summaryrefslogtreecommitdiff
path: root/1467-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '1467-0.txt')
-rw-r--r--1467-0.txt2383
1 files changed, 2383 insertions, 0 deletions
diff --git a/1467-0.txt b/1467-0.txt
new file mode 100644
index 0000000..29bfcc2
--- /dev/null
+++ b/1467-0.txt
@@ -0,0 +1,2383 @@
+The Project Gutenberg eBook, Some Christmas Stories, by Charles Dickens
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: Some Christmas Stories
+
+
+Author: Charles Dickens
+
+
+
+Release Date: May 6, 2015 [eBook #1467]
+[This file was first posted in June/July 1998]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK SOME CHRISTMAS STORIES***
+
+
+Transcribed from the 1911 Chapman and Hall Christmas Stories edition,
+Volume 1, by David Price, email ccx074@pglaf.org
+
+
+
+
+
+ SOME SHORT CHRISTMAS STORIES
+ by
+ CHARLES DICKENS
+
+
+CONTENTS.
+
+ PAGE
+A Christmas Tree 1
+What Christmas is as we Grow Older 23
+The Poor Relation’s Story 31
+The Child’s Story 47
+The Schoolboy’s Story 55
+Nobody’s Story 69
+
+
+
+
+A CHRISTMAS TREE.
+[1850]
+
+
+I HAVE been looking on, this evening, at a merry company of children
+assembled round that pretty German toy, a Christmas Tree. The tree was
+planted in the middle of a great round table, and towered high above
+their heads. It was brilliantly lighted by a multitude of little tapers;
+and everywhere sparkled and glittered with bright objects. There were
+rosy-cheeked dolls, hiding behind the green leaves; and there were real
+watches (with movable hands, at least, and an endless capacity of being
+wound up) dangling from innumerable twigs; there were French-polished
+tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other
+articles of domestic furniture (wonderfully made, in tin, at
+Wolverhampton), perched among the boughs, as if in preparation for some
+fairy housekeeping; there were jolly, broad-faced little men, much more
+agreeable in appearance than many real men—and no wonder, for their heads
+took off, and showed them to be full of sugar-plums; there were fiddles
+and drums; there were tambourines, books, work-boxes, paint-boxes,
+sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were
+trinkets for the elder girls, far brighter than any grown-up gold and
+jewels; there were baskets and pincushions in all devices; there were
+guns, swords, and banners; there were witches standing in enchanted rings
+of pasteboard, to tell fortunes; there were teetotums, humming-tops,
+needle-cases, pen-wipers, smelling-bottles, conversation-cards,
+bouquet-holders; real fruit, made artificially dazzling with gold leaf;
+imitation apples, pears, and walnuts, crammed with surprises; in short,
+as a pretty child, before me, delightedly whispered to another pretty
+child, her bosom friend, “There was everything, and more.” This motley
+collection of odd objects, clustering on the tree like magic fruit, and
+flashing back the bright looks directed towards it from every side—some
+of the diamond-eyes admiring it were hardly on a level with the table,
+and a few were languishing in timid wonder on the bosoms of pretty
+mothers, aunts, and nurses—made a lively realisation of the fancies of
+childhood; and set me thinking how all the trees that grow and all the
+things that come into existence on the earth, have their wild adornments
+at that well-remembered time.
+
+Being now at home again, and alone, the only person in the house awake,
+my thoughts are drawn back, by a fascination which I do not care to
+resist, to my own childhood. I begin to consider, what do we all
+remember best upon the branches of the Christmas Tree of our own young
+Christmas days, by which we climbed to real life.
+
+Straight, in the middle of the room, cramped in the freedom of its growth
+by no encircling walls or soon-reached ceiling, a shadowy tree arises;
+and, looking up into the dreamy brightness of its top—for I observe in
+this tree the singular property that it appears to grow downward towards
+the earth—I look into my youngest Christmas recollections!
+
+All toys at first, I find. Up yonder, among the green holly and red
+berries, is the Tumbler with his hands in his pockets, who wouldn’t lie
+down, but whenever he was put upon the floor, persisted in rolling his
+fat body about, until he rolled himself still, and brought those lobster
+eyes of his to bear upon me—when I affected to laugh very much, but in my
+heart of hearts was extremely doubtful of him. Close beside him is that
+infernal snuff-box, out of which there sprang a demoniacal Counsellor in
+a black gown, with an obnoxious head of hair, and a red cloth mouth, wide
+open, who was not to be endured on any terms, but could not be put away
+either; for he used suddenly, in a highly magnified state, to fly out of
+Mammoth Snuff-boxes in dreams, when least expected. Nor is the frog with
+cobbler’s wax on his tail, far off; for there was no knowing where he
+wouldn’t jump; and when he flew over the candle, and came upon one’s hand
+with that spotted back—red on a green ground—he was horrible. The
+cardboard lady in a blue-silk skirt, who was stood up against the
+candlestick to dance, and whom I see on the same branch, was milder, and
+was beautiful; but I can’t say as much for the larger cardboard man, who
+used to be hung against the wall and pulled by a string; there was a
+sinister expression in that nose of his; and when he got his legs round
+his neck (which he very often did), he was ghastly, and not a creature to
+be alone with.
+
+When did that dreadful Mask first look at me? Who put it on, and why was
+I so frightened that the sight of it is an era in my life? It is not a
+hideous visage in itself; it is even meant to be droll, why then were its
+stolid features so intolerable? Surely not because it hid the wearer’s
+face. An apron would have done as much; and though I should have
+preferred even the apron away, it would not have been absolutely
+insupportable, like the mask. Was it the immovability of the mask? The
+doll’s face was immovable, but I was not afraid of _her_. Perhaps that
+fixed and set change coming over a real face, infused into my quickened
+heart some remote suggestion and dread of the universal change that is to
+come on every face, and make it still? Nothing reconciled me to it. No
+drummers, from whom proceeded a melancholy chirping on the turning of a
+handle; no regiment of soldiers, with a mute band, taken out of a box,
+and fitted, one by one, upon a stiff and lazy little set of lazy-tongs;
+no old woman, made of wires and a brown-paper composition, cutting up a
+pie for two small children; could give me a permanent comfort, for a long
+time. Nor was it any satisfaction to be shown the Mask, and see that it
+was made of paper, or to have it locked up and be assured that no one
+wore it. The mere recollection of that fixed face, the mere knowledge of
+its existence anywhere, was sufficient to awake me in the night all
+perspiration and horror, with, “O I know it’s coming! O the mask!”
+
+I never wondered what the dear old donkey with the panniers—there he is!
+was made of, then! His hide was real to the touch, I recollect. And the
+great black horse with the round red spots all over him—the horse that I
+could even get upon—I never wondered what had brought him to that strange
+condition, or thought that such a horse was not commonly seen at
+Newmarket. The four horses of no colour, next to him, that went into the
+waggon of cheeses, and could be taken out and stabled under the piano,
+appear to have bits of fur-tippet for their tails, and other bits for
+their manes, and to stand on pegs instead of legs, but it was not so when
+they were brought home for a Christmas present. They were all right,
+then; neither was their harness unceremoniously nailed into their chests,
+as appears to be the case now. The tinkling works of the music-cart, I
+_did_ find out, to be made of quill tooth-picks and wire; and I always
+thought that little tumbler in his shirt sleeves, perpetually swarming up
+one side of a wooden frame, and coming down, head foremost, on the other,
+rather a weak-minded person—though good-natured; but the Jacob’s Ladder,
+next him, made of little squares of red wood, that went flapping and
+clattering over one another, each developing a different picture, and the
+whole enlivened by small bells, was a mighty marvel and a great delight.
+
+Ah! The Doll’s house!—of which I was not proprietor, but where I
+visited. I don’t admire the Houses of Parliament half so much as that
+stone-fronted mansion with real glass windows, and door-steps, and a real
+balcony—greener than I ever see now, except at watering places; and even
+they afford but a poor imitation. And though it _did_ open all at once,
+the entire house-front (which was a blow, I admit, as cancelling the
+fiction of a staircase), it was but to shut it up again, and I could
+believe. Even open, there were three distinct rooms in it: a
+sitting-room and bed-room, elegantly furnished, and best of all, a
+kitchen, with uncommonly soft fire-irons, a plentiful assortment of
+diminutive utensils—oh, the warming-pan!—and a tin man-cook in profile,
+who was always going to fry two fish. What Barmecide justice have I done
+to the noble feasts wherein the set of wooden platters figured, each with
+its own peculiar delicacy, as a ham or turkey, glued tight on to it, and
+garnished with something green, which I recollect as moss! Could all the
+Temperance Societies of these later days, united, give me such a
+tea-drinking as I have had through the means of yonder little set of blue
+crockery, which really would hold liquid (it ran out of the small wooden
+cask, I recollect, and tasted of matches), and which made tea, nectar.
+And if the two legs of the ineffectual little sugar-tongs did tumble over
+one another, and want purpose, like Punch’s hands, what does it matter?
+And if I did once shriek out, as a poisoned child, and strike the
+fashionable company with consternation, by reason of having drunk a
+little teaspoon, inadvertently dissolved in too hot tea, I was never the
+worse for it, except by a powder!
+
+Upon the next branches of the tree, lower down, hard by the green roller
+and miniature gardening-tools, how thick the books begin to hang. Thin
+books, in themselves, at first, but many of them, and with deliciously
+smooth covers of bright red or green. What fat black letters to begin
+with! “A was an archer, and shot at a frog.” Of course he was. He was
+an apple-pie also, and there he is! He was a good many things in his
+time, was A, and so were most of his friends, except X, who had so little
+versatility, that I never knew him to get beyond Xerxes or Xantippe—like
+Y, who was always confined to a Yacht or a Yew Tree; and Z condemned for
+ever to be a Zebra or a Zany. But, now, the very tree itself changes,
+and becomes a bean-stalk—the marvellous bean-stalk up which Jack climbed
+to the Giant’s house! And now, those dreadfully interesting,
+double-headed giants, with their clubs over their shoulders, begin to
+stride along the boughs in a perfect throng, dragging knights and ladies
+home for dinner by the hair of their heads. And Jack—how noble, with his
+sword of sharpness, and his shoes of swiftness! Again those old
+meditations come upon me as I gaze up at him; and I debate within myself
+whether there was more than one Jack (which I am loth to believe
+possible), or only one genuine original admirable Jack, who achieved all
+the recorded exploits.
+
+Good for Christmas-time is the ruddy colour of the cloak, in which—the
+tree making a forest of itself for her to trip through, with her
+basket—Little Red Riding-Hood comes to me one Christmas Eve to give me
+information of the cruelty and treachery of that dissembling Wolf who ate
+her grandmother, without making any impression on his appetite, and then
+ate her, after making that ferocious joke about his teeth. She was my
+first love. I felt that if I could have married Little Red Riding-Hood,
+I should have known perfect bliss. But, it was not to be; and there was
+nothing for it but to look out the Wolf in the Noah’s Ark there, and put
+him late in the procession on the table, as a monster who was to be
+degraded. O the wonderful Noah’s Ark! It was not found seaworthy when
+put in a washing-tub, and the animals were crammed in at the roof, and
+needed to have their legs well shaken down before they could be got in,
+even there—and then, ten to one but they began to tumble out at the door,
+which was but imperfectly fastened with a wire latch—but what was _that_
+against it! Consider the noble fly, a size or two smaller than the
+elephant: the lady-bird, the butterfly—all triumphs of art! Consider the
+goose, whose feet were so small, and whose balance was so indifferent,
+that he usually tumbled forward, and knocked down all the animal
+creation. Consider Noah and his family, like idiotic tobacco-stoppers;
+and how the leopard stuck to warm little fingers; and how the tails of
+the larger animals used gradually to resolve themselves into frayed bits
+of string!
+
+Hush! Again a forest, and somebody up in a tree—not Robin Hood, not
+Valentine, not the Yellow Dwarf (I have passed him and all Mother Bunch’s
+wonders, without mention), but an Eastern King with a glittering scimitar
+and turban. By Allah! two Eastern Kings, for I see another, looking over
+his shoulder! Down upon the grass, at the tree’s foot, lies the full
+length of a coal-black Giant, stretched asleep, with his head in a lady’s
+lap; and near them is a glass box, fastened with four locks of shining
+steel, in which he keeps the lady prisoner when he is awake. I see the
+four keys at his girdle now. The lady makes signs to the two kings in
+the tree, who softly descend. It is the setting-in of the bright Arabian
+Nights.
+
+Oh, now all common things become uncommon and enchanted to me. All lamps
+are wonderful; all rings are talismans. Common flower-pots are full of
+treasure, with a little earth scattered on the top; trees are for Ali
+Baba to hide in; beef-steaks are to throw down into the Valley of
+Diamonds, that the precious stones may stick to them, and be carried by
+the eagles to their nests, whence the traders, with loud cries, will
+scare them. Tarts are made, according to the recipe of the Vizier’s son
+of Bussorah, who turned pastrycook after he was set down in his drawers
+at the gate of Damascus; cobblers are all Mustaphas, and in the habit of
+sewing up people cut into four pieces, to whom they are taken blind-fold.
+
+Any iron ring let into stone is the entrance to a cave which only waits
+for the magician, and the little fire, and the necromancy, that will make
+the earth shake. All the dates imported come from the same tree as that
+unlucky date, with whose shell the merchant knocked out the eye of the
+genie’s invisible son. All olives are of the stock of that fresh fruit,
+concerning which the Commander of the Faithful overheard the boy conduct
+the fictitious trial of the fraudulent olive merchant; all apples are
+akin to the apple purchased (with two others) from the Sultan’s gardener
+for three sequins, and which the tall black slave stole from the child.
+All dogs are associated with the dog, really a transformed man, who
+jumped upon the baker’s counter, and put his paw on the piece of bad
+money. All rice recalls the rice which the awful lady, who was a ghoule,
+could only peck by grains, because of her nightly feasts in the
+burial-place. My very rocking-horse,—there he is, with his nostrils
+turned completely inside-out, indicative of Blood!—should have a peg in
+his neck, by virtue thereof to fly away with me, as the wooden horse did
+with the Prince of Persia, in the sight of all his father’s Court.
+
+Yes, on every object that I recognise among those upper branches of my
+Christmas Tree, I see this fairy light! When I wake in bed, at daybreak,
+on the cold, dark, winter mornings, the white snow dimly beheld, outside,
+through the frost on the window-pane, I hear Dinarzade. “Sister, sister,
+if you are yet awake, I pray you finish the history of the Young King of
+the Black Islands.” Scheherazade replies, “If my lord the Sultan will
+suffer me to live another day, sister, I will not only finish that, but
+tell you a more wonderful story yet.” Then, the gracious Sultan goes
+out, giving no orders for the execution, and we all three breathe again.
+
+At this height of my tree I begin to see, cowering among the leaves—it
+may be born of turkey, or of pudding, or mince pie, or of these many
+fancies, jumbled with Robinson Crusoe on his desert island, Philip Quarll
+among the monkeys, Sandford and Merton with Mr. Barlow, Mother Bunch, and
+the Mask—or it may be the result of indigestion, assisted by imagination
+and over-doctoring—a prodigious nightmare. It is so exceedingly
+indistinct, that I don’t know why it’s frightful—but I know it is. I can
+only make out that it is an immense array of shapeless things, which
+appear to be planted on a vast exaggeration of the lazy-tongs that used
+to bear the toy soldiers, and to be slowly coming close to my eyes, and
+receding to an immeasurable distance. When it comes closest, it is
+worse. In connection with it I descry remembrances of winter nights
+incredibly long; of being sent early to bed, as a punishment for some
+small offence, and waking in two hours, with a sensation of having been
+asleep two nights; of the laden hopelessness of morning ever dawning; and
+the oppression of a weight of remorse.
+
+And now, I see a wonderful row of little lights rise smoothly out of the
+ground, before a vast green curtain. Now, a bell rings—a magic bell,
+which still sounds in my ears unlike all other bells—and music plays,
+amidst a buzz of voices, and a fragrant smell of orange-peel and oil.
+Anon, the magic bell commands the music to cease, and the great green
+curtain rolls itself up majestically, and The Play begins! The devoted
+dog of Montargis avenges the death of his master, foully murdered in the
+Forest of Bondy; and a humorous Peasant with a red nose and a very little
+hat, whom I take from this hour forth to my bosom as a friend (I think he
+was a Waiter or an Hostler at a village Inn, but many years have passed
+since he and I have met), remarks that the sassigassity of that dog is
+indeed surprising; and evermore this jocular conceit will live in my
+remembrance fresh and unfading, overtopping all possible jokes, unto the
+end of time. Or now, I learn with bitter tears how poor Jane Shore,
+dressed all in white, and with her brown hair hanging down, went starving
+through the streets; or how George Barnwell killed the worthiest uncle
+that ever man had, and was afterwards so sorry for it that he ought to
+have been let off. Comes swift to comfort me, the Pantomime—stupendous
+Phenomenon!—when clowns are shot from loaded mortars into the great
+chandelier, bright constellation that it is; when Harlequins, covered all
+over with scales of pure gold, twist and sparkle, like amazing fish; when
+Pantaloon (whom I deem it no irreverence to compare in my own mind to my
+grandfather) puts red-hot pokers in his pocket, and cries “Here’s
+somebody coming!” or taxes the Clown with petty larceny, by saying, “Now,
+I sawed you do it!” when Everything is capable, with the greatest ease,
+of being changed into Anything; and “Nothing is, but thinking makes it
+so.” Now, too, I perceive my first experience of the dreary
+sensation—often to return in after-life—of being unable, next day, to get
+back to the dull, settled world; of wanting to live for ever in the
+bright atmosphere I have quitted; of doting on the little Fairy, with the
+wand like a celestial Barber’s Pole, and pining for a Fairy immortality
+along with her. Ah, she comes back, in many shapes, as my eye wanders
+down the branches of my Christmas Tree, and goes as often, and has never
+yet stayed by me!
+
+Out of this delight springs the toy-theatre,—there it is, with its
+familiar proscenium, and ladies in feathers, in the boxes!—and all its
+attendant occupation with paste and glue, and gum, and water colours, in
+the getting-up of The Miller and his Men, and Elizabeth, or the Exile of
+Siberia. In spite of a few besetting accidents and failures
+(particularly an unreasonable disposition in the respectable Kelmar, and
+some others, to become faint in the legs, and double up, at exciting
+points of the drama), a teeming world of fancies so suggestive and
+all-embracing, that, far below it on my Christmas Tree, I see dark,
+dirty, real Theatres in the day-time, adorned with these associations as
+with the freshest garlands of the rarest flowers, and charming me yet.
+
+But hark! The Waits are playing, and they break my childish sleep! What
+images do I associate with the Christmas music as I see them set forth on
+the Christmas Tree? Known before all the others, keeping far apart from
+all the others, they gather round my little bed. An angel, speaking to a
+group of shepherds in a field; some travellers, with eyes uplifted,
+following a star; a baby in a manger; a child in a spacious temple,
+talking with grave men; a solemn figure, with a mild and beautiful face,
+raising a dead girl by the hand; again, near a city gate, calling back
+the son of a widow, on his bier, to life; a crowd of people looking
+through the opened roof of a chamber where he sits, and letting down a
+sick person on a bed, with ropes; the same, in a tempest, walking on the
+water to a ship; again, on a sea-shore, teaching a great multitude;
+again, with a child upon his knee, and other children round; again,
+restoring sight to the blind, speech to the dumb, hearing to the deaf,
+health to the sick, strength to the lame, knowledge to the ignorant;
+again, dying upon a Cross, watched by armed soldiers, a thick darkness
+coming on, the earth beginning to shake, and only one voice heard,
+“Forgive them, for they know not what they do.”
+
+Still, on the lower and maturer branches of the Tree, Christmas
+associations cluster thick. School-books shut up; Ovid and Virgil
+silenced; the Rule of Three, with its cool impertinent inquiries, long
+disposed of; Terence and Plautus acted no more, in an arena of huddled
+desks and forms, all chipped, and notched, and inked; cricket-bats,
+stumps, and balls, left higher up, with the smell of trodden grass and
+the softened noise of shouts in the evening air; the tree is still fresh,
+still gay. If I no more come home at Christmas-time, there will be boys
+and girls (thank Heaven!) while the World lasts; and they do! Yonder
+they dance and play upon the branches of my Tree, God bless them,
+merrily, and my heart dances and plays too!
+
+And I do come home at Christmas. We all do, or we all should. We all
+come home, or ought to come home, for a short holiday—the longer, the
+better—from the great boarding-school, where we are for ever working at
+our arithmetical slates, to take, and give a rest. As to going a
+visiting, where can we not go, if we will; where have we not been, when
+we would; starting our fancy from our Christmas Tree!
+
+Away into the winter prospect. There are many such upon the tree! On,
+by low-lying, misty grounds, through fens and fogs, up long hills,
+winding dark as caverns between thick plantations, almost shutting out
+the sparkling stars; so, out on broad heights, until we stop at last,
+with sudden silence, at an avenue. The gate-bell has a deep, half-awful
+sound in the frosty air; the gate swings open on its hinges; and, as we
+drive up to a great house, the glancing lights grow larger in the
+windows, and the opposing rows of trees seem to fall solemnly back on
+either side, to give us place. At intervals, all day, a frightened hare
+has shot across this whitened turf; or the distant clatter of a herd of
+deer trampling the hard frost, has, for the minute, crushed the silence
+too. Their watchful eyes beneath the fern may be shining now, if we
+could see them, like the icy dewdrops on the leaves; but they are still,
+and all is still. And so, the lights growing larger, and the trees
+falling back before us, and closing up again behind us, as if to forbid
+retreat, we come to the house.
+
+There is probably a smell of roasted chestnuts and other good comfortable
+things all the time, for we are telling Winter Stories—Ghost Stories, or
+more shame for us—round the Christmas fire; and we have never stirred,
+except to draw a little nearer to it. But, no matter for that. We came
+to the house, and it is an old house, full of great chimneys where wood
+is burnt on ancient dogs upon the hearth, and grim portraits (some of
+them with grim legends, too) lower distrustfully from the oaken panels of
+the walls. We are a middle-aged nobleman, and we make a generous supper
+with our host and hostess and their guests—it being Christmas-time, and
+the old house full of company—and then we go to bed. Our room is a very
+old room. It is hung with tapestry. We don’t like the portrait of a
+cavalier in green, over the fireplace. There are great black beams in
+the ceiling, and there is a great black bedstead, supported at the foot
+by two great black figures, who seem to have come off a couple of tombs
+in the old baronial church in the park, for our particular accommodation.
+But, we are not a superstitious nobleman, and we don’t mind. Well! we
+dismiss our servant, lock the door, and sit before the fire in our
+dressing-gown, musing about a great many things. At length we go to bed.
+Well! we can’t sleep. We toss and tumble, and can’t sleep. The embers
+on the hearth burn fitfully and make the room look ghostly. We can’t
+help peeping out over the counterpane, at the two black figures and the
+cavalier—that wicked-looking cavalier—in green. In the flickering light
+they seem to advance and retire: which, though we are not by any means a
+superstitious nobleman, is not agreeable. Well! we get nervous—more and
+more nervous. We say “This is very foolish, but we can’t stand this;
+we’ll pretend to be ill, and knock up somebody.” Well! we are just going
+to do it, when the locked door opens, and there comes in a young woman,
+deadly pale, and with long fair hair, who glides to the fire, and sits
+down in the chair we have left there, wringing her hands. Then, we
+notice that her clothes are wet. Our tongue cleaves to the roof of our
+mouth, and we can’t speak; but, we observe her accurately. Her clothes
+are wet; her long hair is dabbled with moist mud; she is dressed in the
+fashion of two hundred years ago; and she has at her girdle a bunch of
+rusty keys. Well! there she sits, and we can’t even faint, we are in
+such a state about it. Presently she gets up, and tries all the locks in
+the room with the rusty keys, which won’t fit one of them; then, she
+fixes her eyes on the portrait of the cavalier in green, and says, in a
+low, terrible voice, “The stags know it!” After that, she wrings her
+hands again, passes the bedside, and goes out at the door. We hurry on
+our dressing-gown, seize our pistols (we always travel with pistols), and
+are following, when we find the door locked. We turn the key, look out
+into the dark gallery; no one there. We wander away, and try to find our
+servant. Can’t be done. We pace the gallery till daybreak; then return
+to our deserted room, fall asleep, and are awakened by our servant
+(nothing ever haunts him) and the shining sun. Well! we make a wretched
+breakfast, and all the company say we look queer. After breakfast, we go
+over the house with our host, and then we take him to the portrait of the
+cavalier in green, and then it all comes out. He was false to a young
+housekeeper once attached to that family, and famous for her beauty, who
+drowned herself in a pond, and whose body was discovered, after a long
+time, because the stags refused to drink of the water. Since which, it
+has been whispered that she traverses the house at midnight (but goes
+especially to that room where the cavalier in green was wont to sleep),
+trying the old locks with the rusty keys. Well! we tell our host of what
+we have seen, and a shade comes over his features, and he begs it may be
+hushed up; and so it is. But, it’s all true; and we said so, before we
+died (we are dead now) to many responsible people.
