diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:47:51 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:47:51 -0700 |
| commit | 8c4048597ec5b09993ff96faa4bfd1def38f2cde (patch) | |
| tree | cf13f58dda2e87c75b438e50d11b2b19b67b4708 /15957.txt | |
Diffstat (limited to '15957.txt')
| -rw-r--r-- | 15957.txt | 1653 |
1 files changed, 1653 insertions, 0 deletions
diff --git a/15957.txt b/15957.txt new file mode 100644 index 0000000..0fb59fb --- /dev/null +++ b/15957.txt @@ -0,0 +1,1653 @@ +The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 103, +November 19, 1892, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, Or The London Charivari, Vol. 103, November 19, 1892 + +Author: Various + +Editor: Francis Burnand + +Release Date: May 31, 2005 [EBook #15957] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Malcolm Farmer, William Flis, and the Online +Distributed Proofreading Team. + + + + + +PUNCH, + +OR THE LONDON CHARIVARI. + +VOL. 103. + + + +November 19, 1892. + + + + +THE MAN WHO WOULD. + +II.--THE MAN WHO WOULD PLAY GOLF. + +BULGER was no cricketer, no tennis-player, no sportsman, in fact. +But his Doctor recommended exercise and fresh air. "And I'm thinking, +Sir," he added, "that you cannot do better than just take yourself +down to St. Andrews, and put yourself under TOM MORRIS." "Is he a +great Scotch physician?" asked BULGER; "I don't seem to have heard of +him." "The Head of the Faculty, Sir," said the medical man--"the Head +of the Faculty in those parts." + +BULGER packed his effects, and, in process of time, he arrived at +Leuchars. Here he observed some venerable towers within a short walk, +and fancied that he would presently arrive at St. Andrews. In this he +was reckoning without the railway system--he was compelled to wait at +Leuchars for no inconsiderable time, which he occupied in extracting +statistics about the consumption of whiskey from the young lady who +ministered to travellers. The revelations now communicated, convinced +BULGER that either Dr. MORRIS was not on the lines of Sir ANDREW +CLARK, or, as an alternative, that his counsels were not listened to +by travellers on that line. + +[Illustration] + +Arriving in the dusk, BULGER went to his inn, and next morning +inquired as to the address of the Head of the Faculty. "I dinna ken," +said an elderly person, to whom he appealed, "that the Professors +had made TOM a Doctor, though it's a sair and sad oversicht, and a +disgrace to the country, that they hae'na done sae lang syne. But I +jalouse that your Doctor was jist making a gowk o' ye." "What!" said +BULGER. "Jist playin' a plisky on ye, and he meant that TOM wad pit ye +in the way o' becoming a player. Mon, ye're a bull-neckit, bow-leggit +chiel', and ye'd shape fine for a Gowfer! Here's TOM." And, with this +brief introduction, the old man strolled away. + +BULGER now found himself in the presence of Mr. MORRIS, whose +courtesy soon put him on a footing of friendliness and confidence. +He purchased, by his Mentor's advice, a driver, a cleek, a putter, a +brassey, an iron, a niblick, and a mashy. Armed with these implements, +which were "carried by an orphan boy," and, under the guidance of the +Head of the Faculty himself, BULGER set forth on his first round. His +first two strokes were dealt on the yielding air; his third carried +no inconsiderable parcel of real property to some distance; but his +fourth hit the ball, and drove it across the road. "As gude as a +better," quoth the orphan boy, and bade BULGER propel the tiny sphere +in the direction of a neighbouring rivulet. Into this affluent of the +main, BULGER finally hit the ball; but an adroit lad of nine stamped +it into the mud, while pretending to look for it, and BULGER had to +put down another. When he got within putting range, he hit his ball +careering back and forward over the hole, and, "Eh, man," quoth the +orphan boy, "if ye could only drive as you put!" + +In some fifteen strokes he accomplished his task of holing out; and +now, weary and desponding (for he had fancied Golf to be an easy +game), he would have desisted for the day. But the Head of the Faculty +pressed on him the necessity of "The daily round, the common task." +So his ball was tee'd, and he lammed it into the Scholar's Bunker, at +a distance of nearly thirty yards. A niblick was now placed in his +grasp, and he was exhorted to "Take plenty sand." Presently a kind +of simoom was observed to rage in the Scholars' Bunker, out of which +emerged the head of the niblick, the ball, and, finally, BULGER +himself. His next hit, however, was a fine one, over the wall, where, +as the ball was lost, BULGER deposited a new one. This he, somehow, +drove within a few feet of the hole, when he at once conceived an +intense enthusiasm for the pastime. "It was a fine drive," said the +Head of the Faculty. "Mr. BLACKWELL never hit a finer." Thus inflamed +with ardour, BULGER persevered. He learned to waggle his club in a +knowing way. He listened intently when he was bidden to "keep his eye +on the ba'", and to be "slow up." True, he now missed the globe and +all that it inhabit, but soon he hit a prodigious swipe, well over +cover-point's head,--or rather, in the direction where cover-point +would have been. "Ye're awfu' bad in the whuns," said the orphan +boy; and, indeed, BULGER'S next strokes were played in distressing +circumstances. The spikes of the gorse ran into his person--he could +only see a small part of the ball, and, in a few minutes, he had made +a useful clearing of about a quarter of an acre. + +It is unnecessary to follow his later achievements in detail. He +returned a worn and weary man, having accomplished the round in +about a hundred and eighty, but in possession of an appetite which +astonished him and those with whom he lunched. In the afternoon, the +luck of beginners attending him, he joined a foursome of Professors, +and triumphantly brought in his partner an easy victor. In a day or +two, he was drinking beer (which he would previously have rejected +as poison), was sleeping like a top, and was laying down the law +on stimy, and other "mysteries more than Eleusinian." True, after +the first three days, his play entirely deserted BULGER, and even +Professors gave him a wide berth in making up a match. But by steady +perseverance, reading Sir WALTER SIMPSON, taking out a professional, +and practising his iron in an adjacent field, BULGER soon developed +to such an extent that few third-rate players could give him a stroke +a hole. He had been in considerable danger of "a stroke" of quite a +different character before he left London, and the delights of the +Bar. But he returned to the Capital in rude health, and may now often +be seen and heard, topping into the Pond at Wimbledon, and talking in +a fine Fifeshire-accent. It must be acknowledged that his story about +his drive at the second hole, "equal to BLACKWELL, himself, TOM MORRIS +himself told me as much," has become rather a source of diversion to +his intimates; but we have all our failings, and BULGER never dreams, +when anyone says, "What is the record drive?" that he is being +drawn for the entertainment of the sceptical and unfeeling. BULGER +will never, indeed, be a player; but, if his handicap remains at +twenty-four, he may, some day, carry off the monthly medal. With this +great aim before him, and the consequent purchase of a red-coat and +gilt-buttons, BULGER has a new purpose in existence, "something to +live for, something to do." May this brief but accurate history convey +a moral to the Pessimist, and encourage those who take a more radiant +view of the possibilities of life! + + * * * * * + +A PLEBISCITE FOR PARNASSUS. + + [The result of the _Pall Mall's_ competition for the + Laureateship has been to place Mr. ERIC MACKAY and Mr. + GILBART-SMITH first and second, and SWINBURNE and MORRIS + nowhere.] + + A popular vote the Laureate's post to fill? + Ay! if Parnassus were but Primrose Hill. + The Penny Vote puts lion below monkey. + 'Tis "Tuppence more, Gents, and _up goes the donkey!_" + + * * * * * + +QUITE MOVING.--_From Far and Near_ and _All Alive_, are two excellent +"movable toy-books" that will please the little ones (when their +seniors are tired of playing with them) far into the Yule-tide season. +The author is LOTHAR MAGGENDORFER, a gentleman to whom _Mr. Punch_ +wishes a "Merry Christmas and a Happy New Year." This may appear a +little premature, but it is a far cry from England to Germany, and the +Sage of Fleet Street has allowed for any delays that may be caused by +fogs, railway unpunctuality, and other necessary evils. + + * * * * * + +THE AMERICAN GANYMEDE. + +[Illustration] + + [The extraordinary triumph of Mr. GROVER CLEVELAND, Democratic + Candidate for the American Presidency, is attributed to a + general revolt against the McKinley Bill.] + + O plump and pant-striped boy, upborne, + Like Ganymede of old, + _Punch_ hails you, with your slack, untorn, + Fast in the Eagle's hold. + It is, indeed, a startling sight + That speculation tarries on; + And it must give an awful fright + To Hebe (_alias_ HARRISON!) + + Up, up to the Olympus, where + The White House spreads its board, + Whirled high through the electoral air, + A boy less long than broad! + He looks not like the Tammany breed, + That with high tariffs dally; + He proves, this Yankee Ganymede, + The Democratic rally. + + This eagle's a colossal fowl, + Like _Sindbad's_ monstrous Roc, + A bird of prey some say, a-prowl + Like that Stymphalian flock, + With iron claws and brazen beak, + Intent to clutch and collar, + Fired with devotion strong, yet weak, + To the Almighty Dollar. + + Pooh! Plunder's not his only joy. + He hovered till he saw + "A something-pottle-bodied boy," + Who spurned MCKINLEY'S Law. + He stooped and clutched him, fair and good, + Flew nigh o'er roof and casement, + Whilst the Republicans all stood + Agape in sheer amazement. + + He soars with proudly swelling crest + And followed with acclaims, + A cause of wonder in the West, + And crowing by the Thames. + For England, glorying in the sight, + Greets Boy and Bird together; + Whilst watching with serene delight + That big, black, falling feather! + + * * * * * + +ROBERT ON LORD MARE'S DAY. + +The most ewentfoollest day of the hole year broke, as the poets says, +without almost not no fog, on Wensday larst, to my grate serprise and +joy; but noing, from long xperiens, how unsertain is whether at this +orful seasun of the year, I took jest one leetel glass of hold brandy +before setting out on my arjus dootys. I was encurraged to do so also +by the horful rumers as was spread about, weeks afore, as to threttend +atacks on the sacred Show by some disapinted prottestens, I think they +called theirselves, as hadn't bin inwited to the Bankwet, and so meant +to prottest accordingly. + +But I needn't a bin alarmd, for the most respekful mob as filled the +streets was as quiet as mice, havin heard, I'm told, as how as the +Copperashun had had the lectric light turned on at Gildhall, by which +means, of course, they coud comunicate with any-wheres, and so know +where to send an hole army of Waiters to, well fortyfide, and armed +to the teeth with a splendid Lunch, to help the pore Perlice in their +arjus dootys. + +From wot I seed of the butifool Sho, I shood give the cake to the +Frute-Makers' splendid Car, all covered with the most butifool Frute, +all made, too, in England, as it trewthfoolly said on both sides of +the high-backed Car. The second plaice I shood give to the numerus +butifool young Ladys, with most butifool flaxin air, all most bisily +ingaged in a twistlin and a twiddlin of luvly gold and silver wire, on +a Car belongin to the Makers of Gold and Silver Wire Drorers, wich I +heard a most respectfool carpenter declare, must, he thort, be most +uncomferal to wear. With that good fortun as allers atends the Hed +Waiter, I seem to have atracted the notis of one of the most butifool +of the young Ladys afoursaid, for she acshally tossed me a luvly +littel bit of reel golden wire, which I shall trezure nex my art for +years, if so be as how it don't skratch. + +The grand Bankwet, with its nine hunderd Gestes, was as ushal, about +the grandest thing of the kind as the world has ever seen, but sumhows +it struck me as the gents was much more impashent for their wittles +than they ushally is. At my pertickler tabel, the two gents at the +top was that trubblesum about the reel Turtel-soup as I ain't a tall +accumstumed to, and I amost poured a hole ladel-full down the fine +shirt-front of one of em; and then, trying at the next help to awoid +him, I sent my helbow full into the face of the other, and a pretty +fuss he made, you bet, and acshally torked of sending for the +souperintendent, ewidently not knowing who I was. + +The same himpashent Gent amost worried my life out arterwards, and all +about a glass of _plane_ water as he called it, and when I told him as +I didn't think as we hadn't not none in the plaice, but I coud get him +a bottel of amost any kind of Shampane as he liked to name; he again +said as he wood call for the souperintendent. So in course I had +to go for some, and a preshus long time it took me to get it; the +wine-steward naterally sayin as he never before herd of sich a order +on sich a ocasion, and he had only one bottel with him, and when I +took it to the himpashent Gent, and told him so, he fairly roared with +larfter, and told it all round as a capital joke! I wunders where the +joke was. + +When the dinner was over and the speaches began, I got permishun to +stand unner the gallery for to hear them; but strange to tell, not a +word coud I hear, and them as I did hear I