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diff --git a/14359-h/14359-h.htm b/14359-h/14359-h.htm new file mode 100644 index 0000000..510770f --- /dev/null +++ b/14359-h/14359-h.htm @@ -0,0 +1,2575 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01//EN" "http://www.w3.org/TR/html4/strict.dtd"> +<html lang="en-gb"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1"> +<meta http-equiv="Content-Style-Type" content="text/css"> +<link href="style.css" rel="stylesheet" type="text/css"> +<title>The Project Gutenberg EBook of Macmillan & Co.'s General Catalogue by Anonymous</title> +</head> + + +<body class="dgp"> +<pre> + +The Project Gutenberg EBook of MacMillan & Co.'s General Catalogue of +Works in the Departments of History, Biography, Travels, and Belles Lettres, December, 1869, by Unknown + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: MacMillan & Co.'s General Catalogue of Works in the Departments of History, Biography, Travels, and Belles Lettres, December, 1869 + +Author: Unknown + +Release Date: December 15, 2004 [EBook #14359] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK MACMILLAN & CO.'S CATALOGUE *** + + + + +Produced by Jonathan Ingram, Joshua Hutchinson and the PG Online +Distributed Proofreading Team. + + + + + + +</pre> + + + +<div class="text"> + +<div class="front"> + <h1 class="titlePart">Macmillan & Co.'s General Catalogue</h1> + <h2 class="titlePart">Works in the Departments of History, Biography, Travels, and + Belles Lettres, with some short Account of Critical Notice + concerning each Book.</h2> +</div> + <hr class="doublepage"> + +<div class="div" id="toc"><a name="toc_1"></a><h2 class="dgp">Contents</h2><ul class="toc"> +<li class="dgp" style="margin: 0em 0em;"><a href="#toc_1">Contents</a></li> +<li class="dgp" style="margin: 0em 0em;"><a href="#toc_2">SECTION I - HISTORY, BIOGRAPHY, and TRAVELS</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_3">Baker (Sir Samuel W.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_4">R. Dudley, M.A.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_5">Bernard</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_6">Blake</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_7">Bright (John, M.P.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_8">Bryce</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_9">Clay</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_10">Cooper</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_11">Dilke</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_12">Forbes</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_13">Freeman</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_14">French (George Russell)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_15">Gladstone (Right. Hon. W.E., M.P.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_16">Guizot—(Author of "John Halifax, Gentleman.")</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_17">Hole</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_18">Hozier</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_19">Irving</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_20">Kingsley (Canon)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_21">Latham</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_22">Law</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_23">Liverpool</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_24">Maclear</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_25">Macmillan (Rev. Hugh)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_26">Martin</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_27">Martineau</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_28">Masson (Professor)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_29">Morison</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_30">Morley (John)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_31">Mullinger</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_32">Palgrave</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_33">Palgrave (W.G.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_34">Parkes (Henry)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_35">Ralegh</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_36">Robinson (Crabb)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_37">Rogers (James E. Thorold)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_38">Smith (Professor Goldwin)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_39">Tacitus</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_40">Taylor (Rev. Isaac)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_41">Trench (Archbishop)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_42">Trench (Mrs. R)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_43">Trench (Capt. F., F.R.G.S.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_44">Trevelyan (G.O., M.P.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_45">Vaughan (late Rev. Dr. Robert, of the British +Quarterly)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_46">Wallace</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_47">Ward (Professor)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_48">Warren.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_49">Wilson.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_50">Wilson (Daniel, LL.D.).</a></li> +<li class="dgp" style="margin: 0em 0em;"><a href="#toc_51">SECTION II.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_52">Allingham.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_53">Arnold (Matthew).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_54">Barnes (Rev. W.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_55">Bell.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_56">Besant.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_57">Bradshaw.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_58">Brimley.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_59">Clough (Arthur Hugh).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_60">Dante</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_61">De Vere</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_62">Doyle (Sir F.H.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_63">Evans</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_64">Furnivall.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_65">Garnett.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_66">Hamerton.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_67">Helps</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_68">Herschel</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_69">Kennedy</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_70">Kingsley (Canon).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_71">Kingsley (Henry).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_72">Lowell.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_73">Masson (Professor).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_74">Mistral (F.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_75">Myers (Ernest).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_76">Myers (F.W.H.)</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_77">Nettleship</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_78">Noel</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_79">Norton</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_80">Orwell</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_81">Palgrave (Francis T.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_82">Patmore</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_83">Rossetti</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_84">Rossetti (W.M.).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_85">Roby</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_86">Shairp (Principal).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_87">Smith</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_88">Smith</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_89">Smith (Rev. Walter).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_90">Stratford de Redcliffe (Viscount).</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_91">Trench</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_92">Turner</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_93">Vittoria Colonna</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_94">Webster</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_95">Woolner</a></li> +<li class="dgp" style="margin: 0em 0em;"><a href="#toc_96">GLOBE EDITIONS.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_97">Shakespeare</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_98">Morte D'Arthur</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_99">Scott</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_100">Burns</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_101">Robinson Crusoe</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_102">Goldsmith</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_103">Pope</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_104">Spenser</a></li> +<li class="dgp" style="margin: 0em 0em;"><a href="#toc_105">GOLDEN TREASURY SERIES.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_106">THE GOLDEN TREASURY OF THE BEST SONGS AND +LYRICAL POEMS IN THE ENGLISH LANGUAGE.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_107">THE CHILDREN'S GARLAND FROM THE BEST POETS.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_108">THE BOOK OF PRAISE.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_109">THE FAIRY BOOK;</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_110">THE BALLAD BOOK.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_111">THE JEST BOOK.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_112">BACON'S ESSAYS AND COLOURS OF GOOD AND EVIL.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_113">THE PILGRIM'S PROGRESS</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_114">THE SUNDAY BOOK OF POETRY FOR THE YOUNG.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_115">A BOOK OF GOLDEN DEEDS</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_116">THE POETICAL WORKS OF ROBERT BURNS.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_117">THE ADVENTURES OF ROBINSON CRUSOE.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_118">THE REPUBLIC OF PLATO. TRANSLATED</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_119">THE SONG BOOK.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_120">LA LYRE FRANCAISE.</a></li> +<li class="dgp" style="margin: 0em 2em;"><a href="#toc_121">TOM BROWN'S SCHOOL DAYS.</a></li> +</ul></div> +</div> + +<div class="body"> + + + +<hr class="doublepage"> + +<div class="div"> +<p class="noindent"> +<em><span class="hi" style="font-variant: small-caps;">Macmillan & Co.'s General Catalogue</span> +of Works in the Departments of History, +Biography, Travels, and Belles Lettres, +with some short Account or Critical +Notice concerning each Book</em>. +</p> +</div> + +<div class="div"> + +<a name="toc_2"></a><h2 class="dgp">SECTION I - HISTORY, BIOGRAPHY, and TRAVELS</h2> + +<div class="div"> +<a name="toc_3"></a><h3 class="dgp">Baker (Sir Samuel W.).</h3> + +<p class="noindent">THE NILE TRIBUTARIES OF +ABYSSINIA, and the Sword-Hunters of the Hamran Arabs. +By <span class="hi" style="font-variant: small-caps;">Sir Samuel W. Baker</span>, M.A., F.R.C.S. With Portraits, +Maps, and Illustrations. Third Edition, 8vo. 21<span class="hi" style="font-style: italic;">s</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Sir Samuel Baker here describes twelve months' exploration, during +which he examined the rivers that are tributary to the Nile from Abyssinia, +including the Atbara, Settite, Royan, Salaam, Angrab, Rahad, Dinder, +and the Blue Nile. The interest attached to these portions of Africa differs +entirely from that of the White Nile regions, as the whole of Upper Egypt +and Abyssinia is capable of development, and is inhabited by races having +some degree of civilization; while Central Africa is peopled by a race of +savages, whose future is more problematical</span>.</p> + +<p class="dgp">THE ALBERT N'YANZA Great Basin of the Nile, and Exploration +of the Nile Sources. New and cheaper Edition, with +Portraits, Maps, and Illustrations. Two vols. crown 8vo. 16<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Bruce won the source of the Blue Nile; Speke and Grant won the +Victoria source of the great White Nile; and I have been permitted to +succeed in completing the Nile Sources by the discovery of the great +reservoir of the equatorial waters, the Albert N'yanza, from which the +river issues as the entire White Nile</span>."—<span class="hi" style="font-variant: small-caps;">Preface</span>.</p> + + + +<p class="dgp">CAST UP BY THE SEA; or, The Adventures of <span class="hi" style="font-variant: small-caps;">Ned Grey</span>. +By <span class="hi" style="font-variant: small-caps;">Sir Samuel W. Baker</span>, M.A., F.R.G.S. Second Edition. +Crown 8vo. cloth gilt, 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A story of adventure by sea and land in the good old style. It appears +to us to be the best book of the kind since 'Masterman Ready,' and it runs +that established favourite very close.</span>"—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">No book written for boys has for a long time created so much interest, +or been so successful. Every parent ought to provide his boy with a +copy.</span>"—<span class="hi" style="font-variant: small-caps;">Daily Telegraph</span>.</p> +</div> + +<div class="div"> +<a name="toc_4"></a><h3 class="dgp">R. Dudley, M.A.</h3> + +<p class="noindent">THE TAXATION OF THE +UNITED KINGDOM. By <span class="hi" style="font-variant: small-caps;">R. Dudley Baxter</span>, M.A. 8vo. +cloth, 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"> +<span class="hi" style="font-style: italic;">The First Part of this work, originally read before the Statistical +Society of London, deals with the Amount of Taxation; the Second Part, +which now constitutes the main portion of the work, is almost entirely new, +and embraces the important questions of Rating, of the relative Taxation +of Land, Personalty, and Industry, and of the direct effect of Taxes upon +Prices. The author trusts that the body of facts here collected may be of +permanent value as a record of the past progress and present condition of +the population of the United Kingdom, independently of the transitory +circumstances of its present Taxation.