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+*** START OF THE PROJECT GUTENBERG EBOOK 14652 ***
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 102.
+
+
+
+June 4, 1892.
+
+
+
+
+LOST LUGGAGE.
+
+(_OR THE EXPERIENCES OF A "VACUUS VIATOR."_)
+
+_At the Douane, Ostend._--Just off _Princesse Henriette_; passengers
+hovering about excitedly with bunches of keys, waiting for their
+luggage to be brought ashore. Why can't they take things quietly--like
+_me_? _I_ don't worry. Saw my portmanteau and bag labelled at
+Victoria. Sure to turn up in due time. Some men when they travel
+insist on taking hand-bags into the carriage with them--foolish, when
+they might have them put in the van and get rid of all responsibility.
+The _douaniers_ are examining the luggage--don't see mine--as yet.
+It's all _right_, of course. People who are going on to Brussels and
+Antwerp at once would naturally have their luggage brought out first.
+Don't see the good of rushing about like that myself. I shall stay the
+night here--put up at one of the hotels on the Digue, dine, and get
+through the evening pleasantly at the Kursaal--sure to be _something_
+going on. Then I can go comfortably on by a mid-day train to-morrow.
+Meanwhile my luggage still tarries. If I was a nervous man--luckily
+I'm _not_. Come--that's the _bag_ at all events, with everything I
+shall want for the night.... Annoying. Some other fellow's bag....
+No more luggage being brought out. Getting anxious--at least, just a
+shade uneasy. Perhaps if I asked somebody--Accost a Belgian porter;
+he wants my baggage ticket. They never gave me any ticket. It _did_
+occur to me (in the train) that I had always had my luggage registered
+on going abroad before, but I supposed _they_ knew best, and didn't
+worry. I came away to get a rest and avoid worry, and I _won't_
+worry.... The Porter and I have gone on board to hunt for the things.
+They aren't _there_. Left behind at Dover probably. Wire for them at
+once. No idea how difficult it was to describe luggage vividly and
+yet economically till I tried. However, it will be sent on by the next
+boat, and arrive some time in the evening, so it's of no consequence.
+Now for the Hotel. Ask for the bus for the _Continental_. The
+_Continental_ is not open yet. Very well, the _Hôtel de la Plage_,
+then. Closed! All the hotels facing the sea _are_, it seems.
+Sympathetic Porter recommends one in the town, and promises to come
+and tell me as soon as the luggage turns up.
+
+[Illustration: "Please, de tings!"]
+
+_At the Hotel._--Find, on getting out of the omnibus, that the Hotel
+is being painted; entrance blocked by ladders and pails. Squeeze past,
+and am received in the hall by the Proprietress and a German Waiter.
+"Certainly they can give me a room--my baggage shall be taken up
+immed--" Here I have to explain that this is impracticable, as my
+baggage has unfortunately been left behind. Think I see a change in
+their manner at this. A stranger who comes abroad with nothing but
+a stick and an umbrella cannot _expect_ to inspire confidence, I
+suppose. I remark to the Waiter that the luggage is sure to follow me
+by the next boat, but it strikes even myself that I do not bring this
+out with quite a sincere ring. Not at all the manner of a man who
+possesses a real portmanteau. I order dinner--the kind of dinner,
+I feel, that a man who did not intend to pay for it _would_ order.
+I detect this impression in the Waiter's eye. If he dared, I know
+he would suggest tea and a boiled egg as more seemly under the
+circumstances.
+
+_On the Digue._--Thought, it being holiday time, that there would
+be more gaiety; but Ostend just now perhaps a little lacking in
+liveliness--hotels, villas, and even the Kursaal all closely boarded
+up with lead-coloured shutters. Only other person on Promenade a
+fisher-boy scrooping over the tiles in _sabots_. I come to a glazed
+shelter, and find the seats choked with drifting sand, and protected
+with barbed wire. This depresses me. I did not want to sit down--but
+the barbed wire _does_ seem needlessly unkind. Walk along the
+sand-dunes; must pass the time somehow till dinner, and the arrival of
+my luggage. Wonder whether it really _was_ labelled "Ostend." Suppose
+the porter thought I said "Rochester" ... in that case--I will _not_
+worry about it like this. I will go back and see the town.
+
+I have; it is like a good many other foreign towns. I am melancholy.
+I _can't_ dismiss that miserable luggage from my mind. To be alone
+in a foreign land, without so much as a clean sock, is a distressing
+position for a sensitive person. If I could only succeed in seeing a
+humorous element in it, it would be _something_--but I can't. It is
+too forlorn to be at all funny. And there is still an hour and a half
+to get through before dinner!
+
+I have dined--in a small room, with a stove, a carved buffet, and a
+portrait of the King of the BELGIANS; but my spirits are still low.
+German Waiter dubious about me; reserving his opinion for the present.
+He comes in with a touch of new deference in his manner. "Please,
+a man from de shdation for you." I go out--to find the sympathetic
+Porter. My baggage has arrived? It has; it is at the Douane, waiting
+for me. I am saved! I tell the Waiter, without elation, but with
+what, I trust, is a calm dignity--the dignity of a man who has been
+misunderstood, but would scorn to resent it.
+
+_At the Station._--I have accompanied the Porter to the Terminus, such
+a pleasant helpful fellow, so intelligent! The Ostend streets much
+less dull at night. Feel relieved, in charity with all the world, now
+that my prodigal portmanteau is safely reclaimed. Porter takes me
+into a large luggage-room. Don't see my things just at first. "Your
+baggage--_ere!_" says the Porter, proudly, and points out a little
+drab valise with shiny black leather covers and brass studs--the kind
+of thing a man goes a journey with in a French Melodrama! He is quite
+hurt when I repudiate it indignantly; he tries to convince me that
+it is mine--the fool! There is no other baggage of any sort, and mine
+can't possibly arrive now before to-morrow afternoon, if then. Nothing
+for it but to go back, luggageless, to the Hotel--and face that
+confounded Waiter.