+
+There is no end to the old houses, with resounding galleries, and dismal
+state-bedchambers, and haunted wings shut up for many years, through
+which we may ramble, with an agreeable creeping up our back, and
+encounter any number of ghosts, but (it is worthy of remark perhaps)
+reducible to a very few general types and classes; for, ghosts have
+little originality, and “walk” in a beaten track. Thus, it comes to
+pass, that a certain room in a certain old hall, where a certain bad
+lord, baronet, knight, or gentleman, shot himself, has certain planks in
+the floor from which the blood _will not_ be taken out. You may scrape
+and scrape, as the present owner has done, or plane and plane, as his
+father did, or scrub and scrub, as his grandfather did, or burn and burn
+with strong acids, as his great-grandfather did, but, there the blood
+will still be—no redder and no paler—no more and no less—always just the
+same. Thus, in such another house there is a haunted door, that never
+will keep open; or another door that never will keep shut, or a haunted
+sound of a spinning-wheel, or a hammer, or a footstep, or a cry, or a
+sigh, or a horse’s tramp, or the rattling of a chain. Or else, there is
+a turret-clock, which, at the midnight hour, strikes thirteen when the
+head of the family is going to die; or a shadowy, immovable black
+carriage which at such a time is always seen by somebody, waiting near
+the great gates in the stable-yard. Or thus, it came to pass how Lady
+Mary went to pay a visit at a large wild house in the Scottish Highlands,
+and, being fatigued with her long journey, retired to bed early, and
+innocently said, next morning, at the breakfast-table, “How odd, to have
+so late a party last night, in this remote place, and not to tell me of
+it, before I went to bed!” Then, every one asked Lady Mary what she
+meant? Then, Lady Mary replied, “Why, all night long, the carriages were
+driving round and round the terrace, underneath my window!” Then, the
+owner of the house turned pale, and so did his Lady, and Charles
+Macdoodle of Macdoodle signed to Lady Mary to say no more, and every one
+was silent. After breakfast, Charles Macdoodle told Lady Mary that it
+was a tradition in the family that those rumbling carriages on the
+terrace betokened death. And so it proved, for, two months afterwards,
+the Lady of the mansion died. And Lady Mary, who was a Maid of Honour at
+Court, often told this story to the old Queen Charlotte; by this token
+that the old King always said, “Eh, eh? What, what? Ghosts, ghosts? No
+such thing, no such thing!” And never left off saying so, until he went
+to bed.
+
+Or, a friend of somebody’s whom most of us know, when he was a young man
+at college, had a particular friend, with whom he made the compact that,
+if it were possible for the Spirit to return to this earth after its
+separation from the body, he of the twain who first died, should reappear
+to the other. In course of time, this compact was forgotten by our
+friend; the two young men having progressed in life, and taken diverging
+paths that were wide asunder. But, one night, many years afterwards, our
+friend being in the North of England, and staying for the night in an
+inn, on the Yorkshire Moors, happened to look out of bed; and there, in
+the moonlight, leaning on a bureau near the window, steadfastly regarding
+him, saw his old college friend! The appearance being solemnly
+addressed, replied, in a kind of whisper, but very audibly, “Do not come
+near me. I am dead. I am here to redeem my promise. I come from
+another world, but may not disclose its secrets!” Then, the whole form
+becoming paler, melted, as it were, into the moonlight, and faded away.
+
+Or, there was the daughter of the first occupier of the picturesque
+Elizabethan house, so famous in our neighbourhood. You have heard about
+her? No! Why, _She_ went out one summer evening at twilight, when she
+was a beautiful girl, just seventeen years of age, to gather flowers in
+the garden; and presently came running, terrified, into the hall to her
+father, saying, “Oh, dear father, I have met myself!” He took her in his
+arms, and told her it was fancy, but she said, “Oh no! I met myself in
+the broad walk, and I was pale and gathering withered flowers, and I
+turned my head, and held them up!” And, that night, she died; and a
+picture of her story was begun, though never finished, and they say it is
+somewhere in the house to this day, with its face to the wall.
+
+Or, the uncle of my brother’s wife was riding home on horseback, one
+mellow evening at sunset, when, in a green lane close to his own house,
+he saw a man standing before him, in the very centre of a narrow way.
+“Why does that man in the cloak stand there!” he thought. “Does he want
+me to ride over him?” But the figure never moved. He felt a strange
+sensation at seeing it so still, but slackened his trot and rode forward.
+When he was so close to it, as almost to touch it with his stirrup, his
+horse shied, and the figure glided up the bank, in a curious, unearthly
+manner—backward, and without seeming to use its feet—and was gone. The
+uncle of my brother’s wife, exclaiming, “Good Heaven! It’s my cousin
+Harry, from Bombay!” put spurs to his horse, which was suddenly in a
+profuse sweat, and, wondering at such strange behaviour, dashed round to
+the front of his house. There, he saw the same figure, just passing in
+at the long French window of the drawing-room, opening on the ground. He
+threw his bridle to a servant, and hastened in after it. His sister was
+sitting there, alone. “Alice, where’s my cousin Harry?” “Your cousin
+Harry, John?” “Yes. From Bombay. I met him in the lane just now, and
+saw him enter here, this instant.” Not a creature had been seen by any
+one; and in that hour and minute, as it afterwards appeared, this cousin
+died in India.
+
+Or, it was a certain sensible old maiden lady, who died at ninety-nine,
+and retained her faculties to the last, who really did see the Orphan
+Boy; a story which has often been incorrectly told, but, of which the
+real truth is this—because it is, in fact, a story belonging to our
+family—and she was a connexion of our family. When she was about forty
+years of age, and still an uncommonly fine woman (her lover died young,
+which was the reason why she never married, though she had many offers),
+she went to stay at a place in Kent, which her brother, an
+Indian-Merchant, had newly bought. There was a story that this place had
+once been held in trust by the guardian of a young boy; who was himself
+the next heir, and who killed the young boy by harsh and cruel treatment.
+She knew nothing of that. It has been said that there was a Cage in her
+bedroom in which the guardian used to put the boy. There was no such
+thing. There was only a closet. She went to bed, made no alarm whatever
+in the night, and in the morning said composedly to her maid when she
+came in, “Who is the pretty forlorn-looking child who has been peeping
+out of that closet all night?” The maid replied by giving a loud scream,
+and instantly decamping. She was surprised; but she was a woman of
+remarkable strength of mind, and she dressed herself and went downstairs,
+and closeted herself with her brother. “Now, Walter,” she said, “I have
+been disturbed all night by a pretty, forlorn-looking boy, who has been
+constantly peeping out of that closet in my room, which I can’t open.
+This is some trick.” “I am afraid not, Charlotte,” said he, “for it is
+the legend of the house. It is the Orphan Boy. What did he do?” “He
+opened the door softly,” said she, “and peeped out. Sometimes, he came a
+step or two into the room. Then, I called to him, to encourage him, and
+he shrunk, and shuddered, and crept in again, and shut the door.” “The
+closet has no communication, Charlotte,” said her brother, “with any
+other part of the house, and it’s nailed up.” This was undeniably true,
+and it took two carpenters a whole forenoon to get it open, for
+examination. Then, she was satisfied that she had seen the Orphan Boy.
+But, the wild and terrible part of the story is, that he was also seen by
+three of her brother’s sons, in succession, who all died young. On the
+occasion of each child being taken ill, he came home in a heat, twelve
+hours before, and said, Oh, Mamma, he had been playing under a particular
+oak-tree, in a certain meadow, with a strange boy—a pretty,
+forlorn-looking boy, who was very timid, and made signs! From fatal
+experience, the parents came to know that this was the Orphan Boy, and
+that the course of that child whom he chose for his little playmate was
+surely run.
+
+Legion is the name of the German castles, where we sit up alone to wait
+for the Spectre—where we are shown into a room, made comparatively
+cheerful for our reception—where we glance round at the shadows, thrown
+on the blank walls by the crackling fire—where we feel very lonely when
+the village innkeeper and his pretty daughter have retired, after laying
+down a fresh store of wood upon the hearth, and setting forth on the
+small table such supper-cheer as a cold roast capon, bread, grapes, and a
+flask of old Rhine wine—where the reverberating doors close on their
+retreat, one after another, like so many peals of sullen thunder—and
+where, about the small hours of the night, we come into the knowledge of
+divers supernatural mysteries. Legion is the name of the haunted German
+students, in whose society we draw yet nearer to the fire, while the
+schoolboy in the corner opens his eyes wide and round, and flies off the
+footstool he has chosen for his seat, when the door accidentally blows
+open. Vast is the crop of such fruit, shining on our Christmas Tree; in
+blossom, almost at the very top; ripening all down the boughs!
+
+Among the later toys and fancies hanging there—as idle often and less
+pure—be the images once associated with the sweet old Waits, the softened
+music in the night, ever unalterable! Encircled by the social thoughts
+of Christmas-time, still let the benignant figure of my childhood stand
+unchanged! In every cheerful image and suggestion that the season
+brings, may the bright star that rested above the poor roof, be the star
+of all the Christian World! A moment’s pause, O vanishing tree, of which
+the lower boughs are dark to me as yet, and let me look once more! I
+know there are blank spaces on thy branches, where eyes that I have loved
+have shone and smiled; from which they are departed. But, far above, I
+see the raiser of the dead girl, and the Widow’s Son; and God is good!
+If Age be hiding for me in the unseen portion of thy downward growth, O
+may I, with a grey head, turn a child’s heart to that figure yet, and a
+child’s trustfulness and confidence!
+
+Now, the tree is decorated with bright merriment, and song, and dance,
+and cheerfulness. And they are welcome. Innocent and welcome be they
+ever held, beneath the branches of the Christmas Tree, which cast no
+gloomy shadow! But, as it sinks into the ground, I hear a whisper going
+through the leaves. “This, in commemoration of the law of love and
+kindness, mercy and compassion. This, in remembrance of Me!”
+
+
+
+
+WHAT CHRISTMAS IS AS WE GROW OLDER.
+[1851]
+
+
+TIME was, with most of us, when Christmas Day encircling all our limited
+world like a magic ring, left nothing out for us to miss or seek; bound
+together all our home enjoyments, affections, and hopes; grouped
+everything and every one around the Christmas fire; and made the little
+picture shining in our bright young eyes, complete.
+
+Time came, perhaps, all so soon, when our thoughts over-leaped that
+narrow boundary; when there was some one (very dear, we thought then,
+very beautiful, and absolutely perfect) wanting to the fulness of our
+happiness; when we were wanting too (or we thought so, which did just as
+well) at the Christmas hearth by which that some one sat; and when we
+intertwined with every wreath and garland of our life that some one’s
+name.
+
+That was the time for the bright visionary Christmases which have long
+arisen from us to show faintly, after summer rain, in the palest edges of
+the rainbow! That was the time for the beatified enjoyment of the things
+that were to be, and never were, and yet the things that were so real in
+our resolute hope that it would be hard to say, now, what realities
+achieved since, have been stronger!
+
+What! Did that Christmas never really come when we and the priceless
+pearl who was our young choice were received, after the happiest of
+totally impossible marriages, by the two united families previously at
+daggers—drawn on our account? When brothers and sisters-in-law who had
+always been rather cool to us before our relationship was effected,
+perfectly doted on us, and when fathers and mothers overwhelmed us with
+unlimited incomes? Was that Christmas dinner never really eaten, after
+which we arose, and generously and eloquently rendered honour to our late
+rival, present in the company, then and there exchanging friendship and
+forgiveness, and founding an attachment, not to be surpassed in Greek or
+Roman story, which subsisted until death? Has that same rival long
+ceased to care for that same priceless pearl, and married for money, and
+become usurious? Above all, do we really know, now, that we should
+probably have been miserable if we had won and worn the pearl, and that
+we are better without her?
+
+That Christmas when we had recently achieved so much fame; when we had
+been carried in triumph somewhere, for doing something great and good;
+when we had won an honoured and ennobled name, and arrived and were
+received at home in a shower of tears of joy; is it possible that _that_
+Christmas has not come yet?
+
+And is our life here, at the best, so constituted that, pausing as we
+advance at such a noticeable mile-stone in the track as this great
+birthday, we look back on the things that never were, as naturally and
+full as gravely as on the things that have been and are gone, or have
+been and still are? If it be so, and so it seems to be, must we come to
+the conclusion that life is little better than a dream, and little worth
+the loves and strivings that we crowd into it?
+
+No! Far be such miscalled philosophy from us, dear Reader, on Christmas
+Day! Nearer and closer to our hearts be the Christmas spirit, which is
+the spirit of active usefulness, perseverance, cheerful discharge of
+duty, kindness and forbearance! It is in the last virtues especially,
+that we are, or should be, strengthened by the unaccomplished visions of
+our youth; for, who shall say that they are not our teachers to deal
+gently even with the impalpable nothings of the earth!
+
+Therefore, as we grow older, let us be more thankful that the circle of
+our Christmas associations and of the lessons that they bring, expands!
+Let us welcome every one of them, and summon them to take their places by
+the Christmas hearth.
+
+Welcome, old aspirations, glittering creatures of an ardent fancy, to
+your shelter underneath the holly! We know you, and have not outlived
+you yet. Welcome, old projects and old loves, however fleeting, to your
+nooks among the steadier lights that burn around us. Welcome, all that
+was ever real to our hearts; and for the earnestness that made you real,
+thanks to Heaven! Do we build no Christmas castles in the clouds now?
+Let our thoughts, fluttering like butterflies among these flowers of
+children, bear witness! Before this boy, there stretches out a Future,
+brighter than we ever looked on in our old romantic time, but bright with
+honour and with truth. Around this little head on which the sunny curls
+lie heaped, the graces sport, as prettily, as airily, as when there was
+no scythe within the reach of Time to shear away the curls of our
+first-love. Upon another girl’s face near it—placider but smiling
+bright—a quiet and contented little face, we see Home fairly written.
+Shining from the word, as rays shine from a star, we see how, when our
+graves are old, other hopes than ours are young, other hearts than ours
+are moved; how other ways are smoothed; how other happiness blooms,
+ripens, and decays—no, not decays, for other homes and other bands of
+children, not yet in being nor for ages yet to be, arise, and bloom and
+ripen to the end of all!
+
+Welcome, everything! Welcome, alike what has been, and what never was,
+and what we hope may be, to your shelter underneath the holly, to your
+places round the Christmas fire, where what is sits open-hearted! In
+yonder shadow, do we see obtruding furtively upon the blaze, an enemy’s
+face? By Christmas Day we do forgive him! If the injury he has done us
+may admit of such companionship, let him come here and take his place.
+If otherwise, unhappily, let him go hence, assured that we will never
+injure nor accuse him.
+
+On this day we shut out Nothing!
+
+“Pause,” says a low voice. “Nothing? Think!”
+
+“On Christmas Day, we will shut out from our fireside, Nothing.”
+
+“Not the shadow of a vast City where the withered leaves are lying deep?”
+the voice replies. “Not the shadow that darkens the whole globe? Not
+the shadow of the City of the Dead?”
+
+Not even that. Of all days in the year, we will turn our faces towards
+that City upon Christmas Day, and from its silent hosts bring those we
+loved, among us. City of the Dead, in the blessed name wherein we are
+gathered together at this time, and in the Presence that is here among us
+according to the promise, we will receive, and not dismiss, thy people
+who are dear to us!
+
+Yes. We can look upon these children angels that alight, so solemnly, so
+beautifully among the living children by the fire, and can bear to think
+how they departed from us. Entertaining angels unawares, as the
+Patriarchs did, the playful children are unconscious of their guests; but
+we can see them—can see a radiant arm around one favourite neck, as if
+there were a tempting of that child away. Among the celestial figures
+there is one, a poor misshapen boy on earth, of a glorious beauty now, of
+whom his dying mother said it grieved her much to leave him here, alone,
+for so many years as it was likely would elapse before he came to
+her—being such a little child. But he went quickly, and was laid upon
+her breast, and in her hand she leads him.
+
+There was a gallant boy, who fell, far away, upon a burning sand beneath
+a burning sun, and said, “Tell them at home, with my last love, how much
+I could have wished to kiss them once, but that I died contented and had
+done my duty!” Or there was another, over whom they read the words,
+“Therefore we commit his body to the deep,” and so consigned him to the
+lonely ocean and sailed on. Or there was another, who lay down to his
+rest in the dark shadow of great forests, and, on earth, awoke no more.
+O shall they not, from sand and sea and forest, be brought home at such a
+time!
+
+There was a dear girl—almost a woman—never to be one—who made a mourning
+Christmas in a house of joy, and went her trackless way to the silent
+City. Do we recollect her, worn out, faintly whispering what could not
+be heard, and falling into that last sleep for weariness? O look upon
+her now! O look upon her beauty, her serenity, her changeless youth, her
+happiness! The daughter of Jairus was recalled to life, to die; but she,
+more blest, has heard the same voice, saying unto her, “Arise for ever!”
+
+We had a friend who was our friend from early days, with whom we often
+pictured the changes that were to come upon our lives, and merrily
+imagined how we would speak, and walk, and think, and talk, when we came
+to be old. His destined habitation in the City of the Dead received him
+in his prime. Shall he be shut out from our Christmas remembrance?
+Would his love have so excluded us? Lost friend, lost child, lost
+parent, sister, brother, husband, wife, we will not so discard you! You
+shall hold your cherished places in our Christmas hearts, and by our
+Christmas fires; and in the season of immortal hope, and on the birthday
+of immortal mercy, we will shut out Nothing!
+
+The winter sun goes down over town and village; on the sea it makes a
+rosy path, as if the Sacred tread were fresh upon the water. A few more
+moments, and it sinks, and night comes on, and lights begin to sparkle in
+the prospect. On the hill-side beyond the shapelessly-diffused town, and
+in the quiet keeping of the trees that gird the village-steeple,
+remembrances are cut in stone, planted in common flowers, growing in
+grass, entwined with lowly brambles around many a mound of earth. In
+town and village, there are doors and windows closed against the weather,
+there are flaming logs heaped high, there are joyful faces, there is
+healthy music of voices. Be all ungentleness and harm excluded from the
+temples of the Household Gods, but be those remembrances admitted with
+tender encouragement! They are of the time and all its comforting and
+peaceful reassurances; and of the history that re-united even upon earth
+the living and the dead; and of the broad beneficence and goodness that
+too many men have tried to tear to narrow shreds.
+
+
+
+
+THE POOR RELATION’S STORY.
+[1852]
+
+
+HE was very reluctant to take precedence of so many respected members of
+the family, by beginning the round of stories they were to relate as they
+sat in a goodly circle by the Christmas fire; and he modestly suggested
+that it would be more correct if “John our esteemed host” (whose health
+he begged to drink) would have the kindness to begin. For as to himself,
+he said, he was so little used to lead the way that really— But as they
+all cried out here, that he must begin, and agreed with one voice that he
+might, could, would, and should begin, he left off rubbing his hands, and
+took his legs out from under his armchair, and did begin.
+
+I have no doubt (said the poor relation) that I shall surprise the
+assembled members of our family, and particularly John our esteemed host
+to whom we are so much indebted for the great hospitality with which he
+has this day entertained us, by the confession I am going to make. But,
+if you do me the honour to be surprised at anything that falls from a
+person so unimportant in the family as I am, I can only say that I shall
+be scrupulously accurate in all I relate.
+
+I am not what I am supposed to be. I am quite another thing. Perhaps
+before I go further, I had better glance at what I _am_ supposed to be.
+
+It is supposed, unless I mistake—the assembled members of our family will
+correct me if I do, which is very likely (here the poor relation looked
+mildly about him for contradiction); that I am nobody’s enemy but my own.
+That I never met with any particular success in anything. That I failed
+in business because I was unbusiness-like and credulous—in not being
+prepared for the interested designs of my partner. That I failed in
+love, because I was ridiculously trustful—in thinking it impossible that
+Christiana could deceive me. That I failed in my expectations from my
+uncle Chill, on account of not being as sharp as he could have wished in
+worldly matters. That, through life, I have been rather put upon and
+disappointed in a general way. That I am at present a bachelor of
+between fifty-nine and sixty years of age, living on a limited income in
+the form of a quarterly allowance, to which I see that John our esteemed
+host wishes me to make no further allusion.
+
+The supposition as to my present pursuits and habits is to the following
+effect.
+
+I live in a lodging in the Clapham Road—a very clean back room, in a very
+respectable house—where I am expected not to be at home in the day-time,
+unless poorly; and which I usually leave in the morning at nine o’clock,
+on pretence of going to business. I take my breakfast—my roll and
+butter, and my half-pint of coffee—at the old-established coffee-shop
+near Westminster Bridge; and then I go into the City—I don’t know why—and
+sit in Garraway’s Coffee House, and on ’Change, and walk about, and look
+into a few offices and counting-houses where some of my relations or
+acquaintance are so good as to tolerate me, and where I stand by the fire
+if the weather happens to be cold. I get through the day in this way
+until five o’clock, and then I dine: at a cost, on the average, of one
+and threepence. Having still a little money to spend on my evening’s
+entertainment, I look into the old-established coffee-shop as I go home,
+and take my cup of tea, and perhaps my bit of toast. So, as the large
+hand of the clock makes its way round to the morning hour again, I make
+my way round to the Clapham Road again, and go to bed when I get to my
+lodging—fire being expensive, and being objected to by the family on
+account of its giving trouble and making a dirt.
+
+Sometimes, one of my relations or acquaintances is so obliging as to ask
+me to dinner. Those are holiday occasions, and then I generally walk in
+the Park. I am a solitary man, and seldom walk with anybody. Not that I
+am avoided because I am shabby; for I am not at all shabby, having always
+a very good suit of black on (or rather Oxford mixture, which has the
+appearance of black and wears much better); but I have got into a habit
+of speaking low, and being rather silent, and my spirits are not high,
+and I am sensible that I am not an attractive companion.
+
+The only exception to this general rule is the child of my first cousin,
+Little Frank. I have a particular affection for that child, and he takes
+very kindly to me. He is a diffident boy by nature; and in a crowd he is
+soon run over, as I may say, and forgotten. He and I, however, get on
+exceedingly well. I have a fancy that the poor child will in time
+succeed to my peculiar position in the family. We talk but little;
+still, we understand each other. We walk about, hand in hand; and
+without much speaking he knows what I mean, and I know what he means.
+When he was very little indeed, I used to take him to the windows of the
+toy-shops, and show him the toys inside. It is surprising how soon he
+found out that I would have made him a great many presents if I had been
+in circumstances to do it.
+
+Little Frank and I go and look at the outside of the Monument—he is very
+fond of the Monument—and at the Bridges, and at all the sights that are
+free. On two of my birthdays, we have dined on à-la-mode beef, and gone
+at half-price to the play, and been deeply interested. I was once
+walking with him in Lombard Street, which we often visit on account of my
+having mentioned to him that there are great riches there—he is very fond
+of Lombard Street—when a gentleman said to me as he passed by, “Sir, your
+little son has dropped his glove.” I assure you, if you will excuse my
+remarking on so trivial a circumstance, this accidental mention of the
+child as mine, quite touched my heart and brought the foolish tears into
+my eyes.
+
+When Little Frank is sent to school in the country, I shall be very much
+at a loss what to do with myself, but I have the intention of walking
+down there once a month and seeing him on a half holiday. I am told he
+will then be at play upon the Heath; and if my visits should be objected
+to, as unsettling the child, I can see him from a distance without his
+seeing me, and walk back again. His mother comes of a highly genteel
+family, and rather disapproves, I am aware, of our being too much
+together. I know that I am not calculated to improve his retiring
+disposition; but I think he would miss me beyond the feeling of the
+moment if we were wholly separated.
+
+When I die in the Clapham Road, I shall not leave much more in this world
+than I shall take out of it; but, I happen to have a miniature of a
+bright-faced boy, with a curling head, and an open shirt-frill waving
+down his bosom (my mother had it taken for me, but I can’t believe that
+it was ever like), which will be worth nothing to sell, and which I shall
+beg may he given to Frank. I have written my dear boy a little letter
+with it, in which I have told him that I felt very sorry to part from
+him, though bound to confess that I knew no reason why I should remain
+here. I have given him some short advice, the best in my power, to take
+warning of the consequences of being nobody’s enemy but his own; and I
+have endeavoured to comfort him for what I fear he will consider a
+bereavement, by pointing out to him, that I was only a superfluous
+something to every one but him; and that having by some means failed to
+find a place in this great assembly, I am better out of it.
+
+Such (said the poor relation, clearing his throat and beginning to speak
+a little louder) is the general impression about me. Now, it is a
+remarkable circumstance which forms the aim and purpose of my story, that
+this is all wrong. This is not my life, and these are not my habits. I
+do not even live in the Clapham Road. Comparatively speaking, I am very
+seldom there. I reside, mostly, in a—I am almost ashamed to say the
+word, it sounds so full of pretension—in a Castle. I do not mean that it
+is an old baronial habitation, but still it is a building always known to
+every one by the name of a Castle. In it, I preserve the particulars of
+my history; they run thus:
+
+It was when I first took John Spatter (who had been my clerk) into
+partnership, and when I was still a young man of not more than
+five-and-twenty, residing in the house of my uncle Chill, from whom I had
+considerable expectations, that I ventured to propose to Christiana. I
+had loved Christiana a long time. She was very beautiful, and very
+winning in all respects. I rather mistrusted her widowed mother, who I
+feared was of a plotting and mercenary turn of mind; but, I thought as
+well of her as I could, for Christiana’s sake. I never had loved any one
+but Christiana, and she had been all the world, and O far more than all
+the world, to me, from our childhood!
+
+Christiana accepted me with her mother’s consent, and I was rendered very
+happy indeed. My life at my uncle Chill’s was of a spare dull kind, and
+my garret chamber was as dull, and bare, and cold, as an upper prison
+room in some stern northern fortress. But, having Christiana’s love, I
+wanted nothing upon earth. I would not have changed my lot with any
+human being.
+
+Avarice was, unhappily, my uncle Chill’s master-vice. Though he was
+rich, he pinched, and scraped, and clutched, and lived miserably. As
+Christiana had no fortune, I was for some time a little fearful of
+confessing our engagement to him; but, at length I wrote him a letter,
+saying how it all truly was. I put it into his hand one night, on going
+to bed.
+
+As I came down-stairs next morning, shivering in the cold December air;
+colder in my uncle’s unwarmed house than in the street, where the winter
+sun did sometimes shine, and which was at all events enlivened by
+cheerful faces and voices passing along; I carried a heavy heart towards
+the long, low breakfast-room in which my uncle sat. It was a large room
+with a small fire, and there was a great bay window in it which the rain
+had marked in the night as if with the tears of houseless people. It
+stared upon a raw yard, with a cracked stone pavement, and some rusted
+iron railings half uprooted, whence an ugly out-building that had once
+been a dissecting-room (in the time of the great surgeon who had
+mortgaged the house to my uncle), stared at it.
+
+We rose so early always, that at that time of the year we breakfasted by
+candle-light. When I went into the room, my uncle was so contracted by
+the cold, and so huddled together in his chair behind the one dim candle,
+that I did not see him until I was close to the table.
+
+As I held out my hand to him, he caught up his stick (being infirm, he
+always walked about the house with a stick), and made a blow at me, and
+said, “You fool!”
+
+“Uncle,” I returned, “I didn’t expect you to be so angry as this.” Nor
+had I expected it, though he was a hard and angry old man.
+
+“You didn’t expect!” said he; “when did you ever expect? When did you
+ever calculate, or look forward, you contemptible dog?”
+
+“These are hard words, uncle!”
+
+“Hard words? Feathers, to pelt such an idiot as you with,” said he.
+“Here! Betsy Snap! Look at him!”
+
+Betsy Snap was a withered, hard-favoured, yellow old woman—our only
+domestic—always employed, at this time of the morning, in rubbing my
+uncle’s legs. As my uncle adjured her to look at me, he put his lean
+grip on the crown of her head, she kneeling beside him, and turned her
+face towards me. An involuntary thought connecting them both with the
+Dissecting Room, as it must often have been in the surgeon’s time, passed
+across my mind in the midst of my anxiety.
+
+“Look at the snivelling milksop!” said my uncle. “Look at the baby!
+This is the gentleman who, people say, is nobody’s enemy but his own.
+This is the gentleman who can’t say no. This is the gentleman who was
+making such large profits in his business that he must needs take a
+partner, t’other day. This is the gentleman who is going to marry a wife
+without a penny, and who falls into the hands of Jezabels who are
+speculating on my death!”
+
+I knew, now, how great my uncle’s rage was; for nothing short of his
+being almost beside himself would have induced him to utter that
+concluding word, which he held in such repugnance that it was never
+spoken or hinted at before him on any account.
+
+“On my death,” he repeated, as if he were defying me by defying his own
+abhorrence of the word. “On my death—death—Death! But I’ll spoil the
+speculation. Eat your last under this roof, you feeble wretch, and may
+it choke you!”
+
+You may suppose that I had not much appetite for the breakfast to which I
+was bidden in these terms; but, I took my accustomed seat. I saw that I
+was repudiated henceforth by my uncle; still I could bear that very well,
+possessing Christiana’s heart.
+
+He emptied his basin of bread and milk as usual, only that he took it on
+his knees with his chair turned away from the table where I sat. When he
+had done, he carefully snuffed out the candle; and the cold,
+slate-coloured, miserable day looked in upon us.
+
+“Now, Mr. Michael,” said he, “before we part, I should like to have a
+word with these ladies in your presence.”
+
+“As you will, sir,” I returned; “but you deceive yourself, and wrong us,
+cruelly, if you suppose that there is any feeling at stake in this
+contract but pure, disinterested, faithful love.”
+
+To this, he only replied, “You lie!” and not one other word.
+
+We went, through half-thawed snow and half-frozen rain, to the house
+where Christiana and her mother lived. My uncle knew them very well.
+They were sitting at their breakfast, and were surprised to see us at
+that hour.
+
+“Your servant, ma’am,” said my uncle to the mother. “You divine the
+purpose of my visit, I dare say, ma’am. I understand there is a world of
+pure, disinterested, faithful love cooped up here. I am happy to bring
+it all it wants, to make it complete. I bring you your son-in-law,
+ma’am—and you, your husband, miss. The gentleman is a perfect stranger
+to me, but I wish him joy of his wise bargain.”
+
+He snarled at me as he went out, and I never saw him again.
+
+ * * * * *
+
+It is altogether a mistake (continued the poor relation) to suppose that
+my dear Christiana, over-persuaded and influenced by her mother, married
+a rich man, the dirt from whose carriage wheels is often, in these
+changed times, thrown upon me as she rides by. No, no. She married me.
+
+The way we came to be married rather sooner than we intended, was this.
+I took a frugal lodging and was saving and planning for her sake, when,
+one day, she spoke to me with great earnestness, and said:
+
+“My dear Michael, I have given you my heart. I have said that I loved
+you, and I have pledged myself to be your wife. I am as much yours
+through all changes of good and evil as if we had been married on the day
+when such words passed between us. I know you well, and know that if we
+should be separated and our union broken off, your whole life would be
+shadowed, and all that might, even now, be stronger in your character for
+the conflict with the world would then be weakened to the shadow of what
+it is!”
+
+“God help me, Christiana!” said I. “You speak the truth.”
+
+“Michael!” said she, putting her hand in mine, in all maidenly devotion,
+“let us keep apart no longer. It is but for me to say that I can live
+contented upon such means as you have, and I well know you are happy. I
+say so from my heart. Strive no more alone; let us strive together. My
+dear Michael, it is not right that I should keep secret from you what you
+do not suspect, but what distresses my whole life. My mother: without
+considering that what you have lost, you have lost for me, and on the
+assurance of my faith: sets her heart on riches, and urges another suit
+upon me, to my misery. I cannot bear this, for to bear it is to be
+untrue to you. I would rather share your struggles than look on. I want
+no better home than you can give me. I know that you will aspire and
+labour with a higher courage if I am wholly yours, and let it be so when
+you will!”
+
+I was blest indeed, that day, and a new world opened to me. We were
+married in a very little while, and I took my wife to our happy home.
+That was the beginning of the residence I have spoken of; the Castle we
+have ever since inhabited together, dates from that time. All our
+children have been born in it. Our first child—now married—was a little
+girl, whom we called Christiana. Her son is so like Little Frank, that I
+hardly know which is which.
+
+ * * * * *
+
+The current impression as to my partner’s dealings with me is also quite
+erroneous. He did not begin to treat me coldly, as a poor simpleton,
+when my uncle and I so fatally quarrelled; nor did he afterwards
+gradually possess himself of our business and edge me out. On the
+contrary, he behaved to me with the utmost good faith and honour.
+
+Matters between us took this turn:—On the day of my separation from my
+uncle, and even before the arrival at our counting-house of my trunks
+(which he sent after me, _not_ carriage paid), I went down to our room of
+business, on our little wharf, overlooking the river; and there I told
+John Spatter what had happened. John did not say, in reply, that rich
+old relatives were palpable facts, and that love and sentiment were
+moonshine and fiction. He addressed me thus:
+
+“Michael,” said John, “we were at school together, and I generally had
+the knack of getting on better than you, and making a higher reputation.”
+
+“You had, John,” I returned.
+
+“Although” said John, “I borrowed your books and lost them; borrowed your
+pocket-money, and never repaid it; got you to buy my damaged knives at a
+higher price than I had given for them new; and to own to the windows
+that I had broken.”
+
+“All not worth mentioning, John Spatter,” said I, “but certainly true.”
+
+“When you were first established in this infant business, which promises
+to thrive so well,” pursued John, “I came to you, in my search for almost
+any employment, and you made me your clerk.”
+
+“Still not worth mentioning, my dear John Spatter,” said I; “still,
+equally true.”
+
+“And finding that I had a good head for business, and that I was really
+useful _to_ the business, you did not like to retain me in that capacity,
+and thought it an act of justice soon to make me your partner.”
+
+“Still less worth mentioning than any of those other little circumstances
+you have recalled, John Spatter,” said I; “for I was, and am, sensible of
+your merits and my deficiencies.”
+
+“Now, my good friend,” said John, drawing my arm through his, as he had
+had a habit of doing at school; while two vessels outside the windows of
+our counting-house—which were shaped like the stern windows of a
+ship—went lightly down the river with the tide, as John and I might then
+be sailing away in company, and in trust and confidence, on our voyage of
+life; “let there, under these friendly circumstances, be a right
+understanding between us. You are too easy, Michael. You are nobody’s
+enemy but your own. If I were to give you that damaging character among
+our connexion, with a shrug, and a shake of the head, and a sigh; and if
+I were further to abuse the trust you place in me—”
+
+“But you never will abuse it at all, John,” I observed.
+
+“Never!” said he; “but I am putting a case—I say, and if I were further
+to abuse that trust by keeping this piece of our common affairs in the
+dark, and this other piece in the light, and again this other piece in
+the twilight, and so on, I should strengthen my strength, and weaken your
+weakness, day by day, until at last I found myself on the high road to
+fortune, and you left behind on some bare common, a hopeless number of
+miles out of the way.”
+
+“Exactly so,” said I.
+
+“To prevent this, Michael,” said John Spatter, “or the remotest chance of
+this, there must be perfect openness between us. Nothing must be
+concealed, and we must have but one interest.”
+
+“My dear John Spatter,” I assured him, “that is precisely what I mean.”
+
+“And when you are too easy,” pursued John, his face glowing with
+friendship, “you must allow me to prevent that imperfection in your
+nature from being taken advantage of, by any one; you must not expect me
+to humour it—”
+
+“My dear John Spatter,” I interrupted, “I _don’t_ expect you to humour
+it. I want to correct it.”
+
+“And I, too,” said John.
+
+“Exactly so!” cried I. “We both have the same end in view; and,
+honourably seeking it, and fully trusting one another, and having but one
+interest, ours will be a prosperous and happy partnership.”
+
+“I am sure of it!” returned John Spatter. And we shook hands most
+affectionately.
+
+I took John home to my Castle, and we had a very happy day. Our
+partnership throve well. My friend and partner supplied what I wanted,
+as I had foreseen that he would, and by improving both the business and
+myself, amply acknowledged any little rise in life to which I had helped
+him.
+
+ * * * * *
+
+I am not (said the poor relation, looking at the fire as he slowly rubbed
+his hands) very rich, for I never cared to be that; but I have enough,
+and am above all moderate wants and anxieties. My Castle is not a
+splendid place, but it is very comfortable, and it has a warm and
+cheerful air, and is quite a picture of Home.
+
+Our eldest girl, who is very like her mother, married John Spatter’s
+eldest son. Our two families are closely united in other ties of
+attachment. It is very pleasant of an evening, when we are all assembled
+together—which frequently happens—and when John and I talk over old
+times, and the one interest there has always been between us.
+
+I really do not know, in my Castle, what loneliness is. Some of our
+children or grandchildren are always about it, and the young voices of my
+descendants are delightful—O, how delightful!—to me to hear. My dearest
+and most devoted wife, ever faithful, ever loving, ever helpful and
+sustaining and consoling, is the priceless blessing of my house; from
+whom all its other blessings spring. We are rather a musical family, and
+when Christiana sees me, at any time, a little weary or depressed, she
+steals to the piano and sings a gentle air she used to sing when we were
+first betrothed. So weak a man am I, that I cannot bear to hear it from
+any other source. They played it once, at the Theatre, when I was there
+with Little Frank; and the child said wondering, “Cousin Michael, whose
+hot tears are these that have fallen on my hand!”
+
+Such is my Castle, and such are the real particulars of my life therein
+preserved. I often take Little Frank home there. He is very welcome to
+my grandchildren, and they play together. At this time of the year—the
+Christmas and New Year time—I am seldom out of my Castle. For, the
+associations of the season seem to hold me there, and the precepts of the
+season seem to teach me that it is well to be there.
+
+ * * * * *
+
+“And the Castle is—” observed a grave, kind voice among the company.
+
+“Yes. My Castle,” said the poor relation, shaking his head as he still
+looked at the fire, “is in the Air. John our esteemed host suggests its
+situation accurately. My Castle is in the Air! I have done. Will you
+be so good as to pass the story?”
