summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 04:45:31 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 04:45:31 -0700
commit1b71069232811ade73b53128ac30fabb5b07972e (patch)
treeda8015e1068db5a61f041e6ca848fbb4ebad290c
initial commit of ebook 14856HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--14856-8.txt2175
-rw-r--r--14856-8.zipbin0 -> 40128 bytes
-rw-r--r--14856-h.zipbin0 -> 5135291 bytes
-rw-r--r--14856-h/14856-h.htm3060
-rw-r--r--14856-h/images/189.pngbin0 -> 128104 bytes
-rw-r--r--14856-h/images/190.pngbin0 -> 134715 bytes
-rw-r--r--14856-h/images/191.pngbin0 -> 256771 bytes
-rw-r--r--14856-h/images/192.pngbin0 -> 46858 bytes
-rw-r--r--14856-h/images/193.pngbin0 -> 90676 bytes
-rw-r--r--14856-h/images/194.pngbin0 -> 170889 bytes
-rw-r--r--14856-h/images/195.pngbin0 -> 211026 bytes
-rw-r--r--14856-h/images/196a.pngbin0 -> 123941 bytes
-rw-r--r--14856-h/images/196b.pngbin0 -> 150755 bytes
-rw-r--r--14856-h/images/197a.pngbin0 -> 87612 bytes
-rw-r--r--14856-h/images/197b.pngbin0 -> 96669 bytes
-rw-r--r--14856-h/images/198a.pngbin0 -> 125103 bytes
-rw-r--r--14856-h/images/198b.pngbin0 -> 106274 bytes
-rw-r--r--14856-h/images/199.pngbin0 -> 155367 bytes
-rw-r--r--14856-h/images/200a.pngbin0 -> 118593 bytes
-rw-r--r--14856-h/images/200b.pngbin0 -> 144500 bytes
-rw-r--r--14856-h/images/201a.pngbin0 -> 126055 bytes
-rw-r--r--14856-h/images/201b.pngbin0 -> 135623 bytes
-rw-r--r--14856-h/images/202a.pngbin0 -> 87290 bytes
-rw-r--r--14856-h/images/202b.pngbin0 -> 124214 bytes
-rw-r--r--14856-h/images/203a.pngbin0 -> 95247 bytes
-rw-r--r--14856-h/images/203b.pngbin0 -> 161840 bytes
-rw-r--r--14856-h/images/204a.pngbin0 -> 120820 bytes
-rw-r--r--14856-h/images/204b.pngbin0 -> 165451 bytes
-rw-r--r--14856-h/images/205.pngbin0 -> 125716 bytes
-rw-r--r--14856-h/images/206.pngbin0 -> 197476 bytes
-rw-r--r--14856-h/images/207.pngbin0 -> 223350 bytes
-rw-r--r--14856-h/images/208a.pngbin0 -> 85370 bytes
-rw-r--r--14856-h/images/208b.pngbin0 -> 92454 bytes
-rw-r--r--14856-h/images/209a.pngbin0 -> 141505 bytes
-rw-r--r--14856-h/images/209b.pngbin0 -> 203007 bytes
-rw-r--r--14856-h/images/210.pngbin0 -> 167977 bytes
-rw-r--r--14856-h/images/211.pngbin0 -> 279938 bytes
-rw-r--r--14856-h/images/212.pngbin0 -> 57942 bytes
-rw-r--r--14856-h/images/213a.pngbin0 -> 33458 bytes
-rw-r--r--14856-h/images/213b.pngbin0 -> 56755 bytes
-rw-r--r--14856-h/images/214.pngbin0 -> 134261 bytes
-rw-r--r--14856-h/images/215.pngbin0 -> 86008 bytes
-rw-r--r--14856-h/images/216.pngbin0 -> 36677 bytes
-rw-r--r--14856.txt2175
-rw-r--r--14856.zipbin0 -> 40093 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
48 files changed, 7426 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/14856-8.txt b/14856-8.txt
new file mode 100644
index 0000000..830820d
--- /dev/null
+++ b/14856-8.txt
@@ -0,0 +1,2175 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 152,
+March 28, 1917, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 152, March 28, 1917
+
+Author: Various
+
+Release Date: February 1, 2005 [EBook #14856]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 152.
+
+
+
+March 28th, 1917.
+
+
+
+
+[Illustration: _Torpedoed mine-sweeper_ (_to his pal_). "AS I WAS A-SAYIN',
+BOB, WHEN WE WAS INTERRUPTED, IT'S MY BELIEF AS 'OW THE SUBMARINE BLOKES
+AIN'T ON 'ARF AS RISKY A JOB AS THE BOYS IN THE AIRY-O-PLANES."]
+
+ * * * * *
+
+CHARIVARIA.
+
+Charged at Kingston with being an absentee from military service, a man of
+retiring habits stated that he did not know the country was at war. When
+told that we were fighting the Germans he was greatly interested.
+
+ ***
+
+The Hamburg hotel-keepers have decided to abolish the practice of charging
+more for food in cases where wine or beer are not consumed. The reason
+given--that there was no wine or beer to be consumed--is so trivial that a
+deeper motive may well be suspected.
+
+ ***
+
+"That is how we lawyers live, because lay-men have such queer ideas," said
+Judge CLUER in a recent case. Nevertheless, the view that lawyers shouldn't
+be allowed to live is not without its ardent supporters.
+
+ ***
+
+_The Manchester Guardian_ has issued an "Empire number." It is pleasant to
+know that all differences between the Empire and our contemporary, due to
+the former's ill-advised participation in the War, have been satisfactorily
+adjusted.
+
+ ***
+
+Events have happened so swiftly of late that up to the time of going to
+press a contemporary had not decided who should be "_The Man who Dined with
+the Tsar_."
+
+ ***
+
+Virginia-creepers are recommended by a contemporary as a "tasty vegetable."
+In one large house where the experiment was tried they were pronounced to
+be quite all right on the second floor, but rather tough in the basement.
+
+ ***
+
+The businesses of Southgate men called to the colours are being conducted
+by a committee. Small sons of those absent fathers are going very warily
+until they have ascertained exactly how far the powers of the committee
+extend.
+
+ ***
+
+Writing on the German retreat Major MORAHT says: "Only a personality like
+that of Marshal von Hindenburg could give proofs of so great an
+initiative." Possibly he has never heard of the Dukes of York and Plaza
+Toro.
+
+ ***
+
+A boy of eleven charged with the theft of clothes is said to have stolen
+the notebook of the policeman who arrested him. His first idea was to pinch
+his captor's whistle, but he rejected this plan on finding that the
+policeman was attached to it.
+
+ ***
+
+Russian soldiers under the new _régime_ will be allowed to smoke in the
+streets, travel inside trains, visit clubs and attend political meetings.
+There is a very strong rumour that they will also be allowed to go on
+fighting.
+
+ ***
+
+A ten-months-old boy at Prescot, Lancashire, has been called up for
+military service. It is, however, authoritatively stated that this is
+merely a precautionary measure on the part of the War Office, and will not
+necessarily apply to other men in the same class.
+
+ ***
+
+A Bromley gentleman is advertising for a chauffeur "to drive Ford car out
+of cab-yard." Kindness is a great thing in cases of this sort, and we
+suggest trying to entice it out with a piece of cheese.
+
+ ***
+
+"You have lost the privilege of serving on the last grand jury during the
+War," said the judge at the London Sessions last week to a shipowner who
+arrived at the court late. We understand that the poor fellow broke down
+and sobbed bitterly.
+
+ ***
+
+Nearly every Russian newspaper contains congratulatory references to Free
+Russia, and poets are busy composing verses on the same theme. It is this
+latter item which is said to be keeping the Germans from having a similar
+revolution.
+
+ ***
+
+We understand that the new "No Smoking near Magazines" enactment is
+profoundly resented in editorial circles.
+
+ ***
+
+To fill the gap which will be left in the ranks of Parliamentary humorists
+by the retirement of Mr. JOSEPH KING, M.P., who has decided not to seek
+re-election, the Variety Artistes Federation have nominated a candidate for
+the Brixton Division.
+
+ ***
+
+"On whatever day you sow your wheat," says Miss MARIE CORELLI, "you cannot
+stop its growing on Sundays." Mr. HALL CAINE has not yet spoken on this
+point, and his silence is regarded as significant.
+
+ ***
+
+Incidentally we are not so sure that you cannot stop wheat growing on
+Sundays. There is good precedent for plucking its ears on the Sabbath, and
+that ought to stop it.
+
+ ***
+
+The KAISER, it appears, is much annoyed at the CROWN PRINCE and the way he
+has mis-managed so many brilliant opportunities. It is even suggested in
+some quarters that the KAISER has threatened, if LITTLE WILLIE does not
+improve, to abdicate in his favour.
+
+ ***
+
+A respectably dressed man was recently arrested for behaving in a strange
+manner in Downing Street. Others have done the same thing before now, but
+have escaped the notice of the police by doing it indoors.
+
+ ***
+
+With reference to the taxi-cab which stopped in the Strand the other day
+when hailed by a pedestrian, a satisfactory explanation is to hand. It had
+broken down.
+
+ * * * * *
+
+[Illustration: _Overheard by a distinguished singer, who has just concluded
+the first of two Scotch ballads._
+
+_Jock (to his neighbour)._ "A FINE VOICE, YON LASSIE. I'VE HEARD WORSE AN'
+PAID FOR IT."]
+
+ * * * * *
+
+TO PARIS BY THE "HINDENBURG LINE."
+
+A TEUTON TRIBUTE TO THE ORGANISER OF VICTORY.
+
+ That man at dawn should certainly be shot
+ For being such a liar,
+ Who says that you, my HINDENBURG, are not
+ As high as our All-Highest, mate of GOTT
+ (Or even slightly higher).
+
+ Stout thruster, in the push you have no peer,
+ Yet more supremely brilliant
+ This crowning stroke of progress toward the rear,
+ This strong recoil from which with heartened cheer
+ We hope to bound resilient.
+
+ Lo! the creative spirit's vital spark!
+ None but a genius, _we_ say,
+ Would make his onset backward in the dark
+ Or choose this route for getting at the Arc
+ De Triomphe (Champs Elysées).
+
+ Nor to your care for detail are we blind;
+ Your handiwork we view in
+ The reeking waste our warriors leave behind;
+ We read the motions of a master-mind
+ In that red trail of ruin.
+
+ And not alone by yonder blackened beams,
+ By garth and homestead burning,
+ You put the sanguine enemy off your schemes,
+ Who gaily follows up and never dreams
+ That we'll be soon returning;
+
+ But by these speaking signs of godly hate,
+ This ruthless ravage (_prosit!_),
+ You teach a barbarous world how truly great
+ Our German Gospel, and how grim the fate
+ Of people who oppose it!
+
+ Then praised be Heaven because we cannot fail
+ With HINDENBURG to boss us;
+ And for each hearth stript naked to the gale
+ Let grateful homage plug another nail
+ In your superb colossus. O.S.
+
+ * * * * *
+
+RATIONS.
+
+As I said to John, I can bear anger and sarcasm--but contempt, not. Binny
+and Joe are our cats, and the most pampered of pets. Every day, when our
+meals were served, there was spread upon the carpet a newspaper, on which
+Binny and Joe would trample, clamouring, until a plate containing their
+substantial portion was laid down: after which we were free to proceed with
+our own meal.
+
+Then came the paralysing shock of Lord DEVONPORT'S ration announcement, in
+which no mention is made of cats. Binny and Joe looked at one another in
+consternation over their porridge as I read aloud his statement from the
+newspaper at breakfast.
+
+When I came in to luncheon I had a letter in my hand and accidentally
+dropped the envelope. Paper of any kind upon the carpet is associated in
+Binny's mind with the advent of food. Straightway he thudded from his
+arm-chair and sat down upon the envelope. You will notice that I speak
+above of Binny and Joe. I do so instinctively, because, though Binny is
+only half Joe's age of one year, somehow he always occurs everywhere before
+Joe. Joe was lying on the same arm-chair, and the same idea struck him too;
+but Binny got there first and continued sitting on the envelope, until, for
+very shame, I asked Ann, the maid, to spread a newspaper and try them with
+potato and gravy. They looked at it and then at me, and then, without
+tasting, walked off and began their usual after-luncheon ablutions of
+mouth, face and paws. But, as I have said, I can endure sarcasm.
+
+The next day, just before luncheon, a mass of sparrow feathers was found on
+the hall-mat. The second day there were feathers of a blackbird. And the
+third day, when I came down to breakfast, I found a few thrush feathers
+carelessly left under the breakfast-room table. I began to search my mind,
+anxiously wondering whether any of my near neighbours kept chickens.
+
+But the matter was settled that night. When the dinner-gong sounded, Binny
+and Joe rose from their arm-chair, looked at the vegetarian dishes now
+adorning a board which had been wont to send up savoury meaty steams (fish
+in these parts has become a rarity almost unprocurable, and we had
+exhausted our allowance of meat at luncheon, which we had taken at a
+restaurant), and then, with noses in the air and tails erect, stalked
+haughtily to the drawing-room, and there remained until dinner was
+finished.
+
+So now the butcher leaves two pennorth of lights at my door regularly. He
+assures me that Lord DEVONPORT won't mind as it is not strictly human food.
+
+ * * * * *
+
+[Illustration: THE INVADERS.
+
+"I SUPPOSE OLD HINDENBURG KNOWS WHAT HE'S ABOUT?"
+
+"ANYHOW, EVERY STEP TAKES US NEARER THE FATHERLAND."]
+
+ * * * * *
+
+THE WATCH DOGS.
+
+LVIII.
+
+MY DEAR CHARLES,--Recent events calling for strong comment, I turned to my
+friend, my brick-red friend who is able to retain his well-fed prosperous
+look notwithstanding the rigours of trench life, Rrobert James McGrregor. I
+took a map with me and, calling his attention to the general position,
+asked him what about it? McGregor, as you may guess, is a Scot, whose
+national sense of economy seems to have spread to his uniform, in that the
+cap he wears covers but a third-part of his head, and his tunic (which I
+ought really not to call a tunic but a service jacket) appears to have
+exhausted itself and its material at the fourth button. Notwithstanding all
+this, I attach great weight to his truculent views, and, the better to
+incite him into something outright, addressed him in My best Scottish,
+which is, at any rate, as good as his best English. "Rrrrrobert," I said,
+"what like is the VON HINDENBURG line?" Whereupon McGregor, helping himself
+to our mess whisky and cursing it as the vilest production of this vile
+War, spoke out.
+
+McGregor has no respect whatever for HINDENBURG or anything which is his.
+He says that HINDENBURG and his crew have all along taken the line which
+any man could, but no gentleman would. In HINDENBURG he sees the
+personification of Prussian militarism, and for the Prussians and their
+militarism he has no use whatsoever. I forget what exactly is the Highland
+phrase for "no use whatsoever," but its meaning is even worse than its
+sound, and the sound of it alone is terrible to hear. Whatever befalls in
+the interval, it is certain that when at last McGregor and HINDENBURG meet
+they will not get on well together.
+
+McGregor hates militarism. It is entirely inconsistent with his wild ideas
+of liberty. As such he is determined to do it down on all occasions and by
+every means. Not only is he a Scot, he is also a barrister of the most
+pronounced type. Brief him in your cause, and provided it is not a mean one
+he will set out to lay flat the whole earth, if need be, in its defence. He
+will overwhelm opposing counsel with the mere ferocity of his mien; he will
+overbear the Judge himself with the mere power of his lungs, and he will
+carry you through to a verdict with the mere momentum of his loyal support.
+Once he has made a cause his own, no other cause can survive the terror of
+his bushy eyebrows and his flaring face. He is a caged lion, but he does
+not grow thin or wasted in captivity. As ever, he grows stout and strong on
+his own enthusiasms. The cage will not hold much longer. Heaven be praised,
+it's HINDENBURG and not me he's taken a dislike to.
+
+He loathes militarism. Having waited nearly thirty years for a fight, it's
+himself is overjoyed that he has Prussian militarism for the victim of his
+murderous designs. To this end he has become a soldier, such a bloodthirsty
+soldier as never was before and never will be again. The thoroughness of
+it, for an anti-militarist, is almost appalling. The click of his heels and
+the shine of his buttons frighten me. His salute is such that even the most
+deserving General must pause and ask himself if it is humanly possible to
+merit such respect as it indicates. No man, even upon the most legitimate
+instance, may venture, in the presence of the dangerous McGregor, the
+slightest criticism of the British Army or of anything remotely
+appertaining thereto. He will not even permit a sly dig, in a quiet corner,
+at the Staff.
+
+Nevertheless McGregor hates, loathes and detests militarism. His
+convictions are quite clear and convincing. Soldiers are one thing;
+militarists are another. Rrobert James McGrregor, for the moment at least,
+is by the grace of God and the generosity of His Majesty a soldier. That
+creature HINDENBURG is a militarist. Quite so, I agreed; but then what
+about the line? He helped himself to some more whisky, showing that he
+could forgive anybody anything except a Prussian his militarism, and said
+he was coming to that. But first as to HINDENBURG.
+
+The man represents his type and is, says McGregor, a mere bully. He has
+become a bully because he could succeed as nothing else. Given peace, it is
+doubtful if he could get and keep the job of errand-boy in a second-rate
+butcher's shop. Lacking the intelligence or spirit to succeed normally, he
+has not the decency to live quietly in the cheaper suburbs of Berlin and
+let other people do it. Flourish they must, HINDENBURG and his lot, and so
+the world is at war to keep their end up.
+
+Now, says McGregor, it is undoubtedly sinful to fight, but he can't help
+half forgiving those whose desire to have a round is such that they must
+needs cause the bothers. But do I suppose that HINDENBURG ever wanted to
+fight, ever meant or ever means to do it? Not he; and that is why the War
+goes on and on and on. We've got to work through all the other Germans,
+says he, before we'll get to their militarists, who are all alive and doing
+nicely, thank you, behind. When we are getting near the throat of the first
+of them then the War will end.
+
+McGregor cannot bring himself to detest all the Bosches. After all, he
+says, they do stick it out, and their very stupidity makes some call on his
+generosity. But HINDENBURG, he is convinced, never stuck anything out,
+except snubs from his competitor, WILHELM, in the course of his uprising
+career; he makes no call on anybody's generosity, taking everything he
+wants, including (says McGregor) the best cigars. Without ever having
+studied them closely, McGregor has the most precise ideas of HINDENBURG'S
+daily life and habits. He is quite sure he smokes all day the most
+expensive cigars, without paying for them or removing the bands. He rose,
+says McGregor, by artifice combined with ostentation. While his good
+soldiers were studying their musketry, he was practising ferocious
+expressions before his glass. If he ever did get mixed up in a real battle
+(which McGregor doubts) he was undoubtedly last in and first out. However
+it may appear in print, his military career would not bear close scrutiny;
+for that reason McGregor does not propose to scrutinise it. And as for his
+indomitable will, he sees nothing to admire in the man's persistence,
+since, when he stops persisting, he'll become ungummed and, at the best,
+forgotten.
+
+So said McGregor, and when I besought him to come to the point, he said
+he'd dealt with it, and if I had any sympathy left for HINDENBURG or his
+line I was no better than a slave-driving, sit-at-home-and-push-others-
+over-the-parapet Prussian militarist myself. As for the map, it didn't
+matter in the least where HINDENBURG took his old line to, since wherever
+in Europe it endeavoured to conceal itself his own little line would scent
+it out and follow it. And if the HINDENBURG line was more than two hundred
+miles long and the Rrobert James McGrregor line less than two hundred
+yards, still it didn't matter; for when a Scot takes a dislike to somebody,
+that somebody's number is up.
+
+McGregor didn't say that last, but he looked it.
+
+Yours ever, HENRY.
+
+ * * * * *
+
+[Illustration: _McTavish (purchasing paper of posterless newsboy)._ "AWEEL,
+IT'S A 'PIG IN A POKE,' BUT AH'LL RISK IT."]
+
+ * * * * *
+
+"Frightfulness" in England.
+
+ "Boys wanted for Kicking. ------ Stamping Works."--_Midland Evening News._
+
+ * * * * *
+
+"'THE MAGIC FLUTE.'
+
+ One ingenious commentator has suggested that the opera has some basis
+ in 'A Midsummer Night's Dream.' Sarastro is Prospero, Pamina Miranda,
+ Tamino Ferdinand, and perhaps Monostatos Caliban."--_Glasgow Herald._
+
+The fact that these Shakespeare characters all occur in "The Tempest"
+enhances the ingenuity of the suggestion.
+
+ * * * * *
+
+ "The biggest fire in living memory occurred in Chapelhall on Monday
+ morning, when the Roman Catholic School was partly destroyed along with
+ the recreation rooms, damage amounting to £2,000."--_Scotch Local
+ Paper._
+
+The parish pump was probably out of order when this unparalleled
+conflagration occurred; but is seems to be at work again now.
+
+ * * * * *
+
+[Illustration: "MOTHER, D'YOU KNOW I'VE ALWAYS WONDERED WHAT BECAME OF OLD
+TOP-HATS."]
+
+ * * * * *
+
+TO MY GODSON.
+
+(_Aged six weeks._)
+
+ Small bundle, enveloped in laces,
+ For whom I stood sponsor last week,
+ When you slept, with the pinkest of faces,
+ And never emitted a squeak;
+ Though vain is the task of illuming
+ The Future's inscrutable scroll,
+ I cannot refrain from assuming
+ A semi-prophetical _rôle_,
+
+ I predict that in paths Montessorian
+ Your infantile steps will be led,
+ And with modes which are Phrygian and Dorian
+ Your musical appetite fed;
+ You'll be taught how to dance by a Russian,
+ "Eurhythmics" you'll learn from a Swiss,
+ How not to behave like a Prussian--
+ No teaching is needed for this!
+
+ Will you learn Esperanto at Eton?
+ Or, if Eton by then is suppressed,
+ Be sent to grow apples or wheat on
+ A ranche in the ultimate West?
+ Will you aim at a modern diploma
+ In civics or commerce or stinks?
+ Inhale the Wisconsin aroma
+ Or think as the Humanist thinks?
+
+ Will you learn to play tennis from COVEY
+ Or model your stroke on JAY GOULD?
+ Will you play the piano like TOVEY
+ Or by gramophone records be schooled?
+ Will you golf, or will golfing be banished
+ To answer the needs of the plough,
+ And links from the landscape have vanished
+ To pasture the sheep and the cow?
+
+ Your taste in the region of letters
+ I only can dimly foresee,
+ But guess that from metrical fetters
+ The verse you'll affect must be free;
+ And I shan't be surprised or astounded
+ If your generation rebels
+ Against adulation unbounded
+ Of MASEFIELD and BENNETT and WELLS.
+
+ Upholding ancestral tradition
+ Your uncle has booked you at Lord's,
+ But I doubt if you'll sate your ambition
+ Athletic on well-levelled swards;
+ No, I rather opine that you'll follow
+ The lead that we owe to the WRIGHTS,
+ And soar like the eagle or swallow
+ On far and adventurous flights.
+
+ But no matter--in joy and affliction,
+ In seasons of failure or fame,
+ I cherish the certain conviction
+ You'll never dishonour your name;
+ For the love of the mother that bore you,
+ The life and the death of your sire
+ Will shine as a lantern before you,
+ To guide and exalt and inspire.
+
+ * * * * *
+
+Life's Little Ironies.
+
+ "Ever-ready Safety Razor, strop, outfit, 12 blades, new; exchange
+ something useful."--_The Model Engineer and Electrician._
+
+ * * * * *
+
+ "The marriage of Captain ----, Grenadier Guards, to Miss ---- was a very
+ quiet affair, and not more than a score of people attended the ceremony
+ at St. Andrew's, Wells-street, during the week.--_Observer._
+
+Quiet, perhaps, but unusually protracted.
+
+ * * * * *
+
+How it Happened.
+
+From a publisher's advt.:--
+
+ "NEW NOVELS
+ THE HISTORY OF AN ATTRACTION
+ HE LOOKED IN MY WINDOW."
+
+ * * * * *
+
+Collectors of coincidences will not fail to notice that what the papers
+call "The Great Allied Sweep" in France was contemporaneous with the
+arrival of General SMUTS in England.
+
+ * * * * *
+
+CHILDREN'S TALES FOR GROWN-UPS.
+
+IV.
+
+THE HUNGER-STRIKE.
+
+"Did you hear that?" cried the white hen.
+
+"What?" asked all the other hens.
+
+"He called us--cluck-cluck-cluck," said the white hen.
+
+"Why shouldn't he?" asked all the other hens.
+
+"I didn't mean he called us 'cluck-cluck-cluck,'" said the white hen
+hastily. "I was only choking with rage when I said that. He called
+us--cluck-cluck-cluck--"
+
+"She's going to lay an egg," said the black hen with interest.
+
+"Poultry!" screamed the white hen suddenly.
+
+"Poultry?" gasped the other hens.
+
+"Poultry!--he called us 'poultry'--oh, cluck-cluck-cluck--"
+
+"Something must be done," said the yellow hen.
+
+"Something must be done," repeated all the hens.
+
+"We must have a hunger-strike till he apologises," said the thin hen
+importantly.
+
+"But we shall be hungry," cried all the hens.
+
+"That is the essence of a hunger-strike," said the thin hen.
+
+Just then the keeper arrived with food for the fowls.
+
+"We mustn't run to him," they said to one another. "It's a hunger-strike,
+you know."
+
+Suddenly the fat hen began running to him.
+
+"Come back; it's a hunger-strike, you know!" cried the hens.
+
+"I have an idea," shouted the fat hen as she ran; "the more we eat the
+longer we shall hold out."
+
+"So we shall," cried all the hens as they scurried after the fat one.
+
+ * * * * *
+
+[Illustration: _Officer (to applicant for War-work)._ "WHAT'S YOUR NAME?"
+ _Ex-flapper._ "CISSIE"]
+
+ * * * * *
+
+THE FAVORITE.
+
+Some people would die rather than talk aloud in a 'bus; others would rather
+die than hold their peace there. This second kind is more fun, and four of
+it made part of my journey the other day from Victoria to Oxford Street (I
+forget the number of the 'bus, but it goes up Bond Street) much less
+tedious. They were all young women in the latest teens or the earliest
+twenties, and all were what is called well-to-do, and they were fluent
+talkers.
+
+Years ago, when poor LEWIS WALLER was at the height of his fame, we used to
+hear of a real or fictitious "Waller Club," the members of which were young
+women who spent as much time as they could in visiting his theatre and
+rejoicing in the sight of his brave gestures and the sound of his vibrant
+voice. It was even said that they had a badge by which they could know each
+other; although on the face of it, judging by what sparse scraps of
+information concerning the nature of woman I have been able painfully to
+collect, I should say that segregation would be, in such a case as this,
+more to their taste.
+
+Be that true or only invented, it is very clear that in spite of the War
+and its shattering way with so many ancient shibboleths the cult of the
+actor is still strong; for this is the kind of thing that lasted all the
+way from Hyde Park Corner to Vere Street:--
+
+"Did you see him the other day in that ballet? Of course I knew he could
+dance, because he can do everything, but I never thought he was going to be
+so gloriously graceful as he was."
+
+"But surely you ought to have known. Don't you remember him as the Prince
+at the LORD MAYOR'S Ball?"
+
+"And what a wonderful figure he has!"
+
+"I couldn't help wishing that he had only stained his legs instead of
+putting on red tights."
+
+"My dear!!!"
+
+"It's his grace that's the wonderful thing about him, I always think. His
+ease. He moves so--how shall I put it?--so, well, so easily and
+gracefully."
+
+"Don't you love him when he stands with his hands in his pockets?"
+
+"My dear, yes. But what a wonderful tailor he goes to. I always used to
+tell my brother to try and find out where his things were made and go to
+the same place."
+
+"But of course it's the way clothes are worn much more than the clothes
+themselves. I mean, some men can never look well dressed, whereas others
+can look well in anything."
+
+"But he does go to the best tailor, I'm sure."
+
+"How many times have you seen this new piece?"
+
+"Six."
+
+"Only six! I've seen it eleven."
+
+"I've seen it three times."
+
+"I've seen it five times; but one of those doesn't count, because when we
+got there we found he was ill with chicken-pox. Wasn't that rotten luck?"
+
+"I heard he had been ill, but I didn't know what it was. Was it really
+chicken-pox?"
+
+"Yes, poor darling."
+
+"Fancy him having a thing like that! I suppose it's part of the price of
+keeping so young."
+
+"Oh, yes, isn't he young!"
+
+"They say this thing's going to run for years."
+
+"I hope not. I want to see him in something new. It's so wonderful how he's
+always the same and yet always different."
+
+"I want him to be in every play. I never go to one without thinking how
+much better he would be than the other leading man."
+
+"I saw that little what's-his-name imitate him the other evening. Really
+it's rather a shame."
+
+"Yes, I've seen it. I couldn't help laughing, but I hated myself for it.
+I'm sure, too, he doesn't waggle his head like that."
+
+"No! I couldn't see the point of that at all; but the people shrieked."
+
+"Pooh, they'd laugh at anything."
+
+"What did you like him best of all in?"
+
+"That's difficult. Of course he was priceless as the policeman. But then he
+was priceless as the American too, in that thing before this."
+
+"Well, I think--"
+
+And so on. Except that I never mention his name, and I have suppressed the
+titles of the plays, this is practically an exact reproduction of the
+conversation. Naturally many of the sentences overlapped, for ladies no
+less than gentlemen often talk at the same time; but otherwise I have
+reported faithfully.
+
+And who was the subject of these eulogies? You will guess at once when I
+say that he is probably the only actor in history who is referred to more
+often by his Christian name only than by his surname or full name. These
+young women who adored WALLER spoke of him not as LEWIS, but as LEWIS
+WALLER; and that is the usual custom. The divine SARAH is perhaps the only
+other histrion, and she is a woman, who may be spoken of simply as SARAH,
+with no risk of ambiguity. Ordinarily, as I say, we use either the surname
+only or the surname and Christian name combined, as ELLEN TERRY, VIOLET
+LORAINE, GEORGE GRAVES, GEORGE ROBEY, LESLIE HENSON, NELSON KEYS. But these
+four devotees referred to their hero always as GERALD; just GERALD.
+
+ * * * * *
+
+[Illustration: Mr. Punch's Navy Pages]
+
+ * * * * *
+
+[Illustration: _Gallant Major (temporarily in the care of H.M.'s Navy)._
+"ANOTHER ONE OF THAT SORT AND--I SHALL DO AS I LIKE."]
+
+ * * * * *
+
+[Illustration: _Survivor from U-Boat._ "KAMERAD! KAMERAD! IF I VOS ON LAND
+I VOS HOLD UP MEIN HANDS!"
+
+_Ordinary Seaman._ "WELL, YOUR FEET 'LL DO INSTEAD."]
+
+ * * * * *
+
+[Illustration: _A.B._ "GIVE US YER KNIFE." _Boy._ "AIN'T GOT IT."
+
+_A.B. (with bitter scorn of non-essentials)._ "GOT YER WRIST-WATCH ALL
+RIGHT, I S'POSE?"]
+
+ * * * * *
+
+[Illustration: _Apollo._ "I NEVER SAID NOTHING TO 'ER--DID I?"
+
+_Neptune._ "NO. BUT YOU WAS TRYIN' ON ONE OF YER FASCINATIN' LOOKS."]
+
+ * * * * *
+
+[Illustration: ECHOES FROM JUTLAND.
+
+_Wine Steward (acting as one of Ammunition Supply Party)._ "WILL YOU TAKE
+LYDDITE OR SHRAPNEL, SIR?"]
+
+ * * * * *
+
+[Illustration: SNOOKER POOL AFLOAT.
+
+_Commander (as the black he has tried to pot threatens to touch the port
+cushion)._ "LIST HER TO STARBOARD!"]
+
+ * * * * *
+
+[Illustration: THE "DAMNÉD SPOT."]
+
+ * * * * *
+
+[Illustration: "YOU OUGHT REALLY TO MANAGE TO GET BLOWN TO BITS SOMEHOW,
+NOBBY. YOU'D MAKE A CHAMPION JIG-SAW PUZZLE."]
+
+ * * * * *
+
+[Illustration: "HEY, DONAL'! HERE'S A WEE BETTLESHIP COMIN' ALONG."
+
+"OCH! A WISH IT MICHT BE A U-BOAT."]
+
+ * * * * *
+
+[Illustration: _Old Lady._ "PARDON ME! I SUPPOSE YOU'VE JUST COME FROM THE
+SEA. CAN YOU TELL ME WHY I'VE HAD TO PAY A PENNY MORE FOR SCALLOPS
+TO-DAY?"]
+
+ * * * * *
+
+[Illustration: _Landlord._ "WHATEVER DID YOU LET THE FIRE OUT FOR? WHY
+DIDN'T YOU PUT SOME COALS ON?"
+
+_Stoker._ "NOT LIKELY! I'M ON LEAVE, I AM."]
+
+ * * * * *
+
+[Illustration: _Friend._ "SEE YOU'RE IN A HURRY. WON'T KEEP YOU. OFF TO
+ADMIRALTY, I SUPPOSE?"
+
+_Sub-Lieutenant H.M.S. "Unbendable."_ "NOT EXACTLY. FACT IS I'M DUE AT MME.
+GIROUETTE'S ACADEMY. STRUCK AGAINST A COUPLE OF NEW STEPS IN THE FOX TROT
+AT THE PILKINGTONS' LAST NIGHT--RATHER WORRIED ME. BYE-BYE. MUST SHOVE
+OFF!"]
+
+ * * * * *
+
+[Illustration: _Apologetic Golfer._ "I SHOUTED 'FORE!' YOU KNOW."
+ _Sailor._ "WELL, YOU'VE HIT ME AFT!"]
+
+ * * * * *
+
+[Illustration: _Tar (by way of opening the conversation)._ "AHEM! BEEN OUT
+IN THE LIFEBOAT OFTEN, MISS?"]
+
+ * * * * *
+
+[Illustration: _Jones (who in going through his wardrobe has unearthed a
+memento of happier days at Margate)._ "WELL, IF THEY SHOULD CALL UP THE
+FORTY-FIVES, I THINK IT WILL HAVE TO BE THE NAVY."]
+
+ * * * * *
+
+[Illustration: _The Artist (impatiently)._ "FOR GOODNESS' SAKE PUT SOME
+EXPRESSION INTO IT! JUST IMAGINE YOU'VE COME THROUGH A TERRIBLE
+EXPERIENCE--SHIP TORPEDOED--YOU SOLE SURVIVOR. AFTER CLINGING TO A
+BELAYING-PIN NINETEEN HOURS IN THE OPEN SEA YOU ARE RESCUED AT THE LAST
+GASP. YOU ARE NOW RELATING YOUR ADVENTURES TO YOUR AGED PARENTS."
+
+_Model (obligingly)._ "THAT'S ALL RIGHT, SIR--I CAN MANAGE IT. BUT EXCUSE
+ME. DID YOU SAY EIGHTEEN HOURS, OR WAS IT NINETEEN?"]
+
+ * * * * *
+
+[Illustration: _King Alfred (founder of the Navy)._ "MADAM, I WAS
+EXPERIMENTING ON BISCUITS FOR MY SEA-DOGS."]
+
+ * * * * *
+
+"LET HER GO!"
+
+A TRAMP CHANTEY.
+
+ 'Er keel was laid in 'seventy-four
+ (Let 'er go--let 'er go);
+ They built 'er cheap an' they scamped 'er sore,
+ 'Er rivets was putty, 'er plates was poor,
+ And then come in the PLIMSOLL line
+ Or I wouldn't be singin' this song o' mine.
+ (Let 'er go!)
+
+ She was cranky an' foul, she was stubborn an' slow
+ (Let 'er go--let 'er go),
+ An' she shipped it green when it come on to blow;
+ 'Er crews was starved an' their wage was low,
+ An 'er bloomin' owners was ready to faint
+ At a scrape o' pitch or a penn'orth o' paint.
+ (Let 'er go!)
+
+ But she's been 'ere an' she's been there
+ (Let 'er go--let 'er go),
+ An' she's been almost everywhere;
+ An' wherever you went you'd sure see _'er_,
+ With 'er rust-red hawse an' 'er battered old funnel,
+ All muck an' dirt from 'er keel to 'er gun'le.
+ (Let 'er go!)
+
+ She's earned 'er keep in a number o' climes
+ (Let 'er go--let 'er go);
+ She's changed 'er name a number o' times,
+ Which won't fit right into these 'ere rhymes,
+ But the name of 'er now is the _Sound o' Mull_,
+ Built on the Tyne an' sails out of 'Ull.
+ (Let 'er go!)
+
+ 'Er keel was laid in 'seventy-four
+ (Let 'er go--let 'er go),
+ An' a breaker's price was 'er price before
+ The ships was scarce an' the freights did soar;
+ But she's fetched 'er fourteen pound a ton
+ On the Baltic Exchange since the War begun.
+ (Let 'er go!)
+
+ So she's doin' 'er bit, which we all must do
+ (Let 'er go--let 'er go),
+ An' whether she's old or whether she's new
+ Don't make much odds to a war-time crew,
+ But 'ooever's sunk or 'ooever's drowned,
+ The _Sound o' Mull_ keeps pluggin' around.
+ (Let 'er go!)
+
+ An' when she goes, by night or by day
+ (Let 'er go--let 'er go),
+ Either up or down, as she likely may,
+ I only 'ope as someone'll say:
+ "'Er keel was laid in 'seventy-four;
+ She done 'er best an' she couldn't do more;
+ She warn't no swell an' she warn't no beauty,
+ But she come by 'er end in the way of 'er duty."
+ (Let 'er go!) C. F. S.
+
+ * * * * *
+
+[Illustration: "THINK WE'LL 'AVE ANOTHER CUT AT THE 'UNS BEFORE THE WAR
+ENDS, JACK?"
+
+"NO FEAR! IT SAYS 'ERE THAT 'INDENBURG'S TAKEN ALL THE ABLE-BODIED AN' PUT
+'EM ON TO WORK OF NATIONAL IMPORTANCE."]
+
+ * * * * *
+
+THE POULTICE.
+
+Call this cold? You orter been with me in '63, when I was whalin' in the
+North Atlantic. I was steward on the _Ella Wheeler_, 6,000 tons, out from
+New Caledonia. Our skipper was a reg'lar old bluenose, and some Tartar, I
+_don't_ think! Why, 'e'd lay yer out sooner than look at yer; an' once 'e
+put the cook in irons for two days 'cos the poor devil 'ad tumbled up
+against the side of the galley an' burnt the 'air off the side of 'is 'ead,
+and the old man said it was untidy; and we all 'ad to 'ave cold grub for
+two days--and in them latitudes! Lord, 'ow we 'ated 'im!
+
+But the worst of it was that we 'ad no doctor on board, and when anybody
+took sick the old man insisted on doctorin' 'im 'isself; and 'e 'ad only
+one way of treatin' every disease in the 'orspitals. "Put 'im into 'is
+bunk," he says, "and wait till I bring 'im a 'ot linseed poultice for's
+chest." Tooth-ache or chilblains, a pain in yer stummick or ring-worm--'e
+always says the same thing, "Put 'im in his bunk," he says, "and I'll bring
+'im a 'ot linseed poultice for 's chest." And 'e brought it and put it on
+with 'is own 'ands too! There was no gettin' out of it if once 'e 'eard you
+were sick. Lord, 'ow we 'ated 'im!
+
+There was Pete Malone--'ad a great mop of 'air like a lion or a
+musician--must needs go washing one day on deck, like a fool. It was all
+right as long as 'e 'ad the 'ot water and the soapsuds goin'; but 'e give
+'is 'ead a rinse, an' stood up, and, swelpme, before 'e could get the towel
+to work every single 'air 'e 'd got 'ad its own private icicle, an' 'is
+silly 'ead looked like a silver-plated porkypine.
+
+Well, as I was saying, we were about a 'undred-and-fifty mile from the
+nearest land, which 'ud be the West coast of Greenland, bearin' about E. by
+N., when we thought that at last we were going' to get one back on the old
+man. It was this way. One bitter cold night 'e was makin' 'is way aft to
+turn in, when 'e slips up where a wave 'ad froze on the deck, an' e' goes
+wallop down the 'ole length of the companion, from top to bottom, an' busts
+three of 'is ribs. Of course we all ran an' picked 'im up, an' _said_ we
+'oped 'e wasn't much 'urt. But 'e says, "None of yer jabber, ye swines;
+'elp me inter my bunk, and two of yer bring me a 'ot linseed poultice for
+my chest."
+
+Well, we puts 'im in 'is bunk, and I catches the eye of the first mate, and
+we goes out together. "Mick," says I, "'e's askin' for a 'ot poultice. Lord
+send there's a good fire in the galley!" "If there ain't," says Micky to
+me, "we'll damn'd soon make one." So we makes a fire such as none of the
+ship's company 'ad ever seen; and we gets two buckets of water, one very
+near full, and the other about a quarter full, and we soon 'as 'em both on
+the boil. Then we makes the poultice in the drop of water; and when 'e was
+ready, we gets the grid and puts it across the top of the other bucket, and
+lays the poultice on the grid, and me and the mate picks up the full bucket
+with two pair o' tongs, 'olding a torch under 'er to keep 'er at the boil.
+
+When the old man saw us 'is face twisted a bit! But talk about cold! We
+slapped the poultice on to 'im, and, if you'll believe me, inside o' ninety
+seconds the thing 'ad _froze 'ard on 'im_, and formed a splint, and--saved
+'is life, blarst 'im!
+
+ * * * * *
+
+[Illustration: SOME CATCH: THE ANGLER'S DREAM.]
+
+[Illustration: SOME CATCH: THE ANGLER'S DREAM.]
+
+ * * * * *
+
+[Illustration: _Lieutenant ----, R.N., to Lieutenant ----, R.N. (they are
+paying one of those periodical visits to a lonely island in the South
+Pacific)._ "THESE WRETCHED ISLANDERS, CUT OFF AS THEY ARE FROM ALL THE
+WORLD, ARE, I SUPPOSE, HARDLY CIVILISED."
+
+_First Wretched Islander to Second Wretched Islander._ "DOES THIS VISIT
+INTRIGUE YOU?"]
+
+ * * * * *
+
+[Illustration: "AND THE LAST THING MY MISSUS SAID TO ME WAS, 'BRING US 'OME
+SOME SORT OF AN OLD CURIOSITY FROM FURREN PARTS.'"]
+
+ * * * * *
+
+[Illustration: _Fond Teuton Parent (to super-tar home on leave)._ "AND YOU
+LIKE YOUR SHIP, FRITZ?"
+
+_Fritz._ "I LOVE HER! SHE'S A WONDER! SUCH SPEED! WHENEVER WE RACE BACK TO
+PORT SHE'S BEEN FIRST EVERY TIME."]
+
+ * * * * *
+
+[Illustration: _Karl._ "WHAT WORRIES ME IS THE FACT THAT WE WANT MORE MEN
+FOR THE NAVY. WHAT I SHOULD LIKE TO KNOW IS, WHERE ARE THEY TO COME FROM?"
+
+_Gretchen._ "BE CALM, KARL. DOUBTLESS OUR GLORIOUS PROFESSORS OF CHEMISTRY
+WILL INVENT A SUBSTITUTE."]
+
+ * * * * *
+
+[Illustration: THE INFECTIOUS HORNPIPE.]
+
+ * * * * *
+
+[Illustration: THE BREATH OF LIBERTY.
+
+THE GERMAN AUTOCRAT. "THEY MAY FIND THIS WIND VERY BRACING IN RUSSIA BUT IT
+MAKES ME FEEL EXTREMELY UNCOMFORTABLE."]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+_Monday, March 19th._--Captain BATHURST announced that the FOOD CONTROLLER
+would issue an order fixing the retail price of swedes at a figure
+involving a reduction of "something like 200 per cent." The FOOD
+CONTROLLER, as his faithful henchman subsequently remarked, "is always
+doing his best," but if he can really reduce the price of a commodity to
+100 per cent. less than nothing I hope he will not confine his activity to
+a solitary vegetable.
+
+I am afraid that envy was the predominant feeling aroused by Mr. SNOWDEN'S
+story of the family in New Cavendish Street which secured in a single order
+from a single firm no less than sixty-three pounds of sugar. Lest any Hon.
+Members should be tempted to try and do likewise Captain BATHURST promptly
+announced that another order prohibiting hoarding would shortly be issued.
+The House cheered, for, as a journalist Member remarked with gloomy
+satisfaction, "It is only fair that 'no posters' should be followed by 'no
+hoarding.'"
+
+The PRIME MINISTER paid one of his angelic visits to the House to give the
+latest information of the revolution in Russia. His description of it as
+"one of the landmarks in the history of the world" evoked loud cheers, but
+even louder were those which came from the Nationalist benches when he
+remarked that "free peoples are the best defenders of their own honour."
+
+_Tuesday, March 20th._--A long cross-examination of the representative of
+the Air Board produced one valuable statement which Members generally might
+bear in mind. Mr. BILLING asked if it was not "in the public interest or in
+the interests of this House" that certain contracts should be discussed.
+Fixing him with his eye-glass, Major BAIRD replied, "No, the interests of
+the House and of the public, I take it, are the same as the interests of
+the nation."
+
+[Illustration: DEFENSIVE DUET BY MESSRS. ASQUITH AND WINSTON CHURCHILL.]
+
+If there was any lingering doubt as to the main responsibility for the
+inception--as apart from the carrying out--of the Dardanelles affair Mr.
+CHURCHILL himself must have removed it. Unlike his former chief he welcomes
+the publication of the Report, which in his opinion has shared among a
+number of eminent personages a burden formerly borne by himself alone. But
+his enthusiasm for the project as it originally formed itself in his
+fertile brain is undiminished, and he still marvels that for the want of a
+little further sacrifice we should have abandoned the chance of cutting
+Turkey out of the War, and uniting in one friendly federation the States of
+the Balkans.
+
+_Wednesday, March 21st._--General MAUDE'S manifesto to the people of
+Baghdad, with its allusions to the tyranny under which they had long been
+suffering, did not escape the eagle eye of Mr. DEVLIN, ever anxious to
+scarify British hypocrisy. So he drafted a long question to the PRIME
+MINISTER, embodying the most salient passages of the manifesto. Much to his
+disgust it appeared on the Paper without its "most beautiful and striking
+passages." The SPEAKER explained that he had blue-pencilled "a good deal of
+Oriental and flowery language not suitable to our Western climate." Not the
+least part of the joke is the rumour that the manifesto was largely the
+work of a Member of the House well versed in Eastern lore.
+
+_Thursday, March 22nd._--The Ministry of National Service, being unprovided
+at present with a Parliamentary Secretary, is supposed to be represented in
+the House by Mr. ARTHUR HENDERSON. But as the Member for Barnard Castle has
+important functions to perform in the War Cabinet and is rarely in the
+House he usually deputes some other Member of the Government to answer
+Questions addressed to him. To-day the lot fell upon Mr. BECK, who
+good-temperedly explained, when a shower of "supplementaries" rained down
+upon him, that he really knew nothing about the Department he was
+temporarily representing. This led to a tragedy, for Mr. SWIFT MACNEILL
+worked himself into a paroxysm of excitement over this constitutional
+enormity, and finally sat down on his hat. "I only wish his head had been
+in it," muttered a brother Irishman--from Ulster.
+
+Believers in "the hidden hand," which is supposed to paralyse our military
+efforts, are divided in opinion as to whether this cryptic member is most
+actively employed by Lord HALDANE, Sir WILLIAM ROBERTSON or Sir EYRE CROWE,
+Assistant-Secretary to the Foreign Office. They will probably regard Lord
+ROBERT CECIL'S statement that some seven years ago Sir EYRE drew up a
+memorandum calling the attention of Sir EDWARD GREY to the grave dangers
+that threatened this country from Germany as further evidence of his
+duplicity. The rest of the world will rejoice at Lord ROBERT'S spirited
+vindication of "one of the ablest of our public servants," who, despite
+Miss CHRISTABEL PANKHURST, is not one of "the three black crows" of
+legendary fame.
+
+When Sir H. DALZIEL, at the outset of his appeal to the Government to make
+another attempt to settle the Irish Question, promised that he would not
+"explore the noxious vapours of the past," I feared the worst. But he was
+as good as his word, and spared us any gruesome excavations in ancient
+Irish history. Major HILLS did even better by implying that it was only
+during the last ten years that the question had warped and diverted our
+domestic politics. If all Irishmen were as reasonable and moderate as Mr.
+RONALD MCNEILL showed himself this afternoon it would not need settling,
+for it would never have arisen. He only asked, if sacrifices were
+necessary, that Ulster should not alone be expected to make them. Sir HAMAR
+GREENWOOD, as the great-grandson of a Canadian rebel who took twelve sons
+into the field--"almost his whole family," added his descendant--insisted
+that the Colonial method of securing Home Rule was the best--first agree
+among yourselves, and then go to the Imperial Parliament to sanction your
+scheme. And perhaps, after the conciliatory spirit displayed in to-day's
+debate, that is not so impossible oven in Ireland as it seemed a few weeks
+ago. Hitherto every attempt of the British Sisyphus to roll the Stone of
+Destiny up the Hill of Tara has found a couple of Irishmen at the top ready
+to roll it down again. Let us hope that this time they will co-operate to
+instal it there as the throne of a loyal and united Ireland.
+
+ * * * * *
+
+HERBS OF GRACE.
+
+IV.
+
+THYME.
+
+ All things true,
+ All things sweet--
+ Summer-dawn dew
+ And Love's heart-beat;
+ All things holy,
+ Hill-flow'rs lowly,
+ A far church-chime--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ All things clean,
+ All things pure--
+ Joys that have been
+ And faiths that endure;
+ All things sunny,
+ Bee-song and honey,
+ Sheep-walks, rhyme--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ All things set
+ With sharp sweet pain--
+ April regret
+ For vows yet vain;
+ All things fragrant,
+ Thoughts long vagrant
+ From Beauty's clime--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ * * * * *
+
+ "Sir John Simon, K.C., cited as an illustration the friendship between
+ Daniel and Jonathan. The Lord Chief Justice: I become very nervous when
+ you support your law by quoting Scripture."--_Daily Mail._
+
+We always feel more nervous when people _mis_quote Scripture for their
+purpose.
+
+ * * * * *
+
+ "The Lord Mayor of London, Sir William Dunn, accompanied by other
+ members of the City Council in their robes, and the Lady Mayoress, were
+ amongst the very large conflagration at St. Patrick's, Soho. An
+ eloquent sermon was preached."--_Irish Paper._
+
+"Burning words," indeed.
+
+ * * * * *
+
+From a description of the difficulties of the members of the Press Gallery
+in reporting Mr. BONAR LAW:--
+
+ "Since he has become leader of the House they have aged and grown
+ haggard and dejected. The sound of his voice fills them with
+ bread."--_Birmingham Daily Post._
+
+Well, in these days that ought to afford them ample consolation.
+
+ * * * * *
+
+ "Sir Richard L. Borden's name, now a household word, became familiar
+ only six years ago."--_Daily Paper._
+
+But even now he is not so well known as Sir ROBERT!
+
+ * * * * *
+
+DE PROFUNDIS.
+
+When I went round the trenches a day or two before we were to move in, the
+great frost was still in possession; but there was a mild feeling in the
+air.
+
+"I can thoroughly recommend these trenches to you, Sir," said the occupier
+in a businesslike manner. "Commodious and well built, fitted throughout
+with the latest pattern duck-boards and reached by three charmingly
+sequestered communication trenches, named Hic, Haec and Hoc. The dug-outs
+are well equipped and well sunk. The whole would form an ideal retreat for
+gentlemen of quiet tastes."
+
+"Good. And the people over the way?"
+
+"Unobtrusive and retiring to a degree."
+
+"In fact," I said, "a most select neighbourhood--unless it thaws."
+
+He dropped pleasantries and answered very seriously. "If it thaws, Heaven
+help you. There's enough water frozen up in these walls to drown the lot of
+you."
+
+It did thaw.
+
+When we relieved, we waded up to the line through miles of trenches all
+knee-deep in water, to the accompaniment of ominous splashes as the sides
+began to fall in. When daylight came we found our select estate converted
+into a system of canals filled with a substance varying in consistency from
+coffee to glue. Hic, Haec and Hoc, owing to the wear and tear of constant
+traffic, became especially gluey, and after a time we rechristened them
+respectively the Great Ooze, the Little Ooze and the River Styx--the last
+not solely in reference to its adhesive qualities, but also because such a
+number of things went West in it. Some time after the original duck-boards
+had sunk out of our depth we could still move along Styx on a solid bottom
+composed of lost gum-boots, abandoned rations and the like. At last, when
+Frankie, struggling up to the line with the rum ration, was forced to dump
+his precious burden in order to save his life, we pronounced Styx
+impassable and thenceforth proceeded along the top after dusk.
+
+The Great Ooze still remained just possible for those whose business took
+them back and forward during the day, but even here were spots in which it
+was worse than unwise to linger. As I squelched painfully through one of
+these on our last day in the line, I found one Private Harrison firmly
+embedded to the top of his thigh-boots. He told me he had been struggling
+vainly for about an hour.
+
+"Give me your hands," I said.
+
+I tugged, but could get no proper purchase. Harrison grew gradually black
+in the face, but remained immovable. I tried another plan. I turned about,
+and Harrison clasped his hands round my neck. Then I walked away.... At
+least that was the idea.
+
+"Harrison," I said anxiously after a determined struggle, "were you
+standing on the duckboards?"
+
+"Yes, Sir. I still am."
+
+"Heavens, so am I. Let go. I've got to get myself out now."
+
+By using Harrison as a stepping-stone to higher things I just managed to
+heave myself out. I surveyed him panting.
+
+"In about an hour it'll be dusk. I'll bring some men and a rope and haul
+you out then. If that fails we'll simply have to hand you over as trench
+stores when we get relieved."
+
+As soon as Fritz's wire had disappeared into the gathering gloom I took out
+my little rescue party. We threw the captive a rope and began to pull
+scientifically under direction of a sergeant skilled in tugs-of-war.
+
+"Heave, you men," I whispered excitedly. "He's coming."
+
+He was, but without his boots. Inch by inch we dragged him out of them. The
+strain was terrific. Suddenly--much too suddenly--the tension broke.
+Harrison shot into the air and fell again with a dull thud in the Ooze
+beside his boots, while the rescue party collapsed head over heels into an
+adjacent shell-hole.
+
+Harrison seemed a little peevish, but consented to try again. The rope
+tautened, and there was a sharp crack from below.
+
+"'Old on," cried the prisoner sharply, "me braces is bust."
+
+"Can't think o' braces now," grunted my burly sergeant. "Heave-ho, lads, up
+she comes!"
+
+Harrison was pulled clean out of his nether garments, cursing bitterly as
+the wind caught his bare legs, and hung suspended between earth and water,
+amid ribald comments from above.
+
+One more pull would do it. But at that moment Fritz, apparently feeling
+that we weren't taking his war seriously enough, opened up with a
+machine-gun. The rescue party dropped the rope and rolled heavily into the
+shell-hole, and the sorely tried Harrison found himself back again, but
+face downwards this time, and held by his arms up to the elbows.
+
+We could hear horrible language, and after a moment, all being quiet, I
+crawled to the edge and looked over. His last struggle had split Harrison's
+tunic and pulled it clean off his back; and now, with his shirt-tail
+trailing dismally in the Ooze, he was making the best of his own way to the
+dressing-station, ungratefully consigning his gallant rescuers to complete
+and lasting perdition as he went.
+
+ * * * * *
+
+[Illustration: "A LOT OF KHAKI ABOUT, WAITER."
+
+"YES, SIR. IT MAKES SOME OF US OLDER ONES FEEL A BIT MUFTI, DON'T IT?"]
+
+ * * * * *
+
+A TOPICAL TRAGEDY.
+
+ Jim Startin was not loved at school;
+ We thought him rather knave than fool.
+ Migrating thence to Oxford, he
+ Failed to secure a pass degree.
+ Years sped--some twenty--ere again
+ Jim Startin swam into my ken.
+ I met him strolling down the Strand
+ Well-dressed, well-nourished, sleek and bland,
+ A high-class journalistic swell--
+ The Headline Expert of _The Yell_.
+ Great at the art, in peaceful days,
+ Of finding means our scalps to raise,
+ The War had since revealed in him
+ A super-Transatlantic vim,
+ And day by day his paper's bills
+ Gave us fresh epileptic thrills.
+ The sons of Belial, in the rhyme
+ Of DRYDEN, had a glorious time,
+ But never managed to attain
+ To Jim's success in giving pain.
+ But while his power was at its height
+ It perished in a single night;
+ For, with his bills by law abolished,
+ Jim's occupation was demolished;
+ Headlines that can't be blazed abroad
+ On bills and posters are a fraud;
+ They cease to titillate the mob
+ Or draw the pennies from its fob,
+ So Jim was "fired" and lost his job.
+
+ * * * * *
+
+[Illustration: _Lady (to coalheavers)._ "_SO_ SWEET OF YOU TO COME. I DO
+HOPE YOU'LL COME AGAIN."]
+
+ * * * * *
+
+ "More to the west the British marked fresh progress south of
+ Achiet-le-Petit, where their lines were advanced on a front of 2
+ kilometres (1-1/4 miles). Finally the Germans fell back for the length
+ of 2 kilometres (5/8 mile) between Essarts and Gommecourt."--_The
+ Evening News._
+
+The road home always seems shorter.
+
+ * * * * *
+
+ "The enemy went at the moment when he left because he was shelled
+ out."--_Daily Mail._
+
+Of course he might have had a different motive if he had gone the moment
+after he left.
+
+ * * * * *
+
+ "She was wearing a three-quarter red coat with glass buttons to match a
+ heavy blue skirt with low neck."
+
+We never have approved of these _décolletés_ skirts.
+
+ * * * * *
+
+[Illustration: _First Flapper._ "THE CHEEK OF THAT CONDUCTOR! HE GLARED AT
+ME AS IF I HADN'T PAID ANY FARE."
+
+_Second Flapper._ "AND WHAT DID YOU DO?"
+
+_First Flapper._ "I JUST GLARED BACK AT HIM--AS IF I HAD!"]
+
+ * * * * *
+
+THE FRUIT MERCHANT.
+
+"I feel regular down this morning, Sir," said Private Thomas Weeks, as I
+seated myself beside his bed; "regular down, I do."
+
+It was such a very unusual greeting from this source that I said anxiously,
+"Not the leg gone wrong?"
+
+"No, the old leg's fine. It's the stopping of the imports." He indicated
+the morning paper which he had just laid aside. "It's just about bust up my
+old business."
+
+I took the paper and glanced down the list of prohibited articles. Clocks
+and parts thereof, perfumery, and quails (live) caught my eye. I didn't
+think it could be any of these.
+
+"What was your business?" I asked.
+
+"Fruit merchant, Sir. Barrow trade, you understand. 'Awker, some calls it.
+But it don't much matter now what it's called, 'cos it's bust up."
+
+"Not quite bust up, is it?" I said. "Only a bit cut down for a time."
+
+"That may be," he said, "but I got a strong affection for the trade, Sir, a
+very strong affection, and I can't 'elp feeling it. Why, rightly speaking,
+it was the fruit trade what got me my D.C.M."
+
+"Did it though? How was that?"
+
+"Well, it was like this. I bin callin' fruit a good many years. I could
+call fruit with anyone. When I calls ''Oo sez a blood orange?' at
+Kennington Lane, you could 'ear it pretty well as far as New Cross. Same
+with ''Ave a banana?' If you're to do the trade you must make the people
+'ear. It ain't no good bein' like them chaps what stands in the gutter and
+whispers, 'Umberella ring a penny,' to their boots."
+
+"But what about the D.C.M.?"
+
+"I'm comin' to it, Sir. You see, I got it in connection with a little bit
+o' work Trones Wood way. Through various circs, fault o' nobody really, me
+and Sam Corney found ourselves alone alongside a dug-out full o' Bosches.
+If we'd 'ad a few bombs we'd 'a' bin all right, but we 'adn't. I sez to
+Sam, 'We must scare 'em,' I sez, and I shouts, '_'Oo says a blood orange?_'
+at the top o' my voice into the dug-out, which was dark, of course, and I
+stands in the doorway with my bayonet ready. I can't say what they mistook
+it for. Crack o' doom, Sam sez. But eight come out o' that dug-out with
+their 'ands up. I sent Sam off 'ome with 'em, though they'd 'a' gone with
+no escort at all, I reckon, bein' sort o' stunned. And I went on down the
+trench.
+
+"At the turn there was another dug-out. '_'Ave a banana?_' I yells, and out
+come ten of 'em, cryin' for mercy. I took 'em back to what we calls
+Petticoat Lane and 'ands 'em over and come up again. But I didn't get no
+more barrow-work that day, and my D.C.M. was for them prisoners right
+enough. So now you see what I feels like about the fruit business. It's
+like an old pal bein' done in."
+
+"I shouldn't worry too much about it," I said. "You've each had a bit of a
+knock-out; but you'll soon be on your legs again, and so will your barrow,
+and going strong, both of you."
+
+ * * * * *
+
+SCOTLAND YET.
+
+ [Dr. GEORG BIEDENKAPP, writing in the _Münchner Neueste Nachrichten_,
+ says that if you examine any famous "Englishman" you find that he
+ really comes from Scotland, to which country he assigns a place with
+ Suabia, Thuringia, and the Hartz Mountains as "a cradle of Kultur and a
+ fountain of first-class genius."]
+
+ Man Sandy, here's a German Hun
+ Wha thinks he's on a track
+ That nane hae trodden, having fun'
+ A new an' stairtlin' fac';
+ A' English thocht he doots is nocht,
+ An' English ways are henious,
+ But ah, says he, in Scotland see
+ The hame o' first-class genius.
+
+ New? Why, my feyther kent it fine,
+ An', Sandy, I'll be sworn
+ The knowledge o' the fac' was mine
+ Or ever I was born;
+ If there be ane wad daur maintain
+ The truth is still to settle,
+ I haena met the madman yet
+ In bonny braw Kingskettle.
+
+ Ay, yon's a truth that's kent fu' weel
+ In ilka but an' ben;
+ But I could teach the German chiel
+ A truth he doesna ken;
+ Gin ye would find the hame o' mind
+ An' intellectual life, man,
+ Ye needna look far frae the Nook,
+ The bonny Nook o' Fife, man.
+
+ Whaur did our good EX-PREMIER go
+ Whene'er he wished to swank?
+ To Lunnon? Edinburgh? No!
+ He cam' to Ladybank;
+ Nae doot he thocht if there was ocht
+ Would put him on his mettle
+ 'Twas meetin' men o' brain, ye ken,
+ Like us frae auld Kingskettle.
+
+ Fleet Street is fu' o' Fifers tae;
+ The Cockneys want the views
+ O' men like JOCK MCFARLANE frae
+ _The Crail and Cupar News_;
+ For if a chiel can write sae weel
+ That you an' me will read him,
+ Why, man, withoot a shade o' doot
+ Lunnon is sure to need him.
+
+ Then tak' the Army. What d'ye see?
+ Wha's chief? Nae need to tell
+ That DOUGLAS HAIG is prood to be
+ A Fifer like mesel';
+ An' weel he may, for truth to say
+ There's something aye aboot us:
+ In ilka trade they want oor aid--
+ They canna win withoot us.
+
+ * * * * *
+
+Wedding Fashions, B.C.
+
+ "The bridesmaid was attired in pink carnations."--_"Daily Colonist,"
+ Victoria, British Columbia._
+
+ * * * * *
+
+[Illustration: FRIGHTFULNESS ON THE ALLOTMENTS.]
+
+ * * * * *
+
+THE HARDSHIPS OF BILLETS.
+
+Jim and me could never 'ave got through the six weeks we was billeted with
+Mrs. Sweedle if we 'adn't been 'ardened by Mrs. Larkins in the way I 'ave
+described.
+
+Mrs. Sweedle were a widow woman with a big family, besides a aged father
+and a brother who suffered with fits. The billetin' orficer was afraid she
+wouldn't he able to take us in, but Mrs. Sweedle was willin' and eager.
