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+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 103,
+October 15, 1892, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 103, October 15, 1892
+
+Author: Various
+
+Editor: Francis Burnand
+
+
+Release Date: March 24, 2005 [EBook #15453]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis, and the Online
+Distributed Proofreading Team.
+
+
+
+
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 103.
+
+
+
+October 15, 1892.
+
+
+
+
+'ARRY AT 'ARRYGATE.
+
+(_SECOND LETTER._)
+
+[Illustration]
+
+ DEAR CHARLIE,--The post-mark, no doubt, will surprise you. I'm
+ still at the "Crown,"
+ Though I said in my last--wot wos true--I was jest on the mizzle
+ for town.
+ 'Ad a letter from nunky, old man, with another small cheque. Good
+ old nunk!
+ So I'm in for a fortnit' more sulphur and slosh, afore doing a bunk.
+
+ Ah! I've worked it, my pippin, I've worked it; gone in for
+ hexcursions all round,
+ To Knaresborough, Bolton, and Fountains. You know, dear old pal,
+ I'll be bound,
+ As hantiquities isn't my 'obby, and ruins don't fetch me, not much!
+ I can't see their "beauty," no more than the charms of some dowdy
+ old Dutch.
+
+ A Castle, all chunnicks of stone, or a Habbey, much out of repair,
+ A skelinton Banquetting 'All, and a bit of a broken-down stair,
+ May appear most perticular "precious" to them as the picteresk cops;
+ But give me the sububs and stucco, smart villas, and
+ spick-and-span shops.
+
+ "Up to date" is our _siney quay non_ in these days. _Fang der
+ sickle_, yer know.
+ Wich is French for the same, I persoom, and them phrases is now
+ all the go.
+ Find 'em sprinkled all over the papers; in politics, fashion, or
+ art,
+ If you carnt turn 'em slick round yer tongue, you ain't modern, or
+ knowing, or smart.
+
+ Still a houting to Bolton ain't bad when the _charry-bang's_ well
+ loaded up
+ With swell seven-and-sixpence-a-headers. _I_ felt like a tarrier-pup
+ On the scoop arter six weeks of kennel and drench in the 'ands of
+ a vet;
+ I'd got free of the brimstoney flaviour and went it accordin', you
+ bet!
+
+ 'Ad a day at a village called Birstwith. The most tooralooralest
+ scene,
+ 'Oiler down among 'ills, dontcher know, ancient trees and a jolly
+ big green.
+ Reglar old Rip-van-Winkleish spot, sech as CALDECOTT ought to ha'
+ sketched.
+ Though I ain't noways nuts on the pastoral, even Yours Truly wos
+ fetched.
+
+ Pooty sight and no error, old pal! 'Twos a grand "Aughticultural
+ Show,"
+ So the "Progrum of Sports" told the public. Fruit, flowers, and
+ live poultry, yer know.
+ Big markee and a range of old 'en-coops, sports, niggers, a smart
+ local band,
+ Cottage gardemn', cheese, roosters, and races! Rum mix, but I gave
+ it a 'and.
+
+ I do like to hencourage the joskins. One thing though, wos
+ fiddle-de-dee,
+ They 'ad a "Refreshment Tent," CHARLIE. 'Oh my! Ginger-ale and
+ weak tea!
+ Nothink stronger, old pal, s'elp me bob! Fancy _me_ flopping down
+ on a form
+ A-munching plum-putty, and lapping Bohea as wos not even warm!
+
+ This 'ere 'Arrygate's short of amusements. There's niggers and
+ bands on the "Stray"
+ (Big lumpy old field in a 'ole, wich if properly managed might pay.)
+ Mysterious Minstrels with masks on, a bleating contralto in black,
+ With a orful tremoler, my pippin!--yus, these are the pick of the
+ pack.
+
+ Bit sick of "_Ta-ra-ra_" and "_Knocked 'em_;" "_Carissimar_" gives
+ me the 'ump,
+ For I 'ear it some six times per morning; and then there's a footy
+ old pump
+ Blows staggery toons on a post-'orn for full arf a-hour each day,
+ To muster the mugs for a coach-drive. My heye and a bandbox, it's
+ gay!
+
+ At the "Crown" we git up little barnies, to eke out the 'Arrygate
+ lot,
+ For even the Spa's a bit samesome for six times a week when it's
+ 'ot;
+ Though they do go it pooty permiskus with pickter-shows, concerts,
+ and such;
+ Yus, I must say they ladles it out fair and free, for a sixpenny
+ touch.
+
+ But even yer Fancy Dress Balls, and yer lectures by ANNIE BESANT,
+ All about Hastral Bodies and Hether, seems not always _quite_ wot
+ yer want
+ To wile away time arter dinner. So thanks to that
+ gent--six-foot-four!--
+ Who fair cuts the record as Droring-Room M.C.--of course
+ _hammytoor_.
+
+ Then we've conjurors, worblers, phrenologists! One 'ad a go at
+ _my_ chump.
+ 'E touzled my 'air up tremenjus, and said I'd no hend of a bump
+ Of somethink he called "Happrybativeness." Feller meant well, I
+ suppose,
+ But I didn't quite relish his smile, nor his rummy remarks on my
+ nose.
+
+ When a tall gurl as pooty as paint, and with cheeks like a
+ blush--rose in bloom,
+ 'As 'er lamps all a-larf on yer face, and a giggle goes round the
+ whole room,
+ 'Tisn't nice to sit square on a chair, with a feller a-sharpening
+ 'is wit
+ On your nob, and a rumpling your 'air till it's like a birch-broom
+ in a fit!
+
+ One caper we 'ad, on the lawn, wos a spree and no error, old man.
+ They call it a "Soap-Bubble Tournyment." Soapsuds, a pipe, and a
+ fan,
+ Four six--foot posts stuck in the ground with a tape run
+ around--them's the "props,"
+ And lawn-tennis ain't in it for larks. Oh, the ladies did larf,
+ though tip-tops!
+
+ Bit sniffy fust off. "Oh!" sez they, "wot a most _hintellectual_
+ game!"
+ But I noticed that them as sneered most wos most anxious to win,
+ all the same,
+ The gent he stands slap in the middle, and tries to blow bubbles
+ like fun,
+ Wich his pardner fans over the tape; don't it jest keep the girls
+ on the run!
+
+ Every bubble as crosses the tape afore busting counts one to that
+ pair,
+ And the pair as counts most wins the prize. They are timed by a
+ hegg-boiler. There!
+ It _wos_ all a pantermime, CHARLIE, to see 'ow them gurls scooted
+ round,
+ Jest like Japanese jugglers, a-fanning the bubbles, as _would_ 'ug
+ the ground.
+
+ Some gents wos fair frosts at the bizness; one good-'earted trim
+ little toff
+ Would blow with the bowl wrong end uppards. His pardner went pink
+ and flounced off.
+ He gurgled away like a babe with a pap-bottle, guggle--gug--gug!
+ And I 'eard 'er a-giving 'im beans as 'e mizzled, much down in the
+ mug.
+
+ Owsomever, it ain't for amusements as 'Arrygate lays itself hout;
+ So, dear boy, it's for doses and douches; and there it scores
+ freely, no doubt,
+ Wy, there's thirty-two Springs in the Bog Field--a place like a
+ graveyard gone wrong--
+ Besides Starbeck, the Tewit, and others, all narsty, and most on
+ 'em strong.
+
+ Since Sir SLINGSBY discovered the first one, now close on three
+ cent'ries ago,
+ Wot a lush of mixed mineral muck these 'ere 'Arrygate Springs 'ave
+ let flow!
