summaryrefslogtreecommitdiff
path: root/old/14360.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/14360.txt')
-rw-r--r--old/14360.txt5527
1 files changed, 5527 insertions, 0 deletions
diff --git a/old/14360.txt b/old/14360.txt
new file mode 100644
index 0000000..b3998c7
--- /dev/null
+++ b/old/14360.txt
@@ -0,0 +1,5527 @@
+The Project Gutenberg eBook, The Dawn and the Day, by Henry Thayer Niles
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Dawn and the Day
+
+Author: Henry Thayer Niles
+
+Release Date: December 15, 2004 [eBook #14360]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE DAWN AND THE DAY***
+
+
+E-text prepared by Al Haines
+
+
+
+THE DAWN AND THE DAY
+
+Or, The Buddha and the Christ, Part I
+
+by
+
+HENRY T. NILES
+
+The Blade Printing & Paper Company
+Toledo, Ohio
+
+1894
+
+
+
+
+
+
+
+PREFACE.
+
+When Humboldt first ascended the Andes and saw the trees, shrubs and
+flora he had long before studied on the Alps, he had only to look at
+his barometer, or at the sea of mountains and hills below, the rocks
+and soil around, and the sun above, to understand this seeming marvel
+of creation; while those who knew less of the laws of order and
+universal harmony might be lost in conjectures about pollen floating in
+the upper air, or seeds carried by birds across seas, forgetting that
+preservation is perpetual creation, and that it takes no more power to
+clothe a mountain just risen from the sea in appropriate verdure than
+to renew the beauty and the bloom of spring.
+
+Max Mueller, who looks through antiquity with the same clear vision
+with which Humboldt examined the physical world, when he found the most
+ancient Hindoos bowing in worship before Dyaus Pitar, the exact
+equivalent of the Zeus Pater of the Greeks and the Jupiter of the
+Romans, and of "Our Father who art in the heavens" in our own divinely
+taught prayer, instead of indulging in wild speculations about the
+chance belief of some ancient chief or patriarch, transmitted across
+continents and seas and even across the great gulf that has always
+divided the Aryan from the Semitic civilization and preserved through
+ages of darkness and unbelief, saw in it the common yearning of the
+human soul to find rest on a loving Father's almighty arm; yet when our
+oriental missionaries and scholars found such fundamental truths of
+their own religion as the common brotherhood of man, and that love is
+the vital force of all religion, which consists not in blood-oblations
+or in forms and creeds, but in shunning evil and doing good, and that
+we must overcome evil by good and hatred by love, and that there is a
+spiritual world and life after death embodied in the teachings of
+Buddha--instead of finding in this great fact new proof of the common
+Father's love for all His children, they immediately began to indulge
+in conjectures as to how these truths might have been derived from the
+early Christians who visited the East, while those who were disposed to
+reject the claims of Christianity have exhausted research and
+conjecture to find something looking as if Christianity itself might
+have been derived from the Buddhist missionaries to Palestine and
+Egypt, both overlooking the remarkable fact that it is only in
+fundamental truths that the two religions agree, while in the dogmas,
+legends, creeds and speculations which form the wall of separation
+between them they are as wide asunder as the poles.
+
+How comes it on the one theory that the Nestorians, whose peculiar
+creed had already separated them from the balance of the Christian
+church, taught their Buddhist disciples no part of that creed to which
+they have adhered with such tenacity through the ages? And on the
+other theory, how comes it, if the Divine Master was, as some modern
+writers claim, an Essene, that is, a Buddhist monk, that there is not
+in all his teachings a trace of the speculations and legends which had
+already buried the fundamental truths of Buddhism almost out of sight?
+
+How sad to hear a distinguished Christian scholar like Sir Monier
+Williams cautioning his readers against giving a Christian meaning to
+the Christian expressions he constantly met with in Buddhism, and yet
+informing them that a learned and distinguished Japanese gentleman told
+him it was a source of great delight to him to find so many of his most
+cherished religious beliefs in the New Testament; and to see an earnest
+Christian missionary like good Father Huc, when in the busy city of
+Lha-ssa, on the approach of evening, at the sound of a bell the whole
+population sunk on their knees in a concert of prayer, only finding in
+it an attempt of Satan to counterfeit Christian worship; and on the
+other hand to see ancient and modern learning ransacked to prove that
+the brightest and clearest light that ever burst upon a sinful and
+benighted world was but the reflected rays of another faith.
+
+And yet this same Sir Monier Williams says: "We shall not be far wrong
+in attempting an outline of the Buddha's life if we begin by assuming
+that intense individuality, fervid earnestness and severe simplicity,
+combined with singular beauty of countenance, calm dignity of bearing,
+and almost superhuman persuasiveness of speech, were conspicuous in the
+great teacher." To believe that such a character was the product of a
+false religion, or that he was given over to believe a lie, savors too
+much of that worst agnosticism which would in effect deny the
+universality of God's love and would limit His care to some favored
+locality or age or race.
+
+How much more in harmony with the broad philosophy of such men as
+Humboldt and Mueller, and with the character of a loving Father, to
+believe that at all times and in all countries He has been watching
+over all His children and giving them all the light they were capable
+of receiving.
+
+This narrow view is especially out of place in treating of Buddhism and
+Christianity, as Buddha himself predicted that his Dharma would last
+but five hundred years, when he would be succeeded by Matreya, that is,
+Love incarnate, on which account the whole Buddhist world was on tiptoe
+of expectation at the time of the coming of our Lord, so that the wise
+men of the East were not only following their guiding-star but the
+prediction of their own great prophet in seeking Bethlehem.
+
+Had the Christian missionaries to the East left behind them their
+creeds, which have only served to divide Christians into hostile sects
+and sometimes into hostile camps, and which so far as I can see, after
+years of patient study, have no necessary connection with the simple,
+living truths taught by our Saviour, and had taken only their New
+Testaments and their earnest desire to do good, the history of missions
+would have been widely different.
+
+How of the earth earthy seemed the walls that divided the delegates to
+the world's great Congress of Religions, recently held in Chicago, and
+how altogether divine
+
+ The love which like an endless golden chain
+ Joined all in one.
+
+Whatever others may think, it is my firm belief that Buddhism and
+Christianity, which we cannot doubt have influenced for good such vast
+masses the human family, both descended from heaven clothed in robes of
+celestial purity which have become sadly stained by their contact with
+the selfishness of a sinful world, except for which belief the
+following pages would never have been written, which are now sent forth
+in the hope that they may do something to enable Buddhists and
+Christians to see eye to eye and something to promote peace and
+good-will among men.
+
+While following my own conceptions and even fancies in many things, I
+believe the leading characters and incidents to be historical, and I
+have given nothing as the teaching of the great master which was not to
+my mind clearly authenticated.
+
+To those who have read so much about agnostic Buddhism, and about
+Nirvana meaning annihilation, it may seem bold in me to present Buddha
+as an undoubting believer in the fundamental truths of all religion,
+and as not only a believer in a spiritual world but an actual visitor
+to its sad and blissful scenes; but the only agnosticism I have been
+able to trace to Buddha was a want of faith in the many ways invented
+through the ages to escape the consequences of sin and to avoid the
+necessity of personal purification, and the only annihilation he taught
+and yearned for was the annihilation of self in the highest Christian
+sense, and escape from that body of death from which the Apostle Paul
+so earnestly sought deliverance.
+
+Doubtless agnosticism and almost every form of belief and unbelief
+subsequently sprang up among the intensely acute and speculative
+peoples of the East known under the general name of Buddhists, as they
+did among the less acute and speculative peoples of the West known as
+Christians; but the one is no more primitive Buddhism than the other is
+primitive Christianity.
+
+While there are innumerable poetic legends--of which Spence Hardy's
+"Manual of Buddhism" is a great storehouse, and many of which are given
+by Arnold in his beautiful poem--strewn thick along the track of
+Buddhist literature, constantly tempting one to leave the straight path
+of the development of a great religion, I have carefully avoided what
+did not commend itself to my mind as either historical or spiritual
+truth.
+
+It was my original design to follow the wonderful career of Buddha
+until his long life closed with visions of the golden city much as
+described in Revelation, and then to follow that most wonderful career
+of Buddhist missions, not only through India and Ceylon, but to
+Palestine, Greece and Egypt, and over the table-lands of Asia and
+through the Chinese Empire to Japan, and thence by the black stream to
+Mexico and Central America, and then to follow the wise men of the East
+until the Light of the world dawned on them on the plains of
+Bethlehem--a task but half accomplished, which I shall yet complete if
+life and strength are spared.
+
+A valued literary friend suggests that the social life described in the
+following pages is too much like ours, but why should their daily life
+and social customs be greatly different from ours? The Aryan
+migrations to India and to Europe were in large masses, of course
+taking their social customs, or as the Romans would say, their
+household gods, with them.
+
+What wonder, then, that the home as Tacitus describes it in the "Wilds
+of Germany" was substantially what Mueller finds from the very
+structure of the Sanscrit and European languages it must have been in
+Bactria, the common cradle of the Aryan race. There can scarcely be a
+doubt that twenty-five hundred years ago the daily life and social
+customs in the north of India, which had been under undisputed Aryan
+control long enough for the Sanscrit language to spring up, come to
+perfection and finally become obsolete, were more like ours than like
+those of modern India after the, many--and especially the
+Mohammedan--conquests and after centuries of oppression and alien rule.
+
+If a thousand English-speaking Aryans should now be placed on some
+distant island, how much would their social customs and even amusements
+differ from ours in a hundred years? Only so far as changed climate
+and surrounding's compelled.
+
+I give as an introduction an outline of the golden, silver, brazen and
+iron ages, as described by the ancient poets and believed in by all
+antiquity, as it was in the very depths of the darkness of the iron age
+that our great light appeared in Northern India. The very denseness of
+the darkness of the age in which he came makes the clearness of the
+light more wonderful, and accounts for the joy with which it was
+received and the rapidity with which it spread.
+
+Not to enter into the niceties of chronological questions, the mission
+of Buddha may be roughly said to have commenced about five hundred
+years before the commencement of our era, and with incessant labors and
+long and repeated journeys to have lasted forty-five years, when at
+about the age of eighty he died, or, as the Buddhists more truthfully
+and more beautifully say, entered Nirvana.
+
+ HENRY T. NILES.
+ TOLEDO, January 1, 1894.
+
+ * * * * *
+
+Since this work was in the hands of the printer I have read the recent
+work of Bishop Copelston, of Columbo, Ceylon, and it was a source of no
+small gratification to find him in all material points agreeing with
+the result of my somewhat extensive investigations as given within, for
+in Ceylon, if anywhere, we would expect accuracy. Here the great
+Buddhist development first comes in contact with authentic history
+during the third century B.C. in the reign of the great Asoka, the
+discovery of whose rock inscriptions shed such a flood of light on
+primitive Buddhism, while it still retained enough of its primitive
+power, as we learn from those inscriptions themselves, to turn that
+monarch from a course of cruel tyranny, and, as we learn from the
+history of Ceylon, to induce his son and daughter to abandon royalty
+and become the first missionaries to that beautiful island.
+
+H.T.N.
+
+
+
+
+ INTRODUCTION.
+
+ The golden age--when men were brothers all,
+ The golden rule their law and God their king;
+ When no fierce beasts did through the forests roam,
+ Nor poisonous reptiles crawl upon the ground;
+ When trees bore only wholesome, luscious fruits,
+ And thornless roses breathed their sweet perfumes;
+ When sickness, sin and sorrow were unknown,
+ And tears but spoke of joy too deep for words;
+ When painless death but led to higher life,
+ A life that knows no end, in that bright world
+ Whence angels on the ladder Jacob saw,
+ Descending, talk with man as friend to friend--
+ That age of purity and peace had passed,
+ But left a living memory behind,
+ Cherished and handed down from sire to son
+ Through all the scattered peoples of the earth,
+ A living prophecy of what this world,
+ This sad and sinful world, might yet become.
+
+ The silver age--an age of faith, not sight--
+ Came next, when reason ruled instead of love;
+ When men as through a glass but darkly saw
+ What to their fathers clearly stood revealed
+ In God's own light of love-illumined truth,
+ Of which the sun that rising paints the east,
+ And whose last rays with glory gild the west,
+ Is but an outbirth. Then were temples reared,
+ And priests 'mid clouds of incense sang His praise
+ Who out of densest darkness called the light,
+ And from His own unbounded fullness made
+ The heavens and earth and all that in them is.
+ Then landmarks were first set, lest men contend
+ For God's free gifts, that all in peace had shared.
+ Then laws were made to govern those whose sires
+ Were laws unto themselves. Then sickness came,
+ And grief and pain attended men from birth to death.
+ But still a silver light lined every cloud,
+ And hope was given to cheer and comfort men.
+
+ The brazen age, brilliant but cold, succeeds.
+ This was an age of knowledge, art and war,
+ When the knights-errant of the ancient world,
+ Adventures seeking, roamed with brazen swords
+ Which by a wondrous art--then known, now lost--
+ Were hard as flint, and edged to cut a hair
+ Or cleave in twain a warrior armor-clad
+ And armed with shields adorned by Vulcan's art,
+ Wonder of coming times and theme for bards.[1]
+ Then science searched through nature's heights and depths.
+ Heaven's canopy thick set with stars was mapped,
+ The constellations named, and all the laws searched out
+ That guide their motions, rolling sphere on sphere.[2]
+ Then men by reasonings piled up mountain high
+ Thought to scale heaven, and to dethrone heaven's king,
+ Whose imitators weak, with quips and quirks
+ And ridicule would now destroy all sacred things.
+ This age great Homer and old Hesiod sang,
+ And gods they made of hero, artist, bard.
+
+ At length this twilight of the ages fades,
+ And starless night now sinks upon the world--
+ An age of iron, cruel, dark and cold.
+ On Asia first this outer darkness fell,
+ Once seat of paradise, primordial peace,
+ Perennial harmony and perfect love.
+ A despot's will was then a nation's law;
+ An idol's car crushed out poor human lives,
+ And human blood polluted many shrines.
+ Then human speculation made of God
+ A shoreless ocean, distant, waveless, vast,
+ Of truth that sees not and unfeeling love,
+ Whence souls as drops were taken back to fall,
+ Absorbed and lost, when, countless ages passed,
+ They should complete their round as souls of men,
+ Of beasts, of birds and of all creeping things.
+ And, even worse, the cruel iron castes,
+ One caste too holy for another's touch,
+ Had every human aspiration crushed,
+ The common brotherhood of man destroyed,
+ And made all men but Pharisees or slaves.
+ And worst of all--and what could e'en be worse?--
+ Woman, bone of man's bone, flesh of his flesh,
+ The equal partner of a double life,
+ Who in the world's best days stood by his side
+ To lighten every care, and heighten every joy,
+ And in the world's decline still clung to him,
+ She only true when all beside were false,
+ When all were cruel she alone still kind,
+ Light of his hearth and mistress of his home,
+ Sole spot where peace and joy could still be found--
+ Woman herself cast down, despised was made
+ Slave to man's luxury and brutal lust.
+ Then war was rapine, havoc, needless blood,
+ Infants impaled before their mothers' eyes,
+ Women dishonored, mutilated, slain,
+ Parents but spared to see their children die.
+ Then peace was but a faithless, hollow truce,
+ With plots and counter-plots; the dagger's point
+ And poisoned cup instead of open war;
+ And life a savage, grim conspiracy
+ Of mutual murder, treachery and greed.
+ O dark and cruel age! O cruel creeds!
+ O cruel men! O crushed and bleeding hearts,
+ That from the very ground in anguish cry:
+ "Is there no light--no hope--no help--no God?"
+
+
+[1]See Hesiod's description of the shield of Hercules, the St. George
+of that ancient age of chivalry.
+
+[2]See the celebrated zodiac of Denderah, given in Landseer's "Sabaean
+Researches," and in Napoleon's "Egypt."
+
+
+
+
+ The Dawn and the Day
+
+ or
+
+ The Buddha and the Christ.
+
+
+ BOOK I.
+
+ Northward from Ganges' stream and India's plains
+ An ancient city crowned a lofty hill,
+ Whose high embattled walls had often rolled
+ The surging, angry tide of battle back.
+ Walled on three sides, but on the north a cliff,
+ At once the city's quarry and its guard,
+ Cut out in galleries, with vaulted roofs[1]
+ Upborne upon cyclopean columns vast,
+ Chiseled with art, their capitals adorned
+ With lions, elephants, and bulls, life size,
+ Once dedicate to many monstrous gods
+ Before the Aryan race as victors came,
+ Then prisons, granaries and magazines,
+ Now only known to bandits and wild beasts.
+ This cliff, extending at each end, bends north,
+ And rises in two mountain-chains that end
+ In two vast snow-capped Himalayan peaks,
+ Between which runs a glittering glacial stream,
+ A mighty moving mass of crystal ice,
+ Crushing the rocks in its resistless course;
+ From which bursts forth a river that had made
+ Of all this valley one great highland lake,
+ Which on one side had burst its bounds and cut
+ In myriad years a channel through the rock,
+ So narrow that a goat might almost leap
+ From cliff to cliff--these cliffs so smooth and steep
+ The eagles scarce could build upon their sides;
+ This yawning chasm so deep one scarce could hear
+ The angry waters roaring far below.
+
+ This stream, guided by art, now fed a lake
+ Above the city and behind this cliff,
+ Which, guided thence in channels through the rock,
+ Fed many fountains, sending crystal streams
+ Through every street and down the terraced hill,
+ And through the plain in little silver streams,
+ Spreading the richest verdure far and wide.[2]
+ Here was the seat of King Suddhodana,
+ His royal park, walled by eternal hills,
+ Where trees and shrubs and flowers all native grew;
+ For in its bounds all the four seasons met,
+ From ever-laughing, ever-blooming spring
+ To savage winter with eternal snows.
+ Here stately palms, the banyan's many trunks,
+ Darkening whole acres with its grateful shade,
+ And bamboo groves, with graceful waving plumes,
+ The champak, with its fragrant golden flowers,
+ Asokas, one bright blaze of brilliant bloom,
+ The mohra, yielding food and oil and wine,
+ The sacred sandal and the spreading oak,
+ The mountain-loving fir and spruce and pine,
+ And giant cedars, grandest of them all,
+ Planted in ages past, and thinned and pruned
+ With that high art that hides all trace of art,[3]
+ Were placed to please the eye and show their form
+ In groves, in clumps, in jungles and alone.
+
+ Here all a forest seemed; there open groves,
+ With vine-clad trees, vines hanging from each limb,
+ A pendant chain of bloom, with shaded drives
+ And walks, with rustic seats, cool grots and dells,
+ With fountains playing and with babbling brooks,
+ And stately swans sailing on little lakes,
+ While peacocks, rainbow-tinted shrikes, pheasants,
+ Glittering like precious stones, parrots, and birds
+ Of all rich plumage, fly from tree to tree,
+ The whole scene vocal with sweet varied song;
+ And here a widespread lawn bedecked with flowers,
+ With clumps of brilliant roses grown to trees,
+ And fields with dahlias spread,[4] not stiff and prim
+ Like the starched ruffle of an ancient dame,
+ But growing in luxuriance rich and wild,
+ The colors of the evening and the rainbow joined,
+ White, scarlet, yellow, crimson, deep maroon,
+ Blending all colors in one dazzling blaze;
+ There orchards bend beneath their luscious loads;
+ Here vineyards climb the hills thick set with grapes;
+ There rolling pastures spread, where royal mares,
+ High bred, and colts too young for bit or spur,
+ Now quiet feed, then, as at trumpet's call,
+ With lion bounds, tails floating, neck outstretched,[5]
+ Nostrils distended, fleet as the flying wind
+ They skim the plain, and sweep in circles wide--
+ Nature's Olympic, copied, ne'er excelled.
+ Here, deer with dappled fawn bound o'er the grass,[6]
+ And sacred herds, and sheep with skipping lambs;
+ There, great white elephants in quiet nooks;
+ While high on cliffs framed in with living green
+ Goats climb and seem to hang and feed in air--
+ Sweet spot, with all to please and nothing to offend.
+
+ Here on a hill the royal palace stood,
+ A gem of art; and near, another hill,
+ Its top crowned by an aged banyan tree,
+ Its sides clad in strange jyotismati grass,[7]
+ By day a sober brown, but in the night
+ Glowing as if the hill were all aflame--
+ Twin wonders to the dwellers in the plain,
+ Their guides and landmarks day and night,
+ This glittering palace and this glowing hill.
+ Within, above the palace rose a tower,
+ Which memory knew but as the ancient tower,
+ Foursquare and high, an altar and a shrine
+ On its broad top, where burned perpetual fire,
+ Emblem of boundless and eternal love
+ And truth that knows no night, no cloud, no change,
+ Long since gone out, with that most ancient faith
+ In one great Father, source of life and light.[8]
+ Still round this ancient tower, strange hopes and fears,
+ And memories handed down from sire to son,
+ Were clustered thick. An army, old men say,
+ Once camped against the city, when strange lights
+ Burst from this tower, blinding their dazzled eyes.
+ They fled amazed, nor dared to look behind.
+ The people bloody war and cruel bondage saw
+ On every side, and they at peace and free,
+ And thought a power to save dwelt in that tower.
+ And now strange prophecies and sayings old
+ Were everywhere rehearsed, that from this hill
+ Should come a king or savior of the world.
+ Even the poor dwellers in the distant plain
+ Looked up; they too had heard that hence should come
+ One quick to hear the poor and strong to save.
+ And who shall dare to chide their simple faith?
+ This humble reverence for the great unknown
+ Brings men near God, and opens unseen worlds,
+ Whence comes all life, and where all power doth dwell.
+
+ Morning and evening on this tower the king,
+ Before the rising and the setting sun,
+ Blindly, but in his father's faith, bowed down.
+ Then he would rise and on his kingdom gaze.
+ East, west, hills beyond hills stretched far away,
+ Wooded, terraced, or bleak and bald and bare,
+ Till in dim distance all were leveled lost.
+ One rich and varied carpet spread far south,
+ Of fields, of groves, of busy cities wrought,
+ With mighty rivers seeming silver threads;
+ And to the north the Himalayan chain,
+ Peak beyond peak, a wall of crest and crag,
+ Ice bound, snow capped, backed by intensest blue,
+ Untrod, immense, that, like a crystal wall.
+ In myriad varied tints the glorious light
+ Of rising and of setting sun reflects;
+ His noble city lying at his feet,
+ And his broad park, tinged by the sun's slant rays
+ A thousand softly rich and varied shades.
+
+ Still on this scene of grandeur, plenty, peace
+ And ever-varying beauty, he would gaze
+ With sadness. He had heard these prophecies,
+ And felt the unrest in that great world within,
+ Hid from our blinded eyes, yet ever near,
+ The very soul and life of this dead world,
+ Which seers and prophets open-eyed have seen,
+ On which the dying often raptured gaze,
+ And where they live when they are mourned as dead.
+ This world was now astir, foretelling day.
+ "A king shall come, they say, to rule the world,
+ If he will rule; but whence this mighty king?
+ My years decline apace, and yet no son
+ Of mine to rule or light my funeral pile."
+
+ One night Queen Maya, sleeping by her lord,
+ Dreamed a strange dream; she dreamed she saw a star
+ Gliding from heaven and resting over her;
+ She dreamed she heard strange music, soft and sweet,
+ So distant "joy and peace" was all she heard.
+ In joy and peace she wakes, and waits to know
+ What this strange dream might mean, and whence it came.
+
+ Drums, shells and trumpets sound for joy, not war;
+ The streets are swept and sprinkled with perfumes,
+ And myriad lamps shine from each house and tree,
+ And myriad flags flutter in every breeze,
+ And children crowned with flowers dance in the streets,
+ And all keep universal holiday
+ With shows and games, and laugh and dance and song,
+ For to the gentle queen a son is born,
+ To King Suddhodana the good an heir.
+
+ But scarcely had these myriad lamps gone out,
+ The sounds of revelry had scarcely died,
+ When coming from the palace in hot haste,
+ One cried, "Maya, the gentle queen, is dead."
+ Then mirth was changed to sadness, joy to grief,
+ For all had learned to love the gentle queen--
+ But at Siddartha's birth this was foretold.
+
+ Among the strangers bringing gifts from far,
+ There came an ancient sage--whence, no one knew--
+ Age-bowed, head like the snow, eyes filmed and white,
+ So deaf the thunder scarcely startled him,
+ Who met them, as they said, three journeys back,
+ And all his talk was of a new-born king,
+ Just born, to rule the world if he would rule.
+ He was so gentle, seemed so wondrous wise,
+ They followed him, he following, he said,
+ A light they could not see; and when encamped,
+ Morn, noon and night devoutly would he pray,
+ And then would talk for hours, as friend to friend,
+ With questionings about this new-born king,
+ Gazing intently at the tent's blank wall,
+ With nods and smiles, as if he saw and heard,
+ While they sit lost in wonder, as one sits
+ Who never saw a telephone, but hears
+ Unanswered questions, laughter at unheard jests,
+ And sees one bid a little box good-by.
+ And when they came before the king, they saw,
+ Laughing and cooing on its mother's knee,
+ Picture of innocence, a sweet young child;
+ He saw a mighty prophet, and bowed down
+ Eight times in reverence to the very ground,
+ And rising said, "Thrice happy house, all hail!
+ This child would rule the world, if he would rule,
+ But he, too good to rule, is born to save;
+ But Maya's work is done, the devas wait."
+ But when they sought for him, the sage was gone,
+ Whence come or whither gone none ever knew.
+ Then gentle Maya understood her dream.
+ The music nearer, clearer sounds; she sleeps.
+ But when the funeral pile was raised for her,
+ Of aloe, sandal, and all fragrant woods,
+ And decked with flowers and rich with rare perfumes,
+ And when the queen was gently laid thereon,
+ As in sweet sleep, and the pile set aflame,
+ The king cried out in anguish; when the sage
+ Again appeared, and gently said, "Weep not!
+ Seek not, O king, the living with the dead!
+ 'Tis but her cast-off garment, not herself,
+ That now dissolves in air. Thy loved one lives,
+ Become thy deva,[9] who was erst thy queen."
+ This said, he vanished, and was no more seen.
+
+ Now other hands take up that mother's task.
+ Another breast nurses that sweet young child
+ With growing love; for who can nurse a child,
+ Feel its warm breath, and little dimpled hands,
+ Kiss its soft lips, look in its laughing eyes,
+ Hear its low-cooing love-notes soft and sweet,
+ And not feel something of that miracle,
+ A mother's love--so old yet ever new,
+ Stronger than death, bravest among the brave,
+ Gentle as brave, watchful both night and day,
+ That never changes, never tires nor sleeps.
+ Whence comes this wondrous and undying love?
+ Whence can it come, unless it comes from heaven,
+ Whose life is love--eternal, perfect love!
+
+ From babe to boy, from boy to youth he grew,
+ But more in grace and knowledge than in years.
+ At play his joyous laugh rang loud and clear,
+ His foot was fleetest in all boyish games,
+ And strong his arm, and steady nerve and eye,
+ To whirl the quoit and send the arrow home;
+ Yet seeming oft to strive, he'd check his speed
+ And miss his mark to let a comrade win.
