diff options
Diffstat (limited to '15153.txt')
| -rw-r--r-- | 15153.txt | 1412 |
1 files changed, 1412 insertions, 0 deletions
diff --git a/15153.txt b/15153.txt new file mode 100644 index 0000000..c459358 --- /dev/null +++ b/15153.txt @@ -0,0 +1,1412 @@ +The Project Gutenberg EBook of The Land Of Heart's Desire (Little Blue +Book#335), by W.B. Yeats + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Land Of Heart's Desire (Little Blue Book#335) + +Author: W.B. Yeats + +Release Date: February 23, 2005 [EBook #15153] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE LAND OF HEART'S DESIRE *** + + + + +Produced by Ted Garvin, Melissa Er-Raqabi and the Online Distributed +Proofreading Team at https://www.pgdp.net. + + + + + + +LITTLE BLUE BOOK NO. 335 +Edited by E. Haldeman-Julius + +The Land of +Heart's Desire + +W.B. Yeats + + +HALDEMAN-JULIUS COMPANY +GIRARD, KANSAS + + + + +PRINTED IN THE UNITED STATES OF AMERICA + + + + +THE LAND OF HEART'S DESIRE + + + + +PERSONS + + +MAURTEEN BRUIN. +SHAWN BRUIN. +FATHER HART. +BRIDGET BRUIN. +MAIRE BRUIN. +A FAERY CHILD. + +_The scene is laid in the Barony of Kilmacowen +in the county of Sligo, and the time is the +end of Eighteenth Century. The +characters are supposed to +speak in Gaelic._ + + + + +THE LAND OF HEART'S DESIRE + + + _The kitchen of_ MAURTEEN BRAIN'S _house. An open grate with a turf + fire is at the left side of the room, with a table in front of it. + There is a door leading to the open air at the back, and another door + a little to its left, leading into an inner room. There is a window, a + settle, and a large dresser on the right side of the room, and a great + bowl of primroses on the sill of the window._ MAURTEEN BRUIN, FATHER + HART; _and_ BRIDGET BRUIN _are sitting at the table._ SHAWN BRUIN _is + setting the table for supper._ MAIRE BRUIN _sits on the settle reading + a yellow manuscript._ + + +BRIDGET BRUIN. + +Because I bade her go and feed the calves, +She took that old book down out of the thatch +And has been doubled over it all day. +We would be deafened by her groans and moans +Had she to work as some do, Father Hart, +Get up at dawn like me, and mend and scour; +Or ride abroad in the boisterous night like you, +The pyx and blessed bread under your arm. + +SHAWN BRUIN. + +You are too cross. + +BRIDGET BRUIN. + +The young side with the young. + +MAURTEEN BRUIN. + +She quarrels with my wife a bit at times, +And is too deep just now in the old book; +But do not blame her greatly; she will grow +As quiet as a puff-ball in a tree +When but the moons of marriage dawn and die +For half a score of times. + +FATHER HART + + Their hearts are wild +As be the hearts of birds, till children come. + +BRIDGET BRUIN. + +She would not mind the griddle, milk the cow, +Or even lay the knives and spread the cloth. + +FATHER HART. + +I never saw her read a book before: +What may it be? + +MAURTEEN BRUIN. + + I do not rightly know: +It has been in the thatch for fifty years. +My father told me my grandfather wrote it, +Killed a red heifer and bound it with the hide. +But draw your chair this way--supper is spread; +And little good he got out of the book, +Because it filled his house with roaming bards, +And roaming ballad-makers and the like, +And wasted all his goods.--Here is the wine; +The griddle bread's beside you, Father Hart. +Colleen, what have you got there in the book +That you must leave the bread to cool? Had I, +Or had my father, read or written books +There were no stockings full of silver and gold +To come, when I am dead, to Shawn and you. + +FATHER HART. + +You should not fill your head with foolish dreams. +What are you reading? + +MAIRE BRUIN. + + How a Princess Edene, +A daughter of a King of Ireland, heard +A voice singing on a May eve like this, +And followed, half awake and half asleep, +Until she came into the land of faery, +Where nobody gets old and godly and grave, +Where nobody gets old and crafty and wise, +Where nobody gets old and bitter of tongue; +And she is still there, busied with a dance. +Deep in the dewy shadow of a wood, +Or where stars walk upon a mountain top. + +MAURTEEN BRUIN. + +Persuade the colleen to put by the book: +My grandfather would mutter just such things, +And he was