diff options
Diffstat (limited to 'old/14493.txt')
| -rw-r--r-- | old/14493.txt | 1568 |
1 files changed, 1568 insertions, 0 deletions
diff --git a/old/14493.txt b/old/14493.txt new file mode 100644 index 0000000..9d4ee4f --- /dev/null +++ b/old/14493.txt @@ -0,0 +1,1568 @@ +The Project Gutenberg EBook of The Nursery, No. 165. September, 1880, Vol. +28, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Nursery, No. 165. September, 1880, Vol. 28 + A Monthly Magazine For Youngest Readers + +Author: Various + +Release Date: December 28, 2004 [EBook #14493] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 165. *** + + + + +Produced by Juliet Sutherland, Charles Aldarondo and the Online +Distributed Proofreading Team + + + + + + +NO. 165. SEPTEMBER, 1880. Vol. XXVIII. + +THE NURSERY + +_A Monthly Magazine_ + +FOR YOUNGEST READERS. + +BOSTON: + +THE NURSERY PUBLISHING CO., +36 BROMFIELD STREET. +American News Co., 39 & 41 Chambers St., New York. +New-England News Co., 14 Franklin St., Boston, +Central News Company, Philadelphia. +Western News Company, Chicago. + +$1.50 a Year, in advance. A single copy, 15 cents. + +Entered at the Post Office at Boston as Second-Class Matter. + + * * * * * + +CONTENTS OF NUMBER ONE HUNDRED AND SIXTY-FIVE, + + * * * * * + + PAGE +ROSA BONHEUR By _Alfred Selwyn_ 65 +PIP AND POP By _Uncle Charles_ 67 +WHAT CAME OF A DIRTY FACE By _H._ 69 +WATERING THE FLOWERS By _Uncle Sam_ 70 +BABY TO HER DOLL By _W. G._ 72 +PETER AND TOMMY By _Uncle Charles_ 73 +IF I WERE A FAIRY By _George S. Burleigh_ 74 +A CHILD FASCINATING BIRDS By _Emily Carter_ 77 +DADDY FROG By _George Cooper_ 79 +THE FIRST CATCH By _G.T.T._ 81 +TALKING WITH THE FINGERS By _S.A.E._ 82 +A DAY ON GRANDPA'S FARM By _S.J.P._ 83 +EMMA AND ETTA By _A.B.C._ 85 +BROWNIE'S ADVENTURE By _Mrs B. P, Sibley_ 87 +A MISJUDGED FRIEND By _Marian Douglas_ 90 +A CURE FOR THE TOOTHACHE By _Mrs. Henrietta R. Eliot_ 92 +SONG OF THE BIRDS _(Music by T. Crampton)_ 96 + + * * * * * + +_The change in the publishing department of "The Nursery" involves no +change whatever in its editorial management. Our facilities for carrying +on the work are now better than ever. We have in preparation for coming +numbers some admirable designs, illustrative of the choicest +reading-matter in prose and verse. None but the best will find a place +in its pages. "The Nursery" will maintain its reputation as the best of +all magazines for young children. All communications relating to it +should be addressed to_ THE NURSERY PUBLISHING COMPANY. + +_The time will soon be at hand for getting up clubs for the next year. +It is a good plan to be in the field early. We shall offer extra +numbers, as usual, to_ NEW _subscribers who send their money before the +new year begins. Our next number will contain a comprehensive and +attractive Premium-List. Direct all remittances to_ THE NURSERY +PUBLISHING COMPANY. + +_Our friends of the Newspaper Press will oblige us by sending marked +copies of monthly notices without fail. We are about revising our +exchange list, and wish to have the means of knowing to what papers we +are indebted. In all notices please mention that subscriptions should be +addressed to_ THE NURSERY PUBLISHING COMPANY. + +_We call attention to the list of illustrated-books for children which +we offer for sale. (See advertisement on third page of cover_). THE +BOUND VOLUMES OF "THE NURSERY," _now thirteen in number, form a library +from which one cannot choose amiss_. THE EASY BOOK _and_ THE BEAUTIFUL +BOOK _are unequalled by anything of the kind in the market. Make drafts +and money-orders payable to the order of_ + +THE NURSERY PUBLISHING CO., + +36 Bromfield Street, Boston, Mass. + +[Illustration: Oxen] + + + + +ROSA BONHEUR. + + +About forty years ago, at an exhibition of paintings in Paris, two small +pictures attracted great attention. One was called "Goats and Sheep;" +the other, "Two Rabbits." + +They were wonderfully true to life; and what made them still more +remarkable was, that they were the production of a girl only nineteen +years old. That young French girl, Rosalie Bonheur, is now the famous +artist known the world over as "Rosa Bonheur." + +She was born in Bordeaux in 1822. Her father, Raymond Bonheur, was an +artist of much merit, and he was her first teacher. From earliest youth +she had a great fondness for animals, and delighted in studying their +habits. + +So, naturally enough, she made animals the subjects of her pictures, and +it is in this peculiar department of art that she has become eminent. +Her works are quite numerous and widely known. One of the most famous is +her "Horse-Fair," which was the chief attraction of the Paris Exhibition +in 1853. + +She is still practising her art; and in addition to that she is the +directress of a gratuitous "School of Design" for young girls. When +Paris was besieged by the Prussians, the studio and residence of Rosa +Bonheur were spared and respected by special order of the crown prince. + +Auguste Bonheur, a younger sister of Rosa, and one of her pupils, has +also gained a high reputation as an artist. She, too, excels as a +painter of animals. + +We give as a frontispiece to this number an engraving of one of her +pictures, and we will let the picture tell its own story. It is a work +that would do credit to the famous Rosa herself. + +ALFRED SELWYN. + + + + +PIP AND POP. + +[Illustration: Pip And Pop.] + + +_Pip_.