diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:48:08 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:48:08 -0700 |
| commit | 62f804a3c3427a82b6360565d2d1cd94504df6b1 (patch) | |
| tree | a7a8619a1bc2eaf865e980478d4606628d7b0db7 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 16090-8.txt | 8019 | ||||
| -rw-r--r-- | 16090-8.zip | bin | 0 -> 161129 bytes | |||
| -rw-r--r-- | 16090-h.zip | bin | 0 -> 326489 bytes | |||
| -rw-r--r-- | 16090-h/16090-h.htm | 10478 | ||||
| -rw-r--r-- | 16090-h/images/014.jpg | bin | 0 -> 35546 bytes | |||
| -rw-r--r-- | 16090-h/images/038.jpg | bin | 0 -> 32359 bytes | |||
| -rw-r--r-- | 16090-h/images/152.jpg | bin | 0 -> 24172 bytes | |||
| -rw-r--r-- | 16090-h/images/262.jpg | bin | 0 -> 50398 bytes | |||
| -rw-r--r-- | 16090-h/images/frontispiece.jpg | bin | 0 -> 17310 bytes | |||
| -rw-r--r-- | 16090.txt | 8019 | ||||
| -rw-r--r-- | 16090.zip | bin | 0 -> 161101 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
14 files changed, 26532 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16090-8.txt b/16090-8.txt new file mode 100644 index 0000000..51d394e --- /dev/null +++ b/16090-8.txt @@ -0,0 +1,8019 @@ +The Project Gutenberg eBook, The Exiles and Other Stories, by Richard +Harding Davis, et al + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Exiles and Other Stories + The Exiles; The Boy Orator of Zepata City; The Other Woman; On the Fever Ship; The Lion and the Unicorn; The Last Ride Together; Miss Delamar's Understudy; The Reporter Who Made Himself King + + +Author: Richard Harding Davis + + + +Release Date: June 18, 2005 [eBook #16090] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES*** + + +E-text prepared by Audrey Longhurst and the Project Gutenberg Online +Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 16090-h.htm or 16090-h.zip: + (https://www.gutenberg.org/dirs/1/6/0/9/16090/16090-h/16090-h.htm) + or + (https://www.gutenberg.org/dirs/1/6/0/9/16090/16090-h.zip) + + + + + +The Novels and Stories of Richard Harding Davis + +THE EXILES AND OTHER STORIES + +by + +RICHARD HARDING DAVIS + +With an Introduction by Charles Dana Gibson + +Illustrated + +NEW YORK +CHARLES SCRIBNER'S SONS + +1919 + +"The Exiles" and "The Boy Orator of Zepata City" from "The Exiles," +copyright, 1894, by HARPER & BROTHERS. +"The Other Woman" from "Gallagher," copyright, 1891, by CHARLES +SCRIBNER'S SONS; "On the Fever Ship," "The Lion and the Unicorn," and +"The Last Ride Together" from "The Lion and the Unicorn," copyright, +1899, by CHARLES SCRIBNER'S SONS; "Miss Delamar's Understudy" from +"Cinderella," copyright, 1896, by CHARLES SCRIBNER'S SONS; "The +Reporter Who Made Himself King" from "Stories for Boys," copyright, +1891, by CHARLES SCRIBNER'S SONS. + + + + + + + +[Illustration: Instead she buried her face in its folds.] + + + + + +TO MY FRIEND + +J. DAVIS BRODHEAD + + + + +THE FIRST GLIMPSE OF DAVIS + + +Dick was twenty-four years old when he came into the smoking-room of +the Victoria Hotel, in London, after midnight one July night--he was +dressed as a Thames boatman. + +He had been rowing up and down the river since sundown, looking for +color. He had evidently peopled every dark corner with a pirate, and +every floating object had meant something to him. He had adventure +written all over him. It was the first time I had ever seen him, and +I had never heard of him. I can't now recall another figure in that +smoke-filled room. I don't remember who introduced us--over +twenty-seven years have passed since that night. But I can see Dick +now dressed in a rough brown suit, a soft hat, with a handkerchief +about his neck, a splendid, healthy, clean-minded, gifted boy at play. +And so he always remained. + +His going out of this world seemed like a boy interrupted in a game he +loved. And how well and fairly he played it! Surely no one deserved +success more than Dick. And it is a consolation to know he had more +than fifty years of just what he wanted. He had health, a great +talent, and personal charm. There never was a more loyal or unselfish +friend. There wasn't an atom of envy in him. He had unbounded mental +and physical courage, and with it all he was sensitive and sometimes +shy. He often tried to conceal these last two qualities, but never +succeeded in doing so from those of us who were privileged really to +know and love him. + +His life was filled with just the sort of adventure he liked the best. +No one ever saw more wars in so many different places or got more out +of them. And it took the largest war in all history to wear out that +stout heart. + +We shall miss him. + +CHARLES DANA GIBSON. + + + + +CONTENTS + + +The First Glimpse of Davis Charles Dana Gibson + +THE EXILES + +THE BOY ORATOR OF ZEPATA CITY + +THE OTHER WOMAN + +ON THE FEVER SHIP + +THE LION AND THE UNICORN + +THE LAST RIDE TOGETHER + +MISS DELAMAR'S UNDERSTUDY + +THE REPORTER WHO MADE HIMSELF KING + + + + +ILLUSTRATIONS + + +INSTEAD SHE BURIED HER FACE IN ITS FOLDS (Frontispiece) + +STOPPING FOR HALF-HOURS AT A TIME BEFORE A BAZAAR + +THE BOAR HUNT + +CONSUMED TEA AND THIN SLICES OF BREAD + +"I NEVER SAW A KING," GORDON REMARKED + + + + +THE EXILES + +I + + +The greatest number of people in the world prefer the most highly +civilized places of the world, because they know what sort of things +are going to happen there, and because they also know by experience +that those are the sort of things they like. A very few people prefer +barbarous and utterly uncivilized portions of the globe for the reason +that they receive while there new impressions, and because they like +the unexpected better than a routine of existence, no matter how +pleasant that routine may be. But the most interesting places of all +to study are those in which the savage and the cultivated man lie down +together and try to live together in unity. This is so because we can +learn from such places just how far a man of cultivation lapses into +barbarism when he associates with savages, and how far the remnants of +his former civilization will have influence upon the barbarians among +whom he has come to live. + +There are many such colonies as these, and they are the most picturesque +plague-spots on the globe. You will find them in New Zealand and at +Yokohama, in Algiers, Tunis, and Tangier, and scattered thickly all +along the South American coast-line wherever the law of extradition +obtains not, and where public opinion, which is one of the things a +colony can do longest without, is unknown. These are the unofficial +Botany Bays and Melillas of the world, where the criminal goes of his +own accord, and not because his government has urged him to do so and +paid his passage there. This is the story of a young man who went to +such a place for the benefit he hoped it would be to his health, and +not because he had robbed any one, or done a young girl an injury. He +was the only son of Judge Henry Howard Holcombe, of New York. That was +all that it was generally considered necessary to say of him. It was +not, however, quite enough, for, while his father had had nothing but +the right and the good of his State and country to think about, the +son was further occupied by trying to live up to his father's name. +Young Holcombe was impressed by this fact from his earliest childhood. +It rested upon him while at Harvard and during his years at the law +school, and it went with him into society and into the courts of law. +When he rose to plead a case he did not forget, nor did those present +forget, that his father while alive had crowded those same halls with +silent, earnest listeners; and when he addressed a mass-meeting at +Cooper Union, or spoke from the back of a cart in the East Side, some +one was sure to refer to the fact that this last speaker was the son +of the man who was mobbed because he had dared to be an abolitionist, +and who later had received the veneration of a great city for his +bitter fight against Tweed and his followers. + +Young Holcombe was an earnest member of every reform club and citizens' +league, and his distinguished name gave weight as a director to +charitable organizations and free kindergartens. He had inherited his +hatred of Tammany Hall, and was unrelenting in his war upon it and its +handiwork, and he spoke of it and of its immediate downfall with the +bated breath of one who, though amazed at the wickedness of the thing +he fights, is not discouraged nor afraid. And he would listen to no +half-measures. Had not his grandfather quarrelled with Henry Clay, and +so shaken the friendship of a lifetime, because of a great compromise +which he could not countenance? And was his grandson to truckle and +make deals with this hideous octopus that was sucking the life-blood +from the city's veins? Had he not but yesterday distributed six +hundred circulars, calling for honest government, to six hundred +possible voters, all the way up Fourth Avenue?--and when some flippant +one had said that he might have hired a messenger-boy to have done it +for him and so saved his energies for something less mechanical, he +had rebuked the speaker with a reproachful stare and turned away in +silence. + +Life was terribly earnest to young Holcombe, and he regarded it from +the point of view of one who looks down upon it from the judge's bench, +and listens with a frown to those who plead its cause. He was not +fooled by it; he was alive to its wickedness and its evasions. He would +tell you that he knew for a fact that the window man in his district +was a cousin of the Tammany candidate, and that the contractor who had +the cleaning of the street to do was a brother-in-law of one of the +Hall's sachems, and that the policeman on his beat had not been in the +country eight months. He spoke of these damning facts with the air of +one who simply tells you that much, that you should see how terrible +the whole thing really was, and what he could tell if he wished. + +In his own profession he recognized the trials of law-breakers only as +experiments which went to establish and explain a general principle. +And prisoners were not men to him, but merely the exceptions that +proved the excellence of a rule. Holcombe would defend the lowest +creature or the most outrageous of murderers, not because the man was +a human being fighting for his liberty or life, but because he wished +to see if certain evidence would be admitted in the trial of such a +case. Of one of his clients the judge, who had a daughter of his own, +said, when he sentenced him, "Were there many more such men as you in +the world, the women of this land would pray to God to be left +childless." And when some one asked Holcombe, with ill-concealed +disgust, how he came to defend the man, he replied: "I wished to show +the unreliability of expert testimony from medical men. Yes; they tell +me the man was a very bad lot." + +It was measures, not men, to Holcombe, and law and order were his twin +goddesses, and "no compromise" his watchword. + +"You can elect your man if you'll give me two thousand dollars to +refit our club-room with," one of his political acquaintances once +said to him. "We've five hundred voters on the rolls now, and the +members vote as one man. You'd be saving the city twenty times that +much if you keep Croker's man out of the job. You know _that_ as +well as I do." + +"The city can better afford to lose twenty thousand dollars," Holcombe +answered, "than we can afford to give a two-cent stamp for +corruption." + +"All right," said the heeler; "all right, Mr. Holcombe. Go on. Fight +'em your own way. If they'd agree to fight you with pamphlets and +circulars you'd stand a chance, sir; but as long as they give out +money and you give out reading-matter to people that can't read, +they'll win, and I naturally want to be on the winning side." + +When the club to which Holcombe belonged finally succeeded in getting +the Police Commissioners indicted for blackmailing gambling-houses, +Holcombe was, as a matter of course and of public congratulation, on +the side of the law; and as Assistant District Attorney--a position +given him on account of his father's name and in the hope that it +would shut his mouth--distinguished himself nobly. + +Of the four commissioners, three were convicted--the fourth, Patrick +Meakim, with admirable foresight having fled to that country from +which few criminals return, and which is vaguely set forth in the +newspapers as "parts unknown." + +The trial had been a severe one upon the zealous Mr. Holcombe, who +found himself at the end of it in a very bad way, with nerves unstrung +and brain so fagged that he assented without question when his doctor +exiled him from New York by ordering a sea voyage, with change of +environment and rest at the other end of it. Some one else suggested +the northern coast of Africa and Tangier, and Holcombe wrote minute +directions to the secretaries of all of his reform clubs urging +continued efforts on the part of his fellow-workers, and sailed away +one cold winter's morning for Gibraltar. The great sea laid its hold +upon him, and the winds from the south thawed the cold in his bones, +and the sun cheered his tired spirit. He stretched himself at full +length reading those books which one puts off reading until illness +gives one the right to do so, and so far as in him lay obeyed his +doctor's first command, that he should forget New York and all that +pertained to it. By the time he had reached the Rock he was up and +ready to drift farther into the lazy, irresponsible life of the +Mediterranean coast, and he had forgotten his struggles against +municipal misrule, and was at times for hours together utterly +oblivious of his own personality. + +A dumpy, fat little steamer rolled itself along like a sailor on shore +from Gibraltar to Tangier, and Holcombe, leaning over the rail of its +quarter-deck, smiled down at the chattering group of Arabs and Moors +stretched on their rugs beneath him. A half-naked negro, pulling at +the dates in the basket between his bare legs, held up a handful to +him with a laugh, and Holcombe laughed back and emptied the cigarettes +in his case on top of him, and laughed again as the ship's crew and +the deck passengers scrambled over one another and shook out their +voluminous robes in search of them. He felt at ease with the world and +with himself, and turned his eyes to the white walls of Tangier with a +pleasure so complete that it shut out even the thought that it was a +pleasure. + +The town seemed one continuous mass of white stucco, with each flat, +low-lying roof so close to the other that the narrow streets left no +trace. To the left of it the yellow coastline and the green +olive-trees and palms stretched up against the sky, and beneath him +scores of shrieking blacks fought in their boats for a place beside +the steamer's companion-way. He jumped into one of these open wherries +and fell sprawling among his baggage, and laughed lightly as a boy as +the boatman set him on his feet again, and then threw them from under +him with a quick stroke of the oars. The high, narrow pier was crowded +with excited customs officers in ragged uniforms and dirty turbans, +and with a few foreign residents looking for arriving passengers. +Holcombe had his feet on the upper steps of the ladder, and was +ascending slowly. There was a fat, heavily built man in blue serge +leaning across the railing of the pier. He was looking down, and as +his eyes met Holcombe's face his own straightened into lines of +amazement and most evident terror. Holcombe stopped at the sight, and +stared back wondering. And then the lapping waters beneath him and the +white town at his side faded away, and he was back in the hot, crowded +court-room with this man's face before him. Meakim, the fourth of the +Police Commissioners, confronted him, and saw in his presence nothing +but a menace to himself. + +Holcombe came up the last steps of the stairs, and stopped at their +top. His instinct and life's tradition made him despise the man, and +to this was added the selfish disgust that his holiday should have +been so soon robbed of its character by this reminder of all that he +had been told to put behind him. + +Meakim swept off his hat as though it were hurting him, and showed the +great drops of sweat on his forehead. + +"For God's sake!" the man panted, "you can't touch me here, Mr. +Holcombe. I'm safe here; they told me I'd be. You can't take me. You +can't touch me." + +Holcombe stared at the man coldly, and with a touch of pity and +contempt. "That is quite right, Mr. Meakim," he said. "The law cannot +reach you here." + +"Then what do you want with me?" the man demanded, forgetful in his +terror of anything but his own safety. + +Holcombe turned upon him sharply. "I am not here on your account, Mr. +Meakim," he said. "You need not feel the least uneasiness, and," he +added, dropping his voice as he noticed that others were drawing near, +"if you keep out of my way, I shall certainly keep out of yours." + +The Police Commissioner gave a short laugh partly of bravado and +partly at his own sudden terror. "I didn't know," he said, breathing +with relief. "I thought you'd come after me. You don't wonder you give +me a turn, do you? I _was_ scared." He fanned himself with his +straw hat, and ran his tongue over his lips. "Going to be here some +time, Mr. District Attorney?" he added, with grave politeness. + +Holcombe could not help but smile at the absurdity of it. It was so +like what he would have expected of Meakim and his class to give every +office-holder his full title. "No, Mr. Police Commissioner," he +answered, grimly, and nodding to his boatmen, pushed his way after +them and his trunks along the pier. + +Meakim was waiting for him as he left the custom-house. He touched his +hat, and bent the whole upper part of his fat body in an awkward bow. +"Excuse me, Mr. District Attorney," he began. + +"Oh, drop that, will you?" snapped Holcombe. "Now, what is it you +want, Meakim?" + +"I was only going to say," answered the fugitive, with some offended +dignity, "that as I've been here longer than you, I could perhaps give +you pointers about the hotels. I've tried 'em all, and they're no +good, but the Albion's the best." + +"Thank you, I'm sure," said Holcombe. "But I have been told to go to +the Isabella." + +"Well, that's pretty good, too," Meakim answered, "if you don't mind +the tables. They keep you awake most of the night, though, and--" + +"The tables? I beg your pardon," said Holcombe, stiffly. + +"Not the eatin' tables; the roulette tables," corrected Meakim. "Of +course," he continued, grinning, "if you're fond of the game, Mr. +Holcombe, it's handy having them in the same house, but I can steer +you against a better one back of the French Consulate. Those at the +Hotel Isabella's crooked." + +Holcombe stopped uncertainly. "I don't know just what to do," he said. +"I think I shall wait until I can see our consul here." + +"Oh, he'll send you to the Isabella," said Meakim, cheerfully. "He +gets two hundred dollars a week for protecting the proprietor, so he +naturally caps for the house." + +Holcombe opened his mouth to express himself, but closed it again, and +then asked, with some misgivings, of the hotel of which Meakim had +first spoken. + +"Oh, the Albion. Most all the swells go there. It's English, and they +cook you a good beefsteak. And the boys generally drop in for table +d'hôte. You see, that's the worst of this place, Mr. Holcombe; there's +nowhere to go evenings--no club-rooms nor theatre nor nothing; only +the smoking-room of the hotel or that gambling-house; and they spring +a double naught on you if there's more than a dollar up." + +Holcombe still stood irresolute, his porters eying him from under +their burdens, and the runners from the different hotels plucking at +his sleeve. + +"There's some very good people at the Albion," urged the Police +Commissioner, "and three or four of 'em's New-Yorkers. There's the +Morrises and Ropes, the Consul-General, and Lloyd Carroll--" + +"Lloyd Carroll!" exclaimed Holcombe. + +"Yes," said Meakim, with a smile, "he's here." He looked at Holcombe +curiously for a moment, and then exclaimed, with a laugh of +intelligence, "Why, sure enough, you were Mr. Thatcher's lawyer in +that case, weren't you? It was you got him his divorce?" + +Holcombe nodded. + +"Carroll was the man that made it possible, wasn't he?" + +Holcombe chafed under this catechism. "He was one of a dozen, I +believe," he said; but as he moved away he turned and asked: "And Mrs. +Thatcher. What has become of her?" + +The Police Commissioner did not answer at once, but glanced up at +Holcombe from under his half-shut eyes with a look in which there was +a mixture of curiosity and of amusement. "You don't mean to say, Mr. +Holcombe," he began, slowly, with the patronage of the older man and +with a touch of remonstrance in his tone, "that you're _still_ +with the husband in that case?" + +Holcombe looked coldly over Mr. Meakim's head. "I have only a purely +professional interest in any one of them," he said. "They struck me as +a particularly nasty lot. Good-morning, sir." + +"Well," Meakim called after him, "you needn't see nothing of them if +you don't want to. You can get rooms to yourself." + +Holcombe did get rooms to himself, with a balcony overlooking the bay, +and arranged with the proprietor of the Albion to have his dinner +served at a separate table. As others had done this before, no one +regarded it as an affront upon his society, and several people in the +hotel made advances to him, which he received politely but coldly. For +the first week of his visit the town interested him greatly, +increasing its hold upon him unconsciously to himself. He was restless +and curious to see it all, and rushed his guide from one of the few +show-places to the next with an energy which left that fat Oriental +panting. + +[Illustration: Stopping for half-hours at a time before a bazaar.] + +But after three days Holcombe climbed the streets more leisurely, +stopping for half-hours at a time before a bazaar, or sent away his +guide altogether, and stretched himself luxuriously on the broad wall +of the fortifications. The sun beat down upon him, and wrapped him +into drowsiness. From far afield came the unceasing murmur of the +market-place and the bazaars, and the occasional cries of the priests +from the minarets; the dark blue sea danced and flashed beyond the +white margin of the town and its protecting reef of rocks where the +sea-weed rose and fell, and above his head the buzzards swept heavily, +and called to one another with harsh, frightened cries. At his side +lay the dusty road, hemmed in by walls of cactus, and along its narrow +length came lines of patient little donkeys with jangling necklaces, +led by wild-looking men from the farm-lands and the desert, and women +muffled and shapeless, with only their bare feet showing, who looked +at him curiously or meaningly from over the protecting cloth, and +passed on, leaving him startled and wondering. He began to find that +the books he had brought wearied him. The sight of the type alone was +enough to make him close the covers and start up restlessly to look +for something less absorbing. He found this on every hand, in the lazy +patience of the bazaars and of the markets, where the chief service of +all was that of only standing and waiting, and in the farm-lands +behind Tangier, where half-naked slaves drove great horned buffalo, +and turned back the soft, chocolate-colored sod with a wooden plough. +But it was a solitary, selfish holiday, and Holcombe found himself +wanting certain ones at home to bear him company, and was surprised to +find that of these none were the men nor the women with whom his +interests in the city of New York were the most closely connected. +They were rather foolish people, men at whom he had laughed and whom +he had rather pitied for having made him do so, and women he had +looked at distantly as of a kind he might understand when his work was +over and he wished to be amused. The young girls to whom he was in the +habit of pouring out his denunciations of evil, and from whom he was +accustomed to receive advice and moral support, he could not place in +this landscape. He felt uneasily that they would not allow him to +enjoy it his own way; they would consider the Moor historically as the +invader of Catholic Europe, and would be shocked at the lack of proper +sanitation, and would see the mud. As for himself, he had risen above +seeing the mud. He looked up now at the broken line of the roof-tops +against the blue sky, and when a hooded figure drew back from his +glance he found himself murmuring the words of an Eastern song he had +read in a book of Indian stories: + + "Alone upon the house-tops, to the north + I turn and watch the lightning in the sky,-- + The glamour of thy footsteps in the north. + Come back to me, Beloved, or I die! + + "Below my feet the still bazaar is laid. + Far, far below, the weary camels lie--" + +Holcombe laughed and shrugged his shoulders. He had stopped half-way +down the hill on which stands the Bashaw's palace, and the whole of +Tangier lay below him like a great cemetery of white marble. The moon +was shining clearly over the town and the sea, and a soft wind from +the sandy farm-lands came to him and played about him like the +fragrance of a garden. Something moved in him that he did not +recognize, but which was strangely pleasant, and which ran to his +brain like the taste of a strong liqueur. It came to him that he was +alone among strangers, and that what he did now would be known but to +himself and to these strangers. What it was that he wished to do he +did not know, but he felt a sudden lifting up and freedom from +restraint. The spirit of adventure awoke in him and tugged at his +sleeve, and he was conscious of a desire to gratify it and put it to +the test. + +"'Alone upon the house-tops,'" he began. Then he laughed and clambered +hurriedly down the steep hill-side. "It's the moonlight," he explained +to the blank walls and overhanging lattices, "and the place and the +music of the song. It might be one of the Arabian nights, and I Haroun +al Raschid. _And_ if I don't get back to the hotel I shall make a +fool of myself." + +He reached the Albion very warm and breathless, with stumbling and +groping in the dark, and instead of going immediately to bed told the +waiter to bring him some cool drink out on the terrace of the +smoking-room. There were two men sitting there in the moonlight, and +as he came forward one of them nodded to him silently. + +"Oh, good-evening, Mr. Meakim!" Holcombe said, gayly, with the spirit +of the night still upon him. "I've been having adventures." He +laughed, and stooped to brush the dirt from his knickerbockers and +stockings. "I went up to the palace to see the town by moonlight, and +tried to find my way back alone, and fell down three times." + +Meakim shook his head gravely. "You'd better be careful at night, +sir," he said. "The governor has just said that the Sultan won't be +responsible for the lives of foreigners at night 'unless accompanied +by soldier and lantern.'" + +"Yes, and the legations sent word that they wouldn't have it," broke +in the other man. "They said they'd hold him responsible anyway." + +There was a silence, and Meakim moved in some slight uneasiness. "Mr. +Holcombe, do you know Mr. Carroll?" he said. + +Carroll half rose from his chair, but Holcombe was dragging another +toward him, and so did not have a hand to give him. + +"How are you, Carroll?" he said, pleasantly. + +The night was warm, and Holcombe was tired after his rambles, and so +he sank back in the low wicker chair contentedly enough, and when the +first cool drink was finished he clapped his hands for another, and +then another, while the two men sat at the table beside him and +avoided such topics as would be unfair to any of them. + +"And yet," said Holcombe, after the first half-hour had passed, "there +must be a few agreeable people here. I am sure I saw some very +nice-looking women to-day coming in from the fox-hunt. And very well +gotten up, too, in Karki habits. And the men were handsome, +decent-looking chaps--Englishmen, I think." + +"Who does he mean? Were you at the meet to-day?" asked Carroll. + +The Tammany chieftain said no, that he did not ride--not after foxes, +in any event. "But I saw Mrs. Hornby and her sister coming back," he +said. "They had on those linen habits." + +"Well, now, there's a woman who illustrates just what I have been +saying," continued Carroll. "You picked her out as a self-respecting, +nice-looking girl--and so she is--but she wouldn't like to have to +tell all she knows. No, they are all pretty much alike. They wear +low-neck frocks, and the men put on evening dress for dinner, and they +ride after foxes, and they drop in to five-o'clock tea, and they all +play that they're a lot of gilded saints, and it's one of the rules of +the game that you must believe in the next man, so that he will +believe in you. I'm breaking the rules myself now, because I say +'they' when I ought to say 'we.' We're none of us here for our health, +Holcombe, but it pleases us to pretend we are. It's a sort of give and +take. We all sit around at dinner-parties and smile and chatter, and +those English talk about the latest news from 'town,' and how they +mean to run back for the season or the hunting. But they know they +don't dare go back, and they know that everybody at the table knows +it, and that the servants behind them know it. But it's more easy that +way. There's only a few of us here, and we've got to hang together or +we'd go crazy." + +"That's so," said Meakim, approvingly. "It makes it more sociable." + +"It's a funny place," continued Carroll. The wine had loosened his +tongue, and it was something to him to be able to talk to one of his +own people again, and to speak from their point of view, so that the +man who had gone through St. Paul's and Harvard with him would see it +as such a man should. "It's a funny place, because, in spite of the +fact that it's a prison, you grow to like it for its freedom. You can +do things here you can't do in New York, and pretty much everything +goes there, or it used to, where I hung out. But here you're just your +own master, and there's no law and no religion and no relations nor +newspapers to poke into what you do nor how you live. You can +understand what I mean if you've ever tried living in the West. I used +to feel the same way the year I was ranching in Texas. My family sent +me out there to put me out of temptation; but I concluded I'd rather +drink myself to death on good whiskey at Del's than on the stuff we +got on the range, so I pulled my freight and came East again. But +while I was there I was a little king. I was just as good as the next +man, and he was no better than me. And though the life was rough, and +it was cold and lonely, there was something in being your own boss +that made you stick it out there longer than anything else did. It was +like this, Holcombe." Carroll half rose from his chair and marked what +he said with his finger. "Every time I took a step and my gun bumped +against my hip, I'd straighten up and feel good and look for trouble. +There was nobody to appeal to; it was just between me and him, and no +one else had any say about it. Well, that's what it's like here. You +see men come to Tangier on the run, flying from detectives or husbands +or bank directors, men who have lived perfectly decent, commonplace +lives up to the time they made their one bad break--which," Carroll +added, in polite parenthesis, with a deprecatory wave of his hand +toward Meakim and himself, "we are _all_ likely to do some time, +aren't we?" + +"Just so," said Meakim. + +"Of course," assented the District Attorney. + +"But as soon as he reaches this place, Holcombe," continued Carroll, +"he begins to show just how bad he is. It all comes out--all his +viciousness and rottenness and blackguardism. There is nothing to +shame it, and there is no one to blame him, and no one is in a +position to throw the first stone." Carroll dropped his voice and +pulled his chair forward with a glance over his shoulder. "One of +those men you saw riding in from the meet to-day. Now, he's a German +officer, and he's here for forging a note or cheating at cards or +something quiet and gentlemanly, nothing that shows him to be a brute +or a beast. But last week he had old Mulley Wazzam buy him a slave +girl in Fez, and bring her out to his house in the suburbs. It seems +that the girl was in love with a soldier in the Sultan's body-guard at +Fez, and tried to run away to join him, and this man met her quite by +accident as she was making her way south across the sand-hills. He was +whip that day, and was hurrying out to the meet alone. He had some +words with the girl first, and then took his whip--it was one of those +with the long lash to it; you know what I mean--and cut her to pieces +with it, riding her down on his pony when she tried to run, and +heading her off and lashing her around the legs and body until she +fell; then he rode on in his damn pink coat to join the ladies at +Mango's Drift, where the meet was, and some Riffs found her bleeding +to death behind the sand-hills. That man held a commission in the +Emperor's own body-guard, and that's what Tangier did for _him_." + +Holcombe glanced at Meakim to see if he would verify this, but +Meakim's lips were tightly pressed around his cigar, and his eyes were +half closed. + +"And what was done about it?" Holcombe asked, hoarsely. + +Carroll laughed, and shrugged his shoulders. "Why, I tell you, and you +whisper it to the next man, and we pretend not to believe it, and call +the Riffs liars. As I say, we're none of us here for our health, +Holcombe, and a public opinion that's manufactured by _déclassée_ +women and men who have run off with somebody's money and somebody's +else's wife isn't strong enough to try a man for beating his own +slave." + +"But the Moors themselves?" protested Holcombe. "And the Sultan? She's +one of his subjects, isn't she?" + +"She's a woman, and women don't count for much in the East, you know; +and as for the Sultan, he's an ignorant black savage. When the English +wanted to blow up those rocks off the western coast, the Sultan +wouldn't let them. He said Allah had placed them there for some good +reason of His own, and it was not for man to interfere with the works +of God. That's the sort of a Sultan he is." Carroll rose suddenly and +walked into the smoking-room, leaving the two men looking at each +other in silence. + +"That's right," said Meakim, after a pause. "He give it to you just as +it is, but I never knew him to kick about it before. We're a fair +field for missionary work, Mr. Holcombe, all of us--at least, some of +us are." He glanced up as Carroll came back from out of the lighted +room with an alert, brisk step. His manner had changed in his absence. + +"Some of the ladies have come over for a bit of supper," he said. +"Mrs. Hornby and her sister and Captain Reese. The _chef's_ got +some birds for us, and I've put a couple of bottles on ice. It will be +like Del's--hey? A small hot bird and a large cold bottle. They sent +me out to ask you to join us. They're in our rooms." Meakim rose +leisurely and lit a fresh cigar, but Holcombe moved uneasily in his +chair. "You'll come, won't you?" Carroll asked. "I'd like you to meet +my wife." + +Holcombe rose irresolutely and looked at his watch. "I'm afraid it's +too late for me," he said, without raising his face. "You see, I'm +here for my health. I--" + +"I beg your pardon," said Carroll, sharply. + +"Nonsense, Carroll!" said Holcombe. "I didn't mean _that_. I +meant it literally. I can't risk midnight suppers yet. My doctor's +orders are to go to bed at nine, and it's past twelve now. Some other +time, if you'll be so good; but it's long after my bedtime, and--" + +"Oh, certainly," said Carroll, quietly, as he turned away. "Are you +coming, Meakim?" + +Meakim lifted his half-empty glass from the table and tasted it slowly +until Carroll had left them, then he put the glass down, and glanced +aside to where Holcombe sat looking out over the silent city. Holcombe +raised his eyes and stared at him steadily. + +"Mr. Holcombe--" the fugitive began. + +"Yes," replied the lawyer. + +Meakim shook his head. "Nothing," he said. "Good-night, sir." + +Holcombe's rooms were on the floor above Carroll's, and the laughter +of the latter's guests and the tinkling of glasses and silver came to +him as he stepped out upon his balcony. But for this the night was +very still. The sea beat leisurely on the rocks, and the waves ran up +the sandy coast with a sound as of some one sweeping. The music of +women's laughter came up to him suddenly, and he wondered hotly if +they were laughing at him. He assured himself that it was a matter of +indifference to him if they were. And with this he had a wish that +they would not think of him as holding himself aloof. One of the women +began to sing to a guitar, and to the accompaniment of this a man and +a young girl came out upon the balcony below, and spoke to each other +in low, earnest tones, which seemed to carry with them the feeling of +a caress. Holcombe could not hear what they said, but he could see the +curve of the woman's white shoulders and the light of her companion's +cigar as he leaned upon the rail with his back to the moonlight and +looked into her face. Holcombe felt a sudden touch of loneliness and +of being very far from home. He shivered slightly as though from the +cold, and stepping inside closed the window gently behind him. + +Although Holcombe met Carroll several times during the following day, +the latter obviously avoided him, and it was not until late in the +afternoon that Holcombe was given a chance to speak to him again. +Carroll was coming down the only street on a run, jumping from one +rough stone to another, and with his face lighted up with excitement. +He hailed Holcombe from a distance with a wave of the hand. "There's +an American man-of-war in the bay," he cried; "one of the new ones. We +saw her flag from the hotel. Come on!" Holcombe followed as a matter +of course, as Carroll evidently expected that he would, and they +reached the end of the landing-pier together, just as the ship of war +ran up and broke the square red flag of Morocco from her main-mast and +fired her salute. + +"They'll be sending a boat in by-and-by," said Carroll, "and we'll +have a talk with the men." His enthusiasm touched his companion also, +and the sight of the floating atom of the great country that was his +moved him strongly, as though it were a personal message from home. It +came to him like the familiar stamp, and a familiar handwriting on a +letter in a far-away land, and made him feel how dear his own country +was to him and how much he needed it. They were leaning side by side +upon the rail watching the ship's screws turning the blue waters +white, and the men running about the deck, and the blue-coated figures +on the bridge. Holcombe turned to point out the vessel's name to +Carroll, and found that his companion's eyes were half closed and +filled with tears. + +Carroll laughed consciously and coughed. "We kept it up a bit too late +last night," he said, "and I'm feeling nervous this morning, and the +sight of the flag and those boys from home knocked me out." He paused +for a moment, frowning through his tears and with his brow drawn up +into many wrinkles. "It's a terrible thing, Holcombe," he began again, +fiercely, "to be shut off from all of that." He threw out his hand +with a sudden gesture toward the man-of-war. Holcombe looked down at +the water and laid his hand lightly on his companion's shoulder. +Carroll drew away and shook his head. "I don't want any sympathy," he +said, kindly. "I'm not crying the baby act. But you don't know, and I +don't believe anybody else knows, what I've gone through and what I've +suffered. You don't like me, Holcombe, and you don't like my class, +but I want to tell you something about my coming here. I want you to +set them right about it at home. And I don't care whether it interests +you or not," he said, with quick offense; "I want you to listen. It's +about my wife." + +Holcombe bowed his head gravely. + +"You got Thatcher his divorce," Carroll continued. "And you know that +he would never have got it but for me, and that everybody expected +that I would marry Mrs. Thatcher when the thing was over. And I +didn't, and everybody said I was a blackguard, and I was. It was bad +enough before, but I made it worse by not doing the only thing that +could make it any better. Why I didn't do it I don't know. I had some +grand ideas of reform about that time, I think, and I thought I owed +my people something, and that by not making Mrs. Thatcher my mother's +daughter I would be saving her and my sisters. It was remorse, I +guess, and I didn't see things straight. I know now what I should have +done. Well, I left her and she went her own way, and a great many +people felt sorry for her, and were good to her--not your people, nor +my people; but enough were good to her to make her see as much of the +world as she had used to. She never loved Thatcher, and she never +loved any of the men you brought into that trial except one, and he +treated her like a cur. That was myself. Well, what with trying to +please my family, and loving Alice Thatcher all the time and not +seeing her, and hating her too for bringing me into all that +notoriety--for I blamed the woman, of course, as a man always will--I +got to drinking, and then this scrape came and I had to run. I don't +care anything about that row now, or what you believe about it. I'm +here, shut off from my home, and that's a worse punishment than any +damn lawyers can invent. And the man's well again. He saw I was drunk; +but I wasn't so drunk that I didn't know he was trying to do me, and I +pounded him just as they say I did, and I'm sorry now I didn't kill +him." + +Holcombe stirred uneasily, and the man at his side lowered his voice +and went on more calmly: + +"If I hadn't been a gentleman, Holcombe, or if it had been another +cabman he'd fought with, there wouldn't have been any trouble about +it. But he thought he could get big money out of me, and his friends +told him to press it until he was paid to pull out, and I hadn't the +money, and so I had to break bail and run. Well, you've seen the +place. You've been here long enough to know what it's like, and what +I've had to go through. Nobody wrote me, and nobody came to see me; +not one of my own sisters even, though they've been in the Riviera all +this spring--not a day's journey away. Sometimes a man turned up that +I knew, but it was almost worse than not seeing any one. It only made +me more homesick when he'd gone. And for weeks I used to walk up and +down that beach there alone late in the night, until I got to thinking +that the waves were talking to me, and I got queer in my head. I had +to fight it just as I used to have to fight against whiskey, and to +talk fast so that I wouldn't think. And I tried to kill myself +hunting, and only got a broken collar-bone for my pains. Well, all +this time Alice was living in Paris and New York. I heard that some +English captain was going to marry her, and then I read in the Paris +_Herald_ that she was settled in the American colony there, and +one day it gave a list of the people who'd been to a reception she +gave. She could go where she pleased, and she had money in her own +right, you know; and she was being revenged on me every day. And I was +here knowing it, and loving her worse than I ever loved anything on +earth, and having lost the right to tell her so, and not able to go to +her. Then one day some chap turned up from here and told her about me, +and about how miserable I was, and how well I was being punished. He +thought it would please her, I suppose. I don't know who he was, but I +guess he was in love with her himself. And then the papers had it that +I was down with the fever here, and she read about it. I _was_ +ill for a time, and I hoped it was going to carry me off decently, but +I got up in a week or two, and one day I crawled down here where we're +standing now to watch the boat come in. I was pretty weak from my +illness, and I was bluer than I had ever been, and I didn't see +anything but blackness and bitterness for me anywhere. I turned around +when the passengers reached the pier, and I saw a woman coming up +those stairs. Her figure and her shoulders were so like Alice's that +my heart went right up into my throat, and I couldn't breathe for it. +I just stood still staring, and when she reached the top of the steps +she looked up, breathing with the climb, and laughing; and she says, +'Lloyd, I've come to see you.' And I--I was that lonely and weak that +I grabbed her hand, and leaned back against the railing, and cried +there before the whole of them. I don't think she expected it exactly, +because she didn't know what to do, and just patted me on the +shoulder, and said, 'I thought I'd run down to cheer you up a bit; and +I've brought Mrs. Scott with me to chaperon us.' And I said, without +stopping to think: 'You wouldn't have needed any chaperon, Alice, if I +hadn't been a cur and a fool. If I had only asked what I can't ask of +you now'; and, Holcombe, she flushed just like a little girl, and +laughed, and said, 'Oh, will you, Lloyd?' And you see that ugly iron +chapel up there, with the corrugated zinc roof and the wooden cross on +it, next to the mosque? Well, that's where we went first, right from +this wharf before I let her go to a hotel, and old Ridley, the English +rector, he married us, and we had a civil marriage too. That's what +she did for me. She had the whole wide globe to live in, and she gave +it up to come to Tangier, because I had no other place but Tangier, +and she's made my life for me, and I'm happier here than I ever was +before anywhere, and sometimes I think--I hope--that she is, too." +Carroll's lips moved slightly, and his hands trembled on the rail. He +coughed, and his voice was gentler when he spoke again. "And so," he +added, "that's why I felt it last night when you refused to meet her. +You were right, I know, from your way of thinking, but we've grown +careless down here, and we look at things differently." + +Holcombe did not speak, but put his arm across the other's shoulder, +and this time Carroll did not shake it off. Holcombe pointed with his +hand to a tall, handsome woman with heavy yellow hair who was coming +toward them, with her hands in the pockets of her reefer. "There is +Mrs. Carroll now," he said. "Won't you present me, and then we can row +out and see the man-of-war?" + + + + +II + + +The officers returned their visit during the day, and the American +Consul-General asked them all to a reception the following afternoon. +The entire colony came to this, and Holcombe met many people, and +drank tea with several ladies in riding-habits, and iced drinks with +all of the men. He found it very amusing, and the situation appealed +strongly to his somewhat latent sense of humor. That evening in +writing to his sister he told of his rapid recovery in health, and of +the possibility of his returning to civilization. + +"There was a reception this afternoon at the Consul-General's," he +wrote, "given to the officers of our man-of-war, and I found myself in +some rather remarkable company. The Consul himself has become rich by +selling his protection for two hundred dollars to every wealthy Moor +who wishes to escape the forced loans which the Sultan is in the habit +of imposing on the faithful. For five hundred dollars he will furnish +any one of them with a piece of stamped paper accrediting him as +minister plenipotentiary from the United States to the Sultan's court. +Of course the Sultan never receives them, and whatever object they may +have had in taking the long journey to Fez is never accomplished. Some +day some one of them will find out how he has been tricked, and will +return to have the Consul assassinated. This will be a serious loss to +our diplomatic service. The Consul's wife is a fat German woman who +formerly kept a hotel here. Her brother has it now, and runs it as an +annex to a gambling-house. Pat Meakim, the Police Commissioner that I +indicted, but who jumped his bail, introduced me at the reception to +the men, with apparently great self-satisfaction, as 'the pride of the +New York Bar,' and Mrs. Carroll, for whose husband I obtained a +divorce, showed her gratitude by presenting me to the ladies. It was a +distinctly Gilbertian situation, and the people to whom they +introduced me were quite as picturesquely disreputable as themselves. +So you see--" + +Holcombe stopped here and read over what he had written, and then tore +up the letter. The one he sent in its place said he was getting +better, but that the climate was not so mild as he had expected it +would be. + +Holcombe engaged the entire first floor of the hotel the next day, and +entertained the officers and the residents at breakfast, and the +Admiral made a speech and said how grateful it was to him and to his +officers to find that wherever they might touch, there were some few +Americans ready to welcome them as the representatives of the flag +they all so unselfishly loved, and of the land they still so proudly +called "home." Carroll, turning his wine-glass slowly between his +fingers, raised his eyes to catch Holcombe's, and winked at him from +behind the curtain of the smoke of his cigar, and Holcombe smiled +grimly, and winked back, with the result that Meakim, who had +intercepted the signalling, choked on his champagne, and had to be +pounded violently on the back. Holcombe's breakfast established him as +a man of means and one who could entertain properly, and after that +his society was counted upon for every hour of the day. He offered +money as prizes for the ship's crew to row and swim after, he gave a +purse for a cross-country pony race, open to members of the Calpe and +Tangier hunts, and organized picnics and riding parties innumerable. +He was forced at last to hire a soldier to drive away the beggars when +he walked abroad. He found it easy to be rich in a place where he was +given over two hundred copper coins for an English shilling, and he +distributed his largesses recklessly and with a lack of discrimination +entirely opposed to the precepts of his organized charities at home. +He found it so much more amusing to throw a handful of coppers to a +crowd of fat naked children than to write a check for the Society for +Suppression of Cruelty to the same beneficiaries. + +"You shouldn't give those fellows money," the Consul-General once +remonstrated with him; "the fact that they're blind is only a proof +that they have been thieves. When they catch a man stealing here they +hold his head back, and pass a hot iron in front of his eyes. That's +why the lids are drawn taut that way. You shouldn't encourage them." + +"Perhaps they're not _all_ thieves," said the District Attorney, +cheerfully, as he hit the circle around him with a handful of coppers; +"but there is no doubt about it that they're all blind. Which is the +more to be pitied," he asked the Consul-General, "the man who has +still to be found out and who can see, or the one who has been exposed +and who is blind?" + +"How should he know?" said Carroll, laughing. "He's never been blind, +and he still holds his job." + +"I don't think that's very funny," said the Consul-General. + +A week of pig-sticking came to end Holcombe's stay in Tangier, and he +threw himself into it and into the freedom of its life with a zest +that made even the Englishman speak of him as a good fellow. He +chanced to overhear this, and stopped to consider what it meant. No +one had ever called him a good fellow at home, but then his life had +not offered him the chance to show what sort of a good fellow he might +be, and as Judge Holcombe's son certain things had been debarred him. +Here he was only the richest tourist since Farwell, the diamond +smuggler from Amsterdam, had touched there in his yacht. + +[Illustration: The boar hunt.] + +The week of boar-hunting was spent out-of-doors, on horseback, and in +tents; the women in two wide circular ones, and the men in another, +with a mess tent, which they shared in common, pitched between them. +They had only one change of clothes each, one wet and one dry, and +they were in the saddle from nine in the morning until late at night, +when they gathered in a wide circle around the wood-fire and played +banjoes and listened to stories. Holcombe grew as red as a sailor, and +jumped his horse over gaping crevasses in the hard sun-baked earth as +recklessly as though there were nothing in this world so well worth +sacrificing one's life for as to be the first in at a dumb brute's +death. He was on friendly terms with them all now--with Miss Terrill, +the young girl who had been awakened by night and told to leave Monte +Carlo before daybreak, and with Mrs. Darhah, who would answer to Lady +Taunton if so addressed, and with Andrews, the Scotch bank clerk, and +Ollid the boy officer from Gibraltar, who had found some difficulty in +making the mess account balance. They were all his very good friends, +and he was especially courteous and attentive to Miss Terrill's wants +and interests, and fixed her stirrup and once let her pass him to +charge the boar in his place. She was a silently distant young woman, +and strangely gentle for one who had had to leave a place, and such a +place, between days; and her hair, which was very fine and light, ran +away from under her white helmet in disconnected curls. At night, +Holcombe used to watch her from out of the shadow when the firelight +lit up the circle and the tips of the palms above them, and when the +story-teller's voice was accompanied by bursts of occasional laughter +from the dragomen in the grove beyond, and the stamping and neighing +of the horses at their pickets, and the unceasing chorus of the insect +life about them. She used to sit on one of the rugs with her hands +clasped about her knees, and with her head resting on Mrs. Hornby's +broad shoulder, looking down into the embers of the fire, and with the +story of her life written on her girl's face as irrevocably as though +old age had set its seal there. Holcombe was kind to them all now, +even to Meakim, when that gentleman rode leisurely out to the camp +with the mail and the latest Paris _Herald_, which was their one +bond of union with the great outside world. + +Carroll sat smoking his pipe one night, and bending forward over the +fire to get its light on the pages of the latest copy of this paper. +Suddenly he dropped it between his knees. "I say, Holcombe," he cried, +"here's news! Winthrop Allen has absconded with three hundred thousand +dollars, and no one knows where." + +Holcombe was sitting on the other side of the fire, prying at the +rowel of his spur with a hunting-knife. He raised his head and +laughed. "Another good man gone wrong, hey?" he said. + +Carroll lowered the paper slowly to his knee and stared curiously +through the smoky light to where Holcombe sat intent on the rowel of +his spur. It apparently absorbed his entire attention, and his last +remark had been an unconsciously natural one. Carroll smiled grimly as +he folded the paper across his knee. "Now are the mighty fallen, +indeed," he murmured. He told Meakim of it a few minutes later, and +they both marvelled. "It's just as I told him, isn't it, and he +wouldn't believe me. It's the place and the people. Two weeks ago he +would have raged. Why, Meakim, you know Allen--Winthrop Allen? He's +one of Holcombe's own sort; older than he is, but one of his own +people; belongs to the same clubs; and to the same family, I think, +and yet Harry took it just as a matter of course, with no more +interest, than if I'd said that Allen was going to be married." + +Meakim gave a low, comfortable laugh of content. "It makes me smile," +he chuckled, "every time I think of him the day he came up them +stairs. He scared me half to death, he did, and then he says, just as +stiff as you please, 'If you'll leave me alone, Mr. Meakim, I'll not +trouble you.' And now it's 'Meakim this,' and 'Meakim that,' and 'have +a drink, Meakim,' just as thick as thieves. I have to laugh whenever I +think of it now. 'If you'll leave me alone, I'll not trouble you, Mr. +Meakim.'" + +Carroll pursed his lips and looked up at the broad expanse of purple +heavens with the white stars shining through. "It's rather a pity, +too, in a way," he said, slowly. "He was all the Public Opinion we +had, and now that he's thrown up the part, why--" + +The pig-sticking came to an end finally, and Holcombe distinguished +himself by taking his first fall, and under romantic circumstances. He +was in an open place, with Mrs. Carroll at the edge of the brush to +his right, and Miss Terrill guarding any approach from the left. They +were too far apart to speak to one another, and sat quite still and +alert to any noise as the beaters closed in around them. There was a +sharp rustle in the reeds, and the boar broke out of it some hundred +feet ahead of Holcombe. He went after it at a gallop, headed it off, +and ran it fairly on his spear point as it came toward him; but as he +drew his lance clear his horse came down, falling across him, and for +the instant knocking him breathless. It was all over in a moment. He +raised his head to see the boar turn and charge him; he saw where his +spear point had torn the lower lip from the long tusks, and that the +blood was pouring down its flank. He tried to draw out his legs, but +the pony lay fairly across him, kicking and struggling, and held him +in a vise. So he closed his eyes and covered his head with his arms, +and crouched in a heap waiting. There was the quick beat of a pony's +hoofs on the hard soil, and the rush of the boar within a foot of his +head, and when he looked up he saw Miss Terrill twisting her pony's +head around to charge the boar again, and heard her shout, "Let me +have him!" to Mrs. Carroll. + +Mrs. Carroll came toward Holcombe with her spear pointed dangerously +high; she stopped at his side and drew in her rein sharply. "Why don't +you get up? Are you hurt?" she said. "Wait; lie still," she commanded, +"or he'll tramp on you. I'll get him off." She slipped from her saddle +and dragged Holcombe's pony to his feet. Holcombe stood up unsteadily, +pale through his tan from the pain of the fall and the moment of fear. + +"That _was_ nasty," said Mrs. Carroll, with a quick breath. She +was quite as pale as he. + +Holcombe wiped the dirt from his hair and the side of his face, and +looked past her to where Miss Terrill was surveying the dead boar from +her saddle, while her pony reared and shied, quivering with excitement +beneath her. Holcombe mounted stiffly and rode toward her. "I am very +much obliged to you," he said. "If you hadn't come--" + +The girl laughed shortly, and shook her head without looking at him. +"Why, not at all," she interrupted, quickly. "I would have come just +as fast if you hadn't been there." She turned in her saddle and looked +at him frankly. "I was glad to see you go down," she said, "for it +gave me the first good chance I've had. Are you hurt?" + +Holcombe drew himself up stiffly, regardless of the pain in his neck +and shoulder. "No, I'm all right, thank you," he answered. "At the +same time," he called after her as she moved away to meet the others, +"you _did_ save me from being torn up, whether you like it or +not." + +Mrs. Carroll was looking after the girl with observant, comprehending +eyes. She turned to Holcombe with a smile. "There are a few things you +have still to learn, Mr. Holcombe," she said, bowing in her saddle +mockingly, and dropping the point of her spear to him as an adversary +does in salute. "And perhaps," she added, "it is just as well that +there are." + +Holcombe trotted after her in some concern. "I wonder what she means?" +he said. "I wonder if I were rude?" + +The pig-sticking ended with a long luncheon before the ride back to +town, at which everything that could be eaten or drunk was put on the +table, in order, as Meakim explained, that there would be less to +carry back. He met Holcombe that same evening after the cavalcade had +reached Tangier as the latter came down the stairs of the Albion. +Holcombe was in fresh raiment and cleanly shaven, and with the radiant +air of one who had had his first comfortable bath in a week. + +Meakim confronted him with a smiling countenance. "Who do you think +come to-night on the mail-boat?" he asked. + +"I don't know. Who?" + +"Winthrop Allen, with six trunks," said Meakim, with the triumphant +air of one who brings important news. + +"No, really now," said Holcombe, laughing. "The old hypocrite! I +wonder what he'll say when he sees me. I wish I could stay over +another boat, just to remind him of the last time we met. What a fraud +he is! It was at the club, and he was congratulating me on my noble +efforts in the cause of justice, and all that sort of thing. He said I +was a public benefactor. And at that time he must have already +speculated away about half of what he had stolen of other people's +money. I'd like to tease him about it." + +"What trial was that?" asked Meakim. + +Holcombe laughed and shook his head as he moved on down the stairs. +"Don't ask embarrassing questions, Meakim," he said. "It was one +_you_ won't forget in a hurry." + +"Oh!" said Meakim, with a grin. "All right. There's some mail for you +in the office." + +"Thank you," said Holcombe. + + * * * * * + +A few hours later Carroll was watching the roulette wheel in the +gambling-hall of the Isabella when he saw Meakim come in out of the +darkness, and stand staring in the doorway, blinking at the lights and +mopping his face. He had been running, and was visibly excited. +Carroll crossed over to him and pushed him out into the quiet of the +terrace. "What is it?" he asked. + +"Have you seen Holcombe?" Meakim demanded in reply. + +"Not since this afternoon. Why?" + +Meakim breathed heavily, and fanned himself with his hat. "Well, he's +after Winthrop Allen, that's all," he panted. "And when he finds him +there's going to be a muss. The boy's gone crazy. He's not safe." + +"Why? What do you mean? What's Allen done to him?" + +"Nothing to him, but to a friend of his. He got a letter to-night in +the mail that came with Allen. It was from his sister. She wrote him +all the latest news about Allen, and give him fits for robbing an old +lady who's been kind to her. She wanted that Holcombe should come +right back and see what could be done about it. She didn't know, of +course, that Allen was coming here. The old lady kept a private school +on Fifth Avenue, and Allen had charge of her savings." + +"What is her name?" Carroll asked. + +"Field, I think. Martha Field was--" + +"The dirty blackguard!" cried Carroll. He turned sharply away and +returned again to seize Meakim's arm. "Go on," he demanded. "What did +she say?" + +"You know her too, do you?" said Meakim, shaking his head +sympathetically. "Well, that's all. She used to teach his sister. She +seems to be a sort of fashionable--" + +"I know," said Carroll, roughly. "She taught my sister. She teaches +everybody's sister. She's the sweetest, simplest old soul that ever +lived. Holcombe's dead right to be angry. She almost lived at their +house when his sister was ill." + +"Tut! you don't say?" commented Meakim, gravely. "Well, his sister's +pretty near crazy about it. He give me the letter to read. It got me +all stirred up. It was just writ in blood. She must be a fine girl, +his sister. She says this Miss Martha's money was the last thing Allen +took. He didn't use her stuff, to speculate with, but cashed it in +just before he sailed and took it with him for spending-money. His +sister says she's too proud to take help, and she's too old to work." + +"How much did he take?" + +"Sixty thousand. She's been saving for over forty years." + +Carroll's mind took a sudden turn. "And Holcombe?" he demanded, +eagerly. "What is he going to do? Nothing silly, I hope." + +"Well, that's just it. That's why I come to find you," Meakim +answered, uneasily. "I don't want him to qualify for no Criminal +Stakes. I got no reason to love him either--But you know--" he +ended, impotently. + +"Yes, I understand," said Carroll. "That's what I meant. Confound the +boy, why didn't he stay in his law courts! What did he say?" + +"Oh, he just raged around. He said he'd tell Allen there was an +extradition treaty that Allen didn't know about, and that if Allen +didn't give him the sixty thousand he'd put it in force and make him +go back and stand trial." + +"Compounding a felony, is he?" + +"No, nothing of the sort," said Meakim, indignantly. "There isn't any +extradition treaty, so he wouldn't be doing anything wrong except +lying a bit." + +"Well, it's blackmail, anyway." + +"What, blackmail a man like Allen? Huh! He's fair game, if there ever +was any. But it won't work with him, that's what I'm afraid of. He's +too cunning to be taken in by it, he is. He had good legal advice +before he came here, or he wouldn't have come." + +Carroll was pacing up and down the terrace. He stopped and spoke over +his shoulder. "Does Holcombe think Allen has the money with him?" he +asked. + +"Yes, he's sure of it. That's what makes him so keen. He says Allen +wouldn't dare bank it at Gibraltar, because if he ever went over there +to draw on it he would get caught, so he must have brought it with him +here. And he got here so late that Holcombe believes it's in Allen's +rooms now, and he's like a dog that smells a rat, after it. Allen +wasn't in when he went up to his room, and he's started out hunting +for him, and if he don't find him I shouldn't be a bit surprised if he +broke into the room and just took it." + +"For God's sake!" cried Carroll. "He wouldn't do that?" + +Meakim pulled and fingered at his heavy watch-chain and laughed +doubtfully. "I don't know," he said. "He wouldn't have done it three +months ago, but he's picked up a great deal since then--since he has +been with us. He's asking for Captain Reese, too." + +"What's he want with that blackguard?" + +"I don't know; he didn't tell me." + +"Come," said Carroll, quickly. "We must stop him." He ran lightly down +the steps of the terrace to the beach, with Meakim waddling heavily +after him. "He's got too much at stake, Meakim," he said, in +half-apology, as they tramped through the sand. "He mustn't spoil it. +We won't let him." + +Holcombe had searched the circuit of Tangier's small extent with +fruitless effort, his anger increasing momentarily and feeding on each +fresh disappointment. When he had failed to find the man he sought in +any place, he returned to the hotel and pushed open the door of the +smoking-room as fiercely as though he meant to take those within by +surprise. + +"Has Mr. Allen returned?" he demanded. "Or Captain Reese?" The +attendant thought not, but he would go and see. "No," Holcombe said, +"I will look for myself." He sprang up the stairs to the third floor, +and turned down a passage to a door at its farthest end. Here he +stopped and knocked gently. "Reese," he called; "Reese!" There was no +response to his summons, and he knocked again, with more impatience, +and then cautiously turned the handle of the door, and, pushing it +forward, stepped into the room. "Reese," he said, softly, "its +Holcombe. Are you here?" The room was dark except for the light from +the hall, which shone dimly past him and fell upon a gun-rack hanging +on the wall opposite. Holcombe hurried toward this and ran his hands +over it, and passed on quickly from that to the mantel and the tables, +stumbling over chairs and riding-boots as he groped about, and +tripping on the skin of some animal that lay stretched upon the floor. +He felt his way, around the entire circuit of the room, and halted +near the door with an exclamation of disappointment. By this time his +eyes had become accustomed to the darkness, and he noted the white +surface of the bed in a far corner and ran quickly toward it, groping +with his hands about the posts at its head. He closed his fingers with +a quick gasp of satisfaction on a leather belt that hung from it, +heavy with cartridges and a revolver that swung from its holder. +Holcombe pulled this out and jerked back the lever, spinning the +cylinder around under the edge of his thumb. He felt the grease of +each cartridge as it passed under his nail. The revolver was loaded in +each chamber, and Holcombe slipped it into the pocket of his coat and +crept out of the room, closing the door softly behind him. He met no +one in the hall or on the stairs, and passed on quickly to a room on +the second floor. There was a light in this room which showed through +the transom and under the crack at the floor, and there was a sound of +some one moving about within. Holcombe knocked gently and waited. + +The movement on the other side of the door ceased, and after a pause a +voice asked who was there. Holcombe hesitated a second before +answering, and then said, "It is a servant, sir, with a note for Mr. +Allen." + +At the sound of some one moving toward the door from within, Holcombe +threw his shoulder against the panel and pressed forward. There was +the click of the key turning in the lock and of the withdrawal of a +bolt, and the door was partly opened. Holcombe pushed it back with his +shoulder, and, stepping quickly inside, closed it again behind him. + +The man within, into whose presence he had forced himself, confronted +him with a look of some alarm, which increased in surprise as he +recognized his visitor. "Why, Holcombe!" he exclaimed. He looked past +him as though expecting some one else to follow. "I thought it was a +servant," he said. + +Holcombe made no answer, but surveyed the other closely, and with a +smile of content. The man before him was of erect carriage, with white +hair and whiskers, cut after an English fashion which left the mouth +and chin clean shaven. He was of severe and dignified appearance, and +though standing as he was in dishabille still gave in his bearing the +look of an elderly gentleman who had lived a self-respecting, +well-cared-for, and well-ordered life. The room about him was littered +with the contents of opened trunks and uncorded boxes. He had been +interrupted in the task of unpacking and arranging these possessions, +but he stepped unresentfully toward the bed where his coat lay, and +pulled it on, feeling at the open collar of his shirt, and giving a +glance of apology toward the disorder of the apartment. + +"The night was so warm," he said, in explanation. "I have been trying +to get things to rights. I--" He was speaking in some obvious +embarrassment, and looked uncertainly toward the intruder for help. +But Holcombe made no explanation, and gave him no greeting. "I heard +in the hotel that you were here," the other continued, still striving +to cover up the difficulty of the situation, "and I am sorry to hear +that you are going so soon." He stopped, and as Holcombe still +continued smiling, drew himself up stiffly. The look on his face +hardened into one of offended dignity. + +"Really, Mr. Holcombe," he said, sharply, and with strong annoyance in +his tone, "if you have forced yourself into this room for no other +purpose than to stand there and laugh, I must ask you to leave it. You +may not be conscious of it, but your manner is offensive." He turned +impatiently to the table, and began rearranging the papers upon it. +Holcombe shifted the weight of his body as it rested against the door +from one shoulder-blade to the other and closed his hands over the +door-knob behind him. + +"I had a letter to-night from home about you, Allen," he began, +comfortably. "The person who wrote it was anxious that I should return +to New York, and set things working in the District Attorney's office +in order to bring you back. It isn't you they want so much as--" + +"How dare you?" cried the embezzler, sternly, in the voice with which +one might interrupt another in words of shocking blasphemy. + +"How dare I what?" asked Holcombe. + +"How dare you refer to my misfortune? You of all others--" He stopped, +and looked at his visitor with flashing eyes. "I thought you a +gentleman," he said, reproachfully; "I thought you a man of the world, +a man who in spite of your office, official position, or, rather, on +account of it, could feel and understand the--a--terrible position in +which I am placed, and that you would show consideration. Instead of +which," he cried, his voice rising in indignation, "you have come +apparently to mock at me. If the instinct of a gentleman does not +teach you to be silent, I shall have to force you to respect my +feelings. You can leave the room, sir. Now, at once." He pointed with +his arm at the door against which Holcombe was leaning, the fingers of +his outstretched hand trembling visibly. + +"Nonsense. Your misfortune! What rot!" Holcombe growled resentfully. +His eyes wandered around the room as though looking for some one who +might enjoy the situation with him, and then returned to Allen's face. +"You mustn't talk like that to me," he said, in serious remonstrance. +"A man who has robbed people who trusted him for three years, as you +have done, can't afford to talk of his misfortune. You were too long +about it, Allen. You had too many chances to put it back. +_You've_ no feelings to be hurt. Besides, if you have, I'm in a +hurry, and I've not the time to consider them. Now, what I want of you +is--" + +"Mr. Holcombe," interrupted the other, earnestly. + +"Sir," replied the visitor. + +"Mr. Holcombe," began Allen, slowly, and with impressive gravity, "I +do not want any words with you about this, or with any one else. I am +here owing to a combination of circumstances which have led me through +hopeless, endless trouble. What I have gone through with nobody knows. +That is something no one but I can ever understand. But that is now at +an end. I have taken refuge in flight and safety, where another might +have remained and compromised and suffered; but I am a weaker brother, +and--as for punishment, my own conscience, which has punished me so +terribly in the past, will continue to do so in the future. I am +greatly to be pitied, Mr. Holcombe, greatly to be pitied. And no one +knows that better than yourself. You know the value of the position I +held in New York City, and how well I was suited to it, and it to me. +And now I am robbed of it all. I am an exile in this wilderness. +Surely, Mr. Holcombe, this is not the place nor the time when you +should insult me by recalling the--" + +"You contemptible hypocrite," said Holcombe, slowly. "What an ass you +must think I am! Now, listen to me." + +"No, _you_ listen to me," thundered the other. He stepped +menacingly forward, his chest heaving under his open shirt, and his +fingers opening and closing at his side. "Leave the room, I tell you," +he cried, "or I shall call the servants and make you!" He paused with +a short, mocking laugh. "Who do you think I am?" he asked; "a child +that you can insult and gibe at? I'm not a prisoner in the box for you +to browbeat and bully, Mr. District Attorney. You seem to forget that +I am out of your jurisdiction now." + +He waited, and his manner seemed to invite Holcombe to make some angry +answer to his tone, but the young man remained grimly silent. + +"You are a very important young person at home, Harry," Allen went on, +mockingly. "But New York State laws do not reach as far as Africa." + +"Quite right; that's it exactly," said Holcombe, with cheerful +alacrity. "I'm glad you have grasped the situation so soon. That makes +it easier for me. Now, what I have been trying to tell you is this. I +received a letter about you to-night. It seems that before leaving New +York you converted bonds and mortgages belonging to Miss Martha Field, +which she had intrusted to you, into ready money. And that you took +this money with you. Now, as this is the first place you have stopped +since leaving New York, except Gibraltar, where you could not have +banked it, you must have it with you now, here in this town, in this +hotel, possibly in this room. What else you have belonging to other +poor devils and corporations does not concern me. It's yours as far as +I mean to do anything about it. But this sixty thousand dollars which +belongs to Miss Field, who is the best, purest, and kindest woman I +have ever known, and who has given away more money than you ever +stole, is going back with me to-morrow to New York." Holcombe leaned +forward as he spoke, and rapped with his knuckles on the table. Allen +confronted him in amazement, in which there was not so much surprise +at what the other threatened to do as at the fact that it was he who +had proposed doing it. + +"I don't understand," he said, slowly, with the air of a bewildered +child. + +"It's plain enough," replied the other, impatiently. "I tell you I +want sixty thousand dollars of the money you have with you. You can +understand that, can't you?" + +"But how?" expostulated Allen. "You don't mean to rob me, do you, +Harry?" he asked with a laugh. + +"You're a very stupid person for so clever a one," Holcombe said, +impatiently. "You must give me sixty thousand dollars--and if you +don't, I'll take it. Come, now, where is it--in that box?" He pointed +with his finger toward a square travelling-case covered with black +leather that stood open on the table filled with papers and blue +envelopes. + +"Take it!" exclaimed Allen. "You, Henry Holcombe? Is it you who are +speaking? Do I hear you?" He looked at Holcombe with eyes full of +genuine wonder and a touch of fear. As he spoke his hand reached out +mechanically and drew the leather-bound box toward him. + +"Ah, it is in that box, then," said Holcombe, in a quiet, grave tone. +"Now count it out, and be quick." + +"Are you drunk?" cried the other, fiercely. "Do you propose to turn +highwayman and thief? What do you mean?" Holcombe reached quickly +across the table toward the box, but the other drew it back, snapping +the lid down, and hugging it close against his breast. "If you move, +Holcombe," he cried, in a voice of terror and warning, "I'll call the +people of the house and--and expose you." + +"Expose me, you idiot," returned Holcombe, fiercely. "How dare +_you_ talk to me like that!" + +Allen dragged the table more evenly between them, as a general works +on his defenses even while he parleys with the enemy. "It's you who +are the idiot!" he cried. "Suppose you could overcome me, which would +be harder than you think, what are you going to do with the money? Do +you suppose I'd let you leave this country with it? Do you imagine for +a moment that I would give it up without raising my hand? I'd have you +dragged to prison from your bed this very night, or I'd have you +seized as you set your foot upon the wharf. I would appeal to our +Consul-General. As far as he knows, I am as worthy of protection as +you are yourself, and, failing him, I'd appeal to the law of the +land." He stopped for want of breath, and then began again with the +air of one who finds encouragement in the sound of his own voice. +"They may not understand extradition here, Holcombe," he said, "but a +thief is a thief all the world over. What you may be in New York isn't +going to help you here; neither is your father's name. To these people +you would be only a hotel thief who forces his way into other men's +rooms at night and--" + +"You poor thing," interrupted Holcombe. "Do you know where you are?" +he demanded. "You talk, Allen, as though we were within sound of the +cable-cars on Broadway. This hotel is not the Brunswick, and this +Consul-General you speak of is another blackguard who knows that a +word from me at Washington, on my return, or a letter from here would +lose him his place and his liberty. He's as much of a rascal as any of +them, and he knows that I know it and that I may use that knowledge. +_He_ won't help you. And as for the law of the land"--Holcombe's +voice rose and broke in a mocking laugh--"there is no law of the land. +_That's why you're here!_ You are in a place populated by exiles +and outlaws like yourself, who have preyed upon society until society +has turned and frightened each of them off like a dog with his tail +between his legs. Don't give yourself confidence, Allen. That's all +you are, that's all we are--two dogs fighting for a stolen bone. The +man who rules you here is an ignorant negro, debauched and vicious and +a fanatic. He is shut off from every one, even to the approach of a +British ambassador. And what do you suppose he cares for a dog of a +Christian like you, who has been robbed in a hotel by another +Christian? And these others. Do you suppose they care? Call out--cry +for help, and tell them that you have half a million dollars in this +room, and they will fall on you and strip you of every cent of it, and +leave you to walk the beach for work. Now, what are you going to do? +Will you give me the money I want to take back where it belongs, or +will you call for help and lose it all?" + +The two men confronted each other across the narrow length of the +table. The blood had run to Holcombe's face, but the face of the other +was drawn and pale with fear. + +"You can't frighten me," he gasped, rallying his courage with an +effort of the will. "You are talking nonsense. This is a respectable +hotel; it isn't a den of thieves. You are trying to frighten me out of +the money with your lies and your lawyer's tricks, but you will find +that I am not so easily fooled. You are dealing with a man, Holcombe, +who suffered to get what he has, and who doesn't mean to let it go +without a fight for it. Come near me, I warn you, and I shall call for +help." + +Holcombe backed slowly away from the table and tossed up his hands +with the gesture of one who gives up his argument. "You will have it, +will you?" he muttered, grimly. "Very well, you _shall_ fight for +it." He turned quickly and drove in the bolt of the door and placed +his shoulders over the electric button in the wall. "I have warned +you," he said, softly. "I have told you where you are, and that you +have nothing to expect from the outside. You are absolutely in my +power to do with as I please." He stopped, and, without moving his +eyes from Allen's face, drew the revolver from the pocket of his coat. +His manner was so terrible that Allen gazed at him, breathing faintly, +and with his eyes fixed in horrible fascination. "There is no law," +Holcombe repeated, softly. "There is no help for you now or later. It +is a question of two men locked in a room with a table and sixty +thousand dollars between them. That is the situation. Two men and +sixty thousand dollars. We have returned to first principles, Allen. +It is a man against a man, and there is no Court of Appeal." + +Allen's breath came back to him with a gasp, as though he had been +shocked with a sudden downpour of icy water. + +"There is!" he cried. "There _is_ a Court of Appeal. For God's +sake, wait. I appeal to Henry Holcombe, to Judge Holcombe's son. I +appeal to your good name, Harry, to your fame in the world. Think what +you are doing; for the love of God, don't murder me. I'm a criminal, I +know, but not what you would be, Holcombe; not that. You are mad or +drunk. You wouldn't, you couldn't do it. Think of it! _You_, +Henry Holcombe. _You._" + +The fingers of Holcombe's hand moved and tightened around the butt of +the pistol, the sweat sprang from the pores of his palm. He raised the +revolver and pointed it. "My sin's on my own head," he said. "Give me +the money." + +The older man glanced fearfully back of him at the open window, +through which a sea breeze moved the palms outside, so that they +seemed to whisper together as though aghast at the scene before them. +The window was three stories from the ground, and Allen's eyes +returned to the stern face of the younger man. As they stood silent +there came to them the sound of some one moving in the hall, and of +men's voices whispering together. Allen's face lit with a sudden +radiance of hope, and Holcombe's arm moved uncertainly. + +"I fancy," he said, in a whisper, "that those are my friends. They +have some idea of my purpose, and they have come to learn more. If you +call, I will let them in, and they will strangle you into silence +until I get the money." + +The two men eyed each other steadily, the older seeming to weigh the +possible truth of Holcombe's last words in his mind. Holcombe broke +the silence in a lighter tone. + +"Playing the policeman is a new role to me," he said, "and I warn you +that I have but little patience; and, besides, my hand is getting +tired, and this thing is at full cock." + +Allen, for the first time, lowered the box upon the table and drew +from it a bundle of notes bound together with elastic bandages. +Holcombe's eyes lighted as brightly at the sight as though the notes +were for his own private pleasures in the future. + +"Be quick!" he said. "I cannot be responsible for the men outside." + +Allen bent over the money, his face drawing into closer and sharper +lines as the amount grew, under his fingers, to the sum Holcombe had +demanded. + +"Sixty thousand!" he said, in a voice of desperate calm. + +"Good!" whispered Holcombe. "Pass it over to me. I hope I have taken +the most of what you have," he said, as he shoved the notes into his +pocket; "but this is something. Now I warn you," he added, as he +lowered the trigger of the revolver and put it out of sight, "that any +attempt to regain this will be futile. I am surrounded by friends; no +one knows you or cares about you. I shall sleep in my room to-night +without precaution, for I know that the money is now mine. Nothing you +can do will recall it. Your cue is silence and secrecy as to what you +have lost and as to what you still have with you." + +He stopped in some confusion, interrupted by a sharp knock at the door +and two voices calling his name. Allen shrank back in terror. + +"You coward!" he hissed. "You promised me you'd be content with what +you have." Holcombe looked at him in amazement. "And now your +accomplices are to have their share, too, are they?" the embezzler +whispered, fiercely. "You lied to me; you mean to take it all." + +Holcombe, for an answer, drew back the bolt, but so softly that the +sound of his voice drowned the noise it made. + +"No, not to-night," he said, briskly, so that the his voice penetrated +into the hall beyond. "I mustn't stop any longer, I'm keeping you up. +It has been very pleasant to have heard all that news from home. It +was such a chance, my seeing you before I sailed. Good-night." He +paused and pretended to listen. "No, Allen, I don't think it's a +servant," he said. "It's some of my friends looking for me. This is my +last night on shore, you see." He threw open the door and confronted +Meakim and Carroll as they stood in some confusion in the dark hall. +"Yes, it is some of my friends," Holcombe continued. "I'll be with you +in a minute," he said to them. Then he turned, and, crossing the room +in their sight, shook Allen by the hand, and bade him good-night and +good-by. + +The embezzler's revulsion of feeling was so keen and the relief so +great that he was able to smile as Holcombe turned and left him. "I +wish you a pleasant voyage," he said, faintly. + +Then Holcombe shut the door on him, closing him out from their sight. +He placed his hands on a shoulder of each of the two men and jumped +step by step down the stairs like a boy as they descended silently in +front of him. At the foot of the stairs Carroll turned and confronted +him sternly, staring him in the face. Meakim at one side eyed him +curiously. + +"Well?" said Carroll, with one hand upon Holcombe's wrist. + +Holcombe shook his hand free, laughing. "Well," he answered, "I +persuaded him to make restitution." + +"You persuaded him!" exclaimed Carroll, impatiently. "How?" + +Holcombe's eyes avoided those of the two inquisitors. He drew a long +breath, and then burst into a loud fit of hysterical laughter. The two +men surveyed him grimly. "I argued with him, of course," said +Holcombe, gayly. "That is my business, man; you forget that I am a +District Attorney--" + +"_We_ didn't forget it," said Carroll, fiercely. "Did _you_? +What did you do?" + +Holcombe backed away up the stairs shaking his head and laughing. "I +shall never tell you," he said. He pointed with his hand down the +second flight of stairs. "Meet me in the smoking-room," he continued. +"I will be there in a minute, and we will have a banquet. Ask the +others to come. I have something to do first." + +The two men turned reluctantly away, and continued on down the stairs +without speaking and with their faces filled with doubt. Holcombe ran +first to Reese's room and replaced the pistol in its holder. He was +trembling as he threw the thing from him, and had barely reached his +own room and closed the door when a sudden faintness overcame him. The +weight he had laid on his nerves was gone and the laughter had +departed from his face. He stood looking back at what he had escaped +as a man reprieved at the steps of the gallows turns his head to +glance at the rope he has cheated. Holcombe tossed the bundle of +notes, upon the table and took an unsteady step across the room. Then +he turned suddenly and threw himself upon his knees and buried his +face in the pillow. + +The sun rose the next morning on a cool, beautiful day, and the +Consul's boat, with the American flag trailing from the stern, rose +and fell on the bluest of blue waters as it carried Holcombe and his +friends to the steamer's side. + +"We are going to miss you very much," Mrs. Carroll said. "I hope you +won't forget to send us word of yourself." + +Miss Terrill said nothing. She was leaning over the side trailing her +hand in the water, and watching it run between her slim pink fingers. +She raised her eyes to find Holcombe looking at her intently with a +strange expression of wistfulness and pity, at which she smiled +brightly back at him, and began to plan vivaciously with Captain Reese +for a ride that same afternoon. + +They separated over the steamer's deck, and Meakim, for the hundredth +time, and in the lack of conversation which comes at such moments, +offered Holcombe a fresh cigar. + +"But I have got eight of yours now," said Holcombe. + +"That's all right; put it in your pocket," said the Tammany chieftain, +"and smoke it after dinner. You'll need 'em. They're better than those +you'll get on the steamer, and they never went through a +custom-house." + +Holcombe cleared his throat in some slight embarrassment. "Is there +anything I can do for you in New York, Meakim?" he asked. "Anybody I +can see, or to whom I can deliver a message?" + +"No," said Meakim. "I write pretty often. Don't you worry about me," +he added, gratefully. "I'll be back there some day myself, when the +law of limitation lets me." + +Holcombe laughed. "Well," he said, "I'd be glad to do something for +you if you'd let me know what you'd like." + +Meakim put his hands behind his back and puffed meditatively on his +cigar, rolling it between his lips with his tongue. Then he turned it +between his fingers and tossed the ashes over the side of the boat. He +gave a little sigh, and then frowned at having done so. "I'll tell you +what you _can_ do for me, Holcombe," he said, smiling. "Some +night I wish you would go down to Fourteenth Street, some night this +spring, when the boys are sitting out on the steps in front of the +Hall, and just take a drink for me at Ed Lally's; just for luck. Will +you? That's what I'd like to do. I don't know nothing better than +Fourteenth Street of a summer evening, with all the people crowding +into Pastor's on one side of the Hall, and the Third Avenue L cars +running by on the other. That's a gay sight; ain't it now? With all +the girls coming in and out of Theiss's, and the sidewalks crowded. +One of them warm nights when they have to have the windows open, and +you can hear the music in at Pastor's, and the audience clapping their +hands. That's great, isn't it? Well," he laughed and shook his head. +"I'll be back there some day, won't I," he said, wistfully, "and hear +it for myself." + +"Carroll," said Holcombe, drawing the former to one side, "suppose I +see this cabman when I reach home, and get him to withdraw the charge, +or agree not to turn up when it comes to trial." + +Carroll's face clouded in an instant. "Now, listen to me, Holcombe," +he said. "You let my dirty work alone. There's lots of my friends who +have nothing better to do than just that. You have something better to +do, and you leave me and my rows to others. I like you for what you +are, and not for what you can do for me. I don't mean that I don't +appreciate your offer, but it shouldn't have come from an Assistant +District Attorney to a fugitive criminal." + +"What nonsense!" said Holcombe. + +"Don't say that; don't say that!" said Carroll, quickly, as though it +hurt him. "You wouldn't have said it a month ago." + +Holcombe eyed the other with an alert, confident smile. "No, Carroll," +he answered, "I would not." He put his hand on the other's shoulder +with a suggestion in his manner of his former self, and with a touch +of patronage. "I have learned a great deal in a month," he said. +"Seven battles were won in seven days once. All my life I have been +fighting causes, Carroll, and principles. I have been working with +laws against law-breakers. I have never yet fought a man. It was not +poor old Meakim, the individual, I prosecuted, but the corrupt +politician. Now, here I have been thrown with men and women on as +equal terms as a crew of sailors cast away upon a desert island. We +were each a law unto himself. And I have been brought face to face, +and for the first time in my life, not with principles of conduct, not +with causes, and not with laws, but with my fellow men." + + + + +THE BOY ORATOR OF ZEPATA CITY + + +The day was cruelly hot, with unwarranted gusts of wind which swept +the red dust in fierce eddies in at one end of Main Street and out at +the other, and waltzed fantastically across the prairie. When they had +passed, human beings opened their eyes again to blink hopelessly at +the white sun, and swore or gasped, as their nature moved them. There +were very few human beings in the streets, either in Houston Avenue, +where there were dwelling-houses, or in the business quarter on Main +Street. They were all at the new court-house, and every one possessed +of proper civic pride was either in the packed court-room itself, or +standing on the high steps outside, or pacing the long, freshly +calcimined corridors, where there was shade and less dust. It was an +eventful day in the history of Zepata City. The court-house had been +long in coming, the appropriation had been denied again and again; but +at last it stood a proud and hideous fact, like a gray prison, +towering above the bare, undecorated brick stores and the frame houses +on the prairie around it, new, raw, and cheap, from the tin statue on +the dome to the stucco round its base already cracking with the sun. +Piles of lumber and scaffolding and the lime beds the builders had +left still lay on the unsodded square, and the bursts of wind drove +the shavings across it, as they had done since the first day of +building, when the Hon. Horatio Macon, who had worked for the +appropriation, had laid the corner-stone and received the homage of +his constituents. + +It seemed a particularly happy and appropriate circumstance that the +first business in the new court-room should be of itself of an +important and momentous nature, something that dealt not only with the +present but with the past of Zepata, and that the trial of so +celebrated an individual as Abe Barrow should open the court-house +with _éclat_, as Emma Abbott, who had come all the way from San +Antonio to do it, had opened the new opera-house the year before. The +District Attorney had said it would not take very long to dispose of +Barrow's case, but he had promised it would be an interesting if brief +trial, and the court-room was filled even to the open windows, where +men sat crowded together, with the perspiration running down their +faces, and the red dust settling and turning white upon their +shoulders. + +Abe Barrow, the prisoner, had been as closely associated with the +early history of Zepata as Colonel Macon himself, and was as widely +known; he had killed in his day several of the Zepata citizens, and +two visiting brother-desperadoes, and the corner where his +gambling-house had stood was still known as Barrow's Corner, to the +regret of the druggist who had opened a shop there. Ten years before, +the murder of Deputy Sheriff Welsh had led him to the penitentiary, +and a month previous to the opening of the new court-house he had been +freed, and arrested at the prison gate to stand trial for the murder +of Hubert Thompson. The fight with Thompson had been a fair fight--so +those said who remembered it--and Thompson was a man they could well +spare; but the case against Barrow had been prepared during his +incarceration by the new and youthful District Attorney, "Judge" Henry +Harvey, and as it offered a fitting sacrifice for the dedication of +the new temple of justice, the people were satisfied and grateful. + +The court-room was as bare of ornament as the cell from which the +prisoner had just been taken. There was an imitation walnut clock at +the back of the Judge's hair-cloth sofa, his revolving chair, and his +high desk. This was the only ornament. Below was the green table of +the District Attorney, upon which rested his papers and law-books and +his high hat. To one side sat the jury, ranch-owners and prominent +citizens, proud of having to serve on this the first day; and on the +other the prisoner in his box. Around them gathered the citizens of +Zepata in close rows, crowded together on unpainted benches; back of +them more citizens standing and a few awed Mexicans; and around all +the whitewashed walls. Colonel John Stogart, of Dallas, the prisoner's +attorney, procured obviously at great expense, no one knew by whom, +and Barrow's wife, a thin yellow-faced woman in a mean-fitting showy +gown, sat among the local celebrities at the District Attorney's +elbow. She was the only woman in the room. + +Colonel Stogart's speech had been good. The citizens were glad it had +been so good; it had kept up the general tone of excellence, and it +was well that the best lawyer of Dallas should be present on this +occasion, and that he should have made what the citizens of Zepata +were proud to believe was one of the efforts of his life. As they +said, a court-house such as this one was not open for business every +day. It was also proper that Judge Truax, who was a real Judge, and +not one by courtesy only, as was the young District Attorney, should +sit upon the bench. He also was associated with the early days and +with the marvellous growth of Zepata City. He had taught the young +District Attorney much of what he knew, and his long white hair and +silver-rimmed spectacles gave dignity and the appearance of calm +justice to the bare room and to the heated words of the rival orators. + +Colonel Stogart ceased speaking, and the District Attorney sucked in +his upper lip with a nervous, impatient sigh as he recognized that the +visiting attorney had proved murder in the second degree, and that an +execution in the jail-yard would not follow as a fitting sequence. + +But he was determined that so far as in him lay he would at least send +his man back to the penitentiary for the remainder of his life. + +Young Harry Harvey, "The Boy Orator of Zepata City," as he was called, +was very dear to the people of that booming town. In their eyes he was +one of the most promising young men in the whole great unwieldy State +of Texas, and the boy orator thought they were probably right, but he +was far too clever to let them see it. He was clever in his words and +in his deeds and in his appearance. And he dressed much more carefully +than any other man in town, with a frock-coat and a white tie winter +and summer, and a fine high hat. That he was slight and short of +stature was something he could not help, and was his greatest, keenest +regret, and that Napoleon was also short and slight did not serve to +satisfy him or to make his regret less continual. What availed the +sharply cut, smoothly shaven face and the eyes that flashed when he +was moved, or the bell-like voice, if every unlettered ranchman or +ranger could place both hands on his shoulders and look down at him +from heights above? But they forgot this and he forgot it before he +had reached the peroration of his closing speech. They saw only the +Harry Harvey they knew and adored moving and rousing them with his +voice, trembling with indignation when he wished to tremble, playing +all his best tricks in his best manner, and cutting the air with +sharp, cruel words when he was pleased to be righteously just. + +The young District Attorney turned slowly on his heels, and swept the +court-room carelessly with a glance of the clever black eyes. The +moment was his. He saw all the men he knew--the men who made his +little world--crowding silently forward, forgetful of the heat, of the +suffocating crush of those about them, of the wind that rattled the +doors in the corridors, and conscious only of him. He saw his old +preceptor watching keenly from the bench, with a steady glance of +perfect appreciation, such as that with which one actor in the box +compliments the other on the stage. He saw the rival attorney--the +great lawyer from the great city--nervously smiling, with a look of +confidence that told the lack of it; and he saw the face of the +prisoner grim and set and hopelessly defiant. The boy orator allowed +his uplifted arm to fall until the fingers pointed at the prisoner. + +"This man," he said, and as he spoke even the wind in the corridors +hushed for the moment, "is no part or parcel of Zepata City of to-day. +He comes to us a relic of the past--a past that has brought honor to +many, wealth to some, and which is dear to all of us who love the +completed purpose of their work; a past that was full of hardships and +glorious efforts in the face of daily disappointments, embitterments, +and rebuffs. But the part _this_ man played in that past lives +only in the rude court records of that day, in the traditions of the +gambling-hell and the saloons, and on the headstones of his victims. +He was one of the excrescences of that unsettled period, an unhappy +evil--an inevitable evil, I might almost say, as the Mexican +horse-thieves and the prairie fires and the Indian outbreaks were +inevitable, as our fathers who built this beautiful city knew to their +cost. The same chance that was given to them to make a home for +themselves in the wilderness, to help others to make their homes, to +assist the civilization and progress not only of this city, but of the +whole Lone Star State, was given to him, and he refused it, and +blocked the way of others, and kept back the march of progress, until +to-day, civilization, which has waxed great and strong--not on account +of him, remember, but in spite of him--sweeps him out of its way, and +crushes him and his fellows." + +The young District Attorney allowed his arm to drop, and turned to the +jury, leaning easily with his bent knuckles on the table. + +"Gentlemen," he said, in his pleasant tones of every-day politeness, +"the 'bad man' has become an unknown quantity in Zepata City and in +the State of Texas. It lies with you to see that he remains so. He +went out of existence with the blanket Indian and the buffalo. He is +dead, and he must _not_ be resurrected. He was a picturesque evil +of those early days, but civilization has no use for him, and it has +killed him, as the railroads and the barb-wire fence have killed the +cowboy. He does not belong here; he does not fit in; he is not wanted. +We want men who can breed good cattle, who can build manufactories and +open banks; storekeepers who can undersell those of other cities; and +professional men who know their business. We do _not_ want +desperadoes and 'bad men' and faro-dealers and men who are quick on +the trigger. A foolish and morbid publicity has cloaked men of this +class with a notoriety which cheap and pernicious literature has +greatly helped to disseminate. They have been made romantic when they +were brutal, brave when they were foolhardy, heroes when they were +only bullies and blackguards. This man, Abe Barrow, the prisoner at +the bar, belongs to that class. He enjoys and has enjoyed a reputation +as a 'bad man,' a desperate and brutal ruffian. Free him to-day, and +you set a premium on such reputations; acquit him of this crime, and +you encourage others to like evil. Let him go, and he will walk the +streets with a swagger, and boast that you were afraid to touch +him--_afraid_, gentlemen--and children and women will point after +him as the man who has sent nine others into eternity, and who yet +walks the streets a free man. And he will become, in the eyes of the +young and the weak, a hero and a god. This is unfortunate, but it is +true. + +"Now, gentlemen, we want to keep the streets of this city so safe that +a woman can walk them at midnight without fear of insult, and a man +can express his opinion on the corner without being shot in the back +for doing so." + +The District Attorney turned from the jury with a bow, and faced Judge +Truax. + +"For the last ten years, your honor, this man, Abner Barrow, has been +serving a term of imprisonment in the State penitentiary; I ask you to +send him back there again for the remainder of his life. It will be +the better place for him, and we will be happier in knowing we have +done our duty in placing him there. Abe Barrow is out of date. He has +missed step with the march of progress, and has been out of step for +ten years, and it is best for all that he should remain out of it +until he, who has sent nine other men unprepared to meet their God--" + +"He is not on trial for the murder of nine men," interrupted Colonel +Stogart, springing from his chair, "but for the justifiable killing of +one, and I demand, your honor, that--" + +"--has sent nine other men to meet their Maker," continued the +District Attorney, "meets with the awful judgment of a higher court +than this." + +Colonel Stogart smiled scornfully at the platitude, and sat down with +an expressive shrug; but no one noticed him. + +The District Attorney raised his arm and faced the court-room. "It +cannot be said of _us_," he cried, "that we have sat idle in the +market-place. We have advanced and advanced in the last ten years, +until we have reached the very foremost place with civilized people. +This Rip Van Winkle of the past returns to find a city where he left a +prairie town, a bank where he spun his roulette wheel, this +magnificent court-house instead of a vigilance committee. And what is +his part in this new court-house, which to-day, for the first time, +throws open its doors to protect the just and to punish the unjust? + +"Is he there in the box among those honorable men, the gentlemen of +the jury? Is he in that great crowd of intelligent, public-spirited +citizens who make the bone and sinew of this our fair city? Is he on +the honored bench dispensing justice, and making the intricacies of +the law straight? No, gentlemen; he has no part in our triumph. He is +there, in the prisoners' pen, an outlaw, a convicted murderer, and an +unconvicted assassin, the last of his race--the bullies and bad men of +the border--a thing to be forgotten and put away forever from the +sight of man. He has outlasted his time; he is a superfluity and an +outrage on our reign of decency and order. And I ask you, gentlemen, +to put him away where he will not hear the voice of man nor children's +laughter, nor see a woman smile, where he will not even see the face +of the warden who feeds him, nor sunlight except as it is filtered +through the iron bars of a jail. Bury him with the bitter past, with +the lawlessness that has gone--that has gone, thank God--and which +must _not_ return. Place him in the cell where he belongs, and +whence, had justice been done, he would never have been taken alive." + +The District Attorney sat down suddenly, with a quick nod to the Judge +and the jury, and fumbled over his papers with nervous fingers. He was +keenly conscious, and excited with the fervor of his own words. He +heard the reluctantly hushed applause and the whispers of the crowd, +and noted the quick and combined movement of the jury with a selfish +sweet pleasure, which showed itself only in the tightening of the lips +and nostrils. Those nearest him tugged at his sleeve and shook hands +with him. He remembered this afterward as one of the rewards of the +moment. He turned the documents before him over and scribbled words +upon a piece of paper and read a passage in an open law-book. He did +this quite mechanically, and was conscious of nothing until the +foreman pronounced the prisoner at the bar guilty of murder in the +second degree. + +Judge Truax leaned across his desk and said, simply, that it lay in +his power to sentence the prisoner to not less than two years' +confinement in the State penitentiary or for the remainder of his +life. + +"Before I deliver sentence on you, Abner Barrow," he said, with an old +man's kind severity, "is there anything you have to say on your own +behalf?" + +The District Attorney turned his face, as did all the others, but he +did not see the prisoner. He still saw himself holding the court-room +with a spell, and heard his own periods ringing against the +whitewashed ceiling. The others saw a tall, broad-shouldered man +leaning heavily forward over the bar of the prisoner's box. His face +was white with the prison tan, markedly so in contrast with those +sunburnt by the wind and sun turned toward him, and pinched and +hollow-eyed and worn. When he spoke, his voice had the huskiness which +comes from non-use, and cracked and broke like a child's. + +"I don't know, Judge," he said, hesitatingly, and staring stupidly at +the mass of faces in the well beneath him, "that I have anything to +say--in my own behalf. I don't know as it would be any use. I guess +what the gentleman said about me is all there is to say. He put it +about right. I've had my fun, and I've got to pay for it--that is, I +thought it was fun at the time. I am not going to cry any baby act and +beg off, or anything, if that's what you mean. But there is something +I'd like to say if I thought you would believe me." He frowned down at +the green table as though the words he wanted would not come, and his +eyes wandered from one face to another, until they rested upon the +bowed head of the only woman in the room. They remained there for some +short time, and then Barrow drew in his breath more quickly, and +turned with something like a show of confidence to the jury. + +"All that man said of me is true," he said. He gave a toss of his +hands as a man throws away the reins. "I admit all he says. I +_am_ a back number; I _am_ out of date; I _was_ a loafer and a +blackguard. I never shot any man in the back, nor I never assassinated +no one; but that's neither here nor there. I'm not in a place where I +can expect people to pick out their words; but, as he says, I _am_ a +bad lot. He says I have enjoyed a reputation as a desperado. I am not +bragging of that; I just ask you to remember that he said it. Remember +it of me. I was not the sort to back down to man or beast, and I'm not +now. I am not backing down, now; I'm taking my punishment. Whatever +you please to make it, I'll take it; and that," he went on, more +slowly, "makes it harder for me to ask what I want to ask, and make +you all believe I am not asking it for myself." + +He stopped, and the silence in the room seemed to give him some faint +encouragement of sympathy, though it was rather the silence of +curiosity. + +Colonel Stogart gave a stern look upward, and asked the prisoner's +wife, in a whisper, if she knew what her husband meant to say, but she +shook her head. She did not know. The District Attorney smiled +indulgently at the prisoner and at the men about him, but they were +watching the prisoner. + +"That man there," said Barrow, pointing with one gaunt hand at the boy +attorney, "told you I had no part or parcel in this city or in this +world; that I belonged to the past; that I had ought to be dead. Now +that's not so. I have just one thing that belongs to this city and +this world--and to me; one thing that I couldn't take to jail with me, +and that I'll have to leave behind me when I go back to it. I mean my +wife." + +The prisoner stopped, and looked so steadily at one place below him +that those in the back of the court guessed for the first time that +Mrs. Barrow was in the room, and craned forward to look at her, and +there was a moment of confusion and a murmur of "Get back there!" "Sit +still!" The prisoner turned to Judge Truax again and squared his broad +shoulders, making the more conspicuous his narrow and sunken chest. + +"You, sir," he said, quietly, with a change from the tone of +braggadocio with which he had begun to speak, "remember her, sir, when +I married her, twelve years ago. She was Henry Holman's daughter, he +who owned the San Iago Ranch and the triangle brand. I took her from +the home she had with her father against that gentleman's wishes, sir, +to live with me over my dance-hall at the Silver Star. You may +remember her as she was then. She gave up everything a woman ought to +have to come to me. She thought she was going to be happy with me; +that's why she come, I guess. Maybe she was happy for about two weeks. +After that first two weeks her life, sir, was a hell, and I made it a +hell. I was drunk most of the time, or sleeping it off, and +ugly-tempered when I was sober. There was shooting and carrying on all +day and night down-stairs, and she didn't dare to leave her room. +Besides that, she cared for me, and she was afraid every minute I was +going to get killed. That's the way she lived for two years. +Respectable women wouldn't speak to her because she was my wife; even +them that were friends of hers when she lived on the ranch wouldn't +speak to her on the street--and she had no children. That was her +life; she lived alone over the dance-hall; and sometimes when I was +drunk--I beat her." + +The man's white face reddened slowly as he said this; and he stopped, +and then continued more quickly, with his eyes still fixed on those of +the Judge: + +"At the end of two years I killed Welsh, and they sent me to the +penitentiary for ten years, and she was free. She could have gone back +to her folks and got a divorce if she'd wanted to, and never seen me +again. It was an escape most women'd gone down on their knees and +thanked their Maker for, and blessed the day they'd been freed from a +blackguardly drunken brute. + +"But what did this woman do--my wife, the woman I misused and beat and +dragged down in the mud with me? She was too mighty proud to go back +to her people or to the friends who shook her when she was in trouble; +and she sold out the place, and bought a ranch with the money, and +worked it by herself, worked it day and night, until in ten years she +had made herself an old woman, as you see she is to-day. + +"And for what? To get _me_ free again; to bring _me_ things +to eat in jail, and picture papers and tobacco--when she was living on +bacon and potatoes, and drinking alkali water--working to pay for a +lawyer to fight for _me_--to pay for the _best_ lawyer! She +worked in the fields with her own hands, planting and ploughing, +working as I never worked for myself in my whole lazy, rotten life. +That's what that woman there did for me." + +The man stopped suddenly, and turned with a puzzled look toward where +his wife sat, for she had dropped her head on the table in front of +her, and he had heard her sobbing. + +"And what I want to ask of you, sir, is to let me have two years out +of jail to show her how I feel about it. I ask you not to send me back +for life, sir. Give me just two years--two years of my life while I +have some strength left to work for her as she worked for me. I only +want to show her how I care for her _now_. I had the chance, and +I wouldn't take it; and now, sir, I want to show her that I know and +understand--now, when it's too late. It's all I've thought of when I +was in jail, to be able to see her sitting in her own kitchen with her +hands folded, and me working and sweating in the fields for +her--working till every bone ached, trying to make it up to her. + +"And I can't!" the man cried, suddenly, losing the control he had +forced upon himself, and tossing his hands up above his head, and with +his eyes fixed hopelessly on the bowed head below him. "I can't! It's +too late. It's too late!" + +He turned and faced the crowd and the District Attorney defiantly. + +"I'm not crying for the men I killed. They're dead. I can't bring them +back. But she's not dead, and I treated her worse than I treated them. +_She_ never harmed me, nor got in my way, nor angered me. And now, +when I want to do what I can for her in the little time that's left, +_he_ tells you I'm a 'relic of the past,' that civilization's too good +for me, that you must bury me until it's time to bury me for good. +Just when I've got something I _must_ live for, something I've got to +do. Don't you believe me? Don't you understand?" + +He turned again toward the Judge, and beat the rail before him +impotently with his wasted hand. "Don't send me back for life!" he +cried. "Give me a few years to work for her--two years, one year--to +show her what I feel here, what I never felt for her before. Look at +her, gentlemen. Look how worn she is and poorly, and look at her +hands, and you men must feel how I feel. I don't ask you for myself. I +don't want to go free on my own account. I am asking it for that +woman--yes, and for myself, too. I am playing to 'get back,' +gentlemen. I've lost what I had, and I want to get back; and," he +cried, querulously, "the game keeps going against me. It's only a few +years' freedom I want. Send me back for thirty years, but not for +life. My God! Judge, don't bury me alive, as that man asked you to. +I'm _not_ civilized, maybe; ways _have_ changed. You are not +the man I knew; you are all strangers to me. But I could learn. I +wouldn't bother you in the old way. I only want to live with her. I +won't harm the rest of you. Give me this last chance. Let me prove +that what I'm saying is true." + +The man stopped and stood, opening and shutting his hands upon the +rail, and searching with desperate eagerness from face to face, as one +who has staked all he has watches the wheel spinning his fortune away. +The gentlemen of the jury sat quite motionless, looking straight ahead +at the blinding sun, which came through the high, uncurtained windows +opposite. Outside, the wind banged the shutters against the wall, and +whistled up the street and round the tin corners of the building, but +inside the room was very silent. The Mexicans at the door, who could +not understand, looked curiously at the faces of the men around them, +and made sure that they had missed something of much importance. For a +moment no one moved, until there was a sudden stir around the District +Attorney's table, and the men stepped aside and let the woman pass +them and throw herself against the prisoner's box. The prisoner bent +his tall gaunt figure over the rail, and as the woman pressed his one +hand against her face, touched her shoulders with the other awkwardly. + +"There, now," he whispered, soothingly, "don't you take on so. Now you +know how I feel, it's all right; don't take on." + +Judge Truax looked at the paper on his desk for some seconds, and +raised his head, coughing as he did so. "It lies--" Judge Truax began, +and then stopped, and began again, in a more certain tone: "It lies at +the discretion of this Court to sentence the prisoner to a term of +imprisonment for two years, or for an indefinite period, or for life. +Owing to--On account of certain circumstances which were--have +arisen--this sentence is suspended. This court stands adjourned." + +As he finished he sprang out of his chair impulsively, and with a +quick authoritative nod to the young District Attorney, came quickly +down the steps of the platform. Young Harvey met him at the foot with +wide-open eyes. + +The older man hesitated, and placed his hand upon the District +Attorney's shoulder. "Harry," he said. His voice was shaken, and his +hand trembled on the arm of his protégé, for he was an old man and +easily moved. "Harry, my boy," he said, "do you think you could go to +Austin and repeat the speech that man made to the Governor?" + +The boy orator laughed, and took one of the older man's hands in one +of his and pressed it quickly. "I'd like d----d well to try," he said. + + + + +THE OTHER WOMAN + + +Young Latimer stood on one of the lower steps of the hall stairs, +leaning with one hand on the broad railing and smiling down at her. +She had followed him from the drawing-room and had stopped at the +entrance, drawing the curtains behind her, and making, unconsciously, +a dark background for her head and figure. He thought he had never +seen her look more beautiful, nor that cold, fine air of thorough +breeding about her which was her greatest beauty to him, more strongly +in evidence. + +"Well, sir," she said, "why don't you go?" + +He shifted his position slightly and leaned more comfortably upon the +railing, as though he intended to discuss it with her at some length. + +"How can I go," he said, argumentatively, "with you standing +there--looking like that?" + +"I really believe," the girl said, slowly, "that he is afraid; yes, he +is afraid. And you always said," she added, turning to him, "you were +so brave." + +"Oh, I am sure I never said that," exclaimed the young man, calmly. "I +may be brave, in fact, I am quite brave, but I never said I was. Some +one must have told you." + +"Yes, he is afraid," she said, nodding her head to the tall clock +across the hall, "he is temporizing and trying to save time. And +afraid of a man, too, and such a good man who would not hurt any one." + +"You know a bishop is always a very difficult sort of a person," he +said, "and when he happens to be your father, the combination is just +a bit awful. Isn't it now? And especially when one means to ask him +for his daughter. You know it isn't like asking him to let one smoke +in his study." + +"If I loved a girl," she said, shaking her head and smiling up at him, +"I wouldn't be afraid of the whole world; that's what they say in +books, isn't it? I would be so bold and happy." + +"Oh, well, I'm bold enough," said the young man, easily; "if I had not +been, I never would have asked you to marry me; and I'm happy +enough--that's because I did ask you. But what if he says no," +continued the youth; "what if he says he has greater ambitions for +you, just as they say in books, too? What will you do? Will you run +away with me? I can borrow a coach just as they used to do, and we can +drive off through the Park and be married, and come back and ask his +blessing on our knees--unless he should overtake us on the elevated." + +"That," said the girl, decidedly, "is flippant, and I'm going to leave +you. I never thought to marry a man who would be frightened at the +very first. I am greatly disappointed." + +She stepped back into the drawing-room and pulled the curtains to +behind her, and then opened them again and whispered, "Please don't be +long," and disappeared. He waited, smiling, to see if she would make +another appearance, but she did not, and he heard her touch the keys +of the piano at the other end of the drawing-room. And so, still +smiling and with her last words sounding in his ears, he walked slowly +up the stairs and knocked at the door of the bishop's study. The +bishop's room was not ecclesiastic in its character. It looked much +like the room of any man of any calling who cared for his books and to +have pictures about him, and copies of the beautiful things he had +seen on his travels. There were pictures of the Virgin and the Child, +but they were those that are seen in almost any house, and there were +etchings and plaster casts, and there were hundreds of books, and dark +red curtains, and an open fire that lit up the pots of brass with +ferns in them, and the blue and white plaques on the top of the +bookcase. The bishop sat before his writing-table, with one hand +shading his eyes from the light of a red-covered lamp, and looked up +and smiled pleasantly and nodded as the young man entered. He had a +very strong face, with white hair hanging at the side, but was still a +young man for one in such a high office. He was a man interested in +many things, who could talk to men of any profession or to the mere +man of pleasure, and could interest them in what he said, and force +their respect and liking. And he was very good, and had, they said, +seen much trouble. + +"I am afraid I interrupted you," said the young man, tentatively. + +"No, I have interrupted myself," replied the bishop. "I don't seem to +make this clear to myself," he said, touching the paper in front of +him, "and so I very much doubt if I am going to make it clear to any +one else. However," he added, smiling, as he pushed the manuscript to +one side, "we are not going to talk about that now. What have you to +tell me that is new?" + +The younger man glanced up quickly at this, but the bishop's face +showed that his words had had no ulterior meaning, and that he +suspected nothing more serious to come than the gossip of the clubs or +a report of the local political fight in which he was keenly +interested, or on their mission on the East Side. But it seemed an +opportunity to Latimer. + +"I _have_ something new to tell you," he said, gravely, and with +his eyes turned toward the open fire, "and I don't know how to do it +exactly. I mean I don't just know how it is generally done or how to +tell it best." He hesitated and leaned forward, with his hands locked +in front of him, and his elbows resting on his knees. He was not in +the least frightened. The bishop had listened to many strange stories, +to many confessions, in this same study, and had learned to take them +as a matter of course; but to-night something in the manner of the +young man before him made him stir uneasily, and he waited for him to +disclose the object of his visit with some impatience. + +"I will suppose, sir," said young Latimer, finally, "that you know me +rather well--I mean you know who my people are, and what I am doing +here in New York, and who my friends are, and what my work amounts to. +You have let me see a great deal of you, and I have appreciated your +doing so very much; to so young a man as myself it has been a great +compliment, and it has been of great benefit to me. I know that better +than any one else. I say this because unless you had shown me this +confidence it would have been almost impossible for me to say to you +what I am going to say now. But you have allowed me to come here +frequently, and to see you and talk with you here in your study, and +to see even more of your daughter. Of course, sir, you did not suppose +that I came here only to see you. I came here because I found that, if +I did not see Miss Ellen for a day, that that day was wasted, and that +I spent it uneasily and discontentedly, and the necessity of seeing +her even more frequently has grown so great that I cannot come here as +often as I seem to want to come unless I am engaged to her, unless I +come as her husband that is to be." The young man had been speaking +very slowly and picking his words, but now he raised his head and ran +on quickly. + +"I have spoken to her and told her how I love her, and she has told me +that she loves me, and that if you will not oppose us, will marry me. +That is the news I have to tell you, sir. I don't know but that I +might have told it differently, but that is it. I need not urge on you +my position and all that, because I do not think that weighs with you; +but I do tell you that I love Ellen so dearly that, though I am not +worthy of her, of course, I have no other pleasure than to give her +pleasure and to try to make her happy. I have the power to do it; but +what is much more, I have the wish to do it; it is all I think of now, +and all that I can ever think of. What she thinks of me you must ask +her; but what she is to me neither she can tell you nor do I believe +that I myself could make you understand." The young man's face was +flushed and eager, and as he finished speaking he raised his head and +watched the bishop's countenance anxiously. But the older man's face +was hidden by his hand as he leaned with his elbow on his +writing-table. His other hand was playing with a pen, and when he +began to speak, which he did after a long pause, he still turned it +between his fingers and looked down at it. + +"I suppose," he said, as softly as though he were speaking to himself, +"that I should have known this; I suppose that I should have been +better prepared to hear it. But it is one of those things which men +put off--I mean those men who have children, put off--as they do +making their wills, as something that is in the future and that may be +shirked until it comes. We seem to think that our daughters will live +with us always, just as we expect to live on ourselves until death +comes one day and startles us and finds us unprepared." He took down +his hand and smiled gravely at the younger man with an evident effort, +and said, "I did not mean to speak so gloomily, but you see my point +of view must be different from yours. And she says she loves you, does +she?" he added, gently. + +Young Latimer bowed his head and murmured something inarticulately in +reply, and then held his head erect again and waited, still watching +the bishop's face. + +"I think she might have told me," said the older man; "but then I +suppose this is the better way. I am young enough to understand that +the old order changes, that the customs of my father's time differ +from those of to-day. And there is no alternative, I suppose," he +said, shaking his head. "I am stopped and told to deliver, and have no +choice. I will get used to it in time," he went on, "but it seems very +hard now. Fathers are selfish, I imagine, but she is all I have." + +Young Latimer looked gravely into the fire and wondered how long it +would last. He could just hear the piano from below, and he was +anxious to return to her. And at the same time he was drawn toward the +older man before him, and felt rather guilty, as though he really were +robbing him. But at the bishop's next words he gave up any thought of +a speedy release, and settled himself in his chair. + +"We are still to have a long talk," said the bishop. "There are many +things I must know, and of which I am sure you will inform me freely. +I believe there are some who consider me hard, and even narrow on +different points, but I do not think you will find me so, at least let +us hope not. I must confess that for a moment I almost hoped that you +might not be able to answer the questions I must ask you, but it was +only for a moment. I am only too sure you will not be found wanting, +and that the conclusion of our talk will satisfy us both. Yes, I am +confident of that." + +His manner changed, nevertheless, and Latimer saw that he was now +facing a judge and not a plaintiff who had been robbed, and that he +was in turn the defendant. And still he was in no way frightened. + +"I like you," the bishop said, "I like you very much. As you say +yourself, I have seen a great deal of you, because I have enjoyed your +society, and your views and talk were good and young and fresh, and +did me good. You have served to keep me in touch with the outside +world, a world of which I used to know at one time a great deal. I +know your people and I know you, I think, and many people have spoken +to me of you. I see why now. They, no doubt, understood what was +coming better than myself, and were meaning to reassure me concerning +you. And they said nothing but what was good of you. But there are +certain things of which no one can know but yourself, and concerning +which no other person, save myself, has a right to question you. You +have promised very fairly for my daughter's future; you have suggested +more than you have said, but I understood. You can give her many +pleasures which I have not been able to afford; she can get from you +the means of seeing more of this world in which she lives, of meeting +more people, and of indulging in her charities, or in her +extravagances, for that matter, as she wishes. I have no fear of her +bodily comfort; her life, as far as that is concerned, will be easier +and broader, and with more power for good. Her future, as I say, as +you say also, is assured; but I want to ask you this," the bishop +leaned forward and watched the young man anxiously, "you can protect +her in the future, but can you assure me that you can protect her from +the past?" + +Young Latimer raised his eyes calmly and said, "I don't think I quite +understand." + +"I have perfect confidence, I say," returned the bishop, "in you as +far as your treatment of Ellen is concerned in the future. You love +her and you would do everything to make the life of the woman you love +a happy one; but this is it. Can you assure me that there is nothing +in the past that may reach forward later and touch my daughter through +you--no ugly story, no oats that have been sowed, and no boomerang +that you have thrown wantonly and that has not returned--but which may +return?" + +"I think I understand you now, sir," said the young man, quietly. "I +have lived," he began, "as other men of my sort have lived. You know +what that is, for you must have seen it about you at college, and +after that before you entered the Church. I judge so from your +friends, who were your friends then, I understand. You know how they +lived. I never went in for dissipation, if you mean that, because it +never attracted me. I am afraid I kept out of it not so much out of +respect for others as for respect for myself. I found my self-respect +was a very good thing to keep, and I rather preferred keeping it and +losing several pleasures that other men managed to enjoy, apparently +with free consciences. I confess I used to rather envy them. It is no +particular virtue on my part; the thing struck me as rather more +vulgar than wicked, and so I have had no wild oats to speak of; and no +woman, if that is what you mean, can write an anonymous letter, and no +man can tell you a story about me that he could not tell in my +presence." + +There was something in the way the young man spoke which would have +amply satisfied the outsider, had he been present; but the bishop's +eyes were still unrelaxed and anxious. He made an impatient motion +with his hand. + +"I know you too well, I hope," he said, "to think of doubting your +attitude in that particular. I know you are a gentleman, that is +enough for that; but there is something beyond these more common +evils. You see, I am terribly in earnest over this--you may think +unjustly so, considering how well I know you, but this child is my +only child. If her mother had lived, my responsibility would have been +less great; but, as it is, God has left her here alone to me in my +hands. I do not think He intended my duty should end when I had fed +and clothed her, and taught her to read and write. I do not think He +meant that I should only act as her guardian until the first man she +fancied fancied her. I must look to her happiness not only now when +she is with me, but I must assure myself of it when she leaves my +roof. These common sins of youth I acquit you of. Such things are +beneath you, I believe, and I did not even consider them. But there +are other toils in which men become involved, other evils or +misfortunes which exist, and which threaten all men who are young and +free and attractive in many ways to women, as well as men. You have +lived the life of the young man of this day. You have reached a place +in your profession when you can afford to rest and marry and assume +the responsibilities of marriage. You look forward to a life of +content and peace and honorable ambition--a life, with your wife at +your side, which is to last forty or fifty years. You consider where +you will be twenty years from now, at what point of your career you +may become a judge or give up practise; your perspective is unlimited; +you even think of the college to which you may send your son. It is a +long, quiet future that you are looking forward to, and you choose my +daughter as the companion for that future, as the one woman with whom +you could live content for that length of time. And it is in that +spirit that you come to me tonight and that you ask me for my +daughter. Now I am going to ask you one question, and as you answer +that I will tell you whether or not you can have Ellen for your wife. +You look forward, as I say, to many years of life, and you have chosen +her as best suited to live that period with you; but I ask you this, +and I demand that you answer me truthfully, and that you remember that +you are speaking to her father. Imagine that I had the power to tell +you, or rather that some superhuman agent could convince you, that you +had but a month to live, and that for what you did in that month you +would not be held responsible either by any moral law or any law made +by man, and that your life hereafter would not be influenced by your +conduct in that month, would you spend it, I ask you--and on your +answer depends mine--would you spend those thirty days, with death at +the end, with my daughter, or with some other woman of whom I know +nothing?" + +Latimer sat for some time silent, until indeed, his silence assumed +such a significance that he raised his head impatiently and said with +a motion of the hand, "I mean to answer you in a minute; I want to be +sure that I understand." + +The bishop bowed his head in assent, and for a still longer period the +men sat motionless. The clock in the corner seemed to tick more +loudly, and the dead coals dropping in the grate had a sharp, +aggressive sound. The notes of the piano that had risen from the room +below had ceased. + +"If I understand you," said Latimer, finally, and his voice and his +face as he raised it were hard and aggressive, "you are stating a +purely hypothetical case. You wish to try me by conditions which do +not exist, which cannot exist. What justice is there, what right is +there, in asking me to say how I would act under circumstances which +are impossible, which lie beyond the limit of human experience? You +cannot judge a man by what he would do if he were suddenly robbed of +all his mental and moral training and of the habit of years. I am not +admitting, understand me, that if the conditions which you suggest did +exist that I would do one whit differently from what I will do if they +remain as they are. I am merely denying your right to put such a +question to me at all. You might just as well judge the shipwrecked +sailors on a raft who eat each other's flesh as you would judge a +sane, healthy man who did such a thing in his own home. Are you going +to condemn men who are ice-locked at the North Pole, or buried in the +heart of Africa, and who have given up all thought of return and are +half mad and wholly without hope, as you would judge ourselves? Are +they to be weighed and balanced as you and I are, sitting here within +the sound of the cabs outside and with a bake-shop around the corner? +What you propose could not exist, could never happen. I could never be +placed where I should have to make such a choice, and you have no +right to ask me what I would do or how I would act under conditions +that are superhuman--you used the word yourself--where all that I have +held to be good and just and true would be obliterated. I would be +unworthy of myself, I would be unworthy of your daughter, if I +considered such a state of things for a moment, or if I placed my +hopes of marrying her on the outcome of such a test, and so, sir," +said the young man, throwing back his head, "I must refuse to answer +you." + +The bishop lowered his hand from before his eyes and sank back wearily +into his chair. "You have answered me," he said. + +"You have no right to say that," cried the young man, springing to his +feet. "You have no right to suppose anything or to draw any +conclusions. I have not answered you." He stood with his head and +shoulders thrown back, and with his hands resting on his hips and with +the fingers working nervously at his waist. + +"What you have said," replied the bishop, in a voice that had changed +strangely, and which was inexpressibly sad and gentle, "is merely a +curtain of words to cover up your true feeling. It would have been so +easy to have said, 'For thirty days or for life Ellen is the only +woman who has the power to make me happy.' You see that would have +answered me and satisfied me. But you did not say that," he added, +quickly, as the young man made a movement as if to speak. + +"Well, and suppose this other woman did exist, what then?" demanded +Latimer. "The conditions you suggest are impossible; you must, you +will surely, sir, admit that." + +"I do not know," replied the bishop, sadly; "I do not know. It may +happen that whatever obstacle there has been which has kept you from +her may be removed. It may be that she has married, it may be that she +has fallen so low that you cannot marry her. But if you have loved her +once, you may love her again; whatever it was that separated you in +the past, that separates you now, that makes you prefer my daughter to +her, may come to an end when you are married, when it will be too +late, and when only trouble can come of it, and Ellen would bear that +trouble. Can I risk that?" + +"But I tell you it is impossible," cried the young man. "The woman is +beyond the love of any man, at least such a man as I am, or try to +be." + +"Do you mean," asked the bishop, gently, and with an eager look of +hope, "that she is dead?" + +Latimer faced the father for some seconds in silence. Then he raised +his head slowly. "No," he said, "I do not mean she is dead. No, she is +not dead." + +Again the bishop moved back wearily into his chair. "You mean then," +he said, "perhaps, that she is a married woman?" Latimer pressed his +lips together at first as though he would not answer, and then raised +his eyes coldly. "Perhaps," he said. + +The older man had held up his hand as if to signify that what he was +about to say should be listened to without interruption, when a sharp +turning of the lock of the door caused both father and the suitor to +start. Then they turned and looked at each other with anxious inquiry +and with much concern, for they recognized for the first time that +their voices had been loud. The older man stepped quickly across the +floor, but before he reached the middle of the room the door opened +from the outside, and his daughter stood in the door-way, with her +head held down and her eyes looking at the floor. + +"Ellen!" exclaimed the father, in a voice of pain and the deepest +pity. + +The girl moved toward the place from where his voice came, without +raising her eyes, and when she reached him put her arms about him and +hid her face on his shoulder. She moved as though she were tired, as +though she were exhausted by some heavy work. + +"My child," said the bishop, gently, "were you listening?" There was +no reproach in his voice; it was simply full of pity and concern. + +"I thought," whispered the girl, brokenly, "that he would be +frightened; I wanted to hear what he would say. I thought I could +laugh at him for it afterward. I did it for a joke. I thought--" She +stopped with a little gasping sob that she tried to hide, and for a +moment held herself erect and then sank back again into her father's +arms with her head upon his breast. + +Latimer started forward, holding out his arms to her. "Ellen," he +said, "surely, Ellen, you are not against me. You see how preposterous +it is, how unjust it is to me. You cannot mean--" + +The girl raised her head and shrugged her shoulders slightly as though +she were cold. "Father," she said, wearily, "ask him to go away. Why +does he stay? Ask him to go away." + +Latimer stopped and took a step back as though some one had struck +him, and then stood silent with his face flushed and his eyes +flashing. It was not in answer to anything that they said that he +spoke, but to their attitude and what it suggested. "You stand there," +he began, "you two stand there as though I were something unclean, as +though I had committed some crime. You look at me as though I were on +trial for murder or worse. Both of you together against me. What have +I done? What difference is there? You loved me a half-hour ago, Ellen; +you said you did. I know you loved me; and you, sir," he added, more +quietly, "treated me like a friend. Has anything come since then to +change me or you? Be fair to me, be sensible. What is the use of this? +It is a silly, needless, horrible mistake. You know I love you, Ellen; +love you better than all the world. I don't have to tell you that; you +know it, you can see and feel it. It does not need to be said; words +can't make it any truer. You have confused yourselves and stultified +yourselves with this trick, this test by hypothetical conditions, by +considering what is not real or possible. It is simple enough; it is +plain enough. You know I love you, Ellen, and you only, and that is +all there is to it, and all that there is of any consequence in the +world to me. The matter stops there; that is all there is for you to +consider. Answer me, Ellen, speak to me. Tell me that you believe me." + +He stopped and moved a step toward her, but as he did so, the girl, +still without looking up, drew herself nearer to her father and shrank +more closely into his arms; but the father's face was troubled and +doubtful, and he regarded the younger man with a look of the most +anxious scrutiny. Latimer did not regard this. Their hands were raised +against him as far as he could understand, and he broke forth again +proudly, and with a defiant indignation: + +"What right have you to judge me?" he began; "what do you know of what +I have suffered, and endured, and overcome? How can you know what I +have had to give up and put away from me? It's easy enough for you to +draw your skirts around you, but what can a woman bred as you have +been bred know of what I've had to fight against and keep under and +cut away? It was an easy, beautiful idyl to you; your love came to you +only when it should have come, and for a man who was good and worthy, +and distinctly eligible--I don't mean that; forgive me, Ellen, but you +drive me beside myself. But he is good and he believes himself worthy, +and I say that myself before you both. But I am only worthy and only +good because of that other love that I put away when it became a +crime, when it became impossible. Do you know what it cost me? Do you +know what it meant to me, and what I went through, and how I suffered? +Do you know who this other woman is whom you are insulting with your +doubts and guesses in the dark? Can't you spare her? Am I not enough? +Perhaps it was easy for her, too; perhaps her silence cost her +nothing; perhaps she did not suffer and has nothing but happiness and +content to look forward to for the rest of her life; and I tell you +that it is because we did put it away, and kill it, and not give way +to it that I am whatever I am to-day; whatever good there is in me is +due to that temptation and to the fact that I beat it and overcame it +and kept myself honest and clean. And when I met you and learned to +know you I believed in my heart that God had sent you to me that I +might know what it was to love a woman whom I could marry and who +could be my wife; that you were the reward for my having overcome +temptation and the sign that I had done well. And now you throw me +over and put me aside as though I were something low and unworthy, +because of this temptation, because of this very thing that has made +me know myself and my own strength and that has kept me up for you." + +As the young man had been speaking, the bishop's eyes had never left +his face, and as he finished, the face of the priest grew clearer and +decided, and calmly exultant. And as Latimer ceased he bent his head +above his daughter's, and said in a voice that seemed to speak with +more than human inspiration. "My child," he said, "if God had given me +a son I should have been proud if he could have spoken as this young +man has done." + +But the woman only said, "Let him go to her." + +"Ellen, oh, Ellen!" cried the father. + +He drew back from the girl in his arms and looked anxiously and +feelingly at her lover. "How could you, Ellen," he said, "how could +you?" He was watching the young man's face with eyes full of sympathy +and concern. "How little you know him," he said, "how little you +understand. He will not do that," he added quickly, but looking +questioningly at Latimer and speaking in a tone almost of command. "He +will not undo all that he has done; I know him better than that." But +Latimer made no answer, and for a moment the two men stood watching +each other and questioning each other with their eyes. Then Latimer +turned, and without again so much as glancing at the girl walked +steadily to the door and left the room. He passed on slowly down the +stairs and out into the night, and paused upon the top of the steps +leading to the street. Below him lay the avenue with its double line +of lights stretching off in two long perspectives. The lamps of +hundreds of cabs and carriages flashed as they advanced toward him and +shone for a moment at the turnings of the cross-streets, and from +either side came the ceaseless rush and murmur, and over all hung the +strange mystery that covers a great city at night. Latimer's rooms lay +to the south, but he stood looking toward a spot to the north with a +reckless, harassed look in his face that had not been there for many +months. He stood so for a minute, and then gave a short shrug of +disgust at his momentary doubt and ran quickly down the steps. "No," +he said, "if it were for a month, yes; but it is to be for many years, +many more long years." And turning his back resolutely to the north he +went slowly home. + + + + +ON THE FEVER SHIP + + +There were four rails around the ship's sides, the three lower ones of +iron and the one on top of wood, and as he looked between them from +the canvas cot he recognized them as the prison-bars which held him +in. Outside his prison lay a stretch of blinding blue water which +ended in a line of breakers and a yellow coast with ragged palms. +Beyond that again rose a range of mountain-peaks, and, stuck upon the +loftiest peak of all, a tiny block-house. It rested on the brow of the +mountain against the naked sky as impudently as a cracker-box set upon +the dome of a great cathedral. + +As the transport rode on her anchor-chains, the iron bars around her +sides rose and sank and divided the landscape with parallel lines. +From his cot the officer followed this phenomenon with severe, +painstaking interest. Sometimes the wooden rail swept up to the very +block-house itself, and for a second of time blotted it from sight. +And again it sank to the level of the line of breakers, and wiped them +out of the picture as though they were a line of chalk. + +The soldier on the cot promised himself that the next swell of the sea +would send the lowest rail climbing to the very top of the palm-trees +or, even higher, to the base of the mountains; and when it failed to +reach even the palm-trees he felt a distinct sense of ill use, of +having been wronged by some one. There was no other reason for +submitting to this existence save these tricks upon the wearisome, +glaring landscape; and now, whoever it was who was working them did +not seem to be making this effort to entertain him with any +heartiness. + +It was most cruel. Indeed, he decided hotly, it was not to be endured; +he would bear it no longer, he would make his escape. But he knew that +this move, which could be conceived in a moment's desperation, could +only be carried to success with great strategy, secrecy, and careful +cunning. So he fell back upon his pillow and closed his eyes, as +though he were asleep, and then opening them again, turned cautiously, +and spied upon his keeper. As usual, his keeper sat at the foot of the +cot turning the pages of a huge paper filled with pictures of the war +printed in daubs of tawdry colors. His keeper was a hard-faced boy +without human pity or consideration, a very devil of obstinacy and +fiendish cruelty. To make it worse, the fiend was a person without a +collar, in a suit of soiled khaki, with a curious red cross bound by a +safety-pin to his left arm. He was intent upon the paper in his hands; +he was holding it between his eyes and his prisoner. His vigilance had +relaxed, and the moment seemed propitious. With a sudden plunge of +arms and legs, the prisoner swept the bed-sheet from him, and sprang +at the wooden rail and grasped the iron stanchion beside it. He had +his knee pressed against the top bar and his bare toes on the iron +rail beneath it. Below him the blue water waited for him. It was cool +and dark and gentle and deep. It would certainly put out the fire in +his bones, he thought; it might even shut out the glare of the sun +which scorched his eyeballs. + +But as he balanced for the leap, a swift weakness and nausea swept +over him, a weight seized upon his body and limbs. He could not lift +the lower foot from the iron rail, and he swayed dizzily and trembled. +He trembled. He who had raced his men and beaten them up the hot hill +to the trenches of San Juan. But now he was a baby in the hands of a +giant, who caught him by the wrist and with an iron arm clasped him +around his waist and pulled him down, and shouted, brutally, "Help, +some of youse, quick! he's at it again. I can't hold him." + +More giants grasped him by the arms and by the legs. One of them took +the hand that clung to the stanchion in both of his, and pulled back +the fingers one by one, saying, "Easy now, Lieutenant--easy." + +The ragged palms and the sea and blockhouse were swallowed up in a +black fog, and his body touched the canvas cot again with a sense of +home-coming and relief and rest. He wondered how he could have cared +to escape from it. He found it so good to be back again that for a +long time he wept quite happily, until the fiery pillow was moist and +cool. + +The world outside of the iron bars was like a scene in a theatre set +for some great event, but the actors were never ready. He remembered +confusedly a play he had once witnessed before that same scene. +Indeed, he believed he had played some small part in it; but he +remembered it dimly, and all trace of the men who had appeared with +him in it was gone. He had reasoned it out that they were up there +behind the range of mountains, because great heavy wagons and +ambulances and cannon were emptied from the ships at the wharf above +and were drawn away in long lines behind the ragged palms, moving +always toward the passes between the peaks. At times he was disturbed +by the thought that he should be up and after them, that some +tradition of duty made his presence with them imperative. There was +much to be done back of the mountains. Some event of momentous import +was being carried forward there, in which he held a part; but the +doubt soon passed from him, and he was content to lie and watch the +iron bars rising and falling between the block-house and the white +surf. + +If they had been only humanely kind, his lot would have been bearable, +but they starved him and held him down when he wished to rise; and +they would not put out the fire in the pillow, which they might easily +have done by the simple expedient of throwing it over the ship's side +into the sea. He himself had done this twice, but the keeper had +immediately brought a fresh pillow already heated for the torture and +forced it under his head. + +His pleasures were very simple, and so few that he could not +understand why they robbed him of them so jealously. One was to watch +a green cluster of bananas that hung above him from the awning, +twirling on a string. He could count as many of them as five before +the bunch turned and swung lazily back again, when he could count as +high as twelve; sometimes when the ship rolled heavily he could count +to twenty. It was a most fascinating game, and contented him for many +hours. But when they found this out they sent for the cook to come and +cut them down, and the cook carried them away to his galley. + +Then, one day, a man came out from the shore, swimming through the +blue water with great splashes. He was a most charming man, who +spluttered and dove and twisted and lay on his back and kicked his +legs in an excess of content and delight. It was a real pleasure to +watch him; not for days had anything so amusing appeared on the other +side of the prison-bars. But as soon as the keeper saw that the man in +the water was amusing his prisoner, he leaned over the ship's side and +shouted, "Sa-ay, you, don't you know there's skarks in there?" + +And the swimming man said, "The h-ll there is!" and raced back to the +shore like a porpoise with great lashing of the water, and ran up the +beach half-way to the palms before he was satisfied to stop. Then the +prisoner wept again. It was so disappointing. Life was robbed of +everything now. He remembered that in a previous existence soldiers +who cried were laughed at and mocked. But that was so far away and it +was such an absurd superstition that he had no patience with it. For +what could be more comforting to a man when he is treated cruelly than +to cry. It was so obvious an exercise, and when one is so feeble that +one cannot vault a four-railed barrier it is something to feel that at +least one is strong enough to cry. + +He escaped occasionally, traversing space with marvellous rapidity and +to great distances, but never to any successful purpose; and his +flight inevitably ended in ignominious recapture and a sudden +awakening in bed. At these moments the familiar and hated palms, the +peaks, and the block-house were more hideous in their reality than the +most terrifying of his nightmares. + +These excursions afield were always predatory; he went forth always to +seek food. With all the beautiful world from which to elect and +choose, he sought out only those places where eating was studied and +elevated to an art. These visits were much more vivid in their detail +than any he had ever before made to these same resorts. They +invariably began in a carriage, which carried him swiftly over smooth +asphalt. One route brought him across a great and beautiful square, +radiating with rows and rows of flickering lights; two fountains +splashed in the centre of the square, and six women of stone guarded +its approaches. One of the women was hung with wreaths of mourning. +Ahead of him the late twilight darkened behind a great arch, which +seemed to rise on the horizon of the world, a great window into the +heavens beyond. At either side strings of white and colored globes +hung among the trees, and the sound of music came joyfully from +theatres in the open air. He knew the restaurant under the trees to +which he was now hastening, and the fountain beside it, and the very +sparrows balancing on the fountain's edge; he knew every waiter at +each of the tables, he felt again the gravel crunching under his feet, +he saw the _maître d'hôtel_ coming forward smiling to receive his +command, and the waiter in the green apron bowing at his elbow, +deferential and important, presenting the list of wines. But his +adventure never passed that point, for he was captured again and once +more bound to his cot with a close burning sheet. + +Or else, he drove more sedately through the London streets in the late +evening twilight, leaning expectantly across the doors of the hansom +and pulling carefully at his white gloves. Other hansoms flashed past +him, the occupant of each with his mind fixed on one idea--dinner. He +was one of a million of people who were about to dine, or who had +dined, or who were deep in dining. He was so famished, so weak for +food of any quality, that the galloping horse in the hansom seemed to +crawl. The lights of the Embankment passed like the lamps of a +railroad station as seen from the window of an express; and while his +mind was still torn between the choice of a thin or thick soup or an +immediate attack upon cold beef, he was at the door, and the +_chasseur_ touched his cap, and the little _chasseur_ put +the wicker guard over the hansom's wheel. As he jumped out he said, +"Give him half-a-crown," and the driver called after him, "Thank you, +sir." + +It was a beautiful world, this world outside of the iron bars. Every +one in it contributed to his pleasure and to his comfort. In this +world he was not starved nor man-handled. He thought of this joyfully +as he leaped up the stairs, where young men with grave faces and with +their hands held negligently behind their backs bowed to him in polite +surprise at his speed. But they had not been starved on condensed +milk. He threw his coat and hat at one of them, and came down the hall +fearfully and quite weak with dread lest it should not be real. His +voice was shaking when he asked Ellis if he had reserved a table. The +place was all so real, it must be true this time. The way Ellis turned +and ran his finger down the list showed it was real, because Ellis +always did that, even when he knew there would not be an empty table +for an hour. The room was crowded with beautiful women; under the +light of the red shades they looked kind and approachable, and there +was food on every table, and iced drinks in silver buckets. It was +with the joy of great relief that he heard Ellis say to his underling, +"Numéro cinq, sur la terrace, un couvert." It was real at last. +Outside, the Thames lay a great gray shadow. The lights of the +Embankment flashed and twinkled across it, the tower of the House of +Commons rose against the sky, and here, inside, the waiter was +hurrying toward him carrying a smoking plate of rich soup with a +pungent, intoxicating odor. + +And then the ragged palms, the glaring sun, the immovable peaks, and +the white surf stood again before him. The iron rails swept up and +sank again, the fever sucked at his bones, and the pillow scorched his +cheek. + +One morning for a brief moment he came back to real life again and lay +quite still, seeing everything about him with clear eyes and for the +first time, as though he had but just that instant been lifted over +the ship's side. His keeper, glancing up, found the prisoner's eyes +considering him curiously, and recognized the change. The instinct of +discipline brought him to his feet with his fingers at his sides. + +"Is the Lieutenant feeling better?" + +The Lieutenant surveyed him gravely. + +"You are one of our hospital stewards." + +"Yes, Lieutenant." + +"Why ar'n't you with the regiment?" + +"I was wounded, too, sir. I got it same time you did, Lieutenant." + +"Am I wounded? Of course, I remember. Is this a hospital ship?" + +The steward shrugged his shoulders. "She's one of the transports. They +have turned her over to the fever cases." + +The Lieutenant opened his lips to ask another question; but his own +body answered that one, and for a moment he lay silent. + +"Do they know up North that I--that I'm all right?" + +"Oh, yes, the papers had it in--there was pictures of the Lieutenant +in some of them." + +"Then I've been ill some time?" + +"Oh, about eight days." + +The soldier moved uneasily, and the nurse in him became uppermost. + +"I guess the Lieutenant hadn't better talk any more," he said. It was +his voice now which held authority. + +The Lieutenant looked out at the palms and the silent gloomy mountains +and the empty coast-line, where the same wave was rising and falling +with weary persistence. + +"Eight days," he said. His eyes shut quickly, as though with a sudden +touch of pain. He turned his head and sought for the figure at the +foot of the cot. Already the figure had grown faint and was receding +and swaying. + +"Has any one written or cabled?" the Lieutenant spoke, hurriedly. He +was fearful lest the figure should disappear altogether before he +could obtain his answer. "Has any one come?" + +"Why, they couldn't get here, Lieutenant, not yet." + +The voice came very faintly. "You go to sleep now, and I'll run and +fetch some letters and telegrams. When you wake up, maybe I'll have a +lot for you." + +But the Lieutenant caught the nurse by the wrist, and crushed his hand +in his own thin fingers. They were hot, and left the steward's skin +wet with perspiration. The Lieutenant laughed gayly. + +"You see, Doctor," he said, briskly, "that you can't kill me. I can't +die. I've got to live, you understand. Because, sir, she said she +would come. She said if I was wounded, or if I was ill, she would come +to me. She didn't care what people thought. She would come anyway and +nurse me--well, she will come. + +"So, Doctor--old man--" He plucked at the steward's sleeve, and +stroked his hand eagerly, "old man--" he began again, beseechingly, +"you'll not let me die until she comes, will you? What? No, I know I +won't die. Nothing made by man can kill me. No, not until she comes. +Then, after that--eight days, she'll be here soon, any moment? What? +You think so, too? Don't you? Surely, yes, any moment. Yes, I'll go to +sleep now, and when you see her rowing out from shore you wake me. +You'll know her; you can't make a mistake. She is like--no, there is +no one like her--but you can't make a mistake." + +That day strange figures began to mount the sides of the ship, and to +occupy its every turn and angle of space. Some of them fell on their +knees and slapped the bare decks with their hands, and laughed and +cried out, "Thank God, I'll see God's country again!" Some of them +were regulars, bound in bandages; some were volunteers, dirty and +hollow-eyed, with long beards on boy's faces. Some came on crutches; +others with their arms around the shoulders of their comrades, staring +ahead of them with a fixed smile, their lips drawn back and their +teeth protruding. At every second step they stumbled, and the face of +each was swept by swift ripples of pain. + +They lay on cots so close together that the nurses could not walk +between them. They lay on the wet decks, in the scuppers, and along +the transoms and hatches. They were like shipwrecked mariners clinging +to a raft, and they asked nothing more than that the ship's bow be +turned toward home. Once satisfied as to that, they relaxed into a +state of self-pity and miserable oblivion to their environment, from +which hunger nor nausea nor aching bones could shake them. + +The hospital steward touched the Lieutenant lightly on the shoulder. + +"We are going North, sir," he said. "The transport's ordered North to +New York, with these volunteers and the sick and wounded. Do you hear +me, sir?" + +The Lieutenant opened his eyes. "Has she come?" he asked. + +"Gee!" exclaimed the hospital steward. He glanced impatiently at the +blue mountains and the yellow coast, from which the transport was +drawing rapidly away. + +"Well, I can't see her coming just now," he said. "But she will," he +added. + +"You let me know at once when she comes." + +"Why, cert'nly, of course," said the steward. + +Three trained nurses came over the side just before the transport +started North. One was a large, motherly looking woman, with a German +accent. She had been a trained nurse, first in Berlin, and later in +the London Hospital in Whitechapel, and at Bellevue. The nurse was +dressed in white, and wore a little silver medal at her throat; and +she was strong enough to lift a volunteer out of his cot and hold him +easily in her arms, while one of the convalescents pulled his cot out +of the rain. Some of the men called her "nurse"; others, who wore +scapulars around their necks, called her "Sister"; and the officers of +the medical staff addressed her as Miss Bergen. + +Miss Bergen halted beside the cot of the Lieutenant and asked, "Is +this the fever case you spoke about, Doctor--the one you want moved to +the officers' ward?" She slipped her hand up under his sleeve and felt +his wrist. + +"His pulse is very high," she said to the steward. "When did you take +his temperature?" She drew a little morocco case from her pocket and +from that took a clinical thermometer, which she shook up and down, +eying the patient meanwhile with a calm, impersonal scrutiny. The +Lieutenant raised his head and stared up at the white figure beside +his cot. His eyes opened and then shut quickly, with a startled look, +in which doubt struggled with wonderful happiness. His hand stole out +fearfully and warily until it touched her apron, and then, finding it +was real, he clutched it desperately, and twisting his face and body +toward her, pulled her down, clasping her hands in both of his, and +pressing them close to his face and eyes and lips. He put them from +him for an instant, and looked at her through his tears. + +"Sweetheart," he whispered, "sweetheart, I knew you'd come." + +As the nurse knelt on the deck beside him, her thermometer slipped +from her fingers and broke, and she gave an exclamation of annoyance. +The young Doctor picked up the pieces and tossed them overboard. +Neither of them spoke, but they smiled appreciatively. The Lieutenant +was looking at the nurse with the wonder and hope and hunger of soul +in his eyes with which a dying man looks at the cross the priest holds +up before him. What he saw where the German nurse was kneeling was a +tall, fair girl with great bands and masses of hair, with a head +rising like a lily from a firm, white throat, set on broad shoulders +above a straight back and sloping breast--a tall, beautiful creature, +half-girl, half-woman, who looked back at him shyly, but steadily. + +"Listen," he said. + +The voice of the sick man was so sure and so sane that the young +Doctor started, and moved nearer to the head of the cot. "Listen, +dearest," the Lieutenant whispered. "I wanted to tell you before I +came South. But I did not dare; and then I was afraid something might +happen to me, and I could never tell you, and you would never know. So +I wrote it to you in the will I made at Baiquiri, the night before the +landing. If you hadn't come now, you would have learned it in that +way. You would have read there that there never was any one but you; +the rest were all dream people, foolish, silly--mad. There is no one +else in the world but you; you have been the only thing in life that +has counted. I thought I might do something down here that would make +you care. But I got shot going up a hill, and after that I wasn't able +to do anything. It was very hot, and the hills were on fire; and they +took me prisoner, and kept me tied down here, burning on these coals. +I can't live much longer, but now that I have told you I can have +peace. They tried to kill me before you came; but they didn't know I +loved you, they didn't know that men who love you can't die. They +tried to starve my love for you, to burn it out of me; they tried to +reach it with their knives. But my love for you is my soul, and they +can't kill a man's soul. Dear heart, I have lived because you lived. +Now that you know--now that you understand--what does it matter?" + +Miss Bergen shook her head with great vigor. "Nonsense," she said, +cheerfully. "You are not going to die. As soon as we move you out of +this rain, and some food cook--" + +"Good God!" cried the young Doctor, savagely. "Do you want to kill +him?" + +When she spoke, the patient had thrown his arms heavily across his +face, and had fallen back, lying rigid on the pillow. + +The Doctor led the way across the prostrate bodies, apologizing as he +went. "I am sorry I spoke so quickly," he said, "but he thought you +were real. I mean he thought you were some one he really knew--" + +"He was just delirious," said the German nurse, calmly. + +The Doctor mixed himself a Scotch and soda and drank it with a single +gesture. + +"Ugh!" he said to the ward-room. "I feel as though I'd been opening +another man's letters." + + * * * * * + +The transport drove through the empty seas with heavy, clumsy +upheavals, rolling like a buoy. Having been originally intended for +the freight-carrying trade, she had no sympathy with hearts that beat +for a sight of their native land, or for lives that counted their +remaining minutes by the throbbing of her engines. Occasionally, +without apparent reason, she was thrown violently from her course; but +it was invariably the case that when her stern went to starboard, +something splashed in the water on her port side and drifted past her, +until, when it had cleared the blades of her propeller, a voice cried +out, and she was swung back on her home-bound track again. + +The Lieutenant missed the familiar palms and the tiny block-house; and +seeing nothing beyond the iron rails but great wastes of gray water, +he decided he was on board a prison-ship, or that he had been strapped +to a raft and cast adrift. People came for hours at a time and stood +at the foot of his cot, and talked with him and he to them--people he +had loved and people he had long forgotten, some of whom he had +thought were dead. One of them he could have sworn he had seen buried +in a deep trench, and covered with branches of palmetto. He had heard +the bugler, with tears choking him, sound "taps"; and with his own +hand he had placed the dead man's campaign hat on the mound of fresh +earth above the grave. Yet here he was still alive, and he came with +other men of his troop to speak to him; but when he reached out to +them they were gone--the real and the unreal, the dead and the +living--and even She disappeared whenever he tried to take her hand, +and sometimes the hospital steward drove her away. + +"Did that young lady say when she was coming back again?" he asked the +steward. + +"The young lady! What young lady?" asked the steward, wearily. + +"The one who has been sitting there," he answered. He pointed with his +gaunt hand at the man in the next cot. + +"Oh, that young lady. Yes, she's coming back. She's just gone below to +fetch you some hardtack." + +The young volunteer in the next cot whined grievously. + +"That crazy man gives me the creeps," he groaned. "He's always waking +me up, and looking at me as though he was going to eat me." + +"Shut your head," said the steward. "He's a better crazy man than +you'll ever be with the little sense you've got. And he has two Mauser +holes in him. Crazy, eh? It's a damned good thing for you that there +was about four thousand of us regulars just as crazy as him, or you'd +never seen the top of the hill." + +One morning there was a great commotion on deck, and all the +convalescents balanced themselves on the rail, shivering in their +pajamas, and pointed one way. The transport was moving swiftly and +smoothly through water as flat as a lake, and making a great noise +with her steam-whistle. The noise was echoed by many more +steam-whistles; and the ghosts of out-bound ships and tugs and +excursion steamers ran past her out of the mist and disappeared, +saluting joyously. All of the excursion steamers had a heavy list to +the side nearest the transport, and the ghosts on them crowded to that +rail and waved handkerchiefs and cheered. The fog lifted suddenly, and +between the iron rails the Lieutenant saw high green hills on either +side of a great harbor. Houses and trees and thousands of masts swept +past like a panorama; and beyond was a mirage of three cities, with +curling smoke-wreaths and sky-reaching buildings, and a great swinging +bridge, and a giant statue of a woman waving a welcome home. + +The Lieutenant surveyed the spectacle with cynical disbelief. He was +far too wise and far too cunning to be bewitched by it. In his heart +he pitied the men about him, who laughed wildly, and shouted, and +climbed recklessly to the rails and ratlines. He had been deceived too +often not to know that it was not real. He knew from cruel experience +that in a few moments the tall buildings would crumble away, the +thousands of columns of white smoke that flashed like snow in the sun, +the busy, shrieking tug-boats, and the great statue would vanish into +the sea, leaving it gray and bare. He closed his eyes and shut the +vision out. It was so beautiful that it tempted him; but he would not +be mocked, and he buried his face in his hands. They were carrying the +farce too far, he thought. It was really too absurd; for now they were +at a wharf which was so real that, had he not known by previous +suffering, he would have been utterly deceived by it. And there were +great crowds of smiling, cheering people, and a waiting guard of honor +in fresh uniforms, and rows of police pushing the people this way and +that; and these men about him were taking it all quite seriously, and +making ready to disembark, carrying their blanket-rolls and rifles +with them. + +A band was playing joyously, and the man in the next cot, who was +being lifted to a stretcher, said, "There's the Governor and his +staff; that's him in the high hat." It was really very well done. The +Custom-House and the Elevated Railroad and Castle Garden were as like +to life as a photograph, and the crowd was as well handled as a mob in +a play. His heart ached for it so that he could not bear the pain, and +he turned his back on it. It was cruel to keep it up so long. His +keeper lifted him in his arms, and pulled him into a dirty uniform +which had belonged, apparently, to a much larger man--a man who had +been killed probably, for there were dark brown marks of blood on the +tunic and breeches. When he tried to stand on his feet, Castle Garden +and the Battery disappeared in a black cloud of night, just as he knew +they would; but when he opened his eyes from the stretcher, they had +returned again. It was a most remarkably vivid vision. They kept it up +so well. Now the young Doctor and the hospital steward were pretending +to carry him down a gangplank and into an open space; and he saw quite +close to him a long line policemen, and behind them thousands of +faces, some of them women's faces--women who pointed at him and then +shook their heads and cried, and pressed their hands to their cheeks, +still looking at him. He wondered why they cried. He did not know +them, nor did they know him. No one knew him; these people were only +ghosts. + +There was a quick parting in the crowd. A man he had once known shoved +two of the policemen to one side, and he heard a girl's voice speaking +his name, like a sob; and She came running out across the open space +and fell on her knees beside the stretcher, and bent down over him, +and he was clasped in two young, firm arms. + +"Of course it is not real, of course it is not She," he assured +himself. "Because She would not do such a thing. Before all these +people She would not do it." + +But he trembled and his heart throbbed so cruelly that he could not +bear the pain. + +She was pretending to cry. + +"They wired us you had started for Tampa on the hospital ship," She +was saying, "and Aunt and I went all the way there before we heard you +had been sent North. We have been on the cars a week. That is why I +missed you. Do you understand? It was not my fault. I tried to come. +Indeed, I tried to come." + +She turned her head and looked up fearfully at the young Doctor. + +"Tell me, why does he look at me like that?" she asked. "He doesn't +know me. Is he very ill? Tell me the truth." She drew in her breath +quickly. "Of course you will tell me the truth." + +When she asked the question he felt her arms draw tight about his +shoulders. It was as though she was holding him to herself, and from +some one who had reached out for him. In his trouble he turned to his +old friend and keeper. His voice was hoarse and very low. + +"Is this the same young lady who was on the transport--the one you +used to drive away?" + +In his embarrassment, the hospital steward blushed under his tan, and +stammered. + +"Of course it's the same young lady," the Doctor answered, briskly. +"And I won't let them drive her away." He turned to her, smiling +gravely. "I think his condition has ceased to be dangerous, madam," he +said. + +People who in a former existence had been his friends, and Her +brother, gathered about his stretcher and bore him through the crowd +and lifted him into a carriage filled with cushions, among which he +sank lower and lower. Then She sat beside him, and he heard Her +brother say to the coachman, "Home, and drive slowly and keep on the +asphalt." + +The carriage moved forward, and She put her arm about him, and his +head fell on her shoulder, and neither of them spoke. The vision had +lasted so long now that he was torn with the joy that after all it +might be real. But he could not bear the awakening if it were not, so +he raised his head fearfully and looked up into the beautiful eyes +above him. His brows were knit, and he struggled with a great doubt +and an awful joy. + +"Dearest," he said, "is it real?" + +"Is it real?" she repeated. + +Even as a dream, it was so wonderfully beautiful that he was satisfied +if it could only continue so, if but for a little while. + +"Do you think," he begged again, trembling, "that it is going to last +much longer?" + +She smiled, and, bending her head slowly, kissed him. + +"It is going to last--always," she said. + + + + +THE LION AND THE UNICORN + + +Prentiss had a long lease on the house, and because it stood in Jermyn +Street the upper floors were, as a matter of course, turned into +lodgings for single gentlemen; and because Prentiss was a Florist to +the Queen, he placed a lion and unicorn over his flower-shop, just in +front of the middle window on the first floor. By stretching a little, +each of them could see into the window just beyond him, and could hear +all that was said inside; and such things as they saw and heard during +the reign of Captain Carrington, who moved in at the same time they +did! By day the table in the centre of the room was covered with maps, +and the Captain sat with a box of pins, with different-colored flags +wrapped around them, and amused himself by sticking them in the maps +and measuring the spaces in between, swearing meanwhile to himself. It +was a selfish amusement, but it appeared to be the Captain's only +intellectual pursuit, for at night the maps were rolled up, and a +green cloth was spread across the table, and there was much company +and popping of soda-bottles, and little heaps of gold and silver were +moved this way and that across the cloth. The smoke drifted out of the +open windows, and the laughter of the Captain's guests rang out loudly +in the empty street, so that the policeman halted and raised his eyes +reprovingly to the lighted windows, and cabmen drew up beneath them +and lay in wait, dozing on their folded arms, for the Captain's guests +to depart. The Lion and the Unicorn were rather ashamed of the scandal +of it, and they were glad when, one day, the Captain went away with +his tin boxes and gun-cases piled high on a four-wheeler. + +Prentiss stood on the sidewalk and said, "I wish you good luck, sir." +And the Captain said, "I'm coming back a Major, Prentiss." But he +never came back. And one day--the Lion remembered the day very well, +for on that same day the newsboys ran up and down Jermyn Street +shouting out the news of "a 'orrible disaster" to the British arms. It +was then that a young lady came to the door in a hansom, and Prentiss +went out to meet her and led her up-stairs. They heard him unlock the +Captain's door and say, "This is his room, miss," and after he had +gone they watched her standing quite still by the centre-table. She +stood there a very long time looking slowly about her, and then she +took a photograph of the Captain from the frame on the mantel and +slipped it into her pocket, and when she went out again her veil was +down, and she was crying. She must have given Prentiss as much as a +sovereign, for he called her "Your ladyship," which he never did under +a sovereign. + +And she drove off, and they never saw her again either, nor could they +hear the address she gave the cabman. But it was somewhere up St. +John's Wood way. + +After that the rooms were empty for some months, and the Lion and the +Unicorn were forced to amuse themselves with the beautiful ladies and +smart-looking men who came to Prentiss to buy flowers-and +"buttonholes," and the little round baskets of strawberries, and even +the peaches at three shillings each, which looked so tempting as they +lay in the window, wrapped up in cotton-wool, like jewels of great +price. + +Then Philip Carroll, the American gentleman, came, and they heard +Prentiss telling him that those rooms had always let for five guineas +a week, which they knew was not true; but they also knew that in the +economy of nations there must always be a higher price for the rich +American, or else why was he given that strange accent, except to +betray him into the hands of the London shopkeeper, and the London +cabby? + +The American walked to the window toward the west, which was the +window nearest the Lion, and looked out into the graveyard of St. +James's Church, that stretched between their street and Piccadilly. + +"You're lucky in having a bit of green to look out on," he said to +Prentiss. "I'll take these rooms--at five guineas. That's more than +they're worth, you know, but as I know it, too, your conscience +needn't trouble you." + +Then his eyes fell on the Lion, and he nodded to him gravely. "How do +you do?" he said. "I'm coming to live with you for a little time. I +have read about you and your friends over there. It is a hazard of new +fortunes with me, your Majesty, so be kind to me, and if I win, I will +put a new coat of paint on your shield and gild you all over again." + +Prentiss smiled obsequiously at the American's pleasantry, but the new +lodger only stared at him. + +"He seemed a social gentleman," said the Unicorn, that night, when the +Lion and he were talking it over. "Now the Captain, the whole time he +was here, never gave us so much as a look. This one says he has read +of us." + +"And why not?" growled the Lion. "I hope Prentiss heard what he said +of our needing a new layer of gilt. It's disgraceful. You can see that +Lion over Scarlett's, the butcher, as far as Regent Street, and +Scarlett is only one of Salisbury's creations. He received his +Letters-Patent only two years back. We date from Palmerston." + +The lodger came up the street just at that moment, and stopped and +looked up at the Lion and the Unicorn from the sidewalk, before he +opened the door with his night-key. They heard him enter the room and +feel on the mantel for his pipe, and a moment later he appeared at the +Lion's window and leaned on the sill, looking down into the street +below and blowing whiffs of smoke up into the warm night-air. + +It was a night in June, and the pavements were dry under foot and the +streets were filled with well-dressed people, going home from the +play, and with groups of men in black and white, making their way to +supper at the clubs. Hansoms of inky-black, with shining lamps inside +and out, dashed noiselessly past on mysterious errands, chasing close +on each other's heels on a mad race, each to its separate goal. From +the cross streets rose the noises of early night, the rumble of the +'buses, the creaking of their brakes as they unlocked, the cries of +the "extras," and the merging of thousands of human voices in a dull +murmur. The great world of London was closing its shutters for the +night and putting out the lights; and the new lodger from across the +sea listened to it with his heart beating quickly, and laughed to +stifle the touch of fear and homesickness that rose in him. + +"I have seen a great play to-night," he said to the Lion, "nobly +played by great players. What will they care for my poor wares? I see +that I have been over-bold. But we cannot go back now--not yet." + +He knocked the ashes out of his pipe, and nodded "good-night" to the +great world beyond his window. "What fortunes lie with ye, ye lights +of London town?" he quoted, smiling. And they heard him close the door +of his bedroom, and lock it for the night. + +The next morning he bought many geraniums from Prentiss and placed +them along the broad cornice that stretched across the front of the +house over the shop-window. The flowers made a band of scarlet on +either side of the Lion as brilliant as a Tommy's jacket. + +"I am trying to propitiate the British Lion by placing flowers before +his altar," the American said that morning to a visitor. + +"The British public, you mean," said the visitor; "they are each +likely to tear you to pieces." + +"Yes, I have heard that the pit on the first night of a bad play is +something awful," hazarded the American. + +"Wait and see," said the visitor. + +"Thank you," said the American, meekly. + +Every one who came to the first floor front talked about a play. It +seemed to be something of great moment to the American. It was only a +bundle of leaves printed in red and black inks and bound in brown +paper covers. There were two of them, and the American called them by +different names: one was his comedy and one was his tragedy. + +"They are both likely to be tragedies," the Lion heard one of the +visitors say to another, as they drove away together. "Our young +friend takes it too seriously." + +The American spent most of his time by his desk at the window writing +on little blue pads and tearing up what he wrote, or in reading over +one of the plays to himself in a loud voice. In time the number of his +visitors increased, and to some of these he would read his play; and +after they had left him he was either depressed and silent or excited +and jubilant. The Lion could always tell when he was happy because +then he would go to the side table and pour himself out a drink and +say, "Here's to me," but when he was depressed he would stand holding +the glass in his hand, and finally pour the liquor back into the +bottle again and say, "What's the use of that?" + +After he had been in London a month he wrote less and was more +frequently abroad, sallying forth in beautiful raiment, and coming +home by daylight. + +And he gave suppers, too, but they were less noisy than the Captain's +had been, and the women who came to them were much more beautiful, and +their voices when they spoke were sweet and low. Sometimes one of the +women sang, and the men sat in silence while the people in the street +below stopped to listen, and would say, "Why, that is So-and-So +singing," and the Lion and the Unicorn wondered how they could know +who it was when they could not see her. + +The lodger's visitors came to see him at all hours. They seemed to +regard his rooms as a club, where they could always come for a bite to +eat or to write notes; and others treated it like a lawyer's office +and asked advice on all manner of strange subjects. Sometimes the +visitor wanted to know whether the American thought she ought to take +£10 a week and go on tour, or stay in town and try to live on £8; or +whether she should paint landscapes that would not sell, or +race-horses that would; or whether Reggie really loved her and whether +she really loved Reggie; or whether the new part in the piece at the +Court was better than the old part at Terry's, and wasn't she getting +too old to play "ingenues" anyway. + +The lodger seemed to be a general adviser, and smoked and listened +with grave consideration, and the Unicorn thought his judgment was +most sympathetic and sensible. + +Of all the beautiful ladies who came to call on the lodger the one the +Unicorn liked the best was the one who wanted to know whether she +loved Reggie and whether Reggie loved her. She discussed this so +interestingly while she consumed tea and thin slices of bread that the +Unicorn almost lost his balance in leaning forward to listen. Her name +was Marion Cavendish, and it was written over many photographs which +stood in silver frames in the lodger's rooms. She used to make the tea +herself, while the lodger sat and smoked; and she had a fascinating +way of doubling the thin slices of bread into long strips and nibbling +at them like a mouse at a piece of cheese. She had wonderful little +teeth and Cupid's-bow lips, and she had a fashion of lifting her veil +only high enough for one to see the two Cupid's-bow lips. When she did +that the American used to laugh, at nothing apparently, and say, "Oh, +I guess Reggie loves you well enough." + +"But do I love Reggie?" she would ask, sadly, with her teacup held +poised in air. + +[Illustration: Consumed tea and thin slices of bread.] + +"I am sure I hope not," the lodger would reply, and she would put down +the veil quickly, as one would drop a curtain over a beautiful +picture, and rise with great dignity and say, "If you talk like that I +shall not come again." + +She was sure that if she could only get some work to do her head would +be filled with more important matters than whether Reggie loved her or +not. + +"But the managers seem inclined to cut their cavendish very fine just +at present," she said. "If I don't get a part soon," she announced, "I +shall ask Mitchell to put me down on the list for recitations at +evening parties." + +"That seems a desperate revenge," said the American; "and besides, I +don't want you to get a part, because some one might be idiotic enough +to take my comedy, and if he should, you must play _Nancy_." + +"I would not ask for any salary if I could play _Nancy_," Miss +Cavendish answered. + +They spoke of a great many things, but their talk always ended by her +saying that there must be some one with sufficient sense to see that +his play was a great play, and by his saying that none but she must +play _Nancy_. + +The Lion preferred the tall girl with masses and folds of brown hair, +who came from America to paint miniatures of the British aristocracy. +Her name was Helen Cabot, and he liked her because she was so brave +and fearless, and so determined to be independent of every one, even +of the lodger--especially of the lodger, who, it appeared, had known +her very well at home. The lodger, they gathered, did not wish her to +be independent of him, and the two Americans had many arguments and +disputes about it, but she always said, "It does no good, Philip; it +only hurts us both when you talk so. I care for nothing, and for no +one but my art, and, poor as it is, it means everything to me, and you +do not, and, of course, the man I am to marry must." Then Carroll +would talk, walking up and down, and looking very fierce and +determined, and telling her how he loved her in such a way that it +made her look even more proud and beautiful. And she would say more +gently, "It is very fine to think that any one can care for me like +that, and very helpful. But unless I cared in the same way it would be +wicked of me to marry you, and besides--" She would add very quickly +to prevent his speaking again--"I don't want to marry you or anybody, +and I never shall. I want to be free and to succeed in my work, just +as you want to succeed in your work. So please never speak of this +again." When she went away the lodger used to sit smoking in the big +arm-chair and beat the arms with his hands, and he would pace up and +down the room, while his work would lie untouched and his engagements +pass forgotten. + +Summer came and London was deserted, dull, and dusty, but the lodger +stayed on in Jermyn Street. Helen Cabot had departed on a round of +visits to country-houses in Scotland, where, as she wrote him, she was +painting miniatures of her hosts and studying the game of golf. Miss +Cavendish divided her days between the river and one of the West End +theatres. She was playing a small part in a farce-comedy. + +One day she came up from Cookham earlier than usual, looking very +beautiful in a white boating-frock and a straw hat with a Leander +ribbon. Her hands and arms were hard with dragging a punting-hole, and +she was sunburnt and happy, and hungry for tea. + +"Why don't you come down to Cookham and get out of this heat?" Miss +Cavendish asked. "You need it; you look ill." + +"I'd like to, but I can't," said Carroll. "The fact is, I paid in +advance for these rooms, and if I lived anywhere else I'd be losing +five guineas a week on them." + +Miss Cavendish regarded him severely. She had never quite mastered his +American humor. + +"But--five guineas--why, that's nothing to you," she said. Something +in the lodger's face made her pause. "You don't mean--" + +"Yes, I do," said the lodger, smiling. "You see, I started in to lay +siege to London without sufficient ammunition. London is a large town, +and it didn't fall as quickly as I thought it would. So I am +economizing. Mr. Lockhart's Coffee Rooms and I are no longer +strangers." + +Miss Cavendish put down her cup of tea untasted and leaned toward him. + +"Are you in earnest?" she asked. "For how long?" + +"Oh, for the last month," replied the lodger; "they are not at all +bad--clean and wholesome and all that." + +"But the suppers you gave us, and this," she cried, suddenly, waving +her hands over the pretty tea-things, "and the cake and muffins?" + +"My friends, at least," said Carroll, "need not go to Lockhart's." + +"And the Savoy?" asked Miss Cavendish, mournfully shaking her head. "A +dream of the past," said Carroll, waving his pipe through the smoke. +"Gatti's? Yes, on special occasions; but for necessity the +Chancellor's, where one gets a piece of the prime roast beef of Old +England, from Chicago, and potatoes for ninepence--a pot of bitter +twopence-halfpenny, and a penny for the waiter. It's most amusing on +the whole. I am learning a little about London, and some things about +myself. They are both most interesting subjects." + +"Well, I don't like it," Miss Cavendish declared, helplessly. "When I +think of those suppers and the flowers, I feel--I feel like a robber." + +"Don't," begged Carroll. "I am really the most happy of men--that is, +as the chap says in the play, I would be if I wasn't so damned +miserable. But I owe no man a penny and I have assets--I have £80 to +last me through the winter and two marvellous plays; and I love, next +to yourself, the most wonderful woman God ever made. That's enough." + +"But I thought you made such a lot of money by writing?" asked Miss +Cavendish. + +"I do--that is, I could," answered Carroll, "if I wrote the things +that sell; but I keep on writing plays that won't." + +"And such plays!" exclaimed Marion, warmly; "and to think that they +are going begging!" She continued, indignantly, "I can't imagine what +the managers do want." + +"I know what they don't want," said the American. Miss Cavendish +drummed impatiently on the tea-tray. + +"I wish you wouldn't be so abject about it," she said. "If I were a +man I'd make them take those plays." + +"How?" asked the American; "with a gun?" + +"Well, I'd keep at it until they read them," declared Marion. "I'd sit +on their front steps all night and I'd follow them in cabs, and I'd +lie in wait for them at the stage-door. I'd just make them take them." + +Carroll sighed and stared at the ceiling. "I guess I'll give up and go +home," he said. + +"Oh, yes, do, run away before you are beaten," said Miss Cavendish, +scornfully. "Why, you can't go now. Everybody will be back in town +soon, and there are a lot of new plays coming on, and some of them are +sure to be failures, and that's our chance. You rush in with your +piece, and somebody may take it sooner than close the theatre." + +"I'm thinking of closing the theatre myself," said Carroll. "What's +the use of my hanging on here?" he exclaimed. "It distresses Helen to +know I am in London, feeling about her as I do--and the Lord only +knows how it distresses me. And, maybe, if I went away," he said, +consciously, "she might miss me. She might see the difference." + +Miss Cavendish held herself erect and pressed her lips together with a +severe smile. "If Helen Cabot doesn't see the difference between you +and the other men she knows now," she said, "I doubt if she ever will. +Besides--" she continued, and then hesitated. + +"Well, go on," urged Carroll. + +"Well, I was only going to say," she explained, "that leaving the girl +alone never did the man any good unless he left her alone willingly. +If she's sure he still cares, it's just the same to her where he is. +He might as well stay on in London as go to South Africa. It won't +help him any. The difference comes when she finds he has stopped +caring. Why, look at Reggie. He tried that. He went away for ever so +long, but he kept writing me from wherever he went, so that he was +perfectly miserable--and I went on enjoying myself. Then when he came +back, he tried going about with his old friends again. He used to come +to the theatre with them--oh, with such nice girls!--but he always +stood in the back of the box and yawned and scowled--so I knew. And, +anyway, he'd always spoil it all by leaving them and waiting at the +stage entrance for me. But one day he got tired of the way I treated +him and went off on a bicycle-tour with Lady Hacksher's girls and some +men from his regiment, and he was gone three weeks, and never sent me +even a line; and I got so scared; I couldn't sleep, and I stood it for +three days more, and then I wired him to come back or I'd jump off +London Bridge; and he came back that very night from Edinburgh on the +express, and I was so glad to see him that I got confused, and in the +general excitement I promised to marry him, so that's how it was with +us." + +"Yes," said the American, without enthusiasm; "but then I still care, +and Helen knows I care." + +"Doesn't she ever fancy that you might care for some one else? You +have a lot of friends, you know." + +"Yes, but she knows they are just that--friends," said the American. + +Miss Cavendish stood up to go, and arranged her veil before the mirror +above the fireplace. + +"I come here very often to tea," she said. + +"It's very kind of you," said Carroll. He was at the open window, +looking down into the street for a cab. + +"Well, no one knows I am engaged to Reggie," continued Miss Cavendish, +"except you and Reggie, and he isn't so sure. _She_ doesn't know +it." + +"Well?" said Carroll. + +Miss Cavendish smiled a mischievous, kindly smile at him from the +mirror. + +"Well?" she repeated, mockingly. Carroll stared at her and laughed. +After a pause he said: "It's like a plot in a comedy. But I'm afraid +I'm too serious for play-acting." + +"Yes, it is serious," said Miss Cavendish. She seated herself again +and regarded the American thoughtfully. "You are too good a man to be +treated the way that girl is treating you, and no one knows it better +than she does. She'll change in time, but just now she thinks she +wants to be independent. She's in love with this picture-painting +idea, and with the people she meets. It's all new to her--the fuss +they make over her and the titles, and the way she is asked about. We +know she can't paint. We know they only give her commissions because +she's so young and pretty, and American. She amuses them, that's all. +Well, that cannot last; she'll find it out. She's too clever a girl, +and she is too fine a girl to be content with that long. Then--then +she'll come back to you. She feels now that she has both you and the +others, and she's making you wait; so wait and be cheerful. She's +worth waiting for; she's young, that's all. She'll see the difference +in time. But, in the meanwhile, it would hurry matters a bit if she +thought she had to choose between the new friends and you." + +"She could still keep her friends and marry me," said Carroll; "I have +told her that a hundred times. She could still paint miniatures and +marry me. But she won't marry me." + +"She won't marry you because she knows she can whenever she wants to," +cried Marion. "Can't you see that? But if she thought you were going +to marry some one else now?" + +"She would be the first to congratulate me," said Carroll. He rose and +walked to the fireplace, where he leaned with his arm on the mantel. +There was a photograph of Helen Cabot near his hand, and he turned +this toward him and stood for some time staring at it. "My dear +Marion," he said at last, "I've known Helen ever since she was as +young as that. Every year I've loved her more, and found new things in +her to care for; now I love her more than any other man ever loved any +other woman." + +Miss Cavendish shook her head sympathetically. + +"Yes, I know," she said; "that's the way Reggie loves me, too." + +Carroll went on as though he had not heard her. + +"There's a bench in St. James's Park," he said, "where we used to sit +when she first came here, when she didn't know so many people. We used +to go there in the morning and throw penny buns to the ducks. That's +been my amusement this summer since you've all been away--sitting on +that bench, feeding penny buns to the silly ducks--especially the +black one, the one she used to like best. And I make pilgrimages to +all the other places we ever visited together, and try to pretend she +is with me. And I support the crossing sweeper at Lansdowne Passage +because she once said she felt sorry for him. I do all the other +absurd things that a man in love tortures himself by doing. But to +what end? She knows how I care, and yet she won't see why we can't go +on being friends as we once were. What's the use of it all?" + +"She is young, I tell you," repeated Miss Cavendish, "and she's too +sure of you. You've told her you care; now try making her think you +don't care." + +Carroll shook his head impatiently. + +"I will not stoop to such tricks and pretense, Marion," he cried, +impatiently. "All I have is my love for her; if I have to cheat and to +trap her into caring, the whole thing would be degraded." + +Miss Cavendish shrugged her shoulders and walked to the door. "Such +amateurs!" she exclaimed, and banged the door after her. + +Carroll never quite knew how he had come to make a confidante of Miss +Cavendish. Helen and he had met her when they first arrived in London, +and as she had acted for a season in the United States, she adopted +the two Americans--and told Helen where to go for boots and hats, and +advised Carroll about placing his plays. Helen soon made other +friends, and deserted the artists with whom her work had first thrown +her. She seemed to prefer the society of the people who bought her +paintings, and who admired and made much of the painter. As she was +very beautiful and at an age when she enjoyed everything in life +keenly and eagerly, to give her pleasure was in itself a distinct +pleasure; and the worldly tired people she met were considering their +own entertainment quite as much as hers when they asked her to their +dinners and dances, or to spend a week with them in the country. In +her way, she was as independent as was Carroll in his, and as she was +not in love, as he was, her life was not narrowed down to but one +ideal. But she was not so young as to consider herself infallible, and +she had one excellent friend on whom she was dependent for advice and +to whose directions she submitted implicitly. This was Lady Gower, the +only person to whom Helen had spoken of Carroll and of his great +feeling for her. Lady Gower, immediately after her marriage, had been +a conspicuous and brilliant figure in that set in London which works +eighteen hours a day to keep itself amused, but after the death of her +husband she had disappeared into the country as completely as though +she had entered a convent, and after several years had then re-entered +the world as a professional philanthropist. Her name was now +associated entirely with Women's Leagues, with committees that +presented petitions to Parliament, and with public meetings, at which +she spoke with marvellous ease and effect. Her old friends said she +had taken up this new pose as an outlet for her nervous energies, and +as an effort to forget the man who alone had made life serious to her. +Others knew her as an earnest woman, acting honestly for what she +thought was right. Her success, all admitted, was due to her knowledge +of the world and to her sense of humor, which taught her with whom to +use her wealth and position, and when to demand what she wanted solely +on the ground that the cause was just. + +She had taken more than a fancy for Helen, and the position of the +beautiful, motherless girl had appealed to her as one filled with +dangers. When she grew to know Helen better, she recognized that these +fears were quite unnecessary, and as she saw more of her she learned +to care for her deeply. Helen had told her much of Carroll and of his +double purpose in coming to London; of his brilliant work and his lack +of success in having it recognized; and of his great and loyal +devotion to her, and of his lack of success, not in having that +recognized, but in her own inability to return it. Helen was proud +that she had been able to make Carroll care for her as he did, and +that there was anything about her which could inspire a man whom she +admired so much to believe in her so absolutely and for so long a +time. But what convinced her that the outcome for which he hoped was +impossible, was the very fact that she could admire him, and see how +fine and unselfish his love for her was, and yet remain untouched by +it. + +She had been telling Lady Gower one day of the care he had taken of +her ever since she was fourteen years of age, and had quoted some of +the friendly and loverlike acts he had performed in her service, until +one day they had both found out that his attitude of the elder brother +was no longer possible, and that he loved her in the old and only way. +Lady Gower looked at her rather doubtfully and smiled. + +"I wish you would bring him to see me, Helen," she said; "I think I +should like your friend very much. From what you tell me of him I +doubt if you will find many such men waiting for you in this country. +Our men marry for reasons of property, or they love blindly, and are +exacting and selfish before and after they are married. I know, +because so many women came to me when my husband was alive to ask how +it was that I continued so happy in my married life." + +"But I don't want to marry any one," Helen remonstrated, gently. +"American girls are not always thinking only of getting married." + +"What I meant was this," said Lady Gower: "that, in my experience, I +have heard of but few men who care in the way this young man seems to +care for you. You say you do not love him; but if he had wanted to +gain my interest, he could not have pleaded his cause better than you +have done. He seems to see your faults and yet love you still, in +spite of them--or on account of them. And I like the things he does +for you. I like, for instance, his sending you the book of the moment +every week for two years. That shows a most unswerving spirit of +devotion. And the story of the broken bridge in the woods is a +wonderful story. If I were a young girl, I could love a man for that +alone. It was a beautiful thing to do." + +Helen sat with her chin on her hands, deeply considering this new +point of view. + +"I thought it very foolish of him," she confessed, questioningly, "to +take such a risk for such a little thing." + +Lady Gower smiled down at her from the height of her many years. + +"Wait," she said, dryly, "you are very young now--and very rich; every +one is crowding to give you pleasure, to show his admiration. You are +a very fortunate girl. But later, these things which some man has done +because he loved you, and which you call foolish, will grow large in +your life, and shine out strongly, and when you are discouraged and +alone, you will take them out, and the memory of them will make you +proud and happy. They are the honors which women wear in secret." + +Helen came back to town in September, and for the first few days was +so occupied in refurnishing her studio and in visiting the shops that +she neglected to send Carroll word of her return. When she found that +a whole week had passed without her having made any effort to see him, +and appreciated how the fact would hurt her friend, she was filled +with remorse, and drove at once in great haste to Jermyn Street, to +announce her return in person. On the way she decided that she would +soften the blow of her week of neglect by asking him to take her out +to luncheon. This privilege she had once or twice accorded him, and +she felt that the pleasure these excursions gave Carroll were worth +the consternation they caused to Lady Gower. + +The servant was uncertain whether Mr. Carroll was at home or not, but +Helen was too intent upon making restitution to wait for the fact to +be determined, and, running up the stairs, knocked sharply at the door +of his study. + +A voice bade her come in, and she entered, radiant and smiling her +welcome. But Carroll was not there to receive it, and, instead, Marion +Cavendish looked up at her from his desk, where she was busily +writing. Helen paused with a surprised laugh, but Marion sprang up and +hailed her gladly. They met half-way across the room and kissed each +other with the most friendly feeling. + +Philip was out, Marion said, and she had just stepped in for a moment +to write him a note. If Helen would excuse her, she would finish it, +as she was late for rehearsal. + +But she asked over her shoulder, with great interest, if Helen had +passed a pleasant summer. She thought she had never seen her looking +so well. Helen thought Miss Cavendish herself was looking very well +also, but Marion said no; that she was too sunburnt, she would not be +able to wear a dinner-dress for a month. There was a pause while +Marion's quill scratched violently across Carroll's note-paper. Helen +felt that in some way she was being treated as an intruder; or worse, +as a guest. She did not sit down, it seemed impossible to do so, but +she moved uncertainly about the room. She noted that there were many +changes, it seemed more bare and empty; her picture was still on the +writing-desk, but there were at least six new photographs of Marion. +Marion herself had brought them to the room that morning, and had +carefully arranged them in conspicuous places. But Helen could not +know that. She thought there was an unnecessary amount of writing +scribbled over the face of each. + +Marion addressed her letter and wrote "Immediate" across the envelope, +and placed it before the clock on the mantel-shelf. "You will find +Philip looking very badly," she said, as she pulled on her gloves. "He +has been in town all summer, working very hard--he has had no holiday +at all. I don't think he's well. I have been a great deal worried +about him," she added. Her face was bent over the buttons of her +glove, and when she raised her blue eyes to Helen they were filled +with serious concern. + +"Really," Helen stammered, "I--I didn't know--in his letters he seemed +very cheerful." + +Marion shook her head and turned and stood looking thoughtfully out of +the window. "He's in a very hard place," she began, abruptly, and then +stopped as though she had thought better of what she intended to say. +Helen tried to ask her to go on, but could not bring herself to do so. +She wanted to get away. + +"I tell him he ought to leave London," Marion began again; "he needs a +change and a rest." + +"I should think he might," Helen agreed, "after three months of this +heat. He wrote me he intended going to Herne Bay or over to Ostend." + +"Yes, he had meant to go," Marion answered. She spoke with the air of +one who possessed the most intimate knowledge of Carroll's movements +and plans, and change of plans. "But he couldn't," she added. "He +couldn't afford it. Helen," she said, turning to the other girl, +dramatically, "do you know--I believe that Philip is very poor." + +Miss Cabot exclaimed, incredulously, "Poor!" She laughed. "Why, what +do you mean?" + +"I mean that he has no money," Marion answered, sharply. "These rooms +represent nothing. He only keeps them on because he paid for them in +advance. He's been living on three shillings a day. That's poor for +him. He takes his meals at cabmen's shelters and at Lockhart's, and +he's been doing so for a month." + +Helen recalled with a guilty thrill the receipt of certain boxes of La +France roses--cut long, in the American fashion--which had arrived +within the last month at various country-houses. She felt indignant at +herself, and miserable. Her indignation was largely due to the +recollection that she had given these flowers to her hostess to +decorate the dinner-table. + +She hated to ask this girl of things which she should have known +better than any one else. But she forced herself to do it. She felt +she must know certainly and at once. + +"How do you know this?" she asked. "Are you sure there is no mistake?" + +"He told me himself," said Marion, "when he talked of letting the +plays go and returning to America. He said he must go back; that his +money was gone." + +"He is gone to America!" Helen said, blankly. + +"No, he wanted to go, but I wouldn't let him," Marion went on. "I told +him that some one might take his play any day. And this third one he +has written, the one he finished this summer in town, is the best of +all, I think. It's a love-story. It's quite beautiful." She turned and +arranged her veil at the glass, and as she did so, her eyes fell on +the photographs of herself scattered over the mantel-piece, and she +smiled slightly. But Helen did not see her--she was sitting down now, +pulling at the books on the table. She was confused and disturbed by +emotions which were quite strange to her, and when Marion bade her +good-by she hardly noticed her departure. What impressed her most of +all in what Marion had told her was, she was surprised to find, that +Philip was going away. That she herself had frequently urged him to do +so, for his own peace of mind, seemed now of no consequence. Now that +he seriously contemplated it, she recognized that his absence meant to +her a change in everything. She felt for the first time the peculiar +place he held in her life. Even if she had seen him but seldom, the +fact that he was within call had been more of a comfort and a +necessity to her than she understood. + +That he was poor, concerned her chiefly because she knew that, +although this condition could only be but temporary, it would distress +him not to have his friends around him, and to entertain them as he +had been used to do. She wondered eagerly if she might offer to help +him, but a second thought assured her that, for a man, that sort of +help from a woman was impossible. + +She resented the fact that Marion was deep in his confidence; that it +was Marion who had told her of his changed condition and of his plans. +It annoyed her so acutely that she could not remain in the room where +she had seen her so complacently in possession. And after leaving a +brief note for Philip, she went away. She stopped a hansom at the +door, and told the man to drive along the Embankment--she wanted to be +quite alone, and she felt she could see no one until she had thought +it all out, and had analyzed the new feelings. + +So for several hours she drove slowly up and down, sunk far back in +the cushions of the cab, and staring with unseeing eyes at the white, +enamelled tariff and the black dash-board. + +She assured herself that she was not jealous of Marion, because, in +order to be jealous, she first would have to care for Philip in the +very way she could not bring herself to do. + +She decided that his interest in Marion hurt her, because it showed +that Philip was not capable of remaining true to the one ideal of his +life. She was sure that this explained her feelings--she was +disappointed that he had not kept up to his own standard; that he was +weak enough to turn aside from it for the first pretty pair of eyes. +But she was too honest and too just to accept that diagnosis of her +feelings as final--she knew there had been many pairs of eyes in +America and in London, and that though Philip had seen them, he had +not answered them when they spoke. No, she confessed frankly, she was +hurt with herself for neglecting her old friend so selfishly and for +so long a time; his love gave him claims on her consideration, at +least, and she had forgotten that and him, and had run after strange +gods and allowed others to come in and take her place, and to give him +the sympathy and help which she should have been the first to offer, +and which would have counted more when coming from her than from any +one else. She determined to make amends at once for her +thoughtlessness and selfishness, and her brain was pleasantly occupied +with plans and acts of kindness. It was a new entertainment, and she +found she delighted in it. She directed the cabman to go to +Solomons's, and from there sent Philip a bunch of flowers and a line +saying that on the following day she was coming to take tea with him. +She had a guilty feeling that he might consider her friendly advances +more seriously than she meant them, but it was her pleasure to be +reckless: her feelings were running riotously, and the sensation was +so new that she refused to be circumspect or to consider consequences. +Who could tell, she asked herself with a quick, frightened gasp, but +that, after all, it might be that she was learning to care? From +Solomons's she bade the man drive to the shop in Cranbourne Street +where she was accustomed to purchase the materials she used in +painting, and Fate, which uses strange agents to work out its ends, so +directed it that the cabman stopped a few doors below this shop, and +opposite one where jewelry and other personal effects were bought and +sold. At any other time, or had she been in any other mood, what +followed might not have occurred, but Fate, in the person of the +cabman, arranged it so that the hour and the opportunity came +together. + +There were some old mezzotints in the window of the loan-shop, a +string of coins and medals, a row of new French posters; and far down +to the front a tray filled with gold and silver cigarette-cases and +watches and rings. It occurred to Helen, who was still bent on making +restitution for her neglect, that a cigarette-case would be more +appropriate for a man than flowers, and more lasting. And she scanned +the contents of the window with the eye of one who now saw in +everything only something which might give Philip pleasure. The two +objects of value in the tray upon which her eyes first fell were the +gold seal-ring with which Philip had sealed his letters to her, and, +lying next to it, his gold watch! There was something almost human in +the way the ring and watch spoke to her from the past--in the way they +appealed to her to rescue them from the surroundings to which they had +been abandoned. She did not know what she meant to do with them nor +how she could return them to Philip; but there was no question of +doubt in her manner as she swept with a rush into the shop. There was +no attempt, either, at bargaining in the way in which she pointed out +to the young woman behind the counter the particular ring and watch +she wanted. They had not been left as collateral, the young woman +said; they had been sold outright. + +"Then any one can buy them?" Helen asked, eagerly. "They are for sale +to the public--to any one?" + +The young woman made note of the customer's eagerness, but with an +unmoved countenance. + +"Yes, miss, they are for sale. The ring is four pounds and the watch +twenty-five." + +"Twenty-nine pounds!" Helen gasped. + +That was more money than she had in the world, but the fact did not +distress her, for she had a true artistic disregard for ready money, +and the absence of it had never disturbed her. But now it assumed a +sudden and alarming value. She had ten pounds in her purse and ten +pounds at her studio--these were just enough to pay for a quarter's +rent and the rates, and there was a hat and cloak in Bond Street which +she certainly must have. Her only assets consisted of the possibility +that some one might soon order a miniature, and to her mind that was +sufficient. Some one always had ordered a miniature, and there was no +reasonable doubt but that some one would do it again. For a moment she +questioned if it would not be sufficient if she bought the ring and +allowed the watch to remain. But she recognized that the ring meant +more to her than the watch, while the latter, as an old heirloom which +had been passed down to him from a great-grandfather, meant more to +Philip. It was for Philip she was doing this, she reminded herself. +She stood holding his possessions, one in each hand, and looking at +the young woman blankly. She had no doubt in her mind that at least +part of the money he had received for them had paid for the flowers he +had sent to her in Scotland. The certainty of this left her no choice. +She laid the ring and watch down and pulled the only ring she +possessed from her own finger. It was a gift from Lady Gower. She had +no doubt that it was of great value. + +"Can you lend me some money on that?" she asked. It was the first time +she had conducted a business transaction of this nature, and she felt +as though she were engaging in a burglary. + +"We don't lend money, miss," the girl said, "we buy outright. I can +give you twenty-eight shillings for this," she added. + +"Twenty-eight shillings!" Helen gasped. "Why, it is worth--oh, ever so +much more than that!" + +"That is all it is worth to us," the girl answered. She regarded the +ring indifferently and laid it away from her on the counter. The +action was final. + +Helen's hands rose slowly to her breast, where a pretty watch dangled +from a bow-knot of crushed diamonds. It was her only possession, and +she was very fond of it. It also was the gift of one of the several +great ladies who had adopted her since her residence in London. Helen +had painted a miniature of this particular great lady which had looked +so beautiful that the pleasure which the original of the portrait +derived from the thought that she still really looked as she did in +the miniature was worth more to her than many diamonds. + +But it was different with Helen, and no one could count what it cost +her to tear away her one proud possession. + +"What will you give me for this?" she asked, defiantly. + +The girl's eyes showed greater interest. "I can give you twenty pounds +for that," she said. + +"Take it, please," Helen begged, as though she feared if she kept it a +moment longer she might not be able to make the sacrifice. + +"That will be enough now," she went on, taking out her ten-pound note. +She put Lady Gower's ring back upon her finger and picked up Philip's +ring and watch with the pleasure of one who has come into a great +fortune. She turned back at the door. + +"Oh," she stammered, "in case any one should inquire, you are not to +say who bought these." + +"No, miss, certainly not," said the woman. Helen gave the direction to +the cabman and, closing the doors of the hansom, sat looking down at +the watch and the ring, as they lay in her lap. The thought that they +had been his most valued possessions, which he had abandoned forever, +and that they were now entirely hers, to do with as she liked, filled +her with most intense delight and pleasure. She took up the heavy gold +ring and placed it on the little finger of her left hand; it was much +too large, and she removed it and balanced it for a moment doubtfully +in the palm of her right hand. She was smiling, and her face was lit +with shy and tender thoughts. She cast a quick glance to the left and +right as though fearful that people passing in the street would +observe her, and then slipped the ring over the fourth finger of her +left hand. She gazed at it with a guilty smile, and then, covering it +hastily with her other hand, leaned back, clasping it closely, and sat +frowning far out before her with puzzled eyes. + +To Carroll all roads led past Helen's studio, and during the summer, +while she had been absent in Scotland, it was one of his sad pleasures +to make a pilgrimage to her street and to pause opposite the house and +look up at the empty windows of her rooms. It was during this daily +exercise that he learned, through the arrival of her luggage, of her +return to London, and when day followed day without her having shown +any desire to see him or to tell him of her return, he denounced +himself most bitterly as a fatuous fool. + +At the end of the week he sat down and considered his case quite +calmly. For three years he had loved this girl, deeply and tenderly. +He had been lover, brother, friend, and guardian. During that time, +even though she had accepted him in every capacity except as that of +the prospective husband, she had never given him any real affection, +nor sympathy, nor help; all she had done for him had been done without +her knowledge or intent. To know her, to love her, and to scheme to +give her pleasure had been its own reward, and the only one. For the +last few months he had been living like a crossing sweeper in order to +be able to stay in London until she came back to it, and that he might +still send her the gifts he had always laid on her altar. He had not +seen her in three months. Three months that had been to him a blank, +except for his work--which, like all else that he did, was inspired +and carried on for her. Now at last she had returned and had shown +that, even as a friend, he was of so little account in her thoughts, +of so little consequence in her life, that after this long absence she +had no desire to learn of his welfare or to see him--she did not even +give him the chance to see her. And so, placing these facts before him +for the first time since he had loved her, he considered what was due +to himself. "Was it good enough?" he asked. "Was it just that he +should continue to wear out his soul and body for this girl who did +not want what he had to give, who treated him less considerately than +a man whom she met for the first time at dinner?" He felt he had +reached the breaking-point; that the time had come when he must +consider what he owed to himself. There could never be any other woman +save Helen; but as it was not to be Helen, he could no longer, with +self-respect, continue to proffer his love only to see it slighted and +neglected. He was humble enough concerning himself, but of his love he +was very proud. Other men could give her more in wealth or position, +but no one could ever love her as he did. "He that hath more let him +give," he had often quoted to her defiantly, as though he were +challenging the world, and now he felt he must evolve a makeshift +world of his own--a world in which she was not his only spring of +acts; he must begin all over again and keep his love secret and sacred +until she understood it and wanted it. And if she should never want it +he would at least have saved it from many rebuffs and insults. + +With this determination strong in him, the note Helen had left for him +after her talk with Marion, and the flowers, and the note with them, +saying she was coming to take tea on the morrow, failed to move him +except to make him more bitter. He saw in them only a tardy +recognition of her neglect--an effort to make up to him for +thoughtlessness which, from her, hurt him worse than studied slight. + +A new _régime_ had begun, and he was determined to establish it +firmly and to make it impossible for himself to retreat from it; and +in the note in which he thanked Helen for the flowers and welcomed her +to tea, he declared his ultimatum. + +"You know how terribly I feel," he wrote; "I don't have to tell you +that, but I cannot always go on dragging out my love and holding it up +to excite your pity as beggars show their sores. I cannot always go on +praying before your altar, cutting myself with knives and calling upon +you to listen to me. You know that there is no one else but you, and +that there never can be any one but you, and that nothing is changed +except that after this I am not going to urge and torment you. I shall +wait as I have always waited--only now I shall wait in silence. You +know just how little, in one way, I have to offer you, and you know +just how much I have in love to offer you. It is now for you to +speak--some day, or never. But you will have to speak first. You will +never hear a word of love from me again. Why should you? You know it +is always waiting for you. But if you should ever want it, you must +come to me, and take off your hat and put it on my table and say, +'Philip, I have come to stay.' Whether you can ever do that or not can +make no difference in my love for you. I shall love you always, as no +man has ever loved a woman in this world, but it is you who must speak +first; for me, the rest is silence." + +The following morning as Helen was leaving the house she found this +letter lying on the hall-table, and ran back with it to her rooms. A +week before she would have let it lie on the table and read it on her +return. She was conscious that this was what she would have done, and +it pleased her to find that what concerned Philip was now to her the +thing of greatest interest. She was pleased with her own +eagerness--her own happiness was a welcome sign, and she was proud and +glad that she was learning to care. + +She read the letter with an anxious pride and pleasure in each word +that was entirely new. Philip's recriminations did not hurt her, they +were the sign that he cared; nor did his determination not to speak of +his love to her hurt her, for she believed him when he said that he +would always care. She read the letter twice, and then sat for some +time considering the kind of letter Philip would have written had he +known her secret--had he known that the ring he had abandoned was now +upon her finger. + +She rose and, crossing to a desk, placed the letter in a drawer, and +then took it out again and reread the last page. When she had finished +it she was smiling. For a moment she stood irresolute, and then, +moving slowly toward the centre-table, cast a guilty look about her +and, raising her hands, lifted her veil and half withdrew the pins +that fastened her hat. + +"Philip," she began, in a frightened whisper, "I have--I have come +to--" + +The sentence ended in a cry of protest, and she rushed across the room +as though she were running from herself. She was blushing violently. + +"Never!" she cried, as she pulled open the door; "I could never do +it--never!" + +The following afternoon, when Helen was to come to tea, Carroll +decided that he would receive her with all the old friendliness, but +that he must be careful to subdue all emotion. + +He was really deeply hurt at her treatment, and had it not been that +she came on her own invitation he would not of his own accord have +sought to see her. In consequence, he rather welcomed than otherwise +the arrival of Marion Cavendish, who came a half-hour before Helen was +expected, and who followed a hasty knock with a precipitate entrance. + +"Sit down," she commanded, breathlessly, "and listen. I've been at +rehearsal all day, or I'd have been here before you were awake." She +seated herself nervously and nodded her head at Carroll in an excited +and mysterious manner. + +"What is it?" he asked. "Have you and Reggie--" + +"Listen," Marion repeated. "Our fortunes are made; that is what's the +matter--and I've made them. If you took half the interest in your work +I do, you'd have made yours long ago. Last night," she began, +impressively, "I went to a large supper at the Savoy, and I sat next +to Charley Wimpole. He came in late, after everybody had finished, and +I attacked him while he was eating his supper. He said he had been +rehearsing 'Caste' after the performance; that they've put it on as a +stop-gap on account of the failure of 'The Triflers,' and that he knew +revivals were of no use; that he would give any sum for a good modern +comedy. That was my cue, and I told him I knew of a better comedy than +any he had produced at his theatre in five years, and that it was +going begging. He laughed, and asked where was he to find this +wonderful comedy, and I said, 'It's been in your safe for the last two +months and you haven't read it.' He said, 'Indeed, how do you know +that?' and I said, 'Because if you'd read it, it wouldn't be in your +safe, but on your stage.' So he asked me what the play was about, and +I told him the plot and what sort of a part his was, and some of his +scenes, and he began to take notice. He forgot his supper, and very +soon he grew so interested that he turned his chair round and kept +eying my supper-card to find out who I was, and at last remembered +seeing me in 'The New Boy'--and a rotten part it was, too--but he +remembered it, and he told me to go on and tell him more about your +play. So I recited it, bit by bit, and he laughed in all the right +places and got very much excited, and said finally that he would read +it the first thing this morning." Marion paused, breathlessly. "Oh, +yes, and he wrote your address on his cuff," she added, with the air +of delivering a complete and convincing climax. + +Carroll stared at her and pulled excitedly on his pipe. + +"Oh, Marion!" he gasped, "suppose he should? He won't, though," he +added, but eying her eagerly and inviting contradiction. + +"He will," she answered, stoutly, "if he reads it." + +"The other managers read it," Carroll suggested, doubtfully. + +"Yes, but what do they know?" Marion returned, loftily. "He knows. +Charles Wimpole is the only intelligent actor-manager in London." + +There was a sharp knock at the door, which Marion in her excitement +had left ajar, and Prentiss threw it wide open with an impressive +sweep, as though he were announcing royalty. "Mr. Charles Wimpole," he +said. + +The actor-manager stopped in the doorway bowing gracefully, his hat +held before him and his hand on his stick as though it were resting on +a foil. He had the face and carriage of a gallant of the days of +Congreve, and he wore his modern frock-coat with as much distinction +as if it were of silk and lace. He was evidently amused. "I couldn't +help overhearing the last line," he said, smiling. "It gives me a good +entrance." + +Marion gazed at him blankly. "Oh," she gasped, "we--we--were just +talking about you." + +"If you hadn't mentioned my name," the actor said, "I should never +have guessed it. And this is Mr. Carroll, I hope." + +The great man was rather pleased with the situation. As he read it, it +struck him as possessing strong dramatic possibilities: Carroll was +the struggling author on the verge of starvation; Marion, his +sweetheart, flying to him gave him hope; and he was the good fairy +arriving in the nick of time to set everything right and to make the +young people happy and prosperous. He rather fancied himself in the +part of the good fairy, and as he seated himself he bowed to them both +in a manner which was charmingly inclusive and confidential. + +"Miss Cavendish, I imagine, has already warned you that you might +expect a visit from me," he said, tentatively. Carroll nodded. He was +too much concerned to interrupt. + +"Then I need only tell you," Wimpole continued, "that I got up at an +absurd hour this morning to read your play; that I did read it; that I +like it immensely--and that if we can come to terms I shall produce +it. I shall produce it at once, within a fortnight or three weeks." + +Carroll was staring at him intently and continued doing so after +Wimpole had finished speaking. The actor felt he had somehow missed +his point, or that Carroll could not have understood him, and +repeated, "I say I shall put it in rehearsal at once." + +Carroll rose abruptly, and pushed back his chair. "I should be very +glad," he murmured, and strode over to the window, where he stood with +his back turned to his guests. Wimpole looked after him with a kindly +smile and nodded his head appreciatively. He had produced even a +greater effect than his lines seemed to warrant. When he spoke again, +it was quite simply, and sincerely, and though he spoke for Carroll's +benefit, he addressed himself to Marion. + +"You were quite right last night," he said; "it is a most charming +piece of work. I am really extremely grateful to you for bringing it +to my notice." He rose, and going to Carroll, put his hand on his +shoulder. "My boy," he said, "I congratulate you. I should like to be +your age, and to have written that play. Come to my theatre to-morrow +and we will talk terms. Talk it over first with your friends, so that +I shan't rob you. Do you think you would prefer a lump sum now, and so +be done with it altogether, or trust that the royalties may--" + +"Royalties," prompted Marion, in an eager aside. + +The men laughed. "Quite right," Wimpole assented, good-humoredly; +"it's a poor sportsman who doesn't back his own horse. Well, then, +until to-morrow." + +"But," Carroll began, "one moment, please. I haven't thanked you." + +"My dear boy," cried Wimpole, waving him away with his stick, "it is I +who have to thank you." + +"And--and there is a condition," Carroll said, "which goes with the +play. It is that Miss Cavendish is to have the part of _Nancy_." + +Wimpole looked serious and considered for a moment. + +"_Nancy_," he said, "the girl who interferes--a very good part. I +have cast Miss Maddox for it in my mind, but, of course, if the author +insists--" + +Marion, with her elbows on the table, clasped her hands appealingly +before her. + +"Oh, Mr. Wimpole!" she cried, "you owe me that, at least." + +Carroll leaned over and took both of Marion's hands in one of his. + +"It's all right," he said; "the author insists." + +Wimpole waved his stick again as though it were the magic wand of the +good fairy. + +"You shall have it," he said. "I recall your performance in 'The New +Boy' with pleasure. I take the play, and Miss Cavendish shall be cast +for _Nancy_. We shall begin rehearsals at once. I hope you are a +quick study." + +"I'm letter-perfect now," laughed Marion. + +Wimpole turned at the door and nodded to them. They were both so +young, so eager, and so jubilant that he felt strangely old and out of +it. "Good-by, then," he said. + +"Good-by, sir," they both chorused. And Marion cried after him, "And +thank you a thousand times." + +He turned again and looked back at them, but in their rejoicing they +had already forgotten him. "Bless you, my children," he said, smiling. +As he was about to close the door a young girl came down the passage +toward it, and as she was apparently going to Carroll's rooms, the +actor left the door open behind him. + +Neither Marion nor Carroll had noticed his final exit. They were both +gazing at each other as though, could they find speech, they would ask +if it were true. + +"It's come at last, Marion," Philip said, with an uncertain voice. + +"I could weep," cried Marion. "Philip," she exclaimed, "I would rather +see that play succeed than any play ever written, and I would rather +play that part in it than--Oh, Philip," she ended, "I'm so proud of +you!" and rising, she threw her arms about his neck and sobbed on his +shoulder. + +Carroll raised one of her hands and kissed the tips of her fingers +gently. "I owe it to you, Marion," he said--"all to you." + +This was the tableau that was presented through the open door to Miss +Helen Cabot, hurrying on her errand of restitution and goodwill, and +with Philip's ring and watch clasped in her hand. They had not heard +her, nor did they see her at the door, so she drew back quickly and +ran along the passage and down the stairs into the street. + +She did not need now to analyze her feelings. They were only too +evident. For she could translate what she had just seen as meaning +only one thing--that she had considered Philip's love so lightly that +she had not felt it passing away from her until her neglect had killed +it--until it was too late. And now that it was too late she felt that +without it her life could not go on. She tried to assure herself that +only the fact that she had lost it made it seem invaluable, but this +thought did not comfort her--she was not deceived by it, she knew that +at last she cared for him deeply and entirely. In her distress she +blamed herself bitterly, but she also blamed Philip no less bitterly +for having failed to wait for her. "He might have known that I must +love him in time," she repeated to herself again and again. She was so +unhappy that her letter congratulating Philip on his good fortune in +having his comedy accepted seemed to him cold and unfeeling, and as +his success meant for him only what it meant to her, he was hurt and +grievously disappointed. + +He accordingly turned the more readily to Marion, whose interest and +enthusiasm at the rehearsals of the piece seemed in contrast most +friendly and unselfish. He could not help but compare the attitude of +the two girls at this time, when the failure or success of his best +work was still undecided. He felt that as Helen took so little +interest in his success he could not dare to trouble her with his +anxieties concerning it, and she attributed his silence to his +preoccupation and interest in Marion. So the two grew apart, each +misunderstanding the other and each troubled in spirit at the other's +indifference. + +The first night of the play justified all that Marion and Wimpole had +claimed for it, and was a great personal triumph for the new +playwright. The audience was the typical first-night audience of the +class which Charles Wimpole always commanded. It was brilliant, +intelligent, and smart, and it came prepared to be pleased. + +From one of the upper stage-boxes Helen and Lady Gower watched the +successful progress of the play with an anxiety almost as keen as that +of the author. To Helen it seemed as though the giving of these lines +to the public--these lines which he had so often read to her, and +altered to her liking--was a desecration. It seemed as though she were +losing him indeed--as though he now belonged to these strange people, +all of whom were laughing and applauding his words, from the German +Princess in the Royal box to the straight-backed Tommy in the pit. +Instead of the painted scene before her, she saw the birch-trees by +the river at home, where he had first read her the speech to which +they were now listening so intensely--the speech in which the hero +tells the girl he loves her. She remembered that at the time she had +thought how wonderful it would be if some day some one made such a +speech to her--not Philip, but a man she loved. And now? If Philip +would only make that speech to her now! + +He came out at last, with Wimpole leading him, and bowed across a +glaring barrier of lights at a misty but vociferous audience that was +shouting the generous English bravo! and standing up to applaud. He +raised his eyes to the box where Helen sat, and saw her staring down +at the tumult, with her hands clasped under her chin. Her face was +colorless, but lit with the excitement of the moment; and he saw that +she was crying. + +Lady Gower, from behind her, was clapping her hands delightedly. + +"But, my dear Helen," she remonstrated, breathlessly, "you never told +me he was so good-looking." + +"Yes," said Helen, rising abruptly, "he is--very good-looking." + +She crossed the box to where her cloak was hanging, but instead of +taking it down, buried her face in its folds. + +"My dear child!" cried Lady Gower, in dismay. "What is it? The +excitement has been too much for you." + +"No, I am just happy," sobbed Helen. "I am just happy for him." + +"We will go and tell him so, then," said Lady Gower. "I am sure he +would like to hear it from you to-night." + +Philip was standing in the centre of the stage, surrounded by many +pretty ladies and elderly men. Wimpole was hovering over him as though +he had claims upon him by the right of discovery. + +But when Philip saw Helen, he pushed his way toward her eagerly and +took her hand in both of his. + +"I am so glad, Phil," she said. She felt it all so deeply that she was +afraid to say more, but that meant so much to her that she was sure he +would understand. + +He had planned it very differently. For a year he had dreamed that, on +the first night of his play, there would be a supper, and that he +would rise and drink her health, and tell his friends and the world +that she was the woman he loved, and that she had agreed to marry him, +and that at last he was able, through the success of his play, to make +her his wife. + +And now they met in a crowd to shake hands, and she went her way with +one of her grand ladies, and he was left among a group of chattering +strangers. The great English playwright took him by the hand and in +the hearing of all praised him gracefully and kindly. It did not +matter to Philip whether the older playwright believed what he said or +not; he knew it was generously meant. + +"I envy you this," the great man was saying. "Don't lose any of it, +stay and listen to all they have to say. You will never live through +the first night of your first play but once." + +"Yes, I hear them," said Philip, nervously; "they are all too kind. +But I don't hear the voice I have been listening for," he added, in a +whisper. The older man pressed his hand again quickly. "My dear boy," +he said, "I am sorry." + +"Thank you," Philip answered. + +Within a week he had forgotten the great man's fine words of praise, +but the clasp of his hand he cherished always. + +Helen met Marion as she was leaving the stage-door and stopped to +congratulate her on her success in the new part. Marion was radiant. +To Helen she seemed obstreperously happy and jubilant. + +"And, Marion," Helen began, bravely, "I also want to congratulate you +on something else. You--you--neither of you have told me yet," she +stammered, "but I am such an old friend of both that I will not be +kept out of the secret." At these words Marion's air of triumphant +gayety vanished; she regarded Helen's troubled eyes closely and +kindly. + +"What secret, Helen?" she asked. + +"I came to the door of Philip's room the other day when you did not +know I was there," Helen answered, "and I could not help seeing how +matters were. And I do congratulate you both--and wish you--oh, such +happiness!" Without a word Marion dragged her back down the passage to +her dressing-room, and closed the door. + +"Now tell me what you mean," she said. + +"I am sorry if I discovered anything you didn't want known yet," said +Helen, "but the door was open. Mr. Wimpole had just left you and had +not shut it, and I could not help seeing." + +Marion interrupted her with an eager exclamation of enlightenment. + +"Oh, you were there, then," she cried. "And you?" she asked, +eagerly--"you thought Phil cared for me--that we are engaged, and it +hurt you; you are sorry? Tell me," she demanded, "are you sorry?" + +Helen drew back and stretched out her hand toward the door. + +"How can you!" she exclaimed, indignantly. "You have no right." + +Marion stood between her and the door. + +"I have every right," she said, "to help my friends, and I want to +help you and Philip. And, indeed, I do hope you _are_ sorry. I +hope you are miserable. And I'm glad you saw me kiss him. That was the +first and the last time, and I did it because I was happy and glad for +him; and because I love him, too, but not in the least in the way he +loves you. No one ever loved any one as he loves you. And it's time +you found it out. And if I have helped to make you find it out, I'm +glad, and I don't care how much I hurt you." + +"Marion!" exclaimed Helen, "what does it mean? Do you mean that you +are not engaged; that--" + +"Certainly not," Marion answered. "I am going to marry Reggie. It is +you that Philip loves, and I am very sorry for you that you don't love +him." + +Helen clasped Marion's hands in both of hers. + +"But, Marion!" she cried, "I do, oh, I do!" + + * * * * * + +There was a thick yellow fog the next morning, and with it rain and a +sticky, depressing dampness which crept through the window-panes, and +which neither a fire nor blazing gas-jets could overcome. + +Philip stood in front of the fireplace with the morning papers piled +high on the centre-table and scattered over the room about him. + +He had read them all, and he knew now what it was to wake up famous, +but he could not taste it. Now that it had come it meant nothing, and +that it was so complete a triumph only made it the harder. In his most +optimistic dreams he had never imagined success so satisfying as the +reality had proved to be; but in his dreams Helen had always held the +chief part, and without her, success seemed only to mock him. + +He wanted to lay it all before her, to say, "If you are pleased, I am +happy. If you are satisfied, then I am content. It was done for you, +and I am wholly yours, and all that I do is yours." And, as though in +answer to his thoughts, there was an instant knock at the door, and +Helen entered the room and stood smiling at him across the table. + +Her eyes were lit with excitement, and spoke with many emotions, and +her cheeks were brilliant with color. He had never seen her look more +beautiful. + +"Why, Helen!" he exclaimed, "how good of you to come. Is there +anything wrong? Is anything the matter?" + +She tried to speak, but faltered, and smiled at him appealingly. + +"What is it?" he asked in great concern. + +Helen drew in her breath quickly, and at the same moment motioned him +away--and he stepped back and stood watching her in much perplexity. + +With her eyes fixed on his she raised her hands to her head, and her +fingers fumbled with the knot of her veil. She pulled it loose, and +then, with a sudden courage, lifted her hat proudly, as though it were +a coronet, and placed it between them on his table. + +"Philip," she stammered, with the tears in her voice and eyes, "if you +will let me--I have come to stay." + +The table was no longer between them. He caught her in his arms and +kissed her face and her uncovered head again and again. From outside +the rain beat drearily and the fog rolled through the street, but +inside before the fire the two young people sat close together, asking +eager questions or sitting in silence, staring at the flames with +wondering, happy eyes. + +The Lion and the Unicorn saw them only once again. It was a month +later when they stopped in front of the shop in a four-wheeler, with +their baggage mixed on top of it, and steamer-labels pasted over every +trunk. + +"And, oh, Prentiss!" Carroll called from the cab-window. "I came near +forgetting. I promised to gild the Lion and the Unicorn if I won out +in London. So have it done, please, and send the bill to me. For I've +won out all right." And then he shut the door of the cab, and they +drove away forever. + +"Nice gal, that," growled the Lion. "I always liked her. I am glad +they've settled it at last." + +The Unicorn sighed sentimentally. "The other one's worth two of her," +he said. + + + + +THE LAST RIDE TOGETHER + +A SKETCH CONTAINING THREE POINTS OF VIEW + + +_What the Poet Laureate wrote._ + + "There are girls in the Gold Reef City, + There are mothers and children too! + And they cry 'Hurry up for pity!' + So what can a brave man do? + + "I suppose we were wrong, were mad men, + Still I think at the Judgment Day, + When God sifts the good from the bad men, + There'll be something more to say." + + +_What more the Lord Chief Justice found to say._ + +"In this case we know the immediate consequence of your crime. It has +been the loss of human life, it has been the disturbance of public +peace, it has been the creation of a certain sense of distrust of +public professions and of public faith.... The sentence of this Court +therefore is that, as to you, Leander Starr Jameson, you be confined +for a period of fifteen months without hard labor; that you, Sir John +Willoughby, have ten months' imprisonment; and that you, etc., etc." + + _London Times, July 29th._ + + +_What the Hon. "Reggie" Blake thought about it._ + +"H.M. HOLLOWAY PRISON, +July 28th. + +"I am going to keep a diary while I am in prison, that is, if they +will let me. I never kept one before because I hadn't the time; when I +was home on leave there was too much going on to bother about it, and +when I was up country I always came back after a day's riding so tired +that I was too sleepy to write anything. And now that I have the time, +I won't have anything to write about. I fancy that more things +happened to me to-day than are likely to happen again for the next +eight months, so I will make this day take up as much room in the +diary as it can. I am writing this on the back of the paper the Warder +uses for his official reports, while he is hunting up cells to put us +in. We came down on him rather unexpectedly and he is nervous. + +"Of course, I had prepared myself for this after a fashion, but now I +see that somehow I never really did think I would be in here, and all +my friends outside, and everything going on just the same as though I +wasn't alive somewhere. It's like telling yourself that your horse +can't possibly pull off a race, so that you won't mind so much if he +doesn't, but you always feel just as bad when he comes in a loser. A +man can't fool himself into thinking one way when he is hoping the +other. + +"But I am glad it is over, and settled. It was a great bore not +knowing your luck and having the thing hanging over your head every +morning when you woke up. Indeed it it was quite a relief when the +counsel got all through arguing over those proclamations, and the +Chief Justice summed up, but I nearly went to sleep when I found he +was going all over it again to the jury. I didn't understand about +those proclamations myself and I'll lay a fiver the jury didn't +either. The Colonel said he didn't. I couldn't keep my mind on what +Russell was explaining about, and I got to thinking how much old +Justice Hawkins looked like the counsel in 'Alice in Wonderland' when +they tried the knave of spades for stealing the tarts. He has just the +same sort of a beak and the same sort of a wig, and I wondered why he +had his wig powdered and the others didn't. Pollock's wig had a hole +in the top; you could see it when he bent over to take notes. He was +always taking notes. I don't believe he understood about those +proclamations either; he never seemed to listen, anyway. + +"The Chief Justice certainly didn't love us very much, that's sure; +and he wasn't going to let anybody else love us either. I felt quite +the Christian Martyr when Sir Edward was speaking in defense. He made +it sound as though we were all a lot of Adelphi heroes and ought to be +promoted and have medals, but when Lord Russell started in to read the +Riot Act at us I began to believe that hanging was too good for me. +I'm sure I never knew I was disturbing the peace of nations; it seems +like such a large order for a subaltern. + +"But the worst was when they made us stand up before all those people +to be sentenced. I must say I felt shaky about the knees then, not +because I was afraid of what was coming, but because it was the first +time I had ever been pointed out before people, and made to feel +ashamed. And having those girls there, too, looking at one. That +wasn't just fair to us. It made me feel about ten years old, and I +remembered how the Head Master used to call me to his desk and say, +'Blake Senior, two pages of Horace and keep in bounds for a week.' And +then I heard our names and the months, and my name and 'eight months' +imprisonment,' and there was a bustle and murmur and the tipstaves +cried, 'Order in the Court,' and the Judges stood up and shook out +their big red skirts as though they were shaking off the contamination +of our presence and rustled away, and I sat down, wondering how long +eight months was, and wishing they'd given me as much as they gave +Jameson. + +"They put us in a room together then, and our counsel said how sorry +they were, and shook hands, and went off to dinner and left us. I +thought they might have waited with us and been a little late for +dinner just that once; but no one waited except a lot of costers +outside whom we did not know. It was eight o'clock and still quite +light when we came out, and there was a line of four-wheelers and a +hansom ready for us. I'd been hoping they would take us out by the +Strand entrance, just because I'd liked to have seen it again, but +they marched us instead through the main quadrangle--a beastly, gloomy +courtyard that echoed, and out, into Carey Street--such a dirty, +gloomy street. The costers and clerks set up a sort of a cheer when we +came out, and one of them cried, 'God bless you, sir,' to the doctor, +but I was sorry they cheered. It seemed like kicking against the +umpire's decision. The Colonel and I got into a hansom together and we +trotted off into Chancery Lane and turned into Holborn. Most of the +shops were closed, and the streets looked empty, but there was a +lighted clock-face over Mooney's public house, and the hands stood at +a quarter past eight. I didn't know where Holloway was, and was hoping +they would have to take us through some decent streets to reach it; +but we didn't see a part of the city that meant anything to me, or +that I would choose to travel through again. + +"Neither of us talked, and I imagined that the people in the streets +knew we were going to prison, and I kept my eyes on the enamel card on +the back of the apron. I suppose I read, 'Two-wheeled hackney +carriage: if hired and discharged within the four-mile limit, 1_s_.' +at least a hundred times. I got more sensible after a bit, and when we +had turned into Gray's Inn Road I looked up and saw a tram in front of +us with 'Holloway Road and King's X,' painted on the steps, and the +Colonel saw it about the same time I fancy, for we each looked at the +other, and the Colonel raised his eyebrows. It showed us that at least +the cabman knew where we were going. + +"'They might have taken us for a turn through the West End first, I +think,' the Colonel said. 'I'd like to have had a look around, +wouldn't you? This isn't a cheerful neighborhood, is it?' + +"There were a lot of children playing in St. Andrew's Gardens, and a +crowd of them ran out just as we passed, shrieking and laughing over +nothing, the way kiddies do, and that was about the only pleasant +sight in the ride. I had quite a turn when we came to the New Hospital +just beyond, for I thought it was Holloway, and it came over me what +eight months in such a place meant. I believe if I hadn't pulled +myself up sharp, I'd have jumped out into the street and run away. It +didn't last more than a few seconds, but I don't want any more like +them. I was afraid, afraid--there's no use pretending it was anything +else. I was in a dumb, silly funk, and I turned sick inside and shook, +as I have seen a horse shake when he shies at nothing and sweats and +trembles down his sides. + +"During those few seconds it seemed to be more than I could stand; I +felt sure that I couldn't do it--that I'd go mad if they tried to +force me. The idea was so terrible--of not being master over your own +legs and arms, to have your flesh and blood and what brains God gave +you buried alive in stone walls as though they were in a safe with a +time-lock on the door set for eight months ahead. There's nothing to +be afraid of in a stone wall really, but it's the idea of the +thing--of not being free to move about, especially to a chap that has +always lived in the open as I have, and has had men under him. It was +no wonder I was in a funk for a minute. I'll bet a fiver the others +were, too, if they'll only own up to it. I don't mean for long, but +just when the idea first laid hold of them. Anyway, it was a good +lesson to me, and if I catch myself thinking of it again I'll whistle, +or talk to myself out loud and think of something cheerful. And I +don't mean to be one of those chaps who spends his time in jail +counting the stones in his cell, or training spiders, or measuring how +many of his steps make a mile, for madness lies that way. I mean to +sit tight and think of all the good times I've had, and go over them +in my mind very slowly, so as to make them last longer and remember +who was there and what we said, and the jokes and all that; I'll go +over house-parties I have been on, and the times I've had in the +Riviera, and scouting-parties Dr. Jim led up country when we were +taking Matabele Land. + +"They say that if you're good here they give you things to read after +a month or two, and then I can read up all those instructive books +that a fellow never does read until he's laid up in bed. + +"But that's crowding ahead a bit; I must keep to what happened to-day. +We struck York Road at the back of the Great Western Terminus, and I +half hoped we might see some chap we knew coming or going away: I +would like to have waved my hand to him. It would have been fun to +have seen his surprise the next morning when he read in the paper that +he had been bowing to jail-birds, and then I would like to have +cheated the tipstaves out of just one more friendly good-by. I wanted +to say good-by to somebody, but I really couldn't feel sorry to see +the last of any one of those we passed in the streets--they were such +a dirty, unhappy-looking lot, and the railroad wall ran on forever +apparently, and we might have been in a foreign country for all we +knew of it. There were just sooty gray brick tenements and gas-works +on one side, and the railroad cutting on the other, and semaphores and +telegraph wires overhead, and smoke and grime everywhere, it looked +exactly like the sort of street that should lead to a prison, and it +seemed a pity to take a smart hansom and a good cob into it. + +"It was just a bit different from our last ride together--when we rode +through the night from Krugers-Dorp with hundreds of horses' hoofs +pounding on the soft veldt behind us, and the carbines clanking +against the stirrups as they swung on the sling belts. We were being +hunted then, harassed on either side, scurrying for our lives like the +Derby Dog in a race-track when every one hoots him and no man steps +out to help--we were sick for sleep, sick for food, lashed by the +rain, and we knew that we were beaten; but we were free still, and +under open skies with the derricks of the Rand rising like gallows on +our left, and Johannesburg only fifteen miles away." + + + + +MISS DELAMAR'S UNDERSTUDY + + +A young man runs two chances of marrying the wrong woman. He marries +her because she is beautiful, and because he persuades himself that +every other lovable attribute must be associated with such beauty, or +because she is in love with him. If this latter is the case, she gives +certain values to what he thinks and to what he says which no other +woman gives, and so he observes to himself, "This is the woman who +best understands _me_." + +You can reverse this and say that young women run the same risks, but +as men are seldom beautiful, the first danger is eliminated. Women +still marry men, however, because they are loved by them, and in time +the woman grows to depend upon this love and to need it, and is not +content without it, and so she consents to marry the man for no other +reason than because he cares for her. For if a dog, even, runs up to +you wagging his tail and acting as though he were glad to see you, you +pat him on the head and say, "What a nice dog." You like him because +he likes you, and not because he belongs to a fine breed of animal and +could take blue ribbons at bench shows. + +This is the story of a young man who was in love with a beautiful +woman, and who allowed her beauty to compensate him for many other +things. When she failed to understand what he said to her he smiled +and looked at her and forgave her at once, and when she began to grow +uninteresting, he would take up his hat and go away, and so he never +knew how very uninteresting she might possibly be if she were given +time enough in which to demonstrate the fact. He never considered +that, were he married to her, he could not take up his hat and go away +when she became uninteresting, and that her remarks, which were not +brilliant, could not be smiled away either. They would rise up and +greet him every morning, and would be the last thing he would hear at +night. + +Miss Delamar's beauty was so conspicuous that to pretend not to notice +it was more foolish than well-bred. You got along more easily and +simply by accepting it at once, and referring to it, and enjoying its +effect upon other people. To go out of one's way to talk of other +things when every one, even Miss Delamar herself, knew what must be +uppermost in your mind, always seemed as absurd as to strain a point +in politeness, and to pretend not to notice that a guest had upset his +claret, or any other embarrassing fact. For Miss Delamar's beauty was +so distinctly embarrassing that this was the only way to meet it--to +smile and pass it over and to try, if possible, to get on to something +else. It was on account of this extraordinary quality in her +appearance that every one considered her beauty as something which +transcended her private ownership, and which belonged by right to the +polite world at large, to any one who could appreciate it properly, +just as though it were a sunset or a great work of art or of nature. +And so, when she gave away her photographs no one thought it meant +anything more serious than a recognition on her part of the fact that +it would have been unkind and selfish in her not to have shared the +enjoyment of so much loveliness with others. + +Consequently, when she sent one of her largest and most aggravatingly +beautiful photographs to young Stuart, it was no sign that she cared +especially for him. + +How much young Stuart cared for Miss Delamar, however, was an open +question and a condition yet to be discovered. That he cared for some +one, and cared so much that his imagination had begun to picture the +awful joys and responsibilities of marriage, was only too well known +to himself, and was a state of mind already suspected by his friends. + +Stuart was a member of the New York bar, and the distinguished law +firm to which he belonged was very proud of its junior member, and +treated him with indulgence and affection, which was not unmixed with +amusement. For Stuart's legal knowledge had been gathered in many odd +corners of the globe, and was various and peculiar. It had been his +pleasure to study the laws by which men ruled other men in every +condition of life, and under every sun. The regulations of a new +mining camp were fraught with as great interest to him as the +accumulated precedents of the English Constitution, and he had +investigated the rulings of the mixed courts of Egypt and of the +government of the little Dutch republic near the Cape with as keen an +effort to comprehend as he had shown in studying the laws of the +American colonies and of the Commonwealth of Massachusetts. + +But he was not always serious, and it sometimes happened that after he +had arrived at some queer little island where the native prince and +the English governor sat in judgment together, his interest in the +intricacies of their laws would give way to the more absorbing +occupation of chasing wild boar or shooting at tigers from the top of +an elephant. And so he was not only regarded as an authority on many +forms of government and of law, into which no one else had ever taken +the trouble to look, but his books on big game were eagerly read and +his articles in the magazines were earnestly discussed, whether they +told of the divorce laws of Dakota, and the legal rights of widows in +Cambodia, or the habits of the Mexican lion. + +Stuart loved his work better than he knew, but how well he loved Miss +Delamar neither he nor his friends could tell. She was the most +beautiful and lovely creature that he had ever seen, and of that only +was he certain. + +Stuart was sitting in the club one day when the conversation turned to +matrimony. He was among his own particular friends, the men before +whom he could speak seriously or foolishly without fear of being +misunderstood or of having what he said retold and spoiled in the +telling. There was Seldon, the actor, and Rives, who painted pictures, +and young Sloane, who travelled for pleasure and adventure, and +Weimer, who stayed at home and wrote for the reviews. They were all +bachelors, and very good friends, and jealously guarded their little +circle from the intrusion of either men or women. + +"Of course the chief objection to marriage," Stuart said--it was the +very day in which the picture had been sent to his rooms--"is the old +one that you can't tell anything about it until you are committed to +it forever. It is a very silly thing to discuss even, because there is +no way of bringing it about, but there really should be some sort of a +preliminary trial. As the man says in the play, 'You wouldn't buy a +watch without testing it first.' You don't buy a hat even without +putting it on, and finding out whether it is becoming or not, or +whether your peculiar style of ugliness can stand it. And yet men go +gayly off and get married, and make the most awful promises, and alter +their whole order of life, and risk the happiness of some lovely +creature on trust, as it were, knowing absolutely nothing of the new +conditions and responsibilities of the life before them. Even a +river-pilot has to serve an apprenticeship before he gets a license, +and yet we are allowed to take just as great risks, and only because +we _want_ to take them. It's awful, and it's all wrong." + +"Well, I don't see what one is going to do about it," commented young +Sloane, lightly, "except to get divorced. That road is always open." + +Sloane was starting the next morning for the Somali Country, in +Abyssinia, to shoot rhinoceros, and his interest in matrimony was in +consequence somewhat slight. + +"It isn't the fear of the responsibilities that keeps Stuart, nor any +one of us back," said Weimer, contemptuously. "It's because we're +selfish. That's the whole truth of the matter. We love our work, or +our pleasure, or to knock about the world, better than we do any +particular woman. When one of us comes to love the woman best, his +conscience won't trouble him long about the responsibilities of +marrying her." + +"Not at all," said Stuart. "I am quite sincere; I maintain that there +should be a preliminary stage. Of course there can't be, and it's +absurd to think of it, but it would save a lot of unhappiness." + +"Well," said Seldon, dryly, "when you've invented a way to prevent +marriage from being a lottery, let me know, will you?" He stood up and +smiled nervously. "Any of you coming to see us to-night?" he asked. + +"That's so," exclaimed Weimer; "I forgot. It's the first night of 'A +Fool and His Money,' isn't it? Of course we're coming." + +"I told them to put a box away for you in case you wanted it," Seldon +continued. "Don't expect much. It's a silly piece, and I've a silly +part, and I'm very bad in it. You must come around to supper, and tell +me where I'm bad in it, and we will talk it over. You're coming, +Stuart?" + +"My dear old man," said Stuart, reproachfully, "of course I am. I've +had my seats for the last three weeks. Do you suppose I could miss +hearing you mispronounce all the Hindostanee I've taught you?" + +"Well, good-night then," said the actor, waving his hand to his +friends as he moved away. "'We, who are about to die, salute you!'" + +"Good luck to you," said Sloane, holding up his glass. "To the Fool +and His Money," he laughed. He turned to the table again, and sounded +the bell for the waiter. "Now let's send him a telegram and wish him +success, and all sign it," he said, "and don't you fellows tell him +that I wasn't in front to-night. I've got to go to a dinner the +Travellers' Club are giving me." There was a protesting chorus of +remonstrance. "Oh, I don't like it any better than you do," said +Sloane, "but I'll get away, early and join you before the play's over. +No one in the Travellers' Club, you see, has ever travelled farther +from New York than London or the Riviera, and so when a member starts +for Abyssinia they give him a dinner, and he has to take himself very +seriously indeed, and cry with Seldon, 'I, who am about to die, salute +you!' If that man there was any use," he added, interrupting himself +and pointing with his glass at Stuart, "he'd pack up his things +to-night and come with me." + +"Oh, don't urge him," remonstrated Weimer, who had travelled all over +the world in imagination, with the aid of globes and maps, but never +had got any farther from home than Montreal. "We can't spare Stuart. +He has to stop here and invent a preliminary marriage state, so that +if he finds he doesn't like a girl, he can leave her before it is too +late." + +"You sail at seven, I believe, and from Hoboken, don't you?" asked +Stuart, undisturbed. "If you'll start at eleven from the New York +side, I think I'll go with you, but I hate getting up early; and then +you see--I know what dangers lurk in Abyssinia, but who could tell +what might not happen to him in Hoboken?" + +When Stuart returned to his room, he found a large package set upright +in an armchair and enveloped by many wrappings; but the handwriting on +the outside told him at once from whom it came and what it might be, +and he pounced upon it eagerly and tore it from its covers. The +photograph was a very large one, and the likeness to the original so +admirable that the face seemed to smile and radiate with all the +loveliness and beauty of Miss Delamar herself. Stuart beamed upon it +with genuine surprise and pleasure, and exclaimed delightedly to +himself. There was a living quality about the picture which made him +almost speak to it, and thank Miss Delamar through it for the pleasure +she had given him and the honor she had bestowed. He was proud, +flattered, and triumphant, and while he walked about the room deciding +where he would place it, and holding the picture respectfully before +him, he smiled upon it with grateful satisfaction. + +He decided against his dressing-table as being too intimate a place +for it, and so carried the picture on from his bedroom to the +dining-room beyond, where he set it among his silver on the sideboard. +But so little of his time was spent in this room that he concluded he +would derive but little pleasure from it there, and so bore it back +again into his library, where there were many other photographs and +portraits, and where to other eyes than his own it would be less +conspicuous. + +He tried it first in one place and then in another; but in each +position the picture predominated and asserted itself so markedly, +that Stuart gave up the idea of keeping it inconspicuous, and placed +it prominently over the fireplace, where it reigned supreme above +every other object in the room. It was not only the most conspicuous +object there, but the living quality which it possessed in so marked a +degree, and which was due to its naturalness of pose and the +excellence of the likeness, made it permeate the place like a presence +and with the individuality of a real person. Stuart observed this +effect with amused interest, and noted also that the photographs of +other women had become commonplace in comparison like lithographs in a +shop-window, and that the more masculine accessories of a bachelor's +apartment had grown suddenly aggressive and out of keeping. The +liquor-case and the racks of arms and of barbarous weapons which he +had collected with such pride seemed to have lost their former value +and meaning, and he instinctively began to gather up the mass of books +and maps and photographs and pipes and gloves which lay scattered upon +the table, and to put them in their proper place, or to shove them out +of sight altogether. "If I'm to live up to that picture," he thought, +"I must see that George keeps this room in better order--and I must +stop wandering round here in my bath-robe." + +His mind continued on the picture while he was dressing, and he was so +absorbed in it and in analyzing the effect it had had upon him, that +his servant spoke twice before he heard him. + +"No," he answered, "I shall not dine here to-night." Dining at home +was with him a very simple affair, and a somewhat lonely one, and he +avoided it almost nightly by indulging himself in a more expensive +fashion. + +But even as he spoke an idea came to Stuart which made him reconsider +his determination, and which struck him as so amusing, that he stopped +pulling at his tie and smiled delightedly at himself in the glass +before him. + +"Yes," he said, still smiling, "I will dine here to-night. Get me +anything in a hurry. You need not wait now; go get the dinner up as +soon as possible." + +The effect which the photograph of Miss Delamar had upon him, and the +transformation it had accomplished in his room, had been as great as +would have marked the presence there of the girl herself. While +considering this it had come to Stuart, like a flash of inspiration, +that here was a way by which he could test the responsibilities and +conditions of married life without compromising either himself or the +girl to whom he would suppose himself to be married. + +"I will put that picture at the head of the table," he said, "and I +will play that it is she herself, her own beautiful, lovely self, and +I will talk to her and exchange views with her, and make her answer me +just as she would were we actually married and settled." He looked at +his watch and found it was just seven o'clock. "I will begin now," he +said, "and I will keep up the delusion until midnight. To-night is the +best time to try the experiment, because the picture is new now, and +its influence will be all the more real. In a few weeks it may have +lost some of its freshness and reality and will have become one of the +fixtures in the room." + +Stuart decided that under these new conditions it would be more +pleasant to dine at Delmonico's, and he was on the point of asking the +Picture what she thought of it, when he remembered that while it had +been possible for him to make a practise of dining at that place as a +bachelor, he could not now afford so expensive a luxury, and he +decided that he had better economize in that particular and go instead +to one of the _table d'hôte_ restaurants in the neighborhood. He +regretted not having thought of this sooner, for he did not care to +dine at a _table d'hôte_ in evening dress, as in some places it +rendered him conspicuous. So, sooner than have this happen he decided +to dine at home, as he had originally intended when he first thought +of attempting this experiment, and then conducted the Picture in to +dinner and placed her in an armchair facing him, with the candles full +upon the face. + +"Now this is something like," he exclaimed, joyously. "I can't imagine +anything better than this. Here we are all to ourselves with no one to +bother us, with no chaperon, or chaperon's husband either, which is +generally worse. Why is it, my dear," he asked, gayly, in a tone he +considered affectionate and husbandly, "that the attractive chaperons +are always handicapped by such stupid husbands, and vice versa?" + +"If that is true," replied the Picture, or replied Stuart, rather, for +the Picture, "I cannot be a very attractive chaperon." Stuart bowed +politely at this, and then considered the point it had raised as to +whether he had, in assuming both characters, the right to pay himself +compliments. He decided against himself in this particular instance, +but agreed that he was not responsible for anything the Picture might +say, so long as he sincerely and fairly tried to make it answer him as +he thought the original would do under like circumstances. From what +he knew of the original under other conditions, he decided that he +could give a very close imitation of her point of view. + +Stuart's interest in his dinner was so real that he found himself +neglecting his wife, and he had to pull himself up to his duty with a +sharp reproof. After smiling back at her for a moment or two until his +servant had again left them alone, he asked her to tell him what she +had been doing during the day. + +"Oh, nothing very important," said the Picture. "I went shopping in +the morning and--" + +Stuart stopped himself and considered this last remark doubtfully. +"Now, how do I know she would go shopping?" he asked himself. "People +from Harlem and women who like bargain-counters, and who eat chocolate +meringue for lunch, and then stop in at a continuous performance, go +shopping. It must be the comic-paper sort of wives who go about +matching shades and buying hooks and eyes. Yes, I must have made Miss +Delamar's understudy misrepresent her. I beg your pardon, my dear," he +said aloud to the Picture. "You did _not_ go shopping this +morning. You probably went to a woman's luncheon somewhere. Tell me +about that." + +"Oh, yes, I went to lunch with the Antwerps," said the Picture, "and +they had that Russian woman there who is getting up subscriptions for +the Siberian prisoners. It's rather fine of her, because it exiles her +from Russia. And she is a princess." + +"That's nothing," Stuart interrupted; "they're all princesses when you +see them on Broadway." + +"I beg your pardon," said the Picture. + +"It's of no consequence," said Stuart, apologetically, "it's a comic +song. I forgot you didn't like comic songs. Well--go on." + +"Oh, then I went to a tea, and then I stopped in to hear Madame Ruvier +read a paper on the Ethics of Ibsen, and she--" + +Stuart's voice had died away gradually, and he caught himself +wondering whether he had told George to lay in a fresh supply of +cigars. "I beg your pardon," he said, briskly, "I was listening, but I +was just wondering whether I had any cigars left. You were saying that +you had been at Madame Ruvier's, and--" + +"I am afraid that you were not interested," said the Picture. "Never +mind, it's my fault. Sometimes I think I ought to do things of more +interest, so that I should have something to talk to you about when +you come home." + +Stuart wondered at what hour he would come home now that he was +married. As a bachelor he had been in the habit of stopping on his way +up-town from the law-office at the club, or to take tea at the houses +of the different girls he liked. Of course he could not do that now as +a married man. He would instead have to limit his calls to married +women, as all the other married men of his acquaintance did. But at +the moment he could not think of any attractive married women who +would like his dropping in on them in such a familiar manner, and the +other sort did not as yet appeal to him. + +He seated himself in front of the coal fire in the library, with the +Picture in a chair close beside him, and as he puffed pleasantly on +his cigar he thought how well this suited him, and how delightful it +was to find content in so simple and continuing a pleasure. He could +almost feel the pressure of his wife's hand as it lay in his own, as +they sat in silent sympathy looking into the friendly glow of the +fire. + +There was a long, pleasant pause. + +"They're giving Sloane a dinner to-night at the 'Travellers'," Stuart +said, at last, "in honor of his going to Abyssinia." + +Stuart pondered for some short time as to what sort of a reply Miss +Delamar's understudy ought to make to this innocent remark. He +recalled the fact that on numerous occasions the original had shown +not only a lack of knowledge of far-away places, but, what was more +trying, a lack of interest as well. For the moment he could not see +her robbed of her pretty environment and tramping through undiscovered +countries at his side. So the Picture's reply, when it came, was +strictly in keeping with several remarks which Miss Delamar herself +had made to him in the past. + +"Yes," said the Picture, politely, "and where is Abyssinia--in India, +isn't it?" + +"No, not exactly," corrected Stuart, mildly; "you pass it on your way +to India, though, as you go through the Red Sea. Sloane is taking +Winchesters with him and a double express and a 'five fifty.' He wants +to test their penetration. I think myself that the express is the +best, but he says Selous and Chanler think very highly of the +Winchester. I don't know, I never shot a rhinoceros. The time I killed +that elephant," he went on, pointing at two tusks that stood with some +assegais in a corner, "I used an express, and I had to let go with +both barrels. I suppose, though, if I'd needed a third shot, I'd have +wished it was a Winchester. He was charging the smoke, you see, and I +couldn't get away because I'd caught my foot--but I told you about +that, didn't I?" Stuart interrupted himself to ask politely. + +"Yes," said the Picture, cheerfully, "I remember it very well; it was +very foolish of you." + +Stuart straightened himself with a slightly injured air and avoided +the Picture's eye. He had been stopped midway in what was one of his +favorite stories, and it took a brief space of time for him to recover +himself, and to sink back again into the pleasant lethargy in which he +had been basking. + +"Still," he said, "I think the express is the better gun." + +"Oh, is an 'express' a gun?" exclaimed the Picture, with sudden +interest. "Of course, I might have known." + +Stuart turned in his chair, and surveyed the Picture in some surprise. +"But, my dear girl," he remonstrated, kindly, "why didn't you ask, if +you didn't know what I was talking about? What did you suppose it +was?" + +"I didn't know," said the Picture; "I thought it was something to do +with his luggage. Abyssinia sounds so far away," she explained, +smiling sweetly. "You can't expect one to be interested in such queer +places, can you?" + +"No," Stuart answered, reluctantly, and looking steadily at the fire, +"I suppose not. But you see, my dear," he said, "I'd have gone with +him if I hadn't married you, and so I am naturally interested in his +outfit. They wanted me to make a comparative study of the little +semi-independent states down there, and of how far the Italian +Government allows them to rule themselves. That's what I was to have +done." + +But the Picture hastened to reassure him. "Oh, you mustn't think," she +exclaimed, quickly, "that I mean to keep you at home. I love to +travel, too. I want you to go on exploring places just as you've +always done, only now I will go with you. We might do the Cathedral +towns, for instance." + +"The what?" gasped Stuart, raising his head. "Oh, yes, of course," he +added, hurriedly, sinking back into his chair with a slightly +bewildered expression. "That would be very nice. Perhaps your mother +would like to go, too; it's not a dangerous expedition, is it? I +_was_ thinking of taking you on a trip through the South +Seas--but I suppose the Cathedral towns are just as exciting. Or we +might even penetrate as far into the interior as the English lakes and +read Wordsworth and Coleridge as we go." + +Miss Delamar's understudy observed him closely for a moment, but he +made no sign, and so she turned her eyes again to the fire with a +slightly troubled look. She had not a strong sense of humor, but she +was very beautiful. + +Stuart's conscience troubled him for the next few moments, and he +endeavored to make up for his impatience of the moment before by +telling the Picture how particularly well she was looking. + +"It seems almost selfish to keep it all to myself," he mused. + +"You don't mean," inquired the Picture, with tender anxiety, "that you +want any one else here, do you? I'm sure I could be content to spend +every evening like this. I've had enough of going out and talking to +people I don't care about. Two seasons," she added, with the superior +air of one who has put away childish things, "was quite enough of it +for me." + +"Well, I never took it as seriously as that," said Stuart, "but, of +course, I don't want any one else here to spoil our evening. It is +perfect." + +He assured himself that it _was_ perfect, but he wondered what +was the loyal thing for a married couple to do when the conversation +came to a dead stop. And did the conversation come to a stop because +they preferred to sit in silent sympathy and communion, or because +they had nothing interesting to talk about? Stuart doubted if silence +was the truest expression of the most perfect confidence and sympathy. +He generally found when he was interested, that either he or his +companion talked all the time. It was when he was bored that he sat +silent. But it was probably different with married people. Possibly +they thought of each other during these pauses, and of their own +affairs and interests, and then he asked himself how many interests +could one fairly retain with which the other had nothing to do? + +"I suppose," thought Stuart, "that I had better compromise and read +aloud. Should you like me to read aloud?" he asked, doubtfully. + +The Picture brightened perceptibly at this, and said that she thought +that would be charming. "We might make it quite instructive," she +suggested, entering eagerly into the idea. "We ought to agree to read +so many pages every night. Suppose we begin with Guizot's 'History of +France.' I have always meant to read that, the illustrations look so +interesting." + +"Yes, we might do that," assented Stuart, doubtfully. "It is in six +volumes, isn't it? Suppose now, instead," he suggested, with an +impartial air, "we begin that to-morrow night, and go this evening to +see Seldon's new play, 'The Fool and His Money.' It's not too late, +and he has saved a box for us, and Weimer and Rives and Sloane will be +there, and--" + +The Picture's beautiful face settled for just an instant in an +expression of disappointment. "Of course," she replied, slowly, "if +you wish it. But I thought you said," she went on with a sweet smile, +"that this was perfect. Now you want to go out again. Isn't this +better than a hot theatre? You might put up with it for one evening, +don't you think?" + +"Put up with it!" exclaimed Stuart, enthusiastically; "I could spend +every evening so. It was only a suggestion. It wasn't that I wanted to +go so much as that I thought Seldon might be a little hurt if I +didn't. But I can tell him you were not feeling very well, and that we +will come some other evening. He generally likes to have us there on +the first night, that's all. But he'll understand." + +"Oh," said the Picture, "if you put it in the light of a duty to your +friend, of course we will go--" + +"Not at all," replied Stuart, heartily; "I will read something. I +should really prefer it. How would you like something of Browning's?" + +"Oh, I read all of Browning once," said the Picture. "I think I should +like something new." + +Stuart gasped at this, but said nothing, and began turning over the +books on the centre-table. He selected one of the monthly magazines, +and choosing a story which neither of them had read, sat down +comfortably in front of the fire, and finished it without interruption +and to the satisfaction of the Picture and himself. The story had made +the half hour pass very pleasantly, and they both commented on it with +interest. + +"I had an experience once myself something like that," said Stuart, +with a pleased smile of recollection; "it happened in Paris"--he began +with the deliberation of a man who is sure of his story--"and it +turned out in much the same way. It didn't begin in Paris; it really +began while we were crossing the English Channel to--" + +"Oh, you mean about the Russian who took you for some one else and had +you followed," said the Picture. "Yes, that was like it, except that +in your case nothing happened." + +Stuart took his cigar from between his lips and frowned severely at +the lighted end for some little time before he spoke. + +"My dear," he remonstrated, gently, "you mustn't tell me I've told you +all my old stories before. It isn't fair. Now that I am married, you +see, I can't go about and have new experiences, and I've got to make +use of the old ones." + +"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't +mean to be rude. Please tell me about it. I should like to hear it +again, ever so much. I _should_ like to hear it again, really." + +"Nonsense," said Stuart, laughing and shaking his head. "I was only +joking; personally I hate people who tell long stories. That doesn't +matter. I was thinking of something else." + +He continued thinking of something else, which was, that though he had +been in jest when he spoke of having given up the chance of meeting +fresh experiences, he had nevertheless described a condition, and a +painfully true one. His real life seemed to have stopped, and he saw +himself in the future looking back and referring to it, as though it +were the career of an entirely different person, of a young man, with +quick sympathies which required satisfying, as any appetite requires +food. And he had an uncomfortable doubt that these many ever-ready +sympathies would rebel if fed on only one diet. + +The Picture did not interrupt him in his thoughts, and he let his mind +follow his eyes as they wandered over the objects above him on the +mantel-shelf. They all meant something from the past--a busy, +wholesome past which had formed habits of thought and action, habits +he could no longer enjoy alone, and which, on the other hand, it was +quite impossible for him to share with any one else. He was no longer +to be alone. + +Stuart stirred uneasily in his chair and poked at the fire before him. + +"Do you remember the day you came to see me," said the Picture, +sentimentally, "and built the fire yourself and lighted some girl's +letters to make it burn?" + +"Yes," said Stuart, "that is, I _said_ that they were some girl's +letters. It made it more picturesque. I am afraid they were bills. I +should say I did remember it," he continued, enthusiastically. "You +wore a black dress and little red slippers with big black rosettes, +and you looked as beautiful as--as night--as a moonlight night." + +The Picture frowned slightly. + +"You are always telling me about how I looked," she complained; "can't +you remember any time when we were together without remembering what I +had on and how I appeared?" + +"I cannot," said Stuart, promptly. "I can recall lots of other things +besides, but I can't forget how you looked. You have a fashion of +emphasizing episodes in that way which is entirely your own. But, as I +say, I can remember something else. Do you remember, for instance, +when we went up to West Point on that yacht? Wasn't it a grand day, +with the autumn leaves on both sides of the Hudson, and the dress +parade, and the dance afterward at the hotel?" + +"Yes, I should think I did," said the Picture, smiling. "You spent all +your time examining cannon, and talking to the men about 'firing in +open order,' and left me all alone." + +"Left you all alone! I like that," laughed Stuart; "all alone with +about eighteen officers." + +"Well, but that was natural," returned the Picture. "They were men. +It's natural for a girl to talk to men, but why should a man want to +talk to men?" + +"Well, I know better than that now," said Stuart. + +He proceeded to show that he knew better by remaining silent for the +next half hour, during which time he continued to wonder whether this +effort to keep up a conversation was not radically wrong. He thought +of several things he might say, but he argued that it was an +impossible situation where a man had to make conversation with his own +wife. + +The clock struck ten as he sat waiting, and he moved uneasily in his +chair. + +"What is it?" asked the Picture; "what makes you so restless?" + +Stuart regarded the Picture timidly for a moment before he spoke. "I +was just thinking," he said, doubtfully, "that we might run down after +all, and take a look in at the last act; it's not too late even now. +They're sure to run behind on the first night. And then," he urged, +"we can go around and see Seldon. You have never been behind the +scenes, have you? It's very interesting." + +"No, I have not; but if we do," remonstrated the Picture, +pathetically, "you _know_ all those men will come trooping home +with us. You know they will." + +"But that's very complimentary," said Stuart. "Why, I like my friends +to like my wife." + +"Yes, but you know how they stay when they get here," she answered; "I +don't believe they ever sleep. Don't you remember the last supper you +gave me before we were married, when Mrs. Starr and you all were +discussing Mr. Seldon's play? She didn't make a move to go until +half-past two, and I was _that_ sleepy I couldn't keep my eyes +open." + +"Yes," said Stuart, "I remember. I'm sorry. I thought it was very +interesting. Seldon changed the whole second act on account of what +she said. Well, after this," he laughed with cheerful desperation, "I +think I shall make up for the part of a married man in a pair of +slippers and a dressing-gown, and then perhaps I won't be tempted to +roam abroad at night." + +"You must wear the gown they are going to give you at Oxford," said +the Picture, smiling placidly. "The one Aunt Lucy was telling me +about. Why do they give you a gown?" she asked. "It seems such an odd +thing to do." + +"The gown comes with the degree, I believe," said Stuart. + +"But why do they give _you_ a degree?" persisted the Picture; +"you never studied at Oxford, did you?" + +Stuart moved slightly in his chair and shook his head. "I thought I +told you," he said, gently. "No, I never studied there. I wrote some +books on--things, and they liked them." + +"Oh, yes, I remember now, you did tell me," said the Picture; "and I +told Aunt Lucy about it, and said we would be in England during the +season when you got your degree, and she said you must be awfully +clever to get it. You see--she does appreciate you, and you always +treat her so distantly." + +"Do I?" said Stuart, quietly. "I'm sorry." + +"Will you have your portrait painted in it?" asked the Picture. + +"In what?" + +"In the gown. You are not listening," said the Picture, reproachfully. +"You ought to. Aunt Lucy says it's a beautiful shade of red silk, and +very long. Is it?" + +"I don't know," said Stuart. He shook his head, and dropping his chin +into his hands, stared coldly down into the fire. He tried to persuade +himself that he had been vainglorious, and that he had given too much +weight to the honor which the University of Oxford would bestow upon +him; that he had taken the degree too seriously, and that the +Picture's view of it was the view of the rest of the world. But he +could not convince himself that he was entirely at fault. + +"Is it too late to begin on Guizot?" suggested his Picture, as an +alternative to his plan. "It sounds so improving." + +"Yes, it is much too late," answered Stuart, decidedly. "Besides, I +don't want to be improved. I want to be amused, or inspired, or +scolded. The chief good of friends is that they do one of these three +things, and a wife should do all three." + +"Which shall I do?" asked the Picture, smiling good-humoredly. + +Stuart looked at the beautiful face and at the reclining figure of the +woman to whom he was to turn for sympathy for the rest of his life, +and felt a cold shiver of terror, that passed as quickly as it came. +He reached out his hand and placed it on the arm of the chair where +his wife's hand should have been, and patted the place kindly. He +would shut his eyes to everything but that she was good and sweet and +his wife. Whatever else she lacked that her beauty had covered up and +hidden, and the want of which had Iain unsuspected in their previous +formal intercourse, could not be mended now. He would settle his step +to hers, and eliminate all those interests from his life which were +not hers as well. He had chosen a beautiful idol, and not a companion, +for a wife. He had tried to warm his hands at the fire of a diamond. + +Stuart's eyes closed wearily as though to shut out the memories of the +past, or the foreknowledge of what the future was sure to be. His head +sank forward on his breast, and with his hand shading his eyes, he +looked beyond, through the dying fire, into the succeeding years. + +* * * * * + +The gay little French clock on the table sounded the hour of midnight +briskly, with a pert, insistent clamor, and at the same instant a +boisterous and unruly knocking answered it from outside the library +door. + +Stuart rose uncertainly from his chair and surveyed the tiny clock +face with a startled expression of bewilderment and relief. + +"Stuart!" his friends called impatiently from the hall. "Stuart, let +us in!" and without waiting further for recognition a merry company of +gentlemen pushed their way noisily into the room. + +"Where the devil have you been?" demanded Weimer. "You don't deserve +to be spoken to at all after quitting us like that. But Seldon is so +good-natured," he went on, "that he sent us after you. It was a great +success, and he made a rattling good speech, and you missed the whole +thing; and you ought to be ashamed of yourself. We've asked half the +people in front to supper--two stray Englishmen, all the Wilton girls +and their governor, and the chap that wrote the play. And Seldon and +his brother Sam are coming as soon as they get their make-up off. +Don't stand there like that, but hurry. What have you been doing?" + +Stuart gave a nervous, anxious laugh. "Oh, don't ask me," he cried. +"It was awful. I've been trying an experiment, and I had to keep it up +until midnight, and--I'm so glad you fellows have come," he continued, +halting midway in his explanation. "I _was_ blue." + +"You've been asleep in front of the fire," said young Sloane, "and +you've been dreaming." + +"Perhaps," laughed Stuart, gayly, "perhaps. But I'm awake now, in any +event. Sloane, old man," he cried, dropping both hands on the +youngster's shoulders, "how much money have you? Enough to take me to +Gibraltar? They can cable me the rest." + +"Hoorah!" shouted Sloane, waltzing from one end of the room to the +other. "And we're off to Ab-yss-in-ia in the morn-ing," he sang. +"There's plenty in my money belt," he cried, slapping his side; "you +can hear the ten-pound notes crackle whenever I breathe, and it's all +yours, my dear boy, and welcome. And I'll prove to you that the +Winchester is the better gun." + +"All right," returned Stuart, gayly, "and I'll try to prove that the +Italians don't know how to govern a native state. But who is giving +this supper, anyway?" he demanded. "That is the main thing--that's +what I want to know." + +"You've got to pack, haven't you?" suggested Rives. + +"I'll pack when I get back," said Stuart, struggling into his +greatcoat, and searching in his pockets for his gloves. "Besides, my +things are always ready and there's plenty of time; the boat doesn't +leave for six hours yet." + +"We'll all come back and help," said Weimer. + +"Then I'll never get away," laughed Stuart. He was radiant, happy, and +excited, like a boy back from school for the holidays. But when they +had reached the pavement, he halted and ran his hand down into his +pocket, as though feeling for his latch-key, and stood looking +doubtfully at his friends. + +"What is it now?" asked Rives, impatiently. "Have you forgotten +something?" + +Stuart looked back at the front door in momentary indecision. + +"Ye-es," he answered. "I did forget something. But it doesn't matter," +he added, cheerfully, taking Sloane's arm. + +"Come on," he said, "and so Seldon made a hit, did he? I am glad--and +tell me, old man, how long will we have to wait at Gib for the P. & O.?" + +Stuart's servant had heard the men trooping down the stairs, laughing +and calling to one another as they went, and judging from this that +they had departed for the night, he put out all the lights in the +library and closed the piano, and lifted the windows to clear the room +of the tobacco-smoke. He did not notice the beautiful photograph +sitting upright in the armchair before the fireplace, and so left it +alone in the deserted library. + +The cold night-air swept in through the open window and chilled the +silent room, and the dead coals in the grate dropped one by one into +the fender with a dismal echoing clatter; but the Picture still sat in +the armchair with the same graceful pose and the same lovely +expression, and smiled sweetly at the encircling darkness. + + + + +THE REPORTER WHO MADE HIMSELF KING + + +The Old Time Journalist will tell you that the best reporter is the +one who works his way up. He holds that the only way to start is as a +printer's devil or as an office boy, to learn in time to set type, to +graduate from a compositor into a stenographer, and as a stenographer +take down speeches at public meetings, and so finally grow into a real +reporter, with a fire badge on your left suspender, and a speaking +acquaintance with all the greatest men in the city, not even excepting +Police Captains. + +That is the old time journalist's idea of it. That is the way he was +trained, and that is why at the age of sixty he is still a reporter. +If you train up a youth in this way, he will go into reporting with +too full a knowledge of the newspaper business, with no illusions +concerning it, and with no ignorant enthusiasms, but with a keen and +justifiable impression that he is not paid enough for what he does. +And he will only do what he is paid to do. + +Now, you cannot pay a good reporter for what he does, because he does +not work for pay. He works for his paper. He gives his time, his +health, his brains, his sleeping hours, and his eating hours, and +sometimes his life, to get news for it. He thinks the sun rises only +that men may have light by which to read it. But if he has been in a +newspaper office from his youth up, he finds out before he becomes a +reporter that this is not so, and loses his real value. He should come +right out of the University where he has been doing "campus notes" for +the college weekly, and be pitchforked out into city work without +knowing whether the Battery is at Harlem or Hunter's Point, and with +the idea that he is a Moulder of Public Opinion and that the Power of +the Press is greater than the Power of Money, and that the few lines +he writes are of more value in the Editor's eyes than is the column of +advertising on the last page, which they are not. + +After three years--it is sometimes longer, sometimes not so long--he +finds out that he has given his nerves and his youth and his +enthusiasm in exchange for a general fund of miscellaneous knowledge, +the opportunity of personal encounter with all the greatest and most +remarkable men and events that have risen in those three years, and a +great fund of resource an patience. He will find that he has crowded +the experiences of the lifetime of the ordinary young business man, +doctor, or lawyer, or man about town, into three short years; that he +has learned to think and to act quickly, to be patient and unmoved +when every one else has lost his head, actually or figuratively +speaking; to write as fast as another man can talk, and to be able to +talk with authority on matters of which other men do not venture even +to think until they have read what he has written with a copy-boy at +his elbow on the night previous. + +It is necessary for you to know this, that you may understand what +manner of man young Albert Gordon was. + +Young Gordon had been a reporter just three years. He had left Yale +when his last living relative died, and had taken the morning train +for New York, where they had promised him reportorial work on one of +the innumerable Greatest New York Dailies. He arrived at the office at +noon, and was sent back over the same road on which he had just come, +to Spuyten Duyvil, where a train had been wrecked and everybody of +consequence to suburban New York killed. One of the old reporters +hurried him to the office again with his "copy," and after he had +delivered that, he was sent to the Tombs to talk French to a man in +Murderers' Row, who could not talk anything else, but who had shown +some international skill in the use of a jimmy. And at eight, he +covered a flower-show in Madison Square Garden; and at eleven was sent +over the Brooklyn Bridge in a cab to watch a fire and make guesses at +the losses to the insurance companies. + +He went to bed at one, and dreamed of shattered locomotives, human +beings lying still with blankets over them, rows of cells, and banks +of beautiful flowers nodding their heads to the tunes of the brass +band in the gallery. He decided when he awoke the next morning that he +had entered upon a picturesque and exciting career, and as one day +followed another, he became more and more convinced of it, and more +and more devoted to it. He was twenty then, and he was now +twenty-three, and in that time had become a great reporter, and had +been to Presidential conventions in Chicago, revolutions in Hayti, +Indian outbreaks on the Plains, and midnight meetings of moonlighters +in Tennessee, and had seen what work earthquakes, floods, fire, and +fever could do in great cities, and had contradicted the President, +and borrowed matches from burglars. And now he thought he would like +to rest and breathe a bit, and not to work again unless as a war +correspondent. The only obstacle to his becoming a great war +correspondent lay in the fact that there was no war, and a war +correspondent without a war is about as absurd an individual as a +general without an army. He read the papers every morning on the +elevated trains for war clouds; but though there were many war clouds, +they always drifted apart, and peace smiled again. This was very +disappointing to young Gordon, and he became more and more keenly +discouraged. + +And then as war work was out of the question, he decided to write his +novel. It was to be a novel of New York life, and he wanted a quiet +place in which to work on it. He was already making inquiries among +the suburban residents of his acquaintance for just such a quiet spot, +when he received an offer to go to the Island of Opeki in the North +Pacific Ocean, as secretary to the American consul at that place. The +gentleman who had been appointed by the President to act as consul at +Opeki was Captain Leonard T. Travis, a veteran of the Civil War, who +had contracted a severe attack of rheumatism while camping out at +night in the dew, and who on account of this souvenir of his efforts +to save the Union had allowed the Union he had saved to support him in +one office or another ever since. He had met young Gordon at a dinner, +and had had the presumption to ask him to serve as his secretary, and +Gordon, much to his surprise, had accepted his offer. The idea of a +quiet life in the tropics with new and beautiful surroundings, and +with nothing to do and plenty of time in which to do it, and to write +his novel besides, seemed to Albert to be just what he wanted; and +though he did not know nor care much for his superior officer, he +agreed to go with him promptly, and proceeded to say good-by to his +friends and to make his preparations. Captain Travis was so delighted +with getting such a clever young gentleman for his secretary, that he +referred to him to his friends as "my attaché of legation"; nor did he +lessen that gentleman's dignity by telling any one that the attaché's +salary was to be five hundred dollars a year. His own salary was only +fifteen hundred dollars; and though his brother-in-law, Senator +Rainsford, tried his best to get the amount raised, he was +unsuccessful. The consulship to Opeki was instituted early in the +'50's, to get rid of and reward a third or fourth cousin of the +President's, whose services during the campaign were important, but +whose after-presence was embarrassing. He had been created consul to +Opeki as being more distant and unaccessible than any other known +spot, and had lived and died there; and so little was known of the +island, and so difficult was communication with it, that no one knew +he was dead, until Captain Travis, in his hungry haste for office, had +uprooted the sad fact. Captain Travis, as well as Albert, had a +secondary reason for wishing to visit Opeki. His physician had told +him to go to some warm climate for his rheumatism, and in accepting +the consulship his object was rather to follow out his doctor's orders +at his country's expense, than to serve his country at the expense of +his rheumatism. + +Albert could learn but very little of Opeki; nothing, indeed, but that +it was situated about one hundred miles from the Island of Octavia, +which island, in turn, was simply described as a coaling-station three +hundred miles distant from the coast of California. Steamers from San +Francisco to Yokohama stopped every third week at Octavia, and that +was all that either Captain Travis or his secretary could learn of +their new home. This was so very little, that Albert stipulated to +stay only as long as he liked it, and to return to the States within a +few months if he found such a change of plan desirable. + +As he was going to what was an almost undiscovered country, he thought +it would be advisable to furnish himself with a supply of articles +with which he might trade with the native Opekians, and for this +purpose he purchased a large quantity of brass rods, because he had +read that Stanley did so, and added to these brass curtain-chains, and +about two hundred leaden medals similar to those sold by street +peddlers during the Constitutional Centennial Celebration in New York +City. + +He also collected even more beautiful but less expensive decorations +for Christmas-trees, at a wholesale house on Park Row. These he hoped +to exchange for furs or feathers or weapons, or for whatever other +curious and valuable trophies the Island of Opeki boasted. He already +pictured his rooms on his return hung fantastically with crossed +spears and boomerangs, feather head-dresses, and ugly idols. + +His friends told him that he was doing a very foolish thing, and +argued that once out of the newspaper world, it would be hard to +regain his place in it. But he thought the novel that he would write +while lost to the world at Opeki would serve to make up for his +temporary absence from it, and he expressly and impressively +stipulated that the editor should wire him if there was a war. + +Captain Travis and his secretary crossed the continent without +adventure, and took passage from San Francisco on the first steamer +that touched at Octavia. They reached that island in three days, and +learned with some concern that there was no regular communication with +Opeki, and that it would be necessary to charter a sailboat for the +trip. Two fishermen agreed to take them and their trunks, and to get +them to their destination within sixteen hours if the wind held good. +It was a most unpleasant sail. The rain fell with calm, relentless +persistence from what was apparently a clear sky; the wind tossed the +waves as high as the mast and made Captain Travis ill; and as there +was no deck to the big boat, they were forced to huddle up under +pieces of canvas, and talked but little. Captain Travis complained of +frequent twinges of rheumatism, and gazed forlornly over the gunwale +at the empty waste of water. + +"If I've got to serve a term of imprisonment on a rock in the middle +of the ocean for four years," he said, "I might just as well have done +something first to deserve it. This is a pretty way to treat a man who +bled for his country. This is gratitude, this is." Albert pulled +heavily on his pipe, and wiped the rain and spray from his face and +smiled. + +"Oh, it won't be so bad when we get there," he said; "they say these +Southern people are always hospitable, and the whites will be glad to +see any one from the States." + +"There will be a round of diplomatic dinners," said the consul, with +an attempt at cheerfulness. "I have brought two uniforms to wear at +them." + +It was seven o'clock in the evening when the rain ceased, and one of +the black, half-naked fishermen nodded and pointed at a little low +line on the horizon. + +"Opeki," he said. The line grew in length until it proved to be an +island with great mountains rising to the clouds, and, as they drew +nearer and nearer, showed a level coast running back to the foot of +the mountains and covered with a forest of palms. They next made out a +village of thatched huts around a grassy square, and at some distance +from the village a wooden structure with a tin roof. + +"I wonder where the town is?" asked the consul, with a nervous glance +at the fishermen. One of them told him that what he saw was the town. + +"That?" gasped the consul. "Is that where all the people on the island +live?" + +The fisherman nodded; but the other added that there were other +natives further back in the mountains, but that they were bad men who +fought and ate each other. The consul and his attaché of legation +gazed at the mountains with unspoken misgivings. They were quite near +now, and could see an immense crowd of men and women, all of them +black, and clad but in the simplest garments, waiting to receive them. +They seemed greatly excited and ran in and out of the huts, and up and +down the beach, as wildly as so many black ants. But in the front of +the group they distinguished three men who they could see were white, +though they were clothed, like the others, simply in a shirt and a +short pair of trousers. Two of these three suddenly sprang away on a +run and disappeared among the palm-trees; but the third one, when he +recognized the American flag in the halyards, threw his straw hat in +the water and began turning handsprings over the sand. + +"That young gentleman, at least," said Albert, gravely, "seems pleased +to see us." + +A dozen of the natives sprang into the water and came wading and +swimming toward them, grinning and shouting and swinging their arms. + +"I don't think it's quite safe, do you?" said the consul, looking out +wildly to the open sea. "You see, they don't know who I am." + +A great black giant threw one arm over the gunwale and shouted +something that sounded as if it were spelt Owah, Owah, as the boat +carried him through the surf. + +"How do you do?" said Gordon, doubtfully. The boat shook the giant off +under the wave and beached itself so suddenly that the American consul +was thrown forward to his knees. Gordon did not wait to pick him up, +but jumped out and shook hands with the young man who had turned +handsprings, while the natives gathered about them in a circle and +chatted and laughed in delighted excitement. + +"I'm awfully glad to see you," said the young man, eagerly. "My name's +Stedman. I'm from New Haven, Connecticut. Where are you from?" + +"New York," said Albert. "This," he added, pointing solemnly to +Captain Travis, who was still on his knees in the boat, "is the +American consul to Opeki." The American consul to Opeki gave a wild +look at Mr. Stedman of New Haven and at the natives. + +"See here, young man," he gasped, "is this all there is of Opeki?" + +"The American consul?" said young Stedman, with a gasp of amazement, +and looking from Albert to Captain Travis. "Why, I never supposed they +would send another here; the last one died about fifteen years ago, +and there hasn't been one since. I've been living in the consul's +office with the Bradleys, but I'll move out, of course. I'm sure I'm +awfully glad to see you. It'll make it so much more pleasant for me." + +"Yes," said Captain Travis, bitterly, as he lifted his rheumatic leg +over the boat; "that's why we came." + +Mr. Stedman did not notice this. He was too much pleased to be +anything but hospitable. "You are soaking wet, aren't you?" he said; +"and hungry, I guess. You come right over to the consul's office and +get on some other things." + +He turned to the natives and gave some rapid orders in their language, +and some of them jumped into the boat at this, and began to lift out +the trunks, and others ran off toward a large, stout old native, who +was sitting gravely on a log, smoking, with the rain beating unnoticed +on his gray hair. + +"They've gone to tell the King," said Stedman; "but you'd better get +something to eat first, and then I'll be happy to present you +properly." + +"The King," said Captain Travis, with some awe; "is there a king?" + +"I never saw a king," Gordon remarked, "and I'm sure I never expected +to see one sitting on a log in the rain." + +"He's a very good king," said Stedman, confidentially; "and though you +mightn't think it to look at him, he's a terrible stickler for +etiquette and form. After supper he'll give you an audience; and if +you have any tobacco, you had better give him some as a present, and +you'd better say it's from the President: he doesn't like to take +presents from common people, he's so proud. The only reason he borrows +mine is because he thinks I'm the President's son." + +"What makes him think that?" demanded the consul, with some shortness. +Young Mr. Stedman looked nervously at the consul and at Albert, and +said that he guessed some one must have told him. + +The consul's office was divided into four rooms with an open court in +the middle, filled with palms, and watered somewhat unnecessarily by a +fountain. + +"I made that," said Stedman, in a modest, offhand way. "I made it out +of hollow bamboo reeds connected with a spring. And now I'm making one +for the King. He saw this and had a lot of bamboo sticks put up all +over the town, without any underground connections, and couldn't make +out why the water wouldn't spurt out of them. And because mine spurts, +he thinks I'm a magician." + +"I suppose," grumbled the consul, "some one told him that too." + +[Illustration: "I never saw a king," Gordon remarked.] + +"I suppose so," said Mr. Stedman, uneasily. + +There was a veranda around the consul's office, and inside the walls +were hung with skins, and pictures from illustrated papers, and there +was a good deal of bamboo furniture, and four broad, cool-looking +beds. The place was as clean as a kitchen. "I made the furniture," +said Stedman, "and the Bradleys keep the place in order." + +"Who are the Bradleys?" asked Albert. + +"The Bradleys are those two men you saw with me," said Stedman; "they +deserted from a British man-of-war that stopped here for coal, and +they act as my servants. One is Bradley, Sr., and the other Bradley, +Jr." + +"Then vessels do stop here occasionally?" the consul said, with a +pleased smile. + +"Well, not often," said Stedman. "Not so very often; about once a +year. The Nelson thought this was Octavia, and put off again as soon +as she found out her mistake, but the Bradleys took to the bush, and +the boat's crew couldn't find them. When they saw your flag, they +thought you might mean to send them back, so they ran off to hide +again; they'll be back, though, when they get hungry." + +The supper young Stedman spread for his guests, as he still treated +them, was very refreshing and very good. There was cold fish and +pigeon pie, and a hot omelet filled with mushrooms and olives and +tomatoes and onions all sliced up together, and strong black coffee. +After supper, Stedman went off to see the King, and came back in a +little while to say that his Majesty would give them an audience the +next day after breakfast. "It is too dark now," Stedman explained; +"and it's raining so that they can't make the street-lamps burn. Did +you happen to notice our lamps? I invented them; but they don't work +very well yet. I've got the right idea, though, and I'll soon have the +town illuminated all over, whether it rains or not." + +The consul had been very silent and indifferent, during supper, to all +around him. Now he looked up with some show of interest. + +"How much longer is it going to rain, do you think?" he asked. + +"Oh, I don't know," said Stedman, critically. "Not more than two +months, I should say." The consul rubbed his rheumatic leg and sighed, +but said nothing. + +The Bradleys returned about ten o'clock, and came in very sheepishly. +The consul had gone off to pay the boatmen who had brought them, and +Albert in his absence assured the sailors that there was not the least +danger of their being sent away. Then he turned into one of the beds, +and Stedman took one in another room, leaving the room he had occupied +heretofore for the consul. As he was saying good-night, Albert +suggested that he had not yet told them how he came to be on a +deserted island; but Stedman only laughed and said that that was a +long story, and that he would tell him all about it in the morning. So +Albert went off to bed without waiting for the consul to return, and +fell asleep, wondering at the strangeness of his new life, and +assuring himself that if the rain only kept up, he would have his +novel finished in a month. + +The sun was shining brightly when he awoke, and the palm-trees outside +were nodding gracefully in a warm breeze. From the court came the odor +of strange flowers, and from the window he could see the ocean +brilliantly blue, and with the sun coloring the spray that beat +against the coral reefs on the shore. + +"Well, the consul can't complain of this," he said, with a laugh of +satisfaction; and pulling on a bath-robe, he stepped into the next +room to awaken Captain Travis. But the room was quite empty, and the +bed undisturbed. The consul's trunk remained just where it had been +placed near the door, and on it lay a large sheet of foolscap, with +writing on it, and addressed at the top to Albert Gordon. The +handwriting was the consul's. Albert picked it up and read it with +much anxiety. It began abruptly + + The fishermen who brought us to this forsaken spot tell me that + it rains here six months in the year, and that this is the first + month. I came here to serve my country, for which I fought and + bled, but I did not come here to die of rheumatism and pneumonia. + I can serve my country better by staying alive; and whether it + rains or not, I don't like it. I have been grossly deceived, and + I am going back. Indeed, by the time you get this, I will be on + my return trip, as I intend leaving with the men who brought us + here as soon as they can get the sail up. My cousin, Senator + Rainsford, can fix it all right with the President, and can have + me recalled in proper form after I get back. But of course it + would not do for me to leave my post with no one to take my + place, and no one could be more ably fitted to do so than + yourself; so I feel no compunctions at leaving you behind. I + hereby, therefore, accordingly appoint you my substitute with + full power to act, to collect all fees, sign all papers, and + attend to all matters pertaining to your office as American + consul, and I trust you will worthily uphold the name of that + country and government which it has always been my pleasure and + duty to serve. + + Your sincere friend and superior officer, + + LEONARD T. TRAVIS. + + P.S. I did not care to disturb you by moving my trunk, so I left + it, and you can make what use you please of whatever it contains, + as I shall not want tropical garments where I am going. What you + will need most, I think, is a waterproof and umbrella. + + P.S. Look out for that young man Stedman. He is too inventive. I + hope you will like your high office; but as for myself, I am + satisfied with little old New York. Opeki is just a bit too far + from civilization to suit me. + +Albert held the letter before him and read it over again before he +moved. Then he jumped to the window. The boat was gone, and there was +not a sign of it on the horizon. + +"The miserable old hypocrite!" he cried, half angry and half laughing. +"If he thinks I am going to stay here alone he is very greatly +mistaken. And yet, why not?" he asked. He stopped soliloquizing and +looked around him, thinking rapidly. As he stood there, Stedman came +in from the other room, fresh and smiling from his morning's bath. + +"Good-morning," he said, "where's the consul?" + +"The consul," said Albert, gravely, "is before you. In me you see the +American consul to Opeki." + +"Captain Travis," Albert explained, "has returned to the United +States. I suppose he feels that he can best serve his country by +remaining on the spot. In case of another war, now, for instance, he +would be there to save it again." + +"And what are you going to do?" asked Stedman, anxiously. "You will +not run away, too, will you?" + +Albert said that he intended to remain where he was and perform his +consular duties, to appoint him his secretary, and to elevate the +United States in the opinion of the Opekians above all other nations. + +"They may not think much of the United States in England," he said; +"but we are going to teach the people of Opeki that America is first +on the map and that there is no second." + +"I'm sure it's very good of you to make me your secretary," said +Stedman, with some pride. "I hope I won't make any mistakes. What are +the duties of a consul's secretary?" "That," said Albert, "I do not +know. But you are rather good at inventing, so you can invent a few. +That should be your first duty and you should attend to it at once. I +will have trouble enough finding work for myself. Your salary is five +hundred dollars a year; and now," he continued briskly, "we want to +prepare for this reception. We can tell the King that Travis was just +a guard of honor for the trip, and that I have sent him back to tell +the President of my safe arrival. That will keep the President from +getting anxious. There; is nothing," continued Albert, "like a uniform +to impress people who live in the tropics, and Travis, it so happens, +has two in his trunk. He intended to wear them on State occasions, and +as I inherit the trunk and all that is in it, I intend to wear one of +the uniforms, and you can have the other. But I have first choice, +because I am consul." + +Captain Travis's consular outfit consisted of one full dress and one +undress United States uniform. Albert put on the dress-coat over a +pair of white flannel trousers, and looked remarkably brave and +handsome. Stedman, who was only eighteen and quite thin, did not +appear so well, until Albert suggested his padding out his chest and +shoulders with towels. This made him rather warm, but helped his +general appearance. + +"The two Bradleys must dress up, too," said Albert. "I think they +ought to act as a guard of honor, don't you? The only things I have +are blazers and jerseys; but it doesn't much matter what they wear, as +long as they dress alike." + +He accordingly called in the two Bradleys, and gave them each a pair +of the captain's rejected white duck trousers, and a blue jersey +apiece, with a big white Y on it. + +"The students of Yale gave me that," he said to the younger Bradley, +"in which to play football, and a great man gave me the other. His +name is Walter Camp; and if you rip or soil that jersey, I'll send you +back to England in irons; so be careful." + +Stedman gazed at his companions in their different costumes, +doubtfully. "It reminds me," he said, "of private theatricals. Of the +time our church choir played 'Pinafore.'" + +"Yes," assented Albert; "but I don't think we look quite gay enough. I +tell you what we need--medals. You never saw a diplomat without a lot +of decorations and medals." + +"Well, I can fix that," Stedman said. "I've got a trunkful. I used to +be the fastest bicycle-rider in Connecticut, and I've got all my +prizes with me." + +Albert said doubtfully that that wasn't exactly the sort of medal he +meant. + +"Perhaps not," returned Stedman, as he began fumbling in his trunk; +"but the King won't know the difference. He couldn't tell a cross of +the Legion of Honor from a medal for the tug of war." + +So the bicycle medals, of which Stedman seemed to have an innumerable +quantity, were strung in profusion over Albert's uniform, and in a +lesser quantity over Stedman's; while a handful of leaden ones, those +sold on the streets for the Constitutional Centennial, with which +Albert had provided himself, were wrapped up in a red silk +handkerchief for presentation to the King; with them Albert placed a +number of brass rods and brass chains, much to Stedman's delighted +approval. + +"That is a very good idea," he said. "Democratic simplicity is the +right thing at home, of course; but when you go abroad and mix with +crowned heads, you want to show them that you know what's what." + +"Well," said Albert, gravely, "I sincerely hope this crowned head +don't know what's what. If he reads 'Connecticut Agricultural State +Fair. One mile bicycle race. First Prize,' on this badge, when we are +trying to make him believe it's a war medal, it may hurt his +feelings." + +Bradley, Jr., went ahead to announce the approach of the American +embassy, which he did with so much manner that the King deferred the +audience a half-hour, in order that he might better prepare to receive +his visitors. When the audience did take place, it attracted the +entire population to the green spot in front of the King's palace, and +their delight and excitement over the appearance of the visitors was +sincere and hearty. The King was too polite to appear much surprised, +but he showed his delight over his presents as simply and openly as a +child. Thrice he insisted on embracing Albert, and kissing him three +times on the fore-head, which, Stedman assured him in a side-whisper, +was a great honor; an honor which was not extended to the secretary, +although he was given a necklace of animals' claws instead, with which +he was better satisfied. + +After this reception, the embassy marched back to the consul's office, +surrounded by an immense number of natives, some of whom ran ahead and +looked back at them, and crowded so close that the two Bradleys had to +poke at those nearest with their guns. The crowd remained outside the +office even after the procession of four had disappeared, and cheered. +This suggested to Gordon that this would be a good time to make a +speech, which he accordingly did, Stedman translating it, sentence by +sentence. At the conclusion of this effort, Albert distributed a +number of brass rings among the married men present, which they placed +on whichever finger fitted best, and departed delighted. + +Albert had wished to give the rings to the married women, but Stedman +pointed out to him that it would be much cheaper to give them to the +married men; for while one woman could only have one husband, one man +could have at least six wives. + +"And now, Stedman," said Albert, after the mob had gone, "tell me what +you are doing on this island." + +"It's a very simple story," Stedman said. "I am the representative, or +agent, or operator, for the Yokohama Cable Company. The Yokohama Cable +Company is a company organized in San Francisco, for the purpose of +laying a cable to Yokohama. It is a stock company; and though it +started out very well, the stock has fallen very low. Between +ourselves, it is not worth over three or four cents. When the officers +of the company found out that no one would buy their stock, and that +no one believed in them or their scheme, they laid a cable to Octavia, +and extended it on to this island. Then they said they had run out of +ready money, and would wait until they got more before laying their +cable any farther. I do not think they ever will lay it any farther, +but that is none of my business. My business is to answer cable +messages from San Francisco, so that the people who visit the home +office can see that at least a part of the cable is working. That +sometimes impresses them, and they buy stock. There is another chap +over in Octavia, who relays all my messages and all my replies to +those messages that come to me through him from San Francisco. They +never send a message unless they have brought some one to the office +whom they want to impress, and who, they think, has money to invest in +the Y.C.C. stock, and so we never go near the wire, except at three +o'clock every afternoon. And then generally only to say 'How are you?' +or 'It's raining,' or something like that. I've been saying 'It's +raining,' now for the last three months, but to-day I will say that +the new consul has arrived. That will be a pleasant surprise for the +chap in Octavia, for he must be tired hearing about the weather. He +generally answers, 'Here too,' or 'So you said,' or something like +that. I don't know what he says to the home office. He's brighter than +I am, and that's why they put him between the two ends. He can see +that the messages are transmitted more fully and more correctly, in a +way to please possible subscribers." + +"Sort of copy editor," suggested Albert. + +"Yes, something of that sort, I fancy," said Stedman. + +They walked down to the little shed on the shore, where the Y.C.C. +office was placed, at three that day, and Albert watched Stedman send +off his message with much interest. The "chap at Octavia," on being +informed that the American consul had arrived at Opeki, inquired, +somewhat disrespectfully, "Is it a life sentence?" + +"What does he mean by that?" asked Albert. + +"I suppose," said his secretary, doubtfully, "that he thinks it a sort +of a punishment to be sent to Opeki. I hope you won't grow to think +so." + +"Opeki is all very well," said Gordon, "or it will be when we get +things going our way." + +As they walked back to the office, Albert noticed a brass cannon, +perched on a rock at the entrance to the harbor. This had been put +there by the last consul, but it had not been fired for many years. +Albert immediately ordered the two Bradleys to get it in order, and to +rig up a flag-pole beside it, for one of his American flags, which +they were to salute every night when they lowered it at sundown. + +"And when we are not using it," he said, "the King can borrow it to +celebrate with, if he doesn't impose on us too often. The royal salute +ought to be twenty-one guns, I think; but that would use up too much +powder, so he will have to content himself with two." + +"Did you notice," asked Stedman, that night, as they sat on the +veranda of the consul's house, in the moonlight, "how the people bowed +to us as we passed?" + +"Yes," Albert said he had noticed it. "Why?" + +"Well, they never saluted me," replied Stedman. "That sign of respect +is due to the show we made at the reception." + +"It is due to us, in any event," said the consul, severely. "I tell +you, my secretary, that we, as the representatives of the United +States Government, must be properly honored on this island. We must +become a power. And we must do so without getting into trouble with +the King. We must make them honor him, too, and then as we push him +up, we will push ourselves up at the same time." + +"They don't think much of consuls in Opeki," said Stedman, doubtfully. +"You see the last one was a pretty poor sort. He brought the office +into disrepute, and it wasn't really until I came and told them what a +fine country the United States was, that they had any opinion of it at +all. Now we must change all that." + +"That is just what we will do," said Albert. "We will transform Opeki +into a powerful and beautiful city. We will make these people work. +They must put up a palace for the King, and lay out streets, and build +wharves, and drain the town properly, and light it. I haven't seen +this patent lighting apparatus of yours, but you had better get to +work at it at once, and I'll persuade the King to appoint you +commissioner of highways and gas, with authority to make his people +toil. And I," he cried, in free enthusiasm, "will organize a navy and +a standing army. Only," he added, with a relapse of interest, "there +isn't anybody to fight." + +"There isn't?" said Stedman, grimly, with a scornful smile. "You just +go hunt up old Messenwah and the Hillmen with your standing army once +and you'll get all the fighting you want." + +"The Hillmen?" said Albert. + +"The Hillmen are the natives that live up there in the hills," Stedman +said, nodding his head toward the three high mountains at the other +end of the island, that stood out blackly against the purple, moonlit +sky. "There are nearly as many of them as there are Opekians, and they +hunt and fight for a living and for the pleasure of it. They have an +old rascal named Messenwah for a king, and they come down here about +once every three months, and tear things up." + +Albert sprang to his feet. + +"Oh, they do, do they?" he said, staring up at the mountain-tops. +"They come down here and tear up things, do they? Well, I think we'll +stop that, I think we'll stop that! I, don't care how many there are. +I'll get the two Bradleys to tell me all they know about drilling, +to-morrow morning, and we'll drill these Opekians, and have sham +battles, and attacks, and repulses, until I make a lot of wild, +howling Zulus out of them. And when the Hillmen come down to pay their +quarterly visit, they'll go back again on a run. At least some of them +will," he added, ferociously. "Some of them will stay right here." + +"Dear me, dear me!" said Stedman, with awe; "you are a born fighter, +aren't you?" + +"Well, you wait and see," said Gordon; "maybe I am. I haven't studied +tactics of war and the history of battles, so that I might be a great +war correspondent, without learning something. And there is only one +king on this island, and that is old Ollypybus himself. And I'll go +over and have a talk with him about it to-morrow." + +Young Stedman walked up and down the length of the veranda, in and out +of the moonlight, with his hands in his pockets, and his head on his +chest. "You have me all stirred up, Gordon," he said; "you seem so +confident and bold, and you're not so much older than I am, either." + +"My training has been different; that's all," said the reporter. + +"Yes," Stedman said, bitterly. "I have been sitting in an office ever +since I left school, sending news over a wire or a cable, and you have +been out in the world, gathering it." + +"And now," said Gordon, smiling and putting his arm around the other +boy's shoulders, "we are going to make news ourselves." + +"There is one thing I want to say to you before you turn in," said +Stedman "Before you suggest all these improvements on Ollypybus, you +must remember that he has ruled absolutely here for twenty years, and +that he does not think much of consuls. He has only seen your +predecessor and yourself. He likes you because you appeared with such +dignity, and because of the presents; but if I were you, I wouldn't +suggest these improvements as coming from yourself." + +"I don't understand," said Gordon; "who could they come from?" + +"Well," said Stedman, "if you will allow me to advise--and you see I +know these people pretty well--I would have all these suggestions come +from the President direct." + +"The President!" exclaimed Gordon; "but how? What does the President +know or care about Opeki? and it would take so long--oh, I see, the +cable. Is that what you have been doing?" he asked. + +"Well, only once," said Stedman, guiltily; "that was when he wanted to +turn me out of the consul's office, and I had a cable that very +afternoon, from the President, ordering me to stay where I was. +Ollypybus doesn't understand the cable, of course, but he knows that +it sends messages; and sometimes I pretend to send messages for him to +the President; but he began asking me to tell the President to come +and pay him a visit, and I had to stop it." + +"I'm glad you told me," said Gordon. "The President shall begin to +cable to-morrow. He will need an extra appropriation from Congress to +pay for his private cablegrams alone." + +"And there's another thing," said Stedman. "In all your plans, you've +arranged for the people's improvement, but not for their amusement; +and they are a peaceful, jolly, simple sort of people, and we must +please them." + +"Have they no games or amusements of their own?" asked Gordon. + +"Well, not what we would call games." + +"Very well, then, I'll teach them base-ball. Foot-ball would be too +warm. But that plaza in front of the King's bungalow, where his palace +is going to be, is just the place for a diamond. On the whole, +though," added the consul, after a moment's reflection, "you'd better +attend to that yourself. I don't think it becomes my dignity as +American consul to take off my coat and give lessons to young Opekians +in sliding to bases; do you? No; I think you'd better do that. The +Bradleys will help you, and you had better begin to-morrow. You have +been wanting to know what a secretary of legation's duties are, and +now you know. It's to organize base-ball nines. And after you get +yours ready," he added, as he turned into his room for the night, +"I'll train one that will sweep yours off the face of the island. For +_this_ American consul can pitch three curves." + +The best laid plans of men go far astray, sometimes, and the great and +beautiful city that was to rise on the coast of Opeki was not built in +a day. Nor was it ever built. For before the Bradleys could mark out +the foul-lines for the base-ball field on the plaza, or teach their +standing army the goose step, or lay bamboo pipes for the water-mains, +or clear away the cactus for the extension of the King's palace, the +Hillmen paid Opeki their quarterly visit. + +Albert had called on the King the next morning, with Stedman as his +interpreter, as he had said he would, and, with maps and sketches, had +shown his Majesty what he proposed to do toward improving Opeki and +ennobling her king, and when the King saw Albert's free-hand sketches +of wharves with tall ships lying at anchor, and rows of Opekian +warriors with the Bradleys at their head, and the design for his new +palace, and a royal sedan chair, he believed that these things were +already his, and not still only on paper, and he appointed Albert his +Minister of War, Stedman his Minister of Home Affairs, and selected +two of his wisest and oldest subjects to serve them as joint advisers. +His enthusiasm was even greater than Gordon's, because he did not +appreciate the difficulties. He thought Gordon a semi-god, a worker of +miracles, and urged the putting up of a monument to him at once in the +public plaza, to which Albert objected, on the ground that it would be +too suggestive of an idol; and to which Stedman also objected, but for +the less unselfish reason that it would "be in the way of the +pitcher's box." + +They were feverishly discussing all these great changes, and Stedman +was translating as rapidly as he could translate, the speeches of four +different men--for the two counsellors had been called in--all of whom +wanted to speak at once when there came from outside a great shout, +and the screams of women, and the clashing of iron, and the pattering +footsteps of men running. + +As they looked at one another in startled surprise, a native ran into +the room, followed by Bradley, Jr., and threw himself down before the +King. While he talked, beating his hands and bowing before Ollypybus, +Bradley, Jr., pulled his forelock to the consul, and told how this man +lived on the far outskirts of the village; how he had been captured +while out hunting, by a number of the Hillmen; and how he had escaped +to tell the people that their old enemies were on the war-path again, +and rapidly approaching the village. + +Outside, the women were gathering in the plaza, with the children +about them, and the men were running from hut to hut, warning their +fellows, and arming themselves with spears and swords, and the native +bows and arrows. + +"They might have waited until we had that army trained," said Gordon, +in a tone of the keenest displeasure. "Tell me, quick, what do they +generally do when they come?" + +"Steal all the cattle and goats, and a woman or two, and set fire to +the huts in the outskirts," replied Stedman. + +"Well, we must stop them," said Gordon, jumping up. "We must take out +a flag of truce and treat with them. They must be kept off until I +have my army in working order. It is most inconvenient. If they had +only waited two months, now, or six weeks even, we could have done +something; but now we must make peace. Tell the King we are going out +to fix things with them, and tell him to keep off his warriors until +he learns whether we succeed or fail." + +"But, Gordon!" gasped Stedman. "Albert! You don't understand. Why, +man, this isn't a street-fight or a cane-rush. They'll stick you full +of spears, dance on your body, and eat you, maybe. A flag of +truce!--you're talking nonsense. What do they know of a flag of +truce?" + +"You're talking nonsense, too," said Albert, "and you're talking to +your superior officer. If you are not with me in this, go back to your +cable, and tell the man in Octavia that it's a warm day, and that the +sun is shining; but if you've any spirit in you--and I think you +have--run to the office and get my Winchester rifles, and the two +shot-guns, and my revolvers, and my uniform, and a lot of brass things +for presents, and run all the way there and back. And make time. Play +you're riding a bicycle at the Agricultural Fair." + +Stedman did not hear this last, for he was already off and away, +pushing through the crowd, and calling on Bradley, Sr., to follow him. +Bradley, Jr., looked at Gordon with eyes that snapped, like a dog that +is waiting for his master to throw a stone. + +"I can fire a Winchester, sir," he said. "Old Tom can't. He's no good +at long range 'cept with a big gun, sir. Don't give him the +Winchester. Give it to me, please, sir." + +Albert met Stedman in the plaza, and pulled off his blazer, and put on +Captain Travis's--now his--uniform coat, and his white pith helmet. + +"Now, Jack," he said, "get up there and tell these people that we are +going out to make peace with these Hillmen, or bring them back +prisoners of war. Tell them we are the preservers of their homes and +wives and children; and you, Bradley, take these presents, and young +Bradley, keep close to me, and carry this rifle." + +Stedman's speech was hot and wild enough to suit a critical and +feverish audience before a barricade in Paris. And when he was +through, Gordon and Bradley punctuated his oration by firing off the +two Winchester rifles in the air, at which the people jumped and fell +on their knees, and prayed to their several gods. The fighting men of +the village followed the four white men to the outskirts, and took up +their stand there as Stedman told them to do, and the four walked on +over the roughly hewn road, to meet the enemy. + +Gordon walked with Bradley, Jr., in advance. Stedman and old Tom +Bradley followed close behind with the two shot-guns, and the presents +in a basket. + +"Are these Hillmen used to guns?" asked Gordon. Stedman said no, they +were not. "This shot-gun of mine is the only one on the island," he +explained, "and we never came near enough them before to do anything +with it. It only carries a hundred yards. The Opekians never make any +show of resistance. They are quite content if the Hillmen satisfy +themselves with the outlying huts, as long as they leave them and the +town alone; so they seldom come to close quarters." + +The four men walked on for half an hour or so in silence, peering +eagerly on every side; but it was not until they had left the woods +and marched out into the level stretch of grassy country that they +came upon the enemy. The Hillmen were about forty in number, and were +as savage and ugly-looking giants as any in a picture-book. They had +captured a dozen cows and goats, and were driving them on before them, +as they advanced farther upon the village. When they saw the four men, +they gave a mixed chorus of cries and yells, and some of them stopped, +and others ran forward, shaking their spears, and shooting their broad +arrows into the ground before them. A tall, gray-bearded, muscular old +man, with a skirt of feathers about him, and necklaces of bones and +animals' claws around his bare chest, ran in front of them, and seemed +to be trying to make them approach more slowly. + +"Is that Messenwah?" asked Gordon. + +"Yes," said Stedman; "he is trying to keep them back. I don't believe +he ever saw a white man before." + +"Stedman," said Albert, speaking quickly, "give your gun to Bradley, +and go forward with your arms in the air, and waving your +handkerchief, and tell them in their language that the King is coming. +If they go at you, Bradley and I will kill a goat or two, to show them +what we can do with the rifles; and if that don't stop them, we will +shoot at their legs; and if that don't stop them--I guess you'd better +come back, and we'll all run." + +Stedman looked at Albert, and Albert looked at Stedman, and neither of +them winced or flinched. + +"Is this another of my secretary's duties?" asked the younger boy. + +"Yes," said the consul; "but a resignation is always in order. You +needn't go if you don't like it. You see, you know the language and I +don't, but I know how to shoot, and you don't." + +"That's perfectly satisfactory," said Stedman, handing his gun to old +Bradley. "I only wanted to know why I was to be sacrificed instead of +one of the Bradleys. It's because I know the language. Bradley, Sr., +you see the evil results of a higher education. Wish me luck, please," +he said, "and for goodness' sake," he added impressively, "don't waste +much time shooting goats." + +The Hillmen had stopped about two hundred yards off, and were drawn up +in two lines, shouting, and dancing, and hurling taunting remarks at +their few adversaries. The stolen cattle were bunched together back of +the King. As Stedman walked steadily forward with his handkerchief +fluttering, and howling out something in their own tongue, they +stopped and listened. As he advanced, his three companions followed +him at about fifty yards in the rear. He was one hundred and fifty +yards from the Hillmen before they made out what he said, and then one +of the young braves, resenting it as an insult to his chief, shot an +arrow at him. Stedman dodged the arrow and stood his ground without +even taking a step backward, only turning slightly to put his hands to +his mouth, and to shout something which sounded to his companions +like, "About time to begin on the goats." But the instant the young +man had fired, King Messenwah swung his club and knocked him down, and +none of the others moved. Then Messenwah advanced before his men to +meet Stedman, and on Stedman's opening and shutting his hands to show +that he was unarmed, the King threw down his club and spears, and came +forward as empty-handed as himself. + +"Ah," gasped Bradley, Jr., with his finger trembling on his lever, +"let me take a shot at him now." Gordon struck the man's gun up, and +walked forward in all the glory of his gold and blue uniform; for both +he and Stedman saw now that Messenwah was more impressed by their +appearance, and in the fact that they were white men, than with any +threats of immediate war. So when he saluted Gordon haughtily, that +young man gave him a haughty nod in return, and bade Stedman tell the +King that he would permit him to sit down. The King did not quite +appear to like this, but he sat down, nevertheless, and nodded his +head gravely. + +"Now tell him," said Gordon, "that I come from the ruler of the +greatest nation on earth, and that I recognize Ollypybus as the only +King of this island, and that I come to this little three-penny King +with either peace and presents, or bullets and war." + +"Have I got to tell him he's a little threepenny King?" said Stedman, +plaintively. + +"No; you needn't give a literal translation; it can be as free as you +please." + +"Thanks," said the secretary, humbly. + +"And tell him," continued Gordon, "that we will give presents to him +and his warriors if he keeps away from Ollypybus, and agrees to keep +away always. If he won't do that, try to get him to agree to stay away +for three months at least, and by that time we can get word to San +Francisco, and have a dozen muskets over here in two months; and when +our time of probation is up, and he and his merry men come dancing +down the hillside, we will blow them up as high as his mountains. But +you needn't tell him that, either. And if he is proud and haughty, and +would rather fight, ask him to restrain himself until we show what we +can do with our weapons at two hundred yards." + +Stedman seated himself in the long grass in front of the King, and +with many revolving gestures of his arms, and much pointing to Gordon, +and profound nods and bows, retold what Gordon had dictated. When he +had finished, the King looked at the bundle of presents, and at the +guns, of which Stedman had given a very wonderful account, but +answered nothing. + +"I guess," said Stedman, with a sigh, "that we will have to give him a +little practical demonstration to help matters. I am sorry, but I +think one of those goats has got to die. It's like vivisection. The +lower order of animals have to suffer for the good of the higher." + +"Oh," said Bradley, Jr., cheerfully, "I'd just as soon shoot one of +those niggers as one of the goats." + +So Stedman bade the King tell his men to drive a goat toward them, and +the King did so, and one of the men struck one of the goats with his +spear, and it ran clumsily across the plain. + +"Take your time, Bradley," said Gordon. + +"Aim low, and if you hit it, you can have it for supper." + +"And if you miss it," said Stedman, gloomily, "Messenwah may have us +for supper." + +The Hillmen had seated themselves a hundred yards off, while the +leaders were debating, and they now rose curiously and watched +Bradley, as he sank upon one knee, and covered the goat with his +rifle. When it was about one hundred and fifty yards off he fired, and +the goat fell over dead. + +And then all the Hillmen, with the King himself, broke away on a run, +toward the dead animal, with much shouting. The King came back alone, +leaving his people standing about and examining the goat. He was much +excited, and talked and gesticulated violently. + +"He says--" said Stedman; "he says--" + +"What? yes, goon." + +"He says--goodness me!--what do you think he says?" + +"Well, what does he say?" cried Gordon, in great excitement. "Don't +keep it all to yourself." + +"He says," said Stedman, "that we are deceived; that he is no longer +King of the Island of Opeki; that he is in great fear of us, and that +he has got himself into no end of trouble. He says he sees that we are +indeed mighty men, that to us he is as helpless as the wild boar +before the javelin of the hunter." + +"Well, he's right," said Gordon. "Go on." + +"But that which we ask is no longer his to give. He has sold his +kingship and his right to this island to another king, who came to him +two days ago in a great canoe, and who made noises as we do--with +guns, I suppose he means--and to whom he sold the island for a watch +that he has in a bag around his neck. And that he signed a paper, and +made marks on a piece of bark, to show that he gave up the island +freely and forever." + +"What does he mean?" said Gordon. "How can he give up the island? +Ollypybus is the king of half of it, anyway, and he knows it." + +"That's just it," said Stedman. "That's what frightens him. He said he +didn't care about Ollypybus, and didn't count him in when he made the +treaty, because he is such a peaceful chap that he knew he could +thrash him into doing anything he wanted him to do. And now that you +have turned up and taken Ollypybus's part, he wishes he hadn't sold +the island, and wishes to know if you are angry." + +"Angry? of course I'm angry," said Gordon, glaring as grimly at the +frightened monarch as he thought was safe. "Who wouldn't be angry? Who +do you think these people were who made a fool of him, Stedman? Ask +him to let us see this watch." + +Stedman did so, and the King fumbled among his necklaces until he had +brought out a leather bag tied round his neck with a cord, and +containing a plain stem-winding silver watch marked on the inside +"Munich." + +"That doesn't tell anything," said Gordon. "But it's plain enough. +Some foreign ship of war has settled on this place as a +coaling-station, or has annexed it for colonization, and they've sent +a boat ashore, and they've made a treaty with this old chap, and +forced him to sell his birthright for a mess of porridge. Now, that's +just like those monarchical pirates, imposing upon a poor old black." + +Old Bradley looked at him impudently. + +"Not at all," said Gordon; "it's quite different with us; we don't +want to rob him or Ollypybus, or to annex their land. All we want to +do is to improve it, and have the fun of running it for them and +meddling in their affairs of state. Well, Stedman," he said, "what +shall we do?" + +Stedman said that the best and only thing to do was to threaten to +take the watch away from Messenwah, but to give him a revolver +instead, which would make a friend of him for life, and to keep him +supplied with cartridges only as long as he behaved himself, and then +to make him understand that, as Ollypybus had not given his consent to +the loss of the island, Messenwah's agreement, or treaty, or whatever +it was, did not stand, and that he had better come down the next day, +early in the morning, and join in a general consultation. This was +done, and Messenwah agreed willingly to their proposition, and was +given his revolver and shown how to shoot it, while the other presents +were distributed among the other men, who were as happy over them as +girls with a full dance-card. + +"And now, to-morrow," said Stedman, "understand, you are all to come +down unarmed, and sign a treaty with great Ollypybus, in which he will +agree to keep to one-half of the island if you keep to yours, and +there must be no more wars or goat-stealing, or this gentleman on my +right and I will come up and put holes in you just as the gentleman on +the left did with the goat." + +Messenwah and his warriors promised to come early, and saluted +reverently as Gordon and his three companions walked up together very +proudly and stiffly. + +"Do you know how I feel?" said Gordon. + +"How?" asked Stedman. + +"I feel as I used to do in the city, when the boys in the street were +throwing snowballs, and I had to go by with a high hat on my head and +pretend not to know they were behind me. I always felt a cold chill +down my spinal column, and I could feel that snowball, whether it came +or not, right in the small of my back. And I can feel one of those men +pulling his bow now, and the arrow sticking out of my right shoulder." + +"Oh, no, you can't," said Stedman. "They are too much afraid of those +rifles. But I do feel sorry for any of those warriors whom old man +Messenwah doesn't like, now that he has that revolver. He isn't the +sort to practise on goats." + +There was great rejoicing when Stedman and Gordon told their story to +the King, and the people learned that they were not to have their huts +burned and their cattle stolen. The armed Opekians formed a guard +around the ambassadors and escorted them to their homes with cheers +and shouts, and the women ran to their side and tried to kiss Gordon's +hand. + +"I'm sorry I can't speak the language, Stedman," said Gordon, "or I +would tell them what a brave man you are. You are too modest to do it +yourself, even if I dictated something for you to say. As for me," he +said, pulling off his uniform, "I am thoroughly disgusted and +disappointed. It never occurred to me until it was all over that this +was my chance to be a war correspondent. It wouldn't have been much of +a war, but then I would have been the only one on the spot, and that +counts for a great deal. Still, my time may come." + +"We have a great deal on hand for to-morrow," said Gordon that +evening, "and we had better turn in early." + +And so the people were still singing and rejoicing down in the village +when the two conspirators for the peace of the country went to sleep +for the night. It seemed to Gordon as though he had hardly turned his +pillow twice to get the coolest side when some one touched him, and he +saw, by the light of the dozen glowworms in the tumbler by his +bedside, a tall figure at its foot. + +"It's me--Bradley," said the figure. + +"Yes," said Gordon, with the haste of a man to show that sleep has no +hold on him; "exactly; what is it?" + +"There is a ship of war in the harbor," Bradley answered in a whisper. +"I heard her anchor chains rattle when she came to, and that woke me. +I could hear that if I were dead. And then I made sure by her lights; +she's a great boat, sir, and I can know she's a ship of war by the +challenging when they change the watch. I thought you'd like to know, +sir." + +Gordon sat up and clutched his knees with his hands. "Yes, of course," +he said; "you are quite right. Still, I don't see what there is to +do." + +He did not wish to show too much youthful interest, but though fresh +from civilization, he had learned how far from it he was, and he was +curious to see this sign of it that had come so much more quickly than +he had anticipated. + +"Wake Mr. Stedman, will you?" said he, "and we will go and take a look +at her." + +"You can see nothing but the lights," said Bradley, as he left the +room; "it's a black night, sir." + +Stedman was not new from the sight of men and ships of war, and came +in half dressed and eager. + +"Do you suppose it's the big canoe Messenwah spoke of?" he said. + +"I thought of that," said Gordon. + +The three men fumbled their way down the road to the plaza, and saw, +as soon as they turned into it, the great outlines and the brilliant +lights of an immense vessel, still more immense in the darkness, and +glowing like a strange monster of the sea, with just a suggestion here +and there, where the lights spread, of her cabins and bridges. As they +stood on the shore, shivering in the cool night-wind, they heard the +bells strike over the water. + +"It's two o'clock," said Bradley, counting. + +"Well, we can do nothing, and they cannot mean to do much to-night," +Albert said. "We had better get some more sleep, and, Bradley, you +keep watch and tell us as soon as day breaks." + +"Ay, ay, sir," said the sailor. + +"If that's the man-of-war that made the treaty with Messenwah, and +Messenwah turns up to-morrow, it looks as if our day would be pretty +well filled up," said Albert, as they felt their way back to the +darkness. + +"What do you intend to do?" asked his secretary, with a voice of some +concern. + +"I don't know," Albert answered gravely, from the blackness of the +night. "It looks as if we were getting ahead just a little too fast, +doesn't it? Well," he added, as they reached the house, "let's try to +keep in step with the procession, even if we can't be drum-majors and +walk in front of it." And with this cheering tone of confidence in +their ears, the two diplomats went soundly asleep again. + +The light of the rising sun filled the room, and the parrots were +chattering outside, when Bradley woke him again. + +"They are sending a boat ashore, sir," he said, excitedly, and filled +with the importance of the occasion. "She's a German man-of-war, and +one of the new model. A beautiful boat, sir; for her lines were laid +in Glasgow, and I can tell that, no matter what flag she flies. You +had best be moving to meet them: the village isn't awake yet." + +Albert took a cold bath and dressed leisurely; then he made Bradley, +Jr., who had slept through it all, get up breakfast, and the two young +men ate it and drank their coffee comfortably and with an air of +confidence that deceived their servants, if it did not deceive +themselves. But when they came down the path, smoking and swinging +their sticks, and turned into the plaza, their composure left them +like a mask, and they stopped where they stood. The plaza was enclosed +by the natives gathered in whispering groups, and depressed by fear +and wonder. On one side were crowded all the Messenwah warriors, +unarmed, and as silent and disturbed as the Opekians. In the middle of +the plaza some twenty sailors were busy rearing and bracing a tall +flag-staff that they had shaped from a royal palm, and they did this +as unconcernedly and as contemptuously, and with as much indifference +to the strange groups on either side of them, as though they were +working on a barren coast, with nothing but the startled sea-gulls +about them. As Albert and Stedman came upon the scene, the flagpole +was in place, and the halyards hung from it with a little bundle of +bunting at the end of one of them. + +"We must find the King at once," said Gordon. He was terribly excited +and angry. "It is easy enough to see what this means. They are going +through the form of annexing this island to the other lands of the +German Government. They are robbing old Ollypybus of what is his. They +have not even given him a silver watch for it." + +The King was in his bungalow, facing the plaza. Messenwah was with +him, and an equal number of each of their councils. The common danger +had made them lie down together in peace; but they gave a murmur of +relief as Gordon strode into the room with no ceremony, and greeted +them with a curt wave of the hand. + +"Now then, Stedman, be quick," he said. "Explain to them what this +means; tell them that I will protect them; that I am anxious to see +that Ollypybus is not cheated; that we will do all we can for them." + +Outside, on the shore, a second boat's crew had landed a group of +officers and a file of marines. They walked in all the dignity of full +dress across the plaza to the flag-pole, and formed in line on the +three sides of it, with the marines facing the sea. The officers, from +the captain with a prayer-book in his hand, to the youngest middy, +were as indifferent to the frightened natives about them as the other +men had been. The natives, awed and afraid, crouched back among their +huts, the marines and the sailors kept their eyes front, and the +German captain opened his prayer-book. The debate in the bungalow was +over. + +"If you only had your uniform, sir," said Bradley, Sr., miserably. + +"This is a little bit too serious for uniforms and bicycle medals," +said Gordon. "And these men are used to gold lace." + +He pushed his way through the natives, and stepped confidently across +the plaza. The youngest middy saw him coming, and nudged the one next +him with his elbow, and he nudged the next, but none of the officers +moved, because the captain had begun to read. + +"One minute, please," called Gordon. + +He stepped out into the hollow square formed by the marines, and +raised his helmet to the captain. + +"Do you speak English or French?" Gordon said in French; "I do not +understand German." + +The captain lowered the book in his hands and gazed reflectively at +Gordon through his spectacles, and made no reply. + +"If I understand this," said the younger man, trying to be very +impressive and polite, "you are laying claim to this land, in behalf +of the German Government." + +The captain continued to observe him thoughtfully, and then said, +"That is so," and then asked, "Who are you?" + +"I represent the King of this island, Ollypybus, whose people you see +around you. I also represent the United States Government, that does +not tolerate a foreign power near her coast, since the days of +President Monroe and before. The treaty you have made with Messenwah +is an absurdity. There is only one king with whom to treat, and he--" + +The captain turned to one of his officers and said something, and +then, after giving another curious glance at Gordon, raised his book +and continued reading, in a deep, unruffled monotone. The officer +whispered an order, and two of the marines stepped out of line, and +dropping the muzzles of their muskets, pushed Gordon back out of the +enclosure, and left him there with his lips white, and trembling all +over with indignation. He would have liked to have rushed back into +the lines and broken the captain's spectacles over his sun-tanned nose +and cheeks, but he was quite sure this would only result in his +getting shot, or in his being made ridiculous before the natives, +which was almost as bad; so he stood still for a moment, with his +blood choking him, and then turned and walked back to where the King +and Stedman were whispering together. Just as he turned, one of the +men pulled the halyards, the ball of bunting ran up into the air, +bobbed, twitched, and turned, and broke into the folds of the German +flag. At the same moment the marines raised their muskets and fired a +volley, and the officers saluted and the sailors cheered. + +"Do you see that?" cried Stedman, catching Gordon's humor, to +Ollypybus; "that means that you are no longer king, that strange +people are coming here to take your land, and to turn your people into +servants, and to drive you back into the mountains. Are you going to +submit? are you going to let that flag stay where it is?" + +Messenwah and Ollypybus gazed at one another with fearful, helpless +eyes. "We are afraid," Ollypybus cried; "we do not know what we should +do." + +"What do they say?" + +"They say they do not know what to do." + +"I know what I'd do," cried Gordon. "If I were not an American consul, +I'd pull down their old flag, and put a hole in their boat and sink +her." + +"Well, I'd wait until they get under way before you do either of those +things," said Stedman, soothingly. "That captain seems to be a man of +much determination of character." + +"But I will pull it down," cried Gordon. "I will resign, as Travis +did. I am no longer consul. You can be consul if you want to. I +promote you. I am going up a step higher. I mean to be king. Tell +those two," he ran on, excitedly, "that their only course and only +hope is in me; that they must make me ruler of the island until this +thing is over; that I will resign again as soon as it is settled, but +that some one must act at once, and if they are afraid to, I am not, +only they must give me authority to act for them. They must abdicate +in my favor." + +"Are you in earnest?" gasped Stedman. + +"Don't I talk as if I were?" demanded Gordon, wiping the perspiration +from his forehead. + +"And can I be consul?" said Stedman, cheerfully. + +"Of course. Tell them what I propose to do." + +Stedman turned and spoke rapidly to the two kings. The people gathered +closer to hear. + +The two rival monarchs looked at one another in silence for a moment, +and then both began to speak at once, their counsellors interrupting +them and mumbling their guttural comments with anxious earnestness. It +did not take them very long to see that they were all of one mind, and +then they both turned to Gordon and dropped on one knee, and placed +his hands on their foreheads, and Stedman raised his cap. + +"They agree," he explained, for it was but pantomime to Albert. "They +salute you as a ruler; they are calling you Tellaman, which means +peacemaker. The Peacemaker, that is your title. I hope you will +deserve it, but I think they might have chosen a more appropriate +one." + +"Then I'm really King?" demanded Albert, decidedly, "and I can do what +I please? They give me full power. Quick, do they?" + +"Yes, but don't do it," begged Stedman, "and just remember I am +American consul now, and that is a much superior being to a crowned +monarch; you said so yourself." + +Albert did not reply to this, but ran across the plaza, followed by +the two Bradleys. The boats had gone. + +"Hoist that flag beside the brass cannon," he cried, "and stand ready +to salute it when I drop this one." + +Bradley, Jr., grasped the halyards of the flag, which he had forgotten +to raise and salute in the morning in all the excitement of the +arrival of the man-of-war. Bradley, Sr., stood by the brass cannon, +blowing gently on his lighted fuse. The Peacemaker took the halyards +of the German flag in his two hands, gave a quick, sharp tug, and down +came the red, white, and black piece of bunting, and the next moment +young Bradley sent the Stars and Stripes up in its place. As it rose, +Bradley's brass cannon barked merrily like a little bull-dog, and the +Peacemaker cheered. + +"Why don't you cheer, Stedman?" he shouted. "Tell those people to +cheer for all they are worth. What sort of an American consul are +you?" + +Stedman raised his arm half-heartedly to give the time, and opened his +mouth; but his arm remained fixed and his mouth open, while his eyes +stared at the retreating boat of the German man-of-war. In the stern +sheets of this boat the stout German captain was struggling unsteadily +to his feet; he raised his arm and waved it to some one on the great +man-of-war, as though giving an order. The natives looked from Stedman +to the boat, and even Gordon stopped in his cheering, and stood +motionless, watching. They had not very long to wait. There was a puff +of white smoke, and a flash, and then a loud report, and across the +water came a great black ball skipping lightly through and over the +waves, as easily as a flat stone thrown by a boy. It seemed to come +very slowly. At least it came slowly enough for every one to see that +it was coming directly toward the brass cannon. The Bradleys certainly +saw this, for they ran as fast as they could, and kept on running. The +ball caught the cannon under its mouth and tossed it in the air, +knocking the flag-pole into a dozen pieces, and passing on through two +of the palm-covered huts. + +"Great Heavens, Gordon!" cried Stedman; "they are firing on us." + +But Gordon's face was radiant and wild. + +"Firing on _us_!" he cried. "On us! Don't you see? Don't you understand? +What do _we_ amount to? They have fired on the American flag! Don't +you see what that means? It means war. A great international war. And +I am a war correspondent at last!" He ran up to Stedman and seized him +by the arm so tightly that it hurt. + +"By three o'clock," he said, "they will know in the office what has +happened. The country will know it to-morrow when the paper is on the +street; people will read it all over the world. The Emperor will hear +of it at breakfast; the President will cable for further particulars. +He will get them. It is the chance of a lifetime, and we are on the +spot!" + +Stedman did not hear this; he was watching the broadside of the ship +to see another puff of white smoke, but there came no such sign. The +two row-boats were raised, there was a cloud of black smoke from the +funnel, a creaking of chains sounding faintly across the water, and +the ship started at half-speed and moved out of the harbor. The +Opekians and the Hillmen fell on their knees, or to dancing, as best +suited their sense of relief, but Gordon shook his head. + +"They are only going to land the marines," he said; "perhaps they are +going to the spot they stopped at before, or to take up another +position farther out at sea. They will land men and then shell the +town, and the land forces will march here and co-operate with the +vessel, and everybody will be taken prisoner or killed. We have the +centre of the stage, and we are making history." + +"I'd rather read it than make it," said Stedman. "You've got us in a +senseless, silly position, Gordon, and a mighty unpleasant one. And +for no reason that I can see, except to make copy for your paper." + +"Tell those people to get their things together," said Gordon, "and +march back out of danger into the woods. Tell Ollypybus I am going to +fix things all right; I don't know just how yet, but I will, and now +come after me as quickly as you can to the cable office. I've got to +tell the paper all about it." + +It was three o'clock before the "chap at Octavia" answered Stedman's +signalling. Then Stedman delivered Gordon's message, and immediately +shut off all connection, before the Octavia operator could question +him. Gordon dictated his message in this way:-- + +"Begin with the date line, 'Opeki, June 22.' + +"At seven o'clock this morning, the captain and officers of the German +man-of-war _Kaiser_ went through the ceremony of annexing this +island in the name of the German Emperor, basing their right to do so +on an agreement made with a leader of a wandering tribe known as the +Hillmen. King Ollypybus, the present monarch of Opeki, delegated his +authority, as also did the leader of the Hillmen, to King Tellaman, or +the Peacemaker, who tore down the German flag, and raised that of the +United States in its place. At the same moment the flag was saluted by +the battery. This salute, being mistaken for an attack on the +_Kaiser_, was answered by that vessel. Her first shot took +immediate effect, completely destroying the entire battery of the +Opekians, cutting down the American flag, and destroying the houses of +the people--" + +"There was only one brass cannon and two huts," expostulated Stedman. + +"Well, that was the whole battery, wasn't it?" asked Gordon, "and two +huts is plural. I said houses of the people. I couldn't say two houses +of the people. Just you send this as you get it. You are not an +American consul at the present moment. You are an under-paid agent of +a cable company, and you send my stuff as I write it. The American +residents have taken refuge in the consulate--that's us," explained +Gordon, "and the English residents have sought refuge in the +woods--that's the Bradleys. King Tellaman--that's me--declares his +intention of fighting against the annexation. The forces of the +Opekians are under the command of Captain Thomas Bradley--I guess I +might as well make him a colonel--of Colonel Thomas Bradley, of the +English army. + +"The American consul says--Now, what do you say, Stedman? Hurry up, +please," asked Gordon, "and say something good and strong." + +"You get me all mixed up," complained Stedman, plaintively. "Which am +I now, a cable operator or the American consul?" + +"Consul, of course. Say something patriotic and about your +determination to protect the interests of your government, and all +that." Gordon bit the end of his pencil impatiently, and waited. + +"I won't do anything of the sort, Gordon," said Stedman; "you are +getting me into an awful lot of trouble, and yourself too. I won't say +a word." + +"The American consul," read Gordon, as his pencil wriggled across the +paper, "refuses to say anything for publication until he has +communicated with the authorities at Washington, but from all I can +learn he sympathizes entirely with Tellaman. Your correspondent has +just returned from an audience with King Tellaman, who rules him to +inform the American people that the Monroe doctrine will be sustained +as long as he rules this island. I guess that's enough to begin with," +said Gordon. "Now send that off quick, and then get away from the +instrument before the man in Octavia begins to ask questions. I am +going out to precipitate matters." + +Gordon found the two kings sitting dejectedly side by side, and gazing +grimly upon the disorder of the village, from which the people were +taking their leave as quickly as they could get their few belongings +piled upon the ox-carts. Gordon walked among them, helping them in +every way he could, and tasting, in their subservience and gratitude, +the sweets of sovereignty. When Stedman had locked up the cable office +and rejoined him, he bade him tell Messenwah to send three of his +youngest men and fastest runners back to the hills to watch for the +German vessel and see where she was attempting to land her marines. + +"This is a tremendous chance for descriptive writing, Stedman," said +Gordon, enthusiastically; "all this confusion and excitement, and the +people leaving their homes, and all that. It's like the people getting +out of Brussels before Waterloo, and then the scene at the foot of the +mountains, while they are camping out there, until the Germans leave. +I never had a chance like this before." + +It was quite dark by six o'clock, and none of the three messengers had +as yet returned. Gordon walked up and down the empty plaza and looked +now at the horizon for the man-of-war, and again down the road back of +the village. But neither the vessel nor the messengers bearing word of +her appeared. The night passed without any incident, and in the +morning Gordon's impatience became so great that he walked out to +where the villagers were in camp and passed on half way up the +mountain, but he could see no sign of the man-of-war. He came back +more restless than before, and keenly disappointed. + +"If something don't happen before three o'clock, Stedman," he said, +"our second cablegram will have to consist of glittering generalities +and a lengthy interview with King Tellaman, by himself." + +Nothing did happen. Ollypybus and Messenwah began to breathe more +freely. They believed the new king had succeeded in frightening the +German vessel away forever. But the new king upset their hopes by +telling them that the Germans had undoubtedly already landed, and had +probably killed the three messengers. + +"Now then," he said, with pleased expectation, as Stedman and he +seated themselves in the cable office at three o'clock, "open it up +and let's find out what sort of an impression we have made." + +Stedman's face, as the answer came in to his first message of +greeting, was one of strangely marked disapproval. + +"What does he say?" demanded Gordon, anxiously. + +"He hasn't done anything but swear yet," answered Stedman, grimly. + +"What is he swearing about?" + +"He wants to know why I left the cable yesterday. He says he has been +trying to call me up for the last twenty-four hours, ever since I sent +my message at three o'clock. The home office is jumping mad, and want +me discharged. They won't do that, though," he said, in a cheerful +aside, "because they haven't paid me my salary for the last eight +months. He says--great Scott! this will please you, Gordon--he says +that there have been over two hundred queries for matter from papers +all over the United States, and from Europe. Your paper beat them on +the news, and now the home office is packed with San Francisco +reporters, and the telegrams are coming in every minute, and they have +been abusing him for not answering them, and he says that I'm a fool. +He wants as much as you can send, and all the details. He says all the +papers will have to put 'By Yokohama Cable Company' on the top of each +message they print, and that that is advertising the company, and is +sending the stock up. It rose fifteen points on 'change in San +Francisco to-day, and the president and the other officers are +buying--" + +"Oh, I don't want to hear about their old company," snapped out +Gordon, pacing up and down in despair. "What am I to do? that's what I +want to know. Here I have the whole country stirred up and begging for +news. On their knees for it, and a cable all to myself, and the only +man on the spot, and nothing to say. I'd just like to know how long +that German idiot intends to wait before he begins shelling this town +and killing people. He has put me in a most absurd position." + +"Here's a message for you, Gordon," said Stedman, with business-like +calm. "Albert Gordon, correspondent," he read. "Try American consul. +First message O.K.; beat the country; can take all you send. Give +names of foreign residents massacred, and fuller account blowing up +palace. Dodge." + +The expression on Gordon's face as this message was slowly read off to +him, had changed from one of gratified pride to one of puzzled +consternation. + +"What's he mean by foreign residents massacred, and blowing up of +palace?" asked Stedman, looking over his shoulder anxiously. "Who is +Dodge?" + +"Dodge is the night editor," said Gordon, nervously. "They must have +read my message wrong. You sent just what I gave you, didn't you?" he +asked. + +"Of course I did," said Stedman, indignantly. + +"I didn't say anything about the massacre of anybody, did I?" asked +Gordon. "I hope they are not improving on my account. What _am_ I +to do? This is getting awful. I'll have to go out and kill a few +people myself. Oh, why don't that Dutch captain begin to do something! +What sort of a fighter does he call himself? He wouldn't shoot at a +school of porpoises. He's not--" + +"Here comes a message to Leonard T. Travis, American consul, Opeki," +read Stedman. "It's raining messages to-day. 'Send full details of +massacre of American citizens by German sailors.' Secretary of--great +Scott!" gasped Stedman, interrupting himself and gazing at his +instrument with horrified fascination--"the Secretary of State." + +"That settles it," roared Gordon, pulling at his hair and burying his +face in his hands. "I have _got_ to kill some of them now." + +"Albert Gordon, correspondent," read Stedman, impressively, like the +voice of Fate. "Is Colonel Thomas Bradley, commanding native forces +at Opeki, Colonel Sir Thomas Kent-Bradley of Crimean war fame? +Correspondent London _Times_, San Francisco Press Club." + +"Go on, go on!" said Gordon, desperately. "I'm getting used to it now. +Go on!" + +"American consul, Opeki," read Stedman. "Home Secretary desires you to +furnish list of names English residents killed during shelling of +Opeki by ship of war _Kaiser_, and estimate of amount property +destroyed. Stoughton, British Embassy, Washington." + +"Stedman!" cried Gordon, jumping to his feet, "there's a mistake here +somewhere. These people cannot all have made my message read like +that. Some one has altered it, and now I have got to make these people +here live up to that message, whether they like being massacred and +blown up or not. Don't answer any of those messages except the one +from Dodge; tell him things have quieted down a bit, and that I'll +send four thousand words on the flight of the natives from the +village, and their encampment at the foot of the mountains, and of the +exploring party we have sent out to look for the German vessel; and +now I am going out to make something happen." + +Gordon said that he would be gone for two hours at least, and as +Stedman did not feel capable of receiving any more nerve-stirring +messages, he cut off all connection with Octavia by saying, "Good-by +for two hours," and running away from the office. He sat down on a +rock on the beach, and mopped his face with his handkerchief. + +"After a man has taken nothing more exciting than weather reports from +Octavia for a year," he soliloquized, "it's a bit disturbing to have +all the crowned heads of Europe and their secretaries calling upon you +for details of a massacre that never came off." + +At the end of two hours Gordon returned from the consulate with a mass +of manuscript in his hand. + +"Here's three thousand words," he said, desperately. "I never wrote +more and said less in my life. It will make them weep at the office. I +had to pretend that they knew all that had happened so far; they +apparently do know more than we do, and I have filled it full of +prophecies of more trouble ahead, and with interviews with myself and +the two ex-Kings. The only news element in it is, that the messengers +have returned to report that the German vessel is not in sight, and +that there is no news. They think she has gone for good. Suppose she +has, Stedman," he groaned, looking at him helplessly, "what _am_ +I going to do?" + +"Well, as for me," said Stedman, "I'm afraid to go near that cable. +It's like playing with a live wire. My nervous system won't stand many +more such shocks as those they gave us this afternoon." + +Gordon threw himself down dejectedly in a chair in the office, and +Stedman approached his instrument gingerly, as though it might +explode. + +"He's swearing again," he explained, sadly, in answer to Gordon's look +of inquiry. "He wants to know when I am going to stop running away +from the wire. He has a stack of messages to send, he says, but I +guess he'd better wait and take your copy first; don't you think so?" + +"Yes, I do," said Gordon. "I don't want any more messages than I've +had. That's the best I can do," he said, as he threw his manuscript +down beside Stedman. "And they can keep on cabling until the wire +burns red hot, and they won't get any more." + +There was silence in the office for some time, while Stedman looked +over Gordon's copy, and Gordon stared dejectedly out at the ocean. + +"This is pretty poor stuff, Gordon," said Stedman. "It's like giving +people milk when they want brandy." + +"Don't you suppose I know that?" growled Gordon. "It's the best I can +do, isn't it? It's not my fault that we are not all dead now. I can't +massacre foreign residents if there are no foreign residents, but I +can commit suicide, though, and I'll do it if something don't happen." + +There was a long pause, in which the silence of the office was only +broken by the sound of the waves beating on the coral reefs outside. +Stedman raised his head wearily. + +"He's swearing again," he said; "he says this stuff of yours is all +nonsense. He says stock in the Y.C.C. has gone up to one hundred and +two, and that owners are unloading and making their fortunes, and that +this sort of descriptive writing is not what the company want." + +"What's he think I'm here for?" cried Gordon. "Does he think I pulled +down the German flag and risked my neck half a dozen times and had +myself made King just to boom his Yokohama cable stock? Confound him! +You might at least swear back. Tell him just what the situation is in +a few words. Here, stop that rigmarole to the paper, and explain to +your home office that we are awaiting developments, and that, in the +meanwhile, they must put up with the best we can send them. Wait; send +this to Octavia." + +Gordon wrote rapidly, and read what he wrote as rapidly as it was +written. + +"Operator, Octavia. You seem to have misunderstood my first message. +The facts in the case are these. A German man-of-war raised a flag on +this island. It was pulled down and the American flag raised in its +place and saluted by a brass cannon. The German man-of-war fired once +at the flag and knocked it down, and then steamed away and has not +been seen since. Two huts were upset, that is all the damage done; the +battery consisted of the one brass cannon before mentioned. No one, +either native or foreign, has been massacred. The English residents +are two sailors. The American residents are the young man who is +sending you this cable and myself. Our first message was quite true in +substance, but perhaps misleading in detail. I made it so because I +fully expected much more to happen immediately. Nothing has happened, +or seems likely to happen, and that is the exact situation up to date. +Albert Gordon." + +"Now," he asked, after a pause, "what does he say to that?" + +"He doesn't say anything," said Stedman. + +"I guess he has fainted. Here it comes," he added in the same breath. +He bent toward his instrument, and Gordon raised himself from his +chair and stood beside him as he read it off. The two young men hardly +breathed in the intensity of their interest. + +"Dear Stedman," he slowly read aloud. "You and your young friend are a +couple of fools. If you had allowed me to send you the messages +awaiting transmission here to you, you would not have sent me such a +confession of guilt as you have just done. You had better leave Opeki +at once or hide in the hills. I am afraid I have placed you in a +somewhat compromising position with the company, which is unfortunate, +especially as, if I am not mistaken, they owe you some back pay. You +should have been wiser in your day, and bought Y.C.C. stock when it +was down to five cents, as 'yours truly' did. You are not, Stedman, as +bright a boy as some. And as for your friend, the war correspondent, +he has queered himself for life. You see, my dear Stedman, after I had +sent off your first message, and demands for further details came +pouring in, and I could not get you at the wire to supply them, I took +the liberty of sending some on myself." + +"Great Heavens!" gasped Gordon. + +Stedman grew very white under his tan, and the perspiration rolled on +his cheeks. + +"Your message was so general in its nature, that it allowed my +imagination full play, and I sent on what I thought would please the +papers, and, what was much more important to me, would advertise the +Y.C.C. stock. This I have been doing while waiting for material from +you. Not having a clear idea of the dimensions or population of Opeki, +it is possible that I have done you and your newspaper friend some +injustice. I killed off about a hundred American residents, two +hundred English, because I do not like the English, and a hundred +French. I blew up old Ollypybus and his palace with dynamite, and +shelled the city, destroying some hundred thousand dollars' worth of +property, and then I waited anxiously for your friend to substantiate +what I had said. This he has most unkindly failed to do. I am very +sorry, but much more so for him than for myself, for I, my dear +friend, have cabled on to a man in San Francisco, who is one of the +directors of the Y.C.C. to sell all my stock, which he has done at one +hundred and two, and he is keeping the money until I come. And I leave +Octavia this afternoon to reap my just reward. I am in about twenty +thousand dollars on your little war, and I feel grateful. So much so +that I will inform you that the ship of war _Kaiser_ has arrived +at San Francisco, for which port she sailed directly from Opeki. Her +captain has explained the real situation, and offered to make every +amend for the accidental indignity shown to our flag. He says he aimed +at the cannon, which was trained on his vessel, and which had first +fired on him. But you must know, my dear Stedman, that before his +arrival, war-vessels belonging to the several powers mentioned in my +revised despatches, had started for Opeki at full speed, to revenge +the butchery of the foreign residents. A word, my dear young friend, +to the wise is sufficient. I am indebted to you to the extent of +twenty thousand dollars, and in return I give you this kindly advice. +Leave Opeki. If there is no other way, swim. But leave Opeki." + +The sun, that night, as it sank below the line where the clouds seemed +to touch the sea, merged them both into a blazing, blood-red curtain, +and colored the most wonderful spectacle that the natives of Opeki had +ever seen. Six great ships of war, stretching out over a league of +sea, stood blackly out against the red background, rolling and rising, +and leaping forward, flinging back smoke and burning sparks up into +the air behind them, and throbbing and panting like living creatures +in their race for revenge. From the south came a three-decked vessel, +a great island of floating steel, with a flag as red as the angry sky +behind it, snapping in the wind. To the south of it plunged two long +low-lying torpedo-boats, flying the French tri-color, and still +farther to the north towered three magnificent hulls of the White +Squadron. Vengeance was written on every curve and line, on each +straining engine-rod, and on each polished gun-muzzle. + +And in front of these, a clumsy fishing-boat rose and fell on each +passing wave. Two sailors sat in the stern, holding the rope and +tiller, and in the bow, with their backs turned forever toward Opeki, +stood two young boys, their faces lit by the glow of the setting sun +and stirred by the sight of the great engines of war plunging past +them on their errand of vengeance. + +"Stedman," said the elder boy, in an awe-struck whisper, and with a +wave of his hand, "we have not lived in vain." + + + +***END OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES*** + + +******* This file should be named 16090-8.txt or 16090-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/6/0/9/16090 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/16090-8.zip b/16090-8.zip Binary files differnew file mode 100644 index 0000000..fc096d1 --- /dev/null +++ b/16090-8.zip diff --git a/16090-h.zip b/16090-h.zip Binary files differnew file mode 100644 index 0000000..8dcec08 --- /dev/null +++ b/16090-h.zip diff --git a/16090-h/16090-h.htm b/16090-h/16090-h.htm new file mode 100644 index 0000000..1548673 --- /dev/null +++ b/16090-h/16090-h.htm @@ -0,0 +1,10478 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" +"http://www.w3.org/TR/html4/loose.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1"> +<title>The Project Gutenberg eBook of The Exiles and Other Stories, by Richard Harding Davis, et al</title> +<style type="text/css"> + <!-- + + body {margin-left: 4em; + margin-right: 4em;} + + p {text-indent: 1.5em; + text-align: justify;} + + .ctr {text-align: center; + text-indent: 0em;} + + .noindent {text-indent: 0em;} + + .right {text-align: right;} + + .smcap {font-variant: small-caps;} + + .chapter {text-indent: 0em; + margin-top: 5em; + margin-bottom: 2em; + text-align: center; + font-size: 110%; + font-weight: bold;} + + .chapternumber {text-align: center; + font-size: 110%; + margin-top: 1em; + margin-bottom: 2em; + text-indent: 0em; + font-weight: bold;} + + .quote {text-align: justify; + margin-left: 3em; + margin-right: 2em; + text-indent: 0em;} + + h1,h2,h3,h4,h5,h6 {text-align: center; + margin-top: 1em; + margin-bottom: 0em;} + + hr.long {text-align: center; + width: 95%; + margin-top: 2em; + margin-bottom: 2em;} + + hr.med {text-align: center; + width: 60%; + margin-top: 1.5em; + margin-bottom: 2em;} + + hr.short {text-align: center; + width: 25%; + margin-top: 1.5em; + margin-bottom: 2em;} + + ul.TOC {list-style-type: none; + position: relative; + width: 85%;} + + span.tocright {position:absolute; right: 0; + text-decoration: underline;} + + span.pageright {position:absolute; right: 0;} + + img {border: 1px solid black; + padding: 6px;} + + .imgcaption {margin-top: 0; + font-size: 97%; + text-align: center; + margin-top: 0em; + margin-bottom: 2.5em;} + + .poem {margin-left:10%; margin-right:10%; + margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + + a:link {color:#00C; + text-decoration:none; + font-weight: bold;} + link {color:#00C; + text-decoration:none;} + a:visited {color:#00C;; + text-decoration:none;} + a:hover {color:#F00;} + hr.full { width: 100%; + height: 5px; } + pre {font-size: 8pt;} + +</style> +</head> +<body> +<h1>The Project Gutenberg eBook, The Exiles and Other Stories, by Richard +Harding Davis</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: The Exiles and Other Stories</p> +<p> The Exiles; The Boy Orator of Zepata City; The Other Woman; On the Fever Ship; The Lion and the Unicorn; The Last Ride Together; Miss Delamar's Understudy; The Reporter Who Made Himself King</p> +<p>Author: Richard Harding Davis</p> +<p>Release Date: June 18, 2005 [eBook #16090]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES***</p> +<br><br><h3>E-text prepared by Audrey Longhurst<br> + and the Project Gutenberg Online Distributed Proofreading Team<br> + (https://www.pgdp.net)</h3><br><br> +<hr class="full" noshade> +<br> +<br> +<a name="Frontispiece"></a> +<div class="ctr"><img src="images/frontispiece.jpg" alt="Instead she buried her face in its folds." width="330" height="586"></div> +<p class="imgcaption">Instead she buried her face in its folds. +</p> + +<p> </p> +<h3> +THE NOVELS AND STORIES OF RICHARD HARDING DAVIS +</h3> + + +<h1> +THE EXILES +<br>AND OTHER STORIES +</h1> + + + +<h3> +<i>By</i> +</h3> + +<h2> +RICHARD HARDING DAVIS +</h2> + + +<h3> +WITH AN INTRODUCTION BY CHARLES DANA GIBSON +</h3> +<p> </p> +<h3> +ILLUSTRATED +</h3> + + +<h4> +NEW YORK<br> +CHARLES SCRIBNER'S SONS<br> +1919 +</h4> + +<p> </p> +<p class="ctr"> +"The Exiles" and "The Boy Orator of Zepata City" from "The Exiles," +copyright, 1894, by <span class="smcap">Harper & Brothers</span>. +</p> + + +<p class="ctr"> +"The Other Woman" from "Gallagher," copyright, 1891, by <span class="smcap">Charles +Scribner's Sons</span>; "On the Fever Ship," "The Lion and the Unicorn," and +"The Last Ride Together" from "The Lion and the Unicorn," copyright, +1899, by <span class="smcap">Charles Scribner's Sons</span>; "Miss Delamar's Understudy" from +"Cinderella," copyright, 1896, by <span class="smcap">Charles Scribner's Sons</span>; "The +Reporter Who Made Himself King" from "Stories for Boys," copyright, +1891, by <span class="smcap">Charles Scribner's Sons</span>. +</p> +<hr class="short"> +<p> </p> +<p> </p> + + +<h4> +TO MY FRIEND +</h4> + +<h3> +J. DAVIS BRODHEAD +</h3> + + + +<a name="glimpse"></a> +<p class="chapter"> +THE FIRST GLIMPSE OF DAVIS +</p> + + +<p> +Dick was twenty-four years old when he came into the smoking-room of +the Victoria Hotel, in London, after midnight one July night—he was +dressed as a Thames boatman. +</p> + +<p> +He had been rowing up and down the river since sundown, looking for +color. He had evidently peopled every dark corner with a pirate, and +every floating object had meant something to him. He had adventure +written all over him. It was the first time I had ever seen him, and +I had never heard of him. I can't now recall another figure in that +smoke-filled room. I don't remember who introduced us—over +twenty-seven years have passed since that night. But I can see Dick +now dressed in a rough brown suit, a soft hat, with a handkerchief +about his neck, a splendid, healthy, clean-minded, gifted boy at play. +And so he always remained. +</p> + +<p> +His going out of this world seemed like a boy interrupted in a game he +loved. And how well and fairly he played it! Surely no one deserved +success more than Dick. And it is a consolation to know he had more +than fifty years of just what he wanted. He had health, a great +talent, and personal charm. There never was a more loyal or unselfish +friend. There wasn't an atom of envy in him. He had unbounded mental +and physical courage, and with it all he was sensitive and sometimes +shy. He often tried to conceal these last two qualities, but never +succeeded in doing so from those of us who were privileged really to +know and love him. +</p> + +<p> +His life was filled with just the sort of adventure he liked the best. +No one ever saw more wars in so many different places or got more out +of them. And it took the largest war in all history to wear out that +stout heart. +</p> + +<p> +We shall miss him. +</p> + +<p class="right"> +CHARLES DANA GIBSON. +</p> + +<hr class="med"> +<h3> +CONTENTS +</h3> + + +<ul class="TOC"> +<li><i><big>The First Glimpse of Davis</big></i><span class="tocright"><a href="#glimpse"><i>Charles Dana Gibson</i></a></span> +</li> +<li> <span class="pageright"><small>PAGE</small></span></li> +<li>The Exiles <span class="tocright"><a href="#1">1</a></span> +</li> + +<li>The Boy Orator Of Zepata City <span class="tocright"><a href="#72">72</a></span> +</li> + +<li>The Other Woman <span class="tocright"><a href="#94">94</a></span> +</li> + +<li>On The Fever Ship <span class="tocright"><a href="#118">118</a></span> +</li> + +<li>The Lion And The Unicorn <span class="tocright"><a href="#144">144</a></span> +</li> + +<li>The Last Ride Together <span class="tocright"><a href="#204">204</a></span> +</li> + +<li>Miss Delamar's Understudy <span class="tocright"><a href="#214">214</a></span> +</li> + +<li>The Reporter Who Made Himself King <span class="tocright"><a href="#249">249</a></span> +</li> +</ul> + +<p> </p> +<h3> +ILLUSTRATIONS +</h3> + +<ul class="TOC"> +<li>Instead She Buried Her Face In Its Folds <span class="tocright"><a href="#Frontispiece"><i>Frontispiece</i></a></span> +</li> + +<li> + <span class="pageright"><small>Facing Page</small></span></li> + + +<li>Stopping For Half-Hours At A Time Before A Bazaar <span class="tocright"><a href="#14">14</a></span> +</li> + +<li>The Boar Hunt <span class="tocright"><a href="#38">38</a></span> +</li> + +<li>Consumed Tea And Thin Slices Of Bread <span class="tocright"><a href="#152">152</a></span> +</li> + +<li>"I Never Saw A King," Gordon Remarked <span class="tocright"><a href="#262">262</a></span> +</li> +</ul> +<hr class="long"> + +<a name="1"></a> +<p class="chapter"> +THE EXILES +</p> + +<p class="chapternumber"> +I +</p> + + +<p> +The greatest number of people in the world prefer the most highly +civilized places of the world, because they know what sort of things +are going to happen there, and because they also know by experience +that those are the sort of things they like. A very few people prefer +barbarous and utterly uncivilized portions of the globe for the reason +that they receive while there new impressions, and because they like +the unexpected better than a routine of existence, no matter how +pleasant that routine may be. But the most interesting places of all +to study are those in which the savage and the cultivated man lie down +together and try to live together in unity. This is so because we can +learn from such places just how far a man of cultivation lapses into +barbarism when he associates with savages, and how far the remnants of +his former civilization will have influence upon the barbarians among +whom he has come to live. +</p> + +<p> +There are many such colonies as these, and they are the most picturesque +plague-spots on the globe. You will find them in New Zealand and at +Yokohama, in Algiers, Tunis, and Tangier, and scattered thickly all +along the South American coast-line wherever the law of extradition +obtains not, and where public opinion, which is one of the things a +colony can do longest without, is unknown. These are the unofficial +Botany Bays and Melillas of the world, where the criminal goes of his +own accord, and not because his government has urged him to do so and +paid his passage there. This is the story of a young man who went to +such a place for the benefit he hoped it would be to his health, and +not because he had robbed any one, or done a young girl an injury. He +was the only son of Judge Henry Howard Holcombe, of New York. That was +all that it was generally considered necessary to say of him. It was +not, however, quite enough, for, while his father had had nothing but +the right and the good of his State and country to think about, the +son was further occupied by trying to live up to his father's name. +Young Holcombe was impressed by this fact from his earliest childhood. +It rested upon him while at Harvard and during his years at the law +school, and it went with him into society and into the courts of law. +When he rose to plead a case he did not forget, nor did those present +forget, that his father while alive had crowded those same halls with +silent, earnest listeners; and when he addressed a mass-meeting at +Cooper Union, or spoke from the back of a cart in the East Side, some +one was sure to refer to the fact that this last speaker was the son +of the man who was mobbed because he had dared to be an abolitionist, +and who later had received the veneration of a great city for his +bitter fight against Tweed and his followers. +</p> + +<p> +Young Holcombe was an earnest member of every reform club and citizens' +league, and his distinguished name gave weight as a director to +charitable organizations and free kindergartens. He had inherited his +hatred of Tammany Hall, and was unrelenting in his war upon it and its +handiwork, and he spoke of it and of its immediate downfall with the +bated breath of one who, though amazed at the wickedness of the thing +he fights, is not discouraged nor afraid. And he would listen to no +half-measures. Had not his grandfather quarrelled with Henry Clay, and +so shaken the friendship of a lifetime, because of a great compromise +which he could not countenance? And was his grandson to truckle and +make deals with this hideous octopus that was sucking the life-blood +from the city's veins? Had he not but yesterday distributed six +hundred circulars, calling for honest government, to six hundred +possible voters, all the way up Fourth Avenue?—and when some flippant +one had said that he might have hired a messenger-boy to have done it +for him and so saved his energies for something less mechanical, he +had rebuked the speaker with a reproachful stare and turned away in +silence. +</p> + +<p> +Life was terribly earnest to young Holcombe, and he regarded it from +the point of view of one who looks down upon it from the judge's bench, +and listens with a frown to those who plead its cause. He was not +fooled by it; he was alive to its wickedness and its evasions. He would +tell you that he knew for a fact that the window man in his district +was a cousin of the Tammany candidate, and that the contractor who had +the cleaning of the street to do was a brother-in-law of one of the +Hall's sachems, and that the policeman on his beat had not been in the +country eight months. He spoke of these damning facts with the air of +one who simply tells you that much, that you should see how terrible +the whole thing really was, and what he could tell if he wished. +</p> + +<p> +In his own profession he recognized the trials of law-breakers only as +experiments which went to establish and explain a general principle. +And prisoners were not men to him, but merely the exceptions that +proved the excellence of a rule. Holcombe would defend the lowest +creature or the most outrageous of murderers, not because the man was +a human being fighting for his liberty or life, but because he wished +to see if certain evidence would be admitted in the trial of such a +case. Of one of his clients the judge, who had a daughter of his own, +said, when he sentenced him, "Were there many more such men as you in +the world, the women of this land would pray to God to be left +childless." And when some one asked Holcombe, with ill-concealed +disgust, how he came to defend the man, he replied: "I wished to show +the unreliability of expert testimony from medical men. Yes; they tell +me the man was a very bad lot." +</p> + +<p> +It was measures, not men, to Holcombe, and law and order were his twin +goddesses, and "no compromise" his watchword. +</p> + +<p> +"You can elect your man if you'll give me two thousand dollars to +refit our club-room with," one of his political acquaintances once +said to him. "We've five hundred voters on the rolls now, and the +members vote as one man. You'd be saving the city twenty times that +much if you keep Croker's man out of the job. You know <i>that</i> as +well as I do." +</p> + +<p> +"The city can better afford to lose twenty thousand dollars," Holcombe +answered, "than we can afford to give a two-cent stamp for +corruption." +</p> + +<p> +"All right," said the heeler; "all right, Mr. Holcombe. Go on. Fight +'em your own way. If they'd agree to fight you with pamphlets and +circulars you'd stand a chance, sir; but as long as they give out +money and you give out reading-matter to people that can't read, +they'll win, and I naturally want to be on the winning side." +</p> + +<p> +When the club to which Holcombe belonged finally succeeded in getting +the Police Commissioners indicted for blackmailing gambling-houses, +Holcombe was, as a matter of course and of public congratulation, on +the side of the law; and as Assistant District Attorney—a position +given him on account of his father's name and in the hope that it +would shut his mouth—distinguished himself nobly. +</p> + +<p> +Of the four commissioners, three were convicted—the fourth, Patrick +Meakim, with admirable foresight having fled to that country from +which few criminals return, and which is vaguely set forth in the +newspapers as "parts unknown." +</p> + +<p> +The trial had been a severe one upon the zealous Mr. Holcombe, who +found himself at the end of it in a very bad way, with nerves unstrung +and brain so fagged that he assented without question when his doctor +exiled him from New York by ordering a sea voyage, with change of +environment and rest at the other end of it. Some one else suggested +the northern coast of Africa and Tangier, and Holcombe wrote minute +directions to the secretaries of all of his reform clubs urging +continued efforts on the part of his fellow-workers, and sailed away +one cold winter's morning for Gibraltar. The great sea laid its hold +upon him, and the winds from the south thawed the cold in his bones, +and the sun cheered his tired spirit. He stretched himself at full +length reading those books which one puts off reading until illness +gives one the right to do so, and so far as in him lay obeyed his +doctor's first command, that he should forget New York and all that +pertained to it. By the time he had reached the Rock he was up and +ready to drift farther into the lazy, irresponsible life of the +Mediterranean coast, and he had forgotten his struggles against +municipal misrule, and was at times for hours together utterly +oblivious of his own personality. +</p> + +<p> +A dumpy, fat little steamer rolled itself along like a sailor on shore +from Gibraltar to Tangier, and Holcombe, leaning over the rail of its +quarter-deck, smiled down at the chattering group of Arabs and Moors +stretched on their rugs beneath him. A half-naked negro, pulling at +the dates in the basket between his bare legs, held up a handful to +him with a laugh, and Holcombe laughed back and emptied the cigarettes +in his case on top of him, and laughed again as the ship's crew and +the deck passengers scrambled over one another and shook out their +voluminous robes in search of them. He felt at ease with the world and +with himself, and turned his eyes to the white walls of Tangier with a +pleasure so complete that it shut out even the thought that it was a +pleasure. +</p> + +<p> +The town seemed one continuous mass of white stucco, with each flat, +low-lying roof so close to the other that the narrow streets left no +trace. To the left of it the yellow coastline and the green +olive-trees and palms stretched up against the sky, and beneath him +scores of shrieking blacks fought in their boats for a place beside +the steamer's companion-way. He jumped into one of these open wherries +and fell sprawling among his baggage, and laughed lightly as a boy as +the boatman set him on his feet again, and then threw them from under +him with a quick stroke of the oars. The high, narrow pier was crowded +with excited customs officers in ragged uniforms and dirty turbans, +and with a few foreign residents looking for arriving passengers. +Holcombe had his feet on the upper steps of the ladder, and was +ascending slowly. There was a fat, heavily built man in blue serge +leaning across the railing of the pier. He was looking down, and as +his eyes met Holcombe's face his own straightened into lines of +amazement and most evident terror. Holcombe stopped at the sight, and +stared back wondering. And then the lapping waters beneath him and the +white town at his side faded away, and he was back in the hot, crowded +court-room with this man's face before him. Meakim, the fourth of the +Police Commissioners, confronted him, and saw in his presence nothing +but a menace to himself. +</p> + +<p> +Holcombe came up the last steps of the stairs, and stopped at their +top. His instinct and life's tradition made him despise the man, and +to this was added the selfish disgust that his holiday should have +been so soon robbed of its character by this reminder of all that he +had been told to put behind him. +</p> + +<p> +Meakim swept off his hat as though it were hurting him, and showed the +great drops of sweat on his forehead. +</p> + +<p> +"For God's sake!" the man panted, "you can't touch me here, Mr. +Holcombe. I'm safe here; they told me I'd be. You can't take me. You +can't touch me." +</p> + +<p> +Holcombe stared at the man coldly, and with a touch of pity and +contempt. "That is quite right, Mr. Meakim," he said. "The law cannot +reach you here." +</p> + +<p> +"Then what do you want with me?" the man demanded, forgetful in his +terror of anything but his own safety. +</p> + +<p> +Holcombe turned upon him sharply. "I am not here on your account, Mr. +Meakim," he said. "You need not feel the least uneasiness, and," he +added, dropping his voice as he noticed that others were drawing near, +"if you keep out of my way, I shall certainly keep out of yours." +</p> + +<p> +The Police Commissioner gave a short laugh partly of bravado and +partly at his own sudden terror. "I didn't know," he said, breathing +with relief. "I thought you'd come after me. You don't wonder you give +me a turn, do you? I <i>was</i> scared." He fanned himself with his +straw hat, and ran his tongue over his lips. "Going to be here some +time, Mr. District Attorney?" he added, with grave politeness. +</p> + +<p> +Holcombe could not help but smile at the absurdity of it. It was so +like what he would have expected of Meakim and his class to give every +office-holder his full title. "No, Mr. Police Commissioner," he +answered, grimly, and nodding to his boatmen, pushed his way after +them and his trunks along the pier. +</p> + +<p> +Meakim was waiting for him as he left the custom-house. He touched his +hat, and bent the whole upper part of his fat body in an awkward bow. +"Excuse me, Mr. District Attorney," he began. +</p> + +<p> +"Oh, drop that, will you?" snapped Holcombe. "Now, what is it you +want, Meakim?" +</p> + +<p> +"I was only going to say," answered the fugitive, with some offended +dignity, "that as I've been here longer than you, I could perhaps give +you pointers about the hotels. I've tried 'em all, and they're no +good, but the Albion's the best." +</p> + +<p> +"Thank you, I'm sure," said Holcombe. "But I have been told to go to +the Isabella." +</p> + +<p> +"Well, that's pretty good, too," Meakim answered, "if you don't mind +the tables. They keep you awake most of the night, though, and—" +</p> + +<p> +"The tables? I beg your pardon," said Holcombe, stiffly. +</p> + +<p> +"Not the eatin' tables; the roulette tables," corrected Meakim. "Of +course," he continued, grinning, "if you're fond of the game, Mr. +Holcombe, it's handy having them in the same house, but I can steer +you against a better one back of the French Consulate. Those at the +Hotel Isabella's crooked." +</p> + +<p> +Holcombe stopped uncertainly. "I don't know just what to do," he said. +"I think I shall wait until I can see our consul here." +</p> + +<p> +"Oh, he'll send you to the Isabella," said Meakim, cheerfully. "He +gets two hundred dollars a week for protecting the proprietor, so he +naturally caps for the house." +</p> + +<p> +Holcombe opened his mouth to express himself, but closed it again, and +then asked, with some misgivings, of the hotel of which Meakim had +first spoken. +</p> + +<p> +"Oh, the Albion. Most all the swells go there. It's English, and they +cook you a good beefsteak. And the boys generally drop in for table +d'hôte. You see, that's the worst of this place, Mr. Holcombe; there's +nowhere to go evenings—no club-rooms nor theatre nor nothing; only +the smoking-room of the hotel or that gambling-house; and they spring +a double naught on you if there's more than a dollar up." +</p> + +<p> +Holcombe still stood irresolute, his porters eying him from under +their burdens, and the runners from the different hotels plucking at +his sleeve. +</p> + +<p> +"There's some very good people at the Albion," urged the Police +Commissioner, "and three or four of 'em's New-Yorkers. There's the +Morrises and Ropes, the Consul-General, and Lloyd Carroll—" +</p> + +<p> +"Lloyd Carroll!" exclaimed Holcombe. +</p> + +<p> +"Yes," said Meakim, with a smile, "he's here." He looked at Holcombe +curiously for a moment, and then exclaimed, with a laugh of +intelligence, "Why, sure enough, you were Mr. Thatcher's lawyer in +that case, weren't you? It was you got him his divorce?" +</p> + +<p> +Holcombe nodded. +</p> + +<p> +"Carroll was the man that made it possible, wasn't he?" +</p> + +<p> +Holcombe chafed under this catechism. "He was one of a dozen, I +believe," he said; but as he moved away he turned and asked: "And Mrs. +Thatcher. What has become of her?" +</p> + +<p> +The Police Commissioner did not answer at once, but glanced up at +Holcombe from under his half-shut eyes with a look in which there was +a mixture of curiosity and of amusement. "You don't mean to say, Mr. +Holcombe," he began, slowly, with the patronage of the older man and +with a touch of remonstrance in his tone, "that you're <i>still</i> +with the husband in that case?" +</p> + +<p> +Holcombe looked coldly over Mr. Meakim's head. "I have only a purely +professional interest in any one of them," he said. "They struck me as +a particularly nasty lot. Good-morning, sir." +</p> + +<p> +"Well," Meakim called after him, "you needn't see nothing of them if +you don't want to. You can get rooms to yourself." +</p> + +<p> +Holcombe did get rooms to himself, with a balcony overlooking the bay, +and arranged with the proprietor of the Albion to have his dinner +served at a separate table. As others had done this before, no one +regarded it as an affront upon his society, and several people in the +hotel made advances to him, which he received politely but coldly. For +the first week of his visit the town interested him greatly, +increasing its hold upon him unconsciously to himself. He was restless +and curious to see it all, and rushed his guide from one of the few +show-places to the next with an energy which left that fat Oriental +panting. +</p> + +<p> </p> +<a name="14"></a> +<div class="ctr"><img src="images/014.jpg" alt="Stopping for half-hours at a time before a bazaar." width="541" height="462"></div> +<p class="imgcaption">Stopping for half-hours at a time before a bazaar. +</p> + +<p> +But after three days Holcombe climbed the streets more leisurely, +stopping for half-hours at a time before a bazaar, or sent away his +guide altogether, and stretched himself luxuriously on the broad wall +of the fortifications. The sun beat down upon him, and wrapped him +into drowsiness. From far afield came the unceasing murmur of the +market-place and the bazaars, and the occasional cries of the priests +from the minarets; the dark blue sea danced and flashed beyond the +white margin of the town and its protecting reef of rocks where the +sea-weed rose and fell, and above his head the buzzards swept heavily, +and called to one another with harsh, frightened cries. At his side +lay the dusty road, hemmed in by walls of cactus, and along its narrow +length came lines of patient little donkeys with jangling necklaces, +led by wild-looking men from the farm-lands and the desert, and women +muffled and shapeless, with only their bare feet showing, who looked +at him curiously or meaningly from over the protecting cloth, and +passed on, leaving him startled and wondering. He began to find that +the books he had brought wearied him. The sight of the type alone was +enough to make him close the covers and start up restlessly to look +for something less absorbing. He found this on every hand, in the lazy +patience of the bazaars and of the markets, where the chief service of +all was that of only standing and waiting, and in the farm-lands +behind Tangier, where half-naked slaves drove great horned buffalo, +and turned back the soft, chocolate-colored sod with a wooden plough. +But it was a solitary, selfish holiday, and Holcombe found himself +wanting certain ones at home to bear him company, and was surprised to +find that of these none were the men nor the women with whom his +interests in the city of New York were the most closely connected. +They were rather foolish people, men at whom he had laughed and whom +he had rather pitied for having made him do so, and women he had +looked at distantly as of a kind he might understand when his work was +over and he wished to be amused. The young girls to whom he was in the +habit of pouring out his denunciations of evil, and from whom he was +accustomed to receive advice and moral support, he could not place in +this landscape. He felt uneasily that they would not allow him to +enjoy it his own way; they would consider the Moor historically as the +invader of Catholic Europe, and would be shocked at the lack of proper +sanitation, and would see the mud. As for himself, he had risen above +seeing the mud. He looked up now at the broken line of the roof-tops +against the blue sky, and when a hooded figure drew back from his +glance he found himself murmuring the words of an Eastern song he had +read in a book of Indian stories: +</p> + +<div class="poem"> +<div class="stanza"> +<p>"Alone upon the house-tops, to the north</p> +<p class="i2">I turn and watch the lightning in the sky,—</p> +<p>The glamour of thy footsteps in the north.</p> +<p class="i2">Come back to me, Beloved, or I die!</p></div> + +<div class="stanza"> +<p>"Below my feet the still bazaar is laid.</p> +<p class="i2">Far, far below, the weary camels lie—"</p></div></div> + +<p> +Holcombe laughed and shrugged his shoulders. He had stopped half-way +down the hill on which stands the Bashaw's palace, and the whole of +Tangier lay below him like a great cemetery of white marble. The moon +was shining clearly over the town and the sea, and a soft wind from +the sandy farm-lands came to him and played about him like the +fragrance of a garden. Something moved in him that he did not +recognize, but which was strangely pleasant, and which ran to his +brain like the taste of a strong liqueur. It came to him that he was +alone among strangers, and that what he did now would be known but to +himself and to these strangers. What it was that he wished to do he +did not know, but he felt a sudden lifting up and freedom from +restraint. The spirit of adventure awoke in him and tugged at his +sleeve, and he was conscious of a desire to gratify it and put it to +the test. +</p> + +<p> +"'Alone upon the house-tops,'" he began. Then he laughed and clambered +hurriedly down the steep hill-side. "It's the moonlight," he explained +to the blank walls and overhanging lattices, "and the place and the +music of the song. It might be one of the Arabian nights, and I Haroun +al Raschid. <i>And</i> if I don't get back to the hotel I shall make a +fool of myself." +</p> + +<p> +He reached the Albion very warm and breathless, with stumbling and +groping in the dark, and instead of going immediately to bed told the +waiter to bring him some cool drink out on the terrace of the +smoking-room. There were two men sitting there in the moonlight, and +as he came forward one of them nodded to him silently. +</p> + +<p> +"Oh, good-evening, Mr. Meakim!" Holcombe said, gayly, with the spirit +of the night still upon him. "I've been having adventures." He +laughed, and stooped to brush the dirt from his knickerbockers and +stockings. "I went up to the palace to see the town by moonlight, and +tried to find my way back alone, and fell down three times." +</p> + +<p> +Meakim shook his head gravely. "You'd better be careful at night, +sir," he said. "The governor has just said that the Sultan won't be +responsible for the lives of foreigners at night 'unless accompanied +by soldier and lantern.'" +</p> + +<p> +"Yes, and the legations sent word that they wouldn't have it," broke +in the other man. "They said they'd hold him responsible anyway." +</p> + +<p> +There was a silence, and Meakim moved in some slight uneasiness. "Mr. +Holcombe, do you know Mr. Carroll?" he said. +</p> + +<p> +Carroll half rose from his chair, but Holcombe was dragging another +toward him, and so did not have a hand to give him. +</p> + +<p> +"How are you, Carroll?" he said, pleasantly. +</p> + +<p> +The night was warm, and Holcombe was tired after his rambles, and so +he sank back in the low wicker chair contentedly enough, and when the +first cool drink was finished he clapped his hands for another, and +then another, while the two men sat at the table beside him and +avoided such topics as would be unfair to any of them. +</p> + +<p> +"And yet," said Holcombe, after the first half-hour had passed, "there +must be a few agreeable people here. I am sure I saw some very +nice-looking women to-day coming in from the fox-hunt. And very well +gotten up, too, in Karki habits. And the men were handsome, +decent-looking chaps—Englishmen, I think." +</p> + +<p> +"Who does he mean? Were you at the meet to-day?" asked Carroll. +</p> + +<p> +The Tammany chieftain said no, that he did not ride—not after foxes, +in any event. "But I saw Mrs. Hornby and her sister coming back," he +said. "They had on those linen habits." +</p> + +<p> +"Well, now, there's a woman who illustrates just what I have been +saying," continued Carroll. "You picked her out as a self-respecting, +nice-looking girl—and so she is—but she wouldn't like to have to +tell all she knows. No, they are all pretty much alike. They wear +low-neck frocks, and the men put on evening dress for dinner, and they +ride after foxes, and they drop in to five-o'clock tea, and they all +play that they're a lot of gilded saints, and it's one of the rules of +the game that you must believe in the next man, so that he will +believe in you. I'm breaking the rules myself now, because I say +'they' when I ought to say 'we.' We're none of us here for our health, +Holcombe, but it pleases us to pretend we are. It's a sort of give and +take. We all sit around at dinner-parties and smile and chatter, and +those English talk about the latest news from 'town,' and how they +mean to run back for the season or the hunting. But they know they +don't dare go back, and they know that everybody at the table knows +it, and that the servants behind them know it. But it's more easy that +way. There's only a few of us here, and we've got to hang together or +we'd go crazy." +</p> + +<p> +"That's so," said Meakim, approvingly. "It makes it more sociable." +</p> + +<p> +"It's a funny place," continued Carroll. The wine had loosened his +tongue, and it was something to him to be able to talk to one of his +own people again, and to speak from their point of view, so that the +man who had gone through St. Paul's and Harvard with him would see it +as such a man should. "It's a funny place, because, in spite of the +fact that it's a prison, you grow to like it for its freedom. You can +do things here you can't do in New York, and pretty much everything +goes there, or it used to, where I hung out. But here you're just your +own master, and there's no law and no religion and no relations nor +newspapers to poke into what you do nor how you live. You can +understand what I mean if you've ever tried living in the West. I used +to feel the same way the year I was ranching in Texas. My family sent +me out there to put me out of temptation; but I concluded I'd rather +drink myself to death on good whiskey at Del's than on the stuff we +got on the range, so I pulled my freight and came East again. But +while I was there I was a little king. I was just as good as the next +man, and he was no better than me. And though the life was rough, and +it was cold and lonely, there was something in being your own boss +that made you stick it out there longer than anything else did. It was +like this, Holcombe." Carroll half rose from his chair and marked what +he said with his finger. "Every time I took a step and my gun bumped +against my hip, I'd straighten up and feel good and look for trouble. +There was nobody to appeal to; it was just between me and him, and no +one else had any say about it. Well, that's what it's like here. You +see men come to Tangier on the run, flying from detectives or husbands +or bank directors, men who have lived perfectly decent, commonplace +lives up to the time they made their one bad break—which," Carroll +added, in polite parenthesis, with a deprecatory wave of his hand +toward Meakim and himself, "we are <i>all</i> likely to do some time, +aren't we?" +</p> + +<p> +"Just so," said Meakim. +</p> + +<p> +"Of course," assented the District Attorney. +</p> + +<p> +"But as soon as he reaches this place, Holcombe," continued Carroll, +"he begins to show just how bad he is. It all comes out—all his +viciousness and rottenness and blackguardism. There is nothing to +shame it, and there is no one to blame him, and no one is in a +position to throw the first stone." Carroll dropped his voice and +pulled his chair forward with a glance over his shoulder. "One of +those men you saw riding in from the meet to-day. Now, he's a German +officer, and he's here for forging a note or cheating at cards or +something quiet and gentlemanly, nothing that shows him to be a brute +or a beast. But last week he had old Mulley Wazzam buy him a slave +girl in Fez, and bring her out to his house in the suburbs. It seems +that the girl was in love with a soldier in the Sultan's body-guard at +Fez, and tried to run away to join him, and this man met her quite by +accident as she was making her way south across the sand-hills. He was +whip that day, and was hurrying out to the meet alone. He had some +words with the girl first, and then took his whip—it was one of those +with the long lash to it; you know what I mean—and cut her to pieces +with it, riding her down on his pony when she tried to run, and +heading her off and lashing her around the legs and body until she +fell; then he rode on in his damn pink coat to join the ladies at +Mango's Drift, where the meet was, and some Riffs found her bleeding +to death behind the sand-hills. That man held a commission in the +Emperor's own body-guard, and that's what Tangier did for <i>him</i>." +</p> + +<p> +Holcombe glanced at Meakim to see if he would verify this, but +Meakim's lips were tightly pressed around his cigar, and his eyes were +half closed. +</p> + +<p> +"And what was done about it?" Holcombe asked, hoarsely. +</p> + +<p> +Carroll laughed, and shrugged his shoulders. "Why, I tell you, and you +whisper it to the next man, and we pretend not to believe it, and call +the Riffs liars. As I say, we're none of us here for our health, +Holcombe, and a public opinion that's manufactured by <i>déclassée</i> +women and men who have run off with somebody's money and somebody's +else's wife isn't strong enough to try a man for beating his own +slave." +</p> + +<p> +"But the Moors themselves?" protested Holcombe. "And the Sultan? She's +one of his subjects, isn't she?" +</p> + +<p> +"She's a woman, and women don't count for much in the East, you know; +and as for the Sultan, he's an ignorant black savage. When the English +wanted to blow up those rocks off the western coast, the Sultan +wouldn't let them. He said Allah had placed them there for some good +reason of His own, and it was not for man to interfere with the works +of God. That's the sort of a Sultan he is." Carroll rose suddenly and +walked into the smoking-room, leaving the two men looking at each +other in silence. +</p> + +<p> +"That's right," said Meakim, after a pause. "He give it to you just as +it is, but I never knew him to kick about it before. We're a fair +field for missionary work, Mr. Holcombe, all of us—at least, some of +us are." He glanced up as Carroll came back from out of the lighted +room with an alert, brisk step. His manner had changed in his absence. +</p> + +<p> +"Some of the ladies have come over for a bit of supper," he said. +"Mrs. Hornby and her sister and Captain Reese. The <i>chef's</i> got +some birds for us, and I've put a couple of bottles on ice. It will be +like Del's—hey? A small hot bird and a large cold bottle. They sent +me out to ask you to join us. They're in our rooms." Meakim rose +leisurely and lit a fresh cigar, but Holcombe moved uneasily in his +chair. "You'll come, won't you?" Carroll asked. "I'd like you to meet +my wife." +</p> + +<p> +Holcombe rose irresolutely and looked at his watch. "I'm afraid it's +too late for me," he said, without raising his face. "You see, I'm +here for my health. I—" +</p> + +<p> +"I beg your pardon," said Carroll, sharply. +</p> + +<p> +"Nonsense, Carroll!" said Holcombe. "I didn't mean <i>that</i>. I +meant it literally. I can't risk midnight suppers yet. My doctor's +orders are to go to bed at nine, and it's past twelve now. Some other +time, if you'll be so good; but it's long after my bedtime, and—" +</p> + +<p> +"Oh, certainly," said Carroll, quietly, as he turned away. "Are you +coming, Meakim?" +</p> + +<p> +Meakim lifted his half-empty glass from the table and tasted it slowly +until Carroll had left them, then he put the glass down, and glanced +aside to where Holcombe sat looking out over the silent city. Holcombe +raised his eyes and stared at him steadily. +</p> + +<p> +"Mr. Holcombe—" the fugitive began. +</p> + +<p> +"Yes," replied the lawyer. +</p> + +<p> +Meakim shook his head. "Nothing," he said. "Good-night, sir." +</p> + +<p> +Holcombe's rooms were on the floor above Carroll's, and the laughter +of the latter's guests and the tinkling of glasses and silver came to +him as he stepped out upon his balcony. But for this the night was +very still. The sea beat leisurely on the rocks, and the waves ran up +the sandy coast with a sound as of some one sweeping. The music of +women's laughter came up to him suddenly, and he wondered hotly if +they were laughing at him. He assured himself that it was a matter of +indifference to him if they were. And with this he had a wish that +they would not think of him as holding himself aloof. One of the women +began to sing to a guitar, and to the accompaniment of this a man and +a young girl came out upon the balcony below, and spoke to each other +in low, earnest tones, which seemed to carry with them the feeling of +a caress. Holcombe could not hear what they said, but he could see the +curve of the woman's white shoulders and the light of her companion's +cigar as he leaned upon the rail with his back to the moonlight and +looked into her face. Holcombe felt a sudden touch of loneliness and +of being very far from home. He shivered slightly as though from the +cold, and stepping inside closed the window gently behind him. +</p> + +<p> +Although Holcombe met Carroll several times during the following day, +the latter obviously avoided him, and it was not until late in the +afternoon that Holcombe was given a chance to speak to him again. +Carroll was coming down the only street on a run, jumping from one +rough stone to another, and with his face lighted up with excitement. +He hailed Holcombe from a distance with a wave of the hand. "There's +an American man-of-war in the bay," he cried; "one of the new ones. We +saw her flag from the hotel. Come on!" Holcombe followed as a matter +of course, as Carroll evidently expected that he would, and they +reached the end of the landing-pier together, just as the ship of war +ran up and broke the square red flag of Morocco from her main-mast and +fired her salute. +</p> + +<p> +"They'll be sending a boat in by-and-by," said Carroll, "and we'll +have a talk with the men." His enthusiasm touched his companion also, +and the sight of the floating atom of the great country that was his +moved him strongly, as though it were a personal message from home. It +came to him like the familiar stamp, and a familiar handwriting on a +letter in a far-away land, and made him feel how dear his own country +was to him and how much he needed it. They were leaning side by side +upon the rail watching the ship's screws turning the blue waters +white, and the men running about the deck, and the blue-coated figures +on the bridge. Holcombe turned to point out the vessel's name to +Carroll, and found that his companion's eyes were half closed and +filled with tears. +</p> + +<p> +Carroll laughed consciously and coughed. "We kept it up a bit too late +last night," he said, "and I'm feeling nervous this morning, and the +sight of the flag and those boys from home knocked me out." He paused +for a moment, frowning through his tears and with his brow drawn up +into many wrinkles. "It's a terrible thing, Holcombe," he began again, +fiercely, "to be shut off from all of that." He threw out his hand +with a sudden gesture toward the man-of-war. Holcombe looked down at +the water and laid his hand lightly on his companion's shoulder. +Carroll drew away and shook his head. "I don't want any sympathy," he +said, kindly. "I'm not crying the baby act. But you don't know, and I +don't believe anybody else knows, what I've gone through and what I've +suffered. You don't like me, Holcombe, and you don't like my class, +but I want to tell you something about my coming here. I want you to +set them right about it at home. And I don't care whether it interests +you or not," he said, with quick offense; "I want you to listen. It's +about my wife." +</p> + +<p> +Holcombe bowed his head gravely. +</p> + +<p> +"You got Thatcher his divorce," Carroll continued. "And you know that +he would never have got it but for me, and that everybody expected +that I would marry Mrs. Thatcher when the thing was over. And I +didn't, and everybody said I was a blackguard, and I was. It was bad +enough before, but I made it worse by not doing the only thing that +could make it any better. Why I didn't do it I don't know. I had some +grand ideas of reform about that time, I think, and I thought I owed +my people something, and that by not making Mrs. Thatcher my mother's +daughter I would be saving her and my sisters. It was remorse, I +guess, and I didn't see things straight. I know now what I should have +done. Well, I left her and she went her own way, and a great many +people felt sorry for her, and were good to her—not your people, nor +my people; but enough were good to her to make her see as much of the +world as she had used to. She never loved Thatcher, and she never +loved any of the men you brought into that trial except one, and he +treated her like a cur. That was myself. Well, what with trying to +please my family, and loving Alice Thatcher all the time and not +seeing her, and hating her too for bringing me into all that +notoriety—for I blamed the woman, of course, as a man always will—I +got to drinking, and then this scrape came and I had to run. I don't +care anything about that row now, or what you believe about it. I'm +here, shut off from my home, and that's a worse punishment than any +damn lawyers can invent. And the man's well again. He saw I was drunk; +but I wasn't so drunk that I didn't know he was trying to do me, and I +pounded him just as they say I did, and I'm sorry now I didn't kill +him." +</p> + +<p> +Holcombe stirred uneasily, and the man at his side lowered his voice +and went on more calmly: +</p> + +<p> +"If I hadn't been a gentleman, Holcombe, or if it had been another +cabman he'd fought with, there wouldn't have been any trouble about +it. But he thought he could get big money out of me, and his friends +told him to press it until he was paid to pull out, and I hadn't the +money, and so I had to break bail and run. Well, you've seen the +place. You've been here long enough to know what it's like, and what +I've had to go through. Nobody wrote me, and nobody came to see me; +not one of my own sisters even, though they've been in the Riviera all +this spring—not a day's journey away. Sometimes a man turned up that +I knew, but it was almost worse than not seeing any one. It only made +me more homesick when he'd gone. And for weeks I used to walk up and +down that beach there alone late in the night, until I got to thinking +that the waves were talking to me, and I got queer in my head. I had +to fight it just as I used to have to fight against whiskey, and to +talk fast so that I wouldn't think. And I tried to kill myself +hunting, and only got a broken collar-bone for my pains. Well, all +this time Alice was living in Paris and New York. I heard that some +English captain was going to marry her, and then I read in the Paris +<i>Herald</i> that she was settled in the American colony there, and +one day it gave a list of the people who'd been to a reception she +gave. She could go where she pleased, and she had money in her own +right, you know; and she was being revenged on me every day. And I was +here knowing it, and loving her worse than I ever loved anything on +earth, and having lost the right to tell her so, and not able to go to +her. Then one day some chap turned up from here and told her about me, +and about how miserable I was, and how well I was being punished. He +thought it would please her, I suppose. I don't know who he was, but I +guess he was in love with her himself. And then the papers had it that +I was down with the fever here, and she read about it. I <i>was</i> +ill for a time, and I hoped it was going to carry me off decently, but +I got up in a week or two, and one day I crawled down here where we're +standing now to watch the boat come in. I was pretty weak from my +illness, and I was bluer than I had ever been, and I didn't see +anything but blackness and bitterness for me anywhere. I turned around +when the passengers reached the pier, and I saw a woman coming up +those stairs. Her figure and her shoulders were so like Alice's that +my heart went right up into my throat, and I couldn't breathe for it. +I just stood still staring, and when she reached the top of the steps +she looked up, breathing with the climb, and laughing; and she says, +'Lloyd, I've come to see you.' And I—I was that lonely and weak that +I grabbed her hand, and leaned back against the railing, and cried +there before the whole of them. I don't think she expected it exactly, +because she didn't know what to do, and just patted me on the +shoulder, and said, 'I thought I'd run down to cheer you up a bit; and +I've brought Mrs. Scott with me to chaperon us.' And I said, without +stopping to think: 'You wouldn't have needed any chaperon, Alice, if I +hadn't been a cur and a fool. If I had only asked what I can't ask of +you now'; and, Holcombe, she flushed just like a little girl, and +laughed, and said, 'Oh, will you, Lloyd?' And you see that ugly iron +chapel up there, with the corrugated zinc roof and the wooden cross on +it, next to the mosque? Well, that's where we went first, right from +this wharf before I let her go to a hotel, and old Ridley, the English +rector, he married us, and we had a civil marriage too. That's what +she did for me. She had the whole wide globe to live in, and she gave +it up to come to Tangier, because I had no other place but Tangier, +and she's made my life for me, and I'm happier here than I ever was +before anywhere, and sometimes I think—I hope—that she is, too." +Carroll's lips moved slightly, and his hands trembled on the rail. He +coughed, and his voice was gentler when he spoke again. "And so," he +added, "that's why I felt it last night when you refused to meet her. +You were right, I know, from your way of thinking, but we've grown +careless down here, and we look at things differently." +</p> + +<p> +Holcombe did not speak, but put his arm across the other's shoulder, +and this time Carroll did not shake it off. Holcombe pointed with his +hand to a tall, handsome woman with heavy yellow hair who was coming +toward them, with her hands in the pockets of her reefer. "There is +Mrs. Carroll now," he said. "Won't you present me, and then we can row +out and see the man-of-war?" +</p> + +<p> </p> +<p class="chapternumber"> +II +</p> + + +<p> +The officers returned their visit during the day, and the American +Consul-General asked them all to a reception the following afternoon. +The entire colony came to this, and Holcombe met many people, and +drank tea with several ladies in riding-habits, and iced drinks with +all of the men. He found it very amusing, and the situation appealed +strongly to his somewhat latent sense of humor. That evening in +writing to his sister he told of his rapid recovery in health, and of +the possibility of his returning to civilization. +</p> + +<p> +"There was a reception this afternoon at the Consul-General's," he +wrote, "given to the officers of our man-of-war, and I found myself in +some rather remarkable company. The Consul himself has become rich by +selling his protection for two hundred dollars to every wealthy Moor +who wishes to escape the forced loans which the Sultan is in the habit +of imposing on the faithful. For five hundred dollars he will furnish +any one of them with a piece of stamped paper accrediting him as +minister plenipotentiary from the United States to the Sultan's court. +Of course the Sultan never receives them, and whatever object they may +have had in taking the long journey to Fez is never accomplished. Some +day some one of them will find out how he has been tricked, and will +return to have the Consul assassinated. This will be a serious loss to +our diplomatic service. The Consul's wife is a fat German woman who +formerly kept a hotel here. Her brother has it now, and runs it as an +annex to a gambling-house. Pat Meakim, the Police Commissioner that I +indicted, but who jumped his bail, introduced me at the reception to +the men, with apparently great self-satisfaction, as 'the pride of the +New York Bar,' and Mrs. Carroll, for whose husband I obtained a +divorce, showed her gratitude by presenting me to the ladies. It was a +distinctly Gilbertian situation, and the people to whom they +introduced me were quite as picturesquely disreputable as themselves. +So you see—" +</p> + +<p> +Holcombe stopped here and read over what he had written, and then tore +up the letter. The one he sent in its place said he was getting +better, but that the climate was not so mild as he had expected it +would be. +</p> + +<p> +Holcombe engaged the entire first floor of the hotel the next day, and +entertained the officers and the residents at breakfast, and the +Admiral made a speech and said how grateful it was to him and to his +officers to find that wherever they might touch, there were some few +Americans ready to welcome them as the representatives of the flag +they all so unselfishly loved, and of the land they still so proudly +called "home." Carroll, turning his wine-glass slowly between his +fingers, raised his eyes to catch Holcombe's, and winked at him from +behind the curtain of the smoke of his cigar, and Holcombe smiled +grimly, and winked back, with the result that Meakim, who had +intercepted the signalling, choked on his champagne, and had to be +pounded violently on the back. Holcombe's breakfast established him as +a man of means and one who could entertain properly, and after that +his society was counted upon for every hour of the day. He offered +money as prizes for the ship's crew to row and swim after, he gave a +purse for a cross-country pony race, open to members of the Calpe and +Tangier hunts, and organized picnics and riding parties innumerable. +He was forced at last to hire a soldier to drive away the beggars when +he walked abroad. He found it easy to be rich in a place where he was +given over two hundred copper coins for an English shilling, and he +distributed his largesses recklessly and with a lack of discrimination +entirely opposed to the precepts of his organized charities at home. +He found it so much more amusing to throw a handful of coppers to a +crowd of fat naked children than to write a check for the Society for +Suppression of Cruelty to the same beneficiaries. +</p> + +<p> +"You shouldn't give those fellows money," the Consul-General once +remonstrated with him; "the fact that they're blind is only a proof +that they have been thieves. When they catch a man stealing here they +hold his head back, and pass a hot iron in front of his eyes. That's +why the lids are drawn taut that way. You shouldn't encourage them." +</p> + +<p> +"Perhaps they're not <i>all</i> thieves," said the District Attorney, +cheerfully, as he hit the circle around him with a handful of coppers; +"but there is no doubt about it that they're all blind. Which is the +more to be pitied," he asked the Consul-General, "the man who has +still to be found out and who can see, or the one who has been exposed +and who is blind?" +</p> + +<p> +"How should he know?" said Carroll, laughing. "He's never been blind, +and he still holds his job." +</p> + +<p> +"I don't think that's very funny," said the Consul-General. +</p> + +<p> +A week of pig-sticking came to end Holcombe's stay in Tangier, and he +threw himself into it and into the freedom of its life with a zest +that made even the Englishman speak of him as a good fellow. He +chanced to overhear this, and stopped to consider what it meant. No +one had ever called him a good fellow at home, but then his life had +not offered him the chance to show what sort of a good fellow he might +be, and as Judge Holcombe's son certain things had been debarred him. +Here he was only the richest tourist since Farwell, the diamond +smuggler from Amsterdam, had touched there in his yacht. +</p> + +<p> </p> +<a name="38"></a> +<div class="ctr"><img src="images/038.jpg" alt="The boar hunt." width="557" height="361"></div> +<p class="imgcaption">The boar hunt. +</p> + +<p> +The week of boar-hunting was spent out-of-doors, on horseback, and in +tents; the women in two wide circular ones, and the men in another, +with a mess tent, which they shared in common, pitched between them. +They had only one change of clothes each, one wet and one dry, and +they were in the saddle from nine in the morning until late at night, +when they gathered in a wide circle around the wood-fire and played +banjoes and listened to stories. Holcombe grew as red as a sailor, and +jumped his horse over gaping crevasses in the hard sun-baked earth as +recklessly as though there were nothing in this world so well worth +sacrificing one's life for as to be the first in at a dumb brute's +death. He was on friendly terms with them all now—with Miss Terrill, +the young girl who had been awakened by night and told to leave Monte +Carlo before daybreak, and with Mrs. Darhah, who would answer to Lady +Taunton if so addressed, and with Andrews, the Scotch bank clerk, and +Ollid the boy officer from Gibraltar, who had found some difficulty in +making the mess account balance. They were all his very good friends, +and he was especially courteous and attentive to Miss Terrill's wants +and interests, and fixed her stirrup and once let her pass him to +charge the boar in his place. She was a silently distant young woman, +and strangely gentle for one who had had to leave a place, and such a +place, between days; and her hair, which was very fine and light, ran +away from under her white helmet in disconnected curls. At night, +Holcombe used to watch her from out of the shadow when the firelight +lit up the circle and the tips of the palms above them, and when the +story-teller's voice was accompanied by bursts of occasional laughter +from the dragomen in the grove beyond, and the stamping and neighing +of the horses at their pickets, and the unceasing chorus of the insect +life about them. She used to sit on one of the rugs with her hands +clasped about her knees, and with her head resting on Mrs. Hornby's +broad shoulder, looking down into the embers of the fire, and with the +story of her life written on her girl's face as irrevocably as though +old age had set its seal there. Holcombe was kind to them all now, +even to Meakim, when that gentleman rode leisurely out to the camp +with the mail and the latest Paris <i>Herald</i>, which was their one +bond of union with the great outside world. +</p> + +<p> +Carroll sat smoking his pipe one night, and bending forward over the +fire to get its light on the pages of the latest copy of this paper. +Suddenly he dropped it between his knees. "I say, Holcombe," he cried, +"here's news! Winthrop Allen has absconded with three hundred thousand +dollars, and no one knows where." +</p> + +<p> +Holcombe was sitting on the other side of the fire, prying at the +rowel of his spur with a hunting-knife. He raised his head and +laughed. "Another good man gone wrong, hey?" he said. +</p> + +<p> +Carroll lowered the paper slowly to his knee and stared curiously +through the smoky light to where Holcombe sat intent on the rowel of +his spur. It apparently absorbed his entire attention, and his last +remark had been an unconsciously natural one. Carroll smiled grimly as +he folded the paper across his knee. "Now are the mighty fallen, +indeed," he murmured. He told Meakim of it a few minutes later, and +they both marvelled. "It's just as I told him, isn't it, and he +wouldn't believe me. It's the place and the people. Two weeks ago he +would have raged. Why, Meakim, you know Allen—Winthrop Allen? He's +one of Holcombe's own sort; older than he is, but one of his own +people; belongs to the same clubs; and to the same family, I think, +and yet Harry took it just as a matter of course, with no more +interest, than if I'd said that Allen was going to be married." +</p> + +<p> +Meakim gave a low, comfortable laugh of content. "It makes me smile," +he chuckled, "every time I think of him the day he came up them +stairs. He scared me half to death, he did, and then he says, just as +stiff as you please, 'If you'll leave me alone, Mr. Meakim, I'll not +trouble you.' And now it's 'Meakim this,' and 'Meakim that,' and 'have +a drink, Meakim,' just as thick as thieves. I have to laugh whenever I +think of it now. 'If you'll leave me alone, I'll not trouble you, Mr. +Meakim.'" +</p> + +<p> +Carroll pursed his lips and looked up at the broad expanse of purple +heavens with the white stars shining through. "It's rather a pity, +too, in a way," he said, slowly. "He was all the Public Opinion we +had, and now that he's thrown up the part, why—" +</p> + +<p> +The pig-sticking came to an end finally, and Holcombe distinguished +himself by taking his first fall, and under romantic circumstances. He +was in an open place, with Mrs. Carroll at the edge of the brush to +his right, and Miss Terrill guarding any approach from the left. They +were too far apart to speak to one another, and sat quite still and +alert to any noise as the beaters closed in around them. There was a +sharp rustle in the reeds, and the boar broke out of it some hundred +feet ahead of Holcombe. He went after it at a gallop, headed it off, +and ran it fairly on his spear point as it came toward him; but as he +drew his lance clear his horse came down, falling across him, and for +the instant knocking him breathless. It was all over in a moment. He +raised his head to see the boar turn and charge him; he saw where his +spear point had torn the lower lip from the long tusks, and that the +blood was pouring down its flank. He tried to draw out his legs, but +the pony lay fairly across him, kicking and struggling, and held him +in a vise. So he closed his eyes and covered his head with his arms, +and crouched in a heap waiting. There was the quick beat of a pony's +hoofs on the hard soil, and the rush of the boar within a foot of his +head, and when he looked up he saw Miss Terrill twisting her pony's +head around to charge the boar again, and heard her shout, "Let me +have him!" to Mrs. Carroll. +</p> + +<p> +Mrs. Carroll came toward Holcombe with her spear pointed dangerously +high; she stopped at his side and drew in her rein sharply. "Why don't +you get up? Are you hurt?" she said. "Wait; lie still," she commanded, +"or he'll tramp on you. I'll get him off." She slipped from her saddle +and dragged Holcombe's pony to his feet. Holcombe stood up unsteadily, +pale through his tan from the pain of the fall and the moment of fear. +</p> + +<p> +"That <i>was</i> nasty," said Mrs. Carroll, with a quick breath. She +was quite as pale as he. +</p> + +<p> +Holcombe wiped the dirt from his hair and the side of his face, and +looked past her to where Miss Terrill was surveying the dead boar from +her saddle, while her pony reared and shied, quivering with excitement +beneath her. Holcombe mounted stiffly and rode toward her. "I am very +much obliged to you," he said. "If you hadn't come—" +</p> + +<p> +The girl laughed shortly, and shook her head without looking at him. +"Why, not at all," she interrupted, quickly. "I would have come just +as fast if you hadn't been there." She turned in her saddle and looked +at him frankly. "I was glad to see you go down," she said, "for it +gave me the first good chance I've had. Are you hurt?" +</p> + +<p> +Holcombe drew himself up stiffly, regardless of the pain in his neck +and shoulder. "No, I'm all right, thank you," he answered. "At the +same time," he called after her as she moved away to meet the others, +"you <i>did</i> save me from being torn up, whether you like it or +not." +</p> + +<p> +Mrs. Carroll was looking after the girl with observant, comprehending +eyes. She turned to Holcombe with a smile. "There are a few things you +have still to learn, Mr. Holcombe," she said, bowing in her saddle +mockingly, and dropping the point of her spear to him as an adversary +does in salute. "And perhaps," she added, "it is just as well that +there are." +</p> + +<p> +Holcombe trotted after her in some concern. "I wonder what she means?" +he said. "I wonder if I were rude?" +</p> + +<p> +The pig-sticking ended with a long luncheon before the ride back to +town, at which everything that could be eaten or drunk was put on the +table, in order, as Meakim explained, that there would be less to +carry back. He met Holcombe that same evening after the cavalcade had +reached Tangier as the latter came down the stairs of the Albion. +Holcombe was in fresh raiment and cleanly shaven, and with the radiant +air of one who had had his first comfortable bath in a week. +</p> + +<p> +Meakim confronted him with a smiling countenance. "Who do you think +come to-night on the mail-boat?" he asked. +</p> + +<p> +"I don't know. Who?" +</p> + +<p> +"Winthrop Allen, with six trunks," said Meakim, with the triumphant +air of one who brings important news. +</p> + +<p> +"No, really now," said Holcombe, laughing. "The old hypocrite! I +wonder what he'll say when he sees me. I wish I could stay over +another boat, just to remind him of the last time we met. What a fraud +he is! It was at the club, and he was congratulating me on my noble +efforts in the cause of justice, and all that sort of thing. He said I +was a public benefactor. And at that time he must have already +speculated away about half of what he had stolen of other people's +money. I'd like to tease him about it." +</p> + +<p> +"What trial was that?" asked Meakim. +</p> + +<p> +Holcombe laughed and shook his head as he moved on down the stairs. +"Don't ask embarrassing questions, Meakim," he said. "It was one +<i>you</i> won't forget in a hurry." +</p> + +<p> +"Oh!" said Meakim, with a grin. "All right. There's some mail for you +in the office." +</p> + +<p> +"Thank you," said Holcombe. +</p> + +<hr class="short"> +<p> +A few hours later Carroll was watching the roulette wheel in the +gambling-hall of the Isabella when he saw Meakim come in out of the +darkness, and stand staring in the doorway, blinking at the lights and +mopping his face. He had been running, and was visibly excited. +Carroll crossed over to him and pushed him out into the quiet of the +terrace. "What is it?" he asked. +</p> + +<p> +"Have you seen Holcombe?" Meakim demanded in reply. +</p> + +<p> +"Not since this afternoon. Why?" +</p> + +<p> +Meakim breathed heavily, and fanned himself with his hat. "Well, he's +after Winthrop Allen, that's all," he panted. "And when he finds him +there's going to be a muss. The boy's gone crazy. He's not safe." +</p> + +<p> +"Why? What do you mean? What's Allen done to him?" +</p> + +<p> +"Nothing to him, but to a friend of his. He got a letter to-night in +the mail that came with Allen. It was from his sister. She wrote him +all the latest news about Allen, and give him fits for robbing an old +lady who's been kind to her. She wanted that Holcombe should come +right back and see what could be done about it. She didn't know, of +course, that Allen was coming here. The old lady kept a private school +on Fifth Avenue, and Allen had charge of her savings." +</p> + +<p> +"What is her name?" Carroll asked. +</p> + +<p> +"Field, I think. Martha Field was—" +</p> + +<p> +"The dirty blackguard!" cried Carroll. He turned sharply away and +returned again to seize Meakim's arm. "Go on," he demanded. "What did +she say?" +</p> + +<p> +"You know her too, do you?" said Meakim, shaking his head +sympathetically. "Well, that's all. She used to teach his sister. She +seems to be a sort of fashionable—" +</p> + +<p> +"I know," said Carroll, roughly. "She taught my sister. She teaches +everybody's sister. She's the sweetest, simplest old soul that ever +lived. Holcombe's dead right to be angry. She almost lived at their +house when his sister was ill." +</p> + +<p> +"Tut! you don't say?" commented Meakim, gravely. "Well, his sister's +pretty near crazy about it. He give me the letter to read. It got me +all stirred up. It was just writ in blood. She must be a fine girl, +his sister. She says this Miss Martha's money was the last thing Allen +took. He didn't use her stuff, to speculate with, but cashed it in +just before he sailed and took it with him for spending-money. His +sister says she's too proud to take help, and she's too old to work." +</p> + +<p> +"How much did he take?" +</p> + +<p> +"Sixty thousand. She's been saving for over forty years." +</p> + +<p> +Carroll's mind took a sudden turn. "And Holcombe?" he demanded, +eagerly. "What is he going to do? Nothing silly, I hope." +</p> + +<p> +"Well, that's just it. That's why I come to find you," Meakim +answered, uneasily. "I don't want him to qualify for no Criminal +Stakes. I got no reason to love him either—But you know—" he +ended, impotently. +</p> + +<p> +"Yes, I understand," said Carroll. "That's what I meant. Confound the +boy, why didn't he stay in his law courts! What did he say?" +</p> + +<p> +"Oh, he just raged around. He said he'd tell Allen there was an +extradition treaty that Allen didn't know about, and that if Allen +didn't give him the sixty thousand he'd put it in force and make him +go back and stand trial." +</p> + +<p> +"Compounding a felony, is he?" +</p> + +<p> +"No, nothing of the sort," said Meakim, indignantly. "There isn't any +extradition treaty, so he wouldn't be doing anything wrong except +lying a bit." +</p> + +<p> +"Well, it's blackmail, anyway." +</p> + +<p> +"What, blackmail a man like Allen? Huh! He's fair game, if there ever +was any. But it won't work with him, that's what I'm afraid of. He's +too cunning to be taken in by it, he is. He had good legal advice +before he came here, or he wouldn't have come." +</p> + +<p> +Carroll was pacing up and down the terrace. He stopped and spoke over +his shoulder. "Does Holcombe think Allen has the money with him?" he +asked. +</p> + +<p> +"Yes, he's sure of it. That's what makes him so keen. He says Allen +wouldn't dare bank it at Gibraltar, because if he ever went over there +to draw on it he would get caught, so he must have brought it with him +here. And he got here so late that Holcombe believes it's in Allen's +rooms now, and he's like a dog that smells a rat, after it. Allen +wasn't in when he went up to his room, and he's started out hunting +for him, and if he don't find him I shouldn't be a bit surprised if he +broke into the room and just took it." +</p> + +<p> +"For God's sake!" cried Carroll. "He wouldn't do that?" +</p> + +<p> +Meakim pulled and fingered at his heavy watch-chain and laughed +doubtfully. "I don't know," he said. "He wouldn't have done it three +months ago, but he's picked up a great deal since then—since he has +been with us. He's asking for Captain Reese, too." +</p> + +<p> +"What's he want with that blackguard?" +</p> + +<p> +"I don't know; he didn't tell me." +</p> + +<p> +"Come," said Carroll, quickly. "We must stop him." He ran lightly down +the steps of the terrace to the beach, with Meakim waddling heavily +after him. "He's got too much at stake, Meakim," he said, in +half-apology, as they tramped through the sand. "He mustn't spoil it. +We won't let him." +</p> + +<p> +Holcombe had searched the circuit of Tangier's small extent with +fruitless effort, his anger increasing momentarily and feeding on each +fresh disappointment. When he had failed to find the man he sought in +any place, he returned to the hotel and pushed open the door of the +smoking-room as fiercely as though he meant to take those within by +surprise. +</p> + +<p> +"Has Mr. Allen returned?" he demanded. "Or Captain Reese?" The +attendant thought not, but he would go and see. "No," Holcombe said, +"I will look for myself." He sprang up the stairs to the third floor, +and turned down a passage to a door at its farthest end. Here he +stopped and knocked gently. "Reese," he called; "Reese!" There was no +response to his summons, and he knocked again, with more impatience, +and then cautiously turned the handle of the door, and, pushing it +forward, stepped into the room. "Reese," he said, softly, "its +Holcombe. Are you here?" The room was dark except for the light from +the hall, which shone dimly past him and fell upon a gun-rack hanging +on the wall opposite. Holcombe hurried toward this and ran his hands +over it, and passed on quickly from that to the mantel and the tables, +stumbling over chairs and riding-boots as he groped about, and +tripping on the skin of some animal that lay stretched upon the floor. +He felt his way, around the entire circuit of the room, and halted +near the door with an exclamation of disappointment. By this time his +eyes had become accustomed to the darkness, and he noted the white +surface of the bed in a far corner and ran quickly toward it, groping +with his hands about the posts at its head. He closed his fingers with +a quick gasp of satisfaction on a leather belt that hung from it, +heavy with cartridges and a revolver that swung from its holder. +Holcombe pulled this out and jerked back the lever, spinning the +cylinder around under the edge of his thumb. He felt the grease of +each cartridge as it passed under his nail. The revolver was loaded in +each chamber, and Holcombe slipped it into the pocket of his coat and +crept out of the room, closing the door softly behind him. He met no +one in the hall or on the stairs, and passed on quickly to a room on +the second floor. There was a light in this room which showed through +the transom and under the crack at the floor, and there was a sound of +some one moving about within. Holcombe knocked gently and waited. +</p> + +<p> +The movement on the other side of the door ceased, and after a pause a +voice asked who was there. Holcombe hesitated a second before +answering, and then said, "It is a servant, sir, with a note for Mr. +Allen." +</p> + +<p> +At the sound of some one moving toward the door from within, Holcombe +threw his shoulder against the panel and pressed forward. There was +the click of the key turning in the lock and of the withdrawal of a +bolt, and the door was partly opened. Holcombe pushed it back with his +shoulder, and, stepping quickly inside, closed it again behind him. +</p> + +<p> +The man within, into whose presence he had forced himself, confronted +him with a look of some alarm, which increased in surprise as he +recognized his visitor. "Why, Holcombe!" he exclaimed. He looked past +him as though expecting some one else to follow. "I thought it was a +servant," he said. +</p> + +<p> +Holcombe made no answer, but surveyed the other closely, and with a +smile of content. The man before him was of erect carriage, with white +hair and whiskers, cut after an English fashion which left the mouth +and chin clean shaven. He was of severe and dignified appearance, and +though standing as he was in dishabille still gave in his bearing the +look of an elderly gentleman who had lived a self-respecting, +well-cared-for, and well-ordered life. The room about him was littered +with the contents of opened trunks and uncorded boxes. He had been +interrupted in the task of unpacking and arranging these possessions, +but he stepped unresentfully toward the bed where his coat lay, and +pulled it on, feeling at the open collar of his shirt, and giving a +glance of apology toward the disorder of the apartment. +</p> + +<p> +"The night was so warm," he said, in explanation. "I have been trying +to get things to rights. I—" He was speaking in some obvious +embarrassment, and looked uncertainly toward the intruder for help. +But Holcombe made no explanation, and gave him no greeting. "I heard +in the hotel that you were here," the other continued, still striving +to cover up the difficulty of the situation, "and I am sorry to hear +that you are going so soon." He stopped, and as Holcombe still +continued smiling, drew himself up stiffly. The look on his face +hardened into one of offended dignity. +</p> + +<p> +"Really, Mr. Holcombe," he said, sharply, and with strong annoyance in +his tone, "if you have forced yourself into this room for no other +purpose than to stand there and laugh, I must ask you to leave it. You +may not be conscious of it, but your manner is offensive." He turned +impatiently to the table, and began rearranging the papers upon it. +Holcombe shifted the weight of his body as it rested against the door +from one shoulder-blade to the other and closed his hands over the +door-knob behind him. +</p> + +<p> +"I had a letter to-night from home about you, Allen," he began, +comfortably. "The person who wrote it was anxious that I should return +to New York, and set things working in the District Attorney's office +in order to bring you back. It isn't you they want so much as—" +</p> + +<p> +"How dare you?" cried the embezzler, sternly, in the voice with which +one might interrupt another in words of shocking blasphemy. +</p> + +<p> +"How dare I what?" asked Holcombe. +</p> + +<p> +"How dare you refer to my misfortune? You of all others—" He stopped, +and looked at his visitor with flashing eyes. "I thought you a +gentleman," he said, reproachfully; "I thought you a man of the world, +a man who in spite of your office, official position, or, rather, on +account of it, could feel and understand the—a—terrible position in +which I am placed, and that you would show consideration. Instead of +which," he cried, his voice rising in indignation, "you have come +apparently to mock at me. If the instinct of a gentleman does not +teach you to be silent, I shall have to force you to respect my +feelings. You can leave the room, sir. Now, at once." He pointed with +his arm at the door against which Holcombe was leaning, the fingers of +his outstretched hand trembling visibly. +</p> + +<p> +"Nonsense. Your misfortune! What rot!" Holcombe growled resentfully. +His eyes wandered around the room as though looking for some one who +might enjoy the situation with him, and then returned to Allen's face. +"You mustn't talk like that to me," he said, in serious remonstrance. +"A man who has robbed people who trusted him for three years, as you +have done, can't afford to talk of his misfortune. You were too long +about it, Allen. You had too many chances to put it back. +<i>You've</i> no feelings to be hurt. Besides, if you have, I'm in a +hurry, and I've not the time to consider them. Now, what I want of you +is—" +</p> + +<p> +"Mr. Holcombe," interrupted the other, earnestly. +</p> + +<p> +"Sir," replied the visitor. +</p> + +<p> +"Mr. Holcombe," began Allen, slowly, and with impressive gravity, "I +do not want any words with you about this, or with any one else. I am +here owing to a combination of circumstances which have led me through +hopeless, endless trouble. What I have gone through with nobody knows. +That is something no one but I can ever understand. But that is now at +an end. I have taken refuge in flight and safety, where another might +have remained and compromised and suffered; but I am a weaker brother, +and—as for punishment, my own conscience, which has punished me so +terribly in the past, will continue to do so in the future. I am +greatly to be pitied, Mr. Holcombe, greatly to be pitied. And no one +knows that better than yourself. You know the value of the position I +held in New York City, and how well I was suited to it, and it to me. +And now I am robbed of it all. I am an exile in this wilderness. +Surely, Mr. Holcombe, this is not the place nor the time when you +should insult me by recalling the—" +</p> + +<p> +"You contemptible hypocrite," said Holcombe, slowly. "What an ass you +must think I am! Now, listen to me." +</p> + +<p> +"No, <i>you</i> listen to me," thundered the other. He stepped +menacingly forward, his chest heaving under his open shirt, and his +fingers opening and closing at his side. "Leave the room, I tell you," +he cried, "or I shall call the servants and make you!" He paused with +a short, mocking laugh. "Who do you think I am?" he asked; "a child +that you can insult and gibe at? I'm not a prisoner in the box for you +to browbeat and bully, Mr. District Attorney. You seem to forget that +I am out of your jurisdiction now." +</p> + +<p> +He waited, and his manner seemed to invite Holcombe to make some angry +answer to his tone, but the young man remained grimly silent. +</p> + +<p> +"You are a very important young person at home, Harry," Allen went on, +mockingly. "But New York State laws do not reach as far as Africa." +</p> + +<p> +"Quite right; that's it exactly," said Holcombe, with cheerful +alacrity. "I'm glad you have grasped the situation so soon. That makes +it easier for me. Now, what I have been trying to tell you is this. I +received a letter about you to-night. It seems that before leaving New +York you converted bonds and mortgages belonging to Miss Martha Field, +which she had intrusted to you, into ready money. And that you took +this money with you. Now, as this is the first place you have stopped +since leaving New York, except Gibraltar, where you could not have +banked it, you must have it with you now, here in this town, in this +hotel, possibly in this room. What else you have belonging to other +poor devils and corporations does not concern me. It's yours as far as +I mean to do anything about it. But this sixty thousand dollars which +belongs to Miss Field, who is the best, purest, and kindest woman I +have ever known, and who has given away more money than you ever +stole, is going back with me to-morrow to New York." Holcombe leaned +forward as he spoke, and rapped with his knuckles on the table. Allen +confronted him in amazement, in which there was not so much surprise +at what the other threatened to do as at the fact that it was he who +had proposed doing it. +</p> + +<p> +"I don't understand," he said, slowly, with the air of a bewildered +child. +</p> + +<p> +"It's plain enough," replied the other, impatiently. "I tell you I +want sixty thousand dollars of the money you have with you. You can +understand that, can't you?" +</p> + +<p> +"But how?" expostulated Allen. "You don't mean to rob me, do you, +Harry?" he asked with a laugh. +</p> + +<p> +"You're a very stupid person for so clever a one," Holcombe said, +impatiently. "You must give me sixty thousand dollars—and if you +don't, I'll take it. Come, now, where is it—in that box?" He pointed +with his finger toward a square travelling-case covered with black +leather that stood open on the table filled with papers and blue +envelopes. +</p> + +<p> +"Take it!" exclaimed Allen. "You, Henry Holcombe? Is it you who are +speaking? Do I hear you?" He looked at Holcombe with eyes full of +genuine wonder and a touch of fear. As he spoke his hand reached out +mechanically and drew the leather-bound box toward him. +</p> + +<p> +"Ah, it is in that box, then," said Holcombe, in a quiet, grave tone. +"Now count it out, and be quick." +</p> + +<p> +"Are you drunk?" cried the other, fiercely. "Do you propose to turn +highwayman and thief? What do you mean?" Holcombe reached quickly +across the table toward the box, but the other drew it back, snapping +the lid down, and hugging it close against his breast. "If you move, +Holcombe," he cried, in a voice of terror and warning, "I'll call the +people of the house and—and expose you." +</p> + +<p> +"Expose me, you idiot," returned Holcombe, fiercely. "How dare +<i>you</i> talk to me like that!" +</p> + +<p> +Allen dragged the table more evenly between them, as a general works +on his defenses even while he parleys with the enemy. "It's you who +are the idiot!" he cried. "Suppose you could overcome me, which would +be harder than you think, what are you going to do with the money? Do +you suppose I'd let you leave this country with it? Do you imagine for +a moment that I would give it up without raising my hand? I'd have you +dragged to prison from your bed this very night, or I'd have you +seized as you set your foot upon the wharf. I would appeal to our +Consul-General. As far as he knows, I am as worthy of protection as +you are yourself, and, failing him, I'd appeal to the law of the +land." He stopped for want of breath, and then began again with the +air of one who finds encouragement in the sound of his own voice. +"They may not understand extradition here, Holcombe," he said, "but a +thief is a thief all the world over. What you may be in New York isn't +going to help you here; neither is your father's name. To these people +you would be only a hotel thief who forces his way into other men's +rooms at night and—" +</p> + +<p> +"You poor thing," interrupted Holcombe. "Do you know where you are?" +he demanded. "You talk, Allen, as though we were within sound of the +cable-cars on Broadway. This hotel is not the Brunswick, and this +Consul-General you speak of is another blackguard who knows that a +word from me at Washington, on my return, or a letter from here would +lose him his place and his liberty. He's as much of a rascal as any of +them, and he knows that I know it and that I may use that knowledge. +<i>He</i> won't help you. And as for the law of the land"—Holcombe's +voice rose and broke in a mocking laugh—"there is no law of the land. +<i>That's why you're here!</i> You are in a place populated by exiles +and outlaws like yourself, who have preyed upon society until society +has turned and frightened each of them off like a dog with his tail +between his legs. Don't give yourself confidence, Allen. That's all +you are, that's all we are—two dogs fighting for a stolen bone. The +man who rules you here is an ignorant negro, debauched and vicious and +a fanatic. He is shut off from every one, even to the approach of a +British ambassador. And what do you suppose he cares for a dog of a +Christian like you, who has been robbed in a hotel by another +Christian? And these others. Do you suppose they care? Call out—cry +for help, and tell them that you have half a million dollars in this +room, and they will fall on you and strip you of every cent of it, and +leave you to walk the beach for work. Now, what are you going to do? +Will you give me the money I want to take back where it belongs, or +will you call for help and lose it all?" +</p> + +<p> +The two men confronted each other across the narrow length of the +table. The blood had run to Holcombe's face, but the face of the other +was drawn and pale with fear. +</p> + +<p> +"You can't frighten me," he gasped, rallying his courage with an +effort of the will. "You are talking nonsense. This is a respectable +hotel; it isn't a den of thieves. You are trying to frighten me out of +the money with your lies and your lawyer's tricks, but you will find +that I am not so easily fooled. You are dealing with a man, Holcombe, +who suffered to get what he has, and who doesn't mean to let it go +without a fight for it. Come near me, I warn you, and I shall call for +help." +</p> + +<p> +Holcombe backed slowly away from the table and tossed up his hands +with the gesture of one who gives up his argument. "You will have it, +will you?" he muttered, grimly. "Very well, you <i>shall</i> fight for +it." He turned quickly and drove in the bolt of the door and placed +his shoulders over the electric button in the wall. "I have warned +you," he said, softly. "I have told you where you are, and that you +have nothing to expect from the outside. You are absolutely in my +power to do with as I please." He stopped, and, without moving his +eyes from Allen's face, drew the revolver from the pocket of his coat. +His manner was so terrible that Allen gazed at him, breathing faintly, +and with his eyes fixed in horrible fascination. "There is no law," +Holcombe repeated, softly. "There is no help for you now or later. It +is a question of two men locked in a room with a table and sixty +thousand dollars between them. That is the situation. Two men and +sixty thousand dollars. We have returned to first principles, Allen. +It is a man against a man, and there is no Court of Appeal." +</p> + +<p> +Allen's breath came back to him with a gasp, as though he had been +shocked with a sudden downpour of icy water. +</p> + +<p> +"There is!" he cried. "There <i>is</i> a Court of Appeal. For God's +sake, wait. I appeal to Henry Holcombe, to Judge Holcombe's son. I +appeal to your good name, Harry, to your fame in the world. Think what +you are doing; for the love of God, don't murder me. I'm a criminal, I +know, but not what you would be, Holcombe; not that. You are mad or +drunk. You wouldn't, you couldn't do it. Think of it! <i>You</i>, +Henry Holcombe. <i>You.</i>" +</p> + +<p> +The fingers of Holcombe's hand moved and tightened around the butt of +the pistol, the sweat sprang from the pores of his palm. He raised the +revolver and pointed it. "My sin's on my own head," he said. "Give me +the money." +</p> + +<p> +The older man glanced fearfully back of him at the open window, +through which a sea breeze moved the palms outside, so that they +seemed to whisper together as though aghast at the scene before them. +The window was three stories from the ground, and Allen's eyes +returned to the stern face of the younger man. As they stood silent +there came to them the sound of some one moving in the hall, and of +men's voices whispering together. Allen's face lit with a sudden +radiance of hope, and Holcombe's arm moved uncertainly. +</p> + +<p> +"I fancy," he said, in a whisper, "that those are my friends. They +have some idea of my purpose, and they have come to learn more. If you +call, I will let them in, and they will strangle you into silence +until I get the money." +</p> + +<p> +The two men eyed each other steadily, the older seeming to weigh the +possible truth of Holcombe's last words in his mind. Holcombe broke +the silence in a lighter tone. +</p> + +<p> +"Playing the policeman is a new role to me," he said, "and I warn you +that I have but little patience; and, besides, my hand is getting +tired, and this thing is at full cock." +</p> + +<p> +Allen, for the first time, lowered the box upon the table and drew +from it a bundle of notes bound together with elastic bandages. +Holcombe's eyes lighted as brightly at the sight as though the notes +were for his own private pleasures in the future. +</p> + +<p> +"Be quick!" he said. "I cannot be responsible for the men outside." +</p> + +<p> +Allen bent over the money, his face drawing into closer and sharper +lines as the amount grew, under his fingers, to the sum Holcombe had +demanded. +</p> + +<p> +"Sixty thousand!" he said, in a voice of desperate calm. +</p> + +<p> +"Good!" whispered Holcombe. "Pass it over to me. I hope I have taken +the most of what you have," he said, as he shoved the notes into his +pocket; "but this is something. Now I warn you," he added, as he +lowered the trigger of the revolver and put it out of sight, "that any +attempt to regain this will be futile. I am surrounded by friends; no +one knows you or cares about you. I shall sleep in my room to-night +without precaution, for I know that the money is now mine. Nothing you +can do will recall it. Your cue is silence and secrecy as to what you +have lost and as to what you still have with you." +</p> + +<p> +He stopped in some confusion, interrupted by a sharp knock at the door +and two voices calling his name. Allen shrank back in terror. +</p> + +<p> +"You coward!" he hissed. "You promised me you'd be content with what +you have." Holcombe looked at him in amazement. "And now your +accomplices are to have their share, too, are they?" the embezzler +whispered, fiercely. "You lied to me; you mean to take it all." +</p> + +<p> +Holcombe, for an answer, drew back the bolt, but so softly that the +sound of his voice drowned the noise it made. +</p> + +<p> +"No, not to-night," he said, briskly, so that the his voice penetrated +into the hall beyond. "I mustn't stop any longer, I'm keeping you up. +It has been very pleasant to have heard all that news from home. It +was such a chance, my seeing you before I sailed. Good-night." He +paused and pretended to listen. "No, Allen, I don't think it's a +servant," he said. "It's some of my friends looking for me. This is my +last night on shore, you see." He threw open the door and confronted +Meakim and Carroll as they stood in some confusion in the dark hall. +"Yes, it is some of my friends," Holcombe continued. "I'll be with you +in a minute," he said to them. Then he turned, and, crossing the room +in their sight, shook Allen by the hand, and bade him good-night and +good-by. +</p> + +<p> +The embezzler's revulsion of feeling was so keen and the relief so +great that he was able to smile as Holcombe turned and left him. "I +wish you a pleasant voyage," he said, faintly. +</p> + +<p> +Then Holcombe shut the door on him, closing him out from their sight. +He placed his hands on a shoulder of each of the two men and jumped +step by step down the stairs like a boy as they descended silently in +front of him. At the foot of the stairs Carroll turned and confronted +him sternly, staring him in the face. Meakim at one side eyed him +curiously. +</p> + +<p> +"Well?" said Carroll, with one hand upon Holcombe's wrist. +</p> + +<p> +Holcombe shook his hand free, laughing. "Well," he answered, "I +persuaded him to make restitution." +</p> + +<p> +"You persuaded him!" exclaimed Carroll, impatiently. "How?" +</p> + +<p> +Holcombe's eyes avoided those of the two inquisitors. He drew a long +breath, and then burst into a loud fit of hysterical laughter. The two +men surveyed him grimly. "I argued with him, of course," said +Holcombe, gayly. "That is my business, man; you forget that I am a +District Attorney—" +</p> + +<p> +"<i>We</i> didn't forget it," said Carroll, fiercely. "Did <i>you</i>? +What did you do?" +</p> + +<p> +Holcombe backed away up the stairs shaking his head and laughing. "I +shall never tell you," he said. He pointed with his hand down the +second flight of stairs. "Meet me in the smoking-room," he continued. +"I will be there in a minute, and we will have a banquet. Ask the +others to come. I have something to do first." +</p> + +<p> +The two men turned reluctantly away, and continued on down the stairs +without speaking and with their faces filled with doubt. Holcombe ran +first to Reese's room and replaced the pistol in its holder. He was +trembling as he threw the thing from him, and had barely reached his +own room and closed the door when a sudden faintness overcame him. The +weight he had laid on his nerves was gone and the laughter had +departed from his face. He stood looking back at what he had escaped +as a man reprieved at the steps of the gallows turns his head to +glance at the rope he has cheated. Holcombe tossed the bundle of +notes, upon the table and took an unsteady step across the room. Then +he turned suddenly and threw himself upon his knees and buried his +face in the pillow. +</p> + +<p> +The sun rose the next morning on a cool, beautiful day, and the +Consul's boat, with the American flag trailing from the stern, rose +and fell on the bluest of blue waters as it carried Holcombe and his +friends to the steamer's side. +</p> + +<p> +"We are going to miss you very much," Mrs. Carroll said. "I hope you +won't forget to send us word of yourself." +</p> + +<p> +Miss Terrill said nothing. She was leaning over the side trailing her +hand in the water, and watching it run between her slim pink fingers. +She raised her eyes to find Holcombe looking at her intently with a +strange expression of wistfulness and pity, at which she smiled +brightly back at him, and began to plan vivaciously with Captain Reese +for a ride that same afternoon. +</p> + +<p> +They separated over the steamer's deck, and Meakim, for the hundredth +time, and in the lack of conversation which comes at such moments, +offered Holcombe a fresh cigar. +</p> + +<p> +"But I have got eight of yours now," said Holcombe. +</p> + +<p> +"That's all right; put it in your pocket," said the Tammany chieftain, +"and smoke it after dinner. You'll need 'em. They're better than those +you'll get on the steamer, and they never went through a +custom-house." +</p> + +<p> +Holcombe cleared his throat in some slight embarrassment. "Is there +anything I can do for you in New York, Meakim?" he asked. "Anybody I +can see, or to whom I can deliver a message?" +</p> + +<p> +"No," said Meakim. "I write pretty often. Don't you worry about me," +he added, gratefully. "I'll be back there some day myself, when the +law of limitation lets me." +</p> + +<p> +Holcombe laughed. "Well," he said, "I'd be glad to do something for +you if you'd let me know what you'd like." +</p> + +<p> +Meakim put his hands behind his back and puffed meditatively on his +cigar, rolling it between his lips with his tongue. Then he turned it +between his fingers and tossed the ashes over the side of the boat. He +gave a little sigh, and then frowned at having done so. "I'll tell you +what you <i>can</i> do for me, Holcombe," he said, smiling. "Some +night I wish you would go down to Fourteenth Street, some night this +spring, when the boys are sitting out on the steps in front of the +Hall, and just take a drink for me at Ed Lally's; just for luck. Will +you? That's what I'd like to do. I don't know nothing better than +Fourteenth Street of a summer evening, with all the people crowding +into Pastor's on one side of the Hall, and the Third Avenue L cars +running by on the other. That's a gay sight; ain't it now? With all +the girls coming in and out of Theiss's, and the sidewalks crowded. +One of them warm nights when they have to have the windows open, and +you can hear the music in at Pastor's, and the audience clapping their +hands. That's great, isn't it? Well," he laughed and shook his head. +"I'll be back there some day, won't I," he said, wistfully, "and hear +it for myself." +</p> + +<p> +"Carroll," said Holcombe, drawing the former to one side, "suppose I +see this cabman when I reach home, and get him to withdraw the charge, +or agree not to turn up when it comes to trial." +</p> + +<p> +Carroll's face clouded in an instant. "Now, listen to me, Holcombe," +he said. "You let my dirty work alone. There's lots of my friends who +have nothing better to do than just that. You have something better to +do, and you leave me and my rows to others. I like you for what you +are, and not for what you can do for me. I don't mean that I don't +appreciate your offer, but it shouldn't have come from an Assistant +District Attorney to a fugitive criminal." +</p> + +<p> +"What nonsense!" said Holcombe. +</p> + +<p> +"Don't say that; don't say that!" said Carroll, quickly, as though it +hurt him. "You wouldn't have said it a month ago." +</p> + +<p> +Holcombe eyed the other with an alert, confident smile. "No, Carroll," +he answered, "I would not." He put his hand on the other's shoulder +with a suggestion in his manner of his former self, and with a touch +of patronage. "I have learned a great deal in a month," he said. +"Seven battles were won in seven days once. All my life I have been +fighting causes, Carroll, and principles. I have been working with +laws against law-breakers. I have never yet fought a man. It was not +poor old Meakim, the individual, I prosecuted, but the corrupt +politician. Now, here I have been thrown with men and women on as +equal terms as a crew of sailors cast away upon a desert island. We +were each a law unto himself. And I have been brought face to face, +and for the first time in my life, not with principles of conduct, not +with causes, and not with laws, but with my fellow men." +</p> + +<a name="72"></a> +<p class="chapter"> +THE BOY ORATOR OF ZEPATA CITY +</p> + + +<p> +The day was cruelly hot, with unwarranted gusts of wind which swept +the red dust in fierce eddies in at one end of Main Street and out at +the other, and waltzed fantastically across the prairie. When they had +passed, human beings opened their eyes again to blink hopelessly at +the white sun, and swore or gasped, as their nature moved them. There +were very few human beings in the streets, either in Houston Avenue, +where there were dwelling-houses, or in the business quarter on Main +Street. They were all at the new court-house, and every one possessed +of proper civic pride was either in the packed court-room itself, or +standing on the high steps outside, or pacing the long, freshly +calcimined corridors, where there was shade and less dust. It was an +eventful day in the history of Zepata City. The court-house had been +long in coming, the appropriation had been denied again and again; but +at last it stood a proud and hideous fact, like a gray prison, +towering above the bare, undecorated brick stores and the frame houses +on the prairie around it, new, raw, and cheap, from the tin statue on +the dome to the stucco round its base already cracking with the sun. +Piles of lumber and scaffolding and the lime beds the builders had +left still lay on the unsodded square, and the bursts of wind drove +the shavings across it, as they had done since the first day of +building, when the Hon. Horatio Macon, who had worked for the +appropriation, had laid the corner-stone and received the homage of +his constituents. +</p> + +<p> +It seemed a particularly happy and appropriate circumstance that the +first business in the new court-room should be of itself of an +important and momentous nature, something that dealt not only with the +present but with the past of Zepata, and that the trial of so +celebrated an individual as Abe Barrow should open the court-house +with <i>éclat</i>, as Emma Abbott, who had come all the way from San +Antonio to do it, had opened the new opera-house the year before. The +District Attorney had said it would not take very long to dispose of +Barrow's case, but he had promised it would be an interesting if brief +trial, and the court-room was filled even to the open windows, where +men sat crowded together, with the perspiration running down their +faces, and the red dust settling and turning white upon their +shoulders. +</p> + +<p> +Abe Barrow, the prisoner, had been as closely associated with the +early history of Zepata as Colonel Macon himself, and was as widely +known; he had killed in his day several of the Zepata citizens, and +two visiting brother-desperadoes, and the corner where his +gambling-house had stood was still known as Barrow's Corner, to the +regret of the druggist who had opened a shop there. Ten years before, +the murder of Deputy Sheriff Welsh had led him to the penitentiary, +and a month previous to the opening of the new court-house he had been +freed, and arrested at the prison gate to stand trial for the murder +of Hubert Thompson. The fight with Thompson had been a fair fight—so +those said who remembered it—and Thompson was a man they could well +spare; but the case against Barrow had been prepared during his +incarceration by the new and youthful District Attorney, "Judge" Henry +Harvey, and as it offered a fitting sacrifice for the dedication of +the new temple of justice, the people were satisfied and grateful. +</p> + +<p> +The court-room was as bare of ornament as the cell from which the +prisoner had just been taken. There was an imitation walnut clock at +the back of the Judge's hair-cloth sofa, his revolving chair, and his +high desk. This was the only ornament. Below was the green table of +the District Attorney, upon which rested his papers and law-books and +his high hat. To one side sat the jury, ranch-owners and prominent +citizens, proud of having to serve on this the first day; and on the +other the prisoner in his box. Around them gathered the citizens of +Zepata in close rows, crowded together on unpainted benches; back of +them more citizens standing and a few awed Mexicans; and around all +the whitewashed walls. Colonel John Stogart, of Dallas, the prisoner's +attorney, procured obviously at great expense, no one knew by whom, +and Barrow's wife, a thin yellow-faced woman in a mean-fitting showy +gown, sat among the local celebrities at the District Attorney's +elbow. She was the only woman in the room. +</p> + +<p> +Colonel Stogart's speech had been good. The citizens were glad it had +been so good; it had kept up the general tone of excellence, and it +was well that the best lawyer of Dallas should be present on this +occasion, and that he should have made what the citizens of Zepata +were proud to believe was one of the efforts of his life. As they +said, a court-house such as this one was not open for business every +day. It was also proper that Judge Truax, who was a real Judge, and +not one by courtesy only, as was the young District Attorney, should +sit upon the bench. He also was associated with the early days and +with the marvellous growth of Zepata City. He had taught the young +District Attorney much of what he knew, and his long white hair and +silver-rimmed spectacles gave dignity and the appearance of calm +justice to the bare room and to the heated words of the rival orators. +</p> + +<p> +Colonel Stogart ceased speaking, and the District Attorney sucked in +his upper lip with a nervous, impatient sigh as he recognized that the +visiting attorney had proved murder in the second degree, and that an +execution in the jail-yard would not follow as a fitting sequence. +</p> + +<p> +But he was determined that so far as in him lay he would at least send +his man back to the penitentiary for the remainder of his life. +</p> + +<p> +Young Harry Harvey, "The Boy Orator of Zepata City," as he was called, +was very dear to the people of that booming town. In their eyes he was +one of the most promising young men in the whole great unwieldy State +of Texas, and the boy orator thought they were probably right, but he +was far too clever to let them see it. He was clever in his words and +in his deeds and in his appearance. And he dressed much more carefully +than any other man in town, with a frock-coat and a white tie winter +and summer, and a fine high hat. That he was slight and short of +stature was something he could not help, and was his greatest, keenest +regret, and that Napoleon was also short and slight did not serve to +satisfy him or to make his regret less continual. What availed the +sharply cut, smoothly shaven face and the eyes that flashed when he +was moved, or the bell-like voice, if every unlettered ranchman or +ranger could place both hands on his shoulders and look down at him +from heights above? But they forgot this and he forgot it before he +had reached the peroration of his closing speech. They saw only the +Harry Harvey they knew and adored moving and rousing them with his +voice, trembling with indignation when he wished to tremble, playing +all his best tricks in his best manner, and cutting the air with +sharp, cruel words when he was pleased to be righteously just. +</p> + +<p> +The young District Attorney turned slowly on his heels, and swept the +court-room carelessly with a glance of the clever black eyes. The +moment was his. He saw all the men he knew—the men who made his +little world—crowding silently forward, forgetful of the heat, of the +suffocating crush of those about them, of the wind that rattled the +doors in the corridors, and conscious only of him. He saw his old +preceptor watching keenly from the bench, with a steady glance of +perfect appreciation, such as that with which one actor in the box +compliments the other on the stage. He saw the rival attorney—the +great lawyer from the great city—nervously smiling, with a look of +confidence that told the lack of it; and he saw the face of the +prisoner grim and set and hopelessly defiant. The boy orator allowed +his uplifted arm to fall until the fingers pointed at the prisoner. +</p> + +<p> +"This man," he said, and as he spoke even the wind in the corridors +hushed for the moment, "is no part or parcel of Zepata City of to-day. +He comes to us a relic of the past—a past that has brought honor to +many, wealth to some, and which is dear to all of us who love the +completed purpose of their work; a past that was full of hardships and +glorious efforts in the face of daily disappointments, embitterments, +and rebuffs. But the part <i>this</i> man played in that past lives +only in the rude court records of that day, in the traditions of the +gambling-hell and the saloons, and on the headstones of his victims. +He was one of the excrescences of that unsettled period, an unhappy +evil—an inevitable evil, I might almost say, as the Mexican +horse-thieves and the prairie fires and the Indian outbreaks were +inevitable, as our fathers who built this beautiful city knew to their +cost. The same chance that was given to them to make a home for +themselves in the wilderness, to help others to make their homes, to +assist the civilization and progress not only of this city, but of the +whole Lone Star State, was given to him, and he refused it, and +blocked the way of others, and kept back the march of progress, until +to-day, civilization, which has waxed great and strong—not on account +of him, remember, but in spite of him—sweeps him out of its way, and +crushes him and his fellows." +</p> + +<p> +The young District Attorney allowed his arm to drop, and turned to the +jury, leaning easily with his bent knuckles on the table. +</p> + +<p> +"Gentlemen," he said, in his pleasant tones of every-day politeness, +"the 'bad man' has become an unknown quantity in Zepata City and in +the State of Texas. It lies with you to see that he remains so. He +went out of existence with the blanket Indian and the buffalo. He is +dead, and he must <i>not</i> be resurrected. He was a picturesque evil +of those early days, but civilization has no use for him, and it has +killed him, as the railroads and the barb-wire fence have killed the +cowboy. He does not belong here; he does not fit in; he is not wanted. +We want men who can breed good cattle, who can build manufactories and +open banks; storekeepers who can undersell those of other cities; and +professional men who know their business. We do <i>not</i> want +desperadoes and 'bad men' and faro-dealers and men who are quick on +the trigger. A foolish and morbid publicity has cloaked men of this +class with a notoriety which cheap and pernicious literature has +greatly helped to disseminate. They have been made romantic when they +were brutal, brave when they were foolhardy, heroes when they were +only bullies and blackguards. This man, Abe Barrow, the prisoner at +the bar, belongs to that class. He enjoys and has enjoyed a reputation +as a 'bad man,' a desperate and brutal ruffian. Free him to-day, and +you set a premium on such reputations; acquit him of this crime, and +you encourage others to like evil. Let him go, and he will walk the +streets with a swagger, and boast that you were afraid to touch +him—<i>afraid</i>, gentlemen—and children and women will point after +him as the man who has sent nine others into eternity, and who yet +walks the streets a free man. And he will become, in the eyes of the +young and the weak, a hero and a god. This is unfortunate, but it is +true. +</p> + +<p> +"Now, gentlemen, we want to keep the streets of this city so safe that +a woman can walk them at midnight without fear of insult, and a man +can express his opinion on the corner without being shot in the back +for doing so." +</p> + +<p> +The District Attorney turned from the jury with a bow, and faced Judge +Truax. +</p> + +<p> +"For the last ten years, your honor, this man, Abner Barrow, has been +serving a term of imprisonment in the State penitentiary; I ask you to +send him back there again for the remainder of his life. It will be +the better place for him, and we will be happier in knowing we have +done our duty in placing him there. Abe Barrow is out of date. He has +missed step with the march of progress, and has been out of step for +ten years, and it is best for all that he should remain out of it +until he, who has sent nine other men unprepared to meet their God—" +</p> + +<p> +"He is not on trial for the murder of nine men," interrupted Colonel +Stogart, springing from his chair, "but for the justifiable killing of +one, and I demand, your honor, that—" +</p> + +<p> +"—has sent nine other men to meet their Maker," continued the +District Attorney, "meets with the awful judgment of a higher court +than this." +</p> + +<p> +Colonel Stogart smiled scornfully at the platitude, and sat down with +an expressive shrug; but no one noticed him. +</p> + +<p> +The District Attorney raised his arm and faced the court-room. "It +cannot be said of <i>us</i>," he cried, "that we have sat idle in the +market-place. We have advanced and advanced in the last ten years, +until we have reached the very foremost place with civilized people. +This Rip Van Winkle of the past returns to find a city where he left a +prairie town, a bank where he spun his roulette wheel, this +magnificent court-house instead of a vigilance committee. And what is +his part in this new court-house, which to-day, for the first time, +throws open its doors to protect the just and to punish the unjust? +</p> + +<p> +"Is he there in the box among those honorable men, the gentlemen of +the jury? Is he in that great crowd of intelligent, public-spirited +citizens who make the bone and sinew of this our fair city? Is he on +the honored bench dispensing justice, and making the intricacies of +the law straight? No, gentlemen; he has no part in our triumph. He is +there, in the prisoners' pen, an outlaw, a convicted murderer, and an +unconvicted assassin, the last of his race—the bullies and bad men of +the border—a thing to be forgotten and put away forever from the +sight of man. He has outlasted his time; he is a superfluity and an +outrage on our reign of decency and order. And I ask you, gentlemen, +to put him away where he will not hear the voice of man nor children's +laughter, nor see a woman smile, where he will not even see the face +of the warden who feeds him, nor sunlight except as it is filtered +through the iron bars of a jail. Bury him with the bitter past, with +the lawlessness that has gone—that has gone, thank God—and which +must <i>not</i> return. Place him in the cell where he belongs, and +whence, had justice been done, he would never have been taken alive." +</p> + +<p> +The District Attorney sat down suddenly, with a quick nod to the Judge +and the jury, and fumbled over his papers with nervous fingers. He was +keenly conscious, and excited with the fervor of his own words. He +heard the reluctantly hushed applause and the whispers of the crowd, +and noted the quick and combined movement of the jury with a selfish +sweet pleasure, which showed itself only in the tightening of the lips +and nostrils. Those nearest him tugged at his sleeve and shook hands +with him. He remembered this afterward as one of the rewards of the +moment. He turned the documents before him over and scribbled words +upon a piece of paper and read a passage in an open law-book. He did +this quite mechanically, and was conscious of nothing until the +foreman pronounced the prisoner at the bar guilty of murder in the +second degree. +</p> + +<p> +Judge Truax leaned across his desk and said, simply, that it lay in +his power to sentence the prisoner to not less than two years' +confinement in the State penitentiary or for the remainder of his +life. +</p> + +<p> +"Before I deliver sentence on you, Abner Barrow," he said, with an old +man's kind severity, "is there anything you have to say on your own +behalf?" +</p> + +<p> +The District Attorney turned his face, as did all the others, but he +did not see the prisoner. He still saw himself holding the court-room +with a spell, and heard his own periods ringing against the +whitewashed ceiling. The others saw a tall, broad-shouldered man +leaning heavily forward over the bar of the prisoner's box. His face +was white with the prison tan, markedly so in contrast with those +sunburnt by the wind and sun turned toward him, and pinched and +hollow-eyed and worn. When he spoke, his voice had the huskiness which +comes from non-use, and cracked and broke like a child's. +</p> + +<p> +"I don't know, Judge," he said, hesitatingly, and staring stupidly at +the mass of faces in the well beneath him, "that I have anything to +say—in my own behalf. I don't know as it would be any use. I guess +what the gentleman said about me is all there is to say. He put it +about right. I've had my fun, and I've got to pay for it—that is, I +thought it was fun at the time. I am not going to cry any baby act and +beg off, or anything, if that's what you mean. But there is something +I'd like to say if I thought you would believe me." He frowned down at +the green table as though the words he wanted would not come, and his +eyes wandered from one face to another, until they rested upon the +bowed head of the only woman in the room. They remained there for some +short time, and then Barrow drew in his breath more quickly, and +turned with something like a show of confidence to the jury. +</p> + +<p> +"All that man said of me is true," he said. He gave a toss of his +hands as a man throws away the reins. "I admit all he says. I +<i>am</i> a back number; I <i>am</i> out of date; I <i>was</i> a loafer and a +blackguard. I never shot any man in the back, nor I never assassinated +no one; but that's neither here nor there. I'm not in a place where I +can expect people to pick out their words; but, as he says, I <i>am</i> a +bad lot. He says I have enjoyed a reputation as a desperado. I am not +bragging of that; I just ask you to remember that he said it. Remember +it of me. I was not the sort to back down to man or beast, and I'm not +now. I am not backing down, now; I'm taking my punishment. Whatever +you please to make it, I'll take it; and that," he went on, more +slowly, "makes it harder for me to ask what I want to ask, and make +you all believe I am not asking it for myself." +</p> + +<p> +He stopped, and the silence in the room seemed to give him some faint +encouragement of sympathy, though it was rather the silence of +curiosity. +</p> + +<p> +Colonel Stogart gave a stern look upward, and asked the prisoner's +wife, in a whisper, if she knew what her husband meant to say, but she +shook her head. She did not know. The District Attorney smiled +indulgently at the prisoner and at the men about him, but they were +watching the prisoner. +</p> + +<p> +"That man there," said Barrow, pointing with one gaunt hand at the boy +attorney, "told you I had no part or parcel in this city or in this +world; that I belonged to the past; that I had ought to be dead. Now +that's not so. I have just one thing that belongs to this city and +this world—and to me; one thing that I couldn't take to jail with me, +and that I'll have to leave behind me when I go back to it. I mean my +wife." +</p> + +<p> +The prisoner stopped, and looked so steadily at one place below him +that those in the back of the court guessed for the first time that +Mrs. Barrow was in the room, and craned forward to look at her, and +there was a moment of confusion and a murmur of "Get back there!" "Sit +still!" The prisoner turned to Judge Truax again and squared his broad +shoulders, making the more conspicuous his narrow and sunken chest. +</p> + +<p> +"You, sir," he said, quietly, with a change from the tone of +braggadocio with which he had begun to speak, "remember her, sir, when +I married her, twelve years ago. She was Henry Holman's daughter, he +who owned the San Iago Ranch and the triangle brand. I took her from +the home she had with her father against that gentleman's wishes, sir, +to live with me over my dance-hall at the Silver Star. You may +remember her as she was then. She gave up everything a woman ought to +have to come to me. She thought she was going to be happy with me; +that's why she come, I guess. Maybe she was happy for about two weeks. +After that first two weeks her life, sir, was a hell, and I made it a +hell. I was drunk most of the time, or sleeping it off, and +ugly-tempered when I was sober. There was shooting and carrying on all +day and night down-stairs, and she didn't dare to leave her room. +Besides that, she cared for me, and she was afraid every minute I was +going to get killed. That's the way she lived for two years. +Respectable women wouldn't speak to her because she was my wife; even +them that were friends of hers when she lived on the ranch wouldn't +speak to her on the street—and she had no children. That was her +life; she lived alone over the dance-hall; and sometimes when I was +drunk—I beat her." +</p> + +<p> +The man's white face reddened slowly as he said this; and he stopped, +and then continued more quickly, with his eyes still fixed on those of +the Judge: +</p> + +<p> +"At the end of two years I killed Welsh, and they sent me to the +penitentiary for ten years, and she was free. She could have gone back +to her folks and got a divorce if she'd wanted to, and never seen me +again. It was an escape most women'd gone down on their knees and +thanked their Maker for, and blessed the day they'd been freed from a +blackguardly drunken brute. +</p> + +<p> +"But what did this woman do—my wife, the woman I misused and beat and +dragged down in the mud with me? She was too mighty proud to go back +to her people or to the friends who shook her when she was in trouble; +and she sold out the place, and bought a ranch with the money, and +worked it by herself, worked it day and night, until in ten years she +had made herself an old woman, as you see she is to-day. +</p> + +<p> +"And for what? To get <i>me</i> free again; to bring <i>me</i> things +to eat in jail, and picture papers and tobacco—when she was living on +bacon and potatoes, and drinking alkali water—working to pay for a +lawyer to fight for <i>me</i>—to pay for the <i>best</i> lawyer! She +worked in the fields with her own hands, planting and ploughing, +working as I never worked for myself in my whole lazy, rotten life. +That's what that woman there did for me." +</p> + +<p> +The man stopped suddenly, and turned with a puzzled look toward where +his wife sat, for she had dropped her head on the table in front of +her, and he had heard her sobbing. +</p> + +<p> +"And what I want to ask of you, sir, is to let me have two years out +of jail to show her how I feel about it. I ask you not to send me back +for life, sir. Give me just two years—two years of my life while I +have some strength left to work for her as she worked for me. I only +want to show her how I care for her <i>now</i>. I had the chance, and +I wouldn't take it; and now, sir, I want to show her that I know and +understand—now, when it's too late. It's all I've thought of when I +was in jail, to be able to see her sitting in her own kitchen with her +hands folded, and me working and sweating in the fields for +her—working till every bone ached, trying to make it up to her. +</p> + +<p> +"And I can't!" the man cried, suddenly, losing the control he had +forced upon himself, and tossing his hands up above his head, and with +his eyes fixed hopelessly on the bowed head below him. "I can't! It's +too late. It's too late!" +</p> + +<p> +He turned and faced the crowd and the District Attorney defiantly. +</p> + +<p> +"I'm not crying for the men I killed. They're dead. I can't bring them +back. But she's not dead, and I treated her worse than I treated them. +<i>She</i> never harmed me, nor got in my way, nor angered me. And now, +when I want to do what I can for her in the little time that's left, +<i>he</i> tells you I'm a 'relic of the past,' that civilization's too good +for me, that you must bury me until it's time to bury me for good. +Just when I've got something I <i>must</i> live for, something I've got to +do. Don't you believe me? Don't you understand?" +</p> + +<p> +He turned again toward the Judge, and beat the rail before him +impotently with his wasted hand. "Don't send me back for life!" he +cried. "Give me a few years to work for her—two years, one year—to +show her what I feel here, what I never felt for her before. Look at +her, gentlemen. Look how worn she is and poorly, and look at her +hands, and you men must feel how I feel. I don't ask you for myself. I +don't want to go free on my own account. I am asking it for that +woman—yes, and for myself, too. I am playing to 'get back,' +gentlemen. I've lost what I had, and I want to get back; and," he +cried, querulously, "the game keeps going against me. It's only a few +years' freedom I want. Send me back for thirty years, but not for +life. My God! Judge, don't bury me alive, as that man asked you to. +I'm <i>not</i> civilized, maybe; ways <i>have</i> changed. You are not +the man I knew; you are all strangers to me. But I could learn. I +wouldn't bother you in the old way. I only want to live with her. I +won't harm the rest of you. Give me this last chance. Let me prove +that what I'm saying is true." +</p> + +<p> +The man stopped and stood, opening and shutting his hands upon the +rail, and searching with desperate eagerness from face to face, as one +who has staked all he has watches the wheel spinning his fortune away. +The gentlemen of the jury sat quite motionless, looking straight ahead +at the blinding sun, which came through the high, uncurtained windows +opposite. Outside, the wind banged the shutters against the wall, and +whistled up the street and round the tin corners of the building, but +inside the room was very silent. The Mexicans at the door, who could +not understand, looked curiously at the faces of the men around them, +and made sure that they had missed something of much importance. For a +moment no one moved, until there was a sudden stir around the District +Attorney's table, and the men stepped aside and let the woman pass +them and throw herself against the prisoner's box. The prisoner bent +his tall gaunt figure over the rail, and as the woman pressed his one +hand against her face, touched her shoulders with the other awkwardly. +</p> + +<p> +"There, now," he whispered, soothingly, "don't you take on so. Now you +know how I feel, it's all right; don't take on." +</p> + +<p> +Judge Truax looked at the paper on his desk for some seconds, and +raised his head, coughing as he did so. "It lies—" Judge Truax began, +and then stopped, and began again, in a more certain tone: "It lies at +the discretion of this Court to sentence the prisoner to a term of +imprisonment for two years, or for an indefinite period, or for life. +Owing to—On account of certain circumstances which were—have +arisen—this sentence is suspended. This court stands adjourned." +</p> + +<p> +As he finished he sprang out of his chair impulsively, and with a +quick authoritative nod to the young District Attorney, came quickly +down the steps of the platform. Young Harvey met him at the foot with +wide-open eyes. +</p> + +<p> +The older man hesitated, and placed his hand upon the District +Attorney's shoulder. "Harry," he said. His voice was shaken, and his +hand trembled on the arm of his protégé, for he was an old man and +easily moved. "Harry, my boy," he said, "do you think you could go to +Austin and repeat the speech that man made to the Governor?" +</p> + +<p> +The boy orator laughed, and took one of the older man's hands in one +of his and pressed it quickly. "I'd like d——d well to try," he said. +</p> + +<a name="94"></a> +<p class="chapter"> +THE OTHER WOMAN +</p> + + +<p> +Young Latimer stood on one of the lower steps of the hall stairs, +leaning with one hand on the broad railing and smiling down at her. +She had followed him from the drawing-room and had stopped at the +entrance, drawing the curtains behind her, and making, unconsciously, +a dark background for her head and figure. He thought he had never +seen her look more beautiful, nor that cold, fine air of thorough +breeding about her which was her greatest beauty to him, more strongly +in evidence. +</p> + +<p> +"Well, sir," she said, "why don't you go?" +</p> + +<p> +He shifted his position slightly and leaned more comfortably upon the +railing, as though he intended to discuss it with her at some length. +</p> + +<p> +"How can I go," he said, argumentatively, "with you standing +there—looking like that?" +</p> + +<p> +"I really believe," the girl said, slowly, "that he is afraid; yes, he +is afraid. And you always said," she added, turning to him, "you were +so brave." +</p> + +<p> +"Oh, I am sure I never said that," exclaimed the young man, calmly. "I +may be brave, in fact, I am quite brave, but I never said I was. Some +one must have told you." +</p> + +<p> +"Yes, he is afraid," she said, nodding her head to the tall clock +across the hall, "he is temporizing and trying to save time. And +afraid of a man, too, and such a good man who would not hurt any one." +</p> + +<p> +"You know a bishop is always a very difficult sort of a person," he +said, "and when he happens to be your father, the combination is just +a bit awful. Isn't it now? And especially when one means to ask him +for his daughter. You know it isn't like asking him to let one smoke +in his study." +</p> + +<p> +"If I loved a girl," she said, shaking her head and smiling up at him, +"I wouldn't be afraid of the whole world; that's what they say in +books, isn't it? I would be so bold and happy." +</p> + +<p> +"Oh, well, I'm bold enough," said the young man, easily; "if I had not +been, I never would have asked you to marry me; and I'm happy +enough—that's because I did ask you. But what if he says no," +continued the youth; "what if he says he has greater ambitions for +you, just as they say in books, too? What will you do? Will you run +away with me? I can borrow a coach just as they used to do, and we can +drive off through the Park and be married, and come back and ask his +blessing on our knees—unless he should overtake us on the elevated." +</p> + +<p> +"That," said the girl, decidedly, "is flippant, and I'm going to leave +you. I never thought to marry a man who would be frightened at the +very first. I am greatly disappointed." +</p> + +<p> +She stepped back into the drawing-room and pulled the curtains to +behind her, and then opened them again and whispered, "Please don't be +long," and disappeared. He waited, smiling, to see if she would make +another appearance, but she did not, and he heard her touch the keys +of the piano at the other end of the drawing-room. And so, still +smiling and with her last words sounding in his ears, he walked slowly +up the stairs and knocked at the door of the bishop's study. The +bishop's room was not ecclesiastic in its character. It looked much +like the room of any man of any calling who cared for his books and to +have pictures about him, and copies of the beautiful things he had +seen on his travels. There were pictures of the Virgin and the Child, +but they were those that are seen in almost any house, and there were +etchings and plaster casts, and there were hundreds of books, and dark +red curtains, and an open fire that lit up the pots of brass with +ferns in them, and the blue and white plaques on the top of the +bookcase. The bishop sat before his writing-table, with one hand +shading his eyes from the light of a red-covered lamp, and looked up +and smiled pleasantly and nodded as the young man entered. He had a +very strong face, with white hair hanging at the side, but was still a +young man for one in such a high office. He was a man interested in +many things, who could talk to men of any profession or to the mere +man of pleasure, and could interest them in what he said, and force +their respect and liking. And he was very good, and had, they said, +seen much trouble. +</p> + +<p> +"I am afraid I interrupted you," said the young man, tentatively. +</p> + +<p> +"No, I have interrupted myself," replied the bishop. "I don't seem to +make this clear to myself," he said, touching the paper in front of +him, "and so I very much doubt if I am going to make it clear to any +one else. However," he added, smiling, as he pushed the manuscript to +one side, "we are not going to talk about that now. What have you to +tell me that is new?" +</p> + +<p> +The younger man glanced up quickly at this, but the bishop's face +showed that his words had had no ulterior meaning, and that he +suspected nothing more serious to come than the gossip of the clubs or +a report of the local political fight in which he was keenly +interested, or on their mission on the East Side. But it seemed an +opportunity to Latimer. +</p> + +<p> +"I <i>have</i> something new to tell you," he said, gravely, and with +his eyes turned toward the open fire, "and I don't know how to do it +exactly. I mean I don't just know how it is generally done or how to +tell it best." He hesitated and leaned forward, with his hands locked +in front of him, and his elbows resting on his knees. He was not in +the least frightened. The bishop had listened to many strange stories, +to many confessions, in this same study, and had learned to take them +as a matter of course; but to-night something in the manner of the +young man before him made him stir uneasily, and he waited for him to +disclose the object of his visit with some impatience. +</p> + +<p> +"I will suppose, sir," said young Latimer, finally, "that you know me +rather well—I mean you know who my people are, and what I am doing +here in New York, and who my friends are, and what my work amounts to. +You have let me see a great deal of you, and I have appreciated your +doing so very much; to so young a man as myself it has been a great +compliment, and it has been of great benefit to me. I know that better +than any one else. I say this because unless you had shown me this +confidence it would have been almost impossible for me to say to you +what I am going to say now. But you have allowed me to come here +frequently, and to see you and talk with you here in your study, and +to see even more of your daughter. Of course, sir, you did not suppose +that I came here only to see you. I came here because I found that, if +I did not see Miss Ellen for a day, that that day was wasted, and that +I spent it uneasily and discontentedly, and the necessity of seeing +her even more frequently has grown so great that I cannot come here as +often as I seem to want to come unless I am engaged to her, unless I +come as her husband that is to be." The young man had been speaking +very slowly and picking his words, but now he raised his head and ran +on quickly. +</p> + +<p> +"I have spoken to her and told her how I love her, and she has told me +that she loves me, and that if you will not oppose us, will marry me. +That is the news I have to tell you, sir. I don't know but that I +might have told it differently, but that is it. I need not urge on you +my position and all that, because I do not think that weighs with you; +but I do tell you that I love Ellen so dearly that, though I am not +worthy of her, of course, I have no other pleasure than to give her +pleasure and to try to make her happy. I have the power to do it; but +what is much more, I have the wish to do it; it is all I think of now, +and all that I can ever think of. What she thinks of me you must ask +her; but what she is to me neither she can tell you nor do I believe +that I myself could make you understand." The young man's face was +flushed and eager, and as he finished speaking he raised his head and +watched the bishop's countenance anxiously. But the older man's face +was hidden by his hand as he leaned with his elbow on his +writing-table. His other hand was playing with a pen, and when he +began to speak, which he did after a long pause, he still turned it +between his fingers and looked down at it. +</p> + +<p> +"I suppose," he said, as softly as though he were speaking to himself, +"that I should have known this; I suppose that I should have been +better prepared to hear it. But it is one of those things which men +put off—I mean those men who have children, put off—as they do +making their wills, as something that is in the future and that may be +shirked until it comes. We seem to think that our daughters will live +with us always, just as we expect to live on ourselves until death +comes one day and startles us and finds us unprepared." He took down +his hand and smiled gravely at the younger man with an evident effort, +and said, "I did not mean to speak so gloomily, but you see my point +of view must be different from yours. And she says she loves you, does +she?" he added, gently. +</p> + +<p> +Young Latimer bowed his head and murmured something inarticulately in +reply, and then held his head erect again and waited, still watching +the bishop's face. +</p> + +<p> +"I think she might have told me," said the older man; "but then I +suppose this is the better way. I am young enough to understand that +the old order changes, that the customs of my father's time differ +from those of to-day. And there is no alternative, I suppose," he +said, shaking his head. "I am stopped and told to deliver, and have no +choice. I will get used to it in time," he went on, "but it seems very +hard now. Fathers are selfish, I imagine, but she is all I have." +</p> + +<p> +Young Latimer looked gravely into the fire and wondered how long it +would last. He could just hear the piano from below, and he was +anxious to return to her. And at the same time he was drawn toward the +older man before him, and felt rather guilty, as though he really were +robbing him. But at the bishop's next words he gave up any thought of +a speedy release, and settled himself in his chair. +</p> + +<p> +"We are still to have a long talk," said the bishop. "There are many +things I must know, and of which I am sure you will inform me freely. +I believe there are some who consider me hard, and even narrow on +different points, but I do not think you will find me so, at least let +us hope not. I must confess that for a moment I almost hoped that you +might not be able to answer the questions I must ask you, but it was +only for a moment. I am only too sure you will not be found wanting, +and that the conclusion of our talk will satisfy us both. Yes, I am +confident of that." +</p> + +<p> +His manner changed, nevertheless, and Latimer saw that he was now +facing a judge and not a plaintiff who had been robbed, and that he +was in turn the defendant. And still he was in no way frightened. +</p> + +<p> +"I like you," the bishop said, "I like you very much. As you say +yourself, I have seen a great deal of you, because I have enjoyed your +society, and your views and talk were good and young and fresh, and +did me good. You have served to keep me in touch with the outside +world, a world of which I used to know at one time a great deal. I +know your people and I know you, I think, and many people have spoken +to me of you. I see why now. They, no doubt, understood what was +coming better than myself, and were meaning to reassure me concerning +you. And they said nothing but what was good of you. But there are +certain things of which no one can know but yourself, and concerning +which no other person, save myself, has a right to question you. You +have promised very fairly for my daughter's future; you have suggested +more than you have said, but I understood. You can give her many +pleasures which I have not been able to afford; she can get from you +the means of seeing more of this world in which she lives, of meeting +more people, and of indulging in her charities, or in her +extravagances, for that matter, as she wishes. I have no fear of her +bodily comfort; her life, as far as that is concerned, will be easier +and broader, and with more power for good. Her future, as I say, as +you say also, is assured; but I want to ask you this," the bishop +leaned forward and watched the young man anxiously, "you can protect +her in the future, but can you assure me that you can protect her from +the past?" +</p> + +<p> +Young Latimer raised his eyes calmly and said, "I don't think I quite +understand." +</p> + +<p> +"I have perfect confidence, I say," returned the bishop, "in you as +far as your treatment of Ellen is concerned in the future. You love +her and you would do everything to make the life of the woman you love +a happy one; but this is it. Can you assure me that there is nothing +in the past that may reach forward later and touch my daughter through +you—no ugly story, no oats that have been sowed, and no boomerang +that you have thrown wantonly and that has not returned—but which may +return?" +</p> + +<p> +"I think I understand you now, sir," said the young man, quietly. "I +have lived," he began, "as other men of my sort have lived. You know +what that is, for you must have seen it about you at college, and +after that before you entered the Church. I judge so from your +friends, who were your friends then, I understand. You know how they +lived. I never went in for dissipation, if you mean that, because it +never attracted me. I am afraid I kept out of it not so much out of +respect for others as for respect for myself. I found my self-respect +was a very good thing to keep, and I rather preferred keeping it and +losing several pleasures that other men managed to enjoy, apparently +with free consciences. I confess I used to rather envy them. It is no +particular virtue on my part; the thing struck me as rather more +vulgar than wicked, and so I have had no wild oats to speak of; and no +woman, if that is what you mean, can write an anonymous letter, and no +man can tell you a story about me that he could not tell in my +presence." +</p> + +<p> +There was something in the way the young man spoke which would have +amply satisfied the outsider, had he been present; but the bishop's +eyes were still unrelaxed and anxious. He made an impatient motion +with his hand. +</p> + +<p> +"I know you too well, I hope," he said, "to think of doubting your +attitude in that particular. I know you are a gentleman, that is +enough for that; but there is something beyond these more common +evils. You see, I am terribly in earnest over this—you may think +unjustly so, considering how well I know you, but this child is my +only child. If her mother had lived, my responsibility would have been +less great; but, as it is, God has left her here alone to me in my +hands. I do not think He intended my duty should end when I had fed +and clothed her, and taught her to read and write. I do not think He +meant that I should only act as her guardian until the first man she +fancied fancied her. I must look to her happiness not only now when +she is with me, but I must assure myself of it when she leaves my +roof. These common sins of youth I acquit you of. Such things are +beneath you, I believe, and I did not even consider them. But there +are other toils in which men become involved, other evils or +misfortunes which exist, and which threaten all men who are young and +free and attractive in many ways to women, as well as men. You have +lived the life of the young man of this day. You have reached a place +in your profession when you can afford to rest and marry and assume +the responsibilities of marriage. You look forward to a life of +content and peace and honorable ambition—a life, with your wife at +your side, which is to last forty or fifty years. You consider where +you will be twenty years from now, at what point of your career you +may become a judge or give up practise; your perspective is unlimited; +you even think of the college to which you may send your son. It is a +long, quiet future that you are looking forward to, and you choose my +daughter as the companion for that future, as the one woman with whom +you could live content for that length of time. And it is in that +spirit that you come to me tonight and that you ask me for my +daughter. Now I am going to ask you one question, and as you answer +that I will tell you whether or not you can have Ellen for your wife. +You look forward, as I say, to many years of life, and you have chosen +her as best suited to live that period with you; but I ask you this, +and I demand that you answer me truthfully, and that you remember that +you are speaking to her father. Imagine that I had the power to tell +you, or rather that some superhuman agent could convince you, that you +had but a month to live, and that for what you did in that month you +would not be held responsible either by any moral law or any law made +by man, and that your life hereafter would not be influenced by your +conduct in that month, would you spend it, I ask you—and on your +answer depends mine—would you spend those thirty days, with death at +the end, with my daughter, or with some other woman of whom I know +nothing?" +</p> + +<p> +Latimer sat for some time silent, until indeed, his silence assumed +such a significance that he raised his head impatiently and said with +a motion of the hand, "I mean to answer you in a minute; I want to be +sure that I understand." +</p> + +<p> +The bishop bowed his head in assent, and for a still longer period the +men sat motionless. The clock in the corner seemed to tick more +loudly, and the dead coals dropping in the grate had a sharp, +aggressive sound. The notes of the piano that had risen from the room +below had ceased. +</p> + +<p> +"If I understand you," said Latimer, finally, and his voice and his +face as he raised it were hard and aggressive, "you are stating a +purely hypothetical case. You wish to try me by conditions which do +not exist, which cannot exist. What justice is there, what right is +there, in asking me to say how I would act under circumstances which +are impossible, which lie beyond the limit of human experience? You +cannot judge a man by what he would do if he were suddenly robbed of +all his mental and moral training and of the habit of years. I am not +admitting, understand me, that if the conditions which you suggest did +exist that I would do one whit differently from what I will do if they +remain as they are. I am merely denying your right to put such a +question to me at all. You might just as well judge the shipwrecked +sailors on a raft who eat each other's flesh as you would judge a +sane, healthy man who did such a thing in his own home. Are you going +to condemn men who are ice-locked at the North Pole, or buried in the +heart of Africa, and who have given up all thought of return and are +half mad and wholly without hope, as you would judge ourselves? Are +they to be weighed and balanced as you and I are, sitting here within +the sound of the cabs outside and with a bake-shop around the corner? +What you propose could not exist, could never happen. I could never be +placed where I should have to make such a choice, and you have no +right to ask me what I would do or how I would act under conditions +that are superhuman—you used the word yourself—where all that I have +held to be good and just and true would be obliterated. I would be +unworthy of myself, I would be unworthy of your daughter, if I +considered such a state of things for a moment, or if I placed my +hopes of marrying her on the outcome of such a test, and so, sir," +said the young man, throwing back his head, "I must refuse to answer +you." +</p> + +<p> +The bishop lowered his hand from before his eyes and sank back wearily +into his chair. "You have answered me," he said. +</p> + +<p> +"You have no right to say that," cried the young man, springing to his +feet. "You have no right to suppose anything or to draw any +conclusions. I have not answered you." He stood with his head and +shoulders thrown back, and with his hands resting on his hips and with +the fingers working nervously at his waist. +</p> + +<p> +"What you have said," replied the bishop, in a voice that had changed +strangely, and which was inexpressibly sad and gentle, "is merely a +curtain of words to cover up your true feeling. It would have been so +easy to have said, 'For thirty days or for life Ellen is the only +woman who has the power to make me happy.' You see that would have +answered me and satisfied me. But you did not say that," he added, +quickly, as the young man made a movement as if to speak. +</p> + +<p> +"Well, and suppose this other woman did exist, what then?" demanded +Latimer. "The conditions you suggest are impossible; you must, you +will surely, sir, admit that." +</p> + +<p> +"I do not know," replied the bishop, sadly; "I do not know. It may +happen that whatever obstacle there has been which has kept you from +her may be removed. It may be that she has married, it may be that she +has fallen so low that you cannot marry her. But if you have loved her +once, you may love her again; whatever it was that separated you in +the past, that separates you now, that makes you prefer my daughter to +her, may come to an end when you are married, when it will be too +late, and when only trouble can come of it, and Ellen would bear that +trouble. Can I risk that?" +</p> + +<p> +"But I tell you it is impossible," cried the young man. "The woman is +beyond the love of any man, at least such a man as I am, or try to +be." +</p> + +<p> +"Do you mean," asked the bishop, gently, and with an eager look of +hope, "that she is dead?" +</p> + +<p> +Latimer faced the father for some seconds in silence. Then he raised +his head slowly. "No," he said, "I do not mean she is dead. No, she is +not dead." +</p> + +<p> +Again the bishop moved back wearily into his chair. "You mean then," +he said, "perhaps, that she is a married woman?" Latimer pressed his +lips together at first as though he would not answer, and then raised +his eyes coldly. "Perhaps," he said. +</p> + +<p> +The older man had held up his hand as if to signify that what he was +about to say should be listened to without interruption, when a sharp +turning of the lock of the door caused both father and the suitor to +start. Then they turned and looked at each other with anxious inquiry +and with much concern, for they recognized for the first time that +their voices had been loud. The older man stepped quickly across the +floor, but before he reached the middle of the room the door opened +from the outside, and his daughter stood in the door-way, with her +head held down and her eyes looking at the floor. +</p> + +<p> +"Ellen!" exclaimed the father, in a voice of pain and the deepest +pity. +</p> + +<p> +The girl moved toward the place from where his voice came, without +raising her eyes, and when she reached him put her arms about him and +hid her face on his shoulder. She moved as though she were tired, as +though she were exhausted by some heavy work. +</p> + +<p> +"My child," said the bishop, gently, "were you listening?" There was +no reproach in his voice; it was simply full of pity and concern. +</p> + +<p> +"I thought," whispered the girl, brokenly, "that he would be +frightened; I wanted to hear what he would say. I thought I could +laugh at him for it afterward. I did it for a joke. I thought—" She +stopped with a little gasping sob that she tried to hide, and for a +moment held herself erect and then sank back again into her father's +arms with her head upon his breast. +</p> + +<p> +Latimer started forward, holding out his arms to her. "Ellen," he +said, "surely, Ellen, you are not against me. You see how preposterous +it is, how unjust it is to me. You cannot mean—" +</p> + +<p> +The girl raised her head and shrugged her shoulders slightly as though +she were cold. "Father," she said, wearily, "ask him to go away. Why +does he stay? Ask him to go away." +</p> + +<p> +Latimer stopped and took a step back as though some one had struck +him, and then stood silent with his face flushed and his eyes +flashing. It was not in answer to anything that they said that he +spoke, but to their attitude and what it suggested. "You stand there," +he began, "you two stand there as though I were something unclean, as +though I had committed some crime. You look at me as though I were on +trial for murder or worse. Both of you together against me. What have +I done? What difference is there? You loved me a half-hour ago, Ellen; +you said you did. I know you loved me; and you, sir," he added, more +quietly, "treated me like a friend. Has anything come since then to +change me or you? Be fair to me, be sensible. What is the use of this? +It is a silly, needless, horrible mistake. You know I love you, Ellen; +love you better than all the world. I don't have to tell you that; you +know it, you can see and feel it. It does not need to be said; words +can't make it any truer. You have confused yourselves and stultified +yourselves with this trick, this test by hypothetical conditions, by +considering what is not real or possible. It is simple enough; it is +plain enough. You know I love you, Ellen, and you only, and that is +all there is to it, and all that there is of any consequence in the +world to me. The matter stops there; that is all there is for you to +consider. Answer me, Ellen, speak to me. Tell me that you believe me." +</p> + +<p> +He stopped and moved a step toward her, but as he did so, the girl, +still without looking up, drew herself nearer to her father and shrank +more closely into his arms; but the father's face was troubled and +doubtful, and he regarded the younger man with a look of the most +anxious scrutiny. Latimer did not regard this. Their hands were raised +against him as far as he could understand, and he broke forth again +proudly, and with a defiant indignation: +</p> + +<p> +"What right have you to judge me?" he began; "what do you know of what +I have suffered, and endured, and overcome? How can you know what I +have had to give up and put away from me? It's easy enough for you to +draw your skirts around you, but what can a woman bred as you have +been bred know of what I've had to fight against and keep under and +cut away? It was an easy, beautiful idyl to you; your love came to you +only when it should have come, and for a man who was good and worthy, +and distinctly eligible—I don't mean that; forgive me, Ellen, but you +drive me beside myself. But he is good and he believes himself worthy, +and I say that myself before you both. But I am only worthy and only +good because of that other love that I put away when it became a +crime, when it became impossible. Do you know what it cost me? Do you +know what it meant to me, and what I went through, and how I suffered? +Do you know who this other woman is whom you are insulting with your +doubts and guesses in the dark? Can't you spare her? Am I not enough? +Perhaps it was easy for her, too; perhaps her silence cost her +nothing; perhaps she did not suffer and has nothing but happiness and +content to look forward to for the rest of her life; and I tell you +that it is because we did put it away, and kill it, and not give way +to it that I am whatever I am to-day; whatever good there is in me is +due to that temptation and to the fact that I beat it and overcame it +and kept myself honest and clean. And when I met you and learned to +know you I believed in my heart that God had sent you to me that I +might know what it was to love a woman whom I could marry and who +could be my wife; that you were the reward for my having overcome +temptation and the sign that I had done well. And now you throw me +over and put me aside as though I were something low and unworthy, +because of this temptation, because of this very thing that has made +me know myself and my own strength and that has kept me up for you." +</p> + +<p> +As the young man had been speaking, the bishop's eyes had never left +his face, and as he finished, the face of the priest grew clearer and +decided, and calmly exultant. And as Latimer ceased he bent his head +above his daughter's, and said in a voice that seemed to speak with +more than human inspiration. "My child," he said, "if God had given me +a son I should have been proud if he could have spoken as this young +man has done." +</p> + +<p> +But the woman only said, "Let him go to her." +</p> + +<p> +"Ellen, oh, Ellen!" cried the father. +</p> + +<p> +He drew back from the girl in his arms and looked anxiously and +feelingly at her lover. "How could you, Ellen," he said, "how could +you?" He was watching the young man's face with eyes full of sympathy +and concern. "How little you know him," he said, "how little you +understand. He will not do that," he added quickly, but looking +questioningly at Latimer and speaking in a tone almost of command. "He +will not undo all that he has done; I know him better than that." But +Latimer made no answer, and for a moment the two men stood watching +each other and questioning each other with their eyes. Then Latimer +turned, and without again so much as glancing at the girl walked +steadily to the door and left the room. He passed on slowly down the +stairs and out into the night, and paused upon the top of the steps +leading to the street. Below him lay the avenue with its double line +of lights stretching off in two long perspectives. The lamps of +hundreds of cabs and carriages flashed as they advanced toward him and +shone for a moment at the turnings of the cross-streets, and from +either side came the ceaseless rush and murmur, and over all hung the +strange mystery that covers a great city at night. Latimer's rooms lay +to the south, but he stood looking toward a spot to the north with a +reckless, harassed look in his face that had not been there for many +months. He stood so for a minute, and then gave a short shrug of +disgust at his momentary doubt and ran quickly down the steps. "No," +he said, "if it were for a month, yes; but it is to be for many years, +many more long years." And turning his back resolutely to the north he +went slowly home. +</p> + +<a name="118"></a> +<p class="chapter"> +ON THE FEVER SHIP +</p> + + +<p> +There were four rails around the ship's sides, the three lower ones of +iron and the one on top of wood, and as he looked between them from +the canvas cot he recognized them as the prison-bars which held him +in. Outside his prison lay a stretch of blinding blue water which +ended in a line of breakers and a yellow coast with ragged palms. +Beyond that again rose a range of mountain-peaks, and, stuck upon the +loftiest peak of all, a tiny block-house. It rested on the brow of the +mountain against the naked sky as impudently as a cracker-box set upon +the dome of a great cathedral. +</p> + +<p> +As the transport rode on her anchor-chains, the iron bars around her +sides rose and sank and divided the landscape with parallel lines. +From his cot the officer followed this phenomenon with severe, +painstaking interest. Sometimes the wooden rail swept up to the very +block-house itself, and for a second of time blotted it from sight. +And again it sank to the level of the line of breakers, and wiped them +out of the picture as though they were a line of chalk. +</p> + +<p> +The soldier on the cot promised himself that the next swell of the sea +would send the lowest rail climbing to the very top of the palm-trees +or, even higher, to the base of the mountains; and when it failed to +reach even the palm-trees he felt a distinct sense of ill use, of +having been wronged by some one. There was no other reason for +submitting to this existence save these tricks upon the wearisome, +glaring landscape; and now, whoever it was who was working them did +not seem to be making this effort to entertain him with any +heartiness. +</p> + +<p> +It was most cruel. Indeed, he decided hotly, it was not to be endured; +he would bear it no longer, he would make his escape. But he knew that +this move, which could be conceived in a moment's desperation, could +only be carried to success with great strategy, secrecy, and careful +cunning. So he fell back upon his pillow and closed his eyes, as +though he were asleep, and then opening them again, turned cautiously, +and spied upon his keeper. As usual, his keeper sat at the foot of the +cot turning the pages of a huge paper filled with pictures of the war +printed in daubs of tawdry colors. His keeper was a hard-faced boy +without human pity or consideration, a very devil of obstinacy and +fiendish cruelty. To make it worse, the fiend was a person without a +collar, in a suit of soiled khaki, with a curious red cross bound by a +safety-pin to his left arm. He was intent upon the paper in his hands; +he was holding it between his eyes and his prisoner. His vigilance had +relaxed, and the moment seemed propitious. With a sudden plunge of +arms and legs, the prisoner swept the bed-sheet from him, and sprang +at the wooden rail and grasped the iron stanchion beside it. He had +his knee pressed against the top bar and his bare toes on the iron +rail beneath it. Below him the blue water waited for him. It was cool +and dark and gentle and deep. It would certainly put out the fire in +his bones, he thought; it might even shut out the glare of the sun +which scorched his eyeballs. +</p> + +<p> +But as he balanced for the leap, a swift weakness and nausea swept +over him, a weight seized upon his body and limbs. He could not lift +the lower foot from the iron rail, and he swayed dizzily and trembled. +He trembled. He who had raced his men and beaten them up the hot hill +to the trenches of San Juan. But now he was a baby in the hands of a +giant, who caught him by the wrist and with an iron arm clasped him +around his waist and pulled him down, and shouted, brutally, "Help, +some of youse, quick! he's at it again. I can't hold him." +</p> + +<p> +More giants grasped him by the arms and by the legs. One of them took +the hand that clung to the stanchion in both of his, and pulled back +the fingers one by one, saying, "Easy now, Lieutenant—easy." +</p> + +<p> +The ragged palms and the sea and blockhouse were swallowed up in a +black fog, and his body touched the canvas cot again with a sense of +home-coming and relief and rest. He wondered how he could have cared +to escape from it. He found it so good to be back again that for a +long time he wept quite happily, until the fiery pillow was moist and +cool. +</p> + +<p> +The world outside of the iron bars was like a scene in a theatre set +for some great event, but the actors were never ready. He remembered +confusedly a play he had once witnessed before that same scene. +Indeed, he believed he had played some small part in it; but he +remembered it dimly, and all trace of the men who had appeared with +him in it was gone. He had reasoned it out that they were up there +behind the range of mountains, because great heavy wagons and +ambulances and cannon were emptied from the ships at the wharf above +and were drawn away in long lines behind the ragged palms, moving +always toward the passes between the peaks. At times he was disturbed +by the thought that he should be up and after them, that some +tradition of duty made his presence with them imperative. There was +much to be done back of the mountains. Some event of momentous import +was being carried forward there, in which he held a part; but the +doubt soon passed from him, and he was content to lie and watch the +iron bars rising and falling between the block-house and the white +surf. +</p> + +<p> +If they had been only humanely kind, his lot would have been bearable, +but they starved him and held him down when he wished to rise; and +they would not put out the fire in the pillow, which they might easily +have done by the simple expedient of throwing it over the ship's side +into the sea. He himself had done this twice, but the keeper had +immediately brought a fresh pillow already heated for the torture and +forced it under his head. +</p> + +<p> +His pleasures were very simple, and so few that he could not +understand why they robbed him of them so jealously. One was to watch +a green cluster of bananas that hung above him from the awning, +twirling on a string. He could count as many of them as five before +the bunch turned and swung lazily back again, when he could count as +high as twelve; sometimes when the ship rolled heavily he could count +to twenty. It was a most fascinating game, and contented him for many +hours. But when they found this out they sent for the cook to come and +cut them down, and the cook carried them away to his galley. +</p> + +<p> +Then, one day, a man came out from the shore, swimming through the +blue water with great splashes. He was a most charming man, who +spluttered and dove and twisted and lay on his back and kicked his +legs in an excess of content and delight. It was a real pleasure to +watch him; not for days had anything so amusing appeared on the other +side of the prison-bars. But as soon as the keeper saw that the man in +the water was amusing his prisoner, he leaned over the ship's side and +shouted, "Sa-ay, you, don't you know there's skarks in there?" +</p> + +<p> +And the swimming man said, "The h-ll there is!" and raced back to the +shore like a porpoise with great lashing of the water, and ran up the +beach half-way to the palms before he was satisfied to stop. Then the +prisoner wept again. It was so disappointing. Life was robbed of +everything now. He remembered that in a previous existence soldiers +who cried were laughed at and mocked. But that was so far away and it +was such an absurd superstition that he had no patience with it. For +what could be more comforting to a man when he is treated cruelly than +to cry. It was so obvious an exercise, and when one is so feeble that +one cannot vault a four-railed barrier it is something to feel that at +least one is strong enough to cry. +</p> + +<p> +He escaped occasionally, traversing space with marvellous rapidity and +to great distances, but never to any successful purpose; and his +flight inevitably ended in ignominious recapture and a sudden +awakening in bed. At these moments the familiar and hated palms, the +peaks, and the block-house were more hideous in their reality than the +most terrifying of his nightmares. +</p> + +<p> +These excursions afield were always predatory; he went forth always to +seek food. With all the beautiful world from which to elect and +choose, he sought out only those places where eating was studied and +elevated to an art. These visits were much more vivid in their detail +than any he had ever before made to these same resorts. They +invariably began in a carriage, which carried him swiftly over smooth +asphalt. One route brought him across a great and beautiful square, +radiating with rows and rows of flickering lights; two fountains +splashed in the centre of the square, and six women of stone guarded +its approaches. One of the women was hung with wreaths of mourning. +Ahead of him the late twilight darkened behind a great arch, which +seemed to rise on the horizon of the world, a great window into the +heavens beyond. At either side strings of white and colored globes +hung among the trees, and the sound of music came joyfully from +theatres in the open air. He knew the restaurant under the trees to +which he was now hastening, and the fountain beside it, and the very +sparrows balancing on the fountain's edge; he knew every waiter at +each of the tables, he felt again the gravel crunching under his feet, +he saw the <i>maître d'hôtel</i> coming forward smiling to receive his +command, and the waiter in the green apron bowing at his elbow, +deferential and important, presenting the list of wines. But his +adventure never passed that point, for he was captured again and once +more bound to his cot with a close burning sheet. +</p> + +<p> +Or else, he drove more sedately through the London streets in the late +evening twilight, leaning expectantly across the doors of the hansom +and pulling carefully at his white gloves. Other hansoms flashed past +him, the occupant of each with his mind fixed on one idea—dinner. He +was one of a million of people who were about to dine, or who had +dined, or who were deep in dining. He was so famished, so weak for +food of any quality, that the galloping horse in the hansom seemed to +crawl. The lights of the Embankment passed like the lamps of a +railroad station as seen from the window of an express; and while his +mind was still torn between the choice of a thin or thick soup or an +immediate attack upon cold beef, he was at the door, and the +<i>chasseur</i> touched his cap, and the little <i>chasseur</i> put +the wicker guard over the hansom's wheel. As he jumped out he said, +"Give him half-a-crown," and the driver called after him, "Thank you, +sir." +</p> + +<p> +It was a beautiful world, this world outside of the iron bars. Every +one in it contributed to his pleasure and to his comfort. In this +world he was not starved nor man-handled. He thought of this joyfully +as he leaped up the stairs, where young men with grave faces and with +their hands held negligently behind their backs bowed to him in polite +surprise at his speed. But they had not been starved on condensed +milk. He threw his coat and hat at one of them, and came down the hall +fearfully and quite weak with dread lest it should not be real. His +voice was shaking when he asked Ellis if he had reserved a table. The +place was all so real, it must be true this time. The way Ellis turned +and ran his finger down the list showed it was real, because Ellis +always did that, even when he knew there would not be an empty table +for an hour. The room was crowded with beautiful women; under the +light of the red shades they looked kind and approachable, and there +was food on every table, and iced drinks in silver buckets. It was +with the joy of great relief that he heard Ellis say to his underling, +"Numéro cinq, sur la terrace, un couvert." It was real at last. +Outside, the Thames lay a great gray shadow. The lights of the +Embankment flashed and twinkled across it, the tower of the House of +Commons rose against the sky, and here, inside, the waiter was +hurrying toward him carrying a smoking plate of rich soup with a +pungent, intoxicating odor. +</p> + +<p> +And then the ragged palms, the glaring sun, the immovable peaks, and +the white surf stood again before him. The iron rails swept up and +sank again, the fever sucked at his bones, and the pillow scorched his +cheek. +</p> + +<p> +One morning for a brief moment he came back to real life again and lay +quite still, seeing everything about him with clear eyes and for the +first time, as though he had but just that instant been lifted over +the ship's side. His keeper, glancing up, found the prisoner's eyes +considering him curiously, and recognized the change. The instinct of +discipline brought him to his feet with his fingers at his sides. +</p> + +<p> +"Is the Lieutenant feeling better?" +</p> + +<p> +The Lieutenant surveyed him gravely. +</p> + +<p> +"You are one of our hospital stewards." +</p> + +<p> +"Yes, Lieutenant." +</p> + +<p> +"Why ar'n't you with the regiment?" +</p> + +<p> +"I was wounded, too, sir. I got it same time you did, Lieutenant." +</p> + +<p> +"Am I wounded? Of course, I remember. Is this a hospital ship?" +</p> + +<p> +The steward shrugged his shoulders. "She's one of the transports. They +have turned her over to the fever cases." +</p> + +<p> +The Lieutenant opened his lips to ask another question; but his own +body answered that one, and for a moment he lay silent. +</p> + +<p> +"Do they know up North that I—that I'm all right?" +</p> + +<p> +"Oh, yes, the papers had it in—there was pictures of the Lieutenant +in some of them." +</p> + +<p> +"Then I've been ill some time?" +</p> + +<p> +"Oh, about eight days." +</p> + +<p> +The soldier moved uneasily, and the nurse in him became uppermost. +</p> + +<p> +"I guess the Lieutenant hadn't better talk any more," he said. It was +his voice now which held authority. +</p> + +<p> +The Lieutenant looked out at the palms and the silent gloomy mountains +and the empty coast-line, where the same wave was rising and falling +with weary persistence. +</p> + +<p> +"Eight days," he said. His eyes shut quickly, as though with a sudden +touch of pain. He turned his head and sought for the figure at the +foot of the cot. Already the figure had grown faint and was receding +and swaying. +</p> + +<p> +"Has any one written or cabled?" the Lieutenant spoke, hurriedly. He +was fearful lest the figure should disappear altogether before he +could obtain his answer. "Has any one come?" +</p> + +<p> +"Why, they couldn't get here, Lieutenant, not yet." +</p> + +<p> +The voice came very faintly. "You go to sleep now, and I'll run and +fetch some letters and telegrams. When you wake up, maybe I'll have a +lot for you." +</p> + +<p> +But the Lieutenant caught the nurse by the wrist, and crushed his hand +in his own thin fingers. They were hot, and left the steward's skin +wet with perspiration. The Lieutenant laughed gayly. +</p> + +<p> +"You see, Doctor," he said, briskly, "that you can't kill me. I can't +die. I've got to live, you understand. Because, sir, she said she +would come. She said if I was wounded, or if I was ill, she would come +to me. She didn't care what people thought. She would come anyway and +nurse me—well, she will come. +</p> + +<p> +"So, Doctor—old man—" He plucked at the steward's sleeve, and +stroked his hand eagerly, "old man—" he began again, beseechingly, +"you'll not let me die until she comes, will you? What? No, I know I +won't die. Nothing made by man can kill me. No, not until she comes. +Then, after that—eight days, she'll be here soon, any moment? What? +You think so, too? Don't you? Surely, yes, any moment. Yes, I'll go to +sleep now, and when you see her rowing out from shore you wake me. +You'll know her; you can't make a mistake. She is like—no, there is +no one like her—but you can't make a mistake." +</p> + +<p> +That day strange figures began to mount the sides of the ship, and to +occupy its every turn and angle of space. Some of them fell on their +knees and slapped the bare decks with their hands, and laughed and +cried out, "Thank God, I'll see God's country again!" Some of them +were regulars, bound in bandages; some were volunteers, dirty and +hollow-eyed, with long beards on boy's faces. Some came on crutches; +others with their arms around the shoulders of their comrades, staring +ahead of them with a fixed smile, their lips drawn back and their +teeth protruding. At every second step they stumbled, and the face of +each was swept by swift ripples of pain. +</p> + +<p> +They lay on cots so close together that the nurses could not walk +between them. They lay on the wet decks, in the scuppers, and along +the transoms and hatches. They were like shipwrecked mariners clinging +to a raft, and they asked nothing more than that the ship's bow be +turned toward home. Once satisfied as to that, they relaxed into a +state of self-pity and miserable oblivion to their environment, from +which hunger nor nausea nor aching bones could shake them. +</p> + +<p> +The hospital steward touched the Lieutenant lightly on the shoulder. +</p> + +<p> +"We are going North, sir," he said. "The transport's ordered North to +New York, with these volunteers and the sick and wounded. Do you hear +me, sir?" +</p> + +<p> +The Lieutenant opened his eyes. "Has she come?" he asked. +</p> + +<p> +"Gee!" exclaimed the hospital steward. He glanced impatiently at the +blue mountains and the yellow coast, from which the transport was +drawing rapidly away. +</p> + +<p> +"Well, I can't see her coming just now," he said. "But she will," he +added. +</p> + +<p> +"You let me know at once when she comes." +</p> + +<p> +"Why, cert'nly, of course," said the steward. +</p> + +<p> +Three trained nurses came over the side just before the transport +started North. One was a large, motherly looking woman, with a German +accent. She had been a trained nurse, first in Berlin, and later in +the London Hospital in Whitechapel, and at Bellevue. The nurse was +dressed in white, and wore a little silver medal at her throat; and +she was strong enough to lift a volunteer out of his cot and hold him +easily in her arms, while one of the convalescents pulled his cot out +of the rain. Some of the men called her "nurse"; others, who wore +scapulars around their necks, called her "Sister"; and the officers of +the medical staff addressed her as Miss Bergen. +</p> + +<p> +Miss Bergen halted beside the cot of the Lieutenant and asked, "Is +this the fever case you spoke about, Doctor—the one you want moved to +the officers' ward?" She slipped her hand up under his sleeve and felt +his wrist. +</p> + +<p> +"His pulse is very high," she said to the steward. "When did you take +his temperature?" She drew a little morocco case from her pocket and +from that took a clinical thermometer, which she shook up and down, +eying the patient meanwhile with a calm, impersonal scrutiny. The +Lieutenant raised his head and stared up at the white figure beside +his cot. His eyes opened and then shut quickly, with a startled look, +in which doubt struggled with wonderful happiness. His hand stole out +fearfully and warily until it touched her apron, and then, finding it +was real, he clutched it desperately, and twisting his face and body +toward her, pulled her down, clasping her hands in both of his, and +pressing them close to his face and eyes and lips. He put them from +him for an instant, and looked at her through his tears. +</p> + +<p> +"Sweetheart," he whispered, "sweetheart, I knew you'd come." +</p> + +<p> +As the nurse knelt on the deck beside him, her thermometer slipped +from her fingers and broke, and she gave an exclamation of annoyance. +The young Doctor picked up the pieces and tossed them overboard. +Neither of them spoke, but they smiled appreciatively. The Lieutenant +was looking at the nurse with the wonder and hope and hunger of soul +in his eyes with which a dying man looks at the cross the priest holds +up before him. What he saw where the German nurse was kneeling was a +tall, fair girl with great bands and masses of hair, with a head +rising like a lily from a firm, white throat, set on broad shoulders +above a straight back and sloping breast—a tall, beautiful creature, +half-girl, half-woman, who looked back at him shyly, but steadily. +</p> + +<p> +"Listen," he said. +</p> + +<p> +The voice of the sick man was so sure and so sane that the young +Doctor started, and moved nearer to the head of the cot. "Listen, +dearest," the Lieutenant whispered. "I wanted to tell you before I +came South. But I did not dare; and then I was afraid something might +happen to me, and I could never tell you, and you would never know. So +I wrote it to you in the will I made at Baiquiri, the night before the +landing. If you hadn't come now, you would have learned it in that +way. You would have read there that there never was any one but you; +the rest were all dream people, foolish, silly—mad. There is no one +else in the world but you; you have been the only thing in life that +has counted. I thought I might do something down here that would make +you care. But I got shot going up a hill, and after that I wasn't able +to do anything. It was very hot, and the hills were on fire; and they +took me prisoner, and kept me tied down here, burning on these coals. +I can't live much longer, but now that I have told you I can have +peace. They tried to kill me before you came; but they didn't know I +loved you, they didn't know that men who love you can't die. They +tried to starve my love for you, to burn it out of me; they tried to +reach it with their knives. But my love for you is my soul, and they +can't kill a man's soul. Dear heart, I have lived because you lived. +Now that you know—now that you understand—what does it matter?" +</p> + +<p> +Miss Bergen shook her head with great vigor. "Nonsense," she said, +cheerfully. "You are not going to die. As soon as we move you out of +this rain, and some food cook—" +</p> + +<p> +"Good God!" cried the young Doctor, savagely. "Do you want to kill +him?" +</p> + +<p> +When she spoke, the patient had thrown his arms heavily across his +face, and had fallen back, lying rigid on the pillow. +</p> + +<p> +The Doctor led the way across the prostrate bodies, apologizing as he +went. "I am sorry I spoke so quickly," he said, "but he thought you +were real. I mean he thought you were some one he really knew—" +</p> + +<p> +"He was just delirious," said the German nurse, calmly. +</p> + +<p> +The Doctor mixed himself a Scotch and soda and drank it with a single +gesture. +</p> + +<p> +"Ugh!" he said to the ward-room. "I feel as though I'd been opening +another man's letters." +</p> + +<hr class="short"> + +<p> +The transport drove through the empty seas with heavy, clumsy +upheavals, rolling like a buoy. Having been originally intended for +the freight-carrying trade, she had no sympathy with hearts that beat +for a sight of their native land, or for lives that counted their +remaining minutes by the throbbing of her engines. Occasionally, +without apparent reason, she was thrown violently from her course; but +it was invariably the case that when her stern went to starboard, +something splashed in the water on her port side and drifted past her, +until, when it had cleared the blades of her propeller, a voice cried +out, and she was swung back on her home-bound track again. +</p> + +<p> +The Lieutenant missed the familiar palms and the tiny block-house; and +seeing nothing beyond the iron rails but great wastes of gray water, +he decided he was on board a prison-ship, or that he had been strapped +to a raft and cast adrift. People came for hours at a time and stood +at the foot of his cot, and talked with him and he to them—people he +had loved and people he had long forgotten, some of whom he had +thought were dead. One of them he could have sworn he had seen buried +in a deep trench, and covered with branches of palmetto. He had heard +the bugler, with tears choking him, sound "taps"; and with his own +hand he had placed the dead man's campaign hat on the mound of fresh +earth above the grave. Yet here he was still alive, and he came with +other men of his troop to speak to him; but when he reached out to +them they were gone—the real and the unreal, the dead and the +living—and even She disappeared whenever he tried to take her hand, +and sometimes the hospital steward drove her away. +</p> + +<p> +"Did that young lady say when she was coming back again?" he asked the +steward. +</p> + +<p> +"The young lady! What young lady?" asked the steward, wearily. +</p> + +<p> +"The one who has been sitting there," he answered. He pointed with his +gaunt hand at the man in the next cot. +</p> + +<p> +"Oh, that young lady. Yes, she's coming back. She's just gone below to +fetch you some hardtack." +</p> + +<p> +The young volunteer in the next cot whined grievously. +</p> + +<p> +"That crazy man gives me the creeps," he groaned. "He's always waking +me up, and looking at me as though he was going to eat me." +</p> + +<p> +"Shut your head," said the steward. "He's a better crazy man than +you'll ever be with the little sense you've got. And he has two Mauser +holes in him. Crazy, eh? It's a damned good thing for you that there +was about four thousand of us regulars just as crazy as him, or you'd +never seen the top of the hill." +</p> + +<p> +One morning there was a great commotion on deck, and all the +convalescents balanced themselves on the rail, shivering in their +pajamas, and pointed one way. The transport was moving swiftly and +smoothly through water as flat as a lake, and making a great noise +with her steam-whistle. The noise was echoed by many more +steam-whistles; and the ghosts of out-bound ships and tugs and +excursion steamers ran past her out of the mist and disappeared, +saluting joyously. All of the excursion steamers had a heavy list to +the side nearest the transport, and the ghosts on them crowded to that +rail and waved handkerchiefs and cheered. The fog lifted suddenly, and +between the iron rails the Lieutenant saw high green hills on either +side of a great harbor. Houses and trees and thousands of masts swept +past like a panorama; and beyond was a mirage of three cities, with +curling smoke-wreaths and sky-reaching buildings, and a great swinging +bridge, and a giant statue of a woman waving a welcome home. +</p> + +<p> +The Lieutenant surveyed the spectacle with cynical disbelief. He was +far too wise and far too cunning to be bewitched by it. In his heart +he pitied the men about him, who laughed wildly, and shouted, and +climbed recklessly to the rails and ratlines. He had been deceived too +often not to know that it was not real. He knew from cruel experience +that in a few moments the tall buildings would crumble away, the +thousands of columns of white smoke that flashed like snow in the sun, +the busy, shrieking tug-boats, and the great statue would vanish into +the sea, leaving it gray and bare. He closed his eyes and shut the +vision out. It was so beautiful that it tempted him; but he would not +be mocked, and he buried his face in his hands. They were carrying the +farce too far, he thought. It was really too absurd; for now they were +at a wharf which was so real that, had he not known by previous +suffering, he would have been utterly deceived by it. And there were +great crowds of smiling, cheering people, and a waiting guard of honor +in fresh uniforms, and rows of police pushing the people this way and +that; and these men about him were taking it all quite seriously, and +making ready to disembark, carrying their blanket-rolls and rifles +with them. +</p> + +<p> +A band was playing joyously, and the man in the next cot, who was +being lifted to a stretcher, said, "There's the Governor and his +staff; that's him in the high hat." It was really very well done. The +Custom-House and the Elevated Railroad and Castle Garden were as like +to life as a photograph, and the crowd was as well handled as a mob in +a play. His heart ached for it so that he could not bear the pain, and +he turned his back on it. It was cruel to keep it up so long. His +keeper lifted him in his arms, and pulled him into a dirty uniform +which had belonged, apparently, to a much larger man—a man who had +been killed probably, for there were dark brown marks of blood on the +tunic and breeches. When he tried to stand on his feet, Castle Garden +and the Battery disappeared in a black cloud of night, just as he knew +they would; but when he opened his eyes from the stretcher, they had +returned again. It was a most remarkably vivid vision. They kept it up +so well. Now the young Doctor and the hospital steward were pretending +to carry him down a gangplank and into an open space; and he saw quite +close to him a long line policemen, and behind them thousands of +faces, some of them women's faces—women who pointed at him and then +shook their heads and cried, and pressed their hands to their cheeks, +still looking at him. He wondered why they cried. He did not know +them, nor did they know him. No one knew him; these people were only +ghosts. +</p> + +<p> +There was a quick parting in the crowd. A man he had once known shoved +two of the policemen to one side, and he heard a girl's voice speaking +his name, like a sob; and She came running out across the open space +and fell on her knees beside the stretcher, and bent down over him, +and he was clasped in two young, firm arms. +</p> + +<p> +"Of course it is not real, of course it is not She," he assured +himself. "Because She would not do such a thing. Before all these +people She would not do it." +</p> + +<p> +But he trembled and his heart throbbed so cruelly that he could not +bear the pain. +</p> + +<p> +She was pretending to cry. +</p> + +<p> +"They wired us you had started for Tampa on the hospital ship," She +was saying, "and Aunt and I went all the way there before we heard you +had been sent North. We have been on the cars a week. That is why I +missed you. Do you understand? It was not my fault. I tried to come. +Indeed, I tried to come." +</p> + +<p> +She turned her head and looked up fearfully at the young Doctor. +</p> + +<p> +"Tell me, why does he look at me like that?" she asked. "He doesn't +know me. Is he very ill? Tell me the truth." She drew in her breath +quickly. "Of course you will tell me the truth." +</p> + +<p> +When she asked the question he felt her arms draw tight about his +shoulders. It was as though she was holding him to herself, and from +some one who had reached out for him. In his trouble he turned to his +old friend and keeper. His voice was hoarse and very low. +</p> + +<p> +"Is this the same young lady who was on the transport—the one you +used to drive away?" +</p> + +<p> +In his embarrassment, the hospital steward blushed under his tan, and +stammered. +</p> + +<p> +"Of course it's the same young lady," the Doctor answered, briskly. +"And I won't let them drive her away." He turned to her, smiling +gravely. "I think his condition has ceased to be dangerous, madam," he +said. +</p> + +<p> +People who in a former existence had been his friends, and Her +brother, gathered about his stretcher and bore him through the crowd +and lifted him into a carriage filled with cushions, among which he +sank lower and lower. Then She sat beside him, and he heard Her +brother say to the coachman, "Home, and drive slowly and keep on the +asphalt." +</p> + +<p> +The carriage moved forward, and She put her arm about him, and his +head fell on her shoulder, and neither of them spoke. The vision had +lasted so long now that he was torn with the joy that after all it +might be real. But he could not bear the awakening if it were not, so +he raised his head fearfully and looked up into the beautiful eyes +above him. His brows were knit, and he struggled with a great doubt +and an awful joy. +</p> + +<p> +"Dearest," he said, "is it real?" +</p> + +<p> +"Is it real?" she repeated. +</p> + +<p> +Even as a dream, it was so wonderfully beautiful that he was satisfied +if it could only continue so, if but for a little while. +</p> + +<p> +"Do you think," he begged again, trembling, "that it is going to last +much longer?" +</p> + +<p> +She smiled, and, bending her head slowly, kissed him. +</p> + +<p> +"It is going to last—always," she said. +</p> + +<a name="144"></a> +<p class="chapter"> +THE LION AND THE UNICORN +</p> + + +<p> +Prentiss had a long lease on the house, and because it stood in Jermyn +Street the upper floors were, as a matter of course, turned into +lodgings for single gentlemen; and because Prentiss was a Florist to +the Queen, he placed a lion and unicorn over his flower-shop, just in +front of the middle window on the first floor. By stretching a little, +each of them could see into the window just beyond him, and could hear +all that was said inside; and such things as they saw and heard during +the reign of Captain Carrington, who moved in at the same time they +did! By day the table in the centre of the room was covered with maps, +and the Captain sat with a box of pins, with different-colored flags +wrapped around them, and amused himself by sticking them in the maps +and measuring the spaces in between, swearing meanwhile to himself. It +was a selfish amusement, but it appeared to be the Captain's only +intellectual pursuit, for at night the maps were rolled up, and a +green cloth was spread across the table, and there was much company +and popping of soda-bottles, and little heaps of gold and silver were +moved this way and that across the cloth. The smoke drifted out of the +open windows, and the laughter of the Captain's guests rang out loudly +in the empty street, so that the policeman halted and raised his eyes +reprovingly to the lighted windows, and cabmen drew up beneath them +and lay in wait, dozing on their folded arms, for the Captain's guests +to depart. The Lion and the Unicorn were rather ashamed of the scandal +of it, and they were glad when, one day, the Captain went away with +his tin boxes and gun-cases piled high on a four-wheeler. +</p> + +<p> +Prentiss stood on the sidewalk and said, "I wish you good luck, sir." +And the Captain said, "I'm coming back a Major, Prentiss." But he +never came back. And one day—the Lion remembered the day very well, +for on that same day the newsboys ran up and down Jermyn Street +shouting out the news of "a 'orrible disaster" to the British arms. It +was then that a young lady came to the door in a hansom, and Prentiss +went out to meet her and led her up-stairs. They heard him unlock the +Captain's door and say, "This is his room, miss," and after he had +gone they watched her standing quite still by the centre-table. She +stood there a very long time looking slowly about her, and then she +took a photograph of the Captain from the frame on the mantel and +slipped it into her pocket, and when she went out again her veil was +down, and she was crying. She must have given Prentiss as much as a +sovereign, for he called her "Your ladyship," which he never did under +a sovereign. +</p> + +<p> +And she drove off, and they never saw her again either, nor could they +hear the address she gave the cabman. But it was somewhere up St. +John's Wood way. +</p> + +<p> +After that the rooms were empty for some months, and the Lion and the +Unicorn were forced to amuse themselves with the beautiful ladies and +smart-looking men who came to Prentiss to buy flowers-and +"buttonholes," and the little round baskets of strawberries, and even +the peaches at three shillings each, which looked so tempting as they +lay in the window, wrapped up in cotton-wool, like jewels of great +price. +</p> + +<p> +Then Philip Carroll, the American gentleman, came, and they heard +Prentiss telling him that those rooms had always let for five guineas +a week, which they knew was not true; but they also knew that in the +economy of nations there must always be a higher price for the rich +American, or else why was he given that strange accent, except to +betray him into the hands of the London shopkeeper, and the London +cabby? +</p> + +<p> +The American walked to the window toward the west, which was the +window nearest the Lion, and looked out into the graveyard of St. +James's Church, that stretched between their street and Piccadilly. +</p> + +<p> +"You're lucky in having a bit of green to look out on," he said to +Prentiss. "I'll take these rooms—at five guineas. That's more than +they're worth, you know, but as I know it, too, your conscience +needn't trouble you." +</p> + +<p> +Then his eyes fell on the Lion, and he nodded to him gravely. "How do +you do?" he said. "I'm coming to live with you for a little time. I +have read about you and your friends over there. It is a hazard of new +fortunes with me, your Majesty, so be kind to me, and if I win, I will +put a new coat of paint on your shield and gild you all over again." +</p> + +<p> +Prentiss smiled obsequiously at the American's pleasantry, but the new +lodger only stared at him. +</p> + +<p> +"He seemed a social gentleman," said the Unicorn, that night, when the +Lion and he were talking it over. "Now the Captain, the whole time he +was here, never gave us so much as a look. This one says he has read +of us." +</p> + +<p> +"And why not?" growled the Lion. "I hope Prentiss heard what he said +of our needing a new layer of gilt. It's disgraceful. You can see that +Lion over Scarlett's, the butcher, as far as Regent Street, and +Scarlett is only one of Salisbury's creations. He received his +Letters-Patent only two years back. We date from Palmerston." +</p> + +<p> +The lodger came up the street just at that moment, and stopped and +looked up at the Lion and the Unicorn from the sidewalk, before he +opened the door with his night-key. They heard him enter the room and +feel on the mantel for his pipe, and a moment later he appeared at the +Lion's window and leaned on the sill, looking down into the street +below and blowing whiffs of smoke up into the warm night-air. +</p> + +<p> +It was a night in June, and the pavements were dry under foot and the +streets were filled with well-dressed people, going home from the +play, and with groups of men in black and white, making their way to +supper at the clubs. Hansoms of inky-black, with shining lamps inside +and out, dashed noiselessly past on mysterious errands, chasing close +on each other's heels on a mad race, each to its separate goal. From +the cross streets rose the noises of early night, the rumble of the +'buses, the creaking of their brakes as they unlocked, the cries of +the "extras," and the merging of thousands of human voices in a dull +murmur. The great world of London was closing its shutters for the +night and putting out the lights; and the new lodger from across the +sea listened to it with his heart beating quickly, and laughed to +stifle the touch of fear and homesickness that rose in him. +</p> + +<p> +"I have seen a great play to-night," he said to the Lion, "nobly +played by great players. What will they care for my poor wares? I see +that I have been over-bold. But we cannot go back now—not yet." +</p> + +<p> +He knocked the ashes out of his pipe, and nodded "good-night" to the +great world beyond his window. "What fortunes lie with ye, ye lights +of London town?" he quoted, smiling. And they heard him close the door +of his bedroom, and lock it for the night. +</p> + +<p> +The next morning he bought many geraniums from Prentiss and placed +them along the broad cornice that stretched across the front of the +house over the shop-window. The flowers made a band of scarlet on +either side of the Lion as brilliant as a Tommy's jacket. +</p> + +<p> +"I am trying to propitiate the British Lion by placing flowers before +his altar," the American said that morning to a visitor. +</p> + +<p> +"The British public, you mean," said the visitor; "they are each +likely to tear you to pieces." +</p> + +<p> +"Yes, I have heard that the pit on the first night of a bad play is +something awful," hazarded the American. +</p> + +<p> +"Wait and see," said the visitor. +</p> + +<p> +"Thank you," said the American, meekly. +</p> + +<p> +Every one who came to the first floor front talked about a play. It +seemed to be something of great moment to the American. It was only a +bundle of leaves printed in red and black inks and bound in brown +paper covers. There were two of them, and the American called them by +different names: one was his comedy and one was his tragedy. +</p> + +<p> +"They are both likely to be tragedies," the Lion heard one of the +visitors say to another, as they drove away together. "Our young +friend takes it too seriously." +</p> + +<p> +The American spent most of his time by his desk at the window writing +on little blue pads and tearing up what he wrote, or in reading over +one of the plays to himself in a loud voice. In time the number of his +visitors increased, and to some of these he would read his play; and +after they had left him he was either depressed and silent or excited +and jubilant. The Lion could always tell when he was happy because +then he would go to the side table and pour himself out a drink and +say, "Here's to me," but when he was depressed he would stand holding +the glass in his hand, and finally pour the liquor back into the +bottle again and say, "What's the use of that?" +</p> + +<p> +After he had been in London a month he wrote less and was more +frequently abroad, sallying forth in beautiful raiment, and coming +home by daylight. +</p> + +<p> +And he gave suppers, too, but they were less noisy than the Captain's +had been, and the women who came to them were much more beautiful, and +their voices when they spoke were sweet and low. Sometimes one of the +women sang, and the men sat in silence while the people in the street +below stopped to listen, and would say, "Why, that is So-and-So +singing," and the Lion and the Unicorn wondered how they could know +who it was when they could not see her. +</p> + +<p> +The lodger's visitors came to see him at all hours. They seemed to +regard his rooms as a club, where they could always come for a bite to +eat or to write notes; and others treated it like a lawyer's office +and asked advice on all manner of strange subjects. Sometimes the +visitor wanted to know whether the American thought she ought to take +£10 a week and go on tour, or stay in town and try to live on £8; or +whether she should paint landscapes that would not sell, or +race-horses that would; or whether Reggie really loved her and whether +she really loved Reggie; or whether the new part in the piece at the +Court was better than the old part at Terry's, and wasn't she getting +too old to play "ingenues" anyway. +</p> + +<p> +The lodger seemed to be a general adviser, and smoked and listened +with grave consideration, and the Unicorn thought his judgment was +most sympathetic and sensible. +</p> + +<p> +Of all the beautiful ladies who came to call on the lodger the one the +Unicorn liked the best was the one who wanted to know whether she +loved Reggie and whether Reggie loved her. She discussed this so +interestingly while she consumed tea and thin slices of bread that the +Unicorn almost lost his balance in leaning forward to listen. Her name +was Marion Cavendish, and it was written over many photographs which +stood in silver frames in the lodger's rooms. She used to make the tea +herself, while the lodger sat and smoked; and she had a fascinating +way of doubling the thin slices of bread into long strips and nibbling +at them like a mouse at a piece of cheese. She had wonderful little +teeth and Cupid's-bow lips, and she had a fashion of lifting her veil +only high enough for one to see the two Cupid's-bow lips. When she did +that the American used to laugh, at nothing apparently, and say, "Oh, +I guess Reggie loves you well enough." +</p> + +<p> +"But do I love Reggie?" she would ask, sadly, with her teacup held +poised in air. +</p> + +<p> </p> +<a name="152"></a> +<div class="ctr"><img src="images/152.jpg" alt="Consumed tea and thin slices of bread." width="363" height="483"></div> +<p class="imgcaption">Consumed tea and thin slices of bread. +</p> + +<p> +"I am sure I hope not," the lodger would reply, and she would put down +the veil quickly, as one would drop a curtain over a beautiful +picture, and rise with great dignity and say, "If you talk like that I +shall not come again." +</p> + +<p> +She was sure that if she could only get some work to do her head would +be filled with more important matters than whether Reggie loved her or +not. +</p> + +<p> +"But the managers seem inclined to cut their cavendish very fine just +at present," she said. "If I don't get a part soon," she announced, "I +shall ask Mitchell to put me down on the list for recitations at +evening parties." +</p> + +<p> +"That seems a desperate revenge," said the American; "and besides, I +don't want you to get a part, because some one might be idiotic enough +to take my comedy, and if he should, you must play <i>Nancy</i>." +</p> + +<p> +"I would not ask for any salary if I could play <i>Nancy</i>," Miss +Cavendish answered. +</p> + +<p> +They spoke of a great many things, but their talk always ended by her +saying that there must be some one with sufficient sense to see that +his play was a great play, and by his saying that none but she must +play <i>Nancy</i>. +</p> + +<p> +The Lion preferred the tall girl with masses and folds of brown hair, +who came from America to paint miniatures of the British aristocracy. +Her name was Helen Cabot, and he liked her because she was so brave +and fearless, and so determined to be independent of every one, even +of the lodger—especially of the lodger, who, it appeared, had known +her very well at home. The lodger, they gathered, did not wish her to +be independent of him, and the two Americans had many arguments and +disputes about it, but she always said, "It does no good, Philip; it +only hurts us both when you talk so. I care for nothing, and for no +one but my art, and, poor as it is, it means everything to me, and you +do not, and, of course, the man I am to marry must." Then Carroll +would talk, walking up and down, and looking very fierce and +determined, and telling her how he loved her in such a way that it +made her look even more proud and beautiful. And she would say more +gently, "It is very fine to think that any one can care for me like +that, and very helpful. But unless I cared in the same way it would be +wicked of me to marry you, and besides—" She would add very quickly +to prevent his speaking again—"I don't want to marry you or anybody, +and I never shall. I want to be free and to succeed in my work, just +as you want to succeed in your work. So please never speak of this +again." When she went away the lodger used to sit smoking in the big +arm-chair and beat the arms with his hands, and he would pace up and +down the room, while his work would lie untouched and his engagements +pass forgotten. +</p> + +<p> +Summer came and London was deserted, dull, and dusty, but the lodger +stayed on in Jermyn Street. Helen Cabot had departed on a round of +visits to country-houses in Scotland, where, as she wrote him, she was +painting miniatures of her hosts and studying the game of golf. Miss +Cavendish divided her days between the river and one of the West End +theatres. She was playing a small part in a farce-comedy. +</p> + +<p> +One day she came up from Cookham earlier than usual, looking very +beautiful in a white boating-frock and a straw hat with a Leander +ribbon. Her hands and arms were hard with dragging a punting-hole, and +she was sunburnt and happy, and hungry for tea. +</p> + +<p> +"Why don't you come down to Cookham and get out of this heat?" Miss +Cavendish asked. "You need it; you look ill." +</p> + +<p> +"I'd like to, but I can't," said Carroll. "The fact is, I paid in +advance for these rooms, and if I lived anywhere else I'd be losing +five guineas a week on them." +</p> + +<p> +Miss Cavendish regarded him severely. She had never quite mastered his +American humor. +</p> + +<p> +"But—five guineas—why, that's nothing to you," she said. Something +in the lodger's face made her pause. "You don't mean—" +</p> + +<p> +"Yes, I do," said the lodger, smiling. "You see, I started in to lay +siege to London without sufficient ammunition. London is a large town, +and it didn't fall as quickly as I thought it would. So I am +economizing. Mr. Lockhart's Coffee Rooms and I are no longer +strangers." +</p> + +<p> +Miss Cavendish put down her cup of tea untasted and leaned toward him. +</p> + +<p> +"Are you in earnest?" she asked. "For how long?" +</p> + +<p> +"Oh, for the last month," replied the lodger; "they are not at all +bad—clean and wholesome and all that." +</p> + +<p> +"But the suppers you gave us, and this," she cried, suddenly, waving +her hands over the pretty tea-things, "and the cake and muffins?" +</p> + +<p> +"My friends, at least," said Carroll, "need not go to Lockhart's." +</p> + +<p> +"And the Savoy?" asked Miss Cavendish, mournfully shaking her head. "A +dream of the past," said Carroll, waving his pipe through the smoke. +"Gatti's? Yes, on special occasions; but for necessity the +Chancellor's, where one gets a piece of the prime roast beef of Old +England, from Chicago, and potatoes for ninepence—a pot of bitter +twopence-halfpenny, and a penny for the waiter. It's most amusing on +the whole. I am learning a little about London, and some things about +myself. They are both most interesting subjects." +</p> + +<p> +"Well, I don't like it," Miss Cavendish declared, helplessly. "When I +think of those suppers and the flowers, I feel—I feel like a robber." +</p> + +<p> +"Don't," begged Carroll. "I am really the most happy of men—that is, +as the chap says in the play, I would be if I wasn't so damned +miserable. But I owe no man a penny and I have assets—I have £80 to +last me through the winter and two marvellous plays; and I love, next +to yourself, the most wonderful woman God ever made. That's enough." +</p> + +<p> +"But I thought you made such a lot of money by writing?" asked Miss +Cavendish. +</p> + +<p> +"I do—that is, I could," answered Carroll, "if I wrote the things +that sell; but I keep on writing plays that won't." +</p> + +<p> +"And such plays!" exclaimed Marion, warmly; "and to think that they +are going begging!" She continued, indignantly, "I can't imagine what +the managers do want." +</p> + +<p> +"I know what they don't want," said the American. Miss Cavendish +drummed impatiently on the tea-tray. +</p> + +<p> +"I wish you wouldn't be so abject about it," she said. "If I were a +man I'd make them take those plays." +</p> + +<p> +"How?" asked the American; "with a gun?" +</p> + +<p> +"Well, I'd keep at it until they read them," declared Marion. "I'd sit +on their front steps all night and I'd follow them in cabs, and I'd +lie in wait for them at the stage-door. I'd just make them take them." +</p> + +<p> +Carroll sighed and stared at the ceiling. "I guess I'll give up and go +home," he said. +</p> + +<p> +"Oh, yes, do, run away before you are beaten," said Miss Cavendish, +scornfully. "Why, you can't go now. Everybody will be back in town +soon, and there are a lot of new plays coming on, and some of them are +sure to be failures, and that's our chance. You rush in with your +piece, and somebody may take it sooner than close the theatre." +</p> + +<p> +"I'm thinking of closing the theatre myself," said Carroll. "What's +the use of my hanging on here?" he exclaimed. "It distresses Helen to +know I am in London, feeling about her as I do—and the Lord only +knows how it distresses me. And, maybe, if I went away," he said, +consciously, "she might miss me. She might see the difference." +</p> + +<p> +Miss Cavendish held herself erect and pressed her lips together with a +severe smile. "If Helen Cabot doesn't see the difference between you +and the other men she knows now," she said, "I doubt if she ever will. +Besides—" she continued, and then hesitated. +</p> + +<p> +"Well, go on," urged Carroll. +</p> + +<p> +"Well, I was only going to say," she explained, "that leaving the girl +alone never did the man any good unless he left her alone willingly. +If she's sure he still cares, it's just the same to her where he is. +He might as well stay on in London as go to South Africa. It won't +help him any. The difference comes when she finds he has stopped +caring. Why, look at Reggie. He tried that. He went away for ever so +long, but he kept writing me from wherever he went, so that he was +perfectly miserable—and I went on enjoying myself. Then when he came +back, he tried going about with his old friends again. He used to come +to the theatre with them—oh, with such nice girls!—but he always +stood in the back of the box and yawned and scowled—so I knew. And, +anyway, he'd always spoil it all by leaving them and waiting at the +stage entrance for me. But one day he got tired of the way I treated +him and went off on a bicycle-tour with Lady Hacksher's girls and some +men from his regiment, and he was gone three weeks, and never sent me +even a line; and I got so scared; I couldn't sleep, and I stood it for +three days more, and then I wired him to come back or I'd jump off +London Bridge; and he came back that very night from Edinburgh on the +express, and I was so glad to see him that I got confused, and in the +general excitement I promised to marry him, so that's how it was with +us." +</p> + +<p> +"Yes," said the American, without enthusiasm; "but then I still care, +and Helen knows I care." +</p> + +<p> +"Doesn't she ever fancy that you might care for some one else? You +have a lot of friends, you know." +</p> + +<p> +"Yes, but she knows they are just that—friends," said the American. +</p> + +<p> +Miss Cavendish stood up to go, and arranged her veil before the mirror +above the fireplace. +</p> + +<p> +"I come here very often to tea," she said. +</p> + +<p> +"It's very kind of you," said Carroll. He was at the open window, +looking down into the street for a cab. +</p> + +<p> +"Well, no one knows I am engaged to Reggie," continued Miss Cavendish, +"except you and Reggie, and he isn't so sure. <i>She</i> doesn't know +it." +</p> + +<p> +"Well?" said Carroll. +</p> + +<p> +Miss Cavendish smiled a mischievous, kindly smile at him from the +mirror. +</p> + +<p> +"Well?" she repeated, mockingly. Carroll stared at her and laughed. +After a pause he said: "It's like a plot in a comedy. But I'm afraid +I'm too serious for play-acting." +</p> + +<p> +"Yes, it is serious," said Miss Cavendish. She seated herself again +and regarded the American thoughtfully. "You are too good a man to be +treated the way that girl is treating you, and no one knows it better +than she does. She'll change in time, but just now she thinks she +wants to be independent. She's in love with this picture-painting +idea, and with the people she meets. It's all new to her—the fuss +they make over her and the titles, and the way she is asked about. We +know she can't paint. We know they only give her commissions because +she's so young and pretty, and American. She amuses them, that's all. +Well, that cannot last; she'll find it out. She's too clever a girl, +and she is too fine a girl to be content with that long. Then—then +she'll come back to you. She feels now that she has both you and the +others, and she's making you wait; so wait and be cheerful. She's +worth waiting for; she's young, that's all. She'll see the difference +in time. But, in the meanwhile, it would hurry matters a bit if she +thought she had to choose between the new friends and you." +</p> + +<p> +"She could still keep her friends and marry me," said Carroll; "I have +told her that a hundred times. She could still paint miniatures and +marry me. But she won't marry me." +</p> + +<p> +"She won't marry you because she knows she can whenever she wants to," +cried Marion. "Can't you see that? But if she thought you were going +to marry some one else now?" +</p> + +<p> +"She would be the first to congratulate me," said Carroll. He rose and +walked to the fireplace, where he leaned with his arm on the mantel. +There was a photograph of Helen Cabot near his hand, and he turned +this toward him and stood for some time staring at it. "My dear +Marion," he said at last, "I've known Helen ever since she was as +young as that. Every year I've loved her more, and found new things in +her to care for; now I love her more than any other man ever loved any +other woman." +</p> + +<p> +Miss Cavendish shook her head sympathetically. +</p> + +<p> +"Yes, I know," she said; "that's the way Reggie loves me, too." +</p> + +<p> +Carroll went on as though he had not heard her. +</p> + +<p> +"There's a bench in St. James's Park," he said, "where we used to sit +when she first came here, when she didn't know so many people. We used +to go there in the morning and throw penny buns to the ducks. That's +been my amusement this summer since you've all been away—sitting on +that bench, feeding penny buns to the silly ducks—especially the +black one, the one she used to like best. And I make pilgrimages to +all the other places we ever visited together, and try to pretend she +is with me. And I support the crossing sweeper at Lansdowne Passage +because she once said she felt sorry for him. I do all the other +absurd things that a man in love tortures himself by doing. But to +what end? She knows how I care, and yet she won't see why we can't go +on being friends as we once were. What's the use of it all?" +</p> + +<p> +"She is young, I tell you," repeated Miss Cavendish, "and she's too +sure of you. You've told her you care; now try making her think you +don't care." +</p> + +<p> +Carroll shook his head impatiently. +</p> + +<p> +"I will not stoop to such tricks and pretense, Marion," he cried, +impatiently. "All I have is my love for her; if I have to cheat and to +trap her into caring, the whole thing would be degraded." +</p> + +<p> +Miss Cavendish shrugged her shoulders and walked to the door. "Such +amateurs!" she exclaimed, and banged the door after her. +</p> + +<p> +Carroll never quite knew how he had come to make a confidante of Miss +Cavendish. Helen and he had met her when they first arrived in London, +and as she had acted for a season in the United States, she adopted +the two Americans—and told Helen where to go for boots and hats, and +advised Carroll about placing his plays. Helen soon made other +friends, and deserted the artists with whom her work had first thrown +her. She seemed to prefer the society of the people who bought her +paintings, and who admired and made much of the painter. As she was +very beautiful and at an age when she enjoyed everything in life +keenly and eagerly, to give her pleasure was in itself a distinct +pleasure; and the worldly tired people she met were considering their +own entertainment quite as much as hers when they asked her to their +dinners and dances, or to spend a week with them in the country. In +her way, she was as independent as was Carroll in his, and as she was +not in love, as he was, her life was not narrowed down to but one +ideal. But she was not so young as to consider herself infallible, and +she had one excellent friend on whom she was dependent for advice and +to whose directions she submitted implicitly. This was Lady Gower, the +only person to whom Helen had spoken of Carroll and of his great +feeling for her. Lady Gower, immediately after her marriage, had been +a conspicuous and brilliant figure in that set in London which works +eighteen hours a day to keep itself amused, but after the death of her +husband she had disappeared into the country as completely as though +she had entered a convent, and after several years had then re-entered +the world as a professional philanthropist. Her name was now +associated entirely with Women's Leagues, with committees that +presented petitions to Parliament, and with public meetings, at which +she spoke with marvellous ease and effect. Her old friends said she +had taken up this new pose as an outlet for her nervous energies, and +as an effort to forget the man who alone had made life serious to her. +Others knew her as an earnest woman, acting honestly for what she +thought was right. Her success, all admitted, was due to her knowledge +of the world and to her sense of humor, which taught her with whom to +use her wealth and position, and when to demand what she wanted solely +on the ground that the cause was just. +</p> + +<p> +She had taken more than a fancy for Helen, and the position of the +beautiful, motherless girl had appealed to her as one filled with +dangers. When she grew to know Helen better, she recognized that these +fears were quite unnecessary, and as she saw more of her she learned +to care for her deeply. Helen had told her much of Carroll and of his +double purpose in coming to London; of his brilliant work and his lack +of success in having it recognized; and of his great and loyal +devotion to her, and of his lack of success, not in having that +recognized, but in her own inability to return it. Helen was proud +that she had been able to make Carroll care for her as he did, and +that there was anything about her which could inspire a man whom she +admired so much to believe in her so absolutely and for so long a +time. But what convinced her that the outcome for which he hoped was +impossible, was the very fact that she could admire him, and see how +fine and unselfish his love for her was, and yet remain untouched by +it. +</p> + +<p> +She had been telling Lady Gower one day of the care he had taken of +her ever since she was fourteen years of age, and had quoted some of +the friendly and loverlike acts he had performed in her service, until +one day they had both found out that his attitude of the elder brother +was no longer possible, and that he loved her in the old and only way. +Lady Gower looked at her rather doubtfully and smiled. +</p> + +<p> +"I wish you would bring him to see me, Helen," she said; "I think I +should like your friend very much. From what you tell me of him I +doubt if you will find many such men waiting for you in this country. +Our men marry for reasons of property, or they love blindly, and are +exacting and selfish before and after they are married. I know, +because so many women came to me when my husband was alive to ask how +it was that I continued so happy in my married life." +</p> + +<p> +"But I don't want to marry any one," Helen remonstrated, gently. +"American girls are not always thinking only of getting married." +</p> + +<p> +"What I meant was this," said Lady Gower: "that, in my experience, I +have heard of but few men who care in the way this young man seems to +care for you. You say you do not love him; but if he had wanted to +gain my interest, he could not have pleaded his cause better than you +have done. He seems to see your faults and yet love you still, in +spite of them—or on account of them. And I like the things he does +for you. I like, for instance, his sending you the book of the moment +every week for two years. That shows a most unswerving spirit of +devotion. And the story of the broken bridge in the woods is a +wonderful story. If I were a young girl, I could love a man for that +alone. It was a beautiful thing to do." +</p> + +<p> +Helen sat with her chin on her hands, deeply considering this new +point of view. +</p> + +<p> +"I thought it very foolish of him," she confessed, questioningly, "to +take such a risk for such a little thing." +</p> + +<p> +Lady Gower smiled down at her from the height of her many years. +</p> + +<p> +"Wait," she said, dryly, "you are very young now—and very rich; every +one is crowding to give you pleasure, to show his admiration. You are +a very fortunate girl. But later, these things which some man has done +because he loved you, and which you call foolish, will grow large in +your life, and shine out strongly, and when you are discouraged and +alone, you will take them out, and the memory of them will make you +proud and happy. They are the honors which women wear in secret." +</p> + +<p> +Helen came back to town in September, and for the first few days was +so occupied in refurnishing her studio and in visiting the shops that +she neglected to send Carroll word of her return. When she found that +a whole week had passed without her having made any effort to see him, +and appreciated how the fact would hurt her friend, she was filled +with remorse, and drove at once in great haste to Jermyn Street, to +announce her return in person. On the way she decided that she would +soften the blow of her week of neglect by asking him to take her out +to luncheon. This privilege she had once or twice accorded him, and +she felt that the pleasure these excursions gave Carroll were worth +the consternation they caused to Lady Gower. +</p> + +<p> +The servant was uncertain whether Mr. Carroll was at home or not, but +Helen was too intent upon making restitution to wait for the fact to +be determined, and, running up the stairs, knocked sharply at the door +of his study. +</p> + +<p> +A voice bade her come in, and she entered, radiant and smiling her +welcome. But Carroll was not there to receive it, and, instead, Marion +Cavendish looked up at her from his desk, where she was busily +writing. Helen paused with a surprised laugh, but Marion sprang up and +hailed her gladly. They met half-way across the room and kissed each +other with the most friendly feeling. +</p> + +<p> +Philip was out, Marion said, and she had just stepped in for a moment +to write him a note. If Helen would excuse her, she would finish it, +as she was late for rehearsal. +</p> + +<p> +But she asked over her shoulder, with great interest, if Helen had +passed a pleasant summer. She thought she had never seen her looking +so well. Helen thought Miss Cavendish herself was looking very well +also, but Marion said no; that she was too sunburnt, she would not be +able to wear a dinner-dress for a month. There was a pause while +Marion's quill scratched violently across Carroll's note-paper. Helen +felt that in some way she was being treated as an intruder; or worse, +as a guest. She did not sit down, it seemed impossible to do so, but +she moved uncertainly about the room. She noted that there were many +changes, it seemed more bare and empty; her picture was still on the +writing-desk, but there were at least six new photographs of Marion. +Marion herself had brought them to the room that morning, and had +carefully arranged them in conspicuous places. But Helen could not +know that. She thought there was an unnecessary amount of writing +scribbled over the face of each. +</p> + +<p> +Marion addressed her letter and wrote "Immediate" across the envelope, +and placed it before the clock on the mantel-shelf. "You will find +Philip looking very badly," she said, as she pulled on her gloves. "He +has been in town all summer, working very hard—he has had no holiday +at all. I don't think he's well. I have been a great deal worried +about him," she added. Her face was bent over the buttons of her +glove, and when she raised her blue eyes to Helen they were filled +with serious concern. +</p> + +<p> +"Really," Helen stammered, "I—I didn't know—in his letters he seemed +very cheerful." +</p> + +<p> +Marion shook her head and turned and stood looking thoughtfully out of +the window. "He's in a very hard place," she began, abruptly, and then +stopped as though she had thought better of what she intended to say. +Helen tried to ask her to go on, but could not bring herself to do so. +She wanted to get away. +</p> + +<p> +"I tell him he ought to leave London," Marion began again; "he needs a +change and a rest." +</p> + +<p> +"I should think he might," Helen agreed, "after three months of this +heat. He wrote me he intended going to Herne Bay or over to Ostend." +</p> + +<p> +"Yes, he had meant to go," Marion answered. She spoke with the air of +one who possessed the most intimate knowledge of Carroll's movements +and plans, and change of plans. "But he couldn't," she added. "He +couldn't afford it. Helen," she said, turning to the other girl, +dramatically, "do you know—I believe that Philip is very poor." +</p> + +<p> +Miss Cabot exclaimed, incredulously, "Poor!" She laughed. "Why, what +do you mean?" +</p> + +<p> +"I mean that he has no money," Marion answered, sharply. "These rooms +represent nothing. He only keeps them on because he paid for them in +advance. He's been living on three shillings a day. That's poor for +him. He takes his meals at cabmen's shelters and at Lockhart's, and +he's been doing so for a month." +</p> + +<p> +Helen recalled with a guilty thrill the receipt of certain boxes of La +France roses—cut long, in the American fashion—which had arrived +within the last month at various country-houses. She felt indignant at +herself, and miserable. Her indignation was largely due to the +recollection that she had given these flowers to her hostess to +decorate the dinner-table. +</p> + +<p> +She hated to ask this girl of things which she should have known +better than any one else. But she forced herself to do it. She felt +she must know certainly and at once. +</p> + +<p> +"How do you know this?" she asked. "Are you sure there is no mistake?" +</p> + +<p> +"He told me himself," said Marion, "when he talked of letting the +plays go and returning to America. He said he must go back; that his +money was gone." +</p> + +<p> +"He is gone to America!" Helen said, blankly. +</p> + +<p> +"No, he wanted to go, but I wouldn't let him," Marion went on. "I told +him that some one might take his play any day. And this third one he +has written, the one he finished this summer in town, is the best of +all, I think. It's a love-story. It's quite beautiful." She turned and +arranged her veil at the glass, and as she did so, her eyes fell on +the photographs of herself scattered over the mantel-piece, and she +smiled slightly. But Helen did not see her—she was sitting down now, +pulling at the books on the table. She was confused and disturbed by +emotions which were quite strange to her, and when Marion bade her +good-by she hardly noticed her departure. What impressed her most of +all in what Marion had told her was, she was surprised to find, that +Philip was going away. That she herself had frequently urged him to do +so, for his own peace of mind, seemed now of no consequence. Now that +he seriously contemplated it, she recognized that his absence meant to +her a change in everything. She felt for the first time the peculiar +place he held in her life. Even if she had seen him but seldom, the +fact that he was within call had been more of a comfort and a +necessity to her than she understood. +</p> + +<p> +That he was poor, concerned her chiefly because she knew that, +although this condition could only be but temporary, it would distress +him not to have his friends around him, and to entertain them as he +had been used to do. She wondered eagerly if she might offer to help +him, but a second thought assured her that, for a man, that sort of +help from a woman was impossible. +</p> + +<p> +She resented the fact that Marion was deep in his confidence; that it +was Marion who had told her of his changed condition and of his plans. +It annoyed her so acutely that she could not remain in the room where +she had seen her so complacently in possession. And after leaving a +brief note for Philip, she went away. She stopped a hansom at the +door, and told the man to drive along the Embankment—she wanted to be +quite alone, and she felt she could see no one until she had thought +it all out, and had analyzed the new feelings. +</p> + +<p> +So for several hours she drove slowly up and down, sunk far back in +the cushions of the cab, and staring with unseeing eyes at the white, +enamelled tariff and the black dash-board. +</p> + +<p> +She assured herself that she was not jealous of Marion, because, in +order to be jealous, she first would have to care for Philip in the +very way she could not bring herself to do. +</p> + +<p> +She decided that his interest in Marion hurt her, because it showed +that Philip was not capable of remaining true to the one ideal of his +life. She was sure that this explained her feelings—she was +disappointed that he had not kept up to his own standard; that he was +weak enough to turn aside from it for the first pretty pair of eyes. +But she was too honest and too just to accept that diagnosis of her +feelings as final—she knew there had been many pairs of eyes in +America and in London, and that though Philip had seen them, he had +not answered them when they spoke. No, she confessed frankly, she was +hurt with herself for neglecting her old friend so selfishly and for +so long a time; his love gave him claims on her consideration, at +least, and she had forgotten that and him, and had run after strange +gods and allowed others to come in and take her place, and to give him +the sympathy and help which she should have been the first to offer, +and which would have counted more when coming from her than from any +one else. She determined to make amends at once for her +thoughtlessness and selfishness, and her brain was pleasantly occupied +with plans and acts of kindness. It was a new entertainment, and she +found she delighted in it. She directed the cabman to go to +Solomons's, and from there sent Philip a bunch of flowers and a line +saying that on the following day she was coming to take tea with him. +She had a guilty feeling that he might consider her friendly advances +more seriously than she meant them, but it was her pleasure to be +reckless: her feelings were running riotously, and the sensation was +so new that she refused to be circumspect or to consider consequences. +Who could tell, she asked herself with a quick, frightened gasp, but +that, after all, it might be that she was learning to care? From +Solomons's she bade the man drive to the shop in Cranbourne Street +where she was accustomed to purchase the materials she used in +painting, and Fate, which uses strange agents to work out its ends, so +directed it that the cabman stopped a few doors below this shop, and +opposite one where jewelry and other personal effects were bought and +sold. At any other time, or had she been in any other mood, what +followed might not have occurred, but Fate, in the person of the +cabman, arranged it so that the hour and the opportunity came +together. +</p> + +<p> +There were some old mezzotints in the window of the loan-shop, a +string of coins and medals, a row of new French posters; and far down +to the front a tray filled with gold and silver cigarette-cases and +watches and rings. It occurred to Helen, who was still bent on making +restitution for her neglect, that a cigarette-case would be more +appropriate for a man than flowers, and more lasting. And she scanned +the contents of the window with the eye of one who now saw in +everything only something which might give Philip pleasure. The two +objects of value in the tray upon which her eyes first fell were the +gold seal-ring with which Philip had sealed his letters to her, and, +lying next to it, his gold watch! There was something almost human in +the way the ring and watch spoke to her from the past—in the way they +appealed to her to rescue them from the surroundings to which they had +been abandoned. She did not know what she meant to do with them nor +how she could return them to Philip; but there was no question of +doubt in her manner as she swept with a rush into the shop. There was +no attempt, either, at bargaining in the way in which she pointed out +to the young woman behind the counter the particular ring and watch +she wanted. They had not been left as collateral, the young woman +said; they had been sold outright. +</p> + +<p> +"Then any one can buy them?" Helen asked, eagerly. "They are for sale +to the public—to any one?" +</p> + +<p> +The young woman made note of the customer's eagerness, but with an +unmoved countenance. +</p> + +<p> +"Yes, miss, they are for sale. The ring is four pounds and the watch +twenty-five." +</p> + +<p> +"Twenty-nine pounds!" Helen gasped. +</p> + +<p> +That was more money than she had in the world, but the fact did not +distress her, for she had a true artistic disregard for ready money, +and the absence of it had never disturbed her. But now it assumed a +sudden and alarming value. She had ten pounds in her purse and ten +pounds at her studio—these were just enough to pay for a quarter's +rent and the rates, and there was a hat and cloak in Bond Street which +she certainly must have. Her only assets consisted of the possibility +that some one might soon order a miniature, and to her mind that was +sufficient. Some one always had ordered a miniature, and there was no +reasonable doubt but that some one would do it again. For a moment she +questioned if it would not be sufficient if she bought the ring and +allowed the watch to remain. But she recognized that the ring meant +more to her than the watch, while the latter, as an old heirloom which +had been passed down to him from a great-grandfather, meant more to +Philip. It was for Philip she was doing this, she reminded herself. +She stood holding his possessions, one in each hand, and looking at +the young woman blankly. She had no doubt in her mind that at least +part of the money he had received for them had paid for the flowers he +had sent to her in Scotland. The certainty of this left her no choice. +She laid the ring and watch down and pulled the only ring she +possessed from her own finger. It was a gift from Lady Gower. She had +no doubt that it was of great value. +</p> + +<p> +"Can you lend me some money on that?" she asked. It was the first time +she had conducted a business transaction of this nature, and she felt +as though she were engaging in a burglary. +</p> + +<p> +"We don't lend money, miss," the girl said, "we buy outright. I can +give you twenty-eight shillings for this," she added. +</p> + +<p> +"Twenty-eight shillings!" Helen gasped. "Why, it is worth—oh, ever so +much more than that!" +</p> + +<p> +"That is all it is worth to us," the girl answered. She regarded the +ring indifferently and laid it away from her on the counter. The +action was final. +</p> + +<p> +Helen's hands rose slowly to her breast, where a pretty watch dangled +from a bow-knot of crushed diamonds. It was her only possession, and +she was very fond of it. It also was the gift of one of the several +great ladies who had adopted her since her residence in London. Helen +had painted a miniature of this particular great lady which had looked +so beautiful that the pleasure which the original of the portrait +derived from the thought that she still really looked as she did in +the miniature was worth more to her than many diamonds. +</p> + +<p> +But it was different with Helen, and no one could count what it cost +her to tear away her one proud possession. +</p> + +<p> +"What will you give me for this?" she asked, defiantly. +</p> + +<p> +The girl's eyes showed greater interest. "I can give you twenty pounds +for that," she said. +</p> + +<p> +"Take it, please," Helen begged, as though she feared if she kept it a +moment longer she might not be able to make the sacrifice. +</p> + +<p> +"That will be enough now," she went on, taking out her ten-pound note. +She put Lady Gower's ring back upon her finger and picked up Philip's +ring and watch with the pleasure of one who has come into a great +fortune. She turned back at the door. +</p> + +<p> +"Oh," she stammered, "in case any one should inquire, you are not to +say who bought these." +</p> + +<p> +"No, miss, certainly not," said the woman. Helen gave the direction to +the cabman and, closing the doors of the hansom, sat looking down at +the watch and the ring, as they lay in her lap. The thought that they +had been his most valued possessions, which he had abandoned forever, +and that they were now entirely hers, to do with as she liked, filled +her with most intense delight and pleasure. She took up the heavy gold +ring and placed it on the little finger of her left hand; it was much +too large, and she removed it and balanced it for a moment doubtfully +in the palm of her right hand. She was smiling, and her face was lit +with shy and tender thoughts. She cast a quick glance to the left and +right as though fearful that people passing in the street would +observe her, and then slipped the ring over the fourth finger of her +left hand. She gazed at it with a guilty smile, and then, covering it +hastily with her other hand, leaned back, clasping it closely, and sat +frowning far out before her with puzzled eyes. +</p> + +<p> +To Carroll all roads led past Helen's studio, and during the summer, +while she had been absent in Scotland, it was one of his sad pleasures +to make a pilgrimage to her street and to pause opposite the house and +look up at the empty windows of her rooms. It was during this daily +exercise that he learned, through the arrival of her luggage, of her +return to London, and when day followed day without her having shown +any desire to see him or to tell him of her return, he denounced +himself most bitterly as a fatuous fool. +</p> + +<p> +At the end of the week he sat down and considered his case quite +calmly. For three years he had loved this girl, deeply and tenderly. +He had been lover, brother, friend, and guardian. During that time, +even though she had accepted him in every capacity except as that of +the prospective husband, she had never given him any real affection, +nor sympathy, nor help; all she had done for him had been done without +her knowledge or intent. To know her, to love her, and to scheme to +give her pleasure had been its own reward, and the only one. For the +last few months he had been living like a crossing sweeper in order to +be able to stay in London until she came back to it, and that he might +still send her the gifts he had always laid on her altar. He had not +seen her in three months. Three months that had been to him a blank, +except for his work—which, like all else that he did, was inspired +and carried on for her. Now at last she had returned and had shown +that, even as a friend, he was of so little account in her thoughts, +of so little consequence in her life, that after this long absence she +had no desire to learn of his welfare or to see him—she did not even +give him the chance to see her. And so, placing these facts before him +for the first time since he had loved her, he considered what was due +to himself. "Was it good enough?" he asked. "Was it just that he +should continue to wear out his soul and body for this girl who did +not want what he had to give, who treated him less considerately than +a man whom she met for the first time at dinner?" He felt he had +reached the breaking-point; that the time had come when he must +consider what he owed to himself. There could never be any other woman +save Helen; but as it was not to be Helen, he could no longer, with +self-respect, continue to proffer his love only to see it slighted and +neglected. He was humble enough concerning himself, but of his love he +was very proud. Other men could give her more in wealth or position, +but no one could ever love her as he did. "He that hath more let him +give," he had often quoted to her defiantly, as though he were +challenging the world, and now he felt he must evolve a makeshift +world of his own—a world in which she was not his only spring of +acts; he must begin all over again and keep his love secret and sacred +until she understood it and wanted it. And if she should never want it +he would at least have saved it from many rebuffs and insults. +</p> + +<p> +With this determination strong in him, the note Helen had left for him +after her talk with Marion, and the flowers, and the note with them, +saying she was coming to take tea on the morrow, failed to move him +except to make him more bitter. He saw in them only a tardy +recognition of her neglect—an effort to make up to him for +thoughtlessness which, from her, hurt him worse than studied slight. +</p> + +<p> +A new <i>régime</i> had begun, and he was determined to establish it +firmly and to make it impossible for himself to retreat from it; and +in the note in which he thanked Helen for the flowers and welcomed her +to tea, he declared his ultimatum. +</p> + +<p> +"You know how terribly I feel," he wrote; "I don't have to tell you +that, but I cannot always go on dragging out my love and holding it up +to excite your pity as beggars show their sores. I cannot always go on +praying before your altar, cutting myself with knives and calling upon +you to listen to me. You know that there is no one else but you, and +that there never can be any one but you, and that nothing is changed +except that after this I am not going to urge and torment you. I shall +wait as I have always waited—only now I shall wait in silence. You +know just how little, in one way, I have to offer you, and you know +just how much I have in love to offer you. It is now for you to +speak—some day, or never. But you will have to speak first. You will +never hear a word of love from me again. Why should you? You know it +is always waiting for you. But if you should ever want it, you must +come to me, and take off your hat and put it on my table and say, +'Philip, I have come to stay.' Whether you can ever do that or not can +make no difference in my love for you. I shall love you always, as no +man has ever loved a woman in this world, but it is you who must speak +first; for me, the rest is silence." +</p> + +<p> +The following morning as Helen was leaving the house she found this +letter lying on the hall-table, and ran back with it to her rooms. A +week before she would have let it lie on the table and read it on her +return. She was conscious that this was what she would have done, and +it pleased her to find that what concerned Philip was now to her the +thing of greatest interest. She was pleased with her own +eagerness—her own happiness was a welcome sign, and she was proud and +glad that she was learning to care. +</p> + +<p> +She read the letter with an anxious pride and pleasure in each word +that was entirely new. Philip's recriminations did not hurt her, they +were the sign that he cared; nor did his determination not to speak of +his love to her hurt her, for she believed him when he said that he +would always care. She read the letter twice, and then sat for some +time considering the kind of letter Philip would have written had he +known her secret—had he known that the ring he had abandoned was now +upon her finger. +</p> + +<p> +She rose and, crossing to a desk, placed the letter in a drawer, and +then took it out again and reread the last page. When she had finished +it she was smiling. For a moment she stood irresolute, and then, +moving slowly toward the centre-table, cast a guilty look about her +and, raising her hands, lifted her veil and half withdrew the pins +that fastened her hat. +</p> + +<p> +"Philip," she began, in a frightened whisper, "I have—I have come +to—" +</p> + +<p> +The sentence ended in a cry of protest, and she rushed across the room +as though she were running from herself. She was blushing violently. +</p> + +<p> +"Never!" she cried, as she pulled open the door; "I could never do +it—never!" +</p> + +<p> +The following afternoon, when Helen was to come to tea, Carroll +decided that he would receive her with all the old friendliness, but +that he must be careful to subdue all emotion. +</p> + +<p> +He was really deeply hurt at her treatment, and had it not been that +she came on her own invitation he would not of his own accord have +sought to see her. In consequence, he rather welcomed than otherwise +the arrival of Marion Cavendish, who came a half-hour before Helen was +expected, and who followed a hasty knock with a precipitate entrance. +</p> + +<p> +"Sit down," she commanded, breathlessly, "and listen. I've been at +rehearsal all day, or I'd have been here before you were awake." She +seated herself nervously and nodded her head at Carroll in an excited +and mysterious manner. +</p> + +<p> +"What is it?" he asked. "Have you and Reggie—" +</p> + +<p> +"Listen," Marion repeated. "Our fortunes are made; that is what's the +matter—and I've made them. If you took half the interest in your work +I do, you'd have made yours long ago. Last night," she began, +impressively, "I went to a large supper at the Savoy, and I sat next +to Charley Wimpole. He came in late, after everybody had finished, and +I attacked him while he was eating his supper. He said he had been +rehearsing 'Caste' after the performance; that they've put it on as a +stop-gap on account of the failure of 'The Triflers,' and that he knew +revivals were of no use; that he would give any sum for a good modern +comedy. That was my cue, and I told him I knew of a better comedy than +any he had produced at his theatre in five years, and that it was +going begging. He laughed, and asked where was he to find this +wonderful comedy, and I said, 'It's been in your safe for the last two +months and you haven't read it.' He said, 'Indeed, how do you know +that?' and I said, 'Because if you'd read it, it wouldn't be in your +safe, but on your stage.' So he asked me what the play was about, and +I told him the plot and what sort of a part his was, and some of his +scenes, and he began to take notice. He forgot his supper, and very +soon he grew so interested that he turned his chair round and kept +eying my supper-card to find out who I was, and at last remembered +seeing me in 'The New Boy'—and a rotten part it was, too—but he +remembered it, and he told me to go on and tell him more about your +play. So I recited it, bit by bit, and he laughed in all the right +places and got very much excited, and said finally that he would read +it the first thing this morning." Marion paused, breathlessly. "Oh, +yes, and he wrote your address on his cuff," she added, with the air +of delivering a complete and convincing climax. +</p> + +<p> +Carroll stared at her and pulled excitedly on his pipe. +</p> + +<p> +"Oh, Marion!" he gasped, "suppose he should? He won't, though," he +added, but eying her eagerly and inviting contradiction. +</p> + +<p> +"He will," she answered, stoutly, "if he reads it." +</p> + +<p> +"The other managers read it," Carroll suggested, doubtfully. +</p> + +<p> +"Yes, but what do they know?" Marion returned, loftily. "He knows. +Charles Wimpole is the only intelligent actor-manager in London." +</p> + +<p> +There was a sharp knock at the door, which Marion in her excitement +had left ajar, and Prentiss threw it wide open with an impressive +sweep, as though he were announcing royalty. "Mr. Charles Wimpole," he +said. +</p> + +<p> +The actor-manager stopped in the doorway bowing gracefully, his hat +held before him and his hand on his stick as though it were resting on +a foil. He had the face and carriage of a gallant of the days of +Congreve, and he wore his modern frock-coat with as much distinction +as if it were of silk and lace. He was evidently amused. "I couldn't +help overhearing the last line," he said, smiling. "It gives me a good +entrance." +</p> + +<p> +Marion gazed at him blankly. "Oh," she gasped, "we—we—were just +talking about you." +</p> + +<p> +"If you hadn't mentioned my name," the actor said, "I should never +have guessed it. And this is Mr. Carroll, I hope." +</p> + +<p> +The great man was rather pleased with the situation. As he read it, it +struck him as possessing strong dramatic possibilities: Carroll was +the struggling author on the verge of starvation; Marion, his +sweetheart, flying to him gave him hope; and he was the good fairy +arriving in the nick of time to set everything right and to make the +young people happy and prosperous. He rather fancied himself in the +part of the good fairy, and as he seated himself he bowed to them both +in a manner which was charmingly inclusive and confidential. +</p> + +<p> +"Miss Cavendish, I imagine, has already warned you that you might +expect a visit from me," he said, tentatively. Carroll nodded. He was +too much concerned to interrupt. +</p> + +<p> +"Then I need only tell you," Wimpole continued, "that I got up at an +absurd hour this morning to read your play; that I did read it; that I +like it immensely—and that if we can come to terms I shall produce +it. I shall produce it at once, within a fortnight or three weeks." +</p> + +<p> +Carroll was staring at him intently and continued doing so after +Wimpole had finished speaking. The actor felt he had somehow missed +his point, or that Carroll could not have understood him, and +repeated, "I say I shall put it in rehearsal at once." +</p> + +<p> +Carroll rose abruptly, and pushed back his chair. "I should be very +glad," he murmured, and strode over to the window, where he stood with +his back turned to his guests. Wimpole looked after him with a kindly +smile and nodded his head appreciatively. He had produced even a +greater effect than his lines seemed to warrant. When he spoke again, +it was quite simply, and sincerely, and though he spoke for Carroll's +benefit, he addressed himself to Marion. +</p> + +<p> +"You were quite right last night," he said; "it is a most charming +piece of work. I am really extremely grateful to you for bringing it +to my notice." He rose, and going to Carroll, put his hand on his +shoulder. "My boy," he said, "I congratulate you. I should like to be +your age, and to have written that play. Come to my theatre to-morrow +and we will talk terms. Talk it over first with your friends, so that +I shan't rob you. Do you think you would prefer a lump sum now, and so +be done with it altogether, or trust that the royalties may—" +</p> + +<p> +"Royalties," prompted Marion, in an eager aside. +</p> + +<p> +The men laughed. "Quite right," Wimpole assented, good-humoredly; +"it's a poor sportsman who doesn't back his own horse. Well, then, +until to-morrow." +</p> + +<p> +"But," Carroll began, "one moment, please. I haven't thanked you." +</p> + +<p> +"My dear boy," cried Wimpole, waving him away with his stick, "it is I +who have to thank you." +</p> + +<p> +"And—and there is a condition," Carroll said, "which goes with the +play. It is that Miss Cavendish is to have the part of <i>Nancy</i>." +</p> + +<p> +Wimpole looked serious and considered for a moment. +</p> + +<p> +"<i>Nancy</i>," he said, "the girl who interferes—a very good part. I +have cast Miss Maddox for it in my mind, but, of course, if the author +insists—" +</p> + +<p> +Marion, with her elbows on the table, clasped her hands appealingly +before her. +</p> + +<p> +"Oh, Mr. Wimpole!" she cried, "you owe me that, at least." +</p> + +<p> +Carroll leaned over and took both of Marion's hands in one of his. +</p> + +<p> +"It's all right," he said; "the author insists." +</p> + +<p> +Wimpole waved his stick again as though it were the magic wand of the +good fairy. +</p> + +<p> +"You shall have it," he said. "I recall your performance in 'The New +Boy' with pleasure. I take the play, and Miss Cavendish shall be cast +for <i>Nancy</i>. We shall begin rehearsals at once. I hope you are a +quick study." +</p> + +<p> +"I'm letter-perfect now," laughed Marion. +</p> + +<p> +Wimpole turned at the door and nodded to them. They were both so +young, so eager, and so jubilant that he felt strangely old and out of +it. "Good-by, then," he said. +</p> + +<p> +"Good-by, sir," they both chorused. And Marion cried after him, "And +thank you a thousand times." +</p> + +<p> +He turned again and looked back at them, but in their rejoicing they +had already forgotten him. "Bless you, my children," he said, smiling. +As he was about to close the door a young girl came down the passage +toward it, and as she was apparently going to Carroll's rooms, the +actor left the door open behind him. +</p> + +<p> +Neither Marion nor Carroll had noticed his final exit. They were both +gazing at each other as though, could they find speech, they would ask +if it were true. +</p> + +<p> +"It's come at last, Marion," Philip said, with an uncertain voice. +</p> + +<p> +"I could weep," cried Marion. "Philip," she exclaimed, "I would rather +see that play succeed than any play ever written, and I would rather +play that part in it than—Oh, Philip," she ended, "I'm so proud of +you!" and rising, she threw her arms about his neck and sobbed on his +shoulder. +</p> + +<p> +Carroll raised one of her hands and kissed the tips of her fingers +gently. "I owe it to you, Marion," he said—"all to you." +</p> + +<p> +This was the tableau that was presented through the open door to Miss +Helen Cabot, hurrying on her errand of restitution and goodwill, and +with Philip's ring and watch clasped in her hand. They had not heard +her, nor did they see her at the door, so she drew back quickly and +ran along the passage and down the stairs into the street. +</p> + +<p> +She did not need now to analyze her feelings. They were only too +evident. For she could translate what she had just seen as meaning +only one thing—that she had considered Philip's love so lightly that +she had not felt it passing away from her until her neglect had killed +it—until it was too late. And now that it was too late she felt that +without it her life could not go on. She tried to assure herself that +only the fact that she had lost it made it seem invaluable, but this +thought did not comfort her—she was not deceived by it, she knew that +at last she cared for him deeply and entirely. In her distress she +blamed herself bitterly, but she also blamed Philip no less bitterly +for having failed to wait for her. "He might have known that I must +love him in time," she repeated to herself again and again. She was so +unhappy that her letter congratulating Philip on his good fortune in +having his comedy accepted seemed to him cold and unfeeling, and as +his success meant for him only what it meant to her, he was hurt and +grievously disappointed. +</p> + +<p> +He accordingly turned the more readily to Marion, whose interest and +enthusiasm at the rehearsals of the piece seemed in contrast most +friendly and unselfish. He could not help but compare the attitude of +the two girls at this time, when the failure or success of his best +work was still undecided. He felt that as Helen took so little +interest in his success he could not dare to trouble her with his +anxieties concerning it, and she attributed his silence to his +preoccupation and interest in Marion. So the two grew apart, each +misunderstanding the other and each troubled in spirit at the other's +indifference. +</p> + +<p> +The first night of the play justified all that Marion and Wimpole had +claimed for it, and was a great personal triumph for the new +playwright. The audience was the typical first-night audience of the +class which Charles Wimpole always commanded. It was brilliant, +intelligent, and smart, and it came prepared to be pleased. +</p> + +<p> +From one of the upper stage-boxes Helen and Lady Gower watched the +successful progress of the play with an anxiety almost as keen as that +of the author. To Helen it seemed as though the giving of these lines +to the public—these lines which he had so often read to her, and +altered to her liking—was a desecration. It seemed as though she were +losing him indeed—as though he now belonged to these strange people, +all of whom were laughing and applauding his words, from the German +Princess in the Royal box to the straight-backed Tommy in the pit. +Instead of the painted scene before her, she saw the birch-trees by +the river at home, where he had first read her the speech to which +they were now listening so intensely—the speech in which the hero +tells the girl he loves her. She remembered that at the time she had +thought how wonderful it would be if some day some one made such a +speech to her—not Philip, but a man she loved. And now? If Philip +would only make that speech to her now! +</p> + +<p> +He came out at last, with Wimpole leading him, and bowed across a +glaring barrier of lights at a misty but vociferous audience that was +shouting the generous English bravo! and standing up to applaud. He +raised his eyes to the box where Helen sat, and saw her staring down +at the tumult, with her hands clasped under her chin. Her face was +colorless, but lit with the excitement of the moment; and he saw that +she was crying. +</p> + +<p> +Lady Gower, from behind her, was clapping her hands delightedly. +</p> + +<p> +"But, my dear Helen," she remonstrated, breathlessly, "you never told +me he was so good-looking." +</p> + +<p> +"Yes," said Helen, rising abruptly, "he is—very good-looking." +</p> + +<p> +She crossed the box to where her cloak was hanging, but instead of +taking it down, buried her face in its folds. +</p> + +<p> +"My dear child!" cried Lady Gower, in dismay. "What is it? The +excitement has been too much for you." +</p> + +<p> +"No, I am just happy," sobbed Helen. "I am just happy for him." +</p> + +<p> +"We will go and tell him so, then," said Lady Gower. "I am sure he +would like to hear it from you to-night." +</p> + +<p> +Philip was standing in the centre of the stage, surrounded by many +pretty ladies and elderly men. Wimpole was hovering over him as though +he had claims upon him by the right of discovery. +</p> + +<p> +But when Philip saw Helen, he pushed his way toward her eagerly and +took her hand in both of his. +</p> + +<p> +"I am so glad, Phil," she said. She felt it all so deeply that she was +afraid to say more, but that meant so much to her that she was sure he +would understand. +</p> + +<p> +He had planned it very differently. For a year he had dreamed that, on +the first night of his play, there would be a supper, and that he +would rise and drink her health, and tell his friends and the world +that she was the woman he loved, and that she had agreed to marry him, +and that at last he was able, through the success of his play, to make +her his wife. +</p> + +<p> +And now they met in a crowd to shake hands, and she went her way with +one of her grand ladies, and he was left among a group of chattering +strangers. The great English playwright took him by the hand and in +the hearing of all praised him gracefully and kindly. It did not +matter to Philip whether the older playwright believed what he said or +not; he knew it was generously meant. +</p> + +<p> +"I envy you this," the great man was saying. "Don't lose any of it, +stay and listen to all they have to say. You will never live through +the first night of your first play but once." +</p> + +<p> +"Yes, I hear them," said Philip, nervously; "they are all too kind. +But I don't hear the voice I have been listening for," he added, in a +whisper. The older man pressed his hand again quickly. "My dear boy," +he said, "I am sorry." +</p> + +<p> +"Thank you," Philip answered. +</p> + +<p> +Within a week he had forgotten the great man's fine words of praise, +but the clasp of his hand he cherished always. +</p> + +<p> +Helen met Marion as she was leaving the stage-door and stopped to +congratulate her on her success in the new part. Marion was radiant. +To Helen she seemed obstreperously happy and jubilant. +</p> + +<p> +"And, Marion," Helen began, bravely, "I also want to congratulate you +on something else. You—you—neither of you have told me yet," she +stammered, "but I am such an old friend of both that I will not be +kept out of the secret." At these words Marion's air of triumphant +gayety vanished; she regarded Helen's troubled eyes closely and +kindly. +</p> + +<p> +"What secret, Helen?" she asked. +</p> + +<p> +"I came to the door of Philip's room the other day when you did not +know I was there," Helen answered, "and I could not help seeing how +matters were. And I do congratulate you both—and wish you—oh, such +happiness!" Without a word Marion dragged her back down the passage to +her dressing-room, and closed the door. +</p> + +<p> +"Now tell me what you mean," she said. +</p> + +<p> +"I am sorry if I discovered anything you didn't want known yet," said +Helen, "but the door was open. Mr. Wimpole had just left you and had +not shut it, and I could not help seeing." +</p> + +<p> +Marion interrupted her with an eager exclamation of enlightenment. +</p> + +<p> +"Oh, you were there, then," she cried. "And you?" she asked, +eagerly—"you thought Phil cared for me—that we are engaged, and it +hurt you; you are sorry? Tell me," she demanded, "are you sorry?" +</p> + +<p> +Helen drew back and stretched out her hand toward the door. +</p> + +<p> +"How can you!" she exclaimed, indignantly. "You have no right." +</p> + +<p> +Marion stood between her and the door. +</p> + +<p> +"I have every right," she said, "to help my friends, and I want to +help you and Philip. And, indeed, I do hope you <i>are</i> sorry. I +hope you are miserable. And I'm glad you saw me kiss him. That was the +first and the last time, and I did it because I was happy and glad for +him; and because I love him, too, but not in the least in the way he +loves you. No one ever loved any one as he loves you. And it's time +you found it out. And if I have helped to make you find it out, I'm +glad, and I don't care how much I hurt you." +</p> + +<p> +"Marion!" exclaimed Helen, "what does it mean? Do you mean that you +are not engaged; that—" +</p> + +<p> +"Certainly not," Marion answered. "I am going to marry Reggie. It is +you that Philip loves, and I am very sorry for you that you don't love +him." +</p> + +<p> +Helen clasped Marion's hands in both of hers. +</p> + +<p> +"But, Marion!" she cried, "I do, oh, I do!" +</p> + +<hr class="short"> + +<p> +There was a thick yellow fog the next morning, and with it rain and a +sticky, depressing dampness which crept through the window-panes, and +which neither a fire nor blazing gas-jets could overcome. +</p> + +<p> +Philip stood in front of the fireplace with the morning papers piled +high on the centre-table and scattered over the room about him. +</p> + +<p> +He had read them all, and he knew now what it was to wake up famous, +but he could not taste it. Now that it had come it meant nothing, and +that it was so complete a triumph only made it the harder. In his most +optimistic dreams he had never imagined success so satisfying as the +reality had proved to be; but in his dreams Helen had always held the +chief part, and without her, success seemed only to mock him. +</p> + +<p> +He wanted to lay it all before her, to say, "If you are pleased, I am +happy. If you are satisfied, then I am content. It was done for you, +and I am wholly yours, and all that I do is yours." And, as though in +answer to his thoughts, there was an instant knock at the door, and +Helen entered the room and stood smiling at him across the table. +</p> + +<p> +Her eyes were lit with excitement, and spoke with many emotions, and +her cheeks were brilliant with color. He had never seen her look more +beautiful. +</p> + +<p> +"Why, Helen!" he exclaimed, "how good of you to come. Is there +anything wrong? Is anything the matter?" +</p> + +<p> +She tried to speak, but faltered, and smiled at him appealingly. +</p> + +<p> +"What is it?" he asked in great concern. +</p> + +<p> +Helen drew in her breath quickly, and at the same moment motioned him +away—and he stepped back and stood watching her in much perplexity. +</p> + +<p> +With her eyes fixed on his she raised her hands to her head, and her +fingers fumbled with the knot of her veil. She pulled it loose, and +then, with a sudden courage, lifted her hat proudly, as though it were +a coronet, and placed it between them on his table. +</p> + +<p> +"Philip," she stammered, with the tears in her voice and eyes, "if you +will let me—I have come to stay." +</p> + +<p> +The table was no longer between them. He caught her in his arms and +kissed her face and her uncovered head again and again. From outside +the rain beat drearily and the fog rolled through the street, but +inside before the fire the two young people sat close together, asking +eager questions or sitting in silence, staring at the flames with +wondering, happy eyes. +</p> + +<p> +The Lion and the Unicorn saw them only once again. It was a month +later when they stopped in front of the shop in a four-wheeler, with +their baggage mixed on top of it, and steamer-labels pasted over every +trunk. +</p> + +<p> +"And, oh, Prentiss!" Carroll called from the cab-window. "I came near +forgetting. I promised to gild the Lion and the Unicorn if I won out +in London. So have it done, please, and send the bill to me. For I've +won out all right." And then he shut the door of the cab, and they +drove away forever. +</p> + +<p> +"Nice gal, that," growled the Lion. "I always liked her. I am glad +they've settled it at last." +</p> + +<p> +The Unicorn sighed sentimentally. "The other one's worth two of her," +he said. +</p> + +<a name="204"></a> +<p class="chapter"> +THE LAST RIDE TOGETHER +</p> + +<p class="chapternumber"> +A SKETCH CONTAINING THREE POINTS OF VIEW +</p> + + +<p class="ctr"> +<i><big>What the Poet Laureate wrote.</big></i> +</p> + +<div class="poem"> +<div class="stanza"> +<p>"There are girls in the Gold Reef City,</p> +<p class="i2">There are mothers and children too!</p> +<p>And they cry 'Hurry up for pity!'</p> +<p class="i2">So what can a brave man do?</p></div> + +<div class="stanza"> +<p>"I suppose we were wrong, were mad men,</p> +<p class="i2">Still I think at the Judgment Day,</p> +<p>When God sifts the good from the bad men,</p> +<p class="i2">There'll be something more to say."</p></div></div> + +<p> </p> +<p class="ctr"> +<i><big>What more the Lord Chief Justice found to say.</big></i> +</p> + +<p> +"In this case we know the immediate consequence of your crime. It has +been the loss of human life, it has been the disturbance of public +peace, it has been the creation of a certain sense of distrust of +public professions and of public faith.... The sentence of this Court +therefore is that, as to you, Leander Starr Jameson, you be confined +for a period of fifteen months without hard labor; that you, Sir John +Willoughby, have ten months' imprisonment; and that you, etc., etc." +</p> + +<p class="right"> + <i>London Times, July 29th.</i> +</p> + +<p> </p> +<p class="ctr"> +<i><big>What the Hon. "Reggie" Blake thought about it.</big></i> +</p> + +<p class="right"><span class="smcap">H.M. Holloway Prison</span>,<br> +"July 28th.</p> + +<p> +"I am going to keep a diary while I am in prison, that is, if they +will let me. I never kept one before because I hadn't the time; when I +was home on leave there was too much going on to bother about it, and +when I was up country I always came back after a day's riding so tired +that I was too sleepy to write anything. And now that I have the time, +I won't have anything to write about. I fancy that more things +happened to me to-day than are likely to happen again for the next +eight months, so I will make this day take up as much room in the +diary as it can. I am writing this on the back of the paper the Warder +uses for his official reports, while he is hunting up cells to put us +in. We came down on him rather unexpectedly and he is nervous. +</p> + +<p> +"Of course, I had prepared myself for this after a fashion, but now I +see that somehow I never really did think I would be in here, and all +my friends outside, and everything going on just the same as though I +wasn't alive somewhere. It's like telling yourself that your horse +can't possibly pull off a race, so that you won't mind so much if he +doesn't, but you always feel just as bad when he comes in a loser. A +man can't fool himself into thinking one way when he is hoping the +other. +</p> + +<p> +"But I am glad it is over, and settled. It was a great bore not +knowing your luck and having the thing hanging over your head every +morning when you woke up. Indeed it it was quite a relief when the +counsel got all through arguing over those proclamations, and the +Chief Justice summed up, but I nearly went to sleep when I found he +was going all over it again to the jury. I didn't understand about +those proclamations myself and I'll lay a fiver the jury didn't +either. The Colonel said he didn't. I couldn't keep my mind on what +Russell was explaining about, and I got to thinking how much old +Justice Hawkins looked like the counsel in 'Alice in Wonderland' when +they tried the knave of spades for stealing the tarts. He has just the +same sort of a beak and the same sort of a wig, and I wondered why he +had his wig powdered and the others didn't. Pollock's wig had a hole +in the top; you could see it when he bent over to take notes. He was +always taking notes. I don't believe he understood about those +proclamations either; he never seemed to listen, anyway. +</p> + +<p> +"The Chief Justice certainly didn't love us very much, that's sure; +and he wasn't going to let anybody else love us either. I felt quite +the Christian Martyr when Sir Edward was speaking in defense. He made +it sound as though we were all a lot of Adelphi heroes and ought to be +promoted and have medals, but when Lord Russell started in to read the +Riot Act at us I began to believe that hanging was too good for me. +I'm sure I never knew I was disturbing the peace of nations; it seems +like such a large order for a subaltern. +</p> + +<p> +"But the worst was when they made us stand up before all those people +to be sentenced. I must say I felt shaky about the knees then, not +because I was afraid of what was coming, but because it was the first +time I had ever been pointed out before people, and made to feel +ashamed. And having those girls there, too, looking at one. That +wasn't just fair to us. It made me feel about ten years old, and I +remembered how the Head Master used to call me to his desk and say, +'Blake Senior, two pages of Horace and keep in bounds for a week.' And +then I heard our names and the months, and my name and 'eight months' +imprisonment,' and there was a bustle and murmur and the tipstaves +cried, 'Order in the Court,' and the Judges stood up and shook out +their big red skirts as though they were shaking off the contamination +of our presence and rustled away, and I sat down, wondering how long +eight months was, and wishing they'd given me as much as they gave +Jameson. +</p> + +<p> +"They put us in a room together then, and our counsel said how sorry +they were, and shook hands, and went off to dinner and left us. I +thought they might have waited with us and been a little late for +dinner just that once; but no one waited except a lot of costers +outside whom we did not know. It was eight o'clock and still quite +light when we came out, and there was a line of four-wheelers and a +hansom ready for us. I'd been hoping they would take us out by the +Strand entrance, just because I'd liked to have seen it again, but +they marched us instead through the main quadrangle—a beastly, gloomy +courtyard that echoed, and out, into Carey Street—such a dirty, +gloomy street. The costers and clerks set up a sort of a cheer when we +came out, and one of them cried, 'God bless you, sir,' to the doctor, +but I was sorry they cheered. It seemed like kicking against the +umpire's decision. The Colonel and I got into a hansom together and we +trotted off into Chancery Lane and turned into Holborn. Most of the +shops were closed, and the streets looked empty, but there was a +lighted clock-face over Mooney's public house, and the hands stood at +a quarter past eight. I didn't know where Holloway was, and was hoping +they would have to take us through some decent streets to reach it; +but we didn't see a part of the city that meant anything to me, or +that I would choose to travel through again. +</p> + +<p> +"Neither of us talked, and I imagined that the people in the streets +knew we were going to prison, and I kept my eyes on the enamel card on +the back of the apron. I suppose I read, 'Two-wheeled hackney +carriage: if hired and discharged within the four-mile limit, 1<i>s</i>.' +at least a hundred times. I got more sensible after a bit, and when we +had turned into Gray's Inn Road I looked up and saw a tram in front of +us with 'Holloway Road and King's X,' painted on the steps, and the +Colonel saw it about the same time I fancy, for we each looked at the +other, and the Colonel raised his eyebrows. It showed us that at least +the cabman knew where we were going. +</p> + +<p> +"'They might have taken us for a turn through the West End first, I +think,' the Colonel said. 'I'd like to have had a look around, +wouldn't you? This isn't a cheerful neighborhood, is it?' +</p> + +<p> +"There were a lot of children playing in St. Andrew's Gardens, and a +crowd of them ran out just as we passed, shrieking and laughing over +nothing, the way kiddies do, and that was about the only pleasant +sight in the ride. I had quite a turn when we came to the New Hospital +just beyond, for I thought it was Holloway, and it came over me what +eight months in such a place meant. I believe if I hadn't pulled +myself up sharp, I'd have jumped out into the street and run away. It +didn't last more than a few seconds, but I don't want any more like +them. I was afraid, afraid—there's no use pretending it was anything +else. I was in a dumb, silly funk, and I turned sick inside and shook, +as I have seen a horse shake when he shies at nothing and sweats and +trembles down his sides. +</p> + +<p> +"During those few seconds it seemed to be more than I could stand; I +felt sure that I couldn't do it—that I'd go mad if they tried to +force me. The idea was so terrible—of not being master over your own +legs and arms, to have your flesh and blood and what brains God gave +you buried alive in stone walls as though they were in a safe with a +time-lock on the door set for eight months ahead. There's nothing to +be afraid of in a stone wall really, but it's the idea of the +thing—of not being free to move about, especially to a chap that has +always lived in the open as I have, and has had men under him. It was +no wonder I was in a funk for a minute. I'll bet a fiver the others +were, too, if they'll only own up to it. I don't mean for long, but +just when the idea first laid hold of them. Anyway, it was a good +lesson to me, and if I catch myself thinking of it again I'll whistle, +or talk to myself out loud and think of something cheerful. And I +don't mean to be one of those chaps who spends his time in jail +counting the stones in his cell, or training spiders, or measuring how +many of his steps make a mile, for madness lies that way. I mean to +sit tight and think of all the good times I've had, and go over them +in my mind very slowly, so as to make them last longer and remember +who was there and what we said, and the jokes and all that; I'll go +over house-parties I have been on, and the times I've had in the +Riviera, and scouting-parties Dr. Jim led up country when we were +taking Matabele Land. +</p> + +<p> +"They say that if you're good here they give you things to read after +a month or two, and then I can read up all those instructive books +that a fellow never does read until he's laid up in bed. +</p> + +<p> +"But that's crowding ahead a bit; I must keep to what happened to-day. +We struck York Road at the back of the Great Western Terminus, and I +half hoped we might see some chap we knew coming or going away: I +would like to have waved my hand to him. It would have been fun to +have seen his surprise the next morning when he read in the paper that +he had been bowing to jail-birds, and then I would like to have +cheated the tipstaves out of just one more friendly good-by. I wanted +to say good-by to somebody, but I really couldn't feel sorry to see +the last of any one of those we passed in the streets—they were such +a dirty, unhappy-looking lot, and the railroad wall ran on forever +apparently, and we might have been in a foreign country for all we +knew of it. There were just sooty gray brick tenements and gas-works +on one side, and the railroad cutting on the other, and semaphores and +telegraph wires overhead, and smoke and grime everywhere, it looked +exactly like the sort of street that should lead to a prison, and it +seemed a pity to take a smart hansom and a good cob into it. +</p> + +<p> +"It was just a bit different from our last ride together—when we rode +through the night from Krugers-Dorp with hundreds of horses' hoofs +pounding on the soft veldt behind us, and the carbines clanking +against the stirrups as they swung on the sling belts. We were being +hunted then, harassed on either side, scurrying for our lives like the +Derby Dog in a race-track when every one hoots him and no man steps +out to help—we were sick for sleep, sick for food, lashed by the +rain, and we knew that we were beaten; but we were free still, and +under open skies with the derricks of the Rand rising like gallows on +our left, and Johannesburg only fifteen miles away." +</p> + +<a name="214"></a> +<p class="chapter"> +MISS DELAMAR'S UNDERSTUDY +</p> + + +<p> +A young man runs two chances of marrying the wrong woman. He marries +her because she is beautiful, and because he persuades himself that +every other lovable attribute must be associated with such beauty, or +because she is in love with him. If this latter is the case, she gives +certain values to what he thinks and to what he says which no other +woman gives, and so he observes to himself, "This is the woman who +best understands <i>me</i>." +</p> + +<p> +You can reverse this and say that young women run the same risks, but +as men are seldom beautiful, the first danger is eliminated. Women +still marry men, however, because they are loved by them, and in time +the woman grows to depend upon this love and to need it, and is not +content without it, and so she consents to marry the man for no other +reason than because he cares for her. For if a dog, even, runs up to +you wagging his tail and acting as though he were glad to see you, you +pat him on the head and say, "What a nice dog." You like him because +he likes you, and not because he belongs to a fine breed of animal and +could take blue ribbons at bench shows. +</p> + +<p> +This is the story of a young man who was in love with a beautiful +woman, and who allowed her beauty to compensate him for many other +things. When she failed to understand what he said to her he smiled +and looked at her and forgave her at once, and when she began to grow +uninteresting, he would take up his hat and go away, and so he never +knew how very uninteresting she might possibly be if she were given +time enough in which to demonstrate the fact. He never considered +that, were he married to her, he could not take up his hat and go away +when she became uninteresting, and that her remarks, which were not +brilliant, could not be smiled away either. They would rise up and +greet him every morning, and would be the last thing he would hear at +night. +</p> + +<p> +Miss Delamar's beauty was so conspicuous that to pretend not to notice +it was more foolish than well-bred. You got along more easily and +simply by accepting it at once, and referring to it, and enjoying its +effect upon other people. To go out of one's way to talk of other +things when every one, even Miss Delamar herself, knew what must be +uppermost in your mind, always seemed as absurd as to strain a point +in politeness, and to pretend not to notice that a guest had upset his +claret, or any other embarrassing fact. For Miss Delamar's beauty was +so distinctly embarrassing that this was the only way to meet it—to +smile and pass it over and to try, if possible, to get on to something +else. It was on account of this extraordinary quality in her +appearance that every one considered her beauty as something which +transcended her private ownership, and which belonged by right to the +polite world at large, to any one who could appreciate it properly, +just as though it were a sunset or a great work of art or of nature. +And so, when she gave away her photographs no one thought it meant +anything more serious than a recognition on her part of the fact that +it would have been unkind and selfish in her not to have shared the +enjoyment of so much loveliness with others. +</p> + +<p> +Consequently, when she sent one of her largest and most aggravatingly +beautiful photographs to young Stuart, it was no sign that she cared +especially for him. +</p> + +<p> +How much young Stuart cared for Miss Delamar, however, was an open +question and a condition yet to be discovered. That he cared for some +one, and cared so much that his imagination had begun to picture the +awful joys and responsibilities of marriage, was only too well known +to himself, and was a state of mind already suspected by his friends. +</p> + +<p> +Stuart was a member of the New York bar, and the distinguished law +firm to which he belonged was very proud of its junior member, and +treated him with indulgence and affection, which was not unmixed with +amusement. For Stuart's legal knowledge had been gathered in many odd +corners of the globe, and was various and peculiar. It had been his +pleasure to study the laws by which men ruled other men in every +condition of life, and under every sun. The regulations of a new +mining camp were fraught with as great interest to him as the +accumulated precedents of the English Constitution, and he had +investigated the rulings of the mixed courts of Egypt and of the +government of the little Dutch republic near the Cape with as keen an +effort to comprehend as he had shown in studying the laws of the +American colonies and of the Commonwealth of Massachusetts. +</p> + +<p> +But he was not always serious, and it sometimes happened that after he +had arrived at some queer little island where the native prince and +the English governor sat in judgment together, his interest in the +intricacies of their laws would give way to the more absorbing +occupation of chasing wild boar or shooting at tigers from the top of +an elephant. And so he was not only regarded as an authority on many +forms of government and of law, into which no one else had ever taken +the trouble to look, but his books on big game were eagerly read and +his articles in the magazines were earnestly discussed, whether they +told of the divorce laws of Dakota, and the legal rights of widows in +Cambodia, or the habits of the Mexican lion. +</p> + +<p> +Stuart loved his work better than he knew, but how well he loved Miss +Delamar neither he nor his friends could tell. She was the most +beautiful and lovely creature that he had ever seen, and of that only +was he certain. +</p> + +<p> +Stuart was sitting in the club one day when the conversation turned to +matrimony. He was among his own particular friends, the men before +whom he could speak seriously or foolishly without fear of being +misunderstood or of having what he said retold and spoiled in the +telling. There was Seldon, the actor, and Rives, who painted pictures, +and young Sloane, who travelled for pleasure and adventure, and +Weimer, who stayed at home and wrote for the reviews. They were all +bachelors, and very good friends, and jealously guarded their little +circle from the intrusion of either men or women. +</p> + +<p> +"Of course the chief objection to marriage," Stuart said—it was the +very day in which the picture had been sent to his rooms—"is the old +one that you can't tell anything about it until you are committed to +it forever. It is a very silly thing to discuss even, because there is +no way of bringing it about, but there really should be some sort of a +preliminary trial. As the man says in the play, 'You wouldn't buy a +watch without testing it first.' You don't buy a hat even without +putting it on, and finding out whether it is becoming or not, or +whether your peculiar style of ugliness can stand it. And yet men go +gayly off and get married, and make the most awful promises, and alter +their whole order of life, and risk the happiness of some lovely +creature on trust, as it were, knowing absolutely nothing of the new +conditions and responsibilities of the life before them. Even a +river-pilot has to serve an apprenticeship before he gets a license, +and yet we are allowed to take just as great risks, and only because +we <i>want</i> to take them. It's awful, and it's all wrong." +</p> + +<p> +"Well, I don't see what one is going to do about it," commented young +Sloane, lightly, "except to get divorced. That road is always open." +</p> + +<p> +Sloane was starting the next morning for the Somali Country, in +Abyssinia, to shoot rhinoceros, and his interest in matrimony was in +consequence somewhat slight. +</p> + +<p> +"It isn't the fear of the responsibilities that keeps Stuart, nor any +one of us back," said Weimer, contemptuously. "It's because we're +selfish. That's the whole truth of the matter. We love our work, or +our pleasure, or to knock about the world, better than we do any +particular woman. When one of us comes to love the woman best, his +conscience won't trouble him long about the responsibilities of +marrying her." +</p> + +<p> +"Not at all," said Stuart. "I am quite sincere; I maintain that there +should be a preliminary stage. Of course there can't be, and it's +absurd to think of it, but it would save a lot of unhappiness." +</p> + +<p> +"Well," said Seldon, dryly, "when you've invented a way to prevent +marriage from being a lottery, let me know, will you?" He stood up and +smiled nervously. "Any of you coming to see us to-night?" he asked. +</p> + +<p> +"That's so," exclaimed Weimer; "I forgot. It's the first night of 'A +Fool and His Money,' isn't it? Of course we're coming." +</p> + +<p> +"I told them to put a box away for you in case you wanted it," Seldon +continued. "Don't expect much. It's a silly piece, and I've a silly +part, and I'm very bad in it. You must come around to supper, and tell +me where I'm bad in it, and we will talk it over. You're coming, +Stuart?" +</p> + +<p> +"My dear old man," said Stuart, reproachfully, "of course I am. I've +had my seats for the last three weeks. Do you suppose I could miss +hearing you mispronounce all the Hindostanee I've taught you?" +</p> + +<p> +"Well, good-night then," said the actor, waving his hand to his +friends as he moved away. "'We, who are about to die, salute you!'" +</p> + +<p> +"Good luck to you," said Sloane, holding up his glass. "To the Fool +and His Money," he laughed. He turned to the table again, and sounded +the bell for the waiter. "Now let's send him a telegram and wish him +success, and all sign it," he said, "and don't you fellows tell him +that I wasn't in front to-night. I've got to go to a dinner the +Travellers' Club are giving me." There was a protesting chorus of +remonstrance. "Oh, I don't like it any better than you do," said +Sloane, "but I'll get away, early and join you before the play's over. +No one in the Travellers' Club, you see, has ever travelled farther +from New York than London or the Riviera, and so when a member starts +for Abyssinia they give him a dinner, and he has to take himself very +seriously indeed, and cry with Seldon, 'I, who am about to die, salute +you!' If that man there was any use," he added, interrupting himself +and pointing with his glass at Stuart, "he'd pack up his things +to-night and come with me." +</p> + +<p> +"Oh, don't urge him," remonstrated Weimer, who had travelled all over +the world in imagination, with the aid of globes and maps, but never +had got any farther from home than Montreal. "We can't spare Stuart. +He has to stop here and invent a preliminary marriage state, so that +if he finds he doesn't like a girl, he can leave her before it is too +late." +</p> + +<p> +"You sail at seven, I believe, and from Hoboken, don't you?" asked +Stuart, undisturbed. "If you'll start at eleven from the New York +side, I think I'll go with you, but I hate getting up early; and then +you see—I know what dangers lurk in Abyssinia, but who could tell +what might not happen to him in Hoboken?" +</p> + +<p> +When Stuart returned to his room, he found a large package set upright +in an armchair and enveloped by many wrappings; but the handwriting on +the outside told him at once from whom it came and what it might be, +and he pounced upon it eagerly and tore it from its covers. The +photograph was a very large one, and the likeness to the original so +admirable that the face seemed to smile and radiate with all the +loveliness and beauty of Miss Delamar herself. Stuart beamed upon it +with genuine surprise and pleasure, and exclaimed delightedly to +himself. There was a living quality about the picture which made him +almost speak to it, and thank Miss Delamar through it for the pleasure +she had given him and the honor she had bestowed. He was proud, +flattered, and triumphant, and while he walked about the room deciding +where he would place it, and holding the picture respectfully before +him, he smiled upon it with grateful satisfaction. +</p> + +<p> +He decided against his dressing-table as being too intimate a place +for it, and so carried the picture on from his bedroom to the +dining-room beyond, where he set it among his silver on the sideboard. +But so little of his time was spent in this room that he concluded he +would derive but little pleasure from it there, and so bore it back +again into his library, where there were many other photographs and +portraits, and where to other eyes than his own it would be less +conspicuous. +</p> + +<p> +He tried it first in one place and then in another; but in each +position the picture predominated and asserted itself so markedly, +that Stuart gave up the idea of keeping it inconspicuous, and placed +it prominently over the fireplace, where it reigned supreme above +every other object in the room. It was not only the most conspicuous +object there, but the living quality which it possessed in so marked a +degree, and which was due to its naturalness of pose and the +excellence of the likeness, made it permeate the place like a presence +and with the individuality of a real person. Stuart observed this +effect with amused interest, and noted also that the photographs of +other women had become commonplace in comparison like lithographs in a +shop-window, and that the more masculine accessories of a bachelor's +apartment had grown suddenly aggressive and out of keeping. The +liquor-case and the racks of arms and of barbarous weapons which he +had collected with such pride seemed to have lost their former value +and meaning, and he instinctively began to gather up the mass of books +and maps and photographs and pipes and gloves which lay scattered upon +the table, and to put them in their proper place, or to shove them out +of sight altogether. "If I'm to live up to that picture," he thought, +"I must see that George keeps this room in better order—and I must +stop wandering round here in my bath-robe." +</p> + +<p> +His mind continued on the picture while he was dressing, and he was so +absorbed in it and in analyzing the effect it had had upon him, that +his servant spoke twice before he heard him. +</p> + +<p> +"No," he answered, "I shall not dine here to-night." Dining at home +was with him a very simple affair, and a somewhat lonely one, and he +avoided it almost nightly by indulging himself in a more expensive +fashion. +</p> + +<p> +But even as he spoke an idea came to Stuart which made him reconsider +his determination, and which struck him as so amusing, that he stopped +pulling at his tie and smiled delightedly at himself in the glass +before him. +</p> + +<p> +"Yes," he said, still smiling, "I will dine here to-night. Get me +anything in a hurry. You need not wait now; go get the dinner up as +soon as possible." +</p> + +<p> +The effect which the photograph of Miss Delamar had upon him, and the +transformation it had accomplished in his room, had been as great as +would have marked the presence there of the girl herself. While +considering this it had come to Stuart, like a flash of inspiration, +that here was a way by which he could test the responsibilities and +conditions of married life without compromising either himself or the +girl to whom he would suppose himself to be married. +</p> + +<p> +"I will put that picture at the head of the table," he said, "and I +will play that it is she herself, her own beautiful, lovely self, and +I will talk to her and exchange views with her, and make her answer me +just as she would were we actually married and settled." He looked at +his watch and found it was just seven o'clock. "I will begin now," he +said, "and I will keep up the delusion until midnight. To-night is the +best time to try the experiment, because the picture is new now, and +its influence will be all the more real. In a few weeks it may have +lost some of its freshness and reality and will have become one of the +fixtures in the room." +</p> + +<p> +Stuart decided that under these new conditions it would be more +pleasant to dine at Delmonico's, and he was on the point of asking the +Picture what she thought of it, when he remembered that while it had +been possible for him to make a practise of dining at that place as a +bachelor, he could not now afford so expensive a luxury, and he +decided that he had better economize in that particular and go instead +to one of the <i>table d'hôte</i> restaurants in the neighborhood. He +regretted not having thought of this sooner, for he did not care to +dine at a <i>table d'hôte</i> in evening dress, as in some places it +rendered him conspicuous. So, sooner than have this happen he decided +to dine at home, as he had originally intended when he first thought +of attempting this experiment, and then conducted the Picture in to +dinner and placed her in an armchair facing him, with the candles full +upon the face. +</p> + +<p> +"Now this is something like," he exclaimed, joyously. "I can't imagine +anything better than this. Here we are all to ourselves with no one to +bother us, with no chaperon, or chaperon's husband either, which is +generally worse. Why is it, my dear," he asked, gayly, in a tone he +considered affectionate and husbandly, "that the attractive chaperons +are always handicapped by such stupid husbands, and vice versa?" +</p> + +<p> +"If that is true," replied the Picture, or replied Stuart, rather, for +the Picture, "I cannot be a very attractive chaperon." Stuart bowed +politely at this, and then considered the point it had raised as to +whether he had, in assuming both characters, the right to pay himself +compliments. He decided against himself in this particular instance, +but agreed that he was not responsible for anything the Picture might +say, so long as he sincerely and fairly tried to make it answer him as +he thought the original would do under like circumstances. From what +he knew of the original under other conditions, he decided that he +could give a very close imitation of her point of view. +</p> + +<p> +Stuart's interest in his dinner was so real that he found himself +neglecting his wife, and he had to pull himself up to his duty with a +sharp reproof. After smiling back at her for a moment or two until his +servant had again left them alone, he asked her to tell him what she +had been doing during the day. +</p> + +<p> +"Oh, nothing very important," said the Picture. "I went shopping in +the morning and—" +</p> + +<p> +Stuart stopped himself and considered this last remark doubtfully. +"Now, how do I know she would go shopping?" he asked himself. "People +from Harlem and women who like bargain-counters, and who eat chocolate +meringue for lunch, and then stop in at a continuous performance, go +shopping. It must be the comic-paper sort of wives who go about +matching shades and buying hooks and eyes. Yes, I must have made Miss +Delamar's understudy misrepresent her. I beg your pardon, my dear," he +said aloud to the Picture. "You did <i>not</i> go shopping this +morning. You probably went to a woman's luncheon somewhere. Tell me +about that." +</p> + +<p> +"Oh, yes, I went to lunch with the Antwerps," said the Picture, "and +they had that Russian woman there who is getting up subscriptions for +the Siberian prisoners. It's rather fine of her, because it exiles her +from Russia. And she is a princess." +</p> + +<p> +"That's nothing," Stuart interrupted; "they're all princesses when you +see them on Broadway." +</p> + +<p> +"I beg your pardon," said the Picture. +</p> + +<p> +"It's of no consequence," said Stuart, apologetically, "it's a comic +song. I forgot you didn't like comic songs. Well—go on." +</p> + +<p> +"Oh, then I went to a tea, and then I stopped in to hear Madame Ruvier +read a paper on the Ethics of Ibsen, and she—" +</p> + +<p> +Stuart's voice had died away gradually, and he caught himself +wondering whether he had told George to lay in a fresh supply of +cigars. "I beg your pardon," he said, briskly, "I was listening, but I +was just wondering whether I had any cigars left. You were saying that +you had been at Madame Ruvier's, and—" +</p> + +<p> +"I am afraid that you were not interested," said the Picture. "Never +mind, it's my fault. Sometimes I think I ought to do things of more +interest, so that I should have something to talk to you about when +you come home." +</p> + +<p> +Stuart wondered at what hour he would come home now that he was +married. As a bachelor he had been in the habit of stopping on his way +up-town from the law-office at the club, or to take tea at the houses +of the different girls he liked. Of course he could not do that now as +a married man. He would instead have to limit his calls to married +women, as all the other married men of his acquaintance did. But at +the moment he could not think of any attractive married women who +would like his dropping in on them in such a familiar manner, and the +other sort did not as yet appeal to him. +</p> + +<p> +He seated himself in front of the coal fire in the library, with the +Picture in a chair close beside him, and as he puffed pleasantly on +his cigar he thought how well this suited him, and how delightful it +was to find content in so simple and continuing a pleasure. He could +almost feel the pressure of his wife's hand as it lay in his own, as +they sat in silent sympathy looking into the friendly glow of the +fire. +</p> + +<p> +There was a long, pleasant pause. +</p> + +<p> +"They're giving Sloane a dinner to-night at the 'Travellers'," Stuart +said, at last, "in honor of his going to Abyssinia." +</p> + +<p> +Stuart pondered for some short time as to what sort of a reply Miss +Delamar's understudy ought to make to this innocent remark. He +recalled the fact that on numerous occasions the original had shown +not only a lack of knowledge of far-away places, but, what was more +trying, a lack of interest as well. For the moment he could not see +her robbed of her pretty environment and tramping through undiscovered +countries at his side. So the Picture's reply, when it came, was +strictly in keeping with several remarks which Miss Delamar herself +had made to him in the past. +</p> + +<p> +"Yes," said the Picture, politely, "and where is Abyssinia—in India, +isn't it?" +</p> + +<p> +"No, not exactly," corrected Stuart, mildly; "you pass it on your way +to India, though, as you go through the Red Sea. Sloane is taking +Winchesters with him and a double express and a 'five fifty.' He wants +to test their penetration. I think myself that the express is the +best, but he says Selous and Chanler think very highly of the +Winchester. I don't know, I never shot a rhinoceros. The time I killed +that elephant," he went on, pointing at two tusks that stood with some +assegais in a corner, "I used an express, and I had to let go with +both barrels. I suppose, though, if I'd needed a third shot, I'd have +wished it was a Winchester. He was charging the smoke, you see, and I +couldn't get away because I'd caught my foot—but I told you about +that, didn't I?" Stuart interrupted himself to ask politely. +</p> + +<p> +"Yes," said the Picture, cheerfully, "I remember it very well; it was +very foolish of you." +</p> + +<p> +Stuart straightened himself with a slightly injured air and avoided +the Picture's eye. He had been stopped midway in what was one of his +favorite stories, and it took a brief space of time for him to recover +himself, and to sink back again into the pleasant lethargy in which he +had been basking. +</p> + +<p> +"Still," he said, "I think the express is the better gun." +</p> + +<p> +"Oh, is an 'express' a gun?" exclaimed the Picture, with sudden +interest. "Of course, I might have known." +</p> + +<p> +Stuart turned in his chair, and surveyed the Picture in some surprise. +"But, my dear girl," he remonstrated, kindly, "why didn't you ask, if +you didn't know what I was talking about? What did you suppose it +was?" +</p> + +<p> +"I didn't know," said the Picture; "I thought it was something to do +with his luggage. Abyssinia sounds so far away," she explained, +smiling sweetly. "You can't expect one to be interested in such queer +places, can you?" +</p> + +<p> +"No," Stuart answered, reluctantly, and looking steadily at the fire, +"I suppose not. But you see, my dear," he said, "I'd have gone with +him if I hadn't married you, and so I am naturally interested in his +outfit. They wanted me to make a comparative study of the little +semi-independent states down there, and of how far the Italian +Government allows them to rule themselves. That's what I was to have +done." +</p> + +<p> +But the Picture hastened to reassure him. "Oh, you mustn't think," she +exclaimed, quickly, "that I mean to keep you at home. I love to +travel, too. I want you to go on exploring places just as you've +always done, only now I will go with you. We might do the Cathedral +towns, for instance." +</p> + +<p> +"The what?" gasped Stuart, raising his head. "Oh, yes, of course," he +added, hurriedly, sinking back into his chair with a slightly +bewildered expression. "That would be very nice. Perhaps your mother +would like to go, too; it's not a dangerous expedition, is it? I +<i>was</i> thinking of taking you on a trip through the South +Seas—but I suppose the Cathedral towns are just as exciting. Or we +might even penetrate as far into the interior as the English lakes and +read Wordsworth and Coleridge as we go." +</p> + +<p> +Miss Delamar's understudy observed him closely for a moment, but he +made no sign, and so she turned her eyes again to the fire with a +slightly troubled look. She had not a strong sense of humor, but she +was very beautiful. +</p> + +<p> +Stuart's conscience troubled him for the next few moments, and he +endeavored to make up for his impatience of the moment before by +telling the Picture how particularly well she was looking. +</p> + +<p> +"It seems almost selfish to keep it all to myself," he mused. +</p> + +<p> +"You don't mean," inquired the Picture, with tender anxiety, "that you +want any one else here, do you? I'm sure I could be content to spend +every evening like this. I've had enough of going out and talking to +people I don't care about. Two seasons," she added, with the superior +air of one who has put away childish things, "was quite enough of it +for me." +</p> + +<p> +"Well, I never took it as seriously as that," said Stuart, "but, of +course, I don't want any one else here to spoil our evening. It is +perfect." +</p> + +<p> +He assured himself that it <i>was</i> perfect, but he wondered what +was the loyal thing for a married couple to do when the conversation +came to a dead stop. And did the conversation come to a stop because +they preferred to sit in silent sympathy and communion, or because +they had nothing interesting to talk about? Stuart doubted if silence +was the truest expression of the most perfect confidence and sympathy. +He generally found when he was interested, that either he or his +companion talked all the time. It was when he was bored that he sat +silent. But it was probably different with married people. Possibly +they thought of each other during these pauses, and of their own +affairs and interests, and then he asked himself how many interests +could one fairly retain with which the other had nothing to do? +</p> + +<p> +"I suppose," thought Stuart, "that I had better compromise and read +aloud. Should you like me to read aloud?" he asked, doubtfully. +</p> + +<p> +The Picture brightened perceptibly at this, and said that she thought +that would be charming. "We might make it quite instructive," she +suggested, entering eagerly into the idea. "We ought to agree to read +so many pages every night. Suppose we begin with Guizot's 'History of +France.' I have always meant to read that, the illustrations look so +interesting." +</p> + +<p> +"Yes, we might do that," assented Stuart, doubtfully. "It is in six +volumes, isn't it? Suppose now, instead," he suggested, with an +impartial air, "we begin that to-morrow night, and go this evening to +see Seldon's new play, 'The Fool and His Money.' It's not too late, +and he has saved a box for us, and Weimer and Rives and Sloane will be +there, and—" +</p> + +<p> +The Picture's beautiful face settled for just an instant in an +expression of disappointment. "Of course," she replied, slowly, "if +you wish it. But I thought you said," she went on with a sweet smile, +"that this was perfect. Now you want to go out again. Isn't this +better than a hot theatre? You might put up with it for one evening, +don't you think?" +</p> + +<p> +"Put up with it!" exclaimed Stuart, enthusiastically; "I could spend +every evening so. It was only a suggestion. It wasn't that I wanted to +go so much as that I thought Seldon might be a little hurt if I +didn't. But I can tell him you were not feeling very well, and that we +will come some other evening. He generally likes to have us there on +the first night, that's all. But he'll understand." +</p> + +<p> +"Oh," said the Picture, "if you put it in the light of a duty to your +friend, of course we will go—" +</p> + +<p> +"Not at all," replied Stuart, heartily; "I will read something. I +should really prefer it. How would you like something of Browning's?" +</p> + +<p> +"Oh, I read all of Browning once," said the Picture. "I think I should +like something new." +</p> + +<p> +Stuart gasped at this, but said nothing, and began turning over the +books on the centre-table. He selected one of the monthly magazines, +and choosing a story which neither of them had read, sat down +comfortably in front of the fire, and finished it without interruption +and to the satisfaction of the Picture and himself. The story had made +the half hour pass very pleasantly, and they both commented on it with +interest. +</p> + +<p> +"I had an experience once myself something like that," said Stuart, +with a pleased smile of recollection; "it happened in Paris"—he began +with the deliberation of a man who is sure of his story—"and it +turned out in much the same way. It didn't begin in Paris; it really +began while we were crossing the English Channel to—" +</p> + +<p> +"Oh, you mean about the Russian who took you for some one else and had +you followed," said the Picture. "Yes, that was like it, except that +in your case nothing happened." +</p> + +<p> +Stuart took his cigar from between his lips and frowned severely at +the lighted end for some little time before he spoke. +</p> + +<p> +"My dear," he remonstrated, gently, "you mustn't tell me I've told you +all my old stories before. It isn't fair. Now that I am married, you +see, I can't go about and have new experiences, and I've got to make +use of the old ones." +</p> + +<p> +"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't +mean to be rude. Please tell me about it. I should like to hear it +again, ever so much. I <i>should</i> like to hear it again, really." +</p> + +<p> +"Nonsense," said Stuart, laughing and shaking his head. "I was only +joking; personally I hate people who tell long stories. That doesn't +matter. I was thinking of something else." +</p> + +<p> +He continued thinking of something else, which was, that though he had +been in jest when he spoke of having given up the chance of meeting +fresh experiences, he had nevertheless described a condition, and a +painfully true one. His real life seemed to have stopped, and he saw +himself in the future looking back and referring to it, as though it +were the career of an entirely different person, of a young man, with +quick sympathies which required satisfying, as any appetite requires +food. And he had an uncomfortable doubt that these many ever-ready +sympathies would rebel if fed on only one diet. +</p> + +<p> +The Picture did not interrupt him in his thoughts, and he let his mind +follow his eyes as they wandered over the objects above him on the +mantel-shelf. They all meant something from the past—a busy, +wholesome past which had formed habits of thought and action, habits +he could no longer enjoy alone, and which, on the other hand, it was +quite impossible for him to share with any one else. He was no longer +to be alone. +</p> + +<p> +Stuart stirred uneasily in his chair and poked at the fire before him. +</p> + +<p> +"Do you remember the day you came to see me," said the Picture, +sentimentally, "and built the fire yourself and lighted some girl's +letters to make it burn?" +</p> + +<p> +"Yes," said Stuart, "that is, I <i>said</i> that they were some girl's +letters. It made it more picturesque. I am afraid they were bills. I +should say I did remember it," he continued, enthusiastically. "You +wore a black dress and little red slippers with big black rosettes, +and you looked as beautiful as—as night—as a moonlight night." +</p> + +<p> +The Picture frowned slightly. +</p> + +<p> +"You are always telling me about how I looked," she complained; "can't +you remember any time when we were together without remembering what I +had on and how I appeared?" +</p> + +<p> +"I cannot," said Stuart, promptly. "I can recall lots of other things +besides, but I can't forget how you looked. You have a fashion of +emphasizing episodes in that way which is entirely your own. But, as I +say, I can remember something else. Do you remember, for instance, +when we went up to West Point on that yacht? Wasn't it a grand day, +with the autumn leaves on both sides of the Hudson, and the dress +parade, and the dance afterward at the hotel?" +</p> + +<p> +"Yes, I should think I did," said the Picture, smiling. "You spent all +your time examining cannon, and talking to the men about 'firing in +open order,' and left me all alone." +</p> + +<p> +"Left you all alone! I like that," laughed Stuart; "all alone with +about eighteen officers." +</p> + +<p> +"Well, but that was natural," returned the Picture. "They were men. +It's natural for a girl to talk to men, but why should a man want to +talk to men?" +</p> + +<p> +"Well, I know better than that now," said Stuart. +</p> + +<p> +He proceeded to show that he knew better by remaining silent for the +next half hour, during which time he continued to wonder whether this +effort to keep up a conversation was not radically wrong. He thought +of several things he might say, but he argued that it was an +impossible situation where a man had to make conversation with his own +wife. +</p> + +<p> +The clock struck ten as he sat waiting, and he moved uneasily in his +chair. +</p> + +<p> +"What is it?" asked the Picture; "what makes you so restless?" +</p> + +<p> +Stuart regarded the Picture timidly for a moment before he spoke. "I +was just thinking," he said, doubtfully, "that we might run down after +all, and take a look in at the last act; it's not too late even now. +They're sure to run behind on the first night. And then," he urged, +"we can go around and see Seldon. You have never been behind the +scenes, have you? It's very interesting." +</p> + +<p> +"No, I have not; but if we do," remonstrated the Picture, +pathetically, "you <i>know</i> all those men will come trooping home +with us. You know they will." +</p> + +<p> +"But that's very complimentary," said Stuart. "Why, I like my friends +to like my wife." +</p> + +<p> +"Yes, but you know how they stay when they get here," she answered; "I +don't believe they ever sleep. Don't you remember the last supper you +gave me before we were married, when Mrs. Starr and you all were +discussing Mr. Seldon's play? She didn't make a move to go until +half-past two, and I was <i>that</i> sleepy I couldn't keep my eyes +open." +</p> + +<p> +"Yes," said Stuart, "I remember. I'm sorry. I thought it was very +interesting. Seldon changed the whole second act on account of what +she said. Well, after this," he laughed with cheerful desperation, "I +think I shall make up for the part of a married man in a pair of +slippers and a dressing-gown, and then perhaps I won't be tempted to +roam abroad at night." +</p> + +<p> +"You must wear the gown they are going to give you at Oxford," said +the Picture, smiling placidly. "The one Aunt Lucy was telling me +about. Why do they give you a gown?" she asked. "It seems such an odd +thing to do." +</p> + +<p> +"The gown comes with the degree, I believe," said Stuart. +</p> + +<p> +"But why do they give <i>you</i> a degree?" persisted the Picture; +"you never studied at Oxford, did you?" +</p> + +<p> +Stuart moved slightly in his chair and shook his head. "I thought I +told you," he said, gently. "No, I never studied there. I wrote some +books on—things, and they liked them." +</p> + +<p> +"Oh, yes, I remember now, you did tell me," said the Picture; "and I +told Aunt Lucy about it, and said we would be in England during the +season when you got your degree, and she said you must be awfully +clever to get it. You see—she does appreciate you, and you always +treat her so distantly." +</p> + +<p> +"Do I?" said Stuart, quietly. "I'm sorry." +</p> + +<p> +"Will you have your portrait painted in it?" asked the Picture. +</p> + +<p> +"In what?" +</p> + +<p> +"In the gown. You are not listening," said the Picture, reproachfully. +"You ought to. Aunt Lucy says it's a beautiful shade of red silk, and +very long. Is it?" +</p> + +<p> +"I don't know," said Stuart. He shook his head, and dropping his chin +into his hands, stared coldly down into the fire. He tried to persuade +himself that he had been vainglorious, and that he had given too much +weight to the honor which the University of Oxford would bestow upon +him; that he had taken the degree too seriously, and that the +Picture's view of it was the view of the rest of the world. But he +could not convince himself that he was entirely at fault. +</p> + +<p> +"Is it too late to begin on Guizot?" suggested his Picture, as an +alternative to his plan. "It sounds so improving." +</p> + +<p> +"Yes, it is much too late," answered Stuart, decidedly. "Besides, I +don't want to be improved. I want to be amused, or inspired, or +scolded. The chief good of friends is that they do one of these three +things, and a wife should do all three." +</p> + +<p> +"Which shall I do?" asked the Picture, smiling good-humoredly. +</p> + +<p> +Stuart looked at the beautiful face and at the reclining figure of the +woman to whom he was to turn for sympathy for the rest of his life, +and felt a cold shiver of terror, that passed as quickly as it came. +He reached out his hand and placed it on the arm of the chair where +his wife's hand should have been, and patted the place kindly. He +would shut his eyes to everything but that she was good and sweet and +his wife. Whatever else she lacked that her beauty had covered up and +hidden, and the want of which had Iain unsuspected in their previous +formal intercourse, could not be mended now. He would settle his step +to hers, and eliminate all those interests from his life which were +not hers as well. He had chosen a beautiful idol, and not a companion, +for a wife. He had tried to warm his hands at the fire of a diamond. +</p> + +<p> +Stuart's eyes closed wearily as though to shut out the memories of the +past, or the foreknowledge of what the future was sure to be. His head +sank forward on his breast, and with his hand shading his eyes, he +looked beyond, through the dying fire, into the succeeding years. +</p> + +<hr class="short"> + +<p> +The gay little French clock on the table sounded the hour of midnight +briskly, with a pert, insistent clamor, and at the same instant a +boisterous and unruly knocking answered it from outside the library +door. +</p> + +<p> +Stuart rose uncertainly from his chair and surveyed the tiny clock +face with a startled expression of bewilderment and relief. +</p> + +<p> +"Stuart!" his friends called impatiently from the hall. "Stuart, let +us in!" and without waiting further for recognition a merry company of +gentlemen pushed their way noisily into the room. +</p> + +<p> +"Where the devil have you been?" demanded Weimer. "You don't deserve +to be spoken to at all after quitting us like that. But Seldon is so +good-natured," he went on, "that he sent us after you. It was a great +success, and he made a rattling good speech, and you missed the whole +thing; and you ought to be ashamed of yourself. We've asked half the +people in front to supper—two stray Englishmen, all the Wilton girls +and their governor, and the chap that wrote the play. And Seldon and +his brother Sam are coming as soon as they get their make-up off. +Don't stand there like that, but hurry. What have you been doing?" +</p> + +<p> +Stuart gave a nervous, anxious laugh. "Oh, don't ask me," he cried. +"It was awful. I've been trying an experiment, and I had to keep it up +until midnight, and—I'm so glad you fellows have come," he continued, +halting midway in his explanation. "I <i>was</i> blue." +</p> + +<p> +"You've been asleep in front of the fire," said young Sloane, "and +you've been dreaming." +</p> + +<p> +"Perhaps," laughed Stuart, gayly, "perhaps. But I'm awake now, in any +event. Sloane, old man," he cried, dropping both hands on the +youngster's shoulders, "how much money have you? Enough to take me to +Gibraltar? They can cable me the rest." +</p> + +<p> +"Hoorah!" shouted Sloane, waltzing from one end of the room to the +other. "And we're off to Ab-yss-in-ia in the morn-ing," he sang. +"There's plenty in my money belt," he cried, slapping his side; "you +can hear the ten-pound notes crackle whenever I breathe, and it's all +yours, my dear boy, and welcome. And I'll prove to you that the +Winchester is the better gun." +</p> + +<p> +"All right," returned Stuart, gayly, "and I'll try to prove that the +Italians don't know how to govern a native state. But who is giving +this supper, anyway?" he demanded. "That is the main thing—that's +what I want to know." +</p> + +<p> +"You've got to pack, haven't you?" suggested Rives. +</p> + +<p> +"I'll pack when I get back," said Stuart, struggling into his +greatcoat, and searching in his pockets for his gloves. "Besides, my +things are always ready and there's plenty of time; the boat doesn't +leave for six hours yet." +</p> + +<p> +"We'll all come back and help," said Weimer. +</p> + +<p> +"Then I'll never get away," laughed Stuart. He was radiant, happy, and +excited, like a boy back from school for the holidays. But when they +had reached the pavement, he halted and ran his hand down into his +pocket, as though feeling for his latch-key, and stood looking +doubtfully at his friends. +</p> + +<p> +"What is it now?" asked Rives, impatiently. "Have you forgotten +something?" +</p> + +<p> +Stuart looked back at the front door in momentary indecision. +</p> + +<p> +"Ye-es," he answered. "I did forget something. But it doesn't matter," +he added, cheerfully, taking Sloane's arm. +</p> + +<p> +"Come on," he said, "and so Seldon made a hit, did he? I am glad—and +tell me, old man, how long will we have to wait at Gib for the P. & O.?" +</p> + +<p> +Stuart's servant had heard the men trooping down the stairs, laughing +and calling to one another as they went, and judging from this that +they had departed for the night, he put out all the lights in the +library and closed the piano, and lifted the windows to clear the room +of the tobacco-smoke. He did not notice the beautiful photograph +sitting upright in the armchair before the fireplace, and so left it +alone in the deserted library. +</p> + +<p> +The cold night-air swept in through the open window and chilled the +silent room, and the dead coals in the grate dropped one by one into +the fender with a dismal echoing clatter; but the Picture still sat in +the armchair with the same graceful pose and the same lovely +expression, and smiled sweetly at the encircling darkness. +</p> + +<a name="249"></a> +<p class="chapter"> +THE REPORTER WHO MADE HIMSELF KING +</p> + + +<p> +The Old Time Journalist will tell you that the best reporter is the +one who works his way up. He holds that the only way to start is as a +printer's devil or as an office boy, to learn in time to set type, to +graduate from a compositor into a stenographer, and as a stenographer +take down speeches at public meetings, and so finally grow into a real +reporter, with a fire badge on your left suspender, and a speaking +acquaintance with all the greatest men in the city, not even excepting +Police Captains. +</p> + +<p> +That is the old time journalist's idea of it. That is the way he was +trained, and that is why at the age of sixty he is still a reporter. +If you train up a youth in this way, he will go into reporting with +too full a knowledge of the newspaper business, with no illusions +concerning it, and with no ignorant enthusiasms, but with a keen and +justifiable impression that he is not paid enough for what he does. +And he will only do what he is paid to do. +</p> + +<p> +Now, you cannot pay a good reporter for what he does, because he does +not work for pay. He works for his paper. He gives his time, his +health, his brains, his sleeping hours, and his eating hours, and +sometimes his life, to get news for it. He thinks the sun rises only +that men may have light by which to read it. But if he has been in a +newspaper office from his youth up, he finds out before he becomes a +reporter that this is not so, and loses his real value. He should come +right out of the University where he has been doing "campus notes" for +the college weekly, and be pitchforked out into city work without +knowing whether the Battery is at Harlem or Hunter's Point, and with +the idea that he is a Moulder of Public Opinion and that the Power of +the Press is greater than the Power of Money, and that the few lines +he writes are of more value in the Editor's eyes than is the column of +advertising on the last page, which they are not. +</p> + +<p> +After three years—it is sometimes longer, sometimes not so long—he +finds out that he has given his nerves and his youth and his +enthusiasm in exchange for a general fund of miscellaneous knowledge, +the opportunity of personal encounter with all the greatest and most +remarkable men and events that have risen in those three years, and a +great fund of resource an patience. He will find that he has crowded +the experiences of the lifetime of the ordinary young business man, +doctor, or lawyer, or man about town, into three short years; that he +has learned to think and to act quickly, to be patient and unmoved +when every one else has lost his head, actually or figuratively +speaking; to write as fast as another man can talk, and to be able to +talk with authority on matters of which other men do not venture even +to think until they have read what he has written with a copy-boy at +his elbow on the night previous. +</p> + +<p> +It is necessary for you to know this, that you may understand what +manner of man young Albert Gordon was. +</p> + +<p> +Young Gordon had been a reporter just three years. He had left Yale +when his last living relative died, and had taken the morning train +for New York, where they had promised him reportorial work on one of +the innumerable Greatest New York Dailies. He arrived at the office at +noon, and was sent back over the same road on which he had just come, +to Spuyten Duyvil, where a train had been wrecked and everybody of +consequence to suburban New York killed. One of the old reporters +hurried him to the office again with his "copy," and after he had +delivered that, he was sent to the Tombs to talk French to a man in +Murderers' Row, who could not talk anything else, but who had shown +some international skill in the use of a jimmy. And at eight, he +covered a flower-show in Madison Square Garden; and at eleven was sent +over the Brooklyn Bridge in a cab to watch a fire and make guesses at +the losses to the insurance companies. +</p> + +<p> +He went to bed at one, and dreamed of shattered locomotives, human +beings lying still with blankets over them, rows of cells, and banks +of beautiful flowers nodding their heads to the tunes of the brass +band in the gallery. He decided when he awoke the next morning that he +had entered upon a picturesque and exciting career, and as one day +followed another, he became more and more convinced of it, and more +and more devoted to it. He was twenty then, and he was now +twenty-three, and in that time had become a great reporter, and had +been to Presidential conventions in Chicago, revolutions in Hayti, +Indian outbreaks on the Plains, and midnight meetings of moonlighters +in Tennessee, and had seen what work earthquakes, floods, fire, and +fever could do in great cities, and had contradicted the President, +and borrowed matches from burglars. And now he thought he would like +to rest and breathe a bit, and not to work again unless as a war +correspondent. The only obstacle to his becoming a great war +correspondent lay in the fact that there was no war, and a war +correspondent without a war is about as absurd an individual as a +general without an army. He read the papers every morning on the +elevated trains for war clouds; but though there were many war clouds, +they always drifted apart, and peace smiled again. This was very +disappointing to young Gordon, and he became more and more keenly +discouraged. +</p> + +<p> +And then as war work was out of the question, he decided to write his +novel. It was to be a novel of New York life, and he wanted a quiet +place in which to work on it. He was already making inquiries among +the suburban residents of his acquaintance for just such a quiet spot, +when he received an offer to go to the Island of Opeki in the North +Pacific Ocean, as secretary to the American consul at that place. The +gentleman who had been appointed by the President to act as consul at +Opeki was Captain Leonard T. Travis, a veteran of the Civil War, who +had contracted a severe attack of rheumatism while camping out at +night in the dew, and who on account of this souvenir of his efforts +to save the Union had allowed the Union he had saved to support him in +one office or another ever since. He had met young Gordon at a dinner, +and had had the presumption to ask him to serve as his secretary, and +Gordon, much to his surprise, had accepted his offer. The idea of a +quiet life in the tropics with new and beautiful surroundings, and +with nothing to do and plenty of time in which to do it, and to write +his novel besides, seemed to Albert to be just what he wanted; and +though he did not know nor care much for his superior officer, he +agreed to go with him promptly, and proceeded to say good-by to his +friends and to make his preparations. Captain Travis was so delighted +with getting such a clever young gentleman for his secretary, that he +referred to him to his friends as "my attaché of legation"; nor did he +lessen that gentleman's dignity by telling any one that the attaché's +salary was to be five hundred dollars a year. His own salary was only +fifteen hundred dollars; and though his brother-in-law, Senator +Rainsford, tried his best to get the amount raised, he was +unsuccessful. The consulship to Opeki was instituted early in the +'50's, to get rid of and reward a third or fourth cousin of the +President's, whose services during the campaign were important, but +whose after-presence was embarrassing. He had been created consul to +Opeki as being more distant and unaccessible than any other known +spot, and had lived and died there; and so little was known of the +island, and so difficult was communication with it, that no one knew +he was dead, until Captain Travis, in his hungry haste for office, had +uprooted the sad fact. Captain Travis, as well as Albert, had a +secondary reason for wishing to visit Opeki. His physician had told +him to go to some warm climate for his rheumatism, and in accepting +the consulship his object was rather to follow out his doctor's orders +at his country's expense, than to serve his country at the expense of +his rheumatism. +</p> + +<p> +Albert could learn but very little of Opeki; nothing, indeed, but that +it was situated about one hundred miles from the Island of Octavia, +which island, in turn, was simply described as a coaling-station three +hundred miles distant from the coast of California. Steamers from San +Francisco to Yokohama stopped every third week at Octavia, and that +was all that either Captain Travis or his secretary could learn of +their new home. This was so very little, that Albert stipulated to +stay only as long as he liked it, and to return to the States within a +few months if he found such a change of plan desirable. +</p> + +<p> +As he was going to what was an almost undiscovered country, he thought +it would be advisable to furnish himself with a supply of articles +with which he might trade with the native Opekians, and for this +purpose he purchased a large quantity of brass rods, because he had +read that Stanley did so, and added to these brass curtain-chains, and +about two hundred leaden medals similar to those sold by street +peddlers during the Constitutional Centennial Celebration in New York +City. +</p> + +<p> +He also collected even more beautiful but less expensive decorations +for Christmas-trees, at a wholesale house on Park Row. These he hoped +to exchange for furs or feathers or weapons, or for whatever other +curious and valuable trophies the Island of Opeki boasted. He already +pictured his rooms on his return hung fantastically with crossed +spears and boomerangs, feather head-dresses, and ugly idols. +</p> + +<p> +His friends told him that he was doing a very foolish thing, and +argued that once out of the newspaper world, it would be hard to +regain his place in it. But he thought the novel that he would write +while lost to the world at Opeki would serve to make up for his +temporary absence from it, and he expressly and impressively +stipulated that the editor should wire him if there was a war. +</p> + +<p> +Captain Travis and his secretary crossed the continent without +adventure, and took passage from San Francisco on the first steamer +that touched at Octavia. They reached that island in three days, and +learned with some concern that there was no regular communication with +Opeki, and that it would be necessary to charter a sailboat for the +trip. Two fishermen agreed to take them and their trunks, and to get +them to their destination within sixteen hours if the wind held good. +It was a most unpleasant sail. The rain fell with calm, relentless +persistence from what was apparently a clear sky; the wind tossed the +waves as high as the mast and made Captain Travis ill; and as there +was no deck to the big boat, they were forced to huddle up under +pieces of canvas, and talked but little. Captain Travis complained of +frequent twinges of rheumatism, and gazed forlornly over the gunwale +at the empty waste of water. +</p> + +<p> +"If I've got to serve a term of imprisonment on a rock in the middle +of the ocean for four years," he said, "I might just as well have done +something first to deserve it. This is a pretty way to treat a man who +bled for his country. This is gratitude, this is." Albert pulled +heavily on his pipe, and wiped the rain and spray from his face and +smiled. +</p> + +<p> +"Oh, it won't be so bad when we get there," he said; "they say these +Southern people are always hospitable, and the whites will be glad to +see any one from the States." +</p> + +<p> +"There will be a round of diplomatic dinners," said the consul, with +an attempt at cheerfulness. "I have brought two uniforms to wear at +them." +</p> + +<p> +It was seven o'clock in the evening when the rain ceased, and one of +the black, half-naked fishermen nodded and pointed at a little low +line on the horizon. +</p> + +<p> +"Opeki," he said. The line grew in length until it proved to be an +island with great mountains rising to the clouds, and, as they drew +nearer and nearer, showed a level coast running back to the foot of +the mountains and covered with a forest of palms. They next made out a +village of thatched huts around a grassy square, and at some distance +from the village a wooden structure with a tin roof. +</p> + +<p> +"I wonder where the town is?" asked the consul, with a nervous glance +at the fishermen. One of them told him that what he saw was the town. +</p> + +<p> +"That?" gasped the consul. "Is that where all the people on the island +live?" +</p> + +<p> +The fisherman nodded; but the other added that there were other +natives further back in the mountains, but that they were bad men who +fought and ate each other. The consul and his attaché of legation +gazed at the mountains with unspoken misgivings. They were quite near +now, and could see an immense crowd of men and women, all of them +black, and clad but in the simplest garments, waiting to receive them. +They seemed greatly excited and ran in and out of the huts, and up and +down the beach, as wildly as so many black ants. But in the front of +the group they distinguished three men who they could see were white, +though they were clothed, like the others, simply in a shirt and a +short pair of trousers. Two of these three suddenly sprang away on a +run and disappeared among the palm-trees; but the third one, when he +recognized the American flag in the halyards, threw his straw hat in +the water and began turning handsprings over the sand. +</p> + +<p> +"That young gentleman, at least," said Albert, gravely, "seems pleased +to see us." +</p> + +<p> +A dozen of the natives sprang into the water and came wading and +swimming toward them, grinning and shouting and swinging their arms. +</p> + +<p> +"I don't think it's quite safe, do you?" said the consul, looking out +wildly to the open sea. "You see, they don't know who I am." +</p> + +<p> +A great black giant threw one arm over the gunwale and shouted +something that sounded as if it were spelt Owah, Owah, as the boat +carried him through the surf. +</p> + +<p> +"How do you do?" said Gordon, doubtfully. The boat shook the giant off +under the wave and beached itself so suddenly that the American consul +was thrown forward to his knees. Gordon did not wait to pick him up, +but jumped out and shook hands with the young man who had turned +handsprings, while the natives gathered about them in a circle and +chatted and laughed in delighted excitement. +</p> + +<p> +"I'm awfully glad to see you," said the young man, eagerly. "My name's +Stedman. I'm from New Haven, Connecticut. Where are you from?" +</p> + +<p> +"New York," said Albert. "This," he added, pointing solemnly to +Captain Travis, who was still on his knees in the boat, "is the +American consul to Opeki." The American consul to Opeki gave a wild +look at Mr. Stedman of New Haven and at the natives. +</p> + +<p> +"See here, young man," he gasped, "is this all there is of Opeki?" +</p> + +<p> +"The American consul?" said young Stedman, with a gasp of amazement, +and looking from Albert to Captain Travis. "Why, I never supposed they +would send another here; the last one died about fifteen years ago, +and there hasn't been one since. I've been living in the consul's +office with the Bradleys, but I'll move out, of course. I'm sure I'm +awfully glad to see you. It'll make it so much more pleasant for me." +</p> + +<p> +"Yes," said Captain Travis, bitterly, as he lifted his rheumatic leg +over the boat; "that's why we came." +</p> + +<p> +Mr. Stedman did not notice this. He was too much pleased to be +anything but hospitable. "You are soaking wet, aren't you?" he said; +"and hungry, I guess. You come right over to the consul's office and +get on some other things." +</p> + +<p> +He turned to the natives and gave some rapid orders in their language, +and some of them jumped into the boat at this, and began to lift out +the trunks, and others ran off toward a large, stout old native, who +was sitting gravely on a log, smoking, with the rain beating unnoticed +on his gray hair. +</p> + +<p> +"They've gone to tell the King," said Stedman; "but you'd better get +something to eat first, and then I'll be happy to present you +properly." +</p> + +<p> +"The King," said Captain Travis, with some awe; "is there a king?" +</p> + +<p> +"I never saw a king," Gordon remarked, "and I'm sure I never expected +to see one sitting on a log in the rain." +</p> + +<p> +"He's a very good king," said Stedman, confidentially; "and though you +mightn't think it to look at him, he's a terrible stickler for +etiquette and form. After supper he'll give you an audience; and if +you have any tobacco, you had better give him some as a present, and +you'd better say it's from the President: he doesn't like to take +presents from common people, he's so proud. The only reason he borrows +mine is because he thinks I'm the President's son." +</p> + +<p> +"What makes him think that?" demanded the consul, with some shortness. +Young Mr. Stedman looked nervously at the consul and at Albert, and +said that he guessed some one must have told him. +</p> + +<p> +The consul's office was divided into four rooms with an open court in +the middle, filled with palms, and watered somewhat unnecessarily by a +fountain. +</p> + +<p> +"I made that," said Stedman, in a modest, offhand way. "I made it out +of hollow bamboo reeds connected with a spring. And now I'm making one +for the King. He saw this and had a lot of bamboo sticks put up all +over the town, without any underground connections, and couldn't make +out why the water wouldn't spurt out of them. And because mine spurts, +he thinks I'm a magician." +</p> + +<p> +"I suppose," grumbled the consul, "some one told him that too." +</p> + +<p> </p> +<a name="262"></a> +<div class="ctr"><img src="images/262.jpg" alt=""I never saw a king," Gordon remarked." width="371" height="499"></div> +<p class="imgcaption">"I never saw a king," Gordon remarked. +</p> + +<p> +"I suppose so," said Mr. Stedman, uneasily. +</p> + +<p> +There was a veranda around the consul's office, and inside the walls +were hung with skins, and pictures from illustrated papers, and there +was a good deal of bamboo furniture, and four broad, cool-looking +beds. The place was as clean as a kitchen. "I made the furniture," +said Stedman, "and the Bradleys keep the place in order." +</p> + +<p> +"Who are the Bradleys?" asked Albert. +</p> + +<p> +"The Bradleys are those two men you saw with me," said Stedman; "they +deserted from a British man-of-war that stopped here for coal, and +they act as my servants. One is Bradley, Sr., and the other Bradley, +Jr." +</p> + +<p> +"Then vessels do stop here occasionally?" the consul said, with a +pleased smile. +</p> + +<p> +"Well, not often," said Stedman. "Not so very often; about once a +year. The Nelson thought this was Octavia, and put off again as soon +as she found out her mistake, but the Bradleys took to the bush, and +the boat's crew couldn't find them. When they saw your flag, they +thought you might mean to send them back, so they ran off to hide +again; they'll be back, though, when they get hungry." +</p> + +<p> +The supper young Stedman spread for his guests, as he still treated +them, was very refreshing and very good. There was cold fish and +pigeon pie, and a hot omelet filled with mushrooms and olives and +tomatoes and onions all sliced up together, and strong black coffee. +After supper, Stedman went off to see the King, and came back in a +little while to say that his Majesty would give them an audience the +next day after breakfast. "It is too dark now," Stedman explained; +"and it's raining so that they can't make the street-lamps burn. Did +you happen to notice our lamps? I invented them; but they don't work +very well yet. I've got the right idea, though, and I'll soon have the +town illuminated all over, whether it rains or not." +</p> + +<p> +The consul had been very silent and indifferent, during supper, to all +around him. Now he looked up with some show of interest. +</p> + +<p> +"How much longer is it going to rain, do you think?" he asked. +</p> + +<p> +"Oh, I don't know," said Stedman, critically. "Not more than two +months, I should say." The consul rubbed his rheumatic leg and sighed, +but said nothing. +</p> + +<p> +The Bradleys returned about ten o'clock, and came in very sheepishly. +The consul had gone off to pay the boatmen who had brought them, and +Albert in his absence assured the sailors that there was not the least +danger of their being sent away. Then he turned into one of the beds, +and Stedman took one in another room, leaving the room he had occupied +heretofore for the consul. As he was saying good-night, Albert +suggested that he had not yet told them how he came to be on a +deserted island; but Stedman only laughed and said that that was a +long story, and that he would tell him all about it in the morning. So +Albert went off to bed without waiting for the consul to return, and +fell asleep, wondering at the strangeness of his new life, and +assuring himself that if the rain only kept up, he would have his +novel finished in a month. +</p> + +<p> +The sun was shining brightly when he awoke, and the palm-trees outside +were nodding gracefully in a warm breeze. From the court came the odor +of strange flowers, and from the window he could see the ocean +brilliantly blue, and with the sun coloring the spray that beat +against the coral reefs on the shore. +</p> + +<p> +"Well, the consul can't complain of this," he said, with a laugh of +satisfaction; and pulling on a bath-robe, he stepped into the next +room to awaken Captain Travis. But the room was quite empty, and the +bed undisturbed. The consul's trunk remained just where it had been +placed near the door, and on it lay a large sheet of foolscap, with +writing on it, and addressed at the top to Albert Gordon. The +handwriting was the consul's. Albert picked it up and read it with +much anxiety. It began abruptly +</p> + +<p class="quote"> + The fishermen who brought us to this forsaken spot tell me that + it rains here six months in the year, and that this is the first + month. I came here to serve my country, for which I fought and + bled, but I did not come here to die of rheumatism and pneumonia. + I can serve my country better by staying alive; and whether it + rains or not, I don't like it. I have been grossly deceived, and + I am going back. Indeed, by the time you get this, I will be on + my return trip, as I intend leaving with the men who brought us + here as soon as they can get the sail up. My cousin, Senator + Rainsford, can fix it all right with the President, and can have + me recalled in proper form after I get back. But of course it + would not do for me to leave my post with no one to take my + place, and no one could be more ably fitted to do so than + yourself; so I feel no compunctions at leaving you behind. I + hereby, therefore, accordingly appoint you my substitute with + full power to act, to collect all fees, sign all papers, and + attend to all matters pertaining to your office as American + consul, and I trust you will worthily uphold the name of that + country and government which it has always been my pleasure and + duty to serve. +</p> + +<p class="quote"> + Your sincere friend and superior officer, +</p> + +<p class="quote"> + LEONARD T. TRAVIS. +</p> + +<p class="quote"> + P.S. I did not care to disturb you by moving my trunk, so I left + it, and you can make what use you please of whatever it contains, + as I shall not want tropical garments where I am going. What you + will need most, I think, is a waterproof and umbrella. +</p> + +<p class="quote"> + P.S. Look out for that young man Stedman. He is too inventive. I + hope you will like your high office; but as for myself, I am + satisfied with little old New York. Opeki is just a bit too far + from civilization to suit me. +</p> + +<p> +Albert held the letter before him and read it over again before he +moved. Then he jumped to the window. The boat was gone, and there was +not a sign of it on the horizon. +</p> + +<p> +"The miserable old hypocrite!" he cried, half angry and half laughing. +"If he thinks I am going to stay here alone he is very greatly +mistaken. And yet, why not?" he asked. He stopped soliloquizing and +looked around him, thinking rapidly. As he stood there, Stedman came +in from the other room, fresh and smiling from his morning's bath. +</p> + +<p> +"Good-morning," he said, "where's the consul?" +</p> + +<p> +"The consul," said Albert, gravely, "is before you. In me you see the +American consul to Opeki." +</p> + +<p> +"Captain Travis," Albert explained, "has returned to the United +States. I suppose he feels that he can best serve his country by +remaining on the spot. In case of another war, now, for instance, he +would be there to save it again." +</p> + +<p> +"And what are you going to do?" asked Stedman, anxiously. "You will +not run away, too, will you?" +</p> + +<p> +Albert said that he intended to remain where he was and perform his +consular duties, to appoint him his secretary, and to elevate the +United States in the opinion of the Opekians above all other nations. +</p> + +<p> +"They may not think much of the United States in England," he said; +"but we are going to teach the people of Opeki that America is first +on the map and that there is no second." +</p> + +<p> +"I'm sure it's very good of you to make me your secretary," said +Stedman, with some pride. "I hope I won't make any mistakes. What are +the duties of a consul's secretary?" "That," said Albert, "I do not +know. But you are rather good at inventing, so you can invent a few. +That should be your first duty and you should attend to it at once. I +will have trouble enough finding work for myself. Your salary is five +hundred dollars a year; and now," he continued briskly, "we want to +prepare for this reception. We can tell the King that Travis was just +a guard of honor for the trip, and that I have sent him back to tell +the President of my safe arrival. That will keep the President from +getting anxious. There; is nothing," continued Albert, "like a uniform +to impress people who live in the tropics, and Travis, it so happens, +has two in his trunk. He intended to wear them on State occasions, and +as I inherit the trunk and all that is in it, I intend to wear one of +the uniforms, and you can have the other. But I have first choice, +because I am consul." +</p> + +<p> +Captain Travis's consular outfit consisted of one full dress and one +undress United States uniform. Albert put on the dress-coat over a +pair of white flannel trousers, and looked remarkably brave and +handsome. Stedman, who was only eighteen and quite thin, did not +appear so well, until Albert suggested his padding out his chest and +shoulders with towels. This made him rather warm, but helped his +general appearance. +</p> + +<p> +"The two Bradleys must dress up, too," said Albert. "I think they +ought to act as a guard of honor, don't you? The only things I have +are blazers and jerseys; but it doesn't much matter what they wear, as +long as they dress alike." +</p> + +<p> +He accordingly called in the two Bradleys, and gave them each a pair +of the captain's rejected white duck trousers, and a blue jersey +apiece, with a big white Y on it. +</p> + +<p> +"The students of Yale gave me that," he said to the younger Bradley, +"in which to play football, and a great man gave me the other. His +name is Walter Camp; and if you rip or soil that jersey, I'll send you +back to England in irons; so be careful." +</p> + +<p> +Stedman gazed at his companions in their different costumes, +doubtfully. "It reminds me," he said, "of private theatricals. Of the +time our church choir played 'Pinafore.'" +</p> + +<p> +"Yes," assented Albert; "but I don't think we look quite gay enough. I +tell you what we need—medals. You never saw a diplomat without a lot +of decorations and medals." +</p> + +<p> +"Well, I can fix that," Stedman said. "I've got a trunkful. I used to +be the fastest bicycle-rider in Connecticut, and I've got all my +prizes with me." +</p> + +<p> +Albert said doubtfully that that wasn't exactly the sort of medal he +meant. +</p> + +<p> +"Perhaps not," returned Stedman, as he began fumbling in his trunk; +"but the King won't know the difference. He couldn't tell a cross of +the Legion of Honor from a medal for the tug of war." +</p> + +<p> +So the bicycle medals, of which Stedman seemed to have an innumerable +quantity, were strung in profusion over Albert's uniform, and in a +lesser quantity over Stedman's; while a handful of leaden ones, those +sold on the streets for the Constitutional Centennial, with which +Albert had provided himself, were wrapped up in a red silk +handkerchief for presentation to the King; with them Albert placed a +number of brass rods and brass chains, much to Stedman's delighted +approval. +</p> + +<p> +"That is a very good idea," he said. "Democratic simplicity is the +right thing at home, of course; but when you go abroad and mix with +crowned heads, you want to show them that you know what's what." +</p> + +<p> +"Well," said Albert, gravely, "I sincerely hope this crowned head +don't know what's what. If he reads 'Connecticut Agricultural State +Fair. One mile bicycle race. First Prize,' on this badge, when we are +trying to make him believe it's a war medal, it may hurt his +feelings." +</p> + +<p> +Bradley, Jr., went ahead to announce the approach of the American +embassy, which he did with so much manner that the King deferred the +audience a half-hour, in order that he might better prepare to receive +his visitors. When the audience did take place, it attracted the +entire population to the green spot in front of the King's palace, and +their delight and excitement over the appearance of the visitors was +sincere and hearty. The King was too polite to appear much surprised, +but he showed his delight over his presents as simply and openly as a +child. Thrice he insisted on embracing Albert, and kissing him three +times on the fore-head, which, Stedman assured him in a side-whisper, +was a great honor; an honor which was not extended to the secretary, +although he was given a necklace of animals' claws instead, with which +he was better satisfied. +</p> + +<p> +After this reception, the embassy marched back to the consul's office, +surrounded by an immense number of natives, some of whom ran ahead and +looked back at them, and crowded so close that the two Bradleys had to +poke at those nearest with their guns. The crowd remained outside the +office even after the procession of four had disappeared, and cheered. +This suggested to Gordon that this would be a good time to make a +speech, which he accordingly did, Stedman translating it, sentence by +sentence. At the conclusion of this effort, Albert distributed a +number of brass rings among the married men present, which they placed +on whichever finger fitted best, and departed delighted. +</p> + +<p> +Albert had wished to give the rings to the married women, but Stedman +pointed out to him that it would be much cheaper to give them to the +married men; for while one woman could only have one husband, one man +could have at least six wives. +</p> + +<p> +"And now, Stedman," said Albert, after the mob had gone, "tell me what +you are doing on this island." +</p> + +<p> +"It's a very simple story," Stedman said. "I am the representative, or +agent, or operator, for the Yokohama Cable Company. The Yokohama Cable +Company is a company organized in San Francisco, for the purpose of +laying a cable to Yokohama. It is a stock company; and though it +started out very well, the stock has fallen very low. Between +ourselves, it is not worth over three or four cents. When the officers +of the company found out that no one would buy their stock, and that +no one believed in them or their scheme, they laid a cable to Octavia, +and extended it on to this island. Then they said they had run out of +ready money, and would wait until they got more before laying their +cable any farther. I do not think they ever will lay it any farther, +but that is none of my business. My business is to answer cable +messages from San Francisco, so that the people who visit the home +office can see that at least a part of the cable is working. That +sometimes impresses them, and they buy stock. There is another chap +over in Octavia, who relays all my messages and all my replies to +those messages that come to me through him from San Francisco. They +never send a message unless they have brought some one to the office +whom they want to impress, and who, they think, has money to invest in +the Y.C.C. stock, and so we never go near the wire, except at three +o'clock every afternoon. And then generally only to say 'How are you?' +or 'It's raining,' or something like that. I've been saying 'It's +raining,' now for the last three months, but to-day I will say that +the new consul has arrived. That will be a pleasant surprise for the +chap in Octavia, for he must be tired hearing about the weather. He +generally answers, 'Here too,' or 'So you said,' or something like +that. I don't know what he says to the home office. He's brighter than +I am, and that's why they put him between the two ends. He can see +that the messages are transmitted more fully and more correctly, in a +way to please possible subscribers." +</p> + +<p> +"Sort of copy editor," suggested Albert. +</p> + +<p> +"Yes, something of that sort, I fancy," said Stedman. +</p> + +<p> +They walked down to the little shed on the shore, where the Y.C.C. +office was placed, at three that day, and Albert watched Stedman send +off his message with much interest. The "chap at Octavia," on being +informed that the American consul had arrived at Opeki, inquired, +somewhat disrespectfully, "Is it a life sentence?" +</p> + +<p> +"What does he mean by that?" asked Albert. +</p> + +<p> +"I suppose," said his secretary, doubtfully, "that he thinks it a sort +of a punishment to be sent to Opeki. I hope you won't grow to think +so." +</p> + +<p> +"Opeki is all very well," said Gordon, "or it will be when we get +things going our way." +</p> + +<p> +As they walked back to the office, Albert noticed a brass cannon, +perched on a rock at the entrance to the harbor. This had been put +there by the last consul, but it had not been fired for many years. +Albert immediately ordered the two Bradleys to get it in order, and to +rig up a flag-pole beside it, for one of his American flags, which +they were to salute every night when they lowered it at sundown. +</p> + +<p> +"And when we are not using it," he said, "the King can borrow it to +celebrate with, if he doesn't impose on us too often. The royal salute +ought to be twenty-one guns, I think; but that would use up too much +powder, so he will have to content himself with two." +</p> + +<p> +"Did you notice," asked Stedman, that night, as they sat on the +veranda of the consul's house, in the moonlight, "how the people bowed +to us as we passed?" +</p> + +<p> +"Yes," Albert said he had noticed it. "Why?" +</p> + +<p> +"Well, they never saluted me," replied Stedman. "That sign of respect +is due to the show we made at the reception." +</p> + +<p> +"It is due to us, in any event," said the consul, severely. "I tell +you, my secretary, that we, as the representatives of the United +States Government, must be properly honored on this island. We must +become a power. And we must do so without getting into trouble with +the King. We must make them honor him, too, and then as we push him +up, we will push ourselves up at the same time." +</p> + +<p> +"They don't think much of consuls in Opeki," said Stedman, doubtfully. +"You see the last one was a pretty poor sort. He brought the office +into disrepute, and it wasn't really until I came and told them what a +fine country the United States was, that they had any opinion of it at +all. Now we must change all that." +</p> + +<p> +"That is just what we will do," said Albert. "We will transform Opeki +into a powerful and beautiful city. We will make these people work. +They must put up a palace for the King, and lay out streets, and build +wharves, and drain the town properly, and light it. I haven't seen +this patent lighting apparatus of yours, but you had better get to +work at it at once, and I'll persuade the King to appoint you +commissioner of highways and gas, with authority to make his people +toil. And I," he cried, in free enthusiasm, "will organize a navy and +a standing army. Only," he added, with a relapse of interest, "there +isn't anybody to fight." +</p> + +<p> +"There isn't?" said Stedman, grimly, with a scornful smile. "You just +go hunt up old Messenwah and the Hillmen with your standing army once +and you'll get all the fighting you want." +</p> + +<p> +"The Hillmen?" said Albert. +</p> + +<p> +"The Hillmen are the natives that live up there in the hills," Stedman +said, nodding his head toward the three high mountains at the other +end of the island, that stood out blackly against the purple, moonlit +sky. "There are nearly as many of them as there are Opekians, and they +hunt and fight for a living and for the pleasure of it. They have an +old rascal named Messenwah for a king, and they come down here about +once every three months, and tear things up." +</p> + +<p> +Albert sprang to his feet. +</p> + +<p> +"Oh, they do, do they?" he said, staring up at the mountain-tops. +"They come down here and tear up things, do they? Well, I think we'll +stop that, I think we'll stop that! I, don't care how many there are. +I'll get the two Bradleys to tell me all they know about drilling, +to-morrow morning, and we'll drill these Opekians, and have sham +battles, and attacks, and repulses, until I make a lot of wild, +howling Zulus out of them. And when the Hillmen come down to pay their +quarterly visit, they'll go back again on a run. At least some of them +will," he added, ferociously. "Some of them will stay right here." +</p> + +<p> +"Dear me, dear me!" said Stedman, with awe; "you are a born fighter, +aren't you?" +</p> + +<p> +"Well, you wait and see," said Gordon; "maybe I am. I haven't studied +tactics of war and the history of battles, so that I might be a great +war correspondent, without learning something. And there is only one +king on this island, and that is old Ollypybus himself. And I'll go +over and have a talk with him about it to-morrow." +</p> + +<p> +Young Stedman walked up and down the length of the veranda, in and out +of the moonlight, with his hands in his pockets, and his head on his +chest. "You have me all stirred up, Gordon," he said; "you seem so +confident and bold, and you're not so much older than I am, either." +</p> + +<p> +"My training has been different; that's all," said the reporter. +</p> + +<p> +"Yes," Stedman said, bitterly. "I have been sitting in an office ever +since I left school, sending news over a wire or a cable, and you have +been out in the world, gathering it." +</p> + +<p> +"And now," said Gordon, smiling and putting his arm around the other +boy's shoulders, "we are going to make news ourselves." +</p> + +<p> +"There is one thing I want to say to you before you turn in," said +Stedman "Before you suggest all these improvements on Ollypybus, you +must remember that he has ruled absolutely here for twenty years, and +that he does not think much of consuls. He has only seen your +predecessor and yourself. He likes you because you appeared with such +dignity, and because of the presents; but if I were you, I wouldn't +suggest these improvements as coming from yourself." +</p> + +<p> +"I don't understand," said Gordon; "who could they come from?" +</p> + +<p> +"Well," said Stedman, "if you will allow me to advise—and you see I +know these people pretty well—I would have all these suggestions come +from the President direct." +</p> + +<p> +"The President!" exclaimed Gordon; "but how? What does the President +know or care about Opeki? and it would take so long—oh, I see, the +cable. Is that what you have been doing?" he asked. +</p> + +<p> +"Well, only once," said Stedman, guiltily; "that was when he wanted to +turn me out of the consul's office, and I had a cable that very +afternoon, from the President, ordering me to stay where I was. +Ollypybus doesn't understand the cable, of course, but he knows that +it sends messages; and sometimes I pretend to send messages for him to +the President; but he began asking me to tell the President to come +and pay him a visit, and I had to stop it." +</p> + +<p> +"I'm glad you told me," said Gordon. "The President shall begin to +cable to-morrow. He will need an extra appropriation from Congress to +pay for his private cablegrams alone." +</p> + +<p> +"And there's another thing," said Stedman. "In all your plans, you've +arranged for the people's improvement, but not for their amusement; +and they are a peaceful, jolly, simple sort of people, and we must +please them." +</p> + +<p> +"Have they no games or amusements of their own?" asked Gordon. +</p> + +<p> +"Well, not what we would call games." +</p> + +<p> +"Very well, then, I'll teach them base-ball. Foot-ball would be too +warm. But that plaza in front of the King's bungalow, where his palace +is going to be, is just the place for a diamond. On the whole, +though," added the consul, after a moment's reflection, "you'd better +attend to that yourself. I don't think it becomes my dignity as +American consul to take off my coat and give lessons to young Opekians +in sliding to bases; do you? No; I think you'd better do that. The +Bradleys will help you, and you had better begin to-morrow. You have +been wanting to know what a secretary of legation's duties are, and +now you know. It's to organize base-ball nines. And after you get +yours ready," he added, as he turned into his room for the night, +"I'll train one that will sweep yours off the face of the island. For +<i>this</i> American consul can pitch three curves." +</p> + +<p> +The best laid plans of men go far astray, sometimes, and the great and +beautiful city that was to rise on the coast of Opeki was not built in +a day. Nor was it ever built. For before the Bradleys could mark out +the foul-lines for the base-ball field on the plaza, or teach their +standing army the goose step, or lay bamboo pipes for the water-mains, +or clear away the cactus for the extension of the King's palace, the +Hillmen paid Opeki their quarterly visit. +</p> + +<p> +Albert had called on the King the next morning, with Stedman as his +interpreter, as he had said he would, and, with maps and sketches, had +shown his Majesty what he proposed to do toward improving Opeki and +ennobling her king, and when the King saw Albert's free-hand sketches +of wharves with tall ships lying at anchor, and rows of Opekian +warriors with the Bradleys at their head, and the design for his new +palace, and a royal sedan chair, he believed that these things were +already his, and not still only on paper, and he appointed Albert his +Minister of War, Stedman his Minister of Home Affairs, and selected +two of his wisest and oldest subjects to serve them as joint advisers. +His enthusiasm was even greater than Gordon's, because he did not +appreciate the difficulties. He thought Gordon a semi-god, a worker of +miracles, and urged the putting up of a monument to him at once in the +public plaza, to which Albert objected, on the ground that it would be +too suggestive of an idol; and to which Stedman also objected, but for +the less unselfish reason that it would "be in the way of the +pitcher's box." +</p> + +<p> +They were feverishly discussing all these great changes, and Stedman +was translating as rapidly as he could translate, the speeches of four +different men—for the two counsellors had been called in—all of whom +wanted to speak at once when there came from outside a great shout, +and the screams of women, and the clashing of iron, and the pattering +footsteps of men running. +</p> + +<p> +As they looked at one another in startled surprise, a native ran into +the room, followed by Bradley, Jr., and threw himself down before the +King. While he talked, beating his hands and bowing before Ollypybus, +Bradley, Jr., pulled his forelock to the consul, and told how this man +lived on the far outskirts of the village; how he had been captured +while out hunting, by a number of the Hillmen; and how he had escaped +to tell the people that their old enemies were on the war-path again, +and rapidly approaching the village. +</p> + +<p> +Outside, the women were gathering in the plaza, with the children +about them, and the men were running from hut to hut, warning their +fellows, and arming themselves with spears and swords, and the native +bows and arrows. +</p> + +<p> +"They might have waited until we had that army trained," said Gordon, +in a tone of the keenest displeasure. "Tell me, quick, what do they +generally do when they come?" +</p> + +<p> +"Steal all the cattle and goats, and a woman or two, and set fire to +the huts in the outskirts," replied Stedman. +</p> + +<p> +"Well, we must stop them," said Gordon, jumping up. "We must take out +a flag of truce and treat with them. They must be kept off until I +have my army in working order. It is most inconvenient. If they had +only waited two months, now, or six weeks even, we could have done +something; but now we must make peace. Tell the King we are going out +to fix things with them, and tell him to keep off his warriors until +he learns whether we succeed or fail." +</p> + +<p> +"But, Gordon!" gasped Stedman. "Albert! You don't understand. Why, +man, this isn't a street-fight or a cane-rush. They'll stick you full +of spears, dance on your body, and eat you, maybe. A flag of +truce!—you're talking nonsense. What do they know of a flag of +truce?" +</p> + +<p> +"You're talking nonsense, too," said Albert, "and you're talking to +your superior officer. If you are not with me in this, go back to your +cable, and tell the man in Octavia that it's a warm day, and that the +sun is shining; but if you've any spirit in you—and I think you +have—run to the office and get my Winchester rifles, and the two +shot-guns, and my revolvers, and my uniform, and a lot of brass things +for presents, and run all the way there and back. And make time. Play +you're riding a bicycle at the Agricultural Fair." +</p> + +<p> +Stedman did not hear this last, for he was already off and away, +pushing through the crowd, and calling on Bradley, Sr., to follow him. +Bradley, Jr., looked at Gordon with eyes that snapped, like a dog that +is waiting for his master to throw a stone. +</p> + +<p> +"I can fire a Winchester, sir," he said. "Old Tom can't. He's no good +at long range 'cept with a big gun, sir. Don't give him the +Winchester. Give it to me, please, sir." +</p> + +<p> +Albert met Stedman in the plaza, and pulled off his blazer, and put on +Captain Travis's—now his—uniform coat, and his white pith helmet. +</p> + +<p> +"Now, Jack," he said, "get up there and tell these people that we are +going out to make peace with these Hillmen, or bring them back +prisoners of war. Tell them we are the preservers of their homes and +wives and children; and you, Bradley, take these presents, and young +Bradley, keep close to me, and carry this rifle." +</p> + +<p> +Stedman's speech was hot and wild enough to suit a critical and +feverish audience before a barricade in Paris. And when he was +through, Gordon and Bradley punctuated his oration by firing off the +two Winchester rifles in the air, at which the people jumped and fell +on their knees, and prayed to their several gods. The fighting men of +the village followed the four white men to the outskirts, and took up +their stand there as Stedman told them to do, and the four walked on +over the roughly hewn road, to meet the enemy. +</p> + +<p> +Gordon walked with Bradley, Jr., in advance. Stedman and old Tom +Bradley followed close behind with the two shot-guns, and the presents +in a basket. +</p> + +<p> +"Are these Hillmen used to guns?" asked Gordon. Stedman said no, they +were not. "This shot-gun of mine is the only one on the island," he +explained, "and we never came near enough them before to do anything +with it. It only carries a hundred yards. The Opekians never make any +show of resistance. They are quite content if the Hillmen satisfy +themselves with the outlying huts, as long as they leave them and the +town alone; so they seldom come to close quarters." +</p> + +<p> +The four men walked on for half an hour or so in silence, peering +eagerly on every side; but it was not until they had left the woods +and marched out into the level stretch of grassy country that they +came upon the enemy. The Hillmen were about forty in number, and were +as savage and ugly-looking giants as any in a picture-book. They had +captured a dozen cows and goats, and were driving them on before them, +as they advanced farther upon the village. When they saw the four men, +they gave a mixed chorus of cries and yells, and some of them stopped, +and others ran forward, shaking their spears, and shooting their broad +arrows into the ground before them. A tall, gray-bearded, muscular old +man, with a skirt of feathers about him, and necklaces of bones and +animals' claws around his bare chest, ran in front of them, and seemed +to be trying to make them approach more slowly. +</p> + +<p> +"Is that Messenwah?" asked Gordon. +</p> + +<p> +"Yes," said Stedman; "he is trying to keep them back. I don't believe +he ever saw a white man before." +</p> + +<p> +"Stedman," said Albert, speaking quickly, "give your gun to Bradley, +and go forward with your arms in the air, and waving your +handkerchief, and tell them in their language that the King is coming. +If they go at you, Bradley and I will kill a goat or two, to show them +what we can do with the rifles; and if that don't stop them, we will +shoot at their legs; and if that don't stop them—I guess you'd better +come back, and we'll all run." +</p> + +<p> +Stedman looked at Albert, and Albert looked at Stedman, and neither of +them winced or flinched. +</p> + +<p> +"Is this another of my secretary's duties?" asked the younger boy. +</p> + +<p> +"Yes," said the consul; "but a resignation is always in order. You +needn't go if you don't like it. You see, you know the language and I +don't, but I know how to shoot, and you don't." +</p> + +<p> +"That's perfectly satisfactory," said Stedman, handing his gun to old +Bradley. "I only wanted to know why I was to be sacrificed instead of +one of the Bradleys. It's because I know the language. Bradley, Sr., +you see the evil results of a higher education. Wish me luck, please," +he said, "and for goodness' sake," he added impressively, "don't waste +much time shooting goats." +</p> + +<p> +The Hillmen had stopped about two hundred yards off, and were drawn up +in two lines, shouting, and dancing, and hurling taunting remarks at +their few adversaries. The stolen cattle were bunched together back of +the King. As Stedman walked steadily forward with his handkerchief +fluttering, and howling out something in their own tongue, they +stopped and listened. As he advanced, his three companions followed +him at about fifty yards in the rear. He was one hundred and fifty +yards from the Hillmen before they made out what he said, and then one +of the young braves, resenting it as an insult to his chief, shot an +arrow at him. Stedman dodged the arrow and stood his ground without +even taking a step backward, only turning slightly to put his hands to +his mouth, and to shout something which sounded to his companions +like, "About time to begin on the goats." But the instant the young +man had fired, King Messenwah swung his club and knocked him down, and +none of the others moved. Then Messenwah advanced before his men to +meet Stedman, and on Stedman's opening and shutting his hands to show +that he was unarmed, the King threw down his club and spears, and came +forward as empty-handed as himself. +</p> + +<p> +"Ah," gasped Bradley, Jr., with his finger trembling on his lever, +"let me take a shot at him now." Gordon struck the man's gun up, and +walked forward in all the glory of his gold and blue uniform; for both +he and Stedman saw now that Messenwah was more impressed by their +appearance, and in the fact that they were white men, than with any +threats of immediate war. So when he saluted Gordon haughtily, that +young man gave him a haughty nod in return, and bade Stedman tell the +King that he would permit him to sit down. The King did not quite +appear to like this, but he sat down, nevertheless, and nodded his +head gravely. +</p> + +<p> +"Now tell him," said Gordon, "that I come from the ruler of the +greatest nation on earth, and that I recognize Ollypybus as the only +King of this island, and that I come to this little three-penny King +with either peace and presents, or bullets and war." +</p> + +<p> +"Have I got to tell him he's a little threepenny King?" said Stedman, +plaintively. +</p> + +<p> +"No; you needn't give a literal translation; it can be as free as you +please." +</p> + +<p> +"Thanks," said the secretary, humbly. +</p> + +<p> +"And tell him," continued Gordon, "that we will give presents to him +and his warriors if he keeps away from Ollypybus, and agrees to keep +away always. If he won't do that, try to get him to agree to stay away +for three months at least, and by that time we can get word to San +Francisco, and have a dozen muskets over here in two months; and when +our time of probation is up, and he and his merry men come dancing +down the hillside, we will blow them up as high as his mountains. But +you needn't tell him that, either. And if he is proud and haughty, and +would rather fight, ask him to restrain himself until we show what we +can do with our weapons at two hundred yards." +</p> + +<p> +Stedman seated himself in the long grass in front of the King, and +with many revolving gestures of his arms, and much pointing to Gordon, +and profound nods and bows, retold what Gordon had dictated. When he +had finished, the King looked at the bundle of presents, and at the +guns, of which Stedman had given a very wonderful account, but +answered nothing. +</p> + +<p> +"I guess," said Stedman, with a sigh, "that we will have to give him a +little practical demonstration to help matters. I am sorry, but I +think one of those goats has got to die. It's like vivisection. The +lower order of animals have to suffer for the good of the higher." +</p> + +<p> +"Oh," said Bradley, Jr., cheerfully, "I'd just as soon shoot one of +those niggers as one of the goats." +</p> + +<p> +So Stedman bade the King tell his men to drive a goat toward them, and +the King did so, and one of the men struck one of the goats with his +spear, and it ran clumsily across the plain. +</p> + +<p> +"Take your time, Bradley," said Gordon. +</p> + +<p> +"Aim low, and if you hit it, you can have it for supper." +</p> + +<p> +"And if you miss it," said Stedman, gloomily, "Messenwah may have us +for supper." +</p> + +<p> +The Hillmen had seated themselves a hundred yards off, while the +leaders were debating, and they now rose curiously and watched +Bradley, as he sank upon one knee, and covered the goat with his +rifle. When it was about one hundred and fifty yards off he fired, and +the goat fell over dead. +</p> + +<p> +And then all the Hillmen, with the King himself, broke away on a run, +toward the dead animal, with much shouting. The King came back alone, +leaving his people standing about and examining the goat. He was much +excited, and talked and gesticulated violently. +</p> + +<p> +"He says—" said Stedman; "he says—" +</p> + +<p> +"What? yes, goon." +</p> + +<p> +"He says—goodness me!—what do you think he says?" +</p> + +<p> +"Well, what does he say?" cried Gordon, in great excitement. "Don't +keep it all to yourself." +</p> + +<p> +"He says," said Stedman, "that we are deceived; that he is no longer +King of the Island of Opeki; that he is in great fear of us, and that +he has got himself into no end of trouble. He says he sees that we are +indeed mighty men, that to us he is as helpless as the wild boar +before the javelin of the hunter." +</p> + +<p> +"Well, he's right," said Gordon. "Go on." +</p> + +<p> +"But that which we ask is no longer his to give. He has sold his +kingship and his right to this island to another king, who came to him +two days ago in a great canoe, and who made noises as we do—with +guns, I suppose he means—and to whom he sold the island for a watch +that he has in a bag around his neck. And that he signed a paper, and +made marks on a piece of bark, to show that he gave up the island +freely and forever." +</p> + +<p> +"What does he mean?" said Gordon. "How can he give up the island? +Ollypybus is the king of half of it, anyway, and he knows it." +</p> + +<p> +"That's just it," said Stedman. "That's what frightens him. He said he +didn't care about Ollypybus, and didn't count him in when he made the +treaty, because he is such a peaceful chap that he knew he could +thrash him into doing anything he wanted him to do. And now that you +have turned up and taken Ollypybus's part, he wishes he hadn't sold +the island, and wishes to know if you are angry." +</p> + +<p> +"Angry? of course I'm angry," said Gordon, glaring as grimly at the +frightened monarch as he thought was safe. "Who wouldn't be angry? Who +do you think these people were who made a fool of him, Stedman? Ask +him to let us see this watch." +</p> + +<p> +Stedman did so, and the King fumbled among his necklaces until he had +brought out a leather bag tied round his neck with a cord, and +containing a plain stem-winding silver watch marked on the inside +"Munich." +</p> + +<p> +"That doesn't tell anything," said Gordon. "But it's plain enough. +Some foreign ship of war has settled on this place as a +coaling-station, or has annexed it for colonization, and they've sent +a boat ashore, and they've made a treaty with this old chap, and +forced him to sell his birthright for a mess of porridge. Now, that's +just like those monarchical pirates, imposing upon a poor old black." +</p> + +<p> +Old Bradley looked at him impudently. +</p> + +<p> +"Not at all," said Gordon; "it's quite different with us; we don't +want to rob him or Ollypybus, or to annex their land. All we want to +do is to improve it, and have the fun of running it for them and +meddling in their affairs of state. Well, Stedman," he said, "what +shall we do?" +</p> + +<p> +Stedman said that the best and only thing to do was to threaten to +take the watch away from Messenwah, but to give him a revolver +instead, which would make a friend of him for life, and to keep him +supplied with cartridges only as long as he behaved himself, and then +to make him understand that, as Ollypybus had not given his consent to +the loss of the island, Messenwah's agreement, or treaty, or whatever +it was, did not stand, and that he had better come down the next day, +early in the morning, and join in a general consultation. This was +done, and Messenwah agreed willingly to their proposition, and was +given his revolver and shown how to shoot it, while the other presents +were distributed among the other men, who were as happy over them as +girls with a full dance-card. +</p> + +<p> +"And now, to-morrow," said Stedman, "understand, you are all to come +down unarmed, and sign a treaty with great Ollypybus, in which he will +agree to keep to one-half of the island if you keep to yours, and +there must be no more wars or goat-stealing, or this gentleman on my +right and I will come up and put holes in you just as the gentleman on +the left did with the goat." +</p> + +<p> +Messenwah and his warriors promised to come early, and saluted +reverently as Gordon and his three companions walked up together very +proudly and stiffly. +</p> + +<p> +"Do you know how I feel?" said Gordon. +</p> + +<p> +"How?" asked Stedman. +</p> + +<p> +"I feel as I used to do in the city, when the boys in the street were +throwing snowballs, and I had to go by with a high hat on my head and +pretend not to know they were behind me. I always felt a cold chill +down my spinal column, and I could feel that snowball, whether it came +or not, right in the small of my back. And I can feel one of those men +pulling his bow now, and the arrow sticking out of my right shoulder." +</p> + +<p> +"Oh, no, you can't," said Stedman. "They are too much afraid of those +rifles. But I do feel sorry for any of those warriors whom old man +Messenwah doesn't like, now that he has that revolver. He isn't the +sort to practise on goats." +</p> + +<p> +There was great rejoicing when Stedman and Gordon told their story to +the King, and the people learned that they were not to have their huts +burned and their cattle stolen. The armed Opekians formed a guard +around the ambassadors and escorted them to their homes with cheers +and shouts, and the women ran to their side and tried to kiss Gordon's +hand. +</p> + +<p> +"I'm sorry I can't speak the language, Stedman," said Gordon, "or I +would tell them what a brave man you are. You are too modest to do it +yourself, even if I dictated something for you to say. As for me," he +said, pulling off his uniform, "I am thoroughly disgusted and +disappointed. It never occurred to me until it was all over that this +was my chance to be a war correspondent. It wouldn't have been much of +a war, but then I would have been the only one on the spot, and that +counts for a great deal. Still, my time may come." +</p> + +<p> +"We have a great deal on hand for to-morrow," said Gordon that +evening, "and we had better turn in early." +</p> + +<p> +And so the people were still singing and rejoicing down in the village +when the two conspirators for the peace of the country went to sleep +for the night. It seemed to Gordon as though he had hardly turned his +pillow twice to get the coolest side when some one touched him, and he +saw, by the light of the dozen glowworms in the tumbler by his +bedside, a tall figure at its foot. +</p> + +<p> +"It's me—Bradley," said the figure. +</p> + +<p> +"Yes," said Gordon, with the haste of a man to show that sleep has no +hold on him; "exactly; what is it?" +</p> + +<p> +"There is a ship of war in the harbor," Bradley answered in a whisper. +"I heard her anchor chains rattle when she came to, and that woke me. +I could hear that if I were dead. And then I made sure by her lights; +she's a great boat, sir, and I can know she's a ship of war by the +challenging when they change the watch. I thought you'd like to know, +sir." +</p> + +<p> +Gordon sat up and clutched his knees with his hands. "Yes, of course," +he said; "you are quite right. Still, I don't see what there is to +do." +</p> + +<p> +He did not wish to show too much youthful interest, but though fresh +from civilization, he had learned how far from it he was, and he was +curious to see this sign of it that had come so much more quickly than +he had anticipated. +</p> + +<p> +"Wake Mr. Stedman, will you?" said he, "and we will go and take a look +at her." +</p> + +<p> +"You can see nothing but the lights," said Bradley, as he left the +room; "it's a black night, sir." +</p> + +<p> +Stedman was not new from the sight of men and ships of war, and came +in half dressed and eager. +</p> + +<p> +"Do you suppose it's the big canoe Messenwah spoke of?" he said. +</p> + +<p> +"I thought of that," said Gordon. +</p> + +<p> +The three men fumbled their way down the road to the plaza, and saw, +as soon as they turned into it, the great outlines and the brilliant +lights of an immense vessel, still more immense in the darkness, and +glowing like a strange monster of the sea, with just a suggestion here +and there, where the lights spread, of her cabins and bridges. As they +stood on the shore, shivering in the cool night-wind, they heard the +bells strike over the water. +</p> + +<p> +"It's two o'clock," said Bradley, counting. +</p> + +<p> +"Well, we can do nothing, and they cannot mean to do much to-night," +Albert said. "We had better get some more sleep, and, Bradley, you +keep watch and tell us as soon as day breaks." +</p> + +<p> +"Ay, ay, sir," said the sailor. +</p> + +<p> +"If that's the man-of-war that made the treaty with Messenwah, and +Messenwah turns up to-morrow, it looks as if our day would be pretty +well filled up," said Albert, as they felt their way back to the +darkness. +</p> + +<p> +"What do you intend to do?" asked his secretary, with a voice of some +concern. +</p> + +<p> +"I don't know," Albert answered gravely, from the blackness of the +night. "It looks as if we were getting ahead just a little too fast, +doesn't it? Well," he added, as they reached the house, "let's try to +keep in step with the procession, even if we can't be drum-majors and +walk in front of it." And with this cheering tone of confidence in +their ears, the two diplomats went soundly asleep again. +</p> + +<p> +The light of the rising sun filled the room, and the parrots were +chattering outside, when Bradley woke him again. +</p> + +<p> +"They are sending a boat ashore, sir," he said, excitedly, and filled +with the importance of the occasion. "She's a German man-of-war, and +one of the new model. A beautiful boat, sir; for her lines were laid +in Glasgow, and I can tell that, no matter what flag she flies. You +had best be moving to meet them: the village isn't awake yet." +</p> + +<p> +Albert took a cold bath and dressed leisurely; then he made Bradley, +Jr., who had slept through it all, get up breakfast, and the two young +men ate it and drank their coffee comfortably and with an air of +confidence that deceived their servants, if it did not deceive +themselves. But when they came down the path, smoking and swinging +their sticks, and turned into the plaza, their composure left them +like a mask, and they stopped where they stood. The plaza was enclosed +by the natives gathered in whispering groups, and depressed by fear +and wonder. On one side were crowded all the Messenwah warriors, +unarmed, and as silent and disturbed as the Opekians. In the middle of +the plaza some twenty sailors were busy rearing and bracing a tall +flag-staff that they had shaped from a royal palm, and they did this +as unconcernedly and as contemptuously, and with as much indifference +to the strange groups on either side of them, as though they were +working on a barren coast, with nothing but the startled sea-gulls +about them. As Albert and Stedman came upon the scene, the flagpole +was in place, and the halyards hung from it with a little bundle of +bunting at the end of one of them. +</p> + +<p> +"We must find the King at once," said Gordon. He was terribly excited +and angry. "It is easy enough to see what this means. They are going +through the form of annexing this island to the other lands of the +German Government. They are robbing old Ollypybus of what is his. They +have not even given him a silver watch for it." +</p> + +<p> +The King was in his bungalow, facing the plaza. Messenwah was with +him, and an equal number of each of their councils. The common danger +had made them lie down together in peace; but they gave a murmur of +relief as Gordon strode into the room with no ceremony, and greeted +them with a curt wave of the hand. +</p> + +<p> +"Now then, Stedman, be quick," he said. "Explain to them what this +means; tell them that I will protect them; that I am anxious to see +that Ollypybus is not cheated; that we will do all we can for them." +</p> + +<p> +Outside, on the shore, a second boat's crew had landed a group of +officers and a file of marines. They walked in all the dignity of full +dress across the plaza to the flag-pole, and formed in line on the +three sides of it, with the marines facing the sea. The officers, from +the captain with a prayer-book in his hand, to the youngest middy, +were as indifferent to the frightened natives about them as the other +men had been. The natives, awed and afraid, crouched back among their +huts, the marines and the sailors kept their eyes front, and the +German captain opened his prayer-book. The debate in the bungalow was +over. +</p> + +<p> +"If you only had your uniform, sir," said Bradley, Sr., miserably. +</p> + +<p> +"This is a little bit too serious for uniforms and bicycle medals," +said Gordon. "And these men are used to gold lace." +</p> + +<p> +He pushed his way through the natives, and stepped confidently across +the plaza. The youngest middy saw him coming, and nudged the one next +him with his elbow, and he nudged the next, but none of the officers +moved, because the captain had begun to read. +</p> + +<p> +"One minute, please," called Gordon. +</p> + +<p> +He stepped out into the hollow square formed by the marines, and +raised his helmet to the captain. +</p> + +<p> +"Do you speak English or French?" Gordon said in French; "I do not +understand German." +</p> + +<p> +The captain lowered the book in his hands and gazed reflectively at +Gordon through his spectacles, and made no reply. +</p> + +<p> +"If I understand this," said the younger man, trying to be very +impressive and polite, "you are laying claim to this land, in behalf +of the German Government." +</p> + +<p> +The captain continued to observe him thoughtfully, and then said, +"That is so," and then asked, "Who are you?" +</p> + +<p> +"I represent the King of this island, Ollypybus, whose people you see +around you. I also represent the United States Government, that does +not tolerate a foreign power near her coast, since the days of +President Monroe and before. The treaty you have made with Messenwah +is an absurdity. There is only one king with whom to treat, and he—" +</p> + +<p> +The captain turned to one of his officers and said something, and +then, after giving another curious glance at Gordon, raised his book +and continued reading, in a deep, unruffled monotone. The officer +whispered an order, and two of the marines stepped out of line, and +dropping the muzzles of their muskets, pushed Gordon back out of the +enclosure, and left him there with his lips white, and trembling all +over with indignation. He would have liked to have rushed back into +the lines and broken the captain's spectacles over his sun-tanned nose +and cheeks, but he was quite sure this would only result in his +getting shot, or in his being made ridiculous before the natives, +which was almost as bad; so he stood still for a moment, with his +blood choking him, and then turned and walked back to where the King +and Stedman were whispering together. Just as he turned, one of the +men pulled the halyards, the ball of bunting ran up into the air, +bobbed, twitched, and turned, and broke into the folds of the German +flag. At the same moment the marines raised their muskets and fired a +volley, and the officers saluted and the sailors cheered. +</p> + +<p> +"Do you see that?" cried Stedman, catching Gordon's humor, to +Ollypybus; "that means that you are no longer king, that strange +people are coming here to take your land, and to turn your people into +servants, and to drive you back into the mountains. Are you going to +submit? are you going to let that flag stay where it is?" +</p> + +<p> +Messenwah and Ollypybus gazed at one another with fearful, helpless +eyes. "We are afraid," Ollypybus cried; "we do not know what we should +do." +</p> + +<p> +"What do they say?" +</p> + +<p> +"They say they do not know what to do." +</p> + +<p> +"I know what I'd do," cried Gordon. "If I were not an American consul, +I'd pull down their old flag, and put a hole in their boat and sink +her." +</p> + +<p> +"Well, I'd wait until they get under way before you do either of those +things," said Stedman, soothingly. "That captain seems to be a man of +much determination of character." +</p> + +<p> +"But I will pull it down," cried Gordon. "I will resign, as Travis +did. I am no longer consul. You can be consul if you want to. I +promote you. I am going up a step higher. I mean to be king. Tell +those two," he ran on, excitedly, "that their only course and only +hope is in me; that they must make me ruler of the island until this +thing is over; that I will resign again as soon as it is settled, but +that some one must act at once, and if they are afraid to, I am not, +only they must give me authority to act for them. They must abdicate +in my favor." +</p> + +<p> +"Are you in earnest?" gasped Stedman. +</p> + +<p> +"Don't I talk as if I were?" demanded Gordon, wiping the perspiration +from his forehead. +</p> + +<p> +"And can I be consul?" said Stedman, cheerfully. +</p> + +<p> +"Of course. Tell them what I propose to do." +</p> + +<p> +Stedman turned and spoke rapidly to the two kings. The people gathered +closer to hear. +</p> + +<p> +The two rival monarchs looked at one another in silence for a moment, +and then both began to speak at once, their counsellors interrupting +them and mumbling their guttural comments with anxious earnestness. It +did not take them very long to see that they were all of one mind, and +then they both turned to Gordon and dropped on one knee, and placed +his hands on their foreheads, and Stedman raised his cap. +</p> + +<p> +"They agree," he explained, for it was but pantomime to Albert. "They +salute you as a ruler; they are calling you Tellaman, which means +peacemaker. The Peacemaker, that is your title. I hope you will +deserve it, but I think they might have chosen a more appropriate +one." +</p> + +<p> +"Then I'm really King?" demanded Albert, decidedly, "and I can do what +I please? They give me full power. Quick, do they?" +</p> + +<p> +"Yes, but don't do it," begged Stedman, "and just remember I am +American consul now, and that is a much superior being to a crowned +monarch; you said so yourself." +</p> + +<p> +Albert did not reply to this, but ran across the plaza, followed by +the two Bradleys. The boats had gone. +</p> + +<p> +"Hoist that flag beside the brass cannon," he cried, "and stand ready +to salute it when I drop this one." +</p> + +<p> +Bradley, Jr., grasped the halyards of the flag, which he had forgotten +to raise and salute in the morning in all the excitement of the +arrival of the man-of-war. Bradley, Sr., stood by the brass cannon, +blowing gently on his lighted fuse. The Peacemaker took the halyards +of the German flag in his two hands, gave a quick, sharp tug, and down +came the red, white, and black piece of bunting, and the next moment +young Bradley sent the Stars and Stripes up in its place. As it rose, +Bradley's brass cannon barked merrily like a little bull-dog, and the +Peacemaker cheered. +</p> + +<p> +"Why don't you cheer, Stedman?" he shouted. "Tell those people to +cheer for all they are worth. What sort of an American consul are +you?" +</p> + +<p> +Stedman raised his arm half-heartedly to give the time, and opened his +mouth; but his arm remained fixed and his mouth open, while his eyes +stared at the retreating boat of the German man-of-war. In the stern +sheets of this boat the stout German captain was struggling unsteadily +to his feet; he raised his arm and waved it to some one on the great +man-of-war, as though giving an order. The natives looked from Stedman +to the boat, and even Gordon stopped in his cheering, and stood +motionless, watching. They had not very long to wait. There was a puff +of white smoke, and a flash, and then a loud report, and across the +water came a great black ball skipping lightly through and over the +waves, as easily as a flat stone thrown by a boy. It seemed to come +very slowly. At least it came slowly enough for every one to see that +it was coming directly toward the brass cannon. The Bradleys certainly +saw this, for they ran as fast as they could, and kept on running. The +ball caught the cannon under its mouth and tossed it in the air, +knocking the flag-pole into a dozen pieces, and passing on through two +of the palm-covered huts. +</p> + +<p> +"Great Heavens, Gordon!" cried Stedman; "they are firing on us." +</p> + +<p> +But Gordon's face was radiant and wild. +</p> + +<p> +"Firing on <i>us</i>!" he cried. "On us! Don't you see? Don't you +understand? What do <i>we</i> amount to? They have fired on the +American flag! Don't you see what that means? It means war. A great +international war. And I am a war correspondent at last!" He ran up to +Stedman and seized him by the arm so tightly that it hurt. +</p> + +<p> +"By three o'clock," he said, "they will know in the office what has +happened. The country will know it to-morrow when the paper is on the +street; people will read it all over the world. The Emperor will hear +of it at breakfast; the President will cable for further particulars. +He will get them. It is the chance of a lifetime, and we are on the +spot!" +</p> + +<p> +Stedman did not hear this; he was watching the broadside of the ship +to see another puff of white smoke, but there came no such sign. The +two row-boats were raised, there was a cloud of black smoke from the +funnel, a creaking of chains sounding faintly across the water, and +the ship started at half-speed and moved out of the harbor. The +Opekians and the Hillmen fell on their knees, or to dancing, as best +suited their sense of relief, but Gordon shook his head. +</p> + +<p> +"They are only going to land the marines," he said; "perhaps they are +going to the spot they stopped at before, or to take up another +position farther out at sea. They will land men and then shell the +town, and the land forces will march here and co-operate with the +vessel, and everybody will be taken prisoner or killed. We have the +centre of the stage, and we are making history." +</p> + +<p> +"I'd rather read it than make it," said Stedman. "You've got us in a +senseless, silly position, Gordon, and a mighty unpleasant one. And +for no reason that I can see, except to make copy for your paper." +</p> + +<p> +"Tell those people to get their things together," said Gordon, "and +march back out of danger into the woods. Tell Ollypybus I am going to +fix things all right; I don't know just how yet, but I will, and now +come after me as quickly as you can to the cable office. I've got to +tell the paper all about it." +</p> + +<p> +It was three o'clock before the "chap at Octavia" answered Stedman's +signalling. Then Stedman delivered Gordon's message, and immediately +shut off all connection, before the Octavia operator could question +him. Gordon dictated his message in this way:— +</p> + +<p> +"Begin with the date line, 'Opeki, June 22.' +</p> + +<p> +"At seven o'clock this morning, the captain and officers of the German +man-of-war <i>Kaiser</i> went through the ceremony of annexing this +island in the name of the German Emperor, basing their right to do so +on an agreement made with a leader of a wandering tribe known as the +Hillmen. King Ollypybus, the present monarch of Opeki, delegated his +authority, as also did the leader of the Hillmen, to King Tellaman, or +the Peacemaker, who tore down the German flag, and raised that of the +United States in its place. At the same moment the flag was saluted by +the battery. This salute, being mistaken for an attack on the +<i>Kaiser</i>, was answered by that vessel. Her first shot took +immediate effect, completely destroying the entire battery of the +Opekians, cutting down the American flag, and destroying the houses of +the people—" +</p> + +<p> +"There was only one brass cannon and two huts," expostulated Stedman. +</p> + +<p> +"Well, that was the whole battery, wasn't it?" asked Gordon, "and two +huts is plural. I said houses of the people. I couldn't say two houses +of the people. Just you send this as you get it. You are not an +American consul at the present moment. You are an under-paid agent of +a cable company, and you send my stuff as I write it. The American +residents have taken refuge in the consulate—that's us," explained +Gordon, "and the English residents have sought refuge in the +woods—that's the Bradleys. King Tellaman—that's me—declares his +intention of fighting against the annexation. The forces of the +Opekians are under the command of Captain Thomas Bradley—I guess I +might as well make him a colonel—of Colonel Thomas Bradley, of the +English army. +</p> + +<p> +"The American consul says—Now, what do you say, Stedman? Hurry up, +please," asked Gordon, "and say something good and strong." +</p> + +<p> +"You get me all mixed up," complained Stedman, plaintively. "Which am +I now, a cable operator or the American consul?" +</p> + +<p> +"Consul, of course. Say something patriotic and about your +determination to protect the interests of your government, and all +that." Gordon bit the end of his pencil impatiently, and waited. +</p> + +<p> +"I won't do anything of the sort, Gordon," said Stedman; "you are +getting me into an awful lot of trouble, and yourself too. I won't say +a word." +</p> + +<p> +"The American consul," read Gordon, as his pencil wriggled across the +paper, "refuses to say anything for publication until he has +communicated with the authorities at Washington, but from all I can +learn he sympathizes entirely with Tellaman. Your correspondent has +just returned from an audience with King Tellaman, who rules him to +inform the American people that the Monroe doctrine will be sustained +as long as he rules this island. I guess that's enough to begin with," +said Gordon. "Now send that off quick, and then get away from the +instrument before the man in Octavia begins to ask questions. I am +going out to precipitate matters." +</p> + +<p> +Gordon found the two kings sitting dejectedly side by side, and gazing +grimly upon the disorder of the village, from which the people were +taking their leave as quickly as they could get their few belongings +piled upon the ox-carts. Gordon walked among them, helping them in +every way he could, and tasting, in their subservience and gratitude, +the sweets of sovereignty. When Stedman had locked up the cable office +and rejoined him, he bade him tell Messenwah to send three of his +youngest men and fastest runners back to the hills to watch for the +German vessel and see where she was attempting to land her marines. +</p> + +<p> +"This is a tremendous chance for descriptive writing, Stedman," said +Gordon, enthusiastically; "all this confusion and excitement, and the +people leaving their homes, and all that. It's like the people getting +out of Brussels before Waterloo, and then the scene at the foot of the +mountains, while they are camping out there, until the Germans leave. +I never had a chance like this before." +</p> + +<p> +It was quite dark by six o'clock, and none of the three messengers had +as yet returned. Gordon walked up and down the empty plaza and looked +now at the horizon for the man-of-war, and again down the road back of +the village. But neither the vessel nor the messengers bearing word of +her appeared. The night passed without any incident, and in the +morning Gordon's impatience became so great that he walked out to +where the villagers were in camp and passed on half way up the +mountain, but he could see no sign of the man-of-war. He came back +more restless than before, and keenly disappointed. +</p> + +<p> +"If something don't happen before three o'clock, Stedman," he said, +"our second cablegram will have to consist of glittering generalities +and a lengthy interview with King Tellaman, by himself." +</p> + +<p> +Nothing did happen. Ollypybus and Messenwah began to breathe more +freely. They believed the new king had succeeded in frightening the +German vessel away forever. But the new king upset their hopes by +telling them that the Germans had undoubtedly already landed, and had +probably killed the three messengers. +</p> + +<p> +"Now then," he said, with pleased expectation, as Stedman and he +seated themselves in the cable office at three o'clock, "open it up +and let's find out what sort of an impression we have made." +</p> + +<p> +Stedman's face, as the answer came in to his first message of +greeting, was one of strangely marked disapproval. +</p> + +<p> +"What does he say?" demanded Gordon, anxiously. +</p> + +<p> +"He hasn't done anything but swear yet," answered Stedman, grimly. +</p> + +<p> +"What is he swearing about?" +</p> + +<p> +"He wants to know why I left the cable yesterday. He says he has been +trying to call me up for the last twenty-four hours, ever since I sent +my message at three o'clock. The home office is jumping mad, and want +me discharged. They won't do that, though," he said, in a cheerful +aside, "because they haven't paid me my salary for the last eight +months. He says—great Scott! this will please you, Gordon—he says +that there have been over two hundred queries for matter from papers +all over the United States, and from Europe. Your paper beat them on +the news, and now the home office is packed with San Francisco +reporters, and the telegrams are coming in every minute, and they have +been abusing him for not answering them, and he says that I'm a fool. +He wants as much as you can send, and all the details. He says all the +papers will have to put 'By Yokohama Cable Company' on the top of each +message they print, and that that is advertising the company, and is +sending the stock up. It rose fifteen points on 'change in San +Francisco to-day, and the president and the other officers are +buying—" +</p> + +<p> +"Oh, I don't want to hear about their old company," snapped out +Gordon, pacing up and down in despair. "What am I to do? that's what I +want to know. Here I have the whole country stirred up and begging for +news. On their knees for it, and a cable all to myself, and the only +man on the spot, and nothing to say. I'd just like to know how long +that German idiot intends to wait before he begins shelling this town +and killing people. He has put me in a most absurd position." +</p> + +<p> +"Here's a message for you, Gordon," said Stedman, with business-like +calm. "Albert Gordon, correspondent," he read. "Try American consul. +First message O.K.; beat the country; can take all you send. Give +names of foreign residents massacred, and fuller account blowing up +palace. Dodge." +</p> + +<p> +The expression on Gordon's face as this message was slowly read off to +him, had changed from one of gratified pride to one of puzzled +consternation. +</p> + +<p> +"What's he mean by foreign residents massacred, and blowing up of +palace?" asked Stedman, looking over his shoulder anxiously. "Who is +Dodge?" +</p> + +<p> +"Dodge is the night editor," said Gordon, nervously. "They must have +read my message wrong. You sent just what I gave you, didn't you?" he +asked. +</p> + +<p> +"Of course I did," said Stedman, indignantly. +</p> + +<p> +"I didn't say anything about the massacre of anybody, did I?" asked +Gordon. "I hope they are not improving on my account. What <i>am</i> I +to do? This is getting awful. I'll have to go out and kill a few +people myself. Oh, why don't that Dutch captain begin to do something! +What sort of a fighter does he call himself? He wouldn't shoot at a +school of porpoises. He's not—" +</p> + +<p> +"Here comes a message to Leonard T. Travis, American consul, Opeki," +read Stedman. "It's raining messages to-day. 'Send full details of +massacre of American citizens by German sailors.' Secretary of—great +Scott!" gasped Stedman, interrupting himself and gazing at his +instrument with horrified fascination—"the Secretary of State." +</p> + +<p> +"That settles it," roared Gordon, pulling at his hair and burying his +face in his hands. "I have <i>got</i> to kill some of them now." +</p> + +<p> +"Albert Gordon, correspondent," read Stedman, impressively, like the +voice of Fate. "Is Colonel Thomas Bradley, commanding native forces +at Opeki, Colonel Sir Thomas Kent-Bradley of Crimean war fame? +Correspondent London <i>Times</i>, San Francisco Press Club." +</p> + +<p> +"Go on, go on!" said Gordon, desperately. "I'm getting used to it now. +Go on!" +</p> + +<p> +"American consul, Opeki," read Stedman. "Home Secretary desires you to +furnish list of names English residents killed during shelling of +Opeki by ship of war <i>Kaiser</i>, and estimate of amount property +destroyed. Stoughton, British Embassy, Washington." +</p> + +<p> +"Stedman!" cried Gordon, jumping to his feet, "there's a mistake here +somewhere. These people cannot all have made my message read like +that. Some one has altered it, and now I have got to make these people +here live up to that message, whether they like being massacred and +blown up or not. Don't answer any of those messages except the one +from Dodge; tell him things have quieted down a bit, and that I'll +send four thousand words on the flight of the natives from the +village, and their encampment at the foot of the mountains, and of the +exploring party we have sent out to look for the German vessel; and +now I am going out to make something happen." +</p> + +<p> +Gordon said that he would be gone for two hours at least, and as +Stedman did not feel capable of receiving any more nerve-stirring +messages, he cut off all connection with Octavia by saying, "Good-by +for two hours," and running away from the office. He sat down on a +rock on the beach, and mopped his face with his handkerchief. +</p> + +<p> +"After a man has taken nothing more exciting than weather reports from +Octavia for a year," he soliloquized, "it's a bit disturbing to have +all the crowned heads of Europe and their secretaries calling upon you +for details of a massacre that never came off." +</p> + +<p> +At the end of two hours Gordon returned from the consulate with a mass +of manuscript in his hand. +</p> + +<p> +"Here's three thousand words," he said, desperately. "I never wrote +more and said less in my life. It will make them weep at the office. I +had to pretend that they knew all that had happened so far; they +apparently do know more than we do, and I have filled it full of +prophecies of more trouble ahead, and with interviews with myself and +the two ex-Kings. The only news element in it is, that the messengers +have returned to report that the German vessel is not in sight, and +that there is no news. They think she has gone for good. Suppose she +has, Stedman," he groaned, looking at him helplessly, "what <i>am</i> +I going to do?" +</p> + +<p> +"Well, as for me," said Stedman, "I'm afraid to go near that cable. +It's like playing with a live wire. My nervous system won't stand many +more such shocks as those they gave us this afternoon." +</p> + +<p> +Gordon threw himself down dejectedly in a chair in the office, and +Stedman approached his instrument gingerly, as though it might +explode. +</p> + +<p> +"He's swearing again," he explained, sadly, in answer to Gordon's look +of inquiry. "He wants to know when I am going to stop running away +from the wire. He has a stack of messages to send, he says, but I +guess he'd better wait and take your copy first; don't you think so?" +</p> + +<p> +"Yes, I do," said Gordon. "I don't want any more messages than I've +had. That's the best I can do," he said, as he threw his manuscript +down beside Stedman. "And they can keep on cabling until the wire +burns red hot, and they won't get any more." +</p> + +<p> +There was silence in the office for some time, while Stedman looked +over Gordon's copy, and Gordon stared dejectedly out at the ocean. +</p> + +<p> +"This is pretty poor stuff, Gordon," said Stedman. "It's like giving +people milk when they want brandy." +</p> + +<p> +"Don't you suppose I know that?" growled Gordon. "It's the best I can +do, isn't it? It's not my fault that we are not all dead now. I can't +massacre foreign residents if there are no foreign residents, but I +can commit suicide, though, and I'll do it if something don't happen." +</p> + +<p> +There was a long pause, in which the silence of the office was only +broken by the sound of the waves beating on the coral reefs outside. +Stedman raised his head wearily. +</p> + +<p> +"He's swearing again," he said; "he says this stuff of yours is all +nonsense. He says stock in the Y.C.C. has gone up to one hundred and +two, and that owners are unloading and making their fortunes, and that +this sort of descriptive writing is not what the company want." +</p> + +<p> +"What's he think I'm here for?" cried Gordon. "Does he think I pulled +down the German flag and risked my neck half a dozen times and had +myself made King just to boom his Yokohama cable stock? Confound him! +You might at least swear back. Tell him just what the situation is in +a few words. Here, stop that rigmarole to the paper, and explain to +your home office that we are awaiting developments, and that, in the +meanwhile, they must put up with the best we can send them. Wait; send +this to Octavia." +</p> + +<p> +Gordon wrote rapidly, and read what he wrote as rapidly as it was +written. +</p> + +<p> +"Operator, Octavia. You seem to have misunderstood my first message. +The facts in the case are these. A German man-of-war raised a flag on +this island. It was pulled down and the American flag raised in its +place and saluted by a brass cannon. The German man-of-war fired once +at the flag and knocked it down, and then steamed away and has not +been seen since. Two huts were upset, that is all the damage done; the +battery consisted of the one brass cannon before mentioned. No one, +either native or foreign, has been massacred. The English residents +are two sailors. The American residents are the young man who is +sending you this cable and myself. Our first message was quite true in +substance, but perhaps misleading in detail. I made it so because I +fully expected much more to happen immediately. Nothing has happened, +or seems likely to happen, and that is the exact situation up to date. +Albert Gordon." +</p> + +<p> +"Now," he asked, after a pause, "what does he say to that?" +</p> + +<p> +"He doesn't say anything," said Stedman. +</p> + +<p> +"I guess he has fainted. Here it comes," he added in the same breath. +He bent toward his instrument, and Gordon raised himself from his +chair and stood beside him as he read it off. The two young men hardly +breathed in the intensity of their interest. +</p> + +<p> +"Dear Stedman," he slowly read aloud. "You and your young friend are a +couple of fools. If you had allowed me to send you the messages +awaiting transmission here to you, you would not have sent me such a +confession of guilt as you have just done. You had better leave Opeki +at once or hide in the hills. I am afraid I have placed you in a +somewhat compromising position with the company, which is unfortunate, +especially as, if I am not mistaken, they owe you some back pay. You +should have been wiser in your day, and bought Y.C.C. stock when it +was down to five cents, as 'yours truly' did. You are not, Stedman, as +bright a boy as some. And as for your friend, the war correspondent, +he has queered himself for life. You see, my dear Stedman, after I had +sent off your first message, and demands for further details came +pouring in, and I could not get you at the wire to supply them, I took +the liberty of sending some on myself." +</p> + +<p> +"Great Heavens!" gasped Gordon. +</p> + +<p> +Stedman grew very white under his tan, and the perspiration rolled on +his cheeks. +</p> + +<p> +"Your message was so general in its nature, that it allowed my +imagination full play, and I sent on what I thought would please the +papers, and, what was much more important to me, would advertise the +Y.C.C. stock. This I have been doing while waiting for material from +you. Not having a clear idea of the dimensions or population of Opeki, +it is possible that I have done you and your newspaper friend some +injustice. I killed off about a hundred American residents, two +hundred English, because I do not like the English, and a hundred +French. I blew up old Ollypybus and his palace with dynamite, and +shelled the city, destroying some hundred thousand dollars' worth of +property, and then I waited anxiously for your friend to substantiate +what I had said. This he has most unkindly failed to do. I am very +sorry, but much more so for him than for myself, for I, my dear +friend, have cabled on to a man in San Francisco, who is one of the +directors of the Y.C.C. to sell all my stock, which he has done at one +hundred and two, and he is keeping the money until I come. And I leave +Octavia this afternoon to reap my just reward. I am in about twenty +thousand dollars on your little war, and I feel grateful. So much so +that I will inform you that the ship of war <i>Kaiser</i> has arrived +at San Francisco, for which port she sailed directly from Opeki. Her +captain has explained the real situation, and offered to make every +amend for the accidental indignity shown to our flag. He says he aimed +at the cannon, which was trained on his vessel, and which had first +fired on him. But you must know, my dear Stedman, that before his +arrival, war-vessels belonging to the several powers mentioned in my +revised despatches, had started for Opeki at full speed, to revenge +the butchery of the foreign residents. A word, my dear young friend, +to the wise is sufficient. I am indebted to you to the extent of +twenty thousand dollars, and in return I give you this kindly advice. +Leave Opeki. If there is no other way, swim. But leave Opeki." +</p> + +<p> +The sun, that night, as it sank below the line where the clouds seemed +to touch the sea, merged them both into a blazing, blood-red curtain, +and colored the most wonderful spectacle that the natives of Opeki had +ever seen. Six great ships of war, stretching out over a league of +sea, stood blackly out against the red background, rolling and rising, +and leaping forward, flinging back smoke and burning sparks up into +the air behind them, and throbbing and panting like living creatures +in their race for revenge. From the south came a three-decked vessel, +a great island of floating steel, with a flag as red as the angry sky +behind it, snapping in the wind. To the south of it plunged two long +low-lying torpedo-boats, flying the French tri-color, and still +farther to the north towered three magnificent hulls of the White +Squadron. Vengeance was written on every curve and line, on each +straining engine-rod, and on each polished gun-muzzle. +</p> + +<p> +And in front of these, a clumsy fishing-boat rose and fell on each +passing wave. Two sailors sat in the stern, holding the rope and +tiller, and in the bow, with their backs turned forever toward Opeki, +stood two young boys, their faces lit by the glow of the setting sun +and stirred by the sight of the great engines of war plunging past +them on their errand of vengeance. +</p> + +<p> +"Stedman," said the elder boy, in an awe-struck whisper, and with a +wave of his hand, "we have not lived in vain." +</p> + +<br> +<br> +<br> +<br> +<hr class="full" noshade> +<p>***END OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES***</p> +<p>******* This file should be named 16090-h.txt or 16090-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/dirs/1/6/0/9/16090">https://www.gutenberg.org/1/6/0/9/16090</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="https://gutenberg.org/license">https://gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="https://www.gutenberg.org">https://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="https://www.gutenberg.org/dirs/etext06/">https://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="https://www.gutenberg.org/dirs/GUTINDEX.ALL">https://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/16090-h/images/014.jpg b/16090-h/images/014.jpg Binary files differnew file mode 100644 index 0000000..ac31da1 --- /dev/null +++ b/16090-h/images/014.jpg diff --git a/16090-h/images/038.jpg b/16090-h/images/038.jpg Binary files differnew file mode 100644 index 0000000..d0312f1 --- /dev/null +++ b/16090-h/images/038.jpg diff --git a/16090-h/images/152.jpg b/16090-h/images/152.jpg Binary files differnew file mode 100644 index 0000000..93291f8 --- /dev/null +++ b/16090-h/images/152.jpg diff --git a/16090-h/images/262.jpg b/16090-h/images/262.jpg Binary files differnew file mode 100644 index 0000000..ca220f5 --- /dev/null +++ b/16090-h/images/262.jpg diff --git a/16090-h/images/frontispiece.jpg b/16090-h/images/frontispiece.jpg Binary files differnew file mode 100644 index 0000000..d6100a2 --- /dev/null +++ b/16090-h/images/frontispiece.jpg diff --git a/16090.txt b/16090.txt new file mode 100644 index 0000000..39be0ad --- /dev/null +++ b/16090.txt @@ -0,0 +1,8019 @@ +The Project Gutenberg eBook, The Exiles and Other Stories, by Richard +Harding Davis, et al + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Exiles and Other Stories + The Exiles; The Boy Orator of Zepata City; The Other Woman; On the Fever Ship; The Lion and the Unicorn; The Last Ride Together; Miss Delamar's Understudy; The Reporter Who Made Himself King + + +Author: Richard Harding Davis + + + +Release Date: June 18, 2005 [eBook #16090] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES*** + + +E-text prepared by Audrey Longhurst and the Project Gutenberg Online +Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 16090-h.htm or 16090-h.zip: + (https://www.gutenberg.org/dirs/1/6/0/9/16090/16090-h/16090-h.htm) + or + (https://www.gutenberg.org/dirs/1/6/0/9/16090/16090-h.zip) + + + + + +The Novels and Stories of Richard Harding Davis + +THE EXILES AND OTHER STORIES + +by + +RICHARD HARDING DAVIS + +With an Introduction by Charles Dana Gibson + +Illustrated + +NEW YORK +CHARLES SCRIBNER'S SONS + +1919 + +"The Exiles" and "The Boy Orator of Zepata City" from "The Exiles," +copyright, 1894, by HARPER & BROTHERS. +"The Other Woman" from "Gallagher," copyright, 1891, by CHARLES +SCRIBNER'S SONS; "On the Fever Ship," "The Lion and the Unicorn," and +"The Last Ride Together" from "The Lion and the Unicorn," copyright, +1899, by CHARLES SCRIBNER'S SONS; "Miss Delamar's Understudy" from +"Cinderella," copyright, 1896, by CHARLES SCRIBNER'S SONS; "The +Reporter Who Made Himself King" from "Stories for Boys," copyright, +1891, by CHARLES SCRIBNER'S SONS. + + + + + + + +[Illustration: Instead she buried her face in its folds.] + + + + + +TO MY FRIEND + +J. DAVIS BRODHEAD + + + + +THE FIRST GLIMPSE OF DAVIS + + +Dick was twenty-four years old when he came into the smoking-room of +the Victoria Hotel, in London, after midnight one July night--he was +dressed as a Thames boatman. + +He had been rowing up and down the river since sundown, looking for +color. He had evidently peopled every dark corner with a pirate, and +every floating object had meant something to him. He had adventure +written all over him. It was the first time I had ever seen him, and +I had never heard of him. I can't now recall another figure in that +smoke-filled room. I don't remember who introduced us--over +twenty-seven years have passed since that night. But I can see Dick +now dressed in a rough brown suit, a soft hat, with a handkerchief +about his neck, a splendid, healthy, clean-minded, gifted boy at play. +And so he always remained. + +His going out of this world seemed like a boy interrupted in a game he +loved. And how well and fairly he played it! Surely no one deserved +success more than Dick. And it is a consolation to know he had more +than fifty years of just what he wanted. He had health, a great +talent, and personal charm. There never was a more loyal or unselfish +friend. There wasn't an atom of envy in him. He had unbounded mental +and physical courage, and with it all he was sensitive and sometimes +shy. He often tried to conceal these last two qualities, but never +succeeded in doing so from those of us who were privileged really to +know and love him. + +His life was filled with just the sort of adventure he liked the best. +No one ever saw more wars in so many different places or got more out +of them. And it took the largest war in all history to wear out that +stout heart. + +We shall miss him. + +CHARLES DANA GIBSON. + + + + +CONTENTS + + +The First Glimpse of Davis Charles Dana Gibson + +THE EXILES + +THE BOY ORATOR OF ZEPATA CITY + +THE OTHER WOMAN + +ON THE FEVER SHIP + +THE LION AND THE UNICORN + +THE LAST RIDE TOGETHER + +MISS DELAMAR'S UNDERSTUDY + +THE REPORTER WHO MADE HIMSELF KING + + + + +ILLUSTRATIONS + + +INSTEAD SHE BURIED HER FACE IN ITS FOLDS (Frontispiece) + +STOPPING FOR HALF-HOURS AT A TIME BEFORE A BAZAAR + +THE BOAR HUNT + +CONSUMED TEA AND THIN SLICES OF BREAD + +"I NEVER SAW A KING," GORDON REMARKED + + + + +THE EXILES + +I + + +The greatest number of people in the world prefer the most highly +civilized places of the world, because they know what sort of things +are going to happen there, and because they also know by experience +that those are the sort of things they like. A very few people prefer +barbarous and utterly uncivilized portions of the globe for the reason +that they receive while there new impressions, and because they like +the unexpected better than a routine of existence, no matter how +pleasant that routine may be. But the most interesting places of all +to study are those in which the savage and the cultivated man lie down +together and try to live together in unity. This is so because we can +learn from such places just how far a man of cultivation lapses into +barbarism when he associates with savages, and how far the remnants of +his former civilization will have influence upon the barbarians among +whom he has come to live. + +There are many such colonies as these, and they are the most picturesque +plague-spots on the globe. You will find them in New Zealand and at +Yokohama, in Algiers, Tunis, and Tangier, and scattered thickly all +along the South American coast-line wherever the law of extradition +obtains not, and where public opinion, which is one of the things a +colony can do longest without, is unknown. These are the unofficial +Botany Bays and Melillas of the world, where the criminal goes of his +own accord, and not because his government has urged him to do so and +paid his passage there. This is the story of a young man who went to +such a place for the benefit he hoped it would be to his health, and +not because he had robbed any one, or done a young girl an injury. He +was the only son of Judge Henry Howard Holcombe, of New York. That was +all that it was generally considered necessary to say of him. It was +not, however, quite enough, for, while his father had had nothing but +the right and the good of his State and country to think about, the +son was further occupied by trying to live up to his father's name. +Young Holcombe was impressed by this fact from his earliest childhood. +It rested upon him while at Harvard and during his years at the law +school, and it went with him into society and into the courts of law. +When he rose to plead a case he did not forget, nor did those present +forget, that his father while alive had crowded those same halls with +silent, earnest listeners; and when he addressed a mass-meeting at +Cooper Union, or spoke from the back of a cart in the East Side, some +one was sure to refer to the fact that this last speaker was the son +of the man who was mobbed because he had dared to be an abolitionist, +and who later had received the veneration of a great city for his +bitter fight against Tweed and his followers. + +Young Holcombe was an earnest member of every reform club and citizens' +league, and his distinguished name gave weight as a director to +charitable organizations and free kindergartens. He had inherited his +hatred of Tammany Hall, and was unrelenting in his war upon it and its +handiwork, and he spoke of it and of its immediate downfall with the +bated breath of one who, though amazed at the wickedness of the thing +he fights, is not discouraged nor afraid. And he would listen to no +half-measures. Had not his grandfather quarrelled with Henry Clay, and +so shaken the friendship of a lifetime, because of a great compromise +which he could not countenance? And was his grandson to truckle and +make deals with this hideous octopus that was sucking the life-blood +from the city's veins? Had he not but yesterday distributed six +hundred circulars, calling for honest government, to six hundred +possible voters, all the way up Fourth Avenue?--and when some flippant +one had said that he might have hired a messenger-boy to have done it +for him and so saved his energies for something less mechanical, he +had rebuked the speaker with a reproachful stare and turned away in +silence. + +Life was terribly earnest to young Holcombe, and he regarded it from +the point of view of one who looks down upon it from the judge's bench, +and listens with a frown to those who plead its cause. He was not +fooled by it; he was alive to its wickedness and its evasions. He would +tell you that he knew for a fact that the window man in his district +was a cousin of the Tammany candidate, and that the contractor who had +the cleaning of the street to do was a brother-in-law of one of the +Hall's sachems, and that the policeman on his beat had not been in the +country eight months. He spoke of these damning facts with the air of +one who simply tells you that much, that you should see how terrible +the whole thing really was, and what he could tell if he wished. + +In his own profession he recognized the trials of law-breakers only as +experiments which went to establish and explain a general principle. +And prisoners were not men to him, but merely the exceptions that +proved the excellence of a rule. Holcombe would defend the lowest +creature or the most outrageous of murderers, not because the man was +a human being fighting for his liberty or life, but because he wished +to see if certain evidence would be admitted in the trial of such a +case. Of one of his clients the judge, who had a daughter of his own, +said, when he sentenced him, "Were there many more such men as you in +the world, the women of this land would pray to God to be left +childless." And when some one asked Holcombe, with ill-concealed +disgust, how he came to defend the man, he replied: "I wished to show +the unreliability of expert testimony from medical men. Yes; they tell +me the man was a very bad lot." + +It was measures, not men, to Holcombe, and law and order were his twin +goddesses, and "no compromise" his watchword. + +"You can elect your man if you'll give me two thousand dollars to +refit our club-room with," one of his political acquaintances once +said to him. "We've five hundred voters on the rolls now, and the +members vote as one man. You'd be saving the city twenty times that +much if you keep Croker's man out of the job. You know _that_ as +well as I do." + +"The city can better afford to lose twenty thousand dollars," Holcombe +answered, "than we can afford to give a two-cent stamp for +corruption." + +"All right," said the heeler; "all right, Mr. Holcombe. Go on. Fight +'em your own way. If they'd agree to fight you with pamphlets and +circulars you'd stand a chance, sir; but as long as they give out +money and you give out reading-matter to people that can't read, +they'll win, and I naturally want to be on the winning side." + +When the club to which Holcombe belonged finally succeeded in getting +the Police Commissioners indicted for blackmailing gambling-houses, +Holcombe was, as a matter of course and of public congratulation, on +the side of the law; and as Assistant District Attorney--a position +given him on account of his father's name and in the hope that it +would shut his mouth--distinguished himself nobly. + +Of the four commissioners, three were convicted--the fourth, Patrick +Meakim, with admirable foresight having fled to that country from +which few criminals return, and which is vaguely set forth in the +newspapers as "parts unknown." + +The trial had been a severe one upon the zealous Mr. Holcombe, who +found himself at the end of it in a very bad way, with nerves unstrung +and brain so fagged that he assented without question when his doctor +exiled him from New York by ordering a sea voyage, with change of +environment and rest at the other end of it. Some one else suggested +the northern coast of Africa and Tangier, and Holcombe wrote minute +directions to the secretaries of all of his reform clubs urging +continued efforts on the part of his fellow-workers, and sailed away +one cold winter's morning for Gibraltar. The great sea laid its hold +upon him, and the winds from the south thawed the cold in his bones, +and the sun cheered his tired spirit. He stretched himself at full +length reading those books which one puts off reading until illness +gives one the right to do so, and so far as in him lay obeyed his +doctor's first command, that he should forget New York and all that +pertained to it. By the time he had reached the Rock he was up and +ready to drift farther into the lazy, irresponsible life of the +Mediterranean coast, and he had forgotten his struggles against +municipal misrule, and was at times for hours together utterly +oblivious of his own personality. + +A dumpy, fat little steamer rolled itself along like a sailor on shore +from Gibraltar to Tangier, and Holcombe, leaning over the rail of its +quarter-deck, smiled down at the chattering group of Arabs and Moors +stretched on their rugs beneath him. A half-naked negro, pulling at +the dates in the basket between his bare legs, held up a handful to +him with a laugh, and Holcombe laughed back and emptied the cigarettes +in his case on top of him, and laughed again as the ship's crew and +the deck passengers scrambled over one another and shook out their +voluminous robes in search of them. He felt at ease with the world and +with himself, and turned his eyes to the white walls of Tangier with a +pleasure so complete that it shut out even the thought that it was a +pleasure. + +The town seemed one continuous mass of white stucco, with each flat, +low-lying roof so close to the other that the narrow streets left no +trace. To the left of it the yellow coastline and the green +olive-trees and palms stretched up against the sky, and beneath him +scores of shrieking blacks fought in their boats for a place beside +the steamer's companion-way. He jumped into one of these open wherries +and fell sprawling among his baggage, and laughed lightly as a boy as +the boatman set him on his feet again, and then threw them from under +him with a quick stroke of the oars. The high, narrow pier was crowded +with excited customs officers in ragged uniforms and dirty turbans, +and with a few foreign residents looking for arriving passengers. +Holcombe had his feet on the upper steps of the ladder, and was +ascending slowly. There was a fat, heavily built man in blue serge +leaning across the railing of the pier. He was looking down, and as +his eyes met Holcombe's face his own straightened into lines of +amazement and most evident terror. Holcombe stopped at the sight, and +stared back wondering. And then the lapping waters beneath him and the +white town at his side faded away, and he was back in the hot, crowded +court-room with this man's face before him. Meakim, the fourth of the +Police Commissioners, confronted him, and saw in his presence nothing +but a menace to himself. + +Holcombe came up the last steps of the stairs, and stopped at their +top. His instinct and life's tradition made him despise the man, and +to this was added the selfish disgust that his holiday should have +been so soon robbed of its character by this reminder of all that he +had been told to put behind him. + +Meakim swept off his hat as though it were hurting him, and showed the +great drops of sweat on his forehead. + +"For God's sake!" the man panted, "you can't touch me here, Mr. +Holcombe. I'm safe here; they told me I'd be. You can't take me. You +can't touch me." + +Holcombe stared at the man coldly, and with a touch of pity and +contempt. "That is quite right, Mr. Meakim," he said. "The law cannot +reach you here." + +"Then what do you want with me?" the man demanded, forgetful in his +terror of anything but his own safety. + +Holcombe turned upon him sharply. "I am not here on your account, Mr. +Meakim," he said. "You need not feel the least uneasiness, and," he +added, dropping his voice as he noticed that others were drawing near, +"if you keep out of my way, I shall certainly keep out of yours." + +The Police Commissioner gave a short laugh partly of bravado and +partly at his own sudden terror. "I didn't know," he said, breathing +with relief. "I thought you'd come after me. You don't wonder you give +me a turn, do you? I _was_ scared." He fanned himself with his +straw hat, and ran his tongue over his lips. "Going to be here some +time, Mr. District Attorney?" he added, with grave politeness. + +Holcombe could not help but smile at the absurdity of it. It was so +like what he would have expected of Meakim and his class to give every +office-holder his full title. "No, Mr. Police Commissioner," he +answered, grimly, and nodding to his boatmen, pushed his way after +them and his trunks along the pier. + +Meakim was waiting for him as he left the custom-house. He touched his +hat, and bent the whole upper part of his fat body in an awkward bow. +"Excuse me, Mr. District Attorney," he began. + +"Oh, drop that, will you?" snapped Holcombe. "Now, what is it you +want, Meakim?" + +"I was only going to say," answered the fugitive, with some offended +dignity, "that as I've been here longer than you, I could perhaps give +you pointers about the hotels. I've tried 'em all, and they're no +good, but the Albion's the best." + +"Thank you, I'm sure," said Holcombe. "But I have been told to go to +the Isabella." + +"Well, that's pretty good, too," Meakim answered, "if you don't mind +the tables. They keep you awake most of the night, though, and--" + +"The tables? I beg your pardon," said Holcombe, stiffly. + +"Not the eatin' tables; the roulette tables," corrected Meakim. "Of +course," he continued, grinning, "if you're fond of the game, Mr. +Holcombe, it's handy having them in the same house, but I can steer +you against a better one back of the French Consulate. Those at the +Hotel Isabella's crooked." + +Holcombe stopped uncertainly. "I don't know just what to do," he said. +"I think I shall wait until I can see our consul here." + +"Oh, he'll send you to the Isabella," said Meakim, cheerfully. "He +gets two hundred dollars a week for protecting the proprietor, so he +naturally caps for the house." + +Holcombe opened his mouth to express himself, but closed it again, and +then asked, with some misgivings, of the hotel of which Meakim had +first spoken. + +"Oh, the Albion. Most all the swells go there. It's English, and they +cook you a good beefsteak. And the boys generally drop in for table +d'hote. You see, that's the worst of this place, Mr. Holcombe; there's +nowhere to go evenings--no club-rooms nor theatre nor nothing; only +the smoking-room of the hotel or that gambling-house; and they spring +a double naught on you if there's more than a dollar up." + +Holcombe still stood irresolute, his porters eying him from under +their burdens, and the runners from the different hotels plucking at +his sleeve. + +"There's some very good people at the Albion," urged the Police +Commissioner, "and three or four of 'em's New-Yorkers. There's the +Morrises and Ropes, the Consul-General, and Lloyd Carroll--" + +"Lloyd Carroll!" exclaimed Holcombe. + +"Yes," said Meakim, with a smile, "he's here." He looked at Holcombe +curiously for a moment, and then exclaimed, with a laugh of +intelligence, "Why, sure enough, you were Mr. Thatcher's lawyer in +that case, weren't you? It was you got him his divorce?" + +Holcombe nodded. + +"Carroll was the man that made it possible, wasn't he?" + +Holcombe chafed under this catechism. "He was one of a dozen, I +believe," he said; but as he moved away he turned and asked: "And Mrs. +Thatcher. What has become of her?" + +The Police Commissioner did not answer at once, but glanced up at +Holcombe from under his half-shut eyes with a look in which there was +a mixture of curiosity and of amusement. "You don't mean to say, Mr. +Holcombe," he began, slowly, with the patronage of the older man and +with a touch of remonstrance in his tone, "that you're _still_ +with the husband in that case?" + +Holcombe looked coldly over Mr. Meakim's head. "I have only a purely +professional interest in any one of them," he said. "They struck me as +a particularly nasty lot. Good-morning, sir." + +"Well," Meakim called after him, "you needn't see nothing of them if +you don't want to. You can get rooms to yourself." + +Holcombe did get rooms to himself, with a balcony overlooking the bay, +and arranged with the proprietor of the Albion to have his dinner +served at a separate table. As others had done this before, no one +regarded it as an affront upon his society, and several people in the +hotel made advances to him, which he received politely but coldly. For +the first week of his visit the town interested him greatly, +increasing its hold upon him unconsciously to himself. He was restless +and curious to see it all, and rushed his guide from one of the few +show-places to the next with an energy which left that fat Oriental +panting. + +[Illustration: Stopping for half-hours at a time before a bazaar.] + +But after three days Holcombe climbed the streets more leisurely, +stopping for half-hours at a time before a bazaar, or sent away his +guide altogether, and stretched himself luxuriously on the broad wall +of the fortifications. The sun beat down upon him, and wrapped him +into drowsiness. From far afield came the unceasing murmur of the +market-place and the bazaars, and the occasional cries of the priests +from the minarets; the dark blue sea danced and flashed beyond the +white margin of the town and its protecting reef of rocks where the +sea-weed rose and fell, and above his head the buzzards swept heavily, +and called to one another with harsh, frightened cries. At his side +lay the dusty road, hemmed in by walls of cactus, and along its narrow +length came lines of patient little donkeys with jangling necklaces, +led by wild-looking men from the farm-lands and the desert, and women +muffled and shapeless, with only their bare feet showing, who looked +at him curiously or meaningly from over the protecting cloth, and +passed on, leaving him startled and wondering. He began to find that +the books he had brought wearied him. The sight of the type alone was +enough to make him close the covers and start up restlessly to look +for something less absorbing. He found this on every hand, in the lazy +patience of the bazaars and of the markets, where the chief service of +all was that of only standing and waiting, and in the farm-lands +behind Tangier, where half-naked slaves drove great horned buffalo, +and turned back the soft, chocolate-colored sod with a wooden plough. +But it was a solitary, selfish holiday, and Holcombe found himself +wanting certain ones at home to bear him company, and was surprised to +find that of these none were the men nor the women with whom his +interests in the city of New York were the most closely connected. +They were rather foolish people, men at whom he had laughed and whom +he had rather pitied for having made him do so, and women he had +looked at distantly as of a kind he might understand when his work was +over and he wished to be amused. The young girls to whom he was in the +habit of pouring out his denunciations of evil, and from whom he was +accustomed to receive advice and moral support, he could not place in +this landscape. He felt uneasily that they would not allow him to +enjoy it his own way; they would consider the Moor historically as the +invader of Catholic Europe, and would be shocked at the lack of proper +sanitation, and would see the mud. As for himself, he had risen above +seeing the mud. He looked up now at the broken line of the roof-tops +against the blue sky, and when a hooded figure drew back from his +glance he found himself murmuring the words of an Eastern song he had +read in a book of Indian stories: + + "Alone upon the house-tops, to the north + I turn and watch the lightning in the sky,-- + The glamour of thy footsteps in the north. + Come back to me, Beloved, or I die! + + "Below my feet the still bazaar is laid. + Far, far below, the weary camels lie--" + +Holcombe laughed and shrugged his shoulders. He had stopped half-way +down the hill on which stands the Bashaw's palace, and the whole of +Tangier lay below him like a great cemetery of white marble. The moon +was shining clearly over the town and the sea, and a soft wind from +the sandy farm-lands came to him and played about him like the +fragrance of a garden. Something moved in him that he did not +recognize, but which was strangely pleasant, and which ran to his +brain like the taste of a strong liqueur. It came to him that he was +alone among strangers, and that what he did now would be known but to +himself and to these strangers. What it was that he wished to do he +did not know, but he felt a sudden lifting up and freedom from +restraint. The spirit of adventure awoke in him and tugged at his +sleeve, and he was conscious of a desire to gratify it and put it to +the test. + +"'Alone upon the house-tops,'" he began. Then he laughed and clambered +hurriedly down the steep hill-side. "It's the moonlight," he explained +to the blank walls and overhanging lattices, "and the place and the +music of the song. It might be one of the Arabian nights, and I Haroun +al Raschid. _And_ if I don't get back to the hotel I shall make a +fool of myself." + +He reached the Albion very warm and breathless, with stumbling and +groping in the dark, and instead of going immediately to bed told the +waiter to bring him some cool drink out on the terrace of the +smoking-room. There were two men sitting there in the moonlight, and +as he came forward one of them nodded to him silently. + +"Oh, good-evening, Mr. Meakim!" Holcombe said, gayly, with the spirit +of the night still upon him. "I've been having adventures." He +laughed, and stooped to brush the dirt from his knickerbockers and +stockings. "I went up to the palace to see the town by moonlight, and +tried to find my way back alone, and fell down three times." + +Meakim shook his head gravely. "You'd better be careful at night, +sir," he said. "The governor has just said that the Sultan won't be +responsible for the lives of foreigners at night 'unless accompanied +by soldier and lantern.'" + +"Yes, and the legations sent word that they wouldn't have it," broke +in the other man. "They said they'd hold him responsible anyway." + +There was a silence, and Meakim moved in some slight uneasiness. "Mr. +Holcombe, do you know Mr. Carroll?" he said. + +Carroll half rose from his chair, but Holcombe was dragging another +toward him, and so did not have a hand to give him. + +"How are you, Carroll?" he said, pleasantly. + +The night was warm, and Holcombe was tired after his rambles, and so +he sank back in the low wicker chair contentedly enough, and when the +first cool drink was finished he clapped his hands for another, and +then another, while the two men sat at the table beside him and +avoided such topics as would be unfair to any of them. + +"And yet," said Holcombe, after the first half-hour had passed, "there +must be a few agreeable people here. I am sure I saw some very +nice-looking women to-day coming in from the fox-hunt. And very well +gotten up, too, in Karki habits. And the men were handsome, +decent-looking chaps--Englishmen, I think." + +"Who does he mean? Were you at the meet to-day?" asked Carroll. + +The Tammany chieftain said no, that he did not ride--not after foxes, +in any event. "But I saw Mrs. Hornby and her sister coming back," he +said. "They had on those linen habits." + +"Well, now, there's a woman who illustrates just what I have been +saying," continued Carroll. "You picked her out as a self-respecting, +nice-looking girl--and so she is--but she wouldn't like to have to +tell all she knows. No, they are all pretty much alike. They wear +low-neck frocks, and the men put on evening dress for dinner, and they +ride after foxes, and they drop in to five-o'clock tea, and they all +play that they're a lot of gilded saints, and it's one of the rules of +the game that you must believe in the next man, so that he will +believe in you. I'm breaking the rules myself now, because I say +'they' when I ought to say 'we.' We're none of us here for our health, +Holcombe, but it pleases us to pretend we are. It's a sort of give and +take. We all sit around at dinner-parties and smile and chatter, and +those English talk about the latest news from 'town,' and how they +mean to run back for the season or the hunting. But they know they +don't dare go back, and they know that everybody at the table knows +it, and that the servants behind them know it. But it's more easy that +way. There's only a few of us here, and we've got to hang together or +we'd go crazy." + +"That's so," said Meakim, approvingly. "It makes it more sociable." + +"It's a funny place," continued Carroll. The wine had loosened his +tongue, and it was something to him to be able to talk to one of his +own people again, and to speak from their point of view, so that the +man who had gone through St. Paul's and Harvard with him would see it +as such a man should. "It's a funny place, because, in spite of the +fact that it's a prison, you grow to like it for its freedom. You can +do things here you can't do in New York, and pretty much everything +goes there, or it used to, where I hung out. But here you're just your +own master, and there's no law and no religion and no relations nor +newspapers to poke into what you do nor how you live. You can +understand what I mean if you've ever tried living in the West. I used +to feel the same way the year I was ranching in Texas. My family sent +me out there to put me out of temptation; but I concluded I'd rather +drink myself to death on good whiskey at Del's than on the stuff we +got on the range, so I pulled my freight and came East again. But +while I was there I was a little king. I was just as good as the next +man, and he was no better than me. And though the life was rough, and +it was cold and lonely, there was something in being your own boss +that made you stick it out there longer than anything else did. It was +like this, Holcombe." Carroll half rose from his chair and marked what +he said with his finger. "Every time I took a step and my gun bumped +against my hip, I'd straighten up and feel good and look for trouble. +There was nobody to appeal to; it was just between me and him, and no +one else had any say about it. Well, that's what it's like here. You +see men come to Tangier on the run, flying from detectives or husbands +or bank directors, men who have lived perfectly decent, commonplace +lives up to the time they made their one bad break--which," Carroll +added, in polite parenthesis, with a deprecatory wave of his hand +toward Meakim and himself, "we are _all_ likely to do some time, +aren't we?" + +"Just so," said Meakim. + +"Of course," assented the District Attorney. + +"But as soon as he reaches this place, Holcombe," continued Carroll, +"he begins to show just how bad he is. It all comes out--all his +viciousness and rottenness and blackguardism. There is nothing to +shame it, and there is no one to blame him, and no one is in a +position to throw the first stone." Carroll dropped his voice and +pulled his chair forward with a glance over his shoulder. "One of +those men you saw riding in from the meet to-day. Now, he's a German +officer, and he's here for forging a note or cheating at cards or +something quiet and gentlemanly, nothing that shows him to be a brute +or a beast. But last week he had old Mulley Wazzam buy him a slave +girl in Fez, and bring her out to his house in the suburbs. It seems +that the girl was in love with a soldier in the Sultan's body-guard at +Fez, and tried to run away to join him, and this man met her quite by +accident as she was making her way south across the sand-hills. He was +whip that day, and was hurrying out to the meet alone. He had some +words with the girl first, and then took his whip--it was one of those +with the long lash to it; you know what I mean--and cut her to pieces +with it, riding her down on his pony when she tried to run, and +heading her off and lashing her around the legs and body until she +fell; then he rode on in his damn pink coat to join the ladies at +Mango's Drift, where the meet was, and some Riffs found her bleeding +to death behind the sand-hills. That man held a commission in the +Emperor's own body-guard, and that's what Tangier did for _him_." + +Holcombe glanced at Meakim to see if he would verify this, but +Meakim's lips were tightly pressed around his cigar, and his eyes were +half closed. + +"And what was done about it?" Holcombe asked, hoarsely. + +Carroll laughed, and shrugged his shoulders. "Why, I tell you, and you +whisper it to the next man, and we pretend not to believe it, and call +the Riffs liars. As I say, we're none of us here for our health, +Holcombe, and a public opinion that's manufactured by _declassee_ +women and men who have run off with somebody's money and somebody's +else's wife isn't strong enough to try a man for beating his own +slave." + +"But the Moors themselves?" protested Holcombe. "And the Sultan? She's +one of his subjects, isn't she?" + +"She's a woman, and women don't count for much in the East, you know; +and as for the Sultan, he's an ignorant black savage. When the English +wanted to blow up those rocks off the western coast, the Sultan +wouldn't let them. He said Allah had placed them there for some good +reason of His own, and it was not for man to interfere with the works +of God. That's the sort of a Sultan he is." Carroll rose suddenly and +walked into the smoking-room, leaving the two men looking at each +other in silence. + +"That's right," said Meakim, after a pause. "He give it to you just as +it is, but I never knew him to kick about it before. We're a fair +field for missionary work, Mr. Holcombe, all of us--at least, some of +us are." He glanced up as Carroll came back from out of the lighted +room with an alert, brisk step. His manner had changed in his absence. + +"Some of the ladies have come over for a bit of supper," he said. +"Mrs. Hornby and her sister and Captain Reese. The _chef's_ got +some birds for us, and I've put a couple of bottles on ice. It will be +like Del's--hey? A small hot bird and a large cold bottle. They sent +me out to ask you to join us. They're in our rooms." Meakim rose +leisurely and lit a fresh cigar, but Holcombe moved uneasily in his +chair. "You'll come, won't you?" Carroll asked. "I'd like you to meet +my wife." + +Holcombe rose irresolutely and looked at his watch. "I'm afraid it's +too late for me," he said, without raising his face. "You see, I'm +here for my health. I--" + +"I beg your pardon," said Carroll, sharply. + +"Nonsense, Carroll!" said Holcombe. "I didn't mean _that_. I +meant it literally. I can't risk midnight suppers yet. My doctor's +orders are to go to bed at nine, and it's past twelve now. Some other +time, if you'll be so good; but it's long after my bedtime, and--" + +"Oh, certainly," said Carroll, quietly, as he turned away. "Are you +coming, Meakim?" + +Meakim lifted his half-empty glass from the table and tasted it slowly +until Carroll had left them, then he put the glass down, and glanced +aside to where Holcombe sat looking out over the silent city. Holcombe +raised his eyes and stared at him steadily. + +"Mr. Holcombe--" the fugitive began. + +"Yes," replied the lawyer. + +Meakim shook his head. "Nothing," he said. "Good-night, sir." + +Holcombe's rooms were on the floor above Carroll's, and the laughter +of the latter's guests and the tinkling of glasses and silver came to +him as he stepped out upon his balcony. But for this the night was +very still. The sea beat leisurely on the rocks, and the waves ran up +the sandy coast with a sound as of some one sweeping. The music of +women's laughter came up to him suddenly, and he wondered hotly if +they were laughing at him. He assured himself that it was a matter of +indifference to him if they were. And with this he had a wish that +they would not think of him as holding himself aloof. One of the women +began to sing to a guitar, and to the accompaniment of this a man and +a young girl came out upon the balcony below, and spoke to each other +in low, earnest tones, which seemed to carry with them the feeling of +a caress. Holcombe could not hear what they said, but he could see the +curve of the woman's white shoulders and the light of her companion's +cigar as he leaned upon the rail with his back to the moonlight and +looked into her face. Holcombe felt a sudden touch of loneliness and +of being very far from home. He shivered slightly as though from the +cold, and stepping inside closed the window gently behind him. + +Although Holcombe met Carroll several times during the following day, +the latter obviously avoided him, and it was not until late in the +afternoon that Holcombe was given a chance to speak to him again. +Carroll was coming down the only street on a run, jumping from one +rough stone to another, and with his face lighted up with excitement. +He hailed Holcombe from a distance with a wave of the hand. "There's +an American man-of-war in the bay," he cried; "one of the new ones. We +saw her flag from the hotel. Come on!" Holcombe followed as a matter +of course, as Carroll evidently expected that he would, and they +reached the end of the landing-pier together, just as the ship of war +ran up and broke the square red flag of Morocco from her main-mast and +fired her salute. + +"They'll be sending a boat in by-and-by," said Carroll, "and we'll +have a talk with the men." His enthusiasm touched his companion also, +and the sight of the floating atom of the great country that was his +moved him strongly, as though it were a personal message from home. It +came to him like the familiar stamp, and a familiar handwriting on a +letter in a far-away land, and made him feel how dear his own country +was to him and how much he needed it. They were leaning side by side +upon the rail watching the ship's screws turning the blue waters +white, and the men running about the deck, and the blue-coated figures +on the bridge. Holcombe turned to point out the vessel's name to +Carroll, and found that his companion's eyes were half closed and +filled with tears. + +Carroll laughed consciously and coughed. "We kept it up a bit too late +last night," he said, "and I'm feeling nervous this morning, and the +sight of the flag and those boys from home knocked me out." He paused +for a moment, frowning through his tears and with his brow drawn up +into many wrinkles. "It's a terrible thing, Holcombe," he began again, +fiercely, "to be shut off from all of that." He threw out his hand +with a sudden gesture toward the man-of-war. Holcombe looked down at +the water and laid his hand lightly on his companion's shoulder. +Carroll drew away and shook his head. "I don't want any sympathy," he +said, kindly. "I'm not crying the baby act. But you don't know, and I +don't believe anybody else knows, what I've gone through and what I've +suffered. You don't like me, Holcombe, and you don't like my class, +but I want to tell you something about my coming here. I want you to +set them right about it at home. And I don't care whether it interests +you or not," he said, with quick offense; "I want you to listen. It's +about my wife." + +Holcombe bowed his head gravely. + +"You got Thatcher his divorce," Carroll continued. "And you know that +he would never have got it but for me, and that everybody expected +that I would marry Mrs. Thatcher when the thing was over. And I +didn't, and everybody said I was a blackguard, and I was. It was bad +enough before, but I made it worse by not doing the only thing that +could make it any better. Why I didn't do it I don't know. I had some +grand ideas of reform about that time, I think, and I thought I owed +my people something, and that by not making Mrs. Thatcher my mother's +daughter I would be saving her and my sisters. It was remorse, I +guess, and I didn't see things straight. I know now what I should have +done. Well, I left her and she went her own way, and a great many +people felt sorry for her, and were good to her--not your people, nor +my people; but enough were good to her to make her see as much of the +world as she had used to. She never loved Thatcher, and she never +loved any of the men you brought into that trial except one, and he +treated her like a cur. That was myself. Well, what with trying to +please my family, and loving Alice Thatcher all the time and not +seeing her, and hating her too for bringing me into all that +notoriety--for I blamed the woman, of course, as a man always will--I +got to drinking, and then this scrape came and I had to run. I don't +care anything about that row now, or what you believe about it. I'm +here, shut off from my home, and that's a worse punishment than any +damn lawyers can invent. And the man's well again. He saw I was drunk; +but I wasn't so drunk that I didn't know he was trying to do me, and I +pounded him just as they say I did, and I'm sorry now I didn't kill +him." + +Holcombe stirred uneasily, and the man at his side lowered his voice +and went on more calmly: + +"If I hadn't been a gentleman, Holcombe, or if it had been another +cabman he'd fought with, there wouldn't have been any trouble about +it. But he thought he could get big money out of me, and his friends +told him to press it until he was paid to pull out, and I hadn't the +money, and so I had to break bail and run. Well, you've seen the +place. You've been here long enough to know what it's like, and what +I've had to go through. Nobody wrote me, and nobody came to see me; +not one of my own sisters even, though they've been in the Riviera all +this spring--not a day's journey away. Sometimes a man turned up that +I knew, but it was almost worse than not seeing any one. It only made +me more homesick when he'd gone. And for weeks I used to walk up and +down that beach there alone late in the night, until I got to thinking +that the waves were talking to me, and I got queer in my head. I had +to fight it just as I used to have to fight against whiskey, and to +talk fast so that I wouldn't think. And I tried to kill myself +hunting, and only got a broken collar-bone for my pains. Well, all +this time Alice was living in Paris and New York. I heard that some +English captain was going to marry her, and then I read in the Paris +_Herald_ that she was settled in the American colony there, and +one day it gave a list of the people who'd been to a reception she +gave. She could go where she pleased, and she had money in her own +right, you know; and she was being revenged on me every day. And I was +here knowing it, and loving her worse than I ever loved anything on +earth, and having lost the right to tell her so, and not able to go to +her. Then one day some chap turned up from here and told her about me, +and about how miserable I was, and how well I was being punished. He +thought it would please her, I suppose. I don't know who he was, but I +guess he was in love with her himself. And then the papers had it that +I was down with the fever here, and she read about it. I _was_ +ill for a time, and I hoped it was going to carry me off decently, but +I got up in a week or two, and one day I crawled down here where we're +standing now to watch the boat come in. I was pretty weak from my +illness, and I was bluer than I had ever been, and I didn't see +anything but blackness and bitterness for me anywhere. I turned around +when the passengers reached the pier, and I saw a woman coming up +those stairs. Her figure and her shoulders were so like Alice's that +my heart went right up into my throat, and I couldn't breathe for it. +I just stood still staring, and when she reached the top of the steps +she looked up, breathing with the climb, and laughing; and she says, +'Lloyd, I've come to see you.' And I--I was that lonely and weak that +I grabbed her hand, and leaned back against the railing, and cried +there before the whole of them. I don't think she expected it exactly, +because she didn't know what to do, and just patted me on the +shoulder, and said, 'I thought I'd run down to cheer you up a bit; and +I've brought Mrs. Scott with me to chaperon us.' And I said, without +stopping to think: 'You wouldn't have needed any chaperon, Alice, if I +hadn't been a cur and a fool. If I had only asked what I can't ask of +you now'; and, Holcombe, she flushed just like a little girl, and +laughed, and said, 'Oh, will you, Lloyd?' And you see that ugly iron +chapel up there, with the corrugated zinc roof and the wooden cross on +it, next to the mosque? Well, that's where we went first, right from +this wharf before I let her go to a hotel, and old Ridley, the English +rector, he married us, and we had a civil marriage too. That's what +she did for me. She had the whole wide globe to live in, and she gave +it up to come to Tangier, because I had no other place but Tangier, +and she's made my life for me, and I'm happier here than I ever was +before anywhere, and sometimes I think--I hope--that she is, too." +Carroll's lips moved slightly, and his hands trembled on the rail. He +coughed, and his voice was gentler when he spoke again. "And so," he +added, "that's why I felt it last night when you refused to meet her. +You were right, I know, from your way of thinking, but we've grown +careless down here, and we look at things differently." + +Holcombe did not speak, but put his arm across the other's shoulder, +and this time Carroll did not shake it off. Holcombe pointed with his +hand to a tall, handsome woman with heavy yellow hair who was coming +toward them, with her hands in the pockets of her reefer. "There is +Mrs. Carroll now," he said. "Won't you present me, and then we can row +out and see the man-of-war?" + + + + +II + + +The officers returned their visit during the day, and the American +Consul-General asked them all to a reception the following afternoon. +The entire colony came to this, and Holcombe met many people, and +drank tea with several ladies in riding-habits, and iced drinks with +all of the men. He found it very amusing, and the situation appealed +strongly to his somewhat latent sense of humor. That evening in +writing to his sister he told of his rapid recovery in health, and of +the possibility of his returning to civilization. + +"There was a reception this afternoon at the Consul-General's," he +wrote, "given to the officers of our man-of-war, and I found myself in +some rather remarkable company. The Consul himself has become rich by +selling his protection for two hundred dollars to every wealthy Moor +who wishes to escape the forced loans which the Sultan is in the habit +of imposing on the faithful. For five hundred dollars he will furnish +any one of them with a piece of stamped paper accrediting him as +minister plenipotentiary from the United States to the Sultan's court. +Of course the Sultan never receives them, and whatever object they may +have had in taking the long journey to Fez is never accomplished. Some +day some one of them will find out how he has been tricked, and will +return to have the Consul assassinated. This will be a serious loss to +our diplomatic service. The Consul's wife is a fat German woman who +formerly kept a hotel here. Her brother has it now, and runs it as an +annex to a gambling-house. Pat Meakim, the Police Commissioner that I +indicted, but who jumped his bail, introduced me at the reception to +the men, with apparently great self-satisfaction, as 'the pride of the +New York Bar,' and Mrs. Carroll, for whose husband I obtained a +divorce, showed her gratitude by presenting me to the ladies. It was a +distinctly Gilbertian situation, and the people to whom they +introduced me were quite as picturesquely disreputable as themselves. +So you see--" + +Holcombe stopped here and read over what he had written, and then tore +up the letter. The one he sent in its place said he was getting +better, but that the climate was not so mild as he had expected it +would be. + +Holcombe engaged the entire first floor of the hotel the next day, and +entertained the officers and the residents at breakfast, and the +Admiral made a speech and said how grateful it was to him and to his +officers to find that wherever they might touch, there were some few +Americans ready to welcome them as the representatives of the flag +they all so unselfishly loved, and of the land they still so proudly +called "home." Carroll, turning his wine-glass slowly between his +fingers, raised his eyes to catch Holcombe's, and winked at him from +behind the curtain of the smoke of his cigar, and Holcombe smiled +grimly, and winked back, with the result that Meakim, who had +intercepted the signalling, choked on his champagne, and had to be +pounded violently on the back. Holcombe's breakfast established him as +a man of means and one who could entertain properly, and after that +his society was counted upon for every hour of the day. He offered +money as prizes for the ship's crew to row and swim after, he gave a +purse for a cross-country pony race, open to members of the Calpe and +Tangier hunts, and organized picnics and riding parties innumerable. +He was forced at last to hire a soldier to drive away the beggars when +he walked abroad. He found it easy to be rich in a place where he was +given over two hundred copper coins for an English shilling, and he +distributed his largesses recklessly and with a lack of discrimination +entirely opposed to the precepts of his organized charities at home. +He found it so much more amusing to throw a handful of coppers to a +crowd of fat naked children than to write a check for the Society for +Suppression of Cruelty to the same beneficiaries. + +"You shouldn't give those fellows money," the Consul-General once +remonstrated with him; "the fact that they're blind is only a proof +that they have been thieves. When they catch a man stealing here they +hold his head back, and pass a hot iron in front of his eyes. That's +why the lids are drawn taut that way. You shouldn't encourage them." + +"Perhaps they're not _all_ thieves," said the District Attorney, +cheerfully, as he hit the circle around him with a handful of coppers; +"but there is no doubt about it that they're all blind. Which is the +more to be pitied," he asked the Consul-General, "the man who has +still to be found out and who can see, or the one who has been exposed +and who is blind?" + +"How should he know?" said Carroll, laughing. "He's never been blind, +and he still holds his job." + +"I don't think that's very funny," said the Consul-General. + +A week of pig-sticking came to end Holcombe's stay in Tangier, and he +threw himself into it and into the freedom of its life with a zest +that made even the Englishman speak of him as a good fellow. He +chanced to overhear this, and stopped to consider what it meant. No +one had ever called him a good fellow at home, but then his life had +not offered him the chance to show what sort of a good fellow he might +be, and as Judge Holcombe's son certain things had been debarred him. +Here he was only the richest tourist since Farwell, the diamond +smuggler from Amsterdam, had touched there in his yacht. + +[Illustration: The boar hunt.] + +The week of boar-hunting was spent out-of-doors, on horseback, and in +tents; the women in two wide circular ones, and the men in another, +with a mess tent, which they shared in common, pitched between them. +They had only one change of clothes each, one wet and one dry, and +they were in the saddle from nine in the morning until late at night, +when they gathered in a wide circle around the wood-fire and played +banjoes and listened to stories. Holcombe grew as red as a sailor, and +jumped his horse over gaping crevasses in the hard sun-baked earth as +recklessly as though there were nothing in this world so well worth +sacrificing one's life for as to be the first in at a dumb brute's +death. He was on friendly terms with them all now--with Miss Terrill, +the young girl who had been awakened by night and told to leave Monte +Carlo before daybreak, and with Mrs. Darhah, who would answer to Lady +Taunton if so addressed, and with Andrews, the Scotch bank clerk, and +Ollid the boy officer from Gibraltar, who had found some difficulty in +making the mess account balance. They were all his very good friends, +and he was especially courteous and attentive to Miss Terrill's wants +and interests, and fixed her stirrup and once let her pass him to +charge the boar in his place. She was a silently distant young woman, +and strangely gentle for one who had had to leave a place, and such a +place, between days; and her hair, which was very fine and light, ran +away from under her white helmet in disconnected curls. At night, +Holcombe used to watch her from out of the shadow when the firelight +lit up the circle and the tips of the palms above them, and when the +story-teller's voice was accompanied by bursts of occasional laughter +from the dragomen in the grove beyond, and the stamping and neighing +of the horses at their pickets, and the unceasing chorus of the insect +life about them. She used to sit on one of the rugs with her hands +clasped about her knees, and with her head resting on Mrs. Hornby's +broad shoulder, looking down into the embers of the fire, and with the +story of her life written on her girl's face as irrevocably as though +old age had set its seal there. Holcombe was kind to them all now, +even to Meakim, when that gentleman rode leisurely out to the camp +with the mail and the latest Paris _Herald_, which was their one +bond of union with the great outside world. + +Carroll sat smoking his pipe one night, and bending forward over the +fire to get its light on the pages of the latest copy of this paper. +Suddenly he dropped it between his knees. "I say, Holcombe," he cried, +"here's news! Winthrop Allen has absconded with three hundred thousand +dollars, and no one knows where." + +Holcombe was sitting on the other side of the fire, prying at the +rowel of his spur with a hunting-knife. He raised his head and +laughed. "Another good man gone wrong, hey?" he said. + +Carroll lowered the paper slowly to his knee and stared curiously +through the smoky light to where Holcombe sat intent on the rowel of +his spur. It apparently absorbed his entire attention, and his last +remark had been an unconsciously natural one. Carroll smiled grimly as +he folded the paper across his knee. "Now are the mighty fallen, +indeed," he murmured. He told Meakim of it a few minutes later, and +they both marvelled. "It's just as I told him, isn't it, and he +wouldn't believe me. It's the place and the people. Two weeks ago he +would have raged. Why, Meakim, you know Allen--Winthrop Allen? He's +one of Holcombe's own sort; older than he is, but one of his own +people; belongs to the same clubs; and to the same family, I think, +and yet Harry took it just as a matter of course, with no more +interest, than if I'd said that Allen was going to be married." + +Meakim gave a low, comfortable laugh of content. "It makes me smile," +he chuckled, "every time I think of him the day he came up them +stairs. He scared me half to death, he did, and then he says, just as +stiff as you please, 'If you'll leave me alone, Mr. Meakim, I'll not +trouble you.' And now it's 'Meakim this,' and 'Meakim that,' and 'have +a drink, Meakim,' just as thick as thieves. I have to laugh whenever I +think of it now. 'If you'll leave me alone, I'll not trouble you, Mr. +Meakim.'" + +Carroll pursed his lips and looked up at the broad expanse of purple +heavens with the white stars shining through. "It's rather a pity, +too, in a way," he said, slowly. "He was all the Public Opinion we +had, and now that he's thrown up the part, why--" + +The pig-sticking came to an end finally, and Holcombe distinguished +himself by taking his first fall, and under romantic circumstances. He +was in an open place, with Mrs. Carroll at the edge of the brush to +his right, and Miss Terrill guarding any approach from the left. They +were too far apart to speak to one another, and sat quite still and +alert to any noise as the beaters closed in around them. There was a +sharp rustle in the reeds, and the boar broke out of it some hundred +feet ahead of Holcombe. He went after it at a gallop, headed it off, +and ran it fairly on his spear point as it came toward him; but as he +drew his lance clear his horse came down, falling across him, and for +the instant knocking him breathless. It was all over in a moment. He +raised his head to see the boar turn and charge him; he saw where his +spear point had torn the lower lip from the long tusks, and that the +blood was pouring down its flank. He tried to draw out his legs, but +the pony lay fairly across him, kicking and struggling, and held him +in a vise. So he closed his eyes and covered his head with his arms, +and crouched in a heap waiting. There was the quick beat of a pony's +hoofs on the hard soil, and the rush of the boar within a foot of his +head, and when he looked up he saw Miss Terrill twisting her pony's +head around to charge the boar again, and heard her shout, "Let me +have him!" to Mrs. Carroll. + +Mrs. Carroll came toward Holcombe with her spear pointed dangerously +high; she stopped at his side and drew in her rein sharply. "Why don't +you get up? Are you hurt?" she said. "Wait; lie still," she commanded, +"or he'll tramp on you. I'll get him off." She slipped from her saddle +and dragged Holcombe's pony to his feet. Holcombe stood up unsteadily, +pale through his tan from the pain of the fall and the moment of fear. + +"That _was_ nasty," said Mrs. Carroll, with a quick breath. She +was quite as pale as he. + +Holcombe wiped the dirt from his hair and the side of his face, and +looked past her to where Miss Terrill was surveying the dead boar from +her saddle, while her pony reared and shied, quivering with excitement +beneath her. Holcombe mounted stiffly and rode toward her. "I am very +much obliged to you," he said. "If you hadn't come--" + +The girl laughed shortly, and shook her head without looking at him. +"Why, not at all," she interrupted, quickly. "I would have come just +as fast if you hadn't been there." She turned in her saddle and looked +at him frankly. "I was glad to see you go down," she said, "for it +gave me the first good chance I've had. Are you hurt?" + +Holcombe drew himself up stiffly, regardless of the pain in his neck +and shoulder. "No, I'm all right, thank you," he answered. "At the +same time," he called after her as she moved away to meet the others, +"you _did_ save me from being torn up, whether you like it or +not." + +Mrs. Carroll was looking after the girl with observant, comprehending +eyes. She turned to Holcombe with a smile. "There are a few things you +have still to learn, Mr. Holcombe," she said, bowing in her saddle +mockingly, and dropping the point of her spear to him as an adversary +does in salute. "And perhaps," she added, "it is just as well that +there are." + +Holcombe trotted after her in some concern. "I wonder what she means?" +he said. "I wonder if I were rude?" + +The pig-sticking ended with a long luncheon before the ride back to +town, at which everything that could be eaten or drunk was put on the +table, in order, as Meakim explained, that there would be less to +carry back. He met Holcombe that same evening after the cavalcade had +reached Tangier as the latter came down the stairs of the Albion. +Holcombe was in fresh raiment and cleanly shaven, and with the radiant +air of one who had had his first comfortable bath in a week. + +Meakim confronted him with a smiling countenance. "Who do you think +come to-night on the mail-boat?" he asked. + +"I don't know. Who?" + +"Winthrop Allen, with six trunks," said Meakim, with the triumphant +air of one who brings important news. + +"No, really now," said Holcombe, laughing. "The old hypocrite! I +wonder what he'll say when he sees me. I wish I could stay over +another boat, just to remind him of the last time we met. What a fraud +he is! It was at the club, and he was congratulating me on my noble +efforts in the cause of justice, and all that sort of thing. He said I +was a public benefactor. And at that time he must have already +speculated away about half of what he had stolen of other people's +money. I'd like to tease him about it." + +"What trial was that?" asked Meakim. + +Holcombe laughed and shook his head as he moved on down the stairs. +"Don't ask embarrassing questions, Meakim," he said. "It was one +_you_ won't forget in a hurry." + +"Oh!" said Meakim, with a grin. "All right. There's some mail for you +in the office." + +"Thank you," said Holcombe. + + * * * * * + +A few hours later Carroll was watching the roulette wheel in the +gambling-hall of the Isabella when he saw Meakim come in out of the +darkness, and stand staring in the doorway, blinking at the lights and +mopping his face. He had been running, and was visibly excited. +Carroll crossed over to him and pushed him out into the quiet of the +terrace. "What is it?" he asked. + +"Have you seen Holcombe?" Meakim demanded in reply. + +"Not since this afternoon. Why?" + +Meakim breathed heavily, and fanned himself with his hat. "Well, he's +after Winthrop Allen, that's all," he panted. "And when he finds him +there's going to be a muss. The boy's gone crazy. He's not safe." + +"Why? What do you mean? What's Allen done to him?" + +"Nothing to him, but to a friend of his. He got a letter to-night in +the mail that came with Allen. It was from his sister. She wrote him +all the latest news about Allen, and give him fits for robbing an old +lady who's been kind to her. She wanted that Holcombe should come +right back and see what could be done about it. She didn't know, of +course, that Allen was coming here. The old lady kept a private school +on Fifth Avenue, and Allen had charge of her savings." + +"What is her name?" Carroll asked. + +"Field, I think. Martha Field was--" + +"The dirty blackguard!" cried Carroll. He turned sharply away and +returned again to seize Meakim's arm. "Go on," he demanded. "What did +she say?" + +"You know her too, do you?" said Meakim, shaking his head +sympathetically. "Well, that's all. She used to teach his sister. She +seems to be a sort of fashionable--" + +"I know," said Carroll, roughly. "She taught my sister. She teaches +everybody's sister. She's the sweetest, simplest old soul that ever +lived. Holcombe's dead right to be angry. She almost lived at their +house when his sister was ill." + +"Tut! you don't say?" commented Meakim, gravely. "Well, his sister's +pretty near crazy about it. He give me the letter to read. It got me +all stirred up. It was just writ in blood. She must be a fine girl, +his sister. She says this Miss Martha's money was the last thing Allen +took. He didn't use her stuff, to speculate with, but cashed it in +just before he sailed and took it with him for spending-money. His +sister says she's too proud to take help, and she's too old to work." + +"How much did he take?" + +"Sixty thousand. She's been saving for over forty years." + +Carroll's mind took a sudden turn. "And Holcombe?" he demanded, +eagerly. "What is he going to do? Nothing silly, I hope." + +"Well, that's just it. That's why I come to find you," Meakim +answered, uneasily. "I don't want him to qualify for no Criminal +Stakes. I got no reason to love him either--But you know--" he +ended, impotently. + +"Yes, I understand," said Carroll. "That's what I meant. Confound the +boy, why didn't he stay in his law courts! What did he say?" + +"Oh, he just raged around. He said he'd tell Allen there was an +extradition treaty that Allen didn't know about, and that if Allen +didn't give him the sixty thousand he'd put it in force and make him +go back and stand trial." + +"Compounding a felony, is he?" + +"No, nothing of the sort," said Meakim, indignantly. "There isn't any +extradition treaty, so he wouldn't be doing anything wrong except +lying a bit." + +"Well, it's blackmail, anyway." + +"What, blackmail a man like Allen? Huh! He's fair game, if there ever +was any. But it won't work with him, that's what I'm afraid of. He's +too cunning to be taken in by it, he is. He had good legal advice +before he came here, or he wouldn't have come." + +Carroll was pacing up and down the terrace. He stopped and spoke over +his shoulder. "Does Holcombe think Allen has the money with him?" he +asked. + +"Yes, he's sure of it. That's what makes him so keen. He says Allen +wouldn't dare bank it at Gibraltar, because if he ever went over there +to draw on it he would get caught, so he must have brought it with him +here. And he got here so late that Holcombe believes it's in Allen's +rooms now, and he's like a dog that smells a rat, after it. Allen +wasn't in when he went up to his room, and he's started out hunting +for him, and if he don't find him I shouldn't be a bit surprised if he +broke into the room and just took it." + +"For God's sake!" cried Carroll. "He wouldn't do that?" + +Meakim pulled and fingered at his heavy watch-chain and laughed +doubtfully. "I don't know," he said. "He wouldn't have done it three +months ago, but he's picked up a great deal since then--since he has +been with us. He's asking for Captain Reese, too." + +"What's he want with that blackguard?" + +"I don't know; he didn't tell me." + +"Come," said Carroll, quickly. "We must stop him." He ran lightly down +the steps of the terrace to the beach, with Meakim waddling heavily +after him. "He's got too much at stake, Meakim," he said, in +half-apology, as they tramped through the sand. "He mustn't spoil it. +We won't let him." + +Holcombe had searched the circuit of Tangier's small extent with +fruitless effort, his anger increasing momentarily and feeding on each +fresh disappointment. When he had failed to find the man he sought in +any place, he returned to the hotel and pushed open the door of the +smoking-room as fiercely as though he meant to take those within by +surprise. + +"Has Mr. Allen returned?" he demanded. "Or Captain Reese?" The +attendant thought not, but he would go and see. "No," Holcombe said, +"I will look for myself." He sprang up the stairs to the third floor, +and turned down a passage to a door at its farthest end. Here he +stopped and knocked gently. "Reese," he called; "Reese!" There was no +response to his summons, and he knocked again, with more impatience, +and then cautiously turned the handle of the door, and, pushing it +forward, stepped into the room. "Reese," he said, softly, "its +Holcombe. Are you here?" The room was dark except for the light from +the hall, which shone dimly past him and fell upon a gun-rack hanging +on the wall opposite. Holcombe hurried toward this and ran his hands +over it, and passed on quickly from that to the mantel and the tables, +stumbling over chairs and riding-boots as he groped about, and +tripping on the skin of some animal that lay stretched upon the floor. +He felt his way, around the entire circuit of the room, and halted +near the door with an exclamation of disappointment. By this time his +eyes had become accustomed to the darkness, and he noted the white +surface of the bed in a far corner and ran quickly toward it, groping +with his hands about the posts at its head. He closed his fingers with +a quick gasp of satisfaction on a leather belt that hung from it, +heavy with cartridges and a revolver that swung from its holder. +Holcombe pulled this out and jerked back the lever, spinning the +cylinder around under the edge of his thumb. He felt the grease of +each cartridge as it passed under his nail. The revolver was loaded in +each chamber, and Holcombe slipped it into the pocket of his coat and +crept out of the room, closing the door softly behind him. He met no +one in the hall or on the stairs, and passed on quickly to a room on +the second floor. There was a light in this room which showed through +the transom and under the crack at the floor, and there was a sound of +some one moving about within. Holcombe knocked gently and waited. + +The movement on the other side of the door ceased, and after a pause a +voice asked who was there. Holcombe hesitated a second before +answering, and then said, "It is a servant, sir, with a note for Mr. +Allen." + +At the sound of some one moving toward the door from within, Holcombe +threw his shoulder against the panel and pressed forward. There was +the click of the key turning in the lock and of the withdrawal of a +bolt, and the door was partly opened. Holcombe pushed it back with his +shoulder, and, stepping quickly inside, closed it again behind him. + +The man within, into whose presence he had forced himself, confronted +him with a look of some alarm, which increased in surprise as he +recognized his visitor. "Why, Holcombe!" he exclaimed. He looked past +him as though expecting some one else to follow. "I thought it was a +servant," he said. + +Holcombe made no answer, but surveyed the other closely, and with a +smile of content. The man before him was of erect carriage, with white +hair and whiskers, cut after an English fashion which left the mouth +and chin clean shaven. He was of severe and dignified appearance, and +though standing as he was in dishabille still gave in his bearing the +look of an elderly gentleman who had lived a self-respecting, +well-cared-for, and well-ordered life. The room about him was littered +with the contents of opened trunks and uncorded boxes. He had been +interrupted in the task of unpacking and arranging these possessions, +but he stepped unresentfully toward the bed where his coat lay, and +pulled it on, feeling at the open collar of his shirt, and giving a +glance of apology toward the disorder of the apartment. + +"The night was so warm," he said, in explanation. "I have been trying +to get things to rights. I--" He was speaking in some obvious +embarrassment, and looked uncertainly toward the intruder for help. +But Holcombe made no explanation, and gave him no greeting. "I heard +in the hotel that you were here," the other continued, still striving +to cover up the difficulty of the situation, "and I am sorry to hear +that you are going so soon." He stopped, and as Holcombe still +continued smiling, drew himself up stiffly. The look on his face +hardened into one of offended dignity. + +"Really, Mr. Holcombe," he said, sharply, and with strong annoyance in +his tone, "if you have forced yourself into this room for no other +purpose than to stand there and laugh, I must ask you to leave it. You +may not be conscious of it, but your manner is offensive." He turned +impatiently to the table, and began rearranging the papers upon it. +Holcombe shifted the weight of his body as it rested against the door +from one shoulder-blade to the other and closed his hands over the +door-knob behind him. + +"I had a letter to-night from home about you, Allen," he began, +comfortably. "The person who wrote it was anxious that I should return +to New York, and set things working in the District Attorney's office +in order to bring you back. It isn't you they want so much as--" + +"How dare you?" cried the embezzler, sternly, in the voice with which +one might interrupt another in words of shocking blasphemy. + +"How dare I what?" asked Holcombe. + +"How dare you refer to my misfortune? You of all others--" He stopped, +and looked at his visitor with flashing eyes. "I thought you a +gentleman," he said, reproachfully; "I thought you a man of the world, +a man who in spite of your office, official position, or, rather, on +account of it, could feel and understand the--a--terrible position in +which I am placed, and that you would show consideration. Instead of +which," he cried, his voice rising in indignation, "you have come +apparently to mock at me. If the instinct of a gentleman does not +teach you to be silent, I shall have to force you to respect my +feelings. You can leave the room, sir. Now, at once." He pointed with +his arm at the door against which Holcombe was leaning, the fingers of +his outstretched hand trembling visibly. + +"Nonsense. Your misfortune! What rot!" Holcombe growled resentfully. +His eyes wandered around the room as though looking for some one who +might enjoy the situation with him, and then returned to Allen's face. +"You mustn't talk like that to me," he said, in serious remonstrance. +"A man who has robbed people who trusted him for three years, as you +have done, can't afford to talk of his misfortune. You were too long +about it, Allen. You had too many chances to put it back. +_You've_ no feelings to be hurt. Besides, if you have, I'm in a +hurry, and I've not the time to consider them. Now, what I want of you +is--" + +"Mr. Holcombe," interrupted the other, earnestly. + +"Sir," replied the visitor. + +"Mr. Holcombe," began Allen, slowly, and with impressive gravity, "I +do not want any words with you about this, or with any one else. I am +here owing to a combination of circumstances which have led me through +hopeless, endless trouble. What I have gone through with nobody knows. +That is something no one but I can ever understand. But that is now at +an end. I have taken refuge in flight and safety, where another might +have remained and compromised and suffered; but I am a weaker brother, +and--as for punishment, my own conscience, which has punished me so +terribly in the past, will continue to do so in the future. I am +greatly to be pitied, Mr. Holcombe, greatly to be pitied. And no one +knows that better than yourself. You know the value of the position I +held in New York City, and how well I was suited to it, and it to me. +And now I am robbed of it all. I am an exile in this wilderness. +Surely, Mr. Holcombe, this is not the place nor the time when you +should insult me by recalling the--" + +"You contemptible hypocrite," said Holcombe, slowly. "What an ass you +must think I am! Now, listen to me." + +"No, _you_ listen to me," thundered the other. He stepped +menacingly forward, his chest heaving under his open shirt, and his +fingers opening and closing at his side. "Leave the room, I tell you," +he cried, "or I shall call the servants and make you!" He paused with +a short, mocking laugh. "Who do you think I am?" he asked; "a child +that you can insult and gibe at? I'm not a prisoner in the box for you +to browbeat and bully, Mr. District Attorney. You seem to forget that +I am out of your jurisdiction now." + +He waited, and his manner seemed to invite Holcombe to make some angry +answer to his tone, but the young man remained grimly silent. + +"You are a very important young person at home, Harry," Allen went on, +mockingly. "But New York State laws do not reach as far as Africa." + +"Quite right; that's it exactly," said Holcombe, with cheerful +alacrity. "I'm glad you have grasped the situation so soon. That makes +it easier for me. Now, what I have been trying to tell you is this. I +received a letter about you to-night. It seems that before leaving New +York you converted bonds and mortgages belonging to Miss Martha Field, +which she had intrusted to you, into ready money. And that you took +this money with you. Now, as this is the first place you have stopped +since leaving New York, except Gibraltar, where you could not have +banked it, you must have it with you now, here in this town, in this +hotel, possibly in this room. What else you have belonging to other +poor devils and corporations does not concern me. It's yours as far as +I mean to do anything about it. But this sixty thousand dollars which +belongs to Miss Field, who is the best, purest, and kindest woman I +have ever known, and who has given away more money than you ever +stole, is going back with me to-morrow to New York." Holcombe leaned +forward as he spoke, and rapped with his knuckles on the table. Allen +confronted him in amazement, in which there was not so much surprise +at what the other threatened to do as at the fact that it was he who +had proposed doing it. + +"I don't understand," he said, slowly, with the air of a bewildered +child. + +"It's plain enough," replied the other, impatiently. "I tell you I +want sixty thousand dollars of the money you have with you. You can +understand that, can't you?" + +"But how?" expostulated Allen. "You don't mean to rob me, do you, +Harry?" he asked with a laugh. + +"You're a very stupid person for so clever a one," Holcombe said, +impatiently. "You must give me sixty thousand dollars--and if you +don't, I'll take it. Come, now, where is it--in that box?" He pointed +with his finger toward a square travelling-case covered with black +leather that stood open on the table filled with papers and blue +envelopes. + +"Take it!" exclaimed Allen. "You, Henry Holcombe? Is it you who are +speaking? Do I hear you?" He looked at Holcombe with eyes full of +genuine wonder and a touch of fear. As he spoke his hand reached out +mechanically and drew the leather-bound box toward him. + +"Ah, it is in that box, then," said Holcombe, in a quiet, grave tone. +"Now count it out, and be quick." + +"Are you drunk?" cried the other, fiercely. "Do you propose to turn +highwayman and thief? What do you mean?" Holcombe reached quickly +across the table toward the box, but the other drew it back, snapping +the lid down, and hugging it close against his breast. "If you move, +Holcombe," he cried, in a voice of terror and warning, "I'll call the +people of the house and--and expose you." + +"Expose me, you idiot," returned Holcombe, fiercely. "How dare +_you_ talk to me like that!" + +Allen dragged the table more evenly between them, as a general works +on his defenses even while he parleys with the enemy. "It's you who +are the idiot!" he cried. "Suppose you could overcome me, which would +be harder than you think, what are you going to do with the money? Do +you suppose I'd let you leave this country with it? Do you imagine for +a moment that I would give it up without raising my hand? I'd have you +dragged to prison from your bed this very night, or I'd have you +seized as you set your foot upon the wharf. I would appeal to our +Consul-General. As far as he knows, I am as worthy of protection as +you are yourself, and, failing him, I'd appeal to the law of the +land." He stopped for want of breath, and then began again with the +air of one who finds encouragement in the sound of his own voice. +"They may not understand extradition here, Holcombe," he said, "but a +thief is a thief all the world over. What you may be in New York isn't +going to help you here; neither is your father's name. To these people +you would be only a hotel thief who forces his way into other men's +rooms at night and--" + +"You poor thing," interrupted Holcombe. "Do you know where you are?" +he demanded. "You talk, Allen, as though we were within sound of the +cable-cars on Broadway. This hotel is not the Brunswick, and this +Consul-General you speak of is another blackguard who knows that a +word from me at Washington, on my return, or a letter from here would +lose him his place and his liberty. He's as much of a rascal as any of +them, and he knows that I know it and that I may use that knowledge. +_He_ won't help you. And as for the law of the land"--Holcombe's +voice rose and broke in a mocking laugh--"there is no law of the land. +_That's why you're here!_ You are in a place populated by exiles +and outlaws like yourself, who have preyed upon society until society +has turned and frightened each of them off like a dog with his tail +between his legs. Don't give yourself confidence, Allen. That's all +you are, that's all we are--two dogs fighting for a stolen bone. The +man who rules you here is an ignorant negro, debauched and vicious and +a fanatic. He is shut off from every one, even to the approach of a +British ambassador. And what do you suppose he cares for a dog of a +Christian like you, who has been robbed in a hotel by another +Christian? And these others. Do you suppose they care? Call out--cry +for help, and tell them that you have half a million dollars in this +room, and they will fall on you and strip you of every cent of it, and +leave you to walk the beach for work. Now, what are you going to do? +Will you give me the money I want to take back where it belongs, or +will you call for help and lose it all?" + +The two men confronted each other across the narrow length of the +table. The blood had run to Holcombe's face, but the face of the other +was drawn and pale with fear. + +"You can't frighten me," he gasped, rallying his courage with an +effort of the will. "You are talking nonsense. This is a respectable +hotel; it isn't a den of thieves. You are trying to frighten me out of +the money with your lies and your lawyer's tricks, but you will find +that I am not so easily fooled. You are dealing with a man, Holcombe, +who suffered to get what he has, and who doesn't mean to let it go +without a fight for it. Come near me, I warn you, and I shall call for +help." + +Holcombe backed slowly away from the table and tossed up his hands +with the gesture of one who gives up his argument. "You will have it, +will you?" he muttered, grimly. "Very well, you _shall_ fight for +it." He turned quickly and drove in the bolt of the door and placed +his shoulders over the electric button in the wall. "I have warned +you," he said, softly. "I have told you where you are, and that you +have nothing to expect from the outside. You are absolutely in my +power to do with as I please." He stopped, and, without moving his +eyes from Allen's face, drew the revolver from the pocket of his coat. +His manner was so terrible that Allen gazed at him, breathing faintly, +and with his eyes fixed in horrible fascination. "There is no law," +Holcombe repeated, softly. "There is no help for you now or later. It +is a question of two men locked in a room with a table and sixty +thousand dollars between them. That is the situation. Two men and +sixty thousand dollars. We have returned to first principles, Allen. +It is a man against a man, and there is no Court of Appeal." + +Allen's breath came back to him with a gasp, as though he had been +shocked with a sudden downpour of icy water. + +"There is!" he cried. "There _is_ a Court of Appeal. For God's +sake, wait. I appeal to Henry Holcombe, to Judge Holcombe's son. I +appeal to your good name, Harry, to your fame in the world. Think what +you are doing; for the love of God, don't murder me. I'm a criminal, I +know, but not what you would be, Holcombe; not that. You are mad or +drunk. You wouldn't, you couldn't do it. Think of it! _You_, +Henry Holcombe. _You._" + +The fingers of Holcombe's hand moved and tightened around the butt of +the pistol, the sweat sprang from the pores of his palm. He raised the +revolver and pointed it. "My sin's on my own head," he said. "Give me +the money." + +The older man glanced fearfully back of him at the open window, +through which a sea breeze moved the palms outside, so that they +seemed to whisper together as though aghast at the scene before them. +The window was three stories from the ground, and Allen's eyes +returned to the stern face of the younger man. As they stood silent +there came to them the sound of some one moving in the hall, and of +men's voices whispering together. Allen's face lit with a sudden +radiance of hope, and Holcombe's arm moved uncertainly. + +"I fancy," he said, in a whisper, "that those are my friends. They +have some idea of my purpose, and they have come to learn more. If you +call, I will let them in, and they will strangle you into silence +until I get the money." + +The two men eyed each other steadily, the older seeming to weigh the +possible truth of Holcombe's last words in his mind. Holcombe broke +the silence in a lighter tone. + +"Playing the policeman is a new role to me," he said, "and I warn you +that I have but little patience; and, besides, my hand is getting +tired, and this thing is at full cock." + +Allen, for the first time, lowered the box upon the table and drew +from it a bundle of notes bound together with elastic bandages. +Holcombe's eyes lighted as brightly at the sight as though the notes +were for his own private pleasures in the future. + +"Be quick!" he said. "I cannot be responsible for the men outside." + +Allen bent over the money, his face drawing into closer and sharper +lines as the amount grew, under his fingers, to the sum Holcombe had +demanded. + +"Sixty thousand!" he said, in a voice of desperate calm. + +"Good!" whispered Holcombe. "Pass it over to me. I hope I have taken +the most of what you have," he said, as he shoved the notes into his +pocket; "but this is something. Now I warn you," he added, as he +lowered the trigger of the revolver and put it out of sight, "that any +attempt to regain this will be futile. I am surrounded by friends; no +one knows you or cares about you. I shall sleep in my room to-night +without precaution, for I know that the money is now mine. Nothing you +can do will recall it. Your cue is silence and secrecy as to what you +have lost and as to what you still have with you." + +He stopped in some confusion, interrupted by a sharp knock at the door +and two voices calling his name. Allen shrank back in terror. + +"You coward!" he hissed. "You promised me you'd be content with what +you have." Holcombe looked at him in amazement. "And now your +accomplices are to have their share, too, are they?" the embezzler +whispered, fiercely. "You lied to me; you mean to take it all." + +Holcombe, for an answer, drew back the bolt, but so softly that the +sound of his voice drowned the noise it made. + +"No, not to-night," he said, briskly, so that the his voice penetrated +into the hall beyond. "I mustn't stop any longer, I'm keeping you up. +It has been very pleasant to have heard all that news from home. It +was such a chance, my seeing you before I sailed. Good-night." He +paused and pretended to listen. "No, Allen, I don't think it's a +servant," he said. "It's some of my friends looking for me. This is my +last night on shore, you see." He threw open the door and confronted +Meakim and Carroll as they stood in some confusion in the dark hall. +"Yes, it is some of my friends," Holcombe continued. "I'll be with you +in a minute," he said to them. Then he turned, and, crossing the room +in their sight, shook Allen by the hand, and bade him good-night and +good-by. + +The embezzler's revulsion of feeling was so keen and the relief so +great that he was able to smile as Holcombe turned and left him. "I +wish you a pleasant voyage," he said, faintly. + +Then Holcombe shut the door on him, closing him out from their sight. +He placed his hands on a shoulder of each of the two men and jumped +step by step down the stairs like a boy as they descended silently in +front of him. At the foot of the stairs Carroll turned and confronted +him sternly, staring him in the face. Meakim at one side eyed him +curiously. + +"Well?" said Carroll, with one hand upon Holcombe's wrist. + +Holcombe shook his hand free, laughing. "Well," he answered, "I +persuaded him to make restitution." + +"You persuaded him!" exclaimed Carroll, impatiently. "How?" + +Holcombe's eyes avoided those of the two inquisitors. He drew a long +breath, and then burst into a loud fit of hysterical laughter. The two +men surveyed him grimly. "I argued with him, of course," said +Holcombe, gayly. "That is my business, man; you forget that I am a +District Attorney--" + +"_We_ didn't forget it," said Carroll, fiercely. "Did _you_? +What did you do?" + +Holcombe backed away up the stairs shaking his head and laughing. "I +shall never tell you," he said. He pointed with his hand down the +second flight of stairs. "Meet me in the smoking-room," he continued. +"I will be there in a minute, and we will have a banquet. Ask the +others to come. I have something to do first." + +The two men turned reluctantly away, and continued on down the stairs +without speaking and with their faces filled with doubt. Holcombe ran +first to Reese's room and replaced the pistol in its holder. He was +trembling as he threw the thing from him, and had barely reached his +own room and closed the door when a sudden faintness overcame him. The +weight he had laid on his nerves was gone and the laughter had +departed from his face. He stood looking back at what he had escaped +as a man reprieved at the steps of the gallows turns his head to +glance at the rope he has cheated. Holcombe tossed the bundle of +notes, upon the table and took an unsteady step across the room. Then +he turned suddenly and threw himself upon his knees and buried his +face in the pillow. + +The sun rose the next morning on a cool, beautiful day, and the +Consul's boat, with the American flag trailing from the stern, rose +and fell on the bluest of blue waters as it carried Holcombe and his +friends to the steamer's side. + +"We are going to miss you very much," Mrs. Carroll said. "I hope you +won't forget to send us word of yourself." + +Miss Terrill said nothing. She was leaning over the side trailing her +hand in the water, and watching it run between her slim pink fingers. +She raised her eyes to find Holcombe looking at her intently with a +strange expression of wistfulness and pity, at which she smiled +brightly back at him, and began to plan vivaciously with Captain Reese +for a ride that same afternoon. + +They separated over the steamer's deck, and Meakim, for the hundredth +time, and in the lack of conversation which comes at such moments, +offered Holcombe a fresh cigar. + +"But I have got eight of yours now," said Holcombe. + +"That's all right; put it in your pocket," said the Tammany chieftain, +"and smoke it after dinner. You'll need 'em. They're better than those +you'll get on the steamer, and they never went through a +custom-house." + +Holcombe cleared his throat in some slight embarrassment. "Is there +anything I can do for you in New York, Meakim?" he asked. "Anybody I +can see, or to whom I can deliver a message?" + +"No," said Meakim. "I write pretty often. Don't you worry about me," +he added, gratefully. "I'll be back there some day myself, when the +law of limitation lets me." + +Holcombe laughed. "Well," he said, "I'd be glad to do something for +you if you'd let me know what you'd like." + +Meakim put his hands behind his back and puffed meditatively on his +cigar, rolling it between his lips with his tongue. Then he turned it +between his fingers and tossed the ashes over the side of the boat. He +gave a little sigh, and then frowned at having done so. "I'll tell you +what you _can_ do for me, Holcombe," he said, smiling. "Some +night I wish you would go down to Fourteenth Street, some night this +spring, when the boys are sitting out on the steps in front of the +Hall, and just take a drink for me at Ed Lally's; just for luck. Will +you? That's what I'd like to do. I don't know nothing better than +Fourteenth Street of a summer evening, with all the people crowding +into Pastor's on one side of the Hall, and the Third Avenue L cars +running by on the other. That's a gay sight; ain't it now? With all +the girls coming in and out of Theiss's, and the sidewalks crowded. +One of them warm nights when they have to have the windows open, and +you can hear the music in at Pastor's, and the audience clapping their +hands. That's great, isn't it? Well," he laughed and shook his head. +"I'll be back there some day, won't I," he said, wistfully, "and hear +it for myself." + +"Carroll," said Holcombe, drawing the former to one side, "suppose I +see this cabman when I reach home, and get him to withdraw the charge, +or agree not to turn up when it comes to trial." + +Carroll's face clouded in an instant. "Now, listen to me, Holcombe," +he said. "You let my dirty work alone. There's lots of my friends who +have nothing better to do than just that. You have something better to +do, and you leave me and my rows to others. I like you for what you +are, and not for what you can do for me. I don't mean that I don't +appreciate your offer, but it shouldn't have come from an Assistant +District Attorney to a fugitive criminal." + +"What nonsense!" said Holcombe. + +"Don't say that; don't say that!" said Carroll, quickly, as though it +hurt him. "You wouldn't have said it a month ago." + +Holcombe eyed the other with an alert, confident smile. "No, Carroll," +he answered, "I would not." He put his hand on the other's shoulder +with a suggestion in his manner of his former self, and with a touch +of patronage. "I have learned a great deal in a month," he said. +"Seven battles were won in seven days once. All my life I have been +fighting causes, Carroll, and principles. I have been working with +laws against law-breakers. I have never yet fought a man. It was not +poor old Meakim, the individual, I prosecuted, but the corrupt +politician. Now, here I have been thrown with men and women on as +equal terms as a crew of sailors cast away upon a desert island. We +were each a law unto himself. And I have been brought face to face, +and for the first time in my life, not with principles of conduct, not +with causes, and not with laws, but with my fellow men." + + + + +THE BOY ORATOR OF ZEPATA CITY + + +The day was cruelly hot, with unwarranted gusts of wind which swept +the red dust in fierce eddies in at one end of Main Street and out at +the other, and waltzed fantastically across the prairie. When they had +passed, human beings opened their eyes again to blink hopelessly at +the white sun, and swore or gasped, as their nature moved them. There +were very few human beings in the streets, either in Houston Avenue, +where there were dwelling-houses, or in the business quarter on Main +Street. They were all at the new court-house, and every one possessed +of proper civic pride was either in the packed court-room itself, or +standing on the high steps outside, or pacing the long, freshly +calcimined corridors, where there was shade and less dust. It was an +eventful day in the history of Zepata City. The court-house had been +long in coming, the appropriation had been denied again and again; but +at last it stood a proud and hideous fact, like a gray prison, +towering above the bare, undecorated brick stores and the frame houses +on the prairie around it, new, raw, and cheap, from the tin statue on +the dome to the stucco round its base already cracking with the sun. +Piles of lumber and scaffolding and the lime beds the builders had +left still lay on the unsodded square, and the bursts of wind drove +the shavings across it, as they had done since the first day of +building, when the Hon. Horatio Macon, who had worked for the +appropriation, had laid the corner-stone and received the homage of +his constituents. + +It seemed a particularly happy and appropriate circumstance that the +first business in the new court-room should be of itself of an +important and momentous nature, something that dealt not only with the +present but with the past of Zepata, and that the trial of so +celebrated an individual as Abe Barrow should open the court-house +with _eclat_, as Emma Abbott, who had come all the way from San +Antonio to do it, had opened the new opera-house the year before. The +District Attorney had said it would not take very long to dispose of +Barrow's case, but he had promised it would be an interesting if brief +trial, and the court-room was filled even to the open windows, where +men sat crowded together, with the perspiration running down their +faces, and the red dust settling and turning white upon their +shoulders. + +Abe Barrow, the prisoner, had been as closely associated with the +early history of Zepata as Colonel Macon himself, and was as widely +known; he had killed in his day several of the Zepata citizens, and +two visiting brother-desperadoes, and the corner where his +gambling-house had stood was still known as Barrow's Corner, to the +regret of the druggist who had opened a shop there. Ten years before, +the murder of Deputy Sheriff Welsh had led him to the penitentiary, +and a month previous to the opening of the new court-house he had been +freed, and arrested at the prison gate to stand trial for the murder +of Hubert Thompson. The fight with Thompson had been a fair fight--so +those said who remembered it--and Thompson was a man they could well +spare; but the case against Barrow had been prepared during his +incarceration by the new and youthful District Attorney, "Judge" Henry +Harvey, and as it offered a fitting sacrifice for the dedication of +the new temple of justice, the people were satisfied and grateful. + +The court-room was as bare of ornament as the cell from which the +prisoner had just been taken. There was an imitation walnut clock at +the back of the Judge's hair-cloth sofa, his revolving chair, and his +high desk. This was the only ornament. Below was the green table of +the District Attorney, upon which rested his papers and law-books and +his high hat. To one side sat the jury, ranch-owners and prominent +citizens, proud of having to serve on this the first day; and on the +other the prisoner in his box. Around them gathered the citizens of +Zepata in close rows, crowded together on unpainted benches; back of +them more citizens standing and a few awed Mexicans; and around all +the whitewashed walls. Colonel John Stogart, of Dallas, the prisoner's +attorney, procured obviously at great expense, no one knew by whom, +and Barrow's wife, a thin yellow-faced woman in a mean-fitting showy +gown, sat among the local celebrities at the District Attorney's +elbow. She was the only woman in the room. + +Colonel Stogart's speech had been good. The citizens were glad it had +been so good; it had kept up the general tone of excellence, and it +was well that the best lawyer of Dallas should be present on this +occasion, and that he should have made what the citizens of Zepata +were proud to believe was one of the efforts of his life. As they +said, a court-house such as this one was not open for business every +day. It was also proper that Judge Truax, who was a real Judge, and +not one by courtesy only, as was the young District Attorney, should +sit upon the bench. He also was associated with the early days and +with the marvellous growth of Zepata City. He had taught the young +District Attorney much of what he knew, and his long white hair and +silver-rimmed spectacles gave dignity and the appearance of calm +justice to the bare room and to the heated words of the rival orators. + +Colonel Stogart ceased speaking, and the District Attorney sucked in +his upper lip with a nervous, impatient sigh as he recognized that the +visiting attorney had proved murder in the second degree, and that an +execution in the jail-yard would not follow as a fitting sequence. + +But he was determined that so far as in him lay he would at least send +his man back to the penitentiary for the remainder of his life. + +Young Harry Harvey, "The Boy Orator of Zepata City," as he was called, +was very dear to the people of that booming town. In their eyes he was +one of the most promising young men in the whole great unwieldy State +of Texas, and the boy orator thought they were probably right, but he +was far too clever to let them see it. He was clever in his words and +in his deeds and in his appearance. And he dressed much more carefully +than any other man in town, with a frock-coat and a white tie winter +and summer, and a fine high hat. That he was slight and short of +stature was something he could not help, and was his greatest, keenest +regret, and that Napoleon was also short and slight did not serve to +satisfy him or to make his regret less continual. What availed the +sharply cut, smoothly shaven face and the eyes that flashed when he +was moved, or the bell-like voice, if every unlettered ranchman or +ranger could place both hands on his shoulders and look down at him +from heights above? But they forgot this and he forgot it before he +had reached the peroration of his closing speech. They saw only the +Harry Harvey they knew and adored moving and rousing them with his +voice, trembling with indignation when he wished to tremble, playing +all his best tricks in his best manner, and cutting the air with +sharp, cruel words when he was pleased to be righteously just. + +The young District Attorney turned slowly on his heels, and swept the +court-room carelessly with a glance of the clever black eyes. The +moment was his. He saw all the men he knew--the men who made his +little world--crowding silently forward, forgetful of the heat, of the +suffocating crush of those about them, of the wind that rattled the +doors in the corridors, and conscious only of him. He saw his old +preceptor watching keenly from the bench, with a steady glance of +perfect appreciation, such as that with which one actor in the box +compliments the other on the stage. He saw the rival attorney--the +great lawyer from the great city--nervously smiling, with a look of +confidence that told the lack of it; and he saw the face of the +prisoner grim and set and hopelessly defiant. The boy orator allowed +his uplifted arm to fall until the fingers pointed at the prisoner. + +"This man," he said, and as he spoke even the wind in the corridors +hushed for the moment, "is no part or parcel of Zepata City of to-day. +He comes to us a relic of the past--a past that has brought honor to +many, wealth to some, and which is dear to all of us who love the +completed purpose of their work; a past that was full of hardships and +glorious efforts in the face of daily disappointments, embitterments, +and rebuffs. But the part _this_ man played in that past lives +only in the rude court records of that day, in the traditions of the +gambling-hell and the saloons, and on the headstones of his victims. +He was one of the excrescences of that unsettled period, an unhappy +evil--an inevitable evil, I might almost say, as the Mexican +horse-thieves and the prairie fires and the Indian outbreaks were +inevitable, as our fathers who built this beautiful city knew to their +cost. The same chance that was given to them to make a home for +themselves in the wilderness, to help others to make their homes, to +assist the civilization and progress not only of this city, but of the +whole Lone Star State, was given to him, and he refused it, and +blocked the way of others, and kept back the march of progress, until +to-day, civilization, which has waxed great and strong--not on account +of him, remember, but in spite of him--sweeps him out of its way, and +crushes him and his fellows." + +The young District Attorney allowed his arm to drop, and turned to the +jury, leaning easily with his bent knuckles on the table. + +"Gentlemen," he said, in his pleasant tones of every-day politeness, +"the 'bad man' has become an unknown quantity in Zepata City and in +the State of Texas. It lies with you to see that he remains so. He +went out of existence with the blanket Indian and the buffalo. He is +dead, and he must _not_ be resurrected. He was a picturesque evil +of those early days, but civilization has no use for him, and it has +killed him, as the railroads and the barb-wire fence have killed the +cowboy. He does not belong here; he does not fit in; he is not wanted. +We want men who can breed good cattle, who can build manufactories and +open banks; storekeepers who can undersell those of other cities; and +professional men who know their business. We do _not_ want +desperadoes and 'bad men' and faro-dealers and men who are quick on +the trigger. A foolish and morbid publicity has cloaked men of this +class with a notoriety which cheap and pernicious literature has +greatly helped to disseminate. They have been made romantic when they +were brutal, brave when they were foolhardy, heroes when they were +only bullies and blackguards. This man, Abe Barrow, the prisoner at +the bar, belongs to that class. He enjoys and has enjoyed a reputation +as a 'bad man,' a desperate and brutal ruffian. Free him to-day, and +you set a premium on such reputations; acquit him of this crime, and +you encourage others to like evil. Let him go, and he will walk the +streets with a swagger, and boast that you were afraid to touch +him--_afraid_, gentlemen--and children and women will point after +him as the man who has sent nine others into eternity, and who yet +walks the streets a free man. And he will become, in the eyes of the +young and the weak, a hero and a god. This is unfortunate, but it is +true. + +"Now, gentlemen, we want to keep the streets of this city so safe that +a woman can walk them at midnight without fear of insult, and a man +can express his opinion on the corner without being shot in the back +for doing so." + +The District Attorney turned from the jury with a bow, and faced Judge +Truax. + +"For the last ten years, your honor, this man, Abner Barrow, has been +serving a term of imprisonment in the State penitentiary; I ask you to +send him back there again for the remainder of his life. It will be +the better place for him, and we will be happier in knowing we have +done our duty in placing him there. Abe Barrow is out of date. He has +missed step with the march of progress, and has been out of step for +ten years, and it is best for all that he should remain out of it +until he, who has sent nine other men unprepared to meet their God--" + +"He is not on trial for the murder of nine men," interrupted Colonel +Stogart, springing from his chair, "but for the justifiable killing of +one, and I demand, your honor, that--" + +"--has sent nine other men to meet their Maker," continued the +District Attorney, "meets with the awful judgment of a higher court +than this." + +Colonel Stogart smiled scornfully at the platitude, and sat down with +an expressive shrug; but no one noticed him. + +The District Attorney raised his arm and faced the court-room. "It +cannot be said of _us_," he cried, "that we have sat idle in the +market-place. We have advanced and advanced in the last ten years, +until we have reached the very foremost place with civilized people. +This Rip Van Winkle of the past returns to find a city where he left a +prairie town, a bank where he spun his roulette wheel, this +magnificent court-house instead of a vigilance committee. And what is +his part in this new court-house, which to-day, for the first time, +throws open its doors to protect the just and to punish the unjust? + +"Is he there in the box among those honorable men, the gentlemen of +the jury? Is he in that great crowd of intelligent, public-spirited +citizens who make the bone and sinew of this our fair city? Is he on +the honored bench dispensing justice, and making the intricacies of +the law straight? No, gentlemen; he has no part in our triumph. He is +there, in the prisoners' pen, an outlaw, a convicted murderer, and an +unconvicted assassin, the last of his race--the bullies and bad men of +the border--a thing to be forgotten and put away forever from the +sight of man. He has outlasted his time; he is a superfluity and an +outrage on our reign of decency and order. And I ask you, gentlemen, +to put him away where he will not hear the voice of man nor children's +laughter, nor see a woman smile, where he will not even see the face +of the warden who feeds him, nor sunlight except as it is filtered +through the iron bars of a jail. Bury him with the bitter past, with +the lawlessness that has gone--that has gone, thank God--and which +must _not_ return. Place him in the cell where he belongs, and +whence, had justice been done, he would never have been taken alive." + +The District Attorney sat down suddenly, with a quick nod to the Judge +and the jury, and fumbled over his papers with nervous fingers. He was +keenly conscious, and excited with the fervor of his own words. He +heard the reluctantly hushed applause and the whispers of the crowd, +and noted the quick and combined movement of the jury with a selfish +sweet pleasure, which showed itself only in the tightening of the lips +and nostrils. Those nearest him tugged at his sleeve and shook hands +with him. He remembered this afterward as one of the rewards of the +moment. He turned the documents before him over and scribbled words +upon a piece of paper and read a passage in an open law-book. He did +this quite mechanically, and was conscious of nothing until the +foreman pronounced the prisoner at the bar guilty of murder in the +second degree. + +Judge Truax leaned across his desk and said, simply, that it lay in +his power to sentence the prisoner to not less than two years' +confinement in the State penitentiary or for the remainder of his +life. + +"Before I deliver sentence on you, Abner Barrow," he said, with an old +man's kind severity, "is there anything you have to say on your own +behalf?" + +The District Attorney turned his face, as did all the others, but he +did not see the prisoner. He still saw himself holding the court-room +with a spell, and heard his own periods ringing against the +whitewashed ceiling. The others saw a tall, broad-shouldered man +leaning heavily forward over the bar of the prisoner's box. His face +was white with the prison tan, markedly so in contrast with those +sunburnt by the wind and sun turned toward him, and pinched and +hollow-eyed and worn. When he spoke, his voice had the huskiness which +comes from non-use, and cracked and broke like a child's. + +"I don't know, Judge," he said, hesitatingly, and staring stupidly at +the mass of faces in the well beneath him, "that I have anything to +say--in my own behalf. I don't know as it would be any use. I guess +what the gentleman said about me is all there is to say. He put it +about right. I've had my fun, and I've got to pay for it--that is, I +thought it was fun at the time. I am not going to cry any baby act and +beg off, or anything, if that's what you mean. But there is something +I'd like to say if I thought you would believe me." He frowned down at +the green table as though the words he wanted would not come, and his +eyes wandered from one face to another, until they rested upon the +bowed head of the only woman in the room. They remained there for some +short time, and then Barrow drew in his breath more quickly, and +turned with something like a show of confidence to the jury. + +"All that man said of me is true," he said. He gave a toss of his +hands as a man throws away the reins. "I admit all he says. I +_am_ a back number; I _am_ out of date; I _was_ a loafer and a +blackguard. I never shot any man in the back, nor I never assassinated +no one; but that's neither here nor there. I'm not in a place where I +can expect people to pick out their words; but, as he says, I _am_ a +bad lot. He says I have enjoyed a reputation as a desperado. I am not +bragging of that; I just ask you to remember that he said it. Remember +it of me. I was not the sort to back down to man or beast, and I'm not +now. I am not backing down, now; I'm taking my punishment. Whatever +you please to make it, I'll take it; and that," he went on, more +slowly, "makes it harder for me to ask what I want to ask, and make +you all believe I am not asking it for myself." + +He stopped, and the silence in the room seemed to give him some faint +encouragement of sympathy, though it was rather the silence of +curiosity. + +Colonel Stogart gave a stern look upward, and asked the prisoner's +wife, in a whisper, if she knew what her husband meant to say, but she +shook her head. She did not know. The District Attorney smiled +indulgently at the prisoner and at the men about him, but they were +watching the prisoner. + +"That man there," said Barrow, pointing with one gaunt hand at the boy +attorney, "told you I had no part or parcel in this city or in this +world; that I belonged to the past; that I had ought to be dead. Now +that's not so. I have just one thing that belongs to this city and +this world--and to me; one thing that I couldn't take to jail with me, +and that I'll have to leave behind me when I go back to it. I mean my +wife." + +The prisoner stopped, and looked so steadily at one place below him +that those in the back of the court guessed for the first time that +Mrs. Barrow was in the room, and craned forward to look at her, and +there was a moment of confusion and a murmur of "Get back there!" "Sit +still!" The prisoner turned to Judge Truax again and squared his broad +shoulders, making the more conspicuous his narrow and sunken chest. + +"You, sir," he said, quietly, with a change from the tone of +braggadocio with which he had begun to speak, "remember her, sir, when +I married her, twelve years ago. She was Henry Holman's daughter, he +who owned the San Iago Ranch and the triangle brand. I took her from +the home she had with her father against that gentleman's wishes, sir, +to live with me over my dance-hall at the Silver Star. You may +remember her as she was then. She gave up everything a woman ought to +have to come to me. She thought she was going to be happy with me; +that's why she come, I guess. Maybe she was happy for about two weeks. +After that first two weeks her life, sir, was a hell, and I made it a +hell. I was drunk most of the time, or sleeping it off, and +ugly-tempered when I was sober. There was shooting and carrying on all +day and night down-stairs, and she didn't dare to leave her room. +Besides that, she cared for me, and she was afraid every minute I was +going to get killed. That's the way she lived for two years. +Respectable women wouldn't speak to her because she was my wife; even +them that were friends of hers when she lived on the ranch wouldn't +speak to her on the street--and she had no children. That was her +life; she lived alone over the dance-hall; and sometimes when I was +drunk--I beat her." + +The man's white face reddened slowly as he said this; and he stopped, +and then continued more quickly, with his eyes still fixed on those of +the Judge: + +"At the end of two years I killed Welsh, and they sent me to the +penitentiary for ten years, and she was free. She could have gone back +to her folks and got a divorce if she'd wanted to, and never seen me +again. It was an escape most women'd gone down on their knees and +thanked their Maker for, and blessed the day they'd been freed from a +blackguardly drunken brute. + +"But what did this woman do--my wife, the woman I misused and beat and +dragged down in the mud with me? She was too mighty proud to go back +to her people or to the friends who shook her when she was in trouble; +and she sold out the place, and bought a ranch with the money, and +worked it by herself, worked it day and night, until in ten years she +had made herself an old woman, as you see she is to-day. + +"And for what? To get _me_ free again; to bring _me_ things +to eat in jail, and picture papers and tobacco--when she was living on +bacon and potatoes, and drinking alkali water--working to pay for a +lawyer to fight for _me_--to pay for the _best_ lawyer! She +worked in the fields with her own hands, planting and ploughing, +working as I never worked for myself in my whole lazy, rotten life. +That's what that woman there did for me." + +The man stopped suddenly, and turned with a puzzled look toward where +his wife sat, for she had dropped her head on the table in front of +her, and he had heard her sobbing. + +"And what I want to ask of you, sir, is to let me have two years out +of jail to show her how I feel about it. I ask you not to send me back +for life, sir. Give me just two years--two years of my life while I +have some strength left to work for her as she worked for me. I only +want to show her how I care for her _now_. I had the chance, and +I wouldn't take it; and now, sir, I want to show her that I know and +understand--now, when it's too late. It's all I've thought of when I +was in jail, to be able to see her sitting in her own kitchen with her +hands folded, and me working and sweating in the fields for +her--working till every bone ached, trying to make it up to her. + +"And I can't!" the man cried, suddenly, losing the control he had +forced upon himself, and tossing his hands up above his head, and with +his eyes fixed hopelessly on the bowed head below him. "I can't! It's +too late. It's too late!" + +He turned and faced the crowd and the District Attorney defiantly. + +"I'm not crying for the men I killed. They're dead. I can't bring them +back. But she's not dead, and I treated her worse than I treated them. +_She_ never harmed me, nor got in my way, nor angered me. And now, +when I want to do what I can for her in the little time that's left, +_he_ tells you I'm a 'relic of the past,' that civilization's too good +for me, that you must bury me until it's time to bury me for good. +Just when I've got something I _must_ live for, something I've got to +do. Don't you believe me? Don't you understand?" + +He turned again toward the Judge, and beat the rail before him +impotently with his wasted hand. "Don't send me back for life!" he +cried. "Give me a few years to work for her--two years, one year--to +show her what I feel here, what I never felt for her before. Look at +her, gentlemen. Look how worn she is and poorly, and look at her +hands, and you men must feel how I feel. I don't ask you for myself. I +don't want to go free on my own account. I am asking it for that +woman--yes, and for myself, too. I am playing to 'get back,' +gentlemen. I've lost what I had, and I want to get back; and," he +cried, querulously, "the game keeps going against me. It's only a few +years' freedom I want. Send me back for thirty years, but not for +life. My God! Judge, don't bury me alive, as that man asked you to. +I'm _not_ civilized, maybe; ways _have_ changed. You are not +the man I knew; you are all strangers to me. But I could learn. I +wouldn't bother you in the old way. I only want to live with her. I +won't harm the rest of you. Give me this last chance. Let me prove +that what I'm saying is true." + +The man stopped and stood, opening and shutting his hands upon the +rail, and searching with desperate eagerness from face to face, as one +who has staked all he has watches the wheel spinning his fortune away. +The gentlemen of the jury sat quite motionless, looking straight ahead +at the blinding sun, which came through the high, uncurtained windows +opposite. Outside, the wind banged the shutters against the wall, and +whistled up the street and round the tin corners of the building, but +inside the room was very silent. The Mexicans at the door, who could +not understand, looked curiously at the faces of the men around them, +and made sure that they had missed something of much importance. For a +moment no one moved, until there was a sudden stir around the District +Attorney's table, and the men stepped aside and let the woman pass +them and throw herself against the prisoner's box. The prisoner bent +his tall gaunt figure over the rail, and as the woman pressed his one +hand against her face, touched her shoulders with the other awkwardly. + +"There, now," he whispered, soothingly, "don't you take on so. Now you +know how I feel, it's all right; don't take on." + +Judge Truax looked at the paper on his desk for some seconds, and +raised his head, coughing as he did so. "It lies--" Judge Truax began, +and then stopped, and began again, in a more certain tone: "It lies at +the discretion of this Court to sentence the prisoner to a term of +imprisonment for two years, or for an indefinite period, or for life. +Owing to--On account of certain circumstances which were--have +arisen--this sentence is suspended. This court stands adjourned." + +As he finished he sprang out of his chair impulsively, and with a +quick authoritative nod to the young District Attorney, came quickly +down the steps of the platform. Young Harvey met him at the foot with +wide-open eyes. + +The older man hesitated, and placed his hand upon the District +Attorney's shoulder. "Harry," he said. His voice was shaken, and his +hand trembled on the arm of his protege, for he was an old man and +easily moved. "Harry, my boy," he said, "do you think you could go to +Austin and repeat the speech that man made to the Governor?" + +The boy orator laughed, and took one of the older man's hands in one +of his and pressed it quickly. "I'd like d----d well to try," he said. + + + + +THE OTHER WOMAN + + +Young Latimer stood on one of the lower steps of the hall stairs, +leaning with one hand on the broad railing and smiling down at her. +She had followed him from the drawing-room and had stopped at the +entrance, drawing the curtains behind her, and making, unconsciously, +a dark background for her head and figure. He thought he had never +seen her look more beautiful, nor that cold, fine air of thorough +breeding about her which was her greatest beauty to him, more strongly +in evidence. + +"Well, sir," she said, "why don't you go?" + +He shifted his position slightly and leaned more comfortably upon the +railing, as though he intended to discuss it with her at some length. + +"How can I go," he said, argumentatively, "with you standing +there--looking like that?" + +"I really believe," the girl said, slowly, "that he is afraid; yes, he +is afraid. And you always said," she added, turning to him, "you were +so brave." + +"Oh, I am sure I never said that," exclaimed the young man, calmly. "I +may be brave, in fact, I am quite brave, but I never said I was. Some +one must have told you." + +"Yes, he is afraid," she said, nodding her head to the tall clock +across the hall, "he is temporizing and trying to save time. And +afraid of a man, too, and such a good man who would not hurt any one." + +"You know a bishop is always a very difficult sort of a person," he +said, "and when he happens to be your father, the combination is just +a bit awful. Isn't it now? And especially when one means to ask him +for his daughter. You know it isn't like asking him to let one smoke +in his study." + +"If I loved a girl," she said, shaking her head and smiling up at him, +"I wouldn't be afraid of the whole world; that's what they say in +books, isn't it? I would be so bold and happy." + +"Oh, well, I'm bold enough," said the young man, easily; "if I had not +been, I never would have asked you to marry me; and I'm happy +enough--that's because I did ask you. But what if he says no," +continued the youth; "what if he says he has greater ambitions for +you, just as they say in books, too? What will you do? Will you run +away with me? I can borrow a coach just as they used to do, and we can +drive off through the Park and be married, and come back and ask his +blessing on our knees--unless he should overtake us on the elevated." + +"That," said the girl, decidedly, "is flippant, and I'm going to leave +you. I never thought to marry a man who would be frightened at the +very first. I am greatly disappointed." + +She stepped back into the drawing-room and pulled the curtains to +behind her, and then opened them again and whispered, "Please don't be +long," and disappeared. He waited, smiling, to see if she would make +another appearance, but she did not, and he heard her touch the keys +of the piano at the other end of the drawing-room. And so, still +smiling and with her last words sounding in his ears, he walked slowly +up the stairs and knocked at the door of the bishop's study. The +bishop's room was not ecclesiastic in its character. It looked much +like the room of any man of any calling who cared for his books and to +have pictures about him, and copies of the beautiful things he had +seen on his travels. There were pictures of the Virgin and the Child, +but they were those that are seen in almost any house, and there were +etchings and plaster casts, and there were hundreds of books, and dark +red curtains, and an open fire that lit up the pots of brass with +ferns in them, and the blue and white plaques on the top of the +bookcase. The bishop sat before his writing-table, with one hand +shading his eyes from the light of a red-covered lamp, and looked up +and smiled pleasantly and nodded as the young man entered. He had a +very strong face, with white hair hanging at the side, but was still a +young man for one in such a high office. He was a man interested in +many things, who could talk to men of any profession or to the mere +man of pleasure, and could interest them in what he said, and force +their respect and liking. And he was very good, and had, they said, +seen much trouble. + +"I am afraid I interrupted you," said the young man, tentatively. + +"No, I have interrupted myself," replied the bishop. "I don't seem to +make this clear to myself," he said, touching the paper in front of +him, "and so I very much doubt if I am going to make it clear to any +one else. However," he added, smiling, as he pushed the manuscript to +one side, "we are not going to talk about that now. What have you to +tell me that is new?" + +The younger man glanced up quickly at this, but the bishop's face +showed that his words had had no ulterior meaning, and that he +suspected nothing more serious to come than the gossip of the clubs or +a report of the local political fight in which he was keenly +interested, or on their mission on the East Side. But it seemed an +opportunity to Latimer. + +"I _have_ something new to tell you," he said, gravely, and with +his eyes turned toward the open fire, "and I don't know how to do it +exactly. I mean I don't just know how it is generally done or how to +tell it best." He hesitated and leaned forward, with his hands locked +in front of him, and his elbows resting on his knees. He was not in +the least frightened. The bishop had listened to many strange stories, +to many confessions, in this same study, and had learned to take them +as a matter of course; but to-night something in the manner of the +young man before him made him stir uneasily, and he waited for him to +disclose the object of his visit with some impatience. + +"I will suppose, sir," said young Latimer, finally, "that you know me +rather well--I mean you know who my people are, and what I am doing +here in New York, and who my friends are, and what my work amounts to. +You have let me see a great deal of you, and I have appreciated your +doing so very much; to so young a man as myself it has been a great +compliment, and it has been of great benefit to me. I know that better +than any one else. I say this because unless you had shown me this +confidence it would have been almost impossible for me to say to you +what I am going to say now. But you have allowed me to come here +frequently, and to see you and talk with you here in your study, and +to see even more of your daughter. Of course, sir, you did not suppose +that I came here only to see you. I came here because I found that, if +I did not see Miss Ellen for a day, that that day was wasted, and that +I spent it uneasily and discontentedly, and the necessity of seeing +her even more frequently has grown so great that I cannot come here as +often as I seem to want to come unless I am engaged to her, unless I +come as her husband that is to be." The young man had been speaking +very slowly and picking his words, but now he raised his head and ran +on quickly. + +"I have spoken to her and told her how I love her, and she has told me +that she loves me, and that if you will not oppose us, will marry me. +That is the news I have to tell you, sir. I don't know but that I +might have told it differently, but that is it. I need not urge on you +my position and all that, because I do not think that weighs with you; +but I do tell you that I love Ellen so dearly that, though I am not +worthy of her, of course, I have no other pleasure than to give her +pleasure and to try to make her happy. I have the power to do it; but +what is much more, I have the wish to do it; it is all I think of now, +and all that I can ever think of. What she thinks of me you must ask +her; but what she is to me neither she can tell you nor do I believe +that I myself could make you understand." The young man's face was +flushed and eager, and as he finished speaking he raised his head and +watched the bishop's countenance anxiously. But the older man's face +was hidden by his hand as he leaned with his elbow on his +writing-table. His other hand was playing with a pen, and when he +began to speak, which he did after a long pause, he still turned it +between his fingers and looked down at it. + +"I suppose," he said, as softly as though he were speaking to himself, +"that I should have known this; I suppose that I should have been +better prepared to hear it. But it is one of those things which men +put off--I mean those men who have children, put off--as they do +making their wills, as something that is in the future and that may be +shirked until it comes. We seem to think that our daughters will live +with us always, just as we expect to live on ourselves until death +comes one day and startles us and finds us unprepared." He took down +his hand and smiled gravely at the younger man with an evident effort, +and said, "I did not mean to speak so gloomily, but you see my point +of view must be different from yours. And she says she loves you, does +she?" he added, gently. + +Young Latimer bowed his head and murmured something inarticulately in +reply, and then held his head erect again and waited, still watching +the bishop's face. + +"I think she might have told me," said the older man; "but then I +suppose this is the better way. I am young enough to understand that +the old order changes, that the customs of my father's time differ +from those of to-day. And there is no alternative, I suppose," he +said, shaking his head. "I am stopped and told to deliver, and have no +choice. I will get used to it in time," he went on, "but it seems very +hard now. Fathers are selfish, I imagine, but she is all I have." + +Young Latimer looked gravely into the fire and wondered how long it +would last. He could just hear the piano from below, and he was +anxious to return to her. And at the same time he was drawn toward the +older man before him, and felt rather guilty, as though he really were +robbing him. But at the bishop's next words he gave up any thought of +a speedy release, and settled himself in his chair. + +"We are still to have a long talk," said the bishop. "There are many +things I must know, and of which I am sure you will inform me freely. +I believe there are some who consider me hard, and even narrow on +different points, but I do not think you will find me so, at least let +us hope not. I must confess that for a moment I almost hoped that you +might not be able to answer the questions I must ask you, but it was +only for a moment. I am only too sure you will not be found wanting, +and that the conclusion of our talk will satisfy us both. Yes, I am +confident of that." + +His manner changed, nevertheless, and Latimer saw that he was now +facing a judge and not a plaintiff who had been robbed, and that he +was in turn the defendant. And still he was in no way frightened. + +"I like you," the bishop said, "I like you very much. As you say +yourself, I have seen a great deal of you, because I have enjoyed your +society, and your views and talk were good and young and fresh, and +did me good. You have served to keep me in touch with the outside +world, a world of which I used to know at one time a great deal. I +know your people and I know you, I think, and many people have spoken +to me of you. I see why now. They, no doubt, understood what was +coming better than myself, and were meaning to reassure me concerning +you. And they said nothing but what was good of you. But there are +certain things of which no one can know but yourself, and concerning +which no other person, save myself, has a right to question you. You +have promised very fairly for my daughter's future; you have suggested +more than you have said, but I understood. You can give her many +pleasures which I have not been able to afford; she can get from you +the means of seeing more of this world in which she lives, of meeting +more people, and of indulging in her charities, or in her +extravagances, for that matter, as she wishes. I have no fear of her +bodily comfort; her life, as far as that is concerned, will be easier +and broader, and with more power for good. Her future, as I say, as +you say also, is assured; but I want to ask you this," the bishop +leaned forward and watched the young man anxiously, "you can protect +her in the future, but can you assure me that you can protect her from +the past?" + +Young Latimer raised his eyes calmly and said, "I don't think I quite +understand." + +"I have perfect confidence, I say," returned the bishop, "in you as +far as your treatment of Ellen is concerned in the future. You love +her and you would do everything to make the life of the woman you love +a happy one; but this is it. Can you assure me that there is nothing +in the past that may reach forward later and touch my daughter through +you--no ugly story, no oats that have been sowed, and no boomerang +that you have thrown wantonly and that has not returned--but which may +return?" + +"I think I understand you now, sir," said the young man, quietly. "I +have lived," he began, "as other men of my sort have lived. You know +what that is, for you must have seen it about you at college, and +after that before you entered the Church. I judge so from your +friends, who were your friends then, I understand. You know how they +lived. I never went in for dissipation, if you mean that, because it +never attracted me. I am afraid I kept out of it not so much out of +respect for others as for respect for myself. I found my self-respect +was a very good thing to keep, and I rather preferred keeping it and +losing several pleasures that other men managed to enjoy, apparently +with free consciences. I confess I used to rather envy them. It is no +particular virtue on my part; the thing struck me as rather more +vulgar than wicked, and so I have had no wild oats to speak of; and no +woman, if that is what you mean, can write an anonymous letter, and no +man can tell you a story about me that he could not tell in my +presence." + +There was something in the way the young man spoke which would have +amply satisfied the outsider, had he been present; but the bishop's +eyes were still unrelaxed and anxious. He made an impatient motion +with his hand. + +"I know you too well, I hope," he said, "to think of doubting your +attitude in that particular. I know you are a gentleman, that is +enough for that; but there is something beyond these more common +evils. You see, I am terribly in earnest over this--you may think +unjustly so, considering how well I know you, but this child is my +only child. If her mother had lived, my responsibility would have been +less great; but, as it is, God has left her here alone to me in my +hands. I do not think He intended my duty should end when I had fed +and clothed her, and taught her to read and write. I do not think He +meant that I should only act as her guardian until the first man she +fancied fancied her. I must look to her happiness not only now when +she is with me, but I must assure myself of it when she leaves my +roof. These common sins of youth I acquit you of. Such things are +beneath you, I believe, and I did not even consider them. But there +are other toils in which men become involved, other evils or +misfortunes which exist, and which threaten all men who are young and +free and attractive in many ways to women, as well as men. You have +lived the life of the young man of this day. You have reached a place +in your profession when you can afford to rest and marry and assume +the responsibilities of marriage. You look forward to a life of +content and peace and honorable ambition--a life, with your wife at +your side, which is to last forty or fifty years. You consider where +you will be twenty years from now, at what point of your career you +may become a judge or give up practise; your perspective is unlimited; +you even think of the college to which you may send your son. It is a +long, quiet future that you are looking forward to, and you choose my +daughter as the companion for that future, as the one woman with whom +you could live content for that length of time. And it is in that +spirit that you come to me tonight and that you ask me for my +daughter. Now I am going to ask you one question, and as you answer +that I will tell you whether or not you can have Ellen for your wife. +You look forward, as I say, to many years of life, and you have chosen +her as best suited to live that period with you; but I ask you this, +and I demand that you answer me truthfully, and that you remember that +you are speaking to her father. Imagine that I had the power to tell +you, or rather that some superhuman agent could convince you, that you +had but a month to live, and that for what you did in that month you +would not be held responsible either by any moral law or any law made +by man, and that your life hereafter would not be influenced by your +conduct in that month, would you spend it, I ask you--and on your +answer depends mine--would you spend those thirty days, with death at +the end, with my daughter, or with some other woman of whom I know +nothing?" + +Latimer sat for some time silent, until indeed, his silence assumed +such a significance that he raised his head impatiently and said with +a motion of the hand, "I mean to answer you in a minute; I want to be +sure that I understand." + +The bishop bowed his head in assent, and for a still longer period the +men sat motionless. The clock in the corner seemed to tick more +loudly, and the dead coals dropping in the grate had a sharp, +aggressive sound. The notes of the piano that had risen from the room +below had ceased. + +"If I understand you," said Latimer, finally, and his voice and his +face as he raised it were hard and aggressive, "you are stating a +purely hypothetical case. You wish to try me by conditions which do +not exist, which cannot exist. What justice is there, what right is +there, in asking me to say how I would act under circumstances which +are impossible, which lie beyond the limit of human experience? You +cannot judge a man by what he would do if he were suddenly robbed of +all his mental and moral training and of the habit of years. I am not +admitting, understand me, that if the conditions which you suggest did +exist that I would do one whit differently from what I will do if they +remain as they are. I am merely denying your right to put such a +question to me at all. You might just as well judge the shipwrecked +sailors on a raft who eat each other's flesh as you would judge a +sane, healthy man who did such a thing in his own home. Are you going +to condemn men who are ice-locked at the North Pole, or buried in the +heart of Africa, and who have given up all thought of return and are +half mad and wholly without hope, as you would judge ourselves? Are +they to be weighed and balanced as you and I are, sitting here within +the sound of the cabs outside and with a bake-shop around the corner? +What you propose could not exist, could never happen. I could never be +placed where I should have to make such a choice, and you have no +right to ask me what I would do or how I would act under conditions +that are superhuman--you used the word yourself--where all that I have +held to be good and just and true would be obliterated. I would be +unworthy of myself, I would be unworthy of your daughter, if I +considered such a state of things for a moment, or if I placed my +hopes of marrying her on the outcome of such a test, and so, sir," +said the young man, throwing back his head, "I must refuse to answer +you." + +The bishop lowered his hand from before his eyes and sank back wearily +into his chair. "You have answered me," he said. + +"You have no right to say that," cried the young man, springing to his +feet. "You have no right to suppose anything or to draw any +conclusions. I have not answered you." He stood with his head and +shoulders thrown back, and with his hands resting on his hips and with +the fingers working nervously at his waist. + +"What you have said," replied the bishop, in a voice that had changed +strangely, and which was inexpressibly sad and gentle, "is merely a +curtain of words to cover up your true feeling. It would have been so +easy to have said, 'For thirty days or for life Ellen is the only +woman who has the power to make me happy.' You see that would have +answered me and satisfied me. But you did not say that," he added, +quickly, as the young man made a movement as if to speak. + +"Well, and suppose this other woman did exist, what then?" demanded +Latimer. "The conditions you suggest are impossible; you must, you +will surely, sir, admit that." + +"I do not know," replied the bishop, sadly; "I do not know. It may +happen that whatever obstacle there has been which has kept you from +her may be removed. It may be that she has married, it may be that she +has fallen so low that you cannot marry her. But if you have loved her +once, you may love her again; whatever it was that separated you in +the past, that separates you now, that makes you prefer my daughter to +her, may come to an end when you are married, when it will be too +late, and when only trouble can come of it, and Ellen would bear that +trouble. Can I risk that?" + +"But I tell you it is impossible," cried the young man. "The woman is +beyond the love of any man, at least such a man as I am, or try to +be." + +"Do you mean," asked the bishop, gently, and with an eager look of +hope, "that she is dead?" + +Latimer faced the father for some seconds in silence. Then he raised +his head slowly. "No," he said, "I do not mean she is dead. No, she is +not dead." + +Again the bishop moved back wearily into his chair. "You mean then," +he said, "perhaps, that she is a married woman?" Latimer pressed his +lips together at first as though he would not answer, and then raised +his eyes coldly. "Perhaps," he said. + +The older man had held up his hand as if to signify that what he was +about to say should be listened to without interruption, when a sharp +turning of the lock of the door caused both father and the suitor to +start. Then they turned and looked at each other with anxious inquiry +and with much concern, for they recognized for the first time that +their voices had been loud. The older man stepped quickly across the +floor, but before he reached the middle of the room the door opened +from the outside, and his daughter stood in the door-way, with her +head held down and her eyes looking at the floor. + +"Ellen!" exclaimed the father, in a voice of pain and the deepest +pity. + +The girl moved toward the place from where his voice came, without +raising her eyes, and when she reached him put her arms about him and +hid her face on his shoulder. She moved as though she were tired, as +though she were exhausted by some heavy work. + +"My child," said the bishop, gently, "were you listening?" There was +no reproach in his voice; it was simply full of pity and concern. + +"I thought," whispered the girl, brokenly, "that he would be +frightened; I wanted to hear what he would say. I thought I could +laugh at him for it afterward. I did it for a joke. I thought--" She +stopped with a little gasping sob that she tried to hide, and for a +moment held herself erect and then sank back again into her father's +arms with her head upon his breast. + +Latimer started forward, holding out his arms to her. "Ellen," he +said, "surely, Ellen, you are not against me. You see how preposterous +it is, how unjust it is to me. You cannot mean--" + +The girl raised her head and shrugged her shoulders slightly as though +she were cold. "Father," she said, wearily, "ask him to go away. Why +does he stay? Ask him to go away." + +Latimer stopped and took a step back as though some one had struck +him, and then stood silent with his face flushed and his eyes +flashing. It was not in answer to anything that they said that he +spoke, but to their attitude and what it suggested. "You stand there," +he began, "you two stand there as though I were something unclean, as +though I had committed some crime. You look at me as though I were on +trial for murder or worse. Both of you together against me. What have +I done? What difference is there? You loved me a half-hour ago, Ellen; +you said you did. I know you loved me; and you, sir," he added, more +quietly, "treated me like a friend. Has anything come since then to +change me or you? Be fair to me, be sensible. What is the use of this? +It is a silly, needless, horrible mistake. You know I love you, Ellen; +love you better than all the world. I don't have to tell you that; you +know it, you can see and feel it. It does not need to be said; words +can't make it any truer. You have confused yourselves and stultified +yourselves with this trick, this test by hypothetical conditions, by +considering what is not real or possible. It is simple enough; it is +plain enough. You know I love you, Ellen, and you only, and that is +all there is to it, and all that there is of any consequence in the +world to me. The matter stops there; that is all there is for you to +consider. Answer me, Ellen, speak to me. Tell me that you believe me." + +He stopped and moved a step toward her, but as he did so, the girl, +still without looking up, drew herself nearer to her father and shrank +more closely into his arms; but the father's face was troubled and +doubtful, and he regarded the younger man with a look of the most +anxious scrutiny. Latimer did not regard this. Their hands were raised +against him as far as he could understand, and he broke forth again +proudly, and with a defiant indignation: + +"What right have you to judge me?" he began; "what do you know of what +I have suffered, and endured, and overcome? How can you know what I +have had to give up and put away from me? It's easy enough for you to +draw your skirts around you, but what can a woman bred as you have +been bred know of what I've had to fight against and keep under and +cut away? It was an easy, beautiful idyl to you; your love came to you +only when it should have come, and for a man who was good and worthy, +and distinctly eligible--I don't mean that; forgive me, Ellen, but you +drive me beside myself. But he is good and he believes himself worthy, +and I say that myself before you both. But I am only worthy and only +good because of that other love that I put away when it became a +crime, when it became impossible. Do you know what it cost me? Do you +know what it meant to me, and what I went through, and how I suffered? +Do you know who this other woman is whom you are insulting with your +doubts and guesses in the dark? Can't you spare her? Am I not enough? +Perhaps it was easy for her, too; perhaps her silence cost her +nothing; perhaps she did not suffer and has nothing but happiness and +content to look forward to for the rest of her life; and I tell you +that it is because we did put it away, and kill it, and not give way +to it that I am whatever I am to-day; whatever good there is in me is +due to that temptation and to the fact that I beat it and overcame it +and kept myself honest and clean. And when I met you and learned to +know you I believed in my heart that God had sent you to me that I +might know what it was to love a woman whom I could marry and who +could be my wife; that you were the reward for my having overcome +temptation and the sign that I had done well. And now you throw me +over and put me aside as though I were something low and unworthy, +because of this temptation, because of this very thing that has made +me know myself and my own strength and that has kept me up for you." + +As the young man had been speaking, the bishop's eyes had never left +his face, and as he finished, the face of the priest grew clearer and +decided, and calmly exultant. And as Latimer ceased he bent his head +above his daughter's, and said in a voice that seemed to speak with +more than human inspiration. "My child," he said, "if God had given me +a son I should have been proud if he could have spoken as this young +man has done." + +But the woman only said, "Let him go to her." + +"Ellen, oh, Ellen!" cried the father. + +He drew back from the girl in his arms and looked anxiously and +feelingly at her lover. "How could you, Ellen," he said, "how could +you?" He was watching the young man's face with eyes full of sympathy +and concern. "How little you know him," he said, "how little you +understand. He will not do that," he added quickly, but looking +questioningly at Latimer and speaking in a tone almost of command. "He +will not undo all that he has done; I know him better than that." But +Latimer made no answer, and for a moment the two men stood watching +each other and questioning each other with their eyes. Then Latimer +turned, and without again so much as glancing at the girl walked +steadily to the door and left the room. He passed on slowly down the +stairs and out into the night, and paused upon the top of the steps +leading to the street. Below him lay the avenue with its double line +of lights stretching off in two long perspectives. The lamps of +hundreds of cabs and carriages flashed as they advanced toward him and +shone for a moment at the turnings of the cross-streets, and from +either side came the ceaseless rush and murmur, and over all hung the +strange mystery that covers a great city at night. Latimer's rooms lay +to the south, but he stood looking toward a spot to the north with a +reckless, harassed look in his face that had not been there for many +months. He stood so for a minute, and then gave a short shrug of +disgust at his momentary doubt and ran quickly down the steps. "No," +he said, "if it were for a month, yes; but it is to be for many years, +many more long years." And turning his back resolutely to the north he +went slowly home. + + + + +ON THE FEVER SHIP + + +There were four rails around the ship's sides, the three lower ones of +iron and the one on top of wood, and as he looked between them from +the canvas cot he recognized them as the prison-bars which held him +in. Outside his prison lay a stretch of blinding blue water which +ended in a line of breakers and a yellow coast with ragged palms. +Beyond that again rose a range of mountain-peaks, and, stuck upon the +loftiest peak of all, a tiny block-house. It rested on the brow of the +mountain against the naked sky as impudently as a cracker-box set upon +the dome of a great cathedral. + +As the transport rode on her anchor-chains, the iron bars around her +sides rose and sank and divided the landscape with parallel lines. +From his cot the officer followed this phenomenon with severe, +painstaking interest. Sometimes the wooden rail swept up to the very +block-house itself, and for a second of time blotted it from sight. +And again it sank to the level of the line of breakers, and wiped them +out of the picture as though they were a line of chalk. + +The soldier on the cot promised himself that the next swell of the sea +would send the lowest rail climbing to the very top of the palm-trees +or, even higher, to the base of the mountains; and when it failed to +reach even the palm-trees he felt a distinct sense of ill use, of +having been wronged by some one. There was no other reason for +submitting to this existence save these tricks upon the wearisome, +glaring landscape; and now, whoever it was who was working them did +not seem to be making this effort to entertain him with any +heartiness. + +It was most cruel. Indeed, he decided hotly, it was not to be endured; +he would bear it no longer, he would make his escape. But he knew that +this move, which could be conceived in a moment's desperation, could +only be carried to success with great strategy, secrecy, and careful +cunning. So he fell back upon his pillow and closed his eyes, as +though he were asleep, and then opening them again, turned cautiously, +and spied upon his keeper. As usual, his keeper sat at the foot of the +cot turning the pages of a huge paper filled with pictures of the war +printed in daubs of tawdry colors. His keeper was a hard-faced boy +without human pity or consideration, a very devil of obstinacy and +fiendish cruelty. To make it worse, the fiend was a person without a +collar, in a suit of soiled khaki, with a curious red cross bound by a +safety-pin to his left arm. He was intent upon the paper in his hands; +he was holding it between his eyes and his prisoner. His vigilance had +relaxed, and the moment seemed propitious. With a sudden plunge of +arms and legs, the prisoner swept the bed-sheet from him, and sprang +at the wooden rail and grasped the iron stanchion beside it. He had +his knee pressed against the top bar and his bare toes on the iron +rail beneath it. Below him the blue water waited for him. It was cool +and dark and gentle and deep. It would certainly put out the fire in +his bones, he thought; it might even shut out the glare of the sun +which scorched his eyeballs. + +But as he balanced for the leap, a swift weakness and nausea swept +over him, a weight seized upon his body and limbs. He could not lift +the lower foot from the iron rail, and he swayed dizzily and trembled. +He trembled. He who had raced his men and beaten them up the hot hill +to the trenches of San Juan. But now he was a baby in the hands of a +giant, who caught him by the wrist and with an iron arm clasped him +around his waist and pulled him down, and shouted, brutally, "Help, +some of youse, quick! he's at it again. I can't hold him." + +More giants grasped him by the arms and by the legs. One of them took +the hand that clung to the stanchion in both of his, and pulled back +the fingers one by one, saying, "Easy now, Lieutenant--easy." + +The ragged palms and the sea and blockhouse were swallowed up in a +black fog, and his body touched the canvas cot again with a sense of +home-coming and relief and rest. He wondered how he could have cared +to escape from it. He found it so good to be back again that for a +long time he wept quite happily, until the fiery pillow was moist and +cool. + +The world outside of the iron bars was like a scene in a theatre set +for some great event, but the actors were never ready. He remembered +confusedly a play he had once witnessed before that same scene. +Indeed, he believed he had played some small part in it; but he +remembered it dimly, and all trace of the men who had appeared with +him in it was gone. He had reasoned it out that they were up there +behind the range of mountains, because great heavy wagons and +ambulances and cannon were emptied from the ships at the wharf above +and were drawn away in long lines behind the ragged palms, moving +always toward the passes between the peaks. At times he was disturbed +by the thought that he should be up and after them, that some +tradition of duty made his presence with them imperative. There was +much to be done back of the mountains. Some event of momentous import +was being carried forward there, in which he held a part; but the +doubt soon passed from him, and he was content to lie and watch the +iron bars rising and falling between the block-house and the white +surf. + +If they had been only humanely kind, his lot would have been bearable, +but they starved him and held him down when he wished to rise; and +they would not put out the fire in the pillow, which they might easily +have done by the simple expedient of throwing it over the ship's side +into the sea. He himself had done this twice, but the keeper had +immediately brought a fresh pillow already heated for the torture and +forced it under his head. + +His pleasures were very simple, and so few that he could not +understand why they robbed him of them so jealously. One was to watch +a green cluster of bananas that hung above him from the awning, +twirling on a string. He could count as many of them as five before +the bunch turned and swung lazily back again, when he could count as +high as twelve; sometimes when the ship rolled heavily he could count +to twenty. It was a most fascinating game, and contented him for many +hours. But when they found this out they sent for the cook to come and +cut them down, and the cook carried them away to his galley. + +Then, one day, a man came out from the shore, swimming through the +blue water with great splashes. He was a most charming man, who +spluttered and dove and twisted and lay on his back and kicked his +legs in an excess of content and delight. It was a real pleasure to +watch him; not for days had anything so amusing appeared on the other +side of the prison-bars. But as soon as the keeper saw that the man in +the water was amusing his prisoner, he leaned over the ship's side and +shouted, "Sa-ay, you, don't you know there's skarks in there?" + +And the swimming man said, "The h-ll there is!" and raced back to the +shore like a porpoise with great lashing of the water, and ran up the +beach half-way to the palms before he was satisfied to stop. Then the +prisoner wept again. It was so disappointing. Life was robbed of +everything now. He remembered that in a previous existence soldiers +who cried were laughed at and mocked. But that was so far away and it +was such an absurd superstition that he had no patience with it. For +what could be more comforting to a man when he is treated cruelly than +to cry. It was so obvious an exercise, and when one is so feeble that +one cannot vault a four-railed barrier it is something to feel that at +least one is strong enough to cry. + +He escaped occasionally, traversing space with marvellous rapidity and +to great distances, but never to any successful purpose; and his +flight inevitably ended in ignominious recapture and a sudden +awakening in bed. At these moments the familiar and hated palms, the +peaks, and the block-house were more hideous in their reality than the +most terrifying of his nightmares. + +These excursions afield were always predatory; he went forth always to +seek food. With all the beautiful world from which to elect and +choose, he sought out only those places where eating was studied and +elevated to an art. These visits were much more vivid in their detail +than any he had ever before made to these same resorts. They +invariably began in a carriage, which carried him swiftly over smooth +asphalt. One route brought him across a great and beautiful square, +radiating with rows and rows of flickering lights; two fountains +splashed in the centre of the square, and six women of stone guarded +its approaches. One of the women was hung with wreaths of mourning. +Ahead of him the late twilight darkened behind a great arch, which +seemed to rise on the horizon of the world, a great window into the +heavens beyond. At either side strings of white and colored globes +hung among the trees, and the sound of music came joyfully from +theatres in the open air. He knew the restaurant under the trees to +which he was now hastening, and the fountain beside it, and the very +sparrows balancing on the fountain's edge; he knew every waiter at +each of the tables, he felt again the gravel crunching under his feet, +he saw the _maitre d'hotel_ coming forward smiling to receive his +command, and the waiter in the green apron bowing at his elbow, +deferential and important, presenting the list of wines. But his +adventure never passed that point, for he was captured again and once +more bound to his cot with a close burning sheet. + +Or else, he drove more sedately through the London streets in the late +evening twilight, leaning expectantly across the doors of the hansom +and pulling carefully at his white gloves. Other hansoms flashed past +him, the occupant of each with his mind fixed on one idea--dinner. He +was one of a million of people who were about to dine, or who had +dined, or who were deep in dining. He was so famished, so weak for +food of any quality, that the galloping horse in the hansom seemed to +crawl. The lights of the Embankment passed like the lamps of a +railroad station as seen from the window of an express; and while his +mind was still torn between the choice of a thin or thick soup or an +immediate attack upon cold beef, he was at the door, and the +_chasseur_ touched his cap, and the little _chasseur_ put +the wicker guard over the hansom's wheel. As he jumped out he said, +"Give him half-a-crown," and the driver called after him, "Thank you, +sir." + +It was a beautiful world, this world outside of the iron bars. Every +one in it contributed to his pleasure and to his comfort. In this +world he was not starved nor man-handled. He thought of this joyfully +as he leaped up the stairs, where young men with grave faces and with +their hands held negligently behind their backs bowed to him in polite +surprise at his speed. But they had not been starved on condensed +milk. He threw his coat and hat at one of them, and came down the hall +fearfully and quite weak with dread lest it should not be real. His +voice was shaking when he asked Ellis if he had reserved a table. The +place was all so real, it must be true this time. The way Ellis turned +and ran his finger down the list showed it was real, because Ellis +always did that, even when he knew there would not be an empty table +for an hour. The room was crowded with beautiful women; under the +light of the red shades they looked kind and approachable, and there +was food on every table, and iced drinks in silver buckets. It was +with the joy of great relief that he heard Ellis say to his underling, +"Numero cinq, sur la terrace, un couvert." It was real at last. +Outside, the Thames lay a great gray shadow. The lights of the +Embankment flashed and twinkled across it, the tower of the House of +Commons rose against the sky, and here, inside, the waiter was +hurrying toward him carrying a smoking plate of rich soup with a +pungent, intoxicating odor. + +And then the ragged palms, the glaring sun, the immovable peaks, and +the white surf stood again before him. The iron rails swept up and +sank again, the fever sucked at his bones, and the pillow scorched his +cheek. + +One morning for a brief moment he came back to real life again and lay +quite still, seeing everything about him with clear eyes and for the +first time, as though he had but just that instant been lifted over +the ship's side. His keeper, glancing up, found the prisoner's eyes +considering him curiously, and recognized the change. The instinct of +discipline brought him to his feet with his fingers at his sides. + +"Is the Lieutenant feeling better?" + +The Lieutenant surveyed him gravely. + +"You are one of our hospital stewards." + +"Yes, Lieutenant." + +"Why ar'n't you with the regiment?" + +"I was wounded, too, sir. I got it same time you did, Lieutenant." + +"Am I wounded? Of course, I remember. Is this a hospital ship?" + +The steward shrugged his shoulders. "She's one of the transports. They +have turned her over to the fever cases." + +The Lieutenant opened his lips to ask another question; but his own +body answered that one, and for a moment he lay silent. + +"Do they know up North that I--that I'm all right?" + +"Oh, yes, the papers had it in--there was pictures of the Lieutenant +in some of them." + +"Then I've been ill some time?" + +"Oh, about eight days." + +The soldier moved uneasily, and the nurse in him became uppermost. + +"I guess the Lieutenant hadn't better talk any more," he said. It was +his voice now which held authority. + +The Lieutenant looked out at the palms and the silent gloomy mountains +and the empty coast-line, where the same wave was rising and falling +with weary persistence. + +"Eight days," he said. His eyes shut quickly, as though with a sudden +touch of pain. He turned his head and sought for the figure at the +foot of the cot. Already the figure had grown faint and was receding +and swaying. + +"Has any one written or cabled?" the Lieutenant spoke, hurriedly. He +was fearful lest the figure should disappear altogether before he +could obtain his answer. "Has any one come?" + +"Why, they couldn't get here, Lieutenant, not yet." + +The voice came very faintly. "You go to sleep now, and I'll run and +fetch some letters and telegrams. When you wake up, maybe I'll have a +lot for you." + +But the Lieutenant caught the nurse by the wrist, and crushed his hand +in his own thin fingers. They were hot, and left the steward's skin +wet with perspiration. The Lieutenant laughed gayly. + +"You see, Doctor," he said, briskly, "that you can't kill me. I can't +die. I've got to live, you understand. Because, sir, she said she +would come. She said if I was wounded, or if I was ill, she would come +to me. She didn't care what people thought. She would come anyway and +nurse me--well, she will come. + +"So, Doctor--old man--" He plucked at the steward's sleeve, and +stroked his hand eagerly, "old man--" he began again, beseechingly, +"you'll not let me die until she comes, will you? What? No, I know I +won't die. Nothing made by man can kill me. No, not until she comes. +Then, after that--eight days, she'll be here soon, any moment? What? +You think so, too? Don't you? Surely, yes, any moment. Yes, I'll go to +sleep now, and when you see her rowing out from shore you wake me. +You'll know her; you can't make a mistake. She is like--no, there is +no one like her--but you can't make a mistake." + +That day strange figures began to mount the sides of the ship, and to +occupy its every turn and angle of space. Some of them fell on their +knees and slapped the bare decks with their hands, and laughed and +cried out, "Thank God, I'll see God's country again!" Some of them +were regulars, bound in bandages; some were volunteers, dirty and +hollow-eyed, with long beards on boy's faces. Some came on crutches; +others with their arms around the shoulders of their comrades, staring +ahead of them with a fixed smile, their lips drawn back and their +teeth protruding. At every second step they stumbled, and the face of +each was swept by swift ripples of pain. + +They lay on cots so close together that the nurses could not walk +between them. They lay on the wet decks, in the scuppers, and along +the transoms and hatches. They were like shipwrecked mariners clinging +to a raft, and they asked nothing more than that the ship's bow be +turned toward home. Once satisfied as to that, they relaxed into a +state of self-pity and miserable oblivion to their environment, from +which hunger nor nausea nor aching bones could shake them. + +The hospital steward touched the Lieutenant lightly on the shoulder. + +"We are going North, sir," he said. "The transport's ordered North to +New York, with these volunteers and the sick and wounded. Do you hear +me, sir?" + +The Lieutenant opened his eyes. "Has she come?" he asked. + +"Gee!" exclaimed the hospital steward. He glanced impatiently at the +blue mountains and the yellow coast, from which the transport was +drawing rapidly away. + +"Well, I can't see her coming just now," he said. "But she will," he +added. + +"You let me know at once when she comes." + +"Why, cert'nly, of course," said the steward. + +Three trained nurses came over the side just before the transport +started North. One was a large, motherly looking woman, with a German +accent. She had been a trained nurse, first in Berlin, and later in +the London Hospital in Whitechapel, and at Bellevue. The nurse was +dressed in white, and wore a little silver medal at her throat; and +she was strong enough to lift a volunteer out of his cot and hold him +easily in her arms, while one of the convalescents pulled his cot out +of the rain. Some of the men called her "nurse"; others, who wore +scapulars around their necks, called her "Sister"; and the officers of +the medical staff addressed her as Miss Bergen. + +Miss Bergen halted beside the cot of the Lieutenant and asked, "Is +this the fever case you spoke about, Doctor--the one you want moved to +the officers' ward?" She slipped her hand up under his sleeve and felt +his wrist. + +"His pulse is very high," she said to the steward. "When did you take +his temperature?" She drew a little morocco case from her pocket and +from that took a clinical thermometer, which she shook up and down, +eying the patient meanwhile with a calm, impersonal scrutiny. The +Lieutenant raised his head and stared up at the white figure beside +his cot. His eyes opened and then shut quickly, with a startled look, +in which doubt struggled with wonderful happiness. His hand stole out +fearfully and warily until it touched her apron, and then, finding it +was real, he clutched it desperately, and twisting his face and body +toward her, pulled her down, clasping her hands in both of his, and +pressing them close to his face and eyes and lips. He put them from +him for an instant, and looked at her through his tears. + +"Sweetheart," he whispered, "sweetheart, I knew you'd come." + +As the nurse knelt on the deck beside him, her thermometer slipped +from her fingers and broke, and she gave an exclamation of annoyance. +The young Doctor picked up the pieces and tossed them overboard. +Neither of them spoke, but they smiled appreciatively. The Lieutenant +was looking at the nurse with the wonder and hope and hunger of soul +in his eyes with which a dying man looks at the cross the priest holds +up before him. What he saw where the German nurse was kneeling was a +tall, fair girl with great bands and masses of hair, with a head +rising like a lily from a firm, white throat, set on broad shoulders +above a straight back and sloping breast--a tall, beautiful creature, +half-girl, half-woman, who looked back at him shyly, but steadily. + +"Listen," he said. + +The voice of the sick man was so sure and so sane that the young +Doctor started, and moved nearer to the head of the cot. "Listen, +dearest," the Lieutenant whispered. "I wanted to tell you before I +came South. But I did not dare; and then I was afraid something might +happen to me, and I could never tell you, and you would never know. So +I wrote it to you in the will I made at Baiquiri, the night before the +landing. If you hadn't come now, you would have learned it in that +way. You would have read there that there never was any one but you; +the rest were all dream people, foolish, silly--mad. There is no one +else in the world but you; you have been the only thing in life that +has counted. I thought I might do something down here that would make +you care. But I got shot going up a hill, and after that I wasn't able +to do anything. It was very hot, and the hills were on fire; and they +took me prisoner, and kept me tied down here, burning on these coals. +I can't live much longer, but now that I have told you I can have +peace. They tried to kill me before you came; but they didn't know I +loved you, they didn't know that men who love you can't die. They +tried to starve my love for you, to burn it out of me; they tried to +reach it with their knives. But my love for you is my soul, and they +can't kill a man's soul. Dear heart, I have lived because you lived. +Now that you know--now that you understand--what does it matter?" + +Miss Bergen shook her head with great vigor. "Nonsense," she said, +cheerfully. "You are not going to die. As soon as we move you out of +this rain, and some food cook--" + +"Good God!" cried the young Doctor, savagely. "Do you want to kill +him?" + +When she spoke, the patient had thrown his arms heavily across his +face, and had fallen back, lying rigid on the pillow. + +The Doctor led the way across the prostrate bodies, apologizing as he +went. "I am sorry I spoke so quickly," he said, "but he thought you +were real. I mean he thought you were some one he really knew--" + +"He was just delirious," said the German nurse, calmly. + +The Doctor mixed himself a Scotch and soda and drank it with a single +gesture. + +"Ugh!" he said to the ward-room. "I feel as though I'd been opening +another man's letters." + + * * * * * + +The transport drove through the empty seas with heavy, clumsy +upheavals, rolling like a buoy. Having been originally intended for +the freight-carrying trade, she had no sympathy with hearts that beat +for a sight of their native land, or for lives that counted their +remaining minutes by the throbbing of her engines. Occasionally, +without apparent reason, she was thrown violently from her course; but +it was invariably the case that when her stern went to starboard, +something splashed in the water on her port side and drifted past her, +until, when it had cleared the blades of her propeller, a voice cried +out, and she was swung back on her home-bound track again. + +The Lieutenant missed the familiar palms and the tiny block-house; and +seeing nothing beyond the iron rails but great wastes of gray water, +he decided he was on board a prison-ship, or that he had been strapped +to a raft and cast adrift. People came for hours at a time and stood +at the foot of his cot, and talked with him and he to them--people he +had loved and people he had long forgotten, some of whom he had +thought were dead. One of them he could have sworn he had seen buried +in a deep trench, and covered with branches of palmetto. He had heard +the bugler, with tears choking him, sound "taps"; and with his own +hand he had placed the dead man's campaign hat on the mound of fresh +earth above the grave. Yet here he was still alive, and he came with +other men of his troop to speak to him; but when he reached out to +them they were gone--the real and the unreal, the dead and the +living--and even She disappeared whenever he tried to take her hand, +and sometimes the hospital steward drove her away. + +"Did that young lady say when she was coming back again?" he asked the +steward. + +"The young lady! What young lady?" asked the steward, wearily. + +"The one who has been sitting there," he answered. He pointed with his +gaunt hand at the man in the next cot. + +"Oh, that young lady. Yes, she's coming back. She's just gone below to +fetch you some hardtack." + +The young volunteer in the next cot whined grievously. + +"That crazy man gives me the creeps," he groaned. "He's always waking +me up, and looking at me as though he was going to eat me." + +"Shut your head," said the steward. "He's a better crazy man than +you'll ever be with the little sense you've got. And he has two Mauser +holes in him. Crazy, eh? It's a damned good thing for you that there +was about four thousand of us regulars just as crazy as him, or you'd +never seen the top of the hill." + +One morning there was a great commotion on deck, and all the +convalescents balanced themselves on the rail, shivering in their +pajamas, and pointed one way. The transport was moving swiftly and +smoothly through water as flat as a lake, and making a great noise +with her steam-whistle. The noise was echoed by many more +steam-whistles; and the ghosts of out-bound ships and tugs and +excursion steamers ran past her out of the mist and disappeared, +saluting joyously. All of the excursion steamers had a heavy list to +the side nearest the transport, and the ghosts on them crowded to that +rail and waved handkerchiefs and cheered. The fog lifted suddenly, and +between the iron rails the Lieutenant saw high green hills on either +side of a great harbor. Houses and trees and thousands of masts swept +past like a panorama; and beyond was a mirage of three cities, with +curling smoke-wreaths and sky-reaching buildings, and a great swinging +bridge, and a giant statue of a woman waving a welcome home. + +The Lieutenant surveyed the spectacle with cynical disbelief. He was +far too wise and far too cunning to be bewitched by it. In his heart +he pitied the men about him, who laughed wildly, and shouted, and +climbed recklessly to the rails and ratlines. He had been deceived too +often not to know that it was not real. He knew from cruel experience +that in a few moments the tall buildings would crumble away, the +thousands of columns of white smoke that flashed like snow in the sun, +the busy, shrieking tug-boats, and the great statue would vanish into +the sea, leaving it gray and bare. He closed his eyes and shut the +vision out. It was so beautiful that it tempted him; but he would not +be mocked, and he buried his face in his hands. They were carrying the +farce too far, he thought. It was really too absurd; for now they were +at a wharf which was so real that, had he not known by previous +suffering, he would have been utterly deceived by it. And there were +great crowds of smiling, cheering people, and a waiting guard of honor +in fresh uniforms, and rows of police pushing the people this way and +that; and these men about him were taking it all quite seriously, and +making ready to disembark, carrying their blanket-rolls and rifles +with them. + +A band was playing joyously, and the man in the next cot, who was +being lifted to a stretcher, said, "There's the Governor and his +staff; that's him in the high hat." It was really very well done. The +Custom-House and the Elevated Railroad and Castle Garden were as like +to life as a photograph, and the crowd was as well handled as a mob in +a play. His heart ached for it so that he could not bear the pain, and +he turned his back on it. It was cruel to keep it up so long. His +keeper lifted him in his arms, and pulled him into a dirty uniform +which had belonged, apparently, to a much larger man--a man who had +been killed probably, for there were dark brown marks of blood on the +tunic and breeches. When he tried to stand on his feet, Castle Garden +and the Battery disappeared in a black cloud of night, just as he knew +they would; but when he opened his eyes from the stretcher, they had +returned again. It was a most remarkably vivid vision. They kept it up +so well. Now the young Doctor and the hospital steward were pretending +to carry him down a gangplank and into an open space; and he saw quite +close to him a long line policemen, and behind them thousands of +faces, some of them women's faces--women who pointed at him and then +shook their heads and cried, and pressed their hands to their cheeks, +still looking at him. He wondered why they cried. He did not know +them, nor did they know him. No one knew him; these people were only +ghosts. + +There was a quick parting in the crowd. A man he had once known shoved +two of the policemen to one side, and he heard a girl's voice speaking +his name, like a sob; and She came running out across the open space +and fell on her knees beside the stretcher, and bent down over him, +and he was clasped in two young, firm arms. + +"Of course it is not real, of course it is not She," he assured +himself. "Because She would not do such a thing. Before all these +people She would not do it." + +But he trembled and his heart throbbed so cruelly that he could not +bear the pain. + +She was pretending to cry. + +"They wired us you had started for Tampa on the hospital ship," She +was saying, "and Aunt and I went all the way there before we heard you +had been sent North. We have been on the cars a week. That is why I +missed you. Do you understand? It was not my fault. I tried to come. +Indeed, I tried to come." + +She turned her head and looked up fearfully at the young Doctor. + +"Tell me, why does he look at me like that?" she asked. "He doesn't +know me. Is he very ill? Tell me the truth." She drew in her breath +quickly. "Of course you will tell me the truth." + +When she asked the question he felt her arms draw tight about his +shoulders. It was as though she was holding him to herself, and from +some one who had reached out for him. In his trouble he turned to his +old friend and keeper. His voice was hoarse and very low. + +"Is this the same young lady who was on the transport--the one you +used to drive away?" + +In his embarrassment, the hospital steward blushed under his tan, and +stammered. + +"Of course it's the same young lady," the Doctor answered, briskly. +"And I won't let them drive her away." He turned to her, smiling +gravely. "I think his condition has ceased to be dangerous, madam," he +said. + +People who in a former existence had been his friends, and Her +brother, gathered about his stretcher and bore him through the crowd +and lifted him into a carriage filled with cushions, among which he +sank lower and lower. Then She sat beside him, and he heard Her +brother say to the coachman, "Home, and drive slowly and keep on the +asphalt." + +The carriage moved forward, and She put her arm about him, and his +head fell on her shoulder, and neither of them spoke. The vision had +lasted so long now that he was torn with the joy that after all it +might be real. But he could not bear the awakening if it were not, so +he raised his head fearfully and looked up into the beautiful eyes +above him. His brows were knit, and he struggled with a great doubt +and an awful joy. + +"Dearest," he said, "is it real?" + +"Is it real?" she repeated. + +Even as a dream, it was so wonderfully beautiful that he was satisfied +if it could only continue so, if but for a little while. + +"Do you think," he begged again, trembling, "that it is going to last +much longer?" + +She smiled, and, bending her head slowly, kissed him. + +"It is going to last--always," she said. + + + + +THE LION AND THE UNICORN + + +Prentiss had a long lease on the house, and because it stood in Jermyn +Street the upper floors were, as a matter of course, turned into +lodgings for single gentlemen; and because Prentiss was a Florist to +the Queen, he placed a lion and unicorn over his flower-shop, just in +front of the middle window on the first floor. By stretching a little, +each of them could see into the window just beyond him, and could hear +all that was said inside; and such things as they saw and heard during +the reign of Captain Carrington, who moved in at the same time they +did! By day the table in the centre of the room was covered with maps, +and the Captain sat with a box of pins, with different-colored flags +wrapped around them, and amused himself by sticking them in the maps +and measuring the spaces in between, swearing meanwhile to himself. It +was a selfish amusement, but it appeared to be the Captain's only +intellectual pursuit, for at night the maps were rolled up, and a +green cloth was spread across the table, and there was much company +and popping of soda-bottles, and little heaps of gold and silver were +moved this way and that across the cloth. The smoke drifted out of the +open windows, and the laughter of the Captain's guests rang out loudly +in the empty street, so that the policeman halted and raised his eyes +reprovingly to the lighted windows, and cabmen drew up beneath them +and lay in wait, dozing on their folded arms, for the Captain's guests +to depart. The Lion and the Unicorn were rather ashamed of the scandal +of it, and they were glad when, one day, the Captain went away with +his tin boxes and gun-cases piled high on a four-wheeler. + +Prentiss stood on the sidewalk and said, "I wish you good luck, sir." +And the Captain said, "I'm coming back a Major, Prentiss." But he +never came back. And one day--the Lion remembered the day very well, +for on that same day the newsboys ran up and down Jermyn Street +shouting out the news of "a 'orrible disaster" to the British arms. It +was then that a young lady came to the door in a hansom, and Prentiss +went out to meet her and led her up-stairs. They heard him unlock the +Captain's door and say, "This is his room, miss," and after he had +gone they watched her standing quite still by the centre-table. She +stood there a very long time looking slowly about her, and then she +took a photograph of the Captain from the frame on the mantel and +slipped it into her pocket, and when she went out again her veil was +down, and she was crying. She must have given Prentiss as much as a +sovereign, for he called her "Your ladyship," which he never did under +a sovereign. + +And she drove off, and they never saw her again either, nor could they +hear the address she gave the cabman. But it was somewhere up St. +John's Wood way. + +After that the rooms were empty for some months, and the Lion and the +Unicorn were forced to amuse themselves with the beautiful ladies and +smart-looking men who came to Prentiss to buy flowers-and +"buttonholes," and the little round baskets of strawberries, and even +the peaches at three shillings each, which looked so tempting as they +lay in the window, wrapped up in cotton-wool, like jewels of great +price. + +Then Philip Carroll, the American gentleman, came, and they heard +Prentiss telling him that those rooms had always let for five guineas +a week, which they knew was not true; but they also knew that in the +economy of nations there must always be a higher price for the rich +American, or else why was he given that strange accent, except to +betray him into the hands of the London shopkeeper, and the London +cabby? + +The American walked to the window toward the west, which was the +window nearest the Lion, and looked out into the graveyard of St. +James's Church, that stretched between their street and Piccadilly. + +"You're lucky in having a bit of green to look out on," he said to +Prentiss. "I'll take these rooms--at five guineas. That's more than +they're worth, you know, but as I know it, too, your conscience +needn't trouble you." + +Then his eyes fell on the Lion, and he nodded to him gravely. "How do +you do?" he said. "I'm coming to live with you for a little time. I +have read about you and your friends over there. It is a hazard of new +fortunes with me, your Majesty, so be kind to me, and if I win, I will +put a new coat of paint on your shield and gild you all over again." + +Prentiss smiled obsequiously at the American's pleasantry, but the new +lodger only stared at him. + +"He seemed a social gentleman," said the Unicorn, that night, when the +Lion and he were talking it over. "Now the Captain, the whole time he +was here, never gave us so much as a look. This one says he has read +of us." + +"And why not?" growled the Lion. "I hope Prentiss heard what he said +of our needing a new layer of gilt. It's disgraceful. You can see that +Lion over Scarlett's, the butcher, as far as Regent Street, and +Scarlett is only one of Salisbury's creations. He received his +Letters-Patent only two years back. We date from Palmerston." + +The lodger came up the street just at that moment, and stopped and +looked up at the Lion and the Unicorn from the sidewalk, before he +opened the door with his night-key. They heard him enter the room and +feel on the mantel for his pipe, and a moment later he appeared at the +Lion's window and leaned on the sill, looking down into the street +below and blowing whiffs of smoke up into the warm night-air. + +It was a night in June, and the pavements were dry under foot and the +streets were filled with well-dressed people, going home from the +play, and with groups of men in black and white, making their way to +supper at the clubs. Hansoms of inky-black, with shining lamps inside +and out, dashed noiselessly past on mysterious errands, chasing close +on each other's heels on a mad race, each to its separate goal. From +the cross streets rose the noises of early night, the rumble of the +'buses, the creaking of their brakes as they unlocked, the cries of +the "extras," and the merging of thousands of human voices in a dull +murmur. The great world of London was closing its shutters for the +night and putting out the lights; and the new lodger from across the +sea listened to it with his heart beating quickly, and laughed to +stifle the touch of fear and homesickness that rose in him. + +"I have seen a great play to-night," he said to the Lion, "nobly +played by great players. What will they care for my poor wares? I see +that I have been over-bold. But we cannot go back now--not yet." + +He knocked the ashes out of his pipe, and nodded "good-night" to the +great world beyond his window. "What fortunes lie with ye, ye lights +of London town?" he quoted, smiling. And they heard him close the door +of his bedroom, and lock it for the night. + +The next morning he bought many geraniums from Prentiss and placed +them along the broad cornice that stretched across the front of the +house over the shop-window. The flowers made a band of scarlet on +either side of the Lion as brilliant as a Tommy's jacket. + +"I am trying to propitiate the British Lion by placing flowers before +his altar," the American said that morning to a visitor. + +"The British public, you mean," said the visitor; "they are each +likely to tear you to pieces." + +"Yes, I have heard that the pit on the first night of a bad play is +something awful," hazarded the American. + +"Wait and see," said the visitor. + +"Thank you," said the American, meekly. + +Every one who came to the first floor front talked about a play. It +seemed to be something of great moment to the American. It was only a +bundle of leaves printed in red and black inks and bound in brown +paper covers. There were two of them, and the American called them by +different names: one was his comedy and one was his tragedy. + +"They are both likely to be tragedies," the Lion heard one of the +visitors say to another, as they drove away together. "Our young +friend takes it too seriously." + +The American spent most of his time by his desk at the window writing +on little blue pads and tearing up what he wrote, or in reading over +one of the plays to himself in a loud voice. In time the number of his +visitors increased, and to some of these he would read his play; and +after they had left him he was either depressed and silent or excited +and jubilant. The Lion could always tell when he was happy because +then he would go to the side table and pour himself out a drink and +say, "Here's to me," but when he was depressed he would stand holding +the glass in his hand, and finally pour the liquor back into the +bottle again and say, "What's the use of that?" + +After he had been in London a month he wrote less and was more +frequently abroad, sallying forth in beautiful raiment, and coming +home by daylight. + +And he gave suppers, too, but they were less noisy than the Captain's +had been, and the women who came to them were much more beautiful, and +their voices when they spoke were sweet and low. Sometimes one of the +women sang, and the men sat in silence while the people in the street +below stopped to listen, and would say, "Why, that is So-and-So +singing," and the Lion and the Unicorn wondered how they could know +who it was when they could not see her. + +The lodger's visitors came to see him at all hours. They seemed to +regard his rooms as a club, where they could always come for a bite to +eat or to write notes; and others treated it like a lawyer's office +and asked advice on all manner of strange subjects. Sometimes the +visitor wanted to know whether the American thought she ought to take +L10 a week and go on tour, or stay in town and try to live on L8; or +whether she should paint landscapes that would not sell, or +race-horses that would; or whether Reggie really loved her and whether +she really loved Reggie; or whether the new part in the piece at the +Court was better than the old part at Terry's, and wasn't she getting +too old to play "ingenues" anyway. + +The lodger seemed to be a general adviser, and smoked and listened +with grave consideration, and the Unicorn thought his judgment was +most sympathetic and sensible. + +Of all the beautiful ladies who came to call on the lodger the one the +Unicorn liked the best was the one who wanted to know whether she +loved Reggie and whether Reggie loved her. She discussed this so +interestingly while she consumed tea and thin slices of bread that the +Unicorn almost lost his balance in leaning forward to listen. Her name +was Marion Cavendish, and it was written over many photographs which +stood in silver frames in the lodger's rooms. She used to make the tea +herself, while the lodger sat and smoked; and she had a fascinating +way of doubling the thin slices of bread into long strips and nibbling +at them like a mouse at a piece of cheese. She had wonderful little +teeth and Cupid's-bow lips, and she had a fashion of lifting her veil +only high enough for one to see the two Cupid's-bow lips. When she did +that the American used to laugh, at nothing apparently, and say, "Oh, +I guess Reggie loves you well enough." + +"But do I love Reggie?" she would ask, sadly, with her teacup held +poised in air. + +[Illustration: Consumed tea and thin slices of bread.] + +"I am sure I hope not," the lodger would reply, and she would put down +the veil quickly, as one would drop a curtain over a beautiful +picture, and rise with great dignity and say, "If you talk like that I +shall not come again." + +She was sure that if she could only get some work to do her head would +be filled with more important matters than whether Reggie loved her or +not. + +"But the managers seem inclined to cut their cavendish very fine just +at present," she said. "If I don't get a part soon," she announced, "I +shall ask Mitchell to put me down on the list for recitations at +evening parties." + +"That seems a desperate revenge," said the American; "and besides, I +don't want you to get a part, because some one might be idiotic enough +to take my comedy, and if he should, you must play _Nancy_." + +"I would not ask for any salary if I could play _Nancy_," Miss +Cavendish answered. + +They spoke of a great many things, but their talk always ended by her +saying that there must be some one with sufficient sense to see that +his play was a great play, and by his saying that none but she must +play _Nancy_. + +The Lion preferred the tall girl with masses and folds of brown hair, +who came from America to paint miniatures of the British aristocracy. +Her name was Helen Cabot, and he liked her because she was so brave +and fearless, and so determined to be independent of every one, even +of the lodger--especially of the lodger, who, it appeared, had known +her very well at home. The lodger, they gathered, did not wish her to +be independent of him, and the two Americans had many arguments and +disputes about it, but she always said, "It does no good, Philip; it +only hurts us both when you talk so. I care for nothing, and for no +one but my art, and, poor as it is, it means everything to me, and you +do not, and, of course, the man I am to marry must." Then Carroll +would talk, walking up and down, and looking very fierce and +determined, and telling her how he loved her in such a way that it +made her look even more proud and beautiful. And she would say more +gently, "It is very fine to think that any one can care for me like +that, and very helpful. But unless I cared in the same way it would be +wicked of me to marry you, and besides--" She would add very quickly +to prevent his speaking again--"I don't want to marry you or anybody, +and I never shall. I want to be free and to succeed in my work, just +as you want to succeed in your work. So please never speak of this +again." When she went away the lodger used to sit smoking in the big +arm-chair and beat the arms with his hands, and he would pace up and +down the room, while his work would lie untouched and his engagements +pass forgotten. + +Summer came and London was deserted, dull, and dusty, but the lodger +stayed on in Jermyn Street. Helen Cabot had departed on a round of +visits to country-houses in Scotland, where, as she wrote him, she was +painting miniatures of her hosts and studying the game of golf. Miss +Cavendish divided her days between the river and one of the West End +theatres. She was playing a small part in a farce-comedy. + +One day she came up from Cookham earlier than usual, looking very +beautiful in a white boating-frock and a straw hat with a Leander +ribbon. Her hands and arms were hard with dragging a punting-hole, and +she was sunburnt and happy, and hungry for tea. + +"Why don't you come down to Cookham and get out of this heat?" Miss +Cavendish asked. "You need it; you look ill." + +"I'd like to, but I can't," said Carroll. "The fact is, I paid in +advance for these rooms, and if I lived anywhere else I'd be losing +five guineas a week on them." + +Miss Cavendish regarded him severely. She had never quite mastered his +American humor. + +"But--five guineas--why, that's nothing to you," she said. Something +in the lodger's face made her pause. "You don't mean--" + +"Yes, I do," said the lodger, smiling. "You see, I started in to lay +siege to London without sufficient ammunition. London is a large town, +and it didn't fall as quickly as I thought it would. So I am +economizing. Mr. Lockhart's Coffee Rooms and I are no longer +strangers." + +Miss Cavendish put down her cup of tea untasted and leaned toward him. + +"Are you in earnest?" she asked. "For how long?" + +"Oh, for the last month," replied the lodger; "they are not at all +bad--clean and wholesome and all that." + +"But the suppers you gave us, and this," she cried, suddenly, waving +her hands over the pretty tea-things, "and the cake and muffins?" + +"My friends, at least," said Carroll, "need not go to Lockhart's." + +"And the Savoy?" asked Miss Cavendish, mournfully shaking her head. "A +dream of the past," said Carroll, waving his pipe through the smoke. +"Gatti's? Yes, on special occasions; but for necessity the +Chancellor's, where one gets a piece of the prime roast beef of Old +England, from Chicago, and potatoes for ninepence--a pot of bitter +twopence-halfpenny, and a penny for the waiter. It's most amusing on +the whole. I am learning a little about London, and some things about +myself. They are both most interesting subjects." + +"Well, I don't like it," Miss Cavendish declared, helplessly. "When I +think of those suppers and the flowers, I feel--I feel like a robber." + +"Don't," begged Carroll. "I am really the most happy of men--that is, +as the chap says in the play, I would be if I wasn't so damned +miserable. But I owe no man a penny and I have assets--I have L80 to +last me through the winter and two marvellous plays; and I love, next +to yourself, the most wonderful woman God ever made. That's enough." + +"But I thought you made such a lot of money by writing?" asked Miss +Cavendish. + +"I do--that is, I could," answered Carroll, "if I wrote the things +that sell; but I keep on writing plays that won't." + +"And such plays!" exclaimed Marion, warmly; "and to think that they +are going begging!" She continued, indignantly, "I can't imagine what +the managers do want." + +"I know what they don't want," said the American. Miss Cavendish +drummed impatiently on the tea-tray. + +"I wish you wouldn't be so abject about it," she said. "If I were a +man I'd make them take those plays." + +"How?" asked the American; "with a gun?" + +"Well, I'd keep at it until they read them," declared Marion. "I'd sit +on their front steps all night and I'd follow them in cabs, and I'd +lie in wait for them at the stage-door. I'd just make them take them." + +Carroll sighed and stared at the ceiling. "I guess I'll give up and go +home," he said. + +"Oh, yes, do, run away before you are beaten," said Miss Cavendish, +scornfully. "Why, you can't go now. Everybody will be back in town +soon, and there are a lot of new plays coming on, and some of them are +sure to be failures, and that's our chance. You rush in with your +piece, and somebody may take it sooner than close the theatre." + +"I'm thinking of closing the theatre myself," said Carroll. "What's +the use of my hanging on here?" he exclaimed. "It distresses Helen to +know I am in London, feeling about her as I do--and the Lord only +knows how it distresses me. And, maybe, if I went away," he said, +consciously, "she might miss me. She might see the difference." + +Miss Cavendish held herself erect and pressed her lips together with a +severe smile. "If Helen Cabot doesn't see the difference between you +and the other men she knows now," she said, "I doubt if she ever will. +Besides--" she continued, and then hesitated. + +"Well, go on," urged Carroll. + +"Well, I was only going to say," she explained, "that leaving the girl +alone never did the man any good unless he left her alone willingly. +If she's sure he still cares, it's just the same to her where he is. +He might as well stay on in London as go to South Africa. It won't +help him any. The difference comes when she finds he has stopped +caring. Why, look at Reggie. He tried that. He went away for ever so +long, but he kept writing me from wherever he went, so that he was +perfectly miserable--and I went on enjoying myself. Then when he came +back, he tried going about with his old friends again. He used to come +to the theatre with them--oh, with such nice girls!--but he always +stood in the back of the box and yawned and scowled--so I knew. And, +anyway, he'd always spoil it all by leaving them and waiting at the +stage entrance for me. But one day he got tired of the way I treated +him and went off on a bicycle-tour with Lady Hacksher's girls and some +men from his regiment, and he was gone three weeks, and never sent me +even a line; and I got so scared; I couldn't sleep, and I stood it for +three days more, and then I wired him to come back or I'd jump off +London Bridge; and he came back that very night from Edinburgh on the +express, and I was so glad to see him that I got confused, and in the +general excitement I promised to marry him, so that's how it was with +us." + +"Yes," said the American, without enthusiasm; "but then I still care, +and Helen knows I care." + +"Doesn't she ever fancy that you might care for some one else? You +have a lot of friends, you know." + +"Yes, but she knows they are just that--friends," said the American. + +Miss Cavendish stood up to go, and arranged her veil before the mirror +above the fireplace. + +"I come here very often to tea," she said. + +"It's very kind of you," said Carroll. He was at the open window, +looking down into the street for a cab. + +"Well, no one knows I am engaged to Reggie," continued Miss Cavendish, +"except you and Reggie, and he isn't so sure. _She_ doesn't know +it." + +"Well?" said Carroll. + +Miss Cavendish smiled a mischievous, kindly smile at him from the +mirror. + +"Well?" she repeated, mockingly. Carroll stared at her and laughed. +After a pause he said: "It's like a plot in a comedy. But I'm afraid +I'm too serious for play-acting." + +"Yes, it is serious," said Miss Cavendish. She seated herself again +and regarded the American thoughtfully. "You are too good a man to be +treated the way that girl is treating you, and no one knows it better +than she does. She'll change in time, but just now she thinks she +wants to be independent. She's in love with this picture-painting +idea, and with the people she meets. It's all new to her--the fuss +they make over her and the titles, and the way she is asked about. We +know she can't paint. We know they only give her commissions because +she's so young and pretty, and American. She amuses them, that's all. +Well, that cannot last; she'll find it out. She's too clever a girl, +and she is too fine a girl to be content with that long. Then--then +she'll come back to you. She feels now that she has both you and the +others, and she's making you wait; so wait and be cheerful. She's +worth waiting for; she's young, that's all. She'll see the difference +in time. But, in the meanwhile, it would hurry matters a bit if she +thought she had to choose between the new friends and you." + +"She could still keep her friends and marry me," said Carroll; "I have +told her that a hundred times. She could still paint miniatures and +marry me. But she won't marry me." + +"She won't marry you because she knows she can whenever she wants to," +cried Marion. "Can't you see that? But if she thought you were going +to marry some one else now?" + +"She would be the first to congratulate me," said Carroll. He rose and +walked to the fireplace, where he leaned with his arm on the mantel. +There was a photograph of Helen Cabot near his hand, and he turned +this toward him and stood for some time staring at it. "My dear +Marion," he said at last, "I've known Helen ever since she was as +young as that. Every year I've loved her more, and found new things in +her to care for; now I love her more than any other man ever loved any +other woman." + +Miss Cavendish shook her head sympathetically. + +"Yes, I know," she said; "that's the way Reggie loves me, too." + +Carroll went on as though he had not heard her. + +"There's a bench in St. James's Park," he said, "where we used to sit +when she first came here, when she didn't know so many people. We used +to go there in the morning and throw penny buns to the ducks. That's +been my amusement this summer since you've all been away--sitting on +that bench, feeding penny buns to the silly ducks--especially the +black one, the one she used to like best. And I make pilgrimages to +all the other places we ever visited together, and try to pretend she +is with me. And I support the crossing sweeper at Lansdowne Passage +because she once said she felt sorry for him. I do all the other +absurd things that a man in love tortures himself by doing. But to +what end? She knows how I care, and yet she won't see why we can't go +on being friends as we once were. What's the use of it all?" + +"She is young, I tell you," repeated Miss Cavendish, "and she's too +sure of you. You've told her you care; now try making her think you +don't care." + +Carroll shook his head impatiently. + +"I will not stoop to such tricks and pretense, Marion," he cried, +impatiently. "All I have is my love for her; if I have to cheat and to +trap her into caring, the whole thing would be degraded." + +Miss Cavendish shrugged her shoulders and walked to the door. "Such +amateurs!" she exclaimed, and banged the door after her. + +Carroll never quite knew how he had come to make a confidante of Miss +Cavendish. Helen and he had met her when they first arrived in London, +and as she had acted for a season in the United States, she adopted +the two Americans--and told Helen where to go for boots and hats, and +advised Carroll about placing his plays. Helen soon made other +friends, and deserted the artists with whom her work had first thrown +her. She seemed to prefer the society of the people who bought her +paintings, and who admired and made much of the painter. As she was +very beautiful and at an age when she enjoyed everything in life +keenly and eagerly, to give her pleasure was in itself a distinct +pleasure; and the worldly tired people she met were considering their +own entertainment quite as much as hers when they asked her to their +dinners and dances, or to spend a week with them in the country. In +her way, she was as independent as was Carroll in his, and as she was +not in love, as he was, her life was not narrowed down to but one +ideal. But she was not so young as to consider herself infallible, and +she had one excellent friend on whom she was dependent for advice and +to whose directions she submitted implicitly. This was Lady Gower, the +only person to whom Helen had spoken of Carroll and of his great +feeling for her. Lady Gower, immediately after her marriage, had been +a conspicuous and brilliant figure in that set in London which works +eighteen hours a day to keep itself amused, but after the death of her +husband she had disappeared into the country as completely as though +she had entered a convent, and after several years had then re-entered +the world as a professional philanthropist. Her name was now +associated entirely with Women's Leagues, with committees that +presented petitions to Parliament, and with public meetings, at which +she spoke with marvellous ease and effect. Her old friends said she +had taken up this new pose as an outlet for her nervous energies, and +as an effort to forget the man who alone had made life serious to her. +Others knew her as an earnest woman, acting honestly for what she +thought was right. Her success, all admitted, was due to her knowledge +of the world and to her sense of humor, which taught her with whom to +use her wealth and position, and when to demand what she wanted solely +on the ground that the cause was just. + +She had taken more than a fancy for Helen, and the position of the +beautiful, motherless girl had appealed to her as one filled with +dangers. When she grew to know Helen better, she recognized that these +fears were quite unnecessary, and as she saw more of her she learned +to care for her deeply. Helen had told her much of Carroll and of his +double purpose in coming to London; of his brilliant work and his lack +of success in having it recognized; and of his great and loyal +devotion to her, and of his lack of success, not in having that +recognized, but in her own inability to return it. Helen was proud +that she had been able to make Carroll care for her as he did, and +that there was anything about her which could inspire a man whom she +admired so much to believe in her so absolutely and for so long a +time. But what convinced her that the outcome for which he hoped was +impossible, was the very fact that she could admire him, and see how +fine and unselfish his love for her was, and yet remain untouched by +it. + +She had been telling Lady Gower one day of the care he had taken of +her ever since she was fourteen years of age, and had quoted some of +the friendly and loverlike acts he had performed in her service, until +one day they had both found out that his attitude of the elder brother +was no longer possible, and that he loved her in the old and only way. +Lady Gower looked at her rather doubtfully and smiled. + +"I wish you would bring him to see me, Helen," she said; "I think I +should like your friend very much. From what you tell me of him I +doubt if you will find many such men waiting for you in this country. +Our men marry for reasons of property, or they love blindly, and are +exacting and selfish before and after they are married. I know, +because so many women came to me when my husband was alive to ask how +it was that I continued so happy in my married life." + +"But I don't want to marry any one," Helen remonstrated, gently. +"American girls are not always thinking only of getting married." + +"What I meant was this," said Lady Gower: "that, in my experience, I +have heard of but few men who care in the way this young man seems to +care for you. You say you do not love him; but if he had wanted to +gain my interest, he could not have pleaded his cause better than you +have done. He seems to see your faults and yet love you still, in +spite of them--or on account of them. And I like the things he does +for you. I like, for instance, his sending you the book of the moment +every week for two years. That shows a most unswerving spirit of +devotion. And the story of the broken bridge in the woods is a +wonderful story. If I were a young girl, I could love a man for that +alone. It was a beautiful thing to do." + +Helen sat with her chin on her hands, deeply considering this new +point of view. + +"I thought it very foolish of him," she confessed, questioningly, "to +take such a risk for such a little thing." + +Lady Gower smiled down at her from the height of her many years. + +"Wait," she said, dryly, "you are very young now--and very rich; every +one is crowding to give you pleasure, to show his admiration. You are +a very fortunate girl. But later, these things which some man has done +because he loved you, and which you call foolish, will grow large in +your life, and shine out strongly, and when you are discouraged and +alone, you will take them out, and the memory of them will make you +proud and happy. They are the honors which women wear in secret." + +Helen came back to town in September, and for the first few days was +so occupied in refurnishing her studio and in visiting the shops that +she neglected to send Carroll word of her return. When she found that +a whole week had passed without her having made any effort to see him, +and appreciated how the fact would hurt her friend, she was filled +with remorse, and drove at once in great haste to Jermyn Street, to +announce her return in person. On the way she decided that she would +soften the blow of her week of neglect by asking him to take her out +to luncheon. This privilege she had once or twice accorded him, and +she felt that the pleasure these excursions gave Carroll were worth +the consternation they caused to Lady Gower. + +The servant was uncertain whether Mr. Carroll was at home or not, but +Helen was too intent upon making restitution to wait for the fact to +be determined, and, running up the stairs, knocked sharply at the door +of his study. + +A voice bade her come in, and she entered, radiant and smiling her +welcome. But Carroll was not there to receive it, and, instead, Marion +Cavendish looked up at her from his desk, where she was busily +writing. Helen paused with a surprised laugh, but Marion sprang up and +hailed her gladly. They met half-way across the room and kissed each +other with the most friendly feeling. + +Philip was out, Marion said, and she had just stepped in for a moment +to write him a note. If Helen would excuse her, she would finish it, +as she was late for rehearsal. + +But she asked over her shoulder, with great interest, if Helen had +passed a pleasant summer. She thought she had never seen her looking +so well. Helen thought Miss Cavendish herself was looking very well +also, but Marion said no; that she was too sunburnt, she would not be +able to wear a dinner-dress for a month. There was a pause while +Marion's quill scratched violently across Carroll's note-paper. Helen +felt that in some way she was being treated as an intruder; or worse, +as a guest. She did not sit down, it seemed impossible to do so, but +she moved uncertainly about the room. She noted that there were many +changes, it seemed more bare and empty; her picture was still on the +writing-desk, but there were at least six new photographs of Marion. +Marion herself had brought them to the room that morning, and had +carefully arranged them in conspicuous places. But Helen could not +know that. She thought there was an unnecessary amount of writing +scribbled over the face of each. + +Marion addressed her letter and wrote "Immediate" across the envelope, +and placed it before the clock on the mantel-shelf. "You will find +Philip looking very badly," she said, as she pulled on her gloves. "He +has been in town all summer, working very hard--he has had no holiday +at all. I don't think he's well. I have been a great deal worried +about him," she added. Her face was bent over the buttons of her +glove, and when she raised her blue eyes to Helen they were filled +with serious concern. + +"Really," Helen stammered, "I--I didn't know--in his letters he seemed +very cheerful." + +Marion shook her head and turned and stood looking thoughtfully out of +the window. "He's in a very hard place," she began, abruptly, and then +stopped as though she had thought better of what she intended to say. +Helen tried to ask her to go on, but could not bring herself to do so. +She wanted to get away. + +"I tell him he ought to leave London," Marion began again; "he needs a +change and a rest." + +"I should think he might," Helen agreed, "after three months of this +heat. He wrote me he intended going to Herne Bay or over to Ostend." + +"Yes, he had meant to go," Marion answered. She spoke with the air of +one who possessed the most intimate knowledge of Carroll's movements +and plans, and change of plans. "But he couldn't," she added. "He +couldn't afford it. Helen," she said, turning to the other girl, +dramatically, "do you know--I believe that Philip is very poor." + +Miss Cabot exclaimed, incredulously, "Poor!" She laughed. "Why, what +do you mean?" + +"I mean that he has no money," Marion answered, sharply. "These rooms +represent nothing. He only keeps them on because he paid for them in +advance. He's been living on three shillings a day. That's poor for +him. He takes his meals at cabmen's shelters and at Lockhart's, and +he's been doing so for a month." + +Helen recalled with a guilty thrill the receipt of certain boxes of La +France roses--cut long, in the American fashion--which had arrived +within the last month at various country-houses. She felt indignant at +herself, and miserable. Her indignation was largely due to the +recollection that she had given these flowers to her hostess to +decorate the dinner-table. + +She hated to ask this girl of things which she should have known +better than any one else. But she forced herself to do it. She felt +she must know certainly and at once. + +"How do you know this?" she asked. "Are you sure there is no mistake?" + +"He told me himself," said Marion, "when he talked of letting the +plays go and returning to America. He said he must go back; that his +money was gone." + +"He is gone to America!" Helen said, blankly. + +"No, he wanted to go, but I wouldn't let him," Marion went on. "I told +him that some one might take his play any day. And this third one he +has written, the one he finished this summer in town, is the best of +all, I think. It's a love-story. It's quite beautiful." She turned and +arranged her veil at the glass, and as she did so, her eyes fell on +the photographs of herself scattered over the mantel-piece, and she +smiled slightly. But Helen did not see her--she was sitting down now, +pulling at the books on the table. She was confused and disturbed by +emotions which were quite strange to her, and when Marion bade her +good-by she hardly noticed her departure. What impressed her most of +all in what Marion had told her was, she was surprised to find, that +Philip was going away. That she herself had frequently urged him to do +so, for his own peace of mind, seemed now of no consequence. Now that +he seriously contemplated it, she recognized that his absence meant to +her a change in everything. She felt for the first time the peculiar +place he held in her life. Even if she had seen him but seldom, the +fact that he was within call had been more of a comfort and a +necessity to her than she understood. + +That he was poor, concerned her chiefly because she knew that, +although this condition could only be but temporary, it would distress +him not to have his friends around him, and to entertain them as he +had been used to do. She wondered eagerly if she might offer to help +him, but a second thought assured her that, for a man, that sort of +help from a woman was impossible. + +She resented the fact that Marion was deep in his confidence; that it +was Marion who had told her of his changed condition and of his plans. +It annoyed her so acutely that she could not remain in the room where +she had seen her so complacently in possession. And after leaving a +brief note for Philip, she went away. She stopped a hansom at the +door, and told the man to drive along the Embankment--she wanted to be +quite alone, and she felt she could see no one until she had thought +it all out, and had analyzed the new feelings. + +So for several hours she drove slowly up and down, sunk far back in +the cushions of the cab, and staring with unseeing eyes at the white, +enamelled tariff and the black dash-board. + +She assured herself that she was not jealous of Marion, because, in +order to be jealous, she first would have to care for Philip in the +very way she could not bring herself to do. + +She decided that his interest in Marion hurt her, because it showed +that Philip was not capable of remaining true to the one ideal of his +life. She was sure that this explained her feelings--she was +disappointed that he had not kept up to his own standard; that he was +weak enough to turn aside from it for the first pretty pair of eyes. +But she was too honest and too just to accept that diagnosis of her +feelings as final--she knew there had been many pairs of eyes in +America and in London, and that though Philip had seen them, he had +not answered them when they spoke. No, she confessed frankly, she was +hurt with herself for neglecting her old friend so selfishly and for +so long a time; his love gave him claims on her consideration, at +least, and she had forgotten that and him, and had run after strange +gods and allowed others to come in and take her place, and to give him +the sympathy and help which she should have been the first to offer, +and which would have counted more when coming from her than from any +one else. She determined to make amends at once for her +thoughtlessness and selfishness, and her brain was pleasantly occupied +with plans and acts of kindness. It was a new entertainment, and she +found she delighted in it. She directed the cabman to go to +Solomons's, and from there sent Philip a bunch of flowers and a line +saying that on the following day she was coming to take tea with him. +She had a guilty feeling that he might consider her friendly advances +more seriously than she meant them, but it was her pleasure to be +reckless: her feelings were running riotously, and the sensation was +so new that she refused to be circumspect or to consider consequences. +Who could tell, she asked herself with a quick, frightened gasp, but +that, after all, it might be that she was learning to care? From +Solomons's she bade the man drive to the shop in Cranbourne Street +where she was accustomed to purchase the materials she used in +painting, and Fate, which uses strange agents to work out its ends, so +directed it that the cabman stopped a few doors below this shop, and +opposite one where jewelry and other personal effects were bought and +sold. At any other time, or had she been in any other mood, what +followed might not have occurred, but Fate, in the person of the +cabman, arranged it so that the hour and the opportunity came +together. + +There were some old mezzotints in the window of the loan-shop, a +string of coins and medals, a row of new French posters; and far down +to the front a tray filled with gold and silver cigarette-cases and +watches and rings. It occurred to Helen, who was still bent on making +restitution for her neglect, that a cigarette-case would be more +appropriate for a man than flowers, and more lasting. And she scanned +the contents of the window with the eye of one who now saw in +everything only something which might give Philip pleasure. The two +objects of value in the tray upon which her eyes first fell were the +gold seal-ring with which Philip had sealed his letters to her, and, +lying next to it, his gold watch! There was something almost human in +the way the ring and watch spoke to her from the past--in the way they +appealed to her to rescue them from the surroundings to which they had +been abandoned. She did not know what she meant to do with them nor +how she could return them to Philip; but there was no question of +doubt in her manner as she swept with a rush into the shop. There was +no attempt, either, at bargaining in the way in which she pointed out +to the young woman behind the counter the particular ring and watch +she wanted. They had not been left as collateral, the young woman +said; they had been sold outright. + +"Then any one can buy them?" Helen asked, eagerly. "They are for sale +to the public--to any one?" + +The young woman made note of the customer's eagerness, but with an +unmoved countenance. + +"Yes, miss, they are for sale. The ring is four pounds and the watch +twenty-five." + +"Twenty-nine pounds!" Helen gasped. + +That was more money than she had in the world, but the fact did not +distress her, for she had a true artistic disregard for ready money, +and the absence of it had never disturbed her. But now it assumed a +sudden and alarming value. She had ten pounds in her purse and ten +pounds at her studio--these were just enough to pay for a quarter's +rent and the rates, and there was a hat and cloak in Bond Street which +she certainly must have. Her only assets consisted of the possibility +that some one might soon order a miniature, and to her mind that was +sufficient. Some one always had ordered a miniature, and there was no +reasonable doubt but that some one would do it again. For a moment she +questioned if it would not be sufficient if she bought the ring and +allowed the watch to remain. But she recognized that the ring meant +more to her than the watch, while the latter, as an old heirloom which +had been passed down to him from a great-grandfather, meant more to +Philip. It was for Philip she was doing this, she reminded herself. +She stood holding his possessions, one in each hand, and looking at +the young woman blankly. She had no doubt in her mind that at least +part of the money he had received for them had paid for the flowers he +had sent to her in Scotland. The certainty of this left her no choice. +She laid the ring and watch down and pulled the only ring she +possessed from her own finger. It was a gift from Lady Gower. She had +no doubt that it was of great value. + +"Can you lend me some money on that?" she asked. It was the first time +she had conducted a business transaction of this nature, and she felt +as though she were engaging in a burglary. + +"We don't lend money, miss," the girl said, "we buy outright. I can +give you twenty-eight shillings for this," she added. + +"Twenty-eight shillings!" Helen gasped. "Why, it is worth--oh, ever so +much more than that!" + +"That is all it is worth to us," the girl answered. She regarded the +ring indifferently and laid it away from her on the counter. The +action was final. + +Helen's hands rose slowly to her breast, where a pretty watch dangled +from a bow-knot of crushed diamonds. It was her only possession, and +she was very fond of it. It also was the gift of one of the several +great ladies who had adopted her since her residence in London. Helen +had painted a miniature of this particular great lady which had looked +so beautiful that the pleasure which the original of the portrait +derived from the thought that she still really looked as she did in +the miniature was worth more to her than many diamonds. + +But it was different with Helen, and no one could count what it cost +her to tear away her one proud possession. + +"What will you give me for this?" she asked, defiantly. + +The girl's eyes showed greater interest. "I can give you twenty pounds +for that," she said. + +"Take it, please," Helen begged, as though she feared if she kept it a +moment longer she might not be able to make the sacrifice. + +"That will be enough now," she went on, taking out her ten-pound note. +She put Lady Gower's ring back upon her finger and picked up Philip's +ring and watch with the pleasure of one who has come into a great +fortune. She turned back at the door. + +"Oh," she stammered, "in case any one should inquire, you are not to +say who bought these." + +"No, miss, certainly not," said the woman. Helen gave the direction to +the cabman and, closing the doors of the hansom, sat looking down at +the watch and the ring, as they lay in her lap. The thought that they +had been his most valued possessions, which he had abandoned forever, +and that they were now entirely hers, to do with as she liked, filled +her with most intense delight and pleasure. She took up the heavy gold +ring and placed it on the little finger of her left hand; it was much +too large, and she removed it and balanced it for a moment doubtfully +in the palm of her right hand. She was smiling, and her face was lit +with shy and tender thoughts. She cast a quick glance to the left and +right as though fearful that people passing in the street would +observe her, and then slipped the ring over the fourth finger of her +left hand. She gazed at it with a guilty smile, and then, covering it +hastily with her other hand, leaned back, clasping it closely, and sat +frowning far out before her with puzzled eyes. + +To Carroll all roads led past Helen's studio, and during the summer, +while she had been absent in Scotland, it was one of his sad pleasures +to make a pilgrimage to her street and to pause opposite the house and +look up at the empty windows of her rooms. It was during this daily +exercise that he learned, through the arrival of her luggage, of her +return to London, and when day followed day without her having shown +any desire to see him or to tell him of her return, he denounced +himself most bitterly as a fatuous fool. + +At the end of the week he sat down and considered his case quite +calmly. For three years he had loved this girl, deeply and tenderly. +He had been lover, brother, friend, and guardian. During that time, +even though she had accepted him in every capacity except as that of +the prospective husband, she had never given him any real affection, +nor sympathy, nor help; all she had done for him had been done without +her knowledge or intent. To know her, to love her, and to scheme to +give her pleasure had been its own reward, and the only one. For the +last few months he had been living like a crossing sweeper in order to +be able to stay in London until she came back to it, and that he might +still send her the gifts he had always laid on her altar. He had not +seen her in three months. Three months that had been to him a blank, +except for his work--which, like all else that he did, was inspired +and carried on for her. Now at last she had returned and had shown +that, even as a friend, he was of so little account in her thoughts, +of so little consequence in her life, that after this long absence she +had no desire to learn of his welfare or to see him--she did not even +give him the chance to see her. And so, placing these facts before him +for the first time since he had loved her, he considered what was due +to himself. "Was it good enough?" he asked. "Was it just that he +should continue to wear out his soul and body for this girl who did +not want what he had to give, who treated him less considerately than +a man whom she met for the first time at dinner?" He felt he had +reached the breaking-point; that the time had come when he must +consider what he owed to himself. There could never be any other woman +save Helen; but as it was not to be Helen, he could no longer, with +self-respect, continue to proffer his love only to see it slighted and +neglected. He was humble enough concerning himself, but of his love he +was very proud. Other men could give her more in wealth or position, +but no one could ever love her as he did. "He that hath more let him +give," he had often quoted to her defiantly, as though he were +challenging the world, and now he felt he must evolve a makeshift +world of his own--a world in which she was not his only spring of +acts; he must begin all over again and keep his love secret and sacred +until she understood it and wanted it. And if she should never want it +he would at least have saved it from many rebuffs and insults. + +With this determination strong in him, the note Helen had left for him +after her talk with Marion, and the flowers, and the note with them, +saying she was coming to take tea on the morrow, failed to move him +except to make him more bitter. He saw in them only a tardy +recognition of her neglect--an effort to make up to him for +thoughtlessness which, from her, hurt him worse than studied slight. + +A new _regime_ had begun, and he was determined to establish it +firmly and to make it impossible for himself to retreat from it; and +in the note in which he thanked Helen for the flowers and welcomed her +to tea, he declared his ultimatum. + +"You know how terribly I feel," he wrote; "I don't have to tell you +that, but I cannot always go on dragging out my love and holding it up +to excite your pity as beggars show their sores. I cannot always go on +praying before your altar, cutting myself with knives and calling upon +you to listen to me. You know that there is no one else but you, and +that there never can be any one but you, and that nothing is changed +except that after this I am not going to urge and torment you. I shall +wait as I have always waited--only now I shall wait in silence. You +know just how little, in one way, I have to offer you, and you know +just how much I have in love to offer you. It is now for you to +speak--some day, or never. But you will have to speak first. You will +never hear a word of love from me again. Why should you? You know it +is always waiting for you. But if you should ever want it, you must +come to me, and take off your hat and put it on my table and say, +'Philip, I have come to stay.' Whether you can ever do that or not can +make no difference in my love for you. I shall love you always, as no +man has ever loved a woman in this world, but it is you who must speak +first; for me, the rest is silence." + +The following morning as Helen was leaving the house she found this +letter lying on the hall-table, and ran back with it to her rooms. A +week before she would have let it lie on the table and read it on her +return. She was conscious that this was what she would have done, and +it pleased her to find that what concerned Philip was now to her the +thing of greatest interest. She was pleased with her own +eagerness--her own happiness was a welcome sign, and she was proud and +glad that she was learning to care. + +She read the letter with an anxious pride and pleasure in each word +that was entirely new. Philip's recriminations did not hurt her, they +were the sign that he cared; nor did his determination not to speak of +his love to her hurt her, for she believed him when he said that he +would always care. She read the letter twice, and then sat for some +time considering the kind of letter Philip would have written had he +known her secret--had he known that the ring he had abandoned was now +upon her finger. + +She rose and, crossing to a desk, placed the letter in a drawer, and +then took it out again and reread the last page. When she had finished +it she was smiling. For a moment she stood irresolute, and then, +moving slowly toward the centre-table, cast a guilty look about her +and, raising her hands, lifted her veil and half withdrew the pins +that fastened her hat. + +"Philip," she began, in a frightened whisper, "I have--I have come +to--" + +The sentence ended in a cry of protest, and she rushed across the room +as though she were running from herself. She was blushing violently. + +"Never!" she cried, as she pulled open the door; "I could never do +it--never!" + +The following afternoon, when Helen was to come to tea, Carroll +decided that he would receive her with all the old friendliness, but +that he must be careful to subdue all emotion. + +He was really deeply hurt at her treatment, and had it not been that +she came on her own invitation he would not of his own accord have +sought to see her. In consequence, he rather welcomed than otherwise +the arrival of Marion Cavendish, who came a half-hour before Helen was +expected, and who followed a hasty knock with a precipitate entrance. + +"Sit down," she commanded, breathlessly, "and listen. I've been at +rehearsal all day, or I'd have been here before you were awake." She +seated herself nervously and nodded her head at Carroll in an excited +and mysterious manner. + +"What is it?" he asked. "Have you and Reggie--" + +"Listen," Marion repeated. "Our fortunes are made; that is what's the +matter--and I've made them. If you took half the interest in your work +I do, you'd have made yours long ago. Last night," she began, +impressively, "I went to a large supper at the Savoy, and I sat next +to Charley Wimpole. He came in late, after everybody had finished, and +I attacked him while he was eating his supper. He said he had been +rehearsing 'Caste' after the performance; that they've put it on as a +stop-gap on account of the failure of 'The Triflers,' and that he knew +revivals were of no use; that he would give any sum for a good modern +comedy. That was my cue, and I told him I knew of a better comedy than +any he had produced at his theatre in five years, and that it was +going begging. He laughed, and asked where was he to find this +wonderful comedy, and I said, 'It's been in your safe for the last two +months and you haven't read it.' He said, 'Indeed, how do you know +that?' and I said, 'Because if you'd read it, it wouldn't be in your +safe, but on your stage.' So he asked me what the play was about, and +I told him the plot and what sort of a part his was, and some of his +scenes, and he began to take notice. He forgot his supper, and very +soon he grew so interested that he turned his chair round and kept +eying my supper-card to find out who I was, and at last remembered +seeing me in 'The New Boy'--and a rotten part it was, too--but he +remembered it, and he told me to go on and tell him more about your +play. So I recited it, bit by bit, and he laughed in all the right +places and got very much excited, and said finally that he would read +it the first thing this morning." Marion paused, breathlessly. "Oh, +yes, and he wrote your address on his cuff," she added, with the air +of delivering a complete and convincing climax. + +Carroll stared at her and pulled excitedly on his pipe. + +"Oh, Marion!" he gasped, "suppose he should? He won't, though," he +added, but eying her eagerly and inviting contradiction. + +"He will," she answered, stoutly, "if he reads it." + +"The other managers read it," Carroll suggested, doubtfully. + +"Yes, but what do they know?" Marion returned, loftily. "He knows. +Charles Wimpole is the only intelligent actor-manager in London." + +There was a sharp knock at the door, which Marion in her excitement +had left ajar, and Prentiss threw it wide open with an impressive +sweep, as though he were announcing royalty. "Mr. Charles Wimpole," he +said. + +The actor-manager stopped in the doorway bowing gracefully, his hat +held before him and his hand on his stick as though it were resting on +a foil. He had the face and carriage of a gallant of the days of +Congreve, and he wore his modern frock-coat with as much distinction +as if it were of silk and lace. He was evidently amused. "I couldn't +help overhearing the last line," he said, smiling. "It gives me a good +entrance." + +Marion gazed at him blankly. "Oh," she gasped, "we--we--were just +talking about you." + +"If you hadn't mentioned my name," the actor said, "I should never +have guessed it. And this is Mr. Carroll, I hope." + +The great man was rather pleased with the situation. As he read it, it +struck him as possessing strong dramatic possibilities: Carroll was +the struggling author on the verge of starvation; Marion, his +sweetheart, flying to him gave him hope; and he was the good fairy +arriving in the nick of time to set everything right and to make the +young people happy and prosperous. He rather fancied himself in the +part of the good fairy, and as he seated himself he bowed to them both +in a manner which was charmingly inclusive and confidential. + +"Miss Cavendish, I imagine, has already warned you that you might +expect a visit from me," he said, tentatively. Carroll nodded. He was +too much concerned to interrupt. + +"Then I need only tell you," Wimpole continued, "that I got up at an +absurd hour this morning to read your play; that I did read it; that I +like it immensely--and that if we can come to terms I shall produce +it. I shall produce it at once, within a fortnight or three weeks." + +Carroll was staring at him intently and continued doing so after +Wimpole had finished speaking. The actor felt he had somehow missed +his point, or that Carroll could not have understood him, and +repeated, "I say I shall put it in rehearsal at once." + +Carroll rose abruptly, and pushed back his chair. "I should be very +glad," he murmured, and strode over to the window, where he stood with +his back turned to his guests. Wimpole looked after him with a kindly +smile and nodded his head appreciatively. He had produced even a +greater effect than his lines seemed to warrant. When he spoke again, +it was quite simply, and sincerely, and though he spoke for Carroll's +benefit, he addressed himself to Marion. + +"You were quite right last night," he said; "it is a most charming +piece of work. I am really extremely grateful to you for bringing it +to my notice." He rose, and going to Carroll, put his hand on his +shoulder. "My boy," he said, "I congratulate you. I should like to be +your age, and to have written that play. Come to my theatre to-morrow +and we will talk terms. Talk it over first with your friends, so that +I shan't rob you. Do you think you would prefer a lump sum now, and so +be done with it altogether, or trust that the royalties may--" + +"Royalties," prompted Marion, in an eager aside. + +The men laughed. "Quite right," Wimpole assented, good-humoredly; +"it's a poor sportsman who doesn't back his own horse. Well, then, +until to-morrow." + +"But," Carroll began, "one moment, please. I haven't thanked you." + +"My dear boy," cried Wimpole, waving him away with his stick, "it is I +who have to thank you." + +"And--and there is a condition," Carroll said, "which goes with the +play. It is that Miss Cavendish is to have the part of _Nancy_." + +Wimpole looked serious and considered for a moment. + +"_Nancy_," he said, "the girl who interferes--a very good part. I +have cast Miss Maddox for it in my mind, but, of course, if the author +insists--" + +Marion, with her elbows on the table, clasped her hands appealingly +before her. + +"Oh, Mr. Wimpole!" she cried, "you owe me that, at least." + +Carroll leaned over and took both of Marion's hands in one of his. + +"It's all right," he said; "the author insists." + +Wimpole waved his stick again as though it were the magic wand of the +good fairy. + +"You shall have it," he said. "I recall your performance in 'The New +Boy' with pleasure. I take the play, and Miss Cavendish shall be cast +for _Nancy_. We shall begin rehearsals at once. I hope you are a +quick study." + +"I'm letter-perfect now," laughed Marion. + +Wimpole turned at the door and nodded to them. They were both so +young, so eager, and so jubilant that he felt strangely old and out of +it. "Good-by, then," he said. + +"Good-by, sir," they both chorused. And Marion cried after him, "And +thank you a thousand times." + +He turned again and looked back at them, but in their rejoicing they +had already forgotten him. "Bless you, my children," he said, smiling. +As he was about to close the door a young girl came down the passage +toward it, and as she was apparently going to Carroll's rooms, the +actor left the door open behind him. + +Neither Marion nor Carroll had noticed his final exit. They were both +gazing at each other as though, could they find speech, they would ask +if it were true. + +"It's come at last, Marion," Philip said, with an uncertain voice. + +"I could weep," cried Marion. "Philip," she exclaimed, "I would rather +see that play succeed than any play ever written, and I would rather +play that part in it than--Oh, Philip," she ended, "I'm so proud of +you!" and rising, she threw her arms about his neck and sobbed on his +shoulder. + +Carroll raised one of her hands and kissed the tips of her fingers +gently. "I owe it to you, Marion," he said--"all to you." + +This was the tableau that was presented through the open door to Miss +Helen Cabot, hurrying on her errand of restitution and goodwill, and +with Philip's ring and watch clasped in her hand. They had not heard +her, nor did they see her at the door, so she drew back quickly and +ran along the passage and down the stairs into the street. + +She did not need now to analyze her feelings. They were only too +evident. For she could translate what she had just seen as meaning +only one thing--that she had considered Philip's love so lightly that +she had not felt it passing away from her until her neglect had killed +it--until it was too late. And now that it was too late she felt that +without it her life could not go on. She tried to assure herself that +only the fact that she had lost it made it seem invaluable, but this +thought did not comfort her--she was not deceived by it, she knew that +at last she cared for him deeply and entirely. In her distress she +blamed herself bitterly, but she also blamed Philip no less bitterly +for having failed to wait for her. "He might have known that I must +love him in time," she repeated to herself again and again. She was so +unhappy that her letter congratulating Philip on his good fortune in +having his comedy accepted seemed to him cold and unfeeling, and as +his success meant for him only what it meant to her, he was hurt and +grievously disappointed. + +He accordingly turned the more readily to Marion, whose interest and +enthusiasm at the rehearsals of the piece seemed in contrast most +friendly and unselfish. He could not help but compare the attitude of +the two girls at this time, when the failure or success of his best +work was still undecided. He felt that as Helen took so little +interest in his success he could not dare to trouble her with his +anxieties concerning it, and she attributed his silence to his +preoccupation and interest in Marion. So the two grew apart, each +misunderstanding the other and each troubled in spirit at the other's +indifference. + +The first night of the play justified all that Marion and Wimpole had +claimed for it, and was a great personal triumph for the new +playwright. The audience was the typical first-night audience of the +class which Charles Wimpole always commanded. It was brilliant, +intelligent, and smart, and it came prepared to be pleased. + +From one of the upper stage-boxes Helen and Lady Gower watched the +successful progress of the play with an anxiety almost as keen as that +of the author. To Helen it seemed as though the giving of these lines +to the public--these lines which he had so often read to her, and +altered to her liking--was a desecration. It seemed as though she were +losing him indeed--as though he now belonged to these strange people, +all of whom were laughing and applauding his words, from the German +Princess in the Royal box to the straight-backed Tommy in the pit. +Instead of the painted scene before her, she saw the birch-trees by +the river at home, where he had first read her the speech to which +they were now listening so intensely--the speech in which the hero +tells the girl he loves her. She remembered that at the time she had +thought how wonderful it would be if some day some one made such a +speech to her--not Philip, but a man she loved. And now? If Philip +would only make that speech to her now! + +He came out at last, with Wimpole leading him, and bowed across a +glaring barrier of lights at a misty but vociferous audience that was +shouting the generous English bravo! and standing up to applaud. He +raised his eyes to the box where Helen sat, and saw her staring down +at the tumult, with her hands clasped under her chin. Her face was +colorless, but lit with the excitement of the moment; and he saw that +she was crying. + +Lady Gower, from behind her, was clapping her hands delightedly. + +"But, my dear Helen," she remonstrated, breathlessly, "you never told +me he was so good-looking." + +"Yes," said Helen, rising abruptly, "he is--very good-looking." + +She crossed the box to where her cloak was hanging, but instead of +taking it down, buried her face in its folds. + +"My dear child!" cried Lady Gower, in dismay. "What is it? The +excitement has been too much for you." + +"No, I am just happy," sobbed Helen. "I am just happy for him." + +"We will go and tell him so, then," said Lady Gower. "I am sure he +would like to hear it from you to-night." + +Philip was standing in the centre of the stage, surrounded by many +pretty ladies and elderly men. Wimpole was hovering over him as though +he had claims upon him by the right of discovery. + +But when Philip saw Helen, he pushed his way toward her eagerly and +took her hand in both of his. + +"I am so glad, Phil," she said. She felt it all so deeply that she was +afraid to say more, but that meant so much to her that she was sure he +would understand. + +He had planned it very differently. For a year he had dreamed that, on +the first night of his play, there would be a supper, and that he +would rise and drink her health, and tell his friends and the world +that she was the woman he loved, and that she had agreed to marry him, +and that at last he was able, through the success of his play, to make +her his wife. + +And now they met in a crowd to shake hands, and she went her way with +one of her grand ladies, and he was left among a group of chattering +strangers. The great English playwright took him by the hand and in +the hearing of all praised him gracefully and kindly. It did not +matter to Philip whether the older playwright believed what he said or +not; he knew it was generously meant. + +"I envy you this," the great man was saying. "Don't lose any of it, +stay and listen to all they have to say. You will never live through +the first night of your first play but once." + +"Yes, I hear them," said Philip, nervously; "they are all too kind. +But I don't hear the voice I have been listening for," he added, in a +whisper. The older man pressed his hand again quickly. "My dear boy," +he said, "I am sorry." + +"Thank you," Philip answered. + +Within a week he had forgotten the great man's fine words of praise, +but the clasp of his hand he cherished always. + +Helen met Marion as she was leaving the stage-door and stopped to +congratulate her on her success in the new part. Marion was radiant. +To Helen she seemed obstreperously happy and jubilant. + +"And, Marion," Helen began, bravely, "I also want to congratulate you +on something else. You--you--neither of you have told me yet," she +stammered, "but I am such an old friend of both that I will not be +kept out of the secret." At these words Marion's air of triumphant +gayety vanished; she regarded Helen's troubled eyes closely and +kindly. + +"What secret, Helen?" she asked. + +"I came to the door of Philip's room the other day when you did not +know I was there," Helen answered, "and I could not help seeing how +matters were. And I do congratulate you both--and wish you--oh, such +happiness!" Without a word Marion dragged her back down the passage to +her dressing-room, and closed the door. + +"Now tell me what you mean," she said. + +"I am sorry if I discovered anything you didn't want known yet," said +Helen, "but the door was open. Mr. Wimpole had just left you and had +not shut it, and I could not help seeing." + +Marion interrupted her with an eager exclamation of enlightenment. + +"Oh, you were there, then," she cried. "And you?" she asked, +eagerly--"you thought Phil cared for me--that we are engaged, and it +hurt you; you are sorry? Tell me," she demanded, "are you sorry?" + +Helen drew back and stretched out her hand toward the door. + +"How can you!" she exclaimed, indignantly. "You have no right." + +Marion stood between her and the door. + +"I have every right," she said, "to help my friends, and I want to +help you and Philip. And, indeed, I do hope you _are_ sorry. I +hope you are miserable. And I'm glad you saw me kiss him. That was the +first and the last time, and I did it because I was happy and glad for +him; and because I love him, too, but not in the least in the way he +loves you. No one ever loved any one as he loves you. And it's time +you found it out. And if I have helped to make you find it out, I'm +glad, and I don't care how much I hurt you." + +"Marion!" exclaimed Helen, "what does it mean? Do you mean that you +are not engaged; that--" + +"Certainly not," Marion answered. "I am going to marry Reggie. It is +you that Philip loves, and I am very sorry for you that you don't love +him." + +Helen clasped Marion's hands in both of hers. + +"But, Marion!" she cried, "I do, oh, I do!" + + * * * * * + +There was a thick yellow fog the next morning, and with it rain and a +sticky, depressing dampness which crept through the window-panes, and +which neither a fire nor blazing gas-jets could overcome. + +Philip stood in front of the fireplace with the morning papers piled +high on the centre-table and scattered over the room about him. + +He had read them all, and he knew now what it was to wake up famous, +but he could not taste it. Now that it had come it meant nothing, and +that it was so complete a triumph only made it the harder. In his most +optimistic dreams he had never imagined success so satisfying as the +reality had proved to be; but in his dreams Helen had always held the +chief part, and without her, success seemed only to mock him. + +He wanted to lay it all before her, to say, "If you are pleased, I am +happy. If you are satisfied, then I am content. It was done for you, +and I am wholly yours, and all that I do is yours." And, as though in +answer to his thoughts, there was an instant knock at the door, and +Helen entered the room and stood smiling at him across the table. + +Her eyes were lit with excitement, and spoke with many emotions, and +her cheeks were brilliant with color. He had never seen her look more +beautiful. + +"Why, Helen!" he exclaimed, "how good of you to come. Is there +anything wrong? Is anything the matter?" + +She tried to speak, but faltered, and smiled at him appealingly. + +"What is it?" he asked in great concern. + +Helen drew in her breath quickly, and at the same moment motioned him +away--and he stepped back and stood watching her in much perplexity. + +With her eyes fixed on his she raised her hands to her head, and her +fingers fumbled with the knot of her veil. She pulled it loose, and +then, with a sudden courage, lifted her hat proudly, as though it were +a coronet, and placed it between them on his table. + +"Philip," she stammered, with the tears in her voice and eyes, "if you +will let me--I have come to stay." + +The table was no longer between them. He caught her in his arms and +kissed her face and her uncovered head again and again. From outside +the rain beat drearily and the fog rolled through the street, but +inside before the fire the two young people sat close together, asking +eager questions or sitting in silence, staring at the flames with +wondering, happy eyes. + +The Lion and the Unicorn saw them only once again. It was a month +later when they stopped in front of the shop in a four-wheeler, with +their baggage mixed on top of it, and steamer-labels pasted over every +trunk. + +"And, oh, Prentiss!" Carroll called from the cab-window. "I came near +forgetting. I promised to gild the Lion and the Unicorn if I won out +in London. So have it done, please, and send the bill to me. For I've +won out all right." And then he shut the door of the cab, and they +drove away forever. + +"Nice gal, that," growled the Lion. "I always liked her. I am glad +they've settled it at last." + +The Unicorn sighed sentimentally. "The other one's worth two of her," +he said. + + + + +THE LAST RIDE TOGETHER + +A SKETCH CONTAINING THREE POINTS OF VIEW + + +_What the Poet Laureate wrote._ + + "There are girls in the Gold Reef City, + There are mothers and children too! + And they cry 'Hurry up for pity!' + So what can a brave man do? + + "I suppose we were wrong, were mad men, + Still I think at the Judgment Day, + When God sifts the good from the bad men, + There'll be something more to say." + + +_What more the Lord Chief Justice found to say._ + +"In this case we know the immediate consequence of your crime. It has +been the loss of human life, it has been the disturbance of public +peace, it has been the creation of a certain sense of distrust of +public professions and of public faith.... The sentence of this Court +therefore is that, as to you, Leander Starr Jameson, you be confined +for a period of fifteen months without hard labor; that you, Sir John +Willoughby, have ten months' imprisonment; and that you, etc., etc." + + _London Times, July 29th._ + + +_What the Hon. "Reggie" Blake thought about it._ + +"H.M. HOLLOWAY PRISON, +July 28th. + +"I am going to keep a diary while I am in prison, that is, if they +will let me. I never kept one before because I hadn't the time; when I +was home on leave there was too much going on to bother about it, and +when I was up country I always came back after a day's riding so tired +that I was too sleepy to write anything. And now that I have the time, +I won't have anything to write about. I fancy that more things +happened to me to-day than are likely to happen again for the next +eight months, so I will make this day take up as much room in the +diary as it can. I am writing this on the back of the paper the Warder +uses for his official reports, while he is hunting up cells to put us +in. We came down on him rather unexpectedly and he is nervous. + +"Of course, I had prepared myself for this after a fashion, but now I +see that somehow I never really did think I would be in here, and all +my friends outside, and everything going on just the same as though I +wasn't alive somewhere. It's like telling yourself that your horse +can't possibly pull off a race, so that you won't mind so much if he +doesn't, but you always feel just as bad when he comes in a loser. A +man can't fool himself into thinking one way when he is hoping the +other. + +"But I am glad it is over, and settled. It was a great bore not +knowing your luck and having the thing hanging over your head every +morning when you woke up. Indeed it it was quite a relief when the +counsel got all through arguing over those proclamations, and the +Chief Justice summed up, but I nearly went to sleep when I found he +was going all over it again to the jury. I didn't understand about +those proclamations myself and I'll lay a fiver the jury didn't +either. The Colonel said he didn't. I couldn't keep my mind on what +Russell was explaining about, and I got to thinking how much old +Justice Hawkins looked like the counsel in 'Alice in Wonderland' when +they tried the knave of spades for stealing the tarts. He has just the +same sort of a beak and the same sort of a wig, and I wondered why he +had his wig powdered and the others didn't. Pollock's wig had a hole +in the top; you could see it when he bent over to take notes. He was +always taking notes. I don't believe he understood about those +proclamations either; he never seemed to listen, anyway. + +"The Chief Justice certainly didn't love us very much, that's sure; +and he wasn't going to let anybody else love us either. I felt quite +the Christian Martyr when Sir Edward was speaking in defense. He made +it sound as though we were all a lot of Adelphi heroes and ought to be +promoted and have medals, but when Lord Russell started in to read the +Riot Act at us I began to believe that hanging was too good for me. +I'm sure I never knew I was disturbing the peace of nations; it seems +like such a large order for a subaltern. + +"But the worst was when they made us stand up before all those people +to be sentenced. I must say I felt shaky about the knees then, not +because I was afraid of what was coming, but because it was the first +time I had ever been pointed out before people, and made to feel +ashamed. And having those girls there, too, looking at one. That +wasn't just fair to us. It made me feel about ten years old, and I +remembered how the Head Master used to call me to his desk and say, +'Blake Senior, two pages of Horace and keep in bounds for a week.' And +then I heard our names and the months, and my name and 'eight months' +imprisonment,' and there was a bustle and murmur and the tipstaves +cried, 'Order in the Court,' and the Judges stood up and shook out +their big red skirts as though they were shaking off the contamination +of our presence and rustled away, and I sat down, wondering how long +eight months was, and wishing they'd given me as much as they gave +Jameson. + +"They put us in a room together then, and our counsel said how sorry +they were, and shook hands, and went off to dinner and left us. I +thought they might have waited with us and been a little late for +dinner just that once; but no one waited except a lot of costers +outside whom we did not know. It was eight o'clock and still quite +light when we came out, and there was a line of four-wheelers and a +hansom ready for us. I'd been hoping they would take us out by the +Strand entrance, just because I'd liked to have seen it again, but +they marched us instead through the main quadrangle--a beastly, gloomy +courtyard that echoed, and out, into Carey Street--such a dirty, +gloomy street. The costers and clerks set up a sort of a cheer when we +came out, and one of them cried, 'God bless you, sir,' to the doctor, +but I was sorry they cheered. It seemed like kicking against the +umpire's decision. The Colonel and I got into a hansom together and we +trotted off into Chancery Lane and turned into Holborn. Most of the +shops were closed, and the streets looked empty, but there was a +lighted clock-face over Mooney's public house, and the hands stood at +a quarter past eight. I didn't know where Holloway was, and was hoping +they would have to take us through some decent streets to reach it; +but we didn't see a part of the city that meant anything to me, or +that I would choose to travel through again. + +"Neither of us talked, and I imagined that the people in the streets +knew we were going to prison, and I kept my eyes on the enamel card on +the back of the apron. I suppose I read, 'Two-wheeled hackney +carriage: if hired and discharged within the four-mile limit, 1_s_.' +at least a hundred times. I got more sensible after a bit, and when we +had turned into Gray's Inn Road I looked up and saw a tram in front of +us with 'Holloway Road and King's X,' painted on the steps, and the +Colonel saw it about the same time I fancy, for we each looked at the +other, and the Colonel raised his eyebrows. It showed us that at least +the cabman knew where we were going. + +"'They might have taken us for a turn through the West End first, I +think,' the Colonel said. 'I'd like to have had a look around, +wouldn't you? This isn't a cheerful neighborhood, is it?' + +"There were a lot of children playing in St. Andrew's Gardens, and a +crowd of them ran out just as we passed, shrieking and laughing over +nothing, the way kiddies do, and that was about the only pleasant +sight in the ride. I had quite a turn when we came to the New Hospital +just beyond, for I thought it was Holloway, and it came over me what +eight months in such a place meant. I believe if I hadn't pulled +myself up sharp, I'd have jumped out into the street and run away. It +didn't last more than a few seconds, but I don't want any more like +them. I was afraid, afraid--there's no use pretending it was anything +else. I was in a dumb, silly funk, and I turned sick inside and shook, +as I have seen a horse shake when he shies at nothing and sweats and +trembles down his sides. + +"During those few seconds it seemed to be more than I could stand; I +felt sure that I couldn't do it--that I'd go mad if they tried to +force me. The idea was so terrible--of not being master over your own +legs and arms, to have your flesh and blood and what brains God gave +you buried alive in stone walls as though they were in a safe with a +time-lock on the door set for eight months ahead. There's nothing to +be afraid of in a stone wall really, but it's the idea of the +thing--of not being free to move about, especially to a chap that has +always lived in the open as I have, and has had men under him. It was +no wonder I was in a funk for a minute. I'll bet a fiver the others +were, too, if they'll only own up to it. I don't mean for long, but +just when the idea first laid hold of them. Anyway, it was a good +lesson to me, and if I catch myself thinking of it again I'll whistle, +or talk to myself out loud and think of something cheerful. And I +don't mean to be one of those chaps who spends his time in jail +counting the stones in his cell, or training spiders, or measuring how +many of his steps make a mile, for madness lies that way. I mean to +sit tight and think of all the good times I've had, and go over them +in my mind very slowly, so as to make them last longer and remember +who was there and what we said, and the jokes and all that; I'll go +over house-parties I have been on, and the times I've had in the +Riviera, and scouting-parties Dr. Jim led up country when we were +taking Matabele Land. + +"They say that if you're good here they give you things to read after +a month or two, and then I can read up all those instructive books +that a fellow never does read until he's laid up in bed. + +"But that's crowding ahead a bit; I must keep to what happened to-day. +We struck York Road at the back of the Great Western Terminus, and I +half hoped we might see some chap we knew coming or going away: I +would like to have waved my hand to him. It would have been fun to +have seen his surprise the next morning when he read in the paper that +he had been bowing to jail-birds, and then I would like to have +cheated the tipstaves out of just one more friendly good-by. I wanted +to say good-by to somebody, but I really couldn't feel sorry to see +the last of any one of those we passed in the streets--they were such +a dirty, unhappy-looking lot, and the railroad wall ran on forever +apparently, and we might have been in a foreign country for all we +knew of it. There were just sooty gray brick tenements and gas-works +on one side, and the railroad cutting on the other, and semaphores and +telegraph wires overhead, and smoke and grime everywhere, it looked +exactly like the sort of street that should lead to a prison, and it +seemed a pity to take a smart hansom and a good cob into it. + +"It was just a bit different from our last ride together--when we rode +through the night from Krugers-Dorp with hundreds of horses' hoofs +pounding on the soft veldt behind us, and the carbines clanking +against the stirrups as they swung on the sling belts. We were being +hunted then, harassed on either side, scurrying for our lives like the +Derby Dog in a race-track when every one hoots him and no man steps +out to help--we were sick for sleep, sick for food, lashed by the +rain, and we knew that we were beaten; but we were free still, and +under open skies with the derricks of the Rand rising like gallows on +our left, and Johannesburg only fifteen miles away." + + + + +MISS DELAMAR'S UNDERSTUDY + + +A young man runs two chances of marrying the wrong woman. He marries +her because she is beautiful, and because he persuades himself that +every other lovable attribute must be associated with such beauty, or +because she is in love with him. If this latter is the case, she gives +certain values to what he thinks and to what he says which no other +woman gives, and so he observes to himself, "This is the woman who +best understands _me_." + +You can reverse this and say that young women run the same risks, but +as men are seldom beautiful, the first danger is eliminated. Women +still marry men, however, because they are loved by them, and in time +the woman grows to depend upon this love and to need it, and is not +content without it, and so she consents to marry the man for no other +reason than because he cares for her. For if a dog, even, runs up to +you wagging his tail and acting as though he were glad to see you, you +pat him on the head and say, "What a nice dog." You like him because +he likes you, and not because he belongs to a fine breed of animal and +could take blue ribbons at bench shows. + +This is the story of a young man who was in love with a beautiful +woman, and who allowed her beauty to compensate him for many other +things. When she failed to understand what he said to her he smiled +and looked at her and forgave her at once, and when she began to grow +uninteresting, he would take up his hat and go away, and so he never +knew how very uninteresting she might possibly be if she were given +time enough in which to demonstrate the fact. He never considered +that, were he married to her, he could not take up his hat and go away +when she became uninteresting, and that her remarks, which were not +brilliant, could not be smiled away either. They would rise up and +greet him every morning, and would be the last thing he would hear at +night. + +Miss Delamar's beauty was so conspicuous that to pretend not to notice +it was more foolish than well-bred. You got along more easily and +simply by accepting it at once, and referring to it, and enjoying its +effect upon other people. To go out of one's way to talk of other +things when every one, even Miss Delamar herself, knew what must be +uppermost in your mind, always seemed as absurd as to strain a point +in politeness, and to pretend not to notice that a guest had upset his +claret, or any other embarrassing fact. For Miss Delamar's beauty was +so distinctly embarrassing that this was the only way to meet it--to +smile and pass it over and to try, if possible, to get on to something +else. It was on account of this extraordinary quality in her +appearance that every one considered her beauty as something which +transcended her private ownership, and which belonged by right to the +polite world at large, to any one who could appreciate it properly, +just as though it were a sunset or a great work of art or of nature. +And so, when she gave away her photographs no one thought it meant +anything more serious than a recognition on her part of the fact that +it would have been unkind and selfish in her not to have shared the +enjoyment of so much loveliness with others. + +Consequently, when she sent one of her largest and most aggravatingly +beautiful photographs to young Stuart, it was no sign that she cared +especially for him. + +How much young Stuart cared for Miss Delamar, however, was an open +question and a condition yet to be discovered. That he cared for some +one, and cared so much that his imagination had begun to picture the +awful joys and responsibilities of marriage, was only too well known +to himself, and was a state of mind already suspected by his friends. + +Stuart was a member of the New York bar, and the distinguished law +firm to which he belonged was very proud of its junior member, and +treated him with indulgence and affection, which was not unmixed with +amusement. For Stuart's legal knowledge had been gathered in many odd +corners of the globe, and was various and peculiar. It had been his +pleasure to study the laws by which men ruled other men in every +condition of life, and under every sun. The regulations of a new +mining camp were fraught with as great interest to him as the +accumulated precedents of the English Constitution, and he had +investigated the rulings of the mixed courts of Egypt and of the +government of the little Dutch republic near the Cape with as keen an +effort to comprehend as he had shown in studying the laws of the +American colonies and of the Commonwealth of Massachusetts. + +But he was not always serious, and it sometimes happened that after he +had arrived at some queer little island where the native prince and +the English governor sat in judgment together, his interest in the +intricacies of their laws would give way to the more absorbing +occupation of chasing wild boar or shooting at tigers from the top of +an elephant. And so he was not only regarded as an authority on many +forms of government and of law, into which no one else had ever taken +the trouble to look, but his books on big game were eagerly read and +his articles in the magazines were earnestly discussed, whether they +told of the divorce laws of Dakota, and the legal rights of widows in +Cambodia, or the habits of the Mexican lion. + +Stuart loved his work better than he knew, but how well he loved Miss +Delamar neither he nor his friends could tell. She was the most +beautiful and lovely creature that he had ever seen, and of that only +was he certain. + +Stuart was sitting in the club one day when the conversation turned to +matrimony. He was among his own particular friends, the men before +whom he could speak seriously or foolishly without fear of being +misunderstood or of having what he said retold and spoiled in the +telling. There was Seldon, the actor, and Rives, who painted pictures, +and young Sloane, who travelled for pleasure and adventure, and +Weimer, who stayed at home and wrote for the reviews. They were all +bachelors, and very good friends, and jealously guarded their little +circle from the intrusion of either men or women. + +"Of course the chief objection to marriage," Stuart said--it was the +very day in which the picture had been sent to his rooms--"is the old +one that you can't tell anything about it until you are committed to +it forever. It is a very silly thing to discuss even, because there is +no way of bringing it about, but there really should be some sort of a +preliminary trial. As the man says in the play, 'You wouldn't buy a +watch without testing it first.' You don't buy a hat even without +putting it on, and finding out whether it is becoming or not, or +whether your peculiar style of ugliness can stand it. And yet men go +gayly off and get married, and make the most awful promises, and alter +their whole order of life, and risk the happiness of some lovely +creature on trust, as it were, knowing absolutely nothing of the new +conditions and responsibilities of the life before them. Even a +river-pilot has to serve an apprenticeship before he gets a license, +and yet we are allowed to take just as great risks, and only because +we _want_ to take them. It's awful, and it's all wrong." + +"Well, I don't see what one is going to do about it," commented young +Sloane, lightly, "except to get divorced. That road is always open." + +Sloane was starting the next morning for the Somali Country, in +Abyssinia, to shoot rhinoceros, and his interest in matrimony was in +consequence somewhat slight. + +"It isn't the fear of the responsibilities that keeps Stuart, nor any +one of us back," said Weimer, contemptuously. "It's because we're +selfish. That's the whole truth of the matter. We love our work, or +our pleasure, or to knock about the world, better than we do any +particular woman. When one of us comes to love the woman best, his +conscience won't trouble him long about the responsibilities of +marrying her." + +"Not at all," said Stuart. "I am quite sincere; I maintain that there +should be a preliminary stage. Of course there can't be, and it's +absurd to think of it, but it would save a lot of unhappiness." + +"Well," said Seldon, dryly, "when you've invented a way to prevent +marriage from being a lottery, let me know, will you?" He stood up and +smiled nervously. "Any of you coming to see us to-night?" he asked. + +"That's so," exclaimed Weimer; "I forgot. It's the first night of 'A +Fool and His Money,' isn't it? Of course we're coming." + +"I told them to put a box away for you in case you wanted it," Seldon +continued. "Don't expect much. It's a silly piece, and I've a silly +part, and I'm very bad in it. You must come around to supper, and tell +me where I'm bad in it, and we will talk it over. You're coming, +Stuart?" + +"My dear old man," said Stuart, reproachfully, "of course I am. I've +had my seats for the last three weeks. Do you suppose I could miss +hearing you mispronounce all the Hindostanee I've taught you?" + +"Well, good-night then," said the actor, waving his hand to his +friends as he moved away. "'We, who are about to die, salute you!'" + +"Good luck to you," said Sloane, holding up his glass. "To the Fool +and His Money," he laughed. He turned to the table again, and sounded +the bell for the waiter. "Now let's send him a telegram and wish him +success, and all sign it," he said, "and don't you fellows tell him +that I wasn't in front to-night. I've got to go to a dinner the +Travellers' Club are giving me." There was a protesting chorus of +remonstrance. "Oh, I don't like it any better than you do," said +Sloane, "but I'll get away, early and join you before the play's over. +No one in the Travellers' Club, you see, has ever travelled farther +from New York than London or the Riviera, and so when a member starts +for Abyssinia they give him a dinner, and he has to take himself very +seriously indeed, and cry with Seldon, 'I, who am about to die, salute +you!' If that man there was any use," he added, interrupting himself +and pointing with his glass at Stuart, "he'd pack up his things +to-night and come with me." + +"Oh, don't urge him," remonstrated Weimer, who had travelled all over +the world in imagination, with the aid of globes and maps, but never +had got any farther from home than Montreal. "We can't spare Stuart. +He has to stop here and invent a preliminary marriage state, so that +if he finds he doesn't like a girl, he can leave her before it is too +late." + +"You sail at seven, I believe, and from Hoboken, don't you?" asked +Stuart, undisturbed. "If you'll start at eleven from the New York +side, I think I'll go with you, but I hate getting up early; and then +you see--I know what dangers lurk in Abyssinia, but who could tell +what might not happen to him in Hoboken?" + +When Stuart returned to his room, he found a large package set upright +in an armchair and enveloped by many wrappings; but the handwriting on +the outside told him at once from whom it came and what it might be, +and he pounced upon it eagerly and tore it from its covers. The +photograph was a very large one, and the likeness to the original so +admirable that the face seemed to smile and radiate with all the +loveliness and beauty of Miss Delamar herself. Stuart beamed upon it +with genuine surprise and pleasure, and exclaimed delightedly to +himself. There was a living quality about the picture which made him +almost speak to it, and thank Miss Delamar through it for the pleasure +she had given him and the honor she had bestowed. He was proud, +flattered, and triumphant, and while he walked about the room deciding +where he would place it, and holding the picture respectfully before +him, he smiled upon it with grateful satisfaction. + +He decided against his dressing-table as being too intimate a place +for it, and so carried the picture on from his bedroom to the +dining-room beyond, where he set it among his silver on the sideboard. +But so little of his time was spent in this room that he concluded he +would derive but little pleasure from it there, and so bore it back +again into his library, where there were many other photographs and +portraits, and where to other eyes than his own it would be less +conspicuous. + +He tried it first in one place and then in another; but in each +position the picture predominated and asserted itself so markedly, +that Stuart gave up the idea of keeping it inconspicuous, and placed +it prominently over the fireplace, where it reigned supreme above +every other object in the room. It was not only the most conspicuous +object there, but the living quality which it possessed in so marked a +degree, and which was due to its naturalness of pose and the +excellence of the likeness, made it permeate the place like a presence +and with the individuality of a real person. Stuart observed this +effect with amused interest, and noted also that the photographs of +other women had become commonplace in comparison like lithographs in a +shop-window, and that the more masculine accessories of a bachelor's +apartment had grown suddenly aggressive and out of keeping. The +liquor-case and the racks of arms and of barbarous weapons which he +had collected with such pride seemed to have lost their former value +and meaning, and he instinctively began to gather up the mass of books +and maps and photographs and pipes and gloves which lay scattered upon +the table, and to put them in their proper place, or to shove them out +of sight altogether. "If I'm to live up to that picture," he thought, +"I must see that George keeps this room in better order--and I must +stop wandering round here in my bath-robe." + +His mind continued on the picture while he was dressing, and he was so +absorbed in it and in analyzing the effect it had had upon him, that +his servant spoke twice before he heard him. + +"No," he answered, "I shall not dine here to-night." Dining at home +was with him a very simple affair, and a somewhat lonely one, and he +avoided it almost nightly by indulging himself in a more expensive +fashion. + +But even as he spoke an idea came to Stuart which made him reconsider +his determination, and which struck him as so amusing, that he stopped +pulling at his tie and smiled delightedly at himself in the glass +before him. + +"Yes," he said, still smiling, "I will dine here to-night. Get me +anything in a hurry. You need not wait now; go get the dinner up as +soon as possible." + +The effect which the photograph of Miss Delamar had upon him, and the +transformation it had accomplished in his room, had been as great as +would have marked the presence there of the girl herself. While +considering this it had come to Stuart, like a flash of inspiration, +that here was a way by which he could test the responsibilities and +conditions of married life without compromising either himself or the +girl to whom he would suppose himself to be married. + +"I will put that picture at the head of the table," he said, "and I +will play that it is she herself, her own beautiful, lovely self, and +I will talk to her and exchange views with her, and make her answer me +just as she would were we actually married and settled." He looked at +his watch and found it was just seven o'clock. "I will begin now," he +said, "and I will keep up the delusion until midnight. To-night is the +best time to try the experiment, because the picture is new now, and +its influence will be all the more real. In a few weeks it may have +lost some of its freshness and reality and will have become one of the +fixtures in the room." + +Stuart decided that under these new conditions it would be more +pleasant to dine at Delmonico's, and he was on the point of asking the +Picture what she thought of it, when he remembered that while it had +been possible for him to make a practise of dining at that place as a +bachelor, he could not now afford so expensive a luxury, and he +decided that he had better economize in that particular and go instead +to one of the _table d'hote_ restaurants in the neighborhood. He +regretted not having thought of this sooner, for he did not care to +dine at a _table d'hote_ in evening dress, as in some places it +rendered him conspicuous. So, sooner than have this happen he decided +to dine at home, as he had originally intended when he first thought +of attempting this experiment, and then conducted the Picture in to +dinner and placed her in an armchair facing him, with the candles full +upon the face. + +"Now this is something like," he exclaimed, joyously. "I can't imagine +anything better than this. Here we are all to ourselves with no one to +bother us, with no chaperon, or chaperon's husband either, which is +generally worse. Why is it, my dear," he asked, gayly, in a tone he +considered affectionate and husbandly, "that the attractive chaperons +are always handicapped by such stupid husbands, and vice versa?" + +"If that is true," replied the Picture, or replied Stuart, rather, for +the Picture, "I cannot be a very attractive chaperon." Stuart bowed +politely at this, and then considered the point it had raised as to +whether he had, in assuming both characters, the right to pay himself +compliments. He decided against himself in this particular instance, +but agreed that he was not responsible for anything the Picture might +say, so long as he sincerely and fairly tried to make it answer him as +he thought the original would do under like circumstances. From what +he knew of the original under other conditions, he decided that he +could give a very close imitation of her point of view. + +Stuart's interest in his dinner was so real that he found himself +neglecting his wife, and he had to pull himself up to his duty with a +sharp reproof. After smiling back at her for a moment or two until his +servant had again left them alone, he asked her to tell him what she +had been doing during the day. + +"Oh, nothing very important," said the Picture. "I went shopping in +the morning and--" + +Stuart stopped himself and considered this last remark doubtfully. +"Now, how do I know she would go shopping?" he asked himself. "People +from Harlem and women who like bargain-counters, and who eat chocolate +meringue for lunch, and then stop in at a continuous performance, go +shopping. It must be the comic-paper sort of wives who go about +matching shades and buying hooks and eyes. Yes, I must have made Miss +Delamar's understudy misrepresent her. I beg your pardon, my dear," he +said aloud to the Picture. "You did _not_ go shopping this +morning. You probably went to a woman's luncheon somewhere. Tell me +about that." + +"Oh, yes, I went to lunch with the Antwerps," said the Picture, "and +they had that Russian woman there who is getting up subscriptions for +the Siberian prisoners. It's rather fine of her, because it exiles her +from Russia. And she is a princess." + +"That's nothing," Stuart interrupted; "they're all princesses when you +see them on Broadway." + +"I beg your pardon," said the Picture. + +"It's of no consequence," said Stuart, apologetically, "it's a comic +song. I forgot you didn't like comic songs. Well--go on." + +"Oh, then I went to a tea, and then I stopped in to hear Madame Ruvier +read a paper on the Ethics of Ibsen, and she--" + +Stuart's voice had died away gradually, and he caught himself +wondering whether he had told George to lay in a fresh supply of +cigars. "I beg your pardon," he said, briskly, "I was listening, but I +was just wondering whether I had any cigars left. You were saying that +you had been at Madame Ruvier's, and--" + +"I am afraid that you were not interested," said the Picture. "Never +mind, it's my fault. Sometimes I think I ought to do things of more +interest, so that I should have something to talk to you about when +you come home." + +Stuart wondered at what hour he would come home now that he was +married. As a bachelor he had been in the habit of stopping on his way +up-town from the law-office at the club, or to take tea at the houses +of the different girls he liked. Of course he could not do that now as +a married man. He would instead have to limit his calls to married +women, as all the other married men of his acquaintance did. But at +the moment he could not think of any attractive married women who +would like his dropping in on them in such a familiar manner, and the +other sort did not as yet appeal to him. + +He seated himself in front of the coal fire in the library, with the +Picture in a chair close beside him, and as he puffed pleasantly on +his cigar he thought how well this suited him, and how delightful it +was to find content in so simple and continuing a pleasure. He could +almost feel the pressure of his wife's hand as it lay in his own, as +they sat in silent sympathy looking into the friendly glow of the +fire. + +There was a long, pleasant pause. + +"They're giving Sloane a dinner to-night at the 'Travellers'," Stuart +said, at last, "in honor of his going to Abyssinia." + +Stuart pondered for some short time as to what sort of a reply Miss +Delamar's understudy ought to make to this innocent remark. He +recalled the fact that on numerous occasions the original had shown +not only a lack of knowledge of far-away places, but, what was more +trying, a lack of interest as well. For the moment he could not see +her robbed of her pretty environment and tramping through undiscovered +countries at his side. So the Picture's reply, when it came, was +strictly in keeping with several remarks which Miss Delamar herself +had made to him in the past. + +"Yes," said the Picture, politely, "and where is Abyssinia--in India, +isn't it?" + +"No, not exactly," corrected Stuart, mildly; "you pass it on your way +to India, though, as you go through the Red Sea. Sloane is taking +Winchesters with him and a double express and a 'five fifty.' He wants +to test their penetration. I think myself that the express is the +best, but he says Selous and Chanler think very highly of the +Winchester. I don't know, I never shot a rhinoceros. The time I killed +that elephant," he went on, pointing at two tusks that stood with some +assegais in a corner, "I used an express, and I had to let go with +both barrels. I suppose, though, if I'd needed a third shot, I'd have +wished it was a Winchester. He was charging the smoke, you see, and I +couldn't get away because I'd caught my foot--but I told you about +that, didn't I?" Stuart interrupted himself to ask politely. + +"Yes," said the Picture, cheerfully, "I remember it very well; it was +very foolish of you." + +Stuart straightened himself with a slightly injured air and avoided +the Picture's eye. He had been stopped midway in what was one of his +favorite stories, and it took a brief space of time for him to recover +himself, and to sink back again into the pleasant lethargy in which he +had been basking. + +"Still," he said, "I think the express is the better gun." + +"Oh, is an 'express' a gun?" exclaimed the Picture, with sudden +interest. "Of course, I might have known." + +Stuart turned in his chair, and surveyed the Picture in some surprise. +"But, my dear girl," he remonstrated, kindly, "why didn't you ask, if +you didn't know what I was talking about? What did you suppose it +was?" + +"I didn't know," said the Picture; "I thought it was something to do +with his luggage. Abyssinia sounds so far away," she explained, +smiling sweetly. "You can't expect one to be interested in such queer +places, can you?" + +"No," Stuart answered, reluctantly, and looking steadily at the fire, +"I suppose not. But you see, my dear," he said, "I'd have gone with +him if I hadn't married you, and so I am naturally interested in his +outfit. They wanted me to make a comparative study of the little +semi-independent states down there, and of how far the Italian +Government allows them to rule themselves. That's what I was to have +done." + +But the Picture hastened to reassure him. "Oh, you mustn't think," she +exclaimed, quickly, "that I mean to keep you at home. I love to +travel, too. I want you to go on exploring places just as you've +always done, only now I will go with you. We might do the Cathedral +towns, for instance." + +"The what?" gasped Stuart, raising his head. "Oh, yes, of course," he +added, hurriedly, sinking back into his chair with a slightly +bewildered expression. "That would be very nice. Perhaps your mother +would like to go, too; it's not a dangerous expedition, is it? I +_was_ thinking of taking you on a trip through the South +Seas--but I suppose the Cathedral towns are just as exciting. Or we +might even penetrate as far into the interior as the English lakes and +read Wordsworth and Coleridge as we go." + +Miss Delamar's understudy observed him closely for a moment, but he +made no sign, and so she turned her eyes again to the fire with a +slightly troubled look. She had not a strong sense of humor, but she +was very beautiful. + +Stuart's conscience troubled him for the next few moments, and he +endeavored to make up for his impatience of the moment before by +telling the Picture how particularly well she was looking. + +"It seems almost selfish to keep it all to myself," he mused. + +"You don't mean," inquired the Picture, with tender anxiety, "that you +want any one else here, do you? I'm sure I could be content to spend +every evening like this. I've had enough of going out and talking to +people I don't care about. Two seasons," she added, with the superior +air of one who has put away childish things, "was quite enough of it +for me." + +"Well, I never took it as seriously as that," said Stuart, "but, of +course, I don't want any one else here to spoil our evening. It is +perfect." + +He assured himself that it _was_ perfect, but he wondered what +was the loyal thing for a married couple to do when the conversation +came to a dead stop. And did the conversation come to a stop because +they preferred to sit in silent sympathy and communion, or because +they had nothing interesting to talk about? Stuart doubted if silence +was the truest expression of the most perfect confidence and sympathy. +He generally found when he was interested, that either he or his +companion talked all the time. It was when he was bored that he sat +silent. But it was probably different with married people. Possibly +they thought of each other during these pauses, and of their own +affairs and interests, and then he asked himself how many interests +could one fairly retain with which the other had nothing to do? + +"I suppose," thought Stuart, "that I had better compromise and read +aloud. Should you like me to read aloud?" he asked, doubtfully. + +The Picture brightened perceptibly at this, and said that she thought +that would be charming. "We might make it quite instructive," she +suggested, entering eagerly into the idea. "We ought to agree to read +so many pages every night. Suppose we begin with Guizot's 'History of +France.' I have always meant to read that, the illustrations look so +interesting." + +"Yes, we might do that," assented Stuart, doubtfully. "It is in six +volumes, isn't it? Suppose now, instead," he suggested, with an +impartial air, "we begin that to-morrow night, and go this evening to +see Seldon's new play, 'The Fool and His Money.' It's not too late, +and he has saved a box for us, and Weimer and Rives and Sloane will be +there, and--" + +The Picture's beautiful face settled for just an instant in an +expression of disappointment. "Of course," she replied, slowly, "if +you wish it. But I thought you said," she went on with a sweet smile, +"that this was perfect. Now you want to go out again. Isn't this +better than a hot theatre? You might put up with it for one evening, +don't you think?" + +"Put up with it!" exclaimed Stuart, enthusiastically; "I could spend +every evening so. It was only a suggestion. It wasn't that I wanted to +go so much as that I thought Seldon might be a little hurt if I +didn't. But I can tell him you were not feeling very well, and that we +will come some other evening. He generally likes to have us there on +the first night, that's all. But he'll understand." + +"Oh," said the Picture, "if you put it in the light of a duty to your +friend, of course we will go--" + +"Not at all," replied Stuart, heartily; "I will read something. I +should really prefer it. How would you like something of Browning's?" + +"Oh, I read all of Browning once," said the Picture. "I think I should +like something new." + +Stuart gasped at this, but said nothing, and began turning over the +books on the centre-table. He selected one of the monthly magazines, +and choosing a story which neither of them had read, sat down +comfortably in front of the fire, and finished it without interruption +and to the satisfaction of the Picture and himself. The story had made +the half hour pass very pleasantly, and they both commented on it with +interest. + +"I had an experience once myself something like that," said Stuart, +with a pleased smile of recollection; "it happened in Paris"--he began +with the deliberation of a man who is sure of his story--"and it +turned out in much the same way. It didn't begin in Paris; it really +began while we were crossing the English Channel to--" + +"Oh, you mean about the Russian who took you for some one else and had +you followed," said the Picture. "Yes, that was like it, except that +in your case nothing happened." + +Stuart took his cigar from between his lips and frowned severely at +the lighted end for some little time before he spoke. + +"My dear," he remonstrated, gently, "you mustn't tell me I've told you +all my old stories before. It isn't fair. Now that I am married, you +see, I can't go about and have new experiences, and I've got to make +use of the old ones." + +"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't +mean to be rude. Please tell me about it. I should like to hear it +again, ever so much. I _should_ like to hear it again, really." + +"Nonsense," said Stuart, laughing and shaking his head. "I was only +joking; personally I hate people who tell long stories. That doesn't +matter. I was thinking of something else." + +He continued thinking of something else, which was, that though he had +been in jest when he spoke of having given up the chance of meeting +fresh experiences, he had nevertheless described a condition, and a +painfully true one. His real life seemed to have stopped, and he saw +himself in the future looking back and referring to it, as though it +were the career of an entirely different person, of a young man, with +quick sympathies which required satisfying, as any appetite requires +food. And he had an uncomfortable doubt that these many ever-ready +sympathies would rebel if fed on only one diet. + +The Picture did not interrupt him in his thoughts, and he let his mind +follow his eyes as they wandered over the objects above him on the +mantel-shelf. They all meant something from the past--a busy, +wholesome past which had formed habits of thought and action, habits +he could no longer enjoy alone, and which, on the other hand, it was +quite impossible for him to share with any one else. He was no longer +to be alone. + +Stuart stirred uneasily in his chair and poked at the fire before him. + +"Do you remember the day you came to see me," said the Picture, +sentimentally, "and built the fire yourself and lighted some girl's +letters to make it burn?" + +"Yes," said Stuart, "that is, I _said_ that they were some girl's +letters. It made it more picturesque. I am afraid they were bills. I +should say I did remember it," he continued, enthusiastically. "You +wore a black dress and little red slippers with big black rosettes, +and you looked as beautiful as--as night--as a moonlight night." + +The Picture frowned slightly. + +"You are always telling me about how I looked," she complained; "can't +you remember any time when we were together without remembering what I +had on and how I appeared?" + +"I cannot," said Stuart, promptly. "I can recall lots of other things +besides, but I can't forget how you looked. You have a fashion of +emphasizing episodes in that way which is entirely your own. But, as I +say, I can remember something else. Do you remember, for instance, +when we went up to West Point on that yacht? Wasn't it a grand day, +with the autumn leaves on both sides of the Hudson, and the dress +parade, and the dance afterward at the hotel?" + +"Yes, I should think I did," said the Picture, smiling. "You spent all +your time examining cannon, and talking to the men about 'firing in +open order,' and left me all alone." + +"Left you all alone! I like that," laughed Stuart; "all alone with +about eighteen officers." + +"Well, but that was natural," returned the Picture. "They were men. +It's natural for a girl to talk to men, but why should a man want to +talk to men?" + +"Well, I know better than that now," said Stuart. + +He proceeded to show that he knew better by remaining silent for the +next half hour, during which time he continued to wonder whether this +effort to keep up a conversation was not radically wrong. He thought +of several things he might say, but he argued that it was an +impossible situation where a man had to make conversation with his own +wife. + +The clock struck ten as he sat waiting, and he moved uneasily in his +chair. + +"What is it?" asked the Picture; "what makes you so restless?" + +Stuart regarded the Picture timidly for a moment before he spoke. "I +was just thinking," he said, doubtfully, "that we might run down after +all, and take a look in at the last act; it's not too late even now. +They're sure to run behind on the first night. And then," he urged, +"we can go around and see Seldon. You have never been behind the +scenes, have you? It's very interesting." + +"No, I have not; but if we do," remonstrated the Picture, +pathetically, "you _know_ all those men will come trooping home +with us. You know they will." + +"But that's very complimentary," said Stuart. "Why, I like my friends +to like my wife." + +"Yes, but you know how they stay when they get here," she answered; "I +don't believe they ever sleep. Don't you remember the last supper you +gave me before we were married, when Mrs. Starr and you all were +discussing Mr. Seldon's play? She didn't make a move to go until +half-past two, and I was _that_ sleepy I couldn't keep my eyes +open." + +"Yes," said Stuart, "I remember. I'm sorry. I thought it was very +interesting. Seldon changed the whole second act on account of what +she said. Well, after this," he laughed with cheerful desperation, "I +think I shall make up for the part of a married man in a pair of +slippers and a dressing-gown, and then perhaps I won't be tempted to +roam abroad at night." + +"You must wear the gown they are going to give you at Oxford," said +the Picture, smiling placidly. "The one Aunt Lucy was telling me +about. Why do they give you a gown?" she asked. "It seems such an odd +thing to do." + +"The gown comes with the degree, I believe," said Stuart. + +"But why do they give _you_ a degree?" persisted the Picture; +"you never studied at Oxford, did you?" + +Stuart moved slightly in his chair and shook his head. "I thought I +told you," he said, gently. "No, I never studied there. I wrote some +books on--things, and they liked them." + +"Oh, yes, I remember now, you did tell me," said the Picture; "and I +told Aunt Lucy about it, and said we would be in England during the +season when you got your degree, and she said you must be awfully +clever to get it. You see--she does appreciate you, and you always +treat her so distantly." + +"Do I?" said Stuart, quietly. "I'm sorry." + +"Will you have your portrait painted in it?" asked the Picture. + +"In what?" + +"In the gown. You are not listening," said the Picture, reproachfully. +"You ought to. Aunt Lucy says it's a beautiful shade of red silk, and +very long. Is it?" + +"I don't know," said Stuart. He shook his head, and dropping his chin +into his hands, stared coldly down into the fire. He tried to persuade +himself that he had been vainglorious, and that he had given too much +weight to the honor which the University of Oxford would bestow upon +him; that he had taken the degree too seriously, and that the +Picture's view of it was the view of the rest of the world. But he +could not convince himself that he was entirely at fault. + +"Is it too late to begin on Guizot?" suggested his Picture, as an +alternative to his plan. "It sounds so improving." + +"Yes, it is much too late," answered Stuart, decidedly. "Besides, I +don't want to be improved. I want to be amused, or inspired, or +scolded. The chief good of friends is that they do one of these three +things, and a wife should do all three." + +"Which shall I do?" asked the Picture, smiling good-humoredly. + +Stuart looked at the beautiful face and at the reclining figure of the +woman to whom he was to turn for sympathy for the rest of his life, +and felt a cold shiver of terror, that passed as quickly as it came. +He reached out his hand and placed it on the arm of the chair where +his wife's hand should have been, and patted the place kindly. He +would shut his eyes to everything but that she was good and sweet and +his wife. Whatever else she lacked that her beauty had covered up and +hidden, and the want of which had Iain unsuspected in their previous +formal intercourse, could not be mended now. He would settle his step +to hers, and eliminate all those interests from his life which were +not hers as well. He had chosen a beautiful idol, and not a companion, +for a wife. He had tried to warm his hands at the fire of a diamond. + +Stuart's eyes closed wearily as though to shut out the memories of the +past, or the foreknowledge of what the future was sure to be. His head +sank forward on his breast, and with his hand shading his eyes, he +looked beyond, through the dying fire, into the succeeding years. + +* * * * * + +The gay little French clock on the table sounded the hour of midnight +briskly, with a pert, insistent clamor, and at the same instant a +boisterous and unruly knocking answered it from outside the library +door. + +Stuart rose uncertainly from his chair and surveyed the tiny clock +face with a startled expression of bewilderment and relief. + +"Stuart!" his friends called impatiently from the hall. "Stuart, let +us in!" and without waiting further for recognition a merry company of +gentlemen pushed their way noisily into the room. + +"Where the devil have you been?" demanded Weimer. "You don't deserve +to be spoken to at all after quitting us like that. But Seldon is so +good-natured," he went on, "that he sent us after you. It was a great +success, and he made a rattling good speech, and you missed the whole +thing; and you ought to be ashamed of yourself. We've asked half the +people in front to supper--two stray Englishmen, all the Wilton girls +and their governor, and the chap that wrote the play. And Seldon and +his brother Sam are coming as soon as they get their make-up off. +Don't stand there like that, but hurry. What have you been doing?" + +Stuart gave a nervous, anxious laugh. "Oh, don't ask me," he cried. +"It was awful. I've been trying an experiment, and I had to keep it up +until midnight, and--I'm so glad you fellows have come," he continued, +halting midway in his explanation. "I _was_ blue." + +"You've been asleep in front of the fire," said young Sloane, "and +you've been dreaming." + +"Perhaps," laughed Stuart, gayly, "perhaps. But I'm awake now, in any +event. Sloane, old man," he cried, dropping both hands on the +youngster's shoulders, "how much money have you? Enough to take me to +Gibraltar? They can cable me the rest." + +"Hoorah!" shouted Sloane, waltzing from one end of the room to the +other. "And we're off to Ab-yss-in-ia in the morn-ing," he sang. +"There's plenty in my money belt," he cried, slapping his side; "you +can hear the ten-pound notes crackle whenever I breathe, and it's all +yours, my dear boy, and welcome. And I'll prove to you that the +Winchester is the better gun." + +"All right," returned Stuart, gayly, "and I'll try to prove that the +Italians don't know how to govern a native state. But who is giving +this supper, anyway?" he demanded. "That is the main thing--that's +what I want to know." + +"You've got to pack, haven't you?" suggested Rives. + +"I'll pack when I get back," said Stuart, struggling into his +greatcoat, and searching in his pockets for his gloves. "Besides, my +things are always ready and there's plenty of time; the boat doesn't +leave for six hours yet." + +"We'll all come back and help," said Weimer. + +"Then I'll never get away," laughed Stuart. He was radiant, happy, and +excited, like a boy back from school for the holidays. But when they +had reached the pavement, he halted and ran his hand down into his +pocket, as though feeling for his latch-key, and stood looking +doubtfully at his friends. + +"What is it now?" asked Rives, impatiently. "Have you forgotten +something?" + +Stuart looked back at the front door in momentary indecision. + +"Ye-es," he answered. "I did forget something. But it doesn't matter," +he added, cheerfully, taking Sloane's arm. + +"Come on," he said, "and so Seldon made a hit, did he? I am glad--and +tell me, old man, how long will we have to wait at Gib for the P. & O.?" + +Stuart's servant had heard the men trooping down the stairs, laughing +and calling to one another as they went, and judging from this that +they had departed for the night, he put out all the lights in the +library and closed the piano, and lifted the windows to clear the room +of the tobacco-smoke. He did not notice the beautiful photograph +sitting upright in the armchair before the fireplace, and so left it +alone in the deserted library. + +The cold night-air swept in through the open window and chilled the +silent room, and the dead coals in the grate dropped one by one into +the fender with a dismal echoing clatter; but the Picture still sat in +the armchair with the same graceful pose and the same lovely +expression, and smiled sweetly at the encircling darkness. + + + + +THE REPORTER WHO MADE HIMSELF KING + + +The Old Time Journalist will tell you that the best reporter is the +one who works his way up. He holds that the only way to start is as a +printer's devil or as an office boy, to learn in time to set type, to +graduate from a compositor into a stenographer, and as a stenographer +take down speeches at public meetings, and so finally grow into a real +reporter, with a fire badge on your left suspender, and a speaking +acquaintance with all the greatest men in the city, not even excepting +Police Captains. + +That is the old time journalist's idea of it. That is the way he was +trained, and that is why at the age of sixty he is still a reporter. +If you train up a youth in this way, he will go into reporting with +too full a knowledge of the newspaper business, with no illusions +concerning it, and with no ignorant enthusiasms, but with a keen and +justifiable impression that he is not paid enough for what he does. +And he will only do what he is paid to do. + +Now, you cannot pay a good reporter for what he does, because he does +not work for pay. He works for his paper. He gives his time, his +health, his brains, his sleeping hours, and his eating hours, and +sometimes his life, to get news for it. He thinks the sun rises only +that men may have light by which to read it. But if he has been in a +newspaper office from his youth up, he finds out before he becomes a +reporter that this is not so, and loses his real value. He should come +right out of the University where he has been doing "campus notes" for +the college weekly, and be pitchforked out into city work without +knowing whether the Battery is at Harlem or Hunter's Point, and with +the idea that he is a Moulder of Public Opinion and that the Power of +the Press is greater than the Power of Money, and that the few lines +he writes are of more value in the Editor's eyes than is the column of +advertising on the last page, which they are not. + +After three years--it is sometimes longer, sometimes not so long--he +finds out that he has given his nerves and his youth and his +enthusiasm in exchange for a general fund of miscellaneous knowledge, +the opportunity of personal encounter with all the greatest and most +remarkable men and events that have risen in those three years, and a +great fund of resource an patience. He will find that he has crowded +the experiences of the lifetime of the ordinary young business man, +doctor, or lawyer, or man about town, into three short years; that he +has learned to think and to act quickly, to be patient and unmoved +when every one else has lost his head, actually or figuratively +speaking; to write as fast as another man can talk, and to be able to +talk with authority on matters of which other men do not venture even +to think until they have read what he has written with a copy-boy at +his elbow on the night previous. + +It is necessary for you to know this, that you may understand what +manner of man young Albert Gordon was. + +Young Gordon had been a reporter just three years. He had left Yale +when his last living relative died, and had taken the morning train +for New York, where they had promised him reportorial work on one of +the innumerable Greatest New York Dailies. He arrived at the office at +noon, and was sent back over the same road on which he had just come, +to Spuyten Duyvil, where a train had been wrecked and everybody of +consequence to suburban New York killed. One of the old reporters +hurried him to the office again with his "copy," and after he had +delivered that, he was sent to the Tombs to talk French to a man in +Murderers' Row, who could not talk anything else, but who had shown +some international skill in the use of a jimmy. And at eight, he +covered a flower-show in Madison Square Garden; and at eleven was sent +over the Brooklyn Bridge in a cab to watch a fire and make guesses at +the losses to the insurance companies. + +He went to bed at one, and dreamed of shattered locomotives, human +beings lying still with blankets over them, rows of cells, and banks +of beautiful flowers nodding their heads to the tunes of the brass +band in the gallery. He decided when he awoke the next morning that he +had entered upon a picturesque and exciting career, and as one day +followed another, he became more and more convinced of it, and more +and more devoted to it. He was twenty then, and he was now +twenty-three, and in that time had become a great reporter, and had +been to Presidential conventions in Chicago, revolutions in Hayti, +Indian outbreaks on the Plains, and midnight meetings of moonlighters +in Tennessee, and had seen what work earthquakes, floods, fire, and +fever could do in great cities, and had contradicted the President, +and borrowed matches from burglars. And now he thought he would like +to rest and breathe a bit, and not to work again unless as a war +correspondent. The only obstacle to his becoming a great war +correspondent lay in the fact that there was no war, and a war +correspondent without a war is about as absurd an individual as a +general without an army. He read the papers every morning on the +elevated trains for war clouds; but though there were many war clouds, +they always drifted apart, and peace smiled again. This was very +disappointing to young Gordon, and he became more and more keenly +discouraged. + +And then as war work was out of the question, he decided to write his +novel. It was to be a novel of New York life, and he wanted a quiet +place in which to work on it. He was already making inquiries among +the suburban residents of his acquaintance for just such a quiet spot, +when he received an offer to go to the Island of Opeki in the North +Pacific Ocean, as secretary to the American consul at that place. The +gentleman who had been appointed by the President to act as consul at +Opeki was Captain Leonard T. Travis, a veteran of the Civil War, who +had contracted a severe attack of rheumatism while camping out at +night in the dew, and who on account of this souvenir of his efforts +to save the Union had allowed the Union he had saved to support him in +one office or another ever since. He had met young Gordon at a dinner, +and had had the presumption to ask him to serve as his secretary, and +Gordon, much to his surprise, had accepted his offer. The idea of a +quiet life in the tropics with new and beautiful surroundings, and +with nothing to do and plenty of time in which to do it, and to write +his novel besides, seemed to Albert to be just what he wanted; and +though he did not know nor care much for his superior officer, he +agreed to go with him promptly, and proceeded to say good-by to his +friends and to make his preparations. Captain Travis was so delighted +with getting such a clever young gentleman for his secretary, that he +referred to him to his friends as "my attache of legation"; nor did he +lessen that gentleman's dignity by telling any one that the attache's +salary was to be five hundred dollars a year. His own salary was only +fifteen hundred dollars; and though his brother-in-law, Senator +Rainsford, tried his best to get the amount raised, he was +unsuccessful. The consulship to Opeki was instituted early in the +'50's, to get rid of and reward a third or fourth cousin of the +President's, whose services during the campaign were important, but +whose after-presence was embarrassing. He had been created consul to +Opeki as being more distant and unaccessible than any other known +spot, and had lived and died there; and so little was known of the +island, and so difficult was communication with it, that no one knew +he was dead, until Captain Travis, in his hungry haste for office, had +uprooted the sad fact. Captain Travis, as well as Albert, had a +secondary reason for wishing to visit Opeki. His physician had told +him to go to some warm climate for his rheumatism, and in accepting +the consulship his object was rather to follow out his doctor's orders +at his country's expense, than to serve his country at the expense of +his rheumatism. + +Albert could learn but very little of Opeki; nothing, indeed, but that +it was situated about one hundred miles from the Island of Octavia, +which island, in turn, was simply described as a coaling-station three +hundred miles distant from the coast of California. Steamers from San +Francisco to Yokohama stopped every third week at Octavia, and that +was all that either Captain Travis or his secretary could learn of +their new home. This was so very little, that Albert stipulated to +stay only as long as he liked it, and to return to the States within a +few months if he found such a change of plan desirable. + +As he was going to what was an almost undiscovered country, he thought +it would be advisable to furnish himself with a supply of articles +with which he might trade with the native Opekians, and for this +purpose he purchased a large quantity of brass rods, because he had +read that Stanley did so, and added to these brass curtain-chains, and +about two hundred leaden medals similar to those sold by street +peddlers during the Constitutional Centennial Celebration in New York +City. + +He also collected even more beautiful but less expensive decorations +for Christmas-trees, at a wholesale house on Park Row. These he hoped +to exchange for furs or feathers or weapons, or for whatever other +curious and valuable trophies the Island of Opeki boasted. He already +pictured his rooms on his return hung fantastically with crossed +spears and boomerangs, feather head-dresses, and ugly idols. + +His friends told him that he was doing a very foolish thing, and +argued that once out of the newspaper world, it would be hard to +regain his place in it. But he thought the novel that he would write +while lost to the world at Opeki would serve to make up for his +temporary absence from it, and he expressly and impressively +stipulated that the editor should wire him if there was a war. + +Captain Travis and his secretary crossed the continent without +adventure, and took passage from San Francisco on the first steamer +that touched at Octavia. They reached that island in three days, and +learned with some concern that there was no regular communication with +Opeki, and that it would be necessary to charter a sailboat for the +trip. Two fishermen agreed to take them and their trunks, and to get +them to their destination within sixteen hours if the wind held good. +It was a most unpleasant sail. The rain fell with calm, relentless +persistence from what was apparently a clear sky; the wind tossed the +waves as high as the mast and made Captain Travis ill; and as there +was no deck to the big boat, they were forced to huddle up under +pieces of canvas, and talked but little. Captain Travis complained of +frequent twinges of rheumatism, and gazed forlornly over the gunwale +at the empty waste of water. + +"If I've got to serve a term of imprisonment on a rock in the middle +of the ocean for four years," he said, "I might just as well have done +something first to deserve it. This is a pretty way to treat a man who +bled for his country. This is gratitude, this is." Albert pulled +heavily on his pipe, and wiped the rain and spray from his face and +smiled. + +"Oh, it won't be so bad when we get there," he said; "they say these +Southern people are always hospitable, and the whites will be glad to +see any one from the States." + +"There will be a round of diplomatic dinners," said the consul, with +an attempt at cheerfulness. "I have brought two uniforms to wear at +them." + +It was seven o'clock in the evening when the rain ceased, and one of +the black, half-naked fishermen nodded and pointed at a little low +line on the horizon. + +"Opeki," he said. The line grew in length until it proved to be an +island with great mountains rising to the clouds, and, as they drew +nearer and nearer, showed a level coast running back to the foot of +the mountains and covered with a forest of palms. They next made out a +village of thatched huts around a grassy square, and at some distance +from the village a wooden structure with a tin roof. + +"I wonder where the town is?" asked the consul, with a nervous glance +at the fishermen. One of them told him that what he saw was the town. + +"That?" gasped the consul. "Is that where all the people on the island +live?" + +The fisherman nodded; but the other added that there were other +natives further back in the mountains, but that they were bad men who +fought and ate each other. The consul and his attache of legation +gazed at the mountains with unspoken misgivings. They were quite near +now, and could see an immense crowd of men and women, all of them +black, and clad but in the simplest garments, waiting to receive them. +They seemed greatly excited and ran in and out of the huts, and up and +down the beach, as wildly as so many black ants. But in the front of +the group they distinguished three men who they could see were white, +though they were clothed, like the others, simply in a shirt and a +short pair of trousers. Two of these three suddenly sprang away on a +run and disappeared among the palm-trees; but the third one, when he +recognized the American flag in the halyards, threw his straw hat in +the water and began turning handsprings over the sand. + +"That young gentleman, at least," said Albert, gravely, "seems pleased +to see us." + +A dozen of the natives sprang into the water and came wading and +swimming toward them, grinning and shouting and swinging their arms. + +"I don't think it's quite safe, do you?" said the consul, looking out +wildly to the open sea. "You see, they don't know who I am." + +A great black giant threw one arm over the gunwale and shouted +something that sounded as if it were spelt Owah, Owah, as the boat +carried him through the surf. + +"How do you do?" said Gordon, doubtfully. The boat shook the giant off +under the wave and beached itself so suddenly that the American consul +was thrown forward to his knees. Gordon did not wait to pick him up, +but jumped out and shook hands with the young man who had turned +handsprings, while the natives gathered about them in a circle and +chatted and laughed in delighted excitement. + +"I'm awfully glad to see you," said the young man, eagerly. "My name's +Stedman. I'm from New Haven, Connecticut. Where are you from?" + +"New York," said Albert. "This," he added, pointing solemnly to +Captain Travis, who was still on his knees in the boat, "is the +American consul to Opeki." The American consul to Opeki gave a wild +look at Mr. Stedman of New Haven and at the natives. + +"See here, young man," he gasped, "is this all there is of Opeki?" + +"The American consul?" said young Stedman, with a gasp of amazement, +and looking from Albert to Captain Travis. "Why, I never supposed they +would send another here; the last one died about fifteen years ago, +and there hasn't been one since. I've been living in the consul's +office with the Bradleys, but I'll move out, of course. I'm sure I'm +awfully glad to see you. It'll make it so much more pleasant for me." + +"Yes," said Captain Travis, bitterly, as he lifted his rheumatic leg +over the boat; "that's why we came." + +Mr. Stedman did not notice this. He was too much pleased to be +anything but hospitable. "You are soaking wet, aren't you?" he said; +"and hungry, I guess. You come right over to the consul's office and +get on some other things." + +He turned to the natives and gave some rapid orders in their language, +and some of them jumped into the boat at this, and began to lift out +the trunks, and others ran off toward a large, stout old native, who +was sitting gravely on a log, smoking, with the rain beating unnoticed +on his gray hair. + +"They've gone to tell the King," said Stedman; "but you'd better get +something to eat first, and then I'll be happy to present you +properly." + +"The King," said Captain Travis, with some awe; "is there a king?" + +"I never saw a king," Gordon remarked, "and I'm sure I never expected +to see one sitting on a log in the rain." + +"He's a very good king," said Stedman, confidentially; "and though you +mightn't think it to look at him, he's a terrible stickler for +etiquette and form. After supper he'll give you an audience; and if +you have any tobacco, you had better give him some as a present, and +you'd better say it's from the President: he doesn't like to take +presents from common people, he's so proud. The only reason he borrows +mine is because he thinks I'm the President's son." + +"What makes him think that?" demanded the consul, with some shortness. +Young Mr. Stedman looked nervously at the consul and at Albert, and +said that he guessed some one must have told him. + +The consul's office was divided into four rooms with an open court in +the middle, filled with palms, and watered somewhat unnecessarily by a +fountain. + +"I made that," said Stedman, in a modest, offhand way. "I made it out +of hollow bamboo reeds connected with a spring. And now I'm making one +for the King. He saw this and had a lot of bamboo sticks put up all +over the town, without any underground connections, and couldn't make +out why the water wouldn't spurt out of them. And because mine spurts, +he thinks I'm a magician." + +"I suppose," grumbled the consul, "some one told him that too." + +[Illustration: "I never saw a king," Gordon remarked.] + +"I suppose so," said Mr. Stedman, uneasily. + +There was a veranda around the consul's office, and inside the walls +were hung with skins, and pictures from illustrated papers, and there +was a good deal of bamboo furniture, and four broad, cool-looking +beds. The place was as clean as a kitchen. "I made the furniture," +said Stedman, "and the Bradleys keep the place in order." + +"Who are the Bradleys?" asked Albert. + +"The Bradleys are those two men you saw with me," said Stedman; "they +deserted from a British man-of-war that stopped here for coal, and +they act as my servants. One is Bradley, Sr., and the other Bradley, +Jr." + +"Then vessels do stop here occasionally?" the consul said, with a +pleased smile. + +"Well, not often," said Stedman. "Not so very often; about once a +year. The Nelson thought this was Octavia, and put off again as soon +as she found out her mistake, but the Bradleys took to the bush, and +the boat's crew couldn't find them. When they saw your flag, they +thought you might mean to send them back, so they ran off to hide +again; they'll be back, though, when they get hungry." + +The supper young Stedman spread for his guests, as he still treated +them, was very refreshing and very good. There was cold fish and +pigeon pie, and a hot omelet filled with mushrooms and olives and +tomatoes and onions all sliced up together, and strong black coffee. +After supper, Stedman went off to see the King, and came back in a +little while to say that his Majesty would give them an audience the +next day after breakfast. "It is too dark now," Stedman explained; +"and it's raining so that they can't make the street-lamps burn. Did +you happen to notice our lamps? I invented them; but they don't work +very well yet. I've got the right idea, though, and I'll soon have the +town illuminated all over, whether it rains or not." + +The consul had been very silent and indifferent, during supper, to all +around him. Now he looked up with some show of interest. + +"How much longer is it going to rain, do you think?" he asked. + +"Oh, I don't know," said Stedman, critically. "Not more than two +months, I should say." The consul rubbed his rheumatic leg and sighed, +but said nothing. + +The Bradleys returned about ten o'clock, and came in very sheepishly. +The consul had gone off to pay the boatmen who had brought them, and +Albert in his absence assured the sailors that there was not the least +danger of their being sent away. Then he turned into one of the beds, +and Stedman took one in another room, leaving the room he had occupied +heretofore for the consul. As he was saying good-night, Albert +suggested that he had not yet told them how he came to be on a +deserted island; but Stedman only laughed and said that that was a +long story, and that he would tell him all about it in the morning. So +Albert went off to bed without waiting for the consul to return, and +fell asleep, wondering at the strangeness of his new life, and +assuring himself that if the rain only kept up, he would have his +novel finished in a month. + +The sun was shining brightly when he awoke, and the palm-trees outside +were nodding gracefully in a warm breeze. From the court came the odor +of strange flowers, and from the window he could see the ocean +brilliantly blue, and with the sun coloring the spray that beat +against the coral reefs on the shore. + +"Well, the consul can't complain of this," he said, with a laugh of +satisfaction; and pulling on a bath-robe, he stepped into the next +room to awaken Captain Travis. But the room was quite empty, and the +bed undisturbed. The consul's trunk remained just where it had been +placed near the door, and on it lay a large sheet of foolscap, with +writing on it, and addressed at the top to Albert Gordon. The +handwriting was the consul's. Albert picked it up and read it with +much anxiety. It began abruptly + + The fishermen who brought us to this forsaken spot tell me that + it rains here six months in the year, and that this is the first + month. I came here to serve my country, for which I fought and + bled, but I did not come here to die of rheumatism and pneumonia. + I can serve my country better by staying alive; and whether it + rains or not, I don't like it. I have been grossly deceived, and + I am going back. Indeed, by the time you get this, I will be on + my return trip, as I intend leaving with the men who brought us + here as soon as they can get the sail up. My cousin, Senator + Rainsford, can fix it all right with the President, and can have + me recalled in proper form after I get back. But of course it + would not do for me to leave my post with no one to take my + place, and no one could be more ably fitted to do so than + yourself; so I feel no compunctions at leaving you behind. I + hereby, therefore, accordingly appoint you my substitute with + full power to act, to collect all fees, sign all papers, and + attend to all matters pertaining to your office as American + consul, and I trust you will worthily uphold the name of that + country and government which it has always been my pleasure and + duty to serve. + + Your sincere friend and superior officer, + + LEONARD T. TRAVIS. + + P.S. I did not care to disturb you by moving my trunk, so I left + it, and you can make what use you please of whatever it contains, + as I shall not want tropical garments where I am going. What you + will need most, I think, is a waterproof and umbrella. + + P.S. Look out for that young man Stedman. He is too inventive. I + hope you will like your high office; but as for myself, I am + satisfied with little old New York. Opeki is just a bit too far + from civilization to suit me. + +Albert held the letter before him and read it over again before he +moved. Then he jumped to the window. The boat was gone, and there was +not a sign of it on the horizon. + +"The miserable old hypocrite!" he cried, half angry and half laughing. +"If he thinks I am going to stay here alone he is very greatly +mistaken. And yet, why not?" he asked. He stopped soliloquizing and +looked around him, thinking rapidly. As he stood there, Stedman came +in from the other room, fresh and smiling from his morning's bath. + +"Good-morning," he said, "where's the consul?" + +"The consul," said Albert, gravely, "is before you. In me you see the +American consul to Opeki." + +"Captain Travis," Albert explained, "has returned to the United +States. I suppose he feels that he can best serve his country by +remaining on the spot. In case of another war, now, for instance, he +would be there to save it again." + +"And what are you going to do?" asked Stedman, anxiously. "You will +not run away, too, will you?" + +Albert said that he intended to remain where he was and perform his +consular duties, to appoint him his secretary, and to elevate the +United States in the opinion of the Opekians above all other nations. + +"They may not think much of the United States in England," he said; +"but we are going to teach the people of Opeki that America is first +on the map and that there is no second." + +"I'm sure it's very good of you to make me your secretary," said +Stedman, with some pride. "I hope I won't make any mistakes. What are +the duties of a consul's secretary?" "That," said Albert, "I do not +know. But you are rather good at inventing, so you can invent a few. +That should be your first duty and you should attend to it at once. I +will have trouble enough finding work for myself. Your salary is five +hundred dollars a year; and now," he continued briskly, "we want to +prepare for this reception. We can tell the King that Travis was just +a guard of honor for the trip, and that I have sent him back to tell +the President of my safe arrival. That will keep the President from +getting anxious. There; is nothing," continued Albert, "like a uniform +to impress people who live in the tropics, and Travis, it so happens, +has two in his trunk. He intended to wear them on State occasions, and +as I inherit the trunk and all that is in it, I intend to wear one of +the uniforms, and you can have the other. But I have first choice, +because I am consul." + +Captain Travis's consular outfit consisted of one full dress and one +undress United States uniform. Albert put on the dress-coat over a +pair of white flannel trousers, and looked remarkably brave and +handsome. Stedman, who was only eighteen and quite thin, did not +appear so well, until Albert suggested his padding out his chest and +shoulders with towels. This made him rather warm, but helped his +general appearance. + +"The two Bradleys must dress up, too," said Albert. "I think they +ought to act as a guard of honor, don't you? The only things I have +are blazers and jerseys; but it doesn't much matter what they wear, as +long as they dress alike." + +He accordingly called in the two Bradleys, and gave them each a pair +of the captain's rejected white duck trousers, and a blue jersey +apiece, with a big white Y on it. + +"The students of Yale gave me that," he said to the younger Bradley, +"in which to play football, and a great man gave me the other. His +name is Walter Camp; and if you rip or soil that jersey, I'll send you +back to England in irons; so be careful." + +Stedman gazed at his companions in their different costumes, +doubtfully. "It reminds me," he said, "of private theatricals. Of the +time our church choir played 'Pinafore.'" + +"Yes," assented Albert; "but I don't think we look quite gay enough. I +tell you what we need--medals. You never saw a diplomat without a lot +of decorations and medals." + +"Well, I can fix that," Stedman said. "I've got a trunkful. I used to +be the fastest bicycle-rider in Connecticut, and I've got all my +prizes with me." + +Albert said doubtfully that that wasn't exactly the sort of medal he +meant. + +"Perhaps not," returned Stedman, as he began fumbling in his trunk; +"but the King won't know the difference. He couldn't tell a cross of +the Legion of Honor from a medal for the tug of war." + +So the bicycle medals, of which Stedman seemed to have an innumerable +quantity, were strung in profusion over Albert's uniform, and in a +lesser quantity over Stedman's; while a handful of leaden ones, those +sold on the streets for the Constitutional Centennial, with which +Albert had provided himself, were wrapped up in a red silk +handkerchief for presentation to the King; with them Albert placed a +number of brass rods and brass chains, much to Stedman's delighted +approval. + +"That is a very good idea," he said. "Democratic simplicity is the +right thing at home, of course; but when you go abroad and mix with +crowned heads, you want to show them that you know what's what." + +"Well," said Albert, gravely, "I sincerely hope this crowned head +don't know what's what. If he reads 'Connecticut Agricultural State +Fair. One mile bicycle race. First Prize,' on this badge, when we are +trying to make him believe it's a war medal, it may hurt his +feelings." + +Bradley, Jr., went ahead to announce the approach of the American +embassy, which he did with so much manner that the King deferred the +audience a half-hour, in order that he might better prepare to receive +his visitors. When the audience did take place, it attracted the +entire population to the green spot in front of the King's palace, and +their delight and excitement over the appearance of the visitors was +sincere and hearty. The King was too polite to appear much surprised, +but he showed his delight over his presents as simply and openly as a +child. Thrice he insisted on embracing Albert, and kissing him three +times on the fore-head, which, Stedman assured him in a side-whisper, +was a great honor; an honor which was not extended to the secretary, +although he was given a necklace of animals' claws instead, with which +he was better satisfied. + +After this reception, the embassy marched back to the consul's office, +surrounded by an immense number of natives, some of whom ran ahead and +looked back at them, and crowded so close that the two Bradleys had to +poke at those nearest with their guns. The crowd remained outside the +office even after the procession of four had disappeared, and cheered. +This suggested to Gordon that this would be a good time to make a +speech, which he accordingly did, Stedman translating it, sentence by +sentence. At the conclusion of this effort, Albert distributed a +number of brass rings among the married men present, which they placed +on whichever finger fitted best, and departed delighted. + +Albert had wished to give the rings to the married women, but Stedman +pointed out to him that it would be much cheaper to give them to the +married men; for while one woman could only have one husband, one man +could have at least six wives. + +"And now, Stedman," said Albert, after the mob had gone, "tell me what +you are doing on this island." + +"It's a very simple story," Stedman said. "I am the representative, or +agent, or operator, for the Yokohama Cable Company. The Yokohama Cable +Company is a company organized in San Francisco, for the purpose of +laying a cable to Yokohama. It is a stock company; and though it +started out very well, the stock has fallen very low. Between +ourselves, it is not worth over three or four cents. When the officers +of the company found out that no one would buy their stock, and that +no one believed in them or their scheme, they laid a cable to Octavia, +and extended it on to this island. Then they said they had run out of +ready money, and would wait until they got more before laying their +cable any farther. I do not think they ever will lay it any farther, +but that is none of my business. My business is to answer cable +messages from San Francisco, so that the people who visit the home +office can see that at least a part of the cable is working. That +sometimes impresses them, and they buy stock. There is another chap +over in Octavia, who relays all my messages and all my replies to +those messages that come to me through him from San Francisco. They +never send a message unless they have brought some one to the office +whom they want to impress, and who, they think, has money to invest in +the Y.C.C. stock, and so we never go near the wire, except at three +o'clock every afternoon. And then generally only to say 'How are you?' +or 'It's raining,' or something like that. I've been saying 'It's +raining,' now for the last three months, but to-day I will say that +the new consul has arrived. That will be a pleasant surprise for the +chap in Octavia, for he must be tired hearing about the weather. He +generally answers, 'Here too,' or 'So you said,' or something like +that. I don't know what he says to the home office. He's brighter than +I am, and that's why they put him between the two ends. He can see +that the messages are transmitted more fully and more correctly, in a +way to please possible subscribers." + +"Sort of copy editor," suggested Albert. + +"Yes, something of that sort, I fancy," said Stedman. + +They walked down to the little shed on the shore, where the Y.C.C. +office was placed, at three that day, and Albert watched Stedman send +off his message with much interest. The "chap at Octavia," on being +informed that the American consul had arrived at Opeki, inquired, +somewhat disrespectfully, "Is it a life sentence?" + +"What does he mean by that?" asked Albert. + +"I suppose," said his secretary, doubtfully, "that he thinks it a sort +of a punishment to be sent to Opeki. I hope you won't grow to think +so." + +"Opeki is all very well," said Gordon, "or it will be when we get +things going our way." + +As they walked back to the office, Albert noticed a brass cannon, +perched on a rock at the entrance to the harbor. This had been put +there by the last consul, but it had not been fired for many years. +Albert immediately ordered the two Bradleys to get it in order, and to +rig up a flag-pole beside it, for one of his American flags, which +they were to salute every night when they lowered it at sundown. + +"And when we are not using it," he said, "the King can borrow it to +celebrate with, if he doesn't impose on us too often. The royal salute +ought to be twenty-one guns, I think; but that would use up too much +powder, so he will have to content himself with two." + +"Did you notice," asked Stedman, that night, as they sat on the +veranda of the consul's house, in the moonlight, "how the people bowed +to us as we passed?" + +"Yes," Albert said he had noticed it. "Why?" + +"Well, they never saluted me," replied Stedman. "That sign of respect +is due to the show we made at the reception." + +"It is due to us, in any event," said the consul, severely. "I tell +you, my secretary, that we, as the representatives of the United +States Government, must be properly honored on this island. We must +become a power. And we must do so without getting into trouble with +the King. We must make them honor him, too, and then as we push him +up, we will push ourselves up at the same time." + +"They don't think much of consuls in Opeki," said Stedman, doubtfully. +"You see the last one was a pretty poor sort. He brought the office +into disrepute, and it wasn't really until I came and told them what a +fine country the United States was, that they had any opinion of it at +all. Now we must change all that." + +"That is just what we will do," said Albert. "We will transform Opeki +into a powerful and beautiful city. We will make these people work. +They must put up a palace for the King, and lay out streets, and build +wharves, and drain the town properly, and light it. I haven't seen +this patent lighting apparatus of yours, but you had better get to +work at it at once, and I'll persuade the King to appoint you +commissioner of highways and gas, with authority to make his people +toil. And I," he cried, in free enthusiasm, "will organize a navy and +a standing army. Only," he added, with a relapse of interest, "there +isn't anybody to fight." + +"There isn't?" said Stedman, grimly, with a scornful smile. "You just +go hunt up old Messenwah and the Hillmen with your standing army once +and you'll get all the fighting you want." + +"The Hillmen?" said Albert. + +"The Hillmen are the natives that live up there in the hills," Stedman +said, nodding his head toward the three high mountains at the other +end of the island, that stood out blackly against the purple, moonlit +sky. "There are nearly as many of them as there are Opekians, and they +hunt and fight for a living and for the pleasure of it. They have an +old rascal named Messenwah for a king, and they come down here about +once every three months, and tear things up." + +Albert sprang to his feet. + +"Oh, they do, do they?" he said, staring up at the mountain-tops. +"They come down here and tear up things, do they? Well, I think we'll +stop that, I think we'll stop that! I, don't care how many there are. +I'll get the two Bradleys to tell me all they know about drilling, +to-morrow morning, and we'll drill these Opekians, and have sham +battles, and attacks, and repulses, until I make a lot of wild, +howling Zulus out of them. And when the Hillmen come down to pay their +quarterly visit, they'll go back again on a run. At least some of them +will," he added, ferociously. "Some of them will stay right here." + +"Dear me, dear me!" said Stedman, with awe; "you are a born fighter, +aren't you?" + +"Well, you wait and see," said Gordon; "maybe I am. I haven't studied +tactics of war and the history of battles, so that I might be a great +war correspondent, without learning something. And there is only one +king on this island, and that is old Ollypybus himself. And I'll go +over and have a talk with him about it to-morrow." + +Young Stedman walked up and down the length of the veranda, in and out +of the moonlight, with his hands in his pockets, and his head on his +chest. "You have me all stirred up, Gordon," he said; "you seem so +confident and bold, and you're not so much older than I am, either." + +"My training has been different; that's all," said the reporter. + +"Yes," Stedman said, bitterly. "I have been sitting in an office ever +since I left school, sending news over a wire or a cable, and you have +been out in the world, gathering it." + +"And now," said Gordon, smiling and putting his arm around the other +boy's shoulders, "we are going to make news ourselves." + +"There is one thing I want to say to you before you turn in," said +Stedman "Before you suggest all these improvements on Ollypybus, you +must remember that he has ruled absolutely here for twenty years, and +that he does not think much of consuls. He has only seen your +predecessor and yourself. He likes you because you appeared with such +dignity, and because of the presents; but if I were you, I wouldn't +suggest these improvements as coming from yourself." + +"I don't understand," said Gordon; "who could they come from?" + +"Well," said Stedman, "if you will allow me to advise--and you see I +know these people pretty well--I would have all these suggestions come +from the President direct." + +"The President!" exclaimed Gordon; "but how? What does the President +know or care about Opeki? and it would take so long--oh, I see, the +cable. Is that what you have been doing?" he asked. + +"Well, only once," said Stedman, guiltily; "that was when he wanted to +turn me out of the consul's office, and I had a cable that very +afternoon, from the President, ordering me to stay where I was. +Ollypybus doesn't understand the cable, of course, but he knows that +it sends messages; and sometimes I pretend to send messages for him to +the President; but he began asking me to tell the President to come +and pay him a visit, and I had to stop it." + +"I'm glad you told me," said Gordon. "The President shall begin to +cable to-morrow. He will need an extra appropriation from Congress to +pay for his private cablegrams alone." + +"And there's another thing," said Stedman. "In all your plans, you've +arranged for the people's improvement, but not for their amusement; +and they are a peaceful, jolly, simple sort of people, and we must +please them." + +"Have they no games or amusements of their own?" asked Gordon. + +"Well, not what we would call games." + +"Very well, then, I'll teach them base-ball. Foot-ball would be too +warm. But that plaza in front of the King's bungalow, where his palace +is going to be, is just the place for a diamond. On the whole, +though," added the consul, after a moment's reflection, "you'd better +attend to that yourself. I don't think it becomes my dignity as +American consul to take off my coat and give lessons to young Opekians +in sliding to bases; do you? No; I think you'd better do that. The +Bradleys will help you, and you had better begin to-morrow. You have +been wanting to know what a secretary of legation's duties are, and +now you know. It's to organize base-ball nines. And after you get +yours ready," he added, as he turned into his room for the night, +"I'll train one that will sweep yours off the face of the island. For +_this_ American consul can pitch three curves." + +The best laid plans of men go far astray, sometimes, and the great and +beautiful city that was to rise on the coast of Opeki was not built in +a day. Nor was it ever built. For before the Bradleys could mark out +the foul-lines for the base-ball field on the plaza, or teach their +standing army the goose step, or lay bamboo pipes for the water-mains, +or clear away the cactus for the extension of the King's palace, the +Hillmen paid Opeki their quarterly visit. + +Albert had called on the King the next morning, with Stedman as his +interpreter, as he had said he would, and, with maps and sketches, had +shown his Majesty what he proposed to do toward improving Opeki and +ennobling her king, and when the King saw Albert's free-hand sketches +of wharves with tall ships lying at anchor, and rows of Opekian +warriors with the Bradleys at their head, and the design for his new +palace, and a royal sedan chair, he believed that these things were +already his, and not still only on paper, and he appointed Albert his +Minister of War, Stedman his Minister of Home Affairs, and selected +two of his wisest and oldest subjects to serve them as joint advisers. +His enthusiasm was even greater than Gordon's, because he did not +appreciate the difficulties. He thought Gordon a semi-god, a worker of +miracles, and urged the putting up of a monument to him at once in the +public plaza, to which Albert objected, on the ground that it would be +too suggestive of an idol; and to which Stedman also objected, but for +the less unselfish reason that it would "be in the way of the +pitcher's box." + +They were feverishly discussing all these great changes, and Stedman +was translating as rapidly as he could translate, the speeches of four +different men--for the two counsellors had been called in--all of whom +wanted to speak at once when there came from outside a great shout, +and the screams of women, and the clashing of iron, and the pattering +footsteps of men running. + +As they looked at one another in startled surprise, a native ran into +the room, followed by Bradley, Jr., and threw himself down before the +King. While he talked, beating his hands and bowing before Ollypybus, +Bradley, Jr., pulled his forelock to the consul, and told how this man +lived on the far outskirts of the village; how he had been captured +while out hunting, by a number of the Hillmen; and how he had escaped +to tell the people that their old enemies were on the war-path again, +and rapidly approaching the village. + +Outside, the women were gathering in the plaza, with the children +about them, and the men were running from hut to hut, warning their +fellows, and arming themselves with spears and swords, and the native +bows and arrows. + +"They might have waited until we had that army trained," said Gordon, +in a tone of the keenest displeasure. "Tell me, quick, what do they +generally do when they come?" + +"Steal all the cattle and goats, and a woman or two, and set fire to +the huts in the outskirts," replied Stedman. + +"Well, we must stop them," said Gordon, jumping up. "We must take out +a flag of truce and treat with them. They must be kept off until I +have my army in working order. It is most inconvenient. If they had +only waited two months, now, or six weeks even, we could have done +something; but now we must make peace. Tell the King we are going out +to fix things with them, and tell him to keep off his warriors until +he learns whether we succeed or fail." + +"But, Gordon!" gasped Stedman. "Albert! You don't understand. Why, +man, this isn't a street-fight or a cane-rush. They'll stick you full +of spears, dance on your body, and eat you, maybe. A flag of +truce!--you're talking nonsense. What do they know of a flag of +truce?" + +"You're talking nonsense, too," said Albert, "and you're talking to +your superior officer. If you are not with me in this, go back to your +cable, and tell the man in Octavia that it's a warm day, and that the +sun is shining; but if you've any spirit in you--and I think you +have--run to the office and get my Winchester rifles, and the two +shot-guns, and my revolvers, and my uniform, and a lot of brass things +for presents, and run all the way there and back. And make time. Play +you're riding a bicycle at the Agricultural Fair." + +Stedman did not hear this last, for he was already off and away, +pushing through the crowd, and calling on Bradley, Sr., to follow him. +Bradley, Jr., looked at Gordon with eyes that snapped, like a dog that +is waiting for his master to throw a stone. + +"I can fire a Winchester, sir," he said. "Old Tom can't. He's no good +at long range 'cept with a big gun, sir. Don't give him the +Winchester. Give it to me, please, sir." + +Albert met Stedman in the plaza, and pulled off his blazer, and put on +Captain Travis's--now his--uniform coat, and his white pith helmet. + +"Now, Jack," he said, "get up there and tell these people that we are +going out to make peace with these Hillmen, or bring them back +prisoners of war. Tell them we are the preservers of their homes and +wives and children; and you, Bradley, take these presents, and young +Bradley, keep close to me, and carry this rifle." + +Stedman's speech was hot and wild enough to suit a critical and +feverish audience before a barricade in Paris. And when he was +through, Gordon and Bradley punctuated his oration by firing off the +two Winchester rifles in the air, at which the people jumped and fell +on their knees, and prayed to their several gods. The fighting men of +the village followed the four white men to the outskirts, and took up +their stand there as Stedman told them to do, and the four walked on +over the roughly hewn road, to meet the enemy. + +Gordon walked with Bradley, Jr., in advance. Stedman and old Tom +Bradley followed close behind with the two shot-guns, and the presents +in a basket. + +"Are these Hillmen used to guns?" asked Gordon. Stedman said no, they +were not. "This shot-gun of mine is the only one on the island," he +explained, "and we never came near enough them before to do anything +with it. It only carries a hundred yards. The Opekians never make any +show of resistance. They are quite content if the Hillmen satisfy +themselves with the outlying huts, as long as they leave them and the +town alone; so they seldom come to close quarters." + +The four men walked on for half an hour or so in silence, peering +eagerly on every side; but it was not until they had left the woods +and marched out into the level stretch of grassy country that they +came upon the enemy. The Hillmen were about forty in number, and were +as savage and ugly-looking giants as any in a picture-book. They had +captured a dozen cows and goats, and were driving them on before them, +as they advanced farther upon the village. When they saw the four men, +they gave a mixed chorus of cries and yells, and some of them stopped, +and others ran forward, shaking their spears, and shooting their broad +arrows into the ground before them. A tall, gray-bearded, muscular old +man, with a skirt of feathers about him, and necklaces of bones and +animals' claws around his bare chest, ran in front of them, and seemed +to be trying to make them approach more slowly. + +"Is that Messenwah?" asked Gordon. + +"Yes," said Stedman; "he is trying to keep them back. I don't believe +he ever saw a white man before." + +"Stedman," said Albert, speaking quickly, "give your gun to Bradley, +and go forward with your arms in the air, and waving your +handkerchief, and tell them in their language that the King is coming. +If they go at you, Bradley and I will kill a goat or two, to show them +what we can do with the rifles; and if that don't stop them, we will +shoot at their legs; and if that don't stop them--I guess you'd better +come back, and we'll all run." + +Stedman looked at Albert, and Albert looked at Stedman, and neither of +them winced or flinched. + +"Is this another of my secretary's duties?" asked the younger boy. + +"Yes," said the consul; "but a resignation is always in order. You +needn't go if you don't like it. You see, you know the language and I +don't, but I know how to shoot, and you don't." + +"That's perfectly satisfactory," said Stedman, handing his gun to old +Bradley. "I only wanted to know why I was to be sacrificed instead of +one of the Bradleys. It's because I know the language. Bradley, Sr., +you see the evil results of a higher education. Wish me luck, please," +he said, "and for goodness' sake," he added impressively, "don't waste +much time shooting goats." + +The Hillmen had stopped about two hundred yards off, and were drawn up +in two lines, shouting, and dancing, and hurling taunting remarks at +their few adversaries. The stolen cattle were bunched together back of +the King. As Stedman walked steadily forward with his handkerchief +fluttering, and howling out something in their own tongue, they +stopped and listened. As he advanced, his three companions followed +him at about fifty yards in the rear. He was one hundred and fifty +yards from the Hillmen before they made out what he said, and then one +of the young braves, resenting it as an insult to his chief, shot an +arrow at him. Stedman dodged the arrow and stood his ground without +even taking a step backward, only turning slightly to put his hands to +his mouth, and to shout something which sounded to his companions +like, "About time to begin on the goats." But the instant the young +man had fired, King Messenwah swung his club and knocked him down, and +none of the others moved. Then Messenwah advanced before his men to +meet Stedman, and on Stedman's opening and shutting his hands to show +that he was unarmed, the King threw down his club and spears, and came +forward as empty-handed as himself. + +"Ah," gasped Bradley, Jr., with his finger trembling on his lever, +"let me take a shot at him now." Gordon struck the man's gun up, and +walked forward in all the glory of his gold and blue uniform; for both +he and Stedman saw now that Messenwah was more impressed by their +appearance, and in the fact that they were white men, than with any +threats of immediate war. So when he saluted Gordon haughtily, that +young man gave him a haughty nod in return, and bade Stedman tell the +King that he would permit him to sit down. The King did not quite +appear to like this, but he sat down, nevertheless, and nodded his +head gravely. + +"Now tell him," said Gordon, "that I come from the ruler of the +greatest nation on earth, and that I recognize Ollypybus as the only +King of this island, and that I come to this little three-penny King +with either peace and presents, or bullets and war." + +"Have I got to tell him he's a little threepenny King?" said Stedman, +plaintively. + +"No; you needn't give a literal translation; it can be as free as you +please." + +"Thanks," said the secretary, humbly. + +"And tell him," continued Gordon, "that we will give presents to him +and his warriors if he keeps away from Ollypybus, and agrees to keep +away always. If he won't do that, try to get him to agree to stay away +for three months at least, and by that time we can get word to San +Francisco, and have a dozen muskets over here in two months; and when +our time of probation is up, and he and his merry men come dancing +down the hillside, we will blow them up as high as his mountains. But +you needn't tell him that, either. And if he is proud and haughty, and +would rather fight, ask him to restrain himself until we show what we +can do with our weapons at two hundred yards." + +Stedman seated himself in the long grass in front of the King, and +with many revolving gestures of his arms, and much pointing to Gordon, +and profound nods and bows, retold what Gordon had dictated. When he +had finished, the King looked at the bundle of presents, and at the +guns, of which Stedman had given a very wonderful account, but +answered nothing. + +"I guess," said Stedman, with a sigh, "that we will have to give him a +little practical demonstration to help matters. I am sorry, but I +think one of those goats has got to die. It's like vivisection. The +lower order of animals have to suffer for the good of the higher." + +"Oh," said Bradley, Jr., cheerfully, "I'd just as soon shoot one of +those niggers as one of the goats." + +So Stedman bade the King tell his men to drive a goat toward them, and +the King did so, and one of the men struck one of the goats with his +spear, and it ran clumsily across the plain. + +"Take your time, Bradley," said Gordon. + +"Aim low, and if you hit it, you can have it for supper." + +"And if you miss it," said Stedman, gloomily, "Messenwah may have us +for supper." + +The Hillmen had seated themselves a hundred yards off, while the +leaders were debating, and they now rose curiously and watched +Bradley, as he sank upon one knee, and covered the goat with his +rifle. When it was about one hundred and fifty yards off he fired, and +the goat fell over dead. + +And then all the Hillmen, with the King himself, broke away on a run, +toward the dead animal, with much shouting. The King came back alone, +leaving his people standing about and examining the goat. He was much +excited, and talked and gesticulated violently. + +"He says--" said Stedman; "he says--" + +"What? yes, goon." + +"He says--goodness me!--what do you think he says?" + +"Well, what does he say?" cried Gordon, in great excitement. "Don't +keep it all to yourself." + +"He says," said Stedman, "that we are deceived; that he is no longer +King of the Island of Opeki; that he is in great fear of us, and that +he has got himself into no end of trouble. He says he sees that we are +indeed mighty men, that to us he is as helpless as the wild boar +before the javelin of the hunter." + +"Well, he's right," said Gordon. "Go on." + +"But that which we ask is no longer his to give. He has sold his +kingship and his right to this island to another king, who came to him +two days ago in a great canoe, and who made noises as we do--with +guns, I suppose he means--and to whom he sold the island for a watch +that he has in a bag around his neck. And that he signed a paper, and +made marks on a piece of bark, to show that he gave up the island +freely and forever." + +"What does he mean?" said Gordon. "How can he give up the island? +Ollypybus is the king of half of it, anyway, and he knows it." + +"That's just it," said Stedman. "That's what frightens him. He said he +didn't care about Ollypybus, and didn't count him in when he made the +treaty, because he is such a peaceful chap that he knew he could +thrash him into doing anything he wanted him to do. And now that you +have turned up and taken Ollypybus's part, he wishes he hadn't sold +the island, and wishes to know if you are angry." + +"Angry? of course I'm angry," said Gordon, glaring as grimly at the +frightened monarch as he thought was safe. "Who wouldn't be angry? Who +do you think these people were who made a fool of him, Stedman? Ask +him to let us see this watch." + +Stedman did so, and the King fumbled among his necklaces until he had +brought out a leather bag tied round his neck with a cord, and +containing a plain stem-winding silver watch marked on the inside +"Munich." + +"That doesn't tell anything," said Gordon. "But it's plain enough. +Some foreign ship of war has settled on this place as a +coaling-station, or has annexed it for colonization, and they've sent +a boat ashore, and they've made a treaty with this old chap, and +forced him to sell his birthright for a mess of porridge. Now, that's +just like those monarchical pirates, imposing upon a poor old black." + +Old Bradley looked at him impudently. + +"Not at all," said Gordon; "it's quite different with us; we don't +want to rob him or Ollypybus, or to annex their land. All we want to +do is to improve it, and have the fun of running it for them and +meddling in their affairs of state. Well, Stedman," he said, "what +shall we do?" + +Stedman said that the best and only thing to do was to threaten to +take the watch away from Messenwah, but to give him a revolver +instead, which would make a friend of him for life, and to keep him +supplied with cartridges only as long as he behaved himself, and then +to make him understand that, as Ollypybus had not given his consent to +the loss of the island, Messenwah's agreement, or treaty, or whatever +it was, did not stand, and that he had better come down the next day, +early in the morning, and join in a general consultation. This was +done, and Messenwah agreed willingly to their proposition, and was +given his revolver and shown how to shoot it, while the other presents +were distributed among the other men, who were as happy over them as +girls with a full dance-card. + +"And now, to-morrow," said Stedman, "understand, you are all to come +down unarmed, and sign a treaty with great Ollypybus, in which he will +agree to keep to one-half of the island if you keep to yours, and +there must be no more wars or goat-stealing, or this gentleman on my +right and I will come up and put holes in you just as the gentleman on +the left did with the goat." + +Messenwah and his warriors promised to come early, and saluted +reverently as Gordon and his three companions walked up together very +proudly and stiffly. + +"Do you know how I feel?" said Gordon. + +"How?" asked Stedman. + +"I feel as I used to do in the city, when the boys in the street were +throwing snowballs, and I had to go by with a high hat on my head and +pretend not to know they were behind me. I always felt a cold chill +down my spinal column, and I could feel that snowball, whether it came +or not, right in the small of my back. And I can feel one of those men +pulling his bow now, and the arrow sticking out of my right shoulder." + +"Oh, no, you can't," said Stedman. "They are too much afraid of those +rifles. But I do feel sorry for any of those warriors whom old man +Messenwah doesn't like, now that he has that revolver. He isn't the +sort to practise on goats." + +There was great rejoicing when Stedman and Gordon told their story to +the King, and the people learned that they were not to have their huts +burned and their cattle stolen. The armed Opekians formed a guard +around the ambassadors and escorted them to their homes with cheers +and shouts, and the women ran to their side and tried to kiss Gordon's +hand. + +"I'm sorry I can't speak the language, Stedman," said Gordon, "or I +would tell them what a brave man you are. You are too modest to do it +yourself, even if I dictated something for you to say. As for me," he +said, pulling off his uniform, "I am thoroughly disgusted and +disappointed. It never occurred to me until it was all over that this +was my chance to be a war correspondent. It wouldn't have been much of +a war, but then I would have been the only one on the spot, and that +counts for a great deal. Still, my time may come." + +"We have a great deal on hand for to-morrow," said Gordon that +evening, "and we had better turn in early." + +And so the people were still singing and rejoicing down in the village +when the two conspirators for the peace of the country went to sleep +for the night. It seemed to Gordon as though he had hardly turned his +pillow twice to get the coolest side when some one touched him, and he +saw, by the light of the dozen glowworms in the tumbler by his +bedside, a tall figure at its foot. + +"It's me--Bradley," said the figure. + +"Yes," said Gordon, with the haste of a man to show that sleep has no +hold on him; "exactly; what is it?" + +"There is a ship of war in the harbor," Bradley answered in a whisper. +"I heard her anchor chains rattle when she came to, and that woke me. +I could hear that if I were dead. And then I made sure by her lights; +she's a great boat, sir, and I can know she's a ship of war by the +challenging when they change the watch. I thought you'd like to know, +sir." + +Gordon sat up and clutched his knees with his hands. "Yes, of course," +he said; "you are quite right. Still, I don't see what there is to +do." + +He did not wish to show too much youthful interest, but though fresh +from civilization, he had learned how far from it he was, and he was +curious to see this sign of it that had come so much more quickly than +he had anticipated. + +"Wake Mr. Stedman, will you?" said he, "and we will go and take a look +at her." + +"You can see nothing but the lights," said Bradley, as he left the +room; "it's a black night, sir." + +Stedman was not new from the sight of men and ships of war, and came +in half dressed and eager. + +"Do you suppose it's the big canoe Messenwah spoke of?" he said. + +"I thought of that," said Gordon. + +The three men fumbled their way down the road to the plaza, and saw, +as soon as they turned into it, the great outlines and the brilliant +lights of an immense vessel, still more immense in the darkness, and +glowing like a strange monster of the sea, with just a suggestion here +and there, where the lights spread, of her cabins and bridges. As they +stood on the shore, shivering in the cool night-wind, they heard the +bells strike over the water. + +"It's two o'clock," said Bradley, counting. + +"Well, we can do nothing, and they cannot mean to do much to-night," +Albert said. "We had better get some more sleep, and, Bradley, you +keep watch and tell us as soon as day breaks." + +"Ay, ay, sir," said the sailor. + +"If that's the man-of-war that made the treaty with Messenwah, and +Messenwah turns up to-morrow, it looks as if our day would be pretty +well filled up," said Albert, as they felt their way back to the +darkness. + +"What do you intend to do?" asked his secretary, with a voice of some +concern. + +"I don't know," Albert answered gravely, from the blackness of the +night. "It looks as if we were getting ahead just a little too fast, +doesn't it? Well," he added, as they reached the house, "let's try to +keep in step with the procession, even if we can't be drum-majors and +walk in front of it." And with this cheering tone of confidence in +their ears, the two diplomats went soundly asleep again. + +The light of the rising sun filled the room, and the parrots were +chattering outside, when Bradley woke him again. + +"They are sending a boat ashore, sir," he said, excitedly, and filled +with the importance of the occasion. "She's a German man-of-war, and +one of the new model. A beautiful boat, sir; for her lines were laid +in Glasgow, and I can tell that, no matter what flag she flies. You +had best be moving to meet them: the village isn't awake yet." + +Albert took a cold bath and dressed leisurely; then he made Bradley, +Jr., who had slept through it all, get up breakfast, and the two young +men ate it and drank their coffee comfortably and with an air of +confidence that deceived their servants, if it did not deceive +themselves. But when they came down the path, smoking and swinging +their sticks, and turned into the plaza, their composure left them +like a mask, and they stopped where they stood. The plaza was enclosed +by the natives gathered in whispering groups, and depressed by fear +and wonder. On one side were crowded all the Messenwah warriors, +unarmed, and as silent and disturbed as the Opekians. In the middle of +the plaza some twenty sailors were busy rearing and bracing a tall +flag-staff that they had shaped from a royal palm, and they did this +as unconcernedly and as contemptuously, and with as much indifference +to the strange groups on either side of them, as though they were +working on a barren coast, with nothing but the startled sea-gulls +about them. As Albert and Stedman came upon the scene, the flagpole +was in place, and the halyards hung from it with a little bundle of +bunting at the end of one of them. + +"We must find the King at once," said Gordon. He was terribly excited +and angry. "It is easy enough to see what this means. They are going +through the form of annexing this island to the other lands of the +German Government. They are robbing old Ollypybus of what is his. They +have not even given him a silver watch for it." + +The King was in his bungalow, facing the plaza. Messenwah was with +him, and an equal number of each of their councils. The common danger +had made them lie down together in peace; but they gave a murmur of +relief as Gordon strode into the room with no ceremony, and greeted +them with a curt wave of the hand. + +"Now then, Stedman, be quick," he said. "Explain to them what this +means; tell them that I will protect them; that I am anxious to see +that Ollypybus is not cheated; that we will do all we can for them." + +Outside, on the shore, a second boat's crew had landed a group of +officers and a file of marines. They walked in all the dignity of full +dress across the plaza to the flag-pole, and formed in line on the +three sides of it, with the marines facing the sea. The officers, from +the captain with a prayer-book in his hand, to the youngest middy, +were as indifferent to the frightened natives about them as the other +men had been. The natives, awed and afraid, crouched back among their +huts, the marines and the sailors kept their eyes front, and the +German captain opened his prayer-book. The debate in the bungalow was +over. + +"If you only had your uniform, sir," said Bradley, Sr., miserably. + +"This is a little bit too serious for uniforms and bicycle medals," +said Gordon. "And these men are used to gold lace." + +He pushed his way through the natives, and stepped confidently across +the plaza. The youngest middy saw him coming, and nudged the one next +him with his elbow, and he nudged the next, but none of the officers +moved, because the captain had begun to read. + +"One minute, please," called Gordon. + +He stepped out into the hollow square formed by the marines, and +raised his helmet to the captain. + +"Do you speak English or French?" Gordon said in French; "I do not +understand German." + +The captain lowered the book in his hands and gazed reflectively at +Gordon through his spectacles, and made no reply. + +"If I understand this," said the younger man, trying to be very +impressive and polite, "you are laying claim to this land, in behalf +of the German Government." + +The captain continued to observe him thoughtfully, and then said, +"That is so," and then asked, "Who are you?" + +"I represent the King of this island, Ollypybus, whose people you see +around you. I also represent the United States Government, that does +not tolerate a foreign power near her coast, since the days of +President Monroe and before. The treaty you have made with Messenwah +is an absurdity. There is only one king with whom to treat, and he--" + +The captain turned to one of his officers and said something, and +then, after giving another curious glance at Gordon, raised his book +and continued reading, in a deep, unruffled monotone. The officer +whispered an order, and two of the marines stepped out of line, and +dropping the muzzles of their muskets, pushed Gordon back out of the +enclosure, and left him there with his lips white, and trembling all +over with indignation. He would have liked to have rushed back into +the lines and broken the captain's spectacles over his sun-tanned nose +and cheeks, but he was quite sure this would only result in his +getting shot, or in his being made ridiculous before the natives, +which was almost as bad; so he stood still for a moment, with his +blood choking him, and then turned and walked back to where the King +and Stedman were whispering together. Just as he turned, one of the +men pulled the halyards, the ball of bunting ran up into the air, +bobbed, twitched, and turned, and broke into the folds of the German +flag. At the same moment the marines raised their muskets and fired a +volley, and the officers saluted and the sailors cheered. + +"Do you see that?" cried Stedman, catching Gordon's humor, to +Ollypybus; "that means that you are no longer king, that strange +people are coming here to take your land, and to turn your people into +servants, and to drive you back into the mountains. Are you going to +submit? are you going to let that flag stay where it is?" + +Messenwah and Ollypybus gazed at one another with fearful, helpless +eyes. "We are afraid," Ollypybus cried; "we do not know what we should +do." + +"What do they say?" + +"They say they do not know what to do." + +"I know what I'd do," cried Gordon. "If I were not an American consul, +I'd pull down their old flag, and put a hole in their boat and sink +her." + +"Well, I'd wait until they get under way before you do either of those +things," said Stedman, soothingly. "That captain seems to be a man of +much determination of character." + +"But I will pull it down," cried Gordon. "I will resign, as Travis +did. I am no longer consul. You can be consul if you want to. I +promote you. I am going up a step higher. I mean to be king. Tell +those two," he ran on, excitedly, "that their only course and only +hope is in me; that they must make me ruler of the island until this +thing is over; that I will resign again as soon as it is settled, but +that some one must act at once, and if they are afraid to, I am not, +only they must give me authority to act for them. They must abdicate +in my favor." + +"Are you in earnest?" gasped Stedman. + +"Don't I talk as if I were?" demanded Gordon, wiping the perspiration +from his forehead. + +"And can I be consul?" said Stedman, cheerfully. + +"Of course. Tell them what I propose to do." + +Stedman turned and spoke rapidly to the two kings. The people gathered +closer to hear. + +The two rival monarchs looked at one another in silence for a moment, +and then both began to speak at once, their counsellors interrupting +them and mumbling their guttural comments with anxious earnestness. It +did not take them very long to see that they were all of one mind, and +then they both turned to Gordon and dropped on one knee, and placed +his hands on their foreheads, and Stedman raised his cap. + +"They agree," he explained, for it was but pantomime to Albert. "They +salute you as a ruler; they are calling you Tellaman, which means +peacemaker. The Peacemaker, that is your title. I hope you will +deserve it, but I think they might have chosen a more appropriate +one." + +"Then I'm really King?" demanded Albert, decidedly, "and I can do what +I please? They give me full power. Quick, do they?" + +"Yes, but don't do it," begged Stedman, "and just remember I am +American consul now, and that is a much superior being to a crowned +monarch; you said so yourself." + +Albert did not reply to this, but ran across the plaza, followed by +the two Bradleys. The boats had gone. + +"Hoist that flag beside the brass cannon," he cried, "and stand ready +to salute it when I drop this one." + +Bradley, Jr., grasped the halyards of the flag, which he had forgotten +to raise and salute in the morning in all the excitement of the +arrival of the man-of-war. Bradley, Sr., stood by the brass cannon, +blowing gently on his lighted fuse. The Peacemaker took the halyards +of the German flag in his two hands, gave a quick, sharp tug, and down +came the red, white, and black piece of bunting, and the next moment +young Bradley sent the Stars and Stripes up in its place. As it rose, +Bradley's brass cannon barked merrily like a little bull-dog, and the +Peacemaker cheered. + +"Why don't you cheer, Stedman?" he shouted. "Tell those people to +cheer for all they are worth. What sort of an American consul are +you?" + +Stedman raised his arm half-heartedly to give the time, and opened his +mouth; but his arm remained fixed and his mouth open, while his eyes +stared at the retreating boat of the German man-of-war. In the stern +sheets of this boat the stout German captain was struggling unsteadily +to his feet; he raised his arm and waved it to some one on the great +man-of-war, as though giving an order. The natives looked from Stedman +to the boat, and even Gordon stopped in his cheering, and stood +motionless, watching. They had not very long to wait. There was a puff +of white smoke, and a flash, and then a loud report, and across the +water came a great black ball skipping lightly through and over the +waves, as easily as a flat stone thrown by a boy. It seemed to come +very slowly. At least it came slowly enough for every one to see that +it was coming directly toward the brass cannon. The Bradleys certainly +saw this, for they ran as fast as they could, and kept on running. The +ball caught the cannon under its mouth and tossed it in the air, +knocking the flag-pole into a dozen pieces, and passing on through two +of the palm-covered huts. + +"Great Heavens, Gordon!" cried Stedman; "they are firing on us." + +But Gordon's face was radiant and wild. + +"Firing on _us_!" he cried. "On us! Don't you see? Don't you understand? +What do _we_ amount to? They have fired on the American flag! Don't +you see what that means? It means war. A great international war. And +I am a war correspondent at last!" He ran up to Stedman and seized him +by the arm so tightly that it hurt. + +"By three o'clock," he said, "they will know in the office what has +happened. The country will know it to-morrow when the paper is on the +street; people will read it all over the world. The Emperor will hear +of it at breakfast; the President will cable for further particulars. +He will get them. It is the chance of a lifetime, and we are on the +spot!" + +Stedman did not hear this; he was watching the broadside of the ship +to see another puff of white smoke, but there came no such sign. The +two row-boats were raised, there was a cloud of black smoke from the +funnel, a creaking of chains sounding faintly across the water, and +the ship started at half-speed and moved out of the harbor. The +Opekians and the Hillmen fell on their knees, or to dancing, as best +suited their sense of relief, but Gordon shook his head. + +"They are only going to land the marines," he said; "perhaps they are +going to the spot they stopped at before, or to take up another +position farther out at sea. They will land men and then shell the +town, and the land forces will march here and co-operate with the +vessel, and everybody will be taken prisoner or killed. We have the +centre of the stage, and we are making history." + +"I'd rather read it than make it," said Stedman. "You've got us in a +senseless, silly position, Gordon, and a mighty unpleasant one. And +for no reason that I can see, except to make copy for your paper." + +"Tell those people to get their things together," said Gordon, "and +march back out of danger into the woods. Tell Ollypybus I am going to +fix things all right; I don't know just how yet, but I will, and now +come after me as quickly as you can to the cable office. I've got to +tell the paper all about it." + +It was three o'clock before the "chap at Octavia" answered Stedman's +signalling. Then Stedman delivered Gordon's message, and immediately +shut off all connection, before the Octavia operator could question +him. Gordon dictated his message in this way:-- + +"Begin with the date line, 'Opeki, June 22.' + +"At seven o'clock this morning, the captain and officers of the German +man-of-war _Kaiser_ went through the ceremony of annexing this +island in the name of the German Emperor, basing their right to do so +on an agreement made with a leader of a wandering tribe known as the +Hillmen. King Ollypybus, the present monarch of Opeki, delegated his +authority, as also did the leader of the Hillmen, to King Tellaman, or +the Peacemaker, who tore down the German flag, and raised that of the +United States in its place. At the same moment the flag was saluted by +the battery. This salute, being mistaken for an attack on the +_Kaiser_, was answered by that vessel. Her first shot took +immediate effect, completely destroying the entire battery of the +Opekians, cutting down the American flag, and destroying the houses of +the people--" + +"There was only one brass cannon and two huts," expostulated Stedman. + +"Well, that was the whole battery, wasn't it?" asked Gordon, "and two +huts is plural. I said houses of the people. I couldn't say two houses +of the people. Just you send this as you get it. You are not an +American consul at the present moment. You are an under-paid agent of +a cable company, and you send my stuff as I write it. The American +residents have taken refuge in the consulate--that's us," explained +Gordon, "and the English residents have sought refuge in the +woods--that's the Bradleys. King Tellaman--that's me--declares his +intention of fighting against the annexation. The forces of the +Opekians are under the command of Captain Thomas Bradley--I guess I +might as well make him a colonel--of Colonel Thomas Bradley, of the +English army. + +"The American consul says--Now, what do you say, Stedman? Hurry up, +please," asked Gordon, "and say something good and strong." + +"You get me all mixed up," complained Stedman, plaintively. "Which am +I now, a cable operator or the American consul?" + +"Consul, of course. Say something patriotic and about your +determination to protect the interests of your government, and all +that." Gordon bit the end of his pencil impatiently, and waited. + +"I won't do anything of the sort, Gordon," said Stedman; "you are +getting me into an awful lot of trouble, and yourself too. I won't say +a word." + +"The American consul," read Gordon, as his pencil wriggled across the +paper, "refuses to say anything for publication until he has +communicated with the authorities at Washington, but from all I can +learn he sympathizes entirely with Tellaman. Your correspondent has +just returned from an audience with King Tellaman, who rules him to +inform the American people that the Monroe doctrine will be sustained +as long as he rules this island. I guess that's enough to begin with," +said Gordon. "Now send that off quick, and then get away from the +instrument before the man in Octavia begins to ask questions. I am +going out to precipitate matters." + +Gordon found the two kings sitting dejectedly side by side, and gazing +grimly upon the disorder of the village, from which the people were +taking their leave as quickly as they could get their few belongings +piled upon the ox-carts. Gordon walked among them, helping them in +every way he could, and tasting, in their subservience and gratitude, +the sweets of sovereignty. When Stedman had locked up the cable office +and rejoined him, he bade him tell Messenwah to send three of his +youngest men and fastest runners back to the hills to watch for the +German vessel and see where she was attempting to land her marines. + +"This is a tremendous chance for descriptive writing, Stedman," said +Gordon, enthusiastically; "all this confusion and excitement, and the +people leaving their homes, and all that. It's like the people getting +out of Brussels before Waterloo, and then the scene at the foot of the +mountains, while they are camping out there, until the Germans leave. +I never had a chance like this before." + +It was quite dark by six o'clock, and none of the three messengers had +as yet returned. Gordon walked up and down the empty plaza and looked +now at the horizon for the man-of-war, and again down the road back of +the village. But neither the vessel nor the messengers bearing word of +her appeared. The night passed without any incident, and in the +morning Gordon's impatience became so great that he walked out to +where the villagers were in camp and passed on half way up the +mountain, but he could see no sign of the man-of-war. He came back +more restless than before, and keenly disappointed. + +"If something don't happen before three o'clock, Stedman," he said, +"our second cablegram will have to consist of glittering generalities +and a lengthy interview with King Tellaman, by himself." + +Nothing did happen. Ollypybus and Messenwah began to breathe more +freely. They believed the new king had succeeded in frightening the +German vessel away forever. But the new king upset their hopes by +telling them that the Germans had undoubtedly already landed, and had +probably killed the three messengers. + +"Now then," he said, with pleased expectation, as Stedman and he +seated themselves in the cable office at three o'clock, "open it up +and let's find out what sort of an impression we have made." + +Stedman's face, as the answer came in to his first message of +greeting, was one of strangely marked disapproval. + +"What does he say?" demanded Gordon, anxiously. + +"He hasn't done anything but swear yet," answered Stedman, grimly. + +"What is he swearing about?" + +"He wants to know why I left the cable yesterday. He says he has been +trying to call me up for the last twenty-four hours, ever since I sent +my message at three o'clock. The home office is jumping mad, and want +me discharged. They won't do that, though," he said, in a cheerful +aside, "because they haven't paid me my salary for the last eight +months. He says--great Scott! this will please you, Gordon--he says +that there have been over two hundred queries for matter from papers +all over the United States, and from Europe. Your paper beat them on +the news, and now the home office is packed with San Francisco +reporters, and the telegrams are coming in every minute, and they have +been abusing him for not answering them, and he says that I'm a fool. +He wants as much as you can send, and all the details. He says all the +papers will have to put 'By Yokohama Cable Company' on the top of each +message they print, and that that is advertising the company, and is +sending the stock up. It rose fifteen points on 'change in San +Francisco to-day, and the president and the other officers are +buying--" + +"Oh, I don't want to hear about their old company," snapped out +Gordon, pacing up and down in despair. "What am I to do? that's what I +want to know. Here I have the whole country stirred up and begging for +news. On their knees for it, and a cable all to myself, and the only +man on the spot, and nothing to say. I'd just like to know how long +that German idiot intends to wait before he begins shelling this town +and killing people. He has put me in a most absurd position." + +"Here's a message for you, Gordon," said Stedman, with business-like +calm. "Albert Gordon, correspondent," he read. "Try American consul. +First message O.K.; beat the country; can take all you send. Give +names of foreign residents massacred, and fuller account blowing up +palace. Dodge." + +The expression on Gordon's face as this message was slowly read off to +him, had changed from one of gratified pride to one of puzzled +consternation. + +"What's he mean by foreign residents massacred, and blowing up of +palace?" asked Stedman, looking over his shoulder anxiously. "Who is +Dodge?" + +"Dodge is the night editor," said Gordon, nervously. "They must have +read my message wrong. You sent just what I gave you, didn't you?" he +asked. + +"Of course I did," said Stedman, indignantly. + +"I didn't say anything about the massacre of anybody, did I?" asked +Gordon. "I hope they are not improving on my account. What _am_ I +to do? This is getting awful. I'll have to go out and kill a few +people myself. Oh, why don't that Dutch captain begin to do something! +What sort of a fighter does he call himself? He wouldn't shoot at a +school of porpoises. He's not--" + +"Here comes a message to Leonard T. Travis, American consul, Opeki," +read Stedman. "It's raining messages to-day. 'Send full details of +massacre of American citizens by German sailors.' Secretary of--great +Scott!" gasped Stedman, interrupting himself and gazing at his +instrument with horrified fascination--"the Secretary of State." + +"That settles it," roared Gordon, pulling at his hair and burying his +face in his hands. "I have _got_ to kill some of them now." + +"Albert Gordon, correspondent," read Stedman, impressively, like the +voice of Fate. "Is Colonel Thomas Bradley, commanding native forces +at Opeki, Colonel Sir Thomas Kent-Bradley of Crimean war fame? +Correspondent London _Times_, San Francisco Press Club." + +"Go on, go on!" said Gordon, desperately. "I'm getting used to it now. +Go on!" + +"American consul, Opeki," read Stedman. "Home Secretary desires you to +furnish list of names English residents killed during shelling of +Opeki by ship of war _Kaiser_, and estimate of amount property +destroyed. Stoughton, British Embassy, Washington." + +"Stedman!" cried Gordon, jumping to his feet, "there's a mistake here +somewhere. These people cannot all have made my message read like +that. Some one has altered it, and now I have got to make these people +here live up to that message, whether they like being massacred and +blown up or not. Don't answer any of those messages except the one +from Dodge; tell him things have quieted down a bit, and that I'll +send four thousand words on the flight of the natives from the +village, and their encampment at the foot of the mountains, and of the +exploring party we have sent out to look for the German vessel; and +now I am going out to make something happen." + +Gordon said that he would be gone for two hours at least, and as +Stedman did not feel capable of receiving any more nerve-stirring +messages, he cut off all connection with Octavia by saying, "Good-by +for two hours," and running away from the office. He sat down on a +rock on the beach, and mopped his face with his handkerchief. + +"After a man has taken nothing more exciting than weather reports from +Octavia for a year," he soliloquized, "it's a bit disturbing to have +all the crowned heads of Europe and their secretaries calling upon you +for details of a massacre that never came off." + +At the end of two hours Gordon returned from the consulate with a mass +of manuscript in his hand. + +"Here's three thousand words," he said, desperately. "I never wrote +more and said less in my life. It will make them weep at the office. I +had to pretend that they knew all that had happened so far; they +apparently do know more than we do, and I have filled it full of +prophecies of more trouble ahead, and with interviews with myself and +the two ex-Kings. The only news element in it is, that the messengers +have returned to report that the German vessel is not in sight, and +that there is no news. They think she has gone for good. Suppose she +has, Stedman," he groaned, looking at him helplessly, "what _am_ +I going to do?" + +"Well, as for me," said Stedman, "I'm afraid to go near that cable. +It's like playing with a live wire. My nervous system won't stand many +more such shocks as those they gave us this afternoon." + +Gordon threw himself down dejectedly in a chair in the office, and +Stedman approached his instrument gingerly, as though it might +explode. + +"He's swearing again," he explained, sadly, in answer to Gordon's look +of inquiry. "He wants to know when I am going to stop running away +from the wire. He has a stack of messages to send, he says, but I +guess he'd better wait and take your copy first; don't you think so?" + +"Yes, I do," said Gordon. "I don't want any more messages than I've +had. That's the best I can do," he said, as he threw his manuscript +down beside Stedman. "And they can keep on cabling until the wire +burns red hot, and they won't get any more." + +There was silence in the office for some time, while Stedman looked +over Gordon's copy, and Gordon stared dejectedly out at the ocean. + +"This is pretty poor stuff, Gordon," said Stedman. "It's like giving +people milk when they want brandy." + +"Don't you suppose I know that?" growled Gordon. "It's the best I can +do, isn't it? It's not my fault that we are not all dead now. I can't +massacre foreign residents if there are no foreign residents, but I +can commit suicide, though, and I'll do it if something don't happen." + +There was a long pause, in which the silence of the office was only +broken by the sound of the waves beating on the coral reefs outside. +Stedman raised his head wearily. + +"He's swearing again," he said; "he says this stuff of yours is all +nonsense. He says stock in the Y.C.C. has gone up to one hundred and +two, and that owners are unloading and making their fortunes, and that +this sort of descriptive writing is not what the company want." + +"What's he think I'm here for?" cried Gordon. "Does he think I pulled +down the German flag and risked my neck half a dozen times and had +myself made King just to boom his Yokohama cable stock? Confound him! +You might at least swear back. Tell him just what the situation is in +a few words. Here, stop that rigmarole to the paper, and explain to +your home office that we are awaiting developments, and that, in the +meanwhile, they must put up with the best we can send them. Wait; send +this to Octavia." + +Gordon wrote rapidly, and read what he wrote as rapidly as it was +written. + +"Operator, Octavia. You seem to have misunderstood my first message. +The facts in the case are these. A German man-of-war raised a flag on +this island. It was pulled down and the American flag raised in its +place and saluted by a brass cannon. The German man-of-war fired once +at the flag and knocked it down, and then steamed away and has not +been seen since. Two huts were upset, that is all the damage done; the +battery consisted of the one brass cannon before mentioned. No one, +either native or foreign, has been massacred. The English residents +are two sailors. The American residents are the young man who is +sending you this cable and myself. Our first message was quite true in +substance, but perhaps misleading in detail. I made it so because I +fully expected much more to happen immediately. Nothing has happened, +or seems likely to happen, and that is the exact situation up to date. +Albert Gordon." + +"Now," he asked, after a pause, "what does he say to that?" + +"He doesn't say anything," said Stedman. + +"I guess he has fainted. Here it comes," he added in the same breath. +He bent toward his instrument, and Gordon raised himself from his +chair and stood beside him as he read it off. The two young men hardly +breathed in the intensity of their interest. + +"Dear Stedman," he slowly read aloud. "You and your young friend are a +couple of fools. If you had allowed me to send you the messages +awaiting transmission here to you, you would not have sent me such a +confession of guilt as you have just done. You had better leave Opeki +at once or hide in the hills. I am afraid I have placed you in a +somewhat compromising position with the company, which is unfortunate, +especially as, if I am not mistaken, they owe you some back pay. You +should have been wiser in your day, and bought Y.C.C. stock when it +was down to five cents, as 'yours truly' did. You are not, Stedman, as +bright a boy as some. And as for your friend, the war correspondent, +he has queered himself for life. You see, my dear Stedman, after I had +sent off your first message, and demands for further details came +pouring in, and I could not get you at the wire to supply them, I took +the liberty of sending some on myself." + +"Great Heavens!" gasped Gordon. + +Stedman grew very white under his tan, and the perspiration rolled on +his cheeks. + +"Your message was so general in its nature, that it allowed my +imagination full play, and I sent on what I thought would please the +papers, and, what was much more important to me, would advertise the +Y.C.C. stock. This I have been doing while waiting for material from +you. Not having a clear idea of the dimensions or population of Opeki, +it is possible that I have done you and your newspaper friend some +injustice. I killed off about a hundred American residents, two +hundred English, because I do not like the English, and a hundred +French. I blew up old Ollypybus and his palace with dynamite, and +shelled the city, destroying some hundred thousand dollars' worth of +property, and then I waited anxiously for your friend to substantiate +what I had said. This he has most unkindly failed to do. I am very +sorry, but much more so for him than for myself, for I, my dear +friend, have cabled on to a man in San Francisco, who is one of the +directors of the Y.C.C. to sell all my stock, which he has done at one +hundred and two, and he is keeping the money until I come. And I leave +Octavia this afternoon to reap my just reward. I am in about twenty +thousand dollars on your little war, and I feel grateful. So much so +that I will inform you that the ship of war _Kaiser_ has arrived +at San Francisco, for which port she sailed directly from Opeki. Her +captain has explained the real situation, and offered to make every +amend for the accidental indignity shown to our flag. He says he aimed +at the cannon, which was trained on his vessel, and which had first +fired on him. But you must know, my dear Stedman, that before his +arrival, war-vessels belonging to the several powers mentioned in my +revised despatches, had started for Opeki at full speed, to revenge +the butchery of the foreign residents. A word, my dear young friend, +to the wise is sufficient. I am indebted to you to the extent of +twenty thousand dollars, and in return I give you this kindly advice. +Leave Opeki. If there is no other way, swim. But leave Opeki." + +The sun, that night, as it sank below the line where the clouds seemed +to touch the sea, merged them both into a blazing, blood-red curtain, +and colored the most wonderful spectacle that the natives of Opeki had +ever seen. Six great ships of war, stretching out over a league of +sea, stood blackly out against the red background, rolling and rising, +and leaping forward, flinging back smoke and burning sparks up into +the air behind them, and throbbing and panting like living creatures +in their race for revenge. From the south came a three-decked vessel, +a great island of floating steel, with a flag as red as the angry sky +behind it, snapping in the wind. To the south of it plunged two long +low-lying torpedo-boats, flying the French tri-color, and still +farther to the north towered three magnificent hulls of the White +Squadron. Vengeance was written on every curve and line, on each +straining engine-rod, and on each polished gun-muzzle. + +And in front of these, a clumsy fishing-boat rose and fell on each +passing wave. Two sailors sat in the stern, holding the rope and +tiller, and in the bow, with their backs turned forever toward Opeki, +stood two young boys, their faces lit by the glow of the setting sun +and stirred by the sight of the great engines of war plunging past +them on their errand of vengeance. + +"Stedman," said the elder boy, in an awe-struck whisper, and with a +wave of his hand, "we have not lived in vain." + + + +***END OF THE PROJECT GUTENBERG EBOOK THE EXILES AND OTHER STORIES*** + + +******* This file should be named 16090.txt or 16090.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/6/0/9/16090 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/16090.zip b/16090.zip Binary files differnew file mode 100644 index 0000000..a38afda --- /dev/null +++ b/16090.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..e89944a --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #16090 (https://www.gutenberg.org/ebooks/16090) |