coudn't unnerstand. So I +began for to fear as crewel age was a tarnishing of my 'earrings, so +I moved to the other end of the 'All jest in time for to hear a werry +dark but gennelmanly young feller, as was called the Gayqueer, or +some such wonderfool name, and who, I was told, come all the way +from Indier, make sitch a grand and nobel speach, and in quite as +good Inglish as ewen I coud use, as got him more applorse from the +distinguisht hordiens than all the speaches maid by Her Madjesty's +Ministers put together. Always xceptin the Lawyers, for they seems to +have sitch a jolly good time of it, that they are allers as reddy to +cause a larf as to enjoy one. We all seemed sumhow to miss the werry +PRIME MINISTER--we are all so acustomd to see the werry top of the +tree, that we don't quite like being put off with a mere bow, however +big and himportant it may be; besides, I must confess as I do like +to hear his luvly woice, ewen when I don't quite unnerstand all as he +says. So I don't suppose as any one of my numerus readers will quarrel +with me when I says, better luck nex time. + +ROBERT. + + * * * * * + +[Illustration: CANDID CRITICISM. + +"LIKE MY NEW FROCK, AUNT JANE?" + +"WELL, _I_ SHOULD SAY YOU'D GOT SKIRTS FOR YOUR SLEEVES, AND A SLEEVE +FOR YOUR SKIRT!"] + + * * * * * + +PROOFS BEFORE LETTERS. + + Humbugs will always ape their betters, + Fools fancy the alphabet brings them fame; + But you don't become a man of letters + By tacking the letters after your name. + One suffix only the _fact_ expresses, + And that's an A and a couple of S's! + + * * * * * + +ANOTHER MEANING.--_I Rantzau_ is the title of MASCAGNI'S new Opera. +The title, anglicised, would be suitable for an old-fashioned +transpontine melodramatic tragedian, who could certainly say of +himself, "_I rant so!_" + + * * * * * + +SHAKSPEARIAN CONUNDRUM. + +At what time would SHAKSPEARE'S heroine of _The Taming of the Shrew_ +have been eminently fitted to be a modern Sunday-School teacher? + +_Answer._ When _Petruchio_ kissed her; because then she was _a Kattie +Kiss'd_. (Hem! A Cate-chist.) + + * * * * * + +ALL ROUND THE FAIR. + +NO. I. + + SCENE--_A street of Gingerbread, Sweetstuff, and Toy-stalls, + "Cocoa-nut Shies," "Box-pitching Saloons," &c., forming + the approach to the more festive portion of the Fair, from + which proceeds a cheerful cacophony of orchestrions, + barrel-organs, steam-whistles, gongs, big drums, rattles, + and speaking-trumpets._ + +_Proprietors of Cocoa-nut Shies._ Now, then, play up all o' +you--ar-har! There goes another on 'em! _That's_ the way to 'it +'em--win all yer like, &c. + +_A Rival Proprietor_ (_pointing to his target, through the centre of +which his partner's head is protruded_). Look at _that_! Ain't that +better nor any coker-nut? Every time you 'it my mate's 'ed, you git +a good cigar! (_As the by-standers hang back, from motives of +humanity._) 'Ere, _'ave_ a go at 'im, some o' you--give 'im a little +encouragement! + +_The Head_ (_plaintively_). Don't neglect a man as is doing his best +to please yer, gen'l'men! (_A soft-hearted Bystander takes a shot at +him, out of sheer compassion, and misses._) Try agen, Sir. I ain't +'ere to be _idle_! + +_A Sharp Little Girl_ (_presiding over a sloping Chinese +Billiard-board_). Now, my dears--(_To a group of boys, of about her +own age_)--'ave what yer like. A penny a pull, and a prize every time! +Wherever the marble rolls, you 'ave any one article on the board! + +[Illustration: "Now then, play up, all o' yea--ar-har!"] + + [_One of the boys pays a penny, and pulls a handle, propelling + a marble, which, after striking a bell at the top of the + slope, wobbles down into a compartment._ + +_The Boy_ (_indicating a gorgeous china ornament on the board_). I'll +'ave one o' them--to take 'ome to mother. + +_The S.L.G._ (_with pitying superiority_). No, my boy, you can go to a +shop and _buy_ one o' them for sixpence if you like--but 'ere you must +'ave what you _git_! + + [_She awards him a very dingy lead-pencil, with which he + departs, abashed, and evidently revolving her dark saying in + his perplexed mind._ + +_Proprietor of a Box-pitching Saloon._ One penny a ball! For hevery +ball that goes in the boxes, you choose any prize you like! (_With +sorrow and sympathy, to a female Competitor._) Too 'ard, Lady, too +_'ard_! (_To a male Comp., whose ball has struck the edge of the box, +and bounced off._) Very _near_, Sir! + + [_Several Competitors expend penny after penny unsuccessfully, + and walk away, with a grin of entire satisfaction._ + +_Joe_ (_landing a ball in one of the boxes, after four failures_). I +told 'ee I'd get _waun_ in! (_To his Young Woman._) What are ye goin' +to 'ave, MELIA? + +_Melia_ (_hovering undecidedly over a glittering array of shell-boxes, +cheap photograph-albums and crockery_). I'll take one o'--no, I won't +neither.... I really don't know _what_ to 'ave! + +_Joe_ (_with masculine impatience_). Well, go on--take _summat_, can't +ye! (_MELIA selects a cup and saucer, as the simplest solution of the +problem._) I doan't carl that mooch of a show for fippence, I +doan't. Theer, gi' us 'old on it. [_He stows the china away in his +side-pockets._ + +_Melia._ You took an' 'urried me so--else I don't know as I fancied +a cup and sarcer so partickler. I wonder if the man 'ud change it, +supposin' we was to go back and ast 'im! + +_Joe_ (_slapping his thigh_). Well, you _are_ a gell and no mistake! +Come along back and git whatever 'tis you've a mind to. (_Returning._) +'Ere, Master, will ye gi' this young woman summat else for this 'ere? +(_He extracts the cup in fragments._) 'Ullo, look a' _that_ now! (_To +MELIA._) Theer, it's all right--doan't take on 'bout it.--I'll 'ave +another go to make it oop. (_He pitches ball after ball without +success._) I wawn't be bett. I lay I'll git 'un in afoor I've done! +(_He is at last successful._) Theer--now, ye can please yourself, +and doan't choose nawthen' foolish _this_ time! (_He strolls on with +lordly indifference, and is presently rejoined by MELIA._) Well, what +did ye take arter all? + +_Melia._ I got so flustered like, for fear o' losin' you, I just up +and took the first that came 'andy. + +_Joe._ Why, if ye ain't bin and took _another_ cup an' sarcer! +hor--hor! that's a good 'un, that is! Take keer on it, it's cost money +enough any 'ow--'t wouldn't be no bargain if it wur a 'ole tea-set! +What's goin' on 'ere? + + [_A venerable old Sportsman, whom the reader may possibly + recollect having met before, has collected a small crowd in + a convenient corner; his stock-in-trade consists of an + innocent-looking basket, with a linen-cover, upon which are a + sharpened skewer and a narrow strip of cloth._ + +_The Sportsman._ I'll undertake to show you more fun in five minutes, +than you'll get over there in two: (_with a vague suspicion that this +is rather a lame conclusion_)--in ten, I _should_ say! This 'ere's a +simple enough little game, when you know the trick of it, and I'm +on'y a _learnin'_ it myself. I ain't doin' this for money. I got money +enough to sink a ship--it's on'y for my own amusement. Now you watch +me a doin' up this garter--keep yer eye on it. (_He coils up the +strip._) It goes _up_ 'ere, ye see, and down _there_, and _in_ 'ere +agin, and then round. Now, I'm ready to bet anything from a sovereign +to a shilling, nobody 'ere can prick the middle. I'll tell ye if ye +win. I'm ole BILLY FAIRPLAY, and I don't cheat! (_A Spotty-faced Man, +after intently following the process, says he believes he could find +the middle._) Well, don't tell--that's all. I'm 'ere all alone, agin +the lot o' ye, and I want to win if I can--one dog to a bone! (_The_ +S.