+ Well, ere's bully for Brimstone, my bloater, and 'ooray for
+ 'Arrygate air!
+ Wich 'as done me most good I don't know, and I'm scorched if I
+ very much care!
+
+ I know 'Arrygate girls cop the biscuit for beauty. They've cheeks
+ like the rose,
+ Their skin is jest strorberries and cream; it's the sulphur, dear
+ boy, I suppose.
+ As for me, I look yaller as taller alongside 'em CHARLIE, wus luck!
+ I 'eard one call me saffron-faced sparrer, and jest as I thought
+ 'er fair struck.
+
+ I'd nail 'em, in time, I've no doubt, when I once got the 'ang of
+ their style.
+ There's a gal at the Montpellier Baths. Scissoree! 'ow I've tried
+ for a smile,
+ When she tips me my tannersworth! Shucks! she's as orty and stiff
+ as yer please.
+ Primrose Dames isn't in it for snubs with these arrygant
+ 'Arrygatese!
+
+ But I reckon my "Douche" is now due. Doctor BLACK's that
+ pertikler, old man.
+ These 'Arrygate doctors 'ave progrums--you've got to pan out to
+ their plan.
+ Up early, two swigs afore breakfust, and tubs when they tell yer's
+ the rule.
+ Well, the feller as flies to a Sawbones, and _don't_ toe the line
+ is a fool.
+
+ Reglar Doctor-Shop, 'Arrygate is; see their photos all over the
+ town.
+ Mine is doing me dollups of good; I'm quite peckish, and jest a
+ bit brown.
+ I'm making the most of my time, and a-laying in all I can carry.
+ So 'ere ends this budget of brimstone and baths from your
+ sulphur-soaked
+
+'ARRY.
+
+ * * * * *
+
+[Illustration: A FROG HE WOULD A-ROWING GO!
+
+A SAD SONG OF THE INTERNATIONAL BOAT RACE.
+
+(_WITH MR. PUNCH'S CORDIAL COMPLIMENTS TO THE VICTORIOUS FRENCH
+EIGHT_.)
+
+AIR--"_A Frog he would a-Wooing go_."
+
+ A FROGGIE would a-rowing go,
+ Heigho for Rowing!
+ To see if Big BULLIE could lick him or no;
+ With his boating form that's all gammon and spinach.
+ Heigho for British Rowing!
+
+ So off he set with his boating-cap,
+ Heigho for Rowing!
+ And swore at Big BULL he would just have a slap!
+ Which BULL declared was all gammon and spinach!
+ Heigho for British Rowing!
+
+ "Pray, Mr. BULL, will you race with me?"
+ Heigho for Rowing!
+ Says BULL, "If you like, but 'tis fiddle-de-dee!
+ For FROG against BULL is all gammon and spinach."
+ Heigho for British Rowing!
+
+ When they came to Andresy upon the Seine,
+ Heigho for Rowing!
+ Big BULL pulled his hardest, but pulled in vain,
+ For he found his boasts were all gammon and spinach.
+ Heigho for British Rowing!
+
+ For in spite of the brag, and the bounce, and the chaff,
+ Heigho for Rowing!
+ The FROG beat the BULL by a length and a half,
+ With your MOSSOP and JAMES, licked by BOUDIN and CUZIN,
+ Heigho, says R.C. LEHMANN!
+
+ "Pray, Mr. BULL, do you relish the spin?"
+ Heigho for Rowing!
+ (Said FROGGIE.) "And were you cocksure you would win,
+ With your forty-one strokes all sheer gammon and spinach?"
+ Heigho for British Rowing!
+
+ "Humph! Regular take-down!" said Big Mr. BULL--
+ Heigho for Rowing!
+ "But, FROGGIE or not, by the lord you can _pull_,
+ With your much-decried 'hang,'--'twas all gammon and spinach!
+ Heigho for British Rowing!"
+
+ "Ha! Ha!" cried the FROG, "the old fable, thought true"--
+ Heigho for Rowing!
+ "Is out of date now. I'm as big, BULL, as _you_,
+ As an oarsman, which is _not_ all gammon and spinach!"
+ Heigho for British Rowing.
+
+ So that in the end (for the present), you see,
+ Heigho for Rowing!
+ Of the race between Big BULL and Little FROGGIE.
+ BULL's fame, in a boat, seems all gammon and spinach.
+ Heigho for British Rowing!
+]
+
+ * * * * *
+
+[Illustration: LOOKING AHEAD.
+
+_Miss Golightly_ (_the Friend of the Family, and to whom Sir Percy
+(the elder) has proposed_). "OF COURSE I'M AWFULLY OBLIGED, SIR
+PERCY--BUT, SAY NOW, DON'T YOU THINK THERE WOULD BE SOME DANGER OF
+MY FALLING IN LOVE WITH YOUR ELDEST SON?"]
+
+ * * * * *
+
+MR. CHAUNCEY DEPEW, the well-known American lawyer, wonders why on
+earth the British Government has not long ago given Home Rule to
+Ireland. He encourages Mr. G.'s Ministry to do their best in this
+direction, and chaunce-y it. We're always delighted to welcome Mr.
+CHAUNCEY DEPEW in England, so let him come over with a Depewtation
+to Mr. G. on the subject.
+
+ * * * * *
+
+EQUESTRIAN FRUIT.--At the Horticultural Show the Baroness
+BURDETT-COUTTS exhibited a "Cob of ADAM's Early Maize." No particulars
+are given. Was it 14'1 and a weight-carrier? Being ADAM's, it must be
+about the oldest in the world. "Maize" may be a misprint for "Mews."
+Next time the Baroness must send a pear.
+
+ * * * * *
+
+PROBABLE DEDUCTION.--A pertinacious Salvation Army Captain was
+worrying a Scotch farmer, whom he had met in the train, with perpetual
+inquiries as to whether "he had been born again of Water and the
+Spirit?" At last, MCSANDY replied, "Aweel, I dinna reetly ken how
+that may be, but my good old feyther and mither took their toddy
+releegiously every nicht, the noo."
+
+ * * * * *
+
+THE AUSTRO-GERMAN OFFICER'S VADE-MECUM.
+
+_Q._ You have heard of the Ride from Berlin to Vienna, and _vice
+versa_?
+
+_A._ Yes; and of the mishaps that befell many of the competitors.
+
+_Q._ You mean their horses?
+
+_A._ What applies to the one applies to the other.
+
+_Q._ Some of the poor steeds died on the journey?
+
+_A._ I daresay--of course, it was hard work.
+
+_Q._ And you have read that, even when the poor horses were fainting
+and refusing food, the riders still went on?
+
+_A._ Of course. The riders had magnificent pluck and nerve.
+
+_Q._ What, to observe the anguish of their chargers without emotion?
+
+_A._ No! The idea! I mean they had pluck and nerve in spite of all
+discouragement to push on to the winning-post.
+
+_Q._ And what do you think this breaking down of the horses proved?
+
+_A._ That, after all, the creatures were brutes--only brutes!
+
+_Q._ Does not the suffering of these brutes suggest--
+
+_A._ That the riders were brutes too?--Ah!
+
+ [_No further question put, the Answerer having mastered the
+ subject._
+
+ * * * * *
+
+IN EXCELSIS.--No better example of the methods employed by
+Vivisectionists could be given than was presented at the Church
+Congress last week, where in debate on this subject they were all
+engaged in cutting up one another. The Bishop of EDINBURGH, denouncing
+the morality of the Bishop of MANCHESTER and of Bishop BARRY, was a
+rare sight. His Lordship said that the morality of these two Bishops
+was "up in a balloon." Well, surely this is morality of the most
+elevated description. These Bishops are not "_in partibus_," but _in
+nubibus_.
+
+ * * * * *
+
+IN WATER COLOURS.--The East London Waterworks Company had a very
+successful meeting the other day. _Inter alia_ the Chairman said,
+that "the Waltham Well is a complete success." _Ergo_ let Well alone.
+That from this source they still supplied "36 gallons per head." The
+heads must be uncommonly hard to stand all this water on the brain. A
+dividend of eight per cent. is, after all, a very pleasant draught.
+
+ * * * * *
+
+"GREEN THE GUIDE."
+
+(_A SKETCH ON A "ROYAL BLUE" CAR AT JERSEY._)
+
+ _On the Car is, among others, an Elderly Gentleman, in a
+ tall hat, with a quantity of wraps; a Stout Shopkeeper, with
+ a stouter Wife; a Serious Commercial Traveller, and a couple
+ of young "Shop-ladies"; a Morose Young Man, who has "got
+ out of bed the wrong side" that morning, and another, who
+ has begun his potations rather early, and is in the muzzily
+ talkative mood. The Car is one of a long string of similar
+ vehicles, and is proceeding at a rapid rate along one of the
+ winding roads._
+
+_The Muzzy Man_. Frivolous, am I? Well, we _came_ 'ere to be
+frivolous--to a certain extent. Am I out of the way in anything I've
+said? Because I woke this morning with a dry month, and I don't mind
+saying I've had a little drop o' brandy since.
+
+_His Neighbour_. You might let people find out that for themselves,
+_I_ should think!
+
+_The Muzzy M._ No--I like to be honest and straightforward, I do. I
+don't want to be out of the _way_, you understand.
+
+_The Shopkeeper's Wife_ (_to her Neighbour_). This is a pretty part
+of the road we're on now--but, lor! there's nothing 'ere to come up to
+the Isle of Man. Douglas, now--that _is_ a nice place, with all them
+Music Halls! And the scenery--why, I'm sure I felt sometimes as if I
+_must_ stop, just to _look_ at it!
+
+_The Muzzy Man_. I consider scenery we're coming to most beautiful
+I've seen for--for miles around. [_He goes to sleep._
+
+[Illustration: "An elderly Gentleman, in a tall hat, with a quantity
+of wraps."]
+
+_The Shopkeeper_ (_to the Elderly G., who is shifting and turning
+about uneasily_). Lost anything, Sir?
+
+_The E.G._ No--thank you, no. I was looking to see whether GREEN the
+Guide was on the car. (_Shouts of laughter are heard from the car
+behind._) Ah, _that's_ GREEN the Guide! I wish he'd come on our
+oar--very amusing fellow, Sir--capital company!
+
+_The Morose M._ (_to the Young Lady 'on his Left_) Who's GREEN the
+Guide?
+
+_The Y.L._ Oh, don't you know? He comes with the cars and makes jokes
+and all that. I hope he'll come to us.
+
+_The Mor. M._ _I_ don't. I can do that sort of thing for myself if I
+want to, I hope. [_With a scowl._
+
+_The Y.L._ Well, there's no harm in _hoping_!
+
+_The Serious Comm. T._ (_to his neighbour--one of the Shop-ladies_).
+So you come from Birmingham? Dear me, now. I used to be there very
+often on business at one time. Do you know the Rev. Mr. PODGER there?
+A good old gentleman, he is. I used to attend his Chapel regular--most
+improving discourses he used to give us. I am fond of a good Sermon,
+aren't you? &c.
+
+ [_He imagines--not altogether correctly--that he is producing
+ an agreeable impression._
+
+_A Young Man in a Frock-coat, Canvas-shoes, and Cloth-cap._
+Scarborough? Yes, I've _been_ there--but I don't care about it much.
+You have to _dress_ such a lot there, y' know, and I like to come out
+just as I am!
+
+ [_The conversation, notwithstanding its brilliancy, is
+ beginning to flag--when the car is boarded by a stalwart
+ good-looking man, carrying a banjo, and wearing a leather
+ shoulder-belt with "GREEN the Guide" in brass letters upon
+ it; the Elderly Gentleman, and most of the Ladies welcome
+ him with effusion, while the Younger Men appear to resent
+ his appearance._
+
+_The Mor. M._ (_sotto voce_). If he's going to play that old
+instrument of torture, I shall _howl_, that's all!
+
+_Green the Guide_ (_in a deep baritone voice_). Well, Ladies
+and Gentlemen, I congratulate you upon having a fine day for our
+excursion. My glass went up three feet this morning.
+
+_The Morose Man_ (_aggressively_). Was there whiskey inside it?
+
+_Green the Guide_. No, Sir, it would have gone down suddenly if there
+had been. (_The_ Elderly G. _asks for a song_.) I shall be delighted
+to entertain you to the best of my ability. What would you like to
+have?
+
+_The Mor. M._ None of your songs--give us an imitation--of a deaf and
+dumb man.
+
+_Green the G._ (_with perfect good-humour_). I shall be happy to do
+the deaf man, Sir,--if you'll help me by doing the dumb. (_The_ Mor.
+M. _begins to feel that he had better leave_ GREEN the Guide _alone._)
+Well, Ladies and Gentlemen, I'll sing you a good old-fashioned
+hunting-song, and I'll ask you to join me in the Chorus.
+
+ [_He sings "We'll all go out hunting to-day!"_
+
+_The Mor. M._ (_after the First Verse_). The beggar don't sing so
+badly. I will say _that_ for him! (_After the Third._) Capital voice
+he has! Rattling good Chorus, too! "Join the glad throng that goes
+laughing along, and we'll all go a-hunting to-day!" (_At the end._)
+Bravo! encore! encore!
+
+ [_His good-humour is suddenly and miraculously restored._
+
+_Green the G._ (_in a tone of instruction_). You will notice that the
+thistle is very abundant just here, Ladies and Gentlemen. The reason
+of _that_, is that some years ago a vessel was wrecked on this part of
+the coast which was sailing from Scotland with a cargo of thistledown.
+(_Outcry of incredulity_.) If you don't believe me, ask the Coachman.
+
+_The Coachman_ (_stolidly_). It's a fact, Gentlemen, I assure you.
+
+_G. the G._ The soil of Jersey is remarkably productive; if you plant
+a sixpence, it will come up a shilling in no time. The cabbages on
+this island grow to an extraordinary height, frequently attaining
+twenty feet--(_outcry_)--yes, if you measure up one side, and down the
+other. (_They pass a couple of sheep on a slope._) The finest flock
+of sheep in the island. The dark one is not black, only a little
+sunburnt. The house you see on that hill over there was formerly slept
+in by CHARLES THE SECOND. He left a pair of slippers behind him--which
+have since grown into top-boots. There you see the only windmill in
+this part of the island--there _used_ to be three, but it was found
+there was not enough wind for them all. From here you have a clear
+view of the coast of France; and, when the wind is blowing in this
+direction, you have an excellent opportunity of acquiring the French
+accent in all its purity. (_This string of somewhat hoary chestnuts
+meets with a success beyond their intrinsic merits, the_ Morose Man
+_being as much entertained as anybody._) On your right is an inland
+lake of fresh water--
+
+_The Muzzy Man_ (_waking up with sudden interest_). Can you drink it
+with perfect impunity?