+ In fullness of young life he climbed the cliffs
+ Where human foot had never trod before.
+ He led the chase, but when soft-eyed gazelles
+ Or bounding deer, or any harmless thing,
+ Came in the range of his unerring dart,
+ He let them pass; for why, thought he, should men
+ In wantonness make war on innocence?
+
+ One day the Prince Siddartha saw the grooms
+ Gathered about a stallion, snowy white,
+ Descended from that great Nisaean stock
+ His fathers brought from Iran's distant plain,
+ Named Kantaka. Some held him fast with chains
+ Till one could mount. He, like a lion snared,
+ Frantic with rage and fear, did fiercely bound.
+ They cut his tender mouth with bloody bit,
+ Beating his foaming sides until the Prince,
+ Sterner than was his wont, bade them desist,
+ While he spoke soothingly, patted his head
+ And stroked his neck, and dropped those galling chains,
+ When Kantaka's fierce flaming eyes grew mild,
+ He quiet stood, by gentleness subdued--
+ Such mighty power hath gentleness and love--
+ And from that day no horse so strong and fleet,
+ So kind and true, easy to check and guide,
+ As Kantaka, Siddartha's noble steed.
+
+ To playmates he was gentle as a girl;
+ Yet should the strong presume upon their strength
+ To overbear or wrong those weaker than themselves,
+ His sturdy arm and steady eye checked them,
+ And he would gently say, "Brother, not so;
+ Our strength was given to aid and not oppress."
+ For in an ancient book he found a truth--
+ A book no longer read, a truth forgot,
+ Entombed in iron castes, and buried deep
+ In speculations and in subtle creeds--
+ That men, high, low, rich, poor, are brothers all,[10]
+ Which, pondered much in his heart's fruitful soil,
+ Had taken root as a great living truth
+ That to a mighty doctrine soon would grow,
+ A mighty tree to heal the nations with its leaves--
+ Like some small grain of wheat, appearing dead,
+ In mummy-case three thousand years ago[11]
+ Securely wrapped and sunk in Egypt's tombs,
+ Themselves buried beneath the desert sands,
+ Which now brought forth, and planted in fresh soil,
+ And watered by the dews and rains of heaven,
+ Shoots up and yields a hundred-fold of grain,
+ Until in golden harvests now it waves
+ On myriad acres, many thousand miles
+ From where the single ancient seed had grown.
+
+ Thus he grew up with all that heart could wish
+ Or power command; his very life itself,
+ So fresh and young, sound body with sound mind,
+ The living fountain of perpetual joy.
+ Yet he would often sit and sadly think
+ Sad thoughts and deep, and far beyond his years;
+ How sorrow filled the world; how things were shared--
+ One born to waste, another born to want;
+ One for life's cream, others to drain its dregs;
+ One born a master, others abject slaves.
+ And when he asked his masters to explain,
+ When all were brothers, how such things could be,
+ They gave him speculations, fables old,
+ How Brahm first Brahmans made to think for all,
+ And then Kshatriyas, warriors from their birth,
+ Then Sudras, to draw water and hew wood.
+ "But why should one for others think, when all
+ Must answer for themselves? Why brothers fight?
+ And why one born another's slave, when all
+ Might serve and help each other?" he would ask.
+ But they could only answer: "Never doubt,
+ For so the holy Brahmans always taught."
+ Still he must think, and as he thought he sighed,
+ Not for his petty griefs that last an hour,
+ But for the bitter sorrows of the world
+ That crush all men, and last from age to age.
+
+ The good old king saw this--saw that the prince,
+ The apple of his eye, dearer than life,
+ Stately in form, supple and strong in limb,
+ Quick to learn every art of peace and war,
+ Displaying and excelling every grace
+ And attribute of his most royal line,
+ Whom all would follow whereso'er he led,
+ So fit to rule the world if he would rule,
+ Thought less of ruling than of saving men.
+ He saw the glory of his ancient house
+ Suspended on an if--if he will rule
+ The empire of the world, and power to crush
+ Those cruel, bloody kings who curse mankind,
+ And power to make a universal peace;
+ If not this high career, with glory crowned,
+ Then seeking truth through folly's devious ways;
+ By self-inflicted torture seeking bliss,
+ And by self-murder seeking higher life;
+ On one foot standing till the other pine,
+ Arms stretched aloft, fingers grown bloodless claws,
+ Or else, impaled on spikes, with festering sores
+ Covered from head to foot, the body wastes
+ With constant anguish and with slow decay.[12]
+ "Can this be wisdom? Can such a life be good
+ That shuns all duties lying in our path--
+ Useless to others, filled with grief and pain?
+ Not so my father's god teaches to live.
+ Rising each morning most exact in time,
+ He bathes the earth and sky with rosy light
+ And fills all nature with new life and joy;
+ The cock's shrill clarion calls us to awake
+ And breathe this life and hear the bursts of song
+ That fill each grove, inhale the rich perfume
+ Of opening flowers, and work while day shall last.
+ Then rising higher, he warms each dank, cold spot,
+ Dispels the sickening vapors, clothes the fields
+ With waving grain, the trees with golden fruit,
+ The vines with grapes; and when 'tis time for rest,
+ Sinks in the west, and with new glory gilds
+ The mountain-tops, the clouds and western sky,
+ And calls all nature to refreshing sleep.
+ If he be God, the useful are like God;
+ If not, God made the sun, who made all men
+ And by his great example teaches them
+ The diligent are wise, the useful good."
+
+ Sorely perplexed he called his counselors,
+ Grown gray in serving their beloved king,
+ And said: "Friends of my youth, manhood and age,
+ So wise in counsel and so brave in war,
+ Who never failed in danger or distress,
+ Oppressed with fear, I come to you for aid.
+ You know the prophecies, that from my house
+ Shall come a king, or savior of the world.
+ You saw strange signs precede Siddartha's birth,
+ And saw the ancient sage whom no one knew
+ Fall down before the prince, and hail my house.
+ You heard him tell the queen she soon would die,
+ And saw her sink in death as in sweet sleep;
+ You laid her gently on her funeral pile,
+ And heard my cry of anguish, when the sage
+ Again appeared and bade me not to weep
+ For her as dead who lived and loved me still.
+ We saw the prince grow up to man's estate,
+ So strong and full of manliness and grace,
+ And wise beyond his teachers and his years,
+ And thought in him the prophecies fulfilled,
+ And that with glory he would rule the world
+ And bless all men with universal peace.
+ But now dark shadows fall athwart our hopes.
+ Often in sleep the prince will start and cry
+ As if in pain, 'O world, sad world, I come!'
+ But roused, he'll sometimes sit the livelong day,
+ Forgetting teachers, sports and even food,
+ As if with dreadful visions overwhelmed,
+ Or buried in great thoughts profound and deep.
+ But yet to see our people, riding forth,
+ To their acclaims he answers with such grace
+ And gentle stateliness, my heart would swell
+ As I would hear the people to each other say;
+ 'Who ever saw such grace and grandeur joined?'
+ Yet while he answers gladness with like joy,
+ His eyes seem searching for the sick and old,
+ The poor, and maimed, and blind--all forms of grief,
+ And oft he'd say, tears streaming from his eyes,[13]
+ 'Let us return; my heart can bear no more.'
+ One day we saw beneath a peepul-tree
+ An aged Brahman, wasted with long fasts,
+ Loathsome with self-inflicted ghastly wounds,
+ A rigid skeleton, standing erect,
+ One hand stretched out, the other stretched aloft,
+ His long white beard grown filthy by neglect.
+ Whereat the prince with shuddering horror shook,
+ And cried, 'O world! must I be such for thee?'
+ And once he led the chase of a wild boar
+ In the great forest near the glacier's foot;
+ On Kantaka so fleet he soon outstripped
+ The rest, and in the distance disappeared.
+ But when at night they reached the rendezvous,
+ Siddartha was not there; and through the night
+ They searched, fearing to find their much loved prince
+ A mangled corpse under some towering cliff,
+ But searched in vain, and searched again next day,
+ Till in despair they thought to bring me word
+ The prince was lost, when Kantaka was seen
+ Loose-reined and free, and near Siddartha sat
+ Under a giant cedar's spreading shade.
+ Absorbed in thought, in contemplation lost,
+ Unconscious that a day and night had passed.
+ I cannot reason with such earnestness--
+ I dare not chide such deep and tender love,
+ But much I fear his reason's overthrow
+ Or that he may become like that recluse
+ He shuddered at, and not a mighty king
+ With power to crush the wrong and aid the right.
+ How can we turn his mind from such sad thoughts
+ To life's full joys, the duties of a king,
+ And his great destiny so long foretold?"
+
+ The oldest and the wisest answered him:
+ "Most noble king, your thoughts have long been mine.
+ Oft have I seen him lost in musings sad,
+ And overwhelmed with this absorbing love.
+ I know no cure for such corroding thoughts
+ But thoughts less sad, for such absorbing love
+ But stronger love."
+ "But how awake such thoughts?"
+ The king replied. "How kindle such a love?
+ His loves seem but as phosphorescent flames
+ That skim the surface, leaving him heart-whole--
+ All but this deep and all-embracing love
+ That folds within its arms a suffering world."
+
+ "Yes, noble king, so roams the antlered deer,
+ Adding each year a branch to his great horns,
+ Until the unseen archer lays him low.
+ So lives our prince; but he may see the day
+ Two laughing eyes shall pierce his inmost soul,
+ And make his whole frame quiver with new fire.
+ The next full moon he reaches man's estate.
+ We all remember fifty years ago
+ When you became a man, the sports and games,
+ The contests of fair women and brave men,
+ In beauty, arts and arms, that filled three days
+ With joy and gladness, music, dance and song.
+ Let us with double splendor now repeat
+ That festival, with prizes that shall draw
+ From all your kingdom and the neighbor states
+ Their fairest women and their bravest men.
+ If any chance shall bring his destined mate,
+ You then shall see love dart from eye to eye,
+ As darts the lightning's flash from cloud to cloud."
+ And this seemed good, and so was ordered done.
+
+ The king to all his kingdom couriers sent,
+ And to the neighbor states, inviting all
+ To a great festival and royal games
+ The next full moon, day of Siddartha's birth,
+ And offering varied prizes, rich and rare,
+ To all in feats of strength and speed and skill,
+ And prizes doubly rich and doubly rare
+ To all such maidens fair as should compete
+ In youth and beauty, whencesoe'er they came,
+ The prince to be the judge and give the prize.
+
+ Now all was joy and bustle in the streets,
+ And joy and stir in palace and in park,
+ The prince himself joining the joyful throng,
+ Forgetting now the sorrows of the world.
+ Devising and directing new delights
+ Until the park became a fairy scene.
+
+ Behind the palace lay a maidan wide
+ For exercise in arms and manly sports,
+ Its sides bordered by gently rising hills,
+ Where at their ease the city's myriads sat
+ Under the shade of high-pruned spreading trees,
+ Fanned by cool breezes from the snow-capped peaks;
+ While north, and next the lake, a stately dome
+ Stood out, on slender, graceful columns raised,
+ With seats, rank above rank, in order placed,
+ The throne above, and near the throne were bowers
+ Of slender lattice-work, with trailing vines,
+ Thick set with flowers of every varied tint,
+ Breathing perfumes, where beauty's champions
+ Might sit, unseen of all yet seeing all.
+
+ At length Siddartha's natal day arrives
+ With joy to rich and poor, to old and young---
+ Not joy that wealth can buy or power command,
+ But real joy, that springs from real love,
+ Love to the good old king and noble prince.
+
+ When dawning day tinges with rosy light
+ The snow-capped peaks of Himalaya's chain,
+ The people are astir. In social groups,
+ The old and young, companions, neighbors, friends,
+ Baskets well filled, they choose each vantage-ground,
+ Until each hill a sea of faces shows,
+ A sea of sparkling joy and rippling mirth.
+
+ At trumpet-sound all eyes are eager turned
+ Up toward the palace gates, now open wide,
+ From whence a gay procession issues forth,
+ A chorus of musicians coming first,
+ And next the prince mounted on Kantaka;
+ Then all the high-born, youth in rich attire,
+ Mounted on prancing steeds with trappings gay;
+ And then the good old king, in royal state,
+ On his huge elephant, white as the snow,
+ Surrounded by his aged counselors,
+ Some on their chargers, some in litters borne,
+ Their long white beards floating in every breeze;
+ And next, competitors for every prize:
+ Twelve archers, who could pierce the lofty swans
+ Sailing from feeding-grounds by distant seas
+ To summer nests by Thibet's marshy lakes,
+ Or hit the whirring pheasant as it flies--
+ For in this peaceful reign they did not make
+ Men targets for their art, and armor-joints
+ The marks through which to pierce and kill;
+ Then wrestlers, boxers, those who hurl the quoit,
+ And runners fleet, both lithe and light of limb;
+ And then twelve mighty spearmen, who could pierce
+ The fleeing boar or deer or fleet gazelle;
+ Then chariots, three horses yoked to each,
+ The charioteers in Persian tunics clad,
+ Arms bare, legs bare--all were athletes in power,
+ In form and race each an Apollo seemed;
+ Yoked to the first were three Nisaean steeds,[14]
+ Each snowy white, proud stepping, rangy, tall,
+ Chests broad, legs clean and strong, necks arched and high,
+ With foreheads broad, and eyes large, full and mild,
+ A race that oft Olympic prizes won,
+ And whose descendants far from Iran's plains
+ Bore armored knights in battle's deadly shock
+ On many bloody European fields;
+ Then three of ancient Babylonian stock,[15]
+ Blood bay and glossy as rich Tyrian silk--
+ Such horses Israel's sacred prophets saw
+ Bearing their conquerors in triumph home,
+ A race for ages kept distinct and pure,
+ Fabled from Alexander's charger sprung;
+ Then three from distant desert Tartar steppes,
+ Ewe-necked, ill-favored creatures, lank and gaunt,
+ That made the people laugh as they passed by--
+ Who ceased to laugh when they had run the race--
+ Such horses bore the mighty Mongol hosts[16]
+ That with the cyclone's speed swept o'er the earth;
+ Then three, one gray, one bay, one glossy black,
+ Descended from four horses long since brought
+ By love-sick chief from Araby the blest,
+ Seeking with such rare gifts an Indian bride,
+ Whose slender, graceful forms, compact and light,
+ Combined endurance, beauty, strength and speed--
+ A wondrous breed, whose famed descendants bore
+ The Moslem hosts that swept from off the earth
+ Thy mighty power, corrupt, declining Rome,
+ And with each other now alone contend
+ In speed, whose sons cast out, abused and starved,
+ Alone can save from raging whirlwind flames[17]
+ That all-devouring sweep our western plains;
+ Then stately elephants came next in line,
+ With measured step and gently swaying gait,
+ Covered with cloth of gold richly inwrought,
+ Each bearing in a howdah gaily decked
+ A fair competitor for beauty's prize,
+ With merry comrades and some sober friend;
+ The vina, bansuli, sitar and harp
+ Filling the air with sweetest melody,
+ While rippling laughter from each howdah rang,
+ And sweetest odors, as from op'ning flowers,
+ Breathed from their rich apparel as they passed.
+
+ And thus they circle round the maidan wide,
+ And as they pass along the people shout,
+ "Long live the king! long live our noble prince!"
+ To all which glad acclaims the prince responds
+ With heartfelt courtesy and royal grace.
+
+ When they had nearly reached the palace gate
+ On their return, the king drew to the right
+ With his attendants, while the prince with his
+ Drew to the left, reviewing all the line
+ That passed again down to the judges' seat,
+ Under the king's pavilion near the lake.
+ The prince eagerly watched them as they passed,
+ Noting their brawny limbs and polished arms,
+ The pose and skill of every charioteer,
+ The parts and varied breed of every horse,
+ Aiding his comrades with his deeper skill.
+ But when the queens of beauty passed him by,
+ He was all smiles and gallantry and grace,
+ Until the last, Yasodhara, came near,
+ Whose laugh was clearest of the merry crowd,
+ Whose golden hair imprisoned sunlight seemed,
+ Whose cheek, blending the lily with the rose,
+ Spoke of more northern skies and Aryan blood,
+ Whose rich, not gaudy, robes exquisite taste
+ Had made to suit her so they seemed a part
+ Of her sweet self; whose manner, simple, free,
+ Not bold or shy, whose features--no one saw
+ Her features, for her soul covered her face
+ As with a veil of ever-moving life.
+ When she came near, and her bright eyes met his,
+ He seemed to start; his gallantry was gone,
+ And like an awkward boy he sat and gazed;
+ And her laugh too was hushed, and she passed on,
+ Passed out of sight but never out of mind,
+ The king and all his counselors saw this.
+ "Good king, our deer is struck," Asita said,
+ "If this love cure him not, nothing can cure."
+
+
+[1]Lieutenant-General Briggs, in his lectures on the aboriginal races
+of India, says the Hindoos themselves refer the excavation of caves and
+temples to the period of the aboriginal kings.
+
+[2]The art of irrigation, once practiced on such a mighty scale, now
+seems practically a lost art but just now being revived on our western
+plains.
+
+[3]"And, that which all faire workes doth most aggrace, The art, which
+all that wrought, appeared in no place."
+
+--Faerie Queene, B. 2, Canto 12.
+
+[4]See Miss Gordon Cumming's descriptions of the fields of wild dahlias
+in Northern India.
+
+[5]By far the finest display of the mettle and blood of high-bred
+horses I have ever seen has been in the pasture-field, and this
+description is drawn from life.
+
+[6]Once, coming upon a little prairie in the midst of a great forest, I
+saw a herd of startled deer bound over the grass, a scene never to be
+forgotten.
+
+[7]See Miss Gordon Cumming's description of a hill covered with this
+luminous grass.
+
+[8]There can be no doubt that the fire-worship of the East is the
+remains of a true but largely emblematic religion.
+
+[9]The difference between the Buddhist idea of a deva and the Christian
+idea of an attendant angel is scarcely perceptible.
+
+[10]The Brahmans claim that Buddha's great doctrine of universal
+brotherhood was taken from their sacred books and was not an
+originality of Buddha, as his followers claim.
+
+[11]The Mediterranean or Egyptian wheat is said to have this origin.
+
+[12]At the time of Buddha's birth there seemed to be no mean between
+the Chakravartin or absolute monarch and the recluse who had renounced
+all ordinary duties and enjoyments, and was subjecting himself to all
+deprivations and sufferings. Buddha taught the middle course of
+diligence in daily duties and universal love.
+
+[13]I am aware that some Buddhist authors whom Arnold has followed in
+his "Light of Asia" make Buddha but little better than a stale
+prisoner, and would have us believe that the glimpses he got of the
+ills that flesh is heir to were gained in spite of all precautions, as
+he was occasionally taken out of his rose embowered, damsel filled
+prison-house, and not as any prince of high intelligence and tender
+sensibilities who loved his people and mingled freely with them would
+gain a knowledge of suffering and sorrow; but we are justified in
+passing all such fancies, not only on account of their intrinsic
+improbability, but because the great Asvaghosha, who wrote about the
+beginning of our era, knew nothing of them.
+
+[14]To suppose that the Aryan races when they emigrated to India or
+Europe left behind them their most valuable possession, the Nisaean
+horse, is to suppose them lacking in the qualities of thrift and
+shrewdness which have distinguished their descendants. That the
+Nisaean horse of the table-lands of Asia was the horse of the armored
+knights of the middle ages and substantially the Percheron horse of
+France, I had a curious proof: In Layard's Nineveh is a picture of a
+Nisaean horse found among the ruins, which would have been taken as a
+good picture Of a Percheron stallion I once owned, who stood for the
+picture here drawn of what I regard as his undoubted ancestor.
+
+[15]Marco Polo speaks of the breed of horses here attempted to be
+described as "excellent, large, strong and swift, said to be of the
+race of Alexander's Bucephalus."
+
+[16]It is said that the Mongolians in their career of conquest could
+move an army of 500,000 fifty miles a day, a speed out of the question
+with all the facilities of modern warfare.
+
+[17]See Bret Harte's beautiful poem, "Sell Patchin," and also an
+article on the "Horses of the Plains," in _The Century_, January, 1889.
+
+
+
+
+ BOOK II.
+
+ She passed along, and then the king and prince
+ With their attendants wheeled in line and moved
+ Down to the royal stand, each to his place.
+
+ The trumpets sound, and now the games begin.
+
+ But see the scornful curl of Culture's lip
+ At such low sports! Dyspeptic preachers hear
+ Harangue the sleepers on their sinfulness!
+ Hear grave philosophers, so limp and frail
+ They scarce can walk God's earth to breathe his air,
+ Talk of the waste of time! Short-sighted men!
+ God made the body just to fit the mind,
+ Each part exact, no scrimping and no waste--
+ Neglect the body and you cramp the soul.
+
+ First brawny wrestlers, shining from the bath,
+ Wary and watchful, quick with arm and eye,
+ After long play clinch close, arms twined, knees locked,
+ Each nerve and muscle strained, and stand as still
+ As if a bronze from Vulcan's fabled shop,
+ Or else by power of magic changed to stone
+ In that supremest moment, when a breath
+ Or feather's weight would tip the balanced scale;
+ And when they fall the shouts from hill to hill
+ Sound like the voices of the mighty deep,
+ As wave on wave breaks on the rock-bound shore.
+
+ Then boxers, eye to eye and foot to foot,
+ One arm at guard, the other raised to strike.
+
+ The hurlers of the quoit next stand in line,
+ Measure the distance with experienced eye,
+ Adjust the rings, swing them with growing speed,
+ Until at length on very tiptoe poised,
+ Like Mercury just lighted on the earth,
+ With mighty force they whirl them through the air.
+
+ And then the spearmen, having for a mark
+ A lion rampant, standing as in life,
+ So distant that it seemed but half life-size,
+ Each vital part marked with a little ring.
+ And when the spears were hurled, six trembling stood
+ Fixed in the beast, piercing each vital part,
+ Leaving the victory in even scale.
+ For these was set far off a lesser mark,
+ Until at length by chance, not lack of skill,
+ The victory so long in doubt was won.
+ And then again the people wildly shout,
+ The prince victor and nobly vanquished praised.
+
+ Next runners, lithe and light, glide round the plain,
+ Whose flying feet like Mercury's seemed winged,
+ Their chests expanded, and their swinging arms
+ Like oars to guide and speed their rapid course;
+ And as they passed along the people cheered
+ Each well-known master of the manly art.
+
+ Then archers, with broad chests and brawny arms
+ Such as the blacksmith's heavy hammer wields
+ With quick, hard blows that make the anvil ring
+ And myriad sparks from the hot iron fly;
+ A golden eagle on a screen their mark,
+ So distant that it seemed a sparrow's size--
+ "For," said the prince, "let not this joyful day
+ Give anguish to the smallest living thing."
+ They strain their bows until their muscles seem
+ Like knotted cords, the twelve strings twang at once,
+ And the ground trembles as at the swelling tones
+ Of mighty organs or the thunder's roll.
+ Two arrows pierce the eagle, while the rest
+ All pierce the screen. A second mark was set,
+ When lo! high up in air two lines of swans,
+ Having one leader, seek their northern nests,
+ Their white plumes shining in the noonday sun,
+ Calling each other in soft mellow notes.
+ Instant one of the people cries "A mark!"
+ Whereat the thousands shout "A mark! a mark!"
+ One of the archers chose the leader, one the last.
+ Their arrows fly. The last swan left its mates
+ As if sore wounded, while the first came down
+ Like a great eagle swooping for its prey,
+ And fell before the prince, its strong wing pierced,
+ Its bright plumes darkened by its crimson blood.
+ Whereat the people shout, and shout again,
+ Until the hills repeat the mighty sound.
+ The prince gently but sadly raised the bird,
+ Stroked tenderly its plumes, calmed its wild fear,
+ And gave to one to care for and to cure.
+
+ And now the people for the chariot-race
+ Grow eager, while beneath the royal stand,
+ By folding doors hid from the public view,
+ The steeds, harnessed and ready, champ their bits
+ And paw the ground, impatient for the start.
+ The charioteers alert, with one strong hand
+ Hold high the reins, the other holds the lash.
+ Timour--a name that since has filled the world,
+ A Tartar chief, whose sons long after swept
+ As with destruction's broom fair India's plains--
+ With northern jargon calmed his eager steeds;
+ Azim, from Cashmere's rugged lovely vale,
+ His prancing Babylonians firmly held;
+ Channa, from Ganges' broad and sacred stream,
+ With bit and word checked his Nisaean three;
+ While Devadatta, cousin to the prince,
+ Soothed his impatient Arabs with such terms
+ As fondest mothers to their children use;
+ "Atair, my pet! Mira, my baby, hush!
+ Regil, my darling child, be still! be still!"
+ With necks high arched, nostrils distended wide,
+ And eager gaze, they stood as those that saw
+ Some distant object in their desert home.
+
+ At length the gates open as of themselves,
+ When at the trumpet's sound the steeds dash forth
+ As by one spirit moved, under tight rein,
+ And neck and neck they thunder down the plain,
+ While rising dust-clouds chase the flying wheels.
+ But weight, not lack of nerve or spirit, tells;
+ Azim and Channa urge their steeds in vain,
+ By Tartar and light Arab left behind
+ As the light galley leaves the man-of-war;
+ They sweat and labor ere a mile is gained,
+ While their light rivals pass the royal stand
+ Fresh as at first, just warming to the race.
+
+ And now the real race at length begins,
+ A double race, such as the Romans loved.
+ Horses so matched in weight and strength and speed,
+ Drivers so matched in skill that as they pass
+ Azim and Channa seemed a single man.
+ Timour and Devadatta, side by side,
+ Wheel almost touching wheel, dash far ahead.
+
+ Azim and Channa, left so far behind,
+ No longer urge a race already lost.
+ The Babylonian and Nisaean steeds,
+ No longer pressed so far beyond their power,
+ With long and even strides sweep smoothly on,
+ Striking the earth as with a single blow,
+ Their hot breath rising in a single cloud.
+ Arab and Tartar with a longer stride
+ And lighter stroke skim lightly o'er the ground.
+ Watching the horses with a master's eye,
+ As Devadatta and Timour four times,
+ Azim and Channa thrice, swept by the stand,
+ The prince saw that another round would test,
+ Not overtax, their powers, and gave the sign,
+ When three loud trumpet-blasts to all proclaimed
+ That running one more round would end the race.
+ These ringing trumpet-calls that brought defeat
+ Or victory so near, startle and rouse.
+ The charioteers more ardent urge their steeds;
+ The steeds are with hot emulation fired;
+ The social multitude now cease to talk--
+ Even age stops short in stories often told;
+ Boys, downy-chinned, in rough-and-tumble sports
+ Like half-grown bears engaged, turn quick and look;
+ And blooming girls, with merry ringing laugh,
+ Romping in gentler games, watching meanwhile
+ With sly and sidelong look the rougher sports,
+ Turn eagerly to see the scene below;
+ While mothers for the time forget their babes,
+ And lovers who had sought out quiet nooks
+ To tell the tale that all the past has told
+ And coming times will tell, stand mute and gaze.
