
+
+SEA-GULLS OF MANHATTAN
+
+
+ Children of the elemental mother,
+ Born upon some lonely island shore
+ Where the wrinkled ripples run and whisper,
+ Where the crested billows plunge and roar;
+ Long-winged, tireless roamers and adventurers,
+ Fearless breasters of the wind and sea,
+ In the far-off solitary places
+ I have seen you floating wild and free!
+
+ Here the high-built cities rise around you;
+ Here the cliffs that tower east and west,
+ Honeycombed with human habitations,
+ Have no hiding for the sea-bird's nest:
+ Here the river flows begrimed and troubled;
+ Here the hurrying, panting vessels fume,
+ Restless, up and down the watery highway,
+ While a thousand chimneys vomit gloom.
+
+ Toil and tumult, conflict and confusion,
+ Clank and clamour of the vast machine
+ Human hands have built for human bondage--
+ Yet amid it all you float serene;
+ Circling, soaring, sailing, swooping lightly
+ Down to glean your harvest from the wave;
+ In your heritage of air and water,
+ You have kept the freedom Nature gave.
+
+ Even so the wild-woods of Manhattan
+ Saw your wheeling flocks of white and gray;
+ Even so you fluttered, followed, floated,
+ Round the _Half-Moon_ creeping up the bay;
+ Even so your voices creaked and chattered.
+ Laughing shrilly o'er the tidal rips,
+ While your black and beady eyes were glistening
+ Round the sullen British prison-ships.
+
+ Children of the elemental mother,
+ Fearless floaters 'mid the double blue,
+ From the crowded boats that cross the ferries
+ Many a longing heart goes out to you.
+ Though the cities climb and close around us,
+ Something tells us that our souls are free,
+ While the sea-gulls fly above the harbour,
+ While the river flows to meet the sea!
+
+December, 1905.
+
+
+
+A BALLAD OF CLAREMONT HILL
+
+
+ The roar of the city is low,
+ Muffled by new-fallen snow,
+ And the sign of the wintry moon is small and round and still.
+ Will you come with me to-night,
+ To see a pleasant sight
+ Away on the river-side, at the edge of Claremont Hill?
+
+ "And what shall we see there,
+ But streets that are new and bare,
+ And many a desolate place that the city is coming to fill;
+ And a soldier's tomb of stone,
+ And a few trees standing alone--
+ Will you walk for that through the cold, to the edge of Claremont Hill?"
+
+ But there's more than that for me,
+ In the place that I fain would see:
+ There's a glimpse of the grace that helps us all to bear life's ill,
+ A touch of the vital breath
+ That keeps the world from death,
+ A flower that never fades, on the edge of Claremont Hill.
+
+ For just where the road swings round,
+ In a narrow strip of ground,
+ Where a group of forest trees are lingering fondly still,
+ There's a grave of the olden time,
+ When the garden bloomed in its prime,
+ And the children laughed and sang on the edge of Claremont Hill.
+
+ The marble is pure and white,
+ And even in this dim light,
+ You may read the simple words that are written there if you will;
+ You may hear a father tell
+ Of the child he loved so well,
+ A hundred years ago, on the edge of Claremont Hill.
+
+ The tide of the city has rolled
+ Across that bower of old,
+ And blotted out the beds of the rose and the daffodil;
+ But the little playmate sleeps,
+ And the shrine of love still keeps
+ A record of happy days, on the edge of Claremont Hill.
+
+ The river is pouring down
+ To the crowded, careless town,
+ Where the intricate wheels of trade are grinding on like a mill;
+ But the clamorous noise and strife
+ Of the hurrying waves of life
+ Flow soft by this haven of peace on the edge of Claremont Hill.
+
+ And after all, my friend,
+ When the tale of our years shall end,
+ Be it long or short, or lowly or great, as God may will,
+ What better praise could we hear,
+ Than this of the child so dear:
+ You have made my life more sweet, on the edge of Claremont Hill?
+
+December, 1896.
+
+
+
+URBS CORONATA
+
+(Song for the City College of New York)
+
+
+ O youngest of the giant brood
+ Of cities far-renowned;
+ In wealth and glory thou hast passed
+ Thy rivals at a bound;
+ Thou art a mighty queen, New York;
+ And how wilt thou be crowned?
+
+ "Weave me no palace-wreath of Pride,"
+ The royal city said;
+ "Nor forge of frowning fortress-walls
+ A helmet for my head;
+ But let me wear a diadem
+ Of Wisdom's towers instead."
+
+ She bowed herself, she spent herself,
+ She wrought her will forsooth,
+ And set upon her island height
+ A citadel of Truth,
+ A house of Light, a home of Thought,
+ A shrine of noble Youth.
+
+ Stand here, ye City College towers,
+ And look both up and down;
+ Remember all who wrought for you
+ Within the toiling town;
+ Remember all their hopes for you,
+ And _be_ the City's Crown.
+
+June, 1908.
+
+
+
+MERCY FOR ARMENIA
+
+
+I
+
+THE TURK'S WAY
+
+ Stand back, ye messengers of mercy! Stand
+ Far off, for I will save my troubled folk
+ In my own way. So the false Sultan spoke;
+ And Europe, hearkening to his base command,
+ Stood still to see him heal his wounded land.
+ Through blinding snows of winter and through smoke
+ Of burning towns, she saw him deal the stroke
+ Of cruel mercy that his hate had planned.
+ Unto the prisoners and the sick he gave
+ New tortures, horrible, without a name;
+ Unto the thirsty, blood to drink; a sword
+ Unto the hungry; with a robe of shame
+ He clad the naked, making life abhorred;
+ He saved by slaughter, and denied a grave.
+
+
+II
+
+AMERICA'S WAY
+
+ But thou, my country, though no fault be thine
+ For that red horror far across the sea;
+ Though not a tortured wretch can point to thee,
+ And curse thee for the selfishness supine
+ Of those great Powers that cowardly combine
+ To shield the Turk in his iniquity;
+ Yet, since thy hand is innocent and free,
+ Arise, and show the world the way divine!
+ Thou canst not break the oppressor's iron rod,
+ But thou canst help and comfort the oppressed;
+ Thou canst not loose the captive's heavy chain,
+ But thou canst bind his wounds and soothe his pain.
+ Armenia calls thee, Sovereign of the West,
+ To play the Good Samaritan for God.
+
+1896.
+
+
+
+SICILY, DECEMBER, 1908
+
+
+ O garden isle, beloved by Sun and Sea,
+ Whose bluest billows kiss thy curving bays,
+ Whose light infolds thy hills with golden rays,
+ Filling with fruit each dark-leaved orange-tree,
+ What hidden hatred hath the Earth for thee,
+ That once again, in these dark, dreadful days,
+ Breaks forth in trembling rage, and swiftly lays
+ Thy beauty waste in wreck and agony!
+ Is Nature, then, a strife of jealous powers,
+ And man the plaything of unconscious fate?
+ Not so, my troubled heart! God reigns above,
+ And man is greatest in his darkest hours.
+ Walking amid the cities desolate,
+ Behold the Son of God in human love!
+
+Tertius and Henry van Dyke.
+
+
+
+"COME BACK AGAIN, JEANNE D'ARC"
+
+
+ The land was broken in despair,
+ The princes quarrelled in the dark,
+ When clear and tranquil, through the troubled air
+ Of selfish minds and wills that did not dare,
+ Your star arose, Jeanne d'Arc.
+
+ O virgin breast with lilies white,
+ O sun-burned hand that bore the lance,
+ You taught the prayer that helps men to unite,
+ You brought the courage equal to the fight,
+ You gave a heart to France!
+
+ Your king was crowned, your country free,
+ At Rheims you had your soul's desire:
+ And then, at Rouen, maid of Domremy,
+ The black-robed judges gave your victory
+ The martyr's crown of fire.
+
+ And now again the times are ill,
+ And doubtful leaders miss the mark;
+ The people lack the single faith and will
+ To make them one,--your country needs you still,--
+ Come back again, Jeanne d'Arc!
+
+ O woman-star, arise once more
+ And shine to bid your land advance:
+ The old heroic trust in God restore,
+ Renew the brave, unselfish hopes of yore,
+ And give a heart to France!
+
+Paris, July, 1909.
+
+
+
+NATIONAL MONUMENTS
+
+
+ Count not the cost of honour to the dead!
+ The tribute that a mighty nation pays
+ To those who loved her well in former days
+ Means more than gratitude for glories fled;
+ For every noble man that she hath bred,
+ Lives in the bronze and marble that we raise,
+ Immortalised by art's immortal praise,
+ To lead our sons as he our fathers led.
+
+ These monuments of manhood strong and high
+ Do more than forts or battle-ships to keep
+ Our dear-bought liberty. They fortify
+ The heart of youth with valour wise and deep;
+ They build eternal bulwarks, and command
+ Immortal hosts to guard our native land.
+
+February, 1905.
+
+
+
+THE MONUMENT OF FRANCIS MAKEMIE
+
+(Presbyter of Christ in America, 1683-1708)
+
+
+ To thee, plain hero of a rugged race,
+ We bring the meed of praise too long delayed!
+ Thy fearless word and faithful work have made
+ For God's Republic firmer resting-place
+ In this New World: for thou hast preached the grace
+ And power of Christ in many a forest glade,
+ Teaching the truth that leaves men unafraid
+ Of frowning tyranny or death's dark face.
+
+ Oh, who can tell how much we owe to thee,
+ Makemie, and to labour such as thine,
+ For all that makes America the shrine
+ Of faith untrammelled and of conscience free?
+ Stand here, gray stone, and consecrate the sod
+ Where rests this brave Scotch-Irish man of God!
+
+April, 1908.
+
+
+
+THE STATUE OF SHERMAN BY ST. GAUDENS
+
+
+ This is the soldier brave enough to tell
+ The glory-dazzled world that 'war is hell':
+ Lover of peace, he looks beyond the strife,
+ And rides through hell to save his country's life.
+
+April, 1904.
+
+
+
+"AMERICA FOR ME"
+
+
+ 'Tis fine to see the Old World, and travel up and down
+ Among the famous palaces and cities of renown,
+ To admire the crumbly castles and the statues of the kings,--
+ But now I think I've had enough of antiquated things.
+
+ _So it's home again, and home again, America for me!
+ My heart is turning home again, and there I long to be,
+ In the land of youth and freedom beyond the ocean bars,
+ Where the air is full of sunlight and the flag is full of stars._
+
+ Oh, London is a man's town, there's power in the air;
+ And Paris is a woman's town, with flowers in her hair;
+ And it's sweet to dream in Venice, and it's great to study Rome;
+ But when it comes to living there is no place like home.
+
+ I like the German fir-woods, in green battalions drilled;
+ I like the gardens of Versailles with flashing fountains filled;
+ But, oh, to take your hand, my dear, and ramble for a day
+ In the friendly western woodland where Nature has her way!
+
+ I know that Europe's wonderful, yet something seems to lack:
+ The Past is too much with her, and the people looking back.
+ But the glory of the Present is to make the Future free,--
+ We love our land for what she is and what she is to be.
+
+ _Oh, it's home again, and home again, America for me!
+ I want a ship that's westward bound to plough the rolling sea,
+ To the blessed Land of Room Enough beyond the ocean bars,
+ Where the air is full of sunlight and the flag is full of stars._
+
+June, 1909.
+
+
+
+THE BUILDERS
+
+ODE FOR THE HUNDRED AND FIFTIETH ANNIVERSARY OF PRINCETON COLLEGE
+
+October 21, 1896
+
+
+I
+
+ Into the dust of the making of man
+ Spirit was breathed when his life began,
+ Lifting him up from his low estate,
+ With masterful passion, the wish to create.
+ Out of the dust of his making, man
+ Fashioned his works as the ages ran;
+ Fortress, and palace, and temple, and tower,
+ Filling the world with the proof of his power.
+ Over the dust that awaits him, man,
+ Building the walls that his pride doth plan,
+ Dreams they will stand in the light of the sun
+ Bearing his name till Time is done.
+
+
+II
+
+ The monuments of mortals
+ Are as the glory of the grass;
+ Through Time's dim portals
+ A voiceless, viewless wind doth pass,
+ The blossoms fall before it in a day,
+ The forest monarchs year by year decay,
+ And man's great buildings slowly fade away.
+ One after one,
+ They pay to that dumb breath
+ The tribute of their death,
+ And are undone.
+ The towers incline to dust,
+ The massive girders rust,
+ The domes dissolve in air,
+ The pillars that upbear
+ The lofty arches crumble, stone by stone,
+ While man the builder looks about him in despair,
+ For all his works of pride and power are overthrown.
+
+
+III
+
+ A Voice came from the sky:
+ "Set thy desires more high.
+ Thy buildings fade away
+ Because thou buildest clay.
+ Now make the fabric sure
+ With stones that will endure!
+ Hewn from the spiritual rock,
+ The immortal towers of the soul
+ At Death's dissolving touch shall mock,
+ And stand secure while aeons roll."
+
+
+IV
+
+ Well did the wise in heart rejoice
+ To hear the summons of that Voice,
+ And patiently begin
+ The builder's work within,
+ Houses not made with hands,
+ Nor founded on the sands.
+ And thou, Revered Mother, at whose call
+ We come to keep thy joyous festival,
+ And celebrate thy labours on the walls of Truth
+ Through sevenscore years and ten of thine eternal youth--
+ A master builder thou,
+ And on thy shining brow,
+ Like Cybele, in fadeless light dost wear
+ A diadem of turrets strong and fair.
+
+
+V
+
+ I see thee standing in a lonely land,
+ But late and hardly won from solitude,
+ Unpopulous and rude,--
+ On that far western shore I see thee stand,
+ Like some young goddess from a brighter strand,
+ While in thine eyes a radiant thought is born,
+ Enkindling all thy beauty like the morn.
+ Sea-like the forest rolled, in waves of green,
+ And few the lights that glimmered, leagues between.
+ High in the north, for fourscore years alone
+ Fair Harvard's earliest beacon-tower had shone
+ When Yale was lighted, and an answering ray
+ Flashed from the meadows by New Haven Bay.
+ But deeper spread the forest, and more dark,
+ Where first Neshaminy received the spark
+ Of sacred learning to a woodland camp,
+ And Old Log College glowed with Tennant's lamp.
+ Thine, Alma Mater, was the larger sight,
+ That saw the future of that trembling light,
+ And thine the courage, thine the stronger will,
+ That built its loftier home on Princeton Hill.
+
+ "New light!" men cried, and murmured that it came
+ From an unsanctioned source with lawless flame;
+ It shone too free, for still the church and school
+ Must only shine according to their rule.
+ But Princeton answered, in her nobler mood,
+ "God made the light, and all the light is good.
+ There is no war between the old and new;
+ The conflict lies between the false and true.
+ The stars, that high in heaven their courses run,
+ In glory differ, but their light is one.
+ The beacons, gleaming o'er the sea of life,
+ Are rivals but in radiance, not in strife.
+ Shine on, ye sister-towers, across the night!
+ I too will build a lasting house of light."
+
+
+VI
+
+ Brave was that word of faith and bravely was it kept:
+ With never-wearying zeal that faltered not, nor slept,
+ Our Alma Mater toiled, and while she firmly laid
+ The deep foundation-walls, at all her toil she prayed.
+ And men who loved the truth because it made them free,
+ And clearly saw the twofold Word of God agree,
+ Reading from Nature's book and from the Bible's page
+ By the same inward ray that grows from age to age,
+ Were built like living stones that beacon to uplift,
+ And drawing light from heaven gave to the world the gift.
+ Nor ever, while they searched the secrets of the earth,
+ Or traced the stream of life through mystery to its birth,
+ Nor ever, while they taught the lightning-flash to bear
+ The messages of man in silence through the air,
+ Fell from their home of light one false, perfidious ray
+ To blind the trusting heart, or lead the life astray.
+ But still, while knowledge grew more luminous and broad
+ It lit the path of faith and showed the way to God.
+
+
+VII
+
+ Yet not for peace alone
+ Labour the builders.
+ Work that in peace has grown
+ Swiftly is overthrown,
+ When in the darkening skies
+ Storm-clouds of wrath arise,
+ And through the cannon's crash,
+ War's deadly lightning-flash
+ Smites and bewilders.
+ Ramparts of strength must frown
+ Round every placid town
+ And city splendid;
+ All that our fathers wrought
+ With true prophetic thought,
+ Must be defended!
+
+
+VIII
+
+ But who could raise protecting walls for thee,
+ Thou young, defenceless land of liberty?
+ Or who could build a fortress strong enough,
+ Or stretch a mighty bulwark long enough
+ To hold thy far-extended coast
+ Against the overweening host
+ That took the open path across the sea,
+ And like a tempest poured
+ Their desolating horde,
+ To quench thy dawning light in gloom of tyranny?
+ Yet not unguarded thou wert found
+ When on thy shore with sullen sound
+ The blaring trumpets of an unjust king
+ Proclaimed invasion. From the ground,
+ In freedom's darkest hour, there seemed to spring
+ Unconquerable walls for her defence;
+ Not trembling, like those battlements of stone
+ That fell when Joshua's horns were blown;
+ But firm and stark the living rampart rose,
+ To meet the onset of imperious foes
+ With a long line of brave, unyielding men.
+ This was thy fortress, well-defended land,
+ And on these walls, the patient, building hand
+ Of Princeton laboured with the force of ten.
+ Her sons were foremost in the furious fight;
+ Her sons were firmest to uphold the right
+ In council-chambers of the new-born State,
+ And prove that he who would be free must first be great
+ In heart, and high in thought, and strong
+ In purpose not to do or suffer wrong.
+ Such were the men, impregnable to fear,
+ Whose souls were framed and fashioned here;
+ And when war shook the land with threatening shock,
+ The men of Princeton stood like muniments of rock.
+ Nor has the breath of Time
+ Dissolved that proud array
+ Of never-broken strength:
+ For though the rocks decay,
+ And all the iron bands
+ Of earthly strongholds are unloosed at length,
+ And buried deep in gray oblivion's sands;
+ The work that heroes' hands
+ Wrought in the light of freedom's natal day
+ Shall never fade away,
+ But lifts itself, sublime
+ Into a lucid sphere,
+ For ever calm and clear,
+ Preserving in the memory of the fathers' deed,
+ A never-failing fortress for their children's need.
+ There we confirm our hearts to-day, and read
+ On many a stone the signature of fame,
+ The builder's mark, our Alma Mater's name.
+
+
+IX
+
+ Bear with us then a moment, while we turn
+ From all the present splendours of this place--
+ The lofty towers that like a dream have grown
+ Where once old Nassau Hall stood all alone--
+ Back to that ancient time, with hearts that burn
+ In filial gratitude, to trace
+ The glory of our mother's best degree,
+ In that "high son of Liberty,"
+ Who like a granite block,
+ Riven from Scotland's rock,
+ Stood loyal here to keep Columbia free.
+ Born far away beyond the ocean's tide,
+ He found his fatherland upon this side;
+ And every drop of ardent blood that ran
+ Through his great heart, was true American.
+ He held no fealty to a distant throne,
+ But made his new-found country's cause his own.
+ In peril and distress,
+ In toil and weariness,
+ When darkness overcast her
+ With shadows of disaster,
+ And voices of confusion
+ Proclaimed her hope delusion,
+ Robed in his preacher's gown,
+ He dared the danger down;
+ Like some old prophet chanting an inspired rune
+ In freedom's councils rang the voice of Witherspoon.
+
+ And thou, my country, write it on thy heart:
+ _Thy sons are they who nobly take thy part;
+ Who dedicates his manhood at thy shrine,
+ Wherever born, is born a son of thine.
+ Foreign in name, but not in soul, they come
+ To find in thee their long desired home;
+ Lovers of liberty and haters of disorder,
+ They shall be built in strength along thy border._
+
+ Dream not thy future foes
+ Will all be foreign-born!
+ Turn thy clear look of scorn
+ Upon thy children who oppose
+ Their passions wild and policies of shame
+ To wreck the righteous splendour of thy name.
+ Untaught and overconfident they rise,
+ With folly on their lips, and envy in their eyes:
+ Strong to destroy, but powerless to create,
+ And ignorant of all that made our fathers great,
+ Their hands would take away thy golden crown,
+ And shake the pillars of thy freedom down
+ In Anarchy's ocean, dark and desolate.
+ O should that storm descend,
+ What fortress shall defend
+ The land our fathers wrought for,
+ The liberties they fought for?
+ What bulwark shall secure
+ Her shrines of law, and keep her founts of justice pure?
+ Then, ah then,
+ As in the olden days,
+ The builders must upraise
+ A rampart of indomitable men.
+ And once again,
+ Dear Mother, if thy heart and hand be true,
+ There will be building work for thee to do;
+ Yea, more than once again,
+ Thou shalt win lasting praise,
+ And never-dying honour shall be thine,
+ For setting many stones in that illustrious line,
+ To stand unshaken in the swirling strife,
+ And guard their country's honour as her life.
+
+
+X
+
+ Softly, my harp, and let me lay the touch
+ Of silence on these rudely clanging strings;
+ For he who sings
+ Even of noble conflicts overmuch,
+ Loses the inward sense of better things;
+ And he who makes a boast
+ Of knowledge, darkens that which counts the most,--
+ The insight of a wise humility
+ That reverently adores what none can see.
+ The glory of our life below
+ Comes not from what we do, or what we know,
+ But dwells forevermore in what we are.
+ There is an architecture grander far
+ Than all the fortresses of war,
+ More inextinguishably bright
+ Than learning's lonely towers of light.
+ Framing its walls of faith and hope and love
+ In souls of men, it lifts above
+ The frailty of our earthly home
+ An everlasting dome;
+ The sanctuary of the human host,
+ The living temple of the Holy Ghost.
+
+
+XI
+
+ If music led the builders long ago,
+ When Arthur planned the halls of Camelot,
+ And made the royal city grow,
+ Fair as a flower in that forsaken spot;
+ What sweeter music shall we bring,
+ To weave a harmony divine
+ Of prayer and holy thought
+ Into the labours of this loftier shrine,
+ This consecrated hill,
+ Where through so many a year
+ Our Alma Mater's hand hath wrought,
+ With toil serene and still,
+ And heavenly hope, to rear
+ Eternal dwellings for the Only King?
+ Here let no martial trumpets blow,
+ Nor instruments of pride proclaim
+ The loud exultant notes of fame!
+ But let the chords be clear and low,
+ And let the anthem deeper grow,
+ And let it move more solemnly and slow;
+ For only such an ode
+ Can seal the harmony
+ Of that deep masonry
+ Wherein the soul of man is framed for God's abode.
+
+
+XII
+
+ O Thou whose boundless love bestows
+ The joy of earth, the hope of Heaven,
+ And whose unchartered mercy flows
+ O'er all the blessings Thou hast given;
+ Thou by whose light alone we see;
+ And by whose truth our souls set free
+ Are made imperishably strong;
+ Hear Thou the solemn music of our song.
+
+ Grant us the knowledge that we need
+ To solve the questions of the mind,
+ And light our candle while we read,
+ To keep our hearts from going blind;
+ Enlarge our vision to behold
+ The wonders Thou hast wrought of old;
+ Reveal thyself in every law,
+ And gild the towers of truth with holy awe.
+
+ Be Thou our strength if war's wild gust
+ Shall rage around us, loud and fierce;
+ Confirm our souls and let our trust
+ Be like a shield that none can pierce;
+ Renew the courage that prevails,
+ The steady faith that never fails,
+ And make us stand in every fight
+ Firm as a fortress to defend the right.
+
+ O God, control us as Thou wilt,
+ And guide the labour of our hand;
+ Let all our work be surely built
+ As Thou, the architect, hast planned;
+ But whatso'er thy power shall make
+ Of these frail lives, do not forsake
+ Thy dwelling: let thy presence rest
+ For ever in the temple of our breast.
+
+
+
+SPIRIT OF THE EVERLASTING BOY
+
+ODE FOR THE HUNDREDTH ANNIVERSARY OF LAWRENCEVILLE SCHOOL
+
+June 11, 1910
+
+
+I
+
+ The British bard who looked on Eton's walls,
+ Endeared by distance in the pearly gray
+ And soft aerial blue that ever falls
+ On English landscape with the dying day,
+ Beheld in thought his boyhood far away,
+ Its random raptures and its festivals
+ Of noisy mirth,
+ The brief illusion of its idle joys,
+ And mourned that none of these can stay
+ With men, whom life inexorably calls
+ To face the grim realities of earth.
+ His pensive fancy pictured there at play
+ From year to year the careless bands of boys,
+ Unconscious victims kept in golden state,
+ While haply they await
+ The dark approach of disenchanting Fate,
+ To hale them to the sacrifice
+ Of Pain and Penury and Grief and Care,
+ Slow-withering Age, or Failure's swift despair.
+ Half-pity and half-envy dimmed the eyes
+ Of that old poet, gazing on the scene
+ Where long ago his youth had flowed serene,
+ And all the burden of his ode was this:
+ "Where ignorance is bliss,
+ 'Tis folly to be wise."
+
+
+II
+
+ But not for us, O plaintive elegist,
+ Thine epicedial tone of sad farewell
+ To joy in wisdom and to thought in youth!
+ Our western Muse would keep her tryst
+ With sunrise, not with sunset, and foretell
+ In boyhood's bliss the dawn of manhood's truth.
+
+
+III
+
+ O spirit of the everlasting boy,
+ Alert, elate,
+ And confident that life is good,
+ Thou knockest boldly at the gate,
+ In hopeful hardihood,
+ Eager to enter and enjoy
+ Thy new estate.
+
+ Through the old house thou runnest everywhere,
+ Bringing a breath of folly and fresh air.
+ Ready to make a treasure of each toy,
+ Or break them all in discontented mood;
+ Fearless of Fate,
+ Yet strangely fearful of a comrade's laugh;
+ Reckless and timid, hard and sensitive;
+ In talk a rebel, full of mocking chaff,
+ At heart devout conservative;
+ In love with love, yet hating to be kissed;
+ Inveterate optimist,
+ And judge severe,
+ In reason cloudy but in feeling clear;
+ Keen critic, ardent hero-worshipper,
+ Impatient of restraint in little ways,
+ Yet ever ready to confer
+ On chosen leaders boundless power and praise;
+ Adventurous spirit burning to explore
+ Untrodden paths where hidden danger lies,
+ And homesick heart looking with wistful eyes
+ Through every twilight to a mother's door;
+ Thou daring, darling, inconsistent boy,
+ How dull the world would be
+ Without thy presence, dear barbarian,
+ And happy lord of high futurity!
+ Be what thou art, our trouble and our joy,
+ Our hardest problem and our brightest hope!
+ And while thine elders lead thee up the slope
+ Of knowledge, let them learn from teaching thee
+ That vital joy is part of nature's plan,
+ And he who keeps the spirit of the boy
+ Shall gladly grow to be a happy man.
+
+
+IV
+
+ What constitutes a school?
+ Not ancient halls and ivy-mantled towers,
+ Where dull traditions rule
+ With heavy hand youth's lightly springing powers;
+ Not spacious pleasure courts,
+ And lofty temples of athletic fame,
+ Where devotees of sports
+ Mistake a pastime for life's highest aim;
+ Not fashion, nor renown
+ Of wealthy patronage and rich estate;
+ No, none of these can crown
+ A school with light and make it truly great.
+ But masters, strong and wise,
+ Who teach because they love the teacher's task,
+ And find their richest prize
+ In eyes that open and in minds that ask;
+ And boys, with heart aglow
+ To try their youthful vigour on their work,
+ Eager to learn and grow,
+ And quick to hate a coward or a shirk:
+ These constitute a school,--
+ A vital forge of weapons keen and bright,
+ Where living sword and tool
+ Are tempered for true toil or noble fight!
+ But let not wisdom scorn
+ The hours of pleasure in the playing fields:
+ There also strength is born,
+ And every manly game a virtue yields.
+ Fairness and self-control,
+ Good-humour, pluck, and patience in the race,
+ Will make a lad heart-whole
+ To win with honour, lose without disgrace.
+ Ah, well for him who gains
+ In such a school apprenticeship to life:
+ With him the joy of youth remains
+ In later lessons and in larger strife!
+
+
+V
+
+ On Jersey's rolling plain, where Washington,
+ In midnight marching at the head
+ Of ragged regiments, his army led
+ To Princeton's victory of the rising sun;
+ Here in this liberal land, by battle won
+ For Freedom and the rule
+ Of equal rights for every child of man,
+ Arose a democratic school,
+ To train a virile race of sons to bear
+ With thoughtful joy the name American,
+ And serve the God who heard their father's prayer.
+ No cloister, dreaming in a world remote
+ From that real world wherein alone we live;
+ No mimic court, where titled names denote
+ A dignity that only worth can give;
+ But here a friendly house of learning stood,
+ With open door beside the broad highway,
+ And welcomed lads to study and to play
+ In generous rivalry of brotherhood.
+ A hundred years have passed, and Lawrenceville,
+ In beauty and in strength renewed,
+ Stands with her open portal still,
+ And neither time nor fortune brings
+ To her deep spirit any change of mood,
+ Or faltering from the faith she held of old.
+ Still to the democratic creed she clings:
+ That manhood needs nor rank nor gold
+ To make it noble in our eyes;
+ That every boy is born with royal right,
+ From blissful ignorance to rise
+ To joy more lasting and more bright,
+ In mastery of body and of mind,
+ King of himself and servant of mankind.
+
+
+VI
+
+ Old Lawrenceville,
+ Thy happy bell
+ Shall ring to-day,
+ O'er vale and hill,
+ O'er mead and dell,
+ While far away,
+ With silent thrill,
+ The echoes roll
+ Through many a soul,
+ That knew thee well,
+ In boyhood's day,
+ And loves thee still.
+
+ Ah, who can tell
+ How far away,
+ Some sentinel
+ Of God's good will,
+ In forest cool,
+ Or desert gray,
+ By lonely pool,
+ Or barren hill,
+ Shall faintly hear,
+ With inward ear,
+ The chiming bell,
+ Of his old school,
+ Through darkness pealing;
+ And lowly kneeling,
+ Shall feel the spell
+ Of grateful tears
+ His eyelids fill;
+ And softly pray
+ To Him who hears:
+ God bless old Lawrenceville!