-F.M. _produces a florin from a mouldy purse, and stakes it, and +makes a dab at the coil with the skewer._) No, ye're wrong--that's +outside! (_O.B.F. pulls the strip out._) By Gum, ye've done it, after +all! 'Ere's four bob for you, and I'm every bit as pleased as if I'd +won myself! 'Oo'll try next? + +_A Smart Young Man_ (_with a brilliant pin in a dirty necktie, to +JOE_). I don't see how it's done--do you? + +_Joe._ Ye will if you don't take yer eyes off it--theer, I could tell +ye the middle now, I could. + +_The Sp.-F.M._ Law, yes, it's simple enough. I done it first time. + +_Old B.F._ Give an old man a chance to get a bit. If any party 'ere +'as found me out, let him 'old 'is tongue--it's all _I_ ask. (_To +JOE._) You've seen this afore, _I_ know! + +_Joe._ Noa, I ain't--but I could tell ye th' middle. + +_Old B.F._ Will ye bet on it? Come--not too 'igh, but just to show +you've confidence in your opinion! + +_Joe_ (_cautiously_). I woant bet wi' ye, but I'll hev a try, just for +nawthen, if ye like! + +_Old B.F._ Well, I want to see if you really _do_ know it--so, jest +for once, I ain't no objection. (_JOE pricks the garter._) Yes, you've +found the middle, sure enough! It's a good job there was no money +on--for _me_, leastwise! + +_The Sp.-F.M._ I've a good mind to 'ave another try. + +_The Sm. Y.M._ I wouldn't. You'll lose. I could see you on'y guessed +the first time. (_The Sp. F.M., however, extracts a shilling, stakes +it--and loses._) There, _I_ could ha' told you you was wrong--(_To +JOE_)--couldn't you? + +_Joe._ Yes, he art to ha' pricked moor to waun side of 'un. (_The +Sp.-F.M. stakes another florin._) Now he's done it, if ye like! + +_O.B.F._ There, ye see, I'm as often wrong as not myself. (_To the +Sp.-F.M._) There's your four bob, Sir. Now, jest once more! + +_Joe_ (_to MELIA_). I'll git the price o' that theer cup an' sarcer +out of 'un, any'ow. (_To O.B.F._) I'll ha' a tanner wi' ye! + +_O.B.F._ 'Alf a soverin, if you like--it's all the same to me! + +_Joe_ (_after pricking_). I _thart_ I 'ad 'un that time, too, I did! + +_The Sm. Y.M._ You shouldn't ha' changed your mind--you were right +enough afore! + +_Joe_. Yes, I should ha' stuck to it. (_To O.B.F._) I'll bet ye two +bob on the next go--come! + +_O.B.F._ Well, I don't like to say no, though I can see, plain enough, +you know too much. (_JOE pricks; O.B.F. pulls away the strip, +and leaves the skewer outside._) I could ha' sworn you done me that +time--but there ye _are_, ye see, there's never no tellin' at this +game--and that's the charm on it! + + [_JOE walks on with MELIA in a more subdued frame of mind._ + +_The Sm. Y.M._ (_in the ear of the Spotty-faced One_). I say, I got +a job o' my own to attend to--jest pass the word to the Old Man, when +he's done with this pitch, to turn up beyind the swing-boats there, +and come along yourself, if yer can. It's the old lay I'm on--the +prize-packets fake. + +_The Sp.-F.M._ Right--we'll give yer a look in presently--it'll be a +little change for the Ole Man--trades's somethin' cruel _'ere_! + + * * * * * + +HIS MAD-JESTY AT THE LYCEUM. + +Except when HENRY IRVING impersonated the hapless victim of false +imprisonment in the Bastille, whence he issued forth after twenty +years of durance, never has he been so curiously and wonderfully +made-up as now, when he represents _Lear_, monarch of all he surveys. +Bless thee, HENRY, how art thou transformed! + +[Illustration: Rather mixed. Mr. Irving as "Ophe-Lear."] + +Sure such a _King Lear_ was never seen on any stage, so perfect in +appearance, so entirely the ideal of SHAKSPEARE'S ancient King. +It must have been a vision of IRVING in this character that the +divinely-inspired poet and dramatist saw when he had a _Lear_ in his +eye. For a moment, too, he reminded me of BOOTH--the "General," not +the "particular" American tragedian,--and when he appeared in thunder, +lightning, hail, and rain, he suggested an embodiment of the "_Moses_" +of MICHAEL ANGELO. + +A strange weird play; much for an audience, and more for an actor, all +on his own shoulders, to bear. A one-part play it is too, for of the +sweet _Cordelia_,--and sweet did ELLEN TERRY look and so tenderly did +she play!--little is seen or heard. With _Goneril_ and _Regan_, the +two proud and wicked sisters,--associated in the mind of the modernest +British Public with Messrs. HERBERT CAMPBELL and HARRY NICHOLLS, as is +also _Cordelia_ associated either with _Cinderella_ or with _Beauty_ +in the story of _Beauty and the Beast_--we have two fine commanding +figures; and well are these parts played by Miss ADA DYAS and Miss +MAUD MILTON. The audience can have no sympathy with the two wicked +Princesses, and except in _Goneril's_ brief Lady-Macbethian scene with +her husband, neither of the Misses LEAR has much dramatic chance. Pity +that Mrs. LEAR--his Queen and their mother, wasn't alive! Let us hope +she resembled her youngest daughter _Cordelia_, otherwise poor _Lear_ +must have had a hard life of it as a married man. + +Why should not Mr. IRVING give the first part of this play +reconsideration? Why not just once a week try him as a different sort +of _Lear_? For instance, suppose, to begin with, that he had had a bad +time of it with his wife, that for many years as a widower he had been +seeking for the opportunity of disposing of his daughters, handing +over to them and to their husbands the lease and goodwill of "The +Crown and Sceptre," while he would be, as King, "retired from +business," and going out for a lark generally. Thus jovially would he +commence the play, a rollicking, gay, old dog, ready for anything, up +to anything, and, like old Anchises, when he jumped on to the back of +AEneas, "a wonderful man for his years." In fact, _Lear_ might begin +like an old King Cole, "a merry old soul," a "jolly old cock!" And +then--"Oh, what a difference in the morning!"