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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/15396-8.txt b/15396-8.txt new file mode 100644 index 0000000..666819e --- /dev/null +++ b/15396-8.txt @@ -0,0 +1,2481 @@ +The Project Gutenberg EBook of Tender Buttons, by Gertrude Stein + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tender Buttons + Objects--Food--Rooms + +Author: Gertrude Stein + +Release Date: March 17, 2005 [EBook #15396] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + + + + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + + + + + + + + + +TENDER BUTTONS + + Objects · Food · Rooms + +Gertrude Stein + +1914 + + + + +CONTENTS + + + OBJECTS + + FOOD + + ROOMS + + + + +OBJECTS + + +A CARAFE, THAT IS A BLIND GLASS. + +A kind in glass and a cousin, a spectacle and nothing strange a single +hurt color and an arrangement in a system to pointing. All this and not +ordinary, not unordered in not resembling. The difference is spreading. + + +GLAZED GLITTER. + +Nickel, what is nickel, it is originally rid of a cover. + +The change in that is that red weakens an hour. The change has come. +There is no search. But there is, there is that hope and that +interpretation and sometime, surely any is unwelcome, sometime there is +breath and there will be a sinecure and charming very charming is that +clean and cleansing. Certainly glittering is handsome and convincing. + +There is no gratitude in mercy and in medicine. There can be breakages +in Japanese. That is no programme. That is no color chosen. It was +chosen yesterday, that showed spitting and perhaps washing and +polishing. It certainly showed no obligation and perhaps if borrowing is +not natural there is some use in giving. + + +A SUBSTANCE IN A CUSHION. + +The change of color is likely and a difference a very little difference +is prepared. Sugar is not a vegetable. + +Callous is something that hardening leaves behind what will be soft if +there is a genuine interest in there being present as many girls as men. +Does this change. It shows that dirt is clean when there is a volume. + +A cushion has that cover. Supposing you do not like to change, supposing +it is very clean that there is no change in appearance, supposing that +there is regularity and a costume is that any the worse than an oyster +and an exchange. Come to season that is there any extreme use in feather +and cotton. Is there not much more joy in a table and more chairs and +very likely roundness and a place to put them. + +A circle of fine card board and a chance to see a tassel. + +What is the use of a violent kind of delightfulness if there is no +pleasure in not getting tired of it. The question does not come before +there is a quotation. In any kind of place there is a top to covering +and it is a pleasure at any rate there is some venturing in refusing to +believe nonsense. It shows what use there is in a whole piece if one +uses it and it is extreme and very likely the little things could be +dearer but in any case there is a bargain and if there is the best thing +to do is to take it away and wear it and then be reckless be reckless +and resolved on returning gratitude. + +Light blue and the same red with purple makes a change. It shows that +there is no mistake. Any pink shows that and very likely it is +reasonable. Very likely there should not be a finer fancy present. Some +increase means a calamity and this is the best preparation for three and +more being together. A little calm is so ordinary and in any case there +is sweetness and some of that. + +A seal and matches and a swan and ivy and a suit. + +A closet, a closet does not connect under the bed. The band if it is +white and black, the band has a green string. A sight a whole sight and +a little groan grinding makes a trimming such a sweet singing trimming +and a red thing not a round thing but a white thing, a red thing and a +white thing. + +The disgrace is not in carelessness nor even in sewing it comes out out +of the way. + +What is the sash like. The sash is not like anything mustard it is not +like a same thing that has stripes, it is not even more hurt than that, +it has a little top. + + +A BOX. + +Out of kindness comes redness and out of rudeness comes rapid same +question, out of an eye comes research, out of selection comes painful +cattle. So then the order is that a white way of being round is +something suggesting a pin and is it disappointing, it is not, it is so +rudimentary to be analysed and see a fine substance strangely, it is so +earnest to have a green point not to red but to point again. + + +A PIECE OF COFFEE. + +More of double. + +A place in no new table. + +A single image is not splendor. Dirty is yellow. A sign of more in not +mentioned. A piece of coffee is not a detainer. The resemblance to +yellow is dirtier and distincter. The clean mixture is whiter and not +coal color, never more coal color than altogether. + +The sight of a reason, the same sight slighter, the sight of a simpler +negative answer, the same sore sounder, the intention to wishing, the +same splendor, the same furniture. + +The time to show a message is when too late and later there is no +hanging in a blight. + +A not torn rose-wood color. If it is not dangerous then a pleasure and +more than any other if it is cheap is not cheaper. The amusing side is +that the sooner there are no fewer the more certain is the necessity +dwindled. Supposing that the case contained rose-wood and a color. +Supposing that there was no reason for a distress and more likely for a +number, supposing that there was no astonishment, is it not necessary to +mingle astonishment. + +The settling of stationing cleaning is one way not to shatter scatter +and scattering. The one way to use custom is to use soap and silk for +cleaning. The one way to see cotton is to have a design concentrating +the illusion and the illustration. The perfect way is to accustom the +thing to have a lining and the shape of a ribbon and to be solid, quite +solid in standing and to use heaviness in morning. It is light enough in +that. It has that shape nicely. Very nicely may not be exaggerating. +Very strongly may be sincerely fainting. May be strangely flattering. +May not be strange in everything. May not be strange to. + + +DIRT AND NOT COPPER. + +Dirt and not copper makes a color darker. It makes the shape so heavy +and makes no melody harder. + +It makes mercy and relaxation and even a strength to spread a table +fuller. There are more places not empty. They see cover. + + +NOTHING ELEGANT. + +A charm a single charm is doubtful. If the red is rose and there is a +gate surrounding it, if inside is let in and there places change then +certainly something is upright. It is earnest. + + +MILDRED'S UMBRELLA. + +A cause and no curve, a cause and loud enough, a cause and extra a loud +clash and an extra wagon, a sign of extra, a sac a small sac and an +established color and cunning, a slender grey and no ribbon, this means +a loss a great loss a restitution. + + +A METHOD OF A CLOAK. + +A single climb to a line, a straight exchange to a cane, a desperate +adventure and courage and a clock, all this which is a system, which has +feeling, which has resignation and success, all makes an attractive +black silver. + + +A RED STAMP. + +If lilies are lily white if they exhaust noise and distance and even +dust, if they dusty will dirt a surface that has no extreme grace, if +they do this and it is not necessary it is not at all necessary if they +do this they need a catalogue. + + +A BOX. + +A large box is handily made of what is necessary to replace any +substance. Suppose an example is necessary, the plainer it is made the +more reason there is for some outward recognition that there is a +result. + +A box is made sometimes and them to see to see to it neatly and to have +the holes stopped up makes it necessary to use paper. + +A custom which is necessary when a box is used and taken is that a large +part of the time there are three which have different connections. The +one is on the table. The two are on the table. The three are on the +table. The one, one is the same length as is shown by the cover being +longer. The other is different there is more cover that shows it. The +other is different and that makes the corners have the same shade the +eight are in singular arrangement to make four necessary. + +Lax, to have corners, to be lighter than some weight, to indicate a +wedding journey, to last brown and not curious, to be wealthy, +cigarettes are established by length and by doubling. + +Left open, to be left pounded, to be left closed, to be circulating in +summer and winter, and sick color that is grey that is not dusty and red +shows, to be sure cigarettes do measure an empty length sooner than a +choice in color. + +Winged, to be winged means that white is yellow and pieces pieces that +are brown are dust color if dust is washed off, then it is choice that +is to say it is fitting cigarettes sooner than paper. + +An increase why is an increase idle, why is silver cloister, why is the +spark brighter, if it is brighter is there any result, hardly more than +ever. + + +A PLATE. + +An occasion for a plate, an occasional resource is in buying and how +soon does washing enable a selection of the same thing neater. If the +party is small a clever song is in order. + +Plates and a dinner set of colored china. Pack together a string and +enough with it to protect the centre, cause a considerable haste and +gather more as it is cooling, collect more trembling and not any even +trembling, cause a whole thing to be a church. + +A sad size a size that is not sad is blue as every bit of blue is +precocious. A kind of green a game in green and nothing flat nothing +quite flat and more round, nothing a particular color strangely, nothing +breaking the losing of no little piece. + +A splendid address a really splendid address is not shown by giving a +flower freely, it is not shown by a mark or by wetting. + +Cut cut in white, cut in white so lately. Cut more than any other and +show it. Show it in the stem and in starting and in evening coming +complication. + +A lamp is not the only sign of glass. The lamp and the cake are not the +only sign of stone. The lamp and the cake and the cover are not the only +necessity altogether. + +A plan a hearty plan, a compressed disease and no coffee, not even a +card or a change to incline each way, a plan that has that excess and +that break is the one that shows filling. + + +A SELTZER BOTTLE. + +Any neglect of many particles to a cracking, any neglect of this makes +around it what is lead in color and certainly discolor in silver. The +use of this is manifold. Supposing a certain time selected is assured, +suppose it is even necessary, suppose no other extract is permitted and +no more handling is needed, suppose the rest of the message is mixed +with a very long slender needle and even if it could be any black +border, supposing all this altogether made a dress and suppose it was +actual, suppose the mean way to state it was occasional, if you suppose +this in August and even more melodiously, if you suppose this even in +the necessary incident of there certainly being no middle in summer and +winter, suppose this and an elegant settlement a very elegant settlement +is more than of consequence, it is not final and sufficient and +substituted. This which was so kindly a present was constant. + + +A LONG DRESS. + +What is the current that makes machinery, that makes it crackle, what is +the current that presents a long line and a necessary waist. What is +this current. + +What is the wind, what is it. + +Where is the serene length, it is there and a dark place is not a dark +place, only a white and red are black, only a yellow and green are blue, +a pink is scarlet, a bow is every color. A line distinguishes it. A line +just distinguishes it. + + +A RED HAT. + +A dark grey, a very dark grey, a quite dark grey is monstrous +ordinarily, it is so monstrous because there is no red in it. If red is +in everything it is not necessary. Is that not an argument for any use +of it and even so is there any place that is better, is there any place +that has so much stretched out. + + +A BLUE COAT. + +A blue coat is guided guided away, guided and guided away, that is the +particular color that is used for that length and not any width not even +more than a shadow. + + +A PIANO. + +If the speed is open, if the color is careless, if the selection of a +strong scent is not awkward, if the button holder is held by all the +waving color and there is no color, not any color. If there is no dirt +in a pin and there can be none scarcely, if there is not then the place +is the same as up standing. + +This is no dark custom and it even is not acted in any such a way that a +restraint is not spread. That is spread, it shuts and it lifts and +awkwardly not awkwardly the centre is in standing. + + +A CHAIR. + +A widow in a wise veil and more garments shows that shadows are even. It +addresses no more, it shadows the stage and learning. A regular +arrangement, the severest and the most preserved is that which has the +arrangement not more than always authorised. + +A suitable establishment, well housed, practical, patient and staring, a +suitable bedding, very suitable and not more particularly than +complaining, anything suitable is so necessary. + +A fact is that when the direction is just like that, no more, longer, +sudden and at the same time not any sofa, the main action is that +without a blaming there is no custody. + +Practice measurement, practice the sign that means that really means a +necessary betrayal, in showing that there is wearing. + +Hope, what is a spectacle, a spectacle is the resemblance between the +circular side place and nothing else, nothing else. + +To choose it is ended, it is actual and more than that it has it +certainly has the same treat, and a seat all that is practiced and more +easily much more easily ordinarily. + +Pick a barn, a whole barn, and bend more slender accents than have ever +been necessary, shine in the darkness necessarily. Actually not aching, +actually not aching, a stubborn bloom is so artificial and even more +than that, it is a spectacle, it is a binding accident, it is animosity +and accentuation. + +If the chance to dirty diminishing is necessary, if it is why is there +no complexion, why is there no rubbing, why is there no special +protection. + + +A FRIGHTFUL RELEASE. + +A bag which was left and not only taken but turned away was not found. +The place was shown to be very like the last time. A piece was not +exchanged, not a bit of it, a piece was left over. The rest was +mismanaged. + + +A PURSE. + +A purse was not green, it was not straw color, it was hardly seen and it +had a use a long use and the chain, the chain was never missing, it was +not misplaced, it showed that it was open, that is all that it showed. + + +A MOUNTED UMBRELLA. + +What was the use of not leaving it there where it would hang what was +the use if there was no chance of ever seeing it come there and show +that it was handsome and right in the way it showed it. The lesson is to +learn that it does show it, that it shows it and that nothing, that +there is nothing, that there is no more to do about it and just so much +more is there plenty of reason for making an exchange. + + +A CLOTH. + +Enough cloth is plenty and more, more is almost enough for that and +besides if there is no more spreading is there plenty of room for it. +Any occasion shows the best way. + + +MORE. + +An elegant use of foliage and grace and a little piece of white cloth +and oil. + +Wondering so winningly in several kinds of oceans is the reason that +makes red so regular and enthusiastic. The reason that there is more +snips are the same shining very colored rid of no round color. + + +A NEW CUP AND SAUCER. + +Enthusiastically hurting a clouded yellow bud and saucer, +enthusiastically so is the bite in the ribbon. + + +OBJECTS. + +Within, within the cut and slender joint alone, with sudden equals and +no more than three, two in the centre make two one side. + +If the elbow is long and it is filled so then the best example is all +together. + +The kind of show is made by squeezing. + + +EYE GLASSES. + +A color in shaving, a saloon is well placed in the centre of an alley. + + +CUTLET. + +A blind agitation is manly and uttermost. + + +CARELESS WATER. + +No cup is broken in more places and mended, that is to say a plate is +broken and mending does do that it shows that culture is Japanese. It +shows the whole element of angels and orders. It does more to choosing +and it does more to that ministering counting. It does, it does change +in more water. + +Supposing a single piece is a hair supposing more of them are orderly, +does that show that strength, does that show that joint, does that show +that balloon famously. Does it. + + +A PAPER. + +A courteous occasion makes a paper show no such occasion and this makes +readiness and eyesight and likeness and a stool. + + +A DRAWING. + +The meaning of this is entirely and best to say the mark, best to say it +best to show sudden places, best to make bitter, best to make the length +tall and nothing broader, anything between the half. + + +WATER RAINING. + +Water astonishing and difficult altogether makes a meadow and a stroke. + + +COLD CLIMATE. + +A season in yellow sold extra strings makes lying places. + + +MALACHITE. + +The sudden spoon is the same in no size. The sudden spoon is the wound +in the decision. + + +AN UMBRELLA. + +Coloring high means that the strange reason is in front not more in +front behind. Not more in front in peace of the dot. + + +A PETTICOAT. + +A light white, a disgrace, an ink spot, a rosy charm. + + +A WAIST. + +A star glide, a single frantic sullenness, a single financial grass +greediness. + +Object that is in wood. Hold the pine, hold the dark, hold in the rush, +make the bottom. + +A piece of crystal. A change, in a change that is remarkable there is no +reason to say that there was a time. + +A woolen object gilded. A country climb is the best disgrace, a couple +of practices any of them in order is so left. + + +A TIME TO EAT. + +A pleasant simple habitual and tyrannical and authorised and educated +and resumed and articulate separation. This is not tardy. + + +A LITTLE BIT OF A TUMBLER. + +A shining indication of yellow consists in there having been more of the +same color than could have been expected when all four were bought. This +was the hope which made the six and seven have no use for any more +places and this necessarily spread into nothing. Spread into nothing. + + +A FIRE. + +What was the use of a whole time to send and not send if there was to be +the kind of thing that made that come in. A letter was nicely sent. + + +A HANDKERCHIEF. + +A winning of all the blessings, a sample not a sample because there is +no worry. + + +RED ROSES. + +A cool red rose and a pink cut pink, a collapse and a sold hole, a +little less hot. + + +IN BETWEEN. + +In between a place and candy is a narrow foot-path that shows more +mounting than anything, so much really that a calling meaning a bolster +measured a whole thing with that. A virgin a whole virgin is judged made +and so between curves and outlines and real seasons and more out glasses +and a perfectly unprecedented arrangement between old ladies and mild +colds there is no satin wood shining. + + +COLORED HATS. + +Colored hats are necessary to show that curls are worn by an addition of +blank spaces, this makes the difference between single lines and broad +stomachs, the least thing is lightening, the least thing means a little +flower and a big delay a big delay that makes more nurses than little +women really little women. So clean is a light that nearly all of it +shows pearls and little ways. A large hat is tall and me and all custard +whole. + + +A FEATHER. + +A feather is trimmed, it is trimmed by the light and the bug and the +post, it is trimmed by little leaning and by all sorts of mounted +reserves and loud volumes. It is surely cohesive. + + +A BROWN. + +A brown which is not liquid not more so is relaxed and yet there is a +change, a news is pressing. + + +A LITTLE CALLED PAULINE. + +A little called anything shows shudders. + +Come and say what prints all day. A whole few watermelon. There is no +pope. + +No cut in pennies and little dressing and choose wide soles and little +spats really little spices. + +A little lace makes boils. This is not true. + +Gracious of gracious and a stamp a blue green white bow a blue green +lean, lean on the top. + +If it is absurd then it is leadish and nearly set in where there is a +tight head. + +A peaceful life to arise her, noon and moon and moon. A letter a cold +sleeve a blanket a shaving house and nearly the best and regular window. + +Nearer in fairy sea, nearer and farther, show white has lime in sight, +show a stitch of ten. Count, count more so that thicker and thicker is +leaning. + +I hope she has her cow. Bidding a wedding, widening received treading, +little leading mention nothing. + +Cough out cough out in the leather and really feather it is not for. + +Please could, please could, jam it not plus more sit in when. + + +A SOUND. + +Elephant beaten with candy and little pops and chews all bolts and +reckless reckless rats, this is this. + + +A TABLE. + +A table means does it not my dear it means a whole steadiness. Is it +likely that a change. + +A table means more than a glass even a looking glass is tall. A table +means necessary places and a revision a revision of a little thing it +means it does mean that there has been a stand, a stand where it did +shake. + + +SHOES. + +To be a wall with a damper a stream of pounding way and nearly enough +choice makes a steady midnight. It is pus. + +A shallow hole rose on red, a shallow hole in and in this makes ale +less. It shows shine. + + +A DOG. + +A little monkey goes like a donkey that means to say that means to say +that more sighs last goes. Leave with it. A little monkey goes like a +donkey. + + +A WHITE HUNTER. + +A white hunter is nearly crazy. + + +A LEAVE. + +In the middle of a tiny spot and nearly bare there is a nice thing to +say that wrist is leading. Wrist is leading. + + +SUPPOSE AN EYES. + +Suppose it is within a gate which open is open at the hour of closing +summer that is to say it is so. + +All the seats are needing blackening. A white dress is in sign. A +soldier a real soldier has a worn lace a worn lace of different sizes +that is to say if he can read, if he can read he is a size to show +shutting up twenty-four. + +Go red go red, laugh white. + +Suppose a collapse in rubbed purr, in rubbed purr get. + +Little sales ladies little sales ladies little saddles of mutton. + +Little sales of leather and such beautiful beautiful, beautiful +beautiful. + + +A SHAWL. + +A shawl is a hat and hurt and a red balloon and an under coat and a +sizer a sizer of talks. + +A shawl is a wedding, a piece of wax a little build. A shawl. + +Pick a ticket, pick it in strange steps and with hollows. There is +hollow hollow belt, a belt is a shawl. + +A plate that has a little bobble, all of them, any so. + +Please a round it is ticket. + +It was a mistake to state that a laugh and a lip and a laid climb and a +depot and a cultivator and little choosing is a point it. + + +BOOK. + +Book was there, it was there. Book was there. Stop it, stop it, it was a +cleaner, a wet cleaner and it was not where it was wet, it was not high, +it was directly placed back, not back again, back it was returned, it +was needless, it put a bank, a bank when, a bank care. + +Suppose a man a realistic expression of resolute reliability suggests +pleasing itself white all white and no head does that mean soap. It does +not so. It means kind wavers and little chance to beside beside rest. A +plain. + +Suppose ear rings, that is one way to breed, breed that. Oh chance to +say, oh nice old pole. Next best and nearest a pillar. Chest not +valuable, be papered. + +Cover up cover up the two with a little piece of string and hope rose +and green, green. + +Please a plate, put a match to the seam and really then really then, +really then it is a remark that joins many many lead games. It is a +sister and sister and a flower and a flower and a dog and a colored sky +a sky colored grey and nearly that nearly that let. + + +PEELED PENCIL, CHOKE. + +Rub her coke. + + +IT WAS BLACK, BLACK TOOK. + +Black ink best wheel bale brown. + +Excellent not a hull house, not a pea soup, no bill no care, no precise +no past pearl pearl goat. + + +THIS IS THE DRESS, AIDER. + +Aider, why aider why whow, whow stop touch, aider whow, aider stop the +muncher, muncher munchers. + +A jack in kill her, a jack in, makes a meadowed king, makes a to let. + + + + +FOOD + + +ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; MILK; EGGS; APPLE; +TAILS; LUNCH; CUPS; RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES; +ASPARAGUS; BUTTER; END OF SUMMER; SAUSAGES; CELERY; VEAL; VEGETABLE; +COOKING; CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; DINING; EATING; +SALAD; SAUCE; SALMON; ORANGE; COCOA; AND CLEAR SOUP AND ORANGES AND +OATMEAL; SALAD DRESSING AND AN ARTICHOKE; A CENTRE IN A TABLE. + + +ROASTBEEF. + +In the inside there is sleeping, in the outside there is reddening, in +the morning there is meaning, in the evening there is feeling. In the +evening there is feeling. In feeling anything is resting, in feeling +anything is mounting, in feeling there is resignation, in feeling there +is recognition, in feeling there is recurrence and entirely mistaken +there is pinching. All the standards have steamers and all the curtains +have bed linen and all the yellow has discrimination and all the circle +has circling. This makes sand. + +Very well. Certainly the length is thinner and the rest, the round rest +has a longer summer. To shine, why not shine, to shine, to station, to +enlarge, to hurry the measure all this means nothing if there is +singing, if there is singing then there is the resumption. + +The change the dirt, not to change dirt means that there is no beefsteak +and not to have that is no obstruction, it is so easy to exchange +meaning, it is so easy to see the difference. The difference is that a +plain resource is not entangled with thickness and it does not mean that +thickness shows such cutting, it does mean that a meadow is useful and a +cow absurd. It does not mean that there are tears, it does not mean that +exudation is cumbersome, it means no more than a memory, a choice and a +reëstablishment, it means more than any escape from a surrounding extra. +All the time that there is use there is use and any time there is a +surface there is a surface, and every time there is an exception there +is an exception and every time there is a division there is a dividing. +Any time there is a surface there is a surface and every time there is a +suggestion there is a suggestion and every time there is silence there +is silence and every time that is languid there is that there then and +not oftener, not always, not particular, tender and changing and +external and central and surrounded and singular and simple and the same +and the surface and the circle and the shine and the succor and the +white and the same and the better and the red and the same and the +centre and the yellow and the tender and the better, and altogether. + +Considering the circumstances there is no occasion for a reduction, +considering that there is no pealing there is no occasion for an +obligation, considering that there is no outrage there is no necessity +for any reparation, considering that there is no particle sodden there +is no occasion for deliberation. Considering everything and which way +the turn is tending, considering everything why is there no restraint, +considering everything what makes the place settle and the plate +distinguish some specialties. The whole thing is not understood and this +is not strange considering that there is no education, this is not +strange because having that certainly does show the difference in +cutting, it shows that when there is turning there is no distress. + +In kind, in a control, in a period, in the alteration of pigeons, in +kind cuts and thick and thin spaces, in kind ham and different colors, +the length of leaning a strong thing outside not to make a sound but to +suggest a crust, the principal taste is when there is a whole chance to +be reasonable, this does not mean that there is overtaking, this means +nothing precious, this means clearly that the chance to exercise is a +social success. So then the sound is not obtrusive. Suppose it is +obtrusive suppose it is. What is certainly the desertion is not a +reduced description, a description is not a birthday. + +Lovely snipe and tender turn, excellent vapor and slender butter, all +the splinter and the trunk, all the poisonous darkening drunk, all the +joy in weak success, all the joyful tenderness, all the section and the +tea, all the stouter symmetry. + +Around the size that is small, inside the stern that is the middle, +besides the remains that are praying, inside the between that is +turning, all the region is measuring and melting is exaggerating. + +Rectangular ribbon does not mean that there is no eruption it means that +if there is no place to hold there is no place to spread. Kindness is +not earnest, it is not assiduous it is not revered. + +Room to comb chickens and feathers and ripe purple, room to curve single +plates and large sets and second silver, room to send everything away, +room to save heat and distemper, room to search a light that is simpler, +all room has no shadow. + +There is no use there is no use at all in smell, in taste, in teeth, in +toast, in anything, there is no use at all and the respect is mutual. + +Why should that which is uneven, that which is resumed, that which is +tolerable why should all this resemble a smell, a thing is there, it +whistles, it is not narrower, why is there no obligation to stay away +and yet courage, courage is everywhere and the best remains to stay. + +If there could be that which is contained in that which is felt there +would be a chair where there are chairs and there would be no more +denial about a clatter. A clatter is not a smell. All this is good. + +The Saturday evening which is Sunday is every week day. What choice is +there when there is a difference. A regulation is not active. +Thirstiness is not equal division. + +Anyway, to be older and ageder is not a surfeit nor a suction, it is not +dated and careful, it is not dirty. Any little thing is clean, rubbing +is black. Why should ancient lambs be goats and young colts and never +beef, why should they, they should because there is so much difference +in age. + +A sound, a whole sound is not separation, a whole sound is in an order. + +Suppose there is a pigeon, suppose there is. + +Looseness, why is there a shadow in a kitchen, there is a shadow in a +kitchen because every little thing is bigger. + +The time when there are four choices and there are four choices in a +difference, the time when there are four choices there is a kind and +there is a kind. There is a kind. There is a kind. Supposing there is a +bone, there is a