summaryrefslogtreecommitdiff
path: root/16074.txt
diff options
context:
space:
mode:
Diffstat (limited to '16074.txt')
-rw-r--r--16074.txt15297
1 files changed, 15297 insertions, 0 deletions
diff --git a/16074.txt b/16074.txt
new file mode 100644
index 0000000..d0afb4e
--- /dev/null
+++ b/16074.txt
@@ -0,0 +1,15297 @@
+The Project Gutenberg eBook, The Definite Object, by Jeffery Farnol
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Definite Object
+ A Romance of New York
+
+
+Author: Jeffery Farnol
+
+
+
+Release Date: June 15, 2005 [eBook #16074]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE DEFINITE OBJECT***
+
+
+E-text prepared by David Kline, Mary Meehan, and the Project Gutenberg
+Online Distributed Proofreading Team (https://www.pgdp.net)
+
+
+
+THE DEFINITE OBJECT
+
+A Romance of New York
+
+by
+
+JEFFERY FARNOL
+
+Author of The Broad Highway, The Amateur Gentleman, The Honourable
+Mr. Tawnish, Beltane the Smith
+
+1917
+
+
+
+
+
+
+
+CHAPTER
+
+ I Which Describes, among Other Things, a Pair of Whiskers
+ II Of a Mournful Millionaire Who Lacked an Object
+ III How Geoffrey Ravenslee Went Seeking an Object
+ IV Telling How He Came to Hell's Kitchen at Peep o' Day
+ V How Mrs. Trapes Acquired a New Lodger, Despite her Elbows
+ VI How Spike Initiated Mr. Ravenslee into the Gentle Art of Shopping
+ VII Concerning Ankles, Stairs, and Neighbourliness
+ VIII Of Candies and Confidences
+ IX Which Recounts the End of an Episode
+ X Tells How Mr. Ravenslee Went into Trade
+ XI Antagonism is Born and War Declared
+ XII Containing Some Description of a Supper Party
+ XIII Wherein may be Found Some Particulars of the Beautiful City of
+ Perhaps
+ XIV Of a Text, a Letter, and a Song
+ XV Which Introduces Joe and the Old Un
+ XVI Of the First and Second Persons, Singular Number
+ XVII How Geoffrey Ravenslee Made a Deal in Real Estate
+ XVIII How Spike Hearkened to Poisonous Suggestion and Soapy Began to
+ Wonder
+ XIX In which the Poison Begins to Work
+ XX Of an Expedition by Night
+ XXI How M'Ginnis Threatened and--Went
+ XXII Tells of an Early Morning Visit and a Warning
+ XXIII Chiefly Concerning a Letter
+ XXIV How the Old Un and Certain Others had Tea
+ XXV How Spike Made a Choice and a Promise
+ XXVI Which Makes Further Mention of a Ring
+ XXVII Mrs. Trapes Upon the Millennium
+ XXVIII Which should have Related Details of a Wedding
+ XXIX In which Hermione Makes a Fateful Decision
+ XXX How Geoffrey Ravenslee Departed from Hell's Kitchen
+ XXXI In which Soapy Takes a Hand
+ XXXII Of Harmony and Discord
+ XXXIII Of Tragedy
+ XXXIV Of Remorse
+ XXXV How Geoffrey Ravenslee Came Out of the Dark
+ XXXVI Concerning a Clew
+ XXXVII The Woes of Mr. Brimberly
+XXXVIII In which Soapy Takes upon Himself a New Role
+ XXXIX The Old Un Advises and Ravenslee Acts
+ XL Concerning a Handful of Pebbles
+ XLI Of a Packet of Letters
+ XLII Tells How Ravenslee Broke his Word and Why
+ XLIII How Spike Got Even
+ XLIV Retribution
+ XLV Of the Old Un and Fate
+ XLVI In which Geoffrey Ravenslee Obtains his Object
+
+
+
+
+CHAPTER I
+
+WHICH DESCRIBES, AMONG OTHER THINGS, A PAIR OF WHISKERS
+
+
+In the writing of books, as all the world knows, two things are above
+all other things essential--the one is to know exactly when and where to
+leave off, and the other to be equally certain when and where to begin.
+
+Now this book, naturally enough, begins with Mr. Brimberly's whiskers;
+begins at that moment when he coughed and pulled down his waistcoat for
+the first time. And yet (since action is as necessary to the success of
+a book as to life itself) it should perhaps begin more properly at the
+psychological moment when Mr. Brimberly coughed and pulled down the
+garment aforesaid for the third time, since it is then that the real
+action of this story commences.
+
+Be that as it may, it is beyond all question that nowhere in this wide
+world could there possibly be found just such another pair of whiskers
+as those which adorned the plump cheeks of Mr. Brimberly; without them
+he might have been only an ordinary man, but, possessing them, he was
+the very incarnation of all that a butler could possibly be.
+
+And what whiskers these were! So soft, so fleecy, so purely white, that
+at times they almost seemed like the wings of cherubim, striving to soar
+away and bear Mr. Brimberly into a higher and purer sphere. Again, what
+Protean whiskers were these, whose fleecy pomposity could overawe the
+most superior young footmen and reduce page-boys, tradesmen, and the
+lower orders generally, to a state of perspiring humility; to his
+equals how calmly aloof, how blandly dignified; and to those a misguided
+fate had set above him, how demurely deferential, how obligingly
+obsequious! Indeed, Mr. Brimberly's whiskers were all things to all men,
+and therein lay their potency.
+
+Mr. Brimberly then, pompous, affable, and most sedate, having motioned
+his visitor into his master's favourite chair, set down the tray of
+decanters and glasses upon the piano, coughed, and pulled down his
+waistcoat; and Mr. Brimberly did it all with that air of portentous
+dignity and leisurely solemnity which, together with his whiskers, made
+him the personality he was.
+
+"And you're still valeting for Barberton, are you, Mr. Stevens?" he
+blandly enquired.
+
+"I've been with his lordship six months, now," nodded Mr. Stevens.
+
+"Ah!" said Mr. Brimberly, opening a certain carved cabinet and reaching
+thence a box of his master's choicest Havanas, "six months, indeed! And
+'ow is Barberton? I hacted in the capacity of his confidential valet a
+good many years ago, as I told you, and we always got on very well
+together, very well, indeed. 'ow is Barberton?"
+
+"Oh, 'e 'd be right enough if it warn't for 'is gout which gets 'im in
+the big toe now and then, and 'is duns and creditors and sich-like low
+fellers, as gets 'im everywhere and constant! 'E'll never be quite
+'imself until 'e marries money--and plenty of it!"
+
+"A American hair-ess!" nodded Mr. Brimberly. "Pre-cisely! I very nearly
+married 'im to a rich widder ten years ago. 'E'd 'ave been settled for
+life if 'e 'd took my advice! But Barberton was always inclined to be a
+little 'eadstrong. The widder in question 'appened to be a trifle
+par-say, I'll admit, also it was 'inted that one of 'er--lower limbs was
+cork. But then, 'er money, sir--'er jools!" Mr. Brimberly raised eyes
+and hands and shook his head until his whiskers quivered in a very
+ecstasy.
+
+"But a wooden leg--" began Mr. Stevens dubiously.
+
+"I said 'limb', sir!" said Mr. Brimberly, his whiskers distinctly
+agitated, "a cork limb, sir! And Lord bless me, a cork limb ain't to
+be sniffed at contemptuous when it brings haffluence with it, sir! At
+least, my sentiments leans that way."
+
+"Oh--ditto, certainly, sir! I'd take haffluence to my 'eart if she came
+with both le--both of 'em cork, if it meant haffluence like this!" Mr.
+Stevens let his pale, prominent eyes wander slowly around the luxuriant
+splendour of the room. "My eye!" he exclaimed, "it's easy to see as your
+governor don't have to bother about marrying money, cork limbs or
+otherwise! Very rich, ain't 'e, Mr. Brimberly?"
+
+Mr. Brimberly set down the decanter he chanced to be holding, and having
+caressed each fluffy whisker, smiled.
+
+"I think, sir," said he gently, "y-es, I think we may answer 'yes' to
+your latter question. I think we may tell you and admit 'ole-'earted and
+frank, sir, that the Ravenslee fortune is fab'lous, sir, stoopendious
+and himmense!"
+
+"Oh, Lord!" exclaimed Mr. Stevens, and his pale eyes, much wider, now
+wandered up from the Persian rug beneath his boots to the elaborately
+carved ceiling above his head. "My aunt!" he murmured.
+
+"Oh, I think we're fairly comfortable 'ere, sir," nodded Mr. Brimberly
+complacently, "yes, fairly comfortable, I think."
+
+"Comfortable!" ejaculated the awe-struck Mr. Stevens, "I should say so!
+My word!"
+
+"Yes," pursued Mr. Brimberly, "comfortable, and I ventur' to think,
+tasteful, sir, for I'll admit young Ravenslee--though a millionaire and
+young--'as taste. Observe this costly bricky-brack! Oh, yes, young Har
+is a man of taste indoobitably, I think you must admit."
+
+"Very much so indeed, sir!" answered Mr. Stevens with his pallid glance
+on the array of bottles. "'Three Star,' I think, Mr. Brimberly?"
+
+"Sir," sighed Mr. Brimberly in gentle reproach, "you 'ere be'old Cognac
+brandy as couldn't be acquired for twenty-five dollars the bottle! Then
+'ere we 'ave jubilee port, a rare old sherry, and whisky. Now what shall
+we make it? You, being like myself, a Englishman in this 'ere land of
+eagles, spread and otherwise, suppose we make it a B and a Hess?"
+
+"By all means!" nodded Mr. Stevens.
+
+"I was meditating," said Mr. Brimberly, busied with the bottles and
+glasses, "I was cogitating calling hup Mr. Jenkins, the Stanways' butler
+across the way. The Stanways is common people, parvynoo, Mr. Stevens,
+parvynoo, but Mr. Jenkins is very superior and plays the banjer very
+affecting. Our 'ousekeeper and the maids is gone to bed, and I've give
+our footmen leave of habsence--I thought we might 'ave a nice, quiet
+musical hour or so. You perform on the piano-forty, I believe, sir?"
+
+"Only very occasional!" Mr. Stevens admitted. "But," and here his pale
+eyes glanced toward the door, "do I understand as he is out for the
+night?"
+
+"Sir," said Mr. Brimberly ponderously, "what ''e' might you be pleased
+to mean?"
+
+"I was merely allooding to--to your governor, sir."
+
+Mr. Brimberly glanced at his guest, set down the glass he was in the act
+of filling and--pulled down his waistcoat for the second time.
+
+"Sir," said he, and his cherubic whiskers seemed positively to quiver,
+"I presoom--I say, I presoom you are referring to--Young Har?"
+
+"I meant Mr. Ravenslee."
+
+"Then may I beg that you'll allood to him 'enceforth as Young Har? This
+is Young Har's own room, sir. These is Young Har's own picters, sir.
+When Young Har is absent, I generally sit 'ere with me cigar and observe
+said picters. I'm fond of hart, sir; I find hart soothing and restful.
+The picters surrounding of you are all painted by Young Har's very own
+'and--subjeks various. Number one--a windmill very much out o' repair,
+but that's hart, sir. Number two--a lady dressed in what I might term
+dish-a-bell, sir, and there isn't much of it, but that's hart again.
+Number three--a sunset. Number four--moonlight; 'e didn't get the moon
+in the picter but the light's there and that's the great thing--effect,
+sir, effect! Of course, being only studies, they don't look
+finished--which is the most hartisticest part about 'em! But, lord!
+Young Har never finishes anything--too tired! 'Ang me, sir, if I don't
+think 'e were born tired! But then, 'oo ever knew a haristocrat as
+wasn't?"
+
+"But," demurred Mr. Stevens, staring down into his empty glass, "I
+thought 'e was a American, your--Young Har?"
+
+"Why, 'e is and 'e ain't, sir. His father was only a American, I'll
+confess, but his mother was blue blood, every drop guaranteed, sir, and
+as truly English as--as I am!"
+
+"And is 'e the Mr. Ravenslee as is the sportsman? Goes in for boxing,
+don't 'e? Very much fancied as a heavyweight, ain't 'e? My governor's
+seen him box and says 'e's a perfect snorter, by Jove!"
+
+Mr. Brimberly sighed, and soothed a slightly agitated whisker.
+
+"Why, yes," he admitted, "I'm afraid 'e does box--but only as a
+ammitoor, Mr. Stevens, strickly as a ammitoor, understand!"
+
+"And he's out making a night of it, is 'e?" enquired Mr. Stevens,
+leaning back luxuriously and stretching his legs. "Bit of a rip, ain't
+'e?"
+
+"A--wot, sir?" enquired Mr. Brimberly with raised brows.
+
+"Well, very wild, ain't he--drinks, gambles, and hetceteras, don't he?"
+
+"Why, as to that, sir," answered Mr. Brimberly, dexterously performing
+on the syphon, "I should answer you, drink 'e may, gamble 'e do,
+hetceteras I won't answer for, 'im being the very hacme of
+respectability though 'e is a millionaire and young."
+
+"And when might you expect 'im back?"
+
+"Why, there's no telling, Mr. Stevens."
+
+"Eh?" exclaimed Mr. Stevens, and sat up very suddenly.
+
+"'Is movements, sir, is quite--ah--quite metehoric!"
+
+"My eye!" exclaimed Mr. Stevens, gulping his brandy and soda rather
+hastily.
+
+"Metehoric is the only word for it, sir!" pursued Mr. Brimberly with a
+slow nod. "'E may drop in on me at any moment, sir!"
+
+"Why, then," said his guest, rising, "p'r'aps I'd better be moving?"
+
+"On the other 'and," pursued Mr. Brimberly, smiling and caressing his
+left whisker, "'e may be on 'is way to Hafghanistan or Hasia Minor at
+this pre-cise moment--'e is that metehoric, lord! These millionaires is
+much of a muchness, sir, 'ere to-day, gone to-morrer. Noo York this
+week, London or Paris the next. Young Har is always upsetting my plans,
+'e is, and that's a fact, sir! Me being a nat'rally quiet, reasonable,
+and law-abiding character, I objects to youthful millionaires on
+principle, Mr. Stevens, on principle!"
+
+"Ditto!" nodded Mr. Stevens, his glance wandering uneasily to the door
+again, "ditto with all my 'eart, sir. If it's all the same to you, I
+think p'r'aps I'd better be hopping--you know--"
+
+"Oh, don't you worry about Young Har; 'e won't bother us to-night; 'e's
+off Long Island way to try his newest 'igh-power racing car--'e's
+driving in the Vanderbilt Cup Race next month. To-night 'e expects to do
+eighty miles or so, and 'opes to sleep at one of 'is clubs. I say 'e
+'opes an' expects so to do!"
+
+"Yes," nodded Mr. Stevens, "certainly, but what do you mean?"
+
+"Sir," sighed Mr. Brimberly, "if you'd been forced by stern dooty to sit
+be'ind Young Har in a fast automobile as I 'ave, you'd know what I mean.
+Reckless? Speed? Well, there!" and Mr. Brimberly lifted hands and eyes
+and shook his head until his whiskers vibrated with horror.
+
+"Then you're pretty sure," said Mr. Stevens, settling luxurious boots
+upon a cushioned chair, "you're pretty sure he won't come bobbing up
+when least expected?"
+
+"Pretty sure!" nodded Mr. Brimberly. "You see, this nooest car is the
+very latest thing in racing cars--cost a fortune, consequently it's
+bound to break down--these here expensive cars always do, believe me!"
+
+"Why, then," said Mr. Stevens, helping himself to one of Mr. Brimberly's
+master's cigars, "I say let joy and 'armony be unconfined! How about
+Jenkins and 'is banjer?"
+
+"I'll call 'im up immediate!" nodded Mr. Brimberly, rising. "Mr. Jenkins
+is a true hartist, equally facetious and soulful, sir!"
+
+So saying, Mr. Brimberly arose and crossed toward the telephone. But
+scarcely had he taken three steps when he paused suddenly and stood
+rigid and motionless, his staring gaze fixed upon the nearest window;
+for from the shadowy world beyond came a sound, faint as yet and far
+away, but a sound there was no mistaking--the dismal tooting of an
+automobile horn.
+
+"'Eavens an' earth!" exclaimed Mr. Brimberly, and crossing to the window
+he peered out. Once again the horn was heard, but very much nearer now,
+and louder, whereupon Mr. Brimberly turned, almost hastily, and his
+visitor rose hurriedly.
+
+"It's very annoying, Mr. Stevens," said he, "but can I trouble you
+to--to step--er--down--stairs--_with_ the glasses? It's 'ighly
+mortifying, but may I ask you to--er--step a little lively, Mr.
+Stevens?"
+
+Without a word, Mr. Stevens caught up the tray from the piano and glided
+away on his toe-points; whereupon Mr. Brimberly (being alone) became
+astonishingly agile and nimble all at once, diving down to straighten a
+rug here and there, rearranging chairs and tables; he even opened the
+window and hurled two half-smoked cigars far out into the night; and his
+eye was as calm, his brow as placid, his cheek as rosy as ever, only his
+whiskers--those snowy, telltale whiskers, quivered spasmodically, very
+much as though endeavouring to do the manifestly impossible and flutter
+away with Mr. Brimberly altogether; yes, it was all in his whiskers.
+
+Thus did Mr. Brimberly bustle softly to and fro until he paused, all at
+once, arrested by the sound of a slow, firm step near by. Then Mr.
+Brimberly coughed, smoothed his winglike whiskers, and--pulled down his
+waistcoat for the third time. And lo! even as he did so, the door
+opened, and the hero of this history stood upon the threshold.
+
+
+
+
+CHAPTER II
+
+OF A MOURNFUL MILLIONAIRE WHO LACKED AN OBJECT
+
+
+Geoffrey Ravenslee was tall and pale and very languid, so languid indeed
+that the automobile coat he bore across his arm slipped to the floor ere
+Mr. Brimberly could take it, after which he shed his cap and goggles and
+dropped them, drew off his gauntlets and dropped them and, crossing to
+his favourite lounge chair, dropped himself into it, and lay there
+staring into the fire.
+
+"Ah, Brimberly," he sighed gently, "making a night of it?"
+
+"Why, sir," bowed his butler, "indeed, sir--to tell the truth, sir--"
+
+"You needn't, Brimberly. Excellent cigars you smoke--judging from the
+smell. May I have one?"
+
+"Sir," said Brimberly, his whiskers slightly agitated, "cigars, sir?"
+
+"In the cabinet, I think," and Mr. Ravenslee motioned feebly with one
+white hand towards the tall, carved cabinet in an adjacent corner.
+
+Mr. Brimberly coughed softly behind plump fingers.
+
+"The--the key, sir?" he suggested.
+
+"Oh, not at all necessary, Brimberly; the lock is faulty, you know."
+
+"Sir?" said Brimberly, soothing a twitching whisker.
+
+"If you are familiar with the life of the Fourteenth Louis, Brimberly,
+you will remember that the Grand Monarch hated to be kept waiting--so do
+I. A cigar--in the cabinet yonder."
+
+With his whiskers in a high state of agitation, Mr. Brimberly laid by
+the garments he held clutched in one arm and coming to the cabinet,
+opened it, and taking thence a box of cigars, very much at random, came
+back, carrying it rather as though it were a box of highly dangerous
+explosives, and setting it at his master's elbow, struck a match.
+
+As Mr. Brimberly watched his master select and light his cigar, it
+chanced that Young R. raised his eyes and looked at him, and to be sure
+those eyes were surprisingly piercing and quick for one so very languid.
+Indeed, Mr. Brimberly seemed to think so, for he coughed again, faint
+and discreetly, behind his hand, while his whiskers quivered slightly,
+though perceptibly.
+
+"You're 'ome quite--quite unexpected, sir!"
+
+"Brimberly, I'm afraid I am, but I hope I don't intrude?"
+
+"Intrude, sir!" repeated Mr. Brimberly. "Oh, very facetious, sir, very
+facetious indeed!" and he laughed, deferentially and soft.
+
+"I blew the horn, but I see he left his hat behind him!" sighed Young
+R., nodding languidly toward the headgear of Mr. Stevens, which had
+fallen beneath a chair and thus escaped notice.
+
+"Why, I--indeed, sir," said Mr. Brimberly, stooping to make a fierce
+clutch at it, "I took the liberty of showing a friend of mine your--your
+picters, sir--no offence, I 'ope, sir?"
+
+"Friend?" murmured his master.
+
+"Name of Stevens, sir, valet to Lord Barberton--a most sooperior person
+indeed, sir!"
+
+"Barberton? I don't agree with you, Brimberly."
+
+"Stevens, sir!"
+
+"Ah! And you showed him my--pictures, did you?"
+
+"Yes, sir, I did take that liberty--no offence, sir, I--"
+
+"Hum! Did he like 'em?"
+
+"Like them, sir! 'E were fair overpowered, sir! Brandy and soda, sir?"
+
+"Thanks! Did he like that, too?"
+
+"Why, sir--I--indeed--"
+
+"Oh, never mind--to-night is an occasion, anyway--just a splash of soda!
+Yes, Brimberly, when the clocks strike midnight I shall be thirty-five
+years old--"
+
+"Indeed, sir!" exclaimed Brimberly, clasping his plump hands softly and
+bowing, "then allow me to wish you many, many 'appy returns, sir, with
+continued 'ealth, wealth, and all 'appiness, sir!"
+
+"Happiness?" repeated Young R., and smiled quite bitterly, as only the
+truly young can smile. "Happiness!" said he again, "thank you,
+Brimberly--now take your friend his hat, and have the extreme goodness
+to make up the fire for me. I love a fire, as you know, but especially
+when I am mournful. And pray--hurry, Brimberly!"
+
+Forthwith Mr. Brimberly bowed and bustled out, but very soon bustled
+in again; and now, as he stooped, menial-like, to ply the coal tongs,
+though his domelike brow preserved all its wonted serenity, no words
+could possibly express all the mute rebellion of those eloquent
+whiskers.
+
+"Hanything more, sir?" he enquired, as he rose from his knees.
+
+"Why, yes," said Young R., glancing up at him, and beneath the quizzical
+look in those sleepy grey eyes, Mr. Brimberly's whiskers wilted
+slightly. "You're getting a trifle too--er--portly to hop round on your
+knees, aren't you, Brimberly? Pray sit down and talk to me."
+
+Mr. Brimberly bowed and took a chair, sitting very upright and attentive
+while his master frowned into the fire.
+
+"Thirty-five is a ripe age, Brimberly!" said he at last; "a man should
+have made something of his life--at thirty-five!"
+
+"Certingly, sir!"
+
+"And I'm getting quite into the sere and yellow leaf, am I not,
+Brimberly?"
+
+Mr. Brimberly raised a plump, protesting hand.
+
+"'Ardly that, sir, 'ardly that!" said he, "we are hall of us getting
+on, of course--"
+
+"Where to, Brimberly? On where, Brimberly--on what?"
+
+"Why, sir, since you ask me, I should answer--begging your
+parding--'eavens knows, sir!"
+
+"Precisely! Anyway, I'm going there fast."
+
+"Where, sir?"
+
+"Heaven knows, Brimberly."
+
+"Ah--er--certingly, sir!"
+
+"Now, Brimberly, as a hard-headed, matter-of-fact, common-sense being,
+what would you suggest for a poor devil who is sick and tired of
+everything and most of all--of himself?"
+
+"Why, sir, I should prescribe for that man change of hair, sir--travel,
+sir. I should suggest to that man Hafghanistan or Hasia Minor, or both,
+sir. There's your noo yacht a-laying in the river, sir--"
+
+His master leant his square chin upon his square fist and still frowning
+at the fire, gently shook his head.
+
+"My good Brimberly," he sighed, "haven't I travelled in most parts of
+the world?"
+
+"Why, yes, sir, you've travelled, sir, very much so indeed, sir--you've
+shot lions and tigers and a helephant or so, and exchanged sentiments
+with raging 'eathen--as rage in nothing but a string o' beads--but what
+about your noomerous possessions in Europe, sir?"
+
+"Ah, yes," nodded Young R., "I do possess some shanties and things over
+there, don't I, Brimberly?"
+
+"Shanties, sir!" Mr. Brimberly blinked, and his whiskers bristled
+in horrified reproof. "Shanties!--Oh, dear me, sir!" he murmured.
+"Shanties--your magnificent town mansion situate in Saint James's
+Square, London, as your respected father hacquired from a royal dook,
+sir! Shanties!--your costly and helegant res-eye-dence in Park Lane,
+sir!"
+
+"Hum!" said Young R. moodily.
+
+"Then, in Scotland, sir, we 'ave your castle of Drumlochie, sir--rocks,
+turrets, battlements, 'ighly grim and romantic, sir!"
+
+"Ha!" sighed his young master, frowning at his cigar.
+
+"Next, sir,--in Italy we find your ancient Roman villa, sir--halabaster
+pillows and columns, sir--very historical though a trifle wore with wars
+and centuries of centoorians, sir, wherefore I would humbly suggest a
+coat or two of paint, sir, applied beneath your very own eye, sir--"
+
+"No, Brimberly," murmured Young R., "paint might have attractions--Italy,
+none!"
+
+"Certingly not, sir, cer-tingly not! Which brings us to your schloss in
+Germany, sir--"
+
+"Nor Germany! Lord, Brimberly, are there many more?"
+
+"Ho, yes, sir, plenty!" nodded Mr, Brimberly, "your late honoured and
+respected father, sir, were a rare 'and at buying palaces, sir; 'e
+collected 'em, as you might say, like some folks collects postage
+starmps, sir!"
+
+"And a collection of the one is about as useless as a collection of the
+other, Brimberly!"
+
+"Why, true, sir, one man can't live in a dozen places all at once, but
+why not work round 'em in turn, beginning, say, at your imposing
+Venetian palazzo--canals, sir, gondoleers--picturesque though dampish?
+Or your shally in the Tyro-leen Halps, sir, or--"
+
+"Brimberly, have the goodness to--er--shut up!"
+
+"Certingly, sir."
+
+"To-day is my birthday, Brimberly, and to-night I've reached a kind of
+'jumping off' place in my life, and--between you and me--I'm seriously
+thinking of--er--jumping off!"
+
+"I crave parding, sir?"
+
+"I'm thirty-five years old," continued Young R., his frown growing
+blacker, "and I've never done anything really worth while in all my
+useless life! Have the goodness to look at me, will you?"
+
+"With pleasure, sir!"
+
+"Well, what do I look like?"
+
+"The very hacme of a gentleman, sir!"
+
+"Kind of you, Brimberly, but I know myself for an absolutely useless
+thing--a purposeless, ambitionless wretch, drifting on to God knows
+what. I'm a hopeless wreck, a moral derelict, and it has only occurred
+to me to-night--but"--and here the speaker paused to flick the ash from
+his cigar--"I fear I'm boring you?"
+
+"No, sir--ho, no, not at all, indeed, sir!"
+
+"You're very kind, Brimberly--light a cigarette! Ah, no, pardon me, you
+prefer my cigars, I know."
+
+"Why--why, sir--" stammered Mr. Brimberly, laying a soothing hand upon
+his twitching whisker, "indeed, I--I--"
+
+"Oh--help yourself, pray!"
+
+Hereupon Mr. Brimberly took a cigar very much at random, and, while
+Young R. watched with lazy interest, proceeded to cut it--though with
+singularly clumsy fingers.
+
+"A light, Mr. Brimberly--allow me!"
+
+So Ravenslee held the light while Mr. Brimberly puffed his cigar to a
+glow, though to be sure he coughed once and choked, as he met Young R.'s
+calm grey eye.
+
+"Now," pursued his master, "if you're quite comfortable, Mr. Brimberly,
+perhaps you'll be good enough to--er--hearken further to my tale of
+woe?"
+
+Mr. Brimberly choked again and recovering, smoothed his writhing
+whiskers and murmured: "It would be a honour!"
+
+"First, then, Brimberly, have you ever hated yourself--I mean, despised
+yourself so utterly and thoroughly that the bare idea of your existence
+makes you angry and indignant?"
+
+"Why--no, sir," answered Mr. Brimberly, staring, "I can't say as I 'ave,
+sir."
+
+"No," said his master with another keen glance, "and I don't suppose you
+ever will!" Now here again, perhaps because of the look or something in
+Young R.'s tone, Mr. Brimberly took occasion to emit a small, apologetic
+cough.
+
+"You have never felt yourself to be a--cumberer of the earth, Brimberly?"
+
+Mr. Brimberly, having thought the matter over, decided that he had not.
+
+"You are not given to introspection, Brimberly?"
+
+"Intro--ahem! No, sir, not precisely--'ardly that, sir, and then only
+very occasional, sir!"
+
+"Then you've never got on to yourself--got wise to yourself--seen
+yourself as you really are?"
+
+Mr. Brimberly goggled and groped for his whisker.
+
+"I mean," pursued his master, "you have never seen all your secret
+weaknesses and petty meannesses stripped stark naked, have you?"
+
+"N-naked, sir!" faltered Mr. Brimberly, "very distressing indeed,
+sir--oh, dear me!"
+
+"It's a devilish unpleasant thing," continued Young R., scowling at the
+fire again, "yes, it's a devilish unpleasant thing to go serenely on our
+flowery way, pitying and condemning the sins and follies of others and
+sublimely unconscious of our own until one day--ah, yes--one day we meet
+Ourselves face to face and see beneath all our pitiful shams and
+hypocrisies and know ourselves at last for what we really are--behold
+the decay of faculties, the degeneration of intellect bred of sloth and
+inanition and know ourselves at last--for exactly what we are!"
+
+Mr. Brimberly stared at the preoccupation of his master's scowling brow
+and grim-set mouth, and, clutching a soft handful of whisker, murmured:
+"Certingly, sir!"
+
+"When I was a boy," continued Ravenslee absently, "I used to dream of
+the wonderful things I would do when I was a man--by the way, you're
+quite sure I'm not boring you--?"
+
+"No, sir--certingly not, sir--indeed, sir!"
+
+"Take another cigar, Brimberly--oh, put it in your pocket, it will do
+to--er--to add to your collection! But, as I was saying, as a boy I was
+full of a godlike ambition--but, as I grew up, ambition and all the
+noble things it leads to, sickened and died--died of a surfeit of
+dollars! And to-day I am thirty-five and feel that I can't--that I never
+shall--do anything worth while--"
+
+"But, sir," exclaimed Mr. Brimberly with a bland and reassuring smile,
+"you are one as don't have to do nothing--you're rich!"
+
+Mr. Ravenslee started.
+
+"Rich!" he cried, and turning, he glanced at Mr. Brimberly, and his
+square chin looked so very square and his grey eyes so very piercing
+that Mr. Brimberly, loosing his whisker, coughed again and shifted his
+gaze to the Persian rug beneath his feet; yet when Young R. spoke again,
+his voice was very soft and sleepy.
+
+"Rich!" he repeated, "yes, that's just the unspeakable hell of it--it's
+money that has crippled all endeavours and made me what I am! Rich? I'm
+so rich that my friends are all acquaintances--so rich that I might buy
+anything in the world except what I most desire--so rich that I am tired
+of life, the world, and everything in the world, and have been seriously
+considering a--er--a radical change. It is a comfort to know that we may
+all of us find oblivion when we so desire."
+
+"Oblivion!" nodded Mr. Brimberly, mouthing the word sonorously,
+"oblivion, sir, certingly--my own sentiments exactly, sir--for, though
+not being a marrying man myself, sir, I regard it with a truly reverent
+heye and 'umbly suggest that for you such a oblivious change would be--"
+
+"Brimberly," said Young R., turning to stare in lazy wonder, "where in
+the world are you getting to now?"
+
+Mr. Brimberly coughed and touched a whisker with dubious finger.
+
+"Wasn't you allooding to--hem!--to matrimony, sir?"
+
+"Matrimony! Lord, no! Hardly so desperate a course as that, Brimberly. I
+was considering the advisability of--er--this!" And opening a drawer in
+the escritoire, Young R. held up a revolver, whereat Mr. Brimberly's
+whiskers showed immediate signs of extreme agitation, and he started to
+his feet.
+
+"Mr. Ravenslee, sir--for the love o' Gawd!" he exclaimed, "if it's a
+choice between the two--try matrimony first, it's so much--so much
+wholesomer, sir!"
+
+"Is it, Brimberly? Let me see, there are about five hundred highly
+dignified matrons in this--er--great city, wholly eager and anxious
+to wed their daughters to my dollars (and incidentally myself) even
+if I were the vilest knave or most pitiful piece of doddering
+antiquity--faugh! Let's hear no more of matrimony."
+
+"Certingly not, sir!" bowed Mr. Brimberly.
+
+"And I'm neither mad, Brimberly, nor drunk, only--speaking
+colloquially--I'm 'on to' myself at last. If my father had only left me
+fewer millions, I might have been quite a hard-working, useful member of
+society, for there's good in me, Brimberly. I am occasionally aware of
+quite noble impulses, but they need some object to bring 'em out. An
+object--hum!" Here Mr. Ravenslee put away the revolver. "An object to
+work for, live for, be worthy of!" Here he fell to frowning into the
+fire again and stared thus so long that at last Mr. Brimberly felt
+impelled to say:
+
+"A hobject, of course, sir! A hobject--certingly, sir!" But here he
+started and turned to stare toward the windows as from the darkness
+beyond two voices were uplifted in song; two voices these which sang the
+same tune and words but in two different keys, uncertain voices, now
+shooting up into heights, now dropping into unplumbable deeps, two shaky
+voices whose inconsequent quaverings suggested four legs in much the
+same condition.
+
+"Brimberly," sighed his master, "what doleful wretches have we here?"
+
+"Why, sir, I--I rather fancy it's William and James--the footmen, sir,"
+answered Mr. Brimberly between bristling whiskers. "Hexcuse me,
+sir--I'll go and speak to 'em, sir--"
+
+"Oh, pray don't trouble yourself, Mr. Brimberly; sit down and hearken!
+These sad sounds are inspired by deep potations--beer, I fancy. Be
+seated, Mr. Brimberly."
+
+Mr. Brimberly obeyed, and being much agitated dropped his cigar and
+grovelled for it, and it was to be noted thereafter that as the singers
+drew nearer, he shuffled on his chair with whiskers violently a-twitch,
+while his eyes goggled more and his domelike brow grew ever moister. But
+on came the singing footmen and passed full-tongued, wailing out each
+word with due effect, thus:
+
+"--my sweet 'eart's--me mother
+The best--the dearest--of--'em all."
+
+"Hum!" murmured Young R., "I admire the sentiment, Brimberly, but the
+execution leaves something to be desired, perhaps--"
+
+"If you'll only let me go out to 'em, sir!" groaned Mr. Brimberly,
+mopping himself with a very large, exceeding white handkerchief, "if you
+honly will, sir!"
+
+"No, Brimberly, no--it would only distress you, besides--hark! their
+song is ended, and rather abruptly--I rather fancy they have fallen down
+the terrace steps."
+
+"And I 'opes," murmured Mr. Brimberly fervently, "I do 'ope as they've
+broke their necks!"
+
+"Of course I ought to have gone out and switched on the lights for
+them," sighed Young R, "but then, you see, I thought they were safe in
+bed, Brimberly!"
+
+"Why, sir," said Mr. Brimberly, mopping furiously, "I--I ventured to
+give 'em a hour's leave of habsence, sir; I ventured so to do, sir,
+because, sir--"
+
+"Because you are of rather a venturesome nature, aren't you, Brimberly?"
+
+"No offence, sir, I 'ope?"
+
+"None at all, Mr. Brimberly--pray calm yourself and--er--take a little
+brandy."
+
+"Sir?"
+
+"Your glass is under the chair yonder, or is it your friend's?"
+
+Mr. Brimberly goggled toward Mr. Stevens' betraying glass, picked it
+up, and sat staring at it in vague and dreamy fashion until, rousing at
+his master's second bidding, he proceeded to mix brandy and soda, his
+gaze still profoundly abstracted and his whiskers drooping with an
+abnormal meekness.
+
+At this juncture a knock sounded at the door, and a chauffeur appeared,
+looking very smart in his elegant livery; a thick-set man, mightily deep
+of chest, whose wide shoulders seemed to fill the doorway, and whose
+long, gorilla-like arms ended in two powerful hands; his jaw was
+squarely huge, his nose broad and thick, but beneath his beetling brows
+blinked two of the mildest blue eyes in the world.
+
+"What is it, Joe?"
+
+"And what time will ye be wantin' the car in the mornin', sir?" he
+enquired.
+
+"The morning, Joe? Who can say what may happen between now and then?"
+
+"Shall I have her round at eleven, sir, or--"
+
+"Eleven will do as well as any other time--let it go at that."
+
+"You was to see your broker, Mr. Anderson, in the morning over them
+steamship shares, sir."
+
+"Shares, Joe, are a vanity; all is vanity--they weary me. Mr. Brimberly
+yawns, and you look sleepy--good night, Joe; pleasant dreams."
+
+"Good night, sir!" and touching his right eyebrow, Joe went out, closing
+the door behind him.
+
+"And now," said Mr. Ravenslee, puffing languidly at his cigar,
+"referring to the necessary object, there is a chance that it may be
+found--even yet, Mr. Brimberly!"
+
+"Object, sir," murmured Mr. Brimberly, "found, sir--to be sure, sir."
+
+"Yes; I intend you shall find it for me, Brimberly."
+
+Mr. Brimberly's abstraction gave place to sudden amaze.
+
+"Find it--wot, me, sir? Hexcuse me, sir, but did you say--" Mr.
+Brimberly actually gaped!
+
+"You, Brimberly, of course!"
+
+"But--but wot kind of a hobject--and where, sir?"
+
+"Really," sighed Young R., "these are quite fool questions for one of
+your hard-headed common sense! If I knew exactly 'what' and 'where', I'd
+go and find it myself--at least, I might!"
+
+"But--'ow in the world, sir--begging your parding I'm sure, but 'ow am I
+to go a-finding hobjex as I've never seen nor 'eard of?"
+
+"Brimberly, I pass! But if you manage it in--say a week, I'll double
+your wages and give you a--er--a bonus into the bargain; think it over."
+
+"I--I will, sir--indeed, sir!"
+
+"Very well; you may go."
+
+"Certingly, sir." Mr. Brimberly bowed and crossed to the door but, being
+there, paused. "Double me wages I think it were, sir, _and_ a bonus?
+Very 'andsome, very 'andsome indeed, sir--thank you, sir." Saying which,
+Mr. Brimberly bowed himself out, but immediately bowed himself in again.
+
+"Sir," said he, "if you could give me some hidea, sir--"
+
+"Some what?"
+
+"A few 'ints, sir, as to the nature of said hobject--whether animal,
+mineral, or nooter, sir?"
+
+"Well--perhaps 'animal' might be the more interesting."
+
+"Now--as to gender, sir--masculine shall we say, or shall we make it
+feminine?"
+
+"Oh--either will do! And yet, since you offer so wide a selection,
+perhaps--er--feminine--?"
+
+"Very good, sir!"
+
+"And you'd better make it singular number, Brimberly."
+
+"Certingly, sir, much obliged, sir! Will you be wanting me again, sir?"
+
+"Not again, Brimberly."
+
+"Then good night, sir--thank you, sir!" And Mr. Brimberly went softly
+forth and closed the door noiselessly behind him.
+
+Being alone, Mr. Ravenslee switched off the lights and sat in the
+fire-glow.
+
+"Feminine gender, singular number, objective case, governed by the
+verb--to love--I wonder!"
+
+And he laughed a little bitterly (and very youthfully) as he stared down
+into the dying fire.
+
+
+
+
+CHAPTER III
+
+HOW GEOFFREY RAVENSLEE WENT SEEKING AN OBJECT
+
+
+A clock in the hall without struck midnight, but Mr. Ravenslee sat there
+long after the silvery chime had died away, his chin sunk upon his broad
+chest, his sombre eyes staring blindly at the fading embers, lost in
+profound and gloomy meditation. But, all at once, he started and glanced
+swiftly around toward a certain window, the curtains of which were only
+partly drawn, and his lounging attitude changed instantly to one of
+watchful alertness.
+
+As he sat thus, broad shoulders stooped, feet drawn up--poised for swift
+action, he beheld a light that flashed here and there, that vanished and
+came again, hovering up and down and to and fro outside the window;
+wherefore he reached out a long arm in the gloom and silently opened a
+certain drawer in the escritoire.
+
+Came a soft click, a faint creak, and a breath of cool, fragrant air as
+the window was cautiously opened, and a shapeless something climbed
+through, while Mr. Ravenslee sat motionless--waiting.
+
+The flashing light winked again, a small, bright disc that hovered
+uncertainly and finally steadied upon the carved cabinet in the corner,
+and the Something crept stealthily thither. A long-drawn, breathless
+minute and then--the room was flooded with brilliant light, and a
+figure, kneeling before the cabinet, uttered a strangled cry and leapt
+up, only to recoil before Mr. Ravenslee's levelled revolver.
+
+A pallid-faced, willowy lad, this, of perhaps seventeen, who, sinking to
+his knees, threw up an arm across his face, then raised both hands above
+his head.
+
+"Ah, don't shoot, mister!" he gasped. "Oh, don't shoot--I got me hands
+up!"
+
+"Stand up!" said Ravenslee grimly, "up with you and shutter that
+window--you may have friends outside, and I'm taking no chances!
+Quick--shutter that window, I say."
+
+The lad struggled to his feet and, crossing to the window, fumbled the
+shutter into place, his ghastly face turning and turning toward the
+revolver that glittered in such deadly fashion in Mr. Ravenslee's steady
+hand. At length, the shutters barred, the boy turned, and moistening dry
+lips, spoke hoarsely and with apparent effort.
+
+"Oh, mister--don't go for to--croak a guy as--as ain't done nothing!"
+
+"You broke into my house!"
+
+"But I--haven't took nothin'!"
+
+"Because I happened to catch you!"
+
+"But--but--oh, sir," stammered the boy, taking off his cap and fumbling
+with it while he stared wide-eyed at the threatening revolver, "I--I
+ain't a real thief--cross me heart and hope to die, I ain't! Don't croak
+me, sir!"
+
+"But why in the world not?" enquired Mr. Ravenslee. "Alone and unaided
+I have captured a desperate criminal, a bloodthirsty villain--caught him
+in the very act of burgling a cabinet where I keep my cigars of
+price--and Mr. Brimberly's, of course! Consequently to--er--croak you
+is my privilege as a citizen; it's all quite just and proper--really,
+I ought to croak you, you know."
+
+"I--ain't desprit, mister," the boy pleaded, "I ain't a reg'lar crook;
+dis is me first try-out--honest it is!"
+
+"But then I prefer to regard you as a deep-dyed desperado--you must be
+quite--er--sixteen! Consequently it is my duty to croak you on the spot,
+or hand you over to the police--"
+
+"No, no!" cried the boy, his tremulous hands reached out in a passion
+of supplication, "not d' cops--don't let th' p'lice get me. Oh, I never
+took nothin' from nobody--lemme go! Be a sport and let me beat it,
+please, sir!"
+
+All Mr. Ravenslee's chronic languor seemed to have returned as, leaning
+back in the deep-cushioned chair, he regarded this youthful malefactor
+with sleepy eyes, yet eyes that missed nothing of the boy's quivering
+earnestness as he continued, breathlessly:
+
+"Oh, I ain't a real crook, I never done nothin' like this before, an'
+I never will again if--if you'll only let me chase meself--"
+
+"And now," sighed Mr. Ravenslee, "I'll trouble you for the 'phone,
+yonder."
+
+"Are ye goin' to--call in de cops?"
+
+"That is my intention. Give me the 'phone."
+
+"No!" cried the boy, and springing before the telephone he stood there,
+trembling but defiant.
+
+"Give me that telephone!"
+
+"Not much I won't!"
+
+"Then of course I must shoot you!"
+
+The boy stood with head up-flung and fists tight-clenched; Mr. Ravenslee
+lounged in his chair with levelled pistol. So they fronted each
+other--but, all at once, with a sound between a choke and a groan, the
+lad covered his face.
+
+"Go on!" he whispered hoarsely, "go on--what's keepin' you? If it's the
+cops or croaking, I--I'd rather croak."
+
+"Why?"
+
+"'Cause if I was ever sent to--prison--it 'ud break her heart, I guess."
+
+"Her heart?" said Mr. Ravenslee, and lowered the pistol.
+
+"Me sister's."
+
+"Ah--so you have a sister?" and Mr. Ravenslee sat up suddenly.
+
+"Lots o' guys has, but there ain't a sister like mine in all N'
+York--nor nowheres else."
+
+"Who are you? What's your name?"
+
+"Spike. Me real name's Arthur, but Arthur sounds kinder soft an' sissy;
+nobody don't call me Arthur 'cept her, an' I don't mind her."
+
+"And what's her name?"
+
+"Hermy--Hermione, sir."
+
+"Hermione--why, that's Greek! It's a very beautiful name!"
+
+"Kind of fits her too!" nodded Spike, warming to his theme. "Hermy's
+ace-high on the face and figure question! Why, there ain't a swell dame
+on Fift' Av'ner, nor nowheres else, got anything on Hermy as a looker!"
+
+"And what of your father and mother?"
+
+"Ain't got none--don't remember having none--don't want none; Hermy's
+good 'nuff for me."
+
+"Good to you, is she?" enquired Mr. Ravenslee.
+
+"Good t' me!" cried Spike, "good? Well, say--when I think about it I--I
+gets watery in me lamps, kinder sloppy in me talk, an' all mushy inside!
+Good t' me? Well, you can just bet on that!"
+
+"And," enquired Mr. Ravenslee sleepily, "are you as good to her?"
+
+Hereupon Spike turned his cap inside out and looked at it thoughtfully.
+"I--I dunno, mister."
+
+"Ah! perhaps you--make her cry, sometimes?"
+
+Hereupon Spike began to pick at the lining of his cap and finally
+answered: "Sometimes, I guess."
+
+"Would she cry if she could see you now, I wonder?"
+
+Hereupon Spike began to wring and twist his cap in nervous hands ere he
+answered: "I--I guess she might, perhaps."
+
+"She must love you a good deal."
+
+At this, Spike twisted his cap into a ball but spoke nothing; seeing
+which Mr. Ravenslee proceeded.
+
+"You are luckier than I; there isn't a soul in the world to do as much
+for me."
+
+Spike gulped audibly and, thereafter, sniffed.
+
+"Now suppose," said Mr. Ravenslee, "let us suppose she found out that
+the brother she loved so much was a--thief?"
+
+Hereupon Spike unrolled his cap and proceeded to rub his eyes with it,
+and, when at last he spoke, it was in a voice broken by great sobs.
+
+"Say--cut it out--cut it out! I never meant to--to do it. They got me
+soused--doped me, I think, else I'd never have done it. I ain't good,
+but I ain't so rotten bad as--what I seem. I ain't no real crook, but if
+you wanter croak me for what I done--go ahead! Only don't--don't let d'
+cops get me, 'cause o' Hermy. If you croak me, she'll think I got it in
+a scrap, maybe; so if you wanter plug me, go ahead!"
+
+"But what are you shivering for?"
+
+"I--I'm just waitin', sir," answered Spike, closing his eyes, "I--I seen
+a guy shot once!"
+
+Mr. Ravenslee sighed and nodded.
+
+"After all," said he, "I don't think I'll croak you," and he slipped
+the revolver into his pocket while Spike watched him in sudden tense
+eagerness.
+
+"What yer mean to do wi' me?" he asked.
+
+"That's the question; what shall I do with you? Let me think."
+
+"Say," cried the boy eagerly, "you don't have to do no thinkin'--leave
+it all to me! It's de winder for mine; I'll chase meself quick--"
+
+"No you don't! Sit down--sit down, I say!"
+
+Spike sighed and seated himself on the extreme edge of the chair his
+captor indicated.
+
+"Won't yer lemme beat it, sir?" he pleaded.
+
+"No, some one else might catch you next time and have the pleasure
+of--er--croaking you or handing you over to the police--"
+
+"There won't be no next time, sir!" cried Spike eagerly. "I'll never
+do it no more--I'll cut d' whole gang, I'll give Bud M'Ginnis d'
+throw-down--on d' dead level I will, if you'll only let me--"
+
+"Who's Bud M'Ginnis?"
+
+"Say," exclaimed the boy, staring, "don't yer know that? Why, Bud's
+d' main squeeze with d' gang, d' whole cheese, he is--an' he kind o'
+thinks I'm d' candy-kid 'cause he's stuck on me sister--".
+
+"Ah!" nodded Mr. Ravenslee, frowning a little, "and is she--er--stuck on
+him?"
+
+"Not so as you could notice it, she ain't! No, she can't see Bud with a
+pair of opry-glasses, an' he's a dead game sport, too! Oh, there ain't
+no flies on Bud, an' nobody can lick him, either; but Hermy don't cotton
+none, she hasn't got no use for him, see? But say--" Spike rose
+tentatively and looked on his captor with eyes big and supplicating.
+
+"Well, what now?"
+
+"Why, I thought if you was tired of me chewing d' rag and wanted to hit
+the feathers, I'd just cop a sneak. See, if you'll only lemme go, I'll
+do d' square thing and get a steady job like Hermy wants me to--honest,
+I will, sir! Y' see, me sister's away to-night--she does needleworks for
+swell folks an' stops with 'em sometimes--so if you'll only let me beat
+it, I can skin back an' she'll never know! Ah!--lemme go, sir!"
+
+"Well then," sighed Mr. Ravenslee, "for her sake I will let you
+go--wait! I'll let you go and never speak of your--er--little escapade
+here, if you will take me with you."
+
+Now at this, Spike gaped and fell back a step.
+
+"Go wi' me--wi' me?" he stammered. "You--go wi' me to Hell's Kitchen--to
+Mulligan's Dump--you! Say, what kind o' song and dance are you giving
+me, anyway? Aw--quit yer kiddin', sir!"
+
+"But I mean it."
+
+"On--on d' level?"
+
+"On the level."
+
+"Holy Gee!" and Spike relapsed into wide-eyed, voiceless wonder.
+
+"Is it a go?" enquired Mr. Ravenslee.
+
+"But--but, say--" stammered the boy, glancing from the elegant figure in
+the chair around the luxurious room and back again, "but you're a--a--"
+
+"Just a poor, disconsolate, lonely--er--guy!"
+
+"What!" cried Spike, staring around him again, "with all this? Oh, yes,
+you're homeless and starving, you are--I don't think!"
+
+"Is it a go?"
+
+"But say--whatcher want to go wi' me for? What's yer game? Put me wise."
+
+"I am filled with desire to breathe awhile the salubrious air of Hell's
+Kitchen; will you take me?" Now as he spoke, beholding the boy's staring
+amaze, Mr. Ravenslee's frowning brows relaxed, his firm, clean-shaven
+lips quivered, and all at once curved up into a smile of singular
+sweetness--a smile before which the hopelessness and fear died out of
+the boy's long-lashed eyes, his whole strained attitude vanished, and he
+smiled also--though perhaps a little tremulously.
+
+"Will you take me, Spike?"
+
+"You bet I will!" exclaimed the boy, his blue eyes shining, "and I'll do
+my best to show you I--I ain't so bad as I--as I seem--an' we'll shake
+on it if you like." And Spike advanced with his hand outstretched, then
+paused, suddenly abashed, and drooping his head, turned away. "I--I
+forgot," he muttered, "--I'm--you said I was a--thief!"
+
+"You meant to be!" said Mr. Ravenslee, and rising, he stretched himself
+and glanced at his watch.
+
+"Are you coming wi' me, sir?" enquired Spike, regarding Mr. Ravenslee's
+length and breadth with quick, appraising eyes.
+
+"I surely am!"
+
+"But--but not in them glad rags!" and Spike pointed to Mr. Ravenslee's
+exquisitely tailored garments.
+
+"Ah--to be sure!" nodded their wearer. "We'll soon fix that," and he
+touched the electric bell.
+
+"Say," cried Spike, starting forward in sudden terror, "you--you ain't
+goin' to give me away?"
+
+"No."
+
+"Cross your heart--hope to die, you ain't?"
+
+"Across my heart and hope to die, I'm not--and there's my hand on it,
+Spike."
+
+"What?" exclaimed the boy, his eyes suspiciously bright, "d' you mean
+you will shake--after--after what I--"
+
+"There's my hand, Spike!" So their hands met and gripped, the boy's hot
+and eagerly tremulous, the man's cool and steady and strong; then of a
+sudden Spike choked and turning his back brushed away his tears with his
+cap. Also at this moment, with a soft and discreet knock, Mr. Brimberly
+opened the door and bowed himself into the room; his attitude was
+deferential as always, his smile as respectful, but, beholding Spike,
+his round eyes grew rounder and his whiskers slightly bristly.
+
+"Ah, Brimberly," nodded his master, "you are not in bed yet--good!"
+
+"No, sir," answered Mr. Brimberly, "I'm not in bed yet, sir, but when
+you rang I was in the very hact, sir--"
+
+"First of all," said Young R., selecting a cigar, "let me introduce you
+to--er--my friend, Spike!"
+
+Hereupon Mr. Brimberly rolled his eyes in Spike's direction, glanced him
+over, touched either whisker, and bowed--and lo! those fleecy whiskers
+were now eloquent of pompous dignity, beholding which Spike shuffled his
+feet, averted his eyes, and twisted his cap into a very tight ball
+indeed.
+
+But now Brimberly turned his eyes (and his whiskers) on his master, who
+had taken out his watch.
+
+"Brimberly," said he, "it is now very nearly two o'clock."
+
+"Very late, sir--oh, very late, sir--indeed, I was in the very hact of
+goin' to bed, sir--I'd even unbuttoned my waistcoat, sir, when you
+rang--two o'clock, sir--dear me, a most un-'oly hour, sir--"
+
+"Consequently, Brimberly, I am thinking of taking a little outing--"
+
+"Certingly, sir--oh, certingly!"
+
+"And I want some other clothes--"
+
+"Clothes, sir--yessir. There's the noo 'arris tweed, sir--"
+
+"With holes in them, if possible, Brimberly."
+
+"'Oles, sir! Beg parding, sir, but did you say 'oles, sir?"
+
+"Also patches, Brimberly, the bigger the better!"
+
+"Patches! Hexcuse me, sir, but--patches! I beg parding, but--" Mr.
+Brimberly laid a feeble hand upon a twitching whisker.
+
+"In a word, Brimberly," pursued his master, seating himself upon the
+escritoire and swinging his leg, "I want some old clothes, shabby
+clothes--moth-eaten, stained, battered, and torn. Also a muffler and
+an old hat. Can you find me some?"
+
+"No, sir, I don't--that is, yessir, I do. Hexcuse me, sir--'arf a
+moment, sir." Saying which, Mr. Brimberly bowed and went from the room
+with one hand still clutching his whisker very much as though he had
+taken himself into custody and were leading himself out.
+
+"Say," exclaimed Spike in a hoarse whisper and edging nearer to Mr.
+Ravenslee, "who's His Whiskers--de swell guy with d' face trimmings?"
+
+"Why, since you ask, Spike, he is a very worthy person who devotes his
+life to--er--looking after my welfare and--other things."
+
+"Holy Gee!" exclaimed Spike, staring, "I should have thought you was big
+'nuff to do that fer yourself, unless--" and here he broke off suddenly
+and gazed on Mr. Ravenslee's long figure with a new and more particular
+interest.
+
+"Unless what?"
+
+"Say--you ain't got bats in your belfry, have you--you ain't weak in the
+think-box, or soft in the nut, are ye?"
+
+"No--at least not more than the average, I believe."
+
+"I mean His Whiskers don't have to lead you around on a string or watch
+out you don't set fire to yourself, does he?"
+
+"Well, strictly speaking, I can't say that his duties are quite so
+far-reaching."
+
+"Who are you, anyway?"
+
+"Well, my names are Geoffrey, Guy, Eustace, Hughson-and--er--a few
+others, but these will do to go on with, perhaps?"
+
+"Well, I guess yes!"
+
+"You can take your choice."
+
+"Well, Guy won't do--no siree--ye see every mutt's a guy down our
+way--so I guess we'll make it Geoff. But, say, if you ain't weak on the
+think-machinery, why d' ye keep a guy like His Whiskers hanging around?"
+
+"Because he has become a habit, Spike--and habits cling--and speaking of
+habits--here it is!" Sure enough, at that moment Brimberly's knuckles
+made themselves discreetly heard, and Brimberly himself appeared with
+divers garments across his arm, at sight of which Spike stood
+immediately dumb in staring, awe-struck wonder.
+
+"Ah, you've got them, Brimberly?"
+
+"Yessir! These is the best I can do, sir--"
+
+"Say rather--the worst!"
+
+"'Ere's a nice, big 'ole in the coat, sir," said Mr. Brimberly,
+unfolding the garment in question, "and the weskit, sir; the pocket
+is tore, you'll notice, sir."
+
+"Excellent, Brimberly!"
+
+"As for these trousis, sir--"
+
+"They seem rather superior garments, I'm afraid!" said Mr. Ravenslee,
+shaking his head.
+
+"But you'll notice as they're very much wore round the 'eels, sir."
+
+"They'll do. Now the hat and muffler."
+
+"All 'ere, sir--the 'at's got its brim broke, sir."
+
+"Couldn't be better, Brimberly!" So saying, Mr. Ravenslee took up the
+clothes and turned toward the door. "Now I'll trouble you to keep an eye
+on--er--young America here while I get into these."
+
+"Sir," said Mr. Brimberly, turning his whiskers full upon Spike, who
+immediately fell to shuffling and wringing at his cap. "Sir--I will,
+certingly, sir."
+
+Now when the door had shut after his master, Mr. Brimberly raised eyes
+and hands to the ceiling and shook his head until his whiskers quivered.
+Quoth he: "Hall I arsks is--wot next!" Thereafter he lowered his eyes
+and regarded Spike as if he had been that basest of base minions--a boy
+in buttons. At last he deigned speech.
+
+"And w'en did _you_ come in, pray?"
+
+"'Bout a hour ago, sir," answered Spike, dropping his cap in his
+embarrassment.
+
+"Ah!" nodded Mr. Brimberly, "about a hour ago--ho! By appointment, I
+pre-zoom?"
+
+"No, sir--by a winder."
+
+"A--wot?"
+
+"A winder, sir."
+
+"A--winder? 'Eavens and earth--a winder--ow? Where? Wot for?"
+
+"Say, mister," said Spike, breaking in upon Mr. Brimberly's astounded
+questioning, "is he nutty?" And he jerked his thumb toward the door
+through which Mr. Ravenslee had gone.
+
+"Nutty!" said Mr. Brimberly, staring.
+
+"Yes--I mean is he batty? Has he got wheels?"
+
+"W'eels?" said Mr. Brimberly, his eyes rounder than usual.
+
+"Well, then, is he daffy?--off his trolley?"
+
+"Off 'is wot?" said Mr. Brimberly, fumbling for his whisker.
+
+"Holy Gee!" exclaimed Spike, "can't you understand English? Say, is your
+brother as smart as you?"
+
+"The honly brother as ever I 'ad was a infant as died and--but wot was
+you saying about a winder?"
+
+"Nothin'!"
+
+"Come, speak up, you young vagabone--" began Mr. Brimberly, his whiskers
+suddenly fierce and threatening, but just then, fortunately for Spike,
+the door swung, open, and Mr. Ravenslee entered.
+
+And lo! what a change was here! The battered hat, the faded muffler and
+shabby clothes seemed only to show off all the hitherto hidden strength
+and vigour of the powerful limbs below; indeed it almost seemed that
+with his elegant garments he had laid aside his lassitude also and taken
+on a new air of resolution, for his eyes were sleepy no longer, and his
+every gesture was lithe and quick. So great was the change that Spike
+stared speechless, and Mr. Brimberly gaped with whiskers a-droop.
+
+"Well, shall I do?" enquired Mr. Ravenslee, tightening his faded
+neckerchief.
+
+"Do?" repeated Spike, "say--you look all to d' mustard, Geoff! You--you
+look as if you could--do things, now!"
+
+"Strangely enough, Spike, I rather feel that way too!" So saying, Mr.
+Ravenslee took a pipe from the rack, filled it with quick, energetic
+fingers, and proceeded to light it, watched in dumb amaze by the gaping
+Brimberly.
+
+"Brimberly," said he, "I shall probably return to-morrow."
+
+"Yes, sir," said he faintly.
+
+"Or the day after."
+
+"Yes, sir!"
+
+"Or the day after."
+
+"Yes, sir!"
+
+"Or the day after that; anyhow, I shall probably return. Should any one
+call--business or otherwise--tell 'em to call again; say I'm out of
+town--you understand?"
+
+"Out of town--certingly, sir."
+
+"Referring to--to the matter we talked of to-night, Brimberly--"
+
+"Meaning the hobject, sir?"
+
+"Precisely! Don't trouble yourself about it."
+
+"No, sir?"
+
+"No, Brimberly--I'm going to try and find one for myself."
+
+"Ho--very good, sir!"
+
+"And now," said the new Mr. Ravenslee, laying one white, ringless hand
+on Spike's shoulder and pointing toward the open door with the other,
+"lead on--young Destiny!"
+
+
+
+
+CHAPTER IV
+
+TELLING HOW HE CAME TO HELL'S KITCHEN AT PEEP O' DAY
+
+
+It was past three o'clock and dawn was at hand as, by devious ways,
+Spike piloted his companion through that section of New York City which
+is known to the initiated as "Hell's Kitchen." By dismal streets they
+went, past silent, squalid houses and tall tenements looming grim and
+ghostly in the faint light; crossing broad avenues very silent and
+deserted at this hour, on and on until, dark and vague and mysterious,
+the great river flowed before them only to be lost again as they plunged
+into a gloomy court where tall buildings rose on every hand, huge and
+very silent, teeming with life--but life just now wrapped in that
+profound quietude of sleep which is so much akin to death. Into one of
+these tall tenement buildings, its ugliness rendered more ugly by the
+network of iron fire-escape ladders that writhed up the face of it,
+Spike led the way, first into a dark hallway and thence up many stairs
+that echoed to their light-treading feet--on and up, past dimly lit
+landings where were doors each of which shut in its own little world, a
+world distinct and separate wherein youth and age, good and evil, joy
+and misery, lived and moved and had their being; behind these dingy
+panels were smiling hope and black despair, blooming health and pallid
+sickness, and all those sins and virtues that go to make up the sum
+total of humanity.
+
+Something of all this was in Geoffrey Ravenslee's mind as he climbed the
+dingy, interminable stair behind Spike, who presently halted to get his
+wind and whisper:
+
+"It ain't much further now, Geoff, only another two flights and--" He
+stopped suddenly to listen, and from the landing above a sound reached
+them, a sound soft but unmistakable--a woman's muffled sobbing.
+
+Slowly, cautiously, they mounted the stair until in the dim light of a
+certain landing they beheld a slim figure bowed upon its knees in an
+agony of abasement before a scarred and dingy door. Even as they stared,
+the slender, girlish figure sobbed again, and, with a sudden, yearning
+gesture, lifted a face, pale in the half-light, and kissed that battered
+door; thereafter, weeping still, she rose to her feet and turned, but
+seeing Spike, stood very still all at once and with hands clasped tight
+together.
+
+"Holy Gee!" exclaimed Spike beneath his breath; then, in a hoarse
+whisper: "Is that Maggie--Maggie Finlay?"
+
+"Oh--is that you, Arthur?" she whispered back. "Arthur--oh, Arthur, I,
+I'm going away, but I couldn't go without coming to--to kiss dear mother
+good-by--and now I'm here I daren't knock for fear of--father. I've been
+up to your door and knocked, but Hermy's away, I guess. Anyway,
+you--you'll say I came to thank her and--kiss her for the last time,
+won't you, Arthur?"
+
+"Sure I will--but where ye goin', Maggie?"
+
+"A long way, Arthur! I don't s'pose I shall ever--see this place any
+more--or you--so, Arthur, will you--kiss me good-by--just once?"
+
+Spike hesitated, but she, quick and light-treading, came down to him and
+caught his hand and would have kissed that, but he snatched it away and,
+leaning forward, kissed her tear-stained cheek, and blushed thereafter
+despite the dark.
+
+"Good-by, Arthur!" she whispered, "and thank you--and dear Hermy--oh,
+good-by!" So saying, she hurried on past Ravenslee, down the dark
+stairway, while Spike leaned over the balustrade to whisper:
+
+"Good-by, Maggie--an' good luck, Kid!" At this she paused to look up at
+him with great, sad eyes--a long, wistful look, then, speaking no more,
+hurried on down the stair--down, down into the shadows, and was gone.
+
+"We used to go to school together, Geoff," the boy explained a little
+self-consciously, "she never--kissed me before; she ain't the kissin'
+sort. I wonder why she did it to-night? I wonder--"
+
+So saying, Spike turned and led the way on again until they reached the
+landing above, across which two doors, dark and unlovely, seemed to
+scowl upon each other. One of these Spike proceeded to open with a
+latchkey, and so led Ravenslee into the dark void beyond. Spike struck
+a match and lighted the gas, and, looking about him, Ravenslee stared.
+
+A little, cramped room, sparsely furnished yet dainty and homelike, for
+the small, deal table hid its bare nakedness beneath a dainty cloth; the
+two rickety armchairs veiled their faded tapestry under chintz covers,
+cunningly contrived and delicately tinted to match the cheap but
+soft-toned drugget on the floor and the self-coloured paper on the
+walls, where hung two or three inexpensive reproductions of famous
+paintings; and in all things there breathed an air of refinement wholly
+unexpected in Hell's Kitchen. Wherefore Mr. Ravenslee, observing all
+things with his quick glance, felt an ever-growing wonder. But now
+Spike, who had been clattering plates and dishes in the kitchen hard
+by, thrust his head around the door to say:
+
+"Oh, Geoff--I don't feel like doin' the shut-eye business, d' you? How
+about a cup of coffee, an' I daresay I might dig out some eats; what d'
+ye say?"
+
+"Is this--your sister?" enquired Mr. Ravenslee, taking up a photograph
+from the little sideboard.
+
+"Yep, that's Hermy all right--taken las' year--does her hair different
+now. How about some coffee, Geoff?"
+
+"Coffee?" said Mr. Ravenslee, staring at the picture,
+"coffee--certainly--er--thanks! She has--light hair, Spike?"
+
+"Gold!" said Spike, and vanished; whereupon Mr. Ravenslee laid the
+photograph on the table, and sitting down, fell to viewing it intently.
+
+A wonderful face, low-browed, deep-eyed, full-lipped. Here was none of
+smiling prettiness, for these eyes were grave and thoughtful, these
+lips, despite their soft, voluptuous curves, were firmly modelled like
+the rounded chin below, and, in all the face, despite its vivid youth,
+was a vague and wistful sadness.
+
+"Oh, Geoff," called Spike, "d' ye mind having yer coffee a la milko
+condenso?"
+
+"Milk?" exclaimed Mr. Ravenslee, starting. "Oh--yes--anything will do!"
+
+"Why, hello!" exclaimed Spike, reappearing with a cup and saucer, "still
+piping off Hermy's photo, Geoff?"
+
+"I'm wondering why she looks so sad?"
+
+"Sad?" repeated Spike, setting down the crockery with a rattle, "Hermy
+ain't sad; she always looks like that. Y' see, she ain't much on the
+giggle, Geoff, but she's most always singing, 'cept when her kids is
+sick or Mulligan calls--"
+
+"What do you mean?"
+
+"Oh, Hermy mothers all the kids around here when they're sick, an' lots
+o' kids is always getting sick. And when Mulligan comes it's rent day,
+an' sometimes Hermy's a bit shy on the money--"
+
+"Is she?" said Mr. Ravenslee, frowning.
+
+"You bet she is, Geoff! An' Mulligan's an Irishman an' mean--say, he's
+the meanest mutt you ever see. A Jew's mean, so's a Chink, but a mean
+Harp's got 'em both skinned 'way to 'Frisco an' back again! Why,
+Mulligan's that mean he wouldn't cough up a nickel to see the Statue
+o' Liberty do a Salomy dance in d' bay. So when the mazuma's shy Hermy
+worries some--"
+
+"Don't you help her?" demanded Mr. Ravenslee.
+
+"Help her--why, y' see, Geoff, I--I ain't in a steady job yet. But I
+do my best an'--why, there's d' kettle boilin' at last!" saying which,
+Spike turned and vanished again, leaving Mr. Ravenslee still staring
+down at the pictured face. Presently he sank back in his chair, and,
+lolling thus, looked sleepily at the opposite wall but saw it not, nor
+heard the clatter of cups and saucers from the kitchen accompanied by
+Spike's windy whistling; and, as he lounged thus, he spoke softly, and
+to himself.
+
+"An object!" he murmured.
+
+"Hey, Geoff," Spike called, "this ain't goin' to be no a la carte, hock
+an' claret feedin' match, nor yet no table-de-hoty eat-fest, but if you
+can do in some bacon an' eggs, you're on!"
+
+"Why, then," said Mr. Ravenslee, rising and yawning, "count me decidedly
+'on.'"
+
+"Then d' you mind givin' me a hand wid d' coffee?"
+
+"Delighted!" and forthwith Mr. Ravenslee stepped out into the kitchen;
+and there, in a while, upon a rickety table covered with a greasy
+newspaper, they ate and drank with great relish and gusto, insomuch
+that Mr. Ravenslee marvelled at his own appetite.
+
+"Say, Geoff," enquired Spike as hunger waned, "how long are you stoppin'
+at Mulligan's--a week?"
+
+"A week--a month--six months," replied his guest sleepily. "It's all
+according--"
+
+"Accordin' to what?"
+
+"Well--er--circumstances."
+
+"What circumstances?"
+
+"Circumstances over which I have no control--yet!"
+
+"You don't mean me?" queried Spike, with an anxious expression.
+
+"Lord, no!"
+
+"And you'll never tell nobody that I--that I--"
+
+"Meant to be--a thief?" drawled Mr. Ravenslee. "Not a word!"
+
+Spike flushed, took a gulp of coffee, choked, and fell to sulky silence,
+while Mr. Ravenslee filled his pipe and yawned.
+
+"Say," demanded Spike at last, "where'll you live while you're here?"
+
+"Oh--somewhere, I suppose; I haven't bothered about where yet."
+
+"Well, I been thinkin' I know where I can fix you up--perhaps!"
+
+"Very kind of you, Spike!"
+
+"There's Mrs. Trapes 'cross d'landing; she lost her lodger last
+week--mean guy skinned off without paying d' rent--she might take you."
+
+"Across the landing? She'll do!" nodded Mr. Ravenslee.
+
+"But I'm wonderin' if _you'll_ do; she's a holy terror when she likes,
+Geoff."
+
+"Across the landing? I'll put up with her!" murmured Mr. Ravenslee.
+
+"But, say, you don't know Mrs. Trapes."
+
+"Not yet, Spike."
+
+"Well, she ain't no easy mark, Geoff! Most everybody in Mulligan's is
+scared of her when she cuts loose; she can talk ye deaf, dumb an'
+paralysed, she can so. She sure is aces up on d' chin-music, Geoff!"
+
+"But then she lives just opposite, and that circumstance, methinks, doth
+cover a multitude of--" Mr. Ravenslee yawned again.
+
+"Anyway, it's a sure thing she won't take you if she don't like ye,
+Geoff."
+
+"Why, then, she must like me!" said Mr. Ravenslee and proceeded to light
+his pipe; whereupon Spike produced a box of cigarettes, but, in the act
+of lighting one, paused, and sighing, put it away again.
+
+"I promised d' Spider I wouldn't, Geoff," he explained. "Y' see, I'm
+sort of in trainin', and Spider says smoke's bad for d' wind, and d'
+Spider knows."
+
+"Spider?" said Mr. Ravenslee, glancing up, "do you mean Spider Connolly
+the lightweight?"
+
+"That's d' guy!" nodded Spike.
+
+"Is he a friend of yours?"
+
+"Sure! Him an' Bud M'Ginnis is goin' to get me some good matches soon."
+
+"Boxing matches?"
+
+"That's what they call 'em, Geoff--but there ain't much boxin' to it;
+real boxin' don't go down wid d' sports, it's d' punch they wanter
+see--good, stiff wallops as jars a guy an' makes his knees get
+wobbly--swings and jolts as makes a guy blind an' deaf an' sick. Oh,
+I been like that, an' I know--an' it ain't all candy t' hear everybody
+yellin' to the other guy to go in an' finish ye!"
+
+"Does your sister know you fight?"
+
+"Not much, she don't! I guess she'd like me to be a mommer's pet in lace
+collars an' a velvet suit, an' soft an' pretty in me talk. She's made
+me promise t' cut out d' tough-spiel, an' so I'm tryin' to--"
+
+"Are you really, Spike?"
+
+"Well--when she's around I do, Geoff!"
+
+"And she doesn't like you to fight, eh?"
+
+"Nope! But y' see--she's only a girl, Geoff!"
+
+"And that's the wonder of it!" nodded Mr. Ravenslee.
+
+"Wonder? What d' ye mean?"
+
+"I mean that all these years she has managed to feed you, and clothe
+you, and keep a comfortable home for you, and she's--only a girl!"
+
+"Well, and ain't I tryin' to make good?" cried the boy eagerly.
+
+"Are you really, Spike?"
+
+"Sure! There's lots o' money in d' fightin' game, an' I'm fightin' all
+for Hermy. If ever I get a champ, I'll have money to burn, an' then
+she'll never be shy on d' dollar question no more, you bet! There'll
+be no more needlework or Mulligan's for Hermy; it'll be a farm in d'
+country wid roses climbin' around, an' chickens, an'--an' automobiles,
+an' servants to come when she pushes d' button--you bet!"
+
+"Is she so fond of the country?"
+
+"Well, I guess yes! An' flowers--Gee, she nearly eats 'em!"
+
+"On the other hand," said Mr. Ravenslee, watching the smoke from his
+pipe with a dreamy eye, "on the other hand I gather she does not
+like--Mr. M'Ginnis! I wonder why?"
+
+"You can search me!" answered Spike, shaking his head, "but it's a sure
+thing she ain't got no use for Bud."
+
+"And yet--you go around with him, Spike."
+
+"But don't I tell ye he's been good t' me! He's goin' t' match me with
+some top-liners; he says if I can stick it I'll be a champion sure."
+
+"Yes," nodded Mr. Ravenslee, "but when?"
+
+"Oh, Bud's got it all doped out. But say--"
+
+"And in the meantime your sister will go on feeding you and clothing you
+and--"
+
+"Cheese it, Geoff," cried the boy, flushing. "You make a guy feel like a
+two-spot in the discard! I told you I'd try to get a steady job, an' so
+I will--but I ain't goin' to quit the fightin' game for nobody! 'N'
+say--I'm sleepy. How about it? You can have my bed, or the couch here,
+or you can get in Hermy's--"
+
+"Thanks, the couch will do, Spike."
+
+"Then I guess it's me for the feathers!" said Spike, rising and
+stretching, "so long, Geoff!"
+
+And in a while, having finished his pipe and knocked out the ashes, Mr.
+Ravenslee stretched his long limbs upon the chintz-covered sofa, and,
+_mirabile dictu_, immediately fell asleep.
+
+
+
+
+CHAPTER V
+
+HOW MRS. TRAPES ACQUIRED A NEW LODGER, DESPITE HER ELBOWS
+
+
+He awoke suddenly and sat up to find the room full of sunshine and Spike
+standing beside him, a bright-faced, merry-eyed Spike, very spruce and
+neat as to person.
+
+"Say, Geoff," said he, "I've seen Mrs. Trapes, an' she wants you to go
+over so she can pipe you off. 'N' say, you're sure up against a catty
+proposition in her; if you don't hit it off on the spot as soon as she
+gets her lamps onto you, it'll be nix for you, Geoff, an' nothin'
+doin'!"
+
+"Lucid!" said Ravenslee, yawning, "and sounds promising!"
+
+"Why, y' see, Geoff, she's got a grouch on because I was out last night,
+so, if she gives you the gimlet eye at first, just josh her along a bit.
+Now slick yourself up an' come on." Obediently Mr. Ravenslee arose and
+having tightened his neckerchief and smoothed his curly hair, crossed
+the landing and followed Spike into the opposite flat, a place of
+startling cleanliness as to floors and walls, and everything therein;
+uncomfortably trim of aspect and direfully ornate as to rugs and carpet
+and sofa cushions.
+
+Mrs. Trapes herself was elderly; she was also a woman of points, being
+bony and sharp featured, particularly as to elbows, which were generally
+bare. Indeed, they might be said to be her most salient and obtrusive
+features; but her shrewd, sharp eyes held an elusive kindliness at
+times, and when she smiled, which was very rarely, her elbows and her
+general sharpness were quite forgotten.
+
+She was awaiting them in her parlour, enthroned in her best easy chair,
+a chair of green velvet where purple flowers bloomed riotously, her feet
+firm-planted upon a hearthrug cunningly enwrought with salmon-pink
+sunflowers. Bolt upright and stiff of back she sat, making the very
+utmost of her elbows, for her sleeves being rolled high (as was their
+wont) and her arms being folded within her apron, they projected
+themselves to left and right in highly threatening fashion. Sphinx-like
+she sat, very silent and very still, while her sharp eyes roved over Mr.