+
+Walk about the streets. Somehow I don't feel quite up to going back
+to the Hotel just yet. The shops, which are small and rather dimly
+lighted, depress me. There is no theatre, nor _café chantant_ open
+apparently. If there were, I haven't the heart for them to-night. Hear
+music from a small _estaminet_ in a back street; female voice, with
+fine Cockney accent, is singing "_Oh, dem Golden Slippers!_" Wonder
+where _my_ slippers are!
+
+_In my Bedroom._--I have had to come back at last, and get it
+over with the Waiter. If he felt _any_ surprise, I think it was
+to see me back at all. I have had to ask him if he could get me
+some sleeping-things to pass the night in. _And_ a piece of soap.
+Humiliating, but unavoidable. He promised, but he has not brought
+them. Probably this last request has done for me, and he is now
+communicating with the police....
+
+A tap at my door. "Please, de tings!" says the Waiter. I have wronged
+him. He has brought me _such_ a nightgown! Never saw anything in the
+least like it before. It has flowers embroidered all down the front
+and round the cuffs, and on every button something is worked in tiny
+blue letters, which, on inspection, turns out to be "Good-night." I
+don't quite know why, but, in my present state, I find this strangely
+consoling, and even touching--like a benediction. After all, he _must_
+believe in me, or he would hardly confide his purple and fine linen to
+me like this. Go to bed gorgeous, and dream that my portmanteau, bag,
+and self-respect are all restored to me by the afternoon boat....
+There must be something in dreams, for, oddly enough, this is exactly
+what _does_ happen.
+
+Next morning, at breakfast, I am handed a mysterious and, at first
+sight, rather alarming telegram from the Station-master at Dover.
+"Your bones will be sent on next boat." Suspect the word in the
+original was "_boxes_." But they may call them what they like, so
+long as I get them back again.
+
+ * * * * *
+
+"_The Campaign against the Jebus. Gallant Advance of the British._"
+Dear old Mrs. RAM wants to know "who is commanding the British forces
+in the campaign against the Jebus" (which she spells "Gibus")?
+_Mr. Punch_ is glad to inform his estimable correspondent that the
+principal officers commanding in the Gibus Campaign are Generals
+WIDE-AWAKE, BILLICOCK, JIMCROW, POTT, and BELTOPPER. Their strategical
+movements are worthy of the First Nap.
+
+ * * * * *
+
+CONSIDERATE.--Arrangements are to be made for all Standing Committees
+in future to sit at certain hours. "For this relief, much thanks," as
+WILLIAM SHAKSPEARE, M.P., observed.
+
+ * * * * *
+
+[Illustration: RECIPROCAL.
+
+_Sporting Gentleman._ "WELL, SIR, I'M VERY PLEASED TO HAVE MADE YOUR
+ACQUAINTANCE, AND HAD THE OPPORTUNITY OF HEARING A CHURCHMAN'S VIEWS
+ON THE QUESTION OF TITHES. OF COURSE, AS A COUNTRY LANDOWNER, I'M
+INTERESTED IN CHURCH MATTERS, AND--"
+
+_The Parson._ "QUITE SO--DELIGHTED, I'M SURE. ER--BY THE BYE, COULD
+YOU TELL ME _WHAT'S WON TO-DAY_?"]
+
+ * * * * *
+
+THE BURIAL OF THE "BROAD-GAUGE."
+
+MAY 23, 1892.
+
+ ["Drivers of Broad-Gauge Engines wandering disconsolately
+ about with their engine-lamps in their hands; followed by
+ their firemen with pick and shovel over their shoulder,
+ waiting in anxious expectation of the time when that
+ new-fangled machine, a narrow-gauge engine, should come down
+ a day or two after."--_Times' Special at Plymouth on Death of
+ Broad Gauge._]
+
+ Not a whistle was heard, not a brass bell-note,
+ As his corse o'er the sleepers we hurried;
+ Not a fog-signal wailed from a husky throat
+ O'er the grave where our "Broad-Gauge" we buried.
+
+ We buried him darkly, at dead of night,
+ The sod with our pickaxes turning,
+ By the danger-signal's ruddy light,
+ And our oil-lamps dimly burning.
+
+ No useless tears, though we loved him well!
+ Long years to his fire-box had bound us.
+ We fancied we glimpsed the great shade of BRUNEL,
+ In sad sympathy hovering round us.
+
+ Few and gruff were the words we said,
+ But we thought, with a natural sorrow,
+ Of the Narrow-Gauge foe of the Loco. just dead,
+ _We_ should have to attend on the morrow.
+
+ We thought, as we hollowed his big broad bed,
+ And piled the brown earth o'er his funnel,
+ How his foe o'er the Great-Western metals would tread,
+ Shrieking triumph through cutting and tunnel.
+
+ Lightly they'll talk of him now he is gone,
+ For the cheap "Narrow Gauge" has outstayed him,
+ Yet BULL _might_ have found, had he let it go on,
+ That BRUNEL's Big Idea would have paid him!
+
+ But the battle is ended, our task is done;
+ After forty years' fight he's retiring.[1]
+ This hour sees thy triumph, O STEPHENSON;
+ Old "Broad Gauge" no more will need firing.
+
+ The "Dutchman" must now be "divided in two"!--
+ Well, well, they shan't mangle or mess _you_!
+ Accept the last words of friends faithful, if few:--
+ "Good-bye, poor old Broad-Gauge, God bless you!"[2]
+
+ Slowly and sadly we laid him down.
+ He has filled a great chapter in story.
+ We sang not a dirge--we raised not a stone,
+ But we left the "Broad Gauge" to his glory!
+
+[Footnote 1: The Royal Commission appointed to inquire into the
+ uniformity of railway gauges, presented their report to Parliament
+ on May 30, 1846.]
+
+[Footnote 2: Words found written on one of the G.-W. rails.]
+
+ * * * * *
+
+TO A DEAR YOUNG FEMININE FRIEND, WHO SPELT "WAGON" AS "WAGGON."
+
+ Bad spelling? Oh dear no! So tender, she
+ Wished that the cart should have an extra "_gee_."
+
+ * * * * *
+
+KILLING NO MURDER.
+
+(_TO THE EDITOR OF "PUNCH."_)
+
+MY DEAR SIR,--I have just been reading with a great deal of surprise
+"_The Life and Letters of Charles Samuel Keene_, by GEORGE SOMES
+LAYARD." Seeing the name of one of your colleagues as the first line
+of the "Index," I turned to page 74 and looked him out. I found him
+mentioned in an account given by Mr. M.H. SPIELMANN of the _Punch_
+Dinner, which Mr. GEORGE SOMES LAYARD had extracted from _Black and
+White_, no doubt to assist in making up his book. The following is
+the quotation:--"The Editor, as I have said, presides; should he be
+unavoidably absent, another writer--usually, nowadays, Mr. ARTHUR
+A'BECKETT--takes his place, the duty never falling to an artist."
+Then, to show how thoroughly Mr. GEORGE SOMES LAYARD is up to date,
+he adds to the name of Mr. ARTHUR A'BECKETT (after the fashion of
+_Mr. Punch_ in the drama disposing of the clown or the beadle), "since
+dead." Now Mr. ARTHUR A'BECKETT is not dead, but very much alive.
+Do you not think, Sir, it would be better were gentlemen who write
+about yourself and your colleagues, to verify their facts before they
+attempt to give obituary notices, even if they be as brief as the one
+in question?
+
+ Yours, truly,
+ MORE GAY THAN GRAVE.
+
+ * * * * *
+
+NEW AND APPROPRIATE NAME FOR MODERN PUGILISM.--The "Nobble" Art.
+
+ * * * * *
+
+[Illustration: THE BURIAL OF THE "BROAD-GAUGE."]
+
+ * * * * *
+
+STUDIES IN THE NEW POETRY.
+
+The world is of course aware by this time that a New Poetry has
+arisen, and has asserted itself by the mouths of many loud-voiced
+"boomers." It has been _Mr. Punch's_ good fortune to secure several
+specimens of this new product, not through the intervention of middle
+men, but from the manufacturers themselves. He proposes to publish
+them for the benefit and enlightenment of his readers. But first a
+word of warning. There are perhaps some who believe that a poem should
+not only express high and noble thoughts, or recount great deeds, but
+that it should do so in verse that is musical, cadenced, rhythmical,
+instinct with grace, and reserved rather than boisterous. If any
+such there be, let them know at once that they are hopelessly
+old-fashioned. The New Poetry in its _highest_ expression banishes
+form, regularity and rhythm, and treats rhyme with unexampled
+barbarity. Here and there, it is true, rhymes get paired off quite
+happily in the conventional manner, but directly afterwards you may
+come upon a poor weak little rhyme who will cry in vain for his mate
+through half a dozen interloping lines. Indeed, cases have been known
+of rhymes that have been left on a sort of desert island of a verse,
+and have never been fetched away. And sometimes when the lines have
+got chopped very short, the rhymes have tumbled overboard altogether.
+That is really what is meant by "impressionism" in poetry carried to
+its highest excellence. There are, of course, other forms of the New
+Poetry. There is the "blustering, hob-nailed" variety which clatters
+up and down with immense noise, elbows you here, and kicks you there,
+and if it finds a pardonable weakness strolling about in the middle of
+the street, immediately knocks it down and tramples upon it. Then too
+there is the "coarse, but manly" kind which swears by the great god,
+Jingo, and keeps a large stock of spread eagles always ready to swoop
+and tear without the least provocation.
+
+However, _Mr. Punch_ may as well let his specimens speak for
+themselves. Here, then, is
+
+NO. I.--A GRAVESEND GREGORIAN.
+
+BY W.E. H-NL-Y. (_CON BRIO._)
+
+ Deep in a murky hole,
+ Cavernous, untransparent, fetid, dank,
+ The demiurgus of the servants' hall,
+ The scuttle-bearing buttons, boon and blank
+ And grimy loads his evening load of coals,
+ Filled with respect for the cook's and butler's rank,
+ Lo, the round cook half fills the hot retreat,
+ Her kitchen, where the odours of the meat,
+ The cabbage and sweets all merge as in a pall,
+ The stale unsavoury remnants of the feast.
+ Here, with abounding confluences of onion,
+ Whose vastitudes of perfume tear the soul
+ In wish of the not unpotatoed stew,
+ They float and fade and flutter like morning dew.
+ And all the copper pots and pans in line,
+ A burnished army of bright utensils, shine;
+ And the stern butler heedless of his bunion
+ Looks happy, and the tabby-cat of the house
+ Forgets the elusive, but recurrent mouse
+ And purrs and dreams;
+ And in his corner the black-beetle seems
+ A plumed Black Prince arrayed in gleaming mail;
+ Whereat the shrinking scullery-maid grows pale,
+ And flies for succour to THOMAS of the calves,
+ Who, doing nought by halves,
+ Circles a gallant arm about her waist,
+ And takes unflinching the cheek-slap of the chaste
+ And giggling fair, nor counts his labour lost.
+ Then, beer, beer, beer.
+ Spume-headed, bitter, golden like the gold
+ Buried by cutlassed pirates tempest-tossed,
+ Red-capped, immitigable, over-bold
+ With blood and rapine, spreaders of fire and fear.
+ The kitchen table
+ Is figured with the ancient, circular stains
+ Of the pint-pot's bottom; beer is all the go.
+ And every soul in the servants' hall is able
+ To drink his pint or hers until they grow
+ Glorious with golden beer, and count as gains
+ The glowing draughts that presage morning pains.
+
+ * * * * *
+
+[Illustration: QUITE UNANSWERABLE.
+
+_Ethel._ "MAMMY DEAR! WHY DO YOU POWDER YOUR FACE, AND WHY DOES THOMAS
+POWDER HIS HAIR? I DON'T DO EITHER!"]
+
+ * * * * *
+
+EPISCOPACY IN DANGER.--_Mr. Punch_ congratulates Dr. PEROWNE, Bishop
+of Worcester, on his narrow fire-escape some days ago, when his lawn
+sleeves (a costume more appropriate for a garden-party than a pulpit)
+caught fire. It was extinguished by a bold Churchwarden. In future let
+Churchwardens be prepared with hose whenever a prelate runs any chance
+of ignition from his own "burning eloquence." If _Mr. Punch's_ advice
+as above is acted upon, a Bishop if "put out" may probably mutter,
+"Darn your hose." But this can be easily explained away.
+
+ * * * * *
+
+BETTER AND BETTER.--The Report last week about Sir ARTHUR SULLIVAN
+was that "he hopes to go to the country shortly." So do our political
+parties. Sir ARTHUR cannot restrain himself from writing new and
+original music at a rapid pace. This, is a consequence of his having
+taken so many composing draughts.
+
+ * * * * *
+
+"OUR BOOKING OFFICE."--Not open this week, as the Baron has been
+making a book. Interesting subject, "On the Derby and Oaks." Being
+in sporting mood, the Baron adopts as his motto King SOLOMON's
+words of wisdom, out of his (King SOLOMON's) own mines of golden
+treasures,--"And of book-making there is no end." He substitutes
+"book-making" for "making of books," and with the poetic CAMPBELL
+(HERBERT of that ilk) he sings, "it makes no difference."
+
+ * * * * *
+
+AFTER THE EVENT.--Last Sunday week was the one day in the year when
+ancient Joe Millers were permissible. It was "Chestnut Sunday." We
+didn't like to mention it before.
+
+ * * * * *
+
+The Royal General Theatrical Fund Dinner, held last Thursday, will be
+remembered in the annals of the Stage as "ALEXANDER's Feast."
+
+ * * * * *
+
+HORACE IN LONDON. TO A COQUETTE. (AD PYRRHAM.)
+
+[Illustration]
+
+ What stripling, flowered and scent-bedewed,
+ Now courts thee in what solitude?
+ For whom dost thou in order set
+ Thy tresses' aureole, Coquette.
+
+ "Neat, but not gaudy"?--Soon Despond
+ (Too soon!) at flouted faith and fond,
+ Soon tempests halcyon tides above
+ Shall wreck this raw recruit of Love;
+
+ Who counts for gold each tinsel whim,
+ And hopes thee always all for him,
+ And trusts thee, smiling, spite of doom
+ And traitorous breezes! Hapless, whom
+
+ Thy glamour holds untried. For me,
+ I've dared enough that fitful sea;
+ Its "breach of promise" grim hath curst
+ Both purse and person with its worst.
+
+ My "dripping weeds" are doffed; and I
+ Sit "landed," like my wine, and "dry;"
+ What "weeds" survive I smoke, and rub
+ My hands in harbour at my Club!
+
+ * * * * *
+
+OPERATIC NOTES.
+
+_Monday._--_L'Amico Fritz_ at last! Better late than never. A Dramatic
+Operatic Idyl. "Nothing in it," as _Sir Charles Coldstream_ observes,
+except the music, the singing, and the acting of Signor DE LUCIA as
+_Fritz_ Our Friend, of M. DUFRICHE as the _Rabbi_ of Mlle. GIULIA
+RAVOGLI as _Boy Beppe_, of Mlle. BAUERMEISTER as _Caterina_, and of
+Madame CALVÉ as _Suzel_. Not an indifferent performer or singer among
+them, and not an individual in the audience indifferent to their
+performance. Cherry-Tree Duet, between _Suzel_ and _Fritz_, great hit.
+Admirably sung and acted, and vociferously encored. Nay, they would
+have had it three times if they could, but though Sir DRURIOLANUS sets
+his face against encores, allowing not too much encore but just encore
+enough, he, as an astute Manager, cannot see why persons who have
+paid to hear a thing only once should hear it three times for the same
+money. No; if they like it so much that they want it again, and must
+have it, and won't be happy till they get it, then let them encore
+their own performance of paying for their seats, and come and hear
+their favourite _morçeaux_ over and over again as often as they like
+to pay. He will grant one encore no more. Sir DRURIOLANUS is right. Do
+we insist on Mr. IRVING giving us "To be or not to be," or any other
+soliloquy, all over again, simply because he has done it once so well?
+Do we ask Mr. J.L. TOOLE to repeat his author's good jokes--or his own
+when his author has failed him? No; we applaud to the echo, we laugh
+till, as Mr. CHEVALIER says, "we thort we should ha' died," but
+we don't encore the comic jokes, telling situations, or serious
+soliloquies as rendered by our accomplished histrions.
+
+[Illustration: The Rabbinical-Hat-Beer-Jug.]
+
+Were a collection of pictures made of Mlle. BAUERMEISTER in different
+characters, it would, for interest and variety, become a formidable
+rival of the CHARLES MATHEWS series now in the possession of the
+Garrick Club. To-night she is the busy, bustling _Caterina_, _Friend
+Fritz's_ housekeeper, who, as she has to provide all the food for
+their breakfast, and set it on the table, might be distinguished as
+_Catering Caterina_. No one now cares to see an Opera without Mlle.
+BAUERMEISTER in it, whether she appear as a dashing lady of the Court,
+probably in a riding-habit, or as a middle-class German housekeeper,
+or as Cupid God of Love, or as _Juliet's_ ancient nurse, or as an
+impudent waiting-maid, or as an unhappy mother, or as,--well,--any
+number of characters that I cannot now recall, but all done
+excellently well. Never have I heard of her being either "sick or
+sorry." Some few seasons ago I drew public attention to this most
+useful and ornamental _artiste_, and now I am glad to see that here
+and there a critic has awoke to the fact of her existence, and has
+done her tardy justice. Long may the Bauermeistersinger be able to
+give her valuable assistance, without which no Covent Garden Opera
+Company could possibly be perfect.
+
+[Illustration: Bob-Cherry Duet.]
+
+As to _L'Amico Fritz_, I should suggest that it be played in one
+Scene and two Acts. That this one Scene should be the Exterior of
+Cherry-Tree Farm (which should be _Fritz's_, not the _Rabbi's_)
+and that instead of lowering the Curtain, the _intermezzo_--not I
+venture to opine equal to the marvellous _intermezzo_ in _Cavalleria
+Rusticana_--should be played. _L'Amico_ is certain of an encore, and
+this will give the singers a rest. It could then commence at nine--a
+more convenient hour to those who would like to hear every note of it,
+than 8:15, and it would be over by eleven sharp. A nod is as good as a
+wink to Sir DRURIOLANUS, but all the same, Heaven forefend I should
+be guilty of either indiscretion in the Imperial Operatorial presence.