bone. Supposing there are bones. There are bones. When +there are bones there is no supposing there are bones. There are bones +and there is that consuming. The kindly way to feel separating is to +have a space between. This shows a likeness. + +Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in +daintiness and determination. Hope in dates. + +Tin is not a can and a stove is hardly. Tin is not necessary and neither +is a stretcher. Tin is never narrow and thick. + +Color is in coal. Coal is outlasting roasting and a spoonful, a whole +spoon that is full is not spilling. Coal any coal is copper. + +Claiming nothing, not claiming anything, not a claim in everything, +collecting claiming, all this makes a harmony, it even makes a +succession. + +Sincerely gracious one morning, sincerely graciously trembling, sincere +in gracious eloping, all this makes a furnace and a blanket. All this +shows quantity. + +Like an eye, not so much more, not any searching, no compliments. + +Please be the beef, please beef, pleasure is not wailing. Please beef, +please be carved clear, please be a case of consideration. + +Search a neglect. A sale, any greatness is a stall and there is no +memory, there is no clear collection. + +A satin sight, what is a trick, no trick is mountainous and the color, +all the rush is in the blood. + +Bargaining for a little, bargain for a touch, a liberty, an +estrangement, a characteristic turkey. + +Please spice, please no name, place a whole weight, sink into a standard +rising, raise a circle, choose a right around, make the resonance +accounted and gather green any collar. + +To bury a slender chicken, to raise an old feather, to surround a +garland and to bake a pole splinter, to suggest a repose and to settle +simply, to surrender one another, to succeed saving simpler, to satisfy +a singularity and not to be blinder, to sugar nothing darker and to read +redder, to have the color better, to sort out dinner, to remain +together, to surprise no sinner, to curve nothing sweeter, to continue +thinner, to increase in resting recreation to design string not dimmer. + +Cloudiness what is cloudiness, is it a lining, is it a roll, is it +melting. + +The sooner there is jerking, the sooner freshness is tender, the sooner +the round it is not round the sooner it is withdrawn in cutting, the +sooner the measure means service, the sooner there is chinking, the +sooner there is sadder than salad, the sooner there is none do her, the +sooner there is no choice, the sooner there is a gloom freer, the same +sooner and more sooner, this is no error in hurry and in pressure and in +opposition to consideration. + +A recital, what is a recital, it is an organ and use does not strengthen +valor, it soothes medicine. + +A transfer, a large transfer, a little transfer, some transfer, clouds +and tracks do transfer, a transfer is not neglected. + +Pride, when is there perfect pretence, there is no more than yesterday +and ordinary. + +A sentence of a vagueness that is violence is authority and a mission +and stumbling and also certainly also a prison. Calmness, calm is beside +the plate and in way in. There is no turn in terror. There is no volume +in sound. + +There is coagulation in cold and there is none in prudence. Something +is preserved and the evening is long and the colder spring has sudden +shadows in a sun. All the stain is tender and lilacs really lilacs are +disturbed. Why is the perfect reëstablishment practiced and prized, why +is it composed. The result the pure result is juice and size and baking +and exhibition and nonchalance and sacrifice and volume and a section in +division and the surrounding recognition and horticulture and no murmur. +This is a result. There is no superposition and circumstance, there is +hardness and a reason and the rest and remainder. There is no delight +and no mathematics. + + +MUTTON. + +A letter which can wither, a learning which can suffer and an outrage +which is simultaneous is principal. + +Student, students are merciful and recognised they chew something. + +Hate rests that is solid and sparse and all in a shape and largely very +largely. Interleaved and successive and a sample of smell all this makes +a certainty a shade. + +Light curls very light curls have no more curliness than soup. This is +not a subject. + +Change a single stream of denting and change it hurriedly, what does it +express, it expresses nausea. Like a very strange likeness and pink, +like that and not more like that than the same resemblance and not more +like that than no middle space in cutting. + +An eye glass, what is an eye glass, it is water. A splendid specimen, +what is it when it is little and tender so that there are parts. A +centre can place and four are no more and two and two are not middle. + +Melting and not minding, safety and powder, a particular recollection +and a sincere solitude all this makes a shunning so thorough and so +unrepeated and surely if there is anything left it is a bone. It is not +solitary. + +Any space is not quiet it is so likely to be shiny. Darkness very dark +darkness is sectional. There is a way to see in onion and surely very +surely rhubarb and a tomato, surely very surely there is that seeding. A +little thing in is a little thing. + +Mud and water were not present and not any more of either. Silk and +stockings were not present and not any more of either. A receptacle and +a symbol and no monster were present and no more. This made a piece +show and was it a kindness, it can be asked was it a kindness to have it +warmer, was it a kindness and does gliding mean more. Does it. + +Does it dirty a ceiling. It does not. Is it dainty, it is if prices are +sweet. Is it lamentable, it is not if there is no undertaker. Is it +curious, it is not when there is youth. All this makes a line, it even +makes makes no more. All this makes cherries. The reason that there is a +suggestion in vanity is due to this that there is a burst of mixed +music. + +A temptation any temptation is an exclamation if there are misdeeds and +little bones. It is not astonishing that bones mingle as they vary not +at all and in any case why is a bone outstanding, it is so because the +circumstance that does not make a cake and character is so easily +churned and cherished. + +Mouse and mountain and a quiver, a quaint statue and pain in an exterior +and silence more silence louder shows salmon a mischief intender. A +cake, a real salve made of mutton and liquor, a specially retained +rinsing and an established cork and blazing, this which resignation +influences and restrains, restrains more altogether. A sign is the +specimen spoken. + +A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so +little is more. Lecture, lecture and repeat instruction. + + +BREAKFAST. + +A change, a final change includes potatoes. This is no authority for the +abuse of cheese. What language can instruct any fellow. + +A shining breakfast, a breakfast shining, no dispute, no practice, +nothing, nothing at all. + +A sudden slice changes the whole plate, it does so suddenly. + +An imitation, more imitation, imitation succeed imitations. + +Anything that is decent, anything that is present, a calm and a cook and +more singularly still a shelter, all these show the need of clamor. What +is the custom, the custom is in the centre. + +What is a loving tongue and pepper and more fish than there is when +tears many tears are necessary. The tongue and the salmon, there is not +salmon when brown is a color, there is salmon when there is no meaning +to an early morning being pleasanter. There is no salmon, there are no +tea-cups, there are the same kind of mushes as are used as stomachers +by the eating hopes that makes eggs delicious. Drink is likely to stir a +certain respect for an egg cup and more water melon than was ever eaten +yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee +and a sample of soup all soup these are the choice of a baker. A white +cup means a wedding. A wet cup means a vacation. A strong cup means an +especial regulation. A single cup means a capital arrangement between +the drawer and the place that is open. + +Price a price is not in language, it is not in custom, it is not in +praise. + +A colored loss, why is there no leisure. If the persecution is so +outrageous that nothing is solemn is there any occasion for persuasion. + +A grey turn to a top and bottom, a silent pocketful of much heating, all +the pliable succession of surrendering makes an ingenious joy. + +A breeze in a jar and even then silence, a special anticipation in a +rack, a gurgle a whole gurgle and more cheese than almost anything, is +this an astonishment, does this incline more than the original division +between a tray and a talking arrangement and even then a calling into +another room gently with some chicken in any way. + +A bent way that is a way to declare that the best is all together, a +bent way shows no result, it shows a slight restraint, it shows a +necessity for retraction. + +Suspect a single buttered flower, suspect it certainly, suspect it and +then glide, does that not alter a counting. + +A hurt mended stick, a hurt mended cup, a hurt mended article of +exceptional relaxation and annoyance, a hurt mended, hurt and mended is +so necessary that no mistake is intended. + +What is more likely than a roast, nothing really and yet it is never +disappointed singularly. + +A steady cake, any steady cake is perfect and not plain, any steady cake +has a mounting reason and more than that it has singular crusts. A +season of more is a season that is instead. A season of many is not more +a season than most. + +Take no remedy lightly, take no urging intently, take no separation +leniently, beware of no lake and no larder. + +Burden the cracked wet soaking sack heavily, burden it so that it is an +institution in fright and in climate and in the best plan that there can +be. + +An ordinary color, a color is that strange mixture which makes, which +does make which does not make a ripe juice, which does not make a mat. + +A work which is a winding a real winding of the cloaking of a relaxing +rescue. This which is so cool is not dusting, it is not dirtying in +smelling, it could use white water, it could use more extraordinarily +and in no solitude altogether. This which is so not winsome and not +widened and really not so dipped as dainty and really dainty, very +dainty, ordinarily, dainty, a dainty, not in that dainty and dainty. If +the time is determined, if it is determined and there is reunion there +is reunion with that then outline, then there is in that a piercing +shutter, all of a piercing shouter, all of a quite weather, all of a +withered exterior, all of that in most violent likely. + +An excuse is not dreariness, a single plate is not butter, a single +weight is not excitement, a solitary crumbling is not only martial. + +A mixed protection, very mixed with the same actual intentional +unstrangeness and riding, a single action caused necessarily is not more +a sign than a minister. + +Seat a knife near a cage and very near a decision and more nearly a +timely working cat and scissors. Do this temporarily and make no more +mistake in standing. Spread it all and arrange the white place, does +this show in the house, does it not show in the green that is not +necessary for that color, does it not even show in the explanation and +singularly not at all stationary. + + +SUGAR. + +A violent luck and a whole sample and even then quiet. + +Water is squeezing, water is almost squeezing on lard. Water, water is a +mountain and it is selected and it is so practical that there is no use +in money. A mind under is exact and so it is necessary to have a mouth +and eye glasses. + +A question of sudden rises and more time than awfulness is so easy and +shady. There is precisely that noise. + +A peck a small piece not privately overseen, not at all not a slice, not +at all crestfallen and open, not at all mounting and chaining and evenly +surpassing, all the bidding comes to tea. + +A separation is not tightly in worsted and sauce, it is so kept well and +sectionally. + +Put it in the stew, put it to shame. A little slight shadow and a solid +fine furnace. + +The teasing is tender and trying and thoughtful. + +The line which sets sprinkling to be a remedy is beside the best cold. + +A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday. + +Wet crossing and a likeness, any likeness, a likeness has blisters, it +has that and teeth, it has the staggering blindly and a little green, +any little green is ordinary. + +One, two and one, two, nine, second and five and that. + +A blaze, a search in between, a cow, only any wet place, only this tune. + +Cut a gas jet uglier and then pierce pierce in between the next and +negligence. Choose the rate to pay and pet pet very much. A collection +of all around, a signal poison, a lack of languor and more hurts at +ease. + +A white bird, a colored mine, a mixed orange, a dog. + +Cuddling comes in continuing a change. + +A piece of separate outstanding rushing is so blind with open delicacy. + +A canoe is orderly. A period is solemn. A cow is accepted. + +A nice old chain is widening, it is absent, it is laid by. + + +CRANBERRIES. + +Could there not be a sudden date, could there not be in the present +settlement of old age pensions, could there not be by a witness, could +there be. + +Count the chain, cut the grass, silence the noon and murder flies. See +the basting undip the chart, see the way the kinds are best seen from +the rest, from that and untidy. + +Cut the whole space into twenty-four spaces and then and then is there a +yellow color, there is but it is smelled, it is then put where it is and +nothing stolen. + +A remarkable degree of red means that, a remarkable exchange is made. + +Climbing altogether in when there is a solid chance of soiling no more +than a dirty thing, coloring all of it in steadying is jelly. + +Just as it is suffering, just as it is succeeded, just as it is moist so +is there no countering. + + +MILK. + +A white egg and a colored pan and a cabbage showing settlement, a +constant increase. + +A cold in a nose, a single cold nose makes an excuse. Two are more +necessary. + +All the goods are stolen, all the blisters are in the cup. + +Cooking, cooking is the recognition between sudden and nearly sudden +very little and all large holes. + +A real pint, one that is open and closed and in the middle is so bad. + +Tender colds, seen eye holders, all work, the best of change, the +meaning, the dark red, all this and bitten, really bitten. + +Guessing again and golfing again and the best men, the very best men. + + +MILK. + +Climb up in sight climb in the whole utter needles and a guess a whole +guess is hanging. Hanging hanging. + + +EGGS. + +Kind height, kind in the right stomach with a little sudden mill. + +Cunning shawl, cunning shawl to be steady. + +In white in white handkerchiefs with little dots in a white belt all +shadows are singular they are singular and procured and relieved. + +No that is not the cows shame and a precocious sound, it is a bite. + +Cut up alone the paved way which is harm. Harm is old boat and a likely +dash. + + +APPLE. + +Apple plum, carpet steak, seed clam, colored wine, calm seen, cold +cream, best shake, potato, potato and no no gold work with pet, a green +seen is called bake and change sweet is bready, a little piece a little +piece please. + +A little piece please. Cane again to the presupposed and ready +eucalyptus tree, count out sherry and ripe plates and little corners of +a kind of ham. This is use. + + +TAILS. + +Cold pails, cold with joy no joy. + +A tiny seat that means meadows and a lapse of cuddles with cheese and +nearly bats, all this went messed. The post placed a loud loose sprain. +A rest is no better. It is better yet. All the time. + + +LUNCH. + +Luck in loose plaster makes holy gauge and nearly that, nearly more +states, more states come in town light kite, blight not white. + +A little lunch is a break in skate a little lunch so slimy, a west end +of a board line is that which shows a little beneath so that necessity +is a silk under wear. That is best wet. It is so natural, and why is +there flake, there is flake to explain exhaust. + +A real cold hen is nervous is nervous with a towel with a spool with +real beads. It is mostly an extra sole nearly all that shaved, shaved +with an old mountain, more than that bees more than that dinner and a +bunch of likes that is to say the hearts of onions aim less. + +Cold coffee with a corn a corn yellow and green mass is a gem. + + +CUPS. + +A single example of excellence is in the meat. A bent stick is surging +and might all might is mental. A grand clothes is searching out a candle +not that wheatly not that by more than an owl and a path. A ham is proud +of cocoanut. + +A cup is neglected by being all in size. It is a handle and meadows and +sugar any sugar. + +A cup is neglected by being full of size. It shows no shade, in come +little wood cuts and blessing and nearly not that not with a wild bought +in, not at all so polite, not nearly so behind. + +Cups crane in. They need a pet oyster, they need it so hoary and nearly +choice. The best slam is utter. Nearly be freeze. + +Why is a cup a stir and a behave. Why is it so seen. + +A cup is readily shaded, it has in between no sense that is to say +music, memory, musical memory. + +Peanuts blame, a half sand is holey and nearly. + + +RHUBARB. + +Rhubarb is susan not susan not seat in bunch toys not wild and laughable +not in little places not in neglect and vegetable not in fold coal age +not please. + + +SINGLE FISH. + +Single fish single fish single fish egg-plant single fish sight. + +A sweet win and not less noisy than saddle and more ploughing and nearly +well painted by little things so. + +Please shade it a play. It is necessary and beside the large sort is +puff. + +Every way oakly, please prune it near. It is so found. + +It is not the same. + + +CAKE. + +Cake cast in went to be and needles wine needles are such. + +This is today. A can experiment is that which makes a town, makes a town +dirty, it is little please. We came back. Two bore, bore what, a mussed +ash, ash when there is tin. This meant cake. It was a sign. + +Another time there was extra a hat pin sought long and this dark made a +display. The result was yellow. A caution, not a caution to be. + +It is no use to cause a foolish number. A blanket stretch a cloud, a +shame, all that bakery can tease, all that is beginning and yesterday +yesterday we had it met. It means some change. No some day. + +A little leaf upon a scene an ocean any where there, a bland and likely +in the stream a recollection green land. Why white. + + +CUSTARD. + +Custard is this. It has aches, aches when. Not to be. Not to be +narrowly. This makes a whole little hill. + +It is better than a little thing that has mellow real mellow. It is +better than lakes whole lakes, it is better than seeding. + + +POTATOES. + +Real potatoes cut in between. + + +POTATOES. + +In the preparation of cheese, in the preparation of crackers, in the +preparation of butter, in it. + + +ROAST POTATOES. + +Roast potatoes for. + + +ASPARAGUS. + +Asparagus in a lean in a lean to hot. This makes it art and it is wet +wet weather wet weather wet. + + +BUTTER. + +Boom in boom in, butter. Leave a grain and show it, show it. I spy. + +It is a need it is a need that a flower a state flower. It is a need +that a state rubber. It is a need that a state rubber is sweet and sight +and a swelled stretch. It is a need. It is a need that state rubber. + +Wood a supply. Clean little keep a strange, estrange on it. + +Make a little white, no and not with pit, pit on in within. + + +END OF SUMMER. + +Little eyelets that have hammer and a check with stripes between a +lounge, in wit, in a rested development. + + +SAUSAGES. + +Sausages in between a glass. + +There is read butter. A loaf of it is managed. Wake a question. Eat an +instant, answer. + +A reason for bed is this, that a decline, any decline is poison, poison +is a toe a toe extractor, this means a solemn change. Hanging. + +No evil is wide, any extra in leaf is so strange and singular a red +breast. + + +CELERY. + +Celery tastes tastes where in curled lashes and little bits and mostly +in remains. + +A green acre is so selfish and so pure and so enlivened. + + +VEAL. + +Very well very well, washing is old, washing is washing. + +Cold soup, cold soup clear and particular and a principal a principal +question to put into. + + +VEGETABLE. + +What is cut. What is cut by it. What is cut by it in. + +It was a cress a crescent a cross and an unequal scream, it was +upslanting, it was radiant and reasonable with little ins and red. + +News. News capable of glees, cut in shoes, belike under pump of wide +chalk, all this combing. + + +WAY LAY VEGETABLE. + +Leaves in grass and mow potatoes, have a skip, hurry you up flutter. + +Suppose it is ex a cake suppose it is new mercy and leave charlotte and +nervous bed rows. Suppose it is meal. Suppose it is sam. + + +COOKING. + +Alas, alas the pull alas the bell alas the coach in china, alas the +little put in leaf alas the wedding butter meat, alas the receptacle, +alas the back shape of mussle, mussle and soda. + + +CHICKEN. + +Pheasant and chicken, chicken is a peculiar third. + + +CHICKEN. + +Alas a dirty word, alas a dirty third alas a dirty third, alas a dirty +bird. + + +CHICKEN. + +Alas a doubt in case of more go to say what it is cress. What is it. +Mean. Potato. Loaves. + + +CHICKEN. + +Stick stick call then, stick stick sticking, sticking with a chicken. +Sticking in a extra succession, sticking in. + + +CHAIN-BOATS. + +Chain-boats are merry, are merry blew, blew west, carpet. + + +PASTRY. + +Cutting shade, cool spades and little last beds, make violet, violet +when. + + +CREAM. + +In a plank, in a play sole, in a heated red left tree there is shut in +specs with salt be where. This makes an eddy. Necessary. + + +CREAM. + +Cream cut. Any where crumb. Left hop chambers. + + +CUCUMBER. + +Not a razor less, not a razor, ridiculous pudding, red and relet put in, +rest in a slender go in selecting, rest in, rest in in white widening. + + +DINNER. + +Not a little fit, not a little fit sun sat in shed more mentally. + +Let us why, let us why weight, let us why winter chess, let us why way. + +Only a moon to soup her, only that in the sell never never be the cocups +nice be, shatter it they lay. + +Egg ear nuts, look a bout. Shoulder. Let it strange, sold in bell next +herds. + +It was a time when in the acres in late there was a wheel that shot a +burst of land and needless are niggers and a sample sample set of old +eaten butterflies with spoons, all of it to be are fled and measure make +it, make it, yet all the one in that we see where shall not it set with +a left and more so, yes there add when the longer not it shall the best +in the way when all be with when shall not for there with see and chest +how for another excellent and excellent and easy easy excellent and easy +express e c, all to be nice all to be no so. All to be no so no so. All +to be not a white old chat churner. Not to be any example of an edible +apple in. + + +DINING. + +Dining is west. + + +EATING. + +Eat ting, eating a grand old man said roof and never never re soluble +burst, not a near ring not a bewildered neck, not really any such bay. + +Is it so a noise to be is it a least remain to rest, is it a so old say +to be, is it a leading are been. Is it so, is it so, is it so, is it so +is it so is it so. + +Eel us eel us with no no pea no pea cool, no pea cool cooler, no pea +cooler with a land a land cost in, with a land cost in stretches. + +Eating he heat eating he heat it eating, he heat it heat eating. He heat +eating. + +A little piece of pay of pay owls owls such as pie, bolsters. + +Will leap beat, willie well all. The rest rest oxen occasion occasion to +be so purred, so purred how. + +It was a ham it was a square come well it was a square remain, a square +remain not it a bundle, not it a bundle so is a grip, a grip to shed bay +leave bay leave draught, bay leave draw cider in low, cider in low and +george. George is a mass. + + +EATING. + +It was a shame it was a shame to stare to stare and double and relieve +relieve be cut up show as by the elevation of it and out out more in the +steady where the come and on and the all the shed and that. + +It was a garden and belows belows straight. It was a pea, a pea pour it +in its not a succession, not it a simple, not it a so election, election +with. + + +SALAD. + +It is a winning cake. + + +SAUCE. + +What is bay labored what is all be section, what is no much. Sauce sam +in. + + +SALMON. + +It was a peculiar bin a bin fond in beside. + + +ORANGE. + +Why is a feel oyster an egg stir. Why is it orange centre. + +A show at tick and loosen loosen it so to speak sat. + +It was an extra leaker with a see spoon, it was an extra licker with a +see spoon. + + +ORANGE. + +A type oh oh new new not no not knealer knealer of old show beefsteak, +neither neither. + + +ORANGES. + +Build is all right. + + +ORANGE IN. + +Go lack go lack use to her. + +Cocoa and clear soup and oranges and oat-meal. + +Whist bottom whist close, whist clothes, woodling. + +Cocoa and clear soup and oranges and oat-meal. + +Pain soup, suppose it is question, suppose it is butter, real is, real +is only, only excreate, only excreate a no since. + +A no, a no since, a no since when, a no since when since, a no since +when since a no since when since, a no since, a no since when since, a +no since, a no, a no since a no since, a no since, a no since. + + +SALAD DRESSING AND AN ARTICHOKE. + +Please pale hot, please cover rose, please acre in the red stranger, +please butter all the beef-steak with regular feel faces. + + +SALAD DRESSING AND AN ARTICHOKE. + +It was please it was please carriage cup in an ice-cream, in an +ice-cream it was too bended bended with scissors and all this time. A +whole is inside a part, a part does go away, a hole is red leaf. No +choice was where there was and a second and a second. + + +A CENTRE IN A TABLE. + +It was a way a day, this made some sum. Suppose a cod liver a cod liver +is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil +tunny is pressed suppose a cod liver oil tunny pressed is china and +secret with a bestow a bestow reed, a reed to be a reed to be, in a reed +to be. + +Next to me next to a folder, next to a folder some waiter, next to a +foldersome waiter and re letter and read her. Read her with her for +less. + + + + +ROOMS + + +Act so that there is no use in a centre. A wide action is not a width. A +preparation is given to the ones preparing. They do not eat who mention +silver and sweet. There was an occupation. + +A whole centre and a border make hanging a way of dressing. This which +is not why there is a voice is the remains of an offering. There was no +rental. + +So the tune which is there has a little piece to play, and the exercise +is all there is of a fast. The tender and true that makes no width to +hew is the time that there is question to adopt. + +To begin the placing there is no wagon. There is no change lighter. It +was done. And then the spreading, that was not accomplishing that needed +standing and yet the time was not so difficult as they were not all in +place. They had no change. They were not respected. They were that, they +did it so much in the matter and this showed that that settlement was +not condensed. It was spread there. Any change was in the ends of the +centre. A heap was heavy. There was no change. + +Burnt and behind and lifting a temporary stone and lifting more than a +drawer. + +The instance of there being more is an instance of more. The shadow is +not shining in the way there is a black line. The truth has come. There +is a disturbance. Trusting to a baker's boy meant that there would be +very much exchanging and anyway what is the use of a covering to a door. +There is a use, they are double. + +If the centre has the place then there is distribution. That is natural. +There is a contradiction and naturally returning there comes to be both +sides and the centre. That can be seen from the description. + +The author of all that is in there behind the door and that is entering +in the morning. Explaining darkening and expecting relating is all of a +piece. The stove is bigger. It was of a shape that made no audience +bigger if the opening is assumed why should there not be kneeling. Any +force which is bestowed on a floor shows rubbing. This is so nice and +sweet and yet there comes the change, there comes the time to press +more air. This does not mean the same as disappearance. + +A little lingering lion and a Chinese chair, all the handsome cheese +which is stone, all of it and a choice, a choice of a blotter. If it is +difficult to do it one way there is no place of similar trouble. None. +The whole arrangement is established. The end of which is that there is +a suggestion, a suggestion that there can be a different whiteness to a +wall. This was thought. + +A page to a corner means that the shame is no greater when the table is +longer. A glass is of any height, it is higher, it is simpler and if it +were placed there would not be any doubt. + +Something that is an erection is that which stands and feeds and +silences a tin which is swelling. This makes no diversion that is to say +what can please exaltation, that which is cooking. + +A shine is that which when covered changes permission. An enclosure +blends with the same that is to say there is blending. A blend is that +which holds no mice and this is not because of a floor it is because of +nothing, it is not in a vision. + +A fact is that when the place was replaced all was left that was stored +and all was retained that would not satisfy more than another. The +question is this, is it possible to suggest more to replace that thing. +This question and this perfect denial does make the time change all the +time. + +The sister was not a mister. Was this a surprise. It was. The conclusion +came when there was no arrangement. All the time that there was a +question there was a decision. Replacing a casual acquaintance with an +ordinary daughter does not make a son. + +It happened in a way that the time was perfect and there was a growth of +a whole dividing time so that where formerly there was no mistake there +was no mistake now. For instance before when there was a separation +there was waiting, now when there is separation there is the division +between intending and departing. This made no more mixture than there +would be if there had been no change. + +A little sign of an entrance is the one that made it alike. If it were +smaller it was not alike and it was so much smaller that a table was +bigger. A table was much bigger, very much bigger. Changing that made +nothing bigger, it did not make anything bigger littler, it did not +hinder wood from not being used as leather. And this was so charming. +Harmony is so essential. Is there pleasure when there is a passage, +there is when every room is open. Every room is open when there are not +four, there were there and surely there were four, there were two +together. There is no resemblance. + +A single speed, the reception of table linen, all the wonder of six +little spoons, there is no exercise. + +The time came when there was a birthday. Every day was no excitement and +a birthday was added, it was added on Monday, this made the memory +clear, this which was a speech showed the chair in the middle where +there was copper. + +Alike and a snail, this means Chinamen, it does there is no doubt that +to be right is more than perfect there is no doubt and glass is +confusing it confuses the substance which was of a color. Then came the +time for discrimination, it came then and it was never mentioned it was +so triumphant, it showed the whole head that had a hole and should have +a hole it showed the resemblance between silver. + +Startling a starving husband is not disagreeable. The reason that +nothing is hidden is that there is no suggestion of silence. No song is +sad. A lesson is of consequence. + +Blind and weak and organised and worried and betrothed and resumed and +also asked to a fast and always asked to consider and never startled and +not at all bloated, this which is no rarer than frequently is not so +astonishing when hair brushing is added. There is quiet, there certainly +is. + +No eye-glasses are rotten, no window is useless and yet if air will not +come in there is a speech ready, there always is and there is no +dimness, not a bit of it. + +All along the tendency to deplore the absence of more has not been +authorised. It comes to mean that with burning there is that pleasant +state of stupefication. Then there is a way of earning a living. Who is +a man. + +A silence is not indicated by any motion, less is indicated by a motion, +more is not indicated it is enthralled. So sullen and so low, so much +resignation, so much refusal and so much place for a lower and an upper, +so much and yet more silence, why is not sleeping a feat why is it not +and when is there some discharge when. There never is. + +If comparing a piece that is a size that is recognised as not a size but +a piece, comparing a piece with what is not recognised but what is used +as it is held by holding, comparing these two comes to be repeated. +Suppose they are put together, suppose that there is an interruption, +supposing that beginning again they are not changed as to position, +suppose all this and suppose that any five two of whom are not +separating suppose that the five are not consumed. Is there an exchange, +is there a resemblance to the sky which is admitted to be there and the +stars which can be seen. Is there. That was a question. There was no +certainty. Fitting a failing meant that any two were indifferent and yet +they were all connecting that, they were all connecting that +consideration. This did not determine rejoining a letter. This did not +make letters smaller. It did. + +The stamp that is not only torn but also fitting is not any symbol. It +suggests nothing. A sack that has no opening suggests more and the loss +is not commensurate. The season gliding and the torn hangings receiving +mending all this shows an example, it shows the force of sacrifice and +likeness and disaster and a reason. + +The time when there is not the question is only seen when there is a +shower. Any little thing is water. + +There was a whole collection made. A damp cloth, an oyster, a single +mirror, a manikin, a student, a silent star, a single spark, a little +movement and the bed is made. This shows the disorder, it does, it shows +more likeness than anything else, it shows the single mind that directs +an apple. All the coats have a different shape, that does not mean that +they differ in color, it means a union between use and exercise and a +horse. + +A plain hill, one is not that which is not white and red and green, a +plain hill makes no sunshine, it shows that without a disturber. So the +shape is there and the color and the outline and the miserable centre, +it is not very likely that there is a centre, a hill is a hill and no +hill is contained in a pink tender descender. + +A can containing a curtain is a solid sentimental usage. The trouble in +both eyes does not come from the same symmetrical carpet, it comes from +there being no more disturbance than in little paper. This does show the +teeth, it shows color. + +A measure is that which put up so that it shows the length has a steel +construction. Tidiness is not delicacy, it does not destroy the whole +piece, certainly not it has been measured and nothing has been cut off +and even if that has been lost there is a name, no name is signed and +left over, not any space is fitted so that moving about is plentiful. +Why is there so much resignation in a package, why is there rain, all +the same the chance has come, there is no bell to ring. + +A package and a filter and even a funnel, all this together makes a +scene and supposing the question arises is hair curly, is it dark and +dusty, supposing that question arises, is brushing necessary, is it, +the whole special suddenness commences then, there is no delusion. + +A cape is a cover, a cape is not a cover in summer, a cape is a cover +and the regulation is that there is no such weather. A cape is not +always a cover, a cape is not a cover when there is another, there is +always something in that thing in establishing a disposition to put +wetting where it will not do more harm. There is always that disposition +and in a way there is some use in not mentioning changing and in +establishing the temperature, there is some use in it as establishing +all that lives dimmer freer and there is no dinner in the middle of +anything. There is no such thing. + +Why is a pale white not paler than blue, why is a connection made by a +stove, why is the example which is mentioned not shown to be the same, +why is there no adjustment between the place and the separate attention. +Why is there a choice in gamboling. Why is there no necessary dull +stable, why is there a single piece of any color, why is there that +sensible silence. Why is there the resistance in a mixture, why is there +no poster, why is there that in the window, why is there no suggester, +why is there no window, why is there no oyster closer. Why is there a +circular diminisher, why is there a bather, why is there no scraper, why +is there a dinner, why is there a bell ringer, why is there a duster, +why is there a section of a similar resemblance, why is there that +scissor. + +South, south which is a wind is not rain, does silence choke speech or +does it not. + +Lying in a conundrum, lying so makes the springs restless, lying so is a +reduction, not lying so is arrangeable. + +Releasing the oldest auction that is the pleasing some still renewing. + +Giving it away, not giving it away, is there any difference. Giving it +away. Not giving it away. + +Almost very likely there is no seduction, almost very likely there is no +stream, certainly very likely the height is penetrated, certainly +certainly the target is cleaned. Come to sit, come to refuse, come to +surround, come slowly and age is not lessening. The time which showed +that was when there was no eclipse. All the time that resenting was +removal all that time there was breadth. No breath is shadowed, no +breath is paintaking and yet certainly what could be the use of paper, +paper shows no disorder, it shows no desertion. + +Why is there a difference between one window and another, why is there +a difference, because the curtain is shorter. There is no distaste in +beefsteak or in plums or in gallons of milk water, there is no defiance +in original piling up over a roof, there is no daylight in the evening, +there is none there empty. + +A tribune, a tribune does not mean paper, it means nothing more than +cake, it means more sugar, it shows the state of lengthening any nose. +The last spice is that which shows the whole evening spent in that +sleep, it shows so that walking is an alleviation, and yet this +astonishes everybody the distance is so sprightly. In all the time there +are three days, those are not passed uselessly. Any little thing is a +change that is if nothing is wasted in that cellar. All the rest of the +chairs are established. + +A success, a success is alright when there are there rooms and no +vacancies, a success is alright when there is a package, success is +alright anyway and any curtain is wholesale. A curtain diminishes and an +ample space shows varnish. + +One taste one tack, one taste one bottle, one taste one fish, one taste +one barometer. This shows no distinguishing sign when there is a store. + +Any smile is stern and any coat is a sample. Is there any use in +changing more doors than there are committees. This question is so often +asked that squares show that they are blotters. It is so very agreeable +to hear a voice and to see all the signs of that expression. + +Cadences, real cadences, real cadences and a quiet color. Careful and +curved, cake and sober, all accounts and mixture, a guess at anything is +righteous, should there be a call there would be a voice. + +A line in life, a single line and a stairway, a rigid cook, no cook and +no equator, all the same there is higher than that another evasion. Did +that mean shame, it meant memory. Looking into a place that was hanging +and was visible looking into this place and seeing a chair did that mean +relief, it did, it certainly did not cause constipation and yet there is +a melody that has white for a tune when there is straw color. This shows +no face. + +Star-light, what is star-light, star-light is a little light that is not +always mentioned with the sun, it is mentioned with the moon and the +sun, it is mixed up with the rest of the time. + +Why is the name changed The name is changed because in the little space +there is a tree, in some space there are no trees, in every space there +is a hint of more, all this causes the decision. + +Why is there education, there is education because the two tables which +are folding are not tied together with a ribbon, string is used and +string being used there is a necessity for another one and another one +not being used to hearing shows no ordinary use of any evening and yet +there is no disgrace in looking, none at all. This came to separate when +there was simple selection of an entire preoccupation. + +A curtain, a curtain which is fastened discloses mourning, this does not +mean sparrows or elocution or even a whole preparation, it means that +there are ears and very often much more altogether. + +Climate, climate is not southern, a little glass, a bright winter, a +strange supper an elastic tumbler, all this shows that the back is +furnished and red which is red is a dark color. An example of this is +fifteen years and a separation of regret. + +China is not down when there are plates, lights are not ponderous and +incalculable. + +Currents, currents are not in the air and on the floor and in the door +and behind it first. Currents do not show it plainer. This which is +mastered has so thin a space to build it all that there is plenty of +room and yet is it quarreling, it is not and the insistence is marked. A +change is in a current and there is no habitable exercise. + +A religion, almost a religion, any religion, a quintal in religion, a +relying and a surface and a service in indecision and a creature and a +question and a syllable in answer and more counting and no quarrel and a +single scientific statement and no darkness and no question and an +earned administration and a single set of sisters and an outline and no +blisters and the section seeing yellow and the centre having spelling +and no solitude and no quaintness and yet solid quite so solid and the +single surface centred and the question in the placard and the +singularity, is there a singularity, and the singularity, why is there a +question and the singularity why is the surface outrageous, why is it +beautiful why is it not when there is no doubt, why is anything vacant, +why is not disturbing a centre no virtue, why is it when it is and why +is it when it is and there is no doubt, there is no doubt that the +singularity shows. + +A climate, a single climate, all the time there is a single climate, any +time there is a doubt, any time there is music that is to question more +and more and there is no politeness, there is hardly any ordeal and +certainly there is no tablecloth. + +This is a sound and obligingness more obligingness leads to a harmony +in hesitation. + +A lake a single lake which is a pond and a little water any water which +is an ant and no burning, not any burning, all this is sudden. + +A canister that is the remains of furniture and a looking-glass and a +bed-room and a larger size, all the stand is shouted and what is ancient +is practical. Should the resemblance be so that any little cover is +copied, should it be so that yards are measured, should it be so and +there be a sin, should it be so then certainly a room is big enough when +it is so empty and the corners are gathered together. + +The change is mercenary that settles whitening the coloring and serving +dishes where there is metal and making yellow any yellow every color in +a shade which is expressed in a tray. This is a monster and awkward +quite awkward and the little design which is flowered which is not +strange and yet has visible writing, this is not shown all the time but +at once, after that it rests where it is and where it is in place. No +change is not needed. That does show design. + +Excellent, more excellence is borrowing and slanting very slanting is +light and secret and a recitation and emigration. Certainly shoals are +shallow and nonsense more nonsense is sullen. Very little cake is water, +very little cake has that escape. + +Sugar any sugar, anger every anger, lover sermon lover, centre no +distractor, all order is in a measure. + +Left over to be a lamp light, left over in victory, left over in saving, +all this and negligence and bent wood and more even much more is not so +exact as a pen and a turtle and even, certainly, and even a piece of the +same experience as more. + +To consider a lecture, to consider it well is so anxious and so much a +charity and really supposing there is grain and if a stubble every +stubble is urgent, will there not be a chance of legality. The sound is +sickened and the price is purchased and golden what is golden, a +clergyman, a single tax, a currency and an inner chamber. + +Checking an emigration, checking it by smiling and certainly by the same +satisfactory stretch of hands that have more use for it than nothing, +and mildly not mildly a correction, not mildly even a circumstance and a +sweetness and a serenity. Powder, that has no color, if it did have +would it be white. + +A whole soldier any whole soldier has no more detail than any case of +measles. + +A bridge a very small bridge in a location and thunder, any thunder, +this is the capture of reversible sizing and more indeed more can be +cautious. This which makes monotony careless makes it likely that there +is an exchange in principle and more than that, change in organization. + +This cloud does change with the movements of the moon and the narrow the +quite narrow suggestion of the building. It does and then when it is +settled and no sounds differ then comes the moment when cheerfulness is +so assured that there is an occasion. + +A plain lap, any plain lap shows that sign, it shows that there is not +so much extension as there would be if there were more choice in +everything. And why complain of more, why complain of very much more. +Why complain at all when it is all arranged that as there is no more +opportunity and no more appeal and not even any more clinching that +certainly now some time has come. + +A window has another spelling, it has "f" all together, it lacks no more +then and this is rain, this may even be something else, at any rate +there is no dedication in splendor. There is a turn of the stranger. + +Catholic to be turned is to venture on youth and a section of debate, it +even means that no class where each one over fifty is regular is so +stationary that there are invitations. + +A curving example makes righteous finger-nails. This is the only object +in secretion and speech. + +To being the same four are no more than were taller. The rest had a big +chair and a surveyance a cold accumulation of nausea, and even more than +that, they had a disappointment. + +Nothing aiming is a flower, if flowers are abundant then they are lilac, +if they are not they are white in the centre. + +Dance a clean dream and an extravagant turn up, secure the steady rights +and translate more than translate the authority, show the choice and +make no more mistakes than yesterday. + +This means clearness, it means a regular notion of exercise, it means +more than that, it means liking counting, it means more than that, it +does not mean exchanging a line. + +Why is there more craving than there is in a mountain. This does not +seem strange to one, it does not seem strange to an echo and more surely +is in there not being a habit. Why is there so much useless suffering. +Why is there. + +Any wet weather means an open window, what is attaching eating, anything +that is violent and cooking and shows weather is the same in the end and +why is there more use in something than in all that. + +The cases are made and books, back books are used to secure tears and +church. They are even used to exchange black slippers. They can not be +mended with wax. They show no need of any such occasion. + +A willow and no window, a wide place stranger, a wideness makes an +active center. + +The sight of no pussy cat is so different that a tobacco zone is white +and cream. + +A lilac, all a lilac and no mention of butter, not even bread and +butter, no butter and no occasion, not even a silent resemblance, not +more care than just enough haughty. + +A safe weight is that which when it pleases is hanging. A safer weight +is one more naughty in a spectacle. The best game is that which is shiny +and scratching. Please a pease and a cracker and a wretched use of +summer. + +Surprise, the only surprise has no occasion. It is an ingredient and the +section the whole section is one season. + +A pecking which is petting and no worse than in the same morning is not +the only way to be continuous often. + +A light in the moon the only light is on Sunday. What was the sensible +decision. The sensible decision was that notwithstanding many +declarations and more music, not even notwithstanding the choice and a +torch and a collection, notwithstanding the celebrating hat and a +vacation and even more noise than cutting, notwithstanding Europe and +Asia and being overbearing, not even notwithstanding an elephant and a +strict occasion, not even withstanding more cultivation and some +seasoning, not even with drowning and with the ocean being encircling, +not even with more likeness and any cloud, not even with terrific +sacrifice of pedestrianism and a special resolution, not even more +likely to be pleasing. The care with which the rain is wrong and the +green is wrong and the white is wrong, the care with which there is a +chair and plenty of breathing. The care with which there is incredible +justice and likeness, all this makes a magnificent asparagus, and also a +fountain. + + + + + +End of the Project Gutenberg EBook of Tender Buttons, by Gertrude Stein + +*** END OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + +***** This file should be named 15396-8.txt or 15396-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/3/9/15396/ + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tender Buttons + Objects--Food--Rooms + +Author: Gertrude Stein + +Release Date: March 17, 2005 [EBook #15396] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + + + + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + + + + + +</pre> + + + + + + +<h1>TENDER BUTTONS</h1> + +<h2> +Objects · Food · Rooms<br /> +</h2> + +<h2>Gertrude Stein</h2> + +<h5>1914</h5> + + + +<hr style="width: 65%;" /> +<h2>CONTENTS</h2> + +<!-- Autogenerated TOC. Modify or delete as required. --> +<p> + <a href="#OBJECTS"><b>OBJECTS</b></a><br /> + <a href="#FOOD"><b>FOOD</b></a><br /> + <a href="#ROOMS"><b>ROOMS</b></a><br /> + </p> +<!-- End Autogenerated TOC. --> + + +<hr style="width: 65%;" /> +<h2><a name="OBJECTS" id="OBJECTS"></a>OBJECTS</h2> + + +<p>A CARAFE, THAT IS A BLIND GLASS.</p> + +<p>A kind in glass and a cousin, a spectacle and nothing strange a +single hurt color and an arrangement in a system to pointing. All +this and not ordinary, not unordered in not resembling. The difference +is spreading.</p> + + +<p>GLAZED GLITTER.</p> + +<p>Nickel, what is nickel, it is originally rid of a cover.</p> + +<p>The change in that is that red weakens an hour. The change has +come. There is no search. But there is, there is that hope and that +interpretation and sometime, surely any is unwelcome, sometime +there is breath and there will be a sinecure and charming very +charming is that clean and cleansing. Certainly glittering is handsome +and convincing.</p> + +<p>There is no gratitude in mercy and in medicine. There can be +breakages in Japanese. That is no programme. That is no color +chosen. It was chosen yesterday, that showed spitting and perhaps +washing and polishing. It certainly showed no obligation and perhaps +if borrowing is not natural there is some use in giving.</p> + + +<p>A SUBSTANCE IN A CUSHION.</p> + +<p>The change of color is likely and a difference a very little difference +is prepared. Sugar is not a vegetable.</p> + +<p>Callous is something that hardening leaves behind what will be +soft if there is a genuine interest in there being present as many girls +as men. Does this change. It shows that dirt is clean when there is +a volume.</p> + +<p>A cushion has that cover. Supposing you do not like to change, supposing +it is very clean that there is no change in appearance, supposing +that there is regularity and a costume is that any the worse than +an oyster and an exchange. Come to season that is there any extreme +use in feather and cotton. Is there not much more joy in a table and +more chairs and very likely roundness and a place to put them.</p> + +<p>A circle of fine card board and a chance to see a tassel.</p> + +<p>What is the use of a violent kind of delightfulness if there is no +pleasure in not getting tired of it. The question does not come +before there is a quotation. In any kind of place there is a top to +covering +and it is a pleasure at any rate there is some venturing in +refusing to believe nonsense. It shows what use there is in a whole +piece if one uses it and it is extreme and very likely the little things +could be dearer but in any case there is a bargain and if there is the +best thing to do is to take it away and wear it and then be reckless +be reckless and resolved on returning gratitude.</p> + +<p>Light blue and the same red with purple makes a change. It shows +that there is no mistake. Any pink shows that and very likely it is +reasonable. +Very likely there should not be a finer fancy present. Some +increase means a calamity and this is the best preparation for three +and more being together. A little calm is so ordinary and in any case +there is sweetness and some of that.</p> + +<p>A seal and matches and a swan and ivy and a suit.</p> + +<p>A closet, a closet does not connect under the bed. The band if it +is white and black, the band has a green string. A sight a whole sight +and a little groan grinding makes a trimming such a sweet singing +trimming and a red thing not a round thing but a white thing, a red +thing and a white thing.</p> + +<p>The disgrace is not in carelessness nor even in sewing it comes out +out of the way.</p> + +<p>What is the sash like. The sash is not like anything mustard it is +not like a same thing that has stripes, it is not even more hurt than +that, it has a little top.</p> + + +<p>A BOX.</p> + +<p>Out of kindness comes redness and out of rudeness comes rapid +same question, out of an eye comes research, out of selection comes +painful cattle. So then the order is that a white way of being round +is something suggesting a pin and is it disappointing, it is not, it is +so rudimentary to be analysed and see a fine substance strangely, it +is so earnest to have a green point not to red but to point again.</p> + + +<p>A PIECE OF COFFEE.</p> + +<p>More of double.</p> + +<p>A place in no new table.</p> + +<p>A single image is not splendor. Dirty is yellow. A sign of more in +not mentioned. A piece of coffee is not a detainer. The resemblance +to yellow is dirtier and distincter. The clean mixture is whiter and +not coal color, never more coal color than altogether.</p> + +<p>The sight of a reason, the same sight slighter, the sight of a simpler +negative answer, the same sore sounder, the intention to wishing, the +same splendor, the same furniture.</p> + +<p>The time to show a message is when too late and later there is no +hanging in a blight.</p> + +<p>A not torn rose-wood color. If it is not dangerous then a pleasure +and more than any other if it is cheap is not cheaper. The amusing +side is that the sooner there are no fewer the more certain is the +necessity dwindled. Supposing that the case contained rose-wood +and a color. Supposing that there was no reason for a distress and +more likely for a number, supposing that there was no astonishment, +is it not necessary to mingle astonishment.</p> + +<p>The settling of stationing cleaning is one way not to shatter scatter +and scattering. The one way to use custom is to use soap and silk for +cleaning. The one way to see cotton is to have a design concentrating +the illusion and the illustration. The perfect way is to accustom the +thing to have a lining and the shape of a ribbon and to be solid, +quite solid in standing and to use heaviness in morning. It is light +enough in that. It has that shape nicely. Very nicely may not be +exaggerating. Very strongly may be sincerely fainting. May be +strangely flattering. May not be strange in everything. May not +be strange to.</p> + + +<p>DIRT AND NOT COPPER.</p> + +<p>Dirt and not copper makes a color darker. It makes the shape so +heavy and makes no melody harder.</p> + +<p>It makes mercy and relaxation and even a strength to spread a +table fuller. There are more places not empty. They see cover.</p> + + +<p>NOTHING ELEGANT.</p> + +<p>A charm a single charm is doubtful. If the red is rose and there is +a gate surrounding it, if inside is let in and there places change then +certainly something is upright. It is earnest.</p> + + +<p>MILDRED'S UMBRELLA.</p> + +<p>A cause and no curve, a cause and loud enough, a cause and extra +a loud clash and an extra wagon, a sign of extra, a sac a small sac +and an established color and cunning, a slender grey and no ribbon, +this means a loss a great loss a restitution.</p> + + +<p>A METHOD OF A CLOAK.</p> + +<p>A single climb to a line, a straight exchange to a cane, a desperate +adventure and courage and a clock, all this which is a system, which +has feeling, which has resignation and success, all makes an attractive +black silver.</p> + + +<p>A RED STAMP.</p> + +<p>If lilies are lily white if they exhaust noise and distance and even +dust, if they dusty will dirt a surface that has no extreme grace, if +they do this and it is not necessary it is not at all necessary if they +do this they need a catalogue.</p> + + +<p>A BOX.</p> + +<p>A large box is handily made of what is necessary to replace any +substance. Suppose an example is necessary, the plainer it is made +the more reason there is for some outward recognition that there is +a result.</p> + +<p>A box is made sometimes and them to see to see to it neatly and +to have the holes stopped up makes it necessary to use paper.</p> + +<p>A custom which is necessary when a box is used and taken is that +a large part of the time there are three which have different connections. +The one is on the table. The two are on the table. The three are +on the table. The one, one is the same length as is shown by the cover +being longer. The other is different there is more cover that shows it. +The other is different and that makes the corners have the same +shade the eight are in singular arrangement to make four necessary.</p> + +<p>Lax, to have corners, to be lighter than some weight, to indicate a +wedding journey, to last brown and not curious, to be wealthy, cigarettes +are established by length and by doubling.</p> + +<p>Left open, to be left pounded, to be left closed, to be circulating +in summer and winter, and sick color that is grey that is not dusty +and red shows, to be sure cigarettes do measure an empty length +sooner than a choice in color.</p> + +<p>Winged, to be winged means that white is yellow and pieces pieces +that are brown are dust color if dust is washed off, then it is choice +that is to say it is fitting cigarettes sooner than paper.</p> + +<p>An increase why is an increase idle, why is silver cloister, why is the +spark brighter, if it is brighter is there any result, hardly more +than ever.</p> + + +<p>A PLATE.</p> + +<p>An occasion for a plate, an occasional resource is in buying and +how soon does washing enable a selection of the same thing neater. +If the party is small a clever song is in order.</p> + +<p>Plates and a dinner set of colored china. Pack together a string +and enough with it to protect the centre, cause a considerable haste +and gather more as it is cooling, collect more trembling and not any +even trembling, cause a whole thing to be a church.</p> + +<p>A sad size a size that is not sad is blue as every bit of blue is +precocious. +A kind of green a game in green and nothing flat nothing +quite flat and more round, nothing a particular color strangely, +nothing breaking the losing of no little piece.</p> + +<p>A splendid address a really splendid address is not shown by giving +a flower freely, it is not shown by a mark or by wetting.</p> + +<p>Cut cut in white, cut in white so lately. Cut more than any other +and show it. Show it in the stem and in starting and in evening coming +complication.</p> + +<p>A lamp is not the only sign of glass. The lamp and the cake are +not the only sign of stone. The lamp and the cake and the cover are +not the only necessity altogether.</p> + +<p>A plan a hearty plan, a compressed disease and no coffee, not +even a card or a change to incline each way, a plan that has that +excess and that break is the one that shows filling.</p> + + +<p>A SELTZER BOTTLE.</p> + +<p>Any neglect of many particles to a cracking, any neglect of this +makes around it what is lead in color and certainly discolor in silver. +The use of this is manifold. Supposing a certain time selected is +assured, suppose it is even necessary, suppose no other extract is +permitted and no more handling is needed, suppose the rest of the +message is mixed with a very long slender needle and even if it could +be any black border, supposing all this altogether made a dress and +suppose it was actual, suppose the mean way to state it was occasional, +if you suppose this in August and even more melodiously, if +you suppose this even in the necessary incident of there certainly +being no middle in summer and winter, suppose this and an elegant +settlement a very elegant settlement is more than of consequence, it +is not final and sufficient and substituted. This which was so kindly +a present was constant.</p> + + +<p>A LONG DRESS.</p> + +<p>What is the current that makes machinery, that makes it crackle, +what is the current that presents a long line and a necessary waist. +What is this current.</p> + +<p>What is the wind, what is it.</p> + +<p>Where is the serene length, it is there and a dark place is not a +dark place, only a white and red are black, only a yellow and green +are blue, a pink is scarlet, a bow is every color. A line distinguishes +it. A line just distinguishes it.</p> + + +<p>A RED HAT.</p> + +<p>A dark grey, a very dark grey, a quite dark grey is monstrous ordinarily, +it is so monstrous because there is no red in it. If red is in +everything it is not necessary. Is that not an argument for any use of +it and even so is there any place that is better, is there any place that +has so much stretched out.</p> + + +<p>A BLUE COAT.</p> + +<p>A blue coat is guided guided away, guided and guided away, that +is the particular color that is used for that length and not any width +not even more than a shadow.</p> + + +<p>A PIANO.</p> + +<p>If the speed is open, if the color is careless, if the selection of a +strong scent is not awkward, if the button holder is held by all the +waving color and there is no color, not any color. If there is no dirt +in a pin and there can be none scarcely, if there is not then the place +is the same as up standing.</p> + +<p>This is no dark custom and it even is not acted in any such a way +that a restraint is not spread. That is spread, it shuts and it lifts and +awkwardly not awkwardly the centre is in standing.</p> + + +<p>A CHAIR.</p> + +<p>A widow in a wise veil and more garments shows that shadows +are even. It addresses no more, it shadows the stage and learning. A +regular arrangement, the severest and the most preserved is that +which has the arrangement not more than always authorised.</p> + +<p>A suitable establishment, well housed, practical, patient and staring, +a suitable bedding, very suitable and not more particularly than +complaining, anything suitable is so necessary.</p> + +<p>A fact is that when the direction is just like that, no more, longer, +sudden and at the same time not any sofa, the main action is that +without a blaming there is no custody.</p> + +<p>Practice measurement, practice the sign that means that really +means a necessary betrayal, in showing that there is wearing.</p> + +<p>Hope, what is a spectacle, a spectacle is the resemblance between +the circular side place and nothing else, nothing else.</p> + +<p>To choose it is ended, it is actual and more than that it has it +certainly has the same treat, and a seat all that is practiced and more +easily much more easily ordinarily.</p> + +<p>Pick a barn, a whole barn, and bend more slender accents than +have ever been necessary, shine in the darkness necessarily. +Actually not aching, actually not aching, a stubborn bloom is so +artificial and even more than that, it is a spectacle, it is a binding +accident, it is animosity and accentuation.</p> + +<p>If the chance to dirty diminishing is necessary, if it is why is there +no complexion, why is there no rubbing, why is there no special +protection.</p> + + +<p>A FRIGHTFUL RELEASE.</p> + +<p>A bag which was left and not only taken but turned away was not +found. The place was shown to be very like the last time. A piece was +not exchanged, not a bit of it, a piece was left over. The rest was +mismanaged.</p> + + +<p>A PURSE.</p> + +<p>A purse was not green, it was not straw color, it was hardly seen +and it had a use a long use and the chain, the chain was never missing, +it was not misplaced, it showed that it was open, that is all that +it showed.</p> + + +<p>A MOUNTED UMBRELLA.</p> + +<p>What was the use of not leaving it there where it would hang what +was the use if there was no chance of ever seeing it come there and +show that it was handsome and right in the way it showed it. The lesson +is to learn that it does show it, that it shows it and that nothing, +that there is nothing, that there is no more to do about it and just so +much more is there plenty of reason for making an exchange.</p> + + +<p>A CLOTH.</p> + +<p>Enough cloth is plenty and more, more is almost enough for that +and besides if there is no more spreading is there plenty of room for +it. Any occasion shows the best way.</p> + + +<p>MORE.</p> + +<p>An elegant use of foliage and grace and a little piece of white +cloth and oil.</p> + +<p>Wondering so winningly in several kinds of oceans is the reason +that makes red so regular and enthusiastic. The reason that there is +more snips are the same shining very colored rid of no round color.</p> + + +<p>A NEW CUP AND SAUCER.</p> + +<p>Enthusiastically hurting a clouded yellow bud and saucer, enthusiastically +so is the bite in the ribbon.</p> + + +<p>OBJECTS.</p> + +<p>Within, within the cut and slender joint alone, with sudden equals +and no more than three, two in the centre make two one side.</p> + +<p>If the elbow is long and it is filled so then the best example is all +together.</p> + +<p>The kind of show is made by squeezing.</p> + + +<p>EYE GLASSES.</p> + +<p>A color in shaving, a saloon is well placed in the centre of an alley.</p> + + +<p>CUTLET.</p> + +<p>A blind agitation is manly and uttermost.</p> + + +<p>CARELESS WATER.</p> + +<p>No cup is broken in more places and mended, that is to say a plate +is broken and mending does do that it shows that culture is +Japanese. It shows the whole element of angels and orders. It does +more to choosing and it does more to that ministering counting. It +does, it does change in more water.</p> + +<p>Supposing a single piece is a hair supposing more of them are +orderly, does that show that strength, does that show that joint, does +that show that balloon famously. Does it.</p> + + +<p>A PAPER.</p> + +<p>A courteous occasion makes a paper show no such occasion and +this makes readiness and eyesight and likeness and a stool.</p> + + +<p>A DRAWING.</p> + +<p>The meaning of this is entirely and best to say the mark, best to +say it best to show sudden places, best to make bitter, best to make +the length tall and nothing broader, anything between the half.</p> + + +<p>WATER RAINING.</p> + +<p>Water astonishing and difficult altogether makes a meadow and +a stroke.</p> + + +<p>COLD CLIMATE.</p> + +<p>A season in yellow sold extra strings makes lying places.</p> + + +<p>MALACHITE.</p> + +<p>The sudden spoon is the same in no size. The sudden spoon is the +wound in the decision.</p> + + +<p>AN UMBRELLA.</p> + +<p>Coloring high means that the strange reason is in front not more +in front behind. Not more in front in peace of the dot.</p> + + +<p>A PETTICOAT.</p> + +<p>A light white, a disgrace, an ink spot, a rosy charm.</p> + + +<p>A WAIST.</p> + +<p>A star glide, a single frantic sullenness, a single financial grass +greediness.</p> + +<p>Object that is in wood. Hold the pine, hold the dark, hold in the +rush, make the bottom.</p> + +<p>A piece of crystal. A change, in a change that is remarkable there +is no reason to say that there was a time.</p> + +<p>A woolen object gilded. A country climb is the best disgrace, a +couple of practices any of them in order is so left.</p> + + +<p>A TIME TO EAT.</p> + +<p>A pleasant simple habitual and tyrannical and authorised and +educated and resumed and articulate separation. This is not tardy.</p> + + +<p>A LITTLE BIT OF A TUMBLER.</p> + +<p>A shining indication of yellow consists in there having been more +of the same color than could have been expected when all four were +bought. This was the hope which made the six and seven have no use +for any more places and this necessarily spread into nothing. Spread +into nothing.</p> + + +<p>A FIRE.</p> + +<p>What was the use of a whole time to send and not send if there +was to be the kind of thing that made that come in. A letter was +nicely sent.</p> + + +<p>A HANDKERCHIEF.</p> + +<p>A winning of all the blessings, a sample not a sample because +there is no worry.</p> + + +<p>RED ROSES.</p> + +<p>A cool red rose and a pink cut pink, a collapse and a sold hole, a +little less hot.</p> + + +<p>IN BETWEEN.</p> + +<p>In between a place and candy is a narrow foot-path that shows +more mounting than anything, so much really that a calling meaning +a bolster measured a whole thing with that. A virgin a whole virgin +is judged made and so between curves and outlines and real seasons +and more out glasses and a perfectly unprecedented arrangement +between old ladies and mild colds there is no satin wood shining.</p> + + +<p>COLORED HATS.</p> + +<p>Colored hats are necessary to show that curls are worn by an +addition of blank spaces, this makes the difference between single +lines and broad stomachs, the least thing is lightening, the least +thing means a little flower and a big delay a big delay that makes +more nurses than little women really little women. So clean is a light +that nearly all of it shows pearls and little ways. A large hat is tall +and me and all custard whole.</p> + + +<p>A FEATHER.</p> + +<p>A feather is trimmed, it is trimmed by the light and the bug and +the post, it is trimmed by little leaning and by all sorts of mounted +reserves and loud volumes. It is surely cohesive.</p> + + +<p>A BROWN.</p> + +<p>A brown which is not liquid not more so is relaxed and yet there +is a change, a news is pressing.</p> + + +<p>A LITTLE CALLED PAULINE.</p> + +<p>A little called anything shows shudders.</p> + +<p>Come and say what prints all day. A whole few watermelon. There +is no pope.</p> + +<p>No cut in pennies and little dressing and choose wide soles and +little spats really little spices.</p> + +<p>A little lace makes boils. This is not true.</p> + +<p>Gracious of gracious and a stamp a blue green white bow a blue +green lean, lean on the top.</p> + +<p>If it is absurd then it is leadish and nearly set in where there is a +tight head.</p> + +<p>A peaceful life to arise her, noon and moon and moon. A letter a +cold sleeve a blanket a shaving house and nearly the best and regular +window.</p> + +<p>Nearer in fairy sea, nearer and farther, show white has lime in +sight, show a stitch of ten. Count, count more so that thicker and +thicker is leaning.</p> + +<p>I hope she has her cow. Bidding a wedding, widening received +treading, little leading mention nothing.</p> + +<p>Cough out cough out in the leather and really feather it is not for.</p> + +<p>Please could, please could, jam it not plus more sit in when.</p> + + +<p>A SOUND.</p> + +<p>Elephant beaten with candy and little pops and chews all bolts +and reckless reckless rats, this is this.</p> + + +<p>A TABLE.</p> + +<p>A table means does it not my dear it means a whole steadiness. Is +it likely that a change.</p> + +<p>A table means more than a glass even a looking glass is tall. A +table means necessary places and a revision a revision of a little +thing it means it does mean that there has been a stand, a stand +where it did shake.</p> + + +<p>SHOES.</p> + +<p>To be a wall with a damper a stream of pounding way and nearly +enough choice makes a steady midnight. It is pus.</p> + +<p>A shallow hole rose on red, a shallow hole in and in this makes ale +less. It shows shine.</p> + + +<p>A DOG.</p> + +<p>A little monkey goes like a donkey that means to say that means +to say that more sighs last goes. Leave with it. A little monkey goes +like a donkey.</p> + + +<p>A WHITE HUNTER.</p> + +<p>A white hunter is nearly crazy.</p> + + +<p>A LEAVE.</p> + +<p>In the middle of a tiny spot and nearly bare there is a nice thing +to say that wrist is leading. Wrist is leading.</p> + + +<p>SUPPOSE AN EYES.</p> + +<p>Suppose it is within a gate which open is open at the hour of closing +summer that is to say it is so.</p> + +<p>All the seats are needing blackening. A white dress is in sign. A +soldier a real soldier has a worn lace a worn lace of different sizes +that is to say if he can read, if he can read he is a size to show shutting +up twenty-four.</p> + +<p>Go red go red, laugh white.</p> + +<p>Suppose a collapse in rubbed purr, in rubbed purr get.</p> + +<p>Little sales ladies little sales ladies little saddles of mutton.</p> + +<p>Little sales of leather and such beautiful beautiful, beautiful +beautiful.</p> + + +<p>A SHAWL.</p> + +<p>A shawl is a hat and hurt and a red balloon and an under coat and +a sizer a sizer of talks.</p> + +<p>A shawl is a wedding, a piece of wax a little build. A shawl.</p> + +<p>Pick a ticket, pick it in strange steps and with hollows. There is +hollow hollow belt, a belt is a shawl.</p> + +<p>A plate that has a little bobble, all of them, any so.</p> + +<p>Please a round it is ticket.</p> + +<p>It was a mistake to state that a laugh and a lip and a laid climb +and a depot and a cultivator and little choosing is a point it.</p> + + +<p>BOOK.</p> + +<p>Book was there, it was there. Book was there. Stop it, stop it, it +was a cleaner, a wet cleaner and it was not where it was wet, it was +not high, it was directly placed back, not back again, back it was +returned, it was needless, it put a bank, a bank when, a bank care.</p> + +<p>Suppose a man a realistic expression of resolute reliability suggests +pleasing itself white all white and no head does that mean +soap. It does not so. It means kind wavers and little chance to beside +beside rest. A plain.</p> + +<p>Suppose ear rings, that is one way to breed, breed that. Oh chance +to say, oh nice old pole. Next best and nearest a pillar. Chest not +valuable, be papered.</p> + +<p>Cover up cover up the two with a little piece of string and hope +rose and green, green.</p> + +<p>Please a plate, put a match to the seam and really then really then, +really then it is a remark that joins many many lead games. It is a sister +and sister and a flower and a flower and a dog and a colored sky +a sky colored grey and nearly that nearly that let.</p> + + +<p>PEELED PENCIL, CHOKE.</p> + +<p>Rub her coke.</p> + + +<p>IT WAS BLACK, BLACK TOOK.</p> + +<p>Black ink best wheel bale brown.</p> + +<p>Excellent not a hull house, not a pea soup, no bill no care, no precise +no past pearl pearl goat.</p> + + +<p>THIS IS THE DRESS, AIDER.</p> + +<p>Aider, why aider why whow, whow stop touch, aider whow, aider +stop the muncher, muncher munchers.</p> + +<p>A jack in kill her, a jack in, makes a meadowed king, makes a +to let.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="FOOD" id="FOOD" />FOOD</h2> + + +<p>ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; +MILK; EGGS; APPLE; TAILS; LUNCH; CUPS; +RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES; +ASPARAGUS; BUTTER; END OF SUMMER; +SAUSAGES; CELERY; VEAL; VEGETABLE; COOKING; +CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; +DINING; EATING; SALAD; SAUCE; SALMON; ORANGE; +COCOA; AND CLEAR SOUP AND ORANGES AND OATMEAL; +SALAD DRESSING AND AN ARTICHOKE; A +CENTRE IN A TABLE.</p> + + +<p>ROASTBEEF.</p> + +<p>In the inside there is sleeping, in the outside there is reddening, in +the morning there is meaning, in the evening there is feeling. In the +evening there is feeling. In feeling anything is resting, in feeling +anything +is mounting, in feeling there is resignation, in feeling there is +recognition, in feeling there is recurrence and entirely mistaken there +is pinching. All the standards have steamers and all the curtains +have bed linen and all the yellow has discrimination and all the circle +has circling. This makes sand.</p> + +<p>Very well. Certainly the length is thinner and the rest, the round +rest has a longer summer. To shine, why not shine, to shine, to station, +to enlarge, to hurry the measure all this means nothing if there +is singing, if there is singing then there is the resumption.</p> + +<p>The change the dirt, not to change dirt means that there is no +beefsteak and not to have that is no obstruction, it is so easy to +exchange meaning, it is so easy to see the difference. The difference +is that a plain resource is not entangled with thickness and it does +not mean that thickness shows such cutting, it does mean that a +meadow is useful and a cow absurd. It does not mean that there are +tears, it does not mean that exudation is cumbersome, it means no +more than a memory, a choice and a reëstablishment, it means more +than any escape from a surrounding extra. All the time that there is +use there is use and any time there is a surface there is a surface, and +every time there is an exception there is an exception and every time +there is a division there is a dividing. Any time there is a surface +there is a surface and every time there is a suggestion there is a +suggestion +and every time there is silence there is silence and every time +that is languid there is that there then and not oftener, not always, +not particular, tender and changing and external and central and +surrounded and singular and simple and the same and the surface +and the circle and the shine and the succor and the white and the +same and the better and the red and the same and the centre and the +yellow and the tender and the better, and altogether.</p> + +<p>Considering the circumstances there is no occasion for a reduction, +considering that there is no pealing there is no occasion +for an obligation, considering that there is no outrage there is no +necessity for any reparation, considering that there is no particle +sodden there is no occasion for deliberation. Considering everything +and which way the turn is tending, considering everything why is +there no restraint, considering everything what makes the place settle +and the plate distinguish some specialties. The whole thing is not +understood and this is not strange considering that there is no education, +this is not strange because having that certainly does show +the difference in cutting, it shows that when there is turning there is +no distress.</p> + +<p>In kind, in a control, in a period, in the alteration of pigeons, in +kind cuts and thick and thin spaces, in kind ham and different colors, +the length of leaning a strong thing outside not to make a sound +but to suggest a crust, the principal taste is when there is a whole +chance to be reasonable, this does not mean that there is overtaking, +this means nothing precious, this means clearly that the chance to +exercise is a social success. So then the sound is not obtrusive. +Suppose it is obtrusive suppose it is. What is certainly the desertion +is not a reduced description, a description is not a birthday.</p> + +<p>Lovely snipe and tender turn, excellent vapor and slender butter, +all the splinter and the trunk, all the poisonous darkening drunk, all +the joy in weak success, all the joyful tenderness, all the section and +the tea, all the stouter symmetry.</p> + +<p>Around the size that is small, inside the stern that is the middle, +besides the remains that are praying, inside the between that is turning, +all the region is measuring and melting is exaggerating.</p> + +<p>Rectangular ribbon does not mean that there is no eruption it +means that if there is no place to hold there is no place to spread. +Kindness is not earnest, it is not assiduous it is not revered.</p> + +<p>Room to comb chickens and feathers and ripe purple, room to +curve single plates and large sets and second silver, room to send +everything away, room to save heat and distemper, room to search a +light that is simpler, all room has no shadow.</p> + +<p>There is no use there is no use at all in smell, in taste, in teeth, in +toast, in anything, there is no use at all and the respect is mutual.</p> + +<p>Why should that which is uneven, that which is resumed, that +which is tolerable why should all this resemble a smell, a thing is +there, it whistles, it is not narrower, why is there no obligation to stay +away and yet courage, courage is everywhere and the best remains +to stay.</p> + +<p>If there could be that which is contained in that which is felt there +would be a chair where there are chairs and there would be no more +denial about a clatter. A clatter is not a smell. All this is good.</p> + +<p>The Saturday evening which is Sunday is every week day. What +choice is there when there is a difference. A regulation is not active. +Thirstiness is not equal division.</p> + +<p>Anyway, to be older and ageder is not a surfeit nor a suction, it is +not dated and careful, it is not dirty. Any little thing is clean, rubbing +is black. Why should ancient lambs be goats and young colts +and never beef, why should they, they should because there is so +much difference in age.</p> + +<p>A sound, a whole sound is not separation, a whole sound is in +an order.</p> + +<p>Suppose there is a pigeon, suppose there is.</p> + +<p>Looseness, why is there a shadow in a kitchen, there is a shadow +in a kitchen because every little thing is bigger.</p> + +<p>The time when there are four choices and there are four choices in +a difference, the time when there are four choices there is a kind and +there is a kind. There is a kind. There is a kind. Supposing there is +a bone, there is a bone. Supposing there are bones. There are bones. +When there are bones there is no supposing there are bones. There +are bones and there is that consuming. The kindly way to feel separating +is to have a space between. This shows a likeness.</p> + +<p>Hope in gates, hope in spoons, hope in doors, hope in tables, no +hope in daintiness and determination. Hope in dates.</p> + +<p>Tin is not a can and a stove is hardly. Tin is not necessary and neither +is a stretcher. Tin is never narrow and thick.</p> + +<p>Color is in coal. Coal is outlasting roasting and a spoonful, a +whole spoon that is full is not spilling. Coal any coal is copper.</p> + +<p>Claiming nothing, not claiming anything, not a claim in everything, +collecting claiming, all this makes a harmony, it even makes a +succession.</p> + +<p>Sincerely gracious one morning, sincerely graciously trembling, +sincere in gracious eloping, all this makes a furnace and a blanket. +All this shows quantity.</p> + +<p>Like an eye, not so much more, not any searching, no compliments.</p> + +<p>Please be the beef, please beef, pleasure is not wailing. Please beef, +please be carved clear, please be a case of consideration.</p> + +<p>Search a neglect. A sale, any greatness is a stall and there is no +memory, there is no clear collection.</p> + +<p>A satin sight, what is a trick, no trick is mountainous and the +color, all the rush is in the blood.</p> + +<p>Bargaining for a little, bargain for a touch, a liberty, an estrangement, +a characteristic turkey.</p> + +<p>Please spice, please no name, place a whole weight, sink into a +standard rising, raise a circle, choose a right around, make the resonance +accounted and gather green any collar.</p> + +<p>To bury a slender chicken, to raise an old feather, to surround a +garland and to bake a pole splinter, to suggest a repose and to settle +simply, to surrender one another, to succeed saving simpler, to +satisfy a singularity and not to be blinder, to sugar nothing darker +and to read redder, to have the color better, to sort out dinner, to +remain together, to surprise no sinner, to curve nothing sweeter, to +continue thinner, to increase in resting recreation to design string +not dimmer.</p> + +<p>Cloudiness what is cloudiness, is it a lining, is it a roll, is it +melting.</p> + +<p>The sooner there is jerking, the sooner freshness is tender, the +sooner the round it is not round the sooner it is withdrawn in cutting, +the sooner the measure means service, the sooner there is +chinking, the sooner there is sadder than salad, the sooner there is +none do her, the sooner there is no choice, the sooner there is a +gloom freer, the same sooner and more sooner, this is no error in +hurry and in pressure and in opposition to consideration.</p> + +<p>A recital, what is a recital, it is an organ and use does not +strengthen valor, it soothes medicine.</p> + +<p>A transfer, a large transfer, a little transfer, some transfer, clouds +and tracks do transfer, a transfer is not neglected.</p> + +<p>Pride, when is there perfect pretence, there is no more than yesterday +and ordinary.</p> + +<p>A sentence of a vagueness that is violence is authority and a mission +and stumbling and also certainly also a prison. Calmness, calm +is beside the plate and in way in. There is no turn in terror. There is +no volume in sound.</p> + +<p>There is coagulation in cold and there is none in prudence. +Something is preserved and the evening is long and the colder spring +has sudden shadows in a sun. All the stain is tender and lilacs really +lilacs are disturbed. Why is the perfect reëstablishment practiced +and prized, why is it composed. The result the pure result is juice +and size and baking and exhibition and nonchalance and sacrifice +and volume and a section in division and the surrounding recognition +and horticulture and no murmur. This is a result. There is no +superposition and circumstance, there is hardness and a reason and +the rest and remainder. There is no delight and no mathematics.</p> + + +<p>MUTTON.</p> + +<p>A letter which can wither, a learning which can suffer and an outrage +which is simultaneous is principal.</p> + +<p>Student, students are merciful and recognised they chew +something.</p> + +<p>Hate rests that is solid and sparse and all in a shape and largely +very largely. Interleaved and successive and a sample of smell all this +makes a certainty a shade.</p> + +<p>Light curls very light curls have no more curliness than soup. This +is not a subject.</p> + +<p>Change a single stream of denting and change it hurriedly, what +does it express, it expresses nausea. Like a very strange likeness and +pink, like that and not more like that than the same resemblance and +not more like that than no middle space in cutting.</p> + +<p>An eye glass, what is an eye glass, it is water. A splendid specimen, +what is it when it is little and tender so that there are parts. A centre +can place and four are no more and two and two are not middle.</p> + +<p>Melting and not minding, safety and powder, a particular recollection +and a sincere solitude all this makes a shunning so thorough +and so unrepeated and surely if there is anything left it is a bone. It +is not solitary.</p> + +<p>Any space is not quiet it is so likely to be shiny. Darkness very +dark darkness is sectional. There is a way to see in onion and surely +very surely rhubarb and a tomato, surely very surely there is that +seeding. A little thing in is a little thing.</p> + +<p>Mud and water were not present and not any more of either. Silk +and stockings were not present and not any more of either. A receptacle +and a symbol and no monster were present and no more. This +made a piece show and was it a kindness, it can be asked was it a +kindness to have it warmer, was it a kindness and does gliding mean +more. Does it.</p> + +<p>Does it dirty a ceiling. It does not. Is it dainty, it is if prices are +sweet. Is it lamentable, it is not if there is no undertaker. Is it +curious, +it is not when there is youth. All this makes a line, it even makes +makes no more. All this makes cherries. The reason that there is a +suggestion in vanity is due to this that there is a burst of mixed +music.</p> + +<p>A temptation any temptation is an exclamation if there are misdeeds +and little bones. It is not astonishing that bones mingle as they +vary not at all and in any case why is a bone outstanding, it is so +because the circumstance that does not make a cake and character +is so easily churned and cherished.</p> + +<p>Mouse and mountain and a quiver, a quaint statue and pain in an +exterior and silence more silence louder shows salmon a mischief +intender. A cake, a real salve made of mutton and liquor, a specially +retained rinsing and an established cork and blazing, this which +resignation +influences and restrains, restrains more altogether. A sign +is the specimen spoken.</p> + +<p>A meal in mutton, mutton, why is lamb cheaper, it is cheaper +because so little is more. Lecture, lecture and repeat instruction.</p> + + +<p>BREAKFAST.</p> + +<p>A change, a final change includes potatoes. This is no authority +for the abuse of cheese. What language can instruct any fellow.</p> + +<p>A shining breakfast, a breakfast shining, no dispute, no practice, +nothing, nothing at all.</p> + +<p>A sudden slice changes the whole plate, it does so suddenly.</p> + +<p>An imitation, more imitation, imitation succeed imitations.</p> + +<p>Anything that is decent, anything that is present, a calm and a +cook and more singularly still a shelter, all these show the need of +clamor. What is the custom, the custom is in the centre.</p> + +<p>What is a loving tongue and pepper and more fish than there is +when tears many tears are necessary. The tongue and the salmon, +there is not salmon when brown is a color, there is salmon when +there is no meaning to an early morning being pleasanter. There is +no salmon, there are no tea-cups, there are the same kind of mushes +as are used as stomachers by the eating hopes that makes eggs delicious. +Drink is likely to stir a certain respect for an egg cup and more +water melon than was ever eaten yesterday. Beer is neglected and +cocoanut is famous. Coffee all coffee and a sample of soup all soup +these are the choice of a baker. A white cup means a wedding. A wet +cup means a vacation. A strong cup means an especial regulation. A +single cup means a capital arrangement between the drawer and the +place that is open.</p> + +<p>Price a price is not in language, it is not in custom, it is not +in praise.</p> + +<p>A colored loss, why is there no leisure. If the persecution is so +outrageous +that nothing is solemn is there any occasion for persuasion.</p> + +<p>A grey turn to a top and bottom, a silent pocketful of much heating, +all the pliable succession of surrendering makes an +ingenious joy.</p> + +<p>A breeze in a jar and even then silence, a special anticipation in a +rack, a gurgle a whole gurgle and more cheese than almost anything, +is this an astonishment, does this incline more than the original +division between a tray and a talking arrangement and even then a +calling into another room gently with some chicken in any way.</p> + +<p>A bent way that is a way to declare that the best is all together, a +bent way shows no result, it shows a slight restraint, it shows a +necessity for retraction.</p> + +<p>Suspect a single buttered flower, suspect it certainly, suspect it and +then glide, does that not alter a counting.</p> + +<p>A hurt mended stick, a hurt mended cup, a hurt mended article of +exceptional relaxation and annoyance, a hurt mended, hurt and +mended is so necessary that no mistake is intended.</p> + +<p>What is more likely than a roast, nothing really and yet it is never +disappointed singularly.</p> + +<p>A steady cake, any steady cake is perfect and not plain, any steady +cake has a mounting reason and more than that it has singular +crusts. A season of more is a season that is instead. A season of +many is not more a season than most.</p> + +<p>Take no remedy lightly, take no urging intently, take no separation +leniently, beware of no lake and no larder.