+
+_G. the G._ Depends how far you are accustomed to it as a beverage,
+Sir. (_The car stops at an hotel._) We stop here two hours, Ladies and
+Gentlemen, to enable you to lunch, and examine the caves afterwards.
+You can leave anything you like on the cars except five-pound
+notes--and they _might_ get blown away!
+
+ON THE WAY HOME.
+
+_The Shopkeeper's Wife_ (_to her Husband_). Ah, TOM, it's just as
+well you stayed behind--you'd never have got through those caves! You
+wouldn't believe I could ha' done it unless you'd seen me--clambering
+down iron ladders, and jumping on to rocks, and squeezing through
+tunnels, and then up a cliff like the side of a house. I do _wish_ you
+could ha' seen me, TOM!
+
+_Tom_ (_philosophically_). Ah, well, I was very comfortable where I
+was, settin' in the hotel room there, smoking my pipe. GREEN the Guide
+gave us, "_Rocked in the Cradle of the Deep_," in first-rate style--he
+is a _singer_, and no mistake!
+
+_His Wife_. Lor, I wish I'd known he was going to sing--I'd ha' stayed
+too! But here he is, waiting by the road for us--I do hope he's going
+to sing again!
+
+_Green the G._ (_mounting the car_). I fear I am an unwelcome visitor.
+
+_The Eld. G._ (_graciously_). It would be the first time in your life
+then, GREEN!
+
+_G. the G._ Well, the fact is, I come to levy a little contribution on
+behalf of myself and the Coachman. Times are hard, Gentlemen, and both
+of us have large families to support. If you don't believe me, ask
+the Coachman. (_The Elderly G. explains that his wrappings prevent
+him from getting at his purse just then, while the others contribute
+with more or less readiness and liberality_.) Many thanks. Ladies and
+Gentlemen, on behalf of myself and the Coachman, and to express my
+sense of your generosity, I will sing you the great Jersey National
+Song, composed by myself, before leaving. (_He sings a ditty with the
+following spirited Chorus_):--
+
+ There the streets are paved with granite. So neat and clean
+ And lots of pretty, witty girls, are always to be seen!
+ With the brave old Mi-litia, Our foes to defy!
+ And there they grow the Cabba-ges--Ten feet high!
+ (_All together, Gentlemen, please_!) Yes, there they grow the
+ Cabbages, there they grow the Cabbages, there they grow
+ the Cabbages--Ten feet high!
+
+Thank you, Gentlemen, I've sung that song a number of times, and I
+never remember hearing the chorus better sung. If you don't believe
+me, ask the Coachman.
+
+_Coachman._ _I've_ never 'eard it better sung, Ladies and Gentlemen,
+I assure you.
+
+ [_GREEN the Guide descends in a blaze of popularity, and the
+ "Royal Blue" rolls on in excellent spirits._
+
+ * * * * *
+
+POLITICAL TRAINING.
+
+_Monday_.--Read Mr. CHAMBERLAIN's remarks on abstinence from bodily
+exercise. Sold my bicycle, and gave away all my rackets, bats, &c.
+Resolved to follow the latest system. Shall doubtless, by these means,
+reach Mr. C.'s high position as a statesman and orator. Went out
+in a Bath-chair. Five minutes after starting, man said he was not
+accustomed to drag so heavy an invalid, and must rest a little. Tried
+a speech--my maiden one--on the Disadvantages of Bodily Exercise. He
+listened respectfully, and, when at last I had finished, said he quite
+agreed with me, and that the fare was seven shillings.
+
+_Tuesday_.--Have decided that exercise in a Bath-chair is quite
+superfluous. Resolved to take exercise, for the future, in a hammock,
+just outside the garden-door. Must practise speech-making to the
+gardener. Good idea--Orchids. Asked him what he thought about the new
+Orchid. Miserable fool answered, "Awkud, zur? Dunno waht thaht be."
+I said that was "awkud," and had to laugh at the highly original
+side-splitter myself, as he never saw it.
+
+_Wednesday_.--Must really give up this long walk to the garden-door.
+Shall never become a great statesman unless I do. Resolved to take
+exercise in arm-chair in library. The children's governess came in
+to fetch a book. Addressed her at some length on Free Education.
+Afterwards, thought this subject was somewhat ill-chosen, as her
+salary is so small.
+
+_Thursday_.--Really cannot stand this walking up and down stairs.
+Shall remain for the future in my bed-room and take exercise on sofa
+by fireside, as I feel chilly. Page came in with coals. Reminded me of
+Policy of Scuttle. Spoke of this at some length, and woke him up with
+difficulty when I had finished. Felt rather unwell.
+
+_Friday_.--Dressing and undressing is certainly needless fatigue,
+and evidently causes this headache and general seediness. Shall take
+exercise in bed. Felt worse. Female relatives anxious, and insist on
+medical attendance. Assured them I was following the best system, and
+answered their persistent demands by a short address on Home Rule.
+
+_Saturday_.--Felt so bad at five this morning, that Doctor was
+fetched. Tried feebly to address him on the Eight Hours' Question,
+when he said he never had any time to think how long he worked.
+Explained my new system to him. He said I should myself want a new
+system to stand such a course of treatment. Then he pulled me out of
+bed, and insisted on my walking ten miles as soon as I was dressed.
+Felt much better. Shall abandon politics and become a farmer, having
+just heard of an infallible system for growing wheat profitably.
+
+ * * * * *
+
+THE "RESTORATION" PERIOD.--Will the Chairmen of the L.C. & D. and the
+S.E. Lines unite their forces? After the meeting on this subject last
+week, Sir EDWARD will have lots of reason to listen to. But apart from
+every consideration of _mal de mer_, and "From Calais to Dover," as
+the poet sings "'Tis soonest over," there is not anywhere a better,
+and we, who have suffered as greatly as the much-enduring Ulysses,
+venture to assert not anywhere as good a luncheon as at the
+"Restauration" (well it deserves the title!) of the Calais Station.
+Every patriotic travelling Englishman must be delighted to think that
+some few centuries ago we gave up Calais. Had it been nowadays in
+English hands, why it might even now be possessed of a "Refreshment
+Room" no better than--any on our side of the Channel, for there is no
+necessity to particularise. From Dover to Calais is the shortest and
+best restorative'd route for the traveller, whether ill or well, at
+sea.
+
+ * * * * *
+
+MOTTOES for the new Lord MAYOR. "_Nil obstet_," "_Nil fortius_," and,
+from HORACE, "_Nil amplius oro_." This, in answer to thousands of
+correspondents, is our last word on the subject; so after this (except
+on the 9th of November), we say--_nil_.
+
+ * * * * *
+
+SUCH A "LIGHT OPERA!"
+
+[Illustration: "Pity a Poo' Bar-itone!"]