--when all his plans +for a gay career had been shipwrecked by _Cordelia's_ capricious and +unnatural affectation. + +[Illustration: Mr. Terriss as the Good Fairy.] + +Then must commence his senility; then he would begin to break up. A +struggle, to show that there was life in the old dog yet, could be +seen when the old dog had been out hunting, in Act II., and had shot +some strange animal, something between a stag and a dromedary, which +no doubt was a native of Britain in those good old sporting days. +However, more of this anon. Suffice it to say now, that our HENRY +IRVING'S _Lear_ is a triumph in every respect, and that the audience +only wanted a little more of _Cordelia_, which is the fault of the +immortal and unequal Bard. + +To those unacquainted with this play, Mr. TERRISS'S sudden appearance +in somewhat anti-Lord-Chamberlain attire, as he bounded on, with a +wand, and struck an attitude, was suggestive of the Good Fairy in +the pantomime; and his subsequent proceedings, when he didn't change +anybody into Harlequin, Clown, and so forth, puzzled the unlearned +spectators considerably. But Mr. TERRISS came out all right, and +acquitted himself (being his own judge and jury) to the satisfaction +of the public. His speech about Dover Cliff, generally supposed to +convey some allusion to the Channel Tunnel, was excellently delivered, +and certainly after _Lear_, "on the spear side," Mr. TERRISS must take +the Goodeley Cake. + +Next to him in order of merit comes Mr. FRANK COOPER, as the +wicked _Edmund_, on whom the good EDMUND, "Edmundus Mundi," smiled +benignantly from a private box. There was on the first night a great +reception given to HOWE--the veteran actor, not the wreck, and very +far from it--who took the small part of an old Evicted Tenant of the +_Earl of Glo'ster_, a character very carefully played by Mr. ALFRED +BISHOP, _Floreat Henricus!_ "Our HENRY" has his work cut out for him +in this "Titanic work," as in his before-curtain and after-play speech +he termed it. This particular "Titanic work" is (or certainly was that +night) in favour with "the gods," who "very much applauded what he'd +done." But the gods of old were not quite so favourable to "Titanic +work" generally, and punished eternally Titanic workmen. To-night gods +and groundlings applaud to the echo, and then everyone goes home as +best he can in about as beautiful a specimen of a November fog as ever +delighted a Jack-o'-Lantern or disgusted + +PRIVATE BOX. + + * * * * * + +AN OPERATIC NOTE.--_Wednesday_.--Lord Mayor's Day and Sheriff Sir +AUGUSTUS DRURIOLANUS'S Show. _L' Amico Fritz_, or "The old Min is +friendly," as _Dick Swiveller_ would have put it. Not by any means as +bright as _Cavalleria_. Mlle. DEL TORRE, del-lightful as _Suzel_. +M. DUFRICHE, very good as _Rabbino_; CREMONINI, weak as _Fritz_; and +Mlle. MARTHA-CUPID-BAUERMEISTER, good as usual in the part of the +"harmless necessary _Cat"-erina._ Opera generally "going strong." + + * * * * * + +REPORTED DECISION.--Uganda is to be occupied till March next. Then, +order of the day, "March in, March out!" + + * * * * * + +"SAFE BIND, SAFE FIND!" + +P.C. JOHN BULL _LOQUITUR_:-- + + Keep them? Right my Gallic friend! + 'Tis my duty, sad but binding. + Free the Wolf--to what good end? + Loose the Snake--what vantage finding? + Faction flusters, Cant appeals + In the name of sham-humanity. + Right, not wrath, my bosom steels; + Softness here were sheer insanity. + + _You_'ve my warmest sympathy, + Victim of the new Red Terror! + _My_ caged RAVACHOLS to free + Were the maddest kind of error. + Prison walls and dungeon wards + Love I not, I'm no born gaoler, + But just Law which Freedom guards + _Must_ ignore anarchic railer. + + Blind offence of men half mad + 'Neath the goad of brute oppression, + Blunderings of fierce fools of fad, + Demoniacal possession + Of red rage at law unjust, + I can check with calm compassion; + But must firmly crush to dust + Murder--in the newest fashion. + + Dynamite as Freedom's friend? + 'Tis the foul fiend's latest juggle. + We must fight it to the end, + Firm, unfaltering in this struggle. + Mere "Political Offence," + All this murder, mashing, maiming? + 'Tis a pitiful pretence, + Honour-blinding, wisdom-shaming. + + Indiscriminate, ruthless raid! + Mad chance--medly of disaster! + Sophistry, the fiend's sworn aid, + Never better served its master + Than in calling such hell-birth + A new gospel, holy, human,-- + Blasting as with maniac mirth + Blameless men, and guiltless women! + + No! The Dynamiter's creed-- + Though hate swagger, though cant snivel-- + Fires no "patriotic" deed; + Base-born, all its ends are evil. + Let caged wolves and tigers free? + What more wicked, what absurder? + Amnesty to Anarchy + Means encouragement to Murder? + + * * * * * + +WHERE TO PLACE HIM.--Why ought the future Poet-Laureate, whoever he +may be, to occupy rooms over or close to the stables at Buckingham +Palace? Because he would then be inspired by the Royal Mews. + + * * * * * + +[Illustration: A TEST OF TRUE GENTILITY. + +"WHAT'S THE NEW LODGER LIKE, MARIARANN?" + +"HE'S NO GENTLEMAN, WHATEVER HE'S LIKE!" + +"NO GENTLEMAN! WHAT'S HE BEEN AND DONE?" + +"WHY, HE SEE ME A-CARRYIN' UP THE COALS, AN' HE SAYS, 'I'M AFRAID THAT +SCUTTLE'S TOO HEAVY FOR YOU,' 'E SAYS,--'PRAY LET _ME_ CARRY IT!' 'E +SAYS. AN' 'E UP AND CARRIES IT ISSELF, JUST LIKE A FOOTMAN!"] + + * * * * * + +TO A MODEL YOUNG LADY. + + [It is reported that it is a common custom in Paris, amongst + ladies of position, to pay for their dresses by wearing them + in public, and letting it be known from whom they obtained + them.] + + My dear, I like your pretty dress, + It suits your figure to a T. + I'm free to own that I confess, + It's just the kind of dress for me. + Yet will you kindly tell me, dear, + Not merely was the costume made for + Yourself alone--but is it clear + And certain that your dress is paid for? + + Mistake me not. I do not dread + That you'll think fit to run away + And leave the bill unpaid. Instead, + I fear that you will never pay, + Because no bill will ever come; + And since when you decide to toddle + Abroad, you'll go amidst a hum + Of praise for Madame's lovely Model + + Oh! promise me that when I read + My paper (as I often do), + I shall not with remorseless speed + See endless pars in praise of you, + Or rather of the dress you wore, + For though, maybe, no harm or hurt is meant, + Remember, dearest, I implore, + I _won't_ be fond of an advertisement! + + * * * * * + +OUR BOOKING-OFFICE. + +"_Days with Sir Roger de Coverley!