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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:47:18 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:47:18 -0700 |
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diff --git a/15677-h/15677-h.htm b/15677-h/15677-h.htm new file mode 100644 index 0000000..18586af --- /dev/null +++ b/15677-h/15677-h.htm @@ -0,0 +1,2248 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> + <meta http-equiv="Content-Type" + content="text/html; charset=iso-8859-1" /> + + <title>Punch, November 5, 1892.</title> + <style type="text/css"> + /*<![CDATA[*/ + + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + .sc {font-variant: small-caps;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + + .note, .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt; text-indent: 0;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + .poem p.i8 {margin-left: 4em;} + .poem p.i10 {margin-left: 5em;} + + .drama {margin-bottom: 1em; text-align: left;} + .drama p {margin: 1em 0em 0em 0em;; padding-left: 2em; text-indent: -2em;} + .drama p.i2 {margin: 0; margin-left: 1em;} + .drama p.i4 {margin: 0; margin-left: 2em;} + .drama p.i6 {margin: 0; margin-left: 3em;} + .drama p.i8 {margin: 0; margin-left: 4em;} + .drama p.i10 {margin: 0; margin-left: 5em;} + + .figure, .figcenter, .figright, .figleft + {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;} + .figure img, .figcenter img, .figright img, .figleft img + {border: none;} + .figure p, .figcenter p, .figright p, .figleft p + {margin: 0; text-indent: 1em;} + .figcenter {margin: auto;} + .figright {float: right;} + .figleft {float: left;} + + p.author {text-align: right;} + --> + /*]]>*/ + </style> +</head> + +<body> + + +<pre> + +The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 103, +November 5, 1892, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari, Vol. 103, November 5, 1892 + +Author: Various + +Release Date: April 21, 2005 [EBook #15677] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** + + + + +Produced by Malcolm Farmer, William Flis, and the Online Distributed +Proofreading Team. + + + + + + +</pre> + + <h1>PUNCH,<br /> + OR THE LONDON CHARIVARI.</h1> + + <h2>Vol. 103.</h2> + <hr class="full" /> + + <h2>November 5, 1892.</h2> + <hr class="full" /> + <span class="pagenum"><a name="page205" + id="page205"></a>[pg 205]</span> + + <h2>CONVERSATIONAL HINTS FOR YOUNG SHOOTERS.</h2> + + <p>LUNCH (<i>continued</i>).—Perhaps the best piece of + advice that I can give you, my young friend, is that—for + conversational purposes—you should make a careful study + of the natures and temperaments of your companions. Watch their + little peculiarities, both of manner and of shooting; pick up + what you can about their careers in sport and in the general + world, and use the knowledge so acquired with tact and + discretion when you are talking to them. For instance, if one + of the party is a celebrated shot, who has done some + astonishing record at driven grouse, you may, after the + necessary preliminaries, ask him to be good enough to tell you + what was the precise number of birds he shot on that occasion. + Tell him, if you like, that the question arose the other day + during a discussion on the three finest game-shots of the + world. If you happen to know that he shot eighteen hundred + birds, you can say that most people fixed the figure at fifteen + hundred. He will then say,—"Ah, I know most people seem + to have got that notion—I don't know why. As a matter of + fact, I managed to get eighteen hundred and two, and they + picked up twenty-two on the following morning." Your obvious + remark is, "By Jove!" (with a strong emphasis on the "by") + "what magnificent shooting!" After that, the thing runs along + of its own accord. With a bad shot your method is, of course, + quite different. For example:—</p> + + <div class="drama"> + <p><i>Young Shot</i>. I must say I like the old style of + walking up your birds better than driving, especially in a + country like this. I never saw such difficult birds as we + had this morning. You seemed to have the worst of the luck + everywhere.</p> + + <p><i>Bad Shot</i>. Yes—they didn't come my way much. + But I don't get much practice at this kind of + thing—and a man's no good without practice.</p> + + <p><i>Y.S.</i> That was a deuced long shot, all the same, + that you polished off in the last drive. When I saw him + coming at about a hundred miles an hour, I thanked my stars + he wasn't my bird. What a thump he fell!</p> + + <p><i>B.S.</i> Oh, he was a fairly easy shot, though a bit + far off. I daresay I should do well enough if I only got + more shooting. I'm not shooting with my own gun, though. + It's one of my brother's, and it's rather short in the + stock for me.</p> + </div> + + <p>That starts you comfortably with the Bad Shot. You soothe + his ruffled vanity, and give him a better appetite for + lunch.</p> + + <p>Now, besides the Good Shot, and the Bad Shot—the two + extremes, as it were, of the line of shooters—you might + subdivide your sportsmen further into—</p> + + <p>(1.) <i>The Jovial Shot.</i> This party is on excellent + terms with himself and with everybody else. Generally he shoots + fairly well, but there is a rollicking air about him, which + disarms criticism, even when he shoots badly. He knows + everybody, and talks of most people by nick-names. His sporting + anecdotes may be counted upon for, at any rate, a <i>succès + d'estime</i>. "I never laughed so much in my life," he begins, + "as I did last Tuesday. There were four of us—Old SANDY, + BUTCHER BILL, DICK WHORTLEBURY, and myself. SANDY was driving + us back from Dillwater Hall—you know, old PUFFINGTON's + place—where we'd been dining. Devilish dark night it was, + and SANDY's as blind as a bat. When we got to the Devil's + Punchbowl I knew there'd be some warm games, 'cos the horse + started off full tilt, and, before you could say knife, over we + went. I pitched, head first, into DICK's stomach, and SANDY and + BILL went howling down like a right and left of rabbits. Lord, + I laughed till the tears ran down my face. No bones broken, but + the old BUTCHER's face got a shade the worst of it with a + thorn-bush on the slope. Cart smashed into matchwood, of + course."</p> + + <p>(2.) <i>The Dressy Shot.</i> Wonderful in the boot, + stocking, and gaiter department. Very tasteful, too, in the + matter of caps and ties. May be flattered by an inquiry as to + where he got his gaiters, and if they are an idea of his own. + Sometimes bursts out into a belt covered with silver clasps. + Fancy waistcoats a speciality. His smoking-suit, in the + evening, is a dream of gorgeous rainbows. Is sometimes a very + fair shot. Generally wears gloves, and a fair moustache.</p> + + <p>(3.) <i>The Bored Shot.</i> A good sportsman, who says he + doesn't care about sport. Often has literary tastes. Has views + of his own, and is, consequently, looked upon as a rather + dangerous idealist by honest country gentlemen, who confine + their reading to an occasional peep at the <i>Times</i>, and an + intimate quoting acquaintance with the novels of Mr. SURTEES. + Often shocks his companions by telling them he really doesn't + care much about killing things, and would just as soon let them + off. However, he shows a perfectly proper anger if he misses + frequently. Is not unlikely to be an authority on sheep and + oxen, and may, perhaps, be accepted as the Conservative + Candidate for his County division, dumb but indignant County + magnates finding that he expresses their views better than they + can do it themselves. Don't talk to him about sport. Try him + with books, interesting articles in the Magazines, and so + forth.</p> + + <p>(4.) <i>The Soldier Shot.