+
+
+
+TEXAS
+
+A DEMOCRATIC ODE [1]
+
+
+I
+
+THE WILD-BEES
+
+ All along the Brazos river,
+ All along the Colorado,
+ In the valleys and the lowlands
+ Where the trees were tall and stately,
+ In the rich and rolling meadows
+ Where the grass was full of wild-flowers,
+ Came a humming and a buzzing,
+ Came the murmur of a going
+ To and fro among the tree-tops,
+ Far and wide across the meadows.
+ And the red-men in their tepees
+ Smoked their pipes of clay and listened.
+ "What is this?" they asked in wonder;
+ "Who can give the sound a meaning?
+ Who can understand the language
+ Of this going in the tree-tops?"
+ Then the wisest of the Tejas
+ Laid his pipe aside and answered:
+ "O my brothers, these are people,
+ Very little, winged people,
+ Countless, busy, banded people,
+ Coming humming through the timber.
+ These are tribes of bees, united
+ By a single aim and purpose,
+ To possess the Tejas' country,
+ Gather harvest from the prairies,
+ Store their wealth among the timber.
+ These are hive and honey makers,
+ Sent by Manito to warn us
+ That the white men now are coming,
+ With their women and their children.
+ Not the fiery filibusters
+ Passing wildly in a moment,
+ Like a flame across the prairies,
+ Like a whirlwind through the forest,
+ Leaving empty lands behind them!
+ Not the Mexicans and Spaniards,
+ Indolent and proud hidalgos,
+ Dwelling in their haciendas,
+ Dreaming, talking of tomorrow,
+ While their cattle graze around them,
+ And their fickle revolutions
+ Change the rulers, not the people!
+ Other folk are these who follow
+ When the wild-bees come to warn us;
+ These are hive and honey makers,
+ These are busy, banded people,
+ Roaming far to swarm and settle,
+ Working every day for harvest,
+ Fighting hard for peace and order,
+ Worshipping as queens their women,
+ Making homes and building cities
+ Full of riches and of trouble.
+ All our hunting-grounds must vanish,
+ All our lodges fall before them,
+ All our customs and traditions,
+ All our happy life of freedom,
+ Fade away like smoke before them.
+ Come, my brothers, strike your tepees,
+ Call your women, load your ponies!
+ Let us take the trail to westward,
+ Where the plains are wide and open,
+ Where the bison-herds are gathered
+ Waiting for our feathered arrows.
+ We will live as lived our fathers,
+ Gleaners of the gifts of nature,
+ Hunters of the unkept cattle,
+ Men whose women run to serve them.
+ If the toiling bees pursue us,
+ If the white men seek to tame us,
+ We will fight them off and flee them,
+ Break their hives and take their honey,
+ Moving westward, ever westward,
+ There to live as lived our fathers."
+ So the red-men drove their ponies,
+ With the tent-poles trailing after,
+ Out along the path to sunset,
+ While along the river valleys
+ Swarmed the wild-bees, the forerunners;
+ And the white men, close behind them,
+ Men of mark from old Missouri,
+ Men of daring from Kentucky,
+ Tennessee, Louisiana,
+ Men of many States and races,
+ Bringing wives and children with them,
+ Followed up the wooded valleys,
+ Spread across the rolling prairies,
+ Raising homes and reaping harvests.
+ Rude the toil that tried their patience,
+ Fierce the fights that proved their courage,
+ Rough the stone and tough the timber
+ Out of which they built their order!
+ Yet they never failed nor faltered,
+ And the instinct of their swarming
+ Made them one and kept them working,
+ Till their toil was crowned with triumph,
+ And the country of the Tejas
+ Was the fertile land of Texas.
+
+
+II
+
+THE LONE STAR
+
+ Behold a star appearing in the South,
+ A star that shines apart from other stars,
+ Ruddy and fierce like Mars!
+ Out of the reeking smoke of cannon's mouth
+ That veils the slaughter of the Alamo,
+ Where heroes face the foe,
+ One man against a score, with blood-choked breath
+ Shouting the watchword, "Victory or Death--"
+ Out of the dreadful cloud that settles low
+ On Goliad's plain,
+ Where thrice a hundred prisoners lie slain
+ Beneath the broken word of Mexico--
+ Out of the fog of factions and of feuds
+ That ever drifts and broods
+ Above the bloody path of border war,
+ Leaps the Lone Star!
+
+ What light is this that does not dread the dark?
+ What star is this that fights a stormy way
+ To San Jacinto's field of victory?
+ It is the fiery spark
+ That burns within the breast
+ Of Anglo-Saxon men, who can not rest
+ Under a tyrant's sway;
+ The upward-leading ray
+ That guides the brave who give their lives away
+ Rather than not be free!
+ O question not, but honour every name,
+ Travis and Crockett, Bowie, Bonham, Ward,
+ Fannin and King, and all who drew the sword
+ And dared to die for Texan liberty!
+ Yea, write them all upon the roll of fame,
+ But no less love and equal honour give
+ To those who paid the longer sacrifice--
+ Austin and Houston, Burnet, Rusk, Lamar
+ And all the stalwart men who dared to live
+ Long years of service to the lonely star.
+
+ Great is the worth of such heroic souls:
+ Amid the strenuous turmoil of their deeds,
+ They clearly speak of something that controls
+ The higher breeds of men by higher needs
+ Than bees, content with honey in their hives!
+ Ah, not enough the narrow lives
+ On profitable toil intent!
+ And not enough the guerdons of success
+ Garnered in homes of affluent selfishness!
+ A noble discontent
+ Cries for a wider scope
+ To use the wider wings of human hope;
+ A vision of the common good
+ Opens the prison-door of solitude;
+ And, once beyond the wall,
+ Breathing the ampler air,
+ The heart becomes aware
+ _That life without a country is not life at all._
+ A country worthy of a freeman's love;
+ A country worthy of a good man's prayer;
+ A country strong, and just, and brave, and fair,--
+ A woman's form of beauty throned above
+ The shrine where noble aspirations meet--
+ To live for her is great, to die is sweet!
+
+ Heirs of the rugged pioneers
+ Who dreamed this dream and made it true,
+ Remember that they dreamed for you.
+ They did not fear their fate
+ In those tempestuous years,
+ But put their trust in God, and with keen eyes,
+ Trained in the open air for looking far,
+ They saw the many-million-acred land
+ Won from the desert by their hand,
+ Swiftly among the nations rise,--
+ Texas a sovereign State,
+ And on her brow a star!
+
+
+III
+
+THE CONSTELLATION
+
+ How strange that the nature of light is a thing beyond our ken,
+ And the flame of the tiniest candle flows from a fountain sealed!
+ How strange that the meaning of life, in the little lives of men,
+ So often baffles our search with a mystery unrevealed!
+
+ But the larger life of man, as it moves in its secular sweep,
+ Is the working out of a Sovereign Will whose ways appear;
+ And the course of the journeying stars on the dark blue boundless deep,
+ Is the place where our science rests in the reign of law most clear.
+
+ I would read the story of Texas as if it were written on high;
+ I would look from afar to follow her path through the calms and storms;
+ With a faith in the worldwide sway of the Reason that rules in the sky,
+ And gathers and guides the starry host in clusters and swarms.
+
+ When she rose in the pride of her youth, she seemed to be moving apart,
+ As a single star in the South, self-limited, self-possessed;
+ But the law of the constellation was written deep in her heart,
+ And she heard when her sisters called, from the North and the East and
+ the West.
+
+ They were drawn together and moved by a common hope and aim--
+ The dream of a sign that should rule a third of the heavenly arch;
+ The soul of a people spoke in their call, and Texas came
+ To enter the splendid circle of States in their onward march.
+
+ So the glory gathered and grew and spread from sea to sea,
+ And the stars of the great republic lent each other light;
+ For all were bound together in strength, and each was free--
+ Suddenly broke the tempest out of the ancient night!
+
+ It came as a clash of the force that drives and the force that draws;
+ And the stars were riven asunder, the heavens were desolate,
+ While brother fought with brother, each for his country's cause:
+ But the country of one was the Nation, the country of other the State.
+
+ Oh, who shall measure the praise or blame in a strife so vast?
+ And who shall speak of traitors or tyrants when all were true?
+ We lift our eyes to the sky, and rejoice that the storm is past,
+ And we thank the God of all that the Union shines in the blue.
+
+ Yea, it glows with the glory of peace and the hope of a mighty race,
+ High over the grave of broken chains and buried hates;
+ And the great, big star of Texas is shining clear in its place
+ In the constellate symbol and sign of the free United States.
+
+
+IV
+
+AFTER THE PIONEERS
+
+ After the pioneers--
+ Big-hearted, big-handed lords of the axe and the plow and the rifle,
+ Tan-faced tamers of horses and lands, themselves remaining tameless,
+ Full of fighting, labour and romance, lovers of rude adventure--
+ After the pioneers have cleared the way to their homes and graves on the
+ prairies:
+
+ After the State-builders--
+ Zealous and jealous men, dreamers, debaters, often at odds with each
+ other,
+ All of them sure it is well to toil and to die, if need be,
+ Just for the sake of founding a country to leave to their children--
+ After the builders have done their work and written their names upon it:
+
+ After the civil war--
+ Wildest of all storms, cruel and dark and seemingly wasteful,
+ Tearing up by the root the vines that were splitting the old foundations,
+ Washing away with a rain of blood and tears the dust of slavery,
+ After the cyclone has passed and the sky is fair to the far horizon;
+ After the era of plenty and peace has come with full hands to Texas,
+ Then--what then?
+
+ Is it to be the life of an indolent heir, fat-witted and self-contented,
+ Dwelling at ease in the house that others have builded,
+ Boasting about the country for which he has done nothing?
+ Is it to be an age of corpulent, deadly-dull prosperity,
+ Richer and richer crops to nourish a race of Philistines,
+ Bigger and bigger cities full of the same confusion and sorrow,
+ The people increasing mightily but no increase of the joy?
+ Is this what the forerunners wished and toiled to win for you,
+ This the reward of war and the fruitage of high endeavor,
+ This the goal of your hopes and the vision that satisfies you?
+
+ Nay, stand up and answer--I can read what is in your hearts--
+ You, the children of those who followed the wild-bees,
+ You, the children of those who served the Lone Star,
+ Now that the hives are full and the star is fixed in the constellation,
+ I know that the best of you still are lovers of sweetness and light!
+
+ You hunger for honey that comes from invisible gardens;
+ Pure, translucent, golden thoughts and feelings and inspirations,
+ Sweetness of all the best that has bloomed in the mind of man.
+ You rejoice in the light that is breaking along the borders of science;
+ The hidden rays that enable a man to look through a wall of stone;
+ The unseen, fire-filled wings that carry his words across the ocean;
+ The splendid gift of flight that shines, half-captured, above him;
+ The gleam of a thousand half-guessed secrets, just ready to be
+ discovered!
+ You dream and devise great things for the coming race--
+ Children of yours who shall people and rule the domain of Texas;
+ They shall know, they shall comprehend more than their fathers,
+ They shall grow in the vigour of well-rounded manhood and womanhood,
+ Riper minds, richer hearts, finer souls, the only true wealth of a
+ nation--
+ The league-long fields of the State are pledged to ensure this harvest!
+
+ Your old men have dreamed this dream and your young men have seen this
+ vision.
+ The age of romance has not gone, it is only beginning;
+ Greater words than the ear of man has heard are waiting to be spoken,
+ Finer arts than the eyes of man have seen are sleeping to be awakened:
+ Science exploring the scope of the world,
+ Poetry breathing the hope of the world,
+ Music to measure and lead the onward march of man!
+
+ Come, ye honoured and welcome guests from the elder nations,
+ Princes of science and arts and letters,
+ Look on the walls that embody the generous dream of one of the old men
+ of Texas,
+ Enter these halls of learning that rise in the land of the pioneer's
+ log-cabin,
+ Read the confessions of faith that are carved on the stones around you:
+ Faith in the worth of the smallest fact and the laws that govern the
+ starbeams,
+ Faith in the beauty of truth and the truth of perfect beauty,
+ Faith in the God who creates the souls of men by knowledge and love and
+ worship.
+
+ This is the faith of the New Democracy--
+ Proud and humble, patiently pressing forward,
+ Praising her heroes of old and training her future leaders,
+ Seeking her crown in a nobler race of men and women--
+ After the pioneers, sweetness and light!
+
+October, 1912.
+
+[1] Read at the Dedication of the Rice Institute, Houston, Texas,
+ October, 1912.
+
+
+
+WHO FOLLOW THE FLAG
+
+PHI BETA KAPPA ODE
+
+HARVARD UNIVERSITY
+
+June 30, 1910
+
+
+I
+
+ All day long in the city's canyon-street,
+ With its populous cliffs alive on either side,
+ I saw a river of marching men like a tide
+ Flowing after the flag: and the rhythmic beat
+ Of the drums, and the bugles' resonant blare
+ Metred the tramp, tramp, tramp of a myriad feet,
+ While the red-white-and-blue was fluttering everywhere,
+ And the heart of the crowd kept time to a martial air:
+
+ _O brave flag, O bright flag, O flag to lead the free!
+ The glory of thy silver stars,
+ Engrailed in blue above the bars
+ Of red for courage, white for truth,
+ Has brought the world a second youth
+ And drawn a hundred million hearts to follow after thee._
+
+
+II
+
+ Old Cambridge saw thee first unfurled,
+ By Washington's far-reaching hand,
+ To greet, in Seventy-six, the wintry morn
+ Of a new year, and herald to the world
+ Glad tidings from a Western land,--
+ A people and a hope new-born!
+ The double cross then filled thine azure field,
+ In token of a spirit loath to yield
+ The breaking ties that bound thee to a throne.
+ But not for long thine oriflamme could bear
+ That symbol of an outworn trust in kings.
+ The wind that bore thee out on widening wings
+ Called for a greater sign and all thine own,--
+ A new device to speak of heavenly laws
+ And lights that surely guide the people's cause.
+ Oh, greatly did they hope, and greatly dare,
+ Who bade the stars in heaven fight for them,
+ And set upon their battle-flag a fair
+ New constellation as a diadem!
+ Along the blood-stained banks of Brandywine
+ The ragged troops were rallied to this sign;
+ Through Saratoga's woods it fluttered bright
+ Amid the perils of the hard-won fight;
+ O'er Yorktown's meadows broad and green
+ It hailed the glory of the final scene;
+ And when at length Manhattan saw
+ The last invaders' line of scarlet coats
+ Pass Bowling Green, and fill the waiting boats
+ And sullenly withdraw,
+ The flag that proudly flew
+ Above the battered line of buff and blue,
+ Marching, with rattling drums and shrilling pipes,
+ Along the Bowery and down Broadway,
+ Was this that leads the great parade to-day,--
+ The glorious banner of the stars and stripes.
+
+
+ _First of the flags of earth to dare
+ A heraldry so high;
+ First of the flags of earth to bear
+ The blazons of the sky;
+ Long may thy constellation glow,
+ Foretelling happy fate;
+ Wider thy starry circle grow,
+ And every star a State!_
+
+
+III
+
+ Pass on, pass on, ye flashing files
+ Of men who march in militant array;
+ Ye thrilling bugles, throbbing drums,
+ Ring out, roll on, and die away;
+ And fade, ye crowds, with the fading day!
+ Around the city's lofty piles
+ Of steel and stone
+ The lilac veil of dusk is thrown,
+ Entangled full of sparks of fairy light;
+ And the never-silent heart of the city hums
+ To a homeward-turning tune before the night.
+ But far above, on the sky-line's broken height,
+ From all the towers and domes outlined
+ In gray and gold along the city's crest,
+ I see the rippling flag still take the wind
+ With a promise of good to come for all mankind.
+
+
+IV
+
+ O banner of the west,
+ No proud and brief parade,
+ That glorifies a nation's holiday
+ With show of troops for warfare dressed,
+ Can rightly measure or display
+ The mighty army thou hast made
+ Loyal to guard thy more than royal sway.
+ Millions have come across the sea
+ To find beneath thy shelter room to grow;
+ Millions were born beneath thy folds and know
+ No other flag but thee.
+ And other, darker millions bore the yoke
+ Of bondage in thy borders till the voice
+ Of Lincoln spoke,
+ And sent thee forth to set the bondmen free.
+ Rejoice, dear flag, rejoice!
+ Since thou hast proved and passed that bitter strife,
+ Richer thy red with blood of heroes wet,
+ Purer thy white through sacrificial life,
+ Brighter thy blue wherein new stars are set.
+ Thou art become a sign,
+ Revealed in heaven to speak of things divine:
+ Of Truth that dares
+ To slay the lie it sheltered unawares;
+ Of Courage fearless in the fight,
+ Yet ever quick its foemen to forgive;
+ Of Conscience earnest to maintain its right
+ And gladly grant the same to all who live.
+ Thy staff is deeply planted in the fact
+ That nothing can ennoble man
+ Save his own act,
+ And naught can make him worthy to be free
+ But practice in the school of liberty.
+ The cords are two that lift thee to the sky:
+ Firm faith in God, the King who rules on high;
+ And never-failing trust
+ In human nature, full of faults and flaws,
+ Yet ever answering to the inward call
+ That bids it set the "ought" above the "must,"
+ In all its errors wiser than it seems,
+ In all its failures full of generous dreams,
+ Through endless conflict rising without pause
+ To self-dominion, charactered in laws
+ That pledge fair-play alike to great and small,
+ And equal rights for each beneath the rule of all.
+ These are thy halyards, banner bold,
+ And while these hold,
+ Thy brightness from the sky shall never fall,
+ Thy broadening empire never know decrease,--
+ Thy strength is union and thy glory peace.
+
+
+V
+
+ Look forth across thy widespread lands,
+ O flag, and let thy stars to-night be eyes
+ To see the visionary hosts
+ Of men and women grateful to be thine,
+ That joyfully arise
+ From all thy borders and thy coasts,
+ And follow after thee in endless line!
+ They lift to thee a forest of saluting hands;
+ They hail thee with a rolling ocean-roar
+ Of cheers; and as the echo dies,
+ There comes a sweet and moving song
+ Of treble voices from the childish throng
+ Who run to thee from every school-house door.
+ Behold thine army! Here thy power lies:
+ The men whom freedom has made strong,
+ And bound to follow thee by willing vows;
+ The women greatened by the joys
+ Of motherhood to rule a happy house;
+ The vigorous girls and boys,
+ Whose eager faces and unclouded brows
+ Foretell the future of a noble race,
+ Rich in the wealth of wisdom and true worth!
+ While millions such as these to thee belong,
+ What foe can do thee wrong,
+ What jealous rival rob thee of thy place
+ Foremost of all the flags of earth?
+
+
+VI
+
+ My vision darkens as the night descends;
+ And through the mystic atmosphere
+ I feel the creeping coldness that portends
+ A change of spirit in my dream
+ The multitude that moved with song and cheer
+ Have vanished, yet a living stream
+ Flows on and follows still the flag,
+ But silent now, with leaden feet that lag
+ And falter in the deepening gloom,--
+ A weird battalion bringing up the rear.
+ Ah, who are these on whom the vital bloom
+ Of life has withered to the dust of doom?
+ These little pilgrims prematurely worn
+ And bent as if they bore the weight of years?
+ These childish faces, pallid and forlorn,
+ Too dull for laughter and too hard for tears?
+ Is this the ghost of that insane crusade
+ That led ten thousand children long ago,
+ A flock of innocents, deceived, betrayed,
+ Yet pressing on through want and woe
+ To meet their fate, faithful and unafraid?
+ Nay, for a million children now
+ Are marching in the long pathetic line,
+ With weary step and early wrinkled brow;
+ And at their head appears no holy sign
+ Of hope in heaven;
+ For unto them is given
+ No cross to carry, but a cross to drag.
+ Before their strength is ripe they bear
+ The load of labour, toiling underground
+ In dangerous mines and breathing heavy air
+ Of crowded shops; their tender lives are bound
+ To service of the whirling, clattering wheels
+ That fill the factories with dust and noise;
+ They are not girls and boys,
+ But little "hands" who blindly, dumbly feed
+ With their own blood the hungry god of Greed.
+ Robbed of their natural joys,
+ And wounded with a scar that never heals,
+ They stumble on with heavy-laden soul,
+ And fall by thousands on the highway lined
+ With little graves; or reach at last their goal
+ Of stunted manhood and embittered age,
+ To brood awhile with dark and troubled mind,
+ Beside the smouldering fire of sullen rage,
+ On life's unfruitful work and niggard wage.
+ Are these the regiments that Freedom rears
+ To serve her cause in coming years?
+ Nay, every life that Avarice doth maim
+ And beggar in the helpless days of youth,
+ Shall surely claim
+ A just revenge, and take it without ruth;
+ And every soul denied the right to grow
+ Beneath the flag, shall be its secret foe.
+ Bow down, dear land, in penitence and shame!
+ Remember now thine oath, so nobly sworn,
+ To guard an equal lot
+ For every child within thy borders born!
+ These are thy children whom thou hast forgot:
+ They have the bitter right to live, but not
+ The blessed right to look for happiness.
+ O lift thy liberating hand once more,
+ To loose thy little ones from dark duress;
+ The vital gladness to their hearts restore
+ In healthful lessons and in happy play;
+ And set them free to climb the upward way
+ That leads to self-reliant nobleness.
+ Speak out, my country, speak at last,
+ As thou hast spoken in the past,
+ And clearly, bravely say:
+ "I will defend
+ The coming race on whom my hopes depend:
+ Beneath my flag and on my sacred soil
+ No child shall bear the crushing yoke of toil."
+
+
+VII
+
+ Look up, look up, ye downcast eyes!
+ The night is almost gone:
+ Along the new horizon flies
+ The banner of the dawn;
+ The eastern sky is banded low
+ With white and crimson bars,
+ While far above the morning glow
+ The everlasting stars.
+
+ _O bright flag, O brave flag, O flag to lead the free!
+ The hand of God thy colours blent,
+ And heaven to earth thy glory lent,
+ To shield the weak, and guide the strong
+ To make an end of human wrong,
+ And draw a countless human host to follow after thee!_
+
+
+
+STAIN NOT THE SKY
+
+
+ Ye gods of battle, lords of fear,
+ Who work your iron will as well
+ As once ye did with sword and spear,
+ With rifled gun and rending shell,--
+ Masters of sea and land, forbear
+ The fierce invasion of the inviolate air!
+
+ With patient daring man hath wrought
+ A hundred years for power to fly;
+ And will you make his winged thought
+ A hovering horror in the sky,
+ Where flocks of human eagles sail,
+ Dropping their bolts of death on hill and dale?
+
+ Ah no, the sunset is too pure,
+ The dawn too fair, the noon too bright
+ For wings of terror to obscure
+ Their beauty, and betray the night
+ That keeps for man, above his wars,
+ The tranquil vision of untroubled stars.
+
+ Pass on, pass on, ye lords of fear!
+ Your footsteps in the sea are red,
+ And black on earth your paths appear
+ With ruined homes and heaps of dead.
+ Pass on to end your transient reign,
+ And leave the blue of heaven without a stain.
+
+ The wrong ye wrought will fall to dust,
+ The right ye shielded will abide;
+ The world at last will learn to trust
+ In law to guard, and love to guide;
+ And Peace of God that answers prayer
+ Will fall like dew from the inviolate air.
+
+March 5, 1914.
+
+
+
+PEACE-HYMN OF THE REPUBLIC
+
+
+ O Lord our God, Thy mighty hand
+ Hath made our country free;
+ From all her broad and happy land
+ May praise arise to Thee.
+ Fulfill the promise of her youth,
+ Her liberty defend;
+ By law and order, love and truth,
+ America befriend!
+
+ The strength of every State increase
+ In Union's golden chain;
+ Her thousand cities fill with peace,
+ Her million fields with grain.
+ The virtues of her mingled blood
+ In one new people blend;
+ By unity and brotherhood,
+ America befriend!
+
+ O suffer not her feet to stray;
+ But guide her untaught might,
+ That she may walk in peaceful day,
+ And lead the world in light.
+ Bring down the proud, lift up the poor,
+ Unequal ways amend;
+ By justice, nation-wide and sure,
+ America befriend!
+
+ Thro' all the waiting land proclaim
+ Thy gospel of good-will;
+ And may the music of Thy name
+ In every bosom thrill.
+ O'er hill and vale, from sea to sea.
+ Thy holy reign extend;
+ By faith and hope and charity,
+ America befriend!
+
+
+
+
+THE RED FLOWER AND GOLDEN STARS
+
+
+_These verses were written during the terrible world-war, and
+immediately after. The earlier ones had to be unsigned because
+America was still "neutral" and I held a diplomatic post. The
+rest of them were printed after I had resigned, and was free to
+speak out, and to take active service in the Navy, when America
+entered the great conflict for liberty and peace on earth._
+
+Avalon, February 22, 1920.
+
+
+
+THE RED FLOWER
+
+June, 1914
+
+
+ In the pleasant time of Pentecost,
+ By the little river Kyll,
+ I followed the angler's winding path
+ Or waded the stream at will,
+ And the friendly fertile German land
+ Lay round me green and still.
+
+ But all day long on the eastern bank
+ Of the river cool and clear,
+ Where the curving track of the double rails
+ Was hardly seen though near,
+ The endless trains of German troops
+ Went rolling down to Trier.
+
+ They packed the windows with bullet heads
+ And caps of hodden gray;
+ They laughed and sang and shouted loud
+ When the trains were brought to a stay;
+ They waved their hands and sang again
+ As they went on their iron way.
+
+ No shadow fell on the smiling land,
+ No cloud arose in the sky;
+ I could hear the river's quiet tune
+ When the trains had rattled by;
+ But my heart sank low with a heavy sense
+ Of trouble,--I knew not why.
+
+ Then came I into a certain field
+ Where the devil's paint-brush spread
+ 'Mid the gray and green of the rolling hills
+ A flaring splotch of red,--
+ An evil omen, a bloody sign,
+ And a token of many dead.
+
+ I saw in a vision the field-gray horde
+ Break forth at the devil's hour,
+ And trample the earth into crimson mud
+ In the rage of the Will to Power,--
+ All this I dreamed in the valley of Kyll,
+ At the sign of the blood-red flower.
+
+
+
+A SCRAP OF PAPER
+
+ "Will you go to war just for a scrap of paper?"--_Question of the
+ German Chancellor to the British Ambassador_, _August 5_, 1914.
+
+
+ A mocking question! Britain's answer came
+ Swift as the light and searching as the flame.
+
+ "Yes, for a scrap of paper we will fight
+ Till our last breath, and God defend the right!
+
+ "A scrap of paper where a name is set
+ Is strong as duty's pledge and honor's debt.
+
+ "A scrap of paper holds for man and wife
+ The sacrament of love, the bond of life.
+
+ "A scrap of paper may be Holy Writ
+ With God's eternal word to hallow it.
+
+ "A scrap of paper binds us both to stand
+ Defenders of a neutral neighbor land.
+
+ "By God, by faith, by honor, yes! We fight
+ To keep our name upon that paper white."
+
+September, 1914.
+
+
+
+STAND FAST
+
+
+ Stand fast, Great Britain!
+ Together England, Scotland, Ireland stand
+ One in the faith that makes a mighty land,--
+ True to the bond you gave and will not break
+ And fearless in the fight for conscience' sake!
+ Against the Giant Robber clad in steel,
+ With blood of trampled Belgium on his heel,
+ Striding through France to strike you down at last,
+ Britain, stand fast!
+
+ Stand fast, brave land!
+ The Huns are thundering toward the citadel;
+ They prate of Culture but their path is Hell;
+ Their light is darkness, and the bloody sword
+ They wield and worship is their only Lord.
+ O land where reason stands secure on right,
+ O land where freedom is the source of light,
+ Against the mailed Barbarians' deadly blast,
+ Britain, stand fast!
+
+ Stand fast, dear land!
+ Thou island mother of a world-wide race,
+ Whose children speak thy tongue and love thy face,
+ Their hearts and hopes are with thee in the strife,
+ Their hands will break the sword that seeks thy life;
+ Fight on until the Teuton madness cease;
+ Fight bravely on, until the word of peace
+ Is spoken in the English tongue at last,--
+ Britain, stand fast!
+
+September, 1914.
+
+
+
+LIGHTS OUT
+
+(1915)
+
+
+ "Lights out" along the land,
+ "Lights out" upon the sea.
+ The night must put her hiding hand
+ O'er peaceful towns where children sleep,
+ And peaceful ships that darkly creep
+ Across the waves, as if they were not free.
+
+ The dragons of the air,
+ The hell-hounds of the deep,
+ Lurking and prowling everywhere,
+ Go forth to seek their helpless prey,
+ Not knowing whom they maim or slay--
+ Mad harvesters, who care not what they reap.
+
+ Out with the tranquil lights,
+ Out with the lights that burn
+ For love and law and human rights!
+ Set back the clock a thousand years:
+ All they have gained now disappears,
+ And the dark ages suddenly return.
+
+ Kaiser, who loosed wild death,
+ And terror in the night,
+ God grant you draw no quiet breath,
+ Until the madness you began
+ Is ended, and long-suffering man,
+ Set free from war lords, cries, "Let there be Light."
+
+October, 1915.
+
+Read at the meeting of the American Academy, Boston, November, 1915.
+
+
+
+REMARKS ABOUT KINGS
+
+"_God said I am tired of kings._"--EMERSON.
+
+
+ God said, "I am tired of kings,"--
+ But that was a long while ago!
+ And meantime man said, "No,--
+ I like their looks in their robes and rings."
+ So he crowned a few more,
+ And they went on playing the game as before,
+ Fighting and spoiling things.
+
+ Man said, "I am tired of kings!
+ Sons of the robber-chiefs of yore,
+ They make me pay for their lust and their war;
+ I am the puppet, they pull the strings;
+ The blood of my heart is the wine they drink.
+ I will govern myself for awhile I think,
+ And see what that brings!"
+
+ Then God, who made the first remark,
+ Smiled in the dark.
+
+October, 1915.
+
+Read at the meeting of the American Academy, Boston, November, 1915.