_" exclaimed the Baron, on seeing +the charming little book brought out at this season by Messrs. +MACMILLAN. "Delightful! Immortal! Ever fresh! Welcome, with or without +illustration; some of Mr. THOMSON's would not be missed." + +There is a breezy, frank, boyish air about the "Reminiscences" of +our great Baritone, CHARLES SANTLEY, which is as a tonic--a tonic +sol-fa--to the reader a-weary of the many Reminiscences of these +latter days. SANTLEY, who seems to have made his way by stolid pluck, +and without very much luck, may be considered as the musical _Mark +Tapley_, ready to look always on the sunny side. With a few rare +exceptions, he appears to have taken life very easily. + +Muchly doth the Baron like Mr. HALL CAINE's story of _Captain Davy's +Honeymoon_, only, short as it is, with greater effect it might have +been shorter. + +The Baron, being in a reading humour, tried _The Veiled Hand_, by +FREDERICK WICKS, a name awkward for anyone unable to manage his "r's." +What Fwedewickwicks' idea of _A Veiled Hand_ is, the Baron has tried +to ascertain, but without avail. Why not a Gloved Hand? Hands do not +wear veils, any more than our old friends, the Hollow Hearts, wear +masks. Hands take "vails," but "that is another story." However, _The +Veiled Hand_ induced sleep, so the Baron extinguished both candles and +Wicks at the same time, and slumbered. + +I have also had time to read _An Exquisite Fool_, published by OSGOOD. +MCILVAINE & CO., and written by Nobody, Nobody's name being +mentioned as being the author. It begins well, but it is an old, +old tale--BLANCHE AMORY and the Chevalier, and so forth--and as _Sir +Charles Coldstream_ observed, when he looked down the crater of Mount +Vesuvius, "There's nothing in it." + +Most interesting is a short paper on "The Green Room of the Comedie +Francaise," in the _English Illustrated Magazine_ for this month, +pleasantly written by Mr. FREDERICK HAWKINS,--HAWKINS with an +aspirate, not "'ENERY 'AWKINS" at present associated with "A +CHEVALIER" in London. Mr. HAWKINS tells many amusing anecdotes, and +gives a capital sketch of M. RENE MOLE. But the article would be +damaged by extracts. Therefore, "_Tolle, lege_," says yours and +everybody's, very truly, + +THE BARON DE BOOK-WORMS. + + * * * * * + +[Illustration: "SAFE BIND, SAFE FIND!" + +SERGENT-DE-VILLE. "HA, M'SIEU!--_YOU_ HAVE YOUR DYNAMITERS UNDER LOCK +AND KEY! TRES BIEN! _KEEP_ THEM!!"] + + * * * * * + +[Illustration: WHAT ABOUT GLASS HOUSES? + +_First Jovial Cabby_ (_to Second Ditto_). "HI SAY, BILL, DID YER HEVER +SEE SICH GUYS AS THESE 'ERE GIRLS MAKES OF THEIRSELVES? NOW, YE'D +NIVER SEE A _MAN_ GO AND MAKE SUCH A RIDIK'LOUS HOBJICK OF 'ISSELF!!"] + + * * * * * + +A PUFF OF SMOKE. + + (_What the heart of the young Vocalist said to the + Anti-Tobacconist, after reading Mr. Charles Santley's sage + observations on Singing and Smoking, in his new book "Student + and Singer."_) + + ["Smoking is an art; it may be made useful or otherwise, + according as it is exercised."--Mr. SANTLEY.] + + Tell me not, ye mournful croakers, + Smoking is a dirty habit. + Brainless are ye, sour non-smokers, + As a vivisected rabbit. + + "Smoking is an Art," says SANTLEY; + There is Beauty in the bowl. + They who doubt it must be scantly + Blest with sense, or dowered with soul. + + _As_ an Art it claims attention; + Study is the only way. + Smoking skill, _not_ smoke-prevention, + Is the thing we want to-day. + + Art is long and smoke is fleeting; + But puff on until you learn + Good tobacco's not for _eating_! + Pipe-bowls are not meant to _burn_! + + Smoke without expectorating, + Do not sputter, do not chew; + Puff not as though emulating + Some foul factory's sooty flue + + Let not oily dark defilement + Sting your lips; there is no need. + Joy and care need reconcilement + For enjoyment of the weed. + + Trust no "Germans," buy no "British," + Sound Havanas only smoke! + "Lady Nicotine" is skittish, + Penny Pickwicks are no joke. + + Smoke no strong shag, no rank "stinger," + Pick your baccy, puff with skill, + And--although you are a singer, + You may smoke, and not feel ill. + + Let us then be up and smoking, + An an Art the thing pursue; + As great SANTLEY, who's not joking, + Says _he_ does, and all _may_ do! + + * * * * * + +LADY GAY'S DISTRACTION. + +DEAR MR. PUNCH,--You are as fickle as the rest of your sex, I fear, +otherwise you would not have requited my devotion to you and your +interests in such an awful manner as you did in publishing my +husband's letter last week!--and _such_ a letter! Oh, I could write +such a _scathing_ reply to it! + +Of course, it was jealousy on the part of Sir CHARLES at my literary +success--(setting aside the _wonderful_ tips)--which caused the +explosion that led to his writing to you, but I never--never--thought +you would insert his letter, especially as I slipped in a postscript +which to my mind explained _everything_--as, indeed, postscripts +_should_ do, or what is the good of writing a long letter about +nothing in front of them? The wretch confesses that he laughed at my +articles until he knew who wrote them, and then thought less of +them! Isn't that like a husband?--I won't say like a _man_, as so few +husbands _are_ men!--at least, in the eyes of their wives. The moment +a wife does something her husband can't do, he dislikes and pooh-poohs +it; whereas, the more accomplishments a husband displays, the more a +wife appreciates him, or _says_ so even if she doesn't!--which is a +noble falsehood, for how few women are large-minded enough to pretend +to admire qualities which they despise because they don't possess +them--I'm not sure that this is what I mean, nor do I quite understand +it, but it reads well, which is more than Sir CHARLES'S stuff does! + +And then his impertinence in proposing to "edit" my letters!--as if +anyone could be more capable of doing that than _you_?--(you will +observe that it is solely on _your_ account that I am annoyed!)--I +could not brook such interference!--I don't know exactly the meaning +of "brooking" anything, but I know I wept enough tears of annoyance +to form a decent "brook" of themselves! I need hardly tell you that it +was a biting sarcasm on my part to suggest that he should finish his +letter with a "verse," as I always do--but there--men don't +understand sarcasm--(one of _our_ most frequently employed weapons of +offence!)--and the poor thing thought I was in earnest, and did it! +And _what_ a verse! I could write better with my left hand! + +I need scarcely tell you that I have left him--(this is why my address +is not to be published)--as I consider my duty to the Public rendered +it imperative that I should do so, for I should not think much of any +woman who allowed a paltry consideration of domestic obligations to +weigh against the pursuit of a career of usefulness. + +If, therefore, a vein of sadness and cynicism runs through this +letter, you will understand that it does _not_ proceed from any regret +at the "breaking up of the happy home," but rather from sorrow at the +thought that once again the intellectual superiority of one of the +softer sex has not been accepted in the right spirit by the possessor +of the weaker mind, to whom she owes obedience! + +I trust I have done with Sir CHARLES for ever!--especially if +he speaks the truth in saying that "following my tips has ruined +him"--for why should any woman burden herself with an impecunious +husband? He does not know where I am, and I feel still more secure in +my retreat from having just heard that he has engaged the services of +several of the most prominent London Detectives to trace me! + +Owing no devotion now to Sir CHARLES--who will appreciate the +following tender lines with which I close my letter-- + + O woman! in our hours of ease, + Thou art not _very_ hard to please! + Thou takest what the gods may send; + But, thwarted!--thou wilt turn and rend! + +I am able to subscribe myself, dear _Mr. Punch_, + +Yours more devotedly than ever, + +LADY GAY. + +[From internal evidence, we are inclined to believe that this present +letter, or the one last week from "Sir CHARLES," is a forgery. In +former correspondence Lady GAY mentioned "Lord ARTHUR" as her husband. +We pause for an explanation.--ED.] + + * * * * * + +PROVERB FOR VOCALISTS, A PROPOS OF SIR JOSEPH BARNBY'S REMARKS ON +ARTICULATION.--"Take care of the sense, and the sounds will take care +of themselves." + + * * * * * + +Why is pepper essential to the health of the new LORD MAYOR?--Because +without "Kn." (cayenne) he would be "ill." + + * * * * * + +[Illustration: NATURE AND ART. + +_A.R.A._ "BY GEORGE, THIS VIEW'S MAGNIFICENT! I SAY, FLUFFER, YOU +REALLY OUGHT TO HAVE THOSE WOODS PAINTED." + +_Mr. Fluffer_ (_late in the Upholstery line, retired._) "'M--M. DO YOU +THINK THAT WOULD IMPROVE 'EM? WHAT COLOUR, NOW?"] + + * * * * * + +LEFT TO THE LADIES. + +MY DEAR MR. PUNCH, + +Everyone--I mean everyone with a right mind--will sympathise with +those nice people at Bristol who have been holding a "Woman's +Conference." So kind and thoughtful of them, isn't it? I notice +that Lady BATTERSEA gave a spirited account of a Confederation +of Temperance of some thirty villages in Norfolk. The dear, good +inhabitants are to keep off the allurements of drink by "listening to +such shining lights as Canon WILBERFORCE, and social teas, processions +with banners, and magic-lanterns, play their part." How they are +to listen to the teas, processions and lanterns, I don't quite +understand, in spite of the fact that they (the aforesaid teas, &c.) +seem to be "playing their parts." Evidently teas, &c., are amateur +Actors. + +Then somebody who described herself as "a nobody from nowhere," is +said to have "touched a moving chord, as she spoke with great feeling +of the sympathy and the moral help the poor give back to those who +work among them." What "moving chord?" Sounds like a bell-rope! + +Then another lady who wore "the black and lavender dress of the +Sisters of the People," followed with a paper, "perhaps overfull +of details." And here let me say that I am quoting from "a woman +correspondent" who seems to be full of admiration for her talking +sisters. But in spite of this admiration, she knows their little +faults. For instance, she describes a speech as "vigorous, racy, and +perhaps a trifle sensational." Then, when someone else delivered an +"address to educated mothers," she says that it excited deep interest, +and "almost too many educated mothers threw themselves into the +discussion that followed." + +Then she observes, "It was disappointing that Lady ABERDEEN was at the +last moment forbidden by her Doctor to undertake the long journey from +Scotland." So it was, most disappointing; and "at the last moment," +too! + +Then she announces that "Some ladies expressed a feeling, that +introducing young men and women in business to each other, when +assembled in their hundreds at Prince's Hall, was an office fraught +with considerable responsibility." To be sure! Great responsibility! +Might even be improper! Everyone should be _so_ careful! + +However, there was one good thing in this Woman's Conference that +everyone will praise. The delightful, genial, charitable females seem +to have kept to themselves. No men were present. What a blessing--_for +the men_! Yours gratefully, + +AN OLD BACHELOR. + +_The Growleries, Lostbuttonbury, Singleton_. + + * * * * * + +CHRISTMAS IS COMING! + +[Illustration] + + When the ruddy autumn leaves + Flutter down on golden sheaves, + And on plum-trees one perceives + No more plums-- + All the swallows have not fled, + Hardly is the summer dead-- + Then, alas, it must be said + Christmas comes! + + Christmas! Hang it all! But how + Can that be? 'Tis weeks from now. + What a fearful thought, I vow + That it numbs! + "Order Christmas papers" fills + Bookshops, bookstalls. With its bills, + Taxes, tips, fogs, frosts, coughs, chills, + Christmas comes! + + Even Christmas-cards appear, + They are with us half the year, + I would banish them from here, + Say, to Thrums, + Or to any mournful place, + Where I'd never show my face, + For they tell one that, apace, + Christmas comes! + + * * * * * + +SEASONABLE CHRISTMAS MOTTO FOR WELL-KNOWN FINE-ART PUBLISHERS.--"TUCK +in!" + + * * * * * + +[Illustration: FOOTBALL FEVER. SATURDAY AFTERNOON IN THE MIDLANDS.] + + * * * * * + +TO "THE LAZY MINSTREL" + + _On the publication of his Eighth Edition, with therein + Nineteen Poems originally written for Mr. Punch._ + +[Illustration: The Lazy Laureate of the Thames.] + + Who would not be a Minstrel Lazy? + A trifle crazy, + The best of them! Ah! + Here's ASHBY STERRY, in punt or wherry, + He's ever merry! sing "hey down derry," + Or anything very + Like Tra! la! la! la! + + On sunny days he trolls his lays + With gay guitar and Tra! la! la! la! + From groves and glades come meadow-sweet maids, + None of your saucy minxes or jades; + The poet is there + Without a care. + With no regret, with mild cigarette. + With gay guitar, and whiskey from Leith, + Will he be crowned with the Laureate wreath? + +(_The Nymph Pantalettina is heard singing_.) + + Come where my ASHBY lies dreaming, + Dreaming for hours after lunch. + Softly! for he is scheming + Poems for _Mister Punch_! + Graceful is his position-- + Hark! how he sweeps the strings, + While of his Eighth Edition + The Warbler STERRY sings:-- + +(_The Bard chirpeth his roundelay_.) + + "On 'Spring's Delights' in 'Hambledon Lock' + 'My Country Cousin' may hap-- + With her I'll go + 'In Rotten Row,' + Stop on an 'oss + 'At Charing-Cross,' + For a 'Tam O'Shanter Cap.' + + No gout? Oh no! But I'm 'Taken in Tow,' + And suffering from dejection, + 'Spring Cleaning' I'll use for a pair of old shoes + (Queer rhyme upon reflection), + 'Sound without Sense,' I've no pretence, + To write Shakspearian Sonnets. + Of her and him, + As suits my whim, + I sing, and I hymn her bonnets!" + +(_Chorus of Pantalettina and River Nymphs._) + + So, hail to the Bard so merry, + To Lazy Laureate STERRY! + He'll sing of a Lock on the Thames! oh rare! + Or hymn a Lock of his Lady's hair. + + * * * * * + +CONVERSATIONAL HINTS FOR YOUNG SHOOTERS. + +The subject of Lunch, my dear young friends, has now been exhausted. +We have done, for the time, with poetry, and descend again to the +ordinary prose of every-day shooting. Yet stay--before we proceed +further, there is one matter apart from the mere details of sport, +which may be profitably considered in this treatise. It is the divine, +the delightful subject of + +SMOKING. + +First, I ask, do you know--(1), the man who never smokes from the +night of the 11th of August up to the night of the 1st of February in +the following year, for fear of injuring his sight and his shooting +nerve? (2), the host who forbids all smoking amongst the guests +assembled at his house for a shooting-party? + +You, naturally enough, reply that you have not the honour of being +acquainted with these severe, but enthusiastic gentlemen. Nobody does +know them. They don't exist. But it is very useful to affect a sort of +second-hand knowledge of these Gorgons of the weed, as thus:-- + + _A Party of Guns is walking to the first beat of the day. + Time, say about_ 10.20 A.M. + +_Young Sportsman_ (_who has a pipe in his mouth, to Second Sportsman, +similarly adorned_). I always think the after-breakfast smoke is about +the best of the day. Somehow, tobacco tastes sweeter then than at any +other time of the day. + +_Second Sp._ (_puffing vigorously_). Yes, it's first class; but I hold +with smoke at most times of the day, after breakfast, after lunch, +after dinner, and in between. + +_Young Sp._ Well, I don't know. If I try to smoke when I'm actually +shooting, I generally find I've got my pipe in the gun side of my +mouth. I heard of a man the other day who knocked out three of his +best teeth through bringing up his gun sharp, and forgetting he'd +got a pipe in his mouth. Poor beggar! he was very plucky about it, +I believe; but it made no end of a difference to his pronunciation +till he got a new lot shoved in. Just like that old Johnnie in the +play--Overland something or other--who lost his false set of teeth +on a desert island, and couldn't make any of the other Johnnies +understand him. + +_Second Sp._ I've never had any difficulty with my smoking. I always +make a habit of carrying my smokes in the left side of my mouth. + +_Young Sp._ Oh, but you're pretty certain to get the smoke or the +ashes or something, blown slap into your eyes just as you're going to +loose off. No. (_With decision_.) I'm off my smoke when the popping +begins. + +_Second Sp._ Don't be too hard on yourself, my boy. They tell me there +are precious few birds in the old planting this year, so you can treat +yourself to a cigarette when you get there. It never pays to trample +on one's longing for tobacco too much. + +_Young Sp._ No, by Jove. Old REGGIE MORRIS told me of a fellow he met +somewhere this year, who goes regularly into training for shooting. +Never touches baccy from August to February, and limits his drink +to three pints a day, and no whiskeys and sodas. And what's more, he +won't let any of his guests smoke when he's got a shoot on, He's got +"No Smoking" posted up in big letters in every room in the house. +REGGIE said it was awful. He had to lock his bedroom door, shove the +chest-of-drawers against it, and smoke with his head stuck right up +the chimney. He got a peck of soot, one night, right on the top of his +nut. Now I call that simple rot. + +_Second Sp._ Ah, I've heard of that man. Never met him though, I'm +thankful to say. Let me see what's the beggar's name? JACKSON or +BARRETT, or POLLARD, or something like that. He's got a big place +somewhere in Suffolk, or Yorkshire, or somewhere about there. + +_Young Sp._ Yes, that's the chap, I fancy. + +Now that kind of thing starts you very nicely for the day. It isn't +necessary that either of the sportsmen whose dialogue has been +reported should believe implicitly in the absolute truth of what he is +saying. Observe, neither of them says that he himself met this man. +He merely gets conversation out of him on the strength of what someone +else has told him. That, you see, is the real trick of the thing. +Don't bind yourself to such a story as being part of your own personal +experience. Work it in on another man's back. Of course there are +exceptions even to this rule. But this question I shall be able to +treat at greater length when I come to deal with the important subject +of "Shooting Anecdotes." + +[Illustration] + +Very often you can work up quite a nice little conversation on +cigarettes. Every man believes, as is well-known, that he possesses +the only decent cigarettes in the country. He either--(1), imports +them himself from Cairo, or (2), he gets his tobacco straight from +a firm of growers somewhere in Syria and makes it into cigarettes +himself; or (3), he thinks Egyptian cigarettes are an abomination, +and only smokes Russians or Americans; or (4), he knows a man, +BACKASTOPOULO by name, somewhere in the Ratcliffe Highway, who +has _the_ very best cigarettes you ever tasted. You wouldn't give +two-pence a hundred for any others after smoking these, he tells you. +And, lastly, there is the man who loathes cigarettes, despises those +who smoke them, and never, smokes anything himself except a special +kind of cigar ornamented with a sort of red and gold garter. + +Out of this conflict of preferences the young shooter can make +capital. By flattering everybody in turn, he can practically get his +smoking gratis, for everyone will be sure to offer him at least one +cigarette, in order to prove the superiority of his own particular +kind. And if the young shooter, after smoking it, expresses a proper +amount of ecstasy, he is not at all unlikely to have a second offered +to him. Most men are generous with cigarettes. Many a man I know +would far rather give a beggar a cigarette than a shilling, though +the cigarette may have cost, originally, a penny-halfpenny, or more--a +strange and paradoxical state of affairs. + +Here is a final piece of advice. Admire all cigarette-cases, and say +of each that it's the very best and prettiest you ever saw. You can +have no notion how much innocent pleasure you will give. + + * * * * * + +NOTICE.--Rejected Communications or Contributions, whether MS., +Printed Matter, Drawings, or Pictures of any description, will in no +case be returned, not even when accompanied by a Stamped and Addressed +Envelope, Cover, or Wrapper. To this rule there will be no exception.. + + + + + + + + +End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol. +103, November 19, 1892, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 15957.txt or 15957.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/9/5/15957/ + +Produced by Malcolm Farmer, William Flis, and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