</i> This kind is generally a + Captain, dresses well, but not gaudily, and smokes big cigars. + There seems to be a general idea that a man who can teach + privates to shoot targets must be able to shoot game himself. + Yet the Soldier Shot misses birds quite beautifully. He will + have often shot big game in India with an accuracy that + increases in proportion to the number of miles that separate + him from the scene of his exploits. After all, the ability to + "brown" a herd of elephants does not guarantee rights and lefts + at partridges. Apt to declaim tersely and forcibly about the + hardships of a military career.</p> + + <p>(5.) <i>The Average Shot.</i> Talk to him about average + matters, unless you hear he is a celebrity in some other branch + of sport. In that case, get details from him of his last Alpine + climb, or his latest run to hounds, or ask his views on racing + matters. Most average shots go racing, and think they + understand all about it.</p> + + <p>I say nothing here about the Dangerous Shot, because it is + never right to get within talking distance of him. In fact, he + ought not to be talked to at all. I am not sure he ought to be + allowed to live. Still, his exploits furnish material for many + an animated conversation amongst the survivors.</p> + <hr /> + + <div class="figcenter" + style="width:50%;"> + <a href="images/205.png"><img width="100%" + src="images/205.png" + alt="—'ANIMIS CŒLESTIBUS IRÆ!'" /></a> + + <h3>—"ANIMIS CŒLESTIBUS IRÆ!"</h3> + + <h4>A MODERN SCIENTIFIC DISCUSSION.</h4> + + <p><i>Miss Fanny</i> (<i>a gentle and most veracious + Child</i>). "YAH! YOU CRUEL COWARD! YOU AND YOUR FRIENDS + SKINNED A LIVE FROG!"</p> + + <p><i>Master Victor</i> (<i>an industrious but very touchy + little Boy</i>). "YOU'RE A LIAR! THE FROG WAS DEAD, AND + <i>YOU KNOW IT!</i>"</p> + + <p><i>Miss Fanny.</i> "BOOHOO! WHETHER IT WAS DEAD OR NOT, + YOU'VE GOT NO RIGHT TO CALL NAMES; 'COS I'M A GIRL, AND + CAN'T PUNCH YOUR HEAD!"</p> + + <p><i>Master Victor.</i> "IT'S JUST BECAUSE YOU'RE A GIRL + THAT <i>I</i> CAN'T PUNCH <i>YOURS</i>! YOU SHOULD HAVE + THOUGHT OF THAT BEFORE YOU CALLED ME A COWARD!"</p> + </div> + <hr /> + <span class="pagenum"><a name="page206" + id="page206"></a>[pg 206]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/206.png"><img width="100%" + src="images/206.png" + alt="THE CABINET MEET." /></a> + + <h3>THE CABINET MEET.</h3> + </div> + <hr /> + <span class="pagenum"><a name="page207" + id="page207"></a>[pg 207]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/207.png"><img width="100%" + src="images/207.png" + alt="A BUCKJUMPERISH SENSATION." /></a> + + <h3>A BUCKJUMPERISH SENSATION.</h3> + + <blockquote class="note"> + <p>[It is rumoured that some of BUFFALO BILL's Broncos + have been bought by the Cab Proprietors of London.]</p> + </blockquote><i>Cabby.</i> "SIT STILL, SIR! THIS AIN'T + NOTHIN' TO WOT 'E <i>CAN</i> DO. YOU'LL SEE 'IM TURN 'EAD + OVER 'EELS PRESENTLY!" + </div> + <hr /> + + <h2>A QUESTION OF POLICE;</h2> + + <h4><i>Or, What it may come to.</i></h4> + + <blockquote> + <p>SCENE—<i>Trafalgar Square just before sunset. + Police in abundance; number of Processionists in various + parts of the open space seen to be dispersing.</i></p> + </blockquote> + + <div class="drama"> + <p><i>Police Inspector.</i> Now, my good friends, I am + going to be as polite as possible, but I must obey the + regulations of the Commissioners of Her Majesty's Works and + Public Buildings. And I say you cannot speak, because you + have not given proper notice to the authorities.</p> + + <p><i>First Orator.</i> But I have—I tell you I wrote + to the Commissioner four days ago.</p> + + <p><i>Pol. In.</i> Oh, did you? Then that of course alters + the case. What are you, Sir?</p> + + <p><i>First Or.</i> I am the "Friends of the Horny Hands of + Labour."</p> + + <p><i>Pol. In.</i> (<i>after referring to note-book</i>). + Ah, I <i>thought</i> I was right. Your application came in + second, Sir—the "Decayed Washerwomen" got in before + you. Look here. (<i>Pointing out regulation.</i>) "Not more + than one Meeting shall be allowed at the same time, and if + notices of two or more Meetings are given for the same day, + preference shall be given to that Meeting of which notice + shall have been first received." So you see, Sir, you are + not in it. Better luck next time. There is another Bank + Holiday six months hence.</p> + + <p><i>First Or.</i> But the "Decayed Washerwomen" are not + here, and I—</p> + + <p><i>Pol. In.</i> Very sorry. Sir, but you must move on. + (First Orator <i>disappears with grumbling followers</i>.) + I say, BILL, I do really think these regulations are + working quite pleasantly.</p> + + <p><i>Bill</i> (<i>a subordinate</i>). Yes, Sir.</p> + + <p><i>Second Orator.</i> (<i>entering hurriedly, + accompanied by some aged females</i>). Here, I say, where + are we to make speeches?</p> + + <p><i>Pol. In.</i> (<i>genially</i>). Nowhere, unless you + have the proper authority. Who may you be when you are at + home?</p> + + <p><i>Second Or.</i> (<i>fussily</i>). Why, the "Decayed + Washerwomen," to be sure. Now, look sharp, and find us a + place to deliver speeches. You know you <i>must</i> do it, + by order of the—</p> + + <p><i>Pol. In.</i> Yes, I know. Well, what do you say to + the top of that lamp-post?</p> + + <p><i>Second Or.</i> Now, none of your chaff. Mind, you are + the servants of the public, and—</p> + + <p><i>Pol. In.</i> Yes—but don't deliver a speech to + me—I am not a "Decayed Washerwoman."</p> + + <p><i>Chorus of Indignant Females.</i> We should think not. + It would be a good thing if you were!</p> + + <p><i>Second Or.</i> Now, look sharp. We have been longer + coming than we expected. The cabs and omnibuses were so + troublesome. Now, where shall I stand?</p> + + <p><i>Pol. In.</i> (<i>considering</i>). Well, I think you + would be out of the way if you got up there, and spoke to + them down below.</p> + </div> + + <blockquote> + <p>[<i>Points out elevated position in front of the + National Gallery.</i></p> + </blockquote> + + <p><i>Second Or.</i> But they won't be able to see, much less + to hear me!</p> + + <p><i>Pol. In.</i> Can't help that. The Commissioners of Her + Majesty's Works and Public Buildings don't provide telescopes + nor yet ear-trumpets.—<i>Bill</i> (<i>saluting</i>). + Sunset, Sir!</p> + + <p><i>Pol. In.</i> There, you see! Thought you would be too + late. Time's up. Glad to see you another day. But + now—move on!</p> + + <blockquote> + <p>[<i>And the Police Regulations are obeyed. + Curtain.</i></p> + </blockquote> + <hr /> + + <p>THE GOOD OLD (SUNDAY) TIMES REVIVED.—The specimen + number of <i>The Sunday Times</i> as it was at its commencement + in 1822, given on Sunday, October 23rd, 1892, is most + interesting. Theatrical advertising was quite "a feature" at + that time, when only two Theatres, Drury Lane and Covent + Garden, seem to have advertised. The names there are of EDMUND + KEAN simply as Mr. KEAN, of Messrs. DOWTON, HARLEY, YOUNG, + MUNDEN, Mrs. GLOVER, and of Madame VESTRIS as <i>Ophelia</i>. + BRAHAM is there, as also LISTON and Miss STEPHENS. Prize Fights + are done in the good old Tom-and-Jerry style, and the Police + Reports are made so amusing as to suggest that such a light + touch as is occasionally given in the "Day by Day" of the + <i>Daily Telegraph</i>, might be nowadays welcome in (Police) + Court News. Altogether, a happy thought to reproduce the + <i>Sunday Times</i> of 1822, and may the <i>Sunday Times</i> of + 1892 live up to it, and be "going strong" in 1992! + <i>Prosit!</i></p> + <hr /> + <span class="pagenum"><a name="page208" + id="page208"></a>[pg 208]</span> + + <h2>GUY-FOX POPULI.</h2> + + <div class="figright" + style="width:38%;"> + <a href="images/208.png"><img width="100%" + src="images/208.png" + alt="'A Guy in Spectacles and a Tall Hat.'" /></a>"A + Guy in Spectacles and a Tall Hat." + </div> + + <p>The proceedings of the Midnight Mass Meeting of Unemployed + Guys at Vauxhall on the fifth of November were of a somewhat + disorderly nature, several of the speeches being characterised + by a distinctly incendiary tone, as will be seen from the + following account by <i>Mr. Punch's</i> Special Reporter, who + was present throughout.