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+The Project Gutenberg EBook of Tender Buttons, by Gertrude Stein
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tender Buttons
+       Objects--Food--Rooms
+
+Author: Gertrude Stein
+
+Release Date: March 17, 2005 [EBook #15396]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS ***
+
+
+
+
+Produced by Suzanne Shell, Josephine Paolucci and the Online
+Distributed Proofreading Team.
+
+
+
+
+
+
+
+
+
+
+TENDER BUTTONS
+
+  Objects . Food . Rooms
+
+Gertrude Stein
+
+1914
+
+
+
+
+CONTENTS
+
+
+  OBJECTS
+
+  FOOD
+
+  ROOMS
+
+
+
+
+OBJECTS
+
+
+A CARAFE, THAT IS A BLIND GLASS.
+
+A kind in glass and a cousin, a spectacle and nothing strange a single
+hurt color and an arrangement in a system to pointing. All this and not
+ordinary, not unordered in not resembling. The difference is spreading.
+
+
+GLAZED GLITTER.
+
+Nickel, what is nickel, it is originally rid of a cover.
+
+The change in that is that red weakens an hour. The change has come.
+There is no search. But there is, there is that hope and that
+interpretation and sometime, surely any is unwelcome, sometime there is
+breath and there will be a sinecure and charming very charming is that
+clean and cleansing. Certainly glittering is handsome and convincing.
+
+There is no gratitude in mercy and in medicine. There can be breakages
+in Japanese. That is no programme. That is no color chosen. It was
+chosen yesterday, that showed spitting and perhaps washing and
+polishing. It certainly showed no obligation and perhaps if borrowing is
+not natural there is some use in giving.
+
+
+A SUBSTANCE IN A CUSHION.
+
+The change of color is likely and a difference a very little difference
+is prepared. Sugar is not a vegetable.
+
+Callous is something that hardening leaves behind what will be soft if
+there is a genuine interest in there being present as many girls as men.
+Does this change. It shows that dirt is clean when there is a volume.
+
+A cushion has that cover. Supposing you do not like to change, supposing
+it is very clean that there is no change in appearance, supposing that
+there is regularity and a costume is that any the worse than an oyster
+and an exchange. Come to season that is there any extreme use in feather
+and cotton. Is there not much more joy in a table and more chairs and
+very likely roundness and a place to put them.
+
+A circle of fine card board and a chance to see a tassel.
+
+What is the use of a violent kind of delightfulness if there is no
+pleasure in not getting tired of it. The question does not come before
+there is a quotation. In any kind of place there is a top to covering
+and it is a pleasure at any rate there is some venturing in refusing to
+believe nonsense. It shows what use there is in a whole piece if one
+uses it and it is extreme and very likely the little things could be
+dearer but in any case there is a bargain and if there is the best thing
+to do is to take it away and wear it and then be reckless be reckless
+and resolved on returning gratitude.
+
+Light blue and the same red with purple makes a change. It shows that
+there is no mistake. Any pink shows that and very likely it is
+reasonable. Very likely there should not be a finer fancy present. Some
+increase means a calamity and this is the best preparation for three and
+more being together. A little calm is so ordinary and in any case there
+is sweetness and some of that.
+
+A seal and matches and a swan and ivy and a suit.
+
+A closet, a closet does not connect under the bed. The band if it is
+white and black, the band has a green string. A sight a whole sight and
+a little groan grinding makes a trimming such a sweet singing trimming
+and a red thing not a round thing but a white thing, a red thing and a
+white thing.
+
+The disgrace is not in carelessness nor even in sewing it comes out out
+of the way.
+
+What is the sash like. The sash is not like anything mustard it is not
+like a same thing that has stripes, it is not even more hurt than that,
+it has a little top.
+
+
+A BOX.
+
+Out of kindness comes redness and out of rudeness comes rapid same
+question, out of an eye comes research, out of selection comes painful
+cattle. So then the order is that a white way of being round is
+something suggesting a pin and is it disappointing, it is not, it is so
+rudimentary to be analysed and see a fine substance strangely, it is so
+earnest to have a green point not to red but to point again.
+
+
+A PIECE OF COFFEE.
+
+More of double.
+
+A place in no new table.
+
+A single image is not splendor. Dirty is yellow. A sign of more in not
+mentioned. A piece of coffee is not a detainer. The resemblance to
+yellow is dirtier and distincter. The clean mixture is whiter and not
+coal color, never more coal color than altogether.
+
+The sight of a reason, the same sight slighter, the sight of a simpler
+negative answer, the same sore sounder, the intention to wishing, the
+same splendor, the same furniture.
+
+The time to show a message is when too late and later there is no
+hanging in a blight.
+
+A not torn rose-wood color. If it is not dangerous then a pleasure and
+more than any other if it is cheap is not cheaper. The amusing side is
+that the sooner there are no fewer the more certain is the necessity
+dwindled. Supposing that the case contained rose-wood and a color.
+Supposing that there was no reason for a distress and more likely for a
+number, supposing that there was no astonishment, is it not necessary to
+mingle astonishment.
+
+The settling of stationing cleaning is one way not to shatter scatter
+and scattering. The one way to use custom is to use soap and silk for
+cleaning. The one way to see cotton is to have a design concentrating
+the illusion and the illustration. The perfect way is to accustom the
+thing to have a lining and the shape of a ribbon and to be solid, quite
+solid in standing and to use heaviness in morning. It is light enough in
+that. It has that shape nicely. Very nicely may not be exaggerating.
+Very strongly may be sincerely fainting. May be strangely flattering.
+May not be strange in everything. May not be strange to.
+
+
+DIRT AND NOT COPPER.
+
+Dirt and not copper makes a color darker. It makes the shape so heavy
+and makes no melody harder.
+
+It makes mercy and relaxation and even a strength to spread a table
+fuller. There are more places not empty. They see cover.
+
+
+NOTHING ELEGANT.
+
+A charm a single charm is doubtful. If the red is rose and there is a
+gate surrounding it, if inside is let in and there places change then
+certainly something is upright. It is earnest.
+
+
+MILDRED'S UMBRELLA.
+
+A cause and no curve, a cause and loud enough, a cause and extra a loud
+clash and an extra wagon, a sign of extra, a sac a small sac and an
+established color and cunning, a slender grey and no ribbon, this means
+a loss a great loss a restitution.
+
+
+A METHOD OF A CLOAK.
+
+A single climb to a line, a straight exchange to a cane, a desperate
+adventure and courage and a clock, all this which is a system, which has
+feeling, which has resignation and success, all makes an attractive
+black silver.
+
+
+A RED STAMP.
+
+If lilies are lily white if they exhaust noise and distance and even
+dust, if they dusty will dirt a surface that has no extreme grace, if
+they do this and it is not necessary it is not at all necessary if they
+do this they need a catalogue.
+
+
+A BOX.
+
+A large box is handily made of what is necessary to replace any
+substance. Suppose an example is necessary, the plainer it is made the
+more reason there is for some outward recognition that there is a
+result.
+
+A box is made sometimes and them to see to see to it neatly and to have
+the holes stopped up makes it necessary to use paper.
+
+A custom which is necessary when a box is used and taken is that a large
+part of the time there are three which have different connections. The
+one is on the table. The two are on the table. The three are on the
+table. The one, one is the same length as is shown by the cover being
+longer. The other is different there is more cover that shows it. The
+other is different and that makes the corners have the same shade the
+eight are in singular arrangement to make four necessary.
+
+Lax, to have corners, to be lighter than some weight, to indicate a
+wedding journey, to last brown and not curious, to be wealthy,
+cigarettes are established by length and by doubling.
+
+Left open, to be left pounded, to be left closed, to be circulating in
+summer and winter, and sick color that is grey that is not dusty and red
+shows, to be sure cigarettes do measure an empty length sooner than a
+choice in color.
+
+Winged, to be winged means that white is yellow and pieces pieces that
+are brown are dust color if dust is washed off, then it is choice that
+is to say it is fitting cigarettes sooner than paper.
+
+An increase why is an increase idle, why is silver cloister, why is the
+spark brighter, if it is brighter is there any result, hardly more than
+ever.
+
+
+A PLATE.
+
+An occasion for a plate, an occasional resource is in buying and how
+soon does washing enable a selection of the same thing neater. If the
+party is small a clever song is in order.
+
+Plates and a dinner set of colored china. Pack together a string and
+enough with it to protect the centre, cause a considerable haste and
+gather more as it is cooling, collect more trembling and not any even
+trembling, cause a whole thing to be a church.
+
+A sad size a size that is not sad is blue as every bit of blue is
+precocious. A kind of green a game in green and nothing flat nothing
+quite flat and more round, nothing a particular color strangely, nothing
+breaking the losing of no little piece.
+
+A splendid address a really splendid address is not shown by giving a
+flower freely, it is not shown by a mark or by wetting.
+
+Cut cut in white, cut in white so lately. Cut more than any other and
+show it. Show it in the stem and in starting and in evening coming
+complication.
+
+A lamp is not the only sign of glass. The lamp and the cake are not the
+only sign of stone. The lamp and the cake and the cover are not the only
+necessity altogether.
+
+A plan a hearty plan, a compressed disease and no coffee, not even a
+card or a change to incline each way, a plan that has that excess and
+that break is the one that shows filling.
+
+
+A SELTZER BOTTLE.
+
+Any neglect of many particles to a cracking, any neglect of this makes
+around it what is lead in color and certainly discolor in silver. The
+use of this is manifold. Supposing a certain time selected is assured,
+suppose it is even necessary, suppose no other extract is permitted and
+no more handling is needed, suppose the rest of the message is mixed
+with a very long slender needle and even if it could be any black
+border, supposing all this altogether made a dress and suppose it was
+actual, suppose the mean way to state it was occasional, if you suppose
+this in August and even more melodiously, if you suppose this even in
+the necessary incident of there certainly being no middle in summer and
+winter, suppose this and an elegant settlement a very elegant settlement
+is more than of consequence, it is not final and sufficient and
+substituted. This which was so kindly a present was constant.
+
+
+A LONG DRESS.
+
+What is the current that makes machinery, that makes it crackle, what is
+the current that presents a long line and a necessary waist. What is
+this current.
+
+What is the wind, what is it.
+
+Where is the serene length, it is there and a dark place is not a dark
+place, only a white and red are black, only a yellow and green are blue,
+a pink is scarlet, a bow is every color. A line distinguishes it. A line
+just distinguishes it.
+
+
+A RED HAT.
+
+A dark grey, a very dark grey, a quite dark grey is monstrous
+ordinarily, it is so monstrous because there is no red in it. If red is
+in everything it is not necessary. Is that not an argument for any use
+of it and even so is there any place that is better, is there any place
+that has so much stretched out.
+
+
+A BLUE COAT.
+
+A blue coat is guided guided away, guided and guided away, that is the
+particular color that is used for that length and not any width not even
+more than a shadow.
+
+
+A PIANO.
+
+If the speed is open, if the color is careless, if the selection of a
+strong scent is not awkward, if the button holder is held by all the
+waving color and there is no color, not any color. If there is no dirt
+in a pin and there can be none scarcely, if there is not then the place
+is the same as up standing.
+
+This is no dark custom and it even is not acted in any such a way that a
+restraint is not spread. That is spread, it shuts and it lifts and
+awkwardly not awkwardly the centre is in standing.
+
+
+A CHAIR.
+
+A widow in a wise veil and more garments shows that shadows are even. It
+addresses no more, it shadows the stage and learning. A regular
+arrangement, the severest and the most preserved is that which has the
+arrangement not more than always authorised.
+
+A suitable establishment, well housed, practical, patient and staring, a
+suitable bedding, very suitable and not more particularly than
+complaining, anything suitable is so necessary.
+
+A fact is that when the direction is just like that, no more, longer,
+sudden and at the same time not any sofa, the main action is that
+without a blaming there is no custody.
+
+Practice measurement, practice the sign that means that really means a
+necessary betrayal, in showing that there is wearing.
+
+Hope, what is a spectacle, a spectacle is the resemblance between the
+circular side place and nothing else, nothing else.
+
+To choose it is ended, it is actual and more than that it has it
+certainly has the same treat, and a seat all that is practiced and more
+easily much more easily ordinarily.
+
+Pick a barn, a whole barn, and bend more slender accents than have ever
+been necessary, shine in the darkness necessarily. Actually not aching,
+actually not aching, a stubborn bloom is so artificial and even more
+than that, it is a spectacle, it is a binding accident, it is animosity
+and accentuation.
+
+If the chance to dirty diminishing is necessary, if it is why is there
+no complexion, why is there no rubbing, why is there no special
+protection.
+
+
+A FRIGHTFUL RELEASE.
+
+A bag which was left and not only taken but turned away was not found.
+The place was shown to be very like the last time. A piece was not
+exchanged, not a bit of it, a piece was left over. The rest was
+mismanaged.
+
+
+A PURSE.
+
+A purse was not green, it was not straw color, it was hardly seen and it
+had a use a long use and the chain, the chain was never missing, it was
+not misplaced, it showed that it was open, that is all that it showed.
+
+
+A MOUNTED UMBRELLA.
+
+What was the use of not leaving it there where it would hang what was
+the use if there was no chance of ever seeing it come there and show
+that it was handsome and right in the way it showed it. The lesson is to
+learn that it does show it, that it shows it and that nothing, that
+there is nothing, that there is no more to do about it and just so much
+more is there plenty of reason for making an exchange.
+
+
+A CLOTH.
+
+Enough cloth is plenty and more, more is almost enough for that and
+besides if there is no more spreading is there plenty of room for it.
+Any occasion shows the best way.
+
+
+MORE.
+
+An elegant use of foliage and grace and a little piece of white cloth
+and oil.
+
+Wondering so winningly in several kinds of oceans is the reason that
+makes red so regular and enthusiastic. The reason that there is more
+snips are the same shining very colored rid of no round color.
+
+
+A NEW CUP AND SAUCER.
+
+Enthusiastically hurting a clouded yellow bud and saucer,
+enthusiastically so is the bite in the ribbon.
+
+
+OBJECTS.
+
+Within, within the cut and slender joint alone, with sudden equals and
+no more than three, two in the centre make two one side.
+
+If the elbow is long and it is filled so then the best example is all
+together.
+
+The kind of show is made by squeezing.
+
+
+EYE GLASSES.
+
+A color in shaving, a saloon is well placed in the centre of an alley.
+
+
+CUTLET.
+
+A blind agitation is manly and uttermost.
+
+
+CARELESS WATER.
+
+No cup is broken in more places and mended, that is to say a plate is
+broken and mending does do that it shows that culture is Japanese. It
+shows the whole element of angels and orders. It does more to choosing
+and it does more to that ministering counting. It does, it does change
+in more water.
+
+Supposing a single piece is a hair supposing more of them are orderly,
+does that show that strength, does that show that joint, does that show
+that balloon famously. Does it.
+
+
+A PAPER.
+
+A courteous occasion makes a paper show no such occasion and this makes
+readiness and eyesight and likeness and a stool.
+
+
+A DRAWING.
+
+The meaning of this is entirely and best to say the mark, best to say it
+best to show sudden places, best to make bitter, best to make the length
+tall and nothing broader, anything between the half.
+
+
+WATER RAINING.
+
+Water astonishing and difficult altogether makes a meadow and a stroke.
+
+
+COLD CLIMATE.
+
+A season in yellow sold extra strings makes lying places.
+
+
+MALACHITE.
+
+The sudden spoon is the same in no size. The sudden spoon is the wound
+in the decision.
+
+
+AN UMBRELLA.
+
+Coloring high means that the strange reason is in front not more in
+front behind. Not more in front in peace of the dot.
+
+
+A PETTICOAT.
+
+A light white, a disgrace, an ink spot, a rosy charm.
+
+
+A WAIST.
+
+A star glide, a single frantic sullenness, a single financial grass
+greediness.
+
+Object that is in wood. Hold the pine, hold the dark, hold in the rush,
+make the bottom.
+
+A piece of crystal. A change, in a change that is remarkable there is no
+reason to say that there was a time.
+
+A woolen object gilded. A country climb is the best disgrace, a couple
+of practices any of them in order is so left.
+
+
+A TIME TO EAT.
+
+A pleasant simple habitual and tyrannical and authorised and educated
+and resumed and articulate separation. This is not tardy.
+
+
+A LITTLE BIT OF A TUMBLER.
+
+A shining indication of yellow consists in there having been more of the
+same color than could have been expected when all four were bought. This
+was the hope which made the six and seven have no use for any more
+places and this necessarily spread into nothing. Spread into nothing.
+
+
+A FIRE.
+
+What was the use of a whole time to send and not send if there was to be
+the kind of thing that made that come in. A letter was nicely sent.
+
+
+A HANDKERCHIEF.
+
+A winning of all the blessings, a sample not a sample because there is
+no worry.
+
+
+RED ROSES.
+
+A cool red rose and a pink cut pink, a collapse and a sold hole, a
+little less hot.
+
+
+IN BETWEEN.
+
+In between a place and candy is a narrow foot-path that shows more
+mounting than anything, so much really that a calling meaning a bolster
+measured a whole thing with that. A virgin a whole virgin is judged made
+and so between curves and outlines and real seasons and more out glasses
+and a perfectly unprecedented arrangement between old ladies and mild
+colds there is no satin wood shining.
+
+
+COLORED HATS.
+
+Colored hats are necessary to show that curls are worn by an addition of
+blank spaces, this makes the difference between single lines and broad
+stomachs, the least thing is lightening, the least thing means a little
+flower and a big delay a big delay that makes more nurses than little
+women really little women. So clean is a light that nearly all of it
+shows pearls and little ways. A large hat is tall and me and all custard
+whole.
+
+
+A FEATHER.
+
+A feather is trimmed, it is trimmed by the light and the bug and the
+post, it is trimmed by little leaning and by all sorts of mounted
+reserves and loud volumes. It is surely cohesive.
+
+
+A BROWN.
+
+A brown which is not liquid not more so is relaxed and yet there is a
+change, a news is pressing.
+
+
+A LITTLE CALLED PAULINE.
+
+A little called anything shows shudders.
+
+Come and say what prints all day. A whole few watermelon. There is no
+pope.
+
+No cut in pennies and little dressing and choose wide soles and little
+spats really little spices.
+
+A little lace makes boils. This is not true.
+
+Gracious of gracious and a stamp a blue green white bow a blue green
+lean, lean on the top.
+
+If it is absurd then it is leadish and nearly set in where there is a
+tight head.
+
+A peaceful life to arise her, noon and moon and moon. A letter a cold
+sleeve a blanket a shaving house and nearly the best and regular window.
+
+Nearer in fairy sea, nearer and farther, show white has lime in sight,
+show a stitch of ten. Count, count more so that thicker and thicker is
+leaning.
+
+I hope she has her cow. Bidding a wedding, widening received treading,
+little leading mention nothing.
+
+Cough out cough out in the leather and really feather it is not for.
+
+Please could, please could, jam it not plus more sit in when.
+
+
+A SOUND.
+
+Elephant beaten with candy and little pops and chews all bolts and
+reckless reckless rats, this is this.
+
+
+A TABLE.
+
+A table means does it not my dear it means a whole steadiness. Is it
+likely that a change.
+
+A table means more than a glass even a looking glass is tall. A table
+means necessary places and a revision a revision of a little thing it
+means it does mean that there has been a stand, a stand where it did
+shake.
+
+
+SHOES.
+
+To be a wall with a damper a stream of pounding way and nearly enough
+choice makes a steady midnight. It is pus.
+
+A shallow hole rose on red, a shallow hole in and in this makes ale
+less. It shows shine.
+
+
+A DOG.
+
+A little monkey goes like a donkey that means to say that means to say
+that more sighs last goes. Leave with it. A little monkey goes like a
+donkey.
+
+
+A WHITE HUNTER.
+
+A white hunter is nearly crazy.
+
+
+A LEAVE.
+
+In the middle of a tiny spot and nearly bare there is a nice thing to
+say that wrist is leading. Wrist is leading.
+
+
+SUPPOSE AN EYES.
+
+Suppose it is within a gate which open is open at the hour of closing
+summer that is to say it is so.
+
+All the seats are needing blackening. A white dress is in sign. A
+soldier a real soldier has a worn lace a worn lace of different sizes
+that is to say if he can read, if he can read he is a size to show
+shutting up twenty-four.
+
+Go red go red, laugh white.
+
+Suppose a collapse in rubbed purr, in rubbed purr get.
+
+Little sales ladies little sales ladies little saddles of mutton.
+
+Little sales of leather and such beautiful beautiful, beautiful
+beautiful.
+
+
+A SHAWL.
+
+A shawl is a hat and hurt and a red balloon and an under coat and a
+sizer a sizer of talks.
+
+A shawl is a wedding, a piece of wax a little build. A shawl.
+
+Pick a ticket, pick it in strange steps and with hollows. There is
+hollow hollow belt, a belt is a shawl.
+
+A plate that has a little bobble, all of them, any so.
+
+Please a round it is ticket.
+
+It was a mistake to state that a laugh and a lip and a laid climb and a
+depot and a cultivator and little choosing is a point it.
+
+
+BOOK.
+
+Book was there, it was there. Book was there. Stop it, stop it, it was a
+cleaner, a wet cleaner and it was not where it was wet, it was not high,
+it was directly placed back, not back again, back it was returned, it
+was needless, it put a bank, a bank when, a bank care.
+
+Suppose a man a realistic expression of resolute reliability suggests
+pleasing itself white all white and no head does that mean soap. It does
+not so. It means kind wavers and little chance to beside beside rest. A
+plain.
+
+Suppose ear rings, that is one way to breed, breed that. Oh chance to
+say, oh nice old pole. Next best and nearest a pillar. Chest not
+valuable, be papered.
+
+Cover up cover up the two with a little piece of string and hope rose
+and green, green.
+
+Please a plate, put a match to the seam and really then really then,
+really then it is a remark that joins many many lead games. It is a
+sister and sister and a flower and a flower and a dog and a colored sky
+a sky colored grey and nearly that nearly that let.
+
+
+PEELED PENCIL, CHOKE.
+
+Rub her coke.
+
+
+IT WAS BLACK, BLACK TOOK.
+
+Black ink best wheel bale brown.
+
+Excellent not a hull house, not a pea soup, no bill no care, no precise
+no past pearl pearl goat.
+
+
+THIS IS THE DRESS, AIDER.
+
+Aider, why aider why whow, whow stop touch, aider whow, aider stop the
+muncher, muncher munchers.
+
+A jack in kill her, a jack in, makes a meadowed king, makes a to let.
+
+
+
+
+FOOD
+
+
+ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; MILK; EGGS; APPLE;
+TAILS; LUNCH; CUPS; RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES;
+ASPARAGUS; BUTTER; END OF SUMMER; SAUSAGES; CELERY; VEAL; VEGETABLE;
+COOKING; CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; DINING; EATING;
+SALAD; SAUCE; SALMON; ORANGE; COCOA; AND CLEAR SOUP AND ORANGES AND
+OATMEAL; SALAD DRESSING AND AN ARTICHOKE; A CENTRE IN A TABLE.
+
+
+ROASTBEEF.
+
+In the inside there is sleeping, in the outside there is reddening, in
+the morning there is meaning, in the evening there is feeling. In the
+evening there is feeling. In feeling anything is resting, in feeling
+anything is mounting, in feeling there is resignation, in feeling there
+is recognition, in feeling there is recurrence and entirely mistaken
+there is pinching. All the standards have steamers and all the curtains
+have bed linen and all the yellow has discrimination and all the circle
+has circling. This makes sand.
+
+Very well. Certainly the length is thinner and the rest, the round rest
+has a longer summer. To shine, why not shine, to shine, to station, to
+enlarge, to hurry the measure all this means nothing if there is
+singing, if there is singing then there is the resumption.
+
+The change the dirt, not to change dirt means that there is no beefsteak
+and not to have that is no obstruction, it is so easy to exchange
+meaning, it is so easy to see the difference. The difference is that a
+plain resource is not entangled with thickness and it does not mean that
+thickness shows such cutting, it does mean that a meadow is useful and a
+cow absurd. It does not mean that there are tears, it does not mean that
+exudation is cumbersome, it means no more than a memory, a choice and a
+reestablishment, it means more than any escape from a surrounding extra.
+All the time that there is use there is use and any time there is a
+surface there is a surface, and every time there is an exception there
+is an exception and every time there is a division there is a dividing.
+Any time there is a surface there is a surface and every time there is a
+suggestion there is a suggestion and every time there is silence there
+is silence and every time that is languid there is that there then and
+not oftener, not always, not particular, tender and changing and
+external and central and surrounded and singular and simple and the same
+and the surface and the circle and the shine and the succor and the
+white and the same and the better and the red and the same and the
+centre and the yellow and the tender and the better, and altogether.
+
+Considering the circumstances there is no occasion for a reduction,
+considering that there is no pealing there is no occasion for an
+obligation, considering that there is no outrage there is no necessity
+for any reparation, considering that there is no particle sodden there
+is no occasion for deliberation. Considering everything and which way
+the turn is tending, considering everything why is there no restraint,
+considering everything what makes the place settle and the plate
+distinguish some specialties. The whole thing is not understood and this
+is not strange considering that there is no education, this is not
+strange because having that certainly does show the difference in
+cutting, it shows that when there is turning there is no distress.
+
+In kind, in a control, in a period, in the alteration of pigeons, in
+kind cuts and thick and thin spaces, in kind ham and different colors,
+the length of leaning a strong thing outside not to make a sound but to
+suggest a crust, the principal taste is when there is a whole chance to
+be reasonable, this does not mean that there is overtaking, this means
+nothing precious, this means clearly that the chance to exercise is a
+social success. So then the sound is not obtrusive. Suppose it is
+obtrusive suppose it is. What is certainly the desertion is not a
+reduced description, a description is not a birthday.
+
+Lovely snipe and tender turn, excellent vapor and slender butter, all
+the splinter and the trunk, all the poisonous darkening drunk, all the
+joy in weak success, all the joyful tenderness, all the section and the
+tea, all the stouter symmetry.
+
+Around the size that is small, inside the stern that is the middle,
+besides the remains that are praying, inside the between that is
+turning, all the region is measuring and melting is exaggerating.
+
+Rectangular ribbon does not mean that there is no eruption it means that
+if there is no place to hold there is no place to spread. Kindness is
+not earnest, it is not assiduous it is not revered.
+
+Room to comb chickens and feathers and ripe purple, room to curve single
+plates and large sets and second silver, room to send everything away,
+room to save heat and distemper, room to search a light that is simpler,
+all room has no shadow.
+
+There is no use there is no use at all in smell, in taste, in teeth, in
+toast, in anything, there is no use at all and the respect is mutual.
+
+Why should that which is uneven, that which is resumed, that which is
+tolerable why should all this resemble a smell, a thing is there, it
+whistles, it is not narrower, why is there no obligation to stay away
+and yet courage, courage is everywhere and the best remains to stay.
+
+If there could be that which is contained in that which is felt there
+would be a chair where there are chairs and there would be no more
+denial about a clatter. A clatter is not a smell. All this is good.
+
+The Saturday evening which is Sunday is every week day. What choice is
+there when there is a difference. A regulation is not active.
+Thirstiness is not equal division.
+
+Anyway, to be older and ageder is not a surfeit nor a suction, it is not
+dated and careful, it is not dirty. Any little thing is clean, rubbing
+is black. Why should ancient lambs be goats and young colts and never
+beef, why should they, they should because there is so much difference
+in age.
+
+A sound, a whole sound is not separation, a whole sound is in an order.
+
+Suppose there is a pigeon, suppose there is.
+
+Looseness, why is there a shadow in a kitchen, there is a shadow in a
+kitchen because every little thing is bigger.
+
+The time when there are four choices and there are four choices in a
+difference, the time when there are four choices there is a kind and
+there is a kind. There is a kind. There is a kind. Supposing there is a
+bone, there is a bone. Supposing there are bones. There are bones. When
+there are bones there is no supposing there are bones. There are bones
+and there is that consuming. The kindly way to feel separating is to
+have a space between. This shows a likeness.
+
+Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in
+daintiness and determination. Hope in dates.
+
+Tin is not a can and a stove is hardly. Tin is not necessary and neither
+is a stretcher. Tin is never narrow and thick.
+
+Color is in coal. Coal is outlasting roasting and a spoonful, a whole
+spoon that is full is not spilling. Coal any coal is copper.
+
+Claiming nothing, not claiming anything, not a claim in everything,
+collecting claiming, all this makes a harmony, it even makes a
+succession.
+
+Sincerely gracious one morning, sincerely graciously trembling, sincere
+in gracious eloping, all this makes a furnace and a blanket. All this
+shows quantity.
+
+Like an eye, not so much more, not any searching, no compliments.
+
+Please be the beef, please beef, pleasure is not wailing. Please beef,
+please be carved clear, please be a case of consideration.
+
+Search a neglect. A sale, any greatness is a stall and there is no
+memory, there is no clear collection.
+
+A satin sight, what is a trick, no trick is mountainous and the color,
+all the rush is in the blood.
+
+Bargaining for a little, bargain for a touch, a liberty, an
+estrangement, a characteristic turkey.
+
+Please spice, please no name, place a whole weight, sink into a standard
+rising, raise a circle, choose a right around, make the resonance
+accounted and gather green any collar.
+
+To bury a slender chicken, to raise an old feather, to surround a
+garland and to bake a pole splinter, to suggest a repose and to settle
+simply, to surrender one another, to succeed saving simpler, to satisfy
+a singularity and not to be blinder, to sugar nothing darker and to read
+redder, to have the color better, to sort out dinner, to remain
+together, to surprise no sinner, to curve nothing sweeter, to continue
+thinner, to increase in resting recreation to design string not dimmer.
+
+Cloudiness what is cloudiness, is it a lining, is it a roll, is it
+melting.
+
+The sooner there is jerking, the sooner freshness is tender, the sooner
+the round it is not round the sooner it is withdrawn in cutting, the
+sooner the measure means service, the sooner there is chinking, the
+sooner there is sadder than salad, the sooner there is none do her, the
+sooner there is no choice, the sooner there is a gloom freer, the same
+sooner and more sooner, this is no error in hurry and in pressure and in
+opposition to consideration.
+
+A recital, what is a recital, it is an organ and use does not strengthen
+valor, it soothes medicine.
+
+A transfer, a large transfer, a little transfer, some transfer, clouds
+and tracks do transfer, a transfer is not neglected.
+
+Pride, when is there perfect pretence, there is no more than yesterday
+and ordinary.
+
+A sentence of a vagueness that is violence is authority and a mission
+and stumbling and also certainly also a prison. Calmness, calm is beside
+the plate and in way in. There is no turn in terror. There is no volume
+in sound.
+
+There is coagulation in cold and there is none in prudence. Something
+is preserved and the evening is long and the colder spring has sudden
+shadows in a sun. All the stain is tender and lilacs really lilacs are
+disturbed. Why is the perfect reestablishment practiced and prized, why
+is it composed. The result the pure result is juice and size and baking
+and exhibition and nonchalance and sacrifice and volume and a section in
+division and the surrounding recognition and horticulture and no murmur.
+This is a result. There is no superposition and circumstance, there is
+hardness and a reason and the rest and remainder. There is no delight
+and no mathematics.
+
+
+MUTTON.
+
+A letter which can wither, a learning which can suffer and an outrage
+which is simultaneous is principal.
+
+Student, students are merciful and recognised they chew something.
+
+Hate rests that is solid and sparse and all in a shape and largely very
+largely. Interleaved and successive and a sample of smell all this makes
+a certainty a shade.
+
+Light curls very light curls have no more curliness than soup. This is
+not a subject.
+
+Change a single stream of denting and change it hurriedly, what does it
+express, it expresses nausea. Like a very strange likeness and pink,
+like that and not more like that than the same resemblance and not more
+like that than no middle space in cutting.
+
+An eye glass, what is an eye glass, it is water. A splendid specimen,
+what is it when it is little and tender so that there are parts. A
+centre can place and four are no more and two and two are not middle.
+
+Melting and not minding, safety and powder, a particular recollection
+and a sincere solitude all this makes a shunning so thorough and so
+unrepeated and surely if there is anything left it is a bone. It is not
+solitary.
+
+Any space is not quiet it is so likely to be shiny. Darkness very dark
+darkness is sectional. There is a way to see in onion and surely very
+surely rhubarb and a tomato, surely very surely there is that seeding. A
+little thing in is a little thing.
+
+Mud and water were not present and not any more of either. Silk and
+stockings were not present and not any more of either. A receptacle and
+a symbol and no monster were present and no more. This made a piece
+show and was it a kindness, it can be asked was it a kindness to have it
+warmer, was it a kindness and does gliding mean more. Does it.
+
+Does it dirty a ceiling. It does not. Is it dainty, it is if prices are
+sweet. Is it lamentable, it is not if there is no undertaker. Is it
+curious, it is not when there is youth. All this makes a line, it even
+makes makes no more. All this makes cherries. The reason that there is a
+suggestion in vanity is due to this that there is a burst of mixed
+music.
+
+A temptation any temptation is an exclamation if there are misdeeds and
+little bones. It is not astonishing that bones mingle as they vary not
+at all and in any case why is a bone outstanding, it is so because the
+circumstance that does not make a cake and character is so easily
+churned and cherished.
+
+Mouse and mountain and a quiver, a quaint statue and pain in an exterior
+and silence more silence louder shows salmon a mischief intender. A
+cake, a real salve made of mutton and liquor, a specially retained
+rinsing and an established cork and blazing, this which resignation
+influences and restrains, restrains more altogether. A sign is the
+specimen spoken.
+
+A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so
+little is more. Lecture, lecture and repeat instruction.
+
+
+BREAKFAST.
+
+A change, a final change includes potatoes. This is no authority for the
+abuse of cheese. What language can instruct any fellow.
+
+A shining breakfast, a breakfast shining, no dispute, no practice,
+nothing, nothing at all.
+
+A sudden slice changes the whole plate, it does so suddenly.
+
+An imitation, more imitation, imitation succeed imitations.
+
+Anything that is decent, anything that is present, a calm and a cook and
+more singularly still a shelter, all these show the need of clamor. What
+is the custom, the custom is in the centre.
+
+What is a loving tongue and pepper and more fish than there is when
+tears many tears are necessary. The tongue and the salmon, there is not
+salmon when brown is a color, there is salmon when there is no meaning
+to an early morning being pleasanter. There is no salmon, there are no
+tea-cups, there are the same kind of mushes as are used as stomachers
+by the eating hopes that makes eggs delicious. Drink is likely to stir a
+certain respect for an egg cup and more water melon than was ever eaten
+yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee
+and a sample of soup all soup these are the choice of a baker. A white
+cup means a wedding. A wet cup means a vacation. A strong cup means an
+especial regulation. A single cup means a capital arrangement between
+the drawer and the place that is open.
+
+Price a price is not in language, it is not in custom, it is not in
+praise.
+
+A colored loss, why is there no leisure. If the persecution is so
+outrageous that nothing is solemn is there any occasion for persuasion.
+
+A grey turn to a top and bottom, a silent pocketful of much heating, all
+the pliable succession of surrendering makes an ingenious joy.
+
+A breeze in a jar and even then silence, a special anticipation in a
+rack, a gurgle a whole gurgle and more cheese than almost anything, is
+this an astonishment, does this incline more than the original division
+between a tray and a talking arrangement and even then a calling into
+another room gently with some chicken in any way.
+
+A bent way that is a way to declare that the best is all together, a
+bent way shows no result, it shows a slight restraint, it shows a
+necessity for retraction.
+
+Suspect a single buttered flower, suspect it certainly, suspect it and
+then glide, does that not alter a counting.
+
+A hurt mended stick, a hurt mended cup, a hurt mended article of
+exceptional relaxation and annoyance, a hurt mended, hurt and mended is
+so necessary that no mistake is intended.
+
+What is more likely than a roast, nothing really and yet it is never
+disappointed singularly.
+
+A steady cake, any steady cake is perfect and not plain, any steady cake
+has a mounting reason and more than that it has singular crusts. A
+season of more is a season that is instead. A season of many is not more
+a season than most.
+
+Take no remedy lightly, take no urging intently, take no separation
+leniently, beware of no lake and no larder.
+
+Burden the cracked wet soaking sack heavily, burden it so that it is an
+institution in fright and in climate and in the best plan that there can
+be.
+
+An ordinary color, a color is that strange mixture which makes, which
+does make which does not make a ripe juice, which does not make a mat.
+
+A work which is a winding a real winding of the cloaking of a relaxing
+rescue. This which is so cool is not dusting, it is not dirtying in
+smelling, it could use white water, it could use more extraordinarily
+and in no solitude altogether. This which is so not winsome and not
+widened and really not so dipped as dainty and really dainty, very
+dainty, ordinarily, dainty, a dainty, not in that dainty and dainty. If
+the time is determined, if it is determined and there is reunion there
+is reunion with that then outline, then there is in that a piercing
+shutter, all of a piercing shouter, all of a quite weather, all of a
+withered exterior, all of that in most violent likely.
+
+An excuse is not dreariness, a single plate is not butter, a single
+weight is not excitement, a solitary crumbling is not only martial.
+
+A mixed protection, very mixed with the same actual intentional
+unstrangeness and riding, a single action caused necessarily is not more
+a sign than a minister.
+
+Seat a knife near a cage and very near a decision and more nearly a
+timely working cat and scissors. Do this temporarily and make no more
+mistake in standing. Spread it all and arrange the white place, does
+this show in the house, does it not show in the green that is not
+necessary for that color, does it not even show in the explanation and
+singularly not at all stationary.
+
+
+SUGAR.
+
+A violent luck and a whole sample and even then quiet.
+
+Water is squeezing, water is almost squeezing on lard. Water, water is a
+mountain and it is selected and it is so practical that there is no use
+in money. A mind under is exact and so it is necessary to have a mouth
+and eye glasses.
+
+A question of sudden rises and more time than awfulness is so easy and
+shady. There is precisely that noise.
+
+A peck a small piece not privately overseen, not at all not a slice, not
+at all crestfallen and open, not at all mounting and chaining and evenly
+surpassing, all the bidding comes to tea.
+
+A separation is not tightly in worsted and sauce, it is so kept well and
+sectionally.
+
+Put it in the stew, put it to shame. A little slight shadow and a solid
+fine furnace.
+
+The teasing is tender and trying and thoughtful.
+
+The line which sets sprinkling to be a remedy is beside the best cold.
+
+A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday.
+
+Wet crossing and a likeness, any likeness, a likeness has blisters, it
+has that and teeth, it has the staggering blindly and a little green,
+any little green is ordinary.
+
+One, two and one, two, nine, second and five and that.
+
+A blaze, a search in between, a cow, only any wet place, only this tune.
+
+Cut a gas jet uglier and then pierce pierce in between the next and
+negligence. Choose the rate to pay and pet pet very much. A collection
+of all around, a signal poison, a lack of languor and more hurts at
+ease.
+
+A white bird, a colored mine, a mixed orange, a dog.
+
+Cuddling comes in continuing a change.
+
+A piece of separate outstanding rushing is so blind with open delicacy.
+
+A canoe is orderly. A period is solemn. A cow is accepted.
+
+A nice old chain is widening, it is absent, it is laid by.
+
+
+CRANBERRIES.
+
+Could there not be a sudden date, could there not be in the present
+settlement of old age pensions, could there not be by a witness, could
+there be.
+
+Count the chain, cut the grass, silence the noon and murder flies. See
+the basting undip the chart, see the way the kinds are best seen from
+the rest, from that and untidy.
+
+Cut the whole space into twenty-four spaces and then and then is there a
+yellow color, there is but it is smelled, it is then put where it is and
+nothing stolen.
+
+A remarkable degree of red means that, a remarkable exchange is made.
+
+Climbing altogether in when there is a solid chance of soiling no more
+than a dirty thing, coloring all of it in steadying is jelly.
+
+Just as it is suffering, just as it is succeeded, just as it is moist so
+is there no countering.
+
+
+MILK.
+
+A white egg and a colored pan and a cabbage showing settlement, a
+constant increase.
+
+A cold in a nose, a single cold nose makes an excuse. Two are more
+necessary.
+
+All the goods are stolen, all the blisters are in the cup.
+
+Cooking, cooking is the recognition between sudden and nearly sudden
+very little and all large holes.
+
+A real pint, one that is open and closed and in the middle is so bad.
+
+Tender colds, seen eye holders, all work, the best of change, the
+meaning, the dark red, all this and bitten, really bitten.
+
+Guessing again and golfing again and the best men, the very best men.
+
+
+MILK.
+
+Climb up in sight climb in the whole utter needles and a guess a whole
+guess is hanging. Hanging hanging.
+
+
+EGGS.
+
+Kind height, kind in the right stomach with a little sudden mill.
+
+Cunning shawl, cunning shawl to be steady.
+
+In white in white handkerchiefs with little dots in a white belt all
+shadows are singular they are singular and procured and relieved.
+
+No that is not the cows shame and a precocious sound, it is a bite.
+
+Cut up alone the paved way which is harm. Harm is old boat and a likely
+dash.
+
+
+APPLE.
+
+Apple plum, carpet steak, seed clam, colored wine, calm seen, cold
+cream, best shake, potato, potato and no no gold work with pet, a green
+seen is called bake and change sweet is bready, a little piece a little
+piece please.
+
+A little piece please. Cane again to the presupposed and ready
+eucalyptus tree, count out sherry and ripe plates and little corners of
+a kind of ham. This is use.
+
+
+TAILS.
+
+Cold pails, cold with joy no joy.
+
+A tiny seat that means meadows and a lapse of cuddles with cheese and
+nearly bats, all this went messed. The post placed a loud loose sprain.
+A rest is no better. It is better yet. All the time.
+
+
+LUNCH.
+
+Luck in loose plaster makes holy gauge and nearly that, nearly more
+states, more states come in town light kite, blight not white.
+
+A little lunch is a break in skate a little lunch so slimy, a west end
+of a board line is that which shows a little beneath so that necessity
+is a silk under wear. That is best wet. It is so natural, and why is
+there flake, there is flake to explain exhaust.
+
+A real cold hen is nervous is nervous with a towel with a spool with
+real beads. It is mostly an extra sole nearly all that shaved, shaved
+with an old mountain, more than that bees more than that dinner and a
+bunch of likes that is to say the hearts of onions aim less.
+
+Cold coffee with a corn a corn yellow and green mass is a gem.
+
+
+CUPS.
+
+A single example of excellence is in the meat. A bent stick is surging
+and might all might is mental. A grand clothes is searching out a candle
+not that wheatly not that by more than an owl and a path. A ham is proud
+of cocoanut.
+
+A cup is neglected by being all in size. It is a handle and meadows and
+sugar any sugar.
+
+A cup is neglected by being full of size. It shows no shade, in come
+little wood cuts and blessing and nearly not that not with a wild bought
+in, not at all so polite, not nearly so behind.
+
+Cups crane in. They need a pet oyster, they need it so hoary and nearly
+choice. The best slam is utter. Nearly be freeze.
+
+Why is a cup a stir and a behave. Why is it so seen.
+
+A cup is readily shaded, it has in between no sense that is to say
+music, memory, musical memory.
+
+Peanuts blame, a half sand is holey and nearly.
+
+
+RHUBARB.
+
+Rhubarb is susan not susan not seat in bunch toys not wild and laughable
+not in little places not in neglect and vegetable not in fold coal age
+not please.
+
+
+SINGLE FISH.
+
+Single fish single fish single fish egg-plant single fish sight.
+
+A sweet win and not less noisy than saddle and more ploughing and nearly
+well painted by little things so.
+
+Please shade it a play. It is necessary and beside the large sort is
+puff.
+
+Every way oakly, please prune it near. It is so found.
+
+It is not the same.
+
+
+CAKE.
+
+Cake cast in went to be and needles wine needles are such.
+
+This is today. A can experiment is that which makes a town, makes a town
+dirty, it is little please. We came back. Two bore, bore what, a mussed
+ash, ash when there is tin. This meant cake. It was a sign.
+
+Another time there was extra a hat pin sought long and this dark made a
+display. The result was yellow. A caution, not a caution to be.
+
+It is no use to cause a foolish number. A blanket stretch a cloud, a
+shame, all that bakery can tease, all that is beginning and yesterday
+yesterday we had it met. It means some change. No some day.
+
+A little leaf upon a scene an ocean any where there, a bland and likely
+in the stream a recollection green land. Why white.
+
+
+CUSTARD.
+
+Custard is this. It has aches, aches when. Not to be. Not to be
+narrowly. This makes a whole little hill.
+
+It is better than a little thing that has mellow real mellow. It is
+better than lakes whole lakes, it is better than seeding.
+
+
+POTATOES.
+
+Real potatoes cut in between.
+
+
+POTATOES.
+
+In the preparation of cheese, in the preparation of crackers, in the
+preparation of butter, in it.
+
+
+ROAST POTATOES.
+
+Roast potatoes for.
+
+
+ASPARAGUS.
+
+Asparagus in a lean in a lean to hot. This makes it art and it is wet
+wet weather wet weather wet.
+
+
+BUTTER.
+
+Boom in boom in, butter. Leave a grain and show it, show it. I spy.
+
+It is a need it is a need that a flower a state flower. It is a need
+that a state rubber. It is a need that a state rubber is sweet and sight
+and a swelled stretch. It is a need. It is a need that state rubber.
+
+Wood a supply. Clean little keep a strange, estrange on it.
+
+Make a little white, no and not with pit, pit on in within.
+
+
+END OF SUMMER.
+
+Little eyelets that have hammer and a check with stripes between a
+lounge, in wit, in a rested development.
+
+
+SAUSAGES.
+
+Sausages in between a glass.
+
+There is read butter. A loaf of it is managed. Wake a question. Eat an
+instant, answer.
+
+A reason for bed is this, that a decline, any decline is poison, poison
+is a toe a toe extractor, this means a solemn change. Hanging.
+
+No evil is wide, any extra in leaf is so strange and singular a red
+breast.
+
+
+CELERY.
+
+Celery tastes tastes where in curled lashes and little bits and mostly
+in remains.
+
+A green acre is so selfish and so pure and so enlivened.
+
+
+VEAL.
+
+Very well very well, washing is old, washing is washing.
+
+Cold soup, cold soup clear and particular and a principal a principal
+question to put into.
+
+
+VEGETABLE.
+
+What is cut. What is cut by it. What is cut by it in.
+
+It was a cress a crescent a cross and an unequal scream, it was
+upslanting, it was radiant and reasonable with little ins and red.
+
+News. News capable of glees, cut in shoes, belike under pump of wide
+chalk, all this combing.
+
+
+WAY LAY VEGETABLE.
+
+Leaves in grass and mow potatoes, have a skip, hurry you up flutter.
+
+Suppose it is ex a cake suppose it is new mercy and leave charlotte and
+nervous bed rows. Suppose it is meal. Suppose it is sam.
+
+
+COOKING.
+
+Alas, alas the pull alas the bell alas the coach in china, alas the
+little put in leaf alas the wedding butter meat, alas the receptacle,
+alas the back shape of mussle, mussle and soda.
+
+
+CHICKEN.
+
+Pheasant and chicken, chicken is a peculiar third.
+
+
+CHICKEN.
+
+Alas a dirty word, alas a dirty third alas a dirty third, alas a dirty
+bird.
+
+
+CHICKEN.
+
+Alas a doubt in case of more go to say what it is cress. What is it.
+Mean. Potato. Loaves.
+
+
+CHICKEN.
+
+Stick stick call then, stick stick sticking, sticking with a chicken.
+Sticking in a extra succession, sticking in.
+
+
+CHAIN-BOATS.
+
+Chain-boats are merry, are merry blew, blew west, carpet.
+
+
+PASTRY.
+
+Cutting shade, cool spades and little last beds, make violet, violet
+when.
+
+
+CREAM.
+
+In a plank, in a play sole, in a heated red left tree there is shut in
+specs with salt be where. This makes an eddy. Necessary.
+
+
+CREAM.
+
+Cream cut. Any where crumb. Left hop chambers.
+
+
+CUCUMBER.
+
+Not a razor less, not a razor, ridiculous pudding, red and relet put in,
+rest in a slender go in selecting, rest in, rest in in white widening.
+
+
+DINNER.
+
+Not a little fit, not a little fit sun sat in shed more mentally.
+
+Let us why, let us why weight, let us why winter chess, let us why way.
+
+Only a moon to soup her, only that in the sell never never be the cocups
+nice be, shatter it they lay.
+
+Egg ear nuts, look a bout. Shoulder. Let it strange, sold in bell next
+herds.
+
+It was a time when in the acres in late there was a wheel that shot a
+burst of land and needless are niggers and a sample sample set of old
+eaten butterflies with spoons, all of it to be are fled and measure make
+it, make it, yet all the one in that we see where shall not it set with
+a left and more so, yes there add when the longer not it shall the best
+in the way when all be with when shall not for there with see and chest
+how for another excellent and excellent and easy easy excellent and easy
+express e c, all to be nice all to be no so. All to be no so no so. All
+to be not a white old chat churner. Not to be any example of an edible
+apple in.
+
+
+DINING.
+
+Dining is west.
+
+
+EATING.
+
+Eat ting, eating a grand old man said roof and never never re soluble
+burst, not a near ring not a bewildered neck, not really any such bay.
+
+Is it so a noise to be is it a least remain to rest, is it a so old say
+to be, is it a leading are been. Is it so, is it so, is it so, is it so
+is it so is it so.
+
+Eel us eel us with no no pea no pea cool, no pea cool cooler, no pea
+cooler with a land a land cost in, with a land cost in stretches.
+
+Eating he heat eating he heat it eating, he heat it heat eating. He heat
+eating.
+
+A little piece of pay of pay owls owls such as pie, bolsters.
+
+Will leap beat, willie well all. The rest rest oxen occasion occasion to
+be so purred, so purred how.
+
+It was a ham it was a square come well it was a square remain, a square
+remain not it a bundle, not it a bundle so is a grip, a grip to shed bay
+leave bay leave draught, bay leave draw cider in low, cider in low and
+george. George is a mass.
+
+
+EATING.
+
+It was a shame it was a shame to stare to stare and double and relieve
+relieve be cut up show as by the elevation of it and out out more in the
+steady where the come and on and the all the shed and that.
+
+It was a garden and belows belows straight. It was a pea, a pea pour it
+in its not a succession, not it a simple, not it a so election, election
+with.
+
+
+SALAD.
+
+It is a winning cake.
+
+
+SAUCE.
+
+What is bay labored what is all be section, what is no much. Sauce sam
+in.
+
+
+SALMON.
+
+It was a peculiar bin a bin fond in beside.
+
+
+ORANGE.
+
+Why is a feel oyster an egg stir. Why is it orange centre.
+
+A show at tick and loosen loosen it so to speak sat.
+
+It was an extra leaker with a see spoon, it was an extra licker with a
+see spoon.
+
+
+ORANGE.
+
+A type oh oh new new not no not knealer knealer of old show beefsteak,
+neither neither.
+
+
+ORANGES.
+
+Build is all right.
+
+
+ORANGE IN.
+
+Go lack go lack use to her.
+
+Cocoa and clear soup and oranges and oat-meal.
+
+Whist bottom whist close, whist clothes, woodling.
+
+Cocoa and clear soup and oranges and oat-meal.
+
+Pain soup, suppose it is question, suppose it is butter, real is, real
+is only, only excreate, only excreate a no since.
+
+A no, a no since, a no since when, a no since when since, a no since
+when since a no since when since, a no since, a no since when since, a
+no since, a no, a no since a no since, a no since, a no since.
+
+
+SALAD DRESSING AND AN ARTICHOKE.
+
+Please pale hot, please cover rose, please acre in the red stranger,
+please butter all the beef-steak with regular feel faces.
+
+
+SALAD DRESSING AND AN ARTICHOKE.
+
+It was please it was please carriage cup in an ice-cream, in an
+ice-cream it was too bended bended with scissors and all this time. A
+whole is inside a part, a part does go away, a hole is red leaf. No
+choice was where there was and a second and a second.
+
+
+A CENTRE IN A TABLE.
+
+It was a way a day, this made some sum. Suppose a cod liver a cod liver
+is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil
+tunny is pressed suppose a cod liver oil tunny pressed is china and
+secret with a bestow a bestow reed, a reed to be a reed to be, in a reed
+to be.
+
+Next to me next to a folder, next to a folder some waiter, next to a
+foldersome waiter and re letter and read her. Read her with her for
+less.
+
+
+
+
+ROOMS
+
+
+Act so that there is no use in a centre. A wide action is not a width. A
+preparation is given to the ones preparing. They do not eat who mention
+silver and sweet. There was an occupation.
+
+A whole centre and a border make hanging a way of dressing. This which
+is not why there is a voice is the remains of an offering. There was no
+rental.
+
+So the tune which is there has a little piece to play, and the exercise
+is all there is of a fast. The tender and true that makes no width to
+hew is the time that there is question to adopt.
+
+To begin the placing there is no wagon. There is no change lighter. It
+was done. And then the spreading, that was not accomplishing that needed
+standing and yet the time was not so difficult as they were not all in
+place. They had no change. They were not respected. They were that, they
+did it so much in the matter and this showed that that settlement was
+not condensed. It was spread there. Any change was in the ends of the
+centre. A heap was heavy. There was no change.
+
+Burnt and behind and lifting a temporary stone and lifting more than a
+drawer.
+
+The instance of there being more is an instance of more. The shadow is
+not shining in the way there is a black line. The truth has come. There
+is a disturbance. Trusting to a baker's boy meant that there would be
+very much exchanging and anyway what is the use of a covering to a door.
+There is a use, they are double.
+
+If the centre has the place then there is distribution. That is natural.
+There is a contradiction and naturally returning there comes to be both
+sides and the centre. That can be seen from the description.
+
+The author of all that is in there behind the door and that is entering
+in the morning. Explaining darkening and expecting relating is all of a
+piece. The stove is bigger. It was of a shape that made no audience
+bigger if the opening is assumed why should there not be kneeling. Any
+force which is bestowed on a floor shows rubbing. This is so nice and
+sweet and yet there comes the change, there comes the time to press
+more air. This does not mean the same as disappearance.
+
+A little lingering lion and a Chinese chair, all the handsome cheese
+which is stone, all of it and a choice, a choice of a blotter. If it is
+difficult to do it one way there is no place of similar trouble. None.
+The whole arrangement is established. The end of which is that there is
+a suggestion, a suggestion that there can be a different whiteness to a
+wall. This was thought.
+
+A page to a corner means that the shame is no greater when the table is
+longer. A glass is of any height, it is higher, it is simpler and if it
+were placed there would not be any doubt.
+
+Something that is an erection is that which stands and feeds and
+silences a tin which is swelling. This makes no diversion that is to say
+what can please exaltation, that which is cooking.
+
+A shine is that which when covered changes permission. An enclosure
+blends with the same that is to say there is blending. A blend is that
+which holds no mice and this is not because of a floor it is because of
+nothing, it is not in a vision.
+
+A fact is that when the place was replaced all was left that was stored
+and all was retained that would not satisfy more than another. The
+question is this, is it possible to suggest more to replace that thing.
+This question and this perfect denial does make the time change all the
+time.
+
+The sister was not a mister. Was this a surprise. It was. The conclusion
+came when there was no arrangement. All the time that there was a
+question there was a decision. Replacing a casual acquaintance with an
+ordinary daughter does not make a son.
+
+It happened in a way that the time was perfect and there was a growth of
+a whole dividing time so that where formerly there was no mistake there
+was no mistake now. For instance before when there was a separation
+there was waiting, now when there is separation there is the division
+between intending and departing. This made no more mixture than there
+would be if there had been no change.
+
+A little sign of an entrance is the one that made it alike. If it were
+smaller it was not alike and it was so much smaller that a table was
+bigger. A table was much bigger, very much bigger. Changing that made
+nothing bigger, it did not make anything bigger littler, it did not
+hinder wood from not being used as leather. And this was so charming.
+Harmony is so essential. Is there pleasure when there is a passage,
+there is when every room is open. Every room is open when there are not
+four, there were there and surely there were four, there were two
+together. There is no resemblance.
+
+A single speed, the reception of table linen, all the wonder of six
+little spoons, there is no exercise.
+
+The time came when there was a birthday. Every day was no excitement and
+a birthday was added, it was added on Monday, this made the memory
+clear, this which was a speech showed the chair in the middle where
+there was copper.
+
+Alike and a snail, this means Chinamen, it does there is no doubt that
+to be right is more than perfect there is no doubt and glass is
+confusing it confuses the substance which was of a color. Then came the
+time for discrimination, it came then and it was never mentioned it was
+so triumphant, it showed the whole head that had a hole and should have
+a hole it showed the resemblance between silver.
+
+Startling a starving husband is not disagreeable. The reason that
+nothing is hidden is that there is no suggestion of silence. No song is
+sad. A lesson is of consequence.
+
+Blind and weak and organised and worried and betrothed and resumed and
+also asked to a fast and always asked to consider and never startled and
+not at all bloated, this which is no rarer than frequently is not so
+astonishing when hair brushing is added. There is quiet, there certainly
+is.
+
+No eye-glasses are rotten, no window is useless and yet if air will not
+come in there is a speech ready, there always is and there is no
+dimness, not a bit of it.
+
+All along the tendency to deplore the absence of more has not been
+authorised. It comes to mean that with burning there is that pleasant
+state of stupefication. Then there is a way of earning a living. Who is
+a man.
+
+A silence is not indicated by any motion, less is indicated by a motion,
+more is not indicated it is enthralled. So sullen and so low, so much
+resignation, so much refusal and so much place for a lower and an upper,
+so much and yet more silence, why is not sleeping a feat why is it not
+and when is there some discharge when. There never is.
+
+If comparing a piece that is a size that is recognised as not a size but
+a piece, comparing a piece with what is not recognised but what is used
+as it is held by holding, comparing these two comes to be repeated.
+Suppose they are put together, suppose that there is an interruption,
+supposing that beginning again they are not changed as to position,
+suppose all this and suppose that any five two of whom are not
+separating suppose that the five are not consumed. Is there an exchange,
+is there a resemblance to the sky which is admitted to be there and the
+stars which can be seen. Is there. That was a question. There was no
+certainty. Fitting a failing meant that any two were indifferent and yet
+they were all connecting that, they were all connecting that
+consideration. This did not determine rejoining a letter. This did not
+make letters smaller. It did.
+
+The stamp that is not only torn but also fitting is not any symbol. It
+suggests nothing. A sack that has no opening suggests more and the loss
+is not commensurate. The season gliding and the torn hangings receiving
+mending all this shows an example, it shows the force of sacrifice and
+likeness and disaster and a reason.
+
+The time when there is not the question is only seen when there is a
+shower. Any little thing is water.
+
+There was a whole collection made. A damp cloth, an oyster, a single
+mirror, a manikin, a student, a silent star, a single spark, a little
+movement and the bed is made. This shows the disorder, it does, it shows
+more likeness than anything else, it shows the single mind that directs
+an apple. All the coats have a different shape, that does not mean that
+they differ in color, it means a union between use and exercise and a
+horse.
+
+A plain hill, one is not that which is not white and red and green, a
+plain hill makes no sunshine, it shows that without a disturber. So the
+shape is there and the color and the outline and the miserable centre,
+it is not very likely that there is a centre, a hill is a hill and no
+hill is contained in a pink tender descender.
+
+A can containing a curtain is a solid sentimental usage. The trouble in
+both eyes does not come from the same symmetrical carpet, it comes from
+there being no more disturbance than in little paper. This does show the
+teeth, it shows color.
+
+A measure is that which put up so that it shows the length has a steel
+construction. Tidiness is not delicacy, it does not destroy the whole
+piece, certainly not it has been measured and nothing has been cut off
+and even if that has been lost there is a name, no name is signed and
+left over, not any space is fitted so that moving about is plentiful.
+Why is there so much resignation in a package, why is there rain, all
+the same the chance has come, there is no bell to ring.
+
+A package and a filter and even a funnel, all this together makes a
+scene and supposing the question arises is hair curly, is it dark and
+dusty, supposing that question arises, is brushing necessary, is it,
+the whole special suddenness commences then, there is no delusion.
+
+A cape is a cover, a cape is not a cover in summer, a cape is a cover
+and the regulation is that there is no such weather. A cape is not
+always a cover, a cape is not a cover when there is another, there is
+always something in that thing in establishing a disposition to put
+wetting where it will not do more harm. There is always that disposition
+and in a way there is some use in not mentioning changing and in
+establishing the temperature, there is some use in it as establishing
+all that lives dimmer freer and there is no dinner in the middle of
+anything. There is no such thing.
+
+Why is a pale white not paler than blue, why is a connection made by a
+stove, why is the example which is mentioned not shown to be the same,
+why is there no adjustment between the place and the separate attention.
+Why is there a choice in gamboling. Why is there no necessary dull
+stable, why is there a single piece of any color, why is there that
+sensible silence. Why is there the resistance in a mixture, why is there
+no poster, why is there that in the window, why is there no suggester,
+why is there no window, why is there no oyster closer. Why is there a
+circular diminisher, why is there a bather, why is there no scraper, why
+is there a dinner, why is there a bell ringer, why is there a duster,
+why is there a section of a similar resemblance, why is there that
+scissor.
+
+South, south which is a wind is not rain, does silence choke speech or
+does it not.
+
+Lying in a conundrum, lying so makes the springs restless, lying so is a
+reduction, not lying so is arrangeable.
+
+Releasing the oldest auction that is the pleasing some still renewing.
+
+Giving it away, not giving it away, is there any difference. Giving it
+away. Not giving it away.
+
+Almost very likely there is no seduction, almost very likely there is no
+stream, certainly very likely the height is penetrated, certainly
+certainly the target is cleaned. Come to sit, come to refuse, come to
+surround, come slowly and age is not lessening. The time which showed
+that was when there was no eclipse. All the time that resenting was
+removal all that time there was breadth. No breath is shadowed, no
+breath is paintaking and yet certainly what could be the use of paper,
+paper shows no disorder, it shows no desertion.
+
+Why is there a difference between one window and another, why is there
+a difference, because the curtain is shorter. There is no distaste in
+beefsteak or in plums or in gallons of milk water, there is no defiance
+in original piling up over a roof, there is no daylight in the evening,
+there is none there empty.
+
+A tribune, a tribune does not mean paper, it means nothing more than
+cake, it means more sugar, it shows the state of lengthening any nose.
+The last spice is that which shows the whole evening spent in that
+sleep, it shows so that walking is an alleviation, and yet this
+astonishes everybody the distance is so sprightly. In all the time there
+are three days, those are not passed uselessly. Any little thing is a
+change that is if nothing is wasted in that cellar. All the rest of the
+chairs are established.
+
+A success, a success is alright when there are there rooms and no
+vacancies, a success is alright when there is a package, success is
+alright anyway and any curtain is wholesale. A curtain diminishes and an
+ample space shows varnish.
+
+One taste one tack, one taste one bottle, one taste one fish, one taste
+one barometer. This shows no distinguishing sign when there is a store.
+
+Any smile is stern and any coat is a sample. Is there any use in
+changing more doors than there are committees. This question is so often
+asked that squares show that they are blotters. It is so very agreeable
+to hear a voice and to see all the signs of that expression.
+
+Cadences, real cadences, real cadences and a quiet color. Careful and
+curved, cake and sober, all accounts and mixture, a guess at anything is
+righteous, should there be a call there would be a voice.
+
+A line in life, a single line and a stairway, a rigid cook, no cook and
+no equator, all the same there is higher than that another evasion. Did
+that mean shame, it meant memory. Looking into a place that was hanging
+and was visible looking into this place and seeing a chair did that mean
+relief, it did, it certainly did not cause constipation and yet there is
+a melody that has white for a tune when there is straw color. This shows
+no face.
+
+Star-light, what is star-light, star-light is a little light that is not
+always mentioned with the sun, it is mentioned with the moon and the
+sun, it is mixed up with the rest of the time.
+
+Why is the name changed The name is changed because in the little space
+there is a tree, in some space there are no trees, in every space there
+is a hint of more, all this causes the decision.
+
+Why is there education, there is education because the two tables which
+are folding are not tied together with a ribbon, string is used and
+string being used there is a necessity for another one and another one
+not being used to hearing shows no ordinary use of any evening and yet
+there is no disgrace in looking, none at all. This came to separate when
+there was simple selection of an entire preoccupation.
+
+A curtain, a curtain which is fastened discloses mourning, this does not
+mean sparrows or elocution or even a whole preparation, it means that
+there are ears and very often much more altogether.
+
+Climate, climate is not southern, a little glass, a bright winter, a
+strange supper an elastic tumbler, all this shows that the back is
+furnished and red which is red is a dark color. An example of this is
+fifteen years and a separation of regret.
+
+China is not down when there are plates, lights are not ponderous and
+incalculable.
+
+Currents, currents are not in the air and on the floor and in the door
+and behind it first. Currents do not show it plainer. This which is
+mastered has so thin a space to build it all that there is plenty of
+room and yet is it quarreling, it is not and the insistence is marked. A
+change is in a current and there is no habitable exercise.
+
+A religion, almost a religion, any religion, a quintal in religion, a
+relying and a surface and a service in indecision and a creature and a
+question and a syllable in answer and more counting and no quarrel and a
+single scientific statement and no darkness and no question and an
+earned administration and a single set of sisters and an outline and no
+blisters and the section seeing yellow and the centre having spelling
+and no solitude and no quaintness and yet solid quite so solid and the
+single surface centred and the question in the placard and the
+singularity, is there a singularity, and the singularity, why is there a
+question and the singularity why is the surface outrageous, why is it
+beautiful why is it not when there is no doubt, why is anything vacant,
+why is not disturbing a centre no virtue, why is it when it is and why
+is it when it is and there is no doubt, there is no doubt that the
+singularity shows.
+
+A climate, a single climate, all the time there is a single climate, any
+time there is a doubt, any time there is music that is to question more
+and more and there is no politeness, there is hardly any ordeal and
+certainly there is no tablecloth.
+
+This is a sound and obligingness more obligingness leads to a harmony
+in hesitation.
+
+A lake a single lake which is a pond and a little water any water which
+is an ant and no burning, not any burning, all this is sudden.
+
+A canister that is the remains of furniture and a looking-glass and a
+bed-room and a larger size, all the stand is shouted and what is ancient
+is practical. Should the resemblance be so that any little cover is
+copied, should it be so that yards are measured, should it be so and
+there be a sin, should it be so then certainly a room is big enough when
+it is so empty and the corners are gathered together.
+
+The change is mercenary that settles whitening the coloring and serving
+dishes where there is metal and making yellow any yellow every color in
+a shade which is expressed in a tray. This is a monster and awkward
+quite awkward and the little design which is flowered which is not
+strange and yet has visible writing, this is not shown all the time but
+at once, after that it rests where it is and where it is in place. No
+change is not needed. That does show design.
+
+Excellent, more excellence is borrowing and slanting very slanting is
+light and secret and a recitation and emigration. Certainly shoals are
+shallow and nonsense more nonsense is sullen. Very little cake is water,
+very little cake has that escape.
+
+Sugar any sugar, anger every anger, lover sermon lover, centre no
+distractor, all order is in a measure.
+
+Left over to be a lamp light, left over in victory, left over in saving,
+all this and negligence and bent wood and more even much more is not so
+exact as a pen and a turtle and even, certainly, and even a piece of the
+same experience as more.
+
+To consider a lecture, to consider it well is so anxious and so much a
+charity and really supposing there is grain and if a stubble every
+stubble is urgent, will there not be a chance of legality. The sound is
+sickened and the price is purchased and golden what is golden, a
+clergyman, a single tax, a currency and an inner chamber.
+
+Checking an emigration, checking it by smiling and certainly by the same
+satisfactory stretch of hands that have more use for it than nothing,
+and mildly not mildly a correction, not mildly even a circumstance and a
+sweetness and a serenity. Powder, that has no color, if it did have
+would it be white.
+
+A whole soldier any whole soldier has no more detail than any case of
+measles.
+
+A bridge a very small bridge in a location and thunder, any thunder,
+this is the capture of reversible sizing and more indeed more can be
+cautious. This which makes monotony careless makes it likely that there
+is an exchange in principle and more than that, change in organization.
+
+This cloud does change with the movements of the moon and the narrow the
+quite narrow suggestion of the building. It does and then when it is
+settled and no sounds differ then comes the moment when cheerfulness is
+so assured that there is an occasion.
+
+A plain lap, any plain lap shows that sign, it shows that there is not
+so much extension as there would be if there were more choice in
+everything. And why complain of more, why complain of very much more.
+Why complain at all when it is all arranged that as there is no more
+opportunity and no more appeal and not even any more clinching that
+certainly now some time has come.
+
+A window has another spelling, it has "f" all together, it lacks no more
+then and this is rain, this may even be something else, at any rate
+there is no dedication in splendor. There is a turn of the stranger.
+
+Catholic to be turned is to venture on youth and a section of debate, it
+even means that no class where each one over fifty is regular is so
+stationary that there are invitations.
+
+A curving example makes righteous finger-nails. This is the only object
+in secretion and speech.
+
+To being the same four are no more than were taller. The rest had a big
+chair and a surveyance a cold accumulation of nausea, and even more than
+that, they had a disappointment.
+
+Nothing aiming is a flower, if flowers are abundant then they are lilac,
+if they are not they are white in the centre.
+
+Dance a clean dream and an extravagant turn up, secure the steady rights
+and translate more than translate the authority, show the choice and
+make no more mistakes than yesterday.
+
+This means clearness, it means a regular notion of exercise, it means
+more than that, it means liking counting, it means more than that, it
+does not mean exchanging a line.
+
+Why is there more craving than there is in a mountain. This does not
+seem strange to one, it does not seem strange to an echo and more surely
+is in there not being a habit. Why is there so much useless suffering.
+Why is there.
+
+Any wet weather means an open window, what is attaching eating, anything
+that is violent and cooking and shows weather is the same in the end and
+why is there more use in something than in all that.
+
+The cases are made and books, back books are used to secure tears and
+church. They are even used to exchange black slippers. They can not be
+mended with wax. They show no need of any such occasion.
+
+A willow and no window, a wide place stranger, a wideness makes an
+active center.
+
+The sight of no pussy cat is so different that a tobacco zone is white
+and cream.
+
+A lilac, all a lilac and no mention of butter, not even bread and
+butter, no butter and no occasion, not even a silent resemblance, not
+more care than just enough haughty.
+
+A safe weight is that which when it pleases is hanging. A safer weight
+is one more naughty in a spectacle. The best game is that which is shiny
+and scratching. Please a pease and a cracker and a wretched use of
+summer.
+
+Surprise, the only surprise has no occasion. It is an ingredient and the
+section the whole section is one season.
+
+A pecking which is petting and no worse than in the same morning is not
+the only way to be continuous often.
+
+A light in the moon the only light is on Sunday. What was the sensible
+decision. The sensible decision was that notwithstanding many
+declarations and more music, not even notwithstanding the choice and a
+torch and a collection, notwithstanding the celebrating hat and a
+vacation and even more noise than cutting, notwithstanding Europe and
+Asia and being overbearing, not even notwithstanding an elephant and a
+strict occasion, not even withstanding more cultivation and some
+seasoning, not even with drowning and with the ocean being encircling,
+not even with more likeness and any cloud, not even with terrific
+sacrifice of pedestrianism and a special resolution, not even more
+likely to be pleasing. The care with which the rain is wrong and the
+green is wrong and the white is wrong, the care with which there is a
+chair and plenty of breathing. The care with which there is incredible
+justice and likeness, all this makes a magnificent asparagus, and also a
+fountain.
+
+
+
+
+
+End of the Project Gutenberg EBook of Tender Buttons, by Gertrude Stein
+
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