+ The home-stretch soon is reached, and Channa's three
+ By word and lash urged to their topmost speed,
+ The foaming Babylonians left behind,
+ While Devadatta and Timour draw near,
+ A whole round gained, Timour a length ahead.
+ But Devadatta loosens now his reins,
+ Chides his fleet pets, with lash swung high in air
+ Wounds their proud spirits, not their tender flesh.
+ With lion-bounds they pass the Tartar steeds,
+ That with hot rival rage and open mouths,
+ And flaming eyes, and fierce and angry cries,
+ Dash full at Regil's side, but dash in vain.
+ Fear adding speed, the Arabs sweep ahead.
+ Meanwhile the prince springs forward from his seat,
+ And all on tiptoe still and eager stand,
+ So that the rumbling of the chariot-wheels,
+ The tramp of flying feet and drivers' cries,
+ Alone the universal stillness break--
+ As when before the bursting of some fearful storm,
+ Birds, beasts and men stand mute with trembling awe,
+ While heaven's artillery and roaring winds
+ Are in the awful silence only heard.
+ But when the double victory is gained,
+ Drums, shells and trumpets mingle with the shouts
+ From hill to hill re-echoed and renewed--
+ As when, after the morning's threatening bow,
+ Dark, lurid, whirling clouds obscure the day,
+ And forked lightnings dart athwart the sky,
+ And angry winds roll up the boiling sea,
+ And thunder, raging winds and warring waves
+ Join in one mighty and earth shaking roar.
+
+ Thus end the games, and the procession forms,
+ The king and elders first, contestants next,
+ And last the prince; each victor laurel-crowned,
+ And after each his prize, while all were given
+ Some choice memorial of the happy day--
+ Cinctures to all athletes to gird the loins
+ And falling just below the knee, the belt
+ Of stoutest leather, joined with silver clasps,
+ The skirt of softest wool or finest silk,
+ Adorned with needlework and decked with gems,
+ Such as the modest Aryans always wore
+ In games intended for the public view,
+ Before the Greeks became degenerate,
+ And savage Rome compelled those noble men
+ Whose only crime was love of liberty,
+ By discipline and numbers overwhelmed,
+ Bravely defending children, wife and home,
+ Naked to fight each other or wild beasts,
+ And called this brutal savagery high sport
+ For them and for their proud degenerate dames,
+ Of whom few were what Caesar's wife should be.
+ The athletes' prizes all were rich and rare,
+ Some costly emblem of their several arts.
+ The archers' prizes all were bows; the first
+ Made from the horns of a great mountain-goat
+ That long had ranged the Himalayan heights,
+ Till some bold hunter climbed his giddy cliffs
+ And brought his unsuspecting victim down.
+ His lofty horns the bowsmith root to root
+ Had firmly joined, and polished, bright,
+ And tipped with finest gold, and made a bow
+ Worthy of Sinhahamu's[1] mighty arm.
+ The other prizes, bows of lesser strength
+ But better suited to their weaker arms.
+ A chariot, the charioteers' first prize,[2]
+ Its slender hubs made strong with brazen bands,
+ The spokes of whitest ivory polished bright,
+ The fellies ebony, with tires of bronze,
+ Each axle's end a brazen tiger's head,
+ The body woven of slender bamboo shoots
+ Intwined with silver wire and decked with gold.
+ A mare and colt of the victorious breed
+ The second prize, more worth in Timour's eyes.
+ Than forty chariots, though each were made
+ Of ebony or ivory or gold,
+ And all the laurel India ever grew.
+ The third, a tunic of soft Cashmere wool,
+ On which, by skillful needles deftly wrought,
+ The race itself as if in life stood forth.
+ The fourth, a belt to gird the laggard's loins
+ And whip to stimulate his laggard steeds.
+
+ And thus arrayed they moved once round the course,
+ Then to the palace, as a fitter place
+ For beauty's contest than the open plain;
+ The singers chanting a triumphal hymn,
+ While many instruments, deep toned and shrill,
+ And all the multitude, the chorus swell.
+
+ This day his mission ceased to press the prince,
+ And he forgot the sorrows of the world,
+ So deep and earnest seemed the general joy.
+ Even those with grinning skeletons at home
+ In secret closets locked from public view,
+ And care and sorrow rankling at their hearts,
+ Joined in the general laugh and swelled the shouts,
+ And seemed full happy though they only seemed.
+ But through the games, while all was noisy mirth,
+ He felt a new, strange feeling at his heart,
+ And ever and anon he stole a glance
+ At beauty's rose-embowered hiding-place,
+ To catch a glimpse of those two laughing eyes,
+ So penetrating yet so soft and mild.
+ And at the royal banquet spread for all
+ It chanced Yasodhara sat next the prince--
+ An accident by older heads designed--
+ And the few words that such constraint allowed
+ Were music to his ears and touched his heart;
+ And when her eyes met his her rosy blush
+ Told what her maiden modesty would hide.
+ And at the dance, when her soft hands touched his
+ The music seemed to quicken, time to speed;
+ But when she bowed and passed to other hands,
+ Winding the mystic measure of the dance,[3]
+ The music seemed to slacken, time to halt,
+ Or drag his limping moments lingering on.
+ At length, after the dance, the beauties passed
+ Before the prince, and each received her prize.
+ So rich and rare that each thought hers the first,
+ A treasure to be kept and shown with pride,
+ And handed down to children yet unborn.
+ But when Yasodhara before him stood,
+ The prizes all were gone; but from his neck
+ He took a golden chain thick set with gems,
+ And clasped it round her slender waist, and said:
+ "Take this, and keep it for the giver's sake."
+
+ And from the prince they passed before the king.
+ The proud and stately he would greet with grace,
+ The timid cheer with kind and gracious words.
+ But when Yasodhara bowed low and passed,
+ He started, and his color went and came
+ As if oppressed with sudden inward pain.
+ Asita, oldest of his counselors,
+ Sprang to his side and asked: "What ails the king?"
+ "Nothing, my friend, nothing," the king replied,
+ "But the sharp probing of an ancient wound.
+ You know how my sweet queen was loved of all--
+ But how her life was woven into mine,
+ Filling my inmost soul, none e'er can know.
+ My bitter anguish words can never tell,
+ As that sweet life was gently breathed away.
+ Time only strengthens this enduring love,
+ And she seems nearer me as I grow old.
+ Often in stillest night's most silent hour,
+ When the sly nibbling of a timid mouse
+ In the deep stillness sounds almost as loud
+ As builders' hammers in the busy day,
+ My Maya as in life stands by my side.
+ A halo round her head, as she would say:
+ 'A little while, and you shall have your own.'
+ Often in deepest sleep she seems to steal
+ Into that inmost chamber of my soul
+ Vacant for her, and nestle to my heart,
+ Breathing a peace my waking hours know not.
+ And when I wake, and turn to clasp my love
+ My sinking heart finds but her vacant place.
+ Since that sad day that stole her from my arms
+ I've seen a generation of sweet girls
+ Grow up to womanhood, but none like her!
+ Hut that bright vision that just flitted by
+ Seemed so like her it made me cringe and start.
+ O dear Asita, little worth is life,
+ With all its tears and partings, woes and pains,
+ If when its short and fitful fever ends
+ There is no after-life, where death and pain,
+ And sundered ties, and crushed and bleeding hearts,
+ And sad and last farewells are never known."
+
+ Such was the old and such the new-born love;
+ The new quick bursting into sudden flame,
+ Warming the soul to active consciousness
+ That man alone is but a severed part
+ Of one full, rounded, perfect, living whole;
+ The old a steady but undying flame,
+ A living longing for the loved and lost;
+ But each a real hunger of the soul
+ For what gave paradise its highest bliss,
+ And what in this poor fallen world of ours
+ Gives glimpses of its high and happy life.
+
+ O love! how beautiful! how pure! how sweet!
+ Life of the angels that surround God's throne!
+ But when corrupt, Pandora's box itself,
+ Whence spring all human ills and woes and crimes,
+ The very fire that lights the flames of hell.
+
+ The festival is past. The crowds have gone,
+ The diligent to their accustomed round
+ Of works and days, works to each day assigned,
+ The thoughtless and the thriftless multitude
+ To meet their tasks haphazard as they come,
+ But all the same old story to repeat
+ Of cares and sorrows sweetened by some joys.
+
+ Three days the sweet Yasodhara remained,
+ For her long journey taking needful rest.
+ But when the rosy dawn next tinged the east
+ And lit the mountain-tops and filled the park
+ With a great burst of rich and varied song,
+ The good old king bade the sweet girl farewell,
+ Imprinting on her brow a loving kiss,
+ While welling up from tender memories
+ Big tear-drops trickled down his furrowed cheeks.
+ And as her train, escorted by the prince
+ And noble youth, wound slowly down the hill,
+ The rising sun with glory gilds the city
+ That like a diadem circled its brow,
+ While giant shadows stretch across the plain;
+ And when they reach the plain they halt for rest
+ Deep in a garden's cooling shade, where flowers
+ That fill the air with grateful fragrance hang
+ By ripening fruits, and where all seems at rest
+ Save two young hearts and tiny tireless birds
+ That dart from flower to newer to suck their sweets,
+ And even the brook that babbled down the hill
+ Now murmurs dreamily as if asleep.
+ Sweet spot! sweet hour! how quick its moments fly!
+ How soon the cooling winds and sinking sun
+ And bustling stir of preparation tells
+ 'Tis time for her to go; and when they part,
+ The gentle pressure of the hand, one kiss--
+ A kiss not given yet not resisted--tells
+ A tale of love that words are poor to tell.
+ And when she goes how lonely seems her way
+ Through groves, through fields, through busy haunts of men;
+ And as he climbs the hill and often stops
+ To watch her lessening train until at length
+ Her elephant seems but a moving speck,
+ Proud Kantaka, pawing and neighing, asks
+ As plain as men could ever ask in, words:
+ "What makes my master choose this laggard pace?"
+
+ At length she climbs those rocky, rugged hills.
+ That guarded well the loveliest spot on earth
+ Until the Moguls centuries after came,
+ Like swarms of locusts swept before the wind,
+ Or ravening wolves, to conquer fair Cashmere.[4]
+ And when she reached the top, before her lay,
+ As on a map spread out, her native land,
+ By lofty mountains walled on every side,
+ From winds, from wars, and from the world shut out;
+ The same great snow-capped mountains north and east
+ In silent, glittering, awful grandeur stand,
+ And west the same bold, rugged, cliff-crowned hills.
+ That filled her eyes with wonder when a child.
+ Below the snow a belt of deepest green;
+ Below this belt of green great rolling hills,
+ Checkered with orchards, vineyards, pastures, fields,
+ The vale beneath peaceful as sleeping babe,
+ The city nestling round the shining lake,
+ And near the park and palace, her sweet home.
+
+ O noble, peaceful, beautiful Cashmere!
+ Well named the garden of eternal spring!
+ But yet, with home and all its joys so near.
+ She often turned and strained her eager eyes
+ To catch one parting glimpse of that sweet spot
+ Where more than half of her young heart was left.
+
+ At length their horns, whose mocking echoes
+ Rolled from hill to hill, were answered from below,
+ While from the park a gay procession comes,
+ Increasing as it moves, to welcome her,
+ Light of the palace, the people's idol, home.
+
+ The prince's thoughts by day and dreams by night
+ Meanwhile were filled with sweet Yasodhara,
+ And this bright vision ever hovering near
+ Hid from his eyes those grim and ghastly forms,
+ Night-loving and light-shunning brood of sin,
+ That ever haunt poor fallen human lives,
+ And from the darkened corners of the soul
+ Are quick to sting each pleasure with sharp pain,
+ To pour some bitter in life's sweetest cup,
+ And shadow with despair its brightest hopes--
+ Made him forget how sorrow fills the world,
+ How strength is used to crush and not to raise,
+ How creeds are bandages to blind men's eyes,
+ Lest they should see and walk in duty's path
+ That leads to peace on earth and joy in heaven,
+ And even made him for the time forget
+ His noble mission to restore and save.
+
+ He sought her for his bride, but waited long,
+ For princes cannot wed like common folk--
+ Friends called, a feast prepared, some bridal gifts,
+ Some tears at parting and some solemn vows,
+ Rice scattered, slippers thrown with noisy mirth,
+ And common folk are joined till death shall part.
+ Till death shall part! O faithless, cruel thought!
+ Death ne'er shall part souls joined by holy love,
+ Who through life's trials, joys and cares
+ Have to each other clung, faithful till death,
+ Tender and true in sickness and in health,
+ Bearing each other's burdens, sharing griefs,
+ Lightening each care and heightening every joy.
+ Such life is but a transient honeymoon,
+ A feeble foretaste of eternal joys.
+ But princes when they love, though all approve,
+ Must wait on councils, embassies and forms.
+ But how the coach of state lumbers and lags
+ With messages of love whose own light wings
+ Glide through all bars, outstrip all fleetest things--
+ No bird so light, no thought so fleet as they.
+
+ But while the prince chafed at the long delay,
+ The sweet Yasodhara began to feel
+ The bitter pangs of unrequited love.
+ But her young hands, busy with others' wants,
+ And her young heart, busy with others' woes,
+ With acts of kindness filled the lagging hours,
+ Best of all medicines for aching hearts.
+ Yet often she would seek a quiet nook
+ Deep in the park, where giant trees cross arms,
+ Making high gothic arches, and a shade
+ That noonday's fiercest rays could scarcely pierce,
+ And there alone with her sad heart communed:
+ "Yes! I have kept it for the giver's sake,
+ But he has quite forgot his love, his gift, and me.
+ How bright these jewels seemed warmed by his love,
+ But now how dull, how icy and how dead!"
+ But soon the soft-eyed antelopes and fawns
+ And fleet gazelles came near and licked her hands;
+ And birds of every rich and varied plume
+ Gathered around and filled the air with song;
+ And even timid pheasants brought their broods,
+ For her sweet loving life had here restored
+ The peace and harmony of paradise;
+ And as they shared her bounty she was soothed
+ By their mute confidence and perfect trust.
+
+ But though time seems to lag, yet still it moves,
+ Resistless as the ocean's swelling tide,
+ Bearing its mighty freight of human lives
+ With all their joys and sorrows, hopes and fears,
+ Onward, forever onward, to life's goal.
+ At length the embassy is sent, and now,
+ Just as the last faint rays of rosy light
+ Fade from the topmost Himalayan peaks,
+ And tired nature sinks to quiet rest,
+ A horseman dashes through the silent streets
+ Bearing the waiting prince the welcome word
+ That one short journey of a single day
+ Divides him from the sweet Yasodhara;
+ And light-winged rumor spreads the joyful news,
+ And ere the dawn had danced from mountain-top
+ O'er hill and vale and plain to the sweet notes
+ Of nature's rich and varied orchestra,
+ And dried the pearly tears that night had wept,
+ The prince led forth his train to meet his bride,
+ Wondering that Kantaka, always so free,
+ So eager and so fleet, should seem to lag.
+ And in that fragrant garden's cooling shade,
+ Where they had parted, now again they meet,
+ And there we leave them reverently alone,
+ For art can never paint nor words describe
+ The peace and rest and rapture of that scene.
+
+ Meanwhile the city rings with busy stir.
+ The streets are swept and sprinkled with perfumes,
+ And when the evening shades had veiled the earth,
+ And heaven's blue vault was set with myriad stars,
+ The promised signal from the watchtower sounds,
+ And myriad lamps shine from each house and tree,
+ And merry children strew their way with flowers,
+ And all come forth to greet Siddartha's bride,
+ And welcome her, their second Maya, home.
+ And at the palace gate the good old king
+ Receives her with such loving tenderness,
+ As fondest mother, sick with hope deferred,
+ Waiting and watching for an absent child,
+ At length receives him in her open arms.
+
+[1]Sinhahamu was an ancestor, said to be the grandfather, of our
+prince, whose bow, like that of Ulysses, no one else could bend. See
+notes 24 and 35 to Book Second of Arnold's "Light of Asia."
+
+[2]Any one who has read that remarkable work, "Ben Bur," and every one
+who has not should, will recognize my obligations to General Wallace.
+
+[3]One may be satisfied with the antiquity of the dance, practically as
+we have it, from lines 187-8, Book VI. of the Odyssey:
+
+ "Joyful they see applauding princes gaze
+ When stately in the dance they swim the harmonious maze."
+
+
+[4]I am aware I place Kapilavasta nearer the Vale of Cashmere than
+most, but as two such writers as Beal and Rhys Davids differ 30
+yojanas, or 180 miles in its location, and as no remains have yet been
+identified at all corresponding to the grandeur of the ancient city as
+described by all Buddhist writers, I felt free to indulge my fancy.
+Perhaps these ruins may yet be found by some chance traveler in some
+unexplored jungle.
+
+
+
+
+ BOOK III.
+
+ And now his cup with every blessing filled
+ Full to the brim, to overflowing full,
+ What more has life to give or heart to wish?
+ Stately in form, with every princely grace,
+ A very master of all manly arts,
+ His gentle manners making all his friends,
+ His young blood bounding on in healthful flow,
+ His broad domains rich in all earth can yield,
+ Guarded by nature and his people's love,
+ And now that deepest of all wants supplied,
+ The want of one to share each inmost thought,
+ Whose sympathy can soothe each inmost smart,
+ Whose presence, care and loving touch can make
+ The palace or the humblest cottage home,
+ His life seemed rounded, perfect, full, complete.
+ And they were happy as the days glide on,
+ And when at night, locked in each other's arms,
+ They sink to rest, heart beating close to heart,
+ Their thoughts all innocence and trust and love,
+ It almost seemed as if remorseless Time
+ Had backward rolled his tide, and brought again
+ The golden age, with all its peace and joy,
+ And our first parents, ere the tempter came,
+ Were taking sweet repose in paradise.
+ But as one night they slept, a troubled dream
+ Disturbed the prince. He dreamed he saw one come,
+ As young and fair as sweet Yasodhara,
+ But clad in widow's weeds, and in her arms
+ A lifeless child, crying: "Most mighty prince!
+ O bring me back my husband and my child!"
+ But he could only say "Alas! poor soul!"
+ And started out of sleep he cried "Alas!"
+ Which waked the sweet Yasodhara, who asked,
+ "What ails my love?" "Only a troubled dream,"
+ The prince replied, but still she felt him tremble,
+ And kissed and stroked his troubled brow,
+ And soothed him into quiet sleep again.
+ And then once more he dreamed--a pleasing dream.
+ He dreamed he heard strange music, soft and sweet;
+ He only caught its burden: "Peace, be still!"
+ And then he thought he saw far off a light,
+ And there a place where all was peace and rest,
+ And waking sighed to find it all a dream.
+
+ One day this happy couple, side by side,
+ Rode forth alone, Yasodhara unveiled--
+ "For why," said she, "should those whose thoughts are pure
+ Like guilty things hide from their fellow-men?"--
+ Rode through the crowded streets, their only guard
+ The people's love, strongest and best of guards;
+ For many arms would spring to their defense,
+ While some grim tyrant, at whose stern command
+ A million swords would from their scabbards leap,
+ Cringes in terror behind bolts and bars,
+ Starts at each sound, and fears some hidden mine
+ May into atoms blow his stately towers,
+ Or that some hand unseen may strike him down,
+ And thinks that poison lurks in every cup,
+ While thousands are in loathsome dungeons thrust
+ Or pine in exile for a look or word.
+ And as they pass along from street to street
+ A sea of happy faces lines their way,
+ Their joyful greetings answered by the prince.
+ No face once seen, no name once heard, forgot,
+ While sweet Yasodhara was wreathed in smiles,
+ The kind expression of her gentle heart,
+ When from a little cottage by the way,
+ The people making room for him to pass,
+ There came an aged man, so very old
+ That time had ceased to register his years;
+ His step was firm, his eye, though faded, mild,
+ And childhood's sweet expression on his face.
+ The prince stopped short before him, bending low,
+ And gently asked: "What would my father have?
+ Speak freely--what I can, I freely give."
+ "Most noble prince, I need no charity,
+ For my kind neighbors give me all unasked,
+ And my poor cottage where my fathers dwelt,
+ And where my children and their mother died,
+ Is kept as clean as when sweet Gunga lived;
+ And young and old cheer up my lonely hours,
+ And ask me much of other times and men.
+ For when your father's father was a child,
+ I was a man, as young and strong as you,
+ And my sweet Gunga your companion's age.
+ But O the mystery of life explain!
+ Why are we born to tread this little round,
+ To live, to love, to suffer, sorrow, die?
+ Why do the young like field-flowers bloom to fade?
+ Why are the strong like the mown grass cut down?
+ Why am I left as if by death forgot,
+ Left here alone, a leafless, fruitless trunk?
+ Is death the end, or what comes after death?
+ Often when deepest sleep shuts out the world,
+ The dead still seem to live, while life fades out;
+ And when I sit alone and long for light
+ The veil seems lifted, and I seem to see
+ A world of life and light and peace and rest,
+ No sickness, sin or sorrow, pain or death,
+ No helpless infancy or hopeless age.
+ But we poor Sudras cannot understand--
+ Yet from my earliest memory I've heard
+ That from this hill one day should burst a light,
+ Not for the Brahmans only, but for all.
+ And when you were a child I saw a sage
+ Bow down before you, calling you that light.
+ O noble, mighty prince! let your light shine,
+ That men no longer grope in dark despair!"
+
+ He spoke, and sank exhausted on the ground.
+ They gently raised him, but his life was fled.
+ The prince gave one a well-filled purse and said:
+ "Let his pile neither lack for sandal-wood
+ Or any emblem of a life well spent."
+ And when fit time had passed they bore him thence
+ And laid him on that couch where all sleep well,
+ Half hid in flowers by loving children brought,
+ A smile still lingering on his still, cold lips,
+ As if they just had tasted Gunga's kiss,
+ Soon to be kissed by eager whirling flames.
+
+ Just then two stately Brahmans proudly passed--
+ Passed on the other side, gathering their robes
+ To shun pollution from the common touch,
+ And passing said: "The prince with Sudras talks
+ As friend to friend--but wisdom comes with years."
+
+ Silent and thoughtful then they homeward turned,
+ The prince deep musing on the old man's words;
+ "'The veil is lifted, and I seem to see
+ A world of life and light and peace and rest.'
+ O if that veil would only lift for me
+ The mystery of life would be explained."
+ As they passed on through unfrequented streets,
+ Seeking to shun the busy, thoughtless throng,
+ Those other words like duty's bugle-call
+ Still ringing in his ears: "Let your light shine,
+ That men no longer grope in dark despair"--
+ The old sad thoughts, long checked by passing joys,
+ Rolling and surging, swept his troubled soul--
+ As pent-up waters, having burst their dams,
+ Sweep down the valleys and o'erwhelm the plains.
+
+ Just then an aged, angry voice cried out:
+ "O help! they've stolen my jewels and my gold!"
+ And from a wretched hovel by the way
+ An old man came, hated and shunned by all,
+ Whose life was spent in hoarding unused gold,
+ Grinding the poor, devouring widows' homes;
+ Ill fed, ill clad, from eagerness to save,
+ His sunken eyes glittering with rage and greed.
+ And when the prince enquired what troubled him:
+ "Trouble enough," he said, "my sons have fled
+ Because I would not waste in dainty fare
+ And rich apparel all my life has saved,
+ And taken all my jewels, all my gold.
+ Would that they both lay dead before my face!
+ O precious jewels! O beloved gold!"
+ The prince, helpless to soothe, hopeless to cure
+ This rust and canker of the soul, passed on,
+ His heart with all-embracing pity filled.
+ "O deepening mystery of life!" he cried,
+ "Why do such souls in human bodies dwell--
+ Fitter for ravening wolves or greedy swine!
+ Just at death's door cursing his flesh and blood
+ For thievish greed inherited from him.
+ Is this old age, or swinish greed grown old?
+ O how unlike that other life just fled!
+ His youth's companions, wife and children, dead,
+ Yet filled with love for all, by all beloved,
+ With his whole heart yearning for others' good,
+ With his last breath bewailing others' woes."
+ "My best beloved," said sweet Yasodhara,
+ Her bright eyes filled with sympathetic tears,
+ Her whole soul yearning for his inward peace,
+ "Brood not too much on life's dark mystery--
+ Behind the darkest clouds the sun still shines."
+ "But," said the prince, "the many blindly grope
+ In sorrow, fear and ignorance profound,
+ While their proud teachers, with their heads erect,
+ Stalk boldly on, blind leaders of the blind.
+ Come care, come fasting, woe and pain for me,
+ And even exile from my own sweet home,
+ All would I welcome could I give them light."
+ "But would you leave your home, leave me, leave all,
+ And even leave our unborn pledge of love,
+ The living blending of our inmost souls,
+ That now within me stirs to bid you pause?"
+ "Only for love of you and him and all!
+ O hard necessity! O bitter cup!
+ But would you have me like a coward shun
+ The path of duty, though beset with thorns--
+ Thorns that must pierce your tender feet and mine?"
+ Piercing the question as the sharpest sword;
+ Their love, their joys, tempted to say him nay.
+ But soon she conquered all and calmly said:
+ "My love, my life, where duty plainly calls
+ I bid you go, though my poor heart must bleed,
+ And though my eyes weep bitter scalding tears."
+
+ Their hearts too full for words, too full for tears,
+ Gently he pressed her hand and they passed home;
+ And in the presence of this dark unknown
+ A deep and all-pervading tenderness
+ Guides every act and tempers every tone--
+ As in the chamber of the sick and loved
+ The step is light, the voice is soft and low.
+ But soon their days with varied duties filled,
+ Their nights with sweet repose, glide smoothly on,
+ Until this shadow seems to lift and fade--
+ As when the sun bursts through the passing storm,
+ Gilding the glittering raindrops as they fall,
+ And paints the bow of hope on passing clouds.
+ Yet still the old sad thoughts sometimes return,
+ The burden of a duty unperformed,
+ The earnest yearning for a clearer light.
+ The thought that hour by hour and day by day
+ The helpless multitudes grope blindly on,
+ Clouded his joys and often banished sleep.
+
+ One day in this sad mood he thought to see
+ His people as they are in daily life,
+ And not in holiday attire to meet their prince.
+ In merchant's dress, his charioteer his clerk,
+ The prince and Channa passed unknown, and saw
+ The crowded streets alive with busy hum,
+ Traders cross-legged, with their varied wares,
+ The wordy war to cheapen or enhance,
+ One rushing on to clear the streets for wains
+ With huge stone wheels, by slow strong oxen drawn;
+ Palanquin-bearers droning out "Hu, hu, ho, ho,"
+ While keeping step and praising him they bear;
+ The housewives from the fountain water bring
+ In balanced water-jars, their black-eyed babes
+ Athwart their hips, their busy tongues meanwhile
+ Engaged in gossip of the little things
+ That make the daily round of life to them;
+ The skillful weaver at his clumsy loom;
+ The miller at his millstones grinding meal;
+ The armorer, linking his shirts of mail;
+ The money-changer at his heartless trade;
+ The gaping, eager crowd gathered to watch
+ Snake-charmers, that can make their deadly charge
+ Dance harmless to the drone of beaded gourds;
+ Sword-players, keeping many knives in air;
+ Jugglers, and those that dance on ropes swung high:
+ And all this varied work and busy idleness
+ As in a panorama passing by.