</p> + + <p>The Chair-guy (whose appearance was comparatively + respectable) said he was proud to occupy the + chair—notwithstanding that the bottom was out of it. + (<i>Shame!</i>) Oh. he was used to that, although he could tell + the meeting he had driven his own donkey-cart once upon a time, + if he had come down to a wheelbarrow now! (<i>Cries of "Toff!" + and "Aristocrat!" from the more extreme Guys.</i>) He did not + understand those expressions of disapproval—a wheelbarrow + with one leg missing was surely an unostentatious conveyance + enough. Well, they had met that evening to discuss the means to + be taken to obviate the depression in the important branch of + out-door industry in which, if he did not mistake, they were + all interested. (<i>Hear, hear!</i>) That such depression + existed, and was on the increase, there was, unhappily, no + doubt—it was becoming more and more difficult, as they + knew without his telling them, for the steadiest Guy to + maintain himself in a proper position, without extraneous + support. He knew, for a fact, that there were hundreds of Guys + at that very moment who, when their present job was over, would + find themselves—through no fault of their + own—thrown out of employment for another twelvemonth, at + least. Did they call <i>that</i> justice? (<i>No! and + groans.</i>) The whole system was iniquitous—the question + was, how they were to put a stop to it. He invited suggestions + from the Audience.</p> + + <p>A Guy said that, in his opinion, their decline was entirely + due to their inability to supply themselves with the apparel + necessary and suitable to their calling. What were their + duties? Why, to keep alive the memory of their famous Founder, + the author of the great, and never-to-be-forgotten Gunpowder + Plot—he need hardly say he alluded to GUIDO FAWKES! + (<i>Enthusiastic and prolonged cheering.</i>) He was no scholar + himself—he had never enjoyed a University + education—and he did not pretend to be an authority on + historical costume. Still, he felt safe in asserting that a Guy + who, like himself, was compelled to represent their glorious + Predecessor in an old tail coat, a pair of baggy tweed + trousers, and a pot hat with a hole through the crown, did so + under a cruel disadvantage. He had heard that, in former times, + every Guy was sent out provided, as a matter of course, with a + dark lantern and a box of matches. Who ever saw a Guy so + equipped nowadays? They had been robbed of the very implements + of their trade by the grasping greed of their so-called + superiors. (<i>Shame!</i>) In his opinion every Guy had a right + to be furnished with the correct costume of the + period—whatever that might be—at the public + expense. (<i>Loud cheers.</i>)</p> + + <p>A Guy in a Cocked Hat said he did not think the previous + speaker had mentioned the real cause of their fallen + fortunes—their <i>clothes</i> were right enough; they had + to thank their own shortsighted policy for their present + position—yes, he was there to speak plainly, as Guy to + Guy, and he told them that it was nothing short of social + suicide for a Guy to carry about a placard, such as he saw too + many of them wearing that evening, inscribed with the name of a + recent murderer or some other popular but ephemeral favourite. + (<i>Some murmuring.</i>) <i>That</i> was not the way to + preserve the name and fame of their revered Chief. No; let + every Guy be true to himself and his order, let him indignantly + refuse to sully his descent by such vulgar and unworthy + devices, and then—(<i>Uproar, amidst which the Speaker + was compelled to resume his seat.</i>)</p> + + <p>A Guy in a Blue Mask, who carried a placard bearing the name + of the Ex-Premier, described the remarks of both his brother + Guys as pestilent drivel. It was not clothes that made the Guy. + A Guy was a Guy in any guise! (<i>Loud cheers.</i>) But no Guy + ever rose in the world yet without combustibles of some sort + inside him, and how many of them ever knew what it was to get + their fill of crackers? They were starving amidst an abundance + of squibs! Society was responsible, and must be forced to do + its duty. He had had enough of it, he meant to get a good + blow-out before he was much older, he could tell them, and if + the Government refused to provide it free, he must loot a + firework factory, that was all—he was ready to lead the + way—if they would follow! (<i>Applause.</i>)</p> + + <p>A Guy in a Yellow Mask said he was in favour of proceeding + by peaceable and constitutional methods if possible. Much could + be done by organising and bringing their grievances before + Parliament, with a view to remedial legislation. They might + begin by agitating for the Franchise. "One Guy, one vote!" + would be a popular cry just now, when some Electoral Reforms + were believed to be in contemplation. Fortunately they had a + Home Secretary whom they might reasonably hope to find + sympathetic—he thought they should ascertain his views + before taking any other steps.</p> + + <p>A Guy in a Pink Mask said he had organised till he was sick + of it. As for the Home Secretary, he happened to have headed a + deputation to the Home Office that very afternoon—and + what did the Meeting think was the result? Why, the Home + Secretary had declined to receive him! (<i>Shame!</i>) Ah, he + might call himself a Radical—but did he treat a Guy as a + Man and a Brother? Did he recognise that, creatures of rags and + shavings as they were, they had their feelings? Not he! they + were all alike, these politicians, directly they got into + office. How long, he asked them, were Guys to be chivied, and + harried, and moved along into back-streets by the brutal + minions of a corrupt middle-class? If they wanted to get their + rights, they must make themselves a nuisance to the + Authorities, like other people. It was all very fine to talk + about the Franchise, and "One Guy, one vote!" and all the rest + of it, but they all knew that Home Rule blocked the way at + present. They must go to Trafalgar Square in their thousands; + it was the finest place for a bonfire in all London, and they + had been kept out of it long enough. <i>He</i> meant to go, if + he had to be carried there! (<i>Loud cheers.</i>)</p> + + <p>A Guy in Spectacles and a Tall Hat, said that a + demonstration in the Square would, no doubt, be an excellent + way of drawing public attention to their wrongs. He advised + that when they had succeeded in capturing the Square, they + should proceed to pass a resolution calling upon the London + County Council to find instant and permanent employment for + such Guys as were out of work. (<i>Cheers.</i>) They could do + it easily enough if they liked, and he would tell them how. All + over London, nay, in the very Square itself, there were + innumerable pedestals at present usurped by Statues which were + a disgrace to the Metropolis. All the Council had to do was to + remove those Statues from positions they had so long abused, + and promote the most deserving and destitute Guys to fill their + places. (<i>Uproar.</i>)</p> + + <p>A Guy in Fustian and a Red Comforter rose excitedly to + protest against the last speaker's proposals, which he declared + were an insult to their common Guyhood. They might have come + down in the world, but hitherto, whatever might be said of + them, they had, at least, never rendered themselves publicly + ridiculous. Now they were asked to degrade themselves by + accepting the ignominious position of London Statues! Was there + a Guy who would ever hold up his head again, after such an + infamous surrender of his self-respect and independence? He + felt it his duty to denounce the Guy who was guilty of such a + suggestion as a wolf, in sheep's clothing, a base traitor to + his order, and a paid spy!