+
+Had Sir ARTHUR written the music for _The Mountebanks_, and Sir BRIAN
+DE BOIS GILBERT the book of _Haddon Hall_, both might have been big
+successes So, however, it was not to be, and Sir ARTHUR chose this
+book by Mr. GRUNDY, which labours under the disadvantages of being
+original, and of not owing almost everything to a French source. It
+isn't every day of the week that Mr. GRUNDY tumbles upon _A Pair of
+Spectacles_ in a volume of French plays. The period to which the very
+slight and uninteresting story of _Haddon Hall_ belongs is just before
+the Restoration, but the dialogue of "the book" is spiced with modern
+slang, both "up to date" (the date being this present year of Grace,
+not sixteen hundred and sixty) and out of date. The "out-of-date"
+slang, which is, "_I've got 'em on"_--alluding to the Scotchman's
+trousers--has by far the best of it, as it comes at the end of the
+piece, and enjoys the honour of having been set to music by the
+variously-gifted Composer: so that "_I've got 'em on_," with its
+enthusiastically treble-encored whiskey fling, capitally danced by
+Miss NITA COLE as _Nance_, with Mr. DENNY as _The McCrankie_, may be
+considered as the real hit of the evening, having in itself about
+as much to do with whatever there is of the plot as would have the
+entrance of Mr. JOEY GRIMALDI, in full Clown's costume, with "Here
+we are again!" Of the music, as there was very little to catch and
+take away, one had to leave it. Of course this seriously comic or
+comically serious Opera is drawing--["_Music_," observes Mr. WAGG,
+parenthetically, "cannot be _drawing_"]--and will continue to do
+so for some little time, long enough at all events to reimburse
+Mr. D'OYLY CARTE for his more than usually lavish outlay on the
+_mise-en-scene._
+
+ [Illustration:"Christmas is comin'!"
+ The McClown of McClown dancing.
+ The Reel Hit of the Opera.
+
+In the Second Act, the mechanical change from the exterior of Haddon
+Hall to the interior, must be reckoned as among the most effective
+transformations ever seen on any stage. It would be still more so if
+the time occupied in making it were reduced one-half, and the storm
+in the orchestra, and the lightning seen through black gauze on stage
+were omitted. The lightning frightens nobody, only amuses a few,
+and in itself is no very great attraction. Even if these flashes
+were a very striking performance; no danger to the audience need
+be apprehended from it, seeing that Mr. CELLIER is in front as
+"Conductor." Perhaps Mr. D'OYLY CARTE, noticing that Mr. GRUNDY calls
+his piece "a light Opera," thought that, as it wasn't quite up to this
+description, it would be as well if the required "light'ning" were
+brought in somewhere, and so he introduced it here. If this be so, it
+is about the only flash of genius in the performance.
+
+ * * * * *
+
+[Illustration: POST-PRANDIAL PESSIMISTS.
+
+SCENE--_The Smoking-room at the Decadents._
+
+_First Decadent_ (_M.A. Oxon._). "AFTER ALL, SMYTHE, WHAT WOULD LIFE
+BE WITHOUT COFFEE?"
+
+_Second Decadent_ (_B.A. Camb._). "TRUE, JEOHNES, TRUE! AND YET, AFTER
+ALL, WHAT IS LIFE _WITH_ COFFEE?"]
+
+ * * * * *
+
+"CROSSING THE BAR."
+
+IN MEMORIAM.
+
+ALFRED LORD TENNYSON.
+
+BORN, AUGUST 5, 1809. DIED, OCTOBER 6, 1892.
+
+"TALIESSEN is our fullest throat of song."--_The Holy Grail_.
+
+ Our fullest throat of song is silent, hushed
+ In Autumn, when the songless woods are still,
+ And with October's boding hectic flushed
+ Slowly the year disrobes. A passionate thrill
+ Of strange proud sorrow pulses through the land,
+ His land, his England, which he loved so well:
+ And brows bend low, as slow from strand to strand
+ The Poet's passing bell
+ Sends forth its solemn note, and every heart
+ Chills, and sad tears to many an eyelid start.
+
+ Sad tears in sooth! And yet not wholly so.
+ Exquisite echoes of his own swan-song
+ Forbid mere murmuring mournfulness; the glow
+ Of its great hope illumes us. Sleep, thou strong
+ Full tide, as over the unmeaning bar
+ Fares this unfaltering darer of the deep,
+ Beaconed by a Great Light, the pilot-star
+ Of valiant souls, who keep
+ Through the long strife of thought-life free from scathe
+ The luminous guidance of the larger faith.
+
+ No sadness of farewell? Great Singer, crowned
+ With lustrous laurel, facing that far light,
+ In whose white radiance dark seems whelmed and drowned,
+ And death a passing shade, of meaning slight;
+ Sunset, and evening star, and that clear call,
+ The twilight shadow, and the evening bell,
+ Bring naught of gloom for thee. Whate'er befall
+ Thou must indeed fare well.
+ But we--we have but memories now, and love
+ The plaint of fond regret will scarce reprove.
+
+ Great singer, he, and great among the great,
+ Or greatness hath no sure abiding test.
+ The poet's splendid pomp, the shining state
+ Of royal singing robes, were his, confest,
+ By slowly growing certitude of fame,
+ Since first, a youth, he found fresh-opening portals
+ To Beauty's Pleasure-House. Ranked with acclaim
+ Amidst the true Immortals,
+ The amaranth fields with native ease he trod,
+ Authentic son of the lyre-bearing god.
+
+ Fresh portals, untrod pleasaunces, new ways
+ In Art's great Palace, shrined in Nature's heart,
+ Sought the young singer, and his limpid lays,
+ O'er sweet, perchance, yet made the quick blood start
+ To many a cheek mere glittering; rhymes left cold.
+ But through the gates of Ivory or of Horn
+ His vivid vision flocked, and who so bold
+ As to repulse with scorn
+ The shining troop because of shadowy birth.
+ Of bodiless passion, or light tinkling mirth?
+
+ But the true god-gift grows. Sweet, sweet, still sweet
+ As great Apollo's lyre, or Pan's plain reed,
+ His music flowed, but slowly he out-beat
+ His song to finer issues. Fingers fleet,
+ That trifled with the pipe-stops, shook grand sound
+ From the great organ's golden mouths anon.
+ A mellow-measured might, a beauty bound
+ (As Venus with her zone)
+ By that which shaped from chaos Earth, Air, Sky,
+ The unhampering restraint of Harmony.
+
+ Hysteric ecstasy, new fierce, now faint,
+ But ever fever-sick, shook not his lyre
+ With epileptic fervours. Sensual taint
+ Of satyr heat, or bacchanal desire,
+ Polluted not the passion of his song;
+ No corybantic clangor clamoured through
+ Its manly harmonies, as sane as strong;
+ So that the captious few
+ Found sickliness in pure Elysian balm,
+ And coldness in such high Olympian calm.
+
+[Illustration: "CROSSING THE BAR."
+ "TWILIGHT AND EVENING BELL, AND AFTER THAT THE DARK"
+ "AND MAY THERE BE NO SADNESS OF FAREWELL, WHEN I EMBARK."--TENNYSON.]
+
+ Impassioned purity, high minister
+ Of spirit's joys, was his, reserved, restrained.
+ His song was like the sword Excalibur
+ Of his symbolic knight; trenchant, unstained.
+ It shook the world of wordly baseness, smote
+ The Christless heathendom of huckstering days.
+ There is no harshness in that mellow note,
+ No blot upon those bays;
+ For loyal love and knightly valour rang
+ Through rich immortal music when he sang.
+
+ ARTHUR, his friend, the Modern Gentleman,
+ ARTHUR, the hero, his ideal Knight,
+ Inspired his strains. From fount to flood they ran
+ A flawless course of melody and light.
+ A Christian chivalry shone in his song
+ From Locksley Hall to shadowy Lyonnesse,
+ Whence there stand forth two figures, stately, strong,
+ Symbols of spirit's stress;
+ The blameless King, saintship with scarce a blot,
+ And song's most noble sinner, LANCELOT.
+
+ Lover of England, lord of English hearts,
+ Master of English speech, painter supreme
+ Of English landscape! Patriot passion starts
+ A-flame, pricked by the words that glow and gleam
+ In those imperial paeans, which might arm
+ Pale cowards for the fray. Touched by his hand
+ The simple sweetness, and the homely charm
+ Of our green garden-land
+ Take on a witchery as of Arden's glade,
+ Or verdant Vallombrosa's leafy shade.
+
+ The fragrant fruitfulness of wood and wold,
+ Of flowery upland, and of orchard-lawn,
+ Lit by the lingering evening's softened gold,
+ Or flushed with rose-hued radiance of the dawn;
+ Bird-music beautiful; the robin's trill,
+ Or the rook's drowsy clangour; flats that run
+ From sky to sky, dusk woods that drape the hill,
+ Still lakes that draw the sun;
+ All, all are mirror'd in his verse, and there
+ Familiar beauties shine most strangely fair.
+
+ Poet, the pass-key magical was thine,
+ To Beauty's Fairy World, in classic calm
+ Or rich romantic colour. Bagdat's shrine
+ By sheeny Tigris, Syrian pool and palm,
+ Avilion's bowery hollows, Ida's peak,
+ The lily-laden Lotos land, the fields
+ Of amaranth! What may vagrant Fancy seek
+ More than thy rich song yields,
+ Of Orient odour, Faery wizardry,
+ Or soft Arcadian simplicity?
+
+ From all, far Faery Land, Romance's realm,
+ Green English homestead, cloud-crown'd Attic hill,
+ The Poet passes--whither? Not the helm
+ Of wounded ARTHUR, lit by light that fills
+ Avilion's fair horizons, gleamed more bright
+ Than does that leonine laurelled visage now,
+ Fronting with steadfast look that mystic Light.
+ Grave eye, and gracious brow
+ Turn from the evening bell, the earthly shore,
+ To face the Light that floods him evermore.
+
+ Farewell! How fitlier should a poet pass
+ Than thou from that dim chamber and the gleam
+ Of poor earth's purest radiance? Love, alas!
+ Of that strange scene must long in sorrow dream.
+ But we--we hear thy manful music still!
+ A royal requiem for a kingly soul!
+ No sadness of farewell! Away regret,
+ When greatness nears its goal!
+ We follow thee, in thought, through light, afar
+ Divinely piloted beyond the bar!
+
+ * * * * *
+
+TO MY SWEETHEART.
+
+ ["Those roses you bought and gave to me are marvels. They are
+ still alive."--_Her Letter_.]
+
+[Illustration]
+
+ A Hothouse where some roses blew,
+ And, whilst the outer world was white,
+ The gentle roses softly grew
+ To fragrant visions of delight.
+
+ Some wretched florist owned them all,
+ And plucked them from their native bowers,
+ Then gaily showed them on his stall
+ To swell the ranks of "Fresh-Cut Flowers."
+
+ _Some_ went beside a bed of pain
+ Where influenza claimed its due;
+ They drooped and never smiled again,
+ The epidemic had them too.
+
+ A gay young gallant bought some buds,
+ And jauntily went out to dine
+ With other reckless sporting bloods,
+ Who talked of women, drank of wine;
+
+ But whilst they talked, and smoked, and drank,
+ And told tales not too sanctified.
+ Abashed the timid blossoms shrank,
+ Changed colour, faded, and then died.
+
+ Yet roses, too, I gave to you,
+ I saw you place them near your heart,
+ You wore them all the evening through,
+ You wore them when we came to part.
+
+ But now you write to me, my dear,
+ And marvel that they are not dead,
+ Their beauty does not disappear,
+ Their fragrant perfume has not fled.
+
+ The reason's plain. Somehow aright
+ The flowers know if we ignore them.
+ The roses live for sheer delight
+ At knowing, Sweetheart, that _you_ wore them.
+
+ * * * * *
+
+THOUGHTS--NOT WORTH A PENNY.
+
+(_FRAGMENT FROM THE BURLESQUE-ROMANCE OF "NO CENTS; OR, THE NEW
+CRITICISM."_)
+
+The Critic of the new cult visited a tailor's establishment, and was
+delighted with all he saw. There were coats, and vests, and other
+garments.
+
+"I make some fifty per cent. profit," said the proprietor of the
+establishment, stroking his moustache with a hand adorned with many a
+diamond ring. "Of course it causes some labour, thought, and time--but
+I get my money for my trouble."
+
+"And why not?" replied the Critic. "Are you not worth it? Do you not
+devote your energy to it? Must you not live?"
+
+And, having said this, the Reviewer visited another place of business.
+This time he had entered the office of a Stockbroker.
+
+"Of course it is rather anxious work sometimes," said the alternative
+representative of a bull and a bear. "But it pays in the long run.
+I manage to keep up a house in South Kensington, and a carriage and
+pair, out of my takings."
+
+"Again, why not?" responded the Critic. "You have a wife and family.
+Must you not live?" Then the Critic visited Cheesemongers, and
+Bankers, Solicitors, and Upholsterers. At last, he reached the modest
+abode of an Author.
+
+"Ah!" said he, in a tone of contempt; "you write books and plays! Why?
+
+"Why, to sell them," answered the Poet, in a faltering voice.
+
+"Sell them!" echoed the Critic, in tones of thunder. "What do you mean
+by that?"
+
+"Why, one must live!"
+
+"Nonsense! The universe can get on very well without anyone. You might
+be dispensed with; and, if it comes to that, so might I. Yes, I am not
+wanted."
+
+"Quite true!" murmured the Author; "indeed, you are not!"
+
+"And, after all, what _is_ your work? Mere brain action! Anyone who
+could wield a pen could do it for you! And you expect to be paid, as
+if you were a tradesman--a Tailor or an Upholsterer!"
+
+"But am I not a man and a brother? Do I not get hungry, like anyone
+else? Have I not a wife and family?"
+
+"That is entirely beside the question," persisted the Critic. "All you
+have to consider are the claims of Art. Now, Art is not to be served
+by paid votaries."
+
+"Then I suppose am unworthy," replied the Author, mournfully shaking
+his head. Well, let us exchange places. You shall be the Author, and
+I will be the Critic."
+
+"Very sorry, my dear friend, but that is an unjust division. By that
+means you would receive all the money."
+
+"And why not? If I am to write, why am I not to be paid?"
+
+"Because it is beneath the dignity of an Author to write with a view
+to obtaining cash."
+
+"Indeed! Well, I am tired of work. You have nothing to do but
+criticise. Let us swap positions."
+
+"Are you mad?" shouted the Critic. "Why, I am fond of my work. You
+don't imagine I am going to give up my salary to you? Why, it would
+demoralise you. I know the drawback of the system." And the Author
+applied himself to the study of the New Criticism, and it seemed as
+great a mystery to him as ever.
+
+ * * * * *
+
+LADY GAY'S SELECTIONS.
+
+_Mount Street, Grosvenor Square_.
+
+DEAR MR. PUNCH,
+
+Nothing but a keen sense of duty, coupled with the possession of _the_
+smartest thing in waterproof overcoats ever seen, would have tempted
+me to go racing last week; but the claims of Hurst Park were not to
+be denied, and my reward was, assisting at perhaps the most successful
+meeting ever held there--(the backers "went down" to a man, and so
+did the excellent lunch--so what more _could_ you want?)--and, in
+addition, being told by at least twenty people, the name of the winner
+of the Cesarewitch!--they all named different horses, so that _one_ is
+almost certain to be able to say next week, in that annoying tone of
+voice people adopt after a successful prophecy--(this does _not_ apply
+to Just Prophets, who are notoriously modest in success)--"_There_!
