diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:07 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:17:07 -0700 |
| commit | e55741b458a67f56d89ac075b461c90320684db2 (patch) | |
| tree | 37dc228fbd42047484e7710442bc682b607ffc10 /old | |
Diffstat (limited to 'old')
| -rw-r--r-- | old/gisoc10.txt | 819 | ||||
| -rw-r--r-- | old/gisoc10.zip | bin | 0 -> 16866 bytes |
2 files changed, 819 insertions, 0 deletions
diff --git a/old/gisoc10.txt b/old/gisoc10.txt new file mode 100644 index 0000000..15dec2f --- /dev/null +++ b/old/gisoc10.txt @@ -0,0 +1,819 @@ +Project Gutenberg Etext of Going into Society by Charles Dickens +#46 in our series by Charles Dickens + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +Going into Society + +by Charles Dickens + +August, 1998 [Etext #1422] + + +Project Gutenberg Etext of Going into Society by Charles Dickens +******This file should be named gisoc10.txt or gsoic10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, gisoc11.txt +VERSIONS based on separate sources get new LETTER, gisoc10a.txt + + +This etext was prepared from the 1894 Chapman and Hall "Christmas +Stories" edition by David Price, email ccx074@coventry.ac.uk + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we do NOT keep these books +in compliance with any particular paper edition, usually otherwise. + + +We are now trying to release all our books one month in advance +of the official release dates, for time for better editing. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +fifty hours is one conservative estimate for how long it we take +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release thirty-two text +files per month, or 384 more Etexts in 1998 for a total of 1500+ +If these reach just 10% of the computerized population, then the +total should reach over 150 billion Etexts given away. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] +This is ten thousand titles each to one hundred million readers, +which is only 10% of the present number of computer users. 2001 +should have at least twice as many computer users as that, so it +will require us reaching less than 5% of the users in 2001. + + +We need your donations more than ever! + + +All donations should be made to "Project Gutenberg/CMU": and are +tax deductible to the extent allowable by law. (CMU = Carnegie- +Mellon University). + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails try our Executive Director: +Michael S. Hart <hart@pobox.com> + +We would prefer to send you this information by email +(Internet, Bitnet, Compuserve, ATTMAIL or MCImail). + +****** +If you have an FTP program (or emulator), please +FTP directly to the Project Gutenberg archives: +[Mac users, do NOT point and click. . .type] + +ftp uiarchive.cso.uiuc.edu +login: anonymous +password: your@login +cd etext/etext90 through /etext96 +or cd etext/articles [get suggest gut for more information] +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET INDEX?00.GUT +for a list of books +and +GET NEW GUT for general information +and +MGET GUT* for newsletters. + +**Information prepared by the Project Gutenberg legal advisor** +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Carnegie-Mellon University (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association/Carnegie-Mellon + University" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Carnegie-Mellon University". + +*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +This etext was prepared from the 1894 Chapman and Hall "Christmas +Stories" edition by David Price, email ccx074@coventry.ac.uk + + + + + +GOING INTO SOCIETY + + + + +At one period of its reverses, the House fell into the occupation of +a Showman. He was found registered as its occupier, on the parish +books of the time when he rented the House, and there was therefore +no need of any clue to his name. But, he himself was less easy to +be found; for, he had led a wandering life, and settled people had +lost sight of him, and people who plumed themselves on being +respectable were shy of admitting that they had ever known anything +of him. At last, among the marsh lands near the river's level, that +lie about Deptford and the neighbouring market-gardens, a Grizzled +Personage in velveteen, with a face so cut up by varieties of +weather that he looked as if he had been tattooed, was found smoking +a pipe at the door of a wooden house on wheels. The wooden house +was laid up in ordinary for the winter, near the mouth of a muddy +creek; and everything