diff options
Diffstat (limited to '14921-8.txt')
| -rw-r--r-- | 14921-8.txt | 2322 |
1 files changed, 2322 insertions, 0 deletions
diff --git a/14921-8.txt b/14921-8.txt new file mode 100644 index 0000000..6e9c89f --- /dev/null +++ b/14921-8.txt @@ -0,0 +1,2322 @@ +The Project Gutenberg EBook of Punch, or the London Charivari. Vol. 1, +July 31, 1841, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Punch, or the London Charivari. Vol. 1, July 31, 1841 + +Author: Various + +Release Date: February 7, 2005 [EBook #14921] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + + + + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + + + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 1. + + + +FOR THE WEEK ENDING JULY 31, 1841. + + * * * * * + + +POETRY ON AN IMPROVED PRINCIPLE. + +Let me earnestly implore you, good Mr. PUNCH, to give publicity to a new +invention in the art of poetry, which I desire only to claim the merit of +having discovered. I am perfectly willing to permit others to improve upon +it, and to bring it to that perfection of which I am delightedly aware, it +is susceptible. + +It is sometimes lamented that the taste for poetry is on the decline--that +it is no longer relished--that the public will never again purchase it as a +luxury. But it must be some consolation to our modern poets to know (as no +doubt they do, for it is by this time notorious) that their productions +really do a vast deal of service--that they are of a value for which they +were never designed. They--I mean many of them--have found their way into +the pharmacopoeia, and are constantly prescribed by physicians as +soporifics of rare potency. For instance-- + + "---- not poppy, nor mandragora, + Nor all the drowsy syrups of the world. + Shall ever usher thee to that sweet sleep" + +to which a man shall be conducted by a few doses of Robert Montgomery's +Devil's Elixir, called "Satan," or by a portion, or rather a potion, of +"Oxford." Apollo, we know, was the god of medicine as well as of poetry. +Behold, in this our bard, his two divine functions equally mingled! + +But waiving this, of which it was not my intention to speak, let me remark, +that the reason why poetry will no longer go down with the public, _as +poetry_, is, that the whole frame-work is worn out. No new rhymes can be +got at. When we come to a "mountain," we are tolerably sure that a +"fountain" is not very far off; when we see "sadness," it leads at once to +"madness"--to "borrow" is sure to be followed by "sorrow;" and although it +is said, "_when_ poverty comes in at the door, love flies out of the +window,"--a saying which seems to imply that poverty _may_ sometimes enter +at the chimney or elsewhere--yet I assure you, in poetry, "the poor" +_always_ come in, and always go out at "the door." + +My new invention has closed the "door," for the future, against the vulgar +crew of versifiers. A man _must_ be original. He must write common-sense +too--hard exactions I know, but it cannot be helped. + +I transmit you a specimen. Like all great discoveries, the chief merit of +my invention is its simplicity. Lest, however, "the meanest capacity" +(which cannot, by the way, be supposed to be addicted to PUNCH) should +boggle at it, it may be as well to explain that every letter of the final +word of each alternate line must be pronounced as though Dilworth himself +presided at the perusal; and that the last letter (or letters) placed in +_italics_ will be found to constitute the rhyme. Here, then, we have + +A RENCONTRE WITH A TEA-TOTALLER. + + On going forth last night, a friend to see, + I met a man by trade a s-n-o-_b_; + Reeling along the path he held his way. + "Ho! ho!" quoth I, "he's d-r-u-n-_k_." + Then thus to him--"Were it not better, far, + You were a little s-o-b-e-_r_? + 'Twere happier for your family, I guess, + Than playing off such rum r-i-g-_s_. + Besides, all drunkards, when policemen see 'em, + Are taken up at once by t-h-_e_-_m_." + "Me drunk!" the cobbler cried, "the devil trouble you! + You want to kick up a blest r-o-_w_. + Now, may I never wish to work for Hoby, + If drain I've had!" (the lying s-n-o-_b_!) + "I've just return'd from a tee-total party, + Twelve on us jamm'd in a spring c-a-_r_-_t_. + The man as lectured, now, _was_ drunk; why, bless ye, + He's sent home in a c-h-a-i-_s_-_e_. + He'd taken so much lush into his belly, + I'm blest if he could t-o-dd-_l_-_e_. + A pair on 'em--hisself and his good lady;-- + The gin had got into her h-e-_a_-_d_. + (My eye and Betty! what weak mortals _we_ are; + They said they took but ginger b-e-_e_-_r_!) + But as for me, I've stuck ('twas rather ropy) + All day to weak imperial p-o-_p_. + And now we've had this little bit o'sparrin', + Just stand a q-u-a-r-t-e-_r_-_n_!" + + * * * * * + + +A man in New-York enjoys such very _excellent spirits_ that he has only to +drink water to intoxicate himself. + + * * * * * + + +TO JOBBING PATRIOTS. + + MR. GEORGE ROBINS. + with unparalleled gratification, begs to state that he has it in + Command + to announce, that in consequence of + LORD JOHN RUSSELL'S LETTER + to the citizens of London having satisfactorily convinced her + MOST GRACIOUS MAJESTY + that a change of ministry + CANNOT + be productive of a corresponding transformation of measures, and that + the late + POLITICO-GLADIATORIAL STRUGGLE + for the guerdon of office could only have emanated from a highly + commendatory desire on the part of the disinterested and patriotic + belligerents + TO SERVE THEMSELVES + or their country, + HIS ROYAL MISTRESS, + ever solicitous to enchain the hearts of her devoted subjects, by an + impartial exercise of her prerogative, has determined to submit to the + ARBITRATION OF HIS HUMBLE HAMMER, + some of those desirable _places_, so long known as the _stimuli_ to the + LACTANT LYCURGI + of the nineteenth century. + + LOT 1. + FIRST LORD OF THE TREASURY, + at present in possession of Lord Melbourne. This will be found a most + eligible investment, as it embraces a considerable extent of female + patronage, comprising the appointments of those valuable legislative + adjuncts, + THE LADIES OF THE BEDCHAMBER, + AND THE ROYAL NURSES, WET AND DRY; + together with those household desiderata, + COALS AND CANDLES, + and an unlimited + RUN OF THE ROYAL KITCHEN. + + LOT 2. + SECRETARY OF STATE FOR THE COLONIAL DEPARTMENT, + at present occupied by Lord John Russell. This lot must possess + considerable attraction for a gastronomical experimentalist, as its + present proprietor has for a long time been engaged in the discovery + of how few pinches of oatmeal and spoonsful of gruel are sufficient + for a human pauper, and will be happy to transfer his data to the + next fortunate proprietor. Any gentleman desirous of embarking in the + manufacture of + SUGAR CANDY, MATCHES, OR CHEAP BREAD, + would find this a desirable investment, more particularly should he + wish to form either + A PAROCHIAL OR MATRIMONIAL UNION, + as there are plans for the one, and hints for the other, which will + be thrown into the bargain, being of no further use to the present + noble incumbent. + + LOT 3. + SECRETARY OF STATE FOR THE HOME DEPARTMENT, + at present the property of Lord Normanby. Is admirably calculated for + any one of a literary turn of mind, offering resources peculiarly + adapted for a proper cultivation of the Jack Sheppard and James + Hatfield "men-of-elegant-crimes" school of novel-writing--the + archives of Newgate and Horsemonger-lane being open at all times to + the inspection of the favoured purchaser. + "YES" OR "NO" + will determine the sale of this desirable lot in a few days. + + LOT 4. + SECRETARY OF STATE FOR FOREIGN AFFAIRS, + now in the occupancy of Lord Palmerston. Possesses advantages rarely + to be met with. From its connexion with the continental powers, Eau + de Cologne, bear's grease, and cosmetics of unrivalled excellence, + can be procured at all times, thus insuring the favour of the divine + sex, + + "From the rich peasant-cheek of bronze, + And large black eyes that flash on you a volley + Of rays, that say a thousand things at once, + To the high dama's brow more melancholy." + + The only requisite (besides money) for this desirable lot is, that + the purchaser must write a bold round hand for + PROTOCOLS, + understand French and Chinese, and be an + EXPERT TURNER. + + LOT 5. + SEVERAL UNDER SECRETARYSHIPS, + admirably adapted for younger sons and poor relatives. + + The whole of the proceeds (by the advice of her Majesty's Cabinet + Council) will be devoted to the erection of a + UNION FOR DECAYED MINISTERS. + + Cards to view may be had at the Treasury any day after the meeting of + Parliament. + + * * * * * + + +"Very like a whale!" as the schoolmaster said when he examined the boy's +back after severely flogging him. + + * * * * * + + +THE DIARY OF A LORD MAYOR. + +All the world is familiar with the "Diary of a Physician," the "Diary of an +Ennuyée," the "Diary of a Lady of Rank," and Heaven knows how many other +diaries besides! but who has ever heard of, or saw, the "_Diary of a Lord +Mayor_,--that day-book, or blotter, as it may be commercially termed, of a +gigantic mind? Who has ever perused the autobiography of the Lama of +Guildhall, Cham of Cripplegate, Admiral of Fleet Ditch, Great Turtle-hunter +and Herod of Michaelmas geese? We will take upon ourselves to answer--not +one! It was reserved for PUNCH to give to his dear friends, the public, the +first and only extract which has ever been made from the genuine diary of a +_late_ Lord Mayor of London, or, as that august individual was wont, when +in Paris, to designate himself on his visiting tickets-- + + "Mr. ---- + "FEU LORD MAYOR DE LONDRES." + +How the precious MS. came into our possession matters little to the reader; +suffice it to say, it is a secret which must ever remain confined to the +bosoms of PUNCH and his cheesemonger. + +DIARY. + +_Nov. 10, eight o'clock._--Dreamed a horrid dream--thought that I was +stretched in Guildhall with the two giants sitting on my chest, and +drinking rum toddy out of firemen's buckets--fancied the Board of Aldermen +were transformed into skittle-pins, and the police force into bottles of +_Harvey's sauce_. Tried to squeak, but couldn't. Then I imagined that I was +changed into the devil, and that Alderman Harmer was St. Dunstan, tweaking +my nose with a pair of red-hot tongs. This time, I think, I _did_ shout +lustily. Awoke with the fright, and found my wife pulling my nose +vigorously, and calling me "My Lord!" Pulled off my nightcap, and began to +have an idea I was somebody, but could not tell exactly who. Suddenly my +eye rested upon the civic gown and chain, which lay upon a chair by my +bed-side:--the truth flashed upon my mind--I felt I was a _real_ Lord +Mayor. I remembered clearly that yesterday I had been sworn into office. I +had a perfect recollection of the glass-coach, and the sheriffs, and the +men in armour, and the band playing "Jim along Josey," as we passed the +Fleet Prison, and the glories of the city barge at Blackfriars-bridge, and +the enthusiastic delight with which the assembled multitude witnessed-- + +[Illustration: THE LORD MAYOR TAKING WATER.] + +I could also