+Thus much at present.
+
+_Friday._--"It's the smiles of its AUGUSTUS and the heat of its
+July"--adapted quotation from "Old Song." "I cannot sing the old
+song"--except under a sense of the deepest and most unpardonable
+provocation; and when I do!!--_Cave canem, ruat coelum!_ I bring down
+the house as Madame DELILAH's SAMSON did. To-night _Manon_ is indeed
+warmly welcomed. "A nice Opera," says a young lady, fanning herself.
+"I wish it were an iced Opera," groans WAGSTAFF, re-issuing one of
+his earliest side-splitters. M. VAN DYCK strong as the weak _Des
+Grieux_, but Madame MRAVINA apparently not strong enough. "What made
+author-chap think of calling her _Manon_?" asks languid person in
+Stalls. WAGSTAFF, revived after an iced B.-and-S., is equal to the
+occasion. "Such a bad lot, you know--regular man-catcher; hooked a
+_man on_, then, when he was done with, hooked another man on. Reason
+for name evident, see?" The _Cavalleria Rusticana_ is the favourite
+for Derby Night. All right up to now, Sir DRURIOLANUS.
+
+ * * * * *
+
+TENNER SONG FOR DERBY DAY.--"_He's got it on!_"
+
+ * * * * *
+
+[Illustration: WHAT OUR ARTIST (THE SMALL AND SUSCEPTIBLE ONE) HAS TO
+PUT UP WITH.
+
+_Miss Binks._ "PRAY, MR. TITMOUSE, WHY DO YOU ALWAYS DRAW SUCH
+IMMENSELY TALL WOMEN?"
+
+_Our Artist._ "WELL, MISS BINKS, I SUPPOSE IT'S BECAUSE I'M SUCH A
+TINY LITTLE MAN MYSELF. CONTRAST, YOU SEE!"
+
+_Miss Binks._ "AH, YES, CONTRAST! THAT IS HOW WE TINY LITTLE WOMEN
+ALWAYS ATTRACT ALL THE FINE TALL MEN! THAT'S HOW _WE_ SCORE!"
+
+_Our Artist._ "EXACTLY. I ONLY WISH TO GOODNESS YOU'D ATTRACT THAT
+VERY FINE TALL MAN AWAY FROM MISS JONES--THEN _I_ MIGHT HAVE A CHANCE,
+PERHAPS!"]
+
+ * * * * *
+
+A VERY "DARK HORSE."
+
+ ["The Country knows ... what it is we desire to do. What the
+ Right Hon. Gentleman (Mr. GLADSTONE) desires to do no human
+ being knows. If we have done our part, as we have done, to
+ clear the issues, all we can ask him is to do his part, to
+ lay before the electorate of this country in the same plain,
+ unmistakable outline, the policy which he desires to see
+ adopted."--_Mr. Balfour on Second Reading of Irish Local
+ Government Bill._]
+
+ SCENE--_The Paddock, before the Great Race. Rising Young
+ Jockey_, ARTHUR BALFOUR, _mounted on the Crack Irish Horse.
+ Enter Grand Old Jockey, at the moment minus a mount._
+
+_Grand Old Jockey_ (_aside_). Humph! Don't look so bad, now, despite
+ the dead set
+ That against him we've made since his very first running,
+ Do they mean him to win after all? Artful set,
+ That Stable! It strikes me they've been playing cunning.
+ One wouldn't have backed him, first off, for a bob.
+ His owner concerning him scarcely seemed caring.
+ Eugh! No one supposed he was fair "on the job";
+ A mere trial-horse, simply "out for an airing."
+ When he first stripped in public he looked such a screw,
+ He was hailed with a general chorus of laughter;
+ Young BAL seemed abashed at the general yahboo!
+ And pooh-poohed his new mount! What the doose is he after?
+ I'm bound to admit the Horse _looks_ pretty fit,
+ And the boy sits him well, and as though he meant _trying_.
+ I say, this won't do! I must bounce him a bit.
+ Most awkward, you know, if his "slug" takes to _flying_!
+
+_Rising Young Jockey_ (_aside_). Hillo! There's Old WILLIAM! He's out
+ on the scoot.
+ The artful Old Hand! Hope he'll like what he looks on!
+ He slated this nag as a peacocky brute,
+ Whose utter collapse they've been building their books on.
+ How now, my spry veteran? Only a boy
+ On a three-legged crock? Well, I own you are older,
+ And watching your riding's a thing to enjoy;
+ There isn't a Jock who is defter _and_ bolder;
+ Your power, authority, eloquence--yes,
+ For your gift of the gab is a caution--are splendid;
+ But--the youngster _may_ teach you a lesson, I guess,
+ As to judgment of pace ere the contest is ended.
+
+_Grand Old Jockey_ (_aloud_). Well, ARTHUR my lad, in the saddle
+ again!
+ Is _that_ your crack mount?
+
+_Rising Young Jockey._ The identical one, WILL.
+
+_Grand Old Jockey._ Dear, dear, what a pity! It quite gives me pain
+ To see you so wasted.
+
+_Rising Young Jockey._ That's only your fun, WILL.
+
+_Grand Old Jockey._ Nay, nay, not at all! Don't think much of his
+ points.
+ He's not bred like a true-blood, nor built like a winner.
+ Not well put together, so coarse in his joints,
+ In fact--only fit for a hunting-pack's dinner!
+
+_Rising Young Jockey_ (_laughing_). Oh! "Cat's-meat!" is your cry, is
+ it, WILLIAM? Well, well!
+ We shall see about that when the winning-post's handy.
+
+_Grand Old Jockey._ _You_ won't, my brave boy; that a novice could
+ tell.