near it, the foggy river, the misty marshes, +and the steaming market-gardens, smoked in company with the grizzled +man. In the midst of this smoking party, the funnel-chimney of the +wooden house on wheels was not remiss, but took its pipe with the +rest in a companionable manner. + +On being asked if it were he who had once rented the House to Let, +Grizzled Velveteen looked surprised, and said yes. Then his name +was Magsman? That was it, Toby Magsman--which lawfully christened +Robert; but called in the line, from a infant, Toby. There was +nothing agin Toby Magsman, he believed? If there was suspicion of +such--mention it! + +There was no suspicion of such, he might rest assured. But, some +inquiries were making about that House, and would he object to say +why he left it? + +Not at all; why should he? He left it, along of a Dwarf. + +Along of a Dwarf? + +Mr. Magsman repeated, deliberately and emphatically, Along of a +Dwarf. + +Might it be compatible with Mr. Magsman's inclination and +convenience to enter, as a favour, into a few particulars? + +Mr. Magsman entered into the following particulars. + +It was a long time ago, to begin with;--afore lotteries and a deal +more was done away with. Mr. Magsman was looking about for a good +pitch, and he see that house, and he says to himself, "I'll have +you, if you're to be had. If money'll get you, I'll have you." + +The neighbours cut up rough, and made complaints; but Mr. Magsman +don't know what they WOULD have had. It was a lovely thing. First +of all, there was the canvass, representin the picter of the Giant, +in Spanish trunks and a ruff, who was himself half the heighth of +the house, and was run up with a line and pulley to a pole on the +roof, so that his Ed was coeval with the parapet. Then, there was +the canvass, representin the picter of the Albina lady, showing her +white air to the Army and Navy in correct uniform. Then, there was +the canvass, representin the picter of the Wild Indian a scalpin a +member of some foreign nation. Then, there was the canvass, +representin the picter of a child of a British Planter, seized by +two Boa Constrictors--not that WE never had no child, nor no +Constrictors neither. Similarly, there was the canvass, representin +the picter of the Wild Ass of the Prairies--not that WE never had no +wild asses, nor wouldn't have had 'em at a gift. Last, there was +the canvass, representin the picter of the Dwarf, and like him too +(considerin), with George the Fourth in such a state of astonishment +at him as His Majesty couldn't with his utmost politeness and +stoutness express. The front of the House was so covered with +canvasses, that there wasn't a spark of daylight ever visible on +that side. "MAGSMAN'S AMUSEMENTS," fifteen foot long by two foot +high, ran over the front door and parlour winders. The passage was +a Arbour of green baize and gardenstuff. A barrel-organ performed +there unceasing. And as to respectability,--if threepence ain't +respectable, what is? + +But, the Dwarf is the principal article at present, and he was worth +the money. He was wrote up as MAJOR TPSCHOFFKI, OF THE IMPERIAL +BULGRADERIAN BRIGADE. Nobody couldn't pronounce the name, and it +never was intended anybody should. The public always turned it, as +a regular rule, into Chopski. In the line he was called Chops; +partly on that account, and partly because his real name, if he ever +had any real name (which was very dubious), was Stakes. + +He was a un-common small man, he really was. Certainly not so small +as he was made out to be, but where IS your Dwarf as is? He was a +most uncommon small man, with a most uncommon large Ed; and what he +had inside that Ed, nobody ever knowed but himself: even supposin +himself to have ever took stock of it, which it would have been a +stiff job for even him to do. + +The kindest little man as never growed! Spirited, but not proud. +When he travelled with the Spotted Baby--though he knowed himself to +be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him +artificial, he nursed that Baby like a mother. You never heerd him +give a ill-name to a Giant. He DID allow himself to break out into +strong language respectin the Fat Lady from Norfolk; but that was an +affair of the 'art; and when a man's 'art has been trifled with by a +lady, and the preference giv to a Indian, he ain't master of his +actions. + +He was always in love, of course; every human nat'ral phenomenon is. +And he was always in love with a large woman; I never knowed