summaryrefslogtreecommitdiff
path: root/1464-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '1464-0.txt')
-rw-r--r--1464-0.txt2772
1 files changed, 2772 insertions, 0 deletions
diff --git a/1464-0.txt b/1464-0.txt
new file mode 100644
index 0000000..c7c1bb3
--- /dev/null
+++ b/1464-0.txt
@@ -0,0 +1,2772 @@
+The Project Gutenberg eBook, Contributions to All the Year Round, by
+Charles Dickens
+
+
+This eBook is for the use of anyone anywhere in the United States and most
+other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms of
+the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you'll have
+to check the laws of the country where you are located before using this ebook.
+
+
+
+
+Title: Contributions to All the Year Round
+
+
+Author: Charles Dickens
+
+
+
+Release Date: August 20, 2019 [eBook #1464]
+[This file was first posted on July 16, 1998]
+
+Language: English
+
+Character set encoding: UTF-8
+
+
+***START OF THE PROJECT GUTENBERG EBOOK CONTRIBUTIONS TO ALL THE YEAR
+ROUND***
+
+
+Transcribed from the 1912 Gresham Publishing Company edition (_Works of
+Charles Dickens_, _Volume_ 19) by David Price, email ccx074@pglaf.org
+
+ [Picture: Book cover]
+
+
+
+
+
+ CONTRIBUTIONS
+ TO
+ _All The Year Round_
+
+
+ BY
+ CHARLES DICKENS
+
+
+
+
+CONTENTS
+
+ PAGE
+Announcement in _Household Words_ of the Approaching 475
+Publication of _All The Year Round_ (May 28, 1859)
+The Poor Man and his Beer (April 30, 1859) 477
+Five New Points of Criminal Law (September 24, 1859) 485
+Leigh Hunt: A Remonstrance (December 24, 1859) 485
+The Tattlesnivel Bleater (December 31, 1859) 487
+The Young Man from the Country (March 1, 1862) 497
+An Enlightened Clergyman (March 8, 1862) 502
+Rather a Strong Dose (March 21, 1863) 504
+The Martyr Medium (April 4, 1863) 510
+The Late Mr. Stanfield (June 1, 1867) 516
+A Slight Question of Fact (February 13, 1869) 518
+Landor’s Life (July 24, 1869) 519
+Address which Appeared Shortly previous to the Completion 526
+of the Twentieth Volume (1868) intimating a New Series of
+_All The Year Round_
+
+
+
+
+ANNOUNCEMENT IN “HOUSEHOLD WORDS” OF THE APPROACHING PUBLICATION OF “ALL
+THE YEAR ROUND”
+
+
+AFTER the appearance of the present concluding Number of _Household
+Words_, this publication will merge into the new weekly publication, _All
+the Year Round_, and the title, _Household Words_, will form a part of
+the title-page of _All the Year Round_.
+
+The Prospectus of the latter Journal describes it in these words:
+
+ “ADDRESS
+
+“Nine years of _Household Words_, are the best practical assurance that
+can be offered to the public, of the spirit and objects of _All the Year
+Round_.
+
+“In transferring myself, and my strongest energies, from the publication
+that is about to be discontinued, to the publication that is about to be
+begun, I have the happiness of taking with me the staff of writers with
+whom I have laboured, and all the literary and business co-operation that
+can make my work a pleasure. In some important respects, I am now free
+greatly to advance on past arrangements. Those, I leave to testify for
+themselves in due course.
+
+“That fusion of the graces of the imagination with the realities of life,
+which is vital to the welfare of any community, and for which I have
+striven from week to week as honestly as I could during the last nine
+years, will continue to be striven for “all the year round”. The old
+weekly cares and duties become things of the Past, merely to be assumed,
+with an increased love for them and brighter hopes springing out of them,
+in the Present and the Future.
+
+“I look, and plan, for a very much wider circle of readers, and yet again
+for a steadily expanding circle of readers, in the projects I hope to
+carry through “all the year round”. And I feel confident that this
+expectation will be realized, if it deserve realization.
+
+“The task of my new journal is set, and it will steadily try to work the
+task out. Its pages shall show to what good purpose their motto is
+remembered in them, and with how much of fidelity and earnestness they
+tell
+
+ “the story of our lives from year to year.
+
+ “CHARLES DICKENS.”
+
+Since this was issued, the Journal itself has come into existence, and
+has spoken for itself five weeks. Its fifth Number is published to-day,
+and its circulation, moderately stated, trebles that now relinquished in
+_Household Words_.
+
+In referring our readers, henceforth, to _All the Year Round_, we can but
+assure them afresh, of our unwearying and faithful service, in what is at
+once the work and the chief pleasure of our life. Through all that we
+are doing, and through all that we design to do, our aim is to do our
+best in sincerity of purpose, and true devotion of spirit.
+
+We do not for a moment suppose that we may lean on the character of these
+pages, and rest contented at the point where they stop. We see in that
+point but a starting-place for our new journey; and on that journey, with
+new prospects opening out before us everywhere, we joyfully proceed,
+entreating our readers—without any of the pain of leave-taking incidental
+to most journeys—to bear us company All the year round.
+
+_Saturday_, _May_ 28, 1859.
+
+
+
+
+THE POOR MAN AND HIS BEER
+
+
+MY friend Philosewers and I, contemplating a farm-labourer the other day,
+who was drinking his mug of beer on a settle at a roadside ale-house
+door, we fell to humming the fag-end of an old ditty, of which the poor
+man and his beer, and the sin of parting them, form the doleful burden.
+Philosewers then mentioned to me that a friend of his in an agricultural
+county—say a Hertfordshire friend—had, for two years last past,
+endeavoured to reconcile the poor man and his beer to public morality, by
+making it a point of honour between himself and the poor man that the
+latter should use his beer and not abuse it. Interested in an effort of
+so unobtrusive and unspeechifying a nature, “O Philosewers,” said I,
+after the manner of the dreary sages in Eastern apologues, “Show me, I
+pray, the man who deems that temperance can be attained without a medal,
+an oration, a banner, and a denunciation of half the world, and who has
+at once the head and heart to set about it!”
+
+Philosewers expressing, in reply, his willingness to gratify the dreary
+sage, an appointment was made for the purpose. And on the day fixed, I,
+the Dreary one, accompanied by Philosewers, went down Nor’-West per
+railway, in search of temperate temperance. It was a thunderous day; and
+the clouds were so immoderately watery, and so very much disposed to sour
+all the beer in Hertfordshire, that they seemed to have taken the pledge.
+
+But, the sun burst forth gaily in the afternoon, and gilded the old
+gables, and old mullioned windows, and old weathercock and old
+clock-face, of the quaint old house which is the dwelling of the man we
+sought. How shall I describe him? As one of the most famous practical
+chemists of the age? That designation will do as well as another—better,
+perhaps, than most others. And his name? Friar Bacon.
+
+“Though, take notice, Philosewers,” said I, behind my hand, “that the
+first Friar Bacon had not that handsome lady-wife beside him. Wherein, O
+Philosewers, he was a chemist, wretched and forlorn, compared with his
+successor. Young Romeo bade the holy father Lawrence hang up philosophy,
+unless philosophy could make a Juliet. Chemistry would infallibly be
+hanged if its life were staked on making anything half so pleasant as
+this Juliet.” The gentle Philosewers smiled assent.
+
+The foregoing whisper from myself, the Dreary one, tickled the ear of
+Philosewers, as we walked on the trim garden terrace before dinner, among
+the early leaves and blossoms; two peacocks, apparently in very tight new
+boots, occasionally crossing the gravel at a distance. The sun, shining
+through the old house-windows, now and then flashed out some brilliant
+piece of colour from bright hangings within, or upon the old oak
+panelling; similarly, Friar Bacon, as we paced to and fro, revealed
+little glimpses of his good work.
+
+“It is not much,” said he. “It is no wonderful thing. There used to be
+a great deal of drunkenness here, and I wanted to make it better if I
+could. The people are very ignorant, and have been much neglected, and I
+wanted to make _that_ better, if I could. My utmost object was, to help
+them to a little self-government and a little homely pleasure. I only
+show the way to better things, and advise them. I never act for them; I
+never interfere; above all, I never patronise.”
+
+I had said to Philosewers as we came along Nor’-West that patronage was
+one of the curses of England; I appeared to rise in the estimation of
+Philosewers when thus confirmed.
+
+“And so,” said Friar Bacon, “I established my Allotment-club, and my
+pig-clubs, and those little Concerts by the ladies of my own family, of
+which we have the last of the season this evening. They are a great
+success, for the people here are amazingly fond of music. But there is
+the early dinner-bell, and I have no need to talk of my endeavours when
+you will soon see them in their working dress”.
+
+Dinner done, behold the Friar, Philosewers, and myself the Dreary one,
+walking, at six o’clock, across the fields, to the “Club-house.”
+
+As we swung open the last field-gate and entered the Allotment-grounds,
+many members were already on their way to the Club, which stands in the
+midst of the allotments. Who could help thinking of the wonderful
+contrast between these club-men and the club-men of St. James’s Street,
+or Pall Mall, in London! Look at yonder prematurely old man, doubled up
+with work, and leaning on a rude stick more crooked than himself, slowly
+trudging to the club-house, in a shapeless hat like an Italian
+harlequin’s, or an old brown-paper bag, leathern leggings, and dull green
+smock-frock, looking as though duck-weed had accumulated on it—the result
+of its stagnant life—or as if it were a vegetable production, originally
+meant to blow into something better, but stopped somehow. Compare him
+with Old Cousin Feenix, ambling along St. James’s Street, got up in the
+style of a couple of generations ago, and with a head of hair, a
+complexion, and a set of teeth, profoundly impossible to be believed in
+by the widest stretch of human credulity. Can they both be men and
+brothers? Verily they are. And although Cousin Feenix has lived so fast
+that he will die at Baden-Baden, and although this club-man in the frock
+has lived, ever since he came to man’s estate, on nine shillings a week,
+and is sure to die in the Union if he die in bed, yet he brought as much
+into the world as Cousin Feenix, and will take as much out—more, for more
+of him is real.
+
+A pretty, simple building, the club-house, with a rustic colonnade
+outside, under which the members can sit on wet evenings, looking at the
+patches of ground they cultivate for themselves; within, a
+well-ventilated room, large and lofty, cheerful pavement of coloured
+tiles, a bar for serving out the beer, good supply of forms and chairs,
+and a brave big chimney-corner, where the fire burns cheerfully.
+Adjoining this room, another:
+
+“Built for a reading-room,” said Friar Bacon; “but not much used—yet.”
+
+The dreary sage, looking in through the window, perceiving a fixed
+reading-desk within, and inquiring its use:
+
+“I have Service there,” said Friar Bacon. “They never went anywhere to
+hear prayers, and of course it would be hopeless to help them to be
+happier and better, if they had no religious feeling at all.”
+
+“The whole place is very pretty.” Thus the sage.
+
+“I am glad you think so. I built it for the holders of the
+Allotment-grounds, and gave it them: only requiring them to manage it by
+a committee of their own appointing, and never to get drunk there. They
+never have got drunk there.”
+
+“Yet they have their beer freely?”
+
+“O yes. As much as they choose to buy. The club gets its beer direct
+from the brewer, by the barrel. So they get it good; at once much
+cheaper, and much better, than at the public-house. The members take it
+in turns to be steward, and serve out the beer: if a man should decline
+to serve when his turn came, he would pay a fine of twopence. The
+steward lasts, as long as the barrel lasts. When there is a new barrel,
+there is a new steward.”
+
+“What a noble fire is roaring up that chimney!”
+
+“Yes, a capital fire. Every member pays a halfpenny a week.”
+
+“Every member must be the holder of an Allotment-garden?”
+
+“Yes; for which he pays five shillings a year. The Allotments you see
+about us, occupy some sixteen or eighteen acres, and each garden is as
+large as experience shows one man to be able to manage. You see how
+admirably they are tilled, and how much they get off them. They are
+always working in them in their spare hours; and when a man wants a mug
+of beer, instead of going off to the village and the public-house, he
+puts down his spade or his hoe, comes to the club-house and gets it, and
+goes back to his work. When he has done work, he likes to have his beer
+at the club, still, and to sit and look at his little crops as they
+thrive.”
+
+“They seem to manage the club very well.”
+
+“Perfectly well. Here are their own rules. They made them. I never
+interfere with them, except to advise them when they ask me.”
+
+
+
+RULES AND REGULATIONS
+MADE BY THE COMMITTEE
+
+
+ From the 21st September, 1857
+
+ _One half-penny per week to be paid to the club by each member_
+
+1.—Each member to draw the beer in order, according to the number of his
+allotment; on failing, a forfeit of twopence to be paid to the club.
+
+2.—The member that draws the beer to pay for the same, and bring his
+ticket up receipted when the subscriptions are paid; on failing to do so,
+a penalty of sixpence to be forfeited and paid to the club.
+
+3.—The subscriptions and forfeits to be paid at the club-room on the last
+Saturday night of each month.
+
+4.—The subscriptions and forfeits to be cleared up every quarter; if not,
+a penalty of sixpence to be paid to the club.
+
+5.—The member that draws the beer to be at the club-room by six o’clock
+every evening, and stay till ten; but in the event of no member being
+there, he may leave at nine; on failing so to attend, a penalty of
+sixpence to be paid to the club.
+
+6.—Any member giving beer to a stranger in this club-room, excepting to
+his wife or family, shall be liable to the penalty of one shilling.
+
+7.—Any member lifting his hand to strike another in this club-room shall
+be liable to the penalty of sixpence.
+
+8.—Any member swearing in this club-room shall be liable to a penalty of
+twopence each time.
+
+9.—Any member selling beer shall be expelled from the club.
+
+10.—Any member wishing to give up his allotment, may apply to the
+committee, and they shall value the crop and the condition of the ground.
+The amount of the valuation shall be paid by the succeeding tenant, who
+shall be allowed to enter on any part of the allotment which is uncropped
+at the time of notice of the leaving tenant.
+
+11.—Any member not keeping his allotment-garden clear from seed-weeds, or
+otherwise injuring his neighbours, may be turned out of his garden by the
+votes of two-thirds of the committee, one month’s notice being given to
+him.
+
+12.—Any member carelessly breaking a mug, is to pay the cost of replacing
+the same.
+
+ * * * * *
+
+I was soliciting the attention of Philosewers to some old old bonnets
+hanging in the Allotment-gardens to frighten the birds, and the fashion
+of which I should think would terrify a French bird to death at any
+distance, when Philosewers solicited my attention to the scrapers at the
+club-house door. The amount of the soil of England which every member
+brought there on his feet, was indeed surprising; and even I, who am
+professedly a salad-eater, could have grown a salad for my dinner, in the
+earth on any member’s frock or hat.
+
+“Now,” said Friar Bacon, looking at his watch, “for the Pig-clubs!”
+
+The dreary Sage entreated explanation.