+ You'll be left in the ruck at the end, my young dandy,
+
+_Rising Young Jockey._ Perhaps! Still the pencillers haven't,--as
+ yet--
+ Quite knocked the nag out with their furious fever
+ Of hot opposition. Some cool ones still bet
+ On his chance of a win.
+
+_Grand Old Jockey_ (_contemptuously_). Ah, you're wonderful clever.
+ But we have got one in _our_ Stable, my lad,
+ Who can--just lick his head off!
+
+_Rising Young Jockey_ (_drily_). Now have you indeed, WILL?
+ I fancy I've heard that before. Very glad
+ That your lot are in luck; and I hope you'll succeed, WILL,
+ But bless me! yours seems such a _very_ Dark Horse!
+ Oh! there, don't fire up so! Your word I won't doubt, WILL.
+ You say so, and one must believe you, of course;
+ But--_isn't_ it time that you _brought the nag out_, WILL?
+
+ * * * * *
+
+[Illustration: A VERY "DARK HORSE."
+
+OLD JOCKEY. "DON'T THINK MUCH OF HIS POINTS! WE'VE ONE IN OUR STABLE
+CAN LICK HIS HEAD OFF!"
+
+YOUNG JOCKEY. "_HAVE_ YOU? THEN WHY DON'T YOU _BRING HIM OUT_?"]
+
+ * * * * *
+
+HISTORY AS SHE IS PLAYED!
+
+_Questioner._ Why should M.V. SARDOU be called the Historian of the
+ French Revolution?
+
+_Answerer._ Because in _Thermidor_ he has given an entirely new
+ version of the "Reign of Terror."
+
+_Q._ Was the "Reign of Terror" very terrible?
+
+_A._ Not very. At the Opéra Comique it had its comic side.
+
+_Q._ How was that?
+
+_A._ For instance, _les tricoteuses_ were represented by comely,
+ albeit plump maidens, who seemed more inclined to dance round a
+ Maypole than haunt a scaffold.
+
+_Q._ Were ROBESPIERRE, ST. JUST, and the rest, cruel and vindictive?
+
+_A._ I should say not; and I found my conclusion on the fact that they
+ engaged an actor given to practical joking as an officer of the Public
+ Security.
+
+_Q._ From this, do you take it that ROBESPIERRE must have had a subtle
+sense of humour?
+
+_A._ I do; and the impression is strengthened by his order for a
+ general slaughter of Ursuline Nuns.
+
+_Q._ Why should he order such a massacre?
+
+_A._ To catch the heroine of _Thermidor_, a lady who had taken the
+ vows under the impression that her lover had been killed by the enemy.
+
+_Q._ Had her lover been killed?
+
+_A._ Certainly not; he had preferred to surrender.
+
+_Q._ Can you give me any idea of the component part of a revolutionary
+ crowd?
+
+_A._ At the Opéra Comique, a revolutionary crowd seems to consist of
+ a number of mournful loungers, who have nothing to do save to take
+ a languid interest in the fate of a tearful maiden, and a few _gens
+ d'armes_ a little uncertain about their parade-ground.
+
+_Q._ How do the mournful loungers express their interest in the fate
+ of the tearful maiden?
+
+_A._ By pointing her out one to another, and when she is ordered off
+ to execution removing their hats, and fixing I their attention on
+ something concealed behind the scenes.
+
+_Q._ What is your present idea of the Reign of Terror?
+
+_A._ My present idea of the Reign of Terror is, that it was the
+ mildest thing imaginable. In my opinion, not even a child in arms
+ would have been frightened at it.
+
+_Q._ Do you not consider M. MAYER deserving of honour?
+
+_A._ Certainly I do. For has he not removed (with the assistance of M.
+ SARDOU and the Opéra Comique) several fond illusions of my youth?
+
+ * * * * *
+
+[Illustration: NATURE V. ART.
+
+_Æsthetic Friend._ "YES, THIS ROOM'S RATHER NICE, ALL BUT THE WINDOW,
+WITH THESE LARGE BLANK PANES OF PLATE-GLASS! I SHOULD LIKE TO SEE SOME
+SORT OF PATTERN ON THEM--LITTLE SQUARES OR LOZENGES OR ARABESQUES--"
+
+_Philistine._ "WELL, BUT THOSE LOVELY CHERRY BLOSSOMS, AND THE LAKE,
+AND THE DISTANT MOUNTAIN, AND THE BEAUTIFUL SUNSETS, AND THE PURPLE
+CLOUDS--ISN'T THAT PATTERN ENOUGH?"]
+
+ * * * * *
+
+THE MORNING OF THE DERBY.--_Hamlet_ considering whether he shall go
+to Epsom for the great race or not, soliloquises, "Der-_be_ or not
+Der-_be_, that is the question." [N.B.--As to the other lines, go as
+you please. "The rest is silence."]
+
+ * * * * *
+
+"MARRIED AND SINGLE" should be played by Lady-Cricketers. No single
+young person under seventeen should be permitted an innings, as any
+two sweet sixteens would be "not out," and there would be no chance
+for the other side. Match-makers are only interested in the Single.
+
+ * * * * *
+
+LADY GAY'S SELECTIONS.
+
+DEAR MR. PUNCH,--For the first time have I seen myself in print!--and
+I must say I think it very becoming--and so nice and cool too this
+hot weather! You are indeed a sweet creature for adopting my idea
+so readily--and I really must say that if these obstinate Members of
+Parliament who oppose Women's Suffrage would only alter their views,
+it would be much better for the Country--or worse--I don't know which!
+
+[Illustration]
+
+Sir MINTING BLOUNDELL, whose criticism on my contribution to your
+well-written journal I invited, complimented me on my style, and
+suggested that when giving my selections it might be as well to
+refer to the "Home Trials" of the horses mentioned--but I venture
+to disagree with him! Goodness knows we all have home trials enough!
+(Lord ARTHUR and I frequently do not speak for a week unless someone
+is present)--but I do not think these things should be made public,
+and besides, it is an unwritten law amongst "smart" people to avoid
+subjects that "chafe"--which sounds like an anachronism--whatever that
+means! Having an opportunity of a "last word" on the Derby, I should
+like to say that, although my confidence in my last week's selection,
+_La Flêche_, is unshaken, I wish to have a second "arrow" to my bow
+in _Llanthony_--of whom a very keen judge of racing (Lord BOURNEMOUTH
+to wit) has formed the opinion that--in his own words--"he will be
+on the premises"! The premises in question being Epsom Downs, there
+will undoubtedly be room for him without his filling an unnecessarily
+prominent position, so I will couple _Llanthony_ with _La Flêche_ to
+supply the probable last in the Derby.
+
+Meanwhile, I must say a word or two about the Ladies' Race at Epsom
+on Friday next. There is absolutely no knowing what will start for
+the Oaks nowadays until the numbers go up--and no Turf Prophet will
+venture a selection until the morning of the race--and _this_ is where
+the perspicuity of an Editor like yourself, _Mr. Punch_, scores a
+distinct hit--for such a paltry consideration as "knowing nothing
+about it" is not likely to daunt a woman who takes as her motto the
+well-known line from SHAKSPEARE: "Thus Angels rush where Cowards fear
+to tread!"--so herewith I confidently append my verse selection for
+the last Mare in the Oaks!
+
+ Yours devotedly,
+ LADY GAY.
+
+THE TIP.
+
+ 'Tis the voice of the Sluggard, I hear him complain,
+ You have waked me too soon--an unpleasant surprise!
+ In an hour or so later pray call me again,
+ When, if feeling refreshed, I will straightway "_Arise!_"
+
+ * * * * *
+
+QUITE IN KEEPING.--The Earl of DYSART has left the ranks of the
+Liberal Unionists and become a Gladstonian Home-Ruler. "What more
+natural?" asked one of his former Unionist friends. "Of course he's
+dysarted us!"
+
+ * * * * *
+
+[Illustration: A MISUNDERSTANDING.
+
+_He._ "OH, IF I'D ONLY BEEN A 'BEAR'!"
+
+_She._ "IF YOU HAD BEEN, YOU COULDN'T GROWL WORSE THAN YOU DO!"]
+
+ * * * * *
+
+ESSENCE OF PARLIAMENT.
+
+EXTRACTED FROM THE DIARY OF TOBY, M.P.
+
+_House of Commons, Monday, May 23._--REDMOND, Junior, said really
+funny thing just now. Rising to take part in resumed Debate on Irish
+Local Government Bill, he announced in loud angry tone that it would
+be waste of time to discuss a Bill the Government evidently did not
+intend to press through this Session, and he for one would be no party
+to such a farce. Then he went on to talk for half an hour.
+
+[Illustration: "Joe!"]
+
+Debate on the whole something better than last week's contribution.
+O'BRIEN delivered himself of glowing denunciation full of felicitous
+phrases, all got through in half an hour. CHAMBERLAIN followed;
+has not yet got over startling novelty of his interposition in
+Debate being welcomed by loud cheers from Conservatives; thinks
+of old Aston-Park days, when the cheering was, as WEBSTER (not
+Attorney-General) says, "on the other boot." Now, when JOSEPH gets
+up to demolish his Brethren sitting near, Conservatives opposite
+settle themselves down with the peculiar rustling motion with which
+a congregation in crowded church or chapel arrange themselves to
+listen to a favourite preacher. Pretty to watch them as CHAMBERLAIN
+goes forward with his speech, delighting them with surprise to find
+how much better is their position than they thought when it was
+recommended or extolled from their own side. JOSEPH not nearly so
+acrimonious to-night as sometimes. Still, as usual, his speech
+chiefly directed to his former Brethren who sit attentive, thinking
+occasionally with regret of the fatal shallowness of the pit, and
+the absence of arrangement for hermetically sealing it. If only--But
+that is another story. COURTNEY at end of Bench is thinking of still
+another, which has the rare charm of being true. It befel at a quiet
+dinner where JOSEPH, finding himself in contiguity with Chairman of
+Committees, took opportunity of rebuking him for his alleged laxity
+in repressing disorder.
+
+[Illustration: The Fighting Colonel.]
+
+"I should like to know," he asked, "whether, supposing I were to fire
+a pistol across the House, you would call it a breach of order."
+
+"I don't think, CHAMBERLAIN," said Prince ARTHUR, who was sitting at
+the other side of the table, "that if you were going to fire a pistol
+in the Commons, you would point it across the House." TIM HEALY just
+back from Dublin, where he's been appearing in his favourite character
+of pacificator; followed CHAMBERLAIN, and later came SAUNDERSON. But
+even he suffered from prevailing tone of dulness, and WILFRID LAWSON,
+fast asleep in the corner by Cross Benches, did not miss much.
+_Business done._--More talk on Local Government Bill.
+
+_Tuesday._--If anyone looking on at House of Commons at three o'clock
+this afternoon had predicted that within an hour it would be teeming
+with life, brimming over with human interest, he would have been
+looked upon with cold suspicion. NOLAN had taken the floor, and was
+understood to be expressing his deliberate opinion on merits of Irish
+Local Government Bill. He was certainly saying something, but what it
+might be no man could tell. LYON PLAYFAIR, who is up in all kinds of
+statistics, tells me 120 words per minute is the average utterance
+of articulate speech. NOLAN was doing his 300, and sometimes exceeded
+that rate. Not a comma in a column of it. A humming-top on the subject
+would have been precisely as instructive and convincing. Some twenty
+Members sat there fascinated by the performance. It was not delivered
+in a monotone, in which case one could have slept. NOLAN was evidently
+arguing in incisive manner, shirking no obstacle, avoiding no point
+in the Bill, or any hit made by previous speaker. His voice rose and
+fell with convincing modulation. He seemed to be always dropping into
+an aside, which led him into another, that opened a sort of Clapham
+Junction of converging points. One after the other, the Colonel, with
+full steam up, ran along; when he reached terminus of siding, racing
+back at sixty miles an hour; and so up and down another. Only guessed
+this from modulation of his voice and the intelligent nodding of the
+head with which he compelled the attention of ATTORNEY-GENERAL for
+IRELAND. For just over half an hour he kept up this pace, and, saving
+a trot for the avenue, fell back into his seat gasping for breath,
+having concluded a sentence nine hundred words long worked off in
+three minutes by the astonished clock.
+
+[Illustration: THE GLADSTONIAN BAGMAN.
+
+["I regard myself as a commercial traveller."--_Speech by Sir William
+Harcourt at Bristol, May_ 11, 1892.]]
+
+[Illustration: "T.W."]
+
+An interval of T.W. RUSSELL, with one of his adroitly-argued,
+lucidly-arranged speeches. Then Mr. G. and transformation scene. House
+filled up as if by magic. In ten minutes not a seat vacant on floor;
+Members running into Side Gallery, nimbly hopping over Benches, to get
+on front line so as to watch as well as hear the last and the greatest
+of the old Parliamentarians. As suddenly and swiftly as the House had
+filled, the limp lay figure of the Debate throbbed with life. Scene of
+the kind witnessed only once or twice in Session. Six hundred pair of
+eyes all turned eagerly upon figure standing at Table, denouncing with
+uplifted arm, and voice ringing with indignation, the iniquities of
+the MARKISS, safely absent, and of his nephew, Prince ARTHUR, serenely
+present.
+
+A great speech; an achievement which, if it stood alone, sufficient to
+make a reputation. And yet, when result of Division announced, it was
+found that majority of an iniquitous Government had run up to 92!
+
+Everyone delighted to hear the interesting news from 27, St.
+James's Place, which gives an heir to the Spencer Earldom, and has
+spread a feeling of joy and contentment throughout Althorpe and
+Mid-Northamptonshire. The latest news, brought down just now by
+MARJORIBANKS, is "BOBBY is doing as well as can be expected."
+_Business done._--Irish Local Government Bill read Second Time, by
+339 votes against 247.
+
+_Wednesday._--Hail! Sir HENRY WIGGIN, Bart, M.P.; B.B.K., as ARTHUR
+ORTON called himself when resident in the wilds of Australia, and
+explained that the style imported Baronet of the British Kingdom.
+_Now_ we know what was the meaning of that foray upon the House the
+other day, when, with the Chairman in the Chair, and Committee fully
+constituted, the waggish WIGGIN walked adown the House, with his
+hat cocked on one side of his head, in defiance of Parliamentary
+etiquette. The Birthday Gazette was even then being drafted, and
+to-day the wanton WIGGIN is Sir HENRY, Baronet of the United Kingdom.
+_Not_ a more popular announcement in the list. An honest, kindly,
+shrewd WIGGIN it is, with a face whose genial smile all people,
+warming under it, instinctively return.
+
+_Business done._--WIGGIN made B.B.K.
+
+_Thursday._--Quite a long time reaching Vote on Account; two hours
+taken for discussion of Birmingham Water Bill; Gentlemen in Radical
+camp much exercised about size of fish in streams annexed for purposes
+of Birmingham water supply. CHAMBERLAIN, who has charge of Bill, says
+he never caught one longer than two inches. DILLWYN protests that
+fishing in same waters he rarely caught one less than a pound weight.
+Evidently a mistake somewhere. House perplexed, finally passed Bill
+through Committee.
+
+[Illustration: The Noble Baron.]
+
+Then Rev. SAM SMITH wants to know more about Polynesian Labour
+Traffic. The NOBLE BARON who has charge of Colonial affairs in
+Commons, whilst controverting all his statements, says "everyone must
+admit that the Hon. Member has spoken from his heart." "Which," NOVAR
+says, "it reminds me of the couplet _Joe Gargery_ meant to put on the
+tombstone of his lamented father, 'What-sume'er the failings on his
+part, Remember, reader, he were that good in his hart.'"
+
+At length in Committee of Supply; Vote on Account moved; Mr. G. on his
+feet wanting to know you know; doesn't once mention the Dissolution;
+but puts it to Prince ARTHUR whether, really, the time hasn't come
+when House should learn something with respect to intentions of
+Government touching finance, their principal Bills, and, in short, "so
+far foreshadowing the probable termination of the Session?" Wouldn't
+on any account hurry him; any day he likes will do; only getting time
+something should be said. Prince ARTHUR, gratefully acknowledging
+Mr. G.'s kind way of putting it, agreed with his view. Some day he
+will tell us something; to-day he will say nothing. A pretty bit
+of by-play; excellently done by both leading Gentlemen; perfectly
+understood by laughing House.
+
+_Business done._--Shadow of Dissolution gathering close.
+
+_Friday._--I see TAY PAY, in the interesting Sunday journal he
+admirably edits, reproaches me because, in this particular page
+of history, "Mr. SEXTON," he says, "is derided constantly and
+shamefully." _Anglicè_: Occasionally when, in a faithful record of
+Parliamentary events, SEXTON's part in the proceedings must needs be
+noticed, it is gently hinted that among his many admirable qualities
+terseness of diction is not prominent. In fact he has been sometimes
+alluded to by the playful prefix WINDBAG. If TAY PAY had been
+content to administer reproof, it would have been well. But he
+goes on to discuss SEXTON's parliamentary style, and comes to this
+conclusion:--"Mr. SEXTON's one fault as a speaker is that he does
+not proportion his observations sufficiently at certain stages in his
+speeches; and that preparation sometimes has the effect of tempting
+him to over-elaboration." If TAY PAY likes to put it that way, no one
+can object. Only, space in this journal being more valuable, the same
+thing is said in a single word.
+
+_Business done._--Small Holdings Bill sent on to the Lords.
+
+ * * * * *
+
+[Illustration: OVERHEARD AT EARL'S COURT.
+
+_Old Buffer._ "UGH! I'M TIRED TO DEATH OF BEING HUNTED! BLESSED IF
+I'LL RUN AWAY FROM THOSE BLANK CARTRIDGES AGAIN!"
+
+_Broncho._ "YES, YOU BET! AND I'VE MADE UP MY MIND TO QUIT BUCKING.
+IT'S PERFECTLY SICKENING HAVING TO DO IT FROM YEAR'S END TO YEAR'S
+END!"]
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+102, June 4, 1892, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 14652 ***