+
+
+
+
+THE CHILD’S STORY.
+[1852]
+
+
+ONCE upon a time, a good many years ago, there was a traveller, and he
+set out upon a journey. It was a magic journey, and was to seem very
+long when he began it, and very short when he got half way through.
+
+He travelled along a rather dark path for some little time, without
+meeting anything, until at last he came to a beautiful child. So he said
+to the child, “What do you do here?” And the child said, “I am always at
+play. Come and play with me!”
+
+So, he played with that child, the whole day long, and they were very
+merry. The sky was so blue, the sun was so bright, the water was so
+sparkling, the leaves were so green, the flowers were so lovely, and they
+heard such singing-birds and saw so many butteries, that everything was
+beautiful. This was in fine weather. When it rained, they loved to
+watch the falling drops, and to smell the fresh scents. When it blew, it
+was delightful to listen to the wind, and fancy what it said, as it came
+rushing from its home—where was that, they wondered!—whistling and
+howling, driving the clouds before it, bending the trees, rumbling in the
+chimneys, shaking the house, and making the sea roar in fury. But, when
+it snowed, that was best of all; for, they liked nothing so well as to
+look up at the white flakes falling fast and thick, like down from the
+breasts of millions of white birds; and to see how smooth and deep the
+drift was; and to listen to the hush upon the paths and roads.
+
+They had plenty of the finest toys in the world, and the most astonishing
+picture-books: all about scimitars and slippers and turbans, and dwarfs
+and giants and genii and fairies, and blue-beards and bean-stalks and
+riches and caverns and forests and Valentines and Orsons: and all new and
+all true.
+
+But, one day, of a sudden, the traveller lost the child. He called to
+him over and over again, but got no answer. So, he went upon his road,
+and went on for a little while without meeting anything, until at last he
+came to a handsome boy. So, he said to the boy, “What do you do here?”
+And the boy said, “I am always learning. Come and learn with me.”
+
+So he learned with that boy about Jupiter and Juno, and the Greeks and
+the Romans, and I don’t know what, and learned more than I could tell—or
+he either, for he soon forgot a great deal of it. But, they were not
+always learning; they had the merriest games that ever were played. They
+rowed upon the river in summer, and skated on the ice in winter; they
+were active afoot, and active on horseback; at cricket, and all games at
+ball; at prisoner’s base, hare and hounds, follow my leader, and more
+sports than I can think of; nobody could beat them. They had holidays
+too, and Twelfth cakes, and parties where they danced till midnight, and
+real Theatres where they saw palaces of real gold and silver rise out of
+the real earth, and saw all the wonders of the world at once. As to
+friends, they had such dear friends and so many of them, that I want the
+time to reckon them up. They were all young, like the handsome boy, and
+were never to be strange to one another all their lives through.
+
+Still, one day, in the midst of all these pleasures, the traveller lost
+the boy as he had lost the child, and, after calling to him in vain, went
+on upon his journey. So he went on for a little while without seeing
+anything, until at last he came to a young man. So, he said to the young
+man, “What do you do here?” And the young man said, “I am always in
+love. Come and love with me.”
+
+So, he went away with that young man, and presently they came to one of
+the prettiest girls that ever was seen—just like Fanny in the corner
+there—and she had eyes like Fanny, and hair like Fanny, and dimples like
+Fanny’s, and she laughed and coloured just as Fanny does while I am
+talking about her. So, the young man fell in love directly—just as
+Somebody I won’t mention, the first time he came here, did with Fanny.
+Well! he was teased sometimes—just as Somebody used to be by Fanny; and
+they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and
+they made it up, and sat in the dark, and wrote letters every day, and
+never were happy asunder, and were always looking out for one another and
+pretending not to, and were engaged at Christmas-time, and sat close to
+one another by the fire, and were going to be married very soon—all
+exactly like Somebody I won’t mention, and Fanny!
+
+But, the traveller lost them one day, as he had lost the rest of his
+friends, and, after calling to them to come back, which they never did,
+went on upon his journey. So, he went on for a little while without
+seeing anything, until at last he came to a middle-aged gentleman. So,
+he said to the gentleman, “What are you doing here?” And his answer was,
+“I am always busy. Come and be busy with me!”
+
+So, he began to be very busy with that gentleman, and they went on
+through the wood together. The whole journey was through a wood, only it
+had been open and green at first, like a wood in spring; and now began to
+be thick and dark, like a wood in summer; some of the little trees that
+had come out earliest, were even turning brown. The gentleman was not
+alone, but had a lady of about the same age with him, who was his Wife;
+and they had children, who were with them too. So, they all went on
+together through the wood, cutting down the trees, and making a path
+through the branches and the fallen leaves, and carrying burdens, and
+working hard.
+
+Sometimes, they came to a long green avenue that opened into deeper
+woods. Then they would hear a very little, distant voice crying,
+“Father, father, I am another child! Stop for me!” And presently they
+would see a very little figure, growing larger as it came along, running
+to join them. When it came up, they all crowded round it, and kissed and
+welcomed it; and then they all went on together.
+
+Sometimes, they came to several avenues at once, and then they all stood
+still, and one of the children said, “Father, I am going to sea,” and
+another said, “Father, I am going to India,” and another, “Father, I am
+going to seek my fortune where I can,” and another, “Father, I am going
+to Heaven!” So, with many tears at parting, they went, solitary, down
+those avenues, each child upon its way; and the child who went to Heaven,
+rose into the golden air and vanished.
+
+Whenever these partings happened, the traveller looked at the gentleman,
+and saw him glance up at the sky above the trees, where the day was
+beginning to decline, and the sunset to come on. He saw, too, that his
+hair was turning grey. But, they never could rest long, for they had
+their journey to perform, and it was necessary for them to be always
+busy.
+
+At last, there had been so many partings that there were no children
+left, and only the traveller, the gentleman, and the lady, went upon
+their way in company. And now the wood was yellow; and now brown; and
+the leaves, even of the forest trees, began to fall.
+
+So, they came to an avenue that was darker than the rest, and were
+pressing forward on their journey without looking down it when the lady
+stopped.
+
+“My husband,” said the lady. “I am called.”
+
+They listened, and they heard a voice a long way down the avenue, say,
+“Mother, mother!”
+
+It was the voice of the first child who had said, “I am going to Heaven!”
+and the father said, “I pray not yet. The sunset is very near. I pray
+not yet!”
+
+But, the voice cried, “Mother, mother!” without minding him, though his
+hair was now quite white, and tears were on his face.
+
+Then, the mother, who was already drawn into the shade of the dark avenue
+and moving away with her arms still round his neck, kissed him, and said,
+“My dearest, I am summoned, and I go!” And she was gone. And the
+traveller and he were left alone together.
+
+And they went on and on together, until they came to very near the end of
+the wood: so near, that they could see the sunset shining red before them
+through the trees.
+
+Yet, once more, while he broke his way among the branches, the traveller
+lost his friend. He called and called, but there was no reply, and when
+he passed out of the wood, and saw the peaceful sun going down upon a
+wide purple prospect, he came to an old man sitting on a fallen tree.
+So, he said to the old man, “What do you do here?” And the old man said
+with a calm smile, “I am always remembering. Come and remember with me!”
+
+So the traveller sat down by the side of that old man, face to face with
+the serene sunset; and all his friends came softly back and stood around
+him. The beautiful child, the handsome boy, the young man in love, the
+father, mother, and children: every one of them was there, and he had
+lost nothing. So, he loved them all, and was kind and forbearing with
+them all, and was always pleased to watch them all, and they all honoured
+and loved him. And I think the traveller must be yourself, dear
+Grandfather, because this what you do to us, and what we do to you.
+
+
+
+
+THE SCHOOLBOY’S STORY.
+[1853]
+
+
+BEING rather young at present—I am getting on in years, but still I am
+rather young—I have no particular adventures of my own to fall back upon.
+It wouldn’t much interest anybody here, I suppose, to know what a screw
+the Reverend is, or what a griffin _she_ is, or how they do stick it into
+parents—particularly hair-cutting, and medical attendance. One of our
+fellows was charged in his half’s account twelve and sixpence for two
+pills—tolerably profitable at six and threepence a-piece, I should
+think—and he never took them either, but put them up the sleeve of his
+jacket.
+
+ [Picture: Schoolboy with book: illustrated by Fred Walker]
+
+As to the beef, it’s shameful. It’s _not_ beef. Regular beef isn’t
+veins. You can chew regular beef. Besides which, there’s gravy to
+regular beef, and you never see a drop to ours. Another of our fellows
+went home ill, and heard the family doctor tell his father that he
+couldn’t account for his complaint unless it was the beer. Of course it
+was the beer, and well it might be!
+
+However, beef and Old Cheeseman are two different things. So is beer.
+It was Old Cheeseman I meant to tell about; not the manner in which our
+fellows get their constitutions destroyed for the sake of profit.
+
+Why, look at the pie-crust alone. There’s no flakiness in it. It’s
+solid—like damp lead. Then our fellows get nightmares, and are bolstered
+for calling out and waking other fellows. Who can wonder!
+
+Old Cheeseman one night walked in his sleep, put his hat on over his
+night-cap, got hold of a fishing-rod and a cricket-bat, and went down
+into the parlour, where they naturally thought from his appearance he was
+a Ghost. Why, he never would have done that if his meals had been
+wholesome. When we all begin to walk in our sleeps, I suppose they’ll be
+sorry for it.
+
+Old Cheeseman wasn’t second Latin Master then; he was a fellow himself.
+He was first brought there, very small, in a post-chaise, by a woman who
+was always taking snuff and shaking him—and that was the most he
+remembered about it. He never went home for the holidays. His accounts
+(he never learnt any extras) were sent to a Bank, and the Bank paid them;
+and he had a brown suit twice a-year, and went into boots at twelve.
+They were always too big for him, too.
+
+In the Midsummer holidays, some of our fellows who lived within walking
+distance, used to come back and climb the trees outside the playground
+wall, on purpose to look at Old Cheeseman reading there by himself. He
+was always as mild as the tea—and _that’s_ pretty mild, I should hope!—so
+when they whistled to him, he looked up and nodded; and when they said,
+“Halloa, Old Cheeseman, what have you had for dinner?” he said, “Boiled
+mutton;” and when they said, “An’t it solitary, Old Cheeseman?” he said,
+“It is a little dull sometimes:” and then they said, “Well good-bye, Old
+Cheeseman!” and climbed down again. Of course it was imposing on Old
+Cheeseman to give him nothing but boiled mutton through a whole Vacation,
+but that was just like the system. When they didn’t give him boiled
+mutton, they gave him rice pudding, pretending it was a treat. And saved
+the butcher.
+
+So Old Cheeseman went on. The holidays brought him into other trouble
+besides the loneliness; because when the fellows began to come back, not
+wanting to, he was always glad to see them; which was aggravating when
+they were not at all glad to see him, and so he got his head knocked
+against walls, and that was the way his nose bled. But he was a
+favourite in general. Once a subscription was raised for him; and, to
+keep up his spirits, he was presented before the holidays with two white
+mice, a rabbit, a pigeon, and a beautiful puppy. Old Cheeseman cried
+about it—especially soon afterwards, when they all ate one another.
+
+Of course Old Cheeseman used to be called by the names of all sorts of
+cheeses—Double Glo’sterman, Family Cheshireman, Dutchman, North
+Wiltshireman, and all that. But he never minded it. And I don’t mean to
+say he was old in point of years—because he wasn’t—only he was called
+from the first, Old Cheeseman.
+
+At last, Old Cheeseman was made second Latin Master. He was brought in
+one morning at the beginning of a new half, and presented to the school
+in that capacity as “Mr. Cheeseman.” Then our fellows all agreed that
+Old Cheeseman was a spy, and a deserter, who had gone over to the enemy’s
+camp, and sold himself for gold. It was no excuse for him that he had
+sold himself for very little gold—two pound ten a quarter and his
+washing, as was reported. It was decided by a Parliament which sat about
+it, that Old Cheeseman’s mercenary motives could alone be taken into
+account, and that he had “coined our blood for drachmas.” The Parliament
+took the expression out of the quarrel scene between Brutus and Cassius.
+
+When it was settled in this strong way that Old Cheeseman was a
+tremendous traitor, who had wormed himself into our fellows’ secrets on
+purpose to get himself into favour by giving up everything he knew, all
+courageous fellows were invited to come forward and enrol themselves in a
+Society for making a set against him. The President of the Society was
+First boy, named Bob Tarter. His father was in the West Indies, and he
+owned, himself, that his father was worth Millions. He had great power
+among our fellows, and he wrote a parody, beginning—
+
+ “Who made believe to be so meek
+ That we could hardly hear him speak,
+ Yet turned out an Informing Sneak?
+ Old Cheeseman.”
+
+—and on in that way through more than a dozen verses, which he used to go
+and sing, every morning, close by the new master’s desk. He trained one
+of the low boys, too, a rosy-cheeked little Brass who didn’t care what he
+did, to go up to him with his Latin Grammar one morning, and say it so:
+_Nominativus pronominum_—Old Cheeseman, _raro exprimitur_—was never
+suspected, _nisi distinctionis_—of being an informer, _aut emphasis
+gratîa_—until he proved one. _Ut_—for instance, _Vos damnastis_—when he
+sold the boys. _Quasi_—as though, _dicat_—he should say, _Pretærea
+nemo_—I’m a Judas! All this produced a great effect on Old Cheeseman.
+He had never had much hair; but what he had, began to get thinner and
+thinner every day. He grew paler and more worn; and sometimes of an
+evening he was seen sitting at his desk with a precious long snuff to his
+candle, and his hands before his face, crying. But no member of the
+Society could pity him, even if he felt inclined, because the President
+said it was Old Cheeseman’s conscience.
+
+So Old Cheeseman went on, and didn’t he lead a miserable life! Of course
+the Reverend turned up his nose at him, and of course _she_ did—because
+both of them always do that at all the masters—but he suffered from the
+fellows most, and he suffered from them constantly. He never told about
+it, that the Society could find out; but he got no credit for that,
+because the President said it was Old Cheeseman’s cowardice.
+
+He had only one friend in the world, and that one was almost as powerless
+as he was, for it was only Jane. Jane was a sort of wardrobe woman to
+our fellows, and took care of the boxes. She had come at first, I
+believe, as a kind of apprentice—some of our fellows say from a Charity,
+but _I_ don’t know—and after her time was out, had stopped at so much a
+year. So little a year, perhaps I ought to say, for it is far more
+likely. However, she had put some pounds in the Savings’ Bank, and she
+was a very nice young woman. She was not quite pretty; but she had a
+very frank, honest, bright face, and all our fellows were fond of her.
+She was uncommonly neat and cheerful, and uncommonly comfortable and
+kind. And if anything was the matter with a fellow’s mother, he always
+went and showed the letter to Jane.
+
+Jane was Old Cheeseman’s friend. The more the Society went against him,
+the more Jane stood by him. She used to give him a good-humoured look
+out of her still-room window, sometimes, that seemed to set him up for
+the day. She used to pass out of the orchard and the kitchen garden
+(always kept locked, I believe you!) through the playground, when she
+might have gone the other way, only to give a turn of her head, as much
+as to say “Keep up your spirits!” to Old Cheeseman. His slip of a room
+was so fresh and orderly that it was well known who looked after it while
+he was at his desk; and when our fellows saw a smoking hot dumpling on
+his plate at dinner, they knew with indignation who had sent it up.
+
+Under these circumstances, the Society resolved, after a quantity of
+meeting and debating, that Jane should be requested to cut Old Cheeseman
+dead; and that if she refused, she must be sent to Coventry herself. So
+a deputation, headed by the President, was appointed to wait on Jane, and
+inform her of the vote the Society had been under the painful necessity
+of passing. She was very much respected for all her good qualities, and
+there was a story about her having once waylaid the Reverend in his own
+study, and got a fellow off from severe punishment, of her own kind
+comfortable heart. So the deputation didn’t much like the job. However,
+they went up, and the President told Jane all about it. Upon which Jane
+turned very red, burst into tears, informed the President and the
+deputation, in a way not at all like her usual way, that they were a
+parcel of malicious young savages, and turned the whole respected body
+out of the room. Consequently it was entered in the Society’s book (kept
+in astronomical cypher for fear of detection), that all communication
+with Jane was interdicted: and the President addressed the members on
+this convincing instance of Old Cheeseman’s undermining.
+
+But Jane was as true to Old Cheeseman as Old Cheeseman was false to our
+fellows—in their opinion, at all events—and steadily continued to be his
+only friend. It was a great exasperation to the Society, because Jane
+was as much a loss to them as she was a gain to him; and being more
+inveterate against him than ever, they treated him worse than ever. At
+last, one morning, his desk stood empty, his room was peeped into, and
+found to be vacant, and a whisper went about among the pale faces of our
+fellows that Old Cheeseman, unable to bear it any longer, had got up
+early and drowned himself.
+
+The mysterious looks of the other masters after breakfast, and the
+evident fact that old Cheeseman was not expected, confirmed the Society
+in this opinion. Some began to discuss whether the President was liable
+to hanging or only transportation for life, and the President’s face
+showed a great anxiety to know which. However, he said that a jury of
+his country should find him game; and that in his address he should put
+it to them to lay their hands upon their hearts and say whether they as
+Britons approved of informers, and how they thought they would like it
+themselves. Some of the Society considered that he had better run away
+until he found a forest where he might change clothes with a wood-cutter,
+and stain his face with blackberries; but the majority believed that if
+he stood his ground, his father—belonging as he did to the West Indies,
+and being worth millions—could buy him off.
+
+All our fellows’ hearts beat fast when the Reverend came in, and made a
+sort of a Roman, or a Field Marshal, of himself with the ruler; as he
+always did before delivering an address. But their fears were nothing to
+their astonishment when he came out with the story that Old Cheeseman,
+“so long our respected friend and fellow-pilgrim in the pleasant plains
+of knowledge,” he called him—O yes! I dare say! Much of that!—was the
+orphan child of a disinherited young lady who had married against her
+father’s wish, and whose young husband had died, and who had died of
+sorrow herself, and whose unfortunate baby (Old Cheeseman) had been
+brought up at the cost of a grandfather who would never consent to see
+it, baby, boy, or man: which grandfather was now dead, and serve him
+right—that’s my putting in—and which grandfather’s large property, there
+being no will, was now, and all of a sudden and for ever, Old
+Cheeseman’s! Our so long respected friend and fellow-pilgrim in the
+pleasant plains of knowledge, the Reverend wound up a lot of bothering
+quotations by saying, would “come among us once more” that day fortnight,
+when he desired to take leave of us himself, in a more particular manner.
+With these words, he stared severely round at our fellows, and went
+solemnly out.
+
+There was precious consternation among the members of the Society, now.
+Lots of them wanted to resign, and lots more began to try to make out
+that they had never belonged to it. However, the President stuck up, and
+said that they must stand or fall together, and that if a breach was made
+it should be over his body—which was meant to encourage the Society: but
+it didn’t. The President further said, he would consider the position in
+which they stood, and would give them his best opinion and advice in a
+few days. This was eagerly looked for, as he knew a good deal of the
+world on account of his father’s being in the West Indies.
+
+After days and days of hard thinking, and drawing armies all over his
+slate, the President called our fellows together, and made the matter
+clear. He said it was plain that when Old Cheeseman came on the
+appointed day, his first revenge would be to impeach the Society, and
+have it flogged all round. After witnessing with joy the torture of his
+enemies, and gloating over the cries which agony would extort from them,
+the probability was that he would invite the Reverend, on pretence of
+conversation, into a private room—say the parlour into which Parents were
+shown, where the two great globes were which were never used—and would
+there reproach him with the various frauds and oppressions he had endured
+at his hands. At the close of his observations he would make a signal to
+a Prizefighter concealed in the passage, who would then appear and pitch
+into the Reverend, till he was left insensible. Old Cheeseman would then
+make Jane a present of from five to ten pounds, and would leave the
+establishment in fiendish triumph.
+
+The President explained that against the parlour part, or the Jane part,
+of these arrangements he had nothing to say; but, on the part of the
+Society, he counselled deadly resistance. With this view he recommended
+that all available desks should be filled with stones, and that the first
+word of the complaint should be the signal to every fellow to let fly at
+Old Cheeseman. The bold advice put the Society in better spirits, and
+was unanimously taken. A post about Old Cheeseman’s size was put up in
+the playground, and all our fellows practised at it till it was dinted
+all over.
+
+When the day came, and Places were called, every fellow sat down in a
+tremble. There had been much discussing and disputing as to how Old
+Cheeseman would come; but it was the general opinion that he would appear
+in a sort of triumphal car drawn by four horses, with two livery servants
+in front, and the Prizefighter in disguise up behind. So, all our
+fellows sat listening for the sound of wheels. But no wheels were heard,
+for Old Cheeseman walked after all, and came into the school without any
+preparation. Pretty much as he used to be, only dressed in black.
+
+“Gentlemen,” said the Reverend, presenting him, “our so long respected
+friend and fellow-pilgrim in the pleasant plains of knowledge, is
+desirous to offer a word or two. Attention, gentlemen, one and all!”
+
+Every fellow stole his hand into his desk and looked at the President.
+The President was all ready, and taking aim at old Cheeseman with his
+eyes.
+
+What did Old Cheeseman then, but walk up to his old desk, look round him
+with a queer smile as if there was a tear in his eye, and begin in a
+quavering, mild voice, “My dear companions and old friends!”
+
+Every fellow’s hand came out of his desk, and the President suddenly
+began to cry.
+
+“My dear companions and old friends,” said Old Cheeseman, “you have heard
+of my good fortune. I have passed so many years under this roof—my
+entire life so far, I may say—that I hope you have been glad to hear of
+it for my sake. I could never enjoy it without exchanging
+congratulations with you. If we have ever misunderstood one another at
+all, pray, my dear boys, let us forgive and forget. I have a great
+tenderness for you, and I am sure you return it. I want in the fulness
+of a grateful heart to shake hands with you every one. I have come back
+to do it, if you please, my dear boys.”
+
+Since the President had begun to cry, several other fellows had broken
+out here and there: but now, when Old Cheeseman began with him as first
+boy, laid his left hand affectionately on his shoulder and gave him his
+right; and when the President said “Indeed, I don’t deserve it, sir; upon
+my honour I don’t;” there was sobbing and crying all over the school.
+Every other fellow said he didn’t deserve it, much in the same way; but
+Old Cheeseman, not minding that a bit, went cheerfully round to every
+boy, and wound up with every master—finishing off the Reverend last.
+
+Then a snivelling little chap in a corner, who was always under some
+punishment or other, set up a shrill cry of “Success to Old Cheeseman!
+Hooray!” The Reverend glared upon him, and said, “_Mr._ Cheeseman, sir.”
+But, Old Cheeseman protesting that he liked his old name a great deal
+better than his new one, all our fellows took up the cry; and, for I
+don’t know how many minutes, there was such a thundering of feet and
+hands, and such a roaring of Old Cheeseman, as never was heard.
+
+After that, there was a spread in the dining-room of the most magnificent
+kind. Fowls, tongues, preserves, fruits, confectionaries, jellies,
+neguses, barley-sugar temples, trifles, crackers—eat all you can and
+pocket what you like—all at Old Cheeseman’s expense. After that,
+speeches, whole holiday, double and treble sets of all manners of things
+for all manners of games, donkeys, pony-chaises and drive yourself,
+dinner for all the masters at the Seven Bells (twenty pounds a-head our
+fellows estimated it at), an annual holiday and feast fixed for that day
+every year, and another on Old Cheeseman’s birthday—Reverend bound down
+before the fellows to allow it, so that he could never back out—all at
+Old Cheeseman’s expense.
+
+And didn’t our fellows go down in a body and cheer outside the Seven
+Bells? O no!
+
+But there’s something else besides. Don’t look at the next story-teller,
+for there’s more yet. Next day, it was resolved that the Society should
+make it up with Jane, and then be dissolved. What do you think of Jane
+being gone, though! “What? Gone for ever?” said our fellows, with long
+faces. “Yes, to be sure,” was all the answer they could get. None of
+the people about the house would say anything more. At length, the first
+boy took upon himself to ask the Reverend whether our old friend Jane was
+really gone? The Reverend (he has got a daughter at home—turn-up nose,
+and red) replied severely, “Yes, sir, Miss Pitt is gone.” The idea of
+calling Jane, Miss Pitt! Some said she had been sent away in disgrace
+for taking money from Old Cheeseman; others said she had gone into Old
+Cheeseman’s service at a rise of ten pounds a year. All that our fellows
+knew, was, she was gone.
+
+It was two or three months afterwards, when, one afternoon, an open
+carriage stopped at the cricket field, just outside bounds, with a lady
+and gentleman in it, who looked at the game a long time and stood up to
+see it played. Nobody thought much about them, until the same little
+snivelling chap came in, against all rules, from the post where he was
+Scout, and said, “It’s Jane!” Both Elevens forgot the game directly, and
+ran crowding round the carriage. It _was_ Jane! In such a bonnet! And
+if you’ll believe me, Jane was married to Old Cheeseman.
+
+It soon became quite a regular thing when our fellows were hard at it in
+the playground, to see a carriage at the low part of the wall where it
+joins the high part, and a lady and gentleman standing up in it, looking
+over. The gentleman was always Old Cheeseman, and the lady was always
+Jane.
+
+The first time I ever saw them, I saw them in that way. There had been a
+good many changes among our fellows then, and it had turned out that Bob
+Tarter’s father wasn’t worth Millions! He wasn’t worth anything. Bob
+had gone for a soldier, and Old Cheeseman had purchased his discharge.
+But that’s not the carriage. The carriage stopped, and all our fellows
+stopped as soon as it was seen.
+
+“So you have never sent me to Coventry after all!” said the lady,
+laughing, as our fellows swarmed up the wall to shake hands with her.
+“Are you never going to do it?”
+
+“Never! never! never!” on all sides.
+
+I didn’t understand what she meant then, but of course I do now. I was
+very much pleased with her face though, and with her good way, and I
+couldn’t help looking at her—and at him too—with all our fellows
+clustering so joyfully about them.
+
+They soon took notice of me as a new boy, so I thought I might as well
+swarm up the wall myself, and shake hands with them as the rest did. I
+was quite as glad to see them as the rest were, and was quite as familiar
+with them in a moment.
+
+“Only a fortnight now,” said Old Cheeseman, “to the holidays. Who stops?
+Anybody?”
+
+A good many fingers pointed at me, and a good many voices cried “He
+does!” For it was the year when you were all away; and rather low I was
+about it, I can tell you.
+
+“Oh!” said Old Cheeseman. “But it’s solitary here in the holiday time.
+He had better come to us.”
+
+So I went to their delightful house, and was as happy as I could possibly
+be. They understand how to conduct themselves towards boys, _they_ do.
+When they take a boy to the play, for instance, they _do_ take him. They
+don’t go in after it’s begun, or come out before it’s over. They know
+how to bring a boy up, too. Look at their own! Though he is very little
+as yet, what a capital boy he is! Why, my next favourite to Mrs.
+Cheeseman and Old Cheeseman, is young Cheeseman.
+
+So, now I have told you all I know about Old Cheeseman. And it’s not
+much after all, I am afraid. Is it?
+
+
+
+
+NOBODY’S STORY
+
+
+HE lived on the bank of a mighty river, broad and deep, which was always
+silently rolling on to a vast undiscovered ocean. It had rolled on, ever
+since the world began. It had changed its course sometimes, and turned
+into new channels, leaving its old ways dry and barren; but it had ever
+been upon the flow, and ever was to flow until Time should be no more.
+Against its strong, unfathomable stream, nothing made head. No living
+creature, no flower, no leaf, no particle of animate or inanimate
+existence, ever strayed back from the undiscovered ocean. The tide of
+the river set resistlessly towards it; and the tide never stopped, any
+more than the earth stops in its circling round the sun.
+
+He lived in a busy place, and he worked very hard to live. He had no
+hope of ever being rich enough to live a month without hard work, but he
+was quite content, GOD knows, to labour with a cheerful will. He was one
+of an immense family, all of whose sons and daughters gained their daily
+bread by daily work, prolonged from their rising up betimes until their
+lying down at night. Beyond this destiny he had no prospect, and he
+sought none.
+
+There was over-much drumming, trumpeting, and speech-making, in the
+neighbourhood where he dwelt; but he had nothing to do with that. Such
+clash and uproar came from the Bigwig family, at the unaccountable
+proceedings of which race, he marvelled much. They set up the strangest
+statues, in iron, marble, bronze, and brass, before his door; and
+darkened his house with the legs and tails of uncouth images of horses.
+He wondered what it all meant, smiled in a rough good-humoured way he
+had, and kept at his hard work.
+
+The Bigwig family (composed of all the stateliest people thereabouts, and
+all the noisiest) had undertaken to save him the trouble of thinking for
+himself, and to manage him and his affairs. “Why truly,” said he, “I
+have little time upon my hands; and if you will be so good as to take
+care of me, in return for the money I pay over”—for the Bigwig family
+were not above his money—“I shall be relieved and much obliged,
+considering that you know best.” Hence the drumming, trumpeting, and
+speech-making, and the ugly images of horses which he was expected to
+fall down and worship.
+
+“I don’t understand all this,” said he, rubbing his furrowed brow
+confusedly. “But it _has_ a meaning, maybe, if I could find it out.”
+
+“It means,” returned the Bigwig family, suspecting something of what he
+said, “honour and glory in the highest, to the highest merit.”
+
+“Oh!” said he. And he was glad to hear that.
+
+But, when he looked among the images in iron, marble, bronze, and brass,
+he failed to find a rather meritorious countryman of his, once the son of
+a Warwickshire wool-dealer, or any single countryman whomsoever of that
+kind. He could find none of the men whose knowledge had rescued him and
+his children from terrific and disfiguring disease, whose boldness had
+raised his forefathers from the condition of serfs, whose wise fancy had
+opened a new and high existence to the humblest, whose skill had filled
+the working man’s world with accumulated wonders. Whereas, he did find
+others whom he knew no good of, and even others whom he knew much ill of.
+
+“Humph!” said he. “I don’t quite understand it.”
+
+So, he went home, and sat down by his fireside to get it out of his mind.
+
+Now, his fireside was a bare one, all hemmed in by blackened streets; but
+it was a precious place to him. The hands of his wife were hardened with
+toil, and she was old before her time; but she was dear to him. His
+children, stunted in their growth, bore traces of unwholesome nurture;
+but they had beauty in his sight. Above all other things, it was an
+earnest desire of this man’s soul that his children should be taught.
+“If I am sometimes misled,” said he, “for want of knowledge, at least let
+them know better, and avoid my mistakes. If it is hard to me to reap the
+harvest of pleasure and instruction that is stored in books, let it be
+easier to them.”
+
+But, the Bigwig family broke out into violent family quarrels concerning
+what it was lawful to teach to this man’s children. Some of the family
+insisted on such a thing being primary and indispensable above all other
+things; and others of the family insisted on such another thing being
+primary and indispensable above all other things; and the Bigwig family,
+rent into factions, wrote pamphlets, held convocations, delivered
+charges, orations, and all varieties of discourses; impounded one another
+in courts Lay and courts Ecclesiastical; threw dirt, exchanged
+pummelings, and fell together by the ears in unintelligible animosity.
+Meanwhile, this man, in his short evening snatches at his fireside, saw
+the demon Ignorance arise there, and take his children to itself. He saw
+his daughter perverted into a heavy, slatternly drudge; he saw his son go
+moping down the ways of low sensuality, to brutality and crime; he saw
+the dawning light of intelligence in the eyes of his babies so changing
+into cunning and suspicion, that he could have rather wished them idiots.
+
+“I don’t understand this any the better,” said he; “but I think it cannot
+be right. Nay, by the clouded Heaven above me, I protest against this as
+my wrong!”
+
+Becoming peaceable again (for his passion was usually short-lived, and
+his nature kind), he looked about him on his Sundays and holidays, and he
+saw how much monotony and weariness there was, and thence how drunkenness
+arose with all its train of ruin. Then he appealed to the Bigwig family,
+and said, “We are a labouring people, and I have a glimmering suspicion
+in me that labouring people of whatever condition were made—by a higher
+intelligence than yours, as I poorly understand it—to be in need of
+mental refreshment and recreation. See what we fall into, when we rest
+without it. Come! Amuse me harmlessly, show me something, give me an
+escape!”
+
+But, here the Bigwig family fell into a state of uproar absolutely
+deafening. When some few voices were faintly heard, proposing to show
+him the wonders of the world, the greatness of creation, the mighty
+changes of time, the workings of nature and the beauties of art—to show
+him these things, that is to say, at any period of his life when he could
+look upon them—there arose among the Bigwigs such roaring and raving,
+such pulpiting and petitioning, such maundering and memorialising, such
+name-calling and dirt-throwing, such a shrill wind of parliamentary
+questioning and feeble replying—where “I dare not” waited on “I
+would”—that the poor fellow stood aghast, staring wildly around.
+
+“Have I provoked all this,” said he, with his hands to his affrighted
+ears, “by what was meant to be an innocent request, plainly arising out
+of my familiar experience, and the common knowledge of all men who choose
+to open their eyes? I don’t understand, and I am not understood. What
+is to come of such a state of things!”
+
+He was bending over his work, often asking himself the question, when the
+news began to spread that a pestilence had appeared among the labourers,
+and was slaying them by thousands. Going forth to look about him, he
+soon found this to be true. The dying and the dead were mingled in the
+close and tainted houses among which his life was passed. New poison was
+distilled into the always murky, always sickening air. The robust and
+the weak, old age and infancy, the father and the mother, all were
+stricken down alike.
+
+What means of flight had he? He remained there, where he was, and saw
+those who were dearest to him die. A kind preacher came to him, and
+would have said some prayers to soften his heart in his gloom, but he
+replied:
+
+“O what avails it, missionary, to come to me, a man condemned to
+residence in this foetid place, where every sense bestowed upon me for my
+delight becomes a torment, and where every minute of my numbered days is
+new mire added to the heap under which I lie oppressed! But, give me my
+first glimpse of Heaven, through a little of its light and air; give me
+pure water; help me to be clean; lighten this heavy atmosphere and heavy
+life, in which our spirits sink, and we become the indifferent and
+callous creatures you too often see us; gently and kindly take the bodies
+of those who die among us, out of the small room where we grow to be so
+familiar with the awful change that even its sanctity is lost to us; and,
+Teacher, then I will hear—none know better than you, how willingly—of Him
+whose thoughts were so much with the poor, and who had compassion for all
+human sorrow!”
+
+He was at work again, solitary and sad, when his Master came and stood
+near to him dressed in black. He, also, had suffered heavily. His young
+wife, his beautiful and good young wife, was dead; so, too, his only
+child.
+
+“Master, ’tis hard to bear—I know it—but be comforted. I would give you
+comfort, if I could.”
+
+The Master thanked him from his heart, but, said he, “O you labouring
+men! The calamity began among you. If you had but lived more healthily
+and decently, I should not be the widowed and bereft mourner that I am
+this day.”
+
+“Master,” returned the other, shaking his head, “I have begun to
+understand a little that most calamities will come from us, as this one
+did, and that none will stop at our poor doors, until we are united with
+that great squabbling family yonder, to do the things that are right. We
+cannot live healthily and decently, unless they who undertook to manage
+us provide the means. We cannot be instructed unless they will teach us;
+we cannot be rationally amused, unless they will amuse us; we cannot but
+have some false gods of our own, while they set up so many of theirs in
+all the public places. The evil consequences of imperfect instruction,
+the evil consequences of pernicious neglect, the evil consequences of
+unnatural restraint and the denial of humanising enjoyments, will all
+come from us, and none of them will stop with us. They will spread far
+and wide. They always do; they always have done—just like the
+pestilence. I understand so much, I think, at last.”
+
+But the Master said again, “O you labouring men! How seldom do we ever
+hear of you, except in connection with some trouble!”
+
+“Master,” he replied, “I am Nobody, and little likely to be heard of (nor
+yet much wanted to be heard of, perhaps), except when there is some
+trouble. But it never begins with me, and it never can end with me. As
+sure as Death, it comes down to me, and it goes up from me.”
+
+There was so much reason in what he said, that the Bigwig family, getting
+wind of it, and being horribly frightened by the late desolation,
+resolved to unite with him to do the things that were right—at all
+events, so far as the said things were associated with the direct
+prevention, humanly speaking, of another pestilence. But, as their fear
+wore off, which it soon began to do, they resumed their falling out among
+themselves, and did nothing. Consequently the scourge appeared again—low
+down as before—and spread avengingly upward as before, and carried off
+vast numbers of the brawlers. But not a man among them ever admitted, if
+in the least degree he ever perceived, that he had anything to do with
+it.
+
+So Nobody lived and died in the old, old, old way; and this, in the main,
+is the whole of Nobody’s story.
+
+Had he no name, you ask? Perhaps it was Legion. It matters little what
+his name was. Let us call him Legion.
+
+If you were ever in the Belgian villages near the field of Waterloo, you
+will have seen, in some quiet little church, a monument erected by
+faithful companions in arms to the memory of Colonel A, Major B, Captains
+C, D and E, Lieutenants F and G, Ensigns H, I and J, seven
+non-commissioned officers, and one hundred and thirty rank and file, who
+fell in the discharge of their duty on the memorable day. The story of
+Nobody is the story of the rank and file of the earth. They bear their
+share of the battle; they have their part in the victory; they fall; they
+leave no name but in the mass. The march of the proudest of us, leads to
+the dusty way by which they go. O! Let us think of them this year at
+the Christmas fire, and not forget them when it is burnt out.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK SOME CHRISTMAS STORIES***
+
+
+******* This file should be named 1467-0.txt or 1467-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/4/6/1467
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+