+
+ While they were passing through these varied scenes,
+ The prince, whose ears were tuned to life's sad notes,
+ Whose eyes were quick to catch its deepest shades,
+ Found sorrow, pain and want, disease and death,
+ Were woven in its very warp and woof.
+ A tiger, springing from a sheltering bush,
+ Had snatched a merchant's comrade from his side;
+ A deadly cobra, hidden by the path,
+ Had stung to death a widow's only son;
+ A breath of jungle-wind a youth's blood chilled,
+ Or filled a strong man's bones with piercing pain;
+ A household widowed by a careless step;
+ The quick cross-lightning from an angry cloud
+ Struck down a bridegroom bringing home his bride--
+ All this and more he heard, and much he saw:
+ A young man, stricken in life's early prime,
+ Shuffled along, dragging one palsied limb,
+ While one limp arm hung useless by his side;
+ A dwarf sold little knickknacks by the way,
+ His body scarcely in the human form,
+ To which long arms and legs seemed loosely hung,
+ His noble head thrust forward on his breast,
+ Whose pale, sad face as plainly told as words
+ That life had neither health nor hope for him;
+ An old man tottering from a hovel came,
+ Frail, haggard, palsied, leaning on a staff,
+ Whose eyes, dull, glazed and meaningless, proclaim
+ The body lingers when the mind has fled;
+ One seized with sudden hot distemper of the blood,
+ Writhing with anguish, by the wayside sunk.
+ The purple plague-spot on his pallid cheek,
+ Cold drops of perspiration on his brow,
+ With wildly rolling eyes and livid lips,
+ Gasping for breath and feebly asking help--
+ But ere the prince could aid, death gave relief.
+
+ At length they passed the city's outer gate
+ And down a stream, now spread in shining pools,
+ Now leaping in cascades, now dashing on,
+ A line of foam along its rocky bed,
+ Bordered by giant trees with densest shade.
+ Here, day by day, the city bring their dead;
+ Here, day by day, they build the funeral-piles;
+ Here lamentations daily fill the air;
+ Here hissing flames each day taste human flesh,
+ And friendly watchmen guard the smoldering pile
+ Till friends can cull the relics from the dust.
+ And here, just finished, rose a noble pile
+ By stately Brahmans for a Brahman built
+ Of fragrant woods, and drenched with fragrant oils,
+ Loading the air with every sweet perfume
+ That India's forests or her fields can yield;
+ Above, a couch of sacred cusa-grass,
+ On which no dreams disturb the sleeper's rest.
+ And now the sound of music reaches them,
+ Far off at first, solemn and sad and slow,
+ Rising and swelling as it nearer comes,
+ Until a long procession comes in view.
+ Four Brahmans first, bearing in bowls the fire
+ No more to burn on one deserted hearth,
+ Then stately Brahmans on their shoulders bore
+ A noble brother of their sacred caste,
+ In manhood's bloom and early prime cut down.
+ Then Brahman youth, bearing a little child
+ Half hid in flowers, and as in seeming sleep.
+ Then other Brahmans in a litter bore
+ One young and fair, in early womanhood,
+ Her youthful beauty joined with matron grace,
+ In bridal dress adorned with costly gems--
+ The very face the prince had dreaming seen,
+ The very child she carried in her arms.
+ Then many more, uncovered, four by four,
+ The aged first, then those in manhood's prime,
+ And then the young with many acolytes
+ Chanting in unison their sacred hymns,
+ Accompanied by many instruments,
+ Both wind and string, in solemn symphony;
+ And at respectful distance other castes,
+ Afraid to touch a Brahman's sacred robes
+ Or even mingle with his grief their tears.
+ And when they reached the fragrant funeral-pile,
+ Weeping they placed their dead on their last couch,
+ The child within its father's nerveless arms;
+ And when all funeral rites had been performed,
+ The widow circled thrice the funeral-pile,
+ Distributing her gifts with lavish hand,
+ Bidding her friends a long and last farewell--
+ Then stopped, and raised her tearless eyes and said:
+ "Farewell, a long farewell, to life and friends!
+ Farewell! O earth and air and sacred sun!
+ Nanda, my lord, Udra, my child, I come!"
+ Then pale but calm, with fixed ecstatic gaze
+ And steady steps she mounts the funeral-pile,
+ Crying, "They beckon me! I come! I come!"
+ Then sunk as if the silver cord were loosed
+ As still as death upon her silent dead.
+ Instant the flames from the four corners leaped,
+ Mingling in one devouring, eager blaze.
+ No groan, no cry, only the crackling flames,
+ The wailing notes of many instruments,
+ And solemn chant by many voices raised,
+ "Perfect is she who follows thus her lord."
+ O dark and cruel creeds, O perfect love,
+ Fitter for heaven than this sad world of ours!
+
+ More than enough the prince had seen and heard.
+ Bowed by the grievous burdens others bore,
+ Feeling for others' sorrows as his own,
+ Tears of divinest pity filled his eyes
+ And deep and all-embracing love his heart.
+ Home he returned, no more to find its rest.
+
+ But soon a light shines in that troubled house--
+ A son is born to sweet Yasodhara.
+ Their eyes saw not, neither do ours, that sun
+ Whose light is wisdom and whose heat is love,
+ Sending through nature waves of living light,
+ Giving its life to everything that lives,
+ Which through the innocence of little ones
+ As through wide-open windows sends his rays
+ To light the darkest, warm the coldest heart.
+ Sweet infancy! life's solace and its rest,
+ Driving away the loneliness of age,
+ Wreathing in smiles the wrinkled brow of care,
+ Nectar to joyful, balm to troubled hearts,
+ Joyful once more is King Suddhodana;
+ A placid joy beams from that mother's face;
+ Joy lit the palace, flew from street to street,
+ And from the city over hill and plain;
+
+ Joy filled the prince's agitated soul--
+ He felt a power, from whence he could not tell,
+ Drawing away, he knew not where it led.
+ He knew the dreaded separation near,
+ Yet half its pain and bitterness was passed.
+ He need not leave his loved ones comfortless--
+ His loving people still would have their prince,
+ The king in young Rahula have his son,
+ And sweet Yasodhara, his very life,
+ Would have that nearest, dearest comforter
+ To soothe her cares and drive away her tears.[1]
+
+ But now strange dreams disturb the good old king--
+ Dreams starting him in terror from his sleep,
+ Yet seeming prophecies of coming good.
+ He dreamed he saw the flag his fathers loved
+ In tatters torn and trailing in the dust,
+ But in its place another glorious flag,
+ Whose silken folds seemed woven thick with gems
+ That as it waved glittered with dazzling light.
+ He dreamed he saw proud embassies from far
+ Bringing the crowns and scepters of the earth,
+ Bowing in reverence before the prince,
+ Humbly entreating him to be their king--
+ From whom he fled in haste as if in fear.
+ Then dreamed he saw his son in tattered robes
+ Begging from Sudras for his daily bread.
+ Again, he dreamed he saw the ancient tower
+ Where he in worship had so often knelt,
+ Rising and shining clothed with living light,
+ And on its top the prince, beaming with love,
+ Scattering with lavish hand the richest gems
+ On eager crowds that caught them as they fell.
+ But soon it vanished, and he saw a hill,
+ Rugged and bleak, cliff crowned and bald and bare,
+ And there he saw the prince, kneeling alone,
+ Wasted with cruel fastings till his bones
+ Clave to his skin, and in his sunken eyes
+ With fitful flicker gleamed the lamp of life
+ Until they closed, and on the ground he sank,
+ As if in death or in a deadly swoon;
+ And then the hill sank to a spreading plain,
+ Stretching beyond the keenest vision's ken,
+ Covered with multitudes as numberless
+ As ocean's sands or autumn's forest leaves;
+ And mounted on a giant elephant,
+ White as the snows on Himalaya's peaks,
+ The prince rode through their midst in royal state,
+ And as he moved along he heard a shout,
+ Rising and swelling, like the mighty voice
+ Of many waters breaking on the shore:
+ "All hail! great Chakravartin, king of kings!
+ Hail! king of righteousness! Hail! prince of peace!"
+
+ Strange dreams! Where is their birthplace--where their home?
+ Lighter than foam upon the crested wave,
+ Fleeter than shadows of the passing cloud,
+ They are of such fantastic substance made
+ That quick as thought they change their fickle forms--
+ Now grander than the waking vision views,
+ Now stranger than the wildest fancy feigns,
+ And now so grim and terrible they start
+ The hardened conscience from its guilty sleep.
+ In troops they come, trooping they fly away,
+ Waved into being by the magic wand
+ Of some deep purpose of the inmost soul,
+ Some hidden joy or sorrow, guilt or fear--
+ Or better, as the wise of old believed,
+ Called into being by some heavenly guest
+ To soothe, to warn, instruct or terrify.
+
+ Strange dreams by night and troubled thoughts by day
+ Disturb the prince and banish quiet sleep.
+ He dreamed that darkness, visible and dense,
+ Shrouded the heavens and brooded o'er the earth,
+ Whose rayless, formless, vacant nothingness
+ Curdled his blood and made his eyeballs ache;
+ When suddenly from out this empty void
+ A cloud, shining with golden light, was borne
+ By gentle winds, loaded with sweet perfumes,
+ Sweeter than spring-time on this earth can yield.
+ The cloud passed just above him, and he saw
+ Myriads of cherub faces looking down,
+ Sweet as Rahula, freed from earthly stain;
+ Such faces mortal brush could never paint--
+ Enraptured Raphael ne'er such faces saw.
+ But still the outer darkness hovered near,
+ And ever and anon a bony hand
+ Darts out to snatch some cherub face away.
+ Then dreamed he saw a broad and pleasant land,
+ With cities, gardens, groves and fruitful fields,
+ Where bee-fed flowers half hide the ripening fruits.
+ And spicy breezes stir the trembling leaves,
+ And many birds make sweetest melody,
+ But bordered by a valley black as night,
+ That ever vomits from its sunless depths
+ Great whirling clouds of suffocating smoke,
+ Blacker than hide the burning Aetna's head,
+ Blacker than over Lake Avernus hung;
+ No bird could fly above its fatal fumes;
+ Eagles, on tireless pinions upward borne,
+ In widening circles rising toward the sun,
+ Venturing too near its exhalations, fall,
+ As sinks the plummet in the silent sea;
+ And lions, springing on their antlered prey,
+ Drop still and lifeless on its deadly brink;
+ Only the jackal's dismal howl is heard
+ To break its stillness and eternal sleep.
+ He was borne forward to the very verge
+ Of this dark valley, by some power unseen.
+ A wind that pierced his marrow parts the clouds,
+ And far within, below he saw a sight
+ That stood his hair on end, beaded his brow
+ With icy drops, and made his blood run cold;
+ He saw a lofty throne, blacker than jet,
+ But shining with a strange and baleful light
+ That made him shade his blinded, dazzled eyes,
+ And seated on that throne a ghastly form
+ That seemed a giant human skeleton,
+ But yet in motion terrible and quick
+ As lightning, killing ere the thunders roll;
+ His fleshless skull had on a seeming crown,
+ While from his sunken sockets glared his eyes
+ Like coals of fire or eyes of basilisk,
+ And from his bony hand each instant flew
+ Unerring darts that flew to pierce and kill,
+ Piercing the infant in its mother's arms,
+ The mother when she feels her first-born's breath,
+ Piercing the father in his happy home,
+ Piercing the lover tasting love's first kiss,
+ Piercing the vanquished when his banners fall,
+ Piercing the victor 'mid triumphant shouts,
+ Piercing the mighty monarch on his throne;
+ While from a towering cypress growing near
+ Every disease to which frail flesh is heir
+ Like ravening vultures watch each arrow's flight,
+ And quick as thought glide off on raven's wings
+ To bring the wounded, writhing victim in--
+ As well-trained hunters mark their master's aim,
+ Then fly to bring the wounded quarry home.
+ Meanwhile a stifling stench rose from below--
+ As from a battle-field where nations met
+ And fiery ranks of living valor fought,
+ Now food for vultures, moldering cold and low--
+ And bleaching bones were scattered everywhere.
+
+ Startled he wakes and rises from his couch.
+ The lamps shine down with soft and mellow light.
+ The fair Yasodhara still lay in sleep,
+ But not in quiet sleep. Her bosom heaved
+ As if a sigh were seeking to escape;
+ Her brows were knit as if in pain or fear,
+ And tears were stealing from her close-shut lids.
+ But sweet Rahula slept, and sleeping smiled
+ As if he too those cherub faces saw.
+ In haste alone he noiselessly stole forth
+ To wander in the park, and cool his brow
+ And calm his burdened, agitated soul.
+ The night had reached that hour preceding dawn
+ When nature seems in solemn silence hushed,
+ Awed by the glories of the coming day.
+ The moon hung low above the western plains;
+ Unnumbered stars with double brightness shine,
+ And half-transparent mists the landscape veil,
+ Through which the mountains in dim grandeur rise.
+ Silent, alone he crossed the maidan wide
+ Where first he saw the sweet Yasodhara,
+ Where joyful multitudes so often met,
+ Now still as that dark valley of his dream.
+ He passed the lake, mirror of heaven's high vault,
+ Whose ruffled waters ripple on the shore,
+ Stirred by cool breezes from the snow-capped peaks;
+ And heedless of his way passed on and up,
+ Through giant cedars and the lofty pines,
+ Over a leafy carpet, velvet soft,
+ While solemn voices from their branches sound,
+ Strangely in unison with his sad soul;
+ And on and up until he reached a spot
+ Above the trees, above the mist-wrapped world,
+ Where opening chasms yawned on every side.
+ Perforce he stopped; and, roused from revery,
+ Gazed on the dark and silent world below.
+ The moon had sunk from sight, the stars grew dim,
+ And densest darkness veiled the sleeping world,
+ When suddenly bright beams of rosy light
+ Shot up the east; the highest mountain-top
+ Glittered as if both land and sea had joined
+ Their richest jewels and most costly gems
+ To make its crown; from mountain-peak to peak
+ The brightness spread, and darkness slunk away,
+ Until between two giant mountain-tops
+ Glittered a wedge of gold; the hills were tinged,
+ And soon the sun flooded the world with light
+ As when the darkness heard that first command:
+ "Let there be light!" and light from chaos shone.
+ Raptured he gazed upon the glorious scene.
+ "And can it be," he said, "with floods of light
+ Filling the blue and boundless vault above,
+ Bathing in brightness mountain, hill and plain,
+ Sending its rays to ocean's hidden depths,
+ With light for bird and beast and creeping thing,
+ Light for all eyes, oceans of light to spare,
+ That man alone from outer darkness comes,
+ Gropes blindly on his brief and restless round,
+ And then in starless darkness disappears?
+ There must be light, fountains of living light,
+ For which my thirsty spirit pining pants
+ As pants the hunted hart for water-brooks--
+ Another sun, lighting a better world,
+ Where weary souls may find a welcome rest.
+ Gladly I'd climb yon giddy mountain-heights,
+ Or gladly take the morning's wings and fly
+ To earth's remotest bounds, if light were there,
+ Welcome to me the hermit's lonely cell,
+ And welcome dangers, labors, fastings, pains--
+ All would be welcome could I bring the light
+ To myriads now in hopeless darkness sunk.
+ Farewell to kingdom, comforts, home and friends!
+ All will I leave to seek this glorious light."
+ The die is cast, the victory is gained.
+ Though love of people, parent, wife and child,
+ Half selfish, half divine, may bid him pause,
+ A higher love, unselfish, all divine,
+ For them and every soul, bade him go forth
+ To seek for light, and seek till light be found.
+ Home he returned, now strong to say farewell.
+
+ Meanwhile the sweet Yasodhara still slept,
+ And dreamed she saw Siddartha's empty couch.
+ She dreamed she saw him flying far away,
+ And when she called to him he answered not,
+ But only stopped his ears and faster flew
+ Until he seemed a speck, and then was gone.
+ And then she heard a mighty voice cry out:
+ "The time has come--his glory shall appear!"
+ Waked by that voice, she found his empty couch,
+ Siddartha gone, and with him every joy;
+ But not all joy, for there Rahula lay,
+ With great wide-open eyes and cherub smile,
+ Watching the lights that flickered on the wall.
+ Caught in her arms she pressed him to her heart
+ To still its tumult and to ease its pain.
+
+ But now that step she knew so well is heard.
+ Siddartha comes, filled with unselfish love
+ Until his face beamed with celestial light
+ That like a holy halo crowned his head.
+ Gently he spoke: "My dearest and my best,
+ The time has come--the time when we must part.
+ Let not your heart be troubled--it is best."
+ This said, a tender kiss spoke to her heart,
+ In love's own language, of unchanging love.
+ When sweet Rahula stretched his little arms,
+ And cooing asked his share of tenderness,
+ Siddartha from her bosom took their boy,
+ And though sore troubled, both together smiled,
+ And with him playing, that sweet jargon spoke,
+ Which, though no lexicon contains its words,
+ Seems like the speech of angels, poorly learned,
+ For every sound and syllable and word
+ Was filled brimful of pure and perfect love.
+ At length grown calm, they tenderly communed
+ Of all their past, of all their hopes and fears;
+
+ And when the time of separation came,
+ His holy resolution gave her strength
+ To give the last embrace and say farewell.
+ And forth he rode,[2] mounted on Kantaka,
+ A prince, a loving father, husband, son,
+ To exile driven by all-embracing love.
+
+ What wonder, as the ancient writings say,
+ That nature to her inmost depths was stirred,
+ And as he passed the birds burst forth in song,
+ Fearless of hawk or kite that hovered near?
+ What wonder that the beasts of field and wood,
+ And all the jungle's savage denizens,
+ Gathered in groups and gamboled fearlessly,
+ Leopards with kids and wolves with skipping lambs?
+ For he who rode alone, bowed down and sad,
+ Taught millions, crores[3] of millions, yet unborn
+ To treat with kindness every living thing.
+ What wonder that the deepest hells were stirred?
+ What wonder that the heavens were filled with joy?
+ For he, bowed down with sorrow, going forth,
+ Shall come with joy and teach all men the way
+ From earth's sad turmoil to Nirvana's rest.
+
+
+[1]In the "Light of Asia" the prince is made to leave his young wife
+before the birth of their son, saying: "Whom, if I wait to bless, my
+heart will fail,"--a piece of cowardice hardly consistent with my
+conception of that brave and self-denying character.
+
+[2]In the "Light of Asia," the prince, after leaving his young wife, is
+made to pass through a somewhat extensive harem _en deshabille_, which
+is described with voluptuous minuteness. Although there are some
+things in later Buddhistic literature that seem to justify it, I can
+but regard the introduction of an institution so entirely alien to
+every age, form and degree of Aryan civilization and so inconsistent
+with the tender conjugal love which was the strongest tie to his
+beloved home, as a serious blot on that beautiful poem and as
+inconsistent with its whole theory, for no prophet ever came from a
+harem.
+
+[3]A crore is ten millions.
+
+
+
+
+ BOOK IV.
+
+ Far from his kingdom, far from home and friends,
+ The prince has gone, his flowing locks close shorn,
+ His rings and soft apparel laid aside,
+ All signs of rank and royalty cast off.
+ Clothed in a yellow robe, simple and coarse,
+ Through unknown streets from door to door he passed,
+ Holding an alms-bowl forth for willing gifts.
+ But when, won by his stateliness and grace,
+ They brought their choicest stores, he gently said:
+ "Not so, my friends, keep such for those who need--
+ The sick and old; give me but common food."
+ And when sufficient for the day was given,
+ He took a way leading without the walls,
+ And through rich gardens, through the fruitful fields,
+ Under dark mangoes and the jujube trees,
+ Eastward toward Sailagiri, hill of gems;
+ And through an ancient grove, skirting its base,
+ Where, soothed by every soft and tranquil sound,
+ Full many saints were wearing out their days
+ In meditation, earnest, deep, intent,
+ Seeking to solve the mystery of life,
+ Seeking, by leaving all its joys and cares,
+ Seeking, by doubling all its woes and pains,
+ To gain an entrance to eternal rest;
+ And winding up its rugged sides, to where
+ A shoulder of the mountain, sloping west,
+ O'erhangs a cave with wild figs canopied.
+ This mountain cave was now his dwelling-place,
+ A stone his pillow, and the earth his bed,
+ His earthen alms-bowl holding all his stores
+ Except the crystal waters, murmuring near.
+ A lonely path, rugged, and rough, and steep;
+ A lonely cave, its stillness only stirred
+ By eagle's scream, or raven's solemn croak,
+ Or by the distant city's softened sounds,
+ Save when a sudden tempest breaks above,
+ And rolling thunders shake the trembling hills--
+ A path since worn by countless pilgrims' feet,
+ Coming from far to view this hallowed spot,
+ And bow in worship on his hard, cold bed,
+ And press his pillow with their loving lips.
+ For here, for six long years, the world-renowned,
+ The tender lover of all living things,
+ Fasted and watched and wrestled for the light,
+ Less for himself than for a weeping world.
+ And here arrived, he ate his simple meal,
+ And then in silent meditation sat
+ The livelong day, heedless of noon's fierce heat
+ That sent to covert birds and panting beasts,
+ And from the parched and glowing plain sent up,
+ As from a furnace, gusts of scorching air,
+ Through which the city's walls, the rocks and trees.
+ All seemed to tremble, quiver, glow and shake,
+ As if a palsy shook the trembling world;
+ Heedless of loosened rocks that crashed so near,
+ And dashed and thundered to the depths below,
+ And of the shepherds, who with wondering awe
+ Came near to gaze upon his noble form
+ And gentle, loving but majestic face,
+ And thought some god had deigned to visit men.
+ And thus he sat, still as the rock his seat,
+ Seeking to pierce the void from whence man came,
+ To look beyond the veil that shuts him in,
+ To find a clue to life's dark labyrinth,
+ Seeking to know why man is cast adrift
+ Upon the bosom of a troubled sea,
+ His boat so frail, his helm and compass lost,
+ To sink at last in dull oblivion's depths;
+ When nature seems so perfect and complete,
+ Grand as a whole, and perfect all its parts,
+ Which from the greatest to the least proclaims
+ That Wisdom, Watchfulness, and Power and Love
+ Which built the mountains, spread the earth abroad,
+ And fixed the bounds that ocean cannot pass;
+ Which taught the seasons their accustomed rounds,
+ Lest seed-time and the happy harvests fail;
+ Which guides the stars in their celestial course,
+ And guides the pigeon's swift unerring flight
+ O'er mountain, sea and plain and desert waste,
+ Straight as an arrow to her distant home;
+ Teaching the ant for winter to prepare;
+ Clothing the lily in its princely pride;
+ Watching the tiny sparrow when it falls;
+ Nothing too great for His almighty arm;
+ Nothing too small for His all-seeing eye;
+ Nothing too mean for His paternal care.
+
+ And thus he mused, seeking to find a light
+ To guide men on their dark and weary way,
+ And through the valley and the shades of death,
+ Until the glories of the setting sun
+ Called him to vespers and his evening meal.
+
+ Then roused from revery, ablutions made,
+ Eight times he bowed, just as the setting sun,
+ A fiery red, sunk slowly out of sight
+ Beyond the western plains, gilded and tinged,
+ Misty and vast, beneath a brilliant sky,
+ Shaded from brightest gold to softest rose.
+ Then, after supper, back and forth he paced
+ Upon the narrow rock before his cave,
+ Seeking to ease his numbed and stiffened limbs;
+ While evening's sombre shadows slowly crept
+ From plain to hill and highest mountain-top,
+ And solemn silence settled on the world,
+ Save for the night-jar's cry and owl's complaint;
+ While many lights from out the city gleam,
+ And thickening stars spangle the azure vault,
+ Until the moon, with soft and silvery light,
+ Half veils and half reveals the sleeping world.
+ And then he slept--for weary souls must sleep,
+ As well as bodies worn with daily toil;
+ And as he lay stretched on his hard, cold bed,
+ His youthful blood again bounds freely on,
+ Repairing wastes the weary day had made.
+ And then he dreamed. Sometimes he dreamed of home,
+ Of young Rahula, reaching out his arms,
+ Of sweet Yasodhara with loving words
+ Cheering him on, as love alone can cheer.
+ Sometimes he dreamed he saw that living light
+ For which his earnest soul so long had yearned--
+ But over hills and mountains far away.
+ And then he seemed with labored steps to climb
+ Down giddy cliffs, far harder than ascent,
+ While yawning chasms threatened to devour,
+ And beetling cliffs precluded all retreat;
+ But still the way seemed opening step by step,
+ Until he reached the valley's lowest depths,
+ Where twilight reigned, and grim and ghastly forms,
+ With flaming swords, obstruct his onward way,
+ But his all-conquering love still urged him on,
+ When with wild shrieks they vanished in thin air;
+ And then he climbed, clinging to jutting cliffs,
+ And stunted trees that from each crevice grew,
+ Till weary, breathless, he regained the heights,
+ To see that light nearer, but still so far.
+
+ And thus he slept, and thus sometimes he dreamed,
+ But rose before the dawn had tinged the east,
+ Before the jungle-cock had made his call,
+ When thoughts are clearest, and the world is still,
+ Refreshed and strengthened for his daily search
+ Into the seeds of sorrow, germs of pain,
+ After a light to scatter doubts and fears.
+
+ But when the coming day silvered the east,
+ And warmed that silver into softest gold,
+ And faintest rose-tints tinged the passing clouds,
+ He, as the Vedas taught, each morning bathed
+ In the clear stream that murmured near his cave,
+ Then bowed in reverence to the rising sun,
+ As from behind the glittering mountain-peaks
+ It burst in glory on the waking world.
+
+ Then bowl and staff in hand, he took his way
+ Along his mountain-path and through the grove,
+ And through the gardens, through the fruitful fields,
+ Down to the city, for his daily alms;
+ While children his expected coming watch,
+ And running cry: "The gracious Rishi comes."
+ All gladly gave, and soon his bowl was filled,
+ For he repaid their gifts with gracious thanks,
+ And his unbounded love, clearer than words,
+ Spoke to their hearts as he passed gently on.
+ Even stolid plowmen after him would look,
+ Wondering that one so stately and so grand
+ Should even for them have kind and gracious words,
+ Sometimes while passing through the sacred grove,
+ He paused beneath an aged banyan-tree,
+ Whose spreading branches drooping down took root
+ To grow again in other giant trunks,
+ An ever-widening, ever-deepening shade,
+ Where five, like him in manhood's early prime,
+ Each bound to life by all its tender ties,
+ High born and rich, had left their happy homes,
+ Their only food chance-gathered day by day,
+ Their only roof this spreading banyan-tree;
+ And there long time they earnestly communed,
+ Seeking to aid each other in the search
+ For higher life and for a clearer light.
+ And here, under a sacred peepul's shade,
+ Two Brahmans, famed for sanctity, had dwelt
+ For many years, all cares of life cast off,
+ Who by long fastings sought to make the veil
+ Of flesh translucent to the inner eye;
+ Eyes fixed intently on the nose's tip,
+ To lose all consciousness of outward things;
+ By breath suppressed to still the outer pulse,
+ So that the soul might wake to conscious life,
+ And on unfolded wings unchecked might rise.
+ And in the purest auras freely soar,
+ Above cross-currents that engender clouds
+ Where thunders roll, and quick cross-lightnings play,
+ To view the world of causes and of life,
+ And bathe in light that knows no night, no change.
+ With eager questionings he sought to learn,
+ While they with gentle answers gladly taught
+ All that their self-denying search had learned.
+ And thus he passed his days and months and years,
+ In constant, patient, earnest search for light,
+ With longer fastings and more earnest search,
+ While day by day his body frailer grew,
+ Until his soul, loosed from its earthly bonds,
+ Sometimes escaped its narrow prison-house,
+ And like the lark to heaven's gate it soared,
+ To view the glories of the coming dawn.
+ But as he rose, the sad and sorrowing world,
+ For which his soul with tender love had yearned,
+ Seemed deeper in the nether darkness sunk,
+ Beyond his reach, beyond his power to save,
+ When sadly to his prison-house he turned,
+ Wishing no light that did not shine for all.
+
+ Six years had passed, six long and weary years,
+ Since first he left the world to seek for light.
+ Knowledge he found, knowledge that soared aloft
+ To giddy heights, and sounded hidden depths,
+ Secrets of knowledge that the Brahmans taught
+ The favored few, but far beyond the reach
+ Of those who toil and weep and cry for help;
+ A light that gilds the highest mountain-tops,
+ But leaves the fields and valleys dark and cold;
+ But not that living light for which he yearned,
+ To light life's humble walks and common ways,
+ And send its warmth to every heart and home,
+ As spring-time sends a warm and genial glow
+ To every hill and valley, grove and field,
+ Clothing in softest verdure common grass,
+ As well as sandal-trees and lofty palms.
+
+ One night, when hope seemed yielding to despair,
+ Sleepless he lay upon the earth--his bed--
+ When suddenly a white and dazzling light
+ Shone through the cave, and all was dark again.
+ Startled he rose, then prostrate in the dust,
+ His inmost soul breathed forth an earnest prayer[1]
+ That he who made the light would make it shine
+ Clearer and clearer to that perfect day,
+ When innocence, and peace, and righteousness
+ Might fill the earth, and ignorance and fear,
+ And cruelty and crime, might fly away,
+ As birds of night and savage prowling beasts
+ Fly from the glories of the rising sun.
+ Long time he lay, wrestling in earnest prayer,
+ When from the eastern wall, one clothed in light,
+ Beaming with love, and halo-crowned, appeared,
+ And gently said: "Siddartha, rise! go forth!
+ Waste not your days in fasts, your nights in tears!
+ Give what you have; do what you find to do;
+ With gentle admonitions check the strong;
+ With loving counsels aid and guide the weak,
+ And light will come, the day will surely dawn."
+ This said, the light grew dim, the form was gone,
+ But hope revived, his heart was strong again.
+
+ Joyful he rose, and when the rising sun
+ Had filled the earth's dark places full of light,
+ With all his worldly wealth, his staff and bowl,
+ Obedient to that voice he left his cave;
+ When from a shepherd's cottage near his way,
+ Whence he had often heard the busy hum
+ Of industry, and childhood's merry laugh,
+ There came the angry, stern command of one
+ Clothed in a little brief authority,
+ Mingled with earnest pleadings, and the wail
+ Of women's voices, and above them all
+ The plaintive treble of a little child.
+ Thither he turned, and when he reached the spot,
+ The cause of all this sorrow was revealed:
+ One from the king had seized their little all,
+ Their goats and sheep, and e'en the child's pet lamb.
+ But when they saw him they had often watched
+ With reverent awe, as if come down from heaven,
+ Prostrate they fell, and kissed his garment's hem,
+ While he so insolent, now stood abashed,
+ And, self accused, he thus excused himself:
+ "The Brahmans make this day a sacrifice,
+ And they demand unblemished goats and lambs.
+ I but obey the king's express command
+ To bring them to the temple ere high noon."
+ But Buddha stooped and raised the little child,
+ Who nestled in his arms in perfect trust,
+ And gently said: "Rise up, my friends, weep not!
+ The king must be obeyed--but kings have hearts.
+ I go along to be your advocate.
+ The king may spare what zealous priest would kill,
+ Thinking the gods above delight in blood."
+ But when the officers would drive the flock
+ With staves and slings and loud and angry cries,
+ They only scattered them among the rocks,
+ And Buddha bade the shepherd call his own,
+ As love can lead where force in vain would drive.
+ He called; they knew his voice and followed him,
+ Dumb innocents, down to the slaughter led,
+ While Buddha kissed the child, and followed them,
+ With those so late made insolent by power,
+ Now dumb as if led out to punishment.
+
+ Meanwhile the temple-gates wide open stood,
+ And when the king, in royal purple robed,
+ And decked with gems, attended by his court,
+ To clash of cymbals, sound of shell and drum,
+ Through streets swept clean and sprinkled with perfumes,
+ Adorned with flags, and filled with shouting crowds,
+ Drew near the sacred shrine, a greater came,
+ Through unswept ways, where dwelt the toiling poor,
+ Huddled in wretched huts, breathing foul air,
+ Living in fetid filth and poverty--
+ No childhood's joys, youth prematurely old,
+ Manhood a painful struggle but to live,
+ And age a weary shifting of the scene;
+ While all the people drew aside to gaze
+ Upon his gentle but majestic face,
+ Beaming with tender, all-embracing love.
+ And when the king and royal train dismount,
+ 'Mid prostrate people and the stately priests,
+ On fragrant flowers that carpeted his way,
+ And mount the lofty steps to reach the shrine,
+ Siddartha came, upon the other side,
+ 'Mid stalls for victims, sheds for sacred wood,
+ And rude attendants on the pompous rites,
+ Who seized a goat, the patriarch of the flock,
+ And bound him firm with sacred munja grass,
+ And bore aloft, while Buddha followed where
+ A priest before the blazing altar stood
+ With glittering knife, and others fed the fires,
+ While clouds of incense from the altar rose,
+ Sweeter than Araby the blest can yield,
+ And white-robed Brahmans chant their sacred hymns.
+ And there before that ancient shrine they met,
+ The king, the priests, the hermit from the hill,
+ When one, an aged Brahman, raised his hands,
+ And praying, lifted up his voice and cried:
+ "O hear! great Indra, from thy lofty throne
+ On Meru's holy mountain, high in heaven.
+ Let every good the king has ever done
+ With this sweet incense mingled rise to thee;
+ And every secret, every open sin
+ Be laid upon this goat, to sink from sight,
+ Drunk by the earth with his hot spouting blood,
+ Or on this altar with his flesh be burned."
+ And all the Brahman choir responsive cried:
+ "Long live the king! now let the victim die!"
+ But Buddha said: "Let him not strike, O king!
+ For how can God, being good, delight in blood?
+ And how can blood wash out the stains of sin,
+ And change the fixed eternal law of life
+ That good from good, evil from evil flows?"
+ This said, he stooped and loosed the panting goat,
+ None staying him, so great his presence was.
+ And then with loving tenderness he taught
+ How sin works out its own sure punishment;
+ How like corroding rust and eating moth
+ It wastes the very substance of the soul;
+ Like poisoned blood it surely, drop by drop,
+ Pollutes the very fountain of the life;
+ Like deadly drug it changes into stone
+ The living fibres of a loving heart;
+ Like fell disease, it breeds within the veins
+ The living agents of a living death;
+ And as in gardens overgrown with weeds,
+ Nothing but patient labor, day by day,
+ Uprooting cherished evils one by one,
+ Watering its soil with penitential tears,
+ Can fit the soul to grow that precious seed,
+ Which taking root, spreads out a grateful shade
+ Where gentle thoughts like singing birds may lodge,
+ Where pure desires like fragrant flowers may bloom,
+ And loving acts like ripened fruits may hang.
+ Then, chiding not, with earnest words he urged
+ Humanity to man, kindness to beasts,
+ Pure words, kind acts, in all our daily walks.
+ As better than the blood of lambs and goats.
+ Better than incense or the chanted hymn,
+ To cleanse the heart and please the powers above,
+ And fill the world with harmony and peace,
+ Till pricked in heart, the priest let fall his knife;
+ The Brahmans listening, ceased to chant their hymns;
+ The king drank in his words with eager ears;
+ And from that day no altar dripped with blood,
+ But flowers instead breathed forth their sweet perfumes.
+ And when that troubled day drew near its close,
+ Joy filled once more that shepherd's humble home,
+ From door to door his simple story flew,
+ And when the king entered his palace gates,
+ New thoughts were surging in his wakened soul.
+
+ But though the beasts have lairs, the birds have nests,
+ Buddha had not whereon to lay his head,
+ Not even a mountain-cave to call his home;
+ And forth he fared, heedless about his way--
+ For every way was now alike to him.
+ Heedless of food, his alms-bowl hung unused.
+ While all the people stood aside with awe,
+ And to their children pointed out the man
+ Who plead the shepherd's cause before the king.
+ At length he passed the city's western gate,
+ And crossed the little plain circling its walls.
+ Circled itself by five bold hills that rise,
+ A rugged, rampart and an outer wall.
+ Two outer gates this mountain rampart had,
+ The one a narrow valley opening west
+ Toward Gaya, through the red Barabar hills.
+ Through which the rapid Phalgu swiftly glides,
+ Down from the Vindhya mountains far away,
+ Then gently winds around this fruitful plain,
+ Its surface green with floating lotus leaves.
+ And bright with lotus blossoms, blue and white,
+ O'erhung with drooping trees and trailing vines,
+ Till through the eastern gate it hastens on,
+ To lose itself in Gunga's sacred stream.
+
+ Toward Gaya now Siddartha bent his steps,
+ Distant the journey of a single day
+ As men marked distance in those ancient times,
+ No longer heeded in this headlong age,
+ When we count moments by the miles we pass;
+ And one may see the sun sink out of sight.
+ Behind great banks of gray and wintry clouds,
+ While feathery snowflakes fill the frosty air,
+ And after quiet sleep may wake next day
+ To see it bathe green fields with floods of light,
+ And dry the sparkling dew from opening flowers,
+ And hear the joyful burst of vernal song,
+ And breathe the balmy air of opening spring.
+
+ And as he went, weary and faint and sad,
+ The valley opening showed a pleasant grove,
+ Where many trees mingled their grateful shade,
+ And many blossoms blended sweet perfumes;
+ And there, under a drooping vakul-tree,
+ A bower of roses and sweet jasmine vines,
+ Within a couch, without a banquet spread,
+ While near a fountain with its falling spray
+ Ruffled the surface of a shining pool,
+ Whose liquid cadence mingled with the songs
+ Of many birds concealed among the trees.
+
+ And there three seeming sister graces were,[2]
+ Fair as young Venus rising from the sea,
+ The one in seeming childlike innocence
+ Bathed in the pool, while her low liquid laugh
+ Rung sweet and clear; and one her vina tuned,
+ And as she played, the other lightly danced,
+ Clapping her hands, tinkling her silver bells,
+ Whose gauzy silken garments seemed to show
+ Rather than hide her slender, graceful limbs.
+ And she who played the vina sweetly sang;
+
+ "Come to our bower and take your rest--
+ Life is a weary road at best.
+ Eat, for your board is richly spread;
+ Drink, for your wine is sparkling red;
+ Rest, for the weary day is past;
+ Sleep, for the shadows gather fast.
+ Tune not your vina-strings too high,
+ Strained they will break and the music die.
+ Come to our bower and take your rest--
+ Life is a weary road at best."
+
+ But Buddha, full of pity, passing said:
+ "Alas, poor soul! flitting a little while
+ Like painted butterflies before the lamp
+ That soon will burn your wings; like silly doves,
+ Calling the cruel kite to seize and kill;
+ Displaying lights to be the robber's guide;
+ Enticing men to wrong, who soon despise.
+ Ah! poor, perverted, cold and cruel world!
+ Delights of love become the lures of lust,
+ The joys of heaven changed into fires of hell."
+
+
+[1]I am aware there are many who think that Buddha did not believe in
+prayer, which Arnold puts into his own mouth in these words, which
+sound like the clanking of chains in a prison-vault:
+
+ "Pray not! the darkness will not brighten! Ask
+ Nought from Silence, for it cannot speak!"
+
+Buddha did teach that mere prayers without any effort to overcome our
+evils is of no more use than for a merchant to pray the farther bank of
+a swollen stream to come to him without seeking any means to cross,
+which merely differs in words from the declaration of St. James that
+faith without works is dead; but if he ever taught that the earnest
+yearning of a soul for help, which is the essence of prayer, is no aid
+in the struggle for a higher life, then my whole reading has been at
+fault, and the whole Buddhist worship has been a departure from the
+teachings of its founder.
+
+[2]Mara dispatched three pleasure-girls from the north quarter to come
+and tempt him. Their names were Tanha, Rati and Ranga. Fa Hian
+(Beal), p. 120.
+
+
+
+
+ BOOK V.
+
+ Now mighty Mara, spirit of the air,
+ The prince of darkness, ruling worlds below,
+ Had watched for Buddha all these weary years,
+ Seeking to lead his steady steps astray
+ By many wiles his wicked wit devised,
+ Lest he at length should find the living light
+ And rescue millions from his dark domains.
+ Now, showing him the kingdoms of the world.
+ He offered him the Chakravartin's crown;
+ Now, opening seas of knowledge, shoreless, vast,
+ Knowledge of ages past and yet to come,
+ Knowledge of nature and the hidden laws
+ That guide her changes, guide the roiling spheres,
+ Sakwal on sakwal,[1] boundless, infinite,
+ Yet ever moving on in harmony,
+ He thought to puff his spirit up with pride
+ Till he should quite forget a suffering world,
+ In sin and sorrow groping blindly on.
+ But when he saw that lust of power moved not,
+ And thirst for knowledge turned him not aside
+ From earnest search after the living light,
+ From tender love for every living thing,
+ He sent the tempters Doubt and dark Despair.
+ And as he watched for final victory
+ He saw that light flash through the silent cave,
+ And heard the Buddha breathe that earnest prayer,
+ And fled amazed, nor dared to look behind.
+ For though to Buddha all his way seemed dark,
+ His wily enemy could see a Power,
+ A mighty Power, that ever hovered near,
+ A present help in every time of need,
+ When sinking souls seek earnestly for aid.
+ He fled, indeed, as flies the prowling wolf,
+ Alarmed at watch-dog's bark or shepherd's voice,
+ While seeking entrance to the slumbering fold,
+ But soon returns with soft and stealthy step,
+ With keenest scent snuffing the passing breeze,
+ With ears erect catching each slightest sound,
+ With glaring eyes watching each moving thing,
+ With hungry jaws, skulking about the fold
+ Till coming dawn drives him to seek his lair.
+ So Mara fled, and so he soon returned,
+ And thus he watched the Buddha's every step;
+ Saw him with gentleness quell haughty power;
+ Saw him with tenderness raise up the weak;
+ Heard him before the Brahmans and the king
+ Denounce those bloody rites ordained by him;
+ Heard him declare the deadly work of Sin,
+ His own prime minister and eldest-born;
+ Heard him proclaim the mighty power of Love
+ To cleanse the life and make the flinty heart
+ As soft as sinews of the new-born babe.
+ And when he saw whither he bent his steps,
+ He sent three wrinkled hags, deformed and foul,
+ The willing agents of his wicked will--
+ Life-wasting Idleness, the thief of time;
+ Lascivious Lust, whose very touch defiles,
+ Poisoning the blood, polluting all within;
+ And greedy Gluttony, most gross of all,
+ Whose ravening maw forever asks for more--
+ To that delightful garden near his way,
+ To tempt the Master, their true forms concealed--
+ For who so gross that such coarse hags could tempt?--
+ But clothed instead in youthful beauty's grace.
+ And now he saw him pass unmoved by lust,
+ Nor yet with cold, self-righteous pride puffed up,
+ But breathing pity from his inmost soul
+ E'en for the ministers of vice themselves.
+
+ Defeated, not discouraged, still he thought
+ To try one last device, for well he knew
+ That Buddha's steps approached the sacred tree
+ Where light would dawn and all his power would end.
+ Upon a seat beside the shaded path,
+ A seeming aged Brahman, Mara sat,
+ And when the prince approached, his tempter rose,
+ Saluting him with gentle stateliness,
+ Saluted in return with equal grace.
+
+ "Whither away, my son?" the tempter said,
+ "If you to Gaya now direct your steps,
+ Perhaps your youth may cheer my lonely age."
+ "I go to seek for light," the prince replied,
+ "But where it matters not, so light be found."
+
+ But Mara answered him: "Your search is vain.
+ Why seek to know more than the Vedas teach?
+ Why seek to learn more than the teachers know?
+ But such is youth; the rosy tints of dawn
+ Tinge all his thoughts. 'Excelsior!' he cries,
+ And fain would scale the unsubstantial clouds
+ To find a light that knows no night, no change;
+ We Brahmans chant our hymns in solemn wise,
+ The vulgar listen with profoundest awe;
+ But still our muffled heart-throbs beat the march
+ Onward, forever onward, to the grave,
+ When one ahead cries, 'Lo! I see a light!'
+ And others clutch his garments, following on.
+ Till all in starless darkness disappear,
+ There may be day beyond this starless night,
+ There may be life beyond this dark profound--
+ But who has ever seen that changeless day?
+ What steps have e'er retraced that silent road?
+ Fables there are, hallowed by hoary age,
+ Fables and ancient creeds, that men have made
+ To give them power with ignorance and fear;
+ Fables of gods with human passions filled:
+ Fables of men who walked and talked with gods;
+ Fables of kalpas passed, when Brahma slept
+ And all created things were wrapped in flames,
+ And then the floods descended, chaos reigned,
+ The world a waste of waters, and the heavens
+ A sunless void, until again he wakes,
+ And sun and moon and stars resume their rounds,
+ Oceans receding show the mountain-tops,
+ And then the hills and spreading plains--
+ Strange fables all, that crafty men have feigned.
+ Why waste your time pursuing such vain dreams--
+ As some benighted travelers chase false lights
+ To lose themselves in bogs and fens at last?
+ But read instead in Nature's open book
+ How light from darkness grew by slow degrees;
+ How crawling worms grew into light-winged birds,
+ Acquiring sweetest notes and gayest plumes;
+ How lowly ferns grew into lofty palms;
+ How men have made themselves from chattering apes;[2]
+ How, even from protoplasm to highest bard,
+ Selecting and rejecting, mind has grown,
+ Until at length all secrets are unlocked,
+ And man himself now stands pre-eminent,
+ Maker and master of his own great self,
+ To sneer at all his lisping childlike past
+ And laugh at all his fathers had revered."
+
+ The prince with gentle earnestness replied:
+ "Full well I know how blindly we grope on
+ In doubt and fear and ignorance profound,
+ The wisdom of the past a book now sealed.
+ But why despise what ages have revered?
+ As some rude plowman casts on rubbish-heaps
+ The rusty casket that his share reveals,
+ Not knowing that within it are concealed
+ Most precious gems, to make him rich indeed,
+ The hand that hid them from the robber, cold,
+ The key that locked this rusty casket, lost.
+ The past was wise, else whence that wondrous tongue[3]
+ That we call sacred, which the learned speak,
+ Now passing out of use as too refined
+ For this rude age, too smooth for our rough tongues,
+ Too rich and delicate for our coarse thoughts.
+ Why should such men make fables so absurd
+ Unless within their rough outside is stored
+ Some precious truth from profanation hid?
+ Revere your own, revile no other faith,
+ Lest with the casket you reject the gems,
+ Or with rough hulls reject the living seed.
+ Doubtless in nature changes have been wrought
+ That speak of ages in the distant past,
+ Whose contemplation fills the mind with awe.
+ The smooth-worn pebbles on the highest hills
+ Speak of an ocean sweeping o'er their tops;
+ The giant palms, now changed to solid rocks,
+ Speak of the wonders of a buried world.
+ Why seek to solve the riddle nature puts,
+ Of whence and why, with theories and dreams?
+ The crawling worm proclaims its Maker's power;
+ The singing bird proclaims its Maker's skill;
+ The mind of man proclaims a greater Mind,
+ Whose will makes world, whose thoughts are living acts.
+ Our every heart-throb speaks of present power,
+ Preserving, recreating, day by day.
+ Better confess how little we can know,
+ Better with feet unshod and humble awe
+ Approach this living Power to ask for aid."
+ And as he spoke the devas filled the air,
+ Unseen, unheard of men, and sweetly sung:
+ "Hail, prince of peace! hail, harbinger of day!
+ The darkness vanishes, the light appears."
+ But Mara heard, and silent slunk away,
+ The o'erwrought prince fell prostrate on the ground
+ And lay entranced, while devas hovered near,
+ Watching each heart-throb, breathing that sweet calm
+ Its guardian angel gives the sleeping child.
+
+ The night has passed, the day-star fades from sight,
+ And morning's softest tint of rose and gold
+ Tinges the east and tips the mountain-tops.
+ The silent village stirs with waking life,
+ The bleat of goats and low of distant herds,
+ The song of birds and crow of jungle-cocks
+ Breathe softest music through the dewy air.
+
+ And now two girls,[4] just grown to womanhood,
+ The lovely daughters of the village lord,
+ Trapusha one, and one Balika called,
+ Up with the dawn, trip lightly o'er the grass,
+ Bringing rich curds and rice picked grain by grain,
+ A willing offering to their guardian god--
+ Who dwelt, as all the simple folk believed,
+ Beneath an aged bodhi-tree that stood
+ Beside the path and near where Buddha lay--
+ To ask such husbands as their fancies paint,
+ Gentle and strong, and noble, true and brave;
+ And having left their gifts and made their vows,
+ With timid steps the maidens stole away.
+
+ But while the outer world is filled with life.
+ That inner world from whence this life proceeds,
+ Concealed from sight by matter's blinding folds,
+ Whose coarser currents fill with wondrous power
+ The nervous fluid of the universe
+ Which darts through nature's frame, from star to star,
+ From cloud to cloud, filling the world with awe;
+ Now harnessed to our use, a patient drudge,
+ Heedless of time or space, bears human thought
+ From land to land and through the ocean's depths;
+ And bears the softest tones of human speech
+ Faster than light, farther than ocean sounds;
+ And whirls the clattering car through crowded streets,
+ And floods with light the haunts of prowling thieves--
+ That inner world, whose very life is love,
+ Pure love, and perfect, infinite, intense,
+ That world is now astir. A rift appears
+ In those dark clouds that rise from sinful souls
+ And hide from us its clear celestial light,
+ And clouds of messengers from that bright world,
+ Whom they called devas and we angels call,
+ Rush to that rift to rescue and to save.
+ The wind from their bright wings fanned Buddha's soul,
+ The love from their sweet spirits warmed his heart.
+ He starts from sleep, but rising, scarcely knows
+ If he had seen a vision while awake,
+ Or, sunk in sleep, had dreamed a heavenly dream.
+ From that pure presence all his tempters fled.
+ The calm of conflict ended filled his soul,
+ And led by unseen hands he forward passed
+ To where the sacred fig-tree long had grown,
+ Beneath whose shade the village altar stood,
+ Where simple folk would place their willing gifts,
+ And ask the aid their simple wants required,
+ Believing all the life above, around,
+ The life within themselves, must surely come
+ From living powers that ever hovered near.
+ Here lay the food Sagata's daughters brought,
+ The choicest products of his herds and fields,
+ This grateful food met nature's every need,
+ Diffused a healthful glow through all his frame,
+ And all the body's eager yearnings stilled.
+ Seven days he sat, and ate no more nor drank,
+ Yet hungered not, nor burned with parching thirst,
+ For heavenly manna fed his hungry soul--
+ Its wants were satisfied, the body's ceased.
+ Seven days he sat, in sweet internal peace
+ Waiting for light, and sure that light would come,
+ When seeming scales fell from his inner sight,
+ His spirit's eyes were opened and he saw
+ Not far away, but near, within, above,
+ As dwells the soul within this mortal frame,
+ A world within this workday world of ours,
+ The living soul of all material things.
+
+ Eastward he saw a never-setting Sun,
+ Whose light is truth, the light of all the worlds,
+ Whose heat is tender, all-embracing love,
+ The inmost Life of everything that lives,
+ The mighty Prototype and primal Cause
+ Of all the suns that light this universe,
+ From ours, full-orbed, that tints the glowing east
+ And paints the west a thousand varied shades,
+ To that far distant little twinkling star
+ That seems no larger than the glow-worm's lamp,
+ Itself a sun to light such worlds as ours;
+ And round about Him clouds of living light,
+ Bright clouds of cherubim and seraphim,
+ Who sing His praise and execute His will--
+ Not idly singing, as the foolish feign,
+ But voicing forth their joy they work and sing;
+ Doing His will, their works sound forth His praise.
+
+ On every side were fields of living green,
+ With gardens, groves and gently rising hills,
+ Where crystal streams of living waters flow,
+ And dim with distance Meru's lofty heights.
+ No desert sands, no mountains crowned with ice,
+ For here the scorching simoom never blows,
+ Nor wintry winds, that pierce and freeze and kill,
+ But gentle breezes breathing sweet perfumes;
+ No weeds, no thorns, no bitter poisonous fruits,
+ No noxious reptiles and no prowling beasts;
+ For in this world of innocence and love
+ No evil thoughts give birth to evil things,
+ But many birds of every varied plume
+ Delight the ear with sweetest melody;
+ And many flowers of every varied tint
+ Fill all the air with odors rich and sweet;
+ And many fruits, suited to every taste,
+ Hang ripe and ready that who will may eat--
+ A world of life, with all its lights and shades,
+ The bright original of our sad world
+ Without its sin and storms, its thorns and tears.
+ No Lethe's sluggish waters lave its shores,
+ Nor solemn shades, of poet's fancy bred,
+ Sit idly here to boast of battles past,
+ Nor wailing ghosts wring here their shadowy hands
+ For lack of honor to their cast-off dust;
+ But living men, in human bodies clothed--
+ Not bodies made of matter, dull and coarse,
+ Dust from the dust and soon to dust returned,
+ But living bodies, clothing living souls,
+ Bodies responsive to the spirit's will,
+ Clothing in acts the spirit's inmost thoughts--
+ Dwell here in many mansions, large and fair,
+ Stretching beyond the keenest vision's hen,
+ With room for each and more than room for all,
+ Forever filling and yet never full.
+ Not clogged by matter, fast as fleetest birds,
+ Wishing to go, they go; to come, they come.
+ No helpless infancy or palsied age,
+ But all in early manhood's youthful bloom,
+ The old grown young, the child to man's estate.
+ Gentle they seemed as they passed to and fro,
+ Gentle and strong, with every manly grace;
+ Busy as bees in summer's sunny hours,
+ In works of usefulness and acts of love;
+ No pinching poverty or grasping greed,
+ Gladly receiving, they more gladly give,
+ Sharing in peace the bounties free to all.
+
+ As lost in wonder and delight he gazed,
+ He saw approaching from a pleasant grove
+ Two noble youths, yet full of gentleness,
+ Attending one from sole to crown a queen,
+ With every charm of fresh and blooming youth
+ And every grace of early womanhood,
+ Her face the mirror of her gentle soul,
+ Her flowing robes finer than softest silk,
+ That as she moved seemed woven of the light;
+ Not borne by clumsy wings, or labored steps,
+ She glided on as if her will had wings
+ That bore her willing body where she wished.
+ As she approached, close by her side he saw,
+ As through a veil or thin transparent mist,
+ The form and features of the aged king,
+ Older and frailer by six troubled years
+ Than when they parted, yet his very face,
+ Whom she was watching with the tenderest care.
+ And nearer seen each seeming youth was two,
+ As when at first in Eden's happy shade
+ Our primal parents ere the tempter came
+ Were twain, and yet but one, so on they come,
+ Hand joined in hand, heart beating close to heart,
+ One will their guide and sharing every thought,
+ Beaming with tender, all-embracing love,
+ Whom God had joined and death had failed to part.
+
+ What need of words to introduce his guests?
+ Love knows her own, the mother greets her son.
+ Her parents and the king's, who long had watched
+ Their common offspring with a constant care,
+ Inspiring hope and breathing inward peace
+ When secret foes assailed on every side,
+ Now saw him burst the clouds that veiled their view
+ And stand triumphant full before their eyes.
+ O happy meeting! joy profound, complete!
+ Soul greeting soul, heart speaking straight to heart,
+ While countless happy faces hovered near
+ And song's of joy sound through Nirvana's heights.
+
+ At length, the transports of first meeting past,
+ More of this new-found world he wished to see,
+ More of its peace and joy he wished to know.
+ Led by his loving guides, enwrapt he saw
+ Such scenes of beauty passing human speech,
+ Such scenes of peace and joy past human thought,
+ That he who sings must tune a heavenly lyre
+ And seraphs touch his lips with living fire.
+ My unanointed lips will not presume
+ To try such lofty themes, glad if I gain
+ A distant prospect of the promised land,
+ And catch some glimpses through the gates ajar.
+ Long time he wandered through these blissful scenes,
+ Time measured by succession of delights,
+ Till wearied by excess of very joy
+ Both soul and body sunk in tranquil sleep.
+ He slept while hosts of devas sweetly sung:
+ "Hail, great physician! savior, lover, friend!
+ Joy of the worlds, guide to Nirvana, hail!"
+ From whose bright presence Mara's myriads fled.
+ But Mara's self, subtlest of all, fled not,
+ But putting on a seeming yogi's form,
+ Wasted, as if by fasts, to skin and bone,
+ On one foot standing, rooted to the ground,
+ The other raised against his fleshless thigh,
+ Hands stretched aloft till joints had lost their use,
+ And clinched so close, as if in firm resolve,
+ The nails had grown quite through the festering palms,[5]
+ His tattered robes, as if worn out by age,
+ Hanging like moss from trees decayed and dead,
+ While birds were nesting in his tangled hair.
+ And thus disguised the subtle Mara stood,
+ And when the master roused him from his sleep
+ His tempter cried in seeming ecstasy:
+ "O! happy wakening! joy succeeding grief!
+ Peace after trouble! rest that knows no end!
+ Life after death! Nirvana found at last!
+ Here let us wait till wasted by decay
+ The body's worn-out fetters drop away."
+
+ "Much suffering-brother," Buddha answered him,
+ "The weary traveler, wandering through the night
+ In doubt and darkness, gladly sees the dawn.
+ The storm-tossed sailor on the troubled sea,
+ Wearied and drenched, with joy re-enters port.
+ But other nights succeed that happy dawn,
+ And other seas may toss that sailor's bark.
+ But he who sees Nirvana's sacred Sun,
+ And in Nirvana's haven furls his sails,
+ No more shall wander through the starless night,
+ No more shall battle with the winds and waves.
+ O joy of joys! our eyes have seen that Sun!
+ Our sails have almost reached that sheltering port,
+ But shall we, joyful at our own escape,
+ Leave our poor brothers battling with the storm,
+ Sails rent, barks leaking, helm and compass lost,
+ No light to guide, no hope to cheer them on?"
+
+ "Each for himself must seek, as we have sought,"
+ The tempter said, "and each must climb alone
+ The rugged path our weary feet have trod.
+ No royal road leads to Nirvana's rest;
+ No royal captain guides his army there.
+ Why leave the heights with so much labor gained?
+ Why plunge in darkness we have just escaped?
+ Men will not heed the message we may bring.
+ The great will scorn, the rabble will deride,[6]
+ And cry 'He hath a devil and is mad.'"
+
+ "True," answered Buddha, "each must seek to find;
+ Each for himself must leave the downward road;
+ Each for himself must choose the narrow path
+ That leads to purity and peace and life.
+ But helping hands will aid those struggling up;
+ A warning voice may check those hasting down.
+ Men are like lilies in yon shining pool:
+ Some sunk in evil grovel in the dust,
+ Loving like swine to wallow in the mire--
+ Like those that grow within its silent depths,
+ Scarce raised above its black and oozy bed;
+ While some love good, and seek the purest light,
+ Breathing sweet fragrance from their gentle lives--
+ Like those that rise above its glassy face,
+ Sparkling with dewdrops, royally arrayed,
+ Drinking the brightness of the morning sun,
+ Distilling odors through the balmy air;
+ But countless multitudes grope blindly on,
+ Shut out from light and crushed by cruel castes,
+ Willing to learn, whom none will deign to teach,
+ Willing to rise, whom none will deign to guide,
+ Who from the cradle to the silent grave,
+ Helpless and hopeless, only toil and weep--
+ Like those that on the stagnant waters float,
+ Smothered with leaves, covered with ropy slime,
+ That from the rosy dawn to dewy eve
+ Scarce catch one glimmer of the glorious sun.
+ The good scarce need, the bad will scorn, my aid;
+ But these poor souls will gladly welcome help.
+ Welcome to me the scorn of rich and great,
+ Welcome the Brahman's proud and cold disdain,
+ Welcome revilings from the rabble rout,
+ If I can lead some groping souls to light--
+ If I can give some weary spirits rest.
+ Farewell, my brother, you have earned release--
+ Rest here in peace. I go to aid the poor."
+ And as he spoke a flash of lurid light
+ Shot through the air, and Buddha stood alone--
+ Alone! to teach the warring nations peace!
+ Alone! to lead a groping world to light!
+ Alone! to give the heavy-laden rest!
+
+
+[1]A sakwal was a sun with its system of worlds, which the ancient
+Hindoos believed extended one beyond another through infinite space.
+It indicates great advance in astronomical knowledge when such a
+complex idea, now universally received as true, as that the fixed stars
+are suns with systems of worlds like ours, could be expressed in a
+single word.
+
+[2]It may seem like an anachronism to put the very words of the modern
+agnostic into the mouth of Buddha's tempter, but these men are merely
+threshing over old straw. The sneer of Epicurus curled the lip of
+Voltaire, and now merely breaks out into a broad laugh on the
+good-natured face of Ingersoll.
+
+[3]The Sanscrit, the most perfect of all languages, and the mother of
+Greek and of all the languages of the Aryan races, now spread over the
+world, had gone out of use in Buddha's time, and the Pali, one of its
+earliest offspring, was used by the great teacher and his people.
+
+[4]Arnold follows the tradition, that there was but one, whom he makes
+a young wife, without any authority so far as I can learn. I prefer to
+follow the Chinese pilgrim, Fa Hian, who was on the ground with every
+means of knowing, who makes them two young girls, and named as above.
+
+[5]Bishop Heber says he saw a recluse whose hands had been clinched so
+close and so long that the nails had actually grown through the hands
+as here described.
+
+[6]The last temptation of Buddha was to keep his light to himself under
+the fear that men would reject his message.
+
+
+
+
+ BOOK VI.
+
+ Seven days had passed since first he saw the light,
+ Seven days of deep, ecstatic peace and joy,
+ Of open vision of that blissful world,
+ Of sweet communion with those dwelling there.
+ But having tasted, seen and felt the joys
+ Of that bright world where love is all in all,
+ Filling each heart, inspiring every thought,
+ Guiding each will and prompting every act,
+ He yearned to see the other, darker side
+ Of that bright picture, where the wars and hates,
+ The lust, the greed, the cruelty and crime
+ That fill the world with pain and want and woe
+ Have found their dwelling-place and final goal.
+
+ Quicker than eagles soaring toward the sun
+ Till but a speck against the azure vault
+ Swoop down upon their unsuspecting prey,
+ Quicker than watch-fires on the mountain-top
+ Send warnings to the dwellers in the plain,
+ Led by his guides he reached Nirvana's verge,
+ Whence he beheld a broad and pleasant plain,
+ Spread with a carpet of the richest green
+ And decked with flowers of every varied tint,
+ Whose blended odors fill the balmy air,
+ Where trees, pleasant to sight and good for food,
+ In rich abundance and spontaneous grow.
+ A living stream, as purest crystal clear,
+ With gentle murmurs wound along the plain,
+ Its surface bright with fairer lotus-flowers
+ Than mortal eye on earth had ever seen,
+ While on its banks were cool, umbrageous groves
+ Whose drooping branches spicy breezes stir,
+ A singing bird in every waving bough,
+ Whose joyful notes the soul of music shed.
+
+ A mighty multitude, beyond the power
+ Of men to number, moved about the plain;
+ Some, seeming strangers, wander through the groves
+ And pluck the flowers or eat the luscious fruits;
+ Some, seeming visitors from better worlds,
+ Here wait and watch as for expected guests;
+ While angel devas, clothed in innocence,
+ Whose faces beam with wisdom, glow with love,
+ With loving welcomes greet each coming guest,
+ With loving counsels aid, instruct and guide.
+ And as he looked, the countless, restless throng
+ Seemed ever changing, ever moving on,
+ So that this plain, comparing great to small,
+ Seemed like a station near some royal town,
+ Greater than London or old Babylon,
+ Where all the roads from some vast empire meet,
+ And many caravans or sweeping trains
+ Bring and remove the ever-changing throng.
+ This plain a valley bordered, deep and still,
+ The very valley of his fearful dream
+ Seen from the other side, whose rising mists
+ Were all aglow with ever-changing light,
+ Like passing clouds above the setting sun,
+ Through which as through a glass he darkly saw
+ Unnumbered funeral-trains, in sable clad,
+ To solemn music and with measured tread
+ Bearing their dead to countless funeral-piles,
+ As thick as heaps that through the livelong day
+ With patient toil the sturdy woodmen rear,
+ While clearing forests for the golden grain,
+ And set aflame when evening's shades descend,
+ Filling the glowing woods with floods of light
+ And ghostly shadows: So these funeral-piles
+ Send up their curling smoke and crackling flames.
+
+ There eager flames devour an infant's flesh;
+ Here loving arms that risen infant clasp;
+ There loud laments bewail a loved one lost;
+ Here joyful welcomes greet that loved one found.
+ And there he saw a pompous funeral-train,
+ Bearing a body clothed in robes of state,
+ To blare of trumpet, sound of shell and drum,
+ While many mourners bow in silent grief,
+ And widows, orphans raise a loud lament
+ As for a father, a protector lost;
+ And as the flames lick up the fragrant oils,
+ And whirl and hiss around that wasting form,
+ An eager watcher from a better world
+ Welcomes her husband to her open arms,
+ The cumbrous load of pomp and power cast off,
+ While waiting devas and the happy throng
+ His power protected and his bounty blessed
+ With joy conduct his unaccustomed steps
+ Onward and upward, to those blissful seats
+ Where all his stores of duties well performed,
+ Of power well used and wealth in kindness given,
+ Were garnered up beyond the reach of thieves,
+ Where moths ne'er eat and rust can ne'er corrupt.
+
+ Another train draws near a funeral-pile,
+ Of aloes, sandal-wood and cassia built,
+ And drenched with every incense-breathing oil,
+ And draped with silks and rich with rarest flowers,
+ Where grim officials clothed in robes of state
+ Placed one in royal purple, decked with gems,
+ Whose word had been a trembling nation's law,
+ Whose angry nod was death to high or low.
+ No mourners gather round this costly pile;
+ The people shrink in terror from the sight.
+ But sullen soldiers there keep watch and ward
+ While eager flames consume those nerveless hands
+ So often raised to threaten or command,
+ Suck out those eyes that filled the court with fear,
+ And only left of all this royal pomp
+ A little dust the winds may blow away.
+
+ But here that selfsame monarch comes in view,
+ For royal purple clothed in filthy rags,
+ And lusterless that crown of priceless gems;
+ Those eyes, whose bend so lately awed the world,
+ Blinking and bleared and blinded by the light;
+ Those hands, that late a royal scepter bore,
+ Shaking with fear and dripping all with blood.
+ And as he looked that some should give him place
+ And lead him to a seat for monarchs fit,
+ He only saw a group of innocents
+ His hands had slain, now clothed in spotless white,
+ From whom he fled as if by furies chased,
+ Fled from those groves and gardens of delight,
+ Fled on and down a broad and beaten road
+ By many trod, and toward a desert waste
+ With distance dim, and gloomy, grim and vast,
+ Where piercing thorns and leafless briars grow,
+ And dead sea-apples, ashes to the taste,
+ Where loathsome reptiles crawl and hiss and sting,
+ And birds of night and bat-winged dragons fly,
+ Where beetling cliffs seem threatening instant fall,
+ And opening chasms seem yawning to devour,
+ And sulphurous seas were swept with lurid flames
+ That seethe and boil from hidden fires below.
+
+ Again he saw, beyond that silent vale,
+ One frail and old, without a rich man's gate
+ Laid down to die beneath a peepul-tree,
+ And parched with thirst and pierced with sudden pain,
+ A root his pillow and the earth his bed;
+ Alone he met the King of terrors there;
+ Whose wasting body, cumbering now the ground,
+ Chandalas cast upon the passing stream
+ To float and fester in the fiery sun,
+ Till whirled by eddies, caught by roots, it lay
+ A prey for vultures and for fishes food.
+
+ That selfsame day a dart of deadly pain
+ Shot through that rich man's hard, unfeeling heart,
+ That laid him low, beyond the power to save,
+ E'en while his servants cast without his gates
+ That poor old man, who came to beg him spare
+ His roof-tree, where his fathers all had died,
+ His hearth, the shrine of all his inmost joys,
+ His little home, to every heart so dear;
+ And in due season tongues of hissing flames
+ That rich man's robes like snowflakes whirled in air,
+ And curled his crackling skin, consumed his flesh,
+ And sucked the marrow from his whitened bones.
+
+ But here these two their places seem to change.
+ That rich man's houses, lands, and flocks and herds,
+ His servants, rich apparel, stores of gold,
+ And all he loved and lived for left behind,
+ The friends that nature gave him turned to foes,
+ Dependents whom his greed had wronged and crushed
+ Shrinking away as from a deadly foe;
+ No generous wish, no gentle, tender, thought
+ To hide his nakedness, his shriveled soul
+ Stood stark and bare, the gaze of passers-by;
+ Nothing within to draw him on and up,
+ He slinks away, and wanders on and down,
+ Till in the desert, groveling in the dust,
+ He digs and burrows, seeking treasures there--
+ While that poor man, as we count poverty,
+ Is rich in all that makes the spirit's wealth,
+ His heart so pure that thoughts of guile
+ And evil purpose find no lodgment there;
+ His life so innocent that bitter words
+ And evil-speaking ne'er escape his lips;
+ The little that he had he freely shared,
+ And wished it more that more he might have given;
+ Now rich in soul--for here a crust of bread
+ In kindness shared, a cup of water given,
+ Is worth far more than all Potosi's mines,
+ And Araby's perfumes and India's silks,
+ And all the cattle on a thousand hills--
+ And clothed as with a robe of innocence
+ The devas welcome him, his troubles passed,
+ The conflict ended and the triumph gained.
+
+ And there two Brahmans press their funeral-pile,
+ And sink to dust amid the whirling flames.
+ Each from his lisping infancy had heard
+ That Brahmans were a high and holy caste,
+ Too high and holy for the common touch,
+ And each had learned the Vedas' sacred lore.
+ But here they parted. One was cold and proud,
+ Drawing away from all the humbler castes
+ As made to toil, and only fit to serve.
+ The other found within those sacred books
+ That all were brothers, made of common clay,
+ And filled with life from one eternal source,
+ While Brahmans only elder brothers were,
+ With greater light to be his brother's guide,
+ With greater strength to give his brother aid;
+ That he alone a real Brahman was
+ Who had a Brahman's spirit, not his blood.
+ With patient toil from youth to hoary age
+ He taught the ignorant and helped the weak.
+ And now they come where all external pomp
+ And rank and caste and creed are nothing worth.
+ But when that proud and haughty Brahman saw
+ Poor Sudras and Chandalas clothed in white,
+ He swept away with proud and haughty scorn,
+ Swept on and down where heartless selfishness
+ Alone can find congenial company.
+ The other, full of joy, his brothers met,
+ And in sweet harmony they journeyed on
+ Where higher joys await the pure in heart.
+
+ And there he saw all ranks and grades and castes,
+ Chandala, Sudra, warrior, Brahman, prince,
+ The wise and ignorant, the strong and weak,
+ In all the stages of our mortal round
+ From lisping; infancy to palsied age,
+ By all the ways to human frailty known,
+ Enter that vale of shadows, deep and still,
+ Leaving behind their pomp and power and wealth,
+ Leaving their rags and wretchedness and want,
+ And cast-off bodies, dust to dust returned,
+ By flames consumed or moldering to decay,
+ While here the real character appeared,
+ All shows, hypocrisies and shams cast off,
+ So that a life of gentleness and love
+ Shines through the face and molds the outer form
+ To living beauty, blooming not to fade,
+ While every act of cruelty and crime
+ Seems like a gangrened ever-widening wound,
+ Wasting the very substance of the soul,
+ Marring its beauty, eating out its strength.
+
+ And here arrived, the good, in little groups
+ Together drawn by inward sympathy,
+ And led by devas, take the upward way
+ To those sweet fields his opened eyes had seen,
+ Those ever-widening mansions of delight;
+ While those poor souls--O sad and fearful sight!--
+ The very well-springs of the life corrupt,
+ Shrink from the light and shun the pure and good,
+ Fly from the devas, who with perfect love
+ Would gladly soothe their anguish, ease their pain,
+ Fly on and down that broad and beaten road,
+ Till in the distance in the darkness lost.
+ Lost! lost! and must it be forever lost?
+ The gentle Buddha's all-embracing love
+ Shrunk from the thought, but rather sought relief
+ In that most ancient faith by sages taught,
+ That these poor souls at length may find escape,
+ The grasping in the gross and greedy swine,
+ The cunning in the sly and prowling fox,
+ The cruel in some ravening beast of prey;
+ While those less hardened, less depraved, may gain
+ Rebirth in men, degraded, groveling, base.[1]
+
+ But here in sadness let us drop the veil,
+ Hoping that He whose ways are not like ours,
+ Whose love embraces all His handiwork,
+ Who in beginnings sees the final end,
+ May find some way to save these sinful souls
+ Consistent with His fixed eternal law
+ That good from good, evil from evil flows.
+
+ Here Buddha saw the mystery of life
+ At last unfolded to its hidden depths.
+ He saw that selfishness was sorrow's root,
+ And ignorance its dense and deadly shade;
+ He saw that selfishness bred lust and hate,
+ Deformed the features, and defiled the soul
+ And closed its windows to those waves of love
+ That flow perennial from Nirvana's Sun.
+ He saw that groveling lusts and base desires
+ Like noxious weeds unchecked luxurious grow,
+ Making a tangled jungle of the soul,
+ Where no good seed can find a place to root,
+ Where noble purposes and pure desires
+ And gentle thoughts wither and fade and die
+ Like flowers beneath the deadly upas-tree.
+ He saw that selfishness bred grasping greed,
+ And made the miser, made the prowling thief,
+ And bred hypocrisy, pretense, deceit,
+ And made the bigot, made the faithless priest,
+ Bred anger, cruelty, and thirst for blood,
+ And made the tyrant, stained the murderer's knife,
+ And filled the world with war and want and woe,
+ And filled the dismal regions of the lost
+ With fiery flames of passions never quenched,
+ With sounds of discord, sounds of clanking chains,
+ With cries of anguish, howls of bitter hate,
+ Yet saw that man was free--not bound and chained[2]
+ Helpless and hopeless to a whirling wheel,
+ Rolled on resistless by some cruel power,
+ Regardless of their cries and prayers and tears--
+ Free to resist those gross and groveling lusts,
+ Free to obey Nirvana's law of love,
+ The law of order--primal, highest law--
+ Which guides the great Artificer himself,
+ Who weaves the garments of the joyful spring,
+ Who paints the glories of the passing clouds,
+ Who tunes the music of the rolling spheres,
+ Guided by love in all His mighty works,
+ Filling with love the humblest willing heart.
+
+ He saw that love softens and sweetens life,
+ And stills the passions, soothes the troubled breast,
+ Fills homes with joy and gives the nations peace,
+ A sovereign balm for all the spirit's wounds,
+ The living fountain of Nirvana's bliss;
+ For here before his eyes were countless souls,
+ Born to the sorrows of a sinful world,
+ With burdens bowed, by cares and griefs oppressed,
+ Who felt for others' sorrows as their own,
+ Who lent a helping hand to those in need,
+ Returning good for evil, love for hate,
+ Whose garments now were white as spotless wool,
+ Whose faces beamed with gentleness and love,
+ As onward, upward, devas guide their steps,
+ Nirvana's happy mansions full in view.
+
+ He saw the noble eightfold path that mounts
+ From life's low levels to Nirvana's heights.
+ Not by steep grades the strong alone can climb,
+ But by such steps as feeblest limbs may take.
+ He saw that day by day and step by step,
+ By lusts resisted and by evil shunned,
+ By acts of love and daily duties done,
+ Soothing some heartache, helping those in need,
+ Smoothing life's journey for a brother's feet,
+ Guarding the lips from harsh and bitter words,
+ Guarding the heart from gross and selfish thoughts,
+ Guarding the hands from every evil act,
+ Brahman or Sudra, high or low, may rise
+ Till heaven's bright mansions open to the view,
+ And heaven's warm sunshine brightens all the way;
+ While neither hecatombs of victims slain,
+ Nor clouds of incense wafted to the skies,
+ Nor chanted hymns, nor prayers to all the gods,
+ Can raise a soul that clings to groveling lusts.
+
+ He saw the cause of sorrow, and its cure.
+ He saw that waves of love surround the soul
+ As waves of sunlight fill the outer world,
+ While selfishness, the subtle alchemist
+ Concealed within, changes that love to hate,
+ Forges the links of karma's fatal chain,
+ Of passions, envies, lusts to bind the soul,
+ And weaves his webs of falsehood and deceit
+ To close its windows to the living light,
+ Changing its mansion to its prison-house,
+ Where it must lay self-chained and self-condemned;
+ While DHARMA, TRUTH, the LAW, the LIVING WORD,
+ Brushes away those deftly woven webs,
+ Opens its windows to the living light,
+ Reveals the architect of all its ills,
+ Scatters the timbers of its prison-house,[3]
+ And snaps in twain those bitter, galling chains
+ So that the soul once more may stand erect,
+ Victor of self, no more to be enslaved,
+ And live in charity and gentle peace,
+ Bearing all meekly, loving those who hate;
+ And when at last the fated stream is reached,
+ With lightened boat to reach the other shore.
+ And here he found the light he long had sought,
+ Gilding at once Nirvana's blissful heights
+ And lighting life's sequestered, lowly vales--
+ A light whose inner life is perfect love,
+ A love whose outer form is living light,
+ Nirvana's Sun, the Light of all the worlds,[4]
+ Heart of the universe, whose mighty pulse
+ Gives heaven, the worlds and even hell their life,
+ Maker and Father of all living things
+ Matreya's[5] self, the Lover, Saviour, Guide,
+ The last, the greatest Buddha, who must rule
+ As Lord of all before the kalpa's end.
+
+ The way of life--the noble eightfold path,
+ The way of truth, the Dharma-pada--found,
+ With joy he bade his loving guides farewell,
+ With joy he turned from all those blissful scenes.
+ And when the rosy dawn next tinged the east,
+ And morning's burst of song had waked the day,
+ With staff and bowl he left the sacred tree--
+ Where pilgrims, passing pathless mountain-heights,
+ And desert sands, and ocean's stormy waves,
+ From every nation, speaking every tongue,
+ Should come in after-times to breathe their vows--
+ Beginning on that day his pilgrimage
+ Of five and forty years from place to place,
+ Breaking the cruel chains of caste and creed,
+ Teaching the law of love, the way of life.
+
+
+[1]The later Buddhists make much of the doctrine of metempsychosis, but
+in the undoubted sayings and Sutras or sermons of Buddha I find no
+mention of it except in this way as the last hope of those who persist
+through life in evil, while the good after death reach the other shore,
+or Nirvana, where there is no more birth or death.
+
+[2]This great and fundamental truth, lying as the basis of human action
+and responsibility, was recognized by Homer, who makes Jupiter say:
+
+ "Perverse mankind, whose wills created free,
+ Charge all their woes to absolute decree."
+
+Odyssey, Book I, lines 41 and 42
+
+[3]After examining the attempted explanations of that remarkable
+passage, the original of which is given at the end of the sixth book of
+Arnold's "Light of Asia," I am satisfied this is its true
+interpretation. It is not the death of the body, for he lived
+forty-five years afterwards, much less the annihilation of the soul, as
+some have imagined, but the conquest of the passions and gross and
+selfish desires which make human life a prison, the very object and end
+of the highest Christian teaching's and aspirations.
+
+[4] "Know then that heaven and earth's compacted frame,
+ And flowing waters, and the starry flame,
+ And both the radiant lights, one common soul
+ Inspires and feeds and animates the whole."
+ Dryden's Virgil, Book VI, line 360.
+
+[5]Buddha predicted that Matreya (Love incarnate) would be his
+successor (see Beal's Fa Hian, page 137, note 2, and page 162; also
+Hardy's Manual, page 386, and Oldenburgh's Buddhism, page 386), who was
+to come at the end of five hundred years at the end of his Dharma (see
+Buddhism and Christianity, Lillie, page 2).
+
+It is a remarkable fact that this successor is the most common object
+of worship among Buddhists, so that the most advanced Buddhists and the
+most earnest Christians have the same object of worship under different
+names.
+
+
+
+ BOOK VII.
+
+ Alone on his great mission going forth,
+ Down Phalgu's valley he retraced his steps,
+ Down past the seat where subtle Mara sat,
+ And past the fountain where the siren sang,
+ And past the city, through the fruitful fields
+ And gardens he had traversed day by day
+ For six long years, led by a strong desire
+ To show his Brahman teachers his new light.
+ But ah! the change a little time had wrought!
+ A new-made stupa held their gathered dust,
+ While they had gone where all see eye to eye,
+ The darkness vanished and the river crossed.
+
+ Then turning sadly from this hallowed spot--
+ Hallowed by strivings for a higher life
+ More than by dust this little mound contained--
+ He sought beneath the spreading banyan-tree
+ His five companions, whom he lately left
+ Sad at his own departure from the way
+ The sacred Vedas and the fathers taught.
+ They too had gone, to Varanassi[1] gone,
+ High seat and centre of all sacred lore.
+
+ The day was well-nigh spent; his cave was near,
+ Where he had spent so many weary years,
+ And as he thither turned and upward climbed,
+ The shepherd's little child who watched the flock
+ His love had rescued from the bloody knife,
+ Upon a rock that rose above his path
+ Saw him pass by, and ran with eagerness
+ To bear the news. Joy filled that humble home.
+ They owed him all. The best they had they brought,
+ And offered it with loving gratitude.
+ The master ate, and as he ate he taught
+ These simple souls the great, the living truth
+ That love is more than costly sacrifice;
+ That daily duties done are highest praise;
+ That when life's duties end its sorrows end,
+ And higher joys await the pure in heart.
+ Their eager souls drank in his living words
+ As those who thirst drink in the living spring.
+ Then reverently they kissed his garment's hem,
+ And home returned, while he lay down to sleep.
+ And sweetly as a babe the master slept--
+ No doubts, no darkness, and no troubled dreams.
+ When rosy dawn next lit the eastern sky,
+ And morning's grateful coolness filled the air,
+ The master rose and his ablutions made.
+ With bowl and staff in hand he took his way
+ Toward Varanassi, hoping there to find
+ The five toward whom his earnest spirit yearned.
+
+ Ten days have passed, and now the rising sun.
+ That hangs above the distant mountain-peaks
+ Is mirrored back by countless rippling waves
+ That dance upon the Ganges' yellow stream,
+ Swollen by rains and melted mountain-snows,
+ And glorifies the thousand sacred fanes[2]
+ With gilded pinnacles and spires and domes
+ That rise in beauty on its farther bank,
+ While busy multitudes glide up and down
+ With lightly dipping oars and swelling sails.
+ And pilgrims countless as those shining waves,
+ From far and near, from mountain, hill and plain,
+ With dust and travel-stained, foot-sore, heart-sick,
+ Here came to bathe within the sacred stream,
+ Here came to die upon its sacred banks,
+ Seeking to wash the stains of guilt away,
+ Seeking to lay their galling burdens down.
+ Scoff not at these poor heavy-laden souls!
+ Blindly they seek, but that all-seeing Eye
+ That sees the tiny sparrow when it falls,
+ Is watching them, His angels hover near.
+ Who knows what visions meet their dying gaze?
+ Who knows what joys await those troubled hearts?
+
+ The ancient writings say that having naught
+ To pay the ferryman, the churl refused
+ To ferry him across the swollen stream,
+ When he was raised and wafted through the air.
+ What matter whether that all-powerful Love
+ Which moves the worlds, and bears with all our sins,
+ Sent him a chariot and steeds of fire,
+ Or moved the heart of some poor fisherman
+ To bear him over for a brother's sake?
+ All power is His, and men can never thwart
+ His all-embracing purposes of love.
+ Now past the stream and near the sacred grove
+ The deer-park called, the five saw him approach.
+ But grieved at his departure from the way
+ The ancient sages taught, said with themselves
+ They would not rise or do him reverence.
+ But as he nearer came, the tender love,
+ The holy calm that shone upon his face,
+ Made them at once forget their firm resolve.
+ They rose together, doing reverence,
+ And bringing water washed his way-soiled feet,
+ Gave him a mat, and said as with one voice:
+ "Master Gautama, welcome to our grove.
+ Here rest your weary limbs and share our shade.
+ Have you escaped from karma's fatal chains
+ And gained clear vision--found the living light?"
+
+ "Call me not master. Profitless to you
+ Six years have passed," the Buddha answered them,
+ "In doubt and darkness groping blindly on.
+ But now at last the day has surely dawned.
+ These eyes have seen Nirvana's sacred Sun,
+ And found the noble eightfold path that mounts
+ From life's low levels, mounts from death's dark shades
+ To changeless day, to never-ending rest."
+ Then with the prophet's newly kindled zeal,
+ Zeal for the truth his opened eyes had seen,
+ Zeal for the friends whose struggles he had shared,
+ Softened by sympathy and tender love,
+ He taught how selfishness was primal cause
+ Of every ill to which frail flesh is heir,
+ The poisoned fountain whence all sorrows flow,
+ The loathsome worm that coils about the root
+ And kills the germ of every springing joy,
+ The subtle foe that sows by night the tares
+ That quickly springing choke the goodly seed
+ Which left to grow would fill the daily life
+ With balmy fragrance and with precious fruit.
+ He showed that selfishness was life's sole bane
+ And love its great and sovereign antidote.
+ He showed how selfishness would change the child
+ From laughing innocence to greedy youth
+ And heartless manhood, cold and cruel age,
+ Which past the vale and stript of all disguise
+ Shrinks from the good, and eager slinks away
+ And seeks those dismal regions of the lost
+ His opened eyes with sinking heart had seen.
+ Then showed how love its guardian angel paints
+ Upon the cooing infant's smiling face,
+ Grows into gentle youth, and manhood rich
+ In works of helpfulness and brotherhood,
+ And ripens into mellow, sweet old age,
+ Childhood returned with all its gentleness,
+ Whose funeral-pile but lights the upward way
+ To those sweet fields his opened eyes had seen,
+ Those ever-widening mansions of delight.
+
+ Enwrapt the teacher taught the living truth;
+ Enwrapt the hearers heard his living words;
+ The night unheeded winged its rapid flight,
+ The morning found their souls from darkness free.
+
+ Six yellow robes Benares daily saw,
+ Six wooden alms-bowls held for daily food,
+ Six meeting sneers with smiles and hate with love,
+ Six watchers by the pilgrim's dying bed,
+ Six noble souls united in the work
+ Of giving light and hope and help to all.
+
+ A rich and noble youth, an only son,
+ Had seen Gautama passing through the streets,
+ A holy calm upon his noble face,
+ Had heard him tell the pilgrims by the stream,
+ Gasping for breath and breathing out their lives,
+ Of higher life and joys that never end;
+ And wearied, sated by the daily round
+ Of pleasure, luxury and empty show
+ That waste his days but fail to satisfy,
+ Yet fearing his companions' gibes and sneers,
+ He sought the master in the sacred grove
+ When the full moon was mirrored in the stream,
+ The sleeping city silvered by its light;
+ And there he lingered, drinking in his words,
+ Till night was passed and day was well-nigh spent.
+
+ The father, anxious for his absent son,
+ Had sought him through the night from street to street
+ In every haunt that youthful folly seeks,
+ And now despairing sought the sacred grove--
+ Perhaps by chance, perhaps led by the light
+ That guides the pigeon to her distant home--
+ And found him there. He too the Buddha heard,
+ And finding light, and filled with joy, he said:
+ "Illustrious master, you have found the way.
+ You place the upturned chalice on its base.
+ You fill with light the sayings dark of old.
+ You open blinded eyes to see the truth."
+
+ At length they thought of those poor hearts at home,
+ Mother and sister, watching through the night--
+ Waiting and watching through the livelong day,
+ Startled at every step, at every sound,
+ Startled at every bier that came in view
+ In that great city of the stranger dead,
+ That city where the living come to die--
+ And home returned when evening's rose and gold
+ Had faded from the sky, and myriad lamps
+ Danced on the sacred stream, and moon and stars
+ Hung quivering in its dark and silent depths.
+ But day by day returned, eager to hear
+ More of that truth that sweetens daily life,
+ Yet reaches upward to eternal day.
+
+ A marriage-feast,[3] three festivals in one,
+ Stirs to its depths Benares' social life.
+ A gorgeous sunset ushers in the night,
+ Sunset and city mirrored in the stream.
+ Broad marble steps upon the river-bank
+ Lead to a garden where a blaze of bloom,
+ A hedge of rose-trees, forms the outer wall;
+ An aged banyan-tree,[4] whose hundred trunks
+ Sustain a vaulted roof of living green
+ Which scarce a ray of noonday's sun can pierce,
+ The garden's vestibule and outer court;
+ While trees of every varied leaf and bloom
+ Shade many winding walks, where fountains fall
+ With liquid cadence into shining pools.
+ Above, beyond, the stately palace stands,
+ Inviting in, calling to peace and rest,
+ As if a soul dwelt in its marble form.
+
+ The darkness thickens, when a flood of light
+ Fills every recess, lighting every nook;
+ The garden hedge a wall of mellow light,
+ A line of lamps along the river's bank,
+ With lamps in every tree and lining every walk,
+ While lamps thick set surround each shining pool,
+ Weaving with rainbow tints the falling spray.
+ And now the palace through the darkness shines.
+ A thing of beauty traced with lines of light.[5]
+
+ The guests arrive in light and graceful boats,
+ In gay gondolas such as Venice used,
+ With richest carpets, richest canopies,
+ And over walks with rose-leaves carpeted
+ Pass to the palace, whose wide open gates
+ Display within Benares' rank and wealth,
+ Proud Brahman lords and stately Brahman dames
+ And Brahman youth and beauty, all were there,
+ Of Aryan blood but bronzed by India's sun,
+ Not dressed like us, as very fashion-plates,
+ But clothed in flowing robes of softest wool
+ And finest silk, a harmony of shades,
+ Sparkling with gems, ablaze with precious stones.[6]
+ Three noble couples greet their gathering guests:
+ An aged Brahman and his aged wife,
+ For fifty years united in the bonds
+ Of wedded love, no harsh, unloving word
+ For all those happy years, their only fear
+ That death would break the bonds that bound their souls;
+ And next their eldest born, who sought his son,
+ And drank deep wisdom from the Buddha's lips,
+ And by his side that mother we have seen
+ Outwatch the night, whose sweet and earnest face
+ By five and twenty years of wedded love,
+ By five and twenty years of busy cares--
+ The cares of home, with all its daily joys--
+ Had gained that look of holy motherhood[7]
+ That millions worship on their bended knees
+ As highest emblem of eternal love;
+ And last that sister whose untiring love
+ Watched by her mother through the weary hours,
+ Her fair young face all trust and happiness,
+ Before her, rainbow-tinted hopes and joys,
+ Life's dark and cold and cruel side concealed,
+ And by her side a noble Brahman youth,
+ Who saw in her his every hope fulfilled.
+
+ But where is now that erring, wandering son,
+ The pride of all these loyal, loving hearts,
+ Heir to this wealth and hope of this proud house?
+
+ Seven clothed in coarsest yellow robes draw near
+ With heads close shorn and bare, unsandaled feet,
+ Alms-bowl on shoulder slung and staff in hand,
+ But moving with that gentle stateliness
+ That birth and blood, not wealth and effort, give,
+ All in the strength of manhood's early prime,
+ All heirs to wealth rejected, cast aside,
+ But all united in the holy cause
+ Of giving light and hope and help to all,
+ While earnest greetings from the evening's hosts
+ Show they are welcome and expected guests.
+
+ Startled, the stately Brahmans turn aside.
+ "The heir has lost his reason," whispered they,
+ "And joined that wandering prince who late appeared
+ Among the yogis in the sacred grove,
+ Who thinks he sees the truth by inner sight,
+ Who fain would teach the wise, and claims to know
+ More than the fathers and the Vedas teach."
+ But as he nearer came, his stately form,
+ His noble presence and his earnest face,
+ Beaming with gentleness and holy love,
+ Hushed into silence every rising sneer.
+
+ One of their number, wise in sacred lore,
+ Profoundly learned, in all the Vedas versed,
+ With courtly grace saluting Buddha, said:
+ "Our Brahman masters teach that many ways
+ Lead up to Brahma Loca, Brahma's rest,
+ As many roads from many distant lands
+ All meet before Benares' sacred shrines.
+ They say that he who learns the Vedas' hymns,
+ Performs the rites and prays the many prayers
+ That all the sages of the past have taught,
+ In Brahma's self shall be absorbed at last--
+ As all the streams from mountain, hill and plain,
+ That swell proud Gunga's broad and sacred stream,
+ At last shall mingle with the ocean's waves,
+ They say that Brahmans are a holy caste,
+ Of whiter skin and higher, purer blood,
+ From Brahma sprung, and Brahma's only heirs,
+ While you proclaim, if rumor speaks the truth,
+ That only one hard road to Brahma leads,
+ That every caste is pure, of common blood,
+ That all are brothers, all from Brahma sprung."
+
+ But Buddha, full of gentleness, replied:
+ "Ye call on Dyaus Pittar, Brahma, God,[8]
+ One God and Father, called by many names,
+ One God and Father, seen in many forms,
+ Seen in the tempest, mingling sea and sky,
+ The blinding sand-storm, changing day to night,
+ In gentle showers refreshing thirsty fields,
+ Seen in the sun whose rising wakes the world,
+ Whose setting calls a weary world to rest,
+ Seen in the deep o'erarching azure vault,
+ By day a sea of light, shining by night
+ With countless suns of countless worlds unseen,
+ Making us seem so little, God so great.
+ Ye say that Brahma dwells in purest light;
+ Ye say that Brahma's self is perfect love;
+ Ye pray to Brahma under many names
+ To give you Brahma Loca's perfect rest.[9]
+ Your prayers are vain unless your hearts are clean.
+ For how can darkness dwell with perfect light?
+ And how can hatred dwell with perfect love?
+ The slandering tongue, that stirs up strife and hate,
+ The grasping hand, that takes but never gives,
+ The lying lips, the cold and cruel heart,
+ Whence bitterness and wars and murders spring,
+ Can ne'er by prayers to Brahma Loca climb.[10]
+ The pure in heart alone with Brahma dwell.
+ Ye say that Brahmans are a holy caste,
+ From Brahma sprung and Brahma's only heirs;
+ But yet in Bactria, whence our fathers came,
+ And where their brothers and our kindred dwell,
+ No Brahman ever wore the sacred cord.
+ Has mighty Brahma there no son, no heir?
+ The Brahman mother suffers all the pangs
+ Kshatriyas, Sudras or the Vassas feel.
+ The Brahman's body, when the soul has fled,
+ A putrid mass, defiles the earth and air,
+ Vile as the Sudras or the lowest beasts.
+ The Brahman murderer, libertine or thief
+ Ye say will be reborn in lowest beast,
+ While some poor Sudra, full of gentleness
+ And pity, charity and trust and love,
+ May rise to Brahma Loca's perfect rest,
+ Why boast of caste, that seems so little worth
+ To raise the soul or ward off human ill?
+ Why pray for what we do not strive to gain?
+ Like merchants on the swollen Ganges' bank
+ Praying the farther shore to come to them,
+ Taking no steps, seeking no means, to cross.
+ Far better strive to cast out greed and hate.
+ Live not for self, but live for others' good.
+ Indulge no bitter speech, no bitter thoughts.
+ Help those in need; give freely what we have.
+ Kill not, steal not, and ever speak the truth.
+ Indulge no lust; taste not the maddening bowl
+ That deadens sense and stirs all base desires;
+ And live in charity and gentle peace,
+ Bearing all meekly, loving those who hate.
+ This is the way to Brahma Loca's rest.
+ And ye who may, come, follow after me.
+ Leave wealth and home and all the joys of life,
+ That we may aid a sad and suffering world
+ In sin and sorrow groping blindly on,
+ Becoming poor that others may be rich,
+ Wanderers ourselves to lead the wanderers home.
+ And ye who stay, ever remember this:
+ That hearth is Brahma's altar where love reigns,
+ That house is Brahma's temple where love dwells,
+ Ye ask, my aged friends, if death can break
+ The bonds that bind your souls in wedded love.
+ Fear not; death has no power to conquer love.
+ Go hand in hand till death shall claim his own,
+ Then hand in hand ascend Nirvana's heights,
+ There, hand in hand, heart beating close to heart,
+ Enter that life whose joys shall never end,
+ Perennial youth succeeding palsied age,
+ Mansions of bliss for this poor house of clay,
+ Labors of love instead of toil and tears."
+
+ He spoke, and many to each other said:
+ "Why hear this babbler rail at sacred things--
+ Our caste, our faith, our prayers and sacred hymns?"
+ And strode away in proud and sovereign scorn;
+ While some with gladness heard his solemn words,
+ All soon forgotten in the giddy whirl
+ Of daily business, daily joys and cares.
+ But some drank in his words with eager ears,
+ And asked him many questions, lingering long,
+ And often sought him in the sacred grove
+ To hear his burning words of living truth.
+ And day by day some noble Brahman youth
+ Forsook his wealth, forsook his home and friends,
+ And took the yellow robe and begging-bowl
+ To ask for alms where all had given him place,
+ Meeting with gentleness the rabble's gibes,
+ Meeting with smiles the Brahman's haughty scorn.
+ Thus, day by day, this school of prophets grew,
+ Beneath the banyan's columned, vaulted shade,
+ All earnest learners at the master's feet,
+ Until the city's busy, bustling throng
+ Had come to recognize the yellow robe,
+ The poor to know its wearer as a friend,
+ The sick and suffering as a comforter,
+ While to the dying pilgrim's glazing eyes
+ He seemed a messenger from higher worlds
+ Come down to raise his sinking spirit up
+ And guide his trembling steps to realms of rest.
+
+ A year has passed, and of this growing band
+ Sixty are rooted, grounded in the faith,
+ Willing to do whate'er the master bids,
+ Ready to go where'er the master sends,
+ Eager to join returning pilgrim-bands
+ And bear the truth to India's farthest bounds.
+
+ With joy the master saw their burning zeal,
+ So free from selfishness, so full of love,
+ And thought of all those blindly groping souls
+ To whom these messengers would bear the light.
+
+ "Go," said the master, "each a different way.
+ Go teach the common brotherhood of man.
+ Preach Dharma, preach the law of perfect love,
+ One law for high and low, for rich and poor.
+ Teach all to shun the cudgel and the sword,
+ And treat with kindness every living thing.
+ Teach them to shun all theft and craft and greed,
+ All bitter thoughts, and false and slanderous speech
+ That severs friends and stirs up strife and hate.
+ Revere your own, revile no brother's faith.
+ The light you see is from Nirvana's Sun,
+ Whose rising splendors promise perfect day.
+ The feeble rays that light your brother's path
+ Are from the selfsame Sun, by falsehoods hid,
+ The lingering shadows of the passing night.
+ Chide none with ignorance, but teach the truth
+ Gently, as mothers guide their infants' steps,
+ Lest your rude manners drive them from the way
+ That leads to purity and peace and rest--
+ As some rude swain in some sequestered vale,
+ Who thinks the visual line that girts him round
+ The world's extreme, would meet with sturdy blows
+ One rudely charging him with ignorance,
+ Yet gently led to some commanding height,
+ Whence he could see the Himalayan peaks,
+ The rolling hills and India's spreading plains,
+ With joyful wonder views the glorious scene.
+ Pause not to break the idols of the past.
+ Be guides and leaders, not iconoclasts.
+ Their broken idols shock their worshipers,
+ But led to light they soon forgotten lie."
+
+ One of their number, young and strong and brave,
+ A merchant ere he took the yellow robe,
+ Had crossed the frozen Himalayan heights
+ And found a race, alien in tongue and blood,
+ Gentle as children in their daily lives,
+ Untaught as children in all sacred things,
+ Living in wagons, wandering o'er the steppes,
+ To-day all shepherds, tending countless flocks,
+ To-morrow warriors, cruel as the grave,
+ Building huge monuments of human heads--
+ Fearless, resistless, with the cyclone's speed
+ Leaving destruction in their bloody track,
+ Who drove the Aryan from his native plains
+ To seek a home in Europe's trackless wastes.
+ He yearned to seek these children of the wilds,
+ And teach them peace and gentleness and love.[11]
+ "But, Purna," said the master, "they are fierce.
+ How will you meet their cruelty and wrath?"
+ Purna replied, "With gentleness and love."
+ "But," said the master, "they may beat and wound."
+ "And I will give them thanks to spare my life."
+ "But with slow tortures they may even kill."
+ "I with my latest breath will bless their names,
+ So soon to free me from this prison-house
+ And send me joyful to the other shore."
+ "Then," said the master, "Purna, it is well.
+ Armed with such patience, seek these savage tribes.
+ Thyself delivered, free from karma's chains
+ These souls enslaved; thyself consoled, console
+ These restless children of the desert wastes;
+ Thyself this peaceful haven having reached,
+ Guide these poor wanderers to the other shore."
+
+ With many counsels, many words of cheer,
+ He on their mission sent his brethren forth,
+ Armed with a prophet's zeal, a brother's love,
+ A martyr's courage, and the Christian's hope
+ That when life's duties end, its trials end,
+ And higher life awaits those faithful found.
+
+ The days pass on; and now the rising sun
+ Looks down on bands of pilgrims homeward bound,
+ Some moving north, some south, some east, some west,
+ Toward every part of India's vast expanse,
+ One clothed in orange robes with every band
+ To guide their kindred on the upward road.
+
+ But Purna joined the merchants he had led,
+ Not moved by thirst for gain, but love for man,
+ To seek the Tartar on his native steppes.
+
+ Meanwhile the master with diminished band
+ Crossing the Ganges, backward wends his way
+ Toward Rajagriha, and the vulture-peak
+ Where he had spent so many weary years,
+ Whither he bade the brothers gather in[12]
+ When summer's rains should bring the time for rest.
+
+
+[1]Varanassi is an old name of Benares.
+
+[2]It can be no exaggeration to put the number of sacred edifices that
+burst upon Buddha's view as he first saw the holy city, at 1,000, as
+Phillips Brooks puts the present number of such edifices in Benares at
+5,000.
+
+[3]In this marriage-feast three well-known incidents in the life of
+Buddha and his teaching's on the three occasions are united.
+
+[4]For the best description of the banyan-tree, see Lady Dufferin's
+account of the old tree at their out-of-town place in "Our Viceroyal
+Life in India," and "Two Years in Ceylon," by C.F. Gordon Cumming.
+
+[5]Those who saw the illuminations at Chicago during the World's fair,
+with lines of incandescent electric lights, can get a good idea of the
+great illuminations in India with innumerable oil lamps, and those who
+did not should read Lady Dufferin's charming description of them in
+"Our Viceroyal Life in India."
+
+[6]Lady Dufferin says that the viceroy never wearied, in his admiration
+of the graceful flowing robes of the East as contrasted with our stiff,
+fashion-plate male attire.
+
+[7]"The good Lord could not be everywhere and therefore made
+mothers."--Jewish saying from the Talmud.
+
+[8]Max Mueller calls attention to the remarkable fact that Dyaus
+Pittar, the highest name of deity among the ancient Hindoos, is the
+exact equivalent of Zeus Pater among the Greeks, Jupiter among the
+Romans, and of "Our Father who art in the heavens" in the divinely
+taught and holiest prayer of our own religion.
+
+[9]How any one can think that Buddha did not believe in a Supreme Being
+in the face and light of the wonderful Sutra, or sermon of which, the
+text is but a condensation or abstract, is to me unaccountable. It is
+equally strange that any one should suppose he regarded Nirvana, which
+is but another name for Brahma Loca, as meaning annihilation.
+
+To be sure he used the method afterwards adopted by Socrates, and now
+known as the Socratic method, of appealing to the unquestioned belief
+of the Brahmans themselves as the foundation of his argument in support
+of that fundamental truth of all religions, that the pure in heart
+alone can see God. But to suppose that he was using arguments to
+convince them that he did not believe himself, is a libel on one whose
+absolute truthfulness and sincerity admit of no question.
+
+[10]"He prayeth best who loveth best
+ Both man and bird and beast."
+ --Rime of the Ancient Mariner.
+
+[11]Whether the Tartars were "the savage tribes" to whom Purna, one of
+the sixty, was sent, may admit of question, but it is certain that long
+before the Christian era the whole country north of the Himalayas was
+thoroughly Buddhist, and the unwearied missionaries of that great faith
+had penetrated so far west that they met Alexander's army and boldly
+told him that war was wrong; and they had penetrated east to the
+confines of China.
+
+[12]The large gatherings of the Buddhist brotherhoods everywhere spoken
+of in the writings can only be accounted for on the supposition, which
+is more than a supposition, that they came to him in the rainy season,
+when they could do but little in their missions; and the substantial
+unity of the Buddhist faith can only be accounted for on the
+supposition that his instructions were constantly renewed at these
+gatherings and their errors corrected.
+
+
+
+
+ BOOK VIII.
+
+ Northward the noble Purna took his way
+ Till India's fields and plains were lost to view,
+ Then through the rugged foot-hills upward climbed,
+ And up a gorge by rocky ramparts walled,
+ Through which a mighty torrent thundered down,
+ Their treacherous way along the torrent's brink,
+ Or up the giddy cliffs where one false step
+ Would plunge them headlong in the raging stream,
+ Passing from cliff to cliff, their bridge of ropes
+ Swung high above the dashing, roaring waves.
+ At length they cross the frozen mountain-pass,
+ O'er wastes of snow by furious tempests swept,
+ And cross a desert where no bird or beast
+ Is ever seen, and where their way is marked
+ By bleaching bones strewn thick along their track.[1]
+
+ Some perished by the way, and some turned back,
+ While some of his companions persevered,
+ Cheered on by Purna's never-flagging zeal,
+ And by the master's words from Purna's lips,
+ Until they reached the outmost wandering tribes
+ Of that great race that he had come to save.
+ With joy received, these wandering tribes their guides--
+ For love makes friends where selfishness breeds strife--
+ They soon are led to where their kindred dwell.
+ They saw the vanity of chasing wealth
+ Through hunger, danger, desolation, death.
+ They felt a power sustaining Purna's steps--
+ A power unseen yet ever hovering near--
+ They saw the truth of Buddha's burning words
+ That selfishness and greed drag down the soul,
+ While love can nerve the feeblest arm with strength,
+ And asked that Purna take them as his aids.
+
+ But ere brave Purna reached his journey's end,
+ Near many hamlets, many Indian towns,
+ The moon, high risen to mark the noon of night,
+ Through many sacred fig-tree's rustling leaves[2]
+ Sent trembling rays with trembling shadows mixed
+ Upon a noble youth in orange robes,
+ His alms-bowl by his side, stretched out in sleep,
+ Dreaming, perchance, of some Benares maid,
+ Perchance of home and joys so lately left.
+
+ Meanwhile the master with his little band
+ Toward Rajagriha backward wends his way,
+ Some village tree their nightly resting--place,
+ Until they reached the grove that skirts the base
+ Of that bold mountain called the vulture-peak,
+ Through which the lotus-covered Phalgu glides,
+ O'erarched with trees festooned with trailing vines,
+ While little streams leap down from rock to rock,
+ Cooling the verdant slopes and fragrant glades,
+ And vines and shrubs and trees of varied bloom
+ Loaded the air with odors rich and sweet,
+ And where that sacred fig-tree spread its shade
+ Above the mound that held the gathered dust
+ Of those sage Brahmans who had sought to aid
+ The young prince struggling for a clearer light,
+ And where that banyan-tree for ages grew,
+ So long the home of those five noble youths,
+ Now sundered far, some tree when night may fall
+ Their resting-place, their robe and bowl their all,
+ Their only food chance gathered day by day,
+ Preaching the common brotherhood of man,
+ Teaching the law of universal love,
+ Bearing the light to those in darkness sunk,
+ Lending a helping hand to those in need,
+ Teaching the strong that gentleness is great.
+ And through this grove where many noble souls
+ Were seeking higher life and clearer light,
+ He took his well-known way, and reached his cave
+ Just as the day was fading into night,
+ And myriad stars spangled the azure vault,
+ And myriad lamps that through the darkness shone
+ Revealed the city that the night had veiled,
+ Where soon their weary limbs were laid to rest;
+ But through the silent hour preceding day,
+ Before the jungle-cock announced the dawn,
+ All roused from sleep in meditation sat.
+ But when the sun had set the east aglow,
+ And roused the birds to sing their matin-song's,
+ And roused the lowing herds to call their mates,
+ And roused a sleeping world to daily toil,
+ Their matins chanted, their ablutions made,
+ With bowl and staff in hand they took their way
+ Down to the city for their daily alms.
+
+ But earlier steps had brushed their dewy path.
+ From out the shepherd's cottage loving eyes
+ Had recognized the master's stately form,
+ And love-winged steps had borne the joyful news
+ That he, the poor man's advocate and friend,
+ The sweet-voiced messenger of peace and love,
+ The prince become a beggar for their sake,
+ So long expected, now at last returns.
+ From door to door the joyful tidings spread,
+ And old and young from every cottage came.
+ The merchant left his wares without a guard;
+ The housewife left her pitcher at the well;
+ The loom was idle and the anvil still;
+ The money-changer told his coins alone,
+ While all the multitude went forth to meet
+ Their servant-master and their beggar-prince.
+ Some brought the garden's choicest treasures forth,
+ Some gathered lotuses from Phalgu's stream,
+ Some climbed the trees to pluck their varied bloom,
+ While children gathered every wayside flower
+ To strew his way--their lover, savior, guide.
+
+ King Bimbasara from his watch-tower saw
+ The wild commotion and the moving throng,
+ And sent swift messengers to learn the cause.
+ With winged feet through vacant streets they flew,
+ And through the gates and out an avenue
+ Where aged trees that grew on either side,
+ Their giant branches interlocked above,
+ Made nature's gothic arch and densest shade,
+ While gentle breezes, soft as if they came
+ From devas' hovering wings, rustle the leaves
+ And strew the way with showers of falling bloom,
+ As if they, voiceless, felt the common joy.
+ And there they found the city's multitudes,
+ Not as in tumult, armed with clubs and staves,
+ And every weapon ready to their hands,
+ But stretching far on either side the way,
+ Their flower-filled hands in humble reverence joined,
+ The only sound a murmur, "There he comes!"
+ While every eye was turned in loving gaze
+ Upon a little band in yellow robes
+ Who now drew near from out the sacred grove.
+ The master passed with calm, majestic grace,
+ Stately and tall, one arm and shoulder bare,
+ With head close shorn and bare unsandaled feet,
+ His noble brow, the wonder of his age,
+ Not clothed in terror like Olympic Jove's--
+ For love, not anger, beamed from out those eyes,
+ Changing from clearest blue to softest black,
+ That seem to show unfathomed depths within,
+ With tears of holy pity glittering now
+ For those poor souls come forth to honor him,
+ All sheep without a shepherd groping on.
+ The messengers with reverence let him pass,
+ Then hastened back to tell the waiting king
+ That he who dwelt so long upon the hill,
+ The prince who stopped the bloody sacrifice,
+ With other holy rishis had returned,
+ Whom all received with reverence and joy.
+ The king with keenest pleasure heard their words.
+ That noble form, that calm, majestic face,
+ Had never faded from his memory.
+ His words of wisdom, words of tender love,
+ Had often stayed his hands when raised to strike,
+ Had often put a bridle on his tongue
+ When harsh and bitter words leaped to his lips,
+ And checked those cruel acts of sudden wrath
+ That stain the annals of the greatest kings,
+ Until the people to each other said:
+ "How mild and gentle our good king has grown!"
+ And when he heard this prince had now returned,
+ In flower-embroidered purple robes arrayed,
+ With all the pomp and circumstance of state,
+ Followed by those who ever wait on power,
+ He issued forth and climbed the rugged hill
+ Until he reached the cave where Buddha sat,
+ Calm and majestic as the rounded moon
+ That moves serene along its heavenly path.
+ Greeting each other with such royal grace
+ As fits a prince greeting a brother prince,
+ The king inquired why he had left his home?
+ Why he, a Chakravartin's only son,
+ Had left his palace for a lonely cave,
+ Wore coarsest cloth instead of royal robes,
+ And for a scepter bore a begging-bowl?
+ "Youth," said the king, "with full and bounding pulse,
+ Youth is the time for boon companionship,
+ The time for pleasure, when all pleasures please;
+ Manhood, the time for gaining wealth and power;
+ But as the years creep on, the step infirm,
+ The arm grown feeble and the hair turned gray,
+ 'Tis time to mortify the five desires,
+ To give religion what of life is left,
+ And look to heaven when earth begins to pall.
+ I would not use my power to hold you here,
+ But offer half my kingdom for your aid
+ To govern well and use my power aright."
+ The prince with gentle earnestness replied:
+ "O king, illustrious and world-renowned!
+ Your noble offer through all coming time
+ Shall be remembered. Men will praise an act
+ By likening it to Bimbasara's gift.
+ You offer me the half of your domain.
+ I in return beseech you share with me
+ Better than wealth, better than kingly power,
+ The peace and joy that follows lusts subdued.
+ Wait not on age--for age brings feebleness--
+ But this great battle needs our utmost strength.
+ If you will come, then welcome to our cave;
+ If not, may wisdom all your actions guide.
+ Ruling your empire in all righteousness,
+ Preserve your country and protect her sons.
+ Sadly I leave you, great and gracious king,
+ But my work calls--a world that waits for light.
+ In yonder sacred grove three brothers dwell--
+ Kasyapa, Gada, Nadi, they are called;
+ Three chosen vessels for the perfect law,
+ Three chosen lamps to light a groping world,
+ Who worship now the gross material fire
+ Which burns and wastes but fails to purify.
+ I go to tell them of Nirvana's Sun,
+ Perennial source of that undying flame,
+ The fire of love, consuming lust and hate
+ As forest fires devour the crackling thorns,
+ Until the soul is purified from sin,
+ And sorrow, birth and death are left behind."
+
+ He found Kasyapa as the setting sun
+ Was sinking low behind the western hills,
+ And somber shadows darkened Phalgu's vale,
+ And asked a place to pass the gathering night.
+ "Here is a grotto, cooled by trickling streams
+ And overhanging shades, fit place for sleep,"
+ Kasyapa said, "that I would gladly give;
+ But some fierce Naga nightly haunts the spot
+ Whose poisoned breath no man can breathe and live."
+ "Fear not for me," the Buddha answered him,
+ "For I this night will make my dwelling there."
+ "Do as you will," Kasyapa doubtful said,
+ "But much I fear some dire catastrophe."
+ Now mighty Mara, spirit of the air,
+ The prince of darkness, roaming through the earth
+ Had found this grotto in the sacred grove,
+ And as a Naga there kept nightly watch
+ For those who sought deliverance from his power,
+ Who, when the master calmly took his seat,
+ Belched forth a flood of poison, foul and black,
+ And with hot, burning vapors filled the cave.
+ But Buddha sat unmoved, serene and calm
+ As Brahma sits amid the kalpa fires
+ That burn the worlds but cannot harm his heaven.
+ While Mara, knowing Buddha, fled amazed
+ And left the Naga coiled in Buddha's bowl.[3]
+ Kasyapa, terrified, beheld the flames,
+ And when the first faint rays of dawn appeared
+ With all his fearful followers sought the cave,
+ And found the master not consumed to dust,
+ But full of peace, aglow with perfect love.
+ Kasyapa, full of wonder, joyful said:
+ "I, though a master, have no power like this
+ To conquer groveling lusts and evil beasts."
+ Then Buddha taught the source of real power,
+ The power of love to fortify the soul,
+ Until Kasyapa gathered all his stores,
+ His sacred vessels, sacrificial robes,
+ And cast them in the Phalgu passing near.
+ His brothers saw them floating down the stream,
+ And winged with fear made haste to learn the cause.
+ They too the master saw, and heard his words,
+ And all convinced received the perfect law,
+ And with their followers joined the Buddha's band.
+
+ The days pass on, and in the bamboo-grove
+ A great vihara as by magic rose,
+ Built by the king for Buddha's growing band,
+ A spacious hall where all might hear his words,
+ And little cells where each might take his rest,
+ A school and rest-house through the summer rains.
+
+ But soon the monsoons from the distant seas
+ Bring gathering clouds to veil the brazen sky,
+ While nimble lightnings dart their blinding flames,
+ And rolling thunders shake the trembling hills,
+ And heaven's downpourings drench the thirsty earth--
+ The master's seed-time when the people rest.
+ For now the sixty from their distant fields
+ Have gathered in to trim their lamps afresh
+ And learn new wisdom from the master's lips--
+ All but brave Purna on the Tartar steppes
+ Where summer is the fittest time for toil,
+ When India's rains force India's sons to rest.
+ The new vihara and the bamboo-grove
+ King Bimbasara to the master gave,
+ Where day by day he taught his growing school,
+ While rills, grown torrents, leap from rock to rock,
+ And Phalgu's swollen stream sweeps down the vale.
+
+ That Saraputra after called the Great
+ Had seen these new-come youths in yellow robes
+ Passing from street to street to ask for alms,
+ Receiving coarsest food with gentle thanks--
+ Had seen them meet the poor and sick and old
+ With kindly words and ever-helpful hands--
+ Had seen them passing to the bamboo-grove
+ Joyful as bridegrooms soon to meet their brides.
+ He, Vashpa and Asvajit met one day,
+ Whom he had known beneath the banyan-tree,
+ Two of the five who first received the law,
+ Now clothed in yellow, bearing begging-bowls,
+ And asked their doctrine, who their master was,
+ That they seemed joyful, while within the grove
+ All seemed so solemn, self-absorbed and sad.
+ They bade him come and hear the master's words,
+ And when their bowls were filled, he followed them,
+ And heard the living truth from Buddha's lips,
+ And said: "The sun of wisdom has arisen.
+ What further need of our poor flickering lamps?"
+ And with Mugallan joined the master's band.
+
+ And now five strangers from the Tartar steppes,
+ Strangers in form and features, language, dress,
+ Guided by one as strange in dress as they,
+ Weary and foot-sore, passed within the gates
+ Of Rajagriha, while the rising sun
+ Was still concealed behind the vulture-peak,
+ A laughing-stock to all the idle crowd,
+ Whom noisy children followed through the streets
+ As thoughtless children follow what is strange,
+ Until they met the master asking alms,
+ Who with raised hand and gentle, mild rebuke
+ Hushed into silence all their noisy mirth.
+ "These are our brothers," Buddha mildly said.
+ "Weary and worn they come from distant lands,
+ And ask for kindness--not for mirth and jeers."
+ They knew at once that calm, majestic face,
+ That voice as sweet as Brahma's, and those eyes
+ Beaming with tender, all-embracing love,
+ Of which, while seated round their argol fires
+ In their black tents, brave Purna loved to tell,
+ And bowed in worship at the master's feet.
+ He bade them rise, and learned from whence they came,
+ And led them joyful to the bamboo-grove,
+ Where some brought water from the nearest stream
+ To bathe their festered feet and weary limbs,
+ While some brought food and others yellow robes--
+ Fitter for India's heat than skins and furs--
+ All welcoming their new-found friends who came
+ From distant lands, o'er desert wastes and snows,
+ To see the master, hear the perfect law,
+ And bring the message noble Purna sent.
+
+ The months pass on; the monsoons cease to blow,
+ The thunders cease to roll, the rains to pour;
+ The earth, refreshed, is clothed with living green,
+ And flowers burst forth where all was parched and bare,
+ And busy toil succeeds long days of rest.
+ The time for mission work has come.
+ The brethren, now to many hundreds grown,
+ Where'er the master thought it best were sent.
+ The strongest and the bravest volunteered
+ To answer Purna's earnest call for help,
+ And clothed in fitting robes for piercing cold
+ They scale the mountains, pass the desert wastes,
+ Their guide familiar with their terrors grown;
+ While some return to their expectant flocks,
+ And some are sent to kindred lately left,
+ And some to strangers dwelling near or far--
+ All bearing messages of peace and love--
+ Until but few in yellow robes remain,
+ And single footfalls echo through that hall
+ Where large assemblies heard the master's words.
+ A few are left, not yet confirmed in faith;
+ And those five brothers from the distant north
+ Remain to learn the sacred tongue and lore,
+ While Saraputra and Kasyapa stay
+ To aid the master in his special work.
+
+ From far Kosala, rich Sudata came,
+ Friend of the destitute and orphans called.
+ In houses rich, and rich in lands and gold,
+ But richer far in kind and gracious acts,
+ Who stopped in Rajagriha with a friend.
+ But when he learned a Buddha dwelt so near,
+ And heard the gracious doctrine he proclaimed,
+ That very night he sought the bamboo-grove,
+ While roofs and towers were silvered by the moon,
+ And silent streets in deepest shadows lay,
+ And bamboo-plumes seemed waving silver sprays,
+ And on the ground the trembling shadows played.
+ Humble in mind but great in gracious deeds,
+ Of earnest purpose but of simple heart,
+ The master saw in him a vessel fit
+ For righteousness, and bade him stay and learn
+ His rules of grace that bring Nirvana's rest.
+ And first of all the gracious master said:
+ "This restless nature and this selfish world
+ Is all a phantasy and empty show;
+ Its life is lust, its end is pain and death.
+ Waste not your time in speculations deep
+ Of whence and why. One thing we surely know:
+ Each living thing must have a living cause,
+ And mind from mind and not from matter springs;
+ While love, which like an endless golden chain.
+ Binds all in one, is love in every link,
+ Up from the sparrow's nest, the mother's heart,
+ Through all the heavens to Brahma's boundless love.
+ And lusts resisted, daily duties done,
+ Unite our lives to that unbroken chain
+ Which draws us up to heaven's eternal rest."
+ And through the night they earnestly communed,
+ Until Sudata saw the living truth
+ In rising splendor, like the morning sun,
+ And doubts and errors all are swept away
+ As gathering clouds are swept by autumn's winds.
+
+ Bowing in reverence, Sudata said:
+ "I know the Buddha never seeks repose,
+ But gladly toils to give to others rest.
+ O that my people, now in darkness sunk,
+ Might see the light and hear the master's words!
+ I dwell in King Pasenit's distant realm--
+ A king renowned, a country fair and rich--
+ And yearn to build a great vihara there."
+ The master, knowing well Sudata's heart
+ And his unselfish charity, replied:
+ "Some give in hope of greater gifts returned;
+ Some give to gain a name for charity;
+ Some give to gain the rest and joy of heaven,
+ Some to escape the woes and pains of hell.
+ Such giving is but selfishness and greed,
+ But he who gives without a selfish thought
+ Has entered on the noble eightfold path,
+ Is purified from anger, envy, hate.
+ The bonds of pain and sorrow are unloosed;
+ The way to rest and final rescue found.
+ Let your hands do what your kind heart desires."
+
+ Hearing this answer, he departs with joy,
+ And Buddha with him Saraputra sent.
+ Arriving home, he sought a pleasant spot,
+ And found the garden of Pasenit's son,
+ And sought the prince, seeking to buy the ground.
+ But he refused to sell, yet said in jest:
+ "Cover the grove with gold, the ground is yours."
+ Forthwith Sudata spread his yellow coin.
+ But Gata said, caught by his thoughtless jest:
+ "Spread not your gold--I will not sell the ground."
+ "Not sell the ground?" Sudata sharply said,
+ "Why then said you, 'Fill it with yellow gold'?"
+ And both contending sought a magistrate.
+ But Gata, knowing well his earnestness,
+ Asked why he sought the ground; and when he learned,
+ He said: "Keep half your gold; the land is yours,
+ But mine the trees, and jointly we will build
+ A great vihara for the Buddha's use."
+ The work begun was pressed both night and day;
+ Lofty it rose, in just proportions built,
+ Fit for the palace of a mighty king.
+ The people saw this great vihara rise,
+ A stately palace for a foreign prince,
+ And said in wonder: "What strange thing is this?
+ Our king to welcome thus a foreign king
+ To new-made palaces, and not with war
+ And bloody spears and hands to new-made graves,
+ As was his father's wont in times gone by?"
+ Yet all went forth to meet this coming prince,
+ And see a foreign monarch's royal pomp,
+ But heard no trumpeting of elephants,
+ Nor martial music, nor the neigh of steeds,
+ But saw instead a little band draw near
+ In yellow robes, with dust and travel-stained;
+ But love, that like a holy halo crowned
+ That dusty leader's calm, majestic brow,
+ Hushed into silence every rising sneer.
+ And when Sudata met this weary band,
+ And to the prince's garden led their way,
+ They followed on, their hands in reverence joined,
+ To where the stately new vihara rose,
+ Enbowered in giant trees of every kind
+ That India's climate grows, while winding streams
+ Along their flowery banks now quiet flow,
+ Now leap from rocks, now spread in shining pools
+ With lotuses and lilies overspread,
+ While playing fountains with their falling spray
+ Spread grateful coolness, and a blaze of bloom
+ From myriad opening flowers perfumes the air,
+ And myriad birds that sought this peaceful spot
+ Burst forth in every sweet and varied song
+ That India's fields and groves and gardens know.
+ And there Sudata bowed on bended knee,
+ And from a golden pitcher water poured,
+ The sign and sealing of their gift of love
+ Of this vihara, Gatavana called,
+ A school and rest-house for the Buddha's use,
+ And for the brotherhood throughout the world.
+ Buddha received it with the fervent prayer
+ That it might give the kingdom lasting peace.
+
+ Unlike Sudata's self, Sudata's king
+ Believed religion but a comely cloak
+ To hide besetting sins from public view,
+ And sought the master in his new retreat
+ To talk religion and to act a part,
+ And greetings ended, said in solemn wise:
+ "Uneasy lies the head that wears a crown;
+ But my poor kingdom now is doubly blest
+ In one whose teachings purify the soul
+ And give the highest and the humblest rest,
+ As all are cleansed who bathe in Rapti's stream."
+ But Buddha saw through all this outer show
+ His real purposes and inner life:
+ The love of pleasure blighting high resolve,
+ The love of money, root of every ill,
+ That sends its poison fibers through the soul
+ And saps its life and wastes its vital strength.
+ "The Tathagata only shows the way
+ To purity and rest," the master said.
+ "There is a way to darkness out of light,
+ There is a way to light from deepest gloom.
+ They only gain the goal who keep the way.
+ Harsh words and evil deeds to sorrow lead
+ As sure as shadows on their substance wait.
+ For as we sow, so also shall we reap.
+ Boast not overmuch of kingly dignity.
+ A king most needs a kind and loving heart
+ To love his subjects as an only son,
+ To aid--not injure, comfort--not oppress,
+ Their help, protector, father, friend and guide.
+ Such kings shall live beloved and die renowned,
+ Whose works shall welcome them to heavenly rest."
+ The king, convicted, heard his solemn words
+ That like an arrow pierced his inmost life.
+ To him religion ceased to be a show
+ Of chants and incense, empty forms and creeds,
+ But stood a living presence in his way
+ To check his blind and headlong downward course,
+ And lead him to the noble eightfold path,
+ That day by day and step by step shall lead
+ To purity and peace and heavenly rest.
+
+ Kapilavastu's king, Suddhodana,
+ His step grown feeble, snowy white his hair,
+ By cares oppressed and sick with hope deferred,
+ For eight long years had waited for his son.
+ But sweet Yasodhara, in widow's weeds,
+ Her love by sorrow only purified
+ As fire refines the gold by dross debased,
+ Though tender memories bring unbidden tears,
+ Wasted no time in morbid, selfish grief,
+ But sought in care for others her own cure.
+ Both son and daughter to the aged king,
+ She aids with counsels, soothes with tender care.
+ Father and mother to her little son,
+ She lavishes on him a double love.
+ And oft on mercy's missions going forth,
+ Shunning the pomp and show of royal state,
+ Leading Rahula, prattling by her side,
+ The people saw her pass with swelling hearts,
+ As if an angel clothed in human form.
+
+ And now strange rumors reach the public ear,
+ By home-bound pilgrims from Benares brought
+ And merchantmen from Rajagriha come,
+ That there a holy rishi had appeared
+ Whom all believed a very living Buddh,
+ While kings and peoples followed after him.
+ These rumors reached the sweet Yasodhara,
+ And stirred these musings in her watchful heart:
+ "Stately and tall they say this rishi is,
+ Gentle to old and young, to rich and poor,
+ And filled with love for every living thing.
+ But who so gentle, stately, tall and grand
+ As my Siddartha? Who so full of love?
+ And he has found the light Siddartha sought!
+ It must be he--my own, my best beloved!
+ And surely he will hither come, and bring
+ To his poor people, now in darkness sunk,
+ That living light he left his home to seek."
+
+ As the same sun that makes the cedars grow
+ And sends their vital force through giant oaks,
+ Clothes fields with green and decks the wayside flower,
+ And crowns the autumn with its golden fruits,
+ So that same love which swept through Buddha's soul
+ And drove him from his home to seek and save,
+ Warmed into brighter glow each lesser love
+ Of home and people, father, wife and child,[4]
+ And often through those long and troubled years
+ He felt a burning longing to return.
+ And now, when summer rains had ceased to fall,
+ And his disciples were again, sent forth,
+ Both love and duty with united voice
+ Bade him revisit his beloved home,
+ And Saraputra and Kasyapa joined
+ The master wending on his homeward way,
+ While light-winged rumor bore Yasodhara
+ This joyful news: "The holy rishi comes."
+
+ Without the southern gate a garden lay,
+ Lumbini called, by playing fountains cooled,
+ With shaded walks winding by banks of flowers,
+ Whose mingled odors load each passing breeze.
+ Thither Yasodhara was wont to go,
+ For there her lord and dearest love was born,
+ And there they passed full many happy days.
+ The southern road skirted this garden's wall,
+ While on the other side were suburb huts
+ Where toiling poor folk and the base-born dwell.
+ And near this wall a bright pavilion rose,
+ Whence she could see each passer by the way.
+ One morning, after days of patient watch,
+ She saw approach along this dusty road
+ Three seeming pilgrims, clothed in yellow robes,
+ Presenting at each humble door their bowls
+ For such poor food as these poor folk could give.
+ As they drew near, a growing multitude,
+ From every cottage swelled, followed their steps,
+ Gazing with awe upon the leader's face,
+ While each to his companion wondering said:
+ "Who ever saw a rishi such as this,
+ Who calls us brothers, whom the Brahmans scorn?"
+ But sweet Yasodhara, with love's quick sight,
+ Knew him she waited for, and forth she rushed,
+ Crying: "Siddartha, O my love! my lord!"
+ And prostrate in the dust she clasped his feet.
+ He gently raised and pressed her to his heart
+ In one most tender, loving, long embrace.
+ By that embrace her every heartache cured,
+ She calmly said: "Give me a humble part
+ In your great work, for though my hands are weak
+ My heart is strong, and my weak hands can bear
+ The cooling cup to fever's burning lips;
+ My mother's heart has more than room enough
+ For many outcasts, many helpless waifs."
+ And there in presence of that base-born throng,
+ Who gazed with tears and wonder on the scene,
+ And in a higher presence, who can doubt
+ He made her first of that great sisterhood,
+ Since through the ages known in every land,
+ Who gently raise the dying soldier's head,
+ Where cruel war is mangling human limbs;
+ Who smooth the pillow, bathe the burning brow
+ Of sick and helpless strangers taken in;
+ Whose tender care has made the orphans' home,
+ For those poor waifs who know no mother's love.
+ Then toward the palace they together went
+ To their Rahula and the aged king,
+ While streets were lined and doors and windows filled
+ With eager gazers at the prince returned
+ In coarsest robes, with closely shaven head,
+ Returned a Buddha who went forth a prince.
+
+ Through all these troubled, weary, waiting years,
+ The king still hoped to see his son return
+ In royal state, with kings for waiting-men,
+ To rule a willing world as king of kings.
+ But now that son enters his palace-gates
+ In coarsest beggar-garb, his alms-bowl filled
+ With Sudras' leavings for his daily food.
+ The king with mingled grief and anger said:
+ "Is this the end of all our cherished hopes,
+ The answer to such lofty prophecies,
+ To see the heir of many mighty king's
+ Enter his kingdom like a beggar-tramp?
+ This the return for all the patient love
+ Of sweet Yasodhara, and this the way
+ To teach his duty to your royal son?"
+ The prince with reverence kissed his father's hand,
+ Bent loving eyes upon his troubled brow
+ That banished all his bitterness and said:
+ "How hard it is to give up cherished hopes
+ I know full well. I know a father's love.
+ Your love for me I for Rahula feel,
+ And who can better know that deepest love
+ Whose tendrils round my very heartstrings twine!
+ But crores of millions, with an equal love,
+ Fathers and mothers, children, husbands, wives,
+ In doubt and darkness groping blindly on,
+ Cry out for help. Not lack of love for you,
+ Or my Rahula or Yasodhara,
+ But love for them drove me to leave my home.
+ The greatest kingdoms are like ocean's foam,
+ A moment white upon the crested wave.
+ The longest life is but a passing dream,
+ Whose changing scenes but fill a moment's space.
+ But these poor souls shall live in joy or woe
+ While nations rise and fall and kalpas pass,
+ And this proud city crumbles to decay
+ Till antiquarians search its site in vain,
+ And beasts shall burrow where this palace stands.
+ Not for the pleasures of a passing day,
+ Like shadows flitting ere you point their place,
+ Not for the transient glories of a king,
+ Now clothed in scarlet but to-morrow dust,
+ Can I forget those loving, living souls,
+ Groping in darkness, vainly asking help."
+ And then he showed the noble eightfold path
+ From life's low levels to Nirvana's heights,
+ While king and people on the master gazed,
+ Whose face, beaming with pure, unselfish love,
+ Transfigured seemed; and many noble youth,
+ And chief Ananda, the Beloved called,
+ Forsook their gay companions and the round
+ Of youthful sports, and joined the master's band.
+ And as he spoke, crores more than mortals saw
+ Gathered to hear, and King Suddhodana
+ And sweet Yasodhara entered the path.
+
+
+[1]I have substantially followed the description of this fearful route
+given by Fa Hian, the Chinese Buddhist pilgrim, who passed by it from
+China to India.
+
+[2]Like the aspen, the leaf of the sacred fig-tree is always
+trembling.--"Two Years in Ceylon," Cumming.
+
+[3]This is Asvaghosha's version, but the Sanchi inscriptions make the
+Naga or cobra rise up behind Buddha and extend its hood over his head
+as a shelter.
+
+[4]Some Buddhists teach that Buddha had conquered all human affections,
+and even enter into apologies for a show of affection for his wife, one
+of the most elaborate of which Arnold, in the "Light of Asia," puts
+into his own mouth; but this is no more like the teachings of Buddha
+than the doctrine of infant damnation is like the teachings of Him who
+said: "Suffer the little children to come unto me, and forbid them not;
+for of such is the kingdom of God."
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE DAWN AND THE DAY***
+
+
+******* This file should be named 14360.txt or 14360.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/3/6/14360
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+