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diff --git a/15088-8.txt b/15088-8.txt new file mode 100644 index 0000000..ef82b48 --- /dev/null +++ b/15088-8.txt @@ -0,0 +1,3976 @@ +The Project Gutenberg EBook of Proserpina, Volume 2, by John Ruskin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Proserpina, Volume 2 + Studies Of Wayside Flowers + +Author: John Ruskin + +Release Date: February 17, 2005 [EBook #15088] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PROSERPINA, VOLUME 2 *** + + + + +Produced by Eric Eldred, Keith Edkins and the PG Online Distributed +Proofreading Team. + + + + + +PROSERPINA. + +STUDIES OF WAYSIDE FLOWERS, + +WHILE THE AIR WAS YET PURE + +_AMONG THE ALPS, AND IN THE SCOTLAND AND +ENGLAND WHICH MY FATHER KNEW_. + +BY + +JOHN RUSKIN, LL.D., + +HONORARY STUDENT OF CHRISTCHURCH, AND HONORARY FELLOW OF CORPUS +CHRISTI COLLEGE, OXFORD. + +VOL. II. + +1888. + + * * * * * + +CHAPTER I. + +VIOLA. + +1. Although I have not been able in the preceding volume to complete, in +any wise as I desired, the account of the several parts and actions of +plants in general, I will not delay any longer our entrance on the +examination of particular kinds, though here and there I must interrupt +such special study by recurring to general principles, or points of wider +interest. But the scope of such larger inquiry will be best seen, and the +use of it best felt, by entering now on specific study. + +I begin with the Violet, because the arrangement of the group to which it +belongs--Cytherides--is more arbitrary than that of the rest, and calls for +some immediate explanation. + +2. I fear that my readers may expect me to write something very pretty for +them about violets: but my time for writing prettily is long past; and it +requires some watching over myself, I find, to keep me even from writing +querulously. For while, the older I grow, very thankfully I recognize more +and more the number of pleasures granted to human eyes in this fair world, +I recognize also an increasing sensitiveness in my temper to anything that +interferes with them; and a grievous readiness to find fault--always of +course submissively, but very articulately--with whatever Nature seems to +me not to have managed to the best of her power;--as, for extreme instance, +her late arrangements of frost this spring, destroying all the beauty of +the wood sorrels; nor am I less inclined, looking to her as the greatest of +sculptors and painters, to ask, every time I see a narcissus, why it should +be wrapped up in brown paper; and every time I see a violet, what it wants +with a spur? + +3. What _any_ flower wants with a spur, is indeed the simplest and hitherto +to me unanswerablest form of the question; nevertheless, when blossoms grow +in spires, and are crowded together, and have to grow partly downwards, in +order to win their share of light and breeze, one can see some reason for +the effort of the petals to expand upwards and backwards also. But that a +violet, who has her little stalk to herself, and might grow straight up, if +she pleased, should be pleased to do nothing of the sort, but quite +gratuitously bend her stalk down at the top, and fasten herself to it by +her waist, as it were,--this is so much more like a girl of the period's +fancy than a violet's, that I never gather one separately but with renewed +astonishment at it. + +4. One reason indeed there is, which I never thought of until this moment! +a piece of stupidity which I can only pardon myself in, because, as it has +chanced, I have studied violets most in gardens, not in their wild +haunts,--partly thinking their Athenian honour was as a garden flower; and +partly being always fed away from them, among the hills, by flowers which I +could see nowhere else. With all excuse I can furbish up, however, it is +shameful that the truth of the matter never struck me before, or at least +this bit of the truth--as follows. + +5. The Greeks, and Milton, alike speak of violets as growing in meadows (or +dales). But the Greeks did so because they could not fancy any delight +except in meadows; and Milton, because he wanted a rhyme to +nightingale--and, after all, was London bred. But Viola's beloved knew +where violets grew in Illyria,--and grow everywhere else also, when they +can,--on a _bank_, facing the south. + +Just as distinctly as the daisy and buttercup are _meadow_ flowers, the +violet is a _bank_ flower, and would fain grow always on a steep slope, +towards the sun. And it is so poised on its stem that it shows, when +growing on a slope, the full space and opening of its flower,--not at all, +in any strain of modesty, hiding _itself_, though it may easily be, by +grass or mossy stone, 'half hidden,'--but, to the full, showing itself, and +intending to be lovely and luminous, as fragrant, to the uttermost of its +soft power. + +Nor merely in its oblique setting on the stalk, but in the reversion of its +two upper petals, the flower shows this purpose of being fully seen. (For a +flower that _does_ hide itself, take a lily of the valley, or the bell of a +grape hyacinth, or a cyclamen.) But respecting this matter of +petal-reversion, we must now farther state two or three general principles. + +6. A perfect or pure flower, as a rose, oxalis, or campanula, is always +composed of an unbroken whorl, or corolla, in the form of a disk, cup, +bell, or, if it draw together again at the lips, a narrow-necked vase. This +cup, bell, or vase, is divided into similar petals, (or segments, which are +petals carefully joined,) varying in number from three to eight, and +enclosed by a calyx whose sepals are symmetrical also. + +An imperfect, or, as I am inclined rather to call it, an 'injured' flower, +is one in which some of the petals have inferior office and position, and +are either degraded, for the benefit of others, or expanded and honoured at +the cost of others. + +Of this process, the first and simplest condition is the reversal of the +upper petals and elongation of the lower ones, in blossoms set on the side +of a clustered stalk. When the change is simply and directly dependent on +their position in the cluster, as in Aurora Regina,[1] modifying every bell +just in proportion as it declines from the perfected central one, some of +the loveliest groups of form are produced which can be seen in any inferior +organism: but when the irregularity becomes fixed, and the flower is always +to the same extent distorted, whatever its position in the cluster, the +plant is to be rightly thought of as reduced to a lower rank in creation. + +7. It is to be observed, also, that these inferior forms of flower have +always the appearance of being produced by some kind of mischief--blight, +bite, or ill-breeding; they never suggest the idea of improving themselves, +now, into anything better; one is only afraid of their tearing or puffing +themselves into something worse. Nay, even the quite natural and simple +conditions of inferior vegetable do not in the least suggest, to the +unbitten or unblighted human intellect, the notion of development into +anything other than their like: one does not expect a mushroom to translate +itself into a pineapple, nor a betony to moralize itself into a lily, nor a +snapdragon to soften himself into a lilac. + +8. It is very possible, indeed, that the recent phrenzy for the +investigation of digestive and reproductive operations in plants may by +this time have furnished the microscopic malice of botanists with +providentially disgusting reasons, or demoniacally nasty necessities, for +every possible spur, spike, jag, sting, rent, blotch, flaw, freckle, filth, +or venom, which can be detected in the construction, or distilled from the +dissolution, of vegetable organism. But with these obscene processes and +prurient apparitions the gentle and happy scholar of flowers has nothing +whatever to do. I am amazed and saddened, more than I can care to say, by +finding how much that is abominable may be discovered by an ill-taught +curiosity, in the purest things that earth is allowed to produce for +us;--perhaps if we were less reprobate in our own ways, the grass which is +our type might conduct itself better, even though _it_ has no hope but of +being cast into the oven; in the meantime, healthy human eyes and thoughts +are to be set on the lovely laws of its growth and habitation, and not on +the mean mysteries of its birth. + +9. I relieve, therefore, our presently inquiring souls from any farther +care as to the reason for a violet's spur,--or for the extremely ugly +arrangements of its stamens and style, invisible unless by vexatious and +vicious peeping. You are to think of a violet only in its green leaves, and +purple or golden petals;--you are to know the varieties of form in both, +proper to common species; and in what kind of places they all most fondly +live, and most deeply glow. + +"And the recreation of the minde which is taken heereby cannot be but verie +good and honest, for they admonish and stir up a man to that which is +comely and honest. For flowers, through their beautie, varietie of colour, +and exquisite forme, do bring to a liberall and gentle manly minde the +remembrance of honestie, comeliness, and all kinds of vertues. For it would +be an unseemely and filthie thing, as a certain wise man saith, for him +that doth looke upon and handle faire and beautiful things, and who +frequenteth and is conversant in faire and beautiful places, to have his +mind not faire, but filthie and deformed." + +10. Thus Gerarde, in the close of his introductory notice of the +violet,--speaking of things, (honesty, comeliness, and the like,) scarcely +now recognized as desirable in the realm of England; but having previously +observed that violets are useful for the making of garlands for the head, +and posies to smell to;--in which last function I observe they are still +pleasing to the British public: and I found the children here, only the +other day, munching a confection of candied violet leaves. What pleasure +the flower can still give us, uncandied, and unbound, but in its own place +and life, I will try to trace through some of its constant laws. + +11. And first, let us be clear that the native colour of the violet _is_ +violet; and that the white and yellow kinds, though pretty in their place +and way, are not to be thought of in generally meditating the flower's +quality or power. A white violet is to black ones what a black man is to +white ones; and the yellow varieties are, I believe, properly pansies, and +belong also to wild districts for the most part; but the true violet, which +I have just now called 'black,' with Gerarde, "the blacke or purple violet, +hath a great prerogative above others," and all the nobler species of the +pansy itself are of full purple, inclining, however, in the ordinary wild +violet to blue. In the 'Laws of Fésole,' chap, vii., §§ 20, 21, I have made +this dark pansy the representative of purple pure; the viola odorata, of +the link between that full purple and blue; and the heath-blossom of the +link between that full purple and red. The reader will do well, as much as +may be possible to him, to associate his study of botany, as indeed all +other studies of visible things, with that of painting: but he must +remember that he cannot know what violet colour really is, unless he watch +the flower in its _early_ growth. It becomes dim in age, and dark when it +is gathered--at least, when it is tied in bunches;--but I am under the +impression that the colour actually deadens also,--at all events, no other +single flower of the same quiet colour lights up the ground near it as a +violet will. The bright hounds-tongue looks merely like a spot of bright +paint; but a young violet glows like painted glass. + +12. Which, when you have once well noticed, the two lines of Milton and +Shakspeare which seem opposed, will both become clear to you. The said +lines are dragged from hand to hand along their pages of pilfered +quotations by the hack botanists,--who probably never saw _them_, nor +anything else, _in_ Shakspeare or Milton in their lives,--till even in +reading them where they rightly come, you can scarcely recover their fresh +meaning: but none of the botanists ever think of asking why Perdita calls +the violet 'dim,' and Milton 'glowing.' + +Perdita, indeed, calls it dim, at that moment, in thinking of her own love, +and the hidden passion of it, unspeakable; nor is Milton without some +purpose of using it as an emblem of love, mourning,--but, in both cases, +the subdued and quiet hue of the flower as an actual tint of colour, and +the strange force and life of it as a part of light, are felt to their +uttermost. + +And observe, also, that both, of the poets contrast the violet, in its +softness, with the intense marking of the pansy. Milton makes the +opposition directly--- + + "the pansy, freaked with jet, + The glowing violet." + +Shakspeare shows yet stronger sense of the difference, in the "purple with +Love's wound" of the pansy, while the violet is sweet with Love's hidden +life, and sweeter than the lids of Juno's eyes. + +Whereupon, we may perhaps consider with ourselves a little, what the +difference _is_ between a violet and a pansy? + +13. Is, I say, and was, and is to come,--in spite of florists, who try to +make pansies round, instead of pentagonal; and of the wise classifying +people, who say that violets and pansies are the same thing--and that +neither of them are of much interest! As, for instance, Dr. Lindley in his +'Ladies' Botany.' + +"Violets--sweet Violets, and Pansies, or Heartsease, represent a small +family, with the structure of which you should be familiar; more, however, +for the sake of its singularity than for its extent or importance, for the +family is a very small one, and there are but few species belonging to it +in which much interest is taken. As the parts of the Heartsease are larger +than those of the Violet, let us select the former in preference for the +subject of our study." Whereupon we plunge instantly into the usual account +of things with horns and tails. "The stamens are five in number--two of +them, which are in front of the others, are hidden within the horn of the +front petal," etc., etc., etc. (Note in passing, by the '_horn of the +front_' petal he means the '_spur of the bottom_' one, which indeed does +stand in front of the rest,--but if therefore _it_ is to be called the +_front_ petal--which is the back one?) You may find in the next paragraph +description of a "singular conformation," and the interesting conclusion +that "no one has yet discovered for what purpose this singular conformation +was provided." But you will not, in the entire article, find the least +attempt to tell you the difference between a violet and a pansy!--except in +one statement--and _that_ false! "The sweet violet will have no rival among +flowers, if we merely seek for delicate fragrance; but her sister, the +heartsease, who is destitute of all sweetness, far surpasses her in rich +dresses and _gaudy_!!! colours." The heartsease is not without sweetness. +There are sweet pansies scented, and dog pansies unscented--as there are +sweet violets scented, and dog violets unscented. What is the real +difference? + +14. I turn to another scientific gentleman--_more_ scientific in form +indeed, Mr. Grindon,--and find, for another interesting phenomenon in the +violet, that it sometimes produces flowers without any petals! and in the +pansy, that "the flowers turn towards the sun, and when many are open at +once, present a droll appearance, looking like a number of faces all on the +'qui vive.'" But nothing of the difference between them, except something +about 'stipules,' of which "it is important to observe that the leaves +should be taken from the middle of the stem--those above and below being +variable." + +I observe, however, that Mr. Grindon _has_ arranged his violets under the +letter A, and his pansies under the letter B, and that something may be +really made out of him, with an hour or two's work. I am content, however, +at present, with his simplifying assurance that of violet and pansy +together, "six species grow wild in Britain--or, as some believe, only +four--while the analysts run the number up to fifteen." + +15. Next I try Loudon's Cyclopædia, which, through all its 700 pages, is +equally silent on the business; and next, Mr. Baxter's 'British Flowering +Plants,' in the index of which I find neither Pansy nor Heartsease, and +only the 'Calathian' Violet, (where on earth is Calathia?) which proves, on +turning it up, to be a Gentian. + +16. At last, I take my Figuier, (but what should I do if I only knew +English?) and find this much of clue to the matter:-- + +"Qu'est ce que c'est que la Pensée? Cette jolie plante appartient aussi ou +genre Viola, mais à un section de ce genre. En effet, dans les Pensées, les +pétales supérieurs et lateraux sont dirigés en haut, l'inférieur seul est +dirigé en bas: et de plus, le stigmate est urcéole, globuleux." + +And farther, this general description of the whole violet tribe, which I +translate, that we may have its full value:-- + +"The violet is a plant without a stem (tige),--(see vol. i., p. +154,)--whose height does not surpass one or two decimetres. Its leaves, +radical, or carried on stolons, (vol. i., p. 158,) are sharp, or oval, +crenulate, or heart-shape. Its stipules are oval-acuminate, or lanceolate. +Its flowers, of sweet scent, of a dark violet or a reddish blue, are +carried each on a slender peduncle, which bends down at the summit. Such +is, for the botanist, the Violet, of which the poets would give assuredly +another description." + +17. Perhaps; or even the painters! or even an ordinary unbotanical human +creature! I must set about my business, at any rate, in my own way, now, as +I best can, looking first at things themselves, and then putting this and +that together, out of these botanical persons, which they can't put +together out of themselves. And first, I go down into my kitchen garden, +where the path to the lake has a border of pansies on both sides all the +way down, with clusters of narcissus behind them. And pulling up a handful +of pansies by the roots, I find them "without stems," indeed, if a stem +means a wooden thing; but I should say, for a low-growing flower, quiet +lankily and disagreeably stalky! And, thinking over what I remember about +wild pansies, I find an impression on my mind of their being rather more +stalky, always, than is quite graceful; and, for all their fine flowers, +having rather a weedy and littery look, and getting into places where they +have no business. See, again, vol. i., chap. vi., § 5. + +18. And now, going up into my flower and fruit garden, I find (June 2nd, +1881, half-past six, morning.) among the wild saxifrages, which are allowed +to grow wherever they like, and the rock strawberries, and Francescas, +which are coaxed to grow wherever there is a bit of rough ground for them, +a bunch or two of pale pansies, or violets, I don't know well which, by the +flower; but the entire company of them has a ragged, jagged, unpurpose-like +look; extremely,--I should say,--demoralizing to all the little plants in +their neighbourhood: and on gathering a flower, I find it is a nasty big +thing, all of a feeble blue, and with two things like horns, or thorns, +sticking out where its ears would be, if the pansy's frequently monkey face +were underneath them. Which I find to be two of the leaves of its calyx +'out of place,' and, at all events, for their part, therefore, weedy, and +insolent. + +19. I perceive, farther, that this disorderly flower is lifted on a lanky, +awkward, springless, and yet stiff flower-stalk; which is not round, as a +flower-stalk ought to be, (vol. i., p. 155,) but obstinately square, and +fluted, with projecting edges, like a pillar run thin out of an +iron-foundry for a cheap railway station. I perceive also that it has set +on it, just before turning down to carry the flower, two little jaggy and +indefinable leaves,--their colour a little more violet than the blossom. + +These, and such undeveloping leaves, wherever they occur, are called +'bracts' by botanists, a good word, from the Latin 'bractea,' meaning a +piece of metal plate, so thin as to crackle. They seem always a little +stiff, like bad parchment,--born to come to nothing--a sort of +infinitesimal fairy-lawyer's deed. They ought to have been in my index at +p. 255, under the head of leaves, and are frequent in flower +structure,--never, as far as one can see, of the smallest use. They are +constant, however, in the flower-stalk of the whole violet tribe. + +20. I perceive, farther, that this lanky flower-stalk, bending a little in +a crabbed, broken way, like an obstinate person tired, pushes itself up out +of a still more stubborn, nondescript, hollow angular, dogseared gas-pipe +of a stalk, with a section something like this, + +[Illustration] + +but no bigger than + +[Illustration] + +with a quantity of ill-made and ill-hemmed leaves on it, of no describable +leaf-cloth or texture,--not cressic, (though the thing does altogether look +a good deal like a quite uneatable old watercress); not salvian, for +there's no look of warmth or comfort in them; not cauline, for there's no +juice in them; not dryad, for there's no strength in them, nor apparent +use: they seem only there, as far as I can make out, to spoil the flower, +and take the good out of my garden bed. Nobody in the world could draw +them, they are so mixed up together, and crumpled and hacked about, as if +some ill-natured child had snipped them with blunt scissors, and an +ill-natured cow chewed them a little afterwards and left them, proved for +too tough or too bitter. + +21. Having now sufficiently observed, it seems to me, this incongruous +plant, I proceed to ask myself, over it, M. Figuier's question, 'Qu'est-ce +c'est qu'un Pensée?' Is this a violet--or a pansy--or a bad imitation of +both? + +Whereupon I try if it has any scent: and to my much surprise, find it has a +full and soft one--which I suppose is what my gardener keeps it for! +According to Dr. Lindley, then, it must be a violet! But according to M. +Figuier,--let me see, do its middle petals bend up, or down? + +I think I'll go and ask the gardener what _he_ calls it. + +22. My gardener, on appeal to him, tells me it is the 'Viola Cornuta,' but +that he does not know himself if it is violet or pansy. I take my Loudon +again, and find there were fifty-three species of violets, known in his +days, of which, as it chances, Cornuta is exactly the last. + +'Horned violet': I said the green things were _like_ horns!--but what is +one to say of, or to do to, scientific people, who first call the spur of +the violet's petal, horn, and then its calyx points, horns, and never +define a 'horn' all the while! + +Viola Cornuta, however, let it be; for the name does mean _some_thing, and +is not false Latin. But whether violet or pansy, I must look farther to +find out. + +23. I take the Flora Danica, in which I at least am sure of finding +whatever is done at all, done as well as honesty and care can; and look +what species of violets it gives. + +Nine, in the first ten volumes of it; four in their modern sequel (that I +know of,--I have had no time to examine the last issues). Namely, in +alphabetical order, with their present Latin, or tentative Latin, names; +and in plain English, the senses intended by the hapless scientific people, +in such their tentative Latin:-- + +(1) Viola Arvensis. Field (Violet) No. 1748 + +(2) " Biflora. Two-flowered 46 + +(3) " Canina. Dog 1453 + +(3b) " Canina. Var. Multicaulus 2646 + (many-stemmed), a very + singular sort of violet--if it + were so! Its real difference + from our dog-violet is in + being pale blue, and having a + golden centre + +(4) " Hirta. Hairy 618 + +(5) " Mirabilis. Marvellous 1045 + +(6) " Montana. Mountain 1329 + +(7) " Odorata. Odorous 309 + +(8) " Palustris. Marshy 83 + +(9) " Tricolor. Three-coloured 623 + +(9B) " Tricolor. Var. Arenaria, Sandy 2647 + Three-coloured + +(10) " Elatior. Taller 68 + +(11) " Epipsila. (Heaven knows what: it is 2405 + Greek, not Latin, and looks as + if it meant something between + a bishop and a short letter e) + +I next run down this list, noting what names we can keep, and what we +can't; and what aren't worth keeping, if we could: passing over the +varieties, however, for the present, wholly. + +(1) Arvensis. Field-violet. Good. + +(2) Biflora. A good epithet, but in false Latin. It is to be our Viola +aurea, golden pansy. + +(3) Canina. Dog. Not pretty, but intelligible, and by common use now +classical. Must stay. + +(4) Hirta. Late Latin slang for hirsuta, and always used of nasty places or +nasty people; it shall not stay. The species shall be our Viola +Seclusa,--Monk's violet--meaning the kind of monk who leads a rough life +like Elijah's, or the Baptist's, or Esau's--in another kind. This violet is +one of the loveliest that grows. + +(5) Mirabilis. Stays so; marvellous enough, truly: not more so than all +violets; but I am very glad to hear of scientific people capable of +admiring anything. + +(6) Montana. Stays so. + +(7) Odorata. Not distinctive;--nearly classical, however. It is to be our +Viola Regina, else I should not have altered it. + +(8) Palustris. Stays so. + +(9) Tricolor. True, but intolerable. The flower is the queen of the true +pansies: to be our Viola Psyche. + +(10) Elatior. Only a variety of our already accepted Cornuta. + +(11) The last is, I believe, also only a variety of Palustris. Its leaves, +I am informed in the text, are either "pubescent-reticulate-venose- +subreniform," or "lato-cordate-repando-crenate;" and its stipules are +"ovate-acuminate-fimbrio-denticulate." I do not wish to pursue the inquiry +farther. + +24. These ten species will include, noting here and there a local variety, +all the forms which are familiar to us in Northern Europe, except only +two;--these, as it singularly chances, being the Viola Alpium, noblest of +all the wild pansies in the world, so far as I have seen or heard of +them,--of which, consequently, I find no picture, nor notice, in any +botanical work whatsoever; and the other, the rock-violet of our own +Yorkshire hills. + +We have therefore, ourselves, finally then, twelve following species to +study. I give them now all in their accepted names and proper order,--the +reasons for occasional difference between the Latin and English name will +be presently given. + +(1) Viola Regina. Queen violet. + +(2) " Psyche. Ophelia's pansy. + +(3) " Alpium. Freneli's pansy. + +(4) " Aurea. Golden violet. + +(5) " Montana. Mountain Violet. + +(6) " Mirabilis. Marvellous violet. + +(7) " Arvensis. Field violet. + +(8) " Palustris. Marsh violet. + +(9) " Seclusa. Monk's violet. + +(10) " Canina. Dog violet. + +(11) " Cornuta. Cow violet. + +(12) " Rupestris. Crag violet. + +25. We will try, presently, what is to be found out of useful, or pretty, +concerning all these twelve violets; but must first find out how we are to +know which are violets indeed, and which, pansies. + +Yesterday, after finishing my list, I went out again to examine Viola +Cornuta a little closer, and pulled up a full grip of it by the roots, and +put it in water in a wash-hand basin, which it filled like a truss of green +hay. + +Pulling out two or three separate plants, I find each to consist mainly of +a jointed stalk of a kind I have not yet described,--roughly, some two feet +long altogether; (accurately, one 1 ft. 10½ in.; another, 1 ft. 10 in.; +another, 1 ft. 9 in.