+Ravenslee's person from the toes of his boots to the dark hair that
+curled short and crisp above his brow. Thus she looked him up and she
+looked him down, viewing each garment in turn; lastly, she lifted her
+gaze to his face and stared at him--eye to eye.
+
+And eye to eye Mr. Ravenslee, serene and calm as ever, met her look,
+while Spike, observing her granite-like expression and the fierce jut of
+her elbows, shuffled, and glanced toward the door. But still Mrs. Trapes
+glared up at Mr. Ravenslee, and still Mr. Ravenslee glanced down at Mrs.
+Trapes wholly unabashed, nay--he actually smiled, and, bowing his dark
+head, spoke in his easy, pleasant voice.
+
+"A beautiful afternoon, Mrs. Trapes!"
+
+Mrs. Trapes snorted.
+
+"This room will suit me--er--admirably."
+
+Mrs. Trapes started slightly, opened her grim lips, shut them again,
+and--wriggled her elbows.
+
+"Yes, indeed," continued Mr. Ravenslee pleasantly, "I like this room--so
+nice and bright, like the rug and wall paper--especially the rug. Yes, I
+like the rug and the--er--stuffed owl in the corner!" and he nodded to a
+shapeless, moth-eaten something under a glass case against the wall.
+
+Mrs. Trapes wriggled her elbows again and, glaring still, spoke
+harsh-voiced.
+
+"Young feller, that owl's a parrot!"
+
+"A parrot--of course!" assented Mr. Ravenslee gently, "and a very fine
+parrot too! Then the wax flowers and the antimacassars! What would a
+home be without them?" said he, dreamy-eyed and grave. "I think I shall
+be very bright and cheerful here, my dear Mrs. Trapes."
+
+Mrs. Trapes swallowed audibly, stared at Spike until he writhed, and
+finally bored her sharp eyes into Mr. Ravenslee again.
+
+"Young man," said she, "what name?"
+
+"I think our friend Spike has informed you that I am sometimes called
+Geoffrey. Mrs. Trapes, our friend Spike told the truth."
+
+"Young feller," she demanded, "'oo are you and--what?"
+
+"Mrs. Trapes," he sighed, "I am a lonely wight, a wanderer in wild
+places, a waif, a stray, puffed hither and thither by a fate perverse--"
+
+"Talking o' verses, you ain't a poet, are you?" enquired Mrs. Trapes,
+"last poet as lodged wi' me useter go to bed in 'is boots reg'lar!
+Consequently I ain't nowise drawed to poets--"
+
+Mr. Ravenslee laughed and shook his head.
+
+"Have no fear," he answered, "I'm no poet nor ever shall be. I'm quite
+an ordinary human being, I assure you."
+
+"Young feller--references?"
+
+"Mrs. Trapes, I have none--except my face. But you have very sharp eyes;
+look at me well. Do I strike you as a rogue or a thief?"
+
+Here Spike, chancing to catch his eye, blushed painfully, while Mr.
+Ravenslee continued:
+
+"Come, Mrs. Trapes, you have a motherly heart, I know, and I am a very
+lonely being who needs one like you to--to cook and care for his bodily
+needs and to look after the good of his solitary soul. Were I to search
+New York I couldn't find another motherly heart so suited to my crying
+needs as yours; you won't turn me away, will you?" Saying which, Mr.
+Ravenslee smiled his slow, sleepy smile and--wonder of wonders--Mrs.
+Trapes smiled too!
+
+"When d' ye wanter come?"
+
+"Now!"
+
+"Land sakes!" she exclaimed.
+
+"If it won't trouble you too much?" he added.
+
+"There's sheets to be aired--" she began, but checked suddenly to stare
+at him again. "Look a here, Mr. Geoffrey," she went on, "my terms is
+two-fifty a week, ten dollars _with_ board, and a week in advance."
+
+"Good!" nodded Mr. Ravenslee, "but since I'm coming in at such short
+notice, I'll pay three weeks ahead just to--er--bind the bargain.
+See--that will be thirty dollars, won't it?" And speaking, he drew a
+handful of crumpled bills from his pocket and proceeded to count out
+thirty dollars upon the green and yellow tablecloth.
+
+"Sakes alive!" murmured Mrs. Trapes.
+
+"And now," said he, "I'll just step around the corner with Spike to
+buy--er--a toothbrush."
+
+"Toothbrush!" echoed Mrs. Trapes faintly.
+
+"And a few other things. I shall be in early to supper."
+
+"Would a nice, English mutton chop wiv tomatoes--"
+
+"Excellent; and thank you, Mrs. Trapes, for sheltering a homeless
+wretch." So saying, her new boarder smiled and nodded and, following
+Spike out into the hallway, was gone.
+
+But Mrs. Trapes stood awhile to stare after him, lost in speculation.
+
+"A toothbrush!" said she. "My! My!" Then she turned to stare down at the
+pile of bills. "Now I wonder," said she, right hand caressing left
+elbow-point, "I jest wonder who he's been a-choking of to get all that
+money? But I like his eyes! And his smile! And he looks a man--and
+honest! Well, well!"
+
+
+
+
+CHAPTER VI
+
+HOW SPIKE INITIATED MR. RAVENSLEE INTO THE GENTLE ART OF SHOPPING
+
+
+"Gee!" exclaimed Spike, as they descended the many stairs, "she sure
+gave you the frosty-face, Geoff, but it didn't seem to joggle you any!"
+
+"No, it didn't joggle me, Spike, because you see--I like her."
+
+"Like Mrs. Trapes? You 'n' Hermy are about the only ones then; most
+every one in Mulligan's hates her an' gets scared stiff when she cuts
+loose! But say, you do keep on rubbing it in, I mean about--about
+thieving!"
+
+"Probably it's your conscience, Spike."
+
+"You won't ever go telling any one or blowing d' game on me?"
+
+"Spike, when I make a promise I generally keep it."
+
+"Y' see, Geoff, it ain't as though I was a--a real crook."
+
+"You meant to be."
+
+"But I never stole nothin' in my life, Geoff."
+
+"Suppose I hadn't caught you?"
+
+"Oh, well, cheese it, Geoff, cheese it! Let's talk about something
+else."
+
+"With pleasure. When does your sister return?"
+
+"This evening, I guess. But, Geoff--say now, do I look like a real
+crook--do I?"
+
+"No, you don't, Spike, that's sure! And yet--only last night--"
+
+"Ah, yes, I know--I know!" groaned the lad, "but I was crazy, I think.
+It was the whisky, Geoff, an' they doped me too, I guess! I don't
+remember much after we left till I found myself in your swell joint.
+God! if I was only sure they doped me."
+
+"Who?"
+
+"Who? Why--gee, you nearly had me talking that time! Nix on the
+questions, Geoff, I ain't goin' to give 'em away; it ain't playin'
+square. Only, if two or three guys dopes a guy till a guy's think-box is
+like a cheese an' his mind as clear as mud, that poor guy ain't to be
+blamed for it, now, is he?"
+
+"Why, certainly!" nodded Ravenslee.
+
+"How d' ye make that out?"
+
+"For being such a fool of a guy as to let other guys fool him, of
+course. Sounds a little cryptic, but I guess you understand."
+
+"Oh, I get you!" sighed Spike drearily. "But say, didn't you come out to
+buy a toothbrush?"
+
+"And other things, yes."
+
+"Well, say, s'pose we quit chewing th' rag an' start in an' get 'em.
+There's a Sheeny store on Ninth Avenue where you can get dandy shirts
+for fifty cents a throw."
+
+"Sounds fairly reasonable!" nodded Mr. Ravenslee as they turned up
+Thirty-ninth Street.
+
+"Then you want a new lid, Geoff!"
+
+Mr. Ravenslee took off the battered hat and looked at it.
+
+"What's the matter with this?" he enquired.
+
+"Nothin', Geoff, only it wants burnin'," sighed Spike. "An' then--them
+boots--oh, gee!"
+
+"Are they so bad as that?"
+
+"Geoff, they sure are the punkest pavement pounders in little old N'
+York. Why, a Dago hodcarrier wouldn't be seen dead in 'em; look at th'
+patches. Gee whizz! Where did His Whiskers dig 'em up from?"
+
+"I fancy they were his own--once," answered Mr. Ravenslee, surveying his
+bulbous, be-patched footgear a little ruefully.
+
+"Well, I'll gamble a stack of blue chips there ain't such a phoney pair
+in Manhattan Village."
+
+"They're not exactly things of beauty, I'll admit," sighed Mr.
+Ravenslee, "but still--"
+
+"They're rotten, Geoff! They're all to the garbage can! They are the
+cheesiest proposition in sidewalk slappers I ever piped off!"
+
+"Hum! You're inclined to be a trifle discouraging, Spike!"
+
+"Why, ye see, Geoff, I wan'cher t' meet th' push, an' I don't want 'em
+to think I'm floatin' around with a down-an'-out from Battyville! You
+must have some real shoes, Geoff."
+
+"Enough--it shall be done!" nodded Mr. Ravenslee.
+
+"Well, tan Oxfords are all to th' grapes just now, Geoff. I don't mean
+those giddy-lookin' pumps with flossy bows onto 'em, but somethin'
+sporty, good an' yellow that'll flash an' let folks know you're comin'.
+And here's Eckstein's!"
+
+With which abrupt remark Spike plunged into a shop, very dark and narrow
+by reason of a heterogeneous collection of garments, of ribbons and
+laces, of collars and ties of many shapes and hues, together with a
+thousand and one other things that displayed themselves from floor to
+ceiling; amidst which, Mr. Ravenslee observed a stir, a slight
+confusion, and from a screen of vivid-bosomed shirts a head protruded
+itself, round as to face and sleek as to hair.
+
+"Greetin's, Ikey!" said Spike, nodding to the head. "How's pork to-day?"
+
+"Aw--vat you vant now, hey?" enquired the head. "Vat's the vord;
+now--shpit it out!"
+
+"It ain't me, Moses, it's me friend wants a sporty fit-out an' discount
+for spot cash, see? Show us your half-dollar shirts for a starter--an'
+sporty ones, mind!"
+
+Immediately out came drawers and down came boxes, and very soon the
+small counter was littered with piles of raiment variously gaudy which
+Spike viewed and disparaged with such knowing judgment that the
+salesman's respect proportionately grew, and Mr. Ravenslee, lounging in
+the background, was forgotten quite, the while they chaffered after this
+manner:
+
+Salesman. "Here vos a shirt as can't be beat for der
+money--neglegee boosom an' turnover cuffs, warranted shrunk, and all for
+vun dollar."
+
+Spike. "Come off, Aaron, come off! Fifty cents is th' bid!"
+
+Salesman. "Fifty cents? Vy, on Broadvay dey'd sharge you--"
+
+Spike. "Wake up, Ike! This ain't Broadway! And fifty's the
+limit!"
+
+Salesman. "But shust look at dem pink shtripes--so vide as an
+inch! Dere's fifty cents' vorth of dye in dem shtripes, an' I'll give it
+you for seventy-five cents! On Broadvay--"
+
+Spike. "We're gettin' there, Ikey, we're gettin' there; keep
+on, fifty's the call!"
+
+Salesman. "Fifty cents! Oi! Oi! I vould be ruined! A neglegee
+boosom and turnover cuffs! Vell, vell--I'll wrap it up, so--an' I make
+you a present of it for--sixty! An' on Broadvay--"
+
+Spike. "Come on, Geoff, Aaron's talking in his sleep! Come on,
+we'll go on to Mendelbaum's; see--we want shirts, an' ties, an' socks,
+an' collars, an'--"
+
+Salesman. "Vait--vait! Mendelbaum's a grafter--vait! I got th'
+best selection of socks an' ties on Ninth Av'noo, an' here's a neglegee
+shirt with turnover cuffs--an' only fifty cents. But at Mendelbaum's or
+on Broadvay--"
+
+In this way Mr. Ravenslee became possessed of sundry shirts whose bosoms
+blushed in striped and spotted splendour, of vivid-hued ties and of
+handkerchiefs with flaming borders. From shop to shop Spike led him and,
+having a free hand, bought right royally, commanding that their
+purchases be sent around hotfoot to Mulligan's. Thus Spike ordered, and
+Mr. Ravenslee dutifully paid, marvelling that so much might be bought
+for so little.
+
+"I guess that's about all the fixings you'll need, Geoff!" said Spike,
+as they elbowed their way along the busy avenue.
+
+"Well," answered Mr. Ravenslee, as he filled his pipe, "it will
+certainly take me some time to wear 'em out--especially those shirts!"
+
+"They sure are dandies, Geoff! Yes, those shirts are all to the
+lollipops, but say, you made a miscue gettin' them black shoes," and
+here Spike turned to stare down at his companion's newly acquired
+footwear. "Why not buy the yellow boys I rustled up for you. They sure
+were some shoes!"
+
+"They were indeed, Spike."
+
+"Gee, but it must feel good t' be able t' buy whatever you want!" sighed
+Spike dreamily. "Some day I mean to have a wad big enough t' choke a
+cow--but I wish I had it right now!"
+
+"What would you do with it?"
+
+"Do with it! Well, say, first off I'd--I'd buy Hermy them roses--th'
+whole lot," and he pointed where, among the pushcarts drawn up against
+the curb, was one where roses bloomed, filling the air with their
+sweetness. "An' next she should--"
+
+"Then go and buy 'em, Spike!" and speaking, Mr. Ravenslee thrust a bill
+into Spike's hand.
+
+"Gee--a twenty-spot! Can I, Geoff?" he cried, his blue eyes shining.
+"Th' whole lot--on d' level?"
+
+"On the level."
+
+Spike started joyfully away, paused, turned, and came back with head
+a-droop.
+
+"I guess it can't be done, Geoff," he sighed.
+
+"Why not?"
+
+"Well, y' see, it ain't as it was my own money, really."
+
+"But it is!"
+
+"No, it ain't! I haven't earned it, Geoff, an' I ain't a guy as sponges
+on his pals, not much I ain't. Take your money, Geoff. When I buy Hermy
+anything it's goin' to be bought with money as I've earned."
+
+So Mr. Ravenslee thrust the bill back into his pocket and thereafter
+walked on, frowning and very silent, as one lost in perplexed thought.
+Wherefore, after more than one furtive glance at him, Spike addressed
+him with a note of diffidence in his voice.
+
+"You ain't sore with me, are you, Geoff?"
+
+"Sore with you?"
+
+"I mean, because I--I didn't take your money?"
+
+Here Mr. Ravenslee turned to glance down at Spike and clap a hand upon
+his shoulder.
+
+"No," he answered, "I'm not sore with you. And I think--yes, I think
+your sister is going to be proud of you one day."
+
+And now it was Spike's turn to grow thoughtful, while his companion,
+noting the flushed brow and the firm set of the boyish lips, frowned no
+longer.
+
+"Hello, there's Tony!" exclaimed Spike as they turned into Forty-second
+Street, "over there--behind the pushcart--th' guy with th' peanuts!" And
+he pointed where, from amid a throng of vehicles, a gaily painted barrow
+emerged, a barrow whereon were peanuts unbaked, baked, and baking as the
+shrill small whistle above its stove proclaimed to all and sundry. It
+was propelled by a slender, graceful, olive-skinned man, who, beholding
+Spike, flashed two rows of brilliant teeth and halted his barrow beside
+the curb.
+
+"How goes it, Tony?" questioned Spike, whereat the young Italian smiled,
+and thereafter sighed and shook his head.
+
+"Da beezeneez-a ver' good," he sighed, "da peanut-a sell-a all-a da
+time! But my lil' Pietro he sick, he no da same since his moder die-a,
+me no da same--have-a none of da luck--noding--nix!"
+
+"Hard cheese, Tony!" quoth Spike. "But say, have you seen th' Spider
+kickin' around?"
+
+"No, I ain't! But you tell-a da Signorina--"
+
+"Sure I will--"
+
+"My lil' Pietro he love-a da Signorina; me, I love-a her--she so good,
+so generosa, ah, yes!" And taking off his hat in one hand, Tony kissed
+the other and waved it gracefully in the air.
+
+"Right-o, Tony!" nodded Spike. "You can let it go at that. An' say--this
+is me friend Geoff."
+
+Tony gripped Mr. Ravenslee's hand and shook it.
+
+"You one o' da bunch--one o' da boys, hey? Good-a luck." So saying, Tony
+nodded, flashed his white teeth again, and seizing the handles of his
+barrow, trundled off his peanut oven, whistling soft and shrill.
+
+"Tony's only a guinney," Spike explained as they walked on again. "But
+he's white, Geoff--'n' say, he's a holy terror in a mix-up! Totes one o'
+them stiletto knives. I've seen him stab down into a glass full of water
+an' never spill a drop, which sure wants some doing."
+
+Evening was falling, and dismal Tenth Avenue was wrapping itself in
+shadow, a shadow made more manifest by small lights that burned dismally
+in small and dingy shops, a shadow, this, wherein moving shadows jostled
+with lounging shoulder or elbow. As they passed a certain dark entry
+where divers of these vague shadows lounged, a long arm was stretched
+thence, and a large hand gripped Spike's shoulder.
+
+"Why--hello, Spider," said he, halting. "What's doin'?"
+
+"Nawthin' much, Kid--only little M--'say, who's wid you?"
+
+"Oh, this is a friend o' mine--Geoff, dis is d' Spider!" explained
+Spike.
+
+Visualised in "the Spider" Ravenslee saw a tall, slender youth, very
+wide in the shoulder and prodigiously long of arm and leg, and who
+looked at him keen-eyed from beneath a wide cap brim, while his square
+jaws worked with untiring industry upon a wad of chewing gum.
+
+"Good evening!" said Ravenslee and held out his hand. The Spider ceased
+chewing for a moment, nodded, and turning to Spike, chewed fiercer than
+ever.
+
+"Where youse goin', Kid?" he enquired, masticating the while.
+
+"What was you goin' to tell me, Spider?" demanded Spike, a note of
+sudden anxiety in his voice.
+
+"Nawthin', Kid."
+
+"Aw--come off, Spider! What was it?"
+
+The Spider glanced up at the gloomy sky, glanced down at the dingy
+pavement, and finally beckoned Spike aside with a quick back-jerk of the
+head, and, stooping close, whispered something in his ear--something
+that caused the boy to start away with clenched hands and face of
+horror, something that seemed to trouble him beyond speech, for he stood
+a moment dumb and staring, then found utterance in a sudden, hoarse cry:
+
+"No--no! It ain't true--oh, my God!"
+
+And with the cry, Spike turned sharp about and, springing to a run,
+vanished into the shadows.
+
+"What's the matter?" demanded Ravenslee, turning on the Spider.
+
+"Matter?" repeated that youth, staring at him under his cap brim again;
+"well, say--I guess you'd better ask d' Kid."
+
+"Where's he gone?"
+
+"How do I know?"
+
+"It isn't--his sister, is it?"
+
+"Miss Hermione? Well, I guess not!" So saying, the Spider, chewing
+ferociously, turned and vanished down the dark entry with divers other
+shadows.
+
+For a moment Mr. Ravenslee stood where he was, staring uncertainly after
+him; presently however he went on toward Mulligan's, though very slowly,
+and with black brows creased in frowning perplexity.
+
+
+
+
+CHAPTER VII
+
+CONCERNING ANKLES, STAIRS, AND NEIGHBOURLINESS
+
+
+It was in no very pleasant humour that Geoffrey Ravenslee began to climb
+the many stairs (that much-trodden highway) that led up to his new
+abode; he climbed them slowly, frowning in a dark perplexity, and wholly
+unconscious of the folk that jostled him or paused to stare after him as
+he went.
+
+But presently, and all at once, he became aware of one who climbed half
+a flight above him, and, glancing up, he saw a foot in a somewhat worn
+shoe, a shapely foot nevertheless, joined to a slender ankle which
+peeped and vanished alternately beneath a neat, well-brushed skirt that
+swayed to the vigorous action of the shapely limbs it covered. He was
+yet observing the soft, rounded curves of this most feminine back when
+he became aware of two facts: one, that she bore a heavy suit case in
+her neatly gloved hand; two, that the tress of hair peeping rebellious
+beneath the neat hat brim was of a wondrous yellow gold. Instantly he
+hastened his steps, and reaching out his hand almost instinctively,
+sought to relieve her of her burden.
+
+"Allow me!" said he.
+
+She stopped, and turning on the stair above, looked down on him with a
+pair of wondering blue eyes; her cheeks glowed, and she was panting a
+little. For a long moment they fronted each other thus silently upon
+that grimy, narrow stair, she above with gracious head stooped, her dark
+eyes questioning and wistful. And looking up into the flushed loveliness
+of her face, those eyes deep and soft beneath their long, black lashes,
+the tender droop of those vivid lips, beholding all this, he knew her to
+be a thousand times more beautiful than any photograph could possibly
+portray, wherefore he bared his head, and striving to speak, could find
+no words to utter. For a moment longer she hesitated while her clear
+eyes searched his face, then the red lips curved in a little wistful
+smile.
+
+"Thank you!" she said, and, yielding him her burden, led the way
+up-stairs. "I'm afraid it's rather heavy," she said over her shoulder
+after they had climbed another flight.
+
+"It's quite too heavy for you!" he answered.
+
+"Oh, but I've carried it often before now."
+
+"Then you shouldn't!"
+
+"But I have to!"
+
+"No," said Ravenslee, shaking his head, "you should let your brother
+bring it up for you."
+
+"My brother!" she exclaimed, pausing to look her amazement. And again as
+she stood thus poised above him, he took joy to note the warmth of her
+rich colouring, the soft, round column of her white throat, the gracious
+breadth of hip and shoulder.
+
+"You know I have a brother?"
+
+"Oh, yes, Spike--er--that is, Arthur and I are quite--er--ancient
+cronies--pals, you know--friends, I mean--" Mr. Ravenslee was actually
+stammering.
+
+"Oh, really?" she said softly; but all at once, becoming aware of the
+fixity of his regard, the colour deepened in her cheek, the long lashes
+drooped and, turning away, she went on up the stair.
+
+"It's a long way up yet! Hadn't you better let me take it?"
+
+"Not for worlds!" he answered.
+
+"Isn't it getting heavier?" she enquired, as they climbed the next
+flight.
+
+"Decidedly heavier!"
+
+"Then please," said she, slackening her pace, "please let me take it!"
+
+"On the contrary," he answered, his gaze on her slender foot and ankle,
+"I should like to carry it for you all my--er--ah, that is--I mean--"
+
+Mr. Ravenslee was stammering again.
+
+"Yes?"
+
+He was aware that the shapely foot had faltered in its going.
+
+"As often as I may, Miss Hermione."
+
+Hereupon the shapely foot halted altogether, and once again she turned
+to look at him in wide-eyed surprise.
+
+"You know my name?"
+
+"I learned it from Arthur, and--I shall never forget it!"
+
+"Why not?"
+
+"Well, because it is rather uncommon and--very beautiful!"
+
+"Oh!" said Hermione, and went on up the stair again, yet not before he
+had seen the flush was back in her cheek.
+
+"Are you getting tired yet?" she enquired, without looking round.
+
+"Not appreciably," he answered, "but if you think I need a rest--"
+
+"No, no!" she laughed, "we should never get off these frightful stairs!"
+
+"Even that might have its compensations!" he murmured.
+
+"And we've been much longer than if you'd let me carry it up myself."
+
+"But then we've no cause for panting haste, have we?" he suggested.
+
+"And we have four more flights to climb."
+
+"So few!" he sighed.
+
+"You see, I live at the very tip-top."
+
+"Good!" said he.
+
+At this she glanced down at him over the sweep of her shoulder.
+
+"Why 'good'?" she demanded.
+
+"Because I also live at the tip-top."
+
+"Do you--oh!"
+
+"With the excellent Mrs. Trapes."
+
+"But I thought she had lost her lodger?"
+
+"She had the--er--extreme good fortune to find a new one to-day."
+
+"Meaning you?"
+
+"Meaning me."
+
+By this time they had reached the topmost landing, where Mr. Ravenslee
+set down the suit case almost reluctantly.
+
+"Thank you!" said Hermione, looking at him with her frank gaze.
+
+"Heaven send I may earn your thanks again--and very soon," he answered,
+lifting the battered hat.
+
+"You didn't tell me your name!" said she, fumbling in a well-worn little
+hand bag for her latchkey.
+
+"I am called Geoffrey."
+
+Hermione opened the door and, taking up the suit case, held out her
+hand.
+
+"Good-by, Mr. Geoffrey!"
+
+"For the present!" said he, and though his tone was light there was a
+very real humility in his attitude as he stood bareheaded before her.
+"For the present!" he repeated.
+
+"Well--we are very near neighbours," said she, dark lashes a-droop.
+
+"And neighbourliness is next to godliness--isn't it?"
+
+"Is it?"
+
+"Well, I think so, anyway? So, Miss Hermione--not 'good-by.'"
+
+She glanced swiftly up at him, flushed, and turning about, was gone. But
+even so, before her door closed quite, she spoke soft-voiced:
+"Good--evening, Mr. Geoffrey!"
+
+Thereafter, for a space, Mr. Ravenslee stood precisely where he was,
+staring hard at the battered hat; yet it is not to be supposed that the
+sight of this could possibly have brought the smile to his lips, and
+into his eyes a look that surely none had ever seen there before--such
+a preposterously shabby, disreputable old hat! Of course not!
+
+
+
+
+CHAPTER VIII
+
+OF CANDIES AND CONFIDENCES
+
+
+"Oh!" said Mrs. Trapes, "so you've come? Good land, Mr. Geoffrey,
+there's parcels an' packages been a-coming for you constant ever since
+you went out! Whatever have you been a-buying of?" And opening the door
+of his small bedroom, she indicated divers packages with a saucepan lid
+she happened to be holding.
+
+"Well," said her lodger, seating himself upon the bed, "if I remember
+rightly, there are shirts, and socks, and pajamas, and a few other
+oddments of the sort. And here, when I can get it out of my pocket, is a
+box of candies. I don't know if you are fond of such things, but most of
+the sex feminine are, I believe. Pray take them as a mark of
+my--er--humble respect!"
+
+"Candy!" exclaimed Mrs. Trapes, turning the gaily bedecked box over and
+over, and glaring at it fierce-eyed. "Fer me?"
+
+"If you will deign acceptance."
+
+"Candy!" she repeated, elbows a-twitch. "Fer me? Land sakes, Mr.
+Geoffrey, I--I--" Here, very abruptly, she turned about and vanished
+into the kitchen.
+
+Mr. Ravenslee, lounging upon his white bed, was taking languid stock of
+his purchases when Mrs. Trapes suddenly reappeared, clutching a toasting
+fork.
+
+"Mr. Geoffrey," she said, glaring still, "them candies must ha' cost you
+a sight o' money?"
+
+"True, certain monies were expended, Mrs. Trapes."
+
+"They must ha' cost you well nigh a dollar-fifty, I reckon?"
+
+"They did!" nodded Mr. Ravenslee, smiling.
+
+"My land!" exclaimed Mrs. Trapes, and vanished again.
+
+Mr. Ravenslee was sighing over a hideously striped shirt when Mrs.
+Trapes was back again, flourishing a very large tablespoon.
+
+"Mr. Geoffrey," said she, "it's nigh forty years since any one bought me
+a box o' chocolates! An' now they look so cute all done up in them gold
+an' silver wrappings as I don't wanter eat 'em--seems a sin, it do.
+But--Mr. Geoffrey I--I'd like to--thank ye--" and lo, she was gone
+again!
+
+Mr. Ravenslee had just pitched the striped shirt out of the window when
+behold, Mrs. Trapes was back yet once more, this time grasping a much
+battered but more bepolished dish cover.
+
+"Mr. Geoffrey," said she, "I ain't good at thankin' folks, no, I ain't
+much on gratitood--never having had much to gratify over--but them
+candies is goin' to be consoomed slow an' reverent and in a proper
+sperrit o' gratitood. And now if you're ready to eat your supper, your
+supper's a-waitin' to be ate!"
+
+So saying, she led the way into the parlour, where upon a snowy cloth,
+in a dish tastefully garnished with fried tomatoes, the English mutton
+chop reposed, making the very most of itself; the which Mr. Ravenslee
+forthwith proceeded to attack with surprising appetite and gusto.
+
+"Is it tender?" enquired Mrs. Trapes anxiously. "Heaven pity that
+butcher if it ain't! Is it tasty, kind of?"
+
+"It's delicious," nodded her lodger. "Really, Hell's Kitchen seems to
+suit me; I eat and sleep like a new man!"
+
+"So you ain't lived here long, Mr. Geoffrey?" queried Mrs. Trapes,
+eagle-eyed.
+
+"Not long enough to--er--sigh for pastures new. Don't go, Mrs. Trapes,
+I love to hear folks talk; sit down and tell me tales of dead kings
+and--er--I mean, converse of our neighbours, will you?"
+
+"I will so, an' thank ye kindly, Mr. Geoffrey, if you don't mind me
+sucking a occasional candy?"
+
+"Pray do, Mrs. Trapes," he said heartily; whereupon, having fetched her
+chocolates, Mrs. Trapes ensconced herself in the easy chair and opening
+the box, viewed its contents with glistening eyes.
+
+"You're an Englishman, ain't you?" she enquired after a while, munching
+luxuriously.
+
+"No, but my mother was born in England."
+
+"You don't say!" exclaimed Mrs. Trapes. "So was I--born in the Old Kent
+Road, Mr. Geoffrey. I came over to N' York thirty long years ago as cook
+general to Hermy Chesterton's ma. When she went and married again, I
+left her an' got married myself to Trapes--a foreman, Mr. Geoffrey, with
+a noble 'eart as 'ad wooed me long!" Here Mrs. Trapes opened the candy
+box again and, after long and careful deliberation, selected a chocolate
+with gentle, toil-worn fingers, and putting it in her mouth, sighed her
+approbation. "They sure are good!" she murmured. "But talkin' o' Hermy
+Chesterton's ma," she went on after a blissful interval, "I been
+wondering where you came to meet that b'y Arthur?"
+
+"Ah, Mrs. Trapes," sighed Ravenslee, leaning back in his chair and
+shaking a rueful head, "you touch on gloomy matters. As the story books
+say, 'thereby hangs a tale'--the dismal tale of a miserable wretch whose
+appetite was bad, whose sleep was worse, and whose temper was worst of
+all--oh, a very wretched wretch indeed!"
+
+"My land!" exclaimed Mrs. Trapes, stopping abruptly in the act of
+masticating a large chocolate walnut, "so bad as that, Mr. Geoffrey?"
+
+"Worse!" he nodded gloomily. "It is indeed a gloomy tale, a tale dark
+and dismal that I love not the telling of, for, Mrs. Trapes, that more
+than hopeless wretch stands, or rather sits, before you!"
+
+"Save us!" ejaculated Mrs. Trapes, "meanin' yourself?"
+
+"My unworthy self!"
+
+"Lord!" she whispered, "what you been a-doin' of?"
+
+"Wasting a promising life, Mrs. Trapes!"
+
+"You mean," she questioned in a harsh whisper, "you mean as
+you've--killed some one--accidental?"
+
+"Oh, no, the life was mine own, Mrs. Trapes."
+
+"Land sakes, Mr. Geoffrey, you give me quite a turn! Y' see, sometimes
+folks gets theirselves killed around here--an' it's always
+accidental--sure!" and Mrs. Trapes nodded meaningly and went on chewing.
+"But say," she demanded, suddenly sharp of eye, "where does Arthur come
+in?"
+
+"Arthur comes in right here, Mrs. Trapes! In fact, Arthur broke into
+my--er--life just when things were at their darkest generally. Arthur
+found me very depressed and gloomy. Arthur taught me that life might yet
+have its uses. Arthur lifted me out of the Slough of Despond. Arthur
+brought me--to you! And behold! life is good and perchance shall be even
+better if--ah yes, if! So you see, my dear Mrs. Trapes, Arthur has done
+much for me, consequently I have much to thank Arthur for. Indeed, I
+look upon Arthur--"
+
+"Shucks!" exclaimed Mrs. Trapes, "that'll be about enough about
+Arthur--Arthur, indeed! You oughter know his sister!" Now at this her
+lodger started and glanced at her so suddenly, and with eyes so
+unexpectedly keen that once again she suspended mastication.
+
+"Now, in the name of all that's wonderful, Mrs. Trapes, why mention
+her?"
+
+"Why, because she's worth knowin'! Because she's the best, the bravest,
+the sweetest thing that ever went in petticoats. She's beautiful inside
+and out--mind, I've nursed her in these arms years ago an' I know
+she's--oh, well, you ought to meet Hermy!"
+
+"Mrs. Trapes, I have!"
+
+"Eh? You have? My lan'!" Mrs. Trapes bolted a caramel in her
+astonishment and thereafter stared at Ravenslee with watering eyes. "An'
+you to set there an' never tell me!" quoth she, "an' Hermy never told
+me--well, well! When did ye meet her? Whereabouts? How?"
+
+"About half an hour ago! Coming up the stairs! I carried her grip!"
+
+"Well!" exclaimed Mrs. Trapes, staring, "well, well!" and she continued
+to munch candy and to stare and say "well!" at intervals until arrested
+by a new thought. "That b'y!" she exclaimed. "Was Arthur with her?"
+
+"No," answered Ravenslee, wrinkling his brows, "I lost him on my way
+home."
+
+Mrs. Trapes sighed and shook her head.
+
+"The sun sure rises and sets for her in that b'y--an' him only her
+stepbrother at that!"
+
+"Her stepbrother?"
+
+"Yes!" nodded Mrs. Trapes emphatically. "Hermy's ma were a lady, same as
+Hermy is; so were her pa, I mean a gentleman, of course. But Hermy's
+father died, an' then her ma, poor soul, goes an' marries a good-lookin'
+loafer way beneath her, a man as weren't fit to black her shoes, let
+alone take 'em off! And Arthur's his father's child. Oh, a good enough
+b'y as b'ys go, but wild, now and then, and rough, like his dad."
+
+"I see!" nodded her hearer, thoughtfully.
+
+"Now me, though married ten long year, never 'ad no children, so ever
+since Hermy's mother died, I've tried to watch over her and help her
+as much as I could. She's had a mighty hard struggle, one thing and
+another, Mr. Geoffrey, an' now I've known her an' loved her so long it
+kind o' seems as if she belonged to me--almost!"
+
+"She looks very good and--brave!" said Mr. Ravenslee.
+
+"Good!" cried Mrs. Trapes, and snorted. "I tell you she's jest a angel
+o' light, Mr. Geoffrey. If you'd seen her, like I have, goin' from one
+poor little sick child to another, kissing their little hot faces,
+tellin' 'em stories, payin' for doctor's stuff out of her bit o'
+savings, mendin' their clo'es--an' prayin' over 'em when they
+died--why--I guess you'd think she was a angel too! One sure thing,"
+said Mrs. Trapes rising, "there ain't a breathin' man in all this whole
+round earth as is fit to go down on 'is knees an' kiss 'er little
+foot--not a one! No, sir!"
+
+"No, I don't think there is!" said Mr. Ravenslee slowly.
+
+"As for that Bud M'Ginnis," cried Mrs. Trapes, seizing on the coffee-pot
+much as if it had been that gentleman's throat, "I'd--I'd like to--bat
+him one as would quiet him for keeps--I would so!" and she jerked the
+coffee-pot fiercely, much to the detriment of her snowy tablecloth.
+"There! now see what I done, but I do get all worked up over that
+loafer!"
+
+"Pray why?"
+
+"Why?" snorted Mrs. Trapes indignantly. "Hasn't he made eyes at her ever
+since they was kids together? Hasn't he worried and worried at her, an'
+because she won't look at him if she can help it, don't he try to get
+back at her through that b'y--"
+
+"How does he?"
+
+"How? By puttin' him up to fightin' an' all sorts o' devilment, by
+teachin' him to be tough, by gettin' him drunk--"
+
+"Oh, does he?"
+
+"Why, bless ye, Bud M'Ginnis can do anything with him!"
+
+"How so?"
+
+"Because Arthur jest worships M'Ginnis for his strength and toughness!"
+
+"I see!"
+
+"Yes, Arthur thinks there's nobody in the world could lick Bud
+M'Ginnis."
+
+"Hum! May I smoke, Mrs. Trapes?"
+
+"Sure ye may!" she nodded, and began to collect the supper things. "I
+tell you what," she exclaimed suddenly, flourishing the fork she had
+just taken up, "if somebody would only come along an' thrash M'Ginnis,
+thrash him good, it would be a sight better for every one around
+here--it would so! M'Ginnis is always makin' trouble for some one or
+other, an' there ain't a man big enough or got heart enough to stand up
+to him--not even Spider Connolly. Wish I was a man, that's all--just for
+an hour! Ah!" Here Mrs. Trapes snorted fiercer than usual, and the jut
+of her elbows was deadly.
+
+"And he gets Arthur drunk, does he!" said Ravenslee, puffing dreamily at
+his pipe.
+
+"Yes!" sighed Mrs. Trapes as she loaded a tray with the supper things.
+"Hermy's seen him drunk twice, to my knowing, an' I thought it would
+break her 'eart, poor dear! Y' see, Mr. Geoffrey, his father died o' the
+drink, an' she's frightened for fear Arthur should go the same road. Oh,
+Hermy's life ain't all ice-cream sodas an' lollipops, not much it ain't,
+poor, brave, beautiful thing!"
+
+Saying which, Mrs. Trapes, sighing again, took up her tray; Mr.
+Ravenslee, having opened the door for her, closed it again, lighted his
+pipe, and sinking into the easy-chair, fell into frowning thought.
+
+The windows were open, and from the crowded court below rose the shrill
+babel of many children's voices, elfin shrieks and cries accompanied by
+the jingle of a barrel-organ, very wiry and very much out of tune; but
+Ravenslee, deep-plunged in thought, heard nought of it nor heeded the
+fact that the pipe, tight-clenched between his strong, white teeth, was
+out. For Geoffrey Ravenslee had set himself a problem.
+
+The barrel-organ ceased its jangle, the children's voices were gradually
+hushed, as, one by one, they were called in by hoarse-voiced mothers and
+led away to bed; and the gloomy court grew ever gloomier as evening
+deepened into night. But still Mr. Ravenslee lounged in the easy-chair,
+so motionless that he might have been asleep except for the grim set of
+his jaw and the bright, wide-open eyes of him.
+
+At last, and suddenly, he sat erect, for he had heard a voice whose soft
+murmur he recognised even through the closed door.
+
+"I don't know, Hermy dear," came in Mrs. Trapes' harsh tones, "I'm
+afraid he's gone to bed--anyway, I'll see!" Ensued a knocking of bony
+knuckles and, opening the door, Ravenslee beheld Mrs. Trapes. Behind her
+stood Hermione, and in her eyes he saw again that look of wistful,
+anxious fear he had wondered over at the first.
+
+"Oh, Mr. Geoffrey," said Mrs. Trapes, "it's eleven o'clock, an' that b'y
+ain't in yet. Here's Hermy been out hunting the streets for him and
+ain't found him. Consequently she's worriting herself sick over
+him--drat 'im!"
+
+"Out on the streets!" repeated Ravenslee. "Alone?"
+
+"Yes," answered Hermione, "I had to--try and find him."
+
+"But alone! And at this hour! Miss Hermione, that was surely
+very--er--unwise of you."
+
+"Yes, you see I didn't know where to look," she sighed. "I've been to
+the saloon but he wasn't there--"
+
+"The saloon? Good Lord!" exclaimed Ravenslee, his placidity quite
+forgotten, his face set and stern. "That is no place for you--or any
+girl--"
+
+"I must go to find Arthur," she said softly.
+
+"No, not there--even for that."
+
+"Why not?"
+
+"Think of the--the risks you run! No girl should take such chances."
+
+"Oh, you mean--that!" said Hermione, meeting his eyes with her frank
+glance. "But no one would try to insult me hereabouts; this isn't
+Broadway or Fifth Avenue, Mr. Geoffrey!" and she smiled a very sad,
+weary little smile. "But I came to ask if you happened to know where
+Arthur is or--whom he was with?"
+
+"Wasn't wid that Bud M'Ginnis, was he?" questioned Mrs. Trapes sharply.
+
+"No, he wasn't with M'Ginnis," answered Mr. Ravenslee, in frowning
+perplexity, "but that's about all I can tell you."
+
+"Thank you," sighed the girl, "I must go and try again. I know I shall
+find him--soon." But, though she tried to speak in a tone of cheerful
+confidence, her shapely head drooped rather hopelessly.
+
+"You mean you are going out on to the--to look for him again?"
+
+"Why, of course," she answered, "I must find Arthur!"
+
+"Don't, Hermy, don't--so pale an' tired as you are, don't go again!"
+pleaded Mrs. Trapes, her usual sharpness transfigured into a deep and
+yearning tenderness; even her voice seemed to lose something of its
+harshness. "Don't worry, my sweet, the b'y'll find his way home right
+enough, like he did last time."
+
+"Like--last time!" cried Hermione, and shivering, she leaned against the
+wall as if she were faint. "Ah, no, no!" she whispered, "not--like last
+time!" and bowing her head she hid her face in her hands.
+
+Close, close about that quivering form came two motherly arms, and Mrs.
+Trapes fell to passionate invective and tender soothing, thus:
+
+"There, there, my love--my pretty, don't remember that last time! Oh,
+drat my fool's tongue for remindin' you, drat it, my dear, my honey! Ah,
+don't go breakin' your angel's 'eart along of Arthur, my precious--and
+drat him too! That b'y'll come back all right, he will--he will, I know
+he will. Oh, if I was only behind 'im with a toasting fork! There,
+there, Hermy dear, don't fret, Arthur'll come home all right. My honey,
+you're all tuckered out, an' here it's gettin' on to midnight, an' you
+to go to Englewood by the early car! Go to bed, dear, an' I'll sit up
+for Arthur. Only don't cry, Hermy--"
+
+"Oh, I'm not crying, dear," said Hermione, lifting her head. "See, I
+haven't shed a tear! But I must find Arthur. I couldn't rest or sleep;
+I should lie listening for his step. So you see, dear, I must go out and
+find him!"
+
+Hereupon, with swift, dexterous fingers, Hermione straightened the very
+neat hat which the embrace of Mrs. Trapes had rendered somewhat askew,
+and, turning to the door, came face to face with Mr. Ravenslee, and in
+his hand she beheld his battered hat, but she did not notice how
+fiercely his powerful fingers gripped it.
+
+"Miss Hermione," said he, in his soft, indolent voice, and regarding
+her beneath languidly drooping lids, "pray accept the hospitality of
+my--er--apartment. You will find the easy-chair is very easy, and while
+you sit here with Mrs. Trapes, I'll find your brother and bring him here
+to you."
+
+"Thank you," she answered a little shortly because of his lazy tone or
+his sleepy eyes, or his general languid air, or all of them together.
+"Thank you, but I'm going myself; I must go, I--I couldn't wait--"
+
+"Oh, but really you must, you know!"
+
+"Must?" she repeated, looking her surprise.
+
+"Ab-solutely must!" he answered softly, nodding so sleepily that she
+almost expected him to yawn. "You really can't go out again to-night,
+you know," he added. Hermione's blue eyes flashed, her delicate brows
+knit themselves, and Mr. Ravenslee saw that she was taller than he had
+thought.
+
+"You mean you will--try to stop me?" she demanded.
+
+"No, I mean that I--will stop you!"
+
+"But you'd never dare--"
+
+"I would dare even your anger in so good a cause. Ah, please don't be
+angry with me, Miss Hermione, because--" and here his sleepy voice grew
+positively slumberous, "you shall not go out into the streets again
+to-night!"
+
+"Ah, an' that's right too, Mr. Geoffrey!" cried Mrs. Trapes. "Hermy
+needs some one strong enough to master her now an' then, she is that
+wilful, she is so!"
+
+But now all at once, as he watched, Hermione's eyes filled with great,
+slow-gathering tears, her firm-set lips grew soft and quivered
+pitifully, and she sank down in the easy-chair, her golden head bowed
+upon the green and yellow tablecloth. The battered hat tumbled to the
+floor, and striding forward, he had bent and caught one of her listless
+hands all in a moment, and thereafter, though it struggled feebly once,
+he held it closely prisoned in his own.
+
+"Oh, don't!" he pleaded, his words coming quick and eager, "don't do
+that! Do you think I can't see that you're all overwrought? How can I
+let you go tramping out there in the streets again? You couldn't go--you
+mustn't go! Stay here with good Mrs. Trapes, I beg of you, and I swear
+I'll bring Arthur to you! Only you must promise me to wait here and be
+patient, however long I am--you must promise, Hermione!"
+
+She lifted her heavy head and looked at him through her tears. And
+surely, surely in the face that bent above her was none of indolence or
+languor. These lips were firm now and close-set, these lazy eyes were
+wide and bright, and in them that which brought the warm colour to her
+cheeks; but reverence was there also, wherefore she met his look, and
+her fingers were not withdrawn from his until she had answered: "I
+promise!"
+
+"That's my wise dearie!" nodded Mrs. Trapes. "And good luck to ye, Mr.
+Geoffrey, an' when you find that b'y, say as I wish--ah, how I wish I
+was back of him with a toasting fork, that's all!"
+
+Mr. Ravenslee caught up the shabby hat, opened the door, and going out,
+closed it softly behind him.
+
+"Hermy," said Mrs. Trapes, clasping the girl's slender waist in her long
+arm and leading her into the brightest of bright little kitchens, "I
+like that young feller--who he is I don't know, what he does I don't
+know, but what he is I do know, an' that's--a man, my dear! An' he
+called you--Hermione! Sounds kind o' pretty the way he says it, don't
+you think?" But Hermione didn't answer.
+
+Meanwhile Mr. Ravenslee, descending the monotonous stairs, paused
+suddenly to smile and to clap hand to thigh.
+
+"A toasting fork!" said he, "a toasting fork is an instrument
+possessing three or more sharp points! Ha! Mrs. Trapes is a woman of
+singularly apposite ideas." And he smiled a little grimly as he went on
+down the stairs.
+
+
+
+
+CHAPTER IX
+
+WHICH RECOUNTS THE END OF AN EPISODE
+
+
+Midway down he beheld two burly policemen who mounted, one behind the
+other, their grey helmets, blue coats, and silver buttons seeming to
+fill the narrow stairway.
+
+"Anything wrong?" he enquired, as they drew level.
+
+"Not wid you dis time, bo!" answered one, blandly contemptuous, and
+strode on up the stair, twirling his club in practised hand, his fellow
+officer at his heels.
+
+Thus rebuked, Mr. Ravenslee looked after them with quick-drawn brows
+until, remembering his broken hat brim and shabby clothes, he smiled and
+went upon his way. Reaching the dingy lower hall he beheld the solitary
+gas-jet flare whose feeble light showed five lounging forms, rough
+fellows who talked together in hoarse murmurs and with heads close
+together.
+
+He was passing by, when, in one of these deep-throated talkers, he
+recognised the long limbs and wide, sloping shoulders of the Spider. Mr.
+Ravenslee paused and nodded.
+
+"Good evening!" said he, but this time kept his hands in his pockets.
+The Spider eyed him somewhat askance, shifted his wad of chewing gum
+from one cheek to the other, and spoke.
+
+"'Lo!" said he.
+
+"Do you know where Spike is?"
+
+"S'pose I do--then what?" demanded the Spider with a truculent lurch of
+his wide shoulders.
+
+"Then I shall ask you to tell me where I can find him--or better still,
+you might show me."
+
+"Oh, might I?"
+
+"You might!"
+
+The feelings of the Spider waxing beyond mere words, he looked at the
+speaker, viewed him up and down with a glance of contemptuous hostility,
+whereat Ravenslee's whole expression melted into one of lamblike
+meekness.
+
+"Say," quoth the Spider at last, "there's only one thing as I can't
+stand about you, an' that's--everything!"
+
+"Sorry for that," murmured Ravenslee, "because I rather like you,
+Spider. I think you could be quite a decent fellow if you tried very
+hard! Come, shake your grouch and let's be friends."
+
+"Say," growled the Spider, "what you're sufferin' from's a hard neck!
+You ain't no friend o' mine--not much you ain't, savvy? So crank up an'
+get on yer way like a good little feller!"
+
+"But you see I'm anxious to find Spike because--"
+
+"Well, say, you keep on bein' anxious, only do it somewheres else. I
+don't want youse around where I am, see? So beat it while d' goin's
+good!"
+
+"Why--er--no," said Ravenslee in his laziest tones, "no, I don't think
+I'll beat it. I guess I'll stay right here and wait until you are so
+kind, so--er--very kind and obliging as to show me where I can find
+Spike." And he sighed plaintively as he lounged against the wall behind,
+but his eyes were surprisingly bright and quick beneath the shadow of
+the battered hat.
+
+"Hully Chee!" exclaimed the Spider, expectorating contemptuously, "hark
+to the flossy-boy, fellers! Aw, run away, now!" said he, scowling
+suddenly, "run away before ye get slapped on th' wrist!" and, while
+divers of his companions laughed hoarsely, he turned a contemptuous back
+on Mr. Ravenslee. But even then he was seized in iron fingers that
+clutched his shoulder and, in that painful grip, was jerked suddenly
+around again to behold a face vicious-eyed, thin-lipped, square-jawed,
+fiercely outthrust. Recognising the "fighting-face", the Spider, being
+a fighter of a large and varied experience, immediately "covered up",
+and fell into that famous crouch of his that had proved the undoing of
+so many doughty fighters ere now. Then, like a flash, his long arm shot
+out, but in that same instant, Ravenslee, timing the blow to a fraction,
+moved slightly, and the Spider's knuckles bruised themselves against the
+wall at the precise moment that Ravenslee's open hand flipped lightly on
+the side of the Spider's square, lean jaw.
+
+The Spider drew back, staring from Ravenslee's tall, alert figure to his
+bruised knuckles and back again, while his companions stood by in mute
+and wide-eyed wonder.
+
+"Spider," said Ravenslee, shaking his head in grave reproof, "you were
+rather slow that time--very foolish to leave your point uncovered and
+offer me your jaw like that, you know!"
+
+Five pairs of eyes stared at the speaker with a new and suddenly
+awakened interest, and beholding in him that lithe assurance of poise,
+that indefinable air that bespeaks the trained pugilist and which cannot
+be mistaken, elbows were nudged, and heads wagged knowingly.
+
+Ravenslee's grey eyes were shining, and his pale cheeks tinged with
+colour.
+
+"Ah, Spider," said he, "life is rather worth while after all, isn't it?
+Spider, I like you better and better; come, don't be a surly Spider,
+shake hands!"
+
+"T' hell wid youse!" growled the Spider, covering up again, and, though
+his face was sulky yet was no trace of contempt there now.
+
+"I suppose," mused Ravenslee, looking him over with knowledgeful eye,
+"yes, I judge, as you are now, you would fight about seven or eight
+pounds over your ringside weight. You'd have to give me eighteen pounds!
+Spider--I could eat you! Come, shake hands and let's go and fetch
+Spike."
+
+Now, speaking, Ravenslee smiled, with eyes as well as lips; beholding
+which, the Spider grew slowly upright, his knotted fists unclenched,
+and, staring Ravenslee in the eyes, he reached out slowly and by
+degrees and grasped the proffered hand.
+
+"Say," said he, falling to violent mastication of his eternal chewing
+gum, "who'd you have d'mitts on with last--an' when?"
+
+"Oh, it seems ages ago!" sighed Ravenslee. "But where's Spike?"
+
+"Say, bo, who wants him, an' whaffor? Spike's me pal, see, so I jest
+shore wants ter savvy who wants him an' why?"
+
+"His sister--"
+
+"Hully Chee! Why didn't youse say so at first? When Miss Hermione wants
+anything she's gotta have it, I guess! Ain't that right, fellers?"
+
+"You bet," chimed the four.
+
+"So if she wants d' Kid, I guess I'll jest have to fetch him for her.
+Come on, bo! S'long, fellers!"
+
+Hereupon, having acknowledged the friendly salutes of the four,
+Ravenslee followed the Spider out into the court, empty now and silent.
+
+"Say, bo, where'd you meet up wid Spike, anyway?" enquired the Spider,
+as they strode along Tenth Avenue. "You don't belong around here, do
+ye?"
+
+"No. Do you know where he was last night?"
+
+"You can search me, bo. All I savvy is he was off on some frame-up or
+other."
+
+"Who with?"
+
+"Well--not wid me."
+
+"Did you see any one with him besides M'Ginnis at O'Rourke's?"
+
+"No, there was only them two."
+
+"Ah, I guessed as much," said Ravenslee, nodding; "he went away with
+M'Ginnis--good!"
+
+"Say, bo," questioned the Spider when they had gone some way in silence,
+"I ain't seen you fight anywheres, have I?"
+
+"No, but I've seen you, Spider, I saw you beat Larry McKinnon at
+'Frisco."
+
+"Which sure was some fight!" nodded the Spider. "Them half-arm jolts of
+his sure shook me some; he'd have got me in th' third if I hadn't
+clinched."
+
+"He was a terror at in-fighting."
+
+"He sure was, bo!"
+
+"It was your jabbing and footwork won you the fight, Spider, one of the
+best I've ever seen--very little clinching and clean breakaways."
+
+"Larry sure was game all through, yes--right up to the knock-out. A
+good, clean fighter. 'N' say, bo, I was real sorry to see him counted
+out."
+
+"It meant a big purse for you, I remember."
+
+"Oh, sure, I had money to burn. I ain't got much left now, though," said
+the Spider ruefully.
+
+"You came pretty near being a world's champion, Spider."
+
+"Aw--jest near enough t' miss it, I guess. Talkin' o' champeens, the
+greatest of 'em, th' best fightin' man as ever swung a mitt, I reckon
+was Joe Madden, as retired years ago. Nobody could ever lick Joe
+Madden."
+
+"Did you know him?"
+
+"Not me, bo, I wasn't in his class. But I seen him fight years ago."
+
+"Do you think Spike will ever make a champion?" enquired Ravenslee
+suddenly. "I mean if he were given every chance?"
+
+"Well," answered the Spider slowly, "he sure has the grit; ther ain't
+nothin' on two legs he's afraid of except--himself, bo. He's too
+high-strung. Nerves is his trouble, I reckon. Why, Chee! When he's in d'
+ring he can't be still a minute, can't let himself rest between rounds,
+see? He kinder beats himself, I guess."
+
+"I know what you mean," nodded Ravenslee, "and I'm sure you're right.
+By the way, have you ever seen M'Ginnis fight?"
+
+"I seen him scrap once or twice--he's sure ugly in a rough-house, but in
+th' ring--well, I dunno!"
+
+"Has he a punch?"
+
+"Bo, he's got a sleep-pill in each mitt if--if he can land his wallop
+right! Yes, siree, if Bud can hit a guy where it'll do most good, that
+guy's sure goin' to forget his cares an' troubles for a bit. But he's
+slow an' heavy, Bud is, though I ain't never seen him mix it in th'
+ring, mind."
+
+"H'm," said Ravenslee thoughtfully, "M'Ginnis seems to have it all his
+own way around here--why?"
+
+"Well, because Bud's Bud, an' because Bud's old man is a Tammany
+boss--which gives Bud a big pull wid d' police. 'Nuff said, I guess."
+
+"Quite!" nodded Ravenslee, and walked thereafter deeper in thought than
+ever. "Where are you taking me?" he enquired, as they turned a sudden
+corner.
+
+"To d' river!"
+
+"This is Eleventh Avenue, then?"
+
+"Yep! Watch out you don't trip on d' railroad tracks." And now the
+Spider seemed to have become thoughtful also, and somewhat gloomy,
+judging by his face as seen by an occasional feeble light as they
+traversed the unlovely thoroughfare.
+
+"Bo," said he suddenly, "I'm thinkin' there's some guys in this world as
+would be better out of it. I'm thinkin' of some guy as got a little girl
+into trouble--an' left her to it. Her kid died, an' her folks turned her
+out, an' she'd have died too, I guess, if it hadn't been for Miss
+Hermione an' old Mother Trapes--ye see, she was all alone, poor little
+kid! Now a man as would treat a girl that ways ain't got no right t'
+live, I reckon. I should like t' know who that guy was! I should like
+t' meet that guy--once!"
+
+After this the Spider became more gloomy than ever and spoke only in
+surly monosyllables. Suddenly he turned off along a narrow, ill-lighted
+alleyway that led them between divers small mean houses and tall, dark
+warehouses and brought them suddenly out upon the misty foreshore beyond
+which the dim and mighty river flowed. On they went, the Spider's
+depression growing perceptibly, until at last their feet trod the rough
+planking of a narrow causeway which ended in a dark, raft-like structure
+moored out in the river. Here was a small and dismal shack from whose
+solitary window a feeble ray of light beamed.
+
+Ravenslee shivered suddenly and stopped to stare about him while his
+listless hands changed to tight-clenched fists.
+
+What was it?
+
+What was there about this dismal, silent place that seemed to leap at
+him all at once from the dimness, he knew not whence? Was it the shack
+with its solitary light, or the broad river lapping with soft sighings
+and low weeping sounds among the piles below, or was it something in the
+altered aspect of the guiding figure that led him forward, slow and ever
+slower, as if with dragging feet, and yet with feet that trod so softly?
+
+"Spider," said he at last, speaking in hushed and breathless manner,
+"Spider--where are we?" and speaking he shivered again, even while his
+clenched hand wiped the sweat from his brow. The Spider made no answer,
+for the feeble light was blotted out by a very solid something which,
+approaching softly, resolved itself into a burly, blue-clad form whose
+silver buttons and shield showed conspicuous.
+
+"What's doin'!" demanded a voice. "Who is it?" The voice was hoarse and
+authoritative, but the gruff tones were schooled, it seemed, to an
+almost unnatural softness.
+
+"'S all right, Micky," answered the Spider in the same subdued tone,
+"it's only me come for d' Kid."
+
+"Who you got wid you there, Spider?"
+
+"A pal o' mine an' d' Kid's--he's all right, Mick!" Then to Ravenslee:
+"Come on, bo!" Slowly they approached the shack, but, reaching the door,
+the Spider hesitated a long moment ere, lifting the latch, he led the
+way in.
+
+A fairly large room was lighted by a lamp that stood upon a rickety
+table before which sat a young-faced, white-haired man, very
+industriously writing in a small account book; upon the table before
+him were a number of articles very neatly arranged, among which
+Ravenslee noticed a cheap wrist-watch, a hair-comb, a brooch, and a
+small chain purse. He was yet gazing at these and at the white-haired
+man, who, having nodded once to the Spider, continued to write so
+busily, when he was startled to hear a long-drawn, shuddering sigh.
+Turning suddenly sharp about, he stared toward a dark corner where,
+among a litter of oars, misshapen bundles, boxes, and odds and ends, was
+a small stove, and, crouched above it, his head between his hands, he
+beheld Spike.
+
+With the same instinctive feeling that he must be silent, Ravenslee
+approached the boy and touched him on the shoulder. Spike started and
+glanced up, though without lifting his head.
+
+"Your sister is anxious about you. Why are you here?"
+
+"Don't you know, Geoff? Ain't no one told ye?"
+
+"What do you mean?"
+
+"I'll show ye!"
+
+The boy took a hurricane lamp from the floor beside him, and, having
+lighted it, brought Ravenslee further into that littered corner where,
+among the boxes and bundles and other oddments, lay what seemed to be
+two or three oars covered with a worn tarpaulin.
+
+"Look, Geoff--you remember--only this morning!" Very gently he raised a
+corner of the tarpaulin and as he looked down, Ravenslee's breath caught
+suddenly.
+
+A woman's face, very young and very placid-seeming! The long, dark hair
+framing the waxen features still oozed drops of water like great,
+slow-falling tears; and beholding this pale, still face, Ravenslee knew
+why he had shivered and hushed voice and step, and instinctively he
+bowed his uncovered head.
+
+"You remember Maggie Finlay, Geoff, this morning, on the stairs?
+She--she kissed me good-by, said she was goin' away; this is what she
+meant--the river, Geoff! She's drowned herself, Geoff! Oh, my God!"
+and letting fall the tarpaulin, Spike was shaken suddenly by fierce
+hysterical sobbing; whereat the man, looking up from his writing, spoke
+harsh-voiced.
+
+"Aw, quit it, Kid, quit it! Here I've just wrote down three rings,
+and she's only got one, an' that a cheap fake. Shut up, Kid, you'll
+make me drop blots next! Cut it out, it ain't as if she was your
+sister--" Hereupon Spike started and lifted a twitching face.
+
+"My sister!" he repeated, "my sister--whatcher mean? My God, Chip,
+Hermy could never--come to--that!" And shivering violently, Spike turned
+and stumbled out of the shack. Once outside, Ravenslee set his long arm
+about him and felt the lad still trembling violently.
+
+"Why, Spike!" said he, "buck up, old fellow!"
+
+"Oh, Geoff, Hermy could never--"
+
+"No, no--of course not!" So very silently, together and side by side,
+they crossed the narrow causeway.
+
+"Gee, but I'm cold!" said the boy between chattering teeth as they
+turned along the wide avenue, "I--I guess it's shook me some, Geoff.
+Y' see, I used to go to school with Maggie once--and now--"
+
+Reaching Mulligan's at last, they beheld numerous groups of whispering
+folk who thronged the little court, the doorway, and the hall beyond;
+they whispered together upon the stairs and murmured on dim landings.
+But as Ravenslee and Spike, making their way through these groups,
+mounted upward, they found one landing very silent and deserted, a
+landing where was a certain battered door whose dingy panels had been
+wetted with the tears of a woman's agony, had felt the yearning,
+heartbroken passion of a woman's quivering lips such a very few hours
+ago. Remembering which, Geoffrey Ravenslee, turning to look at this
+grimy door, beheld it vague and blurred and indistinct as he turned and
+climbed that much-trodden stair.
+
+Upon the top landing they found Mrs. Trapes, who leaned over the rails
+to greet them.
+
+"So you found that b'y, Mr. Geoffrey. Hermy'll be glad. You'll have
+heard of poor little Maggie Finlay? Poor lass--poor, lonely lass! 'T was
+her father drove her to it, an' now he's had a fit--a stroke, the
+doctor's with him now--an' Hermy, of course! She's always around where
+trouble is. I guess there won't be much rest for her to-night--long past
+midnight now! I'm glad you found that b'y. I said you would. I'll jest
+go down and tell Hermy; she'll be glad."
+
+Spike stood awhile after Mrs. Trapes had gone down-stairs, very silent
+and with head a-droop, then, slow and heavily, turned and opened his
+door, but paused to speak over his shoulder in a hoarse whisper.
+
+"Geoff--if ever--any man--made my sister go through what Maggie Finlay
+went through--I'd--shoot him dead--by God in Heaven, I would!"
+
+
+
+
+CHAPTER X
+
+TELLS HOW MR. RAVENSLEE WENT INTO TRADE
+
+
+It was a week later, and Mr. Ravenslee leaned from the window of his
+room to observe the view, which consisted chiefly of dingy brick walls
+and dingier windows, swaying vistas of clothes in various stages of
+dampness, clothes that fluttered from many lines stretched across the
+court, from window to window, at different altitudes; for to-day it had
+been washing day in Mulligan's; also the evening was warm.
+
+So Mr. Ravenslee lounged and smoked and gazed upon the many garments,
+viewing them with eyes of reverie. Garments, these, of every size and
+hue and shape and for either sex, garments that writhed and contorted
+themselves in fantastic dances when gently stirred by a small, cool wind
+which, wafting across the river from the green New Jersey shore,
+breathed faintly of pine woods.
+
+He was yet in absorbed contemplation of the aerial gambols of these many
+garments when to him came Mrs. Trapes, clutching a hot iron.
+
+"Mr. Geoffrey, what'll you eat for supper?" she demanded.
+
+"Mrs. Trapes, what do you suppose I'm worthy of?"
+
+"How about a lovely piece o' liver?"
+
+"Liver!" he repeated, rubbing a square, smooth-shaven chin. "Hum! liver
+sounds a trifle clammy, doesn't it? Clammy and cold, Mrs. Trapes!"
+
+"Cold?" said she, staring, "cold--of course not! It would be nice an'
+hot, with thick gravy an' a tater or so. An' as for clammy, who ever
+heard o' liver as wasn't? Calves' liver, mind! They can't put me off
+with sheep's--no, siree! Skudder's young man tried to once--he did so!"
+
+"Foolish, foolhardy young man!" murmured Ravenslee.
+
+"Mr. Geoffrey," sighed Mrs. Trapes, and her elbows were particularly
+needle-like, "I jest took that piece o' sheep's liver an' wrapped it
+round that young man's face."
+
+"Unhappy young man!" murmured Mr. Ravenslee.
+
+"Y' see, Mr. Geoffrey, though a widder an' therefore lorn, I ain't to be
+trod on in the matter of livers, or anything else!"
+
+"I'm sure of it, Mrs. Trapes."
+
+"But if you don't kind of fancy liver, how about sassiges? Sassiges is
+tasty an' filling, an' cheap. What d' ye say to sassiges?"
+
+"Sausages," answered Mr. Ravenslee, shaking grave head, "sausages demand
+such unbounded faith in the--er--sausagee--or should it be sausage-or?"
+
+"Oh, well--a chop, cut thick an' with a kidney in it--what d' ye say to
+a chop, now?"
+
+"No, a chop in an hour, Mrs. Trapes, or say, two hours, will be most
+welcome. Are you very busy?"
+
+"Washing's all done, but there's a lot o' your shirts waiting to be
+ironed--an' me here, lettin' me iron get cold!"
+
+"Oh, never mind the shirts, Mrs. Trapes! Pray sit down; I need your
+counsel and advice."
+
+"But me iron?"
+
+"Give it to me--there!" and Mr. Ravenslee deposited it outside on the
+fire escape.
+
+"Now Mrs. Trapes," said he, "first of all, I must find work. 'Man is
+born to labour, as the sparks fly upward,' you know."
+
+"Born to sorrer, you mean!" she corrected.
+
+"Precisely," he nodded, "work is sorrow, and sorrow is work--at least,
+I know a good many people who think so."
+
+"More fools them!" quoth Mrs. Trapes, folding her arms.
+
+"My own idea exactly!" he answered, lazily tapping out his pipe on the
+window sill.
+
+"I ain't noticed you sweating none, lately!" quoth Mrs. Trapes
+sarcastically.
+
+"Alas, no, Mrs. Trapes, there being no wherefore to call forth the
+aforesaid--er--moisture. Still, 'man is as grass that withereth' unless
+he 'goeth forth unto his labour.'"
+
+"An' quite right too!" nodded Mrs. Trapes. "If I had my way I'd make 'em
+all work!"
+
+"That would be rather hard on our legislators and Fifth Avenue parsons,
+wouldn't it? Anyway, I want work, that's sure!"
+
+"Y' mean as your money's all gone?"
+
+"Very nearly," sighed Mr. Ravenslee with a suitable air of dejection.
+And he did it so well that Mrs. Trapes, viewing him askance, frowned,
+bit her lip, wriggled her elbows, and finally spoke.
+
+"Are ye up against it good, Mr. Geoffrey?"
+
+"I am!"
+
+"Well," said she, frowning down at the vivid-coloured hearthrug, "I got
+twenty-five dollars put away as I've pinched and scrinched to save, but
+if you want the loan of 'em, you can have 'em an' welcome."
+
+Her lodger was silent; indeed, he was so long in answering that at last
+Mrs. Trapes looked up, to find him regarding her with a very strange
+expression.
+
+"And you will lend me your savings?" he asked her softly.
+
+"Sure I will!" And she would have risen then and there but that he
+stayed her.
+
+"God bless you for a generous soul!" said he, and laughed rather
+queerly; also his grey eyes were a little brighter than usual. "Why
+should you trust me so far?"
+
+"Well, you look honest, I guess. An' then we all help each other in
+Mulligan's now an' then, one way or another; we jest have to. There's
+Mrs. Bowker, third floor--the tea an' sugar as I've loaned that
+woman--an' last week a lovely beef-bone! Well, there! But if you want
+the loan of that twenty-five--"
+
+"Mrs. Trapes, I don't. Things aren't so desperate as that yet. All I
+need is a job of some sort."
+
+"What kind o' job?"
+
+"I'm not particular."
+
+"Well--what have you been used to?"
+
+"Alas, Mrs. Trapes, hitherto I have lived a life of--er--riotous ease!"
+
+"That means as you ain't worked at all, I guess. Hm!" said Mrs. Trapes,
+viewing him with her sharp, hawk's eye, "and yet you ain't got the look
+of a confidence man nor yet a swell crook, consequently I take it you
+was the only son of your father an' lost all he left you, eh?"
+
+"Mrs. Trapes, you are a truly wonderful woman!"
+
+"T' be born the only son of a rich father is a pretty bad disease, I
+reckon!" she continued, "yes, siree, it's bad for the child an' worse
+for the man; it's bound to be his ruination in the end--like drink! And
+talkin' o' drink, I'm glad to see that b'y Arthur's so fond o' you."
+
+"Oh, why?"
+
+"Because you don't drink."
+
+"Well, I don't go to bed in my boots, do I, Mrs. Trapes? But then I
+promised you I wouldn't, and, for another thing, I'm not a poet, you
+see," said he and yawned lazily.
+
+"Hermy says she's glad too."
+
+Mr. Ravenslee cut short his yawn in the middle.
+
+"Hermione? Did she say so? When?"
+
+"Ah, I guessed that would wake ye up a bit!" said Mrs. Trapes, noting
+his suddenly eager look. "It's a pity you're so poor, ain't it?"
+
+"Why? What do you mean?"
+
+"I mean if you had been in a good situation an' making good
+money--twenty-five per, say--you might have asked her."
+
+"Asked her?" repeated Ravenslee, staring, "asked her what?"
+
+"Why, t' marry you, o' course," nodded Mrs. Trapes. "You love her about
+as much as any man can love--which is sometimes a thimbleful an'
+sometimes a bit more--but you sure love her as much as a man knows how,
+I guess. An' don't try for ter deny it, Mr. Geoffrey, I ain't blind,
+leastways I can see a bit out o' one eye sometimes--specially where
+Hermy's concerned, I can so. Of course, you ain't worthy of her--but
+then no man is, to my mind!"
+
+"No, I'm not worthy of her, God knows!" said Ravenslee, quite humbly.
+
+"An' Hermy's goin' to marry a man with money. Her heart's set on
+it--firm!"
+
+"Money!" said Ravenslee, scowling. "She seems anything but mercenary."
+
+"Mercenary!" cried Mrs. Trapes, "I should say not! I tell ye, she could
+be a-rollin' around in a six-thousand-dollar automobile at this very
+hour if she was that kind. With her face an' figure! She could so!"
+
+"What do you mean?"
+
+"I mean as there's men--rich men, an' married too--as is mad after
+her--"
+
+"Ah!" said Ravenslee, frowning again.
+
+"You may well say 'ah!'" nodded Mrs. Trapes. "Men is all beasts more or
+less! Why, I could tell you things--well, there! Hermy ain't no innocent
+babe but there's some things better than innocence an' that's a
+chin--will-power, Mr. Geoffrey. If a woman's sweet an' strong an'
+healthy like Hermy, an' got a chin--nothin' can harm her. But beauty
+like hers is a curse to any good woman if she's poor, beauty being a
+quick-seller, y' see!"
+
+"Yes, I see--I know!" said Ravenslee, clenching his hands and frowning
+blacker than ever.
+
+"But," continued Mrs. Trapes, and here she leaned forward to touch him
+with an impressive, toil-worn hand, "Hermy Chesterton's jest a angel o'
+light an' purity; she always has been an' always will be, but she knows
+about as much as a good girl can know. She's seen the worst o' poverty,
+an' she's made up her mind, when she marries, to marry a man as is a man
+an' can give her all the money she wants. So y' see it ain't no good you
+wastin' your time danglin' around after her an' sighin'--now is it?"
+
+"Why, no, Mrs. Trapes, I think I'll speak to her to-night--"
+
+"My land! ain't I jest been tryin' to show you as you ain't a fit or
+worthy party to speak, an' as you won't have a chance if you do speak,
+her 'eart bein' set on wealth? But you can't speak--you won't speak--I
+know you won't!"
+
+"Why not?"
+
+"First, because t' night she's away at Englewood makin' a dress for Mrs.
+Crawley as is very fond of her. An' second, because you ain't the man to
+ask a girl to marry him when he ain't got nothin' t' keep her on--you
+know you ain't!"
+
+"Which brings us back to the undoubted fact that I must get a job--at
+once."
+
+"Hm!" said, Mrs. Trapes, viewing his clean-cut features and powerful
+figure with approval, "what could y' do?"
+
+"Anything, so long as I can make good, Mrs. Trapes. What should you
+suggest?"
+
+"Well," said Mrs. Trapes, caressing an elbow thoughtfully, "grocers'
+assistants makes good money--an' I know Mr. Smith wants a butterman."
+
+"Good," nodded Ravenslee, "I should like to batter butter about--"
+
+"Are ye used to butter?"
+
+"Oh, I've a decided taste for it!"
+
+"Know much about it?"
+
+"Certainly--it is a yellowish, fatty substance concocted by human agency
+supposedly from the lacteous secretion of the graminivorous quadruped
+familiarly known as the common (or garden) cow."
+
+"Land sakes!" said Mrs. Trapes, drawing a deep breath, "you sure do know
+something about it. Ever worked in it before?"
+
+"Only with my teeth."
+
+"Oh--quit your jollying, Mr. Geoffrey, if you want me t' help you!"
+
+"Solemn as an owl, Mrs. Trapes!"
+
+"Well, then, there's Jacob Pffeffenfifer wants a young man in his
+delicatessen store."
+
+"Mrs. Trapes, I can slice ham and beef with any one on earth."
+
+"D' ye understand picklin' and seasonin'?"
+
+"Ah, there you have me again; I fear I don't."
+
+"Then you ain't no good to Jacob Pffeffenfifer!"
+
+"On second thoughts, I'm not wholly sorry," answered Ravenslee gravely.
+"You see, a name like that would worry me, it would shake my nerve; I
+might cut beef instead of ham, or ham instead of--"
+
+"Mr. Geoffrey!" quoth Mrs. Trapes, squaring her elbows.
+
+"Sober as a judge, Mrs. Trapes and--by Jupiter!"
+
+"My land! What is it?"
+
+"An idea--look!" and Ravenslee pointed down into the yard.
+
+"Why, it's only Tony!" said Mrs. Trapes, glancing down a vista of
+riotous garments.
+
+"Precisely," answered Ravenslee, rising and stretching his long arms,
+"Tony has solved my difficulty; I'll go into the peanut trade."
+
+"What? Sell peanuts? You?"
+
+"Why not? 'Man is born--' you know."
+
+"But--my land! Only dagos and guinneys sells peanuts!"
+
+"Splendid! I shall be the exception, Mrs. Trapes. Anyway, a peanut man
+I'll be!" And catching up his disreputable hat, Ravenslee nodded and
+left his landlady staring after him and murmuring "well!" at intervals.
+Presently she reached for her iron, stone-cold long since, and stood
+awhile clutching it in bony fingers and staring at nothing in
+particular.
+
+"He's sure a man, Hermy my dear!" she said at last, nodding at the
+stuffed parrot in the corner. "I've watched him careful and I know. And
+there's some things better than money, my dear--ah, much better! So if I
+should help to bring you into his arms--man an' wife, my dear--why, I
+guess it would be the best thing Anne Angelina Trapes ever done--yes,
+mam!" Saying which, she went back to her ironing.
+
+On the stairs Ravenslee met Spike, who hailed him joyously.
+
+"Say, Geoff, I'm all alone to-night; come an' eat supper with me--how
+about it?"
+
+"Suppose you have supper at Mrs. Trapes' with me?"
+
+"No, she gets on me nerves--so come on over, will you?"
+
+"With pleasure."
+
+"'N' say, I'm a few chips shy on butter, Geoff--bring in ten cents'
+worth, will you?"
+
+"Right, O comrade, I'll be with you anon. Make boil the kettle against
+my coming," and Ravenslee hastened down the stairs. Reaching the court
+he met the Italian trundling his barrow toward a certain shed, its usual
+nocturnal biding place.
+
+"How goes it, Tony?" he enquired, shaking hands.
+
+The Italian nodded and flashed his teeth. "Ver-a good, pal!" he
+answered.
+
+"Tony, where can I get a peanut outfit like yours?"
+
+"Ha! You go-a in-a da peanut-a beezneez, hey? You want-a push-a de cart,
+hey?"
+
+"That's it, Tony."
+
+"Ver-a good!" nodded the good-natured Italian. "You come-a long-a me,
+pal. I take-a you get-a push-a-de-cart, up-a de street, yes?" Having
+very soon locked away his barrow, the loquacious Tony led Ravenslee
+along certain streets and into a certain yard, where presently appeared
+a stout man with rings in his ears, who smiled and nodded and greeted
+them with up-flung finger and the word "altro." Presently Ravenslee
+found himself examining a highly ornate barrow fitted with stove and
+outfit complete, even unto the whistle, and mounted upon a pair of the
+rosiest wheels he had ever seen. Thereafter were more smiles and nods,
+accompanied by the ever recurrent "altro", the transfer of certain bills
+into the stout man's pocket, and Geoffrey Ravenslee sallied forth into
+the street, bound for Mulligan's, with the chattering Tony beside him
+and the gaily-painted barrow before him, receiving many friendly hints
+as to the pitfalls and intricacies of the peanut trade and hearkening
+with unflagging interest to the story of "lil Pietro" and the unbounded
+goodness of "da Signorina Hermione."