call to mind the dinner--the turtle, venison, and turbot--and +the popping of the corks from the throats of the champagne bottles. I was +conscious, too, that I had made a speech; but, beyond this point, all the +events of the night were lost in chaotic confusion. One thing, however, was +certain--I was a _bonâ fide_ Lord Mayor--and being aware of the arduous +duties I had to perform, I resolved to enter upon them at once. Accordingly +I arose, and as some poet says-- + + "Commenced sacrificing to the Graces, + By putting on my breeches." + +Sent for a barber, and authorised him to remove the superfluous hair from +my chin--at the same time made him aware of the high honour I had conferred +upon him by placing the head of the city under his razor--thought I +detected the fellow's tongue in his cheek, but couldn't be certain. _Mem._ +Never employ the rascal again. + +_9 o'clock._--Dressed in full fig--sword very troublesome--getting +continually between my legs. Sat down to breakfast--her ladyship +complimented me on my appearance--said I looked the _beau ideal_ of a +mayor--took a side glance at myself in the mirror--her ladyship was +perfectly right. Trotter the shoemaker announced--walked in with as much +freedom as he used to do into my shop in Coleman-street--smelt awfully of +"best calf" and "heavy sole"--shook me familiarly by the hand, and actually +called me "Bob." The indignation of the Mayor was roused, and I hinted to +him that I did not understand such liberties, upon which the fellow had the +insolence to laugh in my face--couldn't stand his audacity, so quitted the +room with strong marks of disgust. + +_10 o'clock._--Heard that a vagabond was singing "Jim Crow" on +Tower-hill--proceeded with a large body of the civic authorities to arrest +him, but after an arduous chase of half-an-hour we unfortunately lost him +in Houndsditch. Suppressed two illegal apple-stalls in the Minories, and +took up a couple of young black-legs, whom I detected playing at +chuck-farthing on Saffron-hill. Issued a proclamation against mad dogs, +cautioning all well-disposed persons to avoid their society. + +_12 o'clock._--Waited upon by the secretary of the New River Company with a +sample of the water they supply to the City--found that it was much +improved by compounding it with an equal portion of cognac--gave a +certificate accordingly. Lunched, and took a short nap in my cocked hat. + +_1 o'clock._--Police-court. Disposed of several cases summarily--everybody +in court amazed at the extraordinary acuteness I displayed, and the +rapidity with which I gave my decisions--they did not know that I always +privately tossed up--heads, complainant wins, and tails, defendant--this is +the fairest way after all--no being humbugged by hard swearing or innocent +looks--no sifting of witnesses--no weighing of evidence--no +deliberating--no hesitating--the thing is done in an instant--and, if the +guilty should escape, why the fault lies with fortune, and not with +justice. + +_3 o'clock._--Visited the Thames Tunnel--found Brunel a devilish _deep_ +fellow--he explained to me the means by which he worked, and said he had +got nearly over all his difficulties--I suppose he meant to say he had +nearly got _under_ them--at all events the tunnel, when completed, will be +a vast convenience to the metropolis, particularly to the _lower_ classes. +From the Tunnel went to Billingsgate-market--confiscated a basket of +suspicious shrimps, and ordered them to be conveyed to the Mansion-house. +_Mem._ Have them for breakfast to-morrow. Return to dress for dinner, +having promised to take the chair at the Grand Annual Metropolitan +Anti-Hydro-without-gin-drinking Association. + + * * * * * + +Here a hiatus occurs in the MS.; but from cotemporary authorities we are +enabled to state that his lordship was conveyed home at two o'clock on the +following morning, by some jolly companions. + + "Slowly and sadly they smoothed his bed, + And they told his wife and daughter + To give him, next day, a couple of red- + Herrings and soda-water." + + * * * * * + + +THE LOVES OF THE PLANTS. + + The gay _Daffodilly_, an amorous blade, + Stole out of his bed in the dark, + And calling his brother, _Jon-Quil_, forth he stray'd + To breathe his love vows to a _Violet_ maid + Who dwelt in a neighbouring park. + + A spiteful old _Nettle-aunt_ frown'd on their love; + But _Daffy_, who laugh'd at her power, + A _Shepherd's-purse_ slipp'd in the nurse's _Fox-glove_, + Then up _Jacob's-ladder_ he crept to his love, + And stole to the young _Virgin's-bower_. + + The _Maiden's-blush Rose_--and she seem'd all dismay'd, + Array'd in her white _Lady's-smock_, + She call'd _Mignonette_--but the sly little jade, + That instant was hearing a sweet serenade + From the lips of a tall _Hollyhock_. + + The _Pheasant's eye_, always a mischievous wight, + For prying out something not good, + Avow'd that he peep'd through the keyhole that night; + And clearly discern'd, by a glow-worm's pale light, + Their _Two-faces-under-a-hood_. + + Old Dowager _Peony_, deaf as a door, + Who wish'd to know more of the facts, + Invited Dame _Mustard_ and Miss _Hellebore_, + With Miss _Periwinkle_, and many friends more, + One evening to tea and to tracts. + + The _Butter-cups_ ranged, defamation ran high, + While every tongue join'd the debate; + Miss _Sensitive_ said, 'twixt a groan and a sigh, + Though she felt much concern'd--yet she thought her dear _Vi_-- + Had grown rather bulbous of late. + + Thus the tale spread about through the busy parterre: + Miss _Columbine_ turn'd up her nose, + And the prude Lady _Lavender_ said, with a stare, + That her friend, _Mary-gold_, had been heard to declare, + The creature had toy'd with the _Rose_. + + Each _Sage_ look'd severe, and each _Cocks-comb_ look'd gay, + When _Daffy_ to make their mind easy, + Miss _Violet_ married one morning in May, + And, as sure as you live, before next Lady-day, + She brought him a _Michaelmas-daisy_. + + * * * * * + + +NOTHING WONDERFUL. + +The Duke of Normandie accounts for the non-explosion of his +percussion-shells, by the fact of having incautiously used some of +M'Culloch's pamphlets on the corn laws. If this be the case, no person can +be surprised at their _not going off_. + + * * * * * + + +MODERN WAT TYLERS. + +The anxiety of the Whigs to repeal the timber duties is quite pardonable, +for, with their _wooden heads_, they doubtlessly look upon it in the light +of a _poll-tax_. + + * * * * * + + +[Illustration: Head of a Botecudo previous to disfigurement.] + +[Illustration: Head of a Butecudo disfigured by chin and ear pendants.] + +[Illustration: Head of a Botecudo disfigured by civilisation.] + + +CIVILISATION. + +"If an European," says Sir Joshua Reynolds, in one of his Discourses, "when +he has cut off his beard, and put false hair on his head, or bound up his +own hair in formal, hard knots, as unlike nature as he can make it, and +after having rendered them immoveable by the help of the fat of hogs, has +covered the whole with flour, laid on by a machine with the utmost +regularity--if, when thus attired, he issues forth and meets a Cherokee +Indian who has bestowed as much time at his toilet, and laid with equal +care and attention his yellow and red ochre on such parts of his forehead +and cheeks as he judges most becoming, whichever of these two despises the +other for this attention to the fashion of his country, whichever first +feels himself provoked to laugh, is the barbarian." + +Granting this, the popular advocates of civilisation certainly are not the +most civilised of individuals. They appear to consider yellow ochre and +peacocks' feathers the climax of barbarism--marabouts and kalydor the acme +of refinement. A ring through the nose calls forth their deepest pity--a +diamond drop to the ear commands their highest respect. To them, nothing +can show a more degraded state of nature than a New Zealand chief, with his +distinctive coat of arms emblazoned on the skin of his face; nor anything +of greater social elevation than an English peer, with the glittering label +of his "nobility" tacked to his breast. To a rational mind, the one is not +a whit more barbarous than the other; they being, as Sir Joshua observes, +the real barbarians who, like these _soi-disant_ civilisers, would look +upon their own monstrosities as the sole standard of excellence. + +The philosophy of the present age, however, is peculiarly the philosophy of +outsides. Few dive deeper into the human breast than the bosom of the +shirt. Who could doubt the heart that beats beneath a cambric front? or who +imagine that hand accustomed to dirty work which is enveloped in white kid? +What Prometheus was to the physical, Stultz is to the moral man--the one +made human beings out of clay, the other cuts characters out of +broad-cloth. Gentility is, with us, a thing of the goose and shears; and +nobility an attribute--not of the mind, but (supreme civilisation!) of _a +garter_! + +Certain modern advocates appear to be devout believers in this external +philosophy. They are touchingly eloquent upon the savage state of those who +indulge in yellow ochre, but conveniently mute upon the condition of those +who prefer carmine. They are beautifully alive to the degradation of that +race of people which crushes the feet of its children, but wonderfully dead +to the barbarism of that race, nearer home, which performs a like operation +upon the ribs of its females. By them, also, we are told that "words would +manifestly fail in portraying _so low a state of morals as is pictured in +the lineaments of an Australian chief_,"--a stretch of the outside +philosophy which we certainly were not prepared to meet with; for little +did we dream that this noble science could ever have attained such +eminence, that men of intellect would be able to discover immorality in +particular noses, and crime in a certain conformation of the chin. + +That an over-attention to the adornment of the person is a barbarism all +must allow; but that the pride which prompts the Esquimaux to stuff bits of +stone through a hole in his cheek, is a jot less refined than that which +urges the dowager-duchess to thrust coloured crystals through a hole in her +ear, certainly requires a peculiar kind of mental squint to perceive. +Surely there is as great a want of refinement among us, in this respect, as +among the natives of New Zealand. Why rush for subjects for civilisation to +the back woods of America, when thousands may be found, any fine afternoon, +in Regent-street? Why fly to Biddy Salamander and Bulkabra, when the Queen +of Beauty and Count D'Orsay have equally urgent claims on the attention and +sympathies of the civiliser? + +On the subject of civilisation, two questions naturally present +themselves--the one, what _is_ civilisation?