diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 16079-8.txt | 2136 | ||||
| -rw-r--r-- | 16079-8.zip | bin | 0 -> 46340 bytes | |||
| -rw-r--r-- | 16079-h.zip | bin | 0 -> 1771965 bytes | |||
| -rw-r--r-- | 16079-h/16079-h.htm | 2392 | ||||
| -rw-r--r-- | 16079-h/images/Thumbs.db | bin | 0 -> 142848 bytes | |||
| -rw-r--r-- | 16079-h/images/image_01.jpg | bin | 0 -> 36924 bytes | |||
| -rw-r--r-- | 16079-h/images/image_02.jpg | bin | 0 -> 4154 bytes | |||
| -rw-r--r-- | 16079-h/images/image_03.jpg | bin | 0 -> 65425 bytes | |||
| -rw-r--r-- | 16079-h/images/image_04.jpg | bin | 0 -> 33233 bytes | |||
| -rw-r--r-- | 16079-h/images/image_05.jpg | bin | 0 -> 27214 bytes | |||
| -rw-r--r-- | 16079-h/images/image_06.jpg | bin | 0 -> 69685 bytes | |||
| -rw-r--r-- | 16079-h/images/image_07.jpg | bin | 0 -> 13043 bytes | |||
| -rw-r--r-- | 16079-h/images/image_08.jpg | bin | 0 -> 12193 bytes | |||
| -rw-r--r-- | 16079-h/images/image_09.jpg | bin | 0 -> 59289 bytes | |||
| -rw-r--r-- | 16079-h/images/image_10.jpg | bin | 0 -> 86186 bytes | |||
| -rw-r--r-- | 16079-h/images/image_11.jpg | bin | 0 -> 21572 bytes | |||
| -rw-r--r-- | 16079-h/images/image_12.jpg | bin | 0 -> 16719 bytes | |||
| -rw-r--r-- | 16079-h/images/image_13.jpg | bin | 0 -> 75235 bytes | |||
| -rw-r--r-- | 16079-h/images/image_14.jpg | bin | 0 -> 72160 bytes | |||
| -rw-r--r-- | 16079-h/images/image_15.jpg | bin | 0 -> 11421 bytes | |||
| -rw-r--r-- | 16079-h/images/image_16.jpg | bin | 0 -> 3465 bytes | |||
| -rw-r--r-- | 16079-h/images/image_17.jpg | bin | 0 -> 70297 bytes | |||
| -rw-r--r-- | 16079-h/images/image_18.jpg | bin | 0 -> 83879 bytes | |||
| -rw-r--r-- | 16079-h/images/image_19.jpg | bin | 0 -> 20337 bytes | |||
| -rw-r--r-- | 16079-h/images/image_20.jpg | bin | 0 -> 13676 bytes | |||
| -rw-r--r-- | 16079-h/images/image_21.jpg | bin | 0 -> 52399 bytes | |||
| -rw-r--r-- | 16079-h/images/image_22.jpg | bin | 0 -> 89759 bytes | |||
| -rw-r--r-- | 16079-h/images/image_23.jpg | bin | 0 -> 6262 bytes | |||
| -rw-r--r-- | 16079-h/images/image_24.jpg | bin | 0 -> 14721 bytes | |||
| -rw-r--r-- | 16079-h/images/image_25.jpg | bin | 0 -> 58755 bytes | |||
| -rw-r--r-- | 16079-h/images/image_26.jpg | bin | 0 -> 75139 bytes | |||
| -rw-r--r-- | 16079-h/images/image_27.jpg | bin | 0 -> 17033 bytes | |||
| -rw-r--r-- | 16079-h/images/image_28.jpg | bin | 0 -> 44717 bytes | |||
| -rw-r--r-- | 16079-h/images/image_29.jpg | bin | 0 -> 64423 bytes | |||
| -rw-r--r-- | 16079-h/images/image_30.jpg | bin | 0 -> 12086 bytes | |||
| -rw-r--r-- | 16079-h/images/image_31.jpg | bin | 0 -> 43134 bytes | |||
| -rw-r--r-- | 16079-h/images/image_32.jpg | bin | 0 -> 60412 bytes | |||
| -rw-r--r-- | 16079-h/images/image_33.jpg | bin | 0 -> 17169 bytes | |||
| -rw-r--r-- | 16079-h/images/image_34.jpg | bin | 0 -> 52176 bytes | |||
| -rw-r--r-- | 16079-h/images/image_35.jpg | bin | 0 -> 84087 bytes | |||
| -rw-r--r-- | 16079-h/images/image_36.jpg | bin | 0 -> 18687 bytes | |||
| -rw-r--r-- | 16079-h/images/image_37.jpg | bin | 0 -> 2648 bytes | |||
| -rw-r--r-- | 16079-h/images/image_38.jpg | bin | 0 -> 10208 bytes | |||
| -rw-r--r-- | 16079-h/images/image_39.jpg | bin | 0 -> 87692 bytes | |||
| -rw-r--r-- | 16079-h/images/image_40.jpg | bin | 0 -> 80818 bytes | |||
| -rw-r--r-- | 16079-h/images/image_41.jpg | bin | 0 -> 13745 bytes | |||
| -rw-r--r-- | 16079.txt | 2136 | ||||
| -rw-r--r-- | 16079.zip | bin | 0 -> 46322 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
51 files changed, 6680 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16079-8.txt b/16079-8.txt new file mode 100644 index 0000000..6a3c2b1 --- /dev/null +++ b/16079-8.txt @@ -0,0 +1,2136 @@ +The Project Gutenberg eBook, Some Old Time Beauties, by Thomson Willing + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Some Old Time Beauties + After Portraits by the English Masters, with Embellishment and Comment + + +Author: Thomson Willing + + + +Release Date: June 16, 2005 [eBook #16079] + +Language: en + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES*** + + +E-text prepared by Afra Ullah, Sankar Viswanathan, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 16079-h.htm or 16079-h.zip: + (https://www.gutenberg.org/dirs/1/6/0/7/16079/16079-h/16079-h.htm) + or + (https://www.gutenberg.org/dirs/1/6/0/7/16079/16079-h.zip) + + + + + +SOME OLD TIME BEAUTIES + +After Portraits by the English Masters, with Embellishment and Comment + +by + +THOMSON WILLING + +Boston +Joseph Knight Company + +MDCCCXCV + + + + + + + +CONTENTS + + GEORGIANA, DUCHESS OF DEVONSHIRE + Portrait by Thomas Gainsborough + + MARY, HONORABLE MRS. GRAHAM + Portrait by Thomas Gainsborough. + + EMMA, LADY HAMILTON + Portrait by George Romney. + + MRS. SHERIDAN + Portrait by Sir Joshua Reynolds. + + MARGUERITE, COUNTESS BLESSINGTON + Portrait by Sir Thomas Lawrence. + + MARY ISABELLA, DUCHESS OF RUTLAND + Portrait by Sir Joshua Reynolds. + + LAVINIA, COUNTESS SPENCER + Portrait by Sir Joshua Reynolds. + + ELIZABETH, DUCHESS OF HAMILTON + Portrait by Catharine Read. + + MARIA, COUNTESS OF COVENTRY + Portrait by Gavin Hamilton. + + ELIZABETH, COUNTESS GROSVENOR + Portrait by Sir Thomas Lawrence. + + + + +[Illustration: GEORGIANA, DUCHESS OF DEVONSHIRE by GAINSBOROUGH] + + +HER GRACE OF DEVONSHIRE + + +The Dashing Duchess,--the impulsive, ebullient beauty whose smile +swayed ministers, and for whose favor princes were beggars! A +loveliness of manner, as of feature, such seductive color,--glowing +carnations,--and such golden-brown hair, with a fine figure, made up +an opulent personality, than which no more consummate type of beauty +has been preserved to us by painter or poet. + +Georgiana Spencer was the daughter of Lord Spencer, afterwards first +Earl Spencer; but her impulsiveness, her waywardness, and improvidence +were a legacy from her grandfather, "Jack" Spencer, the grandson and +special favorite of the beautiful Sarah, Duchess of Marlborough. Her +"Torismond," she called him. His was a career of profligacy, a course +of error and extravagance. His mother was Lady Sunderland, known in +society as "the little Whig," from her small stature and her +persistent politics. Her party badge was always worn,--the black patch +on the left side of the face, as distinguished from the Tory fashion +of wearing it on the right side. So Georgiana came legitimately by her +beauty, her Whiggish politics, and her versatile vivacity of manner, +as well as her improvidence and indiscretion. + +But her mother's strong character was a potent influence. She was the +daughter of the Right Honorable Stephen Poyntz, and was of high repute +for generosity, for sensibility, for charity, and for courteous +dignity of demeanor. We hear of Georgiana being a beautiful child; and +Reynolds as well as Gainsborough, both made painted record of that +childish beauty. Her brightness of mind gave her an interest in art, +in music, and in literature; and, though not proficient in the +practice of either, she had more than the society woman's knowledge of +them. At seventeen, she married William, fifth Duke of Devonshire, +ten years her senior. His was a temperament antipathetic to +hers,--unsympathetic, unimpressionable, and taciturn, yet withal of +the Cavendish characteristic persistency of purpose and honest intent. + +The Duchess at once became a queen of society in the Carlton House +Court. Devonshire House was an assembly place for the Whigs; and its +lovely mistress was the hostess of many a statesman exalted by his +wit, as of many a politician with following by virtue of his station. +Like all radical companies, it was a motley mixture that found welcome +there. The Prince of Wales was a devotee. The then shining Sheridan +was a frequenter; but with the name of Fox has that of the Duchess +been more associated than of aught other. Her supremacy among these +companions was not in the manner of the French Salon leaders,--while +wit, knowledge, and tact were hers, she lived not by learning, but by +her liveliness and jollity. She was not the scholar in politics, but +the politician among scholars out of school. + +It was a roystering, revelling company; and political as well as +personal penury became the portion of many as the result of these +improvident and profligate days. The episode of the Duchess's career +which is most known, is her purchase, by a kiss, of a vote for Fox +when she was championing his cause in an election, and canvassing for +votes in company with her sister, Lady Duncannon. It was said, "never +before had two such lovely portraits appeared on a canvass." A butcher +bargained for his vote by asking a kiss from the lovely lips of the +seductive Duchess. The price was paid, amid the plaudits of the crowd. +An Irish elector, impressed by the fair appellant's vivacity, +exclaimed: "I could light my pipe at her eyes." + +Fox was elected for the Tory borough of Westminster, and great was the +rejoicing at Carlton House. A _fête_ was given on the grounds the day +following, and the ordinarily well-apparelled Prince appeared in a +superb costume of the radical colors, blue and buff. This was the +period of the Duchess's greatest glory, as well as of her most superb +charm of personality; and it was about this period that Gainsborough +painted his perennially delightful presentment of her. She was then +twenty-seven years of age, and had been married ten years. Wraxall +wrote what is probably the best contemporary description of her: "The +personal charms of the Duchess of Devonshire constituted her smallest +pretensions to universal admiration; nor did her beauty consist, like +that of the Gunnings, in regularity of features, and faultless +formation of limbs and shape; it lay in the amenity and graces of her +deportment, in her irresistible manners, and the seduction of her +society. Her hair was not without a tinge of red; and her face, though +pleasing, yet, had it not been illuminated by her mind, might have +been considered an ordinary countenance." + +It is said of Gainsborough that, while painting the Duchess, "he drew +his wet pencil across a mouth all thought exquisitely lovely, saying, +'Her Grace is too hard for me.'" + +The lady later knew the cuts of comment, and the keen pain of +justifiable jealousy. The rival in her husband's attentions was Lady +Elizabeth Foster, daughter of the Earl of Bristol, a brunette of +handsome presence, and at the death of Georgiana, in 1806, she became +the second wife of the Duke. There was an apparent friendship between +the ladies, and Lady Elizabeth for a time lived under the same roof as +the Duchess. + +Madame d'Arblay, in 1791, visited her at Bath, and made record then of +her introduction to the Duchess, and indicated the premonition of +trouble in this wise. "Presently followed two ladies; Lady Spencer, +with a look and manner warmly announcing pleasure in what she was +doing, then introduced me to the first of them, saying, 'Duchess of +Devonshire, Miss Burney.' She made me a very civil compliment upon +hoping my health was recovering; and Lady Spencer then, slightly, and +as if unavoidably, said, 'Lady Elizabeth Foster.'" Gibbon said of the +latter, that, "No man could withstand her; and that if she chose to +beckon the Lord Chancellor from his woolsack, in full sight of the +world, he could not resist obedience." Reynolds painted a portrait of +her, showing a bright-eyed, smiling lady, with close-curled hair, of +girlish appearance. In Samuel Rogers's "Table Talk" are several +mentions of the famous Georgiana, and especially one which tells of +her love for gambling. "Gaming was the rage during her day; she +indulged in it, and was made miserable by her debts. A faro-table was +kept by Martindale, at which the Duchess and other high fashionables +used to play. Sheridan said that the Duchess and Martindale had agreed +that whatever they two won from each other should be sometimes +_double_, sometimes _treble_, what it was called. And Sheridan assured +me that he had handed the Duchess into her carriage when she was +literally sobbing at her losses, she having lost fifteen hundred +pounds, when it was supposed to be only five hundred pounds." A life +such as she then led surely affected her appearance. In 1783, Walpole +wrote: "The Duchess of Devonshire, the empress of fashion, is no +beauty at all. She was a very fine woman, with all the freshness of +youth and health, but verges fast to a coarseness." + +The offspring of the Duchess Georgiana were: Georgiana Dorothy, +afterwards Countess Carlisle, whose letters were lately published, and +exhibit an original observation and a terse style of record; Henrietta +Elizabeth, later Countess Granville; and a son, who succeeded to the +Dukedom. About the latter's birth was some mystery; insinuation was +active. The Duchess had little liking for domestic life, so normal +neglect of child may have been construed into an unnatural dislike. +Her son never married. Through the stress of the home infelicity, her +beauty waned; but her bearing and breeding kept her paramount in her +set. She is known to this later generation only as a superb beauty who +stands with such opulent charm of costume, and of fine hauteur of +manner, amid the noble groves of Chatsworth--as the once potential +original of Gainsborough's greatest portrait. "The bust outlasts the +throne, the coin Tiberius." + +A most pathetic tribute to the beauty of the Duchess was paid by +"Peter Pindar" (Dr. Wolcot), who addressed "A Petition to Time in +favor of the Duchess of Devonshire," and implored the Inexorable +thus:-- + + "Hurt not the form that all admire. + Oh, never with white hairs her temple sprinkle! + Oh, sacred be her cheek, her lip, her bloom! + And do not, in a lovely dimple's room, + Place a hard mortifying wrinkle. + + "Know shouldst thou bid the beauteous duchess fade, + Thou, therefore, must thy own delights invade; + And know, 't will be a long, long while + Before thou givest her equal to our isle. + Then do not with this sweet _chef-d'oeuvre_ part, + But keep to show the triumph of thy art." + +A dramatic fate has befallen the original canvas. In 1875, it was sold +at auction, and was bought by a firm of dealers for the then highest +price paid for a single picture in England. The publicity gained by +this was taken advantage of by the purchasers to exhibit the picture. +One morning when the gallery was opened, the frame only was there; the +picture had vanished. The canvas is lost. + + + + +[Illustration: MARY, THE HONORABLE MRS GRAHAM by GAINSBOROUGH] + + +LOVELY MARY CATHCART + + +Like the happiest countries that have no history, the tranquil life of +joyous content leaves little to chronicle. Only in the nobility of +character of a husband who grieved her loss for years, and in his +strong dignity, and devotion to her memory, do we get a hint of the +gracious and good lady whom Gainsborough has made immortal for us. + +And in that phrase of her lifetime, "lovely Mary Cathcart," is a whole +biography of benignity and beauty. She came of one of the most ancient +and noble families in Scotland, and was the daughter of the ninth +Baron Cathcart, called "Cathcart of Fontenoy." Her brother William +became the tenth Baron, and afterwards the first Earl Cathcart. He had +studied law, but abandoned it for the army, and had a gallant career +therein; becoming a lieutenant-general in 1801, and commander-in-chief +of the expedition to Copenhagen in 1807; afterwards acquiring +reputation as ambassador for several years at St. Petersburg. He was +perhaps the earliest of British noblemen to marry American beauties; +having wedded the daughter of Andrew Elliott of New York, in 1779. + +In November, 1774, there was rejoicing among the retainers of the +House of Cathcart, for there was to be a double wedding. The eldest +daughter, "Jenny," was married to the Duke of Athole, that same Duke +who became a friendly patron of Burns, and in reference to whom the +poet writes, when addressing some verses to him: "It eases my heart a +good deal, as rhyme is the coin with which a poet pays his debts of +honor and gratitude. What I owe to the noble family of Athole, of the +first kind, I shall ever proudly boast; what I owe of the last, so +help me God, in my hour of need I shall never forget." + +The second sister, the Hon. Mary, was married to Sir Thomas Graham of +Balgowan, a descendant of the Marquis of Montrose and of Graham of +Claverhouse. The youngest sister, Louisa, later became Countess of +Mansfield, and her portrait, by Romney,--a seated profile figure with +flowing draperies,--is that artist's most masterly work. + +After eighteen years of happy married life, she died childless; one of +those good women that were-- + + "True in loving all their lives,"-- + +"a surpassing spirit whose light adorned the world around it." Her +husband grieved greatly. He was ordered to travel to divert his +despair. He visited Gibraltar, and there the dormant martial spirit of +his ancestors was aroused by his environment. Though then forty-three +years of age, he immediately entered the army as a volunteer. He +rapidly rose in his profession, and had an especially brilliant career +in the Peninsular War. In 1811, he became the hero of Barossa, and in +the same year was made second in command to the Duke of Wellington. He +was created Lord Lynedoch of Balgowan, Perthshire, and frequently was +thanked by Parliament for his services. Sheridan said, "Never was +there a loftier spirit in a braver heart." And alluding to his +services during the retreat to Corunna, he said, "Graham was their +best adviser in the hour of peril; and in the hour of disaster, their +surest consolation." Scott eulogizes him in the poem, "The Vision of +Don Roderick," in the lines,-- + + "Nor be his praise o'erpast who strove to hide + Beneath the warrior's vest affection's wound, + Whose wish Heaven for his country's weal denied; + Danger and fate, he sought, but glory found. + + "From clime to clime, wher'e'r war's trumpets sound, + The wanderer went; yet, Caledonia, still + Thine was his thought in march and tented ground; + He dreamed mid Alpine cliffs of Athole's hill, + And heard in Ebro's roar his Lynedoch's lovely rill. + + "O hero of a race renowned of old, + Whose war-cry oft has waked the battle swell!" + +Old Dr. John Brown, of Edinburgh, wrote of a late Duke of Athole: +"Courage, endurance, stanchness, fidelity, and warmth of heart, +simplicity, and downrightness, were his staples." They are ever the +staples of the Scotch character, and they were all pre-eminent in Sir +Thomas. His life was noble, and his affection was faithful to its +early troth. + +A pathetic history attaches to this picture of Mrs. Graham: When its +subject died, the sorrowing husband had it bricked up where it hung, +and it was only by an accident that it was discovered at his death, in +1843. It now hangs in the National Gallery of Scotland at Edinburgh. +The present reproduction shows but a part of the picture, the figure +being full length. It has been excellently reproduced in etching by +both Flameng and Waltner. + +In 1885, a most comprehensive exhibition of Gainsborough's works was +made at the Grosvenor Gallery in London. At it was noted the important +part this painter had played in perpetuating the lineaments, bearing, +graces, and gownings of the great persons of the latter half of the +eighteenth century. + + "The lips that laughed an age agone, + The fops, the dukes, the beauties all, + Le Brun that sang and Carr that shone." + +There was seen The Hon. Miss Georgiana Spencer, at the age of six, and +again a later portrait of her as the Duchess of Devonshire,--she of +the then irresistibly seductive manners,--and her mother, Countess +Spencer, of whom Walpole wrote as being one of the beauties present at +the coronation of George III., in 1761. There, too, was Anne Luttrell, +daughter of Simon Luttrell, Baron Irnham, who married, first, +Christopher Horton, and, secondly, the Duke of Cumberland, brother of +the king. Of her Walpole wrote: "There was something so bewitching in +her languishing eyes, which she could animate to enchantment if she +pleased, and her coquetry was so active, so varied, and yet so +habitual that it was difficult not to see through it, and yet as +difficult to resist it." And here was another widow who captivated +royalty, Mrs. Fitzherbert, who was a daughter of Walter Smythe of +Bambridge, Hampshire, and married, first, Edward Weld, secondly, +Thomas Fitzherbert of Synnerton, Staffordshire (who died in 1781), and +was said to have been married to the Prince of Wales (George IV.) in +1785. And there also was a more notorious beauty, Miss Grace +Dalrymple, afterwards Mrs. Elliott,--though divorced later, and +becoming the mistress of various aristocrats, notably the Duke of +Orleans. + +The Duchess of Montagu, granddaughter of the great Duke of Marlborough +(one of the Churchills,--a family prolific of beauties), was there +seen. Several pictures of the painter's wife (who was a Miss Margaret +Burr), of his youngest daughter, Mary, afterwards Mrs. Fischer, and +one of his friend, Miss Linley, went to augment this superb +congregation of beauties shown. Portraits of Garrick,--that intensely +interesting Stratford portrait,--Earl Spencer, Pitt, Earl Stanhope, +Colonel St. Leger, George IV., Duke of Cumberland, George III., Earl +Cathcart, Canning, Dr. Johnson, Fox, and several showings of himself, +made up a body of work unsurpassed in importance by that of the +president of the Academy himself. + +Gainsborough was born in 1727; he moved to Bath, in its most brilliant +period, in 1760. He died in 1788, but had ceased contributing to the +Academy four years before, because of a disagreement with the hanging +committee. His portraits of ladies were always picturesque and +individual, each differentiated from each of his own works as well as +from that of other painters. + +This portrait of the Hon. Mrs. Graham is delicate in color, yellowed +somewhat by its long seclusion from the light,--and will remain one of +the most delightful and _spirituel_ creations of the old-English +school. + + + + +[Illustration: EMMA, LADY HAMILTON by ROMNEY] + + +Lady Hamilton + + +With the name of Lady Hamilton is ever associated the names of +England's most famous sailor and of one of her most famous painters. +Hers was a life redolent of ill-repute. Though her beauty was great, +it served her for ill purposes; but she came by her lack of character +by heredity. She was born in 1761, the daughter of a female servant +named Harte, and at the age of thirteen was put to service as a nurse +in the house of a Mr. Thomas of Hawarden, Flintshire. She found +tending children a tedious task, and forsook it. At sixteen, she went +to London, and became a lady's maid there. Her leisure time was spent +in reading novels and plays, which inspired a love for the drama. She +early developed a rare ability for pantomimic representation; and +this became a favorite form of entertainment in drawing-rooms and +studios. Her duties as a domestic agreed not with the drama, so her +next position was as barmaid in a tavern much frequented by actors and +artists. She formed the acquaintance of a Welsh youth, on whose being +impressed into the navy, she went to the captain to intercede for him. +The boy was liberated, but the comely intercessor was impressed into +the service of the captain. From him she went to live with a man of +wealth; but her extravagance and wilfulness induced him to forego her +company. Then followed a period of the lowest street degradation. From +this state she was taken by a Dr. Graham, who was a lecturer upon +health, and exhibited the finely-formed Emma as a perfect specimen of +female symmetry. She became the topic of the town. Painters, +sculptors, and others came to admire the shapely limbs shown under but +a thin veil of gauze. The young bloods of the time worshipped,--some +not afar off; and one of them, Charles Greville, of the Warwick +family, who had essayed to educate her to become a fit companion for +his elevated existence, maintained her for about four years. It is +recorded, that when he took her to Ranelagh's the sensation was +greater than had ever been produced by any other beauty there. Not the +winsome and witty Mrs. Crewe, nor her friend Mrs. Bouverie; not that +first flame of the amorous Prince of Wales, Mrs. Robinson, nor Anne +Luttrell, also beloved of royalty; not the Marchioness of Tavistock, +whose loveliness has been preserved to us by Sir Joshua, nor the +delightful Duchess of Buccleugh; not Lady Cadogan, and not even the +dashing Duchess of Devonshire herself,--caused the comment and +admiration this low-born unprincipled young woman now excited. Mr. +Greville would have married her had not his uncle, Sir William +Hamilton, interfered. It is variously stated that Sir William agreed +to pay his nephew's debts if he would yield up his mistress; and also +that, in endeavoring to free the young man, the old gentleman himself +fell into the snare of her charms. "She is better than anything in +Nature. In her own particular way she is finer than anything that is +to be found in Greek art," exclaimed this _savant_ on first seeing +her. She was a most enchanting deceiver, and a finished actress in the +parts of candor and simplicity, so succeeded in marrying Sir William, +in 1791. He was over sixty years of age, a man of much classical and +scientific erudition, and had been for many years ambassador at the +court of Naples, to which place he was soon accompanied by his bride. +She became a favorite with the queen, and a frequent visitor at the +palace, also somewhat of a social success among the British residents. +She sang well, and made a specialty of showing herself in "attitudes," +or what we term now "living pictures," for the delectation of her +guests. "You never saw anything so charming as Lady Hamilton's +attitudes," wrote the Countess of Malmesbury to her sister, Lady +Elliot; "the most graceful statues or pictures do not give you an idea +of them. Her dancing the Tarantella is beautiful to a degree." It was +here began that intimacy with Nelson which became the great blot on +his fair fame. He was then commanding the Agamemnon, and she became +his constant companion, and was sometimes useful to him as a political +agent. After the victory of Aboukir Bay, when Naples went wild in its +enthusiastic reception of the naval hero, Lady Hamilton shared the +honors of the pageant. She accompanied him in a tour through Germany; +and most reprehensible was their conduct, at times, in defying the +decencies of polite life. After the Treaty of Amiens, Nelson, +accompanied by Sir William and Lady Hamilton, retired to his seat at +Merton, in Surrey, and on the death of the ambassador, in 1803, he +vainly endeavored to procure an allowance from the government for the +widow, on the pretext of the services she had rendered the fleet in +Sicily. Failing this, he himself granted her an annuity of twelve +hundred pounds. We all know how at Trafalgar, when the hero was dying, +he spoke of "dear Lady Hamilton, his guardian angel," and left to her +all his belongings, and recommended her to the grateful care of his +country. Notwithstanding this, she died almost in poverty, in 1815. +In 1813 she had been imprisoned for debt, and when out on bail she +fled to Calais, and there the career was closed. It was extraordinary +that this woman should subjugate and hold in thrall men of great force +of character. She had great loveliness of person; but physical beauty +alone is ineffectual to charm such as these. Though not regularly +educated, she acquired much general knowledge, and was tactful in the +display and use of it. + +It was during the period of her posing for Dr. Graham, that Romney +became enamoured of her beauty, and painted for us more than a dozen +important pictures of her. Those were the days when ladies of rank and +beauty were deified; and, following this fashion, Romney rendered +"Fair Emma" in many guises. Her ability in acting made her a most +useful model. Her features had much mobility, and were capable of +expressing, with facility, all gradations of passion and niceties of +feeling. Emma took pride and pleasure in serving Romney. He repeated +to his friend, the poet Hayley, her request, that in the biography of +the painter, Hayley would have much to say of her. One of his earliest +classical conceptions painted from her, was a full length of Circe +with her wand. Following this was a "Sensibility," which became the +property of Hayley. Though we remember Romney chiefly in connection +with his Lady Hamiltons, yet he had acquired his reputation and much +fortune ere he met her. The great bulk of his portrayals of the +nobility preceded his classical subjects, which took form from his +superb model. She was Cassandra; she was Iphigenia, St. Cæcilia, +Bacchante, Calope, The Spinstress, Joan of Arc, The Pythian Princess +Calypso, and Magdalene,--the two latter subjects painted to order for +the then Prince of Wales. + +Allan Cunningham has this to say in his sketch of Romney's life: "A +lady in the character of a saint. This sort of flattery, once so +prevalent with painters, is now nearly worn out: we have now no Lady +Betty's enacting the part of Diana; no Lady Jane's tripping it +barefoot among the thorns and brambles of this weary world, in the +character of Hebe. We have none now who either 'sinner it or saint it' +on canvas; the flattery which the painter has to pay is of a more +scientific kind,--he has to trust alone to the truth of his drawing +and the harmony of his colors." + +Romney was a transgressor in this way at times; but Lady Hamilton's +form was used to impart correct form to the conceptions of the +painter,--not the theme used merely to exploit the beauty of the lady. +In the exhibition of fair women in the Grafton Gallery in London this +summer, she greeted us in the guise of Ariadne. In this the painter's +use of the title was apt and justifiable. Here is the lady wholly +clothed in the dress of the time,--a dress superb in its simplicity; +but her pose and mien is indicative of the forsaken, the forlorn, +despairing woman abandoned by her lover,--the fate of which the old +story of the Greeks is the eternal epitome. The pathos of the pose, it +may have been, as well as the classic face, allured the wanderer in +the galleries, and anchored him before this canvas. + +The fame of Romney has steadily risen in the several generations from +the beginning to the end of the century. Though the painter of many +men of fame and ladies of fashion, his work was not held in the +greatest regard in his lifetime. Though often spoken of as the rival +of Reynolds, he had not the president's grasp of character or his +ability in giving classic grace to the dress of the period, and he was +never admitted as a member to the Academy. + +When Lady Hamilton commenced posing for him, he, perhaps wisely for +his fame, reduced the number of his ordinary sitters, receiving none +until afternoon. The picturing of what he termed "her divine beauty" +became a passion with him; and the enthusiasm of the sitter was nearly +as great as that of the painter, and she enacted his classic +conceptions. The result is a superb series of pictures of faultless +female form, and loveliness of feature. Of the model's immoral career +we have naught now to do. Here is perpetual beauty, and it is ours to +enjoy. + + + + +[Illustration: MRS SHERIDAN by REYNOLDS] + + +ST. CÆCILIA + + +There are few names more associated with the brilliant days of Bath, +the days of its social and artistic prominence, than those of Thomas +Linley, the composer, and of his daughter, Eliza Anne, known abroad as +"the Fair Maid of Bath." Linley was born there, in 1735; and after his +studies in music on the Continent, under Paradies, he returned to the +then fashionable city on the Avon. He conducted oratorios and concerts +there, and became a power in the community. Delicacy, tenderness, +simplicity, and taste were the characteristics of his compositions. It +was said of him, that as Garrick had restored Shakspeare, so Linley +has restored the sublime music of Handel. He trained his family to +take part in the performances. His son Thomas, born in 1756, +developed a marvellous ability in music,--playing the violin with +great brilliancy and expression. He was the friend of Mozart, and took +at times his father's place as conductor of the oratorios. His career +was cut short by drowning, in 1778. + +But it was his beautiful daughter Eliza, born in 1754, who made the +sensation of the time, when she sang with her sister, afterwards Mrs. +Tickell. "A nest of nightingales," the family was termed. Walpole +writes, in 1773: "I was not at the ball last night, and have only been +to the opera, where I was infinitely struck with the Carrara, who is +the prettiest creature upon earth. Mrs. Hartley I own to still find +handsomer, and Miss Linley, to be the superlative degree. The king +admires the last, and ogles her as much as he dares to do in so holy a +place as an oratorio, and at so devout a service as 'Alexander's +Feast.'" Musical prominence and personal beauty in this maid of but +twenty made her an attractive flower in bloom to others than the king. +The wits and gallants of the gay city sought and courted her. The +family of Tom Sheridan, the Irish actor, and then a teacher of +elocution in Bath, was intimate with the Linley family. Richard, who +was born in Dublin in 1751, his elder brother Charles, and Nathaniel +Halhed, a companion and literary partner with Richard, all admired the +daughter Eliza. Halhed went to India,--afterwards becoming a judge +there,--and Charles Sheridan retired from the race, and left the +literary youth to win as pure a heart as ever cheered incipient genius +to works of worth. She was lauded in verse by her young Irish suitor, +and championed in deed. He asserts his constancy in a poem, of which +the first stanza is-- + + "Dry that tear, my gentlest love; + Be hushed that struggling sigh; + Nor seasons, day, nor fate shall prove + More fixed, more true than I. + Hushed be that sigh, be dry that tear; + Cease boding doubt, cease anxious fear; + Dry be that tear." + +He proves his devotion by his action when appealed to by his +divinity. + +A certain Captain Matthews, one of a numerous breed in Bath in those +days,--that is, a fashionable scoundrel and a married man,--made +himself obnoxious to Miss Linley by improper addresses. He annoyed and +harassed her, threatening to destroy himself unless she gratified him, +and later attempted to sully her reputation by calumnies. This brought +about the culmination of her attachment to Sheridan. She fled her +father's house and sought the protection of her lover. Accompanied by +a chaperon, they left for France. After some romantic adventures, they +were married in March, 1772, at a little village near Calais; but it +was a wedding without the wherewithal to maintain a home, so the bride +entered a convent, and, later, the house of an English physician, +until literature should be remunerative. The eloping lady's father +sought the runaways; and, after some explanations, they returned with +him to England. It was shortly after this that Sheridan fought two +duels with Matthews, being wounded in the later one to such an extent +that his recovery was doubtful. "Sweet Betsy" claimed the right of a +wife to tend her hurt husband, and so revealed the fact of the +marriage in France. The old actor rejected his impulsive son, but +Linley's aversion to the union of his daughter being at last set +aside, the pair were re-married in England in April, 1773. + +The sweet singer had been admired by another, an elderly suitor of +much fortune, whom her father had approved, but to whom she was +averse. This gentleman now became the benefactor of the pair. He +settled a moiety of three thousand pounds on the bride. Her father +retained half of this as compensation for the loss of the services of +his daughter. On the balance, the youthful couple lived. Sheridan had +entered himself a student of the Middle Temple shortly before his +marriage. Though their income was small, he would not allow his wife +to accept several proffered professional engagements; he did not wish +his helpmeet to become a servant of the public. This action incited +some discussion, and much acrimonious comment, in her family and among +their friends. Johnson upheld his course. Sheridan, in this instance, +understood himself and understood the times. He knew of the flippant +attitude of the young blades of the town toward all public performers; +so he sought to save her, who was so sacred to him, from such insult, +insincere adulation, and insinuation as she had heretofore suffered +from. They retired to a cottage at East Burnham; and there she, who +had received the plaudits of the public as a vocalist, won as noble a +name in the character of the ideal wife, one in whom were united all +the attributes of loveliness,--temper, manners, virtues, and +surpassing beauty. What the then public lost, later generations have +gained in the picture of that lovable woman, making a golden age of +happiness for her greatly-gifted husband in the little cottage at East +Burnham. + +Fanny Burney records her pleasant impressions of the bride,--"I was +absolutely charmed at the sight of her. I think her quite as beautiful +as ever, and even more captivating; for she has now a look of ease and +happiness that animates her whole face. Miss Linley was with her; she +is very handsome, but nothing near her sister; the elegance of Mrs. +Sheridan's beauty is unequalled by any I ever saw, except Mrs. Crewe. +I was pleased with her in all respects. She is much more lively and +agreeable than I had any idea of finding her; she was very gay, and +very unaffected, and totally free from airs of any kind." + +In 1775, the husband's genius was acknowledged by the town; for in +January, that year, was first presented "The Rivals." In that play he +draws from the material displayed by the superficial, flashing, and +piquant society of the day at Bath, and from his own experience the +inimitable duel scene therein. + +Much success followed for the dramatist. In the following year, in +conjunction with his father-in-law, he purchased from Garrick the +Drury Lane Theatre. They brought out several operas together; Linley's +music in "The Duenna" and "The Beggar's Opera," being especially fine. +Hazlitt speaks of the songs in them as having a joyous spirit of +intoxication, and strains of the most melting tenderness. + +In 1777, appeared "The School for Scandal," a theme also suggested by +scandal-mongering Bath. His fond and faithful wife lived not to see +the dimming of the genius that produced these classics; she died of a +decline, at Bristol, in 1792. Her daughter, too, died within the same +year. Two of her accomplished descendants, through her son, have +displayed some of her romantic taste and charm of manner to a +generation just preceding our own,--her granddaughters, Lady Dufferin, +mother of the English ambassador to France, and Hon. Caroline Norton, +author of "Love not, love not, ye hapless sons of men." + +Though she whom he had adored was but three years dead, Sheridan +married, in 1795, Esther Jane Ogle, daughter of the Dean of +Winchester. With her he obtained some money and this, added to his +own, purchased the estate of Polesdon, in Surrey. His wife was, at +that time, spoken of as young, amiable, and devoted to him. She died +at about the same time as he, in 1816. + +In the first flush of those romantic wedded days of their youth how +impressive must have been the appearance of that markedly clever young +man, eager in the fight for fame, and of his beauteous bride from +Bath. Reynolds painted, in 1779, the standard presentment of Sheridan. +Walpole's comment on it was: "Praise cannot overstate the merits of +this portrait. It is not canvas and color, it is animated nature--all +the unaffected manner and character of the great original." The artist +said that among all his sitters none had such large pupils of the +eyes. With the brilliance of that mind informing the face, his +features, though not regular, were handsome. Of all the portraits of +Miss Linley, perhaps the one by Gainsborough, in which she is +portrayed with her young brother, gives the best idea of the special +character of her type of beauty. Here are the large lustrous eyes and +the very delicately modelled, sensitive, refined features; here, the +luxuriant hair, the slender neck, and the sloping shoulders; and here, +the superb poise of head and of mind. There is another fine picture of +her by Gainsborough, for this painter was one of the brilliant men +who frequented her father's house at Bath. A musician he was, too, +and an excellent performer on the violin, so was congenial company in +that musical family. He admired the daughter, and wrought for us the +delightful records of her beauty. His change of residence, from Bath +to London, coincided in date with that of the Sheridans. Opie, too, +painted her portrait; not an ideal one, but good in respect to her +eyes. And Romney has given us good pictures both of her and Mrs. +Tickell. Reynolds's portrayal is supreme in indicating the exaltation +of spirit, by the poise of head and perfection of profile. This +picture of her as the patron saint of song was exhibited at the +Academy, in 1775, just about the time its subject had abandoned public +singing. It has been most beautifully engraved by Bartolozzi, and +ranks as one of his best plates. When the days of sorrow came to +Sheridan,--when his weaknesses of character brought him to a low +estate; when poverty became his portion, and the long lost days of +romantic love became but a memory; when treasure after treasure, +manuscripts, and sumptuous books were disposed of, and presentation +pictures were pawned,--this picture of St. Cæcilia, a reminder of the +days that had vanished, was the last valued possession to be parted +with. + + + + +[Illustration: MARGUERITE COUNTESS OF BLESSINGTON by LAWRENCE] + + +LADY BLESSINGTON + + +The brilliant Blessington,--brilliant in beauty and in intellect! +Throughout her life of romance she was fortunate in her literary +friendships, through whom a knowledge of her abilities has grown to +tradition, but most fortunate in the portrayer of her beauty. Lawrence +has painted a picture which it is a perpetual pleasure to behold,--the +superb arms and shoulders, the serene, steadfast gaze of the eyes, and +the conscious, yet confident, poise of the head forming a record to +justify the tradition of great personal beauty and alertness of mind. + +Marguerite Blessington's youth was ill-regulated and penurious. She +was born in 1789, the second daughter of Edmund Power, of Knockbrit, +near Clonmel, in the county of Tipperary. Her father came of a good +family, as did also her mother, who spoke unduly often of her +ancestors, the Desmonds. Marguerite was not comely in her early +girlhood, though her sister Ellen and her brother Robert were handsome +children. As a child, she was sensitive and sentimental, and her +delight was to browse in a library,--and it was this taste that +equipped her for her later friendships. Her power of imagination was +uncommonly strong, and she became the entertainer of her +children-companions with stories of her own imagining, as well as by +her recitals of legends and romance learned in the library. Her father +removed to Clonmel, and became editor of a paper there. He was not +prosperous, and was a man of perverse temper, which grew with +adversity. Marguerite and her sister were fancied by some wealthy +maiden-lady relatives, and were taken by them to a home of comfort. On +their return to Clonmel,--beautiful, and with the distinction of +knowledge and a clever use of it,--they were a contrast to the +ordinary Irish country girl, whose whole equipment of dress and +accomplishments was "two washing gowns and a tune on the piano." The +girls took part in all the gayeties of the town, and, besides the +charm of their conversation, were graceful dancers; and though +Marguerite was less beautiful, she was most tasteful in dress, and +this became always a noted characteristic of hers. They became the +attraction of an English regiment recently stationed in the town, and +Marguerite was soon married, through the insistence of her father, to +a Captain Farmer, when less than fifteen years of age. This was the +great misfortune of her life. + +Her husband was subject to fits of insanity, and her whole feeling +towards him was that of aversion. Cruelty and caprice were the chief +components of his character. From his tyranny she fled,--first to her +father's house, but was denied solace there, so sought it elsewhere. +She led a somewhat vagabond existence for about nine years, living +first with one friend, then with another; thankful for any home, and +accommodating herself to any companions. Of this period of her life +not much is recorded, save her beauty, for it was shortly after this +that her peerless portrait was painted, ere her sorrow and suffering +had time to efface the vivacity of youth, but only to give depth to +the eyes and interest to the face. She lived in London with her +brother Robert until in 1817, when her husband's death occurred by his +falling out of a window when in a state of drunken frenzy. Four months +after this she became the second wife of an Irish nobleman of a +dashing person and little brains, Charles John Gardiner, second Earl +of Blessington, when she was twenty-eight and he was thirty-five years +of age. With this marriage came a reversal of her misfortunes. Her +generosity, sympathy, and good heart soon prompted the improvement of +the conditions of her own family, and in this gave emphatic evidence +of that devotedness to duty and friends which became her strongest +trait. Her youngest sister, Marianne, was adopted and educated by her, +and became her travelling companion, and long afterwards her modest +biographer. Her sister Ellen married first, Mr. Home Purves, and +afterwards, Viscount Canterbury, speaker of the House of Commons. + +Lord Blessington's income was great, but his tastes were extravagant +as were also his wife's, and luxurious was their home in St. James's +Square, and magnificent the manner in which they entertained the +brilliant society gathered there; and for three years their brilliant +companies of beauty and intellect outshone the congregations at +Holland House. In 1822, Count D'Orsay, a polished and accomplished +young Frenchman, visited London, and was made most welcome by the +Blessingtons. In August of that year they started for a leisurely tour +of the Continent. The Countess kept a diary during this journeying, +which was published in 1839, under the title of "The Idler in Italy," +revealing a keen observation and a capacity for entertaining comment. + +Her ladyship was ever ambitious of literary eminence. Possessed of +great beauty, and after a time high station and wealth, she yet +yearned for the recognition by great writers of her position as one of +them. She had published, previous to her continental trip, two +volumes,--one called "The Magic Lantern," the other, "Sketches and +Fragments," both being accounts of and comments upon London society; +both were unsuccessful. Her one book which will remain in literature +was consequent upon her meeting with Lord Byron in Genoa, in 1823, and +is a record of her conversations with the poet. She who aspired to +make her mark in literature has made it, but as the chronicler of the +sentiments, vanities, whims, and oddities of another. But it was no +ordinary ability that was competent to persuade the great poet, +usually unapproachable, to avow, in picturesque language, his opinions +on men, women, and manners,--to provide for later times the data from +which to gauge his strange personality. + +She has written much of herself into her records; and calumny urged, +at the time of publication, that she insinuated in her writings a far +greater degree of friendship on the poet's part than really existed. +Yet, in refutation of this is Byron's letter to Moore:-- + +"I have just seen some friends of yours, who paid me a visit +yesterday, which, in honor of them and of yours, I returned to-day, as +I reserve my bear-skin and teeth and paws and claws for our enemies. + +"Your allies, whom I found very agreeable personages, are Milor +Blessington and _épouse_, travelling with a very handsome companion, +in the shape of a 'French count' (to use Farquhar's phrase in the +'Beau's Stratagem'), who has all the air of a _cupidor déchaîné_. +Milady seems highly literary; to which, and your honor's acquaintance +with the family, I attribute the pleasure of having seen them. She is +also very pretty, even in a morning; a species of beauty on which the +sun of Italy does not shine so frequently as the chandelier." + +The Countess Guiccioli was among those who depreciated the +Blessingtons' accounts of the conversations; but then, perchance, +there may have been some jealousy of the attractive English woman's +influence over the poet. The Blessingtons left Genoa in June of 1823, +and continued their journeyings throughout Italy until 1828. In the +preceding year, Count D'Orsay had become the husband of the Earl of +Blessington's daughter, Lady Harriet Frances Gardiner, when she was +but little over fifteen years of age; but they lived together but +three years. In 1829, the Earl died in Paris; and the Countess +continued there until after the Revolution of 1830, when she returned +to England. Her journal of the trip from Naples to Paris, and her stay +in that city, was published in 1841, under the title of "The Idler in +France." In England she took a house in Seamore Place, Mayfair, and +later removed to Gore House, Kensington, with which place is +associated the traditions of her elegant entertainings and her +intercourse with many men of eminence, but also with a course of +living which compromised her reputation in society. Her son-in-law, +the Count, continued to form one of her household, though separated +from his wife, the Lady Harriet. Though not received in general +society, the Countess surrounded herself with celebrities of all +nations; and it was at her house that Louis Napoleon was a cherished +guest in his years of exile, and from whence he proceeded to head the +government of France. Here Bulwer came as perhaps her most intimate +friend; here Thackeray was made most welcome, and Lord John Russell +and Lord Palmerston, Canning and Castlereagh were frequent guests. +Dickens,--then a dandy like unto D'Orsay, who seemed to be his +model,--"Rejected Addresses" Smith, the banker-poet Rogers, Kemble, +Wilkie, and Dr. Parr engaged in sparkling converse with their hostess, +who sat in a deep arm-chair while Tom Moore was privileged to perch +himself on a footstool at her feet; and by all these men she was +held in unqualified respect. Her income became impaired and unequal to +the expense of entertaining. She resorted to literature to add to her +resources. She was engaged by Heath, the engraver, to edit a certain +class of annuals popular in those days. For some years her income from +"The Keepsake" and "The Book of Beauty" exceeded one thousand pounds a +year. Her novels, too, were a source of some profit. For "Strathern" +she received about three thousand dollars. These romances were weak in +character and plot, but were fair pictures of society portrayed with +much piquancy. In one, "Grace Cassidy," she describes interestingly +scenes of her youth in Ireland. But interest in her work waned, and as +she seems not to have thought of retrenchment of her expenditure, +disaster rapidly descended. In 1849, she had perforce to sell out, and +then moved to Paris, where she died in the same year. She was buried +at Chambourcy, near St. Germain-en-Laye, the residence of the Duc and +Duchesse de Grammont, the sister and brother-in-law of Count D'Orsay. + +She was a woman of great tact, of a sweet delicacy of manner, and of a +chivalrous devotedness to friendship. Her friends were carefully +chosen, and never deserted. Perhaps no woman of the century has had so +many men of mark as her friends and admirers. She had charity towards +others' failings. She gave pleasure where she could. She was elegant +and dignified in her bearing, though possessed of Irish wit withal. +She was very beautiful. + +Lord Byron was induced to sing the praise of her picture here +given:-- + + "Were I now as I was, I had sung + What Lawrence has painted so well; + But the strain would expire on my tongue, + And the theme is too soft for my shell. + + "I am ashes where once I was fire, + And the bard in my bosom is dead: + What I loved I now merely admire, + And my heart is as gray as my head. + + "Let the young and the brilliant aspire + To sing what I gaze on in vain, + For sorrow has torn from my lyre + The string which was worthy the strain." + + + + +[Illustration: MARY ISABELLA DUCHESS OF RUTLAND by REYNOLDS] + + +HER GRACE OF RUTLAND + + +Rowlandson, the caricaturist, once published a cartoon entitled "Juno +Devon, All Sublime." The rival goddesses in competition with her +before that modern Paris, the Prince of Wales, being their Graces of +Gordon and Rutland. Beyond the various written records of the opposing +beauty of those aristocratic dames who dominated society in their day, +we have ample painted evidence of their loveliness. Of her Grace of +Devonshire, we have, first, the engraved renderings of "the lost +Gainsborough." There are other Gainsboroughs, too,--Georgiana as a +child, and a full-length of her standing at the edge of a lawn, her +face looking down, wearing a white dress, her right elbow on the base +of a column, a scarf in both hands, her hair piled high, but without +the hat, as in the more famous picture. There are then several by Sir +Joshua. The first, where she stands as a child beside her mother; +then, she as a mother with her own child,--a very charming profile, +and a picture that insinuates the vivacity of demeanor and the abandon +so characteristic of her. + +Walpole wrote of this as "Little like and not good." Yet, as to +goodness, a modern authority has said: "It is a superb work; and, in +motive, color, and composition, it ranks as a triumph alike of nature +and art." Again, there is a whole-length showing her about to descend +some steps to a lawn, her superb shoulders and neck bare, and her hair +highly bedecked with feathers. Walpole writes of another portrait, +drawn by Lady Di Beauclerck, and engraved by Bartolozzi: "A Castilian +nymph conceived by Sappho and executed by Myron, would not have had +more grace and simplicity. The likeness is perfectly preserved, except +that the paintress has lent her own expression to the Duchess, which +you will allow is very agreeable flattering." In the Royal collection +of miniatures at Windsor, are three charmingly executed ivories of her +by Cosway. Lawrence, too, made a chalk drawing of her, which now hangs +at Chiswick House, in the room in which Charles Fox died. This is an +interesting work from being a very early effort of the after-time +President of the Academy, and showing that then he had not attained +the trick of flattering his sitters, even when they were noted +beauties. Angelica Kauffman painted her, and John Downman also made a +portrait replete with elegance and picturesqueness. In fact, the +comely Duchess pervaded the art of the period. Of her Grace of Gordon, +we have, as our ideal presentment of her, the portrait by Sir Joshua. +In it her hair is done up high, and two rows of pearls are intertwined +therein. The dress is of the Charles the First period, and shows the +sweetly modulated shoulders leading up to-- + + "The pillared throat, clear chiselled cheek, + High arching brows, nose purely Greek, + Set lips,--too firm for a coquette." + +We have also an interesting portrait of her by Romney. + +Of her Grace of Rutland, we have also several pictures by Sir Joshua. +There is a whole-length with a decorative head-dress, and a landscape +background. The original of this was destroyed by fire at Belvoir +Castle. Another, a half-length, in the same costume, and a +three-quarter face, is mostly pervaded by a serene sense of pride. +There is a drawing of her done by the Hon. Mrs. O'Neil, which is +interesting from the picturesque head-dress shown. Her Grace of +Gordon was as great a power in the political world as she of +Devonshire,--probably greater, for her alliance and principles were +with the ruling power. This lady was to Pitt's party what Fair Devon +was to Fox's. In fact, it was asserted she endeavored to marry her +daughter, Lady Charlotte, afterwards Duchess of Richmond, to the +premier. When Georgiana made her famous canvass in favor of Fox, the +Tories opposed to her the Scotch Duchess. + +She lived and entertained then in a splendid mansion in Pall Mall; and +there assembled the adherents of the Administration. + +Jane was the daughter of Sir William Maxwell, of Monreith, and in her +youth, even, was noted for beauty. A ballad, "Jenny of Monreith," +written in her honor, was often chivalrously sung by her son George, +the last Duke of Gordon. "Jenny" married the fourth Duke, Alexander, +in 1767. The career of the Duke's youngest brother George, identified +with the "Gordon Riot," caused the family much embarrassment, and even +threatened to derogate from the Duchess's dominance with the ruling +party. + +Her Grace was of somewhat stronger fibre than she of Devon; more +masculinity, ay, even more principle, characterized her. Thrift was a +visible virtue, in contrast to Georgiana's improvidence. Command, +rather than cajolery, was her political method. Her later life was +devoted to securing sons-in-law; three dukes, a marquis, and a knight +were of her garnering. She was on good terms with the Regent, and +endeavored to aid him in his differences with his Princess Caroline. +She is remembered, too, as a patron and friend of Dr. Beattie, the +poet, who has eulogized her in these lines "To a Pen":-- + + "Go, and be guided by the brightest eyes, + And to the softest hand thine aid impart; + To trace the fair ideas as they arise, + Warm from the purest, gentlest, noblest heart." + +The third in that group of goddesses was surely the fairest of them +all, of more perfect form, more noble bearing, having that ultimate +element of the greatest beauty,--distinction. She came of a longer +lineage, and was the consummate flower of beauty wrought by the sun +and summers through many generations of patrician life,--life amid the +palatial parks, the superb scenery, and majestic castles of England. +Such living weaves its sweetest elements into the tissues of the being +and works a spell of loveliness such as Lady Mary Somerset. She was +the youngest daughter of Charles, fourth Duke of Beaufort, a +descendant of the Plantagenets. In 1775, she was married to Lord +Charles Manners, eldest son (born in 1754) of John,--that Marquis of +Granby whom Junius attacked, who was associated in the government, in +George the Second's time, with the Earl of Chatham. The Marquis was a +man of much force, and a most hospitable entertainer. He died before +his father, the third Duke of Rutland. + +Lord Charles succeeded to the dukedom in 1779. He had formed a +friendship at Cambridge with Pitt, the son of his father's colleague, +and through his influence Pitt entered Parliament. In 1784, he was +induced by the young premier to accept the Lord-Lieutenancy of +Ireland, and it is with the lavish entertainment and high revelries at +Dublin Castle that his name and that of his beautiful Duchess is +connected. + +High living soon told its tale, for the Duke died in 1787, at the +early age of thirty-three. Though having the most beautiful wife in +England, his affections wandered, and tales are told of his attachment +to that siren singer, Mrs. Billington. The Duchess's manner had +somewhat of levity and much coquetry in it, though she could not be +classed with that company who have not time to be virtuous. At the +time of her lord's death, she was living with her mother, the Dowager +Duchess of Beaufort, in Berkeley Square, London, having been partially +estranged from her husband. On hearing of his illness, she started to +set out for Dublin; but a message of his death came fast upon the +trail of the first news. Perchance it was this estrangement at death, +this having parted in anger without the chance of reconciliation in +life, that affected her so deeply that, though sought by many suitors, +the widow was true to the memory of her late lord. Her son, John +Henry, succeeded to the title; and his bride, a daughter of the Earl +of Carlisle, was also known as a beauty, and her portrait was painted +by Hoppner, in 1798. It was she of whom Greville wrote in his Memoirs, +and commented on her lack of taste in spoiling the magnificent Castle +of Belvoir, the pride and glory of the Eastern Midlands. + +The beauty of the Duchess Mary Isabella was statuesque, classical; her +features were noble. She received admiration as her right, but gave +not largesse of smiles and wit in return. She was not as the Devonian +divinity, "The woman in whose golden smile all life seems enchanted." + +Wraxall writes of a lady telling of witnessing a prenuptial display of +her person, and being entranced by lithe limb, by the fine and +faultless form. Reynolds has hinted at the beauteous body, and the +hint ensnares us. Verily, "the visible fair form of a woman is +hereditary queen of us." Wraxall also likens the Duchess to an +older-time beauty, Diane de Poitiers,--that famous lady of France, the +favorite of François I. and Henri II. Of that lady's beauty, it was +written, that it was of the form and feature rather than the radiance +of the mind and manner transforming them; and like her, too, our +Duchess retained her beauty to an advanced age. She died in 1821. To +the last, she impressed one with her dignity, her nobility, her +loveliness. + + "And they who saw her snow-white hair. + And dark, sad eyes, so deep with feeling, + Breathed all at once the chancel air, + And seemed to hear the organ pealing." + + + + +[Illustration: LAVINIA COUNTESS SPENCER by REYNOLDS] + + +LAVINIA + + +In March, 1781, Walpole writes to a friend: "As your lordship has +honored all the productions of my press with your acceptance, I +venture to inclose the last, which I printed to oblige the Lucans. +There are many beautiful and poetic expressions in it. A wedding, to +be sure, is neither a new nor a promising subject, nor will outlast +the favors; still, I think Mr. Jones's ode is uncommonly good for the +occasion." The ode was "The Muse Recalled," and the occasion the +nuptials of Lord Viscount Althorp and Miss Lavinia Bingham, eldest +daughter of Sir Charles Bingham, created, in 1776, Baron Lucan of +Castlebar. Sir Charles was a man of culture, who was intimate with +Johnson, Goldsmith, Gibbon, Reynolds, and Burke. He is frequently +pleasantly mentioned by Boswell. He had married, in 1760, Margaret, +daughter of James Smith, M.P., a lady of great good sense and rare +accomplishments, and three lovely daughters were the issue from this +union. Reynolds found in them most pleasing subjects for his pencil. +Their pictures appeared at the Academy, in 1786. Lavinia was portrayed +as shown in the picture here given, and again in quite as lovely a +fashion,--standing out doors and wearing a wide-brimmed hat which +casts a broad shade across the face; the wavy curls of hair fall upon +the shoulder; in the background is a landscape. The naïvete of the +face is exquisitely delightful. The old-time flavor of the whole +causes one to recall Locker's lines on the picture of his +grandmother:-- + + "Beneath a summer tree. + Her maiden reverie + Has a charm; + Her ringlets are in taste; + What an arm! ... what a waist + For an arm!" + +In the picture of her youngest sister, Anne, is a broad hat, too; she +sits full-face, but in her features there is lacking just a little of +the quiet dignity of the eldest. All of these portraits have been made +familiar to us by the most meritorious mezzotints of them by Cousins. +In Lavinia's face there lingers all the enchanting grace of +girlhood,--a face yet full of that early beauty-- + + "Which, like the morning's glow + Hints a full day below." + +A later president of the Academy, Sir Martin Shee, has shown us that +face in the noonday of its matronly beauty, and the gentle character +and sweet sensibility yet outshine through the mask of the flesh as in +the earlier pictures. + +Lady Bingham was careful of the education and company of her +daughters. The girls were musical, and Lavinia excelled in painting as +well. Walpole writes of her being in Italy, in 1785, with Mrs. Damer, +his sculptor friend, and of her drawing with very great expression. He +was not so complimentary of her music some years before, when he tells +of being invited to Lady Lucan's to hear her daughters sing Jomelli's +"Miserere," set for two voices: "It lasted for two hours, and instead +of being pathetic was eminently dull, until at last I rejoiced when +'_the two women had left the sepulchre_.'" + +Shortly after this he tells of rumors of the attachment of George +John, Lord Althorp, brother of Georgiana of Devonshire, to "that sweet +creature" Lavinia. At dinner at Lord Lucan's, Lord Althorp sat at a +side table with the girls and a Miss Shipley. "Pray, Lady Spencer," +said Walpole, "is it owned that Lord Althorp is to marry--Miss +Shipley?" His next reference to the Lucans is in regard to the wedding +ode printed on the Strawberry Hill press. The poet therein invokes +blessings in this wise:-- + + "Shine forth, ye silver eyes of night, + And gaze on virtues crowned with treasures of delight. + + * * * * * + + "Flow smoothly, circling hours,-- + And o'er their heads unblended pleasure pour; + Nor let your fleeting round + Their mortal transports bound, + But fill their cup of bliss, eternal powers, + Till time himself shall cease, and suns shall blaze no more." + +He essays to eulogize the bride:-- + + "Each morn reclined on many a rose, + Lavinia's pencil shall disclose + New forms of dignity and grace, + The expressive air, the impassioned face, + The curled smile, the bubbling tear, + The bloom of hope, the snow of fear, + To some poetic tale fresh beauty give, + And bid the starting tablet rise and live; + Or with swift fingers shall she touch the strings, + Notes of such wondrous texture weave + As lifts the soul on seraph wings." + +He then proceeds to encourage Althorp to lead a strong, noble life, +devoting his great abilities to the state, though he laments the small +chances for genuine sterling worth to achieve eminence. + + "In this voluptuous, this abandoned age," + +when the leaders of the country are + + "Slaves of vice and slaves of gold." + +There was much fitness in this poet essaying a homily for the groom's +benefit, for he had been the young man's tutor some years before. When +the first Earl--a man of most fascinating manners--placed his son in +the tutor's charge, he said, "Make him, if you can, like yourself and +I shall be satisfied." Johnson said of Sir William Jones, "The most +enlightened of the sons of men." He became a great Indian and Persian +scholar, and was ever an honored friend of his former pupil. + +Previous to his marriage, Lord Althorp had entered Parliament, and, as +a Whig, was opposing Lord North. When the Marquess of Rockingham came +to power, he was made a Lord Commissioner of the Treasury. In 1783, he +succeeded to his father's earldom. The Dowager Countess lived on until +1814. Her character has been variously described. Mrs. Delany calls +her "an agreeable person, with a sensible, generous, and delicate +mind." She was termed vain. What woman would not be who was mother to +such beauties as Devonshire, Duncannon, and Lavinia. In an +autobiography by the third Earl, he naïvely remarks that his mother +never liked his grandmother. The pleasing picture of "Ruth and Naomi" +is the exception in families. + +On the breaking out of the French Revolution, Earl Spencer gave his +support to Pitt, by whom he was appointed first lord of the admiralty, +in 1794. It was during the period of her husband's brilliant career in +this office that the Countess made her greatest success as a hostess +in ministerial society. She was a good conversationalist, and +especially attractive to men of individuality who admired her +sagacious, picturesque pungency of expression. The great naval +commanders, who frequented the admiralty, were impressed with the +frankness and force of her superior mind, Nelson and Collingwood +particularly. She is frequently mentioned in their letters as being +sure to have much sympathy in their work. A late biographer of the +Earl wrote: "She had the penetration to appreciate Nelson through the +cloud of personal vanity and silly conceit which caused him to be +lightly esteemed in London society." Her "bull-dog" she used playfully +to call him. She visited Gibbon at Lausanne, in 1795, and he writes: +"She is a charming woman who, with sense and spirit, has the +playfulness and simplicity of a child." By some she was accounted +haughty and exclusive. Perchance she was to those who were without the +breeding or the brains to commend them to her. Dignified she certainly +was, and her influence was wholly for good in the uplifting of +politics and the purifying of society. "I would not advise any one to +utter a word against any one she was attached to," once said her +father. She became the wise coadjutor of her husband in forming the +magnificent Althorp Library. + +When the earl retired from the admiralty, in 1800, his entertaining +became less general. His hospitalities at Spencer House were +restricted to his more intimate friends. Here came Lord Grenville, +Earl Grey, chief of the Whigs, Brougham, Horner, and Lord John +Russell; the younger men to hold converse with her who had known +Burke, Pitt, Fox, and all the older time orators and statesmen. + +In a series of boyish letters sent by the heir to the earldom to his +father the ending of all is in this quaint phrase: "My duty to Mama." +The youth did his duty by his mother. She directed his tastes and +studies, and when he was at college incited him to try for high +honors, and urged, again and yet again, application to study; and +through her persuasion he became a reading man. He entered Parliament +when of age, in 1803. During the Fox and Grenville administration he +held office as a lord of the treasury. When his mother was +congratulated on his appointment, she said: "Jack was always skilful +in figures, and his work is so much to his taste that I am sure he +will do himself credit." He did himself great credit. His career was +consistently courageous, honorable, and beneficent. He had character! +This is his mother's best eulogy. She died in 1831, shortly after her +son had become Chancellor of the Exchequer, in which office he earned +his greatest repute as a statesman. + + + + +[Illustration: ELIZABETH, DUCHESS OF HAMILTON by READ] + + +ELIZABETH GUNNING + + +The story of the Gunnings is as romantic as any ever wrought into +imaginative narrative or incorporated in epic poem. The notorious +damsels were daughters of John Gunning of Castle Coote, County +Roscommon, Ireland, by the Hon. Bridget Bourke, daughter of Theobald, +sixth Viscount Bourke of Mayo, whom he married in 1731. The family was +wofully impecunious; so when the daughters, Maria and Elizabeth, grew +into marvellously comely maidens, their mother urged their going on +the stage to augment the faulty fortune. They went to Dublin, and +there were kindly received by Peg Woffington, then in her glory as +_Sir Harry Wildair_, and by Tom Sheridan, manager of Dublin Theatre. +The stage had not then become the stepping-stone to the ranks of the +nobility, so the girls were advised to adventure socially, with their +faces for their fortunes. They had not the dresses to be presented in +at Dublin Castle, but Sheridan supplied these from the resources of +the green-room wardrobe. Attired as _Lady Macbeth_ and as _Juliet_ +they made their curtsies to the Earl of Harrington, the then +Lord-Lieutenant. + +The hostess of the evening was the handsome Lady Caroline Petersham, +bride of the Earl's eldest son. Lady Caroline had been one of the +"Beauty Fitzroys," and had been a favorite belle in town before her +marriage. + + "When Fitzroy moves, resplendent, fair. + So warm her bloom, sublime her air, + Her ebon tresses formed to grace + And heighten while they shade her face." + +Walpole wrote of her in his poem on "The Beauties." The raw Connaught +girls outshone this dazzling hostess. + +Their "first night" was an auspicious success. The début was +applauded, and the players praised. They were adjudged fitted to star +the social capital, so to London they went, in June, 1751. Their +reception was magical. The West End went almost mad over them. When +they appeared at Court, the aristocracy present was indecorous in its +efforts to view the dominant beauties. Lords and ladies clambered on +any eminence to gaze. The crowd surged upon them, and it was with +difficulty they entered their chairs because of the mob outside. The +gayety of Vauxhall Gardens was incomplete without them. + +Their campaign was a short and eminently active one; Elizabeth +triumphed first. At a masquerade at Lord Chesterfield's, in February, +1752, James, the sixth Duke of Hamilton and Brandon, who was enamoured +of the younger Irish girl, wished to marry her at once. A clergyman +was asked to perform the ceremony then and there. He objected to the +time and place and the absence of a ring. The Duke threatened to send +for the Archbishop. With the ring of a bed-curtain, at half an hour +past midnight, the wedding took place in Mayfair Chapel. The Scotch +were enraged at the alliance, which became an unhappy one. The Duke +was vulgar, debauched, extravagant, and "damaged in person and +fortune," yet, withal, insolently proud. He betook himself off within +six years, and his two sons by the Duchess became, successively, +seventh and eighth Dukes of Hamilton; and a daughter married Edward, +twelfth Earl of Derby. + +The dowager was less than a year in widow's weeds when she exchanged +them for more strawberry leaves. She had two ducal offers, from their +graces of Bridgewater and of Argyll; she accepted the latter. In +March, 1759, she married John, the fifth Duke of that name. Walpole's +comment on this was: "Who could have believed a Gunning would unite +the two great houses of Campbell and Hamilton? For my part I expect to +see Lady Coventry Queen of Prussia. I would not venture to marry +either of them these thirty years, for fear of being shuffled out of +the world prematurely, to make room for the rest of their adventurers. +The first time Jack Campbell carries the Duchess into the Highlands, I +am persuaded that some of his second-sighted subjects will see him in +a winding-sheet with a train of kings behind him as long as those in +Macbeth." And again: "A match that would not disgrace Arcadia ... as +she is not quite so charming as her sister, I do not know whether it +is not better than to retain a title which puts one in mind of her +beauty." + +The Dukes of Argyll--Lords of the Isles--have always shown a +partiality for beauties as brides. This Duke's father married the +beautiful Mary Bellenden, daughter of John, Lord Bellenden,-- + + "Smiling Mary, soft and fair as down." + + * * * * * + +She is mentioned otherwise as by Gay:-- + + "Bellenden we needs must praise, + Who, as down the stairs she jumps, + Sings 'Over the hills and far away,' + Despising doleful dumps." + +Walpole says she was never mentioned by her contemporaries but as the +_most perfect creature_ they had ever known. The present Duke wedded +that charming child, Lady Elizabeth Leveson Gower, who sits on her +mother's knee in that surpassingly fine picture by Lawrence, called +"Lady Gower and Child." And his son is allied to the Princess Louise, +the most comely of Victoria's daughters. + +After her sister's death, in 1760, her Grace of Argyll suffered a +decline in health. She was ordered abroad for change. She was +appointed to accompany the Princess Sophia Charlotte on her journey to +England to be married to the King. As they neared the ceremony in +London, the Princess became nervous. Her Grace essayed to quiet her +fears. "Ah, my dear Duchess, _you_ may laugh at me, but _you_ have +been married twice," said the Princess. The Duchess became one of the +ladies of the bedchamber, and was in much favor with the Queen. + +In 1767, her father died at Somerset House, and her mother, the Hon. +Mrs. Gunning, in 1770. There were three sisters in the family besides +our heroines: Sophia Gunning died, an infant, in 1737; Lissy, who died +in 1752, aged eight years; and Catherine, who was married, in 1769, to +Robert Travis an Irish squire in her own rank of life. She died, too, +at Somerset House, in 1773, where she was an upper housekeeper. A +brother entered the army, fought at Bunker Hill, and became a +major-general in 1787. He was much of a ladies' man. He married a Miss +Minfie, author of some novels, and they had a daughter who aspired to +repeat the successes of her famous aunts. She managed to marry the +Hon. Stephen Digby, who had lost his first wife, a daughter of Lord +Ilchester, in 1787. The Duchess of Argyll was created, in 1776, a +peeress of England as Baroness Hamilton of Hambledon County, +Leicester, and died in December, 1790. By her second marriage she had +two sons, successively Dukes of Argyll, and two daughters, one of +whom, Lady Charlotte Campbell, attained some fame as a novelist as +Lady Charlotte Bury, she having married Colonel John Campbell and +secondly Rev. Edward Bury. + +We have no evidence of the possession of bright Irish wit by the +double-duchessed beauty. Ingenuous enthusiasm, perfect simplicity, and +unfailing good humor ever marked her manner, and were a captivating +adjunct to her great facial charm. Walpole writes of a pretty sight +when their Graces of Hamilton and of Richmond with Lady Ailesbury +sitting in a boat together, and proceeds to tell of the suspected +jealousy by she of Hamilton of the beauty of his niece, daughter of +Sir Edward Walpole, who became the bride of Earl Waldegrave, and later +married the Duke of Gloucester, the King's youngest brother. At +another time, when a lady wrote telling him of the advent of a beauty +who was expected to outvie the Gunnings, he replies: "There was to +have been a handsomer every summer these seven years, but when the +seasons come they all seem to have been addled by the winter." + +One day the housekeeper of Hampton Court was showing the palace to +visitors when the sisters were there. She threw open the door where +they were sitting, saying, "This is our beauty-room." The pictures and +galleries were forgotten by the crowd, which gazed on the beauties +instead. + +For a decade their beauty was regnant in London. They were not +politicians as were their Graces of Gordon and Devonshire, nor had +they the ability to become such. Neither were they the associates of +brilliant, intellectual men, but participants in the gay, vacuous, +showy society of the rapid set of the aristocracy. The elder sister +gained the coronet of Coventry, but her vanity caused her own undoing; +the younger was a part of the exhibition of "Beauty and the Beast." A +high price was paid for her position by the endurance of a period of +tyranny and terror. + +Some praise must be accorded the beauties, for at a time of much +licentiousness of a profligate society and tolerated coarsenesses, the +sisters determinedly kept their names free from ignoble soil and +scandal. + + + + +[Illustration: MARIA COUNTESS OF COVENTRY by HAMILTON] + + +MARIA GUNNING + + +"Two Irish girls of no fortune, who make more noise than any of their +predecessors since the days of Helen, and who are declared the +handsomest women alive." So wrote Walpole, in June, 1751. If we were +to judge of their beauty by the pictured presentments of it, we would +certainly agree with "our Horace" when he says he has seen much +handsomer women than either. We have no adequate image of their +surpassing loveliness, the beholding of which would cause us to feel +how merited was their meed of praise, how fair the contemporary +comment on their comeliness, and how just the wide fame of a beauty +which tradition has epitomized for us in the phrase, "The Fair +Gunnings." Though the print publishers of the time actively issued +portraits, we feel that none of them picture such a person as would +set society and the whole city of London astir by her blazing beauty. + +The best-known likenesses are the various pictures by Francis Cotes, +one of the founders of the Royal Academy, a painter of considerable +merit, who was born about 1725, and died in 1770. It is said that +Hogarth preferred him as a portrait painter to Reynolds. His studio +was in Cavendish Square, and at his death was taken by Romney; and it +was while he worked there that Sir Joshua referred to his rival as +"the man in Cavendish Square." The studio was later occupied by Sir +Martin Shee. + +Cotes's picture of Maria is a half length of a modestly dignified +lady, having no tendency at all to that silliness that Walpole +insinuates was characteristic of her. The face is oval, the eyebrows +well apart and distinctly arched, and the hair brushed back from the +forehead and falling on the very graceful neck. The dress is cut low, +showing a delicately-moulded bosom. This picture was mezzo-tinted by +McArdell; and there is another, somewhat similar, reproduced superbly +by Spooner. His principal picture of Elizabeth is not so attractive +as the picture of her sister; the body is too constrained and +symmetrically formal; the dress is very low and edged with lace, some +flowers resting on her bosom. The neck and breast have not the suave +grace of the sister's. This has been engraved in mezzo-tint by +Houston. Another portrait by Cotes shows her with fur on the dress. He +also painted a portrait of Kitty in a low dress sprigged with flowers, +with a sash, and ribbons at the back of the head. This has a wooded +landscape background. Below the print of this picture is engraved +these lines:-- + + "This youngest of the Graces here we view + So like in Beauty to the other two + Whoe'er compares their Features and their Frame + Will know at once that Gunning is her name." + +There is an engraved picture of the two sisters together--based on +Cotes's portrayals--called "The Hibernian Sisters." Maria is sitting +on the left, looking toward the right, with a dog on her lap; the +younger is on the right, looking to the front, and holds a fan in her +hand. In the background is a garden wall. Cupids surmount the +picture. The inscription is in this fashion:-- + + "Hibernia long with spleen beheld + Her Favorite Toasts by ours excelled. + Resolved to outvie Britannia's Fair + By her own Beauties,--sent a pair." + +Reynolds painted them both, in 1753; but he failed to give them the +charm we would expect. Unless Sir Joshua's engravers belie him, he did +not make Maria even ordinarily fair to look upon. These pictures are +not classed among his masterpieces. There is a picture of Maria by B. +Wilson the engraver, made before she left Ireland. In it the features +are handsome and the figure graceful, though over-dressed, and the +whole impression is of a matron in her thirties rather than a maid in +her teens. The picture we give of her is from a whole-length by Gavin +Hamilton, a Scotch artist, a friend of Burns, born in Lanark about +1730. He must have been a precocious genius, for this picture was +engraved by McArdell, and published in 1754. Hamilton passed the +greater part of his life in Rome, painting classical subjects and +pursuing archaeological investigations. He died there, in 1797. +Portraiture was probably a pecuniary pursuit before the classics +claimed him. His portraits savor somewhat of the affectations of the +"curtain and column" school. His canvas of Elizabeth shows her +standing on a terrace with a low dress and long hair, a veil loosely +tied across her chest. Her left hand rests on the head of a greyhound. +There is a seat to the left and trees in the background. + +Houston engraved a portrait of Maria after a drawing by J. St. +Liotard. This is a three-quarter length figure. Her hair is in large +plaits twined with a muslin veil on her head. The dress is open at the +throat, showing a necklace. There is a wide belt with large clasps. +Her left elbow rests on her knee. Perhaps the most satisfactory +pictures of the Beauties are those by Catharine Read, who died, in +1786; and who is chiefly known by her winsome delineations of the +graces of the Gunning girls. We could readily judge from these that +the girls were attractive. There is a genial graciousness in the face +of she of Coventry, while the Scotch duchess is possessed of a +persuasive sweetness of mien. The mob-cap frames a face almost +faultless in the regularity of its features. For all the pleasant +flavor of these facial charms, there is absent that peerless, regal +loveliness, that compelling magnificence of presence, that hauteur +which dazzles and enthrals. + +The originals of these various portraits have been retained at Croome +Court, near Worcester; the seat of the Coventry family, at Inverary +Castle, Argyllshire; and at Hamilton Palace. + +Three weeks after the romantic marriage of her younger sister, Maria +Gunning was married to George William, who was Lord Deerhurst--"that +grave young Lord," Walpole calls him--until 1750, when he succeeded to +the Earldom of Coventry. He had been dangling about her for some time, +and seemed nerved to the wedding by his Grace of Hamilton's +precipitate action. The Earl took her for a trip on the Continent in +company with Lady Caroline Petersham, that other great beauty. Neither +caused much comment abroad, and Paris did not ratify the repute of +London. My Lady was at a disadvantage from her ignorance of the French +language. She complained, too, of the arbitrary rule of her husband in +not allowing her red nor powder, so much in vogue with the Parisian +beauties. It is told how he saw her appear at a dinner with some on, +and took out his handkerchief, and there tried to rub it off. But her +fame abated not in England. Crowds continued to mob her whenever she +appeared on the street. The King was pleased to order that whenever my +Lady Coventry walked abroad she should be attended by a guard of +soldiers. Shortly after this she simulated great fright at the +curiosity of the mob, and asked for escort. She then paraded in the +park, accompanied by her husband and Lord Pembroke, preceded by two +sergeants, and followed by twelve soldiers. Surely this outdoes the +advertising genius of any latter-day American actress! A shoemaker at +Worcester gained two guineas and a half by exhibiting at a penny a +head a shoe he had made for the Countess. She was in much favor at +Court, and always circulated in an atmosphere of adulation and +sensation. The Duke of Cumberland was an admirer, as was also, more +emphatically, Fred St. John, Viscount Bolingbroke,--"Billy and Bully" +these two blades were termed. There was rumor, at one time, of the +Earl seriously resenting the attentions of Bolingbroke. The old King, +too, showed her some courtesies; and the most oft-told anecdote of her +is about His Majesty asking if she were not sorry the masquerades were +over. She assured him she was surfeited with pageants,--there was but +one she wished yet to see, and that was a coronation. She saw it not, +for the King outlived her by a fortnight. Had she but abstained from +the use of paint and powder, her career would not have ended at the +early age of twenty-seven. Blood-poisoning came from the use of it. +Her beauty paled rapidly. My lady lay on a couch, a pocket-glass +constantly in hand, grieving at the gradual decay. The room was +darkened, that others might not discern that which so chagrined her. +Then the curtains of the bed were drawn to guard her from pitying +gaze; and then, on a September day, in 1760, the pathetic end came. +Over ten thousand people viewed her coffin. Sensationalism even after +the drop of the curtain! The Countess left four children, two sons and +two daughters. Of these, Anne, four years old at her mother's death, +was one of the children whom George Selwyn showed much kindness to. +The Earl married again, the second Countess being Barbara, daughter of +Lord St. John of Bletsoe. George William, the son of Maria, came to +the earldom in 1809. + +In an ode on the death of Maria the poet Mason wrote:-- + + "For she was fair beyond your brightest bloom + (This Envy owns, since now her bloom is fled): + Fair as the Forms that wove in Fancy's loom, + Float in light vision round the Poet's head. + Whene'er with soft serenity she smiled, + Or caught the orient blush of quick surprise, + How sweetly mutable, how brightly wild. + The liquid lustre darted from her eyes! + Each look, each motion, waked a new-born grace + That o'er her form its transient glory cast: + Some lovelier wonder soon usurped the place, + Chased by a charm still lovelier than the last." + + + + +[Illustration: ELIZABETH COUNTESS GROSVENOR by LAWRENCE] + + +LADY ELIZABETH + + +In these latter days can we imagine a lawsuit, costing contestants +thousands of pounds, over the right to a certain heraldic charge? In +the fourteenth century Sir Robert Grosvenor was the defendant in such +a suit, and we read of Chaucer, John of Gaunt, Owen Glendower, and +Hotspur being witnesses before the High Court of Chivalry. Sir Robert +established his defence, and since those days the Grosvenors have ever +held a high rank in the nobility of England. Quite as proud a +patrician position was held through the centuries by the family of +Gower. In the early part of this century, the heir of the Grosvenors +espoused the most beautiful daughter of the House of Gower,--Lady +Elizabeth Mary Leveson Gower. This lady was the youngest daughter of +George, the second Marquis of Stafford, who married, in 1785, +Elizabeth, who was Countess of Sutherland and Baroness Strathnaver in +her own right. The Marquis was created Duke of Sutherland in 1833. + +The Lady Elizabeth Mary was born in 1797, and married, in 1819, +Robert, Viscount Belgrave, eldest son of the second Earl of Grosvenor. +The portrait by Sir Thomas Lawrence was painted in the year preceding +her marriage. + +The Marquisate of Westminster had been created in 1831, and in 1845, +when the Viscount's father died, he succeeded to the title. He had +entered Parliament in 1818 as member for Chester. He spoke but rarely +in the House, although a hard worker on committees. He greatly +improved his vast London property, and had the credit of administering +his estate with a combination of intelligence and generosity seldom +seen. Of reserved habits and inexpensive tastes, he was averse to +ostentation and extravagance. He died in 1869. His successor was his +son (born in 1825) the present Duke, who was elevated to a dukedom in +1874. He is one of the wealthiest peers in the kingdom, is a man of +great taste, and has patronized the arts with almost a Medician +munificence. + +The seat of the family is the renowned Eaton Hall, near Chester; that +stately mansion set in the centre of a country rich in pastoral +beauty. Its enlargement and beautification was begun by the second +Earl in 1802, and has been carried on by its present lord until it is +now the most magnificent of all the modern mansions of the nobility. +G.F. Watts's heroic equestrian statue of Hugh Lupus, the founder of +the family and a nephew of William the Conqueror, challenges +admiration as one enters the grounds. There is no great picture +gallery in the Hall, for that is at Grosvenor House in London, but the +family portraits are here. Let into panels of the dining-room are +portraits from the time of the first Earl, who was painted by +Gainsborough. The Viscount Belgrave and his lady were painted by +Pickersgill, in 1825,--this picture of the latter being much inferior +to Lawrence's,--while the present generation was painted almost wholly +by Millais,--that of Constance, the Duke's first wife, being +especially fine. Leslie, in 1833, executed a group of the Grosvenor +family. + +Lawrence and Hoppner were to the regency what Reynolds, Gainsborough, +and Romney were to the early days of the reign of George III., as +painters of the patrician beauties. What a marvellous mass of records +of fair women these five have left us!--Reynolds, supreme in style, +painting the character as seen through the fair mask of the flesh; +Gainsborough, superbly picturesque, and a faithful limner withal; +Romney, impressively picturesque, too, a fine colorist, imaginative, +and but now, a century later, coming into his proper meed of praise; +Lawrence, elegant, charming,--a courtier indeed; Hoppner, through many +years a close rival of Lawrence. To Hoppner we are indebted for the +visible evidence of the beauty of many who had repute as fair women. +There is that piquant Jane Elizabeth, Countess of Oxford, who greets +us in the National Gallery. Then that dark-eyed and winsome Lady +Kenyon, who was one of the reigning belles, on canvas, at the Grafton +Gallery show in London this year. In this exhibit, too, was his +"Mademoiselle Hillsberg,"--a tall and dark dancing woman, which he +regarded as his best work. Then there is that group of noble dames by +him, which were engraved by Charles Wilkin and published under the +title "Bygone Beauties,"--Lady Charlotte Duncombe; Viscountess St. +Asaph; Lady Charlotte Campbell, daughter of Elizabeth Gunning; +Viscountess Andover; Lady Langham; the Countess of Euston, one of the +three beautiful Ladies Waldegrave, painted by Reynolds; the Duchess of +Rutland. These are indeed "a select series of ladies of rank and +fashion." And with these must be classed that sweet ideal face of Mrs, +Arbuthnot, known as "Marcia." At this late date it gives us greeting +from how many a parlor wall! Its tender charm makes perpetual appeal +to the passer-by from how many a print-shop window! + +There seems to have been bitter feeling between Hoppner, who was an +intense Whig, and Lawrence, who knew no politics, but was all things +to all men. "The ladies of Lawrence show a gaudy dissoluteness of +taste, and sometimes trespass on moral as well as professional +chastity," and "Lawrence shall paint my mistress and Phillips my +wife," were the two rapier phrases Hoppner thrust at his rival. But it +is recorded that thenceforth Lawrence's commissions from fair sitters +multiplied. + +Sir Thomas was a finished flatterer. No man ever knew better, except +it was Lely, how to pay the compliment of the brush. This form is the +substantial, the lasting compliment for which golden guineas are +gladly paid. Grace and elegance are the hall-mark of his every +picture. But the artist was a courtier in speech and manners as well, +and this got him into trouble once. He was attentive to the ill-used +Princess Caroline,--markedly attentive! A royal commission inquired +into his conduct, but absolved him from the charges of wrongdoing. +When Lady Grosvenor, who had become Marchioness of Westminster, was an +old lady, in 1881, she wrote in a letter to Lord Leveson Gower her +recollections of the painter: "His manners were what is called +extremely 'polished' (not the fault of the present times). He wore a +large cravat, and had a tinge about him of the time of George IV., +pervading his general demeanor.... I should not say he was amusing, +but what struck me most, during my two hours sitting in Russell +Square, was the perfection of the drawing of his portraits. Before any +color was put on, the drawing itself was so perfectly beautiful that +it seemed almost a sin to add any color." This portrait of her, which +was painted at this one sitting, is considered the very best Lawrence +ever painted. The head has distinction and hauteur, albeit the face is +sweetly ingenuous. And the eyes! Well, Sir Thomas always excelled +here! Never, since Titian, has painter given us such "strange sweet +maddening eyes,"-- + + "Fathomless dusk by night, the day lets in + Glimmer of emerald,--thus those eyes of hers!" + +This picture now hangs in the gallery of Stafford House, and was +mezzotinted by Cousins, in 1844, and included in the published +collection of the artist's works. This volume is representative of the +artist. It opens with that perennially delightful picture of the +"Calmady Children," called "Nature,"--one of the very best and +sweetest representations of child life ever made. Here is the +elemental artlessness of nature, and here the beatitude of innocence. +Another child-picture is the portrait of Lady Emily Cowper, afterwards +Lady Ashley, called "The Rosebud." Among the ladies shown are Lady +Leicester, Lady Lyndhurst, and Lady Georgiana Agar Ellis, the picture +of the latter being surpassing in its elegance. That majestically +maternal picture is here of Lady Gower and Lady Elizabeth Leveson +Gower,--not our Elizabeth Mary, but she who became Duchess of Argyll. + +The Countess of Grosvenor was a lady of high character and most +affable manners, and held her exalted position with a dignity of +demeanor and a bearing worthy of a descent from the noble Gowers, +lords of Sittenham. Her residence latterly was Motcombe House, near +Shaftesbury, Dorsetshire. She lived on until our own day, dying at the +age of ninety-four. + +In 1840-41 she accompanied her husband on a yacht voyage in the +Mediterranean, an entertaining account of which she published in two +volumes. She was a keen politician, as so many ladies of rank are in +England. In 1873 Lady Westminster's son, then Lord Robert Grosvenor, +spoke in favor of the Liberal candidate for Shaftesbury. The candidate +told her tenants that he believed her ladyship was not averse to his +candidature. It was putting his fingers into the den of the apparently +sleeping lioness. She wrote sharply: "I beg to undeceive you. I am +most anxious for the success of the conservative cause, connected as +it is with the preservation of our religion and our loyalty to our +Queen." + + + +***END OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES*** + + +******* This file should be named 16079-8.txt or 16079-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/6/0/7/16079 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/16079-8.zip b/16079-8.zip Binary files differnew file mode 100644 index 0000000..1f85d7e --- /dev/null +++ b/16079-8.zip diff --git a/16079-h.zip b/16079-h.zip Binary files differnew file mode 100644 index 0000000..9e86700 --- /dev/null +++ b/16079-h.zip diff --git a/16079-h/16079-h.htm b/16079-h/16079-h.htm new file mode 100644 index 0000000..42f2026 --- /dev/null +++ b/16079-h/16079-h.htm @@ -0,0 +1,2392 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of Some Old Time Beauties, by Thomson Willing</title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + h2 { text-align: center; margin-top: 3em; } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + ul.TOC {list-style-type: none; position: relative; width: 85%;} + .floatr { + float: right; + clear: right; + text-align: center; + border: 0px solid black; + padding: 3px; + margin: 0 0 0 4px; /* left margin to keep out from body */ + } + + .floatl { + float: left; + clear: left; + text-align: center; + border: 0px solid black; + padding: 0px; + margin: 0 4px 0 0; /* right margin to keep out from body */ + } + + .floatl img, .floatr img {border: 0;} /* Removes the blue link border. */ + span.ralign { position: absolute; right: 0; top: auto;} + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .blockquot{margin-left: 5%; margin-right: 10%;} + .pagenum {position: absolute; left: 91%; text-indent: 0; font-weight: normal; color: gray; font-size: 8pt; text-align: right;} + .sidenote {width: 20%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em; margin-left: 1em; + float: right; clear: right; margin-top: 1em; + font-size: smaller; background: #eeeeee; border: dashed 1px;} + a:link {text-decoration: none;} + a:visited {text-decoration: none;} + a:hover { + text-decoration: underline; + color: #FF0000; +} + a:active {text-decoration: none;} + img { border-width: medium; border-color:#000000 } + + .bb {border-bottom: solid 2px;} + .bl {border-left: solid 2px;} + .bt {border-top: solid 2px;} + .br {border-right: solid 2px;} + .bbox {border: solid 2px;} + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .u {text-decoration: underline;} + + .caption {font-weight: bold; text-align: center;} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .footnotes {border: dashed 1px;} + .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + .footnote .label {position: absolute; right: 84%; text-align: right;} + .fnanchor {vertical-align: super; font-size: .8em; text-decoration: none;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span.i0 {display: block; margin-left: 0em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + hr.full { width: 100%; } + pre {font-size: 8pt;} + // --> + /* XML end ]]>*/ + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, Some Old Time Beauties, by Thomson Willing</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Some Old Time Beauties</p> +<p> After Portraits by the English Masters, with Embellishment and Comment</p> +<p>Author: Thomson Willing</p> +<p>Release Date: June 16, 2005 [eBook #16079]</p> +<p>Language: en</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES***</p> +<p> </p> +<h3>E-text prepared by Afra Ullah, Sankar Viswanathan,<br /> + and the Project Gutenberg Online Distributed Proofreading Team<br /> + (https://www.pgdp.net)</h3> +<p> </p> +<hr class="full" /> +<p><span class="pagenum"><a name="Page_1" id="Page_1"></a>[1]</span></p> +<div class="center"><img src="images/image_01.jpg" alt="Cover" width="400" height="518" /></div> +<h1> + +SOME<br /> +OLD TIME<br /> +BEAUTIES<br /></h1> + +<h2>AFTER PORTRAITS BY THE<br /> +ENGLISH MASTERS, WITH<br /> +EMBELLISHMENT AND COMMENT<br /> + +BY THOMSON WILLING<br /></h2> + +<p> </p> +<p> </p> +<h3>BOSTON<br /> +JOSEPH KNIGHT COMPANY<br /> +MDCCCXCV<br /></h3> +<div class="center"><img src="images/image_41.jpg" alt="Contents" width="400" height="151" /></div> +<h2>CONTENTS</h2> + +<ul class="TOC"> +<li> +<span class="ralign">PAGE</span></li> +<li><br /></li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_3">3</a></span> +GEORGIANA, DUCHESS OF DEVONSHIRE</li> +<li>Portrait by Thomas Gainsborough</li> +<li><br /></li> +<li><span class="ralign"><a href="#Page_15">15</a></span> +MARY, HONORABLE MRS. GRAHAM</li> +<li>Portrait by Thomas Gainsborough.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_25"> 25</a></span> +EMMA, LADY HAMILTON</li> +<li>Portrait by George Romney.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_37">37</a></span> +MRS. SHERIDAN</li> +<li>Portrait by Sir Joshua Reynolds.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_51">51</a></span> +MARGUERITE, COUNTESS BLESSINGTON</li> +<li>Portrait by Sir Thomas Lawrence.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_65">65</a></span> +MARY ISABELLA, DUCHESS OF RUTLAND</li> +<li>Portrait by Sir Joshua Reynolds.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_77">77</a></span> +LAVINIA, COUNTESS SPENCER</li> +<li>Portrait by Sir Joshua Reynolds.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_89">89</a></span> +ELIZABETH, DUCHESS OF HAMILTON</li> +<li>Portrait by Catharine Read.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_101">101</a></span> +MARIA, COUNTESS OF COVENTRY</li> +<li>Portrait by Gavin Hamilton.</li> +<li><br /></li> +<li> +<span class="ralign"><a href="#Page_113">113</a></span> +ELIZABETH, COUNTESS GROSVENOR</li> +<li>Portrait by Sir Thomas Lawrence.</li> +<li><br /></li> +</ul> + + + + + + +<div class="center"><img src="images/image_02.jpg" alt="Decorative Image" width="142" height="88" /></div> +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_3" id="Page_3"></a>[3]</span></p> +<div class="center"><a href="images/image_39.jpg"><img src="images/image_03.jpg" alt="GEORGIANA, DUCHESS OF DEVONSHIRE" width="400" height="509" /></a><br /> +<span class="caption">GEORGIANA, DUCHESS OF DEVONSHIRE<br /> +GAINSBOROUGH</span></div> + +<p> +<img src="images/image_04.jpg" alt="Decorative Image" width="400" height="165" /> + <img src="images/image_05.jpg" alt="Decorative Image" width="123" height="306" class="floatl" /></p> + + +<p>The Dashing Duchess,—the impulsive, ebullient beauty whose smile +swayed ministers, and for whose favor princes were beggars! A +loveliness of manner, as of feature, such seductive color,—glowing +carnations,—and such golden-brown hair, with a fine figure, made up +an opulent personality, than which no more consummate type of beauty +has been preserved to us by painter or poet.</p> + +<p>Georgiana Spencer was the daughter of Lord Spencer, afterwards first +Earl Spencer; but her impulsiveness, her waywardness, and improvidence +were a legacy from her grandfather, "Jack" Spencer, the grandson and +special favorite of the beautiful Sarah, Duchess of Marlborough. Her +"Torismond," she called him. His was a career of profligacy, a course +<span class="pagenum"><a name="Page_4" id="Page_4"></a>[4]</span> +of error and extravagance. His mother was Lady Sunderland, known in +society as "the little Whig," from her small stature and her +persistent politics. Her party badge was always worn,—the black patch +on the left side of the face, as distinguished from the Tory fashion +of wearing it on the right side. So Georgiana came legitimately by her +beauty, her Whiggish politics, and her versatile vivacity of manner, +as well as her improvidence and indiscretion.</p> + +<p>But her mother's strong character was a potent influence. She was the +daughter of the Right Honorable Stephen Poyntz, and was of high repute +for generosity, for sensibility, for charity, and for courteous +dignity of demeanor. We hear of Georgiana being a beautiful child; and +Reynolds as well as Gainsborough, both made painted record of that +childish beauty. Her brightness of mind gave her an interest in art, +in music, and in literature; and, though not proficient in the +practice of either, she had more than the society woman's knowledge of +them. At seventeen, she married William, fifth Duke of Devonshire, +<span class="pagenum"><a name="Page_5" id="Page_5"></a>[5]</span> +ten years her senior. His was a temperament antipathetic to +hers,—unsympathetic, unimpressionable, and taciturn, yet withal of +the Cavendish characteristic persistency of purpose and honest intent.</p> + +<p>The Duchess at once became a queen of society in the Carlton House +Court. Devonshire House was an assembly place for the Whigs; and its +lovely mistress was the hostess of many a statesman exalted by his +wit, as of many a politician with following by virtue of his station. +Like all radical companies, it was a motley mixture that found welcome +there. The Prince of Wales was a devotee. The then shining Sheridan +was a frequenter; but with the name of Fox has that of the Duchess +been more associated than of aught other. Her supremacy among these +companions was not in the manner of the French Salon leaders,—while +wit, knowledge, and tact were hers, she lived not by learning, but by +her liveliness and jollity. She was not the scholar in politics, but +the politician among scholars out of school.</p><p> +<span class="pagenum"><a name="Page_6" id="Page_6"></a>[6]</span></p> + +<p>It was a roystering, revelling company; and political as well as +personal penury became the portion of many as the result of these +improvident and profligate days. The episode of the Duchess's career +which is most known, is her purchase, by a kiss, of a vote for Fox +when she was championing his cause in an election, and canvassing for +votes in company with her sister, Lady Duncannon. It was said, "never +before had two such lovely portraits appeared on a canvass." A butcher +bargained for his vote by asking a kiss from the lovely lips of the +seductive Duchess. The price was paid, amid the plaudits of the crowd. +An Irish elector, impressed by the fair appellant's vivacity, +exclaimed: "I could light my pipe at her eyes."</p> + +<p>Fox was elected for the Tory borough of Westminster, and great was the +rejoicing at Carlton House. A <i>fête</i> was given on the grounds the day +following, and the ordinarily well-apparelled Prince appeared in a +superb costume of the radical colors, blue and buff. This was the +period of the Duchess's greatest glory, as well as of her most superb +charm of <span class="pagenum"><a name="Page_7" id="Page_7"></a>[7]</span>personality; and it was about this period that Gainsborough +painted his perennially delightful presentment of her. She was then +twenty-seven years of age, and had been married ten years. Wraxall +wrote what is probably the best contemporary description of her: "The +personal charms of the Duchess of Devonshire constituted her smallest +pretensions to universal admiration; nor did her beauty consist, like +that of the Gunnings, in regularity of features, and faultless +formation of limbs and shape; it lay in the amenity and graces of her +deportment, in her irresistible manners, and the seduction of her +society. Her hair was not without a tinge of red; and her face, though +pleasing, yet, had it not been illuminated by her mind, might have +been considered an ordinary countenance."</p> + +<p>It is said of Gainsborough that, while painting the Duchess, "he drew +his wet pencil across a mouth all thought exquisitely lovely, saying, +'Her Grace is too hard for me.'"</p> + +<p>The lady later knew the cuts of comment, and the keen pain of +justifiable jealousy. The rival in her husband's attentions was Lady +<span class="pagenum"><a name="Page_8" id="Page_8"></a>[8]</span>Elizabeth Foster, daughter of the Earl of Bristol, a brunette of +handsome presence, and at the death of Georgiana, in 1806, she became +the second wife of the Duke. There was an apparent friendship between +the ladies, and Lady Elizabeth for a time lived under the same roof as +the Duchess.</p> + +<p>Madame d'Arblay, in 1791, visited her at Bath, and made record then of +her introduction to the Duchess, and indicated the premonition of +trouble in this wise. "Presently followed two ladies; Lady Spencer, +with a look and manner warmly announcing pleasure in what she was +doing, then introduced me to the first of them, saying, 'Duchess of +Devonshire, Miss Burney.' She made me a very civil compliment upon +hoping my health was recovering; and Lady Spencer then, slightly, and +as if unavoidably, said, 'Lady Elizabeth Foster.'" Gibbon said of the +latter, that, "No man could withstand her; and that if she chose to +beckon the Lord Chancellor from his woolsack, in full sight of the +world, he could not resist obedience." Reynolds painted a portrait of +her, showing a bright-eyed, smiling <span class="pagenum"><a name="Page_9" id="Page_9"></a>[9]</span>lady, with close-curled hair, of +girlish appearance. In Samuel Rogers's "Table Talk" are several +mentions of the famous Georgiana, and especially one which tells of +her love for gambling. "Gaming was the rage during her day; she +indulged in it, and was made miserable by her debts. A faro-table was +kept by Martindale, at which the Duchess and other high fashionables +used to play. Sheridan said that the Duchess and Martindale had agreed +that whatever they two won from each other should be sometimes +<i>double</i>, sometimes <i>treble</i>, what it was called. And Sheridan assured +me that he had handed the Duchess into her carriage when she was +literally sobbing at her losses, she having lost fifteen hundred +pounds, when it was supposed to be only five hundred pounds." A life +such as she then led surely affected her appearance. In 1783, Walpole +wrote: "The Duchess of Devonshire, the empress of fashion, is no +beauty at all. She was a very fine woman, with all the freshness of +youth and health, but verges fast to a coarseness.</p> + +<p>The offspring of the Duchess Georgiana were: <span class="pagenum"><a name="Page_10" id="Page_10"></a>[10]</span>Georgiana Dorothy, +afterwards Countess Carlisle, whose letters were lately published, and +exhibit an original observation and a terse style of record; Henrietta +Elizabeth, later Countess Granville; and a son, who succeeded to the +Dukedom. About the latter's birth was some mystery; insinuation was +active. The Duchess had little liking for domestic life, so normal +neglect of child may have been construed into an unnatural dislike. +Her son never married. Through the stress of the home infelicity, her +beauty waned; but her bearing and breeding kept her paramount in her +set. She is known to this later generation only as a superb beauty who +stands with such opulent charm of costume, and of fine hauteur of +manner, amid the noble groves of Chatsworth—as the once potential +original of Gainsborough's greatest portrait. "The bust outlasts the +throne, the coin Tiberius."</p> + +<p>A most pathetic tribute to the beauty of the Duchess was paid by +"Peter Pindar" (Dr. Wolcot), who addressed "A Petition to Time in +favor of the Duchess of Devonshire," and implored the Inexorable +thus:—</p><p><span class="pagenum"><a name="Page_11" id="Page_11"></a>[11]</span></p> + + +<p class="poem"> + <span class="i2">"Hurt not the form that all admire.</span> + <span class="i2">Oh, never with white hairs her temple sprinkle!</span> + <span class="i2">Oh, sacred be her cheek, her lip, her bloom!</span> + <span class="i2">And do not, in a lovely dimple's room,</span> + <span class="i2">Place a hard mortifying wrinkle.</span> +</p> + + +<p class="poem"> +<span class="i2">"Know shouldst thou bid the beauteous duchess fade,</span> + <span class="i2">Thou, therefore, must thy own delights invade;</span> + <span class="i2">And know, 't will be a long, long while</span> + <span class="i2">Before thou givest her equal to our isle.</span> + <span class="i2">Then do not with this sweet <i>chef-d'oeuvre</i> part,</span> + <span class="i2">But keep to show the triumph of thy art."</span> +</p> + +<p>A dramatic fate has befallen the original canvas. In 1875, it was sold +at auction, and was bought by a firm of dealers for the then highest +price paid for a single picture in England. The publicity gained by +this was taken advantage of by the purchasers to exhibit the picture. +One morning when the gallery was opened, the frame only was there; the +picture had vanished. The canvas is lost.</p> + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_15" id="Page_15"></a>[15]</span></p> +<div class="center"><a href="images/image_40.jpg"><img src="images/image_06.jpg" alt="MARY, THE HONORABLE MRS GRAHAM" width="400" height="532" /></a><br /> +<span class="caption">MARY, THE HONORABLE MRS GRAHAM +<br /> +GAINSBOROUGH +</span> +</div> +<p><img src="images/image_07.jpg" alt="Decorative Image" width="400" height="186" /> +<img src="images/image_08.jpg" alt="Decorative Image" width="209" height="277" class="floatl" /></p> +<p>Like the happiest countries that have no history, the tranquil life of +joyous content leaves little to chronicle. Only in the nobility of +character of a husband who grieved her loss for years, and in his +strong dignity, and devotion to her memory, do we get a hint of the +gracious and good lady whom Gainsborough has made immortal for us.</p> + +<p>And in that phrase of her lifetime, "lovely Mary Cathcart," is a whole +biography of benignity and beauty. She came of one of the most ancient +and noble families in Scotland, and was the daughter of the ninth +Baron Cathcart, called "Cathcart of Fontenoy." Her brother William +became the tenth Baron, and afterwards the first Earl Cathcart. He had +<span class="pagenum"><a name="Page_16" id="Page_16"></a>[16]</span>studied law, but abandoned it for the army, and had a gallant career +therein; becoming a lieutenant-general in 1801, and commander-in-chief +of the expedition to Copenhagen in 1807; afterwards acquiring +reputation as ambassador for several years at St. Petersburg. He was +perhaps the earliest of British noblemen to marry American beauties; +having wedded the daughter of Andrew Elliott of New York, in 1779.</p> + +<p>In November, 1774, there was rejoicing among the retainers of the +House of Cathcart, for there was to be a double wedding. The eldest +daughter, "Jenny," was married to the Duke of Athole, that same Duke +who became a friendly patron of Burns, and in reference to whom the +poet writes, when addressing some verses to him: "It eases my heart a +good deal, as rhyme is the coin with which a poet pays his debts of +honor and gratitude. What I owe to the noble family of Athole, of the +first kind, I shall ever proudly boast; what I owe of the last, so +help me God, in my hour of need I shall never forget."</p> + +<p>The second sister, the Hon. Mary, was married to Sir Thomas Graham of +Balgowan, a descendant <span class="pagenum"><a name="Page_17" id="Page_17"></a>[17]</span>of the Marquis of Montrose and of Graham of +Claverhouse. The youngest sister, Louisa, later became Countess of +Mansfield, and her portrait, by Romney,—a seated profile figure with +flowing draperies,—is that artist's most masterly work.</p> + +<p>After eighteen years of happy married life, she died childless; one of +those good women that were—</p> + +<div class="poem"> +<span class="i2">"True in loving all their lives,"—</span><br /> +</div> + +<p>"a surpassing spirit whose light adorned the world around it." Her +husband grieved greatly. He was ordered to travel to divert his +despair. He visited Gibraltar, and there the dormant martial spirit of +his ancestors was aroused by his environment. Though then forty-three +years of age, he immediately entered the army as a volunteer. He +rapidly rose in his profession, and had an especially brilliant career +in the Peninsular War. In 1811, he became the hero of Barossa, and in +the same year was made second in command to the Duke of Wellington. He +was created Lord Lynedoch of Balgowan, Perthshire, <span class="pagenum"><a name="Page_18" id="Page_18"></a>[18]</span>and frequently was +thanked by Parliament for his services. Sheridan said, "Never was +there a loftier spirit in a braver heart." And alluding to his +services during the retreat to Corunna, he said, "Graham was their +best adviser in the hour of peril; and in the hour of disaster, their +surest consolation." Scott eulogizes him in the poem, "The Vision of +Don Roderick," in the lines,—</p> + +<div class="poem"> + <p><span class="i2">"Nor be his praise o'erpast who strove to hide</span> + <span class="i2">Beneath the warrior's vest affection's wound,</span> + <span class="i2">Whose wish Heaven for his country's weal denied;</span> + <span class="i2">Danger and fate, he sought, but glory found.</span> + </p> + <p> + <span class="i2">"From clime to clime, wher'e'r war's trumpets sound,</span> + <span class="i2">The wanderer went; yet, Caledonia, still</span> + <span class="i2">Thine was his thought in march and tented ground;</span> + <span class="i2">He dreamed mid Alpine cliffs of Athole's hill,</span> + <span class="i2">And heard in Ebro's roar his Lynedoch's lovely rill.</span></p> + <p> + + <span class="i2">"O hero of a race renowned of old,</span> + <span class="i2">Whose war-cry oft has waked the battle swell!"</span> + </p> +</div> + +<p>Old Dr. John Brown, of Edinburgh, wrote of a late Duke of Athole: +"Courage, endurance, stanchness, fidelity, and warmth of heart, +simplicity, and downrightness, were his staples." <span class="pagenum"><a name="Page_19" id="Page_19"></a>[19]</span>They are ever the +staples of the Scotch character, and they were all pre-eminent in Sir +Thomas. His life was noble, and his affection was faithful to its +early troth.</p> + +<p>A pathetic history attaches to this picture of Mrs. Graham: When its +subject died, the sorrowing husband had it bricked up where it hung, +and it was only by an accident that it was discovered at his death, in +1843. It now hangs in the National Gallery of Scotland at Edinburgh. +The present reproduction shows but a part of the picture, the figure +being full length. It has been excellently reproduced in etching by +both Flameng and Waltner.</p> + +<p>In 1885, a most comprehensive exhibition of Gainsborough's works was +made at the Grosvenor Gallery in London. At it was noted the important +part this painter had played in perpetuating the lineaments, bearing, +graces, and gownings of the great persons of the latter half of the +eighteenth century.</p> + +<p class="poem"> +<span class="i2">"The lips that laughed an age agone,</span> +<span class="i2">The fops, the dukes, the beauties all,</span> +<span class="i2">Le Brun that sang and Carr that shone."</span> +</p> +<p><span class="pagenum"><a name="Page_20" id="Page_20"></a>[20]</span></p> + +<p>There was seen The Hon. Miss Georgiana Spencer, at the age of six, and +again a later portrait of her as the Duchess of Devonshire,—she of +the then irresistibly seductive manners,—and her mother, Countess +Spencer, of whom Walpole wrote as being one of the beauties present at +the coronation of George III., in 1761. There, too, was Anne Luttrell, +daughter of Simon Luttrell, Baron Irnham, who married, first, +Christopher Horton, and, secondly, the Duke of Cumberland, brother of +the king. Of her Walpole wrote: "There was something so bewitching in +her languishing eyes, which she could animate to enchantment if she +pleased, and her coquetry was so active, so varied, and yet so +habitual that it was difficult not to see through it, and yet as +difficult to resist it." And here was another widow who captivated +royalty, Mrs. Fitzherbert, who was a daughter of Walter Smythe of +Bambridge, Hampshire, and married, first, Edward Weld, secondly, +Thomas Fitzherbert of Synnerton, Staffordshire (who died in 1781), and +was said to have been married to the Prince of Wales (George IV.) in +1785. <span class="pagenum"><a name="Page_21" id="Page_21"></a>[21]</span>And there also was a more notorious beauty, Miss Grace +Dalrymple, afterwards Mrs. Elliott,—though divorced later, and +becoming the mistress of various aristocrats, notably the Duke of +Orleans.</p> + +<p>The Duchess of Montagu, granddaughter of the great Duke of Marlborough +(one of the Churchills,—a family prolific of beauties), was there +seen. Several pictures of the painter's wife (who was a Miss Margaret +Burr), of his youngest daughter, Mary, afterwards Mrs. Fischer, and +one of his friend, Miss Linley, went to augment this superb +congregation of beauties shown. Portraits of Garrick,—that intensely +interesting Stratford portrait,—Earl Spencer, Pitt, Earl Stanhope, +Colonel St. Leger, George IV., Duke of Cumberland, George III., Earl +Cathcart, Canning, Dr. Johnson, Fox, and several showings of himself, +made up a body of work unsurpassed in importance by that of the +president of the Academy himself.</p> + +<p>Gainsborough was born in 1727; he moved to Bath, in its most brilliant +period, in 1760. He died in 1788, but had ceased contributing <span class="pagenum"><a name="Page_22" id="Page_22"></a>[22]</span>to the +Academy four years before, because of a disagreement with the hanging +committee. His portraits of ladies were always picturesque and +individual, each differentiated from each of his own works as well as +from that of other painters.</p> + +<p>This portrait of the Hon. Mrs. Graham is delicate in color, yellowed +somewhat by its long seclusion from the light,—and will remain one of +the most delightful and <i>spirituel</i> creations of the old-English +school.</p> + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_25" id="Page_25"></a>[25]</span></p> +<div class="center"><a href="images/image_10.jpg"><img src="images/image_09.jpg" alt="EMMA, LADY HAMILTON" width="400" height="500" /></a><br /> +<span class="caption">EMMA, LADY HAMILTON<br /> +ROMNEY</span> +</div> +<p><img src="images/image_11.jpg" alt="" width="400" height="152" /> +<img src="images/image_12.jpg" alt="Decorative Image" width="146" height="352" class="floatl" /></p> + + +<p>With the name of Lady Hamilton is ever associated the names of +England's most famous sailor and of one of her most famous painters. +Hers was a life redolent of ill-repute. Though her beauty was great, +it served her for ill purposes; but she came by her lack of character +by heredity. She was born in 1761, the daughter of a female servant +named Harte, and at the age of thirteen was put to service as a nurse +in the house of a Mr. Thomas of Hawarden, Flintshire. She found +tending children a tedious task, and forsook it. At sixteen, she went +to London, and became a lady's maid there. Her leisure time was spent +in reading novels and plays, which inspired a love for the drama. She +early <span class="pagenum"><a name="Page_26" id="Page_26"></a>[26]</span>developed a rare ability for pantomimic representation; and +this became a favorite form of entertainment in drawing-rooms and +studios. Her duties as a domestic agreed not with the drama, so her +next position was as barmaid in a tavern much frequented by actors and +artists. She formed the acquaintance of a Welsh youth, on whose being +impressed into the navy, she went to the captain to intercede for him. +The boy was liberated, but the comely intercessor was impressed into +the service of the captain. From him she went to live with a man of +wealth; but her extravagance and wilfulness induced him to forego her +company. Then followed a period of the lowest street degradation. From +this state she was taken by a Dr. Graham, who was a lecturer upon +health, and exhibited the finely-formed Emma as a perfect specimen of +female symmetry. She became the topic of the town. Painters, +sculptors, and others came to admire the shapely limbs shown under but +a thin veil of gauze. The young bloods of the time worshipped,—some +not afar off; and one of them, Charles <span class="pagenum"><a name="Page_27" id="Page_27"></a>[27]</span>Greville, of the Warwick +family, who had essayed to educate her to become a fit companion for +his elevated existence, maintained her for about four years. It is +recorded, that when he took her to Ranelagh's the sensation was +greater than had ever been produced by any other beauty there. Not the +winsome and witty Mrs. Crewe, nor her friend Mrs. Bouverie; not that +first flame of the amorous Prince of Wales, Mrs. Robinson, nor Anne +Luttrell, also beloved of royalty; not the Marchioness of Tavistock, +whose loveliness has been preserved to us by Sir Joshua, nor the +delightful Duchess of Buccleugh; not Lady Cadogan, and not even the +dashing Duchess of Devonshire herself,—caused the comment and +admiration this low-born unprincipled young woman now excited. Mr. +Greville would have married her had not his uncle, Sir William +Hamilton, interfered. It is variously stated that Sir William agreed +to pay his nephew's debts if he would yield up his mistress; and also +that, in endeavoring to free the young man, the old gentleman himself +fell into the snare of her charms. "She is better than anything <span class="pagenum"><a name="Page_28" id="Page_28"></a>[28]</span>in +Nature. In her own particular way she is finer than anything that is +to be found in Greek art," exclaimed this <i>savant</i> on first seeing +her. She was a most enchanting deceiver, and a finished actress in the +parts of candor and simplicity, so succeeded in marrying Sir William, +in 1791. He was over sixty years of age, a man of much classical and +scientific erudition, and had been for many years ambassador at the +court of Naples, to which place he was soon accompanied by his bride. +She became a favorite with the queen, and a frequent visitor at the +palace, also somewhat of a social success among the British residents. +She sang well, and made a specialty of showing herself in "attitudes," +or what we term now "living pictures," for the delectation of her +guests. "You never saw anything so charming as Lady Hamilton's +attitudes," wrote the Countess of Malmesbury to her sister, Lady +Elliot; "the most graceful statues or pictures do not give you an idea +of them. Her dancing the Tarantella is beautiful to a degree." It was +here began that intimacy with Nelson which became the great <span class="pagenum"><a name="Page_29" id="Page_29"></a>[29]</span>blot on +his fair fame. He was then commanding the Agamemnon, and she became +his constant companion, and was sometimes useful to him as a political +agent. After the victory of Aboukir Bay, when Naples went wild in its +enthusiastic reception of the naval hero, Lady Hamilton shared the +honors of the pageant. She accompanied him in a tour through Germany; +and most reprehensible was their conduct, at times, in defying the +decencies of polite life. After the Treaty of Amiens, Nelson, +accompanied by Sir William and Lady Hamilton, retired to his seat at +Merton, in Surrey, and on the death of the ambassador, in 1803, he +vainly endeavored to procure an allowance from the government for the +widow, on the pretext of the services she had rendered the fleet in +Sicily. Failing this, he himself granted her an annuity of twelve +hundred pounds. We all know how at Trafalgar, when the hero was dying, +he spoke of "dear Lady Hamilton, his guardian angel," and left to her +all his belongings, and recommended her to the grateful care of his +country. Notwithstanding this, she died <span class="pagenum"><a name="Page_30" id="Page_30"></a>[30]</span>almost in poverty, in 1815. +In 1813 she had been imprisoned for debt, and when out on bail she +fled to Calais, and there the career was closed. It was extraordinary +that this woman should subjugate and hold in thrall men of great force +of character. She had great loveliness of person; but physical beauty +alone is ineffectual to charm such as these. Though not regularly +educated, she acquired much general knowledge, and was tactful in the +display and use of it.</p> + +<p>It was during the period of her posing for Dr. Graham, that Romney +became enamoured of her beauty, and painted for us more than a dozen +important pictures of her. Those were the days when ladies of rank and +beauty were deified; and, following this fashion, Romney rendered +"Fair Emma" in many guises. Her ability in acting made her a most +useful model. Her features had much mobility, and were capable of +expressing, with facility, all gradations of passion and niceties of +feeling. Emma took pride and pleasure in serving Romney. He repeated +to his friend, the poet Hayley, her <span class="pagenum"><a name="Page_31" id="Page_31"></a>[31]</span>request, that in the biography of +the painter, Hayley would have much to say of her. One of his earliest +classical conceptions painted from her, was a full length of Circe +with her wand. Following this was a "Sensibility," which became the +property of Hayley. Though we remember Romney chiefly in connection +with his Lady Hamiltons, yet he had acquired his reputation and much +fortune ere he met her. The great bulk of his portrayals of the +nobility preceded his classical subjects, which took form from his +superb model. She was Cassandra; she was Iphigenia, St. Cæcilia, +Bacchante, Calope, The Spinstress, Joan of Arc, The Pythian Princess +Calypso, and Magdalene,—the two latter subjects painted to order for +the then Prince of Wales.</p> + +<p>Allan Cunningham has this to say in his sketch of Romney's life: "A +lady in the character of a saint. This sort of flattery, once so +prevalent with painters, is now nearly worn out: we have now no Lady +Betty's enacting the part of Diana; no Lady Jane's tripping it +barefoot among the thorns and brambles of this weary <span class="pagenum"><a name="Page_32" id="Page_32"></a>[32]</span>world, in the +character of Hebe. We have none now who either 'sinner it or saint it' +on canvas; the flattery which the painter has to pay is of a more +scientific kind,—he has to trust alone to the truth of his drawing +and the harmony of his colors."</p> + +<p>Romney was a transgressor in this way at times; but Lady Hamilton's +form was used to impart correct form to the conceptions of the +painter,—not the theme used merely to exploit the beauty of the lady. +In the exhibition of fair women in the Grafton Gallery in London this +summer, she greeted us in the guise of Ariadne. In this the painter's +use of the title was apt and justifiable. Here is the lady wholly +clothed in the dress of the time,—a dress superb in its simplicity; +but her pose and mien is indicative of the forsaken, the forlorn, +despairing woman abandoned by her lover,—the fate of which the old +story of the Greeks is the eternal epitome. The pathos of the pose, it +may have been, as well as the classic face, allured the wanderer in +the galleries, and anchored him before this canvas.</p><p><span class="pagenum"><a name="Page_33" id="Page_33"></a>[33]</span></p> + +<p>The fame of Romney has steadily risen in the several generations from +the beginning to the end of the century. Though the painter of many +men of fame and ladies of fashion, his work was not held in the +greatest regard in his lifetime. Though often spoken of as the rival +of Reynolds, he had not the president's grasp of character or his +ability in giving classic grace to the dress of the period, and he was +never admitted as a member to the Academy.</p> + +<p>When Lady Hamilton commenced posing for him, he, perhaps wisely for +his fame, reduced the number of his ordinary sitters, receiving none +until afternoon. The picturing of what he termed "her divine beauty" +became a passion with him; and the enthusiasm of the sitter was nearly +as great as that of the painter, and she enacted his classic +conceptions. The result is a superb series of pictures of faultless +female form, and loveliness of feature. Of the model's immoral career +we have naught now to do. Here is perpetual beauty, and it is ours to +enjoy.</p> + + + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_37" id="Page_37"></a>[37]</span></p> +<div class="center"><a href="images/image_14.jpg"><img src="images/image_13.jpg" alt="MRS. SHERIDAN" width="400" height="529" /></a><br /> +<span class="caption">MRS. SHERIDAN<br /> +REYNOLDS</span> +</div> + + + +<p class="center"><img src="images/image_15.jpg" alt="Decorative Image" width="400" height="144" class="center" /></p> + + +<p>There are few names more associated with the brilliant days of Bath, +the days of its social and artistic prominence, than those of Thomas +Linley, the composer, and of his daughter, Eliza Anne, known abroad as +"the Fair Maid of Bath." Linley was born there, in 1735; and after his +studies in music on the Continent, under Paradies, he returned to the +then fashionable city on the Avon. He conducted oratorios and concerts +there, and became a power in the community. Delicacy, tenderness, +simplicity, and taste were the characteristics of his compositions. It +was said of him, that as Garrick had restored Shakspeare, so Linley +has restored the sublime music of Handel. He trained his family to +take part in the performances. His <span class="pagenum"><a name="Page_38" id="Page_38"></a>[38]</span>son Thomas, born in 1756, +developed a marvellous ability in music,—playing the violin with +great brilliancy and expression. He was the friend of Mozart, and took +at times his father's place as conductor of the oratorios. His career +was cut short by drowning, in 1778.</p> + +<p>But it was his beautiful daughter Eliza, born in 1754, who made the +sensation of the time, when she sang with her sister, afterwards Mrs. +Tickell. "A nest of nightingales," the family was termed. Walpole +writes, in 1773: "I was not at the ball last night, and have only been +to the opera, where I was infinitely struck with the Carrara, who is +the prettiest creature upon earth. Mrs. Hartley I own to still find +handsomer, and Miss Linley, to be the superlative degree. The king +admires the last, and ogles her as much as he dares to do in so holy a +place as an oratorio, and at so devout a service as 'Alexander's +Feast.'" Musical prominence and personal beauty in this maid of but +twenty made her an attractive flower in bloom to others than the king. +The wits and gallants of the <span class="pagenum"><a name="Page_39" id="Page_39"></a>[39]</span>gay city sought and courted her. The +family of Tom Sheridan, the Irish actor, and then a teacher of +elocution in Bath, was intimate with the Linley family. Richard, who +was born in Dublin in 1751, his elder brother Charles, and Nathaniel +Halhed, a companion and literary partner with Richard, all admired the +daughter Eliza. Halhed went to India,—afterwards becoming a judge +there,—and Charles Sheridan retired from the race, and left the +literary youth to win as pure a heart as ever cheered incipient genius +to works of worth. She was lauded in verse by her young Irish suitor, +and championed in deed. He asserts his constancy in a poem, of which +the first stanza is—</p> + +<p class="poem"> +<span class="i2">"Dry that tear, my gentlest love;</span> +<span class="i2">Be hushed that struggling sigh;</span> +<span class="i2">Nor seasons, day, nor fate shall prove</span> +<span class="i2">More fixed, more true than I.</span> +<span class="i2">Hushed be that sigh, be dry that tear;</span> +<span class="i2">Cease boding doubt, cease anxious fear;</span> +<span class="i4">Dry be that tear."</span> +</p> + +<p>He proves his devotion by his action when appealed to by his +divinity.</p><p><span class="pagenum"><a name="Page_40" id="Page_40"></a>[40]</span></p> + +<p>A certain Captain Matthews, one of a numerous breed in Bath in those +days,—that is, a fashionable scoundrel and a married man,—made +himself obnoxious to Miss Linley by improper addresses. He annoyed and +harassed her, threatening to destroy himself unless she gratified him, +and later attempted to sully her reputation by calumnies. This brought +about the culmination of her attachment to Sheridan. She fled her +father's house and sought the protection of her lover. Accompanied by +a chaperon, they left for France. After some romantic adventures, they +were married in March, 1772, at a little village near Calais; but it +was a wedding without the wherewithal to maintain a home, so the bride +entered a convent, and, later, the house of an English physician, +until literature should be remunerative. The eloping lady's father +sought the runaways; and, after some explanations, they returned with +him to England. It was shortly after this that Sheridan fought two +duels with Matthews, being wounded in the later one to such an extent +that his recovery was doubtful. <span class="pagenum"><a name="Page_41" id="Page_41"></a>[41]</span>"Sweet Betsy" claimed the right of a +wife to tend her hurt husband, and so revealed the fact of the +marriage in France. The old actor rejected his impulsive son, but +Linley's aversion to the union of his daughter being at last set +aside, the pair were re-married in England in April, 1773.</p> + +<p>The sweet singer had been admired by another, an elderly suitor of +much fortune, whom her father had approved, but to whom she was +averse. This gentleman now became the benefactor of the pair. He +settled a moiety of three thousand pounds on the bride. Her father +retained half of this as compensation for the loss of the services of +his daughter. On the balance, the youthful couple lived. Sheridan had +entered himself a student of the Middle Temple shortly before his +marriage. Though their income was small, he would not allow his wife +to accept several proffered professional engagements; he did not wish +his helpmeet to become a servant of the public. This action incited +some discussion, and much acrimonious comment, in her family and among +their friends. Johnson upheld <span class="pagenum"><a name="Page_42" id="Page_42"></a>[42]</span>his course. Sheridan, in this instance, +understood himself and understood the times. He knew of the flippant +attitude of the young blades of the town toward all public performers; +so he sought to save her, who was so sacred to him, from such insult, +insincere adulation, and insinuation as she had heretofore suffered +from. They retired to a cottage at East Burnham; and there she, who +had received the plaudits of the public as a vocalist, won as noble a +name in the character of the ideal wife, one in whom were united all +the attributes of loveliness,—temper, manners, virtues, and +surpassing beauty. What the then public lost, later generations have +gained in the picture of that lovable woman, making a golden age of +happiness for her greatly-gifted husband in the little cottage at East +Burnham.</p> + +<p>Fanny Burney records her pleasant impressions of the bride,—"I was +absolutely charmed at the sight of her. I think her quite as beautiful +as ever, and even more captivating; for she has now a look of ease and +happiness that animates her whole face. Miss Linley was with <span class="pagenum"><a name="Page_43" id="Page_43"></a>[43]</span>her; she +is very handsome, but nothing near her sister; the elegance of Mrs. +Sheridan's beauty is unequalled by any I ever saw, except Mrs. Crewe. +I was pleased with her in all respects. She is much more lively and +agreeable than I had any idea of finding her; she was very gay, and +very unaffected, and totally free from airs of any kind."</p> + +<p>In 1775, the husband's genius was acknowledged by the town; for in +January, that year, was first presented "The Rivals." In that play he +draws from the material displayed by the superficial, flashing, and +piquant society of the day at Bath, and from his own experience the +inimitable duel scene therein.</p> + +<p>Much success followed for the dramatist. In the following year, in +conjunction with his father-in-law, he purchased from Garrick the +Drury Lane Theatre. They brought out several operas together; Linley's +music in "The Duenna" and "The Beggar's Opera," being especially fine. +Hazlitt speaks of the songs in them as having a joyous spirit of +intoxication, and strains of the most melting tenderness.</p><p><span class="pagenum"><a name="Page_44" id="Page_44"></a>[44]</span></p> + +<p>In 1777, appeared "The School for Scandal," a theme also suggested by +scandal-mongering Bath. His fond and faithful wife lived not to see +the dimming of the genius that produced these classics; she died of a +decline, at Bristol, in 1792. Her daughter, too, died within the same +year. Two of her accomplished descendants, through her son, have +displayed some of her romantic taste and charm of manner to a +generation just preceding our own,—her granddaughters, Lady Dufferin, +mother of the English ambassador to France, and Hon. Caroline Norton, +author of "Love not, love not, ye hapless sons of men."</p> + +<p>Though she whom he had adored was but three years dead, Sheridan +married, in 1795, Esther Jane Ogle, daughter of the Dean of +Winchester. With her he obtained some money and this, added to his +own, purchased the estate of Polesdon, in Surrey. His wife was, at +that time, spoken of as young, amiable, and devoted to him. She died +at about the same time as he, in 1816.</p> + +<p>In the first flush of those romantic wedded <span class="pagenum"><a name="Page_45" id="Page_45"></a>[45]</span>days of their youth how +impressive must have been the appearance of that markedly clever young +man, eager in the fight for fame, and of his beauteous bride from +Bath. Reynolds painted, in 1779, the standard presentment of Sheridan. +Walpole's comment on it was: "Praise cannot overstate the merits of +this portrait. It is not canvas and color, it is animated nature—all +the unaffected manner and character of the great original." The artist +said that among all his sitters none had such large pupils of the +eyes. With the brilliance of that mind informing the face, his +features, though not regular, were handsome. Of all the portraits of +Miss Linley, perhaps the one by Gainsborough, in which she is +portrayed with her young brother, gives the best idea of the special +character of her type of beauty. Here are the large lustrous eyes and +the very delicately modelled, sensitive, refined features; here, the +luxuriant hair, the slender neck, and the sloping shoulders; and here, +the superb poise of head and of mind. There is another fine picture of +her by Gainsborough, for this painter was one of the brilliant men +<span class="pagenum"><a name="Page_46" id="Page_46"></a>[46]</span>who frequented her father's house at Bath. A musician he was, too, +and an excellent performer on the violin, so was congenial company in +that musical family. He admired the daughter, and wrought for us the +delightful records of her beauty. His change of residence, from Bath +to London, coincided in date with that of the Sheridans. Opie, too, +painted her portrait; not an ideal one, but good in respect to her +eyes. And Romney has given us good pictures both of her and Mrs. +Tickell. Reynolds's portrayal is supreme in indicating the exaltation +of spirit, by the poise of head and perfection of profile. This +picture of her as the patron saint of song was exhibited at the +Academy, in 1775, just about the time its subject had abandoned public +singing. It has been most beautifully engraved by Bartolozzi, and +ranks as one of his best plates. When the days of sorrow came to +Sheridan,—when his weaknesses of character brought him to a low +estate; when poverty became his portion, and the long lost days of +romantic love became but a memory; when treasure after treasure, +manuscripts, and sumptuous <span class="pagenum"><a name="Page_47" id="Page_47"></a>[47]</span>books were disposed of, and presentation +pictures were pawned,—this picture of St. Cæcilia, a reminder of the +days that had vanished, was the last valued possession to be parted +with.</p> +<p> </p> +<div class="center"><img src="images/image_16.jpg" alt="Decorative Image" width="150" height="71" /></div> +<p> </p> +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_51" id="Page_51"></a>[51]</span></p> +<div class="center"><a href="images/image_18.jpg"><img src="images/image_17.jpg" alt="MARGUERITE COUNTESS OF BLESSINGTON" width="400" height="533" /></a><br /> +<span class="caption">MARGUERITE COUNTESS OF BLESSINGTON<br /> +LAWRENCE</span> +</div> + + + +<p><img src="images/image_19.jpg" alt="Decorative Image" width="400" height="142" /><img src="images/image_20.jpg" alt="Decorative Image" width="147" height="294" class="floatl" /></p> + + +<p>The brilliant Blessington,—brilliant in beauty and in intellect! +Throughout her life of romance she was fortunate in her literary +friendships, through whom a knowledge of her abilities has grown to +tradition, but most fortunate in the portrayer of her beauty. Lawrence +has painted a picture which it is a perpetual pleasure to behold,—the +superb arms and shoulders, the serene, steadfast gaze of the eyes, and +the conscious, yet confident, poise of the head forming a record to +justify the tradition of great personal beauty and alertness of mind.</p> + +<p>Marguerite Blessington's youth was ill-regulated and penurious. She +was born in 1789, the second daughter of Edmund Power, of Knockbrit, +<span class="pagenum"><a name="Page_52" id="Page_52"></a>[52]</span>near Clonmel, in the county of Tipperary. Her father came of a good +family, as did also her mother, who spoke unduly often of her +ancestors, the Desmonds. Marguerite was not comely in her early +girlhood, though her sister Ellen and her brother Robert were handsome +children. As a child, she was sensitive and sentimental, and her +delight was to browse in a library,—and it was this taste that +equipped her for her later friendships. Her power of imagination was +uncommonly strong, and she became the entertainer of her +children-companions with stories of her own imagining, as well as by +her recitals of legends and romance learned in the library. Her father +removed to Clonmel, and became editor of a paper there. He was not +prosperous, and was a man of perverse temper, which grew with +adversity. Marguerite and her sister were fancied by some wealthy +maiden-lady relatives, and were taken by them to a home of comfort. On +their return to Clonmel,—beautiful, and with the distinction of +knowledge and a clever use of it,—they were a contrast to the +ordinary Irish country girl, whose whole equipment of dress and +<span class="pagenum"><a name="Page_53" id="Page_53"></a>[53]</span>accomplishments was "two washing gowns and a tune on the piano." The +girls took part in all the gayeties of the town, and, besides the +charm of their conversation, were graceful dancers; and though +Marguerite was less beautiful, she was most tasteful in dress, and +this became always a noted characteristic of hers. They became the +attraction of an English regiment recently stationed in the town, and +Marguerite was soon married, through the insistence of her father, to +a Captain Farmer, when less than fifteen years of age. This was the +great misfortune of her life.</p> + +<p>Her husband was subject to fits of insanity, and her whole feeling +towards him was that of aversion. Cruelty and caprice were the chief +components of his character. From his tyranny she fled,—first to her +father's house, but was denied solace there, so sought it elsewhere. +She led a somewhat vagabond existence for about nine years, living +first with one friend, then with another; thankful for any home, and +accommodating herself to any companions. Of this period of her life +not much is recorded, <span class="pagenum"><a name="Page_54" id="Page_54"></a>[54]</span>save her beauty, for it was shortly after this +that her peerless portrait was painted, ere her sorrow and suffering +had time to efface the vivacity of youth, but only to give depth to +the eyes and interest to the face. She lived in London with her +brother Robert until in 1817, when her husband's death occurred by his +falling out of a window when in a state of drunken frenzy. Four months +after this she became the second wife of an Irish nobleman of a +dashing person and little brains, Charles John Gardiner, second Earl +of Blessington, when she was twenty-eight and he was thirty-five years +of age. With this marriage came a reversal of her misfortunes. Her +generosity, sympathy, and good heart soon prompted the improvement of +the conditions of her own family, and in this gave emphatic evidence +of that devotedness to duty and friends which became her strongest +trait. Her youngest sister, Marianne, was adopted and educated by her, +and became her travelling companion, and long afterwards her modest +biographer. Her sister Ellen married first, Mr. Home Purves, and +afterwards, Viscount Canterbury, speaker of the House of Commons.</p> +<p><span class="pagenum"><a name="Page_55" id="Page_55"></a>[55]</span></p> + +<p>Lord Blessington's income was great, but his tastes were extravagant +as were also his wife's, and luxurious was their home in St. James's +Square, and magnificent the manner in which they entertained the +brilliant society gathered there; and for three years their brilliant +companies of beauty and intellect outshone the congregations at +Holland House. In 1822, Count D'Orsay, a polished and accomplished +young Frenchman, visited London, and was made most welcome by the +Blessingtons. In August of that year they started for a leisurely tour +of the Continent. The Countess kept a diary during this journeying, +which was published in 1839, under the title of "The Idler in Italy," +revealing a keen observation and a capacity for entertaining comment.</p> + +<p>Her ladyship was ever ambitious of literary eminence. Possessed of +great beauty, and after a time high station and wealth, she yet +yearned for the recognition by great writers of her position as one of +them. She had published, previous to her continental trip, two +volumes,—one called "The Magic Lantern," the other, <span class="pagenum"><a name="Page_56" id="Page_56"></a>[56]</span>"Sketches and +Fragments," both being accounts of and comments upon London society; +both were unsuccessful. Her one book which will remain in literature +was consequent upon her meeting with Lord Byron in Genoa, in 1823, and +is a record of her conversations with the poet. She who aspired to +make her mark in literature has made it, but as the chronicler of the +sentiments, vanities, whims, and oddities of another. But it was no +ordinary ability that was competent to persuade the great poet, +usually unapproachable, to avow, in picturesque language, his opinions +on men, women, and manners,—to provide for later times the data from +which to gauge his strange personality.</p> + +<p>She has written much of herself into her records; and calumny urged, +at the time of publication, that she insinuated in her writings a far +greater degree of friendship on the poet's part than really existed. +Yet, in refutation of this is Byron's letter to Moore:—</p> + +<p>"I have just seen some friends of yours, who paid me a visit +yesterday, which, in honor of them and of yours, I returned to-day, as +I reserve <span class="pagenum"><a name="Page_57" id="Page_57"></a>[57]</span>my bear-skin and teeth and paws and claws for our enemies.</p> + +<p>"Your allies, whom I found very agreeable personages, are Milor +Blessington and <i>épouse</i>, travelling with a very handsome companion, +in the shape of a 'French count' (to use Farquhar's phrase in the +'Beau's Stratagem'), who has all the air of a <i>cupidor déchaîné</i>. +Milady seems highly literary; to which, and your honor's acquaintance +with the family, I attribute the pleasure of having seen them. She is +also very pretty, even in a morning; a species of beauty on which the +sun of Italy does not shine so frequently as the chandelier."</p> + +<p>The Countess Guiccioli was among those who depreciated the +Blessingtons' accounts of the conversations; but then, perchance, +there may have been some jealousy of the attractive English woman's +influence over the poet. The Blessingtons left Genoa in June of 1823, +and continued their journeyings throughout Italy until 1828. In the +preceding year, Count D'Orsay had become the husband of the Earl of +Blessington's daughter, Lady Harriet Frances <span class="pagenum"><a name="Page_58" id="Page_58"></a>[58]</span>Gardiner, when she was +but little over fifteen years of age; but they lived together but +three years. In 1829, the Earl died in Paris; and the Countess +continued there until after the Revolution of 1830, when she returned +to England. Her journal of the trip from Naples to Paris, and her stay +in that city, was published in 1841, under the title of "The Idler in +France." In England she took a house in Seamore Place, Mayfair, and +later removed to Gore House, Kensington, with which place is +associated the traditions of her elegant entertainings and her +intercourse with many men of eminence, but also with a course of +living which compromised her reputation in society. Her son-in-law, +the Count, continued to form one of her household, though separated +from his wife, the Lady Harriet. Though not received in general +society, the Countess surrounded herself with celebrities of all +nations; and it was at her house that Louis Napoleon was a cherished +guest in his years of exile, and from whence he proceeded to head the +government of France. Here Bulwer came as perhaps her most intimate +friend; here Thackeray <span class="pagenum"><a name="Page_59" id="Page_59"></a>[59]</span>was made most welcome, and Lord John Russell +and Lord Palmerston, Canning and Castlereagh were frequent guests. +Dickens,—then a dandy like unto D'Orsay, who seemed to be his +model,—"Rejected Addresses" Smith, the banker-poet Rogers, Kemble, +Wilkie, and Dr. Parr engaged in sparkling converse with their hostess, +who sat in a deep arm-chair while Tom Moore was privileged to perch +himself on a foot-*stool at her feet; and by all these men she was +held in unqualified respect. Her income became impaired and unequal to +the expense of entertaining. She resorted to literature to add to her +resources. She was engaged by Heath, the engraver, to edit a certain +class of annuals popular in those days. For some years her income from +"The Keepsake" and "The Book of Beauty" exceeded one thousand pounds a +year. Her novels, too, were a source of some profit. For "Strathern" +she received about three thousand dollars. These romances were weak in +character and plot, but were fair pictures of society portrayed with +much piquancy. In <span class="pagenum"><a name="Page_60" id="Page_60"></a>[60]</span>one, "Grace Cassidy," she describes interestingly +scenes of her youth in Ireland. But interest in her work waned, and as +she seems not to have thought of retrenchment of her expenditure, +disaster rapidly descended. In 1849, she had perforce to sell out, and +then moved to Paris, where she died in the same year. She was buried +at Chambourcy, near St. Germain-en-Laye, the residence of the Duc and +Duchesse de Grammont, the sister and brother-in-law of Count D'Orsay.</p> + +<p>She was a woman of great tact, of a sweet delicacy of manner, and of a +chivalrous devotedness to friendship. Her friends were carefully +chosen, and never deserted. Perhaps no woman of the century has had so +many men of mark as her friends and admirers. She had charity towards +others' failings. She gave pleasure where she could. She was elegant +and dignified in her bearing, though possessed of Irish wit withal. +She was very beautiful.