</p> + + <blockquote> + <p>[<i>Intense excitement; charges and countercharges, and + vain attempts by the Chair-guy to restore order. Several + Guys, unable to control their indignation any longer, + exploded, and the Meeting finally dispersed without + attempting to pass any resolution, amidst a scene of + indescribable confusion.</i></p> + </blockquote> + <hr /> + + <p>A PATRON OF THE GAIETY THEATRE AND MODERN VARIETY + EXTRAVAGANZA SHOW ANTICIPATED BY CHARLES + DICKENS.—"There's a lot of feet in SHAKSPEARE's verse, + but there ain't any legs worth mentioning in SHAKSPEARE's + Plays. * * * What the people call dramatic poetry is a + collection of sermons. Do I go to the theatre to be lectured? + No, PIP. If I wanted that, I'd go to church. What's the + legitimate object of the Drama, PIP? Human nature. What are + legs? Human nature. Then let us have plenty of leg-pieces, PIP, + and I'll stand by you, my buck!"—<i>Martin + Chuzzlewit</i>.</p> + + <p>N.B.—This is the Pip of our puzzle to Dickensian + Students last week. The reference, chapter and verse, was given + immediately by Mr. COMYNS CARR, who, on the spot received his + reward, and went away rejoicing. We regret that there are no + second and third prizes, otherwise Messrs. WALTER WREN and VAN + TROMP would have been "placed."—ED.</p> + <hr /> + <span class="pagenum"><a name="page209" + id="page209"></a>[pg 209]</span> + + <h3>REFRESHERS.</h3> + + <p>"The LORD CHIEF JUSTICE said, 'The extent to which + Refreshers are carried in these days makes my historical mouth + water. In my younger days at the Bar'—"</p> + + <div class="figcenter" + style="width:22%;"> + <a href="images/209-1.png"><img width="100%" + src="images/209-1.png" + alt="" /></a> + </div> + + <center> + (<i>Cue for Song.</i>) + </center> + + <p>"In my younger days at the Bar, Tra la la la!" &c.</p> + <hr /> + + <h3>THE NEW BROOM, AND THE BLACK PEERAGE.</h3> + + <h4>(<i>Rhyme by a Rad.</i>)</h4> + + <blockquote class="note"> + <p>[Lord SALISBURY, in his article in the <i>National + Review</i> for November, makes fun of Mr. FREDERIC + HARRISON's assertion that the Government could, at a pinch, + secure a majority in the Upper Chamber by elevating five + hundred Sweeps (which Lord S. calls the "Black Peerage") to + the House of Lords, with the assent of the Crown.]</p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>Five hundred? Good gracious! there's no need of + that.</p> + + <p>"Black Peerage," indeed! Though as black as my + hat,</p> + + <p>They could hardly be blacker than SALISBURY's + lot;</p> + + <p>But to talk of such sooty recruits is sheer rot.</p> + + <p>That bad Upper House to reform—or + degrade—</p> + + <p>We don't want the charge of this queer Dark + Brigade.</p> + + <p>Five hundred? FRED HARRISON, you <i>are</i> a green + one!</p> + + <p><i>I</i>'d settle the business with <i>one</i> + sweep—<i>a clean one</i>!</p> + </div> + </div> + <hr /> + + <h2>THE COURT JESTERS.</h2> + + <div class="figleft" + style="width:25%;"> + <a href="images/209-2.png"><img width="100%" + src="images/209-2.png" + alt="An Inhabitant of Noah's Ark." /></a>An Inhabitant + of Noah's Ark. + </div> + + <p>Thanks to Messrs. SIMS and RALEIGH and the Court Company for + a good hearty laugh, and many of them at their new three-act + farcical comedy, <i>The Guardsman</i>. It Raleigh is good, and + Sims likely to be in for a long run. Therefore, congratulations + to Mr. CHUDLEIGH, who is in the proud position of "Sole Lessee + and Manager," of the Court. Odd, as a correspondent remarked in + a letter to <i>Mr. Punch</i> last week, is the coincidental + resemblance of the master-motive of the plot to that of + <i>Incognita</i> at the Lyric; viz., the young man refusing to + marry the girl with whom he is really in love, because he is in + love with the very same young lady without knowing her name or + anything about her. But hath not the old Spanish Comedy-writer, + GONZALES, used it three times? hath not his fellow-countryman, + VEGA MORVEGA, used it in his now obsolete play of <i>The + Distressed Mother</i>? and hath not VODENDOL, the Norwegian + dramatist, absolutely nauseated us with it, not to mention its + constant use by that imitation of GOLDONI, Count ERFITO + D'ALUMINIO? And to come nearer home, did not the + German—but why pursue the "motive" until you run it to + earth, and even then it won't be killed, but will be + flourishing thousands of years hence, when the New Zealand + playwright among the ruins of London shall take up his + note-book and commence a scenario on the old, but to him, quite + original idea.</p> + + <div class="figright" + style="width:30%;"> + <a href="images/209-3.png"><img width="100%" + src="images/209-3.png" + alt="Arthur Cecil's Collard Head à la G.O.M." /> + </a>Arthur Cecil's Collard Head à la G.O.M. + </div> + + <p>Then, in the last Act of <i>The Guardsman</i>, if we have a + French room with half-a-dozen doors, leading to half-a-dozen + different places, with which arrangement not a few of us are + familiar in pieces brought over fresh from the Palais Royal, + and occurring in farces of which <i>Bébé</i>, <i>Anglicè + Betsey</i>, at the Gymnase and Criterion is a type, shall we + complain? Shall we not rather laugh heartily over the good old + game of Hide-and-Seek, which on the stage is invariably the + cause of much amusement to one person for whom, at all events, + I can answer? What does it matter if to some it recalls a few + farcical comedies all excellent material? Not a bit! I gather + from the genuine laughter and applause of the crowded house at + the Court, that this amuses and will continue to amuse some + hundreds nightly, as long as it is all done so well, and at + such high pressure, as it is now in <i>The Guardsman</i>. The + First Act is good; the Second is the best; but the Third is + like the last figure in an after-supper early-in-the-morning + Lancers, ending in a whirligig <i>galop</i>, when everything is + fast and furious, and just the tune and its measure taken + <i>prestissimo</i> and <i>fortissimo</i> keep the couples going + till everybody is breathless and exhausted.</p> + + <div class="figright" + style="width:35%;"> + <a href="images/209-4.png"><img width="100%" + src="images/209-4.png" + alt="Miss Ellaline Terriss with her Special Train—to be continued in our next." /> + </a>Miss Ellaline Terriss with her Special Train—to + be continued in our next. + </div> + + <p>WEEDON GROSSMITH is excellent. In brief, he plays the part + of a thorough donkey, who wishes to appear "horsey." ARTHUR + CECIL is admirable as the Ex-Judge of the Divorce + Court—suggesting the idea of a gay old gentleman, who is + still a bit of a dog—but a dog who has had his day. If + this is not his character, how is it he is on such friendly + terms with the <i>Modiste</i>, carefully played, and with great + spirit too, by Miss AGNES THOMAS? Mr. ELLIOT is all go and + bustle; if he were not so, pop would go the piece. The makeup + of Mr. LITTLE for the old Captain is uncommonly good; it is a + small part, but, with a LITTLE in it, it is big. Mr. NAMBY, as + the Irishman, <i>Miles</i>, first-rate; quite <i>Miles + gloriosus</i>. But I can't go on with praise, they're all so + good, and ELLALINE TERRISS charming. Miss CAROLINE HILL, + fresher than the proverbial paint, makes a rattling part of + <i>Lady Jones</i>, and, as the motto of this Company is that of + Racing Eights, "Swing, swing together!"—which might, in + another sense, have been the refrain sung by a brazen band of + Highwaymen in the good old times—it is likely that + they'll keep the Court-Boat going the pace, with the tide of + popular favour, for many months to come.</p> + + <p>As a Postscript, I may add a letter on the subject addressed + to <i>Mr. Punch</i>.</p> + + <p class="author"><i>Oct. 25th.</i></p> + + <p>DEAR MR. PUNCH,</p> + + <p>In the admirable letter of "AN OLD SOLDIER" in your paper + this week, there are a few unimportant errors due, no doubt, to + your Correspondent's age, and the shortness of memory + consequent upon it that mar, in a measure, the trenchant force + of his criticism. I feel sure he will pardon my reminding him + that the Coldstream Guards do <i>not</i> wear varnished or + patent-leather boots with a tunic, except in "<i>Levée</i> + dress;" that Mr. CHARLES WARNER did not play a private soldier + in "the same distinguished regiment," but in the Grenadiers; + that a Captain could never, by any possibility be "on guard" at + the Tower; that the officer on duty at the Tower is called the + "Picquet," and not the "Orderly" officer, and is never a + Captain; that no Guardsman has ever, in the memory of man, worn + a "scarf" in uniform; and that no soldier, worthy of the name, + considers the mess of his own Battalion "an odd sort of place + to dine at," even "in the height of the Season."</p> + + <p>I may add that my mother tells me she has often had her + Court-dress altered on the very morning of the "Drawing-Room." + With these few trifling exceptions, "AN OLD SOLDIER's" letter + is most accurate and just.</p> + + <center> + I am, Dear <i>Mr. Punch</i>,<br /> + Your enthusiastic Admirer, + </center> + + <p class="author">A PRESENT GUARDSMAN.</p> + <hr /> + + <p>"HERE WE ARE AGAIN!"—Last Friday, a Correspondent of + the P.M.G., onboard the <i>Angola</i>, interviewed "the + Marine-mystery, the Sea-serpent," off the West Coast of Africa. + It showed "two tremendous green eyes." The narrator counts upon + there being a considerable amount of green in the eyes of those + who don't happen to be Sea-serpents—unless after using + very strong glasses (hot) and plenty of 'em.</p> + <hr /> + + <p>"WE ARE NOTHING IF NOT CORRECT."—In last week's number + the title of Picture, p. 198, should have been "Studies in + <i>Contrapuntal</i> (not 'Continental') Perspective;" and at p. + 201, in EFFIE's reply to the Governess, "AN" was a misprint for + "no." This information will relieve a vast number of perplexed + inquirers.</p> + <hr /> + <span class="pagenum"><a name="page210" + id="page210"></a>[pg 210]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/210.png"><img width="100%" + src="images/210.png" + alt="THE GENTLE EGOTIST." /></a> + + <h3>THE GENTLE EGOTIST.</h3> + + <p><i>The Doctor</i>. "AND WHICH OF YOU TWO LADIES IS THE + INVALID?"</p> + + <p><i>Elder Sister</i>. "I'M SORRY TO SAY IT'S <i>ME</i>, + DOCTOR!"</p> + </div> + <hr /> + + <h2>THE ROAD TO RUIN;</h2> + + <h4><i>Or, The Real Military Long-Distance Ride.</i></h4> + + <blockquote class="note"> + <p>["A quarter of a century hence, France will have more + than four million trained soldiers, and Russia more than + four millions and a half. We may deplore, as we will, this + conversion of Europe into a vast camp, but the German + Government, witnessing the development of such colossal + armies on either hand, cannot be said to propose anything + excessive or unnecessary when it asks, as it now does, for + the means of raising the trained soldiers of the Empire to + 4,400,000."—<i>The "Times" on the German Army + Bills.</i>]</p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>Ride on! Ride on! "Tis a pace will kill!</p> + + <p>Like Smuggler BILL and Exciseman GILL,</p> + + <p>In the <i>Ingoldsby Legends</i>, you ride a race</p> + + <p>On a perilous path, at a breakneck pace,</p> + + <p>In a mingled spirit of hate and fear,</p> + + <p>Too hot to heed, and too deaf to hear;</p> + + <p>With a fierce red eye on each other cast,</p> + + <p>And a rate of going that <i>cannot</i> last,</p> + + <p>On a road that leads, as such roads lead all,</p> + + <p>To a crumbling cliff, and a crashing fall.</p> + </div> + + <div class="stanza"> + <p>"The Road to Ruin? Pooh! preacher trite!</p> + + <p>'Tis a gallant race, and in glorious flight,</p> + + <p>With the clinkety-clank of scabbard and spur,</p> + + <p>O'er moor and meadow, by linden and fir,</p> + + <p>With the wind of speed blowing brisk in one's + face,</p> + + <p>A Long-Distance Ride is a soul-stirring race!"</p> + </div> + + <div class="stanza"> + <p>Verily yes,—for the riders gay,</p> + + <p>Saddled softly, in armed array,</p> + + <p>Hand on the bridle, heel at the flank,</p> + + <p>And that martial music, clinkety-clank!</p> + + <p>Charming the ear in galloping time</p> + + <p>With the hoofs' hard rattle in clattering chime.</p> + + <p>Clumpety-clump! Clankety-clink!</p> + + <p>Out on the caitiff who'd pause or shrink!</p> + + <p>Clinkety-clank! Clumpety-clump!</p> + + <p>The stout steed's heart at his ribs may thump,</p> + + <p>In spasms the breath through his nostrils pump,</p> + + <p>The strained neck droop, though 'tis held at + stretch,</p> + + <p>The labouring lungs in sheer agony fetch</p> + + <p>Blood-mixed breathings, red-dappled foam,—</p> + + <p>Let the lash descend, let the spur strike home!</p> + + <p>Are they not <i>racing</i>? Is not their pride</p> + + <p>Engaged in winning <i>this</i> Long-Distance + Ride?</p> + </div> + + <div class="stanza"> + <p><i>Excessive</i>? No! Who dares hint so?</p> + + <p>The going's hot, and the steeds must <i>go</i>!</p> + + <p>Chargers entered for such a race</p> + + <p>Must not complain of the pounding pace;</p> + + <p>Must not grumble at crushing weight.</p> + + <p>Yes; they appear in a piteous state,</p> + + <p>Almost foundered, and well nigh blown,</p> + + <p>With the burden big o'er their shoulders thrown.</p> + + <p>Ever swelling, like miser's sacks;</p> + + <p>But why have horses such broad strong backs,</p> + + <p>If not to <i>bear</i>—to the death at + need,</p> + + <p>Though lungs may choke, and though flanks may + bleed?</p> + + <p>Ride, ye <i>militaires</i>, ruthlessly ride!</p> + + <p>Shouting Emperors hail with pride,</p> + + <p>"Gallant" riders, who lash and goad</p> + + <p>Their staggering steeds on this desperate road;</p> + + <p>Their whips are wet, and their spur-points gory,</p> + + <p>But—beasts must bleed, in the name of + Glory!</p> + </div> + + <div class="stanza"> + <p>Beasts of burden, ye peoples, still</p> + + <p>Ridden hard by a ruthless will!</p> + + <p>Militarism is mounted firm.</p> + + <p>The saddled slaves may shudder and squirm,</p> + + <p>The bridled brutes may shy and shrink,</p> + + <p>The road is long, and the gulf's black brink</p> + + <p>Seems distant yet, and is scarcely seen</p> + + <p>By the rival riders, whose pride and spleen</p> + + <p>Blind them—save to each other's glare,</p> + + <p>To the pace they make, and the weight they bear,</p> + + <p>Those hot-urged horses! Lash and goad,</p> + + <p>Rash riders!—but, at the end of the road,</p> + + <p>When the growing burden's last possible pound</p> + + <p>Is piled; when the steed's last staggering bound</p> + + <p>Is made, when the last short, labouring breath</p> + + <p>Is breathed, when over, in shuddering death,</p> + + <p>The charger rolls, with a sickening crash,</p> + + <p>And responds no more to the spur or lash;</p> + + <p>And the gulf yawns close, sheer slope to air,</p> + + <p>Black, unavoidable, ruinous there—</p> + + <p>Then, gallant rider, how will <i>you</i> fare?</p> + </div> + </div> + <hr /> + + <h3>In the County Council.</h3> + + <div class="poem"> + <div class="stanza"> + <p>CHARRINGTON forgot his manners,</p> + + <p>Pleading for the <i>Jolly Tanners</i>;</p> + + <p>He gave his tongue, at serious cost,</p> + + <p>The Licence which the <i>Tanners</i> lost.</p> + </div> + </div> + <hr /> + <span class="pagenum"><a name="page211" + id="page211"></a>[pg 211]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/211.png"><img width="100%" + src="images/211.png" + alt="THE ROAD TO RUIN." /></a> + + <h3>THE ROAD TO RUIN.