--Well, cousin Pop, how goes the world with you? Do you find any +worms? + +_Pop_.--Not a sign of one! What is to become of the race of sparrows, I +don't know. The spring is late and chilly. There is still frost in the +ground. + +_Pip_.--Not even a fly have I caught this blessed day. + +_Pop_.--Just my luck, friend Pop! If it weren't for the crumbs a little +girl throws out for me every day, I should starve. + +_Pip_.--I should like to know that little girl. Where does she live? + +_Pop_.--She is at school now. But come with me about two o'clock, and +you shall be fed. + +_Pip_.--Thank you, cousin. I'll do as much for you one of these days. I +have heard of a little girl in Ohio, who feeds the birds so well, that +they follow her into the house, light on her head, and play with her. + +_Pop_.--A thought strikes me, cousin. The little girl who feeds me is +just as good as the Ohio girl; but I am not as good as the Ohio birds. I +have not trusted her as I ought to. I have not lighted on her head. I +have not followed her into the house. + +_Pip_.--That was a fault, my dear Pop. I do not think she will put us in +a cage. I think she will be good to us. + +_Pop_.--Then I'll tell you what we'll do. After she has had her dinner, +we'll fly in at the window, and light on the table. + +_Pip_.--A good idea! I agree to it. Now, don't you be afraid, Pop, and +back out. + +_Pop_.--That I won't. First we'll go and have a good wash in the brook, +so that our feathers shall be all clean. + +_Pip_.--Another good idea! Hunger sharpens your wits, cousin. + +_Pop_.--It sharpens my appetite: I know that. + +_Pip_.--Come on, then! Let us see who will fly the faster to the brook. +[_They fly off_.] + +UNCLE CHARLES + +[Illustration: Birds Drinking] + + + + +WHAT CAME OF A DIRTY FACE. + +[Illustration: What Came of a Dirty Face.] + + + A little boy I used to know, + Who went to a district school. + He learned to read, and he learned to write, + And to whisper against the rule. + What fun it was with his marbles to play + When the teacher was busy, and looking away! + + This little boy, one day, was sent + A pail of water to bring, + And like Jack and Jill away he ran, + And back he came with a swing. + But, just as he entered the schoolroom door, + Both he and the water went down on the floor. + + Oh, then, what a noise there was in the room! + The school-ma'am fetched a mop; + But, the more she tried the water to check, + The more it wouldn't stop. + There never was such water to run: + It seemed, with the children, to like the fun. + + What was it that made the little boy fall, + And show such a lack of grace? + I'll tell you all, for I happen to know: + It was only a dirty face! + He looked at himself in the water-pail, + And that made the little boy's footstep fail. + + + + +WATERING THE FLOWERS. + + +"Why is it that flowers always grow so nicely for Mary? I often plant +seeds; but nothing comes from them. They won't grow for me. But blossoms +seem to spring right up wherever she goes. They must have a particular +liking for her." + +That's what Master Tom said, one day, as he saw Mary watering the +flowers. + +Well, it is no wonder, Tom, if flowers do have a liking for such a +lovable little girl. There's nothing so very strange about that. How +could they help liking her? + +[Illustration: Watering the Flowers.] + +But, after all, perhaps the secret of the matter is, that Mary loves the +flowers, and never forgets to take care of them. She looks after them +every day, and not by fits and starts, as some people do. + +So she has good luck with her flowers, and is always able to make up a +nice bouquet. And she not only enjoys the flowers herself, but, what is +better still, she takes delight in having others enjoy them with her. + +She does not forget to send a liberal share to the Flower Mission; and +many a poor sufferer has been cheered by the sight of Mary's flowers. + +UNCLE SAM. + + + + +BABY TO HER DOLL. + +[Illustration: Baby to Her Doll.] + + + I wonder what you are thinking about + While you look so smiling at me. + You never frown, and you never pout; + Your eyes are as clear as can be, + And though you are often hurt, no doubt, + Not a tear do I ever see! + +W.G. + + + + +PETER AND TOMMY. + +[Illustration: Peter and Tommy.] + + +_Peter._--I say, Tommy, where did you get that new hat you have on your +head? + +_Tommy._--What business is that of yours? + +_Peter._--Oh, I want to learn, that's all. I may be