no judge of a dog or horse, +And any idle boy could blarney him. +Just speak your mind. + +FATHER HART. + + Put it away, my colleen. +God spreads the heavens above us like great wings, +And gives a little round of deeds and days, +And then come the wrecked angels and set snares, +And bait them with light hopes and heavy dreams, +Until the heart is puffed with pride and goes, +Half shuddering and half joyous, from God's peace; +And it was some wrecked angel, blind tears, +Who flattered Edene's heart with merry words. +My colleen, I have seen some other girls +Restless and ill at ease, but years went by +And they grew like their neighbours and were glad +In minding children, working at the churn, +And gossiping of weddings and of wakes; +For life moves out of a red flare of dreams +Into a common light of common hours, +Until old age bring the red flare again. + +SHAWN BRUIN. + +Yet do not blame her greatly, Father Hart, For she is dull while I am in +the fields, And mother's tongue were harder still to bear, But for her +fancies: this is May Eve too, When the good people post about the world, +And surely one may think of them to-night. Maire, have you the primroses +to fling Before the door to make a golden path For them to bring good luck +into the house. Remember, they may steal new-married brides Upon May Eve. + +MAIRE BRUIN _(going over to the window and taking the flowers from the +bowl.)_ + +Here are the primroses. + + [_She goes to the door and strews the primroses outside._ + +FATHER HART. + +You do well, daughter, because God permits +Great power to the good people on May Eve. + +MAURTEEN BRUIN. + +They can work all their will with primroses-- +Change them to golden money, or little flames +To burn up those who do them any wrong. + +MAIRE BRUIN. + +I had no sooner flung them by the door +Than the wind cried and hurried them away. + +BRIDGET BRUIN. + +May God have mercy on us! + +MAIRE BRUIN. + + The good people +Will not be lucky to the house this year, +But I am glad that I was courteous to them, +For are not they, likewise, children of God? + +FATHER HART. + +No, child; they are the children of the fiend, +And they have power until the end of Time, +When God shall fight with them a great pitched battle +And hack them into pieces. + +MAIRE BRUIN. + + He will smile, +Father, perhaps, and open his great door, + +FATHER HART. + +Did but the lawless angels see that door +They would fall, slain by everlasting peace; +And when such angels knock upon our doors +Who goes with them must drive through the same storm. + + [_A knock at the door._ MAIRE BRUIN _opens it and then goes to the + dresser and fills a porringer with milk and hands it through the door + and takes it back empty and closes the door._ + +MAIRE BRUIN. + +A little queer old woman cloaked in green +Who came to beg a porringer of milk. + +BRIDGET BRUIN. + +The good people go asking milk and fire +Upon May Eve--Woe on the house that gives +For they have power upon it for a year. +I knew you would bring evil on the house + +MAURTEEN BRUIN. + +Who was she? + +MAIRE BRUIN. + +Both the tongue and face were strange. + +MAURTEEN BRUIN. + +Some strangers came last week to Clover Hill; +She must be one of them. + +BRIDGET BRUIN. + +I am afraid. + +MAURTEEN BRUIN. + +The priest will keep all harm out of the house. + +FATHER HART. + + +The Cross will keep all harm out of the house +While it hangs there. + +MAURTEEN BRUIN. + + Come, sit beside me, colleen, +And cut away your dreams of discontent, +For I would have you light up my last days +Like a bright torch of pine, and when I die +I will make you the wealthiest hereabout; +For hid away where nobody can find +I have a stocking full of silver and gold. + +BRIDGET BRUIN. + +You are the fool of every pretty face, +And I must pinch and pare that my son's wife +May have all kinds of ribbons for her head. + +MAURTEEN BRUIN. + +Do not be cross; she is a right good girl! +The butter's by your elbow, Father Hart. +My colleen, have not Fate and Time and Change +Done well for me and for old Bridget there? +We have a hundred acres of good land, +And sit beside each other at the fire, +The wise priest of our parish to our right, +And you and our dear son to left of us. +To sit beside the