+
+“Why, a pig is so very valuable to a poor labouring man, and it is so
+very difficult for him at this time of the year to get money enough to
+buy one, that I lend him a pound for the purpose. But, I do it in this
+way. I leave such of the club members as choose it and desire it, to
+form themselves into parties of five. To every man in each company of
+five, I lend a pound, to buy a pig. But, each man of the five becomes
+bound for every other man, as to the repayment of his money.
+Consequently, they look after one another, and pick out their partners
+with care; selecting men in whom they have confidence.”
+
+“They repay the money, I suppose, when the pig is fattened, killed, and
+sold?”
+
+“Yes. Then they repay the money. And they do repay it. I had one man,
+last year, who was a little tardy (he was in the habit of going to the
+public-house); but even he did pay. It is an immense Advantage to one of
+these poor fellows to have a pig. The pig consumes the refuse from the
+man’s cottage and allotment-garden, and the pig’s refuse enriches the
+man’s garden besides. The pig is the poor man’s friend. Come into the
+club-house again.”
+
+The poor man’s friend. Yes. I have often wondered who really was the
+poor man’s friend among a great number of competitors, and I now clearly
+perceive him to be the pig. _He_ never makes any flourishes about the
+poor man. _He_ never gammons the poor man—except to his manifest
+advantage in the article of bacon. _He_ never comes down to this house,
+or goes down to his constituents. He openly declares to the poor man, “I
+want my sty because I am a Pig. I desire to have as much to eat as you
+can by any means stuff me with, because I am a Pig.” _He_ never gives
+the poor man a sovereign for bringing up a family. _He_ never grunts the
+poor man’s name in vain. And when he dies in the odour of Porkity, he
+cuts up, a highly useful creature and a blessing to the poor man, from
+the ring in his snout to the curl in his tail. Which of the poor man’s
+other friends can say as much? Where is the M.P. who means Mere Pork?
+
+The dreary Sage had glided into these reflections, when he found himself
+sitting by the club-house fire, surrounded by green smock-frocks and
+shapeless hats: with Friar Bacon lively, busy, and expert, at a little
+table near him.
+
+“Now, then, come. The first five!” said Friar Bacon. “Where are you?”
+
+“Order!” cried a merry-faced little man, who had brought his young
+daughter with him to see life, and who always modestly hid his face in
+his beer-mug after he had thus assisted the business.
+
+“John Nightingale, William Thrush, Joseph Blackbird, Cecil Robin, and
+Thomas Linnet!” cried Friar Bacon.
+
+“Here, sir!” and “Here, sir!” And Linnet, Robin, Blackbird, Thrush, and
+Nightingale, stood confessed.
+
+We, the undersigned, declare, in effect, by this written paper, that each
+of us is responsible for the repayment of this pig-money by each of the
+other. “Sure you understand, Nightingale?”
+
+“Ees, sur.”
+
+“Can you write your name, Nightingale?”
+
+“Na, sur.”
+
+Nightingale’s eye upon his name, as Friar Bacon wrote it, was a sight to
+consider in after years. Rather incredulous was Nightingale, with a hand
+at the corner of his mouth, and his head on one side, as to those
+drawings really meaning him. Doubtful was Nightingale whether any virtue
+had gone out of him in that committal to paper. Meditative was
+Nightingale as to what would come of young Nightingale’s growing up to
+the acquisition of that art. Suspended was the interest of Nightingale,
+when his name was done—as if he thought the letters were only sown, to
+come up presently in some other form. Prodigious, and wrong-handed was
+the cross made by Nightingale on much encouragement—the strokes directed
+from him instead of towards him; and most patient and sweet-humoured was
+the smile of Nightingale as he stepped back into a general laugh.
+
+“Order!” cried the little man. Immediately disappearing into his mug.
+
+“Ralph Mangel, Roger Wurzel, Edward Vetches, Matthew Carrot, and Charles
+Taters!” said Friar Bacon.
+
+“All here, sir.”
+
+“You understand it, Mangel?”
+
+“Iss, sir, I unnerstaans it.”
+
+“Can you write your name, Mangel?”
+
+“Iss, sir.”
+
+Breathless interest. A dense background of smock-frocks accumulated
+behind Mangel, and many eyes in it looked doubtfully at Friar Bacon, as
+who should say, “Can he really though?” Mangel put down his hat, retired
+a little to get a good look at the paper, wetted his right hand
+thoroughly by drawing it slowly across his mouth, approached the paper
+with great determination, flattened it, sat down at it, and got well to
+his work. Circuitous and sea-serpent-like, were the movements of the
+tongue of Mangel while he formed the letters; elevated were the eyebrows
+of Mangel and sidelong the eyes, as, with his left whisker reposing on
+his left arm, they followed his performance; many were the misgivings of
+Mangel, and slow was his retrospective meditation touching the junction
+of the letter p with h; something too active was the big forefinger of
+Mangel in its propensity to rub out without proved cause. At last, long
+and deep was the breath drawn by Mangel when he laid down the pen; long
+and deep the wondering breath drawn by the background—as if they had
+watched his walking across the rapids of Niagara, on stilts, and now
+cried, “He has done it!”
+
+ [Picture: Forming the Pig-clubs]
+
+But, Mangel was an honest man, if ever honest man lived. “T’owt to be a
+hell, sir,” said he, contemplating his work, “and I ha’ made a t on ’t.”
+
+The over-fraught bosoms of the background found relief in a roar of
+laughter.
+
+“Or—DER!” cried the little man. “CHEER!” And after that second word,
+came forth from his mug no more.
+
+Several other clubs signed, and received their money. Very few could
+write their names; all who could not, pleaded that they could not, more
+or less sorrowfully, and always with a shake of the head, and in a lower
+voice than their natural speaking voice. Crosses could be made standing;
+signatures must be sat down to. There was no exception to this rule.
+Meantime, the various club-members smoked, drank their beer, and talked
+together quite unrestrained. They all wore their hats, except when they
+went up to Friar Bacon’s table. The merry-faced little man offered his
+beer, with a natural good-fellowship, both to the Dreary one and
+Philosewers. Both partook of it with thanks.
+
+“Seven o’clock!” said Friar Bacon. “And now we better get across to the
+concert, men, for the music will be beginning.”
+
+The concert was in Friar Bacon’s laboratory; a large building near at
+hand, in an open field. The bettermost people of the village and
+neighbourhood were in a gallery on one side, and, in a gallery opposite
+the orchestra. The whole space below was filled with the labouring
+people and their families, to the number of five or six hundred. We had
+been obliged to turn away two hundred to-night, Friar Bacon said, for
+want of room—and that, not counting the boys, of whom we had taken in
+only a few picked ones, by reason of the boys, as a class, being given to
+too fervent a custom of applauding with their boot-heels.
+
+The performers were the ladies of Friar Bacon’s family, and two
+gentlemen; one of them, who presided, a Doctor of Music. A piano was the
+only instrument. Among the vocal pieces, we had a negro melody
+(rapturously encored), the Indian Drum, and the Village Blacksmith;
+neither did we want for fashionable Italian, having _Ah! non giunge_, and
+_Mi manca la voce_. Our success was splendid; our good-humoured,
+unaffected, and modest bearing, a pattern. As to the audience, they were
+far more polite and far more pleased than at the Opera; they were
+faultless. Thus for barely an hour the concert lasted, with thousands of
+great bottles looking on from the walls, containing the results of Friar
+Bacon’s Million and one experiments in agricultural chemistry; and
+containing too, no doubt, a variety of materials with which the Friar
+could have blown us all through the roof at five minutes’ notice.
+
+God save the Queen being done, the good Friar stepped forward and said a
+few words, more particularly concerning two points; firstly, that
+Saturday half-holiday, which it would be kind in farmers to grant;
+secondly, the additional Allotment-grounds we were going to establish, in
+consequence of the happy success of the system, but which we could not
+guarantee should entitle the holders to be members of the club, because
+the present members must consider and settle that question for
+themselves: a bargain between man and man being always a bargain, and we
+having made over the club to them as the original Allotment-men. This
+was loudly applauded, and so, with contented and affectionate cheering,
+it was all over.
+
+As Philosewers, and I the Dreary, posted back to London, looking up at
+the moon and discussing it as a world preparing for the habitation of
+responsible creatures, we expatiated on the honour due to men in this
+world of ours who try to prepare it for a higher course, and to leave the
+race who live and die upon it better than they found them.
+
+
+
+
+FIVE NEW POINTS OF CRIMINAL LAW
+
+
+THE existing Criminal Law has been found in trials for Murder, to be so
+exceedingly hasty, unfair, and oppressive—in a word, to be so very
+objectionable to the amiable persons accused of that thoughtless act—that
+it is, we understand, the intention of the Government to bring in a Bill
+for its amendment. We have been favoured with an outline of its probable
+provisions.
+
+It will be grounded on the profound principle that the real offender is
+the Murdered Person; but for whose obstinate persistency in being
+murdered, the interesting fellow-creature to be tried could not have got
+into trouble.
+
+Its leading enactments may be expected to resolve themselves under the
+following heads:
+
+1. There shall be no judge. Strong representations have been made by
+highly popular culprits that the presence of this obtrusive character is
+prejudicial to their best interests. The Court will be composed of a
+political gentleman, sitting in a secluded room commanding a view of St.
+James’s Park, who has already more to do than any human creature can, by
+any stretch of the human imagination, be supposed capable of doing.
+
+2. The jury to consist of Five Thousand Five Hundred and Fifty-five
+Volunteers.
+
+3. The jury to be strictly prohibited from seeing either the accused or
+the witnesses. They are not to be sworn. They are on no account to hear
+the evidence. They are to receive it, or such representations of it, as
+may happen to fall in their way; and they will constantly write letters
+about it to all the Papers.
+
+4. Supposing the trial to be a trial for Murder by poisoning, and
+supposing the hypothetical case, or the evidence, for the prosecution to
+charge the administration of two poisons, say Arsenic and Antimony; and
+supposing the taint of Arsenic in the body to be possible but not
+probable, and the presence of Antimony in the body, to be an absolute
+certainty; it will then become the duty of the jury to confine their
+attention solely to the Arsenic, and entirely to dismiss the Antimony
+from their minds.
+
+5. The symptoms preceding the death of the real offender (or Murdered
+Person) being described in evidence by medical practitioners who saw
+them, other medical practitioners who never saw them shall be required to
+state whether they are inconsistent with certain known diseases—but,
+_they shall never be asked whether they are not exactly consistent with
+the administration of Poison_. To illustrate this enactment in the
+proposed Bill by a case:—A raging mad dog is seen to run into the house
+where Z lives alone, foaming at the mouth. Z and the mad dog are for
+some time left together in that house under proved circumstances,
+irresistibly leading to the conclusion that Z has been bitten by the dog.
+Z is afterwards found lying on his bed in a state of hydrophobia, and
+with the marks of the dog’s teeth. Now, the symptoms of that disease
+being identical with those of another disease called Tetanus, which might
+supervene on Z’s running a rusty nail into a certain part of his foot,
+medical practitioners who never saw Z, shall bear testimony to that
+abstract fact, and it shall then be incumbent on the Registrar-General to
+certify that Z died of a rusty nail.
+
+It is hoped that these alterations in the present mode of procedure will
+not only be quite satisfactory to the accused person (which is the first
+great consideration), but will also tend, in a tolerable degree, to the
+welfare and safety of society. For it is not sought in this moderate and
+prudent measure to be wholly denied that it is an inconvenience to
+Society to be poisoned overmuch.
+
+
+
+
+LEIGH HUNT: A REMONSTRANCE
+
+
+“THE sense of beauty and gentleness, of moral beauty and faithful
+gentleness, grew upon him as the clear evening closed in. When he went
+to visit his relative at Putney, he still carried with him his work, and
+the books he more immediately wanted. Although his bodily powers had
+been giving way, his most conspicuous qualities, his memory for books,
+and his affection remained; and when his hair was white, when his ample
+chest had grown slender, when the very proportion of his height had
+visibly lessened, his step was still ready, and his dark eyes brightened
+at every happy expression, and at every thought of kindness. His death
+was simply exhaustion; he broke off his work to lie down and repose. So
+gentle was the final approach, that he scarcely recognised it till the
+very last, and then it came without terrors. His physical suffering had
+not been severe; at the latest hour he said that his only uneasiness was
+failing breath. And that failing breath was used to express his sense of
+the inexhaustible kindness he had received from the family who had been
+so unexpectedly made his nurses,—to draw from one of his sons, by minute,
+eager, and searching questions, all that he could learn about the latest
+vicissitudes and growing hopes of Italy,—to ask the friends and children
+around him for news of those whom he loved,—and to send love and messages
+to the absent who loved him.”
+
+ * * * * *
+
+Thus, with a manly simplicity and filial affection, writes the eldest son
+of Leigh Hunt in recording his father’s death. These are the closing
+words of a new edition of _The Autobiography of Leigh Hunt_, published by
+Messrs. Smith and Elder, of Cornhill, revised by that son, and enriched
+with an introductory chapter of remarkable beauty and tenderness. The
+son’s first presentation of his father to the reader, “rather tall,
+straight as an arrow, looking slenderer than he really was; his hair
+black and shining, and slightly inclined to wave; his head high, his
+forehead straight and white, his eyes black and sparkling, his general
+complexion dark; in his whole carriage and manner an extraordinary degree
+of life,” completes the picture. It is the picture of the flourishing
+and fading away of man that is born of a woman and hath but a short time
+to live.
+
+In his presentation of his father’s moral nature and intellectual
+qualities, Mr. Hunt is no less faithful and no less touching. Those who
+knew Leigh Hunt, will see the bright face and hear the musical voice
+again, when he is recalled to them in this passage: “Even at seasons of
+the greatest depression in his fortunes, he always attracted many
+visitors, but still not so much for any repute that attended him as for
+his personal qualities. Few men were more attractive, in society,
+whether in a large company or over the fireside. His manners were
+peculiarly animated; his conversation, varied, ranging over a great field
+of subjects, was moved and called forth by the response of his companion,
+be that companion philosopher or student, sage or boy, man or woman; and
+he was equally ready for the most lively topics or for the gravest
+reflections—his expression easily adapting itself to the tone of his
+companion’s mind. With much freedom of manners, he combined a
+spontaneous courtesy that never failed, and a considerateness derived
+from a ceaseless kindness of heart that invariably fascinated even
+strangers.” Or in this: “His animation, his sympathy with what was gay
+and pleasurable; his avowed doctrine of cultivating cheerfulness, were
+manifest on the surface, and could be appreciated by those who knew him
+in society, most probably even exaggerated as salient traits, on which he
+himself insisted _with a sort of gay and ostentatious wilfulness_.”
