diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:14:28 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:14:28 -0700 |
| commit | 4e8135fbf8a6d3f7c255da4627129cd1e32d7f5e (patch) | |
| tree | 92d6dda9886b76d329dbdd1abdbd7f47393b3e4d /151.txt | |
Diffstat (limited to '151.txt')
| -rw-r--r-- | 151.txt | 1217 |
1 files changed, 1217 insertions, 0 deletions
@@ -0,0 +1,1217 @@ +The Project Gutenberg EBook of The Rime of the Ancient Mariner, by +Samuel Taylor Coleridge + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Rime of the Ancient Mariner + +Author: Samuel Taylor Coleridge + +Release Date: March 11, 2006 [EBook #151] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE RIME OF THE ANCIENT MARINER *** + + + + +Produced by Judy Boss + + + + + +THE RIME OF THE ANCIENT MARINER + +IN SEVEN PARTS + +By Samuel Taylor Coleridge + + + +PART THE FIRST. + + It is an ancient Mariner, + And he stoppeth one of three. + "By thy long grey beard and glittering eye, + Now wherefore stopp'st thou me? + + "The Bridegroom's doors are opened wide, + And I am next of kin; + The guests are met, the feast is set: + May'st hear the merry din." + + He holds him with his skinny hand, + "There was a ship," quoth he. + "Hold off! unhand me, grey-beard loon!" + Eftsoons his hand dropt he. + + He holds him with his glittering eye-- + The Wedding-Guest stood still, + And listens like a three years child: + The Mariner hath his will. + + The Wedding-Guest sat on a stone: + He cannot chuse but hear; + And thus spake on that ancient man, + The bright-eyed Mariner. + + The ship was cheered, the harbour cleared, + Merrily did we drop + Below the kirk, below the hill, + Below the light-house top. + + The Sun came up upon the left, + Out of the sea came he! + And he shone bright, and on the right + Went down into the sea. + + Higher and higher every day, + Till over the mast at noon-- + The Wedding-Guest here beat his breast, + For he heard the loud bassoon. + + The bride hath paced into the hall, + Red as a rose is she; + Nodding their heads before her goes + The merry minstrelsy. + + The Wedding-Guest he beat his breast, + Yet he cannot chuse but hear; + And thus spake on that ancient man, + The bright-eyed Mariner. + + And now the STORM-BLAST came, and he + Was tyrannous and strong: + He struck with his o'ertaking wings, + And chased south along. + + With sloping masts and dipping prow, + As who pursued with yell and blow + Still treads the shadow of his foe + And forward bends his head, + The ship drove fast, loud roared the blast, + And southward aye we fled. + + And now there came both mist and snow, + And it grew wondrous cold: + And ice, mast-high, came floating by, + As green as emerald. + + And through the drifts the snowy clifts + Did send a dismal sheen: + Nor shapes of men nor beasts we ken-- + The ice was all between. + + The ice was here, the ice was there, + The ice was all around: + It cracked and growled, and roared and howled, + Like noises in a swound! + + At length did cross an Albatross: + Thorough the fog it came; + As if it had been a Christian soul, + We hailed it in God's name. + + It ate the food it ne'er had eat, + And round and round it flew. + The ice did split with a thunder-fit; + The helmsman steered us through! + + And a good south wind sprung up behind; + The Albatross did follow, + And every day, for food or play, + Came to the mariners' hollo! + + In mist or cloud, on mast or shroud, + It perched for vespers nine; + Whiles all the night, through fog-smoke white, + Glimmered the white Moon-shine. + + "God save thee, ancient Mariner! + From the fiends, that plague thee thus!-- + Why look'st thou so?"--With my cross-bow + I shot the ALBATROSS. + + + + +PART THE SECOND. + + The Sun now rose upon the right: + Out of the sea came he, + Still hid in mist, and on the left + Went down into the sea. + + And the good south wind still blew behind + But no sweet bird did follow, + Nor any day for food or play + Came to the mariners' hollo! + + And I had done an hellish thing, + And it would work 'em woe: + For all averred, I had killed the bird + That made the breeze to blow. + Ah wretch! said they, the bird to slay + That made the breeze to blow! + + Nor dim nor red, like God's own head, + The glorious Sun uprist: + Then all averred, I had killed the bird + That brought the fog and mist. + 'Twas right, said they, such birds to slay, + That bring the fog and mist. + + The fair breeze blew, the white foam flew, + The furrow followed free: + We were the first that ever burst + Into that silent sea. + + Down dropt the breeze, the sails dropt down, + 'Twas sad as sad could be; + And we did speak only to break + The silence of the sea! + + All in a hot and copper sky, + The bloody Sun, at noon, + Right up above the mast did stand, + No bigger than the Moon. + + Day after day, day after day, + We stuck, nor breath nor motion; + As idle as a painted ship + Upon a painted ocean. + + Water, water, every where, + And all the boards did shrink; + Water, water, every where, + Nor any drop to drink. + + The very deep did rot: O Christ! + That ever this should be! + Yea, slimy things did crawl with legs + Upon the slimy sea. + + About, about, in reel and rout + The death-fires danced at night; + The water, like a witch's oils, + Burnt green, and blue and white. + + And some in dreams assured were + Of the spirit that plagued us so: + Nine fathom deep he had followed us + From the land of mist and snow. + + And every tongue, through utter drought, + Was withered at the root; + We could not speak, no more than if + We had been choked with soot. + + Ah! well a-day! what evil looks + Had I from old and young! + Instead of the cross, the Albatross + About my neck was hung. + + + + +PART THE THIRD. + + There passed a weary time. Each throat + Was parched, and glazed each eye. + A weary time! a weary time! + How glazed each weary eye, + When looking westward, I beheld + A something in the sky. + + At first it seemed a little speck, + And then it seemed a mist: + It moved and moved, and took at last + A certain shape, I wist. + + A speck, a mist, a shape, I wist! + And still it neared and neared: + As if it dodged a water-sprite, + It plunged and tacked and veered. + + With throats unslaked, with black lips baked, + We could not laugh nor wail; + Through utter drought all dumb we stood! + I bit my arm, I sucked the blood, + And cried, A sail! a sail! + + With throats unslaked, with black lips baked, + Agape they heard me call: + Gramercy! they for joy did grin, + And all at once their breath drew in, + As they were drinking all. + + See! see! (I cried) she tacks no more! + Hither to work us weal; + Without a breeze, without a tide, + She steadies with upright keel! + + The western wave was all a-flame + The day was well nigh done! + Almost upon the western wave + Rested the broad bright Sun; + When that strange shape drove suddenly + Betwixt us and the Sun. + + And straight the Sun was flecked with bars, + (Heaven's Mother send us grace!) + As if through a dungeon-grate he peered, + With broad and burning face. + + Alas! (thought I, and my heart beat loud) + How fast she nears and nears! + Are those her sails that glance in the Sun, + Like restless gossameres! + + Are those her ribs through which the Sun + Did peer, as through a grate? + And is that Woman all her crew? + Is that a DEATH? and are there two? + Is DEATH that woman's mate? + + Her lips were red, her looks were free, + Her locks were yellow as gold: + Her skin was as white as leprosy, + The Night-Mare LIFE-IN-DEATH was she, + Who thicks man's blood with cold. + + The naked hulk alongside came, + And the twain were casting dice; + "The game is done! I've won! I've won!" + Quoth she, and whistles thrice. + + The Sun's rim dips; the stars rush out: + At one stride comes the dark; + With far-heard whisper, o'er the sea. + Off shot the spectre-bark. + + We listened and looked sideways up! + Fear at my heart, as at a cup, + My life-blood seemed to sip! + + The stars were dim, and thick the night, + The steersman's face by his lamp gleamed white; + From the sails the dew did drip-- + Till clombe above the eastern bar + The horned Moon, with one bright star + Within the nether tip. + + One after one, by the star-dogged Moon + Too quick for groan or sigh, + Each turned his face with a ghastly pang, + And cursed me with his eye. + + Four times fifty living men, + (And I heard nor sigh nor groan) + With heavy thump, a lifeless lump, + They dropped down one by one. + + The souls did from their bodies fly,-- + They fled to bliss or woe! + And every soul, it passed me by, + Like the whizz of my CROSS-BOW! + + + + +PART THE FOURTH. + + "I fear thee, ancient Mariner! + I fear thy skinny hand! + And thou art long, and lank, and brown, + As is the ribbed sea-sand. + + "I fear thee and thy glittering eye, + And thy skinny hand, so brown."-- + Fear not, fear not, thou Wedding-Guest! + This body dropt not down. + + Alone, alone, all, all alone, + Alone on a wide wide sea! + And never a saint took pity on + My soul in agony. + + The many men, so beautiful! + And they all dead did lie: + And a thousand thousand slimy things + Lived on; and so did I. + + I looked upon the rotting sea, + And drew my eyes away; + I looked upon the rotting deck, + And there the dead men lay. + + I looked to Heaven, and tried to pray: + But or ever a prayer had gusht, + A wicked whisper came, and made + my heart as dry as dust. + + I closed my lids, and kept them close, + And the balls like pulses beat; + For the sky and the sea, and the sea and the sky + Lay like a load on my weary eye, + And the dead were at my feet. + + The cold sweat melted from their limbs, + Nor rot nor reek did they: + The look with which they looked on me + Had never passed away. + + An orphan's curse would drag to Hell + A spirit from on high; + But oh! more horrible than that + Is a curse in a dead man's eye! + Seven days, seven nights, I saw that curse, + And yet I could not die. + + The moving Moon went up the sky, + And no where did abide: + Softly she was going up, + And a star or two beside. + + Her beams bemocked the sultry main, + Like April hoar-frost spread; + But where the ship's huge shadow lay, + The charmed water burnt alway + A still and awful red. + + Beyond the shadow of the ship, + I watched the water-snakes: + They moved in tracks of shining white, + And when they reared, the elfish light + Fell off in hoary flakes. + + Within the shadow of the ship + I watched their rich attire: + Blue, glossy green, and velvet black, + They coiled and swam; and every track + Was a flash of golden fire. + + O happy living things! no tongue + Their beauty might declare: + A spring of love gushed from my heart, + And I blessed them unaware: + Sure my kind saint took pity on me, + And I blessed them unaware. + + The self same moment I could pray; + And from my neck so free + The Albatross fell off, and sank + Like lead into the sea. + + + + +PART THE FIFTH. + + Oh sleep! it is a gentle thing, + Beloved from pole to pole! + To Mary Queen the praise be given! + She sent the gentle sleep from Heaven, + That slid into my soul. + + The silly buckets on the deck, + That had so long remained, + I dreamt that they were filled with dew; + And when I awoke, it rained. + + My lips were wet, my throat was cold, + My garments all were dank; + Sure I had drunken in my dreams, + And still my body drank. + + I moved, and could not feel my limbs: + I was so light--almost + I thought that I had died in sleep, + And was a blessed ghost. + + And soon I heard a roaring wind: + It did not come anear; + But with its sound it shook the sails, + That were so thin and sere. + + The upper air burst into life! + And a hundred fire-flags sheen, + To and fro they were hurried about! + And to and fro, and in and out, + The wan stars danced between. + + And the coming wind did roar more loud, + And the sails did sigh like sedge; + And the rain poured down from one black cloud; + The Moon was at its edge. + + The thick black cloud was cleft, and still + The Moon was at its side: + Like waters shot from some high crag, + The lightning fell with never a jag, + A river steep and wide. + + The loud wind never reached the ship, + Yet now the ship moved on! + Beneath the lightning and the Moon + The dead men gave a groan. + + They groaned, they stirred, they all uprose, + Nor spake, nor moved their eyes; + It had been strange, even in a dream, + To have seen those dead men rise. + + The helmsman steered, the ship moved on; + Yet never a breeze up blew; + The mariners all 'gan work the ropes, + Where they were wont to do: + They raised their limbs like lifeless tools-- + We were a ghastly crew. + + The body of my brother's son, + Stood by me, knee to knee: + The body and I pulled at one rope, + But he said nought to me. + + "I fear thee, ancient Mariner!" + Be calm, thou Wedding-Guest! + 'Twas not those souls that fled in pain, + Which to their corses came again, + But a troop of spirits blest: + + For when it dawned--they dropped their arms, + And clustered round the mast; + Sweet sounds rose slowly through their mouths, + And from their bodies passed. + + Around, around, flew each sweet sound, + Then darted to the Sun; + Slowly the sounds came back again, + Now mixed, now one by one. + + Sometimes a-dropping from the sky + I heard the sky-lark sing; + Sometimes all little birds that are, + How they seemed to fill the sea and air + With their sweet jargoning! + + And now 'twas like all instruments, + Now like a lonely flute; + And now it is an angel's song, + That makes the Heavens be mute. + + It ceased; yet still the sails made on + A pleasant noise till noon, + A noise like of a hidden brook + In the leafy month of June, + That to the sleeping woods all night + Singeth a quiet tune. + + Till noon we quietly sailed on, + Yet never a breeze did breathe: + Slowly and smoothly went the ship, + Moved onward from beneath. + + Under the keel nine fathom deep, + From the land of mist and snow, + The spirit slid: and it was he + That made the ship to go. + The sails at noon left off their tune, + And the ship stood still also. + + The Sun, right up above the mast, + Had fixed her to the ocean: + But in a minute she 'gan stir, + With a short uneasy motion-- + Backwards and forwards half her length + With a short uneasy motion. + + Then like a pawing horse let go, + She made a sudden bound: + It flung the blood into my head, + And I fell down in a swound. + + How long in that same fit I lay, + I have not to declare; + But ere my living life returned, + I heard and in my soul discerned + Two VOICES in the air. + + "Is it he?" quoth one, "Is this the man? + By him who died on cross, + With his cruel bow he laid full low, + The harmless Albatross. + + "The spirit who bideth by himself + In the land of mist and snow, + He loved the bird that loved the man + Who shot him with his bow." + + The other was a softer voice, + As soft as honey-dew: + Quoth he, "The man hath penance done, + And penance more will do." + + + + +PART THE SIXTH. + + + FIRST VOICE. + + But tell me, tell me! speak again, + Thy soft response renewing-- + What makes that ship drive on so fast? + What is the OCEAN doing? + + + SECOND VOICE. + + Still as a slave before his lord, + The OCEAN hath no blast; + His great bright eye most silently + Up to the Moon is cast-- + + If he may know which way to go; + For she guides him smooth or grim + See, brother, see! how graciously + She looketh down on him. + + + FIRST VOICE. + + But why drives on that ship so fast, + Without or wave or wind? + + + SECOND VOICE. + + The air is cut away before, + And closes from behind. + + Fly, brother, fly! more high, more high + Or we shall be belated: + For slow and slow that ship will go, + When the Mariner's trance is abated. + + I woke, and we were sailing on + As in a gentle weather: + 'Twas night, calm night, the Moon was high; + The dead men stood together. + + All stood together on the deck, + For a charnel-dungeon fitter: + All fixed on me their stony eyes, + That in the Moon did glitter. + + The pang, the curse, with which they died, + Had never passed away: + I could not draw my eyes from theirs, + Nor turn them up to pray. + + And now this spell was snapt: once more + I viewed the ocean green. + And looked far forth, yet little saw + Of what had else been seen-- + + Like one that on a lonesome road + Doth walk in fear and dread, + And having once turned round walks on, + And turns no more his head; + Because he knows, a frightful fiend + Doth close behind him tread. + + But soon there breathed a wind on me, + Nor sound nor motion made: + Its path was not upon the sea, + In ripple or in shade. + + It raised my hair, it fanned my cheek + Like a meadow-gale of spring-- + It mingled strangely with my fears, + Yet it felt like a welcoming. + + Swiftly, swiftly flew the ship, + Yet she sailed softly too: + Sweetly, sweetly blew the breeze-- + On me alone it blew. + + Oh! dream of joy! is this indeed + The light-house top I see? + Is this the hill? is this the kirk? + Is this mine own countree! + + We drifted o'er the harbour-bar, + And I with sobs did pray-- + O let me be awake, my God! + Or let me sleep alway. + + The harbour-bay was clear as glass, + So smoothly it was strewn! + And on the bay the moonlight lay, + And the shadow of the moon. + + The rock shone bright, the kirk no less, + That stands above the rock: + The moonlight steeped in silentness + The steady weathercock. + + And the bay was white with silent light, + Till rising from the same, + Full many shapes, that shadows were, + In crimson colours came. + + A little distance from the prow + Those crimson shadows were: + I turned my eyes upon the deck-- + Oh, Christ! what saw I there! + + Each corse lay flat, lifeless and flat, + And, by the holy rood! + A man all light, a seraph-man, + On every corse there stood. + + This seraph band, each waved his hand: + It was a heavenly sight! + They stood as signals to the land, + Each one a lovely light: + + This seraph-band, each waved his hand, + No voice did they impart-- + No voice; but oh! the silence sank + Like music on my heart. + + But soon I heard the dash of oars; + I heard the Pilot's cheer; + My head was turned perforce away, + And I saw a boat appear. + + The Pilot, and the Pilot's boy, + I heard them coming fast: + Dear Lord in Heaven! it was a joy + The dead men could not blast. + + I saw a third--I heard his voice: + It is the Hermit good! + He singeth loud his godly hymns + That he makes in the wood. + He'll shrieve my soul, he'll wash away + The Albatross's blood. + + + + +PART THE SEVENTH. + + This Hermit good lives in that wood + Which slopes down to the sea. + How loudly his sweet voice he rears! + He loves to talk with marineres + That come from a far countree. + + He kneels at morn and noon and eve-- + He hath a cushion plump: + It is the moss that wholly hides + The rotted old oak-stump. + + The skiff-boat neared: I heard them talk, + "Why this is strange, I trow! + Where are those lights so many and fair, + That signal made but now?" + + "Strange, by my faith!" the Hermit said-- + "And they answered not our cheer! + The planks looked warped! and see those sails, + How thin they are and sere! + I never saw aught like to them, + Unless perchance it were + + "Brown skeletons of leaves that lag + My forest-brook along; + When the ivy-tod is heavy with snow, + And the owlet whoops to the wolf below, + That eats the she-wolf's young." + + "Dear Lord! it hath a fiendish look-- + (The Pilot made reply) + I am a-feared"--"Push on, push on!" + Said the Hermit cheerily. + + The boat came closer to the ship, + But I nor spake nor stirred; + The boat came close beneath the ship, + And straight a sound was heard. + + Under the water it rumbled on, + Still louder and more dread: + It reached the ship, it split the bay; + The ship went down like lead. + + Stunned by that loud and dreadful sound, + Which sky and ocean smote, + Like one that hath been seven days drowned + My body lay afloat; + But swift as dreams, myself I found + Within the Pilot's boat. + + Upon the whirl, where sank the ship, + The boat spun round and round; + And all was still, save that the hill + Was telling of the sound. + + I moved my lips--the Pilot shrieked + And fell down in a fit; + The holy Hermit raised his eyes, + And prayed where he did sit. + + I took the oars: the Pilot's boy, + Who now doth crazy go, + Laughed loud and long, and all the while + His eyes went to and fro. + "Ha! ha!" quoth he, "full plain I see, + The Devil knows how to row." + + And now, all in my own countree, + I stood on the firm land! + The Hermit stepped forth from the boat, + And scarcely he could stand. + + "O shrieve me, shrieve me, holy man!" + The Hermit crossed his brow. + "Say quick," quoth he, "I bid thee say-- + What manner of man art thou?" + + Forthwith this frame of mine was wrenched + With a woeful agony, + Which forced me to begin my tale; + And then it left me free. + + Since then, at an uncertain hour, + That agony returns; + And till my ghastly tale is told, + This heart within me burns. + + I pass, like night, from land to land; + I have strange power of speech; + That moment that his face I see, + I know the man that must hear me: + To him my tale I teach. + + What loud uproar bursts from that door! + The wedding-guests are there: + But in the garden-bower the bride + And bride-maids singing are: + And hark the little vesper bell, + Which biddeth me to prayer! + + O Wedding-Guest! this soul hath been + Alone on a wide wide sea: + So lonely 'twas, that God himself + Scarce seemed there to be. + + O sweeter than the marriage-feast, + 'Tis sweeter far to me, + To walk together to the kirk + With a goodly company!-- + + To walk together to the kirk, + And all together pray, + While each to his great Father bends, + Old men, and babes, and loving friends, + And youths and maidens gay! + + Farewell, farewell! but this I tell + To thee, thou Wedding-Guest! + He prayeth well, who loveth well + Both man and bird and beast. + + He prayeth best, who loveth best + All things both great and small; + For the dear God who loveth us + He made and loveth all. + + The Mariner, whose eye is bright, + Whose beard with age is hoar, + Is gone: and now the Wedding-Guest + Turned from the bridegroom's door. + + He went like one that hath been stunned, + And is of sense forlorn: + A sadder and a wiser man, + He rose the morrow morn. + + + + + +End of the Project Gutenberg EBook of The Rime of the Ancient Mariner, by +Samuel Taylor Coleridge + +*** END OF THIS PROJECT GUTENBERG EBOOK THE RIME OF THE ANCIENT MARINER *** + +***** This file should be named 151.txt or 151.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/5/151/ + +Produced by Judy Boss and David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