+
+"Bless their hearts, that I will," she said; "it shall never be said I
+turned a soldier from my door. Nobody knows better than I do what soldiers
+is in an 'ouse. Always merry and bright and ready to put their 'ands to
+anything when a poor woman's work's never done and she's delicate and
+liable to the sick-'eadache in the mornin's. There's the week's clothes to
+go through the wringer, but I know what soldiers is for a wringer; they
+can't leave it alone. And if I 'appens to overlay meself I know there's no
+cause to worry about Grandfer's cup o' tea, nor yet Bobby and Tom and
+Albert gettin' off to school tidy. Like as not they'll do me more credit
+than if I washed 'em meself; there's nobody like a soldier for puttin' a
+polish on children."
+
+Mrs. Sweedle overlaid herself the very first mornin', and sent word by
+Albert if we would be so kind as make her a cup o' tea when we was makin'
+Grandfer's it might save her a doctor; and the wood for the fire was out in
+the yard, and she knew, bein' soldiers, we should chop her a barrer-load
+while we was about it; and when she crawled downstairs presently the
+breakfast things would be washed and put away, as was the 'abit of
+soldiers, and very likely the pertaters peeled for dinner.
+
+It bein' a strange 'ouse and we not knowin' where to put our 'ands on
+anythin', and, when we'd got the kettle to boil, not bein' able to let it
+out of our sight owin' to the youngest little Sweedle wantin' to drink out
+of the spout, Jim and me was regler drove. We was as near late for parade
+as we 'ave ever been in our lives. Mrs. Sweedle was very upset. "I know
+what soldiers is for punctuality," she said, "a minute late and they're
+court-martialled. How would it be if you was to lay the fire over-night and
+scrub over the floor? It 'ud save ye a lot in the mornin', if so be I'm
+forced to keep me bed."
+
+We done as she advised, and it were fortunate. She 'ad another
+sick-'eadache the next day, and sent word by Albert would we be so good as
+bake her a mouthful of toast; she knew what soldiers' toast was like, it
+give ye a appetite to look at it, thin and crisp, with the butter laid on
+smooth as cream and cut in fingers.
+
+We never run no risk after that. 'Owever dog-tired we was and 'owever Mrs.
+Sweedle seemed in 'ealth we always got the work forward over-night, and
+when we could catch 'old of Bobby and Tom and Albert we washed 'em to save
+time in the mornin' and parted their 'air.
+
+One day Mrs. Sweedle were well enough to get up. "I know who's goin' to
+'ave a treat now," she said. Our 'arts leapt. We did 'ope she might be
+goin' to say we was to sit down to our breakfasts.
+
+"Grandfer's goin' to be shaved, and not 'ave to pay tuppence out of 'is
+poor pension," she said. "There's nobody can shave like a soldier." And
+when Jim 'ad got the old man by the nose she said to me, "I can see what
+you want to be at, shakin' these mats with your strong arm and savin' me
+comin' on giddy."
+
+It were very 'ard at first, but after a bit Jim and me got into the work at
+Mrs. Sweedle's and was just able to get through with it, except the mornin'
+her brother 'ad a fit when we was racin' to finish the washin'-up. That
+fair broke our backs. We 'ad a sort of seizure on parade and 'ad to fall
+out till we got our breaths back.
+
+ * * * * *
+
+THE RECOGNISED.
+
+ Give ear to my words and you shall hear
+ The song of the British Volunteer,
+ Who started out when the War began
+ As a middle-aged mostly grey-haired man.
+ Too old to be sent to join the dance
+ Of the doughty fellows who fought in France,
+ He refused to go on the dusty shelf,
+ And he set to work and he bought himself
+ A spirited grey-green uniform,
+ With a cap to match and a British warm,
+ And he took his fill
+ Of the latest drill;
+ But somehow they didn't seem to prize him
+ Or wish in the least to recognise him.
+
+ But now they have let him cast away
+ His excellent clothes of green and grey;
+ They think they can use him,
+ And don't refuse him,
+ And they've dressed him up and they've dressed him down
+ In a regular suit of khaki brown;
+ He has been gazetted
+ And properly vetted
+ As able to march five miles at least,
+ Though he puffs a bit when the speed 's increased;
+ And he can double
+ Without much trouble,
+ And do such deeds as a man must do
+ Who is willing to help to see things through.
+
+ * * * * *
+
+A Wholesale Order.
+
+ "Lieut-Colonel ---- received the K.C.B. and other decorations, including
+ C.M.G.s, D.S.O.s, Military Crosses, and Royal Red Crosses."--_Evening
+ Standard._
+
+ * * * * *
+
+From "Paris Theatrical Notes":--
+
+ "The programme for to-day at the Opéra compromises 'Samson et
+ Dalila.'"--_Continental Daily Mail._
+
+It sounds a little superfluous.
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+(_By Mr. Punch's Staff of Learned Clerks_.)
+
+_Alfred Lyttelton: An Account of his Life_, by EDITH LYTTELTON (LONGMANS),
+is a most fascinating book. Mrs. ALFRED LYTTELTON might perhaps have
+contented herself with writing a formal biography of her husband. It would
+have been difficult for her, but she might, as I say, have done it. Instead
+of this she takes her readers by the hand in the friendliest manner and
+admits them with her into the heart and soul of the man with whom she was
+for twenty years associated. She shows him as what he was, a noble and
+upright English gentleman, straightforward and tender-hearted, and beloved
+in a quite exceptional measure by all who were privileged to be his
+friends. I can only be grateful to Mrs. LYTTELTON for having interpreted
+her duty in this manner, and for having carried it out with so sure a hand.
+As I read her pages I saw again in my mind's eye the loose-limbed,
+curly-headed young son of Anak as he swung down Jesus Lane, Cambridge, or
+as he witched the world with noble cricketing at Fenner's or at Lord's. It
+is good to be able to remember him. His Eton tutor described him as being
+"like a running stream with the sun on it," and there was, indeed, a charm
+about him that was irresistible. Mrs. LYTTELTON devotes a beautiful chapter
+to the memory of ALFRED'S first wife, LAURA, who died after one short year
+of happiness. "She was a flame," says Mrs. LYTTELTON, "beautiful, dancing,
+ardent, leaping up from the earth in joyous rapture, touching everyone with
+fire as she passed. The wind of life was too fierce for such a spirit--she
+could not live in it. Surely it was Love that gathered her." I have only
+one little bone to pick, and that not with Mrs. LYTTELTON, but with Lord
+MIDLETON, who in a page or two of reminiscences describes as one of
+ALFRED'S triumphs at the Bar his appearance as counsel for the Warden of
+Morton, Mr. GEORGE BRODRICK. The Warden, having said something offensive
+about Mr. DILLON, was hailed before the Parnell Commission for contempt of
+court. ALFRED put in an affidavit by the Warden, in which the whole thing
+was said to be a joke, and in his speech he chaffed Mr. REID (now Lord
+LOREBURN), who was counsel for Mr. DILLON, for being a Scotsman, with a
+natural incapacity for seeing a joke. So far Lord MIDLETON; but he omits
+Mr. REID'S crushing retort. "Even a Scotsman," said Mr. REID, "may be
+pardoned for not seeing a joke which has to be certified by affidavit."
+
+ * * * * *
+
+Mr. JEFFERY E. JEFFERY has been playing cheerful tricks on the British
+public. We must forgive him, because he has for a long time been doing far
+worse than that to the Huns; but it is undeniable that in following the
+winding trail of his beloved guns we are in no small danger of losing our
+sense of direction. This is because along with imaginary tales, some of
+them written before August, 1914, when of course he could not fix precisely
+the chronology and locality of his fights, he has mixed almost
+indiscriminately the record of his own actual experiences during two
+distinct phases of the War. Not until the last page does he abandon the
+jest to explain--with something of a school-boy grin--just where fact and
+fiction meet, and so enable me to recover from my bewilderment and pass on
+a word of warning. Once on your guard, however, you will find his story of
+the _Servants of the Guns_ (SMITH, ELDER), and more especially the first
+half of it (dealing, in diary form, with his recent adventures as an
+officer of Artillery--he does not state his present rank), as vivid and
+real as anything of the sort you have seen. Field-gun warfare of
+to-day--mathematics, telephones and mud--with little more of old-time dash
+and jingle than the hope that some to-morrow may revive them in the Great
+Pursuit--this is his theme; and above all the loyalty of the gunner to his
+guns. Even the story-book part in the middle of the volume speaks of this
+finely and movingly; but here and there amongst his personal experiences
+comes a passage less consciously composed that tells it even better in the
+bareness of a great simplicity.
+
+ * * * * *
+
+Mr. J.D. BERESFORD'S new story, _House-Mates_ (CASSELL), might be regarded
+as an awful warning to young gentlemen seeking bachelor-apartments.
+Because, if the hero had been a little more careful about his
+fellow-lodgers at No. 73 Keppel Street, he would not, in the first place,
+have been defrauded of a large sum of money, or, in the second, have been
+involved in a peculiarly revolting murder. (The special hatefulness of this
+murder strikes me as rather superfluous. But this by the way.) On the other
+hand, of course, he would never have married the heroine, and we should
+have missed a very agreeable study of expanding adolescence. This, I take
+it, is the real motive of Mr. BERESFORD'S story, as exemplified by his
+pleasant introductory metaphor of the chicken and the egg. From the
+feminine point of view, indeed, the tale might be not inaptly labelled
+"Treatise on Cub-hunting." Anyhow, what with strange actresses and I.D.B.
+criminals and painted ladies and reviewers (they _were_ a queer lot at No.
+73!) the hero completes his tenancy with enough experience of life, chiefly
+on its shadowy side, to last him for some time. An original and rather
+appealing story, told with a good deal of charm.
+
+ * * * * *
+
+I was waiting for it, and now, behold, it has come. In _The Shining
+Heights_ (MILLS AND BOON) the War is over and we have to do with some of
+the results of it. Unfortunately Miss I.A.R. WYLIE is very chary about
+dates, and she is not encouraging about the changes which most of us hope
+will come with peace. "Social conditions indeed," she writes, "had scarcely
+moved. Universal brotherhood was not ... and, for the vast majority of men
+and women it had been easiest to go back to the old work, the old pleasure,
+the old love and the old hate." Well, I don't know much about universal
+brotherhood, but for the rest I sincerely hope that these gloomy
+prognostications are wrong. As for the story, laid in the Delectable Duchy,
+no one needs to be told that Miss WYLIE is a novelist of considerable power
+and capacity, and here she has chosen a theme of very real interest. It is
+the rivalry of two men, one of whom had returned from the War with wounds
+and a V.C., while the other had never taken part in it because he believed
+(with justification) that he was on the point of making a discovery of
+value to humanity. The story is well constructed and well told, but I am
+beginning to think that it is time for Cornwall to be declared a prohibited
+area for all novelists except Mr. CHARLES MARRIOTT and "Q."
+
+ * * * * *
+
+Yet more theatrical recollections. The latest volume of them is _My
+Remembrances_ (CASSELL), in which Mr. EDWARD H. SOTHERN recounts, with the
+pleasant humour to be expected from him, what he quaintly (and quite
+unjustifiably) calls "The Melancholy Tale of Me." One has heard that Mr.
+SOTHERN, now that he has retired from the stage, proposes to live in
+England; the book explains such an intention by its evidence of the
+writer's intense love for this country. Naturally he has a rich stock of
+good stories, amongst which I was delighted to welcome yet once again that
+old favourite about the departing spectator who, on being told that two
+Acts remained to be performed, said briefly, "That's why I'm going!" Newer
+(to me) was the _Dundreary_ tale that told how the elder SOTHERN'S triumph
+was actually the result of JEFFERSON'S partiality for horse-exercise. The
+connection I leave you to find out. Like all volumes of its kind, _My
+Remembrances_ abounds in photographs. At times, indeed, you may be tempted
+to consider that the domain of the family portrait album has been too
+largely usurped. But there is even about this a friendliness which, coupled
+with the brisk style of its writing, will give the book a popularity as
+wide as that of its author.
+
+ * * * * *
+
+We all know that Mr. WILLIAM CAINE has a gay humour, and he indulges it
+liberally, sometimes rollickingly, in _The Fan_. With a candour which I
+warmly commend he states conspicuously that most of these stories have
+appeared before, and he expresses his acknowledgments to various Editors
+over a widish range--from _Macmillan's Magazine_ to _London Opinion_, and
+from _The English Review_ to _Answers_. It would be an innocent diversion
+to have to guess which story was written for which Editor. But for whatever
+public the author caters he is, with only one or two exceptions, out for
+fun, and he gets it. Some of his stories are pure extravaganzas, but they
+are written in a style unusually good for this kind, and by a very shrewd
+observer of human foibles. Messrs. METHUEN tell us that Mr. CAINE "views
+life from an angle all his own," and although I do not often find myself in
+agreement with publishers' opinions of their own wares it is to me a right
+angle.
+
+ * * * * *
+
+[Illustration: THE ECONOMIC ERA.
+
+PROVIDE YOUR OWN WATER SUPPLY AND RELEASE A WATER-RATE COLLECTOR.]
+
+ * * * * *
+
+ "THE FOOD HOARDERS THREATENED.
+
+ NOT MORE THAN 1 TON OF COAL AT A TIME."--_Daily News._
+
+Then, as the vulgar have it, the food-hoarders will just have to go and eat
+coke.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+152, March 28, 1917, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 14856-8.txt or 14856-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/8/5/14856/
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/14856-8.zip b/14856-8.zip
new file mode 100644
index 0000000..88768d6
--- /dev/null
+++ b/14856-8.zip
Binary files differ
diff --git a/14856-h.zip b/14856-h.zip
new file mode 100644
index 0000000..fec6286
--- /dev/null
+++ b/14856-h.zip
Binary files differ
diff --git a/14856-h/14856-h.htm b/14856-h/14856-h.htm
new file mode 100644
index 0000000..2e4d3f6
--- /dev/null
+++ b/14856-h/14856-h.htm
@@ -0,0 +1,3060 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=us-ascii" />
+
+ <title>Punch, March 28th, 1917.</title>
+ <style type="text/css">
+ /*<![CDATA[*/
+
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ p.center {text-align: center;}
+ p.author {text-align: right; margin-top: -1em; margin-right: 5%;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+ .author {margin-right: 5%; text-align: right;}
+ .note
+ {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
+
+ .poem
+ {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i12 {margin-left: 6em;}
+ .poem p.i16 {margin-left: 8em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 152,
+March 28, 1917, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 152, March 28, 1917
+
+Author: Various
+
+Release Date: February 1, 2005 [EBook #14856]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+
+
+
+
+</pre>
+
+ <h1>PUNCH,<br />
+ OR THE LONDON CHARIVARI.</h1>
+
+ <h2>Vol. 152.</h2>
+ <hr class="full" />
+
+ <h2>March 28th, 1917.</h2>
+ <hr class="full" />
+ <span class="pagenum"><a name="page189"
+ id="page189"></a>[pg 189]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/189.png"><img width="100%"
+ src="images/189.png"
+ alt="AS I WAS A-SAYIN', BOB, WHEN WE WAS INTERRUPTED" />
+ </a>
+
+ <p><i>Torpedoed mine-sweeper</i> (<i>to his pal</i>). "AS I
+ WAS A-SAYIN', BOB, WHEN WE WAS INTERRUPTED, IT'S MY BELIEF
+ AS 'OW THE SUBMARINE BLOKES AIN'T ON 'ARF AS RISKY A JOB AS
+ THE BOYS IN THE AIRY-O-PLANES."</p>
+ </div>
+ <hr />
+
+ <h2>CHARIVARIA.</h2>
+
+ <p>Charged at Kingston with being an absentee from military
+ service, a man of retiring habits stated that he did not know
+ the country was at war. When told that we were fighting the
+ Germans he was greatly interested.</p>
+ <hr class="short" />
+
+ <p>The Hamburg hotel-keepers have decided to abolish the
+ practice of charging more for food in cases where wine or beer
+ are not consumed. The reason given&mdash;that there was no wine
+ or beer to be consumed&mdash;is so trivial that a deeper motive
+ may well be suspected.</p>
+ <hr class="short" />
+
+ <p>"That is how we lawyers live, because lay-men have such
+ queer ideas," said Judge CLUER in a recent case. Nevertheless,
+ the view that lawyers shouldn't be allowed to live is not
+ without its ardent supporters.</p>
+ <hr class="short" />
+
+ <p><i>The Manchester Guardian</i> has issued an "Empire
+ number." It is pleasant to know that all differences between
+ the Empire and our contemporary, due to the former's
+ ill-advised participation in the War, have been satisfactorily
+ adjusted.</p>
+ <hr class="short" />
+
+ <p>Events have happened so swiftly of late that up to the time
+ of going to press a contemporary had not decided who should be
+ "<i>The Man who Dined with the Tsar</i>."</p>
+ <hr class="short" />
+
+ <p>Virginia-creepers are recommended by a contemporary as a
+ "tasty vegetable." In one large house where the experiment was
+ tried they were pronounced to be quite all right on the second
+ floor, but rather tough in the basement.</p>
+ <hr class="short" />
+
+ <p>The businesses of Southgate men called to the colours are
+ being conducted by a committee. Small sons of those absent
+ fathers are going very warily until they have ascertained
+ exactly how far the powers of the committee extend.</p>
+ <hr class="short" />
+
+ <p>Writing on the German retreat Major MORAHT says: "Only a
+ personality like that of Marshal von Hindenburg could give
+ proofs of so great an initiative." Possibly he has never heard
+ of the Dukes of York and Plaza Toro.</p>
+ <hr class="short" />
+
+ <p>A boy of eleven charged with the theft of clothes is said to
+ have stolen the notebook of the policeman who arrested him. His
+ first idea was to pinch his captor's whistle, but he rejected
+ this plan on finding that the policeman was attached to it.</p>
+ <hr class="short" />
+
+ <p>Russian soldiers under the new <i>r&eacute;gime</i> will be
+ allowed to smoke in the streets, travel inside trains, visit
+ clubs and attend political meetings. There is a very strong
+ rumour that they will also be allowed to go on fighting.</p>
+ <hr class="short" />
+
+ <p>A ten-months-old boy at Prescot, Lancashire, has been called
+ up for military service. It is, however, authoritatively stated
+ that this is merely a precautionary measure on the part of the
+ War Office, and will not necessarily apply to other men in the
+ same class.</p>
+ <hr class="short" />
+
+ <p>A Bromley gentleman is advertising for a chauffeur "to drive
+ Ford car out of cab-yard." Kindness is a great thing in cases
+ of this sort, and we suggest trying to entice it out with a
+ piece of cheese.</p>
+ <hr class="short" />
+
+ <p>"You have lost the privilege of serving on the last grand
+ jury during the War," said the judge at the London Sessions
+ last week to a shipowner who arrived at the court late. We
+ understand that the poor fellow broke down and sobbed
+ bitterly.</p>
+ <hr class="short" />
+
+ <p>Nearly every Russian newspaper contains congratulatory
+ references to Free Russia, and poets are busy composing verses
+ on the same theme. It is this latter item which is said to be
+ keeping the Germans from having a similar revolution.</p>
+ <hr class="short" />
+
+ <p>We understand that the new "No Smoking near Magazines"
+ enactment is profoundly resented in editorial circles.</p>
+ <hr class="short" />
+
+ <p>To fill the gap which will be left in the ranks of
+ Parliamentary humorists by the retirement of Mr. JOSEPH KING,
+ M.P., who has decided not to seek re-election, the Variety
+ Artistes Federation have nominated a candidate for the Brixton
+ Division.</p>
+ <hr class="short" />
+
+ <p>"On whatever day you sow your wheat," says Miss MARIE
+ CORELLI, "you cannot stop its growing on Sundays." Mr. HALL
+ CAINE has not yet spoken on this point, and his silence is
+ regarded as significant.</p>
+ <hr class="short" />
+
+ <p>Incidentally we are not so sure that you cannot stop wheat
+ growing on Sundays. There is good precedent for plucking its
+ ears on the Sabbath, and that ought to stop it.</p>
+ <hr class="short" />
+
+ <p>The KAISER, it appears, is much annoyed at the CROWN PRINCE
+ and the way he has mis-managed so many brilliant opportunities.
+ It is even suggested in some quarters that the KAISER has
+ threatened, if LITTLE WILLIE does not improve, to abdicate in
+ his favour.</p>
+ <hr class="short" />
+
+ <p>A respectably dressed man was recently arrested for behaving
+ in a strange manner in Downing Street. Others have done the
+ same thing before now, but have escaped the notice of the
+ police by doing it indoors.</p>
+ <hr class="short" />
+
+ <p>With reference to the taxi-cab which stopped in the Strand
+ the other day when hailed by a pedestrian, a satisfactory
+ explanation is to hand. It had broken down.</p>
+ <hr />
+ <span class="pagenum"><a name="page190"
+ id="page190"></a>[pg 190]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/190.png"><img width="100%"
+ src="images/190.png"
+ alt="A FINE VOICE, YON LASSIE." /></a>
+
+ <p><i>Overheard by a distinguished singer, who has just
+ concluded the first of two Scotch ballads.</i></p>
+
+ <p><i>Jock (to his neighbour).</i> "A FINE VOICE, YON
+ LASSIE. I'VE HEARD WORSE AN' PAID FOR IT."</p>
+ </div>
+ <hr />
+
+ <h2>TO PARIS BY THE "HINDENBURG LINE."</h2>
+
+ <p class="center">A TEUTON TRIBUTE TO THE ORGANISER OF
+ VICTORY.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>That man at dawn should certainly be shot</p>
+
+ <p class="i2">For being such a liar,</p>
+
+ <p>Who says that you, my HINDENBURG, are not</p>
+
+ <p>As high as our All-Highest, mate of GOTT</p>
+
+ <p class="i2">(Or even slightly higher).</p>
+ </div>
+
+ <div class="stanza">
+ <p>Stout thruster, in the push you have no peer,</p>
+
+ <p class="i2">Yet more supremely brilliant</p>
+
+ <p>This crowning stroke of progress toward the
+ rear,</p>
+
+ <p>This strong recoil from which with heartened
+ cheer</p>
+
+ <p class="i2">We hope to bound resilient.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Lo! the creative spirit's vital spark!</p>
+
+ <p class="i2">None but a genius, <i>we</i> say,</p>
+
+ <p>Would make his onset backward in the dark</p>
+
+ <p>Or choose this route for getting at the Arc</p>
+
+ <p class="i2">De Triomphe (Champs Elys&eacute;es).</p>
+ </div>
+
+ <div class="stanza">
+ <p>Nor to your care for detail are we blind;</p>
+
+ <p class="i2">Your handiwork we view in</p>
+
+ <p>The reeking waste our warriors leave behind;</p>
+
+ <p>We read the motions of a master-mind</p>
+
+ <p class="i2">In that red trail of ruin.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And not alone by yonder blackened beams,</p>
+
+ <p class="i2">By garth and homestead burning,</p>
+
+ <p>You put the sanguine enemy off your schemes,</p>
+
+ <p>Who gaily follows up and never dreams</p>
+
+ <p class="i2">That we'll be soon returning;</p>
+ </div>
+
+ <div class="stanza">
+ <p>But by these speaking signs of godly hate,</p>
+
+ <p class="i2">This ruthless ravage
+ (<i>prosit!</i>),</p>
+
+ <p>You teach a barbarous world how truly great</p>
+
+ <p>Our German Gospel, and how grim the fate</p>
+
+ <p class="i2">Of people who oppose it!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then praised be Heaven because we cannot fail</p>
+
+ <p class="i2">With HINDENBURG to boss us;</p>
+
+ <p>And for each hearth stript naked to the gale</p>
+
+ <p>Let grateful homage plug another nail</p>
+
+ <p class="i2">In your superb colossus.</p>
+ </div>
+ </div>
+
+ <p class="center">O.S.</p>
+ <hr />
+
+ <h2>RATIONS.</h2>
+
+ <p>As I said to John, I can bear anger and sarcasm&mdash;but
+ contempt, not. Binny and Joe are our cats, and the most
+ pampered of pets. Every day, when our meals were served, there
+ was spread upon the carpet a newspaper, on which Binny and Joe
+ would trample, clamouring, until a plate containing their
+ substantial portion was laid down: after which we were free to
+ proceed with our own meal.</p>
+
+ <p>Then came the paralysing shock of Lord DEVONPORT'S ration
+ announcement, in which no mention is made of cats. Binny and
+ Joe looked at one another in consternation over their porridge
+ as I read aloud his statement from the newspaper at
+ breakfast.</p>
+
+ <p>When I came in to luncheon I had a letter in my hand and
+ accidentally dropped the envelope. Paper of any kind upon the
+ carpet is associated in Binny's mind with the advent of food.
+ Straightway he thudded from his arm-chair and sat down upon the
+ envelope. You will notice that I speak above of Binny and Joe.
+ I do so instinctively, because, though Binny is only half Joe's
+ age of one year, somehow he always occurs everywhere before
+ Joe. Joe was lying on the same arm-chair, and the same idea
+ struck him too; but Binny got there first and continued sitting
+ on the envelope, until, for very shame, I asked Ann, the maid,
+ to spread a newspaper and try them with potato and gravy. They
+ looked at it and then at me, and then, without tasting, walked
+ off and began their usual after-luncheon ablutions of mouth,
+ face and paws. But, as I have said, I can endure sarcasm.</p>
+
+ <p>The next day, just before luncheon, a mass of sparrow
+ feathers was found on the hall-mat. The second day there were
+ feathers of a blackbird. And the third day, when I came down to
+ breakfast, I found a few thrush feathers carelessly left under
+ the breakfast-room table. I began to search my mind, anxiously
+ wondering whether any of my near neighbours kept chickens.</p>
+
+ <p>But the matter was settled that night. When the dinner-gong
+ sounded, Binny and Joe rose from their arm-chair, looked at the
+ vegetarian dishes now adorning a board which had been wont to
+ send up savoury meaty steams (fish in these parts has become a
+ rarity almost unprocurable, and we had exhausted our allowance
+ of meat at luncheon, which we had taken at a restaurant), and
+ then, with noses in the air and tails erect, stalked haughtily
+ to the drawing-room, and there remained until dinner was
+ finished.</p>
+
+ <p>So now the butcher leaves two pennorth of lights at my door
+ regularly. He assures me that Lord DEVONPORT won't mind as it
+ is not strictly human food.</p>
+ <hr />
+ <span class="pagenum"><a name="page191"
+ id="page191"></a>[pg 191]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/191.png"><img width="100%"
+ src="images/191.png"
+ alt="THE INVADERS." /></a>
+
+ <h3>THE INVADERS.</h3>
+
+ <p class="center">"I SUPPOSE OLD HINDENBURG KNOWS WHAT HE'S
+ ABOUT?"</p>
+
+ <p class="center">"ANYHOW, EVERY STEP TAKES US NEARER THE
+ FATHERLAND."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page192"
+ id="page192"></a>[pg 192]</span>
+
+ <h2>THE WATCH DOGS.</h2>
+
+ <p class="center">LVIII.</p>
+
+ <p>MY DEAR CHARLES,&mdash;Recent events calling for strong
+ comment, I turned to my friend, my brick-red friend who is able
+ to retain his well-fed prosperous look notwithstanding the
+ rigours of trench life, Rrobert James McGrregor. I took a map
+ with me and, calling his attention to the general position,
+ asked him what about it? McGregor, as you may guess, is a Scot,
+ whose national sense of economy seems to have spread to his
+ uniform, in that the cap he wears covers but a third-part of
+ his head, and his tunic (which I ought really not to call a
+ tunic but a service jacket) appears to have exhausted itself
+ and its material at the fourth button. Notwithstanding all
+ this, I attach great weight to his truculent views, and, the
+ better to incite him into something outright, addressed him in
+ My best Scottish, which is, at any rate, as good as his best
+ English. "Rrrrrobert," I said, "what like is the VON HINDENBURG
+ line?" Whereupon McGregor, helping himself to our mess whisky
+ and cursing it as the vilest production of this vile War, spoke
+ out.</p>
+
+ <p>McGregor has no respect whatever for HINDENBURG or anything
+ which is his. He says that HINDENBURG and his crew have all
+ along taken the line which any man could, but no gentleman
+ would. In HINDENBURG he sees the personification of Prussian
+ militarism, and for the Prussians and their militarism he has
+ no use whatsoever. I forget what exactly is the Highland phrase
+ for "no use whatsoever," but its meaning is even worse than its
+ sound, and the sound of it alone is terrible to hear. Whatever
+ befalls in the interval, it is certain that when at last
+ McGregor and HINDENBURG meet they will not get on well
+ together.</p>
+
+ <p>McGregor hates militarism. It is entirely inconsistent with
+ his wild ideas of liberty. As such he is determined to do it
+ down on all occasions and by every means. Not only is he a
+ Scot, he is also a barrister of the most pronounced type. Brief
+ him in your cause, and provided it is not a mean one he will
+ set out to lay flat the whole earth, if need be, in its
+ defence. He will overwhelm opposing counsel with the mere
+ ferocity of his mien; he will overbear the Judge himself with
+ the mere power of his lungs, and he will carry you through to a
+ verdict with the mere momentum of his loyal support. Once he
+ has made a cause his own, no other cause can survive the terror
+ of his bushy eyebrows and his flaring face. He is a caged lion,
+ but he does not grow thin or wasted in captivity. As ever, he
+ grows stout and strong on his own enthusiasms. The cage will
+ not hold much longer. Heaven be praised, it's HINDENBURG and
+ not me he's taken a dislike to.</p>
+
+ <p>He loathes militarism. Having waited nearly thirty years for
+ a fight, it's himself is overjoyed that he has Prussian
+ militarism for the victim of his murderous designs. To this end
+ he has become a soldier, such a bloodthirsty soldier as never
+ was before and never will be again. The thoroughness of it, for
+ an anti-militarist, is almost appalling. The click of his heels
+ and the shine of his buttons frighten me. His salute is such
+ that even the most deserving General must pause and ask himself
+ if it is humanly possible to merit such respect as it
+ indicates. No man, even upon the most legitimate instance, may
+ venture, in the presence of the dangerous McGregor, the
+ slightest criticism of the British Army or of anything remotely
+ appertaining thereto. He will not even permit a sly dig, in a
+ quiet corner, at the Staff.</p>
+
+ <p>Nevertheless McGregor hates, loathes and detests militarism.
+ His convictions are quite clear and convincing. Soldiers are
+ one thing; militarists are another. Rrobert James McGrregor,
+ for the moment at least, is by the grace of God and the
+ generosity of His Majesty a soldier. That creature HINDENBURG
+ is a militarist. Quite so, I agreed; but then what about the
+ line? He helped himself to some more whisky, showing that he
+ could forgive anybody anything except a Prussian his
+ militarism, and said he was coming to that. But first as to
+ HINDENBURG.</p>
+
+ <p>The man represents his type and is, says McGregor, a mere
+ bully. He has become a bully because he could succeed as
+ nothing else. Given peace, it is doubtful if he could get and
+ keep the job of errand-boy in a second-rate butcher's shop.
+ Lacking the intelligence or spirit to succeed normally, he has
+ not the decency to live quietly in the cheaper suburbs of
+ Berlin and let other people do it. Flourish they must,
+ HINDENBURG and his lot, and so the world is at war to keep
+ their end up.</p>
+
+ <p>Now, says McGregor, it is undoubtedly sinful to fight, but
+ he can't help half forgiving those whose desire to have a round
+ is such that they must needs cause the bothers. But do I
+ suppose that HINDENBURG ever wanted to fight, ever meant or
+ ever means to do it? Not he; and that is why the War goes on
+ and on and on. We've got to work through all the other Germans,
+ says he, before we'll get to their militarists, who are all
+ alive and doing nicely, thank you, behind. When we are getting
+ near the throat of the first of them then the War will end.</p>
+
+ <p>McGregor cannot bring himself to detest all the Bosches.