+I _told_ you it was a certainty for _Whiteface_!--couldn't lose!--_of
+course_ you backed it, after what I told you!"--which of course was
+the very reason why you _hadn't_ backed it; however--as he may really
+be able to tell you something on a future occasion, you put on a
+ghastly smile, and say--"Oh, yes--I had a trifle on--but my _money_
+was on _Blackfoot_ before you told me--but it got me out!"--and it
+does "get you out" too, for nothing is more annoying than to be told
+you "ought to have won a good stake!"
+
+However, with regard to the great race next week, I am fortunately
+able to set aside all "information received," because I have had _a
+dream_!--not one of the ordinary lobster-salad kind of racing-dreams
+one reads about--(naturally _I_ should not have an inferior kind,
+having ordered in a stock of the "best selected," one to be taken
+every night at bed-time)--in which the dreamer only sees _one_
+horse--but a most complicated affair, from which it will be an easy
+task for anyone skilled in dream-lore to extract the winner!
+
+Well--I had been rather upset during the day, so to quiet my nerves,
+on reaching home, I took, before going to bed, just a little _Golden
+Drop_ of _Brandy_ as an _Insurance_ against restlessness--went
+to sleep, and dreamt that my friends _Lady Villikins_ and _Madame
+d'Albany_, with their maid _Helen Ware_, were attacked on their way
+from _Illsley_ to _Weymouth_, by some _Dare Devil_ of a _Circassian_,
+whose horse's hoofs rang in a _Metallic_ manner on the road! They were
+rescued in the pass of _Ben Avon_ by the gallant _Burnaby_, who after
+a long _Rigmarole_, squared their captor, _Roy Neil_, with a _Hanover
+Jack_, and acted as their _Pilot_ to safe quarters at _Versailles_!
+There!--that was my dream--and I think it points most conclusively
+to the winner; and, anyone unable to pick the right one, need only
+back them _all_, and there you are!--or at least you _may_ be. If
+they don't care to do this, they can avail themselves of my verse
+selection--which I did _not_ dream--and which, therefore, is _quite_
+as reliable.
+
+Yours, devotedly, LADY GAY.
+
+CESAREWITCH SELECTION.
+
+ Oh, _Weymouth_ is a pleasant _place_,
+ And bathing tents are handy;
+ When coming out, if white your face,
+ Why, take a nip of _Brandy_.
+
+P.S.--This advice is not intended for confirmed Topers.
+
+ * * * * *
+
+"SUR LE TAPIS."--If the new Carpet Knight, Sir BLONDEL MAPLE--which is
+our troubadourish way of spelling it--be exceptionally successful on
+the Turf, isn't he just the man to "make his 'pile' and cut it"?
+
+ * * * * *
+
+[Illustration: A CONTENTED MIND.
+
+_He_. "A--THE FACT IS, I DON'T CARE FOR POPULARITY. I ONLY WISH MY
+BOOKS TO BE ADMIRED BY THOSE WHOSE ADMIRATION IS REALLY WORTH HAVING!"
+
+_She_. "AND WHO ARE THEY?"
+
+_He_. "THOSE WHO ADMIRE MY BOOKS!"]
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Not the least interesting figure in the circle of _The Racing Life of
+Lord George Bentinck_, which Messrs. BLACKWOOD produce in a handsome
+volume, is that of JOHN KENT, who, under the editorship of Mr. FRANK
+LAWLEY, tells the story. KENT was trainer to Lord GEORGE during
+the period when, to quote the characteristic Disraelian phrase,
+his Lordship became "Lord Paramount of the Turf." It is forty-four
+years since Lord GEORGE was found lying dead on his face in the
+water-meadows near Welbeck Abbey. Yet KENT remembers all about
+him--his six feet of height, his long black frock-coat, his velvet
+waistcoat, his gold chain, and his "costly cream-coloured satin scarf
+of great length, knotted under his chin, with a gold pin stuck in
+it." These scarves cost twenty shillings a-piece, and it was one of
+Lord GEORGE's fancies never to wear one a second time. When he died
+whole drawersful of them were found, and honest JOHN KENT purchased
+half-a-dozen from his Lordship's valet, who seems to have kept his
+eye on them. Did he ever wear them on Sundays? My Baronite who has
+been reading the book trows not. JOHN KENT knows his place better
+than that, and when he goes the way that masters and servants tread
+together, the scarves will doubtless be found tucked away in _his_
+chest of drawers. My Baronite is not able to take the same lofty view
+of the defunct nobleman who played at politics and worked at racing as
+does his faithful old servitor. Lord GEORGE seems to have been, as the
+cabman observed of the late JOHN FORSTER, "a harbitery gent," kind to
+those who faithfully serve him (as one is kind to a useful hound),
+but relentless to any who offended him or crossed his path. Moreover,
+whilst, as his biographer devoutly says, he purified the turf, he was
+not, upon occasion, above fighting blacklegs with their own weapons.
+The book gives clear glimpses of men and times which, less than half
+a century dead, will never live again. It pleasantly testifies that,
+though no man may be a hero to his valet, Lord GEORGE BENTINCK remains
+one in the eyes of his trainer.
+
+The Baron not having read a three-volume novel for some considerable
+time, may safely affirm, instead of taking his oath, that Mrs.
+OLIPHANT's _The Cuckoo in the Nest_ is one of the best he has come
+across for quite two months. It opens well, and if it drops a bit
+about the middle, there are all sorts of surprises yet in store for
+the reader, who, the Baron assures him or her, will be rewarded for
+his, or her, perseverance.
+
+The Baron begs to recommend the latest volume of the Whitefriars
+Library, called _King Zub_, by W.H. POLLOCK. _Zub_ is a wise poodle,
+and the waggish tale of the dog gives the name to the collection.
+_The Fleeting Show_ is quite on a par with _The Green Lady_ in a
+former collection by the same author, and such other stories as _Sir
+Jocelyn's Cap_ and _A Phantom Fish_ will delight those who, like the
+Baron, love the mixture as before of the weird and the humorous. In
+the _Phantom Fish_ there is much local dialect, and The Baron coming
+across the expression, "a proper bender," is inclined to ask if this
+is not Zummerzetsheer for, and only applicable to, a running hare? The
+Baron remembers the expression well, though 'tis years since he heard
+it, and owns to being uncertain as to whether it is not Devonian or
+Cornish. That he heard it applied to a hare apparent he is prepared
+to make oath and say; but he is not in the least prepared to assert
+that it is not generally applied as an expression of admiration for
+adroitness in avoiding pursuit. "Be that as it may, give me _King Zub_
+and the other stories, a good fire, a glass of spiritual comfort, a
+cosy chair, and a soothing pipe, and I am prepared to spend a pleasant
+evening," says
+
+THE BARON DE BOOK-WORMS.
+
+ * * * * *
+
+[Illustration: MR. PUNCH'S DEER-STALKING PARTY.]
+
+ * * * * *
+
+CONVERSATIONAL HINTS FOR YOUNG SHOOTERS.
+
+(_BY MR. PUNCH'S OWN GROUSE IN THE GUN-ROOM._)
+
+In our last (it is _Mr. Punch_ who speaks), we indicated very briefly
+the conversational possibilities of the Gun. It must be observed, that
+this treatise makes no pretensions to be exhaustive. Something must,
+after all, be left to the ingenuity of the young shooter who desires
+to talk of sport. All that these hints profess, is to put him in the
+way of shining, if there is a certain amount of natural brightness to
+begin upon. The next subject will be--
+
+CARTRIDGES.
+
+[Illustration]
+
+To a real talker, this subject offers an infinite variety of
+opportunities. First, you can begin to fight the battle of the
+powders, as thus:--
+
+"What powder are you shooting with this year, CHALMERS?"