+
+
+
+MIGHT AND RIGHT
+
+
+ If Might made Right, life were a wild-beasts' cage;
+ If Right made Might, this were the golden age;
+ But now, until we win the long campaign,
+ Right must gain Might to conquer and to reign.
+
+July 1, 1915.
+
+
+
+THE PRICE OF PEACE
+
+
+ Peace without Justice is a low estate,--
+ A coward cringing to an iron Fate!
+ But Peace through Justice is the great ideal,--
+ We'll pay the price of war to make it real.
+
+December 28, 1916.
+
+
+
+STORM-MUSIC
+
+
+ O Music hast thou only heard
+ The laughing river, the singing bird,
+ The murmuring wind in the poplar-trees,--
+ Nothing but Nature's melodies?
+ Nay, thou hearest all her tones,
+ As a Queen must hear!
+ Sounds of wrath and fear,
+ Mutterings, shouts, and moans,
+ Madness, tumult, and despair,--
+ All she has that shakes the air
+ With voices fierce and wild!
+ Thou art a Queen and not a dreaming child,--
+ Put on thy crown and let us hear thee reign
+ Triumphant in a world of storm and strain!
+
+ Echo the long-drawn sighs
+ Of the mounting wind in the pines;
+ And the sobs of the mounting waves that rise
+ In the dark of the troubled deep
+ To break on the beach in fiery lines.
+ Echo the far-off roll of thunder,
+ Rumbling loud
+ And ever louder, under
+ The blue-black curtain of cloud,
+ Where the lightning serpents gleam.
+ Echo the moaning
+ Of the forest in its sleep
+ Like a giant groaning
+ In the torment of a dream.
+
+ Now an interval of quiet
+ For a moment holds the air
+ In the breathless hush
+ Of a silent prayer.
+
+ Then the sudden rush
+ Of the rain, and the riot
+ Of the shrieking, tearing gale
+ Breaks loose in the night,
+ With a fusillade of hail!
+ Hear the forest fight,
+ With its tossing arms that crack and clash
+ In the thunder's cannonade,
+ While the lightning's forked flash
+ Brings the old hero-trees to the ground with a crash!
+ Hear the breakers' deepening roar,
+ Driven like a herd of cattle
+ In the wild stampede of battle,
+ Trampling, trampling, trampling, to overwhelm the shore!
+
+ Is it the end of all?
+ Will the land crumble and fall?
+ Nay, for a voice replies
+ Out of the hidden skies,
+ "Thus far, O sea, shalt thou go,
+ So long, O wind, shalt thou blow:
+ Return to your bounds and cease,
+ And let the earth have peace!"
+
+ O Music, lead the way--
+ The stormy night is past,
+ Lift up our hearts to greet the day,
+ And the joy of things that last.
+
+ The dissonance and pain
+ That mortals must endure,
+ Are changed in thine immortal strain
+ To something great and pure.
+
+ True love will conquer strife,
+ And strength from conflict flows,
+ For discord is the thorn of life
+ And harmony the rose.
+
+May, 1916.
+
+
+
+THE BELLS OF MALINES
+
+August 17, 1914
+
+
+ The gabled roofs of old Malines
+ Are russet red and gray and green,
+ And o'er them in the sunset hour
+ Looms, dark and huge, St. Rombold's tower.
+ High in that rugged nest concealed,
+ The sweetest bells that ever pealed,
+ The deepest bells that ever rung,
+ The lightest bells that ever sung,
+ Are waiting for the master's hand
+ To fling their music o'er the land.
+
+ And shall they ring to-night, Malines?
+ In nineteen hundred and fourteen,
+ The frightful year, the year of woe,
+ When fire and blood and rapine flow
+ Across the land from lost Liege,
+ Storm-driven by the German rage?
+ The other carillons have ceased:
+ Fallen is Hasselt, fallen Diest,
+ From Ghent and Bruges no voices come,
+ Antwerp is silent, Brussels dumb!
+
+ But in thy belfry, O Malines,
+ The master of the bells unseen
+ Has climbed to where the keyboard stands,--
+ To-night his heart is in his hands!
+ Once more, before invasion's hell
+ Breaks round the tower he loves so well,
+ Once more he strikes the well-worn keys,
+ And sends aerial harmonies
+ Far-floating through the twilight dim
+ In patriot song and holy hymn.
+
+ O listen, burghers of Malines!
+ Soldier and workman, pale beguine,
+ And mother with a trembling flock
+ Of children clinging to thy frock,--
+ Look up and listen, listen all!
+ What tunes are these that gently fall
+ Around you like a benison?
+ "The Flemish Lion," "Brabanconne,"
+ "O brave Liege," and all the airs
+ That Belgium in her bosom bears.
+
+ Ring up, ye silvery octaves high,
+ Whose notes like circling swallows fly;
+ And ring, each old sonorous bell,--
+ "Jesu," "Maria," "Michael!"
+ Weave in and out, and high and low,
+ The magic music that you know,
+ And let it float and flutter down
+ To cheer the heart of the troubled town.
+ Ring out, "Salvator," lord of all,--
+ "Roland" in Ghent may hear thee call!
+
+ O brave bell-music of Malines,
+ In this dark hour how much you mean!
+ The dreadful night of blood and tears
+ Sweeps down on Belgium, but she hears
+ Deep in her heart the melody
+ Of songs she learned when she was free.
+ She will not falter, faint, nor fail,
+ But fight until her rights prevail
+ And all her ancient belfries ring
+ "The Flemish Lion," "God Save the King!"
+
+
+
+JEANNE D'ARC RETURNS [2]
+
+1914-1916
+
+
+ What hast thou done, O womanhood of France,
+ Mother and daughter, sister, sweetheart, wife,
+ What hast thou done, amid this fateful strife,
+ To prove the pride of thine inheritance
+ In this fair land of freedom and romance?
+ I hear thy voice with tears and courage rife,--
+ Smiling against the swords that seek thy life,--
+ Make answer in a noble utterance:
+ "I give France all I have, and all she asks.
+ Would it were more! Ah, let her ask and take:
+ My hands to nurse her wounded, do her tasks,--
+ My feet to run her errands through the dark,--
+ My heart to bleed in triumph for her sake,--
+ And all my soul to follow thee, Jeanne d'Arc!"
+
+April 16, 1916.
+
+[2] This sonnet belongs with the poem on page 309,
+ "Come Back Again, Jeanne D'Arc."
+
+
+
+THE NAME OF FRANCE
+
+
+ Give us a name to fill the mind
+ With the shining thoughts that lead mankind,
+ The glory of learning, the joy of art,--
+ A name that tells of a splendid part
+ In the long, long toil and the strenuous fight
+ Of the human race to win its way
+ From the feudal darkness into the day
+ Of Freedom, Brotherhood, Equal Right,--
+ A name like a star, a name of light.
+ I give you _France_!
+
+ Give us a name to stir the blood
+ With a warmer glow and a swifter flood,
+ At the touch of a courage that conquers fear,--
+ A name like the sound of a trumpet, clear,
+ And silver-sweet, and iron-strong,
+ That calls three million men to their feet,
+ Ready to march, and steady to meet
+ The foes who threaten that name with wrong,--
+ A name that rings like a battle-song.
+ I give you _France_!
+
+ Give us a name to move the heart
+ With the strength that noble griefs impart,
+ A name that speaks of the blood outpoured
+ To save mankind from the sway of the sword,--
+ A name that calls on the world to share
+ In the burden of sacrificial strife
+ When the cause at stake is the world's free life
+ And the rule of the people everywhere,--
+ A name like a vow, a name like a prayer.
+ I give you _France_!
+
+The Hague, September, 1916.
+
+
+
+AMERICA'S PROSPERITY
+
+
+ They tell me thou art rich, my country: gold
+ In glittering flood has poured into thy chest;
+ Thy flocks and herds increase, thy barns are pressed
+ With harvest, and thy stores can hardly hold
+ Their merchandise; unending trains are rolled
+ Along thy network rails of East and West;
+ Thy factories and forges never rest;
+ Thou art enriched in all things bought and sold!
+
+ But dost _thou_ prosper? Better news I crave.
+ O dearest country, is it well with thee
+ Indeed, and is thy soul in health?
+ A nobler people, hearts more wisely brave,
+ And thoughts that lift men up and make them free,--
+ These are prosperity and vital wealth!
+
+The Hague, October 1, 1916.
+
+
+
+THE GLORY OF SHIPS
+
+
+ The glory of ships is an old, old song,
+ since the days when the sea-rovers ran,
+ In their open boats through the roaring surf,
+ and the spread of the world began;
+ The glory of ships is a light on the sea,
+ and a star in the story of man.
+
+ When Homer sang of the galleys of Greece
+ that conquered the Trojan shore,
+ And Solomon lauded the barks of Tyre
+ that brought great wealth to his door,
+ 'Twas little they knew, those ancient men,
+ what would come of the sail and the oar.
+
+ The Greek ships rescued the West from the East,
+ when they harried the Persians home;
+ And the Roman ships were the wings of strength
+ that bore up the empire, Rome;
+ And the ships of Spain found a wide new world,
+ far over the fields of foam.
+
+ Then the tribes of courage at last saw clear
+ that the ocean was not a bound,
+ But a broad highway, and a challenge to seek
+ for treasure as yet unfound;
+ So the fearless ships fared forth to the search,
+ in joy that the globe was round.
+
+ Their hulls were heightened, their sails spread out,
+ they grew with the growth of their quest;
+ They opened the secret doors of the East,
+ and the golden gates of the West;
+ And many a city of high renown
+ was proud of a ship on its crest.
+
+ The fleets of England and Holland and France
+ were at strife with each other and Spain;
+ And battle and storm sent a myriad ships
+ to sleep in the depths of the main;
+ But the seafaring spirit could never be drowned,
+ and it filled up the fleets again.
+
+ They greatened and grew, with the aid of steam,
+ to a wonderful, vast array,
+ That carries the thoughts and the traffic of men
+ into every harbor and bay;
+ And now in the world-wide work of the ships
+ 'tis England that leads the way.
+
+ O well for the leading that follows the law
+ of a common right on the sea!
+ But ill for the leader who tries to hold
+ what belongs to mankind in fee!
+ The way of the ships is an open way,
+ and the ocean must ever be free!
+
+ Remember, O first of the maritime folk,
+ how the rise of your greatness began.
+ It will live if you safeguard the round-the-world road
+ from the shame of a selfish ban;
+ For the glory of ships is a light on the sea,
+ and a star in the story of man!
+
+September 12, 1916.
+
+
+
+MARE LIBERUM
+
+
+I
+
+ You dare to say with perjured lips,
+ "We fight to make the ocean free"?
+ _You_, whose black trail of butchered ships
+ Bestrews the bed of every sea
+ Where German submarines have wrought
+ Their horrors! Have you never thought,--
+ What you call freedom, men call piracy!
+
+
+II
+
+ Unnumbered ghosts that haunt the wave,
+ Where you have murdered, cry you down;
+ And seamen whom you would not save,
+ Weave now in weed-grown depths a crown
+ Of shame for your imperious head,
+ A dark memorial of the dead
+ Women and children whom you sent to drown.
+
+
+III
+
+ Nay, not till thieves are set to guard
+ The gold, and corsairs called to keep
+ O'er peaceful commerce watch and ward,
+ And wolves to herd the helpless sheep,
+ Shall men and women look to thee,
+ Thou ruthless Old Man of the Sea,
+ To safeguard law and freedom on the deep!
+
+
+IV
+
+ In nobler breeds we put our trust:
+ The nations in whose sacred lore
+ The "Ought" stands out above the "Must,"
+ And honor rules in peace and war.
+ With these we hold in soul and heart,
+ With these we choose our lot and part,
+ Till Liberty is safe on sea and shore.
+
+_London Times_, February 12, 1917.
+
+
+
+"LIBERTY ENLIGHTENING THE WORLD"
+
+
+ Thou warden of the western gate, above Manhattan Bay,
+ The fogs of doubt that hid thy face are driven clean away:
+ Thine eyes at last look far and clear, thou liftest high thy hand
+ To spread the light of liberty world-wide for every land.
+
+ No more thou dreamest of a peace reserved alone for thee,
+ While friends are fighting for thy cause beyond the guardian sea:
+ The battle that they wage is thine; thou fallest if they fall;
+ The swollen flood of Prussian pride will sweep unchecked o'er all.
+
+ O cruel is the conquer-lust in Hohenzollern brains:
+ The paths they plot to gain their goal are dark with shameful stains;
+ No faith they keep, no law revere, no god but naked Might;
+ They are the foemen of mankind. Up, Liberty, and smite!
+
+ Britain, and France, and Italy, and Russia newly born,
+ Have waited for thee in the night. Oh, come as comes the morn!
+ Serene and strong and full of faith, America, arise,
+ With steady hope and mighty help to join thy brave Allies.
+
+ O dearest country of my heart, home of the high desire,
+ Make clean thy soul for sacrifice on Freedom's altar-fire:
+ For thou must suffer, thou must fight, until the warlords cease,
+ And all the peoples lift their heads in liberty and peace.
+
+_London Times_, April 12, 1917.
+
+
+
+THE OXFORD THRUSHES
+
+February, 1917
+
+
+ I never thought again to hear
+ The Oxford thrushes singing clear,
+ Amid the February rain,
+ Their sweet, indomitable strain.
+
+ A wintry vapor lightly spreads
+ Among the trees, and round the beds
+ Where daffodil and jonquil sleep;
+ Only the snowdrop wakes to weep.
+
+ It is not springtime yet. Alas,
+ What dark, tempestuous days must pass,
+ Till England's trial by battle cease,
+ And summer comes again with peace.
+
+ The lofty halls, the tranquil towers,
+ Where Learning in untroubled hours
+ Held her high court, serene in fame,
+ Are lovely still, yet not the same.
+
+ The novices in fluttering gown
+ No longer fill the ancient town;
+ But fighting men in khaki drest,
+ And in the Schools the wounded rest.
+
+ Ah, far away, 'neath stranger skies
+ Full many a son of Oxford lies,
+ And whispers from his warrior grave,
+ "I died to keep the faith you gave."
+
+ The mother mourns, but does not fail,
+ Her courage and her love prevail
+ O'er sorrow, and her spirit hears
+ The promise of triumphant years.
+
+ Then sing, ye thrushes, in the rain
+ Your sweet indomitable strain.
+ Ye bring a word from God on high
+ And voices in our hearts reply.
+
+
+
+HOMEWARD BOUND
+
+
+ Home, for my heart still calls me;
+ Home, through the danger zone;
+ Home, whatever befalls me,
+ I will sail again to my own!
+
+ Wolves of the sea are hiding
+ Closely along the way,
+ Under the water biding
+ Their moment to rend and slay.
+
+ Black is the eagle that brands them,
+ Black are their hearts as the nights
+ Black is the hate that sends them
+ To murder but not to fight.
+
+ Flower of the German Culture,
+ Boast of the Kaiser's Marine,
+ Choose for your emblem the vulture,
+ Cowardly, cruel, obscene!
+
+ Forth from her sheltered haven
+ Our peaceful ship glides slow,
+ Noiseless in flight as a raven,
+ Gray as a hoodie crow.
+
+ She doubles and turns in her bearing,
+ Like a twisting plover she goes;
+ The way of her westward faring
+ Only the captain knows.
+
+ In a lonely bay concealing
+ She lingers for days, and slips
+ At dusk from her covert, stealing
+ Thro' channels feared by the ships.
+
+ Brave are the men, and steady,
+ Who guide her over the deep,--
+ British mariners, ready
+ To face the sea-wolf's leap.
+
+ Lord of the winds and waters,
+ Bring our ship to her mark,
+ Safe from this game of hide-and-seek
+ With murderers in the dark!
+
+On the S.S. _Baltic_, May, 1917.
+
+
+
+THE WINDS OF WAR-NEWS
+
+
+ The winds of war-news change and veer:
+ Now westerly and full of cheer,
+ Now easterly, depressing, sour
+ With tidings of the Teutons' power.
+
+ But thou, America, whose heart
+ With brave Allies has taken part,
+ Be not a weathercock to change
+ With these wild winds that shift and range.
+
+ Be thou a compass ever true,
+ Through sullen clouds or skies of blue,
+ To that great star which rules the night,--
+ The star of Liberty and Right.
+
+ Lover of peace, oh set thy soul,
+ Thy strength, thy wealth, thy conscience whole,
+ To win the peace thine eyes foresee,--
+ The triumph of Democracy.
+
+December 19, 1917.
+
+
+
+RIGHTEOUS WRATH
+
+
+ There are many kinds of anger, as many kinds of fire;
+ And some are fierce and fatal with murderous desire;
+ And some are mean and craven, revengeful, sullen, slow,
+ They hurt the man that holds them more than they hurt his foe.
+
+ And yet there is an anger that purifies the heart:
+ The anger of the better against the baser part,
+ Against the false and wicked, against the tyrant's sword,
+ Against the enemies of love, and all that hate the Lord.
+
+ O cleansing indignation, O flame of righteous wrath,
+ Give me a soul to feel thee and follow in thy path!
+ Save me from selfish virtue, arm me for fearless fight,
+ And give me strength to carry on, a soldier of the Right!
+
+January, 1918.
+
+
+
+THE PEACEFUL WARRIOR
+
+
+ I have no joy in strife,
+ Peace is my great desire;
+ Yet God forbid I lose my life
+ Through fear to face the fire.
+
+ A peaceful man must fight
+ For that which peace demands,--
+ Freedom and faith, honor and right,
+ Defend with heart and hands.
+
+ Farewell, my friendly books;
+ Farewell, ye woods and streams;
+ The fate that calls me forward looks
+ To a duty beyond dreams.
+
+ Oh, better to be dead
+ With a face turned to the sky,
+ Than live beneath a slavish dread
+ And serve a giant lie.
+
+ Stand up, my heart, and strive
+ For the things most dear to thee!
+ Why should we care to be alive
+ Unless the world is free?
+
+May, 1918.
+
+
+
+FROM GLORY UNTO GLORY
+
+AMERICAN FLAG SONG
+
+
+1776
+
+ O dark the night and dim the day
+ When first our flag arose;
+ It fluttered bravely in the fray
+ To meet o'erwhelming foes.
+ Our fathers saw the splendor shine,
+ They dared and suffered all;
+ They won our freedom by the sign--
+ The holy sign, the radiant sign--
+ Of the stars that never fall.
+
+
+_Chorus_
+
+ All hail to thee, Young Glory!
+ Among the flags of earth
+ We'll ne'er forget the story
+ Of thy heroic birth.
+
+
+1861
+
+ O wild the later storm that shook
+ The pillars of the State,
+ When brother against brother took
+ The final arms of fate.
+ But union lived and peace divine
+ Enfolded brothers all;
+ The flag floats o'er them with the sign--
+ The loyal sign, the equal sign--
+ Of the stars that never fall.
+
+
+_Chorus_
+
+ All hail to thee, Old Glory!
+ Of thee our heart's desire
+ Foretells a golden story,
+ For thou hast come through fire.
+
+
+1917
+
+ O fiercer than all wars before
+ That raged on land or sea,
+ The Giant Robber's world-wide war
+ For the things that shall not be!
+ Thy sister banners hold the line;
+ To thee, dear flag, they call;
+ And thou hast joined them with the sign--
+ The heavenly sign, the victor sign--
+ Of the stars that never fall.
+
+
+_Chorus_
+
+ All hail to thee, New Glory!
+ We follow thee unfurled
+ To write the larger story
+ Of Freedom for the World.
+
+September 4, 1918.
+
+
+
+BRITAIN, FRANCE, AMERICA
+
+
+ The rough expanse of democratic sea
+ Which parts the lands that live by liberty
+ Is no division; for their hearts are one.
+ To fight together till their cause is won.
+
+ For land and water let us make our pact,
+ And seal the solemn word with valiant act:
+ No continent is firm, no ocean pure,
+ Until on both the rights of man are sure.
+
+April, 1917.
+
+
+
+THE RED CROSS
+
+
+ Sign of the Love Divine
+ That bends to bear the load
+ Of all who suffer, all who bleed,
+ Along life's thorny road:
+
+ Sign of the Heart Humane,
+ That through the darkest fight
+ Would bring to wounded friend and foe
+ A ministry of light:
+
+ O dear and holy sign,
+ Lead onward like a star!
+ The armies of the just are thine,
+ And all we have and are.
+
+October 20, 1918.
+
+For the Red Cross Christmas Roll Call.
+
+
+
+EASTER ROAD
+
+1918
+
+
+ Under the cloud of world-wide war,
+ While earth is drenched with sorrow,
+ I have no heart for idle merrymaking,
+ Or for the fashioning of glad raiment.
+ I will retrace the divine footmarks,
+ On the Road of the first Easter.
+
+ Down through the valley of utter darkness
+ Dripping with blood and tears;
+ Over the hill of the skull, the little hill of great anguish,
+ The ambuscade of Death.
+ Into the no-man's-land of Hades
+ Bearing despatches of hope to spirits in prison,
+ Mortally stricken and triumphant
+ Went the faithful Captain of Salvation.
+
+ Then upward, swiftly upward,--
+ Victory, liberty, glory,
+ The feet that were wounded walked in the tranquil garden,
+ Bathed in dew and the light of deathless dawn.
+
+ O my soul, my comrades, soldiers of freedom,
+ Follow the pathway of Easter, for there is no other,
+ Follow it through to peace, yea, follow it fighting.
+ This Armageddon is not darker than Calvary.
+ The day will break when the Dragon is vanquished;
+ He that exalteth himself as God shall be cast down,
+ And the Lords of war shall fall,
+ And the long, long terror be ended,
+ Victory, justice, peace enduring!
+ They that die in this cause shall live forever,
+ And they that live shall never die,
+ They shall rejoice together in the Easter of a new world.
+
+March 31, 1918.
+
+
+
+AMERICA'S WELCOME HOME
+
+
+ Oh, gallantly they fared forth in khaki and in blue,
+ America's crusading host of warriors bold and true;
+ They battled for the rights of man beside our brave Allies,
+ And now they're coming home to us with glory in their eyes.
+
+ _Oh, it's home again, and home again, America for me!
+ Our hearts are turning home again and there we long to be,
+ In our beautiful big country beyond the ocean bars,
+ Where the air is full of sunlight and the flag is full of stars._
+
+ Our boys have seen the Old World as none have seen before.
+ They know the grisly horror of the German gods of war:
+ The noble faith of Britain and the hero-heart of France,
+ The soul of Belgium's fortitude and Italy's romance.
+
+ They bore our country's great word across the rolling sea,
+ "America swears brotherhood with all the just and free."
+ They wrote that word victorious on fields of mortal strife,
+ And many a valiant lad was proud to seal it with his life.
+
+ Oh, welcome home in Heaven's peace, dear spirits of the dead!
+ And welcome home ye living sons America hath bred!
+ The lords of war are beaten down, your glorious task is done;
+ You fought to make the whole world free, and the victory is won.
+
+ _Now it's home again, and home again, our hearts are turning west,
+ Of all the lands beneath the sun America is best.
+ We're going home to our own folks, beyond the ocean bars,
+ Where the air is full of sunlight and the flag is full of stars._
+
+November 11, 1918.
+
+A sequel to "America For Me," written in 1909. Page 314.
+
+
+
+THE SURRENDER OF THE GERMAN FLEET
+
+
+ Ship after ship, and every one with a high-resounding name,
+ From the robber-nest of Heligoland the German war-fleet came;
+ Not victory or death they sought, but a rendezvous of shame.
+
+ _Sing out, sing out,
+ A joyful shout,
+ Ye lovers of the sea!
+ The "Kaiser" and the "Kaiserin,"
+ The "Koenig" and the "Prinz,"
+ The potentates of piracy,
+ Are coming to surrender,
+ And the ocean shall be free._
+
+ They never dared the final fate of battle on the blue;
+ Their sea-wolves murdered merchantmen and mocked the drowning crew;
+ They stained the wave with martyr-blood,--but we sent our transports
+ through!
+
+ What flags are these that dumbly droop from the gaff o' the mainmast
+ tall?
+ The black of the Kaiser's iron cross, the red of the Empire's fall!
+ Come down, come down, ye pirate flags. Yea, strike your colors all.
+
+ The Union Jack and the Tricolor and the Starry Flag o' the West
+ Shall guard the fruit of Freedom's war and the victory confest,
+ The flags of the brave and just and free shall rule on the ocean's
+ breast.
+
+ _Sing out, sing out,
+ A mighty shout,
+ Ye lovers of the sea!
+ The "Kaiser" and the "Kaiserin,"
+ The "Koenig" and the "Prinz,"
+ The robber-lords of death and sin,
+ Have come to their surrender,
+ And the ocean shall be free!_
+
+November 20, 1918.
+
+
+
+GOLDEN STARS
+
+
+I
+
+ It was my lot of late to travel far
+ Through all America's domain,
+ A willing, gray-haired servitor
+ Bearing the Fiery Cross of righteous war.
+ And everywhere, on mountain, vale and plain,
+ In crowded street and lonely cottage door,
+ I saw the symbol of the bright blue star.
+ Millions of stars! Rejoice, dear land, rejoice
+ That God hath made thee great enough to give
+ Beneath thy starry flag unfurled
+ A gift to all the world,--
+ Thy living sons that Liberty might live.
+
+
+II
+
+ It seems but yesterday they sallied forth
+ Boys of the east, the west, the south, the north,
+ High-hearted, keen, with laughter and with song,
+ Fearless of lurking danger on the sea,
+ Eager to fight in Flanders or in France
+ Against the monstrous German wrong,
+ And sure of victory!
+ Brothers in soul with British and with French
+ They held their ground in many a bloody trench;
+ And when the swift word came--
+ _Advance!_
+ Over the top they went through waves of flame,--
+ Confident, reckless, irresistible,
+ Real Americans,--
+ Their rush was never stayed
+ Until the foe fell back, defeated and dismayed.
+ O land that bore them, write upon thy roll
+ Of battles won
+ To liberate the human soul,
+ Chateau Thierry and Saint Mihiel
+ And the fierce agony of the Argonne;
+ Yea, count among thy little rivers, dear
+ Because of friends whose feet have trodden there,
+ The Marne, the Meuse, and the Moselle.
+
+
+III
+
+ Now the vile sword
+ In Potsdam forged and bathed in hell,
+ Is beaten down, the victory given
+ To the sword forged in faith and bathed in heaven.
+ Now home again our heroes come:
+ Oh, welcome them with bugle and with drum,
+ Ring bells, blow whistles, make a joyful noise
+ Unto the Lord,
+ And welcome home our blue-star boys,
+ Whose manhood has made known
+ To all the world America,
+ Unselfish, brave and free, the Great Republic,
+ Who lives not to herself alone.
+
+
+IV
+
+ But many a lad we hold
+ Dear in our heart of hearts
+ Is missing from the home-returning host.
+ Ah, say not they are lost,
+ For they have found and given their life
+ In sacrificial strife:
+ Their service stars have changed from blue to gold!
+ That sudden rapture took them far away,
+ Yet are they here with us to-day,
+ Even as the heavenly stars we cannot see
+ Through the bright veil of sunlight,
+ Shed their influence still
+ On our vexed life, and promise peace
+ From God to all men of good will.
+
+
+V
+
+ What wreaths shall we entwine
+ For our dear boys to deck their holy shrine?
+ Mountain-laurel, morning-glory,
+ Goldenrod and asters blue,
+ Purple loosestrife, prince's-pine,
+ Wild-azalea, meadow-rue,
+ Nodding-lilies, columbine,--
+ All the native blooms that grew
+ In these fresh woods and pastures new,
+ Wherein they loved to ramble and to play.
+ Bring no exotic flowers:
+ America was in their hearts,
+ And they are ours
+ For ever and a day.
+
+
+VI
+
+ O happy warriors, forgive the tear
+ Falling from eyes that miss you:
+ Forgive the word of grief from mother-lips
+ That ne'er on earth shall kiss you;
+ Hear only what our hearts would have you hear,--
+ Glory and praise and gratitude and pride
+ From the dear country in whose cause you died.
+ Now you have run your race and won your prize,
+ Old age shall never burden you, the fears
+ And conflicts that beset our lingering years
+ Shall never vex your souls in Paradise.
+ Immortal, young, and crowned with victory,
+ From life's long battle you have found release.
+ And He who died for all on Calvary
+ Has welcomed you, brave soldiers of the cross,
+ Into eternal Peace.
+
+
+VII
+
+ Come, let us gird our loins and lift our load,
+ Companions who are left on life's rough road,
+ And bravely take the way that we must tread
+ To keep true faith with our beloved dead.
+ To conquer war they dared their lives to give,
+ To safeguard peace our hearts must learn to live.
+ Help us, dear God, our forward faith to hold!
+ We want a better world than that of old.
+ Lead us on paths of high endeavor,
+ Toiling upward, climbing ever,
+ Ready to suffer for the right,
+ Until at last we gain a loftier height,
+ More worthy to behold
+ Our guiding stars, our hero-stars of gold.
+
+Ode for the Memorial Service,
+Princeton University, December 15, 1918.
+
+
+
+IN THE BLUE HEAVEN
+
+
+ In the blue heaven the clouds will come and go,
+ Scudding before the gale, or drifting slow
+ As galleons becalmed in Sundown Bay:
+ And through the air the birds will wing their way
+ Soaring to far-off heights, or flapping low,
+ Or darting like an arrow from the bow;
+ And when the twilight comes the stars will show,
+ One after one, their tranquil bright array
+ In the blue heaven.
+
+ But ye who fearless flew to meet the foe,
+ Eagles of freedom,--nevermore, we know,
+ Shall we behold you floating far away.
+ Yet clouds and birds and every starry ray
+ Will draw our heart to where your spirits glow
+ In the blue Heaven.
+
+For the American Aviators who died in the war.
+
+March, 1919.
+
+
+
+A SHRINE IN THE PANTHEON
+
+FOR THE UNNAMED SOLDIERS WHO DIED IN FRANCE
+
+
+Universal approval has been accorded the proposal made in the
+French Chamber that the ashes of an unnamed French soldier,
+fallen for his country, shall be removed with solemn ceremony to
+the Pantheon. In this way it is intended to honor by a symbolic
+ceremony the memory of all who lie in unmarked graves.