board and drink good wine +And watch the turf smoke coiling from the fire +And feel content and wisdom in your heart, +This is the best of life; when we are young +We long to tread a way none trod before, +But find the excellent old way through love +And through the care of children to the hour +For bidding Fate and Time and Change good-bye. + + [A _knock at the door._ MAIRE BRUIN _opens it and then takes a sod of + turf out of the hearth in the tongs and passes it through the door and + closes the door and remains standing by it._ + +MAIRE BRUIN. + +A little queer old man in a green coat, +Who asked a burning sod to light his pipe. + +BRIDGET BRUIN. + +You have now given milk and fire and brought +For all you know, evil upon the house. +Before you married you were idle and fine, +And went about with ribbons on your head; +And now you are a good-for-nothing wife. + +SHAWN BRUIN. + +Be quiet, mother! + +MAURTEEN BRUIN. + +You are much too cross! + +MAIRE BRUIN. + +What do I care if I have given this house, +Where I must hear all day a bitter tongue, +Into the power of faeries! + +BRIDGET BRUIN. + + You know, well +How calling the good people by that name +Or talking of them over much at all +May bring all kinds of evil on the house. + +MAIRE BRUIN. + +Come, faeries, take me out of this dull house! +Let me have all the freedom I have lost-- +Work when I will and idle when I will! +Faeries, came take me out of this dull world, +For I would ride with you upon the wind, +Run on the top of the dishevelled tide, +And dance upon the mountains like a flame! + +FATHER HART. + +You cannot know the meaning of your words! + +MAIRE BRUIN. + +Father, I am right weary of four tongues: +A tongue that is too crafty and too wise, +A tongue that is too godly and too grave, +A tongue that is more bitter than the tide, +And a kind tongue too full of drowsy love, +Of drowsy love and my captivity. + + [SHAWN BRUIN _comes over to her and leads her to the settle._ + +SHAWN BRUIN. + +Do not blame me: I often lie awake +Thinking that all things trouble your bright head-- +How beautiful it is--such broad pale brows +Under a cloudy blossoming of hair! +Sit down beside me here--these are too old, +And have forgotten they were ever young. + +MAIRE BRUIN. + +O, you are the great door-post of this house, +And I the red nasturtium climbing up. + + [_She takes_ SHAWN'S _hand but looks shyly at the priest and lets it + go._ + +FATHER HART. + +Good daughter, take his hand--by love alone +God binds us to Himself and to the hearth +And shuts us from the waste beyond His peace, +From maddening freedom and bewildering light. + +SHAWN BRUIN. + +Would that the world were mine to give it you +With every quiet hearth and barren waste, +The maddening freedom of its woods and tides, +And the bewildering lights upon its hills. + +MAIRE BRUIN. + +Then I would take and break it in my hands +To see you smile watching it crumble away. + +SHAWN BRUIN. + +Then I would mould a world of fire and dew +With no one bitter, grave, or over wise, +And nothing marred or old to do you wrong. +And crowd the enraptured quiet of the sky +With candles burning to your lonely face. + +MAIRE BRUIN. + +Your looks are all the candles that I need. + +SHAWN BRUIN. + +Once a fly dancing in a beam o' the sun, +Or the light wind blowing out of the dawn, +Could fill your heart with dreams none other knew, +But now the indissoluble sacrament +Has mixed your heart that was most proud and cold +With my warm heart for ever; and sun and moor, +Must fade and heaven be rolled up like a scroll; +But your white spirit still walk by my spirit. +For not a power in earth and heaven and hell +Can break this bond binding heart unto heart. + + [A VOICE _sings in the distance._ + +MAIRE BRUIN. + +Did you hear something call? O, guard me close, +Because I have said wicked things to-night. + +A VOICE (_close to the door_). + +The wind blows out of the gates of the day, + The wind blows over the lonely of heart +And the lonely of heart is withered away, + While the faeries dance in a place apart, +Shaking their milk-white feet in a ring, + Tossing their milk-white arms in the air; +For they hear the wind laugh, and murmur, and sing + Of a land where even the old are fair, +And