summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 04:46:31 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 04:46:31 -0700
commit8a6c73775935fbf2e94bb050f23d3ed23aa9bf44 (patch)
tree801ebfec82451704031107a8026f2035ca1c4ce0
initial commit of ebook 15331HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--15331-8.txt5958
-rw-r--r--15331-8.zipbin0 -> 111086 bytes
-rw-r--r--15331-h.zipbin0 -> 1339068 bytes
-rw-r--r--15331-h/15331-h.htm6652
-rw-r--r--15331-h/images/image01.jpgbin0 -> 68787 bytes
-rw-r--r--15331-h/images/image02.jpgbin0 -> 6162 bytes
-rw-r--r--15331-h/images/image03.jpgbin0 -> 35990 bytes
-rw-r--r--15331-h/images/image04.pngbin0 -> 27536 bytes
-rw-r--r--15331-h/images/image05.pngbin0 -> 17389 bytes
-rw-r--r--15331-h/images/image06.pngbin0 -> 36269 bytes
-rw-r--r--15331-h/images/image07.jpgbin0 -> 45995 bytes
-rw-r--r--15331-h/images/image08.jpgbin0 -> 46573 bytes
-rw-r--r--15331-h/images/image09.jpgbin0 -> 50731 bytes
-rw-r--r--15331-h/images/image10.jpgbin0 -> 44393 bytes
-rw-r--r--15331-h/images/image11.jpgbin0 -> 31313 bytes
-rw-r--r--15331-h/images/image12.jpgbin0 -> 36109 bytes
-rw-r--r--15331-h/images/image13.jpgbin0 -> 40795 bytes
-rw-r--r--15331-h/images/image14.pngbin0 -> 28935 bytes
-rw-r--r--15331-h/images/image15.pngbin0 -> 11345 bytes
-rw-r--r--15331-h/images/image16.pngbin0 -> 32949 bytes
-rw-r--r--15331-h/images/image17.jpgbin0 -> 16854 bytes
-rw-r--r--15331-h/images/image18.pngbin0 -> 27922 bytes
-rw-r--r--15331-h/images/image19.pngbin0 -> 23081 bytes
-rw-r--r--15331-h/images/image20.pngbin0 -> 43949 bytes
-rw-r--r--15331-h/images/image21.pngbin0 -> 36445 bytes
-rw-r--r--15331-h/images/image22.pngbin0 -> 30426 bytes
-rw-r--r--15331-h/images/image23.jpgbin0 -> 46215 bytes
-rw-r--r--15331-h/images/image24.pngbin0 -> 17768 bytes
-rw-r--r--15331-h/images/image25.pngbin0 -> 6465 bytes
-rw-r--r--15331-h/images/image26.pngbin0 -> 24598 bytes
-rw-r--r--15331-h/images/image27.jpgbin0 -> 40779 bytes
-rw-r--r--15331-h/images/image28.jpgbin0 -> 32295 bytes
-rw-r--r--15331-h/images/image29.pngbin0 -> 10153 bytes
-rw-r--r--15331-h/images/image30.pngbin0 -> 10867 bytes
-rw-r--r--15331-h/images/image31.pngbin0 -> 10235 bytes
-rw-r--r--15331-h/images/image32.pngbin0 -> 11510 bytes
-rw-r--r--15331-h/images/image33.pngbin0 -> 3861 bytes
-rw-r--r--15331-h/images/image34.pngbin0 -> 33069 bytes
-rw-r--r--15331-h/images/image35.pngbin0 -> 22113 bytes
-rw-r--r--15331-h/images/image36.pngbin0 -> 24722 bytes
-rw-r--r--15331-h/images/image37.pngbin0 -> 37273 bytes
-rw-r--r--15331-h/images/image38.pngbin0 -> 40275 bytes
-rw-r--r--15331-h/images/image39.jpgbin0 -> 26403 bytes
-rw-r--r--15331-h/images/image40.pngbin0 -> 54142 bytes
-rw-r--r--15331-h/images/image41.pngbin0 -> 20488 bytes
-rw-r--r--15331.txt5958
-rw-r--r--15331.zipbin0 -> 111051 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
50 files changed, 18584 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/15331-8.txt b/15331-8.txt
new file mode 100644
index 0000000..9507d07
--- /dev/null
+++ b/15331-8.txt
@@ -0,0 +1,5958 @@
+Project Gutenberg's St. Nicholas, Vol. 5, No. 4, February 1878, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: St. Nicholas, Vol. 5, No. 4, February 1878
+
+Author: Various
+
+Release Date: March 12, 2005 [EBook #15331]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+
+
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+[Illustration: AFTER THE SNOW-STORM.]
+
+
+
+
+ST. NICHOLAS.
+
+VOL. V.
+FEBRUARY, 1878.
+No. 4.
+
+
+[Copyright, 1878, by Scribner & Co.]
+
+
+
+THE SHEPHERD-BOY.
+
+BY EMILY S. OAKEY.
+
+
+ Little Roy led his sheep down to pasture,
+ And his cows, by the side of the brook;
+ But his cows never drank any water,
+ And his sheep never needed a crook.
+
+ For the pasture was gay as a garden,
+ And it glowed with a flowery red;
+ But the meadows had never a grass-blade,
+ And the brooklet--it slept in its bed;
+
+ And it lay without sparkle or murmur,
+ Nor reflected the blue of the skies.
+ But the music was made by the shepherd,
+ And the sparkle was all in his eyes.
+
+ Oh, he sang like a bird in the summer!
+ And, if sometimes you fancied a bleat,
+ That, too, was the voice of the shepherd,
+ And not of the lambs at his feet.
+
+ And the glossy brown cows were so gentle
+ That they moved at the touch of his hand
+ O'er the wonderful rosy-red meadow,
+ And they stood at his word of command.
+
+ So he led all his sheep to the pasture,
+ And his cows, by the side of the brook;
+ Though it rained, yet the rain never patter'd
+ O'er the beautiful way that they took.
+
+ And it wasn't in Fairy-land either,
+ But a house in a commonplace town,
+ Where Roy as he looked from the window
+ Saw the silvery drops trickle down.
+
+ For his pasture was only a table,
+ With its cover so flowery fair,
+ And his brooklet was just a green ribbon
+ That his sister had lost from her hair.
+
+ And his cows they were glossy horse-chestnuts,
+ That had grown on his grandfather's tree;
+ And his sheep they were snowy-white pebbles
+ He had brought from the shore by the sea.
+
+ And at length, when the shepherd was weary,
+ And had taken his milk and his bread,
+ And his mother had kissed him and tucked him,
+ And had bid him "good-night" in his bed,
+
+ Then there enter'd his big brother Walter,
+ While the shepherd was soundly asleep,
+ And he cut up the cows into baskets,
+ And to jack-stones turned all of the sheep.
+
+
+
+
+THE RAVENS AND THE ANGELS.
+
+(_A Story of the Middle Ages._)
+
+BY THE AUTHOR OF "CHRONICLES OF THE SCHÖNBERG-COTTA FAMILY."
+
+
+CHAPTER III.
+
+
+The next day, Gottlieb began his training among the other choristers.
+
+It was not easy.
+
+The choir-master showed his appreciation of his raw treasure by
+straining every nerve to make it as perfect as possible; and therefore
+he found more fault with Gottlieb than with any one else.
+
+The other boys might, he could not but observe, sing carelessly enough,
+so that the general harmony was pretty good; but every note of his
+seemed as if it were a solo which the master's ear never missed, and
+not the slightest mistake was allowed to pass.
+
+The other choristers understood very well what this meant, and some of
+them were not a little jealous of the new favorite, as they called him.
+But to little Gottlieb it seemed hard and strange. He was always
+straining to do his very best, and yet he never seemed to satisfy. The
+better he did, the better the master wanted him to do, until he grew
+almost hopeless.
+
+He would not, for the world, complain to his mother; but on the third
+evening she observed that he looked very sad and weary, and seemed
+scarcely to have spirits to play with Lenichen.
+
+She knew it is of little use to ask little children what ails them,
+because so often their trouble is that they do not know. Some little
+delicate string within is jarred, and they know nothing of it, and
+think the whole world is out of tune. So she quietly put Lenichen to
+bed, and after the boy had said his prayers as usual at her knee, she
+laid her hand on his head, and caressingly stroked his fair curls, and
+then she lifted up his face to hers and kissed the little troubled brow
+and quivering lips.
+
+"Dear little golden mouth!" she said, fondly, "that earns bread, and
+sleep, for the little sister and for me! I heard the sweet notes
+to-day, and I thanked God. And I felt as if the dear father was hearing
+them too, even through the songs in heaven."
+
+The child's heart was opened, the quivering lips broke into a sob, and
+the face was hidden on her knee.
+
+"It will not be for long, mother!" he said. "The master has found fault
+with me more than ever to-day. He made me sing passage after passage
+over and over, until some of the boys were quite angry, and said,
+afterward, they wished I and my voice were with the old hermit who
+houses us. Yet he never seemed pleased. He did not even say it was any
+better."
+
+"But he never gave you up, darling!" she said.
+
+"No; he only told me to come early, alone, to-morrow, and he would give
+me a lesson by myself, and perhaps I should learn better."
+
+A twinkle of joy danced in her eyes, dimmed with so many tears.
+
+"Silly child!" she said, fondly, "as silly as thy poor mother herself!
+The master only takes trouble, and chastens and rebukes, because he
+thinks it is worth while, because thou art trying and learning, and art
+doing a little better day by day. He knows what thy best can be, and
+will never be content with anything but thy very best."
+
+"Is it that, mother? Is it indeed that?" said the boy, looking up with
+a sudden dawning of hope.
+
+And a sweet dawn of promise met him in his mother's eyes as she
+answered:
+
+"It is even that, my own, for thee and for me!"
+
+
+
+CHAPTER IV.
+
+
+With a glad heart, Gottlieb dressed the next morning before Lenichen
+was awake, and was off to the choir-master for his lesson alone.
+
+The new hope had inspired him, and he sang that morning to the content
+even of the master, as he knew, not by his praise, but by his summoning
+Ursula from the kitchen to listen, unable to resist his desire for the
+sympathy of a larger audience.
+
+Ursula was not exactly musical, nor was she demonstrative, but she
+showed her satisfaction by appropriating her share of the success.
+
+"_I_ knew what was wanting!" she said, significantly. "The birds and
+the blessed angels may sing on crumbs or on the waters of Paradise; but
+goose and pudding are a great help to the alleluias here below."
+
+"The archduchess will be enraptured, and the Cistercians will be
+furious!" said the choir-master, equally pleased at both prospects.
+
+But this Gottlieb did not hear, for he had availed himself of the first
+free moment to run home and tell his mother how things had improved.
+
+After that, Gottlieb had no more trouble about the master. The old
+man's severity became comprehensible and dear to him, and a loving
+liberty and confidence came into his bearing toward him, which went to
+the heart of the childless old man, so that dearer than the praise of
+the archduchess, or even the discomfiture of the Cistercians, became to
+him the success and welfare of the child.
+
+But then, unknown to himself, the poor boy entered on a new chapter of
+temptations.
+
+The other boys, observing the choir-master's love for him, grew
+jealous, and called him sometimes "the master's little angel," and
+sometimes "the little beggar of the hermitage" or "Dwarf Hans'
+darling."
+
+He was too brave and manly a little fellow to tell his mother all these
+little annoyances. He would not for the world have spoiled her joy in
+her little "Chrysostom," her golden-mouthed laddie. But once they
+followed him to her door, and she heard them herself. The rude words
+smote her to the heart, but she only said:
+
+"Thou art not ashamed of the hermit's house, nor of being old Hans'
+darling?"
+
+"I hope, never!" said the child, with a little hesitation. "God sent
+him to us, and I love him. But it would be nice if dear Hans sometimes
+washed his face!"
+
+Magdalis smiled, and hit on a plan for bringing this about. With some
+difficulty she persuaded the old man to take his dinner every Sunday
+and holiday with them, and she always set an ewer of water--and a
+towel, relic of her old burgher life--by him, before the meal.
+
+"We were a kind of Pharisees in our home," she said, "and except we
+washed our hands, never ate bread."
+
+Hans growled a little, but he took the hint, for her sake and the
+boy's, and gradually found the practice so pleasant on its own account,
+that the washing of his hands and face became a daily process.
+
+On his patron saint's day (St. John, February 8), Mother Magdalis went
+a step further, and presented him with a clean suit of clothes, very
+humble but neat and sound, of her own making out of old hoards. Not for
+holidays only, she said, but that he might change his clothes every
+day, after work, as her Berthold used.
+
+"Dainty, burgher ways," Hans called them, but he submitted, and
+Gottlieb was greatly comforted, and thought his old friend a long way
+advanced in his transformation into an angel.
+
+So, between the sweetness of the boy's temper and of his dear mother's
+love which folded him close, the bitter was turned into sweet within
+him.
+
+But Ursula, who heard the mocking of the boys with indignation, was
+not so wise in her consolations.
+
+"Wicked, envious little devils!" said she. "Never thou heed them, my
+lamb! They would be glad enough, any of them, to be the master's angel,
+or Dwarf Hans' darling, for that matter, if they could. It is nothing
+but mean envy and spite, my little prince, my little wonder; never thou
+heed them!"
+
+And then the enemy crept unperceived into the child's heart.
+
+Was he indeed a little prince and a wonder, on his platform of gifts
+and goodness? And were all those naughty boys far below him, in another
+sphere, hating him as the little devils in the mystery-plays seemed to
+hate and torment the saints?
+
+Had the "raven" been sent to him, after all, as to the prophet of old,
+not only because he was hungry and pitied by God, but because he was
+good and a favorite of God?
+
+It seemed clear he was something quite out of the common. He seemed the
+favorite of every one, except those few envious, wicked boys.
+
+The great ladies of the city entreated for him to come and sing at
+their feasts; and all their guests stopped in the midst of their eager
+talk to listen to him, and they gave him sweetmeats and praised him to
+the skies, and they offered him wine from their silver flagons, and
+when he refused it, as his mother bade him, they praised him more than
+ever, and once the host himself, the burgomaster, emptied the silver
+flagon of the wine he had refused, and told him to take it home to his
+mother and tell her she had a child whose dutifulness was worth more
+than all the silver in the city.
+
+But when he told his mother this, instead of looking delighted, as he
+expected, she looked grave, and almost severe, and said:
+
+"You only did your duty, my boy. It would have been a sin and a shame
+to do otherwise. And, of course, you would not for the world."
+
+"Certainly I would not, mother," he said.
+
+But he felt a little chilled. Did his mother think it was always so
+easy for boys to do their duty? and that every one did it?
+
+Other people seemed to think it a very uncommon and noble thing to do
+one's duty. And what, indeed, could the blessed saints do more?
+
+So the slow poison of praise crept into the boy's heart. And while he
+thought his life was being filled with light, unknown to him the
+shadows were deepening,--the one shadow which eclipses the sun, the
+terrible shadow of self.
+
+For he could not but be conscious how, even in the cathedral, a kind of
+hush and silence fell around when he began to sing.
+
+And instead of the blessed presence of God filling the holy place, and
+his singing in it, as of old, like a happy little bird in the sunshine,
+his own sweet voice seemed to fill the place, rising and falling like a
+tide up and down the aisles, leaping to the vaulted roof like a
+fountain of joy, and dropping into the hearts of the multitude like dew
+from heaven.
+
+And as he went out, in his little white robe, with the choir, he felt
+the eyes of the people on him, and he heard a murmur of praise, and now
+and then words such as "That is little Gottlieb, the son of the widow
+Magdalis. She may well be proud of him. He has the voice and the face
+of an angel."
+
+And then, in contrast, outside in the street, from the other boys: "See
+how puffed up the little prince is! He cannot look at any one lower
+than the bishop or the burgomaster!"
+
+So, between the chorus of praise and the other chorus of mockery, it
+was no wonder that poor Gottlieb felt like a being far removed from the
+common herd. And, necessarily, any one of the flock of Christ who feels
+that, cannot be happy, because if we are far away from the common
+flock, we cannot be near the Good Shepherd, who always keeps close to
+the feeblest, and seeks those that go astray.
+
+
+
+CHAPTER V.
+
+
+It was not long before the watchful eye of the mother observed a little
+change creeping over the boy--a little more impatience with Lenichen, a
+little more variableness of temper, sometimes dancing exultingly home
+as if he were scarcely treading the common earth, sometimes returning
+with a depression which made the simple work and pleasures of the home
+seem dull and wearisome.
+
+So it went on until the joyful Easter-tide was drawing near. On Palm
+Sunday there was to be a procession of the children.
+
+As the mother was smoothing out the golden locks which fell like
+sunbeams on the white vestments, she said: "It is a bright day for thee
+and me, my son. I shall feel as if we were all in the dear old
+Jerusalem itself, and my darling had gathered his palms on Olivet
+itself, and the very eyes of the blessed Lord himself were on thee, and
+His ears listening to thee crying out thy hosannas, and His dear voice
+speaking of thee and through thee, 'Suffer the little children to come
+unto me.'"
+
+But Gottlieb looked grave and rather troubled.
+
+"So few seem thinking just of His listening," he said, doubtfully.
+"There are the choir-master and the dean and chapter, and the other
+choristers, and the Cistercians, and the mothers of the other
+choristers, who wish them to sing best."
+
+She took his hand. "So there were in that old Jerusalem," she said.
+"The Pharisees, who wanted to stop the children's singing, and even the
+dear Disciples, who often thought they might be troublesome to the
+Master. But the little ones sang for Him, and He knew, and was pleased.
+And that is all we have to think of now."
+
+He kissed her, and went away with a lightened brow.
+
+Many of the neighbors came in that afternoon to congratulate Magdalis
+on her boy--his face, his voice, his gentle ways.
+
+"And then he sings with such feeling," said one. "One sees it is in his
+heart."
+
+But in the evening Gottlieb came home very sad and desponding. For some
+time he said nothing, and then, with a brave effort to restrain his
+tears, he murmured:
+
+"Oh, mother! I am afraid it will soon be over. I heard one of the
+priests say he thought they had a new chorister at the Cistercians
+whose voice is as good as mine. So that the archduchess may not like
+our choir best, after all."
+
+The mother said nothing for a moment, and then she said:
+
+"Whose praise and love will the boy at the Cistercian convent sing,
+Gottlieb, if he has such a lovely voice?"
+
+"God's!--the dear Heavenly Father and the Savior!" he said, reverently.
+
+"And you, my own? Will another little voice on earth prevent His
+hearing you? Do the thousands of thousands always singing to Him above
+prevent His hearing you? And what would the world do if the only voice
+worth listening to were thine? It cannot be heard beyond one church, or
+one street. And the good Lord has ten thousand churches, and cities
+full of people who want to hear."
+
+"But thou, mother! Thou and Lenichen, and the bread!"
+
+"It was the raven that brought the bread," she said, smiling; "and thou
+art not even a raven,--only a little child to pick up the bread the
+raven brought."
+
+He sat silent a few minutes, and then the terrible cloud of self and
+pride dropped off from his heart like a death-shroud, and he threw
+himself into her arms.
+
+"Oh, mother, I see it all!" he said. "I am free again. I have only to
+sing to the blessed Lord of all, quite sure He listens, to Him alone,
+and to all else as just a little one of the all He loves."
+
+And after the evening meal, and a game with Lenichen, the boy crept out
+to the cathedral to say his prayers in one of the little chapels, and
+to thank God.
+
+He knelt in the Lady chapel before the image of the infant Christ on
+the mother's knees.
+
+And as he knelt there, it came into his heart that all the next Week
+was Passion week, "the still week," and would be silent; and the tears
+filled his eyes to remember how little he had enjoyed singing that day.
+
+"How glad the little children of Jerusalem must have been," he thought,
+"that they sang to Jesus when they could. I suppose they never could
+again; for the next Friday He was dead. Oh, suppose He never let me
+sing to Him again!"
+
+[Illustration: "'LOOK AT ME,' THE OLD MAN SAID."]
+
+And tears and repressed sobs came fast at the thought, and he murmured
+aloud, thinking no one was near:
+
+"Dear Savior, only let me sing once more here in church to you, and I
+will think of no one but you; not of the boys who laugh at me, nor the
+people who praise me, nor the Cistercians, nor the archduchess, nor
+even the dear choir-master, but only of you, of you, and perhaps of
+mother and Lenichen. I could not help that, and you would not mind it.
+You and they love me so much more than any one, and I love you really
+so much more than all besides. Only believe it, and try me once more."
+
+As he finished, in his earnestness, the child spoke quite loud, and
+from a dark corner in the shadow of a pillar suddenly arose a very old
+man in a black monk's robe, with snow-white hair, and drew close to
+him, and laid his hand on his shoulder and said:
+
+"Fear not, my son. I have a message for thee."
+
+At first, Gottlieb was much frightened, and then, when he heard the
+kind, tremulous old voice, and saw the lovely, tender smile on the
+wrinkled, pallid old face, he thought God must really have sent him an
+angel at last, though certainly not because he was good.
+
+"Look around on these lofty arches, and clustered columns, and the long
+aisles, and the shrines of saints, and the carved wreaths of flowers
+and fruits, and the glorious altar! Are these wonderful to thee?
+Couldst thou have thought of them, or built them?"
+
+"I could as easily have made the stars, or the forests!" said the
+child.
+
+"Then look at me," the old man said, with a gentle smile on his
+venerable face, "a poor worn-out old man, whom no one knows. This
+beautiful house was in my heart before a stone of it was reared. God
+put it in my heart. I planned it all. I remember this place a heap of
+poor cottages as small as thine, and now it is a glorious house of
+God. And I was what they called the master-builder. Yet no man knows
+me, or says, 'Look at him!' They look at the cathedral, God's house;
+and that makes me glad in my inmost soul. I prayed that I might be
+nothing, and all the glory be His; and He has granted my prayer. And I
+am as little and as free in this house which I built as in His own
+forests, or under His own stars; for it is His only, as they are His.
+And I am nothing but His own little child, as thou art. And He has my
+hand and thine in His, and will not let us go."
+
+The child looked up, nearly certain now that it must be an angel. To
+have lived longer than the cathedral seemed like living when the
+morning stars were made, and all the angels shouted for joy.
+
+"Then God will let me sing here next Easter!" he said, looking
+confidingly in the old man's face.
+
+"Thou shalt sing, and I shall see, and I shall hear thee, but thou wilt
+not hear or see me!" said the old man, taking both the dimpled hands in
+one of his. "And the blessed Lord will listen, as to the little
+children in Jerusalem of old. And we shall be His dear, happy children
+for evermore."
+
+Gottlieb went home and told his mother. And they both agreed, that if
+not an angel, the old man was as good as an angel, and was certainly a
+messenger of God.
+
+To have been the master-builder of the cathedral of which it was
+Magdalis's glory and pride that her husband had carved a few of the
+stones!
+
+The master-builder of the cathedral, yet finding his joy and glory in
+being a little child of God!
+
+
+
+CHAPTER VI.
+
+
+The "silent week" that followed was a solemn time to the mother and the
+boy.
+
+Every day, whatever time could be spared from the practice with the
+choir, and from helping in the little house and with his mother's
+wood-carving, or from playing with Lenichen in the fields, Gottlieb
+spent in the silent cathedral, draped as it was in funereal black for
+the sacred life given up to God for man.
+
+"How glad," he thought again and again, "the little children of
+Jerusalem must have been that they sang when they could to the blessed
+Jesus! They little knew how soon the kind hands that blessed them would
+be stretched on the cross, and the kind voice that would not let their
+singing be stopped would be moaning 'I thirst.'"
+
+But he felt that he, Gottlieb, ought to have known; and if ever he was
+allowed to sing his hosannas in the choir again, it would feel like the
+face of the blessed Lord himself smiling on him, and His voice saying,
+"Suffer this little one to come unto me. I have forgiven him."
+
+He hoped also to see the master-builder again; but nevermore did the
+slight, aged form appear in the sunshine of the stained windows, or in
+the shadows of the arches he had planned.
+
+And so the still Passion week wore on.
+
+Until once more, the joy-bells pealed out on the blessed Easter morning.
+
+The city was full of festivals. The rich were in their richest holiday
+raiment, and few of the poor were so poor as not to have some sign of
+festivity in their humble dress and on their frugal tables.
+
+Mother Magdalis was surprised by finding at her bedside a new dress
+such as befitted a good burgher's daughter, sent secretly the night
+before from Ursula by Hans and Gottlieb, with a pair of enchanting new
+crimson shoes for little Lenichen, which all but over-balanced the
+little maiden with the new sense of possessing something which must be
+a wonder and a delight to all beholders.
+
+The archduke and the beautiful Italian archduchess had arrived the
+night before, and were to go in stately procession to the cathedral.
+And Gottlieb was to sing in the choir, and afterward, on the Monday, to
+sing an Easter greeting for the archduchess at the banquet in the great
+town-hall.
+
+The mother's heart trembled with some anxiety for the child.
+
+But the boy's was only trembling with the great longing to be allowed
+to sing once more his hosannas to the blessed Savior, among the
+children.
+
+It was given him.
+
+At first the eager voice trembled for joy, in the verse he had to sing
+alone, and the choir-master's brows were knitted with anxiety. But it
+cleared and steadied in a moment, and soared with a fullness and
+freedom none had ever heard in it before, filling the arches of the
+cathedral and the hearts of all.
+
+And the beautiful archduchess bent over to see the child, and her soft,
+dark eyes were fixed on his face, as he sang, until they filled with
+tears; and, afterward, she asked who the mother of that little angel
+was.
+
+But the child's eyes were fixed on nothing earthly, and his heart was
+listening for another voice--the voice all who listen for shall surely
+hear.
+
+And it said in the heart of the child, that day: "Suffer the little one
+to come unto me. Go in peace. Thy sins are forgiven."
+
+A happy, sacred evening they spent that Easter in the hermit's cell,
+the mother and the two children, the boy singing his best for the
+little nest, as before for the King of kings.
+
+Still, a little anxiety lingered in the mother's heart about the pomp
+of the next day.
+
+But she need not have feared.
+
+When the archduchess had asked for the mother of the little chorister
+with the heavenly voice, the choir-master had told her what touched her
+much about the widowed Magdalis and her two children; and old Ursula
+and the master between them contrived that Mother Magdalis should be at
+the banquet, hidden behind the tapestry.
+
+And when Gottlieb came close to the great lady, robed in white, with
+blue feathery wings, to represent a little angel, and sang her the
+Easter greeting, she bent down and folded him in her arms, and kissed
+him.
+
+And then once more she asked for his mother, and, to Gottlieb's
+surprise and her own, the mother was led forward, and knelt before the
+archduchess.
+
+Then the beautiful lady beamed on the mother and the child, and, taking
+a chain and jewel from her neck, she clasped it round the boy's neck,
+and said, in musical German with a foreign accent:
+
+"Remember, this is not so much a gift as a token and sign that I will
+not forget thee and thy mother, and that I look to see thee and hear
+thee again, and to be thy friend."
+
+And as she smiled on him, the whole banqueting-hall--indeed, the whole
+world--seemed illuminated to the child.
+
+And he said to his mother as they went home:
+
+"Mother, surely God has sent us an angel at last. But, even for the
+angels, we will never forget His dear ravens. Wont old Hans be glad?"
+
+And the mother was glad; for she knew that God who giveth grace to the
+lowly had indeed blessed the lad, because all his gifts and honors were
+transformed, as always in the lowly heart, not into pride, but into
+love.
+
+But when the boy ran eagerly to find old Hans, to show him the jewel
+and tell him of the princely promises, Hans was nowhere to be found;
+not in the hermit's house, where he was to have met them and shared
+their little festive meal, nor at his own stall, nor in the hut in
+which he slept.
+
+Gottlieb's heart began to sink.
+
+Never had his dear old friend failed to share in any joy of theirs
+before.
+
+At length, as he was lingering about the old man's little hut,
+wondering, a sad, silent company came bearing slowly and tenderly a
+heavy burden, which at last they laid on Hans' poor straw pallet.
+
+It was poor Hans himself, bruised and crushed and wounded in his
+struggles to press through the crowd to see his darling, his poor
+crooked limbs broken and unable to move any more.
+
+But the face was untouched, and when they had laid him on the couch,
+and the languid eyes opened and rested on the beloved face of the child
+bending over him bathed in tears, a light came over the poor rugged
+features, and shone in the dark, hollow eyes, such as nothing on earth
+can give--a wonderful light of great, unutterable love, as they gazed
+into the eyes of the child, and then, looking upward, seemed to open on
+a vision none else could see.
+
+"Jesus! Savior! I can do no more. Take care of him, thou thyself,
+Jesus, Lord!"
+
+He said no more--no prayer for himself, only for the child.
+
+Then the eyes grew dim, the head sank back, and with one sigh he
+breathed his soul away to God.
+
+And such an awe came over the boy that he ceased to weep.
+
+He could only follow the happy soul up to God, and say voicelessly in
+his heart:
+
+"Dear Lord Jesus! I understand at last! The raven was the angel. And
+Thou hast let me see him for one moment as he is, as he is now with
+Thee, as he will be evermore!"
+
+[Illustration]
+
+
+
+
+A TRIP TO THE TEA COUNTRY.
+
+BY WILLIAM M. TILESTON.
+
+
+[Illustration: ]
+
+
+I was leaning over the tea-room table on one of the lovely spring
+mornings that we sometimes have in China. In front of me the large
+window, like that in an artist's studio, admitted the north light upon
+the long array of little porcelain teacups and saucers, and "musters,"
+or square, flat boxes of tea-samples. The last new "chop" had been
+carefully tasted and the leaf inspected, and I was wondering whether
+the price asked by the tea-man would show a profit over the latest
+quotations from London and New York, when my speculations were
+disturbed by the entrance of my friend Charley, followed by Akong, well
+known as the most influential tea-broker in the Oopack province.
+Charley and Akong were fast friends, and I saw by the twinkle in the
+eyes of each that a premeditated plot of some kind was about being
+exploded upon my unsuspecting self.
+
+But before going further, let me tell you who we all are, where we are,
+and what we are doing.
+
+Of course I am aware that it is exceedingly impolite to put oneself
+first, but in the present instance you must excuse it; for besides
+being the oldest, I occupy the position of guide, philosopher and
+friend to Charley, and my story would scarcely be intelligible or
+complete if I did not begin with myself. Well, to begin: I am one of
+those unfortunate individuals known in China as "cha-szes," or
+tea-tasters; doomed for my sins, or the hope of one day getting rich,
+to pass the time in smelling, tasting and buying teas for the great
+mercantile house or "hong" of Young Hyson & Co. The place at which you
+find me is Hankow, on the great Yang Tsze Kiang, or river, some six
+hundred miles from its mouth. If you have a map of China, and will find
+on it the Yang Tsze, by tracing with your finger--if your map is at all
+correct--you will discover the cities of Chin Kiang, Nanking, Nganking,
+Kiu Kiang, and finally, at the junction of the river Han with the Yang
+Tsze, Wuchang. Hankow will probably not be on your map, but on the
+north bank of the Yang Tsze, just at the point of junction with the
+Han, is this important trading port, thrown open to foreigners in 1861,
+after the signing of the treaty of Tein-Tsin.
+
+And now for Charley, whom I have kept talking pigeon-English to Akong
+all this time. Charley was the son of an old friend, chaplain to the
+British consulate at one of the coast ports; his mother dying, Charley
+was to have been sent home to relatives in England, but I had prevailed
+upon his father to let the boy, now between twelve and fourteen years
+old, make me a visit before his final departure.
+
+And now for the conspiracy:
+
+"Chin-chin (how do you do), Akong?" said I.
+
+"What is it, Charley? Out with it, my boy; some mischief, I know."
+Akong gave a chuckle and a muttered "hi-yah," and Charley proceeded to
+explain.
+
+"Well Cha,"--the Chinamen called me Cha-tsze and the boy had
+abbreviated it to Cha,--"Akong says that he has a boat going up to the
+tea country to-morrow or next day, and wants me to go with him; may I?"
+
+[Illustration: THE BARBER.]
+
+Charley knew that I could refuse him nothing, but the trip of several
+hundred miles into a district rarely, if ever, visited by foreigners,
+involved more of a risk than I cared to assume. Charley seeing that I
+looked unusually solemn, turned to Akong for support.
+
+"What for you no go too, Cha-tsze? Just now my thinkee no got new chop
+come inside two week; get back plenty time."
+
+Akong's pigeon-English perhaps requires explanation: You must know,
+then, that the Chinese with whom all foreigners transact business,
+instead of learning correct English have a lingo, or _patois_, of their
+own, ascribed, but I think erroneously, to the carelessness of their
+first English visitors, who addressed them in this manner, thinking to
+make themselves more easily understood. The fact is, that
+pigeon-English, besides having many Portuguese words mixed up with
+it,--the Portuguese, you know, were established in China as early as
+the seventeenth century,--is in many instances a literal translation of
+Chinese into perverted English. In the present instance, Akong
+suggested that as there would be no more tea down for a fortnight, it
+would be well for me, too, to go. The proposition was quite agreeable
+to me, and Charley scampered off to tell Ahim, the cook, and Aho, my
+boy, to make the necessary preparations.
+
+The next morning, at an early hour, Akong's great mandarin, or
+house-boat, was moored at the jetty, and the boys were packing away the
+provisions and the charcoal for cooking, and long strings of copper
+"cash" to be used in the purchase of eggs and chickens, and the mats of
+rice that would form the principal article of "chow-chow" for the crew.
+Everybody in China has a boy, and Charley had his; a regular young imp
+of a fellow of about his own age. Aling was his name; Charley used to
+call him Ting-a-ling, and would jabber horrible Chinese to him by the
+hour. Aling jumped down the steps, two at a time, with Charley's
+traveling bag; but Aho, more sedate and dignified, marched after him;
+Charley and I joined Akong in the front of the boat, and with a chorus
+of "chin-chins" from the coolies and house-servants left behind, and
+the explosion of a pack of fire-crackers to propitiate the river
+dragon, the boat was shoved from the jetty, the sail hoisted, and we
+were soon slowly stemming the broad current of the Yang Tsze. On our
+right was Hankow, with its million or more inhabitants, the hum of the
+great city following us for miles; and the mouth of the Han, its
+surface so covered with junks that their masts resembled a forest, and
+only a narrow lane of water was left for the passage of boats. Just
+beyond the Han was Han Yang, once a fine city, but now in ruins, one of
+the results of the Tae-ping rebellion. Across the Yang Tsze, here a
+mile wide, was Wuchang, the residence of the viceroy of the Hupeh
+province. This place was supposed to be closed to foreigners, but
+Charley and I had made many a secret visit, and had some rare sport
+among the curiosity shops, with occasionally an adventure of a less
+pleasing description, about which I should like to tell you if I had
+time.
+
+Rapidly we passed the suburbs of these cities, and drawing over to the
+south bank, as the wind was light, the crew were ordered ashore, and
+stretching themselves along a tow-rope extending from the mast-head,
+the boat was soon moving quite rapidly. And that reminds me that I have
+not yet described our boat. These boats, used by the gentry in
+transporting themselves about the country, are almost like Noah's ark
+on a small scale--a boat with a house running almost the entire length
+of the deck, with little latticed windows on the outside, and the
+interior divided into rooms for eating and sleeping. The crew all lived
+aft on the great overhanging stern, where the cooking was done, and
+where the handle of the great "yuloe," or sculling oar, protruded. In
+front of the cabin was a little piece of deck-room where Charley and I
+had our camp-stools, and which gave us an excellent place from which to
+observe everything going on ahead.
+
+[Illustration: THE TEA HONG.]
+
+The boat coolies were straining on the tow-rope a hundred yards ahead.
+Frequently we passed some fisherman sitting in his little mat hut, with
+his feet on the windlass that raised his great square net; but never
+did we see them catch a fish, although on our return the same men were
+working as assiduously as ever. The country presented the same compact
+system of farming, the hills in many places being terraced to their
+very summits, and planted with waving crops of wheat and millet, beans,
+and vegetables of every description. Toward noon we passed the "Ta" and
+"Lao Kin Shan" (great and little golden mountain), and by the time
+Aling had announced "tiffin" (luncheon), we were abreast of Kin Kow, a
+picturesque village in the neighborhood of which I generally found
+some excellent shooting. After tiffin we again resumed our camp-stools.
+I lighted a cigar, and Akong smoked his hubble-bubble, a small copy of
+the nargileh of the Turks. The river was alive with junks, some going
+in the same direction as ourselves, and others loaded with tea,
+charcoal, vegetable tallow, oil of various kinds, and gypsum, brought,
+most of them, from the far western province of Sze Chuen.
+
+There was but little variety in the journey until the following day,
+when we approached the great bend in the Yang Tsze, and Akong told us
+that, if so inclined, we could land from the boat, and by walking six
+or eight miles across the country join the boat again, the bend
+rendering it necessary for her to go around some thirty or forty miles.
+This we gladly assented to, and taking my gun, in hopes of meeting with
+some snipe in the paddy-fields, and with Aling and a coolie for
+interpreters, we landed.
+
+Charley and I both experienced a rather queer sensation as we watched
+the boat sail off, and found ourselves with no other white man within a
+hundred or more miles. The country ahead was one immense rice-field,
+divided by dykes or banks paved with stones and forming paths for
+walking. At some distance we saw a large clump of bamboos with tall
+elms beyond, indicating a village, called, as a coolie at work in a
+ditch informed us, Fi-Loong. Soon we saw a broad creek with a handsome
+stone bridge over it, and on the other side an unusually large house of
+two stories, which turned out to belong to the Te-poy, or local
+magistrate of the place. The old gentleman himself was sitting outside
+of the house having his head shaved by the village barber. He politely
+invited us to wait, and after the shaving was over regaled us with a
+cup of tea,--rather weak, but refreshing,--and after chin-chin-ing we
+resumed our journey.
+
+Can you see our party trudging along? Beyond the village were more
+paddy-fields, from which occasionally a great white paddy-bird arose. I
+shot one of them, to the great delight of our coolie, who pronounced it
+No. 1 good chow-chow; but Charley and I were much more pleased at the
+sight of several English snipe. Reaching an old lotus-pond, a shot
+scared up these birds almost in myriads, and a good bunch of them
+promised a very welcome addition to our dinner. Meanwhile we had been
+following a creek, which we now needed to cross. But before long Aling
+espied a man in the distance at work with a huge buffalo, and
+exclaiming, "Hi-yah! belly good walkee now," rushed off in that
+direction. He soon returned with the buffalo and his owner, and
+indicated that we could cross on the back of the former. The huge,
+ungainly beast threw up his head and snorted when he caught sight of
+the "fanquis," or foreign devils, but a pull at the ring through his
+nose soon brought him to subjection.
+
+"How much does he want, Aling, to carry us over?"
+
+"He say ten cash can do."
+
+As this sum (one cent) was not an unreasonable ferriage, we nodded; and
+the buffalo being led into the water near the bank, I mounted first,
+then came Charley with his arms around me, then Aling, who had climbed
+up behind. When we were half-way over, Charley laughed so heartily at
+the ridiculous figure we made that the buffalo gave another snort, and
+threatened to roll us off, into the muddy water, but we landed safely,
+and giving the man his ten cash, went on again. The rest of the walk
+was without adventure, and we finally arrived at the river-bank just as
+the boat was coming around the point below us.
+
+That evening we left the main river and tracked up a tributary stream
+until we came to a broad canal, which Akong informed us led direct to
+our destination.
+
+[Illustration: SORTING THE TEA.]
+
+Turning out of our beds the next morning we found the boat moored to
+the bank of the canal, opposite a long, rambling, one-storied building,
+which proved to be the "hong" of the tea-merchant to whom the
+neighboring plantations belonged. We were really in the tea country at
+last. On every side of us, as far as the eye could reach, the
+dark-green tea-plants were growing in their beds of reddish sandy soil.
+Notwithstanding the cook's urgent appeals to wait until chow-chow was
+ready, we jumped ashore and into the midst of a crowd of noisy coolies
+moving in every direction, each with his load slung at the ends of a
+bamboo across his shoulders, and singing a monotonous "Aho, Aho, Aho!"
+which appears as necessary to the Chinese carrier as the "Yo heave ho!"
+to the sailor. Long, narrow junks were lying at the bank, and being
+rapidly loaded with the familiar tea-chests; crowds of men, women and
+children were coming from the plantation, each with bags of the freshly
+picked leaves, or with baskets on their heads in which the more
+delicate kinds were carefully carried. We stepped into the building,
+and there witnessed the entire operation of assorting, firing the teas,
+and even the manufacturing of the chests. We would gladly have
+remained, but Aho came up and informed us "that breakfast hab got
+spoilem," so we deferred further investigation until after the meal.
+
+Akong joined us at breakfast, and partook of our curry and rice with
+great gusto, for tea-brokers as a rule are by no means averse to
+foreign chow-chow, and handle a knife and fork with almost as much ease
+as they do the native chop-sticks. Charley plied us both with questions
+regarding tea in general, and probably the following summary will
+pretty well represent the result of his queries:
+
+The cultivation of the tea-plant is by no means confined to any one
+district or spot, but is scattered about through the different
+provinces, each producing its peculiar description known to the trade
+by its distinctive name. We were now in the Hupeh or Oopack country,
+and the tea we saw being gathered and prepared was the heavy-liquored
+black-leafed description, known in England and to the trade as Congou.
+This Congou forms the staple of the mixture known in that country under
+the generic name of "black," and sometimes finds its way to us under
+the guise of "English breakfast tea." From Foo-chow-foo, on the coast,
+half-way between Shanghae and Hong Kong, is shipped another description
+known as red-leaf Congou, the bulk of which goes to England also,
+although we are gradually absorbing an increasing quantity. Kiu Kiang,
+on the Yang Tsze, some one hundred and forty miles below Hankow, shares
+with the latter port in the trade of the Hupeh country, and is, or was
+until recently, the point of shipment for the fine green teas grown and
+manufactured in the Moyune district, a very large proportion of which
+is shipped to this country. First in importance as a point of shipment
+is Foo-chow-foo, whence are exported, in addition to the red-leafed
+Congous, or Boheas, the bulk of the Oolongs. Still further down the
+coast is Amoy, from which point inferior descriptions of both kinds are
+shipped, together with some scented teas; but the bulk of the latter,
+known as Scented Capers, Orange Pekoe, etc., are exported from Canton
+and Macao. These, together with a peculiar description of green, are
+manufactured at these ports from leaf grown in the neighborhood.
+Although no tea is grown near Shanghae, much of the Congou grown in the
+Hupeh province is sent there for sale, and thence shipped to England.
+The green teas from both the Moyune and Ping-Suey countries are also
+shipped from Shanghae.
+
+[Illustration: HOEING AND WATERING THE PLANTS.]
+
+Breakfast over, we jumped ashore again, and, desiring to conduct our
+sight-seeing systematically, started for the fields. First we walked to
+the foot of a hill a little distance off, where some men in short
+cotton trousers and jackets were laying out a new plantation. The
+ground was accurately marked off, and in one place the little plants,
+only an inch or two in height, were just showing above the ground. In
+another, the seeds--little round balls they looked like--were being
+planted in the rows. Passing another field, where some men were at work
+with their hoes in true Chinese style, stopping every few moments to
+smoke their pipes, we came at last to where the plants had attained
+some size and the actual picking was going on. The plants themselves
+were from two to six feet high, according to age, and from repeated
+cuttings down had grown into dense masses of small twigs. Many of them
+were covered with little white flowers, somewhat similar to the
+jasmine, and seeds inclosed in a casing not unlike that of the
+hazel-nut, but thinner and full of oil. Charley thought they looked
+like little laurel bushes; to me, those that had been well picked were
+not unlike huckleberry bushes, only the leaves were, of course, a much
+darker green. The first picking, usually in April, is when the leaves
+are very young and tender, commanding a much higher price than those
+subsequently plucked. The second is a month later, when they have
+attained maturity; and as unpropitious weather would be likely to ruin
+them, great expedition is used in getting in the crop, the entire
+population turning out to assist. A third, and even a fourth, follows;
+but the quality rapidly deteriorates, and but a small proportion of
+these last pickings is prepared for export.
+
+[Illustration: DRYING THE TEA.]
+
+The plantations were filled with a merry crowd, composed principally of
+women and children, all engaged in stripping the bushes as rapidly as
+possible, yet with great care and dexterity, so as not to bruise the
+leaves. They looked up from their work and screamed to each other in
+their harsh guttural tones, casting glances of astonishment at the
+barbarians. Following some of the coolies, who with filled bags were
+trudging off to the curing-house, we saw the most interesting operation
+of all. Here, at least thirty young girls were engaged in assorting the
+leaves, picking out all the dead and yellow ones, and preparing them
+for the hands of the rollers and firers. Our entrance excited quite a
+commotion among the damsels, as we were probably the first barbarians
+they had seen, and we had the reputation of living entirely on fat
+babies. A word from Akong, who had joined us, reassured them, and in a
+few minutes Charley was airing his little stock of Chinese, more, I
+thought, to their amusement than their edification. Leaving this room
+we went into another where the curing was in progress. On one side
+extended a long furnace built of bricks, with large iron pans placed at
+equal distances, and heated by charcoal fires below. Into these pans
+leaves by the basketful were poured, stirred rapidly for a few minutes,
+and then removed to large bamboo frames, where they were rolled and
+kneaded until all the green juice was freed. They were then scattered
+loosely in large, flat baskets, and placed in the sun to dry.
+Subsequently, the leaves were again carried to the furnaces and exposed
+to a gentle heat, until they curled and twisted themselves into the
+shapes so familiar to you all. Some of the finer kinds often prepared
+for exportation are rolled over by hand before being fired. The great
+object appears to be to prevent the leaf from breaking; hence, in the
+commoner kinds and those intended for home consumption, which do not
+receive the same care, the leaves are found to be very much broken. In
+fact, the preparation of this latter sort is very simple: a mere drying
+in the sun, after which it presents a dry, broken appearance, like
+autumn leaves.
+
+Green tea, although grown in particular districts, receives its
+peculiar color by being stirred with a mixture of gypsum and Prussian
+blue during the firing, but is prepared in a more laborious manner, the
+leaves being selected and divided to form the different kinds known as
+Imperial, Gunpowder, Young Hyson, Hyson, Hyson Skin and Twankay. An
+aggregation of these kinds, proportioned according to their value,
+forms what is known as a "chop," whereas a chop of black tea comprises
+all of one grade or quality. Chinamen wonder at the taste of "outside
+barbarians" in preferring a tea colored green, but would provide them
+with a leaf of yellow or blue if there was a market for it.
+
+[Illustration: ONE OF THE SING-SONG GIRLS.]
+
+The entire operation pertaining to the business appeared to be carried
+on in the cluster of little buildings with court-yards between, but
+almost under the same roof, and afforded occupation to an immense
+number of persons. And yet the payments could not have been very
+large; from six to ten cents per day being about the wages they
+received. In one room men were engaged in making boxes; in another,
+lining them with thin sheets of lead. Further on, the outsides of the
+boxes were being pasted over with paper, on which was stamped the name
+of the tea and the maker's business-title. Finally, they were being
+filled, soldered up and carried off to the boats, not to be opened
+again until they reached the shop of some London grocer.
+
+The principal object of our friend Akong's visit was to convoy with his
+mandarin-boat a fleet of tea-junks to Hankow; so that but one day was
+given us for our visit. The boats being nearly ready, it was arranged
+that we should start on our return the following morning. The evening
+was devoted to a dinner and "sing-song" given for our entertainment by
+the tea-men. Aho asked if he should take our knives and forks, a
+proposition which we indignantly rejected. As it was to be a Chinese
+dinner, we determined to do it in Chinese style, chop-sticks and all.
+Such a dinner! We were seated at little square tables holding four
+persons each, the Chinamen all dressed in their official or state
+costumes. First came little dishes of sweetmeats and then bowls of
+bird's-nest soup, with the jelly-like substance floating about in it in
+company with little pieces of chicken. This was very nice, although we
+_did_ all eat out of the same bowl, using little porcelain spoons. Then
+came more sweetmeats, followed by dishes of _bêche de mer_, or
+sea-slugs and fat pork; this we passed, but not until an over-polite
+Chinaman took up a gristly piece of _something_ with his chop-sticks,
+and, after biting off a piece, passed the rest to Charley. The
+chop-sticks we could not manage; the meat would slip out of them, and
+had it not been for the soups, of which there were several, and the
+rice, which we could _shovel_ into our mouths, we should have had no
+dinner. Tea was passed by the servants continually, as were little
+bowls of "samshu"--a liquor distilled from rice. During the dinner, the
+sing-song girls played on the native two-stringed fiddles, and sang in
+falsetto voices a selection of music, which was undoubtedly very fine
+if judged by the Chinese standard, but which we could not appreciate.
+
+The noise soon became almost intolerable, and we slipped off to the
+boat and sought our beds.
+
+When we awoke in the morning the whole fleet of tea-boats was under
+way, and with a fair wind we ran rapidly down the creek and were once
+more on the broad Yang Tsze. On the third day we reached Hankow safely,
+and well pleased with our trip to the tea country.
+
+
+
+
+TREASURE-TROVE.
+
+BY OLIVE A. WADSWORTH.
+
+
+ A Diligent Biddy was scratching one day,
+ And pecking at morsels that came in her way,
+ When all of a sudden she widened her eyes,
+ And the feathers stood up on her head with surprise!
+
+ A strange-looking treasure Dame Biddy had found,
+ 'Twixt a brick and a clam-shell it lay on the ground;
+ The hen with a peck turned it over and over,
+ But the longer she looked the less could discover.
+
+ "Cluck, cluck!" said the hen, "as sure as I stand,
+ This never was grown upon solid dry land;
+ I'll take it along to Dame Duck and her daughter,
+ They're wise about things that come out of the water."
+
+ So she carried the thing in her beak to the brook,
+ And called to Dame Duck to come quickly and look,
+ And the dame and her child relinquished their pleasure,
+ And waddled ashore to examine the treasure.
+
+ "Alack!" said the duck and "A-quack!" said the daughter,
+ "We've never seen objects like _this_ in the water!
+ Suppose we submit it to old Mrs. Ewe?
+ She's wise about wool, and has seen the world, too!"
+
+ So the duck took it carefully up in her bill,
+ And the duckling and hen followed on to the mill,
+ Where the miller's fat sheep was placidly grazing,
+ And there they displayed this treasure amazing.
+
+ "Ah, bah!" said the sheep, "what a queer-looking piece!
+ This never was parcel or part of a fleece!
+ Our flock would disown it!--but take it, I pray,
+ To Brindle, the cow, she's wise about hay!"
+
+ So the sheep and the duckling, the duck and the hen,
+ With the treasure set forth in procession again,
+ To where the cow stood,--in the shade, as she ought,--
+ A-chewing her cud and a-thinking her thought.
+
+ "Bless my horns!" said the cow, "I really must say,
+ I've ne'er seen the like in straw or in hay!
+ Why don't you ask Dobbin, the farmer's gray mare?
+ She's traveled so much, and she's wise about hair."
+
+ So the hen and the ducks, the sheep and the cow,
+ Went seeking for Dobbin, just loosed from the plow;
+ They all talked at once, to make things explicit,
+ And finally showed her the cause of their visit.
+
+ But Dobbin gave snorts of dislike and dismay;
+ "Why don't you," said she, "pass it on to old Tray?
+ He hunts for his food where the refuse is thrown,
+ And he's wise about cinders, and rubbish, and bone."
+
+ So Dobbin and Brindle, and fat Mrs. Ewe,
+ And the duckling and duck, and the Biddy-hen too,
+ All eager for knowledge, went down the wide road
+ To the kennel where Tray had his pleasant abode.
+
+ Now Tray was a dog with a gift for detecting,
+ He never would bark without briefly reflecting;
+ He snuffed at the treasure and turned it about,
+ And soon would have uttered his sentence, no doubt,--
+
+ But just then our Tommy ran up to the crowd.
+ "Where did you get those, sir?" he cried out aloud.
+ "They're my new Sunday gloves! They fell out of my hat!
+ I took them to school to show them to Matt!
+
+ "And, you see, Matt and I had some liquorice candy,
+ Our fingers were sticky, the gloves were just handy;
+ And then, when the teacher said, 'Tom, wash your slate,'
+ My sponge was all lost, and the class couldn't wait.
+
+ "And 'cause I was hurrying, what do you think?
+ That bothersome ink-bottle slopped out the ink!
+ You can't expect gloves to look nobby and new
+ When they have to be used for a slate and ink too.
+
+ Now, that's reasons enough!" said poor Tommy, "I guess!"
+ And the company bowed a unanimous "Yes,"
+ And the horse, cow and sheep, duck, duckling and hen,
+ Complacently turned themselves homeward again.
+
+
+
+
+UNDER THE LILACS.
+
+BY LOUISA M. ALCOTT.
+
+
+CHAPTER VII.
+
+NEW FRIENDS TROT IN.
+
+
+Next day Ben ran off to his work with Quackenbos's "Elementary History
+of the United States" in his pocket, and the Squire's cows had ample
+time to breakfast on wayside grass before they were put into their
+pasture. Even then the pleasant lesson was not ended, for Ben had an
+errand to town, and all the way he read busily, tumbling over the hard
+words, and leaving bits which he did not understand to be explained at
+night by Bab.
+
+At "The First Settlements" he had to stop, for the school-house was
+reached and the book must be returned. The maple-tree closet was easily
+found, and a little surprise hidden under the flat stone; for Ben paid
+two sticks of red and white candy for the privilege of taking books
+from the new library.
+
+When recess came great was the rejoicing of the children over their
+unexpected treat, for Mrs. Moss had few pennies to spare for sweets,
+and, somehow, this candy tasted particularly nice, bought out of
+grateful Ben's solitary dime. The little girls shared their goodies
+with their favorite mates, but said nothing about the new arrangement,
+fearing it would be spoilt if generally known. They told their mother,
+however, and she gave them leave to lend their books and encourage Ben
+to love learning all they could. She also proposed that they should
+drop patch-work and help her make some blue shirts for Ben. Mrs. Barton
+had given her the materials, and she thought it would be an excellent
+lesson in needle-work as well as a useful gift to Ben--who, boy-like,
+never troubled himself as to what he should wear when his one suit of
+clothes gave out.
+
+Wednesday afternoon was the sewing time, so the two little B's worked
+busily at a pair of shirt sleeves, sitting on their bench in the
+door-way, while the rusty needles creaked in and out, and the childish
+voices sung school-songs, with frequent stoppages for lively chatter.
+
+For a week, Ben worked away bravely, and never shirked nor complained,
+although Pat put many a hard or disagreeable job upon him, and chores
+grew more and more distasteful. His only comfort was the knowledge that
+Mrs. Moss and the Squire were satisfied with him, his only pleasure the
+lessons he learned while driving the cows, and recited in the evening
+when the three children met under the lilacs to "play school."
+
+He had no thought of studying when he began, and hardly knew that he
+was doing it as he pored over the different books he took from the
+library. But the little girls tried him with all they possessed, and he
+was mortified to find how ignorant he was. He never owned it in words,
+but gladly accepted all the bits of knowledge they offered from their
+small store; getting Betty to hear him spell "just for fun;" agreeing
+to draw Bab all the bears and tigers she wanted if she would show him
+how to do sums on the flags, and often beguiled his lonely labors by
+trying to chant the multiplication table as they did. When Tuesday
+night came round the Squire paid him a dollar, said he was "a likely
+boy," and might stay another week if he chose. Ben thanked him and
+thought he would, but the next morning, after he had put up the bars,
+he remained sitting on the top rail to consider his prospects, for he
+felt uncommonly reluctant to go back to the society of rough Pat. Like
+most boys he hated work, unless it was of a sort which just suited him;
+then he could toil like a beaver and never tire. His wandering life had
+given him no habits of steady industry, and while he was an unusually
+capable lad of his age, he dearly loved to loaf about and have a good
+deal of variety and excitement in his life.
+
+Now he saw nothing before him but days of patient and very
+uninteresting labor. He was heartily sick of weeding; even riding Duke
+before the cultivator had lost its charms, and a great pile of wood lay
+in the Squire's yard which he knew he would be set to piling up in the
+shed. Strawberry-picking would soon follow the asparagus cultivation,
+then haying, and so on all the long, bright summer, without any fun,
+unless his father came for him.
+
+On the other hand, he was not obliged to stay a minute longer unless he
+liked. With a comfortable suit of clothes, a dollar in his pocket, and
+a row of dinner-baskets hanging in the school-house entry to supply him
+with provisions if he didn't mind stealing them, what was easier than
+to run away again? Tramping has its charms in fair weather, and Ben had
+lived like a gypsy under canvas for years, so he feared nothing, and
+began to look down the leafy road with a restless, wistful expression,
+as the temptation grew stronger and stronger every minute.
+
+Sancho seemed to share the longing, for he kept running off a little
+way and stopping to frisk and bark, then rushed back to sit watching
+his master with those intelligent eyes of his, which seemed to say,
+"Come on, Ben, let us scamper down this pleasant road and never stop
+till we are tired." Swallows darted by, white clouds fled before the
+balmy west wind, a squirrel ran along the wall, and all things seemed
+to echo the boy's desire to leave toil behind and roam away as
+care-free as they. One thing restrained him,--the thought of his
+seeming ingratitude to good Mrs. Moss, and the disappointment of the
+little girls at the loss of their two new play-fellows. While he paused
+to think of this, something happened which kept him from doing what he
+would have been sure to regret afterward.
+
+Horses had always been his best friends, and one came trotting up to
+help him now, though he did not know how much he owed it till long
+after. Just in the act of swinging himself over the bars to take a
+short cut across the fields, the sound of approaching hoofs,
+unaccompanied by the roll of wheels, caught his ear, and pausing, he
+watched eagerly to see who was coming at such a pace.
+
+At the turn of the road, however, the quick trot stopped, and in a
+moment a lady on a bay mare came pacing slowly into sight,--a young and
+pretty lady, all in dark blue, with a bunch of dandelions like yellow
+stars in her button-hole, and a silver-handled whip hanging from the
+pommel of her saddle, evidently more for ornament than use. The
+handsome mare limped a little and shook her head as if something
+plagued her, while her mistress leaned down to see what was the matter,
+saying, as if she expected an answer of some sort:
+
+"Now, Chevalita, if you have got a stone in your foot, I shall have to
+get off and take it out. Why don't you look where you step and save me
+all this trouble?"
+
+"I'll look for you, ma'am; I'd like to!" said an eager voice so
+unexpectedly that both horse and rider started as a boy came down the
+bank with a jump.
+
+"I wish you would. You need not be afraid; Lita is as gentle as a
+lamb," answered the young lady, smiling, as if amused by the boy's
+earnestness.
+
+"She's a beauty, anyway," muttered Ben, lifting one foot after another
+till he found the stone, and with some trouble got it out.
+
+"That was nicely done, and I'm much obliged. Can you tell me if that
+cross-road leads to the Elms?" asked the lady, as she went slowly on
+with Ben beside her.
+
+"No, ma'am; I'm new in these parts, and I only know where Squire Allen
+and Mrs. Moss live."
+
+"I want to see both of them, so suppose you show me the way. I was here
+long ago, and thought I should remember how to find the old house with
+the elm avenue and the big gate, but I don't."
+
+"I know it; they call that place the Laylocks now, 'cause there's a
+hedge of 'em all down the path and front wall. It's a real pretty
+place; Bab and Betty play there, and so do I."
+
+Ben could not restrain a chuckle at the recollection of his first
+appearance there, and as if his merriment or his words interested her,
+the lady said, pleasantly: "Tell me all about it. Are Bab and Betty
+your sisters?"
+
+Quite forgetting his intended tramp, Ben plunged into a copious history
+of himself and new-made friends, led on by a kind look, an inquiring
+word, and sympathetic smile, till he had told everything. At the
+school-house corner he stopped and said, spreading his arms like a
+sign-post:
+
+"That's the way to the Laylocks, and this is the way to the Squire's."
+
+"As I'm in a hurry to see the old house, I'll go this way first, if you
+will be kind enough to give my love to Mrs. Allen, and tell the Squire
+Miss Celia is coming to dine with him. I wont say good-by, because I
+shall see you again."
+
+With a nod and a smile the young lady cantered away, and Ben hurried up
+the hill to deliver his message, feeling as if something pleasant was
+going to happen, so it would be wise to defer running away, for the
+present at least.
+
+[Illustration: BEN TAKES THE STONE FROM LITA'S FOOT.]
+
+At one o'clock Miss Celia arrived, and Ben had the delight of helping
+Pat stable pretty Chevalita; then, his own dinner hastily eaten, he
+fell to work at the detested wood-pile with sudden energy, for, as he
+worked, he could steal peeps into the dining-room, and see the curly
+brown head between the two gray ones as the three sat round the table.
+He could not help hearing a word now and then, as the windows were
+open, and these bits of conversation filled him with curiosity, for the
+names "Thorny," "Celia," and "George" were often repeated, and an
+occasional merry laugh from the young lady sounded like music in that
+usually quiet place.
+
+When dinner was over, Ben's industrious fit left him, and he leisurely
+trundled his barrow to and fro till the guest departed. There was no
+chance for him to help now, since Pat, anxious to get whatever trifle
+might be offered for his services, was quite devoted in his attentions
+to the mare and her mistress till she was mounted and off. But Miss
+Celia did not forget her little guide, and spying a wistful face
+behind the wood-pile, paused at the gate and beckoned with that winning
+smile of hers. If ten Pats had stood scowling in the way Ben would have
+defied them all, and vaulting over the fence he ran up with a shining
+face, hoping she wanted some last favor of him. Leaning down, Miss
+Celia slipped a new quarter into his hand, saying:
+
+"Lita wants me to give you this for taking the stone out of her foot."
+
+"Thanky, ma'am; I liked to do it, for I hate to see 'em limp,
+'specially such a pretty one as she is," answered Ben, stroking the
+glossy neck with a loving touch.
+
+"The Squire says you know a good deal about horses, so I suppose you
+understand the Houyhnhnm language? I'm learning it, and it is very
+nice," laughed Miss Celia, as Chevalita gave a little whinny and
+snuggled her nose into Ben's pocket.
+
+"No, miss, I never went to school."
+
+"That is not taught there. I'll bring you a book all about it when I
+come back. Mr. Gulliver went to the horse-country and heard the dear
+things speak their own tongue."
+
+"My father has been on the prairies where there's lots of wild ones,
+but he didn't hear 'em speak. I know what they want without talkin',"
+answered Ben, suspecting a joke, but not exactly seeing what it was.
+
+"I don't doubt it, but I wont forget the book. Good-by, my lad, we
+shall soon meet again," and away went Miss Celia as if she was in a
+hurry to get back.
+
+"If she only had a red habit and a streamin' white feather, she'd look
+as fine as Melia used to. She _is_ 'most as kind and rides 'most as
+well. Wonder where she's goin' to. Hope she _will_ come soon," thought
+Ben, watching till the last flutter of the blue habit vanished round
+the corner, and then he went back to his work with his head full of the
+promised book, pausing now and then to chink the two silver halves and
+the new quarter together in his pocket, wondering what he should buy
+with this vast sum.
+
+Bab and Betty meantime had had a most exciting day, for when they went
+home at noon they found the pretty lady there, and she had talked to
+them like an old friend, given them a ride on the little horse, and
+kissed them both good-by when they went back to school. In the
+afternoon the lady was gone, the old house all open, and their mother
+sweeping, dusting, airing in great spirits. So they had a splendid
+frolic tumbling on feather beds, beating bits of carpet, opening
+closets, and racing from garret to cellar like a pair of distracted
+kittens.
+
+Here Ben found them, and was at once overwhelmed with a burst of news
+which excited him as much as it did them. Miss Celia owned the house,
+was coming to live there, and things were to be made ready as soon as
+possible. All thought the prospect a charming one; Mrs. Moss because
+life had been dull for her during the year she had taken charge of the
+old house; the little girls had heard rumors of various pets who were
+coming, and Ben, learning that a boy and a donkey were among them,
+resolved that nothing but the arrival of his father should tear him
+from this now deeply interesting spot.
+
+"I'm in _such_ a hurry to see the peacocks and hear them scream. She
+said they did, and that we'd laugh when old Jack brayed," cried Bab,
+hopping about on one foot to work off her impatience.
+
+"Is a _faytun_ a kind of a bird? I heard her say she could keep it in
+the coach-house," asked Betty, inquiringly.
+
+"It's a little carriage," and Ben rolled in the grass, much tickled at
+poor Betty's ignorance.
+
+"Of course it is. I looked it out in the dic., and you mustn't call it
+a _payton_ though it _is_ spelt with a p," added Bab, who liked to lay
+down the law on all occasions, and did not mention that she had looked
+vainly among the f's till a school-mate set her right.
+
+"You can't tell _me_ much about carriages. But what I want to know is
+where Lita will stay?" said Ben.
+
+"Oh, she's to be up at the Squire's, till things are fixed, and you are
+to bring her down. Squire came and told Ma all about it, and said you
+were a boy to be trusted, for he had tried you."
+
+Ben made no answer, but secretly thanked his stars that he had not
+proved himself untrustworthy by running away, and so missing all this
+fun.
+
+"Wont it be fine to have the house open all the time? We can run over
+and see the pictures and books whenever we like. I know we can, Miss
+Celia is so kind," began Betty, who cared for these things more than
+for screaming peacocks and comical donkeys.
+
+"Not unless you are invited," answered their mother, locking the front
+door behind her. "You'd better begin to pick up your duds right away,
+for she wont want them cluttering round her front yard. If you are not
+too tired, Ben, you might rake round a little while I shut the blinds.
+I want things to look nice and tidy."
+
+Two little groans went up from two afflicted little girls as they
+looked about them at the shady bower, the dear porch, and the winding
+walks where they loved to run "till their hair whistled in the wind,"
+as the fairy-books say.
+
+"Whatever shall we do! Our attic is so hot and the shed so small, and
+the yard always full of hens or clothes. We shall have to pack all our
+things away and never play any more," said Bab, tragically.
+
+"May be Ben could build us a little house in the orchard," proposed
+Betty, who firmly believed that Ben could do anything.
+
+"He wont have any time. Boys don't care for baby-houses," returned Bab,
+collecting her homeless goods and chattels with a dismal face.
+
+"We sha'n't want these much when all the new things come; see if we
+do," said cheerful little Betty, who always found out a silver lining
+to every cloud.
+
+
+
+CHAPTER VIII.
+
+MISS CELIA'S MAN.
+
+
+Ben was not too tired, and the clearing-up began that very night. None
+too soon, for, in a day or two, things arrived, to the great delight of
+the children, who considered moving a most interesting play. First came
+the phaeton, which Ben spent all his leisure moments in admiring,
+wondering with secret envy what happy boy would ride in the little seat
+up behind, and beguiling his tasks by planning how, when he got rich,
+he would pass his time driving about in just such an equipage, and
+inviting all the boys he met to have a ride.
+
+Then a load of furniture came creaking in at the lodge gate, and the
+girls had raptures over a cottage piano, several small chairs, and a
+little low table, which they pronounced just the thing for them to play
+at. The live stock appeared next, creating a great stir in the
+neighborhood, for peacocks were rare birds there; the donkey's bray
+startled the cattle and convulsed the people with laughter; the rabbits
+were continually getting out to burrow in the newly made garden; and
+Chevalita scandalized old Duke by dancing about the stable which he had
+inhabited for years in stately solitude.
+
+Last, but by no means least, Miss Celia, her young brother and two
+maids, arrived one evening so late that only Mrs. Moss went over to
+help them settle. The children were much disappointed, but were
+appeased by a promise that they should all go to pay their respects in
+the morning.
+
+They were up so early, and were so impatient to be off, that Mrs. Moss
+let them go with the warning that they would find only the servants
+astir. She was mistaken, however, for as the procession approached, a
+voice from the porch called out: "Good morning, little neighbors!" so
+unexpectedly, that Bab nearly spilt the new milk she carried, Betty
+gave such a start that the fresh-laid eggs quite skipped in the dish,
+and Ben's face broke into a broad grin over the armful of clover which
+he brought for the bunnies, as he bobbed his head, saying, briskly:
+
+"She's all right, miss; Lita is, and I can bring her over any minute
+you say."
+
+"I shall want her at four o'clock. Thorny will be too tired to drive,
+but I must hear from the post-office, rain or shine;" and Miss Celia's
+pretty color brightened as she spoke, either from some happy thought or
+because she was bashful, for the honest young faces before her plainly
+showed their admiration of the white-gowned lady under the
+honeysuckles.
+
+The appearance of Miranda, the maid, reminded the children of their
+errand, and having delivered their offerings, they were about to retire
+in some confusion, when Miss Celia said pleasantly:
+
+"I want to thank you for helping put things in such nice order. I see
+signs of busy hands and feet both inside the house and all about the
+grounds, and I am very much obliged."
+
+"I raked the beds," said Ben, proudly eying the neat ovals and circles.
+
+"I swept all the paths," added Bab, with a reproachful glance at
+several green sprigs fallen from the load of clover on the smooth walk.
+
+"I cleared up the porch," and Betty's clean pinafore rose and fell with
+a long sigh, as she surveyed the late summer residence of her exiled
+family.
+
+Miss Celia guessed the meaning of that sigh, and made haste to turn it
+into a smile by asking, anxiously:
+
+"What _has_ become of the playthings? I don't see them anywhere."
+
+"Ma said you wouldn't want our duds round, so we took them all home,"
+answered Betty, with a wistful face.
+
+"But I do want them round. I like dolls and toys almost as much as
+ever, and quite miss the little "duds" from porch and path. Suppose you
+come to tea with me to-night and bring some of them back? I should be
+very sorry to rob you of your pleasant play-place."
+
+"Oh yes'm, we'd love to come! and we'll bring our best things."
+
+"Ma always lets us have our shiny pitchers and the china poodle when we
+go visiting or have company at home," said Bab and Betty, both speaking
+at once.
+
+"Bring what you like and I'll hunt up my toys too. Ben is to come also,
+and _his_ poodle is especially invited," added Miss Celia as Sancho
+came and begged before her, feeling that some agreeable project was
+under discussion.
+
+"Thank you, miss. I told them you'd be willing they should come
+sometimes. They like this place ever so much, and so do I," said Ben,
+feeling that few spots combined so many advantages in the way of
+climbable trees, arched gates, half-a-dozen gables, and other charms
+suited to the taste of an aspiring youth who had been a flying Cupid at
+the age of seven.
+
+"So do I," echoed Miss Celia, heartily. "Ten years ago I came here a
+little girl, and made lilac chains under these very bushes, and picked
+chick-weed over there for my bird, and rode Thorny in his baby-wagon up
+and down these paths. Grandpa lived here then and we had fine times;
+but now they are all gone except us two."
+
+"We haven't got any father either," said Bab, for something in Miss
+Celia's face made her feel as if a cloud had come over the sun.
+
+[Illustration: MISS CELIA AND HER LITTLE FRIENDS.]
+
+"_I_ have a first-rate father, if I only knew where he'd gone to," said
+Ben, looking down the path as eagerly as if some one waited for him
+behind the locked gate.
+
+"You are a rich boy, and you are happy little girls to have so good a
+mother; I've found that out already," and the sun shone again as the
+young lady nodded to the neat, rosy children before her.
+
+"You may have a piece of her if you want to, 'cause you haven't got any
+of your own," said Betty, with a pitiful look which made her blue eyes
+as sweet as two wet violets.
+
+"So I will! and you shall be my little sisters. I never had any, and
+I'd love to try how it seems," and Miss Celia took both the chubby
+hands in hers, feeling ready to love every one this first bright
+morning in the new home which she hoped to make a very happy one.
+
+Bab gave a satisfied nod, and fell to examining the rings upon the
+white hand that held her own. But Betty put her arms about the new
+friend's neck, and kissed her so softly that the hungry feeling in Miss
+Celia's heart felt better directly, for this was the food it wanted,
+and Thorny had not learned yet to return one half of the affection he
+received. Holding the child close, she played with the yellow braids
+while she told them about the little German girls in their funny
+black-silk caps, short-waisted gowns and wooden shoes, whom she used to
+see watering long webs of linen bleaching on the grass, watching great
+flocks of geese, or driving pigs to market, knitting or spinning as
+they went.
+
+Presently, "Randa," as she called her stout maid, came to tell her that
+"Master Thorny couldn't wait another minute," and she went in to
+breakfast with a good appetite, while the children raced home to bounce
+in upon Mrs. Moss, talking all at once like little lunatics.
+
+"The phaeton at four,--so sweet in a beautiful white gown,---going to
+tea, and Sancho and all the baby things invited. Can't we wear our
+Sunday frocks? A splendid new net for Lita. And she likes dolls. Goody,
+goody, wont it be fun!"
+
+With much difficulty their mother got a clear account of the
+approaching festivity out of the eager mouths, and with still more
+difficulty got breakfast into them, for the children had few pleasures,
+and this brilliant prospect rather turned their heads.
+
+Bab and Betty thought the day would never end, and cheered the long
+hours by expatiating on the pleasures in store for them, till their
+playmates were much afflicted because they were not going also. At
+noon their mother kept them from running over to the old house lest
+they should be in the way, so they consoled themselves by going to the
+syringa bush at the corner and sniffing the savory odors which came
+from the kitchen, where Katy, the cook, was evidently making nice
+things for tea.
+
+Ben worked as if for a wager till four, then stood over Pat while he
+curried Lita till her coat shone like satin, then drove her gently down
+to the coach-house, where he had the satisfaction of harnessing her
+"all his own self."
+
+"Shall I go round to the great gate and wait for you there, miss?" he
+asked, when all was ready, looking up at the porch where the young lady
+stood watching him as she put on her gloves.
+
+"No, Ben, the great gate is not to be opened till next October. I shall
+go in and out by the lodge, and leave the avenue to grass and
+dandelions, meantime," answered Miss Celia, as she stepped in and took
+the reins, with a sudden smile.
+
+But she did not start even when Ben had shaken out the new duster and
+laid it neatly over her knees.
+
+"Isn't it all right now?" asked the boy, anxiously.
+
+"Not quite; I need one thing more. Can't you guess what it is?"--and
+Miss Celia watched his anxious face as his eyes wandered from the tips
+of Lita's ears to the hind-wheel of the phaeton, trying to discover
+what had been omitted.
+
+"No, miss, I don't see--" he began, much mortified to think he had
+forgotten anything.
+
+"Wouldn't a little groom up behind improve the appearance of my
+turnout?" she said, with a look which left no doubt in his mind that
+_he_ was to be the happy boy to occupy that proud perch.
+
+He grew red with pleasure, but stammered, as he hesitated, looking down
+at his bare feet and blue shirt:
+
+"I aint fit, miss, and I haven't got any other clothes."
+
+Miss Celia only smiled again more kindly than before, and answered, in
+a tone which he understood better than her words:
+
+"A great man said his coat-of-arms was a pair of shirt sleeves, and a
+sweet poet sung about a barefooted boy, so I need not be too proud to
+ride with one. Up with you, Ben, my man, and let us be off, or we shall
+be late for our party."
+
+With one bound the new groom was in his place, sitting very erect, with
+his legs stiff, arms folded, and nose in the air, as he had seen real
+grooms sit behind their masters in fine dog-carts or carriages. Mrs.
+Moss nodded as they drove past the lodge, and Ben touched his torn
+hat-brim in the most dignified manner, though he could not suppress a
+broad grin of delight, which deepened into a chuckle when Lita went
+off at a brisk trot along the smooth road toward town.
+
+It takes so little to make a child happy, it is a pity grown people do
+not oftener remember it and scatter little bits of pleasure before the
+small people, as they throw crumbs to the hungry sparrows. Miss Celia
+knew the boy was pleased, but he had no words in which to express his
+gratitude for the great contentment she had given him. He could only
+beam at all he met, smile when the floating ends of the gray veil blew
+against his face, and long in his heart to give the new friend a boyish
+hug as he used to do his dear Melia when she was very good to him.
+
+School was just out as they passed, and it was a spectacle, I assure
+you, to see the boys and girls stare at Ben up aloft in such state;
+also to see the superb indifference with which that young man regarded
+the vulgar herd who went afoot. He could not resist an affable nod to
+Bab and Betty, for they stood under the maple-tree, and the memory of
+their circulating library made him forget his dignity in his gratitude.
+
+"We will take them next time, but now I want to talk to you," began
+Miss Celia, as Lita climbed the hill. "My brother has been ill, and I
+have brought him here to get well. I want to do all sorts of things to
+amuse him, and I think you can help me in many ways. Would you like to
+work for me instead of the Squire?"
+
+"I guess I would!" ejaculated Ben, so heartily that no further
+assurances were needed, and Miss Celia went on, well pleased:
+
+"You see, poor Thorny is weak and fretful, and does not like to exert
+himself, though he ought to be out a great deal, and kept from thinking
+of his little troubles. He cannot walk much yet, so I have a wheeled
+chair to push him in, and the paths are so hard it will be easy to roll
+him around. That will be one thing you can do. Another is to take care
+of his pets till he is able to do it himself. Then you can tell him
+your adventures, and talk to him as only a boy can talk to a boy. That
+will amuse him when I want to write or go out; but I never leave him
+long, and hope he will soon be running about as well as the rest of us.
+How does that sort of work look to you?"
+
+"First-rate! I'll take real good care of the little fellow, and do
+everything I know to please him, and so will Sanch. He's fond of
+children," answered Ben, heartily, for the new place looked very
+inviting to him.
+
+Miss Celia laughed, and rather damped his ardor by her next words:
+
+"I don't know what Thorny _would_ say to hear you call him 'little.' He
+is fourteen, and appears to get taller and taller every day. He seems
+like a child to _me_, because I am nearly ten years older than he is;
+but you needn't be afraid of his long legs and big eyes,--he is too
+feeble to do any harm,--only you mustn't mind if he orders you about."
+
+"I'm used to that. I don't mind it if he wont call me a 'spalpeen,' and
+fire things at me," said Ben, thinking of his late trials with Pat.
+
+"I can promise that, and I am sure Thorny will like you, for I told him
+your story, and he is anxious to see 'the circus boy,' as he called
+you. Squire Allen says I may trust you, and I am glad to do so, for it
+saves me much trouble to find what I want all ready for me. You shall
+be well fed and clothed, kindly treated and honestly paid, if you like
+to stay with me."
+
+"I _know_ I shall like it--till father comes, anyway. Squire wrote to
+Smithers right off, but hasn't got any answer yet. I know they are on
+the go now, so may be we wont hear for ever so long," answered Ben,
+feeling less impatient to be off than before this fine proposal was
+made to him.
+
+"I dare say; meantime we will see how we get on together, and perhaps
+your father will be willing to leave you for the summer if he is away.
+Now show me the baker's, the candy-shop, and the post-office," said
+Miss Celia, as they rattled down the main street of the village.
+
+Ben made himself useful, and when all the other errands were done,
+received his reward in the shape of a new pair of shoes and a straw hat
+with a streaming blue ribbon, on the ends of which shone silvery
+anchors. He was also allowed to drive home, while his new mistress read
+her letters. One particularly long one, with a queer stamp on the
+envelope, she read twice, never speaking a word till they got back.
+Then Ben was sent off with Lita and the Squire's letters, promising to
+get his chores done in time for tea.
+
+_(To be continued.)_
+
+
+
+
+CRUMBS FROM OLDER READING.
+
+BY JULIA E. SARGENT.
+
+
+EMERSON.
+
+
+"Who ever heard of Emerson?" I asked a room of third-reader pupils.
+Nearly every hand came up, and the bright faces were full of interest.
+What a delightful surprise! I did not expect to see more than two
+hands, and here all were as interested as if I had said, "Who ever
+heard of Hayes or Tilden?" All at once I remembered that, for more than
+a week, every fence about the school had been covered with
+circus-bills, bearing the name "Billy Emerson."
+
+Sure enough he was the only Emerson those pupils knew about; for when I
+said Ralph Waldo Emerson, one by one the hands came down. No one had
+heard of him. Now I know no more of "Billy Emerson" than the children
+knew of Ralph Waldo Emerson, but I am not afraid to say that the one I
+know is better worth knowing.
+
+For in papa's library, or on mamma's center-table, I have no doubt you
+can find more than one book which he has written. When in his sermon
+the minister tells what Emerson has said, you may be very sure he does
+not quote "Billy." Papers and magazines all have something to say
+concerning this man, whose books grown people read and talk about.
+
+Who is he, then? His name is Ralph Waldo Emerson, and he writes books.
+
+Very good; and what are people who write books called? Then Mr. Ralph
+Waldo Emerson is an author. He lives in a republican country which has
+Washington for its capital. He was born in the Bay State, in the
+largest city of New England. He dwells now in a little town where a
+battle was fought a hundred years ago, and the name of this town means
+"harmony." You know where that is, do you not? He was born in 1803,
+and, as this is 1878, every one of you boys and girls who can subtract
+can tell just his age. One of the books he has written tells about
+England, another about such famous men as Shakspeare and Napoleon, and
+others talk about wealth and friendship, prudence and power.
+
+That does not sound as if he meant them for you? Well, one thing he did
+mean for you, and that is a dear little poem--"The Squirrel and the
+Mountain." Every one of you will want to read it, and when you have
+read it you will want to learn it, and when you have learned you will
+want to speak it. I need not have told you he meant that poem for you;
+you would know that the minute you saw it. But you could not tell so
+soon how many things he says for you in those famous essays so often
+quoted. What do you think I can find for you in this dry-looking book,
+"Conduct of Life," with "Emerson" printed just under the title?
+
+Did you ever see an old hen with her little walking bundles of feathers
+in the soft garden soil? How she does scratch and bustle for something
+to eat! Why, she is eating every bit herself! Perhaps she thinks that
+taking care of the chickens' mother is very important work for her; but
+by-and-by she will call the little folks to share what she has found.
+
+You may think of me as of an old hen who has long been scratching in
+the soft garden soil of Ralph Waldo Emerson's writings. She has found
+much for herself, with now and then a bit for the chickens.
+
+Here, the very first thing, is something about eggs. "There is always a
+best way of doing everything, if it be but to boil an egg." I hope my
+little friends are never cross when Bridget has not boiled the nice
+breakfast egg in the best way. More than that; I hope they themselves
+know what is the best way of doing it; just how hot the water must be,
+how long the egg should boil to make it hard or soft, and, what is well
+worth knowing, how to get it in and out of the hot water without
+breaking the shell.
+
+Here is another bit. It is like an egg, for the meaning is wrapt in
+words just as an egg hides in the shell. "The tell-tale body is all
+tongues." What does the tongue help to do? Will no one know that you
+are cross unless you say, "I am cross this morning?" Can I find it out
+although you do not say a word? Yes, indeed; that puckered mouth and
+ugly little scowl tell, all too quickly, and even if I could not see
+your face, that little jerk and twist would tell the story. Do you not
+know when the dog is sick or tired, or full of fun? yet, his bright
+eyes, eager little nose, lively body and whisking tail, tell no more
+surely than your own face and body.
+
+"The tell-tale body is all tongues." Mr. Emerson, we think that is
+true.
+
+"How can I be beautiful?" Every boy and girl, man and woman, wants to
+know that. Here is Mr. Emerson's beauty recipe: "There is no beautifier
+of complexion, or form, or behavior, like the wish to scatter joy and
+not pain around us." Do you suppose that recipe will work? Think of the
+most beautiful people you know. Ah, I knew some one would say "mother."
+Do you not think these people are those who try very hard to make
+others happy? I know very many beautiful people who would have remained
+very plain had they sought only to please themselves.
+
+We want to try Emerson's rule for becoming beautiful, so it will not do
+to forget that "There is no beautifier of complexion, or form, or
+behavior, like the wish to scatter joy and not pain around us."
+
+"Every man takes care that his neighbor shall not cheat him. But a day
+comes when he begins to care that he does not cheat his neighbor. Then
+all goes well." Yes, Mr. Emerson, that is the only way to have things
+go well,--following the Golden Rule.
+
+"You cannot hide any secret. 'Tis as hard to hide as fire." Perhaps you
+think that it is not so; but you just try how long you can keep a
+secret that even your dearest friend does not know. I should not wonder
+if Emerson were right once more.
+
+"There is much you may not do." True again. We do not need Emerson to
+tell us that. "You must not do that, you must not do this," the little
+folks hear so often, that sometimes they wonder what they may do.
+
+But we would like to have him tell us what things last longest.
+
+He is all ready to tell whoever wants to know, "Beauty is the quality
+which makes to endure. In a house that I know, I have noticed a block
+of spermaceti lying about closets and mantel-pieces for twenty years
+together, simply because the tallow-man gave it the form of a rabbit;
+and I suppose it may continue to be lugged about unchanged for a
+century. Let an artist draw a few lines or figures on the back of a
+letter, and that scrap of paper is rescued from danger, is put in a
+portfolio, or framed and glazed, and, in proportion to the beauty of
+the lines drawn, will be kept for centuries." And there are beauties of
+heart, mind and character, that do not meet the eye, but are none the
+less powerful in "making to endure."
+
+
+
+
+THE OLD MAN AND THE NERVOUS COW.
+
+BY R.E.
+
+
+ "There was an old man who said 'How
+ Shall I 'scape from this horrible cow?
+ I will sit on the stile,
+ And continue to smile,
+ Which may soften the heart of the cow.'"
+
+The old man was walking thoughtfully through the field, with his hands
+behind him, when the nervous cow saw him. She wasn't ordinarily a
+bad-natured cow, but she was mad just then. An aggravating fly had been
+biting her half the morning, and, just as she was drinking at the
+brook, a frog had jumped up with a cry and bitten her nose. These
+things had completely unsettled her nerves.
+
+She was ready to run at anything, and the old man being the only living
+thing in sight, she plunged toward him.
+
+[Illustration: "I WILL SIT ON THE STILE, AND CONTINUE TO SMILE."]
+
+What could he do? He was a short, stout old man, and could not run very
+fast, and, though he tried his best, he only just managed to reach the
+stile and plump down on it, all out of breath, as the cow neared him.
+
+Then he suddenly remembered reading somewhere that if you looked right
+into an animal's eyes, it would run away from you.
+
+"Ah!" thought he, "I'll look straight at her, and if I smile at the
+same time, she wont have the heart to hurt me."
+
+So he put on a smile (of course it was not a very beautiful one, for he
+was in a hurry, but it was the best he could do), and stared straight
+into the cow's eyes. She saw that smile, and it so touched her that she
+stopped short. Then she sauntered back a little way, but the thought of
+that aggravating fly, and that awful frog, was too much for her poor
+nerves, and turning around, she dashed madly on again.
+
+In another minute, the poor old man--cane, little legs, smile and
+all--was up in the air.
+
+He alighted in the top of a hickory-tree. One branch grazed his eye,
+two ran into his legs, while another held his smile stiff and straight.
+
+Thus he stayed until an eagle caught sight of him, pounced right down,
+and flew off with him to her nest, which was on a huge rock that rose
+straight up into the cold air and made the summit of a mountain.
+
+When the old eagle plumped the little old man down into the nest, just
+imagine, if you can, how astonished the eaglets were! They opened their
+beaks as well as their eyes, and cried out:
+
+"What's this, mother? What _is_ this?"
+
+"Oh! it's only a man," cried the old eagle. "I found him roosting in
+the top of a tree. Don't know how he got there. Suppose he was trying
+to fly, and couldn't. Tell us how it was, old man."
+
+"Can he talk?"
+
+"Talk!" said the eagle. "Of course he can talk. And he can tell
+stories, too, I warrant you. So, if you like, you may keep him to tell
+you stories."
+
+"Oh, wont that be nice! Tell us a story, right off," they all screamed,
+jerking the old man down into the nest.
+
+"But it's so dirty here," said he, looking around, with his nose turned
+up a little. "Let me sit on the edge of the nest, wont you?--and I'll
+tell you all the stories you want."
+
+"You'll fall over.".
+
+"Oh no, I wont. I'll hold on with my cane and my legs. Now just shut
+your beaks, so you wont look so savage, and listen."
+
+So the old man perched himself on the edge of the nest. The eaglets
+took hold of his coat with their beaks, to keep him from falling; and
+he told them the story of "Ali Baba and the Forty Thieves"; and when
+that was ended, another, and then another.
+
+He didn't eat much supper that night, for they hadn't any convenience
+for cooking. And he didn't sleep well, either, for whenever one of the
+eaglets woke up in the night, it always pinched him with its beak, to
+make sure he was there. So he resolved to get away as soon as he could.
+
+But he didn't seem to have any chance; so there he stayed and told
+stories till he longed to wring the necks of the gaping birds that kept
+asking him for more.
+
+Now, all this time the cow had been getting more and more nervous.
+Every day she thought of the poor old man and his meek little legs and
+his sweet old smile, and just how his coat-tails looked as he went up;
+till at last she laid her head down on a tuft of grass by the brook,
+and cried--regularly boo-hooed.
+
+Having thus relieved her feelings, she became calm, and, rising, said:
+
+"I'll go to his house and find out how and where he is, if I can."
+
+So off she started. But the house was shut up, and there was no one
+there except the cat.
+
+Very much frightened the cat was, too, when the cow pushed up the
+pantry window with her horns, and bellowed:
+
+"Where's your master?"
+
+"I don't know," said the cat, retreating to a far corner, with his back
+up. "I haven't set eyes on him since last Sunday."
+
+"Oh dear!" sighed the cow, dropping the window with a crash that broke
+out two of the panes of glass. "What shall I do?"
+
+[Illustration: "THE POOR OLD MAN WAS UP IN THE AIR."]
+
+"What's the matter with you?--and what do you want of the old man?"
+asked Tabby, bounding out through one of the broken panes.
+
+The cow told him.
+
+"Well," said Tab, stroking his whiskers reflectively, "I guess I'll go
+with you and help you look for the good-natured old creature."
+
+So they journeyed on, asking everybody they met about the old man. But
+nobody knew, until finally they came across an old crow who knew
+everybody's business.
+
+"An old man?" said he. "The eagle took an old man the other day. Did he
+have very slender legs?"
+
+"Yes, yes!" said the cat and the cow together.
+
+"And a sweet smile on his face?"
+
+"Yes, yes!" cried the cow. "He went up with that smile, and it has been
+haunting me ever since," and she burst into a flood of tears.
+
+"Well," said the crow, "he's in the eagle's nest telling stories to the
+eaglets, and if he isn't tired of the business by this time, I'm
+mistaken."
+
+"Where is the nest?--and how can we get there?"
+
+"Up at the very top of the mountain yonder. Go straight ahead, and you
+can't miss it."
+
+[Illustration: THE OLD MAN TELLING STORIES TO THE EAGLETS.]
+
+So straight ahead they went till they came to the rock where the
+eagle's nest was. Then what should they do? They could hear the old
+man's little, thin voice telling stories to the birds, but they knew he
+wouldn't dare come where the cow was, even if he could clamber down
+that steep rock. At last, Tab suggested that the cow should hide
+herself, while he climbed up into the nest and persuaded the old man.
+So the cow hid, and puss scrambled up to the nest and carefully poked
+his head in.
+
+"Ah, master!" he whispered; "climb down the rock to-night, and I'll
+show you the way home." And he disappeared.
+
+This visit braced up the old man's courage, and when the mother-bird
+came home he calmly told her he thought he'd sleep at the foot of the
+rock that night; and she unsuspectingly took him in her talons and
+dropped him gently on the ground.
+
+As soon as she had gone, the old man looked all about him, and called
+"Tabby, Tabby," very softly. Tabby came out from under the roots of a
+tree and bounded on his shoulder, and told him how sorry the cow was,
+and how she was waiting in a thicket ready to carry him home, if he
+wanted to go.
+
+Of course he wanted to go, and in less than a jiffy the cow had come
+out from her hiding-place, had cried a little, and had taken the old
+man on her back, and started full speed down the mountain, with the cat
+tearing after her.
+
+It was a long way to the old man's house, and they reached it just
+tired out. Of course, they got something to eat, and then they went to
+bed and slept right through two days; but on the morning of the third
+day they got up as merry as crickets, and, after a hearty breakfast,
+they agreed to live together for the rest of their lives. And they have
+lived ever since in perfect harmony.
+
+
+
+
+THE RAID OF THE CAMANCHES.
+
+BY THE AUTHOR OF "WE BOYS."
+
+
+Fred Hart, who was the eldest son of a country clergyman, and preparing
+for college at Whitford Boys' Academy, was known at that classical
+institution as a "dig," because he "dug" into his books and studied
+hard. His room-mate, Neal Howe, an orphan, dependent upon his own
+exertions, was styled a "digger;" and as both lads were rather dark, it
+was but a step for those wicked upper-story boys to stigmatize them,
+"Digger Indians!"
+
+This term was gradually extended to include all the boys in the second
+story, for they were all hard students. The "Diggers" retaliated mildly
+by styling their upper-story neighbors, "Camanches."
+
+The Camanches perpetrated all sorts of schoolboy atrocities on the
+Diggers, but, above all things else, they burned for a pillow-fight. In
+vain they challenged the Diggers to combat. Those law-abiding savages
+declined, though well aware of thereby falling into contempt on charge
+of cowardice.
+
+Unmistakable indications were soon apparent that the Camanches
+meditated an attack.
+
+The north wing was intended to be fire-proof, and each story was
+separated from the main building by iron doors which usually were
+fastened back by staples. The Camanches reasoned that these doors might
+be as effectual in shutting off teachers as fire; and the staples in
+both the second and third stories were one day withdrawn, so that these
+doors could be easily closed.
+
+Scouting parties reported that the Camanches were getting ready the
+war-paint,--_i.e._, the burnt cork,--and one ferocious savage had
+intimated that they should spare neither age nor sex.
+
+A council was immediately held in Fred Hart's room, and Fred
+unanimously chosen chief.
+
+"If they're determined on a pillow-fight they shall have it,"
+resolutely remarked that warrior.
+
+The Diggers proposed using their own pillows as reserve arms only, and
+the next day any number of this tribe might have been seen scouring the
+village on mysterious errands, which the housewives would have
+explained as an effort to buy up old pillows.
+
+"All's fair on the defensive," said Chief Fred, and each Digger ripped
+open one end of his pillow, poured in a little mucilage, and then
+basted it up, in accordance with the liberal views boys always
+entertain concerning "basting."
+
+At a little after nine o'clock, when the lights had been extinguished,
+and a teacher made the nightly rounds, a Camanche scout quietly closed
+and bolted the iron doors and relighted the hall lamps. Then, with
+hair-starting war-whoops, the savages began dropping down through the
+trap-door, which opened from one hall to another in the capacity of
+fire-escapes.
+
+The Diggers, peacefully studying in their rooms, were summarily ordered
+into the hall to battle. Every man protested, but the Camanches refused
+to parley. Then, seizing their weapons, the assailed marched forth to
+the field of carnage.
+
+Thwack! went the blows of the Camanches.
+
+Thwack! the Diggers.
+
+Thwack! the Camanches.
+
+Thwack! the Diggers.
+
+A stir among the Camanches and then a wild affray.
+
+Crack! crack! go the Diggers' bastings. Crack! feathers fly over the
+heads and into the eyes of the Camanches, and there many of them stick.
+The Camanches realize the disadvantages of unprovoked assault with no
+rules of warfare agreed upon beforehand.
+
+Here and there a Camanche drops his arms and flies to the farther end
+of the hall, only to fumble unavailingly at the fastenings of the iron
+door, while a victorious Digger belabors him with the weapon he has
+just cast aside.
+
+All at once there is descried in the dim light of the hall the boots
+and never-to-be-mistaken striped pantaloons of Captain Hale swinging
+through the trap-door!
+
+Captain Hale is drill-sergeant and professor of gymnastics. He has seen
+years of army service, and is thoroughly imbued with the military
+spirit. The boys are more afraid of him than of the president and
+entire board of trustees,--as afraid as they would be of old Nick,
+himself, in boots and striped pantaloons.
+
+In a flash every Digger had disappeared into his own room and locked
+the door after him, and the Camanches are left alone, gasping among
+their feathers, the captain in their midst.
+
+There is a moment of bewilderment followed by a wild stampede toward
+the iron door, but the Captain has cut off the retreat.
+
+"Young gentlemen, you will remain and clear up the hall. Williams, go
+to the coal-cellar and bring up the two-bushel basket."
+
+Williams is "nobbiest" of third-story boys, bravest of Camanche
+warriors, but Williams doesn't dare refuse to go for that basket.
+During his absence his fellow-savages express strong doubts as to his
+ever re-appearing upon the battle-field, but he does return, like
+Regulus to his barrel of spikes.
+
+The Captain has borrowed a number of brooms and dust-pans from the
+Diggers who, to a man, had retired and been snoring sweetly.
+
+"Now, gentlemen, clear up these feathers!" orders the Captain, as if he
+was crying, "Forward, march!"
+
+Clearing up those feathers was a tedious and trying process. Any one
+who has ever chased a worn-out but still lively feather up and down a
+long hall can imagine the scene with hundreds of them flying about.
+
+"They're the meanest lot of feathers,--pretty much all fuzz," said one
+exhausted brave.
+
+When the last handful had been crowded into the basket, Williams
+attempted opening the door.
+
+"No; you're to make your exit the same way you made your ingress,"
+announced the Captain.
+
+Williams stared blankly at the trap-hole in the ceiling.
+
+Dropping down through a trap-door and going up through the same, with
+no visible means of support but the floor, are naturally different
+exercises.
+
+"You're fertile in expedients; can't you devise some good way of
+getting out?" coolly asked the Captain.
+
+"We might stand on each other's shoulders," suggested one small
+savage, whom the blood-thirsty Williams afterward confessed he longed
+to scalp at this juncture.
+
+"Very well, do so," ordered the Captain.
+
+Then one of the noble savages stood under the trap-door while one by
+one the others sprang upon his shoulders, caught the edges of the
+opening above, wriggled, writhed, contorted his limbs, and finally
+succeeded in drawing himself up to his own story, while all down the
+hall, on either side, there appeared at the open ventilators over the
+doors the eyes of pairs of miserable Diggers, and for every Camanche
+that wriggled up there resounded a succession of groans.
+
+The Camanches thought, with a thrill of exultation, that the Captain
+would be obliged to proffer his shoulders for the last man, and would
+then be left pondering alone, like the goat in the well. That would be
+something of a revenge, at any rate.
+
+But when only one boy remained, who, to the exasperation of the entire
+tribe, was the identical small savage who had proposed going up in that
+ridiculous style, the Captain quietly opened the iron door, and he and
+the small savage retired with dignity.
+
+The Captain, who had his "good streaks," never reported the Camanches,
+but they manifested a disposition thereafter to settle quietly upon
+their own reservation and cultivate the peaceful arts, and they always
+treated their neighbors, the Diggers, with respect, though unmingled
+with affection.
+
+
+
+
+[Illustration: "LITTLE BO-PEEP, SHE WENT TO SLEEP."]
+
+
+
+
+SOLIMIN: A SHIP OF THE DESERT.
+
+BY SUSAN COOLIDGE.
+
+
+I asked a party of children once the meaning of the word "desert," and
+all but one shouted out, "rice pudding and oranges!" having in their
+minds the dinner which we had just eaten. That one, who was older than
+the rest, said, rather shyly, "A big piece of land, aunty, isn't it?"
+but even he didn't know how big,--or that there is a difference in
+spelling between the _dessert_ which people eat and the _desert_ which
+sometimes eats people, closing its jaws of sand, and swallowing them up
+as easily as a boy swallows a cherry.
+
+The biggest desert in the world is in Africa, and is called the Sahara.
+It is almost as large as the Atlantic Ocean, but instead of water it is
+all sands and rocks. Like the ocean, it is visited with storms;
+dreadful gales, when the wind scoops up thousands of tons of sand and
+drives them forward, burying and crushing all they meet. And it has
+islands, too--small green patches, where springs bubble through the
+ground, and ferns and acacias and palm-trees grow. When a traveler sees
+one of these fertile spots afar off, he feels as a tempest-tossed
+sailor does at sight of land. It is delightful to quit the hot, baking
+sun, sit in shadow under the trees, and rest the eyes, long wearied
+with dazzling sands, on the sweet green and the clear spring. Oases,
+these islands are called. Long distances divide them. It is often a
+race for life to get across from one to the other. Sometimes people do
+not get across! In 1805, a caravan of 2,000 persons died miserably of
+heat and thirst in the great desert, and the sand covered them up. Do
+you wonder at my saying that the desert eats men?
+
+Now, you will be puzzled to guess what sort of ship it is which swims
+this dry ocean. It is the camel--an animal made by God to endure these
+dreadful regions, in which no other beast of burden can live and
+travel. I dare say many of you have seen camels in menageries. They are
+ugly animals, but very strong, swift and untiring. With a load of 800
+pounds on his back, a camel will travel for days at the rate of eight
+miles an hour, which is as fast as an ordinary ship can sail. More
+wonderful still, he will do this without stopping for food or water.
+Nature has provided him with an extra stomach, in which he keeps a
+store of drink, and with a hump on his back, made of jelly-like fat,
+which, in time of need, is absorbed into the system and appropriated as
+food. Is it not strange to think of a creature with a cistern and a
+meat-safe inside him? A horse would be useless in the desert, where no
+oats or grass can be had; but the brave, patient camel goes steadily on
+without complaint till the oasis is reached: then he champs his thorn
+bushes, fills himself from the spring, allows the heavy pack to be
+fastened on his back again, and is ready for further travel.
+
+Now you know what sort of a ship it is that I am going to tell you
+about. It was a camel, named Solimin. He was of a rare and valuable
+breed, known as "herie," or coursers, because they are so much swifter
+than ordinary camels. Solimin's master, Ahmed, was a poor man. He never
+could have afforded to buy a full-grown camel of this rare breed; and
+Solimin had become his through a piece of good fortune. When a little
+foal, Solimin was found in a lonely place in the desert, standing over
+the dead body of his mother, who had fallen and perished by the way.
+Led to the brown tent which was Ahmed's home, the orphan baby grew up
+as a child of the family, lay among the little ones at night, and was
+their pet and plaything all the day. The boys taught him to kneel, to
+rise, to carry burdens, to turn this way and that at a signal. The
+girls hung a necklace of blessed shells around his neck, saved for him
+the best of the food, sang him songs (which he was supposed to enjoy),
+and daily kissed and stroked his gentle nose and eyes. As he grew big
+and strong, the pride of his owners grew with him. Not another family
+of the tribe possessed a herie. Once and again, Ahmed was offered a
+large price for him, but he rejected it with disdain.
+
+"Would I sell my son--the son of my heart?" he said. "Neither will I
+part with Solimin. By the Prophet, I swear it."
+
+Of all the dwellers in the brown tent Solimin loved best Ahmed himself,
+and his eldest son, Mustapha. With them he was docile as a lamb; but if
+strangers drew near, or persons he did not like, he became restive and
+fierce, screamed, laid back his ears, and kicked with his strong hind
+legs. A kick from a camel is no joke, I can tell you. All the desert
+guides knew Solimin, and, for his sake, Ahmed was often hired to
+accompany caravans. Nay, once, at Cairo, Solimin was chosen to carry
+the sacred person of the Khedive on a day's excursion up the Nile bank,
+which event served the tribe as a boast for months afterward.
+
+It was the year after this journey to Cairo that Ahmed met with a
+terrible adventure. He and Mustapha, making their way home after a
+long journey, had lain down to sleep away the noontide hours, according
+to the custom of desert travelers. Their camels were tethered beside
+them, all seemed secure and peaceful, when, sudden as the lowering of a
+cloud, a party of Arabs, belonging to a wild tribe at enmity with all
+men, pounced upon them. Ahmed and his son defended themselves manfully,
+but what could two men, surprised in sleep, do against a dozen? In five
+minutes all was over. The assailants vanished in a cloud of dust, and
+Ahmed, who had been struck down in the rush, recovered his senses, to
+find camels, baggage, belt, money, everything gone, and Mustapha
+wounded and motionless on the earth beside him.
+
+Ahmed thought him dead. They were alone in the desert, a hundred miles
+from home, without food or water, and with a groan of despair he sat
+down beside his son's body, bowed his head, and waited until death
+should come to him also. An Arab believes in fate, and gives up once
+for all when misfortune occurs.
+
+But Mustapha stirred, and Ahmed at once sprang up. There was nothing he
+could do for the poor boy, except to chafe and rub his hands; but this
+was something, for presently Mustapha revived enough to speak.
+
+"Are they gone?" he asked.
+
+"Yes, the accursed ones, they are gone, with all our goods and with
+Solimin! The Prophet's curse light upon them!" And passing from despair
+to fury, Ahmed threw sand upon his head, and flung himself on the
+ground in helpless rage. Mustapha joined in with groans and
+lamentations.
+
+When the father and son grew calmer, they began to discuss their
+situation. Ahmed knew of a small unfrequented oasis, about twenty miles
+away. It was their only chance of safety, but could they reach it?
+
+"I _think_ I can walk," declared Mustapha, tying up his wounded leg in a
+fold torn from his turban. But he limped sadly, and his tightly pressed
+lips showed pain as he moved. He was faint with hunger beside. Neither
+of the men had eaten since sunrise.
+
+Suddenly Mustapha uttered a joyful cry, and lifted something from the
+earth.
+
+"The Prophet be praised!" he cried. "My father, here is food. The
+robbers have dropped a bag of dates."
+
+Sure enough, there it lay, a heavy bag of dates, shaken off from some
+camel's pack during the struggle. Heavy as it was, and hard to carry,
+Ahmed would fain have had it larger. It was their safety from
+starvation. A handful of its contents satisfied hunger, and gave them
+strength to begin their walk. What a walk it was! Poor Mustapha lay
+down every half-hour from pain and weakness; the sand was heavy, the
+darkness puzzled them. When morning broke, they had not accomplished
+more than half the distance. All through the hot day-time they lay
+panting on the ground, eating now and then a date, tormented with
+thirst and heat; and when evening came, they dragged themselves to
+their feet again, and recommenced their painful journey. Step by step,
+hour by hour, each harder and longer than the last, moment by moment
+they grew more feeble, less able to bear up, till it seemed as though
+they could no longer struggle on. At last, the morning broke. Ahmed
+raised his blood-shot eyes, seized Mustapha's arm, and pointed. There,
+not a hundred yards away, was the oasis, its trees and bushes outlined
+against the sky.
+
+Poor Mustapha was so spent that his father had to drag him across the
+short dividing space. It was a small oasis, and not very fertile; its
+well was shallow and scanty, but no ice-cooled sherbet ever seemed more
+delicious than did its brackish waters to the parched tongues of the
+exhausted men.
+
+All day and all night they lay under the shadow of the cactuses and the
+acacia-trees, rousing only to drink, and falling asleep again
+immediately. Shade, and sleep, and water seemed the only things in the
+world worth having just then.
+
+The second day they slept less, but it was nearly a week before they
+could be said to be wide-awake again. Such a pair of scare-crows as
+they looked! Ahmed was almost naked. The robbers had taken part of his
+clothes, and the desert thorns the rest. Haggard, wild, blackened by
+the sun, they gazed at each other with horror; each thought, "Do I look
+like that?" and each tried to hide from the other his own dismay.
+
+They could never tell afterward how long they remained at the oasis. It
+seemed years, but I suppose it could not have been more than weeks. All
+day long they looked wistfully toward the horizon, in hopes of a
+caravan, but the caravan never came. Slowly the dates dwindled in the
+bag; slowly the precious water diminished in the well; a little longer,
+and starvation would be upon them. They scarcely spoke to each other
+those last days, but sat each by himself in a sort of dull despair. At
+night, when they fell asleep, they dreamed of food, and woke in the
+morning to feel themselves still hungry. It was horrible!
+
+Then came a morning when they rose to find the hard desert outline,
+which they knew so well, vanished and gone, and in its stead a smooth,
+shining lake, fringed with trees and dotted with feathery, fairy
+islands. So near it seemed, and so real, that it was as though they
+heard the ripple of the water and the rustling of the wind in the
+tree-boughs. Mustapha stared as though his eyes would burst from his
+head; then he gave a wild cry, and was rushing away; but his father
+held him fast.
+
+"Stay, my son! Stay, Mustapha! It is no lake,--it is a device of Satan.
+What you behold is the mirage, spread by devils for men's destruction."
+
+"Let me go!" shrieked Mustapha, writhing and struggling.
+
+But even as he strove, the soft water-outlines shifted and trembled;
+the lake rose in air, melted, and sailed off into curling mists; the
+trees, the whole fair picture, dissolved, and the well-remembered sands
+and black rocks took its place. With a cry of horror, Mustapha slid
+through his father's arms to the earth, hid his face, and cried like a
+child.
+
+[Illustration: "THEY SAW THE FORM OF A GIGANTIC CAMEL."]
+
+Next morning, only one date was left in the bag. Ahmed put it in his
+son's hand with a mournful look.
+
+"Eat, my son," he said; "eat, and then we will die. Allah il Allah!"
+
+A long silence followed; there seemed nothing more to say. Suddenly,
+from afar off, came to their ears the tinkle of a bell.
+
+Mustapha raised his head.
+
+"Is it the mirage again, my father?" he asked. "For it seems to me that
+I hear the bell from the neck of Solimin, our camel."
+
+Eagerly they listened. Again the bell tinkled, and, looking through the
+bushes, they saw, floating toward them, as it seemed, the form of a
+gigantic camel. Soundless and still, it moved rapidly along. Behind,
+but much farther away, other forms could be seen, still dim and
+indistinct, veiled by the mist of driving sand.
+
+Suddenly Mustapha gave a start.
+
+"My father," he cried, in an excited whisper, "it _is_ Solimin! I do
+not mistake! What other camel ever resembled Solimin? Do you not see
+his lofty hump,--his arched neck? Does not the bell tinkle as with the
+voice of home?"
+
+Then, half raising himself, he gave, with all the power of his voice,
+the well-known call.
+
+Solimin--for it was indeed he--paused as the sound caught his ears, and
+snuffed the wind. Again came the call; he wheeled, plunged, threw his
+rider, dashed forward, broke through the bushes, and in a second was on
+his knees before his old master.
+
+"Up, up, my father! there is no time to lose!" cried Mustapha, grown
+stronger in a moment. "Up, up! for the robbers are close upon us!"
+
+In fact, wild cries and clouds of dust showed that the foe had taken
+the alarm, and were hurrying on. But already Ahmed and Mustapha were
+mounted, and Solimin, like a ship at full sail, was speeding away with
+them. And where was the camel could overtake him, even when he was
+loaded double? Fast and swift his long, swinging trot bore them onward,
+and before two hours were gone, all traces of the pursuers had
+disappeared behind them, and they were free to turn their course toward
+the brown tents where rest, and food, and welcome had waited so long
+for their coming, and where, after a little time, their hardships and
+sufferings seemed to them only like a bad dream.
+
+As for Solimin, he hardly could be more tenderly treated or beloved
+than before this adventure; but if the freshest water, the prickliest
+furze,--if bowls of sour milk;--if a triple necklace of shells,--if
+brushing and grooming,--if soft pats from childish fingers, and sweet
+names murmured in his ears by girlish voices can make a camel happy,
+then is Solimin the happiest of heries. Solimin no longer, however. His
+name is changed to "The Blessed," in memory of the day when, like a
+stately ship, he came over the desert sea, and bore his starving
+masters to home, and life, and liberty.
+
+
+
+
+BELINDA BLONDE
+
+BY LAURA E. RICHARDS.
+
+
+ Belinda Blonde was a beautiful doll,
+ With rosy-red cheeks and a flaxen poll;
+ Her lips were red, and her eyes were blue,
+ But to say she was happy would not be true;
+ For she pined for love of the great big Jack
+ Who lived in the box so grim and black.
+ She never had looked on the Jack his face,
+ But she fancied him shining with beauty and grace;
+ And all the day long she would murmur and pout,
+ Because Jack-in-the-box would never come out.
+ "Oh, beautiful, beautiful Jack-in-the-box!
+ Undo your bolts and undo your locks!
+ The cupboard is shut, and there's no one about;
+ Oh, Jack-in-the-box! jump out, jump out!"
+ But alas, alas for Belinda Blonde!
+ And alas, alas for her dreamings fond!
+ There soon was an end to all her doubt,
+ For Jack-in-the-box really _did_ jump out!--
+ Out with a crash, and out with a spring,
+ Half black and half scarlet, a horrible thing;
+ Out with a yell and out with a shout,
+ His great goggle-eyes glaring wildly about.
+ "Alas! alas!" cried Belinda Blonde;
+ "Is this the end of my dreamings fond?
+ Is this my love, and is this my dear,
+ This hideous, glowering monster here?
+ Alas! alas!" cried Belinda fair.
+ She wrung her hands and she tore her hair,
+ Till at length, as the dolls who were witnesses say,
+ She fell on the ground and she fainted away.
+
+
+MORAL.
+
+
+ Now all you dolls, both little and big,
+ With china crown and with curling wig,
+ Before you give way to affection fond,
+ Remember the fate of Belinda Blonde;
+ And unless you wish to get terrible knocks,
+ Don't set your heart on a Jack-in-the-box.
+
+
+
+
+THE LONDON DUST-MAN
+
+BY ALEXANDER WAINWRIGHT.
+
+
+There he goes! A dusky gloom hangs over the roofs of great London City;
+a similar gloom fills my room and seems to have touched all the furniture
+with smoky age, and as I look down from the window into the gloomy street,
+I see him coming along slowly, and crying in a voice like a plea for help
+in affliction: "Dust-oh!--dust-oh!--dust-oh!--dust-oh!"
+
+Not one of the many citizens who are passing notices him, or finds
+anything strange in that plaintive cry. The people who live in the city
+see him day after day, and remember how, in their childhood, they had
+terrifying notions of his weakness for kidnapping and other mysterious
+wickednesses. They know better now, and hurry past him with scarcely a
+glance; but to the American visitor he is something of a curiosity.
+
+[Illustration: "DUST-OH!"]
+
+When the London fog is gray we cannot see him very far off, for he,
+too, is gray from head to foot with ash-dust, and as he approaches us
+he comes out of the mist like a phantom, though in reality he is a
+substantial, square-built, deep-chested fellow, shod with enormous
+Blücher shoes (the soles of which are bright with nails), and clad in a
+loose blouse and trousers, that are tied up about the knees. The blouse
+is open at the chest, and is lifted to the waist by his big, brown
+hands, which are tucked in his trouser pockets, and his head is covered
+by the kind of hat that sailors call a sou'wester. His only ornament is
+a pair of ear-rings; and with his head thrown back he saunters along
+the street by the side of his cart, repeating in measured tones his
+cry, "Dust-oh-oh! dust-oh!"
+
+Now and then he stops at a house, and his mate--he has a mate, who is
+as much like him as pea is like pea--descends into the cellar, bringing
+forth the ashes and refuse that have accumulated in twenty-four hours,
+and when the cart, which is a square, box-like affair, is filled he
+starts for home with his load.
+
+What a queer home it is! It is on the outskirts of the city, far away
+from the finer streets and buildings. A large space of ground is as
+gray and dusty as an African or Western desert, and is broken by mounds
+of ashes, some of which are only a few feet high, while others are
+almost as high as houses,--quite as high, in fact, as the dismal little
+shanties on the edge of the reservation in which the dust-man and his
+fellows live. Other carts and other dust-men are constantly coming and
+going, dumping one load and then returning to the city for another, and
+as soon as a load is dumped it is attacked by a crowd of men, women and
+children, who with shovels, rakes and hooks, turn it over and over, and
+raise stifling clouds of dust.
+
+The reader may think that the collections made by the dust-man are
+valueless, but such is not the case.
+
+There are more than 300,000 inhabited houses in London, consuming more
+than 3,500,000 tons of coal a year, and besides the ashes from this
+great quantity of fuel, the dust-man gathers the other refuse of the
+houses. He is employed by a contractor, who agrees with the corporation
+to remove the ashes, etc., out of the city, and the contractor divides
+every load into six parts, as follows: Soil, or fine dust, which is
+sold to brick-makers for making bricks and to farmers for manure;
+brieze, or cinders, sold to brick-makers for burning brick; rags, bones
+and old metals, sold to marine-store dealers; old tin and iron vessels,
+sold to trunk-makers for clamps; bricks, oyster and other shells, sold
+for foundations and road-building; and old boots and shoes, sold to the
+manufacturers of Prussian blue.
+
+Sometimes, much more valuable things than these are found, and the
+reader may remember the romance that Charles Dickens made out of a
+London dust-man--"Our Mutual Friend."
+
+It is in sifting the different parts of a load that the men, women and
+children, are employed; they are as busy as ants; mere babies and
+wrinkled old dames take a part in the labor, and all of them are so
+covered with dust and ashes that they are anything but pleasant to
+contemplate, though, as a rule, they are useful, honest, and
+industrious members of society.
+
+"Dustie" is what the Londoners familiarly call the dust-man, and only a
+few know in what ignorance and poverty he lives. One would think that
+he would work himself into a better occupation, but his family have
+been dust-men for generations, and the generations after him are not
+likely to change.
+
+
+
+
+HUCKLEBERRY.
+
+BY FRANK R. STOCKTON.
+
+
+More than a hundred and sixty-eight years ago, there lived a curious
+personage called "Old Riddler." His real name was unknown to the people
+in that part of the country where he dwelt; but this made no
+difference, for the name given to him was probably just as good as his
+own. Indeed, I am quite sure that it was better, for it meant
+something, and very few people have names that mean anything.
+
+He was called Old Riddler for two reasons. In the first place, he was
+an elderly man; secondly, he was the greatest fellow to ask riddles
+that you ever heard of. So, this name fitted him very well.
+
+Old Riddler had some very peculiar characteristics,--among others, he
+was a gnome. Living underground for the greater part of his time, he
+had ample opportunities of working out curious and artful riddles,
+which he used to try on his fellow-gnomes; and if they liked them, he
+would go above-ground and propound his conundrums to the country
+people, who sometimes guessed them, but not often.
+
+The fact is, that those persons who wished to be on good terms with the
+old gnome never guessed his riddles. They knew that they would please
+him better by giving them up.
+
+He took such a pleasure in telling the answers to his riddles, that no
+truly kind-hearted person would deprive him of it, by trying to solve
+them.
+
+"You see," as Old Riddler used to say, when talked to on the subject,
+"if I take all the trouble to make up these riddles, it's no more than
+fair that I should be allowed to give the answers."
+
+So, the old gnome, who was not much higher than a two-year-old child,
+though he had quite a venerable head and face, was very much encouraged
+by the way the people treated him, and when a person happened to be
+very kind and appreciative, and gave a good deal of attention to one of
+his conundrums, that person would be pretty sure, before long, to feel
+glad that he had met Old Riddler.
+
+[Illustration: "'DON'T YOU SEE?' ASKED THE OLD FELLOW."]
+
+There were thousands of ways in which the gnomes could benefit the
+country-folks, especially those who had little farms or gardens.
+Sometimes Old Riddler, who was a person of great influence in his
+tribe, would take a company of gnomes, under the garden of some one to
+whom he wished to do a favor, and they would put their little hands up
+through the earth and pull down all the weeds, root-foremost, so that
+when the owner went out in the morning, he would find his garden as
+clear of weeds as the bottom of a dinner-plate.
+
+Of course, any one who has habits of this kind must eventually become a
+general favorite, and this was the case with Old Riddler.
+
+One day, he made up a splendid riddle, and, after he had told it to all
+the gnomes, he hurried up to propound it to some human person.
+
+He was in such haste that he actually forgot his hat, although it was
+late in the fall, and he wore his cloak. He had not gone far through
+the fields before he met a young goose-girl, named Lois. She was a poor
+girl, and was barefooted; and as Old Riddler saw her in her scanty
+dress, standing on the cold ground, watching her geese, he thought to
+himself: "Now I do hope that girl has wit enough to understand my
+riddle, for I feel that I would like to get interested in her."
+
+So, approaching Lois, he made a bow and politely asked her: "Can you
+tell me, my good little girl, why a ship full of sailors, at the bottom
+of the sea, is like the price of beef?"
+
+The goose-girl began to scratch her head, through the old handkerchief
+she wore instead of a bonnet, and tried to think of the answer.
+
+"Because it's 'low,'" said she, after a minute or two.
+
+"Oh no!" said the gnome. "That's not it. You can give it up, you know,
+if you can't think of the answer."
+
+"I know!" said Lois. "Because it's sunk."
+
+"Not at all," said Old Riddler, a little impatiently. "Now come, my
+good girl, you'd much better give it up. You will just hack at the
+answer until you make it good for nothing."
+
+"Well, what is it?" said Lois.
+
+"I will tell you," said the gnome. "Now, pay attention to the answer:
+Because it has gone down. Don't you see?" asked the old fellow, with a
+gracious smile.
+
+"Yes, I see," said the goose-girl, scratching her head again; "but my
+answer was nearly as good as yours."
+
+"Oh, dear me!" said Old Riddler, "that wont do. It's of no use at all
+to give an answer that is nearly good enough. It must be exactly right,
+or it's worthless. I am afraid, young girl, that you don't care much
+for riddles."
+
+"Yes I do," said the goose-girl; "I make 'em."
+
+"Make them?" exclaimed Old Riddler, in great surprise.
+
+"Yes," replied Lois, "I'm out here all day with these geese, and I
+haven't anything else to do, and so I make riddles. Do you want to hear
+one of them?"
+
+"Yes, I would like it very much indeed," said the gnome.
+
+"Well, then, here's one: If the roofs of houses were flat instead of
+slanting, why would the rain be like a chained dog?"
+
+"Give it up," said Old Riddler.
+
+"Because it couldn't run off," answered Lois.
+
+"Very good, very good," said the gnome. "Why, that's nearly as good as
+some of mine. And now, my young friend, didn't you feel pleased to have
+me give up that riddle and let you tell me the answer, straight and
+true, just as you knew it ought to be?"
+
+"Oh yes!" said the goose-girl.
+
+"Well, then," continued Old Riddler, "remember this: What pleases you
+will often please other people. And never guess another riddle."
+
+Lois, although a rough country girl, was touched by the old man's
+earnestness and his gentle tones.
+
+"I never will," said she.
+
+"That's a very well-meaning girl," said Old Riddler to himself as he
+walked away, "although she hasn't much polish. I'll come sometimes and
+help her a little with her conundrums."
+
+Old Riddler had a son named Huckleberry. He was a smart, bright young
+fellow, and resembled his father in many respects. When he went home,
+the old gnome told his son about Lois, and tried to impress on his mind
+the same lesson he had taught the young girl. Huckleberry was a very
+good little chap, but he was quick-witted and rather forward, and often
+made his father very angry by guessing his riddles; and so he needed a
+good deal of parental counsel.
+
+Nearly all that night, Huckleberry thought about what his father had
+told him. But not at all as Old Riddler intended he should.
+
+"What a fine thing it must be," said Huckleberry to himself, "to go out
+into the world and teach people things. I'm going to try it myself."
+
+So, the next day, he started off on his mission. The first person he
+saw was a very small girl playing under a big oak-tree.
+
+When the small girl saw the young gnome, she was frightened and drew
+back, standing up as close against the tree as she could get.
+
+But up stepped Master Huckleberry, with all the airs and graces he
+could command.
+
+"Can you tell me, my little miss," said he, "why an elephant with a
+glass globe of gold-fish tied to his tail is like a monkey with one
+pink eye and one of a mazarine blue?"
+
+"No," said the small girl, "I don't know. Go away!"
+
+"Oh," said Huckleberry, "perhaps that's too hard for you. I know some
+nice little ones, in words of one syllable. Why is a red man with a
+green hat like a good boy who has a large duck in a small pond?"
+
+"Go away!" said the small girl. "I came here to pick flowers. I don't
+know riddles."
+
+"Perhaps that one was too easy," said Huckleberry, kindly. "I have all
+sorts. Here is one with longer words, divided into syllables. I'll say
+it slowly for you: What is the dif-fer-ence between a mag-nan-i-mous
+ship-mate and the top-most leaf-let on your grand-mo-ther's bar-ber-ry
+bush?"
+
+"I haven't got any grandmother," said she.
+
+"Oh, well! Any grandmother will do," said Huckleberry.
+
+"I can't guess it," said the small girl, who was now beginning to lose
+her fear of the funny little fellow. "I never guessed any riddles. I'm
+not old enough."
+
+"Very well, then," said Huckleberry, "I'll tell you what I'll do. Let's
+sit down here under the tree, and I'll tell you one of father's
+riddles, and give you the answer. His riddles are better than mine,
+because none of mine have any answers. I don't put answers to them, for
+I can never think of any good ones. I met a boy once, and told him a
+lot of my riddles; and he learned them, and went about asking people to
+guess them, and when the people gave them up, he couldn't tell them the
+answers, because there were none, and that made everybody mad. He told
+one of the riddles to his grandmother,--I think it was the one about
+the pink-eyed monkey and the wagon-load of beans--"
+
+[Illustration: THE BOY AND HIS GRANDMOTHER.]
+
+"No," said the small girl; "the elephant and the gold-fish was the
+other part of the pink-eyed monkey one."
+
+"Oh, it don't make any difference," said Huckleberry, "I don't join my
+riddles together the same way every time. Sometimes I use the gold-fish
+and elephant with the last part of one riddle, and sometimes with
+another. As there's no answer, it don't matter. I begin a good many of
+my best riddles with the elephant, for it makes a fine opening. But, as
+I was going to tell you, this boy told one of my riddles to his
+grandmother, and she liked it very much; but when she found out that
+there was no answer to it, she gave him a good box on the ear, and that
+boy has never liked me since. But now I'll tell you a story. That is,
+it's like a story, but it's really a riddle. Father made it and
+everybody thinks it's one of his best. There was once a fair lady of
+renown who was engaged to be married to a prince. And when the
+wedding-day came round--they were to be married in one of the prince's
+palaces in the mountains--she was so long getting dressed--you see she
+dressed in one of her father's palaces, down in the valley--that she
+was afraid she would be late, so as soon as her veil was pinned on, she
+ran down to the stables, threw a wolf-skin on the back of one of the
+fieriest of the chargers, and springing on him, she dashed away. She
+wasn't used to harnessing horses, and was in such a hurry that she
+forgot all about the bridle, and so, as she was dashing away, she found
+she couldn't steer the animal, and he didn't go anywhere near the
+prince's palace, but galloped on, and on, and on, every minute taking
+her farther and farther away from where she wanted to go. She couldn't
+turn the charger, and she couldn't stop him, though she tore off pieces
+of her veil, and tried to put them around his nose, but it was no good.
+So when the wedding-party had waited and waited and waited, the prince
+got angry and married another lady, and nobody knows where the fair
+lady of renown went to, although there are some people who say that
+she's a-galloping yet, and trying to get her veil around the charger's
+nose. Now, why was it that that fair lady of renown never married?
+Answer: Because she had no bridal. You can say either bri-d-a-l or
+bri-d-l-e, because they both sound alike, and if she had had either one
+of them, she would have been married. This is a pretty long riddle, but
+it's easier than mine, because it's all fixed up right, with the answer
+to it and everything. You like it better than mine, don't you?"
+
+The small girl did not answer, and when Huckleberry looked around, he
+saw that she was asleep.
+
+"Poor little thing!" said Huckleberry, softly, to himself. "I guess I
+gave her a little too much riddle to begin with. Her mind isn't formed
+enough yet. But it's pretty hard on me. I wanted to teach somebody
+something, and here she's gone to sleep. I wish I could find that
+goose-girl. If father could teach her something, I'm sure I could."
+
+[Illustration: THE FAIR LADY OF RENOWN.]
+
+So he went walking through the fields, and pretty soon he saw Lois,
+standing among her geese, who were feeding on the grass.
+
+Huckleberry skipped up to her as lively as a cricket.
+
+"Can you tell me," said he, "why an elephant with a glass globe of
+gold-fish tied to his tail is like the Lord High Admiral of the British
+Isles?"
+
+"Was the globe of gold-fish all the elephant owned?" asked the
+goose-girl, thoughtfully.
+
+"Yes," said Huckleberry. "But I don't see what that's got to do with
+it."
+
+"Then the answer is," said Lois, without noticing this last remark,
+"because all his property is entailed."
+
+"Well, I de-clare!" cried Huckleberry, opening his eyes as wide as they
+would go, "if you didn't guess it! Why, I didn't know it had an
+answer."
+
+"I wish it hadn't had an answer," said the goose-girl, suddenly
+stamping her foot. "I wish there had never been any answer to it in the
+whole world. It was only yesterday that I promised Old Riddler that I
+would never guess another riddle, and here I've done it! It's too bad!"
+
+"I don't think it is," cried Huckleberry, waving his little cap around
+by the tassel. "It's all very well for father not to want people to
+guess his riddles, because they've got answers and he knows what they
+are. But I would never have known that any of mine had an answer if you
+hadn't guessed this one. If you had had a riddle like this one,
+wouldn't you have been glad to have some one tell you the answer?"
+
+"Yes, I would," said Lois.
+
+"Well, then, my good girl, remember this: If a thing gives you
+pleasure, it's very likely that it will give somebody else pleasure. So
+let somebody else have a chance, and the next time you hear a riddle
+that you think the owner has no answer for, guess it for him, if you
+can. Good-by!"
+
+And away went Master Huckleberry, skipping and singing and snapping his
+fingers and twirling his cap, until he came to a wide crack in the
+ground, when he rolled himself up like a huckleberry dumpling, and went
+tumbling and bouncing down into the underground home of the gnomes.
+
+"Get out of the way!" said he to the gnomes he passed, as he proudly
+strode to his father's apartments. "I'm going to make a report. For the
+first time in my life I've taught somebody something."
+
+When Huckleberry left her, the goose-girl stood silently in the midst
+of her geese. Her brow was overcast.
+
+"How's anybody to do two things that can't both be done?" she exclaimed
+at last. "I'll have nothing more to do with riddles as long as I live."
+
+
+
+
+HOW SIR WILLIAM PHIPS FOUND THE TREASURE IN THE SEA.
+
+BY S.G.W. BENJAMIN.
+
+
+There is scarcely anything more exciting to the imagination than tales
+of hidden treasure, especially treasure lost at sea. The mystery, the
+wonder, the adventure, the tragedy, the seemingly boundless
+possibilities connected with riches lost by shipwreck or war, and yet
+not gone beyond the hope of recovery, have given rise to a multitude of
+romantic stories, some of them pure fictions, but many founded more or
+less on fact.
+
+I have known several cases in which treasure lost by piracy or
+shipwreck has been recovered after a century or more. Some years ago a
+company of men from Boston made two cruises to the shoals of the Silver
+Key on the Bahama Banks, a spot noted for shipwrecks. They had some
+clue to a treasure-laden ship which had foundered there long ago. The
+first trip was unsuccessful, but on the second voyage the wreck was
+found. Divers, armed with modern apparatus, spent several days in the
+quest, but in vain, until, finally, just as the last diver was about to
+give the signal to be drawn up, he leaned against what seemed only the
+barnacle-encrusted end of a beam; but suddenly it gave way, and numbers
+of golden doubloons rolled out at his feet. Considerable sums rewarded
+further search in the sand-filled and decaying carcass of the old ship;
+but exactly how much was realized is known only to the discoverers, who
+kept the matter secret, and thus evaded paying a great part of the
+share due to the British crown, in whose dominion the treasure was
+found.
+
+To Boston also belonged, some two centuries ago, the celebrated
+treasure-hunter, William Phips. He was one of twenty-one sons, and was
+born at Woolwich, Maine, in 1651. Of a bold, adventurous spirit, his
+first and last passion was to follow the sea, although until he was
+eighteen years of age he was forced to tend sheep. He then apprenticed
+himself to a ship-carpenter for four years, taking a trip down the
+coast now and then, and watching his chance for the next move. He is
+said to have been inspired by an idea that celebrity and fortune were
+to be his destiny; and when his apprenticeship was over, he went to
+Boston and worked at ship-building for a year, until he had the good
+luck to win the favor of a rich widow. Her he married, and, with the
+increase of means thus obtained, Phips launched into various
+enterprises, which did not always turn out well. But he never lost
+faith in his guiding star, and often told his good wife that "he should
+yet become commander of a king's ship, and owner of a fair brick house
+in the Green Lane of Boston"--at that time the Beacon Street of the
+plucky little town.
+
+Ten years went by, and Phips seemed but little nearer the realization
+of his dreams than while tending sheep on the hill-sides of Maine, when
+the prospect suddenly brightened in an unexpected quarter. This was the
+time when Spanish and Portuguese galleons were crossing the ocean laden
+with silver from Potosi and diamonds from Brazil. Pirates and
+privateers scoured the seas to rob the treasure-ships, and great
+expeditions were sent out by England in war times for the same purpose.
+The imaginations of men ran riot during this feverish state of things,
+and people were ready to believe almost any yarn "spun" in the
+forecastle.
+
+Phips was just the man to be moved by such tales, and, when he learned
+of a certain rich wreck on the Bahamas, he at once fitted out a small
+vessel and went in search of it. He found and recovered the treasure,
+but the amount was small, being only large enough to whet his appetite
+for more.
+
+While at the Bahamas, he was told of another Spanish vessel, wrecked
+off Puerto Plata more than fifty years before, with a much larger
+treasure. His means not being sufficient for this expedition, Phips
+sailed for England and made direct application to the Admiralty to aid
+him in his search. So ably did this true son of the sea represent his
+cause, that he was given command of the "Rose Algier," a ship mounting
+eighteen guns and carrying a hundred men. Thus Phips's first dream came
+to pass; he was now captain of a king's ship, with a roving commission.
+
+The exact position of the wreck was unknown, and the untrustworthy
+character of the crew added great difficulties to the undertaking. It
+should be remembered, also, that diving-bells, diving-armor, and the
+like, were then unknown. But the courage and indomitable perseverance
+of Phips now came into play, and he had a capital chance to show the
+stuff of which he was made.
+
+Soon after they had sailed, the crew came aft, armed, and determined to
+force Phips to yield to their wishes, which probably were that they
+should all turn pirates. Without giving them time to deliberate, Phips
+flew at their leader, hurled him to the deck and dispatched him on the
+spot--a deed so prompt and daring that it awed the mutineers into
+submission for the time. One who has never seen a mutiny at sea can
+form but little idea of its desperate character, and the rapidity of
+action and unflinching nerve required where men are shut up alone on
+the wide ocean with a quarrel so deadly in its nature that no
+compromise can be thought of for a moment, and no quarter can be
+allowed with safety to him who gives it.
+
+But the next plot to seize the ship was even more dangerous. The "Rose
+Algier," being in need of repairs, was taken to a cove in a small
+uninhabited island, and careened on one side in order to reach the
+damaged place. Most of the stores were moved on shore, the ship was
+hove down, and a bridge was laid between the deck and the land. Under
+the pretense of pastime, most of the crew now betook themselves to the
+woods, and there plotted to return at seven in the evening, seize the
+ship, force Phips and eight faithful men on shore, leave them there to
+perish, and themselves sail away on a piratical cruise. But the
+carpenter was one of the few who stood by the captain, and yet they
+could not risk putting to sea without him. They sent for him,
+therefore, on some pretext, and, having him in their power, offered him
+the choice of instant death or of joining his fortunes with theirs. He
+begged for half an hour to think about it, and said that at any rate he
+should have to return on board for his tool-chest. They granted his
+request, and sent two men with him to watch his movements. Soon
+afterward, he was suddenly taken with a pretended cramp or colic, and
+in great seeming agony rushed into the cabin for medicine; there he
+found Phips, and in a few rapid words revealed the plot. In less than
+two hours the mutineers would be marching on the ship. Not an instant
+was to be lost. Immediately the guns were loaded and trained to command
+the shore and all the approaches to the stores; the bridge was taken
+in, and when the mutineers appeared they found themselves caught. In
+tones of thunder, Phips bade them not to stir or he would mow them down
+with his batteries; nor did they dare to disobey. The bridge was again
+laid down, and the eight loyal men brought back the stores to the ship.
+When all was safely on board again, the mutineers were told that they
+were to be left to the fate they had intended for their commander. In
+despair at so terrible a prospect, the miserable men threw down their
+arms, and protested their willingness to submit if Phips would but
+relent and not sail away without them. After a long parley, he agreed
+to let them come on board, they having first given up their arms. But,
+with such a crew, further search after the treasure was useless. Phips,
+therefore, sailed for Jamaica, changed the crew, and again weighed
+anchor for Hispaniola. There he was lucky enough to find an old
+Spaniard who told him that the wreck was somewhere about a reef a few
+leagues north of Puerto de la Plata. Phips immediately went to the
+spot. But his search for the wreck was long and unavailing, the season
+was changing, and the "Rose Algier," now but half manned and in
+unseaworthy condition, was unfit to prowl around a dangerous reef in
+the hurricane season. So, without having accomplished the object of so
+much exertion and anxiety, Phips was obliged to return to England, a
+baffled but not a discouraged man.
+
+Very naturally, it was impossible for our adventurer to obtain another
+English ship-of-war, although he received much credit for the courage
+and skill shown in controlling the mutineers, and one would conclude
+that the treasure of the old Spanish galleon would after this have
+remained at the bottom of the sea, the exclusive possession of the
+sharks, the turtles and the barracudas. But with rare pertinacity Phips
+returned to the charge, and at last persuaded the Duke of Albemarle
+and several other wealthy noblemen to his views. They formed a company
+and obtained a patent from King James II., giving them the sole right
+to all wrecked treasure they might find during a certain number of
+years. Then they fitted out a ship and tender, the latter to cruise in
+coves and shoal water, and Phips invented several rude contrivances,
+for dragging and diving, far inferior to the means now used for such
+purposes. Thus prepared, he sailed once more for Hispaniola. There a
+small, stout boat was built, and with it and a crew of Indian divers
+the tender was despatched to the reef where the wreck was said to be.
+The tender was anchored in good holding-ground at a safe distance from
+the reef, and the men then rowed slowly in the boat around it,
+carefully examining the depths below for signs of the wrecked galleon.
+The waters in the West Indies are very clear, and during a calm objects
+can be seen at a considerable depth. The rocks were of singular form,
+rising nearly to the surface, but with sides so steep that any vessel
+striking them would be liable to go down many fathoms below the reach
+of the most expert diver. The only hope was that the wreck might have
+lodged on some projecting ledge. But the closest observation, long
+continued, failed to reveal any sign of the object so eagerly sought,
+although the water was perfectly calm.
+
+[Illustration: CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE MUTINEERS.]
+
+At length; a curious sea-plant cropping out of a crevice in the sides
+of the reef caught the eye of one of the crew, and he sent down an
+Indian to bring it up. When the diver returned to the surface he
+reported that he had seen a number of brass cannon lying tangled among
+the sea-weed on a ledge. That was enough. Inspired with the greatest
+enthusiasm, diver after diver plunged below to be the first to discover
+the treasure, and ere long one of them brought up an ingot of silver
+worth several hundred pounds. Transported with success they left a buoy
+to mark the spot, and made all sail to carry the glad tidings to Phips.
+He would not credit the tale until he had seen the ingot, when he
+exclaimed, "Thanks be to God, we are all made!"
+
+Every man was at once enlisted in the service of fishing for the
+treasure. The bullion was discovered first; after that, in the bottom
+of the hold, the sea-miners found the coin in bags, which had been so
+long under water that they were encrusted with a stony shell, hard as
+rock. This was broken with crowbars, revealing gold, jewels, and
+"pieces of eight," in glittering abundance. The last day's work brought
+to light twenty massive silver ingots, and the whole amount recovered
+was somewhat over three hundred thousand pounds, a sum equal in the
+values of our time to five millions of dollars. Nor was this all the
+riches concealed in the wreck; but Phips was obliged to return to
+England before completing the business. Provisions had run low, and the
+presence of so vast a treasure on board had stimulated the cupidity of
+the crew to a dangerous degree, so that each day of delay in reaching
+port was full of hazard. Every precaution was taken to guard the
+treasure, but what probably prevented the crew from rising was the
+promise Phips gave them, when matters had become most suspicious, that
+they should each receive a share of the profits in addition to his
+wages, even if his own portion were thus swallowed up. Phips reached
+England without mishap, thus bringing to a successful termination one
+of the most daring exploits of its sort that were ever attempted.
+
+When the profits were divided, Phips received as his share a sum that
+would now be equal to two hundred and fifty thousand dollars. The Duke
+of Albemarle presented Mrs. Phips with a magnificent gold cup worth
+fifteen thousand dollars, and King James expressed great pleasure at
+the honesty and ability of Phips in the conduct of such a difficult
+undertaking, and as a reward for bringing such a treasure into England
+granted him the honor of knighthood, and offered him important
+employment in the royal service. Fortune had indeed smiled on the
+shepherd-boy of Maine.
+
+But Phips was never ashamed of his humble origin, nor in all his
+wanderings did he forget his native land. And now, instead of remaining
+to enjoy further honors near the throne, he returned to his family,
+bearing the important commission of High Sheriff of New England. He now
+built the brick house on Green Lane which he had promised his wife
+fifteen years before. The name of this Street was eventually changed to
+Charter Street, in memory of his efforts to have the charter of the
+Massachusetts colony restored.
+
+Sir William Phips afterward engaged in the wars between the American
+colonies of France and England, and at the head of an expedition of
+eight ships captured Port Royal. A subsequent enterprise against Quebec
+failed from a combination of causes, some of them beyond the control of
+Phips. After this Sir William went again to England, where he was
+appointed Captain-General and Governor-in-Chief of the New England
+colonies; and his return home with these new honors and titles was made
+the occasion of a day of solemn thanksgiving.
+
+His governorship having ceased, Sir William Phips sailed for England,
+and was meditating a fresh expedition in search of shipwrecked treasure
+when he was taken suddenly ill, and died at the age of forty-five.
+While his adventurous career affords us little hope that any of us will
+ever, like him, discover shipwrecked wealth, it gives us a fine example
+of what perseverance combined with intelligence, courage and honesty
+can accomplish in the face of great difficulties; for it was a union of
+all these qualities which enabled Sir William Phips to wrest fortune
+and honors from the ocean depths.
+
+[Illustration]
+
+
+
+
+SOME FISHING-BIRDS OF FLORIDA.
+
+BY MRS. MARY TREAT.
+
+
+All along the St. John's River, during the winter, may be seen birds
+catching fish for a living. They are more numerous here in winter than
+in summer, because, upon the freezing of the waters at the North, they
+flock to Florida to carry on their fishing in the St. John's, which,
+never freezing, contains an abundance of fish.
+
+The belted kingfisher comes close to the house, where I can watch him
+fishing as I sit at the window. The river is five miles across here,
+and for several yards from the shore it is quite shallow, so that a
+wharf two hundred and fifty feet long was necessary to make it easy to
+launch our small rowboats. A railing extends along the side of the
+wharf, and upon this railing the kingfisher perches, watching for his
+prey.
+
+[Illustration: THE BELTED KINGFISHER.]
+
+He understands fishing much better than most boys, for he seldom misses
+his game. He takes his position on the railing, and fixes his eyes upon
+the finny tribes below, and when a fish that suits him comes within his
+range, he dives into the water and brings it up with his stout beak,
+and then beats it upon the railing to make it limp and tender before
+swallowing.
+
+It is not so very surprising that he is such an expert fisher, for
+during the winter it is his only occupation; he has no family to look
+after now, and he is so very selfish and quarrelsome that he will not
+allow any of his brothers to fish near him. He considers the whole
+length of the wharf his fishing-post, and his brothers must not
+trespass upon his grounds; if they do, he chases them away with a
+rattling, clanging noise, enough to frighten any fisher not stronger
+than himself.
+
+In the spring he takes a partner in his business, for now it is time to
+raise a family, and he knows he can never do this alone. He is very
+good and kind to this partner, and helps her dig a hole in a clayey
+bank for the nest, and then takes his turn in sitting upon the eggs.
+After the eggs are hatched, they both catch fish to feed the young
+until they are old enough to feed themselves.
+
+The American flamingo, with his gorgeous scarlet feathers, is a superb
+fellow. He is very shy, and peculiarly afraid of man. On account of its
+fine apparel, it has been more closely pursued than almost any other
+bird. It does not go north like some of the herons, but Audubon says it
+has occasionally been seen in South Carolina. Its constant home,
+however, is in the southern part of Florida and along the Gulf coast.
+
+Like the herons, of which I told you in ST. NICHOLAS for May, 1877, the
+flamingoes are sociable, and live in flocks. They have webbed feet,
+which give them an advantage over the herons in enabling them to swim
+as well as to wade. I have never been able to get near enough to these
+birds to gain any personal knowledge of their habits.
+
+The nest of the flamingo is a curious affair; usually built in a
+marshy, muddy place, in the form of a mound. It is made of sticks and
+grass and mud to the height of two or three feet, with a hollow in the
+middle to hold the eggs. The male is said to assist in the construction
+of the nest, but this is probably mere conjecture, for I think no one
+living at the present time has been able to get near enough to these
+birds to watch their habits, and their nests can be reached only with
+great difficulty.
+
+The female lays two white eggs about the size of those of a goose. It
+is said that she sits astride the nest in an ungainly fashion, and that
+the young, as soon as they are hatched, take to the water like young
+ducks.
+
+If a law only could be passed to protect these birds, what a grand
+sight the waters of Florida would soon present! These great, brilliant,
+scarlet birds, dallying and playing in the water, or wading near the
+shore in quest of game, would be a sight never to be forgotten. Can it
+be possible that Florida does not care for such glorious creatures, and
+will allow, year after year, these marauders from the North to kill
+them without a single protest? Unless something is done for the
+protection of these splendid creatures, they must soon become extinct;
+for their range is quite limited, and I fear the boy and girl readers
+of ST. NICHOLAS, by the time they grow to men and women, can only read
+of these as "gorgeous birds of the past."
+
+Almost every morning, the osprey, or fish-hawk, comes in front of the
+window and fishes in the shallow water near the house. He does not seem
+to be as expert as the kingfisher. I have seen him dive a dozen times
+or more into the water before bringing up his prey. He sails around and
+around in the air; at last fixing his eyes upon a fish, he swoops down,
+making the water splash around him. His feet are large and powerful,
+and he arranges his long toes in the form of a scoop as he plunges into
+the river; this scoop is his fishing-tackle with which he brings up his
+finny food.
+
+I think I should not like to be an osprey, for he seems to have such a
+hard time to get a living, and yet he is an honest, well-disposed
+laborer. After he has succeeded in catching a fish, a bald eagle often
+swoops down from some tall tree, where he has been watching him, and by
+main force compels this honest fisher to give up his hard-won prey. The
+eagle is considerably larger than his victim, being about three feet in
+length, while the osprey is only about two feet.
+
+It is quite a grand sight to see these two large birds wheeling through
+the air--the osprey trying to elude the eagle, diving first one way and
+then another, until at last, when he sees the unencumbered eagle must
+overpower him, in a fit of desperation he lets the fish drop, and the
+eagle catches it before it reaches the water, and carries it to some
+retired spot where he devours it.
+
+And now the poor defrauded osprey must go to work and catch another
+fish before he can have his dinner. Here you see the bald eagle with
+his ill-gotten prey.
+
+[Illustration: THE BALD EAGLE.]
+
+Great flocks of ducks often come to fish in the shallow water close to
+the shore. I suppose the reason that they come so near is that they
+find smaller fish here than in the deep water; and another reason, they
+are never shot at near the shore, for no fire-arms are allowed to be
+discharged within the town limits, except under the penalty of five
+dollars for each discharge.
+
+This place, in winter, corresponds to a northern watering-place in
+summer. There is a warm sulphur-spring here, and people come from all
+quarters for health and for amusement. At first the great numbers of
+birds all about attracted many sportsmen, but I am very glad to tell
+you that the Florida people did not like this reckless shooting of
+birds in their midst, so they made this beautiful little place--Green
+Cove Spring--a city, and elected a mayor and a marshal, and other
+officers, to keep the men straight, and to protect the birds.
+
+So this is why the birds that live about this little city are so tame,
+and why the ducks come so close to us; they have learned that they are
+quite safe from guns here.
+
+Several species of ducks may sometimes be seen in one flock, fishing
+together in perfect harmony. It is quite astonishing how long they can
+stay under water, and when they come up their feathers are not wet at
+all.
+
+The most beautiful of these fishing-ducks is the hooded merganser. Its
+plumage is most elegant, and it has a large thick tuft or crest of
+feathers covering the whole head, which gives it a sort of military
+look; and, indeed, it seems to be a commander, for it leads all of its
+relatives. It sometimes stays so long under the water that I begin to
+fear something has happened,--that an alligator, or some other huge
+beast, has got hold of it; but it always makes its appearance after a
+while, often at quite a long distance from where it went under.
+
+
+
+
+NAN'S PEACE-OFFERING.
+
+BY KATE W. HAMILTON.
+
+
+"Just wish I was properer, and everything--so there!" said Nannie,
+sitting discontentedly down upon the green grass by the road-side, and
+surveying herself with a pair of very serious brown eyes.
+
+It was a forlorn little self, surely, with wet dress, muddy shoes, inky
+apron, and crumpled sun-bonnet.
+
+"Aunt S'mantha'll think I'm dreadful. She says I never have any
+forethought; but I have lots of after-thoughts, and I s'pose folks
+can't have both kinds. It don't do any good, either. Oh dear!"
+
+There was a whistled tune coming up the road. Tommy Grey was attached
+to it, but the whistle seemed much the older and more important of the
+two, and was first to reach the tree where Nannie was sitting. When
+Tommy caught up with it, he stopped in surprise.
+
+"Hello, Nan Verling! Is that you?"
+
+"I suppose so, but I wish it wasn't," answered Nannie, dolefully.
+
+"What for?" questioned Tommy, in still further astonishment.
+
+"'Cause I wish I was somebody else that wasn't all wrinkled and mussed
+up. I don't see how folks can keep nice and have good times, anyway,"
+declared Nan, in a burst of confidence. "You see, I just helped sail
+boats in the brook, and I didn't know my dress was wet a bit till I
+came away; and then Lizzie Sykes tagged me, and course I had to tag her
+back again. I don't know what made her run right through the mud, where
+I couldn't catch her without getting my shoes all muddy. Should think
+she might have known better! My old ink-stand at school is always
+upsetting itself, and it had to spill on my clean white apron this
+afternoon. Then my sun-bonnet--"
+
+"Looks as if you'd hung it up in your pocket," suggested Tommy.
+
+"Well, I didn't; I only rolled it up for a rag-baby when we played keep
+house at recess. I s'pose it's bad for bonnets, but it made the
+beautifulest kind of a baby," said Nannie, a little ray of enthusiasm
+gleaming through her despondency. "But Aunt S'mantha doesn't 'preciate
+such things," she added, mournfully.
+
+"No," answered Tommy, sympathetically. "She'll scold, may be?"
+
+"P'r'aps so. May be she'll send me to bed without any supper."
+
+"Whew! That a'nt any fun, I tell you!" declared Tommy. "Why, a fellow
+just tumbles and tumbles, and gets hungrier and hungrier, and wonders
+what the folks have got for supper, and looks at the stars, and tries
+to say 'Hickory-dickory-dock' backward, and wishes it was morning. It
+just feels awful!"
+
+"I didn't ever try it, and I don't s'pose I could stand it," said
+Nannie, shaking dejectedly the curly head in the flopping sun-bonnet.
+"I've a good mind not to go home at all, but just run away off
+somewhere, and be a foundling. Foundlings have pretty good times,
+'cause I've read about 'em in books. They get adopted by some great
+lady in a big house, and grow up rich, and get to be real handsome."
+
+"I don't believe you would," declared Tommy, more honestly than
+politely.
+
+Nan meditated a minute, and then said, with a sigh:
+
+"Well, I guess I'll have to go home, then."
+
+"Scoldings don't last very long, anyway," urged Tommy, consolingly.
+
+"But if you sort o' think you oughtn't to have done things, and did
+ought to be more careful--and everything--it makes it seem more worse,
+you know," remarked Nannie, in a hesitating, half-penitent way. "'Cause
+I _do_ like Aunt S'mantha."
+
+"Yes," admitted Tommy, knitting his brow over the complications of the
+case, and searching his own experience for a suggestion of relief. "If
+you only had something nice to carry home to her--something she wants.
+Once I got wet as a rat playing round the pond, but I'd caught two
+fish--reg'lar tip-top trout--and I took 'em home to mother; held 'em up
+where they'd be seen first thing, you know. And she said, 'What nice
+fish!' and didn't scold a wink."
+
+"I couldn't catch anything if I tried a week, and Aunt S'mantha
+wouldn't care, anyway. Why, she's a real grown-up woman, and could have
+tea-parties and make molasses candy every day if she wanted to! I don't
+believe she wants anything, unless it's ban--bananas--whatever that is.
+I heard her say she'd like some, this morning."
+
+"Bandanas?" questioned Tommy, with brightening eyes.
+
+"Y-e-s, I guess so," answered Nannie, rather doubtfully.
+
+"Ho! I know what they are as well as anything. Why, they're silk
+handkerchiefs--red and yellow, with spots on 'em."
+
+Nannie's hand dived into her small pocket, and re-appeared with two
+nickels and a copper.
+
+"Do you guess I could buy one at Carney's store for 'leven cents?
+'Cause I haven't got any more."
+
+"I s'pose so. Why, yes; handkerchiefs a'nt much 'count, you know. I
+always lose mine--only they a'nt bandanas. I guess women-folks think
+more about 'em, though," said Tommy, with the air of one superior to
+such trifles.
+
+Nannie was convinced, and started from her seat with a little sigh of
+relief.
+
+"I'll go and buy her one, then. And I think you're a pretty good boy,
+Tommy Grey," she added, gratefully, as she trudged down the road,
+leaving Tommy to take up his whistling and his homeward route again.
+
+It was quite a long walk to the store--_the_ store, because the village
+only boasted one. That did not matter much to the inhabitants
+generally, as the town was so near. Bentleyville and Bentley were
+connected by a straggling line of houses that made it hard to tell
+where the village ended and the town began. Ambitious young villagers
+took advantage of this to talk about "we city people," while the older
+ones contentedly spoke of themselves as "plain country-folks."
+
+Nannie did not care in the least which she was, neither did she greatly
+mind the walk, though the feet that had done so much running began to
+grow tired. If only she could carry a peace-offering to Aunt Samantha!
+That would make all right, and her small world bright again, she was
+sure.
+
+"I can't have any candy or slate-pencils for ever so long; but I don't
+care, 'cause I do like her, and she'll know it--course she will if I
+buy her a handkerchief; and she wont think I got all mussed up on
+purpose," she soliloquized.
+
+It required some heroism to pass by the fresh pop-corn balls at the
+store door, and to turn away from the boxes of figs without a second
+glance; but Nannie did both, and, walking straight to the counter, made
+known her errand.
+
+"Bandanas? Yes, a prime lot of 'em," said bustling little Mr. Carney,
+bringing out his whole stock.
+
+His small customer, standing on tiptoe to reach the counter, gravely
+examined them. Would Aunt Samantha like a red one or a yellow one best,
+she wondered. It was a perplexing question to decide. If only she could
+take her one of each! And that reminded her to ask the price.
+
+"Seventy-five cents apiece," said the old gentleman briskly.
+
+"Seventy--five--cents!" repeated Nan, faintly.
+
+"Yes, sissy; cheap at that, too."
+
+"I--thought--I didn't know," stammered Nannie, in a sore
+disappointment. Then rallying her faltering courage, she asked: "Don't
+you ever sell any for 'leven cents?"
+
+"Eleven cents? Bless me, child! Why, they cost--Oh! may be you mean
+cotton ones? Look a little like these."
+
+Nan nodded, glad to think it even probable that she had meant anything.
+
+"Well, I don't keep that kind, you see," explained Mr. Carney,
+condescendingly.
+
+Discouraged and forlorn, the little woman turned away. She walked until
+she was quite out of sight of the store, and then paused to meditate.
+What should she do? It seemed dreadfully hard to give up her plan now
+when she had thought it all nicely settled. There were plenty of stores
+in Bentley; some of them might sell handkerchiefs for eleven cents. She
+glanced dubiously along the road leading to the town, and noticed that
+the sun was nearly out of sight behind the hills.
+
+"But it stays light ever and ever so long after the sun sets," she
+murmured, "and it didn't seem a bit far when I rode to town with Aunt
+S'mantha. I guess this store is most part way. Anyhow, I just must have
+a bandana!" she added, as she once more caught sight of her soiled
+apron and muddy shoes.
+
+She straightened her sun-bonnet, and started resolutely forward again.
+She had grown to feel that the proposed purchase was in some way a
+reparation due to Aunt Samantha, and she could not give it up. On and
+on trudged the tired little feet, aching wearily at last, but never
+hesitating nor turning back. It seemed a long way, though.
+
+"Wonder if I wont ever and ever come to where the houses get thicker,"
+she murmured. "When I keep a store I'll build it on the edge somewhere,
+so folks wont have to walk so far to get to it."
+
+After a time, the buildings did nestle more closely together, and,
+somewhat comforted, she stopped a moment to rest. But she started
+suddenly to her feet as a light flashed upon her from an opposite
+window. People were really beginning to light their lamps, and the
+daylight was almost gone.
+
+Weariness was forgotten in the thought that night might fall before she
+could return, and she ran as fast as her light feet would carry her--so
+swiftly and so far that she had nearly passed a small store without
+seeing it.
+
+She checked her steps at this discovery, and entering, asked,
+breathlessly:
+
+"Oh,--please,--have you any ban-banners?"
+
+"What? any what?" demanded a severe-looking lady, coming forward and
+eying Nan suspiciously through her spectacles.
+
+"Bandaners,--handkerchiefs," explained Nannie, less confidently.
+
+"Bandanas? No; I don't keep them," responded the lady, very stiffly.
+
+"Should think she might have been more p'lite, if I didn't call it
+right," commented the young traveler as she hurried along the street
+once more. "Here's another." This time there was only a boy in
+attendance. He was head of the establishment when the proprietor went
+to supper, and he enjoyed his important position.
+
+"Do you keep ban-ban-banners?" asked Nannie, growing confused again.
+
+"Which? I hope you don't mean any disrespect to the flag of your
+country, ma'am?"
+
+"No sir; I mean handkerchiefs," said Nannie, innocently.
+
+"Ah! yes, I understand. I think we have the article in question."
+
+A number of the red and yellow silks were produced, and while the brown
+eyes scanned them in some perplexity, the mischievous young clerk
+surveyed the comical little figure before him, and gravely asked:
+
+"Is that quantity sufficient for the exercise of your predilections? or
+would you like an additional supply?"
+
+"I would like 'leven cents worth," stammered Nannie.
+
+"Eleven cents worth of silk handkerchiefs? That's a novelty now!"
+laughed the boy. "Why, you see that wouldn't be a seventh part of one
+of these bits of magnificence,--not a scrap large enough for a
+respectable doll. We really couldn't do it, ma'am. The owner of this
+establishment has a nonsensical way of always selling his handkerchiefs
+whole."
+
+[Illustration: "'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN."]
+
+Then, at sight of the disappointed little face, his fun yielded to an
+impulse of kindness, and from a far-away corner he produced an old box
+with the dust of disuse lying thickly upon it. It contained some small
+cotton handkerchiefs, gayly printed, with border, pictures and verses,
+in bright colors. Nannie's eyes brightened. They were much prettier
+than the others, she thought, and they were only ten cents! She wavered
+uncertainly between a pink and a blue one, and finally appealed to the
+clerk for advice.
+
+"Which is the nicest? Couldn't really say, ma'am. If you want it for
+winter use, the blue would probably match best with your nose; but if
+you keep it specially for fits of weeping, the red might be nearest the
+proper tint."
+
+Nannie looked at him solemnly, but not understanding him in the least:
+she decided upon the blue one, and turned away with the precious
+package in her hand. It was certainly growing late. The rosy glow had
+all vanished from the west, and one star was peeping out dimly.
+
+"A good deal after supper-time," murmured Nannie, anxiously. Then,
+glancing down a side street, she caught sight of a baker's sign. It was
+but a few steps, and she was very hungry, so she determined to invest
+her remaining cent in a piece of gingerbread. Eager to be on her
+homeward way she walked rapidly, and this did not suit the fancy of a
+large dog in a neighboring yard. He bounded toward the fence, barking
+furiously, and in a moment Nannie discovered that he had pushed open
+the gate and was upon the street. She fled at full speed away beyond
+the shop and down another street. At last a corner hid him from view,
+and he did not follow her. She dared not retrace her steps for fear of
+meeting him, and she abandoned all hope of a visit to the bakery. There
+must be other ways back to the road, though, she thought, and she
+wandered up one street and down another without coming to any building
+that looked familiar. She had lost her way entirely, and grew more and
+more bewildered as she wandered. The stars came out thickly in the sky,
+and it seemed to her that she had been traveling for hours. Finally she
+found herself in a quiet, unfrequented part of the town, and then the
+brave little heart failed utterly, and frightened, homesick, and
+terribly weary, she sank down by the road-side, sobbing bitterly. She
+did not hear the sound of wheels, nor notice the horses drawn up beside
+her, until some one called:
+
+"Hello, little one! what's the matter?"
+
+She had heard that neighborly voice too often not to recognize it now,
+and she sprang up in wild delight. "Oh, Captain Hoyt! Take me home! Oh,
+please sir, wont you take me home?"
+
+"Home, chick-a-biddy? Why, who--little Nan Verling, I declare! Well,
+if it isn't lucky that I didn't sell my apples till late to-day, and am
+just going out! How in the world did you get there?"
+
+"I lost my way," faltered Nannie, trying hard to conquer her tears when
+she was safely in the wagon. "I came to buy a bandana handkerchief for
+Aunt S'mantha."
+
+"Bandana? Well, she'll need it, and a few cambric ones thrown in, if
+she don't know where you are at this time of night," declared the
+captain, whipping up his horses.
+
+He was quite right; Miss Samantha was nearly frantic. She had sent to
+every house in the village, and had learned from Tommy how her love of
+neatness and carelessly expressed desire for bananas had together
+worked mischief. But as a visit to the store revealed the fact that
+Nannie had been there and had gone, Miss Samantha could think of
+nothing but that most improbable resort,--the pond; and she had
+gathered a party with ropes and lanterns, when Captain Hoyt drove up
+and deposited the small maiden in their midst.
+
+"I've got the handkerchief, Aunt S'mantha! and I'm so glad; but my
+clothes are all spoiled, and I'm so sorry," began Nannie.
+
+"Clothes, child! Do you think I care so much more for your clothes than
+for you that I want to hear about them first?" exclaimed Miss Samantha,
+with an embrace so long and close that Nannie was quite astonished.
+
+"I didn't know," she answered.
+
+And Miss Samantha said not a word, for she thought if the child really
+did not know, there must have been something wrong somewhere. She
+smiled a little grimly when she saw the wonderful handkerchief, but she
+laid it away as if it were a treasure. Nannie had a nice supper and a
+good night's sleep, and felt quite bright when Tommy looked in upon her
+the next morning.
+
+"I had an awful time; but your way is a real good one, Tommy, 'cause
+she didn't scold a bit," she informed him, confidentially.
+
+"But I guess,--I s'pose,--anyhow, mother says that the best way to
+please folks is to do as they want you to, instead of buying 'em
+things," said Tommy, feeling that, as he had led her into trouble, he
+was in honor bound to give her the benefit of the moral that had been
+impressed upon him.
+
+"Y-e-s," answered Nannie, rather vaguely.
+
+But, as the weeks went on, and Aunt Samantha grew so much more gentle
+that she couldn't help being more careful not to trouble her, she
+thought that handkerchief must be a very precious article.
+
+
+
+
+THE TOWER-MOUNTAIN.
+
+BY GUSTAVUS FRANKENSTEIN.
+
+
+
+III.
+
+
+I wandered about for what seemed to me days and days, but always
+cautiously, and never without some hope of escape. At length, becoming
+weak, I suppose, I missed my footing from a ledge of rock and fell to a
+great distance. I was stunned and bruised, but soon recovered; and
+considering the course I must have come, and this last terrible
+descent, I felt almost sure that I was far below the surface of the
+earth, and that I must try to go up, and must search and search until I
+should find some way of ascending. I accordingly moved on, with greater
+care than ever, and soon found that I was in a sort of rocky passage
+which rose at a slight inclination. I need not say how this discovery
+revived my spirits, nor how I was cheered yet more when, after a time,
+I came to a level surface again, and discovered that beyond it the
+passage continued as before, but much widened.
+
+Keeping close to the wall of rock on my right, I slowly ascended in
+what seemed to me a spiral curve. Sometimes I would take a step to the
+left, to ascertain if I still had a barrier on that side; by which I
+found that there were many openings in the wall on that side, probably
+similar to the one through which I had reached this apparently
+continuous passage.
+
+Up, up I went, gaining courage though feeling weaker and weaker. Having
+the wall on my right for so long a time, and seeming to be always
+ascending, I began to think that I was in a sort of circular
+honey-combed cavern.
+
+It must be borne in mind that my progress was exceedingly slow,
+consequent upon the necessity of feeling my way, step by step,
+apprehensive of going over the brink of a precipice in some moment of
+undue confidence. How many times I lay down to sleep, how many times I
+rose to continue the task, I cannot tell; but, having been immured so
+long, without food and without light, I began to feel stealing over me
+a weariness of exhaustion which required the utmost power of the will
+to battle.
+
+All this time I kept ascending. Suddenly the passage seemed to open
+wide, and, all at once, a bright light shot into the cavern. For the
+moment I was blinded; a painful sensation struck me across the brows;
+but I determined to behold the light at whatever cost. I opened my
+eyes; and now, the shock of the dazzling brightness having passed away,
+I saw the most beautiful effect I had ever beheld in my whole life.
+
+A ray of sunlight fell in a round spot, bright and warm, on the wall at
+the left. It entered by a small aperture higher up--in the wall at the
+right. For a moment I looked around. I stood in a vast, rock-bound
+chamber--an immense hall--faintly illuminated by reflection from the
+direct sun-ray which fell upon a vein of quartz, and sparkled, lively
+with flitting rainbow-colors. I could see the openings in the inner
+wall, many of them a hundred feet high, nearly all very narrow, and for
+the most part vertical. On the right, the wall was unbroken, with the
+exception of the little hole, through which the blessed sunlight
+streamed, in the pit of a broad, deep, conical sort of depression. Far
+behind me, I could just make out the mouth of the passage from which I
+had emerged into this spacious chamber, and before me the opening into
+another also adjacent to the wall on my right.
+
+I felt now more assured than ever, for I was certainly above-ground.
+For a moment, I forgot my forlorn condition, and paused to admire the
+splendor of the scene. A few minutes only, and it was gone. I lingered.
+Should I wait to see this lovely sight renewed? Twenty-four hours must
+elapse before the sun's return to the same position. But _would_ it
+come to the same point again on the morrow? I knew it could not, and
+that the least deflection from its course that day would allow no ray
+to fall into the darkness of that mysterious dungeon. I knew, further,
+that it was either morning or evening, about nine or three o'clock, by
+the direction of the beam of light. This fact was immensely
+encouraging; my heart throbbed rapidly; the blood came tingling to the
+finger-ends; I felt a warmth, an energy, a hope, an animation of
+spirits I had not known for a long time. It had all along been but one
+unending night, when often I would wonder whether, outside, under the
+broad blue sky, it was then night or day; but now I knew that it was
+day.
+
+I soon reached the passage which I had seen ahead of me, and found it
+in some places not more than two or three feet wide. The ascent became
+steeper, though not at all difficult, except at one place, where for
+about ten yards I was obliged to use both hands and feet to make sure
+of not slipping back.
+
+About two hours after passing this point the air seemed to change;
+there was a warmth and fragrance to it which was very grateful; I
+fancied also that I could see somewhat indistinctly.
+
+"Surely," I thought, "this seems like coming to daylight."
+
+Warmer and sweeter grew the air; I could see the wall of rock on my
+right; and then I suddenly encountered a volume of air blown toward me,
+as if the sweetest perfumes of the earth were mingled in that breath of
+air. I knew I was coming to the light! Another turn, and there before
+me were the grand snow-capped mountains suffused with the last rosy
+flush of the setting sun!
+
+[Illustration: "WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT."
+[SEE PAGE 292.]]
+
+Oh, indescribable glory!
+
+For a moment, my eyes swept over the horizon,--I was far above the
+earth,--then back to the beauteous snow in its sunset splendor. The
+rosy tinges lifted and vanished, and a cool twilight glow rested on the
+mountain summits. I looked upon the plain below. Far beneath, it lay in
+the evening shadow with its thousand fading tints of tropic foliage,
+with one spot of blue, almost immediately below, in all that mass of
+verdure--the lake. I knew then that I was almost exactly above the cave
+I had so long inhabited. And Pippity--Grilly--were they there now?
+
+I was about to call with all my might; but what ear could hear at that
+great distance?
+
+
+Three thousand feet at least of space separated my friends from me. How
+could I get down that almost perpendicular rock, and how could they get
+up to me? How could they know that I was there?
+
+And now the specter of starvation rose up before me in strongest force.
+Should I try to find my way back again?--once more attempt the
+darkness? No! no! Too precious was the daylight. It would not do. And
+what could be gained? I could not possibly live to reach the bottom!
+
+The twilight rested serenely on the encircling range of mountain snow,
+then faded sweetly from the darkening sky.
+
+The stars are beacons of hope and faith. Under them I lay down and
+slept.
+
+It was a refreshing slumber that I had beneath an unclouded sky, and
+when I awoke it was early dawn. The cool air was grateful; and so
+charming seemed all nature that I forgot my hunger and the isolation of
+my position. I began, too, to examine the situation. I had emerged from
+the cavern into open day by reason of the sudden termination of the
+wall which I had had so long on my right. There was left the inner wall
+as before, now exposed and forming the exterior of the mountain. I
+stood on a platform of rock about four feet square. Beyond was an angle
+in the wall, and just then a step to a higher grade of flat rock also.
+Then a considerable steepness of the narrow floor, and a bending to the
+left, when it was lost to view behind the mass of perpendicular rock.
+As the sun rose, I looked down toward the lake, which seemed to lie
+almost directly beneath, so nearly perpendicular was the mountain on
+that side. About six or seven hundred feet below me, I observed a bird
+flying from point to point up the mountain. Soon it disappeared from
+view. It had flown to the other side. Presently it re-appeared, still
+circling and rising, now perching at one point, and now at another
+higher up, then passing out of view again. At length it seemed to come
+more directly upward; it rose more rapidly, and was continually in
+sight.
+
+It was a parrot. I heard its cry. I could see it distinctly.
+
+"Pippity, Pippity!" I cried, "is that you?"
+
+He gave one joyful scream, alighted on my shoulder, and then on my
+hand, talking as fast as his tongue could run: "How d' ye do? How d' ye
+do? Frank, Frank!"
+
+"Food, food, Pippity!" I begged; and before I had finished the words he
+flew down the abyss, screaming as he went. I followed him with my eyes
+until the precipice below prevented my seeing him any longer.
+
+It seemed to me a full hour before he re-appeared, and as he came
+nearer I saw something in his beak. It was a bunch of grapes. He flew
+toward me. I held out my hand to receive him, and with a heart full of
+thankfulness I took the precious fruit from his beak.
+
+"Thank you, thank you, Pippity!" I said. But Pippity didn't wait for
+such little expressions of civility. Immediately, he flew away again,
+and soon returned with other fruits, and nuts of various kinds; and, as
+he could bring but little at a time, of course I could eat but little
+at a time, which was a happy circumstance, for that is just the way a
+starving man should eat.
+
+In about four or five hours I told Pippity I had had enough.
+
+"And now, Pippity," said I, "tell me,--how long have I been away?"
+
+He promptly answered, "Three days!"
+
+"Are you sure?"
+
+"Three days--one, two, three."
+
+I was almost sure he was right. But how the bird had found me I could
+not make out. I questioned him in many ways, but could get no
+satisfactory answer. By my not returning the day I went down into the
+hole, and not the next, no doubt my friends began to be alarmed for my
+safety, and set to work to find me, if possible. What Grilly did in the
+matter I could not conjecture; but Pippity, being able to fly, probably
+made excursions round the mountain, thinking that I might possibly come
+out at some place, and hoping thus to be able to find me and come to my
+relief.
+
+During the afternoon, Pippity made a number of trips down into the
+fertile plain, every time bringing back something good to eat, whilst I
+rested quietly, amusing myself with looking at the pleasant scenery
+that everywhere surrounded me, talking with Pippity whenever he was
+present, and sometimes sleeping pleasantly.
+
+A short time before sunset, Pippity took his last flight down, and, not
+long after the sun had disappeared, I saw him returning in the
+beautiful twilight. Again he brought me fruit.
+
+"Go down to Grilly now," I said; "I will stay up here until morning,
+and then you come to me again."
+
+But Pippity didn't want to leave; and I told him that as he was so
+desirous of keeping me company, he might remain with me through the
+night.
+
+The next morning, at the first glimmering of dawn, I awoke, feeling
+well, hearty and cheerful. Pippity was off immediately to bring me
+breakfast, and about ten o'clock we set out in high spirits to make
+further ascent of this singular peak. All went well for about an hour,
+when, Pippity being absent after food, I came to a place in the rock
+where the walk suddenly ended. A little further on and higher up it
+was as good as any part I had yet gone over; but the intervening space
+of scarcely more than a dozen feet was very steep, and, what was
+remarkable, loose stones lay upon its surface as though they had slid
+down from above. This slide seemed to have been occasioned by a
+softness of the rock in that part, causing it to scale off in thin
+pieces, which the slightest disturbance would send rattling down the
+mountain. Just beyond these loose stones was a smooth surface of very
+steep rock, over which it would be necessary to pass in order to reach
+the path beyond.
+
+I paused here; and after Pippity had brought the fruit and I had
+finished my dinner, I began seriously to discuss the question whether
+or not I ought to attempt the passage of this dangerous interval.
+Pippity seemed to understand my intentions quite well, for he grew very
+uneasy, and in his queer ways, with snatches of singularly applicable
+speech, he remonstrated most strenuously. But we now were not very far
+from the top, and so fascinating seemed the prospect of reaching the
+very pinnacle, that I could not withstand the impulse of making the
+effort to get there. Over the loose stones I scrambled, clinging with
+hands and feet as best I could, whilst an avalanche of rocky fragments
+slid, tumbled, and rattled ominously down the declivity.
+
+I got my hands upon the smooth rock, but at my feet the loose stones
+were slipping rapidly away; this, in a moment more, would leave me
+without support and mercilessly let me follow them. But Pippity, who
+had been flying around me in the greatest excitement, got just above
+me, and planting his toes firmly against the rock, seized me by the
+shoulder. Then, holding on with a most determined grip of his bill, he
+pulled like a Trojan; and I do verily believe the bird saved my life.
+By dint of his pulling and backing upward, seconded by my own frantic
+efforts to shuffle up the rock, I succeeded in gaining the foothold
+beyond. At least he inspired me with fresh resolution and confidence in
+helping myself.
+
+After a little rest, we went on, winding around a succession of short
+spirals, and at last reached the highest point of this magnificent
+mountain!
+
+ * * * * *
+
+What a sensation!
+
+Perched here on the extreme point of a pinnacle more than four thousand
+feet above the vast plain of rich fertility embosomed among the
+snow-clad mountains. The lake was a spot of beautiful blue, a gem in
+the center of this lovely picture.
+
+Suddenly, we heard a rattling of stones beneath, then a shriek.
+
+"Stars! What's that?--GRILLY!"
+
+And up he came bounding, as lively as a cricket. He danced around us
+in the greatest delight, threw his arms around me, ran wildly here and
+there, and danced and danced again.
+
+"Grilly, Grilly!" shrieked the parrot, "how in the world did you get up
+here?"--and his staid demeanor contrasted strangely with the monkey's
+antics.
+
+But Grilly danced and danced. The fact was that, even if he could have
+spoken, he was too much excited to make reply. Grilly was great in
+action; in words deficient.
+
+The afternoon was now far advanced; and Grilly at last becoming
+tranquil, and in keeping with the peaceful scene around us, I said to
+him:
+
+"How you came up here I do not know; but of this I am certain, that you
+were not as long getting up as I was, for you arrived fresh and active,
+whilst I was almost dead. Now, that makes me think that although I
+cannot find the way back, you may. Therefore, you shall be guide. But
+it is too late to start to-day. Besides, I wish to behold another
+sunset from this glorious height."
+
+The night was very pleasant; and as I lay upon a flat rock, looking out
+upon the stars from my high and silent perch, the round earth looming
+like a shadow far below me, I thought it would be delightful to make a
+long stay on this interesting pinnacle, especially at this time, as the
+weather was very fine; but the getting of food presented itself as an
+obstacle. As Grilly was now with us, it would be too great a tax on
+Pippity to supply us both. Besides, we could not do without water. I
+resolved, therefore, to set out early in the morning, and that I would
+re-enter that dungeon, as there was clearly no other way of getting
+down.
+
+Before the sun was up, we already were descending; and when we arrived
+at the dangerous slide, where the day before I had nearly slipped off
+the mountain, we halted. Pippity was dispatched for food, whilst Grilly
+and I sat down and contemplated the sunrise splendor. Four times
+Pippity descended to the plain, and brought thence something to eat.
+Noon was fast approaching, and it behooved us, if we would accomplish
+anything that day, to press forward without delay. As before, Pippity
+showed considerable anxiety, calmly remarking, however, as I translated
+his jargon, that he would, as on the previous day, hold fast to my
+shoulder with his bill. He made Grilly get down below at the same time
+and hold on to my feet; and when I began to crawl and wriggle along the
+best way I could, I was assisted very materially by the parrot above
+and the monkey below.
+
+Notwithstanding the perilous situation, I could not but be amused at
+the ludicrous singularity of the performance.
+
+Above stood the sure-footed bird, all gravity, pulling away at my
+shoulder; below was the monkey, holding me fast by the heels, jumping
+and capering as the treacherous stones rolled from under him. Of
+course, in less than a minute the whole thing was over, and I was
+safely landed on a good broad walk.
+
+We arrived at the opening of the dungeon. Descend into it? Again be
+lost--perhaps perish? I hesitated. I shrank from entering; and yet,
+down into it I must go!
+
+"Pippity," said I, to my trusty parrot, "we will linger here another
+day. You must bring us all the food you can between this and night; and
+to-morrow morning, with the first peep of dawn, be ready to go down
+again, and make as many trips before noon as you can, so that we shall
+be able to undertake that dark and uncertain journey with at least a
+small quantity of provisions."
+
+Grilly ran in and out of the dark passage quite frequently, both that
+evening and the next morning, evidently evincing a desire that the
+descent should be made without delay, which convinced me that he had
+come through all the darkness which yet lay between us and deliverance.
+
+The sun had reached the zenith when I at last bade farewell to the
+light and resolutely determined to proceed.
+
+"Good-bye, Pippity! We shall meet you below. Fly down, get everything
+ready for our reception, and have the table well supplied with the
+choicest fruits that you can find."
+
+But Pippity clung to me, and would not leave. "I will go with you! I
+want to go!" implored the bird.
+
+No expostulation could deter him from accompanying us.
+
+Grilly led the way; and when we lost the light, he squealed and
+chattered, and frequently ran back to make sure that Pippity and I were
+following him. I kept close to the wall on my left. We passed over the
+steep place. Still I kept close to the wall. The wall was on my
+left--still on my left. We were going at a pretty pace, as the monkey
+was continually urging us forward. We could not go fast enough for him.
+All at once he squealed significantly. He ran back to me. He took hold
+of my hand, and leading me slowly forward a few paces, I found there
+were three diverging passages. He drew me into the middle one. Then we
+resumed our quick gait, and, for some little time, all appeared to be
+plain sailing again.
+
+It may be asked, why did I allow myself to be guided by a thoughtless
+monkey? But here, in this darkness, was not reason entirely at sea?
+Might not instinct be superior to reason and avail something? I
+abandoned myself entirely to its mysterious power. I had faith in it.
+Grilly proceeded with such confidence that I could not but trust him.
+
+We had been plodding our way through the darkness for about four hours,
+I thought, when Grilly gave a loud shriek, and, running back to us, led
+us hurriedly forward; light became faintly visible; we ascended a few
+steps through a very narrow passage; we came abruptly to a stop; the
+monkey grasped something that hung down from above, and sprang upward
+with the agility of his nature. We saw him high above our heads
+climbing through a square opening of light. Immediately, he was
+descending again.
+
+"Why, Pippity," I cried, "we are at the bottom! Up there is our
+palace!"
+
+"Of course it is!" shrieked the parrot, in a tone which sounded more
+like a shout of joy than the voice of a bird; and, clinging to one of a
+number of long grass stems that could now be distinctly seen hanging
+from the top, he climbed up with bill and claws as handsomely as any
+parrot ever did the like, crying as he went:
+
+"Come along, Frank! We're all right!" Grilly was now down, too; and,
+reaching me his hand, he would fain have tried to pull me to the top.
+But I gave him to understand that I could very well take care of
+myself, and up I went by means of hands and feet--the monkey all
+capers, the parrot all talk, the man thankful--and when we stood in our
+grand old palace once more, three more thoroughly delighted creatures
+never were seen.
+
+"Now, Pippity and Grilly," said I, "bring something to eat. Search our
+broad garden for the best. Let us eat and be merry. While the light yet
+glows, let us enjoy ourselves."
+
+Away went the faithful animals. When they were gone, I walked forth and
+stood under the beautiful trees, surrounded by all the adorning
+verdure. How glad was I to be once more on the ground, once more in the
+world!
+
+Presently, I saw Pippity and Grilly returning. The latter had an
+immense load of luscious fruit strung over his back, besides what he
+dragged after him in a large basket. It may well be imagined that we
+had a most delightful meal.
+
+After this, I made frequent visits to the top of the pinnacle, always
+taking Grilly with me, Pippity, as a general thing, being content to
+take the short cut and meet us at the aperture above.
+
+But before taking these trips, I made Grilly stretch a line of the long
+silken cords (which we found in abundance) from one end of the dark
+passage to the other, so that I could find my way back, if the monkey
+should fail me. I also used strong ropes, made of these strands, to get
+over the dangerous slide.
+
+These trips afforded us an agreeable diversion. We had now, it might
+be said, entire command of our mountain palace--our magnificent hall
+below and our splendid look-out above. Months passed away in this happy
+abode. Sometimes we visited the distant mountains, ever exploring, ever
+learning, ever rejoicing; but always returning to our happy home with a
+renewed relish of its rare comforts and matchless advantages.
+
+During one of the excursions to the neighboring mountains,--Pippity
+alone accompanying me, Grilly having gone to assemble his tribe for a
+fresh supply of cocoa-nuts,--we were leisurely contemplating the great
+expanse of loveliness that lay before us, in the center of which our
+noble dwelling loomed up superbly.
+
+"What a splendid domain is ours!" I said to Pippity. "We have
+everything that man need wish,--and, for that matter, parrot or monkey
+either. How bountiful, here, is nature, and withal so beautiful! And
+our palace! Was ever anything in the world like it?"
+
+As the parrot made no answer, I looked toward him, for I was certain
+that he would join in praise of all our precious blessings.
+
+There was a troubled look about him. His wings moved convulsively. The
+feathers stood ruffling from his body. He was in a state of the
+greatest agitation.
+
+I was alarmed. "What's the matter, Pippity?" I cried. But Pippity
+replied only with a succession of loud shrieks growing ever louder and
+louder.
+
+The air had become as still as death.
+
+My body appeared to move from side to side. No, no! The ground was
+rising, falling! It seemed no longer solid. Like a wave it rose and
+fell. The foot-hills below us separated, reft into awful chasms. I
+looked toward our home. Just then cried Pippity:
+
+"Oh, our palace! Our palace!"
+
+"Ah, ah! It falls! It falls! See, see, how the huge rocks rive and
+crumble!"
+
+What a fall was there! A crash that echoed terribly in that circle of
+mountain wildness!
+
+A cloud of dust rolled in fearful mockery where one moment before had
+stood the proud pinnacle. An enormous mass of rocks fell into the lake
+below, and the vapors rose in a rival cloud. High in the firmament they
+curled and twisted, their wreathing forms together telling a woful tale
+of destruction.
+
+We forgot our own danger in watching all our grandeur dashed to
+nothingness.
+
+Destruction as it was, it was grand!
+
+But Grilly! Where was he? "Ah, Grilly, Grilly!" cried I, "I fear he is
+lost!"
+
+"Come, come!" said Pippity. "Where's Grilly? Find Grilly! Quick,
+quick!"
+
+But there was some rough country to get over. Gaps, masses of uprooted
+trees, rocks, earth and vegetation mingled in confusion.
+
+At last we arrived at home--no, not home! Nothing but a heap of ruins!
+
+And where was Grilly? We searched, but found him not. We called, and
+called again; but answer there came none.
+
+Pippity, with a shrill and deafening cry uttered ceaselessly: "Grilly!
+Grilly! Grilly! Grilly!"
+
+But answer there came none.
+
+And all the next day we sought, and still poor Pippity cried, "Grilly!
+Grilly!"
+
+But the dead, the lost, answer not.
+
+ * * * * *
+
+A home we had no longer. Where once stood magnificence, ruin now stared
+us in the face.
+
+"Pippity!" I said to poor Polly, "we will leave this once glorious
+spot. Our home is desolate. It is home no longer. Let us seek new
+scenes in other lands."
+
+"Where shall we go?" asked Pippity--and if a parrot could shed tears he
+would have shed them.
+
+"We will go to the abodes of men. We will go among civilized people."
+
+"I, too, Frank. I, too! Call Gr----!"
+
+"Say no more, Pippity! Strive to forget."
+
+For seventeen days we traversed the mountains, picking up a scanty
+subsistence by the way. Pippity was considerably frightened by the
+condors that really seemed to threaten us when we reached great
+elevations; and I was astonished at the remains of the once stupendous
+works of the ancient dwellers in this land. Bridges stretching from
+mountain to mountain, over immense, deep valleys, attested the
+knowledge and power of that singular race.
+
+Later, we began to meet people; a hut here and another there, with
+miles between. Pippity was quite at a loss to know what to make of such
+persons as we met. When two or more happened to be conversing together,
+it was utterly incomprehensible to him how they could understand one
+another.
+
+"What jargon is this?" he evidently tried to say, "that these people
+are all the time jabbering? It is nothing but an unmeaning chattering
+of monkeys. Can it be possible that they know what they are babbling?
+And you understand that gibberish, too?"
+
+I had taught Pippity no language but my own, and it was no wonder that
+he was surprised when he heard people so like me talking quite
+differently.
+
+We soon reached the sea-coast; and if Pippity was surprised at what he
+saw in the towns and cities, the citizens, many of whom were familiar
+with the English tongue, were still more surprised at his wonderful
+gift of language.
+
+My own appearance until I bought myself some decent clothes, created
+quite a sensation among the people I met. During my long stay in my
+mountain home, I had been obliged to mend and darn my garments with the
+fibers of plants until there was scarcely a vestige of the original
+fabric remaining; and I looked like a veritable scarecrow.
+
+But I was not poor. In a little, home-made wallet, I carried a small
+handful of diamonds, which I had, from time to time, found in my
+wanderings about the Tower-Mountain. These now did me good service. I
+easily converted them into money, which gave me the means of living and
+traveling as I pleased.
+
+We took ship, Pippity and I, and sailed away to my old home in the
+north. On the voyage, the gifted bird was the hero of the vessel.
+Ladies, gentlemen, children, and even the officers and crew of the
+ship, were glad to gather around him and talk to him. No such parrot
+had any of them seen before. I had magnificent offers made to me, if I
+would consent to sell him, but I refused them all, and, after awhile,
+Pippity himself relieved me of the duty of declining to sell him. When
+an offer of purchase was made, he would say, "I can't be bought!"--or,
+if the proposal came from a lady, "Madam, your offer is most
+respectfully declined!"
+
+At last we reached my native city, and here a great misfortune happened
+to me.
+
+In walking about the streets with my parrot, Pippity was constantly
+obliged to inhale the fumes of tobacco. He could not endure it, and
+frequently asked me in his own fashion why people persisted in puffing
+such sickening smoke from their mouths. I explained the matter to him,
+but he never could see any sense in it. It was known on board the ship
+that Pippity disliked the fumes of tobacco, and he was such a general
+favorite that no one smoked in his presence.
+
+But in the city streets he met with no such consideration. He was
+incessantly compelled to breathe tobacco smoke, and it made him ill. In
+a very few days he was seized with a painful choking sensation, caused
+by the irritation of the smoke, and in a short time he died. His last
+words were:
+
+"That detestable tobacco!"
+
+And so I lost this good friend. I had his skin stuffed, and presented
+it to our society of natural history.