--but all these measures taken without straightening, +and therefore about an inch short of the truth), and divided into seven or +eight lengths by clumsy joints where the mangled leafage is knotted on it; +but broken a little out of the way at each joint, like a rheumatic elbow +that won't come straight, or bend farther; and--which is the most curious +point of all in it--it is thickest in the middle, like a viper, and gets +quite thin to the root and thin towards the flower; also the lengths +between the joints are longest in the middle: here I give them in inches, +from the root upwards, in a stalk taken at random. + +1st (nearest root) 0¾ + +2nd 0¾ + +3rd 1½ + +4th 1¾ + +5th 3 + +6th 4 + +7th 3¼ + +8th 3 + +9th 2¼ + +10th 1½ + + 1 ft. 9¾ in. + +But the thickness of the joints and length of terminal flower stalk bring +the total to two feet and about an inch over. I dare not pull it straight, +or should break it, but it overlaps my two-foot rule considerably, and +there are two inches besides of root, which are merely underground stem, +very thin and wretched, as the rest of it is merely root above ground, very +thick and bloated. (I begin actually to be a little awed at it, as I should +be by a green snake--only the snake would be prettier.) The flowers also, I +perceive, have not their two horns regularly set _in_, but the five spiky +calyx-ends stick out between the petals--sometimes three, sometimes four, +it may be all five up and down--and produce variously fanged or forked +effects, feebly ophidian or diabolic. On the whole, a plant entirely +mismanaging itself,--reprehensible and awkward, with taints of worse than +awkwardness; and clearly, no true 'species,' but only a link.[2] And it +really is, as you will find presently, a link in two directions; it is half +violet, half pansy, a 'cur' among the Dogs, and a thoughtless thing among +the thoughtful. And being so, it is also a link between the entire violet +tribe and the Runners--pease, strawberries, and the like, whose glory is in +their speed; but a violet has no business whatever to run anywhere, being +appointed to stay where it was born, in extremely contented (if not +secluded) places. "Half-hidden from the eye?"--no; but desiring attention, +or extension, or corpulence, or connection with anybody else's family, +still less. + +[Illustration: FIG. II.] + +26. And if, at the time you read this, you can run out and gather a _true_ +violet, and its leaf, you will find that the flower grows from the very +ground, out of a cluster of heart-shaped leaves, becoming here a little +rounder, there a little sharper, but on the whole heart-shaped, and that is +the proper and essential form of the violet leaf. You will find also that +the flower has five petals; and being held down by the bent stalk, two of +them bend back and up, as if resisting it; two expand at the sides; and +one, the principal, grows downwards, with its attached spur behind. So that +the front view of the flower must be _some_ modification of this typical +arrangement, Fig. M, (for middle form). Now the statement above quoted from +Figuier, § 16, means, if he had been able to express himself, that the two +lateral petals in the violet are directed downwards, Fig. II. A, and in the +pansy upwards, Fig. II. C. And that, in the main, is true, and to be fixed +well and clearly in your mind. But in the real orders, one flower passes +into the other through all kinds of intermediate positions of petal, and +the plurality of species are of the middle type. Fig. II. B.[3] + +27. Next, if you will gather a real pansy _leaf_, you will find it--not +heart-shape in the least, but sharp oval or spear-shape, with two deep +cloven lateral flakes at its springing from the stalk, which, in ordinary +aspect, give the plant the haggled and draggled look I have been vilifying +it for. These, and such as these, "leaflets at the base of other leaves" +(Balfour's Glossary), are called by botanists 'stipules.' I have not +allowed the word yet, and am doubtful of allowing it, because it entirely +confuses the student's sense of the Latin 'stipula' (see above, vol. i., +chap. viii., § 27) doubly and trebly important in its connection with +'stipulor,' not noticed in that paragraph, but readable in your large +Johnson; we shall have more to say of it when we come to 'straw' itself. + +28. In the meantime, one _may_ think of these things as stipulations for +leaves, not fulfilled, or 'stumps' or 'sumphs' of leaves! But I think I can +do better for them. We have already got the idea of _crested_ leaves, (see +vol. i., plate); now, on each side of a knight's crest, from earliest +Etruscan times down to those of the Scalas, the fashion of armour held, +among the nations who wished to make themselves terrible in aspect, of +putting cut plates or 'bracts' of metal, like dragons' wings, on each side +of the crest. I believe the custom never became Norman or English; it is +essentially Greek, Etruscan, or Italian,--the Norman and Dane always +wearing a practical cone (see the coins of Canute), and the Frank or +English knights the severely plain beavered helmet; the Black Prince's at +Canterbury, and Henry V.'s at Westminster, are kept hitherto by the great +fates for us to see. But the Southern knights constantly wore these lateral +dragon's wings; and if I can find their special name, it may perhaps be +substituted with advantage for 'stipule'; but I have not wit enough by me +just now to invent a term. + +29. Whatever we call them, the things themselves are, throughout all the +species of violets, developed in the running and weedy varieties, and much +subdued in the beautiful ones; and generally the pansies have them, large, +with spear-shaped central leaves; and the violets small, with heart-shaped +leaves, for more effective decoration of the ground. I now note the +characters of each species in their above given order. + +30. I. VIOLA REGINA. Queen Violet. Sweet Violet. 'Viola Odorata,' L., Flora +Danica, and Sowerby. The latter draws it with golden centre and white base +of lower petal; the Flora Danica, all purple. It is sometimes altogether +white. It is seen most perfectly for setting off its colour, in group with +primrose,--and most luxuriantly, so far as I know, in hollows of the Savoy +limestones, associated with the pervenche, which embroiders and illumines +them all over. I believe it is the earliest of its race, sometimes called +'Martia,' March violet. In Greece and South Italy even a flower of the +winter. + + "The Spring is come, the violet's _gone_, + The first-born child of the early sun. + With us, she is but a winter's flower; + The snow on the hills cannot blast her bower, + And she lifts up her dewy eye of blue + To the youngest sky of the selfsame hue. + + And when the Spring comes, with her host + Of flowers, that flower beloved the most + Shrinks from the crowd that may confuse + Her heavenly odour, and virgin hues. + + Pluck the others, but still remember + Their herald out of dim December,-- + _The morning star_ of all the flowers, + The pledge of daylight's lengthened hours, + Nor, midst the roses, e'er forget + The virgin, virgin violet."[4] + +3. It is the queen, not only of the violet tribe, but of all low-growing +flowers, in sweetness of scent--variously applicable and serviceable in +domestic economy:--the scent of the lily of the valley seems less capable +of preservation or use. + +But, respecting these perpetual beneficences and benignities of the sacred, +as opposed to the malignant, herbs, whose poisonous power is for the most +part restrained in them, during their life, to their juices or dust, and +not allowed sensibly to pollute the air, I should like the scholar to +re-read pp. 251, 252 of vol. i., and then to consider with himself what a +grotesquely warped and gnarled thing the modern scientific mind is, which +fiercely busies itself in venomous chemistries that blast every leaf from +the forests ten miles round; and yet cannot tell us, nor even think of +telling us, nor does even one of its pupils think of asking it all the +while, how a violet throws off her perfume!--far less, whether it might not +be more wholesome to 'treat' the air which men are to breathe in masses, by +administration of vale-lilies and violets, instead of charcoal and sulphur! + +The closing sentence of the first volume just now referred +to--p.254--should also be re-read; it was the sum of a chapter I had in +hand at that time on the Substances and Essences of Plants--which never got +finished;--and in trying to put it into small space, it has become obscure: +the terms "logically inexplicable" meaning that no words or process of +comparison will define scents, nor do any traceable modes of sequence or +relation connect them; each is an independent power, and gives a separate +impression to the senses. Above all, there is no logic of pleasure, nor any +assignable reason for the difference, between loathsome and delightful +scent, which makes the fungus foul and the vervain sacred: but one +practical conclusion I (who am in all final ways the most prosaic and +practical of human creatures) do very solemnly beg my readers to meditate; +namely, that although not recognized by actual offensiveness of scent, +there is no space of neglected land which is not in some way modifying the +atmosphere of _all the world_,--it may be, beneficently, as heath and +pine,--it may be, malignantly, as Pontine marsh or Brazilian jungle; but, +in one way or another, for good and evil constantly, by day and night, the +various powers of life and death in the plants of the desert are poured +into the air, as vials of continual angels: and that no words, no thoughts +can measure, nor imagination follow, the possible change for good which +energetic and tender care of the wild herbs of the field and trees of the +wood might bring, in time, to the bodily pleasure and mental power of Man. + +32. II. VIOLA PSYCHE. Ophelia's Pansy. + +The wild heart's-ease of Europe; its proper colour an exquisitely clear +purple in the upper petals, gradated into deep blue in the lower ones; the +centre, gold. Not larger than a violet, but perfectly formed, and firmly +set in all its petals. Able to live in the driest ground; beautiful in the +coast sand-hills of Cumberland, following the wild geranium and burnet +rose: and distinguished thus by its power of life, in waste and dry places, +from the violet, which needs kindly earth and shelter. + +Quite one of the most lovely things that Heaven has made, and only degraded +and distorted by any human interference; the swollen varieties of it +produced by cultivation being all gross in outline and coarse in colour by +comparison. + +It is badly drawn even in the 'Flora Danica,' No. 623, considered there +apparently as a species escaped from gardens; the description of it being +as follows:-- + +"Viola tricolor hortensis repens, flore purpureo et coeruleo, C.B.P., 199." +(I don't know what C.B.P. means.) "Passim, juxta villas." + +"Viola tricolor, caule triquetro diffuso, foliis oblongis incisis, stipulis +pinnatifidis," Linn. Systema Naturæ, 185. + +33. "Near the country farms"--does the Danish botanist mean?--the more +luxuriant weedy character probably acquired by it only in such +neighbourhood; and, I suppose, various confusion and degeneration possible +to it beyond other plants when once it leaves its wild home. It is given by +Sibthorpe from the Trojan Olympus, with an exquisitely delicate leaf; the +flower described as "triste et pallide violaceus," but coloured in his +plate full purple; and as he does not say whether he went up Olympus to +gather it himself, or only saw it brought down by the assistant whose +lovely drawings are yet at Oxford, I take leave to doubt his epithets. That +this should be the only Violet described in a 'Flora Græca' extending to +ten folio volumes, is a fact in modern scientific history which I must +leave the Professor of Botany and the Dean of Christ Church to explain. + +34. The English varieties seem often to be yellow in the lower petals, (see +Sowerby's plate, 1287 of the old edition), crossed, I imagine, with Viola +Aurea, (but see under Viola Rupestris, No. 12); the names, also, varying +between tricolor and bicolor--with no note anywhere of the three colours, +or two colours, intended! + +The old English names are many.--'Love in idleness,'--making Lysander, as +Titania, much wandering in mind, and for a time mere 'Kits run the street' +(or run the wood?)--"Call me to you" (Gerarde, ch. 299, Sowerby, No. 178), +with 'Herb Trinity,' from its three colours, blue, purple, and gold, +variously blended in different countries? 'Three faces under a hood' +describes the English variety only. Said to be the ancestress of all the +florists' pansies, but this I much doubt, the next following species being +far nearer the forms most chiefly sought for. + +35. III. VIOLA ALPINA. 'Freneli's Pansy'--my own name for it, from +Gotthelf's Freneli, in 'Ulric the Farmer'; the entirely pure and noble type +of the Bernese maid, wife, and mother. + +The pansy of the Wengern Alp in specialty, and of the higher, but still +rich, Alpine pastures. Full dark-purple; at least an inch across the +expanded petals; I believe, the 'Mater Violarum' of Gerarde; and true black +violet of Virgil, remaining in Italian 'Viola Mammola' (Gerarde, ch. 298). + +36. IV. VIOLA AUREA. Golden Violet. Biflora usually; but its brilliant +yellow is a much more definite characteristic; and needs insisting on, +because there is a 'Viola lutea' which is not yellow at all; named so by +the garden florists. My Viola aurea is the Rock-violet of the Alps; one of +the bravest, brightest, and dearest of little flowers. The following notes +upon it, with its summer companions, a little corrected from my diary of +1877, will enough characterize it. + +"_June 7th._--The cultivated meadows now grow only dandelions--in frightful +quantity too; but, for wild ones, primula, bell gentian, golden pansy, and +anemone,--Primula farinosa in mass, the pansy pointing and vivifying in a +petulant sweet way, and the bell gentian here and there deepening all,--as +if indeed the sound of a deep bell among lighter music. + +"Counted in order, I find the effectively constant flowers are eight;[5] +namely, + +"1. The golden anemone, with richly cut large leaf; primrose colour, and in +masses like primrose, studded through them with bell gentian, and dark +purple orchis. + +"2. The dark purple orchis, with bell gentian in equal quantity, say six of +each in square yard, broken by sparklings of the white orchis and the white +grass-flower; the richest piece of colour I ever saw, touched with gold by +the geum. + +"3 and 4. These will be white orchis and the grass flower.[6] + +"5. Geum--everywhere, in deep, but pure, gold, like pieces of Greek mosaic. + +"6. Soldanella, in the lower meadows, delicate, but not here in masses. + +"7. Primula Alpina, divine in the rock clefts, and on the ledges changing +the grey to purple,--set in the dripping caves with + +"8. Viola (pertinax--pert); I want a Latin word for various +studies--failures all--to express its saucy little stuck-up way, and +exquisitely trim peltate leaf. I never saw such a lovely perspective line +as the pure front leaf profile. Impossible also to get the least of the +spirit of its lovely dark brown fibre markings. Intensely golden these dark +fibres, just browning the petal a little between them." + +And again in the defile of Gondo, I find "Viola (saxatilis?) name yet +wanted;--in the most delicate studding of its round leaves, like a small +fern more than violet, and bright sparkle of small flowers in the dark +dripping hollows. Assuredly delights in shade and distilling moisture of +rocks." + +I found afterwards a much larger yellow pansy on the Yorkshire high +limestones; with vigorously black crowfoot marking on the lateral petals. + +37. V. VIOLA MONTANA. Mountain Violet. + +Flora Danica, 1329. Linnæus, No. 13, "Caulibus erectis, foliis +cordato-lanceolatis, floribus serioribus apetalis," _i.e._, on erect stems, +with leaves long heart-shape, and its later flowers without petals--not a +word said of its earlier flowers which have got those unimportant +appendages! In the plate of the Flora it is a very perfect transitional +form between violet and pansy, with beautifully firm and well-curved +leaves, but the colour of blossom very pale. "In subalpinis Norvegiæ +passim," all that we are told of it, means I suppose, in the lower Alpine +pastures of Norway; in the Flora Suecica, p. 306, habitat in Lapponica, +juxta Alpes. + +38. VI. VIOLA MIRABILIS. Flora Danica, 1045. A small and exquisitely formed +flower in the balanced cinquefoil intermediate between violet and pansy, +but with large and superbly curved and pointed leaves. It is a mountain +violet, but belonging rather to the mountain woods than meadows. "In +sylvaticis in Toten, Norvegiæ." + +Loudon, 3056, "Broad-leaved: Germany." + +Linnæus, Flora Suecica, 789, says that the flowers of it which have perfect +corolla and full scent often bear no seed, but that the later 'cauline' +blossoms, without petals, are fertile. "Caulini vero apetali fertiles sunt, +et seriores. Habitat passim Upsaliæ." + +I find this, and a plurality of other species, indicated by Linnæus as +having triangular stalks, "caule triquetro," meaning, I suppose, the kind +sketched in Figure 1 above. + +39. VII. VIOLA ARVENSIS. Field Violet. Flora Danica, 1748. A coarse running +weed; nearly like Viola Cornuta, but feebly lilac and yellow in colour. In +dry fields, and with corn. + +Flora Suecica, 791; under titles of Viola 'tricolor' and 'bicolor +arvensis,' and Herba Trinitatis. Habitat ubique in _sterilibus_ arvis: +"Planta vix datur in qua evidentius perspicitur generationis opus, quam in +hujus cavo apertoque stigmate." + +It is quite undeterminable, among present botanical instructors, how far +this plant is only a rampant and over-indulged condition of the true pansy +(Viola Psyche); but my own scholars are to remember that the true pansy is +full purple and blue with golden centre; and that the disorderly field +varieties of it, if indeed not scientifically distinguishable, are entirely +separate from the wild flower by their scattered form and faded or altered +colour. I follow the Flora Danica in giving them as a distinct species. + +40. VIII. VIOLA PALUSTRIS. Marsh Violet. Flora Danica, 83. As there drawn, +the most finished and delicate in form of all the violet tribe; warm white, +streaked with red; and as pure in outline as an oxalis, both in flower and +leaf: it is like a violet imitating oxalis and anagallis. + +In the Flora Suecica, the petal-markings are said to be black; in 'Viola +lactea' a connected species, (Sowerby, 45,) purple. Sowerby's plate of it +under the name 'palustris' is pale purple veined with darker; and the spur +is said to be 'honey-bearing,' which is the first mention I find of honey +in the violet. The habitat given, sandy and turfy heaths. It is said to +grow plentifully near Croydon. + +Probably, therefore, a violet belonging to the chalk, on which nearly all +herbs that grow wild--from the grass to the bluebell--are singularly sweet +and pure. I hope some of my botanical scholars will take up this question +of the effect of different rocks on vegetation, not so much in bearing +different species of plants, as different characters of each species.[7] + +41. IX. VIOLA SECLUSA. Monk's Violet. "Hirta," Flora Danica, 618, "In +fruticetis raro." A true wood violet, full but dim in purple. Sowerby, 894, +makes it paler. The leaves very pure and severe in the Danish one;--longer +in the English. "Clothed on both sides with short, dense, hoary hairs." + +Also belongs to chalk or limestone only (Sowerby). + +X. VIOLA CANINA. Dog Violet. I have taken it for analysis in my two plates, +because its grace of form is too much despised, and we owe much more of the +beauty of spring to it, in English mountain ground, than to the Regina. + +XI. VIOLA CORNUTA. Cow Violet. Enough described already. + +XII. VIOLA RUPESTRIS. Crag Violet. On the high limestone moors of +Yorkshire, perhaps only an English form of Viola Aurea, but so much larger, +and so different in habit--growing on dry breezy downs, instead of in +dripping caves--that I allow it, for the present, separate name and +number.[8] + +42. 'For the present,' I say all this work in 'Proserpina' being merely +tentative, much to be modified by future students, and therefore quite +different from that of 'Deucalion,' which is authoritative as far as it +reaches, and will stand out like a quartz dyke, as the sandy speculations +of modern gossiping geologists get washed away. + +But in the meantime, I must again solemnly warn my girl-readers against all +study of floral genesis and digestion. How far flowers invite, or require, +flies to interfere in their family affairs--which of them are +carnivorous--and what forms of pestilence or infection are most favourable +to some vegetable and animal growths,--let them leave the people to settle +who like, as Toinette says of the Doctor in the 'Malade Imaginaire'--"y +mettre le nez." I observe a paper in the last 'Contemporary Review,' +announcing for a discovery patent to all mankind that the colours of +flowers were made "to attract insects"![9] They will next hear that the +rose was made for the canker, and the body of man for the worm. + +43. What the colours of flowers, or of birds, or of precious stones, or of +the sea and air, and the blue mountains, and the evening and the morning, +and the clouds of Heaven, were given for--they only know who can see them +and can feel, and who pray that the sight and the love of them may be +prolonged, where cheeks will not fade, nor sunsets die. + +44. And now, to close, let me give you some fuller account of the reasons +for the naming of the order to which the violet belongs, 'Cytherides.' + +You see that the Uranides, are, as far as I could so gather them, of the +pure blue of the sky; but the Cytherides of altered blue;--the first, +Viola, typically purple; the second, Veronica, pale blue with a peculiar +light; the third, Giulietta, deep blue, passing strangely into a subdued +green before and after the full life of the flower. + +All these three flowers have great strangenesses in them, and weaknesses; +the Veronica most wonderful in its connection with the poisonous tribe of +the foxgloves; the Giulietta, alone among flowers in the action of the +shielding leaves; and the Viola, grotesque and inexplicable in its hidden +structure, but the most sacred of all flowers to earthly and daily Love, +both in its scent and glow. + +Now, therefore, let us look completely for the meaning of the two leading +lines,-- + + "Sweeter than the lids of Juno's eyes, + Or Cytherea's breath." + +45. Since, in my present writings, I hope to bring into one focus the +pieces of study fragmentarily given during past life, I may refer my +readers to the first chapter of the 'Queen of the Air' for the explanation +of the way in which all great myths are founded, partly on physical, partly +on moral fact,--so that it is not possible for persons who neither know the +aspect of nature, nor the constitution of the human soul, to understand a +word of them. Naming the Greek gods, therefore, you have first to think of +the physical power they represent. When Horace calls Vulcan 'Avidus,' he +thinks of him as the power of Fire; when he speaks of Jupiter's red right +hand, he thinks of him as the power of rain with lightning; and when Homer +speaks of Juno's dark eyes, you have to remember that she is the softer +form of the rain power, and to think of the fringes of the rain-cloud +across the light of the horizon. Gradually the idea becomes personal and +human in the "Dove's eyes within thy locks,"[10] and "Dove's eyes by the +river of waters" of the Song of Solomon. + +46. "Or Cytherea's breath,"--the two thoughts of softest glance, and +softest kiss, being thus together associated with the flower: but note +especially that the Island of Cythera was dedicated to Venus because it was +the chief, if not the only Greek island, in which the purple fishery of +Tyre was established; and in our own minds should be marked not only as the +most southern fragment of true Greece, but the virtual continuation of the +chain of mountains which separate the Spartan from the Argive territories, +and are the natural home of the brightest Spartan and Argive beauty which +is symbolized in Helen. + +47. And, lastly, in accepting for the order this name of Cytherides, you +are to remember the names of Viola and Giulietta, its two limiting +families, as those of Shakspeare's two most loving maids--the two who love +simply, and to the death: as distinguished from the greater natures in whom +earthly Love has its due part, and no more; and farther still from the +greatest, in whom the earthly love is quiescent, or subdued, beneath the +thoughts of duty and immortality. + +It may be well quickly to mark for you the levels of loving temper in +Shakspeare's maids and wives, from the greatest to the least. + +48. 1. Isabel. All earthly love, and the possibilities of it, held in +absolute subjection to the laws of God, and the judgments of His will. She +is Shakspeare's only 'Saint.' Queen Catherine, whom you might next think +of, is only an ordinary woman of trained religious temper:--her maid of +honour gives Wolsey a more Christian epitaph. + +2. Cordelia. The earthly love consisting in diffused compassion of the +universal spirit; not in any conquering, personally fixed, feeling. + + "Mine enemy's dog, + Though he had bit me, should have stood that night + Against my fire." + +These lines are spoken in her hour of openest direct expression; and are +_all_ Cordelia. + +Shakspeare clearly does not mean her to have been supremely beautiful in +person; it is only her true lover who calls her 'fair' and 'fairest'--and +even that, I believe, partly in courtesy, after having the instant before +offered her to his subordinate duke; and it is only _his_ scorn of her +which makes France fully care for her. + + "Gods, Gods, 'tis strange that from their cold neglect + My love should kindle to inflamed respect!" + +Had she been entirely beautiful, he would have honoured her as a lover +should, even before he saw her despised; nor would she ever have been so +despised--or by her father, misunderstood. Shakspeare himself does not +pretend to know where her girl-heart was,--but I should like to hear how a +great actress would say the "Peace be with Burgundy!" + +3. Portia. The maidenly passion now becoming great, and chiefly divine in +its humility, is still held absolutely subordinate to duty; no thought of +disobedience to her dead father's intention is entertained for an instant, +though the temptation is marked as passing, for that instant, before her +crystal strength. Instantly, in her own peace, she thinks chiefly of her +lover's;--she is a perfect Christian wife in a moment, coming to her +husband with the gift of perfect Peace,-- + + "Never shall you lie by Portia's side + With an unquiet soul." + +She is highest in intellect of all Shakspeare's women, and this is the root +of her modesty; her 'unlettered girl' is like Newton's simile of the child +on the sea-shore. Her perfect wit and stern judgment are never disturbed +for an instant by her happiness: and the final key to her character is +given in her silent and slow return from Venice, where she stops at every +wayside shrine to pray. + +4. Hermione. Fortitude and Justice personified, with unwearying affection. +She is Penelope, tried by her husband's fault as well as error. + +5. Virgilia. Perfect type of wife and mother, but without definiteness of +character, nor quite strength of intellect enough entirely to hold her +husband's heart. Else, she had saved him: he would have left Rome in his +wrath--but not her. Therefore, it is his mother only who bends him: but she +cannot save. + +6. Imogen. The ideal of grace and gentleness; but weak; enduring too +mildly, and forgiving too easily. But the piece is rather a pantomime than +play, and it is impossible to judge of the feelings of St. Columba, when +she must leave the stage in half a minute after mistaking the headless +clown for headless Arlecchino. + +7. Desdemona, Ophelia, Rosalind. They are under different conditions from +all the rest, in having entirely heroic and faultless persons to love. I +can't class them, therefore,--fate is too strong, and leaves them no free +will. + +8. Perdita, Miranda. Rather mythic visions of maiden beauty than mere +girls. + +9. Viola and Juliet. Love the ruling power in the entire character: wholly +virginal and pure, but quite earthly, and recognizing no other life than +his own. Viola is, however, far the noblest. Juliet will die unless Romeo +loves _her_: "If he be wed, the grave is like to be my wedding bed;" but +Viola is ready to die for the happiness of the man who does _not_ love her; +faithfully doing his messages to her rival, whom she examines strictly for +his sake. It is not in envy that she says, "Excellently done,--if God did +all." The key to her character is given in the least selfish of all lover's +songs, the one to which the Duke bids her listen: + + "Mark it, Cesario,--it is old and plain, + The spinsters and the knitters in the sun, + And the free maids, that _weave their thread with bones_, + Do use to chaunt it." + +(They, the unconscious Fates, weaving the fair vanity of life with death); +and the burden of it is-- + + "My part of Death, no one so true + Did share it." + +Therefore she says, in the great first scene, "Was not _this_ love indeed?" +and in the less heeded closing one, her heart then happy with the knitters +in the _sun_, + + "And all those sayings will I over-swear, + And all those swearings keep as true in soul + As doth that orbed continent the Fire + That severs day from night." + +Or, at least, did once sever day from night,--and perhaps does still in +Illyria. Old England must seek new images for her loves from gas and +electric sparks,--not to say furnace fire. + +I am obliged, by press of other work, to set down these notes in cruel +shortness: and many a reader may be disposed to question utterly the +standard by which the measurement is made. It will not be found, on +reference to my other books, that they encourage young ladies to go into +convents; or undervalue the dignity of wives and mothers. But, as surely as +the sun _does_ sever day from night, it will be found always that the +noblest and loveliest women are dutiful and religious by continual nature; +and their passions are trained to obey them; like their dogs. Homer, +indeed, loves Helen with all his heart, and restores her, after all her +naughtiness, to the queenship of her household; but he never thinks of her +as Penelope's equal, or Iphigenia's. Practically, in daily life, one often +sees married women as good as saints; but rarely, I think, unless they have +a good deal to bear from their husbands. Sometimes also, no doubt, the +husbands have some trouble in managing St. Cecilia or St. Elizabeth; of +which questions I shall be obliged to speak more seriously in another +place: content, at present, if English maids know better, by Proserpina's +help, what Shakspeare meant by the dim, and Milton by the glowing, violet. + + * * * * * + +CHAPTER II. + +PINGUICULA. + +(Written in early June, 1881.) + +1. On the rocks of my little stream, where it runs, or leaps, through the +moorland, the common Pinguicula is now in its perfectest beauty; and it is +one of the offshoots of the violet tribe which I have to place in the minor +collateral groups of Viola very soon, and must not put off looking at it +till next year. + +There are three varieties given in Sowerby: 1. Vulgaris, 2. +Greater-flowered, and 3. Lusitanica, white, for the most part, pink, or +'carnea,' sometimes: but the proper colour of the family is violet, and the +perfect form of the plant is the 'vulgar' one. The larger-flowered variety +is feebler in colour, and ruder in form: the white Spanish one, however, is +very lovely, as far as I can judge from Sowerby's (_old_ Sowerby's) pretty +drawing. + +The 'frequent' one (I shall usually thus translate 'vulgaris'), is not by +any means so 'frequent' as the Queen violet, being a true wild-country, and +mostly Alpine, plant; and there is also a real 'Pinguicula Alpina,' which +we have not in England, who might be the Regina, if the group were large +enough to be reigned over: but it is better not to affect Royalty among +these confused, intermediate, or dependent families. + +2. In all the varieties of Pinguicula, each blossom has one stalk only, +growing from the _ground_ and you may pull all the leaves away from the +base of it, and keep the flower only, with its bunch of short fibrous +roots, half an inch long; looking as if bitten at the ends. Two flowers, +characteristically,--three and four very often,--spring from the same root, +in places where it grows luxuriantly; and luxuriant growth means that +clusters of some twenty or thirty stars may be seen on the surface of a +square yard of boggy ground, quite to its mind; but its real glory is in +harder life, in the crannies of well-wetted rock. + +3. What I have called 'stars' are irregular clusters of approximately, or +tentatively, five aloeine ground leaves, of very pale green,--they may be +six or seven, or more, but always run into a rudely pentagonal arrangement, +essentially first trine, with two succeeding above. Taken as a whole the +_plant_ is really a main link between violets and Droseras; but the +_flower_ has much more violet than Drosera in the make of it,--spurred, and +_five-petaled_,[11] and held down by the top of its bending stalk as a +violet is; only its upper two petals are not reverted--the calyx, of a dark +soppy green, holding them down, with its three front sepals set exactly +like a strong trident, its two backward sepals clasping the spur. There are +often six sepals, four to the front, but the normal number is five. Tearing +away the calyx, I find the flower to have been held by it as a lion might +hold his prey by the loins if he missed its throat; the blue petals being +really campanulate, and the flower best described as a dark bluebell, +seized and crushed almost flat by its own calyx in a rage. Pulling away now +also the upper petals, I find that what are in the violet the lateral and +well-ordered fringes, are here thrown mainly on the lower (largest) petal +near its origin, and opposite the point of the seizure by the calyx, +spreading from this centre over the surface of the lower petals, partly +like an irregular shower of fine Venetian glass broken, partly like the +wild-flung Medusa like embroidery of the white Lucia.[12] + +4. The calyx is of a dark _soppy_ green, I said; like that of sugary +preserved citron; the root leaves are of green just as soppy, but pale and +yellowish, as if they were half decayed; the edges curled up and, as it +were, water-shrivelled, as one's fingers shrivel if kept too long in water. +And the whole plant looks as if it had been a violet unjustly banished to a +bog, and obliged to live there--not for its own sins, but for some Emperor +Pansy's, far away in the garden,--in a partly boggish, partly hoggish +manner, drenched and desolate; and with something of demoniac temper got +into its calyx, so that it quarrels with, and bites the corolla;--something +of gluttonous and greasy habit got into its leaves; a discomfortable +sensuality, even in its desolation. Perhaps a penguin-ish life would be +truer of it than a piggish, the _nest_ of it being indeed on the rock, or +morassy rock-investiture, like a sea-bird's on her rock ledge. + +5. I have hunted through seven treatises on Botany, namely, Loudon's +Encyclopædia, Balfour, Grindon, Oliver, Baxter of Oxford, Lindley ('Ladies' +Botany'), and Figuer, without being able to find the meaning of +'Lentibulariaceæ,' to which tribe the Pinguicula is said by them all +(except Figuier) to belong. It may perhaps be in Sowerby:[13] but these +above-named treatises are precisely of the kind with which the ordinary +scholar must be content: and in all of them he has to learn this long, +worse than useless, word, under which he is betrayed into classing together +two orders naturally quite distinct, the Butterworts and the Bladderworts. + +Whatever the name may mean--it is bad Latin. There is such a word as +Lenticularis--there is no Lentibularis; and it must positively trouble us +no longer.[14] + +The Butterworts are a perfectly distinct group--whether small or large, +always recognizable at a glance. Their proper Latin name will be +Pinguicula, (plural Pinguiculæ,)--their English, Bog-Violet, or, more +familiarly, Butterwort; and their French, as at present, _Grassette_. + +The families to be remembered will be only five, namely, + +1. Pinguicula Major, the largest of the group. As bog plants, Ireland may +rightly claim the noblest of them, which certainly grow there luxuriantly, +and not (I believe) with us. Their colour is, however, more broken and less +characteristic than that of the following species. + +2. Pinguicula Violacea: Violet-coloured Butterwort, (instead of +'vulgaris,') the common English and Swiss kind above noticed. + +3. Pinguicula Alpina: Alpine Butterwort, white and much smaller than either +of the first two families; the spur especially small, according to D. 453. +Much rarer, as well as smaller, than the other varieties in Southern +Europe. "In Britain, known only upon the moors of Rosehaugh, Ross-shire, +where the progress of cultivation seems likely soon to efface it." +(Grindon.) + +4. Pinguicula Pallida: Pale Butterwort. From Sowerby's drawing, (135, vol. +iii,) it would appear to be the most delicate and lovely of all the group. +The leaves, "like those of other species, but rather more delicate and +pellucid, reticulated with red veins, and much involute in the margin. Tube +of the corolla, yellow, streaked with red, (the streaks like those of a +pansy); the petals, pale violet. It much resembles Villosa, (our Minima, +No. 5,) in many particulars, the stem being hairy, and in the lower part +the hairs tipped with a viscid fluid, like a sundew. But the Villosa has a +slender sharp spur; and in this the spur is blunt and thick at the end." +(Since the hairy stem is not peculiar to Villosa, I take for her, instead, +the epithet Minima, which is really definitive.) + +The pale one is commonly called 'Lusitanica,' but I find no direct notice +of its Portuguese habitation. Sowerby's plant came from Blandford, +Dorsetshire; and Grindon says it is frequent in Ireland, abundant in Arran, +and extends on the western side of the British island from Cornwall to Cape +Wrath. My epithet, Pallida, is secure, and simple, wherever the plant is +found. + +[Illustration: FIG. III.] + +5. Pinguicula Minima: Least Butterwort; in D. 1021 called Villosa, the +_scape_ of it being hairy. I have not yet got rid of this absurd word +'scape,' meaning, in botanist's Latin, the flower-stalk of a flower growing +out of a cluster of leaves on the ground. It is a bad corruption of +'sceptre,' and especially false and absurd, because a true sceptre is +necessarily branched.[15] In 'Proserpina,' when it is spoken of +distinctively, it is called 'virgula' (see vol. i., pp. 146, 147, 151, +152). The hairs on the virgula are in this instance so minute, that even +with a lens I cannot see them in the Danish plate: of which Fig. 3 is a +rough translation into woodcut, to show the grace and mien of the little +thing. The trine leaf cluster is characteristic, and the folding up of the +leaf edges. The flower, in the Danish plate, full purple. Abundant in east +of _Finmark_ (Finland?), but _always growing in marsh moss_, (Sphagnum +palustre). + +6. I call it 'Minima' only, as the least of the five here named; without +putting forward any claim for it to be the smallest pinguicula that ever +was or will be. In such sense only, the epithets minima or maxima are to be +understood when used in 'Proserpina': and so also, every statement and +every principle is only to be understood as true or tenable, respecting the +plants which the writer has seen, and which he is sure that the reader can +easily see: liable to modification to any extent by wider experience; but +better first learned securely within a narrow fence, and afterwards trained +or fructified, along more complex trellises. + +7. And indeed my readers--at least, my newly found readers--must note +always that the only power which I claim for any of my books, is that of +being right and true as far as they reach. None of them pretend to be +Kosmoses;--none to be systems of Positivism or Negativism, on which the +earth is in future to swing instead of on its old worn-out poles;--none of +them to be works of genius;--none of them to be, more than all true work +_must_ be, pious;--and none to be, beyond the power of common people's +eyes,[16] ears, and noses, 'æsthetic.' They tell you that the world is _so_ +big, and can't be made bigger--that you yourself are also so big, and can't +be made bigger, however you puff or bloat yourself; but that, on modern +mental nourishment, you may very easily be made smaller. They tell you that +two and two are four, that ginger is hot in the mouth, that roses are red, +and smuts black. Not themselves assuming to be pious, they yet assure you +that there is such a thing as piety in the world, and that it is wiser than +impiety; and not themselves pretending to be works of genius, they yet +assure you that there is such a thing as genius in the world, and that it +is meant for the light and delight of the world. + +8. Into these repetitions of remarks on my work, often made before, I have +been led by an unlucky author who has just sent me his book, advising me +that it is "neither critical nor sentimental" (he had better have said in +plain English "without either judgment or feeling"), and in which nearly +the first sentence I read is--"Solomon with all his acuteness was not wise +enough to ... etc., etc., etc." ('give the Jews the British constitution,' +I believe the man means.) He is not a whit more conceited than Mr. Herbert +Spencer, or Mr. Goldwin Smith, or Professor Tyndall,--or any lively London +apprentice out on a Sunday; but this general superciliousness with respect +to Solomon, his Proverbs, and his politics, characteristic of the modern +Cockney, Yankee, and Anglicised Scot, is a difficult thing to deal with for +us of the old school, who were well whipped when we were young; and have +been in the habit of occasionally ascertaining our own levels as we grew +older, and of recognizing that, here and there, somebody stood higher, and +struck harder. + +9. A difficult thing to deal with, I feel more and more, hourly, even to +the point of almost ceasing to write; not only every feeling I have, but, +of late, even _every word I use_, being alike inconceivable to the +insolence, and unintelligible amidst the slang, of the modern London +writers. Only in the last magazine I took up, I found an article by Mr. +Goldwin Smith on the Jews (of which the gist--as far as it had any--was +that we had better give up reading the Bible), and in the text of which I +found the word 'tribal' repeated about ten times in every page. Now, if +'tribe' makes 'tribal,' tube must make tubal, cube, cubal, and gibe, gibal; +and I suppose we shall next hear of tubal music, cubal minerals, and gibal +conversation! And observe how all this bad English leads instantly to +blunder in thought, prolonged indefinitely. The Jewish Tribes are not +separate races, but the descendants of brothers. The Roman Tribes, +political divisions; essentially Trine: and the whole force of the word +Tribune vanishes, as soon as the ear is wrung into acceptance of his lazy +innovation by the modern writer. Similarly, in the last elements of +mineralogy I took up, the first order of crystals was called 'tesseral'; +the writer being much too fine to call them 'four-al,' and too much bent on +distinguishing himself from all previous writers to call them cubic. + +10. What simple schoolchildren, and sensible schoolmasters, are to do in +this atmosphere of Egyptian marsh, which rains fools upon them like frogs, +I can no more with any hope or patience conceive;--but this finally I +repeat, concerning my own books, that they are written in honest English, +of good Johnsonian lineage, touched here and there with colour of a little +finer or Elizabethan quality: and that the things they tell you are +comprehensible by any moderately industrious and intelligent person; and +_accurate_, to a degree which the accepted methods of modern science +cannot, in my own particular fields, approach. + +11. Of which accuracy, the reader may observe for immediate instance, my +extrication for him, from among the uvularias, of these five species of the +Butterwort; which, being all that need be distinctly named and remembered, +_do_ need to be first carefully distinguished, and then remembered in their +companionship. So alike are they, that Gerarde makes no distinction among +them; but masses them under the general type of the frequent English one, +described as the second kind of his promiscuous group of 'Sanicle,' "which +Clusius calleth Pinguicula; not before his time remembered, hath sundry +small thick leaves, fat and full of juice, being broad towards the root and +sharp towards the point, of a faint green colour, and bitter in taste; out +of the middest whereof sprouteth or shooteth up a naked slender stalke nine +inches long, every stalke bearing one flower and no more, sometimes white, +and sometimes of a bluish purple colour, fashioned like unto the common +Monkshoods" (he means Larkspurs) "called Consolida Regalis, having the like +spur or Lark's heel attached thereto." Then after describing a third kind +of Sanicle--(Cortusa Mathioli, a large-leaved Alpine Primula,) he goes on: +"These plants are strangers in England; their natural country is the alpish +mountains of Helvetia. They grow in my garden, where they flourish +exceedingly, except Butterwoort, which groweth in our English _squally_ wet +grounds,"--('Squally,' I believe, here, from squalidus, though Johnson does +not give this sense; but one of his quotations from Ben Jonson touches it +nearly: "Take heed that their new flowers and sweetness do not as much +corrupt as the others' dryness and squalor,"--and note farther that the +word 'squal,' in the sense of gust, is not pure English, but the Arabic +'Chuaul' with an s prefixed:--the English word, a form of 'squeal,' meaning +a child's cry, from Gothic 'Squæla' and Icelandic 'squilla,' would scarcely +have been made an adjective by Gerarde),--"and will not yield to any +culturing or transplanting: it groweth especially in a field called Cragge +Close, and at Crosbie Ravenswaithe, in Westmerland; (West-_mere_-land you +observe, not mor) upon Ingleborough Fells, twelve miles from Lancaster, and +by Harwoode in the same county near to Blackburn: ten miles from Preston, +in Anderness, upon the bogs and marish ground, and in the boggie meadows +about Bishop's-Hatfield, and also in the fens in the way to Wittles Meare" +(Roger Wildrake's Squattlesea Mere?) "from Fendon, in Huntingdonshire." +Where doubtless Cromwell ploughed it up, in his young days, pitilessly; and +in nowise pausing, as Burns beside his fallen daisy. + +12. Finally, however, I believe we may accept its English name of +'Butterwort' as true Yorkshire, the more enigmatic form of 'Pigwilly' +preserving the tradition of the flowers once abounding, with softened Latin +name, in Pigwilly bottom, close to Force bridge, by Kendal. Gerarde draws +the English variety as "Pinguicula sive Sanicula Eboracensis,--Butterwoort, +or Yorkshire Sanicle;" and he adds: "The husbandmen's wives of Yorkshire do +use to anoint the dugs of their kine with the fat and oilous juice of the +herb Butterwort when they be bitten of any venomous worm, or chapped, +rifted and hurt by any other means." + +13. In Lapland it is put to much more certain use; "it is called Tätgrass, +and the leaves are used by the inhabitants to make their 'tät miolk,' a +preparation of milk in common use among them. Some fresh leaves are laid +upon a filter, and milk, yet warm from the reindeer, is poured over them. +After passing quickly through the filter, this is allowed to rest for one +or two days until it becomes ascescent,[17] when it is found not to have +separated from the whey, and yet to have attained much greater tenacity and +consistence than it would have done otherwise. The Laplanders and Swedes +are said to be extremely fond of this milk, which when once made, it is not +necessary to renew the use of the leaves, for we are told that a spoonful +of it will turn another quantity of warm milk, and make it like the +first."