+ After all, he says, they do stick it out, and their very
+ stupidity makes some call on his generosity. But HINDENBURG, he
+ is convinced, never stuck anything out, except snubs from his
+ competitor, WILHELM, in the course of his uprising career; he
+ makes no call on anybody's generosity, taking everything he
+ wants, including (says McGregor) the best cigars. Without ever
+ having studied them closely, McGregor has the most precise
+ ideas of HINDENBURG'S daily life and habits. He is quite sure
+ he smokes all day the most expensive cigars, without paying for
+ them or removing the bands. He rose, says McGregor, by artifice
+ combined with ostentation. While his good soldiers were
+ studying their musketry, he was practising ferocious
+ expressions before his glass. If he ever did get mixed up in a
+ real battle (which McGregor doubts) he was undoubtedly last in
+ and first out. However it may appear in print, his military
+ career would not bear close scrutiny; for that reason McGregor
+ does not propose to scrutinise it. And as for his indomitable
+ will, he sees nothing to admire in the man's persistence,
+ since, when he stops persisting, he'll become ungummed and, at
+ the best, forgotten.</p>
+
+ <p>So said McGregor, and when I besought him to come to the
+ point, he said he'd dealt with it, and if I had any sympathy
+ left for HINDENBURG or his line I was no better than a
+ slave-driving, sit-at-home-and-push-others-over-the-parapet
+ Prussian militarist myself. As for the map, it didn't matter in
+ the least where HINDENBURG took his old line to, since wherever
+ in Europe it endeavoured to conceal itself his own little line
+ would scent it out and follow it. And if the HINDENBURG line
+ was more than two hundred miles long and the Rrobert James
+ McGrregor line less than two hundred yards, still it didn't
+ matter; for when a Scot takes a dislike to somebody, that
+ somebody's number is up.</p>
+
+ <p>McGregor didn't say that last, but he looked it.</p>
+
+ <p class="center">Yours ever,</p>
+
+ <p class="author">HENRY.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/192.png"><img width="100%"
+ src="images/192.png"
+ alt="AWEEL, IT'S A 'PIG IN A POKE." /></a>
+
+ <p><i>McTavish (purchasing paper of posterless
+ newsboy).</i> "AWEEL, IT'S A 'PIG IN A POKE,' BUT AH'LL
+ RISK IT."</p>
+ </div>
+ <hr />
+
+ <h4>"Frightfulness" in England.</h4>
+
+ <blockquote>
+ "Boys wanted for Kicking. &mdash;&mdash;&mdash; Stamping
+ Works."&mdash;<i>Midland Evening News.</i>
+ </blockquote>
+ <hr class="short" />
+
+ <p class="center">"'THE MAGIC FLUTE.'</p>
+
+ <blockquote>
+ One ingenious commentator has suggested that the opera has
+ some basis in 'A Midsummer Night's Dream.' Sarastro is
+ Prospero, Pamina Miranda, Tamino Ferdinand, and perhaps
+ Monostatos Caliban."&mdash;<i>Glasgow Herald.</i>
+ </blockquote>
+
+ <p>The fact that these Shakespeare characters all occur in "The
+ Tempest" enhances the ingenuity of the suggestion.</p>
+ <hr class="short" />
+
+ <blockquote>
+ "The biggest fire in living memory occurred in Chapelhall
+ on Monday morning, when the Roman Catholic School was
+ partly destroyed along with the recreation rooms, damage
+ amounting to &pound;2,000."&mdash;<i>Scotch Local
+ Paper.</i>
+ </blockquote>
+
+ <p>The parish pump was probably out of order when this
+ unparalleled conflagration occurred; but is seems to be at work
+ again now.</p>
+ <hr />
+ <span class="pagenum"><a name="page193"
+ id="page193"></a>[pg 193]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/193.png"><img width="100%"
+ src="images/193.png"
+ alt="MOTHER, D'YOU KNOW I'VE ALWAYS WONDERED WHAT BECAME OF OLD TOP-HATS." />
+ </a> "MOTHER, D'YOU KNOW I'VE ALWAYS WONDERED WHAT BECAME
+ OF OLD TOP-HATS."
+ </div>
+ <hr />
+
+ <h2>TO MY GODSON.</h2>
+
+ <p class="center">(<i>Aged six weeks.</i>)</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Small bundle, enveloped in laces,</p>
+
+ <p class="i2">For whom I stood sponsor last week,</p>
+
+ <p>When you slept, with the pinkest of faces,</p>
+
+ <p class="i2">And never emitted a squeak;</p>
+
+ <p>Though vain is the task of illuming</p>
+
+ <p class="i2">The Future's inscrutable scroll,</p>
+
+ <p>I cannot refrain from assuming</p>
+
+ <p class="i2">A semi-prophetical <i>r&ocirc;le</i>,</p>
+ </div>
+
+ <div class="stanza">
+ <p>I predict that in paths Montessorian</p>
+
+ <p class="i2">Your infantile steps will be led,</p>
+
+ <p>And with modes which are Phrygian and Dorian</p>
+
+ <p class="i2">Your musical appetite fed;</p>
+
+ <p>You'll be taught how to dance by a Russian,</p>
+
+ <p class="i2">"Eurhythmics" you'll learn from a
+ Swiss,</p>
+
+ <p>How not to behave like a Prussian&mdash;</p>
+
+ <p class="i2">No teaching is needed for this!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Will you learn Esperanto at Eton?</p>
+
+ <p class="i2">Or, if Eton by then is suppressed,</p>
+
+ <p>Be sent to grow apples or wheat on</p>
+
+ <p class="i2">A ranche in the ultimate West?</p>
+
+ <p>Will you aim at a modern diploma</p>
+
+ <p class="i2">In civics or commerce or stinks?</p>
+
+ <p>Inhale the Wisconsin aroma</p>
+
+ <p class="i2">Or think as the Humanist thinks?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Will you learn to play tennis from COVEY</p>
+
+ <p class="i2">Or model your stroke on JAY GOULD?</p>
+
+ <p>Will you play the piano like TOVEY</p>
+
+ <p class="i2">Or by gramophone records be schooled?</p>
+
+ <p>Will you golf, or will golfing be banished</p>
+
+ <p class="i2">To answer the needs of the plough,</p>
+
+ <p>And links from the landscape have vanished</p>
+
+ <p class="i2">To pasture the sheep and the cow?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Your taste in the region of letters</p>
+
+ <p class="i2">I only can dimly foresee,</p>
+
+ <p>But guess that from metrical fetters</p>
+
+ <p class="i2">The verse you'll affect must be free;</p>
+
+ <p>And I shan't be surprised or astounded</p>
+
+ <p class="i2">If your generation rebels</p>
+
+ <p>Against adulation unbounded</p>
+
+ <p class="i2">Of MASEFIELD and BENNETT and WELLS.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Upholding ancestral tradition</p>
+
+ <p class="i2">Your uncle has booked you at Lord's,</p>
+
+ <p>But I doubt if you'll sate your ambition</p>
+
+ <p class="i2">Athletic on well-levelled swards;</p>
+
+ <p>No, I rather opine that you'll follow</p>
+
+ <p class="i2">The lead that we owe to the WRIGHTS,</p>
+
+ <p>And soar like the eagle or swallow</p>
+
+ <p class="i2">On far and adventurous flights.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But no matter&mdash;in joy and affliction,</p>
+
+ <p class="i2">In seasons of failure or fame,</p>
+
+ <p>I cherish the certain conviction</p>
+
+ <p class="i2">You'll never dishonour your name;</p>
+
+ <p>For the love of the mother that bore you,</p>
+
+ <p class="i2">The life and the death of your sire</p>
+
+ <p>Will shine as a lantern before you,</p>
+
+ <p class="i2">To guide and exalt and inspire.</p>
+ </div>
+ </div>
+ <hr />
+
+ <h4>Life's Little Ironies.</h4>
+
+ <blockquote>
+ "Ever-ready Safety Razor, strop, outfit, 12 blades, new;
+ exchange something useful."&mdash;<i>The Model Engineer and
+ Electrician.</i>
+ </blockquote>
+ <hr class="short" />
+
+ <blockquote>
+ "The marriage of Captain &mdash;&mdash;, Grenadier Guards,
+ to Miss &mdash;&mdash; was a very quiet affair, and not
+ more than a score of people attended the ceremony at St.
+ Andrew's, Wells-street, during the
+ week.&mdash;<i>Observer.</i>
+ </blockquote>
+
+ <p>Quiet, perhaps, but unusually protracted.</p>
+ <hr class="short" />
+
+ <h4>How it Happened.</h4>
+
+ <p>From a publisher's advt.:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"NEW NOVELS</p>
+
+ <p>&nbsp;</p>
+
+ <p class="i2">THE HISTORY OF AN ATTRACTION</p>
+
+ <p class="i2">HE LOOKED IN MY WINDOW."</p>
+ </div>
+ </div>
+ <hr class="short" />
+
+ <p>Collectors of coincidences will not fail to notice that what
+ the papers call "The Great Allied Sweep" in France was
+ contemporaneous with the arrival of General SMUTS in
+ England.</p>
+ <hr />
+
+ <h2>CHILDREN'S TALES FOR GROWN-UPS.</h2>
+
+ <p class="center">IV.</p>
+
+ <p class="center">THE HUNGER-STRIKE.</p>
+
+ <p>"Did you hear that?" cried the white hen.</p>
+
+ <p>"What?" asked all the other hens.</p>
+
+ <p>"He called us&mdash;cluck-cluck-cluck," said the white
+ hen.</p>
+
+ <p>"Why shouldn't he?" asked all the other hens.</p>
+
+ <p>"I didn't mean he called us 'cluck-cluck-cluck,'" said the
+ white hen hastily. "I was only choking with rage when I said
+ that. He called us&mdash;cluck-cluck-cluck&mdash;"</p>
+
+ <p>"She's going to lay an egg," said the black hen with
+ interest.</p>
+
+ <p>"Poultry!" screamed the white hen suddenly.</p>
+
+ <p>"Poultry?" gasped the other hens.</p>
+
+ <p>"Poultry!&mdash;he called us 'poultry'&mdash;oh,
+ cluck-cluck-cluck&mdash;"</p>
+
+ <p>"Something must be done," said the yellow hen.</p>
+
+ <p>"Something must be done," repeated all the hens.</p>
+
+ <p>"We must have a hunger-strike till he apologises," said the
+ thin hen importantly.</p>
+
+ <p>"But we shall be hungry," cried all the hens.</p>
+
+ <p>"That is the essence of a hunger-strike," said the thin
+ hen.</p>
+
+ <p>Just then the keeper arrived with food for the fowls.</p>
+
+ <p>"We mustn't run to him," they said to one another. "It's a
+ hunger-strike, you know."</p>
+
+ <p>Suddenly the fat hen began running to him.</p>
+
+ <p>"Come back; it's a hunger-strike, you know!" cried the
+ hens.</p>
+
+ <p>"I have an idea," shouted the fat hen as she ran; "the more
+ we eat the longer we shall hold out."</p>
+
+ <p>"So we shall," cried all the hens as they scurried after the
+ fat one.</p>
+ <hr />
+ <span class="pagenum"><a name="page194"
+ id="page194"></a>[pg 194]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/194.png"><img width="100%"
+ src="images/194.png"
+ alt="WHAT'S YOUR NAME?" /></a> <i>Officer (to
+ applicant for War-work).</i> "WHAT'S YOUR NAME?"
+ &nbsp;
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+ <i>Ex-flapper.</i> "CISSIE"
+ </div>
+ <hr />
+
+ <h2>THE FAVORITE.</h2>
+
+ <p>Some people would die rather than talk aloud in a 'bus;
+ others would rather die than hold their peace there. This
+ second kind is more fun, and four of it made part of my journey
+ the other day from Victoria to Oxford Street (I forget the
+ number of the 'bus, but it goes up Bond Street) much less
+ tedious. They were all young women in the latest teens or the
+ earliest twenties, and all were what is called well-to-do, and
+ they were fluent talkers.</p>
+
+ <p>Years ago, when poor LEWIS WALLER was at the height of his
+ fame, we used to hear of a real or fictitious "Waller Club,"
+ the members of which were young women who spent as much time as
+ they could in visiting his theatre and rejoicing in the sight
+ of his brave gestures and the sound of his vibrant voice. It
+ was even said that they had a badge by which they could know
+ each other; although on the face of it, judging by what sparse
+ scraps of information concerning the nature of woman I have
+ been able painfully to collect, I should say that segregation
+ would be, in such a case as this, more to their taste.</p>
+
+ <p>Be that true or only invented, it is very clear that in
+ spite of the War and its shattering way with so many ancient
+ shibboleths the cult of the actor is still strong; for this is
+ the kind of thing that lasted all the way from Hyde Park Corner
+ to Vere Street:&mdash;</p>
+
+ <p>"Did you see him the other day in that ballet? Of course I
+ knew he could dance, because he can do everything, but I never
+ thought he was going to be so gloriously graceful as he
+ was."</p>
+
+ <p>"But surely you ought to have known. Don't you remember him
+ as the Prince at the LORD MAYOR'S Ball?"</p>
+
+ <p>"And what a wonderful figure he has!"</p>
+
+ <p>"I couldn't help wishing that he had only stained his legs
+ instead of putting on red tights."</p>
+
+ <p>"My dear!!!"</p>
+
+ <p>"It's his grace that's the wonderful thing about him, I
+ always think. His ease. He moves so&mdash;how shall I put
+ it?&mdash;so, well, so easily and gracefully."</p>
+
+ <p>"Don't you love him when he stands with his hands in his
+ pockets?"</p>
+
+ <p>"My dear, yes. But what a wonderful tailor he goes to. I
+ always used to tell my brother to try and find out where his
+ things were made and go to the same place."</p>
+
+ <p>"But of course it's the way clothes are worn much more than
+ the clothes themselves. I mean, some men can never look well
+ dressed, whereas others can look well in anything."</p>
+
+ <p>"But he does go to the best tailor, I'm sure."</p>
+
+ <p>"How many times have you seen this new piece?"</p>
+
+ <p>"Six."</p>
+
+ <p>"Only six! I've seen it eleven."</p>
+
+ <p>"I've seen it three times."</p>
+
+ <p>"I've seen it five times; but one of those doesn't count,
+ because when we got there we found he was ill with chicken-pox.
+ Wasn't that rotten luck?"</p>
+
+ <p>"I heard he had been ill, but I didn't know what it was. Was
+ it really chicken-pox?"</p>
+
+ <p>"Yes, poor darling."</p>
+
+ <p>"Fancy him having a thing like that! I suppose it's part of
+ the price of keeping so young."</p>
+
+ <p>"Oh, yes, isn't he young!"</p>
+
+ <p>"They say this thing's going to run for years."</p>
+
+ <p>"I hope not. I want to see him in something new. It's so
+ wonderful how he's always the same and yet always
+ different."</p>
+
+ <p>"I want him to be in every play. I never go to one without
+ thinking how much better he would be than the other leading
+ man."</p>
+
+ <p>"I saw that little what's-his-name imitate him the other
+ evening. Really it's rather a shame."</p>
+
+ <p>"Yes, I've seen it. I couldn't help laughing, but I hated
+ myself for it. I'm sure, too, he doesn't waggle his head like
+ that."</p>
+
+ <p>"No! I couldn't see the point of that at all; but the people
+ shrieked."</p>
+
+ <p>"Pooh, they'd laugh at anything."</p>
+
+ <p>"What did you like him best of all in?"</p>
+
+ <p>"That's difficult. Of course he was priceless as the
+ policeman. But then he was priceless as the American too, in
+ that thing before this."</p>
+
+ <p>"Well, I think&mdash;"</p>
+
+ <p>And so on. Except that I never mention his name, and I have
+ suppressed the titles of the plays, this is practically an
+ exact reproduction of the conversation. Naturally many of the
+ sentences overlapped, for ladies no less than gentlemen often
+ talk at the same time; but otherwise I have reported
+ faithfully.</p>
+
+ <p>And who was the subject of these eulogies? You will guess at
+ once when I say that he is probably the only actor in history
+ who is referred to more often by his Christian name only than
+ by his surname or full name. These young women who adored
+ WALLER spoke of him not as LEWIS, but as LEWIS WALLER; and that
+ is the usual custom. The divine SARAH is perhaps the only other
+ histrion, and she is a woman, who may be spoken of simply as
+ SARAH, with no risk of ambiguity. Ordinarily, as I say, we use
+ either the surname only or the surname and Christian name
+ combined, as ELLEN TERRY, VIOLET LORAINE, GEORGE GRAVES, GEORGE
+ ROBEY, LESLIE HENSON, NELSON KEYS. But these four devotees
+ referred to their hero always as GERALD; just GERALD.</p>
+ <hr />
+ <span class="pagenum"><a name="page195"
+ id="page195"></a>[pg 195]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/195.png"><img width="100%"
+ src="images/195.png"
+ alt="Mr. Punch's Navy Pages" /></a>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page196"
+ id="page196"></a>[pg 196]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/196a.png"><img width="100%"
+ src="images/196a.png"
+ alt="ANOTHER ONE OF THAT SORT AND I SHALL DO AS I LIKE." />
+ </a> <i>Gallant Major (temporarily in the care of
+ H.M.'s Navy).</i> "ANOTHER ONE OF THAT SORT
+ AND&mdash;I SHALL DO AS I LIKE."
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/196b.png"><img width="100%"
+ src="images/196b.png"
+ alt="KAMERAD! KAMERAD!" /></a>
+
+ <p><i>Survivor from U-Boat.</i> "KAMERAD! KAMERAD! IF I VOS
+ ON LAND I VOS HOLD UP MEIN HANDS!"</p>
+
+ <p><i>Ordinary Seaman.</i> "WELL, YOUR FEET 'LL DO
+ INSTEAD."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page197"
+ id="page197"></a>[pg 197]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/197a.png"><img width="100%"
+ src="images/197a.png"
+ alt="GIVE US YER KNIFE." /></a>
+
+ <p><i>A.B.</i> "GIVE US YER
+ KNIFE."&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+ &nbsp;&nbsp;&nbsp;&nbsp;<i>Boy.</i> "AIN'T GOT IT."</p>
+
+ <p><i>A.B. (with bitter scorn of non-essentials).</i> "GOT
+ YER WRIST-WATCH ALL RIGHT, I S'POSE?"</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/197b.png"><img width="100%"
+ src="images/197b.png"
+ alt="I NEVER SAID NOTHING TO 'ER, DID I?" /></a>
+
+ <p><i>Apollo.</i> "I NEVER SAID NOTHING TO 'ER&mdash;DID
+ I?"</p>
+
+ <p><i>Neptune.</i> "NO. BUT YOU WAS TRYIN' ON ONE OF YER
+ FASCINATIN' LOOKS."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page198"
+ id="page198"></a>[pg 198]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/198a.png"><img width="100%"
+ src="images/198a.png"
+ alt="ECHOES FROM JUTLAND." /></a>
+
+ <h3>ECHOES FROM JUTLAND.</h3><i>Wine Steward (acting as one
+ of Ammunition Supply Party).</i> "WILL YOU TAKE LYDDITE OR
+ SHRAPNEL, SIR?"
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/198b.png"><img width="100%"
+ src="images/198b.png"
+ alt="SNOOKER POOL AFLOAT." /></a>
+
+ <h3>SNOOKER POOL AFLOAT.</h3><i>Commander (as the black he
+ has tried to pot threatens to touch the port cushion).</i>
+ "LIST HER TO STARBOARD!"
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page199"
+ id="page199"></a>[pg 199]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/199.png"><img width="100%"
+ src="images/199.png"
+ alt="THE DAMN&Eacute;D SPOT." /></a>
+
+ <h3>THE "DAMN&Eacute;D SPOT."</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page200"
+ id="page200"></a>[pg 200]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/200a.png"><img width="100%"
+ src="images/200a.png"
+ alt="YOU'D MAKE A CHAMPION JIG-SAW PUZZLE." /></a>
+
+ <p>"YOU OUGHT REALLY TO MANAGE TO GET BLOWN TO BITS
+ SOMEHOW, NOBBY. YOU'D MAKE A CHAMPION JIG-SAW PUZZLE."</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/200b.png"><img width="100%"
+ src="images/200b.png"
+ alt="HERE'S A WEE BETTLESHIP COMIN' ALONG." /></a>
+
+ <p>"HEY, DONAL'! HERE'S A WEE BETTLESHIP COMIN' ALONG."</p>
+
+ <p>"OCH! A WISH IT MICHT BE A U-BOAT."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page201"
+ id="page201"></a>[pg 201]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/201a.png"><img width="100%"
+ src="images/201a.png"
+ alt="I SUPPOSE YOU'VE JUST COME FROM THE SEA." /></a>
+
+ <p><i>Old Lady.</i> "PARDON ME! I SUPPOSE YOU'VE JUST COME
+ FROM THE SEA. CAN YOU TELL ME WHY I'VE HAD TO PAY A PENNY
+ MORE FOR SCALLOPS TO-DAY?"</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/201b.png"><img width="100%"
+ src="images/201b.png"
+ alt="WHATEVER DID YOU LET THE FIRE OUT FOR?" /></a>
+
+ <p><i>Landlord.</i> "WHATEVER DID YOU LET THE FIRE OUT FOR?
+ WHY DIDN'T YOU PUT SOME COALS ON?"</p>
+
+ <p><i>Stoker.</i> "NOT LIKELY! I'M ON LEAVE, I AM."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page202"
+ id="page202"></a>[pg 202]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/202a.png"><img width="100%"
+ src="images/202a.png"
+ alt="OFF TO ADMIRALTY, I SUPPOSE?" /></a>
+
+ <p><i>Friend.</i> "SEE YOU'RE IN A HURRY. WON'T KEEP YOU.
+ OFF TO ADMIRALTY, I SUPPOSE?"</p>
+
+ <p><i>Sub-Lieutenant H.M.S. "Unbendable."</i> "NOT EXACTLY.
+ FACT IS I'M DUE AT MME. GIROUETTE'S ACADEMY. STRUCK AGAINST
+ A COUPLE OF NEW STEPS IN THE FOX TROT AT THE PILKINGTONS'
+ LAST NIGHT&mdash;RATHER WORRIED ME. BYE-BYE. MUST SHOVE
+ OFF!"</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/202b.png"><img width="100%"
+ src="images/202b.png"
+ alt="I SHOUTED 'FORE!' YOU KNOW." /></a> <i>Apologetic
+ Golfer.</i> "I SHOUTED 'FORE!' YOU KNOW." &nbsp;&nbsp;
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+ <i>Sailor.</i> "WELL, YOU'VE HIT ME AFT!"
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page203"
+ id="page203"></a>[pg 203]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/203a.png"><img width="100%"
+ src="images/203a.png"
+ alt="BEEN OUT IN THE LIFEBOAT OFTEN, MISS?" /></a>
+ <i>Tar (by way of opening the conversation).</i>
+ "AHEM! BEEN OUT IN THE LIFEBOAT OFTEN, MISS?"
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/203b.png"><img width="100%"
+ src="images/203b.png"
+ alt="WELL, IF THEY SHOULD CALL UP THE FORTY-FIVES, I THINK IT WILL HAVE TO BE THE NAVY." />
+ </a>
+
+ <p><i>Jones (who in going through his wardrobe has
+ unearthed a memento of happier days at Margate).</i> "WELL,
+ IF THEY SHOULD CALL UP THE FORTY-FIVES, I THINK IT WILL
+ HAVE TO BE THE NAVY."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page204"
+ id="page204"></a>[pg 204]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/204a.png"><img width="100%"
+ src="images/204a.png"
+ alt="FOR GOODNESS' SAKE PUT SOME EXPRESSION INTO IT!" />
+ </a>
+
+ <p><i>The Artist (impatiently).</i> "FOR GOODNESS' SAKE PUT
+ SOME EXPRESSION INTO IT! JUST IMAGINE YOU'VE COME THROUGH A
+ TERRIBLE EXPERIENCE&mdash;SHIP TORPEDOED&mdash;YOU SOLE
+ SURVIVOR. AFTER CLINGING TO A BELAYING-PIN NINETEEN HOURS
+ IN THE OPEN SEA YOU ARE RESCUED AT THE LAST GASP. YOU ARE
+ NOW RELATING YOUR ADVENTURES TO YOUR AGED PARENTS."</p>
+
+ <p><i>Model (obligingly).</i> "THAT'S ALL RIGHT,
+ SIR&mdash;I CAN MANAGE IT. BUT EXCUSE ME. DID YOU SAY
+ EIGHTEEN HOURS, OR WAS IT NINETEEN?"</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/204b.png"><img width="100%"
+ src="images/204b.png"
+ alt="MADAM, I WAS EXPERIMENTING ON BISCUITS FOR MY SEA-DOGS." />
+ </a> <i>King Alfred (founder of the Navy).</i> "MADAM, I
+ WAS EXPERIMENTING ON BISCUITS FOR MY SEA-DOGS."
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page205"
+ id="page205"></a>[pg 205]</span>
+
+ <h2>"LET HER GO!"</h2>
+
+ <p class="center">A TRAMP CHANTEY.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>'Er keel was laid in 'seventy-four</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go);</p>
+
+ <p>They built 'er cheap an' they scamped 'er sore,</p>
+
+ <p>'Er rivets was putty, 'er plates was poor,</p>
+
+ <p>And then come in the PLIMSOLL line</p>
+
+ <p>Or I wouldn't be singin' this song o' mine.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>She was cranky an' foul, she was stubborn an'
+ slow</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go),</p>
+
+ <p>An' she shipped it green when it come on to
+ blow;</p>
+
+ <p>'Er crews was starved an' their wage was low,</p>
+
+ <p>An 'er bloomin' owners was ready to faint</p>
+
+ <p>At a scrape o' pitch or a penn'orth o' paint.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>But she's been 'ere an' she's been there</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go),</p>
+
+ <p>An' she's been almost everywhere;</p>
+
+ <p>An' wherever you went you'd sure see <i>'er</i>,</p>
+
+ <p>With 'er rust-red hawse an' 'er battered old
+ funnel,</p>
+
+ <p>All muck an' dirt from 'er keel to 'er gun'le.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>She's earned 'er keep in a number o' climes</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go);</p>
+
+ <p>She's changed 'er name a number o' times,</p>
+
+ <p>Which won't fit right into these 'ere rhymes,</p>
+
+ <p>But the name of 'er now is the <i>Sound o'
+ Mull</i>,</p>
+
+ <p>Built on the Tyne an' sails out of 'Ull.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>'Er keel was laid in 'seventy-four</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go),</p>
+
+ <p>An' a breaker's price was 'er price before</p>
+
+ <p>The ships was scarce an' the freights did soar;</p>
+
+ <p>But she's fetched 'er fourteen pound a ton</p>
+
+ <p>On the Baltic Exchange since the War begun.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>So she's doin' 'er bit, which we all must do</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go),</p>
+
+ <p>An' whether she's old or whether she's new</p>
+
+ <p>Don't make much odds to a war-time crew,</p>
+
+ <p>But 'ooever's sunk or 'ooever's drowned,</p>
+
+ <p>The <i>Sound o' Mull</i> keeps pluggin' around.</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+
+ <div class="stanza">
+ <p>An' when she goes, by night or by day</p>
+
+ <p class="i8">(Let 'er go&mdash;let 'er go),</p>
+
+ <p>Either up or down, as she likely may,</p>
+
+ <p>I only 'ope as someone'll say:</p>
+
+ <p>"'Er keel was laid in 'seventy-four;</p>
+
+ <p>She done 'er best an' she couldn't do more;</p>
+
+ <p>She warn't no swell an' she warn't no beauty,</p>
+
+ <p>But she come by 'er end in the way of 'er duty."</p>
+
+ <p class="i12">(Let 'er go!)</p>
+ </div>
+ </div>
+
+ <p class="center">C. F. S.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:66%;">
+ <a href="images/205.png"><img width="100%"
+ src="images/205.png"
+ alt="THINK WE'LL 'AVE ANOTHER CUT AT THE 'UNS BEFORE THE WAR ENDS?" />
+ </a>
+
+ <p>"THINK WE'LL 'AVE ANOTHER CUT AT THE 'UNS BEFORE THE WAR
+ ENDS, JACK?"</p>
+
+ <p>"NO FEAR! IT SAYS 'ERE THAT 'INDENBURG'S TAKEN ALL THE
+ ABLE-BODIED AN' PUT 'EM ON TO WORK OF NATIONAL
+ IMPORTANCE."</p>
+ </div>
+ <hr />
+
+ <h2>THE POULTICE.</h2>
+
+ <p>Call this cold? You orter been with me in '63, when I was
+ whalin' in the North Atlantic. I was steward on the <i>Ella
+ Wheeler</i>, 6,000 tons, out from New Caledonia. Our skipper
+ was a reg'lar old bluenose, and some Tartar, I <i>don't</i>
+ think! Why, 'e'd lay yer out sooner than look at yer; an' once
+ 'e put the cook in irons for two days 'cos the poor devil 'ad
+ tumbled up against the side of the galley an' burnt the 'air
+ off the side of 'is 'ead, and the old man said it was untidy;
+ and we all 'ad to 'ave cold grub for two days&mdash;and in them
+ latitudes! Lord, 'ow we 'ated 'im!</p>
+
+ <p>But the worst of it was that we 'ad no doctor on board, and
+ when anybody took sick the old man insisted on doctorin' 'im
+ 'isself; and 'e 'ad only one way of treatin' every disease in
+ the 'orspitals. "Put 'im into 'is bunk," he says, "and wait
+ till I bring 'im a 'ot linseed poultice for's chest."
+ Tooth-ache or chilblains, a pain in yer stummick or
+ ring-worm&mdash;'e always says the same thing, "Put 'im in his
+ bunk," he says, "and I'll bring 'im a 'ot linseed poultice for
+ 's chest." And 'e brought it and put it on with 'is own 'ands
+ too! There was no gettin' out of it if once 'e 'eard you were
+ sick. Lord, 'ow we 'ated 'im!</p>
+
+ <p>There was Pete Malone&mdash;'ad a great mop of 'air like a
+ lion or a musician&mdash;must needs go washing one day on deck,
+ like a fool. It was all right as long as 'e 'ad the 'ot water
+ and the soapsuds goin'; but 'e give 'is 'ead a rinse, an' stood
+ up, and, swelpme, before 'e could get the towel to work every
+ single 'air 'e 'd got 'ad its own private icicle, an' 'is silly
+ 'ead looked like a silver-plated porkypine.</p>
+
+ <p>Well, as I was saying, we were about a 'undred-and-fifty
+ mile from the nearest land, which 'ud be the West coast of
+ Greenland, bearin' about E. by N., when we thought that at last
+ we were going' to get one back on the old man. It was this way.
+ One bitter cold night 'e was makin' 'is way aft to turn in,
+ when 'e slips up where a wave 'ad froze on the deck, an' e'
+ goes wallop down the 'ole length of the companion, from top to
+ bottom, an' busts three of 'is ribs. Of course we all ran an'
+ picked 'im up, an' <i>said</i> we 'oped 'e wasn't much 'urt.
+ But 'e says, "None of yer jabber, ye swines; 'elp me inter my
+ bunk, and two of yer bring me a 'ot linseed poultice for my
+ chest."</p>
+
+ <p>Well, we puts 'im in 'is bunk, and I catches the eye of the
+ first mate, and we goes out together. "Mick," says I, "'e's
+ askin' for a 'ot poultice. Lord send there's a good fire in the
+ galley!" "If there ain't," says Micky to me, "we'll damn'd soon
+ make one." So we makes a fire such as none of the ship's
+ company 'ad ever seen; and we gets two buckets of water, one
+ very near full, and the other about a quarter full, and we soon
+ 'as 'em both on the boil. Then we makes the poultice in the
+ drop of water; and when 'e was ready, we gets the grid and puts
+ it across the top of the other bucket, and lays the poultice on
+ the grid, and me and the mate picks up the full bucket with two
+ pair o' tongs, 'olding a torch under 'er to keep 'er at the
+ boil.</p>
+
+ <p>When the old man saw us 'is face twisted a bit! But talk
+ about cold! We slapped the poultice on to 'im, and, if you'll
+ believe me, inside o' ninety seconds the thing 'ad <i>froze
+ 'ard on 'im</i>, and formed a splint, and&mdash;saved 'is life,
+ blarst 'im!</p>
+ <hr />
+ <span class="pagenum"><a name="page206"
+ id="page206"></a>[pg 206]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/206.png"><img width="100%"
+ src="images/206.png"
+ alt="SOME CATCH: THE ANGLER'S DREAM." /></a>
+
+ <h3>SOME CATCH: THE ANGLER'S DREAM.</h3>
+ </div><span class="pagenum"><a name="page207"
+ id="page207"></a>[pg 207]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/207.png"><img width="100%"
+ src="images/207.png"
+ alt="SOME CATCH: THE ANGLER'S DREAM (PART 2)." /></a>
+
+ <h3>SOME CATCH: THE ANGLER'S DREAM.</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page208"
+ id="page208"></a>[pg 208]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/208a.png"><img width="100%"
+ src="images/208a.png"
+ alt="THESE WRETCHED ISLANDERS, CUT OFF AS THEY ARE FROM ALL THE WORLD, ARE, I SUPPOSE, HARDLY CIVILISED." />
+ </a>
+
+ <p><i>Lieutenant &mdash;&mdash;, R.N., to Lieutenant
+ &mdash;&mdash;, R.N. (they are paying one of those
+ periodical visits to a lonely island in the South
+ Pacific).</i> "THESE WRETCHED ISLANDERS, CUT OFF AS THEY
+ ARE FROM ALL THE WORLD, ARE, I SUPPOSE, HARDLY
+ CIVILISED."</p>
+
+ <p><i>First Wretched Islander to Second Wretched
+ Islander.</i> "DOES THIS VISIT INTRIGUE YOU?"</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/208b.png"><img width="100%"
+ src="images/208b.png"
+ alt="BRING US 'OME SOME SORT OF AN OLD CURIOSITY FROM FURREN PARTS." />
+ </a>
+
+ <p>"AND THE LAST THING MY MISSUS SAID TO ME WAS, 'BRING US
+ 'OME SOME SORT OF AN OLD CURIOSITY FROM FURREN PARTS.'"</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page209"
+ id="page209"></a>[pg 209]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/209a.png"><img width="100%"
+ src="images/209a.png"
+ alt="AND YOU LIKE YOUR SHIP, FRITZ?" /></a>
+
+ <p><i>Fond Teuton Parent (to super-tar home on leave).</i>
+ "AND YOU LIKE YOUR SHIP, FRITZ?"</p>
+
+ <p><i>Fritz.</i> "I LOVE HER! SHE'S A WONDER! SUCH SPEED!
+ WHENEVER WE RACE BACK TO PORT SHE'S BEEN FIRST EVERY
+ TIME."</p>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/209b.png"><img width="100%"
+ src="images/209b.png"
+ alt="WHAT WORRIES ME IS THE FACT THAT WE WANT MORE MEN FOR THE NAVY." />
+ </a>
+
+ <p><i>Karl.</i> "WHAT WORRIES ME IS THE FACT THAT WE WANT
+ MORE MEN FOR THE NAVY. WHAT I SHOULD LIKE TO KNOW IS, WHERE
+ ARE THEY TO COME FROM?"</p>
+
+ <p><i>Gretchen.</i> "BE CALM, KARL. DOUBTLESS OUR GLORIOUS
+ PROFESSORS OF CHEMISTRY WILL INVENT A SUBSTITUTE."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page210"
+ id="page210"></a>[pg 210]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/210.png"><img width="100%"
+ src="images/210.png"
+ alt="THE INFECTIOUS HORNPIPE." /></a>
+
+ <h3>THE INFECTIOUS HORNPIPE.</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page211"
+ id="page211"></a>[pg 211]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/211.png"><img width="100%"
+ src="images/211.png"
+ alt="THE BREATH OF LIBERTY." /></a>
+
+ <h3>THE BREATH OF LIBERTY.</h3>
+
+ <p>THE GERMAN AUTOCRAT. "THEY MAY FIND THIS WIND VERY
+ BRACING IN RUSSIA BUT IT MAKES ME FEEL EXTREMELY
+ UNCOMFORTABLE."</p>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page212"
+ id="page212"></a>[pg 212]</span>
+
+ <h2>ESSENCE OF PARLIAMENT.</h2>
+
+ <p><i>Monday, March 19th.</i>&mdash;Captain BATHURST announced
+ that the FOOD CONTROLLER would issue an order fixing the retail
+ price of swedes at a figure involving a reduction of "something
+ like 200 per cent." The FOOD CONTROLLER, as his faithful
+ henchman subsequently remarked, "is always doing his best," but
+ if he can really reduce the price of a commodity to 100 per
+ cent. less than nothing I hope he will not confine his activity
+ to a solitary vegetable.</p>
+
+ <p>I am afraid that envy was the predominant feeling aroused by
+ Mr. SNOWDEN'S story of the family in New Cavendish Street which
+ secured in a single order from a single firm no less than
+ sixty-three pounds of sugar. Lest any Hon. Members should be
+ tempted to try and do likewise Captain BATHURST promptly
+ announced that another order prohibiting hoarding would shortly
+ be issued. The House cheered, for, as a journalist Member
+ remarked with gloomy satisfaction, "It is only fair that 'no
+ posters' should be followed by 'no hoarding.'"</p>
+
+ <p>The PRIME MINISTER paid one of his angelic visits to the
+ House to give the latest information of the revolution in
+ Russia. His description of it as "one of the landmarks in the
+ history of the world" evoked loud cheers, but even louder were
+ those which came from the Nationalist benches when he remarked
+ that "free peoples are the best defenders of their own
+ honour."</p>
+
+ <p><i>Tuesday, March 20th.</i>&mdash;A long cross-examination
+ of the representative of the Air Board produced one valuable
+ statement which Members generally might bear in mind. Mr.
+ BILLING asked if it was not "in the public interest or in the
+ interests of this House" that certain contracts should be
+ discussed. Fixing him with his eye-glass, Major BAIRD replied,
+ "No, the interests of the House and of the public, I take it,
+ are the same as the interests of the nation."</p>
+
+ <div class="figright"
+ style="width:40%;">
+ <a href="images/212.png"><img width="100%"
+ src="images/212.png"
+ alt="DEFENSIVE DUET BY MESSRS. ASQUITH AND WINSTON CHURCHILL." />
+ </a>
+
+ <p>DEFENSIVE DUET BY MESSRS. ASQUITH AND WINSTON
+ CHURCHILL.</p>
+ </div>
+
+ <p>If there was any lingering doubt as to the main
+ responsibility for the inception&mdash;as apart from the
+ carrying out&mdash;of the Dardanelles affair Mr. CHURCHILL
+ himself must have removed it. Unlike his former chief he
+ welcomes the publication of the Report, which in his opinion
+ has shared among a number of eminent personages a burden
+ formerly borne by himself alone. But his enthusiasm for the
+ project as it originally formed itself in his fertile brain is
+ undiminished, and he still marvels that for the want of a
+ little further sacrifice we should have abandoned the chance of
+ cutting Turkey out of the War, and uniting in one friendly
+ federation the States of the Balkans.</p>
+
+ <p><i>Wednesday, March 21st.</i>&mdash;General MAUDE'S
+ manifesto to the people of Baghdad, with its allusions to the
+ tyranny under which they had long been suffering, did not
+ escape the eagle eye of Mr. DEVLIN, ever anxious to scarify
+ British hypocrisy. So he drafted a long question to the PRIME
+ MINISTER, embodying the most salient passages of the manifesto.
+ Much to his disgust it appeared on the Paper without its "most
+ beautiful and striking passages." The SPEAKER explained that he
+ had blue-pencilled "a good deal of Oriental and flowery
+ language not suitable to our Western climate." Not the least
+ part of the joke is the rumour that the manifesto was largely
+ the work of a Member of the House well versed in Eastern
+ lore.</p>
+
+ <p><i>Thursday, March 22nd.</i>&mdash;The Ministry of National
+ Service, being unprovided at present with a Parliamentary
+ Secretary, is supposed to be represented in the House by Mr.
+ ARTHUR HENDERSON. But as the Member for Barnard Castle has
+ important functions to perform in the War Cabinet and is rarely
+ in the House he usually deputes some other Member of the
+ Government to answer Questions addressed to him. To-day the lot
+ fell upon Mr. BECK, who good-temperedly explained, when a
+ shower of "supplementaries" rained down upon him, that he
+ really knew nothing about the Department he was temporarily
+ representing. This led to a tragedy, for Mr. SWIFT MACNEILL
+ worked himself into a paroxysm of excitement over this
+ constitutional enormity, and finally sat down on his hat. "I
+ only wish his head had been in it," muttered a brother
+ Irishman&mdash;from Ulster.</p>
+
+ <p>Believers in "the hidden hand," which is supposed to
+ paralyse our military efforts, are divided in opinion as to
+ whether this cryptic member is most actively employed by Lord
+ HALDANE, Sir WILLIAM ROBERTSON or Sir EYRE CROWE,
+ Assistant-Secretary to the Foreign Office. They will probably
+ regard Lord ROBERT CECIL'S statement that some seven years ago
+ Sir EYRE drew up a memorandum calling the attention of Sir
+ EDWARD GREY to the grave dangers that threatened this country
+ from Germany as further evidence of his duplicity. The rest of
+ the world will rejoice at Lord ROBERT'S spirited vindication of
+ "one of the ablest of our public servants," who, despite Miss
+ CHRISTABEL PANKHURST, is not one of "the three black crows" of
+ legendary fame.</p>
+
+ <p>When Sir H. DALZIEL, at the outset of his appeal to the
+ Government to make another attempt to settle the Irish
+ Question, promised that he would not "explore the noxious
+ vapours of the past," I feared the worst. But he was as good as
+ his word, and spared us any gruesome excavations in ancient
+ Irish history. Major HILLS did even better by implying that it
+ was only during the last ten years that the question had warped
+ and diverted our domestic politics. If all Irishmen were as
+ reasonable and moderate as Mr. RONALD McNEILL showed himself
+ this afternoon it would not need settling, for it would never
+ have arisen. He only asked, if sacrifices were necessary, that
+ Ulster should not alone be expected to make them. Sir HAMAR
+ GREENWOOD, as the great-grandson of a Canadian rebel who took
+ twelve sons into the field&mdash;"almost his whole family,"
+ added his descendant&mdash;insisted that the Colonial method of
+ securing Home Rule was the best&mdash;first agree among
+ yourselves, and then go to the Imperial Parliament to sanction
+ your scheme. And perhaps, after the conciliatory spirit
+ displayed in to-day's debate, that is not so impossible oven in
+ Ireland as it seemed a few weeks ago. Hitherto every attempt of
+ the British Sisyphus to roll the Stone of Destiny up the Hill
+ of Tara has found a couple of Irishmen at the top ready to roll
+ it down again. Let us hope that this time they will co-operate
+ to instal it there as the throne of a loyal and united
+ Ireland.</p>
+ <hr />
+
+ <h3>HERBS OF GRACE.</h3>
+
+ <p class="center">IV.</p>
+
+ <p class="center">THYME.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>All things true,</p>
+
+ <p class="i2">All things sweet&mdash;</p>
+
+ <p>Summer-dawn dew</p>
+
+ <p class="i2">And Love's heart-beat;</p>
+
+ <p>All things holy,</p>
+
+ <p>Hill-flow'rs lowly,</p>
+
+ <p class="i2">A far church-chime&mdash;</p>
+
+ <p><i>These things dwell</i></p>
+
+ <p class="i2"><i>In the smell</i></p>
+
+ <p class="i4"><i>Of Thyme.</i></p>
+ </div>
+
+ <div class="stanza">
+ <p>All things clean,</p>
+
+ <p class="i2">All things pure&mdash;</p>
+
+ <p>Joys that have been</p>
+
+ <p class="i2">And faiths that endure;</p>
+
+ <p>All things sunny,</p>
+
+ <p>Bee-song and honey,</p>
+
+ <p class="i2">Sheep-walks, rhyme&mdash;</p>
+
+ <p><i>These things dwell</i></p>
+
+ <p class="i2"><i>In the smell</i></p>
+
+ <p class="i4"><i>Of Thyme.</i></p>
+ </div>
+
+ <div class="stanza">
+ <p>All things set</p>
+
+ <p class="i2">With sharp sweet pain&mdash;</p>
+
+ <p>April regret</p>
+
+ <p class="i2">For vows yet vain;</p>
+
+ <p>All things fragrant,</p>
+
+ <p>Thoughts long vagrant</p>
+
+ <p class="i2">From Beauty's clime&mdash;</p>
+
+ <p><i>These things dwell</i></p>
+
+ <p class="i2"><i>In the smell</i></p>
+
+ <p class="i4"><i>Of Thyme.</i></p>
+ </div>
+ </div>
+ <hr />
+
+ <blockquote>
+ "Sir John Simon, K.C., cited as an illustration the
+ friendship between Daniel and Jonathan. The Lord Chief
+ Justice: I become very nervous when you support your law by
+ quoting Scripture."&mdash;<i>Daily Mail.</i>
+ </blockquote>
+
+ <p>We always feel more nervous when people <i>mis</i>quote
+ Scripture for their purpose.</p>
+ <hr class="short" />
+
+ <blockquote>
+ "The Lord Mayor of London, Sir William Dunn, accompanied by
+ other members of the City Council in their robes, and the
+ Lady Mayoress, were amongst the very large conflagration at
+ St. Patrick's, Soho. An eloquent sermon was
+ preached."&mdash;<i>Irish Paper.</i>
+ </blockquote>
+
+ <p>"Burning words," indeed.</p>
+ <hr class="short" />
+
+ <p>From a description of the difficulties of the members of the
+ Press Gallery in reporting Mr. BONAR LAW:&mdash;</p>
+
+ <blockquote>
+ "Since he has become leader of the House they have aged and
+ grown haggard and dejected. The sound of his voice fills
+ them with bread."&mdash;<i>Birmingham Daily Post.</i>
+ </blockquote>
+
+ <p>Well, in these days that ought to afford them ample
+ consolation.</p>
+ <hr class="short" />
+
+ <blockquote>
+ "Sir Richard L. Borden's name, now a household word, became
+ familiar only six years ago."&mdash;<i>Daily Paper.</i>
+ </blockquote>
+
+ <p>But even now he is not so well known as Sir ROBERT!</p>
+ <hr />
+ <span class="pagenum"><a name="page213"
+ id="page213"></a>[pg 213]</span>
+
+ <h2>DE PROFUNDIS.</h2>
+
+ <p>When I went round the trenches a day or two before we were
+ to move in, the great frost was still in possession; but there
+ was a mild feeling in the air.</p>
+
+ <p>"I can thoroughly recommend these trenches to you, Sir,"
+ said the occupier in a businesslike manner. "Commodious and
+ well built, fitted throughout with the latest pattern
+ duck-boards and reached by three charmingly sequestered
+ communication trenches, named Hic, Haec and Hoc. The dug-outs
+ are well equipped and well sunk. The whole would form an ideal
+ retreat for gentlemen of quiet tastes."</p>
+
+ <p>"Good. And the people over the way?"</p>
+
+ <p>"Unobtrusive and retiring to a degree."</p>
+
+ <p>"In fact," I said, "a most select neighbourhood&mdash;unless
+ it thaws."</p>
+
+ <p>He dropped pleasantries and answered very seriously. "If it
+ thaws, Heaven help you. There's enough water frozen up in these
+ walls to drown the lot of you."</p>
+
+ <p>It did thaw.</p>
+
+ <p>When we relieved, we waded up to the line through miles of
+ trenches all knee-deep in water, to the accompaniment of
+ ominous splashes as the sides began to fall in. When daylight
+ came we found our select estate converted into a system of
+ canals filled with a substance varying in consistency from
+ coffee to glue. Hic, Haec and Hoc, owing to the wear and tear
+ of constant traffic, became especially gluey, and after a time
+ we rechristened them respectively the Great Ooze, the Little
+ Ooze and the River Styx&mdash;the last not solely in reference
+ to its adhesive qualities, but also because such a number of
+ things went West in it. Some time after the original
+ duck-boards had sunk out of our depth we could still move along
+ Styx on a solid bottom composed of lost gum-boots, abandoned
+ rations and the like. At last, when Frankie, struggling up to
+ the line with the rum ration, was forced to dump his precious
+ burden in order to save his life, we pronounced Styx impassable
+ and thenceforth proceeded along the top after dusk.</p>
+
+ <p>The Great Ooze still remained just possible for those whose
+ business took them back and forward during the day, but even
+ here were spots in which it was worse than unwise to linger. As
+ I squelched painfully through one of these on our last day in
+ the line, I found one Private Harrison firmly embedded to the
+ top of his thigh-boots. He told me he had been struggling
+ vainly for about an hour.</p>
+
+ <p>"Give me your hands," I said.</p>
+
+ <p>I tugged, but could get no proper purchase. Harrison grew
+ gradually black in the face, but remained immovable. I tried
+ another plan. I turned about, and Harrison clasped his hands
+ round my neck. Then I walked away.... At least that was the
+ idea.</p>
+
+ <p>"Harrison," I said anxiously after a determined struggle,
+ "were you standing on the duckboards?"</p>
+
+ <p>"Yes, Sir. I still am."</p>
+
+ <p>"Heavens, so am I. Let go. I've got to get myself out
+ now."</p>
+
+ <p>By using Harrison as a stepping-stone to higher things I
+ just managed to heave myself out. I surveyed him panting.</p>
+
+ <p>"In about an hour it'll be dusk. I'll bring some men and a
+ rope and haul you out then. If that fails we'll simply have to
+ hand you over as trench stores when we get relieved."</p>
+
+ <p>As soon as Fritz's wire had disappeared into the gathering
+ gloom I took out my little rescue party. We threw the captive a
+ rope and began to pull scientifically under direction of a
+ sergeant skilled in tugs-of-war.</p>
+
+ <p>"Heave, you men," I whispered excitedly. "He's coming."</p>
+
+ <p>He was, but without his boots. Inch by inch we dragged him
+ out of them. The strain was terrific. Suddenly&mdash;much too
+ suddenly&mdash;the tension broke. Harrison shot into the air
+ and fell again with a dull thud in the Ooze beside his boots,
+ while the rescue party collapsed head over heels into an
+ adjacent shell-hole.</p>
+
+ <p>Harrison seemed a little peevish, but consented to try
+ again. The rope tautened, and there was a sharp crack from
+ below.</p>
+
+ <p>"'Old on," cried the prisoner sharply, "me braces is
+ bust."</p>
+
+ <p>"Can't think o' braces now," grunted my burly sergeant.
+ "Heave-ho, lads, up she comes!"</p>
+
+ <p>Harrison was pulled clean out of his nether garments,
+ cursing bitterly as the wind caught his bare legs, and hung
+ suspended between earth and water, amid ribald comments from
+ above.</p>
+
+ <p>One more pull would do it. But at that moment Fritz,
+ apparently feeling that we weren't taking his war seriously
+ enough, opened up with a machine-gun. The rescue party dropped
+ the rope and rolled heavily into the shell-hole, and the sorely
+ tried Harrison found himself back again, but face downwards
+ this time, and held by his arms up to the elbows.</p>
+
+ <p>We could hear horrible language, and after a moment, all
+ being quiet, I crawled to the edge and looked over. His last
+ struggle had split Harrison's tunic and pulled it clean off his
+ back; and now, with his shirt-tail trailing dismally in the
+ Ooze, he was making the best of his own way to the
+ dressing-station, ungratefully consigning his gallant rescuers
+ to complete and lasting perdition as he went.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:40%;">
+ <a href="images/213a.png"><img width="100%"
+ src="images/213a.png"
+ alt="A LOT OF KHAKI ABOUT, WAITER." /></a>
+
+ <p>"A LOT OF KHAKI ABOUT, WAITER."</p>
+
+ <p>"YES, SIR. IT MAKES SOME OF US OLDER ONES FEEL A BIT
+ MUFTI, DON'T IT?"</p>
+ </div>
+ <hr />
+
+ <h3>A TOPICAL TRAGEDY.</h3>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Jim Startin was not loved at school;</p>
+
+ <p>We thought him rather knave than fool.</p>
+
+ <p>Migrating thence to Oxford, he</p>
+
+ <p>Failed to secure a pass degree.</p>
+
+ <p>Years sped&mdash;some twenty&mdash;ere again</p>
+
+ <p>Jim Startin swam into my ken.</p>
+
+ <p>I met him strolling down the Strand</p>
+
+ <p>Well-dressed, well-nourished, sleek and bland,</p>
+
+ <p>A high-class journalistic swell&mdash;</p>
+
+ <p>The Headline Expert of <i>The Yell</i>.</p>
+
+ <p>Great at the art, in peaceful days,</p>
+
+ <p>Of finding means our scalps to raise,</p>
+
+ <p>The War had since revealed in him</p>
+
+ <p>A super-Transatlantic vim,</p>
+
+ <p>And day by day his paper's bills</p>
+
+ <p>Gave us fresh epileptic thrills.</p>
+
+ <p>The sons of Belial, in the rhyme</p>
+
+ <p>Of DRYDEN, had a glorious time,</p>
+
+ <p>But never managed to attain</p>
+
+ <p>To Jim's success in giving pain.</p>
+
+ <p>But while his power was at its height</p>
+
+ <p>It perished in a single night;</p>
+
+ <p>For, with his bills by law abolished,</p>
+
+ <p>Jim's occupation was demolished;</p>
+
+ <p>Headlines that can't be blazed abroad</p>
+
+ <p>On bills and posters are a fraud;</p>
+
+ <p>They cease to titillate the mob</p>
+
+ <p>Or draw the pennies from its fob,</p>
+
+ <p>So Jim was "fired" and lost his job.</p>
+ </div>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:60%;">
+ <a href="images/213b.png"><img width="100%"
+ src="images/213b.png"
+ alt="SO SWEET OF YOU TO COME." /></a>
+
+ <p><i>Lady (to coalheavers).</i> "<i>SO</i> SWEET OF YOU TO
+ COME. I DO HOPE YOU'LL COME AGAIN."</p>
+ </div>
+ <hr />
+
+ <blockquote>
+ "More to the west the British marked fresh progress south
+ of Achiet-le-Petit, where their lines were advanced on a
+ front of 2 kilometres (1&frac14; miles). Finally the
+ Germans fell back for the length of 2 kilometres (5/8 mile)
+ between Essarts and Gommecourt."&mdash;<i>The Evening
+ News.</i>
+ </blockquote>
+
+ <p>The road home always seems shorter.</p>
+ <hr class="short" />
+
+ <blockquote>
+ "The enemy went at the moment when he left because he was
+ shelled out."&mdash;<i>Daily Mail.</i>
+ </blockquote>
+
+ <p>Of course he might have had a different motive if he had
+ gone the moment after he left.</p>
+ <hr class="short" />
+
+ <blockquote>
+ "She was wearing a three-quarter red coat with glass
+ buttons to match a heavy blue skirt with low neck."
+ </blockquote>
+
+ <p>We never have approved of these
+ <i>d&eacute;collet&eacute;s</i> skirts.</p>
+ <hr />
+ <span class="pagenum"><a name="page214"
+ id="page214"></a>[pg 214]</span>
+
+ <div class="figcenter"
+ style="width:66%;">
+ <a href="images/214.png"><img width="100%"
+ src="images/214.png"
+ alt="THE CHEEK OF THAT CONDUCTOR!" /></a>
+
+ <p><i>First Flapper.</i> "THE CHEEK OF THAT CONDUCTOR! HE
+ GLARED AT ME AS IF I HADN'T PAID ANY FARE."</p>
+
+ <p><i>Second Flapper.</i> "AND WHAT DID YOU DO?"</p>
+
+ <p><i>First Flapper.</i> "I JUST GLARED BACK AT
+ HIM&mdash;AS IF I HAD!"</p>
+ </div>
+ <hr />
+
+ <h2>THE FRUIT MERCHANT.</h2>
+
+ <p>"I feel regular down this morning, Sir," said Private Thomas
+ Weeks, as I seated myself beside his bed; "regular down, I
+ do."</p>
+
+ <p>It was such a very unusual greeting from this source that I
+ said anxiously, "Not the leg gone wrong?"</p>
+
+ <p>"No, the old leg's fine. It's the stopping of the imports."
+ He indicated the morning paper which he had just laid aside.
+ "It's just about bust up my old business."</p>
+
+ <p>I took the paper and glanced down the list of prohibited
+ articles. Clocks and parts thereof, perfumery, and quails
+ (live) caught my eye. I didn't think it could be any of
+ these.</p>
+
+ <p>"What was your business?" I asked.</p>
+
+ <p>"Fruit merchant, Sir. Barrow trade, you understand. 'Awker,
+ some calls it. But it don't much matter now what it's called,
+ 'cos it's bust up."</p>
+
+ <p>"Not quite bust up, is it?" I said. "Only a bit cut down for
+ a time."</p>
+
+ <p>"That may be," he said, "but I got a strong affection for
+ the trade, Sir, a very strong affection, and I can't 'elp
+ feeling it. Why, rightly speaking, it was the fruit trade what
+ got me my D.C.M."</p>
+
+ <p>"Did it though? How was that?"</p>
+
+ <p>"Well, it was like this. I bin callin' fruit a good many
+ years. I could call fruit with anyone. When I calls ''Oo sez a
+ blood orange?' at Kennington Lane, you could 'ear it pretty
+ well as far as New Cross. Same with ''Ave a banana?' If you're
+ to do the trade you must make the people 'ear. It ain't no good
+ bein' like them chaps what stands in the gutter and whispers,
+ 'Umberella ring a penny,' to their boots."</p>
+
+ <p>"But what about the D.C.M.?"</p>
+
+ <p>"I'm comin' to it, Sir. You see, I got it in connection with
+ a little bit o' work Trones Wood way. Through various circs,
+ fault o' nobody really, me and Sam Corney found ourselves alone
+ alongside a dug-out full o' Bosches. If we'd 'ad a few bombs
+ we'd 'a' bin all right, but we 'adn't. I sez to Sam, 'We must
+ scare 'em,' I sez, and I shouts, '<i>'Oo says a blood
+ orange?</i>' at the top o' my voice into the dug-out, which was
+ dark, of course, and I stands in the doorway with my bayonet
+ ready. I can't say what they mistook it for. Crack o' doom, Sam
+ sez. But eight come out o' that dug-out with their 'ands up. I
+ sent Sam off 'ome with 'em, though they'd 'a' gone with no
+ escort at all, I reckon, bein' sort o' stunned. And I went on
+ down the trench.</p>
+
+ <p>"At the turn there was another dug-out. '<i>'Ave a
+ banana?</i>' I yells, and out come ten of 'em, cryin' for
+ mercy. I took 'em back to what we calls Petticoat Lane and
+ 'ands 'em over and come up again. But I didn't get no more
+ barrow-work that day, and my D.C.M. was for them prisoners
+ right enough. So now you see what I feels like about the fruit
+ business. It's like an old pal bein' done in."</p>
+
+ <p>"I shouldn't worry too much about it," I said. "You've each
+ had a bit of a knock-out; but you'll soon be on your legs
+ again, and so will your barrow, and going strong, both of
+ you."</p>
+ <hr />
+
+ <h2>SCOTLAND YET.</h2>
+
+ <blockquote class="note">
+ [Dr. GEORG BIEDENKAPP, writing in the <i>M&uuml;nchner
+ Neueste Nachrichten</i>, says that if you examine any
+ famous "Englishman" you find that he really comes from
+ Scotland, to which country he assigns a place with Suabia,
+ Thuringia, and the Hartz Mountains as "a cradle of Kultur
+ and a fountain of first-class genius."]
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Man Sandy, here's a German Hun</p>
+
+ <p class="i2">Wha thinks he's on a track</p>
+
+ <p>That nane hae trodden, having fun'</p>
+
+ <p class="i2">A new an' stairtlin' fac';</p>
+
+ <p>A' English thocht he doots is nocht,</p>
+
+ <p class="i2">An' English ways are henious,</p>
+
+ <p>But ah, says he, in Scotland see</p>
+
+ <p class="i2">The hame o' first-class genius.</p>
+ </div>
+
+ <div class="stanza">
+ <p>New? Why, my feyther kent it fine,</p>
+
+ <p class="i2">An', Sandy, I'll be sworn</p>
+
+ <p>The knowledge o' the fac' was mine</p>
+
+ <p class="i2">Or ever I was born;</p>
+
+ <p>If there be ane wad daur maintain</p>
+
+ <p class="i2">The truth is still to settle,</p>
+
+ <p>I haena met the madman yet</p>
+
+ <p class="i2">In bonny braw Kingskettle.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Ay, yon's a truth that's kent fu' weel</p>
+
+ <p class="i2">In ilka but an' ben;</p>
+
+ <p>But I could teach the German chiel</p>
+
+ <p class="i2">A truth he doesna ken;</p>
+
+ <p>Gin ye would find the hame o' mind</p>
+
+ <p class="i2">An' intellectual life, man,</p>
+
+ <p>Ye needna look far frae the Nook,</p>
+
+ <p class="i2">The bonny Nook o' Fife, man.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Whaur did our good EX-PREMIER go</p>
+
+ <p class="i2">Whene'er he wished to swank?</p>
+
+ <p>To Lunnon? Edinburgh? No!</p>
+
+ <p class="i2">He cam' to Ladybank;</p>
+
+ <p>Nae doot he thocht if there was ocht</p>
+
+ <p class="i2">Would put him on his mettle</p>
+
+ <p>'Twas meetin' men o' brain, ye ken,</p>
+
+ <p class="i2">Like us frae auld Kingskettle.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Fleet Street is fu' o' Fifers tae;</p>
+
+ <p class="i2">The Cockneys want the views</p>
+
+ <p>O' men like JOCK MCFARLANE frae</p>
+
+ <p class="i2"><i>The Crail and Cupar News</i>;</p>
+
+ <p>For if a chiel can write sae weel</p>
+
+ <p class="i2">That you an' me will read him,</p>
+
+ <p>Why, man, withoot a shade o' doot</p>
+
+ <p class="i2">Lunnon is sure to need him.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then tak' the Army. What d'ye see?</p>
+
+ <p class="i2">Wha's chief? Nae need to tell</p>
+
+ <p>That DOUGLAS HAIG is prood to be</p>
+
+ <p class="i2">A Fifer like mesel';</p>
+
+ <p>An' weel he may, for truth to say</p>
+
+ <p class="i2">There's something aye aboot us:</p>
+
+ <p>In ilka trade they want oor aid&mdash;</p>
+
+ <p class="i2">They canna win withoot us.</p>
+ </div>
+ </div>
+ <hr />
+
+ <h4>Wedding Fashions, B.C.</h4>
+
+ <blockquote>
+ "The bridesmaid was attired in pink
+ carnations."&mdash;<i>"Daily Colonist," Victoria, British
+ Columbia.</i>
+ </blockquote>
+ <hr />
+ <span class="pagenum"><a name="page215"
+ id="page215"></a>[pg 215]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/215.png"><img width="100%"
+ src="images/215.png"
+ alt="FRIGHTFULNESS ON THE ALLOTMENTS." /></a>
+
+ <h3>FRIGHTFULNESS ON THE ALLOTMENTS.</h3>
+ </div>
+ <hr />
+
+ <h2>THE HARDSHIPS OF BILLETS.</h2>
+
+ <p>Jim and me could never 'ave got through the six weeks we was
+ billeted with Mrs. Sweedle if we 'adn't been 'ardened by Mrs.
+ Larkins in the way I 'ave described.</p>
+
+ <p>Mrs. Sweedle were a widow woman with a big family, besides a
+ aged father and a brother who suffered with fits. The billetin'
+ orficer was afraid she wouldn't he able to take us in, but Mrs.
+ Sweedle was willin' and eager.</p>
+
+ <p>"Bless their hearts, that I will," she said; "it shall never
+ be said I turned a soldier from my door. Nobody knows better
+ than I do what soldiers is in an 'ouse. Always merry and bright
+ and ready to put their 'ands to anything when a poor woman's
+ work's never done and she's delicate and liable to the
+ sick-'eadache in the mornin's. There's the week's clothes to go
+ through the wringer, but I know what soldiers is for a wringer;
+ they can't leave it alone. And if I 'appens to overlay meself I
+ know there's no cause to worry about Grandfer's cup o' tea, nor
+ yet Bobby and Tom and Albert gettin' off to school tidy. Like
+ as not they'll do me more credit than if I washed 'em meself;
+ there's nobody like a soldier for puttin' a polish on
+ children."</p>
+
+ <p>Mrs. Sweedle overlaid herself the very first mornin', and
+ sent word by Albert if we would be so kind as make her a cup o'
+ tea when we was makin' Grandfer's it might save her a doctor;
+ and the wood for the fire was out in the yard, and she knew,
+ bein' soldiers, we should chop her a barrer-load while we was
+ about it; and when she crawled downstairs presently the
+ breakfast things would be washed and put away, as was the 'abit
+ of soldiers, and very likely the pertaters peeled for
+ dinner.</p>
+
+ <p>It bein' a strange 'ouse and we not knowin' where to put our
+ 'ands on anythin', and, when we'd got the kettle to boil, not
+ bein' able to let it out of our sight owin' to the youngest
+ little Sweedle wantin' to drink out of the spout, Jim and me
+ was regler drove. We was as near late for parade as we 'ave
+ ever been in our lives. Mrs. Sweedle was very upset. "I know
+ what soldiers is for punctuality," she said, "a minute late and
+ they're court-martialled. How would it be if you was to lay the
+ fire over-night and scrub over the floor? It 'ud save ye a lot
+ in the mornin', if so be I'm forced to keep me bed."</p>
+
+ <p>We done as she advised, and it were fortunate. She 'ad
+ another sick-'eadache the next day, and sent word by Albert
+ would we be so good as bake her a mouthful of toast; she knew
+ what soldiers' toast was like, it give ye a appetite to look at
+ it, thin and crisp, with the butter laid on smooth as cream and
+ cut in fingers.</p>
+
+ <p>We never run no risk after that. 'Owever dog-tired we was
+ and 'owever Mrs. Sweedle seemed in 'ealth we always got the
+ work forward over-night, and when we could catch 'old of Bobby
+ and Tom and Albert we washed 'em to save time in the mornin'
+ and parted their 'air.</p>
+
+ <p>One day Mrs. Sweedle were well enough to get up. "I know
+ who's goin' to 'ave a treat now," she said. Our 'arts leapt. We
+ did 'ope she might be goin' to say we was to sit down to our
+ breakfasts.</p>
+
+ <p>"Grandfer's goin' to be shaved, and not 'ave to pay tuppence
+ out of 'is poor pension," she said. "There's nobody can shave
+ like a soldier." And when Jim 'ad got the old man by the nose
+ she said to me, "I can see what you want to be at, shakin'
+ these mats with your strong arm and savin' me comin' on
+ giddy."</p>
+
+ <p>It were very 'ard at first, but after a bit Jim and me got
+ into the work at Mrs. Sweedle's and was just able to get
+ through with it, except the mornin' her brother 'ad a fit when
+ we was racin' to finish the washin'-up. That fair broke our
+ backs. We 'ad a sort of seizure on parade and 'ad to fall out
+ till we got our breaths back.</p>
+ <hr />
+
+ <h2>THE RECOGNISED.</h2>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Give ear to my words and you shall hear</p>
+
+ <p>The song of the British Volunteer,</p>
+
+ <p>Who started out when the War began</p>
+
+ <p>As a middle-aged mostly grey-haired man.</p>
+
+ <p>Too old to be sent to join the dance</p>
+
+ <p>Of the doughty fellows who fought in France,</p>
+
+ <p>He refused to go on the dusty shelf,</p>
+
+ <p>And he set to work and he bought himself</p>
+
+ <p>A spirited grey-green uniform,</p>
+
+ <p>With a cap to match and a British warm,</p>
+
+ <p class="i8">And he took his fill</p>
+
+ <p class="i8">Of the latest drill;</p>
+
+ <p>But somehow they didn't seem to prize him</p>
+
+ <p>Or wish in the least to recognise him.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But now they have let him cast away</p>
+
+ <p>His excellent clothes of green and grey;</p>
+
+ <p class="i8">They think they can use him,</p>
+
+ <p class="i8">And don't refuse him,</p>
+
+ <p>And they've dressed him up and they've dressed him
+ down</p>
+
+ <p>In a regular suit of khaki brown;</p>
+
+ <p class="i8">He has been gazetted</p>
+
+ <p class="i8">And properly vetted</p>
+
+ <p>As able to march five miles at least,</p>
+
+ <p>Though he puffs a bit when the speed 's
+ increased;</p>
+
+ <p class="i8">And he can double</p>
+
+ <p class="i8">Without much trouble,</p>
+
+ <p>And do such deeds as a man must do</p>
+
+ <p>Who is willing to help to see things through.</p>
+ </div>
+ </div>
+ <hr />
+
+ <h4>A Wholesale Order.</h4>
+
+ <blockquote>
+ "Lieut-Colonel &mdash;&mdash; received the K.C.B. and other
+ decorations, including C.M.G.s, D.S.O.s, Military Crosses,
+ and Royal Red Crosses."&mdash;<i>Evening Standard.</i>
+ </blockquote>
+ <hr />
+
+ <p>From "Paris Theatrical Notes":&mdash;</p>
+
+ <blockquote>
+ "The programme for to-day at the Op&eacute;ra compromises
+ 'Samson et Dalila.'"&mdash;<i>Continental Daily Mail.</i>
+ </blockquote>
+
+ <p>It sounds a little superfluous.</p>
+ <hr />
+ <span class="pagenum"><a name="page216"
+ id="page216"></a>[pg 216]</span>
+
+ <h2>OUR BOOKING-OFFICE.</h2>
+
+ <p class="center">(<i>By Mr. Punch's Staff of Learned
+ Clerks</i>.)</p>
+
+ <p><i>Alfred Lyttelton: An Account of his Life</i>, by EDITH
+ LYTTELTON (LONGMANS), is a most fascinating book. Mrs. ALFRED
+ LYTTELTON might perhaps have contented herself with writing a
+ formal biography of her husband. It would have been difficult
+ for her, but she might, as I say, have done it. Instead of this
+ she takes her readers by the hand in the friendliest manner and
+ admits them with her into the heart and soul of the man with
+ whom she was for twenty years associated. She shows him as what
+ he was, a noble and upright English gentleman, straightforward
+ and tender-hearted, and beloved in a quite exceptional measure
+ by all who were privileged to be his friends. I can only be
+ grateful to Mrs. LYTTELTON for having interpreted her duty in
+ this manner, and for having carried it out with so sure a hand.
+ As I read her pages I saw again in my mind's eye the
+ loose-limbed, curly-headed young son of Anak as he swung down
+ Jesus Lane, Cambridge, or as he witched the world with noble
+ cricketing at Fenner's or at Lord's. It is good to be able to
+ remember him. His Eton tutor described him as being "like a
+ running stream with the sun on it," and there was, indeed, a
+ charm about him that was irresistible. Mrs. LYTTELTON devotes a
+ beautiful chapter to the memory of ALFRED'S first wife, LAURA,
+ who died after one short year of happiness. "She was a flame,"
+ says Mrs. LYTTELTON, "beautiful, dancing, ardent, leaping up
+ from the earth in joyous rapture, touching everyone with fire
+ as she passed. The wind of life was too fierce for such a
+ spirit&mdash;she could not live in it. Surely it was Love that
+ gathered her." I have only one little bone to pick, and that
+ not with Mrs. LYTTELTON, but with Lord MIDLETON, who in a page
+ or two of reminiscences describes as one of ALFRED'S triumphs
+ at the Bar his appearance as counsel for the Warden of Morton,
+ Mr. GEORGE BRODRICK. The Warden, having said something
+ offensive about Mr. DILLON, was hailed before the Parnell
+ Commission for contempt of court. ALFRED put in an affidavit by
+ the Warden, in which the whole thing was said to be a joke, and
+ in his speech he chaffed Mr. REID (now Lord LOREBURN), who was
+ counsel for Mr. DILLON, for being a Scotsman, with a natural
+ incapacity for seeing a joke. So far Lord MIDLETON; but he
+ omits Mr. REID'S crushing retort. "Even a Scotsman," said Mr.
+ REID, "may be pardoned for not seeing a joke which has to be
+ certified by affidavit."</p>
+ <hr class="short" />
+
+ <p>Mr. JEFFERY E. JEFFERY has been playing cheerful tricks on
+ the British public. We must forgive him, because he has for a
+ long time been doing far worse than that to the Huns; but it is
+ undeniable that in following the winding trail of his beloved
+ guns we are in no small danger of losing our sense of
+ direction. This is because along with imaginary tales, some of
+ them written before August, 1914, when of course he could not
+ fix precisely the chronology and locality of his fights, he has
+ mixed almost indiscriminately the record of his own actual
+ experiences during two distinct phases of the War. Not until
+ the last page does he abandon the jest to explain&mdash;with
+ something of a school-boy grin&mdash;just where fact and
+ fiction meet, and so enable me to recover from my bewilderment
+ and pass on a word of warning. Once on your guard, however, you
+ will find his story of the <i>Servants of the Guns</i> (SMITH,
+ ELDER), and more especially the first half of it (dealing, in
+ diary form, with his recent adventures as an officer of
+ Artillery&mdash;he does not state his present rank), as vivid
+ and real as anything of the sort you have seen. Field-gun
+ warfare of to-day&mdash;mathematics, telephones and
+ mud&mdash;with little more of old-time dash and jingle than the
+ hope that some to-morrow may revive them in the Great
+ Pursuit&mdash;this is his theme; and above all the loyalty of
+ the gunner to his guns. Even the story-book part in the middle
+ of the volume speaks of this finely and movingly; but here and
+ there amongst his personal experiences comes a passage less
+ consciously composed that tells it even better in the bareness
+ of a great simplicity.</p>
+ <hr class="short" />
+
+ <p>Mr. J.D. BERESFORD'S new story, <i>House-Mates</i>
+ (CASSELL), might be regarded as an awful warning to young
+ gentlemen seeking bachelor-apartments. Because, if the hero had
+ been a little more careful about his fellow-lodgers at No. 73
+ Keppel Street, he would not, in the first place, have been
+ defrauded of a large sum of money, or, in the second, have been
+ involved in a peculiarly revolting murder. (The special
+ hatefulness of this murder strikes me as rather superfluous.
+ But this by the way.) On the other hand, of course, he would
+ never have married the heroine, and we should have missed a
+ very agreeable study of expanding adolescence. This, I take it,
+ is the real motive of Mr. BERESFORD'S story, as exemplified by
+ his pleasant introductory metaphor of the chicken and the egg.
+ From the feminine point of view, indeed, the tale might be not
+ inaptly labelled "Treatise on Cub-hunting." Anyhow, what with
+ strange actresses and I.D.B. criminals and painted ladies and
+ reviewers (they <i>were</i> a queer lot at No. 73!) the hero
+ completes his tenancy with enough experience of life, chiefly
+ on its shadowy side, to last him for some time. An original and
+ rather appealing story, told with a good deal of charm.</p>
+ <hr class="short" />
+
+ <p>I was waiting for it, and now, behold, it has come. In
+ <i>The Shining Heights</i> (MILLS AND BOON) the War is over and
+ we have to do with some of the results of it. Unfortunately
+ Miss I.A.R. WYLIE is very chary about dates, and she is not
+ encouraging about the changes which most of us hope will come
+ with peace. "Social conditions indeed," she writes, "had
+ scarcely moved. Universal brotherhood was not ... and, for the
+ vast majority of men and women it had been easiest to go back
+ to the old work, the old pleasure, the old love and the old
+ hate." Well, I don't know much about universal brotherhood, but
+ for the rest I sincerely hope that these gloomy
+ prognostications are wrong. As for the story, laid in the
+ Delectable Duchy, no one needs to be told that Miss WYLIE is a
+ novelist of considerable power and capacity, and here she has
+ chosen a theme of very real interest. It is the rivalry of two
+ men, one of whom had returned from the War with wounds and a
+ V.C., while the other had never taken part in it because he
+ believed (with justification) that he was on the point of
+ making a discovery of value to humanity. The story is well
+ constructed and well told, but I am beginning to think that it
+ is time for Cornwall to be declared a prohibited area for all
+ novelists except Mr. CHARLES MARRIOTT and "Q."</p>
+ <hr class="short" />
+
+ <p>Yet more theatrical recollections. The latest volume of them
+ is <i>My Remembrances</i> (CASSELL), in which Mr. EDWARD H.
+ SOTHERN recounts, with the pleasant humour to be expected from
+ him, what he quaintly (and quite unjustifiably) calls "The
+ Melancholy Tale of Me." One has heard that Mr. SOTHERN, now
+ that he has retired from the stage, proposes to live in
+ England; the book explains such an intention by its evidence of
+ the writer's intense love for this country. Naturally he has a
+ rich stock of good stories, amongst which I was delighted to
+ welcome yet once again that old favourite about the departing
+ spectator who, on being told that two Acts remained to be
+ performed, said briefly, "That's why I'm going!" Newer (to me)
+ was the <i>Dundreary</i> tale that told how the elder SOTHERN'S
+ triumph was actually the result of JEFFERSON'S partiality for
+ horse-exercise. The connection I leave you to find out. Like
+ all volumes of its kind, <i>My Remembrances</i> abounds in
+ photographs. At times, indeed, you may be tempted to consider
+ that the domain of the family portrait album has been too
+ largely usurped. But there is even about this a friendliness
+ which, coupled with the brisk style of its writing, will give
+ the book a popularity as wide as that of its author.</p>
+ <hr class="short" />
+
+ <p>We all know that Mr. WILLIAM CAINE has a gay humour, and he
+ indulges it liberally, sometimes rollickingly, in <i>The
+ Fan</i>. With a candour which I warmly commend he states
+ conspicuously that most of these stories have appeared before,
+ and he expresses his acknowledgments to various Editors over a
+ widish range&mdash;from <i>Macmillan's Magazine</i> to
+ <i>London Opinion</i>, and from <i>The English Review</i> to
+ <i>Answers</i>. It would be an innocent diversion to have to
+ guess which story was written for which Editor. But for
+ whatever public the author caters he is, with only one or two
+ exceptions, out for fun, and he gets it. Some of his stories
+ are pure extravaganzas, but they are written in a style
+ unusually good for this kind, and by a very shrewd observer of
+ human foibles. Messrs. METHUEN tell us that Mr. CAINE "views
+ life from an angle all his own," and although I do not often
+ find myself in agreement with publishers' opinions of their own
+ wares it is to me a right angle.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:33%;">
+ <a href="images/216.png"><img width="100%"
+ src="images/216.png"
+ alt="THE ECONOMIC ERA." /></a>
+
+ <h5>THE ECONOMIC ERA.</h5>
+
+ <p class="center">PROVIDE YOUR OWN WATER SUPPLY AND RELEASE
+ A WATER-RATE COLLECTOR.</p>
+ </div>
+ <hr />
+
+ <blockquote>
+ <p class="center">"THE FOOD HOARDERS THREATENED.</p>
+
+ <p>NOT MORE THAN 1 TON OF COAL AT A TIME."&mdash;<i>Daily
+ News.</i></p>
+ </blockquote>
+
+ <p>Then, as the vulgar have it, the food-hoarders will just
+ have to go and eat coke.</p>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+152, March 28, 1917, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 14856-h.htm or 14856-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/8/5/14856/
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/14856-h/images/189.png b/14856-h/images/189.png
new file mode 100644
index 0000000..41823d9
--- /dev/null
+++ b/14856-h/images/189.png
Binary files differ
diff --git a/14856-h/images/190.png b/14856-h/images/190.png
new file mode 100644
index 0000000..9f7bdcb
--- /dev/null
+++ b/14856-h/images/190.png
Binary files differ
diff --git a/14856-h/images/191.png b/14856-h/images/191.png
new file mode 100644
index 0000000..a5a270f
--- /dev/null
+++ b/14856-h/images/191.png
Binary files differ
diff --git a/14856-h/images/192.png b/14856-h/images/192.png
new file mode 100644
index 0000000..a410317
--- /dev/null
+++ b/14856-h/images/192.png
Binary files differ
diff --git a/14856-h/images/193.png b/14856-h/images/193.png
new file mode 100644
index 0000000..396d464
--- /dev/null
+++ b/14856-h/images/193.png
Binary files differ
diff --git a/14856-h/images/194.png b/14856-h/images/194.png
new file mode 100644
index 0000000..e89961c
--- /dev/null
+++ b/14856-h/images/194.png
Binary files differ
diff --git a/14856-h/images/195.png b/14856-h/images/195.png
new file mode 100644
index 0000000..ded394b
--- /dev/null
+++ b/14856-h/images/195.png
Binary files differ
diff --git a/14856-h/images/196a.png b/14856-h/images/196a.png
new file mode 100644
index 0000000..7b1a5ef
--- /dev/null
+++ b/14856-h/images/196a.png
Binary files differ
diff --git a/14856-h/images/196b.png b/14856-h/images/196b.png
new file mode 100644
index 0000000..c5ef764
--- /dev/null
+++ b/14856-h/images/196b.png
Binary files differ
diff --git a/14856-h/images/197a.png b/14856-h/images/197a.png
new file mode 100644
index 0000000..fa53ffb
--- /dev/null
+++ b/14856-h/images/197a.png
Binary files differ
diff --git a/14856-h/images/197b.png b/14856-h/images/197b.png
new file mode 100644
index 0000000..f145b2d
--- /dev/null
+++ b/14856-h/images/197b.png
Binary files differ
diff --git a/14856-h/images/198a.png b/14856-h/images/198a.png
new file mode 100644
index 0000000..5b10135
--- /dev/null
+++ b/14856-h/images/198a.png
Binary files differ
diff --git a/14856-h/images/198b.png b/14856-h/images/198b.png
new file mode 100644
index 0000000..5745e14
--- /dev/null
+++ b/14856-h/images/198b.png
Binary files differ
diff --git a/14856-h/images/199.png b/14856-h/images/199.png
new file mode 100644
index 0000000..880db54
--- /dev/null
+++ b/14856-h/images/199.png
Binary files differ
diff --git a/14856-h/images/200a.png b/14856-h/images/200a.png
new file mode 100644
index 0000000..ba70bee
--- /dev/null
+++ b/14856-h/images/200a.png
Binary files differ
diff --git a/14856-h/images/200b.png b/14856-h/images/200b.png
new file mode 100644
index 0000000..c6c1384
--- /dev/null
+++ b/14856-h/images/200b.png
Binary files differ
diff --git a/14856-h/images/201a.png b/14856-h/images/201a.png
new file mode 100644
index 0000000..1060846
--- /dev/null
+++ b/14856-h/images/201a.png
Binary files differ
diff --git a/14856-h/images/201b.png b/14856-h/images/201b.png
new file mode 100644
index 0000000..6d07675
--- /dev/null
+++ b/14856-h/images/201b.png
Binary files differ
diff --git a/14856-h/images/202a.png b/14856-h/images/202a.png
new file mode 100644
index 0000000..4ec5f52
--- /dev/null
+++ b/14856-h/images/202a.png
Binary files differ
diff --git a/14856-h/images/202b.png b/14856-h/images/202b.png
new file mode 100644
index 0000000..114f918
--- /dev/null
+++ b/14856-h/images/202b.png
Binary files differ
diff --git a/14856-h/images/203a.png b/14856-h/images/203a.png
new file mode 100644
index 0000000..03e2280
--- /dev/null
+++ b/14856-h/images/203a.png
Binary files differ
diff --git a/14856-h/images/203b.png b/14856-h/images/203b.png
new file mode 100644
index 0000000..fef55dc
--- /dev/null
+++ b/14856-h/images/203b.png
Binary files differ
diff --git a/14856-h/images/204a.png b/14856-h/images/204a.png
new file mode 100644
index 0000000..df0dbd5
--- /dev/null
+++ b/14856-h/images/204a.png
Binary files differ
diff --git a/14856-h/images/204b.png b/14856-h/images/204b.png
new file mode 100644
index 0000000..2a09110
--- /dev/null
+++ b/14856-h/images/204b.png
Binary files differ
diff --git a/14856-h/images/205.png b/14856-h/images/205.png
new file mode 100644
index 0000000..f77df82
--- /dev/null
+++ b/14856-h/images/205.png
Binary files differ
diff --git a/14856-h/images/206.png b/14856-h/images/206.png
new file mode 100644
index 0000000..f502d56
--- /dev/null
+++ b/14856-h/images/206.png
Binary files differ
diff --git a/14856-h/images/207.png b/14856-h/images/207.png
new file mode 100644
index 0000000..dbb1472
--- /dev/null
+++ b/14856-h/images/207.png
Binary files differ
diff --git a/14856-h/images/208a.png b/14856-h/images/208a.png
new file mode 100644
index 0000000..cc8b320
--- /dev/null
+++ b/14856-h/images/208a.png
Binary files differ
diff --git a/14856-h/images/208b.png b/14856-h/images/208b.png
new file mode 100644
index 0000000..55b327b
--- /dev/null
+++ b/14856-h/images/208b.png
Binary files differ
diff --git a/14856-h/images/209a.png b/14856-h/images/209a.png
new file mode 100644
index 0000000..a5c1c50
--- /dev/null
+++ b/14856-h/images/209a.png
Binary files differ
diff --git a/14856-h/images/209b.png b/14856-h/images/209b.png
new file mode 100644
index 0000000..ba606da
--- /dev/null
+++ b/14856-h/images/209b.png
Binary files differ
diff --git a/14856-h/images/210.png b/14856-h/images/210.png
new file mode 100644
index 0000000..0b484fc
--- /dev/null
+++ b/14856-h/images/210.png
Binary files differ
diff --git a/14856-h/images/211.png b/14856-h/images/211.png
new file mode 100644
index 0000000..85be81c
--- /dev/null
+++ b/14856-h/images/211.png
Binary files differ
diff --git a/14856-h/images/212.png b/14856-h/images/212.png
new file mode 100644
index 0000000..9244ee8
--- /dev/null
+++ b/14856-h/images/212.png
Binary files differ
diff --git a/14856-h/images/213a.png b/14856-h/images/213a.png
new file mode 100644
index 0000000..1a8eac8
--- /dev/null
+++ b/14856-h/images/213a.png
Binary files differ
diff --git a/14856-h/images/213b.png b/14856-h/images/213b.png
new file mode 100644
index 0000000..579c1c3
--- /dev/null
+++ b/14856-h/images/213b.png
Binary files differ
diff --git a/14856-h/images/214.png b/14856-h/images/214.png
new file mode 100644
index 0000000..823af05
--- /dev/null
+++ b/14856-h/images/214.png
Binary files differ
diff --git a/14856-h/images/215.png b/14856-h/images/215.png
new file mode 100644
index 0000000..48d1b0c
--- /dev/null
+++ b/14856-h/images/215.png
Binary files differ
diff --git a/14856-h/images/216.png b/14856-h/images/216.png
new file mode 100644
index 0000000..568497b
--- /dev/null
+++ b/14856-h/images/216.png
Binary files differ
diff --git a/14856.txt b/14856.txt
new file mode 100644
index 0000000..476d6b5
--- /dev/null
+++ b/14856.txt
@@ -0,0 +1,2175 @@
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 152,
+March 28, 1917, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 152, March 28, 1917
+
+Author: Various
+
+Release Date: February 1, 2005 [EBook #14856]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 152.
+
+
+
+March 28th, 1917.
+
+
+
+
+[Illustration: _Torpedoed mine-sweeper_ (_to his pal_). "AS I WAS A-SAYIN',
+BOB, WHEN WE WAS INTERRUPTED, IT'S MY BELIEF AS 'OW THE SUBMARINE BLOKES
+AIN'T ON 'ARF AS RISKY A JOB AS THE BOYS IN THE AIRY-O-PLANES."]
+
+ * * * * *
+
+CHARIVARIA.
+
+Charged at Kingston with being an absentee from military service, a man of
+retiring habits stated that he did not know the country was at war. When
+told that we were fighting the Germans he was greatly interested.
+
+ ***
+
+The Hamburg hotel-keepers have decided to abolish the practice of charging
+more for food in cases where wine or beer are not consumed. The reason
+given--that there was no wine or beer to be consumed--is so trivial that a
+deeper motive may well be suspected.
+
+ ***
+
+"That is how we lawyers live, because lay-men have such queer ideas," said
+Judge CLUER in a recent case. Nevertheless, the view that lawyers shouldn't
+be allowed to live is not without its ardent supporters.
+
+ ***
+
+_The Manchester Guardian_ has issued an "Empire number." It is pleasant to
+know that all differences between the Empire and our contemporary, due to
+the former's ill-advised participation in the War, have been satisfactorily
+adjusted.
+
+ ***
+
+Events have happened so swiftly of late that up to the time of going to
+press a contemporary had not decided who should be "_The Man who Dined with
+the Tsar_."
+
+ ***
+
+Virginia-creepers are recommended by a contemporary as a "tasty vegetable."
+In one large house where the experiment was tried they were pronounced to
+be quite all right on the second floor, but rather tough in the basement.
+
+ ***
+
+The businesses of Southgate men called to the colours are being conducted
+by a committee. Small sons of those absent fathers are going very warily
+until they have ascertained exactly how far the powers of the committee
+extend.
+
+ ***
+
+Writing on the German retreat Major MORAHT says: "Only a personality like
+that of Marshal von Hindenburg could give proofs of so great an
+initiative." Possibly he has never heard of the Dukes of York and Plaza
+Toro.
+
+ ***
+
+A boy of eleven charged with the theft of clothes is said to have stolen
+the notebook of the policeman who arrested him. His first idea was to pinch
+his captor's whistle, but he rejected this plan on finding that the
+policeman was attached to it.
+
+ ***
+
+Russian soldiers under the new _regime_ will be allowed to smoke in the
+streets, travel inside trains, visit clubs and attend political meetings.
+There is a very strong rumour that they will also be allowed to go on
+fighting.
+
+ ***
+
+A ten-months-old boy at Prescot, Lancashire, has been called up for
+military service. It is, however, authoritatively stated that this is
+merely a precautionary measure on the part of the War Office, and will not
+necessarily apply to other men in the same class.
+
+ ***
+
+A Bromley gentleman is advertising for a chauffeur "to drive Ford car out
+of cab-yard." Kindness is a great thing in cases of this sort, and we
+suggest trying to entice it out with a piece of cheese.
+
+ ***
+
+"You have lost the privilege of serving on the last grand jury during the
+War," said the judge at the London Sessions last week to a shipowner who
+arrived at the court late. We understand that the poor fellow broke down
+and sobbed bitterly.
+
+ ***
+
+Nearly every Russian newspaper contains congratulatory references to Free
+Russia, and poets are busy composing verses on the same theme. It is this
+latter item which is said to be keeping the Germans from having a similar
+revolution.
+
+ ***
+
+We understand that the new "No Smoking near Magazines" enactment is
+profoundly resented in editorial circles.
+
+ ***
+
+To fill the gap which will be left in the ranks of Parliamentary humorists
+by the retirement of Mr. JOSEPH KING, M.P., who has decided not to seek
+re-election, the Variety Artistes Federation have nominated a candidate for
+the Brixton Division.
+
+ ***
+
+"On whatever day you sow your wheat," says Miss MARIE CORELLI, "you cannot
+stop its growing on Sundays." Mr. HALL CAINE has not yet spoken on this
+point, and his silence is regarded as significant.
+
+ ***
+
+Incidentally we are not so sure that you cannot stop wheat growing on
+Sundays. There is good precedent for plucking its ears on the Sabbath, and
+that ought to stop it.
+
+ ***
+
+The KAISER, it appears, is much annoyed at the CROWN PRINCE and the way he
+has mis-managed so many brilliant opportunities. It is even suggested in
+some quarters that the KAISER has threatened, if LITTLE WILLIE does not
+improve, to abdicate in his favour.
+
+ ***
+
+A respectably dressed man was recently arrested for behaving in a strange
+manner in Downing Street. Others have done the same thing before now, but
+have escaped the notice of the police by doing it indoors.
+
+ ***
+
+With reference to the taxi-cab which stopped in the Strand the other day
+when hailed by a pedestrian, a satisfactory explanation is to hand. It had
+broken down.
+
+ * * * * *
+
+[Illustration: _Overheard by a distinguished singer, who has just concluded
+the first of two Scotch ballads._
+
+_Jock (to his neighbour)._ "A FINE VOICE, YON LASSIE. I'VE HEARD WORSE AN'
+PAID FOR IT."]
+
+ * * * * *
+
+TO PARIS BY THE "HINDENBURG LINE."
+
+A TEUTON TRIBUTE TO THE ORGANISER OF VICTORY.
+
+ That man at dawn should certainly be shot
+ For being such a liar,
+ Who says that you, my HINDENBURG, are not
+ As high as our All-Highest, mate of GOTT
+ (Or even slightly higher).
+
+ Stout thruster, in the push you have no peer,
+ Yet more supremely brilliant
+ This crowning stroke of progress toward the rear,
+ This strong recoil from which with heartened cheer
+ We hope to bound resilient.
+
+ Lo! the creative spirit's vital spark!
+ None but a genius, _we_ say,
+ Would make his onset backward in the dark
+ Or choose this route for getting at the Arc
+ De Triomphe (Champs Elysees).
+
+ Nor to your care for detail are we blind;
+ Your handiwork we view in
+ The reeking waste our warriors leave behind;
+ We read the motions of a master-mind
+ In that red trail of ruin.
+
+ And not alone by yonder blackened beams,
+ By garth and homestead burning,
+ You put the sanguine enemy off your schemes,
+ Who gaily follows up and never dreams
+ That we'll be soon returning;
+
+ But by these speaking signs of godly hate,
+ This ruthless ravage (_prosit!_),
+ You teach a barbarous world how truly great
+ Our German Gospel, and how grim the fate
+ Of people who oppose it!
+
+ Then praised be Heaven because we cannot fail
+ With HINDENBURG to boss us;
+ And for each hearth stript naked to the gale
+ Let grateful homage plug another nail
+ In your superb colossus. O.S.
+
+ * * * * *
+
+RATIONS.
+
+As I said to John, I can bear anger and sarcasm--but contempt, not. Binny
+and Joe are our cats, and the most pampered of pets. Every day, when our
+meals were served, there was spread upon the carpet a newspaper, on which
+Binny and Joe would trample, clamouring, until a plate containing their
+substantial portion was laid down: after which we were free to proceed with
+our own meal.
+
+Then came the paralysing shock of Lord DEVONPORT'S ration announcement, in
+which no mention is made of cats. Binny and Joe looked at one another in
+consternation over their porridge as I read aloud his statement from the
+newspaper at breakfast.
+
+When I came in to luncheon I had a letter in my hand and accidentally
+dropped the envelope. Paper of any kind upon the carpet is associated in
+Binny's mind with the advent of food. Straightway he thudded from his
+arm-chair and sat down upon the envelope. You will notice that I speak
+above of Binny and Joe. I do so instinctively, because, though Binny is
+only half Joe's age of one year, somehow he always occurs everywhere before
+Joe. Joe was lying on the same arm-chair, and the same idea struck him too;
+but Binny got there first and continued sitting on the envelope, until, for
+very shame, I asked Ann, the maid, to spread a newspaper and try them with
+potato and gravy. They looked at it and then at me, and then, without
+tasting, walked off and began their usual after-luncheon ablutions of
+mouth, face and paws. But, as I have said, I can endure sarcasm.
+
+The next day, just before luncheon, a mass of sparrow feathers was found on
+the hall-mat. The second day there were feathers of a blackbird. And the
+third day, when I came down to breakfast, I found a few thrush feathers
+carelessly left under the breakfast-room table. I began to search my mind,
+anxiously wondering whether any of my near neighbours kept chickens.
+
+But the matter was settled that night. When the dinner-gong sounded, Binny
+and Joe rose from their arm-chair, looked at the vegetarian dishes now
+adorning a board which had been wont to send up savoury meaty steams (fish
+in these parts has become a rarity almost unprocurable, and we had
+exhausted our allowance of meat at luncheon, which we had taken at a
+restaurant), and then, with noses in the air and tails erect, stalked
+haughtily to the drawing-room, and there remained until dinner was
+finished.
+
+So now the butcher leaves two pennorth of lights at my door regularly. He
+assures me that Lord DEVONPORT won't mind as it is not strictly human food.
+
+ * * * * *
+
+[Illustration: THE INVADERS.
+
+"I SUPPOSE OLD HINDENBURG KNOWS WHAT HE'S ABOUT?"
+
+"ANYHOW, EVERY STEP TAKES US NEARER THE FATHERLAND."]
+
+ * * * * *
+
+THE WATCH DOGS.
+
+LVIII.
+
+MY DEAR CHARLES,--Recent events calling for strong comment, I turned to my
+friend, my brick-red friend who is able to retain his well-fed prosperous
+look notwithstanding the rigours of trench life, Rrobert James McGrregor. I
+took a map with me and, calling his attention to the general position,
+asked him what about it? McGregor, as you may guess, is a Scot, whose
+national sense of economy seems to have spread to his uniform, in that the
+cap he wears covers but a third-part of his head, and his tunic (which I
+ought really not to call a tunic but a service jacket) appears to have
+exhausted itself and its material at the fourth button. Notwithstanding all
+this, I attach great weight to his truculent views, and, the better to
+incite him into something outright, addressed him in My best Scottish,
+which is, at any rate, as good as his best English. "Rrrrrobert," I said,
+"what like is the VON HINDENBURG line?" Whereupon McGregor, helping himself
+to our mess whisky and cursing it as the vilest production of this vile
+War, spoke out.
+
+McGregor has no respect whatever for HINDENBURG or anything which is his.
+He says that HINDENBURG and his crew have all along taken the line which
+any man could, but no gentleman would. In HINDENBURG he sees the
+personification of Prussian militarism, and for the Prussians and their
+militarism he has no use whatsoever. I forget what exactly is the Highland
+phrase for "no use whatsoever," but its meaning is even worse than its
+sound, and the sound of it alone is terrible to hear. Whatever befalls in
+the interval, it is certain that when at last McGregor and HINDENBURG meet
+they will not get on well together.
+
+McGregor hates militarism. It is entirely inconsistent with his wild ideas
+of liberty. As such he is determined to do it down on all occasions and by
+every means. Not only is he a Scot, he is also a barrister of the most
+pronounced type. Brief him in your cause, and provided it is not a mean one
+he will set out to lay flat the whole earth, if need be, in its defence. He
+will overwhelm opposing counsel with the mere ferocity of his mien; he will
+overbear the Judge himself with the mere power of his lungs, and he will
+carry you through to a verdict with the mere momentum of his loyal support.
+Once he has made a cause his own, no other cause can survive the terror of
+his bushy eyebrows and his flaring face. He is a caged lion, but he does
+not grow thin or wasted in captivity. As ever, he grows stout and strong on
+his own enthusiasms. The cage will not hold much longer. Heaven be praised,
+it's HINDENBURG and not me he's taken a dislike to.
+
+He loathes militarism. Having waited nearly thirty years for a fight, it's
+himself is overjoyed that he has Prussian militarism for the victim of his
+murderous designs. To this end he has become a soldier, such a bloodthirsty
+soldier as never was before and never will be again. The thoroughness of
+it, for an anti-militarist, is almost appalling. The click of his heels and
+the shine of his buttons frighten me. His salute is such that even the most
+deserving General must pause and ask himself if it is humanly possible to
+merit such respect as it indicates. No man, even upon the most legitimate
+instance, may venture, in the presence of the dangerous McGregor, the
+slightest criticism of the British Army or of anything remotely
+appertaining thereto. He will not even permit a sly dig, in a quiet corner,
+at the Staff.
+
+Nevertheless McGregor hates, loathes and detests militarism. His
+convictions are quite clear and convincing. Soldiers are one thing;
+militarists are another. Rrobert James McGrregor, for the moment at least,
+is by the grace of God and the generosity of His Majesty a soldier. That
+creature HINDENBURG is a militarist. Quite so, I agreed; but then what
+about the line? He helped himself to some more whisky, showing that he
+could forgive anybody anything except a Prussian his militarism, and said
+he was coming to that. But first as to HINDENBURG.
+
+The man represents his type and is, says McGregor, a mere bully. He has
+become a bully because he could succeed as nothing else. Given peace, it is
+doubtful if he could get and keep the job of errand-boy in a second-rate
+butcher's shop. Lacking the intelligence or spirit to succeed normally, he
+has not the decency to live quietly in the cheaper suburbs of Berlin and
+let other people do it. Flourish they must, HINDENBURG and his lot, and so
+the world is at war to keep their end up.
+
+Now, says McGregor, it is undoubtedly sinful to fight, but he can't help
+half forgiving those whose desire to have a round is such that they must
+needs cause the bothers. But do I suppose that HINDENBURG ever wanted to
+fight, ever meant or ever means to do it? Not he; and that is why the War
+goes on and on and on. We've got to work through all the other Germans,
+says he, before we'll get to their militarists, who are all alive and doing
+nicely, thank you, behind. When we are getting near the throat of the first
+of them then the War will end.
+
+McGregor cannot bring himself to detest all the Bosches. After all, he
+says, they do stick it out, and their very stupidity makes some call on his
+generosity. But HINDENBURG, he is convinced, never stuck anything out,
+except snubs from his competitor, WILHELM, in the course of his uprising
+career; he makes no call on anybody's generosity, taking everything he
+wants, including (says McGregor) the best cigars. Without ever having
+studied them closely, McGregor has the most precise ideas of HINDENBURG'S
+daily life and habits. He is quite sure he smokes all day the most
+expensive cigars, without paying for them or removing the bands. He rose,
+says McGregor, by artifice combined with ostentation. While his good
+soldiers were studying their musketry, he was practising ferocious
+expressions before his glass. If he ever did get mixed up in a real battle
+(which McGregor doubts) he was undoubtedly last in and first out. However
+it may appear in print, his military career would not bear close scrutiny;
+for that reason McGregor does not propose to scrutinise it. And as for his
+indomitable will, he sees nothing to admire in the man's persistence,
+since, when he stops persisting, he'll become ungummed and, at the best,
+forgotten.
+
+So said McGregor, and when I besought him to come to the point, he said
+he'd dealt with it, and if I had any sympathy left for HINDENBURG or his
+line I was no better than a slave-driving, sit-at-home-and-push-others-
+over-the-parapet Prussian militarist myself. As for the map, it didn't
+matter in the least where HINDENBURG took his old line to, since wherever
+in Europe it endeavoured to conceal itself his own little line would scent
+it out and follow it. And if the HINDENBURG line was more than two hundred
+miles long and the Rrobert James McGrregor line less than two hundred
+yards, still it didn't matter; for when a Scot takes a dislike to somebody,
+that somebody's number is up.
+
+McGregor didn't say that last, but he looked it.
+
+Yours ever, HENRY.
+
+ * * * * *
+
+[Illustration: _McTavish (purchasing paper of posterless newsboy)._ "AWEEL,
+IT'S A 'PIG IN A POKE,' BUT AH'LL RISK IT."]
+
+ * * * * *
+
+"Frightfulness" in England.
+
+ "Boys wanted for Kicking. ------ Stamping Works."--_Midland Evening News._
+
+ * * * * *
+
+"'THE MAGIC FLUTE.'
+
+ One ingenious commentator has suggested that the opera has some basis
+ in 'A Midsummer Night's Dream.' Sarastro is Prospero, Pamina Miranda,
+ Tamino Ferdinand, and perhaps Monostatos Caliban."--_Glasgow Herald._
+
+The fact that these Shakespeare characters all occur in "The Tempest"
+enhances the ingenuity of the suggestion.
+
+ * * * * *
+
+ "The biggest fire in living memory occurred in Chapelhall on Monday
+ morning, when the Roman Catholic School was partly destroyed along with
+ the recreation rooms, damage amounting to L2,000."--_Scotch Local
+ Paper._
+
+The parish pump was probably out of order when this unparalleled
+conflagration occurred; but is seems to be at work again now.
+
+ * * * * *
+
+[Illustration: "MOTHER, D'YOU KNOW I'VE ALWAYS WONDERED WHAT BECAME OF OLD
+TOP-HATS."]
+
+ * * * * *
+
+TO MY GODSON.
+
+(_Aged six weeks._)
+
+ Small bundle, enveloped in laces,
+ For whom I stood sponsor last week,
+ When you slept, with the pinkest of faces,
+ And never emitted a squeak;
+ Though vain is the task of illuming
+ The Future's inscrutable scroll,
+ I cannot refrain from assuming
+ A semi-prophetical _role_,
+
+ I predict that in paths Montessorian
+ Your infantile steps will be led,
+ And with modes which are Phrygian and Dorian
+ Your musical appetite fed;
+ You'll be taught how to dance by a Russian,
+ "Eurhythmics" you'll learn from a Swiss,
+ How not to behave like a Prussian--
+ No teaching is needed for this!
+
+ Will you learn Esperanto at Eton?
+ Or, if Eton by then is suppressed,
+ Be sent to grow apples or wheat on
+ A ranche in the ultimate West?
+ Will you aim at a modern diploma
+ In civics or commerce or stinks?
+ Inhale the Wisconsin aroma
+ Or think as the Humanist thinks?
+
+ Will you learn to play tennis from COVEY
+ Or model your stroke on JAY GOULD?
+ Will you play the piano like TOVEY
+ Or by gramophone records be schooled?
+ Will you golf, or will golfing be banished
+ To answer the needs of the plough,
+ And links from the landscape have vanished
+ To pasture the sheep and the cow?
+
+ Your taste in the region of letters
+ I only can dimly foresee,
+ But guess that from metrical fetters
+ The verse you'll affect must be free;
+ And I shan't be surprised or astounded
+ If your generation rebels
+ Against adulation unbounded
+ Of MASEFIELD and BENNETT and WELLS.
+
+ Upholding ancestral tradition
+ Your uncle has booked you at Lord's,
+ But I doubt if you'll sate your ambition
+ Athletic on well-levelled swards;
+ No, I rather opine that you'll follow
+ The lead that we owe to the WRIGHTS,
+ And soar like the eagle or swallow
+ On far and adventurous flights.
+
+ But no matter--in joy and affliction,
+ In seasons of failure or fame,
+ I cherish the certain conviction
+ You'll never dishonour your name;
+ For the love of the mother that bore you,
+ The life and the death of your sire
+ Will shine as a lantern before you,
+ To guide and exalt and inspire.
+
+ * * * * *
+
+Life's Little Ironies.
+
+ "Ever-ready Safety Razor, strop, outfit, 12 blades, new; exchange
+ something useful."--_The Model Engineer and Electrician._
+
+ * * * * *
+
+ "The marriage of Captain ----, Grenadier Guards, to Miss ---- was a very
+ quiet affair, and not more than a score of people attended the ceremony
+ at St. Andrew's, Wells-street, during the week.--_Observer._
+
+Quiet, perhaps, but unusually protracted.
+
+ * * * * *
+
+How it Happened.
+
+From a publisher's advt.:--
+
+ "NEW NOVELS
+ THE HISTORY OF AN ATTRACTION
+ HE LOOKED IN MY WINDOW."
+
+ * * * * *
+
+Collectors of coincidences will not fail to notice that what the papers
+call "The Great Allied Sweep" in France was contemporaneous with the
+arrival of General SMUTS in England.
+
+ * * * * *
+
+CHILDREN'S TALES FOR GROWN-UPS.
+
+IV.
+
+THE HUNGER-STRIKE.
+
+"Did you hear that?" cried the white hen.
+
+"What?" asked all the other hens.
+
+"He called us--cluck-cluck-cluck," said the white hen.
+
+"Why shouldn't he?" asked all the other hens.
+
+"I didn't mean he called us 'cluck-cluck-cluck,'" said the white hen
+hastily. "I was only choking with rage when I said that. He called
+us--cluck-cluck-cluck--"
+
+"She's going to lay an egg," said the black hen with interest.
+
+"Poultry!" screamed the white hen suddenly.
+
+"Poultry?" gasped the other hens.
+
+"Poultry!--he called us 'poultry'--oh, cluck-cluck-cluck--"
+
+"Something must be done," said the yellow hen.
+
+"Something must be done," repeated all the hens.
+
+"We must have a hunger-strike till he apologises," said the thin hen
+importantly.
+
+"But we shall be hungry," cried all the hens.
+
+"That is the essence of a hunger-strike," said the thin hen.
+
+Just then the keeper arrived with food for the fowls.
+
+"We mustn't run to him," they said to one another. "It's a hunger-strike,
+you know."
+
+Suddenly the fat hen began running to him.
+
+"Come back; it's a hunger-strike, you know!" cried the hens.
+
+"I have an idea," shouted the fat hen as she ran; "the more we eat the
+longer we shall hold out."
+
+"So we shall," cried all the hens as they scurried after the fat one.
+
+ * * * * *
+
+[Illustration: _Officer (to applicant for War-work)._ "WHAT'S YOUR NAME?"
+ _Ex-flapper._ "CISSIE"]
+
+ * * * * *
+
+THE FAVORITE.
+
+Some people would die rather than talk aloud in a 'bus; others would rather
+die than hold their peace there. This second kind is more fun, and four of
+it made part of my journey the other day from Victoria to Oxford Street (I
+forget the number of the 'bus, but it goes up Bond Street) much less
+tedious. They were all young women in the latest teens or the earliest
+twenties, and all were what is called well-to-do, and they were fluent
+talkers.
+
+Years ago, when poor LEWIS WALLER was at the height of his fame, we used to
+hear of a real or fictitious "Waller Club," the members of which were young
+women who spent as much time as they could in visiting his theatre and
+rejoicing in the sight of his brave gestures and the sound of his vibrant
+voice. It was even said that they had a badge by which they could know each
+other; although on the face of it, judging by what sparse scraps of
+information concerning the nature of woman I have been able painfully to
+collect, I should say that segregation would be, in such a case as this,
+more to their taste.
+
+Be that true or only invented, it is very clear that in spite of the War
+and its shattering way with so many ancient shibboleths the cult of the
+actor is still strong; for this is the kind of thing that lasted all the
+way from Hyde Park Corner to Vere Street:--
+
+"Did you see him the other day in that ballet? Of course I knew he could
+dance, because he can do everything, but I never thought he was going to be
+so gloriously graceful as he was."
+
+"But surely you ought to have known. Don't you remember him as the Prince
+at the LORD MAYOR'S Ball?"
+
+"And what a wonderful figure he has!"
+
+"I couldn't help wishing that he had only stained his legs instead of
+putting on red tights."
+
+"My dear!!!"
+
+"It's his grace that's the wonderful thing about him, I always think. His
+ease. He moves so--how shall I put it?--so, well, so easily and
+gracefully."
+
+"Don't you love him when he stands with his hands in his pockets?"
+
+"My dear, yes. But what a wonderful tailor he goes to. I always used to
+tell my brother to try and find out where his things were made and go to
+the same place."
+
+"But of course it's the way clothes are worn much more than the clothes
+themselves. I mean, some men can never look well dressed, whereas others
+can look well in anything."
+
+"But he does go to the best tailor, I'm sure."
+
+"How many times have you seen this new piece?"
+
+"Six."
+
+"Only six! I've seen it eleven."
+
+"I've seen it three times."
+
+"I've seen it five times; but one of those doesn't count, because when we
+got there we found he was ill with chicken-pox. Wasn't that rotten luck?"
+
+"I heard he had been ill, but I didn't know what it was. Was it really
+chicken-pox?"
+
+"Yes, poor darling."
+
+"Fancy him having a thing like that! I suppose it's part of the price of
+keeping so young."
+
+"Oh, yes, isn't he young!"
+
+"They say this thing's going to run for years."
+
+"I hope not. I want to see him in something new. It's so wonderful how he's
+always the same and yet always different."
+
+"I want him to be in every play. I never go to one without thinking how
+much better he would be than the other leading man."
+
+"I saw that little what's-his-name imitate him the other evening. Really
+it's rather a shame."
+
+"Yes, I've seen it. I couldn't help laughing, but I hated myself for it.
+I'm sure, too, he doesn't waggle his head like that."
+
+"No! I couldn't see the point of that at all; but the people shrieked."
+
+"Pooh, they'd laugh at anything."
+
+"What did you like him best of all in?"
+
+"That's difficult. Of course he was priceless as the policeman. But then he
+was priceless as the American too, in that thing before this."
+
+"Well, I think--"
+
+And so on. Except that I never mention his name, and I have suppressed the
+titles of the plays, this is practically an exact reproduction of the
+conversation. Naturally many of the sentences overlapped, for ladies no
+less than gentlemen often talk at the same time; but otherwise I have
+reported faithfully.
+
+And who was the subject of these eulogies? You will guess at once when I
+say that he is probably the only actor in history who is referred to more
+often by his Christian name only than by his surname or full name. These
+young women who adored WALLER spoke of him not as LEWIS, but as LEWIS
+WALLER; and that is the usual custom. The divine SARAH is perhaps the only
+other histrion, and she is a woman, who may be spoken of simply as SARAH,
+with no risk of ambiguity. Ordinarily, as I say, we use either the surname
+only or the surname and Christian name combined, as ELLEN TERRY, VIOLET
+LORAINE, GEORGE GRAVES, GEORGE ROBEY, LESLIE HENSON, NELSON KEYS. But these
+four devotees referred to their hero always as GERALD; just GERALD.
+
+ * * * * *
+
+[Illustration: Mr. Punch's Navy Pages]
+
+ * * * * *
+
+[Illustration: _Gallant Major (temporarily in the care of H.M.'s Navy)._
+"ANOTHER ONE OF THAT SORT AND--I SHALL DO AS I LIKE."]
+
+ * * * * *
+
+[Illustration: _Survivor from U-Boat._ "KAMERAD! KAMERAD! IF I VOS ON LAND
+I VOS HOLD UP MEIN HANDS!"
+
+_Ordinary Seaman._ "WELL, YOUR FEET 'LL DO INSTEAD."]
+
+ * * * * *
+
+[Illustration: _A.B._ "GIVE US YER KNIFE." _Boy._ "AIN'T GOT IT."
+
+_A.B. (with bitter scorn of non-essentials)._ "GOT YER WRIST-WATCH ALL
+RIGHT, I S'POSE?"]
+
+ * * * * *
+
+[Illustration: _Apollo._ "I NEVER SAID NOTHING TO 'ER--DID I?"
+
+_Neptune._ "NO. BUT YOU WAS TRYIN' ON ONE OF YER FASCINATIN' LOOKS."]
+
+ * * * * *
+
+[Illustration: ECHOES FROM JUTLAND.
+
+_Wine Steward (acting as one of Ammunition Supply Party)._ "WILL YOU TAKE
+LYDDITE OR SHRAPNEL, SIR?"]
+
+ * * * * *
+
+[Illustration: SNOOKER POOL AFLOAT.
+
+_Commander (as the black he has tried to pot threatens to touch the port
+cushion)._ "LIST HER TO STARBOARD!"]
+
+ * * * * *
+
+[Illustration: THE "DAMNED SPOT."]
+
+ * * * * *
+
+[Illustration: "YOU OUGHT REALLY TO MANAGE TO GET BLOWN TO BITS SOMEHOW,
+NOBBY. YOU'D MAKE A CHAMPION JIG-SAW PUZZLE."]
+
+ * * * * *
+
+[Illustration: "HEY, DONAL'! HERE'S A WEE BETTLESHIP COMIN' ALONG."
+
+"OCH! A WISH IT MICHT BE A U-BOAT."]
+
+ * * * * *
+
+[Illustration: _Old Lady._ "PARDON ME! I SUPPOSE YOU'VE JUST COME FROM THE
+SEA. CAN YOU TELL ME WHY I'VE HAD TO PAY A PENNY MORE FOR SCALLOPS
+TO-DAY?"]
+
+ * * * * *
+
+[Illustration: _Landlord._ "WHATEVER DID YOU LET THE FIRE OUT FOR? WHY
+DIDN'T YOU PUT SOME COALS ON?"
+
+_Stoker._ "NOT LIKELY! I'M ON LEAVE, I AM."]
+
+ * * * * *
+
+[Illustration: _Friend._ "SEE YOU'RE IN A HURRY. WON'T KEEP YOU. OFF TO
+ADMIRALTY, I SUPPOSE?"
+
+_Sub-Lieutenant H.M.S. "Unbendable."_ "NOT EXACTLY. FACT IS I'M DUE AT MME.
+GIROUETTE'S ACADEMY. STRUCK AGAINST A COUPLE OF NEW STEPS IN THE FOX TROT
+AT THE PILKINGTONS' LAST NIGHT--RATHER WORRIED ME. BYE-BYE. MUST SHOVE
+OFF!"]
+
+ * * * * *
+
+[Illustration: _Apologetic Golfer._ "I SHOUTED 'FORE!' YOU KNOW."
+ _Sailor._ "WELL, YOU'VE HIT ME AFT!"]
+
+ * * * * *
+
+[Illustration: _Tar (by way of opening the conversation)._ "AHEM! BEEN OUT
+IN THE LIFEBOAT OFTEN, MISS?"]
+
+ * * * * *
+
+[Illustration: _Jones (who in going through his wardrobe has unearthed a
+memento of happier days at Margate)._ "WELL, IF THEY SHOULD CALL UP THE
+FORTY-FIVES, I THINK IT WILL HAVE TO BE THE NAVY."]
+
+ * * * * *
+
+[Illustration: _The Artist (impatiently)._ "FOR GOODNESS' SAKE PUT SOME
+EXPRESSION INTO IT! JUST IMAGINE YOU'VE COME THROUGH A TERRIBLE
+EXPERIENCE--SHIP TORPEDOED--YOU SOLE SURVIVOR. AFTER CLINGING TO A
+BELAYING-PIN NINETEEN HOURS IN THE OPEN SEA YOU ARE RESCUED AT THE LAST
+GASP. YOU ARE NOW RELATING YOUR ADVENTURES TO YOUR AGED PARENTS."
+
+_Model (obligingly)._ "THAT'S ALL RIGHT, SIR--I CAN MANAGE IT. BUT EXCUSE
+ME. DID YOU SAY EIGHTEEN HOURS, OR WAS IT NINETEEN?"]
+
+ * * * * *
+
+[Illustration: _King Alfred (founder of the Navy)._ "MADAM, I WAS
+EXPERIMENTING ON BISCUITS FOR MY SEA-DOGS."]
+
+ * * * * *
+
+"LET HER GO!"
+
+A TRAMP CHANTEY.
+
+ 'Er keel was laid in 'seventy-four
+ (Let 'er go--let 'er go);
+ They built 'er cheap an' they scamped 'er sore,
+ 'Er rivets was putty, 'er plates was poor,
+ And then come in the PLIMSOLL line
+ Or I wouldn't be singin' this song o' mine.
+ (Let 'er go!)
+
+ She was cranky an' foul, she was stubborn an' slow
+ (Let 'er go--let 'er go),
+ An' she shipped it green when it come on to blow;
+ 'Er crews was starved an' their wage was low,
+ An 'er bloomin' owners was ready to faint
+ At a scrape o' pitch or a penn'orth o' paint.
+ (Let 'er go!)
+
+ But she's been 'ere an' she's been there
+ (Let 'er go--let 'er go),
+ An' she's been almost everywhere;
+ An' wherever you went you'd sure see _'er_,
+ With 'er rust-red hawse an' 'er battered old funnel,
+ All muck an' dirt from 'er keel to 'er gun'le.
+ (Let 'er go!)
+
+ She's earned 'er keep in a number o' climes
+ (Let 'er go--let 'er go);
+ She's changed 'er name a number o' times,
+ Which won't fit right into these 'ere rhymes,
+ But the name of 'er now is the _Sound o' Mull_,
+ Built on the Tyne an' sails out of 'Ull.
+ (Let 'er go!)
+
+ 'Er keel was laid in 'seventy-four
+ (Let 'er go--let 'er go),
+ An' a breaker's price was 'er price before
+ The ships was scarce an' the freights did soar;
+ But she's fetched 'er fourteen pound a ton
+ On the Baltic Exchange since the War begun.
+ (Let 'er go!)
+
+ So she's doin' 'er bit, which we all must do
+ (Let 'er go--let 'er go),
+ An' whether she's old or whether she's new
+ Don't make much odds to a war-time crew,
+ But 'ooever's sunk or 'ooever's drowned,
+ The _Sound o' Mull_ keeps pluggin' around.
+ (Let 'er go!)
+
+ An' when she goes, by night or by day
+ (Let 'er go--let 'er go),
+ Either up or down, as she likely may,
+ I only 'ope as someone'll say:
+ "'Er keel was laid in 'seventy-four;
+ She done 'er best an' she couldn't do more;
+ She warn't no swell an' she warn't no beauty,
+ But she come by 'er end in the way of 'er duty."
+ (Let 'er go!) C. F. S.
+
+ * * * * *
+
+[Illustration: "THINK WE'LL 'AVE ANOTHER CUT AT THE 'UNS BEFORE THE WAR
+ENDS, JACK?"
+
+"NO FEAR! IT SAYS 'ERE THAT 'INDENBURG'S TAKEN ALL THE ABLE-BODIED AN' PUT
+'EM ON TO WORK OF NATIONAL IMPORTANCE."]
+
+ * * * * *
+
+THE POULTICE.
+
+Call this cold? You orter been with me in '63, when I was whalin' in the
+North Atlantic. I was steward on the _Ella Wheeler_, 6,000 tons, out from
+New Caledonia. Our skipper was a reg'lar old bluenose, and some Tartar, I
+_don't_ think! Why, 'e'd lay yer out sooner than look at yer; an' once 'e
+put the cook in irons for two days 'cos the poor devil 'ad tumbled up
+against the side of the galley an' burnt the 'air off the side of 'is 'ead,
+and the old man said it was untidy; and we all 'ad to 'ave cold grub for
+two days--and in them latitudes! Lord, 'ow we 'ated 'im!
+
+But the worst of it was that we 'ad no doctor on board, and when anybody
+took sick the old man insisted on doctorin' 'im 'isself; and 'e 'ad only
+one way of treatin' every disease in the 'orspitals. "Put 'im into 'is
+bunk," he says, "and wait till I bring 'im a 'ot linseed poultice for's
+chest." Tooth-ache or chilblains, a pain in yer stummick or ring-worm--'e
+always says the same thing, "Put 'im in his bunk," he says, "and I'll bring
+'im a 'ot linseed poultice for 's chest." And 'e brought it and put it on
+with 'is own 'ands too! There was no gettin' out of it if once 'e 'eard you
+were sick. Lord, 'ow we 'ated 'im!
+
+There was Pete Malone--'ad a great mop of 'air like a lion or a
+musician--must needs go washing one day on deck, like a fool. It was all
+right as long as 'e 'ad the 'ot water and the soapsuds goin'; but 'e give
+'is 'ead a rinse, an' stood up, and, swelpme, before 'e could get the towel
+to work every single 'air 'e 'd got 'ad its own private icicle, an' 'is
+silly 'ead looked like a silver-plated porkypine.
+
+Well, as I was saying, we were about a 'undred-and-fifty mile from the
+nearest land, which 'ud be the West coast of Greenland, bearin' about E. by
+N., when we thought that at last we were going' to get one back on the old
+man. It was this way. One bitter cold night 'e was makin' 'is way aft to
+turn in, when 'e slips up where a wave 'ad froze on the deck, an' e' goes
+wallop down the 'ole length of the companion, from top to bottom, an' busts
+three of 'is ribs. Of course we all ran an' picked 'im up, an' _said_ we
+'oped 'e wasn't much 'urt. But 'e says, "None of yer jabber, ye swines;
+'elp me inter my bunk, and two of yer bring me a 'ot linseed poultice for
+my chest."
+
+Well, we puts 'im in 'is bunk, and I catches the eye of the first mate, and
+we goes out together. "Mick," says I, "'e's askin' for a 'ot poultice. Lord
+send there's a good fire in the galley!" "If there ain't," says Micky to
+me, "we'll damn'd soon make one." So we makes a fire such as none of the
+ship's company 'ad ever seen; and we gets two buckets of water, one very
+near full, and the other about a quarter full, and we soon 'as 'em both on
+the boil. Then we makes the poultice in the drop of water; and when 'e was
+ready, we gets the grid and puts it across the top of the other bucket, and
+lays the poultice on the grid, and me and the mate picks up the full bucket
+with two pair o' tongs, 'olding a torch under 'er to keep 'er at the boil.
+
+When the old man saw us 'is face twisted a bit! But talk about cold! We
+slapped the poultice on to 'im, and, if you'll believe me, inside o' ninety
+seconds the thing 'ad _froze 'ard on 'im_, and formed a splint, and--saved
+'is life, blarst 'im!
+
+ * * * * *
+
+[Illustration: SOME CATCH: THE ANGLER'S DREAM.]
+
+[Illustration: SOME CATCH: THE ANGLER'S DREAM.]
+
+ * * * * *
+
+[Illustration: _Lieutenant ----, R.N., to Lieutenant ----, R.N. (they are
+paying one of those periodical visits to a lonely island in the South
+Pacific)._ "THESE WRETCHED ISLANDERS, CUT OFF AS THEY ARE FROM ALL THE
+WORLD, ARE, I SUPPOSE, HARDLY CIVILISED."
+
+_First Wretched Islander to Second Wretched Islander._ "DOES THIS VISIT
+INTRIGUE YOU?"]
+
+ * * * * *
+
+[Illustration: "AND THE LAST THING MY MISSUS SAID TO ME WAS, 'BRING US 'OME
+SOME SORT OF AN OLD CURIOSITY FROM FURREN PARTS.'"]
+
+ * * * * *
+
+[Illustration: _Fond Teuton Parent (to super-tar home on leave)._ "AND YOU
+LIKE YOUR SHIP, FRITZ?"
+
+_Fritz._ "I LOVE HER! SHE'S A WONDER! SUCH SPEED! WHENEVER WE RACE BACK TO
+PORT SHE'S BEEN FIRST EVERY TIME."]
+
+ * * * * *
+
+[Illustration: _Karl._ "WHAT WORRIES ME IS THE FACT THAT WE WANT MORE MEN
+FOR THE NAVY. WHAT I SHOULD LIKE TO KNOW IS, WHERE ARE THEY TO COME FROM?"
+
+_Gretchen._ "BE CALM, KARL. DOUBTLESS OUR GLORIOUS PROFESSORS OF CHEMISTRY
+WILL INVENT A SUBSTITUTE."]
+
+ * * * * *
+
+[Illustration: THE INFECTIOUS HORNPIPE.]
+
+ * * * * *
+
+[Illustration: THE BREATH OF LIBERTY.
+
+THE GERMAN AUTOCRAT. "THEY MAY FIND THIS WIND VERY BRACING IN RUSSIA BUT IT
+MAKES ME FEEL EXTREMELY UNCOMFORTABLE."]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+_Monday, March 19th._--Captain BATHURST announced that the FOOD CONTROLLER
+would issue an order fixing the retail price of swedes at a figure
+involving a reduction of "something like 200 per cent." The FOOD
+CONTROLLER, as his faithful henchman subsequently remarked, "is always
+doing his best," but if he can really reduce the price of a commodity to
+100 per cent. less than nothing I hope he will not confine his activity to
+a solitary vegetable.
+
+I am afraid that envy was the predominant feeling aroused by Mr. SNOWDEN'S
+story of the family in New Cavendish Street which secured in a single order
+from a single firm no less than sixty-three pounds of sugar. Lest any Hon.
+Members should be tempted to try and do likewise Captain BATHURST promptly
+announced that another order prohibiting hoarding would shortly be issued.
+The House cheered, for, as a journalist Member remarked with gloomy
+satisfaction, "It is only fair that 'no posters' should be followed by 'no
+hoarding.'"
+
+The PRIME MINISTER paid one of his angelic visits to the House to give the
+latest information of the revolution in Russia. His description of it as
+"one of the landmarks in the history of the world" evoked loud cheers, but
+even louder were those which came from the Nationalist benches when he
+remarked that "free peoples are the best defenders of their own honour."
+
+_Tuesday, March 20th._--A long cross-examination of the representative of
+the Air Board produced one valuable statement which Members generally might
+bear in mind. Mr. BILLING asked if it was not "in the public interest or in
+the interests of this House" that certain contracts should be discussed.
+Fixing him with his eye-glass, Major BAIRD replied, "No, the interests of
+the House and of the public, I take it, are the same as the interests of
+the nation."
+
+[Illustration: DEFENSIVE DUET BY MESSRS. ASQUITH AND WINSTON CHURCHILL.]
+
+If there was any lingering doubt as to the main responsibility for the
+inception--as apart from the carrying out--of the Dardanelles affair Mr.
+CHURCHILL himself must have removed it. Unlike his former chief he welcomes
+the publication of the Report, which in his opinion has shared among a
+number of eminent personages a burden formerly borne by himself alone. But
+his enthusiasm for the project as it originally formed itself in his
+fertile brain is undiminished, and he still marvels that for the want of a
+little further sacrifice we should have abandoned the chance of cutting
+Turkey out of the War, and uniting in one friendly federation the States of
+the Balkans.
+
+_Wednesday, March 21st._--General MAUDE'S manifesto to the people of
+Baghdad, with its allusions to the tyranny under which they had long been
+suffering, did not escape the eagle eye of Mr. DEVLIN, ever anxious to
+scarify British hypocrisy. So he drafted a long question to the PRIME
+MINISTER, embodying the most salient passages of the manifesto. Much to his
+disgust it appeared on the Paper without its "most beautiful and striking
+passages." The SPEAKER explained that he had blue-pencilled "a good deal of
+Oriental and flowery language not suitable to our Western climate." Not the
+least part of the joke is the rumour that the manifesto was largely the
+work of a Member of the House well versed in Eastern lore.
+
+_Thursday, March 22nd._--The Ministry of National Service, being unprovided
+at present with a Parliamentary Secretary, is supposed to be represented in
+the House by Mr. ARTHUR HENDERSON. But as the Member for Barnard Castle has
+important functions to perform in the War Cabinet and is rarely in the
+House he usually deputes some other Member of the Government to answer
+Questions addressed to him. To-day the lot fell upon Mr. BECK, who
+good-temperedly explained, when a shower of "supplementaries" rained down
+upon him, that he really knew nothing about the Department he was
+temporarily representing. This led to a tragedy, for Mr. SWIFT MACNEILL
+worked himself into a paroxysm of excitement over this constitutional
+enormity, and finally sat down on his hat. "I only wish his head had been
+in it," muttered a brother Irishman--from Ulster.
+
+Believers in "the hidden hand," which is supposed to paralyse our military
+efforts, are divided in opinion as to whether this cryptic member is most
+actively employed by Lord HALDANE, Sir WILLIAM ROBERTSON or Sir EYRE CROWE,
+Assistant-Secretary to the Foreign Office. They will probably regard Lord
+ROBERT CECIL'S statement that some seven years ago Sir EYRE drew up a
+memorandum calling the attention of Sir EDWARD GREY to the grave dangers
+that threatened this country from Germany as further evidence of his
+duplicity. The rest of the world will rejoice at Lord ROBERT'S spirited
+vindication of "one of the ablest of our public servants," who, despite
+Miss CHRISTABEL PANKHURST, is not one of "the three black crows" of
+legendary fame.
+
+When Sir H. DALZIEL, at the outset of his appeal to the Government to make
+another attempt to settle the Irish Question, promised that he would not
+"explore the noxious vapours of the past," I feared the worst. But he was
+as good as his word, and spared us any gruesome excavations in ancient
+Irish history. Major HILLS did even better by implying that it was only
+during the last ten years that the question had warped and diverted our
+domestic politics. If all Irishmen were as reasonable and moderate as Mr.
+RONALD MCNEILL showed himself this afternoon it would not need settling,
+for it would never have arisen. He only asked, if sacrifices were
+necessary, that Ulster should not alone be expected to make them. Sir HAMAR
+GREENWOOD, as the great-grandson of a Canadian rebel who took twelve sons
+into the field--"almost his whole family," added his descendant--insisted
+that the Colonial method of securing Home Rule was the best--first agree
+among yourselves, and then go to the Imperial Parliament to sanction your
+scheme. And perhaps, after the conciliatory spirit displayed in to-day's
+debate, that is not so impossible oven in Ireland as it seemed a few weeks
+ago. Hitherto every attempt of the British Sisyphus to roll the Stone of
+Destiny up the Hill of Tara has found a couple of Irishmen at the top ready
+to roll it down again. Let us hope that this time they will co-operate to
+instal it there as the throne of a loyal and united Ireland.
+
+ * * * * *
+
+HERBS OF GRACE.
+
+IV.
+
+THYME.
+
+ All things true,
+ All things sweet--
+ Summer-dawn dew
+ And Love's heart-beat;
+ All things holy,
+ Hill-flow'rs lowly,
+ A far church-chime--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ All things clean,
+ All things pure--
+ Joys that have been
+ And faiths that endure;
+ All things sunny,
+ Bee-song and honey,
+ Sheep-walks, rhyme--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ All things set
+ With sharp sweet pain--
+ April regret
+ For vows yet vain;
+ All things fragrant,
+ Thoughts long vagrant
+ From Beauty's clime--
+ _These things dwell_
+ _In the smell_
+ _Of Thyme._
+
+ * * * * *
+
+ "Sir John Simon, K.C., cited as an illustration the friendship between
+ Daniel and Jonathan. The Lord Chief Justice: I become very nervous when
+ you support your law by quoting Scripture."--_Daily Mail._
+
+We always feel more nervous when people _mis_quote Scripture for their
+purpose.
+
+ * * * * *
+
+ "The Lord Mayor of London, Sir William Dunn, accompanied by other
+ members of the City Council in their robes, and the Lady Mayoress, were
+ amongst the very large conflagration at St. Patrick's, Soho. An
+ eloquent sermon was preached."--_Irish Paper._
+
+"Burning words," indeed.
+
+ * * * * *
+
+From a description of the difficulties of the members of the Press Gallery
+in reporting Mr. BONAR LAW:--
+
+ "Since he has become leader of the House they have aged and grown
+ haggard and dejected. The sound of his voice fills them with
+ bread."--_Birmingham Daily Post._
+
+Well, in these days that ought to afford them ample consolation.
+
+ * * * * *
+
+ "Sir Richard L. Borden's name, now a household word, became familiar
+ only six years ago."--_Daily Paper._
+
+But even now he is not so well known as Sir ROBERT!
+
+ * * * * *
+
+DE PROFUNDIS.
+
+When I went round the trenches a day or two before we were to move in, the
+great frost was still in possession; but there was a mild feeling in the
+air.
+
+"I can thoroughly recommend these trenches to you, Sir," said the occupier
+in a businesslike manner. "Commodious and well built, fitted throughout
+with the latest pattern duck-boards and reached by three charmingly
+sequestered communication trenches, named Hic, Haec and Hoc. The dug-outs
+are well equipped and well sunk. The whole would form an ideal retreat for
+gentlemen of quiet tastes."
+
+"Good. And the people over the way?"
+
+"Unobtrusive and retiring to a degree."
+
+"In fact," I said, "a most select neighbourhood--unless it thaws."
+
+He dropped pleasantries and answered very seriously. "If it thaws, Heaven
+help you. There's enough water frozen up in these walls to drown the lot of
+you."
+
+It did thaw.
+
+When we relieved, we waded up to the line through miles of trenches all
+knee-deep in water, to the accompaniment of ominous splashes as the sides
+began to fall in. When daylight came we found our select estate converted
+into a system of canals filled with a substance varying in consistency from
+coffee to glue. Hic, Haec and Hoc, owing to the wear and tear of constant
+traffic, became especially gluey, and after a time we rechristened them
+respectively the Great Ooze, the Little Ooze and the River Styx--the last
+not solely in reference to its adhesive qualities, but also because such a
+number of things went West in it. Some time after the original duck-boards
+had sunk out of our depth we could still move along Styx on a solid bottom
+composed of lost gum-boots, abandoned rations and the like. At last, when
+Frankie, struggling up to the line with the rum ration, was forced to dump
+his precious burden in order to save his life, we pronounced Styx
+impassable and thenceforth proceeded along the top after dusk.
+
+The Great Ooze still remained just possible for those whose business took
+them back and forward during the day, but even here were spots in which it
+was worse than unwise to linger. As I squelched painfully through one of
+these on our last day in the line, I found one Private Harrison firmly
+embedded to the top of his thigh-boots. He told me he had been struggling
+vainly for about an hour.
+
+"Give me your hands," I said.
+
+I tugged, but could get no proper purchase. Harrison grew gradually black
+in the face, but remained immovable. I tried another plan. I turned about,
+and Harrison clasped his hands round my neck. Then I walked away.... At
+least that was the idea.
+
+"Harrison," I said anxiously after a determined struggle, "were you
+standing on the duckboards?"
+
+"Yes, Sir. I still am."
+
+"Heavens, so am I. Let go. I've got to get myself out now."
+
+By using Harrison as a stepping-stone to higher things I just managed to
+heave myself out. I surveyed him panting.
+
+"In about an hour it'll be dusk. I'll bring some men and a rope and haul
+you out then. If that fails we'll simply have to hand you over as trench
+stores when we get relieved."
+
+As soon as Fritz's wire had disappeared into the gathering gloom I took out
+my little rescue party. We threw the captive a rope and began to pull
+scientifically under direction of a sergeant skilled in tugs-of-war.
+
+"Heave, you men," I whispered excitedly. "He's coming."
+
+He was, but without his boots. Inch by inch we dragged him out of them. The
+strain was terrific. Suddenly--much too suddenly--the tension broke.
+Harrison shot into the air and fell again with a dull thud in the Ooze
+beside his boots, while the rescue party collapsed head over heels into an
+adjacent shell-hole.
+
+Harrison seemed a little peevish, but consented to try again. The rope
+tautened, and there was a sharp crack from below.
+
+"'Old on," cried the prisoner sharply, "me braces is bust."
+
+"Can't think o' braces now," grunted my burly sergeant. "Heave-ho, lads, up
+she comes!"
+
+Harrison was pulled clean out of his nether garments, cursing bitterly as
+the wind caught his bare legs, and hung suspended between earth and water,
+amid ribald comments from above.
+
+One more pull would do it. But at that moment Fritz, apparently feeling
+that we weren't taking his war seriously enough, opened up with a
+machine-gun. The rescue party dropped the rope and rolled heavily into the
+shell-hole, and the sorely tried Harrison found himself back again, but
+face downwards this time, and held by his arms up to the elbows.
+
+We could hear horrible language, and after a moment, all being quiet, I
+crawled to the edge and looked over. His last struggle had split Harrison's
+tunic and pulled it clean off his back; and now, with his shirt-tail
+trailing dismally in the Ooze, he was making the best of his own way to the
+dressing-station, ungratefully consigning his gallant rescuers to complete
+and lasting perdition as he went.
+
+ * * * * *
+
+[Illustration: "A LOT OF KHAKI ABOUT, WAITER."
+
+"YES, SIR. IT MAKES SOME OF US OLDER ONES FEEL A BIT MUFTI, DON'T IT?"]
+
+ * * * * *
+
+A TOPICAL TRAGEDY.
+
+ Jim Startin was not loved at school;
+ We thought him rather knave than fool.
+ Migrating thence to Oxford, he
+ Failed to secure a pass degree.
+ Years sped--some twenty--ere again
+ Jim Startin swam into my ken.
+ I met him strolling down the Strand
+ Well-dressed, well-nourished, sleek and bland,
+ A high-class journalistic swell--
+ The Headline Expert of _The Yell_.
+ Great at the art, in peaceful days,
+ Of finding means our scalps to raise,
+ The War had since revealed in him
+ A super-Transatlantic vim,
+ And day by day his paper's bills
+ Gave us fresh epileptic thrills.
+ The sons of Belial, in the rhyme
+ Of DRYDEN, had a glorious time,
+ But never managed to attain
+ To Jim's success in giving pain.
+ But while his power was at its height
+ It perished in a single night;
+ For, with his bills by law abolished,
+ Jim's occupation was demolished;
+ Headlines that can't be blazed abroad
+ On bills and posters are a fraud;
+ They cease to titillate the mob
+ Or draw the pennies from its fob,
+ So Jim was "fired" and lost his job.
+
+ * * * * *
+
+[Illustration: _Lady (to coalheavers)._ "_SO_ SWEET OF YOU TO COME. I DO
+HOPE YOU'LL COME AGAIN."]
+
+ * * * * *
+
+ "More to the west the British marked fresh progress south of
+ Achiet-le-Petit, where their lines were advanced on a front of 2
+ kilometres (1-1/4 miles). Finally the Germans fell back for the length
+ of 2 kilometres (5/8 mile) between Essarts and Gommecourt."--_The
+ Evening News._
+
+The road home always seems shorter.
+
+ * * * * *
+
+ "The enemy went at the moment when he left because he was shelled
+ out."--_Daily Mail._
+
+Of course he might have had a different motive if he had gone the moment
+after he left.
+
+ * * * * *
+
+ "She was wearing a three-quarter red coat with glass buttons to match a
+ heavy blue skirt with low neck."
+
+We never have approved of these _decolletes_ skirts.
+
+ * * * * *
+
+[Illustration: _First Flapper._ "THE CHEEK OF THAT CONDUCTOR! HE GLARED AT
+ME AS IF I HADN'T PAID ANY FARE."
+
+_Second Flapper._ "AND WHAT DID YOU DO?"
+
+_First Flapper._ "I JUST GLARED BACK AT HIM--AS IF I HAD!"]
+
+ * * * * *
+
+THE FRUIT MERCHANT.
+
+"I feel regular down this morning, Sir," said Private Thomas Weeks, as I
+seated myself beside his bed; "regular down, I do."
+
+It was such a very unusual greeting from this source that I said anxiously,
+"Not the leg gone wrong?"
+
+"No, the old leg's fine. It's the stopping of the imports." He indicated
+the morning paper which he had just laid aside. "It's just about bust up my
+old business."
+
+I took the paper and glanced down the list of prohibited articles. Clocks
+and parts thereof, perfumery, and quails (live) caught my eye. I didn't
+think it could be any of these.
+
+"What was your business?" I asked.
+
+"Fruit merchant, Sir. Barrow trade, you understand. 'Awker, some calls it.
+But it don't much matter now what it's called, 'cos it's bust up."
+
+"Not quite bust up, is it?" I said. "Only a bit cut down for a time."
+
+"That may be," he said, "but I got a strong affection for the trade, Sir, a
+very strong affection, and I can't 'elp feeling it. Why, rightly speaking,
+it was the fruit trade what got me my D.C.M."
+
+"Did it though? How was that?"
+
+"Well, it was like this. I bin callin' fruit a good many years. I could
+call fruit with anyone. When I calls ''Oo sez a blood orange?' at
+Kennington Lane, you could 'ear it pretty well as far as New Cross. Same
+with ''Ave a banana?' If you're to do the trade you must make the people
+'ear. It ain't no good bein' like them chaps what stands in the gutter and
+whispers, 'Umberella ring a penny,' to their boots."
+
+"But what about the D.C.M.?"
+
+"I'm comin' to it, Sir. You see, I got it in connection with a little bit
+o' work Trones Wood way. Through various circs, fault o' nobody really, me
+and Sam Corney found ourselves alone alongside a dug-out full o' Bosches.
+If we'd 'ad a few bombs we'd 'a' bin all right, but we 'adn't. I sez to
+Sam, 'We must scare 'em,' I sez, and I shouts, '_'Oo says a blood orange?_'
+at the top o' my voice into the dug-out, which was dark, of course, and I
+stands in the doorway with my bayonet ready. I can't say what they mistook
+it for. Crack o' doom, Sam sez. But eight come out o' that dug-out with
+their 'ands up. I sent Sam off 'ome with 'em, though they'd 'a' gone with
+no escort at all, I reckon, bein' sort o' stunned. And I went on down the
+trench.
+
+"At the turn there was another dug-out. '_'Ave a banana?_' I yells, and out
+come ten of 'em, cryin' for mercy. I took 'em back to what we calls
+Petticoat Lane and 'ands 'em over and come up again. But I didn't get no
+more barrow-work that day, and my D.C.M. was for them prisoners right
+enough. So now you see what I feels like about the fruit business. It's
+like an old pal bein' done in."
+
+"I shouldn't worry too much about it," I said. "You've each had a bit of a
+knock-out; but you'll soon be on your legs again, and so will your barrow,
+and going strong, both of you."
+
+ * * * * *
+
+SCOTLAND YET.
+
+ [Dr. GEORG BIEDENKAPP, writing in the _Muenchner Neueste Nachrichten_,
+ says that if you examine any famous "Englishman" you find that he
+ really comes from Scotland, to which country he assigns a place with
+ Suabia, Thuringia, and the Hartz Mountains as "a cradle of Kultur and a
+ fountain of first-class genius."]
+
+ Man Sandy, here's a German Hun
+ Wha thinks he's on a track
+ That nane hae trodden, having fun'
+ A new an' stairtlin' fac';
+ A' English thocht he doots is nocht,
+ An' English ways are henious,
+ But ah, says he, in Scotland see
+ The hame o' first-class genius.
+
+ New? Why, my feyther kent it fine,
+ An', Sandy, I'll be sworn
+ The knowledge o' the fac' was mine
+ Or ever I was born;
+ If there be ane wad daur maintain
+ The truth is still to settle,
+ I haena met the madman yet
+ In bonny braw Kingskettle.
+
+ Ay, yon's a truth that's kent fu' weel
+ In ilka but an' ben;
+ But I could teach the German chiel
+ A truth he doesna ken;
+ Gin ye would find the hame o' mind
+ An' intellectual life, man,
+ Ye needna look far frae the Nook,
+ The bonny Nook o' Fife, man.
+
+ Whaur did our good EX-PREMIER go
+ Whene'er he wished to swank?
+ To Lunnon? Edinburgh? No!
+ He cam' to Ladybank;
+ Nae doot he thocht if there was ocht
+ Would put him on his mettle
+ 'Twas meetin' men o' brain, ye ken,
+ Like us frae auld Kingskettle.
+
+ Fleet Street is fu' o' Fifers tae;
+ The Cockneys want the views
+ O' men like JOCK MCFARLANE frae
+ _The Crail and Cupar News_;
+ For if a chiel can write sae weel
+ That you an' me will read him,
+ Why, man, withoot a shade o' doot
+ Lunnon is sure to need him.
+
+ Then tak' the Army. What d'ye see?
+ Wha's chief? Nae need to tell
+ That DOUGLAS HAIG is prood to be
+ A Fifer like mesel';
+ An' weel he may, for truth to say
+ There's something aye aboot us:
+ In ilka trade they want oor aid--
+ They canna win withoot us.
+
+ * * * * *
+
+Wedding Fashions, B.C.
+
+ "The bridesmaid was attired in pink carnations."--_"Daily Colonist,"
+ Victoria, British Columbia._
+
+ * * * * *
+
+[Illustration: FRIGHTFULNESS ON THE ALLOTMENTS.]
+
+ * * * * *
+
+THE HARDSHIPS OF BILLETS.
+
+Jim and me could never 'ave got through the six weeks we was billeted with
+Mrs. Sweedle if we 'adn't been 'ardened by Mrs. Larkins in the way I 'ave
+described.
+
+Mrs. Sweedle were a widow woman with a big family, besides a aged father
+and a brother who suffered with fits. The billetin' orficer was afraid she
+wouldn't he able to take us in, but Mrs. Sweedle was willin' and eager.
+
+"Bless their hearts, that I will," she said; "it shall never be said I
+turned a soldier from my door. Nobody knows better than I do what soldiers
+is in an 'ouse. Always merry and bright and ready to put their 'ands to
+anything when a poor woman's work's never done and she's delicate and
+liable to the sick-'eadache in the mornin's. There's the week's clothes to
+go through the wringer, but I know what soldiers is for a wringer; they
+can't leave it alone. And if I 'appens to overlay meself I know there's no
+cause to worry about Grandfer's cup o' tea, nor yet Bobby and Tom and
+Albert gettin' off to school tidy. Like as not they'll do me more credit
+than if I washed 'em meself; there's nobody like a soldier for puttin' a
+polish on children."
+
+Mrs. Sweedle overlaid herself the very first mornin', and sent word by
+Albert if we would be so kind as make her a cup o' tea when we was makin'
+Grandfer's it might save her a doctor; and the wood for the fire was out in
+the yard, and she knew, bein' soldiers, we should chop her a barrer-load
+while we was about it; and when she crawled downstairs presently the
+breakfast things would be washed and put away, as was the 'abit of
+soldiers, and very likely the pertaters peeled for dinner.
+
+It bein' a strange 'ouse and we not knowin' where to put our 'ands on
+anythin', and, when we'd got the kettle to boil, not bein' able to let it
+out of our sight owin' to the youngest little Sweedle wantin' to drink out
+of the spout, Jim and me was regler drove. We was as near late for parade
+as we 'ave ever been in our lives. Mrs. Sweedle was very upset. "I know
+what soldiers is for punctuality," she said, "a minute late and they're
+court-martialled. How would it be if you was to lay the fire over-night and
+scrub over the floor? It 'ud save ye a lot in the mornin', if so be I'm
+forced to keep me bed."
+
+We done as she advised, and it were fortunate. She 'ad another
+sick-'eadache the next day, and sent word by Albert would we be so good as
+bake her a mouthful of toast; she knew what soldiers' toast was like, it
+give ye a appetite to look at it, thin and crisp, with the butter laid on
+smooth as cream and cut in fingers.
+
+We never run no risk after that. 'Owever dog-tired we was and 'owever Mrs.
+Sweedle seemed in 'ealth we always got the work forward over-night, and
+when we could catch 'old of Bobby and Tom and Albert we washed 'em to save
+time in the mornin' and parted their 'air.
+
+One day Mrs. Sweedle were well enough to get up. "I know who's goin' to
+'ave a treat now," she said. Our 'arts leapt. We did 'ope she might be
+goin' to say we was to sit down to our breakfasts.
+
+"Grandfer's goin' to be shaved, and not 'ave to pay tuppence out of 'is
+poor pension," she said. "There's nobody can shave like a soldier." And
+when Jim 'ad got the old man by the nose she said to me, "I can see what
+you want to be at, shakin' these mats with your strong arm and savin' me
+comin' on giddy."
+
+It were very 'ard at first, but after a bit Jim and me got into the work at
+Mrs. Sweedle's and was just able to get through with it, except the mornin'
+her brother 'ad a fit when we was racin' to finish the washin'-up. That
+fair broke our backs. We 'ad a sort of seizure on parade and 'ad to fall
+out till we got our breaths back.
+
+ * * * * *
+
+THE RECOGNISED.
+
+ Give ear to my words and you shall hear
+ The song of the British Volunteer,
+ Who started out when the War began
+ As a middle-aged mostly grey-haired man.
+ Too old to be sent to join the dance
+ Of the doughty fellows who fought in France,
+ He refused to go on the dusty shelf,
+ And he set to work and he bought himself
+ A spirited grey-green uniform,
+ With a cap to match and a British warm,
+ And he took his fill
+ Of the latest drill;
+ But somehow they didn't seem to prize him
+ Or wish in the least to recognise him.
+
+ But now they have let him cast away
+ His excellent clothes of green and grey;
+ They think they can use him,
+ And don't refuse him,
+ And they've dressed him up and they've dressed him down
+ In a regular suit of khaki brown;
+ He has been gazetted
+ And properly vetted
+ As able to march five miles at least,
+ Though he puffs a bit when the speed 's increased;
+ And he can double
+ Without much trouble,
+ And do such deeds as a man must do
+ Who is willing to help to see things through.
+
+ * * * * *
+
+A Wholesale Order.
+
+ "Lieut-Colonel ---- received the K.C.B. and other decorations, including
+ C.M.G.s, D.S.O.s, Military Crosses, and Royal Red Crosses."--_Evening
+ Standard._
+
+ * * * * *
+
+From "Paris Theatrical Notes":--
+
+ "The programme for to-day at the Opera compromises 'Samson et
+ Dalila.'"--_Continental Daily Mail._
+
+It sounds a little superfluous.
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+(_By Mr. Punch's Staff of Learned Clerks_.)
+
+_Alfred Lyttelton: An Account of his Life_, by EDITH LYTTELTON (LONGMANS),
+is a most fascinating book. Mrs. ALFRED LYTTELTON might perhaps have
+contented herself with writing a formal biography of her husband. It would
+have been difficult for her, but she might, as I say, have done it. Instead
+of this she takes her readers by the hand in the friendliest manner and
+admits them with her into the heart and soul of the man with whom she was
+for twenty years associated. She shows him as what he was, a noble and
+upright English gentleman, straightforward and tender-hearted, and beloved
+in a quite exceptional measure by all who were privileged to be his
+friends. I can only be grateful to Mrs. LYTTELTON for having interpreted
+her duty in this manner, and for having carried it out with so sure a hand.
+As I read her pages I saw again in my mind's eye the loose-limbed,
+curly-headed young son of Anak as he swung down Jesus Lane, Cambridge, or
+as he witched the world with noble cricketing at Fenner's or at Lord's. It
+is good to be able to remember him. His Eton tutor described him as being
+"like a running stream with the sun on it," and there was, indeed, a charm
+about him that was irresistible. Mrs. LYTTELTON devotes a beautiful chapter
+to the memory of ALFRED'S first wife, LAURA, who died after one short year
+of happiness. "She was a flame," says Mrs. LYTTELTON, "beautiful, dancing,
+ardent, leaping up from the earth in joyous rapture, touching everyone with
+fire as she passed. The wind of life was too fierce for such a spirit--she
+could not live in it. Surely it was Love that gathered her." I have only
+one little bone to pick, and that not with Mrs. LYTTELTON, but with Lord
+MIDLETON, who in a page or two of reminiscences describes as one of
+ALFRED'S triumphs at the Bar his appearance as counsel for the Warden of
+Morton, Mr. GEORGE BRODRICK. The Warden, having said something offensive
+about Mr. DILLON, was hailed before the Parnell Commission for contempt of
+court. ALFRED put in an affidavit by the Warden, in which the whole thing
+was said to be a joke, and in his speech he chaffed Mr. REID (now Lord
+LOREBURN), who was counsel for Mr. DILLON, for being a Scotsman, with a
+natural incapacity for seeing a joke. So far Lord MIDLETON; but he omits
+Mr. REID'S crushing retort. "Even a Scotsman," said Mr. REID, "may be
+pardoned for not seeing a joke which has to be certified by affidavit."
+
+ * * * * *
+
+Mr. JEFFERY E. JEFFERY has been playing cheerful tricks on the British
+public. We must forgive him, because he has for a long time been doing far
+worse than that to the Huns; but it is undeniable that in following the
+winding trail of his beloved guns we are in no small danger of losing our
+sense of direction. This is because along with imaginary tales, some of
+them written before August, 1914, when of course he could not fix precisely
+the chronology and locality of his fights, he has mixed almost
+indiscriminately the record of his own actual experiences during two
+distinct phases of the War. Not until the last page does he abandon the
+jest to explain--with something of a school-boy grin--just where fact and
+fiction meet, and so enable me to recover from my bewilderment and pass on
+a word of warning. Once on your guard, however, you will find his story of
+the _Servants of the Guns_ (SMITH, ELDER), and more especially the first
+half of it (dealing, in diary form, with his recent adventures as an
+officer of Artillery--he does not state his present rank), as vivid and
+real as anything of the sort you have seen. Field-gun warfare of
+to-day--mathematics, telephones and mud--with little more of old-time dash
+and jingle than the hope that some to-morrow may revive them in the Great
+Pursuit--this is his theme; and above all the loyalty of the gunner to his
+guns. Even the story-book part in the middle of the volume speaks of this
+finely and movingly; but here and there amongst his personal experiences
+comes a passage less consciously composed that tells it even better in the
+bareness of a great simplicity.
+
+ * * * * *
+
+Mr. J.D. BERESFORD'S new story, _House-Mates_ (CASSELL), might be regarded
+as an awful warning to young gentlemen seeking bachelor-apartments.
+Because, if the hero had been a little more careful about his
+fellow-lodgers at No. 73 Keppel Street, he would not, in the first place,
+have been defrauded of a large sum of money, or, in the second, have been
+involved in a peculiarly revolting murder. (The special hatefulness of this
+murder strikes me as rather superfluous. But this by the way.) On the other
+hand, of course, he would never have married the heroine, and we should
+have missed a very agreeable study of expanding adolescence. This, I take
+it, is the real motive of Mr. BERESFORD'S story, as exemplified by his
+pleasant introductory metaphor of the chicken and the egg. From the
+feminine point of view, indeed, the tale might be not inaptly labelled
+"Treatise on Cub-hunting." Anyhow, what with strange actresses and I.D.B.
+criminals and painted ladies and reviewers (they _were_ a queer lot at No.
+73!) the hero completes his tenancy with enough experience of life, chiefly
+on its shadowy side, to last him for some time. An original and rather
+appealing story, told with a good deal of charm.
+
+ * * * * *
+
+I was waiting for it, and now, behold, it has come. In _The Shining
+Heights_ (MILLS AND BOON) the War is over and we have to do with some of
+the results of it. Unfortunately Miss I.A.R. WYLIE is very chary about
+dates, and she is not encouraging about the changes which most of us hope
+will come with peace. "Social conditions indeed," she writes, "had scarcely
+moved. Universal brotherhood was not ... and, for the vast majority of men
+and women it had been easiest to go back to the old work, the old pleasure,
+the old love and the old hate." Well, I don't know much about universal
+brotherhood, but for the rest I sincerely hope that these gloomy
+prognostications are wrong. As for the story, laid in the Delectable Duchy,
+no one needs to be told that Miss WYLIE is a novelist of considerable power
+and capacity, and here she has chosen a theme of very real interest. It is
+the rivalry of two men, one of whom had returned from the War with wounds
+and a V.C., while the other had never taken part in it because he believed
+(with justification) that he was on the point of making a discovery of
+value to humanity. The story is well constructed and well told, but I am
+beginning to think that it is time for Cornwall to be declared a prohibited
+area for all novelists except Mr. CHARLES MARRIOTT and "Q."
+
+ * * * * *
+
+Yet more theatrical recollections. The latest volume of them is _My
+Remembrances_ (CASSELL), in which Mr. EDWARD H. SOTHERN recounts, with the
+pleasant humour to be expected from him, what he quaintly (and quite
+unjustifiably) calls "The Melancholy Tale of Me." One has heard that Mr.
+SOTHERN, now that he has retired from the stage, proposes to live in
+England; the book explains such an intention by its evidence of the
+writer's intense love for this country. Naturally he has a rich stock of
+good stories, amongst which I was delighted to welcome yet once again that
+old favourite about the departing spectator who, on being told that two
+Acts remained to be performed, said briefly, "That's why I'm going!" Newer
+(to me) was the _Dundreary_ tale that told how the elder SOTHERN'S triumph
+was actually the result of JEFFERSON'S partiality for horse-exercise. The
+connection I leave you to find out. Like all volumes of its kind, _My
+Remembrances_ abounds in photographs. At times, indeed, you may be tempted
+to consider that the domain of the family portrait album has been too
+largely usurped. But there is even about this a friendliness which, coupled
+with the brisk style of its writing, will give the book a popularity as
+wide as that of its author.
+
+ * * * * *
+
+We all know that Mr. WILLIAM CAINE has a gay humour, and he indulges it
+liberally, sometimes rollickingly, in _The Fan_. With a candour which I
+warmly commend he states conspicuously that most of these stories have
+appeared before, and he expresses his acknowledgments to various Editors
+over a widish range--from _Macmillan's Magazine_ to _London Opinion_, and
+from _The English Review_ to _Answers_. It would be an innocent diversion
+to have to guess which story was written for which Editor. But for whatever
+public the author caters he is, with only one or two exceptions, out for
+fun, and he gets it. Some of his stories are pure extravaganzas, but they
+are written in a style unusually good for this kind, and by a very shrewd
+observer of human foibles. Messrs. METHUEN tell us that Mr. CAINE "views
+life from an angle all his own," and although I do not often find myself in
+agreement with publishers' opinions of their own wares it is to me a right
+angle.
+
+ * * * * *
+
+[Illustration: THE ECONOMIC ERA.
+
+PROVIDE YOUR OWN WATER SUPPLY AND RELEASE A WATER-RATE COLLECTOR.]
+
+ * * * * *
+
+ "THE FOOD HOARDERS THREATENED.
+
+ NOT MORE THAN 1 TON OF COAL AT A TIME."--_Daily News._
+
+Then, as the vulgar have it, the food-hoarders will just have to go and eat
+coke.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+152, March 28, 1917, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 14856.txt or 14856.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/8/5/14856/
+
+Produced by Jonathan Ingram, Keith Edkins and the PG Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/14856.zip b/14856.zip
new file mode 100644
index 0000000..3d38a7b
--- /dev/null
+++ b/14856.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..f28465c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #14856 (https://www.gutenberg.org/ebooks/14856)