</p> + +<p>Lord Byron was induced to sing the praise of her picture here +given:—</p><p><span class="pagenum"><a name="Page_61" id="Page_61"></a>[61]</span></p> + +<p class="poem"> +<span class="i2">"Were I now as I was, I had sung</span> +<span class="i2">What Lawrence has painted so well;</span> +<span class="i2">But the strain would expire on my tongue,</span> +<span class="i2">And the theme is too soft for my shell.</span></p> +<p class="poem"> <span class="i2">"I am ashes where once I was fire,</span><br /> + <span class="i2">And the bard in my bosom is dead:</span><br /> + <span class="i2">What I loved I now merely admire,</span><br /> +<span class="i2">And my heart is as gray as my head.</span></p> +<p class="poem"><br /> + <br /> + <span class="i2">"Let the young and the brilliant aspire</span><br /> + <span class="i2">To sing what I gaze on in vain,</span><br /> + <span class="i2">For sorrow has torn from my lyre</span><br /> + <span class="i2">The string which was worthy the strain."</span><br /> +</p> +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_65" id="Page_65"></a>[65]</span></p> +<div class="center"><a href="images/image_22.jpg"><img src="images/image_21.jpg" alt="Her Grace of Rutland. " width="400" height="589" /></a><br /> +<span class="caption">MARY ISABELLA<br /> +REYNOLDS</span> +</div> + + + + +<p><img src="images/image_23.jpg" alt="Decorative Image" width="400" height="102" /><img src="images/image_24.jpg" alt="Decorative Image" width="146" height="393" class="floatl" /></p> + + +<p>Rowlandson, the caricaturist, once published a cartoon entitled "Juno +Devon, All Sublime." The rival goddesses in competition with her +before that modern Paris, the Prince of Wales, being their Graces of +Gordon and Rutland. Beyond the various written records of the opposing +beauty of those aristocratic dames who dominated society in their day, +we have ample painted evidence of their loveliness. Of her Grace of +Devonshire, we have, first, the engraved renderings of "the lost +Gainsborough." There are other Gainsboroughs, too,—Georgiana as a +child, and a full-length of her standing at the edge of a lawn, her +face looking down, wearing a white dress, her right elbow on the base +of a column, a scarf <span class="pagenum"><a name="Page_66" id="Page_66"></a>[66]</span>in both hands, her hair piled high, but without +the hat, as in the more famous picture. There are then several by Sir +Joshua. The first, where she stands as a child beside her mother; +then, she as a mother with her own child,—a very charming profile, +and a picture that insinuates the vivacity of demeanor and the abandon +so characteristic of her.</p> + +<p>Walpole wrote of this as "Little like and not good." Yet, as to +goodness, a modern authority has said: "It is a superb work; and, in +motive, color, and composition, it ranks as a triumph alike of nature +and art." Again, there is a whole-length showing her about to descend +some steps to a lawn, her superb shoulders and neck bare, and her hair +highly bedecked with feathers. Walpole writes of another portrait, +drawn by Lady Di Beauclerck, and engraved by Bartolozzi: "A Castilian +nymph conceived by Sappho and executed by Myron, would not have had +more grace and simplicity. The likeness is perfectly preserved, except +that the paintress has lent her own expression to the Duchess, which +you will allow is very agreeable flattering." In the Royal <span class="pagenum"><a name="Page_67" id="Page_67"></a>[67]</span>collection +of miniatures at Windsor, are three charmingly executed ivories of her +by Cosway. Lawrence, too, made a chalk drawing of her, which now hangs +at Chiswick House, in the room in which Charles Fox died. This is an +interesting work from being a very early effort of the after-time +President of the Academy, and showing that then he had not attained +the trick of flattering his sitters, even when they were noted +beauties. Angelica Kauffman painted her, and John Downman also made a +portrait replete with elegance and picturesqueness. In fact, the +comely Duchess pervaded the art of the period. Of her Grace of Gordon, +we have, as our ideal presentment of her, the portrait by Sir Joshua. +In it her hair is done up high, and two rows of pearls are intertwined +therein. The dress is of the Charles the First period, and shows the +sweetly modulated shoulders leading up to—</p> + +<p class="poem"> +<span class="i2">"The pillared throat, clear chiselled cheek,</span> +<span class="i2">High arching brows, nose purely Greek,</span> +<span class="i2">Set lips,—too firm for a coquette."</span> +</p> + +<p>We have also an interesting portrait of her by Romney.<span class="pagenum"><a name="Page_68" id="Page_68"></a>[68]</span></p> + +<p>Of her Grace +of Rutland, we have also several pictures by Sir Joshua. There is a +whole-length with a decorative head-dress, and a landscape background. +The original of this was destroyed by fire at Belvoir Castle. Another, +a half-length, in the same costume, and a three-quarter face, is +mostly pervaded by a serene sense of pride. There is a drawing of her +done by the Hon. Mrs. O'Neil, which is interesting from the +picturesque head-dress shown. Her Grace of Gordon was as great a power +in the political world as she of Devonshire,—probably greater, for +her alliance and principles were with the ruling power. This lady was +to Pitt's party what Fair Devon was to Fox's. In fact, it was asserted +she endeavored to marry her daughter, Lady Charlotte, afterwards +Duchess of Richmond, to the premier. When Georgiana made her famous +canvass in favor of Fox, the Tories opposed to her the Scotch Duchess.</p> + +<p>She lived and entertained then in a splendid mansion in Pall Mall; and +there assembled the adherents of the Administration.</p> + +<p>Jane was the daughter of Sir William Maxwell, <span class="pagenum"><a name="Page_69" id="Page_69"></a>[69]</span>of Monreith, and in her +youth, even, was noted for beauty. A ballad, "Jenny of Monreith," +written in her honor, was often chivalrously sung by her son George, +the last Duke of Gordon. "Jenny" married the fourth Duke, Alexander, +in 1767. The career of the Duke's youngest brother George, identified +with the "Gordon Riot," caused the family much embarrassment, and even +threatened to derogate from the Duchess's dominance with the ruling +party.</p> + +<p>Her Grace was of somewhat stronger fibre than she of Devon; more +masculinity, ay, even more principle, characterized her. Thrift was a +visible virtue, in contrast to Georgiana's improvidence. Command, +rather than cajolery, was her political method. Her later life was +devoted to securing sons-in-law; three dukes, a marquis, and a knight +were of her garnering. She was on good terms with the Regent, and +endeavored to aid him in his differences with his Princess Caroline. +She is remembered, too, as a patron and friend of Dr. Beattie, the +poet, who has eulogized her in these lines "To a Pen":—</p><p><span class="pagenum"><a name="Page_70" id="Page_70"></a>[70]</span></p> + +<p class="poem"> +<span class="i2">"Go, and be guided by the brightest eyes,</span> +<span class="i2">And to the softest hand thine aid impart;</span> +<span class="i2">To trace the fair ideas as they arise,</span> +<span class="i2">Warm from the purest, gentlest, noblest heart."</span> +</p> + +<p>The third in that group of goddesses was surely the fairest of them +all, of more perfect form, more noble bearing, having that ultimate +element of the greatest beauty,—distinction. She came of a longer +lineage, and was the consummate flower of beauty wrought by the sun +and summers through many generations of patrician life,—life amid the +palatial parks, the superb scenery, and majestic castles of England. +Such living weaves its sweetest elements into the tissues of the being +and works a spell of loveliness such as Lady Mary Somerset. She was +the youngest daughter of Charles, fourth Duke of Beaufort, a +descendant of the Plantagenets. In 1775, she was married to Lord +Charles Manners, eldest son (born in 1754) of John,—that Marquis of +Granby whom Junius attacked, who was associated in the government, in +George the Second's time, with the Earl of Chatham. The Marquis was a +man of much force, and a most <span class="pagenum"><a name="Page_71" id="Page_71"></a>[71]</span>hospitable entertainer. He died before +his father, the third Duke of Rutland.</p> + +<p>Lord Charles succeeded to the dukedom in 1779. He had formed a +friendship at Cambridge with Pitt, the son of his father's colleague, +and through his influence Pitt entered Parliament. In 1784, he was +induced by the young premier to accept the Lord-Lieutenancy of +Ireland, and it is with the lavish entertainment and high revelries at +Dublin Castle that his name and that of his beautiful Duchess is +connected.</p> + +<p>High living soon told its tale, for the Duke died in 1787, at the +early age of thirty-three. Though having the most beautiful wife in +England, his affections wandered, and tales are told of his attachment +to that siren singer, Mrs. Billington. The Duchess's manner had +somewhat of levity and much coquetry in it, though she could not be +classed with that company who have not time to be virtuous. At the +time of her lord's death, she was living with her mother, the Dowager +Duchess of Beaufort, in Berkeley Square, London, having been partially +estranged from her husband. On hearing of his illness, she <span class="pagenum"><a name="Page_72" id="Page_72"></a>[72]</span>started to +set out for Dublin; but a message of his death came fast upon the +trail of the first news. Perchance it was this estrangement at death, +this having parted in anger without the chance of reconciliation in +life, that affected her so deeply that, though sought by many suitors, +the widow was true to the memory of her late lord. Her son, John +Henry, succeeded to the title; and his bride, a daughter of the Earl +of Carlisle, was also known as a beauty, and her portrait was painted +by Hoppner, in 1798. It was she of whom Greville wrote in his Memoirs, +and commented on her lack of taste in spoiling the magnificent Castle +of Belvoir, the pride and glory of the Eastern Midlands.</p> + +<p>The beauty of the Duchess Mary Isabella was statuesque, classical; her +features were noble. She received admiration as her right, but gave +not largesse of smiles and wit in return. She was not as the Devonian +divinity, "The woman in whose golden smile all life seems enchanted."</p> + +<p>Wraxall writes of a lady telling of witnessing a prenuptial display of +her person, and being entranced by lithe limb, by the fine and +faultless <span class="pagenum"><a name="Page_73" id="Page_73"></a>[73]</span>form. Reynolds has hinted at the beauteous body, and the +hint ensnares us. Verily, "the visible fair form of a woman is +hereditary queen of us." Wraxall also likens the Duchess to an +older-time beauty, Diane de Poitiers,—that famous lady of France, the +favorite of François I. and Henri II. Of that lady's beauty, it was +written, that it was of the form and feature rather than the radiance +of the mind and manner transforming them; and like her, too, our +Duchess retained her beauty to an advanced age. She died in 1821. To +the last, she impressed one with her dignity, her nobility, her +loveliness.</p> + +<p class="poem"> +<span class="i2">"And they who saw her snow-white hair.</span> +<span class="i2">And dark, sad eyes, so deep with feeling,</span> +<span class="i2">Breathed all at once the chancel air,</span> +<span class="i2">And seemed to hear the organ pealing."</span> +</p> + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_77" id="Page_77"></a>[77]</span></p> +<div class="center"><a href="images/image_26.jpg"><img src="images/image_25.jpg" alt="LAVINIA COUNTESS SPENCER" width="400" height="500" /></a><br /> +<span class="caption">LAVINIA COUNTESS SPENCER<br /> +REYNOLDS</span> +</div> + + + +<p class="center"><img src="images/image_27.jpg" alt="Decorative Image" width="400" height="196" /></p> + + +<p>In March, 1781, Walpole writes to a friend: "As your lordship has +honored all the productions of my press with your acceptance, I +venture to inclose the last, which I printed to oblige the Lucans. +There are many beautiful and poetic expressions in it. A wedding, to +be sure, is neither a new nor a promising subject, nor will outlast +the favors; still, I think Mr. Jones's ode is uncommonly good for the +occasion." The ode was "The Muse Recalled," and the occasion the +nuptials of Lord Viscount Althorp and Miss Lavinia Bingham, eldest +daughter of Sir Charles Bingham, created, in 1776, Baron Lucan of +Castlebar. Sir Charles was a man of culture, who was intimate with +Johnson, Goldsmith, Gibbon, Reynolds, and Burke. He is frequently +pleasantly mentioned by Boswell. He <span class="pagenum"><a name="Page_78" id="Page_78"></a>[78]</span>had married, in 1760, Margaret, +daughter of James Smith, M.P., a lady of great good sense and rare +accomplishments, and three lovely daughters were the issue from this +union. Reynolds found in them most pleasing subjects for his pencil. +Their pictures appeared at the Academy, in 1786. Lavinia was portrayed +as shown in the picture here given, and again in quite as lovely a +fashion,—standing out doors and wearing a wide-brimmed hat which +casts a broad shade across the face; the wavy curls of hair fall upon +the shoulder; in the background is a landscape. The naïvete of the +face is exquisitely delightful. The old-time flavor of the whole +causes one to recall Locker's lines on the picture of his +grandmother:—</p> + +<p class="poem"> +<span class="i2">"Beneath a summer tree.</span> +<span class="i2">Her maiden reverie</span> +<span class="i4">Has a charm;</span> +<span class="i2">Her ringlets are in taste;</span> +<span class="i2">What an arm! ... what a waist</span> +<span class="i4">For an arm!"</span> +</p> + +<p>In the picture of her youngest sister, Anne, is a broad hat, too; she +sits full-face, but in her <span class="pagenum"><a name="Page_79" id="Page_79"></a>[79]</span>features there is lacking just a little of +the quiet dignity of the eldest. All of these portraits have been made +familiar to us by the most meritorious mezzotints of them by Cousins. +In Lavinia's face there lingers all the enchanting grace of +girlhood,—a face yet full of that early beauty—</p> + +<p class="poem"> +<span class="i2">"Which, like the morning's glow</span><br /> +<span class="i2">Hints a full day below."</span><br /> +</p> + +<p>A later president of the Academy, Sir Martin Shee, has shown us that +face in the noonday of its matronly beauty, and the gentle character +and sweet sensibility yet outshine through the mask of the flesh as in +the earlier pictures.</p> + +<p>Lady Bingham was careful of the education and company of her +daughters. The girls were musical, and Lavinia excelled in painting as +well. Walpole writes of her being in Italy, in 1785, with Mrs. Damer, +his sculptor friend, and of her drawing with very great expression. He +was not so complimentary of her music some years before, when he tells +of being invited to Lady Lucan's to hear her daughters sing Jomelli's +<span class="pagenum"><a name="Page_80" id="Page_80"></a>[80]</span>"Miserere," set for two voices: "It lasted for two hours, and instead +of being pathetic was eminently dull, until at last I rejoiced when +'<i>the two women had left the sepulchre</i>.'"</p> + +<p>Shortly after this he tells of rumors of the attachment of George +John, Lord Althorp, brother of Georgiana of Devonshire, to "that sweet +creature" Lavinia. At dinner at Lord Lucan's, Lord Althorp sat at a +side table with the girls and a Miss Shipley. "Pray, Lady Spencer," +said Walpole, "is it owned that Lord Althorp is to marry—Miss +Shipley?" His next reference to the Lucans is in regard to the wedding +ode printed on the Strawberry Hill press. The poet therein invokes +blessings in this wise:—</p> + +<p class="poem"> +<span class="i2">"Shine forth, ye silver eyes of night,</span> +<span class="i2">And gaze on virtues crowned with treasures of delight.</span></p> +<p class="poem"> . . . . . . . . </p> +<p class="poem"> + <span class="i2">"Flow smoothly, circling hours,—</span> + <span class="i2">And o'er their heads unblended pleasure pour;</span> + <span class="i2">Nor let your fleeting round</span> + <span class="i2">Their mortal transports bound,</span> + <span class="i2">But fill their cup of bliss, eternal powers,</span> + <span class="i2">Till time himself shall cease, and suns shall blaze no more."</span> +</p> +<p><span class="pagenum"><a name="Page_81" id="Page_81"></a>[81]</span></p> +<p>He essays to eulogize the bride:—</p> + +<p class="poem"> +<span class="i2">"Each morn reclined on many a rose,</span> +<span class="i2">Lavinia's pencil shall disclose</span> +<span class="i2">New forms of dignity and grace,</span> +<span class="i2">The expressive air, the impassioned face,</span> +<span class="i2">The curled smile, the bubbling tear,</span> +<span class="i2">The bloom of hope, the snow of fear,</span> +<span class="i2">To some poetic tale fresh beauty give,</span> +<span class="i2">And bid the starting tablet rise and live;</span> +<span class="i2">Or with swift fingers shall she touch the strings,</span> +<span class="i2">Notes of such wondrous texture weave</span> +<span class="i2">As lifts the soul on seraph wings."</span> +</p> + +<p>He then proceeds to encourage Althorp to lead a strong, noble life, +devoting his great abilities to the state, though he laments the small +chances for genuine sterling worth to achieve eminence.</p> + +<p class="poem"> +<span class="i2">"In this voluptuous, this abandoned age,"</span> +</p> + +<p>when the leaders of the country are</p> + +<p class="poem"> +<span class="i2">"Slaves of vice and slaves of gold."</span> +</p> + +<p>There was much fitness in this poet essaying a homily for the groom's +benefit, for he had been the young man's tutor some years before. When +the first Earl—a man of most fascinating <span class="pagenum"><a name="Page_82" id="Page_82"></a>[82]</span>manners—placed his son in +the tutor's charge, he said, "Make him, if you can, like yourself and +I shall be satisfied." Johnson said of Sir William Jones, "The most +enlightened of the sons of men." He became a great Indian and Persian +scholar, and was ever an honored friend of his former pupil.</p> + +<p>Previous to his marriage, Lord Althorp had entered Parliament, and, as +a Whig, was opposing Lord North. When the Marquess of Rockingham came +to power, he was made a Lord Commissioner of the Treasury. In 1783, he +succeeded to his father's earldom. The Dowager Countess lived on until +1814. Her character has been variously described. Mrs. Delany calls +her "an agreeable person, with a sensible, generous, and delicate +mind." She was termed vain. What woman would not be who was mother to +such beauties as Devonshire, Duncannon, and Lavinia. In an +autobiography by the third Earl, he naïvely remarks that his mother +never liked his grandmother. The pleasing picture of "Ruth and Naomi" +is the exception in families.</p><p><span class="pagenum"><a name="Page_83" id="Page_83"></a>[83]</span></p> + + +<p>On the breaking out of the French Revolution, Earl Spencer gave his +support to Pitt, by whom he was appointed first lord of the admiralty, +in 1794. It was during the period of her husband's brilliant career in +this office that the Countess made her greatest success as a hostess +in ministerial society. She was a good conversationalist, and +especially attractive to men of individuality who admired her +sagacious, picturesque pungency of expression. The great naval +commanders, who frequented the admiralty, were impressed with the +frankness and force of her superior mind, Nelson and Collingwood +particularly. She is frequently mentioned in their letters as being +sure to have much sympathy in their work. A late biographer of the +Earl wrote: "She had the penetration to appreciate Nelson through the +cloud of personal vanity and silly conceit which caused him to be +lightly esteemed in London society." Her "bull-dog" she used playfully +to call him. She visited Gibbon at Lausanne, in 1795, and he writes: +"She is a charming woman who, with sense and spirit, has the +playfulness and simplicity of a child." By <span class="pagenum"><a name="Page_84" id="Page_84"></a>[84]</span>some she was accounted +haughty and exclusive. Perchance she was to those who were without the +breeding or the brains to commend them to her. Dignified she certainly +was, and her influence was wholly for good in the uplifting of +politics and the purifying of society. "I would not advise any one to +utter a word against any one she was attached to," once said her +father. She became the wise coadjutor of her husband in forming the +magnificent Althorp Library.</p> + +<p>When the earl retired from the admiralty, in 1800, his entertaining +became less general. His hospitalities at Spencer House were +restricted to his more intimate friends. Here came Lord Grenville, +Earl Grey, chief of the Whigs, Brougham, Horner, and Lord John +Russell; the younger men to hold converse with her who had known +Burke, Pitt, Fox, and all the older time orators and statesmen.</p> + +<p>In a series of boyish letters sent by the heir to the earldom to his +father the ending of all is in this quaint phrase: "My duty to Mama." +The youth did his duty by his mother. She directed his tastes and +studies, and when he was at college <span class="pagenum"><a name="Page_85" id="Page_85"></a>[85]</span>incited him to try for high +honors, and urged, again and yet again, application to study; and +through her persuasion he became a reading man. He entered Parliament +when of age, in 1803. During the Fox and Grenville administration he +held office as a lord of the treasury. When his mother was +congratulated on his appointment, she said: "Jack was always skilful +in figures, and his work is so much to his taste that I am sure he +will do himself credit." He did himself great credit. His career was +consistently courageous, honorable, and beneficent. He had character! +This is his mother's best eulogy. She died in 1831, shortly after her +son had become Chancellor of the Exchequer, in which office he earned +his greatest repute as a statesman.</p> + + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_89" id="Page_89"></a>[89]</span></p> +<div class="center"><a href="images/image_29.jpg"><img src="images/image_28.jpg" alt="ELIZABETH, DUCHESS OF HAMILTON" width="400" height="477" /></a><br /> +<span class="caption">ELIZABETH, DUCHESS OF HAMILTON<br /> +READ</span> +</div> + + + +<p class="center"><img src="images/image_30.jpg" alt="Decorative Image" width="400" height="145" /></p> + + +<p>The story of the Gunnings is as romantic as any ever wrought into +imaginative narrative or incorporated in epic poem. The notorious +damsels were daughters of John Gunning of Castle Coote, County +Roscommon, Ireland, by the Hon. Bridget Bourke, daughter of Theobald, +sixth Viscount Bourke of Mayo, whom he married in 1731. The family was +wofully impecunious; so when the daughters, Maria and Elizabeth, grew +into marvellously comely maidens, their mother urged their going on +the stage to augment the faulty fortune. They went to Dublin, and +there were kindly received by Peg Woffington, then in her glory as +<i>Sir Harry Wildair</i>, and by Tom Sheridan, manager of Dublin Theatre. +The stage had not then become the stepping-stone to the ranks of the +nobility, so the girls were advised to adventure socially, with <span class="pagenum"><a name="Page_90" id="Page_90"></a>[90]</span>their +faces for their fortunes. They had not the dresses to be presented in +at Dublin Castle, but Sheridan supplied these from the resources of +the green-room wardrobe. Attired as <i>Lady Macbeth</i> and as <i>Juliet</i> +they made their curtsies to the Earl of Harrington, the then +Lord-Lieutenant.</p> + +<p>The hostess of the evening was the handsome Lady Caroline Petersham, +bride of the Earl's eldest son. Lady Caroline had been one of the +"Beauty Fitzroys," and had been a favorite belle in town before her +marriage.</p> + +<p class="poem"> +<span class="i2">"When Fitzroy moves, resplendent, fair.</span> +<span class="i2">So warm her bloom, sublime her air,</span> +<span class="i2">Her ebon tresses formed to grace</span> +<span class="i2">And heighten while they shade her face."</span> +</p> + +<p>Walpole wrote of her in his poem on "The Beauties." The raw Connaught +girls outshone this dazzling hostess.</p> + +<p>Their "first night" was an auspicious success. The début was +applauded, and the players praised. They were adjudged fitted to star +the social capital, so to London they went, in <span class="pagenum"><a name="Page_91" id="Page_91"></a>[91]</span>June, 1751. Their +reception was magical. The West End went almost mad over them. When +they appeared at Court, the aristocracy present was indecorous in its +efforts to view the dominant beauties. Lords and ladies clambered on +any eminence to gaze. The crowd surged upon them, and it was with +difficulty they entered their chairs because of the mob outside. The +gayety of Vauxhall Gardens was incomplete without them.</p> + +<p>Their campaign was a short and eminently active one; Elizabeth +triumphed first. At a masquerade at Lord Chesterfield's, in February, +1752, James, the sixth Duke of Hamilton and Brandon, who was enamoured +of the younger Irish girl, wished to marry her at once. A clergyman +was asked to perform the ceremony then and there. He objected to the +time and place and the absence of a ring. The Duke threatened to send +for the Archbishop. With the ring of a bed-curtain, at half an hour +past midnight, the wedding took place in Mayfair Chapel. The Scotch +were enraged at the alliance, which became an unhappy one. The <span class="pagenum"><a name="Page_92" id="Page_92"></a>[92]</span>Duke +was vulgar, debauched, extravagant, and "damaged in person and +fortune," yet, withal, insolently proud. He betook himself off within +six years, and his two sons by the Duchess became, successively, +seventh and eighth Dukes of Hamilton; and a daughter married Edward, +twelfth Earl of Derby.</p> + +<p>The dowager was less than a year in widow's weeds when she exchanged +them for more strawberry leaves. She had two ducal offers, from their +graces of Bridgewater and of Argyll; she accepted the latter. In +March, 1759, she married John, the fifth Duke of that name. Walpole's +comment on this was: "Who could have believed a Gunning would unite +the two great houses of Campbell and Hamilton? For my part I expect to +see Lady Coventry Queen of Prussia. I would not venture to marry +either of them these thirty years, for fear of being shuffled out of +the world prematurely, to make room for the rest of their adventurers. +The first time Jack Campbell carries the Duchess into the Highlands, I +am persuaded that some of his second-sighted subjects will see him in +a winding-sheet with a <span class="pagenum"><a name="Page_93" id="Page_93"></a>[93]</span>train of kings behind him as long as those in +Macbeth." And again: "A match that would not disgrace Arcadia ... as +she is not quite so charming as her sister, I do not know whether it +is not better than to retain a title which puts one in mind of her +beauty."</p> + +<p>The Dukes of Argyll—Lords of the Isles—have always shown a +partiality for beauties as brides. This Duke's father married the +beautiful Mary Bellenden, daughter of John, Lord Bellenden,—</p> + +<p class="poem"> +<span class="i2">"Smiling Mary, soft and fair as down."</span> +</p> +<p class="poem">. . . . . . . </p> +<p>She is mentioned otherwise as by Gay:—</p> + +<p class="poem"> +<span class="i2">"Bellenden we needs must praise,</span> +<span class="i2">Who, as down the stairs she jumps,</span> +<span class="i2">Sings 'Over the hills and far away,'</span> +<span class="i2">Despising doleful dumps."</span> +</p> + +<p>Walpole says she was never mentioned by her contemporaries but as the +<i>most perfect creature</i> they had ever known. The present Duke wedded +that charming child, Lady Elizabeth Leveson Gower, who sits on her +mother's knee in that surpassingly fine picture by Lawrence, <span class="pagenum"><a name="Page_94" id="Page_94"></a>[94]</span>called +"Lady Gower and Child." And his son is allied to the Princess Louise, +the most comely of Victoria's daughters.</p> + +<p>After her sister's death, in 1760, her Grace of Argyll suffered a +decline in health. She was ordered abroad for change. She was +appointed to accompany the Princess Sophia Charlotte on her journey to +England to be married to the King. As they neared the ceremony in +London, the Princess became nervous. Her Grace essayed to quiet her +fears. "Ah, my dear Duchess, <i>you</i> may laugh at me, but <i>you</i> have +been married twice," said the Princess. The Duchess became one of the +ladies of the bedchamber, and was in much favor with the Queen.</p> + +<p>In 1767, her father died at Somerset House, and her mother, the Hon. +Mrs. Gunning, in 1770. There were three sisters in the family besides +our heroines: Sophia Gunning died, an infant, in 1737; Lissy, who died +in 1752, aged eight years; and Catherine, who was married, in 1769, to +Robert Travis an Irish squire in her own rank of life. She died, too, +at Somerset House, in 1773, where she was an upper housekeeper. <span class="pagenum"><a name="Page_95" id="Page_95"></a>[95]</span>A +brother entered the army, fought at Bunker Hill, and became a +major-general in 1787. He was much of a ladies' man. He married a Miss +Minfie, author of some novels, and they had a daughter who aspired to +repeat the successes of her famous aunts. She managed to marry the +Hon. Stephen Digby, who had lost his first wife, a daughter of Lord +Ilchester, in 1787. The Duchess of Argyll was created, in 1776, a +peeress of England as Baroness Hamilton of Hambledon County, +Leicester, and died in December, 1790. By her second marriage she had +two sons, successively Dukes of Argyll, and two daughters, one of +whom, Lady Charlotte Campbell, attained some fame as a novelist as +Lady Charlotte Bury, she having married Colonel John Campbell and +secondly Rev. Edward Bury.</p> + +<p>We have no evidence of the possession of bright Irish wit by the +double-duchessed beauty. Ingenuous enthusiasm, perfect simplicity, and +unfailing good humor ever marked her manner, and were a captivating +adjunct to her great facial charm. Walpole writes of a pretty sight +<span class="pagenum"><a name="Page_96" id="Page_96"></a>[96]</span>when their Graces of Hamilton and of Richmond with Lady Ailesbury +sitting in a boat together, and proceeds to tell of the suspected +jealousy by she of Hamilton of the beauty of his niece, daughter of +Sir Edward Walpole, who became the bride of Earl Waldegrave, and later +married the Duke of Gloucester, the King's youngest brother. At +another time, when a lady wrote telling him of the advent of a beauty +who was expected to outvie the Gunnings, he replies: "There was to +have been a handsomer every summer these seven years, but when the +seasons come they all seem to have been addled by the winter."</p> + +<p>One day the housekeeper of Hampton Court was showing the palace to +visitors when the sisters were there. She threw open the door where +they were sitting, saying, "This is our beauty-room." The pictures and +galleries were forgotten by the crowd, which gazed on the beauties +instead.</p> + +<p>For a decade their beauty was regnant in London. They were not +politicians as were their Graces of Gordon and Devonshire, nor <span class="pagenum"><a name="Page_97" id="Page_97"></a>[97]</span>had +they the ability to become such. Neither were they the associates of +brilliant, intellectual men, but participants in the gay, vacuous, +showy society of the rapid set of the aristocracy. The elder sister +gained the coronet of Coventry, but her vanity caused her own undoing; +the younger was a part of the exhibition of "Beauty and the Beast." A +high price was paid for her position by the endurance of a period of +tyranny and terror.</p> + +<p>Some praise must be accorded the beauties, for at a time of much +licentiousness of a profligate society and tolerated coarsenesses, the +sisters determinedly kept their names free from ignoble soil and +scandal. +</p> + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_101" id="Page_101"></a>[101]</span></p> +<div class="center"><a href="images/image_32.jpg"><img src="images/image_31.jpg" alt="MARIA COUNTESS OF COVENTRY" width="400" height="545" /></a><br /> +<span class="caption">MARIA COUNTESS OF COVENTRY<br /> +HAMILTON</span> +</div> +<p class="center"><img src="images/image_33.jpg" alt="Decorative Image" width="400" height="148" /></p> +<p>"Two Irish girls of no fortune, who make more noise than any of their +predecessors since the days of Helen, and who are declared the +handsomest women alive." So wrote Walpole, in June, 1751. If we were +to judge of their beauty by the pictured presentments of it, we would +certainly agree with "our Horace" when he says he has seen much +handsomer women than either. We have no adequate image of their +surpassing loveliness, the beholding of which would cause us to feel +how merited was their meed of praise, how fair the contemporary +comment on their comeliness, and how just the wide fame of a beauty +which tradition has epitomized for us in the phrase, "The Fair +Gunnings." Though the print publishers of the time actively issued +portraits, we feel that none of them picture such a person as would +<span class="pagenum"><a name="Page_102" id="Page_102"></a>[102]</span>set society and the whole city of London astir by her blazing beauty.</p> + +<p>The best-known likenesses are the various pictures by Francis Cotes, +one of the founders of the Royal Academy, a painter of considerable +merit, who was born about 1725, and died in 1770. It is said that +Hogarth preferred him as a portrait painter to Reynolds. His studio +was in Cavendish Square, and at his death was taken by Romney; and it +was while he worked there that Sir Joshua referred to his rival as +"the man in Cavendish Square." The studio was later occupied by Sir +Martin Shee.</p> + +<p>Cotes's picture of Maria is a half length of a modestly dignified +lady, having no tendency at all to that silliness that Walpole +insinuates was characteristic of her. The face is oval, the eyebrows +well apart and distinctly arched, and the hair brushed back from the +forehead and falling on the very graceful neck. The dress is cut low, +showing a delicately-moulded bosom. This picture was mezzo-tinted by +McArdell; and there is another, somewhat similar, reproduced superbly +by Spooner. His principal picture of <span class="pagenum"><a name="Page_103" id="Page_103"></a>[103]</span>Elizabeth is not so attractive +as the picture of her sister; the body is too constrained and +symmetrically formal; the dress is very low and edged with lace, some +flowers resting on her bosom. The neck and breast have not the suave +grace of the sister's. This has been engraved in mezzo-tint by +Houston. Another portrait by Cotes shows her with fur on the dress. He +also painted a portrait of Kitty in a low dress sprigged with flowers, +with a sash, and ribbons at the back of the head. This has a wooded +landscape background. Below the print of this picture is engraved +these lines:—</p> + +<p class="poem"> +<span class="i2">"This youngest of the Graces here we view</span> +<span class="i2">So like in Beauty to the other two</span> +<span class="i2">Whoe'er compares their Features and their Frame</span> +<span class="i2">Will know at once that Gunning is her name."</span> +</p> + +<p>There is an engraved picture of the two sisters together—based on +Cotes's portrayals—called "The Hibernian Sisters." Maria is sitting +on the left, looking toward the right, with a dog on her lap; the +younger is on the right, looking to the front, and holds a fan in her +hand. In <span class="pagenum"><a name="Page_104" id="Page_104"></a>[104]</span>the background is a garden wall. Cupids surmount the +picture. The inscription is in this fashion:—</p> + +<p class="poem"> +<span class="i2">"Hibernia long with spleen beheld</span><br /> +<span class="i2">Her Favorite Toasts by ours excelled.</span><br /> +<span class="i2">Resolved to outvie Britannia's Fair</span><br /> +<span class="i2">By her own Beauties,—sent a pair."</span><br /> +</p> + +<p>Reynolds painted them both, in 1753; but he failed to give them the +charm we would expect. Unless Sir Joshua's engravers belie him, he did +not make Maria even ordinarily fair to look upon. These pictures are +not classed among his masterpieces. There is a picture of Maria by B. +Wilson the engraver, made before she left Ireland. In it the features +are handsome and the figure graceful, though over-dressed, and the +whole impression is of a matron in her thirties rather than a maid in +her teens. The picture we give of her is from a whole-length by Gavin +Hamilton, a Scotch artist, a friend of Burns, born in Lanark about +1730. He must have been a precocious genius, for this picture was +engraved by McArdell, and published in 1754.<span class="pagenum"><a name="Page_105" id="Page_105"></a>[105]</span> Hamilton passed the +greater part of his life in Rome, painting classical subjects and +pursuing archaeological investigations. He died there, in 1797. +Portraiture was probably a pecuniary pursuit before the classics +claimed him. His portraits savor somewhat of the affectations of the +"curtain and column" school. His canvas of Elizabeth shows her +standing on a terrace with a low dress and long hair, a veil loosely +tied across her chest. Her left hand rests on the head of a greyhound. +There is a seat to the left and trees in the background.</p> + +<p>Houston engraved a portrait of Maria after a drawing by J. St. +Liotard. This is a three-quarter length figure. Her hair is in large +plaits twined with a muslin veil on her head. The dress is open at the +throat, showing a necklace. There is a wide belt with large clasps. +Her left elbow rests on her knee. Perhaps the most satisfactory +pictures of the Beauties are those by Catharine Read, who died, in +1786; and who is chiefly known by her winsome delineations of the +graces of the Gunning girls. We could readily judge from these that +the girls were attractive. <span class="pagenum"><a name="Page_106" id="Page_106"></a>[106]</span>There is a genial graciousness in the face +of she of Coventry, while the Scotch duchess is possessed of a +persuasive sweetness of mien. The mob-cap frames a face almost +faultless in the regularity of its features. For all the pleasant +flavor of these facial charms, there is absent that peerless, regal +loveliness, that compelling magnificence of presence, that hauteur +which dazzles and enthrals.</p> + +<p>The originals of these various portraits have been retained at Croome +Court, near Worcester; the seat of the Coventry family, at Inverary +Castle, Argyllshire; and at Hamilton Palace.</p> + +<p>Three weeks after the romantic marriage of her younger sister, Maria +Gunning was married to George William, who was Lord Deerhurst—"that +grave young Lord," Walpole calls him—until 1750, when he succeeded to +the Earldom of Coventry. He had been dangling about her for some time, +and seemed nerved to the wedding by his Grace of Hamilton's +precipitate action. The Earl took her for a trip on the Continent in +company with Lady Caroline Petersham, that other great beauty. Neither +caused much <span class="pagenum"><a name="Page_107" id="Page_107"></a>[107]</span>comment abroad, and Paris did not ratify the repute of +London. My Lady was at a disadvantage from her ignorance of the French +language. She complained, too, of the arbitrary rule of her husband in +not allowing her red nor powder, so much in vogue with the Parisian +beauties. It is told how he saw her appear at a dinner with some on, +and took out his handkerchief, and there tried to rub it off. But her +fame abated not in England. Crowds continued to mob her whenever she +appeared on the street. The King was pleased to order that whenever my +Lady Coventry walked abroad she should be attended by a guard of +soldiers. Shortly after this she simulated great fright at the +curiosity of the mob, and asked for escort. She then paraded in the +park, accompanied by her husband and Lord Pembroke, preceded by two +sergeants, and followed by twelve soldiers. Surely this outdoes the +advertising genius of any latter-day American actress! A shoemaker at +Worcester gained two guineas and a half by exhibiting at a penny a +head a shoe he had made for the Countess. She was in much favor at +Court, <span class="pagenum"><a name="Page_108" id="Page_108"></a>[108]</span>and always circulated in an atmosphere of adulation and +sensation. The Duke of Cumberland was an admirer, as was also, more +emphatically, Fred St. John, Viscount Bolingbroke,—"Billy and Bully" +these two blades were termed. There was rumor, at one time, of the +Earl seriously resenting the attentions of Bolingbroke. The old King, +too, showed her some courtesies; and the most oft-told anecdote of her +is about His Majesty asking if she were not sorry the masquerades were +over. She assured him she was surfeited with pageants,—there was but +one she wished yet to see, and that was a coronation. She saw it not, +for the King outlived her by a fortnight. Had she but abstained from +the use of paint and powder, her career would not have ended at the +early age of twenty-seven. Blood-poisoning came from the use of it. +Her beauty paled rapidly. My lady lay on a couch, a pocket-glass +constantly in hand, grieving at the gradual decay. The room was +darkened, that others might not discern that which so chagrined her. +Then the curtains of the bed were drawn to guard her from pitying +gaze; and then, on a <span class="pagenum"><a name="Page_109" id="Page_109"></a>[109]</span>September day, in 1760, the pathetic end came. +Over ten thousand people viewed her coffin. Sensationalism even after +the drop of the curtain! The Countess left four children, two sons and +two daughters. Of these, Anne, four years old at her mother's death, +was one of the children whom George Selwyn showed much kindness to. +The Earl married again, the second Countess being Barbara, daughter of +Lord St. John of Bletsoe. George William, the son of Maria, came to +the earldom in 1809.</p> + +<p>In an ode on the death of Maria the poet Mason wrote:—</p> + +<p class="poem"> +<span class="i2">"For she was fair beyond your brightest bloom</span> +<span class="i4">(This Envy owns, since now her bloom is fled):</span> +<span class="i2">Fair as the Forms that wove in Fancy's loom,</span> +<span class="i4">Float in light vision round the Poet's head.</span> +<span class="i2">Whene'er with soft serenity she smiled,</span> +<span class="i4">Or caught the orient blush of quick surprise,</span> +<span class="i2">How sweetly mutable, how brightly wild.</span> +<span class="i4">The liquid lustre darted from her eyes!</span> +<span class="i2">Each look, each motion, waked a new-born grace</span> +<span class="i4">That o'er her form its transient glory cast:</span> +<span class="i2">Some lovelier wonder soon usurped the place,</span> +<span class="i4">Chased by a charm still lovelier than the last."</span> +</p> + + + +<hr style="width: 65%;" /> +<p> </p> +<p><span class="pagenum"><a name="Page_113" id="Page_113"></a>[113]</span></p> +<div class="center"><a href="images/image_35.jpg"><img src="images/image_34.jpg" alt="ELIZABETH COUNTESS GROSVENOR" width="400" height="538" /></a><br /> +<span class="caption">ELIZABETH COUNTESS GROSVENOR<br /> +LAWRENCE</span> +</div> + + + +<p class="center"><img src="images/image_36.jpg" alt="Decorative Image" width="400" height="132" /></p> + + +<p>In these latter days can we imagine a lawsuit, costing contestants +thousands of pounds, over the right to a certain heraldic charge? In +the fourteenth century Sir Robert Grosvenor was the defendant in such +a suit, and we read of Chaucer, John of Gaunt, Owen Glendower, and +Hotspur being witnesses before the High Court of Chivalry. Sir Robert +established his defence, and since those days the Grosvenors have ever +held a high rank in the nobility of England. Quite as proud a +patrician position was held through the centuries by the family of +Gower. In the early part of this century, the heir of the Grosvenors +espoused the most beautiful daughter of the House of Gower,—Lady +Elizabeth Mary Leveson Gower. This lady was the youngest daughter of +George, the second Marquis of <span class="pagenum"><a name="Page_114" id="Page_114"></a>[114]</span>Stafford, who married, in 1785, +Elizabeth, who was Countess of Sutherland and Baroness Strathnaver in +her own right. The Marquis was created Duke of Sutherland in 1833.</p> + +<p>The Lady Elizabeth Mary was born in 1797, and married, in 1819, +Robert, Viscount Belgrave, eldest son of the second Earl of Grosvenor. +The portrait by Sir Thomas Lawrence was painted in the year preceding +her marriage.</p> + +<p>The Marquisate of Westminster had been created in 1831, and in 1845, +when the Viscount's father died, he succeeded to the title. He had +entered Parliament in 1818 as member for Chester. He spoke but rarely +in the House, although a hard worker on committees. He greatly +improved his vast London property, and had the credit of administering +his estate with a combination of intelligence and generosity seldom +seen. Of reserved habits and inexpensive tastes, he was averse to +ostentation and extravagance. He died in 1869. His successor was his +son (born in 1825) the present Duke, who was elevated to a dukedom in +1874. He is one of the wealthiest peers in the kingdom, <span class="pagenum"><a name="Page_115" id="Page_115"></a>[115]</span>is a man of +great taste, and has patronized the arts with almost a Medician +munificence.</p> + +<p>The seat of the family is the renowned Eaton Hall, near Chester; that +stately mansion set in the centre of a country rich in pastoral +beauty. Its enlargement and beautification was begun by the second +Earl in 1802, and has been carried on by its present lord until it is +now the most magnificent of all the modern mansions of the nobility. +G.F. Watts's heroic equestrian statue of Hugh Lupus, the founder of +the family and a nephew of William the Conqueror, challenges +admiration as one enters the grounds. There is no great picture +gallery in the Hall, for that is at Grosvenor House in London, but the +family portraits are here. Let into panels of the dining-room are +portraits from the time of the first Earl, who was painted by +Gainsborough. The Viscount Belgrave and his lady were painted by +Pickersgill, in 1825,—this picture of the latter being much inferior +to Lawrence's,—while the present generation was painted almost wholly +by Millais,—that of Constance, the Duke's first <span class="pagenum"><a name="Page_116" id="Page_116"></a>[116]</span>wife, being +especially fine. Leslie, in 1833, executed a group of the Grosvenor +family.</p> + +<p>Lawrence and Hoppner were to the regency what Reynolds, Gainsborough, +and Romney were to the early days of the reign of George III., as +painters of the patrician beauties. What a marvellous mass of records +of fair women these five have left us!—Reynolds, supreme in style, +painting the character as seen through the fair mask of the flesh; +Gainsborough, superbly picturesque, and a faithful limner withal; +Romney, impressively picturesque, too, a fine colorist, imaginative, +and but now, a century later, coming into his proper meed of praise; +Lawrence, elegant, charming,—a courtier indeed; Hoppner, through many +years a close rival of Lawrence. To Hoppner we are indebted for the +visible evidence of the beauty of many who had repute as fair women. +There is that piquant Jane Elizabeth, Countess of Oxford, who greets +us in the National Gallery. Then that dark-eyed and winsome Lady +Kenyon, who was one of the reigning belles, on canvas, at the Grafton +Gallery show in London this year. In this exhibit, too, <span class="pagenum"><a name="Page_117" id="Page_117"></a>[117]</span>was his +"Mademoiselle Hillsberg,"—a tall and dark dancing woman, which he +regarded as his best work. Then there is that group of noble dames by +him, which were engraved by Charles Wilkin and published under the +title "Bygone Beauties,"—Lady Charlotte Duncombe; Viscountess St. +Asaph; Lady Charlotte Campbell, daughter of Elizabeth Gunning; +Viscountess Andover; Lady Langham; the Countess of Euston, one of the +three beautiful Ladies Waldegrave, painted by Reynolds; the Duchess of +Rutland. These are indeed "a select series of ladies of rank and +fashion." And with these must be classed that sweet ideal face of Mrs, +Arbuthnot, known as "Marcia." At this late date it gives us greeting +from how many a parlor wall! Its tender charm makes perpetual appeal +to the passer-by from how many a print-shop window!</p> + +<p>There seems to have been bitter feeling between Hoppner, who was an +intense Whig, and Lawrence, who knew no politics, but was all things +to all men. "The ladies of Lawrence show a gaudy dissoluteness of +taste, and sometimes <span class="pagenum"><a name="Page_118" id="Page_118"></a>[118]</span>trespass on moral as well as professional +chastity," and "Lawrence shall paint my mistress and Phillips my +wife," were the two rapier phrases Hoppner thrust at his rival. But it +is recorded that thenceforth Lawrence's commissions from fair sitters +multiplied.</p> + +<p>Sir Thomas was a finished flatterer. No man ever knew better, except +it was Lely, how to pay the compliment of the brush. This form is the +substantial, the lasting compliment for which golden guineas are +gladly paid. Grace and elegance are the hall-mark of his every +picture. But the artist was a courtier in speech and manners as well, +and this got him into trouble once. He was attentive to the ill-used +Princess Caroline,—markedly attentive! A royal commission inquired +into his conduct, but absolved him from the charges of wrongdoing. +When Lady Grosvenor, who had become Marchioness of Westminster, was an +old lady, in 1881, she wrote in a letter to Lord Leveson Gower her +recollections of the painter: "His manners were what is called +extremely 'polished' (not the fault of the present times). He wore a +large cravat, <span class="pagenum"><a name="Page_119" id="Page_119"></a>[119]</span>and had a tinge about him of the time of George IV., +pervading his general demeanor.... I should not say he was amusing, +but what struck me most, during my two hours sitting in Russell +Square, was the perfection of the drawing of his portraits. Before any +color was put on, the drawing itself was so perfectly beautiful that +it seemed almost a sin to add any color." This portrait of her, which +was painted at this one sitting, is considered the very best Lawrence +ever painted. The head has distinction and hauteur, albeit the face is +sweetly ingenuous. And the eyes! Well, Sir Thomas always excelled +here! Never, since Titian, has painter given us such "strange sweet +maddening eyes,"—</p> + +<p class="poem"> +<span class="i2">"Fathomless dusk by night, the day lets in</span> +<span class="i2">Glimmer of emerald,—thus those eyes of hers!"</span> +</p> + +<p>This picture now hangs in the gallery of Stafford House, and was +mezzotinted by Cousins, in 1844, and included in the published +collection of the artist's works. This volume is representative of the +artist. It opens with that perennially delightful picture of the +"Calmady Children," <span class="pagenum"><a name="Page_120" id="Page_120"></a>[120]</span>called "Nature,"—one of the very best and +sweetest representations of child life ever made. Here is the +elemental artlessness of nature, and here the beatitude of innocence. +Another child-picture is the portrait of Lady Emily Cowper, afterwards +Lady Ashley, called "The Rosebud." Among the ladies shown are Lady +Leicester, Lady Lyndhurst, and Lady Georgiana Agar Ellis, the picture +of the latter being surpassing in its elegance. That majestically +maternal picture is here of Lady Gower and Lady Elizabeth Leveson +Gower,—not our Elizabeth Mary, but she who became Duchess of Argyll.</p> + +<p>The Countess of Grosvenor was a lady of high character and most +affable manners, and held her exalted position with a dignity of +demeanor and a bearing worthy of a descent from the noble Gowers, +lords of Sittenham. Her residence latterly was Motcombe House, near +Shaftesbury, Dorsetshire. She lived on until our own day, dying at the +age of ninety-four.</p> + +<p>In 1840-41 she accompanied her husband on a yacht voyage in the +Mediterranean, an entertaining account of which she published in two +volumes.<span class="pagenum"><a name="Page_121" id="Page_121"></a>[121]</span> She was a keen politician, as so many ladies of rank are in +England. In 1873 Lady Westminster's son, then Lord Robert Grosvenor, +spoke in favor of the Liberal candidate for Shaftesbury. The candidate +told her tenants that he believed her ladyship was not averse to his +candidature. It was putting his fingers into the den of the apparently +sleeping lioness. She wrote sharply: "I beg to undeceive you. I am +most anxious for the success of the conservative cause, connected as +it is with the preservation of our religion and our loyalty to our +Queen."</p> +<p> </p> +<div class="center"> +<img src="images/image_37.jpg" alt="Decorative Image" width="150" height="79" /></div> + <p> </p> + <hr style="width: 65%;" /> + + +<div class="center"><img src="images/image_38.jpg" alt="Decorative Image" width="200" height="190" /></div> + +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES***</p> +<p>******* This file should be named 16079-h.txt or 16079-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/dirs/1/6/0/7/16079">https://www.gutenberg.org/1/6/0/7/16079</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="https://gutenberg.org/license">https://gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="https://www.gutenberg.org">https://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="https://www.gutenberg.org/dirs/etext06/">https://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="https://www.gutenberg.org/dirs/GUTINDEX.ALL">https://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/16079-h/images/Thumbs.db b/16079-h/images/Thumbs.db Binary files differnew file mode 100644 index 0000000..ef4b6fd --- /dev/null +++ b/16079-h/images/Thumbs.db diff --git a/16079-h/images/image_01.jpg b/16079-h/images/image_01.jpg Binary files differnew file mode 100644 index 0000000..a713aed --- /dev/null +++ b/16079-h/images/image_01.jpg diff --git a/16079-h/images/image_02.jpg b/16079-h/images/image_02.jpg Binary files differnew file mode 100644 index 0000000..6fc99ca --- /dev/null +++ b/16079-h/images/image_02.jpg diff --git a/16079-h/images/image_03.jpg b/16079-h/images/image_03.jpg Binary files differnew file mode 100644 index 0000000..cb4346b --- /dev/null +++ b/16079-h/images/image_03.jpg diff --git a/16079-h/images/image_04.jpg b/16079-h/images/image_04.jpg Binary files differnew file mode 100644 index 0000000..c7c9c5a --- /dev/null +++ b/16079-h/images/image_04.jpg diff --git a/16079-h/images/image_05.jpg b/16079-h/images/image_05.jpg Binary files differnew file mode 100644 index 0000000..1a9ae9b --- /dev/null +++ b/16079-h/images/image_05.jpg diff --git a/16079-h/images/image_06.jpg b/16079-h/images/image_06.jpg Binary files differnew file mode 100644 index 0000000..e34f4b3 --- /dev/null +++ b/16079-h/images/image_06.jpg diff --git a/16079-h/images/image_07.jpg b/16079-h/images/image_07.jpg Binary files differnew file mode 100644 index 0000000..7bb9aa6 --- /dev/null +++ b/16079-h/images/image_07.jpg diff --git a/16079-h/images/image_08.jpg b/16079-h/images/image_08.jpg Binary files differnew file mode 100644 index 0000000..c1779cc --- /dev/null +++ b/16079-h/images/image_08.jpg diff --git a/16079-h/images/image_09.jpg b/16079-h/images/image_09.jpg Binary files differnew file mode 100644 index 0000000..77ed042 --- /dev/null +++ b/16079-h/images/image_09.jpg diff --git a/16079-h/images/image_10.jpg b/16079-h/images/image_10.jpg Binary files differnew file mode 100644 index 0000000..eb59ec0 --- /dev/null +++ b/16079-h/images/image_10.jpg diff --git a/16079-h/images/image_11.jpg b/16079-h/images/image_11.jpg Binary files differnew file mode 100644 index 0000000..7ff2837 --- /dev/null +++ b/16079-h/images/image_11.jpg diff --git a/16079-h/images/image_12.jpg b/16079-h/images/image_12.jpg Binary files differnew file mode 100644 index 0000000..d5bd70e --- /dev/null +++ b/16079-h/images/image_12.jpg diff --git a/16079-h/images/image_13.jpg b/16079-h/images/image_13.jpg Binary files differnew file mode 100644 index 0000000..3c83cc4 --- /dev/null +++ b/16079-h/images/image_13.jpg diff --git a/16079-h/images/image_14.jpg b/16079-h/images/image_14.jpg Binary files differnew file mode 100644 index 0000000..0562bc5 --- /dev/null +++ b/16079-h/images/image_14.jpg diff --git a/16079-h/images/image_15.jpg b/16079-h/images/image_15.jpg Binary files differnew file mode 100644 index 0000000..013b92b --- /dev/null +++ b/16079-h/images/image_15.jpg diff --git a/16079-h/images/image_16.jpg b/16079-h/images/image_16.jpg Binary files differnew file mode 100644 index 0000000..80d7968 --- /dev/null +++ b/16079-h/images/image_16.jpg diff --git a/16079-h/images/image_17.jpg b/16079-h/images/image_17.jpg Binary files differnew file mode 100644 index 0000000..a403693 --- /dev/null +++ b/16079-h/images/image_17.jpg diff --git a/16079-h/images/image_18.jpg b/16079-h/images/image_18.jpg Binary files differnew file mode 100644 index 0000000..21b126c --- /dev/null +++ b/16079-h/images/image_18.jpg diff --git a/16079-h/images/image_19.jpg b/16079-h/images/image_19.jpg Binary files differnew file mode 100644 index 0000000..742bf95 --- /dev/null +++ b/16079-h/images/image_19.jpg diff --git a/16079-h/images/image_20.jpg b/16079-h/images/image_20.jpg Binary files differnew file mode 100644 index 0000000..92c86d6 --- /dev/null +++ b/16079-h/images/image_20.jpg diff --git a/16079-h/images/image_21.jpg b/16079-h/images/image_21.jpg Binary files differnew file mode 100644 index 0000000..1ebef88 --- /dev/null +++ b/16079-h/images/image_21.jpg diff --git a/16079-h/images/image_22.jpg b/16079-h/images/image_22.jpg Binary files differnew file mode 100644 index 0000000..efa1436 --- /dev/null +++ b/16079-h/images/image_22.jpg diff --git a/16079-h/images/image_23.jpg b/16079-h/images/image_23.jpg Binary files differnew file mode 100644 index 0000000..2eb4c92 --- /dev/null +++ b/16079-h/images/image_23.jpg diff --git a/16079-h/images/image_24.jpg b/16079-h/images/image_24.jpg Binary files differnew file mode 100644 index 0000000..669d010 --- /dev/null +++ b/16079-h/images/image_24.jpg diff --git a/16079-h/images/image_25.jpg b/16079-h/images/image_25.jpg Binary files differnew file mode 100644 index 0000000..748afc7 --- /dev/null +++ b/16079-h/images/image_25.jpg diff --git a/16079-h/images/image_26.jpg b/16079-h/images/image_26.jpg Binary files differnew file mode 100644 index 0000000..dc471e8 --- /dev/null +++ b/16079-h/images/image_26.jpg diff --git a/16079-h/images/image_27.jpg b/16079-h/images/image_27.jpg Binary files differnew file mode 100644 index 0000000..e9b97cf --- /dev/null +++ b/16079-h/images/image_27.jpg diff --git a/16079-h/images/image_28.jpg b/16079-h/images/image_28.jpg Binary files differnew file mode 100644 index 0000000..634c013 --- /dev/null +++ b/16079-h/images/image_28.jpg diff --git a/16079-h/images/image_29.jpg b/16079-h/images/image_29.jpg Binary files differnew file mode 100644 index 0000000..20b920c --- /dev/null +++ b/16079-h/images/image_29.jpg diff --git a/16079-h/images/image_30.jpg b/16079-h/images/image_30.jpg Binary files differnew file mode 100644 index 0000000..1d205be --- /dev/null +++ b/16079-h/images/image_30.jpg diff --git a/16079-h/images/image_31.jpg b/16079-h/images/image_31.jpg Binary files differnew file mode 100644 index 0000000..000aded --- /dev/null +++ b/16079-h/images/image_31.jpg diff --git a/16079-h/images/image_32.jpg b/16079-h/images/image_32.jpg Binary files differnew file mode 100644 index 0000000..7faa002 --- /dev/null +++ b/16079-h/images/image_32.jpg diff --git a/16079-h/images/image_33.jpg b/16079-h/images/image_33.jpg Binary files differnew file mode 100644 index 0000000..c8f7be3 --- /dev/null +++ b/16079-h/images/image_33.jpg diff --git a/16079-h/images/image_34.jpg b/16079-h/images/image_34.jpg Binary files differnew file mode 100644 index 0000000..d913972 --- /dev/null +++ b/16079-h/images/image_34.jpg diff --git a/16079-h/images/image_35.jpg b/16079-h/images/image_35.jpg Binary files differnew file mode 100644 index 0000000..e8c693c --- /dev/null +++ b/16079-h/images/image_35.jpg diff --git a/16079-h/images/image_36.jpg b/16079-h/images/image_36.jpg Binary files differnew file mode 100644 index 0000000..83f7aca --- /dev/null +++ b/16079-h/images/image_36.jpg diff --git a/16079-h/images/image_37.jpg b/16079-h/images/image_37.jpg Binary files differnew file mode 100644 index 0000000..7b0c08f --- /dev/null +++ b/16079-h/images/image_37.jpg diff --git a/16079-h/images/image_38.jpg b/16079-h/images/image_38.jpg Binary files differnew file mode 100644 index 0000000..3204951 --- /dev/null +++ b/16079-h/images/image_38.jpg diff --git a/16079-h/images/image_39.jpg b/16079-h/images/image_39.jpg Binary files differnew file mode 100644 index 0000000..7ce65d9 --- /dev/null +++ b/16079-h/images/image_39.jpg diff --git a/16079-h/images/image_40.jpg b/16079-h/images/image_40.jpg Binary files differnew file mode 100644 index 0000000..6fd7886 --- /dev/null +++ b/16079-h/images/image_40.jpg diff --git a/16079-h/images/image_41.jpg b/16079-h/images/image_41.jpg Binary files differnew file mode 100644 index 0000000..2b3011a --- /dev/null +++ b/16079-h/images/image_41.jpg diff --git a/16079.txt b/16079.txt new file mode 100644 index 0000000..5ace967 --- /dev/null +++ b/16079.txt @@ -0,0 +1,2136 @@ +The Project Gutenberg eBook, Some Old Time Beauties, by Thomson Willing + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Some Old Time Beauties + After Portraits by the English Masters, with Embellishment and Comment + + +Author: Thomson Willing + + + +Release Date: June 16, 2005 [eBook #16079] + +Language: en + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES*** + + +E-text prepared by Afra Ullah, Sankar Viswanathan, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 16079-h.htm or 16079-h.zip: + (https://www.gutenberg.org/dirs/1/6/0/7/16079/16079-h/16079-h.htm) + or + (https://www.gutenberg.org/dirs/1/6/0/7/16079/16079-h.zip) + + + + + +SOME OLD TIME BEAUTIES + +After Portraits by the English Masters, with Embellishment and Comment + +by + +THOMSON WILLING + +Boston +Joseph Knight Company + +MDCCCXCV + + + + + + + +CONTENTS + + GEORGIANA, DUCHESS OF DEVONSHIRE + Portrait by Thomas Gainsborough + + MARY, HONORABLE MRS. GRAHAM + Portrait by Thomas Gainsborough. + + EMMA, LADY HAMILTON + Portrait by George Romney. + + MRS. SHERIDAN + Portrait by Sir Joshua Reynolds. + + MARGUERITE, COUNTESS BLESSINGTON + Portrait by Sir Thomas Lawrence. + + MARY ISABELLA, DUCHESS OF RUTLAND + Portrait by Sir Joshua Reynolds. + + LAVINIA, COUNTESS SPENCER + Portrait by Sir Joshua Reynolds. + + ELIZABETH, DUCHESS OF HAMILTON + Portrait by Catharine Read. + + MARIA, COUNTESS OF COVENTRY + Portrait by Gavin Hamilton. + + ELIZABETH, COUNTESS GROSVENOR + Portrait by Sir Thomas Lawrence. + + + + +[Illustration: GEORGIANA, DUCHESS OF DEVONSHIRE by GAINSBOROUGH] + + +HER GRACE OF DEVONSHIRE + + +The Dashing Duchess,--the impulsive, ebullient beauty whose smile +swayed ministers, and for whose favor princes were beggars! A +loveliness of manner, as of feature, such seductive color,--glowing +carnations,--and such golden-brown hair, with a fine figure, made up +an opulent personality, than which no more consummate type of beauty +has been preserved to us by painter or poet. + +Georgiana Spencer was the daughter of Lord Spencer, afterwards first +Earl Spencer; but her impulsiveness, her waywardness, and improvidence +were a legacy from her grandfather, "Jack" Spencer, the grandson and +special favorite of the beautiful Sarah, Duchess of Marlborough. Her +"Torismond," she called him. His was a career of profligacy, a course +of error and extravagance. His mother was Lady Sunderland, known in +society as "the little Whig," from her small stature and her +persistent politics. Her party badge was always worn,--the black patch +on the left side of the face, as distinguished from the Tory fashion +of wearing it on the right side. So Georgiana came legitimately by her +beauty, her Whiggish politics, and her versatile vivacity of manner, +as well as her improvidence and indiscretion. + +But her mother's strong character was a potent influence. She was the +daughter of the Right Honorable Stephen Poyntz, and was of high repute +for generosity, for sensibility, for charity, and for courteous +dignity of demeanor. We hear of Georgiana being a beautiful child; and +Reynolds as well as Gainsborough, both made painted record of that +childish beauty. Her brightness of mind gave her an interest in art, +in music, and in literature; and, though not proficient in the +practice of either, she had more than the society woman's knowledge of +them. At seventeen, she married William, fifth Duke of Devonshire, +ten years her senior. His was a temperament antipathetic to +hers,--unsympathetic, unimpressionable, and taciturn, yet withal of +the Cavendish characteristic persistency of purpose and honest intent. + +The Duchess at once became a queen of society in the Carlton House +Court. Devonshire House was an assembly place for the Whigs; and its +lovely mistress was the hostess of many a statesman exalted by his +wit, as of many a politician with following by virtue of his station. +Like all radical companies, it was a motley mixture that found welcome +there. The Prince of Wales was a devotee. The then shining Sheridan +was a frequenter; but with the name of Fox has that of the Duchess +been more associated than of aught other. Her supremacy among these +companions was not in the manner of the French Salon leaders,--while +wit, knowledge, and tact were hers, she lived not by learning, but by +her liveliness and jollity. She was not the scholar in politics, but +the politician among scholars out of school. + +It was a roystering, revelling company; and political as well as +personal penury became the portion of many as the result of these +improvident and profligate days. The episode of the Duchess's career +which is most known, is her purchase, by a kiss, of a vote for Fox +when she was championing his cause in an election, and canvassing for +votes in company with her sister, Lady Duncannon. It was said, "never +before had two such lovely portraits appeared on a canvass." A butcher +bargained for his vote by asking a kiss from the lovely lips of the +seductive Duchess. The price was paid, amid the plaudits of the crowd. +An Irish elector, impressed by the fair appellant's vivacity, +exclaimed: "I could light my pipe at her eyes." + +Fox was elected for the Tory borough of Westminster, and great was the +rejoicing at Carlton House. A _fete_ was given on the grounds the day +following, and the ordinarily well-apparelled Prince appeared in a +superb costume of the radical colors, blue and buff. This was the +period of the Duchess's greatest glory, as well as of her most superb +charm of personality; and it was about this period that Gainsborough +painted his perennially delightful presentment of her. She was then +twenty-seven years of age, and had been married ten years. Wraxall +wrote what is probably the best contemporary description of her: "The +personal charms of the Duchess of Devonshire constituted her smallest +pretensions to universal admiration; nor did her beauty consist, like +that of the Gunnings, in regularity of features, and faultless +formation of limbs and shape; it lay in the amenity and graces of her +deportment, in her irresistible manners, and the seduction of her +society. Her hair was not without a tinge of red; and her face, though +pleasing, yet, had it not been illuminated by her mind, might have +been considered an ordinary countenance." + +It is said of Gainsborough that, while painting the Duchess, "he drew +his wet pencil across a mouth all thought exquisitely lovely, saying, +'Her Grace is too hard for me.'" + +The lady later knew the cuts of comment, and the keen pain of +justifiable jealousy. The rival in her husband's attentions was Lady +Elizabeth Foster, daughter of the Earl of Bristol, a brunette of +handsome presence, and at the death of Georgiana, in 1806, she became +the second wife of the Duke. There was an apparent friendship between +the ladies, and Lady Elizabeth for a time lived under the same roof as +the Duchess. + +Madame d'Arblay, in 1791, visited her at Bath, and made record then of +her introduction to the Duchess, and indicated the premonition of +trouble in this wise. "Presently followed two ladies; Lady Spencer, +with a look and manner warmly announcing pleasure in what she was +doing, then introduced me to the first of them, saying, 'Duchess of +Devonshire, Miss Burney.' She made me a very civil compliment upon +hoping my health was recovering; and Lady Spencer then, slightly, and +as if unavoidably, said, 'Lady Elizabeth Foster.'" Gibbon said of the +latter, that, "No man could withstand her; and that if she chose to +beckon the Lord Chancellor from his woolsack, in full sight of the +world, he could not resist obedience." Reynolds painted a portrait of +her, showing a bright-eyed, smiling lady, with close-curled hair, of +girlish appearance. In Samuel Rogers's "Table Talk" are several +mentions of the famous Georgiana, and especially one which tells of +her love for gambling. "Gaming was the rage during her day; she +indulged in it, and was made miserable by her debts. A faro-table was +kept by Martindale, at which the Duchess and other high fashionables +used to play. Sheridan said that the Duchess and Martindale had agreed +that whatever they two won from each other should be sometimes +_double_, sometimes _treble_, what it was called. And Sheridan assured +me that he had handed the Duchess into her carriage when she was +literally sobbing at her losses, she having lost fifteen hundred +pounds, when it was supposed to be only five hundred pounds." A life +such as she then led surely affected her appearance. In 1783, Walpole +wrote: "The Duchess of Devonshire, the empress of fashion, is no +beauty at all. She was a very fine woman, with all the freshness of +youth and health, but verges fast to a coarseness." + +The offspring of the Duchess Georgiana were: Georgiana Dorothy, +afterwards Countess Carlisle, whose letters were lately published, and +exhibit an original observation and a terse style of record; Henrietta +Elizabeth, later Countess Granville; and a son, who succeeded to the +Dukedom. About the latter's birth was some mystery; insinuation was +active. The Duchess had little liking for domestic life, so normal +neglect of child may have been construed into an unnatural dislike. +Her son never married. Through the stress of the home infelicity, her +beauty waned; but her bearing and breeding kept her paramount in her +set. She is known to this later generation only as a superb beauty who +stands with such opulent charm of costume, and of fine hauteur of +manner, amid the noble groves of Chatsworth--as the once potential +original of Gainsborough's greatest portrait. "The bust outlasts the +throne, the coin Tiberius." + +A most pathetic tribute to the beauty of the Duchess was paid by +"Peter Pindar" (Dr. Wolcot), who addressed "A Petition to Time in +favor of the Duchess of Devonshire," and implored the Inexorable +thus:-- + + "Hurt not the form that all admire. + Oh, never with white hairs her temple sprinkle! + Oh, sacred be her cheek, her lip, her bloom! + And do not, in a lovely dimple's room, + Place a hard mortifying wrinkle. + + "Know shouldst thou bid the beauteous duchess fade, + Thou, therefore, must thy own delights invade; + And know, 't will be a long, long while + Before thou givest her equal to our isle. + Then do not with this sweet _chef-d'oeuvre_ part, + But keep to show the triumph of thy art." + +A dramatic fate has befallen the original canvas. In 1875, it was sold +at auction, and was bought by a firm of dealers for the then highest +price paid for a single picture in England. The publicity gained by +this was taken advantage of by the purchasers to exhibit the picture. +One morning when the gallery was opened, the frame only was there; the +picture had vanished. The canvas is lost. + + + + +[Illustration: MARY, THE HONORABLE MRS GRAHAM by GAINSBOROUGH] + + +LOVELY MARY CATHCART + + +Like the happiest countries that have no history, the tranquil life of +joyous content leaves little to chronicle. Only in the nobility of +character of a husband who grieved her loss for years, and in his +strong dignity, and devotion to her memory, do we get a hint of the +gracious and good lady whom Gainsborough has made immortal for us. + +And in that phrase of her lifetime, "lovely Mary Cathcart," is a whole +biography of benignity and beauty. She came of one of the most ancient +and noble families in Scotland, and was the daughter of the ninth +Baron Cathcart, called "Cathcart of Fontenoy." Her brother William +became the tenth Baron, and afterwards the first Earl Cathcart. He had +studied law, but abandoned it for the army, and had a gallant career +therein; becoming a lieutenant-general in 1801, and commander-in-chief +of the expedition to Copenhagen in 1807; afterwards acquiring +reputation as ambassador for several years at St. Petersburg. He was +perhaps the earliest of British noblemen to marry American beauties; +having wedded the daughter of Andrew Elliott of New York, in 1779. + +In November, 1774, there was rejoicing among the retainers of the +House of Cathcart, for there was to be a double wedding. The eldest +daughter, "Jenny," was married to the Duke of Athole, that same Duke +who became a friendly patron of Burns, and in reference to whom the +poet writes, when addressing some verses to him: "It eases my heart a +good deal, as rhyme is the coin with which a poet pays his debts of +honor and gratitude. What I owe to the noble family of Athole, of the +first kind, I shall ever proudly boast; what I owe of the last, so +help me God, in my hour of need I shall never forget." + +The second sister, the Hon. Mary, was married to Sir Thomas Graham of +Balgowan, a descendant of the Marquis of Montrose and of Graham of +Claverhouse. The youngest sister, Louisa, later became Countess of +Mansfield, and her portrait, by Romney,--a seated profile figure with +flowing draperies,--is that artist's most masterly work. + +After eighteen years of happy married life, she died childless; one of +those good women that were-- + + "True in loving all their lives,"-- + +"a surpassing spirit whose light adorned the world around it." Her +husband grieved greatly. He was ordered to travel to divert his +despair. He visited Gibraltar, and there the dormant martial spirit of +his ancestors was aroused by his environment. Though then forty-three +years of age, he immediately entered the army as a volunteer. He +rapidly rose in his profession, and had an especially brilliant career +in the Peninsular War. In 1811, he became the hero of Barossa, and in +the same year was made second in command to the Duke of Wellington. He +was created Lord Lynedoch of Balgowan, Perthshire, and frequently was +thanked by Parliament for his services. Sheridan said, "Never was +there a loftier spirit in a braver heart." And alluding to his +services during the retreat to Corunna, he said, "Graham was their +best adviser in the hour of peril; and in the hour of disaster, their +surest consolation." Scott eulogizes him in the poem, "The Vision of +Don Roderick," in the lines,-- + + "Nor be his praise o'erpast who strove to hide + Beneath the warrior's vest affection's wound, + Whose wish Heaven for his country's weal denied; + Danger and fate, he sought, but glory found. + + "From clime to clime, wher'e'r war's trumpets sound, + The wanderer went; yet, Caledonia, still + Thine was his thought in march and tented ground; + He dreamed mid Alpine cliffs of Athole's hill, + And heard in Ebro's roar his Lynedoch's lovely rill. + + "O hero of a race renowned of old, + Whose war-cry oft has waked the battle swell!" + +Old Dr. John Brown, of Edinburgh, wrote of a late Duke of Athole: +"Courage, endurance, stanchness, fidelity, and warmth of heart, +simplicity, and downrightness, were his staples." They are ever the +staples of the Scotch character, and they were all pre-eminent in Sir +Thomas. His life was noble, and his affection was faithful to its +early troth. + +A pathetic history attaches to this picture of Mrs. Graham: When its +subject died, the sorrowing husband had it bricked up where it hung, +and it was only by an accident that it was discovered at his death, in +1843. It now hangs in the National Gallery of Scotland at Edinburgh. +The present reproduction shows but a part of the picture, the figure +being full length. It has been excellently reproduced in etching by +both Flameng and Waltner. + +In 1885, a most comprehensive exhibition of Gainsborough's works was +made at the Grosvenor Gallery in London. At it was noted the important +part this painter had played in perpetuating the lineaments, bearing, +graces, and gownings of the great persons of the latter half of the +eighteenth century. + + "The lips that laughed an age agone, + The fops, the dukes, the beauties all, + Le Brun that sang and Carr that shone." + +There was seen The Hon. Miss Georgiana Spencer, at the age of six, and +again a later portrait of her as the Duchess of Devonshire,--she of +the then irresistibly seductive manners,--and her mother, Countess +Spencer, of whom Walpole wrote as being one of the beauties present at +the coronation of George III., in 1761. There, too, was Anne Luttrell, +daughter of Simon Luttrell, Baron Irnham, who married, first, +Christopher Horton, and, secondly, the Duke of Cumberland, brother of +the king. Of her Walpole wrote: "There was something so bewitching in +her languishing eyes, which she could animate to enchantment if she +pleased, and her coquetry was so active, so varied, and yet so +habitual that it was difficult not to see through it, and yet as +difficult to resist it." And here was another widow who captivated +royalty, Mrs. Fitzherbert, who was a daughter of Walter Smythe of +Bambridge, Hampshire, and married, first, Edward Weld, secondly, +Thomas Fitzherbert of Synnerton, Staffordshire (who died in 1781), and +was said to have been married to the Prince of Wales (George IV.) in +1785. And there also was a more notorious beauty, Miss Grace +Dalrymple, afterwards Mrs. Elliott,--though divorced later, and +becoming the mistress of various aristocrats, notably the Duke of +Orleans. + +The Duchess of Montagu, granddaughter of the great Duke of Marlborough +(one of the Churchills,--a family prolific of beauties), was there +seen. Several pictures of the painter's wife (who was a Miss Margaret +Burr), of his youngest daughter, Mary, afterwards Mrs. Fischer, and +one of his friend, Miss Linley, went to augment this superb +congregation of beauties shown. Portraits of Garrick,--that intensely +interesting Stratford portrait,--Earl Spencer, Pitt, Earl Stanhope, +Colonel St. Leger, George IV., Duke of Cumberland, George III., Earl +Cathcart, Canning, Dr. Johnson, Fox, and several showings of himself, +made up a body of work unsurpassed in importance by that of the +president of the Academy himself. + +Gainsborough was born in 1727; he moved to Bath, in its most brilliant +period, in 1760. He died in 1788, but had ceased contributing to the +Academy four years before, because of a disagreement with the hanging +committee. His portraits of ladies were always picturesque and +individual, each differentiated from each of his own works as well as +from that of other painters. + +This portrait of the Hon. Mrs. Graham is delicate in color, yellowed +somewhat by its long seclusion from the light,--and will remain one of +the most delightful and _spirituel_ creations of the old-English +school. + + + + +[Illustration: EMMA, LADY HAMILTON by ROMNEY] + + +Lady Hamilton + + +With the name of Lady Hamilton is ever associated the names of +England's most famous sailor and of one of her most famous painters. +Hers was a life redolent of ill-repute. Though her beauty was great, +it served her for ill purposes; but she came by her lack of character +by heredity. She was born in 1761, the daughter of a female servant +named Harte, and at the age of thirteen was put to service as a nurse +in the house of a Mr. Thomas of Hawarden, Flintshire. She found +tending children a tedious task, and forsook it. At sixteen, she went +to London, and became a lady's maid there. Her leisure time was spent +in reading novels and plays, which inspired a love for the drama. She +early developed a rare ability for pantomimic representation; and +this became a favorite form of entertainment in drawing-rooms and +studios. Her duties as a domestic agreed not with the drama, so her +next position was as barmaid in a tavern much frequented by actors and +artists. She formed the acquaintance of a Welsh youth, on whose being +impressed into the navy, she went to the captain to intercede for him. +The boy was liberated, but the comely intercessor was impressed into +the service of the captain. From him she went to live with a man of +wealth; but her extravagance and wilfulness induced him to forego her +company. Then followed a period of the lowest street degradation. From +this state she was taken by a Dr. Graham, who was a lecturer upon +health, and exhibited the finely-formed Emma as a perfect specimen of +female symmetry. She became the topic of the town. Painters, +sculptors, and others came to admire the shapely limbs shown under but +a thin veil of gauze. The young bloods of the time worshipped,--some +not afar off; and one of them, Charles Greville, of the Warwick +family, who had essayed to educate her to become a fit companion for +his elevated existence, maintained her for about four years. It is +recorded, that when he took her to Ranelagh's the sensation was +greater than had ever been produced by any other beauty there. Not the +winsome and witty Mrs. Crewe, nor her friend Mrs. Bouverie; not that +first flame of the amorous Prince of Wales, Mrs. Robinson, nor Anne +Luttrell, also beloved of royalty; not the Marchioness of Tavistock, +whose loveliness has been preserved to us by Sir Joshua, nor the +delightful Duchess of Buccleugh; not Lady Cadogan, and not even the +dashing Duchess of Devonshire herself,--caused the comment and +admiration this low-born unprincipled young woman now excited. Mr. +Greville would have married her had not his uncle, Sir William +Hamilton, interfered. It is variously stated that Sir William agreed +to pay his nephew's debts if he would yield up his mistress; and also +that, in endeavoring to free the young man, the old gentleman himself +fell into the snare of her charms. "She is better than anything in +Nature. In her own particular way she is finer than anything that is +to be found in Greek art," exclaimed this _savant_ on first seeing +her. She was a most enchanting deceiver, and a finished actress in the +parts of candor and simplicity, so succeeded in marrying Sir William, +in 1791. He was over sixty years of age, a man of much classical and +scientific erudition, and had been for many years ambassador at the +court of Naples, to which place he was soon accompanied by his bride. +She became a favorite with the queen, and a frequent visitor at the +palace, also somewhat of a social success among the British residents. +She sang well, and made a specialty of showing herself in "attitudes," +or what we term now "living pictures," for the delectation of her +guests. "You never saw anything so charming as Lady Hamilton's +attitudes," wrote the Countess of Malmesbury to her sister, Lady +Elliot; "the most graceful statues or pictures do not give you an idea +of them. Her dancing the Tarantella is beautiful to a degree." It was +here began that intimacy with Nelson which became the great blot on +his fair fame. He was then commanding the Agamemnon, and she became +his constant companion, and was sometimes useful to him as a political +agent. After the victory of Aboukir Bay, when Naples went wild in its +enthusiastic reception of the naval hero, Lady Hamilton shared the +honors of the pageant. She accompanied him in a tour through Germany; +and most reprehensible was their conduct, at times, in defying the +decencies of polite life. After the Treaty of Amiens, Nelson, +accompanied by Sir William and Lady Hamilton, retired to his seat at +Merton, in Surrey, and on the death of the ambassador, in 1803, he +vainly endeavored to procure an allowance from the government for the +widow, on the pretext of the services she had rendered the fleet in +Sicily. Failing this, he himself granted her an annuity of twelve +hundred pounds. We all know how at Trafalgar, when the hero was dying, +he spoke of "dear Lady Hamilton, his guardian angel," and left to her +all his belongings, and recommended her to the grateful care of his +country. Notwithstanding this, she died almost in poverty, in 1815. +In 1813 she had been imprisoned for debt, and when out on bail she +fled to Calais, and there the career was closed. It was extraordinary +that this woman should subjugate and hold in thrall men of great force +of character. She had great loveliness of person; but physical beauty +alone is ineffectual to charm such as these. Though not regularly +educated, she acquired much general knowledge, and was tactful in the +display and use of it. + +It was during the period of her posing for Dr. Graham, that Romney +became enamoured of her beauty, and painted for us more than a dozen +important pictures of her. Those were the days when ladies of rank and +beauty were deified; and, following this fashion, Romney rendered +"Fair Emma" in many guises. Her ability in acting made her a most +useful model. Her features had much mobility, and were capable of +expressing, with facility, all gradations of passion and niceties of +feeling. Emma took pride and pleasure in serving Romney. He repeated +to his friend, the poet Hayley, her request, that in the biography of +the painter, Hayley would have much to say of her. One of his earliest +classical conceptions painted from her, was a full length of Circe +with her wand. Following this was a "Sensibility," which became the +property of Hayley. Though we remember Romney chiefly in connection +with his Lady Hamiltons, yet he had acquired his reputation and much +fortune ere he met her. The great bulk of his portrayals of the +nobility preceded his classical subjects, which took form from his +superb model. She was Cassandra; she was Iphigenia, St. Caecilia, +Bacchante, Calope, The Spinstress, Joan of Arc, The Pythian Princess +Calypso, and Magdalene,--the two latter subjects painted to order for +the then Prince of Wales. + +Allan Cunningham has this to say in his sketch of Romney's life: "A +lady in the character of a saint. This sort of flattery, once so +prevalent with painters, is now nearly worn out: we have now no Lady +Betty's enacting the part of Diana; no Lady Jane's tripping it +barefoot among the thorns and brambles of this weary world, in the +character of Hebe. We have none now who either 'sinner it or saint it' +on canvas; the flattery which the painter has to pay is of a more +scientific kind,--he has to trust alone to the truth of his drawing +and the harmony of his colors." + +Romney was a transgressor in this way at times; but Lady Hamilton's +form was used to impart correct form to the conceptions of the +painter,--not the theme used merely to exploit the beauty of the lady. +In the exhibition of fair women in the Grafton Gallery in London this +summer, she greeted us in the guise of Ariadne. In this the painter's +use of the title was apt and justifiable. Here is the lady wholly +clothed in the dress of the time,--a dress superb in its simplicity; +but her pose and mien is indicative of the forsaken, the forlorn, +despairing woman abandoned by her lover,--the fate of which the old +story of the Greeks is the eternal epitome. The pathos of the pose, it +may have been, as well as the classic face, allured the wanderer in +the galleries, and anchored him before this canvas. + +The fame of Romney has steadily risen in the several generations from +the beginning to the end of the century. Though the painter of many +men of fame and ladies of fashion, his work was not held in the +greatest regard in his lifetime. Though often spoken of as the rival +of Reynolds, he had not the president's grasp of character or his +ability in giving classic grace to the dress of the period, and he was +never admitted as a member to the Academy. + +When Lady Hamilton commenced posing for him, he, perhaps wisely for +his fame, reduced the number of his ordinary sitters, receiving none +until afternoon. The picturing of what he termed "her divine beauty" +became a passion with him; and the enthusiasm of the sitter was nearly +as great as that of the painter, and she enacted his classic +conceptions. The result is a superb series of pictures of faultless +female form, and loveliness of feature. Of the model's immoral career +we have naught now to do. Here is perpetual beauty, and it is ours to +enjoy. + + + + +[Illustration: MRS SHERIDAN by REYNOLDS] + + +ST. CAECILIA + + +There are few names more associated with the brilliant days of Bath, +the days of its social and artistic prominence, than those of Thomas +Linley, the composer, and of his daughter, Eliza Anne, known abroad as +"the Fair Maid of Bath." Linley was born there, in 1735; and after his +studies in music on the Continent, under Paradies, he returned to the +then fashionable city on the Avon. He conducted oratorios and concerts +there, and became a power in the community. Delicacy, tenderness, +simplicity, and taste were the characteristics of his compositions. It +was said of him, that as Garrick had restored Shakspeare, so Linley +has restored the sublime music of Handel. He trained his family to +take part in the performances. His son Thomas, born in 1756, +developed a marvellous ability in music,--playing the violin with +great brilliancy and expression. He was the friend of Mozart, and took +at times his father's place as conductor of the oratorios. His career +was cut short by drowning, in 1778. + +But it was his beautiful daughter Eliza, born in 1754, who made the +sensation of the time, when she sang with her sister, afterwards Mrs. +Tickell. "A nest of nightingales," the family was termed. Walpole +writes, in 1773: "I was not at the ball last night, and have only been +to the opera, where I was infinitely struck with the Carrara, who is +the prettiest creature upon earth. Mrs. Hartley I own to still find +handsomer, and Miss Linley, to be the superlative degree. The king +admires the last, and ogles her as much as he dares to do in so holy a +place as an oratorio, and at so devout a service as 'Alexander's +Feast.'" Musical prominence and personal beauty in this maid of but +twenty made her an attractive flower in bloom to others than the king. +The wits and gallants of the gay city sought and courted her. The +family of Tom Sheridan, the Irish actor, and then a teacher of +elocution in Bath, was intimate with the Linley family. Richard, who +was born in Dublin in 1751, his elder brother Charles, and Nathaniel +Halhed, a companion and literary partner with Richard, all admired the +daughter Eliza. Halhed went to India,--afterwards becoming a judge +there,--and Charles Sheridan retired from the race, and left the +literary youth to win as pure a heart as ever cheered incipient genius +to works of worth. She was lauded in verse by her young Irish suitor, +and championed in deed. He asserts his constancy in a poem, of which +the first stanza is-- + + "Dry that tear, my gentlest love; + Be hushed that struggling sigh; + Nor seasons, day, nor fate shall prove + More fixed, more true than I. + Hushed be that sigh, be dry that tear; + Cease boding doubt, cease anxious fear; + Dry be that tear." + +He proves his devotion by his action when appealed to by his +divinity. + +A certain Captain Matthews, one of a numerous breed in Bath in those +days,--that is, a fashionable scoundrel and a married man,--made +himself obnoxious to Miss Linley by improper addresses. He annoyed and +harassed her, threatening to destroy himself unless she gratified him, +and later attempted to sully her reputation by calumnies. This brought +about the culmination of her attachment to Sheridan. She fled her +father's house and sought the protection of her lover. Accompanied by +a chaperon, they left for France. After some romantic adventures, they +were married in March, 1772, at a little village near Calais; but it +was a wedding without the wherewithal to maintain a home, so the bride +entered a convent, and, later, the house of an English physician, +until literature should be remunerative. The eloping lady's father +sought the runaways; and, after some explanations, they returned with +him to England. It was shortly after this that Sheridan fought two +duels with Matthews, being wounded in the later one to such an extent +that his recovery was doubtful. "Sweet Betsy" claimed the right of a +wife to tend her hurt husband, and so revealed the fact of the +marriage in France. The old actor rejected his impulsive son, but +Linley's aversion to the union of his daughter being at last set +aside, the pair were re-married in England in April, 1773. + +The sweet singer had been admired by another, an elderly suitor of +much fortune, whom her father had approved, but to whom she was +averse. This gentleman now became the benefactor of the pair. He +settled a moiety of three thousand pounds on the bride. Her father +retained half of this as compensation for the loss of the services of +his daughter. On the balance, the youthful couple lived. Sheridan had +entered himself a student of the Middle Temple shortly before his +marriage. Though their income was small, he would not allow his wife +to accept several proffered professional engagements; he did not wish +his helpmeet to become a servant of the public. This action incited +some discussion, and much acrimonious comment, in her family and among +their friends. Johnson upheld his course. Sheridan, in this instance, +understood himself and understood the times. He knew of the flippant +attitude of the young blades of the town toward all public performers; +so he sought to save her, who was so sacred to him, from such insult, +insincere adulation, and insinuation as she had heretofore suffered +from. They retired to a cottage at East Burnham; and there she, who +had received the plaudits of the public as a vocalist, won as noble a +name in the character of the ideal wife, one in whom were united all +the attributes of loveliness,--temper, manners, virtues, and +surpassing beauty. What the then public lost, later generations have +gained in the picture of that lovable woman, making a golden age of +happiness for her greatly-gifted husband in the little cottage at East +Burnham. + +Fanny Burney records her pleasant impressions of the bride,--"I was +absolutely charmed at the sight of her. I think her quite as beautiful +as ever, and even more captivating; for she has now a look of ease and +happiness that animates her whole face. Miss Linley was with her; she +is very handsome, but nothing near her sister; the elegance of Mrs. +Sheridan's beauty is unequalled by any I ever saw, except Mrs. Crewe. +I was pleased with her in all respects. She is much more lively and +agreeable than I had any idea of finding her; she was very gay, and +very unaffected, and totally free from airs of any kind." + +In 1775, the husband's genius was acknowledged by the town; for in +January, that year, was first presented "The Rivals." In that play he +draws from the material displayed by the superficial, flashing, and +piquant society of the day at Bath, and from his own experience the +inimitable duel scene therein. + +Much success followed for the dramatist. In the following year, in +conjunction with his father-in-law, he purchased from Garrick the +Drury Lane Theatre. They brought out several operas together; Linley's +music in "The Duenna" and "The Beggar's Opera," being especially fine. +Hazlitt speaks of the songs in them as having a joyous spirit of +intoxication, and strains of the most melting tenderness. + +In 1777, appeared "The School for Scandal," a theme also suggested by +scandal-mongering Bath. His fond and faithful wife lived not to see +the dimming of the genius that produced these classics; she died of a +decline, at Bristol, in 1792. Her daughter, too, died within the same +year. Two of her accomplished descendants, through her son, have +displayed some of her romantic taste and charm of manner to a +generation just preceding our own,--her granddaughters, Lady Dufferin, +mother of the English ambassador to France, and Hon. Caroline Norton, +author of "Love not, love not, ye hapless sons of men." + +Though she whom he had adored was but three years dead, Sheridan +married, in 1795, Esther Jane Ogle, daughter of the Dean of +Winchester. With her he obtained some money and this, added to his +own, purchased the estate of Polesdon, in Surrey. His wife was, at +that time, spoken of as young, amiable, and devoted to him. She died +at about the same time as he, in 1816. + +In the first flush of those romantic wedded days of their youth how +impressive must have been the appearance of that markedly clever young +man, eager in the fight for fame, and of his beauteous bride from +Bath. Reynolds painted, in 1779, the standard presentment of Sheridan. +Walpole's comment on it was: "Praise cannot overstate the merits of +this portrait. It is not canvas and color, it is animated nature--all +the unaffected manner and character of the great original." The artist +said that among all his sitters none had such large pupils of the +eyes. With the brilliance of that mind informing the face, his +features, though not regular, were handsome. Of all the portraits of +Miss Linley, perhaps the one by Gainsborough, in which she is +portrayed with her young brother, gives the best idea of the special +character of her type of beauty. Here are the large lustrous eyes and +the very delicately modelled, sensitive, refined features; here, the +luxuriant hair, the slender neck, and the sloping shoulders; and here, +the superb poise of head and of mind. There is another fine picture of +her by Gainsborough, for this painter was one of the brilliant men +who frequented her father's house at Bath. A musician he was, too, +and an excellent performer on the violin, so was congenial company in +that musical family. He admired the daughter, and wrought for us the +delightful records of her beauty. His change of residence, from Bath +to London, coincided in date with that of the Sheridans. Opie, too, +painted her portrait; not an ideal one, but good in respect to her +eyes. And Romney has given us good pictures both of her and Mrs. +Tickell. Reynolds's portrayal is supreme in indicating the exaltation +of spirit, by the poise of head and perfection of profile. This +picture of her as the patron saint of song was exhibited at the +Academy, in 1775, just about the time its subject had abandoned public +singing. It has been most beautifully engraved by Bartolozzi, and +ranks as one of his best plates. When the days of sorrow came to +Sheridan,--when his weaknesses of character brought him to a low +estate; when poverty became his portion, and the long lost days of +romantic love became but a memory; when treasure after treasure, +manuscripts, and sumptuous books were disposed of, and presentation +pictures were pawned,--this picture of St. Caecilia, a reminder of the +days that had vanished, was the last valued possession to be parted +with. + + + + +[Illustration: MARGUERITE COUNTESS OF BLESSINGTON by LAWRENCE] + + +LADY BLESSINGTON + + +The brilliant Blessington,--brilliant in beauty and in intellect! +Throughout her life of romance she was fortunate in her literary +friendships, through whom a knowledge of her abilities has grown to +tradition, but most fortunate in the portrayer of her beauty. Lawrence +has painted a picture which it is a perpetual pleasure to behold,--the +superb arms and shoulders, the serene, steadfast gaze of the eyes, and +the conscious, yet confident, poise of the head forming a record to +justify the tradition of great personal beauty and alertness of mind. + +Marguerite Blessington's youth was ill-regulated and penurious. She +was born in 1789, the second daughter of Edmund Power, of Knockbrit, +near Clonmel, in the county of Tipperary. Her father came of a good +family, as did also her mother, who spoke unduly often of her +ancestors, the Desmonds. Marguerite was not comely in her early +girlhood, though her sister Ellen and her brother Robert were handsome +children. As a child, she was sensitive and sentimental, and her +delight was to browse in a library,--and it was this taste that +equipped her for her later friendships. Her power of imagination was +uncommonly strong, and she became the entertainer of her +children-companions with stories of her own imagining, as well as by +her recitals of legends and romance learned in the library. Her father +removed to Clonmel, and became editor of a paper there. He was not +prosperous, and was a man of perverse temper, which grew with +adversity. Marguerite and her sister were fancied by some wealthy +maiden-lady relatives, and were taken by them to a home of comfort. On +their return to Clonmel,--beautiful, and with the distinction of +knowledge and a clever use of it,--they were a contrast to the +ordinary Irish country girl, whose whole equipment of dress and +accomplishments was "two washing gowns and a tune on the piano." The +girls took part in all the gayeties of the town, and, besides the +charm of their conversation, were graceful dancers; and though +Marguerite was less beautiful, she was most tasteful in dress, and +this became always a noted characteristic of hers. They became the +attraction of an English regiment recently stationed in the town, and +Marguerite was soon married, through the insistence of her father, to +a Captain Farmer, when less than fifteen years of age. This was the +great misfortune of her life. + +Her husband was subject to fits of insanity, and her whole feeling +towards him was that of aversion. Cruelty and caprice were the chief +components of his character. From his tyranny she fled,--first to her +father's house, but was denied solace there, so sought it elsewhere. +She led a somewhat vagabond existence for about nine years, living +first with one friend, then with another; thankful for any home, and +accommodating herself to any companions. Of this period of her life +not much is recorded, save her beauty, for it was shortly after this +that her peerless portrait was painted, ere her sorrow and suffering +had time to efface the vivacity of youth, but only to give depth to +the eyes and interest to the face. She lived in London with her +brother Robert until in 1817, when her husband's death occurred by his +falling out of a window when in a state of drunken frenzy. Four months +after this she became the second wife of an Irish nobleman of a +dashing person and little brains, Charles John Gardiner, second Earl +of Blessington, when she was twenty-eight and he was thirty-five years +of age. With this marriage came a reversal of her misfortunes. Her +generosity, sympathy, and good heart soon prompted the improvement of +the conditions of her own family, and in this gave emphatic evidence +of that devotedness to duty and friends which became her strongest +trait. Her youngest sister, Marianne, was adopted and educated by her, +and became her travelling companion, and long afterwards her modest +biographer. Her sister Ellen married first, Mr. Home Purves, and +afterwards, Viscount Canterbury, speaker of the House of Commons. + +Lord Blessington's income was great, but his tastes were extravagant +as were also his wife's, and luxurious was their home in St. James's +Square, and magnificent the manner in which they entertained the +brilliant society gathered there; and for three years their brilliant +companies of beauty and intellect outshone the congregations at +Holland House. In 1822, Count D'Orsay, a polished and accomplished +young Frenchman, visited London, and was made most welcome by the +Blessingtons. In August of that year they started for a leisurely tour +of the Continent. The Countess kept a diary during this journeying, +which was published in 1839, under the title of "The Idler in Italy," +revealing a keen observation and a capacity for entertaining comment. + +Her ladyship was ever ambitious of literary eminence. Possessed of +great beauty, and after a time high station and wealth, she yet +yearned for the recognition by great writers of her position as one of +them. She had published, previous to her continental trip, two +volumes,--one called "The Magic Lantern," the other, "Sketches and +Fragments," both being accounts of and comments upon London society; +both were unsuccessful. Her one book which will remain in literature +was consequent upon her meeting with Lord Byron in Genoa, in 1823, and +is a record of her conversations with the poet. She who aspired to +make her mark in literature has made it, but as the chronicler of the +sentiments, vanities, whims, and oddities of another. But it was no +ordinary ability that was competent to persuade the great poet, +usually unapproachable, to avow, in picturesque language, his opinions +on men, women, and manners,--to provide for later times the data from +which to gauge his strange personality. + +She has written much of herself into her records; and calumny urged, +at the time of publication, that she insinuated in her writings a far +greater degree of friendship on the poet's part than really existed. +Yet, in refutation of this is Byron's letter to Moore:-- + +"I have just seen some friends of yours, who paid me a visit +yesterday, which, in honor of them and of yours, I returned to-day, as +I reserve my bear-skin and teeth and paws and claws for our enemies. + +"Your allies, whom I found very agreeable personages, are Milor +Blessington and _epouse_, travelling with a very handsome companion, +in the shape of a 'French count' (to use Farquhar's phrase in the +'Beau's Stratagem'), who has all the air of a _cupidor dechaine_. +Milady seems highly literary; to which, and your honor's acquaintance +with the family, I attribute the pleasure of having seen them. She is +also very pretty, even in a morning; a species of beauty on which the +sun of Italy does not shine so frequently as the chandelier." + +The Countess Guiccioli was among those who depreciated the +Blessingtons' accounts of the conversations; but then, perchance, +there may have been some jealousy of the attractive English woman's +influence over the poet. The Blessingtons left Genoa in June of 1823, +and continued their journeyings throughout Italy until 1828. In the +preceding year, Count D'Orsay had become the husband of the Earl of +Blessington's daughter, Lady Harriet Frances Gardiner, when she was +but little over fifteen years of age; but they lived together but +three years. In 1829, the Earl died in Paris; and the Countess +continued there until after the Revolution of 1830, when she returned +to England. Her journal of the trip from Naples to Paris, and her stay +in that city, was published in 1841, under the title of "The Idler in +France." In England she took a house in Seamore Place, Mayfair, and +later removed to Gore House, Kensington, with which place is +associated the traditions of her elegant entertainings and her +intercourse with many men of eminence, but also with a course of +living which compromised her reputation in society. Her son-in-law, +the Count, continued to form one of her household, though separated +from his wife, the Lady Harriet. Though not received in general +society, the Countess surrounded herself with celebrities of all +nations; and it was at her house that Louis Napoleon was a cherished +guest in his years of exile, and from whence he proceeded to head the +government of France. Here Bulwer came as perhaps her most intimate +friend; here Thackeray was made most welcome, and Lord John Russell +and Lord Palmerston, Canning and Castlereagh were frequent guests. +Dickens,--then a dandy like unto D'Orsay, who seemed to be his +model,--"Rejected Addresses" Smith, the banker-poet Rogers, Kemble, +Wilkie, and Dr. Parr engaged in sparkling converse with their hostess, +who sat in a deep arm-chair while Tom Moore was privileged to perch +himself on a footstool at her feet; and by all these men she was +held in unqualified respect. Her income became impaired and unequal to +the expense of entertaining. She resorted to literature to add to her +resources. She was engaged by Heath, the engraver, to edit a certain +class of annuals popular in those days. For some years her income from +"The Keepsake" and "The Book of Beauty" exceeded one thousand pounds a +year. Her novels, too, were a source of some profit. For "Strathern" +she received about three thousand dollars. These romances were weak in +character and plot, but were fair pictures of society portrayed with +much piquancy. In one, "Grace Cassidy," she describes interestingly +scenes of her youth in Ireland. But interest in her work waned, and as +she seems not to have thought of retrenchment of her expenditure, +disaster rapidly descended. In 1849, she had perforce to sell out, and +then moved to Paris, where she died in the same year. She was buried +at Chambourcy, near St. Germain-en-Laye, the residence of the Duc and +Duchesse de Grammont, the sister and brother-in-law of Count D'Orsay. + +She was a woman of great tact, of a sweet delicacy of manner, and of a +chivalrous devotedness to friendship. Her friends were carefully +chosen, and never deserted. Perhaps no woman of the century has had so +many men of mark as her friends and admirers. She had charity towards +others' failings. She gave pleasure where she could. She was elegant +and dignified in her bearing, though possessed of Irish wit withal. +She was very beautiful. + +Lord Byron was induced to sing the praise of her picture here +given:-- + + "Were I now as I was, I had sung + What Lawrence has painted so well; + But the strain would expire on my tongue, + And the theme is too soft for my shell. + + "I am ashes where once I was fire, + And the bard in my bosom is dead: + What I loved I now merely admire, + And my heart is as gray as my head. + + "Let the young and the brilliant aspire + To sing what I gaze on in vain, + For sorrow has torn from my lyre + The string which was worthy the strain." + + + + +[Illustration: MARY ISABELLA DUCHESS OF RUTLAND by REYNOLDS] + + +HER GRACE OF RUTLAND + + +Rowlandson, the caricaturist, once published a cartoon entitled "Juno +Devon, All Sublime." The rival goddesses in competition with her +before that modern Paris, the Prince of Wales, being their Graces of +Gordon and Rutland. Beyond the various written records of the opposing +beauty of those aristocratic dames who dominated society in their day, +we have ample painted evidence of their loveliness. Of her Grace of +Devonshire, we have, first, the engraved renderings of "the lost +Gainsborough." There are other Gainsboroughs, too,--Georgiana as a +child, and a full-length of her standing at the edge of a lawn, her +face looking down, wearing a white dress, her right elbow on the base +of a column, a scarf in both hands, her hair piled high, but without +the hat, as in the more famous picture. There are then several by Sir +Joshua. The first, where she stands as a child beside her mother; +then, she as a mother with her own child,--a very charming profile, +and a picture that insinuates the vivacity of demeanor and the abandon +so characteristic of her. + +Walpole wrote of this as "Little like and not good." Yet, as to +goodness, a modern authority has said: "It is a superb work; and, in +motive, color, and composition, it ranks as a triumph alike of nature +and art." Again, there is a whole-length showing her about to descend +some steps to a lawn, her superb shoulders and neck bare, and her hair +highly bedecked with feathers. Walpole writes of another portrait, +drawn by Lady Di Beauclerck, and engraved by Bartolozzi: "A Castilian +nymph conceived by Sappho and executed by Myron, would not have had +more grace and simplicity. The likeness is perfectly preserved, except +that the paintress has lent her own expression to the Duchess, which +you will allow is very agreeable flattering." In the Royal collection +of miniatures at Windsor, are three charmingly executed ivories of her +by Cosway. Lawrence, too, made a chalk drawing of her, which now hangs +at Chiswick House, in the room in which Charles Fox died. This is an +interesting work from being a very early effort of the after-time +President of the Academy, and showing that then he had not attained +the trick of flattering his sitters, even when they were noted +beauties. Angelica Kauffman painted her, and John Downman also made a +portrait replete with elegance and picturesqueness. In fact, the +comely Duchess pervaded the art of the period. Of her Grace of Gordon, +we have, as our ideal presentment of her, the portrait by Sir Joshua. +In it her hair is done up high, and two rows of pearls are intertwined +therein. The dress is of the Charles the First period, and shows the +sweetly modulated shoulders leading up to-- + + "The pillared throat, clear chiselled cheek, + High arching brows, nose purely Greek, + Set lips,--too firm for a coquette." + +We have also an interesting portrait of her by Romney. + +Of her Grace of Rutland, we have also several pictures by Sir Joshua. +There is a whole-length with a decorative head-dress, and a landscape +background. The original of this was destroyed by fire at Belvoir +Castle. Another, a half-length, in the same costume, and a +three-quarter face, is mostly pervaded by a serene sense of pride. +There is a drawing of her done by the Hon. Mrs. O'Neil, which is +interesting from the picturesque head-dress shown. Her Grace of +Gordon was as great a power in the political world as she of +Devonshire,--probably greater, for her alliance and principles were +with the ruling power. This lady was to Pitt's party what Fair Devon +was to Fox's. In fact, it was asserted she endeavored to marry her +daughter, Lady Charlotte, afterwards Duchess of Richmond, to the +premier. When Georgiana made her famous canvass in favor of Fox, the +Tories opposed to her the Scotch Duchess. + +She lived and entertained then in a splendid mansion in Pall Mall; and +there assembled the adherents of the Administration. + +Jane was the daughter of Sir William Maxwell, of Monreith, and in her +youth, even, was noted for beauty. A ballad, "Jenny of Monreith," +written in her honor, was often chivalrously sung by her son George, +the last Duke of Gordon. "Jenny" married the fourth Duke, Alexander, +in 1767. The career of the Duke's youngest brother George, identified +with the "Gordon Riot," caused the family much embarrassment, and even +threatened to derogate from the Duchess's dominance with the ruling +party. + +Her Grace was of somewhat stronger fibre than she of Devon; more +masculinity, ay, even more principle, characterized her. Thrift was a +visible virtue, in contrast to Georgiana's improvidence. Command, +rather than cajolery, was her political method. Her later life was +devoted to securing sons-in-law; three dukes, a marquis, and a knight +were of her garnering. She was on good terms with the Regent, and +endeavored to aid him in his differences with his Princess Caroline. +She is remembered, too, as a patron and friend of Dr. Beattie, the +poet, who has eulogized her in these lines "To a Pen":-- + + "Go, and be guided by the brightest eyes, + And to the softest hand thine aid impart; + To trace the fair ideas as they arise, + Warm from the purest, gentlest, noblest heart." + +The third in that group of goddesses was surely the fairest of them +all, of more perfect form, more noble bearing, having that ultimate +element of the greatest beauty,--distinction. She came of a longer +lineage, and was the consummate flower of beauty wrought by the sun +and summers through many generations of patrician life,--life amid the +palatial parks, the superb scenery, and majestic castles of England. +Such living weaves its sweetest elements into the tissues of the being +and works a spell of loveliness such as Lady Mary Somerset. She was +the youngest daughter of Charles, fourth Duke of Beaufort, a +descendant of the Plantagenets. In 1775, she was married to Lord +Charles Manners, eldest son (born in 1754) of John,--that Marquis of +Granby whom Junius attacked, who was associated in the government, in +George the Second's time, with the Earl of Chatham. The Marquis was a +man of much force, and a most hospitable entertainer. He died before +his father, the third Duke of Rutland. + +Lord Charles succeeded to the dukedom in 1779. He had formed a +friendship at Cambridge with Pitt, the son of his father's colleague, +and through his influence Pitt entered Parliament. In 1784, he was +induced