the +Dwarf as could be got to love a small one. Which helps to keep 'em +the Curiosities they are. + +One sing'ler idea he had in that Ed of his, which must have meant +something, or it wouldn't have been there. It was always his +opinion that he was entitled to property. He never would put his +name to anything. He had been taught to write, by the young man +without arms, who got his living with his toes (quite a writing +master HE was, and taught scores in the line), but Chops would have +starved to death, afore he'd have gained a bit of bread by putting +his hand to a paper. This is the more curious to bear in mind, +because HE had no property, nor hope of property, except his house +and a sarser. When I say his house, I mean the box, painted and got +up outside like a reg'lar six-roomer, that he used to creep into, +with a diamond ring (or quite as good to look at) on his forefinger, +and ring a little bell out of what the Public believed to be the +Drawing-room winder. And when I say a sarser, I mean a Chaney +sarser in which he made a collection for himself at the end of every +Entertainment. His cue for that, he took from me: "Ladies and +gentlemen, the little man will now walk three times round the +Cairawan, and retire behind the curtain." When he said anything +important, in private life, he mostly wound it up with this form of +words, and they was generally the last thing he said to me at night +afore he went to bed. + +He had what I consider a fine mind--a poetic mind. His ideas +respectin his property never come upon him so strong as when he sat +upon a barrel-organ and had the handle turned. Arter the wibration +had run through him a little time, he would screech out, "Toby, I +feel my property coming--grind away! I'm counting my guineas by +thousands, Toby--grind away! Toby, I shall be a man of fortun! I +feel the Mint a jingling in me, Toby, and I'm swelling out into the +Bank of England!" Such is the influence of music on a poetic mind. +Not that he was partial to any other music but a barrel-organ; on +the contrary, hated it. + +He had a kind of a everlasting grudge agin the Public: which is a +thing you may notice in many phenomenons that get their living out +of it. What riled him most in the nater of his occupation was, that +it kep him out of Society. He was continiwally saying, "Toby, my +ambition is, to go into Society. The curse of my position towards +the Public is, that it keeps me hout of Society. This don't signify +to a low beast of a Indian; he an't formed for Society. This don't +signify to a Spotted Baby; HE an't formed for Society.--I am." + +Nobody never could make out what Chops done with his money. He had +a good salary, down on the drum every Saturday as the day came +round, besides having the run of his teeth--and he was a Woodpecker +to eat--but all Dwarfs are. The sarser was a little income, +bringing him in so many halfpence that he'd carry 'em for a week +together, tied up in a pocket-handkercher. And yet he never had +money. And it couldn't be the Fat Lady from Norfolk, as was once +supposed; because it stands to reason that when you have a animosity +towards a Indian, which makes you grind your teeth at him to his +face, and which can hardly hold you from Goosing him audible when +he's going through his War-Dance--it stands to reason you wouldn't +under them circumstances deprive yourself, to support that Indian in +the lap of luxury. + +Most unexpected, the mystery come out one day at Egham Races. The +Public was shy of bein pulled in, and Chops was ringin his little +bell out of his drawing-room winder, and was snarlin to me over his +shoulder as he kneeled down with his legs out at the back-door--for +he couldn't be shoved into his house without kneeling down, and the +premises wouldn't accommodate his legs--was snarlin, "Here's a +precious Public for you; why the Devil don't they tumble up?" when a +man in the crowd holds up a carrier-pigeon, and cries out, "If +there's any person here as has got a ticket, the Lottery's just +drawed, and the number as has come up for the great prize is three, +seven, forty-two! Three, seven, forty-two!" I was givin the man to +the Furies myself, for calling off the Public's attention--for the +Public will turn away, at any time, to look at anything in +preference to the thing showed 'em; and if you doubt it, get 'em +together for any indiwidual purpose on the face of the earth, and +send only two people in late, and see if the whole company an't far +more interested in takin particular notice of them two than of you-- +I say, I wasn't best pleased with the man for callin out, and wasn't +blessin him in my own mind, when I see Chops's little bell fly out +of winder at a old lady, and he gets up and kicks his box over, +exposin the whole secret, and he catches hold of the calves of my +legs and he says to me, "Carry me into the wan, Toby, and throw a +pail of water over me or I'm a dead man, for I've come into my +property!" + +Twelve thousand odd hundred pound, was Chops's winnins. He had +bought a half-ticket for the twenty-five thousand prize, and it had +come up. The first use he made of his property, was, to offer to +fight the Wild Indian for five hundred pound a side, him with a +poisoned darnin-needle and the Indian with a club; but the Indian +being in want of backers to that amount, it went no further. + +Arter he had been mad for a week--in a state of mind, in short, in +which, if I had let him sit on the organ for only two minutes, I +believe he would have bust--but we kep the organ from him--Mr. Chops +come round, and behaved liberal and beautiful to all. He then sent +for a young man he knowed, as had a wery genteel appearance and was +a Bonnet at a gaming-booth (most respectable brought up, father +havin been imminent in the livery stable line but unfort'nate in a +commercial crisis, through paintin a old gray, ginger-bay, and +sellin him with a Pedigree), and Mr. Chops said to this Bonnet, who +said his name was Normandy, which it wasn't: + +"Normandy, I'm a goin into Society. Will you go with me?" + +Says Normandy: "Do I understand you, Mr. Chops, to hintimate that +the 'ole of the expenses of that move will be borne by yourself?" + +"Correct," says Mr. Chops. "And you shall have a Princely allowance +too." + +The Bonnet lifted Mr. Chops upon a chair, to shake hands with him, +and replied in poetry, with his eyes seemingly full of tears: + + +"My boat is on the shore, +And my bark is on the sea, +And I do not ask for more, +But I'll Go:- along with thee." + + +They went into Society, in a chay and four grays with silk jackets. +They took lodgings in Pall Mall, London, and they blazed away. + +In consequence of a note that was brought to Bartlemy Fair in the +autumn of next year by a servant, most wonderful got up in milk- +white cords and tops, I cleaned myself and went to Pall Mall, one +evening appinted. The gentlemen was at their wine arter dinner, and +Mr. Chops's eyes was more fixed in that Ed of his than I thought +good for him. There was three of 'em (in company, I mean), and I +knowed the third well. When last met, he had on a white Roman +shirt, and a bishop's mitre covered with leopard-skin, and played +the clarionet all wrong, in a band at a Wild Beast Show. + +This gent took on not to know me, and Mr. Chops said: "Gentlemen, +this is a old friend of former days:" and Normandy looked at me +through a eye-glass, and said, "Magsman, glad to see you!"--which +I'll take my oath he wasn't. Mr. Chops, to git him convenient to +the table, had his chair on a throne (much of the form of George the +Fourth's in the canvass), but he hardly appeared to me to be King +there in any other pint of view, for his two gentlemen ordered about +like Emperors. They was all dressed like May-Day--gorgeous!--And as +to Wine, they swam in all sorts. + +I made the round of the bottles, first separate (to say I had done +it), and then mixed 'em all together (to say I had done it), and +then tried two of 'em as half-and-half, and then t'other two. +Altogether, I passed a pleasin evenin, but with a tendency to feel +muddled, until I considered it good manners to get up and say, "Mr. +Chops, the best of friends must part, I thank you for the wariety of +foreign drains you have stood so 'ansome, I looks towards you in red +wine, and I takes my leave." Mr. Chops replied, "If you'll just +hitch me out of this over your right arm, Magsman, and carry me +down-stairs, I'll see you out." I said I couldn't think of such a +thing, but he would have it, so I lifted him off his throne. He +smelt strong of Maideary, and I couldn't help thinking as I carried +him down that it was like carrying a large bottle full of wine, with +a rayther ugly stopper, a good deal out of proportion. + +When I set him on the door-mat in the hall, he kep me close to him +by holding on to my coat-collar, and he whispers: + +"I ain't 'appy, Magsman." + +"What's on your mind, Mr. Chops?" + +"They don't use me well. They an't grateful to me. They puts me on +the mantel-piece when I won't have in more Champagne-wine, and they +locks me in the sideboard when I won't give up my property." + +"Get rid of 'em, Mr. Chops." + +"I can't. We're in Society together, and what would Society say?" + +"Come out of Society!" says I. + +"I can't. You don't know what you're talking about. When you have +once gone into Society, you mustn't come out of it." + +"Then if you'll excuse the freedom, Mr. Chops," were my remark, +shaking my head grave, "I think it's a pity you ever went in." + +Mr. Chops shook that deep Ed of his, to a surprisin extent, and +slapped it half a dozen times with his hand, and with more Wice than +I thought were in him. Then, he says, "You're a good fellow, but +you don't understand. Good-night, go along. Magsman, the little +man will now walk three times round the Cairawan, and retire behind +the curtain." The last I see of him on that occasion was his tryin, +on the extremest werge of insensibility, to climb up the stairs, one +by one, with his hands and knees. They'd have been much too steep +for him, if he had been sober; but he wouldn't be helped. + +It warn't long after that, that I read in the newspaper of Mr. +Chops's being presented at court. It was printed, "It will be +recollected"--and I've noticed in my life, that it is sure to be +printed that it WILL be recollected, whenever it won't--"that Mr. +Chops is the individual of small stature, whose brilliant success in +the last State Lottery attracted so much attention." Well, I says +to myself, Such is Life! He has been and done it in earnest at +last. He has astonished George the Fourth! + +(On account of which, I had that canvass new-painted, him with a bag +of money in his hand, a presentin it to George the Fourth, and a +lady in Ostrich Feathers fallin in love with him in a bag-wig, +sword, and buckles correct.) + +I took the House as is the subject of present inquiries--though not +the honour of bein acquainted--and I run Magsman's Amusements in it +thirteen months--sometimes one thing, sometimes another, sometimes +nothin particular, but always all the canvasses outside. One night, +when we had played the last company out, which was a shy company, +through its raining Heavens hard, I was takin a pipe in the one pair +back along with the young man with the toes, which I had taken on +for a month (though he never drawed--except on paper), and I heard a +kickin at the street door. "Halloa!" I says to the young man, +"what's up!" He rubs his eyebrows with his toes, and he says, "I +can't imagine, Mr. Magsman"--which he never could imagine nothin, +and was monotonous company. + +The noise not leavin off, I laid down my pipe, and I took up a +candle, and I went down and opened the door. I looked out into the +street; but nothin could I see, and nothin was I aware of, until I +turned round quick, because some creetur run between my legs into +the passage. There was Mr. Chops! + +"Magsman," he says, "take me, on the old terms, and you've got me; +if it's done, say done!" + +I was all of a maze, but I said, "Done, sir." + +"Done to your done, and double done!" says he. "Have you got a bit +of supper in the house?" + +Bearin in mind them sparklin warieties of foreign drains as we'd +guzzled away at in Pall Mall, I was ashamed to offer him cold +sassages and gin-and-water; but he took 'em both and took 'em free; +havin a chair for his table, and sittin down at it on a stool, like +hold times. I, all of a maze all the while. + +It was arter he had made a clean sweep of the sassages (beef, and to +the best of my calculations two pound and a quarter), that the +wisdom as was in that little man began to come out of him like +prespiration. + +"Magsman," he says, "look upon me! You see afore you, One as has +both gone into Society and come out." + +"O! You ARE out of it, Mr. Chops? How did you get out, sir?" + +"SOLD OUT!" says he. You never saw the like of the wisdom as his Ed +expressed, when he made use of them two words. + +"My friend Magsman, I'll impart to you a discovery I've made. It's +wallable; it's cost twelve thousand five hundred pound; it may do +you good in life--The secret of this matter is, that it ain't so +much that a person goes into Society, as that Society goes into a +person." + +Not exactly keepin up with his meanin, I shook my head, put on a +deep look, and said, "You're right there, Mr. Chops." + +"Magsman," he says, twitchin me by the leg, "Society has gone into +me, to the tune of every penny of my property." + +I felt that I went pale, and though nat'rally a bold speaker, I +couldn't hardly say, "Where's Normandy?" + +"Bolted. With the plate," said Mr. Chops. + +"And t'other one?" meaning him as formerly wore the bishop's mitre. + +"Bolted. With the jewels," said Mr. Chops. + +I sat down and looked at him, and he stood up and looked at me. + +"Magsman," he says, and he seemed to myself to get wiser as he got +hoarser; "Society, taken in the lump, is all dwarfs. At the court +of St. James's, they was all a doing my old business--all a goin +three times round the Cairawan, in the hold court-suits and +properties. Elsewheres, they was most of 'em ringin their little +bells out of make-believes. Everywheres, the sarser was a goin +round. Magsman, the sarser is the uniwersal Institution!" + +I perceived, you understand, that he was soured by his misfortunes, +and I felt for Mr. Chops. + +"As to Fat Ladies," he says, giving his head a tremendious one agin +the wall, "there's lots of THEM in Society, and worse than the +original. HERS was a outrage upon Taste--simply a outrage upon +Taste--awakenin contempt--carryin its own punishment in the form of +a Indian." Here he giv himself another tremendious one. "But +THEIRS, Magsman, THEIRS is mercenary outrages. Lay in Cashmeer +shawls, buy bracelets, strew 'em and a lot of 'andsome fans and +things about your rooms, let it be known that you give away like +water to all as come to admire, and the Fat Ladies that don't +exhibit for so much down upon the drum, will come from all the pints +of the compass to flock about you, whatever you are. They'll drill +holes in your 'art, Magsman, like a Cullender. And when you've no +more left to give, they'll laugh at you to your face, and leave you +to have your bones picked dry by Wulturs, like the dead Wild Ass of +the Prairies that you deserve to be!" Here he giv himself the most +tremendious one of all, and dropped. + +I thought he was gone. His Ed was so heavy, and he knocked it so +hard, and he fell so stoney, and the sassagerial disturbance in him +must have been so immense, that I thought he was gone. But, he soon +come round with care, and he sat up on the floor, and he said to me, +with wisdom comin out of his eyes, if ever it come: + +"Magsman! The most material difference between the two states of +existence through which your unhappy friend has passed;" he reached +out his poor little hand, and his tears dropped down on the +moustachio which it was a credit to him to have done his best to +grow, but it is not in mortals to command success,--"the difference +this. When I was out of Society, I was paid light for being seen. +When I went into Society, I paid heavy for being seen. I prefer the +former, even if I wasn't forced upon it. Give me out through the +trumpet, in the hold way, to-morrow." + +Arter that, he slid into the line again as easy as if he had been +iled all over. But the organ was kep from him, and no allusions was +ever made, when a company was in, to his property. He got wiser +every day; his views of Society and the Public was luminous, +bewilderin, awful; and his Ed got bigger and bigger as his Wisdom +expanded it. + +He took well, and pulled 'em in most excellent for nine weeks. At +the expiration of that period, when his Ed was a sight, he expressed +one evenin, the last Company havin been turned out, and the door +shut, a wish to have a little music. + +"Mr. Chops," I said (I never dropped the "Mr." with him; the world +might do it, but not me); "Mr. Chops, are you sure as you are in a +state of mind and body to sit upon the organ?" + +His answer was this: "Toby, when next met with on the tramp, I +forgive her and the Indian. And I am." + +It was with fear and trembling that I began to turn the handle; but +he sat like a lamb. I will be my belief to my dying day, that I see +his Ed expand as he sat; you may therefore judge how great his +thoughts was. He sat out all the changes, and then he come off. + +"Toby," he says, with a quiet smile, "the little man will now walk +three times round the Cairawan, and retire behind the curtain." + +When we called him in the morning, we found him gone into a much +better Society than mine or Pall Mall's. I giv Mr. Chops as +comfortable a funeral as lay in my power, followed myself as Chief, +and had the George the Fourth canvass carried first, in the form of +a banner. But, the House was so dismal arterwards, that I giv it +up, and took to the Wan again. + + +"I don't triumph," said Jarber, folding up the second manuscript, +and looking hard at Trottle. "I don't triumph over this worthy +creature. I merely ask him if he is satisfied now?" + +"How can he be anything else?" I said, answering for Trottle, who +sat obstinately silent. "This time, Jarber, you have not only read +us a delightfully amusing story, but you have also answered the +question about the House. Of course it stands empty now. Who would +think of taking it after it had been turned into a caravan?" I +looked at Trottle, as I said those last words, and Jarber waved his +hand indulgently in the same direction. + +"Let this excellent person speak," said Jarber. "You were about to +say, my good man?" - + +"I only wished to ask, sir," said Trottle doggedly, "if you could +kindly oblige me with a date or two in connection with that last +story?" + +"A date!" repeated Jarber. "What does the man want with dates!" + +"I should be glad to know, with great respect," persisted Trottle, +"if the person named Magsman was the last tenant who lived in the +House. It's my opinion--if I may be excused for giving it--that he +most decidedly was not." + +With those words, Trottle made a low bow, and quietly left the room. + +There is no denying that Jarber, when we were left together, looked +sadly discomposed. He had evidently forgotten to inquire about +dates; and, in spite of his magnificent talk about his series of +discoveries, it was quite as plain that the two stories he had just +read, had really and truly exhausted his present stock. I thought +myself bound, in common gratitude, to help him out of his +embarrassment by a timely suggestion. So I proposed that he should +come to tea again, on the next Monday evening, the thirteenth, and +should make such inquiries in the meantime, as might enable him to +dispose triumphantly of Trottle's objection. + +He gallantly kissed my hand, made a neat little speech of +acknowledgment, and took his leave. For the rest of the week I +would not encourage Trottle by allowing him to refer to the House at +all. I suspected he was making his own inquiries about dates, but I +put no questions to him. + +On Monday evening, the thirteenth, that dear unfortunate Jarber +came, punctual to the appointed time. He looked so terribly +harassed, that he was really quite a spectacle of feebleness and +fatigue. I saw, at a glance, that the question of dates had gone +against him, that Mr. Magsman had not been the last tenant of the +House, and that the reason of its emptiness was still to seek. + +"What I have gone through," said Jarber, "words are not eloquent +enough to tell. O Sophonisba, I have begun another series of +discoveries! Accept the last two as stories laid on your shrine; +and wait to blame me for leaving your curiosity unappeased, until +you have heard Number Three." + +Number Three looked like a very short manuscript, and I said as +much. Jarber explained to me that we were to have some poetry this +time. In the course of his investigations he had stepped into the +Circulating Library, to seek for information on the one important +subject. All the Library-people knew about the House was, that a +female relative of the last tenant, as they believed, had, just +after that tenant left, sent a little manuscript poem to them which +she described as referring to events that had actually passed in the +House; and which she wanted the proprietor of the Library to +publish. She had written no address on her letter; and the +proprietor had kept the manuscript ready to be given back to her +(the publishing of poems not being in his line) when she might call +for it. She had never called for it; and the poem had been lent to +Jarber, at his express request, to read to me. + +Before he began, I rang the bell for Trottle; being determined to +have him present at the new reading, as a wholesome check on his +obstinacy. To my surprise Peggy answered the bell, and told me, +that Trottle had stepped out without saying where. I instantly felt +the strongest possible conviction that he was at his old tricks: +and that his stepping out in the evening, without leave, meant-- +Philandering. + +Controlling myself on my visitor's account, I dismissed Peggy, +stifled my indignation, and prepared, as politely as might be, to +listen to Jarber. + + + + + +End of Project Gutenberg Etext of Going into Society by Charles Dickens + diff --git a/old/gisoc10.zip b/old/gisoc10.zip Binary files differnew file mode 100644 index 0000000..bfd60d6 --- /dev/null +++ b/old/gisoc10.zip |