</h3> + </div> + <hr /> + <span class="pagenum"><a name="page213" + id="page213"></a>[pg 213]</span> + + <div class="figcenter" + style="width:65%;"> + <a href="images/213-1.png"><img width="100%" + src="images/213-1.png" + alt="THE TROUBLES OF STALKING!!" /></a> + + <h3>THE TROUBLES OF STALKING!!</h3> + + <p><i>Irate Gillie</i> (<i>on discovering in the distance, + for the third time that morning, a "Brute of a Man" moving + about in his favourite bit of "Forest"</i>). "OH! DEIL TAKE + THE PEOPLE! COME AWA,' MUSTER BROWN, SIR; <i>IT'S JUST + PEKKADILLY!!!</i>"</p> + </div> + <hr /> + + <h2>AN AUTUMN AFTERNOON</h2> + + <h3>AT NAZARETH HOUSE.</h3> + + <div class="poem"> + <div class="stanza"> + <p>O wealthy and world-weary triflers, O idle and + opulent folk,</p> + + <p>For whom time is a foe to be slain, and life's self + but a bore or a joke,</p> + + <p>Take yourselves, and your hearts, and your purses to + Nazareth House and behold</p> + + <p>The brave service of well-bestowed time, the brave + uses of well-applied gold!</p> + </div> + + <div class="stanza"> + <p>Where is Nazareth House, then, and what? 'Tis in + Hammersmith, Madam, a place</p> + + <p>That you probably seldom illume with the light of + your beautiful face.</p> + + <p>But <i>what</i>? That's a far larger question, full + answer to which would take time.</p> + + <p>Far better go see for yourself. If there's aught of + the moral sublime</p> + + <p>In these gold-grubbing days, 'tis in scenes where + love-service unbought and unpaid—</p> + + <p>A vastly unbusiness-like thing in the eyes of the + vassals of Trade!—</p> + + <p>Is devoted in silence unseen to the outcast, the + old, and the poor.</p> + + <p>Five hundred such waifs are here housed, and <i>they + yearn to find refuge for more!</i></p> + + <p>That's the pith of the matter, dear Madam! And as + for the rest, I've returned</p> + + <p>From a visit, and fancy your heart, like my own, + would have lightened and burned!</p> + + <p>Had you walked through the wards, as I walked, with + a Sister as frank and unfeigned</p> + + <p>As sweet Charity's servant should be. There was + nothing o'er piously strained</p> + + <p>In this unrigid Refuge for helplessness. Cheeriness, + confidence, mirth</p> + + <p>Seemed to reign in these child-crowded + rooms—in these wards where the aged, whose + birth</p> + + <p>Dated well-nigh a century back, whether sewing, or + smoking, or prone</p> + + <p>On the pallet of sickness, all <i>smiled</i>, and no + soul seemed forlorn or alone.</p> + + <p>How they sang, those close clustering toddlers, + their curly heads tier above tier,</p> + + <p>With never a trace of restraint, and unknowing the + shadow of fear!</p> + + <p>Here timidity checks not the young, and here + weariness haunts not the old.</p> + + <p>There is laughter on age-shrivelled lips, and the + eyes of mere babies are bold</p> + + <p>With the confidence born but of love. Even + imbeciles, helpless and blind,</p> + + <p>Shut out at each sense from full life, yet can feel + unseen tendance is <i>kind</i>,</p> + + <p>And sit silently placid, or burst into song of a + heart-searching sort—</p> + + <p>Muffled speech from unplumbed spirit-depths, yet + inspired by the impulse of sport.</p> + + <p>Have a chat, my dear Madam—shrink not, they + are women!—with age-wrinkled dames,</p> + + <p>Who are busily bed-quilting here, while the Autumn + sun ruddily flames</p> + + <p>On the walls from the liberal windows. Bestow but a + smile and a jest,</p> + + <p>They'll respond with a jest and a smile, for there's + life in each age-burdened breast,</p> + + <p>And confidence, comfort, and cheer. Here again + clustered close round the fire</p> + + <p>Are a number of grizzle-look'd men, every one is a + true "hoary sire,"</p> + + <p>Bowed, time-beaten, grey, yet alert and responsive + to kindness of speech;</p> + + <p>And see how old eyes can light up if you promise a + pipe-charge a-piece.</p> + + <p>For the comforting weed KINGSLEY eulogised is not + taboo in this place,</p> + + <p>Where the whiff aromatic brings not cold reproval to + Charity's face.</p> + + <p>Ah! the tale is o'erlong for full telling; but never + a bright afternoon</p> + + <p>In London's chill leaf-strewn October was better + bestowed. 'Tis a boon</p> + + <p>To be able to speak on behalf of Samaritan kindness + so schemed,</p> + + <p>In a way in which lovers of man, not of mummeries, + ever have dreamed.</p> + + <p>On such wise, wide, benevolent lines, with no + bondage of class or of creed.</p> + + <p>But the helpless Five Hundred still swell, and the + Sisterhood feel sorest need</p> + + <p>Of enlarging their borders and branches. The + children especially swarm,</p> + + <p>And for every poor, pale, helpless mite, who can + here find a pallet and form,</p> + + <p>Home, food, clothing, schooling, life-settlement, + <i>love</i>, there are hundreds for whom</p> + + <p>And their piteous appeal the response must + unwillingly come, "No more room!",</p> + + <p>Room, not in their hearts but their wards is this + unselfish Sisterhood's lack;</p> + + <p>There you, my dear Madam, can help, if your + purse-strings a little you'll slack.</p> + + <p>The Home for Poor Age, Helpless Childhood, Incurable + Sickness, depends</p> + + <p>Not on fees or on wealthy endowments, but alms and + free service of friends.</p> + + <p>Gifts, not only of money, but garments and + furniture, beds, tables, chairs,</p> + + <p>The Nazareth ladies will welcome—Come! Is + there a Christian who cares</p> + + <p>For God's poor and the Christ-welcomed children, who + will not respond in some way</p> + + <p>To the modest appeal of these ladies, who care for + the Waif and the Stray?</p> + </div> + </div> + <hr /> + + <h3>TO MANKIND IN GENERAL—</h3> + + <h4>THEREFORE TO MR. GLADSTONE IN PARTICULAR.</h4> + + <div class="figright" + style="width:35%;"> + <a href="images/213-2.png"><img width="100%" + src="images/213-2.png" + alt="" /></a> + </div> + + <blockquote class="note"> + <p>(<i>See Speech by Miss Cozens at Meeting of Woman's + Emancipation Union at Birmingham, Oct. 27.</i>)</p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>The time is come, beware of "us,"</p> + + <p class="i2">There's thunder in the air;</p> + + <p>Your future's in the care of "us;"</p> + + <p class="i2">Beware of "us"—beware!</p> + </div> + + <div class="stanza"> + <p>We'll cease to coax and "Cozen" you</p> + + <p class="i2">By fascinating smiles,</p> + + <p>And gaily now impose on you</p> + + <p class="i2">By dynamitic wiles.</p> + </div> + </div> + <hr /> + <span class="pagenum"><a name="page214" + id="page214"></a>[pg 214]</span> + + <h2>A JUDGE'S LAMENT.</h2> + + <h4>[Q.B.D. = Queen's Bench Division.]</h4> + + <div class="poem"> + <div class="stanza"> + <p>After the labours of Vacation,</p> + + <p class="i2">Ten long weeks with nothing to do,</p> + + <p>I feel that I need some recreation,</p> + + <p class="i2">I'll sit in Court for a week or two:</p> + + <p class="i4">It's just as well, now and then,</p> + + <p class="i4">To show yourself to the public ken.</p> + + <p>Ah me! who would be</p> + + <p>Judge of the High Court, Q B.D.?</p> + </div> + + <div class="stanza"> + <p>But it's tiring work to sit on the Bench,</p> + + <p class="i2">Hearing the Counsel, day by day,</p> + + <p>Canting and ranting, while they clench</p> + + <p class="i2">Their fists, and thump and hammer + away:</p> + + <p class="i4">Be their arguments weak or strong,</p> + + <p class="i4">Whatever I say I'm in the wrong.</p> + + <p>Ah me! who would be,</p> + + <p>A badgered Judge of the Q.B.D.?</p> + </div> + + <div class="stanza"> + <p>Whenever I crack a judicial jest,</p> + + <p class="i2">Witnesses, jurors, suitors smile,</p> + + <p>They quite understand I do my best,</p> + + <p class="i2">A wearisome action to beguile:</p> + + <p class="i4">"Silks" and "Juniors" seem to force,</p> + + <p class="i4">A jeering laugh as a matter of + course.</p> + + <p>Ah me! who would be,</p> + + <p>A jocular Judge of the Q.B.D.?</p> + </div> + + <div class="stanza"> + <p>The public, solicitors, counsel, frown</p> + + <p class="i2">And grumble and growl at the law's + delay;</p> + + <p>I'm never allowed to stop in town,</p> + + <p class="i2">Off on Circuit I'm hurried away:</p> + + <p class="i4">Election Petitions I'm made to judge,</p> + + <p class="i4">On Irish Commissions I have to + drudge.</p> + + <p>Ah me! who would be,</p> + + <p>A toiling Judge of the Q.B.D.?</p> + </div> + + <div class="stanza"> + <p>To a <i>cause célèbre</i> I don't object,</p> + + <p class="i2">Leaders of fashion around me sit,</p> + + <p>My robes and ermine command respect,</p> + + <p class="i2">I rather fancy I'm making a hit:</p> + + <p class="i4">I feel there's a chance of getting, who + knows?</p> + + <p class="i4">Into <i>Vanity Fair</i> or Madame + Tussaud's.</p> + + <p>Ah me! who would not be,</p> + + <p>A popular Judge of the Q.B.D.?</p> + </div> + + <div class="stanza"> + <p>When the Sittings are in full swing, I'm bound,</p> + + <p class="i2">From half past ten till the clock strikes + four,</p> + + <p>In Court or in Chambers to be found,</p> + + <p class="i2">With half an hour for my lunch or + more:</p> + + <p class="i4">Summons and motion and cause I hear,</p> + + <p class="i4">I'm only paid, five thousand a-year!</p> + + <p>Many a man would like to be,</p> + + <p>Judge of the High Court Q.B.D.</p> + </div> + </div> + <hr /> + + <p>ANTI-TEETOTAL OPERA, "<i>Eugène Onegin</i>" at the Olympic. + Will it be followed by <i>Ourjane Twobrandi</i>? and + subsequently, by the celebrated Opera, <i>Lotowiski</i>?</p> + <hr /> + + <div class="figcenter" + style="width:60%;"> + <a href="images/214.png"><img width="100%" + src="images/214.png" + alt="" /></a> + + <p><i>Ethel</i> (<i>who has picked up a few sporting + phrases, and thinks she can instruct her Governess</i>). + "NO, I HAVEN'T HEARD FROM MUMMY, BUT I'VE HEARD FROM POPPA. + HE HAS KILLED 137 GROUSE, BUT I DON'T KNOW WHETHER THEY'RE + BRACES."</p> + </div> + <hr /> + + <h3>OUR BOOKING-OFFICE.</h3> + + <p>"For graphic touch and keen appreciation of humour, for easy + conversational narration, give me," quoth the Baron, "the + papers now being published in <i>Household Words</i> (most + appropriate place for them), written by MONTAGU WILLIAMS, Q.C. + and Magistrate." His paper on Ramsgate, telling how he + travelled down, who his companions were, is as thoroughly + amusing and interesting as his tribute to the health-giving + climate of Ramsgate is true. These papers under the + comprehensive title of "Round London," are to be republished in + book-form by, as I believe, Messrs. MACMILLAN, and assuredly + they will be as popular as were the same author's "Leaves" and + "Later Leaves." False sentiment, MONTAGU WILLIAMS, as man or + magistrate, does not encourage. "Strongly do I recommend his + 'Round London,'" says</p> + + <p class="author">THE BARON DE BOOK-WORMS.</p> + <hr /> + + <p>"THE MORRIS DANCE."—NEW FIGURE.—The <i>Premier + Danseur</i>, holding laurel-crown, dances up to WILLIAM MORRIS + offering him the laurel-crown. Will MORRIS? MORRIS won't. + Premier retires gracefully, and is seen approaching LEWIS + MORRIS.</p> + <hr /> + + <h3>TO SOME AUTHORS.</h3> + + <div class="poem"> + <div class="stanza"> + <p>"How did I like that book?" I gained,</p> + + <p>From reading it, joy unrestrained;</p> + + <p>'Twas perfect—had it but contained</p> + + <p class="i10">An Index!</p> + </div> + + <div class="stanza"> + <p>Brilliant, yet also erudite,</p> + + <p>Profound, in facts, in diction light,</p> + + <p>Why failed its writer to indite</p> + + <p class="i10">An Index?</p> + </div> + + <div class="stanza"> + <p>'Twas history, on its social side,</p> + + <p>With stories, good to quote, supplied,</p> + + <p>Yet how quote anything, denied</p> + + <p class="i10">An Index?</p> + </div> + + <div class="stanza"> + <p>A book that "He who reads might run"—</p> + + <p>MACAULAY, BOSWELL, GREEN, in one!</p> + + <p>Its Printer, too—what made <i>him</i> shun</p> + + <p class="i10">An Index?</p> + </div> + + <div class="stanza"> + <p>I missed a date, harked back. "A fad!"</p> + + <p>You'll say? Perhaps. It made <i>me</i> mad.</p> + + <p>My hunt was vain, because, it had</p> + + <p class="i10">No Index.</p> + </div> + + <div class="stanza"> + <p>O Authors of instructive chat,</p> + + <p>Supply this want when next you're at</p> + + <p>A book! "<i>Bis dat qui citò dat</i>,"</p> + + <p class="i10">An Index.</p> + </div> + </div> + <hr /> + + <h3>OUR NEW EXAM.</h3> + + <p>Answer any three of the following five questions:—</p> + + <p>I. (<i>a.</i>) What is a cassowary? (<i>b.</i>) Does its + internal construction render it capable of anthropophagy? + (<i>c.</i>) Describe its habits, nature and food, and draw an + outline sketch of its skeleton.</p> + + <p>II. (<i>a.</i>) Give the latitude and longitude of + Timbuctoo. (<i>b.</i>) State the number and religious belief of + its inhabitants. (<i>c.</i>) Discuss its natural advantages; + (i.), as a port, and (ii.) as a centre for missionary + enterprise.</p> + + <p>III. (<i>a.</i>) Is a missionary best when served (i.) <i>au + naturel</i>; (ii.) <i>à la maître d'hôtel</i>, or, (iii.) + <i>aux petîtes livrettes de psaumes</i>? Discuss the advantages + of each method of preparation; (<i>b.</i>) Quote any advice + given by (i.) LUCULLUS, or (ii.) EPICURUS on this subject.</p> + + <p>IV. What version of the Prayer-book is in use amongst the + natives of Central Africa?</p> + + <p>V. Discuss the authorship of the poem entitled + <i>Timbuctoo</i>, and adduce any reasons for believing JULIUS + CÆSAR to have written it.</p> + <hr /> + + <p>THE OTHER PAPER.—MR. NEWNES is bringing out a rival to + the <i>Pall Mall Gazette</i>, Is it to be published before the + <i>P.M.G.</i>, or later in the day? If the first, its title + might be <i>The Noon's Paper</i>; if the latter, <i>The + After-Newnes Paper</i>. Whichever you like, my little dear! Mr. + N. pays his money and takes his choice. Anyhow, "NEWNES' Paper" + is a marketable commodity.</p> + <hr /> + <span class="pagenum"><a name="page215" + id="page215"></a>[pg 215]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/215.png"><img width="100%" + src="images/215.png" + alt="THE HUNTING SEASON. THE MEET." /></a> + + <h3>THE HUNTING SEASON. THE MEET.</h3> + </div> + <hr /> + <span class="pagenum"><a name="page216" + id="page216"></a>[pg 216]</span> + + <h3>THE STEPNEY THAT COSTS.</h3> + + <blockquote class="note"> + <p>["The circumstances will indeed have to be very + remarkable to take two Judges into Stepney."—<i>Baron + Pollock, re Stepney Election Petition, Oct. 26.</i>]</p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>I chanced to meet a man the other day,</p> + + <p class="i2">Whose store of legal knowledge was + amazing,</p> + + <p>He stormed at me in quite the stormiest way,</p> + + <p class="i2">With, fiery indignation simply + blazing.</p> + + <p>I wondered if he'd lost his (legal) hair</p> + + <p class="i2">(Forgive the phrase) against a demi-rep? + Nay!</p> + + <p>They'd really ventured to presume to dare</p> + + <p class="i2">To ask a Judge or two to go to + Stepney!</p> + </div> + + <div class="stanza"> + <p>Now if it had been merely Peekham Rye,</p> + + <p class="i2">They would have gone at once, and gone + right gladly.</p> + + <p>Then Brondesbury, Barnet—New or + High,—</p> + + <p class="i2">Or Shepherd's Bush would not have done so + badly.</p> + + <p>Penge would have brought the Crystal Palace + near,</p> + + <p class="i2">And Kensington's Olympia made their soul + burn,</p> + + <p>They'd have enjoyed the jaunt to Greenwich Pier,</p> + + <p class="i2">And Heaven had been synonymous with + Holborn.</p> + </div> + + <div class="stanza"> + <p>Oh! had it been Soho or Maida Vale</p> + + <p class="i2">It would have been of course another + story. A</p> + + <p>Delightful trip to Euston could not fail</p> + + <p class="i2">To please as much as Broad Street or + Victoria.</p> + + <p>Belgravia would have suited very well,</p> + + <p class="i2">They could have done with Balham, Bow, or + Brixton,</p> + + <p>With Flower-laden Battersea. But tell</p> + + <p class="i2">Me if you can—oh! why was Stepney + fixt on?</p> + </div> + </div> + <hr /> + + <h2>ROBERT'S VISIT TO IRELAND.</h2> + + <div class="figleft" + style="width:27%;"> + <a href="images/216-1.png"><img width="100%" + src="images/216-1.png" + alt="'I was that staggered, that I could 'ardly answer him.'" /> + </a>"I was that staggered, that I could 'ardly answer him." + </div> + + <p>Well, it isn't for one like me to say as how as good luck + means wirtue rewarded, cos I have, in my long xperiense, seen + not a werry few cases where it wasn't so—no, not by no + manner of means.</p> + + <p>But this I can most trewly say, that my slice of luck during + this larst munth is worthy of being called a reel staggerer! + And this is how it cum about:—</p> + + <p>The Amerrycain Gent, at the Grand Hotel, wanted a change for + about a weak or two, and he naterally arsked me what he shood + do. I made lots of wise suggeshons, in course, such as Margate, + and Grinnidge, and Hern Bay, and other hily arristercratick + places, but they none on 'em woodn't do. So presently he calls + out, "Did you ever go to Ireland?" I was that staggered, that I + coud ardly arnser him; but then I says, "Yes, Sir—but it + were sum time ago." Then he staggers me much more wiolently, + for he says, says he, "Why shoudn't you go with me then, and be + my Wally!" When I recovered my breth, I says, "I don't know as + our gentelmanly Manager here woud spare me." So he says, "I'll + soon see about that." So he rings the bell wiolently, and arsks + for him—and he cums—and, to my serprize, he doesn't + make not no objecshun at all, which was, in course, werry + complementary to me, and, strange to say, no more did Mrs. + ROBERT, when I told her of it.</p> + + <p>Well, I passes over all prelimmenerry derangements, till we + finds ourselves on board a lovly steemer, bound for Old + Ireland, as we allus calls her, tho' I don't spose as she's any + older than the rest on us. It was that ruff that I perposed + waitin till the sea got smooth; but my Master ony larft, and + sed I shood be all rite if I follered his adwice, as he was + used to the sea, and rayther liked it a little ruffish. So he + got me a sheet of brown paper to put on my manly chest, and + gave me some champane, and one glass of Perettic Sline, I think + he called it, and, with their ade, I got over much better than + I xpected.</p> + + <p>We went as strate as we coud go to the Lakes of Killarny, + and if that isn't jest about as lovly a plaice as the hole + world can show, why then let sumbody show me another as is. If + anyboddy arsked me if it never rained there, truth wood make me + say yes, it most suttenly does sumtimes, but then so it does + ewerywheres in ollidy time excep where it's most speshally + wanted.</p> + + <p>My Guvner's fust harty larf was at dinner on the fust day, + when he told me to ring for sum pepper. TIM the Waiter arnsered + the bell, and I told him what was wanted, and I scarce xpecs to + be bleeved when I says, as he cums back and he says, says he, + "If you plase, Sir, sure the Pepper's engaged!" I thort the + Guvner wood ha larfed hisself hill, but he soon recovered, and + said, "Thin niver mind TIM, we'll do without it to-day, but let + us have fust turn at it to-morrow." "Suttenly, your honour," + says TIM, and wanishes.</p> + + <p>The next day, after driving us round the naybourhood, he + came in without being arsked, and goes to the fire and warms + his hands, and then says with a broad grin, "Sure it's a jolly + lucky cupple as you are, for the rains a bustin down like + thunder!" When handing the unpeeled Potatows to the Guvner he + wood pint his finger at one and say, "That's a rale buty, + Sir!"</p> + + <p>I spose as the Guvner was rayther libberal to TIM, when we + left, as all reel gennelmen allus is, for the tears acshally + came into the pore feller's eyes, and he blessed us both, and + wished as a few more genelman like <i>us</i> woud sumtimes + wisit poor old Ireland!</p> + + <p>We stayed about a fortnight, but we didn't see another + Waiter like poor TIM, who was the werry fust humane being as + hever called me a gennelman, pore feller! but we had a werry + nice time of it on the hole, which I may p'raps elude to sum + day, when things ain't quite so brisk as they is just now, and + I must say as my Guvner behaved like the reel Gennelman as he + is, when we cum for to settel up.</p> + + <p class="author">ROBERT.</p> + <hr /> + + <h3>SECUNDUM HARTY.</h3> + + <blockquote class="note"> + <p>["I have even gone so low as 1<i>d.</i> a course ... + with enough success as to elicit effusive eulogies from + some distinguished literary persons ..."—<i>Mr. + Ernest Hart in "Where are the Cooks?"—Daily Graphic, + Oct. 18.</i>]</p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>Oh! where are the Cooks; where on earth can they + be?</p> + + <p class="i2">Pray, hark to the Housekeeper's pitiful + moan.</p> + + <p>Mr. HART seems to know, and he tells us, with + glee,</p> + + <p class="i2">Of a plan which is his, and is his, too, + alone.</p> + + <p>It's a plan for a dinner, that's easily shown</p> + + <p class="i2">To be cheap, and of pleasure the + joy-giving source,</p> + + <p>'Tis a wonderful plan—hear the epicure + groan—</p> + + <p class="i2">It costs just exactly one penny a + course.</p> + </div> + + <div class="stanza"> + <p>The dinner's Hartistic. Sweet HART says that he</p> + + <p class="i2">Had a meal fit to soften the heart of a + stone,</p> + + <p>There were guests men of letters, and lofty + degree—</p> + + <p class="i2">Who wore pleased, and not only saw fit to + condone,</p> + + <p>But who ransacked each country, land, continent, + zone,</p> + + <p class="i2">For encomiums of praise, till they really + grew hoarse.</p> + + <p>But would they have done so, had only they known</p> + + <p class="i2">It cost just exactly one penny a + course?</p> + </div> + + <div class="stanza"> + <p>Yes, a penny a head. It's not easy to see</p> + + <p class="i2">How it's done for the price of a bun or a + scone.</p> + + <p>When the Mistress and Cook find it hard to + agree,</p> + + <p class="i2">And the former of these is provokingly + prone</p> + + <p>With the latter to pick a most terrible bone,</p> + + <p class="i2">When it seems that disaster must follow + perforce,</p> + + <p>Oh! whisper them this in a Hart rending + tone—</p> + + <p class="i2">It costs just exactly one penny a + course!</p> + </div> + </div> + + <h4>L'ENVOI.</h4> + + <div class="poem"> + <div class="stanza"> + <p>O Host, if all other ideas have flown,</p> + + <p class="i2">Remember this plan as a final + resource,</p> + + <p>Be Harty! Be Earnest! Make <i>his</i> plan your + own!</p> + + <p class="i2">It costs just exactly one penny a + course!</p> + </div> + </div> + <hr /> + + <center> + THE REAL ART OF BOOK-KEEPING.—Never to lend! + </center> + <hr /> + + <p><font size="+1">☞</font> NOTICE.—Rejected + Communications or Contributions, whether MS., Printed Matter, + Drawings, or Pictures of any description, will in no case be + returned, not even when accompanied by a Stamped and Addressed + Envelope, Cover, or Wrapper. To this rule there will be no + exception.</p> + <hr class="full" /> + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. +103, November 5, 1892, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** + +***** This file should be named 15677-h.htm or 15677-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/6/7/15677/ + +Produced by Malcolm Farmer, William Flis, and the Online Distributed +Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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