+
+
+
+
+CHAPTER XI
+
+ANTAGONISM IS BORN AND WAR DECLARED
+
+
+"Why--hello, Hermy!" exclaimed Spike, pausing in the doorway. "Gee, I
+thought you was--were in Englewood."
+
+Hermione lifted her golden head, stayed her humming sewing-machine, and
+smiled at him.
+
+"And I thought I'd come home and surprise you. Aren't you glad to see
+me, boy dear?"
+
+"Why, sure I am!" he answered, and stooping, kissed a golden curl that
+wantoned at her white temple; which done, he sprawled in the easy-chair
+and taking a newspaper from his pocket, fell to studying the latest
+baseball scores while Hermione, head bent above her work again, glanced
+at him now and then rather wistfully.
+
+"Gee whiz," he exclaimed suddenly, "the Giants put it all over
+Cincinnati to-day, Hermy. Y' see, Matty was in th' box, an' he sure
+pitched some game!"
+
+Hermione stopped her machine and looked at him under wrinkling brows.
+
+"I thought you were hunting through the 'wanted' columns, Arthur?"
+
+"Why, y' see I ain't--haven't got to the ads yet, Hermy."
+
+Hermione sighed softly and, resting her round chin in her hands, viewed
+him silently awhile until, becoming aware of the steadfast gaze of those
+sweet and gentle eyes, Spike shuffled uneasily and changed colour.
+
+"Arthur," she said softly, "when you promised me to try and find a
+situation you meant it, didn't you?"
+
+"Sure I did!"
+
+"That was a week ago, dear."
+
+"But, Hermy, I went after that office-boy's job--you know I did!"
+
+"Yes, dear, though you got there too late."
+
+"No, I wasn't late, Hermy, only another guy happened t' get there
+first--an' got the job! A kid I could have licked with one hand, too.
+One of these mommer's pets in a nobby sack suit--all dolled up in a
+clean collar an' a bow-tie an' grey kid gloves. I guess his outfit
+helped him a whole lot--an' y' see I'm a few chips shy on clothes, I
+guess."
+
+Hermione looked at her brother's worn garments, shiny at elbow and knee,
+and as she looked, her eyes were suddenly suffused.
+
+"Yes, dear, I--I'm afraid they are--rather shabby," she admitted humbly.
+"Your clothes always did seem to wear out so very quickly! And--and it
+costs so much to live! And--sometimes I grow--afraid--"
+
+The smooth, low voice faltered and ended upon a sob. Spike stared in
+wide-eyed amaze, for seldom had he seen his sister thus, but now,
+beholding the droop of that brave head, seeing how her strong white
+hands gripped each other, he tossed the paper aside, and flinging
+himself on his knees clasped her in his arms.
+
+"Don't cry, Hermy!" he pleaded. "Oh, don't cry, I--I can't bear it. You
+know I love you best in the world--ah, don't cry, dear. I--I'll hunt up
+a job first thing--honest I will--"
+
+"But your clothes are so very shabby!" she sobbed, "and oh, boy dear,
+I have only just enough to--pay our rent this month--so I can't get you
+any more--yet, dear!"
+
+"Hermy," said he brokenly, "oh, Hermy, you make me feel so mean
+I--I--One sure thing you're never goin' t' spend your money on clothes
+for me any more--? the money you work so hard for! Never any more,
+Hermy dear. You've done enough for me, I guess, an' now it's up t' me
+to help you and--and--oh, Gee!" Here Spike's voice broke altogether,
+whereupon Hermione, quite forgetting her own sorrows and worries, fell
+to soothing and comforting him as she had done many and many a time
+during his motherless childhood.
+
+"Say, Hermy," said he at last, his tear-stained cheek pillowed on her
+soft, round bosom, "you won't think me a--an awful kid for--for cryin',
+will you?"
+
+"I think I love you all the better, boy dear, and--I'm sure it has done
+us both good," and, smiling down at him through her tears, she kissed
+him.
+
+"I'll start in an' rustle up a job right away, Hermy!" said he, rising
+and nodding grimly.
+
+"Oh, boy," said she, looking up at him fondly, "I shall be so proud of
+you. It wouldn't matter what it was, or how little you got at first, so
+long as it was decent and honourable. And I'm sure you'll get on--Mr.
+Geoffrey thinks so too."
+
+"Does he? I'm glad o' that. Say, how d'ye like Geoff?"
+
+"Oh--well, I've only seen him two or three times," said Hermione,
+folding away her work preparatory to cooking supper.
+
+"Is that all?" said Spike, smoothing out the paper and scowling at the
+long columns headed "Help Wanted."
+
+"Ye-es, I think so."
+
+"But you an' him 's always meetin' on the stairs, ain't--aren't you?"
+
+"You should say 'he and you', dear."
+
+"Well--but aren't you?"
+
+"We have met--once or twice."
+
+"D'ye like him?"
+
+"Well, he's so very--different! And rather lazy! And awfully sleepy! And
+yet I don't think he's sleepy really, somehow."
+
+"Sleepy?" exclaimed Spike. "Well, I guess not! Lazy I dunno, but he
+sure is all to the wide-awake-o. When he looks sleepiest, I guess he's
+widest-awakest. And he ain't a--isn't a bad looker, is he?"
+
+"He has nice eyes!" Hermione admitted.
+
+"Oh, I don't mean his eyes!" quoth Spike disgustedly. "I mean his arms
+an' legs an' shoulders."
+
+"They are nice and wide!" nodded Hermione.
+
+"I should like t' see Geoff in th' ring. He'd strip big!"
+
+"Oh, really," said Hermione, taking a very large apron from the table
+drawer. "Boy, dear, I do wish you weren't always thinking of fighting."
+
+"All right, Hermy dear. But there ain't no flies on Geoff--'n' say, I
+want yer to like him 'cause I kinder think he's all to the cream-puffs
+an'--"
+
+"Arthur!" cried Hermione, lifting an admonishing finger.
+
+"I'm sorry; my tongue kinder slipped, Hermy. But I have been trying t'
+keep tabs on me talk, honest I have."
+
+"Yes, dear. You haven't been quite so frightful lately."
+
+"Y' see, Hermy, you're different; you went to a swell school an'--"
+
+"And you never did--I know, dear. But oh, Arthur, I did the best I
+could."
+
+"And a lot better than I deserved," said he, reaching out to pat her
+hand caressingly. "When I get a good job, I'll stay in nights and study
+hard like you want me to--I sure will."
+
+"Yes, dear, and you'll soon be heaps cleverer than I am," said she,
+stooping to kiss his curly head as she tied the apron about her shapely
+hips; and then, giving him a smiling nod, she vanished into the kitchen,
+while Spike laboured through the long columns headed "Help Wanted." And
+presently, as she moved light-footed to and fro in the kitchen, he heard
+her singing softly to herself, an old, old song of other days that had
+often been his lullaby when he was a small, motherless armful of
+sleepiness hushed in her young, protecting clasp.
+
+"Arthur!" she called.
+
+"Hello!" he answered.
+
+"Are you hungry?"
+
+"You bet I am!"
+
+A long pause, whereafter ensued the following conversation between
+kitchen and parlour:
+
+Hermione. "Boy dear!"
+
+Spike. "Hello!"
+
+Hermione. "Be a dear and lay the cloth for me!"
+
+Spike. "Right-o!"
+
+A longer pause, during which Spike rises and takes cloth from sideboard
+drawer.
+
+Hermione. "Arthur!"
+
+Spike. "Yes?"
+
+Hermione. "Where did you meet him?"
+
+Spike (starting). "Who?"
+
+Hermione. "Mr. Geoffrey. How did you happen to meet each other?"
+
+Another pause, while Spike stands frowning in perplexed thought.
+
+Spike. "Where did you say the cloth was?"
+
+Hermione. "In the sideboard drawer. How long have you known
+him?"
+
+Spike (beginning to lay the cloth feverishly). "Oh, a goodish
+time. Say, Hermy, he sure likes your name a whole lot!"
+
+Hermione. "Oh!" (A very small pause.) "Likes my name, does he?"
+
+Spike. "He sure does. He told me so."
+
+Hermione. "Oh!" (Another small pause.) "Just what did he say,
+boy dear?"
+
+Spike. "He said it was Greek an' very beautiful, an' then I said
+it kind of fitted you because you were aces up on the face an' figure
+question."
+
+A rush of petticoats, and enter Hermione, flushed and laughing.
+
+"You dear boy!" she cried, "for that you shall be kissed!" which he was
+forthwith; after which she turned to the mirror to smooth back a
+shining tress of hair--that same rebellious curl that glistened above
+her fine, black eyebrow.
+
+"Where did you say you first met him--Mr. Geoffrey?" she enquired
+suddenly, still busied with the rebellious curl. Spike started, and
+glanced uneasily at her shapely back.
+
+"Say, Hermy," said he, a little huskily, "have you got anything for
+supper?"
+
+"Not much, dear, I'm afraid."
+
+"That's a pity!"
+
+"Why?"
+
+"Oh, because I asked him in to supper."
+
+"You asked Mr. Geoffrey--here?" she gasped.
+
+"Surest thing you know. Y' see, I thought you was staying over at
+Englewood."
+
+"Oh, Arthur!" she sighed. "And there are only two wretched little chops!
+And not a bit of butter! And the rent's due to-morrow--I can't spare a
+cent--and me in this shabby old gown! and you broke the best teapot."
+
+"Sounds kind of gay an' festive!" sighed Spike ruefully. "But don't
+worry about the eats, dear. Geoff won't mind, an' he'll never notice
+your old gown--"
+
+"He seems to notice a great deal," said Hermione doubtfully as she
+hastily untied the big apron, "and besides--oh, gracious goodness!"
+she cried, as a knock sounded at the front door, "you must let him in,
+Arthur--and don't let him know I'm changing my gown!" Saying which, she
+vanished into her bedroom while Spike hastened to the door.
+
+"Why--hello, Tony!" he exclaimed, "what's wrong now?"
+
+"My lil Pietro," cried the Italian excitedly, "he no sleep--he burn-a
+burn-a all-a da time,--all-a da time cry! You tell-a you sis--she come-a
+like-a da las' time den he no cry-a--" But here Tony broke off to
+flourish his hat and bow gracefully as he caught sight of Hermione
+herself. "Ah, Signorina!" he cried, "my lil Pietro he seeck. You
+please-a come see my lil Pietro? He flush-a he cry--he all-a da fire! he
+burn-a, burn-a, like-a da fire! You so good, so generosa--you come see
+my lil Pietro?"
+
+"Why, of course I will!" said Hermione in her calm, soft voice, "poor
+little mite--is he feverish?"
+
+"Si, si Signorina!" answered the anxious young father, "he burn-a,
+burn-a all-a da time!"
+
+"Reach me the aconite, boy dear; yes, that's it."
+
+"But what about supper, Hermy?" queried Spike wistfully.
+
+"Oh, well--finish laying the table; I'll be back as soon as ever I can,
+dear."
+
+"Oh, Gee!" sighed Spike, as their footsteps died away down the stair,
+"she sure is keen on knowing how I met Geoff! And if she ever finds
+out--" Spike cowered down into a chair and clasping his head between his
+hands sat thus a long while, staring moodily at the floor, striving for
+a way out of the difficulty. He was yet wrestling with this knotty
+problem when he heard muffled knocks at the front door, which, being
+opened, disclosed the object of his thoughts.
+
+"Why, Geoff," he cried gladly, "I thought you wasn't coming. Say, what
+you got there?" he enquired, for Ravenslee's arms were filled with
+sundry packages and parcels.
+
+"Come and see!" said Ravenslee mysteriously. "Catch this one before I
+drop it!"
+
+"Why--hello," said Spike, sniffing at the package in question as he led
+the way into the parlour, "it smells good! It sniffs like--Holy Gee,
+it's a roast turkey! And--oh, say, Geoff--she's a beaut!"
+
+"Precisely what Mr. Pffeffenfifer assured me," said Ravenslee,
+depositing his other burdens on the table. "Mr. Pffeffenfifer is
+a man educated in eats, a food fancier, an artist of the appetite!
+Mr. Pffeffenfifer is fat and soulful! Mr. Pffeffenfifer nearly wept
+tears over the virtues of that bird--pledged his mortal soul for its
+tenderness, vowed by all the gods it had breast enough for twins! Mr.
+Pffeffenfifer seemed so passionately attached to that bird that I feared
+he meant to keep it to gloat over in selfish secrecy. But no--base coin
+seduced him, did the trick and--here it is. Also we have a loaf!" and
+from beneath one arm Ravenslee dropped a package that resolved itself
+into a Vienna roll. "Also, ham--"
+
+"Hey, Geoff," said Spike in awe-struck tones, "are all these eats?"
+
+"Certainly. I should have brought more if I could have carried 'em."
+
+"More?"
+
+"Most decidedly. When I buy eats, my lad, I buy everything in sight that
+looks worth while--if Mr. Pffeffenfifer sells. Mr. Pffeffenfifer sells
+in such a soulfully seductive way that eats acquire virtues above and
+beyond their own base selves. Mr. Pffeffenfifer can infuse soul into a
+sausage. Behold now, eats the most alluring. See, what's this! Ah, yes,
+here we have, item: Salmi, redolent of garlic! Here again a head cheese,
+succulent and savoury; here's ham, most ravishingly pink--and a
+Camembert cheese."
+
+"But, Jiminy Christmas--you bought such a lot of each. Who's goin' t'
+eat all these?"
+
+"We, of course!"
+
+"But we can't eat 'em all!" sighed Spike.
+
+"Can't we?" said Ravenslee, beginning to view the quantity of the
+numerous viands with dubious eyes. "They do seem rather a lot now I see
+'em all together. But I'm ravenous, and if we can't manage 'em, we'll
+find some one who can."
+
+"Y' see, Geoff, I shan't be able t' eat any o' the rest when I'm through
+with the turk'!" sighed Spike, a little reproachfully. "My, but I'm
+hungry! Strange how hungry cold turkey makes a guy!"
+
+"Why, then," said Ravenslee, pitching his hat into a corner, "sit down,
+comrade, and 'let mirth with unconfin_ed_ wing'--" Ravenslee yawned.
+
+"I guess we'd better wait a bit, Geoff."
+
+"What for?"
+
+"Hermy."
+
+"Is she--do you mean she's back?" enquired Ravenslee, sitting up.
+
+"Yes, she didn't stay at Englewood; she's down-stairs, doctoring Tony's
+kid."
+
+"But what will she think of all these confounded messes?"
+
+"Messes!" cried Spike indignantly. "Cheese it, Geoff--look at that
+turk'!"
+
+"But--do you think she'll--mind?" enquired Ravenslee uneasily.
+
+"Mind?" said Spike, staring. "Not on your life--why should she? Besides,
+it's kind o' lucky you happened to blow in with this free lunch; she's a
+bit shy on the dollar question this month--an' Mulligan comes t'morrow.
+An' oh, say, Geoff--she's dead set on findin' out how I met you an'--an'
+where."
+
+"Very naturally!" murmured Ravenslee.
+
+"An' we must tell her something--but what?"
+
+"Spike, you've forgotten the mustard! And as for--er--lying to your
+sister, let our motto be 'sufficient unto the day.' Our present need
+is mustard, Spike."
+
+"Say, this sure is goin' t' be some supper, Geoff!" said Spike, setting
+on the mustard and gazing at the array of edibles with shining eyes.
+"Gee, I could eat cold turkey all night!"
+
+"Have we everything ready, Spike?"
+
+"Except butter, Geoff."
+
+"Ha! the one thing I forgot, of course! Cut off and get some like the
+good fellow you are!" and Ravenslee flicked a bill into Spike's hand,
+who, seizing his cap, promptly vanished. Being alone, Ravenslee crossed
+to the sideboard, and taking thence a certain photograph, seated himself
+in the easy-chair and fell to studying it with deep and grave attention.
+And sitting thus, he let fancy run riot--and fancy was singularly
+pleasing to judge by the glow in his eyes and the tender smile that
+curved his lip.
+
+He was lost deep within his dreams when he was aware of a loud knock
+upon the outer door which Spike had left unlatched and, replacing the
+photograph, he rose.
+
+"Come in!" said he. A heavy step sounded in the little hall, the door
+was pushed open, and a man entered. He was a young man, big and
+broad-shouldered, and Ravenslee's keen eyes were quick to heed the
+length and ponderous carriage of the arms, the girth of chest, and firm,
+heavy poise of the feet; lastly he looked at the face, aggressively
+handsome with its dominating nose and chin, and blue eyes shaded by
+thick lashes, that looked out beneath heavy brows--a comely-seeming face
+from the dark, close-cropped hair to the deep cleft in the strong,
+fleshy chin.
+
+But now, beneath Ravenslee's persistent regard, the full-curved, shapely
+lips grew slowly into a cruel, down-trending line, the nostrils
+expanded, while the blue eyes narrowed to shining slits beneath
+quick-scowling, black brows. For a long moment the two men stared at
+each other, eye to eye, then, in a hoarse, assertive tone the newcomer
+spoke.
+
+"What you doin' here? Who are ye?"
+
+Mr. Ravenslee sat down and began to fill his pipe.
+
+"Where's d' Kid?"
+
+Mr. Ravenslee brushed stray grains of tobacco from his knee with
+elaborate care.
+
+"Hey, you! Where's Spike--'n' what you doin' here, anyway?"
+
+Mr. Ravenslee glanced up casually. "And pray, who the devil may you be
+pleased to be?" he enquired.
+
+"Me name's M'Ginnis!"
+
+"Oh, indeed?"
+
+"Yes--indeed! Bud M'Ginnis--Is that good 'nuff for ye?"
+
+"Well, since you ask," said Ravenslee, shaking languid head, "I should
+scarcely class you as a 'bud' myself. No--I should say you were perhaps
+just a trifle--er--overblown. But have it your own way!" and Mr.
+Ravenslee smiled engagingly.
+
+"Where's Spike?" demanded M'Ginnis, his tone a little gruffer, "and
+say--you can cut out the comedy, see? Nix on the funny business."
+
+"You are a pessimist, I presume, Mr. Flowers?"
+
+"Where's d' Kid? Speak up now--where is he?"
+
+"Also, your conversation grows a little monotonous, Mr. Flowers."
+
+M'Ginnis stared, then shot out his big chin viciously.
+
+"What you doin' in Hermy's flat, eh?"
+
+Mr. Ravenslee's brows wrinkled slightly, but his soft voice grew softer,
+as, pausing in the act of lighting his pipe, he answered: "On the whole
+I think you are a rather--er--unpleasant young man, so suppose
+you--er--go--"
+
+"What? Go? Are ye tryin' t' tell me t' go?"
+
+"I'm suggesting that you--er--crank up the machine, Mr. Flowers, and
+beat it while the going's good!"
+
+M'Ginnis clenched his fist and took a threatening step toward Ravenslee,
+then checked himself and stood breathing heavily.
+
+"May I further suggest," said Ravenslee in his pleasantest voice, "that
+you look in again--say next Thursday fortnight, Mr. Flowers?"
+
+"T' hell with you--me name's M'Ginnis."
+
+"Of course you might leave a message, Mr. Flowers--"
+
+"Now, see here, you!" said M'Ginnis, his words coming thick with
+passion. "I wanter know, first, where Spike is. And then I wanter know
+who you are. And then I wanter know what you're after in Hermy
+Chesterton's flat--and you're sure goin' t' tell me!"
+
+"Am I?"
+
+"You sure are!"
+
+Mr. Ravenslee opened the matchbox. "Seems a pity to shake a confidence
+so sublime," he sighed. "And yet--"
+
+"An' see here again! I've known Hermy since we was kids, an' I don't
+allow no man t' come stamping around here--see? So you're goin' t' quit,
+an' you're goin' t' quit right now!"
+
+"Do I look like a quitter, Mr. Flowers?"
+
+Now beholding the speaker's lazy assurance of pose, the contemptuous
+indifference of his general air, M'Ginnis stood speechless a moment, his
+clenched fists quivering, while, above the loosely-tied scarf, his
+powerful neck seemed to swell and show knotted cords that writhed and
+twisted, and when at last he spoke, his words came in a panting rush.
+
+"This is Hermy's flat, an' I guess--you think you're safe here--but you
+ain't! I'm thinkin' out which'll do th' least harm to her furniture--to
+lick ye here or drag you out on to the landin' first!"
+
+Mr. Ravenslee lounged lower in the armchair and yawned behind the box of
+matches. And in that moment, like a maddened animal, M'Ginnis leapt upon
+him and, striking no blow, seized and shook Ravenslee in powerful,
+frantic hands, while from between his lips, curled back from big, white
+teeth, came a continuous, vicious, hissing sound.
+
+"I'll wake ye up!" he panted. "Come out--come out, I say--oh, I'll wake
+ye up when I get ye outside, I guess. Come out! What you doin' in
+Hermy's flat? By God! I'll choke ye till you tell me!" and his hands
+came upon Ravenslee's throat--came to be met there by two other hands
+that, closing upon his wrists, wrenched and twisted viciously in
+opposite directions and, loosing his hold, M'Ginnis fell back, staring
+down at bruised and lacerated skin where oozed a few slow drops of
+blood.
+
+"And now," said Ravenslee, rising, "after you, Mr. Flowers! Let us by
+all means step outside, where we will each earnestly endeavour to pitch
+the other down-stairs--personally, I shall do my very damnedest, for
+really I don't--no, I do not like you, Mr. Flowers; you need some one
+to tread on you a little. Step outside and let _me_ try."
+
+While M'Ginnis stared from his swelling, bloody wrists to Ravenslee's
+face--a face quite as fierce and determined as his own--steps were heard
+and Spike's voice called:
+
+"Hermy come in yet, Geoff?"
+
+"Not yet--but our friend Mr. Flowers has dropped in--socially, I fancy."
+
+"Mr. Who?" enquired Spike at the door, but beholding M'Ginnis's angry
+face, he paused there, staring aghast. "Why--hello, Bud!" said he
+nervously. "What's wrong?"
+
+"Nothin' much--yet, Kid, only it's kinder lucky for this guy as you
+happened in. Who is he? What's he doin' here?"
+
+"He's only a friend o' mine, Bud, an' he's all right, 'n' say--"
+
+"Tell him t' beat it."
+
+"But y'see, Bud--"
+
+"Tell him as we don't want his kind around here or--"
+
+"Spike, did you bring in the butter?" enquired Ravenslee, serenely
+unconscious of M'Ginnis.
+
+"Yes, here it is, Geoff--but say--"
+
+"It doesn't feel much," said Ravenslee, weighing the package in his
+hand.
+
+"It's half a pound. But say, here's Bud; he says you're to--"
+
+"My, Spike, I'll trouble you for the butter-dish--thanks!" and turning
+away, Ravenslee busied himself at the table, whistling softly the while.
+
+"But, Geoff, this is Bud!" cried the lad, glancing from one to the other
+in an agony of suspense. "Oh, don' ye know dis is Bud M'Ginnis?"
+
+"Ah, still here, is he?" said Ravenslee, without looking round.
+
+"See here, Kid," growled M'Ginnis, "you tell your--friend t' clear
+out an' t' do it real quick, see? You tell him if he ain't out in two
+minutes, I'll run him out meself--"
+
+"Spike, this butter is nearly oil."
+
+"Oh, Geoff," groaned the boy, "you've got t' go--here's Bud--"
+
+"Why, then, Spike, tell him to--er--chase himself; I'm busy!" Came the
+sound of a chair set roughly aside and a shrill cry from Spike: "My God,
+Bud--don't! Look out, Geoff!"
+
+But, as M'Ginnis came, Ravenslee turned swiftly, ducked the expected
+blow, and swinging his fist up beneath his assailant's extended arm,
+smote him hard and true upon the elbow; and Spike, pale and wide of eye,
+saw that arm fall and dangle helplessly at M'Ginnis' side, while his
+face was contorted with sharp agony.
+
+"My God, Geoff! What you done t' him?"
+
+"Pins and needles, Spike--that's all. A hoary old trick, but useful now
+and then. Mr. Flowers isn't so very wide-awake as folks seem to think.
+You see, it wouldn't have done to knock him out here; he might have
+upset the table."
+
+"Knock out Bud!" cried Spike, aghast. "But there ain't nobody can lick
+Bud M'Ginnis!"
+
+"Oh, I don't know, Spike. Anyway, we'll see what can be done--outside!
+After you, Mr. Flowers! Pray go first, Mr. Flowers! A fellow who would
+attack a man sitting down isn't to be trusted behind one--so, after you,
+Mr. Flowers. Oh, we'll wait until you can use your arm, but we'll wait
+outside. Miss Chesterton's flat is no place for your sort, so--out with
+you, and quick--d'ye hear?"
+
+M'Ginnis opened his lips to retort, but passion choked him, and snarling
+unintelligibly, he turned and strode out upon the landing. As they stood
+fronting each other, very silent and grim and menacing, running feet
+were heard ascending the stairs, and a slender boy appeared, who,
+perceiving M'Ginnis, panted out:
+
+"Say, Bud, O'Rourke's been pinched by d' cops! He wants ye t' skin over
+an' fix it up--"
+
+"O'Rourke pinched?" growled M'Ginnis. "Say you, Larry, what yer givin'
+me?"
+
+"S' right, Bud, dere's a noo captain on d' precinct, an' he's pinched
+O'Rourke. 'N' say, Bud, d' game's all balled up; d' push is all up in d'
+air. 'N' say, O'Rourke's crazy an' can't do nothin', so he sent me t'
+fetch ye. You're d' only one as can fix d' police, so come on right now
+before d' whole show's busted up." During this breathless speech the
+narrowed eyes of M'Ginnis never left Ravenslee's pale, placid face, and
+in the persistence of this ferocious glare was something animal-like.
+
+"Say, you--Mr. Butt-in!" said he, "I ain't through wid you--not by a
+whole lot I ain't. Oh, I'll get ye yet, an' I'll get ye good! There
+won't be nothin' left for nobody else when I'm through wid you. Savvy
+this--there ain't nobody ever goin' t' queer me with Hermy Chesterton.
+Oh, I'll get ye good, an' I'll get ye--soon!"
+
+So saying, Bud M'Ginnis turned, and went slowly and unwillingly down the
+stair.
+
+"Gee, but I'm glad he's gone!" said Spike, as he closed the door. "Gee,
+but I'm--glad!" and he drew a deep breath.
+
+"So am I!" said Ravenslee, sinking into the armchair, "but there's
+always to-morrow, isn't there?"
+
+But instead of replying, Spike stood to stare on Ravenslee with eyes of
+admiring awe.
+
+"I guess you know how t' handle y' self, Geoff," said he.
+
+"I used to think I could, once upon a time," answered Ravenslee,
+stooping to recover his pipe.
+
+"That sure was some wallop you handed him!"
+
+"'T was fair, I thank you, comrade!"
+
+"I shall be awful sorry to have you leave me, Geoff."
+
+"Leave you?"
+
+"Well, you heard what he said?"
+
+"Yes, I heard."
+
+"An' you know what he meant?"
+
+"I can guess."
+
+"You'd best skin out o' Mulligan's first thing to-morrow."
+
+"What for?"
+
+"Bud says you must, an' he'll make you, worse luck!"
+
+"Oh, how?"
+
+"Well," said Spike in low, troubled tones, "he'll sic d' gang on to you
+if you don't make your get-away while you can--"
+
+"By God!" exclaimed Ravenslee, his eyes suddenly very bright, "I never
+thought of that!"
+
+"Yes, so I'm thinking you'd best skin off t'night, Geoff!" sighed the
+lad gloomily, whereupon Ravenslee, pocketing his pipe, clapped him
+joyously upon the shoulder.
+
+"Banish that dejection, my comrade," said he, "for now, my Arthur-Spike,
+'now is the winter of our discontent made glorious summer in this brutal
+Bud' and--"
+
+"What yer mean, Geoff?"
+
+"I mean that life's erstwhile dull monotony is like to be forgotten
+quite in the vigorous, exhilarating air of Hell's Kitchen. Hell's
+Kitchen suits me admirably, consequently in Hell's Kitchen I'll stay."
+
+"Stay? Geoff, are ye crazy? What about Bud M'Ginnis?"
+
+"M'Ginnis, my Arthur? Oh, Bud M'Ginnis may be--hush! Straighten the
+cloth yonder, Spike; she's coming at last, by Heaven!"
+
+
+
+
+CHAPTER XII
+
+CONTAINING SOME DESCRIPTION OF A SUPPER PARTY
+
+
+"Oh!" said Hermione, as she caught sight of Ravenslee's tall figure,
+"you've come then, Mr. Geoffrey? I've been hoping and praying you
+wouldn't! I mean--" she added hastily, in answer to his look, "I mean
+I have only two miserable little chops for supper."
+
+"S' all right, Hermy!" cried Spike. "I told you not to worry about the
+eats. Look what's here--stand out o' the light, Geoff, so she can see
+the table!"
+
+"Why--why--what's all this?" she exclaimed, staring at the numerous
+well-filled dishes with blue eyes very wide. "Oh, goodness
+gracious--me!" and she turned to look at Mr. Ravenslee, who, meeting
+that wondering glance, actually found himself stammering again.
+
+"The fact is, Miss Hermione--er--I say the fact is we--Arthur and I--are
+giving a little supper to-night in honour of--of--er--my birthday."
+
+"You bet we are, Hermy!" added Spike. "Will you pipe the turk'?"
+
+"We have been waiting for you," continued Ravenslee, placing a chair for
+her, "you see--er--you are to be our guest of honour--if you will?"
+
+"Sure you are!" nodded Spike, "and I'm head-waiter, eater-in-chief t'
+the turk' while she lasts, an' chief mourner when she's gone--so now
+I'll go an' make th' tea, only don't begin without me--a fair start an'
+all together, see?" and he vanished into the kitchen.
+
+"But--a whole turkey!" said Hermione, viewing it with feminine,
+knowledgeful eyes, "and then all this ham and tongue and--Mr. Geoffrey,
+how extravagant of you!" And she shook her shapely head at him
+reprovingly but with a smile curving her red lips; and lo! there was the
+shining curl above her eyebrow again, more wantonly alluring than usual.
+"Whatever made you buy so much?"
+
+"Mr. Pffeffenfifer!" answered Ravenslee, staring at the radiant curl,
+whereupon she, becoming aware of it, would have sent it into immediate
+retirement among its many fellows but that he stayed her humbly.
+
+"Please don't!" he said.
+
+"But it--tickles!"
+
+"Well, let it!"
+
+"But--why should I?"
+
+"For--Arthur's sake."
+
+"Arthur's!" she laughed. "Oh, Mr. Geoffrey, as if he would ever notice!"
+
+"Well, then, for the--er--turkey's sake!"
+
+"The turkey!" she laughed. "I'm afraid I'm dreadfully untidy to sit down
+at such a luxurious feast."
+
+"Are you?"
+
+"Well--am I not? Look at this poor old gown!"
+
+"I'm afraid I didn't notice your--er--gown."
+
+"What did I tell you, Hermy?" said Spike, entering with the teapot.
+"Geoff ain't--I mean, isn't--that kind o' guy--I mean mutt--no, I mean
+feller. Y' see, Geoff, a girl always thinks a feller's got his lamps--I
+mean eyes--on their rags--clo'es, I mean. 'S' funny, ain't it? Gee, but
+I'm hungry!"
+
+"So am I!" said Hermione.
+
+"So am I!" said Ravenslee.
+
+"Why, then," quoth Spike, "I'll tell you what--let's all sit down and
+eat! I guess I'm full o' brilliant ideas t'night, but this ain't no time
+for talk--not with that turkey starin' us in the face, it ain't--isn't,
+I mean. So quit chewin' d' rag an' let's chew d' turk' instead--an' Gee,
+but that's some brilliant too, I guess!"
+
+So down they sat, and while Hermione presided over the cups and saucers,
+Ravenslee carved.
+
+"Light or dark meat, Miss Hermione?" he enquired.
+
+"Herm; likes th' light, but a drumstick for mine--an' please don't
+forget th' stuffin', Geoff!"
+
+"Tea, Mr. Geoffrey?"
+
+"Thanks!" he answered, pausing to watch the curve of her shapely neck as
+she bent to pour the tea, and to note how her white hand grasped the
+battered teapot, little finger delicately poised.
+
+"Say, Geoff--get busy!" said Spike wistfully. "I know the teapot's a bit
+off on looks, but I broke the best one and--"
+
+"I didn't even notice the teapot, Spike," said Ravenslee, meeting
+Hermione's quick, upward glance.
+
+"Oh, cheese it, Geoff, here you've sat with your fork in th' turk' an'
+your knife in th' air, starin' at that teapot a whole minute."
+
+"No, Spike, no! I was only thinking that tea never tastes quite right
+unless poured out by a woman's hand--and the fairer the hand the better
+the tea!"
+
+"Which means--just what, Mr. Geoffrey?" laughed Hermione.
+
+"Why, that Spike and I are about to drink the most delicious tea in the
+world, of course."
+
+"I'd rather be eatin' that turk' when you've sawed me off a leg," sighed
+Spike. "I say--when you have!"
+
+"Ah, to be sure!" said Ravenslee, turning his attention to his carving
+again, while Hermione bowed her golden head above the teacups.
+
+"Gee, but she cuts tender!" quoth Spike; "that bird sure has the Indian
+sign on me!"
+
+"Sugar, Mr. Geoffrey?"
+
+"Two lumps, please."
+
+"Milk, Mr. Geoffrey?"
+
+"Thank you!"
+
+"Geoff," said Spike wearily, "I cracked that milk jug last night, but
+you don't have to sit starin' at it that way, an' me dyin' of hunger by
+inches!"
+
+"My humble apologies!" said Ravenslee, wresting his gaze from a certain
+curl and fixing it upon the turkey again. "I'm a little--er--distracted
+to-night, it seems."
+
+"Oh, Gee!" said Spike in a hopeless tone, "now Hermy's gone an' filled
+my cup with milk."
+
+"Why, boy dear, so I have!" she confessed, with a rueful laugh, and her
+cheeks were very pink as she rectified her mistake.
+
+"Are you distracted too, then?" demanded Spike.
+
+"No, I--I don't think so--no, no--of course I'm not! I--I was
+just--thinking, that's all!"
+
+"Not about tea, I reckon! Say, what's gettin' you two, anyway?"
+
+"Arthur," said she serenely, as she passed his tea, "please fetch some
+more hot water."
+
+Spike sighed, rose, and taking the jug, went upon his mission.
+
+"And how do you like Mulligan's, Mr. Geoffrey?" enquired Hermione,
+regarding him with her calm, level eyes.
+
+"Very much," he answered, "I like it better and better. I think--no, I'm
+sure I would rather be in Mulligan's than anywhere else in the world."
+
+"Oh! Why?"
+
+Down went carving knife and fork, and leaning toward her he answered:
+"Because in Mulligan's, among many other wonders, I have found something
+more beautiful and far more wonderful than I ever dreamed of finding."
+
+"In Mulligan's?" she asked, looking her amazement.
+
+"In Mulligan's," he answered gravely. Now here, all at once, her glance
+wavered and sank before his.
+
+"What do you mean?" she enquired, staring into her cup.
+
+"Shall I tell you?"
+
+"Yes--no!" she murmured hastily and a little breathlessly, as Spike
+reentered, and paused, jug in hand, to stare.
+
+"What--haven't you served Hermy--yet?" he enquired in an injured tone.
+
+"Certainly I have," answered Ravenslee, "here it is, you see--all
+ready!"
+
+"Only you forgot t' hand it t' her, and she forgot t' take it. Well,
+say--for hungry folks you two are the limit!"
+
+"'Man doth not live by bread alone,' boy; we were talking," said
+Ravenslee, handing Hermione her plate.
+
+"You said you liked milk and sugar, didn't you, Mr. Geoffrey?"
+
+"Holy Gee!" murmured Spike.
+
+"Milk and sugar, thank you," said Ravenslee, heedful of her deepened
+colour.
+
+"Geoff," enquired Spike gently, "if I was to hang on to that drumstick,
+d' ye suppose you might be able to hack it off for me--some day?"
+
+"My Arthur," said Ravenslee, plying knife and fork energetically, "'tis
+done--behold it!"
+
+"But surely," said Hermione, glancing up suddenly, "surely you
+don't--like Mulligan's, Mr. Geoffrey?"
+
+"Like it, Miss Hermione? I--abominate it!"
+
+"Oh!"
+
+"Say, Geoff," mourned Spike, "don't I get any stuffin' after all?"
+
+"Mr. Geoffrey, I've been wondering how you and Arthur met--and where,
+and--"
+
+"Gee, Hermy!" Spike exclaimed, "you sure do talk! If you go on asking
+poor old Geoff s' many questions, he'll forget t' serve himself this
+week. Look at his plate!"
+
+"Why, Mr. Geoffrey, do serve yourself, please, and--oh, my gracious!
+I've forgotten to give you your tea; I'm so sorry!"
+
+Here Spike, having once again staved off the inevitable explanation,
+grew hilarious, and they laughed and talked the while they ate and drank
+with youthful, healthy appetites. And what a supper that was! What
+tongue could tell the gaiety and utter content that possessed them all
+three? What pen describe all Hermione's glowing beauty, or how her blue
+eyes, meeting eyes of grey would, for no perceptible reason, grow
+sweetly troubled, waver in their glance, and veil themselves beneath
+sudden, down-drooping lashes? What mere words could ever describe all
+the subtle, elusive witchery of her?
+
+And Spike--ate, of course, in a blissful silence for the most part and
+whole-heartedly, his attention centred exclusively upon his plate; thus
+how should he know or care how often, across that diminished turkey,
+grey eyes looked into blue? As for Ravenslee, he ate and drank he knew
+and cared not what, content to sit and watch her when he might--the
+delicious curves of white neck and full, round throat, the easy grace of
+movement that spoke her vigorous youth; joying in the soft murmurs of
+her voice, the low, sweet ring of her laughter, and thrilling responsive
+to her warm young womanhood.
+
+"But Mr. Geoffrey," she enquired suddenly, "if you hate Mulligan's as
+much as I do, whatever made you choose to live here?"
+
+"A thrice blessed fate," he answered, "I came because--er--"
+
+"You were a poor, lonely guy," added Spike hastily.
+
+"Precisely, Spike! Compared to my sordid poverty Lazarus was rich, and
+as for the loneliness of my existence the--er--abomination of desolation
+was a flowery garden!"
+
+"And how did you happen to meet Ar--"
+
+A plate crashed to pieces on the floor, and turning, she beheld Spike
+very red and rueful of visage.
+
+"'Fraid I've bent a plate, Hermy," he explained, and winking desperately
+at Ravenslee, he stooped to gather up the fragments.
+
+"Oh, Arthur, and we have so few--"
+
+"Yes, I know--but it's only the old cracked one, Hermy."
+
+"You've broken an awful lot of things lately, boy dear," she sighed.
+"Never mind--get on with your supper, dear."
+
+"Oh, I'm all right, but what about you? Gee, Hermy, you sure do talk!"
+
+"Do I, dear?"
+
+"Well, I guess! You keep on at poor old Geoff so he don't get a chance
+for a real proper chew."
+
+"But then you see," said Ravenslee, "I would much rather talk than
+eat--sometimes."
+
+"But say, Geoff--"
+
+"Miss Hermione, you were asking how I met--"
+
+"Hey, Geoff!" said Spike hoarsely.
+
+"How I met your brother," continued Ravenslee, silencing the boy with a
+look. "Miss Hermione, I'll tell you full and freely." Here Spike took a
+gulp of tea and choked, also his brow grew clammy, and he stared with
+dilating eyes at Ravenslee, who began forthwith:
+
+"Once upon a time, Miss Hermione, that is to say upon a certain dark
+night, a man sat alone, physically and mentally alone, and very wretched
+because his life was empty of all achievement--because, having been
+blessed with many opportunities, he had never done anything worth while.
+And as he sat there, looking back through the wasted years, this
+miserable fool was considering, in his wretched folly, the cowardly sin
+of self-destruction, because he was sick of the world and all things in
+it--especially of his own useless self! But I hope I don't--er--bore
+you, do I?"
+
+"No," she answered a little breathlessly, gazing at him with eyes deep
+and tender; "go on--please go on!"
+
+"Well," continued Ravenslee gravely, "Destiny, or Heaven, or the
+Almighty, taking pity on this sorry fool, sent to him an angel in the
+shape of--your brother."
+
+"Of--Arthur?" she exclaimed, while Spike's rigid attitude relaxed, and
+he drew a sudden, deep breath.
+
+"Of Arthur!" nodded Ravenslee. "And Arthur lifted him out of the Slough
+of Despond and taught him that life might be a useful thing after all,
+if he could but find some object to help him--one who might inspire him
+to nobler things. And so he came here, hoping to find this object."
+
+"An object?" she enquired softly.
+
+"The Definite Object!" he answered, "with capital letters. One who might
+make life truly worth while. One who, teaching him to forget himself,
+should lift him to better things. An object to live for, work for, and
+if necessary to--die for!"
+
+Here Spike, finding himself utterly forgotten again, sighed in deep and
+audible relief, and taking up knife and fork, fell to with renewed
+appetite, while Hermione, chin rested on folded hands, gazed into
+Ravenslee's grave face.
+
+"Do you think he will ever--find his Object?"
+
+"Oh, yes!"
+
+"You seem very--confident."
+
+"I am! You see, she's found."
+
+"She?" exclaimed Hermione, her eyes beginning to waver.
+
+"With a capital S," said he, leaning nearer. "The Woman! And it's right
+here that his difficulties begin, because in the first place he is so
+humble and she is so proud and--"
+
+"Proud?" said she, glancing up swiftly.
+
+"And so very beautiful!" he continued.
+
+"Oh!" said she, and this time she did not look at him.
+
+"Say," quoth Spike, "I think I could go another drumstick, Geoff."
+
+"And in the second place, he is so unworthy and she so--"
+
+"An' a bit more stuflin', Geoff," sighed Spike.
+
+"Can she--help him?" enquired Hermione, stirring her tea absently.
+
+"She is the only one who can--help me."
+
+"Oh!" said Hermione again, very softly this time, stirring a little
+faster; and, conscious of his glance, flushed deliciously and was silent
+awhile. As for Spike, he glanced from one rapt face to the other
+and--unostentatiously helped himself to more turkey.
+
+"But," said Hermione at last, "how can--she help?"
+
+"By constant association," answered Ravenslee, "by affording me the
+daily example of her sweet self-forgetfulness and blameless life."
+
+"Are you sure she is so--very good?"
+
+"I am sure she is braver and nobler than any woman I have ever known!"
+
+Once more Spike glanced from the flushed beauty of his sister's
+half-averted face to Ravenslee's shining eyes, and boldly helped himself
+to more seasoning.
+
+"Have you known her very long, Mr. Geoffrey?"
+
+"Long enough to know she is--the only woman!"
+
+"Say, Geoff," sighed Spike, "I guess old Pffeff was right about this
+bird; she kind o' melts--'n' say--she's meltin' fast! If you two don't
+stop chewin' d' rag an' get busy you'll be too late for this bird,
+because this bird is sure a bird of passage and--Holy Gee!" he broke
+off, as a knock sounded on the outer door, "who's this, I wonder?"
+
+Before he could rise, Hermione had vanished into the passage.
+
+"Say, Geoff," he whispered, "how if it's Bud?"
+
+Ravenslee frowned and pushed back his chair, but in that moment they
+heard Hermione's glad welcome: "Why, Ann, you dear thing, you're just in
+time for the turkey--come right in."
+
+"Turkey, my dear!" spoke the harsh voice of Mrs. Trapes. "Turkey--land
+sakes! But I only jest stepped over t' ask if you'd happened to find
+that lodger o' mine anywheres--why, Lord bless me!" she broke off,
+halting in the doorway as she beheld Ravenslee. "Lordy Lord, if he ain't
+a-settin' there, cool as ever was! If he ain't a-eatin' an' drinkin' an'
+me cookin' him at this moment the loveliest mutton chop you ever see! A
+mutton chop wiv a kidney, as he ordered most express--Lord, Mr.
+Geoffrey!"
+
+"Why, to be sure," said Ravenslee, rising. "I forgot all about that
+chop, Mrs. Trapes."
+
+"Didn't you order it most express--cut thick--an' wiv a kidney?"
+
+"I did," said Ravenslee penitently.
+
+"Well--there it is, cooked to a turn, an' nobody t' eat it! An' kidneys
+is rose again--kidneys is always risin'. Lord, Mr. Geoffrey!"
+
+"Why, you see, Mrs. Trapes, we--that is, I had a birthday not long ago,
+and we're celebrating."
+
+"And so shall you, Ann," said Hermione, "sit down, dear!"
+
+"An' me in me oldest apron?" said Mrs. Trapes, squaring her elbows, "my
+dear, I couldn't--an' I wouldn't! But, oh! Mr. Geoffrey, what about that
+beautiful chop? I might warm it over for your breakfast?"
+
+"Heaven forbid!"
+
+"Then I must eat it myself, I suppose, though it do seem a shame to
+waste such a lovely chop on Ann Angelina Trapes! But, Hermy dear, I just
+been down to see Mrs. Bowker, an' her little Hazel's very bad--her poor
+little hip again, an' she's coughin' too, somethin' dreadful."
+
+"Poor little Hazel! Did she ask for me, Ann?"
+
+"Well, my dear, she did, an' Mrs. Bowker did ask if you'd go an' look at
+her--but I do hate t' disturb ye, that I do!"
+
+"Oh, it's all right, Ann. Tell Mrs. Bowker I'll be right down."
+
+"I will so, but it's a dratted shame as you should shoulder everybody's
+troubles, that it is."
+
+"Oh, Ann--as though I do! And then how about yourself, dear--what of the
+Baxters and the Ryders, and Mrs. Tipping's baby and--"
+
+"My land!" cried Mrs. Trapes, "that chop'll be a cinder!" and she
+hurried away.
+
+"Poor little Hazel," said Hermione, coming to a small corner cupboard.
+"She's such a dear, quaint little person! You must have seen her on the
+stairs, Mr. Geoffrey."
+
+"I see so many on the stairs, Miss Hermione, and they are always small
+and generally quaint."
+
+"Hazel's got a game leg, Geoff," said Spike, "an' she hops around
+on a little crutch. She told me yesterday she thought you was--I mean
+were--a fairy prince, because you always bow an' tip your lid to her
+when she says 'good morning.' So now she waits for you every morning,
+Geoff--says it makes her feel like she was a real fairy princess in a
+story-book. Sounds kind o' batty to me, though."
+
+Hermione was standing on tiptoe endeavouring to reach a certain bottle
+upon the top shelf where were ranged many others of various shapes and
+sizes, when Ravenslee's big hand did it for her; but when she would have
+taken it, he shook his head.
+
+"I should like to go with you, if I may," he said, "to be--er--formally
+introduced to the princess."
+
+"But--" began Hermione, hesitating.
+
+"Also I could carry the bottle for you."
+
+"Why, if you will do all that--" she smiled.
+
+"Thanks!" he answered, and putting the bottle in his pocket, he opened
+the door.
+
+"Hey, Geoff," Spike called after him, "you've forgot to kiss the turkey
+good-by!"
+
+"Why then, you can do it for me, Spike!" he answered, and followed
+Hermione out upon the landing.
+
+Side by side they descended the stair, in the doing of which her soft
+shoulder met him once, and once he thrilled to feel her hand touch his
+in the shadow, but this hand was hastily withdrawn; also, though the
+light was dim, he saw that she was frowning and biting her red underlip.
+
+"These stairs are rather--narrow, aren't they?" said she, drawing to the
+wall.
+
+"Delightfully!" he answered, drawing to the rail; and so they went down
+very silently with the width of the stairs between them.
+
+
+
+
+CHAPTER XIII
+
+WHEREIN MAY BE FOUND SOME PARTICULARS OF THE BEAUTIFUL CITY OF PERHAPS
+
+
+Mrs. Bowker was a small woman, worn and faded like her carpets and
+curtains and the dress she wore, but, like them, she was very clean and
+neat.
+
+"'T is real good of you to come, Miss Hermy," said this small, faded
+woman, and Ravenslee thought her very voice sounded faded, so repressed
+and dismally soft was it. "I wouldn't have had the face t' send for you,
+Miss Hermy, only Hazel calls an' calls, like she's doin' now--listen!"
+
+And sure enough from somewhere near by a small voice reached them,
+pitifully faint and thin: "Hermy dear, come t' me--oh, Hermy dear!"
+
+"She allus lays an' calls like that lately when her poor hip's worse 'n
+usual," sighed Mrs. Bowker. "And your gentleman friend--would he like t'
+see her too?"
+
+"Thank you, I should," answered Ravenslee in his soft, pleasant voice.
+
+"Oh, Mrs. Bowker, this is Mr. Geoffrey," said Hermione a trifle
+hurriedly, "he came with me to--to--"
+
+"Be presented to the princess, if she will honour me," he added.
+
+"Ah!" said Mrs. Bowker, looking up at him with a faded smile, "Hazel
+told me you had a pretty voice, sir, an' I guess I know what she meant.
+She sets out on the stairs when she's well enough an' has often seen
+ye."
+
+"Hermy, dear, come t' me--oh, Hermy dear!" called the little voice.
+
+"Yes, go in, my dear, you know y' way, I guess," sighed Mrs. Bowker,
+passing a small, worn hand across her faded eyes. "There's five dozen
+more collar-bands I must stitch an' buttonhole t'night--so go your ways,
+my dear." So saying, Mrs. Bowker went back to her labour, which was very
+hard labour indeed, while Hermione led the way into a tiny room, where,
+on a small, neat truckle-bed covered by a faded quilt, a small, pale
+child lay fading fast. But at sight of her visitors, two big, brown eyes
+grew bigger yet, and her pale, thin little cheeks flushed eagerly.
+
+"Oh, Hermy dear!" she cried, clasping frail hands, "oh, Hermy, you've
+brought him--you've brought me our fairy prince at last!"
+
+Now what was there in these childish words to cause Hermione's eyes to
+droop so suddenly as she took the bottle from Ravenslee's hand, or her
+rounded cheek to flush so painfully as she stooped to meet the child's
+eager kiss, or, when she turned away to measure a dose of the medicine,
+to be such an unconscionable time over it? Observing all of which,
+Ravenslee forthwith saluted the small invalid with a grave bow, battered
+hat gracefully flourished.
+
+"It is truly an honour to meet you, princess!" said he, and lifting the
+child's frail little hand, he touched it to his lips. Thereafter,
+obeying the mute appeal of that hand, he seated himself upon the narrow
+bed, while Hermione, soft-voiced and tender, bent above the invalid,
+who, having obediently swallowed her medicine, leaned back on her pillow
+and smiled from one to the other.
+
+"And now," said she, drawing Hermione down at her other side and
+snuggling between, "now please let's all tell some more fairy tale; an'
+please, you begin, Hermy, just where you had t' leave off last time."
+
+"Why, I--I'm afraid I've forgotten, dear," said Hermione, bending to
+smooth the child's pillow.
+
+"Forgotten--oh, Hermy! But I 'member quite well; you got where poor
+Princess Nobody was climbing the mountain very tired an' sad an'
+carrying her heavy pack, an' all at once--along came the Prince an'
+took her heavy bundle and said he'd love to carry it for her always if
+she'd let him. An' poor Nobody knew he was the real Prince at last--the
+Prince she'd dreamed of an' waited for all her life, 'cos he'd got grey
+eyes so brave an' true--an' he was so big an' strong an' noble. So he
+helped her to the top of the mountain, an' then she thought at last she
+could see the beautiful City of Perhaps. That's where you got to--don't
+you 'member, Hermy dear?"
+
+Now why should Hermione's shapely head have drooped and drooped until
+at last her face was hidden on the pillow? And why should Geoffrey
+Ravenslee reach to touch the child's hair with hand so light and tender?
+
+"The beautiful City of Perhaps," said he gently, "why, Princess, where
+did you learn about that?"
+
+"From dear Princess Nobody, oh, Prince!"
+
+"And who is she?"
+
+"Why, she's Hermy, Prince--and I'm Princess Somebody. And oh, Hermy
+dear, you do 'member where you left off now, don't you?"
+
+"Yes, I remember; but I--don't feel like telling fairy stories now,
+dear."
+
+"Oh! are y' sick?" cried the child anxiously, touching Hermione's golden
+hair with loving fingers, "is it a headache like my mumsey gets?"
+
+"N-no, dear, only I--I don't feel like telling any more of our
+story--to-night--somehow, dear."
+
+"Princess," said Ravenslee, "do you know much about the wonderful City
+of Perhaps?"
+
+"Oh, yes--an' I dream about it sometimes, Prince--such beautiful dreams!"
+
+"Why, of course," nodded Ravenslee, "because it is the most beautiful
+City that ever happened, I guess!"
+
+"Oh, it is!" cried the child, "shall I tell you?"
+
+"Please do, Princess."
+
+"Well, it's all made of crystal an' gold, an' every one's happy there
+and never sick--oh, never! An' all the children can have ices an' cream
+sodas whenever they want an' lovely doll-carriages with rubber on the
+wheels an'--an' everything's just lovely. Of course every one's daddy's
+got lots an' heaps an' piles of money, so they never get behind with the
+rent an' never have to set up all night stitching an' stitching like
+mumsey an' Hermy have to sometimes. An' I'm Princess Somebody, an'
+Hermy's Princess Nobody, an' we're on our ways through the valley of
+gloom, trying to find the beautiful City of Perhaps--but oh, it's awful
+hard to find!" she ended, with a weary little sigh.
+
+"And yet, Princess, I'm sure we shall find it."
+
+"We? Oh, are you coming too, Prince?" cried the child joyfully.
+
+"To be sure I am!" nodded Ravenslee.
+
+"Oh, goody, I'm glad--so glad, 'cause I know we shall find it now!"
+
+"Why?"
+
+"Well," answered the child, looking at him with her big, wistful eyes,
+"'cause you look like you could find it, somehow. You see, Prince,
+you've got grey eyes so brave an' true--an' you're big an' strong an'
+could carry me an' Hermy over the thorny places when we get very, very
+tired--couldn't you?"
+
+"I could!" answered Ravenslee almost grimly, "and I--surely will!"
+
+"When we get there, Prince, I want first--a doll-carriage an' a doll
+with lovely blue eyes that wink at you, an' a big box of candy, an' a
+new dress for my mumsey, an' no more work, an' I want lots an' lots of
+flowers for my daddy 'cause he loves flowers--oh, an' I want my leg t'
+be made well. What d' you want, Hermy?"
+
+"Well, dear, I want to--say good-by to my sewing-machine for ever and
+ever and ever!"
+
+"Why, Hermy!" exclaimed the child, "last time you said you wanted some
+one who could give you your heart's desire!"
+
+"Perhaps that is my heart's desire, little Hazel," said Hermione, rising
+and taking up the medicine bottle.
+
+"An' what do you want, Prince?"
+
+"I want a great deal," answered Ravenslee, smiling down into the big,
+soft eyes. "I want some one who--is my heart's desire now and for ever
+and ever. Good night, dear little Princess!"
+
+"You'll come again, Prince?" she pleaded, holding up her face to be
+kissed, "you'll come again soon?"
+
+"As soon as--Princess Nobody will bring me."
+
+"Good night, Hermy dear; you'll bring our Prince again soon?"
+
+"If you wish, dear," said Hermione, stooping to kiss her in turn.
+
+"Why, Hermy--what makes your cheeks so hot to-night?"
+
+"Are they?" said Hermione, making pretence to test them with the back of
+her hand.
+
+"Why, yes," nodded the child, "an' they look so red an'--"
+
+"Of course you believe in fairies, don't you, Princess?" enquired
+Ravenslee rather hurriedly.
+
+"Oh, yes, Prince, I often see them in my dreams. They just wait till I'm
+asleep, an' then they come an' show themselves. Do you ever see any?"
+
+"Well, your highness, I fancy I have lately, and when fairies are
+around, things are sure to happen; wishes get the habit of coming true.
+So, little Princess, just go on wishing and dreaming and--watch out!"
+
+Then Ravenslee turned and followed Hermione out upon the dingy landing;
+but as he climbed the stair, there went with him the memory of a little
+face, very thin and pale, but radiant and all aglow with rapturous hope.
+Silently as they had come they mounted the stairs, until, reaching the
+topmost landing, they paused as by mutual consent.
+
+"Poor little Hazel!" said Hermione very gently, "if only there were real
+fairies to spirit her away to where the air is sweet and pure and
+flowers grow for little hands to gather--the doctor told me it was her
+only chance."
+
+"Why, then of course she must have her chance!" said Ravenslee with a
+sleepy nod.
+
+"But, Mr. Geoffrey--how?"
+
+"Well--er--the fairies--you said something about fairies spiriting--"
+
+"The fairies!" said Hermione a little bitterly, "I guess they are too
+busy over their own affairs to trouble about a poor, little, sick child;
+besides, what fairy could possibly live five minutes in--Mulligan's?"
+
+"Which leaves us," said Ravenslee thoughtfully, "which leaves us the
+beautiful City of Perhaps. It is a wonderful thought, that!"
+
+"But only a thought!" she sighed.
+
+"Is it? Are you quite sure?"
+
+"Well, isn't it?" she questioned wistfully.
+
+"No!" he answered gravely, "the City of Perhaps is very, very real."
+
+"What do you mean?"
+
+Once again their hands touched in the shadow, but this time his fingers
+closed upon her hand, the hand that held the medicine bottle, drawing
+her nearer in the dimness of that dingy landing.
+
+"I mean," he answered, "that for every one of us there is a City of
+Perhaps waiting to open its gates to our coming, and I am sure we shall
+reach it sooner or later, all three of us--the Princess and you and
+I--yes, even I, when I have done something worth while. And then,
+Hermione, then--nothing shall keep me from--my heart's delight--nothing,
+Hermione!" As he ended, she felt an arm about her in the dimness; an arm
+fierce and strong that gripped and swept her close--then, as suddenly,
+loosed her. For a breathless moment he stood with head bowed in seeming
+humility, then, stooping, he crushed her hand, medicine bottle and all,
+to lips that burned with anything but humility.
+
+"Good night, dear Princess Nobody!" he said, and watched her turn away,
+nor moved until the door had closed upon her. That night he smoked many
+pipes, weaving him fancies of the beautiful City of Perhaps, and dreamed
+dreams of what might be, and his eyes glowed bright and wide, and his
+mouth grew alternately grim and tender. And, that night, long after he
+lay asleep, Hermione's golden head was bowed above her work, but, more
+than once she stayed her humming sewing-machine to look at one white
+hand with eyes shy and wistful--the hand that had held the medicine
+bottle, of course.
+
+
+
+
+CHAPTER XIV
+
+OF A TEXT, A LETTER, AND A SONG
+
+
+Ravenslee opened his eyes to find his small chamber full of a glory of
+sun which poured a flood of radiance across his narrow bed; it brought
+out the apoplectic roses on the wall paper and lent a new lustre to the
+dim and faded gold frame that contained a fly-blown card whereon was the
+legend:
+
+LOVE ONE ANOTHER
+
+And with his gaze upon this time-honoured text, Ravenslee smiled, and
+leaping out of bed proceeded to wash and shave and dress, pausing often
+to glance glad-eyed from his open window upon the glory of the new day.
+And indeed it was a morning of all-pervading beauty, one such that even
+Mulligan's, its dingy bricks and mortar mellowed by the sun, seemed less
+unlovely than its wont, and its many windows, catching a sunbeam here
+and there, winked and twinkled waggishly.
+
+So Ravenslee washed and shaved and dressed, glancing now and then from
+this transfigured Mulligan's to the fly-blown text upon the wall, and
+once he laughed, though not very loudly to be sure, and once he hummed
+a song and so fell to soft whistling, all of which was very strange in
+Geoffrey Ravenslee.
+
+The sun, it is true, radiates life and joy; before his beneficence gloom
+and depression flee away, and youth and health grow strong to achieve
+the impossible; even age and sickness, bathed in his splendour, may
+forget awhile their burdens and dream of other days. Truly sunshine is a
+thrice blessed thing. And yet, as Ravenslee tied the neckerchief about
+his brawny throat, was it by reason of the sun alone that his grey eyes
+were so bright and joyous and that he whistled so soft and merrily?
+
+Having brushed his hair and settled his vivid-hued neckerchief to his
+liking, he turned, and stooping over his humble bed, slipped a hand
+beneath the tumbled pillow and drew thence a letter; a somewhat crumpled
+missive, this, that he had borne about with him all the preceding day
+and read and reread at intervals even as he proceeded to do now, as,
+standing in the radiant sunbeams, he unfolded a sheet of very ordinary
+note paper and slowly scanned these lines written in a bold, flowing
+hand:
+
+Dear Mr. Geoffrey
+
+I find I must be away from home all this week; will you please watch over
+my dear boy for me? Then I shall work with a glad heart. Am I wrong in
+asking this of you, I wonder? Anyway, I am
+
+Your grateful
+
+Hermione C.
+
+P.S. I hear you are a peanut man. You!!
+
+Truly the sun is a thrice-blessed thing--and yet--! Having read this
+over with the greatest attention, taking preposterous heed to every dot
+and comma, having carefully refolded it, slipped it into the envelope
+and hidden it upon his person, he raised his eyes to the spotted text
+upon the wall.
+
+"You're right," quoth he, nodding, "an altogether wise precept and one I
+have had by heart ever since she blessed my sight. I must introduce you
+to her at the earliest--the very earliest opportunity."
+
+Then he fell to whistling softly again, and opening the door, stepped
+out into the bright little sitting room. Early though it was, Mrs.
+Trapes was already astir in her kitchen, and since sunshine is
+indubitably a worker of wonders, Mrs. Trapes was singing, rather harshly
+to be sure, yet singing nevertheless, and this was her song:
+
+"Said the young Obadiah to the old Obadiah,
+ Obadiah, Obadiah, I am dry.
+ Said the old Obadiah to the young Obadiah,
+ Obadiah, Obadiah, so am I.
+ Said the young--"
+
+The song ended abruptly as, opening the door, she beheld her lodger.
+
+"Lordy Lord, Mr. Geoffrey," she exclaimed a little reproachfully,
+"whatever are you a-doin' of, up an' dressed an' not half-past five
+yet?"
+
+"Enjoying the morning, Mrs. Trapes, and yearning for my breakfast."
+
+"Ah, that's just like a man; they're almighty good yearners till
+they get what they yearns for--then they yearns for somethin'
+else--immediate!"
+
+"Well, but I suppose women yearn too, sometimes, don't they?"
+
+"Not they; women can only hope an' sigh an' languish an' break their
+hearts in silence, poor dears."
+
+"What for?"
+
+"Would a couple o' fresh eggs an' a lovely ham rasher soot ye?" enquired
+Mrs. Trapes.
+
+"They will suit."
+
+"Then I'll go and fry' em!"
+
+"And I'll come and look on, if I may," said he, and followed her into
+her neat kitchen.
+
+"And how," said Mrs. Trapes, as she prepared to make the coffee, "how's
+the peanut trade, Mr. Geoffrey?"
+
+"Flourishing, thanks."
+
+"The idea of you a-sellin' peanuts!"
+
+"Well, I've only been guilty of it four days so far, Mrs. Trapes."
+
+"Anyway, you've disgusted Hermy!"
+
+"Ah, so you told her, did you?"
+
+"O' course I did!"
+
+"And what did she say?"
+
+"Laughed at first."
+
+"She has a beautiful laugh!" said Ravenslee musingly.
+
+"An' then she got thoughtful--"
+
+"She's loveliest when she's thoughtful, I think," said Ravenslee.
+
+"An' then she got mad at you an' frowned--"
+
+"She's very handsome when she frowns!" said Ravenslee.
+
+"Oh, shucks!" said his landlady, slapping the ham rasher into the pan.
+
+"And she was very angry, was she?"
+
+"I should say so!" snorted Mrs. Trapes, "stamped her foot an' got red in
+the face--"
+
+"I love to see her flush!" said Ravenslee musingly again.
+
+"Said she wondered at you, she did! Said you was a man without any pride
+or ambition--an' that's what I say too--peanuts!"
+
+"They're very wholesome!" he murmured.
+
+"Sellin' peanuts ain't a man's job, no more than grinding a organ is."
+
+"There's money in peanuts!"
+
+"Money!" said Mrs. Trapes, wriggling her elbow joints. "How much did you
+make yesterday--come?"
+
+"Fifty cents."
+
+"Fifty cents!" she almost screamed, "is that all?"
+
+"No--pardon me! There were three pimply youths on Forty-second
+Street--they brought it up to seventy-five."
+
+"Only seventy-five cents? But you sold out your stock; Tony told me you
+did."
+
+"Oh, yes, trade was very brisk yesterday."
+
+"And you sold everything for seventy-five cents?"
+
+"Not exactly, Mrs. Trapes. You see, the majority of customers on my beat
+are very--er--small, and their pecuniary capabilities necessarily
+somewhat--shall we say restricted? Consequently, I have adopted
+the--er--deferred payment system."
+
+"Land sakes!" said Mrs. Trapes, staring, "d'ye mean ter say--"
+
+"That my method of business is strictly--credit."
+
+"Now look-a-here, Mr. Geoffrey, I'm talkin' serious an' don't want none
+o' your jokes or jollying."
+
+"Solemn as an owl, Mrs. Trapes!"
+
+"Well, then, how d' you suppose you can keep a wife and children, maybe,
+by selling peanuts that way or any way?"
+
+"Oh, when I marry I shall probably turn my--attention to--er--other
+things, Mrs. Trapes."
+
+"What things?"
+
+"Well--to my wife, in the first place."
+
+"Oh, Mr. Geoffrey, you make me tired!"
+
+"Alas, Mrs. Trapes, I frequently grow tired of myself."
+
+Mrs. Trapes turned away to give her attention to the ham.
+
+"Did ye see that b'y Arthur yesterday?" she enquired presently over her
+shoulder.
+
+"Yes."
+
+"How's he like his noo job?"
+
+"Well, I can't say that he seems--er--fired with a passion for it."
+
+"Office work, ain't it?"
+
+"I believe it is."
+
+"Well, you mark my words, that b'y won't keep it a week."
+
+"Oh, I don't know," said Ravenslee, "he seemed quite content."
+
+"You took him to the theayter las' night, didn't you? Wastin' your good
+money, eh?"
+
+"Not very much, Mrs. Trapes," said her lodger humbly.
+
+Mrs. Trapes sniffed. "Anyway, it's a good thing you had him safe out o'
+the way, as it happens."
+
+"Why?"
+
+"Because that loafer M'Ginnis was hanging around for him all the
+evenin'. Even had the dratted imperence to come in here an' ask me where
+he was."
+
+"And what did you tell him?"
+
+"Tell him?" she repeated. "What did I not tell him!" Her voice was
+gentle, but what words could convey all the quivering ferocity of her
+elbows! "Mr. Geoffrey, I told Bud M'Ginnis just exactly what kind o' a
+beast Bud M'Ginnis is. I told Bud M'Ginnis where Bud M'Ginnis come from
+an' where Bud M'Ginnis would go to. I told Bud M'Ginnis the character of
+his mother an' father, very plain an' p'inted."
+
+"And what did he say?"
+
+"He say! Mr. Geoffrey, I didn't give him a chance to utter a single
+word, of course. An' when I'd said all there was to say, I picked up my
+heaviest flatiron, as happened to be handy, an' ordered him out; and Mr.
+Geoffrey, Bud M'Ginnis--went!"
+
+"Under the circumstances," said Ravenslee, "I'm not surprised that he
+did."
+
+"Ah, but he'll come back again, Mr. Geoffrey; he'll find Arthur alone
+next time, an' Arthur'll go along with him, and then--good night! The
+b'y'll get drunk an' lose his job like he did last time."
+
+"Why, then, he mustn't find Arthur alone."
+
+"And who's t' stop him?"
+
+"I."
+
+"Mr. Geoffrey, you're big an' strong, but M'Ginnis is stronger--and
+yet--" Mrs. Trapes ran a speculative eye over Ravenslee's lounging form.
+"H'm!" said she musingly, "but even if you did happen to lick him, what
+about th' gang?"
+
+"Echo, Mrs. Trapes, promptly answers, 'what'?"
+
+"Well, Mr. Geoffrey, I can tell ye there's been more 'n one poor feller
+killed around here to my knowing--yes, sir!"
+
+"But the police?"
+
+"Perlice!" snorted Mrs. Trapes. "M'Ginnis an' his father have a big pull
+with Tammany, an' Tammany is the perlice. Anyways, Mr. Geoffrey, don't
+you go having no trouble with Bud M'Ginnis; leave him to some one as is
+as much a brute-beast as he is."
+
+"But then--what of Spike?"
+
+"Oh, drat him! If Arthur ain't got the horse sense to know who's his
+worst enemy, he ain't worth a clean man riskin' his life over--for it
+would be your life you'd risk, Mr. Geoffrey--mark my words!"
+
+"Mrs. Trapes, your anxiety on my account flatters me, also I'm glad to
+know you think me a clean man. But all men must take risks--some for
+money, some for honour, and some for the pure love of it. Personally, I
+rather like a little risk--just a suspicion, if it's for something worth
+while."
+
+"Mr. Geoffrey, what are you gettin' at?"
+
+"Well, I would remind you that Spike has--a sister!"
+
+"Ah!" said Mrs. Trapes, and her lined face took on a sudden anxious
+expression.
+
+"Therefore, I've been contemplating--er--tackling Mr. M'Ginnis--at a
+proper and auspicious time, of course."
+
+"An' what o' the gang?"
+
+"Oh, drat the gang, Mrs. Trapes."
+
+"But you don't mean as you'd fight M'Ginnis?"
+
+"Well--er--the thought has occurred to me, Mrs. Trapes, though I'm quite
+undecided on the matter, and--er--I believe my breakfast is burning!"
+
+"My land!" ejaculated Mrs. Trapes, turning to snatch the pan from the
+stove, "I'm afraid the fire's ketched it a bit, Mr. Geoffrey--"
+
+"No matter."
+
+"An' now there's the coffee b'ilin' over!"
+
+"Let me help you," said Ravenslee, rising.
+
+"Anyway, your breakfast's ready, so come an' eat it while it's good an'
+hot."
+
+"On condition that you eat with me."
+
+"What, eat wi' you, Mr. Geoffrey--in my best parlour--an' me in me
+workin' clo'es?"
+
+"Ah, to be sure--not to be thought of, Mrs. Trapes; then we'll breakfast
+here in the kitchen."
+
+"Would ye mind?"
+
+"Should love it."
+
+So down they sat together, and Ravenslee vowed the ham was all ham
+should be and the eggs beyond praise. And when his hunger was somewhat
+appeased, Mrs. Trapes leaned her bony elbows on the table and questioned
+him.
+
+"You ain't ever spoke to Hermy, have you, Mr. Geoffrey?"
+
+"Very often, lately."
+
+"I mean--you ain't opened your 'eart to her--matrimonially, have you?"
+
+"No!"
+
+"Why, then, I'll tell you what--there's been times when I've been afraid
+that for the sake o' that b'y she'd sacrifice herself to Bud M'Ginnis."
+
+"No, she would never do that, Mrs. Trapes."
+
+"Oh, but she would."
+
+"But, you see, she couldn't!"
+
+"And why not?"
+
+"Oh, well, because--er--I should kill him first."
+
+"Land sakes, Mr. Geoffrey!" and Mrs. Trapes actually blenched before the
+glare in his eyes that was so strangely at odds with his soft, lazy
+tones.
+
+"And that ends it!" he nodded. "Mrs. Trapes, I've made up my mind!"
+
+"What about?"
+
+"Mr. M'Ginnis. I'll begin to-day."
+
+"Begin what?"
+
+"To prepare myself to bestow on him the thrashing of his life!" So
+saying, Ravenslee stretched lazily and finally got up. "Good morning,
+Mrs. Trapes!" said he.
+
+"But where are ye going?" she demanded.
+
+"To my peanuts," he answered gravely. "'Man is born to labour,' you,
+know."
+
+"But it's early yet."
+
+"But I have much to do--and she laughed at me for being a peanut man,
+did she, Mrs. Trapes--she frowned and flushed and stamped her pretty
+foot at me, did she?"
+
+"She did so, Mr. Geoffrey!"
+
+"I'm glad!" he answered. "Yes, I'm very glad she frowned and stamped
+her foot at me. By the way, I like that text in my bedroom."
+
+"Text?" said Mrs. Trapes, staring.
+
+"'Love one another,'" he nodded. "It is a very--very beautiful
+sentiment--sometimes. Anyway, I'm glad she frowned and stamped at me,
+Mrs. Trapes; you can tell her I said so if you happen to think of it
+when she comes home." And Ravenslee smiled, and turning away, was gone.
+
+"Well," said Mrs. Trapes, staring at the closed door, "of all the--well,
+well!" Then she sighed, shook her head, and fell to washing up the
+breakfast things.
+
+
+
+
+CHAPTER XV
+
+WHICH INTRODUCES JOE AND THE OLD UN
+
+
+The clocks were striking nine as, according to his custom of late,
+Geoffrey Ravenslee trundled his barrow blithely along Thirty-eighth
+Street, halting now and then at the shrill, imperious summons of some
+small customer, or by reason of the congestion of early traffic, or to
+swear whole-heartedly and be sworn at by some indignant Jehu. At length
+he came to Eleventh Avenue and to a certain quarter where the whistle of
+a peanut barrow was seldom heard, and peanuts were a luxury.
+
+And here, in a dismal, small street hard by the river, behold Ravenslee
+halt his gaily painted pushcart, whereat a shrill clamour arises that
+swells upon the air, a joyous babel; and forth from small and dismal
+homes, from narrow courts and the purlieus adjacent, his customers
+appear. They race, they gambol, they run and toddle, for these customers
+are very small and tender and grimy, but each small face is alight with
+joyous welcome, and they hail him with rapturous acclaim. Even the few
+tired-looking mothers, peeping from windows or glancing from doorways,
+smile and nod and forget awhile their weariness in the children's
+delight, as Ravenslee, the battered hat cocked at knowing angle,
+proceeds to "business." Shrill voices supplicate him, little feet patter
+close around him, small hands, eagerly outstretched, appeal to him. Anon
+rise shrieks and infantile crowings of delight as each small hand is
+drawn back grasping a plump paper bag--shrieks and crowings that
+languish and die away, one by one, since no human child may shriek
+properly and chew peanuts at one and the same time. And in a while, his
+stock greatly diminished, Ravenslee trundles off and leaves behind him
+women who smile still and small boys and girls who munch in a rapturous
+silence.
+
+On he went, his oven whistling soft and shrill, his long legs striding
+between the shafts, until, reaching a certain bleak corner, he halted
+again, though to be sure there were few people hereabouts and no
+children. But upon the opposite corner was a saloon, with a large annex
+and many outbuildings behind, backing upon the river, and Ravenslee,
+lounging on the handles of his barrow, examined this unlovely building
+with keen eye from beneath his hat brim, for above the swing doors
+appeared the words:
+
+O'ROURKE'S SALOON
+
+He was in the act of lighting his pipe when the doors of the saloon were
+swung open, and three men came out, in one of whom he recognised the
+tall, powerful figure and broad shoulders of Bud M'Ginnis; his
+companions were remarkable, but in very opposite ways, the one being
+slender and youthful and very smartly dressed, with a face which,
+despite its seeming youth, was strangely haggard and of an unhealthy
+pallor, while the other was plethoric, red-faced and middle-aged, a man
+hoarse of voice and roughly clad, and Ravenslee noticed that this fellow
+lacked the upper half of one ear.
+
+"Saturday night, mind!" said M'Ginnis, loud and authoritative.
+
+"But say, Bud," demanded the smartly dressed youth, "what's coming to us
+on that last deal?"
+
+"Nix--that's what you get, Soapy!" The youth's pale cheek grew livid.
+
+"So you've got the deck stacked against us, eh, Bud?" said he.
+
+"I got a close mouth, Soapy, I guess you don't want me t' open it very
+wide--now or any other old time. Saturday night, mind!" and nodding,
+M'Ginnis turned away. The youth looked after him with venomous eyes,
+and his right hand made a sinister movement toward his hip pocket.
+
+"Aw--quit it; are ye crazy?" grunted his companion. "Bud's got us
+cinched."
+
+"Got us--hell!" snarled the youth. "Bud's askin' for it, an' some day
+he's goin' t' get it--good!"
+
+Toward afternoon, Ravenslee was trundling light-heartedly eastward,
+his barrow emptied to the last peanut. Having reached Fifth Avenue,
+he paused to mop his perspiring brow when a long, low automobile,
+powerfully engined, that was creeping along behind, pulled up with a
+sudden jerk, and its driver, whose immense shoulders were clad in a very
+smart livery, pushed up the peak of his smart cap to run his fingers
+through his close-cropped hair, while his mild blue eyes grew very wide
+and round.
+
+"Crikey!" said he at last. "Is that you, sir, or ain't it?"