+
+"Schultze."
+
+"How do you find it kill?"
+
+"Deadly--absolutely-deadly: best lot I've ever had."
+
+You need not say anything more now. The discussion will get along
+beautifully without you, for you will have drawn, (1), the man who
+very much prefers E.C., which he warrants to kill at a distance no
+other powder can attain to; (2), the man who uses E.C. or Schultze
+for his right barrel, and always puts a black-powder cartridge into
+his left; (3), the detester of innovations, who means to go on using
+the good old black-powder for both barrels as long as he lives; and
+(4), the man who is trying an entirely new patent powder, infinitely
+superior to anything else ever invented, and is willing to give
+everybody, not only the address of the maker, but half a dozen
+cartridges to try.
+
+You cannot make much of "charges" of powder. Good shots are dogmatic
+on the point, and ordinary shots don't bother their heads about it,
+trusting entirely to the man who sells them their cartridges. Still
+you might throw out, here and there, a few words about "drams" and
+"grains." Only, above all things, be careful _not_ to mention drams
+in connection with anything but black powder, nor grains, except with
+reference to Schultze or E.C. A laboriously-acquired reputation as a
+scientific shot has been known to be ruined by a want of clearness on
+this important point.
+
+"Shot." Conversationally much more valuable than powder. "Very few
+people agree," says a well-known authority; "as to what is the best
+size of shot to use, and many forget that the charge which will suit
+one gun, and one description of game, will not do as well for another.
+Usually, one gun will shoot better one size of shot than will another,
+and we may safely say, that large bores shoot large shot better than
+do smaller bores." This last sentence has the beautiful ring of a
+profound truism. Lay it by for use, and bring it out with emphasis in
+the midst of such disagreement and forgetfulness as are here alluded
+to. "If a shooter is a good shot," says the same classic, "he may
+use No. 6 early in the season, and only for partridges--afterwards,
+nothing but No. 5. To the average shot, No. 6 throughout the season."
+This sounds dreadfully invidious. If a good shot cannot kill grouse
+with No. 6, how on earth is a merely average shot to do the trick?
+But, in these matters, the conversationalist finds his opportunity.
+Only they must not be pushed too far. There was once a party of
+genial, light-hearted friends, who went out shooting. Early in the
+day, slight differences of opinion made themselves observed with
+reference to the size of shot. Lunch found them still more or less
+good-tempered, but each obstinately determined not to give way even by
+a fraction on the point under discussion.
+
+[Illustration]
+
+Afterwards they began again. The very dogs grew ashamed of the
+noise, and went home. That afternoon there was peace in the world of
+birds--at least, on that particular shooting--and the next morning saw
+the shooting-parties of England reduced by one, which had separated
+in different dog-carts, and various stages of high dudgeon, for the
+railway station. So, please to be very, very careful. Use the methods
+of compromise. If you find your friend obstinately pinned to No. 5,
+when you have declared a preference for No. 6, meet him half-way,
+or even profess to be converted by his arguments. Or tell him the
+anecdote about the Irishman, who always shot snipe with No. 4,
+because, "being such a little bird, bedad, you want a bigger shot to
+get at the beggar." You can then inform him how you yourself once did
+dreadful execution among driven grouse in a gale of wind with No. 8
+shot, which you had brought out by mistake. You may object that you
+never, as a matter of fact, did this execution, never having even shot
+at all with No. 8. Tush! you are puling. If you are going to let a
+conscientious accuracy stand in your way like this, you had better
+become dumb when sporting talk is flying about. Of course you must not
+exaggerate too much. Only bumptious fools do that, and they are called
+liars for their pains. But a _little_ exaggeration, just a _soupcon_
+of romance, does no one any harm, while it relieves the prosaic
+dullness of the ordinary anecdote. So, swallow your scruples, and
+
+ Join the gay throng
+ That goes talking along,
+ For we'll all go romancing to-day.
+
+(_To be continued._)
+
+ * * * * *
+
+DOE VERSUS ROE(DENT).
+
+ ["The basements of the Royal Courts of Justice have lately
+ been invaded by swarms of mice. They have become very
+ audacious, and have penetrated into the Courts themselves,
+ whose walls are lined with legal volumes, the leaves of which
+ provide them with a rich feast."--_Daily Paper_.]
+
+ For students of the law to "eat
+ Their terms" is obviously right,
+ But to devour the books themselves
+ Is impolite.
+
+ Unfortunately Mr. STREET.
+ Who planned the legal edif-[=i]ce,
+ Designed a splendid trap for men,
+ But not for mice.
+
+ To view the Courts at midnight now,
+ The Courts all in the stilly Strand,
+ With rodents squeaking out their pleas,
+ That _would_ be grand!
+
+ No Ushers 'ush them; they consume
+ The stiffest calf you ever saw,
+ Developing, these curious beasts,
+ A taste for Law.
+
+ They fill--perhaps--the box wherein,
+ Twelve bothered men have often sat,
+ And try, with every proper form,
+ Some absent cat.
+
+ A fore-mouse probably they choose,
+ The culprit's advocate deride,
+ And fix upon that cat the guilt
+ Of mouseycide.
+
+ At the Refreshment-bars, perchance,
+ They eat the cakes, and drink the milk,
+ And in the Robing-room indulge
+ In "taking silk."
+
+ The Judges' sacred Bench itself
+ From scampering feet is not exempt;
+ With calmness they commit, of Court,
+ Frightful "contempt."
+
+ Through _Byles on Bills_ they eat their way;
+ Law "Digests" they at will digest;
+ Not even _Coke on Littleton_
+ Sticks on _their_ chests!
+
+ Wanted--the stodgiest Law-book out!
+ The Judges soon _must_ note these facts,
+ And try a copy of the Ju-
+ -dicature Acts!
+
+ * * * * *
+
+WHY THE FRENCH WON THE BOAT-RACE.
+
+(_ANSWERS SUPPLIED BY AN UNPREJUDICED BRITON._)
+
+[Illustration]
+
+Because the English Eight had had no practice on the Seine.
+
+Because the Londoners had had a fearful passage crossing the Channel.
+
+Because they smashed their boat, and had to have it repaired.
+
+Because the English steering might have been better.
+
+Because the weather was intolerable, and chiefly affected the
+Englishmen.
+
+Because the Londoners had no chance of pulling together.
+
+Because the French knew the course better than the English.
+
+Because the race should have been rowed weeks before.
+
+Because the race should not have been rowed for months.
+
+Because the British naturally liked to see the foreigners win.
+
+And last (and least), because the French had by far the better crew!
+
+ * * * * *
+
+ECCLESIASTICAL INTELLIGENCE.--The style, title, office, and dignity
+of Archbishop of Canterbury, with all appurtenances thereto belonging,
+with all emoluments, spiritualities and temporalities appertaining,
+have been conferred by letters patent, under supreme authority,
+according to Act V. Henricus Noster in such cases made and provided,
+on the Rev. Mr. VINCENT, in consequence of the retirement of the Right
+Rev. ARTHUR STIRLING from the said office; the duties of which he so
+recently and so effectively performed between the hours of ten-thirty
+and eleven-fifteen every night for several months at the Theatre Royal
+Lyceum. We are in a position to add, that his resignation of this
+high and valuable office, has not taken place in consequence of any
+question as to the validity or invalidity of orders ("not admitted
+after 7.30"), nor has this step been rendered imperative by reason of
+any "irregularity" in "properties" or "appointments."
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+103, October 15, 1892, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
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