wanting to get a hat +of that kind myself, you know. Is it the latest style? + +_Tommy._--Look here, young one: I sha'n't stand any of your chaffing. As +soon as I get through with my bread and butter, I shall take hold of +you. + +_Peter._--Your bark is worse than your bite, Tommy. I shouldn't wonder +if you were to come off second best in a square fight. + +_Tommy._--Be off, Peter, and let me eat my bread and butter in peace. + +_Peter._--It seems to me it would be good manners to offer me a bite. + +_Tommy._--You'll provoke me, Peter, to give you a thrashing. + +_Peter._--My advice is that you don't try it on. + +_Tommy._--Peter, you are a little upstart. I should leave nothing of +you, if I once took hold of you in earnest. + +_Peter._--It's a hot day, Tommy, and the wisest thing you can do is to +share your slice with me. I am very hungry. + +_Tommy._--Oh, if you're hungry, that alters the case. Sit down, Peter, +and you shall have a good bite. + +_Peter._--Ah! That tastes nice. Now, Tommy, explain about that hat of +yours. + +_Tommy._--That's my secret, Peter. I sha'n't tell it. + +_Peter._--I can guess it. It's only a basket. + +_Tommy._--What a wise Peter you are! And to think you've had no +schooling as yet! + +UNCLE CHARLES. + + + + +IF I WERE A FAIRY. + + + If I were a fairy slight and small, + Say, about as tall + As a span-worm forming the letter O, + What do you think I would do? I know! + In the bell of the lily I'd rock and swing, + Twitter and sing; + And, taking the gold-dust under me, + I'd splash the hips of the buzzing bee, + That he might have meal to make his bread, + With honey spread, + For his thousand babies all in rows, + Each in a bandbox up to his nose. + + I'd count the curls of the hyacinth + By the fallen plinth, + And make them glossy with morning dew + By sunrise tinted with purple and blue; + And out of the sunset sky I'd get + For the violet + Yellow and red, and dark marine, + And purples deep, and a tender green; + And all night long, as they lay in sleep, + I would paint and steep + Their velvet cheeks in a hundred dyes, + That well they might open great staring eyes. + + Unseen I would come where the tired ants tug + At a heavy slug, + With my rye-beard lance I'd push it along, + And they'd think, "All at once we are wondrous strong!" + In the nest of the robin, under the eaves + Of the apple-leaves, + I'd drop a worm in the gaping throats + That answer my chirp of the mother's notes. + When bonny Miss Harebell thirsts in vain + For a drop of rain, + I would fill at the brook my shining cap, + And lay it all dripping in her lap. + + Oh, what would I do as a fairy small? + I cannot tell all; + But I would do much with a right good will: + To all things good, and to nothing ill. + And I'd laugh and skip, like a bird on wing, + Twitter and sing, + And make boys and girls, and birds and flowers, + All say, "What a lovely world is ours!" + + Well, what if I am not quite so small? + I can do it all + In my own sweet home by the same good will, + No fairy, but something nobler still. + +GEORGE S. BURLEIGH. + +[Illustration: If I Were a Fairy.] + + + + +A CHILD FASCINATING BIRDS. + +[Illustration: A Child Fascinating Birds.] + + +There is a little girl in Ohio, five years old, who has the power of +charming birds at will. Her mother was the first to notice the exercise +of this strange power. + +The little Girl was playing in the yard where some snowbirds were +hopping about. When she spoke to them, they would come, twittering with +glee, and light upon her shoulders. + +On her taking them in her hands and stroking them, the birds did not +care to get away. They seemed to be highly pleased, and, when let loose, +would fly a short distance, and soon return to the child again. + +She took several of them into the house to show to her mother. The +mother, thinking the little girl might hurt the birds, put them out of +doors. But the little birds were not to be cheated in this way. No +sooner was the door opened than they flew into the room again, and +alighted upon the girl's head, and began to chirp. + +The birds staid about the house all winter. Whenever the door was +opened, they would fly to the little girl. The parents feared that this +might be a bad omen, and that the little girl would die. + +But she kept her health, and did not die. She still makes pets of the +birds, and they come and play with her. She handles them so gently, that +even a humming-bird has been known to come to her several times. + +Last winter a whole flock of birds kept near the house all the season. +She would feed them, and then play with them for hours at a time. Every +morning the birds would fly to her window, and chirp, as much as to say, +"Good-morning, little mistress! Wake up, wake up!" + +I think the child must be a near relation of that "Little Bell," of whom +the poet Westwood sang,-- + + "Whom God's creatures love," the angels fair + Murmured, "God