+
+
+ Here the great heart of France,
+ Victor in noble strife,
+ Doth consecrate a Poilu's tomb
+ To those who saved her life!
+
+ Brave son without a name,
+ Your country calls you home,
+ To rest among her heirs of fame,
+ Beneath the Pantheon's dome!
+
+ Now from the height of Heaven,
+ The souls of heroes look;
+ Their names, ungraven on this stone,
+ Are written in God's book.
+
+ Women of France, who mourn
+ Your dead in unmarked ground,
+ Come hither! Here the man you loved
+ In the heart of France is found!
+
+
+
+
+IN PRAISE OF POETS
+
+
+
+MOTHER EARTH
+
+
+ Mother of all the high-strung poets and singers departed,
+ Mother of all the grass that weaves over their graves the glory of the
+ field,
+ Mother of all the manifold forms of life, deep-bosomed, patient,
+ impassive,
+ Silent brooder and nurse of lyrical joys and sorrows!
+ Out of thee, yea, surely out of the fertile depth below thy breast,
+ Issued in some strange way, thou lying motionless, voiceless,
+ All these songs of nature, rhythmical, passionate, yearning.
+ Coming in music from earth, but not unto earth returning.
+
+ Dust are the blood-red hearts that beat in time to these measures,
+ Thou hast taken them back to thyself, secretly, irresistibly
+ Drawing the crimson currents of life down, down, down
+ Deep into thy bosom again, as a river is lost in the sand.
+ But the souls of the singers have entered into the songs that revealed
+ them,--
+ Passionate songs, immortal songs of joy and grief and love and longing,
+ Floating from heart to heart of thy children, they echo above thee:
+ Do they not utter thy heart, the voices of those that love thee?
+
+ Long hadst thou lain like a queen transformed by some old enchantment
+ Into an alien shape, mysterious, beautiful, speechless,
+ Knowing not who thou wert, till the touch of thy Lord and Lover
+ Wakened the man-child within thee to tell thy secret.
+ All of thy flowers and birds and forests and flowing waters
+ Are but the rhythmical forms to reveal the life of the spirit;
+ Thou thyself, earth-mother, in mountain and meadow and ocean,
+ Holdest the poem of God, eternal thought and emotion.
+
+December, 1905.
+
+
+
+MILTON
+
+
+I
+
+ Lover of beauty, walking on the height
+ Of pure philosophy and tranquil song;
+ Born to behold the visions that belong
+ To those who dwell in melody and light;
+ Milton, thou spirit delicate and bright!
+ What drew thee down to join the Roundhead throng
+ Of iron-sided warriors, rude and strong,
+ Fighting for freedom in a world half night?
+
+ Lover of Liberty at heart wast thou,
+ Above all beauty bright, all music clear:
+ To thee she bared her bosom and her brow,
+ Breathing her virgin promise in thine ear,
+ And bound thee to her with a double vow,--
+ Exquisite Puritan, grave Cavalier!
+
+
+II
+
+ The cause, the cause for which thy soul resigned
+ Her singing robes to battle on the plain,
+ Was won, O poet, and was lost again;
+ And lost the labour of thy lonely mind
+ On weary tasks of prose. What wilt thou find
+ To comfort thee for all the toil and pain?
+ What solace, now thy sacrifice is vain
+ And thou art left forsaken, poor, and blind?
+
+ Like organ-music comes the deep reply:
+ "The cause of truth looks lost, but shall be won.
+ For God hath given to mine inward eye
+ Vision of England soaring to the sun.
+ And granted me great peace before I die,
+ In thoughts of lowly duty bravely done."
+
+
+III
+
+ O bend again above thine organ-board,
+ Thou blind old poet longing for repose!
+ Thy Master claims thy service not with those
+ Who only stand and wait for His reward;
+ He pours the heavenly gift of song restored
+ Into thy breast, and bids thee nobly close
+ A noble life, with poetry that flows
+ In mighty music of the major chord.
+
+ Where hast thou learned this deep, majestic strain,
+ Surpassing all thy youthful lyric grace,
+ To sing of Paradise? Ah, not in vain
+ The griefs that won at Dante's side thy place,
+ And made thee, Milton, by thy years of pain,
+ The loftiest poet of the English race!
+
+1908.
+
+
+
+WORDSWORTH
+
+
+ Wordsworth, thy music like a river rolls
+ Among the mountains, and thy song is fed
+ By living springs far up the watershed;
+ No whirling flood nor parching drought controls
+ The crystal current: even on the shoals
+ It murmurs clear and sweet; and when its bed
+ Deepens below mysterious cliffs of dread,
+ Thy voice of peace grows deeper in our souls.
+
+ But thou in youth hast known the breaking stress
+ Of passion, and hast trod despair's dry ground
+ Beneath black thoughts that wither and destroy.
+ Ah, wanderer, led by human tenderness
+ Home to the heart of Nature, thou hast found
+ The hidden Fountain of Recovered Joy.
+
+October, 1906.
+
+
+
+KEATS
+
+
+ The melancholy gift Aurora gained
+ From Jove, that her sad lover should not see
+ The face of death, no goddess asked for thee,
+ My Keats! But when the scarlet blood-drop stained
+ Thy pillow, thou didst read the fate ordained,--
+ Brief life, wild love, a flight of poesy!
+ And then,--a shadow fell on Italy:
+ Thy star went down before its brightness waned.
+
+ Yet thou hast won the gift Tithonus missed:
+ Never to feel the pain of growing old,
+ Nor lose the blissful sight of beauty's truth,
+ But with the ardent lips Urania kissed
+ To breathe thy song, and, ere thy heart grew cold,
+ Become the Poet of Immortal Youth.
+
+August, 1906.
+
+
+
+SHELLEY
+
+
+ Knight-errant of the Never-ending Quest,
+ And Minstrel of the Unfulfilled Desire;
+ For ever tuning thy frail earthly lyre
+ To some unearthly music, and possessed
+ With painful passionate longing to invest
+ The golden dream of Love's immortal fire
+ With mortal robes of beautiful attire,
+ And fold perfection to thy throbbing breast!
+
+ What wonder, Shelley, that the restless wave
+ Should claim thee and the leaping flame consume
+ Thy drifted form on Viareggio's beach?
+ These were thine elements,--thy fitting grave.
+ But still thy soul rides on with fiery plume,
+ Thy wild song rings in ocean's yearning speech!
+
+August, 1906.
+
+
+
+ROBERT BROWNING
+
+
+ How blind the toil that burrows like the mole,
+ In winding graveyard pathways underground,
+ For Browning's lineage! What if men have found
+ Poor footmen or rich merchants on the roll
+ Of his forbears? Did they beget his soul?
+ Nay, for he came of ancestry renowned
+ Through all the world,--the poets laurel-crowned
+ With wreaths from which the autumn takes no toll.
+
+ The blazons on his coat-of-arms are these:
+ The flaming sign of Shelley's heart on fire,
+ The golden globe of Shakespeare's human stage,
+ The staff and scrip of Chaucer's pilgrimage,
+ The rose of Dante's deep, divine desire,
+ The tragic mask of wise Euripides.
+
+November, 1906.
+
+
+
+TENNYSON
+
+In Lucem Transitus, October, 1892
+
+
+ From the misty shores of midnight, touched with splendours of the moon,
+ To the singing tides of heaven, and the light more clear than noon,
+ Passed a soul that grew to music till it was with God in tune.
+
+ Brother of the greatest poets, true to nature, true to art;
+ Lover of Immortal Love, uplifter of the human heart;
+ Who shall cheer us with high music, who shall sing, if thou depart?
+
+ Silence here--for love is silent, gazing on the lessening sail;
+ Silence here--for grief is voiceless when the mighty minstrels fail;
+ Silence here--but far beyond us, many voices crying, Hail!
+
+
+
+"IN MEMORIAM"
+
+
+ The record of a faith sublime,
+ And hope, through clouds, far-off discerned;
+ The incense of a love that burned
+ Through pain and doubt defying Time:
+
+ The story of a soul at strife
+ That learned at last to kiss the rod,
+ And passed through sorrow up to God,
+ From living to a higher life:
+
+ A light that gleams across the wave
+ Of darkness, down the rolling years,
+ Piercing the heavy mist of tears--
+ A rainbow shining o'er a grave.
+
+
+
+VICTOR HUGO
+
+1802-1902
+
+
+ Heart of France for a hundred years,
+ Passionate, sensitive, proud, and strong,
+ Quick to throb with her hopes and fears,
+ Fierce to flame with her sense of wrong!
+ You, who hailed with a morning song
+ Dream-light gilding a throne of old:
+ You, who turned when the dream grew cold,
+ Singing still, to the light that shone
+ Pure from Liberty's ancient throne,
+ Over the human throng!
+ You, who dared in the dark eclipse,--
+ When the pygmy heir of a giant name
+ Dimmed the face of the land with shame,--
+ Speak the truth with indignant lips,
+ Call him little whom men called great,
+ Scoff at him, scorn him, deny him,
+ Point to the blood on his robe of state,
+ Fling back his bribes and defy him!
+
+ You, who fronted the waves of fate
+ As you faced the sea from your island home,
+ Exiled, yet with a soul elate,
+ Sending songs o'er the rolling foam,
+ Bidding the heart of man to wait
+ For the day when all should see
+ Floods of wrath from the frowning skies
+ Fall on an Empire founded in lies,
+ And France again be free!
+ You, who came in the Terrible Year
+ Swiftly back to your broken land,
+ Now to your heart a thousand times more dear,--
+ Prayed for her, sung to her, fought for her,
+ Patiently, fervently wrought for her,
+ Till once again,
+ After the storm of fear and pain,
+ High in the heavens the star of France stood clear!
+
+ You, who knew that a man must take
+ Good and ill with a steadfast soul,
+ Holding fast, while the billows roll
+ Over his head, to the things that make
+ Life worth living for great and small,
+ Honour and pity and truth,
+ The heart and the hope of youth,
+ And the good God over all!
+ You, to whom work was rest,
+ Dauntless Toiler of the Sea,
+ Following ever the joyful quest
+ Of beauty on the shores of old Romance,
+ Bard of the poor of France,
+ And warrior-priest of world-wide charity!
+ You who loved little children best
+ Of all the poets that ever sung,
+ Great heart, golden heart,
+ Old, and yet ever young,
+ Minstrel of liberty,
+ Lover of all free, winged things,
+ Now at last you are free,--
+ Your soul has its wings!
+ Heart of France for a hundred years,
+ Floating far in the light that never fails you,
+ Over the turmoil of mortal hopes and fears
+ Victor, forever victor, the whole world hails you!
+
+March, 1902.
+
+
+
+LONGFELLOW
+
+
+ In a great land, a new land, a land full of labour and riches and
+ confusion,
+ Where there were many running to and fro, and shouting, and striving
+ together,
+ In the midst of the hurry and the troubled noise, I heard the voice of
+ one singing.
+
+ "What are you doing there, O man, singing quietly amid all this tumult?
+ This is the time for new inventions, mighty shoutings, and blowings of
+ the trumpet."
+ But he answered, "I am only shepherding my sheep with music."
+
+ So he went along his chosen way, keeping his little flock around him;
+ And he paused to listen, now and then, beside the antique fountains,
+ Where the faces of forgotten gods were refreshed with musically falling
+ waters;
+
+ Or he sat for a while at the blacksmith's door, and heard the cling-clang
+ of the anvils;
+ Or he rested beneath old steeples full of bells, that showered their
+ chimes upon him;
+ Or he walked along the border of the sea, drinking in the long roar of
+ the billows;
+
+ Or he sunned himself in the pine-scented shipyard, amid the tattoo of
+ the mallets;
+ Or he leaned on the rail of the bridge, letting his thoughts flow with
+ the whispering river;
+ He hearkened also to ancient tales, and made them young again with his
+ singing.
+
+ Then a flaming arrow of death fell on his flock, and pierced the heart
+ of his dearest!
+ Silent the music now, as the shepherd entered the mystical temple of
+ sorrow:
+ Long he tarried in darkness there: but when he came out he was singing.
+
+ And I saw the faces of men and women and children silently turning toward
+ him;
+ The youth setting out on the journey of life, and the old man waiting
+ beside the last mile-stone;
+ The toiler sweating beneath his load; and the happy mother rocking her
+ cradle;
+
+ The lonely sailor on far-off seas; and the gray-minded scholar in his
+ book-room;
+ The mill-hand bound to a clacking machine; and the hunter in the forest;
+ And the solitary soul hiding friendless in the wilderness of the city;
+
+ Many human faces, full of care and longing, were drawn irresistibly
+ toward him,
+ By the charm of something known to every heart, yet very strange and
+ lovely,
+ And at the sound of his singing wonderfully all their faces were
+ lightened.
+
+ "Why do you listen, O you people, to this old and world-worn music?
+ This is not for you, in the splendour of a new age, in the democratic
+ triumph!
+ Listen to the clashing cymbals, the big drums, the brazen trumpets of
+ your poets."
+
+ But the people made no answer, following in their hearts the simpler
+ music:
+ For it seemed to them, noise-weary, nothing could be better worth the
+ hearing
+ Than the melodies which brought sweet order into life's confusion.
+
+ So the shepherd sang his way along, until he came unto a mountain:
+ And I know not surely whether the mountain was called Parnassus,
+ But he climbed it out of sight, and still I heard the voice of one
+ singing.
+
+January, 1907.
+
+
+
+THOMAS BAILEY ALDRICH
+
+
+I
+
+BIRTHDAY VERSES, 1906
+
+ Dear Aldrich, now November's mellow days
+ Have brought another _Festa_ round to you,
+ You can't refuse a loving-cup of praise
+ From friends the fleeting years have bound to you.
+
+ Here come your Marjorie Daw, your dear Bad Boy,
+ Prudence, and Judith the Bethulian,
+ And many more, to wish you birthday joy,
+ And sunny hours, and sky cerulean!
+
+ Your children all, they hurry to your den,
+ With wreaths of honour they have won for you,
+ To merry-make your threescore years and ten.
+ You, old? Why, life has just begun for you!
+
+ There's many a reader whom your silver songs
+ And crystal stories cheer in loneliness.
+ What though the newer writers come in throngs?
+ You're sure to keep your charm of only-ness.
+
+ You do your work with careful, loving touch,--
+ An artist to the very core of you,--
+ You know the magic spell of "not-too-much":
+ We read,--and wish that there was more of you.
+
+ And more there is: for while we love your books
+ Because their subtle skill is part of you;
+ We love _you_ better, for our friendship looks
+ Behind them to the human heart of you.
+
+
+II
+
+MEMORIAL SONNET, 1908
+
+ This is the house where little Aldrich read
+ The early pages of Life's wonder-book
+ With boyish pleasure: in this ingle-nook
+ He watched the drift-wood fire of Fancy shed
+ Bright colour on the pictures blue and red:
+ Boy-like he skipped the longer words, and took
+ His happy way, with searching, dreamful look
+ Among the deeper things more simply said.
+
+ Then, came his turn to write: and still the flame
+ Of Fancy played through all the tales he told,
+ And still he won the laurelled poet's fame
+ With simple words wrought into rhymes of gold.
+ Look, here's the face to which this house is frame,--
+ A man too wise to let his heart grow old!
+
+
+
+EDMUND CLARENCE STEDMAN
+
+(Read at His Funeral, January 21, 1908)
+
+
+ Oh, quick to feel the lightest touch
+ Of beauty or of truth,
+ Rich in the thoughtfulness of age,
+ The hopefulness of youth,
+ The courage of the gentle heart,
+ The wisdom of the pure,
+ The strength of finely tempered souls
+ To labour and endure!
+
+ The blue of springtime in your eyes
+ Was never quenched by pain;
+ And winter brought your head the crown
+ Of snow without a stain.
+ The poet's mind, the prince's heart,
+ You kept until the end,
+ Nor ever faltered in your work,
+ Nor ever failed a friend.
+
+ You followed, through the quest of life,
+ The light that shines above
+ The tumult and the toil of men,
+ And shows us what to love.
+ Right loyal to the best you knew,
+ Reality or dream,
+ You ran the race, you fought the fight,
+ A follower of the Gleam.
+
+ We lay upon your folded hands
+ The wreath of asphodel;
+ We speak above your peaceful face
+ The tender word _Farewell!_
+ For well you fare, in God's good care,
+ Somewhere within the blue,
+ And know, to-day, your dearest dreams
+ Are true,--and true,--and true!
+
+
+
+TO JAMES WHITCOMB RILEY
+
+ON HIS "BOOK OF JOYOUS CHILDREN"
+
+
+ Yours is a garden of old-fashioned flowers;
+ Joyous children delight to play there;
+ Weary men find rest in its bowers,
+ Watching the lingering light of day there.
+
+ Old-time tunes and young love-laughter
+ Ripple and run among the roses;
+ Memory's echoes, murmuring after,
+ Fill the dusk when the long day closes.
+
+ Simple songs with a cadence olden--
+ These you learned in the Forest of Arden:
+ Friendly flowers with hearts all golden--
+ These you borrowed from Eden's garden.
+
+ This is the reason why all men love you;
+ Truth to life is the finest art:
+ Other poets may soar above you--
+ You keep close to the human heart.
+
+December, 1903.
+
+
+
+RICHARD WATSON GILDER
+
+IN MEMORIAM
+
+
+ Soul of a soldier in a poet's frame,
+ Heart of a hero in a body frail;
+ Thine was the courage clear that did not quail
+ Before the giant champions of shame
+ Who wrought dishonour to the city's name;
+ And thine the vision of the Holy Grail
+ Of Love, revealed through Music's lucid veil,
+ Filling thy life with heavenly song and flame.
+
+ Pure was the light that lit thy glowing eye,
+ And strong the faith that held thy simple creed.
+ Ah, poet, patriot, friend, to serve our need
+ Thou leavest two great gifts that will not die:
+ Above the city's noise, thy lyric cry,--
+ Amid the city's strife, thy noble deed.
+
+November, 1909.
+
+
+
+THE VALLEY OF VAIN VERSES
+
+
+ The grief that is but feigning,
+ And weeps melodious tears
+ Of delicate complaining
+ From self-indulgent years;
+ The mirth that is but madness,
+ And has no inward gladness
+ Beneath its laughter straining,
+ To capture thoughtless ears;
+
+ The love that is but passion
+ Of amber-scented lust;
+ The doubt that is but fashion;
+ The faith that has no trust;
+ These Thamyris disperses,
+ In the Valley of Vain Verses
+ Below the Mount Parnassian,--
+ And they crumble into dust.
+
+
+
+
+MUSIC
+
+
+
+MUSIC
+
+
+I
+
+PRELUDE
+
+
+1
+
+ Daughter of Psyche, pledge of that wild night
+ When, pierced with pain and bitter-sweet delight,
+ She knew her Love and saw her Lord depart,
+ Then breathed her wonder and her woe forlorn
+ Into a single cry, and thou wast born!
+ Thou flower of rapture and thou fruit of grief;
+ Invisible enchantress of the heart;
+ Mistress of charms that bring relief
+ To sorrow, and to joy impart
+ A heavenly tone that keeps it undefined,--
+ Thou art the child
+ Of Amor, and by right divine
+ A throne of love is thine,
+ Thou flower-folded, golden-girdled, star-crowned Queen,
+ Whose bridal beauty mortal eyes have never seen!
+
+
+2
+
+ Thou art the Angel of the pool that sleeps,
+ While peace and joy lie hidden in its deeps,
+ Waiting thy touch to make the waters roll
+ In healing murmurs round the weary soul.
+ Ah, when wilt thou draw near,
+ Thou messenger of mercy robed in song?
+ My lonely heart has listened for thee long;
+ And now I seem to hear
+ Across the crowded market-place of life,
+ Thy measured foot-fall, ringing light and clear
+ Above unmeaning noises and unruly strife.
+ In quiet cadence, sweet and slow,
+ Serenely pacing to and fro,
+ Thy far-off steps are magical and dear,--
+ Ah, turn this way, come close and speak to me!
+ From this dull bed of languor set my spirit free,
+ And bid me rise, and let me walk awhile with thee.
+
+
+II
+
+INVOCATION
+
+ Where wilt thou lead me first?
+ In what still region
+ Of thy domain,
+ Whose provinces are legion,
+ Wilt thou restore me to myself again,
+ And quench my heart's long thirst?
+ I pray thee lay thy golden girdle down,
+ And put away thy starry crown:
+ For one dear restful hour
+ Assume a state more mild.
+ Clad only in thy blossom-broidered gown
+ That breathes familiar scent of many a flower,
+ Take the low path that leads through pastures green;
+ And though thou art a Queen,
+ Be Rosamund awhile, and in thy bower,
+ By tranquil love and simple joy beguiled,
+ Sing to my soul, as mother to her child.
+
+
+III
+
+PLAY SONG
+
+ O lead me by the hand,
+ And let my heart have rest,
+ And bring me back to childhood land,
+ To find again the long-lost band
+ Of playmates blithe and blest.
+
+ Some quaint, old-fashioned air,
+ That all the children knew,
+ Shall run before us everywhere,
+ Like a little maid with flying hair,
+ To guide the merry crew.
+
+ Along the garden ways
+ We chase the light-foot tune,
+ And in and out the flowery maze,
+ With eager haste and fond delays,
+ In pleasant paths of June.
+
+ For us the fields are new,
+ For us the woods are rife
+ With fairy secrets, deep and true,
+ And heaven is but a tent of blue
+ Above the game of life.
+
+ The world is far away:
+ The fever and the fret,
+ And all that makes the heart grow gray,
+ Is out of sight and far away,
+ Dear Music, while I hear thee play
+ That olden, golden roundelay,
+ "Remember and forget!"
+
+
+IV
+
+SLEEP SONG
+
+ Forget, forget!
+ The tide of life is turning;
+ The waves of light ebb slowly down the west:
+ Along the edge of dark some stars are burning
+ To guide thy spirit safely to an isle of rest.
+ A little rocking on the tranquil deep
+ Of song, to soothe thy yearning,
+ A little slumber and a little sleep,
+ And so, forget, forget!
+
+ Forget, forget,--
+ The day was long in pleasure;
+ Its echoes die away across the hill;
+ Now let thy heart beat time to their slow measure,
+ That swells, and sinks, and faints, and falls, till all is still.
+ Then, like a weary child that loves to keep
+ Locked in its arms some treasure,
+ Thy soul in calm content shall fall asleep,
+ And so forget, forget.
+
+ Forget, forget,--
+ And if thou hast been weeping,
+ Let go the thoughts that bind thee to thy grief:
+ Lie still, and watch the singing angels, reaping
+ The golden harvest of thy sorrow, sheaf by sheaf;
+ Or count thy joys like flocks of snow-white sheep
+ That one by one come creeping
+ Into the quiet fold, until thou sleep,
+ And so forget, forget!
+
+ Forget, forget,--
+ Thou art a child and knowest
+ So little of thy life! But music tells
+ The secret of the world through which thou goest
+ To work with morning song, to rest with evening bells:
+ Life is in tune with harmony so deep
+ That when the notes are lowest
+ Thou still canst lay thee down in peace and sleep,
+ For God will not forget.
+
+
+V
+
+HUNTING SONG
+
+ Out of the garden of playtime, out of the bower of rest,
+ Fain would I follow at daytime, music that calls to a quest.
+ Hark, how the galloping measure
+ Quickens the pulses of pleasure;
+ Gaily saluting the morn
+ With the long, clear note of the hunting-horn,
+ Echoing up from the valley,
+ Over the mountain side,--
+ Rally, you hunters, rally,
+ Rally, and ride!
+
+ Drink of the magical potion music has mixed with her wine,
+ Full of the madness of motion, joyful, exultant, divine!
+ Leave all your troubles behind you,
+ Ride where they never can find you,
+ Into the gladness of morn,
+ With the long, clear note of the hunting-horn,
+ Swiftly o'er hillock and hollow,
+ Sweeping along with the wind,--
+ Follow, you hunters, follow,
+ Follow and find!
+
+ What will you reach with your riding? What is the charm of the chase?
+ Just the delight and the striding swing of the jubilant pace.
+ Danger is sweet when you front her,--
+ In at the death, every hunter!
+ Now on the breeze the mort is borne
+ In the long, clear note of the hunting-horn,
+ Winding merrily, over and over,--
+ Come, come, come!
+ Home again, Ranger! home again, Rover!
+ Turn again, home!
+
+
+VI
+
+DANCE-MUSIC
+
+
+1
+
+ Now let the sleep-tune blend with the play-tune,
+ Weaving the mystical spell of the dance;
+ Lighten the deep tune, soften the gay tune,
+ Mingle a tempo that turns in a trance.
+ Half of it sighing, half of it smiling,
+ Smoothly it swings, with a triplicate beat;
+ Calling, replying, yearning, beguiling,
+ Wooing the heart and bewitching the feet.
+ Every drop of blood
+ Rises with the flood,
+ Rocking on the waves of the strain;
+ Youth and beauty glide
+ Turning with the tide--
+ Music making one out of twain,
+ Bearing them away, and away, and away,
+ Like a tone and its terce--
+ Till the chord dissolves, and the dancers stay,
+ And reverse.
+
+ Violins leading, take up the measure,
+ Turn with the tune again,--clarinets clear
+ Answer their pleading,--harps full of pleasure
+ Sprinkle their silver like light on the mere.
+ Semiquaver notes,
+ Merry little motes,
+ Tangled in the haze
+ Of the lamp's golden rays,
+ Quiver everywhere
+ In the air,
+ Like a spray,--
+ Till the fuller stream of the might of the tune,
+ Gliding like a dream in the light of the moon,
+ Bears them all away, and away, and away,
+ Floating in the trance of the dance.
+
+
+2
+
+ Then begins a measure stately,
+ Languid, slow, serene;
+ All the dancers move sedately,
+ Stepping leisurely and straitly,
+ With a courtly mien;
+ Crossing hands and changing places,
+ Bowing low between,
+ While the minuet inlaces
+ Waving arms and woven paces,--
+ Glittering damaskeen.
+ Where is she whose form is folden
+ In its royal sheen?
+ From our longing eyes withholden
+ By her mystic girdle golden,
+ Beauty sought but never seen,
+ Music walks the maze, a queen.
+
+
+VII
+
+WAR-MUSIC
+
+ Break off! Dance no more!
+ Danger is at the door.
+ Music is in arms.
+ To signal war's alarms.
+
+ Hark, a sudden trumpet calling
+ Over the hill!
+ Why are you calling, trumpet, calling?
+ What is your will?
+
+ Men, men, men!
+ Men who are ready to fight
+ For their country's life, and the right
+ Of a liberty-loving land to be
+ Free, free, free!
+ Free from a tyrant's chain,
+ Free from dishonor's stain,
+ Free to guard and maintain
+ All that her fathers fought for,
+ All that her sons have wrought for,
+ Resolute, brave, and free!
+
+ Call again, trumpet, call again,
+ Call up the men!
+
+ Do you hear the storm of cheers
+ Mingled with the women's tears
+ And the tramp, tramp, tramp of marching feet?
+ Do you hear the throbbing drum
+ As the hosts of battle come
+ Keeping time, time, time to its beat?
+ O Music give a song
+ To make their spirit strong
+ For the fury of the tempest they must meet.
+
+ The hoarse roar
+ Of the monster guns;
+ And the sharp bark
+ Of the lesser guns;
+ The whine of the shells,
+ The rifles' clatter
+ Where the bullets patter,
+ The rattle, rattle, rattle
+ Of the mitrailleuse in battle,
+ And the yells
+ Of the men who charge through hells
+ Where the poison gas descends,
+ And the bursting shrapnel rends
+ Limb from limb
+ In the dim
+ Chaos and clamor of the strife
+ Where no man thinks of his life
+ But only of fighting through,
+ Blindly fighting through, through!
+
+ 'Tis done
+ At last!
+ The victory won,
+ The dissonance of warfare past!
+
+ O Music mourn the dead
+ Whose loyal blood was shed,
+ And sound the taps for every hero slain;
+ Then lead into the song
+ That made their spirit strong,
+ And tell the world they did not die in vain.
+
+ Thank God we can see, in the glory of morn,
+ The invincible flag that our fathers defended;
+ And our hearts can repeat what the heroes have sworn,
+ That war shall not end till the war-lust is ended.
+ Then the bloodthirsty sword shall no longer be lord
+ Of the nations oppressed by the conqueror's horde,
+ But the banners of Liberty proudly shall wave
+ O'er the _world_ of the free and the lands of the brave.
+
+May, 1916.
+
+
+VIII
+
+THE SYMPHONY
+
+ Music, they do thee wrong who say thine art
+ Is only to enchant the sense.
+ For every timid motion of the heart,
+ And every passion too intense
+ To bear the chain of the imperfect word,
+ And every tremulous longing, stirred
+ By spirit winds that come we know not whence
+ And go we know not where,
+ And every inarticulate prayer
+ Beating about the depths of pain or bliss,
+ Like some bewildered bird
+ That seeks its nest but knows not where it is,
+ And every dream that haunts, with dim delight,
+ The drowsy hour between the day and night,
+ The wakeful hour between the night and day,--
+ Imprisoned, waits for thee,
+ Impatient, yearns for thee,
+ The queen who comes to set the captive free!
+ Thou lendest wings to grief to fly away,
+ And wings to joy to reach a heavenly height;
+ And every dumb desire that storms within the breast
+ Thou leadest forth to sob or sing itself to rest.
+
+ All these are thine, and therefore love is thine.
+ For love is joy and grief,
+ And trembling doubt, and certain-sure belief,
+ And fear, and hope, and longing unexpressed,
+ In pain most human, and in rapture brief
+ Almost divine.
+ Love would possess, yet deepens when denied;
+ And love would give, yet hungers to receive;
+ Love like a prince his triumph would achieve;
+ And like a miser in the dark his joys would hide.
+ Love is most bold,
+ He leads his dreams like armed men in line;
+ Yet when the siege is set, and he must speak,
+ Calling the fortress to resign
+ Its treasure, valiant love grows weak,
+ And hardly dares his purpose to unfold.
+ Less with his faltering lips than with his eyes
+ He claims the longed-for prize:
+ Love fain would tell it all, yet leaves the best untold.
+ But thou shalt speak for love. Yea, thou shalt teach
+ The mystery of measured tone,
+ The Pentecostal speech
+ That every listener heareth as his own.
+ For on thy head the cloven tongues of fire,--
+ Diminished chords that quiver with desire,
+ And major chords that glow with perfect peace,--
+ Have fallen from above;
+ And thou canst give release
+ In music to the burdened heart of love.
+
+ Sound with the 'cellos' pleading, passionate strain
+ The yearning theme, and let the flute reply
+ In placid melody, while violins complain,
+ And sob, and sigh,
+ With muted string;
+ Then let the oboe half-reluctant sing
+ Of bliss that trembles on the verge of pain,
+ While 'cellos plead and plead again,
+ With throbbing notes delayed, that would impart
+ To every urgent tone the beating of the heart.
+ So runs the andante, making plain
+ The hopes and fears of love without a word.
+ Then comes the adagio, with a yielding theme
+ Through which the violas flow soft as in a dream,
+ While horns and mild bassoons are heard
+ In tender tune, that seems to float
+ Like an enchanted boat
+ Upon the downward-gliding stream,
+ Toward the allegro's wide, bright sea
+ Of dancing, glittering, blending tone,
+ Where every instrument is sounding free,
+ And harps like wedding-chimes are rung, and trumpets blown
+ Around the barque of love
+ That rides, with smiling skies above,
+ A royal galley, many-oared,
+ Into the happy harbour of the perfect chord.
+
+
+IX
+
+IRIS
+
+ Light to the eye and Music to the ear,--
+ These are the builders of the bridge that springs
+ From earth's dim shore of half-remembered things
+ To reach the heavenly sphere
+ Where nothing silent is and nothing dark.
+ So when I see the rainbow's arc
+ Spanning the showery sky, far-off I hear
+ Music, and every colour sings:
+ And while the symphony builds up its round
+ Full sweep of architectural harmony
+ Above the tide of Time, far, far away I see
+ A bow of colour in the bow of sound.
+ Red as the dawn the trumpet rings;
+ Blue as the sky, the choir of strings
+ Darkens in double-bass to ocean's hue,
+ Rises in violins to noon-tide's blue,
+ With threads of quivering light shot through and through;
+ Green as the mantle that the summer flings
+ Around the world, the pastoral reeds in tune
+ Embroider melodies of May and June.
+ Purer than gold,
+ Yea, thrice-refined gold,
+ And richer than the treasures of the mine,
+ Floods of the human voice divine
+ Along the arch in choral song are rolled.
+ So bends the bow complete:
+ And radiant rapture flows
+ Across the bridge, so full, so strong, so sweet,
+ That the uplifted spirit hardly knows
+ Whether the Music-Light that glows
+ Within the arch of tones and colours seven,
+ Is sunset-peace of earth or sunrise-joy of Heaven.
+
+
+X
+
+SEA AND SHORE
+
+ Music, I yield to thee
+ As swimmer to the sea,
+ I give my spirit to the flood of song!
+ Bear me upon thy breast
+ In rapture and at rest,
+ Bathe me in pure delight and make me strong;
+ From strife and struggle bring release,
+ And draw the waves of passion into tides of peace.
+
+ Remembered songs most dear
+ In living songs I hear,
+ While blending voices gently swing and sway,
+ In melodies of love,
+ Whose mighty currents move
+ With singing near and singing far away;
+ Sweet in the glow of morning light,
+ And sweeter still across the starlit gulf of night.
+
+ Music, in thee we float,
+ And lose the lonely note
+ Of self in thy celestial-ordered strain,
+ Until at last we find
+ The life to love resigned
+ In harmony of joy restored again;
+ And songs that cheered our mortal days
+ Break on the shore of light in endless hymns of praise.
+
+December, 1901--May, 1903--May, 1916.
+
+
+
+MASTER OF MUSIC
+
+(In memory of Theodore Thomas, 1905)
+
+
+ Glory architect, glory of painter, and sculptor, and bard,
+ Living forever in temple and picture and statue and song,--
+ Look how the world with the lights that they lit is illumined and
+ starred;
+ Brief was the flame of their life, but the lamps of their art burn
+ long!
+
+ Where is the Master of Music, and how has he vanished away?
+ Where is the work that he wrought with his wonderful art in the air?
+ Gone,--it is gone like the glow on the cloud at the close of the day!
+ The Master has finished his work and the glory of music is--where?
+
+ Once, at the wave of his wand, all the billows of musical sound
+ Followed his will, as the sea was ruled by the prophet of old:
+ Now that his hand is relaxed, and his rod has dropped to the ground,
+ Silent and dark are the shores where the marvellous harmonies rolled!
+
+ Nay, but not silent the hearts that were filled by that life-giving sea;
+ Deeper and purer forever the tides of their being will roll,
+ Grateful and joyful, O Master, because they have listened to thee;
+ The glory of music endures in the depths of the human soul.
+
+
+
+THE PIPES O' PAN
+
+
+ Great Nature had a million words,
+ In tongues of trees and songs of birds,
+ But none to breathe the heart of man,
+ Till Music filled the pipes o' Pan.
+
+1909.
+
+
+
+TO A YOUNG GIRL SINGING
+
+
+ Oh, what do you know of the song, my dear,
+ And how have you made it your own?
+ You have caught the turn of the melody clear,
+ And you give it again with a golden tone,
+ Till the wonder-word and the wedded note
+ Are flowing out of your beautiful throat
+ With a liquid charm for every ear:
+ And they talk of your art,--but for you alone
+ The song is a thing, unheard, unknown;
+ You only have learned it by rote.
+
+ But when you have lived for awhile, my dear,
+ I think you will learn it anew!
+ For a joy will come, or a grief, or a fear,
+ That will alter the look of the world for you;
+ And the lyric you learned as a bit of art,
+ Will wake to life as a wonderful part
+ Of the love you feel so deep and true;
+ And the thrill of a laugh or the throb of a tear,
+ Will come with your song to all who hear;
+ For then you will know it by heart.
+
+April, 1911.
+
+
+
+THE OLD FLUTE
+
+
+ The time will come when I no more can play
+ This polished flute: the stops will not obey
+ My gnarled fingers; and the air it weaves
+ In modulations, like a vine with leaves
+ Climbing around the tower of song, will die
+ In rustling autumn rhythms, confused and dry.
+ My shortened breath no more will freely fill
+ This magic reed with melody at will;
+ My stiffened lips will try and try in vain
+ To wake the liquid, leaping, dancing strain;
+ The heavy notes will falter, wheeze, and faint,
+ Or mock my ear with shrillness of complaint.
+
+ Then let me hang this faithful friend of mine
+ Upon the trunk of some old, sacred pine,
+ And sit beneath the green protecting boughs
+ To hear the viewless wind, that sings and soughs
+ Above me, play its wild, aerial lute,
+ And draw a ghost of music from my flute!
+
+ So will I thank the gods; and most of all
+ The Delian Apollo, whom men call
+ The mighty master of immortal sound,--
+ Lord of the billows in their chanting round,
+ Lord of the winds that fill the wood with sighs,
+ Lord of the echoes and their sweet replies,
+ Lord of the little people of the air
+ That sprinkle drops of music everywhere,
+ Lord of the sea of melody that laves
+ The universe with never silent waves,--
+ Him will I thank that this brief breath of mine
+ Has caught one cadence of the song divine;
+ And these frail fingers learned to rise and fall
+ In time with that great tune which throbs thro' all;
+ And these poor lips have lent a lilt of joy
+ To songless men whom weary tasks employ!
+ My life has had its music, and my heart
+ In harmony has borne a little part,
+ And now I come with quiet, grateful breast
+ To Death's dim hall of silence and of rest.
+
+Freely rendered from the French of Auguste Angellier, 1911.
+
+
+
+THE FIRST BIRD O' SPRING
+
+TO OLIVE WHEELER
+
+
+ Winter on Mount Shasta,
+ April down below;
+ Golden hours of glowing sun,
+ Sudden showers of snow!
+ Under leafless thickets
+ Early wild-flowers cling;
+ But, oh, my dear, I'm fain to hear
+ The first bird o' Spring!
+
+ Alders are in tassel,
+ Maples are in bud;
+ Waters of the blue McCloud
+ Shout in joyful flood;
+ Through the giant pine-trees
+ Flutters many a wing;
+ But, oh, my dear, I long to hear
+ The first bird o' Spring!
+
+ Candle-light and fire-light
+ Mingle at "the Bend;"
+ 'Neath the roof of Bo-hai-pan
+ Light and shadow blend.
+ Sweeter than a wood-thrush
+ A maid begins to sing;
+ And, oh, my dear, I'm glad to hear
+ The first bird o' Spring!
+
+The Bend, California, April 29, 1913.
+
+
+
+
+THE HOUSE OF RIMMON
+
+A DRAMA IN FOUR ACTS
+
+
+DRAMATIS PERSONAE
+
+BENHADAD: King of Damascus.
+REZON: High Priest of the House of Rimmon.
+SABALLIDIN: A Noble.
+HAZAEL }
+IZDUBHAR } Courtiers.
+RAKHAZ }
+SHUMAKIM: The King's Fool.
+ELISHA: Prophet of Israel.
+NAAMAN: Captain of the Armies of Damascus.
+RUAHMAH: A Captive Maid of Israel.
+TSARPI: Wife to Naaman.
+KHAMMA }
+NUBTA } Attendants of Tsarpi.
+
+Soldiers, Servants, Citizens, etc., etc.
+
+SCENE: _Damascus and the Mountains of Samaria._
+
+TIME: 850 _B. C._
+
+
+
+ACT I
+
+
+SCENE I
+
+_Night, in the garden of NAAMAN at Damascus. At the left the palace,
+ with softly gleaming lights and music coming from the open latticed
+ windows. The garden is full of oleanders, roses, pomegranates,
+ abundance of crimson flowers; the air is heavy with their fragrance:
+ a fountain at the right is plashing gently: behind it is an arbour
+ covered with vines. Near the centre of the garden stands a small,
+ hideous image of the god Rimmon. Beyond the arbour rises the lofty
+ square tower of the House of Rimmon, which casts a shadow from the
+ moon across the garden. The background is a wide, hilly landscape,
+ with the snow-clad summit of Mount Herman in the distance. Enter
+ by the palace door, the lady TSARPI, robed in red and gold, and
+ followed by her maids, KHAMMA and NUBTA. She remains on the
+ terrace: they go down into the garden, looking about, and
+ returning to her._
+
+KHAMMA:
+ There's no one here; the garden is asleep.
+
+NUBTA:
+ The flowers are nodding, all the birds abed,--
+ Nothing awake except the watchful stars!
+
+KHAMMA:
+ The stars are sentinels discreet and mute:
+ How many things they know and never tell!
+
+TSARPI: [Impatiently.]
+ Unlike the stars, how many things you tell
+ And do not know! When comes your master home?
+
+NUBTA:
+ Lady, his armour-bearer brought us word,--
+ At moonset, not before.
+
+TSARPI:
+ He haunts the camp
+ And leaves me much alone; yet I can pass
+ The time of absence not unhappily,
+ If I but know the time of his return.
+ An hour of moonlight yet! Khamma, my mirror!
+ These curls are ill arranged, this veil too low,--
+ So,--that is better, careless maids! Withdraw,--
+ But bring me word if Naaman appears!
+
+KHAMMA:
+ Mistress, have no concern; for when we hear
+ The clatter of his horse along the street,
+ We'll run this way and lead your dancers down
+ With song and laughter,--you shall know in time.
+
+ [Exeunt KHAMMA and NUBTA laughing, TSARPI descends
+ the steps.]
+
+TSARPI:
+ My guest is late; but he will surely come!
+ The man who burns to drain the cup of love,
+ The priest whose greed of glory never fails,
+ Both, both have need of me, and he will come.
+ And I,--what do I need? Why everything
+ That helps my beauty to a higher throne;
+ All that a priest can promise, all a man
+ Can give, and all a god bestow, I need:
+ This may a woman win, and this will I.
+
+ [Enter REZON quietly from the shadow of the trees.
+ He stands behind TSARPI and listens, smiling,
+ to her last words. Then he drops his mantle of
+ leopard-skin, and lifts his high priest's rod of
+ bronze, shaped at one end like a star.]
+
+REZON:
+ Tsarpi!
+
+TSARPI: [Bowing low before him.]
+ The mistress of the house of Naaman
+ Salutes the master of the House of Rimmon.
+
+REZON:
+ Rimmon receives you with his star of peace,
+ For you were once a handmaid of his altar.
+
+ [He lowers the star-point of the rod, which glows
+ for a moment with rosy light above her head.]
+
+ And now the keeper of his temple asks
+ The welcome of the woman for the man.
+
+TSARPI: [Giving him her hand, but holding off his embrace.]
+ No more,--till I have heard what brings you here
+ By night, within the garden of the one
+ Who scorns you most and fears you least in all
+ Damascus.
+
+REZON:
+ Trust me, I repay his scorn
+ With double hatred,--Naaman, the man
+ Who stands against the nobles and the priests,
+ This powerful fool, this impious devotee
+ Of liberty, who loves the people more
+ Than he reveres the city's ancient god:
+ This frigid husband who sets you below
+ His dream of duty to a horde of slaves:
+ This man I hate, and I will humble him.
+
+TSARPI:
+ I think I hate him too. He stands apart
+ From me, ev'n while he holds me in his arms,
+ By something that I cannot understand.
+ He swears he loves his wife next to his honour!
+ Next? That's too low! I will be first or nothing.
+
+REZON:
+ With me you are the first, the absolute!
+ When you and I have triumphed you shall reign;
+ And you and I will bring this hero down.
+
+TSARPI:
+ But how? For he is strong.
+
+REZON:
+ By this, the hand
+ Of Tsarpi; and by this, the rod of Rimmon.
+
+TSARPI:
+ Your plan?
+
+REZON:
+ You know the host of Nineveh
+ Is marching now against us. Envoys come
+ To bid us yield before a hopeless war.
+ Our king is weak: the nobles, being rich,
+ Would purchase peace to make them richer still:
+ Only the people and the soldiers, led
+ By Naaman, would fight for liberty.
+ Blind fools! To-day the envoys came to me,
+ And talked with me in secret. Promises,
+ Great promises! For every noble house
+ That urges peace, a noble recompense:
+ The King, submissive, kept in royal state
+ And splendour: most of all, honour and wealth
+ Shall crown the House of Rimmon, and his priest,--
+ Yea, and his priestess! For we two will rise
+ Upon the city's fall. The common folk
+ Shall suffer; Naaman shall sink with them
+ In wreck; but I shall rise, and you shall rise
+ Above me! You shall climb, through incense-smoke,
+ And days of pomp, and nights of revelry,
+ Unto the topmost room in Rimmon's tower,
+ The secret, lofty room, the couch of bliss,
+ And the divine embraces of the god.
+
+TSARPI: [Throwing out her arms in exultation.]
+ All, all I wish! What must I do for this?
+
+REZON:
+ Turn Naaman away from thoughts of war.
+
+TSARPI:
+ But if I fail? His will is proof against
+ The lure of kisses and the wile of tears.
+
+REZON:
+ Where woman fails, woman and priest succeed.
+ Before the King decides, he must consult
+ The oracle of Rimmon. This my hands
+ Prepare,--and you shall read the signs prepared
+ In words of fear to melt the brazen heart
+ Of Naaman.
+
+TSARPI:
+ But if it flame instead?
+
+REZON:
+ I know a way to quench that flame. The cup,
+ The parting cup your hand shall give to him!
+ What if the curse of Rimmon should infect
+ That sacred wine with poison, secretly
+ To work within his veins, week after week
+ Corrupting all the currents of his blood,
+ Dimming his eyes, wasting his flesh? What then?
+ Would he prevail in war? Would he come back
+ To glory, or to shame? What think you?
+
+TSARPI:
+ I?--
+ I do not think; I only do my part.
+ But can the gods bless this?
+
+REZON:
+ The gods can bless
+ Whatever they decree; their will makes right;
+ And this is for the glory of the House
+ Of Rimmon,--and for thee, my queen. Come, come!
+ The night grows dark: we'll perfect our alliance.
+
+ [REZON draws her with him, embracing her, through
+ the shadows of the garden. RUAHMAH, who has been
+ sleeping in the arbour, has been awakened during
+ the dialogue, and has been dimly visible in her
+ white dress, behind the vines. She parts them and
+ comes out, pushing back her long, dark hair from
+ her temples.]
+
+RUAHMAH:
+ What have I heard? O God, what shame is this
+ Plotted beneath Thy pure and silent stars!
+ Was it for this that I was brought away
+ A captive from the hills of Israel
+ To serve the heathen in a land of lies?
+ Ah, treacherous, shameful priest! Ah, shameless wife
+ Of one too noble to suspect thy guilt!
+ The very greatness of his generous heart
+ Betrays him to their hands. What can I do!
+ Nothing,--a slave,--hated and mocked by all
+ My fellow-slaves! O bitter prison-life!
+ I smother in this black, betraying air
+ Of lust and luxury; I faint beneath
+ The shadow of this House of Rimmon. God
+ Have mercy! Lead me out to Israel.
+ To Israel!
+
+ [Music and laughter heard within the palace. The
+ doors fly open and a flood of men and women,
+ dancers, players, flushed with wine, dishevelled,
+ pour down the steps, KHAMMA and NUBTA with them.
+ They crown the image with roses and dance around
+ it. RUAHMAH is discovered crouching beside the
+ arbour. They drag her out beside the image.]
+
+NUBTA:
+ Look! Here's the Hebrew maid,--
+ She's homesick; let us comfort her!
+
+KHAMMA: [They put their arms around her.]
+ Yes, dancing is the cure for homesickness.
+ We'll make her dance.
+
+RUAHMAH: [She slips away.]
+ I pray you, let me go!
+ I cannot dance, I do not know your measures.
+
+KHAMMA:
+ Then sing for us,--a song of Israel!
+
+RUAHMAH:
+ How can I sing the songs of Israel
+ In this strange country? O my heart would break!
+
+A SERVANT:
+ A stubborn and unfriendly maid! We'll whip her.
+
+ [They circle around her, striking her with
+ rose-branches; she sinks to her knees, covering
+ her face with her bare arms, which bleed.]
+
+NUBTA:
+ Look, look! She kneels to Rimmon, she is tamed.
+
+RUAHMAH: [Springing up and lifting her arms.]
+ Nay, not to this dumb idol, but to Him
+ Who made Orion and the seven stars!
+
+ALL:
+ She raves,--she mocks at Rimmon! Punish her!
+ The fountain! Wash her blasphemy away!
+
+ [They push her toward the fountain, laughing and
+ shouting. In the open door of the palace NAAMAN
+ appears, dressed in blue and silver, bareheaded
+ and unarmed. He comes to the top of the steps
+ and stands for a moment, astonished and angry.]
+
+NAAMAN:
+ Silence! What drunken rout is this? Begone,
+ Ye barking dogs and mewing cats! Out, all!
+ Poor child, what have they done to thee?
+
+ [Exeunt all except RUAHMAH, who stands with her
+ face covered by her hands. NAAMAN comes to her,
+ laying his hand on her shoulder.]
+
+RUAHMAH: [Looking up in his face.]
+ Nothing,
+ My lord and master! They have harmed me not.
+
+NAAMAN: [Touching her arm.]
+ Dost call this nothing?
+
+RUAHMAH:
+ Since my lord is come!
+
+NAAMAN:
+ I do not know thy face,--who art thou, child?
+
+RUAHMAH:
+ The handmaid of thy wife.
+
+NAAMAN:
+ Whence comest thou?
+ Thy voice is like thy mistress, but thy looks
+ Have something foreign. Tell thy name, thy land.
+
+RUAHMAH:
+ Ruahmah is my name, a captive maid,
+ The daughter of a prince in Israel,
+ Where once, in olden days, I saw my lord
+ Ride through our highlands, when Samaria
+ Was allied with Damascus to defeat
+ Our common foe.
+
+NAAMAN:
+ And thou rememberest this?
+
+RUAHMAH:
+ As clear as yesterday! Master, I saw
+ Thee riding on a snow-white horse beside
+ Our king; and all we joyful little maids
+ Strewed boughs of palm along the victors' way,
+ For you had driven out the enemy,
+ Broken; and both our lands were friends and free.
+
+NAAMAN: [Sadly.]
+ Well, they are past, those noble days! The days
+ When nations would imperil all to keep
+ Their liberties, are only memories now.
+ The common cause is lost,--and thou art brought,
+ The captive of some mercenary raid,
+ Some skirmish of a gold-begotten war,
+ To serve within my house. Dost thou fare well?
+
+RUAHMAH:
+ Master, thou seest.
+
+NAAMAN:
+ Yes, I see! My child,
+ Why do they hate thee so?
+
+RUAHMAH:
+ I do not know,
+ Unless because I will not bow to Rimmon.
+
+NAAMAN:
+ Thou needest not. I fear he is a god
+ Who pities not his people, will not save.
+ My heart is sick with doubt of him. But thou
+ Shalt hold thy faith,--I care not what it is,--
+ Worship thy god; but keep thy spirit free.
+
+ [He takes the amulet from his neck and gives it to her.]
+
+ Here, take this chain and wear it with my seal,
+ None shall molest the maid who carries this.
+ Thou hast found favour in thy master's eyes;
+ Hast thou no other gift to ask of me?
+
+RUAHMAH: [Earnestly.]
+ My lord, I do entreat thee not to go
+ To-morrow to the council. Seek the King
+ And speak with him in secret; but avoid
+ The audience-hall.
+
+NAAMAN:
+ Why, what is this? Thy wits
+ Are wandering. My honour is engaged
+ To speak for war, to lead in war against
+ The Assyrian Bull and save Damascus.
+
+RUAHMAH: [With confused earnestness.]
+ Then, lord, if thou must go, I pray thee speak,--
+ I know not how,--but so that all must hear.
+ With magic of unanswerable words
+ Persuade thy foes. Yet watch,--beware,--
+
+NAAMAN:
+ Of what?
+
+RUAHMAH: [Turning aside.]
+ I am entangled in my speech,--no light,--
+ How shall I tell him? He will not believe.
+ O my dear lord, thine enemies are they
+ Of thine own house. I pray thee to beware,--
+ Beware,--of Rimmon!
+
+NAAMAN:
+ Child, thy words are wild:
+ Thy troubles have bewildered all thy brain.
+ Go, now, and fret no more; but sleep, and dream
+ Of Israel! For thou shalt see thy home
+ Among the hills again.
+
+RUAHMAH:
+ Master, good-night.
+ And may thy slumber be as sweet and deep
+ As if thou camped at snowy Hermon's foot,
+ Amid the music of his waterfalls.
+ There friendly oak-trees bend their boughs above
+ The weary head, pillowed on earth's kind breast,
+ And unpolluted breezes lightly breathe
+ A song of sleep among the murmuring leaves.
+ There the big stars draw nearer, and the sun
+ Looks forth serene, undimmed by city's mirk
+ Or smoke of idol-temples, to behold
+ The waking wonder of the wide-spread world.
+ There life renews itself with every morn
+ In purest joy of living. May the Lord
+ Deliver thee, dear master, from the nets
+ Laid for thy feet, and lead thee out along
+ The open path, beneath the open sky!
+
+ [Exit RUAHMAH: NAAMAN stands looking after her.]
+
+
+SCENE II
+
+TIME: _The following morning_
+
+_The audience-hall in BENHADAD'S palace. The sides of the hall are
+ lined with lofty columns: the back opens toward the city, with
+ descending steps: the House of Rimmon with its high tower is seen
+ in the background. The throne is at the right in front: opposite
+ is the royal door of entrance, guarded by four tall sentinels.
+ Enter at the rear between the columns, RAKHAZ, SABALLIDIN, HAZAEL,
+ IZDUBHAR._
+
+IZDUBHAR: [An excited old man.]
+ The city is all in a turmoil. It boils like a pot of lentils.
+ The people are foaming and bubbling round and round like
+ beans in the pottage.
+
+HAZAEL: [A lean, crafty man.]
+ Fear is a hot fire.
+
+RAKHAZ: [A fat, pompous man.]
+ Well may they fear, for the Assyrians are not three days
+ distant. They are blazing along like a waterspout to
+ chop Damascus down like a pitcher of spilt milk.
+
+SABALLIDIN: [Young and frank.]
+ Cannot Naaman drive them back?
+
+RAKHAZ: [Puffing and blowing.]
+ Ho! Naaman? Where have you been living? Naaman is a broken
+ reed whose claws have been cut. Build no hopes on that
+ foundation, for it will run away and leave you all adrift
+ in the conflagration.
+
+SABALLIDIN:
+ He clatters like a windmill. What would he say, Hazael?
+
+HAZAEL:
+ Naaman can do nothing without the command of the King; and
+ the King fears to order the army to march without the
+ approval of the gods. The High Priest is against it. The
+ House of Rimmon is for peace with Asshur.
+
+RAKHAZ:
+ Yes, and all the nobles are for peace. We are the men whose
+ wisdom lights the rudder that upholds the chariot of state.
+ Would we be rich if we were not wise? Do we not know better
+ than the rabble what medicine will silence this fire that
+ threatens to drown us?
+
+IZDUBHAR:
+ But if the Assyrians come, we shall all perish; they will
+ despoil us all.
+
+HAZAEL:
+ Not us, my lord, only the common people. The envoys have
+ offered favourable terms to the priests, and the nobles,
+ and the King. No palace, no temple, shall be plundered.
+ Only the shops, and the markets, and the houses of the
+ multitude shall be given up to the Bull. He will eat
+ his supper from the pot of lentils, not from our golden
+ plate.
+
+RAKHAZ:
+ Yes, and all who speak for peace in the council shall be
+ enriched; our heads shall be crowned with seats of honour
+ in the procession of the Assyrian king. He needs wise
+ counsellors to help him guide the ship of empire onto the
+ solid rock of prosperity. You must be with us, my lords
+ Izdubhar and Saballidin, and let the stars of your wisdom
+ roar loudly for peace.
+
+IZDUBHAR:
+ He talks like a tablet read upside down,--a wild ass braying
+ in the wilderness. Yet there is policy in his words.
+
+SABALLIDIN:
+ I know not. Can a kingdom live without a people or an army?
+ If we let the Bull in to sup on the lentils, will he not
+ make his breakfast in our vineyards?
+
+ [Enter other courtiers following SHUMAKIM, a hump-backed
+ jester, in blue, green and red, a wreath of poppies
+ around his neck and a flagon in his hand. He walks
+ unsteadily, and stutters in his speech.]
+
+HAZAEL:
+ Here is Shumakim, the King's fool, with his legs full of
+ last night's wine.
+
+SHUMAKIM: [Balancing himself in front of them and chuckling.]
+ Wrong, my lords, very wrong! This is not last night's wine,
+ but a draught the King's physician gave me this morning
+ for a cure. It sobers me amazingly! I know you all,
+ my lords: any fool would know you. You, master, are a
+ statesman; and you are a politician; and you are a patriot.
+
+RAKHAZ:
+ Am I a statesman? I felt something of the kind about me.
+ But what is a statesman?
+
+SHUMAKIM:
+ A politician that is stuffed with big words; a fat man in a
+ mask; one that plays a solemn tune on a sackbut full o' wind.
+
+HAZAEL:
+ And what is a politician?
+
+SHUMAKIM:
+ A statesman that has dropped his mask and cracked his sackbut.
+ Men trust him for what he is, and he never deceives them,
+ because he always lies.
+
+IZDUBHAR:
+ Why do you call me a patriot?
+
+SHUMAKIM:
+ Because you know what is good for you; you love your country
+ as you love your pelf. You feel for the common people,--as
+ the wolf feels for the sheep.
+
+SABALLIDIN:
+ And what am I?
+
+SHUMAKIM:
+ A fool, master, just a plain fool; and there is hope of thee
+ for that reason. Embrace me, brother, and taste this; but
+ not too much,--it will intoxicate thee with sobriety.
+
+ [The hall has been slowly filling with courtiers and
+ soldiers; a crowd of people begin to come up the steps
+ at the rear, where they are halted by a chain guarded
+ by servants of the palace. A bell tolls; the royal door
+ is thrown open; the aged King totters across the hall
+ and takes his seat on the throne with the four tall
+ sentinels standing behind him. All bow down shading
+ their eyes with their hands.]
+
+BENHADAD:
+ The hour of royal audience is come.
+ I'll hear the envoys. Are my counsellors
+ At hand? Where are the priests of Rimmon's house?
+
+ [Gongs sound. REZON comes in from the side, followed
+ by a procession of priests in black and yellow. The
+ courtiers bow; the King rises; REZON takes his stand
+ on the steps of the throne at the left of the King.]
+
+BENHADAD:
+ Where is my faithful servant Naaman,
+ The captain of my host?
+
+ [Trumpets sound from the city. The crowd on the steps
+ divide; the chain is lowered; NAAMAN enters, followed
+ by six soldiers. He is dressed in chain-mail with a
+ silver helmet and a cloak of blue. He uncovers, and
+ kneels on the steps of the throne at the King's right.]
+
+NAAMAN:
+ My lord the King,
+ The bearer of thy sword is here.
+
+BENHADAD: [Giving NAAMAN his hand, and sitting down.]
+ Welcome,
+ My strong right arm that never me failed yet!
+ I am in doubt,--but stay thou close to me
+ While I decide this cause. Where are the envoys?
+ Let them appear and give their message.
+
+ [Enter the Assyrian envoys; one in white and the other
+ in red; both with the golden Bull's head embroidered
+ on their robes. They come from the right, rear, bow
+ slightly before the throne, and take the centre of
+ the hall.]
+
+WHITE ENVOY: [Stepping forward.]
+ Greeting from Shalmaneser, Asshur's son,
+ Who rules the world from Nineveh,
+ Unto Benhadad, monarch in Damascus!
+ The conquering Bull has led his army forth;
+ The south has fallen before him, and the west
+ His feet have trodden; Hamath is laid waste;
+ He pauses at your gate, invincible,--
+ To offer peace. The princes of your court,
+ The priests of Rimmon's house, and you, the King,
+ If you pay homage to your Overlord,
+ Shall rest secure, and flourish as our friends.