+
+The last words describe one of the most captivating peculiarities of a
+most original and engaging man, better than any other words could. The
+reader is besought to observe them, for a reason that shall presently be
+given. Lastly: “The anxiety to recognise the right of others, the
+tendency to ‘refine’, which was noted by an early school companion, and
+the propensity to elaborate every thought, made him, along with the
+direct argument by which he sustained his own conviction, recognise and
+almost admit all that might be said on the opposite side”. For these
+reasons, and for others suggested with equal felicity, and with equal
+fidelity, the son writes of the father, “It is most desirable that his
+qualities should be known as they were; for such deficiencies as he had
+are the honest explanation of his mistakes; while, as the reader may see
+from his writings and his conduct, they are not, as the faults of which
+he was accused would be, incompatible with the noblest faculties both of
+head and heart. To know Leigh Hunt as he was, was to hold him in
+reverence and love.”
+
+These quotations are made here, with a special object. It is not, that
+the personal testimony of one who knew Leigh Hunt well, may be borne to
+their truthfulness. It is not, that it may be recorded in these pages,
+as in his son’s introductory chapter, that his life was of the most
+amiable and domestic kind, that his wants were few, that his way of life
+was frugal, that he was a man of small expenses, no ostentations, a
+diligent labourer, and a secluded man of letters. It is not, that the
+inconsiderate and forgetful may be reminded of his wrongs and sufferings
+in the days of the Regency, and of the national disgrace of his
+imprisonment. It is not, that their forbearance may be entreated for his
+grave, in right of his graceful fancy or his political labours and
+endurances, though—
+
+ Not only we, the latest seed of Time,
+ New men, that in the flying of a wheel
+ Cry down the past, not only we, that prate
+ Of rights and wrongs, have loved the people well.
+
+It is, that a duty may be done in the most direct way possible. An act
+of plain, clear duty.
+
+Four or five years ago, the writer of these lines was much pained by
+accidentally encountering a printed statement, “that Mr. Leigh Hunt was
+the original of Harold Skimpole in _Bleak House_”. The writer of these
+lines, is the author of that book. The statement came from America. It
+is no disrespect to that country, in which the writer has, perhaps, as
+many friends and as true an interest as any man that lives,
+good-humouredly to state the fact, that he has, now and then, been the
+subject of paragraphs in Transatlantic newspapers, more surprisingly
+destitute of all foundation in truth than the wildest delusions of the
+wildest lunatics. For reasons born of this experience, he let the thing
+go by.
+
+But, since Mr. Leigh Hunt’s death, the statement has been revived in
+England. The delicacy and generosity evinced in its revival, are for the
+rather late consideration of its revivers. The fact is this:
+
+Exactly those graces and charms of manner which are remembered in the
+words we have quoted, were remembered by the author of the work of
+fiction in question, when he drew the character in question. Above all
+other things, that “sort of gay and ostentatious wilfulness” in the
+humouring of a subject, which had many a time delighted him, and
+impressed him as being unspeakably whimsical and attractive, was the airy
+quality he wanted for the man he invented. Partly for this reason, and
+partly (he has since often grieved to think) for the pleasure it afforded
+him to find that delightful manner reproducing itself under his hand, he
+yielded to the temptation of too often making the character _speak_ like
+his old friend. He no more thought, God forgive him! that the admired
+original would ever be charged with the imaginary vices of the fictitious
+creature, than he has himself ever thought of charging the blood of
+Desdemona and Othello, on the innocent Academy model who sat for Iago’s
+leg in the picture. Even as to the mere occasional manner, he meant to
+be so cautious and conscientious, that he privately referred the proof
+sheets of the first number of that book to two intimate literary friends
+of Leigh Hunt (both still living), and altered the whole of that part of
+the text on their discovering too strong a resemblance to his “way”.
+
+He cannot see the son lay this wreath on the father’s tomb, and leave him
+to the possibility of ever thinking that the present words might have
+righted the father’s memory and were left unwritten. He cannot know that
+his own son may have to explain his father when folly or malice can wound
+his heart no more, and leave this task undone.
+
+
+
+
+THE TATTLESNIVEL BLEATER
+
+
+THE pen is taken in hand on the present occasion, by a private individual
+(not wholly unaccustomed to literary composition), for the exposure of a
+conspiracy of a most frightful nature; a conspiracy which, like the
+deadly Upas-tree of Java, on which the individual produced a poem in his
+earlier youth (not wholly devoid of length), which was so flatteringly
+received (in circles not wholly unaccustomed to form critical opinions),
+that he was recommended to publish it, and would certainly have carried
+out the suggestion, but for private considerations (not wholly
+unconnected with expense).
+
+The individual who undertakes the exposure of the gigantic conspiracy now
+to be laid bare in all its hideous deformity, is an inhabitant of the
+town of Tattlesnivel—a lowly inhabitant, it may be, but one who, as an
+Englishman and a man, will ne’er abase his eye before the gaudy and the
+mocking throng.
+
+Tattlesnivel stoops to demand no championship from her sons. On an
+occasion in History, our bluff British monarch, our Eighth Royal Harry,
+almost went there. And long ere the periodical in which this exposure
+will appear, had sprung into being, Tattlesnivel had unfurled that
+standard which yet waves upon her battlements. The standard alluded to,
+is THE TATTLESNIVEL BLEATER, containing the latest intelligence, and
+state of markets, down to the hour of going to press, and presenting a
+favourable local medium for advertisers, on a graduated scale of charges,
+considerably diminishing in proportion to the guaranteed number of
+insertions.
+
+It were bootless to expatiate on the host of talent engaged in formidable
+phalanx to do fealty to the Bleater. Suffice it to select, for present
+purposes, one of the most gifted and (but for the wide and deep
+ramifications of an un-English conspiracy) most rising, of the men who
+are bold Albion’s pride. It were needless, after this preamble, to point
+the finger more directly at the LONDON CORRESPONDENT OF THE TATTLESNIVEL
+BLEATER.
+
+On the weekly letters of that Correspondent, on the flexibility of their
+English, on the boldness of their grammar, on the originality of their
+quotations (never to be found as they are printed, in any book existing),
+on the priority of their information, on their intimate acquaintance with
+the secret thoughts and unexecuted intentions of men, it would ill become
+the humble Tattlesnivellian who traces these words, to dwell. They are
+graven in the memory; they are on the Bleater’s file. Let them be
+referred to.
+
+But from the infamous, the dark, the subtle conspiracy which spreads its
+baleful roots throughout the land, and of which the Bleater’s London
+Correspondent is the one sole subject, it is the purpose of the lowly
+Tattlesnivellian who undertakes this revelation, to tear the veil. Nor
+will he shrink from his self-imposed labour, Herculean though it be.
+
+The conspiracy begins in the very Palace of the Sovereign Lady of our
+Ocean Isle. Leal and loyal as it is the proud vaunt of the Bleater’s
+readers, one and all, to be, the inhabitant who pens this exposure does
+not personally impeach, either her Majesty the queen, or the illustrious
+Prince Consort. But, some silken-clad smoothers, some purple parasites,
+some fawners in frippery, some greedy and begartered ones in gorgeous
+garments, he does impeach—ay, and wrathfully! Is it asked on what
+grounds? They shall be stated.
+
+The Bleater’s London Correspondent, in the prosecution of his important
+inquiries, goes down to Windsor, sends in his card, has a confidential
+interview with her Majesty and the illustrious Prince Consort. For a
+time, the restraints of Royalty are thrown aside in the cheerful
+conversation of the Bleater’s London Correspondent, in his fund of
+information, in his flow of anecdote, in the atmosphere of his genius;
+her Majesty brightens, the illustrious Prince Consort thaws, the cares of
+State and the conflicts of Party are forgotten, lunch is proposed. Over
+that unassuming and domestic table, her Majesty communicates to the
+Bleater’s London Correspondent that it is her intention to send his Royal
+Highness the Prince of Wales to inspect the top of the Great
+Pyramid—thinking it likely to improve his acquaintance with the views of
+the people. Her Majesty further communicates that she has made up her
+royal mind (and that the Prince Consort has made up his illustrious mind)
+to the bestowal of the vacant Garter, let us say on Mr. Roebuck. The
+younger Royal children having been introduced at the request of the
+Bleater’s London Correspondent, and having been by him closely observed
+to present the usual external indications of good health, the happy knot
+is severed, with a sigh the Royal bow is once more strung to its full
+tension, the Bleater’s London Correspondent returns to London, writes his
+letter, and tells the Tattlesnivel Bleater what he knows. All
+Tattlesnivel reads it, and knows that he knows it. But, _does_ his Royal
+Highness the Prince of Wales ultimately go to the top of the Great
+Pyramid? _Does_ Mr. Roebuck ultimately get the Garter? No. Are the
+younger Royal children even ultimately found to be well? On the
+contrary, they have—and on that very day had—the measles. Why is this?
+_Because the conspirators against the Bleater’s London Correspondent have
+stepped in with their dark machinations_. Because her Majesty and the
+Prince Consort are artfully induced to change their minds, from north to
+south, from east to west, immediately after it is known to the
+conspirators that they have put themselves in communication with the
+Bleater’s London Correspondent. It is now indignantly demanded, by whom
+are they so tampered with? It is now indignantly demanded, who took the
+responsibility of concealing the indisposition of those Royal children
+from their Royal and illustrious parents, and of bringing them down from
+their beds, disguised, expressly to confound the London Correspondent of
+the Tattlesnivel Bleater? Who are those persons, it is again asked? Let
+not rank and favour protect them. Let the traitors be exhibited in the
+face of day!
+
+Lord John Russell is in this conspiracy. Tell us not that his Lordship
+is a man of too much spirit and honour. Denunciation is hurled against
+him. The proof? The proof is here.
+
+The Time is panting for an answer to the question, Will Lord John Russell
+consent to take office under Lord Palmerston? Good. The London
+Correspondent of the Tattlesnivel Bleater is in the act of writing his
+weekly letter, finds himself rather at a loss to settle this question
+finally, leaves off, puts his hat on, goes down to the lobby of the House
+of Commons, sends in for Lord John Russell, and has him out. He draws
+his arm through his Lordship’s, takes him aside, and says, “John, will
+you ever accept office under Palmerston?” His Lordship replies, “I will
+not.” The Bleater’s London Correspondent retorts, with the caution such
+a man is bound to use, “John, think again; say nothing to me rashly; is
+there any temper here?” His Lordship replies, calmly, “None whatever.”
+After giving him time for reflection, the Bleater’s London Correspondent
+says, “Once more, John, let me put a question to you. Will you ever
+accept office under Palmerston?” His Lordship answers (note the exact
+expressions), “Nothing shall induce me, ever to accept a seat in a
+Cabinet of which Palmerston is the Chief.” They part, the London
+Correspondent of the Tattlesnivel Bleater finishes his letter, and—always
+being withheld by motives of delicacy, from plainly divulging his means
+of getting accurate information on every subject, at first hand—puts in
+it, this passage: “Lord John Russell is spoken of, by blunderers, for
+Foreign Affairs; but I have the best reasons for assuring your readers,
+that” (giving prominence to the exact expressions, it will be observed)
+“‘NOTHING WILL EVER INDUCE HIM, TO ACCEPT A SEAT IN A CABINET OF WHICH
+PALMERSTON IS THE CHIEF.’ On this you may implicitly rely.” What
+happens? On the very day of the publication of that number of the
+Bleater—the malignity of the conspirators being even manifested in the
+selection of the day—Lord John Russell takes the Foreign Office! Comment
+were superfluous.
+
+The people of Tattlesnivel will be told, have been told, that Lord John
+Russell is a man of his word. He may be, on some occasions; but, when
+overshadowed by this dark and enormous growth of conspiracy, Tattlesnivel
+knows him to be otherwise. “I happen to be certain, deriving my
+information from a source which cannot be doubted to be authentic,” wrote
+the London Correspondent of the Bleater, within the last year, “that Lord
+John Russell bitterly regrets having made that explicit speech of last
+Monday.” These are not roundabout phrases; these are plain words. What
+does Lord John Russell (apparently by accident), within eight-and-forty
+hours after their diffusion over the civilised globe? Rises in his place
+in Parliament, and unblushingly declares that if the occasion could arise
+five hundred times, for his making that very speech, he would make it
+five hundred times! Is there no conspiracy here? And is this
+combination against one who would be always right if he were not proved
+always wrong, to be endured in a country that boasts of its freedom and
+its fairness?
+
+But, the Tattlesnivellian who now raises his voice against intolerable
+oppression, may be told that, after all, this is a political conspiracy.
+He may be told, forsooth, that Mr. Disraeli’s being in it, that Lord
+Derby’s being in it, that Mr. Bright’s being in it, that every Home,
+Foreign, and Colonial Secretary’s being in it, that every ministry’s and
+every opposition’s being in it, are but proofs that men will do in
+politics what they would do in nothing else. Is this the plea? If so,
+the rejoinder is, that the mighty conspiracy includes the whole circle of
+Artists of all kinds, and comprehends all degrees of men, down to the
+worst criminal and the hangman who ends his career. For, all these are
+intimately known to the London Correspondent of the Tattlesnivel Bleater,
+and all these deceive him.
+
+Sir, put it to the proof. There is the Bleater on the file—documentary
+evidence. Weeks, months, before the Exhibition of the Royal Academy, the
+Bleater’s London Correspondent knows the subjects of all the leading
+pictures, knows what the painters first meant to do, knows what they
+afterwards substituted for what they first meant to do, knows what they
+ought to do and won’t do, knows what they ought not to do and will do,
+knows to a letter from whom they have commissions, knows to a shilling
+how much they are to be paid. Now, no sooner is each studio clear of the
+remarkable man to whom each studio-occupant has revealed himself as he
+does not reveal himself to his nearest and dearest bosom friend, than
+conspiracy and fraud begin. Alfred the Great becomes the Fairy Queen;
+Moses viewing the Promised Land, turns out to be Moses going to the Fair;
+Portrait of His Grace the Archbishop of Canterbury, is transformed, as if
+by irreverent enchantment of the dissenting interest, into A Favourite
+Terrier, or Cattle Grazing; and the most extraordinary work of art in the
+list described by the Bleater, is coolly sponged out altogether, and
+asserted never to have had existence at all, even in the most shadow
+thoughts of its executant! This is vile enough, but this is not all.
+Picture-buyers then come forth from their secret positions, and creep
+into their places in the assassin-multitude of conspirators. Mr. Baring,
+after expressly telling the Bleater’s London Correspondent that he had
+bought No. 39 for one thousand guineas, gives it up to somebody unknown
+for a couple of hundred pounds; the Marquis of Lansdowne pretends to have
+no knowledge whatever of the commissions to which the London
+Correspondent of the Bleater swore him, but allows a Railway Contractor
+to cut him out for half the money. Similar examples might be multiplied.
+Shame, shame, on these men! Is this England?
+
+Sir, look again at Literature. The Bleater’s London Correspondent is not
+merely acquainted with all the eminent writers, but is in possession of
+the secrets of their souls. He is versed in their hidden meanings and
+references, sees their manuscripts before publication, and knows the
+subjects and titles of their books when they are not begun. How dare
+those writers turn upon the eminent man and depart from every intention
+they have confided to him? How do they justify themselves in entirely
+altering their manuscripts, changing their titles, and abandoning their
+subjects? Will they deny, in the face of Tattlesnivel, that they do so?
+If they have such hardihood, let the file of the Bleater strike them
+dumb. By their fruits they shall be known. Let their works be compared
+with the anticipatory letters of the Bleater’s London Correspondent, and
+their falsehood and deceit will become manifest as the sun; it will be
+seen that they do nothing which they stand pledged to the Bleater’s
+London Correspondent to do; it will be seen that they are among the
+blackest parties in this black and base conspiracy. This will become
+apparent, sir, not only as to their public proceedings but as to their
+private affairs. The outraged Tattlesnivellian who now drags this
+infamous combination into the face of day, charges those literary persons
+with making away with their property, imposing on the Income Tax
+Commissioners, keeping false books, and entering into sham contracts. He
+accuses them on the unimpeachable faith of the London Correspondent of
+the Tattlesnivel Bleater. With whose evidence they will find it
+impossible to reconcile their own account of any transaction of their
+lives.
+
+The national character is degenerating under the influence of the
+ramifications of this tremendous conspiracy. Forgery is committed,
+constantly. A person of note—any sort of person of note—dies. The
+Bleater’s London Correspondent knows what his circumstances are, what his
+savings are (if any), who his creditors are, all about his children and
+relations, and (in general, before his body is cold) describes his will.
+Is that will ever proved? Never! Some other will is substituted; the
+real instrument, destroyed. And this (as has been before observed), is
+England.
+
+Who are the workmen and artificers, enrolled upon the books of this
+treacherous league? From what funds are they paid, and with what
+ceremonies are they sworn to secrecy? Are there none such? Observe what
+follows. A little time ago the Bleater’s London Correspondent had this
+passage: “Boddleboy is pianoforte playing at St. Januarius’s Gallery,
+with pretty tolerable success! He clears three hundred pounds per night.
+Not bad this!!” The builder of St. Januarius’s Gallery (plunged to the
+throat in the conspiracy) met with this piece of news, and observed, with
+characteristic coarseness, “that the Bleater’s London Correspondent was a
+Blind Ass”. Being pressed by a man of spirit to give his reasons for
+this extraordinary statement, he declared that the Gallery, crammed to
+suffocation, would not hold two hundred pounds, and that its expenses
+were, probably, at least half what it did hold. The man of spirit
+(himself a Tattlesnivellian) had the Gallery measured within a week from
+that hour, and it would not hold two hundred pounds! Now, can the
+poorest capacity doubt that it had been altered in the meantime?
+
+And so the conspiracy extends, through every grade of society, down to
+the condemned criminal in prison, the hangman, and the Ordinary. Every
+famous murderer within the last ten years has desecrated his last moments
+by falsifying his confidences imparted specially to the London
+Correspondent of the Tattlesnivel Bleater; on every such occasion, Mr.
+Calcraft has followed the degrading example; and the reverend Ordinary,
+forgetful of his cloth, and mindful only (it would seem, alas!) of the
+conspiracy, has committed himself to some account or other of the
+criminal’s demeanour and conversation, which has been diametrically
+opposed to the exclusive information of the London Correspondent of the
+Bleater. And this (as has been before observed) is Merry England!
+
+A man of true genius, however, is not easily defeated. The Bleater’s
+London Correspondent, probably beginning to suspect the existence of a
+plot against him, has recently fallen on a new style, which, as being
+very difficult to countermine, may necessitate the organisation of a new
+conspiracy. One of his masterly letters, lately, disclosed the adoption
+of this style—which was remarked with profound sensation throughout
+Tattlesnivel—in the following passage: “Mentioning literary small talk, I
+may tell you that some new and extraordinary rumours are afloat
+concerning the conversations I have previously mentioned, alleged to have
+taken place in the first floor front (situated over the street door), of
+Mr. X. Ameter (the poet so well known to your readers), in which, X.
+Ameter’s great uncle, his second son, his butcher, and a corpulent
+gentleman with one eye universally respected at Kensington, are said not
+to have been on the most friendly footing; I forbear, however, to pursue
+the subject further, this week, my informant not being able to supply me
+with exact particulars.”
+
+But, enough, sir. The inhabitant of Tattlesnivel who has taken pen in
+hand to expose this odious association of unprincipled men against a
+shining (local) character, turns from it with disgust and contempt. Let
+him in few words strip the remaining flimsy covering from the nude object
+of the conspirators, and his loathsome task is ended.
+
+Sir, that object, he contends, is evidently twofold. First, to exhibit
+the London Correspondent of the Tattlesnivel Bleater in the light of a
+mischievous Blockhead who, by hiring himself out to tell what he cannot
+possibly know, is as great a public nuisance as a Blockhead in a corner
+can be. Second, to suggest to the men of Tattlesnivel that it does not
+improve their town to have so much Dry Rubbish shot there.
+
+Now, sir, on both these points Tattlesnivel demands in accents of
+Thunder, Where is the Attorney General? Why doesn’t the _Times_ take it
+up? (Is the latter in the conspiracy? It never adopts his views, or
+quotes him, and incessantly contradicts him.) Tattlesnivel, sir,
+remembering that our forefathers contended with the Norman at Hastings,
+and bled at a variety of other places that will readily occur to you,
+demands that its birthright shall not be bartered away for a mess of
+pottage. Have a care, sir, have a care! Or Tattlesnivel (its idle
+Rifles piled in its scouted streets) may be seen ere long, advancing with
+its Bleater to the foot of the Throne, and demanding redress for this
+conspiracy, from the orbed and sceptred hands of Majesty itself!
+
+
+
+
+THE YOUNG MAN FROM THE COUNTRY
+
+
+A SONG of the hour, now in course of being sung and whistled in every
+street, the other day reminded the writer of these words—as he chanced to
+pass a fag-end of the song for the twentieth time in a short London
+walk—that twenty years ago, a little book on the United States, entitled
+_American Notes_, was published by “a Young Man from the Country”, who
+had just seen and left it.
+
+This Young Man from the Country fell into a deal of trouble, by reason of
+having taken the liberty to believe that he perceived in America downward
+popular tendencies for which his young enthusiasm had been anything but
+prepared. It was in vain for the Young Man to offer in extenuation of
+his belief that no stranger could have set foot on those shores with a
+feeling of livelier interest in the country, and stronger faith in it,
+than he. Those were the days when the Tories had made their Ashburton
+Treaty, and when Whigs and Radicals must have no theory disturbed. All
+three parties waylaid and mauled the Young Man from the Country, and
+showed that he knew nothing about the country.
+
+As the Young Man from the Country had observed in the Preface to his
+little book, that he “could bide his time”, he took all this in silent
+part for eight years. Publishing then, a cheap edition of his book, he
+made no stronger protest than the following:
+
+ “My readers have opportunities of judging for themselves whether the
+ influences and tendencies which I distrusted in America, have any
+ existence but in my imagination. They can examine for themselves
+ whether there has been anything in the public career of that country
+ during these past eight years, or whether there is anything in its
+ present position, at home or abroad, which suggests that those
+ influences and tendencies really do exist. As they find the fact,
+ they will judge me. If they discern any evidences of wrong-going, in
+ any direction that I have indicated, they will acknowledge that I had
+ reason in what I wrote. If they discern no such thing, they will
+ consider me altogether mistaken. I have nothing to defend, or to
+ explain away. The truth is the truth; and neither childish
+ absurdities, nor unscrupulous contradictions, can make it otherwise.
+ The earth would still move round the sun, though the whole Catholic
+ Church said No.”
+
+Twelve more years having since passed away, it may now, at last, be
+simply just towards the Young Man from the Country, to compare what he
+originally wrote, with recent events and their plain motive powers.
+Treating of the House of Representatives at Washington, he wrote thus:
+
+ “Did I recognise in this assembly, a body of men, who, applying
+ themselves in a new world to correct some of the falsehoods and vices
+ of the old, purified the avenues to Public Life, paved the dirty ways
+ to Place and Power, debated and made laws for the Common Good, and
+ had no party but their Country?
+
+ “I saw in them, the wheels that move the meanest perversion of
+ virtuous Political Machinery that the worst tools ever wrought.
+ Despicable trickery at elections; under-handed tamperings with public
+ officers; cowardly attacks upon opponents, with scurrilous newspapers
+ for shields, and hired pens for daggers; shameful trucklings to
+ mercenary knaves, whose claim to be considered, is, that every day
+ and week they sow new crops of ruin with their venal types, which are
+ the dragon’s teeth of yore, in everything but sharpness; aidings and
+ abettings of every bad inclination in the popular mind, and artful
+ suppressions of all its good influences: such things as these, and in
+ a word, Dishonest Faction in its most depraved and most unblushing
+ form, stared out from every corner of the crowded hall.
+
+ “Did I see among them, the intelligence and refinement: the true,
+ honest, patriotic heart of America? Here and there, were drops of
+ its blood and life, but they scarcely coloured the stream of
+ desperate adventurers which sets that way for profit and for pay. It
+ is the game of these men, and of their profligate organs, to make the
+ strife of politics so fierce and brutal, and so destructive of all
+ self-respect in worthy men, that sensitive and delicate-minded
+ persons shall be kept aloof, and they, and such as they, be left to
+ battle out their selfish views unchecked. And thus this lowest of
+ all scrambling fights goes on, and they who in other countries would,
+ from their intelligence and station, most aspire to make the laws, do
+ here recoil the farthest from that degradation.
+
+ “That there are, among the representatives of the people in both
+ Houses, and among all parties, some men of high character and great
+ abilities, I need not say. The foremost among those politicians who
+ are known in Europe, have been already described, and I see no reason
+ to depart from the rule I have laid down for my guidance, of
+ abstaining from all mention of individuals. It will be sufficient to
+ add, that to the most favourable accounts that have been written of
+ them, I fully and most heartily subscribe; and that personal
+ intercourse and free communication have bred within me, not the
+ result predicted in the very doubtful proverb, but increased
+ admiration and respect.”
+
+Towards the end of his book, the Young Man from the Country thus
+expressed himself concerning its people:
+
+ “They are, by nature, frank, brave, cordial, hospitable, and
+ affectionate. Cultivation and refinement seem but to enhance their
+ warmth of heart and ardent enthusiasm; and it is the possession of
+ these latter qualities in a most remarkable degree, which renders an
+ educated American one of the most endearing and most generous of
+ friends. I never was so won upon, as by this class; never yielded up
+ my full confidence and esteem so readily and pleasurably, as to them;
+ never can make again, in half a year, so many friends for whom I seem
+ to entertain the regard of half a life.
+
+ “These qualities are natural, I implicitly believe, to the whole
+ people. That they are, however, sadly sapped and blighted in their
+ growth among the mass; and that there are influences at work which
+ endanger them still more, and give but little present promise of
+ their healthy restoration; is a truth that ought to be told.
+
+ “It is an essential part of every national character to pique itself
+ mightily upon its faults, and to deduce tokens of its virtue or its
+ wisdom from their very exaggeration. One great blemish in the
+ popular mind of America, and the prolific parent of an innumerable
+ brood of evils, is Universal Distrust. Yet the American citizen
+ plumes himself upon this spirit, even when he is sufficiently
+ dispassionate to perceive the ruin it works; and will often adduce
+ it, in spite of his own reason, as an instance of the great sagacity
+ and acuteness of the people, and their superior shrewdness and
+ independence.
+
+ “‘You carry,’ says the stranger, ‘this jealousy and distrust into
+ every transaction of public life. By repelling worthy men from your
+ legislative assemblies, it has bred up a class of candidates for the
+ suffrage, who, in their every act, disgrace your Institutions and
+ your people’s choice. It has rendered you so fickle, and so given to
+ change, that your inconstancy has passed into a proverb; for you no
+ sooner set up an idol firmly, than you are sure to pull it down and
+ dash it into fragments: and this, because directly you reward a
+ benefactor, or a public-servant, you distrust him, merely because he
+ _is_ rewarded; and immediately apply yourselves to find out, either
+ that you have been too bountiful in your acknowledgments, or he
+ remiss in his deserts. Any man who attains a high place among you,
+ from the President downwards, may date his downfall from that moment;
+ for any printed lie that any notorious villain pens, although it
+ militate directly against the character and conduct of a life,
+ appeals at once to your distrust, and is believed. You will strain
+ at a gnat in the way of trustfulness and confidence, however fairly
+ won and well deserved; but you will swallow a whole caravan of
+ camels, if they be laden with unworthy doubts and mean suspicions.
+ Is this well, think you, or likely to elevate the character of the
+ governors or the governed, among you?’
+
+ “The answer is invariably the same: ‘There’s freedom of opinion here,
+ you know. Every man thinks for himself, and we are not to be easily
+ overreached. That’s how our people come to be suspicious.’
+
+ “Another prominent feature is the love of ‘smart’ dealing: which
+ gilds over many a swindle and gross breach of trust; many a
+ defalcation, public and private; and enables many a knave to hold his
+ head up with the best, who well deserves a halter: though it has not
+ been without its retributive operation, for this smartness has done
+ more in a few years to impair the public credit, and to cripple the
+ public resources, than dull honesty, however rash, could have
+ effected in a century. The merits of a broken speculation, or a
+ bankruptcy, or of a successful scoundrel, are not gauged by its or
+ his observance of the golden rule, ‘Do as you would be done by’, but
+ are considered with reference to their smartness. I recollect, on
+ both occasions of our passing that ill-fated Cairo on the
+ Mississippi, remarking on the bad effects such gross deceits must
+ have when they exploded, in generating a want of confidence abroad,
+ and discouraging foreign investment: but I was given to understand
+ that this was a very smart scheme by which a deal of money had been
+ made: and that its smartest feature was, that they forgot these
+ things abroad, in a very short time, and speculated again, as freely
+ as ever. The following dialogue I have held a hundred times: ‘Is it
+ not a very disgraceful circumstance that such a man as So-and-so
+ should be acquiring a large property by the most infamous and odious
+ means, and notwithstanding all the crimes of which he has been
+ guilty, should be tolerated and abetted by your citizens? He is a
+ public nuisance, is he not?’ ‘Yes, sir.’ ‘A convicted liar?’ ‘Yes,
+ sir.’ ‘He has been kicked, and cuffed, and caned?’ ‘Yes, sir.’
+ ‘And he is utterly dishonourable, debased, and profligate?’ ‘Yes,
+ sir.’ ‘In the name of wonder, then, what is his merit?’ ‘Well, sir,
+ he is a smart man.’
+
+ “But the foul growth of America has a more tangled root than this;
+ and it strikes its fibres, deep in its licentious Press.
+
+ “Schools may he erected, East, West, North, and South; pupils be
+ taught, and masters reared, by scores upon scores of thousands;
+ colleges may thrive, churches may be crammed, temperance may be
+ diffused, and advancing knowledge in all other forms walk through the
+ land with giant strides; but while the newspaper press of America is
+ in, or near, its present abject state, high moral improvement in that
+ country is hopeless. Year by year, it must and will go back; year by
+ year, the tone of public opinion must sink lower down; year by year,
+ the Congress and the Senate must become of less account before all
+ decent men; and year by year, the memory of the Great Fathers of the
+ Revolution must be outraged more and more, in the bad life of their
+ degenerate child.
+
+ “Among the herd of journals which are published in the States, there
+ are some, the reader scarcely need be told, of character and credit.
+ From personal intercourse with accomplished gentlemen connected with
+ publications of this class, I have derived both pleasure and profit.
+ But the name of these is Few, and of the others Legion; and the
+ influence of the good, is powerless to counteract the moral poison of
+ the bad.
+
+ “Among the gentry of America; among the well-informed and moderate;
+ in the learned professions; at the bar and on the bench; there is, as
+ there can be, but one opinion, in reference to the vicious character
+ of these infamous journals. It is sometimes contended—I will not say
+ strangely, for it is natural to seek excuses for such a disgrace—that
+ their influence is not so great as a visitor would suppose. I must
+ be pardoned for saying that there is no warrant for this plea, and
+ that every fact and circumstance tends directly to the opposite
+ conclusion.
+
+ “When any man, of any grade of desert in intellect or character, can
+ climb to any public distinction, no matter what, in America, without
+ first grovelling down upon the earth, and bending the knee before
+ this monster of depravity; when any private excellence is safe from
+ its attacks; when any social confidence is left unbroken by it; or
+ any tie of social decency and honour is held in the least regard;
+ when any man in that Free Country has freedom of opinion, and
+ presumes to think for himself, and speak for himself, without humble
+ reference to a censorship which, for its rampant ignorance and base
+ dishonesty, he utterly loaths and despises in his heart; when those
+ who most acutely feel its infamy and the reproach it casts upon the
+ nation, and who most denounce it to each other, dare to set their
+ heels upon, and crush it openly, in the sight of all men: then, I
+ will believe that its influence is lessening, and men are returning
+ to their manly senses. But while that Press has its evil eye in
+ every house, and its black hand in every appointment in the state,
+ from a president to a postman; while, with ribald slander for its
+ only stock in trade, it is the standard literature of an enormous
+ class, who must find their reading in a newspaper, or they will not
+ read at all; so long must its odium be upon the country’s head, and
+ so long must the evil it works, be plainly visible in the Republic.”
+
+The foregoing was written in the year eighteen hundred and forty-two. It
+rests with the reader to decide whether it has received any confirmation,
+or assumed any colour of truth, in or about the year eighteen hundred and
+sixty-two.
+
+
+
+
+AN ENLIGHTENED CLERGYMAN
+
+
+AT various places in Suffolk (as elsewhere) penny readings take place
+“for the instruction and amusement of the lower classes”. There is a
+little town in Suffolk called Eye, where the subject of one of these
+readings was a tale (by Mr. Wilkie Collins) from the last Christmas
+Number of this Journal, entitled “Picking up Waifs at Sea”. It appears
+that the Eye gentility was shocked by the introduction of this rude piece
+among the taste and musical glasses of that important town, on which the
+eyes of Europe are notoriously always fixed. In particular, the feelings
+of the vicar’s family were outraged; and a Local Organ (say, the
+Tattlesnivel Bleater) consequently doomed the said piece to everlasting
+oblivion, as being of an “injurious tendency!”
+
+When this fearful fact came to the knowledge of the unhappy writer of the
+doomed tale in question, he covered his face with his robe, previous to
+dying decently under the sharp steel of the ecclesiastical gentility of
+the terrible town of Eye. But the discovery that he was not alone in his
+gloomy glory, revived him, and he still lives.
+
+For, at Stowmarket, in the aforesaid county of Suffolk, at another of
+those penny readings, it was announced that a certain juvenile sketch,
+culled from a volume of sketches (by Boz) and entitled “The Bloomsbury
+Christening”, would be read. Hereupon, the clergyman of that place took
+heart and pen, and addressed the following terrific epistle to a
+gentleman bearing the very appropriate name of Gudgeon:
+
+ STOWMARKET VICARAGE, _Feb._ 25, 1861.
+
+ SIR,—My attention has been directed to a piece called “The Bloomsbury
+ Christening” which you propose to read this evening. Without
+ presuming to claim any interference in the arrangement of the
+ readings, I would suggest to you whether you have on this occasion
+ sufficiently considered the character of the composition you have
+ selected. I quite appreciate the laudable motive of the promoters of
+ the readings to raise the moral tone amongst the working class of the
+ town and to direct this taste in a familiar and pleasant manner.
+ “The Bloomsbury Christening” cannot possibly do this. It trifles
+ with a sacred ordinance, and the language and style, instead of
+ improving the taste, has a direct tendency to lower it.
+
+ I appeal to your right feeling whether it is desirable to give
+ publicity to that which must shock several of your audience, and
+ create a smile amongst others, to be indulged in only by violating
+ the conscientious scruples of their neighbours.
+
+ The ordinance which is here exposed to ridicule is one which is much
+ misunderstood and neglected amongst many families belonging to the
+ Church of England, and the mode in which it is treated in this
+ chapter cannot fail to appear as giving a sanction to, or at least
+ excusing, such neglect.
+
+ Although you are pledged to the public to give this subject, yet I
+ cannot but believe that they would fully justify your substitution of
+ it for another did they know the circumstances. An abridgment would
+ only lessen the evil in a degree, as it is not only the style of the
+ writing but the subject itself which is objectionable.
+
+ Excuse me for troubling you, but I felt that, in common with
+ yourself, I have a grave responsibility in the matter, and I am most
+ truly yours,
+
+ T. S. COLES.
+
+ To Mr. J. Gudgeon.
+
+It is really necessary to explain that this is not a bad joke. It is
+simply a bad fact.
+
+
+
+
+RATHER A STRONG DOSE
+
+
+“DOCTOR JOHN CAMPBELL, the minister of the Tabernacle Chapel, Finsbury,
+and editor of the _British Banner_, etc., with that massive vigour which
+distinguishes his style,” did, we are informed by Mr. Howitt, “deliver a
+verdict in the _Banner_, for November, 1852,” of great importance and
+favour to the Table-rapping cause. We are not informed whether the
+Public, sitting in judgment on the question, reserved any point in this
+great verdict for subsequent consideration; but the verdict would seem to
+have been regarded by a perverse generation as not quite final, inasmuch
+as Mr. Howitt finds it necessary to re-open the case, a round ten years
+afterwards, in nine hundred and sixty-two stiff octavo pages, published
+by Messrs. Longman and Company.
+
+Mr. Howitt is in such a bristling temper on the Supernatural subject,
+that we will not take the great liberty of arguing any point with him.
+But—with the view of assisting him to make converts—we will inform our
+readers, on his conclusive authority, what they are required to believe;
+premising what may rather astonish them in connexion with their views of
+a certain historical trifle, called The Reformation, that their present
+state of unbelief is all the fault of Protestantism, and that “it is high
+time, therefore, to protest against Protestantism”.
+
+They will please to believe, by way of an easy beginning, all the stories
+of good and evil demons, ghosts, prophecies, communication with spirits,
+and practice of magic, that ever obtained, or are said to have ever
+obtained, in the North, in the South, in the East, in the West, from the
+earliest and darkest ages, as to which we have any hazy intelligence,
+real or supposititious, down to the yet unfinished displacement of the
+red men in North America. They will please to believe that nothing in
+this wise was changed by the fulfilment of our Saviour’s mission upon
+earth; and further, that what Saint Paul did, can be done again, and has
+been done again. As this is not much to begin with, they will throw in
+at this point rejection of Faraday and Brewster, and “poor Paley”, and
+implicit acceptance of those shining lights, the Reverend Charles
+Beecher, and the Reverend Henry Ward Beecher (“one of the most vigorous
+and eloquent preachers of America”), and the Reverend Adin Ballou.
+
+Having thus cleared the way for a healthy exercise of faith, our
+advancing readers will next proceed especially to believe in the old
+story of the Drummer of Tedworth, in the inspiration of George Fox, in
+“the spiritualism, prophecies, and provision” of Huntington the
+coal-porter (him who prayed for the leather breeches which miraculously
+fitted him), and even in the Cock Lane Ghost. They will please wind up,
+before fetching their breath, with believing that there is a close
+analogy between rejection of any such plain and proved facts as those
+contained in the whole foregoing catalogue, and the opposition
+encountered by the inventors of railways, lighting by gas, microscopes
+and telescopes, and vaccination. This stinging consideration they will
+always carry rankling in their remorseful hearts as they advance.
+
+As touching the Cock Lane Ghost, our conscience-stricken readers will
+please particularly to reproach themselves for having ever supposed that
+important spiritual manifestation to have been a gross imposture which
+was thoroughly detected. They will please to believe that Dr. Johnson
+believed in it, and that, in Mr. Howitt’s words, he “appears to have had
+excellent reasons for his belief”. With a view to this end, the faithful
+will be so good as to obliterate from their Boswells the following
+passage: “Many of my readers, I am convinced, are to this hour under an
+impression that Johnson was thus foolishly deceived. It will therefore
+surprise them a good deal when they are informed upon undoubted authority
+that Johnson was one of those by whom the imposture was detected. The
+story had become so popular, that he thought it should be investigated,
+and in this research he was assisted by the Rev. Dr. Douglas, now Bishop
+of Salisbury, the great detector of impostures”—and therefore
+tremendously obnoxious to Mr. Howitt—“who informs me that after the
+gentlemen who went and examined into the evidence were satisfied of its
+falsity, Johnson wrote in their presence an account of it, which was
+published in the newspapers and _Gentleman’s Magazine_, and undeceived
+the world”. But as there will still remain another highly inconvenient
+passage in the Boswells of the true believers, they must likewise be at
+the trouble of cancelling the following also, referring to a later time:
+“He (Johnson) expressed great indignation at the imposture of the Cock
+Lane Ghost, and related with much satisfaction how he had assisted in
+detecting the cheat, and had published an account of it in the
+newspapers”.
+
+They will next believe (if they be, in the words of Captain Bobadil, “so
+generously minded”) in the transatlantic trance-speakers “who professed
+to speak from direct inspiration”, Mrs. Cora Hatch, Mrs. Henderson, and
+Miss Emma Hardinge; and they will believe in those eminent ladies having
+“spoken on Sundays to five hundred thousand hearers”—small audiences, by
+the way, compared with the intelligent concourse recently assembled in
+the city of New York, to do honour to the Nuptials of General the
+Honourable T. Barnum Thumb. At about this stage of their spiritual
+education they may take the opportunity of believing in “letters from a
+distinguished gentleman of New York, in which the frequent appearance of
+the gentleman’s deceased wife and of Dr. Franklin, to him and other
+well-known friends, are unquestionably unequalled in the annals of the
+marvellous”. Why these modest appearances should seem at all out of the
+common way to Mr. Howitt (who would be in a state of flaming indignation
+if we thought them so), we could not imagine, until we found on reading
+further, “it is solemnly stated that the witnesses have not only seen but
+touched these spirits, and handled the clothes and hair of Franklin”.
+Without presuming to go Mr. Howitt’s length of considering this by any
+means a marvellous experience, we yet venture to confess that it has
+awakened in our mind many interesting speculations touching the present
+whereabout in space, of the spirits of Mr. Howitt’s own departed boots
+and hats.
+
+The next articles of belief are Belief in the moderate figures of “thirty
+thousand media in the United States in 1853”; and in two million five
+hundred thousand spiritualists in the same country of composed minds, in
+1855, “professing to have arrived at their convictions of spiritual
+communication from personal experience”; and in “an average rate of
+increase of three hundred thousand per annum”, still in the same country
+of calm philosophers. Belief in spiritual knockings, in all manner of
+American places, and, among others, in the house of “a Doctor Phelps at
+Stratford, Connecticut, a man of the highest character for intelligence”,
+says Mr. Howitt, and to whom we willingly concede the possession of far
+higher intelligence than was displayed by his spiritual knocker, in
+“frequently cutting to pieces the clothes of one of his boys”, and in
+breaking “seventy-one panes of glass”—unless, indeed, the knocker, when
+in the body, was connected with the tailoring and glazing interests.
+Belief in immaterial performers playing (in the dark though: they are
+obstinate about its being in the dark) on material instruments of wood,
+catgut, brass, tin, and parchment. Your belief is further requested in
+“the Kentucky Jerks”. The spiritual achievements thus euphoniously
+denominated “appear”, says Mr. Howitt, “to have been of a very disorderly
+kind”. It appears that a certain Mr. Doke, a Presbyterian clergyman,
+“was first seized by the jerks”, and the jerks laid hold of Mr. Doke in
+that unclerical way and with that scant respect for his cloth, that they
+“twitched him about in a most extraordinary manner, often when in the
+pulpit, and caused him to shout aloud, and run out of the pulpit into the
+woods, screaming like a madman. When the fit was over, he returned
+calmly to his pulpit and finished the service.” The congregation having
+waited, we presume, and edified themselves with the distant bellowings of
+Doke in the woods, until he came back again, a little warm and hoarse,
+but otherwise in fine condition. “People were often seized at hotels,
+and at table would, on lifting a glass to drink, jerk the liquor to the
+ceiling; ladies would at the breakfast-table suddenly be compelled to
+throw aloft their coffee, and frequently break the cup and saucer.” A
+certain venturesome clergyman vowed that he would preach down the Jerks,
+“but he was seized in the midst of his attempt, and made so ridiculous
+that he withdrew himself from further notice”—an example much to be
+commended. That same favoured land of America has been particularly
+favoured in the development of “innumerable mediums”, and Mr. Howitt
+orders you to believe in Daniel Dunglas Home, Andrew Davis Jackson, and
+Thomas L. Harris, as “the three most remarkable, or most familiar, on
+this side of the Atlantic”. Concerning Mr. Home, the articles of belief
+(besides removal of furniture) are, That through him raps have been given
+and communications made from deceased friends. That “his hand has been
+seized by spirit influence, and rapid communications written out, of a
+surprising character to those to whom they were addressed”. That at his
+bidding, “spirit hands have appeared which have been seen, felt, and
+recognised frequently, by persons present, as those of deceased friends”.
+That he has been frequently lifted up and carried, floating “as it were”
+through a room, near the ceiling. That in America, “all these phenomena
+have displayed themselves in greater force than here”—which we have not
+the slightest doubt of. That he is “the planter of spiritualism all over
+Europe”. That “by circumstances that no man could have devised, he
+became the guest of the Emperor of the French, of the King of Holland, of
+the Czar of Russia, and of many lesser princes”. That he returned from
+“this unpremeditated missionary tour”, “endowed with competence”; but not
+before, “at the Tuileries, on one occasion when the emperor, empress, a
+distinguished lady, and himself only were sitting at table, a hand
+appeared, took up a pen, and wrote, in a strong and well-known character,
+the word Napoleon. The hand was then successively presented to the
+several personages of the party to kiss.” The stout believer, having
+disposed of Mr. Home, and rested a little, will then proceed to believe
+in Andrew Davis Jackson, or Andrew Jackson Davis (Mr. Howitt, having no
+Medium at hand to settle this difference and reveal the right name of the
+seer, calls him by both names), who merely “beheld all the essential
+natures of things, saw the interior of men and animals, as perfectly as
+their exterior; and described them in language so correct, that the most
+able technologists could not surpass him. He pointed out the proper
+remedies for all the complaints, and the shops where they were to be
+obtained”;—in the latter respect appearing to hail from an advertising
+circle, as we conceive. It was also in this gentleman’s limited
+department to “see the metals in the earth”, and to have “the most
+distant regions and their various productions present before him”.
+Having despatched this tough case, the believer will pass on to Thomas L.
+Harris, and will swallow _him_ easily, together with “whole epics” of his
+composition; a certain work “of scarcely less than Miltonic grandeur”,
+called The Lyric of the Golden Age—a lyric pretty nigh as long as one of
+Mr. Howitt’s volumes—dictated by Mr. (not Mrs.) Harris to the publisher
+in ninety-four hours; and several extempore sermons, possessing the
+remarkably lucid property of being “full, unforced, out-gushing,
+unstinted, and absorbing”. The candidate for examination in pure belief,
+will then pass on to the spirit-photography department; this, again, will
+be found in so-favoured America, under the superintendence of Medium
+Mumler, a photographer of Boston: who was “astonished” (though, on Mr.
+Howitt’s showing, he surely ought not to have been) “on taking a
+photograph of himself, to find also by his side the figure of a young
+girl, which he immediately recognised as that of a deceased relative.
+The circumstance made a great excitement. Numbers of persons rushed to
+his rooms, and many have found deceased friends photographed with
+themselves.” (Perhaps Mr. Mumler, too, may become “endowed with
+competence” in time. Who knows?) Finally, the true believers in the
+gospel according to Howitt, have, besides, but to pin their faith on
+“ladies who see spirits habitually”, on ladies who _know_ they have a
+tendency to soar in the air on sufficient provocation, and on a few other
+gnats to be taken after their camels, and they shall be pronounced by Mr.
+Howitt not of the stereotyped class of minds, and not partakers of “the
+astonishing ignorance of the press”, and shall receive a first-class
+certificate of merit.
+
+But before they pass through this portal into the Temple of Serene
+Wisdom, we, halting blind and helpless on the steps, beg to suggest to
+them what they must at once and for ever disbelieve. They must
+disbelieve that in the dark times, when very few were versed in what are
+now the mere recreations of Science, and when those few formed a
+priesthood-class apart, any marvels were wrought by the aid of concave
+mirrors and a knowledge of the properties of certain odours and gases,
+although the self-same marvels could be reproduced before their eyes at
+the Polytechnic Institution, Regent Street, London, any day in the year.
+They must by no means believe that Conjuring and Ventriloquism are old
+trades. They must disbelieve all Philosophical Transactions containing
+the records of painful and careful inquiry into now familiar disorders of
+the senses of seeing and hearing, and into the wonders of somnambulism,
+epilepsy, hysteria, miasmatic influence, vegetable poisons derived by
+whole communities from corrupted air, diseased imitation, and moral
+infection. They must disbelieve all such awkward leading cases as the
+case of the Woodstock Commissioners and their man, and the case of the
+Identity of the Stockwell Ghost, with the maid-servant. They must
+disbelieve the vanishing of champion haunted houses (except, indeed, out
+of Mr. Howitt’s book), represented to have been closed and ruined for
+years, before one day’s inquiry by four gentlemen associated with this
+journal, and one hour’s reference to the Local Rate-books. They must
+disbelieve all possibility of a human creature on the last verge of the
+dark bridge from Life to Death, being mysteriously able, in occasional
+cases, so to influence the mind of one very near and dear, as vividly to
+impress that mind with some disturbed sense of the solemn change
+impending. They must disbelieve the possibility of the lawful existence
+of a class of intellects which, humbly conscious of the illimitable power
+of GOD and of their own weakness and ignorance, never deny that He can
+cause the souls of the dead to revisit the earth, or that He may have
+caused the souls of the dead to revisit the earth, or that He can cause
+any awful or wondrous thing to be; but to deny the likelihood of
+apparitions or spirits coming here upon the stupidest of bootless
+errands, and producing credentials tantamount to a solicitation of our
+vote and interest and next proxy, to get them into the Asylum for Idiots.
+They must disbelieve the right of Christian people who do _not_ protest
+against Protestantism, but who hold it to be a barrier against the
+darkest superstitions that can enslave the soul, to guard with jealousy
+all approaches tending down to Cock Lane Ghosts and suchlike infamous
+swindles, widely degrading when widely believed in; and they must
+disbelieve that such people have the right to know, and that it is their
+duty to know, wonder-workers by their fruits, and to test miracle-mongers
+by the tests of probability, analogy, and common sense. They must
+disbelieve all rational explanations of thoroughly proved experiences
+(only) which appear supernatural, derived from the average experience and
+study of the visible world. They must disbelieve the speciality of the
+Master and the Disciples, and that it is a monstrosity to test the
+wonders of show-folk by the same touchstone. Lastly, they must
+disbelieve that one of the best accredited chapters in the history of
+mankind is the chapter that records the astonishing deceits continually
+practised, with no object or purpose but the distorted pleasure of
+deceiving.
+
+We have summed up a few—not nearly all—of the articles of belief and
+disbelief to which Mr. Howitt most arrogantly demands an implicit
+adherence. To uphold these, he uses a book as a Clown in a Pantomime
+does, and knocks everybody on the head with it who comes in his way.
+Moreover, he is an angrier personage than the Clown, and does not
+experimentally try the effect of his red-hot poker on your shins, but
+straightway runs you through the body and soul with it. He is always
+raging to tell you that if you are not Howitt, you are Atheist and
+Anti-Christ. He is the sans-culotte of the Spiritual Revolution, and
+will not hear of your accepting this point and rejecting that;—down your
+throat with them all, one and indivisible, at the point of the pike; No
+Liberty, Totality, Fraternity, or Death!
+
+Without presuming to question that “it is high time to protest against
+Protestantism” on such very substantial grounds as Mr. Howitt sets forth,
+we do presume to think that it is high time to protest against Mr.
+Howitt’s spiritualism, as being a little in excess of the peculiar merit
+of Thomas L. Harris’s sermons, and somewhat _too_ “full, out-gushing,
+unstinted, and absorbing”.
+
+
+
+
+THE MARTYR MEDIUM
+
+
+“AFTER the valets, the master!” is Mr. Fechter’s rallying cry in the
+picturesque romantic drama which attracts all London to the Lyceum
+Theatre. After the worshippers and puffers of Mr. Daniel Dunglas Home,
+the spirit medium, comes Mr. Daniel Dunglas Home himself, in one volume.
+And we must, for the honour of Literature, plainly express our great
+surprise and regret that he comes arm-in-arm with such good company as
+Messrs. Longman and Company.
+
+We have already summed up Mr. Home’s demands on the public capacity of
+swallowing, as sounded through the war-denouncing trumpet of Mr. Howitt,
+and it is not our intention to revive the strain as performed by Mr. Home
+on his own melodious instrument. We notice, by the way, that in that
+part of the Fantasia where the hand of the first Napoleon is supposed to
+be reproduced, recognised, and kissed, at the Tuileries, Mr. Home subdues
+the florid effects one might have expected after Mr. Howitt’s execution,
+and brays in an extremely general manner. And yet we observe Mr. Home to
+be in other things very reliant on Mr. Howitt, of whom he entertains as
+gratifying an opinion as Mr. Howitt entertains of him: dwelling on his
+“deep researches into this subject”, and of his “great work now ready for
+the press”, and of his “eloquent and forcible” advocacy, and eke of his
+“elaborate and almost exhaustive work”, which Mr. Home trusts will be
+“extensively read”. But, indeed, it would seem to be the most reliable
+characteristic of the Dear Spirits, though very capricious in other
+particulars, that they always form their circles into what may be
+described, in worldly terms, as A Mutual Admiration and Complimentation
+Company (Limited).
+
+Mr. Home’s book is entitled _Incidents in My Life_. We will extract a
+dozen sample passages from it, as variations on and phrases of harmony
+in, the general strain for the Trumpet, which we have promised not to
+repeat.
+
+
+
+1. MR. HOME IS SUPERNATURALLY NURSED
+
+
+“I cannot remember when first I became subject to the curious phenomena
+which have now for so long attended me, but my aunt and others have told
+me that when I was a baby my cradle was frequently rocked, as if some
+kind guardian spirit was attending me in my slumbers.”
+
+
+
+2. DISRESPECTFUL CONDUCT OF MR. HOME’S AUNT NEVERTHELESS
+
+
+“In her uncontrollable anger she seized a chair and threw it at me.”
+
+
+
+3. PUNISHMENT OF MR. HOME’S AUNT
+
+
+“Upon one occasion as the table was being thus moved about of itself, my
+aunt brought the family Bible, and placing it on the table, said, ‘There,
+that will soon drive the devils away’; but to her astonishment the table
+only moved in a more lively manner, as if pleased to bear such a burden.”
+(We believe this is constantly observed in pulpits and church reading
+desks, which are invariably lively.) “Seeing this she was greatly
+incensed, and determined to stop it, she angrily placed her whole weight
+on the table, and was actually lifted up with it bodily from the floor.”
+
+
+
+4. TRIUMPHANT EFFECT OF THIS DISCIPLINE ON MR. HOME’S AUNT
+
+
+“And she felt it a duty that I should leave her house, and which I did.”
+
+
+
+5. MR. HOME’S MISSION
+
+
+It was communicated to him by the spirit of his mother, in the following
+terms: “Daniel, fear not, my child, God is with you, and who shall be
+against you? Seek to do good: be truthful and truth-loving, and you will
+prosper, my child. Yours is a glorious mission—you will convince the
+infidel, cure the sick, and console the weeping.” It is a coincidence
+that another eminent man, with several missions, heard a voice from the
+Heavens blessing him, when he also was a youth, and saying, “You will be
+rewarded, my son, in time”. This Medium was the celebrated Baron
+Munchausen, who relates the experience in the opening of the second
+chapter of the incidents in _his_ life.
+
+
+
+6. MODEST SUCCESS OF MR. HOME’S MISSION
+
+
+“Certainly these phenomena, whether from God or from the devil, have in
+ten years caused more converts to the great truths of immortality and
+angel communion, with all that flows from these great facts, than all the
+sects in Christendom have made during the same period.”
+
+
+
+7. WHAT THE FIRST COMPOSERS SAY OF THE SPIRIT-MUSIC, TO MR. HOME
+
+
+“As to the music, it has been my good fortune to be on intimate terms
+with some of the first composers of the day, and more than one of them
+have said of such as they have heard, that it is such music as only
+angels could make, and no man could write it.”
+
+These “first composers” are not more particularly named. We shall
+therefore be happy to receive and file at the office of this Journal, the
+testimonials in the foregoing terms of Dr. Sterndale Bennett, Mr. Balfe,
+Mr. Macfarren, Mr. Benedict, Mr. Vincent Wallace, Signor Costa, M. Auber,
+M. Gounod, Signor Rossini, and Signor Verdi. We shall also feel obliged
+to Mr. Alfred Mellon, who is no doubt constantly studying this wonderful
+music, under the Medium’s auspices, if he will note on paper, from
+memory, say a single sheet of the same. Signor Giulio Regondi will then
+perform it, as correctly as a mere mortal can, on the Accordion, at the
+next ensuing concert of the Philharmonic Society; on which occasion the
+before-mentioned testimonials will be conspicuously displayed in the
+front of the orchestra.
+
+
+
+8. MR. HOME’S MIRACULOUS INFANT
+
+
+“On the 26th April, old style, or 8th May, according to our style, at
+seven in the evening, and as the snow was fast falling, our little boy
+was born at the town house, situate on the Gagarines Quay, in St.
+Petersburg, where we were still staying. A few hours after his birth,
+his mother, the nurse, and I heard for several hours the warbling of a
+bird as if singing over him. Also that night, and for two or three
+nights afterwards, a bright starlike light, which was clearly visible
+from the partial darkness of the room, in which there was only a
+night-lamp burning, appeared several times directly I over its head,
+where it remained for some moments, and then slowly moved in the
+direction of the door, where it disappeared. This was also seen by each
+of us at the same time. The light was more condensed than those which
+have been so often seen in my presence upon previous and subsequent
+occasions. It was brighter and more distinctly globular. I do not
+believe that it came through my mediumship, but rather through that of
+the child, who has manifested on several occasions the presence of the
+gift. I do not like to allude to such a matter, but as there are more
+strange things in Heaven and earth than are dreamt of, even in my
+philosophy, I do not feel myself at liberty to omit stating, that during
+the latter part of my wife’s pregnancy, we thought it better that she
+should not join in Séances, because it was found that whenever the
+rappings occurred in the room, a simultaneous movement of the child was
+distinctly felt, perfectly in unison with the sounds. When there were
+three sounds, three movements were felt, and so on, and when five sounds
+were heard, which is generally the call for the alphabet, she felt the
+five internal movements, and she would frequently, when we were mistaken
+in the latter, correct us from what the child indicated.”
+
+We should ask pardon of our readers for sullying our paper with this
+nauseous matter, if without it they could adequately understand what Mr.
+Home’s book is.
+
+
+
+9. CAGLIOSTRO’S SPIRIT CALLS ON MR. HOME
+
+
+Prudently avoiding the disagreeable question of his giving himself, both
+in this state of existence and in his spiritual circle, a name to which
+he never had any pretensions whatever, and likewise prudently suppressing
+any reference to his amiable weakness as a swindler and an infamous
+trafficker in his own wife, the guileless Mr. Balsamo delivered, in a
+“distinct voice”, this distinct celestial utterance—unquestionably
+punctuated in a supernatural manner: “My power was that of a mesmerist,
+but all-misunderstood by those about me, my biographers have even done me
+injustice, but I care not for the untruths of earth”.
+
+
+
+10. ORACULAR STATE OF MR. HOME
+
+
+“After various manifestations, Mr. Home went into the trance, and
+addressing a person present, said, ‘You ask what good are such trivial
+manifestations, such as rapping, table-moving, etc.? God is a better
+judge than we are what is fitted for humanity, immense results may spring
+from trivial things. The steam from a kettle is a small thing, but look
+at the locomotive! The electric spark from the back of a cat is a small
+thing, but see the wonders of electricity! The raps are small things,
+but their results will lead you to the Spirit-World, and to eternity!
+Why should great results spring from such small causes? Christ was born
+in a manger, he was not born a King. When you tell me why he was born in
+a manger, I will tell you why these manifestations, so trivial, so
+undignified as they appear to you, have been appointed to convince the
+world of the truth of spiritualism.’”
+
+Wonderful! Clearly direct Inspiration!—And yet, perhaps, hardly worth
+the trouble of going “into the trance” for, either. Amazing as the
+revelation is, we seem to have heard something like it from more than one
+personage who was wide awake. A quack doctor, in an open barouche
+(attended by a barrel-organ and two footmen in brass helmets), delivered
+just such another address within our hearing, outside a gate of Paris,
+not two months ago.
+
+
+
+11. THE TESTIMONY OF MR. HOME’S BOOTS
+
+
+“The lady of the house turned to me and said abruptly, ‘Why, you are
+sitting in the air’; and on looking, we found that the chair remained in
+its place, but that I was elevated two or three inches above it, and my
+feet not touching the floor. This may show how utterly unconscious I am
+at times to the sensation of levitation. As is usual, when I had not got
+above the level of the heads of those about me, and when they change
+their position much—as they frequently do in looking wistfully at such a
+phenomenon—I came down again, but not till I had remained so raised about
+half a minute from the time of its being first seen. I was now impressed
+to leave the table, and was soon carried to the lofty ceiling. The Count
+de B— left his place at the table, and coming under where I was, said,
+‘Now, young Home, come and let me touch your feet.’ I told him I had no
+volition in the matter, but perhaps the spirits would kindly allow me to
+come down to him. They did so, by floating me down to him, and my feet
+were soon in his outstretched hands. He seized my boots, and now I was
+again elevated, he holding tightly, and pulling at my feet, till the
+boots I wore, which had elastic sides, came off and remained in his
+hands.”
+
+
+
+12. THE UNCOMBATIVE NATURE OF MR. HOME
+
+
+As there is a maudlin complaint in this book, about men of Science being
+hard upon “the ‘Orphan’ Home”, and as the “gentle and uncombative nature”
+of this Medium in a martyred point of view is pathetically commented on
+by the anonymous literary friend who supplies him with an introduction
+and appendix—rather at odds with Mr. Howitt, who is so mightily
+triumphant about the same Martyr’s reception by crowned heads, and about
+the competence he has become endowed with—we cull from Mr. Home’s book
+one or two little illustrative flowers. Sir David Brewster (a pestilent
+unbeliever) “has come before the public in few matters which have brought
+more shame upon him than his conduct and assertions on this occasion, in
+which he manifested not only a disregard for truth, but also a disloyalty
+to scientific observation, and to the use of his own eyesight and natural
+faculties”. The same unhappy Sir David Brewster’s “character may be the
+better known, not only for his untruthful dealing with this subject, but
+also in his own domain of science in which the same unfaithfulness to
+truth will be seen to be the characteristic of his mind”. Again, he “is
+really not a man over whom victory is any honour”. Again, “not only he,
+but Professor Faraday have had time and ample leisure to regret that they
+should have so foolishly pledged themselves”, etc. A Faraday a fool in
+the sight of a Home! That unjust judge and whited wall, Lord Brougham,
+has his share of this Martyr Medium’s uncombativeness. “In order that he
+might not be compelled to deny Sir David’s statements, he found it
+necessary that he should be silent, and I have some reason to complain
+that his Lordship preferred sacrificing me to his desire not to immolate
+his friend.” M. Arago also came off with very doubtful honours from a
+wrestle with the uncombative Martyr; who is perfectly clear (and so are
+we, let us add) that scientific men are not the men for his purpose. Of
+course, he is the butt of “utter and acknowledged ignorance”, and of “the
+most gross and foolish statements”, and of “the unjust and dishonest”,
+and of “the press-gang”, and of crowds of other alien and combative
+adjectives, participles, and substantives.
+
+Nothing is without its use, and even this odious book may do some
+service. Not because it coolly claims for the writer and his disciples
+such powers as were wielded by the Saviour and the Apostles; not because
+it sees no difference between twelve table rappers in these days, and
+“twelve fishermen” in those; not because it appeals for precedents to
+statements extracted from the most ignorant and wretched of mankind, by
+cruel torture, and constantly withdrawn when the torture was withdrawn;
+not because it sets forth such a strange confusion of ideas as is
+presented by one of the faithful when, writing of a certain sprig of
+geranium handed by an invisible hand, he adds in ecstasies, “_which we
+have planted and it is growing_, _so that it is no delusion_, _no fairy
+money turned into dross or leaves_”—as if it followed that the conjuror’s
+half-crowns really did become invisible and in that state fly, because he
+afterwards cuts them out of a real orange; or as if the conjuror’s
+pigeon, being after the discharge of his gun, a real live pigeon
+fluttering on the target, must therefore conclusively be a pigeon, fired,
+whole, living and unshattered, out of the gun!—not because of the
+exposure of any of these weaknesses, or a thousand such, are these moving
+incidents in the life of the Martyr Medium, and similar productions,
+likely to prove useful, but because of their uniform abuse of those who
+go to test the reality of these alleged phenomena, and who come away
+incredulous. There is an old homely proverb concerning pitch and its
+adhesive character, which we hope this significant circumstance may
+impress on many minds. The writer of these lines has lately heard
+overmuch touching young men of promise in the imaginative arts, “towards
+whom” Martyr Mediums assisting at evening parties feel themselves
+“drawn”. It may be a hint to such young men to stick to their own
+drawing, as being of a much better kind, and to leave Martyr Mediums
+alone in their glory.
+
+As there is a good deal in these books about “lying spirits”, we will
+conclude by putting a hypothetical case. Supposing that a Medium (Martyr
+or otherwise) were established for a time in the house of an English
+gentleman abroad; say, somewhere in Italy. Supposing that the more
+marvellous the Medium became, the more suspicious of him the lady of the
+house became. Supposing that the lady, her distrust once aroused, were
+particularly struck by the Medium’s exhibiting a persistent desire to
+commit her, somehow or other, to the disclosure of the manner of the
+death, to him unknown, of a certain person. Supposing that she at length
+resolved to test the Medium on this head, and, therefore, on a certain
+evening mentioned a wholly supposititious manner of death (which was not
+the real manner of death, nor anything at all like it) within the range
+of his listening ears. And supposing that a spirit presently afterwards
+rapped out its presence, claiming to be the spirit of that deceased
+person, and claiming to have departed this life in that supposititious
+way. Would that be a lying spirit? Or would it he a something else,
+tainting all that Medium’s statements and suppressions, even if they were
+not in themselves of a manifestly outrageous character?
+
+
+
+
+THE LATE MR. STANFIELD
+
+
+EVERY Artist, be he writer, painter, musician, or actor, must bear his
+private sorrows as he best can, and must separate them from the exercise
+of his public pursuit. But it sometimes happens, in compensation, that
+his private loss of a dear friend represents a loss on the part of the
+whole community. Then he may, without obtrusion of his individuality,
+step forth to lay his little wreath upon that dear friend’s grave.
+
+On Saturday, the eighteenth of this present month, Clarkson Stanfield
+died. On the afternoon of that day, England lost the great marine
+painter of whom she will be boastful ages hence; the National Historian
+of her speciality, the Sea; the man famous in all countries for his
+marvellous rendering of the waves that break upon her shores, of her
+ships and seamen, of her coasts and skies, of her storms and sunshine, of
+the many marvels of the deep. He who holds the oceans in the hollow of
+His hand had given, associated with them, wonderful gifts into his
+keeping; he had used them well through threescore and fourteen years;
+and, on the afternoon of that spring day, relinquished them for ever.
+
+It is superfluous to record that the painter of “The Battle of
+Trafalgar”, of the “_Victory_ being towed into Gibraltar with the body of
+Nelson on Board”, of “The Morning after the Wreck”, of “The Abandoned”,
+of fifty more such works, died in his seventy-fourth year, “Mr.”
+Stanfield.—He was an Englishman.
+
+Those grand pictures will proclaim his powers while paint and canvas
+last. But the writer of these words had been his friend for thirty
+years; and when, a short week or two before his death, he laid that once
+so skilful hand upon the writer’s breast and told him they would meet
+again, “but not here”, the thoughts of the latter turned, for the time,
+so little to his noble genius, and so much to his noble nature!
+
+He was the soul of frankness, generosity, and simplicity. The most
+genial, the most affectionate, the most loving, and the most lovable of
+men. Success had never for an instant spoiled him. His interest in the
+Theatre as an Institution—the best picturesqueness of which may be said
+to be wholly due to him—was faithful to the last. His belief in a Play,
+his delight in one, the ease with which it moved him to tears or to
+laughter, were most remarkable evidences of the heart he must have put
+into his old theatrical work, and of the thorough purpose and sincerity
+with which it must have been done. The writer was very intimately
+associated with him in some amateur plays; and day after day, and night
+after night, there were the same unquenchable freshness, enthusiasm, and
+impressibility in him, though broken in health, even then.
+
+No Artist can ever have stood by his art with a quieter dignity than he
+always did. Nothing would have induced him to lay it at the feet of any
+human creature. To fawn, or to toady, or to do undeserved homage to any
+one, was an absolute impossibility with him. And yet his character was
+so nicely balanced that he was the last man in the world to be suspected
+of self-assertion, and his modesty was one of his most special qualities.
+
+He was a charitable, religious, gentle, truly good man. A genuine man,
+incapable of pretence or of concealment. He had been a sailor once; and
+all the best characteristics that are popularly attributed to sailors,
+being his, and being in him refined by the influences of his Art, formed
+a whole not likely to be often seen. There is no smile that the writer
+can recall, like his; no manner so naturally confiding and so cheerfully
+engaging. When the writer saw him for the last time on earth, the smile
+and the manner shone out once through the weakness, still: the bright
+unchanging Soul within the altered face and form.
+
+No man was ever held in higher respect by his friends, and yet his
+intimate friends invariably addressed him and spoke of him by a pet name.
+It may need, perhaps, the writer’s memory and associations to find in
+this a touching expression of his winning character, his playful smile,
+and pleasant ways. “You know Mrs. Inchbald’s story, Nature and Art?”
+wrote Thomas Hood, once, in a letter: “What a fine Edition of Nature and
+Art is Stanfield!”
+
+Gone! And many and many a dear old day gone with him! But their
+memories remain. And his memory will not soon fade out, for he has set
+his mark upon the restless waters, and his fame will long be sounded in
+the roar of the sea.
+
+
+
+
+A SLIGHT QUESTION OF FACT
+
+
+IT is never well for the public interest that the originator of any
+social reform should be soon forgotten. Further, it is neither wholesome
+nor right (being neither generous nor just) that the merit of his work
+should be gradually transferred elsewhere.
+
+Some few weeks ago, our contemporary, the _Pall Mall Gazette_, in certain
+strictures on our Theatres which we are very far indeed from challenging,
+remarked on the first effectual discouragement of an outrage upon decency
+which the lobbies and upper-boxes of even our best Theatres habitually
+paraded within the last twenty or thirty years. From those remarks it
+might appear as though no such Manager of Covent Garden or Drury Lane as
+Mr. Macready had ever existed.
+
+It is a fact beyond all possibility of question, that Mr. Macready, on
+assuming the management of Covent Garden Theatre in 1837, did instantly
+set himself, regardless of precedent and custom down to that hour
+obtaining, rigidly to suppress this shameful thing, and did rigidly
+suppress and crush it during his whole management of that theatre, and
+during his whole subsequent management of Drury Lane. That he did so, as
+certainly without favour as without fear; that he did so, against his own
+immediate interests; that he did so, against vexations and oppositions
+which might have cooled the ardour of a less earnest man, or a less
+devoted artist; can be better known to no one than the writer of the
+present words, whose name stands at the head of these pages.
+
+
+
+
+LANDOR’S LIFE
+
+
+PREFIXED to the second volume of Mr. Forster’s admirable biography of
+Walter Savage Landor, {519} is an engraving from a portrait of that
+remarkable man when seventy-seven years of age, by Boxall. The writer of
+these lines can testify that the original picture is a singularly good
+likeness, the result of close and subtle observation on the part of the
+painter; but, for this very reason, the engraving gives a most inadequate
+idea of the merit of the picture and the character of the man.
+
+From the engraving, the arms and hands are omitted. In the picture, they
+are, as they were in nature, indispensable to a correct reading of the
+vigorous face. The arms were very peculiar. They were rather short, and
+were curiously restrained and checked in their action at the elbows; in
+the action of the hands, even when separately clenched, there was the
+same kind of pause, and a noticeable tendency to relaxation on the part
+of the thumb. Let the face be never so intense or fierce, there was a
+commentary of gentleness in the hands, essential to be taken along with
+it. Like Hamlet, Landor would speak daggers, but use none. In the
+expression of his hands, though angrily closed, there was always
+gentleness and tenderness; just as when they were open, and the handsome
+old gentleman would wave them with a little courtly flourish that sat
+well upon him, as he recalled some classic compliment that he had
+rendered to some reigning Beauty, there was a chivalrous grace about them
+such as pervades his softer verses. Thus the fictitious Mr. Boythorn (to
+whom we may refer without impropriety in this connexion, as Mr. Forster
+does) declaims “with unimaginable energy” the while his bird is “perched
+upon his thumb”, and he “softly smooths its feathers with his
+forefinger”.
+
+From the spirit of Mr. Forster’s Biography these characteristic hands are
+never omitted, and hence (apart from its literary merits) its great
+value. As the same masterly writer’s _Life and Times of Oliver
+Goldsmith_ is a generous and yet conscientious picture of a period, so
+this is a not less generous and yet conscientious picture of one life; of
+a life, with all its aspirations, achievements, and disappointments; all
+its capabilities, opportunities, and irretrievable mistakes. It is
+essentially a sad book, and herein lies proof of its truth and worth.
+The life of almost any man possessing great gifts, would be a sad book to
+himself; and this book enables us not only to see its subject, but to be
+its subject, if we will.
+
+Mr. Forster is of opinion that “Landor’s fame very surely awaits him”.
+This point admitted or doubted, the value of the book remains the same.
+It needs not to know his works (otherwise than through his biographer’s
+exposition), it needs not to have known himself, to find a deep interest
+in these pages. More or less of their warning is in every conscience;
+and some admiration of a fine genius, and of a great, wild, generous
+nature, incapable of mean self-extenuation or dissimulation—if unhappily
+incapable of self-repression too—should be in every breast. “There may
+be still living many persons”, Walter Landor’s brother, Robert, writes to
+Mr. Forster of this book, “who would contradict any narrative of yours in
+which the best qualities were remembered, the worst forgotten.” Mr.
+Forster’s comment is: “I had not waited for this appeal to resolve, that,
+if this memoir were written at all, it should contain, as far as might
+lie within my power, a fair statement of the truth”. And this eloquent
+passage of truth immediately follows: “Few of his infirmities are without
+something kindly or generous about them; and we are not long in
+discovering there is nothing so wildly incredible that he will not
+himself in perfect good faith believe. When he published his first book
+of poems on quitting Oxford, the profits were to be reserved for a
+distressed clergyman. When he published his Latin poems, the poor of
+Leipzig were to have the sum they realised. When his comedy was ready to
+be acted, a Spaniard who had sheltered him at Castro was to be made
+richer by it. When he competed for the prize of the Academy of
+Stockholm, it was to go to the poor of Sweden. If nobody got anything
+from any one of these enterprises, the fault at all events was not his.
+With his extraordinary power of forgetting disappointments, he was
+prepared at each successive failure to start afresh, as if each had been
+a triumph. I shall have to delineate this peculiarity as strongly in the
+last half as in the first half of his life, and it was certainly an
+amiable one. He was ready at all times to set aside, out of his own
+possessions, something for somebody who might please him for the time;
+and when frailties of temper and tongue are noted, this other
+eccentricity should not be omitted. He desired eagerly the love as well
+as the good opinion of those whom for the time he esteemed, and no one
+was more affectionate while under such influences. It is not a small
+virtue to feel such genuine pleasure, as he always did in giving and
+receiving pleasure. His generosity, too, was bestowed chiefly on those
+who could make small acknowledgment in thanks and no return in kind.”
+
+Some of his earlier contemporaries may have thought him a vain man. Most
+assuredly he was not, in the common acceptation of the term. A vain man
+has little or no admiration to bestow upon competitors. Landor had an
+inexhaustible fund. He thought well of his writings, or he would not
+have preserved them. He said and wrote that he thought well of them,
+because that was his mind about them, and he said and wrote his mind. He
+was one of the few men of whom you might always know the whole: of whom
+you might always know the worst, as well as the best. He had no
+reservations or duplicities. “No, by Heaven!” he would say (“with
+unimaginable energy”), if any good adjective were coupled with him which
+he did not deserve: “I am nothing of the kind. I wish I were; but I
+don’t deserve the attribute, and I never did, and I never shall!” His
+intense consciousness of himself never led to his poorly excusing
+himself, and seldom to his violently asserting himself. When he told
+some little story of his bygone social experiences, in Florence, or where
+not, as he was fond of doing, it took the innocent form of making all the
+interlocutors, Landors. It was observable, too, that they always called
+him “Mr. Landor”—rather ceremoniously and submissively. There was a
+certain “Caro Pádre Abáte Marina”—invariably so addressed in these
+anecdotes—who figured through a great many of them, and who always
+expressed himself in this deferential tone.
+
+Mr. Forster writes of Landor’s character thus:
+
+ “A man must be judged, at first, by what he says and does. But with
+ him such extravagance as I have referred to was little more than the
+ habitual indulgence (on such themes) of passionate feelings and
+ language, indecent indeed but utterly purposeless; the mere explosion
+ of wrath provoked by tyranny or cruelty; the irregularities of an
+ overheated steam-engine too weak for its own vapour. It is very
+ certain that no one could detest oppression more truly than Landor
+ did in all seasons and times; and if no one expressed that scorn,
+ that abhorrence of tyranny and fraud, more hastily or more
+ intemperately, all his fire and fury signified really little else
+ than ill-temper too easily provoked. Not to justify or excuse such
+ language, but to explain it, this consideration is urged. If not
+ uniformly placable, Landor was always compassionate. He was
+ tender-hearted rather than bloody-minded at all times, and upon only
+ the most partial acquaintance with his writings could other opinion
+ be formed. A completer knowledge of them would satisfy any one that
+ he had as little real disposition to kill a king as to kill a mouse.
+ In fact there is not a more marked peculiarity in his genius than the
+ union with its strength of a most uncommon gentleness, and in the
+ personal ways of the man this was equally manifest.”—Vol. i. p. 496.
+
+Of his works, thus:
+
+ “Though his mind was cast in the antique mould, it had opened itself
+ to every kind of impression through a long and varied life; he has
+ written with equal excellence in both poetry and prose, which can
+ hardly be said of any of his contemporaries; and perhaps the single
+ epithet by which his books would be best described is that reserved
+ exclusively for books not characterised only by genius, but also by
+ special individuality. They are unique. Having possessed them, we
+ should miss them. Their place would be supplied by no others. They
+ have that about them, moreover, which renders it almost certain that
+ they will frequently be resorted to in future time. There are none
+ in the language more quotable. Even where impulsiveness and want of
+ patience have left them most fragmentary, this rich compensation is
+ offered to the reader. There is hardly a conceivable subject, in
+ life or literature, which they do not illustrate by striking
+ aphorisms, by concise and profound observations, by wisdom ever
+ applicable to the deeds of men, and by wit as available for their
+ enjoyment. Nor, above all, will there anywhere be found a more
+ pervading passion for liberty, a fiercer hatred of the base, a wider
+ sympathy with the wronged and the oppressed, or help more ready at
+ all times for those who fight at odds and disadvantage against the
+ powerful and the fortunate, than in the writings of Walter Savage
+ Landor.”—Last page of second volume.
+
+The impression was strong upon the present writer’s mind, as on Mr.
+Forster’s, during years of close friendship with the subject of this
+biography, that his animosities were chiefly referable to the singular
+inability in him to dissociate other people’s ways of thinking from his
+own. He had, to the last, a ludicrous grievance (both Mr. Forster and
+the writer have often amused themselves with it) against a good-natured
+nobleman, doubtless perfectly unconscious of having ever given him
+offence. The offence was, that on the occasion of some dinner party in
+another nobleman’s house, many years before, this innocent lord (then a
+commoner) had passed in to dinner, through some door, before him, as he
+himself was about to pass in through that same door with a lady on his
+arm. Now, Landor was a gentleman of most scrupulous politeness, and in
+his carriage of himself towards ladies there was a certain mixture of
+stateliness and deference, belonging to quite another time, and, as Mr.
+Pepys would observe, “mighty pretty to see”. If he could by any effort
+imagine himself committing such a high crime and misdemeanour as that in
+question, he could only imagine himself as doing it of a set purpose,
+under the sting of some vast injury, to inflict a great affront. A
+deliberately designed affront on the part of another man, it therefore
+remained to the end of his days. The manner in which, as time went on,
+he permeated the unfortunate lord’s ancestry with this offence, was
+whimsically characteristic of Landor. The writer remembers very well
+when only the individual himself was held responsible in the story for
+the breach of good breeding; but in another ten years or so, it began to
+appear that his father had always been remarkable for ill manners; and in
+yet another ten years or so, his grandfather developed into quite a
+prodigy of coarse behaviour.
+
+Mr. Boythorn—if he may again be quoted—said of his adversary, Sir
+Leicester Dedlock: “That fellow is, _and his father was_, _and his
+grandfather was_, the most stiff-necked, arrogant, imbecile, pig-headed
+numskull, ever, by some inexplicable mistake of Nature, born in any
+station of life but a walking-stick’s!”
+
+The strength of some of Mr. Landor’s most captivating kind qualities was
+traceable to the same source. Knowing how keenly he himself would feel
+the being at any small social disadvantage, or the being unconsciously
+placed in any ridiculous light, he was wonderfully considerate of shy
+people, or of such as might be below the level of his usual conversation,
+or otherwise out of their element. The writer once observed him in the
+keenest distress of mind in behalf of a modest young stranger who came
+into a drawing-room with a glove on his head. An expressive commentary
+on this sympathetic condition, and on the delicacy with which he advanced
+to the young stranger’s rescue, was afterwards furnished by himself at a
+friendly dinner at Gore House, when it was the most delightful of houses.
+His dress—say, his cravat or shirt-collar—had become slightly disarranged
+on a hot evening, and Count D’Orsay laughingly called his attention to
+the circumstance as we rose from table. Landor became flushed, and
+greatly agitated: “My dear Count D’Orsay, I thank you! My dear Count
+D’Orsay, I thank you from my soul for pointing out to me the abominable
+condition to which I am reduced! If I had entered the Drawing-room, and
+presented myself before Lady Blessington in so absurd a light, I would
+have instantly gone home, put a pistol to my head, and blown my brains
+out!”
+
+Mr. Forster tells a similar story of his keeping a company waiting
+dinner, through losing his way; and of his seeing no remedy for that
+breach of politeness but cutting his throat, or drowning himself, unless
+a countryman whom he met could direct him by a short road to the house
+where the party were assembled. Surely these are expressive notes on the
+gravity and reality of his explosive inclinations to kill kings!
+
+His manner towards boys was charming, and the earnestness of his wish to
+be on equal terms with them and to win their confidence was quite
+touching. Few, reading Mr. Forster’s book, can fall to see in this, his
+pensive remembrance of that “studious wilful boy at once shy and
+impetuous”, who had not many intimacies at Rugby, but who was “generally
+popular and respected, and used his influence often to save the younger
+boys from undue harshness or violence”. The impulsive yearnings of his
+passionate heart towards his own boy, on their meeting at Bath, after
+years of separation, likewise burn through this phase of his character.
+
+But a more spiritual, softened, and unselfish aspect of it, was to
+derived from his respectful belief in happiness which he himself had
+missed. His marriage had not been a felicitous one—it may be fairly
+assumed for either side—but no trace of bitterness or distrust concerning
+other marriages was in his mind. He was never more serene than in the
+midst of a domestic circle, and was invariably remarkable for a perfectly
+benignant interest in young couples and young lovers. That, in his
+ever-fresh fancy, he conceived in this association innumerable histories
+of himself involving far more unlikely events that never happened than
+Isaac D’Israeli ever imagined, is hardly to be doubted; but as to this
+part of his real history he was mute, or revealed his nobleness in an
+impulse to be generously just. We verge on delicate ground, but a slight
+remembrance rises in the writer which can grate nowhere. Mr. Forster
+relates how a certain friend, being in Florence, sent him home a leaf
+from the garden of his old house at Fiesole. That friend had first asked
+him what he should send him home, and he had stipulated for this
+gift—found by Mr. Forster among his papers after his death. The friend,
+on coming back to England, related to Landor that he had been much
+embarrassed, on going in search of the leaf, by his driver’s suddenly
+stopping his horses in a narrow lane, and presenting him (the friend) to
+“La Signora Landora”. The lady was walking alone on a bright
+Italian-winter-day; and the man, having been told to drive to the Villa
+Landora, inferred that he must be conveying a guest or visitor. “I
+pulled off my hat,” said the friend, “apologised for the coachman’s
+mistake, and drove on. The lady was walking with a rapid and firm step,
+had bright eyes, a fine fresh colour, and looked animated and agreeable.”
+Landor checked off each clause of the description, with a stately nod of
+more than ready assent, and replied, with all his tremendous energy
+concentrated into the sentence: “And the Lord forbid that I should do
+otherwise than declare that she always WAS agreeable—to every one but
+_me_!”
+
+Mr. Forster step by step builds up the evidence on which he writes this
+life and states this character. In like manner, he gives the evidence
+for his high estimation of Landor’s works, and—it may be added—for their
+recompense against some neglect, in finding so sympathetic, acute, and
+devoted a champion. Nothing in the book is more remarkable than his
+examination of each of Landor’s successive pieces of writing, his
+delicate discernment of their beauties, and his strong desire to impart
+his own perceptions in this wise to the great audience that is yet to
+come. It rarely befalls an author to have such a commentator: to become
+the subject of so much artistic skill and knowledge, combined with such
+infinite and loving pains. Alike as a piece of Biography, and as a
+commentary upon the beauties of a great writer, the book is a massive
+book; as the man and the writer were massive too. Sometimes, when the
+balance held by Mr. Forster has seemed for a moment to turn a little
+heavily against the infirmities of temperament of a grand old friend, we
+have felt something of a shock; but we have not once been able to gainsay
+the justice of the scales. This feeling, too, has only fluttered out of
+the detail, here or there, and has vanished before the whole. We fully
+agree with Mr. Forster that “judgment has been passed”—as it should
+be—“with an equal desire to be only just on all the qualities of his
+temperament which affected necessarily not his own life only. But, now
+that the story is told, no one will have difficulty in striking the
+balance between its good and ill; and what was really imperishable in
+Landor’s genius will not be treasured less, or less understood, for the
+more perfect knowledge of his character”.
+
+Mr. Forster’s second volume gives a facsimile of Landor’s writing at
+seventy-five. It may be interesting to those who are curious in
+calligraphy, to know that its resemblance to the recent handwriting of
+that great genius, M. Victor Hugo, is singularly strong.
+
+In a military burial-ground in India, the name of Walter Landor is
+associated with the present writer’s over the grave of a young officer.
+No name could stand there, more inseparably associated in the writer’s
+mind with the dignity of generosity: with a noble scorn of all
+littleness, all cruelty, oppression, fraud, and false pretence.
+
+
+
+
+ADDRESS WHICH APPEARED SHORTLY PREVIOUS TO THE COMPLETION OF THE
+TWENTIETH VOLUME (1868), INTIMATING A NEW SERIES OF “ALL THE YEAR ROUND”
+
+
+I BEG to announce to the readers of this Journal, that on the completion
+of the Twentieth Volume on the Twenty-eighth of November, in the present
+year, I shall commence an entirely New Series of _All the Year Round_.
+The change is not only due to the convenience of the public (with which a
+set of such books, extending beyond twenty large volumes, would be quite
+incompatible), but is also resolved upon for the purpose of effecting
+some desirable improvements in respect of type, paper, and size of page,
+which could not otherwise be made. To the Literature of the New Series
+it would not become me to refer, beyond glancing at the pages of this
+Journal, and of its predecessor, through a score of years; inasmuch as my
+regular fellow-labourers and I will be at our old posts, in company with
+those younger comrades, whom I have had the pleasure of enrolling from
+time to time, and whose number it is always one of my pleasantest
+editorial duties to enlarge.
+
+As it is better that every kind of work honestly undertaken and
+discharged, should speak for itself than be spoken for, I will only
+remark further on one intended omission in the New Series. The Extra
+Christmas Number has now been so extensively, and regularly, and often
+imitated, that it is in very great danger of becoming tiresome. I have
+therefore resolved (though I cannot add, willingly) to abolish it, at the
+highest tide of its success.
+
+ CHARLES DICKENS.
+
+
+
+
+FOOTNOTE
+
+
+{519} _Walter Savage Landor_: a Biography, by John Forster, 2 vols.
+Chapman and Hall.
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK CONTRIBUTIONS TO ALL THE YEAR
+ROUND***
+
+
+******* This file should be named 1464-0.txt or 1464-0.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/4/6/1464
+
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for the eBooks, unless you receive
+specific permission. If you do not charge anything for copies of this
+eBook, complying with the rules is very easy. You may use this eBook
+for nearly any purpose such as creation of derivative works, reports,
+performances and research. They may be modified and printed and given
+away--you may do practically ANYTHING in the United States with eBooks
+not protected by U.S. copyright law. Redistribution is subject to the
+trademark license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country outside the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you'll have to check the laws of the country where you
+ are located before using this ebook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm web site
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from both the Project Gutenberg Literary Archive Foundation and The
+Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
+trademark. Contact the Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's principal office is in Fairbanks, Alaska, with the
+mailing address: PO Box 750175, Fairbanks, AK 99775, but its
+volunteers and employees are scattered throughout numerous
+locations. Its business office is located at 809 North 1500 West, Salt
+Lake City, UT 84116, (801) 596-1887. Email contact links and up to
+date contact information can be found at the Foundation's web site and
+official page at www.gutenberg.org/contact
+
+For additional contact information:
+
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works.
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our Web site which has the main PG search
+facility: www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+