+
+"How much?" demanded Ravenslee gruffly.
+
+"Crumbs!" said the chauffeur. "Sir, if you--ain't you, all I say is--I
+ain't me!"
+
+"Aw--what's bitin' ye, bo?" growled Ravenslee.
+
+"Well, if this ain't the rummest go, I'm a perisher!"
+
+"Say, now, crank up d' machine an' beat it while d' goin' 's good. How's
+that, Joe?"
+
+"Lord, Mr. Ravenslee--so you are my guv'nor, and blow me tight--shoving
+a barrer! I knowed it was you, sir; leastways I knowed your legs an' the
+set o' them shoulders, but--with a barrer! Excuse me, sir, but the idea
+o' you pushing a perishing peanut barrer so gay an' 'appy-'earted--well,
+all I can say is love-a-duck!"
+
+"Well now, cut along, Joe, and get ready. I mean to put in some real
+hard work with you this afternoon."
+
+"Right-o, sir!" nodded Joe eagerly. "Lord, but we've missed you
+terrible--the Old Un an' me."
+
+"Glad of it, Joe! Tell Patterson to have my bath ready when we've
+finished. Off with you--drive in the Fifth Avenue entrance."
+
+Joe nodded, and the big car turned and crept silently away, while
+Ravenslee, trundling onward, turned off to the left and so into a very
+large, exceedingly neat garage where stood five or six automobiles of
+various patterns in one of which, a luxurious limousine, an old, old man
+snored blissfully. At the rumble of the barrow, however, this ancient
+being choked upon a snore, coughed, swore plaintively, and finally sat
+up. Perceiving Ravenslee, he blinked, rubbed his eyes, and stepping from
+the car very nimbly despite his years, faced the intruder with a
+ferocious scowl.
+
+He was indeed a very ancient man, though very nattily dressed from
+spotless collar to shiny patent leather shoes, a small, dandified,
+bright-eyed man whose broken nose and battered features bore eloquent
+testimony to long and hard usage.
+
+"'Ook it!" he croaked, with square bony jaw fiercely outthrust. "We
+don't want no peanuts 'ere, d'j 'ear? 'Op off, 'ook it before I break
+every blessed bone in yer bloomin' body!"
+
+"What, Old Un, don't you know me, either?"
+
+"Lumme!" exclaimed the little old man, blinking beneath hoary brows.
+"Ho, lor' lumme, it's 'im! Blimy, it's the Guv'nor--'ow do, Guv!" and
+shooting immaculate cuffs over bony wrists he extended a clawlike hand.
+
+"How are you, Old Un?"
+
+"Well, sir, what with the rheumatix an' a stiff j'int or two an' a touch
+o' lumbager, not to mention all my other ailments, I ain't quite s' spry
+as I was!"
+
+"But you look very well!"
+
+"That's where your heyes deceives you, Guv. A great sufferer I be,
+though patient under haffliction, ho, yus--except for a swear now an'
+then which do me a power o' good--yus! If I was to tell you all the woes
+as my poor old carkiss is hair to, you could write a book on 'em--a big
+'un. I got everything the matter wi' me, I 'ave, from a thick ear an'
+broke nose as I took in Brummagem sixty an' five years ago to a hactive
+liver."
+
+"A what?" enquired Ravenslee.
+
+"A hactive liver. Lord, Guv, my liver gets that hactive lately as I
+can't set still--Joe knows, ax Joe! All as I ain't got o' human woes is
+toothache, not 'avin' no teeth to ache, y' see, an' them s' rotten as it
+'ud make yer 'eart bleed. An' then I get took short o' breath--look at
+me now, dang it!"
+
+"Why, then, sit down, Old Un," said Ravenslee, drawing up a somewhat
+worn armchair. "Joe and I are going at it hard and fast this afternoon,
+and I want you to time the rounds." And he proceeded to remove his
+garments.
+
+"Oh, j'y!" cried the Old Un, hugging himself in bony arms. "Oh, j'yful
+words. Ah, but you peels like a good un, sir," he croaked, viewing white
+flesh and bulging muscle with knowing old eyes, "good an' long in the
+arm an' wide slope o' shoulder. You might ha' done well in the ring if
+you'd been blessed wi' poverty an' I'd 'ad the 'andling of ye--a world's
+unbeat champion, like Joe. A good fighter were I an' a wonnerful
+trainer! Ho, yus, I might ha' made a top-notcher of ye if you 'adn't
+been cursed wi' money."
+
+"I suppose," said Ravenslee thoughtfully, "I suppose Joe was one of the
+best all-round fighting men that ever climbed into a ring?"
+
+"Ah--that 'e were! Joe were better 'n the best--only don't let 'im
+'ear me say so, 'e 'd be that puffed up--Lord! But nobody could beat
+Joe--black, yaller or white; they all tried danged 'ard, but Joe were a
+world-beater--y' see, I trained Joe! An' to-day 'e 's as good as ever 'e
+was. Y' see, Joe's allus lived clean, sir, consequent Joe's sound,
+wind an' limb. Joe could go back an' beat all these fancy bruisers and
+stringy young champs to-day--if 'e only would--but don't let 'im 'ear me
+say so."
+
+"You're fond of Joe, Old Un?"
+
+"An' why for not, sir--s' long as 'e don't know it? Didn't 'e look arter
+poor old me when 'e 'ad money, an' when 'e lost everything, didn't 'e
+look arter me still? An' now 'e 's your shuvver, don' 'e keep a roof
+over me poor old 'ead like a son--don't 'e give me the run o' jour
+garridge an' let me watch 'im spar wi' you an' your gentlemen friends?
+Ain't 'e the best an' truest-'earted man as ever drawed breath? Ah, a
+king o' men is Joe, in the ring an' out, sir--only never let 'im 'ear me
+say so--'e 'd be that proud, Lord! there'd be no livin' wi' 'im--sh,
+'ere 'e be, sir."
+
+Joe had laid by his chauffeur's garb and looked even bigger and grimmer
+in flannels and sweater.
+
+"Ho you, Joe," cried the old man, scowling, "did ye bring me that
+'bacca?"
+
+"S'posin' I didn't?" demanded Joe.
+
+"Then dang ye--twice!"
+
+"An' s'posin' I did?"
+
+"Then--give it 'ere!"
+
+"An' that's his gratitood, sir!" growled Joe, shaking his head and
+giving the packet into the old man's clutching fingers. "A unnat'ral old
+bag-o'-bones, that's what 'e is, sir!"
+
+"Bones!" croaked the Old Un viciously. "Bag-o'-bones am I? Yah--look at
+ye'self--pork, that's what you are, all run to pork an' blubber an' fat,
+Joe, me pore lad--"
+
+"Fat!" growled Joe. "Y' know I ain't fat; y' know I'm as good a man as
+ever I was--look at that, you old sarpent!" And he smote himself with
+mighty fist--a blow to fell an ox. "Fat, am I?"
+
+"As--lard!" nodded the old man, filling half an inch of blackened clay
+pipe with trembling fingers, "as a 'og--"
+
+"Now my crumbs--" began Joe fiercely.
+
+"You're flabby an' soft, me pore lad," grinned the old man. "Flabby as a
+babby an' soft as a woman an' fat as a--"
+
+Joe reached out very suddenly, and picking up the old man, armchair and
+all, shook him to and fro until he croaked for mercy.
+
+"Lor' gorramighty!" he panted, as Joe set him down again.
+
+"Fat, am I?" demanded Joe, scowling.
+
+"Fat as a 'og--fat as forty bloomin' 'ogs!" cried the old man
+vindictively. "An' what's more, your wind's all gone--you couldn't go
+five rounds wi' a good 'un!"
+
+"Couldn't I?"
+
+"No!" shrieked the Old Un, "you'd be 'anging on an' blowing like a
+grampus!"
+
+"Should I?"
+
+"Ah--like a grampus!"
+
+"Right-o!" nodded Joe, turning away, "no jam for _your_ tea to-night."
+
+"Eh, what--what, would ye rob a pore old man of 'is jam, Joe--a pore
+afflicted old cove as is dependent on ye 'and an' fut, Joe--a pore old
+gaffer as you've just shook up to that degree as 'is pore old liver is
+a-bobbin' about in 'is innards like a jelly. Joe, ye couldn't be so
+'eartless!"
+
+"Ah, but I can!" nodded Joe. "An' if ye give me any more lip, it'll be
+no sugar in ye tea--"
+
+"No sugar!" wailed the Old Un, then clenching a trembling old fist, he
+shook it in Joe's scowling face. "Then dang ye--three times!" he cried.
+"What's the old song say?
+
+"'Dang the man with three times three
+ Who in 'is 'eathen rage
+ Can 'arm a 'armless man like me
+ Who's 'ead is bowed wi' age!'
+
+"An' there's for ye. Now listen again:
+
+"'Some men is this an' some is that,
+ But 'ere's a truth I know:
+ A fightin' cove who's run to fat
+ Is bound t' puff an' blow!'
+
+"An' there's for ye again!"
+
+Saying which, the Old Un nodded ferociously and proceeded to light his
+fragmentary pipe. During this colloquy Ravenslee had laid by his shabby
+clothes and now appeared clad and shod for the ring.
+
+"Sir," said Joe, taking a set of gloves from a locker, "if you are ready
+to box a round or so--"
+
+"Why, no," answered Ravenslee, "I don't want to box to-day, Joe."
+
+"Eh?" said Joe, staring, "not?"
+
+"I want to fight, Joe."
+
+"To--fight, sir?" repeated Joe.
+
+"Fight?" cried the Old Un rapturously. "Oh, music--sweet music t' me old
+ears! Fight? Oh, j'yful words! What's the old song say?
+
+"''Appy is the first as goes
+ To black a eye or punch a nose!'"
+
+"Get the mufflers on, Joe; get 'em on an' don't stand staring like a
+fool!"
+
+"But, sir," said Joe, his mild eyes kindling, "d' ye mean as you
+want--the real thing?"
+
+"To-day," said Ravenslee, "instead of boxing a round or two with Joe
+Madden, my chauffeur and mechanic, I want to see how long I can stand up
+to Joe Madden, undefeated champion of the world."
+
+Joe's lean cheek flushed and he looked Ravenslee over with eyes of
+yearning; noted the thin flanks and slender legs that showed speed, the
+breadth of shoulder and long arms that spoke strength, and the deep,
+arched chest that showed endurance; Joe looked and sighed and shook his
+head.
+
+"Sir," said he, "I honour and respect you to that degree as it would be
+a joy to fight such a man as you and a rare privilege t' knock you
+down--but, sir, if I was to knock ye down--"
+
+"You'd earn a five-dollar bill."
+
+"Five dollars--for knockin' you down, sir?"
+
+"Every time!" nodded Ravenslee.
+
+"But Lord, sir--"
+
+"Shut up, Joe, shut up," snarled the Old Un, hopping out of the
+armchair. "Don't gape like a perishin' fish; come on up-stairs an' knock
+the Guv'nor down like 'e tells ye--an' 'arves on the money, mind; it was
+me as taught ye all you know or ever will, so 'arves on the money, Joe,
+'arves on the money. Come on, Joe--d'j 'ear?"
+
+"Crumbs!" said Joe.
+
+"Look at 'im. Guv--look at 'im!" shrieked the old man, dancing to and
+fro in his impatience, "'ere's a chance for 'im to earn a pore old cove
+a bit o' 'bacca money, an', what's better still, t' show a pore old
+fightin' man a bit o' real sport--an' there 'e stands, staring like a
+perishing pork pig! Blimy, Guv, get behind an' 'elp me to shove 'im
+up-stairs."
+
+"But, crikey, sir!" said Joe, "five dollars every time I--"
+
+"Yus, yus, you bloomin' hadjective--two dollars fifty for each of us!
+'Urry up, oh, 'urry up afore 'e changes 'is mind an' begins to 'edge."
+
+So Joe follows his "Guv'nor" and the Old Un up a flight of stairs and
+into a large chamber fitted as a gymnasium, where are four roped and
+padded posts socketed into the floor; close by is a high-backed armchair
+in which the Old Un seats himself with an air of heavy portent.
+
+But when Joe would have ducked under the ropes, the Old Un stayed him
+with an imperious gesture, and, clambering into the ring, advanced to
+the centre and bowed gravely as if to a countless multitude.
+
+"Gentlemen," he piped in his shrill old voice, "I take pleasure to
+introduce Joe Madden, undefeated 'eavyweight champion o' the world, an'
+the Guv--both members of this club an' both trained by me, Jack Bowser,
+once lightweight champion of England an' hall the Americas. Gentlemen,
+it will be a fight to a finish--Markis o' Queensberry rules.
+Gentlemen--I thank ye." Having said which, the Old Un bowed again,
+gravely stepped from the ring, and ensconcing himself in the armchair,
+drew out a large and highly ornate watch, while Ravenslee and Joe
+vaulted over the ropes.
+
+Behold them facing each other, the brown-skinned fighting man wise in
+ringcraft and champion of a hundred fights, and the white-fleshed
+athlete, each alike clean and bright of eye, light-poised of foot,
+quivering for swift action, while the Old Un looks needfully from one to
+the other, watch in one bony hand, the other upraised.
+
+"Get ready!" he croaked. "Go!"
+
+Comes immediately a quick, light tread of rubber-soled feet and the
+flash of white arms as they circle about and about, feinting, watchful
+and wary. Twice Ravenslee's fist shoots out and twice is blocked by
+Joe's open glove, and once he ducks a vicious swing and lands a half-arm
+jolt that makes Joe grin and stagger, whereat the Old Un, standing upon
+his chair, hugs himself in an ecstasy, and forgetful of such small
+matters as five-dollar bills, urges, prays, beseeches, and implores the
+Guv to "wallop the blighter on the p'int, to stab 'im on the mark, and
+to jolt 'im in the kidney-pit."
+
+"Go it, Guv!" he shrieked, "go it! In an' out again, that's
+it--Gorramighty, I never see sich speed. Oh, keep at 'im, Guv--make 'im
+cover up--sock it into 'im, Guv! Ho, lumme, what footwork--you're as
+quick as lightweights--oh, 'appy, 'appy day! Go to it, both on ye!"
+
+And "to it" they went, with jabs and jolts, hooks and swings, with
+cunning feints and lightning counters until the place echoed and
+reechoed to the swift tramp of feet and dull thudding of blows, while
+the Old Un, hugging himself in long, bony arms, chuckled and choked and
+rocked himself to and fro in an ecstasy; moreover, when Joe, uttering a
+grunt, reeled back against the ropes, the Old Un must needs shriek and
+dance and crow with delight until, bethinking him of his duty, he
+checked his excitement, seated himself in the armchair again, and
+announced: "Time! End o' round one."
+
+And it is to be noticed that as they sit down to take their two minutes'
+rest, neither Ravenslee nor Joe, for all their exertions, seem unduly
+distressed in their breathing.
+
+"Sir," says Joe, looking his pupil over, "you're uncommon quick on your
+pins; never knowed a quicker--did you, Old Un?"
+
+"No, me lad--never in all me days!"
+
+"An' you've sure-ly got a punch, sir. Ain't 'e, Old Un?"
+
+"Like a perishin' triphammer!" nodded the Old Un. "Likewise, sir, you've
+a wonderful judgment o' distance--but, sir, you need experience!"
+
+"That's what I'm after, Joe."
+
+"And you take too many chances; you ain't larned caution yet."
+
+"That you must teach me, Joe."
+
+"Which I surely will, sir. In the next round, subject to no objection, I
+propose to knock ye down, sir."
+
+"Which means two dollars fifty for each on us, Joe--mind that," added
+the Old Un.
+
+"So fight more cautious, sir, do," pleaded Joe, "and--look out."
+
+"Time!" croaked the Old Un. "Round two! And Guv, look out for yer p'int,
+cover yer mark, an' keep a heye on yer kidney-pit!"
+
+Once again they faced each other, but this time it was Joe who circled
+quick and catlike, massive shoulders bowed, knees bent, craggy chin grim
+and firm-set, but blue eyes serene and mild as ever. A moment's silent
+sparring, a quick tread of feet, and Joe feints Ravenslee into an
+opening, swings for his chin, misses by an inch, and ducking a vicious
+counter, drives home a smashing body-blow and, staggering weakly,
+Ravenslee goes down full length.
+
+"Shook ye up a bit, sir?" enquired Joe, running up with hands
+outstretched, "take a rest, now do, sir."
+
+"No, no," answered Ravenslee, springing to his feet, "the Old Un hasn't
+called 'Time' yet."
+
+"Not me!" piped the old man, "not bloomin' likely! Go to it, both on
+ye--mind, that's two-fifty for me, Joe!"
+
+What need is there to tell the numerous feints, the lightning shifts,
+the different tricks of in-fighting and all the cunning strategy and
+ringcraft that Joe brought to bear and carefully explained between
+rounds? Suffice it that at the end of a certain fierce "mix up", as
+Ravenslee sat outstretched and panting, the white flesh of arms and
+broad chest discovered many livid marks and patches that told their
+tale; also one elbow was grazed and bleeding, and one knee showed signs
+of contact with the floor.
+
+"Joe," said he, when his wind was somewhat recovered, "that makes it
+thirty dollars I owe you, I think?"
+
+"Why, sir," said Joe, who also showed some slight signs of wear, but
+whose breathing was soft and regular, "why, sir, you couldn't call that
+last one a real knockdown--"
+
+"You 'm a liar, Joe, a liar!" cried the Old Un. "Blimy, Guv, Joe's
+a-tellin' you crackers, s' help me--your 'ands touched the floor, didn't
+they?"
+
+"And my knees, too," nodded Ravenslee, "also my elbow--no, that was last
+time or the time before."
+
+"Well, then, tell this lying Joe-lad o' mine as 'e surely did knock ye
+down. Lord, Joe!" cried the Old Un, waxing pathetic, "'ow can ye go
+takin' money from a pore old cove like I be. Joe, I blushes for
+ye--an'--Time, Time there, both on ye!"
+
+"But we don't want any more, do we, sir?" enquired Joe.
+
+"Why, yes, I think I can go another round or so."
+
+"There y' are, Joe, the Guv's surely a game cove. So get at it, me lad,
+an' try an' knock it up to fifty dollars--'arves, Joe, mind!"
+
+"But, sir," began Joe, eyeing the livid blotches on Ravenslee's white
+skin, "don't ye think--"
+
+"Time--oh, Time, Time!" shrieked the Old Un. Whereupon Ravenslee sprang
+to the centre of the ring, and once again the air resounded with tramp
+of feet and pant of breath. Twice Ravenslee staggers beneath Joe's
+mighty left, but watchful ever and having learned much, Ravenslee keeps
+away, biding his time--ducks a swing, sidesteps a drive, and blocking a
+vicious hook--smacks home his long left to Joe's ribs, rocks him with a
+swinging uppercut, drives in a lightning left and right, and Joe goes
+down with a crash.
+
+Even while the Old Un stared in wide-eyed, gaping amaze, Joe was on his
+feet again, serene and calm as ever, only his great chest laboured
+somewhat, but Ravenslee shook his head.
+
+"I guess that'll be about enough, Joe," said he.
+
+"Guv," cried the Old Un, seizing Ravenslee's right hand, boxing glove
+and all, and shaking it to and fro, "you're a credit to us, you do us
+bloomin' proud--strike me pink, ye do! 'Ere 's Joe 'ammered you an'
+'ammered you--look at your bloomin' chest--lumme! 'Ere 's Joe been
+knockin' ye down an' knockin' ye down, an' you comin' up smilin' for
+more an' gettin' it--'ere's Joe been a-poundin' of ye all over the ring,
+yet you can finish strong an' speedy enough to put Joe down--blimy, Guv,
+you're a wonder an' no error!"
+
+"I don't think Joe fought his hardest, Old Un."
+
+"If 'e didn't," cried the old man, "I'll punch 'im on the nose so 'e
+won't never smell nothink no more."
+
+"Sir," said Joe, "in the first round p'raps I did go a bit easylike, but
+arter that I came at you as 'ard an' 'eavy as I could. I 'it you where
+an' 'ow I could, barrin' your face."
+
+"I hope I shall soon be good enough for you to go for my face as well,
+Joe."
+
+"But, sir--if I give you a black eye--"
+
+"How will--say, ten dollars do?"
+
+"Ten dollars! For blacking your eye, sir?"
+
+"Lumme, Joe!" cried the Old Un, "get back into the ring and black 'em
+both--"
+
+"Shut up!" said Joe, scowling down into the Old Un's eager face, "you
+'eartless old bloodsucker, you!"
+
+"Bloodsucker!" screamed the old man, "w'ot, me? I'll punch you on the
+ear-'ole, Joe, so's you never 'ear nothin' no more."
+
+"Are you on, Joe?" asked Ravenslee, while the Old Un, swearing softly,
+unlaced his gloves.
+
+"But, crumbs, sir--axin' your pardon, things'll come a bit expensive,
+won't they? Y' see--"
+
+"So much the better, ye blighted perisher!" snarled the Old Un, "an'
+don't forget as the Guv owes you thirty dollars a'ready--an' 'arves,
+mind."
+
+"Stow it, you old bag o' wickedness--"
+
+"Bag o'--" the Old Un let fall the boxing gloves and turning on Joe,
+reached up and shook a feeble old fist under the champion's massive
+chin. "Look at this, me lad--look at this!" he croaked. "Some day I
+shall ketch you sich a perishin' punch as'll double ye up till kingdom
+come, me lad, and--Lord, the Guv's countin' out our money--"
+
+"Thirty of 'em, Joe," said Ravenslee, holding out a wad of bills.
+
+"Why, sir," said Joe, backing away, "axing yer pardon, but I'd rayther
+not--you give me such uncommon good wages, sir, and a bonus every race
+we run, win or lose--so, sir, I--I'd rayther not--"
+
+"Not?" cried the Old Un, "not take money as is 'arf mine--Oh, kick 'im,
+somebody--kick 'im! Pound 'im for a pigeon-'earted perishin' pork pig--"
+
+"That'll be no sugar in your tea t'night, old viciousness! But, sir, I'd
+rayther not--"
+
+"Don't 'eed 'im, Guv--don't 'eed the flappin' flounder. If 'e wont
+obleege ye in a little matter like thirty dollars, I will--I'll always
+obleege you--"
+
+"That's enough from you, old tombstones."
+
+"Tombstones!" hissed the Old Un, scowling darkly and squaring his
+trembling fists, "all right, me lad, 'ere 's where I ketch ye one as'll
+flatten ye out till the day o' doom--"
+
+Hereupon Joe caught him above the elbows, and lifting him in mighty
+hands that yet were gentle, seated the snarling old fellow in the
+armchair.
+
+"Old Un," said he, shaking his finger, "if ye give me any more of
+it--off t' bed I take ye without any tea at all!" The Old Un, cowering
+beneath that portentous finger, swore plaintively and promptly subsided.
+
+"And now," said Ravenslee, thrusting the money into Joe's reluctant
+hand, "when I make a bargain, I generally keep it. I wish all my money
+had been spent to such good purpose."
+
+"What about me?" whined the old man humbly, "don't I get none, Joe-lad?"
+
+"Not a cent, you old rasper!"
+
+"Blimy, Guv, you won't forget a old cove as 'ud shed 'is best blood for
+ye?"
+
+"The Guv'nor don't want yer blood, old skin-and-bones. And now, come on,
+sir--"
+
+"Stay a minute, Joe, the Old Un generally keeps time for us when we spar
+rounds."
+
+"That I do, Guv," cried the old man, "an' give ye advice worth its
+weight in solid gold; you owe me a lot, s' 'elp me."
+
+"About how much?"
+
+"Well, Guv, I ain't got me ledger-book 'andy, but roughly speakin' I
+should say about five or six 'undred dollars. But seein' you 's you an'
+I'm me--a old man true-'earted as never crossed nobody--let's
+say--fifteen dollars."
+
+"Why, you old--thievin'--vagabone!" gasped Joe, as Ravenslee gravely
+handed over the money.
+
+"Vagabone yourself!" said the Old Un, counting the bills over in
+trembling fingers. "The Guv wants a bath--take 'im away--'ook it, d'j
+'ear?"
+
+"Has Patterson got everything ready, Joe?" enquired Ravenslee, taking up
+his clothes.
+
+"No, sir," mumbled Joe, "but I'll have ye bath ready in a jiffy, sir."
+
+"But where's Patterson?"
+
+"Well, 'e--'e 's out, sir."
+
+"And the footmen?"
+
+"They're out, sir."
+
+"Oh! And the housekeeper--er--what's her name--Mrs. Smythe?"
+
+"Gone to call on her relations, sir."
+
+"Ah! And the maids?"
+
+"Mrs. Smythe give 'em leave of habsence, sir. Y' see, sir," said Joe
+apologetically, "you're 'ere so seldom, sir."
+
+"My servants are not exactly--er--worked to death, Joe?"
+
+"No, sir."
+
+"Manage to look after themselves quite well?"
+
+"Yes, sir."
+
+"It seems I need some one to look after them--and me."
+
+"Yes, sir."
+
+"A woman, Joe--one I can trust and honour and--what d' ye think?"
+
+"I think--er--yes, sir."
+
+"Well--what do you suggest?"
+
+"Marry her, sir."
+
+"Joe, that's a great idea! Shake hands! I surely will marry her--at
+once--if she'll have me."
+
+"She'll have you, sir."
+
+"Do you really think she will, Joe?"
+
+"I'm dead certain, sir."
+
+"Joe, shake again. I'll speak to her when she comes home. To-morrow's
+Saturday, isn't it?"
+
+"As ever was, sir."
+
+"Then, Joe--wish me luck; I'll ask her--to-morrow!"
+
+
+
+
+CHAPTER XVI
+
+OF THE FIRST AND SECOND PERSONS, SINGULAR NUMBER
+
+
+It was Saturday morning, and Hermione was making a pie and looking
+uncommonly handsome about it and altogether feminine and adorable; at
+least, so Ravenslee thought, as he watched her bending above the pastry
+board, her round, white arms bared to each dimpled elbow, and the
+rebellious curl wantoning at her temple as usual.
+
+"But why kidneys, my dear?" demanded Mrs. Trapes, glancing up from the
+potatoes she was peeling. "Kidneys is rose again; kidneys is always
+risin', it seems to me. If you must have pie, why not good, plain
+beefsteak? It's jest as fillin' an' cheaper, my dear--so why an'
+wherefore kidneys?"
+
+"Arthur likes them, and he'll be hungry when he comes in--"
+
+"Hungry," snorted Mrs. Trapes, "that b'y's been hungry ever since he
+drawed the breath o' life. How's he gettin' on with his new job?"
+
+"Oh, splendidly!" cried Hermione, flushing with sisterly pride, "they've
+promised him a raise next month."
+
+"What, already?" exclaimed Mrs. Trapes, cutting viciously into a potato.
+"If he don't watch out, they'll be makin' him a partner next."
+
+"Oh, Ann, I wish you were not quite so--so hard on him!" sighed
+Hermione. "Remember, he's only a boy!"
+
+"You were a woman at his age, earning enough t' keep ye both--but there!
+I don't mean t' be hard, Hermy; anyway, a man's never much good till
+he's growed up, and then only because some woman teaches him how t' be."
+
+"What do you say to that, Mr. Geoffrey?" enquired Hermione, pausing,
+flour-dredger in hand, to glance at him slily under her brows.
+
+"I think Mrs. Trapes is a wonderful woman," he answered.
+
+"Ah, now, Mr. Geoffrey, quit y'r jollying," said Mrs. Trapes, smiling at
+the potato.
+
+"Mrs. Trapes has taught me much wisdom already and, among other things,
+that I shall never be or do anything worth the while without the aid of
+a woman--"
+
+"Lord, Mr. Geoffrey, I never remember sayin' no sich thing!"
+
+"Not in so many words, perhaps, but you implied it, Mrs. Trapes."
+
+"H'm!" said Mrs. Trapes dubiously.
+
+"Consequently, I mean to ask that woman--on the very first opportunity,
+Miss Hermione." Seeing that Hermione was silent, all her attention being
+centred in the dough her white fists were kneading, Mrs. Trapes spoke
+instead.
+
+"D' ye mean as you want some one t' look after you--to sew an' cook an'
+wash an' sew buttons on for ye--I know the sort!"
+
+"I certainly do, and--"
+
+"Ah, it's a slave you want, Mr. Geoffrey, and peanut men don't have
+slaves--not unless they marries 'em, and a woman as would marry a peanut
+man has only herself t' blame--peanuts!"
+
+Hermione laughed, reached for the rolling-pin, and immediately fell to
+work with it, her head stooped rather lower than was necessary. As for
+Ravenslee, he lounged in his chair, watching the play of those round,
+white arms.
+
+"But why the kidneys, Hermy? You've got to cut out luxuries now, my
+dear--we all have, I guess; it'll be dry bread next, I reckon."
+
+"Why so?" enquired Ravenslee lazily.
+
+"Why?" cried Mrs. Trapes bitterly, "I'll tell you why--because me an'
+Hermy an' every one else is bein' squeezed dry t' fill the pockets of a
+thing as calls itself a man--a thievin' beast on two legs as is suckin'
+our blood, gnawin' our flesh, grindin' the life out of us--a great fat
+man as is treadin' us down under his great boots, down an' down to
+slavery--death--an' worse--it's such men as him as keeps the flames of
+hell goin'--fat frizzles well, an' so will Mulligan, I hope!"
+
+"Mulligan?" enquired Ravenslee.
+
+"He's raised the rents on us, Mr. Geoffrey," sighed Hermione.
+
+"Raised the rents?" said Ravenslee, forgetting to lounge.
+
+"Sure!" nodded Mrs. Trapes grimly. "I guess he thinks we live too easy
+an' luxoorious, so he's boosted it up a dollar per. A dollar a week
+don't sound a whole lot, p'raps, but it sure takes some gettin'; folks
+expects a deal o' scrubbin' an' sewin' an' slavin' for a dollar--yes,
+sir."
+
+"We shall have to work a little harder, that's all, Ann dear."
+
+"Harder? I guess you work hard enough for two--an' who gets the benefit?
+Why, Mulligan does. Oh, it's a great comfort t' remember the flames of
+hell, sometimes. Lord, when I think how we have t' slave t' make enough
+t' live--"
+
+"There are others worse than us, Ann."
+
+"Why, yes, there's poor Mrs. Finlay; she's got to go, an' her husband
+paralysed! There's little Mrs. Bowker sewed herself pretty well blind t'
+keep her home together--she's got to go. There's Mrs. Sims with all
+those children, and the--but there, who cares for the likes o' them--who
+cares, eh, Mr. Geoffrey? An' what might you be dreamin' over this time?"
+she enquired, eyeing Ravenslee's long figure a little contemptuously,
+for he had fallen to lounging again, sleepy eyes half closed.
+
+"I was thinking what a lot of interest we might find in this busy
+world--if we only would take the trouble to look for it!" he answered.
+"The fool who complains that his life is empty is blind and deaf
+and--damnably thick--er--pardon me, I--er nearly got excited."
+
+"Excited?" snorted Mrs. Trapes, "I'd pay good money t' see you like
+that!"
+
+"You see, I had an idea--a rather original idea!"
+
+"Then take care of it, Mr. Geoffrey; nurse it careful, and we'll have ye
+doin' bigger things than push a peanut barrer--peanuts!"
+
+"Mrs. Trapes, I've got a stranglehold on that idea, for it is rather
+brilliant."
+
+"There's that kettle b'ilin' at last, thank goodness!" sighed Mrs.
+Trapes, crossing to the stove, "tea's a luxury, I suppose, but--oh, drat
+Mulligan, anyway!"
+
+So Mrs. Trapes brewed the tea, while Ravenslee gazed at Hermione again,
+at her shapely arms, her dimpled elbows, her preoccupied face--a face so
+serenely, so utterly unaware of his regard, of course, until he chanced
+to look away, and then--Hermione stole a glance at him.
+
+"There, my dear," said Mrs. Trapes after a while, "there's a cup o' tea
+as _is_ a cup o' tea, brewed jest on the b'ile, in a hot pot, and drawed
+to perfection! Set right down an' drink it, slow an' deliberate. Tea
+ain't meant to be swallowed down careless, like a man does his beer! An'
+why?" demanded Mrs. Trapes, as they sipped the fragrant beverage, all
+three, "why ain't you out with your precious--peanuts, Mr. Geoffrey?"
+
+Ravenslee set down his cup and turned to Hermione.
+
+"Mrs. Trapes has told you, I think, that I am become--er--an itinerant
+vendor of the ubiquitous peanut--"
+
+"Mr. Geoffrey!" gasped Mrs. Trapes, gulping a mouthful of hot tea and
+blinking, "I never did! Never in all my days would I allow myself such
+expressions--Mr. Geoffrey, I'm ashamed at you! An' that reminds me--it
+was chicken fricassee, wasn't it? For your supper, I mean?"
+
+"I believe it was."
+
+"Then," said Mrs. Trapes, rising, "I'll go an' buy it. Was you wantin'
+anything fetched, Hermy?"
+
+"If you wouldn't mind bringing a bunch of asparagus--"
+
+"Sparrergrass!" exclaimed Mrs. Trapes in horror-struck tones, "why, it's
+anywhere from thirty to sixty cents--"
+
+"But Arthur loves it, dear, and now that he's working so hard--"
+
+"Arthur likes!" cried Mrs. Trapes indignantly. "Mr. Geoffrey, it's been
+Arthur ever since he was born, an' her scrinchin' an' pinchin' herself
+for the sake o' that b'y. O' course he likes sparrergrass--so do I--but
+I make shift with pertatoes or cabbidge or carrots--an' so should he.
+Come now, Hermy, you take a bunch o' carrots instead; carrots is healthy
+an' cheap! Come now, is that sparrergrass to be carrots or not?"
+
+"Ann, that asparagus is to be--asparagus!"
+
+"Such wicked extravagance, an' all for that b'y. Hermy, I'm surprised at
+ye!"
+
+For a long moment after Mrs. Trapes had departed there was silence,
+while Ravenslee sat gazing where Hermione stood busy at her pastry
+again.
+
+"Mr. Geoffrey," said she at last, "I want to thank you for watching over
+my boy. Arthur told me how good you were to him while I was away. I want
+you to know how grateful I am--"
+
+"What beautiful hands you have, Hermione--and I shall dream of your
+arms."
+
+"My arms?" she repeated, staring.
+
+"They're so--smooth and white--"
+
+"Oh, that's flour!" said she, bending over the table.
+
+"And so--round--"
+
+"Oh, Mr. Geoffrey! Can't you find something else to talk about?"
+
+"Why, of course," he answered, "there are your feet, so slender and
+shapely--"
+
+"In these frightful old shoes!" she added.
+
+"Worn out mostly in other peoples' service," he nodded. "God bless
+them!"
+
+"They let the wet in horribly when it rains!" she sighed.
+
+"So heaven send us dry weather! Then there is your wonderful hair," he
+continued, "so long and soft and--"
+
+"And all bunched up anyhow!" said she, touching the heavy, shining
+braids with tentative fingers. "Please don't say any more, Mr. Geoffrey,
+because I just know I look a sight--I feel it! And in this old gown
+too--it's the one I keep to scrub the floors in--"
+
+"Scrub the floors?" he repeated.
+
+"Why, of course, floors must be scrubbed, and I've had plenty--oh,
+plenty of experience--now what are you thinking?"
+
+"That a great many women might envy you that gown for the beauty that
+goes with it. You are very beautiful, you know, Hermione."
+
+"And beauty in a woman is--everything, isn't it?" she said a little
+bitterly and with head suddenly averted.
+
+"Have I offended you?"
+
+"No," she answered without looking around, "only sometimes you are so
+very--personal."
+
+"Because the First and Second Persons Singular Number are the most
+interesting persons in the world, and--Hermione, in all this big world
+there is only one person I want. Could you ever learn to love a peanut
+man?"
+
+"That would all depend--on the peanut man," she answered softly, "and
+you--you don't talk or act a little bit like a real peanut man."
+
+"Well, could you stoop to love this peanut man just as he is, with all
+his faults and failures, love him enough to trust yourself to his
+keeping, to follow him into the unknown, to help him find that Beautiful
+City of Perhaps--could you, Hermione?" As he ended he rose to his feet,
+but swiftly, dexterously, she eluded him.
+
+"Wait!" she pleaded, facing him across the table, "I--I want to talk to
+you--to ask you some questions, and I want you to be serious, please."
+
+"Solemn as sixty judges!" he nodded.
+
+"Well, first, Mr. Geoffrey--why do you pretend to sell peanuts?"
+
+"Pretend!" he repeated, trying to sound aggrieved.
+
+"Oh, I'm not blind, Mr. Geoffrey."
+
+"No, indeed--I think your eyes are the most beau--"
+
+"Oh, please, please be serious!"
+
+"As a dozen owls!"
+
+"I--I know," she went on quickly, "I'm sure you haven't always had to
+live in such--such places as Mulligan's. I know you don't belong here as
+I do. Is it necessity has driven you to live here or only--curiosity?"
+
+"Well--er--perhaps a little of both," he admitted.
+
+"Then you're not obliged to sell peanuts for a living?"
+
+"'Obliged' is scarcely the word, perhaps; let us call it a peanut
+penchant, a hobby, a--"
+
+"You are not quite so--poverty-stricken as you pretend?" Her voice was
+very soft and gentle, but she kept her head averted, also her foot was
+tapping nervously in its worn shoe.
+
+"Oh, as to money," he answered, "I have enough for my simple needs, but
+in every other sense I am a miserable pauper. You see, there are some
+things no money can buy, and they are generally the best things of
+life."
+
+"And so," said she, interrupting him gently, "you come here to
+Mulligan's, you deceive every one into thinking you are very poor, you
+make a pretence of selling peanuts and push a barrow through the
+streets--why?"
+
+"First, because pushing a barrow is--er--very healthy exercise."
+
+"Yes, Mr. Geoffrey?" she said in the same soft voice.
+
+"And second," he continued, wishing he could see her face, "second,
+because I find it--er, well--highly amusing."
+
+"Amusing!" she cried, turning suddenly, her eyes very bright and her
+cheeks hot and anger-flushed. "Amusing!" she repeated, "ah, yes--that's
+just it--it's all only a joke to you, to be done with when it grows
+tiresome. But my life here--our life is very real--ah, terribly real,
+and has been--sordid sometimes. What is only sport to you for a little
+while is deadly earnest to me; you are only playing at poverty, but I
+must live it--"
+
+"And thirdly," he continued gently, "because I love you, Hermione!"
+
+"Love me!" she repeated, shaking her head. "Ah, no, no--your world is
+not my world nor ever could be."
+
+"Why, then, your world shall be mine."
+
+"Yes, but for how long?" she demanded feverishly. "I wonder how long you
+could endure this world of mine? I have had to work and slave all my
+life, but you--look at your hands, so white and well-cared for--yours
+are not the hands of a worker!"
+
+"No, I'm afraid they're not!" he admitted a little ruefully.
+
+"Now look at mine--see my fingers all roughened by my needle."
+
+"Such busy, capable hands!" said he, drawing a pace nearer, "hands
+always working for others, so strong to help the distressed. I love and
+honour them more just because of those work-roughened fingers." As he
+spoke he reached out very suddenly, and clasping those slender hands,
+stooped and kissed them reverently. Now, glancing up, he beheld her red
+lips quivering while her eyes were suffused all at once, as, drooping
+her head, she strove to loose his hold.
+
+"Let me go!" she whispered, "I--I--ah, let me go!"
+
+"Hermione," he breathed, "oh, Hermione, how beautiful you are!" But at
+this she cried out almost as if he had struck her and, wrenching her
+hands free, covered her face.
+
+"Oh, God!--are all men the same?"
+
+"Hermione," he stammered, "Hermione--what do you mean?"
+
+"I mean," she answered, proud head up-flung, "there were always plenty
+of men to tell me that--when I was an office scrubwoman. Well?" she
+demanded fiercely, stung by something in his look, "what did you think
+I'd been? When a girl is left alone with a baby brother to care for,
+she can't wait and pick and choose work that is nice and ladylike; she
+must take what comes along or starve--so I worked. I used to scrub
+floors and stairs in an office building. I was very young then, and
+Arthur hardly more than a baby, and it was either that or starvation
+or--" she flushed painfully, but her blue eyes met his regard
+unflinchingly; "anyway, I--preferred to be a scrubwoman. So now you know
+what I mean by your world not being my world, and I--I guess you see
+how--how impossible it all is."
+
+For a long moment was a silence wherein she stood turned from him, her
+trembling fingers busily folding and refolding a pleat in her apron
+while he stared down blindly at the floor.
+
+"So you preferred the slavery of scrubbing floors, did you, Hermione?"
+he said at last.
+
+"Of course!" she answered, without turning or lifting her heavy head.
+
+"And that," said he, his voice as placid, as serenely unhurried as
+usual, "and that is; just why all things are going to be possible to
+us--yes, even turning my wasted years to profit. Oh, my Hermione, help
+me to be worthy of you--teach me what a glorious thing life may be--"
+
+"I?" she said wonderingly, her drooping head still averted, "but I am--"
+
+"Just the one woman I want to be my own for ever and always, more--far
+more than I have ever wanted anything in my life."
+
+"But," she whispered, "I am only--"
+
+"The best, the noblest I have ever known."
+
+"But a--scrubwoman!"
+
+"With dimples in her elbows, Hermione!" In one stride he was beside her,
+and she, because of his light tone, must turn at last to glance up at
+him half-fearfully; but those grey eyes were grave and reverent, the
+hands stretched out to her were strangely unsteady, and when he spoke
+again, his voice was placid no longer.
+
+"Dear," he said, leaning toward her, "from the very first I've been
+dying to have you in my arms, but now I--I dare not touch you unless
+you--will it so. Ah, don't--don't turn from me; let me have my
+answer--look up, Hermione!"
+
+Slowly she obeyed, and beholding the shy languor of her eyes, the sweet
+hurry of her breathing, and all the sighing, trembling loveliness of
+her, he set his arms about her, drawing her close; and she, yielding to
+those compelling arms, gave herself to the passion of his embrace. And
+so he kissed her, her warm, soft-quivering mouth, her eyes, her silken
+hair, until she sighed and struggled in his clasp.
+
+"My hair," she whispered, "see--it's all coming down!"
+
+"Well, let it--I'd love to see it so, Hermione."
+
+"Should you? Why then--let me go," she pleaded.
+
+Reluctantly he loosed her, and standing well beyond his reach, she shook
+her shapely head, and down, down fell the heavy coils, past shoulder and
+waist and hip, rippling in shining splendour to her knees. Then, while
+he gazed spellbound by her loveliness she laughed a little unsteadily,
+and flushing beneath his look, turned and fled from him to the door;
+when he would have followed she stayed him.
+
+"Please," she said, tender-voiced, "I want to be alone--it is all so
+wonderful, I want to be alone and--think."
+
+"I may see you again to-night, Hermione? Dear--I must."
+
+"Why, if you must," she said, "how can I--prevent you?"
+
+Then, all at once, her cool, soft arms were about his neck, had drawn
+him down to meet her kiss, and--he was alone with the pastry board, the
+rolling-pin and the flour-dredger--but he saw them all through a golden
+glory, and when he somehow found himself out upon the dingy landing, the
+glory was all about him still.
+
+
+
+
+CHAPTER XVII
+
+HOW GEOFFREY RAVENSLEE MADE A DEAL IN REAL ESTATE
+
+
+The morning sun blazed down, and Tenth Avenue was full of noise and dust
+and heat; children screamed and played and fought together, carts
+rumbled past, distant street cars clanged their bells, the sidewalks
+were full of the stir and bustle of Saturday; but Ravenslee went his way
+heedless of all this, even of the heat, for before his eyes was the
+vision of a maid's shy loveliness, and he thrilled anew at the memory of
+two warm lips. Thus he strode unheeding through the jostling throng at a
+speed very different from his ordinary lounging gait. Very soon he came
+to a small drug-store, weather-beaten and grimy of exterior but very
+bright within, where everything seemed in a perpetual state of glitter,
+from the multitudinous array of bottles and glassware upon the shelves
+to the taps and knobs of the soda fountain. Yet nowhere was there
+anything quite so bright as the shrewd, twinkling eyes of the little
+grey-haired man who greeted Ravenslee with a cheery nod.
+
+"Hot enough?" he enquired.
+
+"Quite!" answered Ravenslee.
+
+"Goin' to be hotter."
+
+"Afraid so."
+
+"Rough on th' kiddies, an' ice goin' up. Which reminds me I sent on the
+mixture you ordered for little Hazel Bowker."
+
+"Good," nodded Ravenslee.
+
+"And the pills to Mrs. Sims."
+
+"Good again."
+
+"An' the sleeping-draught for old Martin Finlay."
+
+"Good once more."
+
+"Won't last long, old Martin, I guess. Never been the same since little
+Maggie drowned herself, poor child. What d'ye want this morning?"
+
+"First to pay for the medicine," said Ravenslee, laying a five-dollar
+bill on the counter, "and then the use of your 'phone."
+
+"Right there," said the chemist, nodding toward a certain shady corner,
+where, remote from all intruding bustle, was a telephone booth into
+which Ravenslee stepped forthwith and where ensued the following
+one-sided conversation:
+
+Ravenslee. "Hello!"
+
+Telephone. "Buzz!"
+
+Ravenslee. "Hello, Central, give me Thirty-three Wall, please."
+
+Telephone. "Ting-a-ling--buzz!"
+
+Ravenslee. "Damn this 'phone--what? No, I said Double-three
+Wall."
+
+Telephone. "Buzz! Ting! Zut!"
+
+Ravenslee. "Sounded different, did it? Well, I want--"
+
+Telephone. "Buzz! Zut! Ting!"
+
+Ravenslee. "Thanks. Hello, that Thirty-three Wall? Dana and
+Anderson's Office? Good! I want to speak with Mr. Anderson--say Mr.
+Ravenslee."
+
+Telephone. "Zing!"
+
+Ravenslee. "Thanks. That you, Anderson?"
+
+Telephone. "Pang!"
+
+Ravenslee. "Thanks--very well! What the devil's wrong with this
+instrument of torment--can you hear me?"
+
+Telephone. "Crack!"
+
+Ravenslee. "Good! Yes--that's better! Now listen; I want you to
+do some business for me. No, I'm buying, not selling. I'm going into
+real estate. What, a bad speculation? Well, anyway, I'm buying tenement
+property in Tenth Avenue, known as Mulligan's, I believe. Oh, you've
+heard of it, eh? Not in the market? Not for sale? Well, I'll buy it. Oh,
+yes, you can--what d' you suppose is his figure? So much? Phew! Oh,
+well, double it. No, I'm not mad, Anderson. No, nor drunk--I just happen
+to want Mulligan's--and I'll have it. When can you put the deal through?
+Oh, nonsense, make him sell at once--get him on the 'phone. Oh, yes, he
+will, if you offer enough--Mulligan would sell his mother--at his own
+price. You quite understand--at once, mind! All right, good-by. No, I'm
+not mad--nor drunk, man; I haven't tasted a cocktail for a month. Eh--go
+and get one? I will!"
+
+So saying, Ravenslee hung up the receiver and hastened out of the
+stifling heat of the suffocating booth, mopping perspiring brow.
+
+"You look kinder warm!" ventured the chemist.
+
+"I feel it."
+
+"And it's going to be warmer. Try an ice-cream soda--healthy and
+invigorating."
+
+"And better than any cocktail on such a day!"
+
+"I guess! Take one?"
+
+"Thank you, yes."
+
+So the bright-eyed chemist mixed the beverage and handed it over the
+counter.
+
+"Chin-chin!" he nodded.
+
+"Twice," said Ravenslee, lifting the long glass. "To the Beautiful City
+of Perhaps!" and he drank deep.
+
+"Say," said the chemist, staring, "that sounds t' me like a touch of the
+sun. Try a bottle of my summer mixture, good for sunstroke, heat-bumps,
+colic, spasms, and Hell's Kitchen generally--try a bottle?"
+
+"Thanks," said Ravenslee, "I will." And grimly pocketing the bottled
+panacea, he stepped out into the hot and noisy avenue.
+
+
+
+
+CHAPTER XVIII
+
+HOW SPIKE HEARKENED TO POISONOUS SUGGESTION AND SOAPY BEGAN TO WONDER
+
+
+Spike was on his way from the office, very conscious of his new straw
+hat and immaculate collar; his erstwhile shabby suit had been cleaned
+and pressed by Hermione's skilled and loving fingers, hence Spike turned
+now and then as he passed some shop window to observe the general effect
+with furtive eye; and stimulated by his unwontedly smart appearance, he
+whistled joyously as he betook himself homeward. Moreover in his breast
+pocket was his pay envelope, not very bulky to be sure, wherein lay his
+first week's wages, and as often as he turned to glance at the tilt of
+the straw hat or heed the set of his tie, his hand must needs steal to
+this envelope to make sure of its safety. His fingers were so employed
+when he chanced to espy a certain article exposed for sale in an
+adjacent shop window; whereupon, envelope in hand, he incontinent
+entered and addressed the plump Semitic merchant in his usual easy
+manner.
+
+"Greetings, Abe! I'll take one o' them hair-combs."
+
+"Hair-gombs?" nodded the merchant. "Vot kind?"
+
+"What kind? Why, the best you got."
+
+"Ve got 'em up to veefty dollars--"
+
+"Come off it, Cain, come off--I ain't purchasin' a diamond aigrette
+to-day, it's a lady's hair-comb I want--good, but not too
+flossy-lookin'--savvy that? This'll do, I guess--how much? Right there!"
+said Spike, flicking a bill upon the counter. "That's it, stick it in a
+box--oh, never mind th' wrappin's. S'long, Daniel!"
+
+With his purchase in his pocket, Spike strode out of the shop,
+whistling cheerily, but the merry notes ended very suddenly as he dodged
+back again, yet not quite quick enough, for a rough voice hailed him,
+hoarse and jovial.
+
+"Why, hello, Kid, how goes it?" M'Ginnis's heavy hand descended on his
+shrinking shoulder and next moment he was out on the sidewalk where
+Soapy lounged, a smouldering cigarette pendent from his thin, pallid
+lips as usual. And Soapy's eyes, so bright between their narrowed, puffy
+lids, so old-seeming in the youthful oval of his pale face, were like
+his cigarette, in that they smouldered also.
+
+"Holy smoke!" exclaimed M'Ginnis, surveying Spike up and down in mock
+amazement, "this ain't you, Kid--no, this sure ain't you. Looks all t'
+th' company-promoter, don't he, Soapy?"
+
+"'S' right, Kid, 's' right!" nodded the pallid youth, his smouldering
+eyes always turning toward M'Ginnis.
+
+"Say, now, Bud, quit your kiddin'!" said Spike petulantly.
+
+"But, Gee whiz!" exclaimed M'Ginnis, tightening his grasp, "you sure are
+some class, Kid, in that stiff collar an' sporty tie. How's the stock
+market? Are ye a bull or a bear?"
+
+"Ah, cut it out, Bud!" cried the lad, writhing.
+
+"Right-o, Kid, right-o!" said M'Ginnis, loosing his hold. "You're comin'
+over t' O'Rourke's t'night, of course?"
+
+"Why, no, Bud--I can't."
+
+"Oh, t' hell wid that--I got you all fixed up to go ten rounds wid Young
+Alf, th' East Side Wonder--"
+
+"What?" exclaimed Spike, his eyes bright and eager, "you got me a match
+wi' Young Alf? Say, Bud--you ain't stringing me, are ye?"
+
+"Not much. I told you I'd get ye a real chance--"
+
+"Why," cried Spike, "if I was t' lick Young Alf, I'd be in line t' meet
+th' top-notchers!"
+
+"Sure--if you lick him!" nodded M'Ginnis grimly.
+
+"Say," said Spike, his face radiant, "I've just been waitin' an'
+waitin' for a chance like this--a chance t' show you an' th' bunch I can
+handle myself, an' now"--he stopped all at once, and shaking his head
+gloomily, turned away. "I forgot, I--I can't, Bud."
+
+"Aw, what's bitin' ye?"
+
+"I can't come t'night."
+
+"Won't come, ye mean!"
+
+"Can't, Bud."
+
+"Why not?"
+
+"I promised Hermy t' quit fightin'--"
+
+"Is that all? Hermy don't have t' know nothin' about it. This is a swell
+chance for ye, Kid, the best you'll ever get, so just skin over t'night
+an' don't say nothin' t' nobody."
+
+"I--can't, Bud--that's sure."
+
+"Goin' t' give me d' throw-down, are ye?"
+
+"I don't mean it that ways, Bud, but I can't break my promise t' Hermy--"
+
+"She'd never know."
+
+"She'd find out some ways; she always does, and I can't lie t' her."
+
+"So you won't come, hey? We ain't classy enough for ye these days, hey?
+I guess goin' to an office every day is one thing an' crackin' a
+millionaire's crib's another."
+
+"Cheese it, Bud, cheese it!" gasped Spike, pale and trembling.
+
+"Right-o, Kid!" nodded M'Ginnis, "but I've been wantin' t' know how ye
+made your get-away that night."
+
+"Oh, quit--quit talkin' of it!" Spike panted. "I--I want t' forget all
+about it. I been tryin' t' think it never happened."
+
+"Ah, but you know it did," said M'Ginnis, "an' I know it, an' Soapy
+knows it did--don't yer, Soapy?"
+
+"'S' right!" nodded Soapy, his voice soft, his eyes hard and malevolent.
+
+"So we kinder want t' know," continued M'Ginnis, heedless always of
+those baleful watching eyes, "we just want t' get on t' how you--"
+
+"Oh, say--give it a rest!" cried Spike desperately. "Give it a rest,
+can't ye?"
+
+"Why, then, Kid, what about comin' over t' O'Rourke's t'night?"
+
+Spike wrung his hands. "If Hermy finds out, she'll--cry, I guess--"
+
+"Hermy!" growled M'Ginnis, black brows fierce and scowling, "a hell of
+a lot you care for Hermy, I--don't think!"
+
+"Say now, you Bud, whatcher mean?" demanded Spike, quivering with sudden
+anger.
+
+"Just this, Kid--what kind of a brother are ye t' go lettin' that noo
+pal o' yours--that guy you call Geoff--go sneaking round her morning,
+noon, an' night?"
+
+"You cut that out, Bud M'Ginnis. Geoff don't! Geoff ain't that kind."
+
+"He don't, eh? Well, what about all this talk that's goin' on--about him
+an' her, an' her an' him--eh?"
+
+"What talk?" demanded Spike, suddenly troubled.
+
+"Why, every one's beginnin' t' notice as they're always meetin' on th'
+stairs--an' him goin' into her flat, an' them talkin' an' laughin'
+together when you're out o' th' way--ah," growled M'Ginnis, between
+grinding white teeth, "an' likely as not kissin' an' squeezin' in
+corners--"
+
+"That's enough--that's enough!" cried the boy, fronting M'Ginnis,
+fierce-eyed. "Nobody ain't goin' t' speak about Hermy that way."
+
+"Y' can't help it, Kid. Here's this guy Geoff, this pal o' yours--been
+with her--in her flat with her, all th' mornin'--ain't he, Soapy?"
+
+"'S' right, Kid!" nodded that pallid individual, the smouldering
+cigarette a-swing between pale lips; and, though he addressed Spike, his
+furtive eyes, watching aslant between narrowed lids, glittered to behold
+M'Ginnis's scowling brow; also the wolverine mouth curled faintly, so
+that the pendulous cigarette stirred and quivered.
+
+"Oh, I'm handin' ye the straight goods, Kid," M'Ginnis went on. "I'm
+puttin' ye wise because you're my pal, an' because I've known Hermy an'
+been kind o' soft about her since we was kids."
+
+"Well, then, you know she--she ain't that sort," said Spike, his voice
+quavering oddly. "So--don't you--say no more--see?"
+
+"All right, Kid, all right--only I don't like t' see this pal o' yours
+gettin' in his dirty work behind your back. If anything happens--don't
+blame me--"
+
+"What--what you tryin' t' tell me--you Bud?" questioned Spike, between
+quivering lips.
+
+"I'm tellin' ye things are gettin' too warm--oh, Hermy ain't the icicle
+she tries t' make out she is."
+
+"An' I'm tellin' you--you're a liar, Bud M'Ginnis--a dirty liar!" cried
+the boy.
+
+M'Ginnis's bull neck swelled; between his thick, black brows a vein
+swelled and pulsed. Viewing this, Soapy's glittering eyes blinked, and
+the pendulous cigarette quivered faintly again.
+
+"Now by--" began M'Ginnis, lifting menacing fist; then his arm sank, and
+he shook his big, handsome head. "Oh, pshaw!" he exclaimed, "I guess
+you're all worked up, Kid, so I ain't takin' no notice. But savvy this,
+Kid, if Hermy ain't goin' t' marry me on th' level, she ain't goin' t'
+let this guy have her--the other way--not much! I guess you ain't
+forgotten little Maggie Finlay? Well, watch out your pal Geoff don't
+make Hermy go th' same."
+
+Uttering a wild, inarticulate cry, the lad sprang--to be caught in
+M'Ginnis's powerful grasp, but, even so, his fist grazed M'Ginnis's
+full-lipped mouth. For a moment Spike strove desperately to reach Bud's
+grim-smiling face until, finding his efforts vain, he ceased all at
+once, bowed his head upon his arms, and burst into a passion of bitter
+sobbing; then, with an agile twist, he wrenched himself free, and
+turning, sped away, heedless of his jaunty straw hat that had fallen and
+lay upon the dusty sidewalk. Languidly Soapy stooped and picked it up.
+
+"His noo lid!" said he. "Only bought t'day, I reckon!"
+
+"Gee!" exclaimed M'Ginnis, staring after Spike's fleeing figure, already
+far away, "he sure was some peevish!"
+
+"Some!" nodded Soapy. "If he'd happened t' have a gun handy, here's
+where you'd have cashed in for good, I reckon. Yes, Bud, you'd be deader
+'n' mutton!" sighed Soapy, turning Spike's hat around upon his finger.
+"You'd be as dead as--little Maggie Finlay you was mentionin'!"
+
+M'Ginnis wheeled so suddenly upon the speaker that he took a long
+step backward, but he still spun Spike's hat upon his finger, and the
+pendulous cigarette quivered quite noticeably. "Aw, quit it, Bud, quit
+it!" he sighed. "You know I ain't th' kind o' guy it's healthy to punch
+around promiscuous."
+
+"You mean if he'd missed, there was you, eh?"
+
+"Well, I dunno, Bud, if it had been my sister--maybe--"
+
+"Oh, I know the sort o' dirty tyke you are, Soapy--but I'm awake--an'
+I've got you, see? If anything was t' happen t' me, I've left
+papers--proofs--'n' it 'ud be the chair for yours--savvy?"
+
+"Anyway, Bud, I--I haven't got a sister," said Soapy, juggling deftly
+with the hat. "But there's one thing, Bud, th' guy who gets actin' Mr.
+Freshy with Hermy is sure goin' to ante-up in kingdom come, if th' Kid's
+around."
+
+"You're a dirty dog, Soapy, but you've got brains in your ugly dome,
+I guess you're right about th' Kid, an' that gives me an almighty good
+idea!" And M'Ginnis walked on awhile, deep in thought; and ever as he
+went, so between those pale and puffy lids two malevolent eyes watched
+and watched him.
+
+"No," sighed Soapy at last, sliding a long, pale hand into the pocket of
+his smartly-tailored coat, "no, I ain't got a sister, Bud, but there was
+little Maggie Finlay. I kind o' used t' think she was all t' th' harps
+an' haloes. I used t' kind o' hope--but pshaw! she's dead--ain't she,
+Bud?"
+
+"I guess so!" nodded M'Ginnis, yet deep in thought.
+
+"An' buried--ain't she, Bud?"
+
+"What th' hell!" exclaimed Bud, turning to stare, "what's bitin' ye?"
+
+"I'm wonderin' 'why', an' I'm likewise wonderin' 'who', Bud. Maybe I'll
+find out for sure some day. I'm--waitin', Bud, waitin'. Goin' around t'
+O'Rourke's, are ye? Oh, well, I guess I'll hike along wid ye, Bud."
+
+
+
+
+CHAPTER XIX
+
+IN WHICH THE POISON BEGINS TO WORK
+
+
+Spike sat glowering at the newspaper, yet very conscious, none the less,
+that Hermione often turned to glance at him wistfully as she bustled to
+and fro; at last she spoke.
+
+"Arthur, dear--why so gloomy?"
+
+"I ain't--I mean, I'm not."
+
+"You're not sulking about anything?"
+
+"No."
+
+"Then you're sick."
+
+"I'm all right."
+
+"But you didn't enjoy your dinner a little bit."
+
+"I--I wasn't hungry, I guess," said Spike, frowning down at the paper.
+But Hermione was beside him, her cool fingers caressing his curls.
+
+"Boy, dear--what is it?"
+
+"Say, Hermy, where'd you get them roses?" and he nodded to the flowers
+she had set among her shining hair.
+
+"Oh, Mr. Geoffrey brought them."
+
+"Been here, has he?"
+
+"Yes, he came in with Ann this morning--why?"
+
+"Did he--did he stay long?"
+
+"N-o, I don't think so--why?"
+
+"Comes round here pretty often, don't he?"
+
+"Why, you see, he's your friend, dear, and we are very near neighbours."
+
+"Oh, I know all that, but--folks are beginning to--talk."
+
+Hermione's smooth brows were wrinkled faintly and her caressing hand had
+fallen away.
+
+"To talk!" she repeated, "you mean about--me?"
+
+"Yes!" nodded Spike, avoiding her eyes, "about you and--him!"
+
+"Well--let them!" she answered gently, "you and Ann are all I care
+about, so let them talk."
+
+"But I--I don't like folks t' talk about my sister, an' it's got t'
+stop. You got t' tell him so, or else I will. What's he got t' go buying
+ye flowers for, anyway?"
+
+Hermione's black brows knit in a sudden frown. "Arthur, don't be silly!"
+
+"Oh, I know you think I'm only a kid--but I ain't--I'm not. If you can't
+take care of--of yourself, I must and--"
+
+"Arthur--stop!"
+
+"Well, but what's he always crawlin' around here for?"
+
+"He doesn't crawl--he couldn't," she cried in sudden anger; then in
+gentler tones, "I don't think you'd better say any more, or maybe I
+shall grow angry. If you have grown to think so--so badly of him,
+remember I'm your sister."
+
+"But you're a girl, an' he's a man an'--"
+
+"Stop it!" Hermione stamped her foot, and meeting her flashing glance,
+Spike wilted and--stopped it. So, while he glowered at the paper again,
+Hermione put away the dinner things, making more clatter about it than
+was usual, and turning now and then to glance at him from under her long
+lashes.
+
+"Where did you meet M'Ginnis as you came home, Arthur?"
+
+"At the corner of--say, who told you I met him?"
+
+"You did."
+
+"I never said a word about meetin' him."
+
+"No, but you've been telling me what he told you. Only M'Ginnis could be
+vile enough to dare say such things about me. Oh, Arthur, for shame--how
+can you listen to that brute beast--for shame!"
+
+Now, meeting the virginal purity of those eyes, Spike felt his cheeks
+burn, and he wriggled in his chair.
+
+"Bud only told me Geoff had been--been here," he stammered, "and I
+guess it was the truth--I--I mean--"
+
+"Oh, boy, for shame!" and turning about, she swept from the room, her
+head carried very high, leaving him crouched in his chair, his nervous
+fingers twisting and turning a small box in his pocket--the box that
+held the forgotten hair-comb. He was still sitting miserably thus when
+he heard a knock on the outer door and a moment later a woman's voice,
+querulous and high-pitched.
+
+"Oh, Miss Hermy, my Martin's very bad t'night, an' I got t' go out, an'
+I can't leave him alone; would ye mind comin' down an' sittin' with him
+for a bit?"
+
+"Why, of course I will."
+
+"Y' see, since he had th' stroke, he's sorrered for our little
+Maggie--he was hard on her, y' see, an' since she--she died--he's been
+grievin' for her. Had himself laid in her little room--seemed to comfort
+him somehow. But to-day, when he heard we had to leave because th' rent
+was rose, it nigh broke his poor heart. An' I got to go out, an' I can't
+leave him alone, so--if y' wouldn't mind, Miss Hermy--"
+
+"Just a moment--I'll come right now." As she spoke, Hermione reentered
+the kitchen, untying her apron as she came. Spike sat watching, waiting,
+yearning for a word, but without even a glance Hermione turned and left
+him. When he was alone, he started to his feet and tearing the box from
+his pocket dashed it fiercely to the floor; then as suddenly picked it
+up, and approaching the open window, drew back his hand to hurl it out
+and so stood, staring into the face that had risen to view beyond the
+window ledge, a round face with two very round eyes, a round button of
+a nose, and a wide mouth just now up-curving in a grin.
+
+"Hey, you, Larry, what you hangin' around here for?" demanded Spike,
+slipping the box into his pocket again. "What you doin' on our fire
+escape, hey?"
+
+"Brought back yer roof!" replied the lad.
+
+"Well, where is it?"
+
+"Here it is." And climbing astride the window sill, Larry handed in the
+jaunty straw.
+
+"Where'd you find it?"
+
+"Bud give it me, 'n' say--"
+
+"All right," nodded Spike, dusting the straw tenderly with a
+handkerchief. "Now git, I wanter be alone."
+
+"But, say, Kid, Bud says I was ter say as he's sorry for what he said,
+'n' say, he says you'd better be gettin' over t' O'Rourke's, 'n' say--"
+
+"I ain't comin'!"
+
+"But say, you're t' fight Young Alf, 'n' say--"
+
+"I ain't comin'!"
+
+"But say, dere's a lot of our money on ye--I got two plunks meself, 'n'
+say, you just gotter fight anyway. Bud says so--"
+
+"I can't help what Bud says; I ain't comin'."
+
+"Not comin'!" exclaimed Larry, his eyes rounder than ever.
+
+"No!"
+
+Larry's wide mouth curved in a slow grin, and he nodded his
+close-cropped head; said he:
+
+"Say, Kiddo, you know Young Alf's a punishin' fighter, I guess; you know
+as nobody's never stopped him yet, don't yer; you know as you're givin'
+him six pounds--say, you ain't--scared, are ye?"
+
+"Scared?" repeated Spike, frowning. "Do I look like I was scared? You
+know there ain't any guy I'm scared of--but I promised Hermy--"
+
+"Pip-pip!" grinned Larry. "Say, if you don't turn up t'night, d'ye know
+what d' bunch'll say? Dey'll say you're a--quitter!"
+
+"Well, don't you say it, that's all!" said Spike, laying aside his hat
+and clenching his fists.
+
+"Not me!" grinned Larry. "There'll be plenty to do that, I guess--dey'd
+call it after ye in d' streets--dey'll give ye th' ha! ha! Dey'll say
+Hermy Chesterton's brother's a quitter--a quitter!"
+
+For a long moment Spike stood with bent head and hands tightly
+clenched, then crossing to the sideboard, he picked up his shabby cap.
+
+"Who's in my corner?"
+
+"Now you're talkin', Kiddo; I know as you--"
+
+"Who's in my corner?"
+
+"Bud an' Lefty, 'n' say, I guess they can handle you all right, eh? 'N'
+say, come on, let's cop a sneak before any one butts in--d' fire escape
+for ours, eh?"
+
+"Sure!" said Spike, climbing through the window. "Oh, there ain't nobody
+goin' t' call Hermy Chesterton's brother a quitter."
+
+"You bet there ain't!" grinned Larry, "come on, Kid!"
+
+
+
+
+CHAPTER XX
+
+OF AN EXPEDITION BY NIGHT
+
+
+"Why, Mr. Geoffrey, what you settin' here in the dark for?"
+
+"Is it dark, Mrs. Trapes?"
+
+"My land! Can't you see as it's too dark t' see, and--oh, shucks, Mr.
+Geoffrey!"
+
+"Certainly, Mrs. Trapes! But can't you see that the whole world--my
+world, anyway--is full of a refulgent glory, a magic light where nothing
+mean or sordid can possibly be, a light that my eyes never saw till now
+nor hoped to see, a radiance that may never fail, I hope--a--er--"
+
+"Oh, go on, Mr. Geoffrey, go on. Only I guess I'll light the gas jest
+the same, if you don't mind!" Which Mrs. Trapes did forthwith. "But what
+was you a-doin' of all alone in the dark?"
+
+"Glorying in life, Mrs. Trapes, and praising the good God for health and
+strength to enjoy it and the fulness thereof--"
+
+"'Fulness thereof' meanin' jest what, Mr. Geoffrey?"
+
+"The most beautiful thing in a beautiful world, Mrs. Trapes."
+
+"An' that's Hermy, I s'pose. An' all that talk o' glory an' radiance an'
+magic light means as you've been an' spoke, I guess?"
+
+"It does."
+
+"An' what did she say?"
+
+"Nothing."
+
+"Nothin'?"
+
+"Not with her lips, but--"
+
+"Oh--her eyes, was it? Mr. Geoffrey, I'll tell you what--a girl may
+look 'yes' with her eyes a whole week an' say 'no' with her mouth jest
+once and mean 'no'--when it's to a peanut man--Lordy Lord! what's that?"
+And Mrs. Trapes jumped as a hand rapped softly on the door, and stared
+horrified to see a human head protrude itself into the room while a
+voice said:
+
+"Da Signorina she out, so me come tell-a you piece-a-da-noos--"
+
+"Why, if it ain't that blessed guinney! Go away--what d'ye want?"
+
+Hereupon Tony flashed his white teeth, and opening the door, bowed with
+his inimitable grace, grew solemn, tapped his nose, winked knowingly,
+and laid finger to lip.
+
+"My land!" said Mrs. Trapes, staring. "What's the matter with the
+Eyetalian iji't now?"
+
+"Spike--he go make-a-da-fight!" whispered Tony hoarsely.
+
+"Eh--Arthur fightin'--where?"
+
+"He go make-a-da-box--he drink-a-da-booze, den he walk-a--so! Den da
+Signorina she-a-cry--"
+
+"Oh!" exclaimed Mrs. Trapes, "you mean as that b'y's off boxin' again?"
+
+"Si, si--he go make-a-da-box-fight."
+
+"Is he over at O'Rourke's, Tony?" enquired Ravenslee, sitting upright.
+
+"I bet-a-my-life, yes--"
+
+"Oh, Mr. Geoffrey!" exclaimed Mrs. Trapes, clasping bony hands. "If they
+bring him home drunk like they did last time!"
+
+"They shan't do that, Mrs. Trapes. Don't worry, I'll go and fetch him,"
+said Ravenslee, getting to his feet.
+
+"Fetch him? From O'Rourke's? Are ye crazy? You'd get half-killed like as
+not. Oh, they're a bad, ugly lot down there!"
+
+"I feel rather ugly myself," said Ravenslee, looking around for the
+shabby hat; "anyway, I'm going to see."
+
+"Why, then, if you're goin' t' venture among that lot, you take this
+with ye, Mr. Geoffrey," and she thrust the poker into his hand. "You'll
+sure need it--ah, do now!" But Ravenslee laughed and set it aside.
+"You'd better take it, Mr. Geoffrey; fists is fists, but gimme a
+poker--every time! A poker ain't t' be sneezed at! What, goin'--an'
+empty-'anded? Mr. Geoffrey, I'm surprised at you. Think of Hermy!"
+
+"That's just what I am doing."
+
+"Well, s'posin' they hurt you! What'll Hermy do?"
+
+"You think she'd mind, then, though I'm--only a peanut man?"
+
+"Even a peanut man's a feller creatur, ain't he--an' Hermy's 'eart is
+very tender an'--oh, shucks, Mr. Geoffrey, I guess you know she'd jest
+be crazy if you was hurt bad!"
+
+"Why, then," said Ravenslee, smiling and taking up the battered hat,
+"I'll take great care of myself--trust me!"
+
+"Then good-by, Mr. Geoffrey, good-by and--the good Lord go with you."
+
+"Thank you, Mrs. Trapes," said Ravenslee and followed Tony out upon the
+stair. Upon one of the many landings the young Italian paused.
+
+"Me put-a-you wise, Geoff; you savvy where-a to find Spike, now me go
+back t' my lil Pietro, yes. S' long, pal, 'n' good-a luck!"
+
+Ravenslee hastened on down-stairs, returning neighbourly nods and
+greetings as he went, but staying for none, and so, crossing the court,
+turned into the avenue. On the corner he beheld the Spider, hard at work
+on his eternal chewing gum, cap drawn low and hands in pockets. Seeing
+Ravenslee, he nodded and lurched forward.
+
+"What's doin', Geoff?" he enquired.
+
+"I'm off to O'Rourke's--coming?"
+
+"Not much! An' say, 't ain't worth your trouble--I ain't fightin'.
+Nawthin' but a lot o' fifth-raters."
+
+"I'm going over to fetch Spike."
+
+"How much?" exclaimed the Spider, his square jaws immobile from sheer
+astonishment. "Say, you ain't crazy, are ye--I mean you ain't dippy or
+cracked in the dome, are ye? Because d' Kid's goin' ten rounds with
+Young Alf, d' East Side Wonder, t'night, see?"
+
+"Not if I can help it, Spider."
+
+"Aw--come off, bo! D'ye think Bud'll let him go?"
+
+"I shan't ask Bud--or any one else."
+
+"Meanin' as you'll walk right in on Bud's tough bunch an' cop out d' Kid
+on y'r lonesome--eh?"
+
+"I shall try."
+
+"Then you sure are crazy; if y'r dome ain't cracked yet, it's sure goin'
+t' be. Why, Bud 'n' his crowd'll soak you good 'n' plenty 'n' chuck ye
+out again quicker'n ye went in. They will sure, bo--if you go--"
+
+"I'm wondering if you'll come along and help?" said Ravenslee lazily.
+
+"Me? Not so's you could notice it. I ain't huntin' that sort o' trouble."
+
+"Oh, well, if you think you'd--er--better not, I'll go alone."
+
+"What, yer goin', are ye?"
+
+"Of course! You see, Spike is my friend; consequently his trouble
+is my trouble. Good night, Spider, and whatever else you do, be sure
+to--er--take good care of yourself!" And Ravenslee smiled and turned
+away; but he had not gone six paces before the Spider was at his elbow.
+
+"Say, bo," said he, "I don't like the way you smile, but you talk so
+soft an' pretty, I guess I'll jest have t' come along t' gather up what
+they leave of ye."
+
+"Spider," said Ravenslee, "shake!" The Spider obeyed, somewhat
+shamefacedly to be sure.
+
+"It looks like two domes bein' cracked 'stead o' one, an' all along o'
+that fool-kid!" Having said which, he lurched on beside Ravenslee,
+chewing voraciously.
+
+"How you goin' t' work it?" he enquired suddenly.
+
+"I don't know yet."
+
+"Hully Chee! You've sure gotcher nerve along. There's some o' the
+toughest guys in little Manhattan Village at O'Rourke's dump t'night,
+keepin' th' ring an' fair achin' for trouble."
+
+"We must dodge 'em, Spider."
+
+"S'pose we can't?"
+
+"Then we must trust our luck, and I've got a hunch we shall get Spike
+away somehow before Mr. Flowers dopes him or makes him drunk; anyway
+we'll try. The dressing rooms are behind the annex, aren't they?"
+
+"Know the place, do ye?"
+
+"I've looked it over. We can get in behind the annex, can't we?"
+
+"In?" repeated the Spider, smiling grimly. "Oh, we'll get in all right;
+what gets my goat is how we're goin' t' get out again. You sure are a
+bird for takin' chances, Geoff."
+
+"Life is made up of chances, Spider, and there are two kinds of
+men--those who take them joyfully and those who don't."
+
+"Well, say, you can scratch me on the joyful business. I'm th' guy as
+only takes chances he's paid t' take."
+
+"How much are you getting on this job, Spider?"
+
+"Oh--well--I mean--say, what's th' time, bo?"
+
+"Five minutes after eight--why?"
+
+"I guess d' Kid's in th' ring, then. There's a full card t'night, an'
+he's scheduled for eight sharp, so I reckon he's fightin' now--an' good
+luck to him!" By this time they had reached that dark and quiet
+neighbourhood where stood O'Rourke's saloon. But to-night the big annex
+glared with light, and the air about it was full of a dull, hoarse,
+insistent clamour that swelled all at once to a chorus of discordant
+shrieks and frenzied cries.
+
+"Ah!" quoth the Spider sagely, "hark to 'em howl! That means some guy's
+gettin' his, alright. Listen to 'em; they love t' get blood for their
+entrance money, an' they're sure gettin' it. Some one's bein' knocked
+out--come on!"
+
+It was a dark night, for there was no moon and the stars were hidden;
+thus, as Ravenslee followed the Spider, he found himself stumbling over
+the uneven ground of a vacant lot, a lonely place beyond which lay the
+distant river. At last they reached various outbuildings, looming up
+ugly and ungainly in the dimness.
+
+"Say, bo," said the Spider, stopping suddenly at a small and narrow
+door, "you'd best wait here and lemme go first."
+
+"No, we'll go together."
+
+"Right-o, only be ready to make a quick get-away!"