+ Assyria sends to you this gilded yoke;
+ Receive it as the sign of proffered peace.
+
+ [He lays a yoke on the steps of the throne.]
+
+BENHADAD:
+ What of the city? Said your king no word
+ Of our Damascus, and the many folk
+ That do inhabit her and make her great?
+ What of the soldiers who have fought for us?
+
+WHITE ENVOY:
+ Of these my royal master did not speak.
+
+BENHADAD:
+ Strange silence! Must we give them up to him?
+ Is this the price at which he offers us
+ The yoke of peace? What if we do refuse?
+
+RED ENVOY: [Stepping forward.]
+ Then ruthless war! War to the uttermost.
+ No quarter, no compassion, no escape!
+ The Bull will gore and trample in his fury
+ Nobles and priests and king,--none shall be spared!
+ Before the throne we lay our second gift;
+ This bloody horn, the symbol of red war.
+
+ [He lays a long bull's horn, stained with blood, on
+ the steps of the throne.]
+
+WHITE ENVOY:
+ Our message is delivered. We return
+ Unto our master. He will wait three days
+ To know your royal choice between his gifts.
+ Keep which you will and send the other back.
+ The red bull's horn your youngest page may bring;
+ But with the yoke, best send your mightiest army!
+
+ [The ENVOYS retire, amid confused murmurs of the
+ people, the King silent, his head, sunken on his
+ breast.]
+
+BENHADAD:
+ Proud words, a bitter message, hard to endure!
+ We are not now that force which feared no foe:
+ Our old allies have left us. Can we face the Bull
+ Alone, and beat him back? Give me your counsel.
+
+ [Many speak at once, confusedly.]
+
+ What babblement is this? Were ye born at Babel?
+ Give me clear words and reasonable speech.
+
+RAKHAZ: [Pompously.]
+ O King, I am a reasonable man!
+ And there be some who call me very wise
+ And prudent; but of this I will not speak,
+ For I am also modest. Let me plead,
+ Persuade, and reason you to choose for peace.
+ This golden yoke may be a bitter draught,
+ But better far to fold it in our arms,
+ Than risk our cargoes in the savage horn
+ Of war. Shall we imperil all our wealth,
+ Our valuable lives? Nobles are few,
+ Rich men are rare, and wise men rarer still;
+ The precious jewels on the tree of life,
+ Wherein the common people are but bricks
+ And clay and rubble. Let the city go,
+ But save the corner-stones that float the ship!
+ Have I not spoken well?
+
+BENHADAD: [Shaking his head.]
+ Excellent well!
+ Most eloquent! But misty in the meaning.
+
+HAZAEL: [With cold decision.]
+ Then let me speak, O King, in plainer words!
+ The days of independent states are past:
+ The tide of empire sweeps across the earth;
+ Assyria rides it with resistless power
+ And thunders on to subjugate the world.
+ Oppose her, and we fight with Destiny;
+ Submit to her demands, and we shall ride
+ With her to victory. Therefore accept
+ The golden yoke, Assyria's gift of peace.
+
+NAAMAN: [Starting forward eagerly.]
+ There is no peace beneath a conqueror's yoke!
+ For every state that barters liberty
+ To win imperial favour, shall be drained
+ Of her best blood, henceforth, in endless wars
+ To make the empire greater. Here's the choice,
+ My King, we fight to keep our country free,
+ Or else we fight forevermore to help
+ Assyria bind the world as we are bound.
+ I am a soldier, and I know the hell
+ Of war! But I will gladly ride through hell
+ To save Damascus. Master, bid me ride!
+ Ten thousand chariots wait for your command;
+ And twenty thousand horsemen strain the leash
+ Of patience till you let them go; a throng
+ Of spearmen, archers, swordsmen, like the sea
+ Chafing against a dike, roar for the onset!
+ O master, let me launch your mighty host
+ Against the Bull,--we'll bring him to his knees!
+
+ [Cries of "war!" from the soldiers and the people;
+ "peace!" from the courtiers and the priests. The
+ King rises, turning toward NAAMAN, and seems about
+ to speak. REZON lifts his rod.]
+
+REZON:
+ Shall not the gods decide when mortals doubt?
+ Rimmon is master of the city's fate;
+ We read his will, by our most ancient-faith,
+ In omens and in signs of mystery.
+ Must we not hearken to his high commands?
+
+BENHADAD: [Sinking back on the throne, submissively.]
+ I am the faithful son of Rimmon's House.
+ Consult the oracle. But who shall read?
+
+REZON:
+ Tsarpi, the wife of Naaman, who served
+ Within the temple in her maiden years,
+ Shall be the mouth-piece of the mighty god,
+ To-day's high-priestess. Bring the sacrifice!
+
+ [Gongs and cymbals sound: enter priests carrying
+ an altar on which a lamb is bound. The altar is
+ placed in the centre of the hall. TSARPI follows
+ the priests, covered with a long transparent veil
+ of black, sown with gold stars; RUAHMAH, in white,
+ bears her train. TSARPI stands before the altar,
+ facing it, and lifts her right hand holding a
+ knife. RUAHMAH steps back, near the throne, her
+ hands crossed on her breast, her head bowed. The
+ priests close in around TSARPI and the altar. The
+ knife is seen to strike downward. Gongs and cymbals
+ sound: cries of "Rimmon, hear us!" The circle of
+ priests opens, and TSARPI turns slowly to face the
+ King.]
+
+TSARPI: [Monotonously.]
+ _Black is the blood of the victim,
+ Rimmon is unfavourable,
+ Asratu is unfavourable;
+ They will not war against Asshur,
+ They will make a league with the God of Nineveh.
+ Evil is in store for Damascus,
+ A strong enemy will lay waste the land.
+ Therefore make peace with the Bull;
+ Hearken to the voice of Rimmon._
+
+ [She turns again to the altar, and the priests close
+ in around her. REZON lifts his rod toward the tower
+ of the temple. A flash of lightning followed by
+ thunder; smoke rises from the altar; all except
+ NAAMAN and RUAHMAH cover their faces. The circle
+ of priests opens again, and TSARPI comes forward
+ slowly, chanting.]
+
+ CHANT:
+
+ _Hear the words of Rimmon! Thus your Maker speaketh:
+ I, the god of thunder, riding on the whirlwind,
+ I, the god of lightning leaping from the storm-cloud,
+ I will smite with vengeance him who dares defy me!
+ He who leads Damascus into war with Asshur,
+ Conquering or conquered, bears my curse upon him.
+ Surely shall my arrow strike his heart in secret,
+ Burn his flesh with fever, turn his blood to poison.
+ Brand him with corruption, drive him into darkness;
+ He shall surely perish by the doom of Rimmon._
+
+ [All are terrified and look toward NAAMAN,
+ shuddering. RUAHMAH alone seems not to heed the
+ curse, but stands with her eyes fixed on NAAMAN.]
+
+RUAHMAH:
+ Be not afraid! There is a greater God
+ Shall cover thee with His almighty wings:
+ Beneath his shield and buckler shalt thou trust.
+
+BENHADAD:
+ Repent, my son, thou must not brave this curse.
+
+NAAMAN:
+ My King, there is no curse as terrible
+ As that which lights a bosom-fire for him
+ Who gives away his honour, to prolong
+ A craven life whose every breath is shame!
+ If I betray the men who follow me,
+ The city that has put her trust in me,
+ What king can shield me from my own deep scorn
+ What god release me from that self-made hell?
+ The tender mercies of Assyria
+ I know; and they are cruel as creeping tigers.
+ Give up Damascus, and her streets will run
+ Rivers of innocent blood; the city's heart,
+ That mighty, labouring heart, wounded and crushed
+ Beneath the brutal hooves of the wild Bull,
+ Will cry against her captain, sitting safe
+ Among the nobles, in some pleasant place.
+ I shall be safe,--safe from the threatened wrath
+ Of unknown gods, but damned forever by
+ The men I know,--that is the curse I fear.
+
+BENHADAD:
+ Speak not so high, my son. Must we not bow
+ Our heads before the sovereignties of heaven?
+ The unseen rulers are Divine.
+
+NAAMAN:
+ O King,
+ I am unlearned in the lore of priests;
+ Yet well I know that there are hidden powers
+ About us, working mortal weal and woe
+ Beyond the force of mortals to control.
+ And if these powers appear in love and truth,
+ I think they must be gods, and worship them.
+ But if their secret will is manifest
+ In blind decrees of sheer omnipotence,
+ That punish where no fault is found, and smite
+ The poor with undeserved calamity,
+ And pierce the undefended in the dark
+ With arrows of injustice, and foredoom
+ The innocent to burn in endless pain,
+ I will not call this fierce almightiness
+ Divine. Though I must bear, with every man,
+ The burden of my life ordained, I'll keep
+ My soul unterrified, and tread the path
+ Of truth and honour with a steady heart!
+ Have ye not heard, my lords? The oracle
+ Proclaims to me, to me alone, the doom
+ Of vengeance if I lead the army out.
+ "Conquered or conquering!" I grip that chance!
+ Damascus free, her foes all beaten back,
+ The people saved from slavery, the King
+ Upheld in honour on his ancient throne,--
+ O what's the cost of this? I'll gladly pay
+ Whatever gods there be, whatever price
+ They ask for this one victory. Give me
+ This gilded sign of shame to carry back;
+ I'll shake it in the face of Asshur's king,
+ And break it on his teeth.
+
+BENHADAD: [Rising.]
+ Then go, my never-beaten captain, go!
+ And may the powers that hear thy solemn vow
+ Forgive thy rashness for Damascus' sake,
+ Prosper thy fighting, and remit thy pledge.
+
+REZON: [Standing beside the altar.]
+ The pledge, O King, this man must seal his pledge
+ At Rimmon's altar. He must take the cup
+ Of soldier-sacrament, and bind himself
+ By thrice-performed libation to abide
+ The fate he has invoked.
+
+NAAMAN: [Slowly.]
+ And so I will.
+
+ [He comes down the steps, toward the altar, where
+ REZON is filling the cup which TSARPI holds.
+ RUAHMAH throws herself before NAAMAN, clasping
+ his knees.]
+
+RUAHMAH: [Passionately and wildly.]
+ My lord, I do beseech you, stay! There's death
+ Within that cup. It is an offering
+ To devils. See, the wine blazes like fire,
+ It flows like blood, it is a cursed cup,
+ Fulfilled of treachery and hate.
+ Dear master, noble master, touch it not!
+
+NAAMAN:
+ Poor maid, thy brain is still distraught. Fear not,
+ But let me go! Here, treat her tenderly!
+
+ [Gives her into the hands of SABALLIDIN.]
+
+ Can harm befall me from the wife who bears
+ My name? I take the cup of fate from her.
+ I greet the unknown powers; [Pours libation.]
+ I will perform my vow; [Again.]
+ I will abide my fate; [Again.]
+ I pledge my life to keep Damascus free.
+
+ [He drains the cup, and lets it fall.]
+
+_CURTAIN._
+
+
+
+ACT II
+
+
+TIME: _A week later_
+
+_The fore-court of the House of Rimmon. At the back the broad
+ steps and double doors of the shrine; above them the tower of
+ the god, its summit invisible. Enter various groups of citizens,
+ talking, laughing, shouting: RAKHAZ, HAZAEL, SHUMAKIM and others._
+
+FIRST CITIZEN:
+ Great news, glorious news, the Assyrians are beaten!
+
+SECOND CITIZEN:
+ Naaman is returning, crowned with victory. Glory to our noble
+ captain!
+
+THIRD CITIZEN:
+ No, he is killed. I had it from one of the camp-followers who
+ saw him fall at the head of the battle. They are bringing
+ his body to bury it with honour. O sorrowful victory!
+
+RAKHAZ:
+ Peace, my good fellows, you are ignorant, you have not been
+ rightly informed, I will misinform you. The accounts of
+ Naaman's death are overdrawn. He was killed, but his life
+ has been preserved. One of his wounds was mortal, but the
+ other three were curable, and by these the physicians have
+ saved him.
+
+SHUMAKIM: [Balancing himself before RAKHAZ in pretended admiration.]
+ O wonderful! Most admirable logic! One mortal, and three
+ curable, therefore he must recover as it were, by three
+ to one. Rakhaz, do you know that you are a marvelous man?
+
+RAKHAZ:
+ Yes, I know it, but I make no boast of my knowledge.
+
+SHUMAKIM:
+ Too modest, for in knowing this you know more than any other
+ in Damascus!
+
+ [Enter, from the right, SABALLIDIN in armour: from
+ the left, TSARPI with her attendants, among whom
+ is RUAHMAH.]
+
+HAZAEL:
+ Here is Saballidin, we'll question him;
+ He was enflamed by Naaman's wild words,
+ And rode with him to battle. Give us news,
+ Of your great captain! Is he safe and well?
+ When will he come? Or will he come at all?
+
+ [All gather around him listening eagerly.]
+
+SABALLIDIN:
+ He comes but now, returning from the field
+ Where he hath gained a crown of deathless fame!
+ Three times he led the charge; three times he fell
+ Wounded, and the Assyrians beat us back.
+ Yet every wound was but a spur to urge
+ His valour onward. In the last attack
+ He rode before us as the crested wave
+ That leads the flood; and lo, our enemies
+ Were broken like a dam of river-reeds.
+ The flying King encircled by his guard
+ Was lodged like driftwood on a little hill.
+ Then Naaman, who led our foremost band
+ Of whirlwind riders, hammered through the hedge
+ Of spearmen, brandishing the golden yoke.
+ "Take back this gift," he cried; and shattered it
+ On Shalmaneser's helmet. So the fight
+ Dissolved in universal rout; the King,
+ His chariots and his horsemen fled away;
+ Our captain stood the master of the field,
+ And saviour of Damascus! Now he brings,
+ First to the King, report of this great triumph.
+
+ [Shouts of joy and applause.]
+
+RUAHMAH: [Coming close to SABALLIDIN.]
+ But what of him who won it? Fares he well?
+ My mistress would receive some word of him.
+
+SABALLIDIN:
+ Hath she not heard?
+
+RUAHMAH:
+ But one brief message came:
+ A letter saying, "We have fought and conquered,"
+ No word of his own person. Fares he well?
+
+SABALLIDIN:
+ Alas, most ill! For he is like a man
+ Consumed by some strange sickness: wasted, wan,--
+ His eyes are dimmed so that he scarce can see;
+ His ears are dulled; his fearless face is pale
+ As one who walks to meet a certain doom
+ Yet will not flinch. It is most pitiful,--
+ But you shall see.
+
+RUAHMAH:
+ Yea, we shall see a man
+ Who dared to face the wrath of evil powers
+ Unknown, and hazard all to save his country.
+
+ [Enter BENHADAD with courtiers.]
+
+BENHADAD:
+ Where is my faithful servant Naaman,
+ The captain of my host?
+
+SABALLIDIN:
+ My lord, he comes.
+
+ [Trumpet sounds. Enter company of soldiers in
+ armour. Then four soldiers bearing captured
+ standards of Asshur. NAAMAN follows, very pale,
+ armour dinted and stained; he is blind, and
+ guides himself by cords from the standards on
+ each side, but walks firmly. The doors of the
+ temple open slightly, and REZON appears at the
+ top of the steps. NAAMAN lets the cords fall,
+ and gropes his way for a few paces.]
+
+NAAMAN: [Kneeling.]
+ Where is my King?
+ Master, the bearer of thy sword returns.
+ The golden yoke thou gavest me I broke
+ On him who sent it. Asshur's Bull hath fled
+ Dehorned. The standards of his host are thine!
+ Damascus is all thine, at peace, and free!
+
+BENHADAD: [Holding out his arms.]
+ Thou art a mighty man of valour! Come,
+ And let me fold thy courage to my heart.
+
+REZON: [Lifting his rod.]
+ Forbear, O King! Stand back from him, all men!
+ By the great name of Rimmon I proclaim
+ This man a leper! See, upon his brow,
+ This little mark, the death-white seal of doom!
+ That tiny spot will spread, eating his flesh,
+ Gnawing his fingers bone from bone, until
+ The impious heart that dared defy the gods
+ Dissolves in the slow death which now begins.
+ Unclean! unclean! Henceforward he is dead:
+ No human hand shall touch him, and no home
+ Of men shall give him shelter. He shall walk
+ Only with corpses of the selfsame death
+ Down the long path to a forgotten tomb.
+ Avoid, depart, I do adjure you all,
+ Leave him to god,--the leper Naaman!
+
+ [All shrink back horrified. REZON retires into the
+ temple; the crowd melts away, wailing; TSARPI is
+ among the first to go, followed by her attendants,
+ except RUAHMAH, who crouches, with her face
+ covered, not far from NAAMAN.]
+
+BENHADAD: [Lingering and turning back.]
+ Alas, my son! O Naaman, my son!
+ Why did I let thee go? I must obey.
+ Who can resist the gods? Yet none shall take
+ Thy glorious title, captain of my host!
+ I will provide for thee, and thou shalt dwell
+ With guards of honour in a house of mine
+ Always. Damascus never shall forget
+ What thou hast done! O miserable words
+ Of crowned impotence! O mockery of power
+ Given to kings who cannot even defend
+ Their dearest from the secret wrath of heaven!
+ O Naaman, my son, my son! [Exit.]
+
+NAAMAN: [Slowly passing his hand over his eyes, and looking up.]
+ Am I alone
+ With thee, inexorable one, whose pride
+ Offended takes this horrible revenge?
+ I must submit my mortal flesh to thee,
+ Almighty, but I will not call thee god!
+ Yet thou hast found the way to wound my soul
+ Most deeply through the flesh; and I must find
+ The way to let my wounded soul escape!
+
+ [Drawing his sword.]
+
+ Come, my last friend, thou art more merciful
+ Than Rimmon. Why should I endure the doom
+ He sends me? Irretrievably cut off
+ From all dear intercourse of human love,
+ From all the tender touch of human hands,
+ From all brave comradeship with brother-men,
+ With eyes that see no faces through this dark,
+ With ears that hear all voices far away,
+ Why should I cling to misery, and grope
+ My long, long way from pain to pain, alone?
+
+RUAHMAH: [At his feet.]
+ Nay, not alone, dear lord, for I am here;
+ And I will never leave thee, nor forsake thee!
+
+NAAMAN:
+ What voice is that? The silence of my tomb
+ Is broken by a ray of music,--whose?
+
+RUAHMAH: [Rising.]
+ The one who loves thee best in all the world.
+
+NAAMAN:
+ Why that should be,--O dare I dream it true?
+ Tsarpi, my wife? Have I misjudged thy heart
+ As cold and proud? How nobly thou forgivest!
+ Thou com'st to hold me from the last disgrace,--
+ The coward's flight into the dark. Go back
+ Unstained, my sword! Life is endurable
+ While there is one alive on earth who loves us.
+
+RUAHMAH:
+ My lord,--my lord,--O listen! You have erred,--
+ You do mistake me now,--this dream--
+
+NAAMAN:
+ Ah, wake me not! For I can conquer death
+ Dreaming this dream. Let me at last believe,
+ Though gods are cruel, a woman can be kind.
+ Grant me but this! For see,--I ask so little,--
+ Only to know that thou art faithful,
+ That thou art near me, though I touch thee not,--
+ O this will hold me up, though it be given
+ From pity more than love.
+
+RUAHMAH: [Trembling, and speaking slowly.]
+ Not so, my lord!
+ My pity is a stream; my pride of thee
+ Is like the sea that doth engulf the stream;
+ My love for thee is like the sovereign moon
+ That rules the sea. The tides that fill my soul
+ Flow unto thee and follow after thee;
+ And where thou goest I will go; and where
+ Thou diest I will die,--in the same hour.
+
+ [She lays her hand on his arm. He draws back.]
+
+NAAMAN:
+ O touch me not! Thou shalt not share my doom.
+
+RUAHMAH:
+ Entreat me not to go. I will obey
+ In all but this; but rob me not of this,--
+ The only boon that makes life worth the living,--
+ To walk beside thee day by day, and keep
+ Thy foot from stumbling; to prepare thy food
+ When thou art hungry, music for thy rest,
+ And cheerful words to comfort thy black hour;
+ And so to lead thee ever on, and on,
+ Through darkness, till we find the door of hope.
+
+NAAMAN:
+ What word is that? The leper has no hope.
+
+RUAHMAH:
+ Dear lord, the mark upon thy brow is yet
+ No broader than my little finger-nail.
+ Thy force is not abated, and thy step
+ Is firm. Wilt thou surrender to the enemy
+ Before thy strength is touched? Why, let me put
+ A drop of courage from my breast in thine!
+ There is a hope for thee. The captive maid
+ Of Israel who dwelt within thy house
+ Knew of a god very compassionate,
+ Long-suffering, slow to anger, one who heals
+ The sick, hath pity on the fatherless,
+ And saves the poor and him who has no helper.
+ His prophet dwells nigh to Samaria;
+ And I have heard that he hath brought the dead
+ To life again. We'll go to him. The King,
+ If I beseech him, will appoint a guard
+ Of thine own soldiers and Saballidin,
+ Thy friend, to convoy us upon our journey.
+ He'll give us royal letters to the King
+ Of Israel to make our welcome sure;
+ And we will take the open road, beneath
+ The open sky, to-morrow, and go on
+ Together till we find the door of hope.
+ Come, come with me!
+
+ [She grasps his hand.]
+
+NAAMAN: [Drawing back.]
+ Thou must not touch me!
+
+RUAHMAH: [Unclasping her girdle and putting the end in his hand.]
+ Take my girdle, then!
+
+NAAMAN: [Kissing the clasp of the girdle.]
+ I do begin to think there is a God,
+ Since love on earth can work such miracles:
+
+_CURTAIN._
+
+
+
+ACT III
+
+
+TIME: _A month later: dawn_
+
+
+SCENE I
+
+_NAAMAN'S tent, on high ground among the mountains near Samaria:
+ the city below. In the distance, a wide and splendid landscape.
+ SABALLIDIN and soldiers on guard below the tent. Enter RUAHMAH
+ in hunter's dress, with a lute slung from her shoulder._
+
+RUAHMAH:
+ Peace and good health to you, Saballidin.
+ Good morrow to you all. How fares my lord?
+
+SABALLIDIN:
+ The curtains of his tent are folded still:
+ They have not moved since we returned, last night,
+ And told him what befell us in the city.
+
+RUAHMAH:
+ Told him! Why did you make report to him
+ And not to me? Am I not captain here,
+ Intrusted by the King's command with care
+ Of Naaman until he is restored?
+ 'Tis mine to know the first of good or ill
+ In this adventure: mine to shield his heart
+ From every arrow of adversity.
+ What have you told him? Speak!
+
+SABALLIDIN:
+ Lady, we feared
+ To bring our news to you. For when the King
+ Of Israel had read our monarch's letter,
+ He rent his clothes, and cried, "Am I a god,
+ To kill and make alive, that I should heal
+ A leper? Ye have come with false pretence,
+ Damascus seeks a quarrel with me. Go!"
+ But when we told our lord, he closed his tent,
+ And there remains enfolded in his grief.
+ I trust he sleeps; 'twere kind to let him sleep!
+ For now he doth forget his misery,
+ And all the burden of his hopeless woe
+ Is lifted from him by the gentle hand
+ Of slumber. Oh, to those bereft of hope
+ Sleep is the only blessing left,--the last
+ Asylum of the weary, the one sign
+ Of pity from impenetrable heaven.
+ Waking is strife; sleep is the truce of God!
+ Ah, lady, wake him not. The day will be
+ Full long for him to suffer, and for us
+ To turn our disappointed faces home
+ On the long road by which we must return.
+
+RUAHMAH:
+ Return! Who gave you that command? Not I!
+ The King made me the leader of this quest,
+ And bound you all to follow me, because
+ He knew I never would return without
+ The thing for which he sent us. I'll go on
+ Day after day, unto the uttermost parts
+ Of earth, if need be, and beyond the gates
+ Of morning, till I find that which I seek,--
+ New life for Naaman. Are ye ashamed
+ To have a woman lead you? Then go back
+ And tell the King, "This huntress went too far
+ For us to follow: she pursues the trail
+ Of hope alone, refusing to forsake
+ The quarry: we grew weary of the chase;
+ And so we left her and retraced our steps,
+ Like faithless hounds, to sleep beside the fire."
+ Did Naaman forsake his soldiers thus
+ When you went forth to hunt the Assyrian Bull?
+ Your manly courage is less durable
+ Than woman's love, it seems. Go, if you will,--
+ Who bids me now farewell?
+
+SOLDIERS:
+ Not I, not I!
+
+SABALLIDIN:
+ Lady, lead on, we'll follow you forever!
+
+RUAHMAH:
+ Why, now you speak like men! Brought you no word
+ Out of Samaria, except that cry
+ Of impotence and fear from Israel's King?
+
+SABALLIDIN:
+ I do remember while he spoke with us
+ A rustic messenger came in, and cried
+ "Elisha saith, bring Naaman to me
+ At Dothan, he shall surely know there is
+ A God in Israel."
+
+RUAHMAH:
+ What said the King?
+
+SABALLIDIN:
+ He only shouted "Go!" more wildly yet,
+ And rent his clothes again, as if he were
+ Half-maddened by a coward's fear, and thought
+ Only of how he might be rid of us.
+ What comfort could there be for him, what hope
+ For us, in the rude prophet's misty word?
+
+RUAHMAH:
+ It is the very word for which I prayed!
+ My trust was not in princes; for the crown,
+ The sceptre, and the purple robe are not
+ Significant of vital power. The man
+ Who saves his brother-men is he who lives
+ His life with Nature, takes deep hold on truth,
+ And trusts in God. A prophet's word is more
+ Than all the kings on earth can speak. How far
+ Is Dothan?
+
+SOLDIER:
+ Lady, 'tis but three hours' ride
+ Along the valley southward.
+
+RUAHMAH:
+ Near! so near?
+ I had not thought to end my task so soon!
+ Prepare yourselves with speed to take the road.
+ I will awake my lord.
+
+ [Exeunt all but SABALLIDIN and RUAHMAH. She goes
+ toward the tent.]
+
+SABALLIDIN:
+ Ruahmah, stay! [She turns back.]
+ I've been your servant in this doubtful quest,
+ Obedient, faithful, loyal to your will,--
+ What have I earned by this?
+
+RUAHMAH:
+ The gratitude
+ Of him we both desire to serve: your friend,--
+ My master and my lord.
+
+SABALLIDIN:
+ No more than this?
+
+RUAHMAH:
+ Yes, if you will, take all the thanks my hands
+ Can hold, my lips can speak.
+
+SABALLIDIN:
+ I would have more.
+
+RUAHMAH:
+ My friend, there's nothing more to give to you.
+ My service to my lord is absolute.
+ There's not a drop of blood within my veins
+ But quickens at the very thought of him;
+ And not a dream of mine but he doth stand
+ Within its heart and make it bright. No man
+ To me is other than his friend or foe.
+ You are his friend, and I believe you true!
+
+SABALLIDIN:
+ I have been true to him,--now, I am true
+ To you.
+
+RUAHMAH:
+ Why, then, be doubly true to him.
+ O let us match our loyalties, and strive
+ Between us who shall win the higher crown!
+ Men boast them of a friendship stronger far
+ Than love of woman. Prove it! I'll not boast,
+ But I'll contend with you on equal terms
+ In this brave race: and if you win the prize
+ I'll hold you next to him: and if I win
+ He'll hold you next to me; and either way
+ We'll not be far apart. Do you accept
+ My challenge?
+
+SABALLIDIN:
+ Yes! For you enforce my heart
+ By honour to resign its great desire,
+ And love itself to offer sacrifice
+ Of all disloyal dreams on its own altar.
+ Yet love remains; therefore I pray you, think
+ How surely you must lose in our contention.
+ For I am known to Naaman: but you
+ He blindly takes for Tsarpi. 'Tis to her
+ He gives his gratitude: the praise you win
+ Endears her name.
+
+RUAHMAH:
+ Her name? Why, what is that?
+ A name is but an empty shell, a mask
+ That does not change the features of the face
+ Beneath it. Can a name rejoice, or weep,
+ Or hope? Can it be moved by tenderness
+ To daily services of love, or feel the warmth
+ Of dear companionship? How many things
+ We call by names that have no meaning! Kings
+ That cannot rule; and gods that are not good;
+ And wives that do not love! It matters not
+ What syllables he utters when he calls,
+ 'Tis I who come,--'tis I who minister
+ Unto my lord, and mine the living heart
+ That feels the comfort of his confidence,
+ The thrill of gladness when he speaks to me,--
+ I do not hear the name!
+
+SABALLIDIN:
+ And yet, be sure
+ There's danger in this error,--and no gain!
+
+RUAHMAH:
+ I seek no gain: I only tread the path
+ Marked for me daily by the hand of love.
+ And if his blindness spared my lord one pang
+ Of sorrow in his black, forsaken hour,--
+ And if this error makes his burdened heart
+ More quiet, and his shadowed way less dark,
+ Whom do I rob? Not her who chose to stay
+ At ease in Rimmon's House! Surely not him!
+ Only myself! And that enriches me.
+ Why trouble we the master? Let it go,--
+ To-morrow he must know the truth,--and then
+ He shall dispose of me e'en as he will!
+
+SABALLIDIN:
+ To-morrow?
+
+RUAHMAH:
+ Yes, for I will tarry here,
+ While you conduct him to Elisha's house
+ To find the promised healing. I forebode
+ A sudden danger from the craven King
+ Of Israel, or else a secret ambush
+ From those who hate us in Damascus. Go,
+ But leave me twenty men: this mountain-pass
+ Protects the road behind you. Make my lord
+ Obey the prophet's word, whatever he commands,
+ And come again in peace. Farewell!
+
+ [Exit SABALLIDIN. RUAHMAH goes toward the tent, then
+ pauses and turns back. She takes her lute and sings.]
+
+ SONG
+
+ _Above the edge of dark appear the lances of the sun;
+ Along the mountain-ridges clear his rosy heralds run;
+ The vapours down the valley go
+ Like broken armies, dark and low.
+ Look up, my heart, from every hill
+ In folds of rose and daffodil
+ The sunrise banners flow._
+
+ _O fly away on silent wing, ye boding owls of night!
+ O welcome little birds that sing the coming-in of light!
+ For new, and new, and ever-new,
+ The golden bud within the blue;
+ And every morning seems to say:
+ "There's something happy on the way,
+ And God sends love to you!"_
+
+NAAMAN: [Appearing at the entrance of his tent.]
+ O let me ever wake to music! For the soul
+ Returns most gently then, and finds its way
+ By the soft, winding clue of melody,
+ Out of the dusky labyrinth of sleep,
+ Into the light. My body feels the sun
+ Though I behold naught that his rays reveal.
+ Come, thou who art my daydawn and my sight,
+ Sweet eyes, come close, and make the sunrise mine!
+
+RUAHMAH: [Coming near.]
+ A fairer day, dear lord, was never born
+ In Paradise! The sapphire cup of heaven
+ Is filled with golden wine: the earth, adorned
+ With jewel-drops of dew, unveils her face
+ A joyful bride, in welcome to her king.
+ And look! He leaps upon the Eastern hills
+ All ruddy fire, and claims her with a kiss.
+ Yonder the snowy peaks of Hermon float
+ Unmoving as a wind-dropt cloud. The gulf
+ Of Jordan, filled with violet haze, conceals
+ The river's winding trail with wreaths of mist.
+ Below us, marble-crowned Samaria thrones
+ Upon her emerald hill amid the Vale
+ Of Barley, while the plains to northward change
+ Their colour like the shimmering necks of doves.
+ The lark springs up, with morning on her wings,
+ To climb her singing stairway in the blue,
+ And all the fields are sprinkled with her joy!
+
+NAAMAN:
+ Thy voice is magical: thy words are visions!
+ I must content myself with them, for now
+ My only hope is lost: Samaria's King
+ Rejects our monarch's message,--hast thou heard?
+ "Am I a god that I should cure a leper?"
+ He sends me home unhealed, with angry words,
+ Back to Damascus and the lingering death.
+
+RUAHMAH:
+ What matter where he sends? No god is he
+ To slay or make alive. Elisha bids
+ You come to him at Dothan, there to learn
+ There is a God in Israel.
+
+NAAMAN:
+ I fear
+ That I am grown mistrustful of all gods;
+ Their secret counsels are implacable.
+
+RUAHMAH:
+ Fear not! There's One who rules in righteousness
+ High over all.
+
+NAAMAN:
+ What knowest thou of Him?
+
+RUAHMAH:
+ Oh, I have heard,--the maid of Israel,--
+ Rememberest thou? She often said her God
+ Was merciful and kind, and slow to wrath,
+ And plenteous in forgiveness, pitying us
+ Like as a father pitieth his children.
+
+NAAMAN:
+ If there were such a God, I'd worship Him
+ Forever!
+
+RUAHMAH:
+ Then make haste to hear the word
+ His prophet promises to speak to thee!
+ Obey it, my dear lord, and thou shalt find
+ Healing and peace. The light shall fill thine eyes.
+ Thou wilt not need my leading any more,--
+ Nor me,--for thou wilt see me, all unveiled,--
+ I tremble at the thought.
+
+NAAMAN:
+ Why, what is this?
+ Why shouldst thou tremble? Art thou not mine own?
+
+RUAHMAH: [Turning to him and speaking in broken words.]
+ I am,--thy handmaid,--all and only thine,--
+ The very pulses of my heart are thine!
+ Feel how they throb to comfort thee to-day--
+ To-day! Because it is thy time of trouble.
+
+ [She takes his hand and puts it to her forehead and
+ her lips, but before she can lay it upon her heart,
+ he draws away from her.]
+
+NAAMAN:
+ Thou art too dear to injure with a kiss,--
+ How should I take a gift may bankrupt thee,
+ Or drain the fragrant chalice of thy love
+ With lips that may be fatal? Tempt me not
+ To sweet dishonour; strengthen me to wait
+ Until thy prophecy is all fulfilled,
+ And I can claim thee with a joyful heart.
+
+RUAHMAH: [Turning away.]
+ Thou wilt not need me then,--and I shall be
+ No more than the faint echo of a song
+ Heard half asleep. We shall go back to where
+ We stood before this journey.
+
+NAAMAN:
+ Never again!
+ For thou art changed by some deep miracle.
+ The flower of womanhood hath bloomed in thee,--
+ Art thou not changed?
+
+RUAHMAH:
+ Yea, I am changed,--and changed
+ Again,--bewildered,--till there's nothing clear
+ To me but this: I am the instrument
+ In an Almighty hand to rescue thee
+ From death. This will I do,--and afterward--
+
+ [A trumpet is blown without.]
+
+ Hearken, the trumpet sounds, the chariot waits.
+ Away, dear lord, follow the road to light!
+
+
+SCENE II [3]
+
+_The house of Elisha, upon a terraced hillside. A low stone
+ cottage with vine-trellises and flowers; a flight of steps,
+ at the foot of which is NAAMAN'S chariot. He is standing in
+ it; SABALLIDIN beside it. Two soldiers come down the steps._
+
+FIRST SOLDIER:
+ We have delivered my lord's greeting and his message.
+
+SECOND SOLDIER:
+ Yes, and near lost our noses in the doing of it! For
+ the servant slammed the door in our faces. A most
+ unmannerly reception!
+
+FIRST SOLDIER:
+ But I take that as a good omen. It is a mark of holy
+ men to keep ill-conditioned servants. Look, the
+ door opens, the prophet is coming.
+
+SECOND SOLDIER:
+ No, by my head, it is that notable mark of his master's
+ holiness, that same lantern-jawed lout of a servant.
+
+ [GEHAZI loiters down the steps and comes to NAAMAN
+ with a slight obeisance.]
+
+GEHAZI:
+ My master, the prophet of Israel, sends word to Naaman
+ the Syrian,--are you he?---"Go wash in Jordan seven
+ times and be healed."
+
+ [GEHAZI turns and goes slowly up the steps.]
+
+NAAMAN:
+ What insolence is this? Am I a man
+ To be put off with surly messengers?
+ Has not Damascus rivers more renowned
+ Than this rude muddy Jordan? Crystal streams,
+ Abana! Pharpar! flowing smoothly through
+ A paradise of roses? Might I not
+ Have bathed in them and been restored at ease?
+ Come up, Saballidin, and guide me home!
+
+SABALLIDIN:
+ Bethink thee, master, shall we lose our quest
+ Because a servant is uncouth? The road
+ That seeks the mountain leads us through the vale.
+ The prophet's word is friendly after all;
+ For had it been some mighty task he set,
+ Thou wouldst perform it. How much rather then
+ This easy one? Hast thou not promised her
+ Who waits for thy return? Wilt thou go back
+ To her unhealed?
+
+NAAMAN:
+ No! not for all my pride!
+ I'll make myself most humble for her sake,
+ And stoop to anything that gives me hope
+ Of having her. Make haste, Saballidin,
+ Bring me to Jordan. I will cast myself
+ Into that river's turbulent embrace
+ A hundred times, until I save my life
+ Or lose it!
+
+ [Exeunt. The light fades: musical interlude.
+ The light increases again with ruddy sunset
+ shining on the door of ELISHA'S house. The
+ prophet appears and looks off, shading his
+ eyes with his hand as he descends the steps.
+ Trumpet blows,--NAAMAN'S call;--sound of
+ horses galloping and men shouting. NAAMAN
+ enters joyously, followed by SABALLIDIN and
+ soldiers, with gifts.]
+
+NAAMAN:
+ Behold a man delivered from the grave
+ By thee! I rose from Jordan's waves restored
+ To youth and vigour, as the eagle mounts
+ Upon the sunbeam and renews his strength!
+ O mighty prophet deign to take from me
+ These gifts too poor to speak my gratitude;
+ Silver and gold and jewels, damask robes,--
+
+ELISHA: [Interrupting.]
+ As thy soul liveth I will not receive
+ A gift from thee, my son! Give all to Him
+ Whose mercy hath redeemed thee from thy plague.
+
+NAAMAN:
+ He is the only God! I worship Him!
+ Grant me a portion of the blessed soil
+ Of this most favoured land where I have found
+ His mercy; in Damascus will I build
+ An altar to His name, and praise Him there
+ Morning and night. There is no other God
+ In all the world.
+
+ELISHA:
+ Thou needst not
+ This load of earth to build a shrine for Him;
+ Yet take it if thou wilt. But be assured
+ God's altar is in every loyal heart,
+ And every flame of love that kindles there
+ Ascends to Him and brightens with His praise.
+ There is no other God! But evil Powers
+ Make war against Him in the darkened world;
+ And many temples have been built to them.
+
+NAAMAN:
+ I know them well! Yet when my master goes
+ To worship in the House of Rimmon, I
+ Must enter with him; for he trusts me, leans
+ Upon my hand; and when he bows himself
+ I cannot help but make obeisance too,--
+ But not to Rimmon! To my country's King
+ I'll bow in love and honour. Will the Lord
+ Pardon thy servant in this thing?
+
+ELISHA:
+ My son,
+ Peace has been granted thee. 'Tis thine to find
+ The only way to keep it. Go in peace.
+
+NAAMAN:
+ Thou hast not answered me,--may I bow down?
+
+ELISHA:
+ The answer must be thine. The heart that knows
+ The perfect peace of gratitude and love,
+ Walks in the light and needs no other rule.
+ When next thou comest into Rimmon's House,
+ Thy heart will tell thee how to go in peace.
+
+_CURTAIN._
+
+[3] Note that this scene is not intended to be put upon the stage,
+ the effect of the action upon the drama being given at the
+ beginning of Act IV.
+
+
+
+ACT IV
+
+
+SCENE I
+
+_The interior of NAAMAN'S tent, at night. RUAHMAH alone, sleeping
+ on the ground. A vision appears to her through the curtains of the
+ tent: ELISHA standing on the hillside at Dothan: NAAMAN, restored
+ to sight, comes in and kneels before him. ELISHA blesses him, and
+ he goes out rejoicing. The vision of the prophet turns to RUAHMAH
+ and lifts his hand in warning._
+
+ELISHA:
+ Daughter of Israel, what dost thou here?
+ Thy prayer is granted. Naaman is healed:
+ Mar not true service with a selfish thought.
+ Nothing remains for thee to do, except
+ Give thanks, and go whither the Lord commands.
+ Obey,--obey! Ere Naaman returns
+ Thou must depart to thine own house in Shechem.
+
+ [The vision vanishes.]
+
+RUAHMAH: [Waking and rising slowly.]
+ A dream, a dream, a messenger of God!
+ O dear and dreadful vision, art thou true?
+ Then am I glad with all my broken heart.
+ Nothing remains,--nothing remains but this,--
+ Give thanks, obey, depart,--and so I do.
+ Farewell, my master's sword! Farewell to you,
+ My amulet! I lay you on the hilt
+ His hand shall clasp again: bid him farewell
+ For me, since I must look upon his face
+ No more for ever!--Hark, what sound was that?
+
+ [Enter soldier hurriedly.]
+
+SOLDIER:
+ Mistress, an armed troop, footmen and horse,
+ Mounting the hill!
+
+RUAHMAH:
+ My lord returns in triumph.
+
+SOLDIER:
+ Not so, for these are enemies; they march
+ In haste and silence, answering not our cries.
+
+RUAHMAH:
+ Our enemies? Then hold your ground,--on guard!
+ Fight! fight! Defend the pass, and drive them down.
+
+ [Exit soldier. RUAHMAH draws NAAMAN'S sword from
+ the scabbard and hurries out of the tent. Confused
+ noise of fighting outside. Three or four soldiers
+ are driven in by a troop of men in disguise.
+ RUAHMAH follows: she is beaten to her knees,
+ and her sword is broken.]
+
+REZON: [Throwing aside the cloth which covers his face.]
+ Hold her! So, tiger-maid, we've found your lair
+ And trapped you. Where is Naaman,
+ Your master?
+
+RUAHMAH: [Rising, her arms held by two of REZON'S followers.]
+ He is far beyond your reach.
+
+REZON:
+ Brave captain! He has saved himself, the leper,
+ And left you here?
+
+RUAHMAH:
+ The leper is no more.
+
+REZON:
+ What mean you?
+
+RUAHMAH:
+ He has gone to meet his God.
+
+REZON:
+ Dead? Dead? Behold how Rimmon's wrath is swift!
+ Damascus shall be mine; I'll terrify
+ The King with this, and make my terms. But no!
+ False maid, you sweet-faced harlot, you have lied
+ To save him,--speak.
+
+RUAHMAH:
+ I am not what you say,
+ Nor have I lied, nor will I ever speak
+ A word to you, vile servant of a traitor-god.
+
+REZON:
+ Break off this little flute of blasphemy,
+ This ivory neck,--twist it, I say!
+ Give her a swift despatch after her leper!
+ But stay,--if he still lives he'll follow her,
+ And so we may ensnare him. Harm her not!
+ Bind her! Away with her to Rimmon's House!
+ Is all this carrion dead? There's one that moves,--
+ A spear,--fasten him down! All quiet now?
+ Then back to our Damascus! Rimmon's face
+ Shall be made bright with sacrifice.
+
+ [Exeunt, forcing RUAHMAH with them. Musical
+ interlude. A wounded soldier crawls from a
+ dark corner of the tent and finds the chain
+ with NAAMAN'S seal, which has fallen to the
+ ground in the struggle.]
+
+WOUNDED SOLDIER:
+ The signet of my lord, her amulet!
+ Lost, lost! Ah, noble lady,--let me die
+ With this upon my breast.
+
+ [The tent is dark. Enter NAAMAN and his company
+ in haste, with torches.]
+
+NAAMAN:
+ What bloody work
+ Is here? God, let me live to punish him
+ Who wrought this horror! Treacherously slain
+ At night, by unknown hands, my brave companions:
+ Tsarpi, my best beloved, light of my soul,
+ Put out in darkness! O my broken lamp
+ Of life, where art thou? Nay, I cannot find her.
+
+WOUNDED SOLDIER: [Raising himself on his arm.]
+ Master!
+
+NAAMAN: [Kneels beside him.]
+ One living? Quick, a torch this way!
+ Lift up his head,--so,--carefully!
+ Courage, my friend, your captain is beside you.
+ Call back your soul and make report to him.
+
+WOUNDED SOLDIER:
+ Hail, captain! O my captain,--here!
+
+NAAMAN:
+ Be patient,--rest in peace,--the fight is done.
+ Nothing remains but render your account.
+
+WOUNDED SOLDIER:
+ They fell upon us suddenly,--we fought
+ Our fiercest,--every man,--our lady fought
+ Fiercer than all. They beat us down,--she's gone.
+ Rezon has carried her away a captive. See,--
+ Her amulet,--I die for you, my captain.
+
+NAAMAN: [He gently lays the dead soldier on the ground, and rises.]
+ Farewell. This last report was brave; but strange
+ Beyond my thought! How came the High Priest here?
+ And what is this? my chain, my seal! But this
+ Has never been in Tsarpi's hand. I gave
+ This signet to a captive maid one night,--
+ A maid of Israel. How long ago?
+ Ruahmah was her name,--almost forgotten!
+ So long ago,--how comes this token here?
+ What is this mystery, Saballidin?
+
+SABALLIDIN:
+ Ruahmah is her name who brought you hither.
+
+NAAMAN:
+ Where then is Tsarpi?
+
+SABALLIDIN:
+ In Damascus.
+ She left you when the curse of Rimmon fell,--
+ Took refuge in his House,--and there she waits
+ Her lord's return,--Rezon's return.
+
+NAAMAN:
+ 'Tis false!
+
+SABALLIDIN:
+ The falsehood is in her. She hath been friend
+ With Rezon in his priestly plot to win
+ Assyria's favour,--friend to his design
+ To sell his country to enrich his temple,--
+ And friend to him in more,--I will not name it.
+
+NAAMAN:
+ Nor will I credit it. Impossible!
+
+SABALLIDIN:
+ Did she not plead with you against the war,
+ Counsel surrender, seek to break your will?
+
+NAAMAN:
+ She did not love my work, a soldier's task.
+ She never seemed to be at one with me
+ Until I was a leper.
+
+SABALLIDIN:
+ From whose hand
+ Did you receive the sacred cup?
+
+NAAMAN:
+ From hers.
+
+SABALLIDIN:
+ And from that hour the curse began to work.
+
+NAAMAN:
+ But did she not have pity when she saw
+ Me smitten? Did she not beseech the King
+ For letters and a guard to make this journey?
+ Has she not been the fountain of my hope,
+ My comforter and my most faithful guide
+ In this adventure of the dark? All this
+ Is proof of perfect love that would have shared
+ A leper's doom rather than give me up.
+ Can I doubt her who dared to love like this?
+
+SABALLIDIN:
+ O master, doubt her not,--but know her name;
+ Ruahmah! It was she alone who wrought
+ This wondrous work of love. She won the King
+ To furnish forth this company. She led
+ Our march, kept us in heart, fought off despair,
+ Watched over you as if you were her child,
+ Prepared your food, your cup, with her own hands,
+ Sang you asleep at night, awake at dawn,--
+
+NAAMAN: [Interrupting.]
+ Enough! I do remember every hour
+ Of that sweet comradeship! And now her voice
+ Wakens the echoes in my lonely breast.
+ Shall I not see her, thank her, speak her name?
+ Ruahmah! Let me live till I have looked
+ Into her eyes and called her my Ruahmah!
+
+ [To his soldiers.]
+
+ Away! away! I burn to take the road
+ That leads me back to Rimmon's House,--
+ But not to bow,--by God, never to bow!
+
+
+SCENE II
+
+TIME: _Three days later_
+
+_Inner court of the House of Rimmon; a temple with huge pillars at
+ each side. In the right foreground the seat of the King; at the
+ left, of equal height, the seat of the High Priest. In the
+ background a broad flight of steps, rising to a curtain of cloudy
+ gray, embroidered with two gigantic hands holding thunderbolts.
+ The temple is in half darkness at first. Enter KHAMMA and NUBTA,
+ robed as Kharimati, or religious dancers, in gowns of black gauze
+ with yellow embroideries and mantles._
+
+KHAMMA:
+ All is ready for the rites of worship; our lady will play
+ a great part in them. She has put on her Tyrian robes,
+ and all her ornaments.
+
+NUBTA:
+ That is a sure sign of a religious purpose. She is most
+ devout, our lady Tsarpi!
+
+KHAMMA:
+ A favourite of Rimmon, too! The High Priest has assured
+ her of it. He is a great man,--next to the King, now
+ that Naaman is gone.
+
+NUBTA:
+ But if Naaman should come back, healed of the leprosy?
+
+KHAMMA:
+ How can he come back? The Hebrew slave that went away
+ with him, when they caught her, said that he was dead.
+ The High Priest has shut her up in the prison of the
+ temple, accusing her of her master's death.
+
+NUBTA:
+ Yet I think he does not believe it, for I heard him telling
+ our mistress what to do if Naaman should return.
+
+KHAMMA:
+ What, then?
+
+NUBTA:
+ She will claim him as her husband. Was she not wedded to
+ him before the god? That is a sacred bond. Only the High
+ Priest can loose it. She will keep her hold on Naaman
+ for the sake of the House of Rimmon. A wife knows her
+ husband's secrets, she can tell--
+
+ [Enter SHUMAKIM, with his flagon, walking unsteadily.]
+
+KHAMMA:
+ Hush! here comes the fool Shumakim. He is never sober.
+
+SHUMAKIM: [Laughing.]
+ Are there two of you? I see two, but that is no proof.
+ I think there is only one, but beautiful enough for
+ two. What were you talking to yourself about, fairest
+ one!
+
+KHAMMA:
+ About the lady Tsarpi, fool, and what she would do if
+ her husband returned.
+
+SHUMAKIM:
+ Fie! fie! That is no talk for an innocent fool to hear.
+ Has she a husband?
+
+NUBTA:
+ You know very well that she is the wife of Lord Naaman.
+
+SHUMAKIM:
+ I remember that she used to wear his name and his jewels.
+ But I thought he had exchanged her,--for a leprosy.
+
+KHAMMA:
+ You must have heard that he went away to Samaria to look
+ for healing. Some say that he died on the journey; but
+ others say he has been cured, and is on his way home
+ to his wife.
+
+SHUMAKIM:
+ It may be, for this is a mad world, and men never know
+ when they are well off,--except us fools. But he must
+ come soon if he would find his wife as he parted from
+ her,--or the city where he left it. The Assyrians have
+ returned with a greater army, and this time they will
+ make an end of us. There is no Naaman now, and the Bull
+ will devour Damascus like a bunch of leeks, flowers and
+ all,--flowers and all, my double-budded fair one! Are
+ you not afraid?
+
+NUBTA:
+ We belong to the House of Rimmon. He will protect us.
+
+SHUMAKIM:
+ What? The mighty one who hides behind the curtain there,
+ and tells his secrets to Rezon? No doubt he will take
+ care of you, and of himself. Whatever game is played,
+ the gods never lose. But for the protection of the
+ common people and the rest of us fools, I would rather
+ have Naaman at the head of an army than all the sacred
+ images between here and Babylon.
+
+KHAMMA:
+ You are a wicked old man. You mock the god. He will
+ punish you.
+
+SHUMAKIM: [Bitterly.]
+ How can he punish me? Has he not already made me a fool?
+ Hark, here comes my brother the High Priest, and my
+ brother the King. Rimmon made us all; but nobody knows
+ who made Rimmon, except the High Priest; and he will
+ never tell.
+
+[Gongs and cymbals sound. Enter REZON with priests, and the
+ King with courtiers. They take their seats. A throng of Khali
+ and Kharimati come in, TSARPI presiding; a sacred dance is
+ performed with torches, burning incense, and chanting, in
+ which TSARPI leads.]
+
+ CHANT
+
+ _Hail, mighty Rimmon, ruler of the whirl-storm,
+ Hail, shaker of mountains, breaker-down of forests,
+ Hail, thou who roarest terribly in the darkness,
+ Hail, thou whose arrows flame across the heavens!
+ Hail, great destroyer, lord of flood and tempest,
+ In thine anger almighty, in thy wrath eternal,
+ Thou who delightest in ruin, maker of desolations,
+ Immeru, Addu, Berku, Rimmon!
+ See we tremble before thee, low we bow at thine altar,
+ Have mercy upon us, be favourable unto us,
+ Save us from our enemy, accept our sacrifice,
+ Barku, Immeru, Addu, Rimmon!_
+
+ [Silence follows, all bowing down.]
+
+REZON:
+ O King, last night the counsel from above
+ Was given in answer to our divination.
+ Ambassadors must go forthwith to crave
+ Assyria's pardon, and a second offer
+ Of the same terms of peace we did reject
+ Not long ago.
+
+BENHADAD:
+ Dishonour! Yet I see
+ No other way! Assyria will refuse,
+ Or make still harder terms. Disaster, shame
+ For this gray head, and ruin for Damascus!
+
+REZON:
+ Yet may we trust Rimmon will favour us,
+ If we adhere devoutly to his worship.
+ He will incline his brother-god, the Bull,
+ To spare us, if we supplicate him now
+ With costly gifts. Therefore I have prepared
+ A sacrifice: Rimmon shall be well pleased
+ With the red blood that bathes his knees to-night!
+
+BENHADAD:
+ My mind is dark with doubt,--I do forebode
+ Some horror! Let me go,--I am an old man,--
+ If Naaman my captain were alive!
+ But he is dead,--the glory is departed!
+
+ [He rises, trembling, to leave the throne. Trumpet
+ sounds,--NAAMAN'S call;--enter NAAMAN, followed
+ by soldiers; he kneels at the foot of the throne.]
+
+BENHADAD: [Half-whispering.]
+ Art thou a ghost escaped from Allatu?
+ How didst thou pass the seven doors of death?
+ O noble ghost I am afraid of thee,
+ And yet I love thee,--let me hear thy voice!
+
+NAAMAN:
+ No ghost, my King, but one who lives to serve
+ Thee and Damascus with his heart and sword
+ As in the former days. The only God
+ Has healed my leprosy: my life is clean
+ To offer to my country and my King.
+
+BENHADAD: [Starting toward him.]
+ O welcome to thy King! Thrice welcome!
+
+REZON: [Leaving his seat and coming toward NAAMAN.]
+ Stay!
+ The leper must appear before the priest,
+ The only one who can pronounce him clean.
+
+ [NAAMAN turns; they stand looking each other in the face.]
+
+ Yea,--thou art cleansed: Rimmon hath pardoned thee,--
+ In answer to the daily prayers of her
+ Whom he restores to thine embrace,--thy wife.
+
+ [TSARPI comes slowly toward NAAMAN.]
+
+NAAMAN:
+ From him who rules this House will I receive
+ Nothing! I seek no pardon from his priest,
+ No wife of mine among his votaries!
+
+TSARPI: [Holding out her hands.]
+ Am I not yours? Will you renounce our vows?
+
+NAAMAN:
+ The vows were empty,--never made you mine
+ In aught but name. A wife is one who shares
+ Her husband's thought, incorporates his heart
+ With hers by love, and crowns him with her trust.
+ She is God's remedy for loneliness,
+ And God's reward for all the toil of life.
+ This you have never been to me,--and so
+ I give you back again to Rimmon's House
+ Where you belong. Claim what you will of mine,--
+ Not me! I do renounce you,--or release you,--
+ According to the law. If you demand
+ A further cause than what I have declared,
+ I will unfold it fully to the King.
+
+REZON: [Interposing hurriedly.]
+ No need of that! This duteous lady yields
+ To your caprice as she has ever done:
+ She stands a monument of loyalty
+ And woman's meekness.
+
+NAAMAN:
+ Let her stand for that!
+ Adorn your temple with her piety!
+ But you in turn restore to me the treasure
+ You stole at midnight from my tent.
+
+REZON:
+ What treasure! I have stolen none from you.
+
+NAAMAN:
+ The very jewel of my soul,--Ruahmah!
+ My King, the captive maid of Israel,
+ To whom thou didst commit my broken life
+ With letters to Samaria,--my light,
+ My guide, my saviour in this pilgrimage,--
+ Dost thou remember?
+
+BENHADAD:
+ I recall the maid,--
+ But dimly,--for my mind is old and weary,
+ She was a fearless maid, I trusted her
+ And gave thee to her charge. Where is she now?
+
+NAAMAN:
+ This robber fell upon my camp by night,--
+ While I was with Elisha at the Jordan,--
+ Slaughtered my soldiers, carried off the maid,
+ And holds her somewhere in imprisonment.
+ O give this jewel back to me, my King,
+ And I will serve thee with a grateful heart
+ For ever. I will fight for thee, and lead
+ Thine armies on to glorious victory
+ Over all foes! Thou shalt no longer fear
+ The host of Asshur, for thy throne shall stand
+ Encompassed with a wall of dauntless hearts,
+ And founded on a mighty people's love,
+ And guarded by the God of righteousness.
+
+BENHADAD:
+ I feel the flame of courage at thy breath
+ Leap up among the ashes of despair.
+ Thou hast returned to save us! Thou shalt have
+ The maid; and thou shalt lead my host again!
+ Priest, I command you give her back to him.
+
+REZON:
+ O master, I obey thy word as thou
+ Hast ever been obedient to the voice
+ Of Rimmon. Let thy fiery captain wait
+ Until the sacrifice has been performed,
+ And he shall have the jewel that he claims.
+ Must we not first placate the city's god
+ With due allegiance, keep the ancient faith,
+ And pay our homage to the Lord of Wrath?
+
+BENHADAD: [Sinking back upon his throne in fear.]
+ I am the faithful son of Rimmon's House,--
+ And lo, these many years I worship him!
+ My thoughts are troubled,--I am very old,
+ But still a King! O Naaman, be patient!
+ Priest, let the sacrifice be offered.
+
+ [The High Priest lifts his rod. Gongs and cymbals
+ sound. The curtain is rolled back, disclosing
+ the image of Rimmon; a gigantic and hideous idol,
+ with a cruel human face, four horns, the mane of
+ a lion, and huge paws stretched in front of him
+ enclosing a low altar of black stone. RUAHMAH
+ stands on the altar, chained, her arms are bare
+ and folded on her breast. The people prostrate
+ themselves in silence, with signs of astonishment
+ and horror.]
+
+REZON:
+ Behold the sacrifice! Bow down, bow down!
+
+NAAMAN: [Stabbing him.]
+ Bow thou, black priest! Down,--down to hell!
+ Ruahmah! do not die! I come to thee.
+
+ [NAAMAN rushes toward her, attacked by the priests,
+ crying "Sacrilege! Kill him!" But the soldiers
+ stand on the steps and beat them back. He springs
+ upon the altar and clasps her by the hand. Tumult
+ and confusion. The King rises and speaks with a
+ loud voice, silence follows.]
+
+BENHADAD:
+ Peace, peace! The King commands all weapons down!
+ O Naaman, what wouldst thou do? Beware
+ Lest thou provoke the anger of a god.
+
+NAAMAN:
+ There is no God but one, the Merciful,
+ Who gave this perfect woman to my soul
+ That I might learn through her to worship Him,
+ And know the meaning of immortal Love.
+
+BENHADAD: [Agitated.]
+ Yet she is consecrated, bound, and doomed
+ To sacrificial death; but thou art sworn
+ To live and lead my host,--Hast thou not sworn?
+
+NAAMAN:
+ Only if thou wilt keep thy word to me!
+ Break with this idol of iniquity
+ Whose shadow makes a darkness in the land;
+ Give her to me who gave me back to thee;
+ And I will lead thine army to renown
+ And plant thy banners on the hill of triumph.
+ But if she dies, I die with her, defying Rimmon.
+
+ [Cries of "Spare them! Release her! Give us back
+ our Captain!" and "Sacrilege! Let them die!" Then
+ silence, all turning toward the King.]
+
+BENHADAD:
+ Is this the choice? Must we destroy the bond
+ Of ancient faith, or slay the city's living hope!
+ I am an old, old man,--and yet the King!
+ Must I decide?--O let me ponder it!
+
+ [His head sinks upon his breast. All stand eagerly
+ looking at him.]
+
+NAAMAN:
+ Ruahmah, my Ruahmah! I have come
+ To thee at last! And art thou satisfied?
+
+RUAHMAH: [Looking into his face.]
+ Beloved, my beloved, I am glad
+ Of all, and glad for ever, come what may.
+ Nothing can harm me,--since my lord is come!
+
+
+
+
+APPENDIX
+
+CARMINA FESTIVA
+
+
+
+THE LITTLE-NECK CLAM
+
+A modern verse-sequence, showing how a native American subject,
+strictly realistic, may be treated in various manners adapted
+to the requirements of different magazines, thus combining
+Art-for-Art's-Sake with Writing-for-the-Market. Read at the
+First Dinner of the American Periodical Publishers' Association,
+in Washington, April, 1904.
+
+
+I
+
+THE ANTI-TRUST CLAM
+
+For _McClure's Magazine_
+
+ The clam that once, on Jersey's banks,
+ Was like the man who dug it, free,
+ Now slave-like thro' the market clanks
+ In chains of corporate tyranny.
+
+ The Standard Fish-Trust of New York
+ Holds every clam-bank in control;
+ And like base Beef and menial Pork,
+ The free-born Clam has lost its soul.
+
+ No more the bivalve treads the sands
+ In freedom's rapture, free from guilt:
+ It follows now the harsh commands
+ Of Morgiman and Rockabilt.
+
+ Rise, freemen, rise! Your wrath is just!
+ Call on the Sherman Act to dam
+ The floods of this devouring Trust,
+ And liberate the fettered Clam.
+
+
+II
+
+THE WHITMANIAC CLAM
+
+For the _Bookman_
+
+ Not Dante when he wandered by the river Arno,
+ Not Burns who plowed the banks and braes of bonnie Ayr,
+ Not even Shakspere on the shores of Avon,--ah, no!
+ Not one of those great bards did taste true Poet's Fare.
+
+ But Whitman, loafing in Long Island and New Jersey,
+ Found there the sustenance of mighty ode and psalm,
+ And while his rude emotions swam around in verse, he
+ Fed chiefly on the wild, impassioned, sea-born clam.
+
+ Thus in his work we feel the waves' bewildering motion,
+ And winds from mighty mud-flats, weird and wild:
+ His clam-filled bosom answered to the voice of ocean,
+ And rose and fell responsively with every tide.
+
+
+III
+
+IL MERCATORE ITALIANO DELLA CLAMMA
+
+For the _Century Magazine_
+
+ "Clam O! Fres' Clam!" How strange it sounds and sweet,
+ The Dago's cry along the New York street!
+ "Dago" we call him, like the thoughtless crowd;
+ And yet this humble man may well be proud
+ To hail from Petrarch's land, Boccaccio's home,--
+ Firenze, Gubbio, Venezia, Rome,--
+ From fair Italia, whose enchanted soil
+ Transforms the lowly cotton-seed to olive-oil.
+
+ To me his chant, with alien accent sung,
+ Brings back an echo of great Virgil's tongue:
+ It seems to cry against the city's woe,
+ In liquid Latin syllables,--_Clamo_!
+ As thro' the crowded street his cart he jams
+ And cries aloud, ah, think of more than clams!
+ Receive his secret plaint with pity warm,
+ And grant Italia's plea for Tenement-House Reform!
+
+
+IV
+
+THE SOCIAL CLAM
+
+For the _Smart Set_
+
+ Fair Phyllis is another's bride:
+ Therefore I like to sit beside
+ Her at a very smart set dinner,
+ And whisper love, and try to win her.
+
+ The little-necks,--in number six,--
+ That from their pearly shells she picks
+ And swallows whole,--ah, is it selfish
+ To wish my heart among those shell-fish?
+
+ "But Phyllis is another's wife;
+ And if she should absorb thy life
+ 'Twould leave thy bosom vacant."--Well,
+ I'd keep at least the empty shell!
+
+
+V
+
+THE RECREANT CLAM
+
+For the _Outlook_
+
+ Low dost thou lie amid the languid ooze,
+ Because thy slothful spirit doth refuse
+ The bliss of battle and the strain of strife.
+ Rise, craven clam, and lead the strenuous life!
+
+
+
+A FAIRY TALE
+
+For the Mark Twain Dinner, December 5, 1905
+
+
+ Some three-score years and ten ago
+ A prince was born at Florida, Mo.;
+ And though he came _incognito_,
+ With just the usual yells of woe,
+ The watchful fairies seemed to know
+ Precisely what the row meant;
+ For when he was but five days old,
+ (December fifth as I've been told,)
+ They pattered through the midnight cold,
+ And came around his crib, to hold
+ A "Council of Endowment."
+
+ "I give him Wit," the eldest said,
+ And stooped above the little bed,
+ To touch his forehead round and red.
+ "Within this bald, unfurnished head,
+ Where wild luxuriant locks shall spread
+ And wave in years hereafter,
+ I kindle now the lively spark,
+ That still shall flash by day and dark,
+ And everywhere he goes shall mark
+ His way with light and laughter."
+
+ The fairies laughed to think of it
+ That such a rosy, wrinkled bit
+ Of flesh should be endowed with Wit!
+ But something serious seemed to hit
+ The mind of one, as if a fit
+ Of fear had come upon her.
+ "I give him Truth," she quickly cried,
+ "That laughter may not lead aside
+ To paths where scorn and falsehood hide,--
+ I give him Truth and Honour!"
+
+ "I give him Love," exclaimed the third;
+ And as she breathed the mystic word,
+ I know not if the baby heard,
+ But softly in his dream he stirred,
+ And twittered like a little bird,
+ And stretched his hands above him.
+ The fairy's gift was sealed and signed
+ With kisses twain the deed to bind:
+ "A heart of love to human-kind,
+ And human-kind to love him!"
+
+ "Now stay your giving!" cried the Queen.
+ "These gifts are passing rich I ween;
+ And if reporters should be mean
+ Enough to spy upon this scene,
+ 'Twould make all other babies green
+ With envy at the rumour.
+ Yet since I love this child, forsooth,
+ I'll mix your gifts, Wit, Love and Truth,
+ With spirits of Immortal Youth,
+ And call the mixture Humour!"
+
+ The fairies vanished with their glittering train;
+ But here's the Prince with all their gifts,--_Mark Twain_.
+
+
+
+THE BALLAD OF THE SOLEMN ASS
+
+Recited at the Century Club, New York: Twelfth Night. 1906
+
+
+ Come all ye good Centurions and wise men of the times,
+ You've made a Poet Laureate, now you must hear his rhymes.
+ Extend your ears and I'll respond by shortening up my tale:--
+ Man cannot live by verse alone, he must have cakes and ale.
+
+ So while you wait for better things and muse on schnapps and salad,
+ I'll try my Pegasus his wings and sing a little ballad:
+ A legend of your ancestors, the Wise Men of the East,
+ Who brought among their baggage train a quaint and curious beast.
+
+ Their horses were both swift and strong, and we should think it lucky
+ If we could buy, by telephone, such horses from Kentucky;
+ Their dromedaries paced along, magnificent and large,
+ Their camels were as stately as if painted by La Farge.
+
+ But this amazing little ass was never satisfied,
+ He made more trouble every day than all the rest beside:
+ His ears were long, his legs were short, his eyes were bleared and dim,
+ But nothing in the wide, wide world was good enough for him.
+
+ He did not like the way they went, but lifted up his voice
+ And said that any other way would be a better choice.
+ He braced his feet and stood his ground, and made the wise men wait,
+ While with his heels at all around he did recalcitrate.
+
+ It mattered not how fair the land through which the road might run,
+ He found new causes for complaint with every Morning Sun:
+ And when the shades of twilight fell and all the world grew nappy,
+ They tied him to his Evening Post, but still he was not happy.
+
+ He thought his load was far too large, he thought his food was bad,
+ He thought the Star a poor affair, he thought the Wise Men mad:
+ He did not like to hear them laugh,--'twas childish to be jolly;
+ And if perchance they sang a hymn,--'twas sentimental folly!
+
+ So day by day this little beast performed his level best
+ To make their life, in work and play, a burden to the rest:
+ And when they laid them down at night, he would not let them sleep,
+ But criticized the Universe with hee-haws loud and deep.
+
+ One evening, as the Wise Men sat before their fire-lit tent,
+ And ate and drank and talked and sang, in grateful merriment,
+ The solemn donkey butted in, in his most solemn way,
+ And broke the happy meeting up with a portentous bray.
+
+ "Now by my head," Balthazar said (his real name was Choate),
+ "We've had about enough of this! I'll put it to the vote.
+ I move the donkey be dismissed; let's turn him out to grass,
+ And travel on our cheerful way, without the solemn ass."
+
+ The vote was aye! and with a whack the Wise Men drove him out;
+ But still he wanders up and down, and all the world about;
+ You'll know him by his long, sad face and supercilious ways,
+ And likewise by his morning kicks and by his evening brays.
+
+ But while we sit at Eagle Roost and make our Twelfth Night cheer,
+ Full well we know the solemn ass will not disturb us here:
+ For pleasure rules the roost to-night, by order of the King,
+ And every one must play his part, and laugh, and likewise sing.
+
+ The road of life is long, we know, and often hard to find,
+ And yet there's many a pleasant turn for men of cheerful mind:
+ We've done our day's work honestly, we've earned the right to rest,
+ We'll take a cup of friendship now and spice it with a jest.
+
+ A silent health to absent friends, their memories are bright!
+ A hearty health to all who keep the feast with us to-night!
+ A health to dear Centuria, oh, may she long abide!
+ A health, a health to all the world,--and the solemn ass, _outside_!
+
+
+
+A BALLAD OF SANTA CLAUS
+
+For the St. Nicholas Society of New York
+
+
+ Among the earliest saints of old, before the first Hegira,
+ I find the one whose name we hold, St. Nicholas of Myra:
+ The best-beloved name, I guess, in sacred nomenclature,--
+ The patron-saint of helpfulness, and friendship, and good-nature.
+
+ A bishop and a preacher too, a famous theologian,
+ He stood against the Arian crew and fought them like a Trojan:
+ But when a poor man told his need and begged an alms in trouble,
+ He never asked about his creed, but quickly gave him double.
+
+ Three pretty maidens, so they say, were longing to be married;
+ But they were paupers, lack-a-day, and so the suitors tarried.
+ St. Nicholas gave each maid a purse of golden ducats chinking,
+ And then, for better or for worse, they wedded quick as winking.
+
+ Once, as he sailed, a storm arose; wild waves the ship surrounded;
+ The sailors wept and tore their clothes, and shrieked "We'll all be
+ drownded!"
+ St. Nicholas never turned a hair; serenely shone his halo;
+ He simply said a little prayer, and all the billows lay low.
+
+ The wicked keeper of an inn had three small urchins taken,
+ And cut them up in a pickle-bin, and salted them for bacon.
+ St. Nicholas came and picked them out, and put their limbs together,--
+ They lived, they leaped, they gave a shout, "St. Nicholas forever!"
+
+ And thus it came to pass, you know, that maids without a nickel,
+ And sailor-lads when tempest blow, and children in a pickle,
+ And every man that's fatherly, and every kindly matron,
+ In choosing saints would all agree to call St. Nicholas patron.
+
+ He comes again at Christmas-time and stirs us up to giving;
+ He rings the merry bells that chime good-will to all the living;
+ He blesses every friendly deed and every free donation;
+ He sows the secret, golden seed of love through all creation.
+
+ Our fathers drank to Santa Claus, the sixth of each December,
+ And still we keep his feast because his virtues we remember.
+ Among the saintly ranks he stood, with smiling human features,
+ And said, "_Be good! But not too good to love your fellow-creatures!_"
+
+December 6, 1907.
+
+
+
+ARS AGRICOLARIS
+
+An Ode for the "Farmer's Dinner," University Club, New York,
+January 23, 1913
+
+
+ All hail, ye famous Farmers!
+ Ye vegetable-charmers,
+ Who know the art of making barren earth
+ Smile with prolific mirth
+ And bring forth twins or triplets at a birth!
+ Ye scientific fertilizers of the soil,
+ And horny-handed sons of toil!
+ To-night from all your arduous cares released,
+ With manly brows no longer sweat-impearled,
+ Ye hold your annual feast,
+ And like the Concord farmers long ago,
+ Ye meet above the "Bridge" below,
+ And draw the cork heard round the world!
+
+ What memories are yours! What tales
+ Of triumph have your tongues rehearsed,
+ Telling how ye have won your first
+ Potatoes from the stubborn mead,
+ (Almost as many as ye sowed for seed!)
+ And how the luscious cabbages and kails
+ Have bloomed before you in their bed
+ At seven dollars a head!
+ And how your onions took a prize
+ For bringing tears into the eyes
+ Of a hard-hearted cook! And how ye slew
+ The Dragon Cut-worm at a stroke!
+ And how ye broke,
+ Routed, and put to flight the horrid crew
+ Of vile potato-bugs and Hessian flies!
+ And how ye did not quail
+ Before th' invading armies of San Jose Scale,
+ But met them bravely with your little pail
+ Of poison, which ye put upon each tail
+ O' the dreadful beasts and made their courage fail!
+ And how ye did acquit yourselves like men
+ In fields of agricultural strife, and then,
+ Like generous warriors, sat you down at ease
+ And gently to your gardener said, "Let us have _Pease_!"
+
+ But _were_ there Pease? Ah, no, dear Farmers, no!
+ The course of Nature is not ordered so.
+ For when we want a vegetable most,
+ She holds it back;
+ And when we boast
+ To our week-endly friends
+ Of what we'll give them on our farm, alack,
+ Those things the old dam, Nature, never sends.
+
+ O Pease in bottles, Sparrow-grass in jars,
+ How often have ye saved from scars
+ Of shame, and deep embarrassment,
+ The disingenuous farmer-gent,
+ To whom some wondering guest has cried,
+ "How _do_ you raise such Pease and Sparrow-grass?"
+ Whereat the farmer-gent has not denied
+ The compliment, but smiling has replied,
+ "To raise such things you must have lots of glass."
+
+ From wiles like these, true Farmers, hold aloof;
+ Accept no praise unless you have the proof.
+ If niggard Nature should withhold the green
+ And sugary Pea, welcome the humble Bean.
+ Even the easy Radish, and the Beet,
+ If grown by your own toil are extra sweet.
+ Let malefactors of great wealth and banker-felons
+ Rejoice in foreign artichokes, imported melons;
+ But you, my Farmers, at your frugal board
+ Spread forth the fare your Sabine Farms afford.
+ Say to Maecenas, when he is your guest,
+ "No peaches! try this turnip, 'tis my best."
+ Thus shall ye learn from labors in the field
+ What honesty a farmer's life may yield,
+ And like G. Washington in early youth,
+ Though cherries fail, produce a crop of truth.
+
+ But think me not too strict, O followers of the plough;
+ Some place for fiction in your lives I would allow.
+ In January when the world is drear,
+ And bills come in, and no results appear,
+ And snow-storms veil the skies,
+ And ice the streamlet clogs,
+ Then may you warm your heart with pleasant lies
+ And revel in the seedsmen's catalogues!
+ What visions and what dreams are these
+ Of cauliflower obese,--
+ Of giant celery, taller than a mast,--
+ Of strawberries
+ Like red pincushions, round and vast,--
+ Of succulent and spicy gumbo,--
+ Of cantaloupes, as big as Jumbo,--
+ Of high-strung beans without the strings,--
+ And of a host of other wild, romantic things!
+
+ Why, then, should Doctor Starr declare
+ That modern habits mental force impair?
+ And why should H. Marquand complain
+ That jokes as good as his will never come again?
+ And why should Bridges wear a gloomy mien
+ About the lack of fiction for his Magazine?
+ The seedsman's catalogue is all we need
+ To stir our dull imaginations
+ To new creations,
+ And lead us, by the hand
+ Of Hope, into a fairy-land.
+
+ So dream, my friendly Farmers, as you will;
+ And let your fancy all your garners fill
+ With wondrous crops; but always recollect
+ That Nature gives us less than we expect.
+ Scorn not the city where you earn the wealth
+ That, spent upon your farms, renews your health;
+ And tell your wife, whene'er the bills have shocked her,
+ "A country-place is cheaper than a doctor."
+ May roses bloom for you, and may you find
+ Your richest harvest in a tranquil mind.
+
+[Transcriber's note: "fertilizers" above was "fetilizers"
+in the original.]
+
+
+
+ANGLER'S FIRESIDE SONG
+
+
+ Oh, the angler's path is a very merry way,
+ And his road through the world is bright;
+ For he lives with the laughing stream all day,
+ And he lies by the fire at night.
+
+ Sing hey nonny, ho nonny
+ And likewise well-a-day!
+ The angler's life is a very jolly life
+ And that's what the anglers say!
+
+ Oh, the angler plays for the pleasure of the game,
+ And his creel may be full or light,
+ But the tale that he tells will be just the same
+ When he lies by the fire at night.
+
+ Sing hey nonny, ho nonny
+ And likewise well-a-day!
+ We love the fire and the music of the lyre,
+ And that's what the anglers say!
+
+To the San Francisco Fly-Casting Club, April, 1913.
+
+
+
+HOW SPRING COMES TO SHASTA JIM
+
+
+ I never seen no "red gods"; I dunno wot's a "lure";
+ But if it's sumpin' takin', then Spring has got it sure;
+ An' it doesn't need no Kiplins, ner yet no London Jacks,
+ To make up guff about it, w'ile settin' in their shacks.
+
+ It's sumpin' very simple 'at happens in the Spring,
+ But it changes all the lookin's of every blessed thing;
+ The buddin' woods look bigger, the mounting twice as high,
+ But the house looks kindo smaller, tho I couldn't tell ye why.
+
+ It's cur'ous wot a show-down the month of April makes,
+ Between the reely livin', an' the things 'at's only fakes!
+ Machines an' barns an' buildin's, they never give no sign;
+ But the livin' things look lively w'en Spring is on the line.
+
+ She doesn't come too suddin, ner she doesn't come too slow;
+ Her gaits is some cayprishus, an' the next ye never know,--
+ A single-foot o' sunshine, a buck o' snow er hail,--
+ But don't be disapp'inted, fer Spring ain't goin' ter fail.
+
+ She's loopin' down the hillside,--the driffs is fadin' out.
+ She's runnin' down the river,--d'ye see them risin' trout?
+ She's loafin' down the canyon,--the squaw-bed's growin' blue,
+ An' the teeny Johnny-jump-ups is jest a-peekin' thru.
+
+ A thousan' miles o' pine-trees, with Douglas firs between,
+ Is waitin' fer her fingers to freshen up their green;
+ With little tips o' brightness the firs 'ill sparkle thick,
+ An' every yaller pine-tree, a giant candle-stick!
+
+ The underbrush is risin' an' spreadin' all around,
+ Jest like a mist o' greenness 'at hangs above the ground;
+ A million manzanitas 'ill soon be full o' pink;
+ So saddle up, my sonny,--it's time to ride, I think!
+
+ We'll ford er swim the river, becos there ain't no bridge;
+ We'll foot the gulches careful, an' lope along the ridge;
+ We'll take the trail to Nowhere, an' travel till we tire,
+ An' camp beneath a pine-tree, an' sleep beside the fire.
+
+ We'll see the blue-quail chickens, an' hear 'em pipin' clear;
+ An' p'raps we'll sight a brown-bear, er else a bunch o' deer;
+ But nary a heathen goddess or god 'ill meet our eyes;
+ For why? There isn't any! They're jest a pack o' lies!
+
+ Oh, wot's the use o' "red gods," an' "Pan," an' all that stuff?
+ The natcheral facts o' Springtime is wonderful enuff!
+ An' if there's Someone made 'em, I guess He understood,
+ To be alive in Springtime would make a man feel good.
+
+California, 1913.
+
+
+
+A BUNCH OF TROUT-FLIES
+
+For Archie Rutledge
+
+
+ Here's a half-a-dozen flies,
+ Just about the proper size
+ For the trout of Dickey's Run,--
+ Luck go with them every one!
+
+ Dainty little feathered beauties,
+ Listen now, and learn your duties:
+ Not to tangle in the box;
+ Not to catch on logs or rocks,
+ Boughs that wave or weeds that float,
+ Nor in the angler's "pants" or coat!
+ Not to lure the glutton frog
+ From his banquet in the bog;
+ Nor the lazy chub to fool,
+ Splashing idly round the pool;
+ Nor the sullen horned pout
+ From the mud to hustle out!
+
+ None of this vulgarian crew,
+ Dainty flies, is game for you.
+ Darting swiftly through the air
+ Guided by the angler's care,
+ Light upon the flowing stream
+ Like a winged fairy dream;
+ Float upon the water dancing,
+ Through the lights and shadows glancing,
+ Till the rippling current brings you,
+ And with quiet motion swings you,
+ Where a speckled beauty lies
+ Watching you with hungry eyes.
+
+ Here's your game and here's your prize!
+ Hover near him, lure him, tease him,
+ Do your very best to please him,
+ Dancing on the water foamy,
+ Like the frail and fair Salome,
+ Till the monarch yields at last;
+ Rises, and you have him fast!
+ Then remember well your duty,--
+ Do not lose, but land, your booty;
+ For the finest fish of all is
+ _Salvelinus Fontinalis._
+
+ So, you plumed illusions, go,
+ Let my comrade Archie know
+ Every day he goes a-fishing
+ I'll be with him in well-wishing.
+ Most of all when lunch is laid
+ In the dappled orchard shade,
+ With Will, Corinne, and Dixie too,
+ Sitting as we used to do
+ Round the white cloth on the grass
+ While the lazy hours pass,
+ And the brook's contented tune
+ Lulls the sleepy afternoon,--
+ Then's the time my heart will be
+ With that pleasant company!
+
+June 17, 1913.
+
+
+
+
+INDEX OF FIRST LINES
+
+
+ A deeper crimson in the rose,
+ A fir-tree standeth lonely
+ A flawless cup: how delicate and fine
+ A little fir grew in the midst of the wood
+ A mocking question! Britain's answer came
+ A silent world,--yet full of vital joy
+ A silken curtain veils the skies,
+ A tear that trembles for a little while
+ Across a thousand miles of sea, a hundred leagues of land,
+ Afterthought of summer's bloom!
+ Ah, who will tell me, in these leaden days,
+ All along the Brazos River,
+ All day long in the city's canyon-street,
+ All hail, ye famous Farmers!
+ All night long, by a distant bell
+ All the trees are sleeping, all the winds are still,
+ Among the earliest saints of old, before the first Hegira
+ At dawn in silence moves the mighty stream,
+ At sunset, when the rosy light was dying
+
+ Children of the elemental mother,
+ "Clam O! Fres' Clam!" How strange it sounds and sweet,
+ Come all ye good Centurions and wise men of the times,
+ Come, give me back my life again, you heavy-handed Death!
+ Come home, my love, come home!
+ Could every time-worn heart but see Thee once again,
+ Count not the cost of honour to the dead!
+
+ Daughter of Psyche, pledge of that wild night
+ Dear Aldrich, now November's mellow days
+ Dear to my heart are the ancestral dwellings of America,
+ _Deeds not Words_: I say so too!
+ Deep in the heart of the forest the lily of Yorrow is growing;
+ "Do you give thanks for this?--or that?" No, God be thanked
+ Do you remember, father,--
+ Does the snow fall at sea?
+
+ Ere thou sleepest gently lay
+
+ Fair Phyllis is another's bride:
+ Fair Roslin Chapel, how divine
+ Far richer than a thornless rose
+ Flowers rejoice when night is done,
+ For that thy face is fair I love thee not:
+ Four things a man must learn to do
+ From the misty shores of midnight, touched with splendours of the moon,
+ Furl your sail, my little boatie:
+
+ Give us a name to fill the mind
+ Glory of architect, glory of painter, and sculptor, and bard,
+ God said, "I am tired of kings,"--
+ Great Nature had a million words,
+
+ Hear a word that Jesus spake
+ Heart of France for a hundred years,
+ Her eyes are like the evening air,
+ Here's a half-a-dozen flies,
+ Here the great heart of France,
+ Home, for my heart still calls me:
+ Honour the brave who sleep
+ Hours fly,
+ How blind the toil that burrows like the mole,
+ "How can I tell," Sir Edmund said,
+ _How long is the night, brother,_
+ How long the echoes love to play
+
+ I count that friendship little worth
+ I envy every flower that blows
+ I have no joy in strife,
+ I love thine inland seas,
+ I never seen no "red gods"; I dunno wot's a "lure";
+ I never thought again to hear
+ I put my heart to school
+ I read within a poet's book
+ I think of thee when golden sunbeams glimmer
+ I would not even ask my heart to say
+ If all the skies were sunshine,
+ If I have erred in showing all my heart,
+ If Might made Right, life were a wild-beasts' cage:
+ If on the closed curtain of my sight
+ In a great land, a new land, a land full of labour and riches and
+ confusion,
+ In mirth he mocks the other birds at noon,
+ In robes of Tynan blue the King was drest,
+ In the blue heaven the clouds will come and go,
+ In the pleasant time of Pentecost,
+ Into the dust of the making of man,
+ In warlike pomp, with banners flowing,
+ It pleased the Lord of Angels (praise His name!)
+ It's little I can tell
+ It was my lot of late to travel far
+
+ "Joy is a Duty,"--so with golden lore
+ Joyful, joyful, we adore Thee,
+ Just to give up, and trust
+
+ Knight-Errant of the Never-ending Quest,
+
+ Let me but do my work from day to day,
+ Let me but feel thy look's embrace,
+ "Lights out" along the land,
+ Like a long arrow through the dark the train is darting,
+ Limber-limbed, lazy god, stretched on the rock,
+ Lord Jesus, Thou hast known
+ Long ago Apollo called to Aristaeus, youngest of the shepherds,
+ Long had I loved this "Attic shape," the brede
+ Long, long ago I heard a little song,
+ Long, long, long the trail
+ Lover of beauty, walking on the height
+ Low dost thou lie amid the languid ooze,
+
+ March on, my soul, nor like a laggard stay!
+ Mother of all the high-strung poets and singers departed,
+
+ Not Dante when he wandered by the river Arno,
+ Not to the swift, the race:
+ Now in the oak the sap of life is welling,
+
+ O dark the night and dim the day
+ O garden isle, beloved by Sun and Sea,
+ O Lord our God, Thy mighty hand
+ O mighty river! strong, eternal Will,
+ O Mother mountains! billowing far to the snow-lands,
+ O Music hast thou only heard
+ O who will walk a mile with me
+ O wonderful! How liquid clear
+ O youngest of the giant brood
+ Oh, gallantly they fared forth in khaki and in blue,
+ Oh, quick to feel the lightest touch
+ Oh, the angler's path is a very merry way,
+ Oh, was I born too soon, my dear, or were you born too late,
+ Oh, what do you know of the song, my dear,
+ Oh, why are you shining so bright, big Sun,
+ Once, only once, I saw it clear,--
+ One sail in sight upon the lonely sea,
+ Only a little shrivelled seed,
+
+ Peace without Justice is a low estate,--
+
+ Read here, O friend unknown,
+ Remember, when the timid light
+
+ Saints are God's flowers, fragrant souls
+ Self is the only prison that can ever bind the soul:
+ Ship after ship, and every one with a high-resounding name,
+ Sign of the Love Divine
+ Some three-score years and ten ago
+ Soul of a soldier in a poet's frame,
+ Stand back, ye messengers of mercy! Stand
+ Stand fast, Great Britain!
+
+ The British bard who looked on Eton's walls,
+ The clam that once, on Jersey's banks,
+ The cornerstone in Truth is laid,
+ The cradle I have made for thee
+ The day returns by which we date our years:
+ The fire of love was burning, yet so low
+ The gabled roofs of old Malines
+ The glory of ships is an old, old song,
+ The grief that is but feigning,
+ The heavenly hills of Holland,--
+ The laggard winter ebbed so slow
+ The land was broken in despair,
+ The melancholy gift Aurora gained
+ The moonbeams over Arno's vale in silver flood were pouring,
+ The mountains that inclose the vale
+ The nymphs a shepherd took
+ The other night I had a dream, most clear
+ The record of a faith sublime,
+ The river of dreams runs quietly down
+ The roar of the city is low,
+ The rough expanse of democratic sea
+ The shadow by my finger cast
+ The tide, flows in to the harbour,--
+ The time will come when I no more can play
+ The winds of war-news change and veer:
+ The worlds in which we live at heart are one,
+ There are many kinds of anger, as many kinds of fire:
+ There are many kinds of love, as many kinds of light,
+ There are songs for the morning and songs for the night,
+ There is a bird I know so well,
+ They tell me thou art rich, my country: gold
+ This is the soldier brave enough to tell
+ This is the window's message,
+ Thou warden of the western gate, above Manhattan Bay,
+ Thou who hast made thy dwelling fair
+ "Through many a land your journey ran,
+ 'Tis fine to see the Old World, and travel up and down
+ To thee, plain hero of a rugged race,
+ Two dwellings, Peace, are thine
+ Two hundred years of blessing I record
+ "Two things," the wise man said, "fill me with awe:
+ 'Twas far away and long ago,
+
+ Under the cloud of world-wide war,
+
+ Waking from tender sleep,
+ We men that go down for a livin' in ships to the sea,--
+ We met on Nature's stage,
+ What hast thou done, O womanhood of France,
+ What is Fortune, what is Fame?
+ What makes the lingering Night so cling to thee?
+ What shall I give for thee,
+ What time the rose of dawn is laid across the lips of night,
+ When down the stair at morning
+ When May bedecks the naked trees
+ When Staevoren town was in its prime
+ When the frosty kiss of Autumn in the dark
+ When tulips bloom in Union Square,
+ When to the garden of untroubled thought
+ Where's your kingdom, little king?
+ Who knows how many thousand years ago
+ Who seeks for heaven alone to save his soul,
+ Who watched the worn-out Winter die?
+ Winter on Mount Shasta,
+ With eager heart and will on fire,
+ With memories old and wishes new
+ With two bright eyes, my star, my love
+ Wordsworth, thy music like a river rolls
+
+ Ye gods of battle, lords of fear,
+ Yes, it was like you to forget,
+ You dare to say with perjured lips,
+ You only promised me a single hour:
+ Yours is a garden of old-fashioned flowers;
+
+
+
+
+
+
+End of Project Gutenberg's The Poems of Henry Van Dyke, by Henry Van Dyke
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