</span></p> + +<p class="dgp">NATIONAL INCOME. With Coloured Diagrams. 8vo. 3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-variant: small-caps;">Part I.</span>—<span class="hi" style="font-style: italic;">Classification of the Population, Upper, Middle, and Labour +Classes</span>. II.—<span class="hi" style="font-style: italic;">Income of the United Kingdom</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A painstaking and certainly most interesting inquiry.</span>"—<span class="hi" style="font-variant: small-caps;">Pall Mall +Gazette</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_5"></a><h3 class="dgp">Bernard</h3> + +<p class="noindent">FOUR LECTURES ON SUBJECTS CONNECTED +WITH DIPLOMACY. By <span class="hi" style="font-variant: small-caps;">Mountague Bernard</span>, M.A., +Chichele Professor of International Law and Diplomacy, Oxford. +8vo. 9<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Four Lectures, dealing with</span> (1) <span class="hi" style="font-style: italic;">The Congress of Westphalia</span>; (2) <span class="hi" style="font-style: italic;">Systems +of Policy</span>; (3) <span class="hi" style="font-style: italic;">Diplomacy, Past and Present</span>; (4) <span class="hi" style="font-style: italic;">The Obligations of +Treaties</span>.</p> +</div> + +<div class="div"> +<a name="toc_6"></a><h3 class="dgp">Blake</h3> + +<p class="noindent">THE LIFE OF WILLIAM BLAKE, THE ARTIST. +By <span class="hi" style="font-variant: small-caps;">Alexander Gilchrist</span>. With numerous Illustrations from +Blake's designs, and Fac-similes of his studies of the "Book of +Job." Two vols. medium 8vo. 32<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">These volumes contain a Life of Blake; Selections from his Writings, +including Poems; Letters; Annotated Catalogue of Pictures and Drawings; +List, with occasional notes, of Blake's Engravings and Writings. There +are appended Engraved Designs by Blake</span>: (1) <span class="hi" style="font-style: italic;">The Book of Job, twenty-one +photo-lithographs from the originals</span>; (2) <span class="hi" style="font-style: italic;">Songs of Innocence and +Experience, sixteen of the original Plates</span>.</p> +</div> + +<div class="div"> +<a name="toc_7"></a><h3 class="dgp">Bright (<span class="hi" style="font-weight: bold;">John, M.P.</span>)</h3> + +<p class="noindent">SPEECHES ON QUESTIONS OF +PUBLIC POLICY. By <span class="hi" style="font-variant: small-caps;">John Bright</span>, M.P. Edited by +Professor <span class="hi" style="font-variant: small-caps;">Thorold Rogers</span>. Two Vols. 8vo. 25<span class="hi" style="font-style: italic;">s</span>. Second +Edition, with Portrait.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">I have divided the Speeches contained in these volumes into groups. +The materials for selection are so abundant, that I have been constrained +to omit many a speech which is worthy of careful perusal. I have +naturally given prominence to those subjects with which Mr. Bright has +been especially identified, as, for example, India, America, Ireland, and +Parliamentary Reform. But nearly every topic of great public interest on +which Mr. Bright has spoken is represented in these volumes.</span>"— +<span class="hi" style="font-variant: small-caps;">Editor's Preface.</span></p> + +<p class="dgp">AUTHOR'S POPULAR EDITION. Extra fcap. 8vo. cloth. Second +Edition. 3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_8"></a><h3 class="dgp">Bryce</h3> + +<p class="noindent">THE HOLY ROMAN EMPIRE. By <span class="hi" style="font-variant: small-caps;">James Bryce</span>, +B.C.L., Fellow of Oriel College, Oxford. <span class="hi" style="font-style: italic;">[Reprinting.</span> +</p> + +<p class="dgp">CAMBRIDGE CHARACTERISTICS. <span class="hi" style="font-style: italic;">See</span> <span class="hi" style="font-variant: small-caps;">Mullinger</span>.</p> +</div> + +<div class="div"> +<a name="toc_9"></a><h3 class="dgp">Clay</h3> + +<p class="noindent">THE PRISON CHAPLAIN. A Memoir of the Rev. <span class="hi" style="font-variant: small-caps;">John +Clay</span>, B.D., late Chaplain of the Preston Gaol. With Selections +from his Reports and Correspondence, and a Sketch of Prison +Discipline in England. By his Son, the Rev. <span class="hi" style="font-variant: small-caps;">W.L. Clay</span>, M.A. +8vo. 15<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"Few books have appeared of late years better entitled to an attentive +perusal.... It presents a complete narrative of all that has been done and +attempted by various philanthropists for the amelioration of the condition and +the improvement of the morals of the criminal classes in the British +dominions."</span>—<span class="hi" style="font-variant: small-caps;">London Review</span>. +</p> +</div> + +<div class="div"> +<a name="toc_10"></a><h3 class="dgp">Cooper</h3> + +<p class="noindent">ATHENĈ CANTABRIGIENSES. By <span class="hi" style="font-variant: small-caps;">Charles +Henry Cooper</span>, F.S.A., and <span class="hi" style="font-variant: small-caps;">Thompson Cooper</span>, F.S.A. +Vol. I. 8vo., 1500-85, 18<span class="hi" style="font-style: italic;">s</span>. Vol. II., 1586-1609, 18<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This elaborate work, which is dedicated by permission to Lord Macaulay, +contains lives of the eminent men sent forth by Cambridge, after the +fashion of Anthony à Wood, in his famous "Athenĉ Oxonienses."</span></p> +</div> + +<div class="div"> +<a name="toc_11"></a><h3 class="dgp">Dilke</h3> + +<p class="noindent">GREATER BRITAIN. A Record of Travel in English-speaking +Countries during 1866-7. (America, Australia, India.) +By Sir <span class="hi" style="font-variant: small-caps;">Charles Wentworth Dilke</span>, M.P. Cheap Edition. +Crown 8vo. 6<span class="hi" style="font-style: italic;">s</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"Mr. Dilke has written a book which is probably as well worth reading +as any book of the same aims and character that ever was written. Its +merits are that it is written in a lively and agreeable style, that it implies +a great deal of physical pluck, that no page of it fails to show an acute and +highly intelligent observer, that it stimulates the imagination as well as the +judgment of the reader, and that it is on perhaps the most interesting +subject that can attract an Englishman who cares about his country."</span>— +<span class="hi" style="font-variant: small-caps;">SATURDAY REVIEW</span>.</p> + + + +<p class="dgp">EARLY EGYPTIAN HISTORY FOR THE YOUNG. <span class="hi" style="font-style: italic;">See</span> +"<span class="hi" style="font-variant: small-caps;">Juvenile Section</span>."</p> +</div> + +<div class="div"> +<a name="toc_12"></a><h3 class="dgp">Forbes</h3> + +<p class="noindent">LIFE OF PROFESSOR EDWARD FORBES, +F.R.S. By <span class="hi" style="font-variant: small-caps;">George Wilson</span>, M.D., F.R.S.E., and <span class="hi" style="font-variant: small-caps;">Archibald +Geikie</span>, F.R.S. 8vo. with Portrait, 14<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"From the first page to the last the book claims careful reading, as being +a full but not overcrowded rehearsal of a most instructive life, and the true +picture of a mind that was rare in strength and beauty."</span>—<span class="hi" style="font-variant: small-caps;">EXAMINER</span>. +</p> +</div> + +<div class="div"> +<a name="toc_13"></a><h3 class="dgp">Freeman</h3> + +<p class="noindent">HISTORY OF FEDERAL GOVERNMENT, +from the Foundation of the Achaian League to the Disruption of +the United States. By <span class="hi" style="font-variant: small-caps;">Edward A. Freeman</span>, M.A. Vol. I. +General Introduction. History of the Greek Federations. 8vo. +21<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"The task Mr. Freeman has undertaken is one of great magnitude and +importance. It is also a task of an almost entirely novel character. No +other work professing to give the history of a political principle occurs to +us, except the slight contributions to the history of representative government +that is contained in a course of M. Guizof's lectures.... The +history of the development of a principle is at least as important as the +history of a dynasty, or of a race."</span>—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_14"></a><h3 class="dgp">French (George Russell)</h3> + +<p class="noindent">SHAKSPEAREANA +GENEALOGICA. 8vo. cloth extra, 15<span class="hi" style="font-style: italic;">s</span>. Uniform with the +"Cambridge Shakespeare." +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Part I.—Identification of the</span> dramatis personĉ <span class="hi" style="font-style: italic;">in the historical plays, +from King John to King Henry VIII.; Notes on Characters in Macbeth +and Hamlet; Persons and Places belonging to Warwickshire alluded to. +Part II.—The Shakspeare and Arden families and their connexions, with +Tables of descent. The present is the first attempt to give a detailed description, +in consecutive order, of each of the</span> dramatis personĉ <span class="hi" style="font-style: italic;">in Shakspeare's + +immortal chronicle-histories, and some of the characters have been, +it is believed, herein identified for the first time. A clue is furnished which, +followed up with ordinary diligence, may enable any one, with a taste for +the pursuit, to trace a distinguished Shakspearean worthy to his lineal +representative in the present day.</span></p> +</div> + +<div class="div"> +<a name="toc_15"></a><h3 class="dgp">Gladstone (Right. Hon. W.E., M.P.)</h3> + +<p class="noindent">JUVENTUS +MUNDI. The Gods and Men of the Heroic Age. Crown 8vo. +cloth extra. With Map. 10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This new work of Mr. Gladstone deals especially with the historic +element in Homer, expounding that element, and furnishing by its aid a +full account of the Homeric men and the Homeric religion. It starts, after +the introductory chapter, with a discussion of the several races then existing +in Hellas, including the influence of the Phoenicians and Egyptians. It +contains chapters on the Olympian system, with its several deities; on the +Ethics and the Polity of the Heroic age; on the geography of Homer; on +the characters of the Poems; presenting, in fine, a view of primitive life +and primitive society as found in the poems of Homer.</span></p> + +<p class="dgp">"GLOBE" ATLAS OF EUROPE. Uniform in size with Macmillan's +Globe Series, containing 45 Coloured Maps, on a uniform +scale and projection; with Plans of London and Paris, and a +copious Index. Strongly bound in half-morocco, with flexible +back, 9<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This Atlas includes all the countries of Europe in a series of 48 Maps, +drawn on the same scale, with an Alphabetical Index to the situation of +more than ten thousand places, and the relation of the various maps and +countries to each other is defined in a general Key-map. All the maps +being on a uniform scale facilitates the comparison of extent and distance, +and conveys a just impression of the relative magnitude of different countries. +The size suffices to show the provincial divisions, the railways and main +roads, the principal rivers and mountain ranges. "This atlas," writes the</span> +British Quarterly<span class="hi" style="font-style: italic;">, "will be an invaluable boon for the school, the desk, or +the traveller's portmanteau."</span></p> +</div> + + + +<div class="div"> +<a name="toc_16"></a><h3 class="dgp">Guizot—(Author of "<span class="hi" style="font-variant: small-caps;">John Halifax, Gentleman</span>.")</h3> + +<p class="noindent"> +—M. DE +BARANTE, A Memoir, Biographical and Autobiographical. By +<span class="hi" style="font-variant: small-caps;">M. Guizot</span>. Translated by the Author of "<span class="hi" style="font-variant: small-caps;">John Halifax, +Gentleman</span>." Crown 8vo. 6<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"The highest purposes of both history and biography are answered by a +memoir so lifelike, so faithful, and so philosophical."</span>— +<span class="hi" style="font-variant: small-caps;">British Quarterly Review</span>.</p> + +<p class="dgp">HISTORICAL SELECTIONS. Readings from the best Authorities +on English and European History. Selected and arranged by +<span class="hi" style="font-variant: small-caps;">E.M. Sewell</span> and <span class="hi" style="font-variant: small-caps;">C.M. Yonge</span>. Crown 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">When young children have acquired the outlines of history from abridgements +and catechisms, and it becomes desirable to give a more enlarged +view of the subject, in order to render it really useful and interesting, a +difficulty often arises as to the choice of books. Two courses are open, either +to take a general and consequently dry history of facts, such as Russell's +Modern Europe, or to choose some work treating of a particular period or +subject, such as the works of Macaulay and Froude. The former course +usually renders history uninteresting; the latter is unsatisfactory, because +it is not sufficiently comprehensive. To remedy this difficulty, selections, +continuous and chronological, have in the present volume been taken from +the larger works of Freeman, Milman, Palgrave, and others, which may +serve as distinct landmarks of historical reading. "We know of scarcely +anything," says the</span> Guardian, <span class="hi" style="font-style: italic;">of this volume, "which is so likely to raise +to a higher level the average standard of English education."</span></p> +</div> + +<div class="div"> +<a name="toc_17"></a><h3 class="dgp">Hole</h3> + +<p class="noindent">A GENEALOGICAL STEMMA OF THE KINGS OF +ENGLAND AND FRANCE. By the Rev. <span class="hi" style="font-variant: small-caps;">C. Hole</span>, M.A., +Trinity College, Cambridge. On Sheet, 1<span class="hi" style="font-style: italic;">s</span>. +</p> + +<p class="dgp"> +<span class="hi" style="font-style: italic;">The different families are printed in distinguishing colours, thus facilitating +reference.