+
+So saying, the Spider opened the door and, closely followed by
+Ravenslee, stepped into a dimly-lit passage thick with the blue vapour
+of cigars and cigarettes. It was a long, narrow corridor, bare and
+uncarpeted, seeming to run the length of the building; on one hand was
+a row of dingy windows and on the other were several doors, from behind
+which came the sound of many voices that talked and sang and swore
+together, a very babel.
+
+At the end of this passage was yet another door which gave upon a small
+room that contained a rickety sofa, a chair, and a battered desk; a
+kerosene lamp suspended against the wall burned dimly, and it was into
+this chamber that the Spider ushered Ravenslee somewhat hastily; the
+Spider's eyes were very bright, and he chewed rather more fiercely than
+usual.
+
+"Bo," said he, "this place ain't exactly a bed o' roses for a strange
+guy like you. Y' see, this is Bud's own stampin'-ground, an' the whole
+bunch is here t'night, and most of 'em are heeled. Soapy an' Bud always
+tote guns, I know. So I guess you'd better mark time here a bit while I
+chase around an' locate th' Kid. If any one asks what you're doin'
+around here, say as you come in with me. But, bo"--and here the Spider
+laid an impressive hand on Ravenslee's arm--"if you should happen t' see
+Bud, well, don't stop to look twice but beat it--let it be th' door or
+winder for yours--only--beat it!"
+
+"Oh, why?"
+
+"Well, I know Bud's got it in fer you; I heard him say--oh, well, if
+his gun should go off--accidental-like, this place ain't exactly
+Broadway or Fifth Av'noo, bo--see?"
+
+"I see!" nodded Ravenslee.
+
+"Hold on!" said Spider, and crossing to the window, he unlatched it
+stealthily and lifted it high, "if I ain't back inside of ten minutes,
+bo, nip out through here and hike; wait for me at the lamp-post across
+the lot over there--it'll be safer. D'ye get me?"
+
+"I do!" nodded Ravenslee.
+
+"I guess you'd be less of a fool if you was to get out now an'
+wait--outside!" Spider suggested.
+
+Ravenslee shook his head.
+
+"I'll wait here," said he, "there are times when I can be as big a fool
+as the next, Spider, and this is one of them."
+
+"That's so!" nodded the Spider, and chewing viciously, he turned and was
+gone, to be hailed a few minutes later in uproarious greeting by many
+discordant voices which died slowly to a droning hum above which came
+sounds more distant, shouts and cheers from the auditorium.
+
+Left alone, Ravenslee looked about him, and then espied a newspaper that
+lay upon the desk. Idly taking it up, his gaze was attracted by these
+words, printed in large black letters:
+
+NOTORIOUS CRIMINAL RUN TO EARTH JACOB HEINE THE GUN-MAN ARRESTED IN
+JERSEY CITY
+
+Below in small type he read this:
+
+Jacob Heine, believed to be the perpetrator of several mysterious
+shooting affrays, and member of a dangerous West Side gang, was
+arrested to-day.
+
+The light being dim, Ravenslee drew closer to the lamp, and standing
+thus against the light, his face was in shadow--also his long figure
+was silhouetted upon the opposite wall, plain to be seen by any one
+opening the door. Suddenly, as he stood with head bent above the paper,
+this door opened suddenly, and M'Ginnis entered; he also held a paper,
+and now he spoke without troubling to lift his scowling gaze from the
+printed column he was scanning:
+
+"That you, Lefty? Here's a hell of a mix-up--that dog-gone fool Heine's
+got himself pinched--and in Jersey City too! I told him t' stay around
+here till things was quiet! It's goin' t' be a hell of a job t' fix
+things for him over there--'t ain't like N' York. But we got t' fix
+things for him or chance him squealing on th' rest of us, but what beats
+me is--"
+
+M'Ginnis's teeth clicked together, and the paper tore suddenly between
+his hands as, glancing up at last, he beheld two keen, grey eyes that
+watched him and a mouth, grim and close-lipped, that curled in the smile
+Spider didn't like.
+
+For a long, tense moment they stood motionless, eye to eye, then,
+reaching behind him, M'Ginnis locked the door, and drawing out the key,
+thrust it into his pocket.
+
+"So--I got ye at last--have I?" said he slowly.
+
+"And I've got you," said Ravenslee pleasantly; "we seem to have got each
+other, don't we?"
+
+"See here, you," said M'Ginnis, his massive shoulders squared, his big
+chin viciously outthrust, "you're goin' t' leave Mulligan's, see?"
+
+"Am I?" said Ravenslee, lounging upon a corner of the battered desk.
+
+"You sure are," nodded M'Ginnis. "Hell's Kitchen ain't big enough for
+you an' me, I guess; you're goin' because I say so, an' you're goin'
+t'night!"
+
+"You surprise me!" said Ravenslee sleepily.
+
+"You're goin' t' quit Hell's Kitchen for good and--you ain't comin'
+back!"
+
+"You amaze me!" and Ravenslee yawned behind his hand.
+
+"An' now you're goin' t' listen why an' wherefore--if you can keep
+awake a minute!"
+
+"I'll try, Mr. Flowers, I'll try."
+
+M'Ginnis thrust clenched hands into his pockets and surveyed Ravenslee
+with scornful eyes--his lounging figure and stooping shoulders, his
+long, white hands and general listless air.
+
+"God!" he exclaimed, "that she should trouble t' look twice at such a
+nancy-boy!" and he spat, loud and contemptuously.
+
+"Almost think you're trying to be rude, Mr. Flowers."
+
+"Aw--I couldn't be, to a--thing like you! An' see here--me name's
+M'Ginnis!"
+
+"But then," sighed Ravenslee, "I prefer to call you Flowers--a fair name
+for a foul thing--"
+
+M'Ginnis made a swift step forward and halted, hard-breathing and
+menacing.
+
+"How much?" he demanded.
+
+"Fair name for a very foul thing, Mr. Flowers," repeated Ravenslee,
+glancing up at him from under slumberous, drooping lids--"anyway,
+Flowers you will remain!"
+
+As they stared again, eye to eye, M'Ginnis edged nearer and nearer, head
+thrust forward, until Ravenslee could see the cords that writhed and
+swelled in his big throat, and he hitched forward a languid shoulder.
+"Don't come any nearer, Flowers," said he, "and don't stick out your jaw
+like that--don't do it; I might be tempted to try to--er--hit it!"
+
+"What--you?" said M'Ginnis, and laughed hoarsely, while Ravenslee yawned
+again.
+
+"An' now, Mr. Butt-in, if you're still awake--listen here. I guess it's
+about time you stopped foolin' around Hermy Chesterton--an' you're goin'
+t' quit--see!" Ravenslee's eyes flashed suddenly, then drooped as
+M'Ginnis continued: "So you're goin' t' sit down right here, an' you're
+goin' t' write a nice little note of farewell, an' you're goin' t' tell
+her as you love her an' leave her because I say so--see? Ah!" he cried,
+suddenly hoarse and anger-choked, "d' ye think I'll let Hermy look at a
+thing like you--do ye?--do ye?" and he waited. Ravenslee sat utterly
+still, and when at last he spoke his voice sounded even more gentle than
+before.
+
+"My good Flowers, there is just one thing you shall not do, and that is,
+speak her name in my hearing. You're not fit to, and, Mr. Flowers, I'll
+not permit it."
+
+"Is that so?" snarled M'Ginnis, "well, then, listen some more. I know as
+you're always hangin' around her flat, and if Hermy don't care about
+losing her good name--"
+
+Even as Ravenslee's long arm shot out, M'Ginnis side-stepped the blow,
+and Ravenslee found himself staring into the muzzle of a revolver.
+
+"Ah--I thought so!" he breathed, and shrank away.
+
+"Kind of alters things, don't it?" enquired M'Ginnis, hoarse and
+jeering. "Well, if you don't want it to go off, sit down an' write Hermy
+as pretty a little note as you can--no, shut that window first."
+
+Silent and speechless, Ravenslee crossed to the window and drew down the
+sash, in doing which he noticed a dark something that crouched beneath
+the sill.
+
+"An' now," said M'Ginnis, leaning against a corner of the desk, "sit
+down here, nice an' close, an' write that letter--there's pen an' ink
+an' paper--an' quick about it or by--"
+
+M'Ginnis sprang up and turned as the glass of the window splintered to
+fragments, and, almost with the crash, Ravenslee leapt--a fierce twist,
+a vicious wrench, and the deadly weapon had changed hands.
+
+"Lucky it didn't go off," said Ravenslee, smiling grimly at the revolver
+he held, "others might have heard, and, Mr. Flowers, I want to be alone
+with you just a little longer. Of course, I might shoot you for the
+murderous beast you are, or I might walk you over to the nearest police
+depot for the crook I think you are--but--oh, well, of late I've been
+yearning to get my hands on you and so"--Ravenslee turned and pitched
+the revolver through the broken window. But, almost as the weapon left
+his hand, M'Ginnis was upon him, and, reeling from the blow, Ravenslee
+staggered blindly across the room, till stayed by the wall, and sank
+there, crouched and groaning, his face hidden in his hands.
+
+With a cry hoarse and fierce, M'Ginnis followed and stooped, eager to
+make an end--stooped to be met by two fierce hands, sure hands and
+strong, that grasped his silken neckerchief as this crouching figure
+rose suddenly erect. So for a wild, panting moment they grappled,
+swaying grimly to and fro, while ever the silken neckerchief was twisted
+tight and tighter. Choking now, M'Ginnis felt fingers on his naked
+throat, iron fingers that clutched cruelly, and in this painful grip was
+whirled, choking, against the wall and thence borne down and down. And
+now M'Ginnis, lying helpless across his opponent's knee, stared up into
+a face pale but grimly joyous, lips that curled back from gnashing white
+teeth--eyes that glared merciless. So Ravenslee bent M'Ginnis back
+across his knee and choked him there awhile, then suddenly relaxed his
+hold and let M'Ginnis sink, gasping, to the floor.
+
+"A little--rough, Mr. Flowers," he panted, "a trifle--rough with you--I
+fear--but I want you--to know that you--shall not utter--her name--in my
+presence. Now the key--I prefer door to window--the key, Mr.
+Flowers--ah, here it is!" So saying, Ravenslee stood upright, and wiping
+blood and sweat from him with his sleeve, turned to the door. "One other
+thing, Mr. Flowers; have the goodness to take off your neckerchief next
+time, or I--may strangle you outright."
+
+Halfway down the passage Ravenslee turned to see Murder close on his
+heels. Once he smote and twice, but nothing might stay that bull-like
+rush and, locked in a desperate clinch, he was borne back and back,
+their trampling lost in the universal din about them, as reeling,
+staggering, they crashed out through wrecked and splintered door and,
+still locked together, were swallowed in the night beyond.
+
+Thus the Spider, crouching in the dark beneath the broken window with
+Spike beside him, was presently aware of the sickening sounds of furious
+struggling close at hand, and of a hoarse, panting voice that cursed in
+fierce triumph--a voice that ended all at once in a ghastly strangling
+choke; and recognising this voice, the Spider hunched his great
+shoulders and bore Spike to a remote spot where stood a solitary
+lamp-post. Here he waited, calm-eyed and chewing placidly, one arm about
+the fretful Spike.
+
+Presently Ravenslee joined them; the shabby hat was gone, and there was
+a smear of blood upon his cheek, also he laboured in his breathing, but
+his eyes were joyous.
+
+"Bo, what about Bud?"
+
+"Oh, he's lying around somewhere."
+
+"Hully Chee--d' ye mean--"
+
+"He tried gouging first, but I expected that; then he tried to throttle
+me, but I throttled a little harder. He's an ugly customer, as you said,
+but"--Ravenslee laughed and glanced at his bloody knuckles--"I don't
+think he'll be keen to rough it with me again just yet."
+
+"Bo, I guess you can be pretty ugly too--say, when you laugh that way I
+feel--kind of sorry for Bud."
+
+"Why, what's wrong with Spike?"
+
+"Dunno--I guess they've been slinging dope into him. And he's copped it
+pretty bad from Young Alf too--look at that eye!"
+
+"Spike!" said Ravenslee, shaking him, "Spike, what is it? Buck up, old
+fellow!" But Spike only stared dazedly and moaned.
+
+"It's dope all right," nodded the Spider, "or else Bud's mixed th'
+drinks on him."
+
+"Damn him!" said Ravenslee softly. "I wish I'd throttled a little
+harder!"
+
+"I guess you give Bud all he needs for the present," said Spider grimly,
+"anyway, I'm goin' t' see. The Kid ain't hurt none. Get him home t' bed,
+an' he'll be all right s'long, long, Geoff."
+
+"Good night, Spider, and--thank you. Oh, by the way, who's Heine?"
+
+"Heine's a Deutscher, Geoff. Heine's about as clean as dirt an' as
+straight as a corkscrew; why, he'd shoot his own mother if y' paid him,
+like he did--but say, what d' you know about him, anyway?"
+
+"Well, for one thing, I know he's been arrested in Jersey City--"
+
+"Heine? Pinched? Say, bo, what yer givin' us--who says so?"
+
+"Bud, and--"
+
+But the Spider, waiting for no more, had turned about and was running
+back across the open lot.
+
+
+
+
+CHAPTER XXI
+
+HOW M'GINNIS THREATENED AND--WENT
+
+
+"Mr. Geoffrey, prayer is a wonderful prop to a anxious 'eart!" said Mrs.
+Trapes, leaning over the banisters to greet him as he ascended. "Mr.
+Geoffrey, my hands has been lifted in prayer for ye this night as so did
+me behoove, and here you are safe back with--that b'y. A prayer prayed
+proper, and prayed by them as ain't plaguein' the Lord constant about
+their souls an' other diseases, is always dooly regarded. Yes, sir, a
+occasional petition is always heard and worketh wonders as the--my land,
+Mr. Geoffrey, look at your face!"
+
+"I know, Mrs. Trapes. Has she come in yet?"
+
+"Not yet--an' glad I am. You're all bleedin'--stoop your head a
+bit--there!" and very tenderly she staunched the cut below the curly
+hair with an apron clean and spotless as usual. "And the b'y--lord,
+what's come to him?"
+
+"A black eye--two, I'm afraid. Anyhow, I'll look after him and get him
+into bed before she comes; can you keep her away till I've done so?"
+
+"I'll try. Poor lad!" she sighed, touching Spike's drooping head with
+bony fingers, "if she wasn't his sister, I'd be sorry for him!"
+
+So Ravenslee took Spike in hand, bathing his bruised and battered
+features and setting ice water to his puffy lips, which the lad gulped
+thirstily. Thereafter he revived quickly but grew only the more morose
+and sulky.
+
+"All right," he muttered, "I'll go t' bed, only--leave me, see!"
+
+"Can't I help you?"
+
+"No--you lemme alone. Oh, I know--you think I'm soused, but I ain't;
+I--I'm not drunk, I tell ye--I wish I was. I ain't no kid, so lemme
+alone--an' I ain't drunk. What if me legs is shaky? So 'ud yours be if
+you'd got--what I got. It was dat last swing t' d' jaw as done me--but
+I ain't drunk 'n' I ain't a kid t' be undressed--so chase ye'self an'
+lemme alone!"
+
+"All right, Spike--only get to bed like a good chap before your sister
+comes."
+
+"You leave my sister alone; she ain't--that kind, an' she ain't fer you,
+anyway."
+
+"That will do, Arthur--get into bed! I'll give you five minutes!" So
+saying, Ravenslee turned away, but, as he closed the door, his quick ear
+detected the clink of glass, and turning, he saw Spike draw a small
+flask from his pocket.
+
+"Give me that stuff, old fellow."
+
+"Oh, you can't con me! I ain't a kid, so you lemme alone!" and Spike
+raised the flask to his lips, but in that instant it was snatched away.
+Spike staggered back to the wall and leaned there, passing his hand to
+and fro across his brow as though dazed, then stumbled out into the room
+beyond.
+
+"Gimme it, Geoff, gimme it!" he panted, "you won't keep it, no, no--Bud
+slipped it to me after I come to. Gimme it, Geoff. I want t' forget--so
+be a sport an' give it me--you will, won't ye?"
+
+Ravenslee shook his head, whereat the boy broke out more passionately:
+
+"Oh--don't ye see, Geoff--can't ye understand? I--I was knocked out
+t'night--I took th' count! I--I'm done for, I had me chance, an' I
+didn't make good! I--didn't--make good!" As he spoke, the lad hid his
+bruised face within his hands, while great sobs shook him.
+
+"Why, Spike! Why, Arthur, old chap--never mind--"
+
+"Gimme th' bottle, Geoff! Be a pal an' gimme th' stuff--I want t'
+forget!"
+
+"This wouldn't help you."
+
+"Give it me, d' ye hear--I want it--I'll have it, anyway--I'll--"
+Spike's voice failed, and cowering back, he sank into a chair at sight
+of her who stood within the doorway so very silent and pale of lip.
+
+"Ah, don't, Hermy--don't look at me like that," he whispered. "Your eyes
+hurt me! I ain't drunk--this time!"
+
+"Oh, boy!" she sighed, "oh, boy--after all your promises!"
+
+Spike rose with hands stretched out appealingly, but even so, he swayed
+slightly, and seeing this, she shivered.
+
+"Is it th' fightin' you mean, Hermy? Why, I did it all for you, Hermy,
+all for you--I wanted t' be a champion 'cause all champions are rich.
+I wanted t' make you a real lady--t' take you away from Mulligan's--but
+now--I'm only--a 'has-been.' I've lost me chance--oh, Hermy, I'm done
+for; I--oh, Geoff, I--think I'll--go to bed."
+
+So Ravenslee set down the flask, and, clasping an arm about Spike's
+swaying form, led him from the room, while Hermione stood rigid and
+watched them go. But when the door had closed behind them, she bowed her
+head upon her hands and sobbed miserably, until, spying the half-emptied
+flask through her tears, she sprang forward, and snatching it from the
+table, dashed it passionately to the floor.
+
+"Oh, dear God of Heaven!" she whispered, sinking to her knees, "not that
+way--ah, save him from that--keep him from treading that path!" With
+head bowed upon her folded hands she knelt thus awhile until a sound in
+the passage aroused her, and rising to her feet, she turned and
+confronted Bud M'Ginnis.
+
+He stood upon the threshold, and though his glowing, eager eyes dwelt
+yearningly upon her beauty, he made no motion to enter the room. Upon
+one cheek the skin was torn and grazed from nose to ear, and upon his
+powerful throat were vivid marks that showed fierce and red, and these
+seemed to worry him, for even while he stared upon her loveliness, his
+hand stole up to his neck, and he touched these glowing blotches gently
+with his fingers.
+
+"God, Hermy," said he at last, "you get more beautiful every day!"
+
+She was silent, but reading the fierce scorn in her eyes, he laughed
+softly and leaned nearer. "Some day, Hermy, you'll be--all mine! Oh, I
+can wait; there's others, an' you're worth waitin' for, I guess. But
+some day you'll come t' me--you shall--you must! Meantime there's
+others, but some day it'll be you an' you only--when you're my wife. Ah,
+marry me, Hermy; I could give you all you want, an' there'd never be any
+one else for me--then!"
+
+Her eyes still met his unflinchingly, only she drew away from his
+nearness, shivering a little; seeing which, he frowned and clenched one
+hand, for the other had wandered up to his throat again.
+
+"Won't ye speak t' me?" he demanded savagely, then shrugging his great
+shoulders, he continued in gentler tones: "I ain't here t' quarrel,
+Hermy; I only came t' see if th' Kid got home all right." Hermione's
+firm, red lips remained tightly closed. "Did he?" Hermione slowly
+inclined her head.
+
+"Say now, Hermy," he went on, and his voice grew almost wheedling,
+"there was a guy here the other night--a stranger, I guess--one o' these
+tired, sleepy guys--one o' the reg'lar soft-talkin' nancy-boys--who is
+he?" Hermione only sighed wearily, whereat his voice grew hoarse with
+passion, and he questioned her fiercely: "Who is he, eh--who is he? What
+was he doin' around here, anyway? Well, can't ye talk? Can't ye speak?"
+
+Hermione only looked at him, and before those calm, fearless eyes,
+M'Ginnis burned in a wild yet impotent rage.
+
+"Won't talk, hey?" he questioned between grinding teeth. "Well, now, see
+here, Hermy. If you let this guy come any love business with you behind
+me back, it'll be his finish--an' he can blame you for it! An' see here
+again--watch out for young Arthur. Oh!" he cried, seeing her flinch,
+"you think you've got the Kid tied to ye, you think you've got him, I
+guess--but you ain't! I've got him--right here!" and holding out his
+hand, M'Ginnis slowly clenched it into a fist. "I've got th' Kid,
+see--an' he's goin' th' way I want him--he's got to, see?"
+
+"Ah!" she cried, her scorn and fearless pride shattered to trembling
+pleading at last. "What do you mean--oh, what do you mean?"
+
+"I mean as I want ye, an' I'm goin' to have ye!" he answered. "I mean
+that instead of 'no' you're goin' t' give me 'yes'--for th' Kid's sake!"
+
+"What do you--mean?" she said again between quivering lips, her eyes
+full of a growing terror.
+
+"Mean?" he continued relentlessly, viewing her trembling loveliness with
+hungry eyes. "Well--that's what I mean!" and he pointed to the broken
+flask upon the floor. "If you want t' see it in his face more an' more,
+if you want t' smell it in his breath--say 'No!' If you want t' see his
+hands begin t' shake, if you want t' hear his foot come stumbling up th'
+stair--say 'No!' I guess you remember what it's like--you've seen it all
+before. Well, if ye want Arthur t' grow into what his drunken father was
+before him--say 'No!'"
+
+"Go away!" she moaned, "go away!"
+
+"Oh, I'll go, but first I'll tell you this--"
+
+"I think not, Mr. Flowers--no, I'm sure you won't!"
+
+Ravenslee's voice was soft and pleasant as usual, but before the burning
+ferocity of his eyes, the merciless line of that grim, implacable mouth,
+before all the hush and deadly purpose of him, the loud hectoring of
+M'Ginnis seemed a thing of no account. Beholding his pale, set face
+Hermione, sighing deeply, shrank away; even M'Ginnis blenched as, very
+slowly, Ravenslee approached him, speaking softly the while.
+
+"Get out, Mr. Flowers, get out! Don't say another word--no, not one, if
+only because of 'that dog-gone fool Heine!' Now go, or so help me God,
+this time--I'll kill you!"
+
+Hermione leaned her trembling body against the table for support. And
+yet--could it be fear that had waked this new glory in her eyes, had
+brought this glowing colour to her cheek, had made her sweet breath pant
+and hurry so--fear?
+
+M'Ginnis stood rigid, watching Ravenslee advance; suddenly he tried to
+speak yet uttered no word; he raised a fumbling hand to his bruised and
+swollen throat, striving again for speech but choked instead, and,
+uttering a sound, hoarse and inarticulate, he swung upon his heel and
+strode blindly away.
+
+Then Ravenslee turned to find Hermione sunk down beside the table, her
+burning face hidden between her arms, her betraying eyes fast shut.
+
+"You are tired," he said gently, "that damned--er--I should say Mr.
+Flowers and--other unpleasant things have upset you, haven't they?"
+
+Hermione made a motion of assent, and Ravenslee continued, softer than
+before:
+
+"I wanted you to make up your mind to come away to-night, but--I can't
+ask you now, can I? It--it wouldn't be--er--the thing, would it?"
+
+Hermione didn't answer or lift her head and, stooping above her, he saw
+how she was trembling; but her eyes were still fast shut.
+
+"You--you're not afraid--of me, are you, Hermione?"
+
+"No."
+
+"And you're not--crying, are you?"
+
+"No."
+
+"Then I'd--better go, hadn't I? To Mrs. Trapes and supper--stewed beef,
+I think, with--er--carrots and onions--"
+
+Her head was still bowed, and his tone was so light, his voice so lazy,
+how was she to know that his hands were quivering or see how the passion
+of his yearning was shaking him, fighting for utterance against his
+iron will? How was she to know anything of all this until, swiftly,
+lightly, he stooped and kissed the shining glory of her hair? In a while
+she raised her head, but then--she was alone.
+
+
+
+
+CHAPTER XXII
+
+TELLS OF AN EARLY MORNING VISIT AND A WARNING
+
+
+Ravenslee dreamed that he was in a wood--with Hermione, of course. She
+came to him through the leafy twilight, all aglow with youth and love,
+eager to give herself to his embrace. And from her eyes love looked at
+him unashamed, love touched him in her soft caressing hands, came to him
+in the passionate caress of her scarlet mouth, love cradled him in the
+clasp of her white arms. And the sun, peeping down inquisitively through
+the leaves, showed all the beauty of her and made a rippling splendour
+of her hair.
+
+But now the woodpecker began a tap-tapping soft and insistent somewhere
+out of sight, a small noise yet disturbing, that followed them
+wheresoever they went. Thus they wandered, close entwined, but ever the
+wood grew darker until they came at last to a mighty tree whose sombre,
+far-flung branches shut out the kindly sun. And lo! within this gloom
+the woodpecker was before them--a most persistent bird, this,
+tap-tapping louder than ever, whereat Hermione, seized of sudden terror,
+struggled in his embrace and, pointing upward, cried aloud, and was gone
+from him. Then, looking where she had pointed, he beheld no woodpecker,
+but the hated face of Bud M'Ginnis--
+
+Ravenslee blinked drowsily at the wall where purple roses bloomed, at
+the fly-blown text in the tarnished frame with its notable legend:
+
+LOVE ONE ANOTHER
+
+and sighed. But in his waking ears was the tap of the woodpecker, loud
+and persistent as ever! Wherefore he started, stared, sat up suddenly
+and, glancing toward the window, beheld a large cap and a pair of
+shoulders he thought he recognised.
+
+"Why, Spider!" he exclaimed, "what the--"
+
+"Sufferin' Mike!" sighed the Spider plaintively, "here I've been
+knockin' at your all-fired winder--knockin' an' knockin', an' here
+you've been snorin' and snorin'."
+
+"No, did I snore, Spider?"
+
+"Bo, you sure are a bird for snorin'."
+
+"Damn it!" said Ravenslee, frowning, "I must break myself of it."
+
+"Thinkin' of gettin' married, bo?"
+
+"Married? What the--"
+
+"She'll soon get useter it, I guess--they all do!" said the unabashed
+Spider. "Anyway, if you didn't snore exactly, you sure had a strangle
+hold on the snooze business, all right. Here's me crawled out o' me
+downy little cot t' put ye wise t' Bud's little game, an' here's you
+diggin' into the feathers t' beat th' band!"
+
+"But the window was open; why didn't you come in right away?"
+
+"Not much, bo, I ain't the kind o' fool as makes a habit o' wakin' your
+kind out o' their beauty sleep sudden, no more I ain't a guy as takes
+liberties in strange bedrooms, see?"
+
+"Well, come in, Spider--sit on the bed; I haven't a chair to offer. By
+the way, I have to thank you--"
+
+"Whaffor?"
+
+"Breaking that window--"
+
+"Oh, I guess it wasn't a bad wheeze."
+
+"It gave me the chance I wanted, Spider."
+
+"Which you sure gripped with both mitts, bo!"
+
+"Now have a cigar--in that coat pocket--"
+
+"Not me, Geoff! Smoke's bad for th' wind, that's why I've took t' gum."
+Saying which, the Spider proceeded to take out and open a packet of that
+necessary adjunct, and having posted it into his mouth piece by piece,
+fell to grim mastication.
+
+"Bo," said he suddenly, "you come away without your roof last night."
+
+"Eh?" said Ravenslee, blinking drowsily, "my what?"
+
+"Your lid, bo."
+
+"You mean my old hat?"
+
+"That's what I'm tryin' t' tell you--an' say, that sure is the hardest
+bean cover I ever spotted; made of iron, is it? Where'd you find it?"
+
+"At some dim and distant day it originated in England, I believe."
+
+"Well, that lid would turn a poleaxe, sure; that's why I brought it
+back--it's out on the fire escape now."
+
+"Very kind of you, Spider, but--"
+
+"Bo, you're goin' t' need that hat an' a soot o' tin underwear from now
+on unless--well, unless you pack y'r trunk an' clear out o' Hell's
+Kitchen on th' jump."
+
+"Why so?"
+
+"Well, you certainly handed Bud a whole lot more 'n he's ever had
+before, an' it's a full house to a pair o' dooces he ain't lookin' for
+no more from you just yet. But then, Bud ain't no pet lamb nor yet a
+peace conference, an' it's four aces to a bum-flush he means t' get back
+at ye some way--an' get ye good!"
+
+"Oh?" said Ravenslee, yawning.
+
+"And oh some more!" nodded the Spider; "it's sure comin' t' you. When I
+got back las' night, there's Bud settin' against th' wall lookin' like
+an exhibit from the morgue, fightin' for breath t' cuss you with. 'N'
+say, you sure had done him up some, which I wasn't nowise sad or peeved
+about, no, sir! Me an' Bud's never been what you might call real
+kittenish an' playful together. But it seems you ain't only soaked an'
+throttled him good an' plenty, but he's gone an' let out t' you about
+that guy Heine--an' consequently you've gotter be kept from opening y'r
+mouth--see? Consequently it's you for a sudden an' hasty hike."
+
+"Oh?" said Ravenslee again.
+
+"Twice!" nodded the Spider, "with a F an' a L thrown in--that's what
+you'll be, Geoff, if you try t' buck Bud an' th' gang. So here I've
+shinnied up y'r fire escape to put ye wise an' lend a hand to make your
+swift get-away."
+
+Ravenslee sighed and settled his head more comfortably on his pillow.
+"You think I ought to go, Spider?"
+
+"I don't think--I know! Your number's up, Geoff--it's you against th'
+field, an', bo--they're some field!"
+
+"You think there's real danger, then?" enquired Ravenslee, staring up at
+the fly-blown text with shining eyes.
+
+"As real as--death, bo!"
+
+"Not so long ago I regarded Death as my best friend--"
+
+"How much?" demanded the Spider, suspending mastication.
+
+"Nothing, Spider, a mere passing thought."
+
+"Well, I'm tellin' ye they'll get ye sure--it'll be th' water or a
+forty-four bullet, or a blackjack or a knife--but you'll get it one way
+or another!"
+
+"Sounds cheering!"
+
+"An' it ain't over-pleasant t' be sandbagged."
+
+"No, Spider."
+
+"Nor t' feel a lead pipe wrapped round th' back o' y'r bean."
+
+"No indeed, Spider."
+
+"Nor yet t' feel a stiletta diggin' between y'r shoulders or over y'r
+collar bone."
+
+"Worst of all, Spider."
+
+"Well, you'd best pack y'r little trunk an' fade away, bo!" Ravenslee
+sat up suddenly and looked at the Spider with eyes very bright and wide.
+
+"Not for all the gangs that ever ganged!" said he softly.
+
+"Eh?" exclaimed the Spider, staring, "what's yer game?"
+
+"I'm going to try to buck this gang clean out of existence."
+
+"You are, eh?"
+
+"I am."
+
+"Bo," sighed the Spider, shaking his head, "you ain't a ordinary
+fool--you're a damned fool!"
+
+"And you're going to help me, Spider!"
+
+"Not me, bo, not me--I'm only just an ordinary fool!"
+
+"Well, we'll let it go at that!" said Ravenslee, and lying back, he
+yawned again.
+
+"Don't do that, bo, don't do that!" exclaimed the Spider. "I'm thinkin'
+what you'll look like after you've been floatin' around in th' river--a
+week, say! You'd best get out o' Hell's Kitchen, bo--don't stop to ask
+where to, but--go there."
+
+"My Spider," said Ravenslee, shaking his head, "in Hell's Kitchen I
+should have to leave all that makes life worth while, so--I shall stay,
+of course, and chance the--er--river and things."
+
+"Well, I guess it's your trouble, not mine."
+
+"But I want it to be yours too, Spider. You see, I'm counting on you to
+help me smash this gang."
+
+"Bo, it looks like you're goin' t' do a hell of a lot o' countin'--an'
+then some more, before you count me in on this fool game. Say"--he
+paused to stare at Ravenslee, keen-eyed and with jaws clamped
+rigid--"you ain't a fly-cop--one o' these sleuthy gum-shoe men, are ye?"
+
+"No."
+
+"Well, you ain't one o' these fool amateur guys doin' the dare-devil
+detective act like you read about in th' magazines, are ye?"
+
+"No more than you are one of these dirty gang loafers you hear about
+around O'Rourke's--and that's why you're going to help me root 'em out."
+
+"Sufferin' Pete!" sighed the Spider, "here I keep tellin' you I ain't on
+in this act, an' here you keep on ringin' me in frequent all the same."
+
+"Because you are a man, Spider Connolly, and white all through, and
+because to smash up this gang is going to be man's work."
+
+"Well, it sure ain't no job for Sophy the Satin-skinned Show-girl--nor
+yet for two nice, quiet little fellers like you an' me."
+
+"We shan't be quite alone, Spider."
+
+"That's some comfortin', anyway!"
+
+"There will be Joe Madden, for one."
+
+"Joe Mad--" The Spider very nearly bolted his wad of chewing gum, then
+he rose and stood staring at Ravenslee, very round of eye. "So you know
+Joe Madden, the best all-round champion that ever happened, eh?"
+
+"I box with him every day."
+
+"Hully Chee!" exclaimed the Spider, and chewed fervently in silent
+astonishment. Suddenly he lifted his head and stood as one that hearkens
+to distant sounds, and crossing stealthily to the window, climbed out.
+
+"What's the matter?"
+
+"Mother Trapes, bo. She's just rollin' out o' th' feathers, an' she's
+quite enough for me--always has me fazed to a frazzle. If she caught me
+here it 'ud be th' gimlet eye for mine--so here's where I fade away."
+
+"Anyway, come and have tea here with me to-night, Spider, unless
+you think I am--er--too dangerous to visit just now on account of
+M'Ginnis--"
+
+"Dangerous?" repeated the Spider, scowling, "bo, when I get a call t'
+free food with a guy like you, danger gets lost in th' shuffle an'
+forgotten--I'll be there. Now here's your bean cover--catch! S' long!"
+And nodding, Spider promptly vanished down the fire escape.
+
+
+
+
+CHAPTER XXIII
+
+CHIEFLY CONCERNING A LETTER
+
+
+"Sunday," said Mrs. Trapes sententiously, "Sunday is a holy day t' some
+folks an' a holiday for other folks, but t' folks like me an' Hermy it
+sure ain't no day of rest an' gladness--like the hymn book says."
+
+"Isn't it?" said Ravenslee, pushing away his coffee cup and glancing
+toward the loud-ticking clock upon the sideboard.
+
+"It sure ain't!" nodded Mrs. Trapes, quick to note the look. "Hermy an'
+me ain't much given to Sunday observance, Mr. Geoffrey. Y' see, there's
+always meals t' be cooked an' washin' up t' be done, an' clo'es t' be
+mended p'raps. I've darned many a 'eartfelt prayer into a wore-out pair
+o' stockin's before now an' offered up many a petition t' the Throne o'
+grace with my scrubbin' brush sloshin' over the floor. Anyway, Hermy 'n'
+me ain't never had much time for church-goin' or prayer meetin's or
+mindin' our souls in our best frocks an' bonnets--no, sir! We jest have
+t' get on with our work--sewin' an' cookin' an' washin'--mindin' the
+welfare of other folks' bodies. So while them as has time an'
+inclination sing their praises t' the Lord on their knees, Hermy an' me
+take out our praises in work, an' have t' leave our souls t' God
+an'--oh, well, I guess he'll take care of 'em all right--don't y'
+think?"
+
+"I certainly do!" nodded Ravenslee.
+
+"O' course, my soul ain't all it should be--a bit stained here
+an' there, p'raps--a bit th' worse for wear, Mr. Geoffrey, but
+Hermy's--well, there, I guess it's jest as sweet as a flower still, an'
+white--as white as that tablecloth. An' talkin' about her soul--what
+about her body, Mr. Geoffrey?"
+
+Ravenslee started. "Her body?" said he, staring. "Well, since you ask,
+I should say it is like her soul--very sweet and white and--"
+
+"Sure!" nodded Mrs. Trapes, "but, bein' only flesh an' blood after
+all--bein' only miserable clay like yours an' mine, Mr. Geoffrey, it'll
+always need food t' nourish it, clo'es t' keep it warm, an' a roof t'
+shelter it. Well, if she was t' be s' mad as t' marry a peanut man, what
+about food an' clo'es an' a roof?"
+
+"I think they could be managed, Mrs. Trapes."
+
+"What--out o' peanuts?"
+
+"No--er--the fact is, I've given 'em up."
+
+Mrs. Trapes sniffed. "Y' don't say!" she remarked drily. "Think o' that,
+now!"
+
+"The fact is, Mrs. Trapes, I--well, suppose I were to confess to you
+that I'm not quite so poor as I seem--what should you say?"
+
+"Why, I should say as I knew that about three weeks ago, Mr. Geoffrey."
+
+"Oh, did you?" said Ravenslee, staring. "How in the world did you find
+out?"
+
+"Why, Mr. Geoffrey, I'll tell ye how. I got eyes an' I got ears, an'
+sometimes I can see a bit with my eyes an' hear with my ears--that's
+how! Oh, I've watched ye, Mr. Geoffrey--I've watched ye careful
+because--well, because I sure love Hermy, an' 't would jest break my
+'eart t' see her fallin' in love with a rogue!"
+
+"So you think--that she is--falling in love, then?" enquired Ravenslee
+slowly.
+
+"Well, Hermy's Hermy, an' she's wrote you two letters to my knowin'--"
+
+"No, only one, Mrs. Trapes."
+
+"Now Hermy ain't the kind o' girl t' write twice to a man unless--"
+
+"But she has only written me one letter, Mrs. Trapes--the one she left
+with you last week."
+
+"Oh, well--here's the other!" said Mrs. Trapes, laying before him an
+envelope addressed in the handwriting he had come to know so well.
+
+"Why didn't you give it to me before?" he enquired.
+
+"Her orders, Mr. Geoffrey."
+
+"Orders?"
+
+"Orders!" nodded Mrs. Trapes. "She come in here last night an' give it
+me after you was gone t' bed. 'Ann dear,' she says, 'don't let him have
+it till half after ten t' morrer,' she says. An' it's nearly eleven
+now--so there's y'r letter!"
+
+"But," said Ravenslee, "why on earth--"
+
+"P'raps th' letter'll tell you, Mr. Geoffrey; s'pose you read it while I
+clear away your breakfast things!"
+
+Hereupon Ravenslee opened the letter and read these words:
+
+My dear,
+
+It would be my joy to trust myself to you utterly, to go with you to the
+world's end if you would have it so. Only I'm afraid that I am not quite
+what you would have me. I'm afraid that I might sometimes do things that
+would remind you that I had been only a scrubwoman. I'm afraid that some
+day you might regret. Were I to answer you now, I should answer you
+selfishly--so, please, you must give me time to think, for both our
+sakes. Love has never come near me before, and now I am a little afraid,
+for love is not little and tender and babyish, but great and strong and
+very fierce and masterful--that is why I am afraid of it. So I must go
+away from you, from the sound of your voice, the touch of your hand--to
+think it all out. My work will take me to Englewood to-morrow, and I want
+you to wait for your answer until I come back, for then I shall have
+decided one way or the other. But in Englewood the memory of your words
+will be with me still--oh, did you mean all, quite all you said, and did
+you say quite all you meant to say--did you? Did you? For indeed it has
+seemed to me that if you really meant all you said you might have said a
+little more--just a little more. This is a dreadfully long letter and
+very badly expressed, I know, but I dare not read it through. But what
+I have written is written from my heart.
+
+Hermione.
+
+P.S. I shall be in Englewood three whole days.
+
+"Will strawberry jam an' angel cake an' a bunch or so o' water cress be
+enough, Mr. Geoffrey?"
+
+Ravenslee sat staring down at the letter, rubbing his square,
+fresh-shaven chin as one very much at a loss.
+
+"'Might have said a little more--just a little more,'" he muttered, his
+gaze focussed upon a certain line.
+
+"Will water cress an' angel cake an' a pot o' strawberry jam soot, Mr.
+Geoffrey?"
+
+"Now I wonder what the dickens she can mean?" mused Ravenslee.
+
+"She means jest strawberry jam an' angel cake an' water cress, fer
+tea--fer your visitors," said Mrs. Trapes, with a patient sigh.
+
+"Visitors!" repeated Ravenslee, glancing up. "Why, yes, they'll be here
+about four o'clock."
+
+"An' will water cress an' angel cake an'--"
+
+"Quite enough! Certainly! Admirable!" exclaimed Ravenslee. "But what
+beats me," he continued, staring down at the letter again, "is what she
+can mean by writing this."
+
+"Not knowin' what she's wrote, I can't say."
+
+"Mrs. Trapes, I know you are Hermione's best and staunchest friend, and
+lately I have ventured to hope you are mine too. As such, I want you to
+read this letter--see if you can explain it!"
+
+So Mrs. Trapes took the letter; and when she had read it through, folded
+it together with hands very gentle and reverent and stood awhile staring
+out into the sunlit court.
+
+"My land!" she said at last, her harsh voice grown almost soft, "love's
+a wonderful thing, I reckon. No wonder your eyes shine so. Yes, love's
+a great an' wonderful thing--my land!"
+
+"But can you explain," said Ravenslee, as he took back the letter, "can
+you tell me what she means by--"
+
+"Shucks, Mr. Geoffrey! That sure don't want no explainin'. When you said
+all you did say to her, did y' say anything about 'wife' or 'marriage'?"
+
+"Why, of course I did!"
+
+"Sure?"
+
+"Yes--er--that is--I think so."
+
+"Not sure then?"
+
+"Well, I may have done so--I must have done so, but really
+I--er--forget--"
+
+"Forget!" Mrs. Trapes snorted. "Now look-a-here, Mr. Geoffrey, what d'
+ye want with Hermy; is it a wife you're after or only--"
+
+"Mrs. Trapes!" Ravenslee was upon his feet, and before the sudden glare
+in his eyes Mrs. Trapes gaped and for once fell silent. "Mrs. Trapes,"
+said he, still frowning a little, "really you--you almost--made me
+angry."
+
+"My land!" said she, "I'm kind o' glad I didn't--quite!" and her sniff
+was eloquent.
+
+"You see," he went on, glancing down at the letter again, "I've learned
+to love and reverence her so much that your suggestion--hurt rather!"
+
+"Why, then, Mr. Geoffrey, I'm sorry. But if your love is so big an' true
+as all that--if you want her t' be a wife t' you--why in the 'tarnal
+didn't ye speak out an' tell her so?"
+
+"I'll go and tell her so this minute."
+
+"Y' can't! She's gone t' Bronx Park with that b'y, 'n' won't be back
+all day."
+
+"Damn!" exclaimed Ravenslee.
+
+"Sure!" nodded Mrs. Trapes. "Keep on, it'll do ye good. But anyway, what
+y' got t' say'll keep, I guess--it'll gush out all the stronger fer
+bein' bottled up a day or two."
+
+"I can write!" he suggested.
+
+"You can--but you won't--you'll tell her with your two lips--a woman
+likes it better spoke--if spoke proper--I should! With arms entwined an'
+eyes lookin' into eyes an'--oh, shucks! Will angel cake an' strawberry
+jam--"
+
+"They'll be ample, and--thank you, dear Mrs. Trapes!"
+
+
+
+
+CHAPTER XXIV
+
+HOW THE OLD UN AND CERTAIN OTHERS HAD TEA
+
+
+"Old Un," said Joe, halting his aged companion in the middle of the
+second flight to wag a portentous finger, "Old Un, mind this now--if
+there should 'appen to be cake for tea, don't go makin' a ancient beast
+of yourself with it--no slippin' lumps of it into your pocket on the
+sly, mind, because if I ketch ye at it--"
+
+"Don't be 'arsh, Joe, don't be 'arsh! Cake comes soft t' me pore old
+teef."
+
+"An' mind this again--if there should be any jam about, no stickin' ye
+wicked old fingers into it an' lickin' 'em behind my back."
+
+"You lemme an' the jam alone, Joe; it's a free country, ain't it?--very
+well, then!"
+
+"Free country be blowed! You mind what I say, you venerable old bag of
+iniquity, you!"
+
+"'Niquity yerself!" snarled the Old Un, and snapping bony finger and
+thumb under Joe's massive chin, turned and went on up the stairs, his
+smart straw hat cocked at a defiant angle, his brilliant shoes creaking
+loudly at every step.
+
+"Oh, Gorramighty!" he panted, halting suddenly on the fifth landing to
+get his breath, "these perishin' stairs 'as ketched my wind, Joe; it's
+worse 'n th' treadmill! Is there many more of 'em?"
+
+"Only six flights!" nodded Joe grimly.
+
+"Six!" wailed the Old Un. "Lord--it'll be the death o' me!"
+
+"Well, it's about time you was dead," nodded Joe.
+
+"Dead ye'self!" snarled the old man. "I'm a better figger of a man than
+ever you was--"
+
+"An' you would come," continued Joe serenely, as he deftly resettled the
+old fellow's sporty bow-tie. "You fair plagued me to bring ye along,
+didn't ye, old packet o' vindictiveness?"
+
+"Well, an' here I am, Joe, an' here I mean t' stay--no more climbin' fer
+me; I'm tired, me lad, tired!" Saying which, the Old Un spread his
+handkerchief on a convenient stair and proceeded to seat himself thereon
+with due regard for his immaculately creased trousers.
+
+"Well," growled Joe, "of all the perverse old raspers that ever I did
+see--"
+
+"That's enough, Joe, that's enough!" exclaimed the Old Un, fanning
+himself with his rakish hat. "Jest bend down and flick the dust off me
+shoes with your wipe, like a good lad, will ye? That's the worst o'
+these 'ere patent leathers; they looks well, but they sure ketches th'
+dust, Joe, they ketches the dust oncommon bad. So jest give 'em a flick
+over--me pore old back's too stiff t' let me reach 'em, what wi' me
+rheumatiz an' a floatin' kidney or so--"
+
+"Kidneys!" snarled Joe, drawing out a large bandanna handkerchief and
+polishing the old man's natty shoes until they shone resplendent.
+"What's the matter with ye blessed kidneys now?"
+
+"Don't I tell ye--they floats, Joe, they floats!"
+
+"Float!" growled Joe. "Float--where to?"
+
+"'Ere, there, an' everywhere, Joe, I can feel 'em! They're always
+a-gettin' theirselves all mixed up any'ow. Oh, it's an 'orrible
+complaint to 'ave kidneys like mine as gets theirselves lost."
+
+"Wish they'd lose you along with 'em!" growled Joe, shaking the dust
+from his handkerchief.
+
+"Joe," said the old man, putting on his hat and blinking up at him
+beneath its jaunty brim, "Joe, sometimes I fair despise ye!"
+
+"Well, despise away," nodded Joe, "only get up--stand up on them
+doddering old pins o' yourn."
+
+"Not me!" declared the Old Un, "I ain't goin' to climb no more o' these
+perishin' stairs--no, not for you nor nobody. 'Ere I am, me lad, an'
+'ere I sits till you give me a piggy-back up to the top--me bein' a pore
+old cove with rheumatiz. I demands it--"
+
+"You'll what?" growled Joe, hard-breathing and indignant.
+
+"Demand it, Joe--a pore old feller wi' kidneys--an' every other ailment
+as flesh is hair to--a piggy-back, Joe--a piggy-back!"
+
+Without another word Joe stooped, and lifting the old man beneath one
+arm, bore him up the stairs regardless of his croaking protestations and
+fierce invective.
+
+"I said a piggy-back--oh, you blightin' perisher, I said a piggy-back,"
+he snarled, his resplendent shoes twinkling in futile kicks. "Oh, Joe,
+there's times when I fair 'ates ye!"
+
+Thus, despite virulent curses and feeble kickings, Joe bore him on
+and up until, as he climbed the last flight, he was arrested by an
+exclamation from above, and glancing upward, beheld a tall,
+sharp-featured woman who leaned over the rail.
+
+"Oh, land o' my fathers!" exclaimed Mrs. Trapes, "what's the
+matter--what you got there? Who are ye?"
+
+"The matter, ma'am," answered Joe, for by this time the Old Un had
+cursed himself quite breathless, "the matter's contrariness; what I
+'ave under my arm, ma'am, is a old reprobate, and I'm Joe Madden, ma'am,
+come to take tea with my--come, as you might say, a visiting to Mr.
+Geoffrey; p'raps you'll--"
+
+"Don't 'eed 'im, ma'am--never 'eed 'im!" croaked the Old Un, who had
+regained his wind by now. "'E 's a perishin' pork pig, that's wot 'e is.
+Joe, you blighter, put me down. It's me as the Guv expects--it's me as
+'as come a-visitin'--Joe, put me down, you perisher. Joe's only a hoaf,
+ma'am, a nass, ma'am. Joe ain't used to perlite serciety, Joe don't know
+nothin'--put me down, Joe, like a good lad!"
+
+At this juncture Ravenslee appeared, whereupon Joe, having reached
+the topmost landing, set the old man upon his natty feet and fell to
+straightening his smart clothes with hands big but gentle.
+
+"Sir," explained Joe, answering Ravenslee's smiling look, "Old Sin an'
+Sorrer here wouldn't walk up, which forced me to--"
+
+But now the Old Un, feeling himself again, cut in on his own account.
+"Ma'am," said he, flourishing off his hat to Mrs. Trapes, "'ere 's me
+an' me lad Joe come to tea--my best respex an' greetin's, ma'am. How do,
+Guv? I do 'ope as you ain't forgot th' cake."
+
+"Oh, we've plenty of cake, Old Un!" laughed Ravenslee.
+
+"An' water cress an' jam!" nodded Mrs. Trapes.
+
+"Guv," said the old man, gripping Ravenslee's hand, "God bless ye for a
+true man an' a noble sport. Ma'am, you're a angel! Jam, ma'am--you're
+a nymp'--you're two nymp's--
+
+"'I oft would cast a rovin' eye
+ Ere these white 'airs I grew, ma'am,
+ To see a 'andsome nymp' go by,
+ But none s' fair as you, ma'am.'
+
+"An' there's me hand on it, ma'am."
+
+"My land!" ejaculated Mrs. Trapes, staring; then all at once she
+laughed, a strange laugh that came and went again immediately, yet left
+her features a little less grim than usual, as, reaching out, she
+grasped the old man's feeble hand.
+
+"I guess you're only bein' p'lite," said she, "but jest for that you're
+sure goin' t' eat as much cake an' jam as your small insides can hold."
+So saying, she led the way into her small and very neat domain and
+ushered them into the bright little parlour where the Spider sat already
+enthroned in that armchair whereon sunflowers rioted. Like the chair,
+the Spider was somewhat exotic as to socks and tie, and he seemed a
+trifle irked by stiff cuffs and collar as he sat staring at the green
+and yellow tablecloth and doing his best not to tread upon the pink
+hearthrug.
+
+"Joe," said Ravenslee, "this is Spider Connolly, who knocked out Larry
+McKinnon at San Francisco last year in the sixty-ninth. Spider, I want
+you to shake hands with--"
+
+"Bo," exclaimed the Spider, rising reverently and taking a step toward
+Joe's massive figure, quite forgetful of the pink hearthrug now, "you
+don't have t' tell me nothin'. I guess I know th' best all-round
+fightin' man, the greatest champion as ever swung a mitt, when I see
+him! T' shake his hand'll sure be--"
+
+"Young feller, me lad," cried the Old Un, reaching out nimbly and
+catching the Spider's extended hand, "you got a sharp eye, a true eye--a
+eye as can discrimpinate, like--ah, like a flash o' light. You're right,
+me lad, I was the best fightin' man, the greatest champeen as ever
+was--sixty odd years ago. Ho, yus, I were the best of 'em all, an' I
+ain't t' be sniffed at now. So shake me 'and, me lad--an' shake--hard!"
+
+The Spider's grim jaw relaxed, and his eyes opened very wide as the Old
+Un continued to shake his hand up and down.
+
+"But, say," said he faintly at last, "I don't--"
+
+"No more don't I," nodded the Old Un, "what's the old song say:
+
+"'I don't care if it rains or snows
+ Or what the day may be
+ Since 'ere's a truth I plainly knows
+ Love, you'll remember me.'"
+
+"But say," began the bewildered Spider again. "Say, I reckon--"
+
+"So do I," nodded the Old Un:
+
+"'I reckon up my years o' life
+ An' a good long life 'ave I.
+ Ye see, I never had a wife,
+ P'raps that's the reason why.'
+
+"So take it from me, young feller, me cove, don't 'ave nothin' to do
+with givin' or takin' in marriage."
+
+"Marriage?"
+
+"Marriage ain't good for a fightin' cove--it spiles him, it shakes
+'is nerve, it fair ruinates 'im. When love flies in at the winder,
+champeenships fly up the chimbley--never t' come back no more. So beware
+o' wives, me lad."
+
+"Wives!" repeated the Spider, lifting free hand to dazed brow, "I--I
+ain't never--"
+
+"That's right!" nodded the Old Un heartily, shaking the Spider's
+unresisting hand again, "marriage ain't love, an' love ain't marriage.
+Wot's the old song say:
+
+"'Oh, love is like a bloomin' rose
+ But marriage is a bloomin' thorn.
+ An 'usband 's full o' bloomin' woes
+ An' 'caves a bloomin' sigh each morn--'"
+
+"Why, Old Un!" exclaimed Ravenslee, "that's a very remarkable verse!"
+
+"My land!" ejaculated Mrs. Trapes, squaring her elbows in the doorway,
+"I suspects he's a poet--an' him sech a nice little old gentleman!"
+
+"A poet, ma'am!" exclaimed the Old Un indignantly, "not me, ma'am, not
+me--should scorn t' be. I'm a 'ighly respected old fightin' man, I am,
+as never went on th' cross:
+
+"'A fightin' man I, ma'am,
+ An' wish I may die, ma'am,
+ If ever my backers I crossed;
+ An' what's better still, ma'am,
+ Though I forgot many a mill, ma'am,
+ Not one of 'em ever I lost.'"
+
+"My land!" exclaimed Mrs. Trapes again. "What a memory!"
+
+"Memory, ma'am!" growled Joe, "that ain't memory; 'e makes 'em up as 'e
+goes along--"
+
+"Joe," said the Old Un, glaring, "if the lady weren't here, an' axin'
+'er pardon--I'd punch you in the perishin' eye-'ole for that!"
+
+"All right, old vindictiveness," sighed Joe, "an' now, if you'll let go
+of Spider Connolly's fist, I'd like to say 'ow do. Sit down an' give
+some one else a chance to speak--sit down, you old bag o' wind--"
+
+"Bag o'--" the old man dropped the Spider's nerveless hand to turn to
+Mrs. Trapes with a gloomy brow. "You 'eard that, ma'am--you 'eard this
+perishin' porker call me a bag o'--Joe, I blush for ye! Ma'am, pore Joe
+means well, but 'e can't 'elp bein' a perisher--but"--and here the Old
+Un raised and shook a feeble old fist--"I've a good mind t' ketch 'im
+one as would put 'im t' sleep for a fortnight--I've a good mind--"
+
+But Mrs. Trapes caught that tremulous fist and drawing the Old Un's arm
+through her own, turned to the door.
+
+"You come along with me," said she, "you shall help me t' get the tea;
+you shall carry in th' cake an'--"
+
+"Cake!" exclaimed the Old Un, "Oh, j'yful word, ma'am; you're a--a
+lidy! An' there's jam, ain't there?"
+
+"Strawberry!"
+
+"Straw--oh, music t' me ears, ma'am--you're a nymp'--lead me to it!" So
+saying, the Old Un followed Mrs. Trapes out into the kitchen, while the
+Spider stared after him open-mouthed.
+
+"Sufferin' Pete!" he murmured, then, inhaling a long, deep breath,
+turned to grasp Joe's mighty, outstretched hand. Then, drawing their
+chairs together, they sat down, and Ravenslee, by an adroit question
+or two, soon had them talking, the Spider quick and eager and chewing
+voraciously, Joe soft-voiced and deliberate but speaking with that calm
+air of finality that comes only of long and varied experience. So, while
+Ravenslee smoked and listened, they spoke of past battles, of fights and
+fighters old and new; they discoursed learnedly on ringcraft, they
+discussed the merits of the crouch as opposed to the stiff leg and
+straight left; they stood up to show tricks of foot and hand--cunning
+shifts and feints; they ducked and side-stepped and smote the empty air
+with whirling fists to the imminent peril of the owl that was a parrot,
+which moth-eaten relic seemed to watch them with his solitary glass eye.
+And ever the Spider's respect and admiration for the mild-eyed,
+quiet-spoken champion waxed and grew.
+
+"Bo!" said he, dexterously catching the toppling bird, glass case and
+all, for the second time, and addressing Ravenslee with it clasped to
+his heart, "bo," he repeated, his eyes shining, "I guess Joe Madden, the
+greatest battler of 'em all, is--Joe Madden still. I've always wanted t'
+meet with him, an' say--I wouldn't ha' missed him for a farm."
+
+"Is that so!" exclaimed Mrs. Trapes, entering the room at this moment
+with the tea-cloth, "well, now--you jest put 'im down--you jest put that
+bird back again, Spider Connolly!"
+
+"Yes, ma'am," quoth the Spider, all abashed humility.
+
+"What you doin' with it, anyway?" she demanded, elbows jutted ominously;
+"it's lost a eye, an' a cat got it once an' sp'iled it some, but I
+treasure it fer reasons o' sentiment, an' if you think you c'n steal
+it--"
+
+"Not 'im, ma'am, not 'im!" piped the Old Un from the doorway, "it ain't
+the pore lad's fault. It's Joe, blame it all on to Joe--Joe's got a bad
+'eart, ma'am, a black, base-'earted perisher is Joe--so no jam for Joe,
+ma'am, an' only one slice o' cake."
+
+Here Ravenslee hastened to explain, whereupon Mrs. Trapes's grimness
+abated, and her bristling elbows subsided; and now, perceiving how the
+abashed Spider, meeting her eye, flushed, plucked at his cuffs, and
+shuffled his feet, she reached out to pat his broad and drooping
+shoulder.
+
+"Mister Connolly," said she, "for harsh words spoke in haste I craves
+now your pardon, an' I craves it--humble. Am I forgive?"
+
+The Spider, flushing redder than ever, rose to his feet, seized her
+hand, shook it, and muttered: "Sure!"
+
+When the table was laid, the Old Un proposed, and was duly seconded,
+thirded, and fourthed, that Mrs. Trapes be elected into the chair to
+pour out the tea, which she proceeded to do forthwith, while the Old Un,
+seated at her right hand, kept a wary eye roving between jam dish and
+angel cake. And by reason of the unwonted graciousness of Mrs. Trapes,
+of Ravenslee's tact and easy assurance, and the Old Un's impish
+hilarity, all diffidence and restraint were banished, and good
+fellowship reigned supreme, though the Spider was interrupted in the
+midst of a story by the Old Un suddenly exclaiming:
+
+"Keep your hand out o' the jam, Joe!"
+
+And Joe was later rendered speechless, hard-breathing, and indignant, by
+the Old Un turning to Mrs. Trapes with the shrill warning:
+
+"Ma'am, Joe's 'ad two 'elpin's o' cake an' got 'is 'orrid eye on what
+remains!"
+
+Nevertheless, the meal was in all ways a success, and Ravenslee was
+reaching for his pipe when Mrs. Trapes, summoned to the front door by a
+feverish knocking, presently came back followed by Tony, whose bright
+eyes looked wider than usual as he saluted the company.
+
+"Hey, Geoff, me tell-a you piece-a da-noos!" he cried excitedly, "big-a
+piece-a da-noos. Da cops go-a pinch-a Bud-a M'Ginn'!"
+
+"Bud? Bud?" stammered the Spider. "Have they pinched Bud? Is this the
+straight goods, Tony?"
+
+"Sure--they gott-a heem this-a morn in Jersey City--'n' say, he think-a
+eet a frame-up--he theenk-a Geoff set-a de cops for-a take heem."
+
+"The hell he does!" exclaimed the Spider, starting to his feet.
+
+"So he send-a da word to Soapy," continued Tony, his eyes rolling, "an'
+now all-a da gang's out layin' for-a Geoff. So when Geoff go-a out on
+da street--bingo! Dey snuff hees light out--"
+
+"Not much they won't!" said the Spider, buttoning up his coat and
+turning to the door. "I'll mighty soon fix this, I guess."
+
+"Do you think you can, Spider?" enquired Ravenslee. "If you're going to
+have any trouble, don't bother about--"
+
+"Bo," said the Spider, squaring his big jaw, "get onto this: here's
+where I chip in with ye; from now on we're in this game together, an'
+I ain't a guy as'll lay down his hand till I'm called--an' called good,
+see? You said it was goin' t' be a man's work--by Jiminy Christmas, it
+looks like you're right; anyway, I stand in with you, that's sure--put
+it there, bo!"
+
+"But," said Ravenslee, as their hands gripped, "I don't want you to take
+any chances on my account, or run any--"
+
+"Fudge, bo, fudge! I ain't takin' no chances--"
+
+"Well, I'm coming along to see you don't!" said Ravenslee, reaching for
+his hat.
+
+"Not on your life, bo; you'd queer th' whole show. Y' see, they're a
+tough crowd an' apt t' act a bit hasty now an' then; 'sides, they might
+think you're heeled, and they know I don't never carry a gun--they all
+know me--"
+
+"Still, I'm coming, Spider--"
+
+"Y' can't, bo; Mrs. Trapes ain't goin' t' let ye--look at her!"
+
+"You never spoke a truer word since you drawed the vital air, Spider
+Connolly!" nodded Mrs. Trapes, hands on hips and elbows at the "engage."
+"If Mr. Geoffrey stirs out this day, he's jest gotter trample over my
+mangled remains, that's all!"
+
+Heeding the glitter in her eye and noting the inexorable jut of her
+elbows, Ravenslee sat down and went on filling his pipe.
+
+"Y' see, bo, I know as it wasn't you as give Bud away, an' the boys'll
+listen t' my say-so--you bet they will. So here's where I ooze away. S'
+long, all!"
+
+The Old Un, having bolted the last handful of cake, got upon his legs
+and clutched the Spider's coat in talon-like fingers.
+
+"'Old 'ard, young feller, me lad!" he cried. "If there's any chance of
+a scrap comin' off--wot about me? Gimme me 'at, Joe, an' get yourn; if I
+don't knock some on 'em stone cold--call me a perishin' ass!"
+
+"Why, since you say so, old blood an' bones," said Joe, his mild eye
+brightening, "we will step along with the Spider a little way if the
+Guv'nor'll excuse us?"
+
+"Certainly, Joe," nodded Ravenslee, "on condition that you do just as
+the Spider says."
+
+"You mean, sir?"
+
+"No fighting, Joe--at least, not yet."
+
+"Trust me, sir! What ain't to be--yet, is to be sometime, I 'opes,"
+sighed Joe.
+
+"Good-by, Guv, good-by!" croaked the Old Un, "if I don't put some o'
+they perishers in the 'orspitals an' the infirmaries--I ain't the man I
+was--
+
+"'Oh, used am I to war's alarms
+ I 'unger for the fray,
+ Though beauty clasps me in 'er arms
+ The trumpet calls away.'"
+
+So having made their adieux, the three took their departure; though
+once, despite Joe's objurgations, the Old Un must needs come back to
+kiss Mrs. Trapes's toil-worn hand with a flourish which left her
+voiceless and round of eye until the clatter of their feet had died
+away.
+
+Then she closed the door and fixed Ravenslee with her stoniest stare.
+
+"Mr. Geoffrey," she demanded, "why did they call you 'Guv'nor', and
+wherefore 'Sir'?"
+
+Ravenslee, in the act of lighting his pipe, had paused for a suitable
+answer, when Tony, who had remained mute in a corner, stepped forward
+and spoke:
+
+"Say, Geoff, I got-a bit-a more noos. Old-a Finlay-a want-a spik with-a
+you--"
+
+"Old Finlay--with me?"
+
+"Sure. Old-a Finlay-a go die-a ver' queek, an' he vant-a spik with-a you
+first."
+
+"Dying! Old Finlay dying?" questioned Ravenslee, rising.
+
+"Sure! He go die-a ver' queek."
+
+"I'll come!"
+
+"An' I guess," said Mrs. Trapes, "yes, I opine as I'll come along wi'
+ye, Mr. Geoffrey."
+
+Old Martin Finlay lay propped up by pillows, his great, gaunt, useless
+body seeming almost too large for the narrow bed wherein he lay, staring
+up great-eyed at Ravenslee--live eyes in a dead face.
+
+"It's dying I am, sorr," said he faintly, "an' it's grateful is ould
+Martin for the docthers and medicine you've paid for. But it's meself
+is beyand 'em all--an' it's beyand 'em I'm goin' fast. She's waitin'
+for me--me little Maggie's houlding out her little hand to me--she's
+waitin' for me--beyand, Holy Mary be praised! An' she's waited long
+enough, sorr, my little Maggie as I loved so while the harsh words
+burned upon me tongue--my little Maggie! I was bitter cruel to my little
+girl, but you've been kind to me, and, sorr, I thank ye. But," continued
+the dying man, slowly and feebly, "it aren't to thank yez as I wanted
+ye--but to give yez something in trust for Miss Hermy--ye see, sorr, I
+shant be here when she comes back to-night, I'll be with--little Maggie
+when the hour strikes--my little Maggie! Norah, wife--give it to him."
+
+Silently Mrs. Finlay opened a drawer, and turning, placed in Ravenslee's
+hand a heavy gold ring curiously wrought into the form of two hands
+clasping each other.
+
+"It was my Maggie's," continued Martin, "an' I guess she valleyed
+it a whole lot, sorr. I found it hid away with odds and ends as she
+treasured. But she don't want it no more--she's dead, ye see, sorr--I
+killed her--drowned, sorr--I drowned her. Cruel an' hard I was--shut her
+out onto the streets, I did, and so--she died. But before the river
+took--oh, Blessed Mary--oh, Mother O' God--pity! Before she went t'
+heaven, Miss Hermy was good t' her; Miss Hermy loved her and tried t'
+comfort her--but only God could do that, I reckon--so she went t' God.
+But Miss Hermy was kind when I wasn't, so, sorr, it's give her that ring
+ye will, plaze, an' say as poor Martin died blessing her. An' now it's
+go I'll ask ye, sorr, for God's callin' me to wipe away me tears an'
+sorrers and bind up me broken heart--so lave me to God and--my little
+Maggie--"
+
+Very softly Ravenslee followed Mrs. Trapes out of the room, but they had
+not reached the front door when they heard a glad cry and thereafter a
+woman's sudden desolate sobbing.
+
+"Go on, Mr. Geoffrey," whispered Mrs. Trapes. "But I guess I'd better
+stay here a bit."
+
+"You mean--?"
+
+"As poor Martin's sure found his little girl again!"
+
+
+
+
+CHAPTER XXV
+
+HOW SPIKE MADE A CHOICE AND A PROMISE
+
+
+Monday morning found Ravenslee knocking at the opposite door, which
+opening, disclosed Spike, but a very chastened and humble Spike, who
+blushed and drooped his head and shuffled with his feet and finally
+stammered:
+
+"Hello, Geoff--I--I'm all alone, but you--you can come in if--if you
+care to?"
+
+"I dropped in on my way down just to have a word with you, Spike."
+
+With dragging feet Spike led the way into the sitting room, where lay
+his breakfast, scarcely tasted.
+
+"Sit down, Geoff, I--I want to apologise," said the lad, toying
+nervously with his teaspoon. "I guess you think I'm a mean, low-down
+sort o' guy, an' you're right, only I--I feel worse 'n you think. An'
+say, Geoff, if I--if I said anything th' other night, I want you
+to--forget it, will you?"
+
+"Why, of course, Spike."
+
+"Hermy's forgiven me. I--I've promised to work hard an' do what she
+wants."
+
+"I'm glad of that, Spike!"
+
+"She came creepin' into my room this mornin' before she went, but--me
+thinkin' she meant to give me a last call down--I pretended t' be
+asleep, so she just sighed an' went creepin' out again an' wrote me
+this," and Spike drew a sheet of crumpled note paper from his pocket and
+handed it to Ravenslee, who read these words:
+
+Boy dear, I love you so much that if you destroyed my love, I
+think you would destroy me too. Now I must leave you to go to my work,
+but you will go to yours, won't you--for my sake and for your sake and
+because I love you so. Be good and strong and clean, and if you want some
+one to help you, go to your friend, Mr. Geoffrey. Good-by, dear--and
+remember your promise.
+
+Ravenslee passed back the pencilled scrawl and Spike, bending his head
+low, read it through again.
+
+"I guess I've just got t' be good," he murmured, "for her sake. Oh,
+Geoff," he cried suddenly, "I'd die for her!"
+
+"Better live for her, Spike, and be the honourable, clean man she
+wishes."
+
+"She sure thinks you're some man, Geoff! I guess she's--kind o'--fond of
+you."
+
+"That's what I've come to talk about, Spike."
+
+"Are you--fond of her, Geoff?"
+
+"Fond!" exclaimed Ravenslee, forgetting to drawl, "I'm so fond--I love
+her so much--I honour her so deeply that I want her for my wife."
+
+"Wife?" exclaimed Spike, starting to his feet, his eyes suddenly
+radiant, "d'ye mean you'll marry her?"
+
+"If she will honour me so far, Spike."
+
+"Marry her! You'll marry her!" Spike repeated.
+
+"As soon as she'll let me!"
+
+"Geoff--oh, Geoff," exclaimed the boy, and choking, turned away.
+
+"Won't you congratulate me?"
+
+"I can't yet," gasped Spike; "I can't till I've told ye what a mean guy
+I've been."
+
+"What about?"
+
+"About you--and Hermy. Bud said you meant t' make her go the way--little
+Maggie Finlay went, an'--oh, Geoff, I--I kind of believed him."
+
+"Did you, Spike--that foul beast? But you don't believe it any longer,
+and M'Ginnis is--only M'Ginnis, after all."
+
+"But I--I've got to tell you more," said the lad miserably, as meeting
+Ravenslee's eye with an effort, he went on feverishly. "The other night
+after--after Bud slipped me the--the stuff an' I'd had a--a drink or
+two, he began askin' all about you. At first I blocked and side-stepped
+all his questions, but he kep' on at me, an' at last I--I give you away,
+Geoff--" Here Spike paused breathlessly and cast an apprehensive glance
+toward his hearer, but finding him silent and serene as ever he
+repeated:
+
+"I--gave you away, Geoff!"
+
+"Did you, Spike?"
+
+"Yes, I--I told him who you really are!"
+
+"Did you, Spike?"
+
+"Yes! Yes! Oh, Geoff, don't you understand?"
+
+"I understand."
+
+"Well, why don't ye say something? Why don't ye tell me what I am? Say
+I'm a dirty sneak--call me a yeller cur--anything!"
+
+"No, you were drunk, that's all; and when the drink is in, honour, and
+all that makes a man, is out--you were only drunk."
+
+"Oh, but I wasn't s' drunk as all that," gasped Spike, cowering in
+his chair, "but he kep' on comin' at me with his questions, an' at
+last--when I told him how I met up with you--he kind o' give a jump--an'
+his face--" Spike clenched his fists and, slowly raising them, pressed
+them upon his eyes. "I'll never forget th' look on--his face! So now you
+know as I've blown th' game on ye--given ye away--you as was my friend!"
+With the word Spike sobbed and fell grovelling on his knees. "Curse me,
+Geoff!" he cried. "Oh, curse me, an' tell me what I am!"
+
+"You are Hermione's brother!"
+
+"My God!" wailed the boy. "If she knew, she'd hate me."
+
+"I--almost think she would, Spike."
+
+"You won't tell her, Geoff, you won't never let her know?"
+
+"I--don't get drunk, Spike."
+
+"But you won't tell her?" he pleaded, reaching out desperate hands,
+"you won't?"
+
+"Not a word, Spike!"
+
+"Oh, I know I'm--rotten!" sobbed the lad. "I know you ain't got no use
+for me any more, but I'm sorry, Geoff, I'm real sorry. I know a guy
+can't forgive a guy as gives a guy away if that guy's a guy's friend. I
+know as you can't forgive me. I know as you'll cut me out for good after
+this. But I want ye t' know as I'm sorry, Geoff--awful sorry--I--I ain't
+fit t' be anybody's friend, I guess."
+
+"I think you need a friend more than ever, Spike!"
+
+"Geoff!" cried the boy breathlessly. "Say--what d' you mean?"
+
+"I mean the time has come for you to choose between M'Ginnis and me. If
+I am to be your friend, M'Ginnis must be your enemy from now on--wait!
+If you want my friendship, no more secrets; tell me just how M'Ginnis
+got you into his power--how he got you to break into my house."
+
+Spike glanced up through his tears, glanced down, choked upon a sob, and
+burst into breathless narrative.
+
+"There was me an' Bud an' a guy they call Heine--we'd been to a rube
+boxin' match up th' river. An' as we come along, Heine says: 'If I was
+in th' second-story-lay there's millionaire Ravenslee's wigwam waitin'
+t' be cracked,' an' he pointed out your swell place among th' trees in
+th' moonlight. Then Bud says: 'You ain't got th' nerve, Heine. Why, th'
+Kid's got more nerve than you,' he says, pattin' my shoulder. An' Heine
+laughs an' says I'm only a kid. An' Geoff, I'd got two or three drinks
+into me an' th' end was I agreed t' just show 'em as I had nerve enough
+t' get in through a winder an' cop something--anything I could get. So
+Bud hands me his 'lectric torch, an' we skin over th' fence an' up to
+th' house--an' Heine has th' winder open in a jiffy, an' me--bein'
+half-soused an' foolish--hikes inter th' room, an' you cops me on th'
+jump an'--an' that's all!"
+
+"And M'Ginnis has threatened to send you up for it now and then, eh?"
+
+"Only for a joke. Bud ain't like me; he'd never split on a pal--Bud
+wouldn't gimme away--"
+
+"Anyway, Spike, it's him or me. Which will you have for a friend?"
+
+"Oh, Geoff, I--I guess I'd follow you t' Kingdom Come if you'd let me.
+I do want t' live straight an' clean--honest t' God I do, Geoff, an' if
+you'll only forgive--"
+
+Spike's outstretched, pleading hands were caught and held, and he was
+lifted to his feet.
+
+"My Arthur-Spike, art going to the office this morning?"
+
+"Sure I am; my eye ain't--ain't s' bad, after all, is it? Anyway, I feel
+more like what a man should feel like now, an'--Gee! look at me doin'
+the sissy tear-spoutin' act! Oh, hell--lemme go an' wash me face. 'N'
+say, if--if any o' them--I mean those dolly office boys has anything t'
+say, I'll punch th' sawdust out o' them!"
+
+
+
+
+CHAPTER XXVI
+
+WHICH MAKES FURTHER MENTION OF A RING
+
+
+Ravenslee, strolling in leisurely fashion along Tenth Avenue, became
+aware of a slender, pallid youth whose old-young face was familiar; a
+cigarette dangled from his pale, thin lips, and his slender hands were
+hidden in the pockets of his smartly tailored coat. On went Ravenslee,
+pausing now and then to glance idly into some shop window until,
+chancing to slip his fingers into a waistcoat pocket, he paused all at
+once and, drawing thence a ring wrought into the semblance of two
+clasped hands, drew it upon his finger. Now as he glanced at the ring,
+his eye gleamed and, smiling as one who has a sudden bright idea, he set
+off faster than before, striding on light and purposeful feet. But, as
+he turned a corner, he noticed that the pallid youth was still close
+behind, wherefore he halted before a shop window where, among other
+articles of diet, were cans of tomatoes neatly piled into a pyramid. At
+these he stared, waiting, and presently found the pallid youth at his
+elbow, who also stared upon the tomato pyramid with half-closed eyes and
+with smouldering cigarette pendent from thin-lipped mouth. And after
+they had stared awhile in silence, cheek by jowl, Ravenslee spoke in his
+pleasant, lazy voice:
+
+"Judging by the labels these tomatoes are everything tomatoes possibly
+could be."
+
+"'S right!" murmured the pale one imperturbably.
+
+"Fond of tomatoes?" enquired Ravenslee.
+
+"Aw!" answered his neighbour, "quit foolin'--talk sense!"
+
+"Certainly! Why do you follow me, Soapy?"
+
+Soapy's eyes grew narrower, and the pendent cigarette stirred slightly.
+
+"Know me, hey?" he enquired.
+
+"Heaven forbid! 'T was a bolt at a venture--a shot in the dark."
+
+"Talkin'--o'--shootin'," said Soapy, grimly deliberate, "peanuts ain't a
+healthy profesh around here--not fer your kind, it ain't!"
+
+"Oh, I don't know," answered Ravenslee, shaking his head gently at the
+tomatoes, "I've heard of professions even more unhealthy."
+
+"Aw--well--say what?"
+
+"Well, talking of shooting--yours!"
+
+Soapy's narrow eyes gleamed with an added viciousness, his pale nostrils
+expanded, but the retort died upon his curling mouth, his puffy eyelids
+widened and widened as he stared at the ring on Ravenslee's finger, and
+when he spoke his voice was strangely hoarse and eager.
+
+"Say, sport--where'd you--get that--ring?"
+
+"Why do you ask?"
+
+"'Cause I want to know, I guess."
+
+"Think you've seen it before?"
+
+"Sport, I don't think--I know. I seen it many a time. I'd know it in a
+million, sure."
+
+"Where did you see it before?"
+
+"On M'Ginnis's mitt. It useter belong t' Bud."
+
+"Ah!" exclaimed Ravenslee, scowling down at the ring, "you make me wish
+more than ever that I had throttled him a little harder."
+
+"Where'd you get that ring, sport?" Soapy repeated.
+
+"From Maggie Finlay's father!"
+
+Soapy turned away to stare at the tomato cans again.
+
+"Meanin'?" he enquired at last, hoarser than before.
+
+"That once upon a time it belonged to--her."
+
+"Sport," said Soapy after an interval, still staring at the pyramid of
+cans, "I useter know her once, an' I've jest nacherally took a fancy t'
+that ring; if fifty dollars'll buy it, they're yours--right now."
+
+"It isn't mine," answered Ravenslee, still scowling at the ring which
+he had drawn from his finger. "I'm on my way to take it to--its owner.
+But if that person doesn't want it, and I'm pretty sure--that
+person--won't, you shall have it, I promise you. And now," said he,
+pocketing the ring and turning, still scowling, on Soapy, "you are one
+of M'Ginnis's gang, I fancy; anyway, if you see him you can tell him
+from me that if he gives me another chance I'll surely kill him for the
+foul beast he is."
+
+"Sport," said Soapy, "I guess the Spider's right about you--anyway, you
+ain't my meat. An' as fer killin' Bud--you sure ain't goin' t' get th'
+chance--not while I have the say-so. S' long, sport!" and turning upon
+his heel, Soapy lounged away.
+
+At Times Square Ravenslee entered the subway and, buying his ticket, was
+jostled by a boy, a freckled boy, round-headed and round of nose, who
+stared at him with a pair of round, impertinent eyes.
+
+Lost in happy speculation he was duly borne to One Hundred and Thirtieth
+Street, where he boarded the ferry. Upon the boat he was again conscious
+of a round head that bobbed here and there amid the throng of
+passengers, but paid small heed as he leaned to watch the broad and
+noble river and the green New Jersey shore. At Fort Lee, exchanging boat
+for trolley car, he was once more vaguely conscious of two round eyes
+that watched him from a rear seat; but as the powerful car whirled them
+up-hill, plunged them down steep inclines, swung them around sharp
+curves, through shady woods, past far-flung boughs whose leaves stirred
+and whispered as the great car fleeted by, he fell again to dreaming of
+Hermione and the future; and so reached Englewood, a small township
+dreaming in the fierce midday sunshine. Here he enquired of a perspiring
+butcher in shirtsleeves the whereabouts of the house he wanted and,
+being fully directed and carefully admonished how to get there, set off
+along the road. And remembering that her feet must often have traversed
+this very path, he straightway fell to his dreaming again. Thus how
+should he know anything of the round head that bobbed out from behind
+bush or tree ere it followed whither he went? So Ravenslee came where
+the road led between tall trees--to smooth green lawns beyond which was
+the gleam of water and so at last to the house he sought.
+
+Now beside this house, separated by a wide stretch of lawn, was a small
+wood and, lured by its grateful shade, he turned aside into this wood
+and began pushing his way through the dense undergrowth, which presently
+thinned to form a small clearing, roofed and shut in by leaves and full
+of a tender green light. Here he paused, and espying a fallen tree hard
+by, sat himself down and began to fill his pipe. And now, remembering
+his shabby person, he felt disinclined to go up to the house and demand
+to see Miss Chesterton. Yet see her he would--but how? He was frowning
+over this problem when it was resolved for him quite unexpectedly;
+roused by the sound of a snapping twig, he glanced up--and Hermione was
+before him. She was coming down a narrow path that wound amid the
+leaves, and because she wore no hat, the sunlight, filtering through the
+branches, made a glory of her hair as she passed. Her head was bowed,
+and she walked very slowly as one in thought; she had brought sewing
+with her, but for once her busy hands were idle, and, as he looked upon
+her beauty, scarce breathing, he saw again that look of wistful sadness.
+
+As he rose, she glanced up, and seeing him, stood utterly still. Thus
+for a long moment they gazed upon each other, then, even as he hastened
+to her, she came to him on swift, light feet, and, flushing, tremulous,
+quick-breathing, gave herself into his arms.
+
+"Oh, Hermione, my beloved!" he murmured, his voice tense and eager,
+"didn't I say enough, last time? Don't you know I love you--worship
+you--hunger and yearn for you? I want you with every breath I draw.
+When will you be my wife--oh, when will you marry me, Hermione?"
+
+For answer she reached up her arms, sudden, passionate arms that clung
+about him close and strong; so they stood thus, heart beating to heart,
+thrilling at each other's nearness yet drawing ever closer until,
+lifting her head, she gave her lips to his.
+
+"Oh, my dear, my dear," she whispered, "is it right to love you so,
+I wonder? I never thought it could be--like this. It frightens me
+sometimes, because my love is so great and strong and I--so powerless.
+Is it right? I--Oh!" she broke off breathlessly, "how can I speak if--if
+you--"
+
+"Kiss you so much?" he ended, "you can't speak, so--don't speak, my
+Hermione!" But now, all at once, he started and glanced up among the
+leaves above them.
+
+"Dear," she whispered, "what is it?"
+
+"That tapping sound," he answered, still gazing upward.
+
+"It's only the woodpecker."
+
+"Why, of course!" he laughed. "It's strange, but I dreamed a scene like
+this--yes, the great tree yonder, and you in my arms--though it seemed
+so impossible then, and--"
+
+But uttering a sudden, low cry of alarm, Hermione broke from his clasp
+and fled from him along the leafy path while he stared after her, lost
+in amazement; then he ran also and caught her upon the edge of the
+little wood.
+
+"What frightened you, Hermione--who was it?"
+
+"I--I thought I saw some one crouching behind a bush--watching us!"
+
+"Not--M'Ginnis?" he demanded, fierce-eyed.
+
+"No--no, I'm sure it wasn't!"
+
+"I'll go and look," said Ravenslee, clenching his fists. But now, as he
+turned away, two round arms were about him again, soft and compelling,
+and she was looking up at him, all shy-eyed, passionate tenderness; and
+before the revelation in that look, he forgot all else in the world.
+
+"Hermione--when will you marry me?"
+
+Now, softened by distance, there floated to them the mellow booming of
+a gong.
+
+"That means I must go!" she sighed.
+
+"Hermione--when will you marry me?"
+
+"Good-by--good-by--I must run!"
+
+But his long arms only clasped her the closer.
+
+"Hermione, when will you be my wife?"
+
+"Oh, please, please let me go; if I'm late--"
+
+"When, Hermione?"
+
+"When I--come home, if--you really--want me--Oh, now my hair's all
+coming down, I know. Good-by!"
+
+Reluctantly he loosed her and stood to watch until, reaching the
+verandah of the house, she paused to glance back to where he stood among
+the leaves ere she vanished between the screen doors. Then Ravenslee
+turned, and remembering her sudden fright, looked sharply about him,
+even pausing, now and then, to peer behind bush and thicket; but this
+time he did not think to glance upward, and thus failed to see the round
+eyes that watched him from amid the leaves of the great tree.
+
+So he came again to the dusty highway and strode along, throbbing with
+life and the lust of life, revelling in the glory of earth and sky and
+quite unconscious of the small, furtive figure that flitted after him
+far behind.
+
+And it was not until he sat in the ferryboat that he remembered he had
+forgotten to give her the ring, after all.
+
+
+
+
+CHAPTER XXVII
+
+MRS. TRAPES UPON THE MILLENNIUM
+
+
+Mulligan's was in a ferment. Bare-armed women talked in every doorway;
+they talked from open windows, they talked leaning over banisters, they
+congregated on landings and in passageways--but everywhere they talked;
+while men and youths newly returned from work, lunch-can and basket in
+hand, listened in wide-eyed astonishment, shook incredulous heads,
+puffed thoughtfully at pipes or cigarettes, and questioned in guttural
+wonderment.
+
+But Ravenslee, lost in his own happy thoughts, sped up the stairs all
+unheeding, abstractedly returning such neighbourly salutes as he
+happened to notice; reaching his lofty habitation in due course he let
+himself in, and was in the act of filling his pipe when Mrs. Trapes
+appeared. In one hand she grasped a meat skewer and in the other an open
+testament, and it was to be noted that her bright eyes, usually so keen
+and steady, roved here and there, from pink rug to green and yellow
+tablecloth, thence to the parrot-owl, and at last to her lodger. Finally
+she spoke.
+
+"Mr. Geoffrey, are ye saved?" she demanded in awe-struck tones.
+
+"Why, really, Mrs. Trapes, I--"
+
+"Because, Mr. Geoffrey, this day it behooveth us all t' think of our
+souls an' th' hereafter, I reckon."
+
+"Souls?" said Ravenslee, staring in his turn.
+
+"Fire," she continued, shaking portentous head, "fire I'm prepared for;
+a earthquake I could endoor; battle, murder, and sudden death I could
+abide; poverty is me lot, Mr. Geoffrey, an' hardship is me portion, an'
+for all sich am I dooly prepared, sich things bein' nacheral; but fer
+this--well, there!"
+
+"What is the matter, Mrs. Trapes?"
+
+"Matter, Mr. Geoffrey? Well, the millenyum's at hand, that's all--the
+lion is about t' lay down with th' lamb, tigers has lost their taste fer
+blood, an' snakes an' serpints has shed their vennymous fangs! Mr.
+Geoffrey--the day is at hand--beware!"
+
+"What in the world--" began Ravenslee, but Mrs. Trapes stayed him with
+uplifted skewer, and drew from the mysterious recesses of her apron a
+folded circular which she proceeded to spread open and from which she
+read in a hollow voice as follows:
+
+NOTICE AUGUST 1, 1910.
+
+On and after the above date, all tenants soever residing within the
+tenement house known as Mulligan's are warned that all rents will be
+reduced by fifty per cent.
+
+BY ORDER.
+
+"Now what," said Mrs. Trapes, refolding the circular very reverently and
+shutting it into the testament, "jest what d'ye think o' that?"
+
+"Quite a--er--remarkable document, Mrs. Trapes!"
+
+"Remarkable?" snorted Mrs. Trapes.
+
+"Yes," said Ravenslee, beginning to fill his pipe, "extraordinary, most
+extraordinary--er--very much so--"
+
+"Extraordinary? Mr. Geoffrey, is that all you got t' say about it?" And
+Mrs. Trapes sniffed loudly.
+
+"Well, what more should I say?"
+
+"Why, ain't it th' wonder o' th' whole round world? Ain't it th'
+merrycle of all time?"
+
+"Certainly! Not a doubt of it!" he agreed. "By the way, what do you
+happen to have for supper? You see I've been--"
+
+"Supper?"
+
+"I'm quite hungry--I'm always hungry lately and--"
+
+"Hungry!" ejaculated Mrs. Trapes, rolling her eyes, "here I tell him
+of wonders an' omens beyond pore huming understanding an'--he's hungry!
+Lord, ain't that jest like a man! A man's soul, if a man has a soul,
+lays in his stummick. Hungry! But you shall be fed--prompt, Mr.
+Geoffrey. How'll b'iled salmon an' peas soot?"
+
+"Splendidly! And I think--"
+
+"'On and after,'" said Mrs. Trapes, slowly and dreamily, "'on and after
+the above date, all tenants soever residin'--I've learned it by heart,
+Mr. Geoffrey. Then it goes on to say, 'within the tennyment house known
+as Mulligan's are warned'--hum! I wonder why 'warned'?--'are warned that
+all rents will be re-dooced by fifty per cent!' Fifty per cent!" she
+repeated in a dreamy rapture, "which is jest half, y' see. An', Mr.
+Geoffrey, that's jest what's got me plumb scared--it's all so
+unnacheral. I've heard o' rents bein' rose--constant, but who ever
+heard of 'em bein' took down before? Well, well! My land! Well, well!"
+
+With which remark Mrs. Trapes went about her household duties, leaving
+Ravenslee to lounge and smoke and dream blissfully of Hermione.
+
+"Y' see," said Mrs. Trapes, wandering in with a plate, "it'll make
+things s' much easier for all of us; we shall begin t' feel almost
+rich--some of us. 'Are warned that all rents will be re-dooced by fifty
+per cent.' Well, well!" and she wandered out again.
+
+But presently she was back once more, this time with the tablecloth,
+which she proceeded to spread, though still lost in dreamy abstraction.
+
+"At first I couldn't an' I wouldn't believe it, Mr. Geoffrey--no, sir!"
+she continued in the same rapt voice. "But every one's got a notice same
+as mine, so I guess it must be true--don't ye think?"
+
+"Not a doubt of it!" answered Ravenslee.
+
+"But th' burnin' question as I asks myself is--who? It's signed 'By
+Order', y' see, well--whose? One sure thing, it ain't Mulligan."
+
+"But he owns the place, doesn't he?"
+
+"He did, Mr. Geoffrey, an' that's what worries me--continual. What I
+demands is--who now?"
+
+"Echo, Mrs. Trapes, methinks doth answer 'Who?' By the way, it
+was--er--salmon and green peas I think you--"
+
+"My land, that bit o' salmon'll bile itself t' rags!" and incontinent
+she vanished.
+
+However, in due time Ravenslee sat down to as tasty a supper as might be
+and did ample justice to it, while Mrs. Trapes once more read aloud for
+his edification from the wondrous circular, and was again propounding
+the vexed and burning question of "who" when she was interrupted by a
+knocking without, and going to the door, presently returned with little
+Mrs. Bowker, in whose tired eyes shone an unusual light, and whose faded
+voice held a strange note of gladness.
+
+"Good evenin', Mr. Geoffrey!" said she, bobbing him a curtsey as he rose
+to greet her, "my Hazel sends you her love an' a kiss for them last
+candies--an' thank ye for all th' medicine--but oh, Mr. Geoffrey, an'
+you, Ann Trapes, you'll never guess what's brought me. I've come t' wish
+ye good-by, we're--oh, Ann, we're goin' at last!"
+
+"Goin'!" exclaimed Mrs. Trapes, clutching at her elbows, "y' never mean
+as you're leavin' Mulligan's now the rent's been took down--re-dooced
+fifty per cent.--by order?"
+
+"That's just what I'm tellin' ye--oh, Ann, ain't it just--heavenly!"
+
+"Heavenly!" repeated Mrs. Trapes, and sank into a chair.
+
+"Yes, heavenly t' see th' trees an' flowers again--t' live among them,
+Ann."
+
+"Samanthy Bowker--what do you mean?"
+
+"Why, Ann, my Tom's had a gardener's job offered him at a gentleman's
+mansion in the country. Tom went after it t'day--an' got it. Fifteen
+dollars a week an' a cottage--free, Ann! Hazel's just crazy with
+joy--an' so'm I!"
+
+Mrs. Trapes fanned herself feebly with her apron.
+
+"All I can say is," said she faintly, "if the world don't come to an end
+soon--I shall. A gardener's job! A cottage in th' country! Why, that's
+what you've been hungerin' for, you an' Bowker, ever since I've known
+ye. And to-day--it's come! An' to-day the rent's re-dooced itself fifty
+per cent. by order--oh, dear land o' my fathers! When d' ye go?"
+
+"T'morrow mornin', Ann. Hazel'll sure grow a strong, well girl in th'
+country--doctor said so last week--you heard him, Mr. Geoffrey, didn't
+you?"
+
+"I did, Mrs. Bowker."
+
+"And my Tom's that excited he couldn't eat no supper--oh, an' have ye
+seen in t'night's paper, Ann, about Mulligan's?"
+
+"No--what now?" enquired Mrs. Trapes, as though on the verge of
+collapsing.
+
+"Well, read that--right there!" and unfolding an evening paper, Mrs.
+Bowker pointed to a paragraph tucked away into a corner, and, drawing a
+deep breath, Mrs. Trapes read aloud as follows:
+
+It is understood that Geoffrey Ravenslee, the well-known sportsman and
+millionaire, winner of last year's International Automobile race and
+holder of the world's long-distance speed record, has lately paid a
+record price in a real estate deal. A certain tenement building off Tenth
+Avenue has been purchased by him, the cost of which, it is rumoured, was
+fabulous.
+
+"Fab'lous!" repeated Mrs. Trapes, and sniffed. "Well, I never had
+no use fer millionaires, anyway--they're generally fools or rogues--this
+one's a fool sure--any one is as would give much fer a place like
+Mulligan's--an' yet, come t' think of it again--'are warned as all rents
+will be re-dooced fifty per cent. by order'--yes, come t' think of it
+again, what I say is--God bless this millionaire, an' whatever he is,
+Ann Angelina Trapes is sure goin' t' mention him before th' Throne this
+night."
+
+
+
+
+CHAPTER XXVIII
+
+WHICH SHOULD HAVE RELATED DETAILS OF A WEDDING
+
+
+"It's all very, very wonderful, Ann, dear! But then--everything is so
+wonderful--just lately!"
+
+"Meanin' what, Hermy?"
+
+Hermione was darning one of Spike's much-mended socks, while Mrs. Trapes
+sat drinking tea. "Meanin' jest what is wonderful, my dear, and--since
+when?" she persisted.
+
+"Oh--everything, Ann!"
+
+"Yes, you said everything before. S'pose you tell me jest the one thing
+as you find so wonderful? An'--why an' wherefore that blush?"
+
+"Oh, Ann--Ann, dear!" Down went sock and needle and, falling on her
+knees, Hermione clasped her arms about Mrs. Trapes and hid her glowing
+face in her lap. "Ann, dear, I'm so happy!" she sighed--her speech a
+little muffled by reason of the voluminous folds of Mrs. Trapes's snowy
+apron.
+
+"Happy?" said Mrs. Trapes, setting down her teacup to fondle and stroke
+that shapely head, "sich happiness ain't all because of the rent bein'
+re-dooced, by order, I reckon--is it?"
+
+"Dear Ann," said Hermione, her face still hidden, "can't you guess?"
+
+"No, my dear," answered Mrs. Trapes, her harsh tones wonderfully soft,
+"I don't have to--I guessed days ago. D' ye love him, Hermy?"
+
+"Love him!" repeated Hermione, and said no more, nor did she lift her
+bowed head, but feeling the quick, strong pressure of those soft,
+embracing arms, the quiver of that girlish body, Mrs. Trapes smiled,
+and stooping, kissed Hermione's shining hair.
+
+"When did he speak, my dear?"
+
+"Last Monday, Ann."
+
+"Did he say--much?"
+
+"He asked me to--marry him."
+
+"Spoke of marriage, eh? Did he happen t' mention th' word--wife?"
+
+"Oh, many times, Ann."
+
+"Good f'r him! An' when's it t' be?"
+
+"Oh, Ann, dear, I--I'm afraid it's--to-night!"
+
+"T'night? My land, he's sure some hasty!"
+
+"And so--so masterful, Ann!"
+
+"Well, y' sure need a master. But t'night--land sakes!"
+
+"He wrote and told me he would fix things so he could marry me to-night,
+Ann!"
+
+"Then he's sure out fixin' 'em right now. Lord, Hermy, why d' ye
+tremble, girl--y' sure love him, don't ye?"
+
+"So much, Ann, so very much--and yet--"
+
+"You ain't scared of him, are ye?"
+
+"No--and yet, I--I think I am--a little."
+
+"But you'll marry him, all the same?"
+
+"Yes."
+
+"An' t'night?"
+
+"Yes. But Ann, dear, when he comes in I want you to keep him with you as
+long as you can--will you?"
+
+"Why, sure I'll keep him, jest as long as--he'll let me! Lord, t' think
+as my little Hermy'll be a married woman this night!"
+
+"And--oh, Ann, I haven't any--trousseau--"
+
+"Shucks! You don't need none. You're best as you are. You won't need no
+fluffs an' frills, I reckon."
+
+"But, Ann dear," said Hermione, lifting her head and shaking it
+ruefully, "I have--nothing! And my best dress--I made it in such a
+hurry, you remember--it needs pressing and--"
+
+"He ain't marryin' you fer your clo'es, Hermy--no, sir! It's you he
+wants an'--oh, shucks! What do clo'es matter t' you, anyway? You was
+meant to be one o' them nymphs an' goddesses as went about clad--well,
+airy. You'd ha' done fine with them soft arms an' shoulders an'--"
+
+"But I'm not a goddess, Ann, I'm only poor Hermy Chesterton--with a
+hole in one stocking and the lace on her petticoat torn, and her other
+things--well, look here!" and up whirled gown and petticoat, "see what a
+state they're in--look, Ann!"
+
+"My dear, I am!" nodded Mrs. Trapes over her teacup, "an' what I say is,
+it don't matter a row o' pins if a stockin' 's got a bit of a hole in it
+if that stockin' 's on sich a leg as that! An' as fer--"
+
+"But," sighed Hermione, "don't you understand--"
+
+"My dear, I do! I was a married woman once, mind. An' I tell you 'beauty
+doth lie in the eye o' the beholder', my dear, an' the two eyes as is
+a-goin' t' behold you this night is goin' t' behold so much beauty as
+they won't behold nothin' else."
+
+"But--he loves dainty things, I'm sure."
+
+"Well, ain't he gettin' a dainty thing? Ain't he gettin' th' daintiest,
+sweetest, loveliest--" Here Mrs. Trapes set down her cup again to clasp
+Hermione in her arms.
+
+"Do you think he'll--understand, Ann?"
+
+"He'll be a fool if he doesn't!"
+
+"And make allowances? He knows how poor we are and how busy I have to
+be."
+
+"He does so, my dear. But, if it's goin' t' comfort you any, there's
+that corset cover you made me last Christmas. I ain't never wore it;
+I ain't dared to with all them trimmin's an' lace insertion, an' me s'
+bony here an' there. You can have it an' willin', my dear, an' then
+there's them--"
+
+"Ann, you dear thing, as if I would!"
+
+"Why not? That corset cover's a dream! An' then there's them--"
+
+"Dear, I couldn't--I wouldn't! No, I'll go to him just as I am--he
+shall marry me just like I am--"
+
+"An' that's a goddess!" nodded Mrs. Trapes, "yes, a young goddess--only,
+with more clo'es on, o' course. I'm glad as he's quit peanuts; peanut
+men don't kind o' jibe in with goddesses."
+
+"Ann," said Hermione, sitting back on her heels, "I think of him a great
+deal, of course, and--just lately--I've begun to wonder--"
+
+"My dear," said Mrs. Trapes, blowing her tea, "so do I! I been wonderin'
+ever since he walked into my flat, cool as I don't know what, an', my
+dear, when I sets me mind t' wonderment, conclusions arrive--constant!
+I'll tell ye what I think. First, he ain't s' poor as he seems--he wears
+silk socks, my dear. Second, he's been nurtured tender--he cleans them
+white teeth night an' morn. Third, he ain't done no toil-an'-spinnin'
+act--take heed t' his hands, my dear. He's soft-spoke but he's
+masterful. He's young, but he's seen a lot. He ain't easy t' rile, but
+when he is--my land! He don't say a lot, an' he don't seem t' do much,
+an' yet--he don't seem t' starve none. Result--he may be anything!"
+
+"Anything? Ann, dear!"
+
+"Anything!" repeated Mrs. Trapes. "An' havin' studied him good an'
+heeded him careful, I now conclood he's jest the thing you need, my
+dear."
+
+"Then you like him, Ann--you trust him?"
+
+"I sure do."
+
+"Oh, you dear--dear--dear thing!" And once again Mrs. Trapes was clasped
+in those vigorous young arms and kissed with every "dear."
+
+"Though, mind you," said Mrs. Trapes, pushing cup and saucer out of
+harm's way, "though, mind you, he's a mystery I ain't found out--yet. D'
+ye s'pose he made any money out o' them blessed peanuts--not him! Mrs.
+Smalley, as lives down along 'Leventh, she told me as she's seen him
+givin' 'em away by the bagful t' all the children down her
+way--repeated!"
+
+"How sweet of him!" said Hermione, her red mouth all tender curves.
+
+"Yes, but how did he live? How does he? How will he?"
+
+"I don't know, dear; I only know I would trust him always--always!" And
+sitting back, chin in hand, Hermione fell again to happy thought.
+
+"When he give up the nuts," pursued Mrs. Trapes, draining the teapot and
+sighing, "he tells me some fool tale of makin' a deal in real estate,
+an' I--ha, real estate!" Mrs. Trapes put down the teapot with a jerk.
+"A deal in real estate!" she repeated, and thereafter fell to such
+unintelligible mutterings as "Record price! Fab'lous! No, it couldn't
+be! An' yet--silk socks! 'On an' after above date all tenants soever
+residin'--will be re-dooced by fifty per cent!'" Suddenly Mrs. Trapes
+sat bolt upright. "My land!" she ejaculated, "oh, dear land o' my
+fathers--if sech could be!"
+
+"Why, Ann," exclaimed Hermione, roused from her reverie, "whatever is
+the matter?"
+
+"My dear," said Mrs. Trapes, laying gentle hand on Hermione's blooming
+cheek, "nothin'--nothin' 't all! I'm jest goin' over in my mind sich
+small matters as silk socks an' toothbrushes, that's all."
+
+"But you do mean something--you always do."
+
+"Well--if I do this time, my dear, I'm crazy--but the Bowkers have gone,
+mind that! An' him s' fond o' little Hazel!" Here Mrs. Trapes nodded
+almost triumphantly.
+
+"The Bowkers? Why, yes--I've been wondering--"
+
+"I guess you know he went t' O'Rourke's an' give that M'Ginnis the
+thrashin' of his dirty life?" said Mrs. Trapes rather hastily. "Nigh
+killed the loafer, Spider Connolly told me."
+
+"He's so strong," said Hermione softly, her eyes shining. "But, Ann,
+what did you mean about--about toothbrushes and socks?"
+
+"Mean? Why, socks an' toothbrushes, o' course. An' my land! here's me
+guzzlin' tea, an' over in my kitchen th' finest shin o' beef you ever
+saw a-b'ilin' f'r his supper. But now the question as burns is, if a
+married man this night, will he be here t' eat? An' if him--then you?
+An' if man an' wife suppin' in my parlour--where will ye sleep?"
+
+"I--oh, Ann--I don't know. His letter just said that when I came home it
+would be our--wedding night!"
+
+"Why, then it sure will be. An' f'r a weddin' supper, y' couldn't have
+nothin' better 'n shin o' beef. I'll go an' watch over that stoo with
+care unfailin', my dear; believe me, that stoo's goin' t' be a stoo as
+is a stoo! What, half after five? Land sakes, how time flies!"
+
+
+
+
+CHAPTER XXIX
+
+IN WHICH HERMIONE MAKES A FATEFUL DECISION
+
+
+When Mrs. Trapes was gone, Hermione stood a long time to look at herself
+in her little mirror, viewing and examining each feature of her lovely,
+intent face more earnestly than she had ever done before; and sometimes
+she smiled, and sometimes she frowned, and all her thought was:
+
+"Shall I make him happy, I wonder? Can I be all he wants--all he thinks
+I am?"
+
+So, after some while, she combed and brushed out her glorious hair,
+shyly glad because of its length and splendour; and, having crowned her
+shapely head with it, viewed the effect with cold, hypercritical eyes.
+
+"Can I, oh, can I ever be all he wants--all he thinks I am?"
+
+And then she proceeded to dress; the holey stockings were replaced by
+others that had seen less service; the worn frills and laces were
+changed for others less threadbare. This done, Hermione, with many
+supple twists, wriggled dexterously into her best dress, pausing now and
+then to sigh mournfully and grieve over its many deficiencies and
+shortcomings, defects which only feminine eyes, so coldly critical,
+might hope to behold.
+
+Scarcely was all this accomplished when she heard a soft knock at the
+outer door, and at the sound her heart leapt; she flushed and paled and
+stood a moment striving to stay the quick, heavy throbbing within her
+bosom; then breathlessly she hastened along the passage and, opening the
+door with trembling hands, beheld Bud M'Ginnis. While she stared, dumb
+and amazed, he entered and, closing the door, leaned his broad back
+against it.
+
+"Goin' away, Hermy?" he enquired softly, looking her over with his slow
+gaze.
+
+"Yes."
+
+"Goin' far, Hermy?"
+
+"I don't know."
+
+"Goin'--alone, Hermy?"
+
+"Why are you here? What do you want?"
+
+"T' save ye from--hell!" he answered, his voice rising loud and harsh on
+the last word. "Oh, I know," he went on fiercely, "I know why you're all
+dolled up in your best. I know as you mean t' go away to-night with--him.
+But you ain't goin', girl--you ain't."
+
+"To-night," she said gently, "is my wedding night."
+
+M'Ginnis lifted a hand and wrenched at the silken neckerchief he wore as
+though it choked him.
+
+"No!" he cried, "you ain't a-goin' t' get no wedding, Hermy; he don't
+mean t' give ye a square deal. He's foolin' ye--foolin' ye, girl! Oh,"
+said he through shut teeth, "ye thought I was safe out o' the way, I
+guess. You ought t' known better; th' p'lice couldn't hold me, they
+never will. Anyway, I've kept tabs on ye--I know as you've been meeting
+him--in a wood! I know," here M'Ginnis seemed to choke again, "I know of
+you an' him--kissin' an' cuddlin'--oh, I've kept tabs on ye--"
+
+"Yes," she said gently, "I saw your spy at work."
+
+"But y' can't deny it. Y' don't deny it! Say, what kind o' girl are
+you?"
+
+"The kind that doesn't fear men like you."
+
+"But y' can't deny meetin' him," he repeated, his hoarse voice
+quivering; "you don't deny--kissin' him--in a wood! Only deny it, Hermy,
+only say you didn't, an' I'll choke th' life out of any guy as says you
+did--only deny it, Hermy."
+
+"But I don't want to deny it. If your spy had ears he can tell you that
+we are going to be married. Now go."
+
+Once more M'Ginnis reached up to his throat and trenched off the
+neckerchief altogether.
+
+"Married!" he cried, "an' t' him! He's foolin' ye, Hermy, by God he is!
+Girl, I'm tellin' ye straight an' true--he'll never marry ye. His kind
+don't marry Tenth Av'ner girls--Nooport an' Fifth Av'ner's a good ways
+from Hell's Kitchen an' Tenth Av'ner, an' they can't ever come t'gether,
+I reckon."
+
+"Ah!" sighed she, falling back a step, "what do you mean?"
+
+"Why, I mean," said M'Ginnis, twisting the neckerchief in his powerful
+hands much as if it had been the neck of some enemy, "I mean as this guy
+as comes here bluffin' about bein' down an' out, this guy as plays at
+sellin' peanuts is--Geoffrey Ravenslee, the millionaire."
+
+"But--he is--Arthur's friend!"
+
+"Friend--nothin'!" said he, wringing and wrenching at the neckerchief,
+"I guess you ain't found out how th' Kid an' him came t' meet, eh? Well,
+I'll tell ye--listen! Your brother broke in to this millionaire's swell
+house--through the winder--an' this millionaire caught him."
+
+"Oh," said she, smiling in bitter scorn, "what a clumsy liar you are,
+Bud M'Ginnis!"
+
+"No," he cried eagerly, "no, I ain't tellin' ye no lies; it's God's own
+truth I'm givin' ye."
+
+"No, you're just a liar, Bud M'Ginnis!" and she would have turned from
+him, but his savage grip stayed her.
+
+"A liar, am I?" he cried. "Why, then, you're sister to a crook, see!
+Your brother's a thief! a crook! You ain't got much t' be s' proud
+over--"
+
+"Let me go!"
+
+"Listen! Your brother got into this guy's house t' steal, and this
+millionaire guy caught him--in the act! An' havin' nothin' better t' do,
+he makes young Spike bring him down here--just t' see th' kind o' folks
+as lives in Hell's Kitchen, see? Then he meets you--you look kind o'
+good t' him, so he says t' th' Kid, 'Look here,' he says, 'you help me
+game along with y'r sister, an' we'll call it quits--'"
+
+Breaking from his hold, Hermione entered the little parlour, and
+sinking down beside the table, crouched there, hiding her face, while
+M'Ginnis, leaning in the doorway, watched her, his strong hands twisting
+and wrenching at the neckerchief.
+
+"Ah, leave me now!" she pleaded, "you've done enough, so--go now--go!"
+
+"Oh, I'll go. I come here t' put ye wise--an' I have! You're on to it
+all now, I guess. Nooport and Fifth Av'ner's a good ways from Hell's
+Kitchen and Tenth Av'ner, an' they can't never come together. I guess
+there's sure some difference between this swell guy with all his
+millions an' a Tenth Av'ner girl as is a--thief's sister--"
+
+Slowly Hermione lifted her head and looked up at him, and M'Ginnis saw
+that in her face which struck him mute; the neckerchief fell from his
+nerveless fingers and lay there all unheeded.
+
+"Hermione," he muttered, "I--girl, are ye--sick?"
+
+"Go!" she whispered, "go!"
+
+And turning about, M'Ginnis stumbled out of the place and left her
+alone. For a long time she sat there, motionless and crouched above the
+table, staring blindly before her, and in her eyes an agony beyond
+tears, heedless of the flight of time, conscious only of a pain sharper
+than flesh can know. Suddenly a key was thrust in the lock of the outer
+door, footsteps sounded along the passage accompanied by a merry
+whistling, and Spike appeared.
+
+"Hello, Hermy, ain't tea ready yet?" he enquired, tossing aside his
+straw hat and opening a newspaper he carried, "say, the Giants are sure
+playin' great ball this season--what, are ye asleep?"
+
+"No, dear!"
+
+"Why, Hermy," he exclaimed, dropping the paper and clasping an arm about
+her, "Oh, Hermy--what is it?"
+
+"Oh, boy--dear, dear boy--you didn't, did you?" she cried feverishly.
+"You are a little wild--sometimes, dear, just a little--but you are
+good--and honourable, aren't you?"
+
+"Why, yes, Hermy I--I try t' be," he answered uneasily; "but I don't
+know what you mean."
+
+"You're not a thief, are you? You're not a burglar? You never broke into
+any one's house. I know you didn't, but--tell me you didn't--tell me you
+didn't!"
+
+"No--no, o' course not," stammered Spike and, averting his head, tried
+to draw away, but she clung to him all the closer.
+
+"Boy--boy dear," she whispered breathlessly, "oh, boy, look at me!"
+
+But seeing he kept his face still turned from her, she set a hand to his
+cheek and very gently forced him to meet her look. For a long moment she
+gazed thus--saw how his eyes quailed, saw how his cheek blanched, and as
+he cowered away, she rose slowly to her feet, and into her look came a
+growing horror; beholding which Spike covered his face and shrank away
+from her.
+
+"Oh, boy--" her voice had sunk to a whisper now, "oh, boy--say you
+didn't!"
+
+"Hermy--I--can't--"
+
+"Can't?"
+
+"It's--it's all--true. Yes, I did! Oh, Hermy, forgive me."
+
+"Tell me!"
+
+"Oh, forgive me, Hermy, forgive me!" he cried, reaching out and trying
+to catch her hand. "Yes, I'll tell ye. I--I got in--through th' winder,
+an' Geoff caught me. But he let me go again--he said he'd never tell
+nobody if--ah, don't look at me like that!"
+
+"If--what?"
+
+"If I'd bring him back here with me--Hermy, don't! Your eyes hurt
+me--don't look at me that way."
+
+"So it--is--all--true!"
+
+"Oh, forgive me, forgive me!" he pleaded, throwing himself on his knees
+before her and writhing in the anguish of remorse. "They doped me,
+Hermy, I--didn't know what I was doin'--they didn't give me no time t'
+think. Oh, forgive me, Hermy; Geoff forgave me, an' you must--oh, God,
+you must, Hermy!" Again he sought to reach her hand, but now it was she
+who shrank away.
+
+"I loved you so--I--loved--you so!" she said dully.
+
+"Hermy," he cried, catching hold of her dress, "forgive me--just this
+once, for God's sake! I ain't got nobody in the world but you--forgive
+me!" And now his pleading was broken by fierce sobs, and he sought to
+hide his tear-stained face in the folds of her dress, but she drew it
+quickly from him, shrinking away almost as if she feared him.
+
+"A thief!" she whispered, "oh, God--my brother a thief! I don't
+seem--able to--think. Go away--go away, I--must be--alone!"
+
+"Hermy, dear, I swear--oh, I swear I'll--"
+
+"Go away!"
+
+"Oh, Hermy, I didn't think you'd ever--turn away--from me."
+
+"Go away!"
+
+"Oh, Hermy--won't you listen?"
+
+"I can't! Not now. Go away."
+
+Sobbing, the boy got to his feet, and taking his hat, crossed
+slow-footed to the door; there he paused to look back at her, but her
+staring eyes gazed through him and, turning hopelessly away, he brushed
+his sleeve across his cheek and, treading slow and heavily along the
+passage, was gone.
+
+Dry-eyed she stood awhile, then sank again beside the table and crouched
+there with face bowed between outstretched arms, and hands tight
+clenched. Evening began to fall, but still she sat huddled there,
+motionless, and uttering no sound, and still her eyes were tearless.
+At last she stirred, conscious of a quick, firm step near by, and,
+thrilling to that sound, rose and stood with her back to the fading
+light as Ravenslee entered.
+
+"Dear," said he, tender and eager, "I found the door open--did you leave
+it for me? Why, Hermione--oh, my love, what is it?" and he would have
+caught her to him, but she held him away and questioned him,
+quick-breathing:
+
+"You are--Geoffrey Ravenslee--the millionaire--aren't you?"
+
+"Why--er--I--I'm afraid I am," he stammered. "I'm sorry you found it out
+so soon, dearest; I wanted to tell you after we--"
+
+"Oh, why didn't you tell me before--why didn't you? No--please wait!
+You--you caught my--brother, didn't you?" she went on breathlessly; "he
+had broken in--was burgling your house, wasn't he--wasn't he?"
+
+"How in the world," began Ravenslee, flinching, "who told--"
+
+"He broke into your house to--steal, didn't he--didn't he?"
+
+"But, good heavens--that was all forgotten and done with long ago!
+They'd made the poor chap drunk--he didn't know what he was doing--it's
+all forgotten long ago! Dear heart, why are you so pale? God,
+Hermione--nothing can alter our love!"
+
+"No, nothing can alter our love," she repeated in the same dull tones.
+"Oh, no, nothing can ever alter that; even though you deceived me I
+shall always love you, I can't help it. And just because I do love you
+so, and because I am a thief's sister, I--oh, I can never be your
+wife--I couldn't, could I?"
+
+"By God, Hermione, but you shall!" As he spoke he caught her in his
+arms, passionate arms that drew and held her close. Very still and
+unresisting she lay in his embrace, uttering no word; and stooping, he
+kissed her fiercely--her lips, her eyes, her white throat, her hair,
+and, silent still, she yielded herself to his caresses.
+
+"You are mine, Hermione, mine always and forever! You are the one woman
+I long for--the wife nature intended for me! You are mine, Hermione!"
+
+Very softly she answered, her eyes closed:
+
+"I felt at the first there was a gulf dividing us--and now--this gulf
+is wider--so wide it can never be crossed by either of us. Your world is
+not my world, after all--you are Geoffrey Ravenslee and I am only--what
+I am. Newport and Fifth Avenue are a long way from Hell's Kitchen and
+Tenth Avenue, and they can never--never come together. And I--am a
+thief's sister, so please, please loose me--oh, have mercy and--let me
+go."
+
+His arms fell from her and, shivering, she sank beside the table, and
+the pale agony of her face smote him.
+
+"But you love me, Hermione?" he pleaded.
+
+"If I had only known," she sighed, "I might not have learned to love
+you--quite so much! If I had only known!" Her voice was soft and low,
+her blue eyes wide and tearless, and because of this, he trembled.
+
+"Hermione," said he gently, "all this week I have been planning for you
+and Arthur. I have been dreaming of our life together, yours and mine,
+a life so big, so wonderful, so full of happiness that I trembled,
+sometimes, dreading it was only a dream. Dear, the gates of our paradise
+are open; will you shut me out? Must I go back to my loneliness?"
+
+"I shall be lonely, too!" she murmured brokenly. "But better, oh, far
+better loneliness than that some day--" she paused, her lips quivering.
+
+"Some day, Hermione?"
+
+"You should find that you had married not only a scrubwoman but--the
+sister of a--thief!" Suddenly she sprang to her feet, her clinging arms
+held him to her bosom and, drawing down his head, she pressed her mouth
+to his; holding him thus, she spoke, her voice low and quick and
+passionate:
+
+"Oh, my love, my love! I do love you with every thought, with every part
+of me--so much, so very much that my heart is breaking, I think. But,
+dearest, my love is such that I would be everything fair and beautiful
+for you, everything proud and good and noble for you if I could. But I
+am only Hermy Chesterton, a Tenth Avenue girl, and--my brother--So I'm
+going to send you away, back to your own world, back to your own kind
+because--because I do love you so! Ah, God, never doubt my love,
+but--you must go--"
+
+"Never, Hermione, never!"
+
+"You must! You will, I know, because your love is a big, generous
+love--because you are chivalrous and strong and gentle--because I beg
+and implore you if you have any pity for me--go--"
+
+"But why?--Why?"
+
+"Oh, must I tell you that--can't you understand?"
+
+"Why must I go, Hermione?"
+
+"Because," she murmured, her yearning arms close about him, her face
+close hidden against his breast, "because I'll never--marry
+you--now--but I love you--love you so much that I'm afraid--ah, not of
+you. So, I must be alone--quite alone--to fight my battle. And now--now
+that I've shown you all my heart, told you all my weakness, you'll go
+for my sake--just for my sake--won't you?"
+
+"Yes--I'll--go!" he answered slowly.
+
+"Away from here--to-night?"
+
+"Yes," he answered hoarsely, "yes!"
+
+Then Hermione fell suddenly before him on her knees, and, before he
+could stay her, had caught his hands, kissing them, wetting them with
+her tears, and pressing them passionately to her bosom.
+
+"I knew," she cried, "I knew that you were strong and gentle and--good.
+Good-by--oh, my love--good-by!"
+
+"Hermione," said he, kissing her bowed head, "oh, my Hermione, I love
+you with a love that will die only when I do. I want you, and I'll never
+lose hope of winning you--some day, never give up my determination to
+marry you--never, so help me God!"
+
+Then swiftly he turned away but, reaching the door, stooped and picked
+up M'Ginnis's neckerchief and, recognising it, crumpled it in fierce
+hand; so, with it clenched in griping fingers, he hurried away and left
+her there upon her knees.
+
+
+
+
+CHAPTER XXX
+
+HOW GEOFFREY RAVENSLEE DEPARTED FROM HELL'S KITCHEN
+
+
+"What, back again already, Mr. Geoffrey?" exclaimed Mrs. Trapes, poking
+her head around the kitchen door, as Ravenslee entered the flat, "back
+so soon?"
+
+"Only for a minute, Mrs. Trapes."
+
+"Supper'll be ready soon--your wedding supper, eh, Mr. Geoffrey? You'll
+have it here with me, you an' Hermy, o' course! Smells kind o' good,
+don't it?"
+
+"Delicious, Mrs. Trapes!"
+
+"Delicious is the word, Mr. Geoffrey--stooed beef with carrots--"
+
+"And onions, Mrs. Trapes--onions, I'm sure?"
+
+"Well, I'll not deny a onion here an' there, Mr. Geoffrey--a stoo needs
+'em."
+
+"Ah, I knew it!" sighed Ravenslee. "I grieve that I shan't be able to
+eat it."
+
+"Not eat--what, you? Say, y' ain't sick, are you?"
+
+"Not in body, Mrs. Trapes."
+
+"Then why no stoo?"
+
+"Because I shan't be here. I'm going, Mrs. Trapes--I'm leaving
+Mulligan's now--for good--"
+
+"Leavin'--y' mean with Hermy?"
+
+"No--alone. Good-by, Mrs. Trapes!"
+
+"My land!" gasped Mrs. Trapes, "what you tellin' me?"
+
+"Good-by, Mrs. Trapes!"
+
+"But why? Oh, dear Lord, what is it? Who--"
+
+"I want to thank you--for all your kindness. Good-by!"
+
+As one in a dream Mrs. Trapes extended a limp hand and stood wide of
+eye and pale of cheek to watch him go; and as he descended the stairs,
+her look of helpless, pained surprise went with him. Swiftly he strode
+across that familiar court, shoulders squared, chin outthrust, and eyes
+that glowed ominously in his pale face beneath fierce-scowling brows. As
+he turned into Tenth Avenue there met him the Spider.
+
+"What you chasin' this time, bo?" he enquired.
+
+"M'Ginnis."
+
+"Then you're sure chasin' trouble."
+
+"That's what I want. D' you know where he is?"
+
+"Sure I do, but--"
+
+The Spider paused, drawing in his breath slowly, as with experienced
+gaze he viewed Ravenslee's pale, set face--the delicate nostrils wide
+and quivering, the relentless mouth and burning eyes and all the
+repressed ferocity of him and, drawing back a step, the Spider shook his
+head.
+
+"Bo," said he, "that's jest what I ain't goin' t' tell ye."
+
+"Very well, I must find him."
+
+"Don't!" said the Spider, walking on beside him, "if I didn't think a
+whole lot o' ye, I'd lead ye t' him."
+
+"Oh--I shall find him, if it takes me all night."
+
+"An' if ye do, it'll be murder, I'm dead sure--"
+
+"Murder?" said Ravenslee with a flash of white teeth. "Well, I shall
+certainly kill him--this time!"
+
+"Is it th' Kid again?"
+
+"No--oh, no, it's just for my own satisfaction--and pleasure."
+
+"You ain't heeled, are ye? This ain't goin' t' be no gun-play--eh?"
+
+"No, I haven't a gun, but I've brought his--neckerchief."
+
+"Sufferin' Pete!" murmured the Spider in a strangely awed voice, and
+walked on in silence, chewing viciously.
+
+"Bo," said he at last, "I'm thinkin' th' kindest thing I could do would
+be t' slip one over t' your point while you wasn't lookin', an' puttin'
+you t' sleep a bit--you want soothin'! Bud'll be too big fer you or any
+other guy t' tackle now; ye see, his stock's rose--th' Noo Jersey
+p'lice wasn't strong enough t' hold him--"
+
+"That's where I'm different--I can!" said Ravenslee, opening and
+shutting his right hand convulsively. "Yes, I'll hold him till his last
+kick--and after!"
+
+"My God!" exclaimed the Spider softly, and, beholding that clutching
+right hand, he edged away.
+
+"Where you goin' t' look fer him?" he enquired after a while.
+
+"O'Rourke's!"
+
+"Why not try Raynor's first?" and he nodded to a saloon on the adjacent
+corner.
+
+"Because I'm not a fool."
+
+"Bo, I ain't s' sure o' that! O'Rourke's'll be full o' tough guys
+t'night; all th' bunch'll be there, an' if Bud tips 'em th' say-so,
+they'll snuff your light out quicker 'n winkin'."
+
+"That wouldn't be such a hardship."
+
+"Oh, so that's it, hey? You got a kiss-me-an'-let-me-die sort o'
+feelin', hey? Some nice bit o' stuff been turnin' ye down, bo?"
+
+"That'll be about enough!" said Ravenslee, quick and fierce; and,
+meeting the flash of his eye, the Spider edged away again.
+
+"Sufferin' Mike!" said he, "you sure ain't doin' the affable chat stunt
+t'night!"
+
+But Ravenslee strode along in silence, and the Spider, heeding the pale,
+set ferocity of his expression, grew troubled.
+
+"Say," said he at last, "this don't happen t' be th' night as you've
+fixed up t' smash th' gang, does it?"
+
+"No--only M'Ginnis."
+
+"S'posin' he ain't at O'Rourke's?"
+
+"He'll be somewhere else."
+
+"Bo, if I was your ma, I should be prayin' you don't find Bud, yes, sir!
+An' I should pray--dam' hard!"
+
+By this time they had reached Eleventh Avenue and were close upon the
+saloon when Ravenslee halted suddenly, for, beneath a lamp on the
+opposite sidewalk, he saw M'Ginnis in talk with two other men.
+
+Drawing the neckerchief from his pocket, Ravenslee crossed over and
+tapped M'Ginnis on the arm, who, turning about, stared into a pallid
+face within a foot of his own.
+
+"What th' hell--" he began, but Ravenslee cut him short.
+
+"You left this behind you," said he, thrusting forward the neckerchief,
+"so I've brought it to twist around that foul throat of yours. Now,
+M'Ginnis--fight!"
+
+Thrusting the neckerchief into his pocket, Ravenslee clenched his fists,
+and, saying no more, they closed and fought--not as men, but rather as
+brute beasts eager to maim and rend.
+
+M'Ginnis's companions, dumbfounded by the sudden ferocity of it all,
+stood awhile inactive, staring at those two forms that lurched and
+swayed, that strove and panted, grimly speechless. Then, closing in,
+they waited an opportunity to smite down M'Ginnis's foe from behind. But
+the Spider was watching, and, before either of them could kick or
+strike, his fists thudded home--twice--hard blows aimed with scientific
+precision; after which, having dragged the fallen away from those
+fierce-trampling feet, he stood, quivering and tense, to watch that
+desperate encounter.
+
+Once Ravenslee staggered back from a vicious flush-hit, and once
+M'Ginnis spun around to fall upon hands and knees; then they clenched,
+and coming to the ground together, fought there, rolling to and fro and
+hideously twisted together. But slowly Ravenslee's clean living began
+to tell, and M'Ginnis, wriggling beneath a merciless grip, uttered
+inarticulate cries and groaned aloud. And now the deadly neckerchief
+was about his gasping throat and in his ears his conqueror's fierce
+laugh--lost all at once in a roar of voices, a rush of trampling feet.
+
+Wrenched at by fierce hands, smitten by unseen fists, Ravenslee was
+beaten down--was dimly aware of the Spider's long legs bestriding him,
+and staggering up through a tempest of blows, hurled himself among his
+crowding assailants, felled one with his right, stopped another with his
+left, and, as the press broke to the mad fury of his onslaught, felt his
+hand wrenched from a man's windpipe and heard a frantic voice that
+panted:
+
+"Leg it, bo, leg it. Hully Chee! ain't ye had enough?" So, mechanically,
+he set off at a run, with his arm still gripped by the Spider. "Leg it,
+bo--leg it good, or here's where we snuff it sure! This way--round th'
+corner; only keep goin', bo, keep goin'."
+
+Very fleetly they ran with their pursuers close on their heels, across
+open lots, over fences, along tortuous alleys, until the rush and patter
+of the many feet died away, and the Spider, pulling up at the corner of
+a dismal, narrow street hard by the river, stood awhile to listen.
+
+"Jiminy Christmas! but you're some hot stuff at the swattin'
+business--you're a glutton, you are, bo. I been in one or two scraps
+meself, but I never seen a guy so hungry for--"
+
+"Where are we?"
+
+"Thirteenth an' Twentieth."
+
+"Are we safe?"
+
+"F' th' time, I reckon. But all Hell's Kitchen'll be out after us
+t'night, sure. So I guess it's us for th' immediate hike--"
+
+"Us? Will they be after you, too?"
+
+"Well," said the Spider, smiling down grimly at his damaged, knuckles,
+"I guess yes! Hell's Kitchen an' Tenth Av'ner's got t' get along without
+me from now on, I reckon. They ain't losin' much, an' I ain't leavin'
+much, but--"
+
+"Why the devil had you got to follow me to-night?" demanded Ravenslee,
+scowling.
+
+"Bo," said the Spider as they went on again, "there's times when my
+likin' f'r you gets a pain; there's times when y'r talk gives me th'
+earache, an' y'r lovin' looks the willies. I ain't lookin' f'r no
+gratitood, nor yet a gold dinner-set an' loominated address, but, not
+ownin' a hide like a sole-leather Saratoga, I'll jest get on me way--S'
+long!"
+
+"Where are you going?"
+
+"I dunno, but--I'm goin' there, right now."
+
+But as the Spider turned away, his hand was caught and gripped, and
+Ravenslee was smiling; his features looked a bit battered, but his smile
+was pleasant as ever.
+
+"Forgive my cursed temper, Spider. I owe you my life again and--I ought
+to be grateful, I suppose. Forgive me, I'm--not quite myself to-night."
+
+"Sure thing!" said the Spider, returning his grasp, "but, bo, I'm kind
+o' wonderin' in me little mind what Bud's feelin' like! You sure swatted
+him good an' heavy. I never seen cleaner footwork, an' them left jabs o'
+yours--"
+
+"The question is, how do you feel, Spider, and what are you going to
+do?"
+
+The pugilist scratched his rough chin. "Well, that's what gets my goat;
+I dunno quite, bo. Y' see, I shan't be able t' get no more fights here
+in the East now, not wi' Bud 'n' his old man against me--y' see, Bud's
+old man's about the biggest--"
+
+"I wonder if you'd care to come with me?"
+
+"Whaffor?"
+
+"Well, for one thing, I need another chauffeur and--"
+
+"A--what?" The Spider halted under a lamp-post to stare at Ravenslee a
+little anxiously. "Say, now, take a holt of ye'self an' jest put that
+one over th' plate again--you need a--what?"
+
+"Another chauffeur."
+
+"Another shuvver--another? Bo, y' didn't happen t' get a soak on th'
+bean just now, did ye?"
+
+"No."
+
+"Well, then, I guess you're some shook up; what you want's food, right
+now!"
+
+"Why, yes, now you mention it, I'm devilish hungry," agreed Ravenslee.
+
+"Leave it t' me, bo--I know a chewin'-joint close by--soup, joint,
+sweets, an' coffee an' only a quarter a throw--some feed, bo! Shin right
+along, I'll--"
+
+"No, you shall come home and dine with me."
+
+"Home?" repeated the Spider, halting to stare again; "you're sure
+talkin' ramblin'--"
+
+"We can discuss the chauffeur's job then--"
+
+"Shuvver?" said the Spider uneasily. "But what's a guy like you want
+with a shuvver?"
+
+"Well, to drive my car--and--"
+
+"Car?" said the Spider, his uneasiness growing, "got a car now, have ye,
+bo?"
+
+"I rather think I've got six."
+
+"Sufferin' Sam!" The Spider scratched his chin while his keen eyes roved
+over Ravenslee's exterior apprehensively. "Say, bo, you quite sure none
+o' th' bunch booted you on th' dome--eh?"
+
+"Quite sure."
+
+"An' yet you got six auter-mobiles. I say--you think so."
+
+"Now I think again, they're seven with the newest racer."
+
+"Say, now, jest holt still a minute! Now, swaller twice, think dam'
+hard, an' tell me again! You got how many?"
+
+"Seven!"
+
+"Got anythin' else?"
+
+"Oh, yes, a few things."
+
+"Tell us jest one."
+
+"Well, a yacht."
+
+"Oh, a yacht?"
+
+"A yacht."
+
+"'S 'nuff, bo, 's 'nuff! But go on--go on, get it all off if you'll feel
+better after. Anythin' more?"
+
+"Why, yes, about twenty or thirty houses and castles and palaces and
+things--"
+
+"That settles it sure!" sighed the Spider. "You're comin' t' see a
+doctor, that's what! Your dome's sure got bent in with a boot or
+somethin'."
+
+"No, Spider, I just happen to be born the son of a millionaire, that's
+all."
+
+"Think o' that, now!" nodded the Spider, "a millionaire now--how nice!
+An' what do they call ye at home?"
+
+"Geoffrey Ravenslee."
+
+"How much?" exclaimed the Spider, falling back a step. "The guy as went
+ten rounds with Dick Dunoon at th' 'National?' The guy as won th'
+Auter-mobile Race? Th' guy as bought up Mulligan's--you?"
+
+"Why, yes. By the way, I sat in the front row and watched you lick Larry
+McKinnon at 'Frisco; I was afraid you were going to recognise me, once
+or twice."
+
+"Then, you--you _have_ got a yacht, th' big one as lays off Twenty-third
+Street?"
+
+"Also seven cars; that's why I want you for a chauffeur."
+
+"Ho-ly Gee!" murmured the dazed Spider. "Well, say, you sure have got me
+goin'! A millionaire! A peanut cart! A yacht! Well, say, I--I guess it's
+time I got on me way. S' long!"
+
+"No you don't, my Spider; you're coming home with me."
+
+"What--me? Not much I ain't--no, sir! I ain't no giddy gink t' go dinin'
+with millionaires in open-faced clo'es--not me!"
+
+"But you're coming to have dinner with that same peanut man who learned
+to respect you because you were a real, white man, Spider Connolly. And
+that's another reason why I want you for my chauffeur."
+
+"But--say, I--I can't shuv."
+
+"Joe shall teach you."
+
+"Joe? Y' mean--Joe Madden?"
+
+"He'll be chauffeur number one--and there's a cross-town car! Come on,
+Spider! Now--in with you!"
+
+
+
+
+CHAPTER XXXI
+
+IN WHICH SOAPY TAKES A HAND
+
+
+O'Rourke's was full: its long bar, shaped something like the letter J,
+supported many lounging arms and elbows; its burnished foot-rail was
+scraped by boots of many shapes and sizes; its heavy air, thick with
+cigarette smoke, hummed with many voices. In one corner, a remote corner
+where few ventured to penetrate, Soapy leaned, as pallid and
+noncommittal as ever, while Spike poured out to him the story of his
+woes.
+
+"She drove me out, Soapy! She drove me away from her!" he repeated for
+the hundredth time. The boy was unnaturally flushed and bright of eye,
+and his voice was as shaky as the hand which fidgeted with his whisky
+glass; and the sense of his wrongs was great and growing greater with
+every sip.
+
+"She told me t' leave her! She drove me away from her--"
+
+"So you come here, eh, Kid?" drawled Soapy, pendent cigarette
+smouldering. "You skinned over here t' Bud f' comfort, an' you'll sure
+get it, Kid--in a glass!"
+
+"Bud's always good t' me--"
+
+"'S right, Kid, 's right, Bud's an angel sure, though he ain't got no
+wings yet. Oh, Bud'll comfort ye--frequent, an' by an' by he'll take ye
+back t' Hermy good an' soused; you can get your own back that ways--eh,
+Kid? It'll sure make her sit up an' take notice when she sees ye come in
+reelin' an' staggerin'--eh, Kid? An' to-morrow you'll be sick mebbe, an'
+she'll have ter nurse ye--oh, Bud'll fix things fer ye, I guess." Spike
+glowered and pushed his half-emptied glass further away.
+
+"I ain't goin' home soused!" he muttered.
+
+"No?" said Soapy, faintly surprised. "Bud'll feel kind o' hurt, won't
+he?"
+
+"I ain't goin' home soused--not for Bud nor nobody else!"
+
+"Why, then, if I was you, Kid, I should beat it before Bud comes in."
+
+"I guess I will," said Spike, rising.
+
+But now was sudden uproar of voices in the street hard by, a running
+and trampling of feet, and, the swing doors opening, a group of men
+appeared, bearing among them a heavy burden; and coming to the quiet
+corner they laid M'Ginnis there. Battered, bloody, and torn he lay,
+his handsome features swollen and disfigured, his clothes dusty and
+dishevelled, while above him and around him men stooped and peered and
+whispered.
+
+"Why, it's--it's--Bud!" stammered Spike, shrinking away from that
+inanimate form, "my God! It's--Bud!"
+
+"'S right, Kid!" nodded Soapy imperturbably, hands in pockets and,
+though his voice sounded listless as ever, his eyes gleamed evilly,
+and the dangling cigarette quivered and stirred.
+
+"Ain't--dead, is he?" some one questioned.
+
+"Dead--not much!" answered Soapy, "guess it's goin' to take more 'n that
+t' make Bud a stiff 'un. Besides, Bud ain't goin' t' die that way, no,
+not--that way, I reckon. Dead? Watch this!" So saying, he reached
+Spike's half-emptied glass from the bar and, not troubling to stoop,
+poured the raw spirit down upon M'Ginnis's pale, blood-smirched face.
+
+"Dead?" said Soapy. "Well, I guess not--look at him!"
+
+And, sure enough, M'Ginnis stirred, groaned, opened swollen eyelids and,
+aided by some ready arm, sat up feebly. Then he glanced up at the ring
+of peering faces and down upon his rent and dusty person, and fell to a
+sudden, fierce torrent of curses; cursing thus, his strength seemed to
+return all at once, for he sprang to his feet and with clenched fists
+drove through the crowd, and lifting a flap in the bar, opened a door
+beyond and was gone.
+
+"No," said Soapy, shaking his head, "I guess Bud ain't dead--yet,
+fellers. I wonder who gave him that eye, Kid? An' his mouth too! Did ye
+pipe them split lips! Kind o' painful, I guess. An' a couple o' teeth
+knocked out too! Some punchin', Kid! An' Bud kind o' fancied them nice,
+white teeth of his a whole heap!"
+
+Here the bartender glanced toward the corner where they stood, and,
+lifting an eyebrow, jerked his thumb at the door behind him with the
+words: "Kid, I reckon Bud wants ye."
+
+For a moment Spike hesitated then, lifting the mahogany flap, crossed
+the bar, and opened the door.
+
+"Guess I'll come along, Kid," and, hands in pockets, Soapy followed.
+
+They found M'Ginnis sprawling at a table and scowling at the knuckles of
+his bruised right hand while at his elbow were a bottle and two glasses.
+He had washed the blood and dirt from him, had brushed and straightened
+his dusty garments, but he couldn't hide the cuts and bruises that
+disfigured his face, nor his scratched and swollen throat.
+
+"What you here for?" he demanded, as Soapy closed the door, "didn't send
+for you, did I?"
+
+"No, that's why I come, Bud."
+
+"But, say, Bud, what--what's been th' matter?" stammered Spike, his gaze
+upon M'Ginnis's battered face, "who's been--"
+
+"Matter? Nothin'! I had a bit of a rough-house as I come along--"
+
+"'S right," nodded Soapy, "you sure look it! Never seen a fatter eye--"
+
+"Well, what you got t' beef about?"
+
+"Nothin', Bud, only--"
+
+"Only what?"
+
+"It's kind o' tough you losin' them couple o' teeth--or is it three?"
+
+M'Ginnis turned on him with a snarl. "A-r-r-, you--! Some day I'm goin'
+t' kick the insides out o' ye!"
+
+"Some day, Bud, sure. I'll be waitin'! Meantime why not get some
+doctor-guy t' put ye face back in shape--gee, I hate t' see ye--you look
+like a butcher's shop! An' them split lips pains some, I guess!"
+
+Here, while M'Ginnis choked in impotent rage, Soapy lit a fresh
+cigarette from the butt of the last and held out the packet.
+
+"Try a coffin-nail, Bud? No? Well, I guess y' couldn't smoke good with a
+mouth on ye like that."
+
+"Who did it, Bud?" questioned Spike eagerly. "Who was it?"
+
+"Hush up, Kid, hush up!" said Soapy, viewing M'Ginnis's cuts and bruises
+with glistening eyes. "I guess that guy's layin' around somewheres
+waitin' f'r th' coroner--Bud wouldn't let him make such a holy mess
+of his face an' get away with it--not much! Bud's a killer, I know
+that--don't I, Bud?"
+
+"You close up that dog's head o' yours, Soapy, or by--"
+
+"'S all right, Bud, 's all right. Don't get peeved; I'll close up
+tighter 'n a clam, only--it's kinder tough about them teeth--"
+
+"Are ye goin' t' cut it out or shall--"
+
+"Aw, calm down, Bud, calm down! Take a drink; it'll do ye good." And
+filling a glass with rye whisky, Soapy set it before M'Ginnis, who
+cursed him, took it up, and turned to Spike.
+
+"Fill it up, Kid," he commanded.
+
+"Not me, Bud, I--I ain't here for that," said Spike. "I come t' tell ye
+as some dirty guy's been an' blown th' game on me t' Hermy; she--she
+knows everything, an' to-night she--drove me away from her--"
+
+"Did she, Kid, oh, did she?" said M'Ginnis, a new note of eagerness in
+his voice. "Drove ye out onto th' streets, Kid? That's dam' hard on
+you!"
+
+"Yes, Bud, I--guess she--don't want me around--"
+
+"Kind o' looks that way!" nodded M'Ginnis, and filling Spike's glass,
+he put it into the boy's unwilling fingers. "Take a drink, Kid; ye sure
+need it!" said he.
+
+"'S right," murmured Soapy, "told ye Bud 'ud comfort ye, didn't I, Kid?"
+
+"So Hermy's drove ye away?" said M'Ginnis, "throwed ye out--eh?"
+
+"She sure has, Bud, an' I--Oh, I'm miserable as hell!"
+
+"Why, then, get some o' Bud's comfort into ye, Kid," murmured Soapy.
+"Lap it up good, Kid; there's plenty more--in th' bottle!"
+
+"Let him alone," growled M'Ginnis, "he don't want you buttin' in!"
+
+"'S right, too, Bud!" nodded Soapy, "he's got you, ain't he? An'
+you--got him, ain't you?"
+
+"I didn't think Hermy 'ud ever treat me--like this!" said Spike
+tearfully.
+
+"You mean--throwin' ye out into th' streets, Kid? Why, I been expectin'
+it!"
+
+"Expectin' it?" repeated Spike, setting down his glass and staring,
+"why?"
+
+"Well, she's a girl, ain't she, an' they're all th' same, I reckon--"
+
+"An' Bud knows all about girls, Kid!" murmured Soapy. "Bud's wise t' all
+their tricks--ain't you, Bud?"
+
+"But whatcher mean?" cried Spike. "What ye mean about expectin' it?"
+
+"Well, she don't want ye no more, does she?" answered M'Ginnis, his
+bruised hands fierce clenched, his voice hoarse and thick with passion.
+"She's got some one else now--ain't she? She's--in love--ain't she?
+She's all waked up an' palpitatin' for--for that dam'--" he choked, and
+set one hand to his scratched throat.
+
+"What d'ye mean, Bud?"
+
+"Ah!" said Soapy, softer than before, "I'm on, Bud; you put me wise! He
+means, Kid, as Hermy's in love with th' guy as has just been punchin'
+hell out of him--he means your pal Geoff." With a hoarse, strangling
+cry, M'Ginnis leapt up, his hand flashed behind him, and--he stood
+suddenly very still, staring into the muzzle of the weapon Soapy had
+levelled from his hip.
+
+"Aw, quit it, Bud, quit it," he sighed, "it ain't come t' that--yet.
+Besides, the Kid's here, so loose ye gun, Bud. No, give it t'me; you're
+a bit on edge t'night, I guess, an' it might go off an' break a glass or
+somethin'. So gimme ye gun, Bud. That's it! Now we can sit an' talk real
+sociable, can't we? Now listen, Bud--what you want is t' get your own
+back on this guy Geoff, an' what th' Kid wants is t' show his sister as
+he ain't a kid, an' what I want is t' give ye both a helpin' hand--"
+
+But while M'Ginnis stood scowling at the imperturbable speaker, Spike
+rose, a little unsteadily, and turned to the door.
+
+"I'll be gettin' on me way, Bud," said he.
+
+"Where to?"
+
+"Home."
+
+"What! Back t' Hermy? After she turned ye out?"
+
+"But I--I got t' go somewheres--"
+
+"Well, you stay right here with me, Kid; I'll fix ye up all right--"
+
+"'S right, Kid!" nodded Soapy. "Bud'll fix ye all right, same as I
+said; we'll have in another bottle when that's empty!"
+
+"What about your sister, Kid?" demanded M'Ginnis fiercely. "What about
+Hermy an' this swell guy? Are y' goin' t' sit around an' do nothin'?"
+
+"But Geoff's goin' t' marry her."
+
+"Marry her! What, him? A millionaire marry your sister? You think so,
+an' she thinks so, but I know different!"
+
+"But Hermy ain't that sort. Hermy's--good--"
+
+"Sure, but this guy's got her fazed--she thinks he's square all
+right--she'll trust him an' then--s'posin' he ain't?"
+
+"I--I ain't s'posin' nothin' like that!" said Spike, gulping his
+whisky.
+
+"Well, s'posin' he's been meetin' her--in a wood--on the sly--eh?
+S'posin' they been huggin' an' kissin'--"
+
+"Say now--you cut that out--" stammered Spike, his voice thick. "I tell
+ye--she ain't--that kind."
+
+"S'posin'," continued Bud, refilling the lad's glass, "s'posin' I could
+show 'em to ye in a wood--eh? Ah! What she want t' meet him in a wood
+for, anyway--nice an' quiet, eh?"
+
+"Say now, Bud, I--I ain't goin' t' listen t' no more!" said Spike,
+rising and clutching at the table, "I--I'm goin' home!" And swaying on
+unsteady feet, he turned to the door, but M'Ginnis gripped his shoulder.
+
+"Wait a bit, Kid."
+
+"N-no, I'm--goin' home--see!" said Spike, setting his jaw obstinately,
+"I'm goin'--r-right now!"
+
+"That's just what you ain't!" snarled M'Ginnis. "Sit down! Hermy's only
+a work-girl--don't forget that, Kid--an' this guy's a millionaire. I
+guess he thinks Hermy'll do--till he gets tired of her an'--then what?"
+
+"He--told me he's goin' t' marry her!" said Spike slowly, speaking with
+an effort, "an' I guess Geoff ain't a liar. An' I wanter--go home."
+
+"Home--after she throwed ye out? Ain't ye got no pride?"
+
+"Aw, say, Bud," sighed Soapy, "I guess d' Kid ain't soused enough for
+pride yet; sling another glass int' him--that'll fix him good, I
+reckon."
+
+"I ain't g-goin' t' drink no more," said Spike, resting heavy head
+between his hands, "I guess I'll b-beat it home, f'lers."
+
+"Bud," suggested Soapy, "ain't it about time you rang in little Maggie
+on him?"
+
+M'Ginnis whirled upon the speaker, snarling, but Soapy, having lighted
+another cigarette, nudged Spike with a sharp elbow.
+
+"Kid," said he, "Bud's goin' t' remind ye of little Maggie Finlay--you
+remember little Maggie as drowned herself." Spike lifted a pale face
+and stared from the placid Soapy to scowling Bud and shrank away.
+
+"Yes," he whispered hoarsely, "yes--I'll never forget how she
+looked--pale, so pale an' still, an' th' water--runnin' out of her brown
+curls--I--I'll never forget--"
+
+"Well," growled M'Ginnis, "watch out Hermy don't end th' same way."
+
+"No!" cried Spike. "Oh, my God--no!"
+
+"What's she meetin' this millionaire in a wood for--on the sly?"
+
+"She don't! Hermy ain't like that."
+
+"I tell ye she does!" cried M'Ginnis, "an' him kissin' an' squeezin' her
+an'--nobody by--"
+
+"It's a lie, Bud--she--she wouldn't!"
+
+"S'posin' I could show ye? S'pose you see him there--waitin' for her--"
+
+"If--if he means any harm t' Hermy, I--I'll kill him!"
+
+"Aw--you wouldn't have the nerve, Kid!"
+
+"I'd shoot him dead--by God, I would!"
+
+"You ain't man enough, Kid."
+
+"You g-give me a gun an' see. I'd shoot any one t' save my sister
+from--th' river. Oh, my God--I--I'd die for her, an' she don't love me
+no more!" And leaning his head upon his arms, Spike burst into a passion
+of tears. M'Ginnis watched him awhile, then, filling the boy's glass,
+clapped him on the shoulder and held it to his lips.
+
+"Neck this, Kid," said he, "neck it all--so, that's good, ain't it?
+To-morrow evenin' I'll take ye where they meet; maybe you'll ketch him
+waitin' for her--but instead of Hermy an' kisses there'll be you an' me,
+hey? Will ye come?"
+
+"S-sure I will if--you'll gimme--your gun."
+
+"Pshaw, Kid--what's a kid like you want with a gun?"
+
+"T'shoot him--"
+
+"Eh? What? D'ye mean--?"
+
+"If he's after my sister, I'll--kill him! I will, by God, I will!"
+
+"'S right," nodded Soapy, staring into the boy's drawn face, "'s right,
+Bud; if ever I see a killer--th' Kid's sure it!"
+
+Slowly the glare died out of Spike's eyes, his body drooped, and
+sighing, he pillowed his heavy head upon the table and fell into a
+drunken slumber. For a while the two men sat there hearkening to his
+stertorous breathing, then Soapy laughed soft and mirthlessly. "You sure
+got th' Kid all worked up an' mad enough t'--kill, eh, Bud? If he does
+get up against this guy Geoff--this guy Geoff's sure goin' t' cash
+in--sudden. Consequently, I guess you'll be wantin' paper an'
+pencil--both here!"
+
+"What th' hell--" began M'Ginnis.
+
+"Telegram, Bud. You're goin' t' frame up a nice little telegram t' this
+guy Geoff--oh, you sure are th' fly gazebo! A nice little message--'meet
+me t'morrow in the wood at sunset--Hermy?' Somethin' nice 'n' romantic
+like that'll bring him on th' run--eh, Bud? Then, 'stead of Hermy, comes
+you an' th' Kid, eh, Bud? An' 'stead of kisses, this guy Geoff gets a
+lead pill--eh, Bud? Th' Kid can't miss if you get him close enough. It
+sure is some scheme, Bud; I couldn't have thought it out better myself.
+Paper 'n' pencil, Bud--get busy an' I'll sashay over an' send it off for
+ye--t'night."
+
+During Soapy's unusually long speech, M'Ginnis sat staring at him under
+frowning brows, but now he turned and scowled down at the sheet of
+paper, picked up the pencil, laid it by again and sat opening and
+shutting his big hands, while Soapy, lighting another cigarette, watched
+him furtively. When at last he spoke, his voice was thick, and he didn't
+lift his scowling gaze.
+
+"Send that kid Larry t' me, an' say--you don't have t' come back."
+
+"All right, Bud, all right--only you'd best send two telegrams t' make
+sure--one t' Fift' Av, an' one t' his place up th' river. S' long,
+Buddy!"
+
+Some fifteen minutes later, the boy Larry, stepping out of O'Rourke's,
+was swung to the wall in Soapy's grip.
+
+"Aw--say, cheese it now! Is that you, Soapy?"
+
+"'S right, my bucko. Fork out that telegram--quick!"
+
+"Aw, say, what yer mean--'n' say, Bud told me to hustle, 'n' say--"
+
+"Dig it out--quick!" said Soapy, the dangling cigarette glowing
+fiercely. "I want it--see?"
+
+"But say--" whimpered Larry, "what'll Bud say--"
+
+"Nothin'! Bud ain't goin' t' know. You take this instead--take it!" And
+Soapy thrust another folded paper into the boy's limp hand, who took it
+whimpering.
+
+"Bud tol' me t' bring it back."
+
+"Well, you tell him you lost it."
+
+"Not much--I'll skin right back an' tell him you pinched it."
+
+"You won't, my sport, you won't!" said Soapy, and speaking, moved
+suddenly; and the boy, uttering a gasp of terror, shrank cowering with
+the muzzle of Soapy's deadly weapon against the pit of his stomach. "You
+ain't goin' t' say a word t' Bud nor nobody else, are ye, Larry boy, are
+ye?"
+
+"No--no--"
+
+"Because if ye ever did, old sport, I should give it ye there--right
+there in the tum-tum, see? Now chase off, an' see ye get them addresses
+right. S'long, Larry boy, be good now!" When the boy had scudded away,
+Soapy opened the paper and scanned the words of M'Ginnis's telegram and,
+being alone, smiled as he glanced through it.
+
+"You got th' Kid, Bud," he murmured, "you got th' Kid--but if th' Kid
+gets the guy Geoff, why--I've sure got you, Bud--got ye sure as hell,
+Bud!"
+
+
+
+
+CHAPTER XXXII
+
+OF HARMONY AND DISCORD
+
+
+Mr. Brimberly, comfortably ensconced in Young R.'s favourite armchair,
+nodded ponderously and beat time to the twang of Mr. Jenkins's banjo,
+whereto Mr. Stevens sang in a high-pitched and rather shaky tenor the
+latest musical success yclept "Sammy." Thus, Mr. Jenkins strummed, Mr.
+Stevens trilled, and Mr. Brimberly alternately beat the tempo with a
+plump white finger and sipped his master's champagne until, having
+emptied his glass, he turned to the bottle on the table beside him,
+found that empty also, crossed to the two bottles on the mantel, found
+them likewise void and had tried the two upon the piano with no better
+success, when, the song being ended, Mr. Jenkins struck in with:
+
+"All dead men, Brim! Six of 'em between us--not bad going, what?"
+
+"And very good fizz too, on the whole!" added Mr. Stevens. "I always
+sing better on champagne. But come, Brim my boy, I've obliged with
+everything I know, and Jenk, 'e 's played everything 'e knows, and
+I must say with great delicacy an' feelin'--now it's your
+turn--somethin'."
+
+"Well," answered Mr. Brimberly, squinting at an empty bottle, "I used to
+know a very good song once, called 'Let's drownd all our sorrers and
+cares.' But good 'eavens! we can't drownd 'em in empty bottles, can we?"
+
+"Oh, very good!" chuckled Mr. Jenkins, "oh, very prime! If I might
+suggest, there's nothin' like port--port's excellent tipple for
+drowndin' sorrer and downing care--what?"
+
+"Port, sir?" repeated Mr. Brimberly, "we 'ave enough port in our
+cellars to drownd every sorrer an' care in Noo York City. I'm proud of
+our port, sir, and I'm reckoned a bit of a connysoor--"
+
+"Ah, it takes a eddicated palate to appreciate good port!" nodded Mr.
+Jenkins loftily, "a eddicated palate--what?"
+
+"Cert'nly!" added Mr. Stevens, "an' here's two palates waitin', waitin'
+an' ready to appreciate till daylight doth appear."
+
+"There's nothin' like port!" sighed Mr. Brimberly, setting aside the
+empty champagne bottle, "nothin' like port, and there's Young Har 'ardly
+can tell it from sherry--oh, the Goth! the Vandyle! All this good stuff
+would be layin' idle if it wasn't for me! Young Har ain't got no right
+to be a millionaire; 'is money's wasted on 'im--he neglects 'is
+opportoonities shameful--eh, shameful! What I say is--what's the use
+of bein' a millionaire if you don't air your millions?"
+
+Hereupon Mr. Jenkins rocked himself to and fro over his banjo in a
+polite ecstasy of mirth.
+
+"Oh, by Jove!" he gasped, "if that ain't infernal clever, I'll be shot!
+Oh, doocid clever I call it--what!"
+
+"Er--by the way, Brim," said Mr. Stevens, his glance roving toward the
+open window, "where does he happen to be to-night?"
+
+"Where?" repeated Mr. Brimberly, fingering a slightly agitated whisker,
+"where is Young Har, sir? Lord, Mr. Stevens, if you ask me that, I
+throws up my 'ands, and I answers you--'eavens knows! Young Har is a
+unknown quantity, sir--a will o' the wisp, or as you might say, a ignus
+fattus. At this pre-cise moment 'e may be in Jerusalem or Jericho
+or--a-sittin' outside on the lawn--which Gawd forbid! But there, don't
+let's talk of it. Come on down into the cellars, and we'll bring up
+enough port to drownd sorrer an' care all night."
+
+"With all my heart!" said Mr. Jenkins, laying aside his banjo.
+
+"Ditto, indeed!" nodded Mr. Stevens, slipping a hand in his host's arm,
+and thus linked together they made their way out of the room.
+
+Scarcely had their hilarious voices died away when a muscular brown hand
+parted the hangings of an open window, and Geoffrey Ravenslee climbed
+into the room. His rough clothes and shabby hat were powdered with dust,
+and he looked very much out of place amid his luxurious surroundings as
+he paused to glance swiftly from the bottles that decorated the carved
+mantel to those on table and piano. Then, light-treading, he crossed the
+room, and as the hilarious three were heard approaching, vanished in his
+turn.
+
+"'Ere we are, Jubilee Port!" exclaimed Mr. Brimberly, setting down two
+cobwebbed bottles with elaborate care, "obleege me with the corkscrew,
+somebody."
+
+"Won't forget as you promised us a song, Brim!" said Mr. Jenkins,
+passing the necessary implement.
+
+"Oh, I won't disappoint ye," answered Mr. Brimberly, drawing the cork
+with a practised hand; "my father were a regular songster, a fair
+carollin' bird 'e were, sir."
+
+"'Ow about 'Knocked 'em in the Old Kent Road'?" Mr. Stevens suggested.
+
+"Sir!" exclaimed Mr. Brimberly, pausing in the act of filling the
+glasses, "that's rather a--a low song, ain't it? What do you think, Mr.
+Jenkins?"
+
+"Low?" answered Mr. Jenkins, "it's as low as--as mud, sir. I might say
+it's infernal vulgar--what?"
+
+"Why, I don't care for it myself," Mr. Stevens admitted rather humbly,
+"it was merely a suggestion."
+
+"With your good favour," said Mr. Brimberly, after a tentative sip at
+his glass, "I'll sing you a old song as was a rare favourite of my
+father's."
+
+"Why, then," said Mr. Jenkins, taking up his banjo, "oblige us with the
+key."
+
+"The key, sir?" answered Mr. Brimberly, pulling down his waistcoat,
+"what key might you mean?"
+
+"The key of the note dominant, Brim."
+
+Mr. Brimberly stared and felt for his whisker.
+
+"Note dominant," he murmured; "I don't think my song has anything of
+that sort--"
+
+"Oh, well, just whistle a couple o' bars."
+
+"Bars," said Mr. Brimberly, shaking his head, "bars, sir, is things
+wherewith I do not 'old; bars are the 'aunt of the 'umble 'erd, sir--"
+
+"No, no, Brim," explained Mr. Stevens, "Jenk merely means you to 'um the
+air."
+
+"Ah, to be sure, now I appre'end! I'll 'um you the hair with pleasure."
+
+Mr. Brimberly cleared his throat vigorously and thereafter emitted
+certain rumbling noises, whereat Mr. Jenkins cocked a knowing head.
+
+"C sharp, I think?" he announced.
+
+"Not much, Jenk!" said Mr. Stevens decidedly, "it was D flat--as flat a
+D as ever I heard!"
+
+"It was C!" Mr. Jenkins said, "I appeal to Brim."
+
+"Well," said Mr. Brimberly ponderously, "I'm reether inclined to think I
+made it a D--if it wasn't D it was F nat'ral. But if it's all the same
+to you, I'll accompany myself at the piano-forty."
+
+"What," exclaimed Mr. Stevens, emptying and refilling his glass, seeing
+which Mr. Jenkins did the same, "what--do you play, Brim?"
+
+"By hear, sir--only by hear," said Mr. Brimberly modestly, as, having
+placed bottle and glass upon the piano within convenient reach, he
+seated himself upon the stool, struck three or four stumbling chords and
+then, vamping an accompaniment a trifle monotonous as to bass, burst
+forth into song:
+
+"It was a rich merchant that in London did dwell,
+ He had but one daughter, a beautiful gell,
+ Which her name it was Dinah, scarce sixteen years old,
+ She'd a very large fortune in silver and gold."
+
+Chorus:
+
+"Ri tooral ri tooral ri tooral i-day,
+ Ri tooral ri tooral ri tooral i-day."
+
+It was now that Mr. Ravenslee, his rough clothes replaced by immaculate
+attire, entered unostentatiously, and, wholly unobserved by the company,
+seated himself and lounged there while Mr. Brimberly sang blithely on:
+
+"As Dinah was a-walking in her garden one day,
+ Her father came to her and thus he did say:
+ 'Come wed yourself, Dinah, to your nearest of kin,
+ Or you shan't have the benefit of one single pin!'"
+
+ "Ri tooral ri too--"
+
+Here Mr. Jenkins, chancing to catch sight of that unobtrusive figure,
+let fall his banjo with a clatter, whereupon Mr. Brimberly glancing
+around, stopped short in the middle of a note, and sat open-mouthed,
+staring at his master.
+
+"Enjoying a musical evening, Brimberly?"
+
+Mr. Brimberly blundered to his feet, choked, gasped, groped for his
+whiskers, and finally spoke:
+
+"Why, sir, I--I'm afraid I--we are--"
+
+"I didn't know you were such an accomplished musician, Brimberly."
+
+"Mu-musician, sir?" Brimberly stammered, his eyes goggling; "'ardly
+that, sir, oh, 'ardly that, I--I venture to--to tinkle a bit now an'
+then, sir--no offence I 'ope, sir?"
+
+"Friends musical too, it seems."
+
+"Y-yes, sir, music do affect 'em, sir--uncommonly, sir."
+
+"Yes, makes them thirsty, doesn't it?"
+
+"Why, Mr. Ravenslee, sir, I--that is, we did so far venture to--er--I
+mean--oh, Lord!" and mopping perspiring brow, Mr. Brimberly groaned and
+goggled helplessly from Mr. Jenkins who stood fumbling with his banjo to
+Mr. Stevens who gaped fishlike.
+
+"And now," said Young R., having viewed them each in turn, "if
+these--er--very thirsty musicians have had enough of--er--my wine
+to--er--drink, perhaps you'll be so obliging as to see them--off the
+premises?"
+
+"I--I beg parding, sir?"
+
+"Please escort your friends off the premises."
+
+"Certingly, sir--at once, sir--"
+
+"Unless you think you ought to give them each a handful of my cigars--"
+
+But Mr. Brimberly had already bundled his dazed guests to the door, out
+of the door, and out of the house, with very little ceremony.
+
+It was a very deferential and officiously eager Brimberly who presently
+knocked and, bowing very frequently, begged to know how he might be of
+further service.
+
+"Might I get you a little supper, sir? We 'ave 'am, sir, we 'ave beef,
+cold, salmon and cucumber likewise cold, a ditto chicken--"
+
+"That sounds rather a quaint bird," said Ravenslee.
+
+"Yes, sir, very good, sir, chicken an' a nice slice of 'am, sir, say,
+and--"
+
+"Thank you, Brimberly, I dined late."
+
+"Why then, sir, a sandwich or so, pray permit me, sir, cut nice an'
+thin, sir--"
+
+"Thank you--no."
+
+"Dear, dear! Why then, sir, whisky? Brandy? A lick-your?"
+
+"Nothing."
+
+"A cigar, sir?"
+
+"Hum! Have we any of the Garcias left?"
+
+"Y-yes, sir. Ho, certingly, sir. Shall I--"
+
+"Don't bother, I prefer my pipe; only let me know when we get short,
+Brimberly, and we'll order more--or perhaps you have a favourite brand?"
+
+"Brand, sir," murmured Brimberly, "a--er--certingly, sir."
+
+"Good night, Brimberly."
+
+"Good night, sir, but first can't I do--hanything?"
+
+"Oh, yes, you do me, of course. You do me so consistently and well that
+I really ought to raise your wages. I'll think about it."
+
+Mr. Brimberly stared, coughed, and fumbled for his whisker, whence his
+hand wandered to his brow and hovered there.
+
+"I--I bid you good night, sir!"
+
+"Oh, by the way, bring me the letters."
+
+"Certingly, sir!" and crossing the room, Mr. Brimberly returned, bearing
+a salver piled high with letters, which he set at his master's elbow;
+this done, he bowed and went from the room, one hand still at his dazed
+brow.
+
+Left alone, Ravenslee took up the letters one by one. Some he threw
+aside, some few he opened and glanced at carelessly; among these last
+was a telegram, and the words he saw were these:
+
+"Meet me to-morrow sunset in the wood all shall be explained Hermy."
+
+For a while he sat staring at this, then, laying it by, drew out a
+letter case from which he took another telegram bearing precisely the
+same message. Having compared them, he thrust them into his pocket, and
+filling his pipe, sat awhile smoking and lost in thought. At last, his
+pipe being out, he rose, stretched, and turned toward the door, but in
+the act of leaving the room, paused to take out and compare the
+telegrams again and so stood with puckered brow.
+
+"'Hermy!'" he said softly. "'Hermione' is so much prettier. 'All shall
+be explained.' A little trite, perhaps! Oh, well--" So saying, he folded
+up the telegrams, switched off the lights and went to bed.
+
+
+
+
+CHAPTER XXXIII
+
+OF TRAGEDY
+
+
+It was close on the hour of sunset when Ravenslee stopped his car before
+a quiet hotel in Englewood and sprang out.
+
+"Will you be long, sir?" enquired Joe, seating himself at the wheel and
+preparing to turn into the garage.
+
+"Probably an hour, Joe."
+
+"Very good, sir."
+
+But as the big car turned, Ravenslee spoke over his shoulder.
+
+"By the way, if I shouldn't be back in an hour, come and meet me." Then,
+having given Joe full and particular directions as to the little wood,
+he turned and went upon his way.
+
+It had been a stifling day, and even now, though a soft air was abroad
+tempering the humid heat, when this light wind languished there was over
+all things a brooding stillness, foreboding storm. But Ravenslee strode
+on, unheeding dust and heat, hastening on to that which awaited him,
+full of strength and life and the zest of life, glad-hearted, and with
+pulses that throbbed in expectation. Thus, as the sun sank in fiery
+splendour, he reached the little wood. Evening was falling, and already,
+among the trees, shadows were deepening to twilight, but in the west was
+a flaming glory; and, upon the edge of the wood he turned to glance back
+at this radiance, splashes of gold and pink flushing to an ominous red.
+For a long moment he stood to stare around about the solitary
+countryside, joying in life and the glory of it. Then he turned, with a
+smile on his lips, and stepped into the gloom of the wood. On he went,
+forcing his way through the under-brush until, reaching the clearing, he
+halted suddenly and faced about, fancying he had heard a rustle in the
+leaves hard by. Spike, cowering behind a bush with M'Ginnis's fingers
+gripping his arm, shivered and sweated and held his breath until
+Ravenslee moved on again, and, coming to a fallen tree, seated himself
+there and sat chin on fist, expectation in every tense line of him.
+
+"Now!" whispered M'Ginnis hoarsely, "get him now--before Hermy comes t'
+him!" Shuddering, Spike levelled the weapon he held, but at that moment
+Ravenslee was filling his pipe, and something in this homely action
+checked the lad, paralysed finger on trigger, and shrinking, he cowered
+down upon the grass despite the fierce hand that gripped him. "Get him
+now, Kid--get him now! Aim f'r his chest--y' can't miss at this
+distance--"
+
+"I--I can't, Bud!" gasped the boy, writhing, "I can't do it--I can't!"
+Dropping the revolver, he hid his face in sweating hands and shivered.
+
+From somewhere near by a woodpecker was tapping busily, but save for
+this no sound broke the pervading stillness, for the gentle wind had
+died away. But suddenly the quiet was rent and shivered, and Spike,
+deafened by the report, glanced up to see Ravenslee rise to his feet,
+stagger forward blindly, then, with arms outflung, pitch forward upon
+his face and lie there.
+
+"By God, you--you've shot him, Bud!" he whimpered, "you--you've killed
+dear old Geoff--oh, my God!"
+
+"Aw, quit--quit all that!" whispered M'Ginnis breathlessly, "that's what
+we came for, ain't it? What you lookin' at?"
+
+"It lays so--still! so awful still!" Spike gasped.
+
+"Well, what ye got t' go starin' at it that ways for? Come on--let's
+beat it; it's us for th' quick get-away in case any one heard. Come on,
+Kid!"
+
+"But you've--killed Geoff!"
+
+"I guess he don't need no more--'n' say, Kid, you're in on this job
+too, don't forget! Come on, it's little old N' York for ours!"
+
+Though M'Ginnis dragged at him, Spike huddled limply on his knees, his
+glaring eyes always staring in the one direction; whereupon M'Ginnis
+cursed and left him.
+
+But all at once, finding himself alone, to horror came fear, and
+stumbling to his feet Spike began to draw away from that awful thing
+that held his gaze; slowly he retreated, always going backwards, and
+though he stumbled often against tree and sapling, yet so long as it was
+in sight needs must he walk backwards. When at last a kindly bush hid it
+from his sight, he turned and ran--ran until, panting and wild-eyed, he
+burst from the wood and was out upon the open road. Even then he paused
+to stare back into that leafy gloom but saw and heard nothing. Then,
+uttering a moan, he turned and ran sobbing along the darkening road.
+
+But, within that place of shadows, from amid the leaves of a certain
+great tree, dropped one who came beside that motionless form, and knelt
+there awhile. When at last he rose, a ring lay upon his open palm--a
+ring in the shape of two hands clasping each other; then, with this
+clenched in a pallid fist, he also turned and left that still and awful
+thing with its face hidden in last year's dead and rotting leaves.
+
+
+
+
+CHAPTER XXXIV
+
+OF REMORSE
+
+
+For three miserable days Spike had remained indoors, eating little,
+sleeping less, venturing abroad only at dusk to hurry back with the
+latest paper and, locked within his bedroom, to scan every scare head
+and column with eyes dilating in dreadful expectation of beholding the
+awful word--MURDER.
+
+For three interminable days Hermione, going about her many duties slow
+of foot and listless, had scarcely heeded him, conscious only of her own
+pain, the agony of longing, the yearning ache that filled her, throbbing
+in every heart-beat--an ache that would not be satisfied. Thus, lost in
+her own new sorrow, she spoke seldom, sighed often, and sang not at all;
+often sitting at her sewing machine with hands strangely idle and gaze
+abstracted. Spike, watching furtively, had seen her eyes brim over with
+great, slow-falling tears; more than once he had heard her bitter
+weeping in the dawn. At such times he had yearned to comfort her, but
+between them was memory, dividing them like a wall--the memory of a
+still form with arms wide-tossed and face hidden among dead leaves. And
+at such times Spike writhed in the grip of horror and groaned under the
+gnawing fangs of remorse; sometimes he prayed wild, passionate prayers,
+and sometimes he wetted his pillow with unavailing tears, while in his
+ears, like a small voice, soft and insistent, repeated over and over
+again, was the dread word MURDER. By day it haunted him also; it stared
+up at him from the white cloth of the breakfast table, forbidding him
+to eat; he read it on floor and walls and ceiling; he saw it in bloody
+characters that straggled across the very sky; wherever he turned his
+haggard gaze there he needs must read it.
+
+And then--there were the footsteps. All day long they tramped up and
+down the stairs outside--everyday sounds that he had never heeded
+before, but now they were warnings to hearken to and shudder at, and he
+would sit pretending to read but with ears straining for the sound of
+feet upon the landing or on the stair. Now they were feet that
+crept--the stealthy steps of one that lurked to catch him unaware; or
+again, they were the loud tramp of those who came with authority to drag
+him to doom, and he would watch the door, staring wide-eyed, waiting for
+the thundering knock he expected yet which never came. All day long they
+haunted him, and at night, locked within his bedroom, he must needs lift
+heavy head from the pillow to hearken with ears straining even yet,
+until, haggard and worn, he had shivered and groaned and wept himself to
+sleep, only to awake and start up in sweating terror, thinking he heard
+a fierce hand knocking, knocking upon the outer door.
+
+Thus, for three long days Spike had lived in torment, and to-night, as
+he leaned throbbing head between clutching hands, his haggard eyes
+sought vainly for that fell word which he could read everywhere except
+in the newspaper before him; his sufferings had grown almost beyond his
+strength, for to his old torments was added harrowing suspense.
+
+"Why?" "Why?" "Why" was the word that stared at him from ceiling and
+walls and blue expanse of heaven; why was it there and not in the
+papers? Could it be that it was lying there yet, that awful, still
+thing, lying as he remembered it, as he could see it now, its ghastly
+features hidden among the leaves that rotted, its long arms outflung and
+strong hands griped among the grass with clutching fingers--could it
+be?--
+
+"Arthur--boy--what's the matter?"
+
+Spike started and looked up to find Hermione beside him, and
+instinctively he shrank away.
+
+"Arthur--oh, what is it? Are you sick?"
+
+"N-no, why?"
+
+"You were moaning."
+
+"Oh, well, I--I'm all right, I guess. Got a headache, that's all."
+
+"Why have you avoided me lately, Arthur? I'm not angry any more, I'm
+only--disappointed."
+
+"Y' mean because I lost me job? They don't want my kind; I--oh, I'm too
+mean--too rotten, I guess."
+
+"I heard you cry out in the night, Arthur. What was it?"
+
+"Nothin'--I didn't cry out las' night, I tell ye."
+
+"I heard you!"
+
+"Oh, well, I--I was only dreamin', I guess."
+
+"Why have you acted so strangely lately? You don't eat, you don't go
+out; you sit around staring and seem to be listening--almost as if you
+were afraid--"
+
+"I ain't--I ain't afraid. Who says I'm afraid? An' I don't want you to
+go worryin' y'self sick over me--I ain't a kid no more."
+
+"No, I'm afraid you're not." And sighing, she turned away. But as she
+crossed the room, her step slow and listless, he spoke, his head
+down-bent and face hidden between clenched hands, voicing, almost
+despite himself, the questions that had tortured him so long.
+
+"Say, Hermy, where's--Geoff? How is he--I mean you--you ain't--heard
+anything--have you?"
+
+"No," she answered softly, without turning, "what should I hear? I only
+know he's--gone. How should I hope to hear anything any more?"
+
+"I--I thought he was--goin' t' marry you."
+
+"So he was, but I--couldn't let him--marry--a thief's sister," she said
+in the same low, even voice.
+
+"Ah!" cried Spike, writhing, "why did he go an' tell ye about me after
+he told me he never would--why did he tell ye?"
+
+"He didn't tell me!" cried Hermione, with curling lip.
+
+"Didn't he--oh--didn't he?" said Spike, his voice high and quivering,
+"didn't Geoff tell ye? Then--say, Hermy, who--who did?"
+
+"It was Bud M'Ginnis, and for once it seems he told the truth!"
+
+"Bud!" cried Spike, stumbling to his feet. "Oh, my God!" At sound of
+his voice she turned, and seeing his face, cried out in sudden fear:
+"Arthur--oh, Arthur, what is it?"
+
+"Bud told ye?" he gasped. "Wasn't it Geoff--oh, wasn't it Geoff?"
+
+"No!"
+
+Spike was down on his knees. "Oh, God! Oh, Geoff--dear old Geoff,
+forgive me!" He was huddled upon the floor, his face pressed to the
+worn rug, his clenched fingers buried in his curls, while from his
+lips issued gasping sobs harshly dry and awful to hear.
+
+"Forgive me, Geoff, forgive me! I thought you told her! I thought you
+meant t' steal her from me! Oh, forgive me, Geoff--I wish I was dead
+like you."
+
+"Arthur!"
+
+She was down beside him on her knees, shaking him with desperate hands.
+
+"Arthur! Arthur! What--are you saying?"
+
+"Nothin'--nothin'!" he stammered, staring up into her face, suddenly
+afraid of her. "Nothin', I--I was only--thinkin'--I--"
+
+"What did you mean?" she cried, her grasp tightening. "Tell me what you
+meant--tell me, tell me!"
+
+"Nothin'," he mumbled, trying to break her hold. "Lemme go, I--I didn't
+mean anything--"
+
+"Tell me what you meant--tell me, tell me!"
+
+"No--I can't--I--"
+
+His voice failed suddenly, his whole frame grew tense and rigid, and
+lifting a stiff arm he pointed a trembling finger toward the open
+doorway.
+
+"Hush--hush!" he panted, "oh, for God's sake, hush! There--don't you
+hear--there's some one outside on th' landing--footsteps--hark! They're
+coming to our door! They're stoppin' outside--oh, my God, it's come
+at--"
+
+The word ended in a scream, drowned all at once in a thunderous knocking
+on the outer door, and Spike, crouching upon his knees, clutched at her
+as she rose.
+
+"Don't,--don't open--the door!" he gasped, while Hermione gazed at him,
+terrified by his terror, as again the thunderous summons was heard.
+Then, despite the boy's passionate prayers and desperate, clutching
+hands, she broke from him, and hastening into the little passage, opened
+the door.
+
+Upon the threshold stood a little old man, very smartly dressed, who
+saluted her with a gallant flourish of his dapper straw hat and bowed
+with his two small and glittering patent leather shoes posed at position
+number one in waltzing.
+
+"Ma'am," said he, "miss, respectful greetin's. Your name's Hermione,
+ain't it?"
+
+"Yes," she answered, wondering.
+
+"Knowed it was. And a partic'ler fine gal too! Though not 'oldin' wi'
+marridge, I don't blame the Guv--'e always 'ad a quick eye for
+beauty--like me."
+
+"But who are you? What do you want--"
+
+"Miss, I want you--leastways--'e does. Been callin' for you the last
+three days 'e has, ever since 'e ketched one as fair doubled 'im up--"
+
+"I--I don't understand. Who are you?"
+
+"A admirer of the Guv, ma'am. A trusted friend of 'is, miss--come t'
+take ye to 'is poor, yearnin' arms, lady--"
+
+"But who--oh, what do you mean?"
+
+"Mr. Ravenslee, ma'am."
+
+"Mr. Ravenslee!" she echoed, her colour changing.
+
+"Yes. Y' see--he's dyin', miss!"
+
+Hermione gasped and leaned against the wall as if suddenly faint and
+sick, perceiving which, the Old Un promptly set his arm about her waist
+and led her unresisting into the parlour. There, having aided her
+tenderly into a chair and nodded to pale-faced Spike, he sighed, shook
+his ancient head, and continued:
+
+"Ho, Lor lumme, lady, it fair wrung my old 'eart to 'ave to tell ye,
+but, 'aving to tell ye (Joe couldn't) I told ye almighty quick to get it
+over--sharp an' quick's my motter. Fate's crool 'ard when Fate takes the
+gloves off, miss, an' I know as Fate's been an' took ye one in the wind
+wot's fair doubled you up--but take time, miss, take time--throw back
+your pretty 'ead, breathe deep an' reg'lar, an' you'll soon be strong
+enough to go another round. If I'd got a towel handy I'd fan ye a
+bit--not 'avin' none, no matter. Fate's 'ard on you, so fair an' young,
+miss, but Fate's been 'arder on the Guv--ketched the pore young Guv a
+fair spiflicator--"
+
+"Oh, please--please," cried Hermione, reaching out appealing hands, "oh,
+tell me, is he hurt--sick--dying? Oh, quick, quick--tell me!"
+
+"Lady, ma'am--my pretty dear," said the Old Un, taking those pleading
+hands to pat them tenderly, "that's what I'm tryin' to do. The Guv
+ain't dead yet--no, not--yet--"
+
+"You mean he's dying?"
+
+"My dear," said the old man, blinking at her through sudden tears,
+"that's what the doctors say." Here he loosed one hand to rub at each
+bright eye with a bony knuckle. "An' 'im so young--so game an'
+strong--three days ago."
+
+"How--did it--happen?" she questioned, her voice low and steady.
+
+"It was Fate!" said the old man, taking her hand again. "Three days ago
+Fate (the perisher) sends him a telegram--two on 'em--tellin' 'im to
+meet you in a wood an' signed with--with your name, both on 'em--"
+
+At this she cried out and would have risen, but his kindly clasp checked
+her.
+
+"I--sent no telegram!" she whispered.
+
+"Me an' Joe an' the Spider know that now, miss. But anyway, to this 'ere
+wood the Guv do 'aste away, an' in this wood Fate's a-layin' for 'im
+wir a gun, an' down goes the pore Guv wi' a perishin' bullet in 'is
+gizzard. An' there Joe finds 'im, an' 'ome Joe brings 'im in the car,
+an' Joe an' me an' the Spider 'ushes things up. An' now in bed lays the
+Guv with nurses an' doctors 'anging over 'im--a-callin' for you--I mean
+the Guv, d' ye see? So now for you I've come. I've brought Joe an' the
+car for you--Joe's across wi' Mrs. Trapes, an' the car's below--both
+waitin'. So you'll come t' th' pore young Guv, miss, won't ye, lady?"
+
+"Have you--any idea--who--did it?" she questioned, speaking as with an
+effort.
+
+"We got our suspicions, ho, yus!" the Old Un nodded. "Joe's got a
+wonnerful gift o' suspicion--oh, a rare 'ead 'as my lad Joe. Joe an'
+the Spider's on the track, an' they're goin' to track Fate to doom,
+ma'am--to perishin' doom! Y' see," here the old man leaned suddenly
+nearer, "y' see, Joe's found a cloo!"
+
+"A clew! Yes--yes!" she whispered breathlessly, moistening lips suddenly
+dry, and conscious that Spike's lax form had stiffened to painful
+alertness.
+
+"Well, ma'am, Joe an' the Spider's been a-seekin' an' a-searchin' of
+that there wood, an' they found," here the Old Un leaned nearer yet and
+whispered harshly, "they found--a coat button! Lorgorramighty!" he
+exclaimed suddenly, pointing a trembling bony finger, "what's took th'
+lad--look!"
+
+Spike had risen and now stood, breathing loudly, one hand clenched upon
+his breast, and turning swiftly, took a stumbling pace toward the open
+window, tripped, and fell prone upon his face.
+
+"Oh, poor lad, poor lad!" cried the Old Un, rising hastily. "Fate's
+been an' ketched him one too--a fair knock-out! Leave him to me, miss,
+I'll bring 'im round--bitin' 'is years is good, or vinegar on a
+sponge--leave 'im to a old fightin' man--"
+
+"No!" cried Hermione passionately, "no, I say. Leave him to me!" Quelled
+by something in her tone and manner, the old man sank back in his chair,
+while she, kneeling beside Spike, lifted him in her strong young arms so
+that he was hidden from the Old Un's bright, piercing eyes. Holding him
+thus, she loosed Spike's rigid fingers and drew away that clutching
+hand; then, seeing what that hand had striven to hide, she shrank
+suddenly away, letting the boy's inanimate form slip from her clasp;
+and, as she knelt there above him, her shapely body was seized with
+fierce tremors.
+
+So she knelt for a long moment until Spike sighed, shivered, and sat up,
+but beholding the look in her wide eyes, uttered a hoarse sound that was
+like a cry of fear and, starting from her nearness, crouched down,
+huddled upon his knees.
+
+Then Hermione rose and, turning to the old man, smiled with pallid lips.
+
+"You see--he's all right--now!" she said. "If you'll please go and tell
+Mrs. Trapes I'm leaving, I'll get ready." Obediently the Old Un rose.
+
+"Mrs. Trapes is a-gettin' into her bonnet to come along wi' us!" said
+he, and putting on his hat with a flourish, took his departure. When he
+was gone, Hermione turned and looked down at Spike, who, meeting her
+eyes, flinched as from a blow and made no effort to rise from his knees.
+So she packed her grip and dressed for the journey, while he watched her
+with eyes of mute appeal. Twice he would have spoken, but her look smote
+him to silence. At last, as she took up her suit case and turned to go,
+he implored her in a hoarse whisper, reaching out his arms to her:
+"Hermy!"
+
+But she shrank from his contact and, hastening from the room and along
+the little passage, closed the door and left him to his hopeless misery.
+As one in a dream she followed the old man down the stairs, was aware of
+his ushering her through the crowd of women and children who thronged
+about the big car. As one in a dream she found herself seated beside
+Mrs. Trapes, whose motherly solicitude she heeded no more than the
+bustle and traffic of the streets through which the swift car whirled
+her on and on until, turning, it swung in between massive gates and
+pulled up before a great, gloomy house.
+
+As one in a dream she ascended the broad steps, crossed a stately hall,
+was ushered up a noble stairway and along thick-carpeted corridors until
+at last she found herself in a darkened chamber where, his dark head
+conspicuous upon the white pillow, he lay. A nurse rose from beside the
+bed as Hermione entered and softly withdrew. Left alone, she stood for
+a long moment utterly still, her hands tightly clasped, her breath in
+check, gazing at that dark head upon the pillow, at that outstretched
+form lying so silent and so very still.
+
+"Hermione!"
+
+A feeble whisper, a sigh faintly breathed, but at the sound she had
+crossed the wide chamber on feet swift and noiseless, had sunk upon her
+knees beside the low bed to lean above him all murmurous love and
+sighing tenderness, while she stole a timid hand to touch the hair that
+curled upon his pallid brow; then, for all his helplessness, she flushed
+beneath his look.
+
+"How beautiful--you are!" he said faintly, "and I--weak as--confounded
+rat! Hermione--love, they tell me I--must die. But first I want you
+for--my very own if only for--a little while!"
+
+"Oh, my dear," she whispered, soft mouth against his pale cheek, "I
+always was yours--yours from the very first; I always shall be."
+
+"Then you'll--marry me?"
+
+"Yes, dear."
+
+"Now?"
+
+"Yes, dear."
+
+"I--hoped you would, so--I arranged--minister's waiting now. Will
+you--ring?" And he motioned feebly toward an electric bell-push that
+stood upon a small table beside the bed.
+
+And now once again as one in a dream she obeyed, and was presently aware
+of soft-treading figures about her in the dim chamber--among them the
+Old Un whose shoes for once creaked not at all. As one in a dream she
+made the responses, felt the feeble clasp of that hand whose strength
+and masterful power had thrilled her, heard the faint echo of that loved
+voice that had wooed her so passionately once, yet wooed in vain, while
+now--
+
+She was alone again, alone with him who lay so very still and pale with
+eyes closed wearily; from him she glanced to that which gleamed so
+bright and new upon her finger and bending her head she pressed the
+wedding ring to her lips.
+
+"Wife!" he whispered; the weary eyes were open, and his look drew her.
+So she knelt beside the bed again, stooping above him low and lower
+until her head lay beside his upon the pillow. Slowly, slowly his feeble
+hand crept up to her glowing cheek, to the soft waves of her hair, and
+to the little curl that wantoned above her eyebrow.
+
+"Hermione--wife--kiss me!"
+
+Tenderly her arms enfolded him, and with a soft little cry that was half
+a sob she kissed him, his brow, his hair, his lips, kissed him even
+while she wetted him with her falling tears.
+
+"Beloved," he murmured, "my glorious--scrubwoman--if I must--leave
+you--these dear hands need never--never slave again. Never--any--more,
+my Hermione."
+
+Long after he had fallen to sleep she knelt there, cradling his weakness
+in her arms, looking down on him with eyes bright with love.
+
+After this were days and nights when the soul of him wandered in dark
+places filled with chaotic dreams and wild fancies; but there was ever
+one beside him whose gentle voice reached him in the darkness, and whose
+tender hand hushed his delirium and soothed his woes and troubles.
+
+
+
+
+CHAPTER XXXV
+
+HOW GEOFFREY RAVENSLEE CAME OUT OF THE DARK
+
+
+She was knitting; and opening sleepy eyes he watched drowsily and
+wondered what it might be and was minded to enquire, but sighed instead
+and fell asleep again.
+
+She was knitting; knitting something in red wool, and opening his eyes
+again, he lay watching awhile and pondered dreamily as to what it could
+be she wrought at so busily, for the wool was so very red and so
+extremely woolly.
+
+Her chin was set at an angle somewhat grim, she was sitting very
+upright in her chair and, though scrupulously hidden from sight, her
+elbows--truly how portentous were the undisguisable points of those
+elbows! And she was knitting fiercely in wool that was remarkably red
+and woolly.
+
+"Pray what is it, Mrs. Trapes?" A feeble whisper, but, at the sound,
+faint though it was, Mrs. Trapes started, half rose from her chair, sank
+down again heavily and letting fall her knitting, stared at the invalid.
+
+"Land sakes, alive!" she gasped.
+
+"Now you've dropped it!" said Ravenslee, his voice a little stronger.
+
+"Oh, dear beloved land o' my fathers--it's come!" she exclaimed,
+clasping her hands, "the Lord be praised for evermore, it's come!"
+
+"What has?"
+
+"The turn! And you've took it! Doctor Dennison says last night as you'd
+take it soon one way or t' other. But all night long while they waited
+and watched here, you've laid so pale an' still as a corp'. An' now,
+while I'm a-settin' here, you go an' take th' turn so sudden as fair
+takes my breath away, Lord be praised! I mean--I mean--oh, I guess I'll
+go wake the doctor."
+
+"But you haven't told me what it is," said Ravenslee drowsily.
+
+"What what is?"
+
+"That very peculiar--woolly thing."
+
+"This?" said Mrs. Trapes, picking up the object in question, "this is my
+knittin'. Doctor said t' call him th' moment th' turn came--" Her voice
+seemed to sink to a slumberous murmur as, having smoothed his pillow,
+she crossed the room and very softly closed the door behind her;
+wherefore Ravenslee blinked sleepily at the door until its panels seemed
+slowly to become confused and merge one into another, changing gradually
+to a cloud, soft, billowy, and ever growing until it had engulfed him
+altogether, and he sank down and down into unknown deeps of
+forgetfulness and blessed quietude.
+
+ * * * * *
+
+She was knitting; knitting a shapeless something in red wool, and
+Ravenslee thought he had never known her elbows more threatening of
+aspect nor seen wool quite so red and woolly; wherefore he presently
+spoke, and his voice was no longer a feeble croak.
+
+"Pray what is it, Mrs. Trapes?"
+
+Mrs. Trapes jumped.
+
+"Well, for th' love o' heaven!" she exclaimed, and down fell her
+knitting.
+
+"Now you've dropped it!" said Ravenslee a little petulantly.
+
+"Your very--identical--words!" said Mrs. Trapes in awed tones. "Nacher
+sure 'moves in a mysterious way her wonders to perform'!"
+
+"What do you mean?"
+
+"I mean as them was the identical words as you addressed to me when you
+took th' turn two days ago!"
+
+"Two days!" exclaimed Ravenslee, staring.
+
+"Ever since you did take the turn two days ago, you've laid there so
+quiet an' peaceful--no more dreams an' ravin'--you've jest laid there
+'wrapped in infant slumbers pure an' light', Mr. Geoffrey--Ravenslee,
+I mean."
+
+"Why then, it's about time I got up. If you'll kindly--er--retire and
+send Patterson, I'll get dressed."
+
+"Dressed?" echoed Mrs. Trapes, hollow-voiced and grim. "Get up? Lord,
+Mr. Geoffrey!"
+
+"Certainly. Why not?"
+
+"What, you--you as is only jest out o' the valley o' th' shadder! You
+as we've all give up for dead over an' over! You get up? Lord, Mr.
+Geoffrey--I mean Ravenslee!"
+
+"Oh," said Ravenslee, knitting his dark brows thoughtfully, "have I been
+sick long?"
+
+"Four weeks."
+
+"Weeks!" he exclaimed, staring incredulously.
+
+"Four weeks an' a bit! For four weary, woeful weeks you've been layin'
+here with death hoverin' over you, Mr. Geoffrey. For four long weeks
+we've been waitin' for ye t' draw your las' breath, Mr. Ravenslee. For
+four 'eart-rendin' weeks your servants has been carryin' on below stairs
+an' robbin' you somethin' shameful."
+
+"My servants? Oh, yes, they generally do. But tell me--"
+
+"The amount o' food as they consoom constant! The waste! The
+extravagance! Th' beer an' wine an' sperrits they swaller! Them is sure
+the thirstiest menials ever I heard tell of! An' the butler--such airs,
+such a appetite! An' sherry an' bitters t' make it worse! Lord, Mr.
+Geoffrey, your servants sure is a ravenin' horde!"
+
+"Don't be too hard on 'em, Mrs. Trapes," he answered gravely, "I'm
+afraid I've neglected them quite a good deal. But it's a woman's hand
+they need over them."
+
+"It's a pleeceman's club they need on 'em--frequent! I'd learn 'em
+different, I guess--"
+
+"So you shall, Mrs. Trapes, if you will. You are precisely the kind of
+housekeeper I need."
+
+"What--me?"
+
+"You, Mrs. Trapes. A lonely bachelor needs some one to--er take care of
+his servants for him, to see they don't overeat themselves too often;
+or--er--strain themselves spring-cleaning out of season--or--"
+
+"But you got a wife t' do all that for you. I guess Hermy'll know how to
+manage."
+
+"Hermione!" said Ravenslee, starting, "wife? Am I really--married?"
+
+"Sure! Didn't she go an' let you wed her when we all thought you was
+dyin'?"
+
+"Oh, did she?" said he very gently. "Why then, it--it wasn't all a
+dream?"
+
+"Mr. Geoffrey, Hermy's been Mrs. Ravenslee, your lawful wedded wife,
+just exactly four weeks."
+
+Ravenslee stared up at the ceiling, dreamy-eyed.
+
+"Good heavens!" he murmured. "I thought I'd only dreamed it."
+
+"Hermy's watched over you night an' day a'most--like th' guardian angel
+she is--prayin' f' you, workin' f' you, fightin' death away from you.
+Oh, I guess it's her fault as you're alive this day! Anyway, her an'
+you's man an' wife till death do you part."
+
+"But death--hasn't, you see."
+
+"An' death sure ain't goin' to--yet."
+
+"No, I'm--I'm very much alive still, it seems."
+
+"You sure are, glory be t' th' Lord of Hosts to who I have also
+petitioned frequent on your behoof. An' now I'll call th' doctor."
+
+"No, no--not Dennison; let me see her first. Can't I speak to Hermione
+first, Mrs. Trapes?"
+
+"She was up with you all las' night, sweet lamb! It'd be a shame to wake
+her--"
+
+"So it would--don't disturb her."
+
+"But I guess she'd never forgive me if I didn't wake her. So if you'll
+promise t' be good--"
+
+"I will!"
+
+"An' not go gettin' all worked up an' excited?"
+
+"I will not!"
+
+"Why then, perhaps ten minutes wouldn't hurt."
+
+"God bless you, Mrs. Trapes!"
+
+Left alone, he tried to sit up, and finding this strangely difficult,
+examined his hands and arms, scowling to find himself so weak. Then he
+clapped hand to bony jaw and was shocked to feel thereon a growth of
+ragged beard, and then--she was before him. Fresh from her slumbers she
+came, wrapped in a scanty kimono whose thin, clinging folds revealed
+more of her shapely beauty than he had ever seen as she hurried across
+the wide chamber.
+
+"Hermione," he said, and reached out his hands to her. And his voice
+was no longer the feeble echo it had been; the hand that clasped hers,
+though still thin and weak, thrilled her anew with its masterful touch.
+Because of all this, her words of tender greeting remained unspoken, the
+arms which had been eager to cradle his helplessness crossed themselves
+on her bosom; she became aware of naked ankles and of bare feet thrust
+into bedroom slippers and needs must hide them, and the better to do so,
+sank upon the bed, her feet tucked under her. So she sat, just beyond
+his reach, and, conscious of scanty draperies, shook her shining hair
+about her, veiling herself in its glory.
+
+"Hermione," he said unsteadily, "I--I never knew quite how beautiful you
+were--and we--we are married, it seems!"
+
+"Yes," she said softly.
+
+"And now I'm--I'm afraid I'm going to--live!"
+
+"Afraid?"
+
+"It--it almost seems as though I had married you under false pretences,
+doesn't it? But the doctors and everybody were so certain I was to die
+that I thought so too. And now--I'm going to live, it seems."
+
+She was silent, and slowly his hand went out to her again, and slowly
+hers went to meet it, but though her fingers clasped and twined,
+thrilling in mute passion to his touch, she came no nearer, but watched
+him from the shadow of her hair with great troubled eyes.
+
+"Dear," he said, very humbly, "you do--love me still, don't you?"
+
+"More than ever."
+
+"Then you're not--sorry to be my wife?"
+
+"No--ah, no, no!" she whispered, "never that!"
+
+"Then, dear, won't you--will you kiss me?" Seeing she hesitated, he
+sank back on his pillow and laughed a little ruefully. "I forgot these
+confounded whiskers--I must look an unholy object. Patterson shall shave
+me, and then perhaps--"
+
+But sudden and warm and soft her arms were about him, and her eyes,
+troubled no longer, gazed into his, brimful of yearning tenderness.
+
+"Oh, my dear, my dear," she murmured, quick and passionate, "as if I
+should ever care how you looked as long as you were--just you. My dear,
+my dear, you have come back to me from the very gates of death because
+I--I--"
+
+"Because you nursed me so tenderly!"
+
+"Ah, no, there were others to do that--no, God gave you back to me
+because He is merciful, and because I love you--want you--need you so
+much!"
+
+"Oh, my Hermione--Kiss me!"
+
+A knock at the door, and, quick-breathing, she drew from him as the
+voice of Mrs. Trapes reached them.
+
+"Ten minutes is up!" she announced as she entered, "and Hermy, if you
+don't want th' doctor t' see you in your nightdress an' that--"
+
+"Ann!" gasped Hermione, drawing the folds of her kimono about her.
+
+"Anyway, he's coming."
+
+Up sprang Hermione, in doing which she lost a slipper.
+
+"Give it me!" she pleaded, for Ravenslee had caught it up.
+
+"Dear, you have one--be content," he answered. "And surely I may kiss
+my wife's slipper without you having to blush so--so deliciously,
+Hermione?"
+
+"It's so--old and shabby!" said she faintly.
+
+"That's why I kiss it."
+
+"An' here comes th' doctor!" said Mrs. Trapes. Whereat Hermione
+incontinent fled away, white foot agleam. Then Ravenslee, having kissed
+the little slipper quite brazenly under Mrs. Trapes's staring eyes,
+tucked it beneath his pillow.
+
+"Why, Mr. Geoffrey!" said Mrs. Trapes.
+
+
+
+
+CHAPTER XXXVI
+
+CONCERNING A CLEW
+
+
+"Mrs. Trapes," said Ravenslee, laying aside the book he had been reading
+and letting his glance wander across smooth lawns and clipped yew
+hedges, "Mrs. Trapes, what about that stewed shin of beef with carrots
+and onions you prepared for--our wedding supper?"
+
+"Which," said Mrs. Trapes, glancing up from her everlasting knitting,
+"which you never stopped to eat."
+
+"Which omission I will now haste to rectify. Mrs. Trapes, pray go and
+get it ready--I'm ravenous!"
+
+"Good f'r you!" said Mrs. Trapes; "in about half an hour you shall have
+a nice cup of beef tea to raven at--"
+
+"Confounded slops!" growled Ravenslee.
+
+"Doctor's orders!" nodded Mrs. Trapes, clicking her knitting needles.
+
+"Can't I have something to chew at?"
+
+"Sure. How'll a cracker soaked in milk soot?"
+
+"Cracker!" snarled Ravenslee.
+
+"Doctor's orders!"
+
+Ravenslee muttered and took up his book.
+
+"Helen who, did you say?" enquired Mrs. Trapes, glancing up. "Mr.
+Geoffrey--I mean Ravenslee, I'm surprised at you--swearin' ain't good
+for a invalid; your temperature'll be rose if you swear."
+
+"But, my dear Mrs. Trapes, I'm hungry, very hungry--darned hungry!"
+
+"Which is a sign as you're improvin' rapid. Beef tea'll be here soon."
+
+"I won't drink the stuff!"
+
+"Oh, but you will, when Hermy brings it."
+
+"Hermione!" said Ravenslee, his voice grown gentle, and laying down his
+book again. "Mrs. Trapes, have you noticed any change in her lately?"
+
+"A bit handsomer, p'r'aps--"
+
+"Yes, but I don't mean that; it's something that puzzles me. She seems
+to have grown more--more reserved and shy--"
+
+"Well, she was married to you before she knew it kind of, almost."
+
+"Do you suppose that's it?"
+
+"Sure! What you got t' do, Mr. Geoffrey, is--woo her! Woo her all you
+know how. The best woman can't be wooed too hard nor too frequent--so
+you start in an' woo."
+
+"But sometimes it has almost seemed that she--avoided me."
+
+"Well, don't let her."
+
+"Do you suppose she's grieving for Spike?"
+
+"Well, he ain't exactly a j'y t' her. There he is going straight to the
+devil along o' that Bud M'Ginnis!"
+
+"I must go and fetch him as soon as I can get about again."
+
+"If he'll come."
+
+"Oh, he'll come," said Ravenslee grimly. "I've decided to send him to
+college--"
+
+"If he'll go!"
+
+"Oh, he'll go--there's quite a lot of good in him, Mrs. Trapes."
+
+"Only it's mighty hard to find, Mr. Geoffrey! If that b'y wants t' go
+t' th' devil, to th' devil he'll go. What you got t' do is t' make her
+forget him--if you can. Oh, drat him, anyway!" and squaring her elbows,
+Mrs. Trapes knitted so angrily that her knitting needles clashed like
+weapons fiercely opposed.
+
+"Yes, but suppose she is grieving for him, Mrs. Trapes?"
+
+"Why then," said Mrs. Trapes, "why then--oh, shucks--I guess I'll go an'
+see after that beef tea."
+
+When she had gone, Ravenslee sat plunged in gloomy thought until roused
+by the sound of approaching feet with a creak of shoes, a loud, arrogant
+creak there was no mistaking, and the Old Un appeared followed by Joe
+and the Spider, the latter looking very smart in his new livery.
+
+"Guv," said the Old Un, "best respex! 'Ere we be, come to say 'ow glad
+we are t' see you come up smilin' an' ready for more after Fate ketchin'
+ye a perishin' wallop as we all thought 'ad doubled ye up till the day
+o' doom. 'Ere you are, on your pins again, an' 'ere 's us come t' give
+ye greetin's doo an' j'y o' your marriage--shut up, Joe!"
+
+"Why, I wasn't speakin'!" growled Joe.
+
+"No, but you meant to--you're always meanin' to, you are. Guv,"
+continued the Old Un, "folks is allus a-givin' an' takin' in marriage in
+this 'ere world, such bein' their natur'--they can't 'elp it! But never
+in this world nor no other was there ever sich a weddin' as yours. There
+was 'er so young an' fair an' full o' life, an' there was you so pale
+an' nigh to death--one leg in the grave--an' there was me s' full o'
+years an' wisdom an' sorrer for ye both--oh, my pore old bowels was fair
+yearnin' over ye-"
+
+"Lord, Old Un," expostulated Joe, "you keep them bowels o' yours out of
+it--"
+
+"Shut up, Joe, in your ignorance; bowels is in the Bible, an' bowels
+I abide by now and forever, amen! Well, there we all were, Guv, bendin'
+o'er your couch o' care very silent an' solemn,
+
+"'Not a drum was 'eard, not a funereal note'
+
+"an' there was you s' pale an' nigh t' death--"
+
+"You said all that afore, Old Un!" growled Joe.
+
+"You leave me alone, Joe," said the Old Un, scowling and flourishing a
+trembling fist, "you lemme be, or you'll be pale an' nigh t' death next.
+Well, there was you, Guv, an' all s' pale an' still when: ''Oo giveth
+this woman?' says the parson-cove very solemn. 'That's me!' says I,
+quick an' ready. An' so, me 'avin' 'elped t' marry you, I've brought
+Joe an' Spider t' wish you 'ealth an' 'appiness an' a j'y continual.
+Now, Joe, it's your round--speak up!"
+
+"Sir," said Joe heavily, "I--we--I mean--Lord, sir, I am that glad--ah,
+glad as--as never was--"
+
+"That'll do for you, Joe!" snapped the Old Un. "Spider's round."
+
+Hereupon the Spider lurched forward, hunched his wide shoulders, took
+off his smart cap, and stared at it very hard.
+
+"Bo," said he, chewing vigorously, "I mean boss--er--no, that ain't
+right either--this is sure a bum start I'm makin'--"
+
+"Bo' will do, Spider," said Ravenslee, "let it go at that."
+
+"Why then, bo, I ain't one as is ever goin' t' win any gold-mounted
+testimonials at any talk-fest or heart-throbbin' spiel-act, but what I
+wanter tell you is this--an' I guess you know I ain't only breathin' out
+puffs o' hot air--I want yer t' know as I feel about you like--like Joe
+an' the Old Un does--an' then some more. Y' see, bo, though I ain't
+never held a straight flush agin four aces an' don't expect to, though
+I shan't ever be a world's champion like Joe here--I guess I know to-day
+what it feels like, because you ain't goin' t' snuff it, after all--an'
+now I guess you're on." Saying which, the Spider dexterously shifted
+his wad to the other cheek and chewed faster than ever.
+
+"I am, Spider, and I want you to know I'm grateful to you, all three.
+Also I want to thank you all for keeping this affair out of the papers,
+though how you managed it beats me."
+
+"Guv," cried the Old Un, tremulous and eager, "oh, Guv, we're fair
+sleuth-hounds, we are--specially me. There ain't a 'tective nor
+secret-service cove nor bloomin' bobby fit to black our shoes--specially
+mine! Y' see, Guv, I know who done it; Joe thinks he knows; an' Spider
+don't think at all!"
+
+"Oh?" said Ravenslee, and looking around, caught the Spider watching him
+wide-eyed, his jaws grimly tense and immobile; but meeting his glance,
+the Spider lowered his eyes, shifted his smartly-gaitered legs, and
+chewed viciously.
+
+"So, Guv," piped the Old Un cheerily, "we're out for the criminal's
+gore--specially me. We're goin' to track the perisher to 'is 'orrible
+doom--
+
+"'Where'er he be
+ To th' gallers tree
+ Oh, Guv, we mean t' bring him;
+ An' laugh with j'y
+ When nice an' 'igh
+ The blinkin' bobbies swing 'im.'"
+
+"And you think you know who it was?"
+
+"I do, Guv, I do!" nodded the Old Un. "I knows as 'twas a enemy as done
+it; Joe thinks it was one o' them gang fellers, an' Spider don't say who
+he thinks done it."
+
+Once again Ravenslee caught the Spider's eye watching him furtively, and
+once again he noticed that the Spider's jaws were clamped hard, while he
+was twisting his natty chauffeur's cap in fingers strangely agitated.
+
+"Sir," said Joe, "me an' the Spider searched that wood, an' we found a
+coat--"
+
+"Shut up, Joe," snarled the Old Un, "you're tellin' it all wrong. Guv,
+Joe an' the Spider went a-seekin' an' a-searchin' that wood, an' they
+found a--cloo--"
+
+"Oh?" said Ravenslee.
+
+"A cloo as is a-goin' t' 'ang somebody yet--a cloo, Guv, as ain't t' be
+ekalled for blood-guilt an' mystery. Joe," said the Old Un, sinking his
+voice to a hoarse whisper, "the hour is come--perjooce the cloo!"
+
+Hereupon Joe produced a pocketbook and took thence a highly ornate coat
+button whereto a shred of cloth was attached.
+
+"I found this, sir," said he, "close by where you was a-lyin'." So
+Ravenslee took the button upon his palm, and, as he eyed it, the Spider
+saw his black brows twitch suddenly together, then--he yawned.
+
+"And you found this in the wood, Joe?" he enquired sleepily.
+
+"I did, sir. With that to help 'em, the perlice would have the murdering
+cove in no time, and more than once I've been going to hand it over to
+'em. But then I thought I'd better wait a bit; if you died was time
+enough, an' if you didn't I'd keep it for you--so, sir, there it is."
+
+"You did quite right, Joe. Yes, you did very right indeed!"
+
+For a long moment Ravenslee sat languidly twisting the button in thin
+white fingers, then flicked it far out over the balustrade down among
+the dense evergreens in the garden below. The Old Un gasped, Joe gaped,
+and the Spider sighed audibly.
+
+"Lorgorramighty! Oh, Guv, Guv--" quavered the old man, "you've throwed
+away our cloo--our blood-cloo--th' p'lice--you've lost our evidence--"
+
+"Old Un, of course I have! You see, I don't like clews, or blood, or
+the police. You have all been clever enough, wise enough to keep this
+confounded business quiet, and so will I--"
+
+"But, oh, Guv, arter somebody tryin' t' kill ye like a dog--ain't there
+goin' t' be no vengeance, no gallers-tree, no 'lectric chair nor
+nothin'--"
+
+"Nothing!" answered Ravenslee gently. "Somebody tried to kill me, but
+somebody didn't kill me; here I am, getting stronger every day, so we'll
+let it go at that."
+
+"Why then--I'm done!" said the Old Un, rising.
+
+"Guv, you're crool an' stony-'carted! 'Ere 's me, a pore old cove as
+has been dreamin' an' dreamin' o' gallers-trees an' 'lectric chairs, and
+'ere 's you been an' took 'em off me! Guv, I'm disapp'inted wi' ye. Oh,
+ingratitood, thou art the Guv!" So saying, the Old Un clapped on his hat
+and creaked indignantly away.
+
+"Crumbs!" exclaimed Joe, "what a bloodthirsty old cove he is, with his
+gallers-trees! This means jam, this does."
+
+"Jam?" repeated Ravenslee wonderingly.
+
+"Sir, whenever the Old Un's put out, 'e flies to jam same as some chaps
+do to drink; makes a fair old beast of hisself, he do. If you'll excuse
+us, sir, Spider an' me'll just keep a eye on him to see as he don't go
+upsettin' his old innards again."
+
+Ravenslee nodded, and smiling, watched them hurry after the little old
+man; but gradually his amusement waned, and he became lost in frowning
+thought. So deeply abstracted was he that he started to find Mrs. Trapes
+regarding him with her sharp, bright eyes.
+
+"Mr. Geoffrey, here's a cup o' beef tea as I've prepared with my own
+hand--"
+
+"But where's--"
+
+"She's gone t' bed. Here's a cup o' beef tea as is stiff with
+nourishment, so get it into your system good an' quick."
+
+"Gone to bed--"
+
+"She says it's a headache, o' course--drink it down while it's hot--but
+I reckon it's more 'n a headache--yes, sir. A while back I says t'
+you--'woo her,' I says, Mr. Geoffrey. I now says--let her alone awhile.
+The poor child's all wore out--it's nerves as is the matter with her, I
+reckon. So, Mr. Ravenslee, be patient, this ain't no wooin' time; it's
+rest she needs an' change of air--"
+
+"Why, then, Mrs. Trapes, she shall have them!"
+
+
+
+
+CHAPTER XXXVII
+
+THE WOES OF MR. BRIMBERLY
+
+
+Mr. Brimberly, having dined well as was his custom, lay at his ease
+in a luxurious lounge chair in the shade of the piazza; the day was hot,
+wherefore on a table at his elbow was a syphon, a bottle, and a long
+glass in which ice tinkled alluringly; between his plump fingers was a
+large cigar and across his plump knees was an open paper over which he
+yawned and puffed and sipped in turn. Nevertheless Mr. Brimberly was
+bored and dropping the paper, languidly cherished a languorous whisker,
+staring dull-eyed across stately terraces and wide, neat lawns to where,
+beyond winding yew walks and noble trees, the distant river flowed.
+
+Presently as he sat he was aware of a small girl in a white pinafore
+approaching along one of these walks--a small being who hopped along by
+means of a little crutch and sang to herself in a soft, happy voice.
+
+Mr. Brimberly blinked.
+
+Heedless of the eyes that watched her, the child turned into the rose
+garden, pausing now and then to inhale the scent of some great bloom
+that filled the air with its sweetness.
+
+Mr. Brimberly sat up, for he permitted few to enter the rose garden.
+
+All at once the child, singing still, reached up and broke off a great
+scarlet bloom.
+
+Mr. Brimberly arose.
+
+"Little girl!" he called, in voice round and sonorous, "little girl,
+come you 'ere and come immediate!"
+
+The child started, turned, and after a moment's hesitation hobbled
+forward, her little face as white as her pinafore. At the foot of the
+broad steps leading up to the piazza she paused, looking up at him with
+great, pleading eyes.
+
+Mr. Brimberly beckoned with portentous finger.
+
+"Little girl, come 'ere!" he repeated. "Come up 'ere and come immediate!"
+
+The small crutch tapped laboriously up the steps, and she stood before
+Mr. Brimberly's imposing figure mute, breathless, and trembling a
+little.
+
+"Little girl," he demanded, threatening of whisker, "'oo are you
+and--what?"
+
+"Please, I'm Hazel."
+
+"Oh, indeed," nodded Mr. Brimberly, pulling at his waistcoat. "'Azel
+'oo, 'Azel what--and say 'sir' next time, if _you_ please."
+
+"Hazel Bowker, sir," and she dropped him a little curtsey, spoiled
+somewhat by agitation and her crutch.
+
+"Bowker--Bowker?" mused Mr. Brimberly. "I've 'eard the name--I don't
+like the name, but I've 'eard it."
+
+"My daddy works here, sir," said Hazel timidly.
+
+"Bowker--Bowker!" repeated Mr. Brimberly. "Ah, to be sure--one of the
+hunder gardeners as I put on three or four weeks ago."
+
+"Yes, please, sir."
+
+"Little girl, what are you a-doin' in that garden? Why are you wandering
+in the vicinity of this mansion?"
+
+"Please, I'm looking for Hermy."
+
+"'Ermy?" repeated Mr. Brimberly, "'Ermy? Wot kind of creater may that
+be? Is it a dog? Is it a cat? Wot is it?"
+
+"It's only my Princess Nobody, sir!"
+
+"Oh, a friend of yours--ha! Persons of that class do not pervade these
+regions! And wot do I be'old grasped in your 'and?"
+
+Hazel looked down at the rose she held and trembled anew.
+
+"Little girl--wot is it?" demanded the inexorable voice.
+
+"A rose, sir."
+
+"Was it--your rose?"
+
+"N-no, sir."
+
+"Don't you know as it's a wicked hact to take what ain't yours? Don't
+you know as it's thieving and robbery, and that thieving and robbery
+leads to prison bars and shackle-chains?"
+
+"Oh, sir, I--I didn't mean--" the little voice was choked with sobs.
+
+"Well, let this be a warning to you to thieve no more, or next time I
+shall 'ave to become angry. Now--go 'ence!"
+
+Dropping the rose the child turned and hobbled away as fast as her
+crutch would allow, and Mr. Brimberly, having watched her out of sight,
+emptied his glass and took up his cigar, but, finding it had gone out,
+flung it away. Then he sighed and, sinking back among his cushions,
+closed his eyes, and was soon snoring blissfully.
+
+But by and by Mr. Brimberly began to dream, a very evil dream wherein it
+seemed that for many desperate deeds and crime abominable he was chained
+and shackled in a dock, and the judge, donning the black cap, sentenced
+him to be shorn of those adornments, his whiskers. In his dream it
+seemed that there and then the executioner advanced to his fell work--a
+bony hand grasped his right whisker, the deadly razor flashed, and Mr.
+Brimberly awoke gurgling--awoke to catch a glimpse of a hand so hastily
+withdrawn that it seemed to vanish into thin air.
+
+"'Eavens and earth!" he gasped, and clapping hand to cheek was relieved
+to find his whisker yet intact, but for a long moment sat clutching that
+handful of soft and fleecy hair, staring before him in puzzled wonder,
+for the hand had seemed so very real he could almost feel it there yet.
+Presently, bethinking him to glance over his shoulder, Mr. Brimberly
+gasped and goggled, for leaning over the back of his chair was a little,
+old man, very slender, very upright, and very smart as to attire, who
+fanned himself with a jaunty straw hat banded in vivid crimson; an old
+man whose bright, youthful eyes looked out from a face wizened with age,
+while up from his bald crown rose a few wisps of white and straggling
+hair.
+
+"'Oly 'eavens!" murmured Mr. Brimberly in a faint voice.
+
+The visitor, settling his bony elbows more comfortably, fanned himself
+until his sparse locks waved gently to and fro, and, nodding, spoke
+these words:
+
+"Oh, wake thee, oh, wake thee, my bonny bird,
+ Oh, wake and sleep no more;
+ Thy pretty pipe I 'ave n't 'eard,
+ But, lumme, how you snore!"
+
+Mr. Brimberly stared; Mr. Brimberly's mouth opened, and eventually Mr.
+Brimberly rose and surveyed the intruder slowly, up from glittering
+shoes to the dome of his head and down again; and Mr. Brimberly's ample
+bosom surged, his eye kindled, and his whiskers--!
+
+"Cheer-o!" nodded the Old Un.
+
+Mr. Brimberly blinked and pulled down his waistcoat.
+
+"Me good man," said he, "you'll find the tradesmen's entrance round the
+corner. Go away, if you please, and go immediate--I'm prehoccupied."
+
+"No, you ain't; you're the butler, you are, I lay my oath--
+
+"'Spoons an' forks
+ An' drawin' corks'
+
+"that's your job, ain't it, chum?"
+
+"Chum!" said Mr. Brimberly in tones of horror. "Chum!" he repeated,
+grasping a handful of indignant whisker. "Oh, outragious! Oh, very
+hobscene! 'Ow dare you, sir? 'Oo are you, sir, eh, sir--answer me, an'
+answer--prompt!"
+
+"Leave them cobwebs alone, an' I'll tell you, matey."
+
+"Matey!" groaned Mr. Brimberly, turning up his eyes.
+
+"I'm the Guv's familiar friend and personal pal, I am. I'm 'is
+adviser, confeedential, matreemonial, circumstantial, an' architect'ral.
+I'm 'is trainer, advance agent, manager, an' sparrin' partner--that's
+who I am. An' now, mate, 'avin' 'elped to marry 'im, I've jest took a
+run down 'ere to see as all things is fit an' proper for 'is 'oneymoon!"
+
+"My word, this is a mad feller, this is!" murmured Mr. Brimberly, "or
+else 'e 's drunk!"
+
+"Drunk?" exclaimed the Old Un, clapping on his hat very much over one
+eye and glaring, "wot--me?"
+
+"I repeat," said Mr. Brimberly, addressing the universe in general, "I
+repeats as 'e is a narsty, drunken little person!"
+
+"Person?" cried the Old Un, scowling, "why, you perishin'--"
+
+"Old!" said Mr. Brimberly, "'old, I beg! Enough 'as been said--go 'ence!
+'Oo you are I do not know, wot you are I do not care, but in these
+regions you do not remain; your langwidge forbids and--"
+
+"Langwidge?" snorted the Old Un. "Why, I ain't begun yet, you blinkin',
+fat-faced, owl-eyed piece o' sooet--"
+
+"Your speech, sir," continued Mr. Brimberly with calm austerity and
+making the most of whiskers and waistcoat, "your speech is redolent of
+slums and back halleys. I don't know you. I don't want to know you! You
+are a feller! Go away, feller!"
+
+"Feller?" snarled the Old Un, "why you--"
+
+"I repeat," said Mr. Brimberly with dignified deliberation, "I repeat as
+you are a very low, vulgar little feller!"
+
+The Old Un clenched his fists.
+
+"Right-o!" he nodded cheerily. "That's done it! F' that I'm a-goin' t'
+punch ye in th' perishin' eye-'ole!" And he advanced upon the points of
+his toes, shoulders hunched, and head viciously outthrust.
+
+"My word!" exclaimed Mr. Brimberly, retreating rather precipitately,
+"this is very discomposing, this is! I shall have to call the perlice."
+
+"Perlice!" snarled the Old Un, fiercer than ever, "you won't have
+nothing t' call with when I've done wi' ye. I'm goin' t' jab ye on th'
+beak t' begin with, then I'll 'ook my left t' your kidneys an' swing my
+right to your p'int an' crumple ye up with a jolt on your perishin'
+solar plexus as 'll stiffen you till th' day o' doom!"
+
+"'Oly angels!" murmured Mr. Brimberly, glancing hastily about.
+
+"Then while you lay bathed in 'orrible gore, I'm goin' t' twist them
+whiskers into a 'angman's knot!"
+
+"This is most distressing!" sighed Mr. Brimberly.
+
+"Then," continued the Old Un, grinding his remaining teeth, "I'm
+a-goin' t' tread your face in an' dance on y'r blighted stummick. Arter
+that--"
+
+"Oh, dear me!" exclaimed Mr. Brimberly, retreating before the oncoming
+peril and mopping perspiring brow. But suddenly his wandering eye was
+arrested by velvet and gold braid, and lifting up his voice he called:
+
+"William! James! Come 'ere--and come sharp!"
+
+Two vast and splendid shapes loomed upon the scene, supermen whose
+silken calves quivered with unaccustomed haste; at a sign from Mr.
+Brimberly they seized upon the Old Un and, despite ghoulish threats,
+solemnly bore him off.
+
+Down the broad sweep of drive they went, the Old Un pouring forth fluent
+curses with every step, until they came to a powerful automobile from
+beneath which a pair of neatly gaitered legs protruded.
+
+"Joe!" cried the Old Un, apostrophising these legs, "Joe, stop bein' a
+crawlin' worm--come out an' bash these perishers for me, like a good
+lad!" But even while he spoke, the footmen hauled him along, so that
+when Joe eventually wriggled from under the car the three were close
+against the great gates.
+
+The Old Un was earnestly explaining to his captors exactly what he
+thought of them, of their fathers and mothers, their kith and kin, and
+the supermen were heeding him not the least, when a thunderbolt seemed
+to smite them asunder, and Joe was glancing mild-eyed from one
+splendid, supine form to the other.
+
+"Hullo, Old Un!" said he, "what's the matter now, you old book o' bad
+language, you?"
+
+But Mr. Brimberly, somewhat shaken with his late interview and feeling
+the need of a stimulant, had just refilled the long glass when, hearing
+a rustle behind him, he turned and beheld a tall woman, elderly and
+angular, especially as to chin and elbows, which last obtruded
+themselves quite unpleasantly; at least, as he eyed them there was
+manifest disapprobation in every hair of his whiskers.
+
+"Now I wonder," he sighed plaintively, "I wonder what under the blue
+expandment of 'oly 'eaven you might be, because if you 'appen to be the
+washing--"
+
+"I--am--not!"
+
+"Or the cannybal missions--"
+
+"No--sech--thing!"
+
+"Oh!" said Mr. Brimberly, and his gaze wandered to the elbows. "Why,
+then, let me hinform you--"
+
+"Ann Angelina Trapes is me name."
+
+"Why then, ma'am, you've took the wrong turning. 'Owbeit an'
+notwithstanding, 'ooever you are and nevertheless, you will find the
+tradespeople's entra--"
+
+"You're the gentleman as is so obligin' as to be Mr. Ravenslee's
+butler, ain't you?"
+
+"Sich is my perfession," Mr. Brimberly admitted. "I am in sole charge of
+these premises and so being will ask you to withdraw 'ence immediate. I
+will ask--"
+
+"An' I'll ask you, very p'inted, what you reckon you're doin' in that
+chair?"
+
+"Doing?"
+
+"I'll ask you, very p'inted, why you're loafin' around wastin' your
+master's time?"
+
+"Loafing?" cried Mr. Brimberly, very red in the face. "Loaf--"
+
+"I also ask you, very p'inted, wherefore an' why you loaf, guzzlin' an'
+swillin' your master's good liquor?"
+
+"Guzzling!" gasped Mr. Brimberly. "Oh, 'eavens, this is a outrage, this
+is! I'll--"
+
+"It sure is! An' so are you, winebibber!"
+
+"Winebib--" Mr. Brimberly choked, his round face grew purple, and he
+flourished pudgy fists while Mrs. Trapes folded her cotton-gloved hands
+and watched him.
+
+"Winebibber!" she nodded. "An' the wine as you now bib is your master's,
+consequently it was stole, an' bein' stole you're a thief, an' bein' a
+thief--"
+
+"Thief!" gurgled Mr. Brimberly. "Ha, thief's a hepithet, thief is, and a
+hepithet 's hactionable! I'll 'ave you indented for perjoorious
+expressions--"
+
+"Winebibber!" she sighed. "Snake an' plunderer!"
+
+"Never," cried Mr. Brimberly, "never in all my days did I ever 'earken
+to such contoomacious contoomacity! 'Oo are you an' wot--"
+
+"Hand over that bottle and what you've left o' them cigars!"
+
+"Woman, begone!" he cried hoarsely. "Woman, if you don't go 'ence this
+very moment, I'll have you persecuted with the hutmost vigour o' the
+law for a incorrigible--female!"
+
+"Female!" repeated Mrs. Trapes; and clasping herself in her long, bony
+arms she shuddered and smiled, though her eyes glared more stonily, and
+her elbows suggested rapier points, daggers, and other deadly weapons of
+offence.
+
+"Female it were, I think?" she enquired with another grim and smiling
+shudder. "Now, sir, to you I sez, debased creecher, I sez, vulgar an'
+dishonest loafer, I sez, sly an' subtle serpent, I sez, return to the
+back scullery wherefrom you sprang lest I seize you by the hair of your
+cheeks an' bounce your silly head against the wall--frequent, I sez!"
+and very slowly, Mrs. Trapes moved toward him.
+
+Mr. Brimberly hesitated, but before those deadly elbows he blenched, his
+whiskers wilted all at once, and he retreated backwards; across the
+spacious drawing room, along the hall and down the stairs he went, his
+pace ever accelerating, until, in full flight, he reached the sanctuary
+of his pantry, where, having locked himself securely in, he sank panting
+into a chair to mop beaded brow.
+
+"My word!" said Mr. Brimberly.
+
+
+
+
+CHAPTER XXXVIII
+
+IN WHICH SOAPY TAKES UPON HIMSELF A NEW ROLE
+
+
+Soapy was alone, which in itself was no new thing, for Soapy was a
+solitary soul at all times; but just now he sat close against the
+rotting fence which skirted that desolation behind O'Rourke's saloon.
+Moreover, it was night, and solitude profound was his. He sat on a
+battered and disused pail that chanced to be handy, a smouldering
+cigarette dangling from his thin-lipped mouth, his long hands pendulous
+between his knees, his pallid eyelids sleepily a-droop; but his eyes,
+quick and watchful, scanned the deeper gloom of fence and dismal
+outbuilding, and he sat there very patient and very still. At last he
+stirred slightly, the cigarette quivered and was motionless again, for,
+amid the shadows, he had seen a dim shape that flitted swiftly toward
+him; on it came, creeping swift and silent beside the fence, nearer and
+nearer until it resolved itself into a slender form. Then Soapy spoke.
+
+"Hello, Kid!"
+
+Ensued a moment of tense silence, then Spike answered, his voice
+unnaturally thin and high-pitched.
+
+"That--that you, Soapy?"
+
+"'S right, Kid!"
+
+"What you--doin' around--here?"
+
+"Who, me? Y' see, I'm kind o' yearnin' for that gun you got there--"
+
+"Gun? I--I ain't got--no gun--"
+
+"Well, Kid, I know Heine's all kinds of a liar, but he tells me he's
+loaned you one of his, an' so--" Soapy's long arm shot out in the gloom
+and seizing Spike's right arm he drew it near. "Why, Kid," said he, "it
+kind o' looks like Heine told the truth for once by accident, don't
+it?"
+
+"You leggo my wrist!"
+
+"Right-o, Kid, right-o! Don't get peeved--"
+
+"Well, leggo then!"
+
+"Sure! Only this artillery ain't goin' t' be no good t' you t'night--ye
+see, Bud--ain't here! 'S rough on ye, Kid, 's rough, but he ain't!"
+
+"W--what--d' ye mean?" stammered the boy.
+
+"I mean as you comin' here t' plug holes in Bud's carcase it's kind o'
+rough on you as there ain't goin' t' be no carcase here to plug. Y' see,
+Bud's took his carcase up-town with him t'night--"
+
+"You're a liar, Soapy, a liar! Bud's inside, I know he is. Leggo my
+arm, you can't con me!"
+
+"'S right, Kid, I ain't tryin'. Only I'm tellin' you Bud's left me an'
+Lefty t' run things here t'night. Bud's up-town at his old man's place.
+I know because--I sent him, see?"
+
+"You sent him--you? Ah, come off! You couldn't!"
+
+"'S right, Kid; I got him away by a fake telegram."
+
+The boy ventured a long, quivering sigh, his whole frame relaxed, and in
+that instant Soapy wrenched the weapon from his loosened hold and rose.
+Choking with passion, Spike sprang at him, but Soapy fended him off with
+a long arm.
+
+"Gimme that gun!"
+
+"Behave, Kid, behave, else I'll have t' dot ye one! Be good an' chase
+off home; this ain't no place for you t'night--nor no other time."
+
+"Gimme that gun!"
+
+"No!"
+
+Spike ceased the useless struggle and leaned against the fence, panting,
+while Soapy reseated himself upon the battered pail.
+
+"What you got t' come buttin' in for?" demanded the boy, "this ain't
+your show, an' I guess you ain't so mighty fond o' Bud either--"
+
+"'S right, too," nodded Soapy, "no, I ain't exactly fond of him, Kid;
+leastways I don't run t' help him if he falls nor kiss th' place t' make
+it well--no, Kid! But I kind o' feel that Bud's too good t' snuff it
+this way, or snuff it--yet!"
+
+"Good?" said the lad bitterly, "good--hell! He's ruined me, Soapy, he's
+done me in! He's come between me an'--an' Hermy. He tried t' make me
+think dirt of her, an' now--now I--I'm all alone; I ain't got nobody
+left--oh, my God!" and huddling to the fence, Spike broke out into a
+fierce and anguished sobbing, while Soapy, spinning the revolver
+dexterously on his finger, watched him under drooping lids.
+
+"She was mighty good t' ye, Hermy was!" said he thoughtfully.
+
+"Don't--ah, don't!" gasped Spike.
+
+"An' when he spoke dirt of her, you--believed him, Kid!"
+
+"I didn't."
+
+"You did, else you'd have been with her now. She was always good t'
+you, Hermy was, but you--well, you preferred Bud!"
+
+"I didn't, Soapy; God knows I didn't--only--I thought Bud would make me
+a champion--"
+
+"By gettin' ye soused, Kid!"
+
+"Oh, I know--I know now he's only been stringin' me all along--I know
+now it's too late--that's why I'm goin' t' kill him."
+
+"Kill him!" mused Soapy. "Kid, there's good killings an' bad killin's,
+an' I reckon this 'ud be a good killin', maybe. But this ain't your
+job."
+
+"Why--why ain't it?"
+
+"Well, you got a sister f'r one thing, an' besides, you ain't a killer."
+
+"You gimme that gun an' see!" cried the lad, reaching out a hand
+tremulous and eager.
+
+"When the time came, Kid, 'stead o' shootin', you'd drop your gun like
+that time in th' wood."
+
+"Th' wood!" Spike's voice dropped to a strangled whisper and he shrank
+back against the fence. "You--my God, you--saw--!"
+
+"'S right, Kid, I was there! An' I'm kind o' glad y' couldn't do it,
+glad for your sister's sake. But what I'm thinkin' is that maybe she
+thinks it was you--eh, Kid?"
+
+Spike writhed and groaned.
+
+"Eh, Kid?"
+
+"Yes!"
+
+"Why, then, if I was you, I'd skin off right now an' put her wise; it
+may mean a whole lot t' her. Y' know where she is--go an' tell her,
+Kid."
+
+"I can't! I can't--she don't want me no more, she's done wi' me, I
+guess. I'm--oh, I'm too low-down an' rotten!"
+
+"Sure!" nodded Soapy. "But she's good, an' she's a woman; an' good
+women are only made t' forgive, I reckon."
+
+"But there's Geoff! I--I couldn't face Geoff."
+
+"That's because you think a heap too much about a low-down rotten guy
+called Spike. I guess it's about time you began t' think about your
+sister f' a change. Well, s' long, Kid, I guess I'll be movin'; this
+pail comes a bit sharp after an hour of it."
+
+So saying, Soapy rose, nodded, and strolled away, still twirling the
+revolver upon that long and dexterous finger. For a moment Spike stood
+looking after him, then, chin on breast, turned and went his solitary
+way across the desolate waste. But now it was Soapy who, pausing, turned
+to watch him safe out of sight. Scarcely had the sound of Spike's
+departure died away than a door opened and closed hard by, and heavy
+steps approached, halted suddenly, and a hoarse voice demanded:
+
+"Who's there?"
+
+"Why, this is me, Bud."
+
+"What th' hell are ye hangin' around out here for?" questioned M'Ginnis
+suspiciously.
+
+"Countin' th' stars, Bud, an' doin' th' Providence act--midst of life
+we are in death' gag--"
+
+"Aw, cut out that slush an' hike along t' Rayner's wi' me; I got a job
+for you an' Heine--"
+
+Side by side they crossed the gloomy, open lot until they were come
+beneath a lamp at a certain bleak street corner. Here Soapy paused and
+held out his hand, open to the light.
+
+"This don't happen t' be your ring, Bud?" he enquired lazily.
+
+M'Ginnis glanced at the ring upon that narrow palm, a ring wrought into
+the semblance of two hands that clasped each other, looked closer, drew
+in his breath suddenly, then straightened his shoulders and threw back
+his head.
+
+"No!" he answered, frowning into Soapy's imperturbable face, "what th'
+hell made you think it was?"
+
+"Why, ye see, Bud, it happens t' have your name scratched inside it,
+that's all. But if it ain't yours, it ain't!" And speaking, Soapy tossed
+the ring back over his shoulder far out into the open lot.
+
+For a long moment M'Ginnis stood motionless, staring back at that
+desolate plot of ground; when at last he glanced toward his companion,
+Soapy was lighting a fresh cigarette.
+
+
+
+
+CHAPTER XXXIX
+
+THE OLD UN ADVISES AND RAVENSLEE ACTS
+
+
+In the rose garden was an arbour smothered in riotous bloom, and in the
+arbour was a divan, wide and low and voluptuously soft, meet for the
+repose of an invalid on a languorous afternoon, or indeed any other
+time. But just now the invalid reposed not at all but sat, elbow on knee
+and square chin on fist, very lonely and therefore very grim.
+
+All about him roses bloomed, filling the air with their sweetness, but
+he had no eyes for their beauty; upon the table within reach of his hand
+were books and magazines, but he was in no mood for reading; clasped
+between strong white teeth he held his favourite pipe unlighted and
+cold, for tobacco had for him no savour. So he sat and scowled at the
+universe in general, and in particular at a robin that had boldly
+ventured near and was regarding him with a very round, bright eye.
+
+"She's avoiding me!" said Ravenslee bitterly, teeth clenched upon his
+pipestem, "there's no doubt about it, damn it; she's avoiding me! And
+she's not happy here either!"
+
+The robin turned his head to regard the speaker with his other eye, then
+fluttered his wings and flew away as the lazy quiet of the afternoon was
+broken by the squeak of shoe leather, and glancing up, Ravenslee beheld
+the Old Un.
+
+"What cheer, Guv," said he, "greetin's doo and how's the invalid?"
+
+"Invalid!" repeated Ravenslee, scowling again, "I'm no invalid!"
+
+"Spoke like a true-bred gamecock, s' help me!"
+
+"I'm as right as rain physically, Old Un, but--"
+
+"Talkin' o' physic, Guv," said the old man, seating himself and nodding
+brightly, "talkin' o' physic, the physic as set you on your pins again
+was love, Guv, love!"
+
+"But it so happens--"
+
+"Wait a bit, I ain't done, Guv! 'Ere 's me, a old cove as 'as lived
+'ears an' 'ears an' 'ears an' 'ears longer 'n you, so nacherally I'm a
+powerful lot fuller o' th' wisdom o' life than you, specially in matters
+o' th' 'eart, Guv. Now me, 'avin' 'elped you into th' matrimonial ring,
+as you might say, 'ave took your 'appiness under my wing, an', Guv, I
+don't like the way you're shapin'--"
+
+"But you see--"
+
+"'Old 'ard, Guv, let a pore old cove get a word in for a change. Now
+there's you an' 'er, your fair young spouse, both up to each other's
+weight, sound in wind an' limb an' meant for j'y--what I want is
+t' see you come to a clinch! This ain't no time for sparrin' an'
+out-fightin'--yet 'ere you are a-feintin' at each other from opposite
+corners--"
+
+"But--"
+
+"'Arf a mo', Guv, 'arf a mo'--gimme a chance for a occasional word! An'
+don't frown, Guv, don't frown at a pore old cove; y' see, there's jest
+three blokes in this 'ard world as my old 'eart warms to, an' one on 'em
+'s Joe, an' t' other un 's you, an' t' other un 's 'er--which ain't a
+bloke. Lord, Guv, what a soft armful o' beauty! 'Ow warm an' cuddlesome!
+Oh, Guv, what a waist! What lips! What--"
+
+"Old Un, for heaven's sake, shut up! D' you think I'm blind? D' you
+think--"
+
+"Guv, I dunno wot t' think! 'Ere 's you with your 'ead in your 'ands,
+an' there's 'er sighin' an' sighin'--"
+
+"Sighing? Where? When? Why--"
+
+"Sighin' an' sighin', Guv, so soft an' pretty--I 'eard 'er! Also she
+wep'--I seen 'er."
+
+"Where?"
+
+"An' 'er tears, Guv, them pearly tears went t' my 'eart--an' nobody t'
+put a arm round that waist, nor kiss them sweet lips, nor soothe them
+tears away--
+
+"'Oh, alone she sat sighin' by a green willer tree,
+ With 'er 'and on 'er bosom, 'er 'ead on 'er knee,
+ Weepin' willer" willer, willer my garlan' shall be.'
+
+"So, Guv, I ax you, man to man, why, oh, why are ye neglectin' your fair
+young spouse? An', Guv, I only ax because your 'appiness an' 'ers is
+mine--s' 'elp me!"
+
+"How if it's the other way about, Old Un? Suppose she avoids me?"
+
+"Why lumme, Guv! 'T is a sure sign she needs persoot. Remember this:
+
+"'Im as would lovely woman woo
+ 'E lovely woman must persoo,
+ For if 'e don't, 't is plain as plain
+ That feller 'e will woo in vain.'
+
+"An', Guv, I've only took th' liberty o' sayin' this because my pore old
+bowels yearns to ye--both on ye. Persoot's the word, Guv, per-soot!"
+
+The Old Un nodded, rose, and creaked away, and Ravenslee, looking after
+him, scowled no longer, but rising, sauntered across the trim garden to
+where there was a lily pool and, leaning over the marble rim, stared
+down into the placid water.
+
+Now as the Old Un went his way, there met him a little girl, very neat
+and tidy, who sang to herself in a small happy voice and tapped along on
+a crutch; but beholding the Old Un, his dazzling shoes, his rakish hat,
+she stood silent all at once, glancing up wistfully into that fierce,
+battered old face.
+
+"Lumme--crutches!" he exclaimed.
+
+"No, please--only one, sir!" she answered, dropping him a little,
+old-fashioned curtsey.
+
+"Crikey!" said he, staring, "so young, so tender, an'--a game leg! A
+little angel wi' a broke wing--lumme!"
+
+So Age and Youth stared at each other and she, being a child, was quick
+to heed that the eyes so bright beneath their hoary brows were kindly
+eyes, and the smile upon the grim old mouth was very reassuring,
+wherefore she smiled also.
+
+"Only one crutch, sir," she repeated. "An' the doctor says as I won't
+want it much longer, sir." Here, dropping another curtsey, she held up
+for his acceptance a bunch of wild flowers.
+
+"What--f' me, little maid?" he enquired.
+
+"Yes, please, sir."
+
+"Why bless--bless your lovin' little 'eart!" quavered the old man, and
+stooped to touch her rosy cheek with a hand gnarled and scarred with
+much hard punching, yet a very gentle hand indeed. "God bless that
+little game leg, but pretty flowers 'ud be wasted on a old bloke like
+me. You take 'em to th' Guv, see--over there--that tall chap leanin'
+over th' pool. But first gimme a--a kiss instead, will ye, little lass?"
+
+"I'd like to, sir."
+
+And when the Old Un had kissed and been kissed right heartily, he
+pointed to Ravenslee's distant, lounging figure, winked, nodded, and
+squeaked away.
+
+Thus it was that Ravenslee, absorbed in thought, was presently roused by
+the quick light tapping of the little crutch and glanced up.
+
+"Oh!" she cried softly; the flowers fell and lay neglected as, clasping
+her hands, she stared up at him in radiant-eyed wonder.
+
+"Welcome, Highness!" said he and bowed.
+
+"Oh, it's the Prince--my dear Prince! Oh, Goody!" and she hastened
+toward him, then stopped all at once, puzzled and abashed because of his
+elegant attire. Perceiving which he reached out and drew her down by him
+on the marble seat beside the pool.
+
+"Why this sudden change of demeanour, Princess?" he enquired. "What's
+the matter?"
+
+"You're--you're so different, sir--so different an' grand in all them
+cute clo'es, sir."
+
+"Am I, dear? But I'm just the same inside, you know. And, for heaven's
+sake, Princess, do not call me 'sir.'"
+
+"But the big gentleman that belongs here an' has all these lovely
+flowers an' everything--he says as I must always say 'sir.'"
+
+"Big gentleman?"
+
+"Yes, the big, soft gentleman with the cute little curls on his cheeks."
+
+"Oh--him!" said Ravenslee, laughing suddenly. "Indeed a very just
+description, Princess. But you don't have to worry about him any more;
+he's gone."
+
+"Gone? For good?"
+
+"For very good indeed!"
+
+"Doesn't all this beautiful, beautiful place belong t' him any more?"
+
+"Never any more."
+
+"Have you come here 'stead of him? Come t' stay?"
+
+"Yes."
+
+"An' can I pick a rose t' kiss sometimes?"
+
+"As many as you like."
+
+"Oh!" sighed the child rapturously, nestling within his arm, "isn't that
+just--fine! I guess this sure is the Beautiful City of Perhaps, after
+all!"
+
+"I wonder?"
+
+"Oh, but I'm sure it is--now th' gentleman's gone I just know it is!"
+
+"What makes you so sure?"
+
+"Everything! 'Cause you see, Prince, my daddy don't have t' be away all
+day any more. An' mumsey don't have t' sew late, nights, any more. An'
+when we came into the cute little house where we live--there was the
+doll that says 'mamma' jest waitin' f' me. An' there was a big box o'
+candies, an' a doll carriage with real rubber on th' wheels--jest like
+we used to talk about. So you see this must be Perhaps at last, an' I'm
+so--so happy--only--" Hazel sighed.
+
+"Only what?"
+
+"I do wish Hermy could find her way here too; she used t' be so tired
+sometimes."
+
+"You mean that you would like to find Princess Nobody, I guess."
+
+"Oh, but I can't! I used to look an' look for her every day 'til th'
+gentleman said she wasn't here, an' told me never t' come near th' big
+house any more."
+
+"But he's gone, and you never had me to help you."
+
+"Oh, will you--will you help me right now?" she pleaded.
+
+"Surest thing you know!" he nodded, "your hand, Princess."
+
+So hand in hand he led her, suiting his long legs to hers, along shady
+walks, up terrace steps, across smooth lawns, and so to the great house.
+Hazel paused to question him further concerning "the gentleman", but
+Ravenslee laughed and, seating her upon his shoulder, bore her into the
+house.
+
+In her housekeeper's room, surrounded by many dusty bill files and
+stacks of account books, they presently found Mrs. Trapes, whose
+hawk's-eye viewed bills and tradesmen's books while she frowned and
+muttered such comments as "Rogues!" "Thieves!" "Scand'lous!" "Wicked!"
+Until glancing up, her sharp features softened, and she smiled up into
+the child's happy face.
+
+"So Hazel's found ye, has she, Mr. Geoffrey. An' talkin' o' her, you've
+sure made the Bowkers a happy fam'ly. But, my land, Mr. Ravenslee, the
+scand'lous prices as th' tradespeople has been allowed t' charge you
+these last six months! Here's th' butcher--listen t' this--"
+
+"Heaven forbid, Mrs. Trapes! Rather let that butcher listen to you,
+miserable wretch!"
+
+"An' there's the milkman--that milkman's cows ought t' blush at th'
+sound o' your name! Here's his accounts for the last six months, an' I've
+found--"
+
+"Have you, Mrs. Trapes? We're trying to find Hermione--where is she?"
+
+"Oh, she's in her room--laying down, I guess."
+
+"Not," enquired Ravenslee, "not--er--in bed, is she?"
+
+"Mr. Geoffrey, I don't know; I'm busy. Go an' see for yourself--she's
+your wife, ain't she?"
+
+"Why, since you ask, I--er--hardly know," he answered a little ruefully,
+"anyway, found she shall be."
+
+With the child perched upon his shoulder he strode up-stairs and along
+wide corridors whose deep carpets gave forth no sound, and so reached a
+certain door. Here he hesitated a moment, then knocked with imperious
+hand.
+
+"Come in!" called that voice whose soft inflection had always thrilled
+him, but never as it did now as, turning the handle, he entered his
+wife's chamber.
+
+Hermione was standing before a long mirror, and she neither turned nor
+looked from the radiant vision it reflected; her eyes, her attention,
+all the feminine soul of her being just then fixed and centered upon the
+tea gown she was trying on; such a garment as she had gloated over in
+the store windows, yearned for, but never thought to possess.
+
+"Ann," she sighed, "oh, Ann, isn't it exquisite! Isn't it a perfect
+dream! Of course it needs a wee bit of alteration here and there, but
+I can do that. Isn't it good of him to have bought it without saying a
+word! And there are heaps of dresses and robes and--and everything! A
+complete trousseau, Ann, dear--think of it! I wonder how he knew my
+size--"
+
+"Oh, I just guessed it, my dear," answered Ravenslee in the voice of a
+much experienced husband.
+
+Hermione gasped, and turning, stared at him wide-eyed, seeing only him,
+conscious only of him. Lifting Hazel to the floor, he seated himself
+upon her bed and, crossing his legs, eyed her flushed loveliness with a
+matter-of-fact air. "Really," he continued, "I don't see that it needs
+any alteration; perhaps the sleeves might be a trifle shorter--show a
+little more arm. But those flounces and things are perfect! I hope all
+the other things fit as well?"
+
+Hermione flushed deeper still and caught her breath.
+
+"Oh, Hermy," said a soft, pleading little voice, "won't you see me,
+please?"
+
+Hermione started, her long lashes drooped suddenly, and then--then,
+forgetful of costly lace, of dainty ruffles and ribbons, she was on her
+knees and had the child close in her arms. And beholding the clasp of
+those round, white arms, the lovely, down-bent head, and all the tender,
+craving, inborn motherhood of her, Ravenslee held his breath, and into
+his eyes came a light of reverent adoration.
+
+Presently he rose and left them together, but as he went, the light was
+in his eyes still.
+
+
+
+
+CHAPTER XL
+
+CONCERNING A HANDFUL OF PEBBLES
+
+
+"And so," said Hermione, as she waved good-by to Hazel, who stood in the
+cottage doorway with Mrs. Bowker--a Mrs. Bowker no longer faded, "you
+didn't forget even the doll that says 'Mamma'?"
+
+"It was such a little thing!" he answered.
+
+"What a--man you are!" she said softly.
+
+"Just that, Hermione," he answered, "and--frightfully human!" She was
+silent. "Do you know what I mean?" he demanded, glancing at her averted
+face.
+
+"Yes!" she answered, without looking around. So they walked for awhile
+in silence. Suddenly he seized her hand and drew it through his arm.
+
+"Hermione," he said gently, "I want my wife."
+
+She still kept her head averted, but he could feel how she was
+trembling.
+
+"And you think--" she began softly.
+
+"That I have been patient long enough. I have waited and hoped
+because--"
+
+"Because you are so generous, so kind--such a man!" she said softly and
+with head still averted.
+
+"And yet since I have been well again, you have kept me at arm's length.
+Dear, you--love me still, don't you?"
+
+"Love you?" she repeated, "love you?" For a moment she turned and looked
+up at him then drew her arm from his and walked on with head averted
+once more. So they entered the rose garden and coming to the lily pool
+leaned there side by side.
+
+"Hermione," said he, staring down into the water, "if you really love
+me, why do you hate to kiss me? Why do you hardly suffer me to touch
+you? And you've never even called me by my name, that I remember!"
+
+"Geoffrey!" she breathed; "and I--love you to touch me! And I don't hate
+to kiss you, Geoffrey dear."
+
+"Then why do you keep me at arm's length?"
+
+"Do I?" she questioned softly, gazing down at the lily pads.
+
+"You know you do. Why?"
+
+"Well--because."
+
+"Because what?"
+
+"Oh, well, just--because."
+
+"Hermione--tell me."
+
+"Well, everything is so strange--so unreal! This great house, the
+servants, all the beautiful clothes you bought me! To have so very much
+of everything after having to do with so very little--it's all so
+wonderful and--dreadful!"
+
+"Dreadful?"
+
+"You are so--dreadfully rich!"
+
+"Is that the reason you keep me at such a distance? Is that why you
+avoid me?"
+
+"Avoid you?"
+
+"Yes, dear. You've done it very sweetly and delicately, but you have
+avoided me lately. Why?"
+
+Hermione didn't answer.
+
+"And you haven't touched any of the monthly allowance I make you," he
+went on, frowning a little, "not one cent. Why, Hermione?"
+
+Hermione was silent.
+
+"Tell me!"
+
+Still she was silent, only she bent lower above the pool and drew
+further from him, whereat his pale cheek flushed, and his frown grew
+blacker.
+
+And presently, as he scowled down into the water, she stole a look at
+him, and when she spoke, though the words were light, the quiver in her
+voice belied them.
+
+"Invalid, dear, if you want to be angry with me, wait--till you're a
+little stronger."
+
+Ravenslee stooped and picked up a handful of small pebbles that chanced
+to lie loose.
+
+"Wife, dear," said he, "I'm as well and strong as ever I was. But I've
+asked you several questions which I mean you to answer, so I am going to
+give you until I have pitched all these pebbles into the water, and
+then--" Hermione glanced up swiftly.
+
+"Then?" she questioned.
+
+"Why then, if you haven't answered, I shall--take matters into my own
+hands. One!" and a pebble splashed into the pool.
+
+"What do you want to know?"
+
+"Two! Why haven't you condescended to take your allowance?"
+
+"Dear, I--I didn't need it, and even if I had, I--oh, I couldn't take
+it--yet!"
+
+"Three! Why not?"
+
+"Because you have given me so much already, and I--have given
+you--nothing."
+
+"Four! Why--haven't you?"
+
+"Oh--well--because!"
+
+"Five! What does 'because' mean, this time?"
+
+"It means--just--because!"
+
+"Six! Seven! Eight! Why have you avoided me lately?"
+
+Hermione was silent, watching him with troubled eyes while he slowly
+pitched the pebbles into the pool, counting as they fell.
+
+"Nine! Ten! Eleven! Twelve! Why do you keep me at arm's length?"
+
+"I don't--I--I--you won't let me--" she said a little breathlessly,
+while one by one he let the pebbles fall into the pool, counting
+inexorably as they fell.
+
+"Thirteen! Fourteen, fifteen--and that's the last!" As he spoke he
+turned toward her, and she, reading something of his purpose in his
+eyes, turned to flee, felt his long arms about her, felt herself swung
+up and up and so lay crushed and submissive in his fierce embrace as he
+turned and began to bear her across the garden. Then, being helpless,
+she began to plead with him.
+
+"Ah, don't, don't--dear! Geoffrey! Put me down! Where are you taking me?
+If any one sees us--"
+
+"Let them!" he muttered grimly; "you're my wife!"
+
+So he bore her across the garden into the arbour and laying her upon the
+divan, sank beside it on his knees, panting a little.
+
+"A little weak--still!" said he, "but not so bad--you're no scraggy
+sylph, thank heaven! Hermione--look at me!" But she turned and hid her
+face against him, for his clasp was close about her still. So he stooped
+and kissed her hair, her glowing cheek, her soft white neck, and, in
+that instant--wonder of wonders--her arms were around him, strong,
+passionate arms that clung and drew him close--then strove wildly to
+hold him away.
+
+"Loose me!" she cried, "let me go! Geoffrey--husband, be generous and
+let me go!" But he lifted her head, back and back across his arm until
+beneath her long lashes her eyes looked into his.
+
+"Hermione, when will you--be my wife?"
+
+Against him he could feel the sweet hurry of her breathing, and stooping
+he spoke again, lip to lip:
+
+"Hermione, when will you be my wife?"
+
+But, even while he kissed her, between those quivering, parted lips came
+a murmur of passionate prayer and pleading.
+
+"Oh, my love, wait--wait! Let me tell you--ah, loose me and let me tell
+you."
+
+Slowly his hold relaxed, and, twisting in his arms, she slipped upon her
+knees beside him, and, crouching close, hid her face against him.
+
+"Beloved," she whispered quickly, breathlessly, "oh, dear man that I
+love so--there is something between us, a shadow of shame and horror
+that is with me day and night and always must be. While you lay sick it
+was there, torturing me with every moan and sigh you uttered. It is
+with me wherever I go--it is between us now--yes, now--even while I
+strain you in my arms like this. I have watched you grow strong and well
+again, I've seen the love in your eyes, and I've yearned to be to
+you--all you would have me, but because of this shadow I--dare not. Ah,
+God, how can I be wife to you when--let this answer for me." And she
+placed in Ravenslee's hand a coat button whereto a piece of cloth
+adhered. "Dear love, I saw you throw it away," she explained, "and I
+searched and searched until I found it."
+
+"Why?"
+
+"Because I knew you would soon ask me--this question, and I have kept it
+for my answer. Ah, God! how can I be wife to you when my brother would
+have killed you--murdered you!"
+
+Ravenslee hurled the button far away, then lifting Hermione's bowed
+head, spoke very tenderly.
+
+"How does all this affect our love, Hermione, except to show me you are
+even sweeter and nobler than I had thought. And as for the shadow, it
+is--only a shadow after all."
+
+"But it is my shame!" she answered. "You might have had for wife the
+sister of a thief, but not--oh, God! not the sister of a would-be
+murderer. If--if I came to you now, I should come in shame--Ah,
+Geoffrey, don't--shame me!"
+
+"God forbid!" he muttered.
+
+Close, close she clasped him, hiding her face against him, kissing and
+kissing the rough cloth of his coat.
+
+"Oh, Geoffrey," she murmured, "how we do love each other!"
+
+"So much, Hermione, that I will never--claim you until you are ready to
+come to me of your own will. But, dear, I am only a man--how long must I
+wait?"
+
+"Give me time," she pleaded, "with time the horror may grow less. Let me
+go away for awhile--a little while. Let me find Arthur--"
+
+"No," he answered, frowning, "you shan't do that; there will be no
+need--to-morrow I go to fetch him."
+
+"To bring him--here?"
+
+"Why, of course. You see, I intend him to go to college."
+
+Hermione rose and coming to the entrance of the arbour leaned there.
+
+"Why, Hermione--dear love--you're crying! What is it?"
+
+"Nothing," she answered, bowing her face upon her arm, "only--I
+think--if you ask me again--I can't--keep you--waiting--very long!"
+
+
+
+
+CHAPTER XLI
+
+OF A PACKET OF LETTERS
+
+
+M'Ginnis jerked aside the roll-top desk and falling on his knees before
+a small but massive safe built into the wall behind, set the combination
+and swung open the heavy door, talking to his companion as he did so and
+quite unconscious of the pale face that watched him through the dingy
+window.
+
+"That dam' Soapy's gettin' ugly," he was saying, "an' it don't do t'
+get ugly with me, Heine, boy! Soapy thinks he's smart Alec all right,
+but I guess I'm some smarter. Why, I got evidence enough in here t'
+'lectrocute a dozen Soapys."
+
+"So?" said Heine, chewing on his cigar and peering into the safe. "Say,
+what's all them tied up in sassy blue ribbon, Bud?"
+
+"These?" said M'Ginnis, and he took out a bundle of letters, turning
+them over in his big hands.
+
+"Skirt--hey, Bud?"
+
+"Sure thing!" he nodded, and as he stared down at this packet, how
+should he know how tense and rigid had become the lounging form in the
+darkness beyond the window, or guess of the wide glare of watchful eyes
+or of the sudden quiver of a smouldering cigarette?
+
+"Yes, a girl's letters, Heine! An' a hell of a lot of 'em. I dunno why I
+keep 'em, but--oh, hell!" So saying he tossed the letters back again and
+turned to his companion. "Hand over that dope!" he commanded, and Heine
+passed over a bundle of papers which M'Ginnis carefully slipped into a
+certain compartment. As he did so, Heine spun around upon his heel.
+
+"Gee whiz!" he exclaimed, "you shook me that time, Soapy! Where've you
+blown in from--"
+
+"An' what th' hell are you nosin' around here for, anyway?" snarled
+M'Ginnis, shutting the heavy safe with a fierce slam; "since you've
+come in you can get out again--right now!"
+
+Soapy seated himself upon a corner of the desk and placidly breathed out
+two spirals of cigarette smoke.
+
+"Heard about Hermy bein' married, Bud?" he enquired.
+
+"Married? You're a liar! Hermy married? It's not so!"
+
+"'S right!" nodded Soapy. "She's married th' millionaire guy as got
+shot--you know--got shot in that wood--you'll remember, Bud!"
+
+M'Ginnis sank into a chair and fell to biting his nails, staring blindly
+before him.
+
+"Is--this--straight goods?" he enquired thickly, without altering his
+gaze.
+
+"Sure! Y' see, she nursed him through his sickness, Bud--kind of did the
+piller-smoothin' an' brow-strokin' act. Oh, I guess she comforted him
+quite some."
+
+M'Ginnis stared before him, worrying his nails with sharp white teeth.
+
+"Ravenslee's a well man again, I hear, an' they're honeymoonin' at his
+place on the Hudson--devotion ain't the word, Bud! 'S funny," said
+Soapy, "but th' bullet as downed this guy drove Hermy into his arms.
+'S funny, ain't it, Bud?"
+
+With a hoarse, inarticulate cry that was scarcely human, M'Ginnis sprang
+from his chair, his quivering fists up-flung. For a moment he stood
+thus, striving vainly for utterance, then wrenched loose his
+neckerchief, while Soapy methodically lighted a new cigarette from the
+butt of its predecessor.
+
+"Easy, Bud, easy!" he remonstrated gently, when M'Ginnis's torrent of
+frenzied threats and curses had died down somewhat. "If you go on that
+way, you'll go off--in a fit or something an' I shouldn't like t' see
+ye die--that way!"
+
+"Up the river, is he?" panted M'Ginnis.
+
+"'S right, Bud, up the river in his big house--with her. I--"
+
+"Is he, by--"
+
+"A dandy place f' honeymoonin', Bud!"
+
+"Loan me your gun, Soapy. I'll get him, by God! if I have t' shoot him
+in her arms--loan me y'r gun!"
+
+"I guess not, Bud, no, I guess not. I'd feel kind o' lonesome without
+th' feel of it. Ask Heine; he'll loan you his; it's gettin' t' be quite
+a habit with him, ain't it, Heine?"
+
+M'Ginnis sat awhile glaring down at his clutching right hand, then he
+rose, opened his desk, and took thence a heavy revolver, and slipped it
+inside his coat.
+
+"You're comin' with me, Heine," said he, "I'll want you."
+
+"Sure thing, Bud," nodded Heine, chewing his cigar. "But what about
+lettin' Soapy tag along too."
+
+"Soapy," said M'Ginnis, striding to the door, "Soapy can go t' hell
+right now."
+
+"Why then, Bud," drawled Soapy, "I'll sure meet you--later. S'long."
+
+Left alone, Soapy's languor gave place to swift action. In two strides,
+it seemed, he was in the saloon, had beckoned the quick-eyed bartender
+aside and put the question: "Where's the Kid, Jake?"
+
+The bartender lifted an eyebrow and jerked a thumb upward.
+
+"Shut-eye," he nodded, and turned back to his multifarious duties.
+
+Up a narrow stair sped Soapy and, opening one of the numerous doors,
+crossed to a truckle bed wherefrom a tousled head upreared itself.
+
+"Who th'--"
+
+"Say, Kid, are ye drunk or only asleep?"
+
+"What yer want, Soapy? You lemme be--what yer want?" began Spike
+drowsily.
+
+"Nothin' much, Kid, only Bud an' Heine's gone t' shoot up y'r sister's
+husband."
+
+"Husband!" cried Spike, drowsy no longer. "Husband--say, d' ye mean
+Geoff?"
+
+"That's who, Kid. You was crackin' on t' me about wantin' t' make good;
+well, here's y'r chance. Bud aims t' get there 'bout midnight--up th'
+river, you know--so you got two hours. You'll have t' go some t' get in
+first, but I guess you can do it."
+
+"I will if it kills me!" cried Spike, springing toward the door.
+
+"Hold on, Kid, you'll need some mazuma, maybe. Here's a ten-spot. It'll
+be more useful t' you than me after t'night, I reckon. So get your
+hooks on to it, an' now--beat it!"
+
+Without more words Spike snatched the money, crammed it into his pocket
+and, running down the stairs, was gone.
+
+Then, after having lighted another cigarette, Soapy descended to
+M'Ginnis's dingy office, where having dragged away the desk, he brought
+a chair and sat with his ear against the safe, turning the combination
+lock with long, delicate fingers. To and fro he turned it, very
+patiently hearkening to the soft clicks the mechanism gave forth while
+the cigarette smouldered between his pallid lips. Soapy, among other
+accomplishments, was a yeggman renowned in the profession, and very soon
+the heavy door swung softly back, and Soapy became lost in study. Money
+there was and valuables of many kinds, and these he didn't trouble with,
+but to the papers he gave a scrupulous attention; sometimes as he read
+his white eyelids fluttered somewhat, and sometimes the dangling
+cigarette quivered. Presently he arose and bore these many papers to the
+sheet iron upon which stood the rusty stove; here he piled them and set
+them alight and stood watching until they were reduced to a heap of
+charred ash. Then, returning to the safe, he took out a bundle of
+letters tied up in a faded blue ribbon, and seating himself at
+M'Ginnis's desk, he slipped off the ribbon and very methodically began
+to read these letters one after the other.
+
+But as he read the humble entreaties, the passionate pleading of those
+written words, blotted and smeared with the bitter tears of a woman's
+poignant shame and anguish, Soapy's pendent cigarette fell to the floor
+and lay there smouldering and forgotten, and his lips were drawn back
+from sharp, white teeth--pallid lips contorted in a grin the more awful
+because of the great drops that welled from the fierce, half-closed
+eyes. Every letter he read and every word, then very methodically set
+them back within the faded blue ribbon and sat staring down at them with
+eyes wider open than usual--eyes that saw back into the past. And as he
+sat thus, staring at what had been, he repeated a sentence to himself
+over and over again at regular intervals, speaking with a soft
+inflection none had ever heard from him before:
+
+"Poor little Maggie--poor little kid!"
+
+
+
+
+CHAPTER XLII
+
+TELLS HOW RAVENSLEE BROKE HIS WORD AND WHY
+
+
+"Past eleven o'clock, dear," said Hermione.
+
+"Still so early?" sighed Ravenslee.
+
+They were sitting alone in the fire glow, so near that by moving his
+hand he could touch her where she sat curled up in the great armchair;
+but he did not reach out his hand because they were alone and in the
+fire glow, and Hermione had never seemed quite so alluring.
+
+"How cosy a fire is--and how unnecessary!" she sighed contentedly.
+
+"I'm English enough to love a fire, especially when it is unnecessary,"
+he answered.
+
+"English, dear?"
+
+"My mother was English; that's why I was educated in England."
+
+"Your mother! How she must have loved you!"
+
+"I suppose she did; but, you see, she died when I was a baby."
+
+"Poor lonely mite!" Here her hand came out impulsively to caress his
+coat sleeve and to be prisoned there by two other hands, to be lifted
+and pressed to burning lips, whereat she grew all rosy in the fire glow.
+
+"I suppose," said he, the words coming a little unevenly, "it would be
+too much to ask my wife to--come a little--nearer?"
+
+"Nearer? Why, Geoffrey, dear, our chairs are touching now."
+
+"Our chairs? Why, yes--so they are! I suppose," sighed he, "I suppose it
+would be breaking my word to my wife if I happened to--kiss my wife?"
+
+"Why, Geoffrey--of course it would!"
+
+"Yes, I feared so!" he nodded and kissed her hand instead, and there
+fell a silence.
+
+"How heavenly it is!" she whispered softly, leaning a little nearer to
+him.
+
+"Heavenly!" he answered, leaning a little nearer to her and watching the
+droop of her lashes.
+
+"So--so quiet and--peaceful!" she added, drawing away again, conscious
+of his look.
+
+"Horribly!" he sighed.
+
+"Geoffrey!"
+
+"Quiet and peace," he explained, "may hold such an infinitude of
+possibilities impossible of realisation to a husband who is bound by
+promises, that it is apt to be a little--trying."
+
+Hermione didn't speak but drew his hand to be caressed by the soft oval
+of a cheek and touched by the velvet of shy lips.
+
+"And yet," he went on, staring resolutely at the fire, "I wouldn't
+change--this, for anything else the world could offer me!"
+
+"Bear with me--a little longer, dear!" she murmured.
+
+"As long as you will, Hermione--providing--"
+
+"Well, my Geoffrey, dear?"
+
+"That it is only--a little longer."
+
+"You don't think I'm very--silly, do you, dear?" she enquired, staring
+into the fire.
+
+"No, not very!"
+
+"Oh!" she said softly, glancing at him reproachfully. "You don't think
+me--cruel?"
+
+"Not very," he answered, kissing her hand again.
+
+"Dear Geoffrey, you don't think I'm very selfish, do you?" she
+questioned wistfully.
+
+"No--never that!" he answered, keeping his gaze averted.
+
+"Because if--"
+
+"If?" said he.
+
+"If it is hard for you--" the soft voice faltered.
+
+"Yes, Hermione?"
+
+"If you really think I'm--cruel and--silly, you--needn't wait--any
+longer--if you wish--"
+
+His arms were about her, drawing her near, clasping her ever closer,
+and she held him away no more, but--beholding her wistful eyes, the
+plaintive droop of her vivid mouth, and all the voiceless pleading of
+her, he loosed her and turned away.
+
+"I love you so much--Hermione, so much, that your will shall be my
+will."
+
+She rose, and leaning against the carved mantel stared down into the
+fire; when at last she spoke, there was a note in her voice he had never
+heard before,
+
+"Geoffrey, dear, this world is a very bad world for a lonely girl, and
+sometimes a very hateful world, and I have been lonely nearly all my
+life--and I didn't think there were such men as you; I didn't think any
+man could love so unselfishly. All my life I shall--treasure the
+recollection of this hour--yes, always! always!"
+
+Then she turned and, ere he knew, was on her knees before him, had
+twined soft arms about his neck, and was looking up at him through
+shining tears.
+
+"Yes, I'm--crying a little! I don't do it often, dear--tears don't
+easily come with me. But now I'm crying because--oh, because I'm so
+proud--so proud to have won such a wonderful love. Good night--good
+night! Oh, break your word for once--kiss me, my husband!"
+
+So while she knelt to him thus, he kissed her until she sighed and
+stirred in his embrace. Then she rose and hand in hand they crossed the
+room and he opened the door; for a blissful moment they stood there
+silent in the shadows, but when he would have kissed her again she
+laughed at him through her tears and fled from him up the wide stairway.
+
+
+
+
+CHAPTER XLIII
+
+HOW SPIKE GOT EVEN
+
+
+A clock in the hall without struck midnight, but Ravenslee sat on long
+after the silvery chime had died away, his chin sunk on broad chest, his
+eyes staring blindly at the fading embers, lost in profound but joyful
+meditation; once he turned to look where she had stood beside the
+mantel, and once he reached out to touch the thrice-blessed chair that
+had held her.
+
+The curtains stirred and rustled at the open window behind him, but he
+sat looking into the flickering fire, seeing there pictures of the
+future, and the future was full of a happiness beyond words, for in
+every picture Hermione moved.
+
+All at once he started and glanced swiftly around, his lounging attitude
+changing to one of watchful alertness, for he had heard a sound that
+drew rapidly nearer--the hiss and pant of breath drawn in quick gasps.
+Silently he arose and turned to see the curtains swing apart and a
+shapeless something stagger forward and fall heavily. Then he reached
+out to the switch beside the hearth, and the room was flooded with
+brilliant light; the figure kneeling just inside the swaying curtains
+uttered a strangled cry and threw up a hand before his face, a hand dark
+with spattering blood.
+
+"Oh, Geoff--oh, Geoff!" panted Spike, "I ain't--come thievin' this
+time--honest t' God, I ain't!"
+
+"Why, you're hurt--what's the matter?"
+
+"They see me down th' road as I came an' shot me, but this ain't
+nothin'. Out th' lights, Geoff--out 'em--quick!"
+
+But Ravenslee had crossed the room, had seized the lad's arm, and was
+examining the ugly graze that bled so freely.
+
+"That ain't nothin'--douse th' lights, Geoff--out 'em quick. Bud's
+coming here close behind--Bud an' Heine--they mean t' plug you--oh, put
+out th' lights--"
+
+Instinctively Ravenslee turned, but even as he did so Spike uttered a
+hoarse cry.
+
+"No, ye don't, Bud--not this time, by God!" and sprang upon the form
+that towered between the curtains; came the sound of fierce scuffling, a
+deafening report, and running forward, Ravenslee caught Spike as he
+staggered back; heard a rush and trample of feet along the terrace, the
+sound of blows and fierce curses behind the swaying curtains, heard the
+Spider's fierce shout and Joe's deep roar, two more shots in rapid
+succession, and the swift patter of feet in flight and pursuit.
+
+"How is it, Spike? Are you hurt, old chap?"
+
+But Spike just then was beyond words, so Ravenslee bore the swooning boy
+to a settee, and laying him there, began to search hastily for the
+wound.
+
+But now the door was flung wide and Hermione was beside him.
+
+"Geoffrey--oh, my love! Have they hurt you?"
+
+"No, dear--thanks to Spike, here!"
+
+"Arthur! Oh, thank God--did he--?"
+
+"Took the bullet meant for me, Hermione. I owe your brother my life!"
+
+She was down on her knees and very soon her skilful fingers had laid
+bare the ugly wound in the lad's white arm. But now came Mrs. Trapes,
+looking taller and bonier than ever in a long, very woolly garment, and
+while she aided Hermione to bandage the wound, Ravenslee brought water
+and brandy, and very soon Spike sighed and opened his eyes.
+
+"Hello, Hermy!" he said faintly. "Don't worry, I'm all O. K. Bud shot
+me an' I'm glad, because now I can ask you t' forgive me. Y' see, he'd
+have got old Geoff sure if it hadn't been for me, so you--you will
+forgive me, won't you?"
+
+For answer Hermione bent and kissed his pallid cheek.
+
+"I'll go and 'phone for the doctor," said Ravenslee.
+
+"Which," said Mrs. Trapes, "I done ten minutes ago, Mr. Geoffrey.
+Doctor'll be right along."
+
+Ravenslee turned to Spike.
+
+"How are you now, old fellow?"
+
+"Only a bit sick, like. But say, Geoff--I know I played it low down on
+you, but--will you--shake an' try t' forget?"
+
+Ravenslee took and held the boy's outstretched hand.
+
+"I think we're going to be better friends than ever, Spike!"
+
+"Good!" said Spike, smiling wearily, "but say, Geoff--dear old Geoff--if
+I got t' die I don't mind--because I guess this makes us quits at
+last--don't it, Geoff?"
+
+
+
+
+CHAPTER XLIV
+
+RETRIBUTION
+
+
+Half-stunned by a blow from Joe's mighty fist, M'Ginnis saw Heine
+felled by Spider, who, having promptly and scientifically kicked him
+unconscious, snatched the revolver from his lax fingers and turned to
+pursue. As he came M'Ginnis fired rapidly but, dazed by the blow, his
+aim was wild, so he turned and ran, with the Spider in hot pursuit. The
+moon was down, and it was very dark, and soon M'Ginnis found himself in
+the denser gloom of trees. On he ran, twisting and doubling, on and on,
+until spent and breathless, he paused to hearken. Far away, voices
+shouted to each other, voices that gradually grew more distant; so,
+finally having caught his breath, M'Ginnis went on again. But the wood
+was full of noises--strange rustling and sudden, soft night sounds--and
+at every sound the fugitive paused to listen, finger on trigger. And
+ever as he went the wild blood throbbed and pulsed within his brain,
+sounding now like the pad-pad of pursuing feet that would not be shaken
+off, and again like a voice that mumbled and muttered querulous words in
+the air about him, and at such times he glanced around upon the dark,
+but the words would not be stilled:
+
+"She's married--married--married! You drove her into his arms--you
+did--you did--you did! And he's alive still and with her,
+alive--alive--alive!"
+
+And sometimes as he stumbled along through that place of gloom, he
+cursed bitterly beneath his breath, and sometimes he ground sweating
+jaws since needs must he hearken to that taunting devil-voice:
+
+"Alive and with his wife beside him--alive! And yours the
+fault--yours--yours! Your shot at Spike so near the house lost you the
+game--lost--lost! Your shot at Spike was a call for help--saved the life
+of the man you came to kill! Your shot at Spike lost you the
+game--lost--lost!"
+
+So, followed by the pad-pad of running feet, haunted by the querulous
+demon-voice, M'Ginnis stumbled out upon the road--a lonely road at most
+times but quite desolate at this hour. The fugitive hastened along,
+dogged by sounds that none but he might hear, yet to him these sounds
+were dreadfully real, so real that once, goaded to a paroxysm of blind
+fury, he whirled about and fired wildly--a shot that seemed to split
+asunder the deep night silence, filling it with a thousand echoes. Once
+more he turned and ran, ran until his breath laboured painfully and the
+sweat ran from him, but ever the sounds were close about him.
+
+At last he beheld lights that moved, and reaching a way-side halt,
+clambered aboard a late trolley and crouched as far from the light as
+possible. But even so, his disordered dress, his pallor, and the wild
+glare of his eyes drew the idle glances of the few passengers.
+
+"Looks like you'd been through th' mill, bo!" said one, a great, rough
+fellow; but meeting M'Ginnis's answering glare, he quailed and shrank
+away.
+
+Dawn was at hand when at last he reached O'Rourke's saloon and, letting
+himself in, strode into the bar. The place was deserted at this hour,
+but from a room hard by came the sound of voices, hoarse laughter, and
+the rattle of chips that told a poker game was still in progress.
+
+Scowling, M'Ginnis stood awhile to listen. Then, lifting the flap of the
+bar, he passed through the narrow door beyond, along the passage and so
+to that dingy office, from the open door of which a light streamed.
+
+Scowling still, M'Ginnis strode in, then stood suddenly still, lifted
+his right hand toward his breast, then paused as Soapy, turning about in
+the swing chair, took a heavy, ivory-handled revolver from where it had
+lain on the desk beside a packet of letters tied up in a faded blue
+ribbon.
+
+"Lock th' door, Bud, lock th' door!" said he softly. "So!" he nodded,
+as M'Ginnis obeyed. "'N' say, Bud, take that hand away from y'r gun
+an'--keep it away--see?" And the lamplight glittered on the long barrel
+that rested on Soapy's knee.
+
+"So--this is th' game--hey?" demanded M'Ginnis hoarsely, his bloodshot
+eyes fixed on Soapy unwinkingly.
+
+"'S right, Bud. Y' see, I been takin' a peek int' that little tin safe
+o' yours--say, it looks like you'd had a bit of a rough house, Bud!"
+
+Soapy's cigarette quivered and was still again, while M'Ginnis watched
+him, breathing thickly but speaking no word, and Soapy went on again:
+
+"I been takin' a peek into that little tin safe o' yours, an' I found
+some papers you'd been kind o' treasurin' up about me, so I burnt 'em,
+Bud--not as they mattered very much, there ain't nobody t' worry when
+I snuff it--but I found as you'd got other papers about other guys as
+would matter some t' them, I guess--so I burnt 'em too, Bud."
+
+"Burnt 'em!" cried M'Ginnis in a strangled voice, "burnt 'em--you--"
+
+"It ain't no use t' get riled, Bud; I burnt 'em--there's th' ashes!"
+
+M'Ginnis glanced at the heap of ash by the stove and burst into a frenzy
+of curses and fierce invective, while Soapy, lounging back in the chair,
+watched him unmoved until he had done, then he spoke again:
+
+"Also I found--letters, Bud, a packet tied up in blue ribbon--an', Bud,
+they matter a whole lot. Here they are--look at 'em!"
+
+For a moment Soapy's baleful eye turned aside to the desk as he reached
+for the letters, and in that moment M'Ginnis's pistol spoke, and Soapy,
+lurching sideways, sagged to his knees, his back against the desk. Again
+and again M'Ginnis's weapon clicked, but no report followed, and Soapy
+slowly dragged himself to his feet. His cigarette fell and lay
+smouldering, and for a moment he stared at it; then he laughed softly
+and glanced at M'Ginnis.
+
+"You fool, Bud, you dog-gone fool! Forgot t' load up y'r gun, eh? But I
+guess you got me all right, anyway--you're shootin' better t'night than
+you did in the wood that time--eh, Bud? Now I want t' tell you--" He was
+choked suddenly with a ghastly coughing, and when he spoke again, his
+voice was fainter, and he held a smartly-bordered handkerchief to his
+mouth.
+
+"They say God made this world, Bud--if He did, I guess He was asleep
+when you was made, Bud--anyway, remembering little Maggie, you ain't got
+no right to breathe any longer--so that's for me--an' that's for her!"
+
+Lounging still, he fired twice from the hip and M'Ginnis, twisting upon
+his heels, fell and lay with his face at his slayer's feet. Then, spying
+the packet of letters that lay upon the grimy floor, Soapy stooped
+painfully and fired rapidly four times; when the smoke cleared, of those
+tear-blotted pages with their secret of a woman's anguish, there
+remained nothing but a charred piece of ribbon and a few smouldering
+fragments of paper. And now Soapy was seized with another fit of
+coughing, above which he heard hoarse shouts and hands that thundered
+at the door. Lazily he stood upon his feet, turned to glance from that
+scorched ribbon to the still form upon the floor and, lifting a lazy
+foot, ground his heel into that still face, then, crossing unsteadily to
+the door, unlocked it. Beyond was a crowd, very silent now, who drew
+back to give him way, but Soapy paused in the doorway and leaned there a
+moment.
+
+"What's doin'?" cried a voice.
+
+"Say, run f'r a doctor, somebody--quick--Soapy's hurt bad, I reckon--"
+
+"Hurt?" said Soapy, in soft, lazy tones. "'S right! But--say--fellers,
+there's a son of a dog in there--waitin' f'r a spade--t' bury him!" Then
+Soapy laughed, choked, and groping before him blindly, staggered
+forward, and pitching sideways, fell with his head beneath a table and
+died there.
+
+
+
+
+CHAPTER XLV
+
+OF THE OLD UN AND FATE
+
+
+Spike leaned back among his cushions and, glancing away across
+close-cropped lawns and shady walks, sighed luxuriously.
+
+"Say, Ann," he remarked. "Gee whiz, Trapesy, there sure ain't no flies
+on this place of old Geoff's!"
+
+"Flies," said Mrs. Trapes, glancing up from her household accounts, "you
+go into the kitchen an' look around."
+
+"I mean it's aces up."
+
+"Up where?" queried Mrs. Trapes.
+
+"Well, it's a regular Jim-dandy cracker-jack--some swell clump, eh?"
+
+"Arthur, that low, tough talk don't go with me," said Mrs. Trapes, and
+resumed her intricate calculations again.
+
+"Say, when'll Geoff an' Hermy be back?"
+
+"Well, considerin' she's gone to N' York t' buy more clo'es as she don't
+need, an' considerin' Mr. Ravenslee's gone with her, I don't know."
+
+"An' what you do know don't cut no ice. Anyway, I'm gettin' lonesome."
+
+"What, ain't I here?" demanded Mrs. Trapes sharply.
+
+"Sure. I can't lose you!"
+
+"Oh! Now I'll tell you what it is, my good b'y--"
+
+"Cheese it, Trapes, you make me tired, that's what."
+
+"If you sass me, I'll box your young ears--an' that's what!"
+
+"I don't think!" added Spike. "Nobody ain't goin' t' box me. I'm a sure
+enough invalid, and don't you forget it."
+
+"My land!" exclaimed Mrs. Trapes, "a bit of a hole in his arm, that's
+all."
+
+"Well, I wish you got it, 'stead o' me--it smarts like sixty!"
+
+"Shows it's healin'. Doctor said as it'll be well in a week."
+
+"Doctor!" sniffed Spike, "he don't know what I suffer. I may be dyin'
+for all he knows."
+
+"You are!" sighed Mrs. Trapes, with a gloomy nod.
+
+"Eh--what?" exclaimed Spike, sitting up.
+
+"So am I--we all are--by the minute. Every night we're a day's march
+nearer home! So now jest set right there an' go on dyin', my b'y!"
+
+"Say, now, cut it out," said Spike, wriggling. "That ain't no kind o'
+way t' cheer an invalid."
+
+"It's th' truth."
+
+"Well, it don't cheer me more, so let's have a lie for a change."
+
+Mrs. Trapes snorted and fell to adding and subtracting busily.
+
+"Say, Ann," said he after awhile, "if you got any more o' that punkin
+pie I could do some right now. I'm hungry."
+
+"It ain't eatin' time yet."
+
+"But--Gee! ain't I a invalid?"
+
+"Sure! Consequently you must be fed slow an' cautious."
+
+"Oh, fudge! What's th' good of a guy bein' a invalid if a guy can't feed
+when he wants to?"
+
+"What's a hundred an' ninety-one from twenty-three?" enquired Mrs.
+Trapes.
+
+"Skidoo!" murmured Spike sulkily. But after Mrs. Trapes had subtracted
+and added busily he spoke again.
+
+"You ain't such a bad old gink--sometimes," he conceded.
+
+"Gink?" said Mrs. Trapes, glaring.
+
+"I mean you can be a real daisy when you want to."
+
+"Can I?"
+
+"Sure! Sometimes you can be so kind an' nice I like you a whole lot!"
+
+"Is that so?"
+
+"You bet it is--honest Injun."
+
+"Arthur, if it's that pie you want--"
+
+"It ain't!"
+
+"Well, what is it?"
+
+"How d' ye know I want anything?"
+
+"Oh, I just guess, maybe."
+
+"Well, say--if you could cop me one o' Geoff's cigarettes--one o' them
+with gold letterin' onto 'em--"
+
+"You mean--thieve you one!"
+
+"Why, no, a cigarette ain't thievin'. Say, now, dear old Trapesy, I'm
+jest dyin' for a gasper!"
+
+"Well, you go on dyin', an' I'll set right here an' watch how you do
+it."
+
+"If I was t' die you'd be sorry for this, I reckon."
+
+"Anyway, I'd plant some flowers on you, my lad, an' keep your lonely
+grave nice--"
+
+"Huh!" sniffed Spike, "a lot o' good that 'ud do me when I was busy
+pushin' up th' daisies. It's what I want now that matters."
+
+"An' what you want now, Arthur, is a rod of iron--good 'n' heavy.
+Discipline's your cryin' need, an' you're sure goin' t' get it."
+
+"Oh? Where?"
+
+"At college! My land, think of you at Yale or Harvard or C'lumbia--"
+
+"Sure you can think; thinkin' can't cut no ice."
+
+"Anyway, you're goin' soon as you're fit; Mr. Geoffrey says so."
+
+"Oh, Geoff's batty--he's talkin' in his sleep. I ain't goin' t' no
+college--Geoff's got sappy in th' bean--"
+
+"Well, you tell him so."
+
+"Sure thing--you watch me!"
+
+"No, I'll get you somethin' t' eat--some milk an'--"
+
+"Say, what about that punkin pie?"
+
+"You sit right there an' wait."
+
+"Chin-Chin!" nodded Spike, and watched her into the house.
+
+No sooner was he alone than he was out of his chair and, descending the
+steps into the garden, sped gleefully away across lawns and along
+winding paths, following a haphazard course. But, as he wandered thus,
+he came to the stables and so to a large building beyond, where were
+many automobiles of various patterns and make; and here, very busy
+with brushes, sponge, and water, washing a certain car and making a
+prodigious splashing, was a figure there was no mistaking, and one whom
+Spike hailed in joyous surprise.
+
+"Well, well, if it ain't th' old Spider! Gee, but I'm glad t' see you!
+Say, old sport, I'm a invalid--pipe my bandages, will ye?"
+
+"Huh!" grunted the Spider, without glancing up from the wheel he was
+washing.
+
+"Say, old lad," continued Spike, "I guess they told you how I put it all
+over Bud, eh?"
+
+"Mph!" said the Spider, slopping the water about.
+
+"Heard how I saved old Geoff from gettin' snuffed out, didn't yer?"
+
+"Huh-umph!" growled the Spider.
+
+"That's sure some car, eh? Gee, but it's good t' see you again, anyway.
+How'd you come here, Spider?"
+
+"U-huh!" said the Spider.
+
+"Say," exclaimed Spike, "quit makin' them noises an' say somethin',
+can't yer? If you can't talk t' a pal, I'm goin'."
+
+"Right-o, Kid!" said the Spider; "only see as you don't go sheddin' no
+more buttons around."
+
+"B-buttons!" stammered Spike. "What yer mean? What buttons?"
+
+The Old Un, who happened to have been dozing in the limousine that stood
+in a shady corner, sat up suddenly and blinked.
+
+"Why, I mean," answered the Spider, wringing water from the sponge he
+held and speaking very deliberately, "I mean the button as you--left
+behind you--in th' wood!"
+
+Spike gasped and sat down weakly upon the running-board of a car, and
+the Old Un stole a furtive peep at him.
+
+"So you--know--?"
+
+"Sure I know--more 'n I want t' know about you, so--chase yourself out
+o' here--beat it!"
+
+Spike stared in mute amazement, then flushed painfully.
+
+"You mean--you an' me--ain't goin' t' be pals no longer?" he asked
+wistfully.
+
+"That's what!" nodded the Spider, without lifting his scowling gaze from
+the sponge. "Kid, I ain't no Gold-medal Sunday-school scholar nor I
+ain't never won no prizes at any Purity League conference, but there's
+some guys too rotten even f'r me!"
+
+"But I--I--saved his life, didn't I?"
+
+"That ain't nothin' t' blow about after what you did in that wood. Oh,
+wake up an' see just how dirty an' rotten you are!"
+
+Spike rose and stood, his hands tight-clenched, and though he tried to
+frown, he couldn't hide the pitiful twitching of his lips nor the quaver
+in his voice.
+
+"I guess you mean you're goin' t' give me th' throw-down?"
+
+"Well," answered the Spider, scowling at the sponge in his hand,
+"there's jest two or three things as I ain't got no use for, an' one
+of 'em's--murder!"
+
+Hereupon Spike shrank away, and the Old Un, reaching out stealthily,
+opened the door of the limousine while the Spider fell to work again,
+splashing more than ever. Thus as Spike crept away with head a-droop,
+the Old Un, all unnoticed, stole after him, his old eyes very bright and
+birdlike, and, as he followed, keeping in the shade of hedge and tree as
+much as possible, he whispered a word to himself over and over again:
+
+"Lorgorramighty!"
+
+But Spike went on with dragging feet, ignorant that any one followed,
+lost in a sudden sense of shame such as he had never known before--a
+shame that was an agony: for though his bodily eyes were blinded with
+bitter tears, the eyes of his mind were opened wide at last, and he saw
+himself foul and dirty, even as the Spider had said. So on stumbling
+feet Spike reached a shady, grassy corner remote from all chance of
+observation and, throwing himself down there, he lay with his face
+hidden, wetting the grass with the tears of his abasement.
+
+When at last he raised his head, he beheld a little old man leaning
+patiently against a tree near by and watching him with a pair of baleful
+eyes.
+
+"Hello!" said Spike wearily. "Who are you?"
+
+"I'm Fate, I am!" nodded the Old Un. "Persooin' Fate, that's me."
+
+"What yer here for, anyway?" enquired the lad, humble in his abasement.
+
+"I'm here to persoo!"
+
+"Say, now, what's your game; what yer want?"
+
+"I want you, me lad."
+
+"Well, say--beat it, please--I want t' be alone."
+
+"Not much, me lad. I'm Fate, I am, an' when Fate comes up agin murder,
+Fate ain't t' be shook off."
+
+"Murder!" gasped Spike. "Oh, my God! I--I ain't--"
+
+The lad sprang to his feet and was running on the instant, but turning
+to glance back, tripped over some obstacle and fell. Swaying he rose and
+stumbled on, but slower now by reason of the pain in his wounded arm.
+Thus, when at last he came out upon the road, the Old Un was still close
+behind him.
+
+
+
+
+CHAPTER XLVI
+
+IN WHICH GEOFFREY RAVENSLEE OBTAINS HIS OBJECT
+
+
+Mrs. Trapes glanced sadly around her cosy housekeeper's room and sighed
+regretfully; she was alone, and upon the table ready to hand lay her
+neat bonnet, her umbrella, and a pair of white cotton gloves, beholding
+which articles her lips set more resolutely, her bony arms folded
+themselves more tightly, and she nodded in grim determination.
+
+"The labourer is worthy of his hire!" she sighed, apparently addressing
+the bonnet, "but, if so be the labourer ain't worthy, why then, the
+sooner he quits--"
+
+A sound of quick, light feet upon the stair and a voice that laughed
+gaily, a laugh so full of happiness that even Mrs. Trapes's iron
+features relaxed, and her grim mouth curved in her rare smile. At that
+moment the door opened and Hermione appeared, a radiant Hermione who
+clasped Mrs. Trapes in her arms and tangled her up in her long motor
+veil and laughed again.
+
+"Oh, Ann, such a day!" she exclaimed, laying aside her long dust-coat.
+"New York is a paradise--when you're rich! No more bargain days and
+clawing matches over the remnant counter, Ann! Oh, it's wonderful to be
+able to buy anything I want--anything! Think of it, Ann, isn't it just
+a dream of joy? And I've shopped and shopped, and he was so dear and
+patient! I bought Arthur a complete outfit--"
+
+"Arthur!" said Mrs. Trapes, and groaned.
+
+"And you, Ann, you dear thing, I bought you--guess what? But you never
+could! I bought you a gold watch, the very best I could find, and he
+bought you a chain for it, a long one to go around your dear neck, set
+with diamonds and rubies, I mean the chain is--it's the cutest thing,
+Ann! You remember you used to dream of a gold chain set with real
+diamonds, some day? Well, 'some day's' to-day, Ann."
+
+"But--oh, Hermy, I--I--"
+
+"He wants to give it you himself, because he says you're the best friend
+he ever had and--oh, here he is! You did say so, didn't you, Geoffrey?"
+
+"And I surely mean it!" answered Ravenslee, tossing his driving
+gauntlets into a chair, "though you certainly threw cold water upon my
+peanut barrow, didn't you, Mrs. Trapes?"
+
+"Oh, Geoffrey, dear, do give her that precious package; I'm dying to see
+her open it!"
+
+So Ravenslee drew the jeweller's neat parcel from his pocket and put
+it into Mrs. Trapes's toil-worn hand. For a moment her bony fingers
+clutched it, then she sighed tremulously and, placing it on the table,
+rose and stood staring down at it. When at last she spoke, her voice was
+harsher than usual.
+
+"Hermy, dear--I mean Mrs. Ravenslee, ma'am, I--can't--take 'em!"
+
+"But, dear--why not?"
+
+"Because they're coals o' fire."
+
+"But you must take them, dear; we bought them for you and--"
+
+"Which jools, ma'am, I can in no wise accept."
+
+"Why, Ann, dear, whatever--"
+
+"Which jools, ma'am, having been a dream, must for me so remain, me not
+bein' faithful in my dooties to you an' Mr. Geoffrey. Consequently I
+begs to tender you now my resignation, yieldin' up my post in your
+service to one better worthy, and returnin' t' th' place wherefrom I
+come."
+
+Here Mrs. Trapes put on her bonnet, setting it a little askew in her
+agitation.
+
+"Th' labourer is worthy of his hire, but if he ain't--so be it!"
+
+Here Mrs. Trapes tied her bonnet strings so tightly and with such
+resolute hands that she choked.
+
+"Why, Ann dear," cried Hermione, "whatever do you mean? As if I could
+bear to part with you!" Here she untied the bonnet strings. "As if I
+could ever let you go back to Mulligan's!" Here she took off the bonnet.
+"As if I could ever forget all your tender love and care for me in the
+days when things were so hard and so very dark!" Here she tossed the
+bonnet into a corner.
+
+"My land!" sighed Mrs. Trapes, "me best bonnet--"
+
+"I know, Ann. I made it for you over a year ago, and it's time you had
+another, anyway! Now, open that parcel--this minute!"
+
+But instead of doing so, Mrs. Trapes sank down in the chair beside the
+table and bowed her head in her hands.
+
+"Hermy," said she, "oh, my lamb, he's gone! You left Arthur in my care
+an'--he's gone, an' it's my fault. Went away at five o'clock, an' here
+it is nigh on to ten--an' him sick! God knows I've searched for
+him--tramped to th' ferry an' back, an' th' footmen they've looked for
+him an' so have th' maids--but Arthur's gone--an' it's my fault! So,
+Hermy--my dear--blame me an' let me go--"
+
+The harsh voice broke and, bowing her head, she sat silent, touching the
+unopened packet of jewellery with one long, bony finger.
+
+"Why, Ann--dear Ann--you're crying!" Hermione was down on her knees,
+had clasped that long bony figure in her arms. "You mustn't, Ann, you
+mustn't. I'm sure it wasn't your fault, so don't grieve, dear--there!"
+And she had drawn the disconsolate grey head down upon her shoulder and
+pillowed it there.
+
+"But--oh, Hermy, he's gone! An' you told me to--look after him."
+
+"Ann, if Arthur meant to go, I'm sure you couldn't have prevented him;
+he isn't a child any longer, dear. There, be comforted--we'll hunt for
+him in the car--won't we, Geoffrey?"
+
+"Of course," nodded Ravenslee, "I'll 'phone the garage right away."
+
+But as he opened the door he came face to face with Joe, who touched an
+eyebrow and jerked a thumb over his shoulder.
+
+"S'cuse me, sir," said he, "but it's that Old Un, covered wi' dust 'e
+is, sir, an' wants a word wi' you. And, sir, 'e 's that mysterious as
+never was. Shall I let him come in, sir?"
+
+"You try an' keep me out, my lad, that's all!" panted the Old Un,
+ducking under Joe's great arm, "I'm better man nor ever you'll be!"
+
+So saying, the Old Un hobbled forward and, sinking into the nearest
+armchair, fanned himself with his hat, which, like the rest of his
+garments, bore the dust of travel.
+
+"Greetin's, Guv!" said he, when he had caught his breath. "'Ere I be--a
+old man as 'as done more for ye than all th' young 'uns put t'gether.
+Mrs. Ravenslee, ma'am, best respex!"
+
+"And what have you been doing now?" enquired Ravenslee, smiling.
+
+"Well, Guv, I been an' got th' murderer for ye, that's all!"
+
+Hermione caught her breath suddenly and gazed at the fierce, dusty old
+man with eyes full of growing terror; beholding which Ravenslee frowned,
+then laughed lightly and, seating himself on a corner of the table,
+swung his leg to and fro.
+
+"So you've found him out, have you, Old Un?"
+
+"Ah, that I have!"
+
+"Are you sure?"
+
+"Ah, quite sure, Guv."
+
+"Well, where is he--trot him out."
+
+"'E's comin' along--th' Spider's bringin' un. Ye see, he's a bit wore
+out same as I am--we been trampin' all th' arternoon. Look at me shoes,
+that's th' worst o' patent leather--they shows th' dust. Joe, my lad,
+jest give 'em a flick over with ye wipe."
+
+But at this moment steps were heard slowly approaching, and Hermione
+uttered an inarticulate cry, then spoke in an agonised whisper:
+"Arthur!"
+
+Pallid of cheek and drooping of head Spike stood in the doorway, his
+shabby, threadbare clothes dusty and travel-stained, his slender shape
+encircled by the Spider's long arm. At Hermione's cry he lifted his head
+and looked up yearningly, his sensitive mouth quivered, his long-lashed
+eyes swam in sudden tears, he strove to speak but choked instead; then
+Ravenslee's calm, pleasant voice broke the painful silence.
+
+"Old Un," said he, rising, "I understand you are fond of jam--well, from
+now on you shall bathe in it if you wish."
+
+"Spoke like a true sport, Guv!"
+
+"Why, you see, you have surely done me a very great service."
+
+"Meanin' because I found ye th' murderer."
+
+"Murderer?" exclaimed Ravenslee, staring.
+
+"Why, yes--there 'e is!" and the old man pointed a long finger at the
+shrinking Spike.
+
+"Old Un," said Ravenslee, shaking his head, "don't joke with me--"
+
+"I--I ain't jokin', Guv," cried the Old Un, rising. "Why--oh,
+Lorgorramighty, you don't mean t' say as this ain't 'im? Why, 'e 's
+confessed, Guv; I 'eard 'im!"
+
+Ravenslee smiled gently and shook his head again.
+
+"But he has been sick, Old Un; he was hurt, you know, when he saved my
+life."
+
+"But, Lord, Guv, if 'e 's confessed--"
+
+"He has been sick, Old Un, and when we are sick the wisest of us are apt
+to say silly things--even I did, so they tell me."
+
+"What?" quavered the old man, "ain't I--ain't I found no murderer for
+ye, arter all, Guv?"
+
+"You've done something much, very much better, Old Un--you've found me
+my brother!"
+
+"Brother!" echoed Spike, "brother? Oh, Geoff--" he sighed deeply, and
+as Ravenslee crossed toward him he smiled wanly and sank swooning into
+the supporting arms of the Spider, who at a word from Hermione bore the
+boy up-stairs; but scarcely was he laid upon his bed than he opened his
+heavy eyes.
+
+"Say, Spider," said he wearily, "old Geoff sure does play square--even
+to a worm like me--well, I guess! No, don't go yet, I want yer to hear
+me try to explain the kind o' dirty dog I been--I guess he won't want
+t' call me 'brother' after that; no, siree, he'll cut me out same as you
+have an' serve me right too." Then turning toward where Ravenslee and
+Hermione stood he continued: "Geoff--Hermy, dear--ah, no, don't touch
+me, I ain't worth it. I'm too dirty--Spider says so--an' I guess he's
+right. Listen--I meant t' go away t'day an' leave you because I felt so
+mean, but th' old man followed me, an' I couldn't run because my arm
+pained some--y' see, I fell on it. So I let him bring me back because I
+guess it's up t' me t' let you know as I ain't fit t' be your brother,
+Geoff--or Hermy's." For a moment Spike paused, then with an effort he
+continued but kept his face averted. "Geoff, it was me--in the wood that
+time! Yes, it was me, an' I had a gun. I--I meant--t' do you in, Geoff--"
+
+Spike's voice failed and he was silent again, plucking nervously at the
+sheet, while Hermione's proud head drooped and her hands clasped and
+wrung each other in an agony of shame; but to these painfully rigid
+hands came another hand, big and strong yet very gentle, at whose
+soothing touch those agonised fingers grew lax and soft, then clung
+to that strong hand in sudden, eager passion.
+
+"Poor old Spike!" said Ravenslee, and his tone was as gentle as his
+touch.
+
+"But--but, Geoff," stammered the boy. "I--oh, don't you see? I meant
+to--kill you?"
+
+"Yes, I understand; you thought I deserved it--why?"
+
+"Oh, I was crazy, I guess! Bud told me lies--an' I believed him--lies
+about you an' Hermy--he said--you'd make Hermy go--the same road--little
+Maggie Finlay went--so I came t' kill you--"
+
+"Spike, if you believed that, if you really believed that, I don't blame
+you for trying a shot--"
+
+"But I didn't--I couldn't! When I saw you sittin' there so unsuspectin',
+I just couldn't do it--I tried to, but I couldn't. An' somehow I dropped
+th' gun, an' then I heard a shot, an' when I looked up I saw you throw
+out your arms an' fall--my God, I'll never forget that! Then I saw Bud
+starin' down at you an' th' pistol smokin' in his hand. I meant t' do it
+but I couldn't, so Bud did it himself. I'm as bad as him, I reckon, but
+it was Bud shot you--Soapy saw him an' knows it was Bud--ask Soapy. An'
+now I've told you all; I guess I ain't fit t' stay here any longer."
+
+Spike's voice choked upon a sob, he buried his face in the pillow, and
+so there fell a silence--a strange, tense hush, a pause so unexpected
+that he looked up and saw that Hermione's head was bowed no longer, but
+she stood, very proud and tall, gazing upon her husband, and in her eyes
+was a great and wondrous light; and as she looked on him so he gazed on
+her. They had no thought, no eyes for Spike just then, wherefore he hid
+his face again.
+
+"I guess this about puts the kybosh on th' brother business!" he sighed
+miserably, "an' I sure ain't fit t' be th' Spider's pal, I reckon!"
+
+But now the Spider spoke, rather quick and jerkily:
+
+"Say, Kid--get onto this! I'm takin' back--everything I says t' you
+t'day, see? Because, oh, well--I guess you've sure woke up at last! So,
+Kid--give us your mitt!"
+
+Eagerly Spike grasped the Spider's big fist, and they shook hands
+gravely and very deliberately, looking into each other's eyes the while.
+Then, still quick and jerkily, the Spider turned and hurried out of the
+room. Then Spike turned to Ravenslee.
+
+"Geoff," he sighed, "I'm not goin' to ask you to forgive me yet, I
+can't--I'm goin' t' wait an' show you--"
+
+But as he paused Ravenslee's hand was upon the lad's drooping shoulder.
+
+"Arthur," said he, "from now on--from to-night--you are going to be my
+brother more than ever--a brother we shall both be proud of--what do you
+say?"
+
+But Spike's eyes were wet, his mouth quivered, and instead of answering
+he buried his face in the pillow again.
+
+"Say, Hermy," he mumbled, "take him away before I do th' tear-gushin'
+act! Take him down-stairs--give him a drink--light him a
+cigarette--kiss him! Only take him away before I get mushy. But,
+say--when I'm in bed, you'll--you'll come an'--say good night like--like
+you used to, Hermy dear?"
+
+Swiftly she stooped and kissed that curly head.
+
+"I'll come--oh, I'll come, boy, dear!" she murmured, and left him with
+Mrs. Trapes.
+
+Down-stairs the fire glowed, filling the room with shadows, and side by
+side they stood looking down into the heart of the fire and were silent
+awhile, and, though she was so near, he didn't touch her.
+
+"So it wasn't Arthur, after all!" he said at last.
+
+"No," she answered softly, "it wasn't Arthur--thank God!"
+
+"Amen!" said he, so fervently that she glanced up at him swiftly, then
+looked into the fire again. Seeing how the colour deepened in her cheek,
+he came a little nearer; but still he didn't touch her; instead, he took
+out tobacco pouch and pipe and began to fill it with strangely clumsy
+fingers, and Hermione saw that his hands were trembling.
+
+"Let me!" she said gently. So he surrendered pipe and pouch and,
+watching, saw that her hands trembled also; when at last she had filled
+the pipe, he took it and laid it on the table.
+
+"Aren't you going to smoke, dear?"
+
+"No, not now. You'll remember that Arthur also suggested you should--"
+
+"Give you something to drink!" she added a little breathlessly and
+crossed to the cellaret in the corner. "Will you have brandy and soda?"
+
+"Thanks--yes--that will do," he answered absently, and when she
+dutifully brought the filled glass he took it and set it down untasted
+beside the pipe.
+
+"Why, Geoffrey!" she said in murmurous surprise, "aren't you thirsty?"
+
+"No, not now. You will probably remember that Arthur also suggested you
+should--"
+
+"I know!" she breathed, "but, oh, Geoffrey, dear--wait--just a little
+longer."
+
+"Why?" he demanded hoarsely.
+
+"Because!" she answered, staring down at her clasped hands.
+
+"Why?"
+
+"Because, my Geoffrey, if--if I let myself--kiss you now, I--shall never
+be able to--tear myself away, and I must say good night to Arthur and--"
+
+She paused as a knock sounded on the door, and Mrs. Trapes appeared.
+
+"Why, dear land o' my fathers!" she exclaimed. "Ain't you had time t'
+take off your bonnet yet, Hermy?"
+
+"Goodness me!" exclaimed Hermione, "I forgot it!" So saying, off it
+came, and there was the curl above her eyebrow more wantonly alluring
+than ever.
+
+"An' there's that blessed b'y," continued Mrs. Trapes, "a-layin'
+up-stairs yearnin' for you, Hermy, an' him s' pale an' gentle--God bless
+him! An' it now bein' exackly twenty-two an' a half minutes past 'leven
+by my beautiful new watch as ticks most musical! Time as you was in
+bed--both of you! an' that reminds me, Hermy, I sent your maid t' bed
+like you told me, an' with my own two hands I laid out one o' them
+lovely noo nightdresses--the one with the short sleeves an' lace as you
+showed me last night an'--Land sakes, she's gone! Think o' that now--my,
+my! Mrs. Ravenslee's wonderful quick an' light on her feet, Mr.
+Geoffrey!"
+
+Here Mrs. Trapes raised the watch to her ear and hearkened to its tick
+again, smiling at Ravenslee's broad back as he turned to reach his
+glass.
+
+"Them nightdresses," she sighed, "as is all fluffs an' frills an'
+openwork, may be all right when you're young, but for true comfort give
+me--flannel, every time."
+
+Here Ravenslee, in the act of sipping his brandy and soda, choked; when
+at last he glanced around, Mrs. Trapes was gone.
+
+Then he drew a chair to the fire and, sitting down, took up his pipe and
+tried to light it, but Hermione's nervous white fingers had packed it
+too tightly for mortal suction, whereat he sighed and, yielding to the
+impossible, sat with it in his hand, lost in happy thought and waiting
+for the swift light footsteps he yearned to hear.
+
+The clock in the hall without struck midnight, but long after the mellow
+chime had died away he sat there waiting; but the great house lay very
+still about him, and no sound broke the pervading quiet. Wherefore at
+last he grew restless, frowned at the dying fire, and his strong fingers
+clenched themselves fiercely about the pipe they still held.
+
+All at once he started, rose to his feet, and turned toward the door
+eager-eyed, as a hand knocked softly; before he could speak it opened,
+and Mrs. Trapes reappeared; she was clad in a long flannel dressing
+gown, and as she paused in the shadows by the door he could vaguely
+define that she still held the precious watch to her ear.
+
+"It do tick that musical," she said, "an' I can't sleep this night till
+I've tried t' thank ye both for--for all your goodness to a lonely
+woman. Ah, Mr. Geoffrey, I guess th' day as you came seekin' lodgin's at
+my little flat was a good day for Ann Angelina Trapes--why, my land, Mr.
+Geoffrey--ain't Hermy here?"
+
+"No," answered Ravenslee a little bitterly. "Oh, no, I'm quite alone--as
+usual, Mrs. Trapes."
+
+"Why, now, that's queer!"
+
+"How queer?"
+
+"Because I've jest been into her bedroom, an' there's her things--except
+that nightdress--but she--ain't!"
+
+"Not there? She must be! Did you look in--her bed?"
+
+"Lord, Mr. Geoffrey--her bed ain't been tetched!"
+
+"Then where in the world is she?"
+
+"Well," said Mrs. Trapes, consulting her watch again, "it is now exactly
+fifteen and three-quarter minutes after midnight, so I guess she's in
+bed somewhere. But this is a big house, an' there's lots of bedrooms, so
+if I was you, I'd go an' look--till I found her--"
+
+Ravenslee was at the door so swiftly that Mrs. Trapes started, and she
+saw his eyes were very bright, and the hands he laid on her bony
+shoulders were quivering.
+
+"Mrs. Trapes," said he, "I will!"
+
+Then he stooped, very suddenly, and kissed the thin, grey hair above her
+grim eyebrow, and so--was gone.
+
+"Find her?" mused Mrs. Trapes, glancing after him up the wide stairs.
+"Why, yes, I guess he will sure find her--where she should have been
+weeks ago. Lord, what a silly, beautiful, lovely thing love is!" and she
+stood awhile smiling down into the fire, and her smile was very tender.
+
+Then she sighed, switched off the lights, and went softly away.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE DEFINITE OBJECT***
+
+
+******* This file should be named 16074.txt or 16074.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/6/0/7/16074
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+