--the other, have we such a +superabundance of that commodity among us, that we should think about +exporting it? To the former question, the journal especially devoted to the +subject has, to the best of our belief, never condescended a reply; +although, like the celebrated argument on the colour of the chameleon, no +two persons, perhaps, have the same idea of it. In what then, does +civilisation consist, and how is it to be generally promoted? Does it, as +Sir E.L. B---- would doubtlessly assure us, does it lie in a strict +adherence to the last month's fashions; and is it to be propagated +throughout the world only by missionaries from Nugee's, and by the +universal dissemination of curling-tongs and Macassar--patent leather boots +and opera hats--white cambric pocket-handkerchiefs and lavender-water? Or, +does it consist, as the Countess of B---- would endeavour to convince us, +in abstaining from partaking twice of fish, and from eating peas with the +knife? and is it to be made common among mankind only by distributing +silver forks and finger-glasses to barbarians, and printing the Book of +Etiquette for gratuitous circulation among them? Or, is it, as the mild and +humane Judge P---- would prove to us, a necessary result of the Statutes at +Large; and can it be rendered universal only by sending out Jack Ketch as a +missionary--by the introduction of rope-walks in foreign parts, and the +erection of gallows all over the world? Or, is it, as the Archbishop of +Canterbury contests, to be achieved solely by the dissemination of bishops, +and by diffusing among the poor benighted negroes the blessings of sermons, +tithes, and church rates? Christianity, it has, on the other hand, been +asserted, is the only practical system of civilisation; but this is +manifestly the idea of a visionary. For ourselves, we must confess we +incline to the opposite opinion; and think either the bishops or Jack Ketch +(we hardly know which we prefer) by far the more rational means. Indeed, +when we consider the high state of civilisation which this country has +attained, and imagine for an instant the awful amount of distress which +would necessarily accrue from the general practice of Christianity among +us, even for a week, it is clear that the idea never could be entertained +by any moral or religious, mind. A week's Christianity in England! What +_would_ become of the lawyer, and parsons? It is too terrible to +contemplate. + + * * * * * + + +NOUVEAU MANUEL DU VOYAGEUR. + +These are the continental-trip days. All the world will be now a-_tour_ing. +But every one is not a Dr. Bowring, and it is rather convenient to be able +to edge in a word now and then, when these rascally foreigners will chatter +in their own beastly jargon. Ignorant pigs, not to accustom themselves to +talk decent English! Il Signor Marchese Cantini, the learned and +illustrious author of "Hi, diddlo-diddlino! Il gutto e'l violino!", has +just rendered immense service to the trip-loving natives of these lovely +isles, by preparing a "Guide to Conversation," that for utility and +correctness of idiom surpasses all previous attempts of the same kind. With +it in one hand, and a bagful of Napoléons or Zecchini in the other, the +biggest dunce in London--nay, even a schoolmaster--may travel from Boulogne +to Naples and back, with the utmost satisfaction to himself, and with +substantial profit to the people of these barbarous climes. The following +is a specimen of the way in which Il Signor has accomplished his +undertaking. It will be seen at a glance how well he has united the +classical with the utilitarian principle, clothing both in the purest +dialect; ex. gr.:-- + +THIS IS ENGLISH. THIS IS FRENCH. THIS IS ITALIAN. + +Does your mother know Madame, votre maman, La vostra signora +you're out? sait-elle que vous madre sa che siete + n'êtes pas chez vous? uscito di casa? + +It won't do, Mr. Cela nese passera, Questo non fara +Ferguson. Monsieur Ferguson, cosi, il Signore + jamais! Fergusoni! + +Who are you? Est-ce que vous aviez Chi è vossignoria? + jamais un père? + +All round my hat. Tout autour mon Tutto all' interno + chapeau. del mio capello! + +Go it, ye cripples! C'est ça! Battez-vous Bravo! bravo, + bien--boiteux; stroppiati! + cr-r-r-r-matin! Ancora-ancora! + +Such a getting Diantre! comme on Come si ha salito-- +up-stairs! monte l'escalier! è maraviglioso! + +Jump, Jim Crow. Sautez, Monsiuer Salti, pergrazia, + Jaques Corbeau! Signor Giamomo + Corvo! + +It would not be fair to rob the Signor of any more of his labour. It will +be seen that, on the principle of the Painter and his Cow, we have +distinctly written above each sentence the language it belongs to. It is +always better to obviate the possibility of mistakes. + + * * * * * + + +THE OMNIBUS + + The horrors of an omnibus, + Indeed, I've cause to curse; + And if I ride in one again, + I hope 'twill be my hearse. + If you a journey have to go, + And they make no delay, + 'Tis ten to one you're serv'd like _curds_, + They _spill you on the_ WHEY. + + A short time since my wife and I + A short call had to make, + And giving me a _kiss_, she said-- + "A _buss_ you'd better take!" + We journey'd on--two lively cads, + Were for our custom triers; + And in a twinkling we were fix'd + Fast by this _pair of pliers_! + + My wife's arm I had lock'd in mine, + But soon they forced her from it; + And she was lugg'd into the _Sun_, + And I into the _Comet_! + Jamm'd to a jelly, there I sat, + Each one against me pushing; + And my poor gouty legs seem'd made + For each one's _pins--a cushion_! + + My wife some time had gone before: + I urged the jarvey's speed, + When all at once the bus set off + At fearful pace, indeed! + I ask'd the coachee what caused this? + When thus his story ran:-- + "Vy, _a man shied at an oss_, and so + _An oss shied at a man_!" + + Oh, fearful crash! oh, fearful smash! + At such a rate we run, + That presently the _Comet_ came + In contact with the _Sun_. + At that sad time each body felt, + As parting with its soul, + We were, indeed, _a little whirl'd_, + And shook from _pole to pole_! + + * * * * * + + +Dunn, the miller of Wimbledon, has recently given his infant the +_Christian_ name of Cardigan. If there is truth in the adage of "_give a +dog a bad name and hang him_," the poor child has little else in +perspective than the gallows. + + * * * * * + + +PRAY DON'T TELL THE GOVERNOR. + +A SONG OF TON. + + Why, y-e-s--'twas rather late last night; + In fact, past six this morning. + My rascal valet, in a fright, + Awoke, and gave me warning. + But what of that?--I'm very young. + And you've "been in the Oven," or, + Like me, you're wrong'd by rumour's tongue, + So--pray don't tell the Governor.[1] + + I dined a quarter after seven, + With Dashall of the Lancers; + Went to the opera at eleven, + To see the ballet-dancers. + From thence I saunter'd to the club-- + Fortune to me's a sloven--or, + I surely must have won one rub, + But--mind! don't tell the Governor! + + I went to Ascot t'other day, + Drove Kitty in a tandem; + Upset it 'gainst a brewer's dray-- + I'd dined, so drove at random. + I betted high--an "outside" won-- + I'd swear its hoofs were cloven, or + It ne'er the favourite horse had done, + But--don't you tell the Governor. + + My cottage ornée down at Kew, + So picturesque and pretty, + Cost me of thousands not a few, + To fit it up for Kitty. + She said it charm'd her fancy quite, + But (still I can't help loving her) + She bolted with the plate one night-- + You needn't tell the Governor. + + My creditors are growing queer, + Nay, threaten to be furious; + I'll scan their paltry bills next year, + At present I'm not curious. + Such fellows are a monstrous bore, + So I and Harry Grosvenor + To-morrow start for Gallia's shore, + And leave duns--to the Governor. + + [1] The author is aware there exists a legitimate rhyme for + _Porringer_, but believes a match for governor lies still in + the _terra incognita_ of allowable rhythm. + + * * * * * + + +THE EXPLOSIVE BOX. + +Sir Hussey Vivian was relating to Sir Robert Peel the failure of the Duke +of Normandie's experiment with a terrible self-explosive box, which he had +buried in a mound at Woolwich, in the expectation that it would shortly +blow up, but which still remains there, to the great terror of the +neighbourhood, who are afraid to approach the spot where this destructive +engine is interred. Sir Robert, on hearing the circumstance, declared that +Lord John Russell had served him the same trick, by burying the corn-law +question under the Treasury bench. No one knew at what moment it might +explode, and blow them to ----. "The question," he added, "now is--who will +dig it out?" + + * * * * * + + +EXCLUSIVE INTELLIGENCE. + +(_From_ OUR _West-end and "The Observer's" Correspondent._) + +We have every reason to believe, unless a very respectable authority, on +whom we are in the habit of relying, has grievously imposed upon us, that a +very illustrious personage has consulted a certain exalted individual as to +whether a certain other person, no less exalted than the latter, but not so +illustrious as the former, shall be employed in a certain approaching +event, which at present is involved in the greatest uncertainty. Another +individual, who is more dignified than the third personage above alluded +to, but not nearly so illustrious as the first, and not half so exalted as +the second, has nothing whatever to do with the matter above hinted at, and +it is not at all probable that he will be ever in the smallest way mixed up +with it. For this purpose we have cautiously abstained from giving his +name, and indeed only allude to him that there may be no misapprehension on +this very delicate subject. + + * * * * * + + +ANIMAL MAGNETISM. + +The _Times_ gives a horrible description of some mesmeric experiments by a +M. Delafontaine, by which a boy was deprived of _all sensation_. We suspect +that some one has been operating upon the Poor Law Commissioners, for their +_total want of feeling_ is a mesmeric phenomenon. + + * * * * * + + +ON SIR EDWARD LYTTON BULWER, BART., _not_ M.P. FOR LINCOLN. + + That Bulwer's from fair Lincoln bann'd, + Doth threaten evil days; + For, having much waste time on hand, + Alas! he'll scribble plays. + + * * * * * + + +THE NEW HOUSE. + +"This is the House that Jack (Bull) built." + + Once there lived, as old histories learnedly show, a + Great sailor and shipbuilder, named MISTER NOAH, + Who a hulk put together, so wondrous--no doubt of it-- + That all sorts of creatures could creep in and out of it. + Things with heads, and without heads, things dumb, things loquacious, + Things with tails, and things tail-less, things tame, and things pugnacious; + Rats, lions, curs, geese, pigeons, toadies and donkeys, + Bears, dormice, and snakes, tigers, jackals, and monkeys: + In short, a collection so curious, that no man + E'er since could with NOAH compare as a show-man + At length, JOHNNY BULL, with that clever fat head of his, + Design'd a much stranger and comical edifice, + To be call'd his "NEW HOUSE"--a queer sort of menagerie + To hold all his beasts--with an eye to the Treasury. + Into this he has cramm'd such uncommon monstrosities, + Such animals rare, such unique curiosities, + That we wager a CROWN--not to speak it uncivil-- + This HOUSE of BULL'S beats Noah's Ark to the devil. + Lest you think that we bounce--the great fault, we confess, of men-- + We proceed to detail some few things, as a specimen + Of what are to be found in this novel museum; + As it opens next month, you may all go