by the young premier to accept the Lord-Lieutenancy of +Ireland, and it is with the lavish entertainment and high revelries at +Dublin Castle that his name and that of his beautiful Duchess is +connected. + +High living soon told its tale, for the Duke died in 1787, at the +early age of thirty-three. Though having the most beautiful wife in +England, his affections wandered, and tales are told of his attachment +to that siren singer, Mrs. Billington. The Duchess's manner had +somewhat of levity and much coquetry in it, though she could not be +classed with that company who have not time to be virtuous. At the +time of her lord's death, she was living with her mother, the Dowager +Duchess of Beaufort, in Berkeley Square, London, having been partially +estranged from her husband. On hearing of his illness, she started to +set out for Dublin; but a message of his death came fast upon the +trail of the first news. Perchance it was this estrangement at death, +this having parted in anger without the chance of reconciliation in +life, that affected her so deeply that, though sought by many suitors, +the widow was true to the memory of her late lord. Her son, John +Henry, succeeded to the title; and his bride, a daughter of the Earl +of Carlisle, was also known as a beauty, and her portrait was painted +by Hoppner, in 1798. It was she of whom Greville wrote in his Memoirs, +and commented on her lack of taste in spoiling the magnificent Castle +of Belvoir, the pride and glory of the Eastern Midlands. + +The beauty of the Duchess Mary Isabella was statuesque, classical; her +features were noble. She received admiration as her right, but gave +not largesse of smiles and wit in return. She was not as the Devonian +divinity, "The woman in whose golden smile all life seems enchanted." + +Wraxall writes of a lady telling of witnessing a prenuptial display of +her person, and being entranced by lithe limb, by the fine and +faultless form. Reynolds has hinted at the beauteous body, and the +hint ensnares us. Verily, "the visible fair form of a woman is +hereditary queen of us." Wraxall also likens the Duchess to an +older-time beauty, Diane de Poitiers,--that famous lady of France, the +favorite of Francois I. and Henri II. Of that lady's beauty, it was +written, that it was of the form and feature rather than the radiance +of the mind and manner transforming them; and like her, too, our +Duchess retained her beauty to an advanced age. She died in 1821. To +the last, she impressed one with her dignity, her nobility, her +loveliness. + + "And they who saw her snow-white hair. + And dark, sad eyes, so deep with feeling, + Breathed all at once the chancel air, + And seemed to hear the organ pealing." + + + + +[Illustration: LAVINIA COUNTESS SPENCER by REYNOLDS] + + +LAVINIA + + +In March, 1781, Walpole writes to a friend: "As your lordship has +honored all the productions of my press with your acceptance, I +venture to inclose the last, which I printed to oblige the Lucans. +There are many beautiful and poetic expressions in it. A wedding, to +be sure, is neither a new nor a promising subject, nor will outlast +the favors; still, I think Mr. Jones's ode is uncommonly good for the +occasion." The ode was "The Muse Recalled," and the occasion the +nuptials of Lord Viscount Althorp and Miss Lavinia Bingham, eldest +daughter of Sir Charles Bingham, created, in 1776, Baron Lucan of +Castlebar. Sir Charles was a man of culture, who was intimate with +Johnson, Goldsmith, Gibbon, Reynolds, and Burke. He is frequently +pleasantly mentioned by Boswell. He had married, in 1760, Margaret, +daughter of James Smith, M.P., a lady of great good sense and rare +accomplishments, and three lovely daughters were the issue from this +union. Reynolds found in them most pleasing subjects for his pencil. +Their pictures appeared at the Academy, in 1786. Lavinia was portrayed +as shown in the picture here given, and again in quite as lovely a +fashion,--standing out doors and wearing a wide-brimmed hat which +casts a broad shade across the face; the wavy curls of hair fall upon +the shoulder; in the background is a landscape. The naivete of the +face is exquisitely delightful. The old-time flavor of the whole +causes one to recall Locker's lines on the picture of his +grandmother:-- + + "Beneath a summer tree. + Her maiden reverie + Has a charm; + Her ringlets are in taste; + What an arm! ... what a waist + For an arm!" + +In the picture of her youngest sister, Anne, is a broad hat, too; she +sits full-face, but in her features there is lacking just a little of +the quiet dignity of the eldest. All of these portraits have been made +familiar to us by the most meritorious mezzotints of them by Cousins. +In Lavinia's face there lingers all the enchanting grace of +girlhood,--a face yet full of that early beauty-- + + "Which, like the morning's glow + Hints a full day below." + +A later president of the Academy, Sir Martin Shee, has shown us that +face in the noonday of its matronly beauty, and the gentle character +and sweet sensibility yet outshine through the mask of the flesh as in +the earlier pictures. + +Lady Bingham was careful of the education and company of her +daughters. The girls were musical, and Lavinia excelled in painting as +well. Walpole writes of her being in Italy, in 1785, with Mrs. Damer, +his sculptor friend, and of her drawing with very great expression. He +was not so complimentary of her music some years before, when he tells +of being invited to Lady Lucan's to hear her daughters sing Jomelli's +"Miserere," set for two voices: "It lasted for two hours, and instead +of being pathetic was eminently dull, until at last I rejoiced when +'_the two women had left the sepulchre_.'" + +Shortly after this he tells of rumors of the attachment of George +John, Lord Althorp, brother of Georgiana of Devonshire, to "that sweet +creature" Lavinia. At dinner at Lord Lucan's, Lord Althorp sat at a +side table with the girls and a Miss Shipley. "Pray, Lady Spencer," +said Walpole, "is it owned that Lord Althorp is to marry--Miss +Shipley?" His next reference to the Lucans is in regard to the wedding +ode printed on the Strawberry Hill press. The poet therein invokes +blessings in this wise:-- + + "Shine forth, ye silver eyes of night, + And gaze on virtues crowned with treasures of delight. + + * * * * * + + "Flow smoothly, circling hours,-- + And o'er their heads unblended pleasure pour; + Nor let your fleeting round + Their mortal transports bound, + But fill their cup of bliss, eternal powers, + Till time himself shall cease, and suns shall blaze no more." + +He essays to eulogize the bride:-- + + "Each morn reclined on many a rose, + Lavinia's pencil shall disclose + New forms of dignity and grace, + The expressive air, the impassioned face, + The curled smile, the bubbling tear, + The bloom of hope, the snow of fear, + To some poetic tale fresh beauty give, + And bid the starting tablet rise and live; + Or with swift fingers shall she touch the strings, + Notes of such wondrous texture weave + As lifts the soul on seraph wings." + +He then proceeds to encourage Althorp to lead a strong, noble life, +devoting his great abilities to the state, though he laments the small +chances for genuine sterling worth to achieve eminence. + + "In this voluptuous, this abandoned age," + +when the leaders of the country are + + "Slaves of vice and slaves of gold." + +There was much fitness in this poet essaying a homily for the groom's +benefit, for he had been the young man's tutor some years before. When +the first Earl--a man of most fascinating manners--placed his son in +the tutor's charge, he said, "Make him, if you can, like yourself and +I shall be satisfied." Johnson said of Sir William Jones, "The most +enlightened of the sons of men." He became a great Indian and Persian +scholar, and was ever an honored friend of his former pupil. + +Previous to his marriage, Lord Althorp had entered Parliament, and, as +a Whig, was opposing Lord North. When the Marquess of Rockingham came +to power, he was made a Lord Commissioner of the Treasury. In 1783, he +succeeded to his father's earldom. The Dowager Countess lived on until +1814. Her character has been variously described. Mrs. Delany calls +her "an agreeable person, with a sensible, generous, and delicate +mind." She was termed vain. What woman would not be who was mother to +such beauties as Devonshire, Duncannon, and Lavinia. In an +autobiography by the third Earl, he naively remarks that his mother +never liked his grandmother. The pleasing picture of "Ruth and Naomi" +is the exception in families. + +On the breaking out of the French Revolution, Earl Spencer gave his +support to Pitt, by whom he was appointed first lord of the admiralty, +in 1794. It was during the period of her husband's brilliant career in +this office that the Countess made her greatest success as a hostess +in ministerial society. She was a good conversationalist, and +especially attractive to men of individuality who admired her +sagacious, picturesque pungency of expression. The great naval +commanders, who frequented the admiralty, were impressed with the +frankness and force of her superior mind, Nelson and Collingwood +particularly. She is frequently mentioned in their letters as being +sure to have much sympathy in their work. A late biographer of the +Earl wrote: "She had the penetration to appreciate Nelson through the +cloud of personal vanity and silly conceit which caused him to be +lightly esteemed in London society." Her "bull-dog" she used playfully +to call him. She visited Gibbon at Lausanne, in 1795, and he writes: +"She is a charming woman who, with sense and spirit, has the +playfulness and simplicity of a child." By some she was accounted +haughty and exclusive. Perchance she was to those who were without the +breeding or the brains to commend them to her. Dignified she certainly +was, and her influence was wholly for good in the uplifting of +politics and the purifying of society. "I would not advise any one to +utter a word against any one she was attached to," once said her +father. She became the wise coadjutor of her husband in forming the +magnificent Althorp Library. + +When the earl retired from the admiralty, in 1800, his entertaining +became less general. His hospitalities at Spencer House were +restricted to his more intimate friends. Here came Lord Grenville, +Earl Grey, chief of the Whigs, Brougham, Horner, and Lord John +Russell; the younger men to hold converse with her who had known +Burke, Pitt, Fox, and all the older time orators and statesmen. + +In a series of boyish letters sent by the heir to the earldom to his +father the ending of all is in this quaint phrase: "My duty to Mama." +The youth did his duty by his mother. She directed his tastes and +studies, and when he was at college incited him to try for high +honors, and urged, again and yet again, application to study; and +through her persuasion he became a reading man. He entered Parliament +when of age, in 1803. During the Fox and Grenville administration he +held office as a lord of the treasury. When his mother was +congratulated on his appointment, she said: "Jack was always skilful +in figures, and his work is so much to his taste that I am sure he +will do himself credit." He did himself great credit. His career was +consistently courageous, honorable, and beneficent. He had character! +This is his mother's best eulogy. She died in 1831, shortly after her +son had become Chancellor of the Exchequer, in which office he earned +his greatest repute as a statesman. + + + + +[Illustration: ELIZABETH, DUCHESS OF HAMILTON by READ] + + +ELIZABETH GUNNING + + +The story of the Gunnings is as romantic as any ever wrought into +imaginative narrative or incorporated in epic poem. The notorious +damsels were daughters of John Gunning of Castle Coote, County +Roscommon, Ireland, by the Hon. Bridget Bourke, daughter of Theobald, +sixth Viscount Bourke of Mayo, whom he married in 1731. The family was +wofully impecunious; so when the daughters, Maria and Elizabeth, grew +into marvellously comely maidens, their mother urged their going on +the stage to augment the faulty fortune. They went to Dublin, and +there were kindly received by Peg Woffington, then in her glory as +_Sir Harry Wildair_, and by Tom Sheridan, manager of Dublin Theatre. +The stage had not then become the stepping-stone to the ranks of the +nobility, so the girls were advised to adventure socially, with their +faces for their fortunes. They had not the dresses to be presented in +at Dublin Castle, but Sheridan supplied these from the resources of +the green-room wardrobe. Attired as _Lady Macbeth_ and as _Juliet_ +they made their curtsies to the Earl of Harrington, the then +Lord-Lieutenant. + +The hostess of the evening was the handsome Lady Caroline Petersham, +bride of the Earl's eldest son. Lady Caroline had been one of the +"Beauty Fitzroys," and had been a favorite belle in town before her +marriage. + + "When Fitzroy moves, resplendent, fair. + So warm her bloom, sublime her air, + Her ebon tresses formed to grace + And heighten while they shade her face." + +Walpole wrote of her in his poem on "The Beauties." The raw Connaught +girls outshone this dazzling hostess. + +Their "first night" was an auspicious success. The debut was +applauded, and the players praised. They were adjudged fitted to star +the social capital, so to London they went, in June, 1751. Their +reception was magical. The West End went almost mad over them. When +they appeared at Court, the aristocracy present was indecorous in its +efforts to view the dominant beauties. Lords and ladies clambered on +any eminence to gaze. The crowd surged upon them, and it was with +difficulty they entered their chairs because of the mob outside. The +gayety of Vauxhall Gardens was incomplete without them. + +Their campaign was a short and eminently active one; Elizabeth +triumphed first. At a masquerade at Lord Chesterfield's, in February, +1752, James, the sixth Duke of Hamilton and Brandon, who was enamoured +of the younger Irish girl, wished to marry her at once. A clergyman +was asked to perform the ceremony then and there. He objected to the +time and place and the absence of a ring. The Duke threatened to send +for the Archbishop. With the ring of a bed-curtain, at half an hour +past midnight, the wedding took place in Mayfair Chapel. The Scotch +were enraged at the alliance, which became an unhappy one. The Duke +was vulgar, debauched, extravagant, and "damaged in person and +fortune," yet, withal, insolently proud. He betook himself off within +six years, and his two sons by the Duchess became, successively, +seventh and eighth Dukes of Hamilton; and a daughter married Edward, +twelfth Earl of Derby. + +The dowager was less than a year in widow's weeds when she exchanged +them for more strawberry leaves. She had two ducal offers, from their +graces of Bridgewater and of Argyll; she accepted the latter. In +March, 1759, she married John, the fifth Duke of that name. Walpole's +comment on this was: "Who could have believed a Gunning would unite +the two great houses of Campbell and Hamilton? For my part I expect to +see Lady Coventry Queen of Prussia. I would not venture to marry +either of them these thirty years, for fear of being shuffled out of +the world prematurely, to make room for the rest of their adventurers. +The first time Jack Campbell carries the Duchess into the Highlands, I +am persuaded that some of his second-sighted subjects will see him in +a winding-sheet with a train of kings behind him as long as those in +Macbeth." And again: "A match that would not disgrace Arcadia ... as +she is not quite so charming as her sister, I do not know whether it +is not better than to retain a title which puts one in mind of her +beauty." + +The Dukes of Argyll--Lords of the Isles--have always shown a +partiality for beauties as brides. This Duke's father married the +beautiful Mary Bellenden, daughter of John, Lord Bellenden,-- + + "Smiling Mary, soft and fair as down." + + * * * * * + +She is mentioned otherwise as by Gay:-- + + "Bellenden we needs must praise, + Who, as down the stairs she jumps, + Sings 'Over the hills and far away,' + Despising doleful dumps." + +Walpole says she was never mentioned by her contemporaries but as the +_most perfect creature_ they had ever known. The present Duke wedded +that charming child, Lady Elizabeth Leveson Gower, who sits on her +mother's knee in that surpassingly fine picture by Lawrence, called +"Lady Gower and Child." And his son is allied to the Princess Louise, +the most comely of Victoria's daughters. + +After her sister's death, in 1760, her Grace of Argyll suffered a +decline in health. She was ordered abroad for change. She was +appointed to accompany the Princess Sophia Charlotte on her journey to +England to be married to the King. As they neared the ceremony in +London, the Princess became nervous. Her Grace essayed to quiet her +fears. "Ah, my dear Duchess, _you_ may laugh at me, but _you_ have +been married twice," said the Princess. The Duchess became one of the +ladies of the bedchamber, and was in much favor with the Queen. + +In 1767, her father died at Somerset House, and her mother, the Hon. +Mrs. Gunning, in 1770. There were three sisters in the family besides +our heroines: Sophia Gunning died, an infant, in 1737; Lissy, who died +in 1752, aged eight years; and Catherine, who was married, in 1769, to +Robert Travis an Irish squire in her own rank of life. She died, too, +at Somerset House, in 1773, where she was an upper housekeeper. A +brother entered the army, fought at Bunker Hill, and became a +major-general in 1787. He was much of a ladies' man. He married a Miss +Minfie, author of some novels, and they had a daughter who aspired to +repeat the successes of her famous aunts. She managed to marry the +Hon. Stephen Digby, who had lost his first wife, a daughter of Lord +Ilchester, in 1787. The Duchess of Argyll was created, in 1776, a +peeress of England as Baroness Hamilton of Hambledon County, +Leicester, and died in December, 1790. By her second marriage she had +two sons, successively Dukes of Argyll, and two daughters, one of +whom, Lady Charlotte Campbell, attained some fame as a novelist as +Lady Charlotte Bury, she having married Colonel John Campbell and +secondly Rev. Edward Bury. + +We have no evidence of the possession of bright Irish wit by the +double-duchessed beauty. Ingenuous enthusiasm, perfect simplicity, and +unfailing good humor ever marked her manner, and were a captivating +adjunct to her great facial charm. Walpole writes of a pretty sight +when their Graces of Hamilton and of Richmond with Lady Ailesbury +sitting in a boat together, and proceeds to tell of the suspected +jealousy by she of Hamilton of the beauty of his niece, daughter of +Sir Edward Walpole, who became the bride of Earl Waldegrave, and later +married the Duke of Gloucester, the King's youngest brother. At +another time, when a lady wrote telling him of the advent of a beauty +who was expected to outvie the Gunnings, he replies: "There was to +have been a handsomer every summer these seven years, but when the +seasons come they all seem to have been addled by the winter." + +One day the housekeeper of Hampton Court was showing the palace to +visitors when the sisters were there. She threw open the door where +they were sitting, saying, "This is our beauty-room." The pictures and +galleries were forgotten by the crowd, which gazed on the beauties +instead. + +For a decade their beauty was regnant in London. They were not +politicians as were their Graces of Gordon and Devonshire, nor had +they the ability to become such. Neither were they the associates of +brilliant, intellectual men, but participants in the gay, vacuous, +showy society of the rapid set of the aristocracy. The elder sister +gained the coronet of Coventry, but her vanity caused her own undoing; +the younger was a part of the exhibition of "Beauty and the Beast." A +high price was paid for her position by the endurance of a period of +tyranny and terror. + +Some praise must be accorded the beauties, for at a time of much +licentiousness of a profligate society and tolerated coarsenesses, the +sisters determinedly kept their names free from ignoble soil and +scandal. + + + + +[Illustration: MARIA COUNTESS OF COVENTRY by HAMILTON] + + +MARIA GUNNING + + +"Two Irish girls of no fortune, who make more noise than any of their +predecessors since the days of Helen, and who are declared the +handsomest women alive." So wrote Walpole, in June, 1751. If we were +to judge of their beauty by the pictured presentments of it, we would +certainly agree with "our Horace" when he says he has seen much +handsomer women than either. We have no adequate image of their +surpassing loveliness, the beholding of which would cause us to feel +how merited was their meed of praise, how fair the contemporary +comment on their comeliness, and how just the wide fame of a beauty +which tradition has epitomized for us in the phrase, "The Fair +Gunnings." Though the print publishers of the time actively issued +portraits, we feel that none of them picture such a person as would +set society and the whole city of London astir by her blazing beauty. + +The best-known likenesses are the various pictures by Francis Cotes, +one of the founders of the Royal Academy, a painter of considerable +merit, who was born about 1725, and died in 1770. It is said that +Hogarth preferred him as a portrait painter to Reynolds. His studio +was in Cavendish Square, and at his death was taken by Romney; and it +was while he worked there that Sir Joshua referred to his rival as +"the man in Cavendish Square." The studio was later occupied by Sir +Martin Shee. + +Cotes's picture of Maria is a half length of a modestly dignified +lady, having no tendency at all to that silliness that Walpole +insinuates was characteristic of her. The face is oval, the eyebrows +well apart and distinctly arched, and the hair brushed back from the +forehead and falling on the very graceful neck. The dress is cut low, +showing a delicately-moulded bosom. This picture was mezzo-tinted by +McArdell; and there is another, somewhat similar, reproduced superbly +by Spooner. His principal picture of Elizabeth is not so attractive +as the picture of her sister; the body is too constrained and +symmetrically formal; the dress is very low and edged with lace, some +flowers resting on her bosom. The neck and breast have not the suave +grace of the sister's. This has been engraved in mezzo-tint by +Houston. Another portrait by Cotes shows her with fur on the dress. He +also painted a portrait of Kitty in a low dress sprigged with flowers, +with a sash, and ribbons at the back of the head. This has a wooded +landscape background. Below the print of this picture is engraved +these lines:-- + + "This youngest of the Graces here we view + So like in Beauty to the other two + Whoe'er compares their Features and their Frame + Will know at once that Gunning is her name." + +There is an engraved picture of the two sisters together--based on +Cotes's portrayals--called "The Hibernian Sisters." Maria is sitting +on the left, looking toward the right, with a dog on her lap; the +younger is on the right, looking to the front, and holds a fan in her +hand. In the background is a garden wall. Cupids surmount the +picture. The inscription is in this fashion:-- + + "Hibernia long with spleen beheld + Her Favorite Toasts by ours excelled. + Resolved to outvie Britannia's Fair + By her own Beauties,--sent a pair." + +Reynolds painted them both, in 1753; but he failed to give them the +charm we would expect. Unless Sir Joshua's engravers belie him, he did +not make Maria even ordinarily fair to look upon. These pictures are +not classed among his masterpieces. There is a picture of Maria by B. +Wilson the engraver, made before she left Ireland. In it the features +are handsome and the figure graceful, though over-dressed, and the +whole impression is of a matron in her thirties rather than a maid in +her teens. The picture we give of her is from a whole-length by Gavin +Hamilton, a Scotch artist, a friend of Burns, born in Lanark about +1730. He must have been a precocious genius, for this picture was +engraved by McArdell, and published in 1754. Hamilton passed the +greater part of his life in Rome, painting classical subjects and +pursuing archaeological investigations. He died there, in 1797. +Portraiture was probably a pecuniary pursuit before the classics +claimed him. His portraits savor somewhat of the affectations of the +"curtain and column" school. His canvas of Elizabeth shows her +standing on a terrace with a low dress and long hair, a veil loosely +tied across her chest. Her left hand rests on the head of a greyhound. +There is a seat to the left and trees in the background. + +Houston engraved a portrait of Maria after a drawing by J. St. +Liotard. This is a three-quarter length figure. Her hair is in large +plaits twined with a muslin veil on her head. The dress is open at the +throat, showing a necklace. There is a wide belt with large clasps. +Her left elbow rests on her knee. Perhaps the most satisfactory +pictures of the Beauties are those by Catharine Read, who died, in +1786; and who is chiefly known by her winsome delineations of the +graces of the Gunning girls. We could readily judge from these that +the girls were attractive. There is a genial graciousness in the face +of she of Coventry, while the Scotch duchess is possessed of a +persuasive sweetness of mien. The mob-cap frames a face almost +faultless in the regularity of its features. For all the pleasant +flavor of these facial charms, there is absent that peerless, regal +loveliness, that compelling magnificence of presence, that hauteur +which dazzles and enthrals. + +The originals of these various portraits have been retained at Croome +Court, near Worcester; the seat of the Coventry family, at Inverary +Castle, Argyllshire; and at Hamilton Palace. + +Three weeks after the romantic marriage of her younger sister, Maria +Gunning was married to George William, who was Lord Deerhurst--"that +grave young Lord," Walpole calls him--until 1750, when he succeeded to +the Earldom of Coventry. He had been dangling about her for some time, +and seemed nerved to the wedding by his Grace of Hamilton's +precipitate action. The Earl took her for a trip on the Continent in +company with Lady Caroline Petersham, that other great beauty. Neither +caused much comment abroad, and Paris did not ratify the repute of +London. My Lady was at a disadvantage from her ignorance of the French +language. She complained, too, of the arbitrary rule of her husband in +not allowing her red nor powder, so much in vogue with the Parisian +beauties. It is told how he saw her appear at a dinner with some on, +and took out his handkerchief, and there tried to rub it off. But her +fame abated not in England. Crowds continued to mob her whenever she +appeared on the street. The King was pleased to order that whenever my +Lady Coventry walked abroad she should be attended by a guard of +soldiers. Shortly after this she simulated great fright at the +curiosity of the mob, and asked for escort. She then paraded in the +park, accompanied by her husband and Lord Pembroke, preceded by two +sergeants, and followed by twelve soldiers. Surely this outdoes the +advertising genius of any latter-day American actress! A shoemaker at +Worcester gained two guineas and a half by exhibiting at a penny a +head a shoe he had made for the Countess. She was in much favor at +Court, and always circulated in an atmosphere of adulation and +sensation. The Duke of Cumberland was an admirer, as was also, more +emphatically, Fred St. John, Viscount Bolingbroke,--"Billy and Bully" +these two blades were termed. There was rumor, at one time, of the +Earl seriously resenting the attentions of Bolingbroke. The old King, +too, showed her some courtesies; and the most oft-told anecdote of her +is about His Majesty asking if she were not sorry the masquerades were +over. She assured him she was surfeited with pageants,--there was but +one she wished yet to see, and that was a coronation. She saw it not, +for the King outlived her by a fortnight. Had she but abstained from +the use of paint and powder, her career would not have ended at the +early age of twenty-seven. Blood-poisoning came from the use of it. +Her beauty paled rapidly. My lady lay on a couch, a pocket-glass +constantly in hand, grieving at the gradual decay. The room was +darkened, that others might not discern that which so chagrined her. +Then the curtains of the bed were drawn to guard her from pitying +gaze; and then, on a September day, in 1760, the pathetic end came. +Over ten thousand people viewed her coffin. Sensationalism even after +the drop of the curtain! The Countess left four children, two sons and +two daughters. Of these, Anne, four years old at her mother's death, +was one of the children whom George Selwyn showed much kindness to. +The Earl married again, the second Countess being Barbara, daughter of +Lord St. John of Bletsoe. George William, the son of Maria, came to +the earldom in 1809. + +In an ode on the death of Maria the poet Mason wrote:-- + + "For she was fair beyond your brightest bloom + (This Envy owns, since now her bloom is fled): + Fair as the Forms that wove in Fancy's loom, + Float in light vision round the Poet's head. + Whene'er with soft serenity she smiled, + Or caught the orient blush of quick surprise, + How sweetly mutable, how brightly wild. + The liquid lustre darted from her eyes! + Each look, each motion, waked a new-born grace + That o'er her form its transient glory cast: + Some lovelier wonder soon usurped the place, + Chased by a charm still lovelier than the last." + + + + +[Illustration: ELIZABETH COUNTESS GROSVENOR by LAWRENCE] + + +LADY ELIZABETH + + +In these latter days can we imagine a lawsuit, costing contestants +thousands of pounds, over the right to a certain heraldic charge? In +the fourteenth century Sir Robert Grosvenor was the defendant in such +a suit, and we read of Chaucer, John of Gaunt, Owen Glendower, and +Hotspur being witnesses before the High Court of Chivalry. Sir Robert +established his defence, and since those days the Grosvenors have ever +held a high rank in the nobility of England. Quite as proud a +patrician position was held through the centuries by the family of +Gower. In the early part of this century, the heir of the Grosvenors +espoused the most beautiful daughter of the House of Gower,--Lady +Elizabeth Mary Leveson Gower. This lady was the youngest daughter of +George, the second Marquis of Stafford, who married, in 1785, +Elizabeth, who was Countess of Sutherland and Baroness Strathnaver in +her own right. The Marquis was created Duke of Sutherland in 1833. + +The Lady Elizabeth Mary was born in 1797, and married, in 1819, +Robert, Viscount Belgrave, eldest son of the second Earl of Grosvenor. +The portrait by Sir Thomas Lawrence was painted in the year preceding +her marriage. + +The Marquisate of Westminster had been created in 1831, and in 1845, +when the Viscount's father died, he succeeded to the title. He had +entered Parliament in 1818 as member for Chester. He spoke but rarely +in the House, although a hard worker on committees. He greatly +improved his vast London property, and had the credit of administering +his estate with a combination of intelligence and generosity seldom +seen. Of reserved habits and inexpensive tastes, he was averse to +ostentation and extravagance. He died in 1869. His successor was his +son (born in 1825) the present Duke, who was elevated to a dukedom in +1874. He is one of the wealthiest peers in the kingdom, is a man of +great taste, and has patronized the arts with almost a Medician +munificence. + +The seat of the family is the renowned Eaton Hall, near Chester; that +stately mansion set in the centre of a country rich in pastoral +beauty. Its enlargement and beautification was begun by the second +Earl in 1802, and has been carried on by its present lord until it is +now the most magnificent of all the modern mansions of the nobility. +G.F. Watts's heroic equestrian statue of Hugh Lupus, the founder of +the family and a nephew of William the Conqueror, challenges +admiration as one enters the grounds. There is no great picture +gallery in the Hall, for that is at Grosvenor House in London, but the +family portraits are here. Let into panels of the dining-room are +portraits from the time of the first Earl, who was painted by +Gainsborough. The Viscount Belgrave and his lady were painted by +Pickersgill, in 1825,--this picture of the latter being much inferior +to Lawrence's,--while the present generation was painted almost wholly +by Millais,--that of Constance, the Duke's first wife, being +especially fine. Leslie, in 1833, executed a group of the Grosvenor +family. + +Lawrence and Hoppner were to the regency what Reynolds, Gainsborough, +and Romney were to the early days of the reign of George III., as +painters of the patrician beauties. What a marvellous mass of records +of fair women these five have left us!--Reynolds, supreme in style, +painting the character as seen through the fair mask of the flesh; +Gainsborough, superbly picturesque, and a faithful limner withal; +Romney, impressively picturesque, too, a fine colorist, imaginative, +and but now, a century later, coming into his proper meed of praise; +Lawrence, elegant, charming,--a courtier indeed; Hoppner, through many +years a close rival of Lawrence. To Hoppner we are indebted for the +visible evidence of the beauty of many who had repute as fair women. +There is that piquant Jane Elizabeth, Countess of Oxford, who greets +us in the National Gallery. Then that dark-eyed and winsome Lady +Kenyon, who was one of the reigning belles, on canvas, at the Grafton +Gallery show in London this year. In this exhibit, too, was his +"Mademoiselle Hillsberg,"--a tall and dark dancing woman, which he +regarded as his best work. Then there is that group of noble dames by +him, which were engraved by Charles Wilkin and published under the +title "Bygone Beauties,"--Lady Charlotte Duncombe; Viscountess St. +Asaph; Lady Charlotte Campbell, daughter of Elizabeth Gunning; +Viscountess Andover; Lady Langham; the Countess of Euston, one of the +three beautiful Ladies Waldegrave, painted by Reynolds; the Duchess of +Rutland. These are indeed "a select series of ladies of rank and +fashion." And with these must be classed that sweet ideal face of Mrs, +Arbuthnot, known as "Marcia." At this late date it gives us greeting +from how many a parlor wall! Its tender charm makes perpetual appeal +to the passer-by from how many a print-shop window! + +There seems to have been bitter feeling between Hoppner, who was an +intense Whig, and Lawrence, who knew no politics, but was all things +to all men. "The ladies of Lawrence show a gaudy dissoluteness of +taste, and sometimes trespass on moral as well as professional +chastity," and "Lawrence shall paint my mistress and Phillips my +wife," were the two rapier phrases Hoppner thrust at his rival. But it +is recorded that thenceforth Lawrence's commissions from fair sitters +multiplied. + +Sir Thomas was a finished flatterer. No man ever knew better, except +it was Lely, how to pay the compliment of the brush. This form is the +substantial, the lasting compliment for which golden guineas are +gladly paid. Grace and elegance are the hall-mark of his every +picture. But the artist was a courtier in speech and manners as well, +and this got him into trouble once. He was attentive to the ill-used +Princess Caroline,--markedly attentive! A royal commission inquired +into his conduct, but absolved him from the charges of wrongdoing. +When Lady Grosvenor, who had become Marchioness of Westminster, was an +old lady, in 1881, she wrote in a letter to Lord Leveson Gower her +recollections of the painter: "His manners were what is called +extremely 'polished' (not the fault of the present times). He wore a +large cravat, and had a tinge about him of the time of George IV., +pervading his general demeanor.... I should not say he was amusing, +but what struck me most, during my two hours sitting in Russell +Square, was the perfection of the drawing of his portraits. Before any +color was put on, the drawing itself was so perfectly beautiful that +it seemed almost a sin to add any color." This portrait of her, which +was painted at this one sitting, is considered the very best Lawrence +ever painted. The head has distinction and hauteur, albeit the face is +sweetly ingenuous. And the eyes! Well, Sir Thomas always excelled +here! Never, since Titian, has painter given us such "strange sweet +maddening eyes,"-- + + "Fathomless dusk by night, the day lets in + Glimmer of emerald,--thus those eyes of hers!" + +This picture now hangs in the gallery of Stafford House, and was +mezzotinted by Cousins, in 1844, and included in the published +collection of the artist's works. This volume is representative of the +artist. It opens with that perennially delightful picture of the +"Calmady Children," called "Nature,"--one of the very best and +sweetest representations of child life ever made. Here is the +elemental artlessness of nature, and here the beatitude of innocence. +Another child-picture is the portrait of Lady Emily Cowper, afterwards +Lady Ashley, called "The Rosebud." Among the ladies shown are Lady +Leicester, Lady Lyndhurst, and Lady Georgiana Agar Ellis, the picture +of the latter being surpassing in its elegance. That majestically +maternal picture is here of Lady Gower and Lady Elizabeth Leveson +Gower,--not our Elizabeth Mary, but she who became Duchess of Argyll. + +The Countess of Grosvenor was a lady of high character and most +affable manners, and held her exalted position with a dignity of +demeanor and a bearing worthy of a descent from the noble Gowers, +lords of Sittenham. Her residence latterly was Motcombe House, near +Shaftesbury, Dorsetshire. She lived on until our own day, dying at the +age of ninety-four. + +In 1840-41 she accompanied her husband on a yacht voyage in the +Mediterranean, an entertaining account of which she published in two +volumes. She was a keen politician, as so many ladies of rank are in +England. In 1873 Lady Westminster's son, then Lord Robert Grosvenor, +spoke in favor of the Liberal candidate for Shaftesbury. The candidate +told her tenants that he believed her ladyship was not averse to his +candidature. It was putting his fingers into the den of the apparently +sleeping lioness. She wrote sharply: "I beg to undeceive you. I am +most anxious for the success of the conservative cause, connected as +it is with the preservation of our religion and our loyalty to our +Queen." + + + +***END OF THE PROJECT GUTENBERG EBOOK SOME OLD TIME BEAUTIES*** + + +******* This file should be named 16079.txt or 16079.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/6/0/7/16079 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/16079.zip b/16079.zip Binary files differnew file mode 100644 index 0000000..844b493 --- /dev/null +++ b/16079.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..4c719de --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #16079 (https://www.gutenberg.org/ebooks/16079) |