+
+There were people to whom I told this story of my adventures who did
+not believe me, but I was always sure they would have credited my word
+if only I had had my monkey and my parrot with me to corroborate the
+truth of my strange history.
+
+
+THE END.
+
+
+
+
+GIFTS FOR ST. NICHOLAS [A]
+
+BY EMMA E. BREWSTER.
+
+
+ Grieve not, O Santa Claus, who fills
+ Each stocking, box and tree;
+ Nor think, most desolate of saints,
+ None bring good gifts to thee.
+
+ We place no candles in thy crypt,
+ No gold upon thy shrine,--
+ Thou bringest us the frankincense,
+ The tapers and the wine.
+
+ But rarer gifts, good Nicholas,
+ Than these, thy children bring,
+ When up and down an echoing world
+ The Christmas bells all ring.
+
+ We bring our brightest, truest love
+ To crown thy happy brows;
+ No monarch wears a coronet
+ So light as holly-boughs.
+
+ We bring our gayest, fairest hopes,
+ With smiling memories spun;
+ So rich a robe has never shone
+ Earth's proudest king upon.
+
+ We bring our trust, our childhood faith,
+ And place it in thy hand;
+ No jeweled scepter has such power
+ To rule on sea or land.
+
+ Then stay, O dear St. Nicholas!
+ Look on thy heaped-up shrine;
+ Our hearts, our hopes, our memories,
+ Our trusts, our faith are thine!
+
+ There's not in all the calendar
+ One saint whose altars shine
+ With such gay throngs of worshipers,
+ Such precious gifts, as thine!
+
+[Footnote A: An answer to "Left Out," published in the December number.]
+
+
+
+
+SOME IN-DOOR GAMES AT MARBLES.
+
+BY L.D. SNOOK.
+
+
+One or two of the following games of marbles may be known to the
+readers of ST. NICHOLAS, but we think they all will be new to a great
+many boys.
+
+
+THE ARCHED-BOARD COUNT-GAME.
+
+[Illustration]
+
+A strip of board, half an inch thick, five inches wide, and twenty-two
+inches long, has notches cut in one side, two inches wide at the
+bottom, and tapering as shown. Short bits of board nailed upon each end
+keep the strip upright. Then it is placed upon the floor within two
+feet of the wall. Each player is provided with the same number of
+marbles (from three to five, or as many as the players wish), and from
+the opposite side of the room he rolls at the board, the object being
+to roll through the arches, which have numbers immediately above them
+in the manner shown. The one making the most counts after rolling all
+the marbles is entitled to one game. Or, if you have but five or six
+marbles, each party rolls the whole number by himself, and should there
+be a tie between those who make the highest aggregate number, they must
+roll again, the one then having the highest tally winning the game.
+
+
+THREE-ARCH DISCOUNT-GAME.
+
+[Illustration]
+
+This board is as wide and thick as the other, but is only eighteen
+inches in length. The center arch is four inches wide, the two small
+ones three inches each. In playing, each boy rolls from four to ten
+marbles each, every marble that passes under the center arch counting
+forty; if the marble goes through either small arch, twenty is deducted
+from the count, or, as the boys say, is "counted off" each time. So, if
+you are not a good shot, it is likely you will lose more than you will
+gain. In this, or the previous game, if you fail to pop your marble
+through any arch, it is lost.
+
+
+THE TEN-BLOCK COUNT-GAME.
+
+[Illustration]
+
+You are to make ten blocks of wood, each about one inch square; upon
+one side of each you mark the figure 0; on the other sides the numbers
+10, 20, 30, 40, and 50, the 50 being upon the side opposite the 0. The
+blocks are placed upon the floor or carpet in the form of a half
+diamond, as shown. The in each case being placed upward, each player
+rolls four marbles singly at the blocks, the object being to hit as
+many of them as possible. When done, count the numbers on the upper
+sides of all the blocks, and replace them for the next player. It is a
+lively game.
+
+
+SWINGING-BLOCK COUNT-GAME.
+
+[Illustration]
+
+This is but a modification of the block-game just described. A common
+pin or tack is driven partly into one side of a block, which is
+connected by a string with a little strip of wood above. Instead of
+making side-pieces for supports, two chairs can be used, letting the
+strip rest upon the seat or lower rounds. Each block has the same
+number upon every side, and is hung so that the bottom is about
+one-quarter of an inch from the floor. When a marble strikes a block it
+swings a little and soon is quiet. This saves considerable work in
+replacing overturned blocks. For each block hit, tally the number upon
+it.
+
+
+CIRCLE-GAME.
+
+[Illustration]
+
+Mark upon a piece of paper three rings, the largest from eight to
+fifteen inches in diameter, the other two considerably smaller. Within
+the rings mark the numbers 10, 20, and 50, as shown. Lay this paper
+upon the carpet or floor, and roll your marbles, the object; being to
+have them stop upon the paper and as near the center as possible, each
+person to let his remain where they stop until all of his be rolled.
+Should a marble rest on a line, tally for it the number in the largest
+circle adjoining.
+
+
+
+
+TOMMY'S THREE HORSES.
+
+
+[Illustration]
+
+
+ The first is a pony without any head;
+ 'Tis a wonder, indeed, how the creature is fed.
+
+[Illustration]
+
+ The second, you see, is a steady old chair;
+ Very gentle is he, and he needs little care.
+
+[Illustration]
+
+ And here is another--the third one, of course;
+ But the driver's Tom's brother, and Tom's his own horse.
+
+
+
+
+THE CHICKENS THAT WOULD NOT BE TAME.
+
+
+In a small village there lived an old woman who kept poultry. One day
+this old woman went to see a little girl, who had some chickens which
+were so tame that they would eat corn and crumbs out of her hand.
+
+"That's nice," said the old woman; "I shall teach my chickens to do
+that."
+
+So she went home, and got some corn and some crumbs, and went out into
+the yard and called the chickens; but they would not come to her. They
+were afraid of her, because she used to shout at them, and throw sticks
+at them, every time they came into the garden, or near the house.
+
+[Illustration]
+
+When she saw that her chickens would not eat out of her hand, this old
+woman was very angry, indeed.
+
+"You bad chickens!" she said, "I'll catch you and make you eat out of
+my hand." So she ran after them and tried to catch them, but some ran
+one way and some another, and she could not lay hold of any of them.
+
+The next day she went again to the house where the tame chickens were,
+and this time she saw the little girl's mother, and told her about the
+trouble she had, and how her chickens would not let her come near them.
+
+"I don't see why they are not nice, gentle chickens like those your
+little girl has," said the old woman.
+
+"Well," said the little girl's mother, "perhaps they would be tame if
+you had always treated them as well as my little girl treats her
+chickens. She has been kind and gentle with them ever since they came
+out of their shells, and they have learned not to be at all afraid of
+her. But I think I have seen you throwing sticks at your chickens and
+chasing them about the yard. If you do that, they cannot help being
+afraid of you, and they will never come to you and eat out of your
+hand."
+
+What the little girl's mother said was very true, and if any of you
+have birds or animals which you wish to tame, you must always treat
+them so kindly that they will never have any reason to be afraid to
+come to you.
+
+
+
+
+[Illustration]
+
+
+JACK-IN-THE-PULPIT.
+
+
+"Thirty days has September, April, June and November; all the rest have
+forty-three, except February, which is leap-year every four months." I
+may not repeat this correctly, but I heard a little boy saying
+something of the kind. Perhaps you all know the jingle better than I
+do, so I'll say no more about it.
+
+
+NATURE'S PADDLE-BOATS.
+
+A little bird has told me such a strange thing! It's about a kind of
+jelly-fish which he called a "Globe-Beroe," I think; but you can find
+out for yourselves, if I caught the name aright or not.
+
+This jelly-fish looks like a tiny ball of the clearest ice. All around
+it, much after the fashion of the lines of longitude on a geographical
+globe, are eight bands a little less transparent than the rest of the
+body. On each of these are thirty or forty small paddles, in shape like
+the floats upon the paddle-wheels of a steamboat; and it is by means of
+these that the little creature pushes itself along in the water. The
+paddles are alive, and move either swiftly or slowly, one at a time or
+all together.
+
+Not only can this natural paddle-boat send itself along, but it can
+also cast anchor. It puts forth very fine threads, which gradually
+lengthen, unfolding from their sides transparent tendrils like those of
+a vine. These catch hold of and twine around some fixed thing, and moor
+the craft; and when the Beroe is about to be roving again, they unwind
+themselves, and all slip quietly back into the little ice-ball out of
+sight.
+
+There are countless millions of Beroes in the Arctic regions, where the
+sea is in some parts colored by them for miles and miles. If there were
+not such immense fleets of these tiny paddle-boats there would be
+little chance for us to wonder at them, because they choose for their
+moorings just the places where whales love best to feed and play their
+rough games, and where, too, their own presence in the sea makes it
+into a kind of soup of which whales are very fond.
+
+
+TINY TREES.
+
+Only think of trees, full-grown trees, so small that several of
+them,--roots, stems, branches and all,--piled one above another, would
+not be as tall as I am!
+
+What kind of birds would stoop to roost in such little, little trees,
+I'd like to know?
+
+They tell me that such tree-lings do really grow, away up, on high
+mountains, near where the snow stays all the year through, and also in
+very cold countries near the polar circles.
+
+I do hope the words "polar circles" will bring clear ideas to you, my
+dears. They've quite tangled up my notions. Wont some of you explain
+the things to me?
+
+
+BIRDS AND TELEGRAPH-WIRES.
+
+The Little Schoolma'am has been talking about snow-birds, and she says
+there was a poem about them in ST. NICHOLAS for April, 1875, and also a
+picture of the dear little fellows comfortably perched on a
+telegraph-wire, out in Colorado, somewhere. I dare say you'll remember
+them, my chicks.
+
+Well, she went on to say that telegraph-wires are not always such good
+friends to birds, for she had heard that, along the great railroads in
+the West, large numbers of prairie-chickens are killed at certain
+seasons of the year by flying against the wires. Sometimes this may
+happen in the dark, but more often in the day-time when the wind is
+very strong.
+
+Of course, this can't very well be helped; but it does seem dreadful,
+doesn't it, my dears? However, the section-men, who have charge of the
+railroad tracks, get some good from it, for they make a regular
+business of gathering the fallen birds, which are then cooked and
+eaten.
+
+
+WALTON'S KITTY AGAIN.
+
+ Dear Jack: A while ago I told in ST. NICHOLAS something about
+ "Walton's Kitty," that loves music and climbs upon any one who
+ sings to her, putting her head as close as can be to the lips of
+ the singer. Now, here is another true story about this same cat:
+
+ In the summer, Walton's aunt used to set the milk in a cool closet,
+ in a pitcher with a long, narrow neck, but day after day, when
+ teatime came, every drop of that milk was gone. Nobody drank it,
+ nobody used it, nobody spilled it. "Walton's Kitty" and all her
+ descendants were clear of suspicion, because of the long, narrow
+ neck of that pitcher. So everybody watched and waited to find out
+ how the milk went.
+
+ And this is what they saw: There sat "Walton's Kitty," dipping her
+ paw deep down into the pitcher, taking it out, and then lapping the
+ milk from it! If she dropped the smallest drop, she stopped and
+ cleaned that up, and then went on. As the milk dwindled to the
+ bottom of the pitcher she shook her paw around; and she never left
+ off until every drop of milk was gone!
+
+ Since then, the milk for tea stands in a covered pitcher, but
+ "Walton's Kitty" has hers in a tall, narrow goblet. It is a very
+ affecting sight, and people laugh till they cry as they watch
+ her.--Yours truly,
+
+ M.B.C.S.
+
+
+FLINT ONCE WAS SPONGE.
+
+You never would think it, would you, my dears? But the Little
+Schoolma'am says that it was; and she always is right.
+
+She says that flint really is nothing more nor less than sponge turned
+to stone. Once the sponge grew at the bottom of the sea, as other
+sponges grow now; but that was ages and ages ago, and since then the
+sponge, turned to flint, has lain covered by rocks and earth of many
+kinds piled thick above it. Seen with a microscope, flint shows the
+make of sponge in its fibers; and sometimes you can see, bedded in it,
+the shells of the tiny creatures on which the sponge had fed. Now and
+then, inside a flint, will be found bits of the sponge not yet changed.
+
+That last proof settles it; but I must say it's hard to believe;--hard
+as the flint, almost.
+
+
+SOME OLD PUZZLES.
+
+Here are two letters, with old puzzles in them, that may amuse you for
+a while on one of these shivery evenings, my chicks. I'll tell you the
+answers next month.
+
+
+ Michigan.
+
+ DEAR JACK-IN-THE-PULPIT: The other night one of my brothers said he
+ did not believe we could pronounce a certain word after he should
+ have spelled it. I will tell you what it is, though you may have
+ heard about it already:
+
+ A cross, a circle complete,
+ An upright where two semi-circles do meet,
+ A triangle standing upon two feet,
+ Two semi-circles, a circle complete.
+
+ Yours truly, CORA.
+
+
+ Oswego, N.Y.
+
+ DEAR JACK: I send you a riddle which I found. I take ST. NICHOLAS
+ and like it very much. I have all of the volumes from 1874.
+
+ I am a word of plural number,
+ A foe to peace and human slumber,
+ Yet, do but add the letter S,--
+ Lo! what a metamorphosis!
+ What plural was, is plural now no more,
+ And sweet's what bitter was before.
+
+ Yours truly, KITTIE.
+
+
+Talking about riddles, reminds me of one that was made by Richard
+Whately, an archbishop of Dublin, as I've heard. This is it:
+
+ "When from the Ark's capacious round
+ The beasts came forth in pairs,
+ Who was the first to hear the sound
+ Of boots upon the stairs?"
+
+I'm told that it never has been guessed right by anybody; yet the
+archbishop said there was an answer, although he did not say what it
+was. May be you can solve the riddle, my dears, if you brush up your
+wits a bit? Let me know as soon as you think you have the right answer.
+
+
+THE NEWEST FASHION.
+
+The girls of the Red School-house often talk about new fashions,
+especially when the Little Schoolma'am is about, for she is pretty sure
+to drop some useful hints. Well, one day she told them, among other
+things, about the "latest novelty" in ladies' ball-dresses at
+Upernavik, in Greenland.
+
+As nearly as I can remember, she said that the costume consists of a
+little jacket, made of bright-colored calico or flannel; long
+pantaloons of sealskin, trimmed like the jacket and sitting close to
+the figure; and white, red or blue boots: the whole set off by gay
+ribbons and all the beads the wearer can get.
+
+A jaunty suit enough, no doubt; but, if she wore only that, the wearer
+must have been obliged to dance, merely to keep herself warm.
+
+By the way, I wonder what ever possessed them to call that frozen
+country Green-land?
+
+
+TO SURPRISE A DOG.
+
+This is the way a man among the Himalaya Mountains once astonished a
+stranger dog. He put on a pair of huge goggles and walked steadily and
+quietly toward the dog, without speaking a word. The dog bristled up
+and stared hard for a moment, and then, all at once, he seemed to wilt,
+and away he slunk as if ashamed of himself.
+
+I heard about this only the other day, my dears, and I tell it to you
+merely to warn you not to try the little trick, unless you are sure
+your dog will not get angry and jump for you.
+
+It would not look well for you to slink off as if you were ashamed of
+yourself.
+
+
+THE KINDERGARTEN AT HOME.
+
+ DEAR JACK: Will you please tell your older boys and girls that in
+ good systems of Kindergarten teaching they will find a great many
+ means of amusing invalid brothers or sisters without wearying them,
+ and many games and much fun for the younger ones, who will learn at
+ the same time things that they ought to know. To carry out these
+ methods one wants sticks, blocks, slates, slats, colored balls, and
+ other things easy to make and cheap to buy, the use of which is
+ pleasant to teach as well as to learn and practice.
+
+ I bought lately a full set of Kindergarten apparatus such as I have
+ named, and sent it to a little niece of mine in California, and the
+ dear little one writes to me that she has had much happiness and
+ enjoyment out of it. I hope some of your young friends will try the
+ experiment and let me know what success they have.--I am, dear
+ Jack, yours affectionately, A LITTLE SCHOOLMA'AM.
+
+
+KAFFIR IRONING.
+
+You all know how ironing is done here--with flat-irons, I think
+somebody said. Well, the birds tell me that the Kaffirs of South Africa
+don't use flat-irons, but have quite another way. They make the clothes
+into a neat flat package, which they lay on a big stone. Then they just
+dance on the package until they think the clothes are smooth enough! It
+must be good fun to them! Luckily, Kaffirs don't wear cuffs and frills.
+
+
+SLIPPERS FOR HORSES.
+
+Where do horses wear slippers?
+
+Now, my chicks, this is not a conundrum. So you need not be chirping
+out, "On their feet, of course;" or some foolish answer of that kind.
+The real answer is, "Japan,"--at least, so I'm told, and there are such
+numbers of other queer things there, that I don't wonder it is so.
+
+Well, Japanese horses wear straw slippers,--clumsy-looking things, I
+should say. But, besides that, they stand in their stables with their
+heads where American horses' tails would be! Perhaps Japanese horses
+like to see for themselves what is going on?
+
+"Where is the food put?"
+
+Why, in a bucket hung from the roof, of course. Where else, would you
+suppose?
+
+
+
+
+[Illustration: ON THE ICE.]
+
+
+THE LETTER-BOX.
+
+
+ Fair Haven, Vt. 1877.
+
+ DEAR ST. NICHOLAS: Two of my sisters and myself have taken your
+ magazine ever since it was published, and like it very much. I am
+ glad Miss Louisa M. Alcott is writing a story for your magazine, as
+ I am very fond of her stories.
+
+ I have read, "Eight Cousins," "Rose in Bloom," "Little Men,"
+ "Hospital Sketches," "Aunt Jo's Scrap-Bag," and "Little Women,"
+ myself, have been called "Meg, Amy, Beth and Jo." My oldest sister
+ Ada, who is sixteen years old, is the "Amy" of our family; My
+ little sister Stella, who is eleven years old, is well skilled in
+ music, and we think she is very much like "Beth"; and I am
+ thirteen, and have been called "Jo."
+
+ So, you see, I was greatly interested in "Little Women," as I could
+ appreciate it so well; and it seemed to me as if Miss Alcott must
+ have seen us four girls before she wrote the story.
+
+ I have four first cousins, and they are all boys, and with my
+ sisters and me we are "eight cousins." One of my cousins is a
+ little baby, a little over five weeks old. He makes the eighth
+ cousin.
+
+ I liked the piece about Miss Alcott in the December number very
+ much. We expect to take your magazine until we are young women. I
+ think it the best published for young people.--Your friend,
+
+ ANNIE ADAMS.
+
+
+ * * * * *
+
+
+By letters just received from England, we learn that the pretty
+Christmas and New-Year cards in our December and January issues were
+_not_ drawn by Miss Greenaway, though a friend had mistakenly sent them
+to us last summer as specimens of that lady's work, cut from a
+scrapbook. We, therefore, hasten to correct the error, wishing at the
+same time, that we knew to whose hand to credit the drawings. To our
+still greater regret, we now learn that Marcus Ward & Co., of London,
+having published these as Christmas cards, and counted upon having a
+large sale for them in America. Had we known this in time, we certainly
+should not have copied the pictures without previously referring to the
+publishers. The best reparation we can make at the present date is this
+acknowledgement and a bit of honest advice to our readers: Hunt the
+shops for the beautifully colored cards from which these pictures were
+copied, and buy them for next Christmas. They are far better than our
+printed ones.
+
+
+ * * * * *
+
+
+ Brooklyn, N.Y.
+
+ DEAR ST. NICHOLAS: I am twelve years old and very fond of reading,
+ and as I never can find an interesting book of history, I read
+ stories. But mamma and other people tell me I ought to read
+ something instructive, but as I never can find anything I like, I
+ would be much obliged if you would help me a little by giving me a
+ list of pleasant books. I have taken you for three years and enjoy
+ you very much indeed.--Your very affectionate reader,
+
+ ALICE CLINTON.
+
+"Greene's Shorter History of the English People," a new work, is very
+interesting. H.M.D. in the "Letter-Box," October, 1876, says that "The
+Life and Times of Sir Philip Sidney" is such a pleasant book that you
+cannot help having a good time when you are reading it, and will not
+think it is history unless you know beforehand. "Seven Historic Ages,"
+by Arthur Gilman, is another attractive book, and if you are like most
+smart girls of your age, you will find Prescott's "Ferdinand and
+Isabella" as interesting as many story books. It is a history of Spain
+in its most prosperous times. It is long, but, once begun, few find it
+hard to finish.
+
+
+ * * * * *
+
+
+ Geneva, N.Y.
+
+ DEAR ST. NICHOLAS: Please tell "Jack" that apples that are part
+ sour and part sweet grow in the beautiful State of New York. I have
+ tasted of such fruit and am sure it is so. Who can tell me more
+ about this wonderful fruit? And how many have ever eaten such
+ apples?
+
+ Can any one tell me what causes them to grow one side sweet, and
+ the other sour? Hoping to hear more on this subject, I remain,
+ yours truly,
+
+ ALMA AYLESWORTH.
+
+
+ * * * * *
+
+
+ Mobile, Ala.
+
+ DEAR ST. NICHOLAS: I wish to tell you of Fanny, our little mule,
+ who cannot be forced to work on Sunday. She is gentle, obedient and
+ faithful on week days, but on Sunday Fanny will not be made to
+ move.
+
+ Don't think us heathen, dear ST. NICHOLAS, for the boys just tried
+ to make her carry a load of hay as a test, and to tease her, also;
+ but when papa saw what they were up to, he put a stop to it, and
+ now Fanny enjoys her Sundays in peace. My little sister says, "she
+ is a religious mule." Do you think that the mule really knows when
+ Sunday has come?--Your well-wisher,
+
+ ERNESTINE HAMMOND.
+
+
+ * * * * *
+
+
+KING ALFRED AND THE CAKES.
+
+(_Jack-in-the-Pulpit's Story in the December Number, Straightened
+Out_.)
+
+King Alfred the Great, having been driven by the Danes to seek safety
+in flight, disguised himself as a peasant, and took refuge in the hut
+of a cow-herd, where he was told to watch the baking of some cakes. But
+he forgot the cakes and let them burn; and when the herdsman's wife
+came in, she gave him a sound scolding for his carelessness.
+
+Charles I. of England was defeated at Marston Moor; and his son,
+Charles II., after losing the battle of Worcester, barely escaped
+capture, by hiding in the leafy branches of an oak-tree.
+
+Robert Bruce lost many battles, fighting for the Scottish throne. At
+length, he lay down disheartened on a heap of straw in an old hut.
+While he was thinking over his troubles, he saw a spider trying to get
+from one rafter to another. It failed many times, but at last
+succeeded, and Bruce, taking courage at the insect's example, went on
+fighting until he had secured his kingdom.
+
+Sir Isaac Newton had on his table a pile of papers upon which were
+written calculations that had taken him twenty years to make. One
+evening, he left the room for a few minutes, and when he came back he
+found that his little dog "Diamond" had overturned a candle and set
+fire to the precious papers, of which nothing was left but a heap of
+ashes. It was then that he cried, "Oh, Diamond! Diamond! thou little
+knowest what mischief thou hast done!"
+
+It is said that George Washington, when a boy, destroyed his father's
+favorite cherry-tree, and, being asked about it, replied: "I cannot
+tell a lie; I did it with my little hatchet."
+
+Oliver Cromwell, when dispersing Parliament, saw the Speaker's mace
+upon the table, and, pointing to it, said, "Take away that bauble!"
+
+Just after Lord Nelson's great naval victory off Cape Trafalgar, as he
+was dying from a wound received in the battle, he kept repeating the
+words, "Thank Heaven, I have done my duty!"
+
+Prince William, son of Henry II. of England, was drowned on his way
+home from France. The king was so affected by his loss that "he never
+smiled again."
+
+[Fannie P. sends a complete and correct version. Willie H. Paul and
+Bertha Paul straightened out all of the story except the part about
+Lord Nelson. The versions sent by E.J. Smith, Charlie W. Jerome, Lulu
+Way, and John N.L. Pierson, were correct, as far as they went, but they
+explained only the parts that referred to King Alfred himself.]
+
+
+ * * * * *
+
+
+Here is a little story sent to ST. NICHOLAS as a companion to "The
+Story that Wouldn't be Told," in the November number:
+
+
+THE STORY NOBODY KNEW.
+
+Once there was a little story that nobody knew, and nobody could tell
+it, because nobody knew it, and yet this little story wanted dearly to
+be told. It used to wait about where people were telling stories, and
+when a story was ended and the merry laugh went round, it would say to
+itself, "Now they will certainly tell me," but they never did. So at
+last this little story got quite low-spirited and wandered off by
+itself out of the house, and through the garden into the orchard, and
+there in the orchard, under an apple-tree, there was a little girl
+lying fast asleep among the buttercups and daisies. The little story
+looked all around to see that no one else was there, and then it
+cuddled down beside the sleeping child and whispered itself into her
+ear. It was so exciting, so charming, that the little girl awoke, and
+thought she had dreamed it all, and ran to tell her mother the
+beautiful dream. When she saw her mother, she cried out, "Mother!
+mother!" and was just about to tell the little story, when suddenly she
+forgot it all, and now the little story can never be told, but it still
+comes to good children in their dreams.
+
+
+ * * * * *
+
+
+A little girl, eleven years old, sends these verses of her own
+composition to the "Letter-Box":
+
+
+VALENTINE.
+
+ I am a little Cupid,
+ And I come to visit thee,
+ To tell you that I love you,
+ And to know if you love me.
+
+ And if you'll be my little wife,
+ And come along with me,
+ I'll take you to a lovely place,
+ And pretty flowers you'll see.
+
+ And when you have been there a day,
+ You'll be a little Cupid,
+ With no hard lesson-books to learn,
+ That are so dull and stupid.
+
+ But, if you will not come and be
+ My pretty little wife,
+ You'll go straight back to school again,
+ With lessons all your life.
+
+K. UNIACKE.
+
+
+ * * * * *
+
+
+ Two Rivers, Wis.
+
+ DEAR ST. NICHOLAS: I am not quite ten years old, but I am one of
+ your oldest subscribers. We have every number from the very first.
+ I have a brother Fred, two years older than I. We have always lived
+ on the shores of Lake Michigan.
+
+ During the summer months, the steamer comes in from Chicago every
+ morning. Fred and I like to get up early in the morning, and go
+ down to the beach, before breakfast, to see the steamer go out;
+ and, afterward, the morning train, for the station is near the
+ beach. It is lovely down there early in the morning; we dig wells,
+ sail boats, and wade out after the waves that chase us back again.
+
+ We love the lake, and spend many happy hours down there. But
+ sometimes it's a very wicked lake. Three weeks ago it blew very
+ hard all night, and in the morning the waves were rolling up like
+ mountains, and near the harbor pier there lay a wreck. Although
+ they were so close to the town, and several other vessels were
+ lying at anchor near, no one had heard, or seen, or knew anything
+ about how it happened. It proved to be the "Magellan," of St.
+ Catherine's, Ont. Since then nine bodies have washed ashore, among
+ them the captain and his brother, the mate, both of them
+ fine-looking young men, and not like ordinary rough sailors. The
+ captain was a Knight Templar, and the Masons took charge of the
+ body and sent it home, and some ladies made a beautiful cross of
+ natural flowers, which they laid on his breast. But I will leave
+ this sad subject, and tell you how we appreciate ST. NICHOLAS.
+
+ Last week we had a concert. There were several recitations from ST.
+ NICHOLAS, besides the "Mother Goose Operetta" in the January number
+ (1877). It was very pretty. There were fifteen children, all in
+ handsome peasant costumes. I was Marie.
+
+ Last summer, when we came from the Centennial, in our Pullman car
+ were two boys just Fred's age; one was from San Francisco and one
+ from Chicago. Of course, the three were soon well acquainted, and
+ had lots of fun together. And what do you think? They soon found
+ out that each was a subscriber to ST. NICHOLAS! And how they
+ enjoyed talking over the stories together! "Fast Friends" seemed to
+ be the favorite; but I like "Eight Cousins" better.--Respectfully
+ yours,
+
+ NETTIE CONINE.
+
+
+ * * * * *
+
+
+ Paulsboro, N.J., 1877.
+
+ DEAR ST. NICHOLAS: I had pigeons at the Woodbury Fair both this
+ year and last, and took the first premiums for best display:
+ another little fellow, about my age, had four when I had six, and
+ had eight when I had nine; how many had I better take next year?
+ You are interested in this question, for the two dollars premium
+ helps pay for my ST. NICHOLAS, and I don't want to be without
+ _that_. I take the "Scattered Seeds," but like ST. NICHOLAS better.
+ Please stop sending my magazine to Wm. E. _Grant_. I am no relation
+ to General Grant, but am a Democrat, and for General McClellan. I
+ am nine years of age.--Your constant reader,
+
+ WILLIE E. GAUNT.
+
+You have done so well already, Willie, that we think you can best
+answer your own question; but we should take _all_ of our _best_
+pigeons.
+
+
+ * * * * *
+
+
+ New York.
+
+ Will ST. NICHOLAS please tell "Sidonie" if the "trade dollar" is
+ made entirely of silver?
+
+It is not. There are 900 parts of pure silver and 100 parts of copper
+in the "trade dollar." The copper alloy is added to make the coin hard,
+so that it will wear well, as silver by itself would be too soft.
+
+
+ * * * * *
+
+
+ Chicago, Ill.
+
+ DEAR ST. NICHOLAS: I, for one, think it is all nonsense about those
+ "that" sentences. Anybody can put more than eight "thats" in a
+ sentence; but if he, she, or it, can parse them, I would like to
+ have them do it. I don't believe it can be done. Let them parse the
+ sentence in the August number, for instance; and, if they can put
+ in twelve "thats" and then parse them, why, then, and not till
+ then, will I believe it. Please put this in the Letter-Box, and
+ oblige.
+
+ C.P.S.
+
+
+ * * * * *
+
+
+ Louisville, Ky.
+
+ DEAR ST. NICHOLAS: I thank you very much for the many beautiful
+ designs which you have given for Christmas presents, and for the
+ pictures and silhouettes which you have published, from which we
+ have copied in _tableaux vivants_ and shadow pantomimes. We had
+ "The Modern and Mediæval Ballad of Mary Jane" (published in
+ January, 1877) in our church entertainment, and it "took"
+ immensely. "The Stalwart Benjamin" and "Lord Mortimer" were cut
+ from pasteboard, and fastened up by wires, and, of course, no one
+ knew that they were not people. The "Ballad" was read behind the
+ scenes.--Truly yours,
+
+ KITTY B. WHIPPLE.
+
+
+ * * * * *
+
+
+ Boston.
+
+ DEAR ST. NICHOLAS: Papa has bought me every number of the ST.
+ NICHOLAS you have ever published, and as I have seen several
+ letters asking you about different things, I thought I would ask
+ you about something I do not understand. If it is not really known
+ who wrote the plays "Titus Andronicus" and "Pericles, Prince of
+ Tyre," what circumstances lead people to think Shakspeare wrote
+ them?
+
+ I have enjoyed you extremely, and as the Little Schoolma'am seems
+ always to answer such questions, I write to you hoping you will ask
+ her.--I am your fond admirer,
+
+ ETHEL DAVIS.
+
+The Little Schoolma'am says it is not absolutely certain who wrote the
+plays you name, but this is about the way the matter stands:
+
+The play "Titus Andronicus" is not now believed to have been originally
+written by Shakspeare. It is considered too horrible and repulsive to
+be his work. However, it may have been brought to him to be retouched
+and made ready for the stage. Hence is it, perhaps, that some passages
+of his are found in it.
+
+"Pericles," as well as "Timon of Athens," is believed to have been the
+work of some other writer, afterward completed and partially altered by
+Shakspeare. It is thought that most of the last three acts of
+"Pericles" are Shakspeare's, though some of their prose scenes and all
+the choruses are by another hand.
+
+
+
+
+NEW PUBLICATIONS.
+
+
+ALL AROUND A PALETTE is a delightful book for boys and girls,
+especially for those who love good pictures and odd and sprightly
+stories with something in them besides the fun and sparkle. Mr. J.
+Wells Champney has put a picture or a sketch wherever there was a
+chance, and Mrs. Lizzie W. Champney has made the stories very bright,
+sweet and interesting. The book is published by Messrs. Lockwood,
+Brooks & Co., Boston, and is one of the "Children's Art Series."
+
+Messrs. Porter & Coates, of Philadelphia, send us THE BOY TRADERS, by
+Harry Castlemon, a brisk story of adventure on the sea, in the Sandwich
+Islands and among the Boers. There are several striking pictures.
+
+A YORK AND A LANCASTER ROSE, by Anne Kearney, author of "Castle Daly,"
+"Oldbury," etc.; published by Macmillan & Co., New York. This book is
+by an English author, and is a charming picture of family life, which
+will interest girls of thirteen and fifteen years of age. The story is
+of two girls, each named Rose, the one rich and the other poor; and
+tells how they were brought together, and the influence they exercised
+upon each other, and relates, in a very pleasant way, the various
+adventures, sayings, and doings of their brothers and sisters.
+
+THE CUCKOO CLOCK, by Ennis Graham, author of "Carrots" and "Tell me a
+Story"; published by Macmillan & Co. This volume is well illustrated by
+Walter Crane. The cuckoo in an old clock makes friends with a lonely
+little girl, and causes her to have a good time, and to see many
+wonderful things. One of the prettiest parts of the story is the
+account of the making of the clock in the German home of the little
+girl's grandmother.
+
+SLICES OF MOTHER GOOSE, SERVED WITH SAUCE BY "CHAMP," is the title of a
+set of large cards, admirably printed in black and red, and giving new
+funny versions of Mother Goose rhymes, by Alice Parkman, illustrated
+with capital pictures and silhouettes by Mr. Champney. Messrs.
+Lockwood, Brooks & Co., of Boston, are the publishers.
+
+SIX SINNERS, by Campbell Wheaton, has to do chiefly with one of the six
+dear little "sinners," Dora Maynard, whom girl readers will love right
+off. It tells all about her school-days, her pranks and fun, her
+troubles and how they were overcome, and tells it in a way so lively
+and absorbing that you will want to read all of it at one sitting. The
+book is clearly printed in large type, and is published by Messrs.
+Putnam, New York.
+
+
+
+
+THE RIDDLE-BOX
+
+
+EASY DOUBLE CROSS-WORD ACROSTIC.
+
+The initials and finals, read downward, form the names of two kinds of
+trees.
+
+1. The width of a vessel. 2. A mountain of Crete. 3. A Tom-boy. 4. An
+inclosure. 5. To harbor.
+
+WILLIE PETTINOS.
+
+
+SQUARE-WORD.
+
+1. A governor. 2. To join. 3. Flexible. 4. A girl's name. 5. Quick
+dances.
+
+L.
+
+
+NUMERICAL PUZZLE.
+
+I am a word of five letters, the sum of which is 512.
+
+ My 1 × my 3 = 1/20 of my 5;
+ My 2 × my 4 = 1/5 of my 3;
+ My 5 ÷ my 1 = my 3 × 20.
+
+SEDGWICK.
+
+
+HIDDEN ACROSTIC.
+
+ At the top of a mountain,
+ Within a clear light;
+ In the midst of a fountain,
+ At edge of the night;
+ In field and in meadow,
+ In sunshine and shadow,
+ On land and on sea,
+ At the end of the earth,
+ Or in air, we may be.
+
+ Now put us together,
+ And, if you guess right,
+ You'll discover a water-fall
+ Sparkling and bright.
+
+W.P.D.
+
+
+EASY DECAPITATIONS.
+
+1. Behead a kind of sword, and leave a fluid for burning. 2. Behead a
+sharp-pointed weapon, and leave a fruit. 3. Behead to touch, and leave
+a kind of fish. 4. Behead a vehicle used in winter, and leave a shelf
+5. Behead a kind of deer, and leave a game that boys play. 6. Behead an
+ancient war implement, and leave a unit. 7. Behead animals of a common
+kind, and leave a sort of grain. 8. Behead to pull, and leave sore. 9.
+Behead the name of a vessel, and leave a narrow passage.
+
+WALTER A.
+
+
+TRANSPOSITIONS.
+
+1. Change artful into a confusion. 2. Change a Persian king into a
+mixture. 3. Change a cutter into listeners. 4. Change a cheat into
+musicians. 5. Change repaired into healed. 6. Change a drink into a
+class embracing many species.
+
+CYRIL DEANE.
+
+
+CHARADE.
+
+In war, and in council, my first oft appears.
+My second is that which my first often wears.
+Very strong is my last; 'tis a bark, not a bite;
+That from which it is taken is solid, not light.
+Three joined in one, if my whole you should find,
+An island well known it would bring to your mind.
+
+M.D.
+
+
+GEOGRAPHICAL PUZZLE.
+
+(Composed by Mary V. and Willie K., each aged thirteen.)
+
+An island west of British Columbia (1) went to the lightest city (2) in
+the world to attend a ball. She there met a peak in Oregon (3) named as
+follows: A city in Egypt (4), a city in Maine (5), and a city in
+Australia (6), in whom she was much interested.
+
+Her dress was a valley among the Himalaya Mountains (7), and though
+elegantly trimmed with a city in Belgium (8), it was, unfortunately,
+two cities in France (9). As she felt a country in South America (10),
+she wore around her shoulders a city in Scotland (11) shawl. Her
+jewelry was exclusively a peak in Oregon (12). Her shoes were of a
+country in Africa (13), and her handkerchief was perfumed with a city
+in Prussia (14).
+
+Being a lake north of the United States (15) dancer, she had
+distinguished partners, whose names were the capital of the United
+States (16), the capital of Ohio (17), the capital of Wisconsin (18),
+the capital of Alabama (19), the capital of Mississippi (20), and the
+capital of North Carolina (21).
+
+Having boldly said that she was a country in Europe (22), she was
+escorted by a city in Indiana (23) to a bay in South-west Africa (24),
+where she freely partook of a river in Oregon (25), some islands in
+the Pacific Ocean (26), a river in South Africa (27), a district in
+France (28), and some islands in the Atlantic (29). After passing a
+river of Maine evening (30), she bade a cape in Iceland (31) to her
+hostess, and was escorted home by an island in Nova Scotia (32).
+
+
+NUMERICAL ENIGMA.
+
+My 1 2 3 4 is undoubtedly possessed by every one of the whole race
+of 1 2 3 4 5 6 7 8 (my whole), while my 5 6 7 8 ends a prayer.
+
+C.D.
+
+
+ILLUSTRATED PUZZLE.
+
+[Illustration]
+
+ Twelve things may be found in the picture above,
+ Not clearly perceived by the eye,
+ But with keen observation and witty conceit,
+ You will find them, I know, if you try.
+
+ First point out (1) an animal (other than bear),
+ (2) A spectator, (3) a portion of corn,
+ (4) One part of a sentence, and (5) parts of a bird,
+ And (6) what may your fair head adorn.
+
+ Now (7) part of a river, and (8) parts of a book,
+ And now, if you please, take the trouble
+ To pick out (9, 10) two letters, which, rightly combined,
+ In classical language mean "double."
+
+ The remaining two things in the picture above,
+ To which I would call your attention,
+ Are (11) part of a carriage or part of a boy,
+ And (12) a sort of a stop or suspension.
+
+AUNT SUE.
+
+
+CURTAILMENTS.
+
+1. Curtail a bur, and leave to plague; curtail again, and leave plants.
+2. Curtail a celestial body, and leave to make smooth; again, and leave
+a model. 3. Curtail a low, wet ground, and leave a planet; again, and
+leave to injure; again, and leave a parent. 4. Curtail a jury-roll, and
+leave a glass; again, and leave part of a gun-lock; again, and leave a
+parent.
+
+CYRIL DEANE.
+
+
+COMPLETE DIAGONAL.
+
+Diagonals from left to right, downward: 1. Fifty. 2. A boy's nickname.
+3. A title of respect. 4. To affirm. 5. Ardent. 6. A vale. 7. A rule of
+action. 8. A river in Italy. 9. Phonetically, a measure.
+
+Horizontally: 1. Used by painters. 2. An Israelitish king. 3. A name
+for beer. 4. More dim. 5. To reduce.
+
+N.T.M.
+
+
+EASY NUMERICAL ENIGMA.
+
+I am composed of twelve letters. My 2 11 3 is a fish. My 1 4 3 2 5 is a
+girl's name. My 7 3 8 10 5 is an American politician. My 12 8 6 1 is
+pretty for a child's wear. My 9 8 12 10 5 is a necessary domestic
+utensil. My 4 8 6 2 is very pleasant. My whole is the title of a
+popular book.
+
+D.C.R.
+
+
+SQUARE-WORD.
+
+1. An emperor's title. 2. Nothing. 3. Weapons. 4. A flower.
+
+B.
+
+
+ANAGRAM DOUBLE DIAMOND AND CONCEALED DOUBLE SQUARE.
+
+From the sentence "Seer eats a pear" form a double diamond, the center
+of which will be a double word-square.
+
+CYRIL DEANE.
+
+
+PICTORIAL PROVERB PUZZLE.
+
+The answer is a well-known couplet.
+
+[Illustration]
+
+
+
+
+ANSWERS TO PUZZLES IN JANUARY NUMBER.
+
+
+DOUBLE ACROSTIC.--Initials, Russia; finals, Turkey; across,
+
+ R--a----Y
+ U--nit--E
+ S--ac---K
+ S--uga--R
+ I--O----U
+ A--n----T
+
+
+HOUR-GLASS PUZZLE.--Diagonals, hones, sends; central, inner; horizontals,
+
+ H A I L S
+ O N E
+ N
+ D E E
+ S O R E S
+
+
+DECAPITATIONS.--Acorn, corn; brook, rook; drake, rake; flute, lute;
+pearl, earl; plane, lane; wheel, heel; spine, pine; trout, rout; prune,
+rune.
+
+
+DIAGONAL PUZZLE.--Diagonal, January; horizontals, Jollity, sAdness,
+kiNdles, ensUing, compAny, appeaRs, holidaY.
+
+
+DOUBLE PUZZLE.--Central Syncopations: Rabid, raid; stair, stir; haste,
+hate; steep, step; Tiber, tier; grain, grin; holes, hoes; tiles, ties.
+The syncopated letters, B, A, S, E, B, A, L, L, form the answer to the
+Cross-word Enigma.
+
+
+GEOGRAPHICAL TRANSPOSITIONS.--I held, Delhi; panels, Naples; I turn,
+Turin; pains, Spain; pure, Peru; erect, Crete; more, Rome.
+
+
+OMNIBUS WORD.--Crate:
+
+ I. Hour-Glass Puzzle.--Central, re-act: horizontals, caret, tea, a,
+ act, cater.
+
+ II. Square-Word.--Ace, car, era.
+
+III. Prefix Puzzle.--At, cat; are, tare; art, cart; ear, tear.
+
+ IV. Another Prefix Puzzle.--Ace, race, trace; ate, rate, crate.
+
+
+ACCIDENTAL HIDINGS.--Esther, molEST HER; Theresa, THERE SAt;
+Ada, A DAmsel; Nora, NO RAy; Ernesta, stERNEST Age.
+
+
+PERSPECTIVE CROSS PUZZLE.--_Horizontals:_ 1, Grand; 2, plate; 3, ditch;
+4, event; 5, prism; 6, eel; 7, great; 8, court; 9, terse.
+_Perpendiculars:_ 10, Glove; 11, dread; 12, yet; 13, prove; 14, harem;
+15, plant; 16, telegmatic; 17, preferment; 18, governable. _Diagonals:_
+19, dry; 20, hop; 21, met; 22, peg; 23, toe; 24, cot; 25, Eve.
+
+
+EASY SQUARE-WORD.--Dial, inca, acid, lade.
+
+
+NUMERICAL ENIGMA.--Forest all, forestall.
+
+
+FRAME PUZZLE.--Stock-dove, broom-corn, anonymous, inodorous.
+
+
+CHARADE.--Cat.
+
+
+WORDS ENIGMATICALLY EXPRESSED.--Pot-a-toe, potato; Mo-lasses, molasses;
+whisky; guinea-pig; false-hood, falsehood; toe-martyrs, tomatoes;
+pike-rust, pie crust; captive-atin', captivating; barber-us, barbarous;
+turn-pike; butter; IV, ivy.
+
+
+PICTORIAL CHRISTMAS PUZZLE.--At Christmas play and make good cheer.
+
+
+
+
+ANSWERS TO THE CHESS PUZZLE in the December number were received,
+before December 18, from "Frederica," P. Hill, J.E.N. James T. White,
+Laura Randolph, S.J.B., "Bessie and her Cousin," Alice Mason, and M.W.
+Collet.
+
+ANSWERS TO THE MAGIC DOMINO-SQUARE PUZZLE in the December number were
+received, before December 18, from Alice Louise, William Lewis
+Lockwood, James Buckelew, Howard G. Myers, Jas. Forsyth, E.C. Rowse,
+Bertie Pierson, Walter Sanger, Kenneth Hartley, Hattie Coons, Margaret
+B. Dodge, Alice Downing, Anna A. Hays, Emma A. Gill, "Georgie," D.C.
+Robertson, Willie T. Sheffield, Samuel Herbert Fisher, George D.
+Mitchell, Carrie Welles, G.L., Emma Elliott, K.C.R., A.H., John
+Hancock, Jr., Harry Hartshorn, Carrie Doane, Carrie Heller, Eddie F.
+Worcester, H.S., Fred B. Appleget, "Three of Them" (?), C. Kittinger,
+"Bessie and her Cousin," and P. Hill, whose criticism we find just.
+
+Helen L. Gilbert sends the solution of a puzzle in which 18 (not 16) is
+the sum of the dots in each row of half-dominoes.
+
+ANSWERS TO OTHER PUZZLES in the December number were received, before
+December 18, from Charles Lothrop, R.T. McKeever, Arthur C. Smith, Lulu
+Way, James J. Ormsbee, Fannie Runnels, G.L., "Jennie," Bancel La Farge,
+Nellie Kellogg, Allie Bertram, L. Giraud, Alice N. Bailey, Josephine
+Seibert, "Frederica," P. Hill, B.P. Emery, "Bessie and her Cousin,"
+A.G. Cameron, "Lizzie and Anna," Fred S. Pickett, Gracie S. Cook,
+Leonice Barnes, John Edward Hill, Carrie Heller, Bessie L. Barnes,
+Helen E. Risteen, "Blotterer and Blunderer," T.W. Siddall, Alice Mason,
+Fred M. Pease, Nessie E. Stevens, P. Hill, Katie E. Earl, M.W. Collet,
+and A.H. White.
+
+ANSWERS TO THE "BLIND-CLERK'S PUZZLE," in Jack-in-the-Pulpit for
+December, were received, before December 18, from K.C.R., H.B.
+Hastings, and "Nat"; and answers to the TREE PUZZLE from Mary V.
+Ridgway, "M.," Linda L. Bergen, H. Walton, H.B. Hastings, J.C. Hoadley,
+Lewis K. Stubbs.
+
+Caroline I. Lockwood, of Tunbridge Wells, England, sends an answer to a
+puzzle in a former number.
+
+
+
+
+
+End of the Project Gutenberg EBook of St. Nicholas, Vol. 5, No. 4, February
+1878, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+***** This file should be named 15331-8.txt or 15331-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/3/3/15331/
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/15331-8.zip b/15331-8.zip
new file mode 100644
index 0000000..00a8a3d
--- /dev/null
+++ b/15331-8.zip
Binary files differ
diff --git a/15331-h.zip b/15331-h.zip
new file mode 100644
index 0000000..35c354f
--- /dev/null
+++ b/15331-h.zip
Binary files differ
diff --git a/15331-h/15331-h.htm b/15331-h/15331-h.htm
new file mode 100644
index 0000000..b87eb02
--- /dev/null
+++ b/15331-h/15331-h.htm
@@ -0,0 +1,6652 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of "St. Nicholas, Vol. V., February,
+ 1878, No. 4", by Mary Mapes Dodge.
+ </title>
+
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+
+
+body { margin-left: 10%; margin-right: 10%; max-width: 40em; }
+
+h1,h2,h3,h4 { text-align: center; }
+h3,h4 { font-weight: normal; }
+h2 { margin-top: 3em; }
+
+a:link { text-decoration: none; }
+a:visited { text-decoration: none; }
+a:active { text-decoration: underline; }
+a:link:hover { text-decoration: underline; }
+
+hr { width: 33%; margin-top: 5em; margin-bottom: 5em;
+ margin-left: auto; margin-right: auto; }
+
+hr.long { width: 100%; margin-top: 2em; margin-bottom: 2em;
+ margin-left: auto; margin-right: auto; }
+
+hr.short { width: 20%; margin-top: 3em; margin-bottom: 3em;
+ margin-left: auto; margin-right: auto; }
+
+hr.tiny { width: 10%; margin-top: 1em; margin-bottom: 1em;
+ margin-left: auto; margin-right: auto; }
+
+img.border { border: 1px black solid; }
+.imgleft { float: left; clear: left; text-align: center;
+ margin-right: 4px; padding: 3px; }
+.imgright { float: right; clear: right; text-align: center;
+ margin-left: 4px; padding: 3px; }
+.imgcenter { text-align: center;
+ padding-top: 2em; padding-bottom: 0.5em;
+ margin-left:auto; margin-right:auto; }
+
+#toc ul { font-size: 90%; }
+#toc li { list-style-type: none; margin-bottom: .5em; }
+#toc ul.sub { font-size: 100%; }
+#toc li.sub { margin-bottom: 0.25em; }
+
+p { margin-top: 1em; margin-bottom: 1em; text-align: justify;
+ text-indent: 1em; }
+p.noindent { text-indent: 0em; }
+
+#puzzles p { margin-top: 1em; margin-bottom: 1em; text-align: justify;
+ text-indent: 0em; }
+
+#puzzles div.center { margin-top: 2em; margin-bottom: 1em; }
+
+.poem { text-align: center; }
+.poem .stanza { margin-left: 30%; margin-right: auto;
+ text-align: left; }
+.stanza div { line-height: 1.4em; margin-top: 0em;
+ text-align: left; margin-left: 2em;
+ text-indent: -2em; }
+
+.poem .in1 {margin-left: 3em;}
+.poem .in3 {margin-left: 5em;}
+.poem .in13 {margin-left: 15em;}
+.poem p.right { text-align: right; }
+.poem div.quote { text-indent: -2.4em; }
+
+.fnref { font-size: 60%; }
+.fn { border-top: .1em dashed gray; border-bottom: .1em dashed gray;
+ padding: 1em 1em 1em 4em; font-size: 90%; text-align: justify;
+ margin-right: 10%; margin-left: 10%; }
+.fn span.fnnum { position: absolute; left: 17.5%; text-align: left; }
+
+.small { font-size: 90%; }
+.center { text-align: center; }
+.right { text-align: right; }
+.caption { font-size: smaller; margin-top: 0; text-indent: 0em;
+ text-align: center; }
+
+.vlouter { width: 100%; border-top: 1px black solid;
+ border-bottom: 1px black solid; padding-top: 0.25em;
+ padding-bottom: 0.25em; }
+.volumeline { width: 100%; border-top: 1px black solid;
+ border-bottom: 1px black solid; padding-top: 0.25em;
+ padding-bottom: 0.25em; }
+.volumeleft { float:left; width:33%; text-align:left; }
+.volumeright { float:right; text-align:right; width:33%; }
+.spacer { clear: both; }
+
+table { text-align: center; width: 100%; }
+td.right {text-align:right;}
+td.left {text-align:left;}
+
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's St. Nicholas, Vol. 5, No. 4, February 1878, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: St. Nicholas, Vol. 5, No. 4, February 1878
+
+Author: Various
+
+Release Date: March 12, 2005 [EBook #15331]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+
+
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+</pre>
+
+
+<div>
+
+<a name="image01" id="image01"></a>
+<div class="imgcenter">
+<img src="images/image01.jpg"
+width="383" height="500" alt="AFTER THE SNOW-STORM." title="AFTER THE
+SNOW-STORM." />
+<p class="caption">AFTER THE SNOW-STORM.</p>
+</div>
+
+<br />
+
+<h1>ST. NICHOLAS.</h1>
+
+<div class="vlouter">
+<div class="volumeline">
+<div class="volumeleft">VOL. V.</div>
+<div class="volumeright">No. 4.</div>
+<div class="center">FEBRUARY, 1878.</div>
+<div class="spacer"><!-- empty for spacing purposes --></div>
+</div>
+</div>
+<br />
+
+<div class="center">
+<span class="small">[Copyright, 1878, by Scribner &amp; Co.]</span>
+</div>
+
+</div>
+
+<div id="toc">
+<br /><br />
+
+<div>TABLE OF CONTENTS &amp; ILLUSTRATIONS</div>
+
+<ul>
+ <li><a href="#image01">AFTER THE SNOW-STORM.</a> <i>(Illustration)</i></li>
+ <li><a href="#shepherdboy">THE SHEPHERD-BOY.</a> By Emily S. Oakey.</li>
+ <li><a href="#ravensangels">THE RAVENS AND THE ANGELS.</a>
+ (<i>A Story of the Middle Ages.</i>) By the Author of "Chronicles
+ of the Schönberg-Cotta Family."
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image03">"'LOOK AT ME,' THE OLD MAN SAID."</a></li>
+ <li><a href="#image04">"THEN THE EYES GREW DIM, THE HEAD SANK BACK."</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#teacountry">A TRIP TO THE TEA COUNTRY.</a> By William M. Tileston.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image05">BOY.</a></li>
+ <li class="sub"><a href="#image06">THE BARBER.</a></li>
+ <li class="sub"><a href="#image07">THE TEA HONG.</a></li>
+ <li class="sub"><a href="#image08">SORTING THE TEA.</a></li>
+ <li class="sub"><a href="#image09">HOEING AND WATERING THE PLANTS.</a></li>
+ <li class="sub"><a href="#image10">DRYING THE TEA.</a></li>
+ <li><a href="#image11">ONE OF THE SING-SONG GIRLS.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#treasuretrove">TREASURE-TROVE.</a> By Olive A. Wadsworth.</li>
+ <li><a href="#underthelilacs">UNDER THE LILACS.</a> By Louisa M. Alcott.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image12">BEN TAKES THE STONE FROM LITA'S FOOT.</a></li>
+ <li><a href="#image13">MISS CELIA AND HER LITTLE FRIENDS.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#crumbs">CRUMBS FROM OLDER READING.</a> EMERSON. By Julia E. Sargent.</li>
+ <li><a href="#oldmannervouscow">THE OLD MAN AND THE NERVOUS COW.</a> By R.E.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image14">"I WILL SIT ON THE STILE, AND CONTINUE TO SMILE."</a></li>
+ <li class="sub"><a href="#image15">"THE POOR OLD MAN WAS UP IN THE AIR."</a></li>
+ <li><a href="#image16">THE OLD MAN TELLING STORIES TO THE EAGLETS.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#raidofcamanches">THE RAID OF THE CAMANCHES.</a> By the Author of "We Boys."</li>
+ <li><a href="#image17">"LITTLE BO-PEEP, SHE WENT TO SLEEP."</a> <i>(Illustration)</i></li>
+ <li><a href="#solimin">SOLIMIN: A SHIP OF THE DESERT.</a> By Susan Coolidge.
+ <ul class="sub">
+ <li class="sub"><i>Illustration:</i>
+ <ul class="sub">
+ <li><a href="#image18">"THEY SAW THE FORM OF A GIGANTIC CAMEL."</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#belindablonde">BELINDA BLONDE</a> By Laura E. Richards.</li>
+ <li><a href="#londondustman">THE LONDON DUST-MAN</a> By Alexander Wainwright.
+ <ul class="sub">
+ <li class="sub"><i>Illustration:</i>
+ <ul class="sub">
+ <li><a href="#image19">"DUST-OH!"</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#huckleberry">HUCKLEBERRY.</a> By Frank R. Stockton.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image20">"'DON'T YOU SEE?' ASKED THE OLD FELLOW."</a></li>
+ <li class="sub"><a href="#image21">THE BOY AND HIS GRANDMOTHER.</a></li>
+ <li><a href="#image22">THE FAIR LADY OF RENOWN.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#williamphips">HOW SIR WILLIAM PHIPS FOUND THE TREASURE IN THE SEA.</a> By S.G.W. Benjamin.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image23">CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE MUTINEERS.</a></li>
+ <li><a href="#image24">CREW MEMBER.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#fishingbirdsflorida">SOME FISHING-BIRDS OF FLORIDA.</a> By Mrs. Mary Treat.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image25">THE BELTED KINGFISHER.</a></li>
+ <li><a href="#image26">THE BALD EAGLE.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#nanspeaceoffering">NAN'S PEACE-OFFERING.</a> By Kate W. Hamilton.
+ <ul class="sub">
+ <li class="sub"><i>Illustration:</i>
+ <ul class="sub">
+ <li><a href="#image27">"'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN."</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#towermountain">THE TOWER-MOUNTAIN.</a> By Gustavus Frankenstein.
+ <ul class="sub">
+ <li class="sub"><i>Illustration:</i>
+ <ul class="sub">
+ <li><a href="#image28">"WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT."</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#giftsforstnicholas">GIFTS FOR ST. NICHOLAS</a> By Emma E. Brewster.</li>
+ <li><a href="#marbles">SOME IN-DOOR GAMES AT MARBLES.</a> By L.D. Snook.
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image29">THE ARCHED-BOARD COUNT-GAME.</a></li>
+ <li class="sub"><a href="#image30">THREE-ARCH DISCOUNT-GAME.</a></li>
+ <li class="sub"><a href="#image31">THE TEN-BLOCK COUNT-GAME.</a></li>
+ <li class="sub"><a href="#image32">SWINGING-BLOCK COUNT-GAME.</a></li>
+ <li><a href="#image33">CIRCLE-GAME.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#tommysthreehorses">TOMMY'S THREE HORSES.</a>
+ <ul class="sub">
+ <li class="sub"><i>Illustrations:</i>
+ <ul class="sub">
+ <li class="sub"><a href="#image34">"THE FIRST IS A PONY WITHOUT ANY HEAD."</a></li>
+ <li class="sub"><a href="#image35">"THE SECOND, YOU SEE, IS A STEADY OLD CHAIR."</a></li>
+ <li><a href="#image36">"AND HERE IS ANOTHER&mdash;THE THIRD ONE, OF COURSE."</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#chickensnottame">THE CHICKENS THAT WOULD NOT BE TAME.</a>
+ <ul class="sub">
+ <li class="sub"><i>Illustration:</i>
+ <ul class="sub">
+ <li><a href="#image37">OLD WOMAN AND HER CHICKENS.</a></li>
+ </ul>
+ </li>
+ </ul>
+ </li>
+ <li><a href="#jackinthepulpit">JACK-IN-THE-PULPIT.</a></li>
+ <li><a href="#image39">ON THE ICE.</a> <i>(Illustration)</i></li>
+ <li><a href="#letterbox">THE LETTER-BOX.</a></li>
+ <li><a href="#newpublications">NEW PUBLICATIONS.</a></li>
+ <li><a href="#riddlebox">THE RIDDLE-BOX.</a></li>
+ <li><a href="#answers">ANSWERS TO PUZZLES IN JANUARY NUMBER.</a></li>
+</ul>
+
+</div>
+
+<div id="all">
+<hr />
+
+<h2><a name="shepherdboy" id="shepherdboy">THE SHEPHERD-BOY.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY EMILY S. OAKEY.</div>
+<hr class="tiny" />
+
+<br />
+
+<div class="poem">
+<div class="stanza">
+ <div>Little Roy led his sheep down to pasture,</div>
+ <div class="in1">And his cows, by the side of the brook;</div>
+ <div>But his cows never drank any water,</div>
+ <div class="in1">And his sheep never needed a crook.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>For the pasture was gay as a garden,</div>
+ <div class="in1">And it glowed with a flowery red;</div>
+ <div>But the meadows had never a grass-blade,</div>
+ <div class="in1">And the brooklet&mdash;it slept in its bed;</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And it lay without sparkle or murmur,</div>
+ <div class="in1">Nor reflected the blue of the skies.</div>
+ <div>But the music was made by the shepherd,</div>
+ <div class="in1">And the sparkle was all in his eyes.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Oh, he sang like a bird in the summer!</div>
+ <div class="in1">And, if sometimes you fancied a bleat,</div>
+ <div>That, too, was the voice of the shepherd,</div>
+ <div class="in1">And not of the lambs at his feet.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And the glossy brown cows were so gentle</div>
+ <div class="in1">That they moved at the touch of his hand</div>
+ <div>O'er the wonderful rosy-red meadow,</div>
+ <div class="in1">And they stood at his word of command.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So he led all his sheep to the pasture,</div>
+ <div class="in1">And his cows, by the side of the brook;</div>
+ <div>Though it rained, yet the rain never patter'd</div>
+ <div class="in1">O'er the beautiful way that they took.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And it wasn't in Fairy-land either,</div>
+ <div class="in1">But a house in a commonplace town,</div>
+ <div>Where Roy as he looked from the window</div>
+ <div class="in1">Saw the silvery drops trickle down.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>For his pasture was only a table,</div>
+ <div class="in1">With its cover so flowery fair,</div>
+ <div>And his brooklet was just a green ribbon</div>
+ <div class="in1">That his sister had lost from her hair.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And his cows they were glossy horse-chestnuts,</div>
+ <div class="in1">That had grown on his grandfather's tree;</div>
+ <div>And his sheep they were snowy-white pebbles</div>
+ <div class="in1">He had brought from the shore by the sea.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And at length, when the shepherd was weary,</div>
+ <div class="in1">And had taken his milk and his bread,</div>
+ <div>And his mother had kissed him and tucked him,</div>
+ <div class="in1">And had bid him "good-night" in his bed,</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Then there enter'd his big brother Walter,</div>
+ <div class="in1">While the shepherd was soundly asleep,</div>
+ <div>And he cut up the cows into baskets,</div>
+ <div class="in1">And to jack-stones turned all of the sheep.</div>
+</div>
+</div>
+
+<hr />
+
+<h2><a name="ravensangels" id="ravensangels">THE RAVENS AND THE ANGELS.</a></h2>
+
+<div class="center">(<i>A Story of the Middle Ages.</i>)</div>
+
+<hr class="tiny" />
+<div class="center">BY THE AUTHOR OF<br /> "CHRONICLES OF THE
+SCHÖNBERG-COTTA FAMILY."</div>
+<hr class="tiny" />
+
+<br />
+
+<h3>CHAPTER III.</h3>
+
+<div class="imgleft">
+<img src="images/image02.jpg" width="100" height="100" alt="" />
+</div>
+
+<p class="noindent">he next day, Gottlieb began his training among the
+other choristers.</p>
+
+<p>It was not easy.</p>
+
+<p>The choir-master showed his appreciation of his raw treasure by
+straining every nerve to make it as perfect as possible; and therefore
+he found more fault with Gottlieb than with any one else.</p>
+
+<p>The other boys might, he could not but observe, sing carelessly
+enough, so that the general harmony was pretty good; but every note of
+his seemed as if it were a solo which the master's ear never missed,
+and not the slightest mistake was allowed to pass.</p>
+
+<p>The other choristers understood very well what this meant, and some of
+them were not a little jealous of the new favorite, as they called him.
+But to little Gottlieb it seemed hard and strange. He was always
+straining to do his very best, and yet he never seemed to satisfy. The
+better he did, the better the master wanted him to do, until he grew
+almost hopeless.</p>
+
+<p>He would not, for the world, complain to his mother; but on the
+third evening she observed that he looked very sad and weary, and
+seemed scarcely to have spirits to play with Lenichen.</p>
+
+<p>She knew it is of little use to ask little children what ails them,
+because so often their trouble is that they do not know. Some little
+delicate string within is jarred, and they know nothing of it, and
+think the whole world is out of tune. So she quietly put Lenichen to
+bed, and after the boy had said his prayers as usual at her knee, she
+laid her hand on his head, and caressingly stroked his fair curls, and
+then she lifted up his face to hers and kissed the little troubled brow
+and quivering lips.</p>
+
+<p>"Dear little golden mouth!" she said, fondly, "that earns bread, and
+sleep, for the little sister and for me! I heard the sweet notes
+to-day, and I thanked God. And I felt as if the dear father was hearing
+them too, even through the songs in heaven."</p>
+
+<p>The child's heart was opened, the quivering lips broke into a sob,
+and the face was hidden on her knee.</p>
+
+<p>"It will not be for long, mother!" he said. "The master has found
+fault with me more than ever to-day. He made me sing passage after
+passage over and over, until some of the boys were quite angry, and
+said, afterward, they wished I and my voice were with the old hermit
+who houses us. Yet he never seemed pleased. He did not even say it was
+any better."</p>
+
+<p>"But he never gave you up, darling!" she said.</p>
+
+<p>"No; he only told me to come early, alone, to-morrow, and he would
+give me a lesson by myself, and perhaps I should learn better."</p>
+
+<p>A twinkle of joy danced in her eyes, dimmed with so many tears.</p>
+
+<p>"Silly child!" she said, fondly, "as silly as thy poor mother
+herself! The master only takes trouble, and chastens and rebukes,
+because he thinks it is worth while, because thou art trying and
+learning, and art doing a little better day by day. He knows what thy
+best can be, and will never be content with anything but thy very
+best."</p>
+
+<p>"Is it that, mother? Is it indeed that?" said the boy, looking up
+with a sudden dawning of hope.</p>
+
+<p>And a sweet dawn of promise met him in his mother's eyes as she
+answered:</p>
+
+<p>"It is even that, my own, for thee and for me!"</p>
+
+<hr class="short" />
+
+<h3>CHAPTER IV.</h3>
+
+<p>With a glad heart, Gottlieb dressed the next morning before Lenichen
+was awake, and was off to the choir-master for his lesson alone.</p>
+
+<p>The new hope had inspired him, and he sang that morning to the
+content even of the master, as he knew, not by his praise, but by his
+summoning Ursula from the kitchen to listen, unable to resist his
+desire for the sympathy of a larger audience.</p>
+
+<p>Ursula was not exactly musical, nor was she demonstrative, but she
+showed her satisfaction by appropriating her share of the success.</p>
+
+<p>"<i>I</i> knew what was wanting!" she said, significantly. "The
+birds and the blessed angels may sing on crumbs or on the waters of
+Paradise; but goose and pudding are a great help to the alleluias here
+below."</p>
+
+<p>"The archduchess will be enraptured, and the Cistercians will be
+furious!" said the choir-master, equally pleased at both prospects.</p>
+
+<p>But this Gottlieb did not hear, for he had availed himself of the
+first free moment to run home and tell his mother how things had
+improved.</p>
+
+<p>After that, Gottlieb had no more trouble about the master. The old
+man's severity became comprehensible and dear to him, and a loving
+liberty and confidence came into his bearing toward him, which went to
+the heart of the childless old man, so that dearer than the praise of
+the archduchess, or even the discomfiture of the Cistercians, became to
+him the success and welfare of the child.</p>
+
+<p>But then, unknown to himself, the poor boy entered on a new chapter
+of temptations.</p>
+
+<p>The other boys, observing the choir-master's love for him, grew
+jealous, and called him sometimes "the master's little angel," and
+sometimes "the little beggar of the hermitage" or "Dwarf Hans'
+darling."</p>
+
+<p>He was too brave and manly a little fellow to tell his mother all
+these little annoyances. He would not for the world have spoiled her
+joy in her little "Chrysostom," her golden-mouthed laddie. But once
+they followed him to her door, and she heard them herself. The rude
+words smote her to the heart, but she only said:</p>
+
+<p>"Thou art not ashamed of the hermit's house, nor of being old Hans'
+darling?"</p>
+
+<p>"I hope, never!" said the child, with a little hesitation. "God sent
+him to us, and I love him. But it would be nice if dear Hans sometimes
+washed his face!"</p>
+
+<p>Magdalis smiled, and hit on a plan for bringing this about. With
+some difficulty she persuaded the old man to take his dinner every
+Sunday and holiday with them, and she always set an ewer of
+water&mdash;and a towel, relic of her old burgher life&mdash;by him,
+before the meal.</p>
+
+<p>"We were a kind of Pharisees in our home," she said, "and except we
+washed our hands, never ate bread."</p>
+
+<p>Hans growled a little, but he took the hint, for her sake and the
+boy's, and gradually found the practice so pleasant on its own account,
+that the washing of his hands and face became a daily process.</p>
+
+<p>On his patron saint's day (St. John, February 8), Mother Magdalis
+went a step further, and presented him with a clean suit of clothes,
+very humble but neat and sound, of her own making out of old hoards.
+Not for holidays only, she said, but that he might change his clothes
+every day, after work, as her Berthold used.</p>
+
+<p>"Dainty, burgher ways," Hans called them, but he submitted, and
+Gottlieb was greatly comforted, and thought his old friend a long way
+advanced in his transformation into an angel.</p>
+
+<p>So, between the sweetness of the boy's temper and of his dear
+mother's love which folded him close, the bitter was turned into sweet
+within him.</p>
+
+<p>But Ursula, who heard the mocking of the boys with indignation, was
+not so wise in her consolations.</p>
+
+<p>"Wicked, envious little devils!" said she. "Never thou heed them, my
+lamb! They would be glad enough, any of them, to be the master's angel,
+or Dwarf Hans' darling, for that matter, if they could. It is nothing
+but mean envy and spite, my little prince, my little wonder; never thou
+heed them!"</p>
+
+<p>And then the enemy crept unperceived into the child's heart.</p>
+
+<p>Was he indeed a little prince and a wonder, on his platform of gifts
+and goodness? And were all those naughty boys far below him, in another
+sphere, hating him as the little devils in the mystery-plays seemed to
+hate and torment the saints?</p>
+
+<p>Had the "raven" been sent to him, after all, as to the prophet of
+old, not only because he was hungry and pitied by God, but because he
+was good and a favorite of God?</p>
+
+<p>It seemed clear he was something quite out of the common. He seemed
+the favorite of every one, except those few envious, wicked boys.</p>
+
+<p>The great ladies of the city entreated for him to come and sing at
+their feasts; and all their guests stopped in the midst of their eager
+talk to listen to him, and they gave him sweetmeats and praised him to
+the skies, and they offered him wine from their silver flagons, and
+when he refused it, as his mother bade him, they praised him more than
+ever, and once the host himself, the burgomaster, emptied the silver
+flagon of the wine he had refused, and told him to take it home to his
+mother and tell her she had a child whose dutifulness was worth more
+than all the silver in the city.</p>
+
+<p>But when he told his mother this, instead of looking delighted, as
+he expected, she looked grave, and almost severe, and said:</p>
+
+<p>"You only did your duty, my boy. It would have been a sin and a
+shame to do otherwise. And, of course, you would not for the world."</p>
+
+<p>"Certainly I would not, mother," he said.</p>
+
+<p>But he felt a little chilled. Did his mother think it was always so
+easy for boys to do their duty? and that every one did it?</p>
+
+<p>Other people seemed to think it a very uncommon and noble thing to
+do one's duty. And what, indeed, could the blessed saints do more?</p>
+
+<p>So the slow poison of praise crept into the boy's heart. And while
+he thought his life was being filled with light, unknown to him the
+shadows were deepening,&mdash;the one shadow which eclipses the sun,
+the terrible shadow of self.</p>
+
+<p>For he could not but be conscious how, even in the cathedral, a
+kind of hush and silence fell around when he began to sing.</p>
+
+<p>And instead of the blessed presence of God filling the holy place,
+and his singing in it, as of old, like a happy little bird in the
+sunshine, his own sweet voice seemed to fill the place, rising and
+falling like a tide up and down the aisles, leaping to the vaulted
+roof like a fountain of joy, and dropping into the hearts of the
+multitude like dew from heaven.</p>
+
+<p>And as he went out, in his little white robe, with the choir, he
+felt the eyes of the people on him, and he heard a murmur of praise,
+and now and then words such as "That is little Gottlieb, the son of
+the widow Magdalis. She may well be proud of him. He has the voice and
+the face of an angel."</p>
+
+<p>And then, in contrast, outside in the street, from the other boys:
+"See how puffed up the little prince is! He cannot look at any one
+lower than the bishop or the burgomaster!"</p>
+
+<p>So, between the chorus of praise and the other chorus of mockery, it
+was no wonder that poor Gottlieb felt like a being far removed from the
+common herd. And, necessarily, any one of the flock of Christ who feels
+that, cannot be happy, because if we are far away from the common
+flock, we cannot be near the Good Shepherd, who always keeps close to
+the feeblest, and seeks those that go astray.</p>
+
+<hr class="short" />
+
+<h3>CHAPTER V.</h3>
+
+<p>It was not long before the watchful eye of the mother observed a
+little change creeping over the boy&mdash;a little more impatience
+with Lenichen, a little more variableness of temper, sometimes dancing
+exultingly home as if he were scarcely treading the common earth,
+sometimes returning with a depression which made the simple work and
+pleasures of the home seem dull and wearisome.</p>
+
+<p>So it went on until the joyful Easter-tide was drawing near. On Palm
+Sunday there was to be a procession of the children.</p>
+
+<p>As the mother was smoothing out the golden locks which fell like
+sunbeams on the white vestments, she said: "It is a bright day for thee
+and me, my son. I shall feel as if we were all in the dear old
+Jerusalem itself, and my darling had gathered his palms on Olivet
+itself, and the very eyes of the blessed Lord himself were on thee, and
+His ears listening to thee crying out thy hosannas, and His dear voice
+speaking of thee and through thee, 'Suffer the little children to come
+unto me.'"</p>
+
+<p>But Gottlieb looked grave and rather troubled.</p>
+
+<p>"So few seem thinking just of His listening," he said, doubtfully.
+"There are the choir-master and the dean and chapter, and the other
+choristers, and the Cistercians, and the mothers of the other
+choristers, who wish them to sing best."</p>
+
+<p>She took his hand. "So there were in that old Jerusalem," she said.
+"The Pharisees, who wanted to stop the children's singing, and even the
+dear Disciples, who often thought they might be troublesome to the
+Master. But the little ones sang for Him, and He knew, and was pleased.
+And that is all we have to think of now."</p>
+
+<p>He kissed her, and went away with a lightened brow.</p>
+
+<p>Many of the neighbors came in that afternoon to congratulate
+Magdalis on her boy&mdash;his face, his voice, his gentle ways.</p>
+
+<p>"And then he sings with such feeling," said one. "One sees it is in
+his heart."</p>
+
+<p>But in the evening Gottlieb came home very sad and desponding. For
+some time he said nothing, and then, with a brave effort to restrain
+his tears, he murmured:</p>
+
+<p>"Oh, mother! I am afraid it will soon be over. I heard one of the
+priests say he thought they had a new chorister at the Cistercians
+whose voice is as good as mine. So that the archduchess may not like
+our choir best, after all."</p>
+
+<p>The mother said nothing for a moment, and then she said:</p>
+
+<p>"Whose praise and love will the boy at the Cistercian convent sing,
+Gottlieb, if he has such a lovely voice?"</p>
+
+<p>"God's!&mdash;the dear Heavenly Father and the Savior!" he said,
+reverently.</p>
+
+<p>"And you, my own? Will another little voice on earth prevent His
+hearing you? Do the thousands of thousands always singing to Him above
+prevent His hearing you? And what would the world do if the only voice
+worth listening to were thine? It cannot be heard beyond one church, or
+one street. And the good Lord has ten thousand churches, and cities
+full of people who want to hear."</p>
+
+<p>"But thou, mother! Thou and Lenichen, and the bread!"</p>
+
+<p>"It was the raven that brought the bread," she said, smiling; "and
+thou art not even a raven,&mdash;only a little child to pick up the
+bread the raven brought."</p>
+
+<p>He sat silent a few minutes, and then the terrible cloud of self and
+pride dropped off from his heart like a death-shroud, and he threw
+himself into her arms.</p>
+
+<p>"Oh, mother, I see it all!" he said. "I am free again. I have only
+to sing to the blessed Lord of all, quite sure He listens, to Him
+alone, and to all else as just a little one of the all He loves."</p>
+
+<p>And after the evening meal, and a game with Lenichen, the boy crept
+out to the cathedral to say his prayers in one of the little chapels,
+and to thank God.</p>
+
+<p>He knelt in the Lady chapel before the image of the infant Christ on
+the mother's knees.</p>
+
+<p>And as he knelt there, it came into his heart that all the next Week
+was Passion week, "the still week," and would be silent; and the tears
+filled his eyes to remember how little he had enjoyed singing that day.</p>
+
+<p>"How glad the little children of Jerusalem must have been," he
+thought, "that they sang to Jesus when they could. I suppose they
+never could again; for the next Friday He was dead. Oh, suppose He
+never let me sing to Him again!"</p>
+
+<a name="image03" id="image03"></a>
+<div class="imgcenter">
+<img src="images/image03.jpg" width="400" height="291"
+alt="'LOOK AT ME,' THE OLD MAN SAID."
+title="'LOOK AT ME,' THE OLD MAN SAID." />
+<p class="caption">"'LOOK AT ME,' THE OLD MAN SAID."</p>
+</div>
+
+<p>And tears and repressed sobs came fast at the thought, and he
+murmured aloud, thinking no one was near:</p>
+
+<p>"Dear Savior, only let me sing once more here in church to you, and I
+will think of no one but you; not of the boys who laugh at me, nor the
+people who praise me, nor the Cistercians, nor the archduchess, nor
+even the dear choir-master, but only of you, of you, and perhaps of
+mother and Lenichen. I could not help that, and you would not mind it.
+You and they love me so much more than any one, and I love you really
+so much more than all besides. Only believe it, and try me once more."</p>
+
+<p>As he finished, in his earnestness, the child spoke quite loud, and
+from a dark corner in the shadow of a pillar suddenly arose a very old
+man in a black monk's robe, with snow-white hair, and drew close to
+him, and laid his hand on his shoulder and said:</p>
+
+<p>"Fear not, my son. I have a message for thee."</p>
+
+<p>At first, Gottlieb was much frightened, and then, when he heard the
+kind, tremulous old voice, and saw the lovely, tender smile on the
+wrinkled, pallid old face, he thought God must really have sent him an
+angel at last, though certainly not because he was good.</p>
+
+<p>"Look around on these lofty arches, and clustered columns, and the
+long aisles, and the shrines of saints, and the carved wreaths of
+flowers and fruits, and the glorious altar! Are these wonderful to
+thee? Couldst thou have thought of them, or built them?"</p>
+
+<p>"I could as easily have made the stars, or the forests!" said the
+child.</p>
+
+<p>"Then look at me," the old man said, with a gentle smile on his
+venerable face, "a poor worn-out old man, whom no one knows. This
+beautiful house was in my heart before a stone of it was reared. God
+put it in my heart. I planned it all. I remember this place a heap of
+poor cottages as small as thine, and now it is a glorious house of
+God. And I was what they called the master-builder. Yet no man knows
+me, or says, 'Look at him!' They look at the cathedral, God's house;
+and that makes me glad in my inmost soul. I prayed that I might be
+nothing, and all the glory be His; and He has granted my prayer. And I
+am as little and as free in this house which I built as in His own
+forests, or under His own stars; for it is His only, as they are His.
+And I am nothing but His own little child, as thou art. And He has my
+hand and thine in His, and will not let us go."</p>
+
+<p>The child looked up, nearly certain now that it must be an angel. To
+have lived longer than the cathedral seemed like living when the
+morning stars were made, and all the angels shouted for joy.</p>
+
+<p>"Then God will let me sing here next Easter!" he said, looking
+confidingly in the old man's face.</p>
+
+<p>"Thou shalt sing, and I shall see, and I shall hear thee, but thou
+wilt not hear or see me!" said the old man, taking both the dimpled
+hands in one of his. "And the blessed Lord will listen, as to the
+little children in Jerusalem of old. And we shall be His dear, happy
+children for evermore."</p>
+
+<p>Gottlieb went home and told his mother. And they both agreed, that
+if not an angel, the old man was as good as an angel, and was
+certainly a messenger of God.</p>
+
+<p>To have been the master-builder of the cathedral of which it was
+Magdalis's glory and pride that her husband had carved a few of the
+stones!</p>
+
+<p>The master-builder of the cathedral, yet finding his joy and glory
+in being a little child of God!</p>
+
+<hr class="short" />
+
+<h3>CHAPTER VI.</h3>
+
+<p>The "silent week" that followed was a solemn time to the mother and
+the boy.</p>
+
+<p>Every day, whatever time could be spared from the practice with the
+choir, and from helping in the little house and with his mother's
+wood-carving, or from playing with Lenichen in the fields, Gottlieb
+spent in the silent cathedral, draped as it was in funereal black for
+the sacred life given up to God for man.</p>
+
+<p>"How glad," he thought again and again, "the little children of
+Jerusalem must have been that they sang when they could to the blessed
+Jesus! They little knew how soon the kind hands that blessed them would
+be stretched on the cross, and the kind voice that would not let their
+singing be stopped would be moaning 'I thirst.'"</p>
+
+<p>But he felt that he, Gottlieb, ought to have known; and if ever he
+was allowed to sing his hosannas in the choir again, it would feel
+like the face of the blessed Lord himself smiling on him, and His
+voice saying, "Suffer this little one to come unto me. I have forgiven
+him."</p>
+
+<p>He hoped also to see the master-builder again; but nevermore did the
+slight, aged form appear in the sunshine of the stained windows, or in
+the shadows of the arches he had planned.</p>
+
+<p>And so the still Passion week wore on.</p>
+
+<p>Until once more, the joy-bells pealed out on the blessed Easter
+morning.</p>
+
+<p>The city was full of festivals. The rich were in their richest
+holiday raiment, and few of the poor were so poor as not to have some
+sign of festivity in their humble dress and on their frugal tables.</p>
+
+<p>Mother Magdalis was surprised by finding at her bedside a new dress
+such as befitted a good burgher's daughter, sent secretly the night
+before from Ursula by Hans and Gottlieb, with a pair of enchanting new
+crimson shoes for little Lenichen, which all but over-balanced the
+little maiden with the new sense of possessing something which must be
+a wonder and a delight to all beholders.</p>
+
+<p>The archduke and the beautiful Italian archduchess had arrived the
+night before, and were to go in stately procession to the cathedral.
+And Gottlieb was to sing in the choir, and afterward, on the Monday, to
+sing an Easter greeting for the archduchess at the banquet in the great
+town-hall.</p>
+
+<p>The mother's heart trembled with some anxiety for the child.</p>
+
+<p>But the boy's was only trembling with the great longing to be
+allowed to sing once more his hosannas to the blessed Savior, among the
+children.</p>
+
+<p>It was given him.</p>
+
+<p>At first the eager voice trembled for joy, in the verse he had to
+sing alone, and the choir-master's brows were knitted with anxiety.
+But it cleared and steadied in a moment, and soared with a fullness and
+freedom none had ever heard in it before, filling the arches of the
+cathedral and the hearts of all.</p>
+
+<p>And the beautiful archduchess bent over to see the child, and her
+soft, dark eyes were fixed on his face, as he sang, until they filled
+with tears; and, afterward, she asked who the mother of that little
+angel was.</p>
+
+<p>But the child's eyes were fixed on nothing earthly, and his heart
+was listening for another voice&mdash;the voice all who listen for
+shall surely hear.</p>
+
+<p>And it said in the heart of the child, that day: "Suffer the little
+one to come unto me. Go in peace. Thy sins are forgiven."</p>
+
+<p>A happy, sacred evening they spent that Easter in the hermit's cell,
+the mother and the two children, the boy singing his best for the
+little nest, as before for the King of kings.</p>
+
+<p>Still, a little anxiety lingered in the mother's heart about the
+pomp of the next day.</p>
+
+<p>But she need not have feared.</p>
+
+<p>When the archduchess had asked for the mother of the little
+chorister with the heavenly voice, the choir-master had told her what
+touched her much about the widowed Magdalis and her two children; and
+old Ursula and the master between them contrived that Mother Magdalis
+should be at the banquet, hidden behind the tapestry.</p>
+
+<p>And when Gottlieb came close to the great lady, robed in white, with
+blue feathery wings, to represent a little angel, and sang her the
+Easter greeting, she bent down and folded him in her arms, and kissed
+him.</p>
+
+<p>And then once more she asked for his mother, and, to Gottlieb's
+surprise and her own, the mother was led forward, and knelt before the
+archduchess.</p>
+
+<p>Then the beautiful lady beamed on the mother and the child, and,
+taking a chain and jewel from her neck, she clasped it round the boy's
+neck, and said, in musical German with a foreign accent:</p>
+
+<p>"Remember, this is not so much a gift as a token and sign that I
+will not forget thee and thy mother, and that I look to see thee and
+hear thee again, and to be thy friend."</p>
+
+<p>And as she smiled on him, the whole banqueting-hall&mdash;indeed,
+the whole world&mdash;seemed illuminated to the child.</p>
+
+<p>And he said to his mother as they went home:</p>
+
+<p>"Mother, surely God has sent us an angel at last. But, even for the
+angels, we will never forget His dear ravens. Wont old Hans be glad?"</p>
+
+<p>And the mother was glad; for she knew that God who giveth grace to
+the lowly had indeed blessed the lad, because all his gifts and honors
+were transformed, as always in the lowly heart, not into pride, but
+into love.</p>
+
+<p>But when the boy ran eagerly to find old Hans, to show him the jewel
+and tell him of the princely promises, Hans was nowhere to be found;
+not in the hermit's house, where he was to have met them and shared
+their little festive meal, nor at his own stall, nor in the hut in
+which he slept.</p>
+
+<p>Gottlieb's heart began to sink.</p>
+
+<p>Never had his dear old friend failed to share in any joy of theirs
+before.</p>
+
+<p>At length, as he was lingering about the old man's little hut,
+wondering, a sad, silent company came bearing slowly and tenderly a
+heavy burden, which at last they laid on Hans' poor straw pallet.</p>
+
+<p>It was poor Hans himself, bruised and crushed and wounded in his
+struggles to press through the crowd to see his darling, his poor
+crooked limbs broken and unable to move any more.</p>
+
+<p>But the face was untouched, and when they had laid him on the couch,
+and the languid eyes opened and rested on the beloved face of the child
+bending over him bathed in tears, a light came over the poor rugged
+features, and shone in the dark, hollow eyes, such as nothing on earth
+can give&mdash;a wonderful light of great, unutterable love, as they
+gazed into the eyes of the child, and then, looking upward, seemed to
+open on a vision none else could see.</p>
+
+<p>"Jesus! Savior! I can do no more. Take care of him, thou thyself,
+Jesus, Lord!"</p>
+
+<p>He said no more&mdash;no prayer for himself, only for the child.</p>
+
+<p>Then the eyes grew dim, the head sank back, and with one sigh he
+breathed his soul away to God.</p>
+
+<p>And such an awe came over the boy that he ceased to weep.</p>
+
+<p>He could only follow the happy soul up to God, and say voicelessly
+in his heart:</p>
+
+<p>"Dear Lord Jesus! I understand at last! The raven was the angel. And
+Thou hast let me see him for one moment as he is, as he is now with
+Thee, as he will be evermore!"</p>
+
+<a name="image04" id="image04"></a>
+<div class="imgcenter">
+<img src="images/image04.png" width="298" height="300" alt="" />
+</div>
+
+<hr />
+
+<h2><a name="teacountry" id="teacountry">A TRIP TO THE TEA COUNTRY.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY WILLIAM M. TILESTON.</div>
+<hr class="tiny" />
+
+<br />
+
+<a name="image05" id="image05"></a>
+<div class="imgleft">
+<img src="images/image05.png" width="141" height="300" alt="" />
+</div>
+
+<p>I was leaning over the tea-room table on one of the lovely spring
+mornings that we sometimes have in China. In front of me the large
+window, like that in an artist's studio, admitted the north light upon
+the long array of little porcelain teacups and saucers, and "musters,"
+or square, flat boxes of tea-samples. The last new "chop" had been
+carefully tasted and the leaf inspected, and I was wondering whether
+the price asked by the tea-man would show a profit over the latest
+quotations from London and New York, when my speculations were
+disturbed by the entrance of my friend Charley, followed by Akong, well
+known as the most influential tea-broker in the Oopack province.
+Charley and Akong were fast friends, and I saw by the twinkle in the
+eyes of each that a premeditated plot of some kind was about being
+exploded upon my unsuspecting self.</p>
+
+<p>But before going further, let me tell you who we all are, where we
+are, and what we are doing.</p>
+
+<p>Of course I am aware that it is exceedingly impolite to put oneself
+first, but in the present instance you must excuse it; for besides
+being the oldest, I occupy the position of guide, philosopher and
+friend to Charley, and my story would scarcely be intelligible or
+complete if I did not begin with myself. Well, to begin: I am one of
+those unfortunate individuals known in China as "cha-szes," or
+tea-tasters; doomed for my sins, or the hope of one day getting rich,
+to pass the time in smelling, tasting and buying teas for the great
+mercantile house or "hong" of Young Hyson &amp; Co. The place at which
+you find me is Hankow, on the great Yang Tsze Kiang, or river, some six
+hundred miles from its mouth. If you have a map of China, and will find
+on it the Yang Tsze, by tracing with your finger&mdash;if your map is
+at all correct&mdash;you will discover the cities of Chin Kiang,
+Nanking, Nganking, Kiu Kiang, and finally, at the junction of the
+river Han with the Yang Tsze, Wuchang. Hankow will probably not be on
+your map, but on the north bank of the Yang Tsze, just at the point of
+junction with the Han, is this important trading port, thrown open to
+foreigners in 1861, after the signing of the treaty of Tein-Tsin.</p>
+
+<p>And now for Charley, whom I have kept talking pigeon-English to
+Akong all this time. Charley was the son of an old friend, chaplain to
+the British consulate at one of the coast ports; his mother dying,
+Charley was to have been sent home to relatives in England, but I had
+prevailed upon his father to let the boy, now between twelve and
+fourteen years old, make me a visit before his final departure.</p>
+
+<p>And now for the conspiracy:</p>
+
+<p>"Chin-chin (how do you do), Akong?" said I.</p>
+
+<p>"What is it, Charley? Out with it, my boy; some mischief, I know."
+Akong gave a chuckle and a muttered "hi-yah," and Charley proceeded to
+explain.</p>
+
+<p>"Well Cha,"&mdash;the Chinamen called me Cha-tsze and the boy had
+abbreviated it to Cha,&mdash;"Akong says that he has a boat going up
+to the tea country to-morrow or next day, and wants me to go with him;
+may I?"</p>
+
+<p>Charley knew that I could refuse him nothing, but the trip of
+several hundred miles into a district rarely, if ever, visited by
+foreigners, involved more of a risk than I cared to assume. Charley
+seeing that I looked unusually solemn, turned to Akong for support.</p>
+
+<p>"What for you no go too, Cha-tsze? Just now my thinkee no got new
+chop come inside two week; get back plenty time."</p>
+
+<p>Akong's pigeon-English perhaps requires explanation: You must know,
+then, that the Chinese with whom all foreigners transact business,
+instead of learning correct English have a lingo, or <i>patois</i>, of
+their own, ascribed, but I think erroneously, to the carelessness of
+their first English visitors, who addressed them in this manner,
+thinking to make themselves more easily understood. The fact is, that
+pigeon-English, besides having many Portuguese words mixed up with
+it,&mdash;the Portuguese, you know, were established in China as early
+as the seventeenth century,&mdash;is in many instances a literal
+translation of Chinese into perverted English. In the present
+instance, Akong suggested that as there would be no more tea down for
+a fortnight, it would be well for me, too, to go. The proposition was
+quite agreeable to me, and Charley scampered off to tell Ahim, the
+cook, and Aho, my boy, to make the necessary preparations.</p>
+
+<p>The next morning, at an early hour, Akong's great mandarin, or
+house-boat, was moored at the jetty, and the boys were packing away the
+provisions and the charcoal for cooking, and long strings of copper
+"cash" to be used in the purchase of eggs and chickens, and the mats of
+rice that would form the principal article of "chow-chow" for the crew.
+Everybody in China has a boy, and Charley had his; a regular young imp
+of a fellow of about his own age. Aling was his name; Charley used to
+call him Ting-a-ling, and would jabber horrible Chinese to him by the
+hour. Aling jumped down the steps, two at a time, with Charley's
+traveling bag; but Aho, more sedate and dignified, marched after him;
+Charley and I joined Akong in the front of the boat, and with a chorus
+of "chin-chins" from the coolies and house-servants left behind, and
+the explosion of a pack of fire-crackers to propitiate the river
+dragon, the boat was shoved from the jetty, the sail hoisted, and we
+were soon slowly stemming the broad current of the Yang Tsze. On our
+right was Hankow, with its million or more inhabitants, the hum of the
+great city following us for miles; and the mouth of the Han, its
+surface so covered with junks that their masts resembled a forest, and
+only a narrow lane of water was left for the passage of boats. Just
+beyond the Han was Han Yang, once a fine city, but now in ruins, one of
+the results of the Tae-ping rebellion. Across the Yang Tsze, here a
+mile wide, was Wuchang, the residence of the viceroy of the Hupeh
+province. This place was supposed to be closed to foreigners, but
+Charley and I had made many a secret visit, and had some rare sport
+among the curiosity shops, with occasionally an adventure of a less
+pleasing description, about which I should like to tell you if I had
+time.</p>
+
+<p>Rapidly we passed the suburbs of these cities, and drawing over to the
+south bank, as the wind was light, the crew were ordered ashore, and
+stretching themselves along a tow-rope extending from the mast-head,
+the boat was soon moving quite rapidly. And that reminds me that I have
+not yet described our boat. These boats, used by the gentry in
+transporting themselves about the country, are almost like Noah's ark
+on a small scale&mdash;a boat with a house running almost the entire length
+of the deck, with little latticed windows on the outside, and the
+interior divided into rooms for eating and sleeping. The crew all lived
+aft on the great overhanging stern, where the cooking was done, and
+where the handle of the great "yuloe," or sculling oar, protruded. In
+front of the cabin was a little piece of deck-room where Charley and I
+had our camp-stools, and which gave us an excellent place from which to
+observe everything going on ahead.</p>
+
+<p>The boat coolies were straining on the tow-rope a hundred yards ahead.
+Frequently we passed some fisherman sitting in his little mat hut, with
+his feet on the windlass that raised his great square net; but never
+did we see them catch a fish, although on our return the same men were
+working as assiduously as ever. The country presented the same compact
+system of farming, the hills in many places being terraced to their
+very summits, and planted with waving crops of wheat and millet, beans,
+and vegetables of every description. Toward noon we passed the "Ta" and
+"Lao Kin Shan" (great and little golden mountain), and by the time
+Aling had announced "tiffin" (luncheon), we were abreast of Kin Kow, a
+picturesque village in the neighborhood of which I generally found
+some excellent shooting. After tiffin we again resumed our camp-stools.
+I lighted a cigar, and Akong smoked his hubble-bubble, a small copy of
+the nargileh of the Turks. The river was alive with junks, some going
+in the same direction as ourselves, and others loaded with tea,
+charcoal, vegetable tallow, oil of various kinds, and gypsum, brought,
+most of them, from the far western province of Sze Chuen.</p>
+
+<p>There was but little variety in the journey until the following day,
+when we approached the great bend in the Yang Tsze, and Akong told us
+that, if so inclined, we could land from the boat, and by walking six
+or eight miles across the country join the boat again, the bend
+rendering it necessary for her to go around some thirty or forty miles.
+This we gladly assented to, and taking my gun, in hopes of meeting with
+some snipe in the paddy-fields, and with Aling and a coolie for
+interpreters, we landed.</p>
+
+<p>Charley and I both experienced a rather queer sensation as we watched
+the boat sail off, and found ourselves with no other white man within a
+hundred or more miles. The country ahead was one immense rice-field,
+divided by dykes or banks paved with stones and forming paths for
+walking. At some distance we saw a large clump of bamboos with tall
+elms beyond, indicating a village, called, as a coolie at work in a
+ditch informed us, Fi-Loong. Soon we saw a broad creek with a handsome
+stone bridge over it, and on the other side an unusually large house of
+two stories, which turned out to belong to the Te-poy, or local
+magistrate of the place. The old gentleman himself was sitting outside
+of the house having his head shaved by the village barber. He politely
+invited us to wait, and after the shaving was over regaled us with a
+cup of tea,&mdash;rather weak, but refreshing,&mdash;and after chin-chin-ing we
+resumed our journey.</p>
+
+<a name="image06" id="image06"></a>
+<div class="imgcenter">
+<img src="images/image06.png" width="345" height="400"
+alt="THE BARBER" title="THE BARBER" />
+<p class="caption">THE BARBER.</p>
+</div>
+
+<p>Can you see our party trudging along? Beyond the village were more
+paddy-fields, from which occasionally a great white paddy-bird arose. I
+shot one of them, to the great delight of our coolie, who pronounced it
+No. 1 good chow-chow; but Charley and I were much more pleased at the
+sight of several English snipe. Reaching an old lotus-pond, a shot
+scared up these birds almost in myriads, and a good bunch of them
+promised a very welcome addition to our dinner. Meanwhile we had been
+following a creek, which we now needed to cross. But before long Aling
+espied a man in the distance at work with a huge buffalo, and
+exclaiming, "Hi-yah! belly good walkee now," rushed off in that
+direction. He soon returned with the buffalo and his owner, and
+indicated that we could cross on the back of the former. The huge,
+ungainly beast threw up his head and snorted when he caught sight of
+the "fanquis," or foreign devils, but a pull at the ring through his
+nose soon brought him to subjection.</p>
+
+<p>"How much does he want, Aling, to carry us over?"</p>
+
+<p>"He say ten cash can do."</p>
+
+<p>As this sum (one cent) was not an unreasonable ferriage, we nodded; and
+the buffalo being led into the water near the bank, I mounted first,
+then came Charley with his arms around me, then Aling, who had climbed
+up behind. When we were half-way over, Charley laughed so heartily at
+the ridiculous figure we made that the buffalo gave another snort, and
+threatened to roll us off, into the muddy water, but we landed safely,
+and giving the man his ten cash, went on again. The rest of the walk
+was without adventure, and we finally arrived at the river-bank just as
+the boat was coming around the point below us.</p>
+
+<p>That evening we left the main river and tracked up a tributary stream
+until we came to a broad canal, which Akong informed us led direct to
+our destination.</p>
+
+<p>Turning out of our beds the next morning we found the boat moored to
+the bank of the canal, opposite a long, rambling, one-storied building,
+which proved to be the "hong" of the tea-merchant to whom the
+neighboring plantations belonged. We were really in the tea country at
+last. On every side of us, as far as the eye could reach, the
+dark-green tea-plants were growing in their beds of reddish sandy soil.
+Notwithstanding the cook's urgent appeals to wait until chow-chow was
+ready, we jumped ashore and into the midst of a crowd of noisy coolies
+moving in every direction, each with his load slung at the ends of a
+bamboo across his shoulders, and singing a monotonous "Aho, Aho, Aho!"
+which appears as necessary to the Chinese carrier as the "Yo heave ho!"
+to the sailor. Long, narrow junks were lying at the bank, and being
+rapidly loaded with the familiar tea-chests; crowds of men, women and
+children were coming from the plantation, each with bags of the freshly
+picked leaves, or with baskets on their heads in which the more
+delicate kinds were carefully carried. We stepped into the building,
+and there witnessed the entire operation of assorting, firing the teas,
+and even the manufacturing of the chests. We would gladly have
+remained, but Aho came up and informed us "that breakfast hab got
+spoilem," so we deferred further investigation until after the meal.</p>
+
+<a name="image07" id="image07"></a>
+<div class="imgcenter">
+<img src="images/image07.jpg" width="400" height="293"
+alt="THE TEA HONG" title="THE TEA HONG" />
+<p class="caption">THE TEA HONG.</p>
+</div>
+
+<p>Akong joined us at breakfast, and partook of our curry and rice with
+great gusto, for tea-brokers as a rule are by no means averse to
+foreign chow-chow, and handle a knife and fork with almost as much ease
+as they do the native chop-sticks. Charley plied us both with questions
+regarding tea in general, and probably the following summary will
+pretty well represent the result of his queries:</p>
+
+<p>The cultivation of the tea-plant is by no means confined to any one
+district or spot, but is scattered about through the different
+provinces, each producing its peculiar description known to the trade
+by its distinctive name. We were now in the Hupeh or Oopack country,
+and the tea we saw being gathered and prepared was the heavy-liquored
+black-leafed description, known in England and to the trade as Congou.
+This Congou forms the staple of the mixture known in that country under
+the generic name of "black," and sometimes finds its way to us under
+the guise of "English breakfast tea." From Foo-chow-foo, on the coast,
+half-way between Shanghae and Hong Kong, is shipped another description
+known as red-leaf Congou, the bulk of which goes to England also,
+although we are gradually absorbing an increasing quantity. Kiu Kiang,
+on the Yang Tsze, some one hundred and forty miles below Hankow, shares
+with the latter port in the trade of the Hupeh country, and is, or was
+until recently, the point of shipment for the fine green teas grown and
+manufactured in the Moyune district, a very large proportion of which
+is shipped to this country. First in importance as a point of shipment
+is Foo-chow-foo, whence are exported, in addition to the red-leafed
+Congous, or Boheas, the bulk of the Oolongs. Still further down the
+coast is Amoy, from which point inferior descriptions of both kinds are
+shipped, together with some scented teas; but the bulk of the latter,
+known as Scented Capers, Orange Pekoe, etc., are exported from Canton
+and Macao. These, together with a peculiar description of green, are
+manufactured at these ports from leaf grown in the neighborhood.
+Although no tea is grown near Shanghae, much of the Congou grown in the
+Hupeh province is sent there for sale, and thence shipped to England.
+The green teas from both the Moyune and Ping-Suey countries are also
+shipped from Shanghae.</p>
+
+<a name="image08" id="image08"></a>
+<div class="imgcenter">
+<img src="images/image08.jpg" width="400" height="287"
+alt="SORTING THE TEA." title="SORTING THE TEA." />
+<p class="caption">SORTING THE TEA.</p>
+</div>
+
+<p>Breakfast over, we jumped ashore again, and, desiring to conduct our
+sight-seeing systematically, started for the fields. First we walked to
+the foot of a hill a little distance off, where some men in short
+cotton trousers and jackets were laying out a new plantation. The
+ground was accurately marked off, and in one place the little plants,
+only an inch or two in height, were just showing above the ground. In
+another, the seeds&mdash;little round balls they looked like&mdash;were being
+planted in the rows. Passing another field, where some men were at work
+with their hoes in true Chinese style, stopping every few moments to
+smoke their pipes, we came at last to where the plants had attained
+some size and the actual picking was going on. The plants themselves
+were from two to six feet high, according to age, and from repeated
+cuttings down had grown into dense masses of small twigs. Many of them
+were covered with little white flowers, somewhat similar to the
+jasmine, and seeds inclosed in a casing not unlike that of the
+hazel-nut, but thinner and full of oil. Charley thought they looked
+like little laurel bushes; to me, those that had been well picked were
+not unlike huckleberry bushes, only the leaves were, of course, a much
+darker green. The first picking, usually in April, is when the leaves
+are very young and tender, commanding a much higher price than those
+subsequently plucked. The second is a month later, when they have
+attained maturity; and as unpropitious weather would be likely to ruin
+them, great expedition is used in getting in the crop, the entire
+population turning out to assist. A third, and even a fourth, follows;
+but the quality rapidly deteriorates, and but a small proportion of
+these last pickings is prepared for export.</p>
+
+<a name="image09" id="image09"></a>
+<div class="imgcenter">
+<img src="images/image09.jpg" width="400" height="282"
+alt="HOEING AND WATERING THE PLANTS."
+title="HOEING AND WATERING THE PLANTS." />
+<p class="caption">HOEING AND WATERING THE PLANTS.</p>
+</div>
+
+<p>The plantations were filled with a merry crowd, composed principally of
+women and children, all engaged in stripping the bushes as rapidly as
+possible, yet with great care and dexterity, so as not to bruise the
+leaves. They looked up from their work and screamed to each other in
+their harsh guttural tones, casting glances of astonishment at the
+barbarians. Following some of the coolies, who with filled bags were
+trudging off to the curing-house, we saw the most interesting operation
+of all. Here, at least thirty young girls were engaged in assorting the
+leaves, picking out all the dead and yellow ones, and preparing them
+for the hands of the rollers and firers. Our entrance excited quite a
+commotion among the damsels, as we were probably the first barbarians
+they had seen, and we had the reputation of living entirely on fat
+babies. A word from Akong, who had joined us, reassured them, and in a
+few minutes Charley was airing his little stock of Chinese, more, I
+thought, to their amusement than their edification. Leaving this room
+we went into another where the curing was in progress. On one side
+extended a long furnace built of bricks, with large iron pans placed at
+equal distances, and heated by charcoal fires below. Into these pans
+leaves by the basketful were poured, stirred rapidly for a few minutes,
+and then removed to large bamboo frames, where they were rolled and
+kneaded until all the green juice was freed. They were then scattered
+loosely in large, flat baskets, and placed in the sun to dry.
+Subsequently, the leaves were again carried to the furnaces and exposed
+to a gentle heat, until they curled and twisted themselves into the
+shapes so familiar to you all. Some of the finer kinds often prepared
+for exportation are rolled over by hand before being fired. The great
+object appears to be to prevent the leaf from breaking; hence, in the
+commoner kinds and those intended for home consumption, which do not
+receive the same care, the leaves are found to be very much broken. In
+fact, the preparation of this latter sort is very simple: a mere drying
+in the sun, after which it presents a dry, broken appearance, like
+autumn leaves.</p>
+
+<a name="image10" id="image10"></a>
+<div class="imgcenter">
+<img src="images/image10.jpg" width="400" height="284"
+alt="DRYING THE TEA." title="DRYING THE TEA." />
+<p class="caption">DRYING THE TEA.</p>
+</div>
+
+<p>Green tea, although grown in particular districts, receives its
+peculiar color by being stirred with a mixture of gypsum and Prussian
+blue during the firing, but is prepared in a more laborious manner, the
+leaves being selected and divided to form the different kinds known as
+Imperial, Gunpowder, Young Hyson, Hyson, Hyson Skin and Twankay. An
+aggregation of these kinds, proportioned according to their value,
+forms what is known as a "chop," whereas a chop of black tea comprises
+all of one grade or quality. Chinamen wonder at the taste of "outside
+barbarians" in preferring a tea colored green, but would provide them
+with a leaf of yellow or blue if there was a market for it.</p>
+
+<p>The entire operation pertaining to the business appeared to be carried
+on in the cluster of little buildings with court-yards between, but
+almost under the same roof, and afforded occupation to an immense
+number of persons. And yet the payments could not have been very
+large; from six to ten cents per day being about the wages they
+received. In one room men were engaged in making boxes; in another,
+lining them with thin sheets of lead. Further on, the outsides of the
+boxes were being pasted over with paper, on which was stamped the name
+of the tea and the maker's business-title. Finally, they were being
+filled, soldered up and carried off to the boats, not to be opened
+again until they reached the shop of some London grocer.</p>
+
+<p>The principal object of our friend Akong's visit was to convoy with his
+mandarin-boat a fleet of tea-junks to Hankow; so that but one day was
+given us for our visit. The boats being nearly ready, it was arranged
+that we should start on our return the following morning. The evening
+was devoted to a dinner and "sing-song" given for our entertainment by
+the tea-men. Aho asked if he should take our knives and forks, a
+proposition which we indignantly rejected. As it was to be a Chinese
+dinner, we determined to do it in Chinese style, chop-sticks and all.
+Such a dinner! We were seated at little square tables holding four
+persons each, the Chinamen all dressed in their official or state
+costumes. First came little dishes of sweetmeats and then bowls of
+bird's-nest soup, with the jelly-like substance floating about in it in
+company with little pieces of chicken. This was very nice, although we
+<i>did</i> all eat out of the same bowl, using little porcelain spoons. Then
+came more sweetmeats, followed by dishes of <i>bêche de mer</i>, or
+sea-slugs and fat pork; this we passed, but not until an over-polite
+Chinaman took up a gristly piece of <i>something</i> with his chop-sticks,
+and, after biting off a piece, passed the rest to Charley. The
+chop-sticks we could not manage; the meat would slip out of them, and
+had it not been for the soups, of which there were several, and the
+rice, which we could <i>shovel</i> into our mouths, we should have had no
+dinner. Tea was passed by the servants continually, as were little
+bowls of "samshu"&mdash;a liquor distilled from rice. During the dinner, the
+sing-song girls played on the native two-stringed fiddles, and sang in
+falsetto voices a selection of music, which was undoubtedly very fine
+if judged by the Chinese standard, but which we could not appreciate.</p>
+
+<a name="image11" id="image11"></a>
+<div class="imgcenter">
+<img src="images/image11.jpg" width="301" height="400"
+alt="ONE OF THE SING-SONG GIRLS."
+title="ONE OF THE SING-SONG GIRLS." />
+<p class="caption">ONE OF THE SING-SONG GIRLS.</p>
+</div>
+
+<p>The noise soon became almost intolerable, and we slipped off to the
+boat and sought our beds.</p>
+
+<p>When we awoke in the morning the whole fleet of tea-boats was under
+way, and with a fair wind we ran rapidly down the creek and were once
+more on the broad Yang Tsze. On the third day we reached Hankow safely,
+and well pleased with our trip to the tea country.</p>
+
+<hr />
+
+<h2><a name="treasuretrove" id="treasuretrove">TREASURE-TROVE.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY OLIVE A. WADSWORTH.</div>
+<hr class="tiny" />
+
+<br />
+
+<div class="poem">
+<div class="stanza">
+ <div>A Diligent Biddy was scratching one day,</div>
+ <div>And pecking at morsels that came in her way,</div>
+ <div>When all of a sudden she widened her eyes,</div>
+ <div>And the feathers stood up on her head with surprise!</div>
+</div>
+<br />
+<div class="stanza">
+ <div>A strange-looking treasure Dame Biddy had found,</div>
+ <div>'Twixt a brick and a clam-shell it lay on the ground;</div>
+ <div>The hen with a peck turned it over and over,</div>
+ <div>But the longer she looked the less could discover.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"Cluck, cluck!" said the hen, "as sure as I stand,</div>
+ <div>This never was grown upon solid dry land;</div>
+ <div>I'll take it along to Dame Duck and her daughter,</div>
+ <div>They're wise about things that come out of the water."</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So she carried the thing in her beak to the brook,</div>
+ <div>And called to Dame Duck to come quickly and look,</div>
+ <div>And the dame and her child relinquished their pleasure,</div>
+ <div>And waddled ashore to examine the treasure.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"Alack!" said the duck and "A-quack!" said the daughter,</div>
+ <div>"We've never seen objects like <i>this</i> in the water!</div>
+ <div>Suppose we submit it to old Mrs. Ewe?</div>
+ <div>She's wise about wool, and has seen the world, too!"</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So the duck took it carefully up in her bill,</div>
+ <div>And the duckling and hen followed on to the mill,</div>
+ <div>Where the miller's fat sheep was placidly grazing,</div>
+ <div>And there they displayed this treasure amazing.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"Ah, bah!" said the sheep, "what a queer-looking piece!</div>
+ <div>This never was parcel or part of a fleece!</div>
+ <div>Our flock would disown it!&mdash;but take it, I pray,</div>
+ <div>To Brindle, the cow, she's wise about hay!"</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So the sheep and the duckling, the duck and the hen,</div>
+ <div>With the treasure set forth in procession again,</div>
+ <div>To where the cow stood,&mdash;in the shade, as she ought,&mdash;</div>
+ <div>A-chewing her cud and a-thinking her thought.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"Bless my horns!" said the cow, "I really must say,</div>
+ <div>I've ne'er seen the like in straw or in hay!</div>
+ <div>Why don't you ask Dobbin, the farmer's gray mare?</div>
+ <div>She's traveled so much, and she's wise about hair."</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So the hen and the ducks, the sheep and the cow,</div>
+ <div>Went seeking for Dobbin, just loosed from the plow;</div>
+ <div>They all talked at once, to make things explicit,</div>
+ <div>And finally showed her the cause of their visit.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>But Dobbin gave snorts of dislike and dismay;</div>
+ <div>"Why don't you," said she, "pass it on to old Tray?</div>
+ <div>He hunts for his food where the refuse is thrown,</div>
+ <div>And he's wise about cinders, and rubbish, and bone."</div>
+</div>
+<br />
+<div class="stanza">
+ <div>So Dobbin and Brindle, and fat Mrs. Ewe,</div>
+ <div>And the duckling and duck, and the Biddy-hen too,</div>
+ <div>All eager for knowledge, went down the wide road</div>
+ <div>To the kennel where Tray had his pleasant abode.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Now Tray was a dog with a gift for detecting,</div>
+ <div>He never would bark without briefly reflecting;</div>
+ <div>He snuffed at the treasure and turned it about,</div>
+ <div>And soon would have uttered his sentence, no doubt,&mdash;</div>
+</div>
+<br />
+<div class="stanza">
+ <div>But just then our Tommy ran up to the crowd.</div>
+ <div>"Where did you get those, sir?" he cried out aloud.</div>
+ <div>"They're my new Sunday gloves! They fell out of my hat!</div>
+ <div>I took them to school to show them to Matt!</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"And, you see, Matt and I had some liquorice candy,</div>
+ <div>Our fingers were sticky, the gloves were just handy;</div>
+ <div>And then, when the teacher said, 'Tom, wash your slate,'</div>
+ <div>My sponge was all lost, and the class couldn't wait.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>"And 'cause I was hurrying, what do you think?</div>
+ <div>That bothersome ink-bottle slopped out the ink!</div>
+ <div>You can't expect gloves to look nobby and new</div>
+ <div>When they have to be used for a slate and ink too.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Now, that's reasons enough!" said poor Tommy, "I guess!"</div>
+ <div>And the company bowed a unanimous "Yes,"</div>
+ <div>And the horse, cow and sheep, duck, duckling and hen,</div>
+ <div>Complacently turned themselves homeward again.</div>
+</div>
+</div>
+
+<hr />
+
+<h2><a name="underthelilacs" id="underthelilacs">UNDER THE LILACS.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY LOUISA M. ALCOTT.</div>
+<hr class="tiny" />
+
+<br />
+
+<h3>CHAPTER VII.</h3>
+
+<h4>NEW FRIENDS TROT IN.</h4>
+
+<p>Next day Ben ran off to his work with Quackenbos's "Elementary History
+of the United States" in his pocket, and the Squire's cows had ample
+time to breakfast on wayside grass before they were put into their
+pasture. Even then the pleasant lesson was not ended, for Ben had an
+errand to town, and all the way he read busily, tumbling over the hard
+words, and leaving bits which he did not understand to be explained at
+night by Bab.</p>
+
+<p>At "The First Settlements" he had to stop, for the school-house was
+reached and the book must be returned. The maple-tree closet was easily
+found, and a little surprise hidden under the flat stone; for Ben paid
+two sticks of red and white candy for the privilege of taking books
+from the new library.</p>
+
+<p>When recess came great was the rejoicing of the children over their
+unexpected treat, for Mrs. Moss had few pennies to spare for sweets,
+and, somehow, this candy tasted particularly nice, bought out of
+grateful Ben's solitary dime. The little girls shared their goodies
+with their favorite mates, but said nothing about the new arrangement,
+fearing it would be spoilt if generally known. They told their mother,
+however, and she gave them leave to lend their books and encourage Ben
+to love learning all they could. She also proposed that they should
+drop patch-work and help her make some blue shirts for Ben. Mrs. Barton
+had given her the materials, and she thought it would be an excellent
+lesson in needle-work as well as a useful gift to Ben&mdash;who, boy-like,
+never troubled himself as to what he should wear when his one suit of
+clothes gave out.</p>
+
+<p>Wednesday afternoon was the sewing time, so the two little B's worked
+busily at a pair of shirt sleeves, sitting on their bench in the
+door-way, while the rusty needles creaked in and out, and the childish
+voices sung school-songs, with frequent stoppages for lively chatter.</p>
+
+<p>For a week, Ben worked away bravely, and never shirked nor complained,
+although Pat put many a hard or disagreeable job upon him, and chores
+grew more and more distasteful. His only comfort was the knowledge that
+Mrs. Moss and the Squire were satisfied with him, his only pleasure the
+lessons he learned while driving the cows, and recited in the evening
+when the three children met under the lilacs to "play school."</p>
+
+<p>He had no thought of studying when he began, and hardly knew that he
+was doing it as he pored over the different books he took from the
+library. But the little girls tried him with all they possessed, and he
+was mortified to find how ignorant he was. He never owned it in words,
+but gladly accepted all the bits of knowledge they offered from their
+small store; getting Betty to hear him spell "just for fun;" agreeing
+to draw Bab all the bears and tigers she wanted if she would show him
+how to do sums on the flags, and often beguiled his lonely labors by
+trying to chant the multiplication table as they did. When Tuesday
+night came round the Squire paid him a dollar, said he was "a likely
+boy," and might stay another week if he chose. Ben thanked him and
+thought he would, but the next morning, after he had put up the bars,
+he remained sitting on the top rail to consider his prospects, for he
+felt uncommonly reluctant to go back to the society of rough Pat. Like
+most boys he hated work, unless it was of a sort which just suited him;
+then he could toil like a beaver and never tire. His wandering life had
+given him no habits of steady industry, and while he was an unusually
+capable lad of his age, he dearly loved to loaf about and have a good
+deal of variety and excitement in his life.</p>
+
+<p>Now he saw nothing before him but days of patient and very
+uninteresting labor. He was heartily sick of weeding; even riding Duke
+before the cultivator had lost its charms, and a great pile of wood lay
+in the Squire's yard which he knew he would be set to piling up in the
+shed. Strawberry-picking would soon follow the asparagus cultivation,
+then haying, and so on all the long, bright summer, without any fun,
+unless his father came for him.</p>
+
+<p>On the other hand, he was not obliged to stay a minute longer unless he
+liked. With a comfortable suit of clothes, a dollar in his pocket, and
+a row of dinner-baskets hanging in the school-house entry to supply him
+with provisions if he didn't mind stealing them, what was easier than
+to run away again? Tramping has its charms in fair weather, and Ben had
+lived like a gypsy under canvas for years, so he feared nothing, and
+began to look down the leafy road with a restless, wistful expression,
+as the temptation grew stronger and stronger every minute.</p>
+
+<p>Sancho seemed to share the longing, for he kept running off a little
+way and stopping to frisk and bark, then rushed back to sit watching
+his master with those intelligent eyes of his, which seemed to say,
+"Come on, Ben, let us scamper down this pleasant road and never stop
+till we are tired." Swallows darted by, white clouds fled before the
+balmy west wind, a squirrel ran along the wall, and all things seemed
+to echo the boy's desire to leave toil behind and roam away as
+care-free as they. One thing restrained him,&mdash;the thought of his
+seeming ingratitude to good Mrs. Moss, and the disappointment of the
+little girls at the loss of their two new play-fellows. While he paused
+to think of this, something happened which kept him from doing what he
+would have been sure to regret afterward.</p>
+
+<p>Horses had always been his best friends, and one came trotting up to
+help him now, though he did not know how much he owed it till long
+after. Just in the act of swinging himself over the bars to take a
+short cut across the fields, the sound of approaching hoofs,
+unaccompanied by the roll of wheels, caught his ear, and pausing, he
+watched eagerly to see who was coming at such a pace.</p>
+
+<p>At the turn of the road, however, the quick trot stopped, and in a
+moment a lady on a bay mare came pacing slowly into sight,&mdash;a young and
+pretty lady, all in dark blue, with a bunch of dandelions like yellow
+stars in her button-hole, and a silver-handled whip hanging from the
+pommel of her saddle, evidently more for ornament than use. The
+handsome mare limped a little and shook her head as if something
+plagued her, while her mistress leaned down to see what was the matter,
+saying, as if she expected an answer of some sort:</p>
+
+<p>"Now, Chevalita, if you have got a stone in your foot, I shall have to
+get off and take it out. Why don't you look where you step and save me
+all this trouble?"</p>
+
+<p>"I'll look for you, ma'am; I'd like to!" said an eager voice so
+unexpectedly that both horse and rider started as a boy came down the
+bank with a jump.</p>
+
+<a name="image12" id="image12"></a>
+<div class="imgleft">
+<img class="border" src="images/image12.jpg" width="256" height="400"
+alt="BEN TAKES THE STONE FROM LITA'S FOOT."
+title="BEN TAKES THE STONE FROM LITA'S FOOT." />
+<p class="caption">BEN TAKES THE STONE FROM LITA'S FOOT.</p>
+</div>
+
+<p>"I wish you would. You need not be afraid; Lita is as gentle as a
+lamb," answered the young lady, smiling, as if amused by the boy's
+earnestness.</p>
+
+<p>"She's a beauty, anyway," muttered Ben, lifting one foot after another
+till he found the stone, and with some trouble got it out.</p>
+
+<p>"That was nicely done, and I'm much obliged. Can you tell me if that
+cross-road leads to the Elms?" asked the lady, as she went slowly on
+with Ben beside her.</p>
+
+<p>"No, ma'am; I'm new in these parts, and I only know where Squire Allen
+and Mrs. Moss live."</p>
+
+<p>"I want to see both of them, so suppose you show me the way. I was here
+long ago, and thought I should remember how to find the old house with
+the elm avenue and the big gate, but I don't."</p>
+
+<p>"I know it; they call that place the Laylocks now, 'cause there's a
+hedge of 'em all down the path and front wall. It's a real pretty
+place; Bab and Betty play there, and so do I."</p>
+
+<p>Ben could not restrain a chuckle at the recollection of his first
+appearance there, and as if his merriment or his words interested her,
+the lady said, pleasantly: "Tell me all about it. Are Bab and Betty
+your sisters?"</p>
+
+<p>Quite forgetting his intended tramp, Ben plunged into a copious history
+of himself and new-made friends, led on by a kind look, an inquiring
+word, and sympathetic smile, till he had told everything. At the
+school-house corner he stopped and said, spreading his arms like a
+sign-post:</p>
+
+<p>"That's the way to the Laylocks, and this is the way to the Squire's."</p>
+
+<p>"As I'm in a hurry to see the old house, I'll go this way first, if you
+will be kind enough to give my love to Mrs. Allen, and tell the Squire
+Miss Celia is coming to dine with him. I wont say good-by, because I
+shall see you again."</p>
+
+<p>With a nod and a smile the young lady cantered away, and Ben hurried up
+the hill to deliver his message, feeling as if something pleasant was
+going to happen, so it would be wise to defer running away, for the
+present at least.</p>
+
+<p>At one o'clock Miss Celia arrived, and Ben had the delight of helping
+Pat stable pretty Chevalita; then, his own dinner hastily eaten, he
+fell to work at the detested wood-pile with sudden energy, for, as he
+worked, he could steal peeps into the dining-room, and see the curly
+brown head between the two gray ones as the three sat round the table.
+He could not help hearing a word now and then, as the windows were
+open, and these bits of conversation filled him with curiosity, for the
+names "Thorny," "Celia," and "George" were often repeated, and an
+occasional merry laugh from the young lady sounded like music in that
+usually quiet place.</p>
+
+<p>When dinner was over, Ben's industrious fit left him, and he leisurely
+trundled his barrow to and fro till the guest departed. There was no
+chance for him to help now, since Pat, anxious to get whatever trifle
+might be offered for his services, was quite devoted in his attentions
+to the mare and her mistress till she was mounted and off. But Miss
+Celia did not forget her little guide, and spying a wistful face
+behind the wood-pile, paused at the gate and beckoned with that winning
+smile of hers. If ten Pats had stood scowling in the way Ben would have
+defied them all, and vaulting over the fence he ran up with a shining
+face, hoping she wanted some last favor of him. Leaning down, Miss
+Celia slipped a new quarter into his hand, saying:</p>
+
+<p>"Lita wants me to give you this for taking the stone out of her foot."</p>
+
+<p>"Thanky, ma'am; I liked to do it, for I hate to see 'em limp,
+'specially such a pretty one as she is," answered Ben, stroking the
+glossy neck with a loving touch.</p>
+
+<p>"The Squire says you know a good deal about horses, so I suppose you
+understand the Houyhnhnm language? I'm learning it, and it is very
+nice," laughed Miss Celia, as Chevalita gave a little whinny and
+snuggled her nose into Ben's pocket.</p>
+
+<p>"No, miss, I never went to school."</p>
+
+<p>"That is not taught there. I'll bring you a book all about it when I
+come back. Mr. Gulliver went to the horse-country and heard the dear
+things speak their own tongue."</p>
+
+<p>"My father has been on the prairies where there's lots of wild ones,
+but he didn't hear 'em speak. I know what they want without talkin',"
+answered Ben, suspecting a joke, but not exactly seeing what it was.</p>
+
+<p>"I don't doubt it, but I wont forget the book. Good-by, my lad, we
+shall soon meet again," and away went Miss Celia as if she was in a
+hurry to get back.</p>
+
+<p>"If she only had a red habit and a streamin' white feather, she'd look
+as fine as Melia used to. She <i>is</i> 'most as kind and rides 'most as
+well. Wonder where she's goin' to. Hope she <i>will</i> come soon," thought
+Ben, watching till the last flutter of the blue habit vanished round
+the corner, and then he went back to his work with his head full of the
+promised book, pausing now and then to chink the two silver halves and
+the new quarter together in his pocket, wondering what he should buy
+with this vast sum.</p>
+
+<p>Bab and Betty meantime had had a most exciting day, for when they went
+home at noon they found the pretty lady there, and she had talked to
+them like an old friend, given them a ride on the little horse, and
+kissed them both good-by when they went back to school. In the
+afternoon the lady was gone, the old house all open, and their mother
+sweeping, dusting, airing in great spirits. So they had a splendid
+frolic tumbling on feather beds, beating bits of carpet, opening
+closets, and racing from garret to cellar like a pair of distracted
+kittens.</p>
+
+<p>Here Ben found them, and was at once overwhelmed with a burst of news
+which excited him as much as it did them. Miss Celia owned the house,
+was coming to live there, and things were to be made ready as soon as
+possible. All thought the prospect a charming one; Mrs. Moss because
+life had been dull for her during the year she had taken charge of the
+old house; the little girls had heard rumors of various pets who were
+coming, and Ben, learning that a boy and a donkey were among them,
+resolved that nothing but the arrival of his father should tear him
+from this now deeply interesting spot.</p>
+
+<p>"I'm in <i>such</i> a hurry to see the peacocks and hear them scream. She
+said they did, and that we'd laugh when old Jack brayed," cried Bab,
+hopping about on one foot to work off her impatience.</p>
+
+<p>"Is a <i>faytun</i> a kind of a bird? I heard her say she could keep it in
+the coach-house," asked Betty, inquiringly.</p>
+
+<p>"It's a little carriage," and Ben rolled in the grass, much tickled at
+poor Betty's ignorance.</p>
+
+<p>"Of course it is. I looked it out in the dic., and you mustn't call it
+a <i>payton</i> though it <i>is</i> spelt with a p," added Bab, who liked to lay
+down the law on all occasions, and did not mention that she had looked
+vainly among the f's till a school-mate set her right.</p>
+
+<p>"You can't tell <i>me</i> much about carriages. But what I want to know is
+where Lita will stay?" said Ben.</p>
+
+<p>"Oh, she's to be up at the Squire's, till things are fixed, and you are
+to bring her down. Squire came and told Ma all about it, and said you
+were a boy to be trusted, for he had tried you."</p>
+
+<p>Ben made no answer, but secretly thanked his stars that he had not
+proved himself untrustworthy by running away, and so missing all this
+fun.</p>
+
+<p>"Wont it be fine to have the house open all the time? We can run over
+and see the pictures and books whenever we like. I know we can, Miss
+Celia is so kind," began Betty, who cared for these things more than
+for screaming peacocks and comical donkeys.</p>
+
+<p>"Not unless you are invited," answered their mother, locking the front
+door behind her. "You'd better begin to pick up your duds right away,
+for she wont want them cluttering round her front yard. If you are not
+too tired, Ben, you might rake round a little while I shut the blinds.
+I want things to look nice and tidy."</p>
+
+<p>Two little groans went up from two afflicted little girls as they
+looked about them at the shady bower, the dear porch, and the winding
+walks where they loved to run "till their hair whistled in the wind,"
+as the fairy-books say.</p>
+
+<p>"Whatever shall we do! Our attic is so hot and the shed so small, and
+the yard always full of hens or clothes. We shall have to pack all our
+things away and never play any more," said Bab, tragically.</p>
+
+<p>"May be Ben could build us a little house in the orchard," proposed
+Betty, who firmly believed that Ben could do anything.</p>
+
+<p>"He wont have any time. Boys don't care for baby-houses," returned Bab,
+collecting her homeless goods and chattels with a dismal face.</p>
+
+<p>"We sha'n't want these much when all the new things come; see if we
+do," said cheerful little Betty, who always found out a silver lining
+to every cloud.</p>
+
+<hr class="short" />
+
+<h3>CHAPTER VIII.</h3>
+
+<h4>MISS CELIA'S MAN.</h4>
+
+<p>Ben was not too tired, and the clearing-up began that very night. None
+too soon, for, in a day or two, things arrived, to the great delight of
+the children, who considered moving a most interesting play. First came
+the phaeton, which Ben spent all his leisure moments in admiring,
+wondering with secret envy what happy boy would ride in the little seat
+up behind, and beguiling his tasks by planning how, when he got rich,
+he would pass his time driving about in just such an equipage, and
+inviting all the boys he met to have a ride.</p>
+
+<p>Then a load of furniture came creaking in at the lodge gate, and the
+girls had raptures over a cottage piano, several small chairs, and a
+little low table, which they pronounced just the thing for them to play
+at. The live stock appeared next, creating a great stir in the
+neighborhood, for peacocks were rare birds there; the donkey's bray
+startled the cattle and convulsed the people with laughter; the rabbits
+were continually getting out to burrow in the newly made garden; and
+Chevalita scandalized old Duke by dancing about the stable which he had
+inhabited for years in stately solitude.</p>
+
+<p>Last, but by no means least, Miss Celia, her young brother and two
+maids, arrived one evening so late that only Mrs. Moss went over to
+help them settle. The children were much disappointed, but were
+appeased by a promise that they should all go to pay their respects in
+the morning.</p>
+
+<p>They were up so early, and were so impatient to be off, that Mrs. Moss
+let them go with the warning that they would find only the servants
+astir. She was mistaken, however, for as the procession approached, a
+voice from the porch called out: "Good morning, little neighbors!" so
+unexpectedly, that Bab nearly spilt the new milk she carried, Betty
+gave such a start that the fresh-laid eggs quite skipped in the dish,
+and Ben's face broke into a broad grin over the armful of clover which
+he brought for the bunnies, as he bobbed his head, saying, briskly:</p>
+
+<p>"She's all right, miss; Lita is, and I can bring her over any minute
+you say."</p>
+
+<p>"I shall want her at four o'clock. Thorny will be too tired to drive,
+but I must hear from the post-office, rain or shine;" and Miss Celia's
+pretty color brightened as she spoke, either from some happy thought or
+because she was bashful, for the honest young faces before her plainly
+showed their admiration of the white-gowned lady under the
+honeysuckles.</p>
+
+<p>The appearance of Miranda, the maid, reminded the children of their
+errand, and having delivered their offerings, they were about to retire
+in some confusion, when Miss Celia said pleasantly:</p>
+
+<p>"I want to thank you for helping put things in such nice order. I see
+signs of busy hands and feet both inside the house and all about the
+grounds, and I am very much obliged."</p>
+
+<p>"I raked the beds," said Ben, proudly eying the neat ovals and circles.</p>
+
+<p>"I swept all the paths," added Bab, with a reproachful glance at
+several green sprigs fallen from the load of clover on the smooth walk.</p>
+
+<p>"I cleared up the porch," and Betty's clean pinafore rose and fell with
+a long sigh, as she surveyed the late summer residence of her exiled
+family.</p>
+
+<p>Miss Celia guessed the meaning of that sigh, and made haste to turn it
+into a smile by asking, anxiously:</p>
+
+<p>"What <i>has</i> become of the playthings? I don't see them anywhere."</p>
+
+<p>"Ma said you wouldn't want our duds round, so we took them all home,"
+answered Betty, with a wistful face.</p>
+
+<p>"But I do want them round. I like dolls and toys almost as much as
+ever, and quite miss the little "duds" from porch and path. Suppose you
+come to tea with me to-night and bring some of them back? I should be
+very sorry to rob you of your pleasant play-place."</p>
+
+<p>"Oh yes'm, we'd love to come! and we'll bring our best things."</p>
+
+<p>"Ma always lets us have our shiny pitchers and the china poodle when we
+go visiting or have company at home," said Bab and Betty, both speaking
+at once.</p>
+
+<p>"Bring what you like and I'll hunt up my toys too. Ben is to come also,
+and <i>his</i> poodle is especially invited," added Miss Celia as Sancho
+came and begged before her, feeling that some agreeable project was
+under discussion.</p>
+
+<p>"Thank you, miss. I told them you'd be willing they should come
+sometimes. They like this place ever so much, and so do I," said Ben,
+feeling that few spots combined so many advantages in the way of
+climbable trees, arched gates, half-a-dozen gables, and other charms
+suited to the taste of an aspiring youth who had been a flying Cupid at
+the age of seven.</p>
+
+<p>"So do I," echoed Miss Celia, heartily. "Ten years ago I came here a
+little girl, and made lilac chains under these very bushes, and picked
+chick-weed over there for my bird, and rode Thorny in his baby-wagon up
+and down these paths. Grandpa lived here then and we had fine times;
+but now they are all gone except us two."</p>
+
+<p>"We haven't got any father either," said Bab, for something in Miss
+Celia's face made her feel as if a cloud had come over the sun.</p>
+
+<p>"<i>I</i> have a first-rate father, if I only knew where he'd gone to," said
+Ben, looking down the path as eagerly as if some one waited for him
+behind the locked gate.</p>
+
+<p>"You are a rich boy, and you are happy little girls to have so good a
+mother; I've found that out already," and the sun shone again as the
+young lady nodded to the neat, rosy children before her.</p>
+
+<p>"You may have a piece of her if you want to, 'cause you haven't got any
+of your own," said Betty, with a pitiful look which made her blue eyes
+as sweet as two wet violets.</p>
+
+<p>"So I will! and you shall be my little sisters. I never had any, and
+I'd love to try how it seems," and Miss Celia took both the chubby
+hands in hers, feeling ready to love every one this first bright
+morning in the new home which she hoped to make a very happy one.</p>
+
+<p>Bab gave a satisfied nod, and fell to examining the rings upon the
+white hand that held her own. But Betty put her arms about the new
+friend's neck, and kissed her so softly that the hungry feeling in Miss
+Celia's heart felt better directly, for this was the food it wanted,
+and Thorny had not learned yet to return one half of the affection he
+received. Holding the child close, she played with the yellow braids
+while she told them about the little German girls in their funny
+black-silk caps, short-waisted gowns and wooden shoes, whom she used to
+see watering long webs of linen bleaching on the grass, watching great
+flocks of geese, or driving pigs to market, knitting or spinning as
+they went.</p>
+
+<a name="image13" id="image13"></a>
+<div class="imgcenter">
+<img src="images/image13.jpg" width="399" height="316"
+alt="MISS CELIA AND HER LITTLE FRIENDS."
+title="MISS CELIA AND HER LITTLE FRIENDS." />
+<p class="caption">MISS CELIA AND HER LITTLE FRIENDS.</p>
+</div>
+
+<p>Presently, "Randa," as she called her stout maid, came to tell her that
+"Master Thorny couldn't wait another minute," and she went in to
+breakfast with a good appetite, while the children raced home to bounce
+in upon Mrs. Moss, talking all at once like little lunatics.</p>
+
+<p>"The phaeton at four,&mdash;so sweet in a beautiful white gown,&mdash;going to
+tea, and Sancho and all the baby things invited. Can't we wear our
+Sunday frocks? A splendid new net for Lita. And she likes dolls. Goody,
+goody, wont it be fun!"</p>
+
+<p>With much difficulty their mother got a clear account of the
+approaching festivity out of the eager mouths, and with still more
+difficulty got breakfast into them, for the children had few pleasures,
+and this brilliant prospect rather turned their heads.</p>
+
+<p>Bab and Betty thought the day would never end, and cheered the long
+hours by expatiating on the pleasures in store for them, till their
+playmates were much afflicted because they were not going also. At
+noon their mother kept them from running over to the old house lest
+they should be in the way, so they consoled themselves by going to the
+syringa bush at the corner and sniffing the savory odors which came
+from the kitchen, where Katy, the cook, was evidently making nice
+things for tea.</p>
+
+<p>Ben worked as if for a wager till four, then stood over Pat while he
+curried Lita till her coat shone like satin, then drove her gently down
+to the coach-house, where he had the satisfaction of harnessing her
+"all his own self."</p>
+
+<p>"Shall I go round to the great gate and wait for you there, miss?" he
+asked, when all was ready, looking up at the porch where the young lady
+stood watching him as she put on her gloves.</p>
+
+<p>"No, Ben, the great gate is not to be opened till next October. I shall
+go in and out by the lodge, and leave the avenue to grass and
+dandelions, meantime," answered Miss Celia, as she stepped in and took
+the reins, with a sudden smile.</p>
+
+<p>But she did not start even when Ben had shaken out the new duster and
+laid it neatly over her knees.</p>
+
+<p>"Isn't it all right now?" asked the boy, anxiously.</p>
+
+<p>"Not quite; I need one thing more. Can't you guess what it is?"&mdash;and
+Miss Celia watched his anxious face as his eyes wandered from the tips
+of Lita's ears to the hind-wheel of the phaeton, trying to discover
+what had been omitted.</p>
+
+<p>"No, miss, I don't see&mdash;" he began, much mortified to think he had
+forgotten anything.</p>
+
+<p>"Wouldn't a little groom up behind improve the appearance of my
+turnout?" she said, with a look which left no doubt in his mind that
+<i>he</i> was to be the happy boy to occupy that proud perch.</p>
+
+<p>He grew red with pleasure, but stammered, as he hesitated, looking down
+at his bare feet and blue shirt:</p>
+
+<p>"I aint fit, miss, and I haven't got any other clothes."</p>
+
+<p>Miss Celia only smiled again more kindly than before, and answered, in
+a tone which he understood better than her words:</p>
+
+<p>"A great man said his coat-of-arms was a pair of shirt sleeves, and a
+sweet poet sung about a barefooted boy, so I need not be too proud to
+ride with one. Up with you, Ben, my man, and let us be off, or we shall
+be late for our party."</p>
+
+<p>With one bound the new groom was in his place, sitting very erect, with
+his legs stiff, arms folded, and nose in the air, as he had seen real
+grooms sit behind their masters in fine dog-carts or carriages. Mrs.
+Moss nodded as they drove past the lodge, and Ben touched his torn
+hat-brim in the most dignified manner, though he could not suppress a
+broad grin of delight, which deepened into a chuckle when Lita went
+off at a brisk trot along the smooth road toward town.</p>
+
+<p>It takes so little to make a child happy, it is a pity grown people do
+not oftener remember it and scatter little bits of pleasure before the
+small people, as they throw crumbs to the hungry sparrows. Miss Celia
+knew the boy was pleased, but he had no words in which to express his
+gratitude for the great contentment she had given him. He could only
+beam at all he met, smile when the floating ends of the gray veil blew
+against his face, and long in his heart to give the new friend a boyish
+hug as he used to do his dear Melia when she was very good to him.</p>
+
+<p>School was just out as they passed, and it was a spectacle, I assure
+you, to see the boys and girls stare at Ben up aloft in such state;
+also to see the superb indifference with which that young man regarded
+the vulgar herd who went afoot. He could not resist an affable nod to
+Bab and Betty, for they stood under the maple-tree, and the memory of
+their circulating library made him forget his dignity in his gratitude.</p>
+
+<p>"We will take them next time, but now I want to talk to you," began
+Miss Celia, as Lita climbed the hill. "My brother has been ill, and I
+have brought him here to get well. I want to do all sorts of things to
+amuse him, and I think you can help me in many ways. Would you like to
+work for me instead of the Squire?"</p>
+
+<p>"I guess I would!" ejaculated Ben, so heartily that no further
+assurances were needed, and Miss Celia went on, well pleased:</p>
+
+<p>"You see, poor Thorny is weak and fretful, and does not like to exert
+himself, though he ought to be out a great deal, and kept from thinking
+of his little troubles. He cannot walk much yet, so I have a wheeled
+chair to push him in, and the paths are so hard it will be easy to roll
+him around. That will be one thing you can do. Another is to take care
+of his pets till he is able to do it himself. Then you can tell him
+your adventures, and talk to him as only a boy can talk to a boy. That
+will amuse him when I want to write or go out; but I never leave him
+long, and hope he will soon be running about as well as the rest of us.
+How does that sort of work look to you?"</p>
+
+<p>"First-rate! I'll take real good care of the little fellow, and do
+everything I know to please him, and so will Sanch. He's fond of
+children," answered Ben, heartily, for the new place looked very
+inviting to him.</p>
+
+<p>Miss Celia laughed, and rather damped his ardor by her next words:</p>
+
+<p>"I don't know what Thorny <i>would</i> say to hear you call him 'little.' He
+is fourteen, and appears to get taller and taller every day. He seems
+like a child to <i>me</i>, because I am nearly ten years older than he is;
+but you needn't be afraid of his long legs and big eyes,&mdash;he is too
+feeble to do any harm,&mdash;only you mustn't mind if he orders you about."</p>
+
+<p>"I'm used to that. I don't mind it if he wont call me a 'spalpeen,' and
+fire things at me," said Ben, thinking of his late trials with Pat.</p>
+
+<p>"I can promise that, and I am sure Thorny will like you, for I told him
+your story, and he is anxious to see 'the circus boy,' as he called
+you. Squire Allen says I may trust you, and I am glad to do so, for it
+saves me much trouble to find what I want all ready for me. You shall
+be well fed and clothed, kindly treated and honestly paid, if you like
+to stay with me."</p>
+
+<p>"I <i>know</i> I shall like it&mdash;till father comes, anyway. Squire wrote to
+Smithers right off, but hasn't got any answer yet. I know they are on
+the go now, so may be we wont hear for ever so long," answered Ben,
+feeling less impatient to be off than before this fine proposal was
+made to him.</p>
+
+<p>"I dare say; meantime we will see how we get on together, and perhaps
+your father will be willing to leave you for the summer if he is away.
+Now show me the baker's, the candy-shop, and the post-office," said
+Miss Celia, as they rattled down the main street of the village.</p>
+
+<p>Ben made himself useful, and when all the other errands were done,
+received his reward in the shape of a new pair of shoes and a straw hat
+with a streaming blue ribbon, on the ends of which shone silvery
+anchors. He was also allowed to drive home, while his new mistress read
+her letters. One particularly long one, with a queer stamp on the
+envelope, she read twice, never speaking a word till they got back.
+Then Ben was sent off with Lita and the Squire's letters, promising to
+get his chores done in time for tea.</p>
+
+<div class="center"><i>(To be continued.)</i></div>
+
+<hr />
+
+<h2><a name="crumbs" id="crumbs">CRUMBS FROM OLDER READING.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY JULIA E. SARGENT.</div>
+<hr class="tiny" />
+
+<br />
+
+<h3>EMERSON.</h3>
+
+<p>"Who ever heard of Emerson?" I asked a room of third-reader pupils.
+Nearly every hand came up, and the bright faces were full of interest.
+What a delightful surprise! I did not expect to see more than two
+hands, and here all were as interested as if I had said, "Who ever
+heard of Hayes or Tilden?" All at once I remembered that, for more than
+a week, every fence about the school had been covered with
+circus-bills, bearing the name "Billy Emerson."</p>
+
+<p>Sure enough he was the only Emerson those pupils knew about; for when I
+said Ralph Waldo Emerson, one by one the hands came down. No one had
+heard of him. Now I know no more of "Billy Emerson" than the children
+knew of Ralph Waldo Emerson, but I am not afraid to say that the one I
+know is better worth knowing.</p>
+
+<p>For in papa's library, or on mamma's center-table, I have no doubt you
+can find more than one book which he has written. When in his sermon
+the minister tells what Emerson has said, you may be very sure he does
+not quote "Billy." Papers and magazines all have something to say
+concerning this man, whose books grown people read and talk about.</p>
+
+<p>Who is he, then? His name is Ralph Waldo Emerson, and he writes books.</p>
+
+<p>Very good; and what are people who write books called? Then Mr. Ralph
+Waldo Emerson is an author. He lives in a republican country which has
+Washington for its capital. He was born in the Bay State, in the
+largest city of New England. He dwells now in a little town where a
+battle was fought a hundred years ago, and the name of this town means
+"harmony." You know where that is, do you not? He was born in 1803,
+and, as this is 1878, every one of you boys and girls who can subtract
+can tell just his age. One of the books he has written tells about
+England, another about such famous men as Shakspeare and Napoleon, and
+others talk about wealth and friendship, prudence and power.</p>
+
+<p>That does not sound as if he meant them for you? Well, one thing he did
+mean for you, and that is a dear little poem&mdash;"The Squirrel and the
+Mountain." Every one of you will want to read it, and when you have
+read it you will want to learn it, and when you have learned you will
+want to speak it. I need not have told you he meant that poem for you;
+you would know that the minute you saw it. But you could not tell so
+soon how many things he says for you in those famous essays so often
+quoted. What do you think I can find for you in this dry-looking book,
+"Conduct of Life," with "Emerson" printed just under the title?</p>
+
+<p>Did you ever see an old hen with her little walking bundles of feathers
+in the soft garden soil? How she does scratch and bustle for something
+to eat! Why, she is eating every bit herself! Perhaps she thinks that
+taking care of the chickens' mother is very important work for her; but
+by-and-by she will call the little folks to share what she has found.</p>
+
+<p>You may think of me as of an old hen who has long been scratching in
+the soft garden soil of Ralph Waldo Emerson's writings. She has found
+much for herself, with now and then a bit for the chickens.</p>
+
+<p>Here, the very first thing, is something about eggs. "There is always a
+best way of doing everything, if it be but to boil an egg." I hope my
+little friends are never cross when Bridget has not boiled the nice
+breakfast egg in the best way. More than that; I hope they themselves
+know what is the best way of doing it; just how hot the water must be,
+how long the egg should boil to make it hard or soft, and, what is well
+worth knowing, how to get it in and out of the hot water without
+breaking the shell.</p>
+
+<p>Here is another bit. It is like an egg, for the meaning is wrapt in
+words just as an egg hides in the shell. "The tell-tale body is all
+tongues." What does the tongue help to do? Will no one know that you
+are cross unless you say, "I am cross this morning?" Can I find it out
+although you do not say a word? Yes, indeed; that puckered mouth and
+ugly little scowl tell, all too quickly, and even if I could not see
+your face, that little jerk and twist would tell the story. Do you not
+know when the dog is sick or tired, or full of fun? yet, his bright
+eyes, eager little nose, lively body and whisking tail, tell no more
+surely than your own face and body.</p>
+
+<p>"The tell-tale body is all tongues." Mr. Emerson, we think that is
+true.</p>
+
+<p>"How can I be beautiful?" Every boy and girl, man and woman, wants to
+know that. Here is Mr. Emerson's beauty recipe: "There is no beautifier
+of complexion, or form, or behavior, like the wish to scatter joy and
+not pain around us." Do you suppose that recipe will work? Think of the
+most beautiful people you know. Ah, I knew some one would say "mother."
+Do you not think these people are those who try very hard to make
+others happy? I know very many beautiful people who would have remained
+very plain had they sought only to please themselves.</p>
+
+<p>We want to try Emerson's rule for becoming beautiful, so it will not do
+to forget that "There is no beautifier of complexion, or form, or
+behavior, like the wish to scatter joy and not pain around us."</p>
+
+<p>"Every man takes care that his neighbor shall not cheat him. But a day
+comes when he begins to care that he does not cheat his neighbor. Then
+all goes well." Yes, Mr. Emerson, that is the only way to have things
+go well,&mdash;following the Golden Rule.</p>
+
+<p>"You cannot hide any secret. 'Tis as hard to hide as fire." Perhaps you
+think that it is not so; but you just try how long you can keep a
+secret that even your dearest friend does not know. I should not wonder
+if Emerson were right once more.</p>
+
+<p>"There is much you may not do." True again. We do not need Emerson to
+tell us that. "You must not do that, you must not do this," the little
+folks hear so often, that sometimes they wonder what they may do.</p>
+
+<p>But we would like to have him tell us what things last longest.</p>
+
+<p>He is all ready to tell whoever wants to know, "Beauty is the quality
+which makes to endure. In a house that I know, I have noticed a block
+of spermaceti lying about closets and mantel-pieces for twenty years
+together, simply because the tallow-man gave it the form of a rabbit;
+and I suppose it may continue to be lugged about unchanged for a
+century. Let an artist draw a few lines or figures on the back of a
+letter, and that scrap of paper is rescued from danger, is put in a
+portfolio, or framed and glazed, and, in proportion to the beauty of
+the lines drawn, will be kept for centuries." And there are beauties of
+heart, mind and character, that do not meet the eye, but are none the
+less powerful in "making to endure."</p>
+
+<hr />
+
+<h2><a name="oldmannervouscow" id="oldmannervouscow">THE OLD MAN AND THE NERVOUS COW.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY R.E.</div>
+<hr class="tiny" />
+
+<br />
+
+<div class="poem">
+<div class="stanza">
+ <div class="quote">"There was an old man who said 'How</div>
+ <div>Shall I 'scape from this horrible cow?</div>
+ <div class="in3">I will sit on the stile,</div>
+ <div class="in3">And continue to smile,</div>
+ <div>Which may soften the heart of the cow.'"</div>
+</div>
+</div>
+
+<p>The old man was walking thoughtfully through the field, with his hands
+behind him, when the nervous cow saw him. She wasn't ordinarily a
+bad-natured cow, but she was mad just then. An aggravating fly had been
+biting her half the morning, and, just as she was drinking at the
+brook, a frog had jumped up with a cry and bitten her nose. These
+things had completely unsettled her nerves.</p>
+
+<p>She was ready to run at anything, and the old man being the only living
+thing in sight, she plunged toward him.</p>
+
+<a name="image14" id="image14"></a>
+<div class="imgcenter">
+<img src="images/image14.png" width="401" height="288"
+alt="I WILL SIT ON THE STILE, AND CONTINUE TO SMILE."
+title="I WILL SIT ON THE STILE, AND CONTINUE TO SMILE." />
+<p class="caption">"I WILL SIT ON THE STILE, AND CONTINUE TO SMILE."</p>
+</div>
+
+<p>What could he do? He was a short, stout old man, and could not run very
+fast, and, though he tried his best, he only just managed to reach the
+stile and plump down on it, all out of breath, as the cow neared him.</p>
+
+<p>Then he suddenly remembered reading somewhere that if you looked right
+into an animal's eyes, it would run away from you.</p>
+
+<p>"Ah!" thought he, "I'll look straight at her, and if I smile at the
+same time, she wont have the heart to hurt me."</p>
+
+<p>So he put on a smile (of course it was not a very beautiful one, for he
+was in a hurry, but it was the best he could do), and stared straight
+into the cow's eyes. She saw that smile, and it so touched her that she
+stopped short. Then she sauntered back a little way, but the thought of
+that aggravating fly, and that awful frog, was too much for her poor
+nerves, and turning around, she dashed madly on again.</p>
+
+<p>In another minute, the poor old man&mdash;cane, little legs, smile and
+all&mdash;was up in the air.</p>
+
+<a name="image15" id="image15"></a>
+<div class="imgleft">
+<img src="images/image15.png" width="272" height="400"
+alt="THE POOR OLD MAN WAS UP IN THE AIR."
+title="THE POOR OLD MAN WAS UP IN THE AIR." />
+<p class="caption">"THE POOR OLD MAN WAS UP IN THE AIR."</p>
+</div>
+
+<p>He alighted in the top of a hickory-tree. One branch grazed his eye,
+two ran into his legs, while another held his smile stiff and straight.</p>
+
+<p>Thus he stayed until an eagle caught sight of him, pounced right down,
+and flew off with him to her nest, which was on a huge rock that rose
+straight up into the cold air and made the summit of a mountain.</p>
+
+<p>When the old eagle plumped the little old man down into the nest, just
+imagine, if you can, how astonished the eaglets were! They opened their
+beaks as well as their eyes, and cried out:</p>
+
+<p>"What's this, mother? What <i>is</i> this?"</p>
+
+<p>"Oh! it's only a man," cried the old eagle. "I found him roosting in
+the top of a tree. Don't know how he got there. Suppose he was trying
+to fly, and couldn't. Tell us how it was, old man."</p>
+
+<p>"Can he talk?"</p>
+
+<p>"Talk!" said the eagle. "Of course he can talk. And he can tell
+stories, too, I warrant you. So, if you like, you may keep him to tell
+you stories."</p>
+
+<p>"Oh, wont that be nice! Tell us a story, right off," they all screamed,
+jerking the old man down into the nest.</p>
+
+<p>"But it's so dirty here," said he, looking around, with his nose turned
+up a little. "Let me sit on the edge of the nest, wont you?&mdash;and I'll
+tell you all the stories you want."</p>
+
+<p>"You'll fall over.".</p>
+
+<p>"Oh no, I wont. I'll hold on with my cane and my legs. Now just shut
+your beaks, so you wont look so savage, and listen."</p>
+
+<p>So the old man perched himself on the edge of the nest. The eaglets
+took hold of his coat with their beaks, to keep him from falling; and
+he told them the story of "Ali Baba and the Forty Thieves"; and when
+that was ended, another, and then another.</p>
+
+<p>He didn't eat much supper that night, for they hadn't any convenience
+for cooking. And he didn't sleep well, either, for whenever one of the
+eaglets woke up in the night, it always pinched him with its beak, to
+make sure he was there. So he resolved to get away as soon as he could.</p>
+
+<p>But he didn't seem to have any chance; so there he stayed and told
+stories till he longed to wring the necks of the gaping birds that kept
+asking him for more.</p>
+
+<a name="image16" id="image16"></a>
+<div class="imgcenter">
+<img src="images/image16.png"
+width="400" height="312" alt="THE OLD MAN TELLING STORIES TO THE
+EAGLETS." title="THE OLD MAN TELLING STORIES TO THE EAGLETS." />
+<p class="caption">THE OLD MAN TELLING STORIES TO THE EAGLETS.</p>
+</div>
+
+<p>Now, all this time the cow had been getting more and more nervous.
+Every day she thought of the poor old man and his meek little legs and
+his sweet old smile, and just how his coat-tails looked as he went up;
+till at last she laid her head down on a tuft of grass by the brook,
+and cried&mdash;regularly boo-hooed.</p>
+
+<p>Having thus relieved her feelings, she became calm, and, rising, said:</p>
+
+<p>"I'll go to his house and find out how and where he is, if I can."</p>
+
+<p>So off she started. But the house was shut up, and there was no one
+there except the cat.</p>
+
+<p>Very much frightened the cat was, too, when the cow pushed up the
+pantry window with her horns, and bellowed:</p>
+
+<p>"Where's your master?"</p>
+
+<p>"I don't know," said the cat, retreating to a far corner, with his back
+up. "I haven't set eyes on him since last Sunday."</p>
+
+<p>"Oh dear!" sighed the cow, dropping the window with a crash that broke
+out two of the panes of glass. "What shall I do?"</p>
+
+<p>"What's the matter with you?&mdash;and what do you want of the old man?"
+asked Tabby, bounding out through one of the broken panes.</p>
+
+<p>The cow told him.</p>
+
+<p>"Well," said Tab, stroking his whiskers reflectively, "I guess I'll go
+with you and help you look for the good-natured old creature."</p>
+
+<p>So they journeyed on, asking everybody they met about the old man. But
+nobody knew, until finally they came across an old crow who knew
+everybody's business.</p>
+
+<p>"An old man?" said he. "The eagle took an old man the other day. Did he
+have very slender legs?"</p>
+
+<p>"Yes, yes!" said the cat and the cow together.</p>
+
+<p>"And a sweet smile on his face?"</p>
+
+<p>"Yes, yes!" cried the cow. "He went up with that smile, and it has been
+haunting me ever since," and she burst into a flood of tears.</p>
+
+<p>"Well," said the crow, "he's in the eagle's nest telling stories to the
+eaglets, and if he isn't tired of the business by this time, I'm
+mistaken."</p>
+
+<p>"Where is the nest?&mdash;and how can we get there?"</p>
+
+<p>"Up at the very top of the mountain yonder. Go straight ahead, and you
+can't miss it."</p>
+
+<p>So straight ahead they went till they came to the rock where the
+eagle's nest was. Then what should they do? They could hear the old
+man's little, thin voice telling stories to the birds, but they knew he
+wouldn't dare come where the cow was, even if he could clamber down
+that steep rock. At last, Tab suggested that the cow should hide
+herself, while he climbed up into the nest and persuaded the old man.
+So the cow hid, and puss scrambled up to the nest and carefully poked
+his head in.</p>
+
+<p>"Ah, master!" he whispered; "climb down the rock to-night, and I'll
+show you the way home." And he disappeared.</p>
+
+<p>This visit braced up the old man's courage, and when the mother-bird
+came home he calmly told her he thought he'd sleep at the foot of the
+rock that night; and she unsuspectingly took him in her talons and
+dropped him gently on the ground.</p>
+
+<p>As soon as she had gone, the old man looked all about him, and called
+"Tabby, Tabby," very softly. Tabby came out from under the roots of a
+tree and bounded on his shoulder, and told him how sorry the cow was,
+and how she was waiting in a thicket ready to carry him home, if he
+wanted to go.</p>
+
+<p>Of course he wanted to go, and in less than a jiffy the cow had come
+out from her hiding-place, had cried a little, and had taken the old
+man on her back, and started full speed down the mountain, with the cat
+tearing after her.</p>
+
+<p>It was a long way to the old man's house, and they reached it just
+tired out. Of course, they got something to eat, and then they went to
+bed and slept right through two days; but on the morning of the third
+day they got up as merry as crickets, and, after a hearty breakfast,
+they agreed to live together for the rest of their lives. And they have
+lived ever since in perfect harmony.</p>
+
+<hr />
+
+<h2><a name="raidofcamanches" id="raidofcamanches">THE RAID OF THE CAMANCHES.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY THE AUTHOR OF "WE BOYS."</div>
+<hr class="tiny" />
+
+<br />
+
+<p>Fred Hart, who was the eldest son of a country clergyman, and preparing
+for college at Whitford Boys' Academy, was known at that classical
+institution as a "dig," because he "dug" into his books and studied
+hard. His room-mate, Neal Howe, an orphan, dependent upon his own
+exertions, was styled a "digger;" and as both lads were rather dark, it
+was but a step for those wicked upper-story boys to stigmatize them,
+"Digger Indians!"</p>
+
+<p>This term was gradually extended to include all the boys in the second
+story, for they were all hard students. The "Diggers" retaliated mildly
+by styling their upper-story neighbors, "Camanches."</p>
+
+<p>The Camanches perpetrated all sorts of schoolboy atrocities on the
+Diggers, but, above all things else, they burned for a pillow-fight. In
+vain they challenged the Diggers to combat. Those law-abiding savages
+declined, though well aware of thereby falling into contempt on charge
+of cowardice.</p>
+
+<p>Unmistakable indications were soon apparent that the Camanches
+meditated an attack.</p>
+
+<p>The north wing was intended to be fire-proof, and each story was
+separated from the main building by iron doors which usually were
+fastened back by staples. The Camanches reasoned that these doors might
+be as effectual in shutting off teachers as fire; and the staples in
+both the second and third stories were one day withdrawn, so that these
+doors could be easily closed.</p>
+
+<p>Scouting parties reported that the Camanches were getting ready the
+war-paint,&mdash;<i>i.e.</i>, the burnt cork,&mdash;and one ferocious savage had
+intimated that they should spare neither age nor sex.</p>
+
+<p>A council was immediately held in Fred Hart's room, and Fred
+unanimously chosen chief.</p>
+
+<p>"If they're determined on a pillow-fight they shall have it,"
+resolutely remarked that warrior.</p>
+
+<p>The Diggers proposed using their own pillows as reserve arms only, and
+the next day any number of this tribe might have been seen scouring the
+village on mysterious errands, which the housewives would have
+explained as an effort to buy up old pillows.</p>
+
+<p>"All's fair on the defensive," said Chief Fred, and each Digger ripped
+open one end of his pillow, poured in a little mucilage, and then
+basted it up, in accordance with the liberal views boys always
+entertain concerning "basting."</p>
+
+<p>At a little after nine o'clock, when the lights had been extinguished,
+and a teacher made the nightly rounds, a Camanche scout quietly closed
+and bolted the iron doors and relighted the hall lamps. Then, with
+hair-starting war-whoops, the savages began dropping down through the
+trap-door, which opened from one hall to another in the capacity of
+fire-escapes.</p>
+
+<p>The Diggers, peacefully studying in their rooms, were summarily ordered
+into the hall to battle. Every man protested, but the Camanches refused
+to parley. Then, seizing their weapons, the assailed marched forth to
+the field of carnage.</p>
+
+<p>Thwack! went the blows of the Camanches.</p>
+
+<p>Thwack! the Diggers.</p>
+
+<p>Thwack! the Camanches.</p>
+
+<p>Thwack! the Diggers.</p>
+
+<p>A stir among the Camanches and then a wild affray.</p>
+
+<p>Crack! crack! go the Diggers' bastings. Crack! feathers fly over the
+heads and into the eyes of the Camanches, and there many of them stick.
+The Camanches realize the disadvantages of unprovoked assault with no
+rules of warfare agreed upon beforehand.</p>
+
+<p>Here and there a Camanche drops his arms and flies to the farther end
+of the hall, only to fumble unavailingly at the fastenings of the iron
+door, while a victorious Digger belabors him with the weapon he has
+just cast aside.</p>
+
+<p>All at once there is descried in the dim light of the hall the boots
+and never-to-be-mistaken striped pantaloons of Captain Hale swinging
+through the trap-door!</p>
+
+<p>Captain Hale is drill-sergeant and professor of gymnastics. He has seen
+years of army service, and is thoroughly imbued with the military
+spirit. The boys are more afraid of him than of the president and
+entire board of trustees,&mdash;as afraid as they would be of old Nick,
+himself, in boots and striped pantaloons.</p>
+
+<p>In a flash every Digger had disappeared into his own room and locked
+the door after him, and the Camanches are left alone, gasping among
+their feathers, the captain in their midst.</p>
+
+<p>There is a moment of bewilderment followed by a wild stampede toward
+the iron door, but the Captain has cut off the retreat.</p>
+
+<p>"Young gentlemen, you will remain and clear up the hall. Williams, go
+to the coal-cellar and bring up the two-bushel basket."</p>
+
+<p>Williams is "nobbiest" of third-story boys, bravest of Camanche
+warriors, but Williams doesn't dare refuse to go for that basket.
+During his absence his fellow-savages express strong doubts as to his
+ever re-appearing upon the battle-field, but he does return, like
+Regulus to his barrel of spikes.</p>
+
+<p>The Captain has borrowed a number of brooms and dust-pans from the
+Diggers who, to a man, had retired and been snoring sweetly.</p>
+
+<p>"Now, gentlemen, clear up these feathers!" orders the Captain, as if he
+was crying, "Forward, march!"</p>
+
+<p>Clearing up those feathers was a tedious and trying process. Any one
+who has ever chased a worn-out but still lively feather up and down a
+long hall can imagine the scene with hundreds of them flying about.</p>
+
+<p>"They're the meanest lot of feathers,&mdash;pretty much all fuzz," said one
+exhausted brave.</p>
+
+<p>When the last handful had been crowded into the basket, Williams
+attempted opening the door.</p>
+
+<p>"No; you're to make your exit the same way you made your ingress,"
+announced the Captain.</p>
+
+<p>Williams stared blankly at the trap-hole in the ceiling.</p>
+
+<p>Dropping down through a trap-door and going up through the same, with
+no visible means of support but the floor, are naturally different
+exercises.</p>
+
+<p>"You're fertile in expedients; can't you devise some good way of
+getting out?" coolly asked the Captain.</p>
+
+<p>"We might stand on each other's shoulders," suggested one small
+savage, whom the blood-thirsty Williams afterward confessed he longed
+to scalp at this juncture.</p>
+
+<p>"Very well, do so," ordered the Captain.</p>
+
+<p>Then one of the noble savages stood under the trap-door while one by
+one the others sprang upon his shoulders, caught the edges of the
+opening above, wriggled, writhed, contorted his limbs, and finally
+succeeded in drawing himself up to his own story, while all down the
+hall, on either side, there appeared at the open ventilators over the
+doors the eyes of pairs of miserable Diggers, and for every Camanche
+that wriggled up there resounded a succession of groans.</p>
+
+<p>The Camanches thought, with a thrill of exultation, that the Captain
+would be obliged to proffer his shoulders for the last man, and would
+then be left pondering alone, like the goat in the well. That would be
+something of a revenge, at any rate.</p>
+
+<p>But when only one boy remained, who, to the exasperation of the entire
+tribe, was the identical small savage who had proposed going up in that
+ridiculous style, the Captain quietly opened the iron door, and he and
+the small savage retired with dignity.</p>
+
+<p>The Captain, who had his "good streaks," never reported the Camanches,
+but they manifested a disposition thereafter to settle quietly upon
+their own reservation and cultivate the peaceful arts, and they always
+treated their neighbors, the Diggers, with respect, though unmingled
+with affection.</p>
+
+<hr />
+
+<a name="image17" id="image17"></a>
+<div class="imgcenter">
+<img src="images/image17.jpg" width="400" height="191"
+alt="LITTLE BO-PEEP, SHE WENT TO SLEEP."
+title="LITTLE BO-PEEP, SHE WENT TO SLEEP." />
+<p class="caption">"LITTLE BO-PEEP, SHE WENT TO SLEEP."</p>
+</div>
+
+<hr />
+
+<h2><a name="solimin" id="solimin">SOLIMIN: A SHIP OF THE DESERT.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY SUSAN COOLIDGE.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>I asked a party of children once the meaning of the word "desert," and
+all but one shouted out, "rice pudding and oranges!" having in their
+minds the dinner which we had just eaten. That one, who was older than
+the rest, said, rather shyly, "A big piece of land, aunty, isn't it?"
+but even he didn't know how big,&mdash;or that there is a difference in
+spelling between the <i>dessert</i> which people eat and the <i>desert</i> which
+sometimes eats people, closing its jaws of sand, and swallowing them up
+as easily as a boy swallows a cherry.</p>
+
+<p>The biggest desert in the world is in Africa, and is called the Sahara.
+It is almost as large as the Atlantic Ocean, but instead of water it is
+all sands and rocks. Like the ocean, it is visited with storms;
+dreadful gales, when the wind scoops up thousands of tons of sand and
+drives them forward, burying and crushing all they meet. And it has
+islands, too&mdash;small green patches, where springs bubble through the
+ground, and ferns and acacias and palm-trees grow. When a traveler sees
+one of these fertile spots afar off, he feels as a tempest-tossed
+sailor does at sight of land. It is delightful to quit the hot, baking
+sun, sit in shadow under the trees, and rest the eyes, long wearied
+with dazzling sands, on the sweet green and the clear spring. Oases,
+these islands are called. Long distances divide them. It is often a
+race for life to get across from one to the other. Sometimes people do
+not get across! In 1805, a caravan of 2,000 persons died miserably of
+heat and thirst in the great desert, and the sand covered them up. Do
+you wonder at my saying that the desert eats men?</p>
+
+<p>Now, you will be puzzled to guess what sort of ship it is which swims
+this dry ocean. It is the camel&mdash;an animal made by God to endure these
+dreadful regions, in which no other beast of burden can live and
+travel. I dare say many of you have seen camels in menageries. They are
+ugly animals, but very strong, swift and untiring. With a load of 800
+pounds on his back, a camel will travel for days at the rate of eight
+miles an hour, which is as fast as an ordinary ship can sail. More
+wonderful still, he will do this without stopping for food or water.
+Nature has provided him with an extra stomach, in which he keeps a
+store of drink, and with a hump on his back, made of jelly-like fat,
+which, in time of need, is absorbed into the system and appropriated as
+food. Is it not strange to think of a creature with a cistern and a
+meat-safe inside him? A horse would be useless in the desert, where no
+oats or grass can be had; but the brave, patient camel goes steadily on
+without complaint till the oasis is reached: then he champs his thorn
+bushes, fills himself from the spring, allows the heavy pack to be
+fastened on his back again, and is ready for further travel.</p>
+
+<p>Now you know what sort of a ship it is that I am going to tell you
+about. It was a camel, named Solimin. He was of a rare and valuable
+breed, known as "herie," or coursers, because they are so much swifter
+than ordinary camels. Solimin's master, Ahmed, was a poor man. He never
+could have afforded to buy a full-grown camel of this rare breed; and
+Solimin had become his through a piece of good fortune. When a little
+foal, Solimin was found in a lonely place in the desert, standing over
+the dead body of his mother, who had fallen and perished by the way.
+Led to the brown tent which was Ahmed's home, the orphan baby grew up
+as a child of the family, lay among the little ones at night, and was
+their pet and plaything all the day. The boys taught him to kneel, to
+rise, to carry burdens, to turn this way and that at a signal. The
+girls hung a necklace of blessed shells around his neck, saved for him
+the best of the food, sang him songs (which he was supposed to enjoy),
+and daily kissed and stroked his gentle nose and eyes. As he grew big
+and strong, the pride of his owners grew with him. Not another family
+of the tribe possessed a herie. Once and again, Ahmed was offered a
+large price for him, but he rejected it with disdain.</p>
+
+<p>"Would I sell my son&mdash;the son of my heart?" he said. "Neither will I
+part with Solimin. By the Prophet, I swear it."</p>
+
+<p>Of all the dwellers in the brown tent Solimin loved best Ahmed himself,
+and his eldest son, Mustapha. With them he was docile as a lamb; but if
+strangers drew near, or persons he did not like, he became restive and
+fierce, screamed, laid back his ears, and kicked with his strong hind
+legs. A kick from a camel is no joke, I can tell you. All the desert
+guides knew Solimin, and, for his sake, Ahmed was often hired to
+accompany caravans. Nay, once, at Cairo, Solimin was chosen to carry
+the sacred person of the Khedive on a day's excursion up the Nile bank,
+which event served the tribe as a boast for months afterward.</p>
+
+<p>It was the year after this journey to Cairo that Ahmed met with a
+terrible adventure. He and Mustapha, making their way home after a
+long journey, had lain down to sleep away the noontide hours, according
+to the custom of desert travelers. Their camels were tethered beside
+them, all seemed secure and peaceful, when, sudden as the lowering of a
+cloud, a party of Arabs, belonging to a wild tribe at enmity with all
+men, pounced upon them. Ahmed and his son defended themselves manfully,
+but what could two men, surprised in sleep, do against a dozen? In five
+minutes all was over. The assailants vanished in a cloud of dust, and
+Ahmed, who had been struck down in the rush, recovered his senses, to
+find camels, baggage, belt, money, everything gone, and Mustapha
+wounded and motionless on the earth beside him.</p>
+
+<p>Ahmed thought him dead. They were alone in the desert, a hundred miles
+from home, without food or water, and with a groan of despair he sat
+down beside his son's body, bowed his head, and waited until death
+should come to him also. An Arab believes in fate, and gives up once
+for all when misfortune occurs.</p>
+
+<p>But Mustapha stirred, and Ahmed at once sprang up. There was nothing he
+could do for the poor boy, except to chafe and rub his hands; but this
+was something, for presently Mustapha revived enough to speak.</p>
+
+<p>"Are they gone?" he asked.</p>
+
+<p>"Yes, the accursed ones, they are gone, with all our goods and with
+Solimin! The Prophet's curse light upon them!" And passing from despair
+to fury, Ahmed threw sand upon his head, and flung himself on the
+ground in helpless rage. Mustapha joined in with groans and
+lamentations.</p>
+
+<p>When the father and son grew calmer, they began to discuss their
+situation. Ahmed knew of a small unfrequented oasis, about twenty miles
+away. It was their only chance of safety, but could they reach it?</p>
+
+<p>"I <i>think</i> I can walk," declared Mustapha, tying up his wounded leg in a
+fold torn from his turban. But he limped sadly, and his tightly pressed
+lips showed pain as he moved. He was faint with hunger beside. Neither
+of the men had eaten since sunrise.</p>
+
+<p>Suddenly Mustapha uttered a joyful cry, and lifted something from the
+earth.</p>
+
+<p>"The Prophet be praised!" he cried. "My father, here is food. The
+robbers have dropped a bag of dates."</p>
+
+<p>Sure enough, there it lay, a heavy bag of dates, shaken off from some
+camel's pack during the struggle. Heavy as it was, and hard to carry,
+Ahmed would fain have had it larger. It was their safety from
+starvation. A handful of its contents satisfied hunger, and gave them
+strength to begin their walk. What a walk it was! Poor Mustapha lay
+down every half-hour from pain and weakness; the sand was heavy, the
+darkness puzzled them. When morning broke, they had not accomplished
+more than half the distance. All through the hot day-time they lay
+panting on the ground, eating now and then a date, tormented with
+thirst and heat; and when evening came, they dragged themselves to
+their feet again, and recommenced their painful journey. Step by step,
+hour by hour, each harder and longer than the last, moment by moment
+they grew more feeble, less able to bear up, till it seemed as though
+they could no longer struggle on. At last, the morning broke. Ahmed
+raised his blood-shot eyes, seized Mustapha's arm, and pointed. There,
+not a hundred yards away, was the oasis, its trees and bushes outlined
+against the sky.</p>
+
+<p>Poor Mustapha was so spent that his father had to drag him across the
+short dividing space. It was a small oasis, and not very fertile; its
+well was shallow and scanty, but no ice-cooled sherbet ever seemed more
+delicious than did its brackish waters to the parched tongues of the
+exhausted men.</p>
+
+<p>All day and all night they lay under the shadow of the cactuses and the
+acacia-trees, rousing only to drink, and falling asleep again
+immediately. Shade, and sleep, and water seemed the only things in the
+world worth having just then.</p>
+
+<p>The second day they slept less, but it was nearly a week before they
+could be said to be wide-awake again. Such a pair of scare-crows as
+they looked! Ahmed was almost naked. The robbers had taken part of his
+clothes, and the desert thorns the rest. Haggard, wild, blackened by
+the sun, they gazed at each other with horror; each thought, "Do I look
+like that?" and each tried to hide from the other his own dismay.</p>
+
+<p>They could never tell afterward how long they remained at the oasis. It
+seemed years, but I suppose it could not have been more than weeks. All
+day long they looked wistfully toward the horizon, in hopes of a
+caravan, but the caravan never came. Slowly the dates dwindled in the
+bag; slowly the precious water diminished in the well; a little longer,
+and starvation would be upon them. They scarcely spoke to each other
+those last days, but sat each by himself in a sort of dull despair. At
+night, when they fell asleep, they dreamed of food, and woke in the
+morning to feel themselves still hungry. It was horrible!</p>
+
+<p>Then came a morning when they rose to find the hard desert outline,
+which they knew so well, vanished and gone, and in its stead a smooth,
+shining lake, fringed with trees and dotted with feathery, fairy
+islands. So near it seemed, and so real, that it was as though they
+heard the ripple of the water and the rustling of the wind in the
+tree-boughs. Mustapha stared as though his eyes would burst from his
+head; then he gave a wild cry, and was rushing away; but his father
+held him fast.</p>
+
+<p>"Stay, my son! Stay, Mustapha! It is no lake,&mdash;it is a device of Satan.
+What you behold is the mirage, spread by devils for men's destruction."</p>
+
+<p>"Let me go!" shrieked Mustapha, writhing and struggling.</p>
+
+<p>But even as he strove, the soft water-outlines shifted and trembled;
+the lake rose in air, melted, and sailed off into curling mists; the
+trees, the whole fair picture, dissolved, and the well-remembered sands
+and black rocks took its place. With a cry of horror, Mustapha slid
+through his father's arms to the earth, hid his face, and cried like a
+child.</p>
+
+<p>Next morning, only one date was left in the bag. Ahmed put it in his
+son's hand with a mournful look.</p>
+
+<p>"Eat, my son," he said; "eat, and then we will die. Allah il Allah!"</p>
+
+<p>A long silence followed; there seemed nothing more to say. Suddenly,
+from afar off, came to their ears the tinkle of a bell.</p>
+
+<p>Mustapha raised his head.</p>
+
+<p>"Is it the mirage again, my father?" he asked. "For it seems to me that
+I hear the bell from the neck of Solimin, our camel."</p>
+
+<p>Eagerly they listened. Again the bell tinkled, and, looking through the
+bushes, they saw, floating toward them, as it seemed, the form of a
+gigantic camel. Soundless and still, it moved rapidly along. Behind,
+but much farther away, other forms could be seen, still dim and
+indistinct, veiled by the mist of driving sand.</p>
+
+<a name="image18" id="image18"></a>
+<div class="imgcenter">
+<img src="images/image18.png" width="400" height="221"
+alt="THEY SAW THE FORM OF A GIGANTIC CAMEL."
+title="THEY SAW THE FORM OF A GIGANTIC CAMEL." />
+<p class="caption">"THEY SAW THE FORM OF A GIGANTIC CAMEL."</p>
+</div>
+
+<p>Suddenly Mustapha gave a start.</p>
+
+<p>"My father," he cried, in an excited whisper, "it <i>is</i> Solimin! I do
+not mistake! What other camel ever resembled Solimin? Do you not see
+his lofty hump,&mdash;his arched neck? Does not the bell tinkle as with the
+voice of home?"</p>
+
+<p>Then, half raising himself, he gave, with all the power of his voice,
+the well-known call.</p>
+
+<p>Solimin&mdash;for it was indeed he&mdash;paused as the sound caught his ears, and
+snuffed the wind. Again came the call; he wheeled, plunged, threw his
+rider, dashed forward, broke through the bushes, and in a second was on
+his knees before his old master.</p>
+
+<p>"Up, up, my father! there is no time to lose!" cried Mustapha, grown
+stronger in a moment. "Up, up! for the robbers are close upon us!"</p>
+
+<p>In fact, wild cries and clouds of dust showed that the foe had taken
+the alarm, and were hurrying on. But already Ahmed and Mustapha were
+mounted, and Solimin, like a ship at full sail, was speeding away with
+them. And where was the camel could overtake him, even when he was
+loaded double? Fast and swift his long, swinging trot bore them onward,
+and before two hours were gone, all traces of the pursuers had
+disappeared behind them, and they were free to turn their course toward
+the brown tents where rest, and food, and welcome had waited so long
+for their coming, and where, after a little time, their hardships and
+sufferings seemed to them only like a bad dream.</p>
+
+<p>As for Solimin, he hardly could be more tenderly treated or beloved
+than before this adventure; but if the freshest water, the prickliest
+furze,&mdash;if bowls of sour milk;&mdash;if a triple necklace of shells,&mdash;if
+brushing and grooming,&mdash;if soft pats from childish fingers, and sweet
+names murmured in his ears by girlish voices can make a camel happy,
+then is Solimin the happiest of heries. Solimin no longer, however. His
+name is changed to "The Blessed," in memory of the day when, like a
+stately ship, he came over the desert sea, and bore his starving
+masters to home, and life, and liberty.</p>
+
+<hr />
+
+<h2><a name="belindablonde" id="belindablonde">BELINDA BLONDE</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY LAURA E. RICHARDS.</div>
+<hr class="tiny" />
+
+<br />
+
+<div class="poem">
+<div class="stanza">
+ <div>Belinda Blonde was a beautiful doll,</div>
+ <div>With rosy-red cheeks and a flaxen poll;</div>
+ <div>Her lips were red, and her eyes were blue,</div>
+ <div>But to say she was happy would not be true;</div>
+ <div>For she pined for love of the great big Jack</div>
+ <div>Who lived in the box so grim and black.</div>
+ <div>She never had looked on the Jack his face,</div>
+ <div>But she fancied him shining with beauty and grace;</div>
+ <div>And all the day long she would murmur and pout,</div>
+ <div>Because Jack-in-the-box would never come out.</div>
+ <div>"Oh, beautiful, beautiful Jack-in-the-box!</div>
+ <div>Undo your bolts and undo your locks!</div>
+ <div>The cupboard is shut, and there's no one about;</div>
+ <div>Oh, Jack-in-the-box! jump out, jump out!"</div>
+ <div>But alas, alas for Belinda Blonde!</div>
+ <div>And alas, alas for her dreamings fond!</div>
+ <div>There soon was an end to all her doubt,</div>
+ <div>For Jack-in-the-box really <i>did</i> jump out!&mdash;</div>
+ <div>Out with a crash, and out with a spring,</div>
+ <div>Half black and half scarlet, a horrible thing;</div>
+ <div>Out with a yell and out with a shout,</div>
+ <div>His great goggle-eyes glaring wildly about.</div>
+ <div>"Alas! alas!" cried Belinda Blonde;</div>
+ <div>"Is this the end of my dreamings fond?</div>
+ <div>Is this my love, and is this my dear,</div>
+ <div>This hideous, glowering monster here?</div>
+ <div>Alas! alas!" cried Belinda fair.</div>
+ <div>She wrung her hands and she tore her hair,</div>
+ <div>Till at length, as the dolls who were witnesses say,</div>
+ <div>She fell on the ground and she fainted away.</div>
+</div>
+<br />
+<div class="center">MORAL.</div>
+<br />
+<div class="stanza">
+ <div>Now all you dolls, both little and big,</div>
+ <div>With china crown and with curling wig,</div>
+ <div>Before you give way to affection fond,</div>
+ <div>Remember the fate of Belinda Blonde;</div>
+ <div>And unless you wish to get terrible knocks,</div>
+ <div>Don't set your heart on a Jack-in-the-box.</div>
+</div>
+</div>
+
+<hr />
+
+<h2><a name="londondustman" id="londondustman">THE LONDON DUST-MAN</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY ALEXANDER WAINWRIGHT.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>There he goes! A dusky gloom hangs over the roofs of great London City;
+a similar gloom fills my room and seems to have touched all the furniture
+with smoky age, and as I look down from the window into the gloomy street,
+I see him coming along slowly, and crying in a voice like a plea for help
+in affliction: "Dust-oh!&mdash;dust-oh!&mdash;dust-oh!&mdash;dust-oh!"</p>
+
+<a name="image19" id="image19"></a>
+<div class="imgleft">
+<img src="images/image19.png" width="238" height="400"
+alt="DUST-OH!" title="DUST-OH!" />
+<p class="caption">"DUST-OH!"</p>
+</div>
+
+<p>Not one of the many citizens who are passing notices him, or finds
+anything strange in that plaintive cry. The people who live in the city
+see him day after day, and remember how, in their childhood, they had
+terrifying notions of his weakness for kidnapping and other mysterious
+wickednesses. They know better now, and hurry past him with scarcely a
+glance; but to the American visitor he is something of a curiosity.</p>
+
+<p>When the London fog is gray we cannot see him very far off, for he,
+too, is gray from head to foot with ash-dust, and as he approaches us
+he comes out of the mist like a phantom, though in reality he is a
+substantial, square-built, deep-chested fellow, shod with enormous
+Blücher shoes (the soles of which are bright with nails), and clad in a
+loose blouse and trousers, that are tied up about the knees. The blouse
+is open at the chest, and is lifted to the waist by his big, brown
+hands, which are tucked in his trouser pockets, and his head is covered
+by the kind of hat that sailors call a sou'wester. His only ornament is
+a pair of ear-rings; and with his head thrown back he saunters along
+the street by the side of his cart, repeating in measured tones his
+cry, "Dust-oh-oh! dust-oh!"</p>
+
+<p>Now and then he stops at a house, and his mate&mdash;he has a mate, who is
+as much like him as pea is like pea&mdash;descends into the cellar, bringing
+forth the ashes and refuse that have accumulated in twenty-four hours,
+and when the cart, which is a square, box-like affair, is filled he
+starts for home with his load.</p>
+
+<p>What a queer home it is! It is on the outskirts of the city, far away
+from the finer streets and buildings. A large space of ground is as
+gray and dusty as an African or Western desert, and is broken by mounds
+of ashes, some of which are only a few feet high, while others are
+almost as high as houses,&mdash;quite as high, in fact, as the dismal little
+shanties on the edge of the reservation in which the dust-man and his
+fellows live. Other carts and other dust-men are constantly coming and
+going, dumping one load and then returning to the city for another, and
+as soon as a load is dumped it is attacked by a crowd of men, women and
+children, who with shovels, rakes and hooks, turn it over and over, and
+raise stifling clouds of dust.</p>
+
+<p>The reader may think that the collections made by the dust-man are
+valueless, but such is not the case.</p>
+
+<p>There are more than 300,000 inhabited houses in London, consuming more
+than 3,500,000 tons of coal a year, and besides the ashes from this
+great quantity of fuel, the dust-man gathers the other refuse of the
+houses. He is employed by a contractor, who agrees with the corporation
+to remove the ashes, etc., out of the city, and the contractor divides
+every load into six parts, as follows: Soil, or fine dust, which is
+sold to brick-makers for making bricks and to farmers for manure;
+brieze, or cinders, sold to brick-makers for burning brick; rags, bones
+and old metals, sold to marine-store dealers; old tin and iron vessels,
+sold to trunk-makers for clamps; bricks, oyster and other shells, sold
+for foundations and road-building; and old boots and shoes, sold to the
+manufacturers of Prussian blue.</p>
+
+<p>Sometimes, much more valuable things than these are found, and the
+reader may remember the romance that Charles Dickens made out of a
+London dust-man&mdash;"Our Mutual Friend."</p>
+
+<p>It is in sifting the different parts of a load that the men, women and
+children, are employed; they are as busy as ants; mere babies and
+wrinkled old dames take a part in the labor, and all of them are so
+covered with dust and ashes that they are anything but pleasant to
+contemplate, though, as a rule, they are useful, honest, and
+industrious members of society.</p>
+
+<p>"Dustie" is what the Londoners familiarly call the dust-man, and only a
+few know in what ignorance and poverty he lives. One would think that
+he would work himself into a better occupation, but his family have
+been dust-men for generations, and the generations after him are not
+likely to change.</p>
+
+<hr />
+
+<h2><a name="huckleberry" id="huckleberry">HUCKLEBERRY.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY FRANK R. STOCKTON.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>More than a hundred and sixty-eight years ago, there lived a curious
+personage called "Old Riddler." His real name was unknown to the people
+in that part of the country where he dwelt; but this made no
+difference, for the name given to him was probably just as good as his
+own. Indeed, I am quite sure that it was better, for it meant
+something, and very few people have names that mean anything.</p>
+
+<p>He was called Old Riddler for two reasons. In the first place, he was
+an elderly man; secondly, he was the greatest fellow to ask riddles
+that you ever heard of. So, this name fitted him very well.</p>
+
+<p>Old Riddler had some very peculiar characteristics,&mdash;among others, he
+was a gnome. Living underground for the greater part of his time, he
+had ample opportunities of working out curious and artful riddles,
+which he used to try on his fellow-gnomes; and if they liked them, he
+would go above-ground and propound his conundrums to the country
+people, who sometimes guessed them, but not often.</p>
+
+<p>The fact is, that those persons who wished to be on good terms with the
+old gnome never guessed his riddles. They knew that they would please
+him better by giving them up.</p>
+
+<p>He took such a pleasure in telling the answers to his riddles, that no
+truly kind-hearted person would deprive him of it, by trying to solve
+them.</p>
+
+<p>"You see," as Old Riddler used to say, when talked to on the subject,
+"if I take all the trouble to make up these riddles, it's no more than
+fair that I should be allowed to give the answers."</p>
+
+<p>So, the old gnome, who was not much higher than a two-year-old child,
+though he had quite a venerable head and face, was very much encouraged
+by the way the people treated him, and when a person happened to be
+very kind and appreciative, and gave a good deal of attention to one of
+his conundrums, that person would be pretty sure, before long, to feel
+glad that he had met Old Riddler.</p>
+
+<p>There were thousands of ways in which the gnomes could benefit the
+country-folks, especially those who had little farms or gardens.
+Sometimes Old Riddler, who was a person of great influence in his
+tribe, would take a company of gnomes, under the garden of some one to
+whom he wished to do a favor, and they would put their little hands up
+through the earth and pull down all the weeds, root-foremost, so that
+when the owner went out in the morning, he would find his garden as
+clear of weeds as the bottom of a dinner-plate.</p>
+
+<p>Of course, any one who has habits of this kind must eventually become a
+general favorite, and this was the case with Old Riddler.</p>
+
+<p>One day, he made up a splendid riddle, and, after he had told it to all
+the gnomes, he hurried up to propound it to some human person.</p>
+
+<p>He was in such haste that he actually forgot his hat, although it was
+late in the fall, and he wore his cloak. He had not gone far through
+the fields before he met a young goose-girl, named Lois. She was a poor
+girl, and was barefooted; and as Old Riddler saw her in her scanty
+dress, standing on the cold ground, watching her geese, he thought to
+himself: "Now I do hope that girl has wit enough to understand my
+riddle, for I feel that I would like to get interested in her."</p>
+
+<p>So, approaching Lois, he made a bow and politely asked her: "Can you
+tell me, my good little girl, why a ship full of sailors, at the bottom
+of the sea, is like the price of beef?"</p>
+
+<p>The goose-girl began to scratch her head, through the old handkerchief
+she wore instead of a bonnet, and tried to think of the answer.</p>
+
+<p>"Because it's 'low,'" said she, after a minute or two.</p>
+
+<p>"Oh no!" said the gnome. "That's not it. You can give it up, you know,
+if you can't think of the answer."</p>
+
+<p>"I know!" said Lois. "Because it's sunk."</p>
+
+<p>"Not at all," said Old Riddler, a little impatiently. "Now come, my
+good girl, you'd much better give it up. You will just hack at the
+answer until you make it good for nothing."</p>
+
+<p>"Well, what is it?" said Lois.</p>
+
+<p>"I will tell you," said the gnome. "Now, pay attention to the answer:
+Because it has gone down. Don't you see?" asked the old fellow, with a
+gracious smile.</p>
+
+<a name="image20" id="image20"></a>
+<div class="imgcenter">
+<img src="images/image20.png" width="364" height="399"
+alt="'DON'T YOU SEE?' ASKED THE OLD FELLOW."
+title="'DON'T YOU SEE?' ASKED THE OLD FELLOW." />
+<p class="caption">"'DON'T YOU SEE?' ASKED THE OLD FELLOW."</p>
+</div>
+
+<p>"Yes, I see," said the goose-girl, scratching her head again; "but my
+answer was nearly as good as yours."</p>
+
+<p>"Oh, dear me!" said Old Riddler, "that wont do. It's of no use at all
+to give an answer that is nearly good enough. It must be exactly right,
+or it's worthless. I am afraid, young girl, that you don't care much
+for riddles."</p>
+
+<p>"Yes I do," said the goose-girl; "I make 'em."</p>
+
+<p>"Make them?" exclaimed Old Riddler, in great surprise.</p>
+
+<p>"Yes," replied Lois, "I'm out here all day with these geese, and I
+haven't anything else to do, and so I make riddles. Do you want to hear
+one of them?"</p>
+
+<p>"Yes, I would like it very much indeed," said the gnome.</p>
+
+<p>"Well, then, here's one: If the roofs of houses were flat instead of
+slanting, why would the rain be like a chained dog?"</p>
+
+<p>"Give it up," said Old Riddler.</p>
+
+<p>"Because it couldn't run off," answered Lois.</p>
+
+<p>"Very good, very good," said the gnome. "Why, that's nearly as good as
+some of mine. And now, my young friend, didn't you feel pleased to have
+me give up that riddle and let you tell me the answer, straight and
+true, just as you knew it ought to be?"</p>
+
+<p>"Oh yes!" said the goose-girl.</p>
+
+<p>"Well, then," continued Old Riddler, "remember this: What pleases you
+will often please other people. And never guess another riddle."</p>
+
+<p>Lois, although a rough country girl, was touched by the old man's
+earnestness and his gentle tones.</p>
+
+<p>"I never will," said she.</p>
+
+<p>"That's a very well-meaning girl," said Old Riddler to himself as he
+walked away, "although she hasn't much polish. I'll come sometimes and
+help her a little with her conundrums."</p>
+
+<p>Old Riddler had a son named Huckleberry. He was a smart, bright young
+fellow, and resembled his father in many respects. When he went home,
+the old gnome told his son about Lois, and tried to impress on his mind
+the same lesson he had taught the young girl. Huckleberry was a very
+good little chap, but he was quick-witted and rather forward, and often
+made his father very angry by guessing his riddles; and so he needed a
+good deal of parental counsel.</p>
+
+<p>Nearly all that night, Huckleberry thought about what his father had
+told him. But not at all as Old Riddler intended he should.</p>
+
+<p>"What a fine thing it must be," said Huckleberry to himself, "to go out
+into the world and teach people things. I'm going to try it myself."</p>
+
+<p>So, the next day, he started off on his mission. The first person he
+saw was a very small girl playing under a big oak-tree.</p>
+
+<p>When the small girl saw the young gnome, she was frightened and drew
+back, standing up as close against the tree as she could get.</p>
+
+<p>But up stepped Master Huckleberry, with all the airs and graces he
+could command.</p>
+
+<p>"Can you tell me, my little miss," said he, "why an elephant with a
+glass globe of gold-fish tied to his tail is like a monkey with one
+pink eye and one of a mazarine blue?"</p>
+
+<p>"No," said the small girl, "I don't know. Go away!"</p>
+
+<p>"Oh," said Huckleberry, "perhaps that's too hard for you. I know some
+nice little ones, in words of one syllable. Why is a red man with a
+green hat like a good boy who has a large duck in a small pond?"</p>
+
+<p>"Go away!" said the small girl. "I came here to pick flowers. I don't
+know riddles."</p>
+
+<p>"Perhaps that one was too easy," said Huckleberry, kindly. "I have all
+sorts. Here is one with longer words, divided into syllables. I'll say
+it slowly for you: What is the dif-fer-ence between a mag-nan-i-mous
+ship-mate and the top-most leaf-let on your grand-mo-ther's bar-ber-ry
+bush?"</p>
+
+<p>"I haven't got any grandmother," said she.</p>
+
+<p>"Oh, well! Any grandmother will do," said Huckleberry.</p>
+
+<p>"I can't guess it," said the small girl, who was now beginning to lose
+her fear of the funny little fellow. "I never guessed any riddles. I'm
+not old enough."</p>
+
+<p>"Very well, then," said Huckleberry, "I'll tell you what I'll do. Let's
+sit down here under the tree, and I'll tell you one of father's
+riddles, and give you the answer. His riddles are better than mine,
+because none of mine have any answers. I don't put answers to them, for
+I can never think of any good ones. I met a boy once, and told him a
+lot of my riddles; and he learned them, and went about asking people to
+guess them, and when the people gave them up, he couldn't tell them the
+answers, because there were none, and that made everybody mad. He told
+one of the riddles to his grandmother,&mdash;I think it was the one about
+the pink-eyed monkey and the wagon-load of beans&mdash;"</p>
+
+<a name="image21" id="image21"></a>
+<div class="imgcenter">
+<img src="images/image21.png" width="400" height="398"
+alt="THE BOY AND HIS GRANDMOTHER." title="THE BOY AND HIS GRANDMOTHER." />
+<p class="caption">THE BOY AND HIS GRANDMOTHER.</p>
+</div>
+
+<p>"No," said the small girl; "the elephant and the gold-fish was the
+other part of the pink-eyed monkey one."</p>
+
+<p>"Oh, it don't make any difference," said Huckleberry, "I don't join my
+riddles together the same way every time. Sometimes I use the gold-fish
+and elephant with the last part of one riddle, and sometimes with
+another. As there's no answer, it don't matter. I begin a good many of
+my best riddles with the elephant, for it makes a fine opening. But, as
+I was going to tell you, this boy told one of my riddles to his
+grandmother, and she liked it very much; but when she found out that
+there was no answer to it, she gave him a good box on the ear, and that
+boy has never liked me since. But now I'll tell you a story. That is,
+it's like a story, but it's really a riddle. Father made it and
+everybody thinks it's one of his best. There was once a fair lady of
+renown who was engaged to be married to a prince. And when the
+wedding-day came round&mdash;they were to be married in one of the prince's
+palaces in the mountains&mdash;she was so long getting dressed&mdash;you see she
+dressed in one of her father's palaces, down in the valley&mdash;that she
+was afraid she would be late, so as soon as her veil was pinned on, she
+ran down to the stables, threw a wolf-skin on the back of one of the
+fieriest of the chargers, and springing on him, she dashed away. She
+wasn't used to harnessing horses, and was in such a hurry that she
+forgot all about the bridle, and so, as she was dashing away, she found
+she couldn't steer the animal, and he didn't go anywhere near the
+prince's palace, but galloped on, and on, and on, every minute taking
+her farther and farther away from where she wanted to go. She couldn't
+turn the charger, and she couldn't stop him, though she tore off pieces
+of her veil, and tried to put them around his nose, but it was no good.
+So when the wedding-party had waited and waited and waited, the prince
+got angry and married another lady, and nobody knows where the fair
+lady of renown went to, although there are some people who say that
+she's a-galloping yet, and trying to get her veil around the charger's
+nose. Now, why was it that that fair lady of renown never married?
+Answer: Because she had no bridal. You can say either bri-d-a-l or
+bri-d-l-e, because they both sound alike, and if she had had either one
+of them, she would have been married. This is a pretty long riddle, but
+it's easier than mine, because it's all fixed up right, with the answer
+to it and everything. You like it better than mine, don't you?"</p>
+
+<a name="image22" id="image22"></a>
+<div class="imgcenter">
+<img src="images/image22.png" width="401" height="233"
+alt="THE FAIR LADY OF RENOWN." title="THE FAIR LADY OF RENOWN." />
+<p class="caption">THE FAIR LADY OF RENOWN.</p>
+</div>
+
+<p>The small girl did not answer, and when Huckleberry looked around, he
+saw that she was asleep.</p>
+
+<p>"Poor little thing!" said Huckleberry, softly, to himself. "I guess I
+gave her a little too much riddle to begin with. Her mind isn't formed
+enough yet. But it's pretty hard on me. I wanted to teach somebody
+something, and here she's gone to sleep. I wish I could find that
+goose-girl. If father could teach her something, I'm sure I could."</p>
+
+<p>So he went walking through the fields, and pretty soon he saw Lois,
+standing among her geese, who were feeding on the grass.</p>
+
+<p>Huckleberry skipped up to her as lively as a cricket.</p>
+
+<p>"Can you tell me," said he, "why an elephant with a glass globe of
+gold-fish tied to his tail is like the Lord High Admiral of the British
+Isles?"</p>
+
+<p>"Was the globe of gold-fish all the elephant owned?" asked the
+goose-girl, thoughtfully.</p>
+
+<p>"Yes," said Huckleberry. "But I don't see what that's got to do with
+it."</p>
+
+<p>"Then the answer is," said Lois, without noticing this last remark,
+"because all his property is entailed."</p>
+
+<p>"Well, I de-clare!" cried Huckleberry, opening his eyes as wide as they
+would go, "if you didn't guess it! Why, I didn't know it had an
+answer."</p>
+
+<p>"I wish it hadn't had an answer," said the goose-girl, suddenly
+stamping her foot. "I wish there had never been any answer to it in the
+whole world. It was only yesterday that I promised Old Riddler that I
+would never guess another riddle, and here I've done it! It's too bad!"</p>
+
+<p>"I don't think it is," cried Huckleberry, waving his little cap around
+by the tassel. "It's all very well for father not to want people to
+guess his riddles, because they've got answers and he knows what they
+are. But I would never have known that any of mine had an answer if you
+hadn't guessed this one. If you had had a riddle like this one,
+wouldn't you have been glad to have some one tell you the answer?"</p>
+
+<p>"Yes, I would," said Lois.</p>
+
+<p>"Well, then, my good girl, remember this: If a thing gives you
+pleasure, it's very likely that it will give somebody else pleasure. So
+let somebody else have a chance, and the next time you hear a riddle
+that you think the owner has no answer for, guess it for him, if you
+can. Good-by!"</p>
+
+<p>And away went Master Huckleberry, skipping and singing and snapping his
+fingers and twirling his cap, until he came to a wide crack in the
+ground, when he rolled himself up like a huckleberry dumpling, and went
+tumbling and bouncing down into the underground home of the gnomes.</p>
+
+<p>"Get out of the way!" said he to the gnomes he passed, as he proudly
+strode to his father's apartments. "I'm going to make a report. For the
+first time in my life I've taught somebody something."</p>
+
+<p>When Huckleberry left her, the goose-girl stood silently in the midst
+of her geese. Her brow was overcast.</p>
+
+<p>"How's anybody to do two things that can't both be done?" she exclaimed
+at last. "I'll have nothing more to do with riddles as long as I live."</p>
+
+<hr />
+
+<h2><a name="williamphips" id="williamphips">HOW SIR WILLIAM
+PHIPS<br />FOUND THE TREASURE IN THE SEA.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY S.G.W. BENJAMIN.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>There is scarcely anything more exciting to the imagination than tales
+of hidden treasure, especially treasure lost at sea. The mystery, the
+wonder, the adventure, the tragedy, the seemingly boundless
+possibilities connected with riches lost by shipwreck or war, and yet
+not gone beyond the hope of recovery, have given rise to a multitude of
+romantic stories, some of them pure fictions, but many founded more or
+less on fact.</p>
+
+<p>I have known several cases in which treasure lost by piracy or
+shipwreck has been recovered after a century or more. Some years ago a
+company of men from Boston made two cruises to the shoals of the Silver
+Key on the Bahama Banks, a spot noted for shipwrecks. They had some
+clue to a treasure-laden ship which had foundered there long ago. The
+first trip was unsuccessful, but on the second voyage the wreck was
+found. Divers, armed with modern apparatus, spent several days in the
+quest, but in vain, until, finally, just as the last diver was about to
+give the signal to be drawn up, he leaned against what seemed only the
+barnacle-encrusted end of a beam; but suddenly it gave way, and numbers
+of golden doubloons rolled out at his feet. Considerable sums rewarded
+further search in the sand-filled and decaying carcass of the old ship;
+but exactly how much was realized is known only to the discoverers, who
+kept the matter secret, and thus evaded paying a great part of the
+share due to the British crown, in whose dominion the treasure was
+found.</p>
+
+<p>To Boston also belonged, some two centuries ago, the celebrated
+treasure-hunter, William Phips. He was one of twenty-one sons, and was
+born at Woolwich, Maine, in 1651. Of a bold, adventurous spirit, his
+first and last passion was to follow the sea, although until he was
+eighteen years of age he was forced to tend sheep. He then apprenticed
+himself to a ship-carpenter for four years, taking a trip down the
+coast now and then, and watching his chance for the next move. He is
+said to have been inspired by an idea that celebrity and fortune were
+to be his destiny; and when his apprenticeship was over, he went to
+Boston and worked at ship-building for a year, until he had the good
+luck to win the favor of a rich widow. Her he married, and, with the
+increase of means thus obtained, Phips launched into various
+enterprises, which did not always turn out well. But he never lost
+faith in his guiding star, and often told his good wife that "he should
+yet become commander of a king's ship, and owner of a fair brick house
+in the Green Lane of Boston"&mdash;at that time the Beacon Street of the
+plucky little town.</p>
+
+<p>Ten years went by, and Phips seemed but little nearer the realization
+of his dreams than while tending sheep on the hill-sides of Maine, when
+the prospect suddenly brightened in an unexpected quarter. This was the
+time when Spanish and Portuguese galleons were crossing the ocean laden
+with silver from Potosi and diamonds from Brazil. Pirates and
+privateers scoured the seas to rob the treasure-ships, and great
+expeditions were sent out by England in war times for the same purpose.
+The imaginations of men ran riot during this feverish state of things,
+and people were ready to believe almost any yarn "spun" in the
+forecastle.</p>
+
+<p>Phips was just the man to be moved by such tales, and, when he learned
+of a certain rich wreck on the Bahamas, he at once fitted out a small
+vessel and went in search of it. He found and recovered the treasure,
+but the amount was small, being only large enough to whet his appetite
+for more.</p>
+
+<p>While at the Bahamas, he was told of another Spanish vessel, wrecked
+off Puerto Plata more than fifty years before, with a much larger
+treasure. His means not being sufficient for this expedition, Phips
+sailed for England and made direct application to the Admiralty to aid
+him in his search. So ably did this true son of the sea represent his
+cause, that he was given command of the "Rose Algier," a ship mounting
+eighteen guns and carrying a hundred men. Thus Phips's first dream came
+to pass; he was now captain of a king's ship, with a roving commission.</p>
+
+<p>The exact position of the wreck was unknown, and the untrustworthy
+character of the crew added great difficulties to the undertaking. It
+should be remembered, also, that diving-bells, diving-armor, and the
+like, were then unknown. But the courage and indomitable perseverance
+of Phips now came into play, and he had a capital chance to show the
+stuff of which he was made.</p>
+
+<p>Soon after they had sailed, the crew came aft, armed, and determined to
+force Phips to yield to their wishes, which probably were that they
+should all turn pirates. Without giving them time to deliberate, Phips
+flew at their leader, hurled him to the deck and dispatched him on the
+spot&mdash;a deed so prompt and daring that it awed the mutineers into
+submission for the time. One who has never seen a mutiny at sea can
+form but little idea of its desperate character, and the rapidity of
+action and unflinching nerve required where men are shut up alone on
+the wide ocean with a quarrel so deadly in its nature that no
+compromise can be thought of for a moment, and no quarter can be
+allowed with safety to him who gives it.</p>
+
+<p>But the next plot to seize the ship was even more dangerous. The "Rose
+Algier," being in need of repairs, was taken to a cove in a small
+uninhabited island, and careened on one side in order to reach the
+damaged place. Most of the stores were moved on shore, the ship was
+hove down, and a bridge was laid between the deck and the land. Under
+the pretense of pastime, most of the crew now betook themselves to the
+woods, and there plotted to return at seven in the evening, seize the
+ship, force Phips and eight faithful men on shore, leave them there to
+perish, and themselves sail away on a piratical cruise. But the
+carpenter was one of the few who stood by the captain, and yet they
+could not risk putting to sea without him. They sent for him,
+therefore, on some pretext, and, having him in their power, offered him
+the choice of instant death or of joining his fortunes with theirs. He
+begged for half an hour to think about it, and said that at any rate he
+should have to return on board for his tool-chest. They granted his
+request, and sent two men with him to watch his movements. Soon
+afterward, he was suddenly taken with a pretended cramp or colic, and
+in great seeming agony rushed into the cabin for medicine; there he
+found Phips, and in a few rapid words revealed the plot. In less than
+two hours the mutineers would be marching on the ship. Not an instant
+was to be lost. Immediately the guns were loaded and trained to command
+the shore and all the approaches to the stores; the bridge was taken
+in, and when the mutineers appeared they found themselves caught. In
+tones of thunder, Phips bade them not to stir or he would mow them down
+with his batteries; nor did they dare to disobey. The bridge was again
+laid down, and the eight loyal men brought back the stores to the ship.
+When all was safely on board again, the mutineers were told that they
+were to be left to the fate they had intended for their commander. In
+despair at so terrible a prospect, the miserable men threw down their
+arms, and protested their willingness to submit if Phips would but
+relent and not sail away without them. After a long parley, he agreed
+to let them come on board, they having first given up their arms. But,
+with such a crew, further search after the treasure was useless. Phips,
+therefore, sailed for Jamaica, changed the crew, and again weighed
+anchor for Hispaniola. There he was lucky enough to find an old
+Spaniard who told him that the wreck was somewhere about a reef a few
+leagues north of Puerto de la Plata. Phips immediately went to the
+spot. But his search for the wreck was long and unavailing, the season
+was changing, and the "Rose Algier," now but half manned and in
+unseaworthy condition, was unfit to prowl around a dangerous reef in
+the hurricane season. So, without having accomplished the object of so
+much exertion and anxiety, Phips was obliged to return to England, a
+baffled but not a discouraged man.</p>
+
+<a name="image23" id="image23"></a>
+<div class="imgcenter">
+<img src="images/image23.jpg" width="362" height="401"
+alt="CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE MUTINEERS."
+title="CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE MUTINEERS." />
+<p class="caption">CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE
+MUTINEERS.</p>
+</div>
+
+<p>Very naturally, it was impossible for our adventurer to obtain another
+English ship-of-war, although he received much credit for the courage
+and skill shown in controlling the mutineers, and one would conclude
+that the treasure of the old Spanish galleon would after this have
+remained at the bottom of the sea, the exclusive possession of the
+sharks, the turtles and the barracudas. But with rare pertinacity Phips
+returned to the charge, and at last persuaded the Duke of Albemarle
+and several other wealthy noblemen to his views. They formed a company
+and obtained a patent from King James II., giving them the sole right
+to all wrecked treasure they might find during a certain number of
+years. Then they fitted out a ship and tender, the latter to cruise in
+coves and shoal water, and Phips invented several rude contrivances,
+for dragging and diving, far inferior to the means now used for such
+purposes. Thus prepared, he sailed once more for Hispaniola. There a
+small, stout boat was built, and with it and a crew of Indian divers
+the tender was despatched to the reef where the wreck was said to be.
+The tender was anchored in good holding-ground at a safe distance from
+the reef, and the men then rowed slowly in the boat around it,
+carefully examining the depths below for signs of the wrecked galleon.
+The waters in the West Indies are very clear, and during a calm objects
+can be seen at a considerable depth. The rocks were of singular form,
+rising nearly to the surface, but with sides so steep that any vessel
+striking them would be liable to go down many fathoms below the reach
+of the most expert diver. The only hope was that the wreck might have
+lodged on some projecting ledge. But the closest observation, long
+continued, failed to reveal any sign of the object so eagerly sought,
+although the water was perfectly calm.</p>
+
+<p>At length; a curious sea-plant cropping out of a crevice in the sides
+of the reef caught the eye of one of the crew, and he sent down an
+Indian to bring it up. When the diver returned to the surface he
+reported that he had seen a number of brass cannon lying tangled among
+the sea-weed on a ledge. That was enough. Inspired with the greatest
+enthusiasm, diver after diver plunged below to be the first to discover
+the treasure, and ere long one of them brought up an ingot of silver
+worth several hundred pounds. Transported with success they left a buoy
+to mark the spot, and made all sail to carry the glad tidings to Phips.
+He would not credit the tale until he had seen the ingot, when he
+exclaimed, "Thanks be to God, we are all made!"</p>
+
+<p>Every man was at once enlisted in the service of fishing for the
+treasure. The bullion was discovered first; after that, in the bottom
+of the hold, the sea-miners found the coin in bags, which had been so
+long under water that they were encrusted with a stony shell, hard as
+rock. This was broken with crowbars, revealing gold, jewels, and
+"pieces of eight," in glittering abundance. The last day's work brought
+to light twenty massive silver ingots, and the whole amount recovered
+was somewhat over three hundred thousand pounds, a sum equal in the
+values of our time to five millions of dollars. Nor was this all the
+riches concealed in the wreck; but Phips was obliged to return to
+England before completing the business. Provisions had run low, and the
+presence of so vast a treasure on board had stimulated the cupidity of
+the crew to a dangerous degree, so that each day of delay in reaching
+port was full of hazard. Every precaution was taken to guard the
+treasure, but what probably prevented the crew from rising was the
+promise Phips gave them, when matters had become most suspicious, that
+they should each receive a share of the profits in addition to his
+wages, even if his own portion were thus swallowed up. Phips reached
+England without mishap, thus bringing to a successful termination one
+of the most daring exploits of its sort that were ever attempted.</p>
+
+<p>When the profits were divided, Phips received as his share a sum that
+would now be equal to two hundred and fifty thousand dollars. The Duke
+of Albemarle presented Mrs. Phips with a magnificent gold cup worth
+fifteen thousand dollars, and King James expressed great pleasure at
+the honesty and ability of Phips in the conduct of such a difficult
+undertaking, and as a reward for bringing such a treasure into England
+granted him the honor of knighthood, and offered him important
+employment in the royal service. Fortune had indeed smiled on the
+shepherd-boy of Maine.</p>
+
+<p>But Phips was never ashamed of his humble origin, nor in all his
+wanderings did he forget his native land. And now, instead of remaining
+to enjoy further honors near the throne, he returned to his family,
+bearing the important commission of High Sheriff of New England. He now
+built the brick house on Green Lane which he had promised his wife
+fifteen years before. The name of this Street was eventually changed to
+Charter Street, in memory of his efforts to have the charter of the
+Massachusetts colony restored.</p>
+
+<p>Sir William Phips afterward engaged in the wars between the American
+colonies of France and England, and at the head of an expedition of
+eight ships captured Port Royal. A subsequent enterprise against Quebec
+failed from a combination of causes, some of them beyond the control of
+Phips. After this Sir William went again to England, where he was
+appointed Captain-General and Governor-in-Chief of the New England
+colonies; and his return home with these new honors and titles was made
+the occasion of a day of solemn thanksgiving.</p>
+
+<p>His governorship having ceased, Sir William Phips sailed for England,
+and was meditating a fresh expedition in search of shipwrecked treasure
+when he was taken suddenly ill, and died at the age of forty-five.
+While his adventurous career affords us little hope that any of us will
+ever, like him, discover shipwrecked wealth, it gives us a fine example
+of what perseverance combined with intelligence, courage and honesty
+can accomplish in the face of great difficulties; for it was a union of
+all these qualities which enabled Sir William Phips to wrest fortune
+and honors from the ocean depths.</p>
+
+<a name="image24" id="image24"></a>
+<div class="imgcenter">
+<img src="images/image24.png" width="400" height="180" alt="" />
+</div>
+
+<hr />
+
+<h2><a name="fishingbirdsflorida" id="fishingbirdsflorida">SOME FISHING-BIRDS OF FLORIDA.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY MRS. MARY TREAT.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>All along the St. John's River, during the winter, may be seen birds
+catching fish for a living. They are more numerous here in winter than
+in summer, because, upon the freezing of the waters at the North, they
+flock to Florida to carry on their fishing in the St. John's, which,
+never freezing, contains an abundance of fish.</p>
+
+<p>The belted kingfisher comes close to the house, where I can watch him
+fishing as I sit at the window. The river is five miles across here,
+and for several yards from the shore it is quite shallow, so that a
+wharf two hundred and fifty feet long was necessary to make it easy to
+launch our small rowboats. A railing extends along the side of the
+wharf, and upon this railing the kingfisher perches, watching for his
+prey.</p>
+
+<a name="image25" id="image25"></a>
+<div class="imgleft">
+<img src="images/image25.png" width="199" height="245"
+alt="THE BELTED KINGFISHER." title="THE BELTED KINGFISHER." />
+<p class="caption">THE BELTED KINGFISHER.</p>
+</div>
+
+<p>He understands fishing much better than most boys, for he seldom misses
+his game. He takes his position on the railing, and fixes his eyes upon
+the finny tribes below, and when a fish that suits him comes within his
+range, he dives into the water and brings it up with his stout beak,
+and then beats it upon the railing to make it limp and tender before
+swallowing.</p>
+
+<p>It is not so very surprising that he is such an expert fisher, for
+during the winter it is his only occupation; he has no family to look
+after now, and he is so very selfish and quarrelsome that he will not
+allow any of his brothers to fish near him. He considers the whole
+length of the wharf his fishing-post, and his brothers must not
+trespass upon his grounds; if they do, he chases them away with a
+rattling, clanging noise, enough to frighten any fisher not stronger
+than himself.</p>
+
+<p>In the spring he takes a partner in his business, for now it is time to
+raise a family, and he knows he can never do this alone. He is very
+good and kind to this partner, and helps her dig a hole in a clayey
+bank for the nest, and then takes his turn in sitting upon the eggs.
+After the eggs are hatched, they both catch fish to feed the young
+until they are old enough to feed themselves.</p>
+
+<p>The American flamingo, with his gorgeous scarlet feathers, is a superb
+fellow. He is very shy, and peculiarly afraid of man. On account of its
+fine apparel, it has been more closely pursued than almost any other
+bird. It does not go north like some of the herons, but Audubon says it
+has occasionally been seen in South Carolina. Its constant home,
+however, is in the southern part of Florida and along the Gulf coast.</p>
+
+<p>Like the herons, of which I told you in <span class="small">ST. NICHOLAS</span>
+for May, 1877, the flamingoes are sociable, and live in flocks. They
+have webbed feet, which give them an advantage over the herons in
+enabling them to swim as well as to wade. I have never been able to
+get near enough to these birds to gain any personal knowledge of their
+habits.</p>
+
+<p>The nest of the flamingo is a curious affair; usually built in a
+marshy, muddy place, in the form of a mound. It is made of sticks and
+grass and mud to the height of two or three feet, with a hollow in the
+middle to hold the eggs. The male is said to assist in the construction
+of the nest, but this is probably mere conjecture, for I think no one
+living at the present time has been able to get near enough to these
+birds to watch their habits, and their nests can be reached only with
+great difficulty.</p>
+
+<p>The female lays two white eggs about the size of those of a goose. It
+is said that she sits astride the nest in an ungainly fashion, and that
+the young, as soon as they are hatched, take to the water like young
+ducks.</p>
+
+<p>If a law only could be passed to protect these birds, what a grand
+sight the waters of Florida would soon present! These great, brilliant,
+scarlet birds, dallying and playing in the water, or wading near the
+shore in quest of game, would be a sight never to be forgotten. Can it
+be possible that Florida does not care for such glorious creatures, and
+will allow, year after year, these marauders from the North to kill
+them without a single protest? Unless something is done for the
+protection of these splendid creatures, they must soon become extinct;
+for their range is quite limited, and I fear the boy and girl readers
+of <span class="small">ST. NICHOLAS</span>, by the time they grow to
+men and women, can only read of these as "gorgeous birds of the past."</p>
+
+<p>Almost every morning, the osprey, or fish-hawk, comes in front of the
+window and fishes in the shallow water near the house. He does not seem
+to be as expert as the kingfisher. I have seen him dive a dozen times
+or more into the water before bringing up his prey. He sails around and
+around in the air; at last fixing his eyes upon a fish, he swoops down,
+making the water splash around him. His feet are large and powerful,
+and he arranges his long toes in the form of a scoop as he plunges into
+the river; this scoop is his fishing-tackle with which he brings up his
+finny food.</p>
+
+<p>I think I should not like to be an osprey, for he seems to have such a
+hard time to get a living, and yet he is an honest, well-disposed
+laborer. After he has succeeded in catching a fish, a bald eagle often
+swoops down from some tall tree, where he has been watching him, and by
+main force compels this honest fisher to give up his hard-won prey. The
+eagle is considerably larger than his victim, being about three feet in
+length, while the osprey is only about two feet.</p>
+
+<p>It is quite a grand sight to see these two large birds wheeling through
+the air&mdash;the osprey trying to elude the eagle, diving first one way and
+then another, until at last, when he sees the unencumbered eagle must
+overpower him, in a fit of desperation he lets the fish drop, and the
+eagle catches it before it reaches the water, and carries it to some
+retired spot where he devours it.</p>
+
+<p>And now the poor defrauded osprey must go to work and catch another
+fish before he can have his dinner. Here you see the bald eagle with
+his ill-gotten prey.</p>
+
+<a name="image26" id="image26"></a>
+<div class="imgcenter">
+<img src="images/image26.png" width="401" height="239"
+alt="THE BALD EAGLE." title="THE BALD EAGLE." />
+<p class="caption">THE BALD EAGLE.</p>
+</div>
+
+<p>Great flocks of ducks often come to fish in the shallow water close to
+the shore. I suppose the reason that they come so near is that they
+find smaller fish here than in the deep water; and another reason, they
+are never shot at near the shore, for no fire-arms are allowed to be
+discharged within the town limits, except under the penalty of five
+dollars for each discharge.</p>
+
+<p>This place, in winter, corresponds to a northern watering-place in
+summer. There is a warm sulphur-spring here, and people come from all
+quarters for health and for amusement. At first the great numbers of
+birds all about attracted many sportsmen, but I am very glad to tell
+you that the Florida people did not like this reckless shooting of
+birds in their midst, so they made this beautiful little place&mdash;Green
+Cove Spring&mdash;a city, and elected a mayor and a marshal, and other
+officers, to keep the men straight, and to protect the birds.</p>
+
+<p>So this is why the birds that live about this little city are so tame,
+and why the ducks come so close to us; they have learned that they are
+quite safe from guns here.</p>
+
+<p>Several species of ducks may sometimes be seen in one flock, fishing
+together in perfect harmony. It is quite astonishing how long they can
+stay under water, and when they come up their feathers are not wet at
+all.</p>
+
+<p>The most beautiful of these fishing-ducks is the hooded merganser. Its
+plumage is most elegant, and it has a large thick tuft or crest of
+feathers covering the whole head, which gives it a sort of military
+look; and, indeed, it seems to be a commander, for it leads all of its
+relatives. It sometimes stays so long under the water that I begin to
+fear something has happened,&mdash;that an alligator, or some other huge
+beast, has got hold of it; but it always makes its appearance after a
+while, often at quite a long distance from where it went under.</p>
+
+<hr />
+
+<h2><a name="nanspeaceoffering" id="nanspeaceoffering">NAN'S PEACE-OFFERING.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY KATE W. HAMILTON.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>"Just wish I was properer, and everything&mdash;so there!" said Nannie,
+sitting discontentedly down upon the green grass by the road-side, and
+surveying herself with a pair of very serious brown eyes.</p>
+
+<p>It was a forlorn little self, surely, with wet dress, muddy shoes, inky
+apron, and crumpled sun-bonnet.</p>
+
+<p>"Aunt S'mantha'll think I'm dreadful. She says I never have any
+forethought; but I have lots of after-thoughts, and I s'pose folks
+can't have both kinds. It don't do any good, either. Oh dear!"</p>
+
+<p>There was a whistled tune coming up the road. Tommy Grey was attached
+to it, but the whistle seemed much the older and more important of the
+two, and was first to reach the tree where Nannie was sitting. When
+Tommy caught up with it, he stopped in surprise.</p>
+
+<p>"Hello, Nan Verling! Is that you?"</p>
+
+<p>"I suppose so, but I wish it wasn't," answered Nannie, dolefully.</p>
+
+<p>"What for?" questioned Tommy, in still further astonishment.</p>
+
+<p>"'Cause I wish I was somebody else that wasn't all wrinkled and mussed
+up. I don't see how folks can keep nice and have good times, anyway,"
+declared Nan, in a burst of confidence. "You see, I just helped sail
+boats in the brook, and I didn't know my dress was wet a bit till I
+came away; and then Lizzie Sykes tagged me, and course I had to tag her
+back again. I don't know what made her run right through the mud, where
+I couldn't catch her without getting my shoes all muddy. Should think
+she might have known better! My old ink-stand at school is always
+upsetting itself, and it had to spill on my clean white apron this
+afternoon. Then my sun-bonnet&mdash;"</p>
+
+<p>"Looks as if you'd hung it up in your pocket," suggested Tommy.</p>
+
+<p>"Well, I didn't; I only rolled it up for a rag-baby when we played keep
+house at recess. I s'pose it's bad for bonnets, but it made the
+beautifulest kind of a baby," said Nannie, a little ray of enthusiasm
+gleaming through her despondency. "But Aunt S'mantha doesn't 'preciate
+such things," she added, mournfully.</p>
+
+<p>"No," answered Tommy, sympathetically. "She'll scold, may be?"</p>
+
+<p>"P'r'aps so. May be she'll send me to bed without any supper."</p>
+
+<p>"Whew! That a'nt any fun, I tell you!" declared Tommy. "Why, a fellow
+just tumbles and tumbles, and gets hungrier and hungrier, and wonders
+what the folks have got for supper, and looks at the stars, and tries
+to say 'Hickory-dickory-dock' backward, and wishes it was morning. It
+just feels awful!"</p>
+
+<p>"I didn't ever try it, and I don't s'pose I could stand it," said
+Nannie, shaking dejectedly the curly head in the flopping sun-bonnet.
+"I've a good mind not to go home at all, but just run away off
+somewhere, and be a foundling. Foundlings have pretty good times,
+'cause I've read about 'em in books. They get adopted by some great
+lady in a big house, and grow up rich, and get to be real handsome."</p>
+
+<p>"I don't believe you would," declared Tommy, more honestly than
+politely.</p>
+
+<p>Nan meditated a minute, and then said, with a sigh:</p>
+
+<p>"Well, I guess I'll have to go home, then."</p>
+
+<p>"Scoldings don't last very long, anyway," urged Tommy, consolingly.</p>
+
+<p>"But if you sort o' think you oughtn't to have done things, and did
+ought to be more careful&mdash;and everything&mdash;it makes it seem more worse,
+you know," remarked Nannie, in a hesitating, half-penitent way. "'Cause
+I <i>do</i> like Aunt S'mantha."</p>
+
+<p>"Yes," admitted Tommy, knitting his brow over the complications of the
+case, and searching his own experience for a suggestion of relief. "If
+you only had something nice to carry home to her&mdash;something she wants.
+Once I got wet as a rat playing round the pond, but I'd caught two
+fish&mdash;reg'lar tip-top trout&mdash;and I took 'em home to mother; held 'em up
+where they'd be seen first thing, you know. And she said, 'What nice
+fish!' and didn't scold a wink."</p>
+
+<p>"I couldn't catch anything if I tried a week, and Aunt S'mantha
+wouldn't care, anyway. Why, she's a real grown-up woman, and could have
+tea-parties and make molasses candy every day if she wanted to! I don't
+believe she wants anything, unless it's ban&mdash;bananas&mdash;whatever that is.
+I heard her say she'd like some, this morning."</p>
+
+<p>"Bandanas?" questioned Tommy, with brightening eyes.</p>
+
+<p>"Y-e-s, I guess so," answered Nannie, rather doubtfully.</p>
+
+<p>"Ho! I know what they are as well as anything. Why, they're silk
+handkerchiefs&mdash;red and yellow, with spots on 'em."</p>
+
+<p>Nannie's hand dived into her small pocket, and re-appeared with two
+nickels and a copper.</p>
+
+<p>"Do you guess I could buy one at Carney's store for 'leven cents?
+'Cause I haven't got any more."</p>
+
+<p>"I s'pose so. Why, yes; handkerchiefs a'nt much 'count, you know. I
+always lose mine&mdash;only they a'nt bandanas. I guess women-folks think
+more about 'em, though," said Tommy, with the air of one superior to
+such trifles.</p>
+
+<p>Nannie was convinced, and started from her seat with a little sigh of
+relief.</p>
+
+<p>"I'll go and buy her one, then. And I think you're a pretty good boy,
+Tommy Grey," she added, gratefully, as she trudged down the road,
+leaving Tommy to take up his whistling and his homeward route again.</p>
+
+<p>It was quite a long walk to the store&mdash;<i>the</i> store, because the village
+only boasted one. That did not matter much to the inhabitants
+generally, as the town was so near. Bentleyville and Bentley were
+connected by a straggling line of houses that made it hard to tell
+where the village ended and the town began. Ambitious young villagers
+took advantage of this to talk about "we city people," while the older
+ones contentedly spoke of themselves as "plain country-folks."</p>
+
+<p>Nannie did not care in the least which she was, neither did she greatly
+mind the walk, though the feet that had done so much running began to
+grow tired. If only she could carry a peace-offering to Aunt Samantha!
+That would make all right, and her small world bright again, she was
+sure.</p>
+
+<p>"I can't have any candy or slate-pencils for ever so long; but I don't
+care, 'cause I do like her, and she'll know it&mdash;course she will if I
+buy her a handkerchief; and she wont think I got all mussed up on
+purpose," she soliloquized.</p>
+
+<p>It required some heroism to pass by the fresh pop-corn balls at the
+store door, and to turn away from the boxes of figs without a second
+glance; but Nannie did both, and, walking straight to the counter, made
+known her errand.</p>
+
+<p>"Bandanas? Yes, a prime lot of 'em," said bustling little Mr. Carney,
+bringing out his whole stock.</p>
+
+<p>His small customer, standing on tiptoe to reach the counter, gravely
+examined them. Would Aunt Samantha like a red one or a yellow one best,
+she wondered. It was a perplexing question to decide. If only she could
+take her one of each! And that reminded her to ask the price.</p>
+
+<p>"Seventy-five cents apiece," said the old gentleman briskly.</p>
+
+<p>"Seventy&mdash;five&mdash;cents!" repeated Nan, faintly.</p>
+
+<a name="image27" id="image27"></a>
+<div class="imgcenter">
+<img src="images/image27.jpg" width="287" height="401"
+alt="'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN."
+title="'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN." />
+<p class="caption">"'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN."</p>
+</div>
+
+<p>"Yes, sissy; cheap at that, too."</p>
+
+<p>"I&mdash;thought&mdash;I didn't know," stammered Nannie, in a sore
+disappointment. Then rallying her faltering courage, she asked: "Don't
+you ever sell any for 'leven cents?"</p>
+
+<p>"Eleven cents? Bless me, child! Why, they cost&mdash;Oh! may be you mean
+cotton ones? Look a little like these."</p>
+
+<p>Nan nodded, glad to think it even probable that she had meant anything.</p>
+
+<p>"Well, I don't keep that kind, you see," explained Mr. Carney,
+condescendingly.</p>
+
+<p>Discouraged and forlorn, the little woman turned away. She walked until
+she was quite out of sight of the store, and then paused to meditate.
+What should she do? It seemed dreadfully hard to give up her plan now
+when she had thought it all nicely settled. There were plenty of stores
+in Bentley; some of them might sell handkerchiefs for eleven cents. She
+glanced dubiously along the road leading to the town, and noticed that
+the sun was nearly out of sight behind the hills.</p>
+
+<p>"But it stays light ever and ever so long after the sun sets," she
+murmured, "and it didn't seem a bit far when I rode to town with Aunt
+S'mantha. I guess this store is most part way. Anyhow, I just must have
+a bandana!" she added, as she once more caught sight of her soiled
+apron and muddy shoes.</p>
+
+<p>She straightened her sun-bonnet, and started resolutely forward again.
+She had grown to feel that the proposed purchase was in some way a
+reparation due to Aunt Samantha, and she could not give it up. On and
+on trudged the tired little feet, aching wearily at last, but never
+hesitating nor turning back. It seemed a long way, though.</p>
+
+<p>"Wonder if I wont ever and ever come to where the houses get thicker,"
+she murmured. "When I keep a store I'll build it on the edge somewhere,
+so folks wont have to walk so far to get to it."</p>
+
+<p>After a time, the buildings did nestle more closely together, and,
+somewhat comforted, she stopped a moment to rest. But she started
+suddenly to her feet as a light flashed upon her from an opposite
+window. People were really beginning to light their lamps, and the
+daylight was almost gone.</p>
+
+<p>Weariness was forgotten in the thought that night might fall before she
+could return, and she ran as fast as her light feet would carry her&mdash;so
+swiftly and so far that she had nearly passed a small store without
+seeing it.</p>
+
+<p>She checked her steps at this discovery, and entering, asked,
+breathlessly:</p>
+
+<p>"Oh,&mdash;please,&mdash;have you any ban-banners?"</p>
+
+<p>"What? any what?" demanded a severe-looking lady, coming forward and
+eying Nan suspiciously through her spectacles.</p>
+
+<p>"Bandaners,&mdash;handkerchiefs," explained Nannie, less confidently.</p>
+
+<p>"Bandanas? No; I don't keep them," responded the lady, very stiffly.</p>
+
+<p>"Should think she might have been more p'lite, if I didn't call it
+right," commented the young traveler as she hurried along the street
+once more. "Here's another." This time there was only a boy in
+attendance. He was head of the establishment when the proprietor went
+to supper, and he enjoyed his important position.</p>
+
+<p>"Do you keep ban-ban-banners?" asked Nannie, growing confused again.</p>
+
+<p>"Which? I hope you don't mean any disrespect to the flag of your
+country, ma'am?"</p>
+
+<p>"No sir; I mean handkerchiefs," said Nannie, innocently.</p>
+
+<p>"Ah! yes, I understand. I think we have the article in question."</p>
+
+<p>A number of the red and yellow silks were produced, and while the brown
+eyes scanned them in some perplexity, the mischievous young clerk
+surveyed the comical little figure before him, and gravely asked:</p>
+
+<p>"Is that quantity sufficient for the exercise of your predilections? or
+would you like an additional supply?"</p>
+
+<p>"I would like 'leven cents worth," stammered Nannie.</p>
+
+<p>"Eleven cents worth of silk handkerchiefs? That's a novelty now!"
+laughed the boy. "Why, you see that wouldn't be a seventh part of one
+of these bits of magnificence,&mdash;not a scrap large enough for a
+respectable doll. We really couldn't do it, ma'am. The owner of this
+establishment has a nonsensical way of always selling his handkerchiefs
+whole."</p>
+
+<p>Then, at sight of the disappointed little face, his fun yielded to an
+impulse of kindness, and from a far-away corner he produced an old box
+with the dust of disuse lying thickly upon it. It contained some small
+cotton handkerchiefs, gayly printed, with border, pictures and verses,
+in bright colors. Nannie's eyes brightened. They were much prettier
+than the others, she thought, and they were only ten cents! She wavered
+uncertainly between a pink and a blue one, and finally appealed to the
+clerk for advice.</p>
+
+<p>"Which is the nicest? Couldn't really say, ma'am. If you want it for
+winter use, the blue would probably match best with your nose; but if
+you keep it specially for fits of weeping, the red might be nearest the
+proper tint."</p>
+
+<p>Nannie looked at him solemnly, but not understanding him in the least:
+she decided upon the blue one, and turned away with the precious
+package in her hand. It was certainly growing late. The rosy glow had
+all vanished from the west, and one star was peeping out dimly.</p>
+
+<p>"A good deal after supper-time," murmured Nannie, anxiously. Then,
+glancing down a side street, she caught sight of a baker's sign. It was
+but a few steps, and she was very hungry, so she determined to invest
+her remaining cent in a piece of gingerbread. Eager to be on her
+homeward way she walked rapidly, and this did not suit the fancy of a
+large dog in a neighboring yard. He bounded toward the fence, barking
+furiously, and in a moment Nannie discovered that he had pushed open
+the gate and was upon the street. She fled at full speed away beyond
+the shop and down another street. At last a corner hid him from view,
+and he did not follow her. She dared not retrace her steps for fear of
+meeting him, and she abandoned all hope of a visit to the bakery. There
+must be other ways back to the road, though, she thought, and she
+wandered up one street and down another without coming to any building
+that looked familiar. She had lost her way entirely, and grew more and
+more bewildered as she wandered. The stars came out thickly in the sky,
+and it seemed to her that she had been traveling for hours. Finally she
+found herself in a quiet, unfrequented part of the town, and then the
+brave little heart failed utterly, and frightened, homesick, and
+terribly weary, she sank down by the road-side, sobbing bitterly. She
+did not hear the sound of wheels, nor notice the horses drawn up beside
+her, until some one called:</p>
+
+<p>"Hello, little one! what's the matter?"</p>
+
+<p>She had heard that neighborly voice too often not to recognize it now,
+and she sprang up in wild delight. "Oh, Captain Hoyt! Take me home! Oh,
+please sir, wont you take me home?"</p>
+
+<p>"Home, chick-a-biddy? Why, who&mdash;little Nan Verling, I declare! Well,
+if it isn't lucky that I didn't sell my apples till late to-day, and am
+just going out! How in the world did you get there?"</p>
+
+<p>"I lost my way," faltered Nannie, trying hard to conquer her tears when
+she was safely in the wagon. "I came to buy a bandana handkerchief for
+Aunt S'mantha."</p>
+
+<p>"Bandana? Well, she'll need it, and a few cambric ones thrown in, if
+she don't know where you are at this time of night," declared the
+captain, whipping up his horses.</p>
+
+<p>He was quite right; Miss Samantha was nearly frantic. She had sent to
+every house in the village, and had learned from Tommy how her love of
+neatness and carelessly expressed desire for bananas had together
+worked mischief. But as a visit to the store revealed the fact that
+Nannie had been there and had gone, Miss Samantha could think of
+nothing but that most improbable resort,&mdash;the pond; and she had
+gathered a party with ropes and lanterns, when Captain Hoyt drove up
+and deposited the small maiden in their midst.</p>
+
+<p>"I've got the handkerchief, Aunt S'mantha! and I'm so glad; but my
+clothes are all spoiled, and I'm so sorry," began Nannie.</p>
+
+<p>"Clothes, child! Do you think I care so much more for your clothes than
+for you that I want to hear about them first?" exclaimed Miss Samantha,
+with an embrace so long and close that Nannie was quite astonished.</p>
+
+<p>"I didn't know," she answered.</p>
+
+<p>And Miss Samantha said not a word, for she thought if the child really
+did not know, there must have been something wrong somewhere. She
+smiled a little grimly when she saw the wonderful handkerchief, but she
+laid it away as if it were a treasure. Nannie had a nice supper and a
+good night's sleep, and felt quite bright when Tommy looked in upon her
+the next morning.</p>
+
+<p>"I had an awful time; but your way is a real good one, Tommy, 'cause
+she didn't scold a bit," she informed him, confidentially.</p>
+
+<p>"But I guess,&mdash;I s'pose,&mdash;anyhow, mother says that the best way to
+please folks is to do as they want you to, instead of buying 'em
+things," said Tommy, feeling that, as he had led her into trouble, he
+was in honor bound to give her the benefit of the moral that had been
+impressed upon him.</p>
+
+<p>"Y-e-s," answered Nannie, rather vaguely.</p>
+
+<p>But, as the weeks went on, and Aunt Samantha grew so much more gentle
+that she couldn't help being more careful not to trouble her, she
+thought that handkerchief must be a very precious article.</p>
+
+<hr />
+
+<h2><a name="towermountain" id="towermountain">THE TOWER-MOUNTAIN.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY GUSTAVUS FRANKENSTEIN.</div>
+<hr class="tiny" />
+
+<br />
+
+<h3>III.</h3>
+
+
+<p>I wandered about for what seemed to me days and days, but always
+cautiously, and never without some hope of escape. At length, becoming
+weak, I suppose, I missed my footing from a ledge of rock and fell to a
+great distance. I was stunned and bruised, but soon recovered; and
+considering the course I must have come, and this last terrible
+descent, I felt almost sure that I was far below the surface of the
+earth, and that I must try to go up, and must search and search until I
+should find some way of ascending. I accordingly moved on, with greater
+care than ever, and soon found that I was in a sort of rocky passage
+which rose at a slight inclination. I need not say how this discovery
+revived my spirits, nor how I was cheered yet more when, after a time,
+I came to a level surface again, and discovered that beyond it the
+passage continued as before, but much widened.</p>
+
+<p>Keeping close to the wall of rock on my right, I slowly ascended in
+what seemed to me a spiral curve. Sometimes I would take a step to the
+left, to ascertain if I still had a barrier on that side; by which I
+found that there were many openings in the wall on that side, probably
+similar to the one through which I had reached this apparently
+continuous passage.</p>
+
+<p>Up, up I went, gaining courage though feeling weaker and weaker. Having
+the wall on my right for so long a time, and seeming to be always
+ascending, I began to think that I was in a sort of circular
+honey-combed cavern.</p>
+
+<p>It must be borne in mind that my progress was exceedingly slow,
+consequent upon the necessity of feeling my way, step by step,
+apprehensive of going over the brink of a precipice in some moment of
+undue confidence. How many times I lay down to sleep, how many times I
+rose to continue the task, I cannot tell; but, having been immured so
+long, without food and without light, I began to feel stealing over me
+a weariness of exhaustion which required the utmost power of the will
+to battle.</p>
+
+<p>All this time I kept ascending. Suddenly the passage seemed to open
+wide, and, all at once, a bright light shot into the cavern. For the
+moment I was blinded; a painful sensation struck me across the brows;
+but I determined to behold the light at whatever cost. I opened my
+eyes; and now, the shock of the dazzling brightness having passed away,
+I saw the most beautiful effect I had ever beheld in my whole life.</p>
+
+<p>A ray of sunlight fell in a round spot, bright and warm, on the wall at
+the left. It entered by a small aperture higher up&mdash;in the wall at the
+right. For a moment I looked around. I stood in a vast, rock-bound
+chamber&mdash;an immense hall&mdash;faintly illuminated by reflection from the
+direct sun-ray which fell upon a vein of quartz, and sparkled, lively
+with flitting rainbow-colors. I could see the openings in the inner
+wall, many of them a hundred feet high, nearly all very narrow, and for
+the most part vertical. On the right, the wall was unbroken, with the
+exception of the little hole, through which the blessed sunlight
+streamed, in the pit of a broad, deep, conical sort of depression. Far
+behind me, I could just make out the mouth of the passage from which I
+had emerged into this spacious chamber, and before me the opening into
+another also adjacent to the wall on my right.</p>
+
+<p>I felt now more assured than ever, for I was certainly above-ground.
+For a moment, I forgot my forlorn condition, and paused to admire the
+splendor of the scene. A few minutes only, and it was gone. I lingered.
+Should I wait to see this lovely sight renewed? Twenty-four hours must
+elapse before the sun's return to the same position. But <i>would</i> it
+come to the same point again on the morrow? I knew it could not, and
+that the least deflection from its course that day would allow no ray
+to fall into the darkness of that mysterious dungeon. I knew, further,
+that it was either morning or evening, about nine or three o'clock, by
+the direction of the beam of light. This fact was immensely
+encouraging; my heart throbbed rapidly; the blood came tingling to the
+finger-ends; I felt a warmth, an energy, a hope, an animation of
+spirits I had not known for a long time. It had all along been but one
+unending night, when often I would wonder whether, outside, under the
+broad blue sky, it was then night or day; but now I knew that it was
+day.</p>
+
+<p>I soon reached the passage which I had seen ahead of me, and found it
+in some places not more than two or three feet wide. The ascent became
+steeper, though not at all difficult, except at one place, where for
+about ten yards I was obliged to use both hands and feet to make sure
+of not slipping back.</p>
+
+<p>About two hours after passing this point the air seemed to change;
+there was a warmth and fragrance to it which was very grateful; I
+fancied also that I could see somewhat indistinctly.</p>
+
+<p>"Surely," I thought, "this seems like coming to daylight."</p>
+
+<p>Warmer and sweeter grew the air; I could see the wall of rock on my
+right; and then I suddenly encountered a volume of air blown toward me,
+as if the sweetest perfumes of the earth were mingled in that breath of
+air. I knew I was coming to the light! Another turn, and there before
+me were the grand snow-capped mountains suffused with the last rosy
+flush of the setting sun!</p>
+
+<p>Oh, indescribable glory!</p>
+
+<p>For a moment, my eyes swept over the horizon,&mdash;I was far above the
+earth,&mdash;then back to the beauteous snow in its sunset splendor. The
+rosy tinges lifted and vanished, and a cool twilight glow rested on the
+mountain summits. I looked upon the plain below. Far beneath, it lay in
+the evening shadow with its thousand fading tints of tropic foliage,
+with one spot of blue, almost immediately below, in all that mass of
+verdure&mdash;the lake. I knew then that I was almost exactly above the cave
+I had so long inhabited. And Pippity&mdash;Grilly&mdash;were they there now?</p>
+
+<p>I was about to call with all my might; but what ear could hear at that
+great distance?</p>
+
+<p>Three thousand feet at least of space separated my friends from me. How
+could I get down that almost perpendicular rock, and how could they get
+up to me? How could they know that I was there?</p>
+
+<p>And now the specter of starvation rose up before me in strongest force.
+Should I try to find my way back again?&mdash;once more attempt the
+darkness? No! no! Too precious was the daylight. It would not do. And
+what could be gained? I could not possibly live to reach the bottom!</p>
+
+<p>The twilight rested serenely on the encircling range of mountain snow,
+then faded sweetly from the darkening sky.</p>
+
+<p>The stars are beacons of hope and faith. Under them I lay down and
+slept.</p>
+
+<p>It was a refreshing slumber that I had beneath an unclouded sky, and
+when I awoke it was early dawn. The cool air was grateful; and so
+charming seemed all nature that I forgot my hunger and the isolation of
+my position. I began, too, to examine the situation. I had emerged from
+the cavern into open day by reason of the sudden termination of the
+wall which I had had so long on my right. There was left the inner wall
+as before, now exposed and forming the exterior of the mountain. I
+stood on a platform of rock about four feet square. Beyond was an angle
+in the wall, and just then a step to a higher grade of flat rock also.
+Then a considerable steepness of the narrow floor, and a bending to the
+left, when it was lost to view behind the mass of perpendicular rock.
+As the sun rose, I looked down toward the lake, which seemed to lie
+almost directly beneath, so nearly perpendicular was the mountain on
+that side. About six or seven hundred feet below me, I observed a bird
+flying from point to point up the mountain. Soon it disappeared from
+view. It had flown to the other side. Presently it re-appeared, still
+circling and rising, now perching at one point, and now at another
+higher up, then passing out of view again. At length it seemed to come
+more directly upward; it rose more rapidly, and was continually in
+sight.</p>
+
+<p>It was a parrot. I heard its cry. I could see it distinctly.</p>
+
+<p>"Pippity, Pippity!" I cried, "is that you?"</p>
+
+<p>He gave one joyful scream, alighted on my shoulder, and then on my
+hand, talking as fast as his tongue could run: "How d' ye do? How d' ye
+do? Frank, Frank!"</p>
+
+<p>"Food, food, Pippity!" I begged; and before I had finished the words he
+flew down the abyss, screaming as he went. I followed him with my eyes
+until the precipice below prevented my seeing him any longer.</p>
+
+<p>It seemed to me a full hour before he re-appeared, and as he came
+nearer I saw something in his beak. It was a bunch of grapes. He flew
+toward me. I held out my hand to receive him, and with a heart full of
+thankfulness I took the precious fruit from his beak.</p>
+
+<p>"Thank you, thank you, Pippity!" I said. But Pippity didn't wait for
+such little expressions of civility. Immediately, he flew away again,
+and soon returned with other fruits, and nuts of various kinds; and, as
+he could bring but little at a time, of course I could eat but little
+at a time, which was a happy circumstance, for that is just the way a
+starving man should eat.</p>
+
+<p>In about four or five hours I told Pippity I had had enough.</p>
+
+<p>"And now, Pippity," said I, "tell me,&mdash;how long have I been away?"</p>
+
+<p>He promptly answered, "Three days!"</p>
+
+<p>"Are you sure?"</p>
+
+<p>"Three days&mdash;one, two, three."</p>
+
+<p>I was almost sure he was right. But how the bird had found me I could
+not make out. I questioned him in many ways, but could get no
+satisfactory answer. By my not returning the day I went down into the
+hole, and not the next, no doubt my friends began to be alarmed for my
+safety, and set to work to find me, if possible. What Grilly did in the
+matter I could not conjecture; but Pippity, being able to fly, probably
+made excursions round the mountain, thinking that I might possibly come
+out at some place, and hoping thus to be able to find me and come to my
+relief.</p>
+
+<p>During the afternoon, Pippity made a number of trips down into the
+fertile plain, every time bringing back something good to eat, whilst I
+rested quietly, amusing myself with looking at the pleasant scenery
+that everywhere surrounded me, talking with Pippity whenever he was
+present, and sometimes sleeping pleasantly.</p>
+
+<p>A short time before sunset, Pippity took his last flight down, and, not
+long after the sun had disappeared, I saw him returning in the
+beautiful twilight. Again he brought me fruit.</p>
+
+<p>"Go down to Grilly now," I said; "I will stay up here until morning,
+and then you come to me again."</p>
+
+<p>But Pippity didn't want to leave; and I told him that as he was so
+desirous of keeping me company, he might remain with me through the
+night.</p>
+
+<p>The next morning, at the first glimmering of dawn, I awoke, feeling
+well, hearty and cheerful. Pippity was off immediately to bring me
+breakfast, and about ten o'clock we set out in high spirits to make
+further ascent of this singular peak. All went well for about an hour,
+when, Pippity being absent after food, I came to a place in the rock
+where the walk suddenly ended. A little further on and higher up it
+was as good as any part I had yet gone over; but the intervening space
+of scarcely more than a dozen feet was very steep, and, what was
+remarkable, loose stones lay upon its surface as though they had slid
+down from above. This slide seemed to have been occasioned by a
+softness of the rock in that part, causing it to scale off in thin
+pieces, which the slightest disturbance would send rattling down the
+mountain. Just beyond these loose stones was a smooth surface of very
+steep rock, over which it would be necessary to pass in order to reach
+the path beyond.</p>
+
+<p>I paused here; and after Pippity had brought the fruit and I had
+finished my dinner, I began seriously to discuss the question whether
+or not I ought to attempt the passage of this dangerous interval.
+Pippity seemed to understand my intentions quite well, for he grew very
+uneasy, and in his queer ways, with snatches of singularly applicable
+speech, he remonstrated most strenuously. But we now were not very far
+from the top, and so fascinating seemed the prospect of reaching the
+very pinnacle, that I could not withstand the impulse of making the
+effort to get there. Over the loose stones I scrambled, clinging with
+hands and feet as best I could, whilst an avalanche of rocky fragments
+slid, tumbled, and rattled ominously down the declivity.</p>
+
+<p>I got my hands upon the smooth rock, but at my feet the loose stones
+were slipping rapidly away; this, in a moment more, would leave me
+without support and mercilessly let me follow them. But Pippity, who
+had been flying around me in the greatest excitement, got just above
+me, and planting his toes firmly against the rock, seized me by the
+shoulder. Then, holding on with a most determined grip of his bill, he
+pulled like a Trojan; and I do verily believe the bird saved my life.
+By dint of his pulling and backing upward, seconded by my own frantic
+efforts to shuffle up the rock, I succeeded in gaining the foothold
+beyond. At least he inspired me with fresh resolution and confidence in
+helping myself.</p>
+
+<p>After a little rest, we went on, winding around a succession of short
+spirals, and at last reached the highest point of this magnificent
+mountain!</p>
+
+<hr class="short" />
+
+<p>What a sensation!</p>
+
+<p>Perched here on the extreme point of a pinnacle more than four thousand
+feet above the vast plain of rich fertility embosomed among the
+snow-clad mountains. The lake was a spot of beautiful blue, a gem in
+the center of this lovely picture.</p>
+
+<p>Suddenly, we heard a rattling of stones beneath, then a shriek.</p>
+
+<p>"Stars! What's that?&mdash;<span class="small">GRILLY</span>!"</p>
+
+<p>And up he came bounding, as lively as a cricket. He danced around us
+in the greatest delight, threw his arms around me, ran wildly here and
+there, and danced and danced again.</p>
+
+<p>"Grilly, Grilly!" shrieked the parrot, "how in the world did you get up
+here?"&mdash;and his staid demeanor contrasted strangely with the monkey's
+antics.</p>
+
+<p>But Grilly danced and danced. The fact was that, even if he could have
+spoken, he was too much excited to make reply. Grilly was great in
+action; in words deficient.</p>
+
+<p>The afternoon was now far advanced; and Grilly at last becoming
+tranquil, and in keeping with the peaceful scene around us, I said to
+him:</p>
+
+<p>"How you came up here I do not know; but of this I am certain, that you
+were not as long getting up as I was, for you arrived fresh and active,
+whilst I was almost dead. Now, that makes me think that although I
+cannot find the way back, you may. Therefore, you shall be guide. But
+it is too late to start to-day. Besides, I wish to behold another
+sunset from this glorious height."</p>
+
+<p>The night was very pleasant; and as I lay upon a flat rock, looking out
+upon the stars from my high and silent perch, the round earth looming
+like a shadow far below me, I thought it would be delightful to make a
+long stay on this interesting pinnacle, especially at this time, as the
+weather was very fine; but the getting of food presented itself as an
+obstacle. As Grilly was now with us, it would be too great a tax on
+Pippity to supply us both. Besides, we could not do without water. I
+resolved, therefore, to set out early in the morning, and that I would
+re-enter that dungeon, as there was clearly no other way of getting
+down.</p>
+
+<p>Before the sun was up, we already were descending; and when we arrived
+at the dangerous slide, where the day before I had nearly slipped off
+the mountain, we halted. Pippity was dispatched for food, whilst Grilly
+and I sat down and contemplated the sunrise splendor. Four times
+Pippity descended to the plain, and brought thence something to eat.
+Noon was fast approaching, and it behooved us, if we would accomplish
+anything that day, to press forward without delay. As before, Pippity
+showed considerable anxiety, calmly remarking, however, as I translated
+his jargon, that he would, as on the previous day, hold fast to my
+shoulder with his bill. He made Grilly get down below at the same time
+and hold on to my feet; and when I began to crawl and wriggle along the
+best way I could, I was assisted very materially by the parrot above
+and the monkey below.</p>
+
+<p>Notwithstanding the perilous situation, I could not but be amused at
+the ludicrous singularity of the performance.</p>
+
+<p>Above stood the sure-footed bird, all gravity, pulling away at my
+shoulder; below was the monkey, holding me fast by the heels, jumping
+and capering as the treacherous stones rolled from under him. Of
+course, in less than a minute the whole thing was over, and I was
+safely landed on a good broad walk.</p>
+
+<p>We arrived at the opening of the dungeon. Descend into it? Again be
+lost&mdash;perhaps perish? I hesitated. I shrank from entering; and yet,
+down into it I must go!</p>
+
+<p>"Pippity," said I, to my trusty parrot, "we will linger here another
+day. You must bring us all the food you can between this and night; and
+to-morrow morning, with the first peep of dawn, be ready to go down
+again, and make as many trips before noon as you can, so that we shall
+be able to undertake that dark and uncertain journey with at least a
+small quantity of provisions."</p>
+
+<p>Grilly ran in and out of the dark passage quite frequently, both that
+evening and the next morning, evidently evincing a desire that the
+descent should be made without delay, which convinced me that he had
+come through all the darkness which yet lay between us and deliverance.</p>
+
+<p>The sun had reached the zenith when I at last bade farewell to the
+light and resolutely determined to proceed.</p>
+
+<p>"Good-bye, Pippity! We shall meet you below. Fly down, get everything
+ready for our reception, and have the table well supplied with the
+choicest fruits that you can find."</p>
+
+<p>But Pippity clung to me, and would not leave. "I will go with you! I
+want to go!" implored the bird.</p>
+
+<p>No expostulation could deter him from accompanying us.</p>
+
+<p>Grilly led the way; and when we lost the light, he squealed and
+chattered, and frequently ran back to make sure that Pippity and I were
+following him. I kept close to the wall on my left. We passed over the
+steep place. Still I kept close to the wall. The wall was on my
+left&mdash;still on my left. We were going at a pretty pace, as the monkey
+was continually urging us forward. We could not go fast enough for him.
+All at once he squealed significantly. He ran back to me. He took hold
+of my hand, and leading me slowly forward a few paces, I found there
+were three diverging passages. He drew me into the middle one. Then we
+resumed our quick gait, and, for some little time, all appeared to be
+plain sailing again.</p>
+
+<p>It may be asked, why did I allow myself to be guided by a thoughtless
+monkey? But here, in this darkness, was not reason entirely at sea?
+Might not instinct be superior to reason and avail something? I
+abandoned myself entirely to its mysterious power. I had faith in it.
+Grilly proceeded with such confidence that I could not but trust him.</p>
+
+<p>We had been plodding our way through the darkness for about four hours,
+I thought, when Grilly gave a loud shriek, and, running back to us, led
+us hurriedly forward; light became faintly visible; we ascended a few
+steps through a very narrow passage; we came abruptly to a stop; the
+monkey grasped something that hung down from above, and sprang upward
+with the agility of his nature. We saw him high above our heads
+climbing through a square opening of light. Immediately, he was
+descending again.</p>
+
+<a name="image28" id="image28"></a>
+<div class="imgcenter">
+<img src="images/image28.jpg" width="278" height="400"
+alt="WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT."
+title="WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT." />
+<p class="caption">"WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT."</p>
+</div>
+
+<p>"Why, Pippity," I cried, "we are at the bottom! Up there is our
+palace!"</p>
+
+<p>"Of course it is!" shrieked the parrot, in a tone which sounded more
+like a shout of joy than the voice of a bird; and, clinging to one of a
+number of long grass stems that could now be distinctly seen hanging
+from the top, he climbed up with bill and claws as handsomely as any
+parrot ever did the like, crying as he went:</p>
+
+<p>"Come along, Frank! We're all right!" Grilly was now down, too; and,
+reaching me his hand, he would fain have tried to pull me to the top.
+But I gave him to understand that I could very well take care of
+myself, and up I went by means of hands and feet&mdash;the monkey all
+capers, the parrot all talk, the man thankful&mdash;and when we stood in our
+grand old palace once more, three more thoroughly delighted creatures
+never were seen.</p>
+
+<p>"Now, Pippity and Grilly," said I, "bring something to eat. Search our
+broad garden for the best. Let us eat and be merry. While the light yet
+glows, let us enjoy ourselves."</p>
+
+<p>Away went the faithful animals. When they were gone, I walked forth and
+stood under the beautiful trees, surrounded by all the adorning
+verdure. How glad was I to be once more on the ground, once more in the
+world!</p>
+
+<p>Presently, I saw Pippity and Grilly returning. The latter had an
+immense load of luscious fruit strung over his back, besides what he
+dragged after him in a large basket. It may well be imagined that we
+had a most delightful meal.</p>
+
+<p>After this, I made frequent visits to the top of the pinnacle, always
+taking Grilly with me, Pippity, as a general thing, being content to
+take the short cut and meet us at the aperture above.</p>
+
+<p>But before taking these trips, I made Grilly stretch a line of the long
+silken cords (which we found in abundance) from one end of the dark
+passage to the other, so that I could find my way back, if the monkey
+should fail me. I also used strong ropes, made of these strands, to get
+over the dangerous slide.</p>
+
+<p>These trips afforded us an agreeable diversion. We had now, it might
+be said, entire command of our mountain palace&mdash;our magnificent hall
+below and our splendid look-out above. Months passed away in this happy
+abode. Sometimes we visited the distant mountains, ever exploring, ever
+learning, ever rejoicing; but always returning to our happy home with a
+renewed relish of its rare comforts and matchless advantages.</p>
+
+<p>During one of the excursions to the neighboring mountains,&mdash;Pippity
+alone accompanying me, Grilly having gone to assemble his tribe for a
+fresh supply of cocoa-nuts,&mdash;we were leisurely contemplating the great
+expanse of loveliness that lay before us, in the center of which our
+noble dwelling loomed up superbly.</p>
+
+<p>"What a splendid domain is ours!" I said to Pippity. "We have
+everything that man need wish,&mdash;and, for that matter, parrot or monkey
+either. How bountiful, here, is nature, and withal so beautiful! And
+our palace! Was ever anything in the world like it?"</p>
+
+<p>As the parrot made no answer, I looked toward him, for I was certain
+that he would join in praise of all our precious blessings.</p>
+
+<p>There was a troubled look about him. His wings moved convulsively. The
+feathers stood ruffling from his body. He was in a state of the
+greatest agitation.</p>
+
+<p>I was alarmed. "What's the matter, Pippity?" I cried. But Pippity
+replied only with a succession of loud shrieks growing ever louder and
+louder.</p>
+
+<p>The air had become as still as death.</p>
+
+<p>My body appeared to move from side to side. No, no! The ground was
+rising, falling! It seemed no longer solid. Like a wave it rose and
+fell. The foot-hills below us separated, reft into awful chasms. I
+looked toward our home. Just then cried Pippity:</p>
+
+<p>"Oh, our palace! Our palace!"</p>
+
+<p>"Ah, ah! It falls! It falls! See, see, how the huge rocks rive and
+crumble!"</p>
+
+<p>What a fall was there! A crash that echoed terribly in that circle of
+mountain wildness!</p>
+
+<p>A cloud of dust rolled in fearful mockery where one moment before had
+stood the proud pinnacle. An enormous mass of rocks fell into the lake
+below, and the vapors rose in a rival cloud. High in the firmament they
+curled and twisted, their wreathing forms together telling a woful tale
+of destruction.</p>
+
+<p>We forgot our own danger in watching all our grandeur dashed to
+nothingness.</p>
+
+<p>Destruction as it was, it was grand!</p>
+
+<p>But Grilly! Where was he? "Ah, Grilly, Grilly!" cried I, "I fear he is
+lost!"</p>
+
+<p>"Come, come!" said Pippity. "Where's Grilly? Find Grilly! Quick,
+quick!"</p>
+
+<p>But there was some rough country to get over. Gaps, masses of uprooted
+trees, rocks, earth and vegetation mingled in confusion.</p>
+
+<p>At last we arrived at home&mdash;no, not home! Nothing but a heap of ruins!</p>
+
+<p>And where was Grilly? We searched, but found him not. We called, and
+called again; but answer there came none.</p>
+
+<p>Pippity, with a shrill and deafening cry uttered ceaselessly: "Grilly!
+Grilly! Grilly! Grilly!"</p>
+
+<p>But answer there came none.</p>
+
+<p>And all the next day we sought, and still poor Pippity cried, "Grilly!
+Grilly!"</p>
+
+<p>But the dead, the lost, answer not.</p>
+
+<hr class="short" />
+
+<p>A home we had no longer. Where once stood magnificence, ruin now stared
+us in the face.</p>
+
+<p>"Pippity!" I said to poor Polly, "we will leave this once glorious
+spot. Our home is desolate. It is home no longer. Let us seek new
+scenes in other lands."</p>
+
+<p>"Where shall we go?" asked Pippity&mdash;and if a parrot could shed tears he
+would have shed them.</p>
+
+<p>"We will go to the abodes of men. We will go among civilized people."</p>
+
+<p>"I, too, Frank. I, too! Call Gr&mdash;&mdash;!"</p>
+
+<p>"Say no more, Pippity! Strive to forget."</p>
+
+<p>For seventeen days we traversed the mountains, picking up a scanty
+subsistence by the way. Pippity was considerably frightened by the
+condors that really seemed to threaten us when we reached great
+elevations; and I was astonished at the remains of the once stupendous
+works of the ancient dwellers in this land. Bridges stretching from
+mountain to mountain, over immense, deep valleys, attested the
+knowledge and power of that singular race.</p>
+
+<p>Later, we began to meet people; a hut here and another there, with
+miles between. Pippity was quite at a loss to know what to make of such
+persons as we met. When two or more happened to be conversing together,
+it was utterly incomprehensible to him how they could understand one
+another.</p>
+
+<p>"What jargon is this?" he evidently tried to say, "that these people
+are all the time jabbering? It is nothing but an unmeaning chattering
+of monkeys. Can it be possible that they know what they are babbling?
+And you understand that gibberish, too?"</p>
+
+<p>I had taught Pippity no language but my own, and it was no wonder that
+he was surprised when he heard people so like me talking quite
+differently.</p>
+
+<p>We soon reached the sea-coast; and if Pippity was surprised at what he
+saw in the towns and cities, the citizens, many of whom were familiar
+with the English tongue, were still more surprised at his wonderful
+gift of language.</p>
+
+<p>My own appearance until I bought myself some decent clothes, created
+quite a sensation among the people I met. During my long stay in my
+mountain home, I had been obliged to mend and darn my garments with the
+fibers of plants until there was scarcely a vestige of the original
+fabric remaining; and I looked like a veritable scarecrow.</p>
+
+<p>But I was not poor. In a little, home-made wallet, I carried a small
+handful of diamonds, which I had, from time to time, found in my
+wanderings about the Tower-Mountain. These now did me good service. I
+easily converted them into money, which gave me the means of living and
+traveling as I pleased.</p>
+
+<p>We took ship, Pippity and I, and sailed away to my old home in the
+north. On the voyage, the gifted bird was the hero of the vessel.
+Ladies, gentlemen, children, and even the officers and crew of the
+ship, were glad to gather around him and talk to him. No such parrot
+had any of them seen before. I had magnificent offers made to me, if I
+would consent to sell him, but I refused them all, and, after awhile,
+Pippity himself relieved me of the duty of declining to sell him. When
+an offer of purchase was made, he would say, "I can't be bought!"&mdash;or,
+if the proposal came from a lady, "Madam, your offer is most
+respectfully declined!"</p>
+
+<p>At last we reached my native city, and here a great misfortune happened
+to me.</p>
+
+<p>In walking about the streets with my parrot, Pippity was constantly
+obliged to inhale the fumes of tobacco. He could not endure it, and
+frequently asked me in his own fashion why people persisted in puffing
+such sickening smoke from their mouths. I explained the matter to him,
+but he never could see any sense in it. It was known on board the ship
+that Pippity disliked the fumes of tobacco, and he was such a general
+favorite that no one smoked in his presence.</p>
+
+<p>But in the city streets he met with no such consideration. He was
+incessantly compelled to breathe tobacco smoke, and it made him ill. In
+a very few days he was seized with a painful choking sensation, caused
+by the irritation of the smoke, and in a short time he died. His last
+words were:</p>
+
+<p>"That detestable tobacco!"</p>
+
+<p>And so I lost this good friend. I had his skin stuffed, and presented
+it to our society of natural history.</p>
+
+<p>There were people to whom I told this story of my adventures who did
+not believe me, but I was always sure they would have credited my word
+if only I had had my monkey and my parrot with me to corroborate the
+truth of my strange history.</p>
+
+<br /><div class="center">THE END.</div>
+
+<hr />
+
+<h2><a name="giftsforstnicholas" id="giftsforstnicholas">GIFTS FOR ST.
+NICHOLAS</a> <span class="fnref"><a name="fnrefA" id="fnrefA"
+href="#fnA">[A]</a></span></h2>
+
+<hr class="tiny" />
+<div class="center">BY EMMA E. BREWSTER.</div>
+<hr class="tiny" />
+
+<br />
+
+<div class="poem">
+<div class="stanza">
+ <div>Grieve not, O Santa Claus, who fills</div>
+ <div class="in1">Each stocking, box and tree;</div>
+ <div>Nor think, most desolate of saints,</div>
+ <div class="in1">None bring good gifts to thee.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>We place no candles in thy crypt,</div>
+ <div class="in1">No gold upon thy shrine,&mdash;</div>
+ <div>Thou bringest us the frankincense,</div>
+ <div class="in1">The tapers and the wine.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>But rarer gifts, good Nicholas,</div>
+ <div class="in1">Than these, thy children bring,</div>
+ <div>When up and down an echoing world</div>
+ <div>The Christmas bells all ring.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>We bring our brightest, truest love</div>
+ <div class="in1">To crown thy happy brows;</div>
+ <div>No monarch wears a coronet</div>
+ <div class="in1">So light as holly-boughs.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>We bring our gayest, fairest hopes,</div>
+ <div class="in1">With smiling memories spun;</div>
+ <div>So rich a robe has never shone</div>
+ <div class="in1">Earth's proudest king upon.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>We bring our trust, our childhood faith,</div>
+ <div class="in1">And place it in thy hand;</div>
+ <div>No jeweled scepter has such power</div>
+ <div class="in1">To rule on sea or land.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Then stay, O dear St. Nicholas!</div>
+ <div class="in1">Look on thy heaped-up shrine;</div>
+ <div>Our hearts, our hopes, our memories,</div>
+ <div class="in1">Our trusts, our faith are thine!</div>
+</div>
+<br />
+<div class="stanza">
+ <div>There's not in all the calendar</div>
+ <div class="in1">One saint whose altars shine</div>
+ <div>With such gay throngs of worshipers,</div>
+ <div class="in1">Such precious gifts, as thine!</div>
+</div>
+<br />
+</div>
+
+<div class="fn">
+<span class="fnnum"><a name="fnA" id="fnA" href="#fnrefA">[A]</a></span>
+An answer to "Left Out," published in the December number.
+</div>
+
+<hr />
+
+<h2><a name="marbles" id="marbles">SOME IN-DOOR GAMES AT MARBLES.</a></h2>
+
+<hr class="tiny" />
+<div class="center">BY L.D. SNOOK.</div>
+<hr class="tiny" />
+
+<br />
+
+<p>One or two of the following games of marbles may be known to the
+readers of <span class="small">ST. NICHOLAS</span>, but we think they
+all will be new to a great many boys.</p>
+
+<br /><br />
+
+<h3>THE ARCHED-BOARD COUNT-GAME.</h3>
+
+<a name="image29" id="image29"></a>
+<div class="imgcenter">
+<img src="images/image29.png" width="400" height="96"
+alt="THE ARCHED-BOARD COUNT-GAME." title="THE ARCHED-BOARD COUNT-GAME." />
+</div>
+
+<p>A strip of board, half an inch thick, five inches wide, and twenty-two
+inches long, has notches cut in one side, two inches wide at the
+bottom, and tapering as shown. Short bits of board nailed upon each end
+keep the strip upright. Then it is placed upon the floor within two
+feet of the wall. Each player is provided with the same number of
+marbles (from three to five, or as many as the players wish), and from
+the opposite side of the room he rolls at the board, the object being
+to roll through the arches, which have numbers immediately above them
+in the manner shown. The one making the most counts after rolling all
+the marbles is entitled to one game. Or, if you have but five or six
+marbles, each party rolls the whole number by himself, and should there
+be a tie between those who make the highest aggregate number, they must
+roll again, the one then having the highest tally winning the game.</p>
+
+<br /><br />
+
+<h3>THREE-ARCH DISCOUNT-GAME.</h3>
+
+<a name="image30" id="image30"></a>
+<div class="imgcenter">
+<img src="images/image30.png" width="399" height="111"
+alt="THREE-ARCH DISCOUNT-GAME." title="THREE-ARCH DISCOUNT-GAME." />
+</div>
+
+<p>This board is as wide and thick as the other, but is only eighteen
+inches in length. The center arch is four inches wide, the two small
+ones three inches each. In playing, each boy rolls from four to ten
+marbles each, every marble that passes under the center arch counting
+forty; if the marble goes through either small arch, twenty is deducted
+from the count, or, as the boys say, is "counted off" each time. So, if
+you are not a good shot, it is likely you will lose more than you will
+gain. In this, or the previous game, if you fail to pop your marble
+through any arch, it is lost.</p>
+
+<br /><br />
+
+<h3>THE TEN-BLOCK COUNT-GAME.</h3>
+
+<a name="image31" id="image31"></a>
+<div class="imgcenter">
+<img src="images/image31.png" width="295" height="220"
+alt="THE TEN-BLOCK COUNT-GAME." title="THE TEN-BLOCK COUNT-GAME." />
+</div>
+
+<p>You are to make ten blocks of wood, each about one inch square; upon
+one side of each you mark the figure 0; on the other sides the numbers
+10, 20, 30, 40, and 50, the 50 being upon the side opposite the 0. The
+blocks are placed upon the floor or carpet in the form of a half
+diamond, as shown. The in each case being placed upward, each player
+rolls four marbles singly at the blocks, the object being to hit as
+many of them as possible. When done, count the numbers on the upper
+sides of all the blocks, and replace them for the next player. It is a
+lively game.</p>
+
+<br /><br />
+
+<h3>SWINGING-BLOCK COUNT-GAME.</h3>
+
+<a name="image32" id="image32"></a>
+<div class="imgcenter">
+<img src="images/image32.png" width="400" height="216"
+alt="SWINGING-BLOCK COUNT-GAME." title="SWINGING-BLOCK COUNT-GAME." />
+</div>
+
+<p>This is but a modification of the block-game just described. A common
+pin or tack is driven partly into one side of a block, which is
+connected by a string with a little strip of wood above. Instead of
+making side-pieces for supports, two chairs can be used, letting the
+strip rest upon the seat or lower rounds. Each block has the same
+number upon every side, and is hung so that the bottom is about
+one-quarter of an inch from the floor. When a marble strikes a block it
+swings a little and soon is quiet. This saves considerable work in
+replacing overturned blocks. For each block hit, tally the number upon
+it.</p>
+
+<br /><br />
+
+<h3>CIRCLE-GAME.</h3>
+
+<a name="image33" id="image33"></a>
+<div class="imgcenter">
+<img src="images/image33.png" width="204" height="200"
+alt="CIRCLE-GAME." title="CIRCLE-GAME." />
+</div>
+
+<p>Mark upon a piece of paper three rings, the largest from eight to
+fifteen inches in diameter, the other two considerably smaller. Within
+the rings mark the numbers 10, 20, and 50, as shown. Lay this paper
+upon the carpet or floor, and roll your marbles, the object; being to
+have them stop upon the paper and as near the center as possible, each
+person to let his remain where they stop until all of his be rolled.
+Should a marble rest on a line, tally for it the number in the largest
+circle adjoining.</p>
+
+<hr />
+
+<h2><a name="tommysthreehorses" id="tommysthreehorses">TOMMY'S THREE HORSES.</a></h2>
+
+<hr class="tiny" />
+<br />
+
+<div class="poem">
+<a name="image34" id="image34"></a>
+<div class="imgcenter">
+<img class="border" src="images/image34.png" width="400" height="292" alt="" />
+</div>
+<div class="stanza">
+ <div>The first is a pony without any head;</div>
+ <div>'Tis a wonder, indeed, how the creature is fed.</div>
+</div>
+<br /><br />
+<a name="image35" id="image35"></a>
+<div class="imgcenter">
+<img class="border" src="images/image35.png" width="400" height="259" alt="" />
+</div>
+<div class="stanza">
+ <div>The second, you see, is a steady old chair;</div>
+ <div>Very gentle is he, and he needs little care.</div>
+</div>
+<br /><br />
+<a name="image36" id="image36"></a>
+<div class="imgcenter">
+<img class="border" src="images/image36.png" width="401" height="232" alt="" />
+</div>
+<div class="stanza">
+ <div>And here is another&mdash;the third one, of course;</div>
+ <div>But the driver's Tom's brother, and Tom's his own horse.</div>
+</div>
+</div>
+
+<hr />
+
+<h2><a name="chickensnottame" id="chickensnottame">THE CHICKENS THAT
+WOULD NOT BE TAME.</a></h2>
+
+<hr class="tiny" /><br />
+
+<p>In a small village there lived an old woman who kept poultry. One day
+this old woman went to see a little girl, who had some chickens which
+were so tame that they would eat corn and crumbs out of her hand.</p>
+
+<p>"That's nice," said the old woman; "I shall teach my chickens to do
+that."</p>
+
+<p>So she went home, and got some corn and some crumbs, and went out into
+the yard and called the chickens; but they would not come to her. They
+were afraid of her, because she used to shout at them, and throw sticks
+at them, every time they came into the garden, or near the house.</p>
+
+<a name="image37" id="image37"></a>
+<div class="imgcenter">
+<img src="images/image37.png" width="356" height="400" alt="" />
+</div>
+
+<p>When she saw that her chickens would not eat out of her hand, this old
+woman was very angry, indeed.</p>
+
+<p>"You bad chickens!" she said, "I'll catch you and make you eat out of
+my hand." So she ran after them and tried to catch them, but some ran
+one way and some another, and she could not lay hold of any of them.</p>
+
+<p>The next day she went again to the house where the tame chickens were,
+and this time she saw the little girl's mother, and told her about the
+trouble she had, and how her chickens would not let her come near them.</p>
+
+<p>"I don't see why they are not nice, gentle chickens like those your
+little girl has," said the old woman.</p>
+
+<p>"Well," said the little girl's mother, "perhaps they would be tame if
+you had always treated them as well as my little girl treats her
+chickens. She has been kind and gentle with them ever since they came
+out of their shells, and they have learned not to be at all afraid of
+her. But I think I have seen you throwing sticks at your chickens and
+chasing them about the yard. If you do that, they cannot help being
+afraid of you, and they will never come to you and eat out of your
+hand."</p>
+
+<p>What the little girl's mother said was very true, and if any of you
+have birds or animals which you wish to tame, you must always treat
+them so kindly that they will never have any reason to be afraid to
+come to you.</p>
+
+<hr />
+
+<a name="image38" id="image38"></a>
+<div class="center">
+<img src="images/image38.png" width="340" height="400" alt="" />
+</div>
+
+<h2 style="margin-top:-1.5em; padding-left:2em;"><a
+name="jackinthepulpit" id="jackinthepulpit">JACK-IN-THE-PULPIT.</a></h2>
+
+<hr class="tiny" />
+<br />
+
+<p>"Thirty days has September, April, June and November; all the rest have
+forty-three, except February, which is leap-year every four months." I
+may not repeat this correctly, but I heard a little boy saying
+something of the kind. Perhaps you all know the jingle better than I
+do, so I'll say no more about it.</p>
+
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">NATURE'S PADDLE-BOATS.</div>
+
+<p>A little bird has told me such a strange thing! It's about a kind of
+jelly-fish which he called a "Globe-Beroe," I think; but you can find
+out for yourselves, if I caught the name aright or not.</p>
+
+<p>This jelly-fish looks like a tiny ball of the clearest ice. All around
+it, much after the fashion of the lines of longitude on a geographical
+globe, are eight bands a little less transparent than the rest of the
+body. On each of these are thirty or forty small paddles, in shape like
+the floats upon the paddle-wheels of a steamboat; and it is by means of
+these that the little creature pushes itself along in the water. The
+paddles are alive, and move either swiftly or slowly, one at a time or
+all together.</p>
+
+<p>Not only can this natural paddle-boat send itself along, but it can
+also cast anchor. It puts forth very fine threads, which gradually
+lengthen, unfolding from their sides transparent tendrils like those of
+a vine. These catch hold of and twine around some fixed thing, and moor
+the craft; and when the Beroe is about to be roving again, they unwind
+themselves, and all slip quietly back into the little ice-ball out of
+sight.</p>
+
+<p>There are countless millions of Beroes in the Arctic regions, where the
+sea is in some parts colored by them for miles and miles. If there were
+not such immense fleets of these tiny paddle-boats there would be
+little chance for us to wonder at them, because they choose for their
+moorings just the places where whales love best to feed and play their
+rough games, and where, too, their own presence in the sea makes it
+into a kind of soup of which whales are very fond.</p>
+
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">TINY TREES.</div>
+
+<p>Only think of trees, full-grown trees, so small that several of
+them,&mdash;roots, stems, branches and all,&mdash;piled one above another, would
+not be as tall as I am!</p>
+
+<p>What kind of birds would stoop to roost in such little, little trees,
+I'd like to know?</p>
+
+<p>They tell me that such tree-lings do really grow, away up, on high
+mountains, near where the snow stays all the year through, and also in
+very cold countries near the polar circles.</p>
+
+<p>I do hope the words "polar circles" will bring clear ideas to you, my
+dears. They've quite tangled up my notions. Wont some of you explain
+the things to me?</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">BIRDS AND TELEGRAPH-WIRES.</div>
+
+<p>The Little Schoolma'am has been talking about snow-birds, and she says
+there was a poem about them in <span class="small">ST. NICHOLAS</span>
+for April, 1875, and also a picture of the dear little fellows
+comfortably perched on a telegraph-wire, out in Colorado, somewhere.
+I dare say you'll remember them, my chicks.</p>
+
+<p>Well, she went on to say that telegraph-wires are not always such good
+friends to birds, for she had heard that, along the great railroads in
+the West, large numbers of prairie-chickens are killed at certain
+seasons of the year by flying against the wires. Sometimes this may
+happen in the dark, but more often in the day-time when the wind is
+very strong.</p>
+
+<p>Of course, this can't very well be helped; but it does seem dreadful,
+doesn't it, my dears? However, the section-men, who have charge of the
+railroad tracks, get some good from it, for they make a regular
+business of gathering the fallen birds, which are then cooked and
+eaten.</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">WALTON'S KITTY AGAIN.</div>
+
+ <blockquote><p>Dear Jack: A while ago I told in
+ <span class="small">ST. NICHOLAS</span> something about
+ "Walton's Kitty," that loves music and climbs upon any one who
+ sings to her, putting her head as close as can be to the lips of
+ the singer. Now, here is another true story about this same cat:</p>
+
+ <p>In the summer, Walton's aunt used to set the milk in a cool closet,
+ in a pitcher with a long, narrow neck, but day after day, when
+ teatime came, every drop of that milk was gone. Nobody drank it,
+ nobody used it, nobody spilled it. "Walton's Kitty" and all her
+ descendants were clear of suspicion, because of the long, narrow
+ neck of that pitcher. So everybody watched and waited to find out
+ how the milk went.</p>
+
+ <p>And this is what they saw: There sat "Walton's Kitty," dipping her
+ paw deep down into the pitcher, taking it out, and then lapping the
+ milk from it! If she dropped the smallest drop, she stopped and
+ cleaned that up, and then went on. As the milk dwindled to the
+ bottom of the pitcher she shook her paw around; and she never left
+ off until every drop of milk was gone!</p>
+
+ <p>Since then, the milk for tea stands in a covered pitcher, but
+ "Walton's Kitty" has hers in a tall, narrow goblet. It is a very
+ affecting sight, and people laugh till they cry as they watch
+ her.&mdash;Yours truly,</p>
+
+ <p class="right"><span class="small">M.B.C.S.</span></p></blockquote>
+
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">FLINT ONCE WAS SPONGE.</div>
+
+<p>You never would think it, would you, my dears? But the Little
+Schoolma'am says that it was; and she always is right.</p>
+
+<p>She says that flint really is nothing more nor less than sponge turned
+to stone. Once the sponge grew at the bottom of the sea, as other
+sponges grow now; but that was ages and ages ago, and since then the
+sponge, turned to flint, has lain covered by rocks and earth of many
+kinds piled thick above it. Seen with a microscope, flint shows the
+make of sponge in its fibers; and sometimes you can see, bedded in it,
+the shells of the tiny creatures on which the sponge had fed. Now and
+then, inside a flint, will be found bits of the sponge not yet changed.</p>
+
+<p>That last proof settles it; but I must say it's hard to believe;&mdash;hard
+as the flint, almost.</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">SOME OLD PUZZLES.</div>
+
+<p>Here are two letters, with old puzzles in them, that may amuse you for
+a while on one of these shivery evenings, my chicks. I'll tell you the
+answers next month.</p>
+
+
+ <blockquote><p class="right">Michigan.</p>
+
+ <p><span class="small">DEAR JACK-IN-THE-PULPIT</span>:
+ The other night one of my brothers said he
+ did not believe we could pronounce a certain word after he should
+ have spelled it. I will tell you what it is, though you may have
+ heard about it already:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <div>A cross, a circle complete,</div>
+ <div class="in1">An upright where two semi-circles do meet,</div>
+ <div>A triangle standing upon two feet,</div>
+ <div class="in1">Two semi-circles, a circle complete.</div>
+ </div>
+ </div>
+
+ <p>Yours truly, <span class="small">CORA</span>.</p></blockquote>
+
+
+ <blockquote><p class="right">Oswego, N.Y.</p>
+
+ <p><span class="small">DEAR JACK</span>: I send you a riddle which I found.
+ I take <span class="small">ST. NICHOLAS</span> and like it very much.
+ I have all of the volumes from 1874.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <div>I am a word of plural number,</div>
+ <div>A foe to peace and human slumber,</div>
+ <div>Yet, do but add the letter S,&mdash;</div>
+ <div>Lo! what a metamorphosis!</div>
+ <div>What plural was, is plural now no more,</div>
+ <div>And sweet's what bitter was before.</div>
+ </div>
+ </div>
+ <p>Yours truly, <span class="small">KITTIE</span>.</p></blockquote>
+
+<br />
+
+<p>Talking about riddles, reminds me of one that was made by Richard
+Whately, an archbishop of Dublin, as I've heard. This is it:</p>
+
+<div class="poem">
+<div class="stanza">
+ <div class="quote">"When from the Ark's capacious round</div>
+ <div class="in1">The beasts came forth in pairs,</div>
+ <div>Who was the first to hear the sound</div>
+ <div class="in1">Of boots upon the stairs?"</div>
+</div>
+</div>
+
+<p>I'm told that it never has been guessed right by anybody; yet the
+archbishop said there was an answer, although he did not say what it
+was. May be you can solve the riddle, my dears, if you brush up your
+wits a bit? Let me know as soon as you think you have the right answer.</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">THE NEWEST FASHION.</div>
+
+<p>The girls of the Red School-house often talk about new fashions,
+especially when the Little Schoolma'am is about, for she is pretty sure
+to drop some useful hints. Well, one day she told them, among other
+things, about the "latest novelty" in ladies' ball-dresses at
+Upernavik, in Greenland.</p>
+
+<p>As nearly as I can remember, she said that the costume consists of a
+little jacket, made of bright-colored calico or flannel; long
+pantaloons of sealskin, trimmed like the jacket and sitting close to
+the figure; and white, red or blue boots: the whole set off by gay
+ribbons and all the beads the wearer can get.</p>
+
+<p>A jaunty suit enough, no doubt; but, if she wore only that, the wearer
+must have been obliged to dance, merely to keep herself warm.</p>
+
+<p>By the way, I wonder what ever possessed them to call that frozen
+country Green-land?</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">TO SURPRISE A DOG.</div>
+
+<p>This is the way a man among the Himalaya Mountains once astonished a
+stranger dog. He put on a pair of huge goggles and walked steadily and
+quietly toward the dog, without speaking a word. The dog bristled up
+and stared hard for a moment, and then, all at once, he seemed to wilt,
+and away he slunk as if ashamed of himself.</p>
+
+<p>I heard about this only the other day, my dears, and I tell it to you
+merely to warn you not to try the little trick, unless you are sure
+your dog will not get angry and jump for you.</p>
+
+<p>It would not look well for you to slink off as if you were ashamed of
+yourself.</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">THE KINDERGARTEN AT HOME.</div>
+
+ <blockquote><p><span class="small">DEAR JACK</span>: Will you please
+ tell your older boys and girls that in
+ good systems of Kindergarten teaching they will find a great many
+ means of amusing invalid brothers or sisters without wearying them,
+ and many games and much fun for the younger ones, who will learn at
+ the same time things that they ought to know. To carry out these
+ methods one wants sticks, blocks, slates, slats, colored balls, and
+ other things easy to make and cheap to buy, the use of which is
+ pleasant to teach as well as to learn and practice.</p>
+
+ <p>I bought lately a full set of Kindergarten apparatus such as I have
+ named, and sent it to a little niece of mine in California, and the
+ dear little one writes to me that she has had much happiness and
+ enjoyment out of it. I hope some of your young friends will try the
+ experiment and let me know what success they have.&mdash;I am, dear
+ Jack, yours affectionately, <span class="small">A LITTLE SCHOOLMA'AM</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">KAFFIR IRONING.</div>
+
+<p>You all know how ironing is done here&mdash;with flat-irons, I think
+somebody said. Well, the birds tell me that the Kaffirs of South Africa
+don't use flat-irons, but have quite another way. They make the clothes
+into a neat flat package, which they lay on a big stone. Then they just
+dance on the package until they think the clothes are smooth enough! It
+must be good fun to them! Luckily, Kaffirs don't wear cuffs and frills.</p>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">SLIPPERS FOR HORSES.</div>
+
+<p>Where do horses wear slippers?</p>
+
+<p>Now, my chicks, this is not a conundrum. So you need not be chirping
+out, "On their feet, of course;" or some foolish answer of that kind.
+The real answer is, "Japan,"&mdash;at least, so I'm told, and there are such
+numbers of other queer things there, that I don't wonder it is so.</p>
+
+<p>Well, Japanese horses wear straw slippers,&mdash;clumsy-looking things, I
+should say. But, besides that, they stand in their stables with their
+heads where American horses' tails would be! Perhaps Japanese horses
+like to see for themselves what is going on?</p>
+
+<p>"Where is the food put?"</p>
+
+<p>Why, in a bucket hung from the roof, of course. Where else, would you
+suppose?</p>
+
+<hr />
+
+<a name="image39" id="image39"></a>
+<div class="center">
+<img src="images/image39.jpg" width="500" height="147"
+alt="ON THE ICE." title="ON THE ICE." />
+<p class="caption">ON THE ICE.</p>
+</div>
+
+<h2><a name="letterbox" id="letterbox">THE LETTER-BOX.</a></h2>
+
+<hr class="tiny" /><br />
+
+ <blockquote><p class="right">Fair Haven, Vt. 1877.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: Two of my sisters
+ and myself have taken your
+ magazine ever since it was published, and like it very much. I am
+ glad Miss Louisa M. Alcott is writing a story for your magazine, as
+ I am very fond of her stories.</p>
+
+ <p>I have read, "Eight Cousins," "Rose in Bloom," "Little Men,"
+ "Hospital Sketches," "Aunt Jo's Scrap-Bag," and "Little Women,"
+ myself, have been called "Meg, Amy, Beth and Jo." My oldest sister
+ Ada, who is sixteen years old, is the "Amy" of our family; My
+ little sister Stella, who is eleven years old, is well skilled in
+ music, and we think she is very much like "Beth"; and I am
+ thirteen, and have been called "Jo."</p>
+
+ <p>So, you see, I was greatly interested in "Little Women," as I could
+ appreciate it so well; and it seemed to me as if Miss Alcott must
+ have seen us four girls before she wrote the story.</p>
+
+ <p>I have four first cousins, and they are all boys, and with my
+ sisters and me we are "eight cousins." One of my cousins is a
+ little baby, a little over five weeks old. He makes the eighth
+ cousin.</p>
+
+ <p>I liked the piece about Miss Alcott in the December number very
+ much. We expect to take your magazine until we are young women. I
+ think it the best published for young people.&mdash;Your friend,</p>
+
+ <p class="right"><span class="small">ANNIE ADAMS</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+<p>By letters just received from England, we learn that the pretty
+Christmas and New-Year cards in our December and January issues were
+<i>not</i> drawn by Miss Greenaway, though a friend had mistakenly sent them
+to us last summer as specimens of that lady's work, cut from a
+scrapbook. We, therefore, hasten to correct the error, wishing at the
+same time, that we knew to whose hand to credit the drawings. To our
+still greater regret, we now learn that Marcus Ward &amp; Co., of London,
+having published these as Christmas cards, and counted upon having a
+large sale for them in America. Had we known this in time, we certainly
+should not have copied the pictures without previously referring to the
+publishers. The best reparation we can make at the present date is this
+acknowledgement and a bit of honest advice to our readers: Hunt the
+shops for the beautifully colored cards from which these pictures were
+copied, and buy them for next Christmas. They are far better than our
+printed ones.</p>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Brooklyn, N.Y.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I am twelve years
+ old and very fond of reading,
+ and as I never can find an interesting book of history, I read
+ stories. But mamma and other people tell me I ought to read
+ something instructive, but as I never can find anything I like, I
+ would be much obliged if you would help me a little by giving me a
+ list of pleasant books. I have taken you for three years and enjoy
+ you very much indeed.&mdash;Your very affectionate reader,</p>
+
+ <p class="right"><span class="small">ALICE CLINTON</span>.</p></blockquote>
+
+<p>"Greene's Shorter History of the English People," a new work, is very
+interesting. H.M.D. in the "Letter-Box," October, 1876, says that "The
+Life and Times of Sir Philip Sidney" is such a pleasant book that you
+cannot help having a good time when you are reading it, and will not
+think it is history unless you know beforehand. "Seven Historic Ages,"
+by Arthur Gilman, is another attractive book, and if you are like most
+smart girls of your age, you will find Prescott's "Ferdinand and
+Isabella" as interesting as many story books. It is a history of Spain
+in its most prosperous times. It is long, but, once begun, few find it
+hard to finish.</p>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Geneva, N.Y.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: Please tell "Jack"
+ that apples that are part
+ sour and part sweet grow in the beautiful State of New York. I have
+ tasted of such fruit and am sure it is so. Who can tell me more
+ about this wonderful fruit? And how many have ever eaten such
+ apples?</p>
+
+ <p>Can any one tell me what causes them to grow one side sweet, and
+ the other sour? Hoping to hear more on this subject, I remain,
+ yours truly,</p>
+
+ <p class="right"><span class="small">ALMA AYLESWORTH</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Mobile, Ala.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I wish to tell you
+ of Fanny, our little mule,
+ who cannot be forced to work on Sunday. She is gentle, obedient and
+ faithful on week days, but on Sunday Fanny will not be made to
+ move.</p>
+
+ <p>Don't think us heathen, dear <span class="small">ST. NICHOLAS</span>,
+ for the boys just tried
+ to make her carry a load of hay as a test, and to tease her, also;
+ but when papa saw what they were up to, he put a stop to it, and
+ now Fanny enjoys her Sundays in peace. My little sister says, "she
+ is a religious mule." Do you think that the mule really knows when
+ Sunday has come?&mdash;Your well-wisher,</p>
+
+ <p class="right"><span class="small">ERNESTINE HAMMOND</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+<div class="center">KING ALFRED AND THE CAKES.</div>
+
+<br />
+
+<div class="center">(<i>Jack-in-the-Pulpit's Story in the December Number,
+Straightened Out</i>.)</div>
+
+<p>King Alfred the Great, having been driven by the Danes to seek safety
+in flight, disguised himself as a peasant, and took refuge in the hut
+of a cow-herd, where he was told to watch the baking of some cakes. But
+he forgot the cakes and let them burn; and when the herdsman's wife
+came in, she gave him a sound scolding for his carelessness.</p>
+
+<p>Charles I. of England was defeated at Marston Moor; and his son,
+Charles II., after losing the battle of Worcester, barely escaped
+capture, by hiding in the leafy branches of an oak-tree.</p>
+
+<p>Robert Bruce lost many battles, fighting for the Scottish throne. At
+length, he lay down disheartened on a heap of straw in an old hut.
+While he was thinking over his troubles, he saw a spider trying to get
+from one rafter to another. It failed many times, but at last
+succeeded, and Bruce, taking courage at the insect's example, went on
+fighting until he had secured his kingdom.</p>
+
+<p>Sir Isaac Newton had on his table a pile of papers upon which were
+written calculations that had taken him twenty years to make. One
+evening, he left the room for a few minutes, and when he came back he
+found that his little dog "Diamond" had overturned a candle and set
+fire to the precious papers, of which nothing was left but a heap of
+ashes. It was then that he cried, "Oh, Diamond! Diamond! thou little
+knowest what mischief thou hast done!"</p>
+
+<p>It is said that George Washington, when a boy, destroyed his father's
+favorite cherry-tree, and, being asked about it, replied: "I cannot
+tell a lie; I did it with my little hatchet."</p>
+
+<p>Oliver Cromwell, when dispersing Parliament, saw the Speaker's mace
+upon the table, and, pointing to it, said, "Take away that bauble!"</p>
+
+<p>Just after Lord Nelson's great naval victory off Cape Trafalgar, as he
+was dying from a wound received in the battle, he kept repeating the
+words, "Thank Heaven, I have done my duty!"</p>
+
+<p>Prince William, son of Henry II. of England, was drowned on his way
+home from France. The king was so affected by his loss that "he never
+smiled again."</p>
+
+<p>[Fannie P. sends a complete and correct version. Willie H. Paul and
+Bertha Paul straightened out all of the story except the part about
+Lord Nelson. The versions sent by E.J. Smith, Charlie W. Jerome, Lulu
+Way, and John N.L. Pierson, were correct, as far as they went, but they
+explained only the parts that referred to King Alfred himself.]</p>
+
+<br /><hr class="tiny" /><br />
+
+<p>Here is a little story sent to <span class="small">ST. NICHOLAS</span>
+as a companion to "The Story that Wouldn't be Told," in the November number:</p>
+
+<div class="center">THE STORY NOBODY KNEW.</div>
+
+<p>Once there was a little story that nobody knew, and nobody could tell
+it, because nobody knew it, and yet this little story wanted dearly to
+be told. It used to wait about where people were telling stories, and
+when a story was ended and the merry laugh went round, it would say to
+itself, "Now they will certainly tell me," but they never did. So at
+last this little story got quite low-spirited and wandered off by
+itself out of the house, and through the garden into the orchard, and
+there in the orchard, under an apple-tree, there was a little girl
+lying fast asleep among the buttercups and daisies. The little story
+looked all around to see that no one else was there, and then it
+cuddled down beside the sleeping child and whispered itself into her
+ear. It was so exciting, so charming, that the little girl awoke, and
+thought she had dreamed it all, and ran to tell her mother the
+beautiful dream. When she saw her mother, she cried out, "Mother!
+mother!" and was just about to tell the little story, when suddenly she
+forgot it all, and now the little story can never be told, but it still
+comes to good children in their dreams.</p>
+
+<br /><hr class="tiny" /><br />
+
+<p>A little girl, eleven years old, sends these verses of her own
+composition to the "Letter-Box":</p>
+
+<br />
+
+<div class="center">VALENTINE.</div>
+<br />
+<div class="poem">
+<div class="stanza">
+ <div>I am a little Cupid,</div>
+ <div class="in1">And I come to visit thee,</div>
+ <div>To tell you that I love you,</div>
+ <div class="in1">And to know if you love me.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And if you'll be my little wife,</div>
+ <div class="in1">And come along with me,</div>
+ <div>I'll take you to a lovely place,</div>
+ <div class="in1">And pretty flowers you'll see.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>And when you have been there a day,</div>
+ <div class="in1">You'll be a little Cupid,</div>
+ <div>With no hard lesson-books to learn,</div>
+ <div class="in1">That are so dull and stupid.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>But, if you will not come and be</div>
+ <div class="in1">My pretty little wife,</div>
+ <div>You'll go straight back to school again,</div>
+ <div class="in1">With lessons all your life.</div>
+</div>
+<br />
+ <div class="in13"><span class="small">K. UNIACKE</span>.</div>
+</div>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Two Rivers, Wis.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I am not quite ten
+ years old, but I am one of
+ your oldest subscribers. We have every number from the very first.
+ I have a brother Fred, two years older than I. We have always lived
+ on the shores of Lake Michigan.</p>
+
+ <p>During the summer months, the steamer comes in from Chicago every
+ morning. Fred and I like to get up early in the morning, and go
+ down to the beach, before breakfast, to see the steamer go out;
+ and, afterward, the morning train, for the station is near the
+ beach. It is lovely down there early in the morning; we dig wells,
+ sail boats, and wade out after the waves that chase us back again.</p>
+
+ <p>We love the lake, and spend many happy hours down there. But
+ sometimes it's a very wicked lake. Three weeks ago it blew very
+ hard all night, and in the morning the waves were rolling up like
+ mountains, and near the harbor pier there lay a wreck. Although
+ they were so close to the town, and several other vessels were
+ lying at anchor near, no one had heard, or seen, or knew anything
+ about how it happened. It proved to be the "Magellan," of St.
+ Catherine's, Ont. Since then nine bodies have washed ashore, among
+ them the captain and his brother, the mate, both of them
+ fine-looking young men, and not like ordinary rough sailors. The
+ captain was a Knight Templar, and the Masons took charge of the
+ body and sent it home, and some ladies made a beautiful cross of
+ natural flowers, which they laid on his breast. But I will leave
+ this sad subject, and tell you how we appreciate
+ <span class="small">ST. NICHOLAS</span>.</p>
+
+ <p>Last week we had a concert. There were several recitations from
+ <span class="small">ST. NICHOLAS</span>, besides the "Mother Goose
+ Operetta" in the January number (1877). It was very pretty. There
+ were fifteen children, all in handsome peasant costumes. I was Marie.</p>
+
+ <p>Last summer, when we came from the Centennial, in our Pullman car
+ were two boys just Fred's age; one was from San Francisco and one
+ from Chicago. Of course, the three were soon well acquainted, and
+ had lots of fun together. And what do you think? They soon found
+ out that each was a subscriber to <span class="small">ST. NICHOLAS</span>!
+ And how they enjoyed talking over the stories together! "Fast Friends"
+ seemed to be the favorite; but I like "Eight Cousins" better.&mdash;Respectfully
+ yours,</p>
+
+ <p class="right"><span class="small">NETTIE CONINE</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Paulsboro, N.J., 1877.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I had pigeons at
+ the Woodbury Fair both this year and last, and took the first
+ premiums for best display: another little fellow, about my age,
+ had four when I had six, and had eight when I had nine; how many
+ had I better take next year? You are interested in this question,
+ for the two dollars premium helps pay for my <span class="small">ST.
+ NICHOLAS</span>, and I don't want to be without <i>that</i>. I take
+ the "Scattered Seeds," but like <span class="small">ST. NICHOLAS</span> better.
+ Please stop sending my magazine to Wm. E. <i>Grant</i>. I am no relation
+ to General Grant, but am a Democrat, and for General McClellan. I
+ am nine years of age.&mdash;Your constant reader,</p>
+
+ <p class="right"><span class="small">WILLIE E. GAUNT</span>.</p></blockquote>
+
+<br />
+
+<p>You have done so well already, Willie, that we think you can best
+answer your own question; but we should take <i>all</i> of our <i>best</i>
+pigeons.</p>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">New York.</p>
+
+ <p>Will <span class="small">ST. NICHOLAS</span> please tell "Sidonie"
+ if the "trade dollar" is made entirely of silver?</p></blockquote>
+
+<br />
+
+<p>It is not. There are 900 parts of pure silver and 100 parts of copper
+in the "trade dollar." The copper alloy is added to make the coin hard,
+so that it will wear well, as silver by itself would be too soft.</p>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Chicago, Ill.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I, for one, think
+ it is all nonsense about those
+ "that" sentences. Anybody can put more than eight "thats" in a
+ sentence; but if he, she, or it, can parse them, I would like to
+ have them do it. I don't believe it can be done. Let them parse the
+ sentence in the August number, for instance; and, if they can put
+ in twelve "thats" and then parse them, why, then, and not till
+ then, will I believe it. Please put this in the Letter-Box, and
+ oblige.</p>
+
+ <p class="right">C.P.S.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Louisville, Ky.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: I thank you very
+ much for the many beautiful
+ designs which you have given for Christmas presents, and for the
+ pictures and silhouettes which you have published, from which we
+ have copied in <i>tableaux vivants</i> and shadow pantomimes. We had
+ "The Modern and Mediæval Ballad of Mary Jane" (published in
+ January, 1877) in our church entertainment, and it "took"
+ immensely. "The Stalwart Benjamin" and "Lord Mortimer" were cut
+ from pasteboard, and fastened up by wires, and, of course, no one
+ knew that they were not people. The "Ballad" was read behind the
+ scenes.&mdash;Truly yours,</p>
+
+ <p class="right"><span class="small">KITTY B. WHIPPLE</span>.</p></blockquote>
+
+<br /><hr class="tiny" /><br />
+
+ <blockquote><p class="right">Boston.</p>
+
+ <p><span class="small">DEAR ST. NICHOLAS</span>: Papa has bought me
+ every number of the <span class="small">ST. NICHOLAS</span>
+ you have ever published, and as I have seen several
+ letters asking you about different things, I thought I would ask
+ you about something I do not understand. If it is not really known
+ who wrote the plays "Titus Andronicus" and "Pericles, Prince of
+ Tyre," what circumstances lead people to think Shakspeare wrote
+ them?</p>
+
+ <p>I have enjoyed you extremely, and as the Little Schoolma'am seems
+ always to answer such questions, I write to you hoping you will ask
+ her.&mdash;I am your fond admirer,</p>
+
+ <p class="right"><span class="small">ETHEL DAVIS</span>.</p></blockquote>
+
+<br />
+
+<p>The Little Schoolma'am says it is not absolutely certain who wrote the
+plays you name, but this is about the way the matter stands:</p>
+
+<p>The play "Titus Andronicus" is not now believed to have been originally
+written by Shakspeare. It is considered too horrible and repulsive to
+be his work. However, it may have been brought to him to be retouched
+and made ready for the stage. Hence is it, perhaps, that some passages
+of his are found in it.</p>
+
+<p>"Pericles," as well as "Timon of Athens," is believed to have been the
+work of some other writer, afterward completed and partially altered by
+Shakspeare. It is thought that most of the last three acts of
+"Pericles" are Shakspeare's, though some of their prose scenes and all
+the choruses are by another hand.</p>
+
+<hr />
+
+<h2><a name="newpublications" id="newpublications">NEW PUBLICATIONS.</a></h2>
+
+<hr class="tiny" /><br />
+
+<p><span class="small">ALL AROUND A PALETTE</span> is a delightful book
+for boys and girls, especially for those who love good pictures and odd
+and sprightly stories with something in them besides the fun and sparkle.
+Mr. J. Wells Champney has put a picture or a sketch wherever there was a
+chance, and Mrs. Lizzie W. Champney has made the stories very bright,
+sweet and interesting. The book is published by Messrs. Lockwood,
+Brooks &amp; Co., Boston, and is one of the "Children's Art Series."</p>
+
+<p>Messrs. Porter &amp; Coates, of Philadelphia, send us
+<span class="small">THE BOY TRADERS</span>, by
+Harry Castlemon, a brisk story of adventure on the sea, in the Sandwich
+Islands and among the Boers. There are several striking pictures.</p>
+
+<p><span class="small">A YORK AND A LANCASTER ROSE</span>, by Anne
+Kearney, author of "Castle Daly," "Oldbury," etc.; published by
+Macmillan &amp; Co., New York. This book is by an English author,
+and is a charming picture of family life, which
+will interest girls of thirteen and fifteen years of age. The story is
+of two girls, each named Rose, the one rich and the other poor; and
+tells how they were brought together, and the influence they exercised
+upon each other, and relates, in a very pleasant way, the various
+adventures, sayings, and doings of their brothers and sisters.</p>
+
+<p><span class="small">THE CUCKOO CLOCK</span>, by Ennis Graham, author
+of "Carrots" and "Tell me a Story"; published by Macmillan &amp; Co.
+This volume is well illustrated by
+Walter Crane. The cuckoo in an old clock makes friends with a lonely
+little girl, and causes her to have a good time, and to see many
+wonderful things. One of the prettiest parts of the story is the
+account of the making of the clock in the German home of the little
+girl's grandmother.</p>
+
+<p><span class="small">SLICES OF MOTHER GOOSE, SERVED WITH SAUCE BY
+"CHAMP,"</span> is the title of a
+set of large cards, admirably printed in black and red, and giving new
+funny versions of Mother Goose rhymes, by Alice Parkman, illustrated
+with capital pictures and silhouettes by Mr. Champney. Messrs.
+Lockwood, Brooks &amp; Co., of Boston, are the publishers.</p>
+
+<p><span class="small">SIX SINNERS</span>, by Campbell Wheaton, has to
+do chiefly with one of the six
+dear little "sinners," Dora Maynard, whom girl readers will love right
+off. It tells all about her school-days, her pranks and fun, her
+troubles and how they were overcome, and tells it in a way so lively
+and absorbing that you will want to read all of it at one sitting. The
+book is clearly printed in large type, and is published by Messrs.
+Putnam, New York.</p>
+
+<hr />
+
+</div>
+
+<div id="puzzles">
+
+<h2><a name="riddlebox" id="riddlebox">THE RIDDLE-BOX.</a></h2>
+
+<hr class="tiny" /><br />
+
+<div class="center"><b>EASY DOUBLE CROSS-WORD ACROSTIC.</b></div>
+
+<p>The initials and finals, read downward, form the names of two kinds of
+trees.</p>
+
+<p>1. The width of a vessel. 2. A mountain of Crete. 3. A Tom-boy. 4. An
+inclosure. 5. To harbor.</p>
+
+<div class="right"><span class="small">WILLIE PETTINOS</span>.</div>
+
+<div class="center"><b>SQUARE-WORD.</b></div>
+
+<p>1. A governor. 2. To join. 3. Flexible. 4. A girl's name. 5. Quick
+dances.</p>
+
+<div class="right">L.</div>
+
+<div class="center"><b>NUMERICAL PUZZLE.</b></div>
+
+<p>I am a word of five letters, the sum of which is 512.</p>
+
+<p>My 1 × my 3 = 1/20 of my 5;<br />
+My 2 × my 4 = 1/5 of my 3;<br />
+My 5 ÷ my 1 = my 3 × 20.</p>
+
+<div class="right"><span class="small">SEDGWICK</span>.</div>
+
+<div class="center"><b>HIDDEN ACROSTIC.</b></div>
+
+<div class="poem">
+<div class="stanza">
+ <div>At the top of a mountain,</div>
+ <div class="in1">Within a clear light;</div>
+ <div>In the midst of a fountain,</div>
+ <div class="in1">At edge of the night;</div>
+ <div>In field and in meadow,</div>
+ <div>In sunshine and shadow,</div>
+ <div class="in1">On land and on sea,</div>
+ <div>At the end of the earth,</div>
+ <div class="in1">Or in air, we may be.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Now put us together,</div>
+ <div class="in1">And, if you guess right,</div>
+ <div>You'll discover a water-fall</div>
+ <div class="in1">Sparkling and bright.</div>
+</div>
+<br />
+ <div class="right">W.P.D.</div>
+</div>
+
+<div class="center"><b>EASY DECAPITATIONS.</b></div>
+
+<p>1. Behead a kind of sword, and leave a fluid for burning. 2. Behead a
+sharp-pointed weapon, and leave a fruit. 3. Behead to touch, and leave
+a kind of fish. 4. Behead a vehicle used in winter, and leave a shelf
+5. Behead a kind of deer, and leave a game that boys play. 6. Behead an
+ancient war implement, and leave a unit. 7. Behead animals of a common
+kind, and leave a sort of grain. 8. Behead to pull, and leave sore. 9.
+Behead the name of a vessel, and leave a narrow passage.</p>
+
+<div class="right"><span class="small">WALTER</span> A.</div>
+
+<div class="center"><b>TRANSPOSITIONS.</b></div>
+
+<p>1. Change artful into a confusion. 2. Change a Persian king into a
+mixture. 3. Change a cutter into listeners. 4. Change a cheat into
+musicians. 5. Change repaired into healed. 6. Change a drink into a
+class embracing many species.</p>
+
+<div class="right"><span class="small">CYRIL DEANE</span>.</div>
+
+<div class="center"><b>CHARADE.</b></div>
+
+<p>In war, and in council, my first oft appears.<br />
+My second is that which my first often wears.<br />
+Very strong is my last; 'tis a bark, not a bite;<br />
+That from which it is taken is solid, not light.<br />
+Three joined in one, if my whole you should find,<br />
+An island well known it would bring to your mind.</p>
+
+<div class="right">M.D.</div>
+
+<div class="center"><b>GEOGRAPHICAL PUZZLE.</b></div>
+
+<div class="center">(Composed by Mary V. and Willie K., each aged thirteen.)</div>
+
+<p>An island west of British Columbia (1) went to the lightest city (2) in
+the world to attend a ball. She there met a peak in Oregon (3) named as
+follows: A city in Egypt (4), a city in Maine (5), and a city in
+Australia (6), in whom she was much interested.</p>
+
+<p>Her dress was a valley among the Himalaya Mountains (7), and though
+elegantly trimmed with a city in Belgium (8), it was, unfortunately,
+two cities in France (9). As she felt a country in South America (10),
+she wore around her shoulders a city in Scotland (11) shawl. Her
+jewelry was exclusively a peak in Oregon (12). Her shoes were of a
+country in Africa (13), and her handkerchief was perfumed with a city
+in Prussia (14).</p>
+
+<p>Being a lake north of the United States (15) dancer, she had
+distinguished partners, whose names were the capital of the United
+States (16), the capital of Ohio (17), the capital of Wisconsin (18),
+the capital of Alabama (19), the capital of Mississippi (20), and the
+capital of North Carolina (21).</p>
+
+<p>Having boldly said that she was a country in Europe (22), she was
+escorted by a city in Indiana (23) to a bay in South-west Africa (24),
+where she freely partook of a river in Oregon (25), some islands in
+the Pacific Ocean (26), a river in South Africa (27), a district in
+France (28), and some islands in the Atlantic (29). After passing a
+river of Maine evening (30), she bade a cape in Iceland (31) to her
+hostess, and was escorted home by an island in Nova Scotia (32).</p>
+
+<div class="center"><b>NUMERICAL ENIGMA.</b></div>
+
+<p>My 1&nbsp;2&nbsp;3&nbsp;4 is undoubtedly possessed by every one
+of the whole race of 1&nbsp;2&nbsp;3&nbsp;4&nbsp;5&nbsp;6&nbsp;7&nbsp;8
+(my whole), while my 5&nbsp;6&nbsp;7&nbsp;8 ends a prayer.</p>
+
+<div class="right">C.D.</div>
+
+<div class="center"><b>ILLUSTRATED PUZZLE.</b></div>
+
+<div class="center">
+<img src="images/image40.png" width="356" height="400" alt="" />
+</div>
+
+<div class="poem">
+<div class="stanza">
+ <div>Twelve things may be found in the picture above,</div>
+ <div class="in1">Not clearly perceived by the eye,</div>
+ <div>But with keen observation and witty conceit,</div>
+ <div class="in1">You will find them, I know, if you try.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>First point out (1) an animal (other than bear),</div>
+ <div class="in1">(2) A spectator, (3) a portion of corn,</div>
+ <div>(4) One part of a sentence, and (5) parts of a bird,</div>
+ <div class="in1">And (6) what may your fair head adorn.</div>
+</div>
+<br />
+<div class="stanza">
+ <div>Now (7) part of a river, and (8) parts of a book,</div>
+ <div class="in1">And now, if you please, take the trouble</div>
+ <div>To pick out (9, 10) two letters, which, rightly combined,</div>
+ <div class="in1">In classical language mean "double."</div>
+</div>
+<br />
+<div class="stanza">
+ <div>The remaining two things in the picture above,</div>
+ <div class="in1">To which I would call your attention,</div>
+ <div>Are (11) part of a carriage or part of a boy,</div>
+ <div class="in1">And (12) a sort of a stop or suspension.</div>
+</div>
+<br />
+</div>
+<div class="right"><span class="small">AUNT SUE</span>.</div>
+
+<div class="center"><b>CURTAILMENTS.</b></div>
+
+<p>1. Curtail a bur, and leave to plague; curtail again, and leave plants.
+2. Curtail a celestial body, and leave to make smooth; again, and leave
+a model. 3. Curtail a low, wet ground, and leave a planet; again, and
+leave to injure; again, and leave a parent. 4. Curtail a jury-roll, and
+leave a glass; again, and leave part of a gun-lock; again, and leave a
+parent.</p>
+
+<div class="right"><span class="small">CYRIL DEANE</span>.</div>
+
+<div class="center"><b>COMPLETE DIAGONAL.</b></div>
+
+<p>Diagonals from left to right, downward: 1. Fifty. 2. A boy's nickname.
+3. A title of respect. 4. To affirm. 5. Ardent. 6. A vale. 7. A rule of
+action. 8. A river in Italy. 9. Phonetically, a measure.</p>
+
+<p>Horizontally: 1. Used by painters. 2. An Israelitish king. 3. A name
+for beer. 4. More dim. 5. To reduce.</p>
+
+<div class="right">N.T.M.</div>
+
+<div class="center"><b>EASY NUMERICAL ENIGMA.</b></div>
+
+<p>I am composed of twelve letters. My 2&nbsp;11&nbsp;3 is a fish. My 1&nbsp;4&nbsp;3&nbsp;2&nbsp;5 is a
+girl's name. My 7&nbsp;3&nbsp;8&nbsp;10&nbsp;5 is an American politician. My 12&nbsp;8&nbsp;6&nbsp;1 is
+pretty for a child's wear. My 9&nbsp;8&nbsp;12&nbsp;10&nbsp;5 is a necessary domestic
+utensil. My 4&nbsp;8&nbsp;6&nbsp;2 is very pleasant. My whole is the title of a
+popular book.</p>
+
+<div class="right">D.C.R.</div>
+
+<div class="center"><b>SQUARE-WORD.</b></div>
+
+<p>1. An emperor's title. 2. Nothing. 3. Weapons. 4. A flower.</p>
+
+<div class="right">B.</div>
+
+<div class="center"><b>ANAGRAM DOUBLE DIAMOND AND CONCEALED DOUBLE SQUARE.</b></div>
+
+<p>From the sentence "Seer eats a pear" form a double diamond, the center
+of which will be a double word-square.</p>
+
+<div class="right"><span class="small">CYRIL DEANE</span>.</div>
+
+<div class="center"><b>PICTORIAL PROVERB PUZZLE.</b></div>
+
+<p>The answer is a well-known couplet.</p>
+
+<div class="center">
+<img src="images/image41.png" width="401" height="235" alt="" />
+</div>
+
+<hr />
+
+<h2><a name="answers" id="answers">ANSWERS TO PUZZLES IN JANUARY NUMBER.</a></h2>
+
+<hr class="tiny" /><br />
+
+<p><span class="small">DOUBLE ACROSTIC</span>.&mdash;Initials, Russia;
+finals, Turkey; across,</p>
+
+<div class="center">
+<table style="width:25%; margin-right:auto; margin-left:auto;" summary="">
+<tr><td>R</td><td>&mdash;a&mdash;&mdash;</td><td>Y</td></tr>
+<tr><td>U</td><td>&mdash;nit&mdash;</td><td>E</td></tr>
+<tr><td>S</td><td>&mdash;ac&mdash;</td><td>K</td></tr>
+<tr><td>S</td><td>&mdash;uga&mdash;</td><td>R</td></tr>
+<tr><td>I</td><td>&mdash;O&mdash;&mdash;</td><td>U</td></tr>
+<tr><td>A</td><td>&mdash;n&mdash;&mdash;</td><td>T</td></tr>
+</table>
+</div>
+
+<p><span class="small">HOUR-GLASS PUZZLE</span>.&mdash;Diagonals, hones,
+sends; central, inner; horizontals,</p>
+
+<div class="center">
+<table style="width:25%; margin-right:auto; margin-left:auto;" summary="">
+<tr><td>H</td><td>A</td><td>I</td><td>L</td><td>S</td></tr>
+<tr><td>&nbsp;</td><td>O</td><td>N</td><td>E</td><td>&nbsp;</td></tr>
+<tr><td>&nbsp;</td><td>&nbsp;</td><td>N</td><td>&nbsp;</td><td>&nbsp;</td></tr>
+<tr><td>&nbsp;</td><td>D</td><td>E</td><td>E</td><td>&nbsp;</td></tr>
+<tr><td>S</td><td>O</td><td>R</td><td>E</td><td>S</td></tr>
+</table>
+</div>
+
+<br />
+
+<p><span class="small">DECAPITATIONS</span>.&mdash;Acorn, corn;
+brook, rook; drake, rake; flute, lute;
+pearl, earl; plane, lane; wheel, heel; spine, pine; trout, rout; prune,
+rune.</p>
+
+<p><span class="small">DIAGONAL PUZZLE</span>.&mdash;Diagonal, January;
+horizontals, Jollity, sAdness, kiNdles, ensUing, compAny, appeaRs, holidaY.</p>
+
+<p><span class="small">DOUBLE PUZZLE</span>.&mdash;Central Syncopations:
+Rabid, raid; stair, stir; haste,
+hate; steep, step; Tiber, tier; grain, grin; holes, hoes; tiles, ties.
+The syncopated letters, B, A, S, E, B, A, L, L, form the answer to the
+Cross-word Enigma.</p>
+
+<p><span class="small">GEOGRAPHICAL TRANSPOSITIONS</span>.&mdash;I held,
+Delhi; panels, Naples; I turn, Turin; pains, Spain; pure, Peru;
+erect, Crete; more, Rome.</p>
+
+<p><span class="small">OMNIBUS WORD</span>.&mdash;Crate:</p>
+
+<ul style="padding-left: 2em; list-style-type: upper-roman;">
+<li>Hour-Glass Puzzle.&mdash;Central, re-act: horizontals, caret, tea, a, act, cater.</li>
+
+<li>Square-Word.&mdash;Ace, car, era.</li>
+
+<li>Prefix Puzzle.&mdash;At, cat; are, tare; art, cart; ear, tear.</li>
+
+<li>Another Prefix Puzzle.&mdash;Ace, race, trace; ate, rate, crate.</li>
+</ul>
+
+<p><span class="small">ACCIDENTAL HIDINGS</span>.&mdash;Esther, molEST HER;
+Theresa, THERE SAt; Ada, A DAmsel; Nora, NO RAy; Ernesta, stERNEST Age.</p>
+
+<p><span class="small">PERSPECTIVE CROSS PUZZLE</span>.&mdash;<i>Horizontals:</i>
+1, Grand; 2, plate; 3, ditch;
+4, event; 5, prism; 6, eel; 7, great; 8, court; 9, terse.
+<i>Perpendiculars:</i> 10, Glove; 11, dread; 12, yet; 13, prove; 14, harem;
+15, plant; 16, telegmatic; 17, preferment; 18, governable. <i>Diagonals:</i>
+19, dry; 20, hop; 21, met; 22, peg; 23, toe; 24, cot; 25, Eve.</p>
+
+<p><span class="small">EASY SQUARE-WORD</span>.&mdash;Dial, inca, acid, lade.</p>
+
+<p><span class="small">NUMERICAL ENIGMA</span>.&mdash;Forest all, forestall.</p>
+
+<p><span class="small">FRAME PUZZLE</span>.&mdash;Stock-dove, broom-corn,
+anonymous, inodorous.</p>
+
+<p><span class="small">CHARADE</span>.&mdash;Cat.</p>
+
+<p><span class="small">WORDS ENIGMATICALLY EXPRESSED</span>.&mdash;Pot-a-toe,
+potato; Mo-lasses, molasses;
+whisky; guinea-pig; false-hood, falsehood; toe-martyrs, tomatoes;
+pike-rust, pie crust; captive-atin', captivating; barber-us, barbarous;
+turn-pike; butter; IV, ivy.</p>
+
+<p><span class="small">PICTORIAL CHRISTMAS PUZZLE</span>.&mdash;At Christmas
+play and make good cheer.</p>
+
+<p><span class="small">ANSWERS TO THE CHESS PUZZLE</span> in the December
+number were received,
+before December 18, from "Frederica," P. Hill, J.E.N. James T. White,
+Laura Randolph, S.J.B., "Bessie and her Cousin," Alice Mason, and M.W.
+Collet.</p>
+
+<p><span class="small">ANSWERS TO THE MAGIC DOMINO-SQUARE PUZZLE</span>
+in the December number were
+received, before December 18, from Alice Louise, William Lewis
+Lockwood, James Buckelew, Howard G. Myers, Jas. Forsyth, E.C. Rowse,
+Bertie Pierson, Walter Sanger, Kenneth Hartley, Hattie Coons, Margaret
+B. Dodge, Alice Downing, Anna A. Hays, Emma A. Gill, "Georgie," D.C.
+Robertson, Willie T. Sheffield, Samuel Herbert Fisher, George D.
+Mitchell, Carrie Welles, G.L., Emma Elliott, K.C.R., A.H., John
+Hancock, Jr., Harry Hartshorn, Carrie Doane, Carrie Heller, Eddie F.
+Worcester, H.S., Fred B. Appleget, "Three of Them" (?), C. Kittinger,
+"Bessie and her Cousin," and P. Hill, whose criticism we find just.</p>
+
+<p>Helen L. Gilbert sends the solution of a puzzle in which 18 (not 16) is
+the sum of the dots in each row of half-dominoes.</p>
+
+<p><span class="small">ANSWERS TO OTHER PUZZLES</span> in the December
+number were received, before
+December 18, from Charles Lothrop, R.T. McKeever, Arthur C. Smith, Lulu
+Way, James J. Ormsbee, Fannie Runnels, G.L., "Jennie," Bancel La Farge,
+Nellie Kellogg, Allie Bertram, L. Giraud, Alice N. Bailey, Josephine
+Seibert, "Frederica," P. Hill, B.P. Emery, "Bessie and her Cousin,"
+A.G. Cameron, "Lizzie and Anna," Fred S. Pickett, Gracie S. Cook,
+Leonice Barnes, John Edward Hill, Carrie Heller, Bessie L. Barnes,
+Helen E. Risteen, "Blotterer and Blunderer," T.W. Siddall, Alice Mason,
+Fred M. Pease, Nessie E. Stevens, P. Hill, Katie E. Earl, M.W. Collet,
+and A.H. White.</p>
+
+<p><span class="small">ANSWERS TO THE "BLIND-CLERK'S PUZZLE,"</span>
+in Jack-in-the-Pulpit for
+December, were received, before December 18, from K.C.R., H.B.
+Hastings, and "Nat"; and answers to the <span class="small">TREE PUZZLE</span>
+from Mary V. Ridgway, "M.," Linda L. Bergen, H. Walton, H.B. Hastings, J.C. Hoadley,
+Lewis K. Stubbs.</p>
+
+<p>Caroline I. Lockwood, of Tunbridge Wells, England, sends an answer to a
+puzzle in a former number.</p>
+
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of St. Nicholas, Vol. 5, No. 4, February
+1878, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+***** This file should be named 15331-h.htm or 15331-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/3/3/15331/
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/15331-h/images/image01.jpg b/15331-h/images/image01.jpg
new file mode 100644
index 0000000..ecb9124
--- /dev/null
+++ b/15331-h/images/image01.jpg
Binary files differ
diff --git a/15331-h/images/image02.jpg b/15331-h/images/image02.jpg
new file mode 100644
index 0000000..a3c23ac
--- /dev/null
+++ b/15331-h/images/image02.jpg
Binary files differ
diff --git a/15331-h/images/image03.jpg b/15331-h/images/image03.jpg
new file mode 100644
index 0000000..21cc9cc
--- /dev/null
+++ b/15331-h/images/image03.jpg
Binary files differ
diff --git a/15331-h/images/image04.png b/15331-h/images/image04.png
new file mode 100644
index 0000000..7b3309b
--- /dev/null
+++ b/15331-h/images/image04.png
Binary files differ
diff --git a/15331-h/images/image05.png b/15331-h/images/image05.png
new file mode 100644
index 0000000..702b8ae
--- /dev/null
+++ b/15331-h/images/image05.png
Binary files differ
diff --git a/15331-h/images/image06.png b/15331-h/images/image06.png
new file mode 100644
index 0000000..fdf7c96
--- /dev/null
+++ b/15331-h/images/image06.png
Binary files differ
diff --git a/15331-h/images/image07.jpg b/15331-h/images/image07.jpg
new file mode 100644
index 0000000..28f8676
--- /dev/null
+++ b/15331-h/images/image07.jpg
Binary files differ
diff --git a/15331-h/images/image08.jpg b/15331-h/images/image08.jpg
new file mode 100644
index 0000000..373a5e3
--- /dev/null
+++ b/15331-h/images/image08.jpg
Binary files differ
diff --git a/15331-h/images/image09.jpg b/15331-h/images/image09.jpg
new file mode 100644
index 0000000..387fc72
--- /dev/null
+++ b/15331-h/images/image09.jpg
Binary files differ
diff --git a/15331-h/images/image10.jpg b/15331-h/images/image10.jpg
new file mode 100644
index 0000000..4082789
--- /dev/null
+++ b/15331-h/images/image10.jpg
Binary files differ
diff --git a/15331-h/images/image11.jpg b/15331-h/images/image11.jpg
new file mode 100644
index 0000000..24fd6e1
--- /dev/null
+++ b/15331-h/images/image11.jpg
Binary files differ
diff --git a/15331-h/images/image12.jpg b/15331-h/images/image12.jpg
new file mode 100644
index 0000000..ae4c0e4
--- /dev/null
+++ b/15331-h/images/image12.jpg
Binary files differ
diff --git a/15331-h/images/image13.jpg b/15331-h/images/image13.jpg
new file mode 100644
index 0000000..3854f88
--- /dev/null
+++ b/15331-h/images/image13.jpg
Binary files differ
diff --git a/15331-h/images/image14.png b/15331-h/images/image14.png
new file mode 100644
index 0000000..7c3379c
--- /dev/null
+++ b/15331-h/images/image14.png
Binary files differ
diff --git a/15331-h/images/image15.png b/15331-h/images/image15.png
new file mode 100644
index 0000000..e0bc663
--- /dev/null
+++ b/15331-h/images/image15.png
Binary files differ
diff --git a/15331-h/images/image16.png b/15331-h/images/image16.png
new file mode 100644
index 0000000..36bd9d2
--- /dev/null
+++ b/15331-h/images/image16.png
Binary files differ
diff --git a/15331-h/images/image17.jpg b/15331-h/images/image17.jpg
new file mode 100644
index 0000000..2f95b31
--- /dev/null
+++ b/15331-h/images/image17.jpg
Binary files differ
diff --git a/15331-h/images/image18.png b/15331-h/images/image18.png
new file mode 100644
index 0000000..06e1b8a
--- /dev/null
+++ b/15331-h/images/image18.png
Binary files differ
diff --git a/15331-h/images/image19.png b/15331-h/images/image19.png
new file mode 100644
index 0000000..184769f
--- /dev/null
+++ b/15331-h/images/image19.png
Binary files differ
diff --git a/15331-h/images/image20.png b/15331-h/images/image20.png
new file mode 100644
index 0000000..fd4013c
--- /dev/null
+++ b/15331-h/images/image20.png
Binary files differ
diff --git a/15331-h/images/image21.png b/15331-h/images/image21.png
new file mode 100644
index 0000000..d2f0904
--- /dev/null
+++ b/15331-h/images/image21.png
Binary files differ
diff --git a/15331-h/images/image22.png b/15331-h/images/image22.png
new file mode 100644
index 0000000..40637b0
--- /dev/null
+++ b/15331-h/images/image22.png
Binary files differ
diff --git a/15331-h/images/image23.jpg b/15331-h/images/image23.jpg
new file mode 100644
index 0000000..7f3d2cb
--- /dev/null
+++ b/15331-h/images/image23.jpg
Binary files differ
diff --git a/15331-h/images/image24.png b/15331-h/images/image24.png
new file mode 100644
index 0000000..d2bb312
--- /dev/null
+++ b/15331-h/images/image24.png
Binary files differ
diff --git a/15331-h/images/image25.png b/15331-h/images/image25.png
new file mode 100644
index 0000000..ab2f7b2
--- /dev/null
+++ b/15331-h/images/image25.png
Binary files differ
diff --git a/15331-h/images/image26.png b/15331-h/images/image26.png
new file mode 100644
index 0000000..951db35
--- /dev/null
+++ b/15331-h/images/image26.png
Binary files differ
diff --git a/15331-h/images/image27.jpg b/15331-h/images/image27.jpg
new file mode 100644
index 0000000..9913189
--- /dev/null
+++ b/15331-h/images/image27.jpg
Binary files differ
diff --git a/15331-h/images/image28.jpg b/15331-h/images/image28.jpg
new file mode 100644
index 0000000..0e89e55
--- /dev/null
+++ b/15331-h/images/image28.jpg
Binary files differ
diff --git a/15331-h/images/image29.png b/15331-h/images/image29.png
new file mode 100644
index 0000000..2b16dab
--- /dev/null
+++ b/15331-h/images/image29.png
Binary files differ
diff --git a/15331-h/images/image30.png b/15331-h/images/image30.png
new file mode 100644
index 0000000..6babd5b
--- /dev/null
+++ b/15331-h/images/image30.png
Binary files differ
diff --git a/15331-h/images/image31.png b/15331-h/images/image31.png
new file mode 100644
index 0000000..4c8f05f
--- /dev/null
+++ b/15331-h/images/image31.png
Binary files differ
diff --git a/15331-h/images/image32.png b/15331-h/images/image32.png
new file mode 100644
index 0000000..28ec164
--- /dev/null
+++ b/15331-h/images/image32.png
Binary files differ
diff --git a/15331-h/images/image33.png b/15331-h/images/image33.png
new file mode 100644
index 0000000..d94c6be
--- /dev/null
+++ b/15331-h/images/image33.png
Binary files differ
diff --git a/15331-h/images/image34.png b/15331-h/images/image34.png
new file mode 100644
index 0000000..f69b04d
--- /dev/null
+++ b/15331-h/images/image34.png
Binary files differ
diff --git a/15331-h/images/image35.png b/15331-h/images/image35.png
new file mode 100644
index 0000000..dc2da44
--- /dev/null
+++ b/15331-h/images/image35.png
Binary files differ
diff --git a/15331-h/images/image36.png b/15331-h/images/image36.png
new file mode 100644
index 0000000..9ff3cb8
--- /dev/null
+++ b/15331-h/images/image36.png
Binary files differ
diff --git a/15331-h/images/image37.png b/15331-h/images/image37.png
new file mode 100644
index 0000000..887bfa0
--- /dev/null
+++ b/15331-h/images/image37.png
Binary files differ
diff --git a/15331-h/images/image38.png b/15331-h/images/image38.png
new file mode 100644
index 0000000..71dfd69
--- /dev/null
+++ b/15331-h/images/image38.png
Binary files differ
diff --git a/15331-h/images/image39.jpg b/15331-h/images/image39.jpg
new file mode 100644
index 0000000..757e526
--- /dev/null
+++ b/15331-h/images/image39.jpg
Binary files differ
diff --git a/15331-h/images/image40.png b/15331-h/images/image40.png
new file mode 100644
index 0000000..02f0cb2
--- /dev/null
+++ b/15331-h/images/image40.png
Binary files differ
diff --git a/15331-h/images/image41.png b/15331-h/images/image41.png
new file mode 100644
index 0000000..8b46d39
--- /dev/null
+++ b/15331-h/images/image41.png
Binary files differ
diff --git a/15331.txt b/15331.txt
new file mode 100644
index 0000000..6586b0e
--- /dev/null
+++ b/15331.txt
@@ -0,0 +1,5958 @@
+Project Gutenberg's St. Nicholas, Vol. 5, No. 4, February 1878, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: St. Nicholas, Vol. 5, No. 4, February 1878
+
+Author: Various
+
+Release Date: March 12, 2005 [EBook #15331]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+
+
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+[Illustration: AFTER THE SNOW-STORM.]
+
+
+
+
+ST. NICHOLAS.
+
+VOL. V.
+FEBRUARY, 1878.
+No. 4.
+
+
+[Copyright, 1878, by Scribner & Co.]
+
+
+
+THE SHEPHERD-BOY.
+
+BY EMILY S. OAKEY.
+
+
+ Little Roy led his sheep down to pasture,
+ And his cows, by the side of the brook;
+ But his cows never drank any water,
+ And his sheep never needed a crook.
+
+ For the pasture was gay as a garden,
+ And it glowed with a flowery red;
+ But the meadows had never a grass-blade,
+ And the brooklet--it slept in its bed;
+
+ And it lay without sparkle or murmur,
+ Nor reflected the blue of the skies.
+ But the music was made by the shepherd,
+ And the sparkle was all in his eyes.
+
+ Oh, he sang like a bird in the summer!
+ And, if sometimes you fancied a bleat,
+ That, too, was the voice of the shepherd,
+ And not of the lambs at his feet.
+
+ And the glossy brown cows were so gentle
+ That they moved at the touch of his hand
+ O'er the wonderful rosy-red meadow,
+ And they stood at his word of command.
+
+ So he led all his sheep to the pasture,
+ And his cows, by the side of the brook;
+ Though it rained, yet the rain never patter'd
+ O'er the beautiful way that they took.
+
+ And it wasn't in Fairy-land either,
+ But a house in a commonplace town,
+ Where Roy as he looked from the window
+ Saw the silvery drops trickle down.
+
+ For his pasture was only a table,
+ With its cover so flowery fair,
+ And his brooklet was just a green ribbon
+ That his sister had lost from her hair.
+
+ And his cows they were glossy horse-chestnuts,
+ That had grown on his grandfather's tree;
+ And his sheep they were snowy-white pebbles
+ He had brought from the shore by the sea.
+
+ And at length, when the shepherd was weary,
+ And had taken his milk and his bread,
+ And his mother had kissed him and tucked him,
+ And had bid him "good-night" in his bed,
+
+ Then there enter'd his big brother Walter,
+ While the shepherd was soundly asleep,
+ And he cut up the cows into baskets,
+ And to jack-stones turned all of the sheep.
+
+
+
+
+THE RAVENS AND THE ANGELS.
+
+(_A Story of the Middle Ages._)
+
+BY THE AUTHOR OF "CHRONICLES OF THE SCHOeNBERG-COTTA FAMILY."
+
+
+CHAPTER III.
+
+
+The next day, Gottlieb began his training among the other choristers.
+
+It was not easy.
+
+The choir-master showed his appreciation of his raw treasure by
+straining every nerve to make it as perfect as possible; and therefore
+he found more fault with Gottlieb than with any one else.
+
+The other boys might, he could not but observe, sing carelessly enough,
+so that the general harmony was pretty good; but every note of his
+seemed as if it were a solo which the master's ear never missed, and
+not the slightest mistake was allowed to pass.
+
+The other choristers understood very well what this meant, and some of
+them were not a little jealous of the new favorite, as they called him.
+But to little Gottlieb it seemed hard and strange. He was always
+straining to do his very best, and yet he never seemed to satisfy. The
+better he did, the better the master wanted him to do, until he grew
+almost hopeless.
+
+He would not, for the world, complain to his mother; but on the third
+evening she observed that he looked very sad and weary, and seemed
+scarcely to have spirits to play with Lenichen.
+
+She knew it is of little use to ask little children what ails them,
+because so often their trouble is that they do not know. Some little
+delicate string within is jarred, and they know nothing of it, and
+think the whole world is out of tune. So she quietly put Lenichen to
+bed, and after the boy had said his prayers as usual at her knee, she
+laid her hand on his head, and caressingly stroked his fair curls, and
+then she lifted up his face to hers and kissed the little troubled brow
+and quivering lips.
+
+"Dear little golden mouth!" she said, fondly, "that earns bread, and
+sleep, for the little sister and for me! I heard the sweet notes
+to-day, and I thanked God. And I felt as if the dear father was hearing
+them too, even through the songs in heaven."
+
+The child's heart was opened, the quivering lips broke into a sob, and
+the face was hidden on her knee.
+
+"It will not be for long, mother!" he said. "The master has found fault
+with me more than ever to-day. He made me sing passage after passage
+over and over, until some of the boys were quite angry, and said,
+afterward, they wished I and my voice were with the old hermit who
+houses us. Yet he never seemed pleased. He did not even say it was any
+better."
+
+"But he never gave you up, darling!" she said.
+
+"No; he only told me to come early, alone, to-morrow, and he would give
+me a lesson by myself, and perhaps I should learn better."
+
+A twinkle of joy danced in her eyes, dimmed with so many tears.
+
+"Silly child!" she said, fondly, "as silly as thy poor mother herself!
+The master only takes trouble, and chastens and rebukes, because he
+thinks it is worth while, because thou art trying and learning, and art
+doing a little better day by day. He knows what thy best can be, and
+will never be content with anything but thy very best."
+
+"Is it that, mother? Is it indeed that?" said the boy, looking up with
+a sudden dawning of hope.
+
+And a sweet dawn of promise met him in his mother's eyes as she
+answered:
+
+"It is even that, my own, for thee and for me!"
+
+
+
+CHAPTER IV.
+
+
+With a glad heart, Gottlieb dressed the next morning before Lenichen
+was awake, and was off to the choir-master for his lesson alone.
+
+The new hope had inspired him, and he sang that morning to the content
+even of the master, as he knew, not by his praise, but by his summoning
+Ursula from the kitchen to listen, unable to resist his desire for the
+sympathy of a larger audience.
+
+Ursula was not exactly musical, nor was she demonstrative, but she
+showed her satisfaction by appropriating her share of the success.
+
+"_I_ knew what was wanting!" she said, significantly. "The birds and
+the blessed angels may sing on crumbs or on the waters of Paradise; but
+goose and pudding are a great help to the alleluias here below."
+
+"The archduchess will be enraptured, and the Cistercians will be
+furious!" said the choir-master, equally pleased at both prospects.
+
+But this Gottlieb did not hear, for he had availed himself of the first
+free moment to run home and tell his mother how things had improved.
+
+After that, Gottlieb had no more trouble about the master. The old
+man's severity became comprehensible and dear to him, and a loving
+liberty and confidence came into his bearing toward him, which went to
+the heart of the childless old man, so that dearer than the praise of
+the archduchess, or even the discomfiture of the Cistercians, became to
+him the success and welfare of the child.
+
+But then, unknown to himself, the poor boy entered on a new chapter of
+temptations.
+
+The other boys, observing the choir-master's love for him, grew
+jealous, and called him sometimes "the master's little angel," and
+sometimes "the little beggar of the hermitage" or "Dwarf Hans'
+darling."
+
+He was too brave and manly a little fellow to tell his mother all these
+little annoyances. He would not for the world have spoiled her joy in
+her little "Chrysostom," her golden-mouthed laddie. But once they
+followed him to her door, and she heard them herself. The rude words
+smote her to the heart, but she only said:
+
+"Thou art not ashamed of the hermit's house, nor of being old Hans'
+darling?"
+
+"I hope, never!" said the child, with a little hesitation. "God sent
+him to us, and I love him. But it would be nice if dear Hans sometimes
+washed his face!"
+
+Magdalis smiled, and hit on a plan for bringing this about. With some
+difficulty she persuaded the old man to take his dinner every Sunday
+and holiday with them, and she always set an ewer of water--and a
+towel, relic of her old burgher life--by him, before the meal.
+
+"We were a kind of Pharisees in our home," she said, "and except we
+washed our hands, never ate bread."
+
+Hans growled a little, but he took the hint, for her sake and the
+boy's, and gradually found the practice so pleasant on its own account,
+that the washing of his hands and face became a daily process.
+
+On his patron saint's day (St. John, February 8), Mother Magdalis went
+a step further, and presented him with a clean suit of clothes, very
+humble but neat and sound, of her own making out of old hoards. Not for
+holidays only, she said, but that he might change his clothes every
+day, after work, as her Berthold used.
+
+"Dainty, burgher ways," Hans called them, but he submitted, and
+Gottlieb was greatly comforted, and thought his old friend a long way
+advanced in his transformation into an angel.
+
+So, between the sweetness of the boy's temper and of his dear mother's
+love which folded him close, the bitter was turned into sweet within
+him.
+
+But Ursula, who heard the mocking of the boys with indignation, was
+not so wise in her consolations.
+
+"Wicked, envious little devils!" said she. "Never thou heed them, my
+lamb! They would be glad enough, any of them, to be the master's angel,
+or Dwarf Hans' darling, for that matter, if they could. It is nothing
+but mean envy and spite, my little prince, my little wonder; never thou
+heed them!"
+
+And then the enemy crept unperceived into the child's heart.
+
+Was he indeed a little prince and a wonder, on his platform of gifts
+and goodness? And were all those naughty boys far below him, in another
+sphere, hating him as the little devils in the mystery-plays seemed to
+hate and torment the saints?
+
+Had the "raven" been sent to him, after all, as to the prophet of old,
+not only because he was hungry and pitied by God, but because he was
+good and a favorite of God?
+
+It seemed clear he was something quite out of the common. He seemed the
+favorite of every one, except those few envious, wicked boys.
+
+The great ladies of the city entreated for him to come and sing at
+their feasts; and all their guests stopped in the midst of their eager
+talk to listen to him, and they gave him sweetmeats and praised him to
+the skies, and they offered him wine from their silver flagons, and
+when he refused it, as his mother bade him, they praised him more than
+ever, and once the host himself, the burgomaster, emptied the silver
+flagon of the wine he had refused, and told him to take it home to his
+mother and tell her she had a child whose dutifulness was worth more
+than all the silver in the city.
+
+But when he told his mother this, instead of looking delighted, as he
+expected, she looked grave, and almost severe, and said:
+
+"You only did your duty, my boy. It would have been a sin and a shame
+to do otherwise. And, of course, you would not for the world."
+
+"Certainly I would not, mother," he said.
+
+But he felt a little chilled. Did his mother think it was always so
+easy for boys to do their duty? and that every one did it?
+
+Other people seemed to think it a very uncommon and noble thing to do
+one's duty. And what, indeed, could the blessed saints do more?
+
+So the slow poison of praise crept into the boy's heart. And while he
+thought his life was being filled with light, unknown to him the
+shadows were deepening,--the one shadow which eclipses the sun, the
+terrible shadow of self.
+
+For he could not but be conscious how, even in the cathedral, a kind of
+hush and silence fell around when he began to sing.
+
+And instead of the blessed presence of God filling the holy place, and
+his singing in it, as of old, like a happy little bird in the sunshine,
+his own sweet voice seemed to fill the place, rising and falling like a
+tide up and down the aisles, leaping to the vaulted roof like a
+fountain of joy, and dropping into the hearts of the multitude like dew
+from heaven.
+
+And as he went out, in his little white robe, with the choir, he felt
+the eyes of the people on him, and he heard a murmur of praise, and now
+and then words such as "That is little Gottlieb, the son of the widow
+Magdalis. She may well be proud of him. He has the voice and the face
+of an angel."
+
+And then, in contrast, outside in the street, from the other boys: "See
+how puffed up the little prince is! He cannot look at any one lower
+than the bishop or the burgomaster!"
+
+So, between the chorus of praise and the other chorus of mockery, it
+was no wonder that poor Gottlieb felt like a being far removed from the
+common herd. And, necessarily, any one of the flock of Christ who feels
+that, cannot be happy, because if we are far away from the common
+flock, we cannot be near the Good Shepherd, who always keeps close to
+the feeblest, and seeks those that go astray.
+
+
+
+CHAPTER V.
+
+
+It was not long before the watchful eye of the mother observed a little
+change creeping over the boy--a little more impatience with Lenichen, a
+little more variableness of temper, sometimes dancing exultingly home
+as if he were scarcely treading the common earth, sometimes returning
+with a depression which made the simple work and pleasures of the home
+seem dull and wearisome.
+
+So it went on until the joyful Easter-tide was drawing near. On Palm
+Sunday there was to be a procession of the children.
+
+As the mother was smoothing out the golden locks which fell like
+sunbeams on the white vestments, she said: "It is a bright day for thee
+and me, my son. I shall feel as if we were all in the dear old
+Jerusalem itself, and my darling had gathered his palms on Olivet
+itself, and the very eyes of the blessed Lord himself were on thee, and
+His ears listening to thee crying out thy hosannas, and His dear voice
+speaking of thee and through thee, 'Suffer the little children to come
+unto me.'"
+
+But Gottlieb looked grave and rather troubled.
+
+"So few seem thinking just of His listening," he said, doubtfully.
+"There are the choir-master and the dean and chapter, and the other
+choristers, and the Cistercians, and the mothers of the other
+choristers, who wish them to sing best."
+
+She took his hand. "So there were in that old Jerusalem," she said.
+"The Pharisees, who wanted to stop the children's singing, and even the
+dear Disciples, who often thought they might be troublesome to the
+Master. But the little ones sang for Him, and He knew, and was pleased.
+And that is all we have to think of now."
+
+He kissed her, and went away with a lightened brow.
+
+Many of the neighbors came in that afternoon to congratulate Magdalis
+on her boy--his face, his voice, his gentle ways.
+
+"And then he sings with such feeling," said one. "One sees it is in his
+heart."
+
+But in the evening Gottlieb came home very sad and desponding. For some
+time he said nothing, and then, with a brave effort to restrain his
+tears, he murmured:
+
+"Oh, mother! I am afraid it will soon be over. I heard one of the
+priests say he thought they had a new chorister at the Cistercians
+whose voice is as good as mine. So that the archduchess may not like
+our choir best, after all."
+
+The mother said nothing for a moment, and then she said:
+
+"Whose praise and love will the boy at the Cistercian convent sing,
+Gottlieb, if he has such a lovely voice?"
+
+"God's!--the dear Heavenly Father and the Savior!" he said, reverently.
+
+"And you, my own? Will another little voice on earth prevent His
+hearing you? Do the thousands of thousands always singing to Him above
+prevent His hearing you? And what would the world do if the only voice
+worth listening to were thine? It cannot be heard beyond one church, or
+one street. And the good Lord has ten thousand churches, and cities
+full of people who want to hear."
+
+"But thou, mother! Thou and Lenichen, and the bread!"
+
+"It was the raven that brought the bread," she said, smiling; "and thou
+art not even a raven,--only a little child to pick up the bread the
+raven brought."
+
+He sat silent a few minutes, and then the terrible cloud of self and
+pride dropped off from his heart like a death-shroud, and he threw
+himself into her arms.
+
+"Oh, mother, I see it all!" he said. "I am free again. I have only to
+sing to the blessed Lord of all, quite sure He listens, to Him alone,
+and to all else as just a little one of the all He loves."
+
+And after the evening meal, and a game with Lenichen, the boy crept out
+to the cathedral to say his prayers in one of the little chapels, and
+to thank God.
+
+He knelt in the Lady chapel before the image of the infant Christ on
+the mother's knees.
+
+And as he knelt there, it came into his heart that all the next Week
+was Passion week, "the still week," and would be silent; and the tears
+filled his eyes to remember how little he had enjoyed singing that day.
+
+"How glad the little children of Jerusalem must have been," he thought,
+"that they sang to Jesus when they could. I suppose they never could
+again; for the next Friday He was dead. Oh, suppose He never let me
+sing to Him again!"
+
+[Illustration: "'LOOK AT ME,' THE OLD MAN SAID."]
+
+And tears and repressed sobs came fast at the thought, and he murmured
+aloud, thinking no one was near:
+
+"Dear Savior, only let me sing once more here in church to you, and I
+will think of no one but you; not of the boys who laugh at me, nor the
+people who praise me, nor the Cistercians, nor the archduchess, nor
+even the dear choir-master, but only of you, of you, and perhaps of
+mother and Lenichen. I could not help that, and you would not mind it.
+You and they love me so much more than any one, and I love you really
+so much more than all besides. Only believe it, and try me once more."
+
+As he finished, in his earnestness, the child spoke quite loud, and
+from a dark corner in the shadow of a pillar suddenly arose a very old
+man in a black monk's robe, with snow-white hair, and drew close to
+him, and laid his hand on his shoulder and said:
+
+"Fear not, my son. I have a message for thee."
+
+At first, Gottlieb was much frightened, and then, when he heard the
+kind, tremulous old voice, and saw the lovely, tender smile on the
+wrinkled, pallid old face, he thought God must really have sent him an
+angel at last, though certainly not because he was good.
+
+"Look around on these lofty arches, and clustered columns, and the long
+aisles, and the shrines of saints, and the carved wreaths of flowers
+and fruits, and the glorious altar! Are these wonderful to thee?
+Couldst thou have thought of them, or built them?"
+
+"I could as easily have made the stars, or the forests!" said the
+child.
+
+"Then look at me," the old man said, with a gentle smile on his
+venerable face, "a poor worn-out old man, whom no one knows. This
+beautiful house was in my heart before a stone of it was reared. God
+put it in my heart. I planned it all. I remember this place a heap of
+poor cottages as small as thine, and now it is a glorious house of
+God. And I was what they called the master-builder. Yet no man knows
+me, or says, 'Look at him!' They look at the cathedral, God's house;
+and that makes me glad in my inmost soul. I prayed that I might be
+nothing, and all the glory be His; and He has granted my prayer. And I
+am as little and as free in this house which I built as in His own
+forests, or under His own stars; for it is His only, as they are His.
+And I am nothing but His own little child, as thou art. And He has my
+hand and thine in His, and will not let us go."
+
+The child looked up, nearly certain now that it must be an angel. To
+have lived longer than the cathedral seemed like living when the
+morning stars were made, and all the angels shouted for joy.
+
+"Then God will let me sing here next Easter!" he said, looking
+confidingly in the old man's face.
+
+"Thou shalt sing, and I shall see, and I shall hear thee, but thou wilt
+not hear or see me!" said the old man, taking both the dimpled hands in
+one of his. "And the blessed Lord will listen, as to the little
+children in Jerusalem of old. And we shall be His dear, happy children
+for evermore."
+
+Gottlieb went home and told his mother. And they both agreed, that if
+not an angel, the old man was as good as an angel, and was certainly a
+messenger of God.
+
+To have been the master-builder of the cathedral of which it was
+Magdalis's glory and pride that her husband had carved a few of the
+stones!
+
+The master-builder of the cathedral, yet finding his joy and glory in
+being a little child of God!
+
+
+
+CHAPTER VI.
+
+
+The "silent week" that followed was a solemn time to the mother and the
+boy.
+
+Every day, whatever time could be spared from the practice with the
+choir, and from helping in the little house and with his mother's
+wood-carving, or from playing with Lenichen in the fields, Gottlieb
+spent in the silent cathedral, draped as it was in funereal black for
+the sacred life given up to God for man.
+
+"How glad," he thought again and again, "the little children of
+Jerusalem must have been that they sang when they could to the blessed
+Jesus! They little knew how soon the kind hands that blessed them would
+be stretched on the cross, and the kind voice that would not let their
+singing be stopped would be moaning 'I thirst.'"
+
+But he felt that he, Gottlieb, ought to have known; and if ever he was
+allowed to sing his hosannas in the choir again, it would feel like the
+face of the blessed Lord himself smiling on him, and His voice saying,
+"Suffer this little one to come unto me. I have forgiven him."
+
+He hoped also to see the master-builder again; but nevermore did the
+slight, aged form appear in the sunshine of the stained windows, or in
+the shadows of the arches he had planned.
+
+And so the still Passion week wore on.
+
+Until once more, the joy-bells pealed out on the blessed Easter morning.
+
+The city was full of festivals. The rich were in their richest holiday
+raiment, and few of the poor were so poor as not to have some sign of
+festivity in their humble dress and on their frugal tables.
+
+Mother Magdalis was surprised by finding at her bedside a new dress
+such as befitted a good burgher's daughter, sent secretly the night
+before from Ursula by Hans and Gottlieb, with a pair of enchanting new
+crimson shoes for little Lenichen, which all but over-balanced the
+little maiden with the new sense of possessing something which must be
+a wonder and a delight to all beholders.
+
+The archduke and the beautiful Italian archduchess had arrived the
+night before, and were to go in stately procession to the cathedral.
+And Gottlieb was to sing in the choir, and afterward, on the Monday, to
+sing an Easter greeting for the archduchess at the banquet in the great
+town-hall.
+
+The mother's heart trembled with some anxiety for the child.
+
+But the boy's was only trembling with the great longing to be allowed
+to sing once more his hosannas to the blessed Savior, among the
+children.
+
+It was given him.
+
+At first the eager voice trembled for joy, in the verse he had to sing
+alone, and the choir-master's brows were knitted with anxiety. But it
+cleared and steadied in a moment, and soared with a fullness and
+freedom none had ever heard in it before, filling the arches of the
+cathedral and the hearts of all.
+
+And the beautiful archduchess bent over to see the child, and her soft,
+dark eyes were fixed on his face, as he sang, until they filled with
+tears; and, afterward, she asked who the mother of that little angel
+was.
+
+But the child's eyes were fixed on nothing earthly, and his heart was
+listening for another voice--the voice all who listen for shall surely
+hear.
+
+And it said in the heart of the child, that day: "Suffer the little one
+to come unto me. Go in peace. Thy sins are forgiven."
+
+A happy, sacred evening they spent that Easter in the hermit's cell,
+the mother and the two children, the boy singing his best for the
+little nest, as before for the King of kings.
+
+Still, a little anxiety lingered in the mother's heart about the pomp
+of the next day.
+
+But she need not have feared.
+
+When the archduchess had asked for the mother of the little chorister
+with the heavenly voice, the choir-master had told her what touched her
+much about the widowed Magdalis and her two children; and old Ursula
+and the master between them contrived that Mother Magdalis should be at
+the banquet, hidden behind the tapestry.
+
+And when Gottlieb came close to the great lady, robed in white, with
+blue feathery wings, to represent a little angel, and sang her the
+Easter greeting, she bent down and folded him in her arms, and kissed
+him.
+
+And then once more she asked for his mother, and, to Gottlieb's
+surprise and her own, the mother was led forward, and knelt before the
+archduchess.
+
+Then the beautiful lady beamed on the mother and the child, and, taking
+a chain and jewel from her neck, she clasped it round the boy's neck,
+and said, in musical German with a foreign accent:
+
+"Remember, this is not so much a gift as a token and sign that I will
+not forget thee and thy mother, and that I look to see thee and hear
+thee again, and to be thy friend."
+
+And as she smiled on him, the whole banqueting-hall--indeed, the whole
+world--seemed illuminated to the child.
+
+And he said to his mother as they went home:
+
+"Mother, surely God has sent us an angel at last. But, even for the
+angels, we will never forget His dear ravens. Wont old Hans be glad?"
+
+And the mother was glad; for she knew that God who giveth grace to the
+lowly had indeed blessed the lad, because all his gifts and honors were
+transformed, as always in the lowly heart, not into pride, but into
+love.
+
+But when the boy ran eagerly to find old Hans, to show him the jewel
+and tell him of the princely promises, Hans was nowhere to be found;
+not in the hermit's house, where he was to have met them and shared
+their little festive meal, nor at his own stall, nor in the hut in
+which he slept.
+
+Gottlieb's heart began to sink.
+
+Never had his dear old friend failed to share in any joy of theirs
+before.
+
+At length, as he was lingering about the old man's little hut,
+wondering, a sad, silent company came bearing slowly and tenderly a
+heavy burden, which at last they laid on Hans' poor straw pallet.
+
+It was poor Hans himself, bruised and crushed and wounded in his
+struggles to press through the crowd to see his darling, his poor
+crooked limbs broken and unable to move any more.
+
+But the face was untouched, and when they had laid him on the couch,
+and the languid eyes opened and rested on the beloved face of the child
+bending over him bathed in tears, a light came over the poor rugged
+features, and shone in the dark, hollow eyes, such as nothing on earth
+can give--a wonderful light of great, unutterable love, as they gazed
+into the eyes of the child, and then, looking upward, seemed to open on
+a vision none else could see.
+
+"Jesus! Savior! I can do no more. Take care of him, thou thyself,
+Jesus, Lord!"
+
+He said no more--no prayer for himself, only for the child.
+
+Then the eyes grew dim, the head sank back, and with one sigh he
+breathed his soul away to God.
+
+And such an awe came over the boy that he ceased to weep.
+
+He could only follow the happy soul up to God, and say voicelessly in
+his heart:
+
+"Dear Lord Jesus! I understand at last! The raven was the angel. And
+Thou hast let me see him for one moment as he is, as he is now with
+Thee, as he will be evermore!"
+
+[Illustration]
+
+
+
+
+A TRIP TO THE TEA COUNTRY.
+
+BY WILLIAM M. TILESTON.
+
+
+[Illustration: ]
+
+
+I was leaning over the tea-room table on one of the lovely spring
+mornings that we sometimes have in China. In front of me the large
+window, like that in an artist's studio, admitted the north light upon
+the long array of little porcelain teacups and saucers, and "musters,"
+or square, flat boxes of tea-samples. The last new "chop" had been
+carefully tasted and the leaf inspected, and I was wondering whether
+the price asked by the tea-man would show a profit over the latest
+quotations from London and New York, when my speculations were
+disturbed by the entrance of my friend Charley, followed by Akong, well
+known as the most influential tea-broker in the Oopack province.
+Charley and Akong were fast friends, and I saw by the twinkle in the
+eyes of each that a premeditated plot of some kind was about being
+exploded upon my unsuspecting self.
+
+But before going further, let me tell you who we all are, where we are,
+and what we are doing.
+
+Of course I am aware that it is exceedingly impolite to put oneself
+first, but in the present instance you must excuse it; for besides
+being the oldest, I occupy the position of guide, philosopher and
+friend to Charley, and my story would scarcely be intelligible or
+complete if I did not begin with myself. Well, to begin: I am one of
+those unfortunate individuals known in China as "cha-szes," or
+tea-tasters; doomed for my sins, or the hope of one day getting rich,
+to pass the time in smelling, tasting and buying teas for the great
+mercantile house or "hong" of Young Hyson & Co. The place at which you
+find me is Hankow, on the great Yang Tsze Kiang, or river, some six
+hundred miles from its mouth. If you have a map of China, and will find
+on it the Yang Tsze, by tracing with your finger--if your map is at all
+correct--you will discover the cities of Chin Kiang, Nanking, Nganking,
+Kiu Kiang, and finally, at the junction of the river Han with the Yang
+Tsze, Wuchang. Hankow will probably not be on your map, but on the
+north bank of the Yang Tsze, just at the point of junction with the
+Han, is this important trading port, thrown open to foreigners in 1861,
+after the signing of the treaty of Tein-Tsin.
+
+And now for Charley, whom I have kept talking pigeon-English to Akong
+all this time. Charley was the son of an old friend, chaplain to the
+British consulate at one of the coast ports; his mother dying, Charley
+was to have been sent home to relatives in England, but I had prevailed
+upon his father to let the boy, now between twelve and fourteen years
+old, make me a visit before his final departure.
+
+And now for the conspiracy:
+
+"Chin-chin (how do you do), Akong?" said I.
+
+"What is it, Charley? Out with it, my boy; some mischief, I know."
+Akong gave a chuckle and a muttered "hi-yah," and Charley proceeded to
+explain.
+
+"Well Cha,"--the Chinamen called me Cha-tsze and the boy had
+abbreviated it to Cha,--"Akong says that he has a boat going up to the
+tea country to-morrow or next day, and wants me to go with him; may I?"
+
+[Illustration: THE BARBER.]
+
+Charley knew that I could refuse him nothing, but the trip of several
+hundred miles into a district rarely, if ever, visited by foreigners,
+involved more of a risk than I cared to assume. Charley seeing that I
+looked unusually solemn, turned to Akong for support.
+
+"What for you no go too, Cha-tsze? Just now my thinkee no got new chop
+come inside two week; get back plenty time."
+
+Akong's pigeon-English perhaps requires explanation: You must know,
+then, that the Chinese with whom all foreigners transact business,
+instead of learning correct English have a lingo, or _patois_, of their
+own, ascribed, but I think erroneously, to the carelessness of their
+first English visitors, who addressed them in this manner, thinking to
+make themselves more easily understood. The fact is, that
+pigeon-English, besides having many Portuguese words mixed up with
+it,--the Portuguese, you know, were established in China as early as
+the seventeenth century,--is in many instances a literal translation of
+Chinese into perverted English. In the present instance, Akong
+suggested that as there would be no more tea down for a fortnight, it
+would be well for me, too, to go. The proposition was quite agreeable
+to me, and Charley scampered off to tell Ahim, the cook, and Aho, my
+boy, to make the necessary preparations.
+
+The next morning, at an early hour, Akong's great mandarin, or
+house-boat, was moored at the jetty, and the boys were packing away the
+provisions and the charcoal for cooking, and long strings of copper
+"cash" to be used in the purchase of eggs and chickens, and the mats of
+rice that would form the principal article of "chow-chow" for the crew.
+Everybody in China has a boy, and Charley had his; a regular young imp
+of a fellow of about his own age. Aling was his name; Charley used to
+call him Ting-a-ling, and would jabber horrible Chinese to him by the
+hour. Aling jumped down the steps, two at a time, with Charley's
+traveling bag; but Aho, more sedate and dignified, marched after him;
+Charley and I joined Akong in the front of the boat, and with a chorus
+of "chin-chins" from the coolies and house-servants left behind, and
+the explosion of a pack of fire-crackers to propitiate the river
+dragon, the boat was shoved from the jetty, the sail hoisted, and we
+were soon slowly stemming the broad current of the Yang Tsze. On our
+right was Hankow, with its million or more inhabitants, the hum of the
+great city following us for miles; and the mouth of the Han, its
+surface so covered with junks that their masts resembled a forest, and
+only a narrow lane of water was left for the passage of boats. Just
+beyond the Han was Han Yang, once a fine city, but now in ruins, one of
+the results of the Tae-ping rebellion. Across the Yang Tsze, here a
+mile wide, was Wuchang, the residence of the viceroy of the Hupeh
+province. This place was supposed to be closed to foreigners, but
+Charley and I had made many a secret visit, and had some rare sport
+among the curiosity shops, with occasionally an adventure of a less
+pleasing description, about which I should like to tell you if I had
+time.
+
+Rapidly we passed the suburbs of these cities, and drawing over to the
+south bank, as the wind was light, the crew were ordered ashore, and
+stretching themselves along a tow-rope extending from the mast-head,
+the boat was soon moving quite rapidly. And that reminds me that I have
+not yet described our boat. These boats, used by the gentry in
+transporting themselves about the country, are almost like Noah's ark
+on a small scale--a boat with a house running almost the entire length
+of the deck, with little latticed windows on the outside, and the
+interior divided into rooms for eating and sleeping. The crew all lived
+aft on the great overhanging stern, where the cooking was done, and
+where the handle of the great "yuloe," or sculling oar, protruded. In
+front of the cabin was a little piece of deck-room where Charley and I
+had our camp-stools, and which gave us an excellent place from which to
+observe everything going on ahead.
+
+[Illustration: THE TEA HONG.]
+
+The boat coolies were straining on the tow-rope a hundred yards ahead.
+Frequently we passed some fisherman sitting in his little mat hut, with
+his feet on the windlass that raised his great square net; but never
+did we see them catch a fish, although on our return the same men were
+working as assiduously as ever. The country presented the same compact
+system of farming, the hills in many places being terraced to their
+very summits, and planted with waving crops of wheat and millet, beans,
+and vegetables of every description. Toward noon we passed the "Ta" and
+"Lao Kin Shan" (great and little golden mountain), and by the time
+Aling had announced "tiffin" (luncheon), we were abreast of Kin Kow, a
+picturesque village in the neighborhood of which I generally found
+some excellent shooting. After tiffin we again resumed our camp-stools.
+I lighted a cigar, and Akong smoked his hubble-bubble, a small copy of
+the nargileh of the Turks. The river was alive with junks, some going
+in the same direction as ourselves, and others loaded with tea,
+charcoal, vegetable tallow, oil of various kinds, and gypsum, brought,
+most of them, from the far western province of Sze Chuen.
+
+There was but little variety in the journey until the following day,
+when we approached the great bend in the Yang Tsze, and Akong told us
+that, if so inclined, we could land from the boat, and by walking six
+or eight miles across the country join the boat again, the bend
+rendering it necessary for her to go around some thirty or forty miles.
+This we gladly assented to, and taking my gun, in hopes of meeting with
+some snipe in the paddy-fields, and with Aling and a coolie for
+interpreters, we landed.
+
+Charley and I both experienced a rather queer sensation as we watched
+the boat sail off, and found ourselves with no other white man within a
+hundred or more miles. The country ahead was one immense rice-field,
+divided by dykes or banks paved with stones and forming paths for
+walking. At some distance we saw a large clump of bamboos with tall
+elms beyond, indicating a village, called, as a coolie at work in a
+ditch informed us, Fi-Loong. Soon we saw a broad creek with a handsome
+stone bridge over it, and on the other side an unusually large house of
+two stories, which turned out to belong to the Te-poy, or local
+magistrate of the place. The old gentleman himself was sitting outside
+of the house having his head shaved by the village barber. He politely
+invited us to wait, and after the shaving was over regaled us with a
+cup of tea,--rather weak, but refreshing,--and after chin-chin-ing we
+resumed our journey.
+
+Can you see our party trudging along? Beyond the village were more
+paddy-fields, from which occasionally a great white paddy-bird arose. I
+shot one of them, to the great delight of our coolie, who pronounced it
+No. 1 good chow-chow; but Charley and I were much more pleased at the
+sight of several English snipe. Reaching an old lotus-pond, a shot
+scared up these birds almost in myriads, and a good bunch of them
+promised a very welcome addition to our dinner. Meanwhile we had been
+following a creek, which we now needed to cross. But before long Aling
+espied a man in the distance at work with a huge buffalo, and
+exclaiming, "Hi-yah! belly good walkee now," rushed off in that
+direction. He soon returned with the buffalo and his owner, and
+indicated that we could cross on the back of the former. The huge,
+ungainly beast threw up his head and snorted when he caught sight of
+the "fanquis," or foreign devils, but a pull at the ring through his
+nose soon brought him to subjection.
+
+"How much does he want, Aling, to carry us over?"
+
+"He say ten cash can do."
+
+As this sum (one cent) was not an unreasonable ferriage, we nodded; and
+the buffalo being led into the water near the bank, I mounted first,
+then came Charley with his arms around me, then Aling, who had climbed
+up behind. When we were half-way over, Charley laughed so heartily at
+the ridiculous figure we made that the buffalo gave another snort, and
+threatened to roll us off, into the muddy water, but we landed safely,
+and giving the man his ten cash, went on again. The rest of the walk
+was without adventure, and we finally arrived at the river-bank just as
+the boat was coming around the point below us.
+
+That evening we left the main river and tracked up a tributary stream
+until we came to a broad canal, which Akong informed us led direct to
+our destination.
+
+[Illustration: SORTING THE TEA.]
+
+Turning out of our beds the next morning we found the boat moored to
+the bank of the canal, opposite a long, rambling, one-storied building,
+which proved to be the "hong" of the tea-merchant to whom the
+neighboring plantations belonged. We were really in the tea country at
+last. On every side of us, as far as the eye could reach, the
+dark-green tea-plants were growing in their beds of reddish sandy soil.
+Notwithstanding the cook's urgent appeals to wait until chow-chow was
+ready, we jumped ashore and into the midst of a crowd of noisy coolies
+moving in every direction, each with his load slung at the ends of a
+bamboo across his shoulders, and singing a monotonous "Aho, Aho, Aho!"
+which appears as necessary to the Chinese carrier as the "Yo heave ho!"
+to the sailor. Long, narrow junks were lying at the bank, and being
+rapidly loaded with the familiar tea-chests; crowds of men, women and
+children were coming from the plantation, each with bags of the freshly
+picked leaves, or with baskets on their heads in which the more
+delicate kinds were carefully carried. We stepped into the building,
+and there witnessed the entire operation of assorting, firing the teas,
+and even the manufacturing of the chests. We would gladly have
+remained, but Aho came up and informed us "that breakfast hab got
+spoilem," so we deferred further investigation until after the meal.
+
+Akong joined us at breakfast, and partook of our curry and rice with
+great gusto, for tea-brokers as a rule are by no means averse to
+foreign chow-chow, and handle a knife and fork with almost as much ease
+as they do the native chop-sticks. Charley plied us both with questions
+regarding tea in general, and probably the following summary will
+pretty well represent the result of his queries:
+
+The cultivation of the tea-plant is by no means confined to any one
+district or spot, but is scattered about through the different
+provinces, each producing its peculiar description known to the trade
+by its distinctive name. We were now in the Hupeh or Oopack country,
+and the tea we saw being gathered and prepared was the heavy-liquored
+black-leafed description, known in England and to the trade as Congou.
+This Congou forms the staple of the mixture known in that country under
+the generic name of "black," and sometimes finds its way to us under
+the guise of "English breakfast tea." From Foo-chow-foo, on the coast,
+half-way between Shanghae and Hong Kong, is shipped another description
+known as red-leaf Congou, the bulk of which goes to England also,
+although we are gradually absorbing an increasing quantity. Kiu Kiang,
+on the Yang Tsze, some one hundred and forty miles below Hankow, shares
+with the latter port in the trade of the Hupeh country, and is, or was
+until recently, the point of shipment for the fine green teas grown and
+manufactured in the Moyune district, a very large proportion of which
+is shipped to this country. First in importance as a point of shipment
+is Foo-chow-foo, whence are exported, in addition to the red-leafed
+Congous, or Boheas, the bulk of the Oolongs. Still further down the
+coast is Amoy, from which point inferior descriptions of both kinds are
+shipped, together with some scented teas; but the bulk of the latter,
+known as Scented Capers, Orange Pekoe, etc., are exported from Canton
+and Macao. These, together with a peculiar description of green, are
+manufactured at these ports from leaf grown in the neighborhood.
+Although no tea is grown near Shanghae, much of the Congou grown in the
+Hupeh province is sent there for sale, and thence shipped to England.
+The green teas from both the Moyune and Ping-Suey countries are also
+shipped from Shanghae.
+
+[Illustration: HOEING AND WATERING THE PLANTS.]
+
+Breakfast over, we jumped ashore again, and, desiring to conduct our
+sight-seeing systematically, started for the fields. First we walked to
+the foot of a hill a little distance off, where some men in short
+cotton trousers and jackets were laying out a new plantation. The
+ground was accurately marked off, and in one place the little plants,
+only an inch or two in height, were just showing above the ground. In
+another, the seeds--little round balls they looked like--were being
+planted in the rows. Passing another field, where some men were at work
+with their hoes in true Chinese style, stopping every few moments to
+smoke their pipes, we came at last to where the plants had attained
+some size and the actual picking was going on. The plants themselves
+were from two to six feet high, according to age, and from repeated
+cuttings down had grown into dense masses of small twigs. Many of them
+were covered with little white flowers, somewhat similar to the
+jasmine, and seeds inclosed in a casing not unlike that of the
+hazel-nut, but thinner and full of oil. Charley thought they looked
+like little laurel bushes; to me, those that had been well picked were
+not unlike huckleberry bushes, only the leaves were, of course, a much
+darker green. The first picking, usually in April, is when the leaves
+are very young and tender, commanding a much higher price than those
+subsequently plucked. The second is a month later, when they have
+attained maturity; and as unpropitious weather would be likely to ruin
+them, great expedition is used in getting in the crop, the entire
+population turning out to assist. A third, and even a fourth, follows;
+but the quality rapidly deteriorates, and but a small proportion of
+these last pickings is prepared for export.
+
+[Illustration: DRYING THE TEA.]
+
+The plantations were filled with a merry crowd, composed principally of
+women and children, all engaged in stripping the bushes as rapidly as
+possible, yet with great care and dexterity, so as not to bruise the
+leaves. They looked up from their work and screamed to each other in
+their harsh guttural tones, casting glances of astonishment at the
+barbarians. Following some of the coolies, who with filled bags were
+trudging off to the curing-house, we saw the most interesting operation
+of all. Here, at least thirty young girls were engaged in assorting the
+leaves, picking out all the dead and yellow ones, and preparing them
+for the hands of the rollers and firers. Our entrance excited quite a
+commotion among the damsels, as we were probably the first barbarians
+they had seen, and we had the reputation of living entirely on fat
+babies. A word from Akong, who had joined us, reassured them, and in a
+few minutes Charley was airing his little stock of Chinese, more, I
+thought, to their amusement than their edification. Leaving this room
+we went into another where the curing was in progress. On one side
+extended a long furnace built of bricks, with large iron pans placed at
+equal distances, and heated by charcoal fires below. Into these pans
+leaves by the basketful were poured, stirred rapidly for a few minutes,
+and then removed to large bamboo frames, where they were rolled and
+kneaded until all the green juice was freed. They were then scattered
+loosely in large, flat baskets, and placed in the sun to dry.
+Subsequently, the leaves were again carried to the furnaces and exposed
+to a gentle heat, until they curled and twisted themselves into the
+shapes so familiar to you all. Some of the finer kinds often prepared
+for exportation are rolled over by hand before being fired. The great
+object appears to be to prevent the leaf from breaking; hence, in the
+commoner kinds and those intended for home consumption, which do not
+receive the same care, the leaves are found to be very much broken. In
+fact, the preparation of this latter sort is very simple: a mere drying
+in the sun, after which it presents a dry, broken appearance, like
+autumn leaves.
+
+Green tea, although grown in particular districts, receives its
+peculiar color by being stirred with a mixture of gypsum and Prussian
+blue during the firing, but is prepared in a more laborious manner, the
+leaves being selected and divided to form the different kinds known as
+Imperial, Gunpowder, Young Hyson, Hyson, Hyson Skin and Twankay. An
+aggregation of these kinds, proportioned according to their value,
+forms what is known as a "chop," whereas a chop of black tea comprises
+all of one grade or quality. Chinamen wonder at the taste of "outside
+barbarians" in preferring a tea colored green, but would provide them
+with a leaf of yellow or blue if there was a market for it.
+
+[Illustration: ONE OF THE SING-SONG GIRLS.]
+
+The entire operation pertaining to the business appeared to be carried
+on in the cluster of little buildings with court-yards between, but
+almost under the same roof, and afforded occupation to an immense
+number of persons. And yet the payments could not have been very
+large; from six to ten cents per day being about the wages they
+received. In one room men were engaged in making boxes; in another,
+lining them with thin sheets of lead. Further on, the outsides of the
+boxes were being pasted over with paper, on which was stamped the name
+of the tea and the maker's business-title. Finally, they were being
+filled, soldered up and carried off to the boats, not to be opened
+again until they reached the shop of some London grocer.
+
+The principal object of our friend Akong's visit was to convoy with his
+mandarin-boat a fleet of tea-junks to Hankow; so that but one day was
+given us for our visit. The boats being nearly ready, it was arranged
+that we should start on our return the following morning. The evening
+was devoted to a dinner and "sing-song" given for our entertainment by
+the tea-men. Aho asked if he should take our knives and forks, a
+proposition which we indignantly rejected. As it was to be a Chinese
+dinner, we determined to do it in Chinese style, chop-sticks and all.
+Such a dinner! We were seated at little square tables holding four
+persons each, the Chinamen all dressed in their official or state
+costumes. First came little dishes of sweetmeats and then bowls of
+bird's-nest soup, with the jelly-like substance floating about in it in
+company with little pieces of chicken. This was very nice, although we
+_did_ all eat out of the same bowl, using little porcelain spoons. Then
+came more sweetmeats, followed by dishes of _beche de mer_, or
+sea-slugs and fat pork; this we passed, but not until an over-polite
+Chinaman took up a gristly piece of _something_ with his chop-sticks,
+and, after biting off a piece, passed the rest to Charley. The
+chop-sticks we could not manage; the meat would slip out of them, and
+had it not been for the soups, of which there were several, and the
+rice, which we could _shovel_ into our mouths, we should have had no
+dinner. Tea was passed by the servants continually, as were little
+bowls of "samshu"--a liquor distilled from rice. During the dinner, the
+sing-song girls played on the native two-stringed fiddles, and sang in
+falsetto voices a selection of music, which was undoubtedly very fine
+if judged by the Chinese standard, but which we could not appreciate.
+
+The noise soon became almost intolerable, and we slipped off to the
+boat and sought our beds.
+
+When we awoke in the morning the whole fleet of tea-boats was under
+way, and with a fair wind we ran rapidly down the creek and were once
+more on the broad Yang Tsze. On the third day we reached Hankow safely,
+and well pleased with our trip to the tea country.
+
+
+
+
+TREASURE-TROVE.
+
+BY OLIVE A. WADSWORTH.
+
+
+ A Diligent Biddy was scratching one day,
+ And pecking at morsels that came in her way,
+ When all of a sudden she widened her eyes,
+ And the feathers stood up on her head with surprise!
+
+ A strange-looking treasure Dame Biddy had found,
+ 'Twixt a brick and a clam-shell it lay on the ground;
+ The hen with a peck turned it over and over,
+ But the longer she looked the less could discover.
+
+ "Cluck, cluck!" said the hen, "as sure as I stand,
+ This never was grown upon solid dry land;
+ I'll take it along to Dame Duck and her daughter,
+ They're wise about things that come out of the water."
+
+ So she carried the thing in her beak to the brook,
+ And called to Dame Duck to come quickly and look,
+ And the dame and her child relinquished their pleasure,
+ And waddled ashore to examine the treasure.
+
+ "Alack!" said the duck and "A-quack!" said the daughter,
+ "We've never seen objects like _this_ in the water!
+ Suppose we submit it to old Mrs. Ewe?
+ She's wise about wool, and has seen the world, too!"
+
+ So the duck took it carefully up in her bill,
+ And the duckling and hen followed on to the mill,
+ Where the miller's fat sheep was placidly grazing,
+ And there they displayed this treasure amazing.
+
+ "Ah, bah!" said the sheep, "what a queer-looking piece!
+ This never was parcel or part of a fleece!
+ Our flock would disown it!--but take it, I pray,
+ To Brindle, the cow, she's wise about hay!"
+
+ So the sheep and the duckling, the duck and the hen,
+ With the treasure set forth in procession again,
+ To where the cow stood,--in the shade, as she ought,--
+ A-chewing her cud and a-thinking her thought.
+
+ "Bless my horns!" said the cow, "I really must say,
+ I've ne'er seen the like in straw or in hay!
+ Why don't you ask Dobbin, the farmer's gray mare?
+ She's traveled so much, and she's wise about hair."
+
+ So the hen and the ducks, the sheep and the cow,
+ Went seeking for Dobbin, just loosed from the plow;
+ They all talked at once, to make things explicit,
+ And finally showed her the cause of their visit.
+
+ But Dobbin gave snorts of dislike and dismay;
+ "Why don't you," said she, "pass it on to old Tray?
+ He hunts for his food where the refuse is thrown,
+ And he's wise about cinders, and rubbish, and bone."
+
+ So Dobbin and Brindle, and fat Mrs. Ewe,
+ And the duckling and duck, and the Biddy-hen too,
+ All eager for knowledge, went down the wide road
+ To the kennel where Tray had his pleasant abode.
+
+ Now Tray was a dog with a gift for detecting,
+ He never would bark without briefly reflecting;
+ He snuffed at the treasure and turned it about,
+ And soon would have uttered his sentence, no doubt,--
+
+ But just then our Tommy ran up to the crowd.
+ "Where did you get those, sir?" he cried out aloud.
+ "They're my new Sunday gloves! They fell out of my hat!
+ I took them to school to show them to Matt!
+
+ "And, you see, Matt and I had some liquorice candy,
+ Our fingers were sticky, the gloves were just handy;
+ And then, when the teacher said, 'Tom, wash your slate,'
+ My sponge was all lost, and the class couldn't wait.
+
+ "And 'cause I was hurrying, what do you think?
+ That bothersome ink-bottle slopped out the ink!
+ You can't expect gloves to look nobby and new
+ When they have to be used for a slate and ink too.
+
+ Now, that's reasons enough!" said poor Tommy, "I guess!"
+ And the company bowed a unanimous "Yes,"
+ And the horse, cow and sheep, duck, duckling and hen,
+ Complacently turned themselves homeward again.
+
+
+
+
+UNDER THE LILACS.
+
+BY LOUISA M. ALCOTT.
+
+
+CHAPTER VII.
+
+NEW FRIENDS TROT IN.
+
+
+Next day Ben ran off to his work with Quackenbos's "Elementary History
+of the United States" in his pocket, and the Squire's cows had ample
+time to breakfast on wayside grass before they were put into their
+pasture. Even then the pleasant lesson was not ended, for Ben had an
+errand to town, and all the way he read busily, tumbling over the hard
+words, and leaving bits which he did not understand to be explained at
+night by Bab.
+
+At "The First Settlements" he had to stop, for the school-house was
+reached and the book must be returned. The maple-tree closet was easily
+found, and a little surprise hidden under the flat stone; for Ben paid
+two sticks of red and white candy for the privilege of taking books
+from the new library.
+
+When recess came great was the rejoicing of the children over their
+unexpected treat, for Mrs. Moss had few pennies to spare for sweets,
+and, somehow, this candy tasted particularly nice, bought out of
+grateful Ben's solitary dime. The little girls shared their goodies
+with their favorite mates, but said nothing about the new arrangement,
+fearing it would be spoilt if generally known. They told their mother,
+however, and she gave them leave to lend their books and encourage Ben
+to love learning all they could. She also proposed that they should
+drop patch-work and help her make some blue shirts for Ben. Mrs. Barton
+had given her the materials, and she thought it would be an excellent
+lesson in needle-work as well as a useful gift to Ben--who, boy-like,
+never troubled himself as to what he should wear when his one suit of
+clothes gave out.
+
+Wednesday afternoon was the sewing time, so the two little B's worked
+busily at a pair of shirt sleeves, sitting on their bench in the
+door-way, while the rusty needles creaked in and out, and the childish
+voices sung school-songs, with frequent stoppages for lively chatter.
+
+For a week, Ben worked away bravely, and never shirked nor complained,
+although Pat put many a hard or disagreeable job upon him, and chores
+grew more and more distasteful. His only comfort was the knowledge that
+Mrs. Moss and the Squire were satisfied with him, his only pleasure the
+lessons he learned while driving the cows, and recited in the evening
+when the three children met under the lilacs to "play school."
+
+He had no thought of studying when he began, and hardly knew that he
+was doing it as he pored over the different books he took from the
+library. But the little girls tried him with all they possessed, and he
+was mortified to find how ignorant he was. He never owned it in words,
+but gladly accepted all the bits of knowledge they offered from their
+small store; getting Betty to hear him spell "just for fun;" agreeing
+to draw Bab all the bears and tigers she wanted if she would show him
+how to do sums on the flags, and often beguiled his lonely labors by
+trying to chant the multiplication table as they did. When Tuesday
+night came round the Squire paid him a dollar, said he was "a likely
+boy," and might stay another week if he chose. Ben thanked him and
+thought he would, but the next morning, after he had put up the bars,
+he remained sitting on the top rail to consider his prospects, for he
+felt uncommonly reluctant to go back to the society of rough Pat. Like
+most boys he hated work, unless it was of a sort which just suited him;
+then he could toil like a beaver and never tire. His wandering life had
+given him no habits of steady industry, and while he was an unusually
+capable lad of his age, he dearly loved to loaf about and have a good
+deal of variety and excitement in his life.
+
+Now he saw nothing before him but days of patient and very
+uninteresting labor. He was heartily sick of weeding; even riding Duke
+before the cultivator had lost its charms, and a great pile of wood lay
+in the Squire's yard which he knew he would be set to piling up in the
+shed. Strawberry-picking would soon follow the asparagus cultivation,
+then haying, and so on all the long, bright summer, without any fun,
+unless his father came for him.
+
+On the other hand, he was not obliged to stay a minute longer unless he
+liked. With a comfortable suit of clothes, a dollar in his pocket, and
+a row of dinner-baskets hanging in the school-house entry to supply him
+with provisions if he didn't mind stealing them, what was easier than
+to run away again? Tramping has its charms in fair weather, and Ben had
+lived like a gypsy under canvas for years, so he feared nothing, and
+began to look down the leafy road with a restless, wistful expression,
+as the temptation grew stronger and stronger every minute.
+
+Sancho seemed to share the longing, for he kept running off a little
+way and stopping to frisk and bark, then rushed back to sit watching
+his master with those intelligent eyes of his, which seemed to say,
+"Come on, Ben, let us scamper down this pleasant road and never stop
+till we are tired." Swallows darted by, white clouds fled before the
+balmy west wind, a squirrel ran along the wall, and all things seemed
+to echo the boy's desire to leave toil behind and roam away as
+care-free as they. One thing restrained him,--the thought of his
+seeming ingratitude to good Mrs. Moss, and the disappointment of the
+little girls at the loss of their two new play-fellows. While he paused
+to think of this, something happened which kept him from doing what he
+would have been sure to regret afterward.
+
+Horses had always been his best friends, and one came trotting up to
+help him now, though he did not know how much he owed it till long
+after. Just in the act of swinging himself over the bars to take a
+short cut across the fields, the sound of approaching hoofs,
+unaccompanied by the roll of wheels, caught his ear, and pausing, he
+watched eagerly to see who was coming at such a pace.
+
+At the turn of the road, however, the quick trot stopped, and in a
+moment a lady on a bay mare came pacing slowly into sight,--a young and
+pretty lady, all in dark blue, with a bunch of dandelions like yellow
+stars in her button-hole, and a silver-handled whip hanging from the
+pommel of her saddle, evidently more for ornament than use. The
+handsome mare limped a little and shook her head as if something
+plagued her, while her mistress leaned down to see what was the matter,
+saying, as if she expected an answer of some sort:
+
+"Now, Chevalita, if you have got a stone in your foot, I shall have to
+get off and take it out. Why don't you look where you step and save me
+all this trouble?"
+
+"I'll look for you, ma'am; I'd like to!" said an eager voice so
+unexpectedly that both horse and rider started as a boy came down the
+bank with a jump.
+
+"I wish you would. You need not be afraid; Lita is as gentle as a
+lamb," answered the young lady, smiling, as if amused by the boy's
+earnestness.
+
+"She's a beauty, anyway," muttered Ben, lifting one foot after another
+till he found the stone, and with some trouble got it out.
+
+"That was nicely done, and I'm much obliged. Can you tell me if that
+cross-road leads to the Elms?" asked the lady, as she went slowly on
+with Ben beside her.
+
+"No, ma'am; I'm new in these parts, and I only know where Squire Allen
+and Mrs. Moss live."
+
+"I want to see both of them, so suppose you show me the way. I was here
+long ago, and thought I should remember how to find the old house with
+the elm avenue and the big gate, but I don't."
+
+"I know it; they call that place the Laylocks now, 'cause there's a
+hedge of 'em all down the path and front wall. It's a real pretty
+place; Bab and Betty play there, and so do I."
+
+Ben could not restrain a chuckle at the recollection of his first
+appearance there, and as if his merriment or his words interested her,
+the lady said, pleasantly: "Tell me all about it. Are Bab and Betty
+your sisters?"
+
+Quite forgetting his intended tramp, Ben plunged into a copious history
+of himself and new-made friends, led on by a kind look, an inquiring
+word, and sympathetic smile, till he had told everything. At the
+school-house corner he stopped and said, spreading his arms like a
+sign-post:
+
+"That's the way to the Laylocks, and this is the way to the Squire's."
+
+"As I'm in a hurry to see the old house, I'll go this way first, if you
+will be kind enough to give my love to Mrs. Allen, and tell the Squire
+Miss Celia is coming to dine with him. I wont say good-by, because I
+shall see you again."
+
+With a nod and a smile the young lady cantered away, and Ben hurried up
+the hill to deliver his message, feeling as if something pleasant was
+going to happen, so it would be wise to defer running away, for the
+present at least.
+
+[Illustration: BEN TAKES THE STONE FROM LITA'S FOOT.]
+
+At one o'clock Miss Celia arrived, and Ben had the delight of helping
+Pat stable pretty Chevalita; then, his own dinner hastily eaten, he
+fell to work at the detested wood-pile with sudden energy, for, as he
+worked, he could steal peeps into the dining-room, and see the curly
+brown head between the two gray ones as the three sat round the table.
+He could not help hearing a word now and then, as the windows were
+open, and these bits of conversation filled him with curiosity, for the
+names "Thorny," "Celia," and "George" were often repeated, and an
+occasional merry laugh from the young lady sounded like music in that
+usually quiet place.
+
+When dinner was over, Ben's industrious fit left him, and he leisurely
+trundled his barrow to and fro till the guest departed. There was no
+chance for him to help now, since Pat, anxious to get whatever trifle
+might be offered for his services, was quite devoted in his attentions
+to the mare and her mistress till she was mounted and off. But Miss
+Celia did not forget her little guide, and spying a wistful face
+behind the wood-pile, paused at the gate and beckoned with that winning
+smile of hers. If ten Pats had stood scowling in the way Ben would have
+defied them all, and vaulting over the fence he ran up with a shining
+face, hoping she wanted some last favor of him. Leaning down, Miss
+Celia slipped a new quarter into his hand, saying:
+
+"Lita wants me to give you this for taking the stone out of her foot."
+
+"Thanky, ma'am; I liked to do it, for I hate to see 'em limp,
+'specially such a pretty one as she is," answered Ben, stroking the
+glossy neck with a loving touch.
+
+"The Squire says you know a good deal about horses, so I suppose you
+understand the Houyhnhnm language? I'm learning it, and it is very
+nice," laughed Miss Celia, as Chevalita gave a little whinny and
+snuggled her nose into Ben's pocket.
+
+"No, miss, I never went to school."
+
+"That is not taught there. I'll bring you a book all about it when I
+come back. Mr. Gulliver went to the horse-country and heard the dear
+things speak their own tongue."
+
+"My father has been on the prairies where there's lots of wild ones,
+but he didn't hear 'em speak. I know what they want without talkin',"
+answered Ben, suspecting a joke, but not exactly seeing what it was.
+
+"I don't doubt it, but I wont forget the book. Good-by, my lad, we
+shall soon meet again," and away went Miss Celia as if she was in a
+hurry to get back.
+
+"If she only had a red habit and a streamin' white feather, she'd look
+as fine as Melia used to. She _is_ 'most as kind and rides 'most as
+well. Wonder where she's goin' to. Hope she _will_ come soon," thought
+Ben, watching till the last flutter of the blue habit vanished round
+the corner, and then he went back to his work with his head full of the
+promised book, pausing now and then to chink the two silver halves and
+the new quarter together in his pocket, wondering what he should buy
+with this vast sum.
+
+Bab and Betty meantime had had a most exciting day, for when they went
+home at noon they found the pretty lady there, and she had talked to
+them like an old friend, given them a ride on the little horse, and
+kissed them both good-by when they went back to school. In the
+afternoon the lady was gone, the old house all open, and their mother
+sweeping, dusting, airing in great spirits. So they had a splendid
+frolic tumbling on feather beds, beating bits of carpet, opening
+closets, and racing from garret to cellar like a pair of distracted
+kittens.
+
+Here Ben found them, and was at once overwhelmed with a burst of news
+which excited him as much as it did them. Miss Celia owned the house,
+was coming to live there, and things were to be made ready as soon as
+possible. All thought the prospect a charming one; Mrs. Moss because
+life had been dull for her during the year she had taken charge of the
+old house; the little girls had heard rumors of various pets who were
+coming, and Ben, learning that a boy and a donkey were among them,
+resolved that nothing but the arrival of his father should tear him
+from this now deeply interesting spot.
+
+"I'm in _such_ a hurry to see the peacocks and hear them scream. She
+said they did, and that we'd laugh when old Jack brayed," cried Bab,
+hopping about on one foot to work off her impatience.
+
+"Is a _faytun_ a kind of a bird? I heard her say she could keep it in
+the coach-house," asked Betty, inquiringly.
+
+"It's a little carriage," and Ben rolled in the grass, much tickled at
+poor Betty's ignorance.
+
+"Of course it is. I looked it out in the dic., and you mustn't call it
+a _payton_ though it _is_ spelt with a p," added Bab, who liked to lay
+down the law on all occasions, and did not mention that she had looked
+vainly among the f's till a school-mate set her right.
+
+"You can't tell _me_ much about carriages. But what I want to know is
+where Lita will stay?" said Ben.
+
+"Oh, she's to be up at the Squire's, till things are fixed, and you are
+to bring her down. Squire came and told Ma all about it, and said you
+were a boy to be trusted, for he had tried you."
+
+Ben made no answer, but secretly thanked his stars that he had not
+proved himself untrustworthy by running away, and so missing all this
+fun.
+
+"Wont it be fine to have the house open all the time? We can run over
+and see the pictures and books whenever we like. I know we can, Miss
+Celia is so kind," began Betty, who cared for these things more than
+for screaming peacocks and comical donkeys.
+
+"Not unless you are invited," answered their mother, locking the front
+door behind her. "You'd better begin to pick up your duds right away,
+for she wont want them cluttering round her front yard. If you are not
+too tired, Ben, you might rake round a little while I shut the blinds.
+I want things to look nice and tidy."
+
+Two little groans went up from two afflicted little girls as they
+looked about them at the shady bower, the dear porch, and the winding
+walks where they loved to run "till their hair whistled in the wind,"
+as the fairy-books say.
+
+"Whatever shall we do! Our attic is so hot and the shed so small, and
+the yard always full of hens or clothes. We shall have to pack all our
+things away and never play any more," said Bab, tragically.
+
+"May be Ben could build us a little house in the orchard," proposed
+Betty, who firmly believed that Ben could do anything.
+
+"He wont have any time. Boys don't care for baby-houses," returned Bab,
+collecting her homeless goods and chattels with a dismal face.
+
+"We sha'n't want these much when all the new things come; see if we
+do," said cheerful little Betty, who always found out a silver lining
+to every cloud.
+
+
+
+CHAPTER VIII.
+
+MISS CELIA'S MAN.
+
+
+Ben was not too tired, and the clearing-up began that very night. None
+too soon, for, in a day or two, things arrived, to the great delight of
+the children, who considered moving a most interesting play. First came
+the phaeton, which Ben spent all his leisure moments in admiring,
+wondering with secret envy what happy boy would ride in the little seat
+up behind, and beguiling his tasks by planning how, when he got rich,
+he would pass his time driving about in just such an equipage, and
+inviting all the boys he met to have a ride.
+
+Then a load of furniture came creaking in at the lodge gate, and the
+girls had raptures over a cottage piano, several small chairs, and a
+little low table, which they pronounced just the thing for them to play
+at. The live stock appeared next, creating a great stir in the
+neighborhood, for peacocks were rare birds there; the donkey's bray
+startled the cattle and convulsed the people with laughter; the rabbits
+were continually getting out to burrow in the newly made garden; and
+Chevalita scandalized old Duke by dancing about the stable which he had
+inhabited for years in stately solitude.
+
+Last, but by no means least, Miss Celia, her young brother and two
+maids, arrived one evening so late that only Mrs. Moss went over to
+help them settle. The children were much disappointed, but were
+appeased by a promise that they should all go to pay their respects in
+the morning.
+
+They were up so early, and were so impatient to be off, that Mrs. Moss
+let them go with the warning that they would find only the servants
+astir. She was mistaken, however, for as the procession approached, a
+voice from the porch called out: "Good morning, little neighbors!" so
+unexpectedly, that Bab nearly spilt the new milk she carried, Betty
+gave such a start that the fresh-laid eggs quite skipped in the dish,
+and Ben's face broke into a broad grin over the armful of clover which
+he brought for the bunnies, as he bobbed his head, saying, briskly:
+
+"She's all right, miss; Lita is, and I can bring her over any minute
+you say."
+
+"I shall want her at four o'clock. Thorny will be too tired to drive,
+but I must hear from the post-office, rain or shine;" and Miss Celia's
+pretty color brightened as she spoke, either from some happy thought or
+because she was bashful, for the honest young faces before her plainly
+showed their admiration of the white-gowned lady under the
+honeysuckles.
+
+The appearance of Miranda, the maid, reminded the children of their
+errand, and having delivered their offerings, they were about to retire
+in some confusion, when Miss Celia said pleasantly:
+
+"I want to thank you for helping put things in such nice order. I see
+signs of busy hands and feet both inside the house and all about the
+grounds, and I am very much obliged."
+
+"I raked the beds," said Ben, proudly eying the neat ovals and circles.
+
+"I swept all the paths," added Bab, with a reproachful glance at
+several green sprigs fallen from the load of clover on the smooth walk.
+
+"I cleared up the porch," and Betty's clean pinafore rose and fell with
+a long sigh, as she surveyed the late summer residence of her exiled
+family.
+
+Miss Celia guessed the meaning of that sigh, and made haste to turn it
+into a smile by asking, anxiously:
+
+"What _has_ become of the playthings? I don't see them anywhere."
+
+"Ma said you wouldn't want our duds round, so we took them all home,"
+answered Betty, with a wistful face.
+
+"But I do want them round. I like dolls and toys almost as much as
+ever, and quite miss the little "duds" from porch and path. Suppose you
+come to tea with me to-night and bring some of them back? I should be
+very sorry to rob you of your pleasant play-place."
+
+"Oh yes'm, we'd love to come! and we'll bring our best things."
+
+"Ma always lets us have our shiny pitchers and the china poodle when we
+go visiting or have company at home," said Bab and Betty, both speaking
+at once.
+
+"Bring what you like and I'll hunt up my toys too. Ben is to come also,
+and _his_ poodle is especially invited," added Miss Celia as Sancho
+came and begged before her, feeling that some agreeable project was
+under discussion.
+
+"Thank you, miss. I told them you'd be willing they should come
+sometimes. They like this place ever so much, and so do I," said Ben,
+feeling that few spots combined so many advantages in the way of
+climbable trees, arched gates, half-a-dozen gables, and other charms
+suited to the taste of an aspiring youth who had been a flying Cupid at
+the age of seven.
+
+"So do I," echoed Miss Celia, heartily. "Ten years ago I came here a
+little girl, and made lilac chains under these very bushes, and picked
+chick-weed over there for my bird, and rode Thorny in his baby-wagon up
+and down these paths. Grandpa lived here then and we had fine times;
+but now they are all gone except us two."
+
+"We haven't got any father either," said Bab, for something in Miss
+Celia's face made her feel as if a cloud had come over the sun.
+
+[Illustration: MISS CELIA AND HER LITTLE FRIENDS.]
+
+"_I_ have a first-rate father, if I only knew where he'd gone to," said
+Ben, looking down the path as eagerly as if some one waited for him
+behind the locked gate.
+
+"You are a rich boy, and you are happy little girls to have so good a
+mother; I've found that out already," and the sun shone again as the
+young lady nodded to the neat, rosy children before her.
+
+"You may have a piece of her if you want to, 'cause you haven't got any
+of your own," said Betty, with a pitiful look which made her blue eyes
+as sweet as two wet violets.
+
+"So I will! and you shall be my little sisters. I never had any, and
+I'd love to try how it seems," and Miss Celia took both the chubby
+hands in hers, feeling ready to love every one this first bright
+morning in the new home which she hoped to make a very happy one.
+
+Bab gave a satisfied nod, and fell to examining the rings upon the
+white hand that held her own. But Betty put her arms about the new
+friend's neck, and kissed her so softly that the hungry feeling in Miss
+Celia's heart felt better directly, for this was the food it wanted,
+and Thorny had not learned yet to return one half of the affection he
+received. Holding the child close, she played with the yellow braids
+while she told them about the little German girls in their funny
+black-silk caps, short-waisted gowns and wooden shoes, whom she used to
+see watering long webs of linen bleaching on the grass, watching great
+flocks of geese, or driving pigs to market, knitting or spinning as
+they went.
+
+Presently, "Randa," as she called her stout maid, came to tell her that
+"Master Thorny couldn't wait another minute," and she went in to
+breakfast with a good appetite, while the children raced home to bounce
+in upon Mrs. Moss, talking all at once like little lunatics.
+
+"The phaeton at four,--so sweet in a beautiful white gown,---going to
+tea, and Sancho and all the baby things invited. Can't we wear our
+Sunday frocks? A splendid new net for Lita. And she likes dolls. Goody,
+goody, wont it be fun!"
+
+With much difficulty their mother got a clear account of the
+approaching festivity out of the eager mouths, and with still more
+difficulty got breakfast into them, for the children had few pleasures,
+and this brilliant prospect rather turned their heads.
+
+Bab and Betty thought the day would never end, and cheered the long
+hours by expatiating on the pleasures in store for them, till their
+playmates were much afflicted because they were not going also. At
+noon their mother kept them from running over to the old house lest
+they should be in the way, so they consoled themselves by going to the
+syringa bush at the corner and sniffing the savory odors which came
+from the kitchen, where Katy, the cook, was evidently making nice
+things for tea.
+
+Ben worked as if for a wager till four, then stood over Pat while he
+curried Lita till her coat shone like satin, then drove her gently down
+to the coach-house, where he had the satisfaction of harnessing her
+"all his own self."
+
+"Shall I go round to the great gate and wait for you there, miss?" he
+asked, when all was ready, looking up at the porch where the young lady
+stood watching him as she put on her gloves.
+
+"No, Ben, the great gate is not to be opened till next October. I shall
+go in and out by the lodge, and leave the avenue to grass and
+dandelions, meantime," answered Miss Celia, as she stepped in and took
+the reins, with a sudden smile.
+
+But she did not start even when Ben had shaken out the new duster and
+laid it neatly over her knees.
+
+"Isn't it all right now?" asked the boy, anxiously.
+
+"Not quite; I need one thing more. Can't you guess what it is?"--and
+Miss Celia watched his anxious face as his eyes wandered from the tips
+of Lita's ears to the hind-wheel of the phaeton, trying to discover
+what had been omitted.
+
+"No, miss, I don't see--" he began, much mortified to think he had
+forgotten anything.
+
+"Wouldn't a little groom up behind improve the appearance of my
+turnout?" she said, with a look which left no doubt in his mind that
+_he_ was to be the happy boy to occupy that proud perch.
+
+He grew red with pleasure, but stammered, as he hesitated, looking down
+at his bare feet and blue shirt:
+
+"I aint fit, miss, and I haven't got any other clothes."
+
+Miss Celia only smiled again more kindly than before, and answered, in
+a tone which he understood better than her words:
+
+"A great man said his coat-of-arms was a pair of shirt sleeves, and a
+sweet poet sung about a barefooted boy, so I need not be too proud to
+ride with one. Up with you, Ben, my man, and let us be off, or we shall
+be late for our party."
+
+With one bound the new groom was in his place, sitting very erect, with
+his legs stiff, arms folded, and nose in the air, as he had seen real
+grooms sit behind their masters in fine dog-carts or carriages. Mrs.
+Moss nodded as they drove past the lodge, and Ben touched his torn
+hat-brim in the most dignified manner, though he could not suppress a
+broad grin of delight, which deepened into a chuckle when Lita went
+off at a brisk trot along the smooth road toward town.
+
+It takes so little to make a child happy, it is a pity grown people do
+not oftener remember it and scatter little bits of pleasure before the
+small people, as they throw crumbs to the hungry sparrows. Miss Celia
+knew the boy was pleased, but he had no words in which to express his
+gratitude for the great contentment she had given him. He could only
+beam at all he met, smile when the floating ends of the gray veil blew
+against his face, and long in his heart to give the new friend a boyish
+hug as he used to do his dear Melia when she was very good to him.
+
+School was just out as they passed, and it was a spectacle, I assure
+you, to see the boys and girls stare at Ben up aloft in such state;
+also to see the superb indifference with which that young man regarded
+the vulgar herd who went afoot. He could not resist an affable nod to
+Bab and Betty, for they stood under the maple-tree, and the memory of
+their circulating library made him forget his dignity in his gratitude.
+
+"We will take them next time, but now I want to talk to you," began
+Miss Celia, as Lita climbed the hill. "My brother has been ill, and I
+have brought him here to get well. I want to do all sorts of things to
+amuse him, and I think you can help me in many ways. Would you like to
+work for me instead of the Squire?"
+
+"I guess I would!" ejaculated Ben, so heartily that no further
+assurances were needed, and Miss Celia went on, well pleased:
+
+"You see, poor Thorny is weak and fretful, and does not like to exert
+himself, though he ought to be out a great deal, and kept from thinking
+of his little troubles. He cannot walk much yet, so I have a wheeled
+chair to push him in, and the paths are so hard it will be easy to roll
+him around. That will be one thing you can do. Another is to take care
+of his pets till he is able to do it himself. Then you can tell him
+your adventures, and talk to him as only a boy can talk to a boy. That
+will amuse him when I want to write or go out; but I never leave him
+long, and hope he will soon be running about as well as the rest of us.
+How does that sort of work look to you?"
+
+"First-rate! I'll take real good care of the little fellow, and do
+everything I know to please him, and so will Sanch. He's fond of
+children," answered Ben, heartily, for the new place looked very
+inviting to him.
+
+Miss Celia laughed, and rather damped his ardor by her next words:
+
+"I don't know what Thorny _would_ say to hear you call him 'little.' He
+is fourteen, and appears to get taller and taller every day. He seems
+like a child to _me_, because I am nearly ten years older than he is;
+but you needn't be afraid of his long legs and big eyes,--he is too
+feeble to do any harm,--only you mustn't mind if he orders you about."
+
+"I'm used to that. I don't mind it if he wont call me a 'spalpeen,' and
+fire things at me," said Ben, thinking of his late trials with Pat.
+
+"I can promise that, and I am sure Thorny will like you, for I told him
+your story, and he is anxious to see 'the circus boy,' as he called
+you. Squire Allen says I may trust you, and I am glad to do so, for it
+saves me much trouble to find what I want all ready for me. You shall
+be well fed and clothed, kindly treated and honestly paid, if you like
+to stay with me."
+
+"I _know_ I shall like it--till father comes, anyway. Squire wrote to
+Smithers right off, but hasn't got any answer yet. I know they are on
+the go now, so may be we wont hear for ever so long," answered Ben,
+feeling less impatient to be off than before this fine proposal was
+made to him.
+
+"I dare say; meantime we will see how we get on together, and perhaps
+your father will be willing to leave you for the summer if he is away.
+Now show me the baker's, the candy-shop, and the post-office," said
+Miss Celia, as they rattled down the main street of the village.
+
+Ben made himself useful, and when all the other errands were done,
+received his reward in the shape of a new pair of shoes and a straw hat
+with a streaming blue ribbon, on the ends of which shone silvery
+anchors. He was also allowed to drive home, while his new mistress read
+her letters. One particularly long one, with a queer stamp on the
+envelope, she read twice, never speaking a word till they got back.
+Then Ben was sent off with Lita and the Squire's letters, promising to
+get his chores done in time for tea.
+
+_(To be continued.)_
+
+
+
+
+CRUMBS FROM OLDER READING.
+
+BY JULIA E. SARGENT.
+
+
+EMERSON.
+
+
+"Who ever heard of Emerson?" I asked a room of third-reader pupils.
+Nearly every hand came up, and the bright faces were full of interest.
+What a delightful surprise! I did not expect to see more than two
+hands, and here all were as interested as if I had said, "Who ever
+heard of Hayes or Tilden?" All at once I remembered that, for more than
+a week, every fence about the school had been covered with
+circus-bills, bearing the name "Billy Emerson."
+
+Sure enough he was the only Emerson those pupils knew about; for when I
+said Ralph Waldo Emerson, one by one the hands came down. No one had
+heard of him. Now I know no more of "Billy Emerson" than the children
+knew of Ralph Waldo Emerson, but I am not afraid to say that the one I
+know is better worth knowing.
+
+For in papa's library, or on mamma's center-table, I have no doubt you
+can find more than one book which he has written. When in his sermon
+the minister tells what Emerson has said, you may be very sure he does
+not quote "Billy." Papers and magazines all have something to say
+concerning this man, whose books grown people read and talk about.
+
+Who is he, then? His name is Ralph Waldo Emerson, and he writes books.
+
+Very good; and what are people who write books called? Then Mr. Ralph
+Waldo Emerson is an author. He lives in a republican country which has
+Washington for its capital. He was born in the Bay State, in the
+largest city of New England. He dwells now in a little town where a
+battle was fought a hundred years ago, and the name of this town means
+"harmony." You know where that is, do you not? He was born in 1803,
+and, as this is 1878, every one of you boys and girls who can subtract
+can tell just his age. One of the books he has written tells about
+England, another about such famous men as Shakspeare and Napoleon, and
+others talk about wealth and friendship, prudence and power.
+
+That does not sound as if he meant them for you? Well, one thing he did
+mean for you, and that is a dear little poem--"The Squirrel and the
+Mountain." Every one of you will want to read it, and when you have
+read it you will want to learn it, and when you have learned you will
+want to speak it. I need not have told you he meant that poem for you;
+you would know that the minute you saw it. But you could not tell so
+soon how many things he says for you in those famous essays so often
+quoted. What do you think I can find for you in this dry-looking book,
+"Conduct of Life," with "Emerson" printed just under the title?
+
+Did you ever see an old hen with her little walking bundles of feathers
+in the soft garden soil? How she does scratch and bustle for something
+to eat! Why, she is eating every bit herself! Perhaps she thinks that
+taking care of the chickens' mother is very important work for her; but
+by-and-by she will call the little folks to share what she has found.
+
+You may think of me as of an old hen who has long been scratching in
+the soft garden soil of Ralph Waldo Emerson's writings. She has found
+much for herself, with now and then a bit for the chickens.
+
+Here, the very first thing, is something about eggs. "There is always a
+best way of doing everything, if it be but to boil an egg." I hope my
+little friends are never cross when Bridget has not boiled the nice
+breakfast egg in the best way. More than that; I hope they themselves
+know what is the best way of doing it; just how hot the water must be,
+how long the egg should boil to make it hard or soft, and, what is well
+worth knowing, how to get it in and out of the hot water without
+breaking the shell.
+
+Here is another bit. It is like an egg, for the meaning is wrapt in
+words just as an egg hides in the shell. "The tell-tale body is all
+tongues." What does the tongue help to do? Will no one know that you
+are cross unless you say, "I am cross this morning?" Can I find it out
+although you do not say a word? Yes, indeed; that puckered mouth and
+ugly little scowl tell, all too quickly, and even if I could not see
+your face, that little jerk and twist would tell the story. Do you not
+know when the dog is sick or tired, or full of fun? yet, his bright
+eyes, eager little nose, lively body and whisking tail, tell no more
+surely than your own face and body.
+
+"The tell-tale body is all tongues." Mr. Emerson, we think that is
+true.
+
+"How can I be beautiful?" Every boy and girl, man and woman, wants to
+know that. Here is Mr. Emerson's beauty recipe: "There is no beautifier
+of complexion, or form, or behavior, like the wish to scatter joy and
+not pain around us." Do you suppose that recipe will work? Think of the
+most beautiful people you know. Ah, I knew some one would say "mother."
+Do you not think these people are those who try very hard to make
+others happy? I know very many beautiful people who would have remained
+very plain had they sought only to please themselves.
+
+We want to try Emerson's rule for becoming beautiful, so it will not do
+to forget that "There is no beautifier of complexion, or form, or
+behavior, like the wish to scatter joy and not pain around us."
+
+"Every man takes care that his neighbor shall not cheat him. But a day
+comes when he begins to care that he does not cheat his neighbor. Then
+all goes well." Yes, Mr. Emerson, that is the only way to have things
+go well,--following the Golden Rule.
+
+"You cannot hide any secret. 'Tis as hard to hide as fire." Perhaps you
+think that it is not so; but you just try how long you can keep a
+secret that even your dearest friend does not know. I should not wonder
+if Emerson were right once more.
+
+"There is much you may not do." True again. We do not need Emerson to
+tell us that. "You must not do that, you must not do this," the little
+folks hear so often, that sometimes they wonder what they may do.
+
+But we would like to have him tell us what things last longest.
+
+He is all ready to tell whoever wants to know, "Beauty is the quality
+which makes to endure. In a house that I know, I have noticed a block
+of spermaceti lying about closets and mantel-pieces for twenty years
+together, simply because the tallow-man gave it the form of a rabbit;
+and I suppose it may continue to be lugged about unchanged for a
+century. Let an artist draw a few lines or figures on the back of a
+letter, and that scrap of paper is rescued from danger, is put in a
+portfolio, or framed and glazed, and, in proportion to the beauty of
+the lines drawn, will be kept for centuries." And there are beauties of
+heart, mind and character, that do not meet the eye, but are none the
+less powerful in "making to endure."
+
+
+
+
+THE OLD MAN AND THE NERVOUS COW.
+
+BY R.E.
+
+
+ "There was an old man who said 'How
+ Shall I 'scape from this horrible cow?
+ I will sit on the stile,
+ And continue to smile,
+ Which may soften the heart of the cow.'"
+
+The old man was walking thoughtfully through the field, with his hands
+behind him, when the nervous cow saw him. She wasn't ordinarily a
+bad-natured cow, but she was mad just then. An aggravating fly had been
+biting her half the morning, and, just as she was drinking at the
+brook, a frog had jumped up with a cry and bitten her nose. These
+things had completely unsettled her nerves.
+
+She was ready to run at anything, and the old man being the only living
+thing in sight, she plunged toward him.
+
+[Illustration: "I WILL SIT ON THE STILE, AND CONTINUE TO SMILE."]
+
+What could he do? He was a short, stout old man, and could not run very
+fast, and, though he tried his best, he only just managed to reach the
+stile and plump down on it, all out of breath, as the cow neared him.
+
+Then he suddenly remembered reading somewhere that if you looked right
+into an animal's eyes, it would run away from you.
+
+"Ah!" thought he, "I'll look straight at her, and if I smile at the
+same time, she wont have the heart to hurt me."
+
+So he put on a smile (of course it was not a very beautiful one, for he
+was in a hurry, but it was the best he could do), and stared straight
+into the cow's eyes. She saw that smile, and it so touched her that she
+stopped short. Then she sauntered back a little way, but the thought of
+that aggravating fly, and that awful frog, was too much for her poor
+nerves, and turning around, she dashed madly on again.
+
+In another minute, the poor old man--cane, little legs, smile and
+all--was up in the air.
+
+He alighted in the top of a hickory-tree. One branch grazed his eye,
+two ran into his legs, while another held his smile stiff and straight.
+
+Thus he stayed until an eagle caught sight of him, pounced right down,
+and flew off with him to her nest, which was on a huge rock that rose
+straight up into the cold air and made the summit of a mountain.
+
+When the old eagle plumped the little old man down into the nest, just
+imagine, if you can, how astonished the eaglets were! They opened their
+beaks as well as their eyes, and cried out:
+
+"What's this, mother? What _is_ this?"
+
+"Oh! it's only a man," cried the old eagle. "I found him roosting in
+the top of a tree. Don't know how he got there. Suppose he was trying
+to fly, and couldn't. Tell us how it was, old man."
+
+"Can he talk?"
+
+"Talk!" said the eagle. "Of course he can talk. And he can tell
+stories, too, I warrant you. So, if you like, you may keep him to tell
+you stories."
+
+"Oh, wont that be nice! Tell us a story, right off," they all screamed,
+jerking the old man down into the nest.
+
+"But it's so dirty here," said he, looking around, with his nose turned
+up a little. "Let me sit on the edge of the nest, wont you?--and I'll
+tell you all the stories you want."
+
+"You'll fall over.".
+
+"Oh no, I wont. I'll hold on with my cane and my legs. Now just shut
+your beaks, so you wont look so savage, and listen."
+
+So the old man perched himself on the edge of the nest. The eaglets
+took hold of his coat with their beaks, to keep him from falling; and
+he told them the story of "Ali Baba and the Forty Thieves"; and when
+that was ended, another, and then another.
+
+He didn't eat much supper that night, for they hadn't any convenience
+for cooking. And he didn't sleep well, either, for whenever one of the
+eaglets woke up in the night, it always pinched him with its beak, to
+make sure he was there. So he resolved to get away as soon as he could.
+
+But he didn't seem to have any chance; so there he stayed and told
+stories till he longed to wring the necks of the gaping birds that kept
+asking him for more.
+
+Now, all this time the cow had been getting more and more nervous.
+Every day she thought of the poor old man and his meek little legs and
+his sweet old smile, and just how his coat-tails looked as he went up;
+till at last she laid her head down on a tuft of grass by the brook,
+and cried--regularly boo-hooed.
+
+Having thus relieved her feelings, she became calm, and, rising, said:
+
+"I'll go to his house and find out how and where he is, if I can."
+
+So off she started. But the house was shut up, and there was no one
+there except the cat.
+
+Very much frightened the cat was, too, when the cow pushed up the
+pantry window with her horns, and bellowed:
+
+"Where's your master?"
+
+"I don't know," said the cat, retreating to a far corner, with his back
+up. "I haven't set eyes on him since last Sunday."
+
+"Oh dear!" sighed the cow, dropping the window with a crash that broke
+out two of the panes of glass. "What shall I do?"
+
+[Illustration: "THE POOR OLD MAN WAS UP IN THE AIR."]
+
+"What's the matter with you?--and what do you want of the old man?"
+asked Tabby, bounding out through one of the broken panes.
+
+The cow told him.
+
+"Well," said Tab, stroking his whiskers reflectively, "I guess I'll go
+with you and help you look for the good-natured old creature."
+
+So they journeyed on, asking everybody they met about the old man. But
+nobody knew, until finally they came across an old crow who knew
+everybody's business.
+
+"An old man?" said he. "The eagle took an old man the other day. Did he
+have very slender legs?"
+
+"Yes, yes!" said the cat and the cow together.
+
+"And a sweet smile on his face?"
+
+"Yes, yes!" cried the cow. "He went up with that smile, and it has been
+haunting me ever since," and she burst into a flood of tears.
+
+"Well," said the crow, "he's in the eagle's nest telling stories to the
+eaglets, and if he isn't tired of the business by this time, I'm
+mistaken."
+
+"Where is the nest?--and how can we get there?"
+
+"Up at the very top of the mountain yonder. Go straight ahead, and you
+can't miss it."
+
+[Illustration: THE OLD MAN TELLING STORIES TO THE EAGLETS.]
+
+So straight ahead they went till they came to the rock where the
+eagle's nest was. Then what should they do? They could hear the old
+man's little, thin voice telling stories to the birds, but they knew he
+wouldn't dare come where the cow was, even if he could clamber down
+that steep rock. At last, Tab suggested that the cow should hide
+herself, while he climbed up into the nest and persuaded the old man.
+So the cow hid, and puss scrambled up to the nest and carefully poked
+his head in.
+
+"Ah, master!" he whispered; "climb down the rock to-night, and I'll
+show you the way home." And he disappeared.
+
+This visit braced up the old man's courage, and when the mother-bird
+came home he calmly told her he thought he'd sleep at the foot of the
+rock that night; and she unsuspectingly took him in her talons and
+dropped him gently on the ground.
+
+As soon as she had gone, the old man looked all about him, and called
+"Tabby, Tabby," very softly. Tabby came out from under the roots of a
+tree and bounded on his shoulder, and told him how sorry the cow was,
+and how she was waiting in a thicket ready to carry him home, if he
+wanted to go.
+
+Of course he wanted to go, and in less than a jiffy the cow had come
+out from her hiding-place, had cried a little, and had taken the old
+man on her back, and started full speed down the mountain, with the cat
+tearing after her.
+
+It was a long way to the old man's house, and they reached it just
+tired out. Of course, they got something to eat, and then they went to
+bed and slept right through two days; but on the morning of the third
+day they got up as merry as crickets, and, after a hearty breakfast,
+they agreed to live together for the rest of their lives. And they have
+lived ever since in perfect harmony.
+
+
+
+
+THE RAID OF THE CAMANCHES.
+
+BY THE AUTHOR OF "WE BOYS."
+
+
+Fred Hart, who was the eldest son of a country clergyman, and preparing
+for college at Whitford Boys' Academy, was known at that classical
+institution as a "dig," because he "dug" into his books and studied
+hard. His room-mate, Neal Howe, an orphan, dependent upon his own
+exertions, was styled a "digger;" and as both lads were rather dark, it
+was but a step for those wicked upper-story boys to stigmatize them,
+"Digger Indians!"
+
+This term was gradually extended to include all the boys in the second
+story, for they were all hard students. The "Diggers" retaliated mildly
+by styling their upper-story neighbors, "Camanches."
+
+The Camanches perpetrated all sorts of schoolboy atrocities on the
+Diggers, but, above all things else, they burned for a pillow-fight. In
+vain they challenged the Diggers to combat. Those law-abiding savages
+declined, though well aware of thereby falling into contempt on charge
+of cowardice.
+
+Unmistakable indications were soon apparent that the Camanches
+meditated an attack.
+
+The north wing was intended to be fire-proof, and each story was
+separated from the main building by iron doors which usually were
+fastened back by staples. The Camanches reasoned that these doors might
+be as effectual in shutting off teachers as fire; and the staples in
+both the second and third stories were one day withdrawn, so that these
+doors could be easily closed.
+
+Scouting parties reported that the Camanches were getting ready the
+war-paint,--_i.e._, the burnt cork,--and one ferocious savage had
+intimated that they should spare neither age nor sex.
+
+A council was immediately held in Fred Hart's room, and Fred
+unanimously chosen chief.
+
+"If they're determined on a pillow-fight they shall have it,"
+resolutely remarked that warrior.
+
+The Diggers proposed using their own pillows as reserve arms only, and
+the next day any number of this tribe might have been seen scouring the
+village on mysterious errands, which the housewives would have
+explained as an effort to buy up old pillows.
+
+"All's fair on the defensive," said Chief Fred, and each Digger ripped
+open one end of his pillow, poured in a little mucilage, and then
+basted it up, in accordance with the liberal views boys always
+entertain concerning "basting."
+
+At a little after nine o'clock, when the lights had been extinguished,
+and a teacher made the nightly rounds, a Camanche scout quietly closed
+and bolted the iron doors and relighted the hall lamps. Then, with
+hair-starting war-whoops, the savages began dropping down through the
+trap-door, which opened from one hall to another in the capacity of
+fire-escapes.
+
+The Diggers, peacefully studying in their rooms, were summarily ordered
+into the hall to battle. Every man protested, but the Camanches refused
+to parley. Then, seizing their weapons, the assailed marched forth to
+the field of carnage.
+
+Thwack! went the blows of the Camanches.
+
+Thwack! the Diggers.
+
+Thwack! the Camanches.
+
+Thwack! the Diggers.
+
+A stir among the Camanches and then a wild affray.
+
+Crack! crack! go the Diggers' bastings. Crack! feathers fly over the
+heads and into the eyes of the Camanches, and there many of them stick.
+The Camanches realize the disadvantages of unprovoked assault with no
+rules of warfare agreed upon beforehand.
+
+Here and there a Camanche drops his arms and flies to the farther end
+of the hall, only to fumble unavailingly at the fastenings of the iron
+door, while a victorious Digger belabors him with the weapon he has
+just cast aside.
+
+All at once there is descried in the dim light of the hall the boots
+and never-to-be-mistaken striped pantaloons of Captain Hale swinging
+through the trap-door!
+
+Captain Hale is drill-sergeant and professor of gymnastics. He has seen
+years of army service, and is thoroughly imbued with the military
+spirit. The boys are more afraid of him than of the president and
+entire board of trustees,--as afraid as they would be of old Nick,
+himself, in boots and striped pantaloons.
+
+In a flash every Digger had disappeared into his own room and locked
+the door after him, and the Camanches are left alone, gasping among
+their feathers, the captain in their midst.
+
+There is a moment of bewilderment followed by a wild stampede toward
+the iron door, but the Captain has cut off the retreat.
+
+"Young gentlemen, you will remain and clear up the hall. Williams, go
+to the coal-cellar and bring up the two-bushel basket."
+
+Williams is "nobbiest" of third-story boys, bravest of Camanche
+warriors, but Williams doesn't dare refuse to go for that basket.
+During his absence his fellow-savages express strong doubts as to his
+ever re-appearing upon the battle-field, but he does return, like
+Regulus to his barrel of spikes.
+
+The Captain has borrowed a number of brooms and dust-pans from the
+Diggers who, to a man, had retired and been snoring sweetly.
+
+"Now, gentlemen, clear up these feathers!" orders the Captain, as if he
+was crying, "Forward, march!"
+
+Clearing up those feathers was a tedious and trying process. Any one
+who has ever chased a worn-out but still lively feather up and down a
+long hall can imagine the scene with hundreds of them flying about.
+
+"They're the meanest lot of feathers,--pretty much all fuzz," said one
+exhausted brave.
+
+When the last handful had been crowded into the basket, Williams
+attempted opening the door.
+
+"No; you're to make your exit the same way you made your ingress,"
+announced the Captain.
+
+Williams stared blankly at the trap-hole in the ceiling.
+
+Dropping down through a trap-door and going up through the same, with
+no visible means of support but the floor, are naturally different
+exercises.
+
+"You're fertile in expedients; can't you devise some good way of
+getting out?" coolly asked the Captain.
+
+"We might stand on each other's shoulders," suggested one small
+savage, whom the blood-thirsty Williams afterward confessed he longed
+to scalp at this juncture.
+
+"Very well, do so," ordered the Captain.
+
+Then one of the noble savages stood under the trap-door while one by
+one the others sprang upon his shoulders, caught the edges of the
+opening above, wriggled, writhed, contorted his limbs, and finally
+succeeded in drawing himself up to his own story, while all down the
+hall, on either side, there appeared at the open ventilators over the
+doors the eyes of pairs of miserable Diggers, and for every Camanche
+that wriggled up there resounded a succession of groans.
+
+The Camanches thought, with a thrill of exultation, that the Captain
+would be obliged to proffer his shoulders for the last man, and would
+then be left pondering alone, like the goat in the well. That would be
+something of a revenge, at any rate.
+
+But when only one boy remained, who, to the exasperation of the entire
+tribe, was the identical small savage who had proposed going up in that
+ridiculous style, the Captain quietly opened the iron door, and he and
+the small savage retired with dignity.
+
+The Captain, who had his "good streaks," never reported the Camanches,
+but they manifested a disposition thereafter to settle quietly upon
+their own reservation and cultivate the peaceful arts, and they always
+treated their neighbors, the Diggers, with respect, though unmingled
+with affection.
+
+
+
+
+[Illustration: "LITTLE BO-PEEP, SHE WENT TO SLEEP."]
+
+
+
+
+SOLIMIN: A SHIP OF THE DESERT.
+
+BY SUSAN COOLIDGE.
+
+
+I asked a party of children once the meaning of the word "desert," and
+all but one shouted out, "rice pudding and oranges!" having in their
+minds the dinner which we had just eaten. That one, who was older than
+the rest, said, rather shyly, "A big piece of land, aunty, isn't it?"
+but even he didn't know how big,--or that there is a difference in
+spelling between the _dessert_ which people eat and the _desert_ which
+sometimes eats people, closing its jaws of sand, and swallowing them up
+as easily as a boy swallows a cherry.
+
+The biggest desert in the world is in Africa, and is called the Sahara.
+It is almost as large as the Atlantic Ocean, but instead of water it is
+all sands and rocks. Like the ocean, it is visited with storms;
+dreadful gales, when the wind scoops up thousands of tons of sand and
+drives them forward, burying and crushing all they meet. And it has
+islands, too--small green patches, where springs bubble through the
+ground, and ferns and acacias and palm-trees grow. When a traveler sees
+one of these fertile spots afar off, he feels as a tempest-tossed
+sailor does at sight of land. It is delightful to quit the hot, baking
+sun, sit in shadow under the trees, and rest the eyes, long wearied
+with dazzling sands, on the sweet green and the clear spring. Oases,
+these islands are called. Long distances divide them. It is often a
+race for life to get across from one to the other. Sometimes people do
+not get across! In 1805, a caravan of 2,000 persons died miserably of
+heat and thirst in the great desert, and the sand covered them up. Do
+you wonder at my saying that the desert eats men?
+
+Now, you will be puzzled to guess what sort of ship it is which swims
+this dry ocean. It is the camel--an animal made by God to endure these
+dreadful regions, in which no other beast of burden can live and
+travel. I dare say many of you have seen camels in menageries. They are
+ugly animals, but very strong, swift and untiring. With a load of 800
+pounds on his back, a camel will travel for days at the rate of eight
+miles an hour, which is as fast as an ordinary ship can sail. More
+wonderful still, he will do this without stopping for food or water.
+Nature has provided him with an extra stomach, in which he keeps a
+store of drink, and with a hump on his back, made of jelly-like fat,
+which, in time of need, is absorbed into the system and appropriated as
+food. Is it not strange to think of a creature with a cistern and a
+meat-safe inside him? A horse would be useless in the desert, where no
+oats or grass can be had; but the brave, patient camel goes steadily on
+without complaint till the oasis is reached: then he champs his thorn
+bushes, fills himself from the spring, allows the heavy pack to be
+fastened on his back again, and is ready for further travel.
+
+Now you know what sort of a ship it is that I am going to tell you
+about. It was a camel, named Solimin. He was of a rare and valuable
+breed, known as "herie," or coursers, because they are so much swifter
+than ordinary camels. Solimin's master, Ahmed, was a poor man. He never
+could have afforded to buy a full-grown camel of this rare breed; and
+Solimin had become his through a piece of good fortune. When a little
+foal, Solimin was found in a lonely place in the desert, standing over
+the dead body of his mother, who had fallen and perished by the way.
+Led to the brown tent which was Ahmed's home, the orphan baby grew up
+as a child of the family, lay among the little ones at night, and was
+their pet and plaything all the day. The boys taught him to kneel, to
+rise, to carry burdens, to turn this way and that at a signal. The
+girls hung a necklace of blessed shells around his neck, saved for him
+the best of the food, sang him songs (which he was supposed to enjoy),
+and daily kissed and stroked his gentle nose and eyes. As he grew big
+and strong, the pride of his owners grew with him. Not another family
+of the tribe possessed a herie. Once and again, Ahmed was offered a
+large price for him, but he rejected it with disdain.
+
+"Would I sell my son--the son of my heart?" he said. "Neither will I
+part with Solimin. By the Prophet, I swear it."
+
+Of all the dwellers in the brown tent Solimin loved best Ahmed himself,
+and his eldest son, Mustapha. With them he was docile as a lamb; but if
+strangers drew near, or persons he did not like, he became restive and
+fierce, screamed, laid back his ears, and kicked with his strong hind
+legs. A kick from a camel is no joke, I can tell you. All the desert
+guides knew Solimin, and, for his sake, Ahmed was often hired to
+accompany caravans. Nay, once, at Cairo, Solimin was chosen to carry
+the sacred person of the Khedive on a day's excursion up the Nile bank,
+which event served the tribe as a boast for months afterward.
+
+It was the year after this journey to Cairo that Ahmed met with a
+terrible adventure. He and Mustapha, making their way home after a
+long journey, had lain down to sleep away the noontide hours, according
+to the custom of desert travelers. Their camels were tethered beside
+them, all seemed secure and peaceful, when, sudden as the lowering of a
+cloud, a party of Arabs, belonging to a wild tribe at enmity with all
+men, pounced upon them. Ahmed and his son defended themselves manfully,
+but what could two men, surprised in sleep, do against a dozen? In five
+minutes all was over. The assailants vanished in a cloud of dust, and
+Ahmed, who had been struck down in the rush, recovered his senses, to
+find camels, baggage, belt, money, everything gone, and Mustapha
+wounded and motionless on the earth beside him.
+
+Ahmed thought him dead. They were alone in the desert, a hundred miles
+from home, without food or water, and with a groan of despair he sat
+down beside his son's body, bowed his head, and waited until death
+should come to him also. An Arab believes in fate, and gives up once
+for all when misfortune occurs.
+
+But Mustapha stirred, and Ahmed at once sprang up. There was nothing he
+could do for the poor boy, except to chafe and rub his hands; but this
+was something, for presently Mustapha revived enough to speak.
+
+"Are they gone?" he asked.
+
+"Yes, the accursed ones, they are gone, with all our goods and with
+Solimin! The Prophet's curse light upon them!" And passing from despair
+to fury, Ahmed threw sand upon his head, and flung himself on the
+ground in helpless rage. Mustapha joined in with groans and
+lamentations.
+
+When the father and son grew calmer, they began to discuss their
+situation. Ahmed knew of a small unfrequented oasis, about twenty miles
+away. It was their only chance of safety, but could they reach it?
+
+"I _think_ I can walk," declared Mustapha, tying up his wounded leg in a
+fold torn from his turban. But he limped sadly, and his tightly pressed
+lips showed pain as he moved. He was faint with hunger beside. Neither
+of the men had eaten since sunrise.
+
+Suddenly Mustapha uttered a joyful cry, and lifted something from the
+earth.
+
+"The Prophet be praised!" he cried. "My father, here is food. The
+robbers have dropped a bag of dates."
+
+Sure enough, there it lay, a heavy bag of dates, shaken off from some
+camel's pack during the struggle. Heavy as it was, and hard to carry,
+Ahmed would fain have had it larger. It was their safety from
+starvation. A handful of its contents satisfied hunger, and gave them
+strength to begin their walk. What a walk it was! Poor Mustapha lay
+down every half-hour from pain and weakness; the sand was heavy, the
+darkness puzzled them. When morning broke, they had not accomplished
+more than half the distance. All through the hot day-time they lay
+panting on the ground, eating now and then a date, tormented with
+thirst and heat; and when evening came, they dragged themselves to
+their feet again, and recommenced their painful journey. Step by step,
+hour by hour, each harder and longer than the last, moment by moment
+they grew more feeble, less able to bear up, till it seemed as though
+they could no longer struggle on. At last, the morning broke. Ahmed
+raised his blood-shot eyes, seized Mustapha's arm, and pointed. There,
+not a hundred yards away, was the oasis, its trees and bushes outlined
+against the sky.
+
+Poor Mustapha was so spent that his father had to drag him across the
+short dividing space. It was a small oasis, and not very fertile; its
+well was shallow and scanty, but no ice-cooled sherbet ever seemed more
+delicious than did its brackish waters to the parched tongues of the
+exhausted men.
+
+All day and all night they lay under the shadow of the cactuses and the
+acacia-trees, rousing only to drink, and falling asleep again
+immediately. Shade, and sleep, and water seemed the only things in the
+world worth having just then.
+
+The second day they slept less, but it was nearly a week before they
+could be said to be wide-awake again. Such a pair of scare-crows as
+they looked! Ahmed was almost naked. The robbers had taken part of his
+clothes, and the desert thorns the rest. Haggard, wild, blackened by
+the sun, they gazed at each other with horror; each thought, "Do I look
+like that?" and each tried to hide from the other his own dismay.
+
+They could never tell afterward how long they remained at the oasis. It
+seemed years, but I suppose it could not have been more than weeks. All
+day long they looked wistfully toward the horizon, in hopes of a
+caravan, but the caravan never came. Slowly the dates dwindled in the
+bag; slowly the precious water diminished in the well; a little longer,
+and starvation would be upon them. They scarcely spoke to each other
+those last days, but sat each by himself in a sort of dull despair. At
+night, when they fell asleep, they dreamed of food, and woke in the
+morning to feel themselves still hungry. It was horrible!
+
+Then came a morning when they rose to find the hard desert outline,
+which they knew so well, vanished and gone, and in its stead a smooth,
+shining lake, fringed with trees and dotted with feathery, fairy
+islands. So near it seemed, and so real, that it was as though they
+heard the ripple of the water and the rustling of the wind in the
+tree-boughs. Mustapha stared as though his eyes would burst from his
+head; then he gave a wild cry, and was rushing away; but his father
+held him fast.
+
+"Stay, my son! Stay, Mustapha! It is no lake,--it is a device of Satan.
+What you behold is the mirage, spread by devils for men's destruction."
+
+"Let me go!" shrieked Mustapha, writhing and struggling.
+
+But even as he strove, the soft water-outlines shifted and trembled;
+the lake rose in air, melted, and sailed off into curling mists; the
+trees, the whole fair picture, dissolved, and the well-remembered sands
+and black rocks took its place. With a cry of horror, Mustapha slid
+through his father's arms to the earth, hid his face, and cried like a
+child.
+
+[Illustration: "THEY SAW THE FORM OF A GIGANTIC CAMEL."]
+
+Next morning, only one date was left in the bag. Ahmed put it in his
+son's hand with a mournful look.
+
+"Eat, my son," he said; "eat, and then we will die. Allah il Allah!"
+
+A long silence followed; there seemed nothing more to say. Suddenly,
+from afar off, came to their ears the tinkle of a bell.
+
+Mustapha raised his head.
+
+"Is it the mirage again, my father?" he asked. "For it seems to me that
+I hear the bell from the neck of Solimin, our camel."
+
+Eagerly they listened. Again the bell tinkled, and, looking through the
+bushes, they saw, floating toward them, as it seemed, the form of a
+gigantic camel. Soundless and still, it moved rapidly along. Behind,
+but much farther away, other forms could be seen, still dim and
+indistinct, veiled by the mist of driving sand.
+
+Suddenly Mustapha gave a start.
+
+"My father," he cried, in an excited whisper, "it _is_ Solimin! I do
+not mistake! What other camel ever resembled Solimin? Do you not see
+his lofty hump,--his arched neck? Does not the bell tinkle as with the
+voice of home?"
+
+Then, half raising himself, he gave, with all the power of his voice,
+the well-known call.
+
+Solimin--for it was indeed he--paused as the sound caught his ears, and
+snuffed the wind. Again came the call; he wheeled, plunged, threw his
+rider, dashed forward, broke through the bushes, and in a second was on
+his knees before his old master.
+
+"Up, up, my father! there is no time to lose!" cried Mustapha, grown
+stronger in a moment. "Up, up! for the robbers are close upon us!"
+
+In fact, wild cries and clouds of dust showed that the foe had taken
+the alarm, and were hurrying on. But already Ahmed and Mustapha were
+mounted, and Solimin, like a ship at full sail, was speeding away with
+them. And where was the camel could overtake him, even when he was
+loaded double? Fast and swift his long, swinging trot bore them onward,
+and before two hours were gone, all traces of the pursuers had
+disappeared behind them, and they were free to turn their course toward
+the brown tents where rest, and food, and welcome had waited so long
+for their coming, and where, after a little time, their hardships and
+sufferings seemed to them only like a bad dream.
+
+As for Solimin, he hardly could be more tenderly treated or beloved
+than before this adventure; but if the freshest water, the prickliest
+furze,--if bowls of sour milk;--if a triple necklace of shells,--if
+brushing and grooming,--if soft pats from childish fingers, and sweet
+names murmured in his ears by girlish voices can make a camel happy,
+then is Solimin the happiest of heries. Solimin no longer, however. His
+name is changed to "The Blessed," in memory of the day when, like a
+stately ship, he came over the desert sea, and bore his starving
+masters to home, and life, and liberty.
+
+
+
+
+BELINDA BLONDE
+
+BY LAURA E. RICHARDS.
+
+
+ Belinda Blonde was a beautiful doll,
+ With rosy-red cheeks and a flaxen poll;
+ Her lips were red, and her eyes were blue,
+ But to say she was happy would not be true;
+ For she pined for love of the great big Jack
+ Who lived in the box so grim and black.
+ She never had looked on the Jack his face,
+ But she fancied him shining with beauty and grace;
+ And all the day long she would murmur and pout,
+ Because Jack-in-the-box would never come out.
+ "Oh, beautiful, beautiful Jack-in-the-box!
+ Undo your bolts and undo your locks!
+ The cupboard is shut, and there's no one about;
+ Oh, Jack-in-the-box! jump out, jump out!"
+ But alas, alas for Belinda Blonde!
+ And alas, alas for her dreamings fond!
+ There soon was an end to all her doubt,
+ For Jack-in-the-box really _did_ jump out!--
+ Out with a crash, and out with a spring,
+ Half black and half scarlet, a horrible thing;
+ Out with a yell and out with a shout,
+ His great goggle-eyes glaring wildly about.
+ "Alas! alas!" cried Belinda Blonde;
+ "Is this the end of my dreamings fond?
+ Is this my love, and is this my dear,
+ This hideous, glowering monster here?
+ Alas! alas!" cried Belinda fair.
+ She wrung her hands and she tore her hair,
+ Till at length, as the dolls who were witnesses say,
+ She fell on the ground and she fainted away.
+
+
+MORAL.
+
+
+ Now all you dolls, both little and big,
+ With china crown and with curling wig,
+ Before you give way to affection fond,
+ Remember the fate of Belinda Blonde;
+ And unless you wish to get terrible knocks,
+ Don't set your heart on a Jack-in-the-box.
+
+
+
+
+THE LONDON DUST-MAN
+
+BY ALEXANDER WAINWRIGHT.
+
+
+There he goes! A dusky gloom hangs over the roofs of great London City;
+a similar gloom fills my room and seems to have touched all the furniture
+with smoky age, and as I look down from the window into the gloomy street,
+I see him coming along slowly, and crying in a voice like a plea for help
+in affliction: "Dust-oh!--dust-oh!--dust-oh!--dust-oh!"
+
+Not one of the many citizens who are passing notices him, or finds
+anything strange in that plaintive cry. The people who live in the city
+see him day after day, and remember how, in their childhood, they had
+terrifying notions of his weakness for kidnapping and other mysterious
+wickednesses. They know better now, and hurry past him with scarcely a
+glance; but to the American visitor he is something of a curiosity.
+
+[Illustration: "DUST-OH!"]
+
+When the London fog is gray we cannot see him very far off, for he,
+too, is gray from head to foot with ash-dust, and as he approaches us
+he comes out of the mist like a phantom, though in reality he is a
+substantial, square-built, deep-chested fellow, shod with enormous
+Bluecher shoes (the soles of which are bright with nails), and clad in a
+loose blouse and trousers, that are tied up about the knees. The blouse
+is open at the chest, and is lifted to the waist by his big, brown
+hands, which are tucked in his trouser pockets, and his head is covered
+by the kind of hat that sailors call a sou'wester. His only ornament is
+a pair of ear-rings; and with his head thrown back he saunters along
+the street by the side of his cart, repeating in measured tones his
+cry, "Dust-oh-oh! dust-oh!"
+
+Now and then he stops at a house, and his mate--he has a mate, who is
+as much like him as pea is like pea--descends into the cellar, bringing
+forth the ashes and refuse that have accumulated in twenty-four hours,
+and when the cart, which is a square, box-like affair, is filled he
+starts for home with his load.
+
+What a queer home it is! It is on the outskirts of the city, far away
+from the finer streets and buildings. A large space of ground is as
+gray and dusty as an African or Western desert, and is broken by mounds
+of ashes, some of which are only a few feet high, while others are
+almost as high as houses,--quite as high, in fact, as the dismal little
+shanties on the edge of the reservation in which the dust-man and his
+fellows live. Other carts and other dust-men are constantly coming and
+going, dumping one load and then returning to the city for another, and
+as soon as a load is dumped it is attacked by a crowd of men, women and
+children, who with shovels, rakes and hooks, turn it over and over, and
+raise stifling clouds of dust.
+
+The reader may think that the collections made by the dust-man are
+valueless, but such is not the case.
+
+There are more than 300,000 inhabited houses in London, consuming more
+than 3,500,000 tons of coal a year, and besides the ashes from this
+great quantity of fuel, the dust-man gathers the other refuse of the
+houses. He is employed by a contractor, who agrees with the corporation
+to remove the ashes, etc., out of the city, and the contractor divides
+every load into six parts, as follows: Soil, or fine dust, which is
+sold to brick-makers for making bricks and to farmers for manure;
+brieze, or cinders, sold to brick-makers for burning brick; rags, bones
+and old metals, sold to marine-store dealers; old tin and iron vessels,
+sold to trunk-makers for clamps; bricks, oyster and other shells, sold
+for foundations and road-building; and old boots and shoes, sold to the
+manufacturers of Prussian blue.
+
+Sometimes, much more valuable things than these are found, and the
+reader may remember the romance that Charles Dickens made out of a
+London dust-man--"Our Mutual Friend."
+
+It is in sifting the different parts of a load that the men, women and
+children, are employed; they are as busy as ants; mere babies and
+wrinkled old dames take a part in the labor, and all of them are so
+covered with dust and ashes that they are anything but pleasant to
+contemplate, though, as a rule, they are useful, honest, and
+industrious members of society.
+
+"Dustie" is what the Londoners familiarly call the dust-man, and only a
+few know in what ignorance and poverty he lives. One would think that
+he would work himself into a better occupation, but his family have
+been dust-men for generations, and the generations after him are not
+likely to change.
+
+
+
+
+HUCKLEBERRY.
+
+BY FRANK R. STOCKTON.
+
+
+More than a hundred and sixty-eight years ago, there lived a curious
+personage called "Old Riddler." His real name was unknown to the people
+in that part of the country where he dwelt; but this made no
+difference, for the name given to him was probably just as good as his
+own. Indeed, I am quite sure that it was better, for it meant
+something, and very few people have names that mean anything.
+
+He was called Old Riddler for two reasons. In the first place, he was
+an elderly man; secondly, he was the greatest fellow to ask riddles
+that you ever heard of. So, this name fitted him very well.
+
+Old Riddler had some very peculiar characteristics,--among others, he
+was a gnome. Living underground for the greater part of his time, he
+had ample opportunities of working out curious and artful riddles,
+which he used to try on his fellow-gnomes; and if they liked them, he
+would go above-ground and propound his conundrums to the country
+people, who sometimes guessed them, but not often.
+
+The fact is, that those persons who wished to be on good terms with the
+old gnome never guessed his riddles. They knew that they would please
+him better by giving them up.
+
+He took such a pleasure in telling the answers to his riddles, that no
+truly kind-hearted person would deprive him of it, by trying to solve
+them.
+
+"You see," as Old Riddler used to say, when talked to on the subject,
+"if I take all the trouble to make up these riddles, it's no more than
+fair that I should be allowed to give the answers."
+
+So, the old gnome, who was not much higher than a two-year-old child,
+though he had quite a venerable head and face, was very much encouraged
+by the way the people treated him, and when a person happened to be
+very kind and appreciative, and gave a good deal of attention to one of
+his conundrums, that person would be pretty sure, before long, to feel
+glad that he had met Old Riddler.
+
+[Illustration: "'DON'T YOU SEE?' ASKED THE OLD FELLOW."]
+
+There were thousands of ways in which the gnomes could benefit the
+country-folks, especially those who had little farms or gardens.
+Sometimes Old Riddler, who was a person of great influence in his
+tribe, would take a company of gnomes, under the garden of some one to
+whom he wished to do a favor, and they would put their little hands up
+through the earth and pull down all the weeds, root-foremost, so that
+when the owner went out in the morning, he would find his garden as
+clear of weeds as the bottom of a dinner-plate.
+
+Of course, any one who has habits of this kind must eventually become a
+general favorite, and this was the case with Old Riddler.
+
+One day, he made up a splendid riddle, and, after he had told it to all
+the gnomes, he hurried up to propound it to some human person.
+
+He was in such haste that he actually forgot his hat, although it was
+late in the fall, and he wore his cloak. He had not gone far through
+the fields before he met a young goose-girl, named Lois. She was a poor
+girl, and was barefooted; and as Old Riddler saw her in her scanty
+dress, standing on the cold ground, watching her geese, he thought to
+himself: "Now I do hope that girl has wit enough to understand my
+riddle, for I feel that I would like to get interested in her."
+
+So, approaching Lois, he made a bow and politely asked her: "Can you
+tell me, my good little girl, why a ship full of sailors, at the bottom
+of the sea, is like the price of beef?"
+
+The goose-girl began to scratch her head, through the old handkerchief
+she wore instead of a bonnet, and tried to think of the answer.
+
+"Because it's 'low,'" said she, after a minute or two.
+
+"Oh no!" said the gnome. "That's not it. You can give it up, you know,
+if you can't think of the answer."
+
+"I know!" said Lois. "Because it's sunk."
+
+"Not at all," said Old Riddler, a little impatiently. "Now come, my
+good girl, you'd much better give it up. You will just hack at the
+answer until you make it good for nothing."
+
+"Well, what is it?" said Lois.
+
+"I will tell you," said the gnome. "Now, pay attention to the answer:
+Because it has gone down. Don't you see?" asked the old fellow, with a
+gracious smile.
+
+"Yes, I see," said the goose-girl, scratching her head again; "but my
+answer was nearly as good as yours."
+
+"Oh, dear me!" said Old Riddler, "that wont do. It's of no use at all
+to give an answer that is nearly good enough. It must be exactly right,
+or it's worthless. I am afraid, young girl, that you don't care much
+for riddles."
+
+"Yes I do," said the goose-girl; "I make 'em."
+
+"Make them?" exclaimed Old Riddler, in great surprise.
+
+"Yes," replied Lois, "I'm out here all day with these geese, and I
+haven't anything else to do, and so I make riddles. Do you want to hear
+one of them?"
+
+"Yes, I would like it very much indeed," said the gnome.
+
+"Well, then, here's one: If the roofs of houses were flat instead of
+slanting, why would the rain be like a chained dog?"
+
+"Give it up," said Old Riddler.
+
+"Because it couldn't run off," answered Lois.
+
+"Very good, very good," said the gnome. "Why, that's nearly as good as
+some of mine. And now, my young friend, didn't you feel pleased to have
+me give up that riddle and let you tell me the answer, straight and
+true, just as you knew it ought to be?"
+
+"Oh yes!" said the goose-girl.
+
+"Well, then," continued Old Riddler, "remember this: What pleases you
+will often please other people. And never guess another riddle."
+
+Lois, although a rough country girl, was touched by the old man's
+earnestness and his gentle tones.
+
+"I never will," said she.
+
+"That's a very well-meaning girl," said Old Riddler to himself as he
+walked away, "although she hasn't much polish. I'll come sometimes and
+help her a little with her conundrums."
+
+Old Riddler had a son named Huckleberry. He was a smart, bright young
+fellow, and resembled his father in many respects. When he went home,
+the old gnome told his son about Lois, and tried to impress on his mind
+the same lesson he had taught the young girl. Huckleberry was a very
+good little chap, but he was quick-witted and rather forward, and often
+made his father very angry by guessing his riddles; and so he needed a
+good deal of parental counsel.
+
+Nearly all that night, Huckleberry thought about what his father had
+told him. But not at all as Old Riddler intended he should.
+
+"What a fine thing it must be," said Huckleberry to himself, "to go out
+into the world and teach people things. I'm going to try it myself."
+
+So, the next day, he started off on his mission. The first person he
+saw was a very small girl playing under a big oak-tree.
+
+When the small girl saw the young gnome, she was frightened and drew
+back, standing up as close against the tree as she could get.
+
+But up stepped Master Huckleberry, with all the airs and graces he
+could command.
+
+"Can you tell me, my little miss," said he, "why an elephant with a
+glass globe of gold-fish tied to his tail is like a monkey with one
+pink eye and one of a mazarine blue?"
+
+"No," said the small girl, "I don't know. Go away!"
+
+"Oh," said Huckleberry, "perhaps that's too hard for you. I know some
+nice little ones, in words of one syllable. Why is a red man with a
+green hat like a good boy who has a large duck in a small pond?"
+
+"Go away!" said the small girl. "I came here to pick flowers. I don't
+know riddles."
+
+"Perhaps that one was too easy," said Huckleberry, kindly. "I have all
+sorts. Here is one with longer words, divided into syllables. I'll say
+it slowly for you: What is the dif-fer-ence between a mag-nan-i-mous
+ship-mate and the top-most leaf-let on your grand-mo-ther's bar-ber-ry
+bush?"
+
+"I haven't got any grandmother," said she.
+
+"Oh, well! Any grandmother will do," said Huckleberry.
+
+"I can't guess it," said the small girl, who was now beginning to lose
+her fear of the funny little fellow. "I never guessed any riddles. I'm
+not old enough."
+
+"Very well, then," said Huckleberry, "I'll tell you what I'll do. Let's
+sit down here under the tree, and I'll tell you one of father's
+riddles, and give you the answer. His riddles are better than mine,
+because none of mine have any answers. I don't put answers to them, for
+I can never think of any good ones. I met a boy once, and told him a
+lot of my riddles; and he learned them, and went about asking people to
+guess them, and when the people gave them up, he couldn't tell them the
+answers, because there were none, and that made everybody mad. He told
+one of the riddles to his grandmother,--I think it was the one about
+the pink-eyed monkey and the wagon-load of beans--"
+
+[Illustration: THE BOY AND HIS GRANDMOTHER.]
+
+"No," said the small girl; "the elephant and the gold-fish was the
+other part of the pink-eyed monkey one."
+
+"Oh, it don't make any difference," said Huckleberry, "I don't join my
+riddles together the same way every time. Sometimes I use the gold-fish
+and elephant with the last part of one riddle, and sometimes with
+another. As there's no answer, it don't matter. I begin a good many of
+my best riddles with the elephant, for it makes a fine opening. But, as
+I was going to tell you, this boy told one of my riddles to his
+grandmother, and she liked it very much; but when she found out that
+there was no answer to it, she gave him a good box on the ear, and that
+boy has never liked me since. But now I'll tell you a story. That is,
+it's like a story, but it's really a riddle. Father made it and
+everybody thinks it's one of his best. There was once a fair lady of
+renown who was engaged to be married to a prince. And when the
+wedding-day came round--they were to be married in one of the prince's
+palaces in the mountains--she was so long getting dressed--you see she
+dressed in one of her father's palaces, down in the valley--that she
+was afraid she would be late, so as soon as her veil was pinned on, she
+ran down to the stables, threw a wolf-skin on the back of one of the
+fieriest of the chargers, and springing on him, she dashed away. She
+wasn't used to harnessing horses, and was in such a hurry that she
+forgot all about the bridle, and so, as she was dashing away, she found
+she couldn't steer the animal, and he didn't go anywhere near the
+prince's palace, but galloped on, and on, and on, every minute taking
+her farther and farther away from where she wanted to go. She couldn't
+turn the charger, and she couldn't stop him, though she tore off pieces
+of her veil, and tried to put them around his nose, but it was no good.
+So when the wedding-party had waited and waited and waited, the prince
+got angry and married another lady, and nobody knows where the fair
+lady of renown went to, although there are some people who say that
+she's a-galloping yet, and trying to get her veil around the charger's
+nose. Now, why was it that that fair lady of renown never married?
+Answer: Because she had no bridal. You can say either bri-d-a-l or
+bri-d-l-e, because they both sound alike, and if she had had either one
+of them, she would have been married. This is a pretty long riddle, but
+it's easier than mine, because it's all fixed up right, with the answer
+to it and everything. You like it better than mine, don't you?"
+
+The small girl did not answer, and when Huckleberry looked around, he
+saw that she was asleep.
+
+"Poor little thing!" said Huckleberry, softly, to himself. "I guess I
+gave her a little too much riddle to begin with. Her mind isn't formed
+enough yet. But it's pretty hard on me. I wanted to teach somebody
+something, and here she's gone to sleep. I wish I could find that
+goose-girl. If father could teach her something, I'm sure I could."
+
+[Illustration: THE FAIR LADY OF RENOWN.]
+
+So he went walking through the fields, and pretty soon he saw Lois,
+standing among her geese, who were feeding on the grass.
+
+Huckleberry skipped up to her as lively as a cricket.
+
+"Can you tell me," said he, "why an elephant with a glass globe of
+gold-fish tied to his tail is like the Lord High Admiral of the British
+Isles?"
+
+"Was the globe of gold-fish all the elephant owned?" asked the
+goose-girl, thoughtfully.
+
+"Yes," said Huckleberry. "But I don't see what that's got to do with
+it."
+
+"Then the answer is," said Lois, without noticing this last remark,
+"because all his property is entailed."
+
+"Well, I de-clare!" cried Huckleberry, opening his eyes as wide as they
+would go, "if you didn't guess it! Why, I didn't know it had an
+answer."
+
+"I wish it hadn't had an answer," said the goose-girl, suddenly
+stamping her foot. "I wish there had never been any answer to it in the
+whole world. It was only yesterday that I promised Old Riddler that I
+would never guess another riddle, and here I've done it! It's too bad!"
+
+"I don't think it is," cried Huckleberry, waving his little cap around
+by the tassel. "It's all very well for father not to want people to
+guess his riddles, because they've got answers and he knows what they
+are. But I would never have known that any of mine had an answer if you
+hadn't guessed this one. If you had had a riddle like this one,
+wouldn't you have been glad to have some one tell you the answer?"
+
+"Yes, I would," said Lois.
+
+"Well, then, my good girl, remember this: If a thing gives you
+pleasure, it's very likely that it will give somebody else pleasure. So
+let somebody else have a chance, and the next time you hear a riddle
+that you think the owner has no answer for, guess it for him, if you
+can. Good-by!"
+
+And away went Master Huckleberry, skipping and singing and snapping his
+fingers and twirling his cap, until he came to a wide crack in the
+ground, when he rolled himself up like a huckleberry dumpling, and went
+tumbling and bouncing down into the underground home of the gnomes.
+
+"Get out of the way!" said he to the gnomes he passed, as he proudly
+strode to his father's apartments. "I'm going to make a report. For the
+first time in my life I've taught somebody something."
+
+When Huckleberry left her, the goose-girl stood silently in the midst
+of her geese. Her brow was overcast.
+
+"How's anybody to do two things that can't both be done?" she exclaimed
+at last. "I'll have nothing more to do with riddles as long as I live."
+
+
+
+
+HOW SIR WILLIAM PHIPS FOUND THE TREASURE IN THE SEA.
+
+BY S.G.W. BENJAMIN.
+
+
+There is scarcely anything more exciting to the imagination than tales
+of hidden treasure, especially treasure lost at sea. The mystery, the
+wonder, the adventure, the tragedy, the seemingly boundless
+possibilities connected with riches lost by shipwreck or war, and yet
+not gone beyond the hope of recovery, have given rise to a multitude of
+romantic stories, some of them pure fictions, but many founded more or
+less on fact.
+
+I have known several cases in which treasure lost by piracy or
+shipwreck has been recovered after a century or more. Some years ago a
+company of men from Boston made two cruises to the shoals of the Silver
+Key on the Bahama Banks, a spot noted for shipwrecks. They had some
+clue to a treasure-laden ship which had foundered there long ago. The
+first trip was unsuccessful, but on the second voyage the wreck was
+found. Divers, armed with modern apparatus, spent several days in the
+quest, but in vain, until, finally, just as the last diver was about to
+give the signal to be drawn up, he leaned against what seemed only the
+barnacle-encrusted end of a beam; but suddenly it gave way, and numbers
+of golden doubloons rolled out at his feet. Considerable sums rewarded
+further search in the sand-filled and decaying carcass of the old ship;
+but exactly how much was realized is known only to the discoverers, who
+kept the matter secret, and thus evaded paying a great part of the
+share due to the British crown, in whose dominion the treasure was
+found.
+
+To Boston also belonged, some two centuries ago, the celebrated
+treasure-hunter, William Phips. He was one of twenty-one sons, and was
+born at Woolwich, Maine, in 1651. Of a bold, adventurous spirit, his
+first and last passion was to follow the sea, although until he was
+eighteen years of age he was forced to tend sheep. He then apprenticed
+himself to a ship-carpenter for four years, taking a trip down the
+coast now and then, and watching his chance for the next move. He is
+said to have been inspired by an idea that celebrity and fortune were
+to be his destiny; and when his apprenticeship was over, he went to
+Boston and worked at ship-building for a year, until he had the good
+luck to win the favor of a rich widow. Her he married, and, with the
+increase of means thus obtained, Phips launched into various
+enterprises, which did not always turn out well. But he never lost
+faith in his guiding star, and often told his good wife that "he should
+yet become commander of a king's ship, and owner of a fair brick house
+in the Green Lane of Boston"--at that time the Beacon Street of the
+plucky little town.
+
+Ten years went by, and Phips seemed but little nearer the realization
+of his dreams than while tending sheep on the hill-sides of Maine, when
+the prospect suddenly brightened in an unexpected quarter. This was the
+time when Spanish and Portuguese galleons were crossing the ocean laden
+with silver from Potosi and diamonds from Brazil. Pirates and
+privateers scoured the seas to rob the treasure-ships, and great
+expeditions were sent out by England in war times for the same purpose.
+The imaginations of men ran riot during this feverish state of things,
+and people were ready to believe almost any yarn "spun" in the
+forecastle.
+
+Phips was just the man to be moved by such tales, and, when he learned
+of a certain rich wreck on the Bahamas, he at once fitted out a small
+vessel and went in search of it. He found and recovered the treasure,
+but the amount was small, being only large enough to whet his appetite
+for more.
+
+While at the Bahamas, he was told of another Spanish vessel, wrecked
+off Puerto Plata more than fifty years before, with a much larger
+treasure. His means not being sufficient for this expedition, Phips
+sailed for England and made direct application to the Admiralty to aid
+him in his search. So ably did this true son of the sea represent his
+cause, that he was given command of the "Rose Algier," a ship mounting
+eighteen guns and carrying a hundred men. Thus Phips's first dream came
+to pass; he was now captain of a king's ship, with a roving commission.
+
+The exact position of the wreck was unknown, and the untrustworthy
+character of the crew added great difficulties to the undertaking. It
+should be remembered, also, that diving-bells, diving-armor, and the
+like, were then unknown. But the courage and indomitable perseverance
+of Phips now came into play, and he had a capital chance to show the
+stuff of which he was made.
+
+Soon after they had sailed, the crew came aft, armed, and determined to
+force Phips to yield to their wishes, which probably were that they
+should all turn pirates. Without giving them time to deliberate, Phips
+flew at their leader, hurled him to the deck and dispatched him on the
+spot--a deed so prompt and daring that it awed the mutineers into
+submission for the time. One who has never seen a mutiny at sea can
+form but little idea of its desperate character, and the rapidity of
+action and unflinching nerve required where men are shut up alone on
+the wide ocean with a quarrel so deadly in its nature that no
+compromise can be thought of for a moment, and no quarter can be
+allowed with safety to him who gives it.
+
+But the next plot to seize the ship was even more dangerous. The "Rose
+Algier," being in need of repairs, was taken to a cove in a small
+uninhabited island, and careened on one side in order to reach the
+damaged place. Most of the stores were moved on shore, the ship was
+hove down, and a bridge was laid between the deck and the land. Under
+the pretense of pastime, most of the crew now betook themselves to the
+woods, and there plotted to return at seven in the evening, seize the
+ship, force Phips and eight faithful men on shore, leave them there to
+perish, and themselves sail away on a piratical cruise. But the
+carpenter was one of the few who stood by the captain, and yet they
+could not risk putting to sea without him. They sent for him,
+therefore, on some pretext, and, having him in their power, offered him
+the choice of instant death or of joining his fortunes with theirs. He
+begged for half an hour to think about it, and said that at any rate he
+should have to return on board for his tool-chest. They granted his
+request, and sent two men with him to watch his movements. Soon
+afterward, he was suddenly taken with a pretended cramp or colic, and
+in great seeming agony rushed into the cabin for medicine; there he
+found Phips, and in a few rapid words revealed the plot. In less than
+two hours the mutineers would be marching on the ship. Not an instant
+was to be lost. Immediately the guns were loaded and trained to command
+the shore and all the approaches to the stores; the bridge was taken
+in, and when the mutineers appeared they found themselves caught. In
+tones of thunder, Phips bade them not to stir or he would mow them down
+with his batteries; nor did they dare to disobey. The bridge was again
+laid down, and the eight loyal men brought back the stores to the ship.
+When all was safely on board again, the mutineers were told that they
+were to be left to the fate they had intended for their commander. In
+despair at so terrible a prospect, the miserable men threw down their
+arms, and protested their willingness to submit if Phips would but
+relent and not sail away without them. After a long parley, he agreed
+to let them come on board, they having first given up their arms. But,
+with such a crew, further search after the treasure was useless. Phips,
+therefore, sailed for Jamaica, changed the crew, and again weighed
+anchor for Hispaniola. There he was lucky enough to find an old
+Spaniard who told him that the wreck was somewhere about a reef a few
+leagues north of Puerto de la Plata. Phips immediately went to the
+spot. But his search for the wreck was long and unavailing, the season
+was changing, and the "Rose Algier," now but half manned and in
+unseaworthy condition, was unfit to prowl around a dangerous reef in
+the hurricane season. So, without having accomplished the object of so
+much exertion and anxiety, Phips was obliged to return to England, a
+baffled but not a discouraged man.
+
+Very naturally, it was impossible for our adventurer to obtain another
+English ship-of-war, although he received much credit for the courage
+and skill shown in controlling the mutineers, and one would conclude
+that the treasure of the old Spanish galleon would after this have
+remained at the bottom of the sea, the exclusive possession of the
+sharks, the turtles and the barracudas. But with rare pertinacity Phips
+returned to the charge, and at last persuaded the Duke of Albemarle
+and several other wealthy noblemen to his views. They formed a company
+and obtained a patent from King James II., giving them the sole right
+to all wrecked treasure they might find during a certain number of
+years. Then they fitted out a ship and tender, the latter to cruise in
+coves and shoal water, and Phips invented several rude contrivances,
+for dragging and diving, far inferior to the means now used for such
+purposes. Thus prepared, he sailed once more for Hispaniola. There a
+small, stout boat was built, and with it and a crew of Indian divers
+the tender was despatched to the reef where the wreck was said to be.
+The tender was anchored in good holding-ground at a safe distance from
+the reef, and the men then rowed slowly in the boat around it,
+carefully examining the depths below for signs of the wrecked galleon.
+The waters in the West Indies are very clear, and during a calm objects
+can be seen at a considerable depth. The rocks were of singular form,
+rising nearly to the surface, but with sides so steep that any vessel
+striking them would be liable to go down many fathoms below the reach
+of the most expert diver. The only hope was that the wreck might have
+lodged on some projecting ledge. But the closest observation, long
+continued, failed to reveal any sign of the object so eagerly sought,
+although the water was perfectly calm.
+
+[Illustration: CAPTAIN PHIPS THREATENS TO SAIL AWAY FROM THE MUTINEERS.]
+
+At length; a curious sea-plant cropping out of a crevice in the sides
+of the reef caught the eye of one of the crew, and he sent down an
+Indian to bring it up. When the diver returned to the surface he
+reported that he had seen a number of brass cannon lying tangled among
+the sea-weed on a ledge. That was enough. Inspired with the greatest
+enthusiasm, diver after diver plunged below to be the first to discover
+the treasure, and ere long one of them brought up an ingot of silver
+worth several hundred pounds. Transported with success they left a buoy
+to mark the spot, and made all sail to carry the glad tidings to Phips.
+He would not credit the tale until he had seen the ingot, when he
+exclaimed, "Thanks be to God, we are all made!"
+
+Every man was at once enlisted in the service of fishing for the
+treasure. The bullion was discovered first; after that, in the bottom
+of the hold, the sea-miners found the coin in bags, which had been so
+long under water that they were encrusted with a stony shell, hard as
+rock. This was broken with crowbars, revealing gold, jewels, and
+"pieces of eight," in glittering abundance. The last day's work brought
+to light twenty massive silver ingots, and the whole amount recovered
+was somewhat over three hundred thousand pounds, a sum equal in the
+values of our time to five millions of dollars. Nor was this all the
+riches concealed in the wreck; but Phips was obliged to return to
+England before completing the business. Provisions had run low, and the
+presence of so vast a treasure on board had stimulated the cupidity of
+the crew to a dangerous degree, so that each day of delay in reaching
+port was full of hazard. Every precaution was taken to guard the
+treasure, but what probably prevented the crew from rising was the
+promise Phips gave them, when matters had become most suspicious, that
+they should each receive a share of the profits in addition to his
+wages, even if his own portion were thus swallowed up. Phips reached
+England without mishap, thus bringing to a successful termination one
+of the most daring exploits of its sort that were ever attempted.
+
+When the profits were divided, Phips received as his share a sum that
+would now be equal to two hundred and fifty thousand dollars. The Duke
+of Albemarle presented Mrs. Phips with a magnificent gold cup worth
+fifteen thousand dollars, and King James expressed great pleasure at
+the honesty and ability of Phips in the conduct of such a difficult
+undertaking, and as a reward for bringing such a treasure into England
+granted him the honor of knighthood, and offered him important
+employment in the royal service. Fortune had indeed smiled on the
+shepherd-boy of Maine.
+
+But Phips was never ashamed of his humble origin, nor in all his
+wanderings did he forget his native land. And now, instead of remaining
+to enjoy further honors near the throne, he returned to his family,
+bearing the important commission of High Sheriff of New England. He now
+built the brick house on Green Lane which he had promised his wife
+fifteen years before. The name of this Street was eventually changed to
+Charter Street, in memory of his efforts to have the charter of the
+Massachusetts colony restored.
+
+Sir William Phips afterward engaged in the wars between the American
+colonies of France and England, and at the head of an expedition of
+eight ships captured Port Royal. A subsequent enterprise against Quebec
+failed from a combination of causes, some of them beyond the control of
+Phips. After this Sir William went again to England, where he was
+appointed Captain-General and Governor-in-Chief of the New England
+colonies; and his return home with these new honors and titles was made
+the occasion of a day of solemn thanksgiving.
+
+His governorship having ceased, Sir William Phips sailed for England,
+and was meditating a fresh expedition in search of shipwrecked treasure
+when he was taken suddenly ill, and died at the age of forty-five.
+While his adventurous career affords us little hope that any of us will
+ever, like him, discover shipwrecked wealth, it gives us a fine example
+of what perseverance combined with intelligence, courage and honesty
+can accomplish in the face of great difficulties; for it was a union of
+all these qualities which enabled Sir William Phips to wrest fortune
+and honors from the ocean depths.
+
+[Illustration]
+
+
+
+
+SOME FISHING-BIRDS OF FLORIDA.
+
+BY MRS. MARY TREAT.
+
+
+All along the St. John's River, during the winter, may be seen birds
+catching fish for a living. They are more numerous here in winter than
+in summer, because, upon the freezing of the waters at the North, they
+flock to Florida to carry on their fishing in the St. John's, which,
+never freezing, contains an abundance of fish.
+
+The belted kingfisher comes close to the house, where I can watch him
+fishing as I sit at the window. The river is five miles across here,
+and for several yards from the shore it is quite shallow, so that a
+wharf two hundred and fifty feet long was necessary to make it easy to
+launch our small rowboats. A railing extends along the side of the
+wharf, and upon this railing the kingfisher perches, watching for his
+prey.
+
+[Illustration: THE BELTED KINGFISHER.]
+
+He understands fishing much better than most boys, for he seldom misses
+his game. He takes his position on the railing, and fixes his eyes upon
+the finny tribes below, and when a fish that suits him comes within his
+range, he dives into the water and brings it up with his stout beak,
+and then beats it upon the railing to make it limp and tender before
+swallowing.
+
+It is not so very surprising that he is such an expert fisher, for
+during the winter it is his only occupation; he has no family to look
+after now, and he is so very selfish and quarrelsome that he will not
+allow any of his brothers to fish near him. He considers the whole
+length of the wharf his fishing-post, and his brothers must not
+trespass upon his grounds; if they do, he chases them away with a
+rattling, clanging noise, enough to frighten any fisher not stronger
+than himself.
+
+In the spring he takes a partner in his business, for now it is time to
+raise a family, and he knows he can never do this alone. He is very
+good and kind to this partner, and helps her dig a hole in a clayey
+bank for the nest, and then takes his turn in sitting upon the eggs.
+After the eggs are hatched, they both catch fish to feed the young
+until they are old enough to feed themselves.
+
+The American flamingo, with his gorgeous scarlet feathers, is a superb
+fellow. He is very shy, and peculiarly afraid of man. On account of its
+fine apparel, it has been more closely pursued than almost any other
+bird. It does not go north like some of the herons, but Audubon says it
+has occasionally been seen in South Carolina. Its constant home,
+however, is in the southern part of Florida and along the Gulf coast.
+
+Like the herons, of which I told you in ST. NICHOLAS for May, 1877, the
+flamingoes are sociable, and live in flocks. They have webbed feet,
+which give them an advantage over the herons in enabling them to swim
+as well as to wade. I have never been able to get near enough to these
+birds to gain any personal knowledge of their habits.
+
+The nest of the flamingo is a curious affair; usually built in a
+marshy, muddy place, in the form of a mound. It is made of sticks and
+grass and mud to the height of two or three feet, with a hollow in the
+middle to hold the eggs. The male is said to assist in the construction
+of the nest, but this is probably mere conjecture, for I think no one
+living at the present time has been able to get near enough to these
+birds to watch their habits, and their nests can be reached only with
+great difficulty.
+
+The female lays two white eggs about the size of those of a goose. It
+is said that she sits astride the nest in an ungainly fashion, and that
+the young, as soon as they are hatched, take to the water like young
+ducks.
+
+If a law only could be passed to protect these birds, what a grand
+sight the waters of Florida would soon present! These great, brilliant,
+scarlet birds, dallying and playing in the water, or wading near the
+shore in quest of game, would be a sight never to be forgotten. Can it
+be possible that Florida does not care for such glorious creatures, and
+will allow, year after year, these marauders from the North to kill
+them without a single protest? Unless something is done for the
+protection of these splendid creatures, they must soon become extinct;
+for their range is quite limited, and I fear the boy and girl readers
+of ST. NICHOLAS, by the time they grow to men and women, can only read
+of these as "gorgeous birds of the past."
+
+Almost every morning, the osprey, or fish-hawk, comes in front of the
+window and fishes in the shallow water near the house. He does not seem
+to be as expert as the kingfisher. I have seen him dive a dozen times
+or more into the water before bringing up his prey. He sails around and
+around in the air; at last fixing his eyes upon a fish, he swoops down,
+making the water splash around him. His feet are large and powerful,
+and he arranges his long toes in the form of a scoop as he plunges into
+the river; this scoop is his fishing-tackle with which he brings up his
+finny food.
+
+I think I should not like to be an osprey, for he seems to have such a
+hard time to get a living, and yet he is an honest, well-disposed
+laborer. After he has succeeded in catching a fish, a bald eagle often
+swoops down from some tall tree, where he has been watching him, and by
+main force compels this honest fisher to give up his hard-won prey. The
+eagle is considerably larger than his victim, being about three feet in
+length, while the osprey is only about two feet.
+
+It is quite a grand sight to see these two large birds wheeling through
+the air--the osprey trying to elude the eagle, diving first one way and
+then another, until at last, when he sees the unencumbered eagle must
+overpower him, in a fit of desperation he lets the fish drop, and the
+eagle catches it before it reaches the water, and carries it to some
+retired spot where he devours it.
+
+And now the poor defrauded osprey must go to work and catch another
+fish before he can have his dinner. Here you see the bald eagle with
+his ill-gotten prey.
+
+[Illustration: THE BALD EAGLE.]
+
+Great flocks of ducks often come to fish in the shallow water close to
+the shore. I suppose the reason that they come so near is that they
+find smaller fish here than in the deep water; and another reason, they
+are never shot at near the shore, for no fire-arms are allowed to be
+discharged within the town limits, except under the penalty of five
+dollars for each discharge.
+
+This place, in winter, corresponds to a northern watering-place in
+summer. There is a warm sulphur-spring here, and people come from all
+quarters for health and for amusement. At first the great numbers of
+birds all about attracted many sportsmen, but I am very glad to tell
+you that the Florida people did not like this reckless shooting of
+birds in their midst, so they made this beautiful little place--Green
+Cove Spring--a city, and elected a mayor and a marshal, and other
+officers, to keep the men straight, and to protect the birds.
+
+So this is why the birds that live about this little city are so tame,
+and why the ducks come so close to us; they have learned that they are
+quite safe from guns here.
+
+Several species of ducks may sometimes be seen in one flock, fishing
+together in perfect harmony. It is quite astonishing how long they can
+stay under water, and when they come up their feathers are not wet at
+all.
+
+The most beautiful of these fishing-ducks is the hooded merganser. Its
+plumage is most elegant, and it has a large thick tuft or crest of
+feathers covering the whole head, which gives it a sort of military
+look; and, indeed, it seems to be a commander, for it leads all of its
+relatives. It sometimes stays so long under the water that I begin to
+fear something has happened,--that an alligator, or some other huge
+beast, has got hold of it; but it always makes its appearance after a
+while, often at quite a long distance from where it went under.
+
+
+
+
+NAN'S PEACE-OFFERING.
+
+BY KATE W. HAMILTON.
+
+
+"Just wish I was properer, and everything--so there!" said Nannie,
+sitting discontentedly down upon the green grass by the road-side, and
+surveying herself with a pair of very serious brown eyes.
+
+It was a forlorn little self, surely, with wet dress, muddy shoes, inky
+apron, and crumpled sun-bonnet.
+
+"Aunt S'mantha'll think I'm dreadful. She says I never have any
+forethought; but I have lots of after-thoughts, and I s'pose folks
+can't have both kinds. It don't do any good, either. Oh dear!"
+
+There was a whistled tune coming up the road. Tommy Grey was attached
+to it, but the whistle seemed much the older and more important of the
+two, and was first to reach the tree where Nannie was sitting. When
+Tommy caught up with it, he stopped in surprise.
+
+"Hello, Nan Verling! Is that you?"
+
+"I suppose so, but I wish it wasn't," answered Nannie, dolefully.
+
+"What for?" questioned Tommy, in still further astonishment.
+
+"'Cause I wish I was somebody else that wasn't all wrinkled and mussed
+up. I don't see how folks can keep nice and have good times, anyway,"
+declared Nan, in a burst of confidence. "You see, I just helped sail
+boats in the brook, and I didn't know my dress was wet a bit till I
+came away; and then Lizzie Sykes tagged me, and course I had to tag her
+back again. I don't know what made her run right through the mud, where
+I couldn't catch her without getting my shoes all muddy. Should think
+she might have known better! My old ink-stand at school is always
+upsetting itself, and it had to spill on my clean white apron this
+afternoon. Then my sun-bonnet--"
+
+"Looks as if you'd hung it up in your pocket," suggested Tommy.
+
+"Well, I didn't; I only rolled it up for a rag-baby when we played keep
+house at recess. I s'pose it's bad for bonnets, but it made the
+beautifulest kind of a baby," said Nannie, a little ray of enthusiasm
+gleaming through her despondency. "But Aunt S'mantha doesn't 'preciate
+such things," she added, mournfully.
+
+"No," answered Tommy, sympathetically. "She'll scold, may be?"
+
+"P'r'aps so. May be she'll send me to bed without any supper."
+
+"Whew! That a'nt any fun, I tell you!" declared Tommy. "Why, a fellow
+just tumbles and tumbles, and gets hungrier and hungrier, and wonders
+what the folks have got for supper, and looks at the stars, and tries
+to say 'Hickory-dickory-dock' backward, and wishes it was morning. It
+just feels awful!"
+
+"I didn't ever try it, and I don't s'pose I could stand it," said
+Nannie, shaking dejectedly the curly head in the flopping sun-bonnet.
+"I've a good mind not to go home at all, but just run away off
+somewhere, and be a foundling. Foundlings have pretty good times,
+'cause I've read about 'em in books. They get adopted by some great
+lady in a big house, and grow up rich, and get to be real handsome."
+
+"I don't believe you would," declared Tommy, more honestly than
+politely.
+
+Nan meditated a minute, and then said, with a sigh:
+
+"Well, I guess I'll have to go home, then."
+
+"Scoldings don't last very long, anyway," urged Tommy, consolingly.
+
+"But if you sort o' think you oughtn't to have done things, and did
+ought to be more careful--and everything--it makes it seem more worse,
+you know," remarked Nannie, in a hesitating, half-penitent way. "'Cause
+I _do_ like Aunt S'mantha."
+
+"Yes," admitted Tommy, knitting his brow over the complications of the
+case, and searching his own experience for a suggestion of relief. "If
+you only had something nice to carry home to her--something she wants.
+Once I got wet as a rat playing round the pond, but I'd caught two
+fish--reg'lar tip-top trout--and I took 'em home to mother; held 'em up
+where they'd be seen first thing, you know. And she said, 'What nice
+fish!' and didn't scold a wink."
+
+"I couldn't catch anything if I tried a week, and Aunt S'mantha
+wouldn't care, anyway. Why, she's a real grown-up woman, and could have
+tea-parties and make molasses candy every day if she wanted to! I don't
+believe she wants anything, unless it's ban--bananas--whatever that is.
+I heard her say she'd like some, this morning."
+
+"Bandanas?" questioned Tommy, with brightening eyes.
+
+"Y-e-s, I guess so," answered Nannie, rather doubtfully.
+
+"Ho! I know what they are as well as anything. Why, they're silk
+handkerchiefs--red and yellow, with spots on 'em."
+
+Nannie's hand dived into her small pocket, and re-appeared with two
+nickels and a copper.
+
+"Do you guess I could buy one at Carney's store for 'leven cents?
+'Cause I haven't got any more."
+
+"I s'pose so. Why, yes; handkerchiefs a'nt much 'count, you know. I
+always lose mine--only they a'nt bandanas. I guess women-folks think
+more about 'em, though," said Tommy, with the air of one superior to
+such trifles.
+
+Nannie was convinced, and started from her seat with a little sigh of
+relief.
+
+"I'll go and buy her one, then. And I think you're a pretty good boy,
+Tommy Grey," she added, gratefully, as she trudged down the road,
+leaving Tommy to take up his whistling and his homeward route again.
+
+It was quite a long walk to the store--_the_ store, because the village
+only boasted one. That did not matter much to the inhabitants
+generally, as the town was so near. Bentleyville and Bentley were
+connected by a straggling line of houses that made it hard to tell
+where the village ended and the town began. Ambitious young villagers
+took advantage of this to talk about "we city people," while the older
+ones contentedly spoke of themselves as "plain country-folks."
+
+Nannie did not care in the least which she was, neither did she greatly
+mind the walk, though the feet that had done so much running began to
+grow tired. If only she could carry a peace-offering to Aunt Samantha!
+That would make all right, and her small world bright again, she was
+sure.
+
+"I can't have any candy or slate-pencils for ever so long; but I don't
+care, 'cause I do like her, and she'll know it--course she will if I
+buy her a handkerchief; and she wont think I got all mussed up on
+purpose," she soliloquized.
+
+It required some heroism to pass by the fresh pop-corn balls at the
+store door, and to turn away from the boxes of figs without a second
+glance; but Nannie did both, and, walking straight to the counter, made
+known her errand.
+
+"Bandanas? Yes, a prime lot of 'em," said bustling little Mr. Carney,
+bringing out his whole stock.
+
+His small customer, standing on tiptoe to reach the counter, gravely
+examined them. Would Aunt Samantha like a red one or a yellow one best,
+she wondered. It was a perplexing question to decide. If only she could
+take her one of each! And that reminded her to ask the price.
+
+"Seventy-five cents apiece," said the old gentleman briskly.
+
+"Seventy--five--cents!" repeated Nan, faintly.
+
+"Yes, sissy; cheap at that, too."
+
+"I--thought--I didn't know," stammered Nannie, in a sore
+disappointment. Then rallying her faltering courage, she asked: "Don't
+you ever sell any for 'leven cents?"
+
+"Eleven cents? Bless me, child! Why, they cost--Oh! may be you mean
+cotton ones? Look a little like these."
+
+Nan nodded, glad to think it even probable that she had meant anything.
+
+"Well, I don't keep that kind, you see," explained Mr. Carney,
+condescendingly.
+
+Discouraged and forlorn, the little woman turned away. She walked until
+she was quite out of sight of the store, and then paused to meditate.
+What should she do? It seemed dreadfully hard to give up her plan now
+when she had thought it all nicely settled. There were plenty of stores
+in Bentley; some of them might sell handkerchiefs for eleven cents. She
+glanced dubiously along the road leading to the town, and noticed that
+the sun was nearly out of sight behind the hills.
+
+"But it stays light ever and ever so long after the sun sets," she
+murmured, "and it didn't seem a bit far when I rode to town with Aunt
+S'mantha. I guess this store is most part way. Anyhow, I just must have
+a bandana!" she added, as she once more caught sight of her soiled
+apron and muddy shoes.
+
+She straightened her sun-bonnet, and started resolutely forward again.
+She had grown to feel that the proposed purchase was in some way a
+reparation due to Aunt Samantha, and she could not give it up. On and
+on trudged the tired little feet, aching wearily at last, but never
+hesitating nor turning back. It seemed a long way, though.
+
+"Wonder if I wont ever and ever come to where the houses get thicker,"
+she murmured. "When I keep a store I'll build it on the edge somewhere,
+so folks wont have to walk so far to get to it."
+
+After a time, the buildings did nestle more closely together, and,
+somewhat comforted, she stopped a moment to rest. But she started
+suddenly to her feet as a light flashed upon her from an opposite
+window. People were really beginning to light their lamps, and the
+daylight was almost gone.
+
+Weariness was forgotten in the thought that night might fall before she
+could return, and she ran as fast as her light feet would carry her--so
+swiftly and so far that she had nearly passed a small store without
+seeing it.
+
+She checked her steps at this discovery, and entering, asked,
+breathlessly:
+
+"Oh,--please,--have you any ban-banners?"
+
+"What? any what?" demanded a severe-looking lady, coming forward and
+eying Nan suspiciously through her spectacles.
+
+"Bandaners,--handkerchiefs," explained Nannie, less confidently.
+
+"Bandanas? No; I don't keep them," responded the lady, very stiffly.
+
+"Should think she might have been more p'lite, if I didn't call it
+right," commented the young traveler as she hurried along the street
+once more. "Here's another." This time there was only a boy in
+attendance. He was head of the establishment when the proprietor went
+to supper, and he enjoyed his important position.
+
+"Do you keep ban-ban-banners?" asked Nannie, growing confused again.
+
+"Which? I hope you don't mean any disrespect to the flag of your
+country, ma'am?"
+
+"No sir; I mean handkerchiefs," said Nannie, innocently.
+
+"Ah! yes, I understand. I think we have the article in question."
+
+A number of the red and yellow silks were produced, and while the brown
+eyes scanned them in some perplexity, the mischievous young clerk
+surveyed the comical little figure before him, and gravely asked:
+
+"Is that quantity sufficient for the exercise of your predilections? or
+would you like an additional supply?"
+
+"I would like 'leven cents worth," stammered Nannie.
+
+"Eleven cents worth of silk handkerchiefs? That's a novelty now!"
+laughed the boy. "Why, you see that wouldn't be a seventh part of one
+of these bits of magnificence,--not a scrap large enough for a
+respectable doll. We really couldn't do it, ma'am. The owner of this
+establishment has a nonsensical way of always selling his handkerchiefs
+whole."
+
+[Illustration: "'SEVENTY-FIVE CENTS APIECE,' SAID THE OLD GENTLEMAN."]
+
+Then, at sight of the disappointed little face, his fun yielded to an
+impulse of kindness, and from a far-away corner he produced an old box
+with the dust of disuse lying thickly upon it. It contained some small
+cotton handkerchiefs, gayly printed, with border, pictures and verses,
+in bright colors. Nannie's eyes brightened. They were much prettier
+than the others, she thought, and they were only ten cents! She wavered
+uncertainly between a pink and a blue one, and finally appealed to the
+clerk for advice.
+
+"Which is the nicest? Couldn't really say, ma'am. If you want it for
+winter use, the blue would probably match best with your nose; but if
+you keep it specially for fits of weeping, the red might be nearest the
+proper tint."
+
+Nannie looked at him solemnly, but not understanding him in the least:
+she decided upon the blue one, and turned away with the precious
+package in her hand. It was certainly growing late. The rosy glow had
+all vanished from the west, and one star was peeping out dimly.
+
+"A good deal after supper-time," murmured Nannie, anxiously. Then,
+glancing down a side street, she caught sight of a baker's sign. It was
+but a few steps, and she was very hungry, so she determined to invest
+her remaining cent in a piece of gingerbread. Eager to be on her
+homeward way she walked rapidly, and this did not suit the fancy of a
+large dog in a neighboring yard. He bounded toward the fence, barking
+furiously, and in a moment Nannie discovered that he had pushed open
+the gate and was upon the street. She fled at full speed away beyond
+the shop and down another street. At last a corner hid him from view,
+and he did not follow her. She dared not retrace her steps for fear of
+meeting him, and she abandoned all hope of a visit to the bakery. There
+must be other ways back to the road, though, she thought, and she
+wandered up one street and down another without coming to any building
+that looked familiar. She had lost her way entirely, and grew more and
+more bewildered as she wandered. The stars came out thickly in the sky,
+and it seemed to her that she had been traveling for hours. Finally she
+found herself in a quiet, unfrequented part of the town, and then the
+brave little heart failed utterly, and frightened, homesick, and
+terribly weary, she sank down by the road-side, sobbing bitterly. She
+did not hear the sound of wheels, nor notice the horses drawn up beside
+her, until some one called:
+
+"Hello, little one! what's the matter?"
+
+She had heard that neighborly voice too often not to recognize it now,
+and she sprang up in wild delight. "Oh, Captain Hoyt! Take me home! Oh,
+please sir, wont you take me home?"
+
+"Home, chick-a-biddy? Why, who--little Nan Verling, I declare! Well,
+if it isn't lucky that I didn't sell my apples till late to-day, and am
+just going out! How in the world did you get there?"
+
+"I lost my way," faltered Nannie, trying hard to conquer her tears when
+she was safely in the wagon. "I came to buy a bandana handkerchief for
+Aunt S'mantha."
+
+"Bandana? Well, she'll need it, and a few cambric ones thrown in, if
+she don't know where you are at this time of night," declared the
+captain, whipping up his horses.
+
+He was quite right; Miss Samantha was nearly frantic. She had sent to
+every house in the village, and had learned from Tommy how her love of
+neatness and carelessly expressed desire for bananas had together
+worked mischief. But as a visit to the store revealed the fact that
+Nannie had been there and had gone, Miss Samantha could think of
+nothing but that most improbable resort,--the pond; and she had
+gathered a party with ropes and lanterns, when Captain Hoyt drove up
+and deposited the small maiden in their midst.
+
+"I've got the handkerchief, Aunt S'mantha! and I'm so glad; but my
+clothes are all spoiled, and I'm so sorry," began Nannie.
+
+"Clothes, child! Do you think I care so much more for your clothes than
+for you that I want to hear about them first?" exclaimed Miss Samantha,
+with an embrace so long and close that Nannie was quite astonished.
+
+"I didn't know," she answered.
+
+And Miss Samantha said not a word, for she thought if the child really
+did not know, there must have been something wrong somewhere. She
+smiled a little grimly when she saw the wonderful handkerchief, but she
+laid it away as if it were a treasure. Nannie had a nice supper and a
+good night's sleep, and felt quite bright when Tommy looked in upon her
+the next morning.
+
+"I had an awful time; but your way is a real good one, Tommy, 'cause
+she didn't scold a bit," she informed him, confidentially.
+
+"But I guess,--I s'pose,--anyhow, mother says that the best way to
+please folks is to do as they want you to, instead of buying 'em
+things," said Tommy, feeling that, as he had led her into trouble, he
+was in honor bound to give her the benefit of the moral that had been
+impressed upon him.
+
+"Y-e-s," answered Nannie, rather vaguely.
+
+But, as the weeks went on, and Aunt Samantha grew so much more gentle
+that she couldn't help being more careful not to trouble her, she
+thought that handkerchief must be a very precious article.
+
+
+
+
+THE TOWER-MOUNTAIN.
+
+BY GUSTAVUS FRANKENSTEIN.
+
+
+
+III.
+
+
+I wandered about for what seemed to me days and days, but always
+cautiously, and never without some hope of escape. At length, becoming
+weak, I suppose, I missed my footing from a ledge of rock and fell to a
+great distance. I was stunned and bruised, but soon recovered; and
+considering the course I must have come, and this last terrible
+descent, I felt almost sure that I was far below the surface of the
+earth, and that I must try to go up, and must search and search until I
+should find some way of ascending. I accordingly moved on, with greater
+care than ever, and soon found that I was in a sort of rocky passage
+which rose at a slight inclination. I need not say how this discovery
+revived my spirits, nor how I was cheered yet more when, after a time,
+I came to a level surface again, and discovered that beyond it the
+passage continued as before, but much widened.
+
+Keeping close to the wall of rock on my right, I slowly ascended in
+what seemed to me a spiral curve. Sometimes I would take a step to the
+left, to ascertain if I still had a barrier on that side; by which I
+found that there were many openings in the wall on that side, probably
+similar to the one through which I had reached this apparently
+continuous passage.
+
+Up, up I went, gaining courage though feeling weaker and weaker. Having
+the wall on my right for so long a time, and seeming to be always
+ascending, I began to think that I was in a sort of circular
+honey-combed cavern.
+
+It must be borne in mind that my progress was exceedingly slow,
+consequent upon the necessity of feeling my way, step by step,
+apprehensive of going over the brink of a precipice in some moment of
+undue confidence. How many times I lay down to sleep, how many times I
+rose to continue the task, I cannot tell; but, having been immured so
+long, without food and without light, I began to feel stealing over me
+a weariness of exhaustion which required the utmost power of the will
+to battle.
+
+All this time I kept ascending. Suddenly the passage seemed to open
+wide, and, all at once, a bright light shot into the cavern. For the
+moment I was blinded; a painful sensation struck me across the brows;
+but I determined to behold the light at whatever cost. I opened my
+eyes; and now, the shock of the dazzling brightness having passed away,
+I saw the most beautiful effect I had ever beheld in my whole life.
+
+A ray of sunlight fell in a round spot, bright and warm, on the wall at
+the left. It entered by a small aperture higher up--in the wall at the
+right. For a moment I looked around. I stood in a vast, rock-bound
+chamber--an immense hall--faintly illuminated by reflection from the
+direct sun-ray which fell upon a vein of quartz, and sparkled, lively
+with flitting rainbow-colors. I could see the openings in the inner
+wall, many of them a hundred feet high, nearly all very narrow, and for
+the most part vertical. On the right, the wall was unbroken, with the
+exception of the little hole, through which the blessed sunlight
+streamed, in the pit of a broad, deep, conical sort of depression. Far
+behind me, I could just make out the mouth of the passage from which I
+had emerged into this spacious chamber, and before me the opening into
+another also adjacent to the wall on my right.
+
+I felt now more assured than ever, for I was certainly above-ground.
+For a moment, I forgot my forlorn condition, and paused to admire the
+splendor of the scene. A few minutes only, and it was gone. I lingered.
+Should I wait to see this lovely sight renewed? Twenty-four hours must
+elapse before the sun's return to the same position. But _would_ it
+come to the same point again on the morrow? I knew it could not, and
+that the least deflection from its course that day would allow no ray
+to fall into the darkness of that mysterious dungeon. I knew, further,
+that it was either morning or evening, about nine or three o'clock, by
+the direction of the beam of light. This fact was immensely
+encouraging; my heart throbbed rapidly; the blood came tingling to the
+finger-ends; I felt a warmth, an energy, a hope, an animation of
+spirits I had not known for a long time. It had all along been but one
+unending night, when often I would wonder whether, outside, under the
+broad blue sky, it was then night or day; but now I knew that it was
+day.
+
+I soon reached the passage which I had seen ahead of me, and found it
+in some places not more than two or three feet wide. The ascent became
+steeper, though not at all difficult, except at one place, where for
+about ten yards I was obliged to use both hands and feet to make sure
+of not slipping back.
+
+About two hours after passing this point the air seemed to change;
+there was a warmth and fragrance to it which was very grateful; I
+fancied also that I could see somewhat indistinctly.
+
+"Surely," I thought, "this seems like coming to daylight."
+
+Warmer and sweeter grew the air; I could see the wall of rock on my
+right; and then I suddenly encountered a volume of air blown toward me,
+as if the sweetest perfumes of the earth were mingled in that breath of
+air. I knew I was coming to the light! Another turn, and there before
+me were the grand snow-capped mountains suffused with the last rosy
+flush of the setting sun!
+
+[Illustration: "WE SAW HIM CLIMBING THROUGH A SQUARE OPENING OF LIGHT."
+[SEE PAGE 292.]]
+
+Oh, indescribable glory!
+
+For a moment, my eyes swept over the horizon,--I was far above the
+earth,--then back to the beauteous snow in its sunset splendor. The
+rosy tinges lifted and vanished, and a cool twilight glow rested on the
+mountain summits. I looked upon the plain below. Far beneath, it lay in
+the evening shadow with its thousand fading tints of tropic foliage,
+with one spot of blue, almost immediately below, in all that mass of
+verdure--the lake. I knew then that I was almost exactly above the cave
+I had so long inhabited. And Pippity--Grilly--were they there now?
+
+I was about to call with all my might; but what ear could hear at that
+great distance?
+
+
+Three thousand feet at least of space separated my friends from me. How
+could I get down that almost perpendicular rock, and how could they get
+up to me? How could they know that I was there?
+
+And now the specter of starvation rose up before me in strongest force.
+Should I try to find my way back again?--once more attempt the
+darkness? No! no! Too precious was the daylight. It would not do. And
+what could be gained? I could not possibly live to reach the bottom!
+
+The twilight rested serenely on the encircling range of mountain snow,
+then faded sweetly from the darkening sky.
+
+The stars are beacons of hope and faith. Under them I lay down and
+slept.
+
+It was a refreshing slumber that I had beneath an unclouded sky, and
+when I awoke it was early dawn. The cool air was grateful; and so
+charming seemed all nature that I forgot my hunger and the isolation of
+my position. I began, too, to examine the situation. I had emerged from
+the cavern into open day by reason of the sudden termination of the
+wall which I had had so long on my right. There was left the inner wall
+as before, now exposed and forming the exterior of the mountain. I
+stood on a platform of rock about four feet square. Beyond was an angle
+in the wall, and just then a step to a higher grade of flat rock also.
+Then a considerable steepness of the narrow floor, and a bending to the
+left, when it was lost to view behind the mass of perpendicular rock.
+As the sun rose, I looked down toward the lake, which seemed to lie
+almost directly beneath, so nearly perpendicular was the mountain on
+that side. About six or seven hundred feet below me, I observed a bird
+flying from point to point up the mountain. Soon it disappeared from
+view. It had flown to the other side. Presently it re-appeared, still
+circling and rising, now perching at one point, and now at another
+higher up, then passing out of view again. At length it seemed to come
+more directly upward; it rose more rapidly, and was continually in
+sight.
+
+It was a parrot. I heard its cry. I could see it distinctly.
+
+"Pippity, Pippity!" I cried, "is that you?"
+
+He gave one joyful scream, alighted on my shoulder, and then on my
+hand, talking as fast as his tongue could run: "How d' ye do? How d' ye
+do? Frank, Frank!"
+
+"Food, food, Pippity!" I begged; and before I had finished the words he
+flew down the abyss, screaming as he went. I followed him with my eyes
+until the precipice below prevented my seeing him any longer.
+
+It seemed to me a full hour before he re-appeared, and as he came
+nearer I saw something in his beak. It was a bunch of grapes. He flew
+toward me. I held out my hand to receive him, and with a heart full of
+thankfulness I took the precious fruit from his beak.
+
+"Thank you, thank you, Pippity!" I said. But Pippity didn't wait for
+such little expressions of civility. Immediately, he flew away again,
+and soon returned with other fruits, and nuts of various kinds; and, as
+he could bring but little at a time, of course I could eat but little
+at a time, which was a happy circumstance, for that is just the way a
+starving man should eat.
+
+In about four or five hours I told Pippity I had had enough.
+
+"And now, Pippity," said I, "tell me,--how long have I been away?"
+
+He promptly answered, "Three days!"
+
+"Are you sure?"
+
+"Three days--one, two, three."
+
+I was almost sure he was right. But how the bird had found me I could
+not make out. I questioned him in many ways, but could get no
+satisfactory answer. By my not returning the day I went down into the
+hole, and not the next, no doubt my friends began to be alarmed for my
+safety, and set to work to find me, if possible. What Grilly did in the
+matter I could not conjecture; but Pippity, being able to fly, probably
+made excursions round the mountain, thinking that I might possibly come
+out at some place, and hoping thus to be able to find me and come to my
+relief.
+
+During the afternoon, Pippity made a number of trips down into the
+fertile plain, every time bringing back something good to eat, whilst I
+rested quietly, amusing myself with looking at the pleasant scenery
+that everywhere surrounded me, talking with Pippity whenever he was
+present, and sometimes sleeping pleasantly.
+
+A short time before sunset, Pippity took his last flight down, and, not
+long after the sun had disappeared, I saw him returning in the
+beautiful twilight. Again he brought me fruit.
+
+"Go down to Grilly now," I said; "I will stay up here until morning,
+and then you come to me again."
+
+But Pippity didn't want to leave; and I told him that as he was so
+desirous of keeping me company, he might remain with me through the
+night.
+
+The next morning, at the first glimmering of dawn, I awoke, feeling
+well, hearty and cheerful. Pippity was off immediately to bring me
+breakfast, and about ten o'clock we set out in high spirits to make
+further ascent of this singular peak. All went well for about an hour,
+when, Pippity being absent after food, I came to a place in the rock
+where the walk suddenly ended. A little further on and higher up it
+was as good as any part I had yet gone over; but the intervening space
+of scarcely more than a dozen feet was very steep, and, what was
+remarkable, loose stones lay upon its surface as though they had slid
+down from above. This slide seemed to have been occasioned by a
+softness of the rock in that part, causing it to scale off in thin
+pieces, which the slightest disturbance would send rattling down the
+mountain. Just beyond these loose stones was a smooth surface of very
+steep rock, over which it would be necessary to pass in order to reach
+the path beyond.
+
+I paused here; and after Pippity had brought the fruit and I had
+finished my dinner, I began seriously to discuss the question whether
+or not I ought to attempt the passage of this dangerous interval.
+Pippity seemed to understand my intentions quite well, for he grew very
+uneasy, and in his queer ways, with snatches of singularly applicable
+speech, he remonstrated most strenuously. But we now were not very far
+from the top, and so fascinating seemed the prospect of reaching the
+very pinnacle, that I could not withstand the impulse of making the
+effort to get there. Over the loose stones I scrambled, clinging with
+hands and feet as best I could, whilst an avalanche of rocky fragments
+slid, tumbled, and rattled ominously down the declivity.
+
+I got my hands upon the smooth rock, but at my feet the loose stones
+were slipping rapidly away; this, in a moment more, would leave me
+without support and mercilessly let me follow them. But Pippity, who
+had been flying around me in the greatest excitement, got just above
+me, and planting his toes firmly against the rock, seized me by the
+shoulder. Then, holding on with a most determined grip of his bill, he
+pulled like a Trojan; and I do verily believe the bird saved my life.
+By dint of his pulling and backing upward, seconded by my own frantic
+efforts to shuffle up the rock, I succeeded in gaining the foothold
+beyond. At least he inspired me with fresh resolution and confidence in
+helping myself.
+
+After a little rest, we went on, winding around a succession of short
+spirals, and at last reached the highest point of this magnificent
+mountain!
+
+ * * * * *
+
+What a sensation!
+
+Perched here on the extreme point of a pinnacle more than four thousand
+feet above the vast plain of rich fertility embosomed among the
+snow-clad mountains. The lake was a spot of beautiful blue, a gem in
+the center of this lovely picture.
+
+Suddenly, we heard a rattling of stones beneath, then a shriek.
+
+"Stars! What's that?--GRILLY!"
+
+And up he came bounding, as lively as a cricket. He danced around us
+in the greatest delight, threw his arms around me, ran wildly here and
+there, and danced and danced again.
+
+"Grilly, Grilly!" shrieked the parrot, "how in the world did you get up
+here?"--and his staid demeanor contrasted strangely with the monkey's
+antics.
+
+But Grilly danced and danced. The fact was that, even if he could have
+spoken, he was too much excited to make reply. Grilly was great in
+action; in words deficient.
+
+The afternoon was now far advanced; and Grilly at last becoming
+tranquil, and in keeping with the peaceful scene around us, I said to
+him:
+
+"How you came up here I do not know; but of this I am certain, that you
+were not as long getting up as I was, for you arrived fresh and active,
+whilst I was almost dead. Now, that makes me think that although I
+cannot find the way back, you may. Therefore, you shall be guide. But
+it is too late to start to-day. Besides, I wish to behold another
+sunset from this glorious height."
+
+The night was very pleasant; and as I lay upon a flat rock, looking out
+upon the stars from my high and silent perch, the round earth looming
+like a shadow far below me, I thought it would be delightful to make a
+long stay on this interesting pinnacle, especially at this time, as the
+weather was very fine; but the getting of food presented itself as an
+obstacle. As Grilly was now with us, it would be too great a tax on
+Pippity to supply us both. Besides, we could not do without water. I
+resolved, therefore, to set out early in the morning, and that I would
+re-enter that dungeon, as there was clearly no other way of getting
+down.
+
+Before the sun was up, we already were descending; and when we arrived
+at the dangerous slide, where the day before I had nearly slipped off
+the mountain, we halted. Pippity was dispatched for food, whilst Grilly
+and I sat down and contemplated the sunrise splendor. Four times
+Pippity descended to the plain, and brought thence something to eat.
+Noon was fast approaching, and it behooved us, if we would accomplish
+anything that day, to press forward without delay. As before, Pippity
+showed considerable anxiety, calmly remarking, however, as I translated
+his jargon, that he would, as on the previous day, hold fast to my
+shoulder with his bill. He made Grilly get down below at the same time
+and hold on to my feet; and when I began to crawl and wriggle along the
+best way I could, I was assisted very materially by the parrot above
+and the monkey below.
+
+Notwithstanding the perilous situation, I could not but be amused at
+the ludicrous singularity of the performance.
+
+Above stood the sure-footed bird, all gravity, pulling away at my
+shoulder; below was the monkey, holding me fast by the heels, jumping
+and capering as the treacherous stones rolled from under him. Of
+course, in less than a minute the whole thing was over, and I was
+safely landed on a good broad walk.
+
+We arrived at the opening of the dungeon. Descend into it? Again be
+lost--perhaps perish? I hesitated. I shrank from entering; and yet,
+down into it I must go!
+
+"Pippity," said I, to my trusty parrot, "we will linger here another
+day. You must bring us all the food you can between this and night; and
+to-morrow morning, with the first peep of dawn, be ready to go down
+again, and make as many trips before noon as you can, so that we shall
+be able to undertake that dark and uncertain journey with at least a
+small quantity of provisions."
+
+Grilly ran in and out of the dark passage quite frequently, both that
+evening and the next morning, evidently evincing a desire that the
+descent should be made without delay, which convinced me that he had
+come through all the darkness which yet lay between us and deliverance.
+
+The sun had reached the zenith when I at last bade farewell to the
+light and resolutely determined to proceed.
+
+"Good-bye, Pippity! We shall meet you below. Fly down, get everything
+ready for our reception, and have the table well supplied with the
+choicest fruits that you can find."
+
+But Pippity clung to me, and would not leave. "I will go with you! I
+want to go!" implored the bird.
+
+No expostulation could deter him from accompanying us.
+
+Grilly led the way; and when we lost the light, he squealed and
+chattered, and frequently ran back to make sure that Pippity and I were
+following him. I kept close to the wall on my left. We passed over the
+steep place. Still I kept close to the wall. The wall was on my
+left--still on my left. We were going at a pretty pace, as the monkey
+was continually urging us forward. We could not go fast enough for him.
+All at once he squealed significantly. He ran back to me. He took hold
+of my hand, and leading me slowly forward a few paces, I found there
+were three diverging passages. He drew me into the middle one. Then we
+resumed our quick gait, and, for some little time, all appeared to be
+plain sailing again.
+
+It may be asked, why did I allow myself to be guided by a thoughtless
+monkey? But here, in this darkness, was not reason entirely at sea?
+Might not instinct be superior to reason and avail something? I
+abandoned myself entirely to its mysterious power. I had faith in it.
+Grilly proceeded with such confidence that I could not but trust him.
+
+We had been plodding our way through the darkness for about four hours,
+I thought, when Grilly gave a loud shriek, and, running back to us, led
+us hurriedly forward; light became faintly visible; we ascended a few
+steps through a very narrow passage; we came abruptly to a stop; the
+monkey grasped something that hung down from above, and sprang upward
+with the agility of his nature. We saw him high above our heads
+climbing through a square opening of light. Immediately, he was
+descending again.
+
+"Why, Pippity," I cried, "we are at the bottom! Up there is our
+palace!"
+
+"Of course it is!" shrieked the parrot, in a tone which sounded more
+like a shout of joy than the voice of a bird; and, clinging to one of a
+number of long grass stems that could now be distinctly seen hanging
+from the top, he climbed up with bill and claws as handsomely as any
+parrot ever did the like, crying as he went:
+
+"Come along, Frank! We're all right!" Grilly was now down, too; and,
+reaching me his hand, he would fain have tried to pull me to the top.
+But I gave him to understand that I could very well take care of
+myself, and up I went by means of hands and feet--the monkey all
+capers, the parrot all talk, the man thankful--and when we stood in our
+grand old palace once more, three more thoroughly delighted creatures
+never were seen.
+
+"Now, Pippity and Grilly," said I, "bring something to eat. Search our
+broad garden for the best. Let us eat and be merry. While the light yet
+glows, let us enjoy ourselves."
+
+Away went the faithful animals. When they were gone, I walked forth and
+stood under the beautiful trees, surrounded by all the adorning
+verdure. How glad was I to be once more on the ground, once more in the
+world!
+
+Presently, I saw Pippity and Grilly returning. The latter had an
+immense load of luscious fruit strung over his back, besides what he
+dragged after him in a large basket. It may well be imagined that we
+had a most delightful meal.
+
+After this, I made frequent visits to the top of the pinnacle, always
+taking Grilly with me, Pippity, as a general thing, being content to
+take the short cut and meet us at the aperture above.
+
+But before taking these trips, I made Grilly stretch a line of the long
+silken cords (which we found in abundance) from one end of the dark
+passage to the other, so that I could find my way back, if the monkey
+should fail me. I also used strong ropes, made of these strands, to get
+over the dangerous slide.
+
+These trips afforded us an agreeable diversion. We had now, it might
+be said, entire command of our mountain palace--our magnificent hall
+below and our splendid look-out above. Months passed away in this happy
+abode. Sometimes we visited the distant mountains, ever exploring, ever
+learning, ever rejoicing; but always returning to our happy home with a
+renewed relish of its rare comforts and matchless advantages.
+
+During one of the excursions to the neighboring mountains,--Pippity
+alone accompanying me, Grilly having gone to assemble his tribe for a
+fresh supply of cocoa-nuts,--we were leisurely contemplating the great
+expanse of loveliness that lay before us, in the center of which our
+noble dwelling loomed up superbly.
+
+"What a splendid domain is ours!" I said to Pippity. "We have
+everything that man need wish,--and, for that matter, parrot or monkey
+either. How bountiful, here, is nature, and withal so beautiful! And
+our palace! Was ever anything in the world like it?"
+
+As the parrot made no answer, I looked toward him, for I was certain
+that he would join in praise of all our precious blessings.
+
+There was a troubled look about him. His wings moved convulsively. The
+feathers stood ruffling from his body. He was in a state of the
+greatest agitation.
+
+I was alarmed. "What's the matter, Pippity?" I cried. But Pippity
+replied only with a succession of loud shrieks growing ever louder and
+louder.
+
+The air had become as still as death.
+
+My body appeared to move from side to side. No, no! The ground was
+rising, falling! It seemed no longer solid. Like a wave it rose and
+fell. The foot-hills below us separated, reft into awful chasms. I
+looked toward our home. Just then cried Pippity:
+
+"Oh, our palace! Our palace!"
+
+"Ah, ah! It falls! It falls! See, see, how the huge rocks rive and
+crumble!"
+
+What a fall was there! A crash that echoed terribly in that circle of
+mountain wildness!
+
+A cloud of dust rolled in fearful mockery where one moment before had
+stood the proud pinnacle. An enormous mass of rocks fell into the lake
+below, and the vapors rose in a rival cloud. High in the firmament they
+curled and twisted, their wreathing forms together telling a woful tale
+of destruction.
+
+We forgot our own danger in watching all our grandeur dashed to
+nothingness.
+
+Destruction as it was, it was grand!
+
+But Grilly! Where was he? "Ah, Grilly, Grilly!" cried I, "I fear he is
+lost!"
+
+"Come, come!" said Pippity. "Where's Grilly? Find Grilly! Quick,
+quick!"
+
+But there was some rough country to get over. Gaps, masses of uprooted
+trees, rocks, earth and vegetation mingled in confusion.
+
+At last we arrived at home--no, not home! Nothing but a heap of ruins!
+
+And where was Grilly? We searched, but found him not. We called, and
+called again; but answer there came none.
+
+Pippity, with a shrill and deafening cry uttered ceaselessly: "Grilly!
+Grilly! Grilly! Grilly!"
+
+But answer there came none.
+
+And all the next day we sought, and still poor Pippity cried, "Grilly!
+Grilly!"
+
+But the dead, the lost, answer not.
+
+ * * * * *
+
+A home we had no longer. Where once stood magnificence, ruin now stared
+us in the face.
+
+"Pippity!" I said to poor Polly, "we will leave this once glorious
+spot. Our home is desolate. It is home no longer. Let us seek new
+scenes in other lands."
+
+"Where shall we go?" asked Pippity--and if a parrot could shed tears he
+would have shed them.
+
+"We will go to the abodes of men. We will go among civilized people."
+
+"I, too, Frank. I, too! Call Gr----!"
+
+"Say no more, Pippity! Strive to forget."
+
+For seventeen days we traversed the mountains, picking up a scanty
+subsistence by the way. Pippity was considerably frightened by the
+condors that really seemed to threaten us when we reached great
+elevations; and I was astonished at the remains of the once stupendous
+works of the ancient dwellers in this land. Bridges stretching from
+mountain to mountain, over immense, deep valleys, attested the
+knowledge and power of that singular race.
+
+Later, we began to meet people; a hut here and another there, with
+miles between. Pippity was quite at a loss to know what to make of such
+persons as we met. When two or more happened to be conversing together,
+it was utterly incomprehensible to him how they could understand one
+another.
+
+"What jargon is this?" he evidently tried to say, "that these people
+are all the time jabbering? It is nothing but an unmeaning chattering
+of monkeys. Can it be possible that they know what they are babbling?
+And you understand that gibberish, too?"
+
+I had taught Pippity no language but my own, and it was no wonder that
+he was surprised when he heard people so like me talking quite
+differently.
+
+We soon reached the sea-coast; and if Pippity was surprised at what he
+saw in the towns and cities, the citizens, many of whom were familiar
+with the English tongue, were still more surprised at his wonderful
+gift of language.
+
+My own appearance until I bought myself some decent clothes, created
+quite a sensation among the people I met. During my long stay in my
+mountain home, I had been obliged to mend and darn my garments with the
+fibers of plants until there was scarcely a vestige of the original
+fabric remaining; and I looked like a veritable scarecrow.
+
+But I was not poor. In a little, home-made wallet, I carried a small
+handful of diamonds, which I had, from time to time, found in my
+wanderings about the Tower-Mountain. These now did me good service. I
+easily converted them into money, which gave me the means of living and
+traveling as I pleased.
+
+We took ship, Pippity and I, and sailed away to my old home in the
+north. On the voyage, the gifted bird was the hero of the vessel.
+Ladies, gentlemen, children, and even the officers and crew of the
+ship, were glad to gather around him and talk to him. No such parrot
+had any of them seen before. I had magnificent offers made to me, if I
+would consent to sell him, but I refused them all, and, after awhile,
+Pippity himself relieved me of the duty of declining to sell him. When
+an offer of purchase was made, he would say, "I can't be bought!"--or,
+if the proposal came from a lady, "Madam, your offer is most
+respectfully declined!"
+
+At last we reached my native city, and here a great misfortune happened
+to me.
+
+In walking about the streets with my parrot, Pippity was constantly
+obliged to inhale the fumes of tobacco. He could not endure it, and
+frequently asked me in his own fashion why people persisted in puffing
+such sickening smoke from their mouths. I explained the matter to him,
+but he never could see any sense in it. It was known on board the ship
+that Pippity disliked the fumes of tobacco, and he was such a general
+favorite that no one smoked in his presence.
+
+But in the city streets he met with no such consideration. He was
+incessantly compelled to breathe tobacco smoke, and it made him ill. In
+a very few days he was seized with a painful choking sensation, caused
+by the irritation of the smoke, and in a short time he died. His last
+words were:
+
+"That detestable tobacco!"
+
+And so I lost this good friend. I had his skin stuffed, and presented
+it to our society of natural history.
+
+There were people to whom I told this story of my adventures who did
+not believe me, but I was always sure they would have credited my word
+if only I had had my monkey and my parrot with me to corroborate the
+truth of my strange history.
+
+
+THE END.
+
+
+
+
+GIFTS FOR ST. NICHOLAS [A]
+
+BY EMMA E. BREWSTER.
+
+
+ Grieve not, O Santa Claus, who fills
+ Each stocking, box and tree;
+ Nor think, most desolate of saints,
+ None bring good gifts to thee.
+
+ We place no candles in thy crypt,
+ No gold upon thy shrine,--
+ Thou bringest us the frankincense,
+ The tapers and the wine.
+
+ But rarer gifts, good Nicholas,
+ Than these, thy children bring,
+ When up and down an echoing world
+ The Christmas bells all ring.
+
+ We bring our brightest, truest love
+ To crown thy happy brows;
+ No monarch wears a coronet
+ So light as holly-boughs.
+
+ We bring our gayest, fairest hopes,
+ With smiling memories spun;
+ So rich a robe has never shone
+ Earth's proudest king upon.
+
+ We bring our trust, our childhood faith,
+ And place it in thy hand;
+ No jeweled scepter has such power
+ To rule on sea or land.
+
+ Then stay, O dear St. Nicholas!
+ Look on thy heaped-up shrine;
+ Our hearts, our hopes, our memories,
+ Our trusts, our faith are thine!
+
+ There's not in all the calendar
+ One saint whose altars shine
+ With such gay throngs of worshipers,
+ Such precious gifts, as thine!
+
+[Footnote A: An answer to "Left Out," published in the December number.]
+
+
+
+
+SOME IN-DOOR GAMES AT MARBLES.
+
+BY L.D. SNOOK.
+
+
+One or two of the following games of marbles may be known to the
+readers of ST. NICHOLAS, but we think they all will be new to a great
+many boys.
+
+
+THE ARCHED-BOARD COUNT-GAME.
+
+[Illustration]
+
+A strip of board, half an inch thick, five inches wide, and twenty-two
+inches long, has notches cut in one side, two inches wide at the
+bottom, and tapering as shown. Short bits of board nailed upon each end
+keep the strip upright. Then it is placed upon the floor within two
+feet of the wall. Each player is provided with the same number of
+marbles (from three to five, or as many as the players wish), and from
+the opposite side of the room he rolls at the board, the object being
+to roll through the arches, which have numbers immediately above them
+in the manner shown. The one making the most counts after rolling all
+the marbles is entitled to one game. Or, if you have but five or six
+marbles, each party rolls the whole number by himself, and should there
+be a tie between those who make the highest aggregate number, they must
+roll again, the one then having the highest tally winning the game.
+
+
+THREE-ARCH DISCOUNT-GAME.
+
+[Illustration]
+
+This board is as wide and thick as the other, but is only eighteen
+inches in length. The center arch is four inches wide, the two small
+ones three inches each. In playing, each boy rolls from four to ten
+marbles each, every marble that passes under the center arch counting
+forty; if the marble goes through either small arch, twenty is deducted
+from the count, or, as the boys say, is "counted off" each time. So, if
+you are not a good shot, it is likely you will lose more than you will
+gain. In this, or the previous game, if you fail to pop your marble
+through any arch, it is lost.
+
+
+THE TEN-BLOCK COUNT-GAME.
+
+[Illustration]
+
+You are to make ten blocks of wood, each about one inch square; upon
+one side of each you mark the figure 0; on the other sides the numbers
+10, 20, 30, 40, and 50, the 50 being upon the side opposite the 0. The
+blocks are placed upon the floor or carpet in the form of a half
+diamond, as shown. The in each case being placed upward, each player
+rolls four marbles singly at the blocks, the object being to hit as
+many of them as possible. When done, count the numbers on the upper
+sides of all the blocks, and replace them for the next player. It is a
+lively game.
+
+
+SWINGING-BLOCK COUNT-GAME.
+
+[Illustration]
+
+This is but a modification of the block-game just described. A common
+pin or tack is driven partly into one side of a block, which is
+connected by a string with a little strip of wood above. Instead of
+making side-pieces for supports, two chairs can be used, letting the
+strip rest upon the seat or lower rounds. Each block has the same
+number upon every side, and is hung so that the bottom is about
+one-quarter of an inch from the floor. When a marble strikes a block it
+swings a little and soon is quiet. This saves considerable work in
+replacing overturned blocks. For each block hit, tally the number upon
+it.
+
+
+CIRCLE-GAME.
+
+[Illustration]
+
+Mark upon a piece of paper three rings, the largest from eight to
+fifteen inches in diameter, the other two considerably smaller. Within
+the rings mark the numbers 10, 20, and 50, as shown. Lay this paper
+upon the carpet or floor, and roll your marbles, the object; being to
+have them stop upon the paper and as near the center as possible, each
+person to let his remain where they stop until all of his be rolled.
+Should a marble rest on a line, tally for it the number in the largest
+circle adjoining.
+
+
+
+
+TOMMY'S THREE HORSES.
+
+
+[Illustration]
+
+
+ The first is a pony without any head;
+ 'Tis a wonder, indeed, how the creature is fed.
+
+[Illustration]
+
+ The second, you see, is a steady old chair;
+ Very gentle is he, and he needs little care.
+
+[Illustration]
+
+ And here is another--the third one, of course;
+ But the driver's Tom's brother, and Tom's his own horse.
+
+
+
+
+THE CHICKENS THAT WOULD NOT BE TAME.
+
+
+In a small village there lived an old woman who kept poultry. One day
+this old woman went to see a little girl, who had some chickens which
+were so tame that they would eat corn and crumbs out of her hand.
+
+"That's nice," said the old woman; "I shall teach my chickens to do
+that."
+
+So she went home, and got some corn and some crumbs, and went out into
+the yard and called the chickens; but they would not come to her. They
+were afraid of her, because she used to shout at them, and throw sticks
+at them, every time they came into the garden, or near the house.
+
+[Illustration]
+
+When she saw that her chickens would not eat out of her hand, this old
+woman was very angry, indeed.
+
+"You bad chickens!" she said, "I'll catch you and make you eat out of
+my hand." So she ran after them and tried to catch them, but some ran
+one way and some another, and she could not lay hold of any of them.
+
+The next day she went again to the house where the tame chickens were,
+and this time she saw the little girl's mother, and told her about the
+trouble she had, and how her chickens would not let her come near them.
+
+"I don't see why they are not nice, gentle chickens like those your
+little girl has," said the old woman.
+
+"Well," said the little girl's mother, "perhaps they would be tame if
+you had always treated them as well as my little girl treats her
+chickens. She has been kind and gentle with them ever since they came
+out of their shells, and they have learned not to be at all afraid of
+her. But I think I have seen you throwing sticks at your chickens and
+chasing them about the yard. If you do that, they cannot help being
+afraid of you, and they will never come to you and eat out of your
+hand."
+
+What the little girl's mother said was very true, and if any of you
+have birds or animals which you wish to tame, you must always treat
+them so kindly that they will never have any reason to be afraid to
+come to you.
+
+
+
+
+[Illustration]
+
+
+JACK-IN-THE-PULPIT.
+
+
+"Thirty days has September, April, June and November; all the rest have
+forty-three, except February, which is leap-year every four months." I
+may not repeat this correctly, but I heard a little boy saying
+something of the kind. Perhaps you all know the jingle better than I
+do, so I'll say no more about it.
+
+
+NATURE'S PADDLE-BOATS.
+
+A little bird has told me such a strange thing! It's about a kind of
+jelly-fish which he called a "Globe-Beroe," I think; but you can find
+out for yourselves, if I caught the name aright or not.
+
+This jelly-fish looks like a tiny ball of the clearest ice. All around
+it, much after the fashion of the lines of longitude on a geographical
+globe, are eight bands a little less transparent than the rest of the
+body. On each of these are thirty or forty small paddles, in shape like
+the floats upon the paddle-wheels of a steamboat; and it is by means of
+these that the little creature pushes itself along in the water. The
+paddles are alive, and move either swiftly or slowly, one at a time or
+all together.
+
+Not only can this natural paddle-boat send itself along, but it can
+also cast anchor. It puts forth very fine threads, which gradually
+lengthen, unfolding from their sides transparent tendrils like those of
+a vine. These catch hold of and twine around some fixed thing, and moor
+the craft; and when the Beroe is about to be roving again, they unwind
+themselves, and all slip quietly back into the little ice-ball out of
+sight.
+
+There are countless millions of Beroes in the Arctic regions, where the
+sea is in some parts colored by them for miles and miles. If there were
+not such immense fleets of these tiny paddle-boats there would be
+little chance for us to wonder at them, because they choose for their
+moorings just the places where whales love best to feed and play their
+rough games, and where, too, their own presence in the sea makes it
+into a kind of soup of which whales are very fond.
+
+
+TINY TREES.
+
+Only think of trees, full-grown trees, so small that several of
+them,--roots, stems, branches and all,--piled one above another, would
+not be as tall as I am!
+
+What kind of birds would stoop to roost in such little, little trees,
+I'd like to know?
+
+They tell me that such tree-lings do really grow, away up, on high
+mountains, near where the snow stays all the year through, and also in
+very cold countries near the polar circles.
+
+I do hope the words "polar circles" will bring clear ideas to you, my
+dears. They've quite tangled up my notions. Wont some of you explain
+the things to me?
+
+
+BIRDS AND TELEGRAPH-WIRES.
+
+The Little Schoolma'am has been talking about snow-birds, and she says
+there was a poem about them in ST. NICHOLAS for April, 1875, and also a
+picture of the dear little fellows comfortably perched on a
+telegraph-wire, out in Colorado, somewhere. I dare say you'll remember
+them, my chicks.
+
+Well, she went on to say that telegraph-wires are not always such good
+friends to birds, for she had heard that, along the great railroads in
+the West, large numbers of prairie-chickens are killed at certain
+seasons of the year by flying against the wires. Sometimes this may
+happen in the dark, but more often in the day-time when the wind is
+very strong.
+
+Of course, this can't very well be helped; but it does seem dreadful,
+doesn't it, my dears? However, the section-men, who have charge of the
+railroad tracks, get some good from it, for they make a regular
+business of gathering the fallen birds, which are then cooked and
+eaten.
+
+
+WALTON'S KITTY AGAIN.
+
+ Dear Jack: A while ago I told in ST. NICHOLAS something about
+ "Walton's Kitty," that loves music and climbs upon any one who
+ sings to her, putting her head as close as can be to the lips of
+ the singer. Now, here is another true story about this same cat:
+
+ In the summer, Walton's aunt used to set the milk in a cool closet,
+ in a pitcher with a long, narrow neck, but day after day, when
+ teatime came, every drop of that milk was gone. Nobody drank it,
+ nobody used it, nobody spilled it. "Walton's Kitty" and all her
+ descendants were clear of suspicion, because of the long, narrow
+ neck of that pitcher. So everybody watched and waited to find out
+ how the milk went.
+
+ And this is what they saw: There sat "Walton's Kitty," dipping her
+ paw deep down into the pitcher, taking it out, and then lapping the
+ milk from it! If she dropped the smallest drop, she stopped and
+ cleaned that up, and then went on. As the milk dwindled to the
+ bottom of the pitcher she shook her paw around; and she never left
+ off until every drop of milk was gone!
+
+ Since then, the milk for tea stands in a covered pitcher, but
+ "Walton's Kitty" has hers in a tall, narrow goblet. It is a very
+ affecting sight, and people laugh till they cry as they watch
+ her.--Yours truly,
+
+ M.B.C.S.
+
+
+FLINT ONCE WAS SPONGE.
+
+You never would think it, would you, my dears? But the Little
+Schoolma'am says that it was; and she always is right.
+
+She says that flint really is nothing more nor less than sponge turned
+to stone. Once the sponge grew at the bottom of the sea, as other
+sponges grow now; but that was ages and ages ago, and since then the
+sponge, turned to flint, has lain covered by rocks and earth of many
+kinds piled thick above it. Seen with a microscope, flint shows the
+make of sponge in its fibers; and sometimes you can see, bedded in it,
+the shells of the tiny creatures on which the sponge had fed. Now and
+then, inside a flint, will be found bits of the sponge not yet changed.
+
+That last proof settles it; but I must say it's hard to believe;--hard
+as the flint, almost.
+
+
+SOME OLD PUZZLES.
+
+Here are two letters, with old puzzles in them, that may amuse you for
+a while on one of these shivery evenings, my chicks. I'll tell you the
+answers next month.
+
+
+ Michigan.
+
+ DEAR JACK-IN-THE-PULPIT: The other night one of my brothers said he
+ did not believe we could pronounce a certain word after he should
+ have spelled it. I will tell you what it is, though you may have
+ heard about it already:
+
+ A cross, a circle complete,
+ An upright where two semi-circles do meet,
+ A triangle standing upon two feet,
+ Two semi-circles, a circle complete.
+
+ Yours truly, CORA.
+
+
+ Oswego, N.Y.
+
+ DEAR JACK: I send you a riddle which I found. I take ST. NICHOLAS
+ and like it very much. I have all of the volumes from 1874.
+
+ I am a word of plural number,
+ A foe to peace and human slumber,
+ Yet, do but add the letter S,--
+ Lo! what a metamorphosis!
+ What plural was, is plural now no more,
+ And sweet's what bitter was before.
+
+ Yours truly, KITTIE.
+
+
+Talking about riddles, reminds me of one that was made by Richard
+Whately, an archbishop of Dublin, as I've heard. This is it:
+
+ "When from the Ark's capacious round
+ The beasts came forth in pairs,
+ Who was the first to hear the sound
+ Of boots upon the stairs?"
+
+I'm told that it never has been guessed right by anybody; yet the
+archbishop said there was an answer, although he did not say what it
+was. May be you can solve the riddle, my dears, if you brush up your
+wits a bit? Let me know as soon as you think you have the right answer.
+
+
+THE NEWEST FASHION.
+
+The girls of the Red School-house often talk about new fashions,
+especially when the Little Schoolma'am is about, for she is pretty sure
+to drop some useful hints. Well, one day she told them, among other
+things, about the "latest novelty" in ladies' ball-dresses at
+Upernavik, in Greenland.
+
+As nearly as I can remember, she said that the costume consists of a
+little jacket, made of bright-colored calico or flannel; long
+pantaloons of sealskin, trimmed like the jacket and sitting close to
+the figure; and white, red or blue boots: the whole set off by gay
+ribbons and all the beads the wearer can get.
+
+A jaunty suit enough, no doubt; but, if she wore only that, the wearer
+must have been obliged to dance, merely to keep herself warm.
+
+By the way, I wonder what ever possessed them to call that frozen
+country Green-land?
+
+
+TO SURPRISE A DOG.
+
+This is the way a man among the Himalaya Mountains once astonished a
+stranger dog. He put on a pair of huge goggles and walked steadily and
+quietly toward the dog, without speaking a word. The dog bristled up
+and stared hard for a moment, and then, all at once, he seemed to wilt,
+and away he slunk as if ashamed of himself.
+
+I heard about this only the other day, my dears, and I tell it to you
+merely to warn you not to try the little trick, unless you are sure
+your dog will not get angry and jump for you.
+
+It would not look well for you to slink off as if you were ashamed of
+yourself.
+
+
+THE KINDERGARTEN AT HOME.
+
+ DEAR JACK: Will you please tell your older boys and girls that in
+ good systems of Kindergarten teaching they will find a great many
+ means of amusing invalid brothers or sisters without wearying them,
+ and many games and much fun for the younger ones, who will learn at
+ the same time things that they ought to know. To carry out these
+ methods one wants sticks, blocks, slates, slats, colored balls, and
+ other things easy to make and cheap to buy, the use of which is
+ pleasant to teach as well as to learn and practice.
+
+ I bought lately a full set of Kindergarten apparatus such as I have
+ named, and sent it to a little niece of mine in California, and the
+ dear little one writes to me that she has had much happiness and
+ enjoyment out of it. I hope some of your young friends will try the
+ experiment and let me know what success they have.--I am, dear
+ Jack, yours affectionately, A LITTLE SCHOOLMA'AM.
+
+
+KAFFIR IRONING.
+
+You all know how ironing is done here--with flat-irons, I think
+somebody said. Well, the birds tell me that the Kaffirs of South Africa
+don't use flat-irons, but have quite another way. They make the clothes
+into a neat flat package, which they lay on a big stone. Then they just
+dance on the package until they think the clothes are smooth enough! It
+must be good fun to them! Luckily, Kaffirs don't wear cuffs and frills.
+
+
+SLIPPERS FOR HORSES.
+
+Where do horses wear slippers?
+
+Now, my chicks, this is not a conundrum. So you need not be chirping
+out, "On their feet, of course;" or some foolish answer of that kind.
+The real answer is, "Japan,"--at least, so I'm told, and there are such
+numbers of other queer things there, that I don't wonder it is so.
+
+Well, Japanese horses wear straw slippers,--clumsy-looking things, I
+should say. But, besides that, they stand in their stables with their
+heads where American horses' tails would be! Perhaps Japanese horses
+like to see for themselves what is going on?
+
+"Where is the food put?"
+
+Why, in a bucket hung from the roof, of course. Where else, would you
+suppose?
+
+
+
+
+[Illustration: ON THE ICE.]
+
+
+THE LETTER-BOX.
+
+
+ Fair Haven, Vt. 1877.
+
+ DEAR ST. NICHOLAS: Two of my sisters and myself have taken your
+ magazine ever since it was published, and like it very much. I am
+ glad Miss Louisa M. Alcott is writing a story for your magazine, as
+ I am very fond of her stories.
+
+ I have read, "Eight Cousins," "Rose in Bloom," "Little Men,"
+ "Hospital Sketches," "Aunt Jo's Scrap-Bag," and "Little Women,"
+ myself, have been called "Meg, Amy, Beth and Jo." My oldest sister
+ Ada, who is sixteen years old, is the "Amy" of our family; My
+ little sister Stella, who is eleven years old, is well skilled in
+ music, and we think she is very much like "Beth"; and I am
+ thirteen, and have been called "Jo."
+
+ So, you see, I was greatly interested in "Little Women," as I could
+ appreciate it so well; and it seemed to me as if Miss Alcott must
+ have seen us four girls before she wrote the story.
+
+ I have four first cousins, and they are all boys, and with my
+ sisters and me we are "eight cousins." One of my cousins is a
+ little baby, a little over five weeks old. He makes the eighth
+ cousin.
+
+ I liked the piece about Miss Alcott in the December number very
+ much. We expect to take your magazine until we are young women. I
+ think it the best published for young people.--Your friend,
+
+ ANNIE ADAMS.
+
+
+ * * * * *
+
+
+By letters just received from England, we learn that the pretty
+Christmas and New-Year cards in our December and January issues were
+_not_ drawn by Miss Greenaway, though a friend had mistakenly sent them
+to us last summer as specimens of that lady's work, cut from a
+scrapbook. We, therefore, hasten to correct the error, wishing at the
+same time, that we knew to whose hand to credit the drawings. To our
+still greater regret, we now learn that Marcus Ward & Co., of London,
+having published these as Christmas cards, and counted upon having a
+large sale for them in America. Had we known this in time, we certainly
+should not have copied the pictures without previously referring to the
+publishers. The best reparation we can make at the present date is this
+acknowledgement and a bit of honest advice to our readers: Hunt the
+shops for the beautifully colored cards from which these pictures were
+copied, and buy them for next Christmas. They are far better than our
+printed ones.
+
+
+ * * * * *
+
+
+ Brooklyn, N.Y.
+
+ DEAR ST. NICHOLAS: I am twelve years old and very fond of reading,
+ and as I never can find an interesting book of history, I read
+ stories. But mamma and other people tell me I ought to read
+ something instructive, but as I never can find anything I like, I
+ would be much obliged if you would help me a little by giving me a
+ list of pleasant books. I have taken you for three years and enjoy
+ you very much indeed.--Your very affectionate reader,
+
+ ALICE CLINTON.
+
+"Greene's Shorter History of the English People," a new work, is very
+interesting. H.M.D. in the "Letter-Box," October, 1876, says that "The
+Life and Times of Sir Philip Sidney" is such a pleasant book that you
+cannot help having a good time when you are reading it, and will not
+think it is history unless you know beforehand. "Seven Historic Ages,"
+by Arthur Gilman, is another attractive book, and if you are like most
+smart girls of your age, you will find Prescott's "Ferdinand and
+Isabella" as interesting as many story books. It is a history of Spain
+in its most prosperous times. It is long, but, once begun, few find it
+hard to finish.
+
+
+ * * * * *
+
+
+ Geneva, N.Y.
+
+ DEAR ST. NICHOLAS: Please tell "Jack" that apples that are part
+ sour and part sweet grow in the beautiful State of New York. I have
+ tasted of such fruit and am sure it is so. Who can tell me more
+ about this wonderful fruit? And how many have ever eaten such
+ apples?
+
+ Can any one tell me what causes them to grow one side sweet, and
+ the other sour? Hoping to hear more on this subject, I remain,
+ yours truly,
+
+ ALMA AYLESWORTH.
+
+
+ * * * * *
+
+
+ Mobile, Ala.
+
+ DEAR ST. NICHOLAS: I wish to tell you of Fanny, our little mule,
+ who cannot be forced to work on Sunday. She is gentle, obedient and
+ faithful on week days, but on Sunday Fanny will not be made to
+ move.
+
+ Don't think us heathen, dear ST. NICHOLAS, for the boys just tried
+ to make her carry a load of hay as a test, and to tease her, also;
+ but when papa saw what they were up to, he put a stop to it, and
+ now Fanny enjoys her Sundays in peace. My little sister says, "she
+ is a religious mule." Do you think that the mule really knows when
+ Sunday has come?--Your well-wisher,
+
+ ERNESTINE HAMMOND.
+
+
+ * * * * *
+
+
+KING ALFRED AND THE CAKES.
+
+(_Jack-in-the-Pulpit's Story in the December Number, Straightened
+Out_.)
+
+King Alfred the Great, having been driven by the Danes to seek safety
+in flight, disguised himself as a peasant, and took refuge in the hut
+of a cow-herd, where he was told to watch the baking of some cakes. But
+he forgot the cakes and let them burn; and when the herdsman's wife
+came in, she gave him a sound scolding for his carelessness.
+
+Charles I. of England was defeated at Marston Moor; and his son,
+Charles II., after losing the battle of Worcester, barely escaped
+capture, by hiding in the leafy branches of an oak-tree.
+
+Robert Bruce lost many battles, fighting for the Scottish throne. At
+length, he lay down disheartened on a heap of straw in an old hut.
+While he was thinking over his troubles, he saw a spider trying to get
+from one rafter to another. It failed many times, but at last
+succeeded, and Bruce, taking courage at the insect's example, went on
+fighting until he had secured his kingdom.
+
+Sir Isaac Newton had on his table a pile of papers upon which were
+written calculations that had taken him twenty years to make. One
+evening, he left the room for a few minutes, and when he came back he
+found that his little dog "Diamond" had overturned a candle and set
+fire to the precious papers, of which nothing was left but a heap of
+ashes. It was then that he cried, "Oh, Diamond! Diamond! thou little
+knowest what mischief thou hast done!"
+
+It is said that George Washington, when a boy, destroyed his father's
+favorite cherry-tree, and, being asked about it, replied: "I cannot
+tell a lie; I did it with my little hatchet."
+
+Oliver Cromwell, when dispersing Parliament, saw the Speaker's mace
+upon the table, and, pointing to it, said, "Take away that bauble!"
+
+Just after Lord Nelson's great naval victory off Cape Trafalgar, as he
+was dying from a wound received in the battle, he kept repeating the
+words, "Thank Heaven, I have done my duty!"
+
+Prince William, son of Henry II. of England, was drowned on his way
+home from France. The king was so affected by his loss that "he never
+smiled again."
+
+[Fannie P. sends a complete and correct version. Willie H. Paul and
+Bertha Paul straightened out all of the story except the part about
+Lord Nelson. The versions sent by E.J. Smith, Charlie W. Jerome, Lulu
+Way, and John N.L. Pierson, were correct, as far as they went, but they
+explained only the parts that referred to King Alfred himself.]
+
+
+ * * * * *
+
+
+Here is a little story sent to ST. NICHOLAS as a companion to "The
+Story that Wouldn't be Told," in the November number:
+
+
+THE STORY NOBODY KNEW.
+
+Once there was a little story that nobody knew, and nobody could tell
+it, because nobody knew it, and yet this little story wanted dearly to
+be told. It used to wait about where people were telling stories, and
+when a story was ended and the merry laugh went round, it would say to
+itself, "Now they will certainly tell me," but they never did. So at
+last this little story got quite low-spirited and wandered off by
+itself out of the house, and through the garden into the orchard, and
+there in the orchard, under an apple-tree, there was a little girl
+lying fast asleep among the buttercups and daisies. The little story
+looked all around to see that no one else was there, and then it
+cuddled down beside the sleeping child and whispered itself into her
+ear. It was so exciting, so charming, that the little girl awoke, and
+thought she had dreamed it all, and ran to tell her mother the
+beautiful dream. When she saw her mother, she cried out, "Mother!
+mother!" and was just about to tell the little story, when suddenly she
+forgot it all, and now the little story can never be told, but it still
+comes to good children in their dreams.
+
+
+ * * * * *
+
+
+A little girl, eleven years old, sends these verses of her own
+composition to the "Letter-Box":
+
+
+VALENTINE.
+
+ I am a little Cupid,
+ And I come to visit thee,
+ To tell you that I love you,
+ And to know if you love me.
+
+ And if you'll be my little wife,
+ And come along with me,
+ I'll take you to a lovely place,
+ And pretty flowers you'll see.
+
+ And when you have been there a day,
+ You'll be a little Cupid,
+ With no hard lesson-books to learn,
+ That are so dull and stupid.
+
+ But, if you will not come and be
+ My pretty little wife,
+ You'll go straight back to school again,
+ With lessons all your life.
+
+K. UNIACKE.
+
+
+ * * * * *
+
+
+ Two Rivers, Wis.
+
+ DEAR ST. NICHOLAS: I am not quite ten years old, but I am one of
+ your oldest subscribers. We have every number from the very first.
+ I have a brother Fred, two years older than I. We have always lived
+ on the shores of Lake Michigan.
+
+ During the summer months, the steamer comes in from Chicago every
+ morning. Fred and I like to get up early in the morning, and go
+ down to the beach, before breakfast, to see the steamer go out;
+ and, afterward, the morning train, for the station is near the
+ beach. It is lovely down there early in the morning; we dig wells,
+ sail boats, and wade out after the waves that chase us back again.
+
+ We love the lake, and spend many happy hours down there. But
+ sometimes it's a very wicked lake. Three weeks ago it blew very
+ hard all night, and in the morning the waves were rolling up like
+ mountains, and near the harbor pier there lay a wreck. Although
+ they were so close to the town, and several other vessels were
+ lying at anchor near, no one had heard, or seen, or knew anything
+ about how it happened. It proved to be the "Magellan," of St.
+ Catherine's, Ont. Since then nine bodies have washed ashore, among
+ them the captain and his brother, the mate, both of them
+ fine-looking young men, and not like ordinary rough sailors. The
+ captain was a Knight Templar, and the Masons took charge of the
+ body and sent it home, and some ladies made a beautiful cross of
+ natural flowers, which they laid on his breast. But I will leave
+ this sad subject, and tell you how we appreciate ST. NICHOLAS.
+
+ Last week we had a concert. There were several recitations from ST.
+ NICHOLAS, besides the "Mother Goose Operetta" in the January number
+ (1877). It was very pretty. There were fifteen children, all in
+ handsome peasant costumes. I was Marie.
+
+ Last summer, when we came from the Centennial, in our Pullman car
+ were two boys just Fred's age; one was from San Francisco and one
+ from Chicago. Of course, the three were soon well acquainted, and
+ had lots of fun together. And what do you think? They soon found
+ out that each was a subscriber to ST. NICHOLAS! And how they
+ enjoyed talking over the stories together! "Fast Friends" seemed to
+ be the favorite; but I like "Eight Cousins" better.--Respectfully
+ yours,
+
+ NETTIE CONINE.
+
+
+ * * * * *
+
+
+ Paulsboro, N.J., 1877.
+
+ DEAR ST. NICHOLAS: I had pigeons at the Woodbury Fair both this
+ year and last, and took the first premiums for best display:
+ another little fellow, about my age, had four when I had six, and
+ had eight when I had nine; how many had I better take next year?
+ You are interested in this question, for the two dollars premium
+ helps pay for my ST. NICHOLAS, and I don't want to be without
+ _that_. I take the "Scattered Seeds," but like ST. NICHOLAS better.
+ Please stop sending my magazine to Wm. E. _Grant_. I am no relation
+ to General Grant, but am a Democrat, and for General McClellan. I
+ am nine years of age.--Your constant reader,
+
+ WILLIE E. GAUNT.
+
+You have done so well already, Willie, that we think you can best
+answer your own question; but we should take _all_ of our _best_
+pigeons.
+
+
+ * * * * *
+
+
+ New York.
+
+ Will ST. NICHOLAS please tell "Sidonie" if the "trade dollar" is
+ made entirely of silver?
+
+It is not. There are 900 parts of pure silver and 100 parts of copper
+in the "trade dollar." The copper alloy is added to make the coin hard,
+so that it will wear well, as silver by itself would be too soft.
+
+
+ * * * * *
+
+
+ Chicago, Ill.
+
+ DEAR ST. NICHOLAS: I, for one, think it is all nonsense about those
+ "that" sentences. Anybody can put more than eight "thats" in a
+ sentence; but if he, she, or it, can parse them, I would like to
+ have them do it. I don't believe it can be done. Let them parse the
+ sentence in the August number, for instance; and, if they can put
+ in twelve "thats" and then parse them, why, then, and not till
+ then, will I believe it. Please put this in the Letter-Box, and
+ oblige.
+
+ C.P.S.
+
+
+ * * * * *
+
+
+ Louisville, Ky.
+
+ DEAR ST. NICHOLAS: I thank you very much for the many beautiful
+ designs which you have given for Christmas presents, and for the
+ pictures and silhouettes which you have published, from which we
+ have copied in _tableaux vivants_ and shadow pantomimes. We had
+ "The Modern and Mediaeval Ballad of Mary Jane" (published in
+ January, 1877) in our church entertainment, and it "took"
+ immensely. "The Stalwart Benjamin" and "Lord Mortimer" were cut
+ from pasteboard, and fastened up by wires, and, of course, no one
+ knew that they were not people. The "Ballad" was read behind the
+ scenes.--Truly yours,
+
+ KITTY B. WHIPPLE.
+
+
+ * * * * *
+
+
+ Boston.
+
+ DEAR ST. NICHOLAS: Papa has bought me every number of the ST.
+ NICHOLAS you have ever published, and as I have seen several
+ letters asking you about different things, I thought I would ask
+ you about something I do not understand. If it is not really known
+ who wrote the plays "Titus Andronicus" and "Pericles, Prince of
+ Tyre," what circumstances lead people to think Shakspeare wrote
+ them?
+
+ I have enjoyed you extremely, and as the Little Schoolma'am seems
+ always to answer such questions, I write to you hoping you will ask
+ her.--I am your fond admirer,
+
+ ETHEL DAVIS.
+
+The Little Schoolma'am says it is not absolutely certain who wrote the
+plays you name, but this is about the way the matter stands:
+
+The play "Titus Andronicus" is not now believed to have been originally
+written by Shakspeare. It is considered too horrible and repulsive to
+be his work. However, it may have been brought to him to be retouched
+and made ready for the stage. Hence is it, perhaps, that some passages
+of his are found in it.
+
+"Pericles," as well as "Timon of Athens," is believed to have been the
+work of some other writer, afterward completed and partially altered by
+Shakspeare. It is thought that most of the last three acts of
+"Pericles" are Shakspeare's, though some of their prose scenes and all
+the choruses are by another hand.
+
+
+
+
+NEW PUBLICATIONS.
+
+
+ALL AROUND A PALETTE is a delightful book for boys and girls,
+especially for those who love good pictures and odd and sprightly
+stories with something in them besides the fun and sparkle. Mr. J.
+Wells Champney has put a picture or a sketch wherever there was a
+chance, and Mrs. Lizzie W. Champney has made the stories very bright,
+sweet and interesting. The book is published by Messrs. Lockwood,
+Brooks & Co., Boston, and is one of the "Children's Art Series."
+
+Messrs. Porter & Coates, of Philadelphia, send us THE BOY TRADERS, by
+Harry Castlemon, a brisk story of adventure on the sea, in the Sandwich
+Islands and among the Boers. There are several striking pictures.
+
+A YORK AND A LANCASTER ROSE, by Anne Kearney, author of "Castle Daly,"
+"Oldbury," etc.; published by Macmillan & Co., New York. This book is
+by an English author, and is a charming picture of family life, which
+will interest girls of thirteen and fifteen years of age. The story is
+of two girls, each named Rose, the one rich and the other poor; and
+tells how they were brought together, and the influence they exercised
+upon each other, and relates, in a very pleasant way, the various
+adventures, sayings, and doings of their brothers and sisters.
+
+THE CUCKOO CLOCK, by Ennis Graham, author of "Carrots" and "Tell me a
+Story"; published by Macmillan & Co. This volume is well illustrated by
+Walter Crane. The cuckoo in an old clock makes friends with a lonely
+little girl, and causes her to have a good time, and to see many
+wonderful things. One of the prettiest parts of the story is the
+account of the making of the clock in the German home of the little
+girl's grandmother.
+
+SLICES OF MOTHER GOOSE, SERVED WITH SAUCE BY "CHAMP," is the title of a
+set of large cards, admirably printed in black and red, and giving new
+funny versions of Mother Goose rhymes, by Alice Parkman, illustrated
+with capital pictures and silhouettes by Mr. Champney. Messrs.
+Lockwood, Brooks & Co., of Boston, are the publishers.
+
+SIX SINNERS, by Campbell Wheaton, has to do chiefly with one of the six
+dear little "sinners," Dora Maynard, whom girl readers will love right
+off. It tells all about her school-days, her pranks and fun, her
+troubles and how they were overcome, and tells it in a way so lively
+and absorbing that you will want to read all of it at one sitting. The
+book is clearly printed in large type, and is published by Messrs.
+Putnam, New York.
+
+
+
+
+THE RIDDLE-BOX
+
+
+EASY DOUBLE CROSS-WORD ACROSTIC.
+
+The initials and finals, read downward, form the names of two kinds of
+trees.
+
+1. The width of a vessel. 2. A mountain of Crete. 3. A Tom-boy. 4. An
+inclosure. 5. To harbor.
+
+WILLIE PETTINOS.
+
+
+SQUARE-WORD.
+
+1. A governor. 2. To join. 3. Flexible. 4. A girl's name. 5. Quick
+dances.
+
+L.
+
+
+NUMERICAL PUZZLE.
+
+I am a word of five letters, the sum of which is 512.
+
+ My 1 x my 3 = 1/20 of my 5;
+ My 2 x my 4 = 1/5 of my 3;
+ My 5 / my 1 = my 3 x 20.
+
+SEDGWICK.
+
+
+HIDDEN ACROSTIC.
+
+ At the top of a mountain,
+ Within a clear light;
+ In the midst of a fountain,
+ At edge of the night;
+ In field and in meadow,
+ In sunshine and shadow,
+ On land and on sea,
+ At the end of the earth,
+ Or in air, we may be.
+
+ Now put us together,
+ And, if you guess right,
+ You'll discover a water-fall
+ Sparkling and bright.
+
+W.P.D.
+
+
+EASY DECAPITATIONS.
+
+1. Behead a kind of sword, and leave a fluid for burning. 2. Behead a
+sharp-pointed weapon, and leave a fruit. 3. Behead to touch, and leave
+a kind of fish. 4. Behead a vehicle used in winter, and leave a shelf
+5. Behead a kind of deer, and leave a game that boys play. 6. Behead an
+ancient war implement, and leave a unit. 7. Behead animals of a common
+kind, and leave a sort of grain. 8. Behead to pull, and leave sore. 9.
+Behead the name of a vessel, and leave a narrow passage.
+
+WALTER A.
+
+
+TRANSPOSITIONS.
+
+1. Change artful into a confusion. 2. Change a Persian king into a
+mixture. 3. Change a cutter into listeners. 4. Change a cheat into
+musicians. 5. Change repaired into healed. 6. Change a drink into a
+class embracing many species.
+
+CYRIL DEANE.
+
+
+CHARADE.
+
+In war, and in council, my first oft appears.
+My second is that which my first often wears.
+Very strong is my last; 'tis a bark, not a bite;
+That from which it is taken is solid, not light.
+Three joined in one, if my whole you should find,
+An island well known it would bring to your mind.
+
+M.D.
+
+
+GEOGRAPHICAL PUZZLE.
+
+(Composed by Mary V. and Willie K., each aged thirteen.)
+
+An island west of British Columbia (1) went to the lightest city (2) in
+the world to attend a ball. She there met a peak in Oregon (3) named as
+follows: A city in Egypt (4), a city in Maine (5), and a city in
+Australia (6), in whom she was much interested.
+
+Her dress was a valley among the Himalaya Mountains (7), and though
+elegantly trimmed with a city in Belgium (8), it was, unfortunately,
+two cities in France (9). As she felt a country in South America (10),
+she wore around her shoulders a city in Scotland (11) shawl. Her
+jewelry was exclusively a peak in Oregon (12). Her shoes were of a
+country in Africa (13), and her handkerchief was perfumed with a city
+in Prussia (14).
+
+Being a lake north of the United States (15) dancer, she had
+distinguished partners, whose names were the capital of the United
+States (16), the capital of Ohio (17), the capital of Wisconsin (18),
+the capital of Alabama (19), the capital of Mississippi (20), and the
+capital of North Carolina (21).
+
+Having boldly said that she was a country in Europe (22), she was
+escorted by a city in Indiana (23) to a bay in South-west Africa (24),
+where she freely partook of a river in Oregon (25), some islands in
+the Pacific Ocean (26), a river in South Africa (27), a district in
+France (28), and some islands in the Atlantic (29). After passing a
+river of Maine evening (30), she bade a cape in Iceland (31) to her
+hostess, and was escorted home by an island in Nova Scotia (32).
+
+
+NUMERICAL ENIGMA.
+
+My 1 2 3 4 is undoubtedly possessed by every one of the whole race
+of 1 2 3 4 5 6 7 8 (my whole), while my 5 6 7 8 ends a prayer.
+
+C.D.
+
+
+ILLUSTRATED PUZZLE.
+
+[Illustration]
+
+ Twelve things may be found in the picture above,
+ Not clearly perceived by the eye,
+ But with keen observation and witty conceit,
+ You will find them, I know, if you try.
+
+ First point out (1) an animal (other than bear),
+ (2) A spectator, (3) a portion of corn,
+ (4) One part of a sentence, and (5) parts of a bird,
+ And (6) what may your fair head adorn.
+
+ Now (7) part of a river, and (8) parts of a book,
+ And now, if you please, take the trouble
+ To pick out (9, 10) two letters, which, rightly combined,
+ In classical language mean "double."
+
+ The remaining two things in the picture above,
+ To which I would call your attention,
+ Are (11) part of a carriage or part of a boy,
+ And (12) a sort of a stop or suspension.
+
+AUNT SUE.
+
+
+CURTAILMENTS.
+
+1. Curtail a bur, and leave to plague; curtail again, and leave plants.
+2. Curtail a celestial body, and leave to make smooth; again, and leave
+a model. 3. Curtail a low, wet ground, and leave a planet; again, and
+leave to injure; again, and leave a parent. 4. Curtail a jury-roll, and
+leave a glass; again, and leave part of a gun-lock; again, and leave a
+parent.
+
+CYRIL DEANE.
+
+
+COMPLETE DIAGONAL.
+
+Diagonals from left to right, downward: 1. Fifty. 2. A boy's nickname.
+3. A title of respect. 4. To affirm. 5. Ardent. 6. A vale. 7. A rule of
+action. 8. A river in Italy. 9. Phonetically, a measure.
+
+Horizontally: 1. Used by painters. 2. An Israelitish king. 3. A name
+for beer. 4. More dim. 5. To reduce.
+
+N.T.M.
+
+
+EASY NUMERICAL ENIGMA.
+
+I am composed of twelve letters. My 2 11 3 is a fish. My 1 4 3 2 5 is a
+girl's name. My 7 3 8 10 5 is an American politician. My 12 8 6 1 is
+pretty for a child's wear. My 9 8 12 10 5 is a necessary domestic
+utensil. My 4 8 6 2 is very pleasant. My whole is the title of a
+popular book.
+
+D.C.R.
+
+
+SQUARE-WORD.
+
+1. An emperor's title. 2. Nothing. 3. Weapons. 4. A flower.
+
+B.
+
+
+ANAGRAM DOUBLE DIAMOND AND CONCEALED DOUBLE SQUARE.
+
+From the sentence "Seer eats a pear" form a double diamond, the center
+of which will be a double word-square.
+
+CYRIL DEANE.
+
+
+PICTORIAL PROVERB PUZZLE.
+
+The answer is a well-known couplet.
+
+[Illustration]
+
+
+
+
+ANSWERS TO PUZZLES IN JANUARY NUMBER.
+
+
+DOUBLE ACROSTIC.--Initials, Russia; finals, Turkey; across,
+
+ R--a----Y
+ U--nit--E
+ S--ac---K
+ S--uga--R
+ I--O----U
+ A--n----T
+
+
+HOUR-GLASS PUZZLE.--Diagonals, hones, sends; central, inner; horizontals,
+
+ H A I L S
+ O N E
+ N
+ D E E
+ S O R E S
+
+
+DECAPITATIONS.--Acorn, corn; brook, rook; drake, rake; flute, lute;
+pearl, earl; plane, lane; wheel, heel; spine, pine; trout, rout; prune,
+rune.
+
+
+DIAGONAL PUZZLE.--Diagonal, January; horizontals, Jollity, sAdness,
+kiNdles, ensUing, compAny, appeaRs, holidaY.
+
+
+DOUBLE PUZZLE.--Central Syncopations: Rabid, raid; stair, stir; haste,
+hate; steep, step; Tiber, tier; grain, grin; holes, hoes; tiles, ties.
+The syncopated letters, B, A, S, E, B, A, L, L, form the answer to the
+Cross-word Enigma.
+
+
+GEOGRAPHICAL TRANSPOSITIONS.--I held, Delhi; panels, Naples; I turn,
+Turin; pains, Spain; pure, Peru; erect, Crete; more, Rome.
+
+
+OMNIBUS WORD.--Crate:
+
+ I. Hour-Glass Puzzle.--Central, re-act: horizontals, caret, tea, a,
+ act, cater.
+
+ II. Square-Word.--Ace, car, era.
+
+III. Prefix Puzzle.--At, cat; are, tare; art, cart; ear, tear.
+
+ IV. Another Prefix Puzzle.--Ace, race, trace; ate, rate, crate.
+
+
+ACCIDENTAL HIDINGS.--Esther, molEST HER; Theresa, THERE SAt;
+Ada, A DAmsel; Nora, NO RAy; Ernesta, stERNEST Age.
+
+
+PERSPECTIVE CROSS PUZZLE.--_Horizontals:_ 1, Grand; 2, plate; 3, ditch;
+4, event; 5, prism; 6, eel; 7, great; 8, court; 9, terse.
+_Perpendiculars:_ 10, Glove; 11, dread; 12, yet; 13, prove; 14, harem;
+15, plant; 16, telegmatic; 17, preferment; 18, governable. _Diagonals:_
+19, dry; 20, hop; 21, met; 22, peg; 23, toe; 24, cot; 25, Eve.
+
+
+EASY SQUARE-WORD.--Dial, inca, acid, lade.
+
+
+NUMERICAL ENIGMA.--Forest all, forestall.
+
+
+FRAME PUZZLE.--Stock-dove, broom-corn, anonymous, inodorous.
+
+
+CHARADE.--Cat.
+
+
+WORDS ENIGMATICALLY EXPRESSED.--Pot-a-toe, potato; Mo-lasses, molasses;
+whisky; guinea-pig; false-hood, falsehood; toe-martyrs, tomatoes;
+pike-rust, pie crust; captive-atin', captivating; barber-us, barbarous;
+turn-pike; butter; IV, ivy.
+
+
+PICTORIAL CHRISTMAS PUZZLE.--At Christmas play and make good cheer.
+
+
+
+
+ANSWERS TO THE CHESS PUZZLE in the December number were received,
+before December 18, from "Frederica," P. Hill, J.E.N. James T. White,
+Laura Randolph, S.J.B., "Bessie and her Cousin," Alice Mason, and M.W.
+Collet.
+
+ANSWERS TO THE MAGIC DOMINO-SQUARE PUZZLE in the December number were
+received, before December 18, from Alice Louise, William Lewis
+Lockwood, James Buckelew, Howard G. Myers, Jas. Forsyth, E.C. Rowse,
+Bertie Pierson, Walter Sanger, Kenneth Hartley, Hattie Coons, Margaret
+B. Dodge, Alice Downing, Anna A. Hays, Emma A. Gill, "Georgie," D.C.
+Robertson, Willie T. Sheffield, Samuel Herbert Fisher, George D.
+Mitchell, Carrie Welles, G.L., Emma Elliott, K.C.R., A.H., John
+Hancock, Jr., Harry Hartshorn, Carrie Doane, Carrie Heller, Eddie F.
+Worcester, H.S., Fred B. Appleget, "Three of Them" (?), C. Kittinger,
+"Bessie and her Cousin," and P. Hill, whose criticism we find just.
+
+Helen L. Gilbert sends the solution of a puzzle in which 18 (not 16) is
+the sum of the dots in each row of half-dominoes.
+
+ANSWERS TO OTHER PUZZLES in the December number were received, before
+December 18, from Charles Lothrop, R.T. McKeever, Arthur C. Smith, Lulu
+Way, James J. Ormsbee, Fannie Runnels, G.L., "Jennie," Bancel La Farge,
+Nellie Kellogg, Allie Bertram, L. Giraud, Alice N. Bailey, Josephine
+Seibert, "Frederica," P. Hill, B.P. Emery, "Bessie and her Cousin,"
+A.G. Cameron, "Lizzie and Anna," Fred S. Pickett, Gracie S. Cook,
+Leonice Barnes, John Edward Hill, Carrie Heller, Bessie L. Barnes,
+Helen E. Risteen, "Blotterer and Blunderer," T.W. Siddall, Alice Mason,
+Fred M. Pease, Nessie E. Stevens, P. Hill, Katie E. Earl, M.W. Collet,
+and A.H. White.
+
+ANSWERS TO THE "BLIND-CLERK'S PUZZLE," in Jack-in-the-Pulpit for
+December, were received, before December 18, from K.C.R., H.B.
+Hastings, and "Nat"; and answers to the TREE PUZZLE from Mary V.
+Ridgway, "M.," Linda L. Bergen, H. Walton, H.B. Hastings, J.C. Hoadley,
+Lewis K. Stubbs.
+
+Caroline I. Lockwood, of Tunbridge Wells, England, sends an answer to a
+puzzle in a former number.
+
+
+
+
+
+End of the Project Gutenberg EBook of St. Nicholas, Vol. 5, No. 4, February
+1878, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ST. NICHOLAS, VOL. 5, NO. 4, ***
+
+***** This file should be named 15331.txt or 15331.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/5/3/3/15331/
+
+Produced by Juliet Sutherland, Lynn Bornath and the Online Distributed
+Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/15331.zip b/15331.zip
new file mode 100644
index 0000000..cacff77
--- /dev/null
+++ b/15331.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f42c6fc
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #15331 (https://www.gutenberg.org/ebooks/15331)