and see 'em. + Five _Woods_, of five shades, grain, and polish, and gilding, + Are used this diversified chamber in building. + Not a nail, bolt, or screw, you'll discover to lurk in it, + Though six _Smiths_ you will find every evening at work in it. + A _Forman_ and _Master_ you'll see there appended too, + Whose words or instructions are never attended to. + A _Leader_, whom nobody follows; a pair o' _Knights_, + With courage at ninety degrees of old Fahrenheit's; + Full a hundred "Jim Crows," wheeling round about--round about, + Yet only one _Turner_'s this House to be found about. + Of hogs-heads, Lord knows, there are plenty to spare of them, + But only one _Cooper_ is kept to take care of them. + A _Ryder's_ maintain'd, but he's no horse to get upon; + There's a _Packe_ too, and only one _Pusey_ to set upon. + Two _Palmers_ are kept, holy men, in this ill, grim age, + To make every night their Conservative pilgrimage. + A _Fuller_, for scouring old coats and redressing them; + A _Taylor_ to fashion; and _Mangles_ for pressing them. + Two _Stewarts_, two _Fellowes_, a _Clerk_, and a _Baillie_, + To keep order, yet each call'd to order are, daily. + A _Duke_, without dukedom--a matter uncommon-- + And _Bowes_, the delight, the enchantment of woman. + This house has a _Tennent_, but ask for the rent of it, + He'd laugh at, and send you to Brussels or Ghent for it. + Of the animals properly call'd so, a sample + We'll give to you gentlefolks now, for example:-- + There are _bores_ beyond count, of all ages and sizes, + Yet only one _Hogg_, who both learned and wise is. + There's a _Buck_ and a _Roebuck_, the latter a wicked one, + Whom few like to play with--he makes such a kick at one. + There are _Hawkes_ and a _Heron_, with wings trimm'd to fly upon, + And claws to stick into what prey they set eye upon. + There's a _Fox_, a smart cove, but, poor fellow, no tail he has; + And a _Bruen_--good tusks for a feed we'll be bail he has. + There's a _Seale_, and four _Martens_, with skins to our wishes; + There's a _Rae_ and two _Roches_, and all sorts of fishes; + There's no sheep, but a _Sheppard_--"the last of the pigtails"-- + And a _Ramsbottom_--chip of the old famous big tails. + Now to mention in brief a few trifles extraneous, + By connoisseurs class'd, "odds and ends miscellaneous:"-- + There's a couple of _Bells_--frights--nay, Hottentots real! + A _Trollope_, of elegance _le beau ideal_. + Of _Browne_, _Green_, and _Scarlett_ men, surely a sack or more, + Besides three whole _White_ men, preserved with a _Blakemore_. + There's a _Hill_, and a _Hutt_, and a _Kirk_, and--astounding! + The entire of old _Holland_ this house to be found in. + There's a _Flower_, with a perfume so strong 'twould upset ye all; + And the beauty of _Somers_ is here found perpetual. + There's a _Bodkin_, a _Patten_, a _Rose_, and a _Currie_, + And a man that's still _Hastie_, though ne'er in a hurry. + There is _Cole_ without smoke, a "sou'-_West_" without danger; + And a _Grey_, that to place is at present a stranger. + There's a _Peel_,--but enough! if you're a virtuoso + You'll see for yourself, and next month you may do so; + When, if you don't say this _New House_ is a wonder, + We're Dutchmen--that's all!--and at once knuckle under. + + * * * * * + + +WATERFORD ELECTION. + + The Tories at Waterford carried the day, + And the reign of the Rads is for ever now past; + For one who was _Wyse_ he got out of the way, + And the hopes of the other proved _Barron_ at last. + + * * * * * + + +STATE OF TRADE. + +We are sorry to perceive that trade was never in a more alarming state than +at present. A general _strike_ for wages has taken place amongst the +smiths. The carpenters have been dreadfully _cut up_; and the shoemakers +find, at the _last_, that it is impossible to make both _ends_ meet. The +bakers complain that the pressure of the times is so great, that they +cannot get the bread to _rise_. The bricklayers swear that the monopolists +ought to be brought to the _scaffold_. The glaziers, having taken some +_pains_ to discover the cause of the distress, declare that they can _see +through_ the whole affair. The gardeners wish to get at the _root_ of the +evil, and consequently have become _radical_ reformers. The laundresses +have _washed_ their hands clean of the business. The dyers protest that +things never looked so _blue_ in their memory, as there is but a slow +demand for + +[Illustration: FAST COLOURS.] + +The butchers are reduced to their last _stake_. The weavers say their lives +hang by a single _thread_. The booksellers protest we must _turn over a new +leaf_. The ironmongers declare that the times are very _hard_ indeed. The +cabmen say business is completely at a _stand_. The watermen are all +_aground_. The tailors object to the government _measures_;--and the +undertakers think that affairs are assuming a _grave_ aspect. Public +credit, too, is tottering;--nobody will take doctors' _draughts_, and it is +difficult to obtain cash for the best bills (of the play). An extensive +brandy-ball merchant in the neighbourhood of Oxford-street has called a +meeting of his creditors; and serious apprehensions are entertained that a +large manufacturer of lollypops in the Haymarket will be unable to meet his +heavy liabilities. Two watchmakers in the city have stopped this morning, +and what is more extraordinary, their watches have "_stopped_" too. + + * * * * * + + +THE NORMANDIE "NO GO." + +The figure, stuffed with shavings, of a French grenadier, constructed by +the Duke of Normandie, and exhibited by him recently at Woolwich, which he +stated would explode if fired at by bullets of his own construction, +possitively objected to being blown up in such a ridiculous manner; and +though several balls were discharged at the man of shavings, he showed no +disposition to move. The Duke waxed exceedingly wroth at the coolness of +his soldier, and swore, if he had been a true Frenchman, he would have +_gone off_ at the first fire. + + * * * * * + + +A CONUNDRUM BY COL. SIBTHORP. + +"What's the difference between the top of a mountain and a person afflicted +with any disorder?"--"One's a _summit of a hill_, and the other's _ill of a +summut_." + + * * * * * + + +A CLASSICAL INSCRIPTION FOR A CIGAR CASE. + +[Greek: To bakchikhon doraema labe, se gar philo.].--EURIPIDES. + + +FREE TRANSLATION. + +"Accept this gift of To-_Baccha_--cigar fellow." + + * * * * * + + +FASHIONS FOR THE PRESENT WEEK. + +Though the dog-days have not yet commenced, _muzzlin_ is very general, and +a new sort of _shally_, called _shilly-shally_, is getting remarkably +prevalent. _Shots_ are still considered the greatest hits, for those who +are anxious to make a good impression; flounces are _out_ in the morning, +and _tucks in_ at dinner-parties, the latter being excessively full, and +much sought after. At _conversaziones_, puffs are very usual, and sleeves +are not so tight as before, to allow of their being laughed in; jewels are +not now to be met with in the head, which is left _au naturel_--that is to +say, as vacant as possible. + + * * * * * + + +"Why is the _Gazette_ like a Frenchman's letter?"--"Because it is full of +_broken English_." + + * * * * * + + +BREACH OF PRIVILEGE. + +In the strangers' gallery in the American house of representatives, the +following notice is posted up:--"Gentlemen will be pleased not to place +their feet on the boards in front of the gallery, _as the dirt from them +falls down on the senators' heads_." In our English House of Commons, this +pleasant _penchant_ for dirt-throwing is practised by the members instead +of the strangers. It is quite amusing to see with what energy O'Connell and +Lord Stanley are wont to bespatter and heap dirt on each other's heads in +their legislative squabbles! + + * * * * * + + +SHOCKING WANT OF SYMPATHY. + +Sir Peter Laurie has made a sad complaint to the Lord Mayor, of the +slippery state of the wooden pavement in the Poultry, and strongly +recommended the immediate removal of the _blocks_. This is most barbarous +conduct on the part of Sir Peter. Has he lost all natural affection for his +kindred, that he should seek to injure them in public estimation? Has he no +secret sympathy for the poor blocks whom he has traduced? Let him lay his +hand upon his _head_ and confess that-- + + "A fellow feeling; makes us wondrous kind." + + * * * * * + + +PUNCH AND PEEL + +THE NEW CABINET. + + +PUNCH.--Well, Sir Robert, have you yet picked your men? Come, no mystery +between friends. Besides, consider your obligations to your old crony, +Punch. Do you forget how I stood by you on the Catholic question? Come, +name, name! Who are to pluck the golden pippins--who are to smack lips at +the golden fish--who are to chew the fine manchet loaves of Downing-street? + +PEEL.--The truth is, my dear Punch-- + +PUNCH.--Stop. You may put on that demure look, expand your right-hand +fingers across the region where the courtesy of anatomy awards to +politicians a heart, and talk about truth as a certain old lady with a +paper lanthorn before her door may talk of chastity--you may do all this on +the hustings; but this is not Tamworth: besides, you are now elected; so +take one of these cigars--they were smuggled for me by my revered friend +Colonel Sibthorp--fill your glass, and out with the list. + +PEEL.--(_Rises and goes to the door, which he double locks; returns to his +seat, and takes from his waistcoat pocket a small piece of ass's skin._) I +have jotted down a few names. + +PUNCH.--And, I see, on very proper material. Read, Robert, read. + +PEEL.--(_In a mild voice and with a slight blush._)--"First Lord of the +Treasury, and Chancellor of the Exchequer, Sir Robert Peel!" + +PUNCH.--Of course. Well? + +PEEL.--"First Lord of the Admiralty--Duke of Buckingham." + +PUNCH.--An excellent man for the Admiralty. He has been at sea in politics +all his life. + +PEEL.--"Secretary for Foreign Affairs--Earl of Aberdeen." + +PUNCH.--An admirable person for Foreign Affairs, especially if he +transacted 'em in Sierra Leone. Proceed. + +PEEL.--"Lord Lieutenant of Ireland--Lord Wharncliffe." + +PUNCH.--Nothing could be better. Wharncliffe in Ireland! You might as well +appoint a red-hot poker to guard a powder magazine. Go on. + +PEEL.--"Secretary for Home Department--Goulburn." + +PUNCH.--A most domestic gentleman; will take care of home, I am sure. Go +on. + +PEEL.--"Lord Chancellor--Sir William Follett." + +PUNCH.--A capital appointment: Sir William loves the law as a spider loves +his spinning; and for the same reason Chancery cobwebs will be at a +premium. + +PEEL.--"Secretary for the Colonies--Lord Stanley." + +PUNCH.--Would make a better Governor of Macquarrie Harbour; but go on. + +PEEL.--"President of the Council--Duke of Wellington." + +PUNCH.--Think twice there.--The Duke will be a great check upon you. The +Duke is now a little too old a mouser to enjoy Tory tricks. He has +unfortunately a large amount of common sense; and how fatal must that +quality be to the genius of the Wharncliffes, the Goulburns, and the +Stanleys! Besides, the Duke has another grievous weakness--he won't lie. + +PEEL.--"Secretary for Ireland--Sir H. Hardinge." + +PUNCH.