doth bless with angels' care: + Child, thy bed shall be + Folded safe from harm; love deep and kind + Shall watch around, and leave good gifts behind, + Little Bell, for thee!" + +EMILY CARTER. + + + + +DADDY FROG. + +[Illustration: Daddy Frog & Children] + + + Old Daddy Frog lives in a bog, + And his coat is bottle-green; + Yellow his vest; handsomely dressed, + His pretty shape is seen. + Puffing with pride, there at his side + His dame is sure to be: + Smiling, she says, "No one could raise + A finer family! + Singing Coa, coa, coa, kerchunk!" + + Old Daddy Frog leaps on a log + In a spry and jaunty way: + Calling his boys--oh, what a noise! + He joins them in their play. + Hippety hop! under they pop, + And Daddy Frog says he, + "Isn't it fine? How they will shine, + This polished family! + Singing Coa, coa, coa, kerchunk!" + + Old Daddy Frog lives in the bog + Till the summer days are done: + Little boys grow; dressed like a beau + Now is each model son. + Daddy Frog's eyes wink with surprise, + Filled with delight is he; + Dame at his side chuckles with pride, + "There's no such family! + Singing Coa, coa, coa, kerchunk!" + +GEORGE COOPER. + +[Illustration: Daddy Frog] + + + + +THE FIRST CATCH. + + + One. + Two. + Three. + Four. + Five. + +[Illustration: Fish in Hat] + + I + caught + a + fish + alive. + + Why + did + You + let + him + go? + +[Illustration: Boy Bit] + + He + bit + my + little + finger + so. + + + + +TALKING WITH THE FINGERS. + + +No doubt, many of the little readers of "The Nursery" go to school; yet +not many of them, I think, can ever have been in such a school as the +one in which I am teaching. The walls of the room are hung with pictures +of birds, animals, insects, fishes, and flowers. The blackboard is +covered with drawings of many familiar objects. + +While I am writing this, seven little boys and nine little girls (how +many does that make in all?) are busy writing on their slates. These +children do not have any books to study. I tell them what I wish to +teach them, and they write it down, and try to remember it. But I teach +them without speaking a word. I talk to them with my fingers. + +You have guessed already, I dare say, that these dear little children +are deaf and dumb; that is, they can neither hear nor speak. They cannot +go to school and live at home, and see papa and mamma night and morning, +as you can; for there are no schools for them near their homes. They +have to go a long way from home, and stay in school many long weeks +without seeing father or mother, brother or sister. So, when vacation +comes, how glad and happy they are! Some of them are even now writing on +their slates, "In sixteen weeks we shall go home." + +I have said that these children cannot speak; but that is not quite +true, for many of them are learning to speak. When I talk to them, they +look very closely at my lips, and so learn to tell what I am saying. +Some of them have very sweet and pleasant voices, the sound of which +they have never heard in all their lives. + +And now let me say that I hope you will learn the finger-alphabet; so +that, if you visit any of my little pupils, you can talk to them. + +If you ask them, they will spell very slowly,--how fast they _can_ +spell!--so that you can read what they say. Perhaps you can get "The +Nursery" to print the alphabet for you. + +S.A.E. + +ROCHESTER, N.Y., March, 1880. + + + + +A DAY ON GRANDPA'S FARM. + +[Illustration: A Day on Grandpa's Farm] + + +"Arlington!" cried the conductor, as the train stopped at a little +station in Central Wisconsin. We got out of the car just in time to see +grandpa driving up in his big double wagon. + +We climbed in, and grandpa said, "Get up, Bill! Go along, Jip!" and +away we started for the farm. + +When we got there, the first thing we saw was grandma making cookies +with holes in them. She said she would give us some if we would be sure +and not eat the holes. + +After dinner, my sister Ally, cousin Johnny, and I, went out to take a +ramble in the barn and hunt for eggs. Pretty soon we heard Johnny +calling, "Oh, come quick, and see what I have found!" + +We ran quickly to the place where he was, and there we saw a hen with a +brood of chickens. One of the chicks was on its mother's back, one was +on the floor in front of her, and the others were peeping out from under +her wings. It was a pretty sight. + +After naming each of the chickens, we all made a search for eggs. We +found one nest with five eggs in it, another with three, and another +with two. Johnny put the eggs in his cap, and carried them into the +house. + +He soon came running back, saying, "Now, let us go and have a swing." So +we all went to the swing, and swung till we were tired. Then Ally said, +"Oh, come and see the ducks swimming on the pond!" but Johnny said, +"Wait till I get my boat, that uncle Sam made for me." + +So we all went to the pond, and Johnny put in his boat. It sailed right +out among the ducks, and they were much afraid of it, and swam away as +fast as they could, saying, "Quack, quack, quack!" + +Johnny went to the other side of the pond to get his boat, which had +sailed across, and he had just got back when we heard grandma calling, +"Children, come in to supper." After supper, mamma read us a story from +"The Nursery," and then tucked us snugly in bed, and we went to sleep to +dream of cookies, and hunting eggs. + +S.H.P. + + + + +EMMA AND ETTA. + +[Illustration: Emma and Etta] + + +Emma and Etta are sisters. They have a doll whose name is Clara. + +They are very fond of Clara, and it would be hard to tell which of the +two Clara likes best. It is not often that one doll has two such +mothers. + +In the picture you may see Emma dressing the doll. She has curled the +sweet little thing's hair, and Etta has a nice, clean gown all ready for +her to put on. + +It is to be hoped that this doll with two mothers will not be too much +petted. It would be a pity if she should become a spoiled child. + +A.B.C. + +[Illustration: Child and Doll] + + + + +BROWNIE'S ADVENTURE. + +[Illustration: Brownie's Adventure] + + +Grace and Willie named him Brownie, because all his brothers and sisters +were white, and he was such a funny little brown puff-ball of a chicken. + +Mrs. Speckle (that was his mother) was just as proud of him as she could +be; but foolish Brownie thought her too strict. She would never consent +to let one of the downy things out of her sight for a moment, and told +them fearful stories of hawks and weasels, to say nothing of bad boys +and big dogs. + +But Brownie kept thinking that some day, when he was a little older and +stronger, he would leave the yard, and see whether there were really +such dangers in the fields and woods as his mother said there was. + +After a while the pretty brown feathers all dropped out, one after +another, until Brownie looked more like a chicken which had been plucked +than any thing else. Grace could not keep from laughing at the sight of +him; and it was very droll when he popped up on a log, and tried a weak, +quavering crow. + +To be sure, Mrs. Speckle did not keep a looking-glass, and I suppose +poor Brownie had no idea how very absurd he looked. To tell the truth, +he thought he was almost grown up, and began to watch for a chance to +begin his journey to see the world. He had not the least doubt that he +would see something fine, if he could only get out of the sight of his +mother, who was so very strict, and had such foolish notions, as he +thought. + +So, one day, as Mrs. Speckle was having a friendly chat with Dame +Top-Knot, he took the chance to creep slyly under the fence, and was off +all alone. + +"How silly mothers are! And such cowards too!" he said to himself. "I am +sure there's nothing here to hurt me. I would like to see any one meddle +with me!" + +At this instant he felt a sharp peck; and a voice said close to his ear, +"Halloo, little one, you had better start for home!" + +He looked up, and saw young Green-Wing, who was two months older, and +boasted a comb of good size, to say nothing of his sharp spurs. + +Brownie thought it best to say nothing after the first "peep," and hid, +trembling with fright, under the first leaf he could find. But the sun +shone, the sky was a lovely blue, the ground was bright with flowers, +and there were many bugs crawling about. Brownie had quite a feast, and +was beginning to regain his spirits, when something happened which +turned all his thoughts topsy-turvy. + +The sky grew dark all at once. Something caught hold of him, and +Brownie felt himself going up, up, so swiftly, that it quite took his +breath away. "It must be a thousand miles," he thought. + +Crack! went a gun. Then the hawk let go and Brownie went down, down to +the ground, where he lay for a long time as if he were dead. + +When he opened his eyes it was almost dark. The sun had set, and he had +forgotten the way home. "I shall never see mamma again," he sobbed. "I +wish I had been good and not run away." + +"Why, here's Brownie!" cried Grace's voice. "The hawk did not get him +after all. Come, Willie, and help me drive him to the hen-house." + +"I hope, my dear, you will never be so very naughty again," said Mrs. +Speckle, as he crept under her wing. + +MRS. B.P. SIBLEY. + +[Illustration: Hen and Chicks] + + + + +A MISJUDGED FRIEND. + + + The gardener shut the garden gate, + And went to weed the onion-bed: + The growing plants stood tall and straight; + "But what is this?" surprised he said. + Some broken bricks, some stones and sticks, + And underneath them, crushed and dead, + A large brown toad! "James, Martin, Fred!" + He called three little boys, who played + Near by, beneath a pear-tree's shade, + And sternly asked, "What cruel play + Is this you've been about to-day?" + + "'Tis very hard we should be blamed, + I'm sure!" poor little James exclaimed: + "We only killed the toad because + An ugly-looking thing he was,-- + So very ugly, that we knew + He surely would some mischief do. + He had great warts upon his back, + And curious blotches, greenish black, + And darting tongue, and strange flat head"-- + "And how he sprawled his legs!" cried Fred. + "His mouth," said Martin, "was so wide, + It reached far round on either side; + And queer winks with his eyes he'd give: + We did not dare to let him live. + We had to kill that toad because + An ugly-looking thing he was." + + The gardener gravely shook his head; + "It was a heartless act," he said; + "And, more than that, you may depend + Upon my word, you've killed a friend; + For often, at my work, I've found + This same toad near me, hopping round, + And, watching him, I've learned that he + My constant helper used to be,-- + A second gardener, with no pay, + Who still was busy every day. + + "He killed the young potato-bugs, + The caterpillars, and the slugs, + The beetles striped with yellow lines, + That spoil the tender melon-vines, + And looked round with his blinking eyes + For cabbage-worms and turnip-flies, + Low-flying moths with downy wings, + And slimy snails in shady nooks. + It was the cruellest of things + To kill poor Hop Toad for his looks. + + "And if, when you shall older grow, + You strangers judge by outward show, + You'll be as foolish as unjust: + In worthless men you'll put your trust, + And often sorrow, in the end, + For having wronged some honest friend. + +MARIAN DOUGLAS. + + + + +A CURE FOR THE TOOTHACHE. + + +Our Ned is a brave little fellow about eight years old. He is full of +fun, and loves to play out of doors in all kinds of weather. + +But what little boy can be merry when he has a raging toothache! Ned +bore it like a hero; but he had to give up at last, and he was glad to +take refuge in his mother's lap, and be a baby again for a while. + +With his head pillowed on his mother's breast, the little boy found some +relief; but still he was in great pain. His sister stood by, trying to +think of some way to help him. Ned could hardly keep from crying; but he +said to his mother, "I should like to have you tell me a story." + +"What shall it be, darling?" said his mother. + +"Tell me about Harry and his dog Jack." This story had been told to Ned +when he was a very, very little boy, and a good many times since then. +It seemed odd to his mother that he had chosen such an old story. But he +wanted to hear it; and so she told it all over again. This is the +story:-- + +"There was once a little boy named Harry, and he had a little dog named +Jack. Jack was a queer-looking dog. He was nearly all black; but he had +a white tail, and his front-feet were white. + +"Harry loved Jack very much, and as he never forgot to feed him, and +never teased him, the dog loved Harry very much. When Harry went to +school, Jack went too,--not into the schoolroom (for dogs can't learn to +read, you know), but into the school-yard, where he played about till +Harry came out again. At recess, he used to play with the boys, and have +almost as much fun as if he were a boy too. + +"The yard wasn't very large, and, when the boys played ball, they would +often throw the ball over the fence. Then it was Jack's part of the play +to run after the ball. The boys would call, 'Jack, Jack!' and Jack would +run under the fence, seize the ball in his mouth, and bring it back to +the boys. + +[Illustration: Mother, Son, & Daughter] + +"But, one day, the ball rolled off the pavement out into the street. A +wagon was passing just then; and Jack was in such a hurry to get the +ball, that he ran right in its way, and the wheel went over his leg. + +"The boys all ran out to help Jack; and one of them said, 'O Harry! I'm +afraid that he is badly hurt; for see, he runs on three legs, and lets +the other one hang.' Harry took Jack up in his arms, and said, 'Poor +Jack, poor little Jack.' Then he felt very gently of the dog's leg, and +found that it was broken. + +"Oh, how sorry Harry and all the other boys felt! Harry couldn't keep +from crying, and they all said that if little Jack got well they +wouldn't send him out after the ball any more. + +"As soon as they were back in the yard, Harry ran into the school-house +with Jack in his arms, and said to the teacher, 'Please, sir, may I go +home now? My poor little dog Jack has broken his leg, and I want to show +him to my mother, and try and make it better.' The teacher said, 'Yes, +Harry, you are a good boy, and Jack is a good little dog, and you may +take him home.' So Harry started at once. + +"When Harry's mother saw him coming home, she was afraid he was sick. +She ran out to the gate, and said, 'Why, Harry! What makes you come home +so early to-day?'--'O mamma!' said Harry, 'my poor little Jack has +broken his leg!' Then Harry's mother looked at Jack, and, after thinking +a minute said, 'My dear Harry, I am very sorry; but I think we shall +have to kill little Jack to save him from suffering. A dog's broken leg +cannot be made whole again.' + +"Oh, how sad little Harry felt when his mother said that! It made him +cry very hard. But in a little while something made him stop crying: and +what do you guess it was? Why, he began to think that perhaps his mamma +was mistaken when she said that dogs couldn't have their legs mended; +and he thought he would go to the doctor who cured him when he was sick, +and ask about it. + +"So he said, 'Dear mamma, please let me go and ask Dr. Stratton if he +won't try to fix Jack's leg.' And his mother said, 'Well, Harry, you may +go; but I don't think the doctor will do it.' + +"So Harry put on his hat, and went over to Dr. Stratton's. Harry knocked +on the doctor's door. 'Come in!' said the doctor. 'Why, Harry! What do +you want? Anybody sick at your house?' + +"'N-no, sir,' said Harry, 'not exactly anybody, but my little dog Jack +has a broken leg, and mamma says you can't mend it; but please try. My +dear little dog is such a good dog, and mamma says he will have to be +killed. Will you please try?' + +"Now, the doctor was a very kind man. He smiled, and said, 'Well, Harry, +I never mended a dog's leg; but I'll try for your sake--but won't he +bite me?' + +"'Oh, no!' said Harry. 'My dog Jack always minds me, and he will do just +as I tell him.' + +"So the good doctor put on his hat, and went with Harry. When they were +in Harry's house, the doctor said that he must have some very smooth +pieces of wood. Harry said, 'I think the cover to my broken paint-box +would do if it was whittled.' So he brought it, and the doctor said it +was just the thing. + +"Then the doctor said, 'Now I must have some white cotton-cloth.' +Harry's mother gave the doctor an old shirt, and he tore it into strips. +Then he said, 'Now, Harry, I am ready.' + +"So Harry brought the little dog Jack, and said to him, 'Now, Jack, lie +still!' And the good dog didn't move or bite while the doctor set his +leg, and bound it up with the pieces of wood and the cloth. Then the +doctor said, 'Now, Harry, you must take good care of Jack and keep him +in the house till his leg is quite well.' + +"'I will,' said Harry. Then he made a nice soft bed and laid Jack in it, +and took good care of him, and in a few weeks, what do you think? Jack +was well! + +"I tell you, the boys were glad to see him back at school; and one of +them made a rhyme about him that they used to sing every morning when +they saw him coming,-- + + "'Little dog Jack, he broke his leg; + But now he's come back, peg-a-ty-peg!'" + +This was the end of the story, and Ned was so quiet that his mother +thought he was asleep. But, all of a sudden, he looked up, with a smile, +and said, "I'm going out now to have a game of foot-ball." + +"Why, what has become of that toothache?" + +"All gone," said Ned. + +"Why, that is a most wonderful cure. We will go and tell the dentist +about it to-morrow." + +MRS. HENRIETTA R. ELIOT. + +[Illustration: Children Playing] + + + + +SONG OF THE BIRDS. + + +Words from the Nursery. + +Music by T. CRAMPTON. + +[Illustration: Music] + + 1. + + Chipper, chipper, chip! come, clear the way! + We must be at work to day. + See us swiftly fly along, + Hear outbursts of merry song; + Watch us in our busy flight + Glancing in your window bright; + Save your bits of yarn for me; + Just think what a help 'twould be! + + 2. + + Chipper, chipper, chip! Hark, how he sings, + As he comes for threads and strings, + Which he is not slow to see, + From the budding lilac tree! + Now with cunning saucy pranks, + See him nod his hearty thanks: + "These are just the thing," says he; + "What a help they'll be to me!" + + 3. + + Chipper, chipper, chip! Now see him go, + Now so fast and now so slow; + Working ever at the nest, + Never stopping once to rest, + Getting bits of straw and things + For his good wife, while he sings, + "Chip, chip, chip, so gay are we, + Singing in the lilac tree." + + * * * * * + +1.50 for a Subscription to "The Nursery" will make a child happy +all the year. + + * * * * * + +AND NOT WEAR OUT. SOLD by Watchmakers. By mail, 30 cts. circulars FREE +J. S. BIRCH & CO., 38 Dey St., N.Y.; + + * * * * * + +[Illustration: A KEY THAT WILL WIND ANY WATCH] + +ELGIN WATCHES. + +All styles, Gold, Silver and Nickel, $6 to $150, Chains, etc., sent +C.O.D. to be examined. Write for Catalogue to STANDARD AMERICAN +WATCH CO., PITTSBURGH, PA. + + * * * * * + +[Illustration: Shot Gun] + +GREAT WESTERN GUN WORKS, Pittsburgh, Pa. Send stamp for Catalogue. +Rifles, Shot Guns, Revolvers, sent c.o.d. for examination + + * * * * * + +Induce your neighbors and friends to Subscribe for "The Nursery" at +once. + + * * * * * + +Castoria + +Pleasant to take; never narcotic, always regulates the Stomach and +Bowels. No Sour-Curd or Wind-Colic; no Feverishness or Diarrhoea; no +Congestion or Worms, and no Cross Children or worn-out Mothers +where Castoria is used. + + * * * * * + +THOUSANDS VISIT THE MINERAL SPRINGS, + +Here and abroad, and spend thousands of dollars in search for health, +when a few doses of + +Tarrant's Seltzer Aperient + +would accomplish the same results, at the cost of a few cents. Each +bottle contains from thirty to forty glasses of Sparkling Seltzer, which +makes it positively the cheapest, as well as the most efficacious +mineral water extant. + +SOLD BY ALL DRUGGISTS. + +[Illustration: TARRANT'S SELTZER APERIENT.] + + * * * * * + +HANFORD'S NONE SUCH BAKING POWDER + +Is ABSOLUTELY PURE;--Grape Cream Tartar and Bicarb. Soda, Contains +_nothing else; full weight;_ forfeited if not as represented. _All other +kinds_ have filling. Sample of _pure_ powder and test to detect filling +free by mail. GEO. C. HANFORD, Syracuse, N.Y. + + * * * * * + +52 + +Gold, Crystal, Lace Perfumed and Chrome Cards name in Gold and Jet, +l0c. Clinton Drive, Cromwell Coun. + + * * * * * + +50 + +Elegent New Chromos, Shells, Gold-border &c. cards, name on 10c +G.A. Spring, Northford, Ct. + + * * * * * + +A PRESENT. Beautiful Chromo Cards given to readers of this paper for 3c. +stamp, C.B.Ravene, Summit, N.Y + + * * * * * + +INVALID ROLLING CHAIR. + +[Illustration: (RECLINING)] + +A Priceless boon to those who are unable to walk. Hon. A.H. Stephens, +M.C., and hundreds of others use them. Send for Circular to + +FOLDING CHAIR CO. New Haven, Conn. + +[Illustration: Invalid Rolling Chair] + + * * * * * + +Choicest Illustrated Books for Children. + +Bound Volumes of "The Nursery"--Half-Yearly $1.00 + " " " " Yearly 1.75 +The Beautiful Book--A collection of Choice .75 +The Easy Book--In Large Type. Full .75 + " " " " " Half " .50 +The Nursery Primer--A superb book of 64 .30 +The Nursery Reader--Nos. 1, 2, 3, and 4, each .30 +"The Nursery" for Primary Schools--Nos. 1, 2, 3, and 4, each .30 +Nursery Stories in Prose and Rhyme 1.00 + +_Sent, postpaid, on receipt of price. A liberal discount to schools._ + +Address, THE NURSERY PUBLISHING CO., + +36 _Bromfield Street, Boston, Mass_ + + * * * * * + +Subscriptions may commence with any number and for any time. + +$2.50 _Per Hundred_. CHEAP $2.50 _per Hundred_. + +Supplementary Reading for Primary Schools! + +The + +Child's Monthly Reader. + +The third volume of "The Child's Monthly," a magazine which has been +used with great success in many primary schools, was completed with its +March issue. It is now consolidated with "The Nursery," which will +embody all its most prominent features. We can supply back numbers of +"The Child's Monthly" and "Monthly Reader" at the above low rate. + +We call the especial attention of School Committees, Teachers, and +others to the opportunity here afforded of obtaining the Choicest and +Best Illustrated Reading-Matter at a trifling expense. Each number +contains 16 pages, printed in large type on fine tinted paper. Send +stamp for a specimen copy. Address + +THE NURSERY PUBLISHING CO., + +36 _Bromfield Street, Boston, Mass._ + +BOUND VOLUMES OF "THE NURSERY" + +Will be sent, postpaid, by the publisher at the following prices:-- + +Half-Yearly Volumes, $1. Yearly Volumes, $1.75. The magazine was begun +in 1867. + + * * * * * + +OXFORD'S SENIOR SPEAKER. + +A splendid volume, containing the best collection extant, of Pieces for +Declamation, New Dialogues, &c. Illustrated with excellent likenesses of +Charbam, Mirabeau, Webster, Demosthenes, Cicero, Grattan, Patrick Henry, +Curran, Sheridan, Madame Roland, Victor Hugo, Calhoun, Hayne, Everett, +Tennyson, Longfellow. O. W. Holmes, Bret Harte, Epes Sargent, Thackeray, +Dickens, and many more, embracing + +Ninety Beautiful Illustrations + +in all. Every schoolboy ought to have this book; it is latest and best +SPEAKER. Price 1.50. + +OXFORD'S JUNIOR SPEAKER + +Beautifully illustrated (Price 75 Cents), is the best work of the kind +for younger classes in Declamations. + +THE NURSERY PUBLISHING CO., + +36 Bromfield Street, Boston. + + * * * * * + +PRETTY PAPERS FOR PAPER DOLLS + +AND MAY BASKETS + +Send 15 cents, and get 20 varieties by mail. + +THE NURSERY, 36 Bromfield Street Boston, Mass. + + * * * * * + +Please Show your copy of + +The Nursery + +to all your friends, and ask them to subscribe for it at once. +Get up a Club and thereby earn a handsome Premium. + +PLEASE OBSERVE + +When your subscription expires, and be sure to renew +promptly so that your name may remain on the list undisturbed. If your +label has no number attached, then your subscription expires with the +December number, (No. 168). + + + + + +End of the Project Gutenberg EBook of The Nursery, No. 165. September, 1880, +Vol. 28, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 165. *** + +***** This file should be named 14493.txt or 14493.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/4/9/14493/ + +Produced by Juliet Sutherland, Charles Aldarondo and the Online +Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |