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diff --git a/15142-h/15142-h.htm b/15142-h/15142-h.htm new file mode 100644 index 0000000..194d535 --- /dev/null +++ b/15142-h/15142-h.htm @@ -0,0 +1,1857 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of Punch, or the London Charivari, Vol. 103, August 13, 1892, by Various</title> + <style type="text/css"> + /*<![CDATA[*/ + + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + .sc {font-variant: small-caps;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + + .note, .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt; text-indent: 0;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + .poem p.i8 {margin-left: 4em;} + .poem p.i10 {margin-left: 5em;} + + .drama {margin-bottom: 1em; text-align: left;} + .drama p {margin: 1em 0em 0em 0em;; padding-left: 2em; text-indent: -2em;} + .drama p.i2 {margin: 0; margin-left: 1em;} + .drama p.i4 {margin: 0; margin-left: 2em;} + .drama p.i6 {margin: 0; margin-left: 3em;} + .drama p.i8 {margin: 0; margin-left: 4em;} + .drama p.i10 {margin: 0; margin-left: 5em;} + + .figure, .figcenter, .figright, .figleft + {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;} + .figure img, .figcenter img, .figright img, .figleft img + {border: none;} + .figure p, .figcenter p, .figright p, .figleft p + {margin: 0; text-indent: 1em;} + .figcenter {margin: auto;} + .figright {float: right;} + .figleft {float: left;} + + p.author {text-align: right;} + --> + /*]]>*/ + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 103, +August 13, 1892, by Various, Edited by F. C. Burnand</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Punch, or the London Charivari, Vol. 103, August 13, 1892</p> +<p>Author: Various</p> +<p>Release Date: February 22, 2005 [eBook #15142]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 103, AUGUST 13, 1892***</p> +<br /><br /><h3>E-text prepared by Malcolm Farmer, William Flis,<br /> + and the Project Gutenberg Online Distributed Proofreading Team</h3><br /><br /> + <h1>PUNCH,<br /> + OR THE LONDON CHARIVARI.</h1> + + <h2>Vol. 103.</h2> + <hr class="full" /> + + <h2>August 13, 1892.</h2> + <hr class="full" /> + <span class="pagenum"><a name="page61" + id="page61"></a>[pg 61]</span> + + <h2>LADY GAY'S SELECTIONS.</h2> + + <p class="author"><i>Yacht "Ibex," Weymouth.</i></p> + + <p>DEAR MR. PUNCH,</p> + + <p>Once again "my foot is on my native heath."—(I don't + know where this quotation comes from, but presume the author of + it had lost a leg, or he would have placed <i>his feet</i> + there—or else he must have had one leg shorter than the + other, and so <i>couldn't</i> put both down at once!)—and + heartily glad I am to be there—we had a most alarming + passage from Jersey, and I thought every moment would be my + last—(<i>for a time</i>)—but I was cheered and + stimulated to endurance by the noble example of my friend and + fellow-passenger The MACDOUGAL—Chief of the + Clan—who was obtrusively well up to lunch-time!—but + I had my revenge then, for he was unable to face the dish of + Haggis that I am given to understand every right-minded + Scotchman thinks it his duty to eat at least once a day.</p> + + <p>However, "I pulled through all right," as Lord ARTHUR would + say, and was so delighted with my sailor-like indifference to + the "rolling-sea," that I adopted a rolling-walk on landing, + which was most impressive, to judge from the staring of the + inhabitants of Weymouth!—(I may confess to <i>you</i> + that I couldn't help myself; everything was going up and down + and sideways, for <i>hours</i> after I landed, and I really + think the sea ought to be done away with, or flattened out by + some means!—there's a fortune for the man who invents the + machine which will do it!)—I should prefer it done away + with myself, as then there would be no mackerel-fishing!</p> + + <p>I have no personal animosity against the humble but + lovely-looking mackerel; but I was weak enough to accept an + invitation to go fishing for them, and you may imagine my + horror at being "roused out,"—(yachting expression, + <i>very</i> significant)—at <i>three</i> in the morning + to go and capture them!—or at least to + <i>try</i>—for as a matter of fact, we didn't get a + single one—and my temper was "roused out" before we'd + finished, for no well-conducted woman cares to be balked in her + efforts to "hook a big fish,"—and all I could catch were + a few small "Pollock" and "Pout." By the way, who on earth + christens the fish, I wonder?—and why on earth—or + rather in sea—are there so many varieties which you must + either remember or submit to nave your ignorance jeered at by + the practised fisherman, who has probably acquired his + information concerning them only the day before?</p> + + <p>The English "Bay of Naples" is a wonderful place, and its + resemblance to its Italian prototype is admirably sustained + through the liberality of the Local Board in encouraging the + importation of Italian penny-ice men! I really think this + wholesale importation of foreigners is being carried to excess, + and has already created a feeling that England is no place for + the English! And then the concerts you can hear for + nothing!—that is, if you harden your heart when the man + comes round with the tin pail!—everyone has a spade or a + pail at the seaside—all the latest London successes, from + TOSTI to "<i>Ta-ra-ra</i>," accompanied by a strong contingent + of the Salvation Army Brass Band!—and there is a lot of + "brass" about the Army still unaccounted for! What an + enervating part of the world this is! One quite realises what + "lotus-eating" means, even though there are no lotuses + about!—(I wonder if that's the correct plural?—or + is it "<i>Loti</i>"? which looks like French, only wants + "PIERRE" as Christian name. Or if additional "<i>t</i>" + introduced, it would be "Lotti," suggestive of COLLINS' Ode to + <i>Boom</i>, &c.; but I am wandering)—and it requires + enormous energy to do anything more than loll about and bathe; + even on the Island of Portland, where the air is rather more + invigorating, I am told there are numbers of people who express + a strong disinclination to perform any hard labour whatever, in + spite of the fact of a short residence there having been + recommended as calculated to improve their general "tone"! I + only wish the aforesaid Salvation Army Band would go there on a + lengthy visit, as its "tone" leaves much to be desired at + present.</p> + + <p>I hear that the Brighton Meeting was a great success both in + weather and racing; and the present "Horse of the Century," + <i>Buccaneer</i>, fully maintained his reputation, winning his + race in what they call "gallant style," and beating <i>Lady + Rosebery</i>—not, perhaps, a gallant thing to do, but + Buccaneers have always been notoriously rough to the sex!</p> + + <p>I am afraid thousands of my readers must be getting + impatient for more of my excellent prophecies, but I really + cannot run the risk of ruining my health by reading the papers + when in the country; and, as patience is an admirable virtue, I + feel I am doing my duty in encouraging it as much as possible. + So, for yet another cycle of time (poetic, and usefully + vague),</p> + + <p class="author">I am,<br /> + Yours, in idleness, LADY GAY.</p> + + <h3 class="sc">Ode to Buccaneer.</h3> + + <div class="poem"> + <div class="stanza"> + <p>Sing hey for the life of a Convict Bold!</p> + + <p class="i2">Sing ho for his healthy life!</p> + + <p>Sing hey for his peaceful days when old,</p> + + <p class="i2">Secluded from care and strife!</p> + </div> + </div> + <hr /> + + <div class="figcenter" + style="width:40%;"> + <a href="images/61.png"><img width="100%" + src="images/61.png" + alt="A SYMPATHISER." /></a> + + <h3>A SYMPATHISER.</h3>MASTER TOMMY NEVER MISSES THE + AMERICAN NEWS NOW, AS HE IS MUCH INTERESTED IN <i>THE CASE + OF PRIVATE JAMS!!!</i> (<i>Vide Daily Papers.</i>) + </div> + <hr /> + + <h2>THE DIARY OF AN EXPLORER À LA RUSSE.</h2> + + <p><i>Introduction.</i>—Delighted to have the opportunity + of exploring the Ironice Mountains. Hearing they abound with + frozen mud which would be most useful if it could be removed to + the plains below without melting. The watercress plant too + might be grown on the summit, if it is practicable to take up + orchid-forcing houses. Ought to get the Gold Medal of the + Geographical Society if I open out this region that will be + fraught with such blessings to commerce. So far as I can judge, + it will only be necessary to take twenty batteries of + Artillery, a dozen squadrons of Cavalry, and (say) sixteen + battalions of Infantry. And I think we might as well take a + Naturalist.</p> + + <p><i>A little Later.</i>—Made a good start. Appointed + Professor POPOFF to be our Naturalist. He is a little out of + practice, but passed the preliminary examination very + satisfactorily. Only made one trifling mistake. Said that + tea-roses belonged to the cactus family. Fancy they don't, but + am not sure. The suggestion that cucumbers were dug out of the + ground like potatoes, was only an error of judgment. Anyone + might have made it. But although rusty in his science, he is + well up in machine-gun drill. He will suit the expedition to a + nicety. Artillery, Cavalry, and Infantry in first-rate + condition.</p> + + <p><i>Later still.</i>—Made our first important + scientific discovery to-day. Find that you can't grow broad + beans on the soil at the base of the Ironice Mountains. At + least you may plant them, but they won't grow to any size + within the space of half-a-dozen hours. Tried the experiment. + To clear the necessary space of ground, had to remove the + natives. Did this in gallant style with the assistance of all + branches of the Service. The Professor rendered valuable + support with his Gatling. Hadn't time to bury the kilted, but + said some kind things, when bidding them adieu, to the + wounded.</p> + + <p><i>Further on.</i>—Most anxious to discover whether + canaries sing half-way up the Ironice Mountains. Had some + little trouble in establishing a footing on the plateau. After + eight hours' hard fighting got to the required spot. The + natives seem to have no respect for scientific research. Had to + remove them in the usual fashion. The Cavalry had to abandon + their horses, but the dismounted men were most useful in + burning villages. The Professor continued to carry up his + Gatling, and used it with the customary result. When we got to + the plateau, disappointed to find no canaries. So we could not + ascertain whether they would sing at that altitude. However, + when we have completed the proposed railway, it will be quite + easy to bring up a few of those charming birds, and continue + the interesting experiment.</p> + + <p><i>Later.</i>—After six weeks' hard fighting, have at + last got to the summit. Cleared the place of the natives + according to the recognised scientific formula. The Infantry + had to use their bayonets freely. The Professor again well to + the front with his Gatling. He is a wonderful man, and seems to + have been accustomed to it all his life. It is almost a pity + that he should be so devoted to science. He would have made a + first-rate soldier.</p> + + <p><i>Nearly the Latest.</i>—Sorry that our expedition + has not been entirely successful. I am very much afraid that it + will be impossible to grow watercresses at this altitude, even + with the genial aid of orchid-forcing houses. I do not see how + we could get up the necessary materials to the summit, although + assisted by proposed railway. Still, when the line is + constructed, we might make the attempt. But from a commercial + point of view, I do not believe that the experiment would repay + the cost.</p> + + <p><i>Sequel.</i>—Delighted to find that our scientific + expedition has one result. I have consulted the Professor, and + we are both of the opinion, that from the summit of the Ironice + Mountains it is possible to get a splendid bird's-eye view of + India.</p> + <hr /> + <span class="pagenum"><a name="page62" + id="page62"></a>[pg 62]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/62.png"><img width="100%" + src="images/62.png" + alt="GOING ON BOARD." /></a> + + <h3>GOING ON BOARD.</h3> + </div> + <hr /> + <span class="pagenum"><a name="page63" + id="page63"></a>[pg 63]</span> + + <h2>FORTE SCUTUM SALUS DUCUM.</h2> + + <div class="poem"> + <div class="stanza"> + <p>In St. SWITHIN's forty days</p> + + <p>Comes the end of voting-frays;</p> + + <p>Forty extra then arrays</p> + + <p class="i10">Mr. G.</p> + </div> + + <div class="stanza"> + <p>He had hoped for many more,</p> + + <p>But he cannot even score</p> + + <p>Forty-four, that fought he for—</p> + + <p class="i10">Mr. G.</p> + </div> + + <div class="stanza"> + <p>Fortified with fortitude.</p> + + <p>Rule your motley multitude,</p> + + <p>And so earn our gratitude</p> + + <p class="i10">Mr. G.!</p> + </div> + + <div class="stanza"> + <p>Oh majority, you know</p> + + <p>"Gently does it;" therefore go</p> + + <p>Quite <i>piano</i>, Forty—show</p> + + <p class="i10">Mr. G.</p> + </div> + + <div class="stanza"> + <p>Though his forty is not fat,</p> + + <p>It is fair at least; so that</p> + + <p>JOHN shall not be taxed for PAT,</p> + + <p class="i10">Mr. G.</p> + </div> + + <div class="stanza"> + <p>Spare him income tax that grieves,</p> + + <p>Lest he think that he perceives</p> + + <p>ALI BABA's Forty ——</p> + + <p class="i10">Mr. G.!</p> + </div> + </div> + <hr /> + + <p>WALKER!—Mr. TOOLE is going into the country, and Mr. + GARDEN is to take his place. This sounds like a seasonable + change, as Londoners who cannot get away to a Garden, will now + have a GARDEN coming to them.</p> + <hr /> + + <h3>"NO FEES."</h3> + + <h4>(<i>In re Payne</i> v. <i>'Enry Hauthor Jones.</i>)</h4> + + <div class="poem"> + <div class="stanza"> + <p>Alas, poor JONES, how sad your fate!</p> + + <p class="i2">The Law's stern coldness comes to + freeze</p> + + <p>Your burning wish to captivate</p> + + <p class="i2">With words you know will always + please—</p> + + <p class="i10">"No fees!"</p> + </div> + + <div class="stanza"> + <p>When "bang goes saxpence" for a page</p> + + <p class="i2">Of poorest paper, where one sees</p> + + <p>More puffs than programme, then your rage</p> + + <p class="i2">Seems right. One cries, "At least for + these</p> + + <p class="i10">No fees!"</p> + </div> + + <div class="stanza"> + <p>If Dr. BRAMWELL,<a id="footnotetag1" + name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a> + who they say</p> + + <p class="i2">Cures psychological disease,</p> + + <p>Had known he would have willed away</p> + + <p class="i2">Your PAYNE, like tooth-ache—he + would seize</p> + + <p class="i10">"No fees!"</p> + </div> + + <div class="stanza"> + <p>You've <i>lost</i> the case, and now, "that's + flat,"<a id="footnotetag2" + name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a></p> + + <p class="i2">Must pay those eminent Q.C.'s</p> + + <p>Your Bill of Costs! No Play-bill that!</p> + + <p class="i2">You will not find the Law decrees</p> + + <p class="i10">"No fees."</p> + </div> + </div> + + <blockquote class="footnote"> + <a id="footnote1" + name="footnote1"></a><b>Footnote 1:</b> + <a href="#footnotetag1">(return)</a> + + <p>Mentioned in <i>Times</i> Leading Article, Aug. 3.</p> + </blockquote> + + <blockquote class="footnote"> + <a id="footnote2" + name="footnote2"></a><b>Footnote 2:</b> + <a href="#footnotetag2">(return)</a> + + <p>"That's flat." HENRY (AUTHOR SHAKSPEARE) IV., Part I., + Act I., Scene 3.</p> + </blockquote> + <hr /> + + <p>A TRIO.—Congratulations to Sir WILLIAM CUSINS, who + from his known admiration for WAGNER, is generally known as + "Cusins German." He was a "King's Scholar," and KING, whoever + he was, must have found him a remarkably apt pupil. He has + composed a Comic Opera called <i>Giddy 'Un</i>. The next Knight + is JOSEPH BARNBY, a name suggestive of pure rustic music. The + last of the Knights, Sir WALTER PARRATT, has chosen as his + device the ancient legend always associated with the head of + the PARRATT family, <i>i.e.</i>, "Scratch a Poll." This dates + from very ancient times, and was an inscription found in a + temple of Apollo.</p> + <hr /> + + <p>OMINOUS.—Unfortunate name for a piece is + <i>Cigarette</i>. So suggestive of "paper," and of "ending in + smoke." <i>Absit omen!</i></p> + <hr /> + + <div class="figcenter" + style="width:67%;"> + <a href="images/63.png"><img width="100%" + src="images/63.png" + alt="STUDIES IN IDIOCY." /></a> + + <h3>STUDIES IN IDIOCY.</h3> + + <p><i>She.</i> "MRS. MOFFAT'S THE ODDEST WOMAN! SHE'S FOND + OF MEETING CLEVER PEOPLE, YOU KNOW, AND SHE NEVER OPENS HER + LIPS, BUT LISTENS TO EVERY WORD THEY SAY, AND PUTS IT ALL + DOWN IN A DIARY AFTER!"</p> + + <p><i>He.</i> "HAW—BY JOVE! SHALL TAKE PRECIOUS GOOD + CARE WHAT <i>I</i> SAY BEFORE HER!"</p> + </div> + <hr /> + + <p>AIDS TO LARCENY.—(<i>By an "Outside + Croaker."</i>)—I find that since I started off shopping + this morning, I have lost my purse, my handkerchief, the keys + of all my boxes and drawers, a silver-mounted scent-bottle, my + season-ticket, and a pocket-book containing priceless materials + for the plot of a three-volumed novel. This comes of riding on + the outside of an omnibus with garden-seats.—Conductor, + the gentlemanly person who sat just behind me, and who is now + proceeding rather quickly up Chancery Lane, seems to have been + unable to resist the temptation afforded by my hanging + coat-tails, and has walked off with a few unpaid bills which + were in the pockets, under a mistaken impression that they were + bank-notes. Would you mind explaining to him his + mistake?—Would it be possible for the excellent Directors + of the London General Omnibus Company and the London Road Car + Company, so to board up the open backs of their otherwise + delightful garden-seats as to prevent a ride on the top of an + omnibus from being a constant series of (generally unwarranted) + suspicions of the people seated in one's rear?</p> + <hr /> + <span class="pagenum"><a name="page64" + id="page64"></a>[pg 64]</span> + + <h2>AN AFTERNOON SAIL.</h2> + + <blockquote> + <p>SCENE—<i>A Landing Stage under Margate Pier. + Excursionists discovered embarking in two rival + sailing-boats, the "Daisy" and the "Buttercup," whose + respective Mates are exchanging repartees.</i></p> + </blockquote> + + <div class="figright" + style="width:35%;"> + <a href="images/64.png"><img width="100%" + src="images/64.png" + alt="'Pirate,—that's what I <i>was</i>, Sir!'" /> + </a>"Pirate,—that's what I <i>was</i>, Sir!" + </div> + + <div class="drama"> + <p><i>Mate of the "Daisy".</i> This gangway, + Marm—(<i>to a Stout Lady</i>)—not <i>that</i> + one, if you want to <i>enjoy</i> yourself. That one'll take + you aboard the "<i>Buttercup</i>," Marm!</p> + </div> + + <blockquote> + <p>[<i>The Stout Lady patronises the "Daisy."</i></p> + </blockquote> + + <div class="drama"> + <p><i>Mate of the "Buttercup."</i> You may 'ave <i>that</i> + little lot! Don't you go overloadin' that 'ere old tub o' + yourn, that's all!</p> + + <p><i>M. of the D.</i> No fear o' <i>you</i> bein' crowded, + anyhow. Folks ha' got more sense!</p> + + <p><i>M. of the B.</i> Why, we can outsail <i>you</i> any + day. Spoke you off the Tongue light, we did, close in to + ye, we were—and back ten minutes <i>afore</i> + ye—come! The "Buttercup"'ll answer any way we put + her—a'most <i>speak</i> to us, <i>she</i> will!</p> + + <p><i>M. of the D.</i> Ah, it's lucky for you she can't + <i>quite</i> speak—you'd 'ear some plain langwidge if + she did!</p> + + <p><i>M. of the B.</i> <i>Our</i> boat ain't never + mis-stayed with us, 't all events; ye can't deny that!</p> + + <p><i>M. of the D.</i> We don't go out for sailing, + <i>we</i> don't—we go out for <i>pleasure</i>! (<i>As + the "Daisy," having received her complement of passengers, + puts off.</i>) Tralla! we'll resoom this conversation later + on; you won't ha' got off afore we're back, <i>I</i> + dessay!</p> + </div> + + <blockquote> + <p>[<i>The</i> Mate of the "Buttercup" <i>is reduced to + profanity.</i></p> + </blockquote> + + <h4><i>On Board the "Daisy," during the Trip.</i></h4> + + <div class="drama"> + <p><i>The Stout Lady.</i> Very 'an'some they fit these + yachts up—garding-seats all across the deck, and all + the cushings in red plush. It do give you sech a sense of + security!</p> + + <p><i>A Lugubrious Man.</i> Oh, we shall be all right, so + long as this squall that's coming up don't catch us before + we're in again. Else we shall take <i>our</i> tea down at + the bottom, along with the lobsters!</p> + + <p><i>A Chirpy Little Man with a red chin-tuft</i> (<i>to a + female acquaintance</i>). Well, how are <i>you</i> feelin', + eh?</p> + + <p><i>The Acquaintance.</i> Oh, all right, thenks—so + long as I keep still. There's more waves than it looked + from the Pier.</p> + + <p><i>The Chirpy Man.</i> Waves? These ain't on'y ripples. + When we're off the Foreland, now, you <i>may</i> talk!</p> + + <p><i>The Acq.</i> If it's worse than it is now, I + <i>shan't</i>.</p> + + <p><i>The Chirpy Man.</i> Why, you ain't afraid o' being + queer already? I'm reg'lar enjoyin' it, I am. You don't + object to me samplin' a cigar? You enjoy the flavour of a + smoke more when you're on the water, yer know.</p> + + <p><i>First Girl.</i> I can see our lodgings; and there's + Ma out on the balcony—see? Let's wave our + handkerchiefs to her.</p> + + <p><i>Second Girl.</i> Ma, indeed! Did you <i>ever</i> know + Ma stir off the sofa after her dinner? I wouldn't make + myself ridiklous waving to somebody else's Ma, if <i>I</i> + was you!</p> + + <p><i>First Girl</i> (<i>unconvinced</i>). I'm sure it + <i>is</i> Ma—it's just her figger.</p> + + <p><i>Second Girl.</i> You are such an <i>obstinate</i> + girl! If it's Ma, what's become of the verander?</p> + + <p><i>First Girl</i> (<i>conquered by this unanswerable + argument</i>). I forgot we had a <i>verander</i>—it's + one of those old cats next door!</p> + + <p><i>The Stout Lady</i> (<i>to the Captain who is + steering</i>). Shall we be out long, Captain?</p> + + <p><i>The Captain.</i> I hope not, Marm, because I'm dining + at the tabbly dote at the Cliftonville this evenin', and + I've got to be home in time to dress.</p> + </div> + + <blockquote> + <p>[<i>The passengers regard him with increased + respect.</i></p> + </blockquote> + + <div class="drama"> + <p><i>The Mate</i> (<i>familiarly to the Captain</i>). Yes, + dear; you don't want to die in here, <i>do</i> you? + (<i>explanatorily</i>) "die + in"—<i>dine</i>—you'll excuse <i>me</i>, but + the ocean always makes me feel so facetious. Captain, dear, + if you'll pardon a common sailor like myself for making the + suggestion, I beg to call upon you for a song. (<i>The + Captain obligingly bellows "The Stormy Nore—The Jolly + old Nore," to the general satisfaction</i>). Ah, they + didn't know what a canary-bird you <i>were</i>, Captain! + Here's a lady asking you to drink at her expense.</p> + </div> + + <blockquote> + <p>[<i>The Captain is prevailed upon to accept a tumbler of + "the usual;" the Stout Lady says "Captin, your 'elth!" and + pledges him in a whiskey-and-soda.</i></p> + </blockquote> + + <div class="drama"> + <p><i>First Female Friend</i> (<i>to Second Do. Do.</i>). + That's Mrs. EDLING, all over, puttin' herself so forward! + Look at her now, 'anding him up two cigars in a paper-bag. + I call it sickenin'!</p> + + <p><i>Second Do. Do.</i> I'm not surprised. She's a woman + that 'ud do anythink for notoriety. I've always noticed + <i>that</i> in her.</p> + + <p><i>Captain</i> (<i>to Mate</i>). Ease the brails!</p> + + <p><i>Mate</i> (<i>frivolously, after obeying</i>). They're + feeling better <i>now</i>, darlin'! If no one else'll sing + a song, I'll give you "<i>The Midshipmite</i>."</p> + + <p><i>The Stout Lady.</i> I do like the way those two go on + together; it's as good as a play. I shall begin laughin' + presently; it takes a deal to set me <i>off</i>, but when I + once <i>am</i> off, I can't stop myself. (<i>The Mate + sings.</i>) A sweet singer <i>he</i> is, too. Lor! it's + like goin' for a sail in a Music-'All!</p> + + <p><i>The Chirpy Man.</i> Yes, I'm comin' to set down a + bit. Not so much motion <i>'ere</i>, yer know. No use + trying to smoke in this breeze. No, I was on'y yawning. + Makes yer sleepy, this see-saw does. Don't <i>you</i> find + it so?</p> + + <p><i>Mate</i> (<i>to Sailor</i>). Now, WILLIAM, it's your + turn—you're goin' to sing us something?</p> + + <p><i>William</i> (<i>gruffly</i>). No, I ain't. But + there's a gen'lman 'ere as says he'll recite.</p> + </div> + + <blockquote> + <p>[<i>After some persuasion, a Mild Young Man is induced + to step forward on the foredeck, and recite as + follows</i>:—</p> + </blockquote> + + <div class="drama"> + <p><i>The Mild Young Man</i> (<i>balancing himself with + some difficulty</i>).</p> + </div> + + <div class="poem"> + <div class="stanza"> + <p>"Pirate, that's what I <i>was</i>, Sir. Talk about + Captain KIDD—</p> + + <p>His cruellest acts were kindness, compared with the + deeds <i>I</i> did!</p> + + <p>Never a pitying pang felt I for youth, sex, age, or + rank—</p> + + <p>All who fell into my clutches were doomed to pace a + protruded plank!</p> + + <p>Yet the desperate demon of those days is now a + Churchwarden mild,</p> + + <p>Holding the bag at Collections—and all through + a golden-haired child!"</p> + </div> + </div> + + <blockquote> + <p>[<i>Here the</i> Mate <i>suppresses a groan, and is + understood to remark that he "knows that golden-haired + child;" the</i> Stout Lady <i>sighs, and inwardly reflects + that you can never go by appearances; the</i> Chirpy Man + <i>becomes solemn and attentive.</i></p> + </blockquote> + + <div class="drama"> + <p><i>The Ex-Pirate</i> (<i>who meanwhile has sighted an + East-Indiaman, and given chase</i>).</p> + </div> + + <div class="poem"> + <div class="stanza"> + <p>"Well, soon as we'd overhauled her, our 'Jolly + Roger' we flew,</p> + + <p>We opened our dummy deadlights, and the guns gleamed + grinning through.</p> + + <p>And, panther-like, we were crouching—"</p> + </div> + </div> + + <blockquote> + <p>[<i>Here he attempts to suit the action to the word; the + boat heels over—and the Pirate's crouch becomes a + sprawl.</i></p> + </blockquote> + + <div class="drama"> + <p>I—I <i>beg</i> your pardon.—(<i>Picking + himself up.</i>)</p> + </div> + + <div class="poem"> + <div class="stanza"> + <p class="i10">"Under the Indiaman's side;</p> + + <p>When—a baby-face from her bulwarks, looked + down on us open-eyed:</p> + + <p>I can see him now—with his fluttering curls, + and his cheeks so chubby and round,</p> + + <p>Which a cherub might have been proud of, in snowiest + linen bound!</p> + + <p>Then—he hailed us, in infant accents, so + innocent, fresh, and blithe—</p> + + <p>That our nest of human snakes was stirred to a + conscience-stricken writhe!</p> + + <p class="i2">(<i>In soft falsetto, as Child</i>). + Dear Pirates, I <i>am</i> so sorry—I <i>did</i> + want to see you so.</p> + + <p>I'm afraid you'll be disappointed—but you + mustn't come <i>near</i>, you know!</p> + + <p>I wish I could ask you on board to tea, for I feel + so down in the dumps,</p> + + <p>But I <i>can't</i> invite you—for, if you + came, you'd be certain to catch my Mumps!</p> + + <p>I've given it all of the passengers, and the + Captain, and Mate, and Crew,</p> + + <p>And it would be a <i>dreadful</i> pity if <i>you</i> + were to catch it too!"</p> + </div> + </div> + + <blockquote> + <p>[<i>Pause. The Chirpy Man hides his face.</i></p> + </blockquote> + + <div class="poem"> + <div class="stanza"> + <p>We looked at each other; our utterance choked by + irrepressible lumps,</p> + + <p>Though we feared neither man nor devil—we all + had a <i>horror</i> of Mumps!</p> + + <p>And, but for this Cherub's candour, ere many mere + days had sped—</p> + </div> + </div> + + <blockquote> + <p>[<i>Here the</i> Pirate <i>is stopped by uncontrollable + emotion, and his audience, from the Captain downwards, + express sympathy.</i></p> + </blockquote> + + <div class="drama"> + <p><i>The Reciter</i> (<i>huskily, after wiping his + eyes</i>). I'm very sorry—it's foolish, I know, but I + always <i>do</i> break down just here. I—I think I + can go on now.</p> + </div><span class="pagenum"><a name="page66" + id="page66"></a>[pg 66]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/66.png"><img width="100%" + src="images/66.png" + alt="'WITH THE HONOURS OF WAR!'" /></a> + + <h3>"WITH THE HONOURS OF WAR!"</h3> + </div><span class="pagenum"><a name="page69" + id="page69"></a>[pg 69]</span> + + <div class="poem"> + <div class="stanza"> + <p>"Had sped,</p> + + <p>Each buccaneer would have kept his bunk, with a + bandage about his head!"</p> + </div> + </div> + + <blockquote> + <p>[<i>Here a fresh diversion is effected by</i> The Chirpy + Man, <i>who suddenly achieves unpopularity by becoming + aggressively ill, and causing a general stampede from his + neighbourhood.</i></p> + </blockquote> + + <div class="drama"> + <p><i>The Reciter</i>—</p> + </div> + + <div class="poem"> + <div class="stanza"> + <p>"We wouldn't have boarded her, after <i>that</i>, + for all the treasure on earth,</p> + + <p>So we sailed away—to the sweet salute of a + peal of childish mirth!"</p> + </div> + </div> + + <div class="drama"> + <p><i>The Chirpy Man</i> (<i>resuming his seat, much + relieved, and almost as chirpy as ever, to his neighbours, + confidentially</i>). I'm all right agen now. It was takin' + a glass o' stout on top of black currant pudden <i>done</i> + it, yer know!</p> + </div> + + <blockquote> + <p>[<i>This piece of information is coldly received, which + evidently both surprises and pains him; the Pirate brings + his experiences to an end by relating how he realised his + effects, and retired from business on a modest competence, + and the "Daisy" regains the Pier.</i></p> + </blockquote> + <hr /> + + <h2>"WITH THE HONOURS OF WAR."</h2> + + <div class="poem"> + <div class="stanza"> + <p>After long fight and strenuous defence,</p> + + <p>Tenacity tremendous, toil immense,</p> + + <p>The garrison surrenders!</p> + + <p class="i10">'Tis the doom</p> + + <p>Of desperate war; and though a sombre gloom</p> + + <p>Sits on each brow, each brow is lifted high,</p> + + <p>No petulant pusillanimity</p> + + <p>Makes poor this last parade of stout defenders,</p> + + <p>Or shames this most unwilling of surrenders.</p> + + <p>Six lingering years, and more, of hot attack,</p> + + <p>By confident cool valour beaten back!</p> + + <p>Six baffling years of sortie, and of sally,</p> + + <p>Sudden alarum, stubborn stand, stout rally!</p> + + <p>How the besiegers in their bannered host</p> + + <p>Banded at first around this bastion'd post,</p> + + <p>In sanguine, fierce assault, and shook their + spears,</p> + + <p>Strong hopes derided, mocked at fancied fears.</p> + + <p>The Citadel's defence was all in vain,</p> + + <p>They vowed; a year should end the brief + campaign;</p> + + <p>Yet year to year succeeded slow, and still</p> + + <p>The garrison held out. Strategic skill</p> + + <p>And not impetuous onset nought availed;</p> + + <p>The battering-ram and scaling-ladder failed.</p> + + <p>Brief breaches scarcely made were swift + repaired,</p> + + <p>United still all deadly arms they dared,</p> + + <p>Those linked defenders who, aforetime foes,</p> + + <p>Their lately-banded ranks could firmly close</p> + + <p>Against old friends, now common enemies.</p> + + <p>Black CECIL was Commander, BALFOUR brave</p> + + <p>The Union Standard in his wake would wave,</p> + + <p>The <i>Reiter</i> JOACHIM, of German breed,</p> + + <p>And the Scot swordster RITCHIE, good at need,</p> + + <p>With him, the fox-eyed Freelance, JOE DE BRUM,</p> + + <p>Brave with the trumpet, valiant with the drum,</p> + + <p>Proud to be capped and curled with Cavaliers,</p> + + <p>The Gentlemen of England, now his peers,—</p> + + <p>These, and a many more good men and true,</p> + + <p>The ramparts manned, the warning clarion blew;</p> + + <p>Stood in the breach, and to the bastion swarmed,</p> + + <p>Whene'er loud blares that citadel alarmed.</p> + </div> + + <div class="stanza"> + <p>But now slow sap and steady siege have wrought</p> + + <p>The conquest long delayed. The Chiefs that + fought</p> + + <p>So long together, feel the touch of fate,</p> + + <p>Bow to its bidding. Calm though not elate,</p> + + <p>Swart CECIL yields him at discretion. So</p> + + <p>The garrison marches forth! But e'en the foe</p> + + <p>Gives chivalrous salute to beaten men</p> + + <p>Unshamed by forced surrender. Hail them, then,</p> + + <p>With sympathetic cheers! The white-haired Chief,</p> + + <p>Lifts hat in greeting. He, all brawn and beef,</p> + + <p>WILLIAM of Malwood, bears the banner high,</p> + + <p>But scarce looks fired, with conquest's ecstasy.</p> + + <p>JOHN of Newcastle, reins a restive horse;</p> + + <p><i>He's</i> none too eager for another course.</p> + + <p>The one-armed Irish Chief looks pale and grim;</p> + + <p>E'en cheery LARRY, of the cynic whim,</p> + + <p>Hath a less careless chuckle than his wont.</p> + + <p>"Beshrew me! but they bear a gallant front!"</p> + + <p>Mutter the pikemen ranged in order round.</p> + + <p>Sore-battered RITCHIE,—may he soon be + sound!—</p> + + <p>Bates not a jot of courage; that stark fighter</p> + + <p>And shifty swordsman, JOACHIM: the + <i>Reiter</i>,</p> + + <p>Snuffs the air proudly; with his nose a-cock</p> + + <p>Steps JOE DE BRUM, and, steady as a rock,</p> + + <p>Strides forth Chief CECIL!</p> + + <p>Hail the beaten band,</p> + + <p>You Grand, and grey-haired, Old Campaigning + Hand;</p> + + <p>For you have seen good fighting, and you know</p> + + <p>Game foemen when you see them. Conquest's glow</p> + + <p>Mantles that pallid cheek. After long strain,</p> + + <p>Victory at last is yours, nor all in vain,</p> + + <p>Perchance, although its fruits precarious be.</p> + + <p>What you will do with it, we wait to see.</p> + + <p>Meanwhile <i>you</i>'ll own the foes you've put to + rout.</p> + + <p>With all war's honours unashamed march out.</p> + </div> + </div> + <hr /> + + <div class="figcenter" + style="width:65%;"> + <a href="images/69.png"><img width="100%" + src="images/69.png" + alt="SO MATTER-OF-FACT." /></a> + + <h3>SO MATTER-OF-FACT.</h3> + + <p><i>Jones</i> (<i>who prides himself on his French</i>). + "DÉSOLÉ, MON CHER, NOT TO BE ABLE TO ACCEPT YOUR + HOSPITALITY, BUT TO-NIGHT I AM DINING <i>EN VILLE</i>."</p> + + <p><i>Brown</i> (<i>who is so matter-of-fact, and never + will understand Jones's French</i>). "DINING 'ON VEAL,' ARE + YOU? WELL, THERE'S NOT MUCH DIFFERENCE; IF YOU COME TO ME, + YOU'LL HAVE A LEG O' MUTTON!"</p> + </div> + <hr /> + + <p>MAKE IT HOT.—Dean KITCHIN says that one of his reasons + for voting for the Gladstonians is that he is "a warm Liberal." + Quite so. A cold KITCHIN would be a contradiction in terms.</p> + <hr /> + <span class="pagenum"><a name="page70" + id="page70"></a>[pg 70]</span> + + <div class="figcenter" + style="width:100%;"> + <a href="images/70.png"><img width="100%" + src="images/70.png" + alt="MEMBERS WE SHALL MISS. F.A. Hankey. Sir H. Tyler. M.W. Mattinson. J. Bazley White. J. Stack. The Bruce. T.L. Bristowe. Hermon-Hodge. Alfred Giles. J. Woodhead. Baron Dimsdale. T. Milvain." /> + </a> + + <h3>MEMBERS WE SHALL MISS.</h3> + </div> + <hr /> + <span class="pagenum"><a name="page71" + id="page71"></a>[pg 71]</span> + + <h2>ESSENCE OF PARLIAMENT.</h2> + + <h3 class="sc">Extracted from the Diary of Toby, M.P.</h3> + + <p><i>House of Commons, Thursday, August 4.</i>—New + Parliament met to-day in great force. Ambition stirs noble + minds in different ways. Some embark on Parliamentary life with + determination to outshine BRIGHT or GLADSTONE in field of + oratory. Others will not be pacified till they emulate PITT. + Others again aim at the lofty pedestal on which stands through + the ages the man who is first in his place, on first day, of + first Session, of new Parliament. Exciting race to-day. At + night, both BIGWOOD and SPENCER (not BOBBY, who has affairs of + graver State to look to just now) sailed in together. At a + quarter to ten SAVORY turned up, sermon in hand, and found he + was forestalled.</p> + + <p>"What, MOORE of them!" cried SAVORY. "The bane of my + life."</p> + + <p>"Yes," said LOGAN, arriving a few minutes later; "wherever + there's one SAVORY you're sure to find MOORE, and in this case + they precede you."</p> + + <p>Six minutes later DIXON-HARTLAND arrived, mopping his + forehead. When he found others on spot, pretended he'd only + looked in accidentally. "Passing by, you know; thought I'd see + how old place looked." But it wouldn't do. Other men, + especially BIGWOOD, saw through it all. Then DIXON HARTLAND + grew anecdotal. Told fabulous story about imaginary Scotch + Member, who, at opening of Parliament of 1880, brought down his + plaid, a stoup of whiskey, and a thimbleful of oatmeal. Camped + out all night in Palace Yard, and staggered into House as soon + as doors were opened.</p> + + <p>"That beats you, BIGWOOD," the Evesham Banker said, with a + tartness of voice that betrayed his chagrin.</p> + + <p>Rest of the 665 Members content to look in later. By one + o'clock House full, Lobby overflowing. Difficult to move + through the close ranks, and yet there were many gaps. Ranks of + old House more than decimated. "There they go," said my young + but fiery friend FURNISS, whom I came upon in corner of Lobby, + rapidly sketching with blurred eyesight.</p> + + <p>"Who go?" I asked, remembering with a start I had left my + gold-nobbed stick in the corner by the Post Office.</p> + + <p>"The Members we shall miss," he sobbed, lingering fondly + over the truculent curl of HERMON-HODGE's moustache.</p> + + <p>But if gone are some familiar faces, others come back. Glad + to see MACFARLANE in his old place below Gangway, and to find + him later in old seat in smoking-room. MACFARLANE didn't often + speak in debate, but usually had something to say. Was a + Home-Ruler long before the majority found salvation. Remember + across the years how he put whole case in crisp sentence when + he adjured the deaf Government of the day "not to attempt to + enforce Greenwich-time at Dublin." If BRIGHT had said that, or + DIZZY, or Mr. G., the happy phrase would have echoed down the + corridors of time. But it was only an Irish Member; MACFARLANE, + then Member for Carlow. So it passed + unnoticed—unremembered rather than forgotten.</p> + + <p><i>Business done.</i>—Speaker elected. ARTHUR + WELLESLEY PEEL for the fourth time. House evidently under + impression it can't have too much of good thing.</p> + + <p><i>Friday.</i>—Pretty to watch growth of full-blown + SPEAKER in New Parliament. First stage—enters in ordinary + morning dress, and seats himself with other Members, diligently + trying to look as if he expected nothing to happen. Sore + temptation for Members sitting near him. Would like to slap him + on the back, and ask how he got on through his Election. Short + of that, feel they must ask if he wants a pair? Is he dining + here? Is he going to have a smoke, or a stroll on the Terrace? + Next day, having meanwhile been proposed, seconded, and + inducted to Chair, SPEAKER-ELECT turns up in Court-dress, with + Bob-wig. This is Development-stage. Having reached it, proceeds + to the House of Lords, where he is patronisingly received by + LORD CHANCELLOR. ("HALSBURY," SAGE OF QUEEN ANNE'S GATE says, + "peculiarly well up in patronage.") This done, returns to + Commons; disappears behind Chair; SERGEANT-AT-ARMS counts + twenty-three; presto! door re-opens; SPEAKER re-appears in + butterfly-trim, with full-bottomed wig, silk gown, and shoon on + which shimmer the sheen of silver buckles.</p> + + <p>No trifling with SPEAKER when this final stage reached. + KEIR-HARDIE took early opportunity of trying a fall with + him—and got it. HARDIE fresh from the coal-pit, + represents West Ham; evidently determined to pose as Stage + Workman. "DON'T KEIR-HARDIE is my name," he said, swaggering + into House just now. "Don't keer a —— for SPEAKER, + or any black-coated bloke. I'm the true British Workman, and + will soon make all you blooming gentry sit up."</p> + + <p>"Are you going to take the Oath?" said COBB. COBB always + asking questions.</p> + + <p>"Oath!" cried DON'T KEIR-HARDIE, "I'll take 'em in a + moog."</p> + + <p>Put on his cap, and swaggered towards the table. "Order! + order!" cried SPEAKER, in tones of thunder. "DON'T KEIR-HARDIE + is my name," said Hon. Member for West Ham; "and blow me + if—". Turned, and saw flashing eye of SPEAKER bent upon + him. Slowly his hand went up to his head; the cap came off, was + crumpled up, and put in his pocket.</p> + + <p>"Will you take the oath, or make affirmation?" asked MILMAN, + stuck between two tables, but always ready to oblige.</p> + + <p>"Don't keer which," said DON'T KEIR-HARDIE; but, possibly + from force of habit, took the oath.</p> + + <p>"If OLD MORALITY was still with us, my friend," said BURT, + gravely, "he would be able to cite for your edification a + copy-head showing how Don't Care came to a bad end."</p> + + <p><i>Business done.</i>—Swearing going on in both + Houses. Our Army in Flanders quite respectable by + comparison.</p> + <hr /> + + <div class="figcenter" + style="width:65%;"> + <a href="images/71.png"><img width="100%" + src="images/71.png" + alt="BLASÉ." /></a> + + <h3>BLASÉ.</h3> + + <p><i>Enthusiastic Lady Amateur.</i> "OH, WHAT A PITY! + WE'VE JUST MISSED THE FIRST ACT!"</p> + + <p><i>Languid Friend.</i> "HAVE WE? AH—RATHER GLAD. I + ALWAYS THINK THE CHIEF PLEASURE OF GOING TO A THEATRE IS + TRYING TO MAKE OUT WHAT THE FIRST ACT WAS ABOUT!"</p> + </div> + <hr /> + <span class="pagenum"><a name="page72" + id="page72"></a>[pg 72]</span> + + <div class="figcenter" + style="width:60%;"> + <a href="images/72.png"><img width="100%" + src="images/72.png" + alt="A SKETCH FROM NATURE." /></a> + + <h3>A SKETCH FROM NATURE.</h3>LITTLE MISS FACING-BOTH-WAYS + AND HER DOG DOUBLE-OR-QUITS! + </div> + <hr /> + + <h3>ASPIRATION.</h3> + + <h4><i>By a Weary Secular Scribe.</i></h4> + + <div class="poem"> + <div class="stanza"> + <p>Oh, to be a Pulpiteer!</p> + + <p>Purists may fie-fie, or sneer.</p> + + <p>But, when wit and fancy fail,</p> + + <p>To produce your twice-cooked kail</p> + + <p>(As "a traveller") must be nice.</p> + + <p>Nor are you confined to <i>twice</i>;</p> + + <p>Hashed, rehashed, and hashed again,</p> + + <p>Garnished—from another brain,</p> + + <p>Seasoned—from another cruet,</p> + + <p>You may roast, or boil, or stew it</p> + + <p>O'er and o'er, year in year out,</p> + + <p>As you perorate about,</p> + + <p>Seek, when weary,—o'ertasked elves!</p> + + <p>"Inspiration" from your shelves.</p> + + <p>Salt it here, and sauce it there,</p> + + <p>Saying nothing, since none care</p> + + <p>To make question, taking pay,</p> + + <p>Yes, and praise upon your way,</p> + + <p>For—well, ere the thing is through,</p> + + <p>What is what and who is who,</p> + + <p>It might puzzle you to tell;</p> + + <p>Still you "think it right"! Ah, well!</p> + + <p>This philosophy peripatetic</p> + + <p>Strikes a chord that's sympathetic</p> + + <p>In the breast of secular scribe;</p> + + <p>Nothing, it is true, would bribe</p> + + <p>Him to play the pious prig,</p> + + <p>But—he heaves a sigh that's big</p> + + <p>Murmuring, enviously I fear,—</p> + + <p>Oh, to be a Pulpiteer!</p> + </div> + </div> + <hr /> + + <h3>A Caudal Lecture;</h3> + + <h4><i>Or, Darwinism in the Cricket Field.</i></h4> + + <div class="poem"> + <div class="stanza"> + <p>When Man first arose from the primitive Ape,</p> + + <p>He first dropped his tail, and took on a new + shape.</p> + + <p>But Cricketing Man, born to trundle and swipe,</p> + + <p>Reversion displays to the earlier type;</p> + + <p>For a cricketing team, when beginning to fail,</p> + + <p>Always loses its "form," and "developes a tail"!</p> + </div> + </div> + <hr /> + + <h2>ROBERT ON THINGS IN GINERAL.</h2> + + <p>I was only jest a thinkin the other day, what werry + distinguisht honner Her Most Grashus Madgesty the QUEEN would + bestow on the Rite Honerabel the LORD MARE, when the rite time + cum. But I was ardly prepaird for the acshal fack!</p> + + <p>I reelly coudn't have bleeved it if I hadn't a had it red + out to me from a most respecfool Mornin Paper; so in course it + must be trew. Yes, the Rite Honorabel the LORD MARE is not only + to be a Nite, like other Lord Mares, but the QUEEN has acshally + made him a Nite Commander of the most xtinguisht Order of Saint + Mikel, and, not sattisfide with ewen that, Her MADGESTY has + also made him a Nite Commander of the other most xtinguisht + Order of Saint George!</p> + + <p>It is fortnit that Sir DAVID's year of offis will soon end, + or he mite have fownd it diffikult to carry out his ushal LORD + MARE's numerus dootys, while Commanding two sitch xtinguisht + Orders as them as is named above.</p> + + <p>My Amerricane Friend has turnd up agane at our bewtifool + Grand Otel. He says as they has had orful whether wear he has + cum from, but all the hole week he has had in grand old Lundon + has bin most luvly Sun-Shine, as it amost allers is in Spring, + he says he's told. As he luckly didn't appen for to arsk for no + arnser, of course I didn't give him not none; but I coudn't + help a thinkin as how as if he had bin here in our late hurly + Spring, he might ha bin inclined jest a leetel to halter his + good opinyon.</p> + + <p>We had qwite a plezzent chat while I atended upon him at + Lunch. He wants to kno more about our LORD MARE. Fust of all, + how much munney he gits; and, when I told him jest ten thowsand + pounds for his year of offics, he xclaimd, "Why, that's the + werry same sum as we gives our President, who, you know, is + reelly our King!" So I said, "Does he find it enuff for him, + Sir?" "Oh yes," he says, "quite." "Well," says I, "it don't + seem a werry big salery for the King of such a big plaice as + Amerrikey, when I appens to know that the LORD MARE of our + little Lundon, which is ony about one mile big, has to spend + more than another ten thousand pounds out of his own pocket + afore he's finished his year!" "Well," he says, "you do + estonish me; but everythink's estonishing in your grand old + Citty! How do they send him his money?" I told him as the + Chamberlane, who was allers cram full of munney, took it him + every quarter-day. "Ah," says he, "we send our President, on + the 26th of evry month, exakly eight hundred and thirty-three + pounds, six-and-eight pence." "Ah," I said, "I am rayther + serprized as he shoud condersend to take the odd six-and-eight. + I'm quite shure our LORD MARE woudn't do so. I bleeve as he + never has not nothink less than Bank-notes and suvreigns, but + allers plenty of 'em." "How many dinners does he give during + the year?" says he. "Ah, Sir," says I, "that's rayther a + staggering qweshun to arnser. Me and BROWN has often tried our + hands at it, but ginerally breaks down about Witsuntide; but I + shoud say sumwares about three thowsand, and about twice as + many lunchons." "Good grayshus!" says the Amerricane, "what a + number!" "Yes," says I, "and so much is they thort on, that + p'raps the werry greatest trubbel that has worrited the manly + bussoms of Lord SORLSBUBY and all his brother Ministers is the + mellancolly fack, that they has bin compelld to decline the + LORD MARE's customery Ministerial Bankwet this year, coz they + coudn't tell for serten whether they would be the Ministers to + go to it! And the LORD MARE to drown his sorrer has gone and + berried hisself in the 'art of Scotland!" "What a sad story to + be shure!" said my Amerricane, with a sigh! "Yes, Sir," I + replied, "these are sum of the many trubbels as our werry + greatest men has to endewr, and happy is he who does not quiver + when he has his arrow full of 'em!" And so we parted.</p> + + <p class="author">ROBERT.</p> + <hr /> + + <h3>TO MISS AIDA JENOURE.</h3> + + <h4>(<i>On the Withdrawal of "The Mountebanks."</i>)</h4> + + <div class="poem"> + <div class="stanza"> + <p>Dear AIDA, good-bye; since it must be, it must;</p> + + <p>Yet your slaves view your absence from Town with + disgust.</p> + + <p>For myself, I'd as soon live at + Shipston-on-Stour</p> + + <p>As endure life in London without our JENOURE.</p> + + <p>Sprightly Mountebank AIDA, sweet Mistress of + Arts,</p> + + <p>You smiled as you danced yourself into our + hearts.</p> + + <p>And now from the Strand to the Vale of far Maida</p> + + <p>There's only one chorus—"Come back to us, + AIDA!"</p> + + <p><i>Les absents</i>, you know the old maxim, <i>ont + tort</i>,</p> + + <p>Wherefore dance yourself back, and be present once + more.</p> + </div> + </div> + <hr /> + + <p>NOTICE.—Rejected Communications or Contributions, + whether MS., Printed Matter, Drawings, or Pictures of any + description, will in no case be returned, not even when + accompanied by a Stamped and Addressed Envelope, Cover, or + Wrapper. To this rule there will be no exception.</p> + <hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 103, AUGUST 13, 1892***</p> +<p>******* This file should be named 15142-h.txt or 15142-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/dirs/1/5/1/4/15142">https://www.gutenberg.org/1/5/1/4/15142</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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