</span> +</p> + + + +<p class="dgp">A BRIEF BIOGRAPHICAL DICTIONARY. Compiled and +Arranged by the Rev. <span class="hi" style="font-variant: small-caps;">Charles Hole</span>, M.A. Second Edition. +18mo. neatly and strongly bound in cloth, 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">One of the most comprehensive and accurate Biographical Dictionaries +in the world, containing more than 18,000 persons of all countries, with +dates of birth and death, and what they were distinguished for. Extreme +care has been bestowed on the verification of the dates; and thus numerous +errors, current in previous works, have been corrected. Its size adapts it +for the desk, portmanteau, or pocket.</span></p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"An invaluable addition to our manuals of reference, and, from its +moderate price, cannot fail to become as popular as it is useful."</span>—<span class="hi" style="font-variant: small-caps;">Times</span>.</p> +</div> + +<div class="div"> +<a name="toc_18"></a><h3 class="dgp">Hozier</h3> + +<p class="noindent">THE SEVEN WEEKS' WAR; its Antecedents and +its Incidents. By <span class="hi" style="font-variant: small-caps;">H.M. Hozier</span>. With Maps and Plans. Two +vols. 8vo. 28<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This work is based upon letters reprinted by permission from</span> "The +Times." <span class="hi" style="font-style: italic;">For the most part it is a product of a personal eye-witness of some +of the most interesting incidents of a war which, for rapidity and decisive +results, may claim an almost unrivalled position in history.</span></p> +</div> + +<div class="div"> +<a name="toc_19"></a><h3 class="dgp">Irving</h3> + +<p class="noindent">THE ANNALS OF OUR TIME. A Diurnal of Events, +Social and Political, which have happened in or had relation to +the Kingdom of Great Britain, from the Accession of Queen +Victoria to the Opening of the present Parliament. By <span class="hi" style="font-variant: small-caps;">Joseph +Irving</span>. 8vo. half-bound. 18<span class="hi" style="font-style: italic;">s</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"We have before us a trusty and ready guide to the events of the past +thirty years, available equally for the statesman, the politician, the public +writer, and the general reader. If Mr. Irving's object has been to bring +before the reader all the most noteworthy occurrences which have happened +since the beginning of Her Majesty's reign, he may justly claim the credit +of having done so most briefly, succinctly, and simply, and in such a +manner, too, as to furnish him with the details necessary in each case to + +comprehend the event of which he is in search in an intelligent manner. +Reflection will serve to show the great value of such a work as this to the +journalist and statesman, and indeed to every one who feels an interest in +the progress of the age; and we may add that its value is considerably increased +by the addition of that most important of all appendices, an +accurate and instructive index</span>."—<span class="hi" style="font-variant: small-caps;">Times</span>.</p> +</div> + +<div class="div"> +<a name="toc_20"></a><h3 class="dgp">Kingsley (Canon)</h3> + +<p class="noindent">ON THE ANCIEN REGIME as it +Existed on the Continent before the <span class="hi" style="font-variant: small-caps;">French Revolution</span>. +Three Lectures delivered at the Royal Institution. By the Rev. +<span class="hi" style="font-variant: small-caps;">C. Kingsley</span>, M.A., formerly Professor of Modern History +in the University of Cambridge. Crown 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">These three lectures discuss severally</span> (1) <span class="hi" style="font-style: italic;">Caste</span>, (2) <span class="hi" style="font-style: italic;">Centralization</span>, (3) +<span class="hi" style="font-style: italic;">The Explosive Forces by which the Revolution was superinduced. The +Preface deals at some length with certain political questions of the present +day</span>.</p> + +<p class="dgp">THE ROMAN AND THE TEUTON. A Series of Lectures +delivered before the University of Cambridge. By Rev. <span class="hi" style="font-variant: small-caps;">C. +Kingsley</span>, M.A. 8vo. 12<span class="hi" style="font-style: italic;">s</span>. +</p> + +<p class="dgp"><span class="hi" style="font-variant: small-caps;">Contents</span>:—<span class="hi" style="font-style: italic;">Inaugural Lecture; The Forest Children; The Dying +Empire; The Human Deluge; The Gothic Civilizer; Dietrich's End; The +Nemesis of the Goths; Paulus Diaconus; The Clergy and the Heathen; +The Monk a Civilizer; The Lombard Laws; The Popes and the Lombards; +The Strategy of Providence.</span></p> +</div> + +<div class="div"> +<a name="toc_21"></a><h3 class="dgp">Latham</h3> + +<p class="noindent">BLACK AND WHITE: a Journal of a Three Months' +Tour in the United States. By <span class="hi" style="font-variant: small-caps;">Henry Latham</span>, M.A., Barrister-at-Law. +8vo. 10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">"The spirit in which Mr. Latham has written about our brethren in +America is commendable in high degree.</span>"—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_22"></a><h3 class="dgp">Law</h3> + +<p class="noindent">THE ALPS OF HANNIBAL. By <span class="hi" style="font-variant: small-caps;">William John Law</span>, +M.A., formerly Student of Christ Church, Oxford. Two vols. +8vo. 21<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">No one can read the work and not acquire a conviction that, in +addition to a thorough grasp of a particular topic, its writer has at +command a large store of reading and thought upon many cognate points +of ancient history and geography.</span>"—<span class="hi" style="font-variant: small-caps;">Quarterly Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_23"></a><h3 class="dgp">Liverpool</h3> + +<p class="noindent">THE LIFE AND ADMINISTRATION OF +ROBERT BANKS, SECOND EARL OF LIVERPOOL, K.G. +Compiled from Original Family Documents by <span class="hi" style="font-variant: small-caps;">Charles Duke +Yonge</span>, Regius Professor of History and English Literature in +Queen's College, Belfast; and Author of "The History of the +British Navy," "The History of France under the Bourbons," etc. +Three vols. 8vo. 42<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Since the time of Lord Burleigh no one, except the second Pitt, ever +enjoyed so long a tenure of power; with the same exception, no one ever +held office at so critical a time.... Lord Liverpool is the very last +minister who has been able fully to carry out his own political views; who +has been so strong that in matters of general policy the Opposition could +extort no concessions from him which were not sanctioned by his own +deliberate judgment. The present work is founded almost entirely on the +correspondence left behind him by Lord Liverpool, and now in the possession +of Colonel and Lady Catherine Harcourt.</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Full of information and instruction.</span>"—<span class="hi" style="font-variant: small-caps;">Fortnightly Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_24"></a><h3 class="dgp">Maclear</h3> + +<p class="noindent"><span class="hi" style="font-style: italic;">See Section</span>, "<span class="hi" style="font-variant: small-caps;">Ecclesiastical History</span>."</p> +</div> + +<div class="div"> +<a name="toc_25"></a><h3 class="dgp">Macmillan (<span class="hi" style="font-weight: bold;">Rev. Hugh</span>)</h3> + +<p class="noindent">HOLIDAYS ON HIGH +LANDS; or, Rambles and Incidents in search of Alpine Plants. +By the Rev. <span class="hi" style="font-variant: small-caps;">Hugh Macmillan</span>, Author of "Bible Teachings in +Nature," etc. Crown 8vo. cloth. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Botanical knowledge is blended with a love of nature, a pious enthusiasm, +and a rich felicity of diction not to be met with in any works +of kindred character, if we except those of Hugh Miller.</span>"—<span class="hi" style="font-variant: small-caps;">Daily +Telegraph</span>.</p> + + + +<p class="dgp">FOOT-NOTES FROM THE PAGE OF NATURE. With +numerous Illustrations. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Those who have derived pleasure and profit from the study of flowers +and ferns</span>—<span class="hi" style="font-style: italic;">subjects, it is pleasing to find, now everywhere popular</span>—<span class="hi" style="font-style: italic;">by +descending lower into the arcana of the vegetable kingdom, will find a still +more interesting and delightful field of research in the objects brought under +review in the following pages</span>."—<span class="hi" style="font-variant: small-caps;">Preface</span>.</p> +</div> + +<div class="div"> +<a name="toc_26"></a><h3 class="dgp">Martin</h3> + +<p class="noindent">THE STATESMAN'S YEAR BOOK FOR 1869. +By FREDERICK MARTIN. (Sixth Annual Publication.) A Statistical, +Mercantile, and Historical Account of the Civilized World +for the Year 1868. Forming a Manual for Politicians and Merchants. +Published annually. Crown 8vo. 10s, 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Everybody who knows this work is aware that it is a book that is indispensable +to writers, financiers, politicians, statesmen, and all who are +directly or indirectly interested in the political, social, industrial, commercial, +and financial condition of their fellow-creatures at home and +abroad. Mr. Martin deserves warm commendation for the care he takes +in making 'The Statesman's Year Book' complete and correct."</span>— +<span class="hi" style="font-variant: small-caps;">Standard</span>.</p> +</div> + +<div class="div"> +<a name="toc_27"></a><h3 class="dgp">Martineau</h3> + +<p class="noindent">BIOGRAPHICAL SKETCHES, 1852—1868. +By <span class="hi" style="font-variant: small-caps;">Harriet Martineau</span>. Third Edition, with New Preface. +Crown 8vo. 8s, 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">A Collection of Memoirs under these several sections:—</span>(1)<span class="hi" style="font-style: italic;">Royal</span>, (2) +<span class="hi" style="font-style: italic;">Politicians</span>, (3)<span class="hi" style="font-style: italic;">Professional</span>, (4)<span class="hi" style="font-style: italic;">Scientific</span>, (5)<span class="hi" style="font-style: italic;">Social</span>, (6)<span class="hi" style="font-style: italic;">Literary. These +Memoirs appeared originally in the columns of the</span> "Daily News."</p> +</div> + +<div class="div"> +<a name="toc_28"></a><h3 class="dgp">Masson (Professor)</h3> + +<p class="noindent">ESSAYS, BIOGRAPHICAL AND +CRITICAL. <span class="hi" style="font-style: italic;">See Section headed</span> "<span class="hi" style="font-variant: small-caps;">Poetry And Belles Lettres</span>"</p> + + + +<p class="dgp"> +LIFE OF JOHN MILTON. Narrated in connexion with the +Political, Ecclesiastical, and Literary History of his Time. By +<span class="hi" style="font-variant: small-caps;">David Masson</span>, M.A., LL.D., Professor of Rhetoric at Edinburgh. +Vol. I. with Portraits. 8vo. 18<span class="hi" style="font-style: italic;">s</span>. Vol. II. in the Press.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">It is intended to exhibit Milton's life in its connexions with all the more +notable phenomena of the period of British history in which it was cast—its +state politics, its ecclesiastical variations, its literature and speculative +thought. Commencing in 1608, the Life of Milton proceeds through the +last sixteen years of the reign of James I., includes the whole of the reign +of Charles I. and the subsequent years of the Commonwealth and the +Protectorate, and then, passing the Restoration, extends itself to 1674, or +through fourteen years of the new state of things under Charles II. The +first volume deals with the life of Milton as extending from 1608 to 1640, +which was the period of his education and of his minor poems.</span></p> +</div> + +<div class="div"> +<a name="toc_29"></a><h3 class="dgp">Morison</h3> + +<p class="noindent">THE LIFE AND TIMES OF SAINT BERNARD, +Abbot of Clairvaux. By <span class="hi" style="font-variant: small-caps;">James Cotter Morison</span>, M.A. New +Edition, revised. Crown 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">One of the best contributions in our literature towards a vivid, intelligent, +and worthy knowledge of European interests and thoughts and +feelings during the twelfth century. A delightful and instructive volume, +and one of the best products of the modern historic spirit</span>."— +<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> +</div> + +<div class="div"> +<a name="toc_30"></a><h3 class="dgp">Morley (<span class="hi" style="font-weight: bold;">John</span>)</h3> + +<p class="noindent">EDMUND BURKE, a Historical Study. By +<span class="hi" style="font-variant: small-caps;">John Morley</span>, B.A. Oxon. Crown 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The style is terse and incisive, and brilliant with epigram and point. +It contains pithy aphoristic sentences which Burke himself would not have +disowned. But these are not its best features: its sustained power of +reasoning, its wide sweep of observation and reflection, its elevated ethical +and social tone, stamp it as a work of high excellence, and as such we +cordially recommend it to our readers.</span>"—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_31"></a><h3 class="dgp">Mullinger</h3> + +<p class="noindent">CAMBRIDGE CHARACTERISTICS IN THE +SEVENTEENTH CENTURY. By <span class="hi" style="font-variant: small-caps;">J.B. Mullinger</span>, B.A. +Crown 8vo. 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is a very entertaining and readable book.</span>"—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The chapters on the Cartesian Philosophy and the Cambridge Platonists +are admirable.</span>"—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_32"></a><h3 class="dgp">Palgrave</h3> + +<p class="noindent">HISTORY OF NORMANDY AND OF ENGLAND. +By Sir <span class="hi" style="font-variant: small-caps;">Francis Palgrave</span>, Deputy Keeper of Her +Majesty's Public Records. Completing the History to the Death +of William Rufus. Four vols. 8vo. £4 4<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Volume I. General Relations of Mediĉval Europe—The Carlovingian +Empire—The Danish Expeditions in the Gauls—And the Establishment +of Rollo. Volume II. The Three First Dukes of Normandy; Rollo, +Guillaume Longue-Épée, and Richard Sans-Peur—The Carlovingian +line supplanted by the Capets. Volume III. Richard Sans-Peur—Richard +Le-Bon—Richard III.—Robert Le Diable—William the Conqueror. +Volume IV. William Rufus—Accession of Henry Beauclerc</span>.</p> +</div> + +<div class="div"> +<a name="toc_33"></a><h3 class="dgp">Palgrave (<span class="hi" style="font-weight: bold;">W.G.</span>)</h3> + +<p class="noindent">A NARRATIVE OF A YEAR'S +JOURNEY THROUGH CENTRAL AND EASTERN +ARABIA, 1862-3. By <span class="hi" style="font-variant: small-caps;">William Gifford Palgrave</span>, late of +the Eighth Regiment Bombay N.I. Fourth and cheaper Edition. +With Maps, Plans, and Portrait of Author, engraved on steel by +Jeens. Crown 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Considering the extent of our previous ignorance, the amount of his +achievements, and the importance of his contributions to our knowledge, we +cannot say less of him than was once said of a far greater discoverer. Mr. +Palgrave has indeed given a new world to Europe.</span>"—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_34"></a><h3 class="dgp">Parkes (<span class="hi" style="font-weight: bold;">Henry</span>)</h3> + +<p class="noindent">AUSTRALIAN VIEWS OF ENGLAND. +By <span class="hi" style="font-variant: small-caps;">Henry Parkes</span>. Crown 8vo. cloth. 3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The following letters were written during a residence in England, in +the years 1861 and 1862, and were published in the</span> Sydney Morning +Herald <span class="hi" style="font-style: italic;">on the arrival of the monthly mails.... On re-perusal, these +letters appear to contain views of English life and impressions of English +notabilities which, as the views and impressions of an Englishman on his +return to his native country after an absence of twenty years, may not be +without interest to the English reader. The writer had opportunities of +mixing with different classes of the British people, and of hearing opinions +on passing events from opposite standpoints of observation.</span>"—<span class="hi" style="font-variant: small-caps;">Author's +Preface</span>.</p> +</div> + +<div class="div"> +<a name="toc_35"></a><h3 class="dgp">Ralegh</h3> + +<p class="noindent">THE LIFE OF SIR WALTER RALEGH, based +upon Contemporary Documents. By <span class="hi" style="font-variant: small-caps;">Edward Edwards</span>. Together +with Ralegh's Letters, now first collected. With Portrait. +Two vols. 8vo. 32<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mr. Edwards has certainly written the Life of Ralegh from fuller +information than any previous biographer. He is intelligent, industrious, +sympathetic: and the world has in his two volumes larger means afforded +it of knowing Ralegh than it ever possessed before. The new letters and +the newly-edited old letters are in themselves a boon.</span>"—<span class="hi" style="font-variant: small-caps;">Pall Mall +Gazette</span>.</p> +</div> + +<div class="div"> +<a name="toc_36"></a><h3 class="dgp">Robinson (<span class="hi" style="font-weight: bold;">Crabb</span>)</h3> + +<p class="noindent">DIARY, REMINISCENCES, AND +CORRESPONDENCE OF CRABB ROBINSON. Selected +and Edited by Dr. <span class="hi" style="font-variant: small-caps;">Sadler</span>. With Portrait. Three vols. 8vo. +cloth. 36<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Mr. Crabb Robinson's Diary extends over the greater part of three-quarters +of a century. It contains personal reminiscences of some of the +most distinguished characters of that period, including Goethe, Wieland, De +Quincey, Wordsworth (with whom Mr. Crabb Robinson was on terms of +great intimacy), Madame de Staël, Lafayette, Coleridge, Lamb, Milman, +&c. &c.: and includes a vast variety of subjects, political, literary, ecclesiastical, +and miscellaneous.</span></p> +</div> + + + +<div class="div"> +<a name="toc_37"></a><h3 class="dgp">Rogers (<span class="hi" style="font-weight: bold;">James E. Thorold</span>)</h3> + +<p class="noindent">HISTORICAL GLEANINGS: +A Series of Sketches. Montague, Walpole, Adam Smith, +Cobbett. By Rev. <span class="hi" style="font-variant: small-caps;">J.E.T. Rogers</span>. Crown 8vo. 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Professor Rogers's object in the following sketches is to present a set of +historical facts, grouped round a principal figure. The essays are in the +form of lectures.</span></p> +</div> + +<div class="div"> +<a name="toc_38"></a><h3 class="dgp">Smith (<span class="hi" style="font-weight: bold;">Professor Goldwin</span>)</h3> + +<p class="noindent">THREE ENGLISH +STATESMEN: PYM, CROMWELL, PITT. A Course of +Lectures on the Political History of England. By <span class="hi" style="font-variant: small-caps;">Goldwin +Smith</span>, M.A. Extra fcap. 8vo. New and Cheaper Edition. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A work which neither historian nor politician can safely afford to +neglect.</span>"—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_39"></a><h3 class="dgp">Tacitus</h3> + +<p class="noindent">THE HISTORY OF TACITUS, translated into +English. By <span class="hi" style="font-variant: small-caps;">A.J. Church</span>, M.A. and <span class="hi" style="font-variant: small-caps;">W.J. Brodribb</span>, M.A. +With a Map and Notes. 8vo. 10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The translators have endeavoured to adhere as closely to the original as +was thought consistent with a proper observance of English idiom. At +the same time it has been their aim to reproduce the precise expressions of +the author. This work is characterised by the</span> Spectator <span class="hi" style="font-style: italic;">as "a scholarly +and faithful translation."</span></p> +</div> + +<div class="div"> +<a name="toc_40"></a><h3 class="dgp">Taylor (<span class="hi" style="font-weight: bold;">Rev. Isaac</span>)</h3> + +<p class="noindent">WORDS AND PLACES; or +Etymological Illustrations of History, Etymology, and Geography. +By the Rev. ISAAC TAYLOR. Second Edition. Crown 8vo. +12<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mr. Taylor has produced a really useful book, and one which stands +alone in our language.</span>"—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> + +<p class="dgp">THE AGRICOLA AND GERMANIA. Translated into English by +<span class="hi" style="font-variant: small-caps;">A.J. Church</span>, M.A. and <span class="hi" style="font-variant: small-caps;">W.J. Brodribb</span>, M.A. With Maps +and Notes. Extra fcap. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The translators have sought to produce such a version as may satisfy +scholars who demand a faithful rendering of the original, and English + + +readers who are offended by the baldness and frigidity which commonly +disfigure translations. The treatises are accompanied by introductions, +notes, maps, and a chronological summary. The</span> Athenĉum <span class="hi" style="font-style: italic;">says of +this work that it is "a version at once readable and exact, which may be +perused with pleasure by all, and consulted with advantage by the classical +student."</span></p> +</div> + +<div class="div"> +<a name="toc_41"></a><h3 class="dgp">Trench (Archbishop)</h3> + +<p class="noindent">GUSTAVUS ADOLPHUS: Social +Aspects of the Thirty Years' War. By <span class="hi" style="font-variant: small-caps;">R. Chenevix Trench</span>, +D.D., Archbishop of Dublin. Fcap. 8vo. <span class="hi" style="font-style: italic;">2<span class="hi" style="font-style: italic;">s</span>. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Clear and lucid in style, these lectures will be a treasure to many to +whom the subject is unfamiliar</span>."—<span class="hi" style="font-variant: small-caps;">Dublin Evening Mail</span>.</p> +</div> + +<div class="div"> +<a name="toc_42"></a><h3 class="dgp">Trench (Mrs. R)</h3> + +<p class="noindent">Edited by ARCHBISHOP TRENCH. Remains +of the late <span class="hi" style="font-variant: small-caps;">Mrs. Richard Trench</span>. Being Selections from +her Journals, Letters, and other Papers. New and Cheaper Issue, +with Portrait, 8vo. <span class="hi" style="font-style: italic;">6s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Contains notices and anecdotes illustrating the social life of the period—extending +over a quarter of a century (1799—1827). It includes also +poems and other miscellaneous pieces by Mrs. Trench</span>.</p> +</div> + +<div class="div"> +<a name="toc_43"></a><h3 class="dgp">Trench (Capt. F., F.R.G.S.)</h3> + +<p class="noindent">THE RUSSO-INDIAN +QUESTION, Historically, Strategically, and Politically considered. +By Capt. <span class="hi" style="font-variant: small-caps;">Trench</span>, F.R.G.S. With a Sketch of Central +Asiatic Politics and Map of Central Asia. Crown 8vo. <span class="hi" style="font-style: italic;">7<span class="hi" style="font-style: italic;">s</span>. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The Russo-Indian, or Central Asian question has for several obvious +reasons been attracting much public attention in England, in Russia, and +also on the Continent, within the last year or two.... I have thought +that the present volume, giving a short sketch of the history of this question +from its earliest origin, and condensing much of the most recent and interesting +information on the subject, and on its collateral phases, might +perhaps be acceptable to those who take an interest in it</span>."—<span class="hi" style="font-variant: small-caps;">Author's +Preface</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_44"></a><h3 class="dgp">Trevelyan (G.O., M.P.)</h3> + +<p class="noindent">CAWNPORE. Illustrated with +Plan. By <span class="hi" style="font-variant: small-caps;">G.O. Trevelyan</span>, M.P., Author of "The Competition +Wallah." Second Edition. Crown 8vo. <span class="hi" style="font-style: italic;">6<span class="hi" style="font-style: italic;">s</span>.</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">In this book we are not spared</span> one fact <span class="hi" style="font-style: italic;">of the sad story; but our +feelings are not harrowed by the recital of imaginary outrages. It is good +for us at home that we have one who tells his tale so well as does Mr. +Trevelyan</span>."—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> + +<p class="dgp">THE COMPETITION WALLAH. New Edition. Crown 8vo, <span class="hi" style="font-style: italic;">6s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The earlier letters are especially interesting for their racy descriptions +of European life in India..... Those that follow are of more serious +import, seeking to tell the truth about the Hindoo character and English +influences, good and bad, upon it, as well as to suggest some better course of +treatment than that hitherto adopted</span>."—<span class="hi" style="font-variant: small-caps;">Examiner</span>.</p> +</div> + +<div class="div"> +<a name="toc_45"></a><h3 class="dgp">Vaughan (late Rev. Dr. Robert, of the British +Quarterly)</h3> + +<p class="noindent">MEMOIR OF ROBERT A. VAUGHAN. +Author of "Hours with the Mystics." By <span class="hi" style="font-variant: small-caps;">Robert Vaughan</span>, +D.D. Second Edition, revised and enlarged. Extra fcap. 8vo. <span class="hi" style="font-style: italic;">5s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It deserves a place on the same shelf with Stanley's 'Life of Arnold', +and Carlyle's 'Stirling'. Dr. Vaughan has performed his painful but +not all unpleasing task with exquisite good taste and feeling</span>."—<span class="hi" style="font-variant: small-caps;">Nonconformist</span>.</p> +</div> + +<div class="div"> +<a name="toc_46"></a><h3 class="dgp">Wallace</h3> + +<p class="noindent">THE MALAY ARCHIPELAGO: the Land of the +Orang Utan and the Bird of Paradise. A Narrative of Travels +with Studies of Man and Nature; By <span class="hi" style="font-variant: small-caps;">Alfred Russel Wallace</span>. +With Maps and Illustrations. Second Edition. Two vols. crown +8vo. <span class="hi" style="font-style: italic;">24s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A carefully and deliberately composed narrative.... We advise +our readers to do as we have done, read his book through</span>."—<span class="hi" style="font-variant: small-caps;">Times</span>.</p> +</div> + +<div class="div"> +<a name="toc_47"></a><h3 class="dgp">Ward (Professor)</h3> + +<p class="noindent">THE HOUSE OF AUSTRIA IN THE +THIRTY YEARS' WAR. Two Lectures, with Notes and Illustrations. +By <span class="hi" style="font-variant: small-caps;">Adolphus W. Ward</span>, M.A., Professor of History +in Owens College, Manchester. Extra fcap. 8vo. <span class="hi" style="font-style: italic;">2<span class="hi" style="font-style: italic;">s</span>. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Very compact and instructive</span>."—<span class="hi" style="font-variant: small-caps;">Fortnightly Review</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_48"></a><h3 class="dgp">Warren.</h3> + +<p class="noindent">AN ESSAY ON GREEK FEDERAL COINAGE. +By the Hon. <span class="hi" style="font-variant: small-caps;">J. Leicester Warren</span>, M.A. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The present essay is an attempt to illustrate Mr. Freeman's Federal +Government by evidence deduced from the coinage of the times and countries +therein treated of</span>."—<span class="hi" style="font-variant: small-caps;">Preface</span>.</p> +</div> + +<div class="div"> +<a name="toc_49"></a><h3 class="dgp">Wilson.</h3> + +<p class="noindent">A MEMOIR OF GEORGE WILSON, M. D., +F.R.S.E., Regius Professor of Technology in the University of +Edinburgh. By his SISTER. New Edition. Crown 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">An exquisite and touching portrait of a rare and beautiful spirit</span>." +<span class="hi" style="font-variant: small-caps;">Guardian</span>.</p> +</div> + +<div class="div"> +<a name="toc_50"></a><h3 class="dgp">Wilson (Daniel, LL.D.).</h3> + +<p class="noindent">PREHISTORIC ANNALS +OF SCOTLAND. By <span class="hi" style="font-variant: small-caps;">Daniel Wilson</span>, LL.D., Professor of +History and English Literature in University College, Toronto. +New Edition, with numerous Illustrations. Two vols. demy +8vo. 36<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This elaborate and learned work is divided into four Parts. Part I. +deals with</span> The Primeval or Stone Period: <span class="hi" style="font-style: italic;">Aboriginal Traces, Sepulchral +Memorials, Dwellings, and Catacombs, Temples, Weapons, &c. &c.; +Part II.,</span> The Bronze Period: <span class="hi" style="font-style: italic;">The Metallurgic Transition, Primitive +Bronze, Personal Ornaments, Religion, Arts, and Domestic Habits, with +other topics; Part III.,</span> The Iron Period: <span class="hi" style="font-style: italic;">The Introduction of Iron, The +Roman Invasion, Strongholds, &c. &c.; Part IV.,</span> The Christian Period: +<span class="hi" style="font-style: italic;">Historical Data, the Norrie's Law Relics, Primitive and Mediaeval +Ecclesiology, Ecclesiastical and Miscellaneous Antiquities. The work is +furnished with an elaborate Index.</span></p> + +<p class="dgp">PREHISTORIC MAN. New Edition, revised and partly re-written, +with numerous Illustrations. One vol. 8vo. 21<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This work, which carries out the principle of the preceding one, but with +a wider scope, aims to "view Man, as far as possible, unaffected by those +modifying influences which accompany the development of nations and the +maturity of a true historic period, in order thereby to ascertain the sources +from whence such development and maturity proceed." It contains, for +example, chapters on the Primeval Transition; Speech; Metals; the +Mound-Builders; Primitive Architecture; the American Type; the Red +Blood of the West, &c. &c.</span></p> +</div> + +</div> + + + +<hr class="page"> + +<div class="div"> + +<a name="toc_51"></a><h2 class="dgp">SECTION II.</h2> + +<h2 class="sub">POETRY AND BELLES LETTRES.</h2> + +<div class="div"> +<a name="toc_52"></a><h3 class="dgp">Allingham.</h3> + +<p class="noindent">—LAWRENCE BLOOMFIELD IN IRELAND; +or, the New Landlord. By <span class="hi" style="font-variant: small-caps;">William Allingham</span>. New and +cheaper issue, with a Preface. Fcap. 8vo. cloth, 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>. +</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">In the new Preface, the state of Ireland, with special reference to the +Church measure, is discussed.</span> +</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is vital with the national character.... It has something of Pope's +point and Goldsmiths simplicity, touched to a more modern issue</span>."—ATHENĈUM. +</p> +</div> + +<div class="div"> +<a name="toc_53"></a><h3 class="dgp">Arnold (Matthew).</h3> + +<p class="noindent">—POEMS. By <span class="hi" style="font-variant: small-caps;">Matthew Arnold</span>. +Two vols. Extra fcap. 8vo. cloth, 12<span class="hi" style="font-style: italic;">s</span>. Also sold separately at 6<span class="hi" style="font-style: italic;">s</span>. +each.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Volume I. contains Narrative and Elegiac Poems; Volume II. Dramatic +and Lyric Poems. The two volumes comprehend the First and +Second Series of the Poems, and the New Poems.</span></p> + +<p class="dgp">NEW POEMS. Extra fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">In this volume will be found "Empedocles on Etna"; "Thyrsis" (written +in commemoration of the late Professor Clough); "Epilogue to Lessing's +Laocoön;" "Heine's Grave"; "Obermann once more." All these +poems are also included in the Edition (two vols.) above-mentioned.</span></p> + + + +<p class="dgp">ESSAYS IN CRITICISM. New Edition, with Additions. Extra +fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">CONTENTS:—<span class="hi" style="font-style: italic;">Preface; The Function of Criticism at the present time; +The Literary Influence of Academies; Maurice de Guerin; Eugenie +die Guerin; Heinrich Heine; Pagan and Mediĉval Religious Sentiment; +Joubert; Spinoza and the Bible; Marcus Aurelius.</span></p> +</div> + +<div class="div"> +<a name="toc_54"></a><h3 class="dgp">Barnes (Rev. W.).</h3> + +<p class="noindent">—POEMS OF RURAL LIFE IN COMMON +ENGLISH. By the REV. <span class="hi" style="font-variant: small-caps;">W. Barnes</span>, Author of +"Poems of Rural Life in the Dorset Dialect." Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"In a high degree pleasant and novel. The book is by no means one +which the lovers of descriptive poetry can afford to lose."</span>—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_55"></a><h3 class="dgp">Bell.</h3> + +<p class="noindent">—ROMANCES AND MINOR POEMS. By <span class="hi" style="font-variant: small-caps;">Henry +Glassford Bell</span>. Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Full of life and genius</span>."—<span class="hi" style="font-variant: small-caps;">Court Circular</span>.</p> +</div> + +<div class="div"> +<a name="toc_56"></a><h3 class="dgp">Besant.</h3> + +<p class="noindent">—STUDIES IN EARLY FRENCH POETRY. By +<span class="hi" style="font-variant: small-caps;">Walter Besant</span>, M.A. Crown. 8vo. 8<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">A sort of impression rests on most minds that French literature begins +with the "siecle de Louis Quatorze;" any previous literature being for +the most part unknown or ignored. Few know anything of the enormous +literary activity that began in the thirteenth century, was carried on by +Rulebeuf, Marie de France, Gaston de Foix, Thibault de Champagne, +and Lorris; was fostered by Charles of Orleans, by Margaret of Valois, +by Francis the First; that gave a crowd of versifiers to France, enriched, +strengthened, developed, and fixed the French language, and prepared the +way for Corneille and for Racine. The present work aims to afford +information and direction touching the early efforts of France in poetical +literature.</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">In one moderately sized volume he has contrived to introduce us to the +very best, if not to all of the early French poets</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_57"></a><h3 class="dgp">Bradshaw.</h3> + +<p class="noindent">—AN ATTEMPT TO ASCERTAIN THE STATE +OF CHAUCER'S WORKS, AS THEY WERE LEFT AT +HIS DEATH. With some Notes of their Subsequent History. +By <span class="hi" style="font-variant: small-caps;">Henry Bradshaw</span>, of King's College, and the University +Library, Cambridge. [<span class="hi" style="font-style: italic;">In the Press</span>.</p> +</div> + +<div class="div"> +<a name="toc_58"></a><h3 class="dgp">Brimley.</h3> + +<p class="noindent">—ESSAYS BY THE LATE GEORGE BRIMLEY, +M.A. Edited by the Rev. <span class="hi" style="font-variant: small-caps;">W.G. Clark</span>, M.A. With Portrait, +Cheaper Edition. Fcap. <span class="hi" style="font-style: italic;">3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span></p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Essays on literary topics, such as Tennyson's "Poems" Carlyle's +"Life of Stirling," "Bleak House," &c., reprinted from</span> Fraser, <span class="hi" style="font-style: italic;">the</span> +Spectator, <span class="hi" style="font-style: italic;">and like periodicals</span>.</p> +</div> + +<div class="div"> +<a name="toc_59"></a><h3 class="dgp">Clough (Arthur Hugh).</h3> + +<p class="noindent">—THE POEMS AND PROSE +REMAINS OF ARTHUR HUGH CLOUGH. With a +Selection from his Letters and a Memoir. Edited by his Wife. +With Portrait. Two vols. crown 8vo. <span class="hi" style="font-style: italic;">21<span class="hi" style="font-style: italic;">s</span>.</span>. Or Poems separately, +as below.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The late Professor Clough is well known as a graceful, tender poet, +and as the scholarly translator of Plutarch. The letters possess high +interest, not biographical only, but literary—discussing, as they do, the +most important questions of the time, always in a genial spirit. The +"Remains" include papers on "Retrenchment at Oxford;" on Professor +F.W. Newmarfs book "The Soul;" on Wordsworth; on the Formation +of Classical English; on some Modern Poems (Matthew Arnold and the +late Alexander Smith), &c. &c.</span></p> + +<p class="dgp">THE POEMS OF ARTHUR HUGH CLOUGH, sometime Fellow +of Oriel College, Oxford. With a Memoir by <span class="hi" style="font-variant: small-caps;">F.T. Palgrave</span>. +Second Edition. Fcap. 8vo. <span class="hi" style="font-style: italic;">6<span class="hi" style="font-style: italic;">s</span>.</span></p> + +<p class="dgp"><span class="hi" style="font-style: italic;">"From the higher mind of cultivated, all-questioning, but still conservative +England, in this our puzzled generation, we do not know of any +utterance in literature so characteristic as the poems of Arthur Hugh +Clough."</span>—<span class="hi" style="font-variant: small-caps;">Fraser's Magazine</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_60"></a><h3 class="dgp">Dante</h3> + +<p class="noindent">DANTE'S COMEDY, THE HELL. Translated by +<span class="hi" style="font-variant: small-caps;">W.M. Rossetti</span>. Fcap. 8vo. cloth. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The aim of this translation of Dante may be summed up in one word—Literality.... To follow Dante sentence for sentence, line for line, +word for word—neither more nor less—has been my strenuous endeavour</span>." +—<span class="hi" style="font-variant: small-caps;">Author's Preface</span>.</p> +</div> + +<div class="div"> +<a name="toc_61"></a><h3 class="dgp">De Vere</h3> + +<p class="noindent">THE INFANT BRIDAL, and other Poems. By +<span class="hi" style="font-variant: small-caps;">Aubrey De Vere</span>. Fcap. 8vo. 7<span class="hi" style="font-style: italic;">s</span> 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mr. De Vere has taken his place among the poets of the day. Pure +and tender feeling, and that polished restraint of style which is called +classical, are the charms of the volume</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_62"></a><h3 class="dgp">Doyle (<span class="hi" style="font-weight: bold;">Sir F.H.</span>).</h3> + +<p class="noindent">—Works by Sir <span class="hi" style="font-variant: small-caps;">Francis Hastings Doyle</span>, +Professor of Poetry in the University of Oxford:—</p> + +<p class="dgp">THE RETURN OF THE GUARDS, AND OTHER POEMS. +Fcap. 8vo. 7<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Good wine needs no bush, nor good verse a preface; and Sir Francis +Doyle's verses run bright and clear, and smack of a classic vintage.... +His chief characteristic, as it is his greatest charm, is the simple manliness +which gives force to all he writes. It is a characteristic in these days rare +enough</span>."—<span class="hi" style="font-variant: small-caps;">Examiner</span>.</p> + +<p class="dgp">LECTURES ON POETRY, delivered before the University of +Oxford in 1868. Extra crown 8vo. 3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">THREE LECTURES:—(1) <span class="hi" style="font-style: italic;">Inaugural</span>; (2) <span class="hi" style="font-style: italic;">Provincial Poetry</span>; (3) <span class="hi" style="font-style: italic;">Dr. +Newman's "Dream of Gerontius</span>."</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Full of thoughtful discrimination and fine insight: the lecture on +'Provincial Poetry' seems to us singularly true, eloquent, and instructive</span>."— +<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_63"></a><h3 class="dgp">Evans</h3> + +<p class="noindent">BROTHER FABIAN'S MANUSCRIPT, AND +OTHER POEMS. By <span class="hi" style="font-variant: small-caps;">Sebastian Evans</span>. Fcap. 8vo. cloth. +6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">In this volume we have full assurance that he has 'the vision and the +faculty divine.'... Clever and full of kindly humour</span>."—<span class="hi" style="font-variant: small-caps;">Globe</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_64"></a><h3 class="dgp">Furnivall.</h3> + +<p class="noindent">—<span class="hi" style="font-variant: small-caps;">Le Morte D'Arthur</span>. Edited from the <span class="hi" style="font-style: italic;">Harleian</span> +M.S. 2252, in the British Museum. By <span class="hi" style="font-variant: small-caps;">F.J. Furnivall</span>, M.A. +With Essay by the late <span class="hi" style="font-variant: small-caps;">Herbert Coleridge</span>. Fcap. 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Looking to the interest shown by so many thousands in Mr. Tennyson's +Arthurian poems, the editor and publishers have thought that the old +version would possess considerable interest. It is a reprint of the celebrated +Harleian copy; and is accompanied by index and glossary</span>.</p> +</div> + +<div class="div"> +<a name="toc_65"></a><h3 class="dgp">Garnett.</h3> + +<p class="noindent">—IDYLLS AND EPIGRAMS. Chiefly from the Greek +Anthology. By <span class="hi" style="font-variant: small-caps;">Richard Garnett</span>. Fcap. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A charming little book. For English readers, Mr. Garnett's translations +will open a new world of thought</span>."—<span class="hi" style="font-variant: small-caps;">Westminster Review</span>.</p> + +<p class="dgp">GUESSES AT TRUTH. By <span class="hi" style="font-variant: small-caps;">Two Brothers</span>. With Vignette, +Title, and Frontispiece. New Edition, with Memoir. Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;"> The following year was memorable for the commencement of the +'Guesses at Truth.' He and his Oxford brother, living as they did in +constant and free interchange of thought on questions of philosophy and +literature and art; delighting, each of them, in the epigrammatic terseness +which is the charm of the 'Pensees' of Pascal, and the 'Caractères' of La +Bruyère—agreed to utter themselves in this form, and the book appeared, +anonymously, in two volumes, in 1827</span>."—<span class="hi" style="font-variant: small-caps;">Memoir</span>.</p> +</div> + +<div class="div"> +<a name="toc_66"></a><h3 class="dgp">Hamerton.</h3> + +<p class="noindent">—A PAINTER'S CAMP. By <span class="hi" style="font-variant: small-caps;">Philip Gilbert +Hamerton</span>. Second Edition, revised. Extra fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">BOOK I. <span class="hi" style="font-style: italic;">In England</span>; BOOK II. <span class="hi" style="font-style: italic;">In Scotland</span>; BOOK III. <span class="hi" style="font-style: italic;">In France. +This is the story of an Artist's encampments and adventures. The +headings of a few chapters may serve to convey a notion of the character +of the book: A Walk on the Lancashire Moors; the Author his own +Housekeeper and Cook; Tents and Boats for the Highlands; The Author +encamps on an uninhabited Island; A Lake Voyage; A Gipsy Journey +to Glen Coe; Concerning Moonlight and Old Castles; A little French +City: A Farm in the Autunois, &c., &c.</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">His pages sparkle with happy turns of expression, not a few well-told +anecdotes, and many observations, which are the fruit of attentive study and + +wise reflection on the complicated phenomena of human life, as well as of +unconscious nature</span>."—<span class="hi" style="font-variant: small-caps;">Westminster Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_67"></a><h3 class="dgp">Helps</h3> + +<p class="noindent">REALMAH. By <span class="hi" style="font-variant: small-caps;">Arthur Helps</span>. Two Vols. Crown +8vo. 16<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Of this work, by the Author of "Friends in Council," the</span> Saturday +Review <span class="hi" style="font-style: italic;">says: "Underneath the form (that of dialogue) is so much shrewdness, +fancy, and above all, so much wise kindliness, that we should think +all the better of a man or woman who likes the book</span>."</p> +</div> + +<div class="div"> +<a name="toc_68"></a><h3 class="dgp">Herschel</h3> + +<p class="noindent">THE ILIAD OF HOMER. Translated into English +Hexameters. By Sir <span class="hi" style="font-variant: small-caps;">John Herschel</span>, Bart. 8vo. 18<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">A version of the Iliad in English Hexameters. The question of Homeric +translation is fully discussed in the Preface</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is admirable, not only for many intrinsic merits, but as a great +man's tribute to Genius</span>."—<span class="hi" style="font-variant: small-caps;">Illustrated London News</span>.</p> + +<p class="dgp">HIATUS: the Void in Modern Education. Its Cause and Antidote. +By <span class="hi" style="font-variant: small-caps;">Outis</span>. 8vo. 8<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The main object of this Essay is to point out how the emotional element +which underlies the Fine Arts is disregarded and undeveloped at this time +so far as (despite a pretence at filling it up) to constitute an Educational +Hiatus</span>.</p> + +<p class="dgp">HYMNI ECCLESIAE. <span class="hi" style="font-style: italic;">See</span> "<span class="hi" style="font-variant: small-caps;">Theological Section</span>."</p> +</div> + +<div class="div"> +<a name="toc_69"></a><h3 class="dgp">Kennedy</h3> + +<p class="noindent">LEGENDARY FICTIONS OF THE IRISH +CELTS. Collected and Narrated by <span class="hi" style="font-variant: small-caps;">Patrick Kennedy</span>. Crown +8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A very admirable popular selection of the Irish fairy stories and legends, +in which those who are familiar with Mr. Croker's, and other selections +of the same kind, will find much that is fresh, and full of the peculiar +vivacity and humour, and sometimes even of the ideal beauty, of the true +Celtic Legend</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_70"></a><h3 class="dgp">Kingsley (Canon).</h3> + +<p class="noindent">—<span class="hi" style="font-style: italic;">See also</span> "<span class="hi" style="font-variant: small-caps;">Historic Section</span>," "<span class="hi" style="font-variant: small-caps;">Works +Of Fiction</span>," <span class="hi" style="font-style: italic;">and</span> "<span class="hi" style="font-variant: small-caps;">Philosophy</span>;" <span class="hi" style="font-style: italic;">also</span> "<span class="hi" style="font-variant: small-caps;">Juvenile Books</span>," +<span class="hi" style="font-style: italic;">and</span> "<span class="hi" style="font-variant: small-caps;">Theology</span>." +</p> + +<p class="dgp">THE SAINTS' TRAGEDY: or, The True Story of Elizabeth of +Hungary. By the Rev. <span class="hi" style="font-variant: small-caps;">Charles Kingsley</span>. With a Preface by +the Rev. <span class="hi" style="font-variant: small-caps;">F.D. Maurice</span>. Third Edition. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">ANDROMEDA, AND OTHER POEMS. Third Edition. Fcap. +8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">PHAETHON; or, Loose Thoughts for Loose Thinkers. Third +Edition. Crown 8vo. 2<span class="hi" style="font-style: italic;">s</span>.</p> +</div> + +<div class="div"> +<a name="toc_71"></a><h3 class="dgp">Kingsley (Henry).</h3> + +<p class="noindent">—<span class="hi" style="font-style: italic;">See</span> "WORKS OF FICTION."</p> +</div> + +<div class="div"> +<a name="toc_72"></a><h3 class="dgp">Lowell.</h3> + +<p class="noindent">—UNDER THE WILLOWS, AND OTHER POEMS +By <span class="hi" style="font-variant: small-caps;">James Russell Lowell</span>. Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"Under the Willows <span class="hi" style="font-style: italic;">is one of the most admirable bits of idyllic work, +short as it is, or perhaps because it is short, that have been done in our generation</span>."—<span class="hi" style="font-variant: small-caps;">Saturday +Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_73"></a><h3 class="dgp">Masson (Professor).</h3> + +<p class="noindent">—ESSAYS, BIOGRAPHICAL AND +CRITICAL. Chiefly on the British Poets. By <span class="hi" style="font-variant: small-caps;">David Masson</span>, +LL.D., Professor of Rhetoric in the University of Edinburgh. +8vo. 12<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Distinguished by a remarkable power of analysis, a clear statement +of the actual facts on which speculation is based, and an appropriate +beauty of Language. These essays should be popular with serious men</span>."— +<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> + +<p class="dgp">BRITISH NOVELISTS AND THEIR STYLES. Being a Critical +Sketch of the History of British Prose Fiction. Crown 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Valuable for its lucid analysis of fundamental principles, its breadth +of view, and sustained animation of style</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_74"></a><h3 class="dgp">Mistral (F.).</h3> + +<p class="noindent">—MIRELLE: a Pastoral Epic of Provence. Translated +by <span class="hi" style="font-variant: small-caps;">H. Crichton</span>. Extra fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">This is a capital translation of the elegant and richly-coloured pastoral +epic poem of M. Mistral which, in</span> 1859, <span class="hi" style="font-style: italic;">he dedicated in enthusiastic +terms to Lamartine... It would be hard to overpraise the +sweetness and pleasing freshness of this charming epic</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_75"></a><h3 class="dgp">Myers (<span class="hi" style="font-weight: bold;">Ernest</span>).</h3> + +<p class="noindent">—THE PURITANS. By <span class="hi" style="font-variant: small-caps;">Ernest Myers</span>. +Extra fcap. 8vo. cloth. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is not too much to call it a really grand poem, stately and dignified, +and showing not only a high poetic mind, but also great power over poetic +expression</span>."—<span class="hi" style="font-variant: small-caps;">Literary Churchman</span>.</p> +</div> + +<div class="div"> +<a name="toc_76"></a><h3 class="dgp">Myers (<span class="hi" style="font-weight: bold;">F.W.H.</span>)</h3> + +<p class="noindent">—ST. PAUL. A Poem. By <span class="hi" style="font-variant: small-caps;">F.W.H. +Myers</span>. Second Edition. Extra fcap. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It breathes throughout the spirit of St. Paul, and with a singular +stately melody of verse</span>."—<span class="hi" style="font-variant: small-caps;">Fortnightly Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_77"></a><h3 class="dgp">Nettleship</h3> + +<p class="noindent">ESSAYS ON ROBERT BROWNING'S +POETRY. By <span class="hi" style="font-variant: small-caps;">John T. Nettleship</span>. Extra fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> +</div> + +<div class="div"> +<a name="toc_78"></a><h3 class="dgp">Noel</h3> + +<p class="noindent">BEATRICE, AND OTHER POEMS. By the Hon. +<span class="hi" style="font-variant: small-caps;">Roden Noel</span>. Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"Beatrice <span class="hi" style="font-style: italic;">is in many respects a noble poem; it displays a splendour +of landscape painting, a strong definite precision of highly-coloured description, +which has not often been surpassed</span>."—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> +</div> + +<div class="div"> +<a name="toc_79"></a><h3 class="dgp">Norton</h3> + +<p class="noindent">THE LADY OF LA GARAYE. By the <span class="hi" style="font-variant: small-caps;">Hon. Mrs +Norton</span>. With Vignette and Frontispiece. Sixth Edition +Fcap. 8vo. 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">There is no lack of vigour, no faltering of power, plenty of passion, +much bright description, much musical verse... Full of thoughts well-expressed, +and may be classed among her best works</span>."—<span class="hi" style="font-variant: small-caps;">Times</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_80"></a><h3 class="dgp">Orwell</h3> + +<p class="noindent">—THE BISHOP'S WALK AND THE BISHOP'S +TIMES. Poems on the days of Archbishop Leighton and the +Scottish Covenant. By <span class="hi" style="font-variant: small-caps;">Orwell</span>. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Pure taste and faultless precision of language, the fruits of deep thought, +insight into human nature, and lively sympathy</span>."—<span class="hi" style="font-variant: small-caps;">Nonconformist</span>.</p> +</div> + +<div class="div"> +<a name="toc_81"></a><h3 class="dgp">Palgrave (<span class="hi" style="font-weight: bold;">Francis T.</span>).</h3> + +<p class="noindent">—ESSAYS ON ART. By <span class="hi" style="font-variant: small-caps;">Francis +Turner Palgrave</span>, M.A., late Fellow of Exeter College, +Oxford. Extra fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">Mulready</span>—<span class="hi" style="font-style: italic;">Dyce</span>—<span class="hi" style="font-style: italic;">Holman Hunt</span>—<span class="hi" style="font-style: italic;">Herbert</span>—<span class="hi" style="font-style: italic;">Poetry, Prose, and Sensationalism +in Art</span>—<span class="hi" style="font-style: italic;">Sculpture in England</span>—<span class="hi" style="font-style: italic;">The Albert Cross, &c</span>.</p> + +<p class="dgp">SHAKESPEARE'S SONNETS AND SONGS. Edited by <span class="hi" style="font-variant: small-caps;">F.T. +Palgrave</span>. Gem Edition. With Vignette Title by <span class="hi" style="font-variant: small-caps;">Jeens</span>. 3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">For minute elegance no volume could possibly excel the 'Gem +Edition.'"</span>—<span class="hi" style="font-variant: small-caps;">Scotsman</span>.</p> +</div> + +<div class="div"> +<a name="toc_82"></a><h3 class="dgp">Patmore</h3> + +<p class="noindent">Works by COVENTRY PATMORE:</p> + +<p class="dgp">THE ANGEL IN THE HOUSE.</p> + +<p class="dgp">BOOK I. <span class="hi" style="font-style: italic;">The Betrothal</span>; BOOK II. <span class="hi" style="font-style: italic;">The Espousals</span>; BOOK III. +<span class="hi" style="font-style: italic;">Faithful for Ever. With Tamerton Church Tower. Two vols. fcap.</span> +8<span class="hi" style="font-style: italic;">vo</span>. 12<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">*.* <span class="hi" style="font-style: italic;">A New and Cheap Edition in one vol.</span> 18<span class="hi" style="font-style: italic;">mo., beautifully printed on +toned paper, price</span> 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">THE VICTORIES OF LOVE. Fcap. 8vo. 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The intrinsic merit of his poem will secure it a permanent place in +literature.... Mr. Patmore has fully earned a place in the catalogue +of poets by the finished idealization of domestic life</span>."—<span class="hi" style="font-variant: small-caps;">Saturday +Review</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_83"></a><h3 class="dgp">Rossetti</h3> + +<p class="noindent">Works by CHRISTINA ROSSETTI:—</p> + +<p class="dgp">GOBLIN MARKET, AND OTHER POEMS. With two Designs +by <span class="hi" style="font-variant: small-caps;">D.G. Rossetti</span>. Second Edition. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">She handles her little marvel with that rare poetic discrimination which +neither exhausts it of its simple wonders by pushing symbolism too far, nor +keeps those wonders in the merely fabulous and capricious stage. In fact +she has produced a true children's poem, which is far more delightful to +the mature than to children, though it would be delightful to all</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> + +<p class="dgp">THE PRINCE'S PROGRESS, AND OTHER POEMS. With +two Designs by <span class="hi" style="font-variant: small-caps;">D.G. Rossetti</span>. Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Miss Rossetti's poems are of the kind which recalls Shelley's definition +of Poetry as the record of the best and happiest moments of the best and +happiest minds.... They are like the piping of a bird on the spray in +the sunshine, or the quaint singing with which a child amuses itself when +it forgets that anybody is listening."</span>—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_84"></a><h3 class="dgp">Rossetti (<span class="hi" style="font-weight: bold;">W.M.</span>).</h3> + +<p class="noindent">—DANTE'S HELL. <span class="hi" style="font-style: italic;">See</span> "<span class="hi" style="font-variant: small-caps;">Dante</span>."</p> + +<p class="dgp">FINE ART, chiefly Contemporary. By <span class="hi" style="font-variant: small-caps;">William M. Rossetti</span>. +Crown 8vo. 10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This volume consists of Criticism on Contemporary Art, reprinted from</span> +Fraser, The Saturday Review, The Pall Mall Gazette, <span class="hi" style="font-style: italic;">and other publications</span>.</p> +</div> + +<div class="div"> +<a name="toc_85"></a><h3 class="dgp">Roby</h3> + +<p class="noindent">STORY OF A HOUSEHOLD, AND OTHER POEMS. +By <span class="hi" style="font-variant: small-caps;">Mary K. Roby</span>. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> +</div> + +<div class="div"> +<a name="toc_86"></a><h3 class="dgp">Shairp (<span class="hi" style="font-weight: bold;">Principal</span>).</h3> + +<p class="noindent">—KILMAHOE, a Highland Pastoral, with +other Poems. By <span class="hi" style="font-variant: small-caps;">John Campbell Shairp</span>. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Kilmahoe is a Highland Pastoral, redolent of the warm soft air of +the Western Lochs and Moors, sketched out with remarkable grace and picturesqueness."</span> +—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_87"></a><h3 class="dgp">Smith</h3> + +<p class="noindent">Works by ALEXANDER SMITH:—</p> + +<p class="dgp">A LIFE DRAMA, AND OTHER POEMS. Fcap. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">CITY POEMS. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">EDWIN OF DEIRA. Second Edition. Fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A poem which is marked by the strength, sustained sweetness, and +compact texture of real life</span>."—<span class="hi" style="font-variant: small-caps;">North British Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_88"></a><h3 class="dgp">Smith</h3> + +<p class="noindent">POEMS. By CATHERINE BARNARD SMITH. Fcap. +8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Wealthy in feeling, meaning, finish, and grace; not without passion, +which is suppressed, but the keener for that</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_89"></a><h3 class="dgp">Smith (<span class="hi" style="font-weight: bold;">Rev. Walter</span>).</h3> + +<p class="noindent">—HYMNS OF CHRIST AND THE +CHRISTIAN LIFE. By the Rev. <span class="hi" style="font-variant: small-caps;">Walter C. Smith</span>, M.A. +Fcap. 8vo. 6<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">These are among the sweetest sacred poems we have read for a long +time. With no profuse imagery, expressing a range of feeling and +expression by no means uncommon, they are true and elevated, and their +pathos is profound and simple</span>."—<span class="hi" style="font-variant: small-caps;">Nonconformist</span>.</p> +</div> + +<div class="div"> +<a name="toc_90"></a><h3 class="dgp">Stratford de Redcliffe (<span class="hi" style="font-weight: bold;">Viscount</span>).</h3> + +<p class="noindent">—SHADOWS OF +THE PAST, in Verse. By <span class="hi" style="font-variant: small-caps;">Viscount Stratford De Redcliffe</span>. +Crown 8vo. 10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The vigorous words of one who has acted vigorously. They combine +the fervour of politician and poet</span>."—<span class="hi" style="font-variant: small-caps;">Guardian</span>.</p> +</div> + +<div class="div"> +<a name="toc_91"></a><h3 class="dgp">Trench</h3> + +<p class="noindent">Works by R. CHENEVIX TRENCH, D.D., Archbishop +of Dublin. See also Sections "<span class="hi" style="font-variant: small-caps;">Philosophy</span>," "<span class="hi" style="font-variant: small-caps;">Theology</span>," &c.</p> + +<p class="dgp">POEMS. Collected and arranged anew. Fcap. 8vo. 7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">ELEGIAC POEMS. Fcap. 8vo. 2<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + + + +<p class="dgp">CALDERON'S LIFE'S A DREAM: The Great Theatre of the +World. With an Essay on his Life and Genius. Fcap. 8vo. +4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">HOUSEHOLD BOOK OF ENGLISH POETRY. Selected and arranged, with Notes, by <span class="hi" style="font-variant: small-caps;">R.C. Trench</span>, D.D., Archbishop of +Dublin. Extra fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This volume is called a "Household Book," by this name implying that +it is a book for all</span>—<span class="hi" style="font-style: italic;">that there is nothing in it to prevent it from being +confidently placed in the hands of every member of the household. Specimens +of all classes of poetry are given, including selections from living +authors. The Editor has aimed to produce a book "which the emigrant, +finding room for little not absolutely necessary, might yet find room for +in his trunk, and the traveller in his knapsack, and that on some narrow +shelves where there are few books this might be one</span>."</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The Archbishop has conferred in this delightful volume an important +gift on the whole English-speaking population of the world</span>." +—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> + +<p class="dgp">SACRED LATIN POETRY, Chiefly Lyrical. Selected and arranged +for Use. Second Edition, Corrected and Improved. Fcap. 8vo. +7<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The aim of the present volume is to offer to members of our English +Church a collection of the best sacred Latin poetry, such as they shall be +able entirely and heartily to accept and approve</span>—<span class="hi" style="font-style: italic;">a collection, that is, in which +they shall not be evermore liable to be offended, and to have the current of +their sympathies checked, by coming upon that which, however beautiful as +poetry, out of higher respects they must reject and condemn</span>—<span class="hi" style="font-style: italic;">in which, too, +they shall not fear that snares are being laid for them, to entangle them +unawares in admiration for ought which is inconsistent with their faith +and fealty to their own spiritual mother</span>."—<span class="hi" style="font-variant: small-caps;">Preface</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_92"></a><h3 class="dgp">Turner</h3> + +<p class="noindent">SONNETS. By the Rev. <span class="hi" style="font-variant: small-caps;">Charles Tennyson +Turner</span>. Dedicated to his brother, the Poet Laureate. Fcap. +8vo. 4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The Sonnets are dedicated to Mr. Tennyson by his brother, and have, +independently of their merits, an interest of association. They both love to +write in simple expressive Saxon; both love to touch their imagery in +epithets rather than in formal similes; both have a delicate perception +of rythmical movement, and thus Mr. Turner has occasional lines which, +for phrase and music, might be ascribed to his brother.... He knows the +haunts of the wild rose, the shady nooks where light quivers through the +leaves, the ruralities, in short, of the land of imagination</span>"—<span class="hi" style="font-variant: small-caps;">Atheneum</span>.</p> + +<p class="dgp">SMALL TABLEAUX. Fcap. 8vo. 4<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">These brief poems have not only a peculiar kind of interest for the +student of English poetry, but are intrinsically delightful, and will reward +a careful and frequent perusal. Full of naiveté, piety, love, and knowledge +of natural objects, and each expressing a single and generally a simple +subject by means of minute and original pictorial touches, these sonnets +have a place of their own</span>."—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> +</div> + +<div class="div"> +<a name="toc_93"></a><h3 class="dgp">Vittoria Colonna</h3> + +<p class="noindent">LIFE AND POEMS. By Mrs. <span class="hi" style="font-variant: small-caps;">Henry +Roscoe</span>. Crown 8vo. 9<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">The life of Vittoria Colonna, the celebrated Marchesa di Pescara, has +received but cursory notice from any English writer, though in every +history of Italy her name is mentioned with great honour among the poets +of the sixteenth century. "In three hundred and fifty years," says her +biographer Visconti, "there has been no other Italian lady who can be +compared to her."</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is written with good taste, with quick and intelligent sympathy, +occasionally with a real freshness and charm of style</span>"—<span class="hi" style="font-variant: small-caps;">Pall Mall +Gazette</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_94"></a><h3 class="dgp">Webster</h3> + +<p class="noindent">Works by AUGUSTA WEBSTER:—</p> + +<p class="dgp">DRAMATIC STUDIES. Extra fcap. 8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A volume as strongly marked by perfect taste as by poetic power</span>." +<span class="hi" style="font-variant: small-caps;">Nonconformist</span>.</p> + +<p class="dgp">PROMETHEUS BOUND OF AESCHYLUS. Literally translated +into English Verse. Extra fcap. 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Closeness and simplicity combined with literary skill</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> + +<p class="dgp">MEDEA OF EURIPIDES. Literally translated into English Verse. +Extra fcap. 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mrs. Webster's translation surpasses our utmost expectations. It is a +photograph of the original without any of that harshness which so often +accompanies a photograph</span>."—<span class="hi" style="font-variant: small-caps;">Westminster Review</span>.</p> + +<p class="dgp">A WOMAN SOLD, AND OTHER POEMS. Crown 8vo. 7<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mrs. Webster has shown us that she is able to draw admirably from +the life; that she can observe with subtlety, and render her observations +with delicacy; that she can impersonate complex conceptions, and venture +into which few living writers can follow her</span>."—<span class="hi" style="font-variant: small-caps;">Guardian</span>.</p> +</div> + +<div class="div"> +<a name="toc_95"></a><h3 class="dgp">Woolner</h3> + +<p class="noindent">MY BEAUTIFUL LADY. By THOMAS WOOLNER. +With a Vignette by <span class="hi" style="font-variant: small-caps;">Arthur Hughes</span>. <span class="hi" style="font-style: italic;">Third Edition</span>. Fcap. +8vo. 5<span class="hi" style="font-style: italic;">s</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is clearly the product of no idle hour, but a highly-conceived and +faithfully-executed task, self-imposed, and prompted by that inward yearning +to utter great thoughts, and a wealth of passionate feeling which is +poetic genius. No man can read this poem without being struck by the +fitness and finish of the workmanship, so to speak, as well as by the chastened +and unpretending loftiness of thought which pervades the whole</span>." +<span class="hi" style="font-variant: small-caps;">Globe</span>.</p> + +<p class="dgp">WORDS FROM THE POETS. Selected by the Editor of "Rays of +Sunlight." With a Vignette and Frontispiece. 18mo. Extra +cloth gilt, 2<span class="hi" style="font-style: italic;">s. 6d</span>. <span class="hi" style="font-style: italic;">Cheaper Edition</span>, 18mo. limp., 1<span class="hi" style="font-style: italic;">s</span>.</p> +</div> +</div> + + + +<div class="div"> + +<a name="toc_96"></a><h2 class="dgp">GLOBE EDITIONS.</h2> + +<p class="noindent">Under the title GLOBE EDITIONS, the Publishers are +issuing a uniform Series of Standard English Authors, +carefully edited, clearly and elegantly printed on toned +paper, strongly bound, and at a small cost. The names of +the Editors whom they have been fortunate enough to +secure constitute an indisputable guarantee as to the +character of the Series. The greatest care has been taken +to ensure accuracy of text; adequate notes, elucidating +historical, literary, and philological points, have been supplied; and, to the older Authors, glossaries are appended. +The series is especially adapted to Students of our national +Literature; while the small price places good editions of +certain books, hitherto popularly inaccessible, within the +reach of all.</p> + +<div class="div"> +<a name="toc_97"></a><h3 class="dgp">Shakespeare</h3> + +<p class="noindent">THE COMPLETE WORKS OF WILLIAM +SHAKESPEARE. Edited by <span class="hi" style="font-variant: small-caps;">W.G. Clark</span> and <span class="hi" style="font-variant: small-caps;">W. Aldis +Wright</span>. Ninety-first Thousand. Globe 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A marvel of beauty, cheapness, and compactness. The whole works</span>— +<span class="hi" style="font-style: italic;">poems, and sonnets</span>—<span class="hi" style="font-style: italic;">are contained in one small volume: yet the +page is perfectly clear and readable... For the busy man, above all +for the working Student, the Globe Edition is the best of all existing +Shakespeare books</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_98"></a><h3 class="dgp">Morte D'Arthur</h3> + +<p class="noindent">SIR THOMAS MALORY'S BOOK OF +KING ARTHUR AND OF HIS NOBLE KNIGHTS OF +THE ROUND TABLE. The Edition of <span class="hi" style="font-variant: small-caps;">Caxton</span>, revised for +Modern Use. With an Introduction by <span class="hi" style="font-variant: small-caps;">Sir Edward Strachey</span>, +Bart. Globe 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>. Third Edition.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It is with the most perfect confidence that we recommend this edition of +the old romance to every class of readers</span>."—<span class="hi" style="font-variant: small-caps;">Pall Mall Gazette</span>.</p> +</div> + +<div class="div"> +<a name="toc_99"></a><h3 class="dgp">Scott</h3> + +<p class="noindent">THE POETICAL WORKS OF SIR WALTER +SCOTT. With Biographical Essay, by <span class="hi" style="font-variant: small-caps;">F.T. Palgrave</span>. +Globe 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">As a popular edition it leaves nothing to be desired. The want of +such an one has long been felt, combining real excellence with cheapness</span>."— +<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_100"></a><h3 class="dgp">Burns</h3> + +<p class="noindent">THE POETICAL WORKS AND LETTERS OF +ROBERT BURNS. Edited, with Life, by <span class="hi" style="font-variant: small-caps;">Alexander Smith</span>. +Globe 8vo. 4<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The works of the bard have never been offered in such a complete form +in a single volume</span>."—<span class="hi" style="font-variant: small-caps;">Glasgow Daily Herald</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Admirable in all respects</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_101"></a><h3 class="dgp">Robinson Crusoe</h3> + +<p class="noindent">THE ADVENTURES OF ROBINSON +CRUSOE. By <span class="hi" style="font-variant: small-caps;">Defoe</span>. Edited, from the Original Edition, by +<span class="hi" style="font-variant: small-caps;">J.W. Clark</span>, M.A., Fellow of Trinity College, Cambridge. +With Introduction by HENRY KINGSLEY. Globe 8vo. 3<span class="hi" style="font-style: italic;">s. 6d</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The Globe Edition of Robinson Crusoe is a book to have and to keep. +It is printed after the original editions, with the quaint old spelling, and +is published in admirable style as regards type, paper, and binding. A +well-written and genial biographical introduction, by Mr. Henry Kingsley, +is likewise an attractive feature of this edition</span>."—<span class="hi" style="font-variant: small-caps;">Morning Star</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_102"></a><h3 class="dgp">Goldsmith</h3> + +<p class="noindent">GOLDSMITH'S MISCELLANEOUS WORKS. +With Biographical Essay by Professor <span class="hi" style="font-variant: small-caps;">Masson</span>. Globe 8vo. +<span class="hi" style="font-style: italic;">3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span></p> + +<p class="dgp"><span class="hi" style="font-style: italic;">This edition includes the whole of Goldsmith's Miscellaneous Works</span>—<span class="hi" style="font-style: italic;">the +Vicar of Wakefield, Plays, Poems, &c. Of the memoir the</span> <span class="hi" style="font-variant: small-caps;">Scotsman</span> +<span class="hi" style="font-style: italic;">newspaper writes: "Such an admirable compendium of the facts of +Goldsmith's life, and so careful and minute a delineation of the mixed +traits of his peculiar character, as to be a very model of a literary +biography."</span></p> +</div> + +<div class="div"> +<a name="toc_103"></a><h3 class="dgp">Pope</h3> + +<p class="noindent">THE POETICAL WORKS OF ALEXANDER POPE. +Edited, with Memoir and Notes, by Professor <span class="hi" style="font-variant: small-caps;">Ward</span>. Globe +8vo. <span class="hi" style="font-style: italic;">3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span></p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The book is handsome and handy.... The notes are many, and +the matter of them is rich in interest</span>."—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_104"></a><h3 class="dgp">Spenser</h3> + +<p class="noindent">THE POETICAL WORKS OF EDMUND +SPENSER. Edited by <span class="hi" style="font-variant: small-caps;">R. Morris</span>, King's College, London. +Globe 8vo. <span class="hi" style="font-style: italic;">3<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span></p> +</div> + +<p class="noindent"> +*.* Other Standard Works are in the Press. +</p> +</div> + +<div class="div"> + +<a name="toc_105"></a><h2 class="dgp">GOLDEN TREASURY SERIES.</h2> + +<p class="noindent">Uniformly printed in 18mo., with Vignette Titles by <span class="hi" style="font-variant: small-caps;">Sir +Noel Paton</span>, <span class="hi" style="font-variant: small-caps;">T. Woolner</span>, <span class="hi" style="font-variant: small-caps;">W. Holman Hunt</span>, <span class="hi" style="font-variant: small-caps;">J.E. +Millais</span>, <span class="hi" style="font-variant: small-caps;">Arthur Hughes</span>, &c. Engraved on Steel by +<span class="hi" style="font-variant: small-caps;">Jeens</span>. Bound in extra cloth, <span class="hi" style="font-style: italic;">4<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span>; morocco plain, <span class="hi" style="font-style: italic;">7<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span> +morocco extra, <span class="hi" style="font-style: italic;">10<span class="hi" style="font-style: italic;">s</span>. 6<span class="hi" style="font-style: italic;">d</span>.</span> each volume.</p> + + + +<p class="dgp">"<span class="hi" style="font-style: italic;">Messrs. Macmillan have, in their Golden Treasury Series especially, +provided editions of standard works, volumes of selected poetry, and +original compositions, which entitle this series to be called classical. +Nothing can be better than the literary execution, nothing more elegant +than the material workmanship</span>."—<span class="hi" style="font-variant: small-caps;">British Quarterly Review</span>.</p> + +<div class="div"> +<a name="toc_106"></a><h3 class="dgp">THE GOLDEN TREASURY OF THE BEST SONGS AND +LYRICAL POEMS IN THE ENGLISH LANGUAGE.</h3> + +<p class="noindent">Selected and arranged, with Notes, by <span class="hi" style="font-variant: small-caps;">Francis Turner +Palgrave</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">This delightful little volume, the Golden Treasury, which contains +many of the best original lyrical pieces and songs in our language, grouped +with care and skill, so as to illustrate each other like the pictures in a +well-arranged gallery</span>."—<span class="hi" style="font-variant: small-caps;">Quarterly Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_107"></a><h3 class="dgp">THE CHILDREN'S GARLAND FROM THE BEST POETS.</h3> + +<p class="noindent">Selected and arranged by <span class="hi" style="font-variant: small-caps;">Coventry Patmore</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">It includes specimens of all the great masters in the art of poetry, +selected with the matured judgment of a man concentrated on obtaining +insight into the feelings and tastes of childhood, and desirous to awaken its +finest impulses, to cultivate its keenest sensibilities."</span>—<span class="hi" style="font-variant: small-caps;">Morning Post</span>.</p> +</div> + +<div class="div"> +<a name="toc_108"></a><h3 class="dgp">THE BOOK OF PRAISE.</h3> + +<p class="noindent">From the Best English Hymn Writers. +Selected and arranged by <span class="hi" style="font-variant: small-caps;">Sir Roundell Palmer</span>. <span class="hi" style="font-style: italic;">A New and +Enlarged Edition</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">All previous compilations of this kind must undeniably for the present +give place to the Book of Praise.... The selection has been made +throughout with sound judgment and critical taste. The pains involved +in this compilation must have been immense, embracing, as it does, every +writer of note in this special province of English literature, and ranging +over the most widely divergent tracts of religious thought."</span>—<span class="hi" style="font-variant: small-caps;">Saturday +Review</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_109"></a><h3 class="dgp">THE FAIRY BOOK;</h3> + +<p class="noindent">the Best Popular Fairy Stories. Selected and +rendered anew by the Author of "<span class="hi" style="font-variant: small-caps;">John Halifax, Gentleman</span>."</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A delightful selection, in a delightful external form; full of the +physical splendour and vast opulence of proper fairy tales</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_110"></a><h3 class="dgp">THE BALLAD BOOK.</h3> + +<p class="noindent">A Selection of the Choicest British Ballads. +Edited by <span class="hi" style="font-variant: small-caps;">William Allingham</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">His taste as a judge of old poetry will be found, by all acquainted with +the various readings of old English ballads, true enough to justify his +undertaking so critical a task</span>."—<span class="hi" style="font-variant: small-caps;">Saturday Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_111"></a><h3 class="dgp">THE JEST BOOK.</h3> + +<p class="noindent">The Choicest Anecdotes and Sayings. Selected +and arranged by <span class="hi" style="font-variant: small-caps;">Mark Lemon</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The fullest and best jest book that has yet appeared.</span>"—<span class="hi" style="font-variant: small-caps;">Saturday +Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_112"></a><h3 class="dgp">BACON'S ESSAYS AND COLOURS OF GOOD AND EVIL.</h3> + +<p class="noindent">With Notes and Glossarial Index. By <span class="hi" style="font-variant: small-caps;">W. Aldis Wright</span>, M.A.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">The beautiful little edition of Bacon's Essays, now before us, does +credit to the taste and scholarship of Mr. Aldis Wright.... It puts the +reader in possession of all the essential literary facts and chronology +necessary for reading the Essays in connexion with Bacon's life and +times."</span>—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">By far the most complete as well as the most elegant edition we +possess."</span>—<span class="hi" style="font-variant: small-caps;">Westminster Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_113"></a><h3 class="dgp">THE PILGRIM'S PROGRESS</h3> + +<p class="noindent">from this World to that which is to +come. By <span class="hi" style="font-variant: small-caps;">John Bunyan</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A beautiful and scholarly reprint</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_114"></a><h3 class="dgp">THE SUNDAY BOOK OF POETRY FOR THE YOUNG.</h3> + +<p class="noindent">Selected and arranged by <span class="hi" style="font-variant: small-caps;">C.F. Alexander</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A well-selected volume of sacred poetry</span>."—<span class="hi" style="font-variant: small-caps;">Spectator</span>.</p> +</div> + +<div class="div"> +<a name="toc_115"></a><h3 class="dgp">A BOOK OF GOLDEN DEEDS</h3> + +<p class="noindent">of all Times and all Countries. +Gathered and narrated anew. By the Author of "<span class="hi" style="font-variant: small-caps;">The Heir Of +Redclyffe</span>."</p> + +<p class="dgp">" ... <span class="hi" style="font-style: italic;">To the young, for whom it is especially intended, as a most interesting +collection of thrilling tales well told; and to their elders, as a useful handbook +of reference, and a pleasant one to take up when their wish is to while +away a weary half-hour. We have seen no prettier gift-book for a long +time."</span>—<span class="hi" style="font-variant: small-caps;">Athenĉum</span>.</p> +</div> + +<div class="div"> +<a name="toc_116"></a><h3 class="dgp">THE POETICAL WORKS OF ROBERT BURNS.</h3> + +<p class="noindent">Edited, with +Biographical Memoir, Notes, and Glossary, by <span class="hi" style="font-variant: small-caps;">Alexander +Smith</span>. Two Vols.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Beyond all question this is the most beautiful edition of Burns +yet out</span>."—<span class="hi" style="font-variant: small-caps;">Edinburgh Daily Review</span>.</p> +</div> + +<div class="div"> +<a name="toc_117"></a><h3 class="dgp">THE ADVENTURES OF ROBINSON CRUSOE.</h3> + +<p class="noindent">Edited from +the Original Edition by <span class="hi" style="font-variant: small-caps;">J.W. Clark</span>, M.A., Fellow of Trinity +College, Cambridge.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">Mutilated and modified editions of this English classic are so much +the rule, that a cheap and pretty copy of it, rigidly exact to the original, +will be a prize to many book-buyers</span>."—<span class="hi" style="font-variant: small-caps;">Examiner</span>.</p> +</div> + +<div class="div"> +<a name="toc_118"></a><h3 class="dgp">THE REPUBLIC OF PLATO. TRANSLATED</h3> + +<p class="noindent">into <span class="hi" style="font-variant: small-caps;">English</span>, with +Notes, by <span class="hi" style="font-variant: small-caps;">J. Li. Davies</span>, M.A. and <span class="hi" style="font-variant: small-caps;">D.J. Vaughan</span>, M.A.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A dainty and cheap little edition</span>."—<span class="hi" style="font-variant: small-caps;">Examiner</span>.</p> +</div> + + + +<div class="div"> +<a name="toc_119"></a><h3 class="dgp">THE SONG BOOK.</h3> + +<p class="noindent">Words and Tunes from the best Poets and +Musicians. Selected and arranged by <span class="hi" style="font-variant: small-caps;">John Hullah</span>, Professor +of Vocal Music in King's College, London.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A choice collection of the sterling songs of England, Scotland, and +Ireland, with the music of each prefixed to the words. How much true +wholesome pleasure such a book can diffuse, and will diffuse, we trust, +through many thousand families</span>."—<span class="hi" style="font-variant: small-caps;">Examiner</span>.</p> +</div> + +<div class="div"> +<a name="toc_120"></a><h3 class="dgp">LA LYRE FRANCAISE.</h3> + +<p class="noindent">Selected and arranged, with Notes, by +<span class="hi" style="font-variant: small-caps;">Gustave Masson</span>, French Master in Harrow School.</p> + +<p class="dgp"><span class="hi" style="font-style: italic;">A selection of the best French songs and lyrical pieces.</span></p> +</div> + +<div class="div"> +<a name="toc_121"></a><h3 class="dgp">TOM BROWN'S SCHOOL DAYS.</h3> + +<p class="noindent">By an <span class="hi" style="font-variant: small-caps;">Old Boy</span>.</p> + +<p class="dgp">"<span class="hi" style="font-style: italic;">A perfect gem of a book. The best and most healthy book about boys +for boys that ever was written</span>."—<span class="hi" style="font-variant: small-caps;">Illustrated Times</span>.</p> +</div> +</div> + +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of MacMillan & Co.'s General Catalogue of +Works in the Departments of History, Biography, Travels, and Belles Lettres, December, 1869, by Unknown + +*** END OF THIS PROJECT GUTENBERG EBOOK MACMILLAN & CO.'S CATALOGUE *** + +***** This file should be named 14359-h.htm or 14359-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/4/3/5/14359/ + +Produced by Jonathan Ingram, Joshua Hutchinson and the PG Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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