[18] (Baxter, vol. iii., No. 209.) + +14. In the same page, I find quoted Dr. Johnston's observation that "when +specimens of this plant were somewhat rudely pulled up, the flower-stalk, +previously erect, almost immediately began to bend itself backwards, and +formed a more or less perfect segment of a circle; and so also, if a +specimen is placed in the Botanic box, you will in a short time find that +the leaves have curled themselves backwards, and now conceal the root by +their revolution." + +I have no doubt that this elastic and wiry action is partly connected with +the plant's more or less predatory or fly-trap character, in which these +curiously degraded plants are associated with Drosera. I separate them +therefore entirely from the Bladderworts, and hold them to be a link +between the Violets and the Droseraceæ, placing them, however, with the +Cytherides, as a sub-family, for their beautiful colour, and because they +are indeed a grace and delight in ground which, but for them, would be +painfully and rudely desolate. + + * * * * * + +CHAPTER III. + +VERONICA. + +1. "The Corolla of the Foxglove," says Dr. Lindley, beginning his account +of the tribe at page 195 of the first volume of his 'Ladies' Botany,' "is a +large inflated body(!), with its throat spotted with rich purple, and its +border divided obliquely into five very short lobes, of which the two upper +are the smaller; its four stamens are of unequal length, and its style is +divided into two lobes at the upper end. A number of long hairs cover the +ovary, which contains two cells and a great quantity of ovules. + +"This" (_sc._ information) "will show you what is the usual character of +the Foxglove tribe; and you will find that all the other genera referred to +it in books agree with it essentially, although they differ in subordinate +points. It is chiefly (A) in the form of the corolla, (B) in the number of +the stamens, (C) in the consistence of the rind of the fruit, (D) in its +form, (E) in the number of the seeds it contains, and (F) in the manner in +which the sepals are combined, that these differences consist." + +2. The enumerative letters are of my insertion--otherwise the above +sentence is, word for word, Dr. Lindley's,--and it seems to me an +interesting and memorable one in the history of modern Botanical science. +For it appears from the tenor of it, that in a scientific botanist's mind, +six particulars, at least, in the character of a plant, are merely +'subordinate points,'--namely, + + 1. (F) The combination of its calyx, + 2. (A) The shape of its corolla, + 3. (B) The number of its stamens, + 4. (D) The form of its fruit, + 5. (C) The consistence of its shell,--and + 6. (E) The number of seeds in it. + +Abstracting, then, from the primary description, all the six inessential +points, I find the three essential ones left are, that the style is divided +into two lobes at the upper end, that a number of glandular hairs cover the +ovary, and that this latter contains two cells. + +3. None of which particulars concern any reasonable mortal, looking at a +Foxglove, in the smallest degree. Whether hairs which he can't see are +glandular or bristly,--whether the green knobs, which are left when the +purple bells are gone, are divided into two lobes or two hundred,--and +whether the style is split, like a snake's tongue, into two lobes, or like +a rogue's, into any number--are merely matters of vulgar curiosity, which +he needs a microscope to discover, and will lose a day of his life in +discovering. But if any pretty young Proserpina, escaped from the Plutonic +durance of London, and carried by the tubular process, which replaces +Charon's boat, over the Lune at Lancaster, cares to come and walk on the +Coniston hills in a summer morning, when the eyebright is out on the high +fields, she may gather, with a little help from Brantwood garden, a bouquet +of the entire Foxglove tribe in flower, as it is at present defined, and +may see what they are like, altogether. + +4. She shall gather: first, the Euphrasy, which makes the turf on the brow +of the hill glitter as if with new-fallen manna; then, from one of the blue +clusters on the top of the garden wall, the common bright blue Speedwell; +and, from the garden bed beneath, a dark blue spire of Veronica spicata; +then, at the nearest opening into the wood, a little foxglove in its first +delight of shaking out its bells; then--what next does the Doctor say?--a +snapdragon? we must go back into the garden for that--here is a goodly +crimson one, but what the little speedwell will think of him for a relative +_I_ can't think!--a mullein?--that we must do without for the moment; a +monkey flower?--that we will do without, altogether; a lady's slipper?--say +rather a goblin's with the gout! but, such as the flower-cobbler has made +it, here is one of the kind that people praise, out of the greenhouse,--and +yet a figwort we must have, too; which I see on referring to Loudon, may be +balm-leaved, hemp-leaved, tansy-leaved, nettle-leaved, wing-leaved, +heart-leaved, ear-leaved, spear-leaved, or lyre-leaved. I think I can find +a balm-leaved one, though I don't know what to make of it when I've got it, +but it's called a 'Scorodonia' in Sowerby, and something very ugly +besides;--I'll put a bit of Teucrium Scorodonia in, to finish: and now--how +will my young Proserpina arrange her bouquet, and rank the family relations +to their contentment? + +5. She has only one kind of flowers--in her hand, as botanical +classification stands at present; and whether the system be more rational, +or in any human sense more scientific, which puts calceolaria and speedwell +together,--and foxglove and euphrasy; and runs them on one side into the +mints, and on the other into the nightshades;--naming them, meanwhile, some +from diseases, some from vermin, some from blockheads, and the rest +anyhow:--or the method I am pleading for, which teaches us, watchful of +their seasonable return and chosen abiding places, to associate in our +memory the flowers which truly resemble, or fondly companion, or, in time +kept by the signs of Heaven, succeed, each other; and to name them in some +historical connection with the loveliest fancies and most helpful faiths of +the ancestral world--Proserpina be judge; with every maid that sets flowers +on brow or breast--from Thule to Sicily. + +6. We will unbind our bouquet, then, and putting all the rest of its +flowers aside, examine the range and nature of the little blue cluster +only. + +And first--we have to note of it, that the plan of the blossom in all the +kinds is the same; an irregular quatre-foil: and irregular quatrefoils are +of extreme rarity in flower form. I don't myself know _one_, except the +Veronica. The cruciform vegetables--the heaths, the olives, the lilacs, the +little Tormentillas, and the poppies, are all perfectly symmetrical. Two of +the petals, indeed, as a rule, are different from the other two, except in +the heaths; and thus a distinctly crosslet form obtained, but always an +equally balanced one: while in the Veronica, as in the Violet, the blossom +always refers itself to a supposed place on the stalk with respect to the +ground; and the upper petal is always the largest. + +The supposed place is often very suppositious indeed--for clusters of the +common veronicas, if luxuriant, throw their blossoms about anywhere. But +the idea of an upper and lower petal is always kept in the flower's little +mind. + +7. In the second place, it is a quite open and flat quatrefoil--so +separating itself from the belled quadrature of the heath, and the tubed +and primrose-like quadrature of the cruciferæ; and, both as a quatrefoil, +and as an open one, it is separated from the foxgloves and snapdragons, +which are neither quatrefoils, nor open; but are cinqfoils shut up! + +8. In the third place, open and flat though the flower be, it is +monopetalous; all the four arms of the cross strictly becoming one in the +centre; so that, though the blue foils _look_ no less sharply separate than +those of a buttercup or a cistus; and are so delicate that one expects them +to fall from their stalk if we breathe too near,--do but lay hold of +one,--and, at the touch, the entire blossom is lifted from its stalk, and +may be laid, in perfect shape, on our paper before us, as easily as if it +had been a nicely made-up blue bonnet, lifted off its stand by the +milliner. + +I pause here, to consider a little; because I find myself mixing up two +characteristics which have nothing necessary in their relation;--namely, +the unity of the blossom, and its coming easily off the stalk. The separate +petals of the cistus and cherry fall as easily as the foxglove drops its +bells;--on the other hand, there are monopetalous things that don't drop, +but hold on like the convoluta,[19] and make the rest of the tree sad for +their dying. I do not see my way to any systematic noting of decadent or +persistent corolla; but, in passing, we may thank the veronica for never +allowing us to see how it fades,[20] and being always cheerful and lovely, +while it is with us. + +9. And for a farther specialty, I think we should take note of the purity +and simplicity of its _floral_ blue, not sprinkling itself with unwholesome +sugar like a larkspur, nor varying into coppery or turquoise-like hue as +the forget-me-not; but keeping itself as modest as a blue print, pale, in +the most frequent kinds; but pure exceedingly; and rejoicing in fellowship +with the grey of its native rocks. The palest of all I think it will be +well to remember as Veronica Clara, the "Poor Clare" of Veronicas. I find +this note on it in my diary,-- + +'The flower of an exquisite grey-white, like lichen, or shaded hoar-frost, +or dead silver; making the long-weathered stones it grew upon perfect with +a finished modesty of paleness, as if the flower _could_ be blue, and would +not, for their sake. Laying its fine small leaves along in embroidery, like +Anagallis tenella,--indescribable in the tender feebleness of +it--afterwards as it grew, dropping the little blossoms from the base of +the spire, before the buds at the top had blown. Gathered, it was happy +beside me, with a little water under a stone, and put out one pale blossom +after another, day by day.' + +10. Lastly, and for a high worthiness, in my estimate, note that it is +_wild_, of the wildest, and proud in pure descent of race; submitting +itself to no follies of the cur-breeding florist. Its species, though many +resembling each other, are severally constant in aspect, and easily +recognizable; and I have never seen it provoked to glare into any gigantic +impudence at a flower show. Fortunately, perhaps, it is scentless, and so +despised. + +11. Before I attempt arranging its families, we must note that while the +corolla itself is one of the most constant in form, and so distinct from +all other blossoms that it may be always known at a glance; the leaves and +habit of growth vary so greatly in families of different climates, and +those born for special situations, moist or dry, and the like, that it is +quite impossible to characterize Veronic, or Veronique, vegetation in +general terms. One can say, comfortably, of a strawberry, that it is a +creeper, without expecting at the next moment to see a steeple of +strawberry blossoms rise to contradict us;--we can venture to say of a +foxglove that it grows in a spire, without any danger of finding, farther +on, a carpet of prostrate and entangling digitalis; and we may pronounce of +a buttercup that it grows mostly in meadows, without fear of finding +ourselves, at the edge of the next thicket, under the shadow of a +buttercup-bush growing into valuable timber. But the Veronica reclines with +the lowly,[21] upon occasion, and aspires, with the proud; is here the +pleased companion of the ground-ivies, and there the unrebuked rival of the +larkspurs: on the rocks of Coniston it effaces itself almost into the film +of a lichen; it pierces the snows of Iceland with the gentian: and in the +Falkland Islands is a white-blossomed evergreen, of which botanists are in +dispute whether it be Veronica or Olive. + +12. Of these many and various forms, I find the manners and customs alike +inconstant; and this of especially singular in them--that the Alpine and +northern species bloom hardily in contest with the retiring snows, while +with us they wait till the spring is past, and offer themselves to us only +in consolation for the vanished violet and primrose. As we farther examine +the ways of plants, I suppose we shall find some that determine upon a +fixed season, and will bloom methodically in June or July, whether in +Abyssinia or Greenland; and others, like the violet and crocus, which are +flowers of the spring, at whatever time of the favouring or frowning year +the spring returns to their country. I suppose also that botanists and +gardeners know all these matters thoroughly: but they don't put them into +their books, and the clear notions of them only come to me now, as I think +and watch. + +13. Broadly, however, the families of the Veronica fall into three main +divisions,--those which have round leaves lobed at the edge, like ground +ivy; those which have small thyme-like leaves; and those which have long +leaves like a foxglove's, only smaller--never more than two or two and a +half inches long. I therefore take them in these connections, though +without any bar between the groups; only separating the Regina from the +other thyme-leaved ones, to give her due precedence; and the rest will then +arrange themselves into twenty families, easily distinguishable and +memorable. + +[Illustration: FIG. IV.] + +I have chosen for Veronica Regina, the brave Icelandic one, which pierces +the snow in first spring, with lovely small shoots of perfectly set leaves, +no larger than a grain of wheat; the flowers in a lifted cluster of five or +six together, not crowded, yet not loose; large, for veronica--about the +size of a silver penny, or say half an inch across--deep blue, with ruby +centre. + +My woodcut, Fig. 4, is outlined[22] from the beautiful engraving D. +342,[23]--there called 'fruticulosa,' from the number of the young shoots. + +14. Beneath the Regina, come the twenty easily distinguished families, +namely:-- + +1. Chamædrys. 'Ground-oak.' I cannot tell why so called--its small and +rounded leaves having nothing like oak leaves about them, except the +serration, which is common to half, at least, of all leaves that grow. But +the idea is all over Europe, apparently. Fr. 'petit chêne:' German and +English 'Germander,' a merely corrupt form of Chamædrys. + +The representative English veronica "Germander Speedwell"--very prettily +drawn in S. 986; too tall and weed-like in D. 448. + +2. Hederifolia. Ivy-leaved: but more properly, cymbalaria-leaved. It is the +English field representative, though blue-flowered, of the Byzantine white +veronica, V. Cymbalaria, very beautifully drawn in G. 9. Hederifolia well +in D. 428. + +3. Agrestis. Fr. 'Rustique.' We ought however clearly to understand whether +'agrestis,' used by English botanists, is meant to imply a literally field +flower, or only a 'rustic' one, which might as properly grow in a wood. I +shall always myself use 'agrestis' in the literal sense, and 'rustica' for +'rustique.' I see no reason, in the present case, for separating the Polite +from the Rustic flower: the agrestis, D. 449 and S. 971, seems to me not +more meekly recumbent, nor more frankly cultureless, than the so-called +Polita, S. 972: there seems also no French acknowledgment of its +politeness, and the Greek family, G. 8, seem the rudest and wildest of all. + +Quite a _field_ flower it is, I believe, lying always low on the ground; +recumbent, but not creeping. Note this difference: no fastening roots are +thrown out by the reposing stems of this Veronica; a creeping or accurately +'rampant' plant roots itself in advancing. Conf. Nos. 5, 6. + +4. Arvensis. We have yet to note a still finer distinction in epithet. +'Agrestis' will properly mean a flower of the open ground--yet not caring +whether the piece of earth be cultivated or not, so long as it is under +clear sky. But when _agri_-culture has turned the unfruitful acres into +'arva beata,'--if then the plant thrust itself between the furrows of the +plough, it is properly called 'Arvensis.' + +I don't quite see my way to the same distinction in English,--perhaps I may +get into the habit, as time goes on, of calling the Arvenses consistently +furrow-flowers, and the Agrestes field-flowers. Furrow-veronica is a +tiresomely long name, but must do for the present, as the best +interpretation of its Latin character, "vulgatissima in cultis et arvis." +D. 515. The blossom itself is exquisitely delicate; and we may be thankful, +both here and in Denmark, for such a lovely 'vulgate.' + +5. Montana. D. 1201. The first really creeping plant we have had to notice. +It throws out roots from the recumbent stems. Otherwise like agrestis, it +has leaves like ground-ivy. Called a wood species in the text of D. + +6. Persica. An eastern form, but now perfectly naturalized here--D. 1982; +S. 973. The flowers very large, and extremely beautiful, but only one +springing from each leaf-axil. + +Leaves and stem like Montana; and also creeping with new-roots at +intervals. + +7. Triphylla, (not triphyll_os_,--see Flora Suecica, 22). Meaning +trifid-leaved; but the leaf is really divided into five lobes, not +three--see S. 974, and G. 10. The palmate form of the leaf seems a mere +caprice, and indicates no transitional form in the plant: it may be +accepted as only a momentary compliment of mimicry to the geraniums. The +Siberian variety, 'multifida,' C. 1679, divides itself almost as the +submerged leaves of the water-ranunculus. + +The triphylla itself is widely diffused, growing alike on the sandy fields +of Kent, and of Troy. In D. 627 is given an extremely delicate and minute +northern type, the flowers springing as in Persica, one from each +leaf-axil, and at distant intervals. + +8. Officinalis. D. 248, S. 294. Fr. 'Veronique officinale'; (Germ. +Gebrauchlicher Ehrenpreis,) our commonest English and Welsh speedwell; +richest in cluster and frankest in roadside growth, whether on bank or +rock; but assuredly liking _either_ a bank _or_ a rock, and the top of a +wall better than the shelter of one. Uncountable 'myriads,' I am tempted to +write, but, cautiously and literally, 'hundreds' of blossoms--if one +_could_ count,--ranging certainly towards the thousand in some groups, all +bright at once, make our Westmoreland lanes look as if they were decked for +weddings, in early summer. In the Danish Flora it is drawn small and poor; +its southern type being the true one: but it is difficult to explain the +difference between the look of a flower which really _suffers_, as in this +instance, by a colder climate, and becomes mean and weak, as well as +dwarfed; and one which is braced and brightened by the cold, though +diminished, as if under the charge and charm of an affectionate fairy, and +becomes a joyfully patriotic inheritor of wilder scenes and skies. +Medicinal, to soul and body alike, this gracious and domestic flower; +though astringent and bitter in the juice. It is the Welsh deeply honoured +'Fluellen.'--See final note on the myth of Veronica, see § 18. + +9. Thymifolia. Thyme-leaved, G. 6. Of course the longest possible +word--serpyllifolia--is used in S. 978. It is a high mountain plant, +growing on the top of Crete as the snow retires; and the Veronica minor of +Gerarde; "the roote is small and threddie, taking hold of the _upper +surface_ of the earth, where it spreadeth." So also it is drawn as a +creeper in F. 492, where the flower appears to be oppressed and concealed +by the leafage. + +10. Minuta, called 'hirsuta' in S. 985: an ugly characteristic to name the +lovely little thing by. The distinct blue lines in the petals might perhaps +justify 'picta' or 'lineata,' rather than an epithet of size; but I suppose +it is Gerarde's Minima, and so leave it, more safely named as 'minute' than +'least.' For I think the next variety may dispute the leastness. + +[Illustration: FIG. V.] + +11. Verna. D. 252. Mountains, in dry places in early spring. Upright, and +confused in the leafage, which is sharp-pointed and close set, much hiding +the blossom, but of extreme elegance, fit for a sacred foreground; as any +gentle student will feel, who copies this outline from the Flora Danica, +Fig. 5. + +12. Peregrina. Another extremely small variety, nearly pink in colour, +passing into bluish lilac and white. American; but called, I do not see +why, 'Veronique _voyageuse_,' by the French, and Fremder Ehrenpreis in +Germany. Given as a frequent English weed in S. 927. + +13. Alpina. Veronique des Alpes. Gebirgs Ehrenpreis. Still minute; its +scarcely distinct flowers forming a close head among the leaves; +round-petalled in D. 16, but sharp, as usual, in S. 980. On the Norway Alps +in grassy places; and in Scotland by the side of mountain rills; but rare. +On Ben Nevis and Lachin y Gair (S.) + +14. Scutellata. From the shield-like shape of its seed-vessels. Veronique à +Ecusson; Schildfruchtiger Ehrenpreis. But the seed-vessels are more heart +shape than shield. Marsh Speedwell. S. 988, D. 209,--in the one pink, in +the other blue; but again in D. 1561, pink. + +"In flooded meadows, common." (D.) A spoiled and scattered form; the seeds +too conspicuous, but the flowers very delicate, hence 'Gratiola minima' in +Gesner. The confused ramification of the clusters worth noting, in relation +to the equally straggling fibres of root. + +15. Spicata. S. 982: very prettily done, representing the inside of the +flower as deep blue, the outside pale. The top of the spire, all calices, +the calyx being indeed, through all the veronicas, an important and +persistent member. + +The tendency to arrange itself in spikes is to be noted as a degradation of +the veronic character; connecting it on one side with the snapdragons, on +the other with the ophryds. In Veronica Ophrydea, (C. 2210,) this +resemblance to the contorted tribe is carried so far that "the corolla of +the veronica becomes irregular, the tube gibbous, the faux (throat) hairy, +and three of the laciniæ (lobes of petals) variously twisted." The spire of +blossom, violet-coloured, is then close set, and exactly resembles an +ophryd, except in being sharper at the top. The engraved outline of the +blossom is good, and very curious. + +16. Gentianoides. This is the most directly and curiously imitative among +the--shall we call them--'histrionic' types of Veronica. It grows exactly +like a clustered upright gentian; has the same kind of leaves at its root, +and springs with the same bright vitality among the retiring snows of the +Bithynian Olympus. (G. 5.) If, however, the Caucasian flower, C. 1002, be +the same, it has lost its perfect grace in luxuriance, growing as large as +an asphodel, and with root-leaves half a foot long. + +The petals are much veined; and this, of all veronicas, has the lower petal +smallest in proportion to the three above,--"triplò aut quadruplò minori." +(G.) + +17. Stagnarum. Marsh-Veronica. The last four families we have been +examining vary from the typical Veronicas not only in their lance-shaped +clusters, but in their lengthened, and often every way much enlarged leaves +also: and the two which we now will take in association, 17 and 18, carry +the change in aspect farthest of any, being both of them true water-plants, +with strong stems and thick leaves. The present name of my Veronica +Stagnarum is however V. anagallis, a mere insult to the little water +primula, which one plant of the Veronica would make fifty of. This is a +rank water-weed, having confused bunches of blossom and seed, like unripe +currants, dangling from the leaf-axils. So that where the little triphylla, +(No. 7, above,) has only one blossom, daintily set, and well seen, this has +a litter of twenty-five or thirty on a long stalk, of which only three or +four are well out as flowers, and the rest are mere knobs of bud or seed. +The stalk is thick (half an inch round at the bottom), the leaves long and +misshapen. "Frequens in fossis," D. 203. French, Mouron d'Eau, but I don't +know the root or exact meaning of Mouron. + +An ugly Australian species, 'labiata,' C. 1660, has leaves two inches long, +of the shape of an aloe's, and partly aloeine in texture, "sawed with +unequal, fleshy, pointed teeth." + +18. Fontium. Brook-Veronica. Brook-_Lime_, the Anglo-Saxon 'lime' from +Latin limus, meaning the soft mud of streams. German 'Bach-bunge' +(Brook-purse?) ridiculously changed by the botanists into 'Beccabunga,' for +a Latin name! Very beautiful in its crowded green leaves as a +stream-companion; rich and bright more than watercress. See notice of it at +Matlock, in 'Modern Painters,' vol. v. + +19. Clara. Veronique des rochers. Saxatilis, I suppose, in Sowerby, but am +not sure of having identified that with my own favourite, for which I +therefore keep the name 'Clara,' (see above, § 9); and the other rock +variety, if indeed another, mast be remembered, together with it. + +20. Glauca. G. 7. And this, at all events, with the Clara, is to be +remembered as closing the series of twenty families, acknowledged by +Proserpina. It is a beautiful low-growing ivy-leaved type, with flowers of +subdued lilac blue. On Mount Hymettus: no other locality given in the Flora +Græca. + +15. I am sorry, and shall always be so, when the varieties of any flower +which I have to commend to the student's memory, exceed ten or twelve in +number; but I am content to gratify his pride with lengthier task, if +indeed he will resign himself to the imperative close of the more inclusive +catalogue, and be content to know the twelve, or sixteen, or twenty, +acknowledged families, thoroughly; and only in their illustration to think +of rarer forms. The object of 'Proserpina' is to make him happily cognizant +of the common aspect of Greek and English flowers; under the term +'English,' comprehending the Saxon, Celtic, Norman, and Danish Floras. Of +the evergreen shrub alluded to in § 11 above, the Veronica Decussata of the +Pacific, which is "a bushy evergreen, with beautifully set cross-leaves, +and white blossoms scented like olea fragrans," I should like him only to +read with much surprise, and some incredulity, in Pinkerton's or other +entertaining travellers' voyages. + +16. And of the families given, he is to note for the common simple +characteristic, that they are quatrefoils referred to a more or less +elevated position on a central stem, and having, in that relation, the +lowermost petal diminished, contrary to the almost universal habit of other +flowers to develope in such a position the lower petal chiefly, that it may +have its full share of light. You will find nothing but blunder and +embarrassment result from any endeavour to enter into further particulars, +such as "the relation of the dissepiment with respect to the valves of the +capsule," etc., etc., since "in the various species of Veronica almost +every kind of dehiscence may be observed" (C. under V. perfoliata, 1936, an +Australian species). Sibthorpe gives the entire definition of Veronica with +only one epithet added to mine, "Corolla quadrifida, _rotata_, laciniâ +infimâ angustiore," but I do not know what 'rotata' here means, as there is +no appearance of revolved action in the petals, so far as I can see. + +17. Of the mythic or poetic significance of the veronica, there is less to +be said than of its natural beauty. I have not been able to discover with +what feeling, or at what time, its sacred name was originally given; and +the legend of S. Veronica herself is, in the substance of it, irrational, +and therefore incredible. The meaning of the term 'rational,' as applied to +a legend or miracle, is, that there has been an intelligible need for the +permission of the miracle at the time when it is recorded; and that the +nature and manner of the act itself should be comprehensible in the scope. +There was thus quite simple need for Christ to feed the multitudes, and to +appear to S. Paul; but no need, so far as human intelligence can reach, for +the reflection of His features upon a piece of linen which could be seen by +not one in a million of the disciples to whom He might more easily, at any +time, manifest Himself personally and perfectly. Nor, I believe, has the +story of S. Veronica ever been asserted to be other than symbolic by the +sincere teachers of the Church; and, even so far as in that merely +explanatory function, it became the seal of an extreme sorrow, it is not +easy to understand how the pensive fable was associated with a flower so +familiar, so bright, and so popularly of good omen, as the Speedwell. + +18. Yet, the fact being actually so, and this consecration of the veronica +being certainly far more ancient and earnest than the faintly romantic and +extremely absurd legend of the forget-me-not; the speedwell has assuredly +the higher claim to be given and accepted as a token of pure and faithful +love, and to be trusted as a sweet sign that the innocence of affection is +indeed more frequent, and the appointed destiny of its faith more +fortunate, than our inattentive hearts have hitherto discerned. + +19. And this the more, because the recognized virtues and uses of the plant +are real and manifold; and the ideas of a peculiar honourableness and worth +of life connected with it by the German popular name 'Honour-prize'; while +to the heart of the British race, the same thought is brought home by +Shakespeare's adoption of the flower's Welsh name, for the faithfullest +common soldier of his ideal king. As a lover's pledge, therefore, it does +not merely mean memory;--for, indeed, why should love be thought of as such +at all, if it need to promise not to forget?--but the blossom is +significant also of the lover's best virtues, patience in suffering, purity +in thought, gaiety in courage, and serenity in truth: and therefore I make +it, worthily, the clasping and central flower of the Cytherides. + + * * * * * + +CHAPTER IV. + +GIULIETTA. + +1. Supposing that, in early life, one had the power of living to one's +fancy,--and why should we not, if the said fancy were restrained by the +knowledge of the two great laws concerning our nature, that happiness is +increased, not by the enlargement of the possessions, but of the heart; and +days lengthened, not by the crowding of emotions, but the economy of +them?--if thus taught, we had, I repeat, the ordering of our house and +estate in our own hands, I believe no manner of temperance in pleasure +would be better rewarded than that of making our gardens gay only with +common flowers; and leaving those which needed care for their transplanted +life to be found in their native places when we travelled. So long as I had +crocus and daisy in the spring, roses in the summer, and hollyhocks and +pinks in the autumn, I used to be myself independent of farther +horticulture,--and it is only now that I am old, and since pleasant +travelling has become impossible to me, that I am thankful to have the +white narcissus in my borders, instead of waiting to walk through the +fragrance of the meadows of Clarens; and pleased to see the milkwort blue +on my scythe-mown banks, since I cannot gather it any more on the rocks of +the Vosges, or in the divine glens of Jura. + +2. Among the losses, all the more fatal in being unfelt, brought upon us by +the fury and vulgarity of modern life, I count for one of the saddest, the +loss of the wish to gather a flower in travelling. The other day,--whether +indeed a sign of some dawning of doubt and remorse in the public mind, as +to the perfect jubilee of railroad journey, or merely a piece of the common +daily flattery on which the power of the British press first depends, I +cannot judge;--but, for one or other of such motives, I saw lately in some +illustrated paper, a pictorial comparison of old-fashioned and modern +travel, representing, as the type of things passed away, the outside +passengers of the mail shrinking into huddled and silent distress from the +swirl of a winter snowstorm; and for type of the present Elysian +dispensation, the inside of a first-class saloon carriage, with a beautiful +young lady in the last pattern of Parisian travelling dress, conversing, +Daily news in hand, with a young officer--her fortunate vis-à-vis--on the +subject of our military successes in Afghanistan and Zululand.[24] + +3. I will not, in presenting--it must not be called the other side, but the +supplementary, and wilfully omitted, facts, of this ideal,--oppose, as I +fairly might, the discomforts of a modern cheap excursion train, to the +chariot-and-four, with outriders and courier, of ancient noblesse. I will +compare only the actual facts, in the former and in latter years, of my own +journey from Paris to Geneva. As matters are now arranged, I find myself, +at half past eight in the evening, waiting in a confused crowd with which I +am presently to contend for a seat, in the dim light and cigar-stench of +the great station of the Lyons line. Making slow way through the +hostilities of the platform, in partly real, partly weak politeness, as may +be, I find the corner seats of course already full of prohibitory cloaks +and umbrellas; but manage to get a middle back one; the net overhead is +already surcharged with a bulging extra portmanteau, so that I squeeze my +desk as well as I can between my legs, and arrange what wraps I have about +my knees and shoulders. Follow a couple of hours of simple patience, with +nothing to entertain one's thoughts but the steady roar of the line under +the wheels, the blinking and dripping of the oil lantern, and the more or +less ungainly wretchedness, and variously sullen compromises and +encroachments of posture, among the five other passengers preparing +themselves for sleep: the last arrangement for the night being to shut up +both windows, in order to effect, with our six breaths, a salutary +modification of the night air. + +4. The banging and bumping of the carriages over the turn-tables wakes me +up as I am beginning to doze, at Fontainebleau, and again at Sens; and the +trilling and thrilling of the little telegraph bell establishes itself in +my ears, and stays there, trilling me at last into a shivering, suspicious +sort of sleep, which, with a few vaguely fretful shrugs and fidgets, +carries me as far as Tonnerre, where the 'quinze minutes d'arret' +revolutionize everything; and I get a turn or two on the platform, and +perhaps a glimpse of the stars, with promise of a clear morning; and so +generally keep awake past Mont Bard, remembering the happy walks one used +to have on the terrace under Buffon's tower, and thence watching, if +perchance, from the mouth of the high tunnel, any film of moonlight may +show the far undulating masses of the hills of Citeaux. But most likely one +knows the place where the great old view used to be only by the sensible +quickening of the pace as the train turns down the incline, and crashes +through the trenched cliffs into the confusion and high clattering vault of +the station at Dijon. + +5. And as my journey is almost always in the springtime, the twisted spire +of the cathedral usually shows itself against the first grey of dawn, as we +run out again southwards: and resolving to watch the sunrise, I fall more +complacently asleep,--and the sun is really up by the time one has to +change carriages, and get morning coffee at Macon. And from Amberieux, +through the Jura valley, one is more or less feverishly happy and thankful, +not so much for being in sight of Mont Blanc again, as in having got +through the nasty and gloomy night journey; and then the sight of the Rhone +and the Salève seems only like a dream, presently to end in nothingness; +till, covered with dust, and feeling as if one never should be fit for +anything any more, one staggers down the hill to the Hotel des Bergues, and +sees the dirtied Rhone, with its new iron bridge, and the smoke of a new +factory exactly dividing the line of the aiguilles of Chamouni. + +6. That is the journey as it is now,--and as, for me, it must be; except on +foot, since there is now no other way of making it. But this _was_ the way +we used to manage it in old days:-- + +Very early in Continental transits we had found out that the family +travelling carriage, taking much time and ingenuity to load, needing at the +least three, usually four--horses, and on Alpine passes six, not only +jolted and lagged painfully on bad roads, but was liable in every way to +more awkward discomfitures than lighter vehicles; getting itself jammed in +archways, wrenched with damage out of ruts, and involved in volleys of +justifiable reprobation among market stalls. So when we knew better, my +father and mother always had their own old-fashioned light two-horse +carriage to themselves, and I had one made with any quantity of front and +side pockets for books and picked up stones; and hung very low, with a +fixed side-step, which I could get off or on with the horses at the trot; +and at any rise or fall of the road, relieve them, and get my own walk, +without troubling the driver to think of me. + +7. Thus, leaving Paris in the bright spring morning, when the Seine +glittered gaily at Charenton, and the arbres de Judée were mere pyramids of +purple bloom round Villeneuve-St.-Georges, one had an afternoon walk among +the rocks of Fontainebleau, and next day we got early into Sens, for new +lessons in its cathedral aisles, and the first saunter among the budding +vines of the coteaux. I finished my plate of the Tower of Giotto, for the +'Seven Lamps,' in the old inn at Sens, which Dickens has described in his +wholly matchless way in the last chapter of 'Mrs. Lirriper's Lodgings'. The +next day brought us to the oolite limestones at Mont Bard, and we always +spent the Sunday at the Bell in Dijon. Monday, the drive of drives, through +the village of Genlis, the fortress of Auxonne, and up the hill to the +vine-surrounded town of Dole; whence, behold at last the limitless ranges +of Jura, south and north, beyond the woody plain, and above them the +'Derniers Kochers' and the white square-set summit, worshipped ever anew. +Then at Poligny, the same afternoon, we gathered the first milkwort for +that year; and on Tuesday, at St. Laurent, the wild lily of the valley; and +on Wednesday, at Morez, gentians. + +And on Thursday, the _eighth or ninth_ day from Paris, days all spent +patiently and well, one saw from the gained height of Jura, the great Alps +unfold themselves in their chains and wreaths of incredible crest and +cloud. + +8. Unhappily, during all the earliest and usefullest years of such +travelling, I had no thought of ever taking up botany as a study; feeling +well that even geology, which was antecedent to painting with me, could not +be followed out in connection with art but under strict limits, and with +sore shortcomings. It has only been the later discovery of the uselessness +of old scientific botany, and the abominableness of new, as an element of +education for youth;--and my certainty that a true knowledge of their +native Flora was meant by Heaven to be one of the first heart-possessions +of every happy boy and girl in flower-bearing lands, that have compelled me +to gather into system my fading memories, and wandering thoughts.[25] And +of course in the diaries written at places of which I now want chiefly the +details of the Flora, I find none; and in this instance of the milkwort, +whose name I was first told by the Chamouni guide, Joseph Couttet, then +walking with me on the unperilous turf of the first rise of the Vosges, +west of Strasburg, and rebuking me indignantly for my complaint that, being +then thirty-seven years old, and not yet able to draw the great plain and +distant spire, it was of no use trying in the poor remainder of life to do +anything serious,--then, and there, I say, for the first time examining the +strange little flower, and always associating it, since, with the limestone +crags of Alsace and Burgundy, I don't find a single note of its preferences +or antipathies in other districts, and cannot say a word about the soil it +chooses, or the height it ventures, or the familiarities to which it +condescends, on the Alps or Apennines. + +9. But one thing I have ascertained of it, lately at Brantwood, that it is +capricious and fastidious beyond any other little blossom I know of. In +laying out the rock garden, most of the terrace sides were trusted to +remnants of the natural slope, propped by fragments of stone, among which +nearly every other wild flower that likes sun and air, is glad sometimes to +root itself. But at the top of all, one terrace was brought to +mathematically true level of surface, and slope of side, and turfed with +delicately chosen and adjusted sods, meant to be kept duly trim by the +scythe. And _only_ on this terrace does the Giulietta choose to show +herself,--and even there, not in any consistent places, but gleaming out +here in one year, there in another, like little bits of unexpected sky +through cloud; and entirely refusing to allow either bank or terrace to be +mown the least trim during _her_ time of disport there. So spared and +indulged, there are no more wayward things in all the woods or wilds; no +more delicate and perfect things to be brought up by watch through day and +night, than her recumbent clusters, trickling, sometimes almost gushing +through the grass, and meeting in tiny pools of flawless blue. + +10. I will not attempt at present to arrange the varieties of the +Giulietta, for I find that all the larger and presumably characteristic +forms belong to the Cape; and only since Mr. Froude came back from his +African explorings have I been able to get any clear idea of the brilliancy +and associated infinitude of the Cape flowers. If I could but write down +the substance of what he has told me, in the course of a chat or two, which +have been among the best privileges of my recent stay in London, (prolonged +as it has been by recurrence of illness,) it would be a better summary of +what should be generally known in the natural history of southern plants +than I could glean from fifty volumes of horticultural botany. In the +meantime, everything being again thrown out of gear by the aforesaid +illness, I must let this piece of 'Proserpina' break off, as most of my +work does--and as perhaps all of it may soon do--leaving only suggestion +for the happier research of the students who trust me thus far. + +11. Some essential points respecting the flower I shall note, however, +before ending. There is one large and frequent species of it of which the +flowers are delicately yellow, touched with tawny red, forming one of the +chief elements of wild foreground vegetation in the healthy districts of +hard Alpine limestone.[26] This is, I believe, the only European type of +the large Cape varieties, in all of which, judging from such plates as have +been accessible to me, the crests or fringes of the lower petal are less +conspicuous than in the smaller species; and the flower almost takes the +aspect of a broom-blossom or pease-blossom. In the smaller European +varieties, the white fringes of the lower petal are the most important and +characteristic part of the flower, and they are, among European wild +flowers, absolutely without any likeness of associated structure. The +fringes or crests which, towards the origin of petals, so often give a +frosted or gemmed appearance to the centres of flowers, are here thrown to +the extremity of the petal, and suggest an almost coralline structure of +blossom, which in no other instance whatever has been imitated, still less +carried out into its conceivable varieties of form. How many such varieties +might have been produced if these fringes of the Giulietta, or those +already alluded to of Lucia nivea, had been repeated and enlarged; as the +type, once adopted for complex bloom in the thistle-head, is multiplied in +the innumerable gradations of thistle, teasel, hawkweed, and aster! We +might have had flowers edged with lace finer than was ever woven by mortal +fingers, or tasselled and braided with fretwork of silver, never +tarnished--or hoarfrost that grew brighter in the sun. But it was not to +be, and after a few hints of what might be done in this kind, the Fate, or +Folly, or, on recent theories, the extreme fitness--and consequent +survival, of the Thistles and Dandelions, entirely drives the fringed +Lucias and blue-flushing milkworts out of common human neighbourhood, to +live recluse lives with the memories of the abbots of Cluny, and pastors of +Piedmont. + +12. I have called the Giulietta 'blue-_flushing_' because it is one of the +group of exquisite flowers which at the time of their own blossoming, +breathe their colour into the surrounding leaves and supporting stem. Very +notably the Grape hyacinth and Jura hyacinth, and some of the Vestals, +empurpling all their green leaves even to the ground: a quite distinct +nature in the flower, observe, this possession of a power to kindle the +leaf and stem with its own passion, from that of the heaths, roses, or +lilies, where the determined bracts or calicos assert themselves in +opposition to the blossom, as little pine-leaves, or mosses, or brown paper +packages, and the like. + +13. The Giulietta, however, is again entirely separate from the other +leaf-flushing blossoms, in that, after the two green leaves next the flower +have glowed with its blue, while it lived, they do not fade or waste with +it, but return to their own former green simplicity, and close over it to +protect the seed. I only know this to be the case with the Giulietta +Regina; but suppose it to be (with variety of course in the colours) a +condition in other species,--though of course nothing is ever said of it in +the botanical accounts of them. I gather, however, from Curtis's careful +drawings that the prevailing colour of the Cape species is purple, thus +justifying still further my placing them among the Cytherides; and I am +content to take the descriptive epithets at present given them, for the +following five of this southern group, hoping that they may be explained +for me afterwards by helpful friends. + +14. Bracteolata, C. 345. Oppositifolia, C. 492. Speciosa, C. 1790. These +three all purple, and scarcely distinguishable from sweet pease-blossom, +only smaller. + +Stipulacea, C. 1715. Small, and very beautiful, lilac and purple, with a +leaf and mode of growth like rosemary. The "Foxtail" milkwort, whose name I +don't accept, C. 1006, is intermediate between this and the next species. + +15. Mixta, C. 1714. I don't see what mingling is meant, except that it is +just like Erica tetralix in the leaf, only, apparently, having little +four-petalled pinks for blossoms. This appearance is thus botanically +explained. I do not myself understand the description, but copy it, +thinking it may be of use to somebody. "The apex of the carina is expanded +into a two-lobed plain petal, the lobes of which are emarginate. This +appendix is of a bright rose colour, and forms the principal part of the +flower." The describer relaxes, or relapses, into common language so far as +to add that 'this appendix' "dispersed among the green foliage in every +part of the shrub, gives it a pretty lively appearance." + +Perhaps this may also be worth extracting. + +"Carina, deeply channeled, _of a saturated purple_ within, sides folded +together, so as to include and firmly embrace the style and stamens, which, +when arrived at maturity, upon being moved, escape elastically from their +confinement, and strike against the two erect petals or alæ--by which the +pollen is dispersed. + +"Stem shrubby, with long flexile branches." (Length or height not told. I +imagine like an ordinary heath's.) + +The term 'carina,' occurring twice in the above description, is peculiar to +the structure of the pease and milk-worts; we will examine it afterwards. +The European varieties of the milkwort, except the chamæbuxus, are all +minute,--and, their ordinary epithets being at least inoffensive, I give +them for reference till we find prettier ones; altering only the Calcarea, +because we could not have a 'Chalk Juliet,' and two varieties of the +Regina, changed for reason good--her name, according to the last modern +refinements of grace and ease in pronunciation, being Eu-vularis, var. +genuina! My readers may more happily remember her and her sister as +follows:-- + +16. (I.) Giulietta Regina. Pure blue. The same in colour, form, and size, +throughout Europe. + +(II.) Giulietta Soror-Reginæ. Pale, reddish-blue or white in the flower, +and smaller in the leaf, otherwise like the Regina. + +(III.) Giulietta Depressa. The smallest of those I can find drawings of. +Flowers, blue; lilac in the fringe, and no bigger than pins' heads; the +leaves quite gem-like in minuteness and order. + +(IV.) Giulietta Cisterciana. Its present name, 'Calcarea,' is meant, in +botanic Latin, to express its growth on limestone or chalk mountains. But +we might as well call the South Down sheep, Calcareous mutton. My epithet +will rightly associate it with the Burgundian hills round Cluny and +Citeaux. Its ground leaves are much larger than those of the Depressa; the +flower a little larger, but very pale. + +(V.) Giulietta Austriaca. Pink, and very lovely, with bold cluster of +ground leaves, but itself minute--almost dwarf. Called 'small bitter +milkwort' by S. How far distinct from the next following one, Norwegian, is +not told. + +The above five kinds are given by Sowerby as British, but I have never +found the Austriaca myself. + +(VI.) Giulietta Amara. Norwegian. Very quaint in blossom outline, like a +little blue rabbit with long ears. D. 1169. + +17. Nobody tells me why either this last or No. 5 have been called bitter; +and Gerarde's five kinds are distinguished only by colour--blue, red, +white, purple, and "the dark, of an overworn ill-favoured colour, which +maketh it to differ from all others of his kind." I find no account of this +ill-favoured one elsewhere. The white is my Soror Reginæ; the red must be +the Austriaca; but the purple and overworn ones are perhaps now overworn +indeed. All of them must have been more common in Gerarde's time than now, +for he goes on to say "Milk-woort is called _Ambarualis flos_. so called +because it doth specially flourish in the Crosse or Gang-weeke, or +Rogation-weeke, of which flowers, the maidens which use in the countries to +walk the procession do make themselves garlands and nosegaies, in English +we may call it Crosse flower, Gang flower, Rogation flower, and +Milk-woort." + +18. Above, at page 197, vol. i., in first arranging the Cytherides, I too +hastily concluded that the ascription to this plant of helpfulness to +nursing mothers was 'more than ordinarily false'; thinking that its rarity +could never have allowed it to be fairly tried. If indeed true, or in any +degree true, the flower has the best right of all to be classed with the +Cytherides, and we might have as much of it for beauty and for service as +we choose, if we only took half the pains to garnish our summer gardens +with living and life-giving blossom, that we do to garnish our winter +gluttonies with dying and useless ones. + +19. I have said nothing of root, or fruit, or seed, having never had the +hardness of heart to pull up a milkwort cluster--nor the chance of watching +one in seed:--The pretty thing vanishes as it comes, like the blue sky of +April, and leaves no sign of itself--that _I_ ever found. The botanists +tell me that its fruit "dehisces loculicidally," which I suppose is botanic +for "splits like boxes," (but boxes shouldn't split, and didn't, as we used +to make and handle them before railways). Out of the split boxes fall +seeds--too few; and, as aforesaid, the plant never seems to grow again in +the same spot. I should thankfully receive any notes from friends happy +enough to live near milkwort banks, on the manner of its nativity. + +20. Meanwhile, the Thistle, and the Nettle, and the Dock, and the Dandelion +are cared for in their generations by the finest arts of--Providence, shall +we say? or of the spirits appointed to punish our own want of Providence? +May I ask the reader to look back to the seventh chapter of the first +volume, for it contains suggestions of thoughts which came to me at a time +of very earnest and faithful inquiry, set down, I now see too shortly, +under the press of reading they involved, but intelligible enough if they +are read as slowly as they were written, and especially note the paragraph +of summary of p. 121 on the power of the Earth Mother, as Mother, and as +_judge;_ watching and rewarding the conditions which induce adversity and +prosperity in the kingdoms of men: comparing with it carefully the close of +the fourth chapter, p. 85,[27] which contains, for the now recklessly +multiplying classes of artists and colonists, truths essential to their +skill, and inexorable upon their labour. + +21. The pen-drawing facsimiled by Mr. Allen with more than his usual care +in the frontispiece to this number of 'Proserpina,' was one of many +executed during the investigation of the schools of Gothic (German, and +later French), which founded their minor ornamentation on the serration of +the thistle leaf, as the Greeks on that of the Acanthus, but with a +consequent, and often morbid, love of thorny points, and insistance upon +jagged or knotted intricacies of stubborn vegetation, which is connected in +a deeply mysterious way with the gloomier forms of Catholic asceticism.[28] + +22. But also, in beginning 'Proserpina,' I intended to give many +illustrations of the light and shade of foreground leaves belonging to the +nobler groups of thistles, because I thought they had been neglected by +ordinary botanical draughtsmen; not knowing at that time either the +original drawings at Oxford for the 'Flora Græca,' or the nobly engraved +plates executed in the close of the last century for the 'Flora Danica' and +'Flora Londinensis.' The latter is in the most difficult portraiture of the +larger plants, even the more wonderful of the two; and had I seen the +miracles of skill, patience, and faithful study which are collected in the +first and second volumes, published in 1777 and 1798, I believe my own work +would never have been undertaken.[29] Such as it is, however, I may still, +health being granted me, persevere in it; for my own leaf and branch +studies express conditions of shade which even these most exquisite +botanical plates ignore; and exemplify uses of the pen and pencil which +cannot be learned from the inimitable fineness of line engraving. The +frontispiece to this number, for instance, (a seeding head of the commonest +field-thistle of our London suburbs,) copied with a steel pen on smooth +grey paper, and the drawing softly touched with white on the nearer thorns, +may well surpass the effect of the plate. + +23. In the following number of 'Proserpina' I have been tempted to follow, +with more minute notice than usual, the 'conditions of adversity' which, as +they fret the thistle tribe into jagged malice, have humbled the beauty of +the great domestic group of the Vestals into confused likenesses of the +Dragonweed and Nettle: but I feel every hour more and more the necessity of +separating the treatment of subjects in 'Proserpina' from the microscopic +curiosities of recent botanic illustration, nor shall this work close, if +my strength hold, without fulfilling in some sort, the effort begun long +ago in 'Modern Painters,' to interpret the grace of the larger blossoming +trees, and the mysteries of leafy form which clothe the Swiss precipice +with gentleness, and colour with softest azure the rich horizons of England +and Italy. + + * * * * * + +CHAPTER V. + +BRUNELLA. + +1. It ought to have been added to the statements of general law in +irregular flowers, in Chapter I. of this volume, § 6, that if the petals, +while brought into relations of inequality, still retain their perfect +petal form,--and whether broad or narrow, extended or reduced, remain +clearly _leaves_, as in the pansy, pea, or azalea, and assume no grotesque +or obscure outline,--the flower, though injured, is not to be thought of as +corrupted or misled. But if any of the petals lose their definite character +as such, and become swollen, solidified, stiffened, or strained into any +other form or function than that of petals, the flower is to be looked upon +as affected by some kind of constant evil influence; and, so far as we +conceive of any spiritual power being concerned in the protection or +affliction of the inferior orders of creatures, it will be felt to bear the +aspect of possession by, or pollution by, a more or less degraded +Spirit.[30] + +2. I have already enough spoken of the special manifestation of this +character in the orders Contorta and Satyrium, vol. i., p. 91, and the +reader will find the parallel aspects of the Draconidæ dwelt upon at length +in the 86th and 87th paragraphs of the 'Queen of the Air,' where also their +relation to the labiate group is touched upon. But I am far more +embarrassed by the symbolism of that group which I called 'Vestales,' from +their especially domestic character and their serviceable purity; but which +may be, with more convenience perhaps, simply recognizable as 'Menthæ.' + +3. These are, to our northern countries, what the spice-bearing trees are +in the tropics;--our thyme, lavender, mint, marjoram, and their like, +separating themselves not less in the health giving or strengthening +character of their scent from the flowers more or less enervating in +perfume, as the rose, orange, and violet,--than in their humble colours and +forms from the grace and splendour of those higher tribes; thus allowing +themselves to be summed under the general word 'balm' more truly than the +balsams from which the word is derived. Giving the most pure and healing +powers to the air around them; with a comfort of warmth also, being mostly +in dry places, and forming sweet carpets and close turf; but only to be +rightly enjoyed in the open air, or indoors when dried; not tempting any +one to luxury, nor expressive of any kind of exultation. Brides do not deck +themselves with thyme, nor do we wreathe triumphal arches with mint. + +4. It is most notable, also, farther, that none of these flowers have any +extreme beauty in colour. The blue sage is the only one of vivid hue at +all; and we never think of it as for a moment comparable to the violet or +bluebell: thyme is unnoticed beside heath, and many of the other purple +varieties of the group are almost dark and sad coloured among the flowers +of summer; while, so far from gaining beauty on closer looking, there is +scarcely a blossom of them which is not more or less grotesque, even to +ugliness, in outline; and so hooded or lappeted as to look at first like +some imperfect form of snapdragon for the most part spotted also, wrinkled +as if by old age or decay, cleft or torn, as if by violence, and springing +out of calices which, in their clustering spines, embody the general +roughness of the plant. + +5. I take at once for example, lest the reader should think me unkind or +intemperate in my description, a flower very dear and precious to me; and +at this time my chief comfort in field walks. For, now, the reign of all +the sweet reginas of the spring is over--the reign of the silvia and +anemone, of viola and veronica; and at last, and this year abdicated under +tyrannous storm,[31] the reign of the rose. And the last foxglove-bells are +nearly fallen; and over all my fields and by the brooksides are coming up +the burdock, and the coarse and vainly white aster, and the black +knapweeds; and there is only one flower left to be loved among the +grass,--the soft, warm-scented Brunelle. + +6. _P_runell, _or_ Brunell--Gerarde calls it; and Brunella, rightly and +authoritatively, Tournefort; Prunella, carelessly, Linnæus, and idly +following him, the moderns, casting out all the meaning and help of its +name--of which presently. Selfe-heale, Gerarde and Gray call it, in +English--meaning that who has this plant needs no physician. + +7. As I look at it, close beside me, it seems as if it would reprove me for +what I have just said of the poverty of colour in its tribe; for the most +glowing of violets could not be lovelier than each fine purple gleam of its +hooded blossoms. But their flush is broken and oppressed by the dark +calices out of which they spring, and their utmost power in the field is +only of a saddened amethystine lustre, subdued with furry brown. And what +is worst in the victory of the darker colour is the disorder of the +scattered blossoms;--of all flowers I know, this is the strangest, in the +way that here and there, only in their cluster, its bells rise or remain, +and it always looks as if half of them had been shaken off, and the top of +the cluster broken short away altogether. + +8. We must never lose hold of the principle that every flower is meant to +be seen by human creatures with human eyes, as by spiders with spider eyes. +But as the painter may sometimes play the spider, and weave a mesh to +entrap the heart, so the beholder may play the spider, when there are +meshes to be disentangled that have entrapped his mind. I take my lens, +therefore--to the little wonder of a brown wasps' nest with blue-winged +wasps in it,--and perceive therewith the following particulars. + +9. First, that the blue of the petals is indeed pure and lovely, and a +little crystalline in texture; but that the form and setting of them is +grotesque beyond all wonder; the two uppermost joined being like an old +fashioned and enormous hood or bonnet, and the lower one projecting far out +in the shape of a cup or cauldron, torn deep at the edges into a kind of +fringe. + +Looking more closely still, I perceive there is a cluster of stiff white +hairs, almost bristles, on the top of the hood; for no imaginable purpose +of use or decoration--any more than a hearth-brush put for a +helmet-crest,--and that, as we put the flower full in front, the lower +petal begins to look like some threatening viperine or shark-like jaw, +edged with ghastly teeth,--and yet more, that the hollow within begins to +suggest a resemblance to an open throat in which there are two projections +where the lower petal joins the lateral ones, almost exactly like swollen +glands. + +I believe it was this resemblance, inevitable to any careful and close +observer, which first suggested the use of the plant in throat diseases to +physicians; guided, as in those first days of pharmacy, chiefly by +imagination. Then the German name for one of the most fatal of throat +affections, Braune, extended itself into the first name of the plant, +Brunelle. + +10. The truth of all popular traditions as to the healing power of herbs +will be tried impartially as soon as men again desire to lead healthy +lives; but I shall not in 'Proserpina' retain any of the names of their +gathered and dead or distilled substance, but name them always from the +characters of their life. I retain, however, for this plant its name +Brunella, Fr. Brunelle, because we may ourselves understand it as a +derivation from Brune; and I bring it here before the reader's attention as +giving him a perfectly instructive general type of the kind of degradation +which takes place in the forms of flowers under more or less malefic +influence, causing distortion and disguise of their floral structure. Thus +it is not the normal character of a flower petal to have a cluster of +bristles growing out of the middle of it, nor to be jagged at the edge into +the likeness of a fanged fish's jaw, nor to be swollen or pouted into the +likeness of a diseased gland in an animal's throat. A really uncorrupted +flower suggests none but delightful images, and is like nothing but itself. + +11. I find that in the year 1719, Tournefort defined, with exactitude which +has rendered the definition authoritative for all time, the tribe to which +this Brownie flower belongs, constituting them his fourth class, and +describing them in terms even more depreciatingly imaginative than any I +have ventured to use myself. I translate the passage (vol. i., p. 177):-- + +12. "The name of Labiate flower is given to a single-petaled flower which, +beneath, is attenuated into a tube, and above is expanded into a lip, which +is either single or double. It is proper to a labiate flower,--first, that +it has a one-leaved calyx (ut calycem habeat _unifolium_), for the most +part tubulated, or reminding one of a paper hood (cucullum papyraceum); +and, secondly, that its pistil ripens into a fruit consisting of four +seeds, which ripen in the calyx itself, as if in their own seed-vessel, by +which a labiate flower is distinguished from a personate one, whose pistil +becomes a capsule far divided from the calyx (à calyce longò divisam). And +a labiate flower differs from rotate, or bell-shaped flowers, which have +four seeds, in that the lips of a labiate flower have a gape like the face +of a goblin, or ludicrous mask, emulous of animal form." + +13. This class is then divided into four sections. + + In the first, the upper lip is helmeted, or hooked--"galeatum est, vel + falcatum." + In the second, the upper lip is excavated like a spoon--"cochlearis + instar est excavatum." + In the third the upper lip is erect. + And in the fourth there is no upper lip at all. + +The reader will, I hope, forgive me for at once rejecting a classification +of lipped plants into three classes that have lips, and one that has none, +and in which the lips of those that have got any, are like helmets and +spoons. + +Linnaeus, in 1758, grouped the family into two divisions, by the form of +the calyx, (five-fold or two-fold), and then went into the wildest +confusion in distinction of species,--sometimes by the form of corolla, +sometimes by that of calyx, sometimes by that of the filaments, sometimes +by that of the stigma, and sometimes by that of the seed. As, for instance, +thyme is to be identified by the calyx having hairs in its throat, dead +nettle by having bristles in its mouth, lion's tail by having bones in its +anthers (antheræ punctis osseis adspersæ), and teucrium by having its upper +lip cut in two! + +14. St. Hilaire, in 1805, divides again into four sections, but as three of +these depend on form of corolla, and the fourth on abortion of stamens, the +reader may conclude practically, that logical division of the family is +impossible, and that all he can do, or that there is the smallest occasion +for his doing, is first to understand the typical structure thoroughly, and +then to know a certain number of forms accurately, grouping the others +round them at convenient distances; and, finally, to attach to their known +forms such simple names as may be utterable by children, and memorable by +old people, with more ease and benefit than the 'Galeopsis Eu-te-trahit,' +'Lamium Galeobdalon,' or 'Scutellaria Galericulata,'and the like, of modern +botany. But to do this rightly, I must review and amplify some of my former +classification, which it will be advisable to do in a separate chapter. + + * * * * * + +CHAPTER VI. + +MONACHA. + +1. It is not a little vexing to me, in looking over the very little I have +got done of my planned Systema Proserpinæ, to discover a grave mistake in +the specifications of Veronica. It is Veronica chamædrys, not officinalis, +which is our proper English Speedwell, and Welsh Fluellen; and all the +eighth paragraph, p. 74, properly applies to that. Veronica officinalis is +an extremely small flower rising on vertical stems out of recumbent leaves; +and the drawing of it in the Flora Danica, which I mistook for a stunted +northern state, is quite true of the English species,[32] except that it +does not express the recumbent action of the leaves. The proper +representation of ground-leafage has never yet been attempted in any +botanical work whatever, and as, in recumbent plants, their grouping and +action can only be seen from above, the plates of them should always have a +dark and rugged background, not only to indicate the position of the eye, +but to relieve the forms of the leaves as they were intended to be shown. I +will try to give some examples in the course of this year. + +2. I find also, sorrowfully, that the references are wrong in three, if not +more, places in that chapter. S. 971 and 972 should be transposed in p. 72. +S. 294 in p. 74 should be 984. D. 407 should be inserted after Peregrina, +in p. 76; and 203, in fourth line from bottom of p. 78, should be 903. I +wish it were likely that these errors had been corrected by my +readers,--the rarity of the Flora Danica making at present my references +virtually useless: but I hope in time that our public institutes will +possess themselves of copies: still more do I hope that some book of the +kind will be undertaken by English artists and engravers, which shall be +worthy of our own country. + +3. Farther, I get into confusion by not always remembering my own +nomenclature, and have allowed 'Gentianoides' to remain, for No. 16, though +I banish Gentian. It will be far better to call this eastern mountain +species 'Olympica': according to Sibthorpe's localization, "in summâ parte, +nive solutâ, montis Olympi Bithyni," and the rather that Curtis's plate +above referred to shows it in luxuriance to be liker an asphodel than a +gentian. + +4. I have also perhaps done wrong in considering Veronica polita and +agrestis as only varieties, in No. 3. No author tells me why the first is +called polite, but its blue seems more intense than that of agrestis; and +as it is above described with attention, vol. i., p. 75, as an example of +precision in flower-form, we may as well retain it in our list here. It +will be therefore our twenty-first variety,--it is Loudon's fifty-ninth and +last. He translates 'polita' simply 'polished,' which is nonsense. I can +think of nothing to call it but 'dainty,' and will leave it at present +unchristened. + +5. Lastly. I can't think why I omitted V. Humifusa, S. 979, which seems to +be quite one of the most beautiful of the family--a mountain flower also, +and one which I ought to find here; but hitherto I know only among the +mantlings of the ground, V. thymifolia and officinalis. All these, however, +agree in the extreme prettiness and grace of their crowded leafage,--the +officinalis, of which the leaves are shown much too coarsely serrated in S. +984, forming carpets of finished embroidery which I have never yet rightly +examined, because I mistook them for St. John's wort. They are of a +beautiful pointed oval form, serrated so finely that they seem smooth in +distant effect, and covered with equally invisible hairs, which seem to +collect towards the edge in the variety Hirsuta, S. 985. + +For the present, I should like the reader to group the three flowers, S. +979, 984, 985, under the general name of Humifusa, and to distinguish them +by a third epithet, which I allow myself when in difficulties, thus: + + V. Humifusa, cærulea, the beautiful blue one, which resembles + Spicata. + V. Humifusa, officinalis, and, + V. Humifusa, hirsuta: the last seems to me extremely interesting, and I + hope to find it and study it carefully. + +By this arrangement we shall have only twenty-one species to remember: the +one which chiefly decorates the ground again dividing into the above three. + +6. These matters being set right, I pass to the business in hand, which is +to define as far as possible the subtle relations between the Veronicas and +Draconidæ, and again between these and the tribe at present called labiate. +In my classification above, vol. i, p. 200, the Draconidæ include the +Nightshades; but this was an oversight. Atropa belongs properly to the +following class, Moiridæ; and my Draconids are intended to include only the +two great families of Personate and Ringent flowers, which in some degree +resemble the head of an animal: the representative one being what we call +'snapdragon,' but the French, careless of its snapping power, 'calf's +muzzle'--"Muflier, muflande, or muffle de Veau."--Rousseau, 'Lettres,' p. +19. + +7. As I examine his careful and sensible plates of it, I chance also on a +bit of his text, which, extremely wise and generally useful, I translate +forthwith:-- + +"I understand, my dear, that one is vexed to take so much trouble without +learning the names of the plants one examines; but I confess to you in good +faith that it never entered into my plan to spare you this little chagrin. +One pretends that Botany is nothing but a science of words, which only +exercises the memory, and only teaches how to give plants names. For me, I +know _no_ rational study which is only a science of words: and to which of +the two, I pray you, shall I grant the name of botanist,--to him who knows +how to spit out a name or a phrase at the sight of a plant, without knowing +anything of its structure, or to him who, knowing that structure very well, +is ignorant nevertheless of the very arbitrary name that one gives to the +plant in such and such a country? If we only gave to your children an +amusing occupation, we should miss the best half of our purpose, which is, +in amusing them, to exercise their intelligence and accustom them to +attention. Before teaching them to name what they see, let us begin by +teaching them to see it. _That_ science, forgotten in all educations, ought +to form the most important part of theirs. I can never repeat it often +enough--teach them never to be satisfied with words, ('se payer de mots') +and to hold themselves as knowing nothing of what has reached no farther +than their memories." + +8. Rousseau chooses, to represent his 'Personees,' La Mufflaude, la +Linaire, l'Euphraise, la Pediculaire, la Crête-de-coq, l'Orobanche, la +Cimbalaire, la Velvote, la Digitale, giving plates of snapdragon, foxglove, +and Madonna-herb, (the Cimbalaire), and therefore including my entire class +of Draconidæ, whether open or close throated. But I propose myself to +separate from them the flower which, for the present, I have called +Monacha, but may perhaps find hereafter a better name; this one, which is +the best Latin I can find for a nun of the desert, being given to it +because all the resemblance either to calf or dragon has ceased in its rosy +petals, and they resemble--the lower ones those of the mountain thyme, and +the upper one a softly crimson cowl or hood. + +9. This beautiful mountain flower, at present, by the good grace of +botanists, known as Pedicularis, from a disease which it is supposed to +give to sheep, is distinguished from all other Draconidæ by its beautifully +divided leaves: while the flower itself, like, as aforesaid, thyme in the +three lower petals, rises in the upper one quite upright, and terminates in +the narrow and peculiar hood from which I have named it 'Monacha.' + +10. Two deeper crimson spots with white centres animate the colour of the +lower petals in our mountain kind---mountain or morass;--it is vilely drawn +in S. 997 under the name of Sylvatica, translated 'Procumbent'! As it is +neither a wood flower nor a procumbent one,[33] and as its rosy colour is +rare among morass flowers, I shall call it simply Monacha Rosea. + +I have not the smallest notion of the meaning of the following sentence in +S.:--"Upper lip of corolla not rostrate, with the margin on each side +furnished with a triangular tooth immediately below the apex, but without +any tooth below the middle." Why, or when, a lip is rostrate, or has any +'tooth below the middle,' I do not know; but the upper _petal_ of the +corolla is here a very close gathered hood, with the style emergent +downwards, and the stamens all hidden and close set within. + +In this action of the upper petal, and curve of the style, the flower +resembles the Labiates,[34] and is the proper link between them and the +Draconidæ. The capsule is said by S. to be oval-ovoid. As eggs always _are_ +oval, I don't feel farther informed by the epithet. The capsule and seed +both are of entirely indescribable shapes, with any number of sides--very +foxglove-like, and inordinately large. The seeds of the entire family are +'ovoid-subtrigonous.'--S. + +11. I find only two species given as British by S., namely, Sylvatica and +Palustris; but I take first for the Regina, the beautiful Arctic species D. +1105, Flora Suecica, 555. Rose-coloured in the stem, pale pink in the +flowers (corollæ pallide incarnatæ), the calices furry against the cold, +whence the present ugly name, Hirsuta. Only on the highest crests of the +Lapland Alps. + +(2) Rosea, D. 225, there called Sylvatica, as by S., presumably because "in +pascuis subhumidis non raræ." Beautifully drawn, but, as I have described +it, vigorously erect, and with no decumbency whatever in any part of it. +Root branched, and enormous in proportion to plant, and I fancy therefore +must be good for something if one knew it. But Gerarde, who calls the plant +Red Rattle, (it having indeed much in common with the Yellow Rattle), says, +"It groweth in moist and moorish meadows; the herbe is not only +unprofitable, but likewise hurtful, and an infirmity of the meadows." + +(3) Palustris, D. 2055, S. 996--scarcely any likeness between the plates. +"Everywhere in the meadows," according to D. I leave the English name, +Marsh Monacha, much doubting its being more marshy than others. + +12. I take next (4 and 5) two northern species, Lapponica, D. 2, and +Grönlandica, D. 1166; the first yellow, the second red, both beautiful. The +Lap one has its divided leaves almost united into one lovely spear-shaped, +single leaf. The Greenland one has its red hood much prolonged in front. + +(6) Ramosa, also a Greenland species; yellow, very delicate and beautiful. +Three stems from one root, but may be more or fewer, I suppose. + +13. (7) Norvegica, a beautifully clustered golden flower, with thick stem. +D. 30, the only locality given being the Dovrefeldt. "Alpina" and "Flammea" +are the synonyms, but I do not know it on the Alps, and it is no more +flame-coloured than a cowslip. + +Both the Lapland and Norwegian flowers are drawn with their stems wavy, +though upright--a rare and pretty habit of growth. + +14. (8) Suecica, D. 26, named awkwardly Sceptrum Carolinum, in honour of +Charles XII. It is the largest of all the species drawn in D., and +contrasts strikingly with (4) and (5) in the strict uprightness of its +stem. The corolla is closed at the extremity, which is red; the body of the +flower pale yellow. Grows in marshy and shady woods, near Upsal. Linn., +Flora Suecica, 553. + +The many-lobed but united leaves, at the root five or six inches long, are +irregularly beautiful. + +15. These eight species are all I can specify, having no pictures of the +others named by Loudon,--eleven, making nineteen altogether, and I wish I +could find a twentieth and draw them all, but the reader may be well +satisfied if he clearly know these eight. The group they form is an +entirely distinct one, exactly intermediate between the Vestals and +Draconids, and cannot be rightly attached to either; for it is Draconid in +structure and affinity--Vestal in form--and I don't see how to get the +connection of the three families rightly expressed without taking the +Draconidæ out of the groups belonging to the dark Kora, and placing them +next the Vestals, with the Monachæ between; for indeed Linaria and several +other Draconid forms are entirely innocent and beautiful, and even the +Foxglove never does any real mischief like hemlock, while decoratively it +is one of the most precious of mountain flowers. I find myself also +embarrassed by my name of Vestals, because of the masculine groups of Basil +and Thymus, and I think it will be better to call them simply Menthæ, and +to place them with the other cottage-garden plants not yet classed, taking +the easily remembered names Mentha, Monacha, Draconida. This will leave me +a blank seventh place among my twelve orders at p. 194, vol. i., which I +think I shall fill by taking cyclamen and anagillis out of the Primulaceæ, +and making a separate group of them. These retouchings and changes are +inevitable in a work confessedly tentative and suggestive only; but in +whatever state of imperfection I may be forced to leave 'Proserpina,' it +will assuredly be found, up to the point reached, a better foundation for +the knowledge of flowers in the minds of young people than any hitherto +adopted system of nomenclature. + +16. Taking then this re-arranged group, Mentha, Monacha, and Draconida, as +a sufficiently natural and convenient one, I will briefly give the +essentially botanical relations of the three families. + +Mentha and Monacha agree in being essentially hooded flowers, the upper +petal more or less taking the form of a cup, helmet or hood, which conceals +the tops of the stamens. Of the three lower petals, the lowest is almost +invariably the longest; it sometimes is itself divided again into two, but +may be best thought of as single, and with the two lateral ones, +distinguished in the Menthæ as the apron and the side pockets. + +Plate XII. represents the most characteristic types of the blossoms of +Menthæ, in the profile and front views, all a little magnified. The upper +two are white basil, purple spotted--growing here at Brantwood always with +two terminal flowers. The two middle figures are the purple-spotted dead +nettle, Lamium maculatum; and the two lower, thyme: but I have not been +able to draw these as I wanted, the perspectives of the petals being too +difficult, and inexplicable to the eye even in the flowers themselves +without continually putting them in changed positions. + +17. The Menthæ are in their structure essentially quadrate plants; their +stems are square, their leaves opposite, their stamens either four or two, +their seeds two-carpeled. But their calices are five-sepaled, falling into +divisions of two and three; and the flowers, though essentially +four-petaled, may divide either the upper or lower petal, or both, into two +lobes, and so present a six-lobed outline. The entire plants, but chiefly +the leaves, are nearly always fragrant, and always innocent. None of them +sting, none prick, and none poison. + +18. The Draconids, easily recognizable by their aspect, are botanically +indefinable with any clearness or simplicity. The calyx may be five- or +four-sepaled; the corolla, five- or four-lobed; the stamens may be two, +four, four with a rudimentary fifth, or five with the two anterior ones +longer than the other three! The capsule may open by two, three, or four +valves,--or by pores; the seeds, generally numerous, are sometimes +solitary, and the leaves may be alternate, opposite, or verticillate. + +19. Thus licentious in structure, they are also doubtful in disposition. +None that I know of are fragrant, few useful, many more or less malignant, +and some parasitic. The following piece of a friend's letter almost makes +me regret my rescue of them from the dark kingdom of Kora:-- + + "... And I find that the Monacha Rosea (Red Rattle is its name, besides + the ugly one) is a perennial, and several of the other draconidæ, + foxglove, etc., are biennials, born this year, flowering and dying next + year, and the size of roots is generally proportioned to the life of + plants; except when artificial cultivation develops the root specially, + as in turnips, etc. Several of the Draconidæ are parasites, and suck + the roots of other plants, and have only just enough of their own to + catch with. The Yellow Rattle is one; it clings to the roots of the + grasses and clovers, and no cultivation will make it thrive without + them. My authority for this last fact is Grant Allen; but I have + observed for myself that the Yellow Rattle has very small _white_ + sucking roots, and no earth sticking to them. The toothworts and broom + rapes are Draconidæ, I think, and wholly parasites. Can it be that the + Red Rattle is the one member of the family that has 'proper pride, and + is self supporting'? the others are mendicant orders. We had what we + choose to call the Dorcas flower show yesterday, and we gave, as usual, + prizes for wild flower bouquets. I tried to find out the local names of + several flowers, but they all seemed to be called 'I don't know, + ma'am.' I would not allow this name to suffice for the red poppy, and I + said 'This red flower _must_ be called _something_--tell me what you + call it?' A few of the audience answered 'Blind Eyes.' Is it because + they have to do with sleep that they are called Blind Eyes--or because + they are dazzling?" + +20. I think, certainly, from the dazzling, which sometimes with the poppy, +scarlet geranium, and nasturtium, is more distinctly oppressive to the eye +than a real excess of light. + +I will certainly not include among my rescued Draconidæ, the parasitic +Lathræa and Orobanche; and cannot yet make certain of any minor +classification among those which I retain,--but, uniting Bartsia with +Euphrasia, I shall have, in the main, the three divisions Digitalis, +Linaria, Euphrasia, and probably separate the moneyworts as links with +Veronica, and Rhinanthus as links with Lathræa. + +And as I shall certainly be unable this summer, under the pressure of +resumed work at Oxford, to spend time in any new botanical investigations, +I will rather try to fulfil the promise given in the last number, to +collect what little I have been able hitherto to describe or ascertain, +respecting the higher modes of tree structure. + + * * * * * + +CHAPTER VII. + +SCIENCE IN HER CELLS. + + [The following chapter has been written six years. It was delayed in + order to complete the promised clearer analysis of stem-structure; + which, after a great deal of chopping, chipping, and peeling of my oaks + and birches, came to reverently hopeless pause. What is here done may + yet have some use in pointing out to younger students how they may + simplify their language, and direct their thoughts, so as to attain, in + due time, to reverent hope.] + +1. The most generally useful book, to myself, hitherto, in such little time +as I have for reading about plants, has been Lindley's 'Ladies' Botany'; +but the most rich and true I have yet found in illustration, the 'Histoire +des Plantes,'[35] by Louis Figuier. I should like those of my readers who +can afford it to buy both these books; the first named, at any rate, as I +shall always refer to it for structural drawings, and on points of doubtful +classification; while the second contains much general knowledge, expressed +with some really human intelligence and feeling; besides some good and +singularly _just_ history of botanical discovery and the men who guided it. +The botanists, indeed, tell me proudly, "Figuier is no authority." But who +wants authority! Is there nothing known yet about plants, then, which can +be taught to a boy or girl, without referring them to an 'authority'? + +I, for my own part, care only to gather what Figuier can teach concerning +things visible, to any boy or girl, who live within reach of a bramble +hedge, or a hawthorn thicket, and can find authority enough for what they +are told, in the sticks of them. + +2. If only _he_ would, or could, tell us clearly that much; but like other +doctors, though with better meaning than most, he has learned mainly to +look at things with a microscope,--rarely with his eyes. And I am sorry to +see, on re-reading this chapter of my own, which is little more than an +endeavour to analyze and arrange the statements contained in his second, +that I have done it more petulantly and unkindly than I ought; but I can't +do all the work over again, now,--more's the pity. I have not looked at +this chapter for a year, and shall be sixty before I know where I am;--(I +find myself, instead, now, sixty-four!) + +3. But I stand at once partly corrected in this second chapter of +Figuier's, on the 'Tige,' French from the Latin 'Tignum,' which +'authorities' say is again from the Sanscrit, and means 'the thing hewn +with an axe'; anyhow it is modern French for what we are to call the stem +(§ 12, p. 136). + +"The tige," then, begins M. Louis, "is the axis of the ascending system of +a vegetable, and it is garnished at intervals with vital knots, (eyes,) +from which spring leaves and buds, disposed in a perfectly regular order. +The root presents nothing of the kind. This character permits us always to +distinguish, in the vegetable axis, what belongs really to the stem, and +what to the root." + +4. Yes; and that is partly a new idea to me, for in this power of +_assigning their order_ for the leaves, the stem seems to take a royal or +commandant character, and cannot be merely defined as the connexion of the +leaf with the roots. + +In _it_ is put the spirit of determination. One cannot fancy the little +leaf, as it is born, determining the point it will be born at: the +governing stem must determine that for it. Also the disorderliness of the +root is to be noted for a condition of its degradation, no less than its +love, and need, of Darkness. + +Nor was I quite right (above, § 15, p. 139) in calling the stem _itself_ +'spiral': it is itself a straight-growing rod, but one which, as it grows, +lays the buds of future leaves round it in a spiral order, like the +bas-relief on Trajan's column. + +I go on with Figuier: the next passage is very valuable. + +5. "The tige is the part of plants which, directed into the air, supports, +and _gives growing power to_, the branches, the twigs, the leaves, and the +flowers. The form, strength, and direction of the tige depend on the part +that each plant has to play among the vast vegetable population of our +globe. Plants which need for their life a pure and often-renewed air, are +borne by a straight tige, robust and tall. When they have need only of a +moist air, more condensed, and more rarely renewed, when they have to creep +on the ground or glide in thickets, the tiges are long, flexible, and +dragging. If they are to float in the air, sustaining themselves on more +robust vegetables, they are provided with flexible, slender, and supple +tiges." + +6. Yes; but in that last sentence he loses hold of his main idea, and to me +the important one,--namely, the connexion of the form of stem with the +quality of the air it requires. And that idea itself is at present vague, +though most valuable, to me. A strawberry creeps, with a flexible stem, but +requires certainly no less pure air than a wood-fungus, which stands up +straight. And in our own hedges and woods, are the wild rose and +honeysuckle signs of unwholesome air? + + "And honeysuckle loved to crawl + Up the lone crags and ruined wall. + I deemed such nooks the sweetest shade + The sun in all his round surveyed." + +It seems to me, in the nooks most haunted by honeysuckle in my own wood, +that the reason for its twining is a very feminine one,--that it likes to +twine; and that all these whys and wherefores resolve themselves at last +into--what a modern philosopher, of course, cannot understand--caprice.[36] + +7. Farther on, Figuier, quoting St. Hilaire, tells us, of the creepers in +primitive forests,--"Some of them resemble waving ribands, others coil +themselves and describe vast spirals; they droop in festoons, they wind +hither and thither among the trees, they fling themselves from one to +another, and form masses of leaves and flowers in which the observer is +often at a loss to discover on which plant each several blossom grows." + +For all this, the real reasons will be known only when human beings become +reasonable. For, except a curious naturalist or wistful missionary, no +Christian has trodden the labyrinths of delight and decay among these +garlands, but men who had no other thought than how to cheat their savage +people out of their gold, and give them gin and smallpox in exchange. But, +so soon as true servants of Heaven shall enter these Edens, and the Spirit +of God enter with them, another spirit will also be breathed into the +physical air; and the stinging insect, and venomous snake, and poisonous +tree, pass away before the power of the regenerate human soul. + +8. At length, on the structure of the tige, Figuier begins his real work, +thus:--- + +"A glance of the eye, thrown on the section of a log of wood destined for +warming, permits us to recognize that the tige of the trees of our forests +presents three essential parts, which are, in going from within to without, +the pith, the wood, and the bark. The pith, (in French, marrow,) forms a +sort of column in the centre of the woody axis. In very thick and old stems +its diameter appears very little; and it has even for a long time been +supposed that the marrow ends by disappearing altogether from the stems of +old trees. But it does nothing of the sort;[37] and it is now ascertained, +by exact measures, that its diameter remains sensibly invariable[38] from +the moment when the young woody axis begins to consolidate itself, to the +epoch of its most complete development." + +So far, so good; but what does he mean by the complete development of the +young _woody_ axis? When does the axis become 'wooden,' and how far up the +tree does he call it an axis? If the stem divides into three branches, +which is the axis? And is the pith in the trunk no thicker than in each +branch? + +9. He proceeds to tell us, "The marrow is formed by a reunion of +cells."--Yes, and so is Newgate, and so was the Bastille. But what does it +matter whether the marrow is made of a reunion of cells, or cellars, or +walls, or floors, or ceilings? I want to know what's the use of it? why +doesn't it grow bigger with the rest of the tree? when _does_ the tree +'consolidate itself'? when is it finally consolidated? and how can there be +always marrow in it when the weary frame of its age remains a mere scarred +tower of war with the elements, full of dust and bats? + +[Illustration: FIG. 24.] + +'He will tell you if only you go on patiently,' thinks the reader. He will +not! Once your modern botanist gets into cells, he stays in them. Hear how +he goes on!--"This cell is a sort of sack; this sack is completely closed; +sometimes it is empty, sometimes it"--is full?--no, that would be +unscientific simplicity: sometimes it "conceals a matter in its interior." +"The marrow of young trees, such as it is represented in Figure 24 +(Figuier, Figs. 38, 39, p. 42), is nothing else"--(indeed!)--"than an +aggregation of cells, which, first of spherical form, have become +polyhedric by their increase and mutual compression." + +10. Now these figures, 38 and 39, which profess to represent this change, +show us sixteen oval cells, such as at A, (Fig. 24) enlarged into thirteen +larger, and flattish, hexagons!--B, placed at a totally different angle. + +And before I can give you the figure revised with any available accuracy, I +must know why or how the cells are enlarged, and in what direction. + +Do their walls lengthen laterally when they are empty, or does the +'matière' inside stuff them more out, (itself increased from what sources?) +when they are full? In either case, during this change from circle to +hexagon, is the marrow getting thicker without getting longer? If so, the +change in the angle of the cells is intentional, and probably is so; but +the number of cells should have been the same: and further, the term +'hexagonal' can only be applied to the _section_ of a tubular cell, as in +honeycomb, so that the floor and ceiling of our pith cell are left +undescribed. + +11. Having got thus much of (partly conjectural) idea of the mechanical +structure of marrow, here follows the solitary vital, or mortal, fact in +the whole business, given in one crushing sentence at the close:--- + +"The medullary tissue" (first time of using this fine phrase for the +marrow,--why can't he say marrowy tissue--'tissue moelleuse'?) "appears +very early struck with atony," ('atonic,' want of tone,) "above all, in its +central parts." And so ends all he has to say for the present about the +marrow! and it never appears to occur to him for a moment, that if indeed +the noblest trees live all their lives in a state of healthy and robust +paralysis, it is a distinction, hitherto unheard of, between vegetables and +animals! + +12. Two pages farther on, however, (p. 45,) we get more about the marrow, +and of great interest,--to this effect, for I must abstract and complete +here, instead of translating. + +"The marrow itself is surrounded, as the centre of an electric cable is, by +its guarding threads--that is to say, by a number of cords or threads +coming between it and the wood, and differing from all others in the tree. + +"The entire protecting cylinder composed of them has been called the +'étui,' (or needle-case,) of the marrow. But each of the cords which +together form this étui, is itself composed of an almost infinitely +delicate thread twisted into a screw, like the common spring of a +letter-weigher or a Jack-in-the-box, but of exquisite fineness." Upon this, +two pages and an elaborate figure are given to these 'trachées'--tracheas, +the French call them,--and we are never told the measure of them, either in +diameter or length,[39] and still less, the use of them! + +I collect, however, in my thoughts, what I have learned thus far. + +13. A tree stem, it seems, is a growing thing, cracked outside, because its +skin won't stretch, paralysed inside, because its marrow won't grow, but +which continues the process of its life somehow, by knitted nerves without +any nervous energy in them, protected by spiral springs without any spring +in them. + +Stay--I am going too fast. That coiling is perhaps prepared for some kind +of uncoiling; and I will try if I can't learn something about it from some +other book--noticing, as I pause to think where to look, the advantage of +our English tongue in its pithy Saxon word, 'pith,' separating all our +ideas of vegetable structure clearly from animal; while the poor Latin and +French must use the entirely inaccurate words 'medulla' and 'moelle'; all, +however, concurring in their recognition of a vital power of some essential +kind in this white cord of cells: "Medulla, sive illa vitalis anima est, +ante se tendit, longitudinem impellens." (Pliny, 'Of the Vine,' liber X., +cap. xxi.) 'Vitalis anima'--yes--_that_ I accept; but 'longitudinem +impellens,' I pause at; being not at all clear, yet, myself, about any +impulsive power in the pith.[40] + +14. However, I take up first, and with best hope, Dr. Asa Gray, who tells +me (Art. 211) that pith consists of parenchyma, 'which is at first gorged +with sap,' but that many stems expand so rapidly that their pith is torn +into a mere lining or into horizontal plates; and that as the stem grows +older, the pith becomes dry and light, and is 'then of no farther use to +the plant.' But of what use it ever was, we are not informed; and the +Doctor makes us his bow, so far as the professed article on pith goes; but, +farther on, I find in his account of 'Sap-wood,' (Art. 224.) that in the +germinating plantlet, the sap 'ascends first through the parenchyma, +especially through its central portion or pith.' Whereby we are led back to +our old question, what sap is, and where it comes from, with the now +superadded question, whether the young pith is a mere succulent sponge, or +an active power, and constructive mechanism, nourished by the abundant sap: +as Columella has it,-- + +"Naturali enim spiritu omne alimentum virentis quasi quædam anima, per +_medullam_ trunci veluti per siphonem, trahitur in summum."[41] + +As none of these authors make any mention of a _communication_ between the +cells of the pith, I conclude that the sap they are filled with is taken up +by them, and used to construct their own thickening tissue. + +15. Next, I take Balfour's 'Structural Botany,' and by his index, under the +word 'Pith,' am referred to his articles 8, 72, and 75. In article 8, +neither the word pith, nor any expression alluding to it, occurs. + +In article 72, the stem of an outlaid tree is defined as consisting of +'pith, fibro-vascular and [42] woody tissue, medullary rays, bark, and +epidermis.' + +A more detailed statement follows, illustrated by a figure surrounded by +twenty-three letters--namely, two _b_ s, three _c_ s, four _e_ s, three _f_ +s, one _l_, four _m_ s, three _p_ s, one _r_, and two _v_ s. + +Eighteen or twenty minute sputters of dots may, with a good lens, be +discerned to proceed from this alphabet, and to stop at various points, or +lose themselves in the texture, of the represented wood. And, knowing now +something of the matter beforehand, guessing a little more, and gleaning +the rest with my finest glass, I achieve the elucidation of the figure, to +the following extent, explicable without letters at all, by my more simple +drawing, Figure 25. + +16. (1) The inner circle full of little cells, diminishing in size towards +the outside, represents the pith, 'very large at this period of the +growth'--(the first year, we are told in next page,) and 'very large'--he +means in proportion to the rest of the branch. _How_ large he does not say, +in his text, but states, in his note, that the figure is magnified 26 +diameters. I have drawn mine by the more convenient multiplier of 30, and +given the real size at B, _according to Balfour_:--but without believing +him to be right. I never saw a maple stem of the first year so small. + +[Illustration: FIG. 25.] + +(2) The black band with white dots round the marrow, represents the +marrow-sheath. + +(3) From the marrow-sheath run the marrow-rays 'dividing the vascular +circle into numerous compact segments.' A 'ray' cannot divide anything into +a segment. Only a partition, or a knife, can do that. But we shall find +presently that marrow _rays_ ought to be called marrow-_plates_, and are +really mural, forming more or less continuous partitions. + +(4) The compact segments 'consist of woody vessels and of porous vessels.' +This is the first we have heard of woody _vessels_! He means the '_fibres_ +ligneux' of Figuier; and represents them in each compartment, as at C (Fig. +25). without telling us why he draws the woody vessels as radiating. They +appear to radiate, indeed, when wood is sawn across, but they are really +upright. + +(5) A moist layer of greenish cellular tissue called the cambium +layer--black in Figure 25--and he draws it in flat arches, without saying +why. + +(6), (7), (8) Three layers of bark (called in his note Endophloeum; +Mesophloeum, and Epiphloeum!) with 'laticiferous vessels.' [43] + +(9) Epidermis. The three layers of bark being separated by single lines, I +indicate the epidermis by a double one, with a rough fringe outside, and +thus we have the parts of the section clearly visible and distinct for +discussion, so far as this first figure goes,--without wanting one letter +of all his three and twenty! + +17. But on the next page, this ingenious author gives us a new figure, +which professes to represent the same order of things in a longitudinal +section; and in retracing that order sideways, instead of looking down, he +not only introduces new terms, but misses one of his old layers in doing +so,--thus: + +His order, in explaining Figure 96, contains, as above, nine members of the +tree stem. + +But his order, in explaining Figure 97, contains only eight, thus: + +(1) The pith. (2) Medullary sheath. Circles. + +(3) Medullary ray = a Radius. + +(4) Vascular zone, with woody _fibres_ (not now vessels!) The fibres are +composed of spiral, annular, pitted, and other vessels. + +(5) Inner bark or 'liber,' with layer of cambium cells. + +(6) Second layer of bark, or 'cellular envelope,' with laticiferous +vessels. + +(7) Outer or tuberous layer of bark. + +(8) Epidermis. + +Doing the best I can to get at the muddle-headed gentleman's meaning, it +appears, by the lettering of his Figure 97, my 25 above, that the 'liber,' +number 5, contains the cambium layer in the middle of it. The part of the +liber between the cambium and the wood is not marked in Figure 96;--but the +cambium is number 5, and the liber outside of it is number 6,--the +Endophloeum of his note. + +[Illustration: FIG. 26.] + +Having got himself into this piece of lovely confusion, he proceeds to give +a figure of the wood in the second year, which I think he has borrowed, +without acknowledgment, from Figuier, omitting a piece of Figuier's woodcut +which is unexplained in Figuier's text. I will spare my readers the work I +have had to do, in order to get the statements on either side clarified: +but I think they will find, if they care to work through the wilderness of +the two authors' wits, that this which follows is the sum of what they have +effectively to tell us; with the collated list of the main questions they +leave unanswered--and, worse, unasked. + +18. An ordinary tree branch, in transverse section, consists essentially of +three parts only,--the Pith, Wood, and Bark. + +The pith is in full animation during the first year--that is to say, during +the actual shooting of the wood. We are left to infer that in the second +year, the pith of the then unprogressive shoot becomes collective only, not +formative; and that the pith of the new shoot virtually energizes the new +wood in its deposition beside the old one. Thus, let _a b_, Figure 26, be a +shoot of the first year, and _b c_ of the second. The pith remains of the +same thickness in both, but that of the new shoot is, I suppose, chiefly +active in sending down the new wood to thicken the old one, which is +collected, however, and fastened by the extending pith-rays below. You see, +I have given each shoot four fibres of wood for its own; then the four +fibres of the upper one send out two to thicken the lower: the pith-rays, +represented by the white transverse claws, catch and gather all together. +Mind, I certify nothing of this to you; but if this do not happen,--let the +botanists tell you what _does_. + +19. Secondly. The wood, represented by these four lines, is to be always +remembered as consisting of fibres and vessels; therefore it is called +'vascular,' a word which you may as well remember (though rarely needed in +familiar English), with its roots, _vas_, a vase, and _vasculum_, a little +vase or phial. 'Vascule' may sometimes be allowed in botanical descriptions +where 'cell' is not clear enough; thus, at present, we find our botanists +calling the pith 'cellular' but the wood 'vascular,' with, I think, the +implied meaning that a 'vascule,' little or large, is a long thing, and has +some liquid in it, while a 'cell' is a more or less round thing, and to be +supposed empty, unless described as full. But what liquid fills the +vascules of the wood, they do not tell us.[44] I assume that they absorb +water, as long as the tree lives. + +[Illustration: FIG. 27.] + +20. Wood, whether vascular or fibrous, is however formed, in outlaid +plants, first outside of the pith, and then, in shoots of the second year, +outside of the wood of the first, and in the third year, outside of the +wood of the second; so that supposing the quantity of wood sent down from +the growing shoot distributed on a flat plane, the structure in the third +year would be as in Figure 27. But since the new wood is distributed all +round the stem, (in successive cords or threads, if not at once), the +increase of substance after a year or two would be untraceable, unless more +shoots than one were formed at the extremity of the branch. Of actual bud +and branch structure, I gave introductory account long since in the fifth +volume of 'Modern Painters.'[45] to which I would now refer the reader; but +both then, and to-day, after twenty years' further time allowed me, I am +unable to give the least explanation of the mode in which the wood is +really added to the interior stem. I cannot find, even, whether this is +mainly done in springtime, or in the summer and autumn, when the young +suckers form on the wood; but my impression is that though all the several +substances are added annually, a little more pith going to the edges of the +pith-plates, and a little more bark to the bark, with a great deal more +wood to the wood,--there is a different or at least successive period for +each deposit, the carrying all these elements to their places involving a +fineness of basket work or web work in the vessels, which neither +microscope nor dissecting tool can disentangle. The result on the whole, +however, is practically that we have, outside the wood, always a mysterious +'cambium layer,' and then some distinctions in the bark itself, of which we +must take separate notice. + +21. Of Cambium, Dr. Gray's 220th article gives the following account. "It +is not a distinct substance, but a layer of delicate new cells full of sap. +The inner portion of the cambium layer is, therefore, nascent wood, and the +outer nascent bark. As the cells of this layer multiply, the greater number +lengthen vertically into _prosenchyma_, or woody tissue, while some are +transformed into ducts" (wood vessels?) "and others remaining as +_parenchyma_, continue the medullary rays, or commence new ones." Nothing +is said here of the part of the cambium which becomes bark: but at page +128, the thin walled cells of the bark are said to be those of ordinary +'parenchyma,' and in the next page a very important passage occurs, which +must have a paragraph to itself. I close the present one with one more +protest against the entirely absurd terms 'par-enchyma,' for common +cellular tissue, 'pros-enchyma,' for cellular tissue with longer +cells;--'cambium' for an early state of _both_, and 'diachyma' for a +peculiar position of _one_![46] while the chemistry of all these substances +is wholly neglected, and we have no idea given us of any difference in +pith, wood, and bark, than that they are made of short or long--young or +old--cells! + +22. But in Dr. Gray's 230th article comes this passage of real value. +(Italics mine--all.) "While the newer layers of the wood abound in _crude_ +sap, which they convey to the leaves, those of the inner bark abound in +_elaborated_ sap, which _they receive from the leaves_, and convey to the +_cambium_ layer, or _zone of growth_. The proper juices and peculiar +products of plants are accordingly found in the foliage and bark, +especially the latter. In the bark, therefore, either of the stem or root, +medicinal and other principles are usually to be sought, rather than in the +wood. Nevertheless, as the wood is kept in connection with the bark by the +medullary rays, many products which probably originate in the former are +deposited in the wood." + +23. Now, at last, I see my way to useful summary of the whole, which I had +better give in a separate chapter: and will try in future to do the +preliminary work of elaboration of the sap from my authorities, above +shown, in its process, to the reader, without making so much fuss about it. +But, I think in this case, it was desirable that the floods of pros-, par-, +peri-, dia-, and circumlocution, through which one has to wade towards any +emergent crag of fact in modern scientific books, should for once be seen +in the wasteful tide of them; that so I might finally pray the younger +students who feel, or remember, their disastrous sway, to cure themselves +for ever of the fatal habit of imagining that they know more of anything +after naming it unintelligibly, and thinking about it impudently, than they +did by loving sight of its nameless being, and in wise confession of its +boundless mystery. + + * * * * * + +In re-reading the text of this number I can secure my young readers of some +things left doubtful, as, for instance, in their acceptance of the word +'Monacha,' for the flower described in the sixth chapter. I have used it +now habitually too long to part with it myself, and I think it will be +found serviceable and pleasurable by others. Neither shall I now change the +position of the Draconidae, as suggested at p. 118, but keep all as first +planned. See among other reasons for doing so the letter quoted in p. 121. + +I also add to the plate originally prepared for this number, one showing +the effect of Veronica officinalis in decoration of foreground, merely by +its green leaves; see the paragraphs 1 and 5 of Chapter VI. I have not +represented the fine serration of the leaves, as they are quite invisible +from standing height: the book should be laid on the floor and looked down +on, without stooping, to see the effect intended. And so I gladly close +this long-lagging number, hoping never to write such a tiresome chapter as +this again, or to make so long a pause between any readable one and its +sequence. + + * * * * * + +NOTES + +[1] Vol. i., p. 212, note. + +[2] See 'Deucalion,' vol. ii., chap, i., p. 12, § 18. + +[3] I am ashamed to give so rude outlines; but every moment now is valuable +to me: careful outline of a dog-violet is given in Plate X. + +[4] A careless bit of Byron's, (the last song but one in the 'Deformed +Transformed'); but Byron's most careless work is better, by its innate +energy, than other people's most laboured. I suppress, in some doubts about +my 'digamma,' notes on the Greek violet and the Ion of Euripides;--which +the reader will perhaps be good enough to fancy a serious loss to him, and +supply for himself. + +[5] Nine; I see that I missed count of P. farinosa, the most abundant of +all. + +[6] "A feeble little quatrefoil--growing one on the stem, like a Parnassia, +and looking like a Parnassia that had dropped a leaf. I think it drops one +of its own four, mostly, and lives as three-fourths of itself, for most of +its time. Stamens pale gold. Root-leaves, three or four, grass-like; +growing among the moist moss chiefly." + +[7] The great work of Lecoq, 'Geographic Botanique,' is of priceless value; +but treats all on too vast a scale for our purposes. + +[8] It is, I believe, Sowerby's Viola Lutea, 721 of the old edition, there +painted with purple upper petals; but he says in the text, "Petals either +all yellow, or the two uppermost are of a blue purple, the rest yellow with +a blue tinge: very often the whole are purple." + +[9] Did the wretch never hear bees in a lime tree then, or ever see one on +a star gentian? + +[10] Septuagint, "the eyes of doves out of thy silence." Vulgate, "the eyes +of doves, besides that which is hidden in them." Meaning--the _dim_ look of +love, beyond all others in sweetness. + +[11] When I have the chance, and the time, to submit the proofs of +'Proserpina' to friends who know more of Botany than I, or have kindness +enough to ascertain debateable things for me, I mean in future to do +so,--using the letter A to signify Amicus, generally; with acknowledgment +by name, when it is permitted, of especial help or correction. Note first +of this kind: I find here on this word, 'five-petaled,' as applied to +Pinguicula, "Qy. two-lipped? it is monopetalous, and monosepalous, the +calyx and corolla being each all in one piece." + +Yes; and I am glad to have the observation inserted. But my term, +'five-petaled,' must stand. For the question with me is always first, not +how the petals are connected, but how many they are. Also I have accepted +the term petal--but never the word lip--as applied to flowers. The generic +term 'Labiatæ' is cancelled in 'Proserpina,' 'Vestales' being substituted; +and these flowers, when I come to examine them, are to be described, not as +divided into two lips, but into hood, apron, and side-pockets. Farther, the +depth to which either calyx or corolla is divided, and the firmness with +which the petals are attached to the torus, may, indeed, often be an +important part of the plant's description, but ought not to be elements in +its definition. Three petaled and three-sepaled, four-petaled and +four-sepaled, five-petaled and five-sepaled, etc., etc., are +essential--with me, primal--elements of definition; next, whether resolute +or stellar in their connection; next, whether round or pointed, etc. Fancy, +for instance, the fatality to a rose of pointing its petals, and to a lily, +of rounding them! But how deep cut, or how hard holding, is quite a minor +question. + +Farther, that all plants _are_ petaled and sepaled, and never mere cups in +saucers, is a great fact, not to be dwelt on in a note. + +[12] Our 'Lucia Nivea,' 'Blanche Lucy;' in present botany, Bog bean! having +no connection whatever with any manner of bean, but only a slight +resemblance to bean-_leaves_ in its own lower ones. Compare Ch. IV. § 11. + +[13] It is not. (Resolute negative from A., unsparing of time for me; and +what a state of things it all signifies!) + +[14] With the following three notes, 'A' must become a definitely and +gratefully interpreted letter. I am indebted for the first, conclusive in +itself, but variously supported and confirmed by the two following, to R.J. +Mann, Esq., M.D., long ago a pupil of Dr. Lindley's, and now on the council +of Whitelands College, Chelsea:--for the second, to Mr. Thomas Moore, +F.L.S., the kind Keeper of the Botanic Garden at Chelsea; for the third, +which will be farther on useful to us, to Miss Kemm, the botanical lecturer +at Whitelands. + +(1) There is no explanation of Lentibulariaceæ in Lindley's 'Vegetable +Kingdom.' He was not great in that line. The term is, however, taken from +_Lenticula_, the lentil, in allusion to the lentil-shaped air-bladders of +the typical genus _Utricularia_. + +The change of the c into b may possibly have been made only from some +euphonic fancy of the contriver of the name, who, I think, was Rich. + +But I somewhat incline myself to think that the _tibia_, a pipe or flute, +may have had something to do with it. The _tibia_ may possibly have been +diminished into a little pipe by a stretch of licence, and have become +_tibula_: [but _tibulus_ is a kind of pine tree in Pliny]; when _Len +tibula_ would be the lens or lentil-shaped pipe or bladder. I give you this +only for what it is worth. The _lenticula_, as a derivation, is reliable +and has authority. + +_Lenticula_, a lentil, a freckly eruption; _lenticularis_, lentil-shaped; +so the nat. ord. ought to be (if this be right) _lenticulariaceæ_. + +(2) BOTANIC GARDENS, CHELSEA, _Feb._ 14, 1882. + +_Lentibularia_ is an old generic name of Tournefort's, which has been +superseded by _utricularia,_ but, oddly enough, has been retained in the +name of the order _lentibulareæ_; but it probably comes from _lenticula_, +which signifies the little root bladders, somewhat resembling lentils. + +(3) 'Manual of Scientific Terms,' Stormonth, p. 234. +_Lentibulariaceæ_, neuter, plural. +(_Lenticula_, the shape of a lentil; from _lens_, a lentil.) The Butterwort +family, an order of plants so named from the lenticular shape of the +air-bladders on the branches of utricularia, one of the genera. (But +observe that the _Butterworts_ have nothing of the sort, any of them.--R.) + +Loudon.--"Floaters." + +Lindley.--"Sometimes with whorled vesicles." + +In Nuttall's Standard (?) Pronouncing Dictionary, it is given,-- +_Lenticulareæ_, a nat. ord. of marsh plants, which thrive in water or +marshes. + +[15] More accurately, shows the pruned roots of branches,--[Greek: epeidê +prota tomên en horessi lelotpen]. The _pruning_ is the mythic expression of +the subduing of passion by rectorial law. + +[16] The bitter sorrow with which I first recognized the extreme rarity of +finely-developed organic sight is expressed enough in the lecture on the +Mystery of Life, added in the large edition of 'Sesame and Lilies.' + +[17] Lat. acesco, to turn sour. + +[18] Withering quotes this as from Linnæus, and adds on authority of a Mr. +Hawkes, "This did not succeed when tried with cows' milk." He also gives as +another name, Yorkshire Sanicle; and says it is called _earning grass_ in +Scotland. Linnæus says the juice will curdle reindeer's milk. The name for +rennet is _earning_, in Lincolnshire. Withering also gives this note: +"_Pinguis_, fat, from its effect in CONGEALING milk."--(A.) Withering of +course wrong: the name comes, be the reader finally assured, from the +fatness of the green leaf, quite peculiar among wild plants, and fastened +down for us in the French word 'Grassette.' I have found the flowers also +difficult to dry, in the benighted early times when I used to think a dried +plant useful! See closing paragraphs of the *4th chapter.--R. + +[19] I find much more difficulty, myself, being old, in using my altered +names for species than my young scholars will. In watching the bells of the +purple bindweed fade at evening, let them learn the fourth verse of the +prayer of Hezekiah, as it is in the Vulgate--"Generatio mea ablata est, et +convoluta est a me, sicut tabernaculum pastoris,"--and they will not forget +the name of the fast-fading--ever renewed--"belle d'un jour." + +[20] "It is Miss Cobbe, I think, who says 'all wild flowers know how to die +gracefully.'"--A. + +[21] See distinction between recumbent and rampant herbs, below, under +'Veronica Agrestis,' p. 72. + +[22] 'Abstracted' rather, I should have said, and with perfect skill, by +Mr. Collingwood (the joint translator of Xenophon's Economics for the +'Bibliotheca Pastorum'). So also the next following cut, Fig. 5. + +[23] Of the references, henceforward necessary to the books I have used as +authorities, the reader will please note the following abbreviations:-- + + C. Curtis's Magazine of Botany. + D. Flora Danica. + F. Figuier. + G. Sibthorpe's Flora Græca. + L. Linnæus. Systema Naturæ. + L.S. Linnæus's Flora Suecica. But till we are quite used to the other + letters, I print this reference in words. + L.N. William Curtis's Flora Londinensis. Of the exquisite plates + engraved for this book by James Sowerby, note is taken in the close of + next chapter. + O. Sowerby's English Wild Flowers; the old edition in thirty-two thin + volumes--far the best. + S. Sowerby's English Wild Flowers; the modern edition in ten volumes. + +[24] See letter on the last results of our African campaigns, in the +_Morning Post_ of April 14th, of this year. + +[25] I deliberately, not garrulously, allow more autobiography in +'Proserpina' than is becoming, because I know not how far I may be +permitted to carry on that which was begun in 'Fors.' + +[26] In present Botany, Polygala Chamæbuxus; C. 316: or, in English, Much +Milk Ground-box. It is not, as matters usually go, a name to be ill thought +of, as it really contains three ideas; and the plant does, without doubt, +somewhat resemble box, and grows on the ground;--far more fitly called +'ground-box' than the Veronica 'ground-oak.' I want to find a pretty name +for it in connection with Savoy or Dauphine, where it indicates, as above +stated, the _healthy_ districts of _hard_ limestone. I do not remember it +as ever occurring among the dark and moist shales of the inner mountain +ranges, which at once confine and pollute the air. + +[27] Which, with the following page, is the summary of many chapters of +'Modern Painters:' and of the aims kept in view throughout 'Munera +Pulveris.' The three kinds of Desert specified--of Reed, Sand, and +Rock--should be kept in mind as exhaustively including the states of the +earth neglected by man. For instance of a Reed desert, produced _merely_ by +his neglect, see Sir Samuel Baker's account of the choking up of the bed of +the White Nile. Of the sand desert, Sir F. Palgrave's journey from the +Djowf to Hayel, vol. i., p. 92. + +[28] This subject is first entered on in the 'Seven Lamps,' and carried +forward in the final chapters of 'Modern Painters,'to the point where I +hope to take it up for conclusion, in the sections of 'Our Fathers have +told us' devoted to the history of the fourteenth century. + +[29] See in the first volume, the plates of Sonchus Arvensis and Tussilago +Petasites; in the second, Carduus tomentosus and Picris Echioides. + +[30] For the sense in which this word is used throughout my writings, see +the definition of it in the 52nd paragraph of the 'Queen of the Air,' +comparing with respect to its office in plants, §§ 59-60. + +[31] Written in 1880. + +[32] The plate of Chamædrys, D. 448, is also quite right, and not 'too tall +and weedlike,' as I have called it at p. 72. + +[33] "Stems numerous from the crown of the root-stock, de-cumbent."--S. The +effect of the flower upon the ground is always of an extremely upright and +separate plant, never appearing in clusters, (I meant, in close masses - it +forms exquisite little rosy crowds, on ground that it likes) or in any +relation to a central root. My epithet 'rosea' does not deny its botanical +de- or pro-cumbency. + +[34] Compare especially Galeopsis Angustifolia, D. 3031. + +[35] Octavo: Paris, Hachette, 1865. + +[36] See in the ninth chapter what I have been able, since this sentence +was written, to notice on the matter in question. + +[37] I envy the French their generalized form of denial, 'Il n'en est +rien.' + +[38] 'Sensiblement invariable;' 'unchanged, _so far as we can see,_' or to +general sense; microscopic and minute change not being considered. + +[39] Moreover, the confusion between vertical and horizontal sections in +pp. 46, 47, is completed by the misprint of vertical for horizontal in the +third line of p. 43, and of horizontal for vertical in the fifth line from +bottom of p. 46; while Figure 45 is to me totally unintelligible, this +being, as far as can be made out by the lettering, a section of a tree stem +which has its marrow on the outside! + +[40] "Try a bit of rhubarb" (says A, who sends me a pretty drawing of +rhubarb pith); but as rhubarb does not grow into wood, inapplicable to our +present subject; and if we descend to annual plants, rush pith is the thing +to be examined. + +[41] I am too lazy now to translate, and shall trust to the chance of some +remnant, among my readers, of classical study, even in modern England. + +[42] '_Or_ woody tissue,' suggests A. It is 'and' in Balfour. + +[43] Terms not used now, but others quite as bad: Cuticle, Epidermis, +Cortical layer, Periderm, Cambium, Phelloderm--six hard words for 'BARK,' +says my careful annotator. "Yes; and these new six to be changed for six +newer ones next year, no doubt." + +[44] "At first the vessels are pervious and full of _fluid_, but by degrees +thickening layers are deposited, which contract their canal."--BALFOUR. + +[45] I cannot better this earlier statement, which in beginning +'Proserpina,' I intended to form a part of that work; but, as readers +already in possession of it in the original form, ought not to be burdened +with its repetition, I shall republish those chapters as a supplement, +which I trust may be soon issued. + +[46] "'Diachyma' is parenchyma in the middle of a leaf!" (Balfour, Art. +137.) Henceforward, if I ever make botanical quotations, I shall always +call parenchyma, By-tis; prosenchyma, To-tis; and diachyma, Through-tis, +short for By-tissue, To-tissue, and Through-tissue--then the student will +see what all this modern wisdom comes to! + + + + + + +End of the Project Gutenberg EBook of Proserpina, Volume 2, by John Ruskin + +*** END OF THIS PROJECT GUTENBERG EBOOK PROSERPINA, VOLUME 2 *** + +***** This file should be named 15088-8.txt or 15088-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/0/8/15088/ + +Produced by Eric Eldred, Keith Edkins and the PG Online Distributed +Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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