--Come, that will do. Wharncliffe, the flaming torch of Toryism, and +Hardinge the small lucifer. How Ireland will be enlightened, and how +oranges will go up! + +PEEL.--"Lord Chamberlain--Duke of Beaufort." + +PUNCH.--Capital! The very politician for a Court carpet. Besides, he knows +the etiquette of every green-room from the Pavilion to the Haymarket. He +is, moreover, a member of the Garrick Club; and what, if possible, speaks +more for his State abilities--he used to drive the Brighton coach! + +PEEL.--"Ambassador at Paris--Lord Lyndhurst." + +PUNCH.--That's something like. How the graces of the Palais Royal will +rejoice! There is a peculiar fitness in this appointment; for is not his +Lordship son-in-law to old Goldsmid, whilom editor of the _Anti-Galliean_, +and for many years an honoured and withal notorious resident of Paris! Of +course BEN D'ISRAELI, his Lordship's friend, will get a slice of +secretaryship--may be allowed to nib a state quill, if he must not use one. +Well, go on. + +PEEL.--That's all at present. How d'ye think they read? + +PUNCH.--Very glibly--like the summary of a Newgate Calendar. But the truth +is, I think we want a little new blood in the next Cabinet. + +PEEL.--New blood! Explain, dear Punch. + +PUNCH.--Why, most of your people are, unfortunately, tried men. Hence, the +people, knowing them as well as they know the contents of their own +breeches' pockets, may not be gulled so long as if governed by those whose +tricks--I mean, whose capabilities--have not been so strongly marked. With +new men we have always the benefit of hope; and with hope much swindling +may be perpetrated. + +PEEL.--But my Cabinet contains known men. + +PUNCH.--That's it; knowing _them_, hope is out of the question. Now, with +Ministers less notorious, the Cabinet farce might last a little longer. I +have put down a few names; here they are on a blank leaf of _Jack +Sheppard_. + +PEEL.--A presentation copy, I perceive. + +PUNCH.---Why, it isn't generally known; but all the morality, the wit, and +the pathos, of that work I wrote myself. + +PEEL.--And I must say they're quite worthy of you. + +PUNCH.--I know it; but read--read Punch's Cabinet. + +PEEL (_reads_).--"First Lord of the Treasury, and Chancellor of the +Exchequer--the _Wizard of the North_." + +PUNCH.--And, wizard as he is, he'll have his work to do. He, however, +promises that every four-pound loaf shall henceforth go as far as eight, so +that no alteration of the Corn Laws shall be necessary. He furthermore +promises to plant Blackheath and Government waste grounds with sugar-cane, +and to raise the penny post stamp to fourpence, in so delicate a manner +that nobody shall feel the extra expense. As for the opposition, what will +a man care for even the speeches of a Sibthorp--who can catch any number of +bullets, any weight of lead, in his teeth? Go on. + +PEEL.--"First Lord of the Admiralty--_T.P. Cooke_." + +PUNCH.--Is he not the very man? Who knows more about the true interests of +the navy? Who has beaten so many Frenchmen? Then think of his hornpipe--the +very shuffling for a minister. + +PEEL.--"Secretary for Foreign Affairs--_Gold dust Solomons_." + +PUNCH.--Show me a better man. Consider the many dear relations he has +abroad; and then his admirable knowledge of the rates of exchange? Think of +his crucible. Why, he'd melt down all the crowns of Europe into a coffee +service for our gracious Queen, and turn the Pope's tiara into coral bells +for the little Princess! And I ask you if such feats ain't the practical +philosophy of all foreign policy? Go on. + +PEEL.--"Lord Lieutenant of Ireland--_Henry Moreton Dyer_." + +PUNCH.--An admirable person. As Ireland is the hotbed of all crimes, do we +not want a Lord Lieutenant who shall be able to assess the true value of +every indiscretion, from simple murder to compound larceny? As every +Irishman may in a few months be in prison, I want a Lord Lieutenant who +shall be emphatically the prisoner's friend. Go on. + +PEEL.--"Secretary for Home Department--_George Robins_." + +PUNCH.--A man so intimately connected with the domestic affairs of the +influential classes of the country. Go on. + +PEEL.--"Lord Chancellor--_Mr. Dunn, barrister_." + +PUNCH.--As it appears to me, the best protector of rich heiresses and +orphans. Go on. + +PEEL.--"Secretary for the Colonies--_Money Moses_." + +PUNCH.--A man, you will allow, with a great stake, in fact, with all he +has, in one of our colonial possessions. Go on. + +PEEL.--"President of the Council--_Mrs. Fry_." + +PUNCH.--A lady whose individual respectability may give a convenient cloak +to any policy. Go on. + +PEEL.--"Secretary for Ireland--_Henry Moreton Dyer's footman_." + +PUNCH.--On the venerable adage of "like master like man." Go on. + +PEEL.--"Lord Chamberlain--_The boy Jones_." + +PUNCH.--As one best knowing all the intricacies, from the Royal bed-chamber +to the scullery, of Buckingham Palace. Besides he will drive a donkey-cart. +Go on. + +PEEL.--"Ambassador at Paris--_Alfred Bunn, or any other translator of +French Operas_." + +PUNCH.--A person who will have a continual sense of the necessities of his +country at home; and therefore, by his position, be enabled to send us the +earliest copies of M. Scribe's printed dramas; or, in cases of exigency, +the manuscripts themselves. And now, Bobby, what think you of Punch's +Cabinet? + +PEEL.--Why, really, I did not think the country contained so much state +talent. + +PUNCH.--That's the narrowness of your philosophy; if you were to look with +an enlarged, a thinking mind, you'd soon perceive that the distance was not +so great from St. James's to St. Giles's--from the House of Commons to the +House of Correction. Well, do you accept my list? + +PEEL.--Excuse me, my dear Punch, I must first try my own; when if that +fails-- + +PUNCH.--You'll try mine? That's a bargain. + + * * * * * + + +PUNCH'S PENCILLINGS.--No. III. + +[Illustration: THE EVENING PARTY. + + PREPARATION. DECORATION. + + REALIZATION. TERMINATION.] + + * * * * * + + +A FAIR OFFER + +In compliance with my usual practice, I send you this letter, containing a +trifling biographical sketch, and an offer of my literary services. I don't +suppose you will accept them, treating me as for forty-three years past all +the journals of this empire have done; for I have offered my contributions +to them all--all. It was in the year 1798, that escaping from a French +prison (that of Toulon, where I had been condemned to the hulks for +forgery)--I say, from a French prison, but to find myself incarcerated in +an English dungeon (fraudulent bankruptcy, implicated in swindling +transactions, falsification of accounts, and contempt of court), I began to +amuse my hours of imprisonment by literary composition. + +I sent in that year my "Apology for the Corsican," relative to die murder +of Captain Wright, to the late Mr. Perry, of the _Morning Chronicle_, +preparing an answer to the same in the _Times_ journal; but as the apology +was not accepted (though the argument of it was quite clear, and much to my +credit), so neither was the answer received--a sublime piece, Mr. PUNCH, an +unanswerable answer. + +In the year 1799, I made an attempt on the journal of the late Reverend Mr. +Thomas Hill, then fast sinking in years; but he had ill-treated my father, +pursuing him before Mr. Justice Fielding for robbing him of a snuff-box, in +the year 1740; and he continued his resentment towards my father's +unoffending son. I was cruelly rebuffed by Mr. Hill, as indeed I have been +by every other newspaper proprietor. + +No; there is not a single periodical print which has appeared for +forty-three years since, to which I did not make some application. I have +by me essays and fugitive pieces in fourteen trunks, seven carpet bags of +trifles in verse, and a portmanteau with best part of an epic poem, which +it does not become me to praise. I have no less than four hundred and +ninety-five acts of dramatic composition, which have been rejected even by +the Syncretic Association. + +Such is the set that for forty-three years has been made against a man of +genius by an envious literary world! Are you going to follow in its wake? +Ha, ha, ha! no less than seven thousand three hundred times (the exact +number of my applications) have I asked that question. Think well before +you reject me, Mr. PUNCH--think well, and at least listen to what I have to +say. + +It is this: I am not wishing any longer to come forward with tragedies, +epics, essays, or original compositions. I am old now--morose in temper, +troubled with poverty, jaundice, imprisonment, and habitual indigestion. I +hate everybody, and, with the exception of gin-and-water, everything. I +know every language, both in the known and unknown worlds; I am profoundly +ignorant of history, or indeed of any other useful science, but have a +smattering of all. I am excellently qualified to judge and lash the vices +of the age, having experienced, I may almost say, every one of them in my +own person. The immortal and immoral Goethe, that celebrated sage of +Germany, has made exactly the same confession. + +I have a few and curious collection of Latin and Greek quotations. + +And what is the result I draw from this? This simple one--that, of all men +living, I am the most qualified to be a CRITIC, and hereby offer myself to +your notice in that capacity. + +Recollect, I am always at Home--Fleet Prison, Letter L, fourth staircase, +paupers'-ward--for a guinea, and a bottle of Hodges' Cordial, I will do +anything. I will, for that sum, cheerfully abuse my own father or mother. I +can smash Shakspeare; I can prove Milton to be a driveller, or the +contrary: but, for preference, take, as I have said, the abusive line. + +Send me over then, Mr. P., any person's works whose sacrifice you may +require. I will cut him up, sir; I will flay him--flagellate him--finish +him! You had better not send me (unless you have a private grudge against +the authors, when I am of course at your service)--you had better not send +me any works of real merit; for I am infallibly prepared to show that there +is not any merit in them. I have not been one of the great unread for +forty-three years, without turning my misfortunes to some account. Sir, I +know how to make use of my adversity. I have been accused, and rightfully +too, of swindling, forgery, and slander. I have been many times kicked down +stairs. I am totally deficient in personal courage; but, though I can't +fight, I can rail, ay, and well. Send me somebody's works, and you'll see +how I will treat them. + +Will you have personal scandal? I am your man. I will swear away the +character, not only of an author, but of his whole family--the female +members of it especially. Do you suppose I care for being beaten? Bah! I no +more care for a flogging than a boy does at Eton: and only let the flogger +beware--I will be a match for him, I warrant you. The man who beats me is a +coward; for he knows I won't resist. Let the dastard strike me then, or +leave me, as he likes; but, for a choice, I prefer abusing women, who have +no brothers or guardians; for, regarding a thrashing with indifference, I +am not such a ninny as to prefer it. And here you have an accurate account +of my habits, history, and disposition. + +Farewell, sir; if I can be useful to you, command me. If you insert this +letter, you will, of course, pay for it, upon my order to that effect. I +say this, lest an unprincipled wife and children should apply to you for +money. They are in a state of starvation, and will scruple at no dastardly +stratagem to procure money. I spent every shilling of Mrs. Jenkinson's +property forty-five years ago. + +I am, sir, your humble servant, + +DIOGENES JENKINSON, + +Son of the late Ephraim Jenkinson, well known to Dr. O. Goldsmith; the +Rev. ---- Primrose, D.D., Vicar of Wakefield; Doctor Johnson, of +Dictionary celebrity; and other literary gentlemen of the last century. + + [We gratefully accept the offer of Mr. Diogenes Jenkinson, whose + qualifications render him admirably adapted to fill a situation + which Mr. John Ketch has most unhandsomely resigned, doubtlessly + stimulated thereto by the probable accession to power of his old + friends the Tories. We like a man who dares to own himself--a + Jenkinson.--ED.] + + * * * * * + + +FINE ARTS. + +His Royal Highness Prince Albert, who has occasionally displayed a +knowledge and much liking for the Fine Arts, some time since expressed an +intimation to display his ability in sketching landscape from nature. The +Royal Academicians immediately assembled _en masse_; and as they wisely +imagined that it would be impolitic in them to let an opportunity slip of +not being the very foremost in the direction of matters connected with +royalty and their profession, offered, or rather thrust forward, their +services to arrange the landscape according to the established rules of art +laid down by this self-elected body of the professors of the beauties of +nature. St. James's-park, within the enclosure, having been hinted as the +nearest and most suitable spot for the royal essay, the Academicians were +in active service at an early hour of the appointed day: some busied +themselves in making foreground objects, by pulling down trees and heaping +stones together from the neighbouring macadamized stores; others were most +fancifully spotting the trees with whitewash and other mixtures, in +imitation of moss and lichens. The classical Howard was awfully industrious +in grouping some swans, together with several kind-hearted ladies from the +adjoining purlieus of Tothill-street, who had been most willingly secured +as models for water-nymphs. The most rabidly-engaged gentleman was Turner, +who, despite the remonstrances of his colleagues upon the expense attendant +upon his whimsical notions, would persist in making the grass more natural +by emptying large buckets of treacle and mustard about the ground. Another +old gentleman, whose name we cannot at this moment call to recollection, +spent the whole of his time in placing "a little man a-fishing," that +having been for many years his fixed belief as the only illustration of the +pastoral and picturesque. In the meantime, to their utter disappointment, +however, his Royal Highness quietly strolled with his sketch-book into +another quarter. + + * * * * * + + +A BARRISTER'S CARD. + +Mr. Briefless begs to inform the public and his friends in general, that he +has opened chambers in Pump-court.--N.B. Please to go down the area steps. + +In consequence of the general pressure for money, Mr. Briefless has +determined to do business at the following very reduced scale of prices; +and flatters himself, that having been very long a member of a celebrated +debating society, he will be found to possess the qualities so essential to +a legal advocate. + + Motions of cause, 6s. 6d.--Usual charge, 10s. 5d. + Undefended actions, (from) 15s.--Usually (from) 2l. 2s. + Actions for breach of promise (from) 1l. 1s.--Usually (from) 5l. 5s. to 500l. + Ditto, with appeals to the feelings, (from) 3l. 3s. + Ditto, ditto, very superior, 5l. 5s. + Ditto, with tirades against the law (a highly approved mixture), 3l. 3s. + +N.B. To the three last items there is an addition of five shillings for a +reply, should one be rendered requisite. Mr. Briefless begs to call +attention to the fact, that feeling the injustice that is done to the +public by the system of refreshers, he will in all cases, where he is +retained, take out his refreshers in brandy, rum, gin, ale, or porter. + +Injured innocence carefully defended. Oppression and injustice punctually +persecuted. A liberal allowance to attorneys and solicitors. + +A few old briefs wanted as dummies. Any one having a second-hand coachman's +wig to dispose of may hear of a purchaser. + + * * * * * + + +THE WIFE CATCHERS. + +A LEGEND OF MY UNCLE'S BOOTS. + + "Ah! sure a _pair_ was never seen, + More justly form'd--" + + +CHAPTER I. + +[Illustration: J]Jack, said my uncle Ned to me one evening, as we sat +facing each other, on either side of the old oak table, over which, for the +last thirty years, my worthy kinsman's best stories had been told, "Jack," +said he, "do you remember the pair of yellow-topped boots that hung upon +the peg in the hall, before you went to college?" + +"Certainly, uncle; they were called by every one, 'The Wife Catchers.'" + +"Well, Jack, many a title has been given more undeservedly--many a rich +heiress they were the means of bringing into our family. But they are no +more, Jack. I lost the venerated relics just one week after your poor dear +aunt departed this life." + +My uncle drew out his bandanna handkerchief and applied it to his eyes; but +I cannot be positive to which of the family relics this tribute of +affectionate recollection was paid. + +"Peace be with their _soles_!" said I, solemnly. "By what fatal chance did +our old friends slip off the peg?" + +"Alas!" replied my uncle, "it was a melancholy accident; and as I perceive +you take an interest in their fate, I will relate it to you. But first fill +your glass, Jack; you need not be afraid of this stuff; it never saw the +face of a gauger. Come, no skylights; 'tis as mild as new milk; there's not +a head-ache in a hogshead of it." + +To encourage me by his example, my uncle grasped the huge black case-bottle +which stood before him, and began to manufacture a tumbler of punch +according to Father Tom's popular receipt. + +Whilst he is engaged in this pleasing task, I will give my readers a +pen-and-ink sketch of my respected relative. Fancy a man declining from his +fiftieth year, but fresh, vigorous, and with a greenness in his age that +might put to the blush some of our modern hotbed-reared youths, with the +best of whom he could cross a country on the back of his favourite hunter, +_Cruiskeen_, and when the day's sport was over, could put a score of them +under the aforementioned oak table--which, by the way, was frequently the +only one of the company that kept its legs upon these occasions of +Hibernian hospitality. I think I behold him now, with his open, benevolent +brow, thinly covered with grey hair, his full blue eye and florid cheek, +which glowed like the sunny side of a golden-pippin that the winter's frost +had ripened without shrivelling. But as he has finished the admixture of +his punch, I will leave him to speak for himself. + +"You know, Jack," said he, after gulping down nearly half the newly-mixed +tumbler, by way of sample, "you know that our family can lay no claim to +antiquity; in fact, our pedigree ascends no higher, according to the most +authentic records, than Shawn Duffy, my grandfather, who rented a small +patch of ground on the sea-coast, which was such a barren, unprofitable +spot, that it was then, and is to this day, called 'The Devil's Half-acre.' +And well it merited the name, for if poor Shawn was to break his heart at +it, he never could get a better crop than thistles or ragweed off it. But +though the curse of sterility seemed to have fallen on the land, Fortune, +in order to recompense Shawn for Nature's niggardliness, made the caverns +and creeks of that portion of the coast which bounded his farm towards the +sea the favourite resort of smugglers. Shawn, in the true spirit of +Christian benevolence, was reputed to have favoured those enterprising +traders in their industry, by assisting to convey their cargoes into the +interior of the country. It was on one of those expeditions, about five +o'clock on a summer's morning, that a gauger unluckily met my grandfather +carrying a bale of tobacco on his back." + +Here my uncle paused in his recital, and leaning across the table till his +mouth was close to my ear, said, in a confidential whisper-- + +"Jack, do _you_ consider killing a gauger--murder?" + +"Undoubtedly, sir." + +"You do?" he replied, nodding his head significantly. "Then heaven forgive +my poor grandfather. However, it can't be helped now. The gauger was found +dead, with an ugly fracture in his skull, the next day; and, what was +rather remarkable, Shawn Duffy began to thrive in the world from that time +forward. He was soon able to take an extensive farm, and, in a little time, +began to increase in wealth and importance. But it is not so easy as some +people imagine to shake off the remembrance of what we have been, and it is +still more difficult to make our friends oblivious on that point, +particularly if we have ascended in the scale of respectability. Thus it +was, that in spite of my grandfather's weighty purse, he could not succeed +in prefixing _Mister_ to his name; find he continued for a long time to be +known as plain 'Shawn Duffy, of the Devil's Half-acre.' It was undoubtedly +a most diabolic address; but Shawn was a man of considerable strength of +mind, as well as of muscle, and he resolved to become a _juntleman_, +despite this damning reminiscence. Vulgarity, it is said, sticks to a man +like a limpet to a rock. Shawn knew the best way to rub it off would be by +mixing with good society. Dress, he always understood, was the best +passport he could bring for admission within the pale of gentility; +accordingly, he boldly attempted to pass the boundary of plebeianism, by +appearing one fine morning at the fair of Ballybreesthawn in a flaming red +waistcoat, an elegant _oarline_[2] hat, a pair of buckskin breeches, and a +new pair of yellow-topped boots, which, with the assistance of large plated +spurs, and a heavy silver-mounted whip, took the shine out of the smartest +squireens at the fair. + + [2] A beaver hat. + +"Fortunately for the success of my grandfather's invasion of the +aristocratic rights, it occurred on the eve of a general election, and as +he had the command of six or eight votes in the county, his interest was a +matter of some importance to the candidates. Be that as it may, it was with +feelings little short of absolute dismay, that the respectable inhabitants +of the extensive village of Ballybreesthawn beheld the metamorphosed tenant +of 'The Devil's Half-acre,' walking arm-in-arm down the street with Sir +Denis Daly, the popular candidate. At all events, this public and familiar +promenade had the effect of establishing _Mister_ John Duffy's dubious +gentility. He was invited to dine the same day by the attorney; and on the +following night the apothecary proposed his admission as a member of the +Ballybreesthawn Liberal reading-room. It was even whispered that Bill +Costigan, who went twice a-year to Dublin for goods, was trying to strike +up a match between Shawn, who was a hale widower, and his aunt, an ancient +spinster, who was set down by report as a fortune of seven hundred pounds. +Negotiations were actually set on foot, and several preliminary bottles of +potteen had been drunk by the parties concerned, when, unfortunately, in +the high road to happiness, my poor grandfather caught a fever, and popped +off, to the inexpressible grief of the expectant bride, who declared her +intention of dying in the virgin state; to which resolution, there being no +dissentient voice, it was carried _nem. con._ + +"Thus died the illustrious founder of our family; but happy was it for +posterity that the yellow-topped boots did not die along with him; these, +with the red waistcoat, the leather breeches, and plated spurs, remained to +raise the fortunes of our house to a higher station. The waistcoat has been +long since numbered with the waistcoats before the flood; the buckskins, +made of 'sterner stuff,' stood the wear and tear of the world for a length +of time, but at last were put out of commission; while the boots, more +fortunate or tougher than their leathern companions, endured more than +forty years of actual service through all the ramifications of our +extensive family. In this time they had suffered many dilapidations; but by +the care and ingenuity of the family cobbler, they were always kept in +tolerable order, and performed their duty with great credit to themselves, +until an unlucky accident deprived me of my old and valued friends." + + * * * * * + + +POOR JOHN BULL. + +That knowing jockey Sir Robert Peel has stated that the old charger, John +Bull, is, from over-feeding, growing restive and unmanageable--kicking up +his heels, and playing sundry tricks extremely unbecoming in an animal of +his advanced age and many infirmities. To keep down this playful spirit, +Sir Robert proposes that a new burthen be placed upon his back in the shape +of a house-tax, pledging himself that it shall be heavy enough to effect +the desired purpose. Commend us to these Tories--they are rare fellows for + +[Illustration: BREAKING A HORSE.] + + * * * * * + + +A STRONG RESEMBLANCE. + +Sir Edward Lytton Bulwer has frequently been accused of identifying himself +with the heroes of his novels. His late treatment at Lincoln leaves no +doubt of his identity with + +[Illustration: THE DISOWNED.] + + * * * * * + + +A PRUDENT CHANGE. + +"So Lord John Russell is married," said one of the Carlton Club loungers to +Colonel Sibthorp the other morning. "Yes," replied that gallant punster; +"his Lordship is at length convinced that his talents will be better +employed in the management of the _Home_ than the _Colonial_ department." + + * * * * * + + +THE ABOVE-BRIDGE NAVY. + +AN ARTICLE INTENDED FOR THE "QUARTERLY REVIEW," BUT FALLEN INTO THE HANDS +OF "PUNCH." + +I.--_Hours of the Starting of the Boats of the Iron Steam Boat Company_. +London: 1841. + +II.--_Notes of a Passenger on Board the Bachelor, during a Voyage from Old +Swan Pier, London Bridge, to the Red House, Battersea_. CATNACH: 1840. + +III.--_Rule Britannia, a Song_. London: 1694. + +IV.--_Two Years before the Mast_. CUNNINGHAM. London. + +V.--_Checks issued by the London and Westminster Steam Boat Company_. +CATTARNS AND FRY. + +At a time when the glory of England stands--like a door shutting or opening +either way--entirely upon a pivot; when the hostile attitude of enemies +abroad threatens not more, nor perhaps less, than the antagonistic posture +of foes at home--at such a time there is at least a yet undug and hitherto +unexplored mine of satisfaction in the refreshing fact, that the Thames is +fostering in his bosom an entirely new navy, calculated to bid defiance to +the foe--should he ever come--in the very heart and lungs, the very bowels +and vitals, the very liver and lungs, or, in one emphatic word, the very +pluck of the metropolis. There is not a more striking instance of the +remarkable connexion between little--very little--causes, and +great--undeniably great--effects, than the extraordinary origin, rise, +progress, germ, development, and maturity, of the _above-bridge navy_, the +bringing of which prominently before the public, who may owe to that navy +at some future--we hope so incalculably distant as never to have a chance +of arriving--day, the salvation of their lives, the protection of their +hearths, the inviolability of their street-doors, and the security of their +properties. Sprung from a little knot of (we wish we could say "_jolly +young_," though truth compels us to proclaim) far from jolly, and decidedly +old, "watermen," the _above-bridge navy_, whose shattered and unfrequented +wherries were always "in want of a fare," may now boast of covering the +bosom of the Thames with its fleet of steamers; thus, as it were, bringing +the substantial piers of London Bridge within a stone's throw--if we may be +allowed to pitch it so remarkably strong--of the once remote regions of the +Beach[3], and annihilating, as it were, the distance between sombre +southwark and bloom-breathing Battersea. + + [3] Chelsea. + +The establishment of this little fleet may well be a proud reflection to +those shareholders who, if they have no dividend in specie, have another +species of dividend in the swelling gratification with which the heart of +every one must be inflated, as, on seeing one of the noble craft dart with +the tide through the arches--supposing, of course, it does not strike +against them--of Westminster Bridge, he is enabled mentally to exclaim, +"There goes some of _my_ capital!" But if the pride of the proprietor--if +_he_ can be called a proprietor who derives nothing from his property--be +great, what must be the feelings of the captain to whose guidance the bark +is committed! We can scarcely conceive a nobler subject of contemplation +than one of those once indigent--not to say absolutely done up--watermen, +perched proudly on the summit of a paddle-box, and thinking--as he very +likely does, particularly when the vessel swags and sways from side to +side--of the height he stands upon. + +It may be, and has been, urged by some, that the Thames is not exactly the +place to form the naval character; that a habit of braving the "dangers of +the deep" is hardly to be acquired where one may walk across at low tide, +on account of the water being so confoundedly _shallow_: but these are +cavillings which the lofty and truly patriotic mind will at once and +indignantly repudiate. The humble urchin, whose sole duty consists in +throwing out a rope to each pier, and holding hard by it while the vessel +stops, may one day be destined for some higher service: and where is the +English bosom that will not beat at the thought, that the dirty lad below, +whose exclamation of "Ease her!--stop her!--one turn ahead!"--may one day +be destined to give the word of command on the quarterdeck, and receive, in +the shape of a cannon-ball, a glorious full-stop to his honourable +services! + +Looking as we do at the _above-bridge navy_, in a large and national light, +we are not inclined to go into critical details, such as are to be met +with, _passim_, in the shrewd and amusing work of "The Passenger on board +the Bachelor." There may be something in the objection, that there is no +getting comfortably into one of these boats when one desires to go by it. +It may be true, that a boy's neglecting "to hold" sufficiently "hard," may +keep the steamer vibrating and Sliding about, within a yard of the pier, +without approaching it. But these are small considerations, and we are not +sure that the necessity of keeping a sharp look out, and jumping aboard at +precisely the right time, does not keep up that national ingenuity which is +not the least valuable part of the English character. In the same light are +we disposed to regard the occasional running aground of these boats, which, +at all events, is a fine practical lesson of patience to the passengers. +The collisions are not so much to our taste, and these, we think, though +useful to a certain extent for inculcating caution, should be resorted to +as rarely as possible. + +We have not gone into the system of signals and "_hand motions_," if we may +be allowed to use a legal term, by which the whole of this navy is +regulated; but these, and other details, may, perhaps, be the subject of +some future article for we are partial to + +[Illustration: TAKING IT EASY.] + + * * * * * + + +CORRESPONDENCE. + +_Newcastle-street, July --, 1841._ + +MR. PUNCH,--Little did I think wen i've bin a gaping and starin' at you in +the streats, that i shud ever happli to you for gustice. Isntet a shame +that peeple puts advurtusmints in the papers for a howsmaid for a lark, as +it puts all the poor survents out of plaice into a dredfool situashun. + +As i alwuss gets a peep at the paper on the landin' as i takes it up for +breckfus, i was unfoughtunite enuf to see a para--thingem-me-bob--for a +howsmaid, wanted in a nobbleman's fameli. On course, a young woman has a +rite to better hursef if she can; so I makes up my mind at wunce--has i +oney has sicks pouns a ear, and finds my own t and shuggar--i makes up my +mind to arsk for a day out; which, has the cold mutting was jest enuf for +mastur and missus without me, was grarnted me. I soon clears up the +kitshun, and goes up stares to clean mysef. I puts on my silk gronin-napple +gownd, and my lase pillowrin, likewise my himitashun vermin tippit, (give +me by my cussen Harry, who keeps kumpany with me on hot-dinner days), also +my tuskin bonnit, parrersole, and blacbag; and i takes mysef orf to +South-street, but what was my felines, wen, on wringing the belle, a boy +anser'd the daw, with two roes of brarse beeds down his jacket. + +"Can i speek a word with the futman?" says i, in my ingaugingist manner. + +"i'm futman," says he. + +"Then the cook," says i. + +"We arn't no cook," says he. + +"No cook!" says i, almose putrifide with surprise; "you must be jokin'"-- + +"Jokin'," says he; "do you no who lives here?" + +"Not exacly," says i. + +"Lord Milburn," says he. + +i thort i shud have dropt on the step, as a glimmerin' of the doo shot +aX my mine. + +"Then you don't want no howsmaid?" says i. + +"Howsmaid!" says the boy; "go to blazes: (What could he mean by + +[Illustration: GOING TO BLAZES?)] + +"No; i've toled fifty on ye so this mornin'--it's a oaks." + +"Then more shame of Lord Milborn to do it," says i; "he may want a place +hissef some day or other," sayin' of which i bounsed off the doorstep, with +all tho dignity i could command. + +Now, what i wants to no is, wether i can't summons his lordship for my day +out. Harry sais, should i ever come in contract with Lord Milborn, i'm to +trete him with the silent kontempt of + +Yours truly, + +[Illustration: AN INDIGNANT HOUSEMAID.] + + * * * * * + + +A MOVING SCENE. + +The present occupants of the government premises in Downing-street, whose +leases will expire in a few days, are busily employed packing up their +small affairs before the new tenants come into possession. It is a pitiful +sight to behold these poor people taking leave of their softly-stuffed +seats, their rocking-chairs, their footstools, slippers, cushions, and all +those little official comforts of which they nave been so cruelly deprived. +That man must, indeed, be hard-hearted who would refuse to sympathise with +their sorrows, or to uplift his voice in the doleful Whig chorus, when he +hears-- + +[Illustration: THE PACK IN FULL CRY.] + + * * * * * + + +THE DRAMA + +DUCROW AT SADLER'S WELLS. + +When, in a melo-drama, the bride is placing her foot upon the first step of +the altar, and Ruffi_aa_no tears her away, far from the grasp of her lover; +when a rich uncle in a farce dies to oblige a starving author in a garret; +when, two rivals duellise with toasting-forks; when such things are plotted +and acted in the theatre, hypercritics murmur at their improbability; but +compare them with the haps of the drama off the stage, and they become the +veriest of commonplaces. This is a world of change: the French have invaded +Algiers, British arms are doing mortal damage in the Celestial Empire, +Poulett Thomson has gone over to Canada, and oh! wonder of wonders! +Astley's has removed to Sadler's Wells!! The pyrotechnics of the former +have gone on a visit to the hydraulics of the latter, the red fire of +Astley's has come in contact with the real water of the Wells, yet, marvel +superlative! the unnatural meeting has been successful--there has not been +a single _hiss_. + +What was the use of Sir Hugh Middleton bringing the New River to a "head," +or of King Jamie buying shares in the speculation on purpose to supply +Sadler's Wells with real water, if it is to be drained off from under the +stage to make way for horses? Shade of Dibdin! ghost of Grimaldi! what +would you have said in your day? To be sure ye were guilty of pony races: +they took place _outside_ the theatre, but within the walls, in the very +_cella_ of the aquatic temple, till now, never! We wonder ye do not rise up +and "pluck bright Honner from the vasty deep" of his own tank. + +Sawdust at Sadler's Wells! What next, Mr. Merriman? + +[Illustration: A JUDGE GOING THE CIRCUIT.] + +If Macready had been engaged for Clown, and set down to sing "hot codlins;" +were Palmerston "secured" for Pierrot, or Lord Monteagle for Jim Crow, who +would have wondered? But to saddle "The Wells" with horses--profanity +unparalleled! + +Spitefully predicting failure from this terrible declension of the drama, +we went, in a mood intensely ill-natured, to witness how the "Horse of the +Pyrenees" would behave himself at Sadler's Wells. From the piece so called +we anticipated no amusement; we thought the regular company would make but +sorry equestrians, and, like the King of Westphalia's hussars, would prove +totally inefficient, from not being habituated to mount on horseback. +Happily we were mistaken; nothing could possibly _go_ better than both the +animals and the piece. The actors acquitted themselves manfully, even +including the horses. The mysterious Arab threw no damp over the +performances, for he was personated by Mr. Dry. The little Saracen was +performed so well by _le petit Ducrow_, that we longed to see _more_ of +him. The desperate battle fought by about sixteen supernumeraries at the +pass of Castle Moura, was quite as sanguinary as ever: the combats were +perfection--the glory of the red fire was nowise dimmed! It was magic, yes, +it _was_ magic! Mr. Widdicomb was there!! + +Thinking of magic and Mr. Widdicomb (of whom dark hints of identification +with the wandering Jew have been dropped--who, _we know_, taught Prince +George of Denmark horsemanship--who is mentioned by Addison in the +"Spectator," by Dr. Johnson in the "Rambler," and helped to put out each of +the three fires that have happened at Astley's during the last two +centuries), brought by these considerations to a train of mind highly +susceptible of supernatural agency, we visited-- + +THE WIZARD OF THE NORTH, + +the illustrious professor of _Phoenixsistography_, and other branches of +the black art, the names of which are as mysterious as their performance. + +One only specimen of his prowess convinced us of his supernatural talents. +He politely solicited the loan of a bank-note--he was not choice as to the +amount or bank of issue. "It may be," saith the play-bill, "a Bank of +England or provincial note, for any sum from five pounds to one thousand." +His is better magic than Owen Glendower's, for the note "did come when he +did call it!" for a confiding individual in the boxes (dress circle of +course) actually did lend him, the Wizard, a cool hundred! Conceive the +power, in a metaphysical sense, the conjuror must have had over the +lender's mind! Was it animal magnetism?--was it terror raised by his +extraordinary performances, that spirited the cash out of the pocket of the +man? who, perhaps, thought that such supernatural talents _might_ be +otherwise employed against his very existence, thus occupying his perturbed +soul with the alternative, "Your money or your life!" + +This subject is deeply interesting to actors out of engagements, literary +men, and people who "have seen better days"--individuals who have brought +this species of conjuration to a high state of perfection. It is a new and +important chapter in the "art of borrowing." We perceive in the Wizard's +advertisements he takes pupils, and offers to make them proficient in any +of his delusions at a guinea per trick. We intend to put ourselves under +his instructions for the bank-note trick, the moment we can borrow +one-pound-one for that purpose. + +Besides this, the Wizard does a variety of things which made our hair stand +on end, even while reading their description in his play-bill. We did not +see him perform them. There was no occasion--the bank-note trick convinced +us--for the man who can borrow a hundred pounds whenever he wants it can do +anything. + +Everybody ought to go and see him. Young ladies having a taste for +sentimental-looking men, who wear their hair _à la jeune France_; natural +historians who want to see guinea-pigs fly; gamesters who would like to be +made "fly" to a card trick or two; _connoisseurs_, who wish to see how +plum-pudding may be made in hats, will all be gratified by a visit to the +Adelphi. + + * * * * * + + +MACBETH AT THE SURREY. + +We heard the "Macbeth choruses" exquisitely performed, and saw the +concluding combat furiously fought at this theatre. This was all, +appertaining unto Macbeth in which we could detect a near approach to the +meaning and purpose of the text, except the performance of the _Queen_, by +Mrs. H. Vining, who seemed to understand the purport of the words she had +to speak, and was, consequently, inoffensive--a rare merit when Shakspere +is attempted on the other side of the Thames. + +The qualifications demanded of an actor by the usual run of Surrey +audiences are lungs of undeniable efficiency, limbs which will admit of +every variety of contortion, and a talent for broad-sword combats. How, +then, could the new Macbeth--a Mr. Graham--think of choosing this theatre +for his first appearance? His deportment is quiet, and his voice weak. It +has, for instance, been usually thought, by most actors, that after a +gentleman has murdered his sovereign, and caused a similar peccadillo to be +committed upon his dearest friend, he would be, in some degree, agitated, +and put out of the even tenor of his way, when the ghost of Banquo appears +at the banquet. On such an occasion, John Kemble and Edmund Kean used to +think it advisable to start with an expression of terror or horror; but Mr. +Graham indulges us with a new reading. He carefully places one foot +somewhat in advance of the other, and puts his hands together with the +utmost deliberation. Again, he says mildly-- + + "Avaunt! and quit my sight! Let the earth hide thee!" + +in a tone which would well befit the situation, if the text ran thus:-- + + "Dear me, how singular! Pray go!" + +When he does attempt to vociferate, the asthmatic complaint under which he +evidently labours prevents him from delivering the sentences in more +copious instalments than the following:-- + + "I'll fight--till--from my bones--my flesh--be hacked!" + + +We may be told that Mr. Graham cannot help his physical defects; but he can +help being an actor, and, above all, choosing a part which requires great +prowess of voice. In less trying characters, he may prove an acquisition; +for he showed no lack of judgment nor of acquaintance with the conventional +rules of the stage. At the Surrey, and in "Macbeth," he is entirely out of +his element. Above all, let him never play with Mr. Hicks, whose energy in +the combat scene, and ranting all through _Macduff_, brought down "_Brayvo, +Hicks!_" in showers. The contrast is really too disadvantageous. + +But the choruses! Never were they more be_witch_ingly performed. Leffler +sings the part of _Hecate_ better than his best friends could have +anticipated; and, apart from the singing, Miss Romer's _acting_ in the +_soprano_ witch, is picturesque in the extreme. + + * * * * * + + +HOP INTELLIGENCE + +Fanny Elsler has made an enormous fortune by her _trips_ in America. Few +_pockets_ are so crammed by _hops_ as hers. + +Oscar Byrne, professor of the College Hornpipe to the London University, +had a long interview yesterday with Lord Palmerston to give his lordship +lessons in the new waltz step. The master complains that, despite a long +political life's practice, the pupil does not turn _quick enough_. A change +was, however, apparent at the last lesson, and his lordship is expected +soon to be able to effect a complete rota-_tory_ motion. + +Mademoiselle Taglioni has left London for Germany, her fatherland, the +country of her _pas_. + +The society for the promotion of civilization have engaged Mr. Tom Matthews +to teach the Hottentots the minuet-de-la-Cour and tumbling. He departs with +the other missionaries when the hot weather sets in. + + * * * * * + + +Charles Kean is becoming so popular with the jokers of the day, that we +have serious thoughts of reserving a corner entirely to his use. Amongst +the many hits at the young tragedian, the two following are not the +worst:-- + +EARLY ADVANTAGES. + +"Kean's juvenile probation at Eton has done him good service with the +aristocratic patrons of the drama," remarked a lady to a witty friend of +ours. "Yes, madam," was the reply, "he seems to have gained by _Eaton_ what +his father lost by _drinking_." + +BILL-STICKERS BEWARE. + +"How Webster puffs young Kean--he seems to monopolise the walls!" said +Wakley to his colleague, Tom Duncombe. "Merely a realisation of the +adage,--_The weakest always goes to the wall_," replied the idol of +Finsbury. + + + + + +End of the Project Gutenberg EBook of Punch, or the London Charivari. Vol. +1, July 31, 1841, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** + +***** This file should be named 14921-8.txt or 14921-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/9/2/14921/ + +Produced by Syamanta Saikia, Jon Ingram, Barbara Tozier and the PG +Online Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |