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+<title>The Project Gutenberg eBook of Invisible Links, by Selma Lagerlöf</title>
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+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 14273 ***</div>
+
+<div class="fig" style="width:55%;">
+<img src="images/cover.jpg" style="width:100%;" alt="[Illustration]" />
+</div>
+
+<h1>Invisible Links</h1>
+
+<h4><i>Translated from the Swedish of</i></h4>
+
+<h2 class="no-break">Selma Lagerlöf</h2>
+
+<h5>Author of &ldquo;The Story of Gösta Berling,&rdquo; &ldquo;The Miracles of
+Antichrist,&rdquo; etc.<br />by</h5>
+
+<h4>Pauline Bancroft Flach</h4>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">THE SPIRIT OF FASTING AND PETTER NORD</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">THE LEGEND OF THE BIRD&rsquo;S NEST</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">THE KING&rsquo;S GRAVE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">THE OUTLAWS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">THE LEGEND OF REOR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">VALDEMAR ATTERDAG</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">MAMSELL FREDRIKA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">THE ROMANCE OF A FISHERMAN&rsquo;S WIFE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">MOTHER&rsquo;S PORTRAIT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">A FALLEN KING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">A CHRISTMAS GUEST</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">UNCLE REUBEN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">DOWNIE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">AMONG THE CLIMBING ROSES</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>THE SPIRIT OF FASTING AND PETTER NORD</h2>
+
+<h3>I</h3>
+
+<p>
+I can see before me the little town, friendly as a home. It is so small that I
+know its every hole and corner, am friends with all the children and know the
+name of every one of its dogs. Who ever walked up the street knew to which
+window he must raise his eyes to see a lovely face behind the panes, and who
+ever strolled through the town park knew well whither he should turn his steps
+to meet the one he wished to meet.
+</p>
+
+<p>
+One was as proud of the beautiful roses in the garden of a neighbor, as if they
+had grown in one&rsquo;s own. If anything mean or vulgar was done, it was as
+great a shame as if it had happened in one&rsquo;s own family; but at the
+smallest adventure, at a fire or a fight in the market-place, one swelled with
+pride and said: &ldquo;Only see what a community! Do such things ever happen
+anywhere else? What a wonderful town!&rdquo;
+</p>
+
+<p>
+In my beloved town nothing ever changes. If I ever come there again, I shall
+find the same houses and shops that I knew of old; the same holes in the
+pavements will cause my downfall; the same stiff hedges of lindens, the same
+clipped lilac bushes will captivate my fascinated gaze. Again shall I see the
+old Mayor who rules the whole town walking down the street with elephantine
+tread. What a feeling of security there is in knowing that you are walking
+there! And deaf old Halfvorson will still be digging in his garden, while his
+eyes, clear as water, stare and wander as if they would say: &ldquo;We have
+investigated everything, everything; now, earth, we will bore down to your very
+centre.&rdquo;
+</p>
+
+<p>
+But one who will not still be there is little, round Petter Nord: the little
+fellow from Värmland, you know, who was in Halfvorson&rsquo;s shop; he who
+amused the customers with his small mechanical inventions and his white mice.
+There is a long story about him. There are stories to be told about everything
+and everybody in the town. Nowhere else do such wonderful things happen.
+</p>
+
+<p>
+He was a peasant boy, little Petter Nord. He was short and round; he was
+brown-eyed and smiling. His hair was paler than birch leaves in the autumn; his
+cheeks were red and downy. And he was from Värmland. No one, seeing him, could
+imagine that he was from any other place. His native land had equipped him with
+its excellent qualities. He was quick at his work, nimble with his fingers,
+ready with his tongue, clear in his thoughts. And, moreover, full of fun,
+good-natured and brave, kind and quarrelsome, inquisitive and a chatterbox. A
+madcap, he never could show more respect to a burgomaster than to a beggar! But
+he had a heart; he fell in love every other day, and confided in the whole
+town.
+</p>
+
+<p>
+This child of rich gifts attended to the work in the shop in rather an
+extraordinary manner. The customers were waited on while he fed the white mice.
+Money was changed and counted while he put wheels on his little automatic
+wagons. And while he told the customers of his very last love-affair, he kept
+his eye on the quart measure, into which the brown molasses was slowly curling.
+It delighted his admiring listeners to see him suddenly leap over the counter
+and rush out into the street to have a brush with a passing street-boy; also to
+see him calmly return to tie the string on a package or to finish measuring a
+piece of cloth.
+</p>
+
+<p>
+Was it not quite natural that he should be the favorite of the whole town? We
+all felt obliged to trade with Halfvorson, after Petter Nord came there. Even
+the old Mayor himself was proud when Petter Nord took him apart into a dark
+corner and showed him the cages of the white mice. It was nervous work to show
+the mice, for Halfvorson had forbidden him to have them in the shop.
+</p>
+
+<p>
+But then in the brightening February there came a few days of warm, misty
+weather. Petter Nord became suddenly serious and silent. He let the white mice
+nibble the steel bars of their cages without feeding them. He attended to his
+duties in the most irreproachable way. He fought with no more street boys.
+Could Petter Nord not bear the change in the weather?
+</p>
+
+<p>
+Oh no, the matter was that he had found a fifty-crown note on one of the
+shelves. He believed that it had got caught in a piece of cloth, and without
+any one&rsquo;s seeing him he had pushed it under a roll of striped cotton
+which was out of fashion and was never taken down from the shelf.
+</p>
+
+<p>
+The boy was cherishing great anger in his heart against Halfvorson. The latter
+had destroyed a whole family of mice for him, and now he meant to be revenged.
+Before his eyes he still saw the white mother with her helpless offspring. She
+had not made the slightest attempt to escape; she had remained in her place
+with steadfast heroism, staring with red, burning eyes on the heartless
+murderer. Did he not deserve a short time of anxiety? Petter Nord wished to see
+him come out pale as death from his office and begin to look for the fifty
+crowns. He wished to see the same despair in his watery eyes as he had seen in
+the ruby red ones of the white mouse. The shopkeeper should search, he should
+turn the whole shop upside down before Petter Nord would let him find the
+bank-note.
+</p>
+
+<p>
+But the fifty crowns lay in its hiding-place all day without any one&rsquo;s
+asking about it. It was a new note, many-colored and bright, and had big
+numbers in all the corners. When Petter Nord was alone in the shop, he put a
+step-ladder against the shelves and climbed up to the roll of cotton. Then he
+took out the fifty crowns, unfolded it and admired its beauties.
+</p>
+
+<p>
+In the midst of the most eager trade he would grow anxious lest something
+should have happened to the fifty crowns. Then he pretended to look for
+something on the shelf, and groped about under the roll of cotton till he felt
+the smooth bank-note rustle under his fingers.
+</p>
+
+<p>
+The note had suddenly acquired a supernatural power over him. Might there not
+be something living in it? The figures surrounded by wide rings were like
+magnetic eyes. The boy kissed them all and whispered: &ldquo;I should like to
+have many, very many like you.&rdquo;
+</p>
+
+<p>
+He began to have all sorts of thoughts about the note, and why Halfvorson did
+not inquire for it. Perhaps it was not Halfvorson&rsquo;s? Perhaps it had lain
+in the shop for a long time? Perhaps it no longer had any owner?
+</p>
+
+<p>
+Thoughts are contagious.&mdash;At supper Halfvorson had begun to speak of money
+and moneyed-men. He told Petter Nord about all the poor boys who had amassed
+riches. He began with Whittington and ended with Astor and Jay Gould.
+Halfvorson knew all their histories; he knew how they had striven and denied
+themselves; what they had discovered and ventured. He grew eloquent when he
+began on such tales. He lived through the sufferings of those young people; he
+followed them in their successes; he rejoiced in their victories. Petter Nord
+listened quite fascinated.
+</p>
+
+<p>
+Halfvorson was stone deaf, but that was no obstacle to conversation, for he
+read by the lips everything that was said. On the other hand, he could not hear
+his own voice. It rolled out as strangely monotonous as the roar of a distant
+waterfall. But his peculiar way of speaking made everything he said sink in, so
+that one could not escape from it for many days. Poor Petter Nord!
+</p>
+
+<p>
+&ldquo;What is most needed to become rich,&rdquo; said Halfvorson, &ldquo;is
+the foundation. But it cannot be earned. Take note that they all have found it
+in the street or discovered it between the lining and cloth of a coat which
+they had bought at a pawnbroker&rsquo;s sale; or that it had been won at cards,
+or had been given to them in alms by a beautiful and charitable lady. After
+they had once found that blessed coin, everything had gone well with them. The
+stream of gold welled from it as from a fountain. The first thing that is
+necessary, Petter Nord, is the foundation.&rdquo;
+</p>
+
+<p>
+Halfvorson&rsquo;s voice sounded ever fainter and fainter. Young Petter Nord
+sat in a kind of trance and saw endless vistas of gold before him. On the
+dining table rose great piles of ducats; the floor heaved white with silver,
+and the indistinct patterns on the dirty wall-paper changed into banknotes, big
+as handkerchiefs. But directly before his eyes fluttered the fifty-crown note,
+surrounded by wide rings, luring him like the most beautiful eyes. &ldquo;Who
+can know,&rdquo; smiled the eyes, &ldquo;perhaps the fifty crowns up on the
+shelf is just such a foundation?&rdquo;
+</p>
+
+<p>
+&ldquo;Mark my words,&rdquo; said Halfvorson, &ldquo;that, after the
+foundation, two things are necessary for those who wish to reach the heights.
+Work, untiring work, Petter Nord, is one; and the other is renunciation.
+Renunciation of play and love, of talk and laughter, of morning sleep and
+evening strolls. In truth, in truth, two things are necessary for him who would
+win fortune. One is called work, and the other renunciation.&rdquo;
+</p>
+
+<p>
+Petter Nord looked as if he would like to weep. Of course he wished to be rich,
+naturally he wished to be fortunate, but fortune should not be so anxiously and
+sadly won. Fortune ought to come of herself. Just as Petter Nord was fighting
+with the street boys, the noble lady should stop her coach at the shop-door,
+and invite the Värmland boy to the place at her side. But now
+Halfvorson&rsquo;s voice still rolled in his ears. His brain was full of it. He
+thought of nothing else, knew nothing else. Work and renunciation, work and
+renunciation, that was life and the object of life. He asked nothing else,
+dared not think that he had ever wished anything else.
+</p>
+
+<p>
+The next day he did not dare to kiss the fifty-crown note, did not dare even to
+look at it. He was silent and low-spirited, orderly and industrious. He
+attended to all his duties so irreproachably that any one could see that there
+was something wrong with him. The old Mayor was troubled about the boy and did
+what he could to cheer him.
+</p>
+
+<p>
+&ldquo;Did you think of going to the Mid-Lent ball this evening?&rdquo; asked
+the old man. &ldquo;So, you did not. Well, then I invite you. And be sure that
+you come, or I will tell Halfvorson where you keep your mouse-cages.&rdquo;
+</p>
+
+<p>
+Petter Nord sighed and promised to go to the ball.
+</p>
+
+<p>
+The Mid-Lent ball, fancy Petter Nord at the Mid-Lent ball! Petter Nord would
+see all the beautiful ladies of the town, delicate, dressed in white, adorned
+with flowers. But of course Petter Nord would not be allowed to dance with a
+single one of them. Well, it did not matter. He was not in the mood to dance.
+</p>
+
+<p>
+At the ball he stood in a doorway and made no attempt to dance. Several people
+had asked him to take part, but he had been firm and said no. He could not
+dance any of those dances. Neither would any of those fine ladies be willing to
+dance with him. He was much too humble for them.
+</p>
+
+<p>
+But as he stood there, his eyes began to kindle and shine, and he felt joy
+creeping through his limbs. It came from the dance music; it came from the
+fragrance of the flowers; it came from all the beautiful faces about him. After
+a little while he was so sparklingly happy that, if joy had been fire, he would
+have been surrounded by bursting flames. And if love were it, as many say it
+is, it would have been the same. He was always in love with some pretty girl,
+but hitherto with only one at a time. But when he now saw all those beautiful
+ladies together, it was no longer a single fire, which laid waste his
+sixteen-year-old heart; it was a whole conflagration.
+</p>
+
+<p>
+Sometimes he looked down at his boots, which were by no means dancing shoes.
+But how he could have marked the time with the broad heels and spun round on
+the thick soles! Something was dragging and pulling him and trying to hurl him
+out on the floor like a whipped ball. He could still resist it, although his
+excitement grew stronger as the hours advanced. He grew delirious and hot.
+Heigh ho, he was no longer poor Petter Nord! He was the young whirlwind, that
+raises the seas and overthrows the forests.
+</p>
+
+<p>
+Just then a hambo-polska<a href="#fn-1" name="fnref-1" id="fnref-1"><sup>[1]</sup></a>
+struck up. The peasant boy was quite beside himself. He thought it sounded like
+the polska, like the Värmland polska.
+</p>
+
+<p class="footnote">
+<a name="fn-1" id="fn-1"></a> <a href="#fnref-1">[1]</a>
+A Swedish national dance of a very lively character
+</p>
+
+<p>
+Suddenly Petter Nord was out on the floor. All his fine manners dropped off
+him. He was no longer at the town-hall ball; he was at home in the barn at the
+midsummer dance. He came forward, his knees bent, his head drawn down between
+his shoulders. Without stopping to ask, he threw his arms round a lady&rsquo;s
+waist and drew her with him. And then he began to dance the polska.
+</p>
+
+<p>
+The girl followed him, half unwillingly, almost dragged. She was not in time;
+she did not know what kind of a dance it was, but suddenly it went quite of
+itself. The mystery of the dance was revealed to her. The polska bore her,
+lifted her; her feet had wings; she felt as light as air. She thought that she
+was flying.
+</p>
+
+<p>
+For the Värmland polska is the most wonderful dance. It transforms the
+heavy-footed sons of earth. Without a sound soles an inch thick float over the
+unplaned barn floor. They whirl about, light as leaves in an autumn wind. It is
+supple, quick, silent, gliding. Its noble, measured movements set the body free
+and let it feel itself light, elastic, floating.
+</p>
+
+<p>
+While Petter Nord danced the dance of his native land, there was silence in the
+ball-room. At first people laughed, but then they all recognized that this was
+dancing. It floated away in even, rapid whirls; it was dancing indeed, if
+anything.
+</p>
+
+<p>
+In the midst of his delirium Petter Nord perceived that round about him reigned
+a strange silence. He stopped short and passed his hand over his forehead.
+There was no black barn floor, no leafy walls, no light blue summer night, no
+merry peasant maiden in the reality he gazed upon. He was ashamed and wished to
+steal away.
+</p>
+
+<p>
+But he was already surrounded, besieged. The young ladies crowded about the
+shop-boy and cried: &ldquo;Dance with us; dance with us!&rdquo;
+</p>
+
+<p>
+They wished to learn the polska. They all wished to learn to dance the polska.
+The ball was turned from its course and became a dancing-school. All said that
+they had never known before what it was to dance. And Petter Nord was a great
+man for that evening. He had to dance with all the fine ladies, and they were
+exceedingly kind to him. He was only a boy, and such a madcap besides. No one
+could help making a pet of him.
+</p>
+
+<p>
+Petter Nord felt that this was happiness. To be the favorite of the ladies, to
+dare to talk to them, to be in the midst of lights, of movement, to be made
+much of, to be petted, surely this was happiness.
+</p>
+
+<p>
+When the ball was over, he was too happy to think about it. He needed to come
+home to be able to think over quietly what had happened to him that evening.
+</p>
+
+<p>
+Halfvorson was not married, but he had in his house a niece who worked in the
+office. She was poor and dependent on Halfvorson, but she was quite haughty
+towards both him and Petter Nord. She had many friends among the more important
+people of the town and was invited to families where Halfvorson could never
+come. She and Petter Nord went home from the ball together.
+</p>
+
+<p>
+&ldquo;Do you know, Nord,&rdquo; asked Edith Halfvorson, &ldquo;that a suit is
+soon to be brought against Halfvorson for illicit trading in brandy? You might
+tell me how it really is.&rdquo;
+</p>
+
+<p>
+&ldquo;There is nothing worth making a fuss about,&rdquo; said Petter Nord.
+</p>
+
+<p>
+Edith sighed. &ldquo;Of course there is nothing. But there will be a lawsuit
+and fines and shame without end. I wish that I really knew how it is.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps it is best not to know anything,&rdquo; said Petter Nord.
+</p>
+
+<p>
+&ldquo;I wish to rise in the world, do you see,&rdquo; continued Edith,
+&ldquo;and I wish to drag Halfvorson up with me, but he always drops back
+again. And then he does something so that I become impossible too. He is
+scheming something now. Do you not know what it is? It would be good to
+know.&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Petter Nord, and not another word would he say. It was
+inhuman to talk to him of such things on the way home from his first ball.
+</p>
+
+<p>
+Beyond the shop there was a little dark room for the shop-boy. There sat Petter
+Nord of to-day and came to an understanding with Petter Nord of yesterday. How
+pale and cowardly the churl looked. Now he heard what he really was. A thief
+and a miser. Did he know the seventh commandment? By rights he ought to have
+forty stripes. That was what he deserved.
+</p>
+
+<p>
+God be blessed and praised for having let him go to the ball and get a new view
+of it all. Usch! what ugly thoughts he had had; but now it was quite changed.
+As if riches were worth sacrificing conscience and the soul&rsquo;s freedom for
+their sake! As if they were worth as much as a white mouse, if the heart could
+not be glad at the same time! He clapped his hands and cried out in
+joy&mdash;that he was free, free, free! There was not even a longing to possess
+the fifty crowns in his heart. How good it was to be happy!
+</p>
+
+<p>
+When he had gone to bed, he thought that he would show Halfvorson the fifty
+crowns early the next morning. Then he became uneasy that the tradesman might
+come into the shop before him the next morning, search for the note and find
+it. He might easily think that Petter Nord had hidden it to keep it. The
+thought gave him no peace. He tried to shake it off, but he could not succeed.
+He could not sleep. So he rose, crept into the shop and felt about till he
+found the fifty crowns. Then he fell asleep with the note under his pillow.
+</p>
+
+<p>
+An hour later he awoke. A light shone sharply in his eyes; a hand was fumbling
+under his pillow and a rumbling voice was scolding and swearing.
+</p>
+
+<p>
+Before the boy was really awake, Halfvorson had the note in his hand and showed
+it to the two women, who stood in the doorway to his room. &ldquo;You see that
+I was right,&rdquo; said Halfvorson. &ldquo;You see that it was well worth
+while for me to drag you up to bear witness against him! You see that he is a
+thief!&rdquo;
+</p>
+
+<p>
+&ldquo;No, no, no,&rdquo; screamed poor Petter Nord. &ldquo;I did not wish to
+steal. I only hid the note.&rdquo;
+</p>
+
+<p>
+Halfvorson heard nothing. Both the women stood with their backs turned to the
+room, as if determined to neither hear nor see.
+</p>
+
+<p>
+Petter Nord sat up in bed. He looked all of a sudden pitifully weak and small.
+His tears were streaming. He wailed aloud.
+</p>
+
+<p>
+&ldquo;Uncle,&rdquo; said Edith, &ldquo;he is weeping.&rdquo;
+</p>
+
+<p>
+&ldquo;Let him weep,&rdquo; said Halfvorson, &ldquo;let him weep!&rdquo; And he
+walked forward and looked at the boy. &ldquo;You can weep all you like,&rdquo;
+he said, &ldquo;but that does not take me in.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, oh,&rdquo; cried Petter Nord, &ldquo;I am no thief. I hid the note
+as a joke&mdash;to make you angry. I wanted to pay you back for the mice. I am
+not a thief. Will no one listen to me. I am not a thief.&rdquo;
+</p>
+
+<p>
+&ldquo;Uncle,&rdquo; said Edith, &ldquo;if you have tortured him enough now,
+perhaps we may go back to bed?&rdquo;
+</p>
+
+<p>
+&ldquo;I know, of course, that it sounds terrible,&rdquo; said Halfvorson,
+&ldquo;but it cannot be helped.&rdquo; He was gay, in very high spirits.
+&ldquo;I have had my eye on you for a long time,&rdquo; he said to the boy.
+&ldquo;You have always something you are tucking away when I come into the
+shop. But now I have caught you. Now I leave witnesses, and now I am going for
+the police.&rdquo;
+</p>
+
+<p>
+The boy gave a piercing scream. &ldquo;Will no one help me, will no one help
+me?&rdquo; he cried. Halfvorson was gone, and the old woman who managed his
+house came up to him.
+</p>
+
+<p>
+&ldquo;Get up and dress yourself, Petter Nord! Halforson has gone for the
+police, and while he is away you can escape. The young lady can go out into the
+kitchen and get you a little food. I will pack your things.&rdquo;
+</p>
+
+<p>
+The terrible weeping instantly ceased. After a short time of hurry the boy was
+ready. He kissed both the women on the hand, humbly, like a whipped dog. And
+then off he ran.
+</p>
+
+<p>
+They stood in the door and looked after him. When he was gone, they drew a sigh
+of relief.
+</p>
+
+<p>
+&ldquo;What will Halfvorson say?&rdquo; said Edith.
+</p>
+
+<p>
+&ldquo;He will be glad,&rdquo; answered the housekeeper.
+</p>
+
+<p>
+&ldquo;He put the money there for the boy, I think. I guess that he wanted to
+be rid of him.&rdquo;
+</p>
+
+<p>
+&ldquo;But why? The boy was the best one we have had in the shop for many
+years.&rdquo;
+</p>
+
+<p>
+&ldquo;He probably did not want him to give testimony in the affair with the
+brandy.&rdquo;
+</p>
+
+<p>
+Edith stood silent and breathed quickly. &ldquo;It is so base, so base,&rdquo;
+she murmured. She clenched her fist towards the office and towards the little
+pane in the door, through which Halfvorson could see into the shop. She would
+have liked, she too, to have fled out into the world, away from all this
+meanness. She heard a sound far in, in the shop. She listened, went nearer,
+followed the noise, and at last found behind a keg of herring the cage of
+Petter Nord&rsquo;s white mice.
+</p>
+
+<p>
+She took it up, put it on the counter, and opened the cage door. Mouse after
+mouse scampered out and disappeared behind boxes and barrels.
+</p>
+
+<p>
+&ldquo;May you flourish and increase,&rdquo; said Edith. &ldquo;May you do
+injury and revenge your master!&rdquo;
+</p>
+
+<h3>II</h3>
+
+<p>
+The little town lay friendly and contented under its red hill. It was so
+embedded in green that the church tower only just stuck up out of it. Garden
+after garden crowded one another on narrow terraces up the slope, and when they
+could go no further in that direction, they leaped with their bushes and trees
+across the street and spread themselves out between the scattered farmhouses
+and on the narrow strips of earth about them, until they were stopped by the
+broad river.
+</p>
+
+<p>
+Complete silence and quiet reigned in the town. Not a soul was to be seen; only
+trees and bushes, and now and again a house. The only sound to be heard was the
+rolling of balls in the bowling-alley, like distant thunder on a summer day. It
+belonged to the silence.
+</p>
+
+<p>
+But now the uneven stones of the market-place were ground under iron-shod
+heels. The noise of coarse voices thundered against the walls of the town-hall
+and the church was thrown back from the mountain, and hastened unchecked down
+the long street. Four wayfarers disturbed the noonday peace.
+</p>
+
+<p>
+Alas, for the sweet silence, the holiday peace of years! How terrified they
+were! One could almost see them betaking themselves in flight up the mountain
+slopes.
+</p>
+
+<p>
+One of the noisy crew who broke into the village was Petter Nord, the Värmland
+boy, who six years before had run away, accused of theft. Those who were with
+him were three longshoremen from the big commercial town that lies only a few
+miles away.
+</p>
+
+<p>
+How had little Petter Nord been getting on? He had been getting on well. He had
+found one of the most sensible of friends and companions.
+</p>
+
+<p>
+As he ran away from the village in the dark, rainy February morning, the polska
+tunes seethed and roared in his ears. And one of them was more persistent than
+all the others. It was the one they all had sung during the ring dance.
+</p>
+
+<p class="poem">
+Christmas time has come,<br />
+Christmas time has come,<br />
+And after Christmas time comes Easter.<br />
+That is not true at all,<br />
+That is not true at all,<br />
+For Lent comes after Christmas feasting.
+</p>
+
+<p>
+The fugitive heard it so distinctly, so distinctly. And then the wisdom that is
+hidden in the old ring dance forced itself upon the little pleasure-loving
+Värmland boy, forced itself into his very fibre, blended with every drop of
+blood, soaked into his brain and marrow. It is so; that is the meaning. Between
+Christmas and Easter, between the festivals of birth and death, comes
+life&rsquo;s fasting. One shall ask nothing of life; it is a poor, miserable
+fast. One shall never trust it, however it may appear. The next moment it is
+gray and ugly again. It is not its fault, poor thing, it cannot help it!
+</p>
+
+<p>
+Petter Nord felt almost proud at having cheated life out of its most profound
+secret.
+</p>
+
+<p>
+He thought he saw the pallid Spirit of Fasting creeping about over the earth in
+the shape of a beggar with Lenten twigs<a href="#fn-2" name="fnref-2" id="fnref-2"><sup>[2]</sup></a>
+in her hand. And he heard how she hissed at him: &ldquo;You have wished to
+celebrate the festival of joy and merry moods in the midst of the time of
+fasting, which is called life. Therefore shame and dishonor shall befall you,
+until you change your ways.&rdquo;
+</p>
+
+<p class="footnote">
+<a name="fn-2" id="fn-2"></a> <a href="#fnref-2">[2]</a>
+In Sweden, just before Easter, bunches of birch twigs with small feathers tied
+on the ends, are sold everywhere on the streets. The origin of this custom is
+unknown.&mdash;T<small>RANS</small>.
+</p>
+
+<p>
+He had changed his ways, and the Spirit of Fasting had protected him. He had
+never needed to go farther than to the big town, for he was never followed. And
+in its working quarter the Spirit of Fasting had her dwelling. Petter Nord
+found work in a machine shop. He grew strong and energetic. He became serious
+and thrifty. He had fine Sunday clothes; he acquired new knowledge, borrowed
+books and went to lectures. There was nothing really left of little Petter Nord
+but his white hair and his brown eyes.
+</p>
+
+<p>
+That night had broken something in him, and the heavy work at the machine-shop
+made the break ever bigger, so that the wild Värmland boy had crept quite out
+through it. He no longer talked nonsense, for no one was allowed to speak in
+the shop, and he soon learned silent ways. He no longer invented anything new,
+for since he had to look after springs and wheels in earnest, he no longer
+found them amusing. He never fell in love, for he could not be interested in
+the women of the working quarter, after he had learned to know the beauties of
+his native town. He had no mice, no squirrels, nothing to play with. He had no
+time; he understood that such things were useless, and he thought with horror
+of the time when he used to fight with street boys.
+</p>
+
+<p>
+Petter Nord did not believe that life could be anything but gray, gray, gray.
+Petter Nord always had a dull time, but he was so used to it that he did not
+notice it. Petter Nord was proud of himself because he had become so virtuous.
+He dated his good behavior from that night when Joy failed him and Fasting
+became his companion and friend.
+</p>
+
+<p>
+But how could the virtuous Petter Nord be coming to the village on a work-day,
+accompanied by three boon companions, who were loafers and drunken?
+</p>
+
+<p>
+He had always been a good boy, poor Petter Nord. And he had always tried to
+help those three good-for-nothings as well as he could, although he despised
+them. He had come with wood to their miserable hovel, when the winter was most
+severe, and he had patched and mended their clothes. The men held together like
+brothers, principally because they were all three named Petter. That name
+united them much more than if they bad been born brothers. And now they allowed
+the boy on account of that name to do them friendly services, and when they had
+got their grog ready and settled themselves comfortably on their wooden chairs,
+they entertained him, sitting and darning the gaping holes in their stockings,
+with gallows humor and adventurous lies. Petter Nord liked it, although he
+would not acknowledge it. They were now for him almost what the mice had been
+formerly.
+</p>
+
+<p>
+Now it happened that these wharf-rats had heard some gossip from the village.
+And after the space of six years they brought Petter Nord information that
+Halfvorson had put the fifty crowns out for him to disqualify him as a witness.
+And in their opinion Petter Nord ought to go back to the town and punish
+Halfvorson.
+</p>
+
+<p>
+But Petter Nord was sensible and deliberate, and equipped with the wisdom of
+this world. He would not have anything to do with such a proposal.
+</p>
+
+<p>
+The Petters spread the story about through the whole quarter. Every one said to
+Petter Nord: &ldquo;Go back and punish Halfvorson, then you will be arrested,
+and there will be a trial, and the thing will get into the papers, and the
+fellow&rsquo;s shame will be known throughout all the land.&rdquo;
+</p>
+
+<p>
+But Petter Nord would not. It might be amusing, but revenge is a costly
+pleasure, and Petter Nord knew that Life is poor. Life cannot afford such
+amusements.
+</p>
+
+<p>
+One morning the three men had come to him and said that they were going in his
+place to beat Halfvorson, &ldquo;that justice should be done on earth,&rdquo;
+as they said.
+</p>
+
+<p>
+Petter Nord threatened to kill all three of them if they went one step on the
+way to the village.
+</p>
+
+<p>
+Then one of them who was little and short, and whose name was Long-Petter, made
+a speech to Petter Nord.
+</p>
+
+<p>
+&ldquo;This earth,&rdquo; he said, is an apple hanging by a string over a fire
+to roast. By the fire I mean the kingdom of the evil one, Petter Nord, and the
+apple must hang near the fire to be sweet and tender; but if the string breaks
+and the apple falls into the fire, it is destroyed. Therefore the string is
+very important, Petter Nord. Do you understand what is meant by the
+string?&rdquo;
+</p>
+
+<p>
+&ldquo;I guess it must be a steel wire,&rdquo; said Petter Nord.
+</p>
+
+<p>
+&ldquo;By the string I mean justice,&rdquo; said Long-Petter with deep
+seriousness. &ldquo;If there is no justice on earth, everything falls into the
+fire. Therefore the avenger may not refuse to punish, or if he will not do it,
+others must.&rdquo;
+</p>
+
+<p>
+&ldquo;This is the last time I will offer any of you any grog,&rdquo; said
+Petter Nord, quite unmoved by the speech.
+</p>
+
+<p>
+&ldquo;Yes, it can&rsquo;t be helped,&rdquo; said Long-Petter, &ldquo;justice
+must be done.&rdquo;
+</p>
+
+<p>
+&ldquo;We do not do it to be thanked by you, but in order that the honorable
+name of Petter shall not be brought to disrepute,&rdquo; said one, whose name
+was Rulle-Petter, and who was tall and morose.
+</p>
+
+<p>
+&ldquo;Really, is the name so highly esteemed!&rdquo; said Petter Nord,
+contemptuously.
+</p>
+
+<p>
+&ldquo;Yes, and the worst of it is that they are beginning to say everywhere in
+all the saloons that you must have meant to steal the fifty crowns, since you
+will not have the shopkeeper punished.&rdquo;
+</p>
+
+<p>
+Those words bit in deep. Petter Nord started up and said that he would go and
+beat the shopkeeper.
+</p>
+
+<p>
+&ldquo;Yes, and we will go with you and help you,&rdquo; said the loafers.
+</p>
+
+<p>
+And so they started off, four men strong, to the village. At first Petter Nord
+was gloomy and surly, and much more angry with his friends than with his enemy.
+But when he came to the bridge over the river, he became quite changed. He felt
+as if he had met there a little, weeping fugitive, and had crept into him. And
+as he became more at home in the old Petter Nord he felt what a grievous wrong
+the shopkeeper had done him. Not only because he had tried to tempt him and
+ruin him, but, worst of all, because he had driven him away from that town,
+where Petter Nord could have remained Petter Nord all the days of his life. Oh,
+what fun he had had in those days, how happy and glad he had been, how open his
+heart, how beautiful the world! Lord God, if he had only been allowed always to
+live here! And he thought of what he was now&mdash;silent and stupid, serious
+and industrious&mdash;quite like a prodigal.
+</p>
+
+<p>
+He grew passionately angry with Halfvorson, and instead of, as before,
+following his companions, he dashed past them.
+</p>
+
+<p>
+But the tramps, who had not come merely to punish Halfvorson, but also to let
+their wrath break loose, hardly knew how to begin. There was nothing for an
+angry man to do here. There was not a dog to chase, not a street-sweeper to
+pick a quarrel with, nor a fine gentleman at whom to throw an insult.
+</p>
+
+<p>
+It was early in the year; the spring was just turning into summer. It was the
+white time of cherry and hawthorn blossoms, when bunches of lilacs cover the
+high, round bushes, and the air is full of the fragrance of the apple-blossoms.
+These men who had come direct from paved streets and wharves to this realm of
+flowers were strangely affected by it. Three pairs of fists that till now had
+been fiercely clenched, relaxed, and three pairs of heels thundered a little
+less violently against the pavement.
+</p>
+
+<p>
+From the market-place they saw a pathway that wound up the hill. Along it grew
+young cherry-trees which formed vaulted arches with their white tops. The arch
+was light and floating, and the branches absurdly slender, altogether weak,
+delicate and youthful.
+</p>
+
+<p>
+The cherry-tree path attracted the eyes of the men against their will. What an
+unpractical hole it was, where people planted cherry trees, where any one could
+take the cherries. The three Petters had considered it before as a nest of
+iniquity, full of cruelty and tyranny. Now they began to laugh at it, and even
+to despise it a little.
+</p>
+
+<p>
+But the fourth one of the company did not laugh. His longing for revenge was
+seething ever more fiercely, for he felt that this was the town where he ought
+to have lived and labored. It was his lost paradise. And without paying any
+attention to the others he walked quickly up the street.
+</p>
+
+<p>
+They followed him; and when they saw that there was only one street, and when
+they saw only flowers, and more flowers the whole length of it, their scorn and
+their good humor increased. It was perhaps the first time in their lives that
+they had ever noticed flowers, but here they could not help it, for the
+clusters of lilac blossoms brushed off their caps and the petals of
+cherry-blossoms rained down over them.
+</p>
+
+<p>
+&ldquo;What kind of people do you suppose live in this town?&rdquo; said
+Long-Petter, musingly.
+</p>
+
+<p>
+&ldquo;Bees,&rdquo; answered Cobbler-Petter, who had received his name because
+he had once lived in the same house as a shoemaker.
+</p>
+
+<p>
+Of course, little by little, they perceived a few people. In the windows,
+behind shining panes and white curtains, appeared young, pretty faces, and they
+saw children playing on the terraces. But no noise disturbed the silence. It
+seemed to them as if the trump of the Day of Doom itself would not be able to
+wake this town. What could they do with themselves in such a town!
+</p>
+
+<p>
+They went into a shop and bought some beer. There they asked several questions
+of the shopman in a terrible voice. They asked if the fire-brigade had their
+engines in order, and wondered if there were clappers in the church bells, if
+there should happen to be an alarm.
+</p>
+
+<p>
+They drank their beer in the street and threw the bottles away. One, two,
+three, all the bottles at the same corner, thunder and crash, and the splinters
+flew about their ears.
+</p>
+
+<p>
+They heard steps behind them, real steps; voices, loud, distinct voices;
+laughter, much laughter, and, moreover, a rattling as if of metal. They were
+appalled, and drew back into a doorway. It sounded like a whole company.
+</p>
+
+<p>
+It was one, too, but of young girls. All the maids of the town were going out
+in a body to the pastures to milk.
+</p>
+
+<p>
+It made the deepest impression on these city men, these citizens of the world.
+The maids of the town with milk-pails! It was almost touching!
+</p>
+
+<p>
+They suddenly jumped out of their doorway and cried &ldquo;Boo!&rdquo;
+</p>
+
+<p>
+The whole troop of girls scattered instantly. They screamed and ran. Their
+skirts fluttered; their head cloths loosened; their milk-pails rolled about the
+street.
+</p>
+
+<p>
+And at the same time, along the whole street, was heard a deafening sound of
+gates and doors slammed to, of hooks and bolts and locks.
+</p>
+
+<p>
+Farther down the street stood a big linden tree, and under it sat an old woman
+by a table with candies and cakes. She did not move; she did not look round;
+she only sat still. She was not asleep either.
+</p>
+
+<p>
+&ldquo;She is made of wood,&rdquo; said Cobbler-Petter.
+</p>
+
+<p>
+&ldquo;No, of clay,&rdquo; said Rulle-Petter.
+</p>
+
+<p>
+They walked abreast, all three. Just in front of the old woman they began to
+reel. They staggered against her table. And the old woman began to scold.
+</p>
+
+<p>
+&ldquo;Neither of wood nor of clay,&rdquo; they said,&mdash;&ldquo;venom, only
+venom.&rdquo;
+</p>
+
+<p>
+During all this time Petter Nord had not spoken to them, but now, at last, they
+were directly in front of Halfvorson&rsquo;s shop, and there he was waiting for
+them.
+</p>
+
+<p>
+&ldquo;This is, undeniably, my affair,&rdquo; he said proudly, and pointed at
+the shop. &ldquo;I wish to go in alone and attend to it. If I do not succeed,
+then you may try.&rdquo;
+</p>
+
+<p>
+They nodded. &ldquo;Go ahead, Petter Nord! We will wait outside.&rdquo;
+</p>
+
+<p>
+Petter Nord went in, found a young man alone in the shop, and asked about
+Halfvorson. He heard that the latter had gone away. He had quite a talk with
+the clerk, and obtained a good deal of information about his master.
+</p>
+
+<p>
+Halfvorson had never been accused of illicit trade. How he had behaved towards
+Petter Nord every one knew, but no one spoke of that affair any more.
+Halfvorson had risen in the world, and now he was not at all dangerous. He was
+not inhuman to his debtors, and had ceased to spy on his shop-boys. The last
+few years he had devoted himself to gardening. He had laid out a garden around
+his house in the town, and a kitchen garden near the customhouse. He worked so
+eagerly in his gardens that he scarcely thought of amassing money.
+</p>
+
+<p>
+Petter Nord felt a stab in his heart. Of course the man was good. He had
+remained in paradise. Of course any one was good who lived there.
+</p>
+
+<p>
+Edith Halfvorson was still with her uncle, but she had been ill for a while.
+Her lungs were weak, ever since an attack of pneumonia in the winter.
+</p>
+
+<p>
+While Petter Nord was listening to all this, and more too, the three men stood
+outside and waited.
+</p>
+
+<p>
+In Halfvorson&rsquo;s shadeless garden a bower of birch had been arranged so
+that Edith might lie there in the beautiful, warm spring days. She regained her
+strength slowly, but her life was no longer in danger.
+</p>
+
+<p>
+Some people make one feel that they are not able to live. At their first
+illness they lie down and die. Halfvorson&rsquo;s niece was long since weary of
+everything, of the office, of the dim little shop, of money-getting. When she
+was seventeen years old, she had the incentive of winning friends and
+acquaintances. Then she undertook to try to keep Halfvorson in the path of
+virtue, but now everything was accomplished. She saw no prospect of escaping
+from the monotony of her life. She might as well die.
+</p>
+
+<p>
+She was of an elastic nature, like a steel spring: a bundle of nerves and
+vivacity, when anything troubled or tormented her. How she had worked with
+strategy and artifice, with womanly goodness and womanly daring, before she had
+reached the point with her uncle when she was sure that there was no longer
+danger of any Petter Nord affairs! But now that he was tamed and subdued, she
+had nothing to interest her. Yes, and yet she would not die! She lay and
+thought of what she would do when she was well again.
+</p>
+
+<p>
+Suddenly she started up, hearing some one say in a very loud voice that he
+alone wished to settle with Halvorson. And then another voice answered:
+&ldquo;Go ahead, Petter Nord!&rdquo;
+</p>
+
+<p>
+Petter Nord was the most terrible, the most fatal name in the world. It meant a
+revival of all the old troubles. Edith rose with trembling limbs, and just then
+three dreadful creatures came around the corner and stopped to stare at her.
+There was only a low rail and a thin hedge between her and the street.
+</p>
+
+<p>
+Edith was alone. The maids had gone to milk, and Halfvorson was working in his
+garden by the custom-house, although he had told the shop-boy to nay that he
+had gone away, for he was ashamed of his passion for gardening. Edith was
+terribly frightened at the three men as well as at the one who had gone into
+the shop. She was sure that they wished to do her harm. So she turned and ran
+up the mountain by the steep, slippery path and the narrow, rotten wooden steps
+which led from terrace to terrace.
+</p>
+
+<p>
+The strange men thought it too delightfully funny that she ran from them. They
+could not resist pretending that they wished to catch her. One of them climbed
+up on the railing, and all three shouted with a terrible voice.
+</p>
+
+<p>
+Edith ran as one runs in dreams, panting, falling, terrified to death, with a
+horrible feeling of not getting away from one spot. All sorts of emotions
+stormed through her, and shook her so that she thought she was going to die.
+Yes, if one of those men laid his hand on her, she knew that she should die.
+When she had reached the highest terrace, and dared to look back, she found
+that the men were still in the street, and were no longer looking at her. Then
+she threw herself down on the ground, quite powerless. The exertion had been
+greater than she could bear. She felt something burst in her. Then blood
+streamed from her lips.
+</p>
+
+<p>
+She was found by the maids as they went home from the milking. She was then
+half dead. For the moment she was brought back to life, but no one dared to
+hope that she could live long.
+</p>
+
+<p>
+She could not talk that day enough to tell in what way she had been frightened.
+Had she done so, it is uncertain if the strange men had come alive from the
+town. They fared badly enough as it was. For after Petter Nord had come out to
+them again, and had told them that Halfvorson was not at home, all four of them
+in good accord went out through the gates, and found a sunny slope where they
+could sleep away the time until the shopman returned.
+</p>
+
+<p>
+But in the afternoon, when all the men of the town, who had been working in the
+fields, came home again, the women told them about the tramps&rsquo; visit,
+about their threatening questions in the shop where they had bought the beer,
+and about all their boisterous behavior. The women exaggerated and magnified
+everything, for they had sat at home and frightened one another the whole
+afternoon. Their husbands believed that their houses and homes were in danger.
+They determined to capture the disturbers of the peace, found a stout-hearted
+man to lead them, took thick cudgels with them and started off.
+</p>
+
+<p>
+The whole town was alive. The women came out on their doorsteps and frightened
+one another. It was both terrible and exciting.
+</p>
+
+<p>
+Before long the captors returned with their game. They had them all four. They
+had made a ring round them while they slept and captured them. No heroism had
+been required for the deed.
+</p>
+
+<p>
+Now they came back to the town with them, driving them as if they had been
+animals. A mad thirst for revenge had seized upon the conquerors. They struck
+for the pleasure of striking. When one of the prisoners clenched his fist at
+them, he received a blow on the head which knocked him down, and thereupon
+blows hailed upon him, until he got up and went on. The four men were almost
+dead.
+</p>
+
+<p>
+The old poems are so beautiful. The captured hero sometimes must walk in chains
+in the triumphal procession of his victorious enemy. But he is proud and
+beautiful still in adversity. And looks follow him as well as the fortunate one
+who has conquered him. Beauty&rsquo;s tears and wreaths belong to him still,
+even in misfortune.
+</p>
+
+<p>
+But who could be enraptured of poor Petter Nord? His coat was torn and his
+tow-colored hair sticky with blood. He received the most blows, for he offered
+the most resistance. He looked terrible, as he walked. He roared without
+knowing it. Boys caught hold of him, and he dragged them long distances. Once
+he stopped and flung off the crowd in the street. Just as he was about to
+escape, a blow from a cudgel fell on his head and knocked him down. He rose up
+again, half stunned, and staggered on, blows raining upon him, and the boys
+hanging like leeches to his arms and legs.
+</p>
+
+<p>
+They met the old Mayor, who was on his way home from his game of whist in the
+garden of the inn. &ldquo;Yes,&rdquo; he said to the advance
+guard,&mdash;&ldquo;yes, take them to the prison.&rdquo;
+</p>
+
+<p>
+He placed himself at the head of the procession, shouted and ordered. In a
+second everything was in line. Prisoners and guards marched in peace and order.
+The villagers&rsquo; cheeks flushed; some of them threw down their cudgels;
+others put them on their shoulders like muskets. And so the prisoners were
+transferred into the keeping of the police, and were taken to the prison in the
+market-place.
+</p>
+
+<p>
+Those who had saved the town stood a long time in the market-place and told of
+their courage and of their great exploit. And in the little room of the inn,
+where the smoke is as thick as a cloud, and the great men of the town mix their
+midnight toddy, more is heard of the deed, magnified. They grow bigger in their
+rocking-chairs; they swell in their sofa corners; they are all heroes. What
+force is slumbering in that little town of mighty memories! Thou formidable
+inheritance, thou old Viking blood!
+</p>
+
+<p>
+The old Mayor did not like the whole affair. He could not quite reconcile
+himself to the stirring of the old Viking blood. He could not sleep for
+thinking of it, and went out again into the street and strolled slowly towards
+the square.
+</p>
+
+<p>
+It was a mild spring night. The church clock&rsquo;s only hand pointed to
+eleven. The balls had ceased to roll on the bowling alley. The curtains were
+drawn down. The houses seemed to sleep with closed eyelids. The steep hill
+behind was black, as if in mourning. But in the midst of all the sleep there
+was one thing awake&mdash;the fragrance of the flowers did not sleep. It stole
+over the linden hedges; poured out from the gardens; rushed up and down the
+street; climbed up to every window standing open, to every skylight that sucked
+in fresh air.
+</p>
+
+<p>
+Every one whom the fragrance reached instantly saw before him his little town,
+although the darkness had gently settled down over it. He saw it as a village
+of flowers, where it was not house by house, but garden by garden. He saw the
+cherry trees that raised their white arches over the steep wood-path, the lilac
+clusters, the swelling buds of glorious roses, the proud peonies, and the
+drifts of flower-petals on the ground beneath the hawthorns.
+</p>
+
+<p>
+The old Mayor was deep in thought. He was so wise and so old. Seventy years had
+he reached, and for fifty he had managed the affairs of the town. But that
+night be asked himself if he had done right. &ldquo;I had the town in my
+hand,&rdquo; he thought, &ldquo;but I have not made it anything great.&rdquo;
+And he thought of its great past, and was the more uncertain if he had done
+right.
+</p>
+
+<p>
+He stood in the market-place, looking out over the river. A boat came with
+oars. A few villagers were coming home from a picnic. Girls in light dresses
+held the oars. They steered in under the arch of the bridge, but there the
+current was strong and they were drawn back. There was a violent struggle.
+Their slender bodies were bent backwards, until they lay even with the edge of
+the boat. Their soft arm-muscles tightened. The oars bent like bows. The noise
+of laughter and cries filled the air. Again and again the current conquered.
+The boat was driven back. And when at last the girls had to land at the market
+quay, and leave the boat for men to take home, how red and vexed they were, and
+how they laughed! How their laughter echoed down the street! How their broad,
+shady hats, their light, fluttering summer dresses enlivened the quiet night.
+</p>
+
+<p>
+The old Mayor saw in his mind&rsquo;s eye, for in the darkness he could not see
+them distinctly, their sweet, young faces, their beautiful clear eyes and red
+lips. Then he straightened himself proudly up. The little town was not without
+all glory. Other communities could boast of other things, but he knew no place
+richer in flowers and in the enchanting fairness of its women.
+</p>
+
+<p>
+Then the old man thought with new-born courage of his efforts. He need not fear
+for the future of the town. Such a town did not need to protect itself with
+strict laws.
+</p>
+
+<p>
+He felt compassion on the unfortunate prisoners. He went and waked the justice
+of the peace, and talked with him. And the two were of one mind. They went
+together to the prison and set Petter Nord and his companions free.
+</p>
+
+<p>
+And they did right. For the little town is like the Milo Aphrodite. It has
+alluring beauty, and it lacks arms to hold fast.
+</p>
+
+<h3>III</h3>
+
+<p>
+I shall almost be compelled to leave reality, and turn to the world of saga and
+extravagance to be able to relate what now happened. If young Petter Nord had
+been Per, the Swineherd, with a gold crown under his hat, it would all have
+seemed simple and natural. But no one, of course, will believe me if I say that
+Petter Nord also wore a royal crown on his tow hair. No one can ever know how
+many wonderful things happen in that little town. No one can guess how many
+enchanted princesses are waiting there for the shepherd boy of adventure.
+</p>
+
+<p>
+At first it looked as if there were to be no more adventures. For when Petter
+Nord had been set free by the old Mayor, and for the second time had to flee in
+shame and disgrace from the town, the same thoughts came over him as when he
+fled the first time. The polska tunes rang again suddenly in his ears, and
+loudest among them all sounded the old ring-dance.
+</p>
+
+<p class="poem">
+Christmas time has come,<br />
+Christmas time has come,<br />
+And after Christmas time comes Easter.<br />
+That is not true at all,<br />
+That is not true at all,<br />
+For Lent comes after Christmas feasting.
+</p>
+
+<p>
+And he saw distinctly the pallid Spirit of Fasting stealing about over the
+earth with her bundle of twigs on her arm. And she called to him:
+&ldquo;Spendthrift, spendthrift! You have wished to celebrate the festival of
+revenge and reparation during the time of fasting, that is called life. Can you
+afford such extravagances, foolish one?&rdquo;
+</p>
+
+<p>
+Thereupon he had again sworn obedience and become the quiet and thrifty
+workman. He again stood peaceful and sensible at his work. No one could believe
+that it was he who had roared with rage and flung about the people in the
+street, as an elk at bay shakes off the dogs.
+</p>
+
+<p>
+A few weeks later Halfvorson came to him at the machine-shop. He looked him up,
+at his niece&rsquo;s desire. She wished, if possible, to speak to him that same
+day.
+</p>
+
+<p>
+Petter Nord began to shake and tremble when he saw Halfvorson. It was as if he
+had seen a slippery snake. He did not know which he wished most&mdash;to strike
+him or to run away from him; but he soon perceived that Halfvorson looked much
+troubled.
+</p>
+
+<p>
+The tradesman looked as one does after having been out in a strong wind. The
+muscles of his face were drawn; his mouth was compressed; his eyes red and full
+of tears. He struggled visibly with some sorrow. The only thing in him that was
+the same was his voice. It was as inhumanly expressionless as ever.
+</p>
+
+<p>
+&ldquo;You need not be afraid of the old story nor of the new one
+either,&rdquo; said Halfvorson. &ldquo;It is known that you were with those men
+who made all the trouble with us the other day. And as we supposed that they
+came from here, I could learn where you were. Edith is going to die
+soon,&rdquo; he continued, and his whole face twitched as if it would fall to
+pieces. &ldquo;She wishes to speak to you before she dies. But we wish you no
+harm.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course I shall come,&rdquo; said Petter Nord.
+</p>
+
+<p>
+Soon they were both on board the steamer. Petter Nord was decked out in his
+fine Sunday clothes. Under his hat played and smiled all the dreams of his
+boyhood in a veritable kingly crown; they encircled his light hair.
+Edith&rsquo;s message made him quite dizzy. Had he not always thought that fine
+ladies would love him? And now here was one who wished to see him before she
+died. Most wonderful of all things wonderful!&mdash;He sat and thought of her
+as she had been formerly. How proud, how alive! And now she was going to die.
+He was in such sorrow for her sake. But that she had been thinking of him all
+these years! A warm, sweet melancholy came over him.
+</p>
+
+<p>
+He was really there again, the old, mad Petter Nord. As soon as he approached
+the village the Spirit of Fasting went away from him with disgust and contempt.
+</p>
+
+<p>
+Halfvorson could not keep still for a moment. The heavy gale, which he alone
+perceived, swept him forward and back on the deck. As he passed Petter, he
+murmured a few words, so that the latter could know by what paths his
+despairing thoughts wandered.
+</p>
+
+<p>
+&ldquo;They found her on the ground, half dead&mdash;blood everywhere about
+her,&rdquo; he said once. And another time: &ldquo;Was she not good? Was she
+not beautiful? How could such things come to her?&rdquo; And again: &ldquo;She
+has made me good too. Could not see her sitting in sorrow all day long and
+ruining the account-book with her tears.&rdquo; Then this came: &ldquo;A clever
+child, besides. Won her way with me. Made my home pleasant. Got me
+acquaintances among fine people. Understood what she was after, but could not
+resist her.&rdquo; He wandered away to the bow of the boat. When he came back
+he said: &ldquo;I cannot bear to have her die.&rdquo;
+</p>
+
+<p>
+He said it all with that helpless voice, which he could not subdue or control.
+Petter Nord had a proud feeling that such a man as he who wore a royal crown on
+his brow had no right to be angry with Halfvorson. The latter was separated
+from men by his infirmity, and could not win their love. Therefore he had to
+treat them all as enemies. He was not to be measured by the same standard as
+other people.
+</p>
+
+<p>
+Petter Nord sank again into his dreams. <i>She</i> had remembered him all these
+years, and now she could not die before she had seen him. Oh, fancy that a
+young girl for all these years had been thinking of him, loving him, missing
+him!
+</p>
+
+<p>
+As soon as they landed and reached the tradesman&rsquo;s house, he was taken to
+Edith, who was waiting for him in the arbor.
+</p>
+
+<p>
+The happy Petter Nord woke from his dreams when he saw her. She was a fair
+vision, this girl, withering away in emulation with the rootless birches around
+her. Her big eyes had darkened and grown clearer. Her hands were so thin and
+transparent that one feared to touch them for their fragility.
+</p>
+
+<p>
+And it was she who loved him. Of course he had to love her instantly in return,
+deeply, dearly, ardently! It was bliss, after so many years, to feel his heart
+glow at the sight of a fellow-being.
+</p>
+
+<p>
+He had stopped motionless at the entrance of the arbor, while eyes, heart and
+brain worked most eagerly. When she saw how he stood and stared at her, she
+began to smile with that most despairing smile in the world, the smile of the
+very ill, that says: &ldquo;See, this is what I have become, but do not count
+on me! I cannot be beautiful and charming any longer. I must die soon.&rdquo;
+</p>
+
+<p>
+It brought him back to reality. He saw that he had to do not with a vision, but
+with a spirit which was about to spread its wings, and therefore had made the
+walls of its prison so delicate and transparent. It now showed so plainly in
+his face and in the way he took Edith&rsquo;s hand, that he all at once
+suffered with her suffering,&mdash; that he had forgotten everything but grief,
+that she was going to die. The sick girl felt the same pity for herself, and
+her eyes filled with tears.
+</p>
+
+<p>
+Oh, what sympathy he felt for her from the first moment. He understood
+instantly that she would not wish to show her emotion. Of course it was
+agitating for her to see him, whom she had longed for so long, but it was her
+weakness that had made her betray herself. She naturally would not like him to
+pay any attention to it. And so he began on an innocent subject of
+conversation.
+</p>
+
+<p>
+&ldquo;Do you know what happened to my white mice?&rdquo; he said.
+</p>
+
+<p>
+She looked at him with admiration. He seemed to wish to make the way easier for
+her. &ldquo;I let them loose in the shop,&rdquo; she said. &ldquo;They have
+thriven well.&rdquo;
+</p>
+
+<p>
+&ldquo;No, really! Are there any of them left?&rdquo;
+</p>
+
+<p>
+&ldquo;Halfvorson says that he will never be rid of Petter Nord&rsquo;s mice.
+They have revenged you, you understand,&rdquo; she said with meaning.
+</p>
+
+<p>
+&ldquo;It was a very good race,&rdquo; answered Petter Nord, proudly.
+</p>
+
+<p>
+The conversation lagged for a while. Edith closed her eyes, as if to rest, and
+he kept a respectful silence. His last answer she had not understood. He had
+not responded to what she had said about revenge. When he began to talk of the
+mice, she believed that he understood what she wished to say to him. She knew
+that he had come to the town a few weeks before to be revenged. Poor Petter
+Nord! Many a time she had wondered what had become of him. Many a night had the
+cries of the frightened boy come to her in dreams. It was partly for his sake
+that she should never again have to live through such a night, that she had
+begun to reform her uncle, had made his house a home for him, had let the
+lonely man feel the value of having a sympathetic friend near him. Her lot was
+now again bound together with that of Petter Nord. His attempt at revenge had
+frightened her to death. As soon as she had regained her strength after that
+severe attack, she had begged Halfvorson to look him up.
+</p>
+
+<p>
+And Petter Nord sat there and believed that it was for love she had called him.
+He could not know that she believed him vindictive, coarse, degraded, a
+drunkard and a bully. He who was an example to all his comrades in the working
+quarter, he could not guess that she had summoned him, in order to preach
+virtue and good habits to him, in order to say to him, if nothing else helped:
+&ldquo;Look at me, Petter Nord! It is your want of judgment, your
+vindictiveness, that is the cause of my death. Think of it, and begin another
+life!&rdquo;
+</p>
+
+<p>
+He had come filled with love of life and dreams to celebrate love&rsquo;s
+festival, and she lay there and thought of plunging him into the black depths
+of remorse.
+</p>
+
+<p>
+There must have been something of the glory of the kingly crown shining on her,
+which made her hesitate so that she decided to question him first.
+</p>
+
+<p>
+&ldquo;But, Petter Nord, was it really you who were here with those three
+terrible men?&rdquo;
+</p>
+
+<p>
+He flushed and looked on the ground. Then he had to tell her the whole story of
+the day with all its shame. In the first place, what unmanliness he had shown
+in not sooner demanding justice, and how he had only gone because he was forced
+to it, and then how he had been beaten and whipped instead of beating some one
+himself. He did not dare to look up while he was speaking; he did expect that
+even those gentle eyes would judge him with forbearance. He felt that he was
+robbing himself of all the glory with which she must have surrounded him in her
+dreams.
+</p>
+
+<p>
+&ldquo;But Petter Nord, what would have happened if you had met
+Halfvorson?&rdquo; asked Edith, when he had finished.
+</p>
+
+<p>
+He hung his head even lower. &ldquo;I saw him well enough,&rdquo; he said.
+&ldquo;He had not gone away. He was working in his garden outside the gates.
+The boy in the shop told me everything.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, why did you not avenge yourself?&rdquo; said Edith.
+</p>
+
+<p>
+He was spared nothing.&mdash;But he felt the inquiring glance of her eyes on
+him and he began obediently: &ldquo;When the men lay down to sleep on a slope,
+I went alone to find Halfvorson, for I wished to have him to myself. He was
+working there, staking his peas. It must have rained in torrents the day
+before, for the peas had been broken down to the ground; some of the leaves
+were whipped to ribbons, others covered with earth. It was like a hospital, and
+Halfvorson was the doctor. He raised them up so gently, brushed away the earth
+and helped the poor little things to cling to the twigs. I stood and looked on.
+He did not hear me, and he had no time to look up. I tried to retain my anger
+by force. But what could I do? I could not fly at him while he was busy with
+the peas. My time will come afterwards, I thought.
+</p>
+
+<p>
+&ldquo;But then he started up, struck himself on the forehead and rushed away
+to the hotbed. He lifted the glass and looked in, and I looked too, for he
+seemed to be in the depths of despair. Yes, it was dreadful, of course. He had
+forgotten to shade it from the sun, and it must have been terribly hot under
+the glass. The cucumbers lay there half-dead and gasped for breath; some of the
+leaves were burnt, and others were drooping. I was so overcome, I too, that I
+never thought what I was doing, and Halfvorson caught sight of my shadow.
+&lsquo;Look here, take the watering-pot that is standing in the asparagus bed
+and run down to the river for water,&rsquo; he said, without looking up. I
+suppose he thought it was the gardener&rsquo;s boy. And I ran.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you, Petter Nord?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; you see, the cucumbers ought not to suffer on account of our
+enmity. I thought myself that it showed lack of character and so on, but I
+could not help it. I wanted to see if they would come to life. When I came
+back, he had lifted the glass off and still stood and stared despairingly. I
+thrust the watering-pot into his hand, and he began to pour over them. Yes, it
+was almost visible what good it did in the hotbed. I thought almost that they
+raised themselves, and he must have thought so too, for he began to laugh. Then
+I ran away.&rdquo;
+</p>
+
+<p>
+&ldquo;You ran away, Petter Nord, you ran away?&rdquo;
+</p>
+
+<p>
+Edith had raised herself in the arm-chair.
+</p>
+
+<p>
+&ldquo;I could not strike him,&rdquo; said Petter Nord.
+</p>
+
+<p>
+Edith felt an ever stronger impression of the glory round poor Petter
+Nord&rsquo;s head. So it was not necessary to plunge him into the depths of
+remorse with the heavy burden of sin around his neck. Was he such a man? Such a
+tender-hearted, sensitive man! She sank back, closed her eyes and thought. She
+did not need to say it to him. She was astonished that she felt such a relief
+not to have to cause him pain.
+</p>
+
+<p>
+&ldquo;I am so glad that you have given up your plans for revenge, Petter
+Nord,&rdquo; she began in friendly tones. &ldquo;It was about that that I
+wished to talk to you. Now I can die in peace.&rdquo;
+</p>
+
+<p>
+He drew along breath. She was not unfriendly.
+</p>
+
+<p>
+She did not look as if she had been mistaken in him. She must love him very
+much when she could excuse such cowardice.&mdash;For when she said that she had
+sent for him to ask him to give up his thoughts of revenge, it must have been
+from bashfulness not to have to acknowledge the real reason of the summons. She
+was so right in it. He who was the man ought to say the first word.
+</p>
+
+<p>
+&ldquo;How can they let you die?&rdquo; he burst out. &ldquo;Halfvorson and all
+the others, how can they? If I were here, I would refuse to let you die. I
+would give you all my strength. I would take all your suffering.&rdquo;
+</p>
+
+<p>
+&ldquo;I have no pain,&rdquo; she said, smiling at such bold promises.
+</p>
+
+<p>
+&ldquo;I am thinking that I would like to carry you away like a frozen bird,
+lay you under my vest like a young squirrel. Fancy what it would be to work if
+something so warm and soft was waiting for one at home! But if you were well,
+there would be so many&mdash;&rdquo;
+</p>
+
+<p>
+She looked at him with weary surprise, prepared to put him back in his proper
+place. But she must have seen again something of the magic crown about the
+boy&rsquo;s head, for she had patience with him. He meant nothing. He had to
+talk as he did. He was not like others.
+</p>
+
+<p>
+&ldquo;Ah,&rdquo; she said, indifferently, &ldquo;there are not so many, Petter
+Nord. There has hardly been any one in earnest.&rdquo;
+</p>
+
+<p>
+But now there came another turn to his advantage. In her suddenly awoke the
+eager hunger of a sick person for compassion. She longed for the tenderness,
+the pity that the poor workman could give her. She felt the need of being near
+that deep, disinterested sympathy. The sick cannot have enough of it. She
+wished to read it in his glance and his whole being. Words meant nothing to
+her.
+</p>
+
+<p>
+&ldquo;I like to see you here,&rdquo; she said. &ldquo;Sit here for a while,
+and tell me what you have been doing these six years!&rdquo;
+</p>
+
+<p>
+While he talked, she lay and drew in the indescribable something which passed
+between them. She heard and yet she did not hear. But by some strange sympathy
+she felt herself strengthened and vivified.
+</p>
+
+<p>
+Nevertheless she did get one impression from his story. It took her into the
+workman&rsquo;s quarter, into a new world, full of tumultuous hopes and
+strength. How they longed and trusted! How they hated and suffered!
+</p>
+
+<p>
+&ldquo;How happy the oppressed are,&rdquo; she said.
+</p>
+
+<p>
+It occurred to her, with a longing for life, that there might be something for
+her there, she who always needed oppression and compulsion to make life worth
+living.
+</p>
+
+<p>
+&ldquo;If I were well,&rdquo; she said, &ldquo;perhaps I would have gone there
+with you. I should enjoy working my way up with some one I liked.&rdquo;
+</p>
+
+<p>
+Petter Nord started. Here was the confession that he had been waiting for the
+whole time. &ldquo;Oh, can you not live!&rdquo; he prayed. And he beamed with
+happiness.
+</p>
+
+<p>
+She became observant. &ldquo;That is love,&rdquo; she said to herself.
+&ldquo;And now he believes that I am also in love. What madness, that Värmland
+boy!&rdquo;
+</p>
+
+<p>
+She wished to bring him back to reason, but there was something in Petter Nord
+on that day of victory that restrained her. She had not the heart to spoil his
+happy mood. She felt compassion for his foolishness and let him live in it.
+&ldquo;It does not matter, as I am to die so soon,&rdquo; she said to herself.
+</p>
+
+<p>
+But she sent him away soon after, and when he asked if he might not come again,
+she forbade him absolutely. &ldquo;But,&rdquo; she said, &ldquo;do you remember
+our graveyard up on the hill, Petter Nord. You can come there in a few weeks
+and thank death for that day.&rdquo;
+</p>
+
+<p>
+As Petter Nord came out of the garden, he met Halfvorson. He was walking
+forward and back in despair, and his only consolation was the thought that
+Edith was laying the burden of remorse on the wrong-doer. To see him
+overpowered by pangs of conscience, for that alone had he sought him out. But
+when he met the young workman, he saw that Edith had not told him everything.
+He was serious, but at the same time he certainly was madly happy.
+</p>
+
+<p>
+&ldquo;Has Edith told you why she is dying?&rdquo; said Halfvorson.
+</p>
+
+<p>
+&ldquo;No,&rdquo; answered Petter Nord.
+</p>
+
+<p>
+Halfvorson laid his hand on his shoulder as if to keep him from escaping.
+</p>
+
+<p>
+&ldquo;She is dying because of you, because of your damned pranks. She was
+slightly ill before, but it was nothing. No one thought that she would die; but
+then you came with those three wretched tramps, and they frightened her while
+you were in my shop. They chased her, and she ran away from them, ran till she
+got a hemorrhage. But that is what you wanted; you wished to be revenged on me
+by killing her, wished to leave me lonely and unhappy without a soul near me
+who cares for me. All my joy you wished to take from me, all my joy.&rdquo;
+</p>
+
+<p>
+He would have gone on forever, overwhelmed Petter Nord with reproaches, killed
+him with curses; but the latter tore himself away and ran, as if an earthquake
+had shaken the town and all the houses were tumbling down.
+</p>
+
+<h3>IV</h3>
+
+<p>
+Behind the town the mountain walls rise perpendicularly, but after one has
+climbed up them by steep stone steps and slippery pine paths, one finds that
+the mountain spreads out into a wide, undulating plateau. And there lies an
+enchanted wood.
+</p>
+
+<p>
+Over the whole stretch of the mountain stands a pine wood without pine-needles;
+a wood which dies in the spring and grows green in the autumn; a lifeless wood,
+which blossoms with the joy of life when other trees are laying aside their
+green garments; a wood that grows without any one knowing how, that stands
+green in winter frosts and brown in summer dews.
+</p>
+
+<p>
+It is a newly-planted wood. Young firs have been forced to take root in the
+clefts between the granite blocks. Their tough roots have bored down like sharp
+wedges into the fissures and crevices. It was very well for a while; the young
+trees shot up like spires, and the roots bored down into the granite. But at
+last they could go no further, and then the wood was filled with an
+ill-concealed peevishness. It wished to go high, but also deep. After the way
+down had been closed to it, it felt that life was not worth living. Every
+spring it was ready to throw off the burden of life in its discouragement.
+During the summer when Edith was dying, the young wood was quite brown. High
+above the town of flowers stood a gloomy row of dying trees.
+</p>
+
+<p>
+But up on the mountain it is not all gloom and the agony of death. As one walks
+between the brown trees, in such distress that one is ready to die, one catches
+glimpses of green trees. The perfume of flowers fills the air; the song of
+birds exults and calls. Then thoughts rise of the sleeping forest and of the
+paradise of the fairy-tale, encircled by thorny thickets. And when one comes at
+last to the green, to the flower fragrance, to the song of the birds, one sees
+that it is the hidden graveyard of the little town.
+</p>
+
+<p>
+The home of the dead lies in an earth-filled hollow in the mountain plateau.
+And there, within the grey stone walls, the knowledge and weariness of life
+end. Lilacs stand at the entrance, bending under heavy clusters. Lindens and
+beeches spread a lofty arch of luxuriant growth over the whole place. Jasmines
+and roses blossom freely in that consecrated earth. Over the big old tombstones
+creep vines of ivy and periwinkle.
+</p>
+
+<p>
+There is a corner where the pine-trees grow mast-high. Does it not seem as if
+the young wood outside ought to be ashamed at the sight of them? And there are
+hedges there, quite grown beyond their keeper&rsquo;s hands, blooming and
+sending forth shoots without thought of shears or knife.
+</p>
+
+<p>
+The town now has a new burial-place, to which the dead can come without special
+trouble. It was a weary way for them to be carried up in winter, when the steep
+wood-paths are covered with ice, and the steps slippery and covered with snow.
+The coffin creaked; the bearers panted; the old clergyman leaned heavily on the
+sexton and the grave-digger. Now no one has to be buried up there who does not
+ask it.
+</p>
+
+<p>
+The graves are not beautiful. There are few who know how to make the
+resting-place of the dead attractive. But the fresh green sheds its peace and
+beauty over them all. It is strangely solemn to know that those who are buried
+are glad to lie there. The living who go up after a day hot with work, go there
+as among friends. Those who sleep have also loved the lofty trees and the
+stillness.
+</p>
+
+<p>
+If a stranger comes up there, they do not tell him of death and loss; they sit
+down on the big slabs of stone, on the broad burgomaster tombs, and tell him
+about Petter Nord, the Värmland boy, and of his love. The story seems fitting
+to be told up here, where death has lost its terrors. The consecrated earth
+seems to rejoice at having also been the scene of awakened happiness and
+new-born life.
+</p>
+
+<p>
+For it happened that after Petter Nord ran away from Halfvorson, he sought
+refuge in the graveyard.
+</p>
+
+<p>
+At first he ran towards the bridge over the river and turned his steps towards
+the big town. But on the bridge the unfortunate fugitive stopped. The kingly
+crown on his brow was quite gone. It had disappeared as if it had been spun of
+sunbeams. He was deeply bent with sorrow; his whole body shook; his heart
+throbbed; his brain burned like fire.
+</p>
+
+<p>
+Then he thought he saw the Spirit of Fasting coming towards him for the third
+time. She was much more friendly, much more compassionate than before; but she
+seemed to him only so much the more terrible.
+</p>
+
+<p>
+&ldquo;Alas, unhappy one,&rdquo; she said, &ldquo;surely this must be the last
+of your pranks! You have wished to celebrate the festival of love during that
+time of fasting which is called life; but you see what happens to you. Come now
+and be faithful to me; you have tried everything and have only me to whom to
+turn.&rdquo;
+</p>
+
+<p>
+He waved his arm to keep her off. &ldquo;I know what you wish of me. You wish
+to lead me back to work and renunciation, but I cannot. Not now, not
+now!&rdquo;
+</p>
+
+<p>
+The pallid Spirit of Fasting smiled ever more mildly. &ldquo;You are innocent,
+Petter Nord. Do not grieve so over what you have not caused! Was not Edith kind
+to you? Did you not see that she had forgiven you? Come with me to your work!
+Live, as you have lived!&rdquo;
+</p>
+
+<p>
+The boy cried more vehemently. &ldquo;Is it any better for me, do you think,
+that I have killed just her who has been kind to me, her, who cares for me? Had
+it not been better if I had murdered some one whom I wished to murder. I must
+make amends. I must save her life. I cannot think of work now.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, you madman,&rdquo; said the Spirit of Fasting, &ldquo;the festival
+of reparation which you wish to celebrate is the greatest audacity of
+all.&rdquo;
+</p>
+
+<p>
+Then Petter Nord rebelled absolutely against his friend of many years. He
+scoffed at her. &ldquo;What have you made me believe?&rdquo; he said.
+&ldquo;That you were a tiresome and peevish old woman with arms full of small,
+harmless twigs. You are a sorceress of life. You are a monster. You are
+beautiful, and you are terrible. You yourself know no bounds nor limits; why
+should I know them? How can you preach fasting, you, who wish to deluge me with
+such an overmeasure of sorrow? What are the festivals I have celebrated
+compared to those you are continually preparing for me! Begone with your pallid
+moderation! Now I wish to be as mad as yourself.&rdquo;
+</p>
+
+<p>
+Not one step could he take towards the big town. Neither could he turn directly
+round and again go the length of the one street in the village; he took the
+path up the mountain, climbed to the enchanted pine-wood, and wandered about
+among the stiff, prickly young trees, until a friendly path led him to the
+graveyard. There he found a hiding-place in a corner where the pines grew high
+as masts, and there he threw himself weary unto death on the ground.
+</p>
+
+<p>
+He almost lost consciousness. He did not know if time passed or if everything
+stood still. But after a while steps were heard, and he woke to a feeble
+consciousness. He seemed to have been far, far away. He saw a funeral
+procession draw near, and instantly a confused thought rose in him. How long
+had he lain there? Was Edith dead already? Was she looking for him here? Was
+the corpse in the coffin hunting for its murderer? He shook and sweated. He lay
+well hidden in the dark pine thicket; but he trembled for what might happen if
+the corpse found him. He bent aside the branches and looked out. A hunted
+deserter could not have spied more wildly after his pursuers.
+</p>
+
+<p>
+The funeral was that of a poor man. The attendance was small. The coffin was
+lowered without wreaths into the grave. There was no sign of tears on any of
+the faces. Petter Nord had still enough sense to see that this could not be
+Edith Halfvorson&rsquo;s funeral train.
+</p>
+
+<p>
+But if this was not she, who knows if it was not a greeting from her. Petter
+Nord felt that he had no right to escape. She had said that he was to go up to
+the graveyard. She must have meant that he was to wait for her there, so that
+she could find him to give him his punishment. The funeral was a greeting, a
+token. She wished him to wait for her there.
+</p>
+
+<p>
+To his sick brain the low churchyard wall rose as high as a rampart. He stared
+despairingly at the frail trellis-gate; it was like the most solid door of oak.
+He was imprisoned. He could never get away, until she herself came up and
+brought him his punishment.
+</p>
+
+<p>
+What she was going to do with him he did not know. Only one thing was distinct
+and clear; that he must wait here until she came for him. Perhaps she would
+take him with her into the grave; perhaps she would command him to throw
+himself from the mountain. He could not know&mdash;he must wait for a while
+yet.
+</p>
+
+<p>
+Reason fought a despairing struggle: &ldquo;You are innocent, Petter Nord. Do
+not grieve over what you have not caused! She has not sent you any messages. Go
+down to your work! Lift your foot and you are over the wall; push with one
+finger and the gate is open.&rdquo;
+</p>
+
+<p>
+No, he could not. Most of the time he was in a stupor, a trance. His thoughts
+were indistinct, as when on the point of falling asleep. He only knew one
+thing, that he must stay where he was.
+</p>
+
+<p>
+The news came to her lying and fading in emulation with the rootless birches.
+&ldquo;Petter Nord, with whom you played one summer day, is in the graveyard
+waiting for you. Petter Nord, whom your uncle has frightened out of his senses,
+cannot leave the graveyard until your flower-decked coffin comes to fetch
+him.&rdquo;
+</p>
+
+<p>
+The girl opened her eyes as if to look at the world once more. She sent a
+message to Petter Nord. She was angry at his mad pranks. Why could she not die
+in peace? She had never wished that he should have any pangs of conscience for
+her sake.
+</p>
+
+<p>
+The bearer of the message came back without Petter Nord. He could not come. The
+wall was too high and the gate too strong. There was only one who could free
+him.
+</p>
+
+<p>
+During those days they thought of nothing else in the little town. &ldquo;He is
+there; he is there still,&rdquo; they told one another every day. &ldquo;Is he
+mad?&rdquo; they asked most often, and some who had talked with him answered
+that he certainly would be when &ldquo;she&rdquo; came. But they were
+exceedingly proud of that martyr to love who gave a glory to the town. The poor
+took him food. The rich stole up on the mountain to catch a glimpse of him.
+</p>
+
+<p>
+But Edith, who could not move, who lay helpless and dying, she who had so much
+time to think, with what was she occupying herself? What thoughts revolved in
+her brain day and night? Oh, Petter Nord, Petter Nord! Must she always see
+before her the man who loved her, who was losing his mind for her sake, who
+really, actually was in the graveyard waiting for her coffin.
+</p>
+
+<p>
+See, that was something for the steel-spring in her nature. That was something
+for her imagination, something for her benumbed senses. To think what he meant
+to do when she should come! To imagine what he would do if she should not come
+there as a corpse!
+</p>
+
+<p>
+They talked of it in the whole town, talked of it and nothing else. As the
+cities of ancient times had loved their martyrs, the little village loved the
+unhappy Petter Nord; but no one liked to go into the graveyard and talk to him.
+He looked wilder each day. The obscurity of madness sank ever closer about him.
+&ldquo;Why does she not try to get well?&rdquo; they said of Edith. &ldquo;It
+is unjust of her to die.&rdquo;
+</p>
+
+<p>
+Edith was almost angry. She who was so tired of life, must she be compelled to
+take up the heavy burden again? But nevertheless she began an honest effort.
+She felt what a work of repairing and mending was going on in her body with
+seething force during these weeks. And no material was spared. She consumed
+incredible quantities of those things which give strength and life, whatever
+they may be: malt extract or codliver oil, fresh air or sunshine, dreams or
+love.
+</p>
+
+<p>
+And what glorious days they were, long, warm, and sunny!
+</p>
+
+<p>
+At last she got the doctor&rsquo;s permission to be carried up there. The whole
+town was in alarm when she undertook the journey. Would she come down with a
+madman? Could the misery of those weeks be blotted out of his brain? Would the
+exertions she had made to begin life again be profitless? And if it were so,
+how would it go with her?
+</p>
+
+<p>
+As she passed by, pale with excitement, but still full of hope, there was cause
+enough for anxiety. No one concealed from themselves that Petter Nord had taken
+quite too large a place in her imagination. She was the most eager of all in
+the worship of that strange saint. All restraints had fallen from her when she
+had heard what he suffered for her sake. But how would the sight of him affect
+her enthusiasm? There is nothing romantic in a madman.
+</p>
+
+<p>
+When she had been carried up to the gate of the graveyard, she left her bearers
+and walked alone up the broad middle path. Her gaze wandered round the
+flowering spot, but she saw no one.
+</p>
+
+<p>
+Suddenly she heard a faint rustle in a clump of fir-trees, and she saw a wild,
+distorted face staring from it. Never had she seen terror so plainly stamped on
+a face. She was frightened herself at the sight of it, mortally frightened. She
+could hardly restrain herself from running away.
+</p>
+
+<p>
+Then a great, holy feeling welled up in her. There was no longer any thought of
+love or enthusiasm, but only grief that a fellow-being, one of the unhappy ones
+who passed through the vale of tears with her, should be destroyed.
+</p>
+
+<p>
+The girl remained. She did not give way a single step; she let him slowly
+accustom himself to the sight of her. But she put all the strength she
+possessed in her gaze. She drew the man to her with the whole force of the will
+that had conquered the illness in herself.
+</p>
+
+<p>
+He came forward out of his corner, pale, wild and unkempt. He advanced towards
+her, but the terror never left his face. He looked as if he were fascinated by
+a wild beast, which came to tear him to pieces. When he was quite close to her,
+she put both her hands on his shoulders and looked smiling into his face.
+</p>
+
+<p>
+&ldquo;Come, Petter Nord, what is the matter with you? You must go from here!
+What do you mean by staying so long up here in the graveyard, Petter
+Nord?&rdquo;
+</p>
+
+<p>
+He trembled and sank down. But she felt that she subdued him with her eyes. Her
+words, on the other hand, seemed to have absolutely no meaning to him.
+</p>
+
+<p>
+She changed her tone a little. &ldquo;Listen to what I say, Petter Nord. I am
+not dead. I am not going to die. I have got well in order to come up here and
+save you.&rdquo;
+</p>
+
+<p>
+He still stood in the same dull terror. Again there came a change in her voice.
+&ldquo;You have not caused my death,&rdquo; she said more tenderly, &ldquo;you
+have given me life.&rdquo;
+</p>
+
+<p>
+She repeated it again and again. And her voice at last was trembling with
+emotion, thick with weeping. But he did not understand anything of what she
+said.
+</p>
+
+<p>
+&ldquo;Petter Nord, I love you so much, so much!&rdquo; she burst out.
+</p>
+
+<p>
+He was just as unmoved.
+</p>
+
+<p>
+She knew nothing more to try with him. She would have to take him down with her
+to the town and let time and care help.
+</p>
+
+<p>
+It is not easy to say what the dreams she had taken up there with her were and
+what she had expected from this meeting with the man who loved her. Now, when
+she was to give it all up and treat him as a madman only, she felt such pain,
+as if she was about to lose the dearest thing life had given her. And in that
+bitterness of loss she drew him to her and kissed him on the forehead.
+</p>
+
+<p>
+It was meant as a farewell to both happiness and life. She felt her strength
+fail her. A mortal weakness came over her.
+</p>
+
+<p>
+But then she thought she saw a feeble sign of life in him. He was not quite so
+limp and dull. His features were twitching. He trembled more and more
+violently. She watched with ever-growing alarm. He was waking, but to what? At
+last he began to weep.
+</p>
+
+<p>
+She led him away to a tomb. She sat down on it, pulled him down in front of her
+and laid his head on her lap. She sat and caressed him, while he wept.
+</p>
+
+<p>
+He was like some one waking from a nightmare.
+</p>
+
+<p>
+&ldquo;Why am I weeping?&rdquo; he asked himself. &ldquo;Oh, I know; I had such
+a terrible dream. But it is not true. She is alive. I have not killed her. So
+foolish to weep for a dream.&rdquo;
+</p>
+
+<p>
+Gradually everything grew clear to him; but his tears continued to flow. She
+sat and caressed him, but he wept still for a long time.
+</p>
+
+<p>
+&ldquo;I feel such a need of weeping,&rdquo; he said.
+</p>
+
+<p>
+Then he looked up and smiled. &ldquo;Is it Easter now?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;What do you mean by now?&rdquo;
+</p>
+
+<p>
+&ldquo;It can be called Easter, when the dead rise again,&rdquo; he continued.
+Thereupon, as if they had been intimate many years, he began to tell her about
+the Spirit of Fasting and of his revolt against her rule.
+</p>
+
+<p>
+&ldquo;It is Easter now, and the end of her reign,&rdquo; she said.
+</p>
+
+<p>
+But when he realized that Edith was sitting there and caressing him, he had to
+weep again. He needed so much to weep. All the distrust of life which
+misfortunes had brought to the little Värmland boy needed tears to wash it
+away. Distrust that love and joy, beauty and strength blossomed on the earth,
+distrust in himself, all must go, all did go, for it was Easter; the dead lived
+and the Spirit of Fasting would never again <i>come into power</i>.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>THE LEGEND OF THE BIRD&rsquo;S NEST</h2>
+
+<p>
+Hatto the hermit stood in the wilderness and prayed to God. A storm was raging,
+and his long beard and matted hair waved about him like weather-beaten tufts of
+grass on the summit of an old ruin. But he did not push his hair out of his
+eyes, nor did he tuck his beard into his belt, for his arms were uplifted in
+prayer. Ever since sunrise he had raised his gnarled, hairy arms towards
+heaven, as untiringly as a tree stretches up its branches, and he meant to
+remain standing so till night. He had a great boon to pray for.
+</p>
+
+<p>
+He was a man who had suffered much of the world&rsquo;s anger. He had himself
+persecuted and tortured, and persecutions and torture from others had fallen to
+his share, more than his heart could bear. So he went out on the great heath,
+dug himself a hole in the river bank and became a holy man, whose prayers were
+heard at God&rsquo;s throne.
+</p>
+
+<p>
+Hatto the hermit stood there on the river bank by his hole and prayed the great
+prayer of his life. He prayed God that He should appoint the day of doom for
+this wicked world. He called on the trumpet-blowing angels, who were to
+proclaim the end of the reign of sin. He cried out to the waves of the sea of
+blood, which were to drown the unrighteous. He called on the pestilence, which
+should fill the churchyards with heaps of dead.
+</p>
+
+<p>
+Round about stretched a desert plain. But a little higher up on the river bank
+stood an old willow with a short trunk, which swelled out at the top in a great
+knob like a head, from which new, light-green shoots grew out. Every autumn it
+was robbed of these strong, young branches by the inhabitants of that fuel-less
+heath. Every spring the tree put forth new, soft shoots, and in stormy weather
+these waved and fluttered about it, just as hair and beard fluttered about
+Hatto the hermit.
+</p>
+
+<p>
+A pair of wagtails, which used to make their nest in the top of the
+willow&rsquo;s trunk among the sprouting branches, had intended to begin their
+building that very day. But among the whipping shoots the birds found no quiet.
+They came flying with straws and root fibres and dried sedges, but they had to
+turn back with their errand unaccomplished. Just then they noticed old Hatto,
+who called upon God to make the storm seven times more violent, so that the
+nests of the little birds might be swept away and the eagle&rsquo;s eyrie
+destroyed.
+</p>
+
+<p>
+Of course no one now living can conceive how mossy and dried-up and gnarled and
+black and unlike a human being such an old plain-dweller could be. The skin was
+so drawn over brow and cheeks, that he looked almost like a death&rsquo;s-head,
+and one saw only by a faint gleam in the hollows of the eye sockets that he was
+alive. And the dried-up muscles of the body gave it no roundness, and the
+upstretched, naked arms consisted only of shapeless bones, covered with
+shrivelled, hardened, bark-like skin. He wore an old, close-fitting, black
+robe. He was tanned by the sun and black with dirt. His hair and beard alone
+were light, bleached by the rain and sun, until they had become the same
+green-gray color as the under side of the willow leaves.
+</p>
+
+<p>
+The birds, flying about, looking for a place to build, took Hatto the hermit
+for another old willow-tree, checked in its struggle towards the sky by axe and
+saw like the first one. They circled about him many times, flew away and came
+again, took their landmarks, considered his position in regard to birds of prey
+and winds, found him rather unsatisfactory, but nevertheless decided in his
+favor, because he stood so near to the river and to the tufts of sedge, their
+larder and storehouse. One of them shot swift as an arrow down into his
+upstretched hand and laid his root fibre there.
+</p>
+
+<p>
+There was a lull in the storm, so that the root-fibre was not torn instantly
+away from the hand; but in the hermit&rsquo;s prayers there was no pause:
+&ldquo;May the Lord come soon to destroy this world of corruption, so that man
+may not have time to heap more sin upon himself! May he save the unborn from
+life! For the living there is no salvation.&rdquo;
+</p>
+
+<p>
+Then the storm began again, and the little root-fibre fluttered away out of the
+hermit&rsquo;s big gnarled hand. But the birds came again and tried to wedge
+the foundation of the new home in between the fingers. Suddenly a shapeless and
+dirty thumb laid itself on the straws and held them fast, and four fingers
+arched themselves so that there was a quiet niche to build in. The hermit
+continued his prayers.
+</p>
+
+<p>
+&ldquo;Oh Lord, where are the clouds of fire which laid Sodom waste? When wilt
+Thou let loose the floods which lifted the ark to Ararat&rsquo;s top? Are not
+the cups of Thy patience emptied and the vials of Thy grace exhausted? Oh Lord,
+when wilt Thou rend the heavens and come?&rdquo;
+</p>
+
+<p>
+And feverish visions of the Day of Doom appeared to Hatto the hermit. The
+ground trembled, the heavens glowed. Across the flaming sky he saw black clouds
+of flying birds, a horde of panic-stricken beasts rushed, roaring and
+bellowing, past him. But while his soul was occupied with these fiery visions,
+his eyes began to follow the flight of the little birds, as they flashed to and
+fro and with a cheery peep of satisfaction wove a new straw into the nest.
+</p>
+
+<p>
+The old man had no thought of moving. He had made a vow to pray without moving
+with uplifted hands all day in order to force the Lord to grant his request.
+The more exhausted his body became, the more vivid visions filled his brain. He
+heard the walls of cities fall and the houses crack. Shrieking, terrified
+crowds rushed by him, pursued by the angels of vengeance and destruction,
+mighty forms with stern, beautiful faces, wearing silver coats of mail, riding
+black horses and swinging scourges, woven of white lightning.
+</p>
+
+<p>
+The little wagtails built and shaped busily all day, and the work progressed
+rapidly. On the tufted heath with its stiff sedges and by the river with its
+reeds and rushes, there was no lack of building material. They had no time for
+noon siesta nor for evening rest. Glowing with eagerness and delight, they flew
+to and fro, and before night came they had almost reached the roof.
+</p>
+
+<p>
+But before night came, the hermit had begun to watch them more and more. He
+followed them on their journeys; he scolded them when they built foolishly; he
+was furious when the wind disturbed their work; and least of all could he
+endure that they should take any rest.
+</p>
+
+<p>
+Then the sun set, and the birds went to their old sleeping place in among the
+rushes.
+</p>
+
+<p>
+Let him who crosses the heath at night bend clown until his face comes on a
+level with the tufts of grass, and he will see a strange spectacle outline
+itself against the western sky. Owls with great, round wings skim over the
+ground, invisible to any one standing upright. Snakes glide about there, lithe,
+quick, with narrow heads uplifted on swanlike necks. Great turtles crawl slowly
+forward, hares and water-rats flee before preying beasts, and a fox bounds
+after a bat, which is chasing mosquitos by the river. It seems as if every tuft
+has come to life. But through it all the little birds sleep on the waving
+rushes, secure from all harm in that resting-place which no enemy can approach,
+without the water splashing or the reeds shaking and waking them.
+</p>
+
+<p>
+When the morning came, the wagtails believed at first that the events of the
+day before had been a beautiful dream.
+</p>
+
+<p>
+They had taken their landmarks and flew straight to their nest, but it was
+gone. They flew searching over the heath and rose up into the air to spy about.
+There was not a trace of nest or tree. At last they lighted on a couple of
+stones by the river bank and considered. They wagged their long tails and
+cocked their heads on one side. Where had the tree and nest gone?
+</p>
+
+<p>
+But hardly had the sun risen a handsbreadth over the belt of trees on the other
+bank, before their tree came walking and placed itself on the same spot where
+it had been the day before. It was just as black and gnarled as ever and bore
+their nest on the top of something, which must be a dry, upright branch.
+</p>
+
+<p>
+Then the wagtails began to build again, without troubling themselves any more
+about nature&rsquo;s many wonders.
+</p>
+
+<p>
+Hatto the hermit, who drove the little children away from his hole telling them
+that it had been best for them if they had never been born, he who rushed out
+into the mud to hurl curses after the joyous young people who rowed up the
+stream in pleasure-boats, he from whose angry eyes the shepherds on the heath
+guarded their flocks, did not return to his place by the river for the sake of
+the little birds. He knew that not only has every letter in the holy books its
+hidden, mysterious meaning, but so also has everything which God allows to take
+place in nature. He had thought out the meaning of the wagtails building in his
+hand. God wished him to remain standing with uplifted arms until the birds had
+raised their brood; and if he should have the power to do that, he would be
+heard.
+</p>
+
+<p>
+But during that day he did not see so many visions of the Day of Doom. Instead,
+he watched the birds more and more eagerly. He saw the nest soon finished. The
+little builders fluttered about it and inspected it. They went after a few bits
+of lichen from the real willow-tree and fastened them on the outside, to fill
+the place of plaster and paint. They brought the finest cotton-grass, and the
+female wagtail took feathers from her own breast and lined the nest.
+</p>
+
+<p>
+The peasants, who feared the baleful power that the hermit&rsquo;s prayers
+might have at the throne of God, used to bring him bread and milk to mitigate
+his wrath. They came now too and found him standing motionless, with the
+bird&rsquo;s nest in his hand. &ldquo;See how the holy man loves the little
+creatures,&rdquo; they said, and were no longer afraid of him, but lifted the
+bowl of milk to his mouth and put the bread between his lips. When he had eaten
+and drunk, he drove away the people with angry words, but they only smiled at
+his curses.
+</p>
+
+<p>
+His body had long since become the slave of his will. By hunger and blows, by
+praying all day, by waking a week at a time, he had taught it obedience. Now
+the steel-like muscles held his arms uplifted for days and weeks, and when the
+female wagtail began to sit on her eggs and never left the nest, he did not
+return to his hole even at night. He learned to sleep sitting, with upstretched
+arms. Among the dwellers in the wilderness there are many who have done greater
+things.
+</p>
+
+<p>
+He grew accustomed to the two little, motionless bird-eyes which stared down at
+him over the edge of the nest. He watched for hail and rain, and sheltered the
+nest as well as he could.
+</p>
+
+<p>
+At last one day the female is freed from her duties. Both the birds sit on the
+edge of the nest, wag their tails and consult and look delighted, although the
+whole nest seems to be full of an anxious peeping. After a while they set out
+on the wildest hunt for midges.
+</p>
+
+<p>
+Midge after midge is caught and brought to whatever it is that is peeping up
+there in his hand. And when the food comes, the peeping is at its very loudest.
+The holy man is disturbed in his prayers by that peeping.
+</p>
+
+<p>
+And gently, gently he bends his arm, which has almost lost the power of moving,
+and his little fiery eyes stare down into the nest.
+</p>
+
+<p>
+Never had he seen anything so helplessly ugly and miserable: small, naked
+bodies, with a little thin down, no eyes, no power of flight, nothing really
+but six big, gaping mouths.
+</p>
+
+<p>
+It seemed very strange to him, but he liked them just as they were. Their
+father and mother he had never spared in the general destruction, but when
+hereafter he called to God to ask of Him the salvation of the world through its
+annihilation, he made a silent exception of those six helpless ones.
+</p>
+
+<p>
+When the peasant women now brought him food, he no longer thanked them by
+wishing their destruction. Since he was necessary to the little creatures up
+there, he was glad that they did not let him starve to death.
+</p>
+
+<p>
+Soon six round heads were to be seen the whole day long stretching over the
+edge of the nest. Old Hatto&rsquo;s arm sank more and more often to the level
+of his eyes. He saw the feathers push out through the red skin, the eyes open,
+the bodies round out. Happy inheritors of the beauty nature has given to flying
+creatures, they developed quickly in their loveliness.
+</p>
+
+<p>
+And during all this time prayers for the great destruction rose more and more
+hesitatingly to old Hatto&rsquo;s lips. He thought that he had God&rsquo;s
+promise, that it should come when the little birds were fledged. Now he seemed
+to be searching for a loop-hole for God the Father. For these six little
+creatures, whom he had sheltered and cherished, he could not sacrifice.
+</p>
+
+<p>
+It was another matter before, when he had not had anything that was his own.
+The love for the small and weak, which it has been every little child&rsquo;s
+mission to teach big, dangerous people, came over him and made him doubtful.
+</p>
+
+<p>
+He sometimes wanted to hurl the whole nest into the river, for he thought that
+they who die without sorrow or sin are the happy ones. Should he not save them
+from beasts of prey and cold, from hunger, and from life&rsquo;s manifold
+visitations? But just as he thought this, a sparrow-hawk came swooping down on
+the nest. Then Hatto seized the marauder with his left hand, swung him about
+his head and hurled him with the strength of wrath out into the stream.
+</p>
+
+<p>
+The day came at last when the little birds were ready to fly. One of the
+wagtails was working inside the nest to push the young ones out to the edge,
+while the other flew about, showing them how easy it was, if they only dared to
+try. And when the young ones were obstinate and afraid, both the parents flew
+about, showing them all their most beautiful feats of flight. Beating with
+their wings, they flew in swooping curves, or rose right up like larks or hung
+motionless in the air with vibrating wings.
+</p>
+
+<p>
+But as the young ones still persist in their obstinacy, Hatto the hermit cannot
+keep from mixing himself up in the matter. He gives them a cautious shove with
+his finger and then it is done. Out they go, fluttering and uncertain, beating
+the air like bats, sink, but rise again, grasp what the art is and make use of
+it to reach the nest again as quickly as possible. Proud and rejoicing, the
+parents come to them again and old Hatto smiles.
+</p>
+
+<p>
+It was he who gave the final touch after all.
+</p>
+
+<p>
+He now considered seriously if there could not be any way out of it for our
+Lord.
+</p>
+
+<p>
+Perhaps, when all was said, God the Father held this earth in His right hand
+like a big bird&rsquo;s nest, and perhaps He had come to cherish love for all
+those who build and dwell there, for all earth&rsquo;s defenceless children.
+Perhaps He felt pity for those whom He had promised to destroy, just as the
+hermit felt pity for the little birds.
+</p>
+
+<p>
+Of course the hermit&rsquo;s birds were much better than our Lord&rsquo;s
+people, but he could quite understand that God the Father nevertheless had love
+for them.
+</p>
+
+<p>
+The next day the bird&rsquo;s nest stood empty, and the bitterness of
+loneliness filled the heart of the hermit. Slowly his arm sank down to his
+side, and it seemed to him as if all nature held its breath to listen for the
+thunder of the trumpet of Doom. But just then all the wagtails came again and
+lighted on his head and shoulders, for they were not at all afraid of him. Then
+a ray of light shot through old Hatto&rsquo;s confused brain. He had lowered
+his arm, lowered it every day to look at the birds.
+</p>
+
+<p>
+And standing there with all the six young ones fluttering and playing about
+him, he nodded contentedly to some one whom he did not see. &ldquo;I let you
+off,&rdquo; he said, &ldquo;I let you off. I have not kept my word, so you need
+not keep yours.&rdquo;
+</p>
+
+<p>
+And it seemed to him as if the mountains ceased to tremble and as if the river
+laid itself down in easy calm in its bed.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>THE KING&rsquo;S GRAVE</h2>
+
+<p>
+It was at the time of year when the heather is red. It grew over the sand-hills
+in thick clumps. From low tree-like stems close-growing green branches raised
+their hardy ever-green leaves and unfading flowers. They seemed not to be made
+of ordinary, juicy flower substance, but of dry, hard scales. They were very
+insignificant in size and shape; nor was their fragrance of much account.
+Children of the open moors, they had not unfolded in the still air where lilies
+open their alabaster petals; nor did they grow in the rich soil from which
+roses draw nourishment for their swelling crowns. What made them flowers was
+really their color, for they were glowing red. They had received the
+color-giving sunshine in plenty. They were no pallid cellar growth; the blessed
+gaiety and strength of health lay over all the blossoming heath.
+</p>
+
+<p>
+The heather covered the bare fields with its red mantle up to the edge of the
+wood. There, on a gently sloping ridge, stood some ancient, half ruined stone
+cairns; and however closely the heather tried to creep to these, there were
+always rents in its web, through which were visible great, flat rocks, folds in
+the mountain&rsquo;s own rough skin. Under the biggest of these piles rested an
+old king, Atle by name. Under the others slumbered those of his warriors who
+had fallen when the great battle raged on the moor. They had lain there now so
+long that the fear and respect of death had departed from their graves. The
+path ran between their resting-places. The wanderer by night never thought to
+look whether forms wrapped in mist sat at midnight on the tops of the cairns
+staring in silent longing at the stars.
+</p>
+
+<p>
+It was a glittering morning, dewy and warm. The hunter who had been out since
+daybreak had thrown himself down in the heather behind King Atle&rsquo;s pile.
+He lay on his back and slept. He had dragged his hat down over his eyes; and
+under his head lay his leather game-bag, out of which protruded a hare&rsquo;s
+long ears and the bent tail-feathers of a black-cock. His bow and arrows lay
+beside him.
+</p>
+
+<p>
+From out of the wood came a girl with a bundle in her hand. When she reached
+the flat rock between the piles of stones, she thought what a good place it
+would be to dance. She was seized with an ardent desire to try. She laid her
+bundle on the heather and began to dance quite alone. She had no idea that a
+man lay asleep behind the king&rsquo;s cairn.
+</p>
+
+<p>
+The hunter still slept. The heather showed burning red against the deep blue of
+the sky. An anthill stood close beside the sleeper. On it lay a piece of
+quartz, which sparkled as if it had wished to set fire to all the old stubble
+of the heath. Above the hunter&rsquo;s head the black-cock feathers spread out
+like a plume, and their iridescence shifted from deep purple to steely blue. On
+the unshaded part of his face the burning sunshine glowed. But he did not open
+his eyes to look at the glory of the morning.
+</p>
+
+<p>
+In the meanwhile the girl continued to dance, and whirled about so eagerly that
+the blackened moss which had collected in the unevennesses of the rocks flew
+about her. An old, dry fir root, smooth and gray with age, lay upturned among
+the heather. She took it and whirled about with it. Chips flew out from the
+mouldering wood. Centipedes and earwigs that had lived in the crevices scurried
+out head over heels into the luminous air and bored down among the roots of the
+heather.
+</p>
+
+<p>
+When the swinging skirts grazed the heather, clouds of small grey butterflies
+fluttered up from it. The under side of their wings was white and silvery and
+they whirled like dry leaves in a squall. They then seemed quite white, and it
+was as if a red sea threw up white foam. The butterflies remained for a short
+time in the air. Their fragile wings fluttered so violently that the down
+loosened and fell like thin silver white feathers. The air seemed to be filled
+with a glorified mist.
+</p>
+
+<p>
+On the heath grasshoppers sat and scraped their back legs against their wings,
+so that they sounded like harp strings. They kept good time and played so well
+together, that to any one passing over the moor it sounded like the same
+grasshopper during the whole walk, although it seemed to be first on the right,
+then on the left; now in front, now behind. But the dancer was not content with
+their playing and began after a little while to hum the measure of a dance
+tune. Her voice was shrill and harsh. The hunter was waked by the song. He
+turned on his side, raised himself to his elbow, and looked over the pile of
+stones at the dancing girl.
+</p>
+
+<p>
+He had dreamt that the hare which he had just killed had leaped out of the bag
+and had taken his own arrows to shoot at him. He now stared at the girl half
+awake, dizzy with his dream, his head burning from sleeping in the sun.
+</p>
+
+<p>
+She was tall and coarsely built, not fair of face, nor light in the dance, nor
+tuneful in her song. She had broad cheeks, thick lips and a flat nose. She had
+very red cheeks, very dark hair. She was exuberant in figure, moving with vigor
+and life. Her clothes were shabby but bright in color. Red bands edged the
+striped skirt and bright colored worsted fringes outlined the seams of her
+bodice. Other young maidens resemble roses and lilies, but she was like the
+heather, strong, gay and glowing.
+</p>
+
+<p>
+The hunter watched with pleasure as the big, splendid woman danced on the red
+heath among the playing grasshoppers and the fluttering butterflies. While he
+looked at her he laughed so that his mouth was drawn up towards his ears. But
+then she suddenly caught sight of him and stood motionless.
+</p>
+
+<p>
+&ldquo;I suppose you think I am mad,&rdquo; was the first thing that occurred
+to her to say. At the same time she wondered how she would get him to hold his
+tongue about what he had seen. She did not care to hear it told down in the
+village that she had danced with a fir root.
+</p>
+
+<p>
+He was a man poor in words. Not a syllable could he utter. He was so shy that
+he could think of nothing better than to run away, although he longed to stay.
+Hastily he got his hat on his head and his leather bag on his back. Then he ran
+away through the clumps of heather.
+</p>
+
+<p>
+She snatched up her bundle and ran after him. He was small, stiff in his
+movements and evidently had very little strength. She soon caught up with him
+and knocked his hat off to induce him to stop. He really wished to do so, but
+he was confused with shyness and fled with still greater speed. She ran after
+him and began to pull at his game-bag. Then he had to stop to defend it. She
+fell upon him with all her strength. They fought, and she threw him to the
+ground. &ldquo;Now he will not speak of it to any one,&rdquo; she thought, and
+rejoiced.
+</p>
+
+<p>
+At the same moment, however, she grew sick with fright, for the man who lay on
+the ground turned livid and his eyes rolled inwards in his head. He was not
+hurt in any way, however. He could not bear emotion. Never before had so strong
+and conflicting feelings stirred within that lonely forest dweller. He rejoiced
+over the girl and was angry and ashamed and yet proud that she was so strong.
+He was quite out of his head with it all.
+</p>
+
+<p>
+The big, strong girl put her arm under his back and lifted him up. She broke
+the heather and whipped his face with the stiff twigs until the blood came back
+to it. When his little eyes again turned towards the light of day, they shone
+with pleasure at the sight of her. He was still silent; but he drew forward the
+hand which she had placed about his waist and caressed it gently.
+</p>
+
+<p>
+He was a child of starvation and early toil. He was dry and pallid, thin and
+anaemic. She was touched by his faintheartedness; he who nevertheless seemed to
+be about thirty years old. She thought that he must live quite alone in the
+forest since he was so pitiful and so meanly dressed. He could have no one to
+look after him, neither mother nor sister nor sweetheart.
+</p>
+
+<hr />
+
+<p>
+The great compassionate forest spread over the wilderness. Concealing and
+protecting, it took to its heart everything which sought its help. With its
+lofty trunks it kept watch by the lair of the fox and the bear, and in the
+twilight of the thick bushes it hid the egg-filled nests of little birds.
+</p>
+
+<p>
+At the time when people still had slaves, many of them escaped to the woods and
+found shelter behind its green walls. It became a great prison for them which
+they did not dare to leave. The forest held its prisoners in strict discipline.
+It forced the dull ones to use their wits and educated those ruined by slavery
+to order and honor. Only to the industrious did it give the right to live.
+</p>
+
+<p>
+The two who met on the heath were descendants of such prisoners of the forest.
+They sometimes went down to the inhabited, cultivated valleys, for they no
+longer feared to be reduced to the slavery from which their forefathers had
+fled, but they were happiest in the dimness of the forest. The hunter&rsquo;s
+name was Tönne. His real work was to cultivate the earth, but he also could do
+other things. He collected herbs, boiled tar, dried punk, and often went
+hunting. The dancer was called Jofrid. Her father was a charcoal burner. She
+tied brooms, picked juniper berries and brewed ale of the white-flowering
+myrtle. They were both very poor.
+</p>
+
+<p>
+They had never met before in the big wood, but now they thought that all its
+paths wound into a net, in which they ran forward and back and could not
+possibly escape one another. They never knew how to choose a way where they did
+not meet.
+</p>
+
+<p>
+Tönne had once had a great sorrow. He had lived with his mother for a long
+while in a miserable, wattled hut, but as soon as he was grown up he was seized
+with the idea to build her a warm cabin. During all his leisure moments he went
+into the clearing, cut down trees and hewed them into squared pieces. Then he
+hid the timber in dark crannies under moss and branches. It was his intention
+that his mother should not know anything of all this work before he was ready
+to build the house. But his mother died before he could show her what he had
+collected; before he had time to tell her what he had wished to do. He, who had
+worked with the same zeal as David, King of Israel, when he gathered treasures
+for the temple of God, grieved most bitterly over it. He lost all interest in
+the building. For him the brushwood shelter was good enough. Yet he was hardly
+better off in his home than an animal in its hole.
+</p>
+
+<p>
+When he, who had always heretofore crept about alone, was now seized with the
+desire to seek Jofrid&rsquo;s company, it certainly meant that he would like to
+have her for his sweetheart and his bride. Jofrid also waited daily for him to
+speak to her father or to herself about the matter. But Tönne could not. This
+showed that he was of a race of slaves. The thoughts that came into his head
+moved as slowly as the sun when he travels across the sky. And it was more
+difficult for him to shape those thoughts to connected speech than for a smith
+to forge a bracelet out of rolling grains of sand.
+</p>
+
+<p>
+One day Tönne took Jofrid to one of the clefts, where he had hidden his timber.
+He pulled aside the branches and moss and showed her the squared beams.
+&ldquo;That was to have been mother&rsquo;s house,&rdquo; he said. The young
+girl was strangely slow in understanding a young man&rsquo;s thoughts. When he
+showed her his mother&rsquo;s logs she ought to have understood, but she did
+not understand.
+</p>
+
+<p>
+Then he decided to make his meaning even plainer. A few days later he began to
+drag the logs up to the place between the cairns, where he had seen Jofrid for
+the first time. She came as usual along the path and saw him at work.
+Nevertheless she went on without saying anything. Since they had become friends
+she had often given him a good handshake, but she did not seem to want to help
+him with the heavy work. Tönne still thought that she ought to have understood
+that it was now her house which he meant to build.
+</p>
+
+<p>
+She understood it very well, but she had no desire to give herself to such a
+man as Tönne. She wished to have a strong and healthy husband. She thought it
+would be a poor livelihood to marry any one who was weak and dull. Still, there
+was much which drew her to that silent, shy man. She thought how hard he had
+worked to gladden his mother and had not enjoyed the happiness of being ready
+in time. She could weep for his sake. And now he was building the house just
+where he had seen her dance. He had a good heart. And that interested her and
+fixed her thoughts on him, but she did not at all wish to marry him.
+</p>
+
+<p>
+Every day she went over the heather field and saw the log cabin grow, miserable
+and without windows, with the sunlight filtering in through the leaky walls.
+</p>
+
+<p>
+Tönne&rsquo;s work progressed very quickly, but not with care. His timbers were
+not bent square, the lark was scarcely taken off. He laid the floor with split
+young trees. It was uneven and shaky. The heather, which grew and blossomed
+under it,&mdash;for at year had passed since the day when Tönne had lain aleep
+behind King Atle&rsquo;s pile,&mdash; pushed up bold red clusters through the
+cracks, and ants without number wandered out and in, inspecting the fragile
+work of man.
+</p>
+
+<p>
+Wherever Jofrid went during those days, the thought never left her that a house
+was being built for her there. A home was being prepared for her upon the
+heath. And she knew that if she did not enter there as mistress, the bear and
+the fox would make it their home. For she knew Tönne well enough to understand
+that if he found he had worked in vain, he would never move into the new house.
+He would weep, poor man, when he heard that she would not live there. It would
+be a new sorrow for him, as deep as when his mother died. But he had himself to
+blame, because he had not asked her in time.
+</p>
+
+<p>
+She thought that she gave him a sufficient hint in not helping him with the
+house. She often felt impelled to do so. Every time she saw any soft, white
+moss, she wanted to pick it to fill in the leaky walls. She longed, too, to
+help Tönne to build the chimney. As he was making it, all the smoke would
+gather in the house. But it did not matter how it was. No food would ever be
+cooked there, no ale brewed. Still it was odious that the house would never
+leave her thoughts.
+</p>
+
+<p>
+Tönne worked, glowing with eagerness, certain that Jofrid would understand his
+meaning, if only the house were ready. He did not wonder much about her; he had
+enough to do to hew and shape. The days went quickly for him.
+</p>
+
+<p>
+One afternoon, when Jofrid came over the moor, she saw that there was a door in
+the cottage and a slab of stone for a threshold. Then she understood that
+everything must now be ready, and she was much agitated. Tönne had covered the
+roof with tufts of flowering heather, and she was seized by an intense longing
+to enter under that red roof. He was not at the new house and she decided to go
+in. The house was built for her. It was her home. It was not possible to resist
+the desire to see it.
+</p>
+
+<p>
+Within it was more attractive than she had expected. Rushes were strewed over
+the floor. It was full of the fresh fragrance of pine and resin. The sunshine
+that played through the windows and cracks made bands of light through the air.
+It looked as if she had been expected; in the crannies of the wall green
+branches were stuck, and in the fireplace stood a newly cut fir-tree. Tönne had
+not moved in his old furniture. There was nothing but a new table and a bench,
+over which an elk skin was thrown.
+</p>
+
+<p>
+As soon as Jofrid had crossed the threshold, she felt the pleasant cosiness of
+home surrounding her. She was happy and content while she stood there, but to
+leave it seemed to her as hard as to go away and serve strangers. It happened
+that Jofrid had expended much hard work in procuring a kind of dower for
+herself. With skilful hands she had woven bright colored fabrics, such as are
+used to adorn a room, and she wanted to put them up in her own home, when she
+got one. Now she wondered how those cloths would look here. She wished she
+could try them in the new house.
+</p>
+
+<p>
+She hurried quickly home, fetched her roll of weavings and began to fasten the
+bright-colored pieces of cloth up under the roof. She threw open the door to
+let the big setting sun shine on her and her work. She moved eagerly about the
+cottage, brisk, gay, bumming a merry tune. She was perfectly happy. It looked
+so fine. The woven roses and stars shone as never before.
+</p>
+
+<p>
+While she worked she kept a good look-out over the moor and the graves, for it
+seemed to her as if Tönne might now too be lying hidden behind one of the
+cairns and laughing at her. The king&rsquo;s grave lay opposite the door and
+behind it she saw the sun setting. Time after time she looked out. She felt as
+if some one was sitting there and watching her.
+</p>
+
+<p>
+Just as the sun was so low that only a few blood-red beams filtered over the
+old stone heap, she saw who it was who was watching her. The whole pile of
+stones was no longer stones, but a mighty, old warrior, who was sitting there,
+scarred and gray, and staring at her. Round about his head the rays of the sun
+made a crown, and his red mantle was so wide that it spread over the whole
+moor. His head was big and heavy, his face gray as stone. His clothes and
+weapons were also stone-colored, and repeated so exactly the shadings and
+mossiness of the rock, that one had to look closely to see that it was a
+warrior and not a pile of stones. It was like those insects which resemble
+tree-twigs. One can go by them twenty times before one sees that it is a soft
+animal body one has taken for hard wood.
+</p>
+
+<p>
+But Jofrid could no longer be mistaken. It was the old King Atle himself
+sitting there. She stood in the doorway, shaded her eyes with her hand, and
+looked right into his stony face. He had very small, oblique eyes under a
+dome-like brow, a broad nose and a long beard. And he was alive, that man of
+stone. He smiled and winked at her. She was afraid, and what terrified her most
+of all were his thick, muscular arms and hairy hands. The longer she looked at
+him the broader grew his smile, and at last he lifted one of his mighty arms to
+beckon her to him. Then Jofrid took flight towards home.
+</p>
+
+<p>
+But when Tönne came home and saw the housc adorned with starry weavings, he
+found courage to send a friend to Jofrid&rsquo;s father. The latter asked
+Jofrid what she thought about it and she gave her consent. She was well pleased
+with the way it had turned out, even if she had been half forced to give her
+hand. She could not say no to the man, to whose house she had already carried
+her dower. Still she looked first to see that old King Atle had again become a
+pile of stones.
+</p>
+
+<hr />
+
+<p>
+Tönne and Jofrid lived happily for many years. They earned a good reputation.
+&ldquo;They are good,&rdquo; people said. &ldquo;See how they stand by one
+another, see how they work together, see how one cannot live apart from the
+other!&rdquo;
+</p>
+
+<p>
+Tönne grew stronger, more enduring and less heavy-witted every day. Jofrid
+seemed to have made a whole man of him. Almost always he let her rule, but he
+also understood how to carry out his own will with tenacious obstinacy.
+</p>
+
+<p>
+Jests and merriment followed Jofrid wherever she went. Her clothes became more
+vivid the older she grew. Her whole face was bright red. But in Tönne&rsquo;s
+eyes she was beautiful.
+</p>
+
+<p>
+They were not so poor as many others of their class. They ate butter with their
+porridge and mixed neither bran nor bark in their bread. Myrtle ale foamed in
+their tankards. Their flocks of sheep and goats increased so quickly that they
+could allow themselves meat.
+</p>
+
+<p>
+Tönne once worked for a peasant in the valley. The latter, who saw how he and
+his wife worked together with great gaiety, thought like many another:
+&ldquo;See, these are good people.&rdquo;
+</p>
+
+<p>
+The peasant had lately lost his wife, and she had left behind her a child six
+months old. He asked Tönne and Jofrid to take his son as a foster-child.
+</p>
+
+<p>
+&ldquo;The child is very dear to me,&rdquo; he said, &ldquo;therefore I give it
+to you, for you are good people.&rdquo;
+</p>
+
+<p>
+They had no children of their own, so that it seemed very fitting for them to
+take it. They accepted it too without hesitation. They thought it would be to
+their advantage to bring up a peasant&rsquo;s child, besides which they
+expected to be cheered in their old age by their foster-son.
+</p>
+
+<p>
+But the child did not live to grow up with them. Before the year was out it was
+dead. It was said by many that it was the fault of the foster-parents, for the
+child had been unusually strong before it came to them. By that no one meant,
+however, that they had killed it intentionally, but rather that they had
+undertaken something beyond their powers. They had not had sense or love enough
+to give it the care it needed. They were accustomed only to think of themselves
+and to look out for themselves. They had no time to care for a child. They
+wished to go together to their work every day and to sleep a quiet sleep at
+night. They thought that the child drank too much of their good milk and did
+not allow him as much as themselves. They had no idea that they were treating
+the boy badly. They thought that they were just as tender to him as parents
+generally are. It seemed more to them as if their foster-son had been a
+punishment and a torment. They did not mourn him when he died.
+</p>
+
+<p>
+Women usually enjoy nothing better than to take care of a child; but Jofrid had
+a husband, whom she often had to care for like a mother, so that she desired no
+one else. They also love to see their children&rsquo;s quick growth; but Jofrid
+had pleasure enough in watching Tönne develop sense and manliness, in adorning
+and taking care of her house, in the increase of their flocks, and in the crops
+which they were raising below on the moor.
+</p>
+
+<p>
+Jofrid went to the peasant&rsquo;s farm and told him that the child was dead.
+Then the man said: &ldquo;I am like the man who puts cushions in his bed so
+soft that he sinks down to the hard bottom. I wished to care too well for my
+son, and look, now he is dead!&rdquo; And he was heart-broken.
+</p>
+
+<p>
+At his words Jofrid began to weep bitterly. &ldquo;Would to God that you had
+not left your son with us!&rdquo; she said. &ldquo;We were too poor. He could
+not get what he needed with us.&rdquo;
+</p>
+
+<p>
+&ldquo;That is not what I meant,&rdquo; answered the peasant. &ldquo;I believe
+that you have over-indulged the child. But I will not accuse any one, for over
+life and death God alone rules. Now I mean to celebrate the funeral of my only
+son with the same expense as if he had been full grown, and to the feast I
+invite both Tönne and you. By that you may know that I bear you no
+grudge.&rdquo;
+</p>
+
+<p>
+So Tönne and Jofrid went to the funeral banquet. They were well treated, and no
+one said anything unfriendly to them. The women who had dressed the
+child&rsquo;s body had related that it had been miserably thin and had borne
+marks of great neglect. But that could easily come from sickness. No one wished
+to believe anything bad about the foster-parents, for it was known that they
+were good people.
+</p>
+
+<p>
+Jofrid wept a great deal during those days, especially when she heard the women
+tell how they had to wake and toil for their little children. She noticed, too,
+that the women at the funeral were continually talking of their children. Some
+rejoiced so in them that they never could stop telling of their questions and
+games. Jofrid would have liked to have talked about Tönne, but most of them
+never spoke of their husbands.
+</p>
+
+<p>
+Late one evening Jofrid and Tönne came home from the festivities. They went
+straight to bed. But hardly had they fallen asleep before they were waked by a
+feeble crying. &ldquo;It is the child,&rdquo; they thought, still half asleep,
+and were angry at being disturbed. But suddenly both of them sat right up in
+the bed. The child was dead. Where did that crying come from? When they were
+quite awake, they heard nothing, but as soon as they began to drop off to sleep
+they heard it. Little, tottering feet sounded on the stone threshold outside
+the house, a little hand groped for the door, and when it could not open it,
+the child crept crying and feeling along the wall, until it stopped just
+outside where they were sleeping. As soon as they spoke or sat up, they
+perceived nothing; but when they tried to sleep, they distinctly heard the
+uncertain steps and the suppressed sobbings.
+</p>
+
+<p>
+That which they had not wished to believe, but which seemed a possibility
+during these last days, now became a certainty. They felt that they had killed
+the child. Why otherwise should it have the power to haunt them?
+</p>
+
+<p>
+From that night all happiness left them. They lived in constant fear of the
+ghost. By day they had some peace, but at night they were so disturbed by the
+child&rsquo;s weeping and choking sobs, that they did not dare to sleep alone.
+Jofrid often went long distances to get some one to stop over night in their
+house. If there was any stranger there, it was quiet, but as soon as they were
+alone, they heard the child.
+</p>
+
+<p>
+One night, when they had found no one to keep them company and could not sleep
+for the child, Jofrid got up from her bed.
+</p>
+
+<p>
+&ldquo;You sleep, Tönne,&rdquo; she said. &ldquo;If I keep awake, we will not
+hear anything.&rdquo;
+</p>
+
+<p>
+She went out and sat down on the doorstep, thinking of what they ought to do to
+get peace, for they could not go on living as things were. She wondered if
+confession and penance and mortification and repentance could relieve them from
+this heavy punishment.
+</p>
+
+<p>
+Then it happened that she raised her eyes and saw the same vision as once
+before from this place. The pile of stones had changed to a warrior. The night
+was quite dark, but still she could plainly see that old King Atle sat there
+and watched her. She saw him so well that she could distinguish the moss-grown
+bracelets on his wrists and could see how his legs were bound with crossed
+bands, between which his calf muscles swelled.
+</p>
+
+<p>
+This time she was not afraid of the old man. He seemed to be a friend and
+consoler in her unhappiness. He looked at her with pity, as if he wished to
+give her courage. Then she thought that the mighty warrior had once had his
+day, when he had overthrown hundreds of enemies there on the heath and waded
+through the streams of blood that had poured between the clumps. What had he
+thought of one dead man more or less? How much would the sight of children,
+whose fathers he had killed, have moved his heart of stone? Light as air would
+the burden of a child&rsquo;s death have rested on his conscience.
+</p>
+
+<p>
+And she heard his whisper, the same which the old stone-cold heathenism had
+whispered through all time. &ldquo;Why repent? The gods rule us. The fates spin
+the threads of life. Why shall the children of earth mourn because they have
+done what the immortal gods have forced them to do?&rdquo;
+</p>
+
+<p>
+Then Jofrid took courage and said to herself: &ldquo;How am I to blame because
+the child died? It is God alone who decides. Nothing takes place without his
+will.&rdquo; And she thought that she could lay the ghost by putting all
+repentance from her.
+</p>
+
+<p>
+But now the door opened and Tönne came out to her. &ldquo;Jofrid,&rdquo; he
+said, &ldquo;it is in the house now. It came up and knocked on the edge of the
+bed and woke me. What shall we do, Jofrid?&rdquo;
+</p>
+
+<p>
+&ldquo;The child is dead,&rdquo; said Jofrid. &ldquo;You know that it is lying
+deep under ground. All this is only dreams and imagination.&rdquo; She spoke
+hardly and coldly, for she feared that Tönne would do something reckless, and
+thereby cause them misfortune.
+</p>
+
+<p>
+&ldquo;We must put an end to it,&rdquo; said Tönne.
+</p>
+
+<p>
+Jofrid laughed dismally. &ldquo;What do you wish to do? God has sent this to
+us. Could He not have kept the child alive if He had chosen? He did not wish
+it, and now He persecutes us for its death. Tell me by what right He persecutes
+us?&rdquo;
+</p>
+
+<p>
+She got her words from the old stone warrior, who sat dark and high on his
+pile. It seemed as if he suggested to her everything she answered Tönne.
+</p>
+
+<p>
+&ldquo;We must acknowledge that we have neglected the child, and do
+penance,&rdquo; said Tönne.
+</p>
+
+<p>
+&ldquo;Never will I suffer for what is not my fault,&rdquo; said Jofrid.
+&ldquo;Who wanted the child to die? Not I, not I. What kind of a penance will
+you do? You need all your strength for work.&rdquo;
+</p>
+
+<p>
+&ldquo;I have already tried with scourging,&rdquo; said Tönne. &ldquo;It is of
+no avail.&rdquo;
+</p>
+
+<p>
+&ldquo;You see,&rdquo; she said, and laughed again.
+</p>
+
+<p>
+&ldquo;We must try something else,&rdquo; Tönne went on with persistent
+determination. &ldquo;We must confess.&rdquo;
+</p>
+
+<p>
+&ldquo;What do you want to tell God, that He does not know?&rdquo; mocked
+Jofrid. &ldquo;Does He not guide your thoughts, Tönne? What will you tell
+Him?&rdquo; She thought that Tönne was stupid and obstinate. She had found him
+so in the beginning of their acquaintance, but since then she had not thought
+of it, but had loved him for his good heart.
+</p>
+
+<p>
+&ldquo;We will confess to the father, Jofrid, and offer him
+compensation.&rdquo;
+</p>
+
+<p>
+&ldquo;What will you offer him?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;The house and the goats.&rdquo;
+</p>
+
+<p>
+&ldquo;He will certainly demand an enormous compensation for his only son. All
+that we possess would not be enough.&rdquo;
+</p>
+
+<p>
+&ldquo;We will give ourselves as slaves into his power, if he is not content
+with less.&rdquo;
+</p>
+
+<p>
+At these words Jofrid was seized by cold despair, and she hated Tönne from the
+depths of her soul. Everything she would lose appeared so plainly to
+her,&mdash;freedom, for which her ancestors had ventured their lives, the
+house, her comforts, honor and happiness.
+</p>
+
+<p>
+&ldquo;Mark my words, Tönne,&rdquo; she said hoarsely, half choked with pain,
+&ldquo;that the day you do that thing will be the day of my death.&rdquo;
+</p>
+
+<p>
+After that no more words were exchanged between them, but they remained sitting
+on the doorstep until the day came. Neither found a word to appease or to
+conciliate; each felt fear and scorn of the other. The one measured the other
+by the standard of his own anger, and they found each other narrow-minded and
+bad-tempered.
+</p>
+
+<p>
+After that night Jofrid could not refrain from letting Tönne feel that he was
+her inferior. She let him understand in the presence of others that he was
+stupid, and helped him with his work so that he had to think how much stronger
+she was. She evidently wished to take away from him all rights as master of the
+house. Sometimes she pretended to be very lively, to distract him and to
+prevent him from brooding. He had not done anything to carry out his plan, but
+she did not believe that he had given it up.
+</p>
+
+<p>
+During this time Tönne became more and more as he was before his marriage. He
+grew thin and pale, silent and slow-witted. Jofrid&rsquo;s despair increased
+each day, for it seemed as if everything was to be taken from her. Her love for
+Tönne came back, however, when she saw him unhappy. &ldquo;What is any of it
+worth to me if Tönne is ruined?&rdquo; she thought. &ldquo;It is better to go
+into slavery with him than to see him die in freedom.&rdquo;
+</p>
+
+<hr />
+
+<p>
+Jofrid, however, could not at once decide to obey Tönne. She fought a long and
+severe fight. But one morning she awoke in an unusually calm and gentle mood.
+Then she thought that she could now do what he demanded. And she waked him,
+saying that it should be as he wished. Only that one day he should grant her to
+say farewell to everything.
+</p>
+
+<p>
+The whole forenoon she went about strangely gentle. Tears rose easily to her
+eyes. The heath was beautiful that day for her sake, she thought. Frost had
+passed over it, the flowers were gone, and the whole moor had turned brown. But
+when it was lighted by the slanting rays of the autumn sun, it looked as if the
+heather glowed red once more. And she remembered the day when she saw Tönne for
+the first time.
+</p>
+
+<p>
+She wished that she might see the old king once more, for he had helped her to
+find her happiness. She had been seriously afraid of him of late. She felt as
+if he were lying in wait to seize her. But now she thought he could no longer
+have any power over her. She would remember to look for him towards night when
+the moon rose.
+</p>
+
+<p>
+It happened that a couple of wandering musicians came by about noon. Jofrid had
+the idea to ask them to stop at her house the whole afternoon, for she wished
+to have a dance. Tönne had to hasten to her parents and ask them to come. And
+her small brothers and sisters ran down to the village for the other guests.
+Soon many people had collected.
+</p>
+
+<p>
+There was great gaiety. Tönne kept apart in a corner of the house, as was his
+habit when they had guests, but Jofrid was quite wild in her fun. With shrill
+voice she led the dance and was eager in offering her guests the foaming ale.
+There was not much room in the cottage, but the fiddlers were untiring, and the
+dance went on with life and spirit. It grew suffocatingly warm. The door was
+thrown open, and all at once Jofrid saw that night had come and that the moon
+had risen. Then she went to the door and looked out into the white world of the
+moonlight.
+</p>
+
+<p>
+A heavy dew had fallen. The whole heath was white, as the moon was reflected in
+all the little drops, which had collected on every twig. There Tönne and she
+would go to-morrow hand in hand to meet the most terrible dishonor. For,
+however the meeting with the peasant should turn out, whatever he might take or
+whatever he might let them keep, dishonor would certainly be their lot. They,
+who that evening possessed a good cottage and many friends, to-morrow would be
+despised and detested by all, perhaps they would also be robbed of everything
+they had earned, perhaps, too, be dishonored slaves. She said to herself:
+&ldquo;It is the way of death.&rdquo; And now she could not understand how she
+would ever have the strength to walk in it. It seemed to her as if she were of
+stone, a heavy stone image like old King Atle. Although she was alive, she felt
+as if she would not be able to lift her heavy stone limbs to walk that way.
+</p>
+
+<p>
+She turned her eyes towards the king&rsquo;s grave and distinctly saw the old
+warrior sitting there. But now he was adorned as for a feast. He no longer wore
+the gray, moss-grown stone attire, but white, glittering silver. Now again he
+wore a crown of beams, as when she first saw him, but this one was white. And
+white shone his breastplate and armlets, shining white were sword, hilt, and
+shield. He sat and watched her with silent indifference. The unfathomable
+mystery which great stone faces wear had now sunk down over him. There he sat
+dark and mighty, and Jofrid had a faint, indistinct idea that he was an image
+of something which was in herself and in all men, of something which was buried
+in far-away centuries, covered by many stones, and still not dead. She saw him,
+the old king, sitting deep in the human heart. Over its barren field he spread
+his wide king&rsquo;s mantle. There pleasure danced, there love of display
+flaunted. He was the great stone warrior who saw famine and poverty pass by
+without his stone heart being moved. &ldquo;It is the will of the gods,&rdquo;
+he said. He was the strong man of stone, who could bear unatoned-for sin
+without yielding. He always said: &ldquo;Why grieve for what you have done,
+compelled by the immortal gods?&rdquo;
+</p>
+
+<p>
+Jofrid&rsquo;s breast was shaken by a sigh deep as a sob. She had a feeling
+which she could not explain, a feeling that she ought to struggle with the man
+of stone, if she was to be happy. But at the same time she felt helplessly
+weak.
+</p>
+
+<p>
+Her impenitence and the struggle out on the heath seemed to her to be one and
+the same thing, and if she could not conquer the first by some means or other,
+the last would gain power over her.
+</p>
+
+<p>
+She looked back towards the cottage, where the weavings glowed under the roof
+timbers, where the musicians spread merriment, and where everything she loved
+was, then she felt that she could not go into slavery. Not even for
+Tönne&rsquo;s sake could she do it. She saw his pale face within in the house,
+and she asked herself with a contraction of the heart if he was worth the
+sacrifice of everything for his sake.
+</p>
+
+<p>
+In the cottage the people had started a new dance. They arranged themselves in
+a long line, took each other by the hand, and with a wild, strong young man at
+the head, they rushed forward at dizzy speed. The leader drew them through the
+open door out cm to the moonlit heath. They stormed by Jofrid, panting and
+wild, stumbling against stones, falling into the heather, making wide rings
+round the house, circling about the heaps of stones. The last of the line
+called to Jofrid and stretched out his hand to her. She seized it and ran too.
+</p>
+
+<p>
+It was not a dance, only a mad rush; but there was pleasure in it, audacity and
+the joy of living. The rings became bolder, the cries sounded louder, the
+laughter more boisterous. From cairn to cairn, as they lay scattered over the
+heath, wound the line of dancers. If any one fell in the wild swinging, he was
+dragged up, the slow ones were driven onward; the musicians stood in the
+doorway and played the faster. There was no time to rest, to think, nor to look
+about. The dance went on at always madder speed over the yielding moss and
+slippery rocks.
+</p>
+
+<p>
+During all this Jofrid felt more and more clearly that she wished to keep her
+freedom, that she would rather die than lose it. She saw that she could not
+follow Tönne. She thought of running away, of hurrying into the wood and never
+coming back.
+</p>
+
+<p>
+They had circled about all the cairns except that of King Atle. Jofrid saw that
+they were now turning towards it and she kept her eyes fixed on the stone man.
+Then she saw how his giant arms were stretched towards the rushing dancers. She
+screamed aloud, but she was answered by loud laughter. She wished to stop, but
+a strong grasp drew her on. She saw him snatch at those hurrying by, but they
+were so quick that the heavy arms could not reach any of them. It was
+incomprehensible to her that no one saw him. The agony of death came over her.
+She thought that he would reach her. It was for her that he had lain in wait
+for many years. With the others it was only play. It was she whom he would
+seize at last.
+</p>
+
+<p>
+Her turn came to rush by King Atle. She saw how he raised himself and bent for
+a spring to be sure of the matter and catch her. In her extreme need she felt
+that if she only could decide to give in the next day, he would not have the
+power to catch her, but she could not.&mdash;She came last, and she was swung
+so violently that she was more dragged and jerked forward than running herself,
+and it was hard for her to keep from falling. And although she passed at
+lightning speed, the old warrior was too quick for her. The heavy arms sank
+down over her, the stone hands seized her, she was drawn into the silvery
+harness of that breast. The agony of death took more and more hold of her, but
+she knew to the very last that it was because she had not been able to conquer
+the stone king in her own heart that Atle had power over her.
+</p>
+
+<p>
+It was the end of the dancing and merriment. Jofrid lay dying. In the violence
+of their mad rout, she had been thrown against the king&rsquo;s cairn and
+received her death-blow on its stones.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>THE OUTLAWS</h2>
+
+<p>
+A peasant who had murdered a monk took to the woods and was made an outlaw. He
+found there before him in the wilderness another outlaw, a fisherman from the
+outermost islands, who had been accused of stealing a herring net. They joined
+together, lived in a cave, set snares, sharpened darts, baked bread on a
+granite rock and guarded one another&rsquo;s lives. The peasant never left the
+woods, but the fisherman, who had not committed such an abominable crime,
+sometimes loaded game on his shoulders and stole down among men. There he got
+in exchange for black-cocks, for long-eared hares and fine-limbed red deer,
+milk and butter, arrow-heads and clothes. These helped the outlaws to sustain
+life.
+</p>
+
+<p>
+The cave where they lived was dug in the side of a hill. Broad stones and
+thorny sloe-bushes hid the entrance. Above it stood a thick growing pine-tree.
+At its roots was the vent-hole of the cave. The rising smoke filtered through
+the tree&rsquo;s thick branches and vanished into space. The men used to go to
+and from their dwelling-place, wading in the mountain stream, which ran down
+the hill. No-one looked for their tracks under the merry, bubbling water.
+</p>
+
+<p>
+At first they were hunted like wild beasts. The peasants gathered as if for a
+chase of bear or wolf. The wood was surrounded by men with bows and arrows. Men
+with spears went through it and left no dark crevice, no bushy thicket
+unexplored. While the noisy battue hunted through the wood, the outlaws lay in
+their dark hole, listening breathlessly, panting with terror. The fisherman
+held out a whole day, but he who had murdered was driven by unbearable fear out
+into the open, where he could see his enemy. He was seen and hunted, but it
+seemed to him seven times better than to lie still in helpless inactivity. He
+fled from his pursuers, slid down precipices, sprang over streams, climbed up
+perpendicular mountain walls. All latent strength and dexterity in him was
+called forth by the excitement of danger. His body became elastic like a steel
+spring, his foot made no false step, his hand never lost its hold, eye and ear
+were twice as sharp as usual. He understood what the leaves whispered and the
+rocks warned. When he had climbed up a precipice, he turned towards his
+pursuers, sending them gibes in biting rhyme. When the whistling darts whizzed
+by him, he caught them, swift as lightning, and hurled them down on his
+enemies. As he forced his way through whipping branches, something within him
+sang a song of triumph.
+</p>
+
+<p>
+The bald mountain ridge ran through the wood and alone on its summit stood a
+lofty fir. The red-brown trunk was bare, but in the branching top rocked an
+eagle&rsquo;s nest. The fugitive was now so audaciously bold that he climbed up
+there, while his pursuers looked for him on the wooded slopes. There he sat
+twisting the young eaglets&rsquo; necks, while the hunt passed by far below
+him. The male and female eagle, longing for revenge, swooped down on the
+ravisher. They fluttered before his face, they struck with their beaks at his
+eyes, they beat him with their wings and tore with their claws bleeding weals
+in his weather-beaten skin. Laughing, he fought with them. Standing upright in
+the shaking nest, he cut at them with his sharp knife and forgot in the
+pleasure of the play his danger and his pursuers. When he found time to look
+for them, they had gone by to some other part of the forest. No one had thought
+to look for their prey on the bald mountain-ridge. No one had raised his eyes
+to the clouds to see him practising boyish tricks and sleep-walking feats while
+his life was in the greatest danger.
+</p>
+
+<p>
+The man trembled when he found that he was saved. With shaking hands he caught
+at a support, giddy he measured the height to which he had climbed. And moaning
+with the fear of falling, afraid of the birds, afraid of being seen, afraid of
+everything, he slid down the trunk. He laid himself down on the ground, so as
+not to be seen, and dragged himself forward over the rocks until the underbrush
+covered him. There he hid himself under the young pine-tree&rsquo;s tangled
+branches. Weak and powerless, he sank down on the moss. A single man could have
+captured him.
+</p>
+
+<hr />
+
+<p>
+Tord was the fisherman&rsquo;s name. He was not more than sixteen years old,
+but strong and bold. He had already lived a year in the woods.
+</p>
+
+<p>
+The peasant&rsquo;s name was Berg, with the surname Rese. He was the tallest
+and the strongest man in the whole district, and moreover handsome and
+well-built. He was broad in the shoulders and slender in the waist. His hands
+were as well shaped as if he had never done any hard work. His hair was brown
+and his skin fair. After he had been some time in the woods he acquired in all
+ways a more formidable appearance. His eyes became piercing, his eyebrows grew
+bushy, and the muscles which knitted them lay finger thick above his nose. It
+showed now more plainly than before how the upper part of his athlete&rsquo;s
+brow projected over the lower. His lips closed more firmly than of old, his
+whole face was thinner, the hollows at the temples grew very deep, and his
+powerful jaw was much more prominent. His body was less well filled out but his
+muscles were as hard as steel. His hair grew suddenly gray.
+</p>
+
+<p>
+Young Tord could never weary of looking at this man. He had never before seen
+anything so beautiful and powerful. In his imagination he stood high as the
+forest, strong as the sea. He served him as a master and worshipped him as a
+god. It was a matter of course that Tord should carry the hunting spears, drag
+home the game, fetch the water and build the fire. Berg Rese accepted all his
+services, but almost never gave him a friendly word. He despised him because he
+was a thief.
+</p>
+
+<p>
+The outlaws did not lead a robber&rsquo;s or brigand&rsquo;s life; they
+supported themselves by hunting and fishing. If Berg Rese had not murdered a
+holy man, the peasants would soon have ceased to pursue him and have left him
+in peace in the mountains. But they feared great disaster to the district,
+because he who had raised his hand against the servant of God was still
+unpunished. When Tord came down to the valley with game, they offered him
+riches and pardon for his own crime if he would show them the way to Berg
+Rese&rsquo;s hole, so that they might take him while he slept. But the boy
+always refused; and if any one tried to sneak after him up to the wood, he led
+him so cleverly astray that he gave up the pursuit.
+</p>
+
+<p>
+Once Berg asked him if the peasants had not tried to tempt him to betray him,
+and when he heard what they had offered him as a reward, he said scornfully
+that Tord had been foolish not to accept such a proposal.
+</p>
+
+<p>
+Then Tord looked at him with a glance, the like of which Berg Rese had never
+before seen. Never had any beautiful woman in his youth, never had his wife or
+child looked so at him. &ldquo;You are my lord, my elected master,&rdquo; said
+the glance. &ldquo;Know that you may strike me and abuse me as you will, I am
+faithful notwithstanding.&rdquo;
+</p>
+
+<p>
+After that Berg Rese paid more attention to the boy and noticed that he was
+bold to act but timid to speak. He had no fear of death. When the ponds were
+first frozen, or when the bogs were most dangerous in the spring, when the
+quagmires were hidden under richly flowering grasses and cloudberry, he took
+his way over them by choice. He seemed to feel the need of exposing himself to
+danger as a compensation for the storms and terrors of the ocean, which he had
+no longer to meet. At night he was afraid in the woods, and even in the middle
+of the day the darkest thickets or the wide-stretching roots of a fallen pine
+could frighten him. But when Berg Rese asked him about it, he was too shy to
+even answer.
+</p>
+
+<p>
+Tord did not sleep near the fire, far in in the cave, on the bed which was made
+soft with moss and warm with skins, but every night, when Berg had fallen
+asleep, he crept out to the entrance and lay there on a rock. Berg discovered
+this, and although he well understood the reason, he asked what it meant. Tord
+would not explain. To escape any more questions, he did not lie at the door for
+two nights, but then he returned to his post.
+</p>
+
+<p>
+One night, when the drifting snow whirled about the forest tops and drove into
+the thickest underbrush, the driving snowflakes found their way into the
+outlaws&rsquo; cave. Tord, who lay just inside the entrance, was, when he waked
+in the morning, covered by a melting snowdrift. A few days later he fell ill.
+His lungs wheezed, and when they were expanded to take in air, he felt
+excruciating pain. He kept up as long as his strength held out, but when one
+evening he leaned down to blow the fire, he fell over and remained lying.
+</p>
+
+<p>
+Berg Rese came to him and told him to go to his bed. Tord moaned with pain and
+could not raise himself. Berg then thrust his arms under him and carried him
+there. But he felt as if he had got hold of a slimy snake; he had a taste in
+the mouth as if he had eaten the unholy horseflesh, it was so odious to him to
+touch the miserable thief.
+</p>
+
+<p>
+He laid his own big bearskin over him and gave him water, more he could not do.
+Nor was it anything dangerous. Tord was soon well again. But through
+Berg&rsquo;s being obliged to do his tasks and to be his servant, they had come
+nearer to one another. Tord dared to talk to him when he sat in the cave in the
+evening and cut arrow shafts.
+</p>
+
+<p>
+&ldquo;You are of a good race, Berg,&rdquo; said Tord. &ldquo;Your kinsmen are
+the richest in the valley. Your ancestors have served with kings and fought in
+their castles.&rdquo;
+</p>
+
+<p>
+&ldquo;They have oftener fought with bands of rebels and done the kings great
+injury,&rdquo; replied Berg Rese.
+</p>
+
+<p>
+&ldquo;Your ancestors gave great feasts at Christmas, and so did you, when you
+were at home. Hundreds of men and women could find a place to sit in your big
+house, which was already built before Saint Olof first gave the baptism here in
+Viken. You owned old silver vessels and great drinking-horns, which passed from
+man to man, filled with mead.&rdquo;
+</p>
+
+<p>
+Again Berg Rese had to look at the boy. He sat up with his legs hanging out of
+the bed and his head resting on his hands, with which he at the same time held
+back the wild masses of hair which would fall over his eyes. His face had
+become pale and delicate from the ravages of sickness. In his eyes fever still
+burned. He smiled at the pictures he conjured up: at the adorned house, at the
+silver vessels, at the guests in gala array and at Berg Rese, sitting in the
+seat of honor in the hall of his ancestors. The peasant thought that no one had
+ever looked at him with such shining, admiring eyes, or thought him so
+magnificent, arrayed in his festival clothes, as that boy thought him in the
+torn skin dress.
+</p>
+
+<p>
+He was both touched and provoked. That miserable thief had no right to admire
+him.
+</p>
+
+<p>
+&ldquo;Were there no feasts in your house?&rdquo; he asked.
+</p>
+
+<p>
+Tord laughed. &ldquo;Out there on the rocks with father and mother! Father is a
+wrecker and mother is a witch. No one will come to us.&rdquo;
+</p>
+
+<p>
+&ldquo;Is your mother a witch?&rdquo;
+</p>
+
+<p>
+&ldquo;She is,&rdquo; answered Tord, quite untroubled. &ldquo;In stormy weather
+she rides out on a seal to meet the ships over which the waves are washing, and
+those who are carried overboard are hers.&rdquo;
+</p>
+
+<p>
+&ldquo;What does she do with them?&rdquo; asked Berg.
+</p>
+
+<p>
+&ldquo;Oh, a witch always needs corpses. She makes ointments out of them, or
+perhaps she eats them. On moonlight nights she sits in the surf, where it is
+whitest, and the spray dashes over her. They say that she sits and searches for
+shipwrecked children&rsquo;s fingers and eyes.&rdquo;
+</p>
+
+<p>
+&ldquo;That is awful,&rdquo; said Berg.
+</p>
+
+<p>
+The boy answered with infinite assurance: &ldquo;That would be awful in others,
+but not in witches. They have to do so.&rdquo;
+</p>
+
+<p>
+Berg Rese found that he had here come upon a new way of regarding the world and
+things.
+</p>
+
+<p>
+&ldquo;Do thieves have to steal, as witches have to use witchcraft?&rdquo; he
+asked sharply.
+</p>
+
+<p>
+&ldquo;Yes, of course,&rdquo; answered the boy; &ldquo;every one has to do what
+he is destined to do.&rdquo; But then he added, with a cautious smile:
+&ldquo;There are thieves also who have never stolen.&rdquo;
+</p>
+
+<p>
+&ldquo;Say out what you mean,&rdquo; said Berg.
+</p>
+
+<p>
+The boy continued with his mysterious smile, proud at being an unsolvable
+riddle: &ldquo;It is like speaking of birds who do not fly, to talk of thieves
+who do not steal.&rdquo;
+</p>
+
+<p>
+Berg Rese pretended to be stupid in order to find out what he wanted. &ldquo;No
+one can be called a thief without having stolen,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;No; but,&rdquo; said the boy, and pressed his lips together as if to
+keep in the words, &ldquo;but if some one had a father who stole,&rdquo; he
+hinted after a while.
+</p>
+
+<p>
+&ldquo;One inherits money and lands,&rdquo; replied Berg Rese, &ldquo;but no
+one bears the name of thief if he has not himself earned it.&rdquo;
+</p>
+
+<p>
+Tord laughed quietly. &ldquo;But if somebody has a mother who begs and prays
+him to take his father&rsquo;s crime on him. But if such a one cheats the
+hangman and escapes to the woods. But if some one is made an outlaw for a
+fish-net which he has never seen.&rdquo;
+</p>
+
+<p>
+Berg Rese struck the stone table with his clenched fist. He was angry. This
+fair young man had thrown away his whole life. He could never win love, nor
+riches, nor esteem after that. The wretched striving for food and clothes was
+all which was left him. And the fool had let him, Berg Rese, go on despising
+one who was innocent. He rebuked him with stern words, but Tord was not even as
+afraid as a sick child is of its mother, when she chides it because it has
+caught cold by wading in the spring brooks.
+</p>
+
+<hr />
+
+<p>
+On one of the broad, wooded mountains lay a dark tarn. It was square, with as
+straight shores and as sharp corners as if it had been cut by the hand of man.
+On three sides it was surrounded by steep cliffs, on which pines clung with
+roots as thick as a man&rsquo;s arm. Down by the pool, where the earth had been
+gradually washed away, their roots stood up out of the water, bare and crooked
+and wonderfully twisted about one another. It was like an infinite number of
+serpents which had wanted all at the same time to crawl up out of the pool but
+had got entangled in one another and been held fast. Or it was like a mass of
+blackened skeletons of drowned giants which the pool wanted to throw up on the
+land. Arms and legs writhed about one another, the long fingers dug deep into
+the very cliff to get a hold, the mighty ribs formed arches, which held up
+primeval trees. It had happened, however, that the iron arms, the steel-like
+fingers with which the pines held themselves fast, had given way, and a pine
+had been borne by a mighty north wind from the top of the cliff down into the
+pool. It had burrowed deep down into the muddy bottom with its top and now
+stood there. The smaller fish had a good place of refuge among its branches,
+but the roots stuck up above the water like a many-armed monster and
+contributed to make the pool awful and terrifying.
+</p>
+
+<p>
+On the tarn&rsquo;s fourth side the cliff sank down. There a little foaming
+stream carried away its waters. Before this stream could find the only possible
+way, it had tried to get out between stones and tufts, and had by so doing made
+a little world of islands, some no bigger than a little hillock, others covered
+with trees.
+</p>
+
+<p>
+Here where the encircling cliffs did not shut out all the sun, leafy trees
+flourished. Here stood thirsty, gray-green alders and smooth-leaved willows.
+The birch-tree grew there as it does everywhere where it is trying to crowd out
+the pine woods, and the wild cherry and the mountain ash, those two which edge
+the forest pastures, filling them with fragrance and adorning them with beauty.
+Here at the outlet there was a forest of reeds as high as a man, which made the
+sunlight fall green on the water just as it falls on the moss in the real
+forest. Among the reeds there were open places; small, round pools, and
+water-lilies were floating there. The tall stalks looked down with mild
+seriousness on those sensitive beauties, who discontentedly shut their white
+petals and yellow stamens in a hard, leather-like sheath as soon as the sun
+ceased to show itself.
+</p>
+
+<p>
+One sunshiny day the outlaws came to this tarn to fish. They waded out to a
+couple of big stones in the midst of the reed forest and sat there and threw
+out bait for the big, green-striped pickerel that lay and slept near the
+surface of the water.
+</p>
+
+<p>
+These men, who were always wandering in the woods and the mountains, had,
+without their knowing it themselves, come under nature&rsquo;s rule as much as
+the plants and the animals. When the sun shone, they were open-hearted and
+brave, but in the evening, as soon as the sun had disappeared, they became
+silent; and the night, which seemed to them much greater and more powerful than
+the day, made them anxious and helpless. Now the green light, which slanted in
+between the rushes and colored the water with brown and dark-green streaked
+with gold, affected their mood until they were ready for any miracle. Every
+outlook was shut off. Sometimes the reeds rocked in an imperceptible wind,
+their stalks rustled, and the long, ribbon-like leaves fluttered against their
+faces. They sat in gray skins on the gray stones. The shadows in the skins
+repeated the shadows of the weather-beaten, mossy stone. Each saw his companion
+in his silence and immovability change into a stone image. But in among the
+rushes swam mighty fishes with rainbow-colored backs. When the men threw out
+their hooks and saw the circles spreading among the reeds, it seemed as if the
+motion grew stronger and stronger, until they perceived that it was not caused
+only by their cast. A sea-nymph, half human, half a shining fish, lay and slept
+on the surface of the water. She lay on her back with her whole body under
+water. The waves so nearly covered her that they had not noticed her before. It
+was her breathing that caused the motion of the waves. But there was nothing
+strange in her lying there, and when the next instant she was gone, they were
+not sure that she had not been only an illusion.
+</p>
+
+<p>
+The green light entered through the eyes into the brain like a gentle
+intoxication. The men sat and stared with dulled thoughts, seeing visions among
+the reeds, of which they did not dare to tell one another. Their catch was
+poor. The day was devoted to dreams and apparitions.
+</p>
+
+<p>
+The stroke of oars was heard among the rushes, and they started up as from
+sleep. The next moment a flat-bottomed boat appeared, heavy, hollowed out with
+no skill and with oars as small as sticks. A young girl, who had been picking
+water-lilies, rowed it. She had dark-brown hair, gathered in great braids, and
+big dark eyes; otherwise she was strangely pale. But her paleness toned to pink
+and not to gray. Her cheeks had no higher color than the rest of her face, the
+lips had hardly enough. She wore a white linen shirt and a leather belt with a
+gold buckle. Her skirt was blue with a red hem. She rowed by the outlaws
+without seeing them. They kept breathlessly still, but not for fear of being
+seen, but only to be able to really see her. As soon as she had gone they were
+as if changed from stone images to living beings. Smiling, they looked at one
+another.
+</p>
+
+<p>
+&ldquo;She was white like the water-lilies,&rdquo; said one. &ldquo;Her eyes
+were as dark as the water there under the pine-roots.&rdquo;
+</p>
+
+<p>
+They were so excited that they wanted to laugh, really laugh as no one had ever
+laughed by that pool, till the cliffs thundered with echoes and the roots of
+the pines loosened with fright.
+</p>
+
+<p>
+&ldquo;Did you think she was pretty?&rdquo; asked Berg Rese.
+</p>
+
+<p>
+&ldquo;Oh, I do not know, I saw her for such a short time. Perhaps she
+was.&rdquo;
+</p>
+
+<p>
+&ldquo;I do not believe you dared to look at her. You thought that it was a
+mermaid.&rdquo;
+</p>
+
+<p>
+And they were again shaken by the same extravagant merriment.
+</p>
+
+<hr />
+
+<p>
+Tord had once as a child seen a drowned man. He had found the body on the shore
+on a summer day and had not been at all afraid, but at night he had dreamed
+terrible dreams. He saw a sea, where every wave rolled a dead man to his feet.
+He saw, too, that all the islands were covered with drowned men, who were dead
+and belonged to the sea, but who still could speak and move and threaten him
+with withered white hands.
+</p>
+
+<p>
+It was so with him now. The girl whom he had seen among the rushes came back in
+his dreams. He met her out in the open pool, where the sunlight fell even
+greener than among the rushes, and he had time to see that she was beautiful.
+He dreamed that he had crept up on the big pine root in the middle of the dark
+tarn, but the pine swayed and rocked so that sometimes he was quite under
+water. Then she came forward on the little islands. She stood under the red
+mountain ashes and laughed at him. In the last dream-vision he had come so far
+that she kissed him. It was already morning, and he heard that Berg Rese had
+got up, but he obstinately shut his eyes to be able to go on with his dream.
+When he awoke, he was as though dizzy and stunned by what had happened to him
+in the night. He thought much more now of the girl than he had done the day
+before.
+</p>
+
+<p>
+Towards night he happened to ask Berg Rese if he knew her name.
+</p>
+
+<p>
+Berg looked at him inquiringly. &ldquo;Perhaps it is best for you to hear
+it,&rdquo; he said. &ldquo;She is Unn. We are cousins.&rdquo;
+</p>
+
+<p>
+Tord then knew that it was for that pale girl&rsquo;s sake Berg Rese wandered
+an outlaw in forest and mountain. Tord tried to remember what he knew of her.
+Unn was the daughter of a rich peasant. Her mother was dead, so that she
+managed her father&rsquo;s house. This she liked, for she was fond of her own
+way and she had no wish to be married.
+</p>
+
+<p>
+Unn and Berg Rese were the children of brothers, and it had long been said that
+Berg preferred to sit with Unn and her maids and jest with them than to work on
+his own lands. When the great Christmas feast was celebrated at his house, his
+wife had invited a monk from Draksmark, for she wanted him to remonstrate with
+Berg, because he was forgetting her for another woman. This monk was hateful to
+Berg and to many on account of his appearance. He was very fat and quite white.
+The ring of hair about his bald head, the eyebrows above his watery eyes, his
+face, his hands and his whole cloak, everything was white. Many found it hard
+to endure his looks.
+</p>
+
+<p>
+At the banquet table, in the hearing of all the guests, this monk now said, for
+he was fearless and thought that his words would have more effect if they were
+heard by many, &ldquo;People are in the habit of saying that the cuckoo is the
+worst of birds because he does not rear his young in his own nest, but here
+sits a man who does not provide for his home and his children, but seeks his
+pleasure with a strange woman. Him will I call the worst of
+men.&rdquo;&mdash;Unn then rose up. &ldquo;That, Berg, is said to you and
+me,&rdquo; she said. &ldquo;Never have I been so insulted, and my father is not
+here either.&rdquo; She had wished to go, but Berg sprang after her. &ldquo;Do
+not move!&rdquo; she said. &ldquo;I will never see you again.&rdquo; He caught
+up with her in the hall and asked her what he should do to make her stay. She
+had answered with flashing eyes that he must know that best himself. Then Berg
+went in and killed the monk.
+</p>
+
+<p>
+Berg and Tord were busy with the same thoughts, for after a while Berg said:
+&ldquo;You should have seen her, Unn, when the white monk fell. The mistress of
+the house gathered the small children about her and cursed her. She turned
+their faces towards her, that they might forever remember her who had made
+their father a murderer. But Unn stood calm and so beautiful that the men
+trembled. She thanked me for the deed and told me to fly to the woods. She bade
+me not to be robber, and not to use the knife until I could do it for an
+equally just cause.&rdquo;
+</p>
+
+<p>
+&ldquo;Your deed had been to her honor,&rdquo; said Tord.
+</p>
+
+<p>
+Berg Rese noticed again what had astonished him before in the boy. He was like
+a heathen, worse than a heathen; he never condemned what was wrong. He felt no
+responsibility. That which must be, was. He knew of God and Christ and the
+saints, but only by name, as one knows the gods of foreign lands. The ghosts of
+the rocks were his gods. His mother, wise in witchcraft, had taught him to
+believe in the spirits of the dead.
+</p>
+
+<p>
+Then Berg Rese undertook a task which was as foolish as to twist a rope about
+his own neck. He set before those ignorant eyes the great God, the Lord of
+justice, the Avenger of misdeeds, who casts the wicked into places of
+everlasting torment. And he taught him to love Christ and his mother and the
+holy men and women, who with lifted hands kneeled before God&rsquo;s throne to
+avert the wrath of the great Avenger from the hosts of sinners. He taught him
+all that men do to appease God&rsquo;s wrath. He showed him the crowds of
+pilgrims making pilgrimages to holy places, the flight of self-torturing
+penitents and monks from a worldly life.
+</p>
+
+<p>
+As he spoke, the boy became more eager and more pale, his eyes grew large as if
+for terrible visions. Berg Rese wished to stop, but thoughts streamed to him,
+and he went on speaking. The night sank down over them, the black forest night,
+when the owls hoot. God came so near to them that they saw his throne darken
+the stars, and the chastising angels sank down to the tops of the trees. And
+under them the fires of Hell flamed up to the earth&rsquo;s crust, eagerly
+licking that shaking place of refuge for the sorrowing races of men.
+</p>
+
+<hr />
+
+<p>
+The autumn had come with a heavy storm. Tord went alone in the woods to see
+after the snares and traps. Berg Rese sat at home to mend his clothes.
+Tord&rsquo;s way led in a broad path up a wooded height.
+</p>
+
+<p>
+Every gust carried the dry leaves in a rustling whirl up the path. Time after
+time Tord thought that some one went behind him. He often looked round.
+Sometimes he stopped to listen, but he understood that it was the leaves and
+the wind, and went on. As soon as he started on again, he heard some one come
+dancing on silken foot up the slope. Small feet came tripping. Elves and
+fairies played behind him. When he turned round, there was no one, always no
+one. He shook his fists at the rustling leaves and went on.
+</p>
+
+<p>
+They did not grow silent for that, but they took another tone. They began to
+hiss and to pant behind him. A big viper came gliding. Its tongue dripping
+venom hung far out of its mouth, and its bright body shone against the withered
+leaves. Beside the snake pattered a wolf, a big, gaunt monster, who was ready
+to seize fast in his throat when the snake had twisted about his feet and
+bitten him in the heel. Sometimes they were both silent, as if to approach him
+unperceived, but they soon betrayed themselves by hissing and panting, and
+sometimes the wolf&rsquo;s claws rung against a stone. Involuntarily Tord
+walked quicker and quicker, but the creatures hastened after him. When he felt
+that they were only two steps distant and were preparing to strike, he turned.
+There was nothing there, and he had known it the whole time.
+</p>
+
+<p>
+He sat down on a stone to rest. Then the dry leaves played about his feet as if
+to amuse him. All the leaves of the forest were there: small, light yellow
+birch leaves, red speckled mountain ash, the elm&rsquo;s dry, dark-brown
+leaves, the aspen&rsquo;s tough light red, and the willow&rsquo;s yellow green.
+Transformed and withered, scarred and torn were they, and much unlike the
+downy, light green, delicately shaped leaves, which a few months ago had rolled
+out of their buds.
+</p>
+
+<p>
+&ldquo;Sinners,&rdquo; said the boy, &ldquo;sinners, nothing is pure in
+God&rsquo;s eyes. The flame of his wrath has already reached you.&rdquo;
+</p>
+
+<p>
+When he resumed his wandering, he saw the forest under him bend before the
+storm like a heaving sea, but in the path it was calm. But he heard what he did
+not feel. The woods were full of voices.
+</p>
+
+<p>
+He heard whisperings, wailing songs, coarse threats, thundering oaths. There
+was laughter and laments, there was the noise of many people. That which
+hounded and pursued, which rustled and hissed, which seemed to be something and
+still was nothing, gave him wild thoughts. He felt again the anguish of death,
+as when he lay on the floor in his den and the peasants hunted him through the
+wood. He heard again the crashing of branches, the people&rsquo;s heavy tread,
+the ring of weapons, the resounding cries, the wild, bloodthirsty noise, which
+followed the crowd.
+</p>
+
+<p>
+But it was not only that which he heard in the storm. There was something else,
+something still more terrible, voices which he could not interpret, a confusion
+of voices, which seemed to him to speak in foreign tongues. He had heard
+mightier storms than this whistle through the rigging, but never before had he
+heard the wind play on such a many-voiced harp. Each tree had its own voice;
+the pine did not murmur like the aspen nor the poplar like the mountain ash.
+Every hole had its note, every cliff&rsquo;s sounding echo its own ring. And
+the noise of the brooks and the cry of foxes mingled with the marvellous forest
+storm. But all that he could interpret; there were other strange sounds. It was
+those which made him begin to scream and scoff and groan in emulation with the
+storm.
+</p>
+
+<p>
+He had always been afraid when he was alone in the darkness of the forest. He
+liked the open sea and the bare rocks. Spirits and phantoms crept about among
+the trees.
+</p>
+
+<p>
+Suddenly he heard who it was who spoke in the storm. It was God, the great
+Avenger, the God of justice. He was hunting him for the sake of his comrade. He
+demanded that he should deliver up the murderer to His vengeance.
+</p>
+
+<p>
+Then Tord began to speak in the midst of the storm. He told God what he had
+wished to do, but had not been able. He had wished to speak to Berg Rese and to
+beg him to make his peace with God, but he had been too shy. Bashfulness had
+made him dumb. &ldquo;When I heard that the earth was ruled by a just
+God,&rdquo; he cried, &ldquo;I understood that he was a lost man. I have lain
+and wept for my friend many long nights. I knew that God would find him out,
+wherever he might hide. But I could not speak, nor teach him to understand. I
+was speechless, because I loved him so much. Ask not that I shall speak to him,
+ask not that the sea shall rise up against the mountain.&rdquo;
+</p>
+
+<p>
+He was silent, and in the storm the deep voice, which had been the voice of God
+for him, ceased. It was suddenly calm, with a sharp sun and a splashing as of
+oars and a gentle rustle as of stiff rushes. These sounds brought Unn&rsquo;s
+image before him.&mdash;The outlaw cannot have anything, not riches, nor women,
+nor the esteem of men. &mdash;If he should betray Berg, he would be taken under
+the protection of the law.&mdash;But Unn must love Berg, after what he had done
+for her. There was no way out of it all.
+</p>
+
+<p>
+When the storm increased, he heard again steps behind him and sometimes a
+breathless panting. Now he did not dare to look back, for he knew that the
+white monk went behind him. He came from the feast at Berg Rese&rsquo;s house,
+drenched with blood, with a gaping axe-wound in his forehead. And he whispered:
+&ldquo;Denounce him, betray him, save his soul. Leave his body to the pyre,
+that his soul may be spared. Leave him to the slow torture of the rack, that
+his soul may have time to repent.&rdquo;
+</p>
+
+<p>
+Tord ran. All this fright of what was nothing in itself grew, when it so
+continually played on the soul, to an unspeakable terror. He wished to escape
+from it all. As he began to run, again thundered that deep, terrible voice,
+which was God&rsquo;s. God himself hunted him with alarms, that he should give
+up the murderer. Berg Rese&rsquo;s crime seemed more detestable than ever to
+him. An unarmed man had been murdered, a man of God pierced with shining steel.
+It was like a defiance of the Lord of the world. And the murderer dared to
+live! He rejoiced in the sun&rsquo;s light and in the fruits of the earth as if
+the Almighty&rsquo;s arm were too short to reach him.
+</p>
+
+<p>
+He stopped, clenched his fists and howled out a threat. Then he ran like a
+madman from the wood down to the valley.
+</p>
+
+<hr />
+
+<p>
+Tord hardly needed to tell his errand; instantly ten peasants were ready to
+follow him. It was decided that Tord should go alone up to the cave, so that
+Berg&rsquo;s suspicions should not be aroused. But where he went he should
+scatter peas, so that the peasants could find the way.
+</p>
+
+<p>
+When Tord came to the cave, the outlaw sat on the stone bench and sewed. The
+fire gave hardly any light, and the work seemed to go badly. The boy&rsquo;s
+heart swelled with pity. The splendid Berg Rese seemed to him poor and unhappy.
+And the only thing he possessed, his life, should be taken from him. Tord began
+to weep.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo; asked Berg. &ldquo;Are you ill? Have you been
+frightened?&rdquo;
+</p>
+
+<p>
+Then for the first time Tord spoke of his fear. &ldquo;It was terrible in the
+wood. I heard ghosts and raw spectres. I saw white monks.&rdquo;
+</p>
+
+<p>
+&ldquo;&rsquo;Sdeath, boy!&rdquo;
+</p>
+
+<p>
+&ldquo;They crowded round me all the way up Broad mountain. I ran, but they
+followed after and sang. Can I never be rid of the sound? What have I to do
+with them? I think that they could go to one who needed it more.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you mad to-night, Tord?&rdquo;
+</p>
+
+<p>
+Tord talked, hardly knowing what words he used. He was free from all shyness.
+The words streamed from his lips.
+</p>
+
+<p>
+&ldquo;They are all white monks, white, pale as death. They all have blood on
+their cloaks. They drag their hoods down over their brows, but still the wound
+shines from under; the big, red, gaping wound from the blow of the axe.&rdquo;
+</p>
+
+<p>
+&ldquo;The big, red, gaping wound from the blow of the axe?&rdquo;
+</p>
+
+<p>
+&ldquo;Is it I who perhaps have struck it? Why shall I see it?&rdquo;
+</p>
+
+<p>
+&ldquo;The saints only know, Tord,&rdquo; said Berg Rese, pale and with
+terrible earnestness, &ldquo;what it means that you see a wound from an axe. I
+killed the monk with a couple of knife-thrusts.&rdquo;
+</p>
+
+<p>
+Tord stood trembling before Berg and wrung his hands. &ldquo;They demand you of
+me! They want to force me to betray you!&rdquo;
+</p>
+
+<p>
+&ldquo;Who? The monks?&rdquo;
+</p>
+
+<p>
+&ldquo;They, yes, the monks. They show me visions. They show me her, Unn. They
+show me the shining, sunny sea. They show me the fishermen&rsquo;s
+camping-ground, where there is dancing and merrymaking. I close my eyes, but
+still I see. &lsquo;Leave me in peace,&rsquo; I say. &lsquo;My friend has
+murdered, but he is not bad. Let me be, and I will talk to him, so that he
+repents and atones. He shall confess his sin and go to Christ&rsquo;s grave. We
+will both go together to the places which are so holy that all sin is taken
+away from him who draws near them.&rsquo;&rdquo;
+</p>
+
+<p>
+&ldquo;What do the monks answer?&rdquo; asked Berg. &ldquo;They want to have me
+saved. They want to have me on the rack and wheel.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall I betray my dearest friend, I ask them,&rdquo; continued Tord.
+&ldquo;He is my world. He has saved me from the bear that had his paw on my
+throat. We have been cold together and suffered every want together. He has
+spread his bear-skin over me when I was sick. I have carried wood and water for
+him; I have watched over him while he slept; I have fooled his enemies. Why do
+they think that I am one who will betray a friend? My friend will soon of his
+own accord go to the priest and confess, then we will go together to the land
+of atonement.&rdquo;
+</p>
+
+<p>
+Berg listened earnestly, his eyes sharply searching Tord&rsquo;s face.
+&ldquo;You shall go to the priest and tell him the truth,&rdquo; he said.
+&ldquo;You need to be among people.&rdquo;
+</p>
+
+<p>
+&ldquo;Does that help me if I go alone? For your sin, Death and all his
+spectres follow me. Do you not see how I shudder at you? You have lifted your
+hand against God himself. No crime is like yours. I think that I must rejoice
+when I see you on rack and wheel. It is well for him who can receive his
+punishment in this world and escapes the wrath to come. Why did you tell me of
+the just God? You compel me to betray you. Save me from that sin. Go to the
+priest.&rdquo; And he fell on his knees before Berg.
+</p>
+
+<p>
+The murderer laid his hand on his head and looked at him. He was measuring his
+sin against his friend&rsquo;s anguish, and it grew big and terrible before his
+soul. He saw himself at variance with the Will which rules the world.
+Repentance entered his heart.
+</p>
+
+<p>
+&ldquo;Woe to me that I have done what I have done,&rdquo; he said. &ldquo;That
+which awaits me is too hard to meet voluntarily. If I give myself up to the
+priests, they will torture me for hours; they will roast me with slow fires.
+And is not this life of misery, which we lead in fear and want, penance enough?
+Have I not lost lands and home? Do I not live parted from friends and
+everything which makes a man&rsquo;s happiness? What more is required?&rdquo;
+</p>
+
+<p>
+When he spoke so, Tord sprang up wild with terror. &ldquo;Can you
+repent?&rdquo; he cried. &ldquo;Can my words move your heart? Then come
+instantly! How could I believe that! Let us escape! There is still time.&rdquo;
+</p>
+
+<p>
+Berg Rese sprang up, he too. &ldquo;You have done it, then&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, yes, yes! I have betrayed you! But come quickly! Come, as you can
+repent! They will let us go. We shall escape them!&rdquo;
+</p>
+
+<p>
+The murderer bent down to the floor, where the battle-axe of his ancestors lay
+at his feet. &ldquo;You son of a thief!&rdquo; he said, hissing out the words,
+&ldquo;I have trusted you and loved you.&rdquo;
+</p>
+
+<p>
+But when Tord saw him bend for the axe, he knew that it was now a question of
+his own life. He snatched his own axe from his belt and struck at Berg before
+he had time to raise himself. The edge cut through the whistling air and sank
+in the bent head. Berg Rese fell head foremost to the floor, his body rolled
+after. Blood and brains spouted out, the axe fell from the wound. In the matted
+hair Tord saw a big, red, gaping hole from the blow of an axe.
+</p>
+
+<p>
+The peasants came rushing in. They rejoiced and praised the deed.
+</p>
+
+<p>
+&ldquo;You will win by this,&rdquo; they said to Tord.
+</p>
+
+<p>
+Tord looked down at his hands as if he saw there the fetters with which he had
+been dragged forward to kill him he loved. They were forged from nothing. Of
+the rushes&rsquo; green light, of the play of the shadows, of the song of the
+storm, of the rustling of the leaves, of dreams were they created. And he said
+aloud: &ldquo;God is great.&rdquo;
+</p>
+
+<p>
+But again the old thought came to him. He fell on his knees beside the body and
+put his arm under his head.
+</p>
+
+<p>
+&ldquo;Do him no harm,&rdquo; he said. &ldquo;He repents; he is going to the
+Holy Sepulchre. He is not dead, he is but a prisoner. We were just ready to go
+when he fell. The white monk did not want him to repent, but God, the God of
+justice, loves repentance.&rdquo;
+</p>
+
+<p>
+He lay beside the body, talked to it, wept and begged the dead man to awake.
+The peasants arranged a bier. They wished to carry the peasant&rsquo;s body
+down to his house. They had respect for the dead and spoke softly in his
+presence. When they lifted him up on the bier, Tord rose, shook the hair back
+from his face, and said with a voice which shook with sobs,&mdash;
+</p>
+
+<p>
+&ldquo;Say to Unn, who made Berg Rese a murderer, that he was killed by Tord
+the fisherman, whose father is a wrecker and whose mother is a witch, because
+he taught him that the foundation of the world is justice.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>THE LEGEND OF REOR</h2>
+
+<p>
+There was a man called Reor. He was from Fuglekarr in the parish of Svarteborg,
+and was considered the best shot in the county. He was baptized when King Olof
+rooted out the old belief, and was ever afterwards an eager Christian. He was
+freeborn, but poor; handsome, but not tall; strong, but gentle. He tamed young
+horses with but a look and a word, and could lure birds to him with a call. He
+dwelt mostly in the woods, and nature had great power over him. The growing of
+the plants and the budding of the trees, the play of the hares in the
+forest&rsquo;s open places and the fish&rsquo;s leap in the calm lake at
+evening, the conflict of the seasons and the changes of the weather, these were
+the chief events in his life. Sorrow and joy he found in such things and not in
+that which happened among men.
+</p>
+
+<p>
+One day the skilful hunter met deep in the thickest forest an old bear and
+killed him with a single shot. The great arrow&rsquo;s sharp point pierced the
+mighty heart, and he fell dead at the hunter&rsquo;s feet. It was summer, and
+the bear&rsquo;s pelt was neither close nor even, still the archer drew it off,
+rolled it together into a hard bundle, and went on with the bear-skin on his
+back.
+</p>
+
+<p>
+He had not wandered far before he perceived an extraordinarily strong smell of
+honey. It came from the little flowering plants that covered the ground. They
+grew on slender stalks, had light-green, shiny leaves, which were beautifully
+veined, and at the top a little spike, thickly set with white flowers. Their
+petals were of the tiniest, but from among them pushed up a little brush of
+stamens, whose pollen-filled heads trembled on white filaments. Reor thought,
+as he went among them, that those flowers, which stood alone and unnoticed in
+the darkness of the forest, were sending out message after message, summons
+upon summons. The strong, sweet fragrance of the honey was their cry; it spread
+the knowledge of their existence far away among the trees and high up towards
+the clouds. But there was something melancholy in the heavy perfume. The
+flowers had filled their cups and spread their table in expectation of their
+winged guests, but none came. They pined to death in the deep loneliness of the
+dark, windless forest thicket. They seemed to wish to cry and lament that the
+beautiful butterflies did not come and visit them. Where the flowers grew
+thickest, he thought that they sang together a monotonous song. &ldquo;Come,
+fair guests, come to-day, for to-morrow we are dead, to-morrow we lie dead on
+the dried leaves.&rdquo;
+</p>
+
+<p>
+Reor was permitted to see the joyous close of the flower adventure. He felt
+behind him a flutter as of the lightest wind and saw a white butterfly flitting
+about in the dimness between the thick trunks. He flew hither and thither in an
+uneasy quest, as if uncertain of the way. Nor was he alone; butterfly after
+butterfly glimmered in the darkness, until at last there was a host of
+white-winged honey seekers. But the first was the leader, and he found the
+flowers, guided by their fragrance. After him the whole butterfly host came
+storming. It threw itself down among the longing flowers, as the conqueror
+throws himself on his booty. Like a snowfall of white wings it sank down over
+them. And there was feasting and drinking on every flower-cluster. The woods
+were full of silent rejoicing.
+</p>
+
+<p>
+Reor went on, but now the honey-sweet fragrance seemed to follow him wherever
+he went. And he felt that in the wood was hidden a longing, stronger than that
+of the flowers, that something there drew him to itself, just as the flowers
+lured the butterflies. He went forward with a quiet joy in his heart, as if he
+was expecting a great, unknown happiness. His only fear was lest he should not
+be able to find the way to that which longed for him.
+</p>
+
+<p>
+In front of him, on the narrow path, crawled a white snake. He bent down to
+pick up the luck-bringing animal, but the snake glided out of his hands and up
+the path. There it coiled itself and lay still; but when the huntsman again
+tried to catch it, glided slippery as ice between his fingers.
+</p>
+
+<p>
+Reor now grew eager to possess the wisest of beasts. He ran after the snake,
+but was not able to reach it, and the latter lured him away from the path into
+the trackless forest.
+</p>
+
+<p>
+It was overgrown with pines, and in such places one seldom finds grassy ground.
+But now the dry moss and brown pine-needles suddenly disappeared, the stiff
+cranberry bushes vanished, and Reor felt under foot velvet like turf. Over the
+green carpet trembled flower clusters, light as down, on bending stems, and
+between the long, narrow leaves could he seen the half-opened blossoms of the
+red gillyflower. It was only a little spot, and over it spread the gnarled,
+red-brown branches of the lofty pines, with bunches of close-growing needles.
+Through these the sun&rsquo;s rays could find many paths to the ground, and
+there was suffocating heat.
+</p>
+
+<p>
+In the midst of the little meadow a cliff rose perpendicularly out of the
+ground. It lay in sharp sunshine, and the mossy stones were plainly visible,
+and in the fresh fractures, where the winter&rsquo;s frost had last loosened
+some mighty blocks, the long stalks of ferns clung with their brown roots in
+the earth-filled cracks, and on the inch-wide projections a grass-green moss
+lifted on needle-like stems the little, grey caps, which concealed its spores.
+</p>
+
+<p>
+The cliff seemed in all ways like every other cliff, but Reor noticed instantly
+that he had come upon the gable-wall of a giant&rsquo;s house, and he
+discovered under moss and lichen the great hinges on which the mountain&rsquo;s
+granite door swung.
+</p>
+
+<p>
+He now believed that the snake had crept in, in the grass to hide there, until
+it could come in among the rocks unnoticed, and he gave up all hope of catching
+it. He perceived now again the honey-sweet fragrance of the longing flowers and
+noticed that here under the cliff the heat was suffocating. It was also
+marvellously quiet; not a bird moved, not a leaf played in the wind; it was as
+if everything held its breath, waiting and listening in unspeakable tension. It
+was as if he had come into a room where he was not alone, although he saw no
+one. He thought that some one was watching him, he felt as if he had been
+expected. He knew no alarm, but was thrilled by a pleasant shiver, as if he
+were soon to see something above-the-common beautiful.
+</p>
+
+<p>
+In that moment he again became aware of the snake. It had not hidden itself, it
+had instead crawled up on one of the blocks which the frost had broken from the
+cliff. And just below the white snake he saw the bright body of a girl, who lay
+asleep in the soft grass. She lay without any other covering than a light,
+web-like veil, just as if she had thrown herself down there after having taken
+part the whole night in some elfin dance; but the long blades of grass and the
+trembling flower-clusters stood high over the sleeper, so that Reor could
+scarcely catch a glimpse of the soft lines of her body. Nor did he go nearer in
+order to see better. He drew his good knife from its sheath and threw it
+between the girl and the cliff, so that the steel-shy daughter of the giants
+should not be able to flee into the mountain when she awoke.
+</p>
+
+<p>
+Then he stood still in deep thought. One thing he knew, that he wished to
+possess the maiden who lay there; but as yet he had not quite made up his mind
+how he would behave towards her.
+</p>
+
+<p>
+He, who knew the language of nature better than that of man, listened to the
+great, solemn forest and the stern mountain. &ldquo;See,&rdquo; they said,
+&ldquo;to you, who love the wilderness, we give our fair daughter. She will
+suit you better than the daughters of the plain. Reor, are you worthy of this
+most precious of gifts?&rdquo;
+</p>
+
+<p>
+Then he thanked in his heart the great, kind Nature and decided to make the
+maiden his wife and not merely a slave. He thought that since she had come to
+Christendom and human ways, she would be confused at the thought that she had
+lain so uncovered, so he loosened the bearskin from his back, unfolded the
+stiff hide, and threw the old bear&rsquo;s shaggy, grizzled pelt over her.
+</p>
+
+<p>
+And as he did so a laugh, which made the ground shake, thundered behind the
+cliff. It did not sound like derision, but as if some one had sat in great fear
+and could not help laughing, when suddenly relieved of it. The terrible silence
+and oppressive heat were also at an end. Over the grass floated a cooling wind,
+and the pine-branches began their murmuring song. The happy huntsman felt that
+the whole forest had held its breath, wondering how the daughter of the
+wilderness would be treated by the son of man.
+</p>
+
+<p>
+The snake now glided down into the high grass; but the sleeper lay bound in a
+magic sleep and did not move. Then Reor wrapped her in the coarse bear-skin, so
+that only her head showed above the shaggy fur. Although she certainly was a
+daughter of the old giant of the mountain, she was slender and delicately made,
+and the strong hunter lifted her on his arm and carried her away through the
+forest.
+</p>
+
+<p>
+After a while he felt that some one lifted his broad-brimmed hat. He looked up
+and found that the giant&rsquo;s daughter was awake. She sat quiet on his arm,
+but she wished to see what the man looked like who was carrying her. He let her
+do as she pleased. He went on with longer strides, but said nothing.
+</p>
+
+<p>
+Then she must have noticed how hot the sun burned on his head, since she had
+taken off his hat. She held it out over his head like a parasol, but she did
+not put it back, rather held it so, that she could still look down into his
+face. Then it seemed to him that he did not need to ask or to speak. He carried
+her silently down to his mother&rsquo;s hut. But his whole being was filled
+with happiness, and when he stood on the threshold of his home, he saw the
+white snake, which gives good fortune, glide in under its foundation.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>VALDEMAR ATTERDAG</h2>
+
+<p>
+The spring that Hellqvist&rsquo;s great picture &ldquo;Valdemar Atterdag levies
+a Contribution on Visby&rdquo; was exhibited at the Art League, I went in there
+one quiet morning not knowing that that work of art was there. The big, richly
+colored canvas with its many figures made at the first glance an extraordinary
+impression. I could not look at any other picture, but went straight to that
+one, took a chair and sank into silent contemplation. For half an hour I lived
+in the Middle Ages.
+</p>
+
+<p>
+Soon I was within the scene that was passing in the Visby market-place. I saw
+the beer vats which began to be filled with the golden brew that King Valdemar
+had ordered, and the groups which gathered around them. I saw the rich merchant
+with his page bending under his gold and silver dishes; the young burgher who
+shakes his fist at the king; the monk with the sharp face who closely watches
+His Majesty; the ragged beggar who offers his copper; the woman who has sunk
+down beside one of the vats; the king on his throne; the soldiers who come
+swarming out of the narrow streets; the high gables, and the scattered groups
+of insolent guards and refractory people.
+</p>
+
+<p>
+But suddenly I noticed that the chief figure of the picture is not the king,
+nor any of the burghers, but one of the king&rsquo;s steel-clad shield-bearers,
+the one with the closed vizor.
+</p>
+
+<p>
+Into that figure the artist has put a strange force. There is not a hair of him
+to be seen; he is steel and iron, the whole man, and yet he gives the
+impression of being the rightful master of the situation.
+</p>
+
+<p>
+&ldquo;I am Violence; I am Rapacity,&rdquo; he says. &ldquo;It is I who am
+levying contribution on Visby. I am not a human being; I am merely steel and
+iron. My pleasure is in suffering and evil. Let them go on and torture one
+another. To-day it is I who am lord of Visby.&rdquo;
+</p>
+
+<p>
+&ldquo;Look,&rdquo; he says to the beholder, &ldquo;can you see that it is I
+who am master? As far as your eye can reach, there is nothing here but people
+who are torturing one another. Groaning the conquered come and leave their
+gold. They hate and threaten, but they obey. And the desires of the victors
+grow wilder the more gold they can extort. What are Denmark&rsquo;s king and
+his soldiers but my servants, at least for this one day? To-morrow they will go
+to church, or sit in peaceful mirth in their inns, or also perhaps be good
+fathers in their own homes, but to-day they serve me; to-day they are
+evil-doers and ravishers.&rdquo;
+</p>
+
+<p>
+The longer one listens to him, the better one understands what the picture is;
+nothing but an illustration of the old story of how people can torture one
+another. There is not one redeeming feature, only cruel violence and defiant
+hate and hopeless suffering.
+</p>
+
+<p>
+Those three beer vats were to be filled that Visby should not be plundered and
+burned. Why do they not come, those Hanseaters, with glowing enthusiasm? Why do
+the women not hasten with their jewels; the revellers with their cups, the
+priest with his relics, eager, burning with enthusiasm for the sacrifice?
+&ldquo;For thee, for thee, our beloved town! It is needless to send soldiers
+for us when it concerns thee! Oh, Visby, our mother, our honor! Take back what
+thou hast given us!&rdquo;
+</p>
+
+<p>
+But the painter has not wished to see them so, and it was not so either. No
+enthusiasm, only constraint, only suppressed defiance, only bewailings. Gold is
+everything to them, women and men sigh over that gold which they have to give.
+</p>
+
+<p>
+&ldquo;Look at them!&rdquo; says the power that stands on the steps of the
+throne. &ldquo;It goes to their very hearts to offer it. May he who will feel
+sympathy for them! They are mean, avaricious, arrogant. They are no better than
+the covetous brigand whom I have sent against them.&rdquo;
+</p>
+
+<p>
+A woman has sunk down on the ground by the vats. Does it cost her so much pain
+to give her gold? Or is she perhaps the guilty one? Is she the cause of the
+laments? Is it she who has betrayed the town? Yes, it is she who has been King
+Valdemar&rsquo;s mistress. It is Ung-Hanse&rsquo;s daughter.
+</p>
+
+<p>
+She knows well that she need give no gold. Her father&rsquo;s house will not be
+plundered, but she has collected what she possesses and brings it. In the
+market-place she has been overcome by all the misery she has seen and has sunk
+down in infinite despair.
+</p>
+
+<p>
+He had been active and merry, the young goldsmith&rsquo;s apprentice who served
+the year before in her father&rsquo;s house. It had been glorious to stroll at
+his side through this same market-place, when the moon rose from behind the
+gables and illumined the beauties of Visby. She had been proud of him, proud of
+her father, proud of her town. And now she is lying there, broken with grief.
+Innocent and yet guilty! He who is sitting cold and cruel on the throne and who
+has brought all this devastation on the town, is he the same as the one who
+whispered sweet words to her? Was it to meet him that she crept, when the night
+before she stole her father&rsquo;s keys and opened the town-gate? And when she
+found her goldsmith&rsquo;s apprentice a knight with sword in hand and a steel
+clad host behind him, what did she think? Did she go mad at the sight of that
+stream of steel surging in through the gate which she had opened? Too late to
+bemoan, maiden! Why did you love the enemy of your town? Visby is fallen, its
+glory shall pass away. Why did you not throw yourself down before the gate and
+let the steel-shod heels trample you to death? Did you wish to live in order to
+see heaven&rsquo;s thunder-bolts strike the transgressor?
+</p>
+
+<p>
+Oh maiden, at his side stands Violence and protects him. He has violated holier
+things than a trusting maiden. He does not even spare God&rsquo;s own temple.
+He breaks away the shining carbuncles from the church walls to fill the last
+vat.
+</p>
+
+<p>
+The bearing of all the figures in the picture changes. Blind terror fills
+everything living. The wildest soldier grows pale; the burghers turn their eyes
+towards heaven; all await God&rsquo;s punishment; all tremble except Violence
+on the steps of the throne and the king who is his servant.
+</p>
+
+<p>
+I wish that the artist had lived long enough to take me down to the harbor of
+Visby and let me see those same burghers, when they followed the departing
+fleet with their eyes. They cry curses out over the waves. &ldquo;Destroy
+them!&rdquo; they cry. &ldquo;Destroy them! Oh sea, our friend, take back our
+treasures! Open thy choking depths under the ungodly, under the
+faithless!&rdquo;
+</p>
+
+<p>
+And the sea murmurs a faint assent, and Violence, who stands on the royal ship,
+nods approvingly. &ldquo;That is right,&rdquo; he says. &ldquo;To persecute and
+to be persecuted, that is my law. May storm and sea destroy the pirate fleet
+and take to itself the treasures of my royal servant! So much the sooner it
+will be our lot to set out on new devastating expeditions.&rdquo;
+</p>
+
+<p>
+The burghers on the shore turn and look up at their town. Fire has raged there;
+plunder has passed through it; behind broken panes gape pillaged dwellings.
+They see emptied streets, desecrated churches; bloody corpses are lying in the
+narrow courts, and women crazed by fright flee through the town. Shall they
+stand impotent before such things? Is there no one whom their vengeance can
+reach, no one whom they in their turn can torture and destroy?
+</p>
+
+<p>
+God in Heaven, see! The goldsmith&rsquo;s house is not plundered nor burned.
+What does it mean? Was he in league with the enemy? Had he not the key to one
+of the town gates in his keeping? Oh, you daughter of Ung-Hanse, answer, what
+does it mean?
+</p>
+
+<p>
+Far away on the royal ship Violence stands and watches his royal servant,
+smiling behind his vizor. &ldquo;Listen to the storm, Sire, listen to the
+storm! The gold that you have ravished will soon lie on the bottom of the sea,
+inaccessible to you. And look back at Visby, my noble lord! The woman whom you
+deceived is being led between the clergy and the soldiers to the town-wall. Can
+you hear the crowd following her, cursing, insulting? Look, the masons come
+with mortar and trowel! Look, the women come with stones! They are all bringing
+stones, all, all!
+</p>
+
+<p>
+Oh king, if you cannot see what is passing in Visby, may you yet hear and know
+what is happening there. You are not of steel and iron, like Violence at your
+side. When the gloomy days of old age come, and you live under the shadow of
+death, the image of Ung-Hanse&rsquo;s daughter will rise in your memory.
+</p>
+
+<p>
+You shall see her pale as death sink under the contempt and scorn of her
+people. You shall see her dragged along between the priests and the soldiers to
+the ringing of bells and the singing of hymns. She is already dead in the eyes
+of the people. She feels herself dead in her heart, killed by what she has
+loved. You shall see her mount in the tower, see how the stones are inserted,
+hear the scraping of the trowels and hear the people who hurry forward with
+their stones. &ldquo;Oh mason, take mine, take mine! Use my stone for the work
+of vengeance! Let my stone help to shut Ung-Hanse&rsquo;s daughter in from
+light and air! Visby is fallen, the glorious Visby! God bless your hands, oh
+masons! Let me help to complete the vengeance!&rdquo;
+</p>
+
+<p>
+Hymns sound and bells ring as for a burial.
+</p>
+
+<p>
+Oh Valdemar, King of Denmark, it will be your fate to meet death also. Then you
+will lie on your bed, hear and see much and suffer great pains. You shall hear
+that scraping of the trowels, those cries for vengeance. Where are the
+consecrated bells that drown the martyrdom of the soul? Where are they, with
+their wide, bronze throats, whose tongues cry out to God for grace for you?
+Where is that air trembling with harmony, which bears the soul up to
+God&rsquo;s space?
+</p>
+
+<p>
+Oh help Esrom, help Soró, and you big bells of Lund!
+</p>
+
+<hr />
+
+<p>
+What a gloomy story that picture told! It seemed curious and strange to come
+out into the park, in glowing sunshine, among living human beings.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>MAMSELL FREDRIKA</h2>
+
+<p>
+It was Christmas night, a real Christmas night.
+</p>
+
+<p>
+The goblins raised the mountain roofs on lofty gold pillars and celebrated the
+midwinter festival. The brownies danced around the Christmas porridge in new
+red caps. Old gods wandered about the heavens in gray storm cloaks, and in the
+Österhaninge graveyard stood the horse of Hel.<a href="#fn-3" name="fnref-3" id="fnref-3"><sup>[3]</sup></a>
+He pawed with his hoof on the frozen ground; he was marking out the place for a
+new grave.
+</p>
+
+<p class="footnote">
+<a name="fn-3" id="fn-3"></a> <a href="#fnref-3">[3]</a>
+The goddess of death
+</p>
+
+<p>
+Not very far away, at the old manor of Årsta, Mamsell Fredrika was lying
+asleep. Årsta is, as every one knows, an old haunted castle, but Mamsell
+Fredrika slept a calm, quiet sleep. She was old now and tired out after many
+weary days of work and many long journeys,&mdash; she had almost traveled round
+the world,&mdash;therefore she had returned to the home of her childhood to
+find rest.
+</p>
+
+<p>
+Outside the castle sounded in the night a bold fanfare. Death mounted on a gray
+charger had ridden up to the castle gate. His wide scarlet cloak and his
+hat&rsquo;s proud plumes fluttered in the night wind. The stern knight sought
+to win an adoring heart, therefore he appeared in unusual magnificence. It is
+of no avail, Sir Knight, of no avail! The gate is closed, and the lady of your
+heart asleep. You must seek a better occasion and a more suitable hour. Watch
+for her when she goes to early mass, stern Sir Knight, watch for her on the
+church-road!
+</p>
+
+<hr />
+
+<p>
+Old Mamsell Fredrika sleeps quietly in her beloved home. No one deserves more
+than she the sweetness of rest. Like a Christmas angel she sat but now in a
+circle of children, and told them of Jesus and the shepherds, told until her
+eyes shone, and her withered face became transfigured. Now in her old age no
+one noticed what Mamsell Fredrika looked like. Those who saw the little,
+slender figure, the tiny, delicate hands and the kind, clever face, instantly
+longed to be able to preserve that sight in remembrance as the most beautiful
+of memories.
+</p>
+
+<p>
+In Mamsell Fredrika&rsquo;s big room, among many relics and souvenirs, there
+was a little, dry bush. It was a Jericho rose, brought back by Mamsell Fredrika
+from the far East. Now in the Christmas night it began to blossom quite of
+itself. The dry twigs were covered with red buds, which shone like sparks of
+fire and lighted the whole room.
+</p>
+
+<p>
+By the light of the sparks one saw that a small and slender but quite elderly
+lady sat in the big arm-chair and held her court. It could not be Mamsell
+Fredrika herself, for she lay sleeping in quiet repose, and yet it was she. She
+sat there and held a reception for old memories; the room was full of them.
+People and homes and subjects and thoughts and discussions came flying.
+Memories of childhood and memories of youth, love and tears, homage and bitter
+scorn, all came rushing towards the pale form that sat and looked at everything
+with a friendly smile. She had words of jest or of sympathy for them all.
+</p>
+
+<p>
+At night everything takes its right size and shape. And just as then for the
+first time the stars of heaven are visible, one also sees much on earth that
+one never sees by day. Now in the light of the red buds of the Jericho rose one
+could see a crowd of strange figures in Mamsell Fredrika&rsquo;s drawing-room.
+The hard &ldquo;ma chère mère&rdquo; was there, the goodnatured Beata
+Hvardagslag, people from the East and the West, the enthusiastic Nina, the
+energetic, struggling Hertha in her white dress.
+</p>
+
+<p>
+&ldquo;Can any one tell me why that person must always be dressed in
+white?&rdquo; jested the little figure in the arm-chair when she caught sight
+of her.
+</p>
+
+<p>
+All the memories spoke to the old woman and said: &ldquo;You have seen and
+experienced so much; you have worked and earned so much! Are you not tired?
+will you not go to rest?&rdquo;
+</p>
+
+<p>
+&ldquo;Not yet,&rdquo; answered the shadow in the yellow arm-chair. &ldquo;I
+have still a book to write. I cannot go to rest before it is finished.&rdquo;
+</p>
+
+<p>
+Thereupon the figures vanished. The Jericho rose went out, and the yellow
+arm-chair stood empty.
+</p>
+
+<p>
+In the Österhaninge church the dead were celebrating midnight mass. One of them
+climbed up to the bell-tower and rang in Christmas; another went about and
+lighted the Christmas candles, and a third began with bony fingers to play the
+organ. Through the open doors others came swarming in out of the night and
+their graves to the bright, glowing House of the Lord. Just as they had been in
+life they came, only a little paler. They opened the pew doors with rattling
+keys and chatted and whispered as they walked up the aisle.
+</p>
+
+<p>
+&ldquo;They are the candles <i>she</i> has given the poor that are now shining
+in God&rsquo;s house.&rdquo;
+</p>
+
+<p>
+&ldquo;We lie warm in our graves as long as <i>she</i> gives clothes and wood
+to the poor.&rdquo;
+</p>
+
+<p>
+&ldquo;She has spoken so many noble words that have opened the hearts of men;
+those words are the keys of our pews.
+</p>
+
+<p>
+&ldquo;She has thought beautiful thoughts of God&rsquo;s love. Those thoughts
+raise us from our graves.&rdquo;
+</p>
+
+<p>
+So they whispered and murmured before they sat down in the pews and bent their
+pale foreheads in prayer in their shrunken hands.
+</p>
+
+<hr />
+
+<p>
+At Årsta some one came into Mamsell Fredrika&rsquo;s room and laid her hand
+gently on the sleeper&rsquo;s arm.
+</p>
+
+<p>
+&ldquo;Up, my Fredrika! It is time to go to the early mass.&rdquo;
+</p>
+
+<p>
+Old Mamsell Fredrika opened her eyes and saw Agathe, her beloved sister who was
+dead, standing by the bed with a candle in her hand. She recognized her, for
+she looked just as she had done on earth. Mamsell Fredrika was not afraid; she
+rejoiced only at seeing her loved one, at whose side she longed to sleep the
+everlasting sleep.
+</p>
+
+<p>
+She rose and dressed herself with all speed. There was no time for
+conversation; the carriage stood before the door. The others must have gone
+already, for no one but Mamsell Fredrika and her dead sister were moving in the
+house.
+</p>
+
+<p>
+&ldquo;Do you remember, Fredrika,&rdquo; said the sister, as they sat in the
+carriage and drove quickly to the church, &ldquo;do you remember how you always
+in the old days expected some knight to carry you off on the road to
+church?&rdquo;
+</p>
+
+<p>
+&ldquo;I am still expecting it,&rdquo; said old Mamsell Fredrika, and laughed.
+&ldquo;I never ride in this carriage without looking out for my knight.&rdquo;
+</p>
+
+<p>
+Even though they hurried, they came too late. The priest stepped down from the
+pulpit as they entered the church, and the closing hymn began. Never had
+Mamsell Fredrika heard such a beautiful song. It was as if both earth and
+heaven joined in, in the song; as if every bench and stone and board had sung
+too.
+</p>
+
+<p>
+She had never seen the church so crowded: on the communion table and on the
+pulpit steps sat people; they stood in the aisles, they thronged in the pews,
+and outside the whole road was packed with people who could not enter. The
+sisters, however, found places; for them the crowd moved aside.
+</p>
+
+<p>
+&ldquo;Fredrika,&rdquo; said her sister, &ldquo;look at the people!&rdquo;
+</p>
+
+<p>
+And Mamsell Fredrika looked and looked.
+</p>
+
+<p>
+Then she perceived that she, like the woman in the saga, had come to a mass of
+the dead. She felt a cold shiver pass down her back, but it happened, as often
+before, she felt more curious than frightened.
+</p>
+
+<p>
+She saw now who were in the church. There were none but women there: grey, bent
+forms, with circular capes and faded mantillas, with hats of faded splendor and
+turned or threadbare dresses. She saw an unheard-of number of wrinkled faces,
+sunken mouths, dim eyes and shrivelled hands, but not a single hand which wore
+a plain gold ring.
+</p>
+
+<p>
+Yes, Mamsell Fredrika understood it now. It was all the old maids who had
+passed away in the land of Sweden who were keeping midnight mass in the
+Österhaninge church.
+</p>
+
+<p>
+Her dead sister leaned towards her.
+</p>
+
+<p>
+&ldquo;Sister, do you repent of what you have done for these your
+sisters?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said Mamsell Fredrika. &ldquo;What have I to be glad for if
+not that it has been bestowed upon me to work for them? I once sacrificed my
+position as an authoress to them. I am glad that I knew what I sacrificed and
+yet did it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you may stay and hear more,&rdquo; said the sister.
+</p>
+
+<p>
+At the same moment some one was heard to speak far away in the choir, a mild
+but distinct voice.
+</p>
+
+<p>
+&ldquo;My sisters,&rdquo; said the voice, &ldquo;our pitiable race, our
+ignorant and despised race will soon exist no more. God has willed that we
+shall die out from the earth.
+</p>
+
+<p>
+&ldquo;Dear friends, we shall soon be only a legend. The old Mamsells&rsquo;
+measure is full. Death rides about on the road to the church to meet the last
+one of us. Before the next midnight mass she will be dead, the last old
+Mamsell.
+</p>
+
+<p>
+&ldquo;Sisters, sisters! We are the lonely ones of the earth, the neglected
+ones at the feast, the unappreciated workers in the homes. We are met with
+scorn and indifference. Our way is weary and our name is ridicule.
+</p>
+
+<p>
+&ldquo;But God has had mercy upon us.
+</p>
+
+<p>
+&ldquo;To <i>one</i> of us He gave power and genius. To one of us He gave
+never-failing goodness. To one of us He gave the glorious gift of eloquence.
+She was everything we ought to have been. She threw light on our dark fate. She
+was the servant of the homes, as we had been, but she offered her gifts to a
+thousand homes. She was the caretaker of the sick, as we had been, but she
+struggled with the terrible epidemic of habits of former days. She told her
+stories to thousands of children. She lead her poor friends in every land. She
+gave from fuller hands than we and with a warmer spirit. In her heart dwelt
+none of our bitterness, for she has loved it away. Her glory has been that of a
+queen&rsquo;s. She has been offered the treasures of gratitude by millions of
+hearts. Her word has weighed heavily in the great questions of mankind. Her
+name has sounded through the new and the old world. And yet she is only an old
+Mamsell.
+</p>
+
+<p>
+&ldquo;She has transfigured our dark fate. Blessings on her name!&rdquo;
+</p>
+
+<p>
+The dead joined in, in a thousandfold echo: &ldquo;Blessings on her
+name!&rdquo;
+</p>
+
+<p>
+&ldquo;Sister,&rdquo; whispered Mamsell Fredrika, &ldquo;can you not forbid
+them to make me, poor, sinful being, proud?&rdquo;
+</p>
+
+<p>
+&ldquo;But, sisters, sisters,&rdquo; continued the voice, &ldquo;she has turned
+against our race with all her great power. At her cry for freedom and work for
+all, the old, despised livers on charity have died out. She has broken down the
+tyranny that fenced in childhood. She has stirred young girls towards the wide
+activity of life. She has put an end to loneliness, to ignorance, to
+joylessness. No unhappy, despised old Mamsells without aim or purpose in life
+will ever exist again; none such as we have been.&rdquo;
+</p>
+
+<p>
+Again resounded the echo of the shades, merry as a hunting-song in the wood
+which is sung by a happy throng of children: &ldquo;Blessed be her
+memory!&rdquo;
+</p>
+
+<p>
+Thereupon the dead swarmed out of the church, and Mamsell Fredrika wiped away a
+tear from the corner of her eye.
+</p>
+
+<p>
+&ldquo;I will not go home with you,&rdquo; said her dead sister. &ldquo;Will
+you not stop here now also?&rdquo;
+</p>
+
+<p>
+&ldquo;I should like to, but I cannot. There is a book which I must make ready
+first.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, good-night then, and beware of the knight of the church
+road,&rdquo; said her dead sister, and smiled roguishly in her old way.
+</p>
+
+<p>
+Then Mamsell Fredrika drove home. All Årsta still slept, and she went quietly
+to her room, lay down and slept again.
+</p>
+
+<hr />
+
+<p>
+A few hours later she drove to the real early mass. She drove in a closed
+carriage, but she let down the window to look at the stars; it is possible too
+that she, as of old, was looking for her knight.
+</p>
+
+<p>
+And there he was; he sprang forward to the window of the carriage. He sat his
+prancing charger magnificently. His scarlet cloak fluttered in the wind. His
+pale face was stern, but beautiful.
+</p>
+
+<p>
+&ldquo;Will you be mine?&rdquo; he whispered.
+</p>
+
+<p>
+She was transported in her old heart by the lofty figure with the waving
+plumes. She forgot that she needed to live a year yet.
+</p>
+
+<p>
+&ldquo;I am ready,&rdquo; she whispered.
+</p>
+
+<p>
+&ldquo;Then I will come and fetch you in a week at your father&rsquo;s
+house.&rdquo;
+</p>
+
+<p>
+He bent down and kissed her, and then he vanished; she began to shiver and
+tremble under Death&rsquo;s kiss.
+</p>
+
+<p>
+A little later Mamsell Fredrika sat in the church, in the same place where she
+had sat as a child. Here she forgot both the knight and the ghosts, and sat
+smiling in quiet delight at the thought of the revelation of the glory of God.
+</p>
+
+<p>
+But either she was tired because she had not slept the whole night, or the
+warmth and the closeness and the smell of the candles had a soporific effect on
+her as on many another.
+</p>
+
+<p>
+She fell asleep, only for a second; she absolutely could not help it.
+</p>
+
+<p>
+Perhaps, too, God wished to open to her the gates of the land of dreams.
+</p>
+
+<p>
+In that single second when she slept, she saw her stern father, her lovely,
+beautifully-dressed mother, and the ugly, little Petrea sitting in the church.
+And the soul of the child was compressed by an anguish greater than has ever
+been felt by a grown person. The priest stood in the pulpit and spoke of the
+stern, avenging God, and the child sat pale and trembling, as if the words had
+been axe-blows and had gone through its heart.
+</p>
+
+<p>
+&ldquo;Oh, what a God, what a terrible God!&rdquo;
+</p>
+
+<p>
+In the next second she was awake, but she trembled and shuddered, as after the
+kiss of death on the church-road. Her heart was once more caught in the wild
+grief of her childhood.
+</p>
+
+<p>
+She wished to hurry from the church. She must go home and write her book, her
+glorious book on the God of peace and love.
+</p>
+
+<hr />
+
+<p>
+Nothing else that can be deemed worth mentioning happened to Mamsell Fredrika
+before New Year&rsquo;s night. Life and death, like day and night, reigned in
+quiet concord over the earth during the last week of the year, but when New
+Year&rsquo;s night came, Death took his sceptre and announced that now old
+Mamsell Fredrika should belong to him.
+</p>
+
+<p>
+Had they but known it, all the people of Sweden would certainly have prayed a
+common prayer to God to be allowed to keep their purest spirit, their warmest
+heart. Many homes in many lands where she had left loving hearts would have
+watched with despair and grief. The poor, the sick and the needy would have
+forgotten their own wants to remember hers, and all the children who had grown
+up blessing her work would have clasped their hands to pray for one more year
+for their best friend. One year, that she might make all fully clear and put
+the finishing-touch on her life&rsquo;s work.
+</p>
+
+<p>
+For Death was too prompt for Mamsell Fredrika.
+</p>
+
+<p>
+There was a storm outside on that New Year&rsquo;s night; there was a storm
+within her soul. She felt all the agony of life and death coming to a crisis.
+</p>
+
+<p>
+&ldquo;Anguish!&rdquo; she sighed, &ldquo;anguish!&rdquo;
+</p>
+
+<p>
+But the anguish gave way, and peace came, and she whispered softly: &ldquo;The
+love of Christ&mdash;the best love&mdash;the peace of God&mdash;the everlasting
+light!&rdquo;
+</p>
+
+<p>
+Yes, that was what she would have written in her book, and perhaps much else as
+beautiful and wonderful. Who knows? Only one thing we know, that books are
+forgotten, but such a life as hers never is.
+</p>
+
+<p>
+The old prophetess&rsquo;s eyes closed and she sank into visions.
+</p>
+
+<p>
+Her body struggled with death, but she did not know it. Her family sat weeping
+about her deathbed, but she did not see them. Her spirit had begun its flight.
+</p>
+
+<p>
+Dreams became reality to her and reality dreams. Now she stood, as she had
+already seen herself in the visions of her youth, waiting at the gates of
+heaven with innumerable hosts of the dead round about her. And heaven opened.
+He, the only one, the Saviour, stood in its open gates. And his infinite love
+woke in the waiting spirits and in her a longing to fly to his embrace, and
+their longing lifted them and her, and they floated as if on wings upwards,
+upwards.
+</p>
+
+<p>
+The next day there was mourning in the land; mourning in wide parts of the
+earth.
+</p>
+
+<p>
+<i>Fredrika Bremer was dead.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>THE ROMANCE OF A FISHERMAN&rsquo;S WIFE</h2>
+
+<p>
+On the outer edge of the fishing-village stood a little cottage on a low mound
+of white sea sand. It was not built in line with the even, neat, conventional
+houses that enclosed the wide green place where the brown fish-nets were dried,
+but seemed as if forced out of the row and pushed on one side to the
+sand-hills. The poor widow who had erected it had been her own builder, and she
+had made the walls of her cottage lower than those of all the other cottages
+and its steep thatched roof higher than any other roof in the fishing-village.
+The floor lay deep down in the ground. The window was neither high nor wide,
+but nevertheless it reached from the cornice to the level of the earth. There
+had been no space for a chimney-breast in the one narrow room and she had been
+obliged to add a small, square projection. The cottage had not, like the other
+cottages, its fenced-in garden with gooseberry bushes and twining
+morning-glories and elder-bushes half suffocated by burdocks. Of all the
+vegetation of the fishing-village, only the burdocks had followed the cottage
+to the sand-hill. They were fine enough in summer with their fresh, dark-green
+leaves and prickly baskets filled with bright, red flowers. But towards the
+autumn, when the prickles had hardened and the seeds had ripened, they grew
+careless about their looks, and stood hideously ugly and dry with their torn
+leaves wrapped in a melancholy shroud of dusty cobwebs.
+</p>
+
+<p>
+The cottage never had more than two owners, for it could not hold up that heavy
+roof on its walls of reeds and clay for more than two generations. But as long
+as it stood, it was owned by poor widows. The second widow who lived there
+delighted in watching the burdocks, especially in the autumn, when they were
+dried and broken. They recalled her who had built the cottage. She too had been
+shrivelled and dry and had had the power to cling fast and adhere, and all her
+strength had been used for her child, whom she had needed to help on in the
+world. She, who now sat there alone, wished both to weep and to laugh at the
+thought of it. If the old woman had not had a burr-like nature, how different
+everything would have been! But who knows if it would have been better?
+</p>
+
+<p>
+The lonely woman often sat musing on the fate which had brought her to this
+spot on the coast of Skone, to the narrow inlet and among these quiet people.
+For she was born in a Norwegian seaport which lay on a narrow strip of land
+between rushing falls and the open sea, and although her means were small after
+the death of her father, a merchant, who left his family in poverty, still she
+was used to life and progress. She used to tell her story to herself over and
+over again, just as one often reads through an obscure book in order to try to
+discover its meaning.
+</p>
+
+<p>
+The first thing of note which had happened to her was when, one evening on the
+way home from the dressmaker with whom she worked, she had been attacked by two
+sailors and rescued by a third. The latter fought for her at peril of his life
+and afterwards went home with her. She took him in to her mother and sisters,
+and told them excitedly what he had done. It was as if life had acquired a new
+value for her, because another had dared so much to defend it. He had been
+immediately well received by her family and asked to come again as soon and as
+often as he could.
+</p>
+
+<p>
+His name was Börje Nilsson, and he was a sailor on the Swedish lugger
+&ldquo;Albertina.&rdquo; As long as the boat lay in the harbor, he came almost
+every day to her home, and they could soon no longer believe that he was only a
+common sailor. He shone always in a clean, turned-down collar and wore a sailor
+suit of fine cloth. Natural and frank, he showed himself among them, as if he
+had been used to move in the same class as they. Without his ever having said
+it in so many words, they got the impression that he was from a respectable
+home, the only son of a rich widow, but that his unconquerable love for a
+sailor&rsquo;s profession had made him take a place before the mast, so that
+his mother should see that he was in earnest. When he had passed his
+examination, she would certainly get him his own ship.
+</p>
+
+<p>
+The lonely family who had drawn away from all their former friends, received
+him without the slightest suspicion. And he described with a light heart and
+fluent tongue his home with its high, pointed roof, the great open fireplace in
+the dining-room and the little leaded glass panes. He also painted the silent
+streets of his native town and the long rows of even houses, built in the same
+style, against which his home, with its irregular buttresses and terraces, made
+a pleasant contrast. And his listeners believed that he had come from one of
+those old burgher houses with carved gables and with overhanging second
+stories, which give such a strong impression of wealth and venerable age.
+</p>
+
+<p>
+Soon enough she saw that he cared for her. And that gave her mother and sisters
+great joy. The young, rich Swede came as if to raise them all up from their
+poverty. Even if she had not loved him, which she did, she would never have had
+a thought of saying no to his proposal. If she had had a father or a grown-up
+brother, he could have found out about the stranger&rsquo;s extraction and
+position, but neither she nor her mother thought of making any inquiries.
+Afterwards she saw how they had actually forced him to lie. In the beginning,
+he had let them imagine great ideas about his wealth without any evil
+intention, but when he understood how glad they were over it, he had not dared
+to speak the truth for fear of losing her.
+</p>
+
+<p>
+Before he left they were betrothed, and when the lugger came again, they were
+married. It was a disappointment for her that he also on his return appeared as
+a sailor, but he had been bound by his contract. He had no greetings either
+from his mother. She had expected him to make another choice, but she would be
+so glad, he said, if she would once see Astrid.&mdash;In spite of all his lies,
+it would have been an easy matter to see that he was a poor man, if they had
+only chosen to use their eyes.
+</p>
+
+<p>
+The captain offered her his cabin if she would like to make the journey in his
+vessel, and the offer was accepted with delight. Börje was almost exempt from
+all work, and sat most of the time on the deck, talking to his wife. And now he
+gave her the happiness of fancy, such as he himself had lived on all his life.
+The more he thought of that little house which lay half buried in the sand, so
+much the higher he raised that palace which he would have liked to offer her.
+He let her in thought glide into a harbor which was adorned with flags and
+flowers in honor of Börje Nilsson&rsquo;s bride. He let her hear the
+mayor&rsquo;s speech of greeting. He let her drive under a triumphal arch,
+while the eyes of men followed her and the women grew pale with envy. And he
+led her into the stately home, where bowing, silvery-haired servants stood
+drawn up along the side of the broad stairway and where the table laden for the
+feast groaned under the old family silver.
+</p>
+
+<p>
+When she discovered the truth, she supposed at first that the captain had been
+in league with Börje to deceive her, but afterwards she found that it was not
+so. They were accustomed on board the boat to speak of Börje as of a great man.
+It was their greatest joke to talk quite seriously of his riches and his fine
+family. They thought that Börje had told her the truth, but that she joked with
+him, as they all did, when she talked about his big house. So it happened that
+when the lugger cast anchor in the harbor which lay nearest to Börje&rsquo;s
+home, she still did not know but that she was the wife of a rich man.
+</p>
+
+<p>
+Börje got a day&rsquo;s leave to conduct his wife to her future home and to
+start her in her new life. When they were landed on the quay, where the flags
+were to have fluttered and the crowds to have rejoiced in honor of the
+newly-married couple, only emptiness and calm reigned there, and Börje noticed
+that his wife looked about her with a certain disappointment.
+</p>
+
+<p>
+&ldquo;We have come too soon,&rdquo; he had said. &ldquo;The journey was such
+an unusually quick one in this fine weather. So we have no carriage here
+either, and we have far to go, for the house lies outside the town.&rdquo;
+</p>
+
+<p>
+&ldquo;That makes no difference, Börje,&rdquo; she had answered. &ldquo;It will
+do us good to walk, after having been quiet so long on board.&rdquo;
+</p>
+
+<p>
+And so they began their walk, that walk of horror, of which she could not think
+even in her old age without moaning in agony and wringing her hands in pain.
+They went along the broad, empty streets, which she instantly recognized from
+his description. She felt as if she met with old friends both in the dark
+church and in the even houses of timber and brick; but where were the carved
+gables and marble steps with the high railing?
+</p>
+
+<p>
+Börje had nodded to her as if he had guessed her thoughts. &ldquo;It is a long
+way still,&rdquo; he had said.
+</p>
+
+<p>
+If he had only been merciful and at once killed her hope. She loved him so
+then. If he of his own accord had told her everything, there would never have
+been any sting in her soul against him. But when he saw her pain at being
+deceived, and yet went on misleading her, that had hurt her too bitterly. She
+had never really forgiven him that. She could of course say to herself that he
+had wanted to take her with him as far as possible so that she would not be
+able to run away from him, but his deceit created such a deadly coldness in her
+that no love could entirely thaw it.
+</p>
+
+<p>
+They went through the town and came out on the adjoining plain. There stretched
+several rows of dark moats and high, green ramparts, remains from the time when
+the town had been fortified, and at the point where they all gathered around a
+fort, she saw some ancient buildings and big, round towers. She cast a shy look
+towards them, but Börje turned off to the mounds which followed the shore.
+</p>
+
+<p>
+&ldquo;This is a shorter way,&rdquo; he said, for she seemed to be surprised
+that there was only a narrow path to follow.
+</p>
+
+<p>
+He had become very taciturn. She understood afterwards that he had not found it
+so merry as he had fancied, to come with a wife to the miserable little house
+in the fishing village. It did not seem so fine now to bring home a better
+man&rsquo;s child. He was anxious about what she would do when she should know
+the truth.
+</p>
+
+<p>
+&ldquo;Börje,&rdquo; she said at last, when they had followed the shelving,
+sandy hillocks for a long while, &ldquo;where are we going?&rdquo;
+</p>
+
+<p>
+He lifted his band and pointed towards the fishing-village, where his mother
+lived in the house on the sand-hill. But she believed that he meant one of the
+beautiful country-seats which lay on the edge of the plain, and was again glad.
+</p>
+
+<p>
+They climbed down into the empty cow-pastures, and there all her uneasiness
+returned. There, where every tuft, if one can only see it, is clothed with
+beauty and variety, she saw merely an ugly field. And the wind, which is ever
+shifting there, swept whistling by them and whispered of misfortune and
+treachery.
+</p>
+
+<p>
+Börje walked faster and faster, and at last they reached the end of the pasture
+and entered the fishing village. She, who at the last had not dared to ask
+herself any questions, took courage again. Here again was a uniform row of
+houses, and this one she recognized even better than that in the town. Perhaps,
+perhaps he had not lied.
+</p>
+
+<p>
+Her expectations were so reduced that she would have been glad from the heart
+if she could have stopped at any of the neat little houses, where flowers and
+white curtains showed behind shining window-panes. She grieved that she had to
+go by them.
+</p>
+
+<p>
+Then she saw suddenly, just at the outer edge of the fishing-village, one of
+the most wretched of hovels, and it seemed to her as if she had already seen it
+with her mind&rsquo;s eye before she actually had a glimpse of it.
+</p>
+
+<p>
+&ldquo;Is it here?&rdquo; he said, and stopped just at the foot of the little
+sand-hill.
+</p>
+
+<p>
+He bent his head imperceptibly and went on towards the little cottage.
+</p>
+
+<p>
+&ldquo;Wait,&rdquo; she called after him, &ldquo;we must talk this over before
+I go into your home. You have lied,&rdquo; she went on, threateningly, when he
+turned to her. &ldquo;You have deceived me worse than if you were my worst
+enemy. Why have you done it?&rdquo;
+</p>
+
+<p>
+&ldquo;I wanted you for my wife,&rdquo; he answered, with a low, trembling
+voice.
+</p>
+
+<p>
+&ldquo;If you had only deceived me within bounds! Why did you make everything
+so fine and rich? What did you have to do with man-servants and triumphal
+arches and all the other magnificence? Did you think that I was so devoted to
+money? Did you not see that I cared enough for you to go anywhere with you?
+That you could believe you needed to deceive me! That you could have the heart
+to keep up your lies to the very last!&rdquo;
+</p>
+
+<p>
+&ldquo;Will you not come in and speak to my mother?&rdquo; he said, helplessly.
+</p>
+
+<p>
+&ldquo;I do not intend to go in there.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you going home?&rdquo;
+</p>
+
+<p>
+&ldquo;How can I go home? How could I cause them there at home such sorrow as
+to return, when they believe me happy and rich? But with you I will not stay
+either. For one who is willing to work there is always a livelihood.&rdquo;
+</p>
+
+<p>
+&ldquo;Stop!&rdquo; he begged. &ldquo;I did it only to win you.&rdquo;
+</p>
+
+<p>
+&ldquo;If you had told me the truth, I would have stayed.&rdquo;
+</p>
+
+<p>
+&ldquo;If I had been a rich man, who had pretended to be poor, then you would
+have stayed.&rdquo;
+</p>
+
+<p>
+She shrugged her shoulders and turned to go, when the door of the cottage
+opened and Börje&rsquo;s mother came out. She was a little, dried-up old woman
+with few teeth and many wrinkles, but not so old in years or in feelings as in
+looks.
+</p>
+
+<p>
+She had heard a part and guessed a part, for she knew what they were
+quarrelling about. &ldquo;Well,&rdquo; she said, &ldquo;that is a fine
+daughter-in-law you have got me, Börje. And you have been deceiving again, I
+can hear.&rdquo; But to Astrid she came and patted her kindly on the cheek.
+&ldquo;Come in with me, you poor child! I know that you are tired and worn out.
+This is my house. He is not allowed to come in here. But you come. Now you are
+my daughter, and I cannot let you go to strangers, do you understand?&rdquo;
+</p>
+
+<p>
+She caressed her daughter-in-law and chatted to her and drew and pushed her
+quite imperceptibly forward to the door. Step by step she lured her on, and at
+last got her inside the house; but Börje she shut out. And there, within, the
+old woman began to ask who she was and how it had all happened. And she wept
+over her and made her weep over herself. The old woman was merciless about her
+son. She, Astrid, did right; she could not stay with such a man. It was true
+that he was in the habit of lying, it was really true.
+</p>
+
+<p>
+She told her how it had been with her son. He had been so fair in face and
+limbs, even when he was small, that she had always marvelled that he was a poor
+man&rsquo;s child. He was like a little prince gone astray. And ever after it
+had always seemed as if he had not been in his right place. He saw everything
+on such a large scale. He could not see things as they were, when it concerned
+himself. His mother had wept many a time on that account. But never before had
+he done any harm with his lies. Here, where he was known, they only laughed at
+him.&mdash;But now he must have been so terribly tempted. Did she really not
+think, she, Astrid, that it was wonderful how the fisher boy had been able to
+deceive them? He had always known so much about wealth, as if he had been born
+to it. It must be that he had come into the world in the wrong place. See, that
+was another proof,&mdash;he had never thought of choosing a wife in his own
+station.
+</p>
+
+<p>
+&ldquo;Where will he sleep to-night?&rdquo; asked Astrid, suddenly.
+</p>
+
+<p>
+&ldquo;I imagine he will lie outside on the sand. He will be too anxious to go
+away from here.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose it is best for him to come in,&rdquo; said Astrid.
+</p>
+
+<p>
+&ldquo;Dearest child, you cannot want to see him. He can get along out there if
+I give him a blanket.&rdquo;
+</p>
+
+<p>
+She let him actually sleep out on the sand that night, thinking it best for
+Astrid not to see him. And with her she talked and talked, and kept her, not by
+force, but by cleverness, not by persuasion, but by real goodness.
+</p>
+
+<p>
+But when she had at last succeeded in keeping her daughter-in-law for her son,
+and had got the young people reconciled, and had taught Astrid that her
+vocation in life was just to be Börje Nilsson&rsquo;s wife and to make him as
+happy as she could,&mdash;and that had not been the work of one evening, but of
+many days,&mdash;then the old woman had laid herself down to die.
+</p>
+
+<p>
+And in that life, with its faithful solicitude for her son, there was some
+meaning, thought Börje Nilsson&rsquo;s wife.
+</p>
+
+<p>
+But in her own life she saw no meaning. Her husband was drowned after a few
+years of married life, and her one child died young. She had not been able to
+make any change in her husband. She had not been able to teach him earnestness
+and truth. It was rather in her the change showed, after she had been more and
+more with the fishing people. She would never see any of her own family, for
+she was ashamed that she now resembled in everything a fisherman&rsquo;s wife.
+If it had only been of any use! If she, who lived by mending the
+fishermen&rsquo;s nets, knew why she clung so to life! If she had made any one
+happy or had improved anybody!
+</p>
+
+<p>
+It never occurred to her to think that she who considers her life a failure
+because she has done no good to others, perhaps by that thought of humility has
+saved her own soul.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>HIS MOTHER&rsquo;S PORTRAIT</h2>
+
+<p>
+In one of the hundred houses of the fishing-village, where each is exactly like
+the other in size and shape, where all have just as many windows and as high
+chimneys, lived old Mattsson, the pilot.
+</p>
+
+<p>
+In all the rooms of the fishing-village there is the same sort of furniture, on
+all the window-sills stand the same kinds of flowers, in all the
+corner-cupboards are the same collections of sea-shells and coral, on all the
+walls hang the same pictures. And it is a fixed old custom that all the
+inhabitants of the fishing-village live the same life. Since Mattsson, the
+pilot, had grown old, he had conformed carefully to the conditions and customs;
+his house, his rooms and his mode of living were like everybody else&rsquo;s.
+</p>
+
+<p>
+On the wall over the bed old Mattsson had a picture of his mother. One night he
+dreamed that the portrait stepped down from its frame, placed itself in front
+of him and said with a loud voice: &ldquo;You must marry, Mattson.&rdquo;
+</p>
+
+<p>
+Old Mattsson then began to make clear to his mother that it was impossible. He
+was seventy years old.&mdash;But his mother&rsquo;s portrait merely repeated
+with even greater emphasis: &ldquo;You must marry, Mattsson.&rdquo;
+</p>
+
+<p>
+Old Mattsson had great respect for his mother&rsquo;s portrait. It had been his
+adviser on many debatable occasions, and he had always done well by obeying it.
+But this time he did not quite understand its behavior. It seemed to him as if
+the picture was acting in opposition to its already acknowledged opinions.
+Although he was lying there and dreaming, he remembered distinctly and clearly
+what had happened the first time he wished to be married. Just as he was
+dressing as a bridegroom, the nail gave way on which the picture hung and it
+fell to the floor. He understood then that the portrait wished to warn him
+against the marriage, but he did not obey it. He soon found that the portrait
+had been right. His short married life was very unhappy.
+</p>
+
+<p>
+The second time he dressed as a bridegroom the same thing happened. The
+portrait fell to the ground as before, and he did not dare again to disobey it.
+He ran away from bride and wedding and travelled round the world several times
+before he dared come home again.&mdash;And now the picture stepped down from
+the wall and commanded him to marry! However good and obedient he was, he
+allowed himself to think that it was making a fool of him.
+</p>
+
+<p>
+But his mother&rsquo;s portrait, which looked out with the grimmest face that
+sharp winds and salt sea-foam could carve, stood solemnly as before. And with a
+voice which had been exercised and strengthened for many years by offering fish
+in the town marketplace, it repeated: &ldquo;You must marry, Mattsson.&rdquo;
+</p>
+
+<p>
+Old Mattsson then asked his mother&rsquo;s portrait to consider what kind of a
+community it was they lived in.
+</p>
+
+<p>
+All the hundred houses of the fishing-village had pointed roofs and whitewashed
+walls; all the boats of the fishing-village were of the same build and rig. No
+one there ever did anything unusual. His mother would have been the first to
+oppose such a marriage if she had been alive. His mother had held by habits and
+customs. And it was not the habit and custom of the fishing-village for old men
+of seventy years to marry.
+</p>
+
+<p>
+His mother&rsquo;s picture stretched out her beringed hand and positively
+commanded him to obey. There had always been something excessively
+awe-inspiring in his mother when she came in her black silk dress with many
+flounces. The big, shining gold brooch, the heavy, rattling gold chain had
+always frightened him. If she had worn her market-clothes, in a striped
+head-cloth and with an oil-cloth apron, covered with fish-scales and fish eyes,
+he would not have been quite so overawed by her. The end of it was that he
+promised to get married. And then his mother&rsquo;s portrait crept up into the
+frame again.
+</p>
+
+<p>
+The next morning old Mattsson woke in great trouble. It never occurred to him
+to disobey his mother&rsquo;s portrait; it knew of course what was best for
+him. But he shuddered nevertheless at the time that was now coming.
+</p>
+
+<p>
+The same day he made an offer of marriage to the plainest daughter of the
+poorest fisherman, a little creature, whose head was drawn down between her
+shoulders and who had a projecting under-jaw. The parents said yes, and the day
+when he was to go to the town and publish the bans was appointed.
+</p>
+
+<p>
+The road from the fishing-village to the town passes over windy marshes and
+swampy cow-pastures. It is two miles long, and there is a tradition that the
+inhabitants of the fishing-village are so rich that they could pave it with
+shining silver coins. It would give the road a strange attraction. Glimmering
+like a fish&rsquo;s belly, it would wind with its white scales through clumps
+of sedge and pools filled with water-bugs and melancholy bullfrogs. The daisies
+and almond-blossoms which adorn that forsaken ground would be mirrored in the
+shining silver coins; thistles would stretch out protecting thorns over them,
+and the wind would find a ringing sounding-board when it played on the thatched
+roof of the cow-barns and on telephone-wires.
+</p>
+
+<p>
+Perhaps old Mattsson would have found some comfort if he could have set his
+heavy sea boots on ringing silver, for it is certain that he for a time had to
+go that way oftener than he liked.
+</p>
+
+<p>
+He had not had &ldquo;clean papers.&rdquo; The bans could not be published. It
+came from his having run away from his bride the last time. Some time passed
+before the clergyman could write to the consistory about him and get permission
+for him to contract a new marriage.
+</p>
+
+<p>
+As long as this time of waiting lasted, old Mattsson came to the town every
+week. He sat by the door of the pastor&rsquo;s room and remained there in
+silent expectation until all had spoken in turn. Then he rose and asked if the
+clergyman had anything for him. No, he had nothing.
+</p>
+
+<p>
+The pastor was amazed at the power that all-conquering love had acquired over
+that old man. There he sat in a thick, knitted jersey, high sea-boots and
+weather-beaten sou&rsquo;wester with a sharp, clever face and long, gray hair,
+and waited for permission to get married. The clergyman thought it strange that
+the old fisherman should have been seized by so eager a longing.
+</p>
+
+<p>
+&ldquo;You are in a hurry with this marriage, Mattsson,&rdquo; said the
+clergyman.
+</p>
+
+<p>
+&ldquo;Oh yes, it is best to get it done soon.&rdquo;
+</p>
+
+<p>
+&ldquo;Could you not just as well give up the whole thing? You are no longer
+young, Mattsson.&rdquo;
+</p>
+
+<p>
+The clergyman must not be too surprised. He knew well enough that he was too
+old, but he was obliged to be married. There was no help for it.
+</p>
+
+<p>
+So he came again week after week for a half year, until at last the permission
+came.
+</p>
+
+<p>
+During all that time old Mattsson was a persecuted man. Round the green
+drying-place, where the brown fish-nets were hung out, along the cemented walls
+by the harbor, at the fish-tables in the market, where cod and crabs were sold,
+and far out in the sound among the shoals of herring, raged a storm of wonder
+and laughter.
+</p>
+
+<p>
+&ldquo;So he is going to be married, he, Mattsson, who ran away from his own
+wedding!&rdquo;
+</p>
+
+<p>
+Neither bride nor groom were spared.
+</p>
+
+<p>
+But the worst thing for him was that no one could laugh more at the whole thing
+than he himself. No one could find it more ridiculous. His mother&rsquo;s
+portrait was driving him mad.
+</p>
+
+<hr />
+
+<p>
+It was the afternoon of the first time of asking. Old Mattsson, still pursued
+by talk and wonderings, went out on the long breakwater as far as the
+whitewashed lighthouse, in order to be alone. He found his betrothed there. She
+sat and wept.
+</p>
+
+<p>
+He asked her whether she would have liked some one else better. She sat and
+pried little bits of mortar from the lighthouse wall and threw them into the
+water, answering nothing at first.
+</p>
+
+<p>
+&ldquo;Was there nobody you liked?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh no, of course not.&rdquo;
+</p>
+
+<p>
+It is very beautiful out by the lighthouse. The clear water of the sound laps
+about it. The low-lying shore, the little uniform houses of the
+fishing-village, and the distant town are all shining in wonderful beauty. Out
+of the soft mist that hovers on the western horizon a fishing-boat comes
+gliding now and again. Tacking boldly, it steers towards the harbor. The water
+roars gaily past its bow as it shoots in through the narrow harbor entrance.
+The sail drops silently at the same moment. The fishermen swing their hats in
+joyous greeting, and on the bottom of the boat lies the glittering spoil.
+</p>
+
+<p>
+A boat came into the harbor while old Mattsson stood out by the lighthouse. A
+young man sitting at the tiller lifted his hat and nodded to the girl. The old
+man saw that her eyes were shining.
+</p>
+
+<p>
+&ldquo;Well,&rdquo; he thought, &ldquo;have you fallen in love with the
+handsomest young fellow in the fishing-village? Yes, you will never get him.
+You may just as well marry me as wait for him.&rdquo;
+</p>
+
+<p>
+He saw that he could not escape his mother&rsquo;s picture. If the girl had
+cared for any one whom there was any possibility of getting, he would have had
+a good motive to be rid of the whole business. But now it was useless to set
+her free.
+</p>
+
+<hr />
+
+<p>
+A fortnight later was the wedding, and a few days after came the big November
+gale. One of the boats of the fishing-village was swept out into the sound. It
+had neither rudder nor masts, so that it was quite unmanageable. Old Mattsson
+and five others were on board, and they drifted about without food for two
+days. When they were rescued, they were in a state of exhaustion from hunger
+and cold. Everything in the boat was covered with ice, and their wet clothes
+were stiff. Old Mattsson was so chilled that he never was well again. He lay
+ill for two years; then death came.
+</p>
+
+<p>
+Many thought that it was strange that his idea of marrying came just before the
+unlucky adventure, for the little woman he had got took good care of him. What
+would he have done if he had been alone when lying so helpless? The whole
+fishing-village acknowledged that he had never done anything more sensible than
+marrying, and the little woman won great consideration for the tenderness with
+which she took care of her husband.
+</p>
+
+<p>
+&ldquo;She will have no trouble in marrying again,&rdquo; people said.
+</p>
+
+<p>
+Old Mattsson told his wife, every day while he lay ill, the story of the
+portrait.
+</p>
+
+<p>
+&ldquo;You must take it when I am dead, just as you must take everything of
+mine,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Do not speak of such things.&rdquo;
+</p>
+
+<p>
+&ldquo;And you must listen to my mother&rsquo;s portrait when the young men
+propose to you. Truly there is no one in the whole fishing-village who
+understands getting married better than that picture.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap10"></a>A FALLEN KING</h2>
+
+<p class="letter">
+Mine was the kingdom of fancy, now I am a fallen king.
+</p>
+
+<p class="right">
+S<small>NOILSKY</small>.
+</p>
+
+<p>
+The wooden shoes clattered in uneasy measure on the pavements. The street boys
+hurried by. They shouted, they whistled. The houses shook, and from the courts
+the echo rushed out like a chained dog from his kennel.
+</p>
+
+<p>
+Faces appeared behind the window-panes. Had anything happened? Was anything
+going on? The noise passed on towards the suburbs. The servant girls hastened
+after, following the street boys. They clasped their hands and screamed:
+&ldquo;Preserve us, preserve us! Is it murder, is it fire?&rdquo; No one
+answered. The clattering was heard far away.
+</p>
+
+<p>
+After the maids came hurrying wise matrons of the town. They asked: &ldquo;What
+is it? What is disturbing the morning calm? Is it a wedding? Is it a funeral?
+Is it a conflagration? What is the watchman doing? Shall the town burn up
+before he begins to sound the alarm?&rdquo;
+</p>
+
+<p>
+The whole crowd stopped before the shoemaker&rsquo;s little house in the
+suburbs, the little house that had vines climbing about the doors and windows,
+and in front, between street and house, a yard-wide garden. Summer-houses of
+straw, arbors fit for a mouse, paths for a kitten. Everything in the best of
+order! Peas and beans, roses and lavender, a mouthful of grass, three
+gooseberry bushes and an apple-tree.
+</p>
+
+<p>
+The street boys who stood nearest stared and consulted. Through the shining,
+black window-panes their glances penetrated no further than to the white lace
+curtains. One of the boys climbed up on the vines and pressed his face against
+the pane. &ldquo;What do you see?&rdquo; whispered the others. &ldquo;What do
+you see?&rdquo; The shoemaker&rsquo;s shop and the shoemaker&rsquo;s bench,
+grease-pots and bundles of leather, lasts and pegs, rings and straps.
+&ldquo;Don&rsquo;t you see anybody?&rdquo; He sees the apprentice, who is
+repairing a shoe. Nobody else, nobody else? Big, black flies crawl over the
+pane and make his sight uncertain. &ldquo;Do you see nobody except the
+apprentice?&rdquo; Nobody. The master&rsquo;s chair is empty. He looked once,
+twice, three times; the master&rsquo;s chair was empty.
+</p>
+
+<p>
+The crowd stood still, guessing and wondering. So it was true; the old
+shoemaker had absconded. Nobody would believe it. They stood and waited for a
+sign. The cat came out on the steep roof. He stretched out his claws and slid
+down to the gutter. Yes, the master was away, the cat could hunt as he pleased.
+The sparrows fluttered and chirped, quite helpless.
+</p>
+
+<p>
+A white chicken looked round the corner of the house. He was almost full-grown.
+His comb shone red as wine. He peered and spied, crowed and called. The hens
+came, a row of white hens at full speed, bodies rocking, wings fluttering,
+yellow legs like drumsticks. The hens hopped among the stacked peas. Battles
+began. Envy broke out. A hen fled with a full pea-pod. Two cocks pecked her in
+the neck. The cat left the sparrow nests to look on. Plump, there he fell down
+in the midst of the flock. The hens fled in a long, scurrying line. The crowd
+thought: &ldquo;It must be true that the shoemaker has run away. One can see by
+the cat and the hens that the master is away.&rdquo;
+</p>
+
+<p>
+The uneven street, muddy from the autumn rains, resounded with talk. Doors
+stood open, windows swung. Heads were put together in wondering whisperings.
+&ldquo;He has run off.&rdquo; The people whispered, the sparrows chirped, the
+wooden shoes clattered: &ldquo;He has run away. The old shoemaker has run away.
+The owner of the little house, the young wife&rsquo;s husband, the father of
+the beautiful child, he has run away. Who can understand it? who can explain
+it?&rdquo;
+</p>
+
+<p>
+There is an old song: &ldquo;Old husband in the cottage; young lover in the
+wood; wife, who runs away, child who cries; home without a mistress.&rdquo; The
+song is old. It is often sung. Everybody understands it.
+</p>
+
+<p>
+This was a new song. The old man was gone. On the workshop table lay his
+explanation, that he never meant to come back. Beside it a letter had also
+lain. The wife had read it, but no one else.
+</p>
+
+<p>
+The young wife was in the kitchen. She was doing nothing. The neighbors went
+backwards and forwards, arranging busily, set out the cups, made up the fire,
+boiled the coffee, wept a little and wiped away the tears with the dish-towel.
+</p>
+
+<p>
+The good women of the quarter sat stiffly about the walls. They knew what was
+suitable in a house of mourning. They kept silent by force, mourned by force.
+They celebrated their holiday by supporting the forsaken wife in her grief.
+Coarse hands lay quiet in their laps, weather-beaten skin lay in deep wrinkles,
+thin lips were pressed together over toothless jaws.
+</p>
+
+<p>
+The wife sat among the bronze-hued women, gently blonde, with a sweet face like
+a dove. She did not weep, but she trembled. She was so afraid, that the fear
+was almost killing her. She bit her teeth together, so that no one should hear
+how they chattered. When steps were heard, when the clattering sounded, when
+some one spoke to her, she started up.
+</p>
+
+<p>
+She sat with her husband&rsquo;s letter in her pocket. She thought of now one
+line in it and now another. There stood: &ldquo;I can bear no longer to see you
+both.&rdquo; And in another place: &ldquo;I know now that you and Erikson mean
+to elope.&rdquo; And again: &ldquo;You shall not do that, for people&rsquo;s
+evil talk would make you unhappy. I shall disappear, so that you can get a
+divorce and be properly married. Erikson is a good workman and can support you
+well.&rdquo; Then farther down: &ldquo;Let people say what they will about me.
+I am content if only they do not think any evil of you, for you could not bear
+it.&rdquo;
+</p>
+
+<p>
+She did not understand it. She had not meant to deceive him. Even if she had
+liked to chat with the young apprentice, what had her husband to do with that?
+Love is an illness, but it is not mortal. She had meant to bear it through life
+with patience. How had her husband discovered her most secret thoughts?
+</p>
+
+<p>
+She was tortured at the thought of him! He must have grieved and brooded. He
+had wept over his years. He had raged over the young man&rsquo;s strength and
+spirits. He had trembled at the whisperings, at the smiles, at the hand
+pressures. In burning madness, in glowing jealousy, he had made it into a whole
+elopement history, of which there was as yet nothing.
+</p>
+
+<p>
+She thought how old he must have been that night when he went. His back was
+bent, his hands shook. The agony of many long nights had made him so. He had
+gone to escape that existence of passionate doubting.
+</p>
+
+<p>
+She remembered other lines in the letter: &ldquo;It is not my intention to
+destroy your character. I have always been too old for you.&rdquo; And then
+another: &ldquo;You shall always be respected and honored. Only be silent, and
+all the shame will fall on me!&rdquo;
+</p>
+
+<p>
+The wife felt deeper and deeper remorse. Was it possible that people would be
+deceived? Would it do to lie so too before God? Why did she sit in the cottage,
+pitied like a mourning mother, honored like a bride on her wedding day? Why was
+it not she who was homeless, friendless, despised? How can such things be? How
+can God let himself be so deceived?
+</p>
+
+<p>
+Over the great dresser hung a little bookcase. On the top shelf stood a big
+book with brass clasps. Behind those clasps was hidden the story of a man and a
+woman who lied before God and men. &ldquo;Who has suggested to you, woman, to
+do such things? Look, young men stand outside to lead you away.&rdquo;
+</p>
+
+<p>
+The woman stared at the book, listened for the young men&rsquo;s footsteps. She
+trembled at every knock, shuddered at every step. She was ready to stand up and
+confess, ready to fall down and die.
+</p>
+
+<p>
+The coffee was ready. The women glided sedately forward to the table. They
+filled their cups, took a lump of sugar in their mouths and began to sip their
+boiling coffee, silently and decently, the wives of mechanics first, the
+scrub-women last. But the wife did not see what was going on. Remorse made her
+quite beside herself. She had a vision. She sat at night out in a freshly
+ploughed field. Round about her sat great birds with mighty wings and pointed
+beaks. They were gray, scarcely perceptible against the gray ground, but they
+held watch over her. They were passing sentence upon her. Suddenly they flew up
+and sank down over her head. She saw their sharp claws, their pointed beaks,
+their beating wings coming nearer and nearer. It was like a deadly rain of
+steel. She bent her head and knew that she must die. But when they came near,
+quite near to her, she had to look up. Then she saw that the gray birds were
+all these old women.
+</p>
+
+<p>
+One of them began to speak. She knew what was proper, what was fitting in a
+house of mourning. They had now been silent long enough. But the wife started
+up as from a blow. What did the woman mean to say? &ldquo;You, Matts
+Wik&rsquo;s wife, Anna Wik, confess! You have lied long enough before God and
+before us. We are your judges. We will judge you and rend you to pieces.&rdquo;
+</p>
+
+<p>
+No, the woman began to speak of husbands. And the others chimed in, as the
+occasion demanded. What was said was not in the husbands&rsquo; praise. All the
+evil husbands had done was dragged forward. It was as consolation for a
+deserted wife.
+</p>
+
+<p>
+Injury was heaped upon injury. Strange beings these husbands! They beat us,
+they drink up our money, they pawn our furniture. Why on earth had Our Lord
+created them?
+</p>
+
+<p>
+The tongues became like dragons&rsquo; fangs; they spat venom, they spouted
+fire. Each one added her word. Anecdotes were piled upon anecdotes. A wife fled
+from her home before a drunken husband. Wives slaved for idle husbands. Wives
+were deserted for other women. The tongues whistled like whip lashes. The
+misery of homes was laid bare. Long litanies were read. From the tyranny of the
+husband deliver us, good Lord!
+</p>
+
+<p>
+Illness and poverty, the children&rsquo;s death, the winter&rsquo;s cold,
+trouble with the old people, everything was the husband&rsquo;s fault. The
+slaves hissed at their masters. They turned their stings against them, before
+whose feet they crept.
+</p>
+
+<p>
+The deserted wife felt how it cut and stabbed in her ears. She dared to defend
+the incorrigible ones. &ldquo;My husband,&rdquo; she said, &ldquo;is
+good.&rdquo; The women started up, hissed and snorted. &ldquo;He has run away.
+He is no better than anybody else. He, who is an old man, ought to know better
+than to run away from wife and child. Can you believe that he is better than
+the others?&rdquo;
+</p>
+
+<p>
+The wife trembled; she felt as if she was being dragged through prickly
+bramble-bushes. Her husband considered a sinner! She flushed with shame, wished
+to speak, but was silent. She was afraid; she had not the power. But why did
+God keep silent? Why did God let such things be?
+</p>
+
+<p>
+If she should take the letter and read it aloud, then the stream of poison
+would be turned. The venom would sprinkle upon her. The horror of death came
+over her. She did not dare. She half wished that an insolent hand had been
+thrust into her pocket and had drawn out the letter. She could not give herself
+as a prize. Within the workshop was heard a shoemaker&rsquo;s hammer. Did no
+one hear how it hammered in triumph? She had heard that hammering and had been
+vexed by it the whole day. But none of the women understood it. Omniscient God,
+hast Thou no servant who could read hearts? She would gladly accept her
+sentence, if only she did not need to confess. She wished to hear some one say:
+&ldquo;Who has given you the idea to lie before God?&rdquo; She listened for
+the sound of the young men&rsquo;s footsteps in order to fall down and die.
+</p>
+
+<hr />
+
+<p>
+Several years after this a divorced woman was married to a shoemaker, who had
+been apprentice to her husband. She had not wished it, but had been drawn to
+it, as a pickerel is drawn to the side of a boat when it has been caught on the
+line. The fisherman lets it play. He lets it rush here and there. He lets it
+believe it is free. But when it is tired out, when it can do no more, then he
+drags with a light pull, then he lifts it up and jerks it down into the bottom
+of the boat before it knows what it is all about.
+</p>
+
+<p>
+The wife of the absconded shoemaker had dismissed her apprentice and wished to
+live alone. She had wished to show her husband that she was innocent. But where
+was her husband? Did he not care for her faithfulness. She suffered want. Her
+child went in rags. How long did her husband think that she could wait? She was
+unhappy when she had no one upon whom she could depend.
+</p>
+
+<p>
+Erikson succeeded. He had a shop in the town. His shoes stood on glass shelves
+behind broad plate-glass windows. His workshop grew. He hired an apartment and
+put plush furniture in the parlor. Everything waited only for her. When she was
+too wearied of poverty, she came.
+</p>
+
+<p>
+She was very much afraid in the beginning. But no misfortunes befell her. She
+became more confident as time went on and more happy. She had people&rsquo;s
+regard, and knew within herself that she had not deserved it. That kept her
+conscience awake, so that she became a good woman.
+</p>
+
+<p>
+Her first husband, after some years, came back to the house in the suburbs. It
+was still his, and he settled down again there and wished to begin work. But he
+got no work, nor would anybody have anything to do with him. He was despised,
+while his wife enjoyed great honor. It was nevertheless he who had done right,
+and she who had done wrong.
+</p>
+
+<p>
+The husband kept his secret, but it almost suffocated him. He felt how he sank,
+because everybody considered him bad. No one had any confidence in him, no one
+would trust any work to him. He took what company he could get, and learned to
+drink.
+</p>
+
+<p>
+While he was going down hill, the Salvation Army came to the town. It hired a
+big hall and began its work. From the very first evening all the loafers
+gathered at the meetings to make a disturbance. When it had gone on for about a
+week, Matts Wik came too to take part in the fun.
+</p>
+
+<p>
+There was a crowd in the street, a crowd in the door-way. Sharp elbows and
+angry tongues were there; street boys and soldiers, maids and scrub-women;
+peaceable police and stormy rabble. The army was new and the fashion. The
+well-to-do and the wharf-rats, everybody went to the Salvation Army. Within,
+the hall was low-studded. At the farthest end was an empty platform; unpainted
+benches, borrowed chairs, an uneven floor, blotches on the ceiling, lamps that
+smoked. The iron stove in the middle of the floor gave out warmth and coal gas.
+All the places were filled in a moment. Nearest the platform sat the women,
+demure as if in church, and back of them workmen and sewing-women. Farthest
+away sat the boys on one another&rsquo;s knees, and in the door-way there was a
+fight among those who could not get in.
+</p>
+
+<p>
+The platform was empty. The clock had not struck, the entertainment had not
+begun. One whistled, one laughed. The benches were kicked to pieces. &ldquo;The
+War-cry&rdquo; flew like a kite between the groups. The public were enjoying
+themselves.
+</p>
+
+<p>
+A side-door opened. Cold air streamed into the room. The fire flamed up. There
+was silence. Attentive expectation filled the hall. At last they came, three
+young women, carrying guitars and with faces almost hidden by broad-brimmed
+hats. They fell on their knees as soon as they had ascended the steps of the
+platform.
+</p>
+
+<p>
+One of them prayed aloud. She lifted her head, but closed her eyes. Her voice
+cut like a knife. During the prayer there was silence. The street-boys and
+loafers had not yet begun. They were waiting for the confessions and the
+inspiring music.
+</p>
+
+<p>
+The women settled down to their work. They sang and prayed, sang and preached.
+They smiled and spoke of their happiness. In front of them they had an audience
+of ruffians. They began to rise, they climbed upon the benches. A threatening
+noise passed through the throng. The women on the platform caught glimpses of
+dreadful faces through the smoky air. The men had wet, dirty clothes, which
+smelt badly. They spat tobacco every other second, swore with every word. Those
+women, who were to struggle with them, spoke of their happiness.
+</p>
+
+<p>
+How brave that little army was! Ah, is it not beautiful to be brave? Is it not
+something to be proud of to have God on one&rsquo;s side? It was not worth
+while to laugh at them in their big hats. It was most probable that they would
+conquer the hard hands, the cruel faces, the blaspheming lips.
+</p>
+
+<p>
+&ldquo;Sing with us!&rdquo; cried the Salvation Army soldiers; &ldquo;sing with
+us! It is good to sing.&rdquo; They started a well-known melody. They struck
+their guitars and repeated the same verse over and over. They got one or two of
+those sitting nearest to join in, but now sounded down by the door a light
+street song. Notes struggled against notes, words against words, guitar against
+whistle. The women&rsquo;s strong, trained voices contested with the
+boys&rsquo; hoarse falsetto, with the men&rsquo;s growling bass. When the
+street song was almost conquered, they began to stamp and whistle down by the
+door. The Salvation Army song sank like a wounded warrior. The noise was
+terrifying. The women fell on their knees.
+</p>
+
+<p>
+They knelt as if powerless. Their eyes were closed. Their bodies rocked in
+silent pain. The noise died down. The Salvation Army captain began instantly:
+&ldquo;Lord, all these Thou wilt make Thine own. We thank Thee, Lord, that Thou
+wilt lead them all into Thy host! We thank Thee, Lord, that it is granted to us
+to lead them to Thee!&rdquo;
+</p>
+
+<p>
+The crowd hissed, howled, screamed. It was as if all those throats had been
+tickled by a sharp knife. It was as if the people had been afraid to be won
+over, as if they had forgotten that they had come there of their own will.
+</p>
+
+<p>
+But the woman continued, and it was her sharp, piercing voice which conquered.
+They had to hear.
+</p>
+
+<p>
+&ldquo;You shout and scream; the old serpent within you is twisting and raging.
+But that is just the sign. Blessings on the old serpent&rsquo;s roarings! It
+shows that he is tortured, that he is afraid. Laugh at us! Break our windows!
+Drive us away from the platform! To-morrow you will belong to us. We shall
+possess the earth. How can you withstand us? How can you withstand God?&rdquo;
+</p>
+
+<p>
+Then the captain commanded one of her comrades to come forward and make her
+confession. She came smiling. She stood brave and undaunted and told the story
+of her sin and her conversion to the mockers. Where had that kitchen-girl
+learned to stand smiling under all that scorn? Some of those who had come to
+scoff grew pale. Where had these women found their courage and their strength?
+Some one stood behind them.
+</p>
+
+<p>
+The third woman stepped forward. She was a beautiful child, daughter of rich
+parents, with a sweet, clear voice. She did not tell of herself. Her testimony
+was one of the usual songs.
+</p>
+
+<p>
+It was like the shadow of a victory. The audience forgot itself and listened.
+The child was lovely to look at, sweet to hear. But when she ceased, the noise
+became even more dreadful. Down by the door they built a platform of benches,
+climbed up and confessed.
+</p>
+
+<p>
+It became worse and worse in the hall. The stove became red hot, devoured air
+and belched heat. The respectable women on the front benches looked about for a
+way to escape, but there was no possibility of getting out. The soldiers on the
+platform perspired and wilted. They cried and prayed for strength. Suddenly a
+breath came through the air, a whisper reached their ear. They knew not from
+where, but they felt a change. God was with them. He fought for them.
+</p>
+
+<p>
+To the struggle again! The captain stepped forward and lifted the Bible over
+her head. Stop, stop! We feel that God is working among us. A conversion is
+near. Help us to pray! God will give us a soul.
+</p>
+
+<p>
+They fell on their knees in silent prayer. Some in the hall joined in the
+prayer. All felt an intense expectation. Was it true? Was something great
+taking place in a fellow-creature&rsquo;s soul, here, in their midst? Should it
+be granted to them to see it? Could it be influenced by these women?
+</p>
+
+<p>
+For the moment the crowd was won. They were now just as eager for a miracle as
+lately for blasphemy. No one dared to move. All panted from excitement, but
+nothing happened. &ldquo;O God, Thou forsakest us! Thou forsakest us, O
+God!&rdquo;
+</p>
+
+<p>
+The beautiful salvation soldier began to sing. She chose the mildest of
+melodies: &ldquo;Oh, my beloved, wilt Thou not come soon?&rdquo;
+</p>
+
+<p>
+Touching as a praying child, the song entered their souls&mdash;like a caress,
+like a blessing.
+</p>
+
+<p>
+The crowd was silent, wrapped in those notes. &ldquo;Mountains and forests
+long, heaven and earth languish. Man, everything in the world, thirsts that you
+shall open your soul to the light. Then glory will spread over the earth, then
+the beasts will rise up from their degradation.
+</p>
+
+<p>
+&ldquo;Oh, my beloved, wilt thou not come soon?&rdquo;
+</p>
+
+<p>
+&ldquo;It is not true that thou dost linger in lofty halls. In the dark wood,
+in miserable hovels thou dwellest. And thou wilt not come. My bright heaven
+does not tempt thee.
+</p>
+
+<p>
+&ldquo;Oh, my beloved, wilt thou not come soon?&rdquo;
+</p>
+
+<p>
+In the hall more and more began to sing the burden. Voice after voice joined
+in. They did not rightly know what words they used. The tune was enough. All
+their longing could sing itself free in those tones. They sang, too, down by
+the door. Hearts were bursting. Wills were subdued. It no longer sounded like a
+pitiful lament, but strong, imperative, commanding.
+</p>
+
+<p>
+&ldquo;Oh, my beloved, wilt thou not come soon?&rdquo;
+</p>
+
+<p>
+Down by the door, in the worst of the crowd, stood Matts Wik. He looked much
+intoxicated, but that evening he had not drunk. He stood and thought. &ldquo;If
+I might speak, if I might speak!&rdquo;
+</p>
+
+<p>
+It was the strangest room he had ever seen, the most wonderful chance. A voice
+seemed to say to him: &ldquo;These are the rushes to which you can whisper, the
+waves which will bear your voice.&rdquo;
+</p>
+
+<p>
+The singers started. It was as if they had heard a lion roar in their ears. A
+mighty, terrible voice spoke dreadful words.
+</p>
+
+<p>
+It scoffed at God. Why did men serve God? He forsook all those who served him.
+He had failed his own son. God helped no one.
+</p>
+
+<p>
+The voice grew louder, more like a roar every minute. No one could have
+believed that human lungs could have such strength. No one had ever heard such
+ravings burst from bruised heart. All bent their heads like wanderers in the
+desert, when the storm beats on them.
+</p>
+
+<p>
+Terrible, terrible words! They were like thundering hammer strokes against
+God&rsquo;s throne. Against Him who had tortured Job, who had let the martyrs
+suffer, who let those who professed his faith burn at the stake.
+</p>
+
+<p>
+A few had at first tried to laugh. Some of them had thought that it was a joke.
+But now they heard, quaking, that it was in earnest. Already some rose up to
+flee to the platform. They asked the protection of the Salvation Army from him
+who drew down upon them the wrath of God.
+</p>
+
+<p>
+The voice asked them in hissing tones what rewards they expected for their
+trouble in serving God. They need not count on heaven. God was not freehanded
+with His heaven. A man, he said, had done more good than was needed to be
+blessed. He had brought greater offerings than God demanded. But then he had
+been tempted to sin. Life is long. He paid out his hard-earned grace already in
+this world. He would go the way of the damned.
+</p>
+
+<p>
+The speech was the terrifying north-wind, which drives the ship into the
+harbor. While the scoffer spoke, women rushed up to the platform. The Salvation
+Army soldiers&rsquo; hands were embraced and kissed; they were scarcely able to
+receive them all. The boys and the old men praised God.
+</p>
+
+<p>
+He who spoke continued. The words intoxicated him. He said to himself: &ldquo;I
+speak, I speak, at last I speak. I tell them my secret, and yet I do not tell
+them.&rdquo; For the first time since he made the great sacrifice he was free
+from care.
+</p>
+
+<hr />
+
+<p>
+It was a Sunday afternoon in the height of the summer. The town looked like a
+desert of stones, like a moon landscape. There was not a cat to be seen, nor a
+sparrow, hardly a fly on the sunny wall. Not a chimney smoked. There was not a
+breath of air in the sultry streets. The whole was only a stony field, out of
+which grew stone walls.
+</p>
+
+<p>
+Where were the dogs and the people? Where were the young ladies in narrow
+skirts and wide sleeves, long gloves and red sunshades? Where were the soldiers
+and the fine people, the Salvation Army and the street boys?
+</p>
+
+<p>
+Whither had all those gay picnickers gone in the dewy cool of the morning, all
+the baskets and accordions and bottles, which the steamer landed? And what had
+happened to the procession of Good Templars? Banners fluttered, drums
+thundered, boys swarmed, stamped, and hurrahed. Or what had happened to the
+blue awnings under which the little ones slept while father and mother pushed
+them solemnly up the street.
+</p>
+
+<p>
+All were on their way out to the wood. They complained of the long streets. It
+seemed as if the stone houses followed them. At last, at last they caught a
+glimpse of green. And just outside of the town, where the road wound over flat,
+moist fields, where the song of the lark sounded loudest, where the clover
+steamed with honey, there lay the first of those left behind; heads in the
+moss, noses in the grass. Bodies bathed in sunshine and fragrance, souls
+refreshed with idleness and rest.
+</p>
+
+<p>
+On the way to the wood toiled bicyclists and bearers of luncheon baskets. Boys
+came with trowels and shiny knapsacks. Girls danced in clouds of dust. Sky and
+banners and children and trumpets. Mechanics and their families and crowds of
+laborers. The rearing horses of an omnibus waved their forelegs over the crowd.
+A young man, half drunk, jumped up on the wheel. He was pulled down, and lay
+kicking on his back in the dust of the road.
+</p>
+
+<p>
+In the wood a nightingale trilled and sang, piped and gurgled. The birches were
+not thriving, their trunks were black. The beeches built high temples, layer
+upon layer of streaky green. A toad sat and took aim with its tongue. It caught
+a fly at every shot. A hedgehog trotted about in the dried, rustling beech
+leaves. Dragonflies darted about with glittering wings. The people sat down
+around the luncheon-baskets. The piping, chirping crickets tried to make their
+Sunday a glad one.
+</p>
+
+<p>
+Suddenly the hedgehog disappeared, terrified he rolled himself up in his
+prickles. The crickets crept into the grass, quite silenced. The nightingale
+sang as if its throat would burst. It was guitars, guitars. The Salvation Army
+marched forward under the beeches. The people started up from their rest under
+the trees. The dancing-green and croquet-ground were deserted. The swings and
+merry-go-rounds had an hour&rsquo;s rest. Everybody followed to the Salvation
+Army&rsquo;s camp. The benches filled, and listeners sat on every hillock. The
+army had waxed strong and powerful. About many a fair cheek was tied the
+Salvation Army hat. Many a strong man wore the red shirt. There was peace and
+order in the crowd. Bad words did not venture to pass the lips. Oaths rumbled
+harmlessly behind teeth. And Matts Wik, the shoemaker, the terrible blasphemer,
+stood now as standard-bearer by the platform. He, too, was one of the
+believers. The red flag caressed his gray head.
+</p>
+
+<p>
+The Salvation Army soldiers had not forgotten the old man. They had him to
+thank for their first victory. They had come to him in his loneliness. They
+washed his floor and mended his clothes. They did not refuse to associate with
+him. And at their meetings he was allowed to speak.
+</p>
+
+<p>
+Ever since he had broken his silence he was happy. He stood no longer as an
+enemy of God. There was a raging power in him. He was happy when he could let
+it out. When souls were shaken by his lion voice, he was happy.
+</p>
+
+<p>
+He spoke always of himself. He always told his own story. He described the fate
+of the misjudged. He spoke of sacrifices of life itself, made without a hope of
+reward, without acknowledgment. He disguised what he related. He told his
+secret and yet did not tell it.
+</p>
+
+<p>
+He became a poet. He had the power of winning hearts. For his sake crowds
+gathered in front of the Salvation Army platform. He drew them by the fantastic
+images which filled his diseased brain. He captivated them with the words of
+affecting lament, which the oppression of his heart had taught him.
+</p>
+
+<p>
+Perhaps his spirit in days of old had visited this world of death and change.
+Perhaps he had then been a mighty skald, skilful in playing on heartstrings.
+But for some evil deed he had been condemned to begin again his earthly life,
+to live by the work of his hands, without the knowledge of the strength of his
+spirit. But now his grief had broken his spirit&rsquo;s chains. His soul was a
+newly released bird. Timid and confused, but still rejoicing in its freedom, it
+flew onward over the old battlefields.
+</p>
+
+<p>
+The wild, ignorant singer, the black thrush, which had grown among starlings,
+listened diffidently to the words which came to his lips. Where did he get the
+power to compel the crowd to listen in ecstasy to his speech? Where did he get
+the power to force proud men down upon their knees, wringing their hands? He
+trembled before he began to speak. Then a quiet confidence came over him. From
+the inexhaustible depths of his suffering rose ever torrents of agonized words.
+</p>
+
+<p>
+Those speeches were never printed. They were hunting-cries, ringing
+trumpet-notes, rousing, animating, terrifying, urgent; not to capture, not to
+give again. They were lightning flashes and rolling thunder. They shook hearts
+with terrible alarms. But they were transient, never could they be caught. The
+cataract can be measured to its last drop, the dizzy play of foam can be
+painted, but not the elusive, delirious, swift, growing, mighty stream of those
+speeches.
+</p>
+
+<p>
+That day in the wood he asked the gathering if they knew how they should serve
+God?&mdash;as Uria served his king.
+</p>
+
+<p>
+Then he, the man in the pulpit, became Uria. He rode through the desert with
+the letter of his king. He was alone. The solitude terrified him. His thoughts
+were gloomy. But he smiled when he thought of his wife. The desert became a
+flowering meadow when he remembered his wife. Springs gushed up from the ground
+at the thought of her.
+</p>
+
+<p>
+His camel fell. His soul was filled with forebodings of evil. Misfortune, he
+thought, is a vulture, which loves the desert. He did not turn, but went onward
+with the king&rsquo;s letter. He trod upon thorns. He walked among serpents and
+scorpions. He thirsted and hungered. He saw caravans drag their dark length
+through the sands. He did not join them. He dared not seek strangers. He, who
+bears a royal letter, must go alone. He saw at eventide the white tents of
+shepherds. He was tempted, as if by his wife&rsquo;s smiling dwelling. He
+thought he saw white veils waving to him. He turned away from the tents out
+into solitude. Woe to him if they had stolen the letter of his king!
+</p>
+
+<p>
+He hesitates when he sees searching brigands pursuing him. He thinks of the
+king&rsquo;s letter. He reads it in order to then destroy it. He reads it, and
+finds new courage. Stand up, warrior of Judah! He does not destroy the letter.
+He does not give himself up to the robbers. He fights and conquers. And so
+onward, onward! He bears his sentence of death through a thousand dangers. …
+</p>
+
+<p>
+It is so God&rsquo;s will shall be obeyed through tortures unto death. …
+</p>
+
+<p>
+While Wik spoke, his divorced wife stood and listened to him. She had gone out
+to the wood that morning, beaming and contented on her husband&rsquo;s arm,
+most matron-like, respectable in every fold. Her daughter and the apprentice
+carried the luncheon basket. The maid followed with the youngest child. There
+had been nothing but content, happiness, calm.
+</p>
+
+<p>
+There they had lain in a thicket. They had eaten and drunk, played and laughed.
+Never a thought of the past! Conscience was as silent as a satisfied child. In
+the beginning, when her first husband had slunk half drunk by her window, she
+had felt a prick in her soul.
+</p>
+
+<p>
+Then she had heard that he had become the idol of the Salvation Army. She was,
+therefore, quite calm. Now she had come to hear him. And she understood him. He
+was not speaking of Uria; he was telling about himself. He was writhing at the
+thought of his own sacrifice. He tore bits from his own heart and threw them
+out among the people. She knew that rider in the desert, that conqueror of
+brigands. And that unappeased agony stared at her like an open grave. …
+</p>
+
+<p>
+Night came. The wood was deserted. Farewell, grass and flowers! Wide heaven, a
+long farewell! Snakes began to crawl about the tufts of grass. Turtles crept
+along the paths. The wood was ugly. Everybody longed to be back in the stone
+desert, the moon landscape. That is the place for men.
+</p>
+
+<hr />
+
+<p>
+Dame Anna Erikson invited all her old friends. The mechanics&rsquo; wives from
+the suburbs and the poorer scrub-women came to her for a cup of coffee. The
+same were there who had been with her on the day of her desertion. One was new,
+Maria Anderson, the captain of the Salvation Army.
+</p>
+
+<p>
+Anna Erikson had now been many times to the Salvation Army. She had heard her
+husband. He always told about himself. He disguised his story. She recognized
+it always. He was Abraham. He was Job. He was Jeremiah, whom the people threw
+into a well. He was Elisha, whom the children at the wayside reviled.
+</p>
+
+<p>
+That pain seemed bottomless to her. His sorrow seemed to her to borrow all
+voices, to make itself masks of everything it met. She did not understand that
+her husband talked himself well, that pleasure in his power of fancy played and
+smiled in him.
+</p>
+
+<p>
+She had dragged her daughter with her. The daughter had not wished to go. She
+was serious, modest, and conscientious. Nothing of youth played in her veins.
+She was born old.
+</p>
+
+<p>
+She had grown up in shame of her father. She walked upright, austere, as if
+saying: &ldquo;Look, the daughter of a man who is despised! Look if my dress is
+soiled! Is there anything to blame in my conduct?&rdquo; Her mother was proud
+of her. Yet sometimes she sighed. &ldquo;Alas! if my daughter&rsquo;s hands
+were less white, perhaps her caresses would be warmer!&rdquo;
+</p>
+
+<p>
+The girl sat scornfully smiling. She despised theatricals. When her father rose
+up to speak, she wished to go. Her mother&rsquo;s hand seized hers, fast as a
+vice. The girl sat still. The torrent of words began to roar over her. But that
+which spoke to her was not so much the words as her mother&rsquo;s hand.
+</p>
+
+<p>
+That hand writhed, convulsions passed through it. It lay in hers limp, as if
+dead; it caught wildly about, hot with fever. Her mother&rsquo;s face betrayed
+nothing; only her hand suffered and struggled.
+</p>
+
+<p>
+The old speaker described the martyrdom of silence. The friend of Jesus lay
+ill. His sisters sent a message to him; but his time had not come. For the sake
+of God&rsquo;s kingdom Lazarus must die.
+</p>
+
+<p>
+He now let all doubting, all slander be heaped upon Christ. He described his
+suffering. His own compassion tortured him. He passed through the agony of
+death, he as well as Lazarus. Still he had to keep silence.
+</p>
+
+<p>
+Only one word had he needed to say to win back the respect of his friends. He
+was silent. He had to hear the lamentations of the sisters. He told them the
+truth in words which they did not understand. Enemies mocked at him.
+</p>
+
+<p>
+And so on always more and more affecting.
+</p>
+
+<p>
+Anna Erikson&rsquo;s hand still lay in that of her daughter. It confessed and
+acknowledged: &ldquo;The man there bears the martyr&rsquo;s crown of silence.
+He is wrongly accused. With a word he could set himself free.&rdquo;
+</p>
+
+<p>
+The girl followed her mother home. They went in silence. The girl&rsquo;s face
+was like stone. She was pondering, searching for everything which memory could
+tell her. Her mother looked anxiously at her. What did she know?
+</p>
+
+<p>
+The next day Anna Erikson had her coffee party. The talk turned on the
+day&rsquo;s market, on the price of wooden shoes, on pilfering maids. The women
+chatted and laughed. They poured their coffee into the saucer. They were mild
+and unconcerned. Anna Erikson could not understand why she had been afraid of
+them, why she had always believed that they would judge her.
+</p>
+
+<p>
+When they were provided with their second cup, when they sat delighted with the
+coffee trembling on the edge of their cups, and their saucers were filled with
+bread, she began to speak. Her words were a little solemn, but her voice was
+calm.
+</p>
+
+<p>
+&ldquo;Young people are imprudent. A girl who marries without thinking
+seriously of what she is doing can come to great grief. Who has met with worse
+than I?&rdquo;
+</p>
+
+<p>
+They all knew it. They had been with her and had mourned with her.
+</p>
+
+<p>
+&ldquo;Young people are imprudent. One holds one&rsquo;s tongue when one ought
+to speak, for shame&rsquo;s sake. One dares not to speak for fear of what
+people will say. He who has not spoken at the right time may have to repent it
+a whole lifetime.&rdquo;
+</p>
+
+<p>
+They all believed that this was true.
+</p>
+
+<p>
+She had heard Wik yesterday as well as many times before. Now she must tell
+them all something about him. An aching pain came over her when she thought of
+what he had suffered for her sake. Still she thought that he, who had been old,
+ought to have had more sense than to take her, a young girl, for his wife.
+</p>
+
+<p>
+&ldquo;I did not dare to say it in my youth. But he went away from me out of
+pity, for he thought that I wanted to have Erikson. I have his letter about
+it.&rdquo;
+</p>
+
+<p>
+She read the letter aloud for them. A tear glided demurely down her cheek.
+</p>
+
+<p>
+&ldquo;He had seen falsely in his jealousy. Between Erikson and me there was
+nothing then. It was four years before we were married; but I will say it now,
+for Wik is too good to be misjudged. He did not run away from wife and child
+from light motives, but with good intention. I want this to be known
+everywhere. Captain Anderson will perhaps read the letter aloud at the meeting.
+I wish Wik to be redressed. I know, too, that I have been silent too long, but
+one does not like to give up everything for a drunkard. Now it is another
+matter.&rdquo;
+</p>
+
+<p>
+The women sat as if turned to stone. Anna Erikson, her voice trembling a
+little, said with a faint smile,&mdash;
+</p>
+
+<p>
+&ldquo;Now perhaps you will never care to come to see me again?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes indeed! You were so young! It was nothing which you could
+help.&mdash;It was his fault for having such ideas.&rdquo;
+</p>
+
+<p>
+She smiled. These were the hard beaks which would have torn her to pieces. The
+truth was not dangerous nor lying either. The young men were not waiting
+outside her door.
+</p>
+
+<p>
+Did she know or did she not know that her eldest daughter had that very morning
+left her home and had gone to her father?
+</p>
+
+<hr />
+
+<p>
+The sacrifice which Matts Wik had made to save his wife&rsquo;s honor became
+known. He was admired; he was derided. His letter was read aloud at the
+meeting. Some of those present wept with emotion. People came and pressed his
+hands on the street. His daughter moved to his house.
+</p>
+
+<p>
+For several evenings after he was silent at the meetings. He felt no
+inspiration. At last they asked him to speak. He mounted the platform, folded
+his hands together and began.
+</p>
+
+<p>
+When he had said a couple of words he stopped, confused. He did not recognize
+his own voice. Where was the lion&rsquo;s roar? Where the raging north wind?
+And where the torrent of words? He did not understand, could not understand.
+</p>
+
+<p>
+He staggered back. &ldquo;I cannot,&rdquo; he muttered. &ldquo;God gives me no
+strength to speak yet.&rdquo; He sat down on a bench and buried his head in his
+hands. He gathered all his powers of thought to discover first what he wanted
+to talk about. Did he have to consider so in the old days? Could he consider
+now? His head whirled.
+</p>
+
+<p>
+Perhaps it would go if he should stand up again, place himself where he was
+accustomed to stand, and begin with his usual prayer. He tried. His face turned
+ashy-gray. All glances were turned towards him. A cold sweat trickled down his
+forehead. He found not a word on his lips.
+</p>
+
+<p>
+He sat down in his place and wept, moaning heavily. The gift was taken from
+him. He tried to speak, tried silently to himself. What should he talk about.
+His sorrow was taken from him. He had nothing to say to people which he was not
+allowed to tell them. He had no secret to disguise. He did not need to romance.
+Romance left him.
+</p>
+
+<p>
+It was the agony of death; it was a struggle for life. He wished to hold fast
+that which was already gone. He wished to have his grief again in order to be
+able again to speak. His grief was gone; he could not get it back.
+</p>
+
+<p>
+He staggered forward like a drunken man to the platform again and again. He
+stammered out a few meaningless words. He repeated like a lesson learned by
+heart what he had heard others say. He tried to imitate himself. He looked for
+devotion in the glances, for trembling silence, quickening breaths. He
+perceived nothing. That which had been his joy was taken from him.
+</p>
+
+<p>
+He sank back into the darkness. He cursed, that he by his discourse had
+converted his wife and daughter. He had possessed the most precious of gifts
+and lost it. His pain was extreme.&mdash;But it is not by such grief that
+genius lives.
+</p>
+
+<p>
+He was a painter without hands, a singer who had lost his voice. He had only
+spoken of his sorrow. What should he speak of now?
+</p>
+
+<p>
+He prayed: &ldquo;O God, when honor is dumb, and misjudgment speaks, give me
+back misjudgment! When happiness is dumb, but sorrow speaks, give me back
+sorrow!&rdquo;
+</p>
+
+<p>
+But the crown was taken from him. He sat there, more miserable than the most
+miserable, for he had been cast down from the heights of life. He was a fallen
+king.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap11"></a>A CHRISTMAS GUEST</h2>
+
+<p>
+One of those who had lived the life of a pensioner at Ekeby was little Ruster,
+who could transpose music and play the flute. He was of low origin and poor,
+without home and without relations. Hard times came to him when the company of
+pensioners were dispersed.
+</p>
+
+<p>
+He then had no horse nor carriole, no fur coat nor red-painted luncheon-basket.
+He had to go on foot from house to house and carry his belongings tied in a
+blue striped cotton handkerchief. He buttoned his coat all the way up to his
+chin, so that no one should need to know in what condition his shirt and
+waistcoat were, and in its deep pockets he kept his most precious possessions:
+his flute taken to pieces, his flat brandy bottle and his music-pen.
+</p>
+
+<p>
+His profession was to copy music, and if it bad been as in the old days, there
+would have been no lack of work for him. But with every passing year music was
+less practised in Värmland. The guitar, with its mouldy, silken ribbon and its
+worn screws, and the dented horn, with faded tassels and cord were put away in
+the lumber-room in the attic, and the dust settled inches deep on the long,
+iron-bound violin boxes. Yet the less little Ruster had to do with flute and
+music-pen, so much the more must he turn to the brandy flask, and at last he
+became quite a drunkard. It was a great pity.
+</p>
+
+<p>
+He was still received at the manor-houses as an old friend, but there were
+complaints when he came and joy when he went. There was an odor of dirt and
+brandy about him, and if he had only a couple of glasses of wine or one toddy,
+he grew confused and told unpleasant stories. He was the torment of the
+hospitable houses.
+</p>
+
+<p>
+One Christmas he came to Löfdala, where Liljekrona, the great violinist, had
+his home. Liljekrona had also been one of the pensioners of Ekeby, but after
+the death of the major&rsquo;s wife, he returned to his quiet farm and remained
+there. Ruster came to him a few days before Christmas, in the midst of all the
+preparations, and asked for work. Liljekrona gave him a little copying to keep
+him busy.
+</p>
+
+<p>
+&ldquo;You ought to have let him go immediately,&rdquo; said his wife;
+&ldquo;now he will certainly take so long with that that we will be obliged to
+keep him over Christmas.&rdquo;
+</p>
+
+<p>
+&ldquo;He must be somewhere,&rdquo; answered Liljekrona.
+</p>
+
+<p>
+And he offered Ruster toddy and brandy, sat with him, and lived over again with
+him the whole Ekeby time. But he was out of spirits and disgusted by him, like
+every one else, although he would not let it be seen, for old friendship and
+hospitality were sacred to him.
+</p>
+
+<p>
+In Liljekrona&rsquo;s house for three weeks now they had been preparing to
+receive Christmas. They had been living in discomfort and bustle, had sat up
+with dip-lights and torches till their eyes grew red, had been frozen in the
+out-house with the salting of meat and in the brew-house with the brewing of
+the beer. But both the mistress and the servants gave themselves up to it all
+without grumbling.
+</p>
+
+<p>
+When all the preparations were done and the holy evening come, a sweet
+enchantment would sink down over them. Christmas would loosen all tongues, so
+that jokes and jests, rhymes and merriment would flow of themselves without
+effort. Every one&rsquo;s feet would wish to twirl in the dance, and from
+memory&rsquo;s dark corners words and melodies would rise, although no one
+could believe that they were there. And then every one was so good, so good!
+</p>
+
+<p>
+Now when Ruster came the whole household at Löfdala thought that Christmas was
+spoiled. The mistress and the older children and the old servants were all of
+the same opinion. Ruster caused them a suffocating disgust. They were moreover
+afraid that when he and Liljekrona began to rake up the old memories, the
+artist&rsquo;s blood would flame up in the great violinist and his home would
+lose him. Formerly he had not been able to remain long sit home.
+</p>
+
+<p>
+No one can describe how they loved their master on the farm, since they had had
+him with them a couple of years. And what he had to give! How much he was to
+his home, especially at Christmas! He did not take his place on any sofa or
+rocking-stool, but on a high, narrow wooden bench in the corner of the
+fireplace. When he was settled there he started off on adventures. He travelled
+about the earth, climbed up to the stars, and even higher. He played and talked
+by turns, and the whole household gathered about him and listened. Life grew
+proud and beautiful when the richness of that one soul shone on it.
+</p>
+
+<p>
+Therefore they loved him as they loved Christmas time, pleasure, the spring
+sun. And when little Ruster came, their Christmas peace was destroyed. They had
+worked in vain if he was coming to tempt away their master. It was unjust that
+the drunkard should sit at the Christmas table in a happy house and spoil the
+Christmas pleasure.
+</p>
+
+<p>
+On the forenoon of Christmas Eve little Ruster had his music written out, and
+he said something about going, although of course he meant to stay.
+</p>
+
+<p>
+Liljekrona had been influenced by the general feeling, and therefore said quite
+lukewarmly and indifferently that Ruster had better stay where he was over
+Christmas.
+</p>
+
+<p>
+Little Ruster was inflammable and proud. He twirled his moustache and shook
+back the black artist&rsquo;s hair that stood like a dark cloud over his head.
+What did Liljekrona mean? Should he stay because he had nowhere else to go? Oh,
+only think how they stood and waited for him in the big ironworks in the parish
+of Bro! The guest-room was in order, the glass of welcome filled. He was in
+great haste. He only did not know to which he ought to go first.
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; answered Liljekrona, &ldquo;you may go if you
+will.&rdquo;
+</p>
+
+<p>
+After dinner little Ruster borrowed horse and sleigh, coat and furs. The
+stable-boy from Löfdala was to take him to some place in Bro and drive quickly
+back, for it threatened snow.
+</p>
+
+<p>
+No one believed that he was expected, or that there was a single place in the
+neighborhood where he was welcome. But they were so anxious to be rid of him
+that they put the thought aside and let him depart. &ldquo;He wished it
+himself,&rdquo; they said; and then they thought that now they would be glad.
+</p>
+
+<p>
+But when they gathered in the dining room at five o&rsquo;clock to drink tea
+and to dance round the Christmas-tree, Liljekrona was silent and out of
+spirits. He did not seat himself on the bench; he touched neither tea nor
+punch; he could not remember any polka; the violin was out of order. Those who
+could play and dance had to do it without him.
+</p>
+
+<p>
+Then his wife grew uneasy; the children were discontented, everything in the
+house went wrong. It was the most lamentable Christmas Eve.
+</p>
+
+<p>
+The porridge turned sour; the candles sputtered; the wood smoked; the wind
+stirred up the snow and blew bitter cold into the rooms. The stable-boy who had
+driven Ruster did not come home. The cook wept; the maids scolded.
+</p>
+
+<p>
+Finally Liljekrona remembered that no sheaves had been put out for the
+sparrows, and he complained aloud of all the women about him who abandoned old
+customs and were new-fangled and heartless. They understood well enough that
+what tormented him was remorse that he had let little Ruster go away from his
+home on Christmas Eve.
+</p>
+
+<p>
+After a while he went to his room, shut the door and began to play as he had
+not played since he had ceased roaming. It was full of hate and scorn, full of
+longing and revolt. You thought to bind me, but you must forge new fetters. You
+thought to make me as small-minded as yourselves, but I turn to larger things,
+to the open. Commonplace people, slaves of the home, hold me prisoner if it is
+in your power!
+</p>
+
+<p>
+When his wife heard the music, she said: &ldquo;Tomorrow he is gone, if God
+does not work a miracle in the night. Our inhospitableness has brought on just
+what we thought we could avoid.&rdquo;
+</p>
+
+<p>
+In the meantime little Ruster drove about in the snowstorm. He went from one
+house to the other and asked if there was any work for him to do, but he was
+not received anywhere. They did not even ask him to get out of the sledge. Some
+had their houses full of guests, others were going away on Christmas Day.
+&ldquo;Drive to the next neighbor,&rdquo; they all said.
+</p>
+
+<p>
+He could come and spoil the pleasure of an ordinary day, but not of Christmas
+Eve. Christmas Eve came but once a year, and the children had been rejoicing in
+the thought of it all the autumn. They could not put that man at a table where
+there were children. Formerly they had been glad to see him, but not since he
+had become a drunkard. Where should they put the fellow, moreover? The
+servants&rsquo; room was too plain and the guest-room too fine.
+</p>
+
+<p>
+So little Ruster had to drive from house to house in the blinding snow. His wet
+moustache hung limply down over his mouth; his eyes were bloodshot and blurred,
+but the brandy was blown out of his brain. He began to wonder and to be amazed.
+Was it possible, was it possible that no one wished to receive him?
+</p>
+
+<p>
+Then all at once he saw himself. He saw how miserable and degraded he was, and
+he understood that he was odious to people. &ldquo;It is the end of me,&rdquo;
+he thought. &ldquo;No more copying of music, no more flute-playing. No one on
+earth needs me; no one has compassion on me.&rdquo;
+</p>
+
+<p>
+The storm whirled and played, tore apart the drifts and piled them up again,
+took a pillar of snow in its arms and danced out into the plain, lifted one
+flake up to the clouds and chased another down into a ditch. &ldquo;It is so,
+it is so,&rdquo; said little Ruster; &ldquo;while one dances and whirls it is
+play, but when one must be buried in the drift and forgotten, it is sorrow and
+grief.&rdquo; But down they all have to go, and now it was his turn. To think
+that he had now come to the end!
+</p>
+
+<p>
+He no longer asked where the man was driving him; he thought that he was
+driving in the land of death.
+</p>
+
+<p>
+Little Ruster made no offerings to the gods that night. He did not curse
+flute-playing or the life of a pensioner; he did not think that it had been
+better for him if he had ploughed the earth or sewn shoes. But he mourned that
+he was now a worn-out instrument, which pleasure could no longer use. He
+complained of no one, for he knew that when the horn is cracked and the guitar
+will not stay in tune, they must go. He became all at once a very humble man.
+He understood that it was the end of him, on this Christmas Eve. Hunger and
+cold would destroy him, for he understood nothing, was good for nothing and had
+no friends.
+</p>
+
+<p>
+The sledge stops, and suddenly it is light about him, and he hears friendly
+voices, and there is some one who is helping him into a warm room, and some one
+who is pouring warm tea into him. His coat is pulled off him, and several
+people cry that he is welcome, and warm hands rub life into his benumbed
+fingers.
+</p>
+
+<p>
+He was so confused by it all that he did not come to his senses for nearly a
+quarter of an hour. He could not possibly comprehend that he had come back to
+Löfdala. He had not been at all conscious that the stable-boy had grown tired
+of driving about in the storm and had turned home.
+</p>
+
+<p>
+Nor did he understand why he was now so well received in Liljekrona&rsquo;s
+house. He could not know that Liljekrona&rsquo;s wife understood what a weary
+journey he had made that Christmas Eve, when he had been turned away from every
+door where he had knocked. She felt such compassion on him that she forgot her
+own troubles.
+</p>
+
+<p>
+Liljekrona went on with the wild playing up in his room; he did not know that
+Ruster had come. The latter sat meanwhile in the dining-room with the wife and
+the children. The servants, who used also to be there on Christmas Eve, had
+moved out into the kitchen away from their mistress&rsquo;s trouble.
+</p>
+
+<p>
+The mistress of the house lost no time in setting Ruster to work. &ldquo;You
+hear, I suppose,&rdquo; she said, &ldquo;that Liljekrona does nothing but play
+all the evening, and I must attend to setting the table and the food. The
+children are quite forsaken. You must look after these two smallest.&rdquo;
+</p>
+
+<p>
+Children were the kind of people with whom little Ruster had had least
+intercourse. He had met them neither in the bachelor&rsquo;s wing nor in the
+campaign tent, neither in wayside inns nor on the highways. He was almost shy
+of them, and did not know what he ought to say that was fine enough for them.
+</p>
+
+<p>
+He took out his flute and taught them how to finger the stops and holes. There
+was one of four years and one of six. They had a lesson on the flute and were
+deeply interested in it. &ldquo;This is A,&rdquo; he said, &ldquo;and this is
+C,&rdquo; and then he blew the notes. Then the young people wished to know what
+kind of an A and C it was that was to be played.
+</p>
+
+<p>
+Ruster took out his score and made a few notes.
+</p>
+
+<p>
+&ldquo;No,&rdquo; they said, &ldquo;that is not right.&rdquo; And they ran away
+for an A B C book.
+</p>
+
+<p>
+Little Ruster began to hear their alphabet. They knew it and they did not know
+it. What they knew was not very much. Ruster grew eager; he lifted the little
+boys up, each on one of his knees, and began to teach them. Liljekrona&rsquo;s
+wife went out and in and listened quite in amazement. It sounded like a game,
+and the children were laughing the whole time, but they learned.
+</p>
+
+<p>
+Ruster kept on for a while, but he was absent from what he was doing. He was
+turning over the old thoughts from out in the storm. It was good and pleasant,
+but nevertheless it was the end of him. He was worn .out. He ought to be thrown
+away. And all of a sudden he put his hands before his face and began to weep.
+</p>
+
+<p>
+Liljekrona&rsquo;s wife came quickly up to him.
+</p>
+
+<p>
+&ldquo;Ruster,&rdquo; she said, &ldquo;I can understand that you think that all
+is over for you. You cannot make a living with your music, and you are
+destroying yourself with brandy. But it is not the end, Ruster.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; sobbed the little flute-player.
+</p>
+
+<p>
+&ldquo;Do you see that to sit as to-night with the children, that would be
+something for you? If you would teach children to read and write, you would be
+welcomed everywhere. That is no less important an instrument on which to play,
+Ruster, than flute and violin. Look at them, Ruster!&rdquo;
+</p>
+
+<p>
+She placed the two children in front of him, and he looked up, blinking as if
+he had looked at the sun. It seemed as if his little, blurred eyes could not
+meet those of the children, which were big, clear and innocent.
+</p>
+
+<p>
+&ldquo;Look at them, Ruster!&rdquo; repeated Liljekrona&rsquo;s wife.
+</p>
+
+<p>
+&ldquo;I dare not,&rdquo; said Ruster, for it was like a purgatory to look
+through the beautiful child eyes to the unspotted beauty of their souls.
+</p>
+
+<p>
+Liljekrona&rsquo;s wife laughed loud and joyously. &ldquo;Then you must
+accustom yourself to them, Ruster. You can stay in my house as schoolmaster
+this year.&rdquo;
+</p>
+
+<p>
+Liljekrona heard his wife laugh and came out of his room.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo; he said. &ldquo;What is it?&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing,&rdquo; she answered, &ldquo;but that Ruster has come again, and
+that I have engaged him as schoolmaster for our little boys.&rdquo;
+</p>
+
+<p>
+Liljekrona was quite amazed. &ldquo;Do you dare?&rdquo; he said, &ldquo;do you
+dare? Has he promised to give up&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; said the wife; &ldquo;Ruster has promised nothing. But there
+is much about which he must be careful when he has to look little children in
+the eyes every day. If it had not been Christmas, perhaps I would not have
+ventured; but when our Lord dared to place a little child who was his own son
+among us sinners, so can I also dare to let my little children try to save a
+human soul.&rdquo;
+</p>
+
+<p>
+Liljekrona could not speak, but every feature and wrinkle in his face twitched
+and twisted as always when he heard anything noble.
+</p>
+
+<p>
+Then he kissed his wife&rsquo;s hand as gently as a child who asks for
+forgiveness and cried aloud: &ldquo;All the children must come and kiss their
+mother&rsquo;s hand.&rdquo;
+</p>
+
+<p>
+They did so, and then they had a happy Christmas in Liljekrona&rsquo;s house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap12"></a>UNCLE REUBEN</h2>
+
+<p>
+There was once, nearly eighty years ago, a little boy who went out into the
+market-place to spin his top. The little boy&rsquo;s name was Reuben. He was
+not more than three years old, but he swung his little whip as bravely as
+anybody and made the top spin so that it was a pleasure to see it.
+</p>
+
+<p>
+On that day, eighty years ago, it was beautiful spring weather. It was in the
+month of March, and the town was divided into two worlds; one white and warm,
+where the sun shone, and one cold and dark, where it was in shadow. The whole
+market-place was in the sun except a narrow edge along one row of houses.
+</p>
+
+<p>
+Now it happened that the little boy, brave as he was, grew tired of spinning
+his top and looked about for some place to rest. It was not hard to find. There
+were no benches or seats, but every house was supplied with stone steps. Little
+Reuben could not imagine anything better.
+</p>
+
+<p>
+He was a conscientious little fellow. He had a vague feeling that his mother
+did not like to have him sit on strange people&rsquo;s steps. His mother was
+poor, but just on that account it must never look as if they wanted to take
+anything of anybody. So he went and sat on their own stone steps, for they also
+lived on the market-place.
+</p>
+
+<p>
+The steps lay in the shadow, and it was very cold there. The little fellow
+leaned his head against the railing, drew up his legs and made himself
+comfortable. For a little while he watched the sunlight dance out in the
+market-place and the boys running and spinning tops&mdash;then he shut his eyes
+and went to sleep.
+</p>
+
+<p>
+He must have slept an hour. When he awoke he did not feel so well as when he
+fell asleep; everything felt so dreadfully uncomfortable. He went in to his
+mother crying, and his mother saw that he was ill and put him to bed. And in a
+couple of days the boy was dead.
+</p>
+
+<p>
+But that is not the end of his story. It happened that his mother mourned for
+him from the depths of her heart with a sorrow which defies years and death.
+His mother had several other children, many cares occupied her time and
+thoughts, but there was always a corner in her heart where her son Reuben dwelt
+undisturbed. He was ever alive to her. When she saw a group of children playing
+in the market-place, he too was running there, and when she went about her
+house, she believed fully and firmly that the little boy was still sitting and
+sleeping out on those dangerous stone steps. Certainly none of her living
+children were so constantly in her thoughts as her dead one.
+</p>
+
+<p>
+Some years after his death little Reuben had a sister, and when she grew to be
+old enough to run out on the market-place and spin tops, it happened that she
+too sat down on the stone steps to rest. But her mother felt instantly as if
+some one had pulled her skirt. She came out and seized the little sister so
+roughly, when she lifted her up, that she remembered it as long as she lived.
+</p>
+
+<p>
+And as little did she forget how strange her mother&rsquo;s face was and how
+her voice trembled, when she said: &ldquo;Do you know that you once had a
+little brother, whose name was Reuben, and he died because he sat on these
+stone steps and caught cold? You do not want to die and leave your mother,
+Berta?&rdquo;
+</p>
+
+<p>
+Brother Reuben soon became just as living to his brothers and sisters as to his
+mother. She was able to make them see with her eyes and they too soon saw him
+sitting out on the stone steps. And it naturally never occurred to them to sit
+down there. Yes, whenever they saw any one sitting on stone steps, or on a
+stone railing, or on a stone by the roadside, they felt a prick in their heart
+and thought of Brother Reuben.
+</p>
+
+<p>
+Besides, Brother Reuben was always placed highest of all the children when they
+spoke of him among themselves. For they all knew that they were a troublesome
+and fatiguing family, who only gave their mother care and inconvenience. They
+could not believe that she would grieve much at losing any of them. But as she
+really mourned for Brother Reuben, it was certain that he must have been much
+better than they were.
+</p>
+
+<p>
+They would often think: &ldquo;Oh, if we could only give mother as much joy as
+Brother Reuben!&rdquo; And yet no one knew anything more about him than that he
+had played top and caught cold on the stone steps. But he must have been
+something wonderful, as their mother had such a love for him.
+</p>
+
+<p>
+He was wonderful too; he was more of a joy to his mother than any of the
+children. Her husband died and she worked in care and want. But the children
+had so strong a faith in their mother&rsquo;s grief for the little
+three-year-old boy, that they were convinced that if he had lived she would not
+have mourned over her misfortunes. And every time they saw their mother weep,
+they thought that it was because Brother Reuben was dead, or because they were
+not like Brother Reuben. Soon enough an ever-growing desire was born in them to
+rival their little dead brother in their mother&rsquo;s affection. There was
+nothing that they would not have done for her, if she had only cared as much
+for them as for him. And it was on account of that longing, I think, that
+Brother Reuben did more good than any of the other children.
+</p>
+
+<p>
+Fancy that when the eldest brother had earned his first money by rowing a
+stranger over the river, he came and gave it to his mother without reserving a
+penny! Then his mother looked so happy that he swelled with pride, and could
+not help betraying how ambitious beyond measure he had been.
+</p>
+
+<p>
+&ldquo;Mother, am I not now as good as Brother Reuben?&rdquo; His mother looked
+at him questioningly. She seemed as if she was comparing his fresh, glowing
+face with the little pale boy out on the stone steps. And she would have liked
+to have answered yes, if she had been able, but she could not.
+</p>
+
+<p>
+&ldquo;I am very fond of you, Ivan, but you will never be like Reuben.&rdquo;
+</p>
+
+<p>
+It was beyond their powers; all the children realized it, and yet they could
+not help trying.
+</p>
+
+<p>
+They grew up strong and capable; they worked their way up to wealth and
+consideration, while Brother Reuben only sat still on his stone steps. But he
+still had a start; he could not be overtaken.
+</p>
+
+<p>
+And at every success, every improvement, as they by degrees were able to offer
+their mother a good home and comfort, it had to be reward enough for them for
+their mother to say: &ldquo;Ah, if my little Reuben could have seen
+that!&rdquo;
+</p>
+
+<p>
+Brother Reuben followed his mother through the whole of her life, even to her
+deathbed. It was he who robbed the death pangs of their sting, since she knew
+that they bore her to him. In the midst of her greatest suffering the mother
+could smile at the thought that she was going to meet little Reuben.
+</p>
+
+<p>
+And so died one whose faithful love had exalted and deified a poor little
+three-year-old boy.
+</p>
+
+<p>
+But neither was that the end of little Reuben&rsquo;s story. To all the
+brothers and sisters he had become a symbol of their life of endeavor, of their
+love for their mother, of all the touching memories from the years of struggle
+and failure. There was always something rich and warm in their voices when they
+spoke of him.
+</p>
+
+<p>
+So he also glided into the lives of the children of his brothers and sisters.
+His mother&rsquo;s love had raised him to greatness, and the great influence
+generation after generation.
+</p>
+
+<p>
+Sister Berta had a son, who had much to do with Uncle Reuben.
+</p>
+
+<p>
+He was four years old the day he sat on the curbstone and stared down into the
+gutter. It was full of rain water. Sticks and straws were carried past in wild
+swirlings down to the sea. The little boy sat and looked on with that pleasant
+calm that people feel in following the adventurous existence of others, when
+they themselves are in safety.
+</p>
+
+<p>
+But his peaceful philosophizing was interrupted by his mother, who, the moment
+she saw him, thought of the stone steps at home and of her brother.
+</p>
+
+<p>
+&ldquo;Oh, my dear little boy,&rdquo; she said, &ldquo;do not sit there! Do you
+know that your mamma had a little brother whose name was Reuben, and he was
+four years old just like you? He died because he sat on just such a curbstone
+and caught cold.&rdquo;
+</p>
+
+<p>
+The little boy did not like being disturbed in his pleasant thoughts. He sat
+still and philosophized, while his yellow, curly hair fell down into his eyes.
+</p>
+
+<p>
+Berta would not have done it for any one else, but for her dear brother&rsquo;s
+sake she shook her little boy quite roughly. And so he learned respect for
+Uncle Reuben.
+</p>
+
+<p>
+Another time this little yellow-haired man had fallen on the ice; he had been
+thrown down out of sheer spite by a big, naughty boy, and there he sat and
+cried to show how badly he had been treated, especially as his mother could not
+be very far off.
+</p>
+
+<p>
+But he had forgotten that his mother was first and last Uncle Reuben&rsquo;s
+sister. When she caught sight of Axel sitting on the ice, she did not come with
+anything soothing or consoling, but only with that everlasting:
+</p>
+
+<p>
+&ldquo;Do not sit so, my little boy! Think of Uncle Reuben, who died when he
+was five years old, just as you are now, because he sat down in a
+snowdrift.&rdquo;
+</p>
+
+<p>
+The boy stood up instantly when he heard her speak of Uncle Reuben, but he felt
+a chill in his very heart. How could mamma talk about Uncle Reuben when her
+little boy was in such distress! Axel had no objection to his sitting and dying
+wherever he pleased, but now it seemed as if he wished to take his own mamma
+away from him, and that Axel could not bear. So he learned to hate Uncle
+Reuben.
+</p>
+
+<p>
+High up on the stairway in Axel&rsquo;s home was a stone railing, which was
+dizzily beautiful to sit on. Far below lay the stone floor of the hall, and he
+who sat astride up there could dream that he was being borne along over
+abysses. Axel called the balustrade the good steed Grane. On his back he
+bounded over burning ramparts into an enchanted castle. There he sat proud and
+bold with his long curls waving, and fought Saint George&rsquo;s fight with the
+dragon. And as yet it had not occurred to Uncle Reuben to want to ride there.
+</p>
+
+<p>
+But of course he came. Just as the dragon was writhing in the agony of death
+and Axel sat in lofty consciousness of victory, he heard his nurse call:
+&ldquo;Little Axel, do not sit there! Think of Uncle Reuben, who died when he
+was eight years old, just as you are now, because he sat and rode on a stone
+railing. You must never sit there again.&rdquo;
+</p>
+
+<p>
+Such a jealous old pudding-head, that Uncle Reuben! He could not bear it, of
+course, because Axel was killing dragons and rescuing princesses. If he did not
+look out, he, Axel, would show that he could win glory too. If he should jump
+down to that stone floor and dash his brains out, he would feel himself thrown
+into the shade, that big liar.
+</p>
+
+<p>
+Poor Uncle Reuben! The poor, good little boy who went to play top out in the
+sunny market-place! Now he was to learn what it was to be a great man.
+</p>
+
+<p>
+It was in the country at Uncle Ivan&rsquo;s. A number of the cousins had
+gathered in the beautiful garden. Axel was there, filled with his hatred of his
+Uncle Reuben. He was longing to know if he was tormenting any other besides
+himself, but there was something which made him afraid to ask. It was as if he
+was going to commit some sacrilege.
+</p>
+
+<p>
+At last the children were left to themselves. No big people were present. Then
+Axel asked if they had ever heard of Uncle Reuben.
+</p>
+
+<p>
+He saw how all the eyes flashed and that many small fists were clenched, but it
+seemed as if the little mouths had been taught respect for Uncle Reuben.
+&ldquo;Hush!&rdquo; said the whole crowd.
+</p>
+
+<p>
+&ldquo;No!&rdquo; said Axel; &ldquo;I want to know if there is any one else
+whom he tortures, for I think he is the most troublesome of all uncles.&rdquo;
+</p>
+
+<p>
+That one brave word broke the dam which had held in the indignation of those
+tormented child-hearts. There was a great murmuring and shouting. So must a
+crowd of nihilists look when they revile an autocrat.
+</p>
+
+<p>
+The poor, great man&rsquo;s register of sins was unrolled. Uncle Reuben
+persecuted the children of all his brothers and sisters. Uncle Reuben died
+wherever he chose. Uncle Reuben was always the same age as the child whose
+peace he wished to disturb.
+</p>
+
+<p>
+And they had to show respect to him, although he was quite plainly a liar. They
+might hate him in the most silent depths of their heart, but overlook him or
+show him disrespect, no, then they were stopped.
+</p>
+
+<p>
+What an air the old people put on when they spoke of him! Had he ever really
+done anything so wonderful? To sit down and die was nothing so surprising. And
+whatever great thing he may have done, it was certain that he was now abusing
+his power. He opposed the children in everything that they wanted to do, the
+old scarecrow. He drove them from a noonday nap in the grass. He had discovered
+their best hiding places in the park and forbidden them to go there. His last
+performance was to ride on barebacked horses and to drive in the hay-rigging.
+</p>
+
+<p>
+They were all sure that the poor thing had never been more than three years
+old. And now he fell upon the big children of fourteen and insisted that he was
+their age. It was the most provoking thing.
+</p>
+
+<p>
+It was perfectly incredible what came to light about him. He had fished from
+the dam; he had rowed in the little flat-bottomed boat; he had climbed up in
+the willow which hangs over the water, and in which it was so nice to sit; yes,
+he had even slept on the powder-horn.
+</p>
+
+<p>
+But they were all certain that there was no escape from his tyranny. It was a
+relief to have spoken out, but not a remedy. They could not rebel against Uncle
+Reuben.
+</p>
+
+<p>
+You never would have believed it, but when these children grew to be big and
+had children of their own, they immediately began to make use of Uncle Reuben,
+just as their parents had done before them.
+</p>
+
+<p>
+And their children again, the young people who are growing up now, have learned
+their lesson so well, that it happened one summer out in the country that a
+five-year-old boy came up to his old grandmother Berta, who had sat down on the
+steps while waiting for the carriage:&mdash;
+</p>
+
+<p>
+&ldquo;Grandmother once had a brother whose name was Reuben.&rdquo;
+</p>
+
+<p>
+&ldquo;You are quite right, my little boy,&rdquo; grandmother said, and stood
+up instantly.
+</p>
+
+<p>
+That was as much of a sign to the young people as if they had seen an old
+Royalist bow before King Charles&rsquo;s portrait. It made them understand that
+Uncle Reuben always must remain great, however he abused his position, only
+because he had been so deeply loved.
+</p>
+
+<p>
+In these days, when all greatness is so carefully examined, he has to be used
+with greater moderation than formerly. The limit for his age is lower; trees,
+boats and powder-horns are safe from him, but nothing of stone which can be sat
+upon can escape him.
+</p>
+
+<p>
+And the children, the children of the day, treat him quite otherwise than their
+parents did. They criticise him openly and frankly. Their parents no longer
+understand how to inspire blind, terrified obedience. Little boarding-school
+girls discuss Uncle Reuben and wonder if he is anything but a myth. A
+six-year-old child proposes that he should prove by experiment that it is
+impossible to catch a mortal cold on stone steps.
+</p>
+
+<p>
+But that is only a passing mood. That generation in their heart of hearts is
+just as convinced of Uncle Reuben&rsquo;s greatness as the preceding one and
+obey him just as they did. The day will come when those scoffers will go down
+to the home of their ancestors, try to find the old stone steps, and raise on
+it a tablet with a golden inscription.
+</p>
+
+<p>
+They joke about Uncle Reuben for a few years, but as soon as they are grown and
+have children to bring up, they will become convinced of the use and need of
+the great man.
+</p>
+
+<p>
+&ldquo;Oh, my little child, do not sit on those stone steps! Your
+mother&rsquo;s mother had an uncle whose name was Reuben. He died when he was
+your age, because he sat down to rest on just such steps.&rdquo;
+</p>
+
+<p>
+So will it be as long as the world lasts.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap13"></a>DOWNIE</h2>
+
+<h3>I</h3>
+
+<p>
+I think I can see them as they drive away. Quite distinctly I can see his
+stiff, silk hat with its broad, curving brim, such as they had in the forties,
+his light waistcoat and his stock. I also see his handsome, clean-shaven face
+with its small, small whiskers, his high stiff collar, and the graceful dignity
+of his slightest movement. He is sitting on the right in the chaise and is just
+taking up the reins, and beside him is sitting that little woman. God bless
+her! I see her even more distinctly. Like a picture I have before me that
+narrow, little face, and the hat that frames it, tied under the chin, the
+dark-brown, smoothly combed hair, and the big shawl with the embroidered silk
+flowers. The chaise in which they are driving has a seat with a green, fluted
+back, and of course the innkeeper&rsquo;s horse which is to take them the first
+six miles is a little fat sorrel.
+</p>
+
+<p>
+I lost my heart to her from the very first moment. There is no sense in it, for
+she is the most insignificant little person; but I was won by seeing all the
+eyes that followed her when she drove away. In the first place, I see how her
+father and mother look after her from where they stand in the doorway of the
+baker&rsquo;s shop. Her father even has tears in his eyes, but her mother has
+no time to weep yet. She must use her eyes to look at her daughter as long as
+the latter can wave and nod to her. And then of course there are merry
+greetings from the children in the little street and roguish glances from all
+the pretty, little factory girls from behind windows and doors, and dreamy
+looks from some of the young salesmen and apprentices. But all nod good-will
+and god-speed to her. And then there are anxious glances from some poor, old
+women, who come out and curtsey and take off their spectacles to be able to see
+her as she drives by in state. But I cannot see a single unfriendly look
+following her; no, not in the whole length of the street.
+</p>
+
+<p>
+When she is out of sight, her father wipes the tears from his eyes with his
+sleeve.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t be sad now, mother!&rdquo; he says. &ldquo;You will see that
+she will come out all right. Downie will manage, mother, even if she is so
+little.&rdquo;
+</p>
+
+<p>
+&ldquo;Father,&rdquo; says the mother with great emphasis, &ldquo;you speak in
+a strange way. Why should Anne-Marie not be able to manage it? She is as good
+as anybody.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course she is, mother; but still, mother, still&mdash;I would not be
+in her shoes, nor go where she is going. No, that I would not!&rdquo;
+</p>
+
+<p>
+&ldquo;Well, and what good would that do, you ugly old baker!&rdquo; says
+mother, who sees that he is so uneasy about the girl that he needs to be
+cheered with a little joke. And father laughs, for he does that as easily as he
+cries. And then the old people go back into their shop.
+</p>
+
+<p>
+In the meantime Downie, the little silken flower, is in very good spirits as
+she drives along the road. A little afraid of her betrothed, perhaps; but in
+her heart Downie is a little afraid of everybody, and that is a great help to
+her, for on account of it every one tries to show her that they are not
+dangerous.
+</p>
+
+<p>
+Never has she had such respect for Maurits as to-day. Now that they have left
+the back street, and all her friends are behind them, it seems to her that
+Maurits really grows to something big. His hat and collar and whiskers stiffen,
+and the bow of his necktie swells. His voice grows thick in his throat, and he
+speaks with difficulty. She feels a little depressed by it, but it is splendid
+to see Maurits so impressive.
+</p>
+
+<p>
+Maurits is so clever; he has so much advice to give!&mdash;it is hard to
+believe&mdash;but Maurits talks only sense the whole way. But that is just like
+Maurits. He asks her if she understands clearly what this journey means to him.
+Does she think it is only a pleasure trip along the country road? Thirty miles
+in a good chaise with her betrothed by her side did seem quite like a pleasure
+trip, and a beautiful place to drive to, a rich uncle to visit&mdash;perhaps
+she has thought that it was only for amusement?
+</p>
+
+<p>
+Fancy if he knew that she had prepared herself for this journey by a long
+conference with her mother before they went to bed; and by a long succession of
+anxious dreams through the night, and with prayers, and with tears! But she
+pretends to be stupid, in order to get more enjoyment out of Maurits&rsquo;s
+wisdom. He likes to show it, and she is glad to let him.
+</p>
+
+<p>
+&ldquo;The real trouble is that you are so sweet,&rdquo; says Maurits; for that
+was how he had come to care for her, and it was really very stupid of him. His
+father was not at all in favor of it. And his mother! He hardly dared to think
+of what a fuss she had made when Maurits had informed her that he had engaged
+himself to a poor girl from a back street&mdash;a girl who had no education, no
+accomplishments, and who was not even pretty; only sweet.
+</p>
+
+<p>
+In Maurits&rsquo;s eyes, of course, the daughter of a baker was just as good as
+the son of a burgomaster, but every one did not have such liberal views as he.
+If Maurits had not had his rich uncle, it could never have come to anything;
+for he was only a student, and had nothing to marry on. But if they now could
+win his uncle over their way was clear.
+</p>
+
+<p>
+I see them so plainly as they drive along the road. She looks a little unhappy
+as she listens to his wisdom. But she is content in her thoughts! How sensible
+Maurits is! And when he speaks of the sacrifices he is making for her, it is
+only his way of saying how much he cares for her.
+</p>
+
+<p>
+And if she had expected that alone together on such a beautiful day he perhaps
+might be not quite the same as when they sat at home with her mother&mdash;but
+that would not have been right of Maurits. She is proud of him.
+</p>
+
+<p>
+He is telling her what kind of a man his uncle is. If he will befriend them
+their fortune is made. Uncle Theodore is incredibly rich. He owns eleven
+smelting-furnaces, and farms and houses besides, and mines and stocks. To all
+these Maurits is the proper heir. But Uncle Theodore is a little uncertain to
+have to do with when it concerns any one he does not like. If he is not pleased
+with Maurits&rsquo;s wife, he can will away everything.
+</p>
+
+<p>
+The little face grows paler and smaller, but Maurits only stiffens and swells.
+There is not much chance of Anne-Marie&rsquo;s turning his uncle&rsquo;s head
+as she did his. His uncle is quite a different kind of man. His
+taste&mdash;well, Maurits does not think much of his taste but he thinks that
+it would be something loud-voiced, something flashing and red which would
+strike Uncle. Besides, he is a confirmed old bachelor&mdash;thinks women are
+only a bother. The most important thing is that he shall not dislike her too
+much. Maurits will take care of the rest. But she must not be silly. Is she
+crying&mdash;! Oh, if she does not look better by the time they arrive, Uncle
+will send them off inside of a minute. She is glad for their sakes that Uncle
+is not as clever as Maurits. She hopes it is no sin against Maurits to think
+that it is good that Uncle is quite a different sort of person. For fancy, if
+Maurits had been Uncle, and two poor young people had come driving to him to
+get aid in life; then Maurits, who is so sensible, would certainly have begged
+them to return whence they came, and wait to get married until they had
+something to marry on.
+</p>
+
+<p>
+Uncle, however, was decidedly terrifying in his own way. He drank, and gave
+great parties, where everybody was very lively, and he did not at all
+understand how to manage his affairs. He must know that every one cheated him,
+but he was none the less cheerful. And heedless!&mdash;the burgomaster had sent
+by Maurits some shares in an undertaking that was not prosperous; but Uncle
+would buy them of him, Maurits had said. Uncle did not care where he threw his
+money away. He had stood in town in the market-place and tossed silver to the
+street boys. Playing away a couple of thousand crowns in a single night, or
+lighting his pipe with ten-crown notes, were among the things Uncle did.
+</p>
+
+<p>
+Thus they drove on, and thus they talked while they were driving.
+</p>
+
+<p>
+They arrived toward evening. Uncle&rsquo;s &ldquo;residence,&rdquo; as he
+called it, did not stand by the ironworks. It lay far from all smoke and
+hammering, on the slope of the mountain, looking over a wide view of lakes and
+long hills. It was a stately building, with wooded lawns and groves of birches
+round about it, but few cultivated fields, for the place was a pleasure palace,
+not a farm.
+</p>
+
+<p>
+The young people drove up an avenue lined with birches and elms. Then they
+drove between two low, thick rows of hedges and were about to turn up to the
+house.
+</p>
+
+<p>
+But just where the road turned, a triumphal arch was raised, and there stood
+Uncle with his dependents to greet them. Downie never could have believed that
+Maurits would have prepared such a reception for her. Her heart grew light, and
+she seized his hand and pressed it in gratitude. More she could not do then,
+for they were just under the arch.
+</p>
+
+<p>
+And there he stood, the well-known man, the ironmaster, Theodore Fristeat, big
+and black-bearded, and beaming with good-will. He waved his hat and shouted
+hurrah, and all the people shouted hurrah, and tears rose in Anne-Marie&rsquo;s
+eyes, although she was smiling. And of course they all had to like her from the
+very first moment, if only for her way of looking at Maurits. For she thought
+that they were all there for his sake, and she had to turn her eyes away from
+the whole spectacle to look at him, as he took off his hat with a sweep and
+bowed so beautifully and royally. Oh, such a look as she gave him! Uncle
+Theodore almost left off hurrahing and felt like swearing when he saw it.
+</p>
+
+<p>
+No, she wished no harm to any one on earth, but if the estate really had been
+Maurits&rsquo;s, it would have been very suitable. It was most impressive to
+see him, as he stood on the steps of the porch and turned to the people to
+thank them. The ironmaster was stately too, but what was his manner compared to
+Maurits&rsquo;s. He only helped her down from the carriage, and took her shawl
+and hat like a footman, while Maurits lifted his hat from his white brow and
+said: &ldquo;Thank you, my children!&rdquo; No, the ironmaster certainly had no
+manners; for as he profited by his rights as an uncle and took her in his arms,
+he noticed that she managed to look at Maurits while he was kissing her, and he
+swore, really swore quite fiercely. Downie was not accustomed to find any one
+disagreeable, but it certainly would be no easy task to please Uncle Theodore.
+</p>
+
+<p>
+&ldquo;To-morrow,&rdquo; says uncle, &ldquo;there will be a big dinner here,
+and a ball, but to-day you young people must rest after your journey. Now we
+will eat our supper, and then we will go to bed.&rdquo;
+</p>
+
+<p>
+They are escorted into a drawing-room, and there they are left alone. The
+ironmaster rushes out like a wind which is afraid of being shut in. Five
+minutes later he is rolling down the avenue in his big carriage, and the
+coachman is driving so that the horses seem to be lying along the ground. After
+another five minutes uncle is there again, and now an old lady is sitting
+beside him in the carriage.
+</p>
+
+<p>
+And in he comes, with a kind, talkative old lady on his arm. And she takes
+Anne-Marie and embraces her, but Maurits she greets more stiffly. No one can
+take any liberties with Maurits.
+</p>
+
+<p>
+However, Anne-Marie is very glad that this pleasant old lady has come. She and
+the ironmaster have such a merry way of joking with one another.
+</p>
+
+<p>
+But when they have said good-night and Anne-Marie has come into her little
+room, something too tiresome and provoking happens.
+</p>
+
+<p>
+Uncle and Maurits are walking in the garden, and she knows that Maurits is
+unfolding his plans for the future. Uncle does not seem to be saying anything
+at all; he is only walking and striking the blades of grass with his stick. But
+Maurits will persuade him fast enough that the best thing for him to do is to
+give Maurits a position as manager of one of his steel-works, if he does not
+care to give him the works outright. Maurits has grown so practical since he
+has been in love. He often says: &ldquo;Is it not best for me, who am to be a
+great landowner, to make myself familiar with it all? What is the use of taking
+my bar examinations?&rdquo;
+</p>
+
+<p>
+They are walking directly under the window and nothing prevents them from
+seeing that she is sitting there; but as they do not mind it, no one can ask
+that she shall not hear what they are saying. It is really just as much her
+affair as it is Maurits&rsquo;s.
+</p>
+
+<p>
+Then Uncle Theodore suddenly stops and he looks angry. He looks quite furious,
+she thinks, and she almost calls to Maurits to take care. But it is too late,
+for Uncle Theodore has seized Maurits, crushed his ruffle, and is shaking him
+till he twists like an eel. Then he slings him from him with such force that
+Maurits staggers backwards and would have fallen if he had not found support
+in a tree trunk. And there Maurits stands and gasps &ldquo;What?&rdquo; Yes,
+what else should he say?
+</p>
+
+<p>
+Ah, never has she admired Maurits&rsquo;s self-control so much! He does not
+throw himself upon Uncle Theodore and fight him. He only looks calmly superior,
+merely innocently surprised. She understands that he controls himself so that
+the journey may not be for nothing. He is thinking of her, and is controlling
+himself.
+</p>
+
+<p>
+Poor Maurits! it seems that his uncle is angry with him on her account. He asks
+if Maurits does not know that his uncle is a bachelor when he brings his
+betrothed here without bringing her mother with him. Her mother! Downie is
+offended in Maurits&rsquo;s behalf. It was her mother who had excused herself
+and said that she could not leave the bakery. Maurits answers so too, but his
+uncle will accept no excuses.&mdash;Well, his mother, then; she could have done
+her son that service. Yes, if she had been too haughty they had better have
+stayed where they were. What would they have done if his old lady had not been
+able to come? And how could a betrothed couple travel alone through the
+country?&mdash;Really, Maurits was not dangerous. No, that he had never
+believed, but people&rsquo;s tongues are dangerous.&mdash;Well, and finally it
+was that chaise! Had Maurits ferreted out the most ridiculous vehicle in the
+whole town? To let that child shake thirty miles in a chaise, and to let him
+raise a triumphal arch for a chaise!&mdash;He would like to shake him again! To
+let his uncle shout hurrah for a tip-cart! He was getting too unreasonable. How
+she admired Maurits for being so calm! She would like to join in the game and
+defend Maurits, but she does not believe that he would like it.
+</p>
+
+<p>
+And before she goes to sleep, she lies and thinks out everything she would have
+said to defend Maurits. Then she falls asleep and starts up again, and in her
+ears rings an old saying:&mdash;
+</p>
+
+<p class="poem">
+&ldquo;A dog stood on a mountain-top,<br />
+He barked aloud and would not stop.<br />
+His name was you, His name was I,<br />
+His name was all in Earth and Sky.<br />
+What was his name?<br />
+His name was why.&rdquo;
+</p>
+
+<p>
+The saying had irritated her many a time. Oh, how stupid she had thought the
+dog was! But now half asleep, she confuses the dog &ldquo;What&rdquo; with
+Maurits and she thinks that the dog has his white forehead. Then she laughs.
+She laughs as easily as she cries. She has inherited that from her father.
+</p>
+
+<h3>II</h3>
+
+<p>
+How has &ldquo;it&rdquo; come? That which she dares not call by name?
+</p>
+
+<p>
+&ldquo;It&rdquo; has come like the dew to the grass, like the color to the
+rose, like the sweetness to the berry, imperceptibly and gently without
+announcing itself beforehand.
+</p>
+
+<p>
+It is also no matter how &ldquo;it&rdquo; came or what &ldquo;it&rdquo; is.
+Were it good or evil, fair or foul, still it is forbidden; that which never
+ought to exist. &ldquo;It&rdquo; makes her anxious, sinful, unhappy.
+</p>
+
+<p>
+&ldquo;It&rdquo; is that of which she never wishes to think. &ldquo;It&rdquo;
+is what shall be torn away and thrown out; and yet it is nothing that can be
+seized and caught. She shuts her heart to &ldquo;it,&rdquo; but it comes in
+just the same. &ldquo;It&rdquo; turns back the blood in her veins and flows
+there, drives the thoughts from her brain and reigns there, dances through her
+nerves and trembles in her finger-tips. It is everywhere in her, so that if she
+had been able to take away everything else of which her body consisted and to
+have left &ldquo;it&rdquo; behind, there would remain a complete impression of
+her. And yet &ldquo;it&rdquo; was nothing.
+</p>
+
+<p>
+She wishes never to think of &ldquo;it,&rdquo; and yet she has to think of
+&ldquo;it&rdquo; constantly. How has she become so wicked? And then she
+searches and wonders how &ldquo;it&rdquo; came.
+</p>
+
+<p>
+Ah Downie! How tender are our souls, and how easily awakened are our hearts!
+</p>
+
+<p>
+She was sure that &ldquo;it&rdquo; had not come at breakfast, surely not at
+breakfast.
+</p>
+
+<p>
+Then she had only been frightened and shy. She had been so terrified when she
+came down to breakfast and found no Maurits, only Uncle Theodore and the old
+lady.
+</p>
+
+<p>
+It had been a clever idea of Maurits to go hunting; although it was impossible
+to discover what he was hunting in midsummer, as the old lady remarked. But he
+knew of course that it was wise to keep away from his uncle for a few hours
+until the latter became calm again. He could not know that she was so shy, nor
+that she had almost fainted when she had found him gone and herself left alone
+with uncle and the old lady. Maurits had never been shy. He did not know what
+torture it is.
+</p>
+
+<p>
+That breakfast, that breakfast! Uncle had as a beginning asked the old lady if
+she had heard the story of Sigrid the beautiful. He did not ask Downie, neither
+would she have been able to answer. The old lady knew the story well, but he
+told it just the same. Then Anne-Marie remembered that Maurits had laughed at
+his uncle because in all his house he only had two books, and those were
+Afzelius&rsquo; &ldquo;Fairy Tales&rdquo; and Nösselt&rsquo;s &ldquo;Popular
+Stories for Ladies.&rdquo; &ldquo;But those he knows,&rdquo; Maurits had said.
+</p>
+
+<p>
+Anne-Marie had found the story pretty. She liked it when Bengt Lagman had
+pearls sewn on the breadth of homespun. She saw Maurits before her; how royally
+proud he would have looked when ordering the pearls! That was just the sort of
+thing Maurits would have done well.
+</p>
+
+<p>
+But when uncle had come to that part of the story where Bengt Lagman went into
+the woods to avoid the meeting with his angry brother, and instead let his
+young wife meet the storm, then it became so plain that uncle understood
+Maurits had gone hunting to escape his wrath and that he knew how she thought
+to win him over. &mdash;Yes, yesterday, then they had been able to make plans,
+Maurits and she, how she should coquet with uncle, but to-day she had no
+thought of carrying them out. Oh, she had never behaved so foolishly! Every
+drop of blood streamed into her face, and her knife and fork fell with a
+terrible clatter out of her hands down on her plate.
+</p>
+
+<p>
+But Uncle Theodore had shown no mercy and had gone on with the story until he
+came to that princely speech: &ldquo;Had my brother not done it, I would have
+done it myself.&rdquo; He said it with such a strange emphasis that she was
+forced to look up and to meet his laughing brown eyes.
+</p>
+
+<p>
+And when he saw the trouble staring from her eyes, he began to laugh like a
+boy. &ldquo;What do you think,&rdquo; he cried, &ldquo;Bengt Lagman thought
+when he came home and heard that &lsquo;Had my brother?&rsquo; I think he
+stopped at home the next time.&rdquo;
+</p>
+
+<p>
+Tears rose to Downie&rsquo;s eyes, and when Uncle saw that he laughed louder.
+&ldquo;Yes, it is a fine partisan my nephew has chosen,&rdquo; he seemed to
+say, &ldquo;You are not playing your part, my little girl.&rdquo; And every
+time she had looked at him the brown eyes had repeated: &ldquo;Had my brother
+not done it, I would have done it myself.&rdquo; Downie was not quite sure that
+the eyes did not say &ldquo;nephew.&rdquo; And fancy how she behaved. She began
+to cry, and rushed from the room.
+</p>
+
+<p>
+But it was not then that &ldquo;it&rdquo; came, nor during the walk of the
+forenoon.
+</p>
+
+<p>
+Then she was occupied with something quite different. Then she was overcome
+with pleasure at the beautiful place and that nature was so wonderfully near.
+She felt as if she had found again something she had lost long, long ago.
+</p>
+
+<p>
+People thought she was a city girl. But she had become a country lass as soon
+as she put her foot on the sandy path. She felt instantly that she belonged to
+the country.
+</p>
+
+<p>
+As soon as she had calmed down a little she had ventured out by herself to
+inspect the place. She had looked about her on the lawn in front of the door.
+Then she suddenly began to whirl about; she hung her hat on her arm and threw
+her shawl away. She drew the air into her lungs so that her nostrils were drawn
+together and whistled.
+</p>
+
+<p>
+Oh, how brave she felt!
+</p>
+
+<p>
+She made a few attempts to go quietly and sedately down to the garden, but that
+was not what attracted her. Turning off to one side, she started towards the
+big groups of barns and out-houses. She met a farm-girl and said a few words to
+her. She was surprised to hear how brisk her own voice sounded; it was like an
+officer at the front. And she felt how smart she looked when, with head proudly
+raised and a little on one side, moving with a quick, free motion and with a
+little switch in her hand, she entered the barn.
+</p>
+
+<p>
+It was not, however, what she had expected. No long rows of horned creatures
+were there to impress her, for they were all out at pasture. A single calf
+stood in its pen and seemed to expect her to do something for him. She went up
+to him, raised herself on tiptoe, held her dress together with one hand and
+touched the calf&rsquo;s forehead with the finger-tips of the other.
+</p>
+
+<p>
+As the calf still did not seem to think that she had done enough and stretched
+out his long tongue, she graciously let him lick her little finger. She could
+not resist looking about her, as if to find some one to admire her bravery. And
+she discovered that Uncle Theodore stood at the barn-door and laughed at her.
+</p>
+
+<p>
+Then he had gone with her on her walk. But &ldquo;it&rdquo; did not come then,
+not then at all. It had only wonderfully come to pass that she was no longer
+afraid of Uncle Theodore. He was like her mother; he seemed to know all her
+faults and weaknesses, and it was so comfortable. She did not need to show
+herself better than she was.
+</p>
+
+<p>
+Uncle Theodore wished to take her to the garden and to the terraces by the
+pond, but that was not to her mind. She wished to know what there could be in
+all those big buildings.
+</p>
+
+<p>
+So he went patiently with her to the dairy and to the ice-house; to the
+wine-cellar and to the potato bins. He took the things in order, and showed her
+the larder, and the wood shed, and the carriage-house, and the laundry. Then he
+led her through the stable of the draught-horses, and that of the carriage
+horses; let her see the harness-room and the servants&rsquo; rooms; the
+laborers&rsquo; cottages and the wood-carving room. She became a little
+confused by all the different rooms that Uncle Theodore had considered
+necessary to establish on his estate; but her heart was glowing with enthusiasm
+at the thought of how splendid it must be to have all that to rule over. So she
+was not tired, although they walked through the sheep-houses and the piggeries,
+and looked in at the hens and the rabbits. She faithfully examined the
+weaving-rooms and the dairies, the smoke-house and the smithy, all with growing
+enthusiasm. Then they visited the big lofts; drying-rooms for the clothes and
+drying-rooms for the wood; hay-lofts, and lofts for dried leaves for the sheep
+to eat.
+</p>
+
+<p>
+The dormant housewife in her awoke to life and consciousness at all this
+perfection. But most of all, she was moved by the great brewhouse and the two
+neat bakeries with the wide oven and the big table.
+</p>
+
+<p>
+&ldquo;Mother ought to see that,&rdquo; she said.
+</p>
+
+<p>
+In the bakehouse they had sat down and rested, and she had told of her home. He
+was already like a friend, although his brown eyes laughed at everything she
+said.
+</p>
+
+<p>
+At home everything was so quiet; no life, no variety. She had been a delicate
+child, and her parents had watched over her on account of it, and let her do
+nothing. It was only as play that she was allowed to help in the baking and in
+the shop. Somehow she came to tell him that her father called her Downie. She
+had also said: &ldquo;Everybody spoils me at home except Maurits, and that is
+why I like him so much. He is so sensible with me! He never calls me Downie;
+only Anne-Marie. Maurits is so admirable.&rdquo;
+</p>
+
+<p>
+Oh, how it had danced and laughed in uncle&rsquo;s eyes! She could have struck
+him with her switch. She repeated almost with a sob: &ldquo;Maurits is so
+admirable.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I know, I know,&rdquo; Uncle had answered. &ldquo;He is going to be
+my heir.&rdquo; Whereupon she had cried: &ldquo;Ah; Uncle Theodore, why do you
+not marry? Think how happy any one would be to be mistress of such an
+estate!&rdquo;
+</p>
+
+<p>
+&ldquo;How would it be then with Maurits&rsquo;s inheritance?&rdquo; uncle had
+asked quite softly.
+</p>
+
+<p>
+Then she had been silent for a long while, for she could not say to Uncle that
+she and Maurits did not ask for the inheritance, for that was just what they
+did do. She wondered if it was very ugly for them to do so. She suddenly had a
+feeling as if she ought to beg Uncle for forgiveness for some great wrong that
+they had done him. But she could not do that either.
+</p>
+
+<p>
+When they came in again, Uncle&rsquo;s dog came to meet them. It was a tiny,
+little thing on the thinnest legs, with fluttering ears and gazelle-like eyes;
+a nothing with a shrill, little voice.
+</p>
+
+<p>
+&ldquo;You wonder, perhaps, that I have such a little dog,&rdquo; Uncle
+Theodore had said.
+</p>
+
+<p>
+&ldquo;I suppose I do,&rdquo; she had answered.
+</p>
+
+<p>
+&ldquo;But, you see, it is not I who have chosen Jenny for my dog, but Jenny
+who has taken me as a master. You would like to hear the story, Downie?&rdquo;
+That name he had instantly seized upon.
+</p>
+
+<p>
+Yes, she would like it, although she understood that it would be something
+irritating he would say.
+</p>
+
+<p>
+&ldquo;Well, you see, when Jenny came here the first time she lay on the knees
+of a fine lady from the town, and had a blanket on her back and a cloth about
+her head. Hush, Jenny; it is true that you had it! And I thought what a little
+rat it was. But do you know when that little creature was put down on the
+ground here some memories of her childhood or something must have wakened in
+her. She scratched, and kicked, and tried to rub off her blanket. And then she
+behaved like the big dogs here; so we said that Jenny must have grown up in the
+country.
+</p>
+
+<p>
+&ldquo;She lay out on the doorstep and never even looked at the parlor sofa,
+and she chased the chickens, and stole the cat&rsquo;s milk, and barked at
+beggars, and darted about the horses&rsquo; legs when we had guests. It was a
+pleasure and a joy to us to see how she behaved. You must understand, a little
+thing that had only lain in a basket and been carried on the arm! It was
+wonderful. And so when they were going to leave, Jenny would not go. She stood
+on the steps and whined so pitifully and jumped up on me, and really asked to
+be allowed to stay. So there was nothing for us to do but to let her stay. We
+were touched by the little creature; it was so small, and yet wished to be a
+country dog. But I had never thought that I should ever keep a lap-dog. Soon,
+perhaps, I shall get a wife too.&rdquo;
+</p>
+
+<p>
+Oh, how hard it is to be shy, to be uneducated! She wondered if Uncle had been
+very surprised when she rushed away so hurriedly. But she had felt as if he had
+meant her when he spoke of Jenny. And perhaps he had not at all. But any
+way&mdash;yes she had been so embarrassed. She could not have stayed.
+</p>
+
+<p>
+But it was not then &ldquo;it&rdquo; came, not then.
+</p>
+
+<p>
+Perhaps it was in the evening at the ball. Never had she had such a good time
+at any ball! But if any one had asked her if she had danced much, she would
+have needed to reconsider and acknowledge that she had not. But it was the best
+proof that she had really enjoyed herself when she had not even noticed that
+she had been a little neglected.
+</p>
+
+<p>
+She had so much enjoyed looking at Maurits. Just because she had been a little
+bit severe to him at breakfast and laughed at him yesterday, it was such a
+pleasure to her to see him at the ball. He had never seemed to her so handsome
+and so superior.
+</p>
+
+<p>
+He had seemed to feel that she would consider herself injured because he had
+not talked and danced only with her. But it had been pleasure enough for her to
+see how every one liked Maurits. As if she had wished to exhibit their love to
+the general gaze! Oh, Downie was not so foolish!
+</p>
+
+<p>
+Maurits danced many dances with the beautiful Elizabeth Westling. But that had
+not troubled her at all, for Maurits had time after time come up and whispered:
+&ldquo;You see, I can&rsquo;t get away from her. We are old friends. Here in
+the country they are so unaccustomed to have a partner who has been in society
+and can both dance and talk. You must lend me to the daughters of the county
+magnates for this evening, Anne-Marie.&rdquo;
+</p>
+
+<p>
+But Uncle, too, gave way to Maurits. &ldquo;Be host for this evening,&rdquo; he
+said to him, and Maurits was. He was everywhere. He led the dance, he led the
+drinking, and he made a speech for the county and for the ladies. He was
+wonderful. Both Uncle and she had watched Maurits, and then their eyes had met.
+Uncle had smiled and nodded to her. Uncle certainly was proud of Maurits. She
+had felt badly that Uncle did not really do justice to his nephew. Towards
+morning Uncle had been loud and quarrelsome. He had wanted to join the dance,
+but the girls drew back from him when he came up to them and pretended to be
+engaged.
+</p>
+
+<p>
+&ldquo;Dance with Anne-Marie,&rdquo; Maurits had said to his uncle, and it had
+sounded rather patronising. She was so frightened that she quite shrank
+together.
+</p>
+
+<p>
+Uncle was offended too, turned on his heel and went into the smoking-room.
+</p>
+
+<p>
+Maurits came up to her and said with a hard, hard voice:&mdash;
+</p>
+
+<p>
+&ldquo;You are ruining everything, Anne-Marie. Must you look like that when
+Uncle wishes to dance with you? If you could know what he said to me yesterday
+about you! You must do something too, Anne-Marie. Do you think it is right to
+leave everything to me?&rdquo;
+</p>
+
+<p>
+&ldquo;What do you wish me to do, Maurits?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, now there is nothing; now the game is spoiled. Think all I had won
+this evening! But it is lost now.&rdquo;
+</p>
+
+<p>
+&ldquo;I will gladly ask Uncle&rsquo;s pardon, if you like, Maurits.&rdquo; And
+she really meant it. She was honestly sorry to have hurt Uncle.
+</p>
+
+<p>
+&ldquo;That is of course the only right thing to do; but one can ask nothing of
+any one as ridiculously shy as you are.&rdquo;
+</p>
+
+<p>
+She had not answered, but had gone straight to the smoking-room, which was
+almost empty. Uncle had thrown himself down in an arm-chair.
+</p>
+
+<p>
+&ldquo;Why will you not dance with me?&rdquo; she had asked.
+</p>
+
+<p>
+Uncle Theodore&rsquo;s eyes were closed. He opened them and looked long at her.
+It was a look full of pain that she met. It made her understand how a prisoner
+must feel when he thinks of his chains. It made her sorry for Uncle. It seemed
+as if he had needed her much more than Maurits, for Maurits needed no one. He
+was very well as he was. So she laid her hand on Uncle Theodore&rsquo;s arm
+quite gently and caressingly.
+</p>
+
+<p>
+Instantly new life awoke in his eyes. He began to stroke her hair with his big
+hand. &ldquo;Little mother,&rdquo; he had said.
+</p>
+
+<p>
+Then &ldquo;it&rdquo; came over her while he stroked her hair. It came
+stealing, it came creeping, it came rushing, as when elves pass through dark
+woods.
+</p>
+
+<h3>III</h3>
+
+<p>
+One evening thin, soft clouds are floating in the sky; one evening all is still
+and mild; one evening the air is filled with fine white down from the aspens
+and poplars.
+</p>
+
+<p>
+It is quite late, and no one is up except Uncle Theodore, who is walking in the
+garden and is considering how he can separate the young man and the young
+woman.
+</p>
+
+<p>
+For never, never in the world shall it come to pass that Maurits leaves his
+house with her at his side while Uncle Theodore stands on the steps and wishes
+them a pleasant journey.
+</p>
+
+<p>
+Is it a possibility to let her go at all, since she has filled the house for
+three days with merry chirping, since she in her quiet way has accustomed them
+to be cared for and petted by her, since they have all grown used to seeing
+that soft, supple little creature roving about everywhere. Uncle Theodore says
+to himself that it is not possible. He cannot live without her.
+</p>
+
+<p>
+Just then he strikes against a dandelion which has gone to seed, and, like
+men&rsquo;s resolutions and men&rsquo;s promises, the white ball of down is
+scattered, its white floss flies out and is dispersed.
+</p>
+
+<p>
+The night is not cold as the nights generally are in that part of the country.
+The warmth is kept in by the grey cloud blanket. The winds show themselves
+merciful for once and do not blow.
+</p>
+
+<p>
+Uncle Theodore sees her, Downie. She is weeping because Maurits has forsaken
+her. But he draws her to him and kisses away her tears.
+</p>
+
+<p>
+Soft and fine, the white down falls from the great ripe clusters of the
+trees,&mdash;so light that the air will scarcely let them fall, so fine and
+delicate that they hardly show on the ground.
+</p>
+
+<p>
+Uncle Theodore laughs to himself when he thinks of Maurits. In thought he goes
+in to him the next morning while he is still lying in his bed. &ldquo;Listen,
+Maurits,&rdquo; he means to say to him. &ldquo;I do not wish to inspire you
+with false hopes. If you marry this girl, you need not expect a penny from me.
+I will not help to ruin your future.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you think so badly of her, uncle?&rdquo; Maurits will say.
+</p>
+
+<p>
+&ldquo;No, on the contrary; she is a nice girl, but still not the one for you.
+You shall have a woman like Elizabeth Westling. Be sensible, Maurits; what will
+become of you if you break off your studies and go into trade for that
+child&rsquo;s sake. You are not suited to it, my boy. Something more is needed
+for such work than to be able to lift your hat gracefully from your head and to
+say: &lsquo;Thank you, my children!&rsquo; You are cut out and made for a civil
+official. You can become minister.&rdquo;
+</p>
+
+<p>
+&ldquo;If you have such a good opinion of me,&rdquo; Maurits will answer,
+&ldquo;help me with my examination and let us afterwards be married!&rdquo;
+</p>
+
+<p>
+&ldquo;Not at all, not at all. What do you think would become of your career if
+you had such a weight as a wife? The horse which drags the bread wagon does not
+go fast ahead. Think of the girl from the bakery as a minister&rsquo;s wife!
+No, you ought not to engage yourself for at least ten years, not before you
+have made your place. What would the result be if I helped you to be married?
+Every year you would come to me and beg for money. You and I would both weary
+of that.&rdquo;
+</p>
+
+<p>
+&ldquo;But, uncle, I am a man of honor. I have engaged myself.&rdquo;
+</p>
+
+<p>
+&ldquo;Listen, Maurits! Which is better? For her to go and wait for you for ten
+years, and then find that you will not marry her, or for you to break it off
+now? No, be decided, get up, take the chaise and go home before she wakes. It
+will never do at any rate for a betrothed couple to wander about the country by
+themselves. I will take care of the girl if you only give up this madness. My
+old friend will go home with her. You shall be supported by me so that you do
+not need to worry about your future. Now be sensible; you will please your
+parents by obeying me. Go now, without seeing her! I will talk to her. She will
+not stand in the way of your happiness. Do not try to see her before you leave,
+then you could grow soft-hearted, for she is sweet.&rdquo;
+</p>
+
+<p>
+And at those words Maurits makes an heroic decision and goes his way.
+</p>
+
+<p>
+And when he has gone, what will happen then?
+</p>
+
+<p>
+&ldquo;Scoundrel,&rdquo; sounds in the garden, loud and threateningly, as if to
+a thief. Uncle Theodore looks about him. Is it no one else? Is it only he
+calling so at himself?
+</p>
+
+<p>
+What will happen afterwards? Oh, he will prepare her for Maurits&rsquo;s
+departure; show her that Maurits was not worthy of her; make her despise him.
+And then when she has cried her heart out on his breast, he shall so carefully,
+so skilfully make her understand what he feels, lure her, win her.
+</p>
+
+<p>
+The down still falls. Uncle Theodore stretches out his big hand and catches a
+bit of it.
+</p>
+
+<p>
+So fine, so light, so delicate! He stands and looks at it.
+</p>
+
+<p>
+It falls about him, flake after flake. What will become of them? They will be
+driven by the wind, soiled by the earth, trampled upon by heavy feet.
+</p>
+
+<p>
+He begins to feel as if that light down fell upon him with the heaviest weight.
+Who will be the wind; who will be the earth; who will be the shoe when it is a
+question of such defenceless little things?
+</p>
+
+<p>
+And as a result of his extraordinary knowledge of Nösselt&rsquo;s
+&ldquo;Popular Stories,&rdquo; an episode from one of them occurred to him like
+what he had just been thinking.
+</p>
+
+<p>
+It was an early morning, not falling night as now. It was a rocky shore, and
+down by the sea sat a beautiful youth with a panther skin over his shoulder,
+with vine leaves in his hair, with thyrsus in his hand. Who was he? Oh, the god
+Bacchus himself.
+</p>
+
+<p>
+And the rocky shore was Naxos. It was the seas of Greece the god saw. The ship
+with the black sails swiftly sailing towards the horizon was steered by Theseus
+and in the grotto, the entrance of which opened high up in a projection of the
+steep cliff, slept Ariadne.
+</p>
+
+<p>
+During the night the young god had thought: &ldquo;Is this mortal youth worthy
+of that divine girl!&rdquo; And to test Theseus he had in a dream frightened
+him with the loss of his life, if he did not instantly forsake Ariadne. Then
+the latter had risen up, hastened to the ship, and fled away over the waves
+without even waking the girl to say good-bye.
+</p>
+
+<p>
+Now the god Bacchus sat there smiling, rocked by the tenderest hopes, and
+waited for Ariadne.
+</p>
+
+<p>
+The sun rose, the morning breeze freshened. He abandoned himself to smiling
+dreams. He would know well how to console the forsaken one; he, the god Bacchus
+himself.
+</p>
+
+<p>
+Then she came. She walked out of the grotto with a beaming smile. Her eyes
+sought Theseus, they wandered farther away to the anchoring-place of the ship,
+to the sea&mdash;to the black sails.
+</p>
+
+<p>
+And then with a piercing scream, without consideration, without hesitation,
+down into the waves, down to death and oblivion.
+</p>
+
+<p>
+And there sat the god Bacchus, the consoler.
+</p>
+
+<p>
+So it was. Thus had it actually happened. Uncle Theodore remembers that Nösselt
+adds in a few words that sympathetic poets affirm that Ariadne let herself be
+consoled by Bacchus. But the sympathizers were certainly wrong. Ariadne would
+not be consoled.
+</p>
+
+<p>
+Good God, because she is good and sweet, so that he must love her, shall she
+for that reason be made unhappy!
+</p>
+
+<p>
+As a reward for the sweet little smiles she had given him; because her soft
+little hand had lain so trustingly in his; because she had not been angry when
+he jested, shall she lose her betrothed and be made unhappy?
+</p>
+
+<p>
+For which of all her misdemeanors shall she be condemned? Because she has shown
+him a room in his innermost soul, which seems to have stood fine and clean and
+unoccupied all these years awaiting just such a tender and motherly little
+woman; or because she has already such power over him that he hardly dares to
+swear lest she hear it; or for what shall she be condemned?
+</p>
+
+<p>
+Oh, poor Bacchus, poor Uncle Theodore! It is not easy to have to do with such
+delicate, light bits of down.&mdash;They leap into the sea when they see the
+black sails.
+</p>
+
+<p>
+Uncle Theodore swears softly because Downie has not black hair, red cheeks,
+coarse limbs.
+</p>
+
+<p>
+Then another flake falls and it begins to speak: &ldquo;It is I who would have
+followed you all your days. I would have whispered a warning in your ear at the
+card-table. I would have moved away the wineglass. You would have borne it from
+me.&rdquo; &ldquo;I would,&rdquo; he whispers, &ldquo;I would.&rdquo;
+</p>
+
+<p>
+Another comes and speaks too: &ldquo;It is I who would have reigned over your
+big house and made it cheery and warm. It is I who would have followed you
+through the desert of old age. I would have lighted your fire, have been your
+eyes and your staff. Should I have been fit for that?&rdquo; &ldquo;Sweet
+little Downie,&rdquo; he answers, &ldquo;you would.&rdquo;
+</p>
+
+<p>
+Again a flake comes and says: &ldquo;I am so to be pitied. To-morrow my
+betrothed is leaving me without even saying farewell. To-morrow I shall weep,
+weep all day long, for I shall feel the shame of not being good enough for
+Maurits. And when I come home&mdash;I do not know how I shall be able to come
+home; how I can cross my father&rsquo;s threshold after this. The whole street
+will be full of whispering and gossip when I show myself. Every one will wonder
+what evil thing I have done, to be so badly treated. Is it my fault that you
+love me?&rdquo; He answers with a sob in his throat: &ldquo;Do not speak so,
+little Downie! It is too soon to speak so.&rdquo;
+</p>
+
+<p>
+He wanders there the whole night and towards midnight comes a little darkness.
+He is in great trouble; the heavy, sultry air seems to be still in terror of
+some crime which is to be committed in the morning.
+</p>
+
+<p>
+He tries to calm the night by saying aloud: &ldquo;I shall not do it.&rdquo;
+</p>
+
+<p>
+Then the most wonderful thing happens. The night is seized with a trembling
+dread. It is no longer the little flakes which are falling, but round about him
+rustle great and small wings. He hears something flying but does not know
+whither.
+</p>
+
+<p>
+They rush by him; they graze his cheek; they touch his clothes and hands; and
+he understands what it is. The leaves are falling from the trees; the flowers
+flee from their stalks; the wings fly away from the butterflies; the song
+forsakes the birds.
+</p>
+
+<p>
+And he understands that when the sun rises his garden will be a waste. Empty,
+cold, and silent winter shall reign there; no play of butterflies; no song of
+birds.
+</p>
+
+<p>
+He remains until the light comes again, and he is almost astonished when he
+sees the thick masses of leaves on the trees. &ldquo;What is it, then,&rdquo;
+he says, &ldquo;which is laid waste if it was not the garden? Not even a blade
+of grass is missing. It is I who must live in winter and cold hereafter, not
+the garden. It is as if the mainspring of life were gone. Ah, you old fool,
+this will pass like everything else. It is too much ado about a little
+girl.&rdquo;
+</p>
+
+<h3>IV</h3>
+
+<p>
+How very improperly &ldquo;it&rdquo; behaved the morning they were to leave!
+During the two days after the ball &ldquo;it&rdquo; had been rather something
+inspiring, something exciting; but now when Downie is to leave, when
+&ldquo;it&rdquo; realizes that the end has come, that &ldquo;it&rdquo; will
+never play any part in her life, then it changes to a death thrust, to a
+deathly coldness.
+</p>
+
+<p>
+She feels as if she were dragging a body of stone down the stairs to the
+breakfast-room. She stretches out a heavy, cold hand of stone when she says
+good-morning; she speaks with a slow tongue of stone; smiles with hard stone
+lips. It is a labor, a labor.
+</p>
+
+<p>
+But who can help being glad when everything is arranged according to
+old-fashioned faith and honor.
+</p>
+
+<p>
+Uncle Theodore turns to Downie at breakfast and explains with a strangely harsh
+voice that he has decided to give Maurits the position of manager at
+Laxohyttan; but as the aforesaid young man, continued Uncle, with a strained
+attempt to return to his usual manner, is not much at home in practical
+occupations, he may not enter upon the position until he has a wife at his
+side. Has she, Miss Downie, tended her myrtle so well that she can have a crown
+and wreath in September?
+</p>
+
+<p>
+She feels how he is looking into her face. She knows that he wishes to have a
+glance as thanks, but she does not look up.
+</p>
+
+<p>
+Maurits leaps up. He embraces Uncle and makes a great deal of noise.
+&ldquo;But, Anne-Marie, why do you not thank Uncle? You must kiss Uncle
+Theodore, Anne-Marie. Laxohyttan is the most beautiful place in the world. Come
+now, Anne-Marie!&rdquo;
+</p>
+
+<p>
+She raises her eyes. There are tears in them, and through the tears a glance
+full of despair and reproach falls on Maurits. She cannot understand; he
+insists upon going with an uncovered light into the powder magazine. Then she
+turns to Uncle Theodore; but not with the shy, childish manner she had before,
+but with a certain nobleness, with something of the martyr, of an imprisoned
+queen.
+</p>
+
+<p>
+&ldquo;You are much too good to us,&rdquo; she says only.
+</p>
+
+<p>
+Thus is everything accomplished according to the demands of honor. There is not
+another word to be said in the matter. He has not robbed her of her faith in
+him whom she loves. She has not betrayed herself. She is faithful to him who
+has made her his betrothed, although she is only a poor girl from a little
+bakery in a back street.
+</p>
+
+<p>
+And now the chaise can be brought up, the trunks be corded, the luncheon-basket
+filled.
+</p>
+
+<p>
+Uncle Theodore leaves the table. He goes and places himself by a window. Ever
+since she has turned to him with that tearful glance he is out of his senses.
+He is quite mad, ready to throw himself upon her, press her to his breast and
+call to Maurits to come and tear her away if he can.
+</p>
+
+<p>
+His hands are in his pockets. Through the clenched fists cramp-like convulsions
+are passing.
+</p>
+
+<p>
+Can he allow her to put on her hat, to say goodbye to the old lady?
+</p>
+
+<p>
+There he stands again on the cliff of Naxos and wishes to steal the beloved for
+himself. Nor, not steal! Why not honorably and manfully step forward and say:
+&ldquo;I am your rival, Maurits. Your betrothed must choose between us. You are
+not married; there is no sin in trying to win her from you. Look well after
+her. I mean to use every expedient.&rdquo;
+</p>
+
+<p>
+Then he would be warned, and she would know what alternative lay before her.
+</p>
+
+<p>
+His knuckles cracked when he clenched his fists again. How Maurits would laugh
+at his old uncle when he stepped forward and explained that! And what would be
+the good of it? Would he frighten her, so that he would not even be allowed to
+help them in the future?
+</p>
+
+<p>
+But how will it go now when she approaches to say good-bye to him? He almost
+screams to her to take care, to keep three paces away from him.
+</p>
+
+<p>
+He remains at the window and turns his back on them all, while they are busy
+with their wraps and their luncheon-basket. Will they never be ready to go? He
+has already lived it through a thousand times. He has taken her hand, kissed
+her, helped her into the chaise. He has done it so many times that he believes
+she is already gone.
+</p>
+
+<p>
+He has also wished her happiness. Happiness&mdash;Can she be happy with
+Maurits? She has not looked happy this morning. Oh yes, certainly she has. She
+wept with joy.
+</p>
+
+<p>
+While he is standing there Maurits suddenly says to Anne-Marie: &ldquo;What a
+dunce I am! I am quite forgetting to speak to Uncle about father&rsquo;s
+shares.&rdquo;
+</p>
+
+<p>
+&ldquo;I think it would be best if you did not,&rdquo; Downie answers.
+&ldquo;Perhaps it is not right.&rdquo;
+</p>
+
+<p>
+&ldquo;Nonsense, Anne-Marie. The shares do not pay anything just now. But who
+knows if they will not be better some day? And besides, what does it matter to
+Uncle? Such a little thing&mdash;&rdquo;
+</p>
+
+<p>
+She interrupts with unusual eagerness, almost anxiously. &ldquo;I beg of you,
+Maurits, do not do it. Give in to me this once.&rdquo;
+</p>
+
+<p>
+He looks at her, a little offended. &ldquo;This once!&mdash;as if I were a
+tyrant over you. No, do you see, I cannot; just for that word I think that I
+ought not to yield.&rdquo;
+</p>
+
+<p>
+&ldquo;Do not cling to a word, Maurits. This means more than polite phrases. I
+think it is not well of you to wish to cheat Uncle now when he has been so good
+to us.&rdquo;
+</p>
+
+<p>
+&ldquo;Be quiet, Anne-Marie, be quiet! What do you understand of
+business?&rdquo; His whole manner is now irritatingly calm and superior. He
+looks at her as a schoolmaster looks at a good pupil who is making a fool of
+himself at his examination.
+</p>
+
+<p>
+&ldquo;That you do not at all understand what is at stake!&rdquo; she cries.
+And she strikes out despairingly with her hands.
+</p>
+
+<p>
+&ldquo;I really must talk to Uncle now,&rdquo; says Maurits, &ldquo;if for
+nothing else, to show him that there is no question of any deceit. You behave
+so that Uncle can believe that I and my father are veritable cheats.&rdquo;
+</p>
+
+<p>
+And he comes forward to his uncle and explains to him what these shares which
+his father wishes to sell him are. Uncle Theodore listens to him as well as he
+can. He understands instantly that his brother has made a bad speculation and
+wishes to protect himself from loss. But what of it, what of it? He is
+accustomed to render to the whole family connection such services. But he is
+not thinking of that, but of Downie. He wonders what is the meaning of that
+look of resentment she casts upon Maurits. It was not exactly love.
+</p>
+
+<p>
+And so in the midst of his despair over the sacrifice he has to make, a faint
+glimmer of hope begins to rise up before him. He stands and stares at it like a
+man who is sleeping in a haunted room and sees a light mist rise from the floor
+and condense and grow and become a tangible reality.
+</p>
+
+<p>
+&ldquo;Come with me into my room, Maurits,&rdquo; he says; &ldquo;you shall
+have the money immediately.&rdquo;
+</p>
+
+<p>
+But while he speaks his eyes rest on Downie to see if the ghost can be
+prevailed upon to speak. But as yet he sees only dumb despair in her.
+</p>
+
+<p>
+But he has hardly sat down by the desk in his room when the door opens and
+Anne-Marie comes in.
+</p>
+
+<p>
+&ldquo;Uncle Theodore,&rdquo; she says, very firmly and decidedly, &ldquo;do
+not buy those papers!&rdquo;
+</p>
+
+<p>
+Ah, such courage, Downie! Who would have believed it of you who had seen you
+three days ago, when you sat at Maurits&rsquo;s side in the chaise and seemed
+to shrink and grow smaller for every word he said.
+</p>
+
+<p>
+Now she needs all her courage, for Maurits is angry in earnest.
+</p>
+
+<p>
+&ldquo;Hold your tongue!&rdquo; he hisses at her, and then roars to make
+himself heard by Uncle Theodore, who is sitting at his desk and counting notes.
+</p>
+
+<p>
+&ldquo;What is the matter with you? The shares give no interest now; I have
+told Uncle that; but Uncle knows as well as I that they will pay. Do you think
+Uncle will let himself be cheated by one like me? Uncle surely understands
+those things better than any of us. Has it ever been my intention to give out
+these shares as good? Have I said anything but that for him who can wait it may
+be a good affair?&rdquo;
+</p>
+
+<p>
+Uncle Theodore says nothing; he only hands a package of notes to Maurits. He
+wonders if this will make the ghost speak.
+</p>
+
+<p>
+&ldquo;Uncle,&rdquo; says the little intractable proclaimer of the truth, for
+it is a known fact that no one can be more intractable than those soft,
+delicate creature when they are in the right, &ldquo;these shares are not worth
+a shilling and will never be. We all know it at home there.&rdquo;
+</p>
+
+<p>
+&ldquo;Anne-Marie, you make me out a scoundrel!&rdquo;
+</p>
+
+<p>
+She surveys him all over as if her eyes were the moving blades of a pair of
+scissors, and she cuts off him bit by bit everything in which she had clothed
+him; and when at last she sees him in all the nakedness of egotism and
+selfishness, her terrible little tongue passes sentence upon him:&mdash;
+</p>
+
+<p>
+&ldquo;What else are you?&rdquo;
+</p>
+
+<p>
+&ldquo;Anne-Marie!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, what else are we both,&rdquo; continues the merciless tongue,
+which, since it has once started, finds it best to clear up this matter which
+has tortured her conscience ever since she has begun to realize that this rich
+man who owned this big estate had a heart too which could suffer and yearn. So
+while her tongue is so well started and all shyness seems to have fallen from
+her, she says:&mdash;
+</p>
+
+<p>
+&ldquo;When we placed ourselves in the chaise at home there, what did we think?
+What did we talk about on the way? About how we would deceive him there.
+&lsquo;You must be brave, Anne-Marie,&rsquo; you said. &lsquo;And you must be
+crafty, Maurits,&rsquo; I said. We thought only of ingratiating ourselves. We
+wished to have much and we wished to give nothing except hypocrisy. It was not
+our intention to say: &lsquo;Help us, because we are poor and care for one
+another,&rsquo; but we were to flatter and fawn until Uncle was charmed by me
+or by you; that was our intention. But we meant to give nothing in return;
+neither love nor respect nor even gratitude. And why did you not come alone,
+why must I come too? You wished to show me to him; you wished me
+to&mdash;to&mdash;&rdquo;
+</p>
+
+<p>
+Uncle Theodore rises when he sees Maurits raise his hand against her. For now
+he has finished counting, and follows what is passing with his heart swelling
+with hope. His heart flies wide open to receive her as she now screams and runs
+into his arms, runs there without hesitation or consideration, quite as if
+there were no other place on earth to which to run.
+</p>
+
+<p>
+&ldquo;Uncle, he will strike me!&rdquo;
+</p>
+
+<p>
+And she presses close, close to him.
+</p>
+
+<p>
+But Maurits is now calm again. &ldquo;Forgive my impetuosity,
+Anne-Marie,&rdquo; he says. &ldquo;It hurt me to hear you speak in such a
+childish way in Uncle&rsquo;s presence. But Uncle must also understand that you
+are only a child. Still I grant that not even the most just wrath gives a man
+the right to strike a woman. Come here now and kiss me. You need not seek
+protection from me with anybody.&rdquo;
+</p>
+
+<p>
+She does not move, does not turn, only clings more closely.
+</p>
+
+<p>
+&ldquo;Downie, shall I let him take you?&rdquo; whispers Uncle Theodore.
+</p>
+
+<p>
+She answers only with a shudder, which quivers through him also.
+</p>
+
+<p>
+Uncle Theodore feels so strong, so inspired. He, too, no longer sees his
+perfect nephew as before in the bright light of his perfection. He dares to
+jest with him.
+</p>
+
+<p>
+&ldquo;Maurits,&rdquo; he says, &ldquo;you surprise me. Love makes you weak.
+Can you so promptly forgive her having called you a scoundrel? You must break
+with her instantly. Your honor, Maurits, think of your honor! Nothing in the
+world can permit a woman to insult a man. Place yourself in the chaise, my boy,
+and go away without this abandoned creature! It is only pure and simple justice
+after such an insult.&rdquo;
+</p>
+
+<p>
+As he finishes this speech, he puts his big hands about her head and bends it
+back so that he can kiss her forehead.
+</p>
+
+<p>
+&ldquo;Give up this abandoned creature!&rdquo; he repeats.
+</p>
+
+<p>
+But now Maurits begins to understand also. He sees the light in Uncle
+Theodore&rsquo;s eyes and how one smile after the other dances over his lips.
+</p>
+
+<p>
+&ldquo;Come, Anne-Marie!&rdquo;
+</p>
+
+<p>
+She starts. Now he calls her as the man to whom she has promised herself. She
+feels she must obey. And she lets go of Uncle Theodore so suddenly that he
+cannot stop her, but she cannot go to Maurits; so she slides down to the floor
+and there she remains sitting and sobs.
+</p>
+
+<p>
+&ldquo;Go home alone in your chaise, Maurits,&rdquo; says Uncle Theodore
+sharply. &ldquo;This young lady is guest in my house as yet, and I intend to
+protect her from your interference.&rdquo;
+</p>
+
+<p>
+He no longer thinks of Maurits, but only to lift her up, dry her tears and
+whisper that he loves her.
+</p>
+
+<p>
+Maurits, who sees them, the one weeping, the other comforting, cries:
+&ldquo;Oh, this is a conspiracy! I am tricked! This is a comedy! You have
+stolen my betrothed from me and you mock me! You let me call one who never
+intends to come! I congratulate you on this affair, Anne-Marie!&rdquo;
+</p>
+
+<p>
+As he rushes out and slams the door, he calls back:
+&ldquo;Fortune-hunter!&rdquo;
+</p>
+
+<p>
+Uncle Theodore makes a movement as if to go after him and chastise him, but
+Downie holds him back.
+</p>
+
+<p>
+&ldquo;Ah, Uncle Theodore, do let Maurits have the last word. Maurits is always
+right. Fortune-hunter,&mdash;that is just what I am, Uncle Theodore.&rdquo;
+</p>
+
+<p>
+She creeps again close to him without hesitation, without question. And Uncle
+Theodore is quite confused; just now she was weeping and now she is laughing;
+just now she was going to marry one man and now she is caressing another. Then
+she lifts up her head and smiles: &ldquo;Now I am your little dog. You cannot
+be rid of me.&rdquo;
+</p>
+
+<p>
+&ldquo;Downie,&rdquo; says Uncle Theodore with his gruffest voice: &ldquo;You
+have known it the whole time!&rdquo;
+</p>
+
+<p>
+She began to whisper: &ldquo;Had my brother&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;And yet you wished, Downie&mdash;Maurits is lucky to be rid of you. Such
+a foolish, deceitful, hypocritical Downie, such an unreliable little wisp, such
+a, such a&mdash;&rdquo;
+</p>
+
+<hr />
+
+<p>
+Ah, Downie, ah, silken flower! You were certainly not a fortune-hunter only;
+you were also a fortune-giver, otherwise there would be nothing left of your
+happy peace in the house where you lived. To this day the garden is shaded by
+big beeches and the birch tree trunks stand there white and spotless from the
+root upwards. To this day the snake suns himself in peace on the slope, and in
+the pond in the park swims a carp which is so old that no boy has the heart to
+catch it. And when I come there, I feel that there is festival in the air, and
+it seems as if the birds and flowers still sang their beautiful songs of you.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap14"></a>AMONG THE CLIMBING ROSES</h2>
+
+<p>
+I could wish that the people with whom I have spent my summer would let their
+glance fall on these lines. Now when the cold, dark nights have come, I should
+like to carry their thoughts back to that bright, warm season.
+</p>
+
+<p>
+Above all, I should like to remind them of the climbing-roses that enclosed the
+veranda, of the delicate, somewhat thin foliage of the clematis, which in the
+sunlight as well as in the moonlight was drawn in dark gray shadows on the
+light gray stone floor and threw a light lace-like veil over everything, and of
+its big, bright blossoms with their ragged edges.
+</p>
+
+<p>
+Other summers remind me of fields of clover, or of birch-woods, or of
+apple-trees and berry bushes, but that summer took its character from the
+climbing-roses. The bright, delicate buds, that could resist neither wind nor
+rain, the light, waving, pale-green shoots, the soft, bending stems, the
+exuberant richness of blossoms, the gaily humming hosts of insects, all follow
+me and rise up before me in their glory, when I think of that summer, that
+rosy, delicate, dainty summer.
+</p>
+
+<p>
+Now, when the time for work has come, people often ask me how I passed my
+summer. Then everything glides from my memory, and it seems to me as if I had
+sat day in and day out on the veranda behind the climbing roses and breathed in
+fragrance and sunshine. What did I do? Oh, I watched others work.
+</p>
+
+<p>
+There was a little upholsterer bee which worked from morning till night, from
+night till morning. From the soft, green leaves it sawed out a neat little oval
+with its sharp jaws, rolled it together as one rolls up a real carpet, and with
+the precious burden pressed to it, it fluttered away to the park and lighted on
+an old tree stump. There it burrowed down through dark passage-ways and
+mysterious galleries, until at last it reached the bottom of a perpendicular
+shaft. In its unknown depths, where neither ant nor centipede ever had
+ventured, it spread out the green leaf roll and covered the uneven floor with
+the most beautiful carpet. And when the floor was covered, the bee came back
+for new leaves to cover the walls of the shaft, and worked so quickly and
+eagerly, that there was soon not a leaf in the rose hedge that did not have an
+oval hole which bore testimony that it had been forced to assist in the
+adorning of the old tree-stump.
+</p>
+
+<p>
+One fine day the little bee changed its occupation. It bored deep in among the
+ragged petals of the full-blown roses, sucked and drank all it could in those
+beautiful larders, and when it had got its fill, it flew quickly away to the
+old stump to fill the freshly-papered chambers with brightest honey.
+</p>
+
+<p>
+The little upholsterer bee was not the only one who worked in the rose-bushes.
+There was also a spider, a quite unparalleled spider. It was bigger than any
+spider I have ever seen; it was bright orange with a clearly marked cross on
+its back, and it had eight long, red-and-white striped legs, all equally well
+marked. You ought to have seen it spin! Every thread was drawn out with the
+greatest precision from the first ones that were only for supports to the last
+fine connecting thread. And you should have seen it balance its way along the
+slender threads to seize a fly or to take its place in the middle of the web,
+motionless, patient, waiting for hours.
+</p>
+
+<p>
+That big, orange spider won my heart; he was so patient and so wise. Every day
+he had his little encounter with the upholsterer bee, and he always came out of
+the affair with the same unfailing tact. The bee who took his way close by him
+caught time and time again in his net. Instantly it began to buzz and tear; it
+dragged at the fine web and behaved like a mad thing, which naturally resulted
+in its being more and more entangled and getting both legs and wings wound up
+in the sticky net.
+</p>
+
+<p>
+As soon as the bee was exhausted and weakened, the spider came creeping out to
+it. It kept always at a respectful distance, but with the extreme end of one of
+the beautiful, red striped legs it gave the bee a little push, so that it swung
+round in the web. When the bee had again buzzed and raged itself tired, it
+received another gentle shove, and then another and yet another, until it spun
+round like a top and did not know what it was doing in its fury, and became so
+confused that it could not defend itself. But during the whirling the threads
+that held it fast twisted ever more tightly, till the tension became so great
+that they broke, and the bee fell to the ground. Yes, that was what the spider
+had wished, of course.
+</p>
+
+<p>
+And that performance could they repeat, those two, day after day as long as the
+bee had work in the rose-bushes. Never could the little bee learn to look out
+for the spider-web, and never did the spider show anger or impatience. I liked
+them both; the little, eager, furry worker, as well as the big, crafty, old
+hunter.
+</p>
+
+<p>
+Very few great events happened in the garden of the climbing roses. Between the
+espaliers one could see the little lake lying and twinkling in the sunlight.
+And it was a lake which was too little and too shut in to be able to heave in
+real waves, but at every little ripple on the gray surface thousands of small
+sparkles that glistened and played on the waves flew up; it seemed as if its
+depths had been full of fire that could not get out. And it was the same with
+the summer life there; it was usually so quiet, but if there came the
+slightest, little ripple&mdash;oh, how it could shine and glitter!
+</p>
+
+<p>
+We needed nothing great to make us happy. A flower or a bird could make us
+merry for several hours, not to speak of the upholsterer bee. I shall never
+forget what pleasure I had once on his account.
+</p>
+
+<p>
+The bee had been in the spider-web as usual, and the spider had as usual helped
+him out; but it had been fastened so securely that it had had to buzz a
+dreadfully long time and had been very tamed and subdued when it had flown
+away. I bent forward to see if the spider-web had suffered much damage.
+Fortunately it had not; but on the other hand a little yellow larva was caught
+in the web, a little threadlike monster, which consisted of only jaws and
+claws, and I was agitated, really agitated, at the sight of it.
+</p>
+
+<p>
+I knew them, those May-bug larvæ, that in thousands crawl up on the flowers
+and hide themselves under their petals. Did I not know them and yet admire
+them, those bold, cunning parasites, that sit hidden and wait, only wait, even
+if it is for weeks, until a bee comes, in whose yellow and black down they can
+hide. And did I not know their hateful skill just when the little cell-builder
+has filled a room with honey and on its surface laid the egg from which the
+rightful owner of the cell and the honey will come forth, just then to creep
+down on the egg and with careful balancing sit on it as on a boat; for if they
+should come down into the honey, they would drown. And while the bee covers the
+thimble-like cell with a green roof and carefully shuts in its young one, the
+yellow larva tears open the egg with its sharp jaws and devours its contents,
+while the egg-shell has still to serve as craft on the dangerous honey-sea.
+</p>
+
+<p>
+But gradually the little yellow larva grows flat and big and can swim by itself
+on the honey and drink of it, and in the course of time a fat, black beetle
+comes out of the bee-cell. It is certain that this is not what the little bee
+wished to effect by its work, and however cunningly and cleverly the beetle may
+have behaved, it is nevertheless nothing but a lazy parasite, who deserves no
+sympathy.
+</p>
+
+<p>
+And my bee, my own little, industrious bee, bad flown about with such a yellow
+hanger-on in its down. But while the spider had spun round with it, the larva
+had loosened and fallen down on the spider-web, and now the big, orange spider
+came and gave it a bite and transformed it in a second into a skeleton without
+life or substance.
+</p>
+
+<p>
+When the little bee came again, its humming was like a hymn to life.
+</p>
+
+<p>
+&ldquo;Oh, thou beauteous life,&rdquo; it said. &ldquo;I thank thee that happy
+work among roses and sunshine has fallen to my lot. I thank thee that I can
+enjoy thee without anxiety or fear.
+</p>
+
+<p>
+&ldquo;Well I know that spiders lie in wait and beetles steal, but happy work
+is mine, and brave freedom from care. Oh, thou beauteous life, thou glorious
+existence!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 14273 ***</div>
+</body>
+
+</html>
+
+
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