</p> + +<p>Burden the cracked wet soaking sack heavily, burden it so that it +is an institution in fright and in climate and in the best plan that +there can be.</p> + +<p>An ordinary color, a color is that strange mixture which makes, +which does make which does not make a ripe juice, which does not +make a mat.</p> + +<p>A work which is a winding a real winding of the cloaking of a +relaxing rescue. This which is so cool is not dusting, it is not dirtying +in smelling, it could use white water, it could use more extraordinarily +and in no solitude altogether. This which is so not winsome +and not widened and really not so dipped as dainty and really +dainty, very dainty, ordinarily, dainty, a dainty, not in that dainty +and dainty. If the time is determined, if it is determined and there is +reunion there is reunion with that then outline, then there is in that +a piercing shutter, all of a piercing shouter, all of a quite weather, all +of a withered exterior, all of that in most violent likely.</p> + +<p>An excuse is not dreariness, a single plate is not butter, a single +weight is not excitement, a solitary crumbling is not only martial.</p> + +<p>A mixed protection, very mixed with the same actual intentional +unstrangeness and riding, a single action caused necessarily is not +more a sign than a minister.</p> + +<p>Seat a knife near a cage and very near a decision and more nearly +a timely working cat and scissors. Do this temporarily and make no +more mistake in standing. Spread it all and arrange the white place, +does this show in the house, does it not show in the green that is not +necessary for that color, does it not even show in the explanation +and singularly not at all stationary.</p> + + +<p>SUGAR.</p> + +<p>A violent luck and a whole sample and even then quiet.</p> + +<p>Water is squeezing, water is almost squeezing on lard. Water, +water is a mountain and it is selected and it is so practical that there +is no use in money. A mind under is exact and so it is necessary to +have a mouth and eye glasses.</p> + +<p>A question of sudden rises and more time than awfulness is so +easy and shady. There is precisely that noise.</p> + +<p>A peck a small piece not privately overseen, not at all not a slice, +not at all crestfallen and open, not at all mounting and chaining and +evenly surpassing, all the bidding comes to tea.</p> + +<p>A separation is not tightly in worsted and sauce, it is so kept well +and sectionally.</p> + +<p>Put it in the stew, put it to shame. A little slight shadow and a +solid fine furnace.</p> + +<p>The teasing is tender and trying and thoughtful.</p> + +<p>The line which sets sprinkling to be a remedy is beside the +best cold.</p> + +<p>A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday.</p> + +<p>Wet crossing and a likeness, any likeness, a likeness has blisters, it +has that and teeth, it has the staggering blindly and a little green, +any little green is ordinary.</p> + +<p>One, two and one, two, nine, second and five and that.</p> + +<p>A blaze, a search in between, a cow, only any wet place, only +this tune.</p> + +<p>Cut a gas jet uglier and then pierce pierce in between the next and +negligence. Choose the rate to pay and pet pet very much. A collection +of all around, a signal poison, a lack of languor and more hurts +at ease.</p> + +<p>A white bird, a colored mine, a mixed orange, a dog.</p> + +<p>Cuddling comes in continuing a change.</p> + +<p>A piece of separate outstanding rushing is so blind with open +delicacy.</p> + +<p>A canoe is orderly. A period is solemn. A cow is accepted.</p> + +<p>A nice old chain is widening, it is absent, it is laid by.</p> + + +<p>CRANBERRIES.</p> + +<p>Could there not be a sudden date, could there not be in the present +settlement of old age pensions, could there not be by a witness, +could there be.</p> + +<p>Count the chain, cut the grass, silence the noon and murder flies. +See the basting undip the chart, see the way the kinds are best seen +from the rest, from that and untidy.</p> + +<p>Cut the whole space into twenty-four spaces and then and then is +there a yellow color, there is but it is smelled, it is then put where it +is and nothing stolen.</p> + +<p>A remarkable degree of red means that, a remarkable exchange +is made.</p> + +<p>Climbing altogether in when there is a solid chance of soiling no +more than a dirty thing, coloring all of it in steadying is jelly.</p> + +<p>Just as it is suffering, just as it is succeeded, just as it is moist so is +there no countering.</p> + + +<p>MILK.</p> + +<p>A white egg and a colored pan and a cabbage showing settlement, +a constant increase.</p> + +<p>A cold in a nose, a single cold nose makes an excuse. Two are +more necessary.</p> + +<p>All the goods are stolen, all the blisters are in the cup.</p> + +<p>Cooking, cooking is the recognition between sudden and nearly +sudden very little and all large holes.</p> + +<p>A real pint, one that is open and closed and in the middle is +so bad.</p> + +<p>Tender colds, seen eye holders, all work, the best of change, the +meaning, the dark red, all this and bitten, really bitten.</p> + +<p>Guessing again and golfing again and the best men, the very +best men.</p> + + +<p>MILK.</p> + +<p>Climb up in sight climb in the whole utter needles and a guess a +whole guess is hanging. Hanging hanging.</p> + + +<p>EGGS.</p> + +<p>Kind height, kind in the right stomach with a little sudden mill.</p> + +<p>Cunning shawl, cunning shawl to be steady.</p> + +<p>In white in white handkerchiefs with little dots in a white belt all +shadows are singular they are singular and procured and relieved.</p> + +<p>No that is not the cows shame and a precocious sound, it is a bite.</p> + +<p>Cut up alone the paved way which is harm. Harm is old boat and +a likely dash.</p> + + +<p>APPLE.</p> + +<p>Apple plum, carpet steak, seed clam, colored wine, calm seen, +cold cream, best shake, potato, potato and no no gold work with +pet, a green seen is called bake and change sweet is bready, a little +piece a little piece please.</p> + +<p>A little piece please. Cane again to the presupposed and ready +eucalyptus tree, count out sherry and ripe plates and little corners of +a kind of ham. This is use.</p> + + +<p>TAILS.</p> + +<p>Cold pails, cold with joy no joy.</p> + +<p>A tiny seat that means meadows and a lapse of cuddles with +cheese and nearly bats, all this went messed. The post placed a loud +loose sprain. A rest is no better. It is better yet. All the time.</p> + + +<p>LUNCH.</p> + +<p>Luck in loose plaster makes holy gauge and nearly that, nearly +more states, more states come in town light kite, blight not white.</p> + +<p>A little lunch is a break in skate a little lunch so slimy, a west end +of a board line is that which shows a little beneath so that necessity +is a silk under wear. That is best wet. It is so natural, and why is +there flake, there is flake to explain exhaust.</p> + +<p>A real cold hen is nervous is nervous with a towel with a spool +with real beads. It is mostly an extra sole nearly all that shaved, +shaved with an old mountain, more than that bees more than that +dinner and a bunch of likes that is to say the hearts of onions +aim less.</p> + +<p>Cold coffee with a corn a corn yellow and green mass is a gem.</p> + + +<p>CUPS.</p> + +<p>A single example of excellence is in the meat. A bent stick is surging +and might all might is mental. A grand clothes is searching out +a candle not that wheatly not that by more than an owl and a path. +A ham is proud of cocoanut.</p> + +<p>A cup is neglected by being all in size. It is a handle and meadows +and sugar any sugar.</p> + +<p>A cup is neglected by being full of size. It shows no shade, in come +little wood cuts and blessing and nearly not that not with a wild +bought in, not at all so polite, not nearly so behind.</p> + +<p>Cups crane in. They need a pet oyster, they need it so hoary and +nearly choice. The best slam is utter. Nearly be freeze.</p> + +<p>Why is a cup a stir and a behave. Why is it so seen.</p> + +<p>A cup is readily shaded, it has in between no sense that is to say +music, memory, musical memory.</p> + +<p>Peanuts blame, a half sand is holey and nearly.</p> + + +<p>RHUBARB.</p> + +<p>Rhubarb is susan not susan not seat in bunch toys not wild and +laughable not in little places not in neglect and vegetable not in fold +coal age not please.</p> + + +<p>SINGLE FISH.</p> + +<p>Single fish single fish single fish egg-plant single fish sight.</p> + +<p>A sweet win and not less noisy than saddle and more ploughing +and nearly well painted by little things so.</p> + +<p>Please shade it a play. It is necessary and beside the large sort +is puff.</p> + +<p>Every way oakly, please prune it near. It is so found.</p> + +<p>It is not the same.</p> + + +<p>CAKE.</p> + +<p>Cake cast in went to be and needles wine needles are such.</p> + +<p>This is today. A can experiment is that which makes a town, +makes a town dirty, it is little please. We came back. Two bore, bore +what, a mussed ash, ash when there is tin. This meant cake. It was +a sign.</p> + +<p>Another time there was extra a hat pin sought long and this dark +made a display. The result was yellow. A caution, not a caution +to be.</p> + +<p>It is no use to cause a foolish number. A blanket stretch a cloud, +a shame, all that bakery can tease, all that is beginning and yesterday +yesterday we had it met. It means some change. No some day.</p> + +<p>A little leaf upon a scene an ocean any where there, a bland and +likely in the stream a recollection green land. Why white.</p> + + +<p>CUSTARD.</p> + +<p>Custard is this. It has aches, aches when. Not to be. Not to be narrowly. +This makes a whole little hill.</p> + +<p>It is better than a little thing that has mellow real mellow. It is +better than lakes whole lakes, it is better than seeding.</p> + + +<p>POTATOES.</p> + +<p>Real potatoes cut in between.</p> + + +<p>POTATOES.</p> + +<p>In the preparation of cheese, in the preparation of crackers, in the +preparation of butter, in it.</p> + + +<p>ROAST POTATOES.</p> + +<p>Roast potatoes for.</p> + + +<p>ASPARAGUS.</p> + +<p>Asparagus in a lean in a lean to hot. This makes it art and it is wet +wet weather wet weather wet.</p> + + +<p>BUTTER.</p> + +<p>Boom in boom in, butter. Leave a grain and show it, show it. +I spy.</p> + +<p>It is a need it is a need that a flower a state flower. It is a need that +a state rubber. It is a need that a state rubber is sweet and sight and +a swelled stretch. It is a need. It is a need that state rubber.</p> + +<p>Wood a supply. Clean little keep a strange, estrange on it.</p> + +<p>Make a little white, no and not with pit, pit on in within.</p> + + +<p>END OF SUMMER.</p> + +<p>Little eyelets that have hammer and a check with stripes between +a lounge, in wit, in a rested development.</p> + + +<p>SAUSAGES.</p> + +<p>Sausages in between a glass.</p> + +<p>There is read butter. A loaf of it is managed. Wake a question. +Eat an instant, answer.</p> + +<p>A reason for bed is this, that a decline, any decline is poison, poison +is a toe a toe extractor, this means a solemn change. Hanging.</p> + +<p>No evil is wide, any extra in leaf is so strange and singular a +red breast.</p> + + +<p>CELERY.</p> + +<p>Celery tastes tastes where in curled lashes and little bits and +mostly in remains.</p> + +<p>A green acre is so selfish and so pure and so enlivened.</p> + + +<p>VEAL.</p> + +<p>Very well very well, washing is old, washing is washing.</p> + +<p>Cold soup, cold soup clear and particular and a principal a principal +question to put into.</p> + + +<p>VEGETABLE.</p> + +<p>What is cut. What is cut by it. What is cut by it in.</p> + +<p>It was a cress a crescent a cross and an unequal scream, it was +upslanting, it was radiant and reasonable with little ins and red.</p> + +<p>News. News capable of glees, cut in shoes, belike under pump of +wide chalk, all this combing.</p> + + +<p>WAY LAY VEGETABLE.</p> + +<p>Leaves in grass and mow potatoes, have a skip, hurry you up +flutter.</p> + +<p>Suppose it is ex a cake suppose it is new mercy and leave charlotte +and nervous bed rows. Suppose it is meal. Suppose it is sam.</p> + + +<p>COOKING.</p> + +<p>Alas, alas the pull alas the bell alas the coach in china, alas the little +put in leaf alas the wedding butter meat, alas the receptacle, alas +the back shape of mussle, mussle and soda.</p> + + +<p>CHICKEN.</p> + +<p>Pheasant and chicken, chicken is a peculiar third.</p> + + +<p>CHICKEN.</p> + +<p>Alas a dirty word, alas a dirty third alas a dirty third, alas a +dirty bird.</p> + + +<p>CHICKEN.</p> + +<p>Alas a doubt in case of more go to say what it is cress. What is it. +Mean. Potato. Loaves.</p> + + +<p>CHICKEN.</p> + +<p>Stick stick call then, stick stick sticking, sticking with a chicken. +Sticking in a extra succession, sticking in.</p> + + +<p>CHAIN-BOATS.</p> + +<p>Chain-boats are merry, are merry blew, blew west, carpet.</p> + + +<p>PASTRY.</p> + +<p>Cutting shade, cool spades and little last beds, make violet, +violet when.</p> + + +<p>CREAM.</p> + +<p>In a plank, in a play sole, in a heated red left tree there is shut in +specs with salt be where. This makes an eddy. Necessary.</p> + + +<p>CREAM.</p> + +<p>Cream cut. Any where crumb. Left hop chambers.</p> + + +<p>CUCUMBER.</p> + +<p>Not a razor less, not a razor, ridiculous pudding, red and relet put +in, rest in a slender go in selecting, rest in, rest in in white widening.</p> + + +<p>DINNER.</p> + +<p>Not a little fit, not a little fit sun sat in shed more mentally.</p> + +<p>Let us why, let us why weight, let us why winter chess, let us +why way.</p> + +<p>Only a moon to soup her, only that in the sell never never be the +cocups nice be, shatter it they lay.</p> + +<p>Egg ear nuts, look a bout. Shoulder. Let it strange, sold in bell +next herds.</p> + +<p>It was a time when in the acres in late there was a wheel that shot +a burst of land and needless are niggers and a sample sample set of +old eaten butterflies with spoons, all of it to be are fled and measure +make it, make it, yet all the one in that we see where shall not it set +with a left and more so, yes there add when the longer not it shall +the best in the way when all be with when shall not for there with see +and chest how for another excellent and excellent and easy easy +excellent and easy express e c, all to be nice all to be no so. All to be +no so no so. All to be not a white old chat churner. Not to be any +example of an edible apple in.</p> + + +<p>DINING.</p> + +<p>Dining is west.</p> + + +<p>EATING.</p> + +<p>Eat ting, eating a grand old man said roof and never never re soluble +burst, not a near ring not a bewildered neck, not really any +such bay.</p> + +<p>Is it so a noise to be is it a least remain to rest, is it a so old say to +be, is it a leading are been. Is it so, is it so, is it so, is it so is it +so +is it so.</p> + +<p>Eel us eel us with no no pea no pea cool, no pea cool cooler, no +pea cooler with a land a land cost in, with a land cost in stretches.</p> + +<p>Eating he heat eating he heat it eating, he heat it heat eating. He +heat eating.</p> + +<p>A little piece of pay of pay owls owls such as pie, bolsters.</p> + +<p>Will leap beat, willie well all. The rest rest oxen occasion occasion +to be so purred, so purred how.</p> + +<p>It was a ham it was a square come well it was a square remain, a +square remain not it a bundle, not it a bundle so is a grip, a grip to +shed bay leave bay leave draught, bay leave draw cider in low, cider +in low and george. George is a mass.</p> + + +<p>EATING.</p> + +<p>It was a shame it was a shame to stare to stare and double and +relieve relieve be cut up show as by the elevation of it and out out +more in the steady where the come and on and the all the shed +and that.</p> + +<p>It was a garden and belows belows straight. It was a pea, a pea +pour it in its not a succession, not it a simple, not it a so election, +election with.</p> + + +<p>SALAD.</p> + +<p>It is a winning cake.</p> + + +<p>SAUCE.</p> + +<p>What is bay labored what is all be section, what is no much. Sauce +sam in.</p> + + +<p>SALMON.</p> + +<p>It was a peculiar bin a bin fond in beside.</p> + + +<p>ORANGE.</p> + +<p>Why is a feel oyster an egg stir. Why is it orange centre.</p> + +<p>A show at tick and loosen loosen it so to speak sat.</p> + +<p>It was an extra leaker with a see spoon, it was an extra licker with +a see spoon.</p> + + +<p>ORANGE.</p> + +<p>A type oh oh new new not no not knealer knealer of old show +beefsteak, neither neither.</p> + + +<p>ORANGES.</p> + +<p>Build is all right.</p> + + +<p>ORANGE IN.</p> + +<p>Go lack go lack use to her.</p> + +<p>Cocoa and clear soup and oranges and oat-meal.</p> + +<p>Whist bottom whist close, whist clothes, woodling.</p> + +<p>Cocoa and clear soup and oranges and oat-meal.</p> + +<p>Pain soup, suppose it is question, suppose it is butter, real is, real +is only, only excreate, only excreate a no since.</p> + +<p>A no, a no since, a no since when, a no since when since, a no since +when since a no since when since, a no since, a no since when since, +a no since, a no, a no since a no since, a no since, a no since.</p> + + +<p>SALAD DRESSING AND AN ARTICHOKE.</p> + +<p>Please pale hot, please cover rose, please acre in the red stranger, +please butter all the beef-steak with regular feel faces.</p> + + +<p>SALAD DRESSING AND AN ARTICHOKE.</p> + +<p>It was please it was please carriage cup in an ice-cream, in an ice-cream +it was too bended bended with scissors and all this time. A +whole is inside a part, a part does go away, a hole is red leaf. No +choice was where there was and a second and a second.</p> + + +<p>A CENTRE IN A TABLE.</p> + +<p>It was a way a day, this made some sum. Suppose a cod liver a cod +liver is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil +tunny is pressed suppose a cod liver oil tunny pressed is china and +secret with a bestow a bestow reed, a reed to be a reed to be, in a reed +to be.</p> + +<p>Next to me next to a folder, next to a folder some waiter, next to +a foldersome waiter and re letter and read her. Read her with her +for less.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="ROOMS" id="ROOMS" />ROOMS</h2> + + +<p>Act so that there is no use in a centre. A wide action is not a +width. A preparation is given to the ones preparing. They do not eat +who mention silver and sweet. There was an occupation.</p> + +<p>A whole centre and a border make hanging a way of dressing. +This which is not why there is a voice is the remains of an offering. There +was +no rental.</p> + +<p>So the tune which is there has a little piece to play, and the exercise +is all there is of a fast. The tender and true that makes no width +to hew is the time that there is question to adopt.</p> + +<p>To begin the placing there is no wagon. There is no change lighter. +It was done. And then the spreading, that was not accomplishing +that needed standing and yet the time was not so difficult as they +were not all in place. They had no change. They were not respected. +They were that, they did it so much in the matter and this showed +that that settlement was not condensed. It was spread there. Any +change was in the ends of the centre. A heap was heavy. There was +no change.</p> + +<p>Burnt and behind and lifting a temporary stone and lifting more +than a drawer.</p> + +<p>The instance of there being more is an instance of more. The +shadow is not shining in the way there is a black line. The truth has come. +There is a disturbance. Trusting to a baker's boy meant that +there would be very much exchanging and anyway what is the use of +a covering to a door. There is a use, they are double.</p> + +<p>If the centre has the place then there is distribution. That is natural. +There is a contradiction and naturally returning there comes to +be both sides and the centre. That can be seen from the description.</p> + +<p>The author of all that is in there behind the door and that is entering +in the morning. Explaining darkening and expecting relating is +all of a piece. The stove is bigger. It was of a shape that made no +audience bigger if the opening is assumed why should there not be +kneeling. Any force which is bestowed on a floor shows rubbing. +This is so nice and sweet and yet there comes the change, there +comes the time to press more air. This does not mean the same as +disappearance.</p> + +<p>A little lingering lion and a Chinese chair, all the handsome +cheese which is stone, all of it and a choice, a choice of a blotter. If it +is +difficult to do it one way there is no place of similar trouble. +None. The whole arrangement is established. The end of which is +that there is a suggestion, a suggestion that there can be a different +whiteness +to a wall. This was thought.</p> + +<p>A page to a corner means that the shame is no greater when the +table is longer. A glass is of any height, it is higher, it is simpler and +if it were placed there would not be any doubt.</p> + +<p>Something that is an erection is that which stands and feeds and +silences a tin which is swelling. This makes no diversion that is to say +what +can please exaltation, that which is cooking.</p> + +<p>A shine is that which when covered changes permission. An +enclosure blends with the same that is to say there is blending. A +blend is that which holds no mice and this is not because of a floor +it is because of nothing, it is not in a vision.</p> + +<p>A fact is that when the place was replaced all was left that was +stored and all was retained that would not satisfy more than +another. The question is this, is it possible to suggest more to replace +that +thing. This question and this perfect denial does make the time change all +the +time.</p> + +<p>The sister was not a mister. Was this a surprise. It was. The conclusion +came +when there was no arrangement. All the time that +there was a question there was a decision. Replacing a casual +acquaintance with an ordinary daughter does not make a son.</p> + +<p>It happened in a way that the time was perfect and there was a +growth of a whole dividing time so that where formerly there was no +mistake there was no mistake now. For instance before when there +was a separation there was waiting, now when there is separation +there is the division between intending and departing. This made no +more mixture than there would be if there had been no change.</p> + +<p>A little sign of an entrance is the one that made it alike. If it were +smaller +it was not alike and it was so much smaller that a table was +bigger. A table was much bigger, very much bigger. Changing that +made nothing bigger, it did not make anything bigger littler, it did +not hinder wood from not being used as leather. And this was so +charming. Harmony is so essential. Is there pleasure when there is a +passage, there is when every room is open. Every room is open when +there are not four, there were there and surely there were four, there +were two together. There is no resemblance.</p> + +<p>A single speed, the reception of table linen, all the wonder of six +little spoons, there is no exercise.</p> + +<p>The time came when there was a birthday. Every day was no +excitement and a birthday was added, it was added on Monday, this +made the memory clear, this which was a speech showed the chair in +the middle where there was copper.</p> + +<p>Alike and a snail, this means Chinamen, it does there is no doubt +that to be right is more than perfect there is no doubt and glass is +confusing it confuses the substance which was of a color. Then came +the time for discrimination, it came then and it was never mentioned +it was so triumphant, it showed the whole head that had a hole and +should have a hole it showed the resemblance between silver.</p> + +<p>Startling a starving husband is not disagreeable. The reason that +nothing is hidden is that there is no suggestion of silence. No song is +sad. A +lesson is of consequence.</p> + +<p>Blind and weak and organised and worried and betrothed and +resumed and also asked to a fast and always asked to consider and +never startled and not at all bloated, this which is no rarer than +frequently +is not so astonishing when hair brushing is added. There is +quiet, there certainly is.</p> + +<p>No eye-glasses are rotten, no window is useless and yet if air will +not come in there is a speech ready, there always is and there is no +dimness, not a bit of it.</p> + +<p>All along the tendency to deplore the absence of more has not +been authorised. It comes to mean that with burning there is that +pleasant state of stupefication. Then there is a way of earning a living. +Who is +a man.</p> + +<p>A silence is not indicated by any motion, less is indicated by a +motion, more is not indicated it is enthralled. So sullen and so low, +so much resignation, so much refusal and so much place for a lower +and an upper, so much and yet more silence, why is not sleeping a +feat why is it not and when is there some discharge when. There +never is.</p> + +<p>If comparing a piece that is a size that is recognised as not a size +but a piece, comparing a piece with what is not recognised but what +is used as it is held by holding, comparing these two comes to be +repeated. Suppose they are put together, suppose that there is an +interruption, supposing that beginning again they are not changed +as to position, suppose all this and suppose that any five two of +whom are not separating suppose that the five are not consumed. Is +there an exchange, is there a resemblance to the sky which is admitted +to be there and the stars which can be seen. Is there. That was a +question. There was no certainty. Fitting a failing meant that any +two were indifferent and yet they were all connecting that, they were +all connecting that consideration. This did not determine rejoining +a letter. This did not make letters smaller. It did.</p> + +<p>The stamp that is not only torn but also fitting is not any symbol. +It suggests nothing. A sack that has no opening suggests more and +the loss is not commensurate. The season gliding and the torn hangings +receiving mending all this shows an example, it shows the force +of sacrifice and likeness and disaster and a reason.</p> + +<p>The time when there is not the question is only seen when there is +a shower. Any little thing is water.</p> + +<p>There was a whole collection made. A damp cloth, an oyster, a +single mirror, a manikin, a student, a silent star, a single spark, a +little movement and the bed is made. This shows the disorder, it +does, it shows more likeness than anything else, it shows the single +mind that directs an apple. All the coats have a different shape, that +does not mean that they differ in color, it means a union between use +and exercise and a horse.</p> + +<p>A plain hill, one is not that which is not white and red and green, +a plain hill makes no sunshine, it shows that without a disturber. So +the shape is there and the color and the outline and the miserable +centre, it is not very likely that there is a centre, a hill is a hill and +no +hill is contained in a pink tender descender.</p> + +<p>A can containing a curtain is a solid sentimental usage. The trouble +in both eyes does not come from the same symmetrical carpet, it +comes from there being no more disturbance than in little paper. +This does show the teeth, it shows color.</p> + +<p>A measure is that which put up so that it shows the length has a +steel construction. Tidiness is not delicacy, it does not destroy the +whole piece, certainly not it has been measured and nothing has +been cut off and even if that has been lost there is a name, no name +is signed and left over, not any space is fitted so that moving about +is plentiful. Why is there so much resignation in a package, why is +there rain, all the same the chance has come, there is no bell to ring.</p> + +<p>A package and a filter and even a funnel, all this together makes +a scene and supposing the question arises is hair curly, is it dark and +dusty, supposing that question arises, is brushing necessary, is it, the +whole special suddenness commences then, there is no delusion.</p> + +<p>A cape is a cover, a cape is not a cover in summer, a cape is a cover +and the regulation is that there is no such weather. A cape is not +always a cover, a cape is not a cover when there is another, there is +always something in that thing in establishing a disposition to put +wetting where it will not do more harm. There is always that disposition +and in a way there is some use in not mentioning changing +and in establishing the temperature, there is some use in it as +establishing +all that lives dimmer freer and there is no dinner in the middle +of anything. There is no such thing.</p> + +<p>Why is a pale white not paler than blue, why is a connection made +by a stove, why is the example which is mentioned not shown to be +the same, why is there no adjustment between the place and the separate +attention. Why is there a choice in gamboling. Why is there no +necessary dull stable, why is there a single piece of any color, why is +there that sensible silence. Why is there the resistance in a mixture, +why is there no poster, why is there that in the window, why is there +no suggester, why is there no window, why is there no oyster closer. +Why is there a circular diminisher, why is there a bather, why is there +no scraper, why is there a dinner, why is there a bell ringer, why is +there a duster, why is there a section of a similar resemblance, why +is there that scissor.</p> + +<p>South, south which is a wind is not rain, does silence choke +speech or does it not.</p> + +<p>Lying in a conundrum, lying so makes the springs restless, lying +so is a reduction, not lying so is arrangeable.</p> + +<p>Releasing the oldest auction that is the pleasing some still +renewing.</p> + +<p>Giving it away, not giving it away, is there any difference. Giving +it away. Not giving it away.</p> + +<p>Almost very likely there is no seduction, almost very likely there +is no stream, certainly very likely the height is penetrated, certainly +certainly the target is cleaned. Come to sit, come to refuse, come to +surround, come slowly and age is not lessening. The time which +showed that was when there was no eclipse. All the time that resenting +was removal all that time there was breadth. No breath is +shadowed, no breath is paintaking and yet certainly what could be +the use of paper, paper shows no disorder, it shows no desertion.</p> + +<p>Why is there a difference between one window and another, why +is there a difference, because the curtain is shorter. There is no distaste +in beefsteak or in plums or in gallons of milk water, there is no +defiance in original piling up over a roof, there is no daylight in the +evening, there is none there empty.</p> + +<p>A tribune, a tribune does not mean paper, it means nothing more +than cake, it means more sugar, it shows the state of lengthening any +nose. The last spice is that which shows the whole evening spent in +that sleep, it shows so that walking is an alleviation, and yet this +astonishes everybody the distance is so sprightly. In all the time +there are three days, those are not passed uselessly. Any little thing is a +change that is if nothing is wasted in that cellar. All the rest of the +chairs +are established.</p> + +<p>A success, a success is alright when there are there rooms and no +vacancies, a success is alright when there is a package, success is +alright anyway and any curtain is wholesale. A curtain diminishes +and an ample space shows varnish.</p> + +<p>One taste one tack, one taste one bottle, one taste one fish, one +taste one barometer. This shows no distinguishing sign when there +is a store.</p> + +<p>Any smile is stern and any coat is a sample. Is there any use in +changing more doors than there are committees. This question is so +often asked that squares show that they are blotters. It is so very +agreeable to hear a voice and to see all the signs of that expression.</p> + +<p>Cadences, real cadences, real cadences and a quiet color. Careful +and curved, cake and sober, all accounts and mixture, a guess at +anything is righteous, should there be a call there would be a voice.</p> + +<p>A line in life, a single line and a stairway, a rigid cook, no cook +and no equator, all the same there is higher than that another evasion. Did +that +mean shame, it meant memory. Looking into a place +that was hanging and was visible looking into this place and seeing +a chair did that mean relief, it did, it certainly did not cause +constipation +and yet there is a melody that has white for a tune when there is straw +color. +This shows no face.</p> + +<p>Star-light, what is star-light, star-light is a little light that is not +always +mentioned with the sun, it is mentioned with the moon and +the sun, it is mixed up with the rest of the time.</p> + +<p>Why is the name changed The name is changed because in the little +space there is a tree, in some space there are no trees, in every +space there is a hint of more, all this causes the decision.</p> + +<p>Why is there education, there is education because the two tables +which are folding are not tied together with a ribbon, string is used +and string being used there is a necessity for another one and +another one not being used to hearing shows no ordinary use of any +evening and yet there is no disgrace in looking, none at all. This +came to separate when there was simple selection of an entire +preoccupation.</p> + +<p>A curtain, a curtain which is fastened discloses mourning, this +does not mean sparrows or elocution or even a whole preparation, +it means that there are ears and very often much more altogether.</p> + +<p>Climate, climate is not southern, a little glass, a bright winter, a +strange supper an elastic tumbler, all this shows that the back is +furnished +and red which is red is a dark color. An example of this is +fifteen years and a separation of regret.</p> + +<p>China is not down when there are plates, lights are not ponderous +and incalculable.</p> + +<p>Currents, currents are not in the air and on the floor and in the +door and behind it first. Currents do not show it plainer. This which +is mastered has so thin a space to build it all that there is plenty of +room and yet is it quarreling, it is not and the insistence is marked. +A change is in a current and there is no habitable exercise.</p> + +<p>A religion, almost a religion, any religion, a quintal in religion, a +relying and a surface and a service in indecision and a creature and +a question and a syllable in answer and more counting and no quarrel +and a single scientific statement and no darkness and no question +and an earned administration and a single set of sisters and an outline +and no blisters and the section seeing yellow and the centre +having spelling and no solitude and no quaintness and yet solid +quite so solid and the single surface centred and the question in the +placard and the singularity, is there a singularity, and the singularity, +why is there a question and the singularity why is the surface outrageous, +why is it beautiful why is it not when there is no doubt, why +is anything vacant, why is not disturbing a centre no virtue, why is it +when it is and why is it when it is and there is no doubt, there is no +doubt that the singularity shows.</p> + +<p>A climate, a single climate, all the time there is a single climate, +any time there is a doubt, any time there is music that is to question +more and more and there is no politeness, there is hardly any ordeal +and certainly there is no tablecloth.</p> + +<p>This is a sound and obligingness more obligingness leads to a harmony in +hesitation.</p> + +<p>A lake a single lake which is a pond and a little water any water +which is an ant and no burning, not any burning, all this is sudden.</p> + +<p>A canister that is the remains of furniture and a looking-glass and a +bed-room +and a larger size, all the stand is shouted and what is ancient +is practical. Should the resemblance be so that any little cover is +copied, should it be so that yards are measured, should it be so and +there be a sin, should it be so then certainly a room is big enough when it +is +so empty and the corners are gathered together.</p> + +<p>The change is mercenary that settles whitening the coloring and +serving dishes where there is metal and making yellow any yellow +every color in a shade which is expressed in a tray. This is a monster +and awkward quite awkward and the little design which is flowered +which is not strange and yet has visible writing, this is not shown all +the time but at once, after that it rests where it is and where it is in +place. No change is not needed. That does show design.</p> + +<p>Excellent, more excellence is borrowing and slanting very slanting +is light and secret and a recitation and emigration. Certainly shoals +are shallow and nonsense more nonsense is sullen. Very little cake is +water, very little cake has that escape.</p> + +<p>Sugar any sugar, anger every anger, lover sermon lover, centre no +distractor, all order is in a measure.</p> + +<p>Left over to be a lamp light, left over in victory, left over in saving, +all this and negligence and bent wood and more even much +more is not so exact as a pen and a turtle and even, certainly, and +even a piece of the same experience as more.</p> + +<p>To consider a lecture, to consider it well is so anxious and so much +a charity and really supposing there is grain and if a stubble every +stubble is urgent, will there not be a chance of legality. The sound is +sickened +and the price is purchased and golden what is golden, a +clergyman, a single tax, a currency and an inner chamber.</p> + +<p>Checking an emigration, checking it by smiling and certainly by +the same satisfactory stretch of hands that have more use for it than +nothing, +and mildly not mildly a correction, not mildly even a circumstance +and a sweetness and a serenity. Powder, that has no color, +if it did have would it be white.</p> + +<p>A whole soldier any whole soldier has no more detail than any +case of measles.</p> + +<p>A bridge a very small bridge in a location and thunder, any thunder, +this is the capture of reversible sizing and more indeed more can +be cautious. This which makes monotony careless makes it likely +that there is an exchange in principle and more than that, change in +organization.</p> + +<p>This cloud does change with the movements of the moon and the +narrow the quite narrow suggestion of the building. It does and then +when it is settled and no sounds differ then comes the moment when +cheerfulness is so assured that there is an occasion.</p> + +<p>A plain lap, any plain lap shows that sign, it shows that there is +not so much extension as there would be if there were more choice +in everything. And why complain of more, why complain of very +much more. Why complain at all when it is all arranged that as there +is no more opportunity and no more appeal and not even any more +clinching that certainly now some time has come.</p> + +<p>A window has another spelling, it has "f" all together, it lacks no +more then and this is rain, this may even be something else, at any rate +there is no dedication in splendor. There is a turn of the stranger.</p> + +<p>Catholic to be turned is to venture on youth and a section of +debate, it even means that no class where each one over fifty is regular is +so +stationary that there are invitations.</p> + +<p>A curving example makes righteous finger-nails. This is the only +object in secretion and speech.</p> + +<p>To being the same four are no more than were taller. The rest had +a big chair and a surveyance a cold accumulation of nausea, and +even more than that, they had a disappointment.</p> + +<p>Nothing aiming is a flower, if flowers are abundant then they are +lilac, if they are not they are white in the centre.</p> + +<p>Dance a clean dream and an extravagant turn up, secure the +steady rights and translate more than translate the authority, show +the choice and make no more mistakes than yesterday.</p> + +<p>This means clearness, it means a regular notion of exercise, it +means more than that, it means liking counting, it means more than +that, it does not mean exchanging a line.</p> + +<p>Why is there more craving than there is in a mountain. This does +not seem strange to one, it does not seem strange to an echo and +more surely is in there not being a habit. Why is there so much useless +suffering. Why is there.</p> + +<p>Any wet weather means an open window, what is attaching eating, +anything that is violent and cooking and shows weather is the same +in the end and why is there more use in something than in all that.</p> + +<p>The cases are made and books, back books are used to secure +tears and church. They are even used to exchange black slippers. +They can not be mended with wax. They show no need of any +such occasion.</p> + +<p>A willow and no window, a wide place stranger, a wideness makes +an active center.</p> + +<p>The sight of no pussy cat is so different that a tobacco zone is +white and cream.</p> + +<p>A lilac, all a lilac and no mention of butter, not even bread and +butter, no butter and no occasion, not even a silent resemblance, not +more care than just enough haughty.</p> + +<p>A safe weight is that which when it pleases is hanging. A safer +weight is one more naughty in a spectacle. The best game is that +which is shiny and scratching. Please a pease and a cracker and a +wretched use of summer.</p> + +<p>Surprise, the only surprise has no occasion. It is an ingredient and +the section the whole section is one season.</p> + +<p>A pecking which is petting and no worse than in the same morning +is not the only way to be continuous often.</p> + +<p>A light in the moon the only light is on Sunday. What was the sensible +decision. The sensible decision was that notwithstanding many +declarations and more music, not even notwithstanding the choice +and a torch and a collection, notwithstanding the celebrating hat +and a vacation and even more noise than cutting, notwithstanding +Europe and Asia and being overbearing, not even notwithstanding +an elephant and a strict occasion, not even withstanding more cultivation +and some seasoning, not even with drowning and with the +ocean being encircling, not even with more likeness and any cloud, +not even with terrific sacrifice of pedestrianism and a special resolution, +not even more likely to be pleasing. The care with which the +rain is wrong and the green is wrong and the white is wrong, the care +with which there is a chair and plenty of breathing. The care with +which there is incredible justice and likeness, all this makes a +magnificent +asparagus, and also a fountain.</p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Tender Buttons, by Gertrude Stein + +*** END OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + +***** This file should be named 15396-h.htm or 15396-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/3/9/15396/ + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Tender Buttons + Objects--Food--Rooms + +Author: Gertrude Stein + +Release Date: March 17, 2005 [EBook #15396] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + + + + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + + + + + + + + + +TENDER BUTTONS + + Objects . Food . Rooms + +Gertrude Stein + +1914 + + + + +CONTENTS + + + OBJECTS + + FOOD + + ROOMS + + + + +OBJECTS + + +A CARAFE, THAT IS A BLIND GLASS. + +A kind in glass and a cousin, a spectacle and nothing strange a single +hurt color and an arrangement in a system to pointing. All this and not +ordinary, not unordered in not resembling. The difference is spreading. + + +GLAZED GLITTER. + +Nickel, what is nickel, it is originally rid of a cover. + +The change in that is that red weakens an hour. The change has come. +There is no search. But there is, there is that hope and that +interpretation and sometime, surely any is unwelcome, sometime there is +breath and there will be a sinecure and charming very charming is that +clean and cleansing. Certainly glittering is handsome and convincing. + +There is no gratitude in mercy and in medicine. There can be breakages +in Japanese. That is no programme. That is no color chosen. It was +chosen yesterday, that showed spitting and perhaps washing and +polishing. It certainly showed no obligation and perhaps if borrowing is +not natural there is some use in giving. + + +A SUBSTANCE IN A CUSHION. + +The change of color is likely and a difference a very little difference +is prepared. Sugar is not a vegetable. + +Callous is something that hardening leaves behind what will be soft if +there is a genuine interest in there being present as many girls as men. +Does this change. It shows that dirt is clean when there is a volume. + +A cushion has that cover. Supposing you do not like to change, supposing +it is very clean that there is no change in appearance, supposing that +there is regularity and a costume is that any the worse than an oyster +and an exchange. Come to season that is there any extreme use in feather +and cotton. Is there not much more joy in a table and more chairs and +very likely roundness and a place to put them. + +A circle of fine card board and a chance to see a tassel. + +What is the use of a violent kind of delightfulness if there is no +pleasure in not getting tired of it. The question does not come before +there is a quotation. In any kind of place there is a top to covering +and it is a pleasure at any rate there is some venturing in refusing to +believe nonsense. It shows what use there is in a whole piece if one +uses it and it is extreme and very likely the little things could be +dearer but in any case there is a bargain and if there is the best thing +to do is to take it away and wear it and then be reckless be reckless +and resolved on returning gratitude. + +Light blue and the same red with purple makes a change. It shows that +there is no mistake. Any pink shows that and very likely it is +reasonable. Very likely there should not be a finer fancy present. Some +increase means a calamity and this is the best preparation for three and +more being together. A little calm is so ordinary and in any case there +is sweetness and some of that. + +A seal and matches and a swan and ivy and a suit. + +A closet, a closet does not connect under the bed. The band if it is +white and black, the band has a green string. A sight a whole sight and +a little groan grinding makes a trimming such a sweet singing trimming +and a red thing not a round thing but a white thing, a red thing and a +white thing. + +The disgrace is not in carelessness nor even in sewing it comes out out +of the way. + +What is the sash like. The sash is not like anything mustard it is not +like a same thing that has stripes, it is not even more hurt than that, +it has a little top. + + +A BOX. + +Out of kindness comes redness and out of rudeness comes rapid same +question, out of an eye comes research, out of selection comes painful +cattle. So then the order is that a white way of being round is +something suggesting a pin and is it disappointing, it is not, it is so +rudimentary to be analysed and see a fine substance strangely, it is so +earnest to have a green point not to red but to point again. + + +A PIECE OF COFFEE. + +More of double. + +A place in no new table. + +A single image is not splendor. Dirty is yellow. A sign of more in not +mentioned. A piece of coffee is not a detainer. The resemblance to +yellow is dirtier and distincter. The clean mixture is whiter and not +coal color, never more coal color than altogether. + +The sight of a reason, the same sight slighter, the sight of a simpler +negative answer, the same sore sounder, the intention to wishing, the +same splendor, the same furniture. + +The time to show a message is when too late and later there is no +hanging in a blight. + +A not torn rose-wood color. If it is not dangerous then a pleasure and +more than any other if it is cheap is not cheaper. The amusing side is +that the sooner there are no fewer the more certain is the necessity +dwindled. Supposing that the case contained rose-wood and a color. +Supposing that there was no reason for a distress and more likely for a +number, supposing that there was no astonishment, is it not necessary to +mingle astonishment. + +The settling of stationing cleaning is one way not to shatter scatter +and scattering. The one way to use custom is to use soap and silk for +cleaning. The one way to see cotton is to have a design concentrating +the illusion and the illustration. The perfect way is to accustom the +thing to have a lining and the shape of a ribbon and to be solid, quite +solid in standing and to use heaviness in morning. It is light enough in +that. It has that shape nicely. Very nicely may not be exaggerating. +Very strongly may be sincerely fainting. May be strangely flattering. +May not be strange in everything. May not be strange to. + + +DIRT AND NOT COPPER. + +Dirt and not copper makes a color darker. It makes the shape so heavy +and makes no melody harder. + +It makes mercy and relaxation and even a strength to spread a table +fuller. There are more places not empty. They see cover. + + +NOTHING ELEGANT. + +A charm a single charm is doubtful. If the red is rose and there is a +gate surrounding it, if inside is let in and there places change then +certainly something is upright. It is earnest. + + +MILDRED'S UMBRELLA. + +A cause and no curve, a cause and loud enough, a cause and extra a loud +clash and an extra wagon, a sign of extra, a sac a small sac and an +established color and cunning, a slender grey and no ribbon, this means +a loss a great loss a restitution. + + +A METHOD OF A CLOAK. + +A single climb to a line, a straight exchange to a cane, a desperate +adventure and courage and a clock, all this which is a system, which has +feeling, which has resignation and success, all makes an attractive +black silver. + + +A RED STAMP. + +If lilies are lily white if they exhaust noise and distance and even +dust, if they dusty will dirt a surface that has no extreme grace, if +they do this and it is not necessary it is not at all necessary if they +do this they need a catalogue. + + +A BOX. + +A large box is handily made of what is necessary to replace any +substance. Suppose an example is necessary, the plainer it is made the +more reason there is for some outward recognition that there is a +result. + +A box is made sometimes and them to see to see to it neatly and to have +the holes stopped up makes it necessary to use paper. + +A custom which is necessary when a box is used and taken is that a large +part of the time there are three which have different connections. The +one is on the table. The two are on the table. The three are on the +table. The one, one is the same length as is shown by the cover being +longer. The other is different there is more cover that shows it. The +other is different and that makes the corners have the same shade the +eight are in singular arrangement to make four necessary. + +Lax, to have corners, to be lighter than some weight, to indicate a +wedding journey, to last brown and not curious, to be wealthy, +cigarettes are established by length and by doubling. + +Left open, to be left pounded, to be left closed, to be circulating in +summer and winter, and sick color that is grey that is not dusty and red +shows, to be sure cigarettes do measure an empty length sooner than a +choice in color. + +Winged, to be winged means that white is yellow and pieces pieces that +are brown are dust color if dust is washed off, then it is choice that +is to say it is fitting cigarettes sooner than paper. + +An increase why is an increase idle, why is silver cloister, why is the +spark brighter, if it is brighter is there any result, hardly more than +ever. + + +A PLATE. + +An occasion for a plate, an occasional resource is in buying and how +soon does washing enable a selection of the same thing neater. If the +party is small a clever song is in order. + +Plates and a dinner set of colored china. Pack together a string and +enough with it to protect the centre, cause a considerable haste and +gather more as it is cooling, collect more trembling and not any even +trembling, cause a whole thing to be a church. + +A sad size a size that is not sad is blue as every bit of blue is +precocious. A kind of green a game in green and nothing flat nothing +quite flat and more round, nothing a particular color strangely, nothing +breaking the losing of no little piece. + +A splendid address a really splendid address is not shown by giving a +flower freely, it is not shown by a mark or by wetting. + +Cut cut in white, cut in white so lately. Cut more than any other and +show it. Show it in the stem and in starting and in evening coming +complication. + +A lamp is not the only sign of glass. The lamp and the cake are not the +only sign of stone. The lamp and the cake and the cover are not the only +necessity altogether. + +A plan a hearty plan, a compressed disease and no coffee, not even a +card or a change to incline each way, a plan that has that excess and +that break is the one that shows filling. + + +A SELTZER BOTTLE. + +Any neglect of many particles to a cracking, any neglect of this makes +around it what is lead in color and certainly discolor in silver. The +use of this is manifold. Supposing a certain time selected is assured, +suppose it is even necessary, suppose no other extract is permitted and +no more handling is needed, suppose the rest of the message is mixed +with a very long slender needle and even if it could be any black +border, supposing all this altogether made a dress and suppose it was +actual, suppose the mean way to state it was occasional, if you suppose +this in August and even more melodiously, if you suppose this even in +the necessary incident of there certainly being no middle in summer and +winter, suppose this and an elegant settlement a very elegant settlement +is more than of consequence, it is not final and sufficient and +substituted. This which was so kindly a present was constant. + + +A LONG DRESS. + +What is the current that makes machinery, that makes it crackle, what is +the current that presents a long line and a necessary waist. What is +this current. + +What is the wind, what is it. + +Where is the serene length, it is there and a dark place is not a dark +place, only a white and red are black, only a yellow and green are blue, +a pink is scarlet, a bow is every color. A line distinguishes it. A line +just distinguishes it. + + +A RED HAT. + +A dark grey, a very dark grey, a quite dark grey is monstrous +ordinarily, it is so monstrous because there is no red in it. If red is +in everything it is not necessary. Is that not an argument for any use +of it and even so is there any place that is better, is there any place +that has so much stretched out. + + +A BLUE COAT. + +A blue coat is guided guided away, guided and guided away, that is the +particular color that is used for that length and not any width not even +more than a shadow. + + +A PIANO. + +If the speed is open, if the color is careless, if the selection of a +strong scent is not awkward, if the button holder is held by all the +waving color and there is no color, not any color. If there is no dirt +in a pin and there can be none scarcely, if there is not then the place +is the same as up standing. + +This is no dark custom and it even is not acted in any such a way that a +restraint is not spread. That is spread, it shuts and it lifts and +awkwardly not awkwardly the centre is in standing. + + +A CHAIR. + +A widow in a wise veil and more garments shows that shadows are even. It +addresses no more, it shadows the stage and learning. A regular +arrangement, the severest and the most preserved is that which has the +arrangement not more than always authorised. + +A suitable establishment, well housed, practical, patient and staring, a +suitable bedding, very suitable and not more particularly than +complaining, anything suitable is so necessary. + +A fact is that when the direction is just like that, no more, longer, +sudden and at the same time not any sofa, the main action is that +without a blaming there is no custody. + +Practice measurement, practice the sign that means that really means a +necessary betrayal, in showing that there is wearing. + +Hope, what is a spectacle, a spectacle is the resemblance between the +circular side place and nothing else, nothing else. + +To choose it is ended, it is actual and more than that it has it +certainly has the same treat, and a seat all that is practiced and more +easily much more easily ordinarily. + +Pick a barn, a whole barn, and bend more slender accents than have ever +been necessary, shine in the darkness necessarily. Actually not aching, +actually not aching, a stubborn bloom is so artificial and even more +than that, it is a spectacle, it is a binding accident, it is animosity +and accentuation. + +If the chance to dirty diminishing is necessary, if it is why is there +no complexion, why is there no rubbing, why is there no special +protection. + + +A FRIGHTFUL RELEASE. + +A bag which was left and not only taken but turned away was not found. +The place was shown to be very like the last time. A piece was not +exchanged, not a bit of it, a piece was left over. The rest was +mismanaged. + + +A PURSE. + +A purse was not green, it was not straw color, it was hardly seen and it +had a use a long use and the chain, the chain was never missing, it was +not misplaced, it showed that it was open, that is all that it showed. + + +A MOUNTED UMBRELLA. + +What was the use of not leaving it there where it would hang what was +the use if there was no chance of ever seeing it come there and show +that it was handsome and right in the way it showed it. The lesson is to +learn that it does show it, that it shows it and that nothing, that +there is nothing, that there is no more to do about it and just so much +more is there plenty of reason for making an exchange. + + +A CLOTH. + +Enough cloth is plenty and more, more is almost enough for that and +besides if there is no more spreading is there plenty of room for it. +Any occasion shows the best way. + + +MORE. + +An elegant use of foliage and grace and a little piece of white cloth +and oil. + +Wondering so winningly in several kinds of oceans is the reason that +makes red so regular and enthusiastic. The reason that there is more +snips are the same shining very colored rid of no round color. + + +A NEW CUP AND SAUCER. + +Enthusiastically hurting a clouded yellow bud and saucer, +enthusiastically so is the bite in the ribbon. + + +OBJECTS. + +Within, within the cut and slender joint alone, with sudden equals and +no more than three, two in the centre make two one side. + +If the elbow is long and it is filled so then the best example is all +together. + +The kind of show is made by squeezing. + + +EYE GLASSES. + +A color in shaving, a saloon is well placed in the centre of an alley. + + +CUTLET. + +A blind agitation is manly and uttermost. + + +CARELESS WATER. + +No cup is broken in more places and mended, that is to say a plate is +broken and mending does do that it shows that culture is Japanese. It +shows the whole element of angels and orders. It does more to choosing +and it does more to that ministering counting. It does, it does change +in more water. + +Supposing a single piece is a hair supposing more of them are orderly, +does that show that strength, does that show that joint, does that show +that balloon famously. Does it. + + +A PAPER. + +A courteous occasion makes a paper show no such occasion and this makes +readiness and eyesight and likeness and a stool. + + +A DRAWING. + +The meaning of this is entirely and best to say the mark, best to say it +best to show sudden places, best to make bitter, best to make the length +tall and nothing broader, anything between the half. + + +WATER RAINING. + +Water astonishing and difficult altogether makes a meadow and a stroke. + + +COLD CLIMATE. + +A season in yellow sold extra strings makes lying places. + + +MALACHITE. + +The sudden spoon is the same in no size. The sudden spoon is the wound +in the decision. + + +AN UMBRELLA. + +Coloring high means that the strange reason is in front not more in +front behind. Not more in front in peace of the dot. + + +A PETTICOAT. + +A light white, a disgrace, an ink spot, a rosy charm. + + +A WAIST. + +A star glide, a single frantic sullenness, a single financial grass +greediness. + +Object that is in wood. Hold the pine, hold the dark, hold in the rush, +make the bottom. + +A piece of crystal. A change, in a change that is remarkable there is no +reason to say that there was a time. + +A woolen object gilded. A country climb is the best disgrace, a couple +of practices any of them in order is so left. + + +A TIME TO EAT. + +A pleasant simple habitual and tyrannical and authorised and educated +and resumed and articulate separation. This is not tardy. + + +A LITTLE BIT OF A TUMBLER. + +A shining indication of yellow consists in there having been more of the +same color than could have been expected when all four were bought. This +was the hope which made the six and seven have no use for any more +places and this necessarily spread into nothing. Spread into nothing. + + +A FIRE. + +What was the use of a whole time to send and not send if there was to be +the kind of thing that made that come in. A letter was nicely sent. + + +A HANDKERCHIEF. + +A winning of all the blessings, a sample not a sample because there is +no worry. + + +RED ROSES. + +A cool red rose and a pink cut pink, a collapse and a sold hole, a +little less hot. + + +IN BETWEEN. + +In between a place and candy is a narrow foot-path that shows more +mounting than anything, so much really that a calling meaning a bolster +measured a whole thing with that. A virgin a whole virgin is judged made +and so between curves and outlines and real seasons and more out glasses +and a perfectly unprecedented arrangement between old ladies and mild +colds there is no satin wood shining. + + +COLORED HATS. + +Colored hats are necessary to show that curls are worn by an addition of +blank spaces, this makes the difference between single lines and broad +stomachs, the least thing is lightening, the least thing means a little +flower and a big delay a big delay that makes more nurses than little +women really little women. So clean is a light that nearly all of it +shows pearls and little ways. A large hat is tall and me and all custard +whole. + + +A FEATHER. + +A feather is trimmed, it is trimmed by the light and the bug and the +post, it is trimmed by little leaning and by all sorts of mounted +reserves and loud volumes. It is surely cohesive. + + +A BROWN. + +A brown which is not liquid not more so is relaxed and yet there is a +change, a news is pressing. + + +A LITTLE CALLED PAULINE. + +A little called anything shows shudders. + +Come and say what prints all day. A whole few watermelon. There is no +pope. + +No cut in pennies and little dressing and choose wide soles and little +spats really little spices. + +A little lace makes boils. This is not true. + +Gracious of gracious and a stamp a blue green white bow a blue green +lean, lean on the top. + +If it is absurd then it is leadish and nearly set in where there is a +tight head. + +A peaceful life to arise her, noon and moon and moon. A letter a cold +sleeve a blanket a shaving house and nearly the best and regular window. + +Nearer in fairy sea, nearer and farther, show white has lime in sight, +show a stitch of ten. Count, count more so that thicker and thicker is +leaning. + +I hope she has her cow. Bidding a wedding, widening received treading, +little leading mention nothing. + +Cough out cough out in the leather and really feather it is not for. + +Please could, please could, jam it not plus more sit in when. + + +A SOUND. + +Elephant beaten with candy and little pops and chews all bolts and +reckless reckless rats, this is this. + + +A TABLE. + +A table means does it not my dear it means a whole steadiness. Is it +likely that a change. + +A table means more than a glass even a looking glass is tall. A table +means necessary places and a revision a revision of a little thing it +means it does mean that there has been a stand, a stand where it did +shake. + + +SHOES. + +To be a wall with a damper a stream of pounding way and nearly enough +choice makes a steady midnight. It is pus. + +A shallow hole rose on red, a shallow hole in and in this makes ale +less. It shows shine. + + +A DOG. + +A little monkey goes like a donkey that means to say that means to say +that more sighs last goes. Leave with it. A little monkey goes like a +donkey. + + +A WHITE HUNTER. + +A white hunter is nearly crazy. + + +A LEAVE. + +In the middle of a tiny spot and nearly bare there is a nice thing to +say that wrist is leading. Wrist is leading. + + +SUPPOSE AN EYES. + +Suppose it is within a gate which open is open at the hour of closing +summer that is to say it is so. + +All the seats are needing blackening. A white dress is in sign. A +soldier a real soldier has a worn lace a worn lace of different sizes +that is to say if he can read, if he can read he is a size to show +shutting up twenty-four. + +Go red go red, laugh white. + +Suppose a collapse in rubbed purr, in rubbed purr get. + +Little sales ladies little sales ladies little saddles of mutton. + +Little sales of leather and such beautiful beautiful, beautiful +beautiful. + + +A SHAWL. + +A shawl is a hat and hurt and a red balloon and an under coat and a +sizer a sizer of talks. + +A shawl is a wedding, a piece of wax a little build. A shawl. + +Pick a ticket, pick it in strange steps and with hollows. There is +hollow hollow belt, a belt is a shawl. + +A plate that has a little bobble, all of them, any so. + +Please a round it is ticket. + +It was a mistake to state that a laugh and a lip and a laid climb and a +depot and a cultivator and little choosing is a point it. + + +BOOK. + +Book was there, it was there. Book was there. Stop it, stop it, it was a +cleaner, a wet cleaner and it was not where it was wet, it was not high, +it was directly placed back, not back again, back it was returned, it +was needless, it put a bank, a bank when, a bank care. + +Suppose a man a realistic expression of resolute reliability suggests +pleasing itself white all white and no head does that mean soap. It does +not so. It means kind wavers and little chance to beside beside rest. A +plain. + +Suppose ear rings, that is one way to breed, breed that. Oh chance to +say, oh nice old pole. Next best and nearest a pillar. Chest not +valuable, be papered. + +Cover up cover up the two with a little piece of string and hope rose +and green, green. + +Please a plate, put a match to the seam and really then really then, +really then it is a remark that joins many many lead games. It is a +sister and sister and a flower and a flower and a dog and a colored sky +a sky colored grey and nearly that nearly that let. + + +PEELED PENCIL, CHOKE. + +Rub her coke. + + +IT WAS BLACK, BLACK TOOK. + +Black ink best wheel bale brown. + +Excellent not a hull house, not a pea soup, no bill no care, no precise +no past pearl pearl goat. + + +THIS IS THE DRESS, AIDER. + +Aider, why aider why whow, whow stop touch, aider whow, aider stop the +muncher, muncher munchers. + +A jack in kill her, a jack in, makes a meadowed king, makes a to let. + + + + +FOOD + + +ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; MILK; EGGS; APPLE; +TAILS; LUNCH; CUPS; RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES; +ASPARAGUS; BUTTER; END OF SUMMER; SAUSAGES; CELERY; VEAL; VEGETABLE; +COOKING; CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; DINING; EATING; +SALAD; SAUCE; SALMON; ORANGE; COCOA; AND CLEAR SOUP AND ORANGES AND +OATMEAL; SALAD DRESSING AND AN ARTICHOKE; A CENTRE IN A TABLE. + + +ROASTBEEF. + +In the inside there is sleeping, in the outside there is reddening, in +the morning there is meaning, in the evening there is feeling. In the +evening there is feeling. In feeling anything is resting, in feeling +anything is mounting, in feeling there is resignation, in feeling there +is recognition, in feeling there is recurrence and entirely mistaken +there is pinching. All the standards have steamers and all the curtains +have bed linen and all the yellow has discrimination and all the circle +has circling. This makes sand. + +Very well. Certainly the length is thinner and the rest, the round rest +has a longer summer. To shine, why not shine, to shine, to station, to +enlarge, to hurry the measure all this means nothing if there is +singing, if there is singing then there is the resumption. + +The change the dirt, not to change dirt means that there is no beefsteak +and not to have that is no obstruction, it is so easy to exchange +meaning, it is so easy to see the difference. The difference is that a +plain resource is not entangled with thickness and it does not mean that +thickness shows such cutting, it does mean that a meadow is useful and a +cow absurd. It does not mean that there are tears, it does not mean that +exudation is cumbersome, it means no more than a memory, a choice and a +reestablishment, it means more than any escape from a surrounding extra. +All the time that there is use there is use and any time there is a +surface there is a surface, and every time there is an exception there +is an exception and every time there is a division there is a dividing. +Any time there is a surface there is a surface and every time there is a +suggestion there is a suggestion and every time there is silence there +is silence and every time that is languid there is that there then and +not oftener, not always, not particular, tender and changing and +external and central and surrounded and singular and simple and the same +and the surface and the circle and the shine and the succor and the +white and the same and the better and the red and the same and the +centre and the yellow and the tender and the better, and altogether. + +Considering the circumstances there is no occasion for a reduction, +considering that there is no pealing there is no occasion for an +obligation, considering that there is no outrage there is no necessity +for any reparation, considering that there is no particle sodden there +is no occasion for deliberation. Considering everything and which way +the turn is tending, considering everything why is there no restraint, +considering everything what makes the place settle and the plate +distinguish some specialties. The whole thing is not understood and this +is not strange considering that there is no education, this is not +strange because having that certainly does show the difference in +cutting, it shows that when there is turning there is no distress. + +In kind, in a control, in a period, in the alteration of pigeons, in +kind cuts and thick and thin spaces, in kind ham and different colors, +the length of leaning a strong thing outside not to make a sound but to +suggest a crust, the principal taste is when there is a whole chance to +be reasonable, this does not mean that there is overtaking, this means +nothing precious, this means clearly that the chance to exercise is a +social success. So then the sound is not obtrusive. Suppose it is +obtrusive suppose it is. What is certainly the desertion is not a +reduced description, a description is not a birthday. + +Lovely snipe and tender turn, excellent vapor and slender butter, all +the splinter and the trunk, all the poisonous darkening drunk, all the +joy in weak success, all the joyful tenderness, all the section and the +tea, all the stouter symmetry. + +Around the size that is small, inside the stern that is the middle, +besides the remains that are praying, inside the between that is +turning, all the region is measuring and melting is exaggerating. + +Rectangular ribbon does not mean that there is no eruption it means that +if there is no place to hold there is no place to spread. Kindness is +not earnest, it is not assiduous it is not revered. + +Room to comb chickens and feathers and ripe purple, room to curve single +plates and large sets and second silver, room to send everything away, +room to save heat and distemper, room to search a light that is simpler, +all room has no shadow. + +There is no use there is no use at all in smell, in taste, in teeth, in +toast, in anything, there is no use at all and the respect is mutual. + +Why should that which is uneven, that which is resumed, that which is +tolerable why should all this resemble a smell, a thing is there, it +whistles, it is not narrower, why is there no obligation to stay away +and yet courage, courage is everywhere and the best remains to stay. + +If there could be that which is contained in that which is felt there +would be a chair where there are chairs and there would be no more +denial about a clatter. A clatter is not a smell. All this is good. + +The Saturday evening which is Sunday is every week day. What choice is +there when there is a difference. A regulation is not active. +Thirstiness is not equal division. + +Anyway, to be older and ageder is not a surfeit nor a suction, it is not +dated and careful, it is not dirty. Any little thing is clean, rubbing +is black. Why should ancient lambs be goats and young colts and never +beef, why should they, they should because there is so much difference +in age. + +A sound, a whole sound is not separation, a whole sound is in an order. + +Suppose there is a pigeon, suppose there is. + +Looseness, why is there a shadow in a kitchen, there is a shadow in a +kitchen because every little thing is bigger. + +The time when there are four choices and there are four choices in a +difference, the time when there are four choices there is a kind and +there is a kind. There is a kind. There is a kind. Supposing there is a +bone, there is a bone. Supposing there are bones. There are bones. When +there are bones there is no supposing there are bones. There are bones +and there is that consuming. The kindly way to feel separating is to +have a space between. This shows a likeness. + +Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in +daintiness and determination. Hope in dates. + +Tin is not a can and a stove is hardly. Tin is not necessary and neither +is a stretcher. Tin is never narrow and thick. + +Color is in coal. Coal is outlasting roasting and a spoonful, a whole +spoon that is full is not spilling. Coal any coal is copper. + +Claiming nothing, not claiming anything, not a claim in everything, +collecting claiming, all this makes a harmony, it even makes a +succession. + +Sincerely gracious one morning, sincerely graciously trembling, sincere +in gracious eloping, all this makes a furnace and a blanket. All this +shows quantity. + +Like an eye, not so much more, not any searching, no compliments. + +Please be the beef, please beef, pleasure is not wailing. Please beef, +please be carved clear, please be a case of consideration. + +Search a neglect. A sale, any greatness is a stall and there is no +memory, there is no clear collection. + +A satin sight, what is a trick, no trick is mountainous and the color, +all the rush is in the blood. + +Bargaining for a little, bargain for a touch, a liberty, an +estrangement, a characteristic turkey. + +Please spice, please no name, place a whole weight, sink into a standard +rising, raise a circle, choose a right around, make the resonance +accounted and gather green any collar. + +To bury a slender chicken, to raise an old feather, to surround a +garland and to bake a pole splinter, to suggest a repose and to settle +simply, to surrender one another, to succeed saving simpler, to satisfy +a singularity and not to be blinder, to sugar nothing darker and to read +redder, to have the color better, to sort out dinner, to remain +together, to surprise no sinner, to curve nothing sweeter, to continue +thinner, to increase in resting recreation to design string not dimmer. + +Cloudiness what is cloudiness, is it a lining, is it a roll, is it +melting. + +The sooner there is jerking, the sooner freshness is tender, the sooner +the round it is not round the sooner it is withdrawn in cutting, the +sooner the measure means service, the sooner there is chinking, the +sooner there is sadder than salad, the sooner there is none do her, the +sooner there is no choice, the sooner there is a gloom freer, the same +sooner and more sooner, this is no error in hurry and in pressure and in +opposition to consideration. + +A recital, what is a recital, it is an organ and use does not strengthen +valor, it soothes medicine. + +A transfer, a large transfer, a little transfer, some transfer, clouds +and tracks do transfer, a transfer is not neglected. + +Pride, when is there perfect pretence, there is no more than yesterday +and ordinary. + +A sentence of a vagueness that is violence is authority and a mission +and stumbling and also certainly also a prison. Calmness, calm is beside +the plate and in way in. There is no turn in terror. There is no volume +in sound. + +There is coagulation in cold and there is none in prudence. Something +is preserved and the evening is long and the colder spring has sudden +shadows in a sun. All the stain is tender and lilacs really lilacs are +disturbed. Why is the perfect reestablishment practiced and prized, why +is it composed. The result the pure result is juice and size and baking +and exhibition and nonchalance and sacrifice and volume and a section in +division and the surrounding recognition and horticulture and no murmur. +This is a result. There is no superposition and circumstance, there is +hardness and a reason and the rest and remainder. There is no delight +and no mathematics. + + +MUTTON. + +A letter which can wither, a learning which can suffer and an outrage +which is simultaneous is principal. + +Student, students are merciful and recognised they chew something. + +Hate rests that is solid and sparse and all in a shape and largely very +largely. Interleaved and successive and a sample of smell all this makes +a certainty a shade. + +Light curls very light curls have no more curliness than soup. This is +not a subject. + +Change a single stream of denting and change it hurriedly, what does it +express, it expresses nausea. Like a very strange likeness and pink, +like that and not more like that than the same resemblance and not more +like that than no middle space in cutting. + +An eye glass, what is an eye glass, it is water. A splendid specimen, +what is it when it is little and tender so that there are parts. A +centre can place and four are no more and two and two are not middle. + +Melting and not minding, safety and powder, a particular recollection +and a sincere solitude all this makes a shunning so thorough and so +unrepeated and surely if there is anything left it is a bone. It is not +solitary. + +Any space is not quiet it is so likely to be shiny. Darkness very dark +darkness is sectional. There is a way to see in onion and surely very +surely rhubarb and a tomato, surely very surely there is that seeding. A +little thing in is a little thing. + +Mud and water were not present and not any more of either. Silk and +stockings were not present and not any more of either. A receptacle and +a symbol and no monster were present and no more. This made a piece +show and was it a kindness, it can be asked was it a kindness to have it +warmer, was it a kindness and does gliding mean more. Does it. + +Does it dirty a ceiling. It does not. Is it dainty, it is if prices are +sweet. Is it lamentable, it is not if there is no undertaker. Is it +curious, it is not when there is youth. All this makes a line, it even +makes makes no more. All this makes cherries. The reason that there is a +suggestion in vanity is due to this that there is a burst of mixed +music. + +A temptation any temptation is an exclamation if there are misdeeds and +little bones. It is not astonishing that bones mingle as they vary not +at all and in any case why is a bone outstanding, it is so because the +circumstance that does not make a cake and character is so easily +churned and cherished. + +Mouse and mountain and a quiver, a quaint statue and pain in an exterior +and silence more silence louder shows salmon a mischief intender. A +cake, a real salve made of mutton and liquor, a specially retained +rinsing and an established cork and blazing, this which resignation +influences and restrains, restrains more altogether. A sign is the +specimen spoken. + +A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so +little is more. Lecture, lecture and repeat instruction. + + +BREAKFAST. + +A change, a final change includes potatoes. This is no authority for the +abuse of cheese. What language can instruct any fellow. + +A shining breakfast, a breakfast shining, no dispute, no practice, +nothing, nothing at all. + +A sudden slice changes the whole plate, it does so suddenly. + +An imitation, more imitation, imitation succeed imitations. + +Anything that is decent, anything that is present, a calm and a cook and +more singularly still a shelter, all these show the need of clamor. What +is the custom, the custom is in the centre. + +What is a loving tongue and pepper and more fish than there is when +tears many tears are necessary. The tongue and the salmon, there is not +salmon when brown is a color, there is salmon when there is no meaning +to an early morning being pleasanter. There is no salmon, there are no +tea-cups, there are the same kind of mushes as are used as stomachers +by the eating hopes that makes eggs delicious. Drink is likely to stir a +certain respect for an egg cup and more water melon than was ever eaten +yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee +and a sample of soup all soup these are the choice of a baker. A white +cup means a wedding. A wet cup means a vacation. A strong cup means an +especial regulation. A single cup means a capital arrangement between +the drawer and the place that is open. + +Price a price is not in language, it is not in custom, it is not in +praise. + +A colored loss, why is there no leisure. If the persecution is so +outrageous that nothing is solemn is there any occasion for persuasion. + +A grey turn to a top and bottom, a silent pocketful of much heating, all +the pliable succession of surrendering makes an ingenious joy. + +A breeze in a jar and even then silence, a special anticipation in a +rack, a gurgle a whole gurgle and more cheese than almost anything, is +this an astonishment, does this incline more than the original division +between a tray and a talking arrangement and even then a calling into +another room gently with some chicken in any way. + +A bent way that is a way to declare that the best is all together, a +bent way shows no result, it shows a slight restraint, it shows a +necessity for retraction. + +Suspect a single buttered flower, suspect it certainly, suspect it and +then glide, does that not alter a counting. + +A hurt mended stick, a hurt mended cup, a hurt mended article of +exceptional relaxation and annoyance, a hurt mended, hurt and mended is +so necessary that no mistake is intended. + +What is more likely than a roast, nothing really and yet it is never +disappointed singularly. + +A steady cake, any steady cake is perfect and not plain, any steady cake +has a mounting reason and more than that it has singular crusts. A +season of more is a season that is instead. A season of many is not more +a season than most. + +Take no remedy lightly, take no urging intently, take no separation +leniently, beware of no lake and no larder. + +Burden the cracked wet soaking sack heavily, burden it so that it is an +institution in fright and in climate and in the best plan that there can +be. + +An ordinary color, a color is that strange mixture which makes, which +does make which does not make a ripe juice, which does not make a mat. + +A work which is a winding a real winding of the cloaking of a relaxing +rescue. This which is so cool is not dusting, it is not dirtying in +smelling, it could use white water, it could use more extraordinarily +and in no solitude altogether. This which is so not winsome and not +widened and really not so dipped as dainty and really dainty, very +dainty, ordinarily, dainty, a dainty, not in that dainty and dainty. If +the time is determined, if it is determined and there is reunion there +is reunion with that then outline, then there is in that a piercing +shutter, all of a piercing shouter, all of a quite weather, all of a +withered exterior, all of that in most violent likely. + +An excuse is not dreariness, a single plate is not butter, a single +weight is not excitement, a solitary crumbling is not only martial. + +A mixed protection, very mixed with the same actual intentional +unstrangeness and riding, a single action caused necessarily is not more +a sign than a minister. + +Seat a knife near a cage and very near a decision and more nearly a +timely working cat and scissors. Do this temporarily and make no more +mistake in standing. Spread it all and arrange the white place, does +this show in the house, does it not show in the green that is not +necessary for that color, does it not even show in the explanation and +singularly not at all stationary. + + +SUGAR. + +A violent luck and a whole sample and even then quiet. + +Water is squeezing, water is almost squeezing on lard. Water, water is a +mountain and it is selected and it is so practical that there is no use +in money. A mind under is exact and so it is necessary to have a mouth +and eye glasses. + +A question of sudden rises and more time than awfulness is so easy and +shady. There is precisely that noise. + +A peck a small piece not privately overseen, not at all not a slice, not +at all crestfallen and open, not at all mounting and chaining and evenly +surpassing, all the bidding comes to tea. + +A separation is not tightly in worsted and sauce, it is so kept well and +sectionally. + +Put it in the stew, put it to shame. A little slight shadow and a solid +fine furnace. + +The teasing is tender and trying and thoughtful. + +The line which sets sprinkling to be a remedy is beside the best cold. + +A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday. + +Wet crossing and a likeness, any likeness, a likeness has blisters, it +has that and teeth, it has the staggering blindly and a little green, +any little green is ordinary. + +One, two and one, two, nine, second and five and that. + +A blaze, a search in between, a cow, only any wet place, only this tune. + +Cut a gas jet uglier and then pierce pierce in between the next and +negligence. Choose the rate to pay and pet pet very much. A collection +of all around, a signal poison, a lack of languor and more hurts at +ease. + +A white bird, a colored mine, a mixed orange, a dog. + +Cuddling comes in continuing a change. + +A piece of separate outstanding rushing is so blind with open delicacy. + +A canoe is orderly. A period is solemn. A cow is accepted. + +A nice old chain is widening, it is absent, it is laid by. + + +CRANBERRIES. + +Could there not be a sudden date, could there not be in the present +settlement of old age pensions, could there not be by a witness, could +there be. + +Count the chain, cut the grass, silence the noon and murder flies. See +the basting undip the chart, see the way the kinds are best seen from +the rest, from that and untidy. + +Cut the whole space into twenty-four spaces and then and then is there a +yellow color, there is but it is smelled, it is then put where it is and +nothing stolen. + +A remarkable degree of red means that, a remarkable exchange is made. + +Climbing altogether in when there is a solid chance of soiling no more +than a dirty thing, coloring all of it in steadying is jelly. + +Just as it is suffering, just as it is succeeded, just as it is moist so +is there no countering. + + +MILK. + +A white egg and a colored pan and a cabbage showing settlement, a +constant increase. + +A cold in a nose, a single cold nose makes an excuse. Two are more +necessary. + +All the goods are stolen, all the blisters are in the cup. + +Cooking, cooking is the recognition between sudden and nearly sudden +very little and all large holes. + +A real pint, one that is open and closed and in the middle is so bad. + +Tender colds, seen eye holders, all work, the best of change, the +meaning, the dark red, all this and bitten, really bitten. + +Guessing again and golfing again and the best men, the very best men. + + +MILK. + +Climb up in sight climb in the whole utter needles and a guess a whole +guess is hanging. Hanging hanging. + + +EGGS. + +Kind height, kind in the right stomach with a little sudden mill. + +Cunning shawl, cunning shawl to be steady. + +In white in white handkerchiefs with little dots in a white belt all +shadows are singular they are singular and procured and relieved. + +No that is not the cows shame and a precocious sound, it is a bite. + +Cut up alone the paved way which is harm. Harm is old boat and a likely +dash. + + +APPLE. + +Apple plum, carpet steak, seed clam, colored wine, calm seen, cold +cream, best shake, potato, potato and no no gold work with pet, a green +seen is called bake and change sweet is bready, a little piece a little +piece please. + +A little piece please. Cane again to the presupposed and ready +eucalyptus tree, count out sherry and ripe plates and little corners of +a kind of ham. This is use. + + +TAILS. + +Cold pails, cold with joy no joy. + +A tiny seat that means meadows and a lapse of cuddles with cheese and +nearly bats, all this went messed. The post placed a loud loose sprain. +A rest is no better. It is better yet. All the time. + + +LUNCH. + +Luck in loose plaster makes holy gauge and nearly that, nearly more +states, more states come in town light kite, blight not white. + +A little lunch is a break in skate a little lunch so slimy, a west end +of a board line is that which shows a little beneath so that necessity +is a silk under wear. That is best wet. It is so natural, and why is +there flake, there is flake to explain exhaust. + +A real cold hen is nervous is nervous with a towel with a spool with +real beads. It is mostly an extra sole nearly all that shaved, shaved +with an old mountain, more than that bees more than that dinner and a +bunch of likes that is to say the hearts of onions aim less. + +Cold coffee with a corn a corn yellow and green mass is a gem. + + +CUPS. + +A single example of excellence is in the meat. A bent stick is surging +and might all might is mental. A grand clothes is searching out a candle +not that wheatly not that by more than an owl and a path. A ham is proud +of cocoanut. + +A cup is neglected by being all in size. It is a handle and meadows and +sugar any sugar. + +A cup is neglected by being full of size. It shows no shade, in come +little wood cuts and blessing and nearly not that not with a wild bought +in, not at all so polite, not nearly so behind. + +Cups crane in. They need a pet oyster, they need it so hoary and nearly +choice. The best slam is utter. Nearly be freeze. + +Why is a cup a stir and a behave. Why is it so seen. + +A cup is readily shaded, it has in between no sense that is to say +music, memory, musical memory. + +Peanuts blame, a half sand is holey and nearly. + + +RHUBARB. + +Rhubarb is susan not susan not seat in bunch toys not wild and laughable +not in little places not in neglect and vegetable not in fold coal age +not please. + + +SINGLE FISH. + +Single fish single fish single fish egg-plant single fish sight. + +A sweet win and not less noisy than saddle and more ploughing and nearly +well painted by little things so. + +Please shade it a play. It is necessary and beside the large sort is +puff. + +Every way oakly, please prune it near. It is so found. + +It is not the same. + + +CAKE. + +Cake cast in went to be and needles wine needles are such. + +This is today. A can experiment is that which makes a town, makes a town +dirty, it is little please. We came back. Two bore, bore what, a mussed +ash, ash when there is tin. This meant cake. It was a sign. + +Another time there was extra a hat pin sought long and this dark made a +display. The result was yellow. A caution, not a caution to be. + +It is no use to cause a foolish number. A blanket stretch a cloud, a +shame, all that bakery can tease, all that is beginning and yesterday +yesterday we had it met. It means some change. No some day. + +A little leaf upon a scene an ocean any where there, a bland and likely +in the stream a recollection green land. Why white. + + +CUSTARD. + +Custard is this. It has aches, aches when. Not to be. Not to be +narrowly. This makes a whole little hill. + +It is better than a little thing that has mellow real mellow. It is +better than lakes whole lakes, it is better than seeding. + + +POTATOES. + +Real potatoes cut in between. + + +POTATOES. + +In the preparation of cheese, in the preparation of crackers, in the +preparation of butter, in it. + + +ROAST POTATOES. + +Roast potatoes for. + + +ASPARAGUS. + +Asparagus in a lean in a lean to hot. This makes it art and it is wet +wet weather wet weather wet. + + +BUTTER. + +Boom in boom in, butter. Leave a grain and show it, show it. I spy. + +It is a need it is a need that a flower a state flower. It is a need +that a state rubber. It is a need that a state rubber is sweet and sight +and a swelled stretch. It is a need. It is a need that state rubber. + +Wood a supply. Clean little keep a strange, estrange on it. + +Make a little white, no and not with pit, pit on in within. + + +END OF SUMMER. + +Little eyelets that have hammer and a check with stripes between a +lounge, in wit, in a rested development. + + +SAUSAGES. + +Sausages in between a glass. + +There is read butter. A loaf of it is managed. Wake a question. Eat an +instant, answer. + +A reason for bed is this, that a decline, any decline is poison, poison +is a toe a toe extractor, this means a solemn change. Hanging. + +No evil is wide, any extra in leaf is so strange and singular a red +breast. + + +CELERY. + +Celery tastes tastes where in curled lashes and little bits and mostly +in remains. + +A green acre is so selfish and so pure and so enlivened. + + +VEAL. + +Very well very well, washing is old, washing is washing. + +Cold soup, cold soup clear and particular and a principal a principal +question to put into. + + +VEGETABLE. + +What is cut. What is cut by it. What is cut by it in. + +It was a cress a crescent a cross and an unequal scream, it was +upslanting, it was radiant and reasonable with little ins and red. + +News. News capable of glees, cut in shoes, belike under pump of wide +chalk, all this combing. + + +WAY LAY VEGETABLE. + +Leaves in grass and mow potatoes, have a skip, hurry you up flutter. + +Suppose it is ex a cake suppose it is new mercy and leave charlotte and +nervous bed rows. Suppose it is meal. Suppose it is sam. + + +COOKING. + +Alas, alas the pull alas the bell alas the coach in china, alas the +little put in leaf alas the wedding butter meat, alas the receptacle, +alas the back shape of mussle, mussle and soda. + + +CHICKEN. + +Pheasant and chicken, chicken is a peculiar third. + + +CHICKEN. + +Alas a dirty word, alas a dirty third alas a dirty third, alas a dirty +bird. + + +CHICKEN. + +Alas a doubt in case of more go to say what it is cress. What is it. +Mean. Potato. Loaves. + + +CHICKEN. + +Stick stick call then, stick stick sticking, sticking with a chicken. +Sticking in a extra succession, sticking in. + + +CHAIN-BOATS. + +Chain-boats are merry, are merry blew, blew west, carpet. + + +PASTRY. + +Cutting shade, cool spades and little last beds, make violet, violet +when. + + +CREAM. + +In a plank, in a play sole, in a heated red left tree there is shut in +specs with salt be where. This makes an eddy. Necessary. + + +CREAM. + +Cream cut. Any where crumb. Left hop chambers. + + +CUCUMBER. + +Not a razor less, not a razor, ridiculous pudding, red and relet put in, +rest in a slender go in selecting, rest in, rest in in white widening. + + +DINNER. + +Not a little fit, not a little fit sun sat in shed more mentally. + +Let us why, let us why weight, let us why winter chess, let us why way. + +Only a moon to soup her, only that in the sell never never be the cocups +nice be, shatter it they lay. + +Egg ear nuts, look a bout. Shoulder. Let it strange, sold in bell next +herds. + +It was a time when in the acres in late there was a wheel that shot a +burst of land and needless are niggers and a sample sample set of old +eaten butterflies with spoons, all of it to be are fled and measure make +it, make it, yet all the one in that we see where shall not it set with +a left and more so, yes there add when the longer not it shall the best +in the way when all be with when shall not for there with see and chest +how for another excellent and excellent and easy easy excellent and easy +express e c, all to be nice all to be no so. All to be no so no so. All +to be not a white old chat churner. Not to be any example of an edible +apple in. + + +DINING. + +Dining is west. + + +EATING. + +Eat ting, eating a grand old man said roof and never never re soluble +burst, not a near ring not a bewildered neck, not really any such bay. + +Is it so a noise to be is it a least remain to rest, is it a so old say +to be, is it a leading are been. Is it so, is it so, is it so, is it so +is it so is it so. + +Eel us eel us with no no pea no pea cool, no pea cool cooler, no pea +cooler with a land a land cost in, with a land cost in stretches. + +Eating he heat eating he heat it eating, he heat it heat eating. He heat +eating. + +A little piece of pay of pay owls owls such as pie, bolsters. + +Will leap beat, willie well all. The rest rest oxen occasion occasion to +be so purred, so purred how. + +It was a ham it was a square come well it was a square remain, a square +remain not it a bundle, not it a bundle so is a grip, a grip to shed bay +leave bay leave draught, bay leave draw cider in low, cider in low and +george. George is a mass. + + +EATING. + +It was a shame it was a shame to stare to stare and double and relieve +relieve be cut up show as by the elevation of it and out out more in the +steady where the come and on and the all the shed and that. + +It was a garden and belows belows straight. It was a pea, a pea pour it +in its not a succession, not it a simple, not it a so election, election +with. + + +SALAD. + +It is a winning cake. + + +SAUCE. + +What is bay labored what is all be section, what is no much. Sauce sam +in. + + +SALMON. + +It was a peculiar bin a bin fond in beside. + + +ORANGE. + +Why is a feel oyster an egg stir. Why is it orange centre. + +A show at tick and loosen loosen it so to speak sat. + +It was an extra leaker with a see spoon, it was an extra licker with a +see spoon. + + +ORANGE. + +A type oh oh new new not no not knealer knealer of old show beefsteak, +neither neither. + + +ORANGES. + +Build is all right. + + +ORANGE IN. + +Go lack go lack use to her. + +Cocoa and clear soup and oranges and oat-meal. + +Whist bottom whist close, whist clothes, woodling. + +Cocoa and clear soup and oranges and oat-meal. + +Pain soup, suppose it is question, suppose it is butter, real is, real +is only, only excreate, only excreate a no since. + +A no, a no since, a no since when, a no since when since, a no since +when since a no since when since, a no since, a no since when since, a +no since, a no, a no since a no since, a no since, a no since. + + +SALAD DRESSING AND AN ARTICHOKE. + +Please pale hot, please cover rose, please acre in the red stranger, +please butter all the beef-steak with regular feel faces. + + +SALAD DRESSING AND AN ARTICHOKE. + +It was please it was please carriage cup in an ice-cream, in an +ice-cream it was too bended bended with scissors and all this time. A +whole is inside a part, a part does go away, a hole is red leaf. No +choice was where there was and a second and a second. + + +A CENTRE IN A TABLE. + +It was a way a day, this made some sum. Suppose a cod liver a cod liver +is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil +tunny is pressed suppose a cod liver oil tunny pressed is china and +secret with a bestow a bestow reed, a reed to be a reed to be, in a reed +to be. + +Next to me next to a folder, next to a folder some waiter, next to a +foldersome waiter and re letter and read her. Read her with her for +less. + + + + +ROOMS + + +Act so that there is no use in a centre. A wide action is not a width. A +preparation is given to the ones preparing. They do not eat who mention +silver and sweet. There was an occupation. + +A whole centre and a border make hanging a way of dressing. This which +is not why there is a voice is the remains of an offering. There was no +rental. + +So the tune which is there has a little piece to play, and the exercise +is all there is of a fast. The tender and true that makes no width to +hew is the time that there is question to adopt. + +To begin the placing there is no wagon. There is no change lighter. It +was done. And then the spreading, that was not accomplishing that needed +standing and yet the time was not so difficult as they were not all in +place. They had no change. They were not respected. They were that, they +did it so much in the matter and this showed that that settlement was +not condensed. It was spread there. Any change was in the ends of the +centre. A heap was heavy. There was no change. + +Burnt and behind and lifting a temporary stone and lifting more than a +drawer. + +The instance of there being more is an instance of more. The shadow is +not shining in the way there is a black line. The truth has come. There +is a disturbance. Trusting to a baker's boy meant that there would be +very much exchanging and anyway what is the use of a covering to a door. +There is a use, they are double. + +If the centre has the place then there is distribution. That is natural. +There is a contradiction and naturally returning there comes to be both +sides and the centre. That can be seen from the description. + +The author of all that is in there behind the door and that is entering +in the morning. Explaining darkening and expecting relating is all of a +piece. The stove is bigger. It was of a shape that made no audience +bigger if the opening is assumed why should there not be kneeling. Any +force which is bestowed on a floor shows rubbing. This is so nice and +sweet and yet there comes the change, there comes the time to press +more air. This does not mean the same as disappearance. + +A little lingering lion and a Chinese chair, all the handsome cheese +which is stone, all of it and a choice, a choice of a blotter. If it is +difficult to do it one way there is no place of similar trouble. None. +The whole arrangement is established. The end of which is that there is +a suggestion, a suggestion that there can be a different whiteness to a +wall. This was thought. + +A page to a corner means that the shame is no greater when the table is +longer. A glass is of any height, it is higher, it is simpler and if it +were placed there would not be any doubt. + +Something that is an erection is that which stands and feeds and +silences a tin which is swelling. This makes no diversion that is to say +what can please exaltation, that which is cooking. + +A shine is that which when covered changes permission. An enclosure +blends with the same that is to say there is blending. A blend is that +which holds no mice and this is not because of a floor it is because of +nothing, it is not in a vision. + +A fact is that when the place was replaced all was left that was stored +and all was retained that would not satisfy more than another. The +question is this, is it possible to suggest more to replace that thing. +This question and this perfect denial does make the time change all the +time. + +The sister was not a mister. Was this a surprise. It was. The conclusion +came when there was no arrangement. All the time that there was a +question there was a decision. Replacing a casual acquaintance with an +ordinary daughter does not make a son. + +It happened in a way that the time was perfect and there was a growth of +a whole dividing time so that where formerly there was no mistake there +was no mistake now. For instance before when there was a separation +there was waiting, now when there is separation there is the division +between intending and departing. This made no more mixture than there +would be if there had been no change. + +A little sign of an entrance is the one that made it alike. If it were +smaller it was not alike and it was so much smaller that a table was +bigger. A table was much bigger, very much bigger. Changing that made +nothing bigger, it did not make anything bigger littler, it did not +hinder wood from not being used as leather. And this was so charming. +Harmony is so essential. Is there pleasure when there is a passage, +there is when every room is open. Every room is open when there are not +four, there were there and surely there were four, there were two +together. There is no resemblance. + +A single speed, the reception of table linen, all the wonder of six +little spoons, there is no exercise. + +The time came when there was a birthday. Every day was no excitement and +a birthday was added, it was added on Monday, this made the memory +clear, this which was a speech showed the chair in the middle where +there was copper. + +Alike and a snail, this means Chinamen, it does there is no doubt that +to be right is more than perfect there is no doubt and glass is +confusing it confuses the substance which was of a color. Then came the +time for discrimination, it came then and it was never mentioned it was +so triumphant, it showed the whole head that had a hole and should have +a hole it showed the resemblance between silver. + +Startling a starving husband is not disagreeable. The reason that +nothing is hidden is that there is no suggestion of silence. No song is +sad. A lesson is of consequence. + +Blind and weak and organised and worried and betrothed and resumed and +also asked to a fast and always asked to consider and never startled and +not at all bloated, this which is no rarer than frequently is not so +astonishing when hair brushing is added. There is quiet, there certainly +is. + +No eye-glasses are rotten, no window is useless and yet if air will not +come in there is a speech ready, there always is and there is no +dimness, not a bit of it. + +All along the tendency to deplore the absence of more has not been +authorised. It comes to mean that with burning there is that pleasant +state of stupefication. Then there is a way of earning a living. Who is +a man. + +A silence is not indicated by any motion, less is indicated by a motion, +more is not indicated it is enthralled. So sullen and so low, so much +resignation, so much refusal and so much place for a lower and an upper, +so much and yet more silence, why is not sleeping a feat why is it not +and when is there some discharge when. There never is. + +If comparing a piece that is a size that is recognised as not a size but +a piece, comparing a piece with what is not recognised but what is used +as it is held by holding, comparing these two comes to be repeated. +Suppose they are put together, suppose that there is an interruption, +supposing that beginning again they are not changed as to position, +suppose all this and suppose that any five two of whom are not +separating suppose that the five are not consumed. Is there an exchange, +is there a resemblance to the sky which is admitted to be there and the +stars which can be seen. Is there. That was a question. There was no +certainty. Fitting a failing meant that any two were indifferent and yet +they were all connecting that, they were all connecting that +consideration. This did not determine rejoining a letter. This did not +make letters smaller. It did. + +The stamp that is not only torn but also fitting is not any symbol. It +suggests nothing. A sack that has no opening suggests more and the loss +is not commensurate. The season gliding and the torn hangings receiving +mending all this shows an example, it shows the force of sacrifice and +likeness and disaster and a reason. + +The time when there is not the question is only seen when there is a +shower. Any little thing is water. + +There was a whole collection made. A damp cloth, an oyster, a single +mirror, a manikin, a student, a silent star, a single spark, a little +movement and the bed is made. This shows the disorder, it does, it shows +more likeness than anything else, it shows the single mind that directs +an apple. All the coats have a different shape, that does not mean that +they differ in color, it means a union between use and exercise and a +horse. + +A plain hill, one is not that which is not white and red and green, a +plain hill makes no sunshine, it shows that without a disturber. So the +shape is there and the color and the outline and the miserable centre, +it is not very likely that there is a centre, a hill is a hill and no +hill is contained in a pink tender descender. + +A can containing a curtain is a solid sentimental usage. The trouble in +both eyes does not come from the same symmetrical carpet, it comes from +there being no more disturbance than in little paper. This does show the +teeth, it shows color. + +A measure is that which put up so that it shows the length has a steel +construction. Tidiness is not delicacy, it does not destroy the whole +piece, certainly not it has been measured and nothing has been cut off +and even if that has been lost there is a name, no name is signed and +left over, not any space is fitted so that moving about is plentiful. +Why is there so much resignation in a package, why is there rain, all +the same the chance has come, there is no bell to ring. + +A package and a filter and even a funnel, all this together makes a +scene and supposing the question arises is hair curly, is it dark and +dusty, supposing that question arises, is brushing necessary, is it, +the whole special suddenness commences then, there is no delusion. + +A cape is a cover, a cape is not a cover in summer, a cape is a cover +and the regulation is that there is no such weather. A cape is not +always a cover, a cape is not a cover when there is another, there is +always something in that thing in establishing a disposition to put +wetting where it will not do more harm. There is always that disposition +and in a way there is some use in not mentioning changing and in +establishing the temperature, there is some use in it as establishing +all that lives dimmer freer and there is no dinner in the middle of +anything. There is no such thing. + +Why is a pale white not paler than blue, why is a connection made by a +stove, why is the example which is mentioned not shown to be the same, +why is there no adjustment between the place and the separate attention. +Why is there a choice in gamboling. Why is there no necessary dull +stable, why is there a single piece of any color, why is there that +sensible silence. Why is there the resistance in a mixture, why is there +no poster, why is there that in the window, why is there no suggester, +why is there no window, why is there no oyster closer. Why is there a +circular diminisher, why is there a bather, why is there no scraper, why +is there a dinner, why is there a bell ringer, why is there a duster, +why is there a section of a similar resemblance, why is there that +scissor. + +South, south which is a wind is not rain, does silence choke speech or +does it not. + +Lying in a conundrum, lying so makes the springs restless, lying so is a +reduction, not lying so is arrangeable. + +Releasing the oldest auction that is the pleasing some still renewing. + +Giving it away, not giving it away, is there any difference. Giving it +away. Not giving it away. + +Almost very likely there is no seduction, almost very likely there is no +stream, certainly very likely the height is penetrated, certainly +certainly the target is cleaned. Come to sit, come to refuse, come to +surround, come slowly and age is not lessening. The time which showed +that was when there was no eclipse. All the time that resenting was +removal all that time there was breadth. No breath is shadowed, no +breath is paintaking and yet certainly what could be the use of paper, +paper shows no disorder, it shows no desertion. + +Why is there a difference between one window and another, why is there +a difference, because the curtain is shorter. There is no distaste in +beefsteak or in plums or in gallons of milk water, there is no defiance +in original piling up over a roof, there is no daylight in the evening, +there is none there empty. + +A tribune, a tribune does not mean paper, it means nothing more than +cake, it means more sugar, it shows the state of lengthening any nose. +The last spice is that which shows the whole evening spent in that +sleep, it shows so that walking is an alleviation, and yet this +astonishes everybody the distance is so sprightly. In all the time there +are three days, those are not passed uselessly. Any little thing is a +change that is if nothing is wasted in that cellar. All the rest of the +chairs are established. + +A success, a success is alright when there are there rooms and no +vacancies, a success is alright when there is a package, success is +alright anyway and any curtain is wholesale. A curtain diminishes and an +ample space shows varnish. + +One taste one tack, one taste one bottle, one taste one fish, one taste +one barometer. This shows no distinguishing sign when there is a store. + +Any smile is stern and any coat is a sample. Is there any use in +changing more doors than there are committees. This question is so often +asked that squares show that they are blotters. It is so very agreeable +to hear a voice and to see all the signs of that expression. + +Cadences, real cadences, real cadences and a quiet color. Careful and +curved, cake and sober, all accounts and mixture, a guess at anything is +righteous, should there be a call there would be a voice. + +A line in life, a single line and a stairway, a rigid cook, no cook and +no equator, all the same there is higher than that another evasion. Did +that mean shame, it meant memory. Looking into a place that was hanging +and was visible looking into this place and seeing a chair did that mean +relief, it did, it certainly did not cause constipation and yet there is +a melody that has white for a tune when there is straw color. This shows +no face. + +Star-light, what is star-light, star-light is a little light that is not +always mentioned with the sun, it is mentioned with the moon and the +sun, it is mixed up with the rest of the time. + +Why is the name changed The name is changed because in the little space +there is a tree, in some space there are no trees, in every space there +is a hint of more, all this causes the decision. + +Why is there education, there is education because the two tables which +are folding are not tied together with a ribbon, string is used and +string being used there is a necessity for another one and another one +not being used to hearing shows no ordinary use of any evening and yet +there is no disgrace in looking, none at all. This came to separate when +there was simple selection of an entire preoccupation. + +A curtain, a curtain which is fastened discloses mourning, this does not +mean sparrows or elocution or even a whole preparation, it means that +there are ears and very often much more altogether. + +Climate, climate is not southern, a little glass, a bright winter, a +strange supper an elastic tumbler, all this shows that the back is +furnished and red which is red is a dark color. An example of this is +fifteen years and a separation of regret. + +China is not down when there are plates, lights are not ponderous and +incalculable. + +Currents, currents are not in the air and on the floor and in the door +and behind it first. Currents do not show it plainer. This which is +mastered has so thin a space to build it all that there is plenty of +room and yet is it quarreling, it is not and the insistence is marked. A +change is in a current and there is no habitable exercise. + +A religion, almost a religion, any religion, a quintal in religion, a +relying and a surface and a service in indecision and a creature and a +question and a syllable in answer and more counting and no quarrel and a +single scientific statement and no darkness and no question and an +earned administration and a single set of sisters and an outline and no +blisters and the section seeing yellow and the centre having spelling +and no solitude and no quaintness and yet solid quite so solid and the +single surface centred and the question in the placard and the +singularity, is there a singularity, and the singularity, why is there a +question and the singularity why is the surface outrageous, why is it +beautiful why is it not when there is no doubt, why is anything vacant, +why is not disturbing a centre no virtue, why is it when it is and why +is it when it is and there is no doubt, there is no doubt that the +singularity shows. + +A climate, a single climate, all the time there is a single climate, any +time there is a doubt, any time there is music that is to question more +and more and there is no politeness, there is hardly any ordeal and +certainly there is no tablecloth. + +This is a sound and obligingness more obligingness leads to a harmony +in hesitation. + +A lake a single lake which is a pond and a little water any water which +is an ant and no burning, not any burning, all this is sudden. + +A canister that is the remains of furniture and a looking-glass and a +bed-room and a larger size, all the stand is shouted and what is ancient +is practical. Should the resemblance be so that any little cover is +copied, should it be so that yards are measured, should it be so and +there be a sin, should it be so then certainly a room is big enough when +it is so empty and the corners are gathered together. + +The change is mercenary that settles whitening the coloring and serving +dishes where there is metal and making yellow any yellow every color in +a shade which is expressed in a tray. This is a monster and awkward +quite awkward and the little design which is flowered which is not +strange and yet has visible writing, this is not shown all the time but +at once, after that it rests where it is and where it is in place. No +change is not needed. That does show design. + +Excellent, more excellence is borrowing and slanting very slanting is +light and secret and a recitation and emigration. Certainly shoals are +shallow and nonsense more nonsense is sullen. Very little cake is water, +very little cake has that escape. + +Sugar any sugar, anger every anger, lover sermon lover, centre no +distractor, all order is in a measure. + +Left over to be a lamp light, left over in victory, left over in saving, +all this and negligence and bent wood and more even much more is not so +exact as a pen and a turtle and even, certainly, and even a piece of the +same experience as more. + +To consider a lecture, to consider it well is so anxious and so much a +charity and really supposing there is grain and if a stubble every +stubble is urgent, will there not be a chance of legality. The sound is +sickened and the price is purchased and golden what is golden, a +clergyman, a single tax, a currency and an inner chamber. + +Checking an emigration, checking it by smiling and certainly by the same +satisfactory stretch of hands that have more use for it than nothing, +and mildly not mildly a correction, not mildly even a circumstance and a +sweetness and a serenity. Powder, that has no color, if it did have +would it be white. + +A whole soldier any whole soldier has no more detail than any case of +measles. + +A bridge a very small bridge in a location and thunder, any thunder, +this is the capture of reversible sizing and more indeed more can be +cautious. This which makes monotony careless makes it likely that there +is an exchange in principle and more than that, change in organization. + +This cloud does change with the movements of the moon and the narrow the +quite narrow suggestion of the building. It does and then when it is +settled and no sounds differ then comes the moment when cheerfulness is +so assured that there is an occasion. + +A plain lap, any plain lap shows that sign, it shows that there is not +so much extension as there would be if there were more choice in +everything. And why complain of more, why complain of very much more. +Why complain at all when it is all arranged that as there is no more +opportunity and no more appeal and not even any more clinching that +certainly now some time has come. + +A window has another spelling, it has "f" all together, it lacks no more +then and this is rain, this may even be something else, at any rate +there is no dedication in splendor. There is a turn of the stranger. + +Catholic to be turned is to venture on youth and a section of debate, it +even means that no class where each one over fifty is regular is so +stationary that there are invitations. + +A curving example makes righteous finger-nails. This is the only object +in secretion and speech. + +To being the same four are no more than were taller. The rest had a big +chair and a surveyance a cold accumulation of nausea, and even more than +that, they had a disappointment. + +Nothing aiming is a flower, if flowers are abundant then they are lilac, +if they are not they are white in the centre. + +Dance a clean dream and an extravagant turn up, secure the steady rights +and translate more than translate the authority, show the choice and +make no more mistakes than yesterday. + +This means clearness, it means a regular notion of exercise, it means +more than that, it means liking counting, it means more than that, it +does not mean exchanging a line. + +Why is there more craving than there is in a mountain. This does not +seem strange to one, it does not seem strange to an echo and more surely +is in there not being a habit. Why is there so much useless suffering. +Why is there. + +Any wet weather means an open window, what is attaching eating, anything +that is violent and cooking and shows weather is the same in the end and +why is there more use in something than in all that. + +The cases are made and books, back books are used to secure tears and +church. They are even used to exchange black slippers. They can not be +mended with wax. They show no need of any such occasion. + +A willow and no window, a wide place stranger, a wideness makes an +active center. + +The sight of no pussy cat is so different that a tobacco zone is white +and cream. + +A lilac, all a lilac and no mention of butter, not even bread and +butter, no butter and no occasion, not even a silent resemblance, not +more care than just enough haughty. + +A safe weight is that which when it pleases is hanging. A safer weight +is one more naughty in a spectacle. The best game is that which is shiny +and scratching. Please a pease and a cracker and a wretched use of +summer. + +Surprise, the only surprise has no occasion. It is an ingredient and the +section the whole section is one season. + +A pecking which is petting and no worse than in the same morning is not +the only way to be continuous often. + +A light in the moon the only light is on Sunday. What was the sensible +decision. The sensible decision was that notwithstanding many +declarations and more music, not even notwithstanding the choice and a +torch and a collection, notwithstanding the celebrating hat and a +vacation and even more noise than cutting, notwithstanding Europe and +Asia and being overbearing, not even notwithstanding an elephant and a +strict occasion, not even withstanding more cultivation and some +seasoning, not even with drowning and with the ocean being encircling, +not even with more likeness and any cloud, not even with terrific +sacrifice of pedestrianism and a special resolution, not even more +likely to be pleasing. The care with which the rain is wrong and the +green is wrong and the white is wrong, the care with which there is a +chair and plenty of breathing. The care with which there is incredible +justice and likeness, all this makes a magnificent asparagus, and also a +fountain. + + + + + +End of the Project Gutenberg EBook of Tender Buttons, by Gertrude Stein + +*** END OF THIS PROJECT GUTENBERG EBOOK TENDER BUTTONS *** + +***** This file should be named 15396.txt or 15396.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/3/9/15396/ + +Produced by Suzanne Shell, Josephine Paolucci and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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