even the wise are merry of tongue; + But I heard a reed of Coolaney say, +'When the wind has laughed and murmured and sung, + The lonely of heart must wither away!' + +MAURTEEN BRUIN. + +I am right happy, and would make all else +Be happy too. I hear a child outside, +And will go bring her in out of the cold. + + [_He opens the door. A_ CHILD _dressed in a green jacket with a red + cap comes into the house._ + +THE CHILD. + +I tire of winds and waters and pale lights! + +MAURTEEN BRUIN. + +You are most welcome. It is cold out there, +Who'd think to face such cold on a May Eve. + +THE CHILD. + +And when I tire of this warm little house, +There is one here who must away, away, +To where the woods, the stars, and the white streams +Are holding a continual festival. + +MAURTEEN BRUIN. + +O listen to her dreamy and strange talk, +Come to the fire. + +THE CHILD. + + I'll sit upon your knee, +For I have run from where the winds are born, +And long-to rest my feet a little while. + + [_She sits upon his knee._ + +BRIDGET BRUIN. + +How pretty you are! + +MAURTEEN BRUIN. + +Your hair is wet with dew! + +BRIDGET BRUIN. + +I'll chafe your poor chilled feet. + +MAURTEEN BRUIN. + + You must have come +A long long way, for I have never seen +Your pretty face, and must be tired and hungry; +Here is some bread and wine. + +THE CHILD. + + They are both nasty. +Old mother, have you nothing nice for me? + +BRIDGET BRUIN. + +I have some honey! + + [_She goes into the next room._ + +MAURTEEN BRUIN. + +You are a dear child; +The mother was quite cross before you came. + + [BRIDGET _returns with the honey, and goes to the dresser and fills a + porringer with milk._ + +BRIDGET BRUIN. + +She is the child of gentle people; look +At her white hands and at her pretty dress. +I've brought you some new milk, but wait awhile +And I will put it by the fire to warm, +For things well fitted for poor folk like us +Would never please a high-born child like you. + +THE CHILD. + +Old mother, my old mother, the green dawn +Brightens above while you blow up the fire; +And evening finds you spreading the white cloth. +The young may lie in bed and dream and hope, +But you work on because your heart is old. + +BRIDGET BRUIN. + +The young are idle. + +THE CHILD. + + Old father, you are wise, +And all the years have gathered in your heart +To whisper of the wonders that are gone. +The young must sigh through many a dream and hope, +But you are wise because your heart is old. + +MAURTEEN BRUIN. + +O, who would think to find so young a child +Loving old age and wisdom. + + [BRIDGET _gives her more bread and honey._ + +THE CHILD. + +No more, mother. + +MAURTEEN BRUIN. + +What a small bite; The milk is ready now; +What a small sip! + +THE CHILD. + + Put on my shoes, old mother, +For I would like to dance now I have dined. +The reeds are dancing by Coolaney lake, +And I would like to dance until the reeds +And the loud wind, the white wave on the shore, +And all the stars have danced themselves to sleep. + + [BRIDGET _having put on her shoes, she gets off the old man's knees + and is about to dance, but suddenly sees the crucifix and shrieks and + covers her eyes._ + +What is that ugly thing on the black cross? + +FATHER HART. + +You cannot know how naughty your words are! +That is Our Blessed Lord! + +THE CHILD. + +Hide it away! + +BRIDGET BRUIN. + +I have begun to be afraid again! + +THE CHILD. + +Hide it away! + +MAURTEEN BRUIN. + +That would be wickedness! + +BRIDGET BRUIN. + +That would be sacrilege! + +THE CHILD + + The tortured thing! +Hide it away. + +MAURTEEN BRUIN. + +Her parents are to blame. + +FATHER HART. + +That is the image of the Son of God. + +[_The_ CHILD _puts her arm round his neck lovingly and kisses him. + +THE CHILD. + +Hide it away! Hide it away! + +MAURTEEN BRUIN. + +No! no! + +FATHER HART. + +Because you are so young and little a child +I will go take it down. + +THE CHILD. + + Hide it away, +And cover it out of sight and out of mind. + + FATHER HART (_takes it down and carries it towards the inner room)._ + +Since you have come into this barony +I will instruct you in our blessed faith: +Being a clever child you will soon learn. + + (_To the others.) + +We must be tender with all budding things, +Our Maker let no thought of Calvary +Trouble the morning stars in their first song. + + [_Puts the crucifix in the inner room._ + +THE CHILD. + +O, what a nice, smooth floor to dance upon! +The wind is blowing on the waving reeds, +The wind is blowing on the heart of man. + + [_She dances, swaying about like the reeds._ + +MAIRE (_to_ SHAWN BRUIN). + +Just now when she came near I thought I heard +Other small steps beating upon the floor, +And a faint music blowing in the wind-- +Invisible pipes giving her feet the time. + +SHAWN BRUIN. + +I heard no step but hers. + +MAIRE BRUIN. + + Look to the bolt! +Because the unholy powers are abroad. + +MAURTEEN BRUIN (_to the_ CHILD). + +Come over here, and if you promise me +Not to talk wickedly of holy things +I'll give you something. + +THE CHILD. + +Bring it me, old father! + + [MAURTEEN BRUIN _goes into the next room._ + +FATHER HART. + +I will have queen cakes when you come to me! + + [MAURTEEN BRUIN _returns and lays a piece of money on the table. The_ + CHILD _makes a gesture of refusal._ + +MAURTEEN BRUIN. + +It will buy lots of toys; see how it glitters! + +THE CHILD. + +Come, tell me, do you love me? + +MAURTEEN BRUIN. + +I love you! + +THE CHILD. + +Ah! but you love this fireside! + +FATHER HART. + +I love you. + +THE CHILD. + +But you love Him above. + +BRIDGET BRUIN. + +She is blaspheming. + +THE CHILD (_to_ MAIRE). + +And do you likewise love me? + +MAIRE BRUIN. + +I don't know. + +THE CHILD. + +You love that great tall fellow over there: +Yet I could make you ride upon the winds, +Run on the top of the dishevelled tide, +And dance upon the mountains like a flame! + +MAIRE BRUIN. + +Queen of the Angels and kind Saints defend us! +Some dreadful fate has fallen: before she came +The wind cried out and took the primroses. +And I gave milk and fire, and when she came +She made you hide the blessed crucifix; +She wears, too, the green jacket and red cap +Of the unholy creatures of the Raths. + +FATHER HART. + +You fear because of her wild, pretty prates; +She knows no better. + (_To the_ CHILD) Child, how old are you? + +THE CHILD. + +My own dear people live a long, long time, +So I am young; but measure by your years +And I am older than the eagle cock +Who blinks and blinks on Ballydawley Hill, +And he's the oldest thing under the moon. +At times I merely care to dance and dance-- +At times grow wiser than the eagle cock. + +FATHER HART. + +What are you? + +THE CHILD. + + I am of the faery people. +I sent my messengers for milk and fire, +And then I heard one call to me and came. + + [_They all except_ MAIRE BRUIN _gather about the priest for + protection._ MAIRE BRUIN _stays on the settle as if in a trance of + terror. The_ CHILD _takes primroses from the great bowl and begins to + strew them between herself and the priest and about_ MAIRE BRUIN. + _During the following dialogue_ SHAWN BRUIN _goes more than once to + the brink of the primroses, but shrinks back to the others timidly._ + +FATHER HART. + +I will confront this mighty spirit alone. + + [_They cling to him and hold him back._ + +THE CHILD (_while she strews the primroses.) + +No one whose heart is heavy with human tears +Can cross these little cressets of the wood. + +FATHER HART. + +Be not afraid, the Father is with us, +And all the nine angelic hierarchies, +The Holy Martyrs and the Innocents, +The adoring Magi in their coats of mail, +And He who died and rose on the third day, +And Mary with her seven times wounded heart. + +[_The_ CHILD _ceases strewing the primroses, and kneels upon the settle +beside_ MAIRE _and puts her arms about her neck._ + +Cry daughter to the Angels and the Saints. + +THE CHILD. + +You shall go with me, newly-married bride, +And gaze upon a merrier multitude: +White-armed Nuala and Ardroe the Wise, +Feacra of the hurtling foam, and him +Who is the ruler of the western host, +Finvarra, and their Land of Heart's Desire, +Where beauty has no ebb, decay no flood, +But joy is wisdom, Time an endless song. +I kiss you and the world begins to fade. + +FATHER HART. + +Daughter, I call you unto home and love! + +THE CHILD. + +Stay, and come with me, newly-married bride, +For, if you hear him, you grow like the rest: +Bear children, cook, be mindful of the churn, +And wrangle over butter, fowl, and eggs, +And sit at last there, old and bitter of tongue, +Watching the white stars war upon your hopes. + +FATHER HART. + +Daughter, I point you out the way to heaven! + +THE CHILD. + +But I can lead you, newly-married bride, +Where nobody gets old and crafty and wise, +Where nobody gets old and godly and grave, +Where nobody gets old and bitter of tongue, +And where kind tongues bring no captivity, +For we are only true to the far lights +We follow singing, over valley and hill. + +FATHER HART. + +By the dear name of the one crucified, +I bid you, Maire Bruin, come to me. + +THE CHILD. + +I keep you in the name of your own heart! + + [_She leaves the settle, and stooping takes up a mass of primroses and + kisses them._ + + + + + + +We have great power to-night, dear golden folk +For he took down and hid the crucifix. +And my invisible brethren fill the house; +I hear their footsteps going up and down. +O, they shall soon rule all the hearts of men +And own all lands; last night they merrily danced +About his chapel belfrey! (_To_ MAIRE.) Come away, +I hear my brethren bidding us away! + +FATHER HART. + +I will go fetch the crucifix again. + + [_They hang about him in terror and prevent him from moving._ + +BRIDGET BRUIN. + +The enchanted flowers will kill us if you go. + +MAURTEEN BRUIN. + +They turn the flowers to little twisted flames. + +SHAWN BRUIN. + +The little twisted flames burn up the heart. + +THE CHILD. + +I hear them call us, newly-married bride. + +MAIRE BRUIN. + +I will go with you. + +FATHER HART. + +She is lost, alas, + +THE CHILD (_standing by the door_). + +Then, follow but the heavy body of clay, +And clinging mortal hope must fall from you; +For we who ride the winds, run on the waves, +And dance upon the mountains, are more light +Than dewdrops on the banners of the dawn. + +MAIRE BRUIN. + +Then take my soul. + + [SHAWN BRUIN _goes over to her._ + +SHAWN BRUIN. + + Beloved, do not leave me! +What will my life be if you go with her? +Remember when I met you by the well +And took your hand in mine and spoke of love. + +MAIRE BRUIN. + +Dear face! Dear voice! + +THE CHILD. + +Come, newly-married bride! + +MAIRE BRUIN. + +I always loved her world--and yet--and yet +I think that I would stay if I could stay. + +[_Sinks into his arms. + +THE CHILD (_from the door_). + +White bird, white bird, come with me, little bird! + +MAIRE BRUIN. + +She calls my soul! + +THE CHILD. + +Come with me, little bird! + +MAIRE BRUIN. + +I can hear songs and dancing! + +SHAWN BRUIN. + +Stay with me! + +MAIRE BRUIN. + +Dear, I would stay--and yet and yet-- + +THE CHILD. + + White bird! +Come, little bird with crest of gold! + +MAIRE BRUIN (_very softly_). + +And yet-- + +THE CHILD. + +Come, little bird with silver feet! + +SHAWN BRUIN. + +Dead, dead! + +FATHER HART. + +Thus do the evil spirits snatch their prey +Almost out of the very hand of God; +And day by day their power is more and more, +And men and women leave old paths, for pride +Comes knocking with thin knuckles on the heart. + +A VOICE _sings outside_-- + +The wind blows out of the gates of the day, + The wind blows over the lonely of heart, +And the lonely of heart is withered away, + While the faeries dance in a place apart, +Shaking their milk-white feet in a ring, + Tossing their milk-white arms in the air; +For they hear the wind laugh and murmur and sing + Of a land where even the old are fair, +And even the wise are merry of tongue; + But I heard a reed of Coolaney say, +'When the wind has laughed and murmured and sung, + The lonely of heart must wither away.' + + [_The song is taken up by many voices, who sing loudly, as if in + triumph. Some of the voices seem to come from within the house._ + + + + + +End of the Project Gutenberg EBook of The Land Of Heart's Desire (Little +Blue Book#335), by W.B. Yeats + +*** END OF THIS PROJECT GUTENBERG EBOOK THE LAND OF HEART'S DESIRE *** + +***** This file should be named 15153.txt or 15153.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/1/5/15153/ + +Produced by Ted Garvin, Melissa Er-Raqabi and the Online Distributed +Proofreading Team at https://www.pgdp.net. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |