summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--14176-0.txt6761
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/14176-8.txt7152
-rw-r--r--old/14176-8.zipbin0 -> 119322 bytes
-rw-r--r--old/14176.txt7152
-rw-r--r--old/14176.zipbin0 -> 119306 bytes
8 files changed, 21081 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/14176-0.txt b/14176-0.txt
new file mode 100644
index 0000000..0da2d4e
--- /dev/null
+++ b/14176-0.txt
@@ -0,0 +1,6761 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 14176 ***
+
+THE DWELLER ON THE THRESHOLD
+
+by
+
+ROBERT HICHENS
+
+Author of _The Garden of Allah_, _Bella Donna_, _Egypt and Its
+Monuments_, _The Holy Land_, etc.
+
+1911
+
+
+
+
+
+
+
+I
+
+
+When Evelyn Malling, notorious because of his sustained interest in
+Psychical Research and his work for Professor Stepton, first met the
+Rev. Marcus Harding, that well-known clergyman was still in the full
+flow of his many activities. He had been translated from his labors in
+Liverpool to a West End church in London. There he had proved hitherto
+an astonishing success. On Hospital Sundays the total sums collected
+from his flock were by far the largest that came from the pockets of
+any congregation in London. The music in St. Joseph's was allowed by
+connoisseurs, who knew their Elgar as well as their Goss, their Perosi
+as well as their Bach, and their Wesley, to be remarkable. Critical
+persons, mostly men, who sat on the fence between Orthodoxy and Atheism,
+thought highly of Mr. Harding's sermons, and even sometimes came down
+on his side. And, of all signs surely the most promising for a West End
+clergyman's success, smart people flocked to him to be married, and Arum
+lilies were perpetually being carried in and out of his chancel, which
+was adorned with Morris windows. He was married to a woman who managed
+to be admirable without being dull, Lady Sophia, daughter of the late
+Earl of Mansford, and sister of the present peer. He was comfortably off.
+His health as a rule was good, though occasionally he suffered from some
+obscure form of dyspepsia. And he was still comparatively young, just
+forty-eight.
+
+Nevertheless, as Evelyn Malling immediately perceived, Mr. Harding was
+not a happy man.
+
+In appearance he was remarkable. Of commanding height, with a big frame,
+a striking head and countenance, and a pair of keen gray eyes, he looked
+like a man who was intended by nature to dominate. White threads appeared
+in his thick brown hair, which he wore parted in the middle. But his
+face, which was clean-shaven, had not many telltale lines. And he did not
+look more than his age.
+
+The sadness noted by Malling was at first evasive and fleeting, not
+indellibly fixed in the puckers of a forehead, or in the down-drawn
+corners of a mouth. It was as a thin, almost impalpable mist, that can
+scarcely be seen, yet that alters all the features in a landscape ever
+so faintly. Like a shadow it traveled across the eyes, obscured the
+forehead, lay about the lips. And as a shadow lifts it lifted. But it
+soon returned, like a thing uneasy that is becoming determined to
+discover an abiding-place.
+
+Malling's first meeting with the clergyman took place upon Westminster
+Bridge on an afternoon in early May, when London seemed, almost like
+a spirited child, to be flinging itself with abandon into the first
+gaieties of the season. Malling was alone, coming on foot from Waterloo.
+Mr. Harding was also on foot, with his senior curate, the Rev. Henry
+Chichester, who was an acquaintance of Malling, but whom Malling had
+not seen for a considerable period of time, having been out on his estate
+in Ceylon. At the moment when Malling arrived upon the bridge the two
+clergymen were standing by the parapet on the Parliament side, looking
+out over the river. As he drew near to them the curate glanced suddenly
+round, saw him, and uttered an involuntary exclamation which attracted
+Mr. Harding's attention.
+
+"Telepathy!" said Chichester, shaking Malling by the hand. "I believe I
+looked round because I knew I should see you. Yet I supposed you to be
+still in Ceylon." He glanced at the rector rather doubtfully, seemed to
+take a resolution, and with an air almost of doggedness added, "May I?"
+and introduced the two men to one another.
+
+Mr. Harding observed the new-comer with an interest that was
+unmistakable.
+
+"You are the Mr. Malling of whom Professor Stepton has spoken to me," he
+said,--"who has done so much experimental work for him?"
+
+"Yes."
+
+"The professor comes to my church now and then."
+
+"I have heard him say so."
+
+"You saw we were looking at the river? Before I came to London I was at
+Liverpool, and learned there to love great rivers. There is something in
+a great river that reminds us--"
+
+He caught his curate's eye and was silent.
+
+"Are you walking my way?" asked Malling. "I am going by the Abbey and
+Victoria Street to Cadogan Square."
+
+"Then we will accompany you as far as Victoria Station," said the rector.
+
+"You don't think it would be wiser to take a hansom?" began Chichester.
+"You remember--"
+
+"No, no, certainly not. Walking always does me good," rejoined Mr.
+Harding, almost in a tone of rebuke.
+
+The curate said nothing more, and the three men set out toward Parliament
+Square, Malling walking between the two clergymen.
+
+He felt embarrassed, and this surprised him, for he was an extremely
+self-reliant man and entirely free from shyness. At first he thought that
+possibly his odd discomfort arose from the fact that he was in company
+with two men who, perhaps, had quite recently had a difference which they
+were endeavoring out of courtesy to conceal from him. Perhaps there had
+been a slight quarrel over some parish matter. Certainly when he first
+spoke with them there had been something uneasy, a suspicion of strain,
+in the manner of both. But then he remembered how, before Chichester had
+turned round, they had been leaning amicably above the river.
+
+No, it could not be that. He sought mentally for some other reason. But
+while he did so he talked, and endeavored to rid himself promptly of the
+unwelcome feeling that beset him.
+
+In this effort, however, he did not at first succeed. The "conditions"
+were evidently unsatisfactory. He wondered whether if he were not walking
+between the two men he would feel more comfortable, and presently, at a
+crossing, he managed to change his place. He was now next to Mr. Harding,
+who had the curate on his other side, and at once he felt more at his
+ease. The rector of St. Joseph's led the conversation, in which Malling
+joined, and at first the curate was silent. But presently Malling noticed
+a thing that struck him as odd. Chichester began to "chip in" now and
+then, and whenever he did so it was either to modify what Mr. Harding
+had just said, or to check him in what he was saying, or abruptly to
+introduce a new topic of talk. Sometimes Mr. Harding did not appear to
+notice these interruptions; at other times he obviously resented them;
+at others again he yielded with an air of anxiety, almost of fear, to
+his curate's attenuations or hastened to follow his somewhat surprising
+leads down new conversational paths. Malling could not understand
+Chichester. But it became evident to him that for some reason or other
+the curate was painfully critical of his rector, as sometimes highly
+sensitive people are critical of members of their own family. And Mr.
+Harding was certainly aware of this critical attitude, and at moments
+seemed to be defiant of it, at other moments to be almost terrorized
+by it.
+
+All that passed, be it noted, passed as between gentlemen, rather
+glided in the form of nuance than trampled heavily in more blatant
+guise. But Evelyn Malling was a highly trained observer and a man in
+whom investigation had become a habit. Now that he was no longer ill at
+ease he became deeply interested in the relations between the two men
+with whom he was walking. He was unable to understand them, and this
+fact of course increased his interest. Moreover he was surprised by the
+change he observed in Chichester.
+
+Although he had never been intimate with Henry Chichester, he had known
+him fairly well, and had summed him up as a very good man and a decidedly
+attractive man, but marred, as Malling thought, by a definite weakness of
+character. He had been too amiable, too ready to take others on their own
+valuation of themselves, too kind-hearted, and too easily deceived. The
+gentleness of a saint had been his, but scarcely the firmness of a saint.
+Industrious, dutiful, and conscientious, he had not struck Malling as a
+man of strong intellect, though he was a cultivated and well-educated
+man. Though not governed by his own passions,--when one looked at him one
+had been inclined to doubt whether he had any,--he had seemed prone to be
+governed by those about him, at any rate in little matters of every day.
+His charm had consisted in his transparent goodness, and in an almost gay
+kindliness which had seemed to float round him like an atmosphere. To
+look into his face had been to look at the happiness which comes only to
+those who do right things, and are at peace with their own souls.
+
+What could have happened to change this charming, if too pliant,
+personality into the critical, watchful, almost--so at moments it seemed
+to Malling--aggressive curate who was now, always in a gentlemanly way,
+making things rather difficult for his rector?
+
+And the matter became the more mysterious when Malling considered Mr.
+Harding. For here was a man obviously of dominant personality. Despite
+his fleeting subservience to Chichester, inexplicable to Malling, he was
+surely by far the stronger of the two, both in intellect and character.
+Not so saintly, perhaps, he was more likely to influence others. Firmness
+showed in his forcible chin, energy in the large lines of his mouth,
+decision in his clear-cut features. Yet there was something contradictory
+in his face. And the flitting melancholy, already remarked, surely hinted
+at some secret instability, perhaps known only to Harding himself,
+perhaps known to Chichester also.
+
+When the three men came to the turning at the corner of the Grosvenor
+Hotel, Chichester stopped short.
+
+"Here is our way," he said, speaking across Mr. Harding to Malling.
+
+The rector looked at Malling.
+
+"Have you far to go?" he asked, with rather a tentative air.
+
+"I live in Cadogan Square."
+
+"Of course. I remember. You told us you were going there."
+
+"Good-by," said Chichester. "We are taking the underground to South
+Kensington."
+
+"I think I shall walk," said the rector.
+
+"But you know we are due--"
+
+"There is plenty of time. Tell them I shall be there at four."
+
+"But really--"
+
+"Punctually at four. I will walk on with Mr. Malling."
+
+"I really think you had better not," began Chichester. "Over-exertion--"
+
+"Am I an invalid?" exclaimed Mr. Harding, almost sharply.
+
+"No, no, of course not. But you remember that yesterday you were not
+quite well."
+
+"That is the very reason why I wish to walk. Exercise always does my
+dyspepsia good."
+
+"Let us all walk," said the curate, abruptly.
+
+But this was obviously not Mr. Harding's intention.
+
+"I want you to go through the minutes and the accounts before the
+meeting," he said, in a quieter but decisive voice. "We will meet at the
+School at four. You will have plenty of time if you take the train. And
+meanwhile Mr. Malling and I will go on foot together as far as Cadogan
+Square."
+
+Chichester stood for a moment staring into Mr. Harding's face, then he
+said, almost sulkily:
+
+"Very well. Good-by."
+
+He turned on his heel, and was lost in the throng near the station.
+
+It seemed to Malling that an expression of relief overspread his
+companion's face.
+
+"You don't mind my company for a little longer, I hope?" said the rector.
+
+"I shall be glad to have it."
+
+They set out on their walk to Cadogan Square. After two or three minutes
+of silence the rector remarked:
+
+"You know Chichester well?"
+
+"I can hardly say that. I used to meet him sometimes with some friends of
+mine, the Crespignys. But I haven't seen him for more than two years."
+
+"He's a very good fellow."
+
+"An excellent fellow."
+
+"Perhaps a little bit limited in his outlook. He has been with me at St.
+Joseph's exactly two years."
+
+The rector seemed about to say more, then shut his large mouth almost
+with a snap. Malling made no remark. He was quite certain that snap was
+merely the preliminary to some further remark about Chichester. And so it
+proved. As they came to St. Peter's Eaton Square, the rector resumed:
+
+"I often think that it is a man's limitations which make him critical
+of others. The more one knows, the wider one's outlook, the readier
+one is to shut one's eyes to the foibles, even to the faults, of one's
+neighbors. I have tried to impress that upon our friend Chichester."
+
+"Doesn't he agree with you?"
+
+"Well--it's difficult to say, difficult to say. Shall we go by Wilton
+Place, or--?"
+
+"Certainly."
+
+"Professor Stepton has talked to me about you from time to time, Mr.
+Malling."
+
+"He's a remarkable man," said Malling almost with enthusiasm.
+
+"Yes. He's finding his way to the truth rather by the pathway of science
+than by the pathway of faith. But he's a man I respect. And I believe
+he'll get out into the light. You've done a great deal of work for him, I
+understand, in--in occult directions."
+
+"I have made a good many careful investigations at his suggestion."
+
+"Exactly. Now"--Mr. Harding paused, seemed to make an effort, and
+continued--"we know very little even now, with all that has been done,
+as to--to the possibilities--I scarcely know how to put it--the
+possibilities of the soul."
+
+"Very little indeed," rejoined Malling.
+
+He was considerably surprised by his companion's manner, but was quite
+resolved not to help him out.
+
+"The possibilities of one soul, let us say, in connection with another,"
+continued the rector, almost in a faltering voice. "I often feel as if
+the soul were a sort of mysterious fluid, and that when we what is called
+influence another person, we, as it were, submerge his soul fluid in our
+own, as a drop of water might be submerged in an ocean."
+
+"Ah!" said Malling, laconically.
+
+Mr. Harding shot a rather sharp glance at him.
+
+"You don't object to my getting on this subject, I hope?" he observed.
+
+"Certainly not."
+
+"Perhaps you think it rather a strange one for a clergyman to select?"
+
+"Oh, no. I have known many clergymen deeply interested in Stepton's
+investigations."
+
+Mr. Harding's face, which had been cloudy, cleared.
+
+"It seems to me," he said, "that we clergymen have a special reason
+for desiring Stepton, and all Stepton's assistants, to make progress.
+It is true, of course, that we live by faith. And nothing can be more
+beautiful than a childlike faith in the Great Being who is above all
+worlds, in the _anima mundi_. But it would be unnatural in us if we did
+not earnestly desire that our faith be proved, scientifically proved,
+to be well-founded. I speak now of the faith we Christians hold in a
+life beyond the grave. I know many people who think it very wrong in a
+clergyman to mix himself up in any occult experiments. But I don't agree
+with them."
+
+It was now Malling's turn to look sharply at his companion.
+
+"Have you made many experiments yourself, may I ask?" he said very
+bluntly.
+
+The clergyman started, and was obviously embarrassed by the question.
+
+"I! Oh, I was speaking generally. I am a very busy man, you see. What
+with my church and my parish, and one thing and another, I get very
+little time for outside things. Still I am greatly interested, I confess,
+in all that Stepton is doing."
+
+"Does Mr. Chichester share your interest?" said Malling.
+
+"In a minor degree, in a minor degree," answered the rector, rather
+evasively.
+
+They were now in Sloane Street and Malling said:
+
+"I must turn off here."
+
+"I'll go with you as far as your door if you've no objection," said the
+rector, who seemed very loath to leave his companion. "It's odd how men
+change, isn't it?"
+
+"As they grow older? But surely development is natural and to be
+expected?"
+
+"Certainly. But when a man changes drastically, sheds his character and
+takes on another?"
+
+"You are talking perhaps of what is called conversion?"
+
+"Well, that would be an instance of what I mean, no doubt. But there
+are changes of another type. We clergymen, you know, mix intimately with
+so many men that we are almost bound to become psychologists if we are
+to do any good. It becomes a habit with many of us to study closely our
+fellow-men. Now I, for instance; I cannot live at close quarters with a
+man without, almost unconsciously, subjecting him to a minute scrutiny,
+and striving to sum him up. My curates, for example--"
+
+"Yes?" said Malling.
+
+"There are four of them, our friend Chichester being the senior one."
+
+"And you have 'placed' them all?"
+
+"I thought I had, I thought so--but--"
+
+Mr. Harding was silent. Then, with a strange abruptness, and the air of a
+man forced into an action against which something within him protested,
+he said:
+
+"Mr. Malling, you are the only person I know who, having been acquainted
+with Henry Chichester, has at last met him again after a prolonged
+interval of separation. Two years, you said. People who see a man from
+day to day observe very little or nothing. Changes occur and are not
+noticed by them. A man and his wife live together and grow old. But does
+either ever notice when the face of the other begins first to lose its
+bloom, to take on that peculiar, unmistakable stamp that the passage of
+the years sets on us all? Few of us really see what is always before us.
+But the man who comes back--he sees. Tell me the honest truth, I beg of
+you. Do you or do you not, see a great change in Henry Chichester?"
+
+The rector's voice had risen while he spoke, till it almost clamored for
+reply. His eyes were more clamorous still, insistent in their demand upon
+Malling. Nevertheless voice and eyes pushed Malling toward caution.
+Something within him said, "Be careful what you do!" and, acting
+surprise, he answered:
+
+"Chichester changed! In what way?"
+
+The rector's countenance fell.
+
+"You haven't observed it?"
+
+"Remember I've only seen him to-day and walking in the midst of crowds."
+
+"Quite true! Quite true!"
+
+Mr. Harding meditated for a minute, and then said:
+
+"Mr. Malling, I daresay my conduct to-day may surprise you. You may think
+it odd of me to be so frank, seeing that you and I have not met before.
+But Stepton has told me so much about you that I cannot feel we are quite
+strangers. I should like you to have an opportunity of observing Henry
+Chichester without prejudice. I will say nothing more. But if I invite
+you to meet him, in my house or elsewhere, will you promise me to come?"
+
+"Certainly, if I possibly can."
+
+"And your address?"
+
+Malling stopped and, smiling, pointed to the number outside a house.
+
+"You live here?"
+
+Mr. Harding took a small book and a pencil from his pocket and noted down
+the address.
+
+"Good-by," he said. "I live in Onslow Gardens--Number 89."
+
+"Thank you. Good-by."
+
+The two men shook hands. Then Mr. Harding went on his way toward South
+Kensington, while Malling inserted his latch-key into the door of Number
+7b, Cadogan Square.
+
+
+
+
+II
+
+
+Evelyn Malling was well accustomed to meeting with strange people and
+making investigations into strange occurrences. He was not easily
+surprised, nor was he easily puzzled. By nature more skeptical than
+credulous, he had a cool brain, and he was seldom, if ever, the victim
+of his imagination. But on the evening of the day in question he found
+himself continually dwelling, and with a curiously heated mind, upon the
+encounter of that afternoon. Mr. Harding's manner in the latter part of
+their walk together had--he scarcely knew why--profoundly impressed him.
+He longed to see the clergyman again. He longed, almost more ardently, to
+pay a visit to Henry Chichester. Although the instinct of caution, which
+had perhaps been developed in him by his work among mediums, cranks of
+various kinds, and charlatans, had prevented him from letting the rector
+know that he had been struck by the change in the senior curate, that
+change had greatly astonished him. Yet was it really so very marked? He
+had noticed it before his attention had been drawn to it. That he knew.
+But was he not now, perhaps, exaggerating its character, "suggestioned"
+as it were by the obvious turmoil of Mr. Harding? He wondered, and was
+disturbed by his wonderment. Two or three times he got up, with the
+intention of jumping into a cab, and going to Westminster to find out
+if Professor Stepton was in town. But he only got as far as the hall.
+Then something seemed to check him. He told himself that he was in no
+fit condition to meet the sharp eyes of the man of science, who delighted
+in his somewhat frigid attitude of mind toward all supposed supernormal
+manifestations, and he returned to his study and tried to occupy himself
+with a book.
+
+On the occasion of his last return, just as he was about to sit down,
+his eyes chanced to fall on an almanac framed in silver which stood on
+his writing-table. He took it up and stared at it. May 8, Friday--May 9,
+Saturday--May 10, Sunday. It was May 9. He put the almanac back on the
+table with a sudden sense of relief. For he had come to a decision.
+
+To-morrow he would attend morning service at St. Joseph's.
+
+Malling was not a regular church-goer. He belonged to the Stepton breed.
+But he was an earnest man and no scoffer, and some of his best friends
+were priests and clergymen. Nevertheless it was in a rather unusual
+go-to-meeting frame of mind that he got into a tail-coat and top hat, and
+set forth in a hansom to St. Joseph's the next morning.
+
+He had never been there before. As he drew near he found people flowing
+toward the great church on foot, in cabs and carriages. Evidently Mr.
+Harding had attractive powers, and Malling began to wonder whether he
+would have any difficulty in obtaining the seat he wanted, in some corner
+from which he could get a good view both of the chancel and the pulpit.
+Were vergers "bribable"? What an ignoramus he was about church matters!
+
+He smiled to himself as he paid the cabman and joined the stream of
+church-goers which was passing in through the open door.
+
+Just as he was entering the building someone in the crowd by accident
+jostled him, and he was pushed rather roughly against a tall lady
+immediately before him. She turned round with a startled face, and
+Malling hastily begged her pardon.
+
+"I was pushed," he said. "Forgive me."
+
+The lady smiled, her lips moved, doubtless in some words of conventional
+acceptance, then she disappeared in the throng, taking her way toward
+the left of the church. She was a slim woman, with a white streak in her
+dark hair just above the forehead. Her face, which was refined and
+handsome, had given to Malling a strong impression of anxiety. Even when
+it had smiled it had looked almost tragically anxious, he thought. The
+church was seated with chairs, and a man, evidently an attendant, told
+him that all the chairs in the right and left aisles were free. He made
+his way to the right, and was fortunate enough to get one not far from
+the pulpit. Unluckily, from it he could only see the left-hand side of
+the choir. But the preacher would be full in his view. The organ sounded;
+the procession appeared. Over the heads of worshipers--he was a tall
+man--Malling perceived both Mr. Harding and Chichester. The latter took
+his place at the end of the left-hand row of light-colored oaken stalls
+next to the congregation. Malling could see him well. But the rector was
+hidden from him. He fixed his eyes upon Chichester.
+
+The service went on its way. The music was excellent. A fair young man,
+who looked as if he might be a first-rate cricketer, one of the curates
+no doubt, read the lessons. Chichester intoned with an agreeable light
+tenor voice. During the third hymn, "Fight the Good Fight," Mr. Harding
+mounted into the pulpit. He let down the brass reading-desk. He had no
+notes in his hands. Evidently he was going to preach extempore. After
+the "In the name of the Father, and of the Son, and of the Holy Ghost"
+had been pronounced, Malling settled himself to listen. He felt tensely
+interested. Both Mr. Harding and Chichester were now before him, the
+one as performer--he used the word mentally, with no thought of
+irreverence--the other as audience. He could study both as he wished to
+study them at that moment.
+
+Chichester was a small, cherubic man, with blue eyes, fair hair, and neat
+features, the sort of man who looks as if when a boy he must have been
+the leading choir-boy in a cathedral. There was nothing powerful in his
+face, but much that was amiable and winning. His chin and his forehead
+were rather weak. His eyes and his mouth looked good. Or--did they?
+
+Malling found himself wondering as Mr. Harding preached.
+
+And was Mr. Harding the powerful preacher he was reputed to be?
+
+At first he held his congregation. That was evident. Rows of rapt faces
+gazed up at him, as he leaned over the edge of the pulpit, or stood
+upright with his hands pressed palm downward upon it. But it seemed to
+Malling that he held them rather because of his reputation, because of
+what they confidently expected of him, because of what he had done in
+the past, than because of what he was actually doing. And presently they
+slipped out of his grasp. He lost them.
+
+The first thing that is necessary in an orator, if he is to be successful
+with an audience, is confidence in himself, a conviction that he has
+something to say which is worth saying, which has to be said. Malling
+perceived that on this Sunday morning Mr. Harding possessed neither
+self-confidence nor conviction; though he made a determined, almost a
+violent, effort to pretend that he had both. He took as the theme of his
+discourse self-knowledge, and as his motto--so he called it---the words,
+"Know thyself." This was surely a promising subject. He began to treat it
+with vigor. But very soon it became evident that he was ill at ease, as
+an actor becomes who cannot get into touch with his audience. He stumbled
+now and then in his sentences, harked back, corrected a phrase, modified
+a thought, attenuated a statement. Then, evidently bracing himself up,
+almost aggressively he delivered a few passages that were eloquent
+enough. But the indecision returned, became more painful. He even
+contradicted himself. A "No, that is not so. I should say--" communicated
+grave doubts as to his powers of clear thinking to the now confused
+congregation. People began to cough and to shift about in their chairs. A
+lady just beneath the pulpit unfolded a large fan and waved it slowly to
+and fro. Mr. Harding paused, gazed at the fan, looked away from it, wiped
+his forehead with a handkerchief, grasped the pulpit ledge, and went on
+speaking, but now with almost a faltering voice.
+
+The congregation were doubtless ignorant of the cause of their pastor's
+perturbation, but Malling felt sure that he knew what it was.
+
+The cause was Henry Chichester.
+
+On the cherubic face of the senior curate, as he leaned back in his
+stall while Mr. Harding gave out the opening words of the sermon, there
+had been an expression that was surely one of anxiety, such as a master's
+face wears when his pupil is about to give some public exhibition. That
+simile came at once into Malling's mind. It was the master listening to
+the pupil, fearing for, criticizing, striving mentally to convey help to
+the pupil. And as the sermon went on it was obvious to Malling that the
+curate was not satisfied with it, and that his dissatisfaction was, as
+it were, breaking the rector down. At certain statements of Mr. Harding
+looks of contempt flashed over Chichester's face, transforming it.
+The anxiety of the master, product of vanity but also of sympathy,
+was overlaid by the powerful contempt of a man who longs to traverse
+misstatements but is forced by circumstances to keep silence. And so
+certain was Malling that the cause of Mr. Harding's perturbation lay in
+Chichester's mental attitude, that he longed to spring up, to take the
+curate by the shoulders and to thrust him out of the church. Then all
+would be well. He knew it. The rector's self-confidence would return and,
+with it, his natural powers.
+
+But now the situation was becoming painful, almost unbearable.
+
+With every sentence the rector became more involved, more hesitating,
+more impotent. The sweat ran down his face. Even his fine voice was
+affected. It grew husky. It seemed to be failing. Yet he would not
+cease. To Malling he gave the impression of a man governed by a secret
+obstinacy, fighting on though he knew it was no use, that he had lost
+the combat. Malling longed to cry out to him, "Give it up!"
+
+The congregation coughed more persistently, and the lady with the fan
+began to ply her instrument of torture almost hysterically.
+
+Suddenly Malling felt obliged to look toward the left of the crowded
+church. Sitting up very straight, and almost craning his neck, he stared
+over the heads of the fidgeting people and met the eyes of a woman, the
+lady with the streak of white hair against whom he had pushed when
+coming in.
+
+There was a look almost of anguish on her face. She turned her eyes
+toward Mr. Harding. At the same instant the rector saw Mailing in the
+congregation. He stopped short, muttered an uneven sentence, then,
+forcing his voice, uttered in unnaturally loud tones the "Now to God the
+Father," et cetera.
+
+Henry Chichester rose in his stall with an expression of intense
+thankfulness, which yet seemed somehow combined with a sneer.
+
+The collection was made.
+
+Before the celebration some of the choir and two of the clergy, of whom
+Mr. Harding was one, left the church. Henry Chichester and the fair,
+athletic-looking curate remained. Mailing took his hat and made his way
+slowly to the door. As he emerged a young man stopped him and said:
+
+"If you please, sir, the rector would like to speak to you if you could
+wait just a moment. You are Mr. Malling, I believe."
+
+"Yes. How could you know?"
+
+"Mr. Harding told me what you were like, sir, and that you were wearing
+a tie with a large green stone in it. Begging your pardon, sir."
+
+"I will wait," said Malling, marveling at the rector's rapid and accurate
+powers of observation.
+
+Those of the congregation who had not remained for the celebration were
+quickly dispersing, but Malling now noticed that the lady with the white
+lock was, like himself, waiting for some one. She stood not far from him.
+She was holding a parasol, and looking down; she moved its point to and
+fro on the ground. Several people greeted her. Almost as if startled she
+glanced up quickly, smiled, replied. Then, as they went on, she again
+looked down. There was a pucker in her brow. Her lips twitched now and
+then.
+
+Suddenly she lifted her head, turned and forced her quivering mouth to
+smile. Mr. Harding had come into sight round the corner of the church.
+
+"Ah, Mr. Malling," he said, "so you have stayed. Very good of you.
+Sophia, let me introduce Mr. Malling to you--my wife, Lady Sophia."
+
+The lady with the white lock held out her hand.
+
+"You have heard Professor Stepton speak of Mr. Malling, haven't you?"
+added the rector to his wife.
+
+"Indeed I have," she answered.
+
+She smiled again kindly, and as if resolved to throw off her depression
+began to talk with some animation as they all walked together toward the
+street. Directly they reached it the rector said:
+
+"Are you engaged to lunch to-day, Mr. Malling?"
+
+"No," answered Malling.
+
+Lady Sophia turned to him and said:
+
+"Then I shall be informal and beg you to lunch with us, if you don't mind
+our being alone. We lunch early, at one, as my husband is tired after his
+morning's work and eats virtually nothing at breakfast."
+
+"I shall be delighted," said Malling. "It's very kind of you."
+
+"We always walk home," said the rector.
+
+He sighed. It was obvious that he was in low spirits after the failure of
+the morning, but he tried to conceal the fact, and his wife tactfully
+helped him. Malling praised the music warmly, and remarked on the huge
+congregation.
+
+"I scarcely thought I should find a seat," he added.
+
+"It is always full to the doors in the morning," said Lady Sophia, with a
+cheerfulness that was slightly forced.
+
+She glanced at her husband, and suddenly added, not without a decided
+touch of feminine spite:
+
+"Unless Mr. Chichester, the senior curate, is preaching."
+
+"My dear Sophy!" exclaimed Mr. Harding.
+
+"Well, it is so!" she said, with a sort of petulance.
+
+"Perhaps Mr. Chichester is not gifted as a preacher," said Malling.
+
+"Oh, I wouldn't say that," said the rector.
+
+"My husband never criticizes his--swans," said Lady Sophia, with delicate
+malice, and a glance full of meaning at Malling. "But I'm a woman, and my
+principles are not so high as his."
+
+"You do yourself an injustice," said the rector. "Here we are."
+
+He drew out his latch-key.
+
+Before lunch Malling was left alone for a few minutes in the drawing-room
+with Lady Sophia. The rector had to see a parishioner who had called and
+was waiting for him in his study. Directly her husband had left the room
+Lady Sophia turned to Malling and said:
+
+"Had you ever heard my husband preach till this morning?"
+
+"No, never," Mailing answered. "I'm afraid I'm not a very regular
+church-goer. I must congratulate you again on the music at St. Joseph's.
+It is exceptional. Even at St. Anne's Soho--"
+
+Almost brusquely she interrupted him. She was obviously in a highly
+nervous condition; and scarcely able to control herself.
+
+"Yes, yes, our music is always good, of course. So glad you liked it.
+But what I want to say is that you haven't heard my husband preach this
+morning."
+
+Malling looked at her with curiosity, but without astonishment. He might
+have acted a part with her as he had the previous day with her husband.
+But, as he looked, he came to a rapid decision, to be more frank with the
+woman than he had been with the man.
+
+"You mean, of course, that your husband was not in his best vein," he
+said. "I won't pretend that I didn't realize that."
+
+"You didn't hear him at all. He wasn't himself--simply."
+
+She sat down on a sofa and clasped her hands together.
+
+"I cannot tell you what I was feeling," she added. "And he used to be so
+full of self-confidence. It was his great gift. His self-confidence
+carried him through everything. Nothing could have kept him back if--"
+
+Suddenly she checked herself and looked, with a sort of covert inquiry,
+at Malling.
+
+"You must think me quite mad to talk like this," she said, with a return
+to her manner when he first met her.
+
+"Shall I tell you what I really think?" he asked, leaning forward in the
+chair he had taken.
+
+"Yes, do, do!"
+
+"I think you are very ambitious for your husband and that your ambition
+for him has received a perhaps mysterious--check."
+
+Before she could reply the door opened and Mr. Harding reappeared.
+
+At lunch he carefully avoided any reference to church matters, and
+they talked on general subjects. Lady Sophia showed herself a nervously
+intelligent and ardent woman. It seemed to Malling obvious that she was
+devoted to her husband, "wrapped up in" him--to use an expressive phrase.
+Any failure on his part upset her even more than it did him. Secretly she
+must still be quivering from the public distresses of the morning. But
+she now strove to aid the rector's admirable effort to be serene, and
+proved herself a clever talker, and well informed on the events of the
+day. Of her Malling got a fairly clear impression.
+
+But his impression of her husband was confused and almost nebulous.
+
+"Do you smoke?" asked Mr. Harding, when lunch was over.
+
+Malling said that he did.
+
+"Then come and have a cigar in my study."
+
+"Yes, do go," said Lady Sophia. "A quiet talk with you will rest my
+husband."
+
+And she went away, leaving the two men together.
+
+Mr. Harding's study looked out at the back of the house upon a tiny strip
+of garden. It was very comfortably, though not luxuriously, furnished,
+and the walls were lined with bookcases. While his host went to a drawer
+to get the cigar-box, Malling idly cast his eyes over the books in the
+shelves nearest to him. He always liked to see what a man had to read.
+The first book his eyes rested upon was Myers's "Human Personality."
+Then came a series of works by Hudson, including "Psychic Phenomena,"
+then Oliver Lodge's "Survival of Man," "Man and the Universe," and "Life
+and Matter." Farther along were works by Lowes Dickinson and Professor
+William James, Bowden's "The Imitation of Buddha" and Inge's "Christian
+Mysticism." At the end of the shelf, bound in white vellum, was Don
+Lorenzo Scupoli's "The Spiritual Combat."
+
+A drawer shut, and Mailing turned about to take the cigar which Mr.
+Harding offered him.
+
+"The light is rather strong, don't you think?" Mr. Harding said, when the
+two men had lit up. "I'll lower the blind."
+
+He did so, and they sat down in a sort of agreeable twilight, aware of
+the blaze of an almost un-English sun without.
+
+Malling settled down to his cigar with a very definite intention to
+clear up his impressions of the rector. The essence of the man baffled
+him. He had known more about Lady Sophia in five minutes than he knew
+about Mr. Harding now, although he had talked with him, walked with him,
+heard him preach, and watched him intently while he was doing so. His
+confusion and distress of the morning were comprehended by Malling. They
+were undoubtedly caused by the preacher's painful consciousness of the
+presence and criticism of one whom, apparently, he feared, or of whose
+adverse opinion at any rate he was in peculiar dread. But what was the
+character of the man himself? Was he saint or sinner, or just ordinary,
+normal man, with a usual allowance of faults and virtues? Was he a man
+of real force, or was he painted lath? The Chichester episodes seemed
+to point to the latter conclusion. But Malling was too intelligent to
+take everything at its surface value. He knew much of the trickery of
+man, but that knowledge did not blind him to the mystery of man. He
+had exposed charlatans. Yet he had often said to himself, "Who can ever
+really expose another? Who can ever really expose himself?" Essentially
+he was the Seeker. And he was seldom or never dogmatic. A friend of his,
+who professed to believe in transmigration, had once said of him, "I'm
+quite certain Malling must have been a sleuth-hound once." Now he wished
+to get on a trail.
+
+But Mr. Harding, who on the previous day had been almost strangely frank
+about Henry Chichester, to-day had apparently no intention to be frank
+about himself. Though he had desired Malling's company, now that they
+were together alone he showed a reserve through which, Malling believed,
+he secretly wanted to break. But something held him back. He talked of
+politics, government and church, the spread of science, the follies of
+the day. And Malling got little nearer to him. But presently Malling
+happened to mention the modern craze for discussing intimately, or, as a
+Frenchwoman whom he knew expressed it, "_avec un luxe de détail_,"
+matters of health.
+
+"Yes, yes," responded Mr. Harding. "It is becoming almost objectionable,
+almost indecent. At the same time the health of the body is a very
+interesting subject because of its effect upon the mind, even, so it
+seems sometimes, upon the very nature of a man. Now I--" he struck the
+ash off the end of his cigar--"was, I might almost say, the victim of my
+stomach in the pulpit this morning."
+
+"You were feeling ill?"
+
+"Not exactly ill. I have a strong constitution. But I suffer at times
+from what the doctors call nervous dyspepsia. It is a very tiresome
+complaint, because it takes away for the time a man's confidence in
+himself, reduces him to the worm-level almost; and it gives him absurd
+ideas. Now this morning in the pulpit I had an attack of pain and
+uneasiness, and my nerve quite gave out. You must have noticed it."
+
+"I saw that you were troubled by something."
+
+"Something! It was that. My poor wife was thoroughly upset by it. You
+know how sensitive women are. To hold a crowd of people a man must be
+strong and well, in full possession of his powers. And I had a good
+subject."
+
+"Splendid."
+
+"I'll treat it again--treat it again."
+
+The rector shifted in his chair.
+
+"Do you think," he said after a pause, "that it is possible for another,
+an outsider, to know a man better than he knows himself?"
+
+"In some cases, yes," answered Malling.
+
+"But--as a rule?"
+
+"There is the saying that outsiders see most of the game."
+
+"Then why should we mind when all are subject to criticism!" exclaimed
+Mr. Harding, forcibly.
+
+Evidently he was startled by his own outburst, for instantly he set about
+to attenuate it.
+
+"What I mean is that men ought not to care so much as most of them
+undoubtedly do what others think about them."
+
+"It certainly is a sign of great weakness to care too much," said
+Malling. "But some people have a quite peculiar power of impressing their
+critical thoughts on others. These spread uneasiness around them like an
+atmosphere."
+
+"I know, I know," said the rector, with an almost hungry eagerness. "Now
+surely one ought to keep out of such an atmosphere, to get out of it, and
+to keep out of it."
+
+"Why not?"
+
+"But--but--how extraordinary it is, the difficulty men have in getting
+away from things! Haven't you noticed that?"
+
+"Want of moral strength," said Mailing, laconically.
+
+"You think so?"
+
+"Don't you?"
+
+At this moment there was a knock at the door. Mr. Harding started.
+
+"How impossible it is to get a quiet moment," he said with acute
+irritation. "Come in!" he called out.
+
+The footman appeared.
+
+"Mr. Chichester has called to see you, sir."
+
+The rector's manner changed. He beckoned to the man to come into the room
+and to shut the door. The footman, looking surprised, obeyed.
+
+"Where is he, Thomas?" asked Mr. Harding, in a lowered voice. "In the
+hall?"
+
+"No, sir. As you were engaged I showed him up into the drawing-room."
+
+"Oh, very well. Thank you. You can go."
+
+The footman went out, still looking surprised.
+
+Just as he was about to close the door his master said:
+
+"Wait a moment!"
+
+"Sir?"
+
+"Was her ladyship in the drawing-room?"
+
+"No, sir. Her ladyship is lying down in the boudoir."
+
+"Ah. That will do."
+
+The footman shut the door.
+
+Directly he was gone the rector got up with an air of decision.
+
+"Mr. Malling," he said, "perhaps I ought to apologize to you for treating
+you with the abruptness allowable in a friend, but surprising in an
+acquaintance, indeed in one who is almost a stranger. I do apologize. My
+only excuse is that I know you to be a man of exceptional trend of mind
+and unusual ability. I know this from Professor Stepton. But there's
+another thing. As I told you yesterday, you are the only person of my
+acquaintance who, having been fairly intimate with Henry Chichester, has
+not seen anything of him during the two years he has been with me as my
+coadjutor. Now what I want you to do is this: will you go upstairs and
+spend a few minutes alone with Chichester? Tell him I am detained, but
+am coming in a moment. I'll see to it that you are not interrupted. I'll
+explain to my wife. And, of course, I rely on you to make the matter
+appear natural to Chichester, not to rouse his--but I am sure you
+understand. Will you do this for me?"
+
+"Certainly," said Malling, with his most prosaic manner. "Why not?"
+
+"Why not? Exactly. There's nothing objectionable in the matter. But--"
+Mr. Harding's manner became very earnest, almost tragic. "I'll ask you
+one thing--afterward you will tell me the truth, exactly how Chichester
+impresses you now in comparison with the impression you got of him two
+years ago. You--you have no objection to promising to tell me?"
+
+Malling hesitated.
+
+"But is it quite fair to Chichester?" he said. "Suppose I obtained, for
+instance, a less favorable, or even an unfavorable impression of him
+now? You are his rector. I hardly think--"
+
+The rector interrupted him.
+
+"I'll leave it to you," he said. "Do just as you please. But, believe me,
+I have a very strong reason for wishing to know your opinion. I need it.
+I need it."
+
+There was a lamentable sound in his voice.
+
+"If I feel it is right I will give it to you," said Malling.
+
+The rector opened the door of the study.
+
+"You know your way?"
+
+"Yes."
+
+Malling went upstairs. Mr. Harding stood watching him from below till he
+disappeared.
+
+
+
+
+III
+
+
+When Malling opened the door of the drawing-room Chichester was standing
+by one of the windows, looking out into Onslow Gardens. He turned round,
+saw Malling, and uttered an exclamation.
+
+"You are here!"
+
+His light tenor voice sounded almost denunciatory, as if he had a right
+to demand an explanation of Malling's presence in Mr. Harding's house,
+and as he came away quickly from the window, he repeated, with still more
+emphasis:
+
+"You are here!"
+
+"Lunching--yes," replied Malling, imperturbably.
+
+He looked at Chichester and smiled.
+
+"You have no objection, I hope?"
+
+His words and manner evidently brought the curate to a sense of his own
+unconventionality. He held out his hand.
+
+"I beg your pardon. Your coming in surprised me. I had no idea"--his blue
+eyes went searchingly over Malling's calm face--"that you could be here.
+I thought you and the rector were complete strangers till I introduced
+you yesterday."
+
+"So we were."
+
+Malling sat down comfortably on a sofa. His action evidently recalled
+Chichester's mind to the fact that he was to see the rector.
+
+"Isn't the rector coming to see me?" he asked.
+
+"Almost directly. He's busy for a few minutes. We were smoking together
+in his study."
+
+"You seem to--you seem to have made great friends!" said Chichester, with
+a sort of forced jocularity.
+
+"Great friends! They're hardly made in a moment. I happened to be at
+church this morning--"
+
+"At church--where?" exclaimed the curate.
+
+"At St. Joseph's. And Mr. Harding kindly asked me to lunch."
+
+"You were at church at St. Joseph's this morning?" said Chichester.
+
+He sat down by Malling and stared into his face.
+
+"Did you--did you stay for the sermon?"
+
+"Certainly. I came for the sermon. I had never heard Mr. Harding preach."
+
+"No? No? Well, what did you think of it? What did you think of it?"
+
+The curate spoke nervously, and seemed to Malling to be regarding him
+with furtive anxiety.
+
+"It was obvious that Mr. Harding wasn't in good form this morning,"
+Malling said. "He explained the matter after lunch."
+
+"He _explained_ the matter!" said Chichester, with a rising voice, in
+which there was an almost shrill note of suspicion.
+
+"Yes. He told me he was often the victim of nervous dyspepsia, and that
+he had an attack of it while in the pulpit this morning."
+
+"He told you it was nervous dyspepsia!"
+
+"I have just said so."
+
+The curate looked down.
+
+"I advised him not to walk all the way home yesterday," he said gloomily.
+"You heard me."
+
+"You think it was that?"
+
+"He never will take advice from any one. That's his--one of his great
+faults. Whatever he thinks, whatever he says, must be right. You, as a
+layman, probably have no idea how a certain type of clergyman loves
+authority."
+
+This remark struck Malling as in such singularly bad taste--considering
+where they were, and that one of them was Mr. Harding's guest, the other
+his curate--that only his secret desire to make obscure things clear
+prevented him from resenting it.
+
+"It is one of the curses of the Church," continued Chichester, "this
+passion for authority, for ruling, for having all men under one's feet as
+it were. If men would only listen, take advice, see themselves as they
+really are, how much finer, how much greater, they might become!"
+
+"See themselves as others see them! Eh?" said Malling. "But do you mean
+that a rector should depend on his curate's advice rather than on his own
+judgment?"
+
+"And why not?" said Chichester. "Rector--curate--archbishop--what does it
+matter? The point is not what rank in the hierarchy a man has, but what,
+and how, does he see? A street boy may perceive a truth that a king is
+blind to. At that moment the street boy is greater than the king. Do you
+deny it?"
+
+"No," said Malling, amazed at the curate's excitement, but showing no
+astonishment.
+
+"But it's a terrible thing to see too clearly!" continued Chichester,
+almost as if talking to himself, absorbed. "A terrible thing!"
+
+He looked up at Malling, and almost solemnly he said:
+
+"Are you still going on with all those investigations?"
+
+"When I have any spare time, I often spend some of it in that sort of
+work," answered Malling, lightly.
+
+It was his way to make light of his research work, and indeed he seldom
+mentioned it unless he was forced to do so.
+
+"Do you think it is right?" said Chichester, earnestly.
+
+"Right?"
+
+"To strive to push one's way into hidden regions."
+
+"If I didn't think it right I shouldn't do it," retorted Malling, but
+without heat.
+
+"And--for clergymen?" questioned Chichester, leaning forward, and
+dropping his small, thin hands down between his knees.
+
+"What do you mean?"
+
+"Do you think it right for clergymen to indulge themselves--for it is
+indulgence--in investigations, in attempts to find out more than God
+has chosen to reveal to us?"
+
+The man of science in Malling felt impatient with the man of faith in
+Chichester.
+
+"Does it never occur to you that the _anima mundi_ may have hidden
+certain things from the minds of mortals just in order to provide them
+with a field to till?" he said, with a hint of sarcasm. "Wasn't the fact
+that the earth revolves round the sun, instead of the sun round the
+earth, hidden from every living creature till Galileo discovered it? Do
+you think Galileo deserved our censure?"
+
+"Saul was punished for consulting the witch of Endor," returned
+Chichester. "And the Roman Catholic Church forbids her children to deal
+in occult things."
+
+"You can't expect a man like me, a disciple of Stepton, to take the Roman
+Catholic view of such a matter."
+
+"You are not a clergyman," said Chichester.
+
+Malling could not help smiling.
+
+"You think the profession carries with it certain obligations," he said.
+"No doubt it does. But I shall never believe that one of them is to shut
+your eyes to any fact in the whole scheme of Creation. Harm can never
+come from truth."
+
+"If I could believe that!" Chichester cried out.
+
+"Do you mean to tell me you don't believe it?"
+
+Chichester looked at Malling for quite a minute without replying. Then he
+got up, and said, with a changed voice and manner:
+
+"If the rector doesn't come to see me I shall have to go. Sunday is not a
+holiday, you know, for us clergymen."
+
+He drew out his watch and looked at it.
+
+"I shall have to go. I'm taking the Children's Service."
+
+Malling got up too.
+
+"Is it getting late?" he said. "Perhaps--"
+
+At this moment the door was gently opened and Mr. Harding appeared.
+
+"Oh, Chichester," he said. "I'm sorry to have kept you waiting. What is
+it? Would you like to come to my study?"
+
+"I must be off," said Malling. "May I say good-by to Lady Sophia? Or
+perhaps she is resting and would rather not be disturbed."
+
+"I'm sure she would wish to say good-by to you," said the rector. "I'll
+just ask her."
+
+He shot a quick glance from one man to the other and went out of the
+room, leaving the door open behind him.
+
+Directly he was gone the curate said: "It has been such a pleasure to me
+to renew my acquaintance with you, Mr. Malling. Are you going to be long
+in London?"
+
+"All the season, I think."
+
+"Then I hope we may meet again soon, very soon."
+
+He hesitated, put one hand in his pocket, and brought out a card-case.
+
+"I should like to give you my address."
+
+"And let me give you mine."
+
+They exchanged cards.
+
+"I expect you'll be very busy," said the curate, rather doubtfully.
+
+Then he added, like a man urged on by some strong, almost overpowering
+desire to do a thing not quite natural to him:
+
+"But I wish you could spare an evening to come to dine with me. I live
+very modestly, of course. I'm in rooms, in Hornton Street--do you know
+it?--near Campden Hill?--Number 4a--as you'll see on my card. I wonder--"
+
+"I shall be delighted to come."
+
+"When?"
+
+"Whenever you are kind enough to ask me."
+
+"Could you come on Wednesday week? It's so unfortunate, I have such a
+quantity of parish engagements--that is my first evening free."
+
+"Wednesday week, with pleasure."
+
+"At half after seven?"
+
+"That will suit me perfectly."
+
+"And"--he looked toward the door--"I shall be greatly obliged to you if
+you won't mention to the rector the fact that you are coming. He--"
+
+"My wife's in the boudoir," said Mr. Harding, coming into the room at
+this moment.
+
+He stood by the door.
+
+Malling shook hands with Chichester, and went to say good-by to his
+hostess.
+
+Mr. Harding shut the drawing-room door.
+
+"This is the way," he said. "Well, Mr. Malling? Well?"
+
+"You mean you want to know--?"
+
+"Your impression of Chichester."
+
+The rector stopped on the landing.
+
+"Do you find him much changed?"
+
+Malling shrugged his shoulders.
+
+"Possibly--a little. He may have become rather firmer in manner, a trifle
+more decisive."
+
+"Firmer! More decisive, you say!"
+
+"But surely that is only natural, working--as he has done, I understand,
+under a man such as yourself for two years."
+
+"Such as myself! Then you think he's caught something of my manner and
+way of looking at things? You think--"
+
+"Really, it's difficult to say," interrupted Malling. "He's developed, no
+doubt. But very few people don't. I suppose you've trained him."
+
+"I!" said the rector. "I train a man like Chichester!"
+
+In his voice there was a bitter irony.
+
+"Is that you, Mr. Malling?" said the voice of Lady Sophia. "I was lying
+down with a book. This is my little room."
+
+She looked pale, almost haggard, as the sunshine fell upon her through
+the open window.
+
+Malling took his leave at once and she did not attempt to detain him.
+
+"I hope you'll come again," she said, as they shook hands. "Perhaps on
+another Sunday morning, to church and lunch. I'll let you know."
+
+She said the last words with a significance which made Malling understand
+that she did not wish him to come to church at St. Joseph's again till
+she gave him the word.
+
+The rector let him out of the house. Not another word was spoken about
+Henry Chichester. As his guest walked away the rector stood, bareheaded,
+looking after him, then, as Malling turned the corner of the gardens,
+with a heavy sigh, and the unconscious gesture of a man greatly troubled
+in mind, he stepped back into his hall and shut the door behind him.
+
+
+
+
+IV
+
+
+A week later, Mailing paid a visit to Professor Stepton. He had heard
+nothing of the Hardings and Chichester since the day of the luncheon in
+Onslow Gardens, but they had seldom been absent from his thoughts, and
+more than once he had looked at the words, "Dine with H.C." in his book
+of engagements, and had found himself wishing that "Hornton Street,
+Wednesday" was not so far distant.
+
+The professor lived in Westminster, in a house with Adam ceilings, not
+far from the Houses of Parliament. He was unmarried, and Malling found
+him alone after dinner, writing busily in his crowded library. He had but
+recently returned from Paris, whither he had traveled to take part in a
+series of "sittings" with the famous medium, Mrs. Groeber.
+
+In person the professor was odd, without being specially striking. He
+was of medium height, thin and sallow, with gray whiskers, thick gray
+hair, bushy eyebrows, and small, pointed and inquiring features which
+gave him rather the aspect of a prying bird. His eyes were little and
+sparkling. His mouth, strangely enough, was ecclesiastical. He nearly
+always wore very light-colored clothes. Even in winter he was often
+to be seen clad in yellow-gray tweeds, a yellow silk necktie, and a
+fawn-colored Homburg hat. And no human being had ever encountered him
+in a pair of boots unprotected by spats. One peculiarity of his was that
+he did not possess a walking-stick, another that he had never--so at
+least he declared--owned a pocket-handkerchief, having had no occasion
+to use one at any moment of his long and varied life. When it rained he
+sometimes carried an umbrella, generally shut. At other times he moved
+briskly along with his arms swinging at his sides.
+
+As Malling came in he looked up and nodded.
+
+"Putting down all about Mrs. Groeber," he observed.
+
+"Anything new or interesting?" asked Malling.
+
+"Just the usual manifestations, done in full light, though."
+
+He laid aside his pen, while Malling sat down.
+
+"A letter from Flammarion this morning," he said. "But all about Halley's
+comet, of course. What is it?"
+
+Now the professor's "What is it?" was not general, but particular, and
+was at once understood to be so by Malling. It did not mean "Why have you
+come?" but "Why are you obsessed at this moment, and by what?"
+
+"Let's have the mystery," he added, leaning his elbows on his just dried
+manuscript, and resting his sharp little chin on his doubled fists.
+
+Yet Malling had hinted at no mystery, and had come without saying he was
+coming.
+
+"You know a clergyman called Marcus Harding?" said Malling.
+
+"Of St. Joseph's. To be sure, I do."
+
+"Do you know also his senior curate, Henry Chichester?"
+
+"No."
+
+"Have you heard of him?"
+
+"Oh dear, yes. And I fancy I've seen him at a distance."
+
+"You heard of him from Harding, I suppose."
+
+"Exactly, and Harding's wife."
+
+"Oh, from Lady Sophia!"
+
+"Who hates him."
+
+"Since when?" said Malling, emphatically.
+
+"I couldn't say. But I was only aware of the fact about a month ago."
+
+"Have you any reason to suppose that Harding has been making any
+experiments?"
+
+"In church music, biblical criticism, or what?"
+
+"Say in psychical research?"
+
+"No."
+
+"Or that Chichester has?"
+
+"No."
+
+"Hasn't Harding ever talked to you on the subject?"
+
+"He has tried to," said the professor, rather grimly.
+
+"And you didn't encourage him?"
+
+"When do I encourage clergymen to talk about psychical research?"
+
+Malling could not help smiling.
+
+"I have some reason--at least I believe so--to suppose that Harding and
+his curate Chichester have been making some experiments in directions
+not entirely unknown to us," he observed. "And what is more"--he
+paused--"what is more," he continued, "I am inclined to think that
+those experiments may have been crowned with a success they little
+understand."
+
+Down went the professor's fists, his head was poked forward in Malling's
+direction, and his small eyes glittered almost like those of a glutton
+who sees a feast spread before him.
+
+"The experiments of two clergymen in psychical research crowned with
+success!" he barked out.
+
+"If so, I shall see what I can do in the pulpit--the Abbey pulpit!"
+
+He got up, and walking slightly sidewise, with his hands hanging, and his
+fingers opening and shutting, went over to a chair close to Malling's.
+
+"Get on!" he said.
+
+"I'm going to. I want your advice."
+
+When Malling had finished what he had to say, the professor, who had
+interrupted him two or three times to ask pertinent questions, put his
+hands on his knees and thrust his head forward.
+
+"You said you wanted advice," he said. "What about?"
+
+"I wish you to advise me how I had better proceed."
+
+"You really think the matter important?" asked the professor.
+
+Malling looked slightly disconcerted.
+
+"You don't?" he said.
+
+"You are deducing a great deal from not very much. That's certain,"
+observed the professor.
+
+"You never knew Chichester," retorted Malling. "I did--two years ago."
+
+"Suppose you are right, suppose these two reverend gentlemen have done
+something such as you suppose--and that there has been a result, a
+curious result, what have we to do with it? Tell me that."
+
+"You mean that I have no right to endeavor to make a secret investigation
+into the matter. But I'm positive both the men want help from me. I don't
+say either of them will ask it. But I'm certain both of them want it."
+
+"Two clergymen!" said the professor. "Two clergymen! That's the best of
+it--if there is an it, which there may not be."
+
+"Harding spoke very warmly of you."
+
+"Good-believing man! Now, I do wonder what he's been up to. I do
+wonder. Perhaps he'd have told me but for my confounded habit of
+sarcasm, my way of repelling the amateur--repelling!" His arms flew out.
+"There's so much silliness beyond all bearing, credulity beyond all the
+patience of science. Table-turning women, feminine men! 'The spirits
+guide me, Professor, in every smallest action of my life!'--Wuff!--the
+charlatan battens and breeds. And the bile rises in one till Carlyle on
+his worst day might have hailed one as a brother bilious, and so
+denunciatory--Jeremiah nervously dyspeptic! And when you opened your
+envelop and drew out a couple of clergymen, really, really! But perhaps
+I was in a hurry! Clergymen in a serious fix, too, because of unexpected
+and not understood success! And I talk of repelling the _amateur_!"
+
+Suddenly he paused and, with his bushy eyebrows twitching, looked
+steadily at Malling.
+
+"I leave it to you," he said. "Take your own line. But don't forget that,
+if there's anything in it, development will take place in the link. The
+link will be a center of combat. The link will be an interesting field
+for study."
+
+"The link?" said Malling, interrogatively.
+
+"Goodness gracious me! Her ladyship! Her ladyship!" cried out the
+professor. "What are you about, Malling?"
+
+And he refused to say another word on the matter till Malling, after much
+more conversation on other topics, got up to go. Then, accompanying him
+to the front door, the professor said:
+
+"You know _I_ think it's probably all great nonsense."
+
+"What?"
+
+"Your two black-coated friends. You bustle along at such a pace.
+Remember, I have made more experiments than you have, and I have never
+come upon an exactly similar case. I don't know whether such a thing
+can be. No more do you--you've guessed. Now, guessing is not at all
+scientific. At the same time you've proved you can be patient. If there
+is anything in this it's profoundly interesting, of course."
+
+"Then you advise me--?"
+
+"If in doubt, study Lady Sophia. Good night."
+
+As Malling went away into the darkness he heard the professor snapping
+out to himself, as he stood before his house bareheaded:
+
+"Out of the mouths of babes and sucklings! _Très bien!_ But--reverend
+gentlemen of St. Joseph's! I shall have to look for telergic power in my
+acquaintance Randall Cantuar, when I want it! By Jove!"
+
+"If in doubt, study Lady Sophia." As Malling thought over these
+parting words, he realized their wisdom and wondered at his own
+short-sightedness.
+
+He had sent his cards to Onslow Gardens after the luncheon with the
+Hardings. He wished now he had called and asked for Lady Sophia. But
+doubtless he would have an opportunity of being with her again. If she
+did not offer him one, he would make one for himself.
+
+He longed to see her with Henry Chichester.
+
+During the days that elapsed before "Hornton Street, Wednesday" he
+considered a certain matter with sedulous care. His interview with
+Stepton had not been fruitless. Stepton always made an effect on his
+mind. Casual and jerky though his manner was, obstinate as were his
+silences at certain moments, fragmentary as was his speech, he had a
+way of darting at the essential that set him apart from most men. Malling
+remembered a horrible thing he had once seen in the Sahara, a running
+gazelle killed by a falcon. The falcon, rising high in the blue air,
+had followed the gazelle, had circled, poised, then shot down and, with
+miraculous skill, struck into the gazelle's eye. Unerringly from above
+it had chosen out of the vast desert the home for its cruel beak.
+Somewhat in similar fashion, so Malling thought, Stepton rose above
+things, circled, poised, sank, and struck into the heart of the truth
+unerringly.
+
+Perhaps he was able to do this because he was able to mount, falconwise!
+
+Malling would have given a good deal to have Stepton with him in this
+affair, despite the professor's repellent attitude toward the amateur.
+Well, if there really was anything in it, if strangeness rose out of the
+orthodox bosom of St. Joseph's, if he--Malling--found himself walking in
+thick darkness, he meant to bring Stepton into the matter, whether at
+Stepton's desire or against it. Meanwhile he would see if there was
+enlightenment in Hornton Street.
+
+On the Wednesday the spell of fine weather which had made London look
+strangely vivacious broke up, and in the evening rain fell with a gentle
+persistence. Blank grayness took the town. A breath as of deep autumn was
+in the air. And the strange sadness of cities, which is like no other
+sadness, held the spirit of Evelyn Malling as he walked under an umbrella
+in the direction of Kensington High Street. He walked, to shake off
+depression. But in his effort he did not succeed. All that he saw
+deepened his melancholy; the soldiers starting out vaguely from barracks,
+not knowing what to do, but free for a time, and hoping, a little
+heavily, for some adventure to break the military monotony of their
+lives; the shopgirls, also in hope of something to "take them out of
+themselves"--pathetic desire of escape from the little prison, where the
+soul sits, picking its oakum sometimes, in its cell of flesh!--young
+men making for the parks, workmen for the public houses, an old woman,
+in a cap, peering out of an upper window in Prince's Gate; Italians with
+an organ, and a monkey that looked as if it were dying of nostalgia;
+women hurrying--whither?--with anxious faces, and bodies whose very
+shapes, and whose every movement, suggested, rather proclaimed, worry.
+
+Malling knew it was the rain, the possessive grayness, which troubled his
+body to-night, and through his body troubled his spirit. His nostrils
+inhaled the damp, and it seemed to go straight into his essence, into the
+mystery that was he. His eyes saw no more blue, and it was as if they
+drew a black shutter over all the blue in his heart, blotting it out.
+People became doomed phantoms, because the weather had changed and
+because London knows how to play Cassandra to the spirit of many a man.
+To Malling, as he presently turned to the right, Hornton Street looked
+like an alley leading straight to the pit of despair, and when he tapped
+on the blistered green door of the small house where the curate lived, it
+was as if he tapped seeking admittance to all the sorrowful things that
+had been brought into being to beset his life with blackness.
+
+A neat servant-girl opened the door. There was a smell of roast mutton in
+the passage. So far well. Malling took off his hat and coat, hung them up
+on a hook indicated by the plump red hand of the maid, and then followed
+her upstairs. The curate was in possession of the first floor.
+
+Malling knew that it would be a case of folding-doors and perhaps of
+curtains of imitation lace. It was a case of folding-doors. But there
+was a dull green hue on the walls that surely bespoke Henry Chichester's
+personal taste. There were bookcases, there were mezzotints, there were
+engravings of well-known pictures, and there were armchairs not covered
+with horsehair. There was also a cottage piano, severely nude. In the
+center of the room stood a small square table covered with a cloth and
+laid for two persons.
+
+"I'll tell Mr. Chichester, sir."
+
+The maid went out. From behind the folding-doors came to Malling's ears
+the sound of splashing water, then a voice saying, certainly to the maid,
+"Thank you, Ellen, I will come." And in three minutes Chichester was in
+the room, apologizing.
+
+"I was kept late in the parish. There's a good deal to do."
+
+"You're not overworked?" asked Malling.
+
+"Do I look so?" said Chichester, quickly.
+
+He turned round and gazed at himself in an oval Venetian mirror which
+was fixed to the wall just behind him. His manner for a moment was oddly
+absorbed as he examined his face.
+
+"London life tells on one, I suppose," he said, again turning. "We
+change, of course, in appearance as we go on."
+
+His blue eyes seemed to be seeking something in Malling's impenetrable
+face.
+
+"Do you think," he said, "I am much altered since we used to meet two
+years ago? It would of course be natural enough if I were."
+
+Malling looked at him for a minute steadily.
+
+"In appearance, you mean?"
+
+"Of course."
+
+"To-night it seems to me that you have altered a good deal."
+
+"To-night?" said the curate, as if with anxiety.
+
+"If there is any change,--and I think there is,--it seems to me more
+apparent to-night than it was when I saw you the other day."
+
+Ellen, the maid, entered the room bearing a tray on which was a
+soup-tureen.
+
+"Oh, dinner!" said Chichester. "Let us sit down. You won't mind simple
+fare, I hope. We are having soup, mutton,--I am not sure what else."
+
+"Stewed fruit, sir," interpolated Ellen.
+
+"To be sure! Stewed fruit and custard. Open the claret, Ellen, please."
+
+"Have you been in these rooms long?" asked Malling, as they unfolded
+their napkins.
+
+"Two years. All the time I have been at St. Joseph's. The rector told me
+of them. The curate who preceded me had occupied them."
+
+"What became of him?"
+
+"He has a living in Northampton now. But when he left he had nothing in
+view."
+
+"He was tired of work at St. Joseph's?"
+
+"I don't think he got on with the rector."
+
+The drip of the rain became audible outside, and a faint sound of
+footsteps on the pavement.
+
+"Possibly I shall not stay much longer," he added.
+
+"No doubt you'll take a living."
+
+"I don't know. I don't know. But, in any case, I may not stay much
+longer--perhaps. That will do, Ellen; you may go and fetch the mutton.
+Put the claret on the table, please."
+
+When the maid was gone, he added:
+
+"One doesn't want a servant in the room listening to all one says. As
+she was standing behind me I had forgotten she was here. How it rains
+to-night! I hate the sound of rain."
+
+"It is dismal," said Malling, thinking of his depression while he had
+walked to Hornton Street.
+
+"Do you mind," said the curate, slightly lowering his voice, "if I speak
+rather--rather confidentially to you?"
+
+"Not at all, if you wish to--"
+
+"Well, now, you are a man of the world, you've seen many people. I wish
+you would tell me something."
+
+"What is it?"
+
+Ellen appeared with the mutton. As soon as she had put it on the table
+and departed, Chichester continued:
+
+"How does Mr. Harding strike you? What impression does he make upon you?"
+
+Eagerness, even more, something that was surely anxiety, shone in his
+eyes as he asked the question.
+
+"He's a very agreeable man."
+
+"Of course, of course! Would you say he was a man to have much power over
+others, his fellow-men?"
+
+"Speaking quite confidentially--"
+
+"Nothing you say shall ever go beyond us two."
+
+"Then--I don't know that I should."
+
+"He doesn't strike you as a man of power?"
+
+"In the pulpit?"
+
+"And out of it--especially out of it?"
+
+"He may have been. But--perhaps he has lost in power. Dispersion, you
+know, does not make for strength."
+
+Suddenly the curate became very pale.
+
+"Dispersion--you say!" he almost stammered.
+
+As if to cover some emotion, he looked at Malling's plate, and added:
+
+"Have some more? You won't? Then--"
+
+He got up and rang the bell. Ellen reappeared, cleared away, and put the
+stewed fruit and custard on the table.
+
+"Bring the coffee in ten minutes, Ellen. I won't ring."
+
+"Very well, sir."
+
+"Dispersion," said Chichester to Malling in a firmer voice, as Ellen
+disappeared.
+
+"Concentration makes for strength. Mr. Harding seems to me mentally--what
+shall I say?--rather torn in pieces, as if preyed upon by some anxiety.
+Now, if you'll allow me to be personal, I should say that you have
+greatly gained in strength and power since I knew you two years ago."
+
+"You--you observe a difference?" asked Chichester, apparently in great
+perturbation.
+
+"A striking difference."
+
+"And--and would you say I looked a happier, as well as a--a stronger
+man?"
+
+"I couldn't with truth say that."
+
+"Very few of us are happy," said Chichester, with trembling lips. "Poor
+miserable sinners as we are! And we clergymen, who set up to direct
+others--" he broke off.
+
+He seemed greatly, strangely, moved.
+
+"You must forgive me. I have had a very hard day's work!" he murmured.
+"The coffee will do me good. Let us sit in the armchairs, and Ellen can
+clear away. I wish I had two sitting-rooms."
+
+He rang to make Ellen hurry. Till she came Malling talked about Italian
+pictures and looked at the curate's books. When she had cleared away,
+left the coffee, and finally departed, he sat down with an air of
+satisfaction. Chichester did not smoke, but begged Malling to light
+up, and gave him a cigar.
+
+"Coffee always does one good," he said. "It acts directly on the heart,
+and seems to strengthen the whole body. I have had a trying day."
+
+"You look tired," said Malling.
+
+The fact was that Chichester had never recovered the color he had so
+suddenly lost when they were discussing Mr. Harding.
+
+"It's no wonder if I do," rejoined Chichester, in a voice that sounded
+hopeless.
+
+He drank some coffee, seemed to make a strong effort to recover himself,
+and, with more energy, said:
+
+"I asked you here because I wanted to renew a pleasant acquaintanceship,
+but also--you won't think me discourteous, I know--because--well, I had
+a purpose in begging you to come."
+
+"Won't you tell me what it is?"
+
+The curate shifted in his armchair, clasped and unclasped his hands.
+A mental struggle was evidently going on within him. Indeed, during
+the whole evening Malling had received from him a strong impression of
+combat, of confusion.
+
+"I wanted to continue the discussion we began at Mr. Harding's the other
+day. You remember, I asked you not to tell him you were coming?"
+
+"Yes."
+
+"I think it's best to keep certain matters private. People so easily
+misunderstand one. And the rector has rather a jealous nature."
+
+Malling looked at his companion without speaking. At this moment he
+was so strongly interested that he simply forgot to speak. Never, even
+at a successful sitting when, the possibility of trickery having been
+eliminated, a hitherto hidden truth seemed about to lift a torch in the
+darkness and to illumine an unknown world, had he been more absorbed by
+the matter in hand. Chichester did not seem to be struck by his silence,
+and continued:
+
+"And then not every one is fitted to comprehend properly certain matters,
+to see things in their true light. Now the other day you said a thing
+that greatly impressed me, that I have never been able to get out of my
+mind since. You said, 'Harm can never come from truth.' I have been
+thinking about those words of yours, night and day, night and day. Tell
+me--did you mean them?"
+
+The question came from Chichester's lips with such force that Malling was
+almost startled.
+
+"Certainly I meant them," he answered.
+
+"And if truth slays?"
+
+"And is death the worst thing that can happen to a man, or to an
+idea--some wretched fallacy, perhaps, that has governed the minds of
+men, some gross superstition, some lie that darkens counsel?"
+
+"You think if a man lives by a lie he is better dead?"
+
+"Don't you think so?"
+
+"But don't we all need a crutch to help us along on the path of life?"
+
+"What! You, a clergyman, think that it is good to bolster up truth with
+lies?" said Malling, with genuine scorn.
+
+"I didn't say that."
+
+"You implied it, I think."
+
+"Perhaps if you had worked among men and women as much as I have you
+would know how much they need. If you went abroad, say to Italy, and saw
+how the poor, ignorant people live happily oftentimes by their blind
+belief in the efficacy of the saints, would you wish to tear it from
+them?"
+
+"I think we should live by the truth, and I would gladly strike away a
+lie from any human being who was using it as a crutch."
+
+"_I_ thought that once," said Chichester.
+
+The words were ordinary enough, but there was something either in the
+way they were said, or in Chichester's face as he said them, that made
+Malling turn cold.
+
+To cover his unusual emotion, which he was ashamed of, and which he
+greatly desired to hide from his companion, he blew out a puff of cigar
+smoke, lifted his cup, and drank the rest of his coffee.
+
+"May I have another cup?" he said. "It's excellent."
+
+The coffee-pot was on the table. Chichester poured out some more.
+
+"I will have another cup, too," he said. "How it wakes up the mind."
+
+He glanced at Mailing and added:
+
+"Almost terribly sometimes."
+
+"Yes. But--going back to our subject--don't you still think that men
+should live by the truth?"
+
+"I think," began Chichester--"I think--"
+
+It seemed as if something physical prevented him from continuing. He
+swallowed, as if forcing something down his throat.
+
+"I think," he got out at last, "that few men know how terrible the face
+of truth can be."
+
+His own countenance was contorted as he spoke, as if he were regarding
+something frightful.
+
+"I think"--he turned right round in his chair to confront Malling
+squarely--"that _you_ do not know."
+
+For the first time he completely dominated Malling, Chichester the
+gentle, cherubic clergyman, whom Malling had thought of as good, but
+weak, and certainly as a negligible quantity. He dominated, because at
+that moment he made Malling feel as if he had some great possession of
+knowledge which Malling lacked.
+
+"And you?" said Malling. "Do you know?"
+
+The curate's lips worked, but he made no answer.
+
+Malling was aware of a great struggle in his mind, as of a combat in
+which two forces were engaged. He got up, walked to the window, and
+stood as if listening to the rain.
+
+"If only Stepton were here!" thought Malling.
+
+There was a truth hidden from him, perhaps partly divined, obscurely half
+seen, but not thoroughly understood, as a whole invisible. Stepton would
+be the man to elucidate it, Malling thought. It lured him on, and baffled
+him.
+
+"How it rains!" said the curate at last, without turning.
+
+He bent down and opened the small window. The uneasy, almost sinister
+noise of rain in darkness entered the room, with the soft smell of
+moisture.
+
+"Do you mind if we have a little air?" he added.
+
+"I should like it," said Malling.
+
+Chichester came back and sat down again opposite Malling. His
+expression had now quite changed. He looked calmer, gentler, weaker,
+and much more uninteresting. Crossing his legs, and folding his thin
+hands on his knees, he began to talk in his light tenor voice. And
+he kept the conversation going on church music, sacred art in Italy,
+and other eminently safe and respectable topics till it was time for
+Malling to go.
+
+Only when he was letting his guest out into the night did he seem
+troubled once more. He clasped Malling's hand in his, as if almost
+unaware that he was doing so, and said with some hesitation:
+
+"Are you--are you going to see the rector again?"
+
+"Not that I know of," said Malling, speaking the strict truth, and
+virtually telling a lie at the same time.
+
+For he was determined, if possible, to see Mr. Harding, and that before
+very long.
+
+"If I may say so," Chichester said, shifting from one foot to another and
+looking down at the rain-sodden pavement, "I wouldn't see him."
+
+"May I ask you why?"
+
+"You may get a wrong impression. Two years ago he was another man.
+Strangers, of course, may not know it, not realize it. But we who have
+lived with him do know it. Mr. Harding is going down the hill."
+
+There was a note of deep sadness in his voice. Had he been speaking of
+himself, of his own decadence, his tone could scarcely have been more
+melancholy.
+
+And for long Malling remembered the look in his eyes as he drew back to
+shut his door.
+
+In the rain Malling walked home as he had come. But now it was deep in
+the night and his depression had deepened. He was a self-reliant man, and
+not easily felt himself small, though he was not conceited. To-night he
+felt diminished. The worm-sensation overcame him. That such a man as
+Chichester should have been able to convey to him such a sensation was
+strange, yet it was from Chichester that this mental chastisement had
+come. For a moment Chichester had towered, and at that moment Malling
+surely had dwindled, shrunk together, like a sheet of paper exposed to
+the heat of a flame.
+
+But that Chichester should have had such an effect on him--Malling!
+
+If Mr. Harding was going down the hill, Chichester surely was not. He had
+changed drastically since Malling had known him two years ago. In power,
+in force, he had gained. He now conveyed the impression of a man capable,
+if he chose, of imposing himself on others. Formerly he had been the wax
+that receives the impress. But whereas formerly he had been a contented
+man, obviously at peace with himself and with the world, now he was
+haunted by some great anxiety, by some strange grief, or perhaps even by
+some fear.
+
+"Few men know how terrible the face of the truth can be."
+
+Chichester had said that.
+
+Was he one of the few men?
+
+And was that why now, as Malling walked home in the darkness and rain, he
+felt himself humbled, diminished?
+
+For Malling loved knowledge and thought men should live by it. Had truth
+a Medusa face, still would he have desired to look into it once, would
+have been ready to endure a subsequent turning to stone.
+
+That Chichester should perhaps have seen what he had not seen--that
+troubled him, even humbled him.
+
+Some words of Professor Stepton came back to his mind: "If there's
+anything in it, development will take place in the link." And those last
+words: "If in doubt, study Lady Sophia."
+
+Mailing was in doubt. Why not follow Stepton's advice? Why not study Lady
+Sophia?
+
+He resolved to do it. And with the resolve came to him a sense of greater
+well-being. The worm-sensation departed from him. He lifted his head and
+walked more briskly.
+
+
+
+
+V
+
+
+On the night following the dinner in Hornton Street, Malling went to the
+Covent Garden Opera House to hear "La Traviata." The well-worn work did
+not grasp the attention of a man who was genuinely fond of the music of
+Richard Strauss, with its almost miraculous intricacies, and who was
+willingly captive to Debussy. He looked about the house from his stall,
+and very soon caught sight of Lady Mansford, Lady Sophia's sister-in-law,
+in a box on the Grand Tier. Malling knew Lady Mansford. He resolved to
+pay her a visit, and as soon as the curtain was down, and Tetrazzini had
+tripped before it, smiling not unlike a good-natured child, he made his
+way upstairs, and asked the attendant to tap at a door on which was
+printed, "The Earl of Mansford." The man did so, and opened the door,
+showing a domestic scene highly creditable to the much maligned British
+aristocracy--Lord Mansford seated alone with his wife, in evidently
+amicable conversation.
+
+After a few polite words he made Malling sit down beside her, and, saying
+he would have a cigarette in the foyer, he left them together.
+
+Lady Mansford was a pretty, dark woman, of the slightly irresponsible
+and little-bird type. She willingly turned her charmingly dressed head
+and chirped when noticed, and she was generally noticed because of her
+beauty. Now she chirped of Ceylon, where Malling had been, and then, more
+vivaciously, of Parisian milliners, where she had been. From these allied
+subjects Malling led her on to a slightly different topic--religion.
+
+"I went to St. Joseph's last Sunday week," he presently said.
+
+"St. who--what?" said Lady Mansford, who was busy with her
+opera-glasses, and had just noticed that Lady Sindon, a bird-like
+rival of hers, had changed the color of her hair, fortunately to
+her--Lady Sindon's--disadvantage.
+
+"To St. Joseph's, to hear your brother-in-law preach."
+
+"It doesn't do at all," murmured Lady Mansford. "It makes her look
+Chinese."
+
+"You said--?"
+
+"Mollie Sindon. But what were you talking about? Do tell me." She laid
+down her glasses.
+
+"I was saying that I went to church last Sunday week."
+
+"Why?"
+
+"To hear your brother-in-law preach at St. Joseph's."
+
+"Marcus!" exclaimed Lady Mansford.
+
+She pursed her lips.
+
+"I don't go to St. Joseph's. Poor Sophy! I'm sorry for her."
+
+"I lunched with Lady Sophia after the service."
+
+"Did you? Isn't it sad?"
+
+"Sad! I don't quite understand?" said Malling, interrogatively.
+
+"The change in him. Of course people say it's drink. Such nonsense! But
+they must say something, mustn't they?"
+
+"Is Mr. Harding so very much changed?"
+
+"Do you mean to say you didn't notice it?"
+
+"I never met him till within the last fortnight."
+
+"He's transformed--simply. He might have risen to anything, with his
+energy, his ambition, and his connections. And now! But the worst of it
+is no one can make out why it is. Even Sophia and Isinglass--my husband,
+you know!--haven't an idea. And it gets worse every day. Last Sunday I
+hear his sermon was too awful, a mere muddle of adjectives, such as one
+hears in Hyde Park, I believe. I never liked Marcus particularly. I
+always thought him too autocratic, too determined to dominate. He had
+that poor little Mr. Chichester--his curate--completely under his thumb.
+Mr. Chichester couldn't call his soul his own. He worshiped Marcus. But
+now they say even he is beginning to think that his god is of clay. What
+can it be? Do you think Marcus is losing his mind?"
+
+"Oh, I should hope not," returned Malling, vaguely. "Has it been going on
+long?"
+
+"Oh, for quite a time. But it all seemed to come on gradually--as things
+_do_, you know! Poor Sophy has always adored him, and given way to him in
+everything. In her eyes all that he does is right. She never says a word,
+I believe, but she must be suffering the tortures of--_you_ know! There's
+Winnie Rufford coming in! How astonishingly young she looks. Were you at
+the Huntingham's ball? Well--"
+
+Lady Mansford twittered no more about the Harding menage. But Malling
+felt that his visit had not been fruitless.
+
+After the opera he went to a party in Grosvenor Street where again he
+managed to produce talk of the Hardings. It seemed that Lady Mansford
+had not exaggerated very much. Among those who knew the Hardings a change
+in the rector of St. Joseph's had evidently been generally noticed.
+Malling took in to supper a Mrs. Armitage, a great friend of Lady
+Sophia's, and she made no secret of the fact that Lady Sophia was greatly
+distressed.
+
+"I thought she would have been here to-night," Mrs. Armitage said. "But
+she isn't. I suppose she felt she couldn't face it. So many of his
+congregation are here, or so many who were in his congregation."
+
+"The church was crammed to the doors last Sunday week when he preached,"
+observed Malling.
+
+"Was it? Curiosity, I suppose. It certainly can't have been the
+intellectual merit of the sermon. I heard it was quite deplorable. But
+last Sunday's, I was told, was worse still. No continuity at all, and
+the church not full. People say the curate, Mr. Chichester, who often
+preaches in the evening, is making a great effect, completely cutting out
+his rector. And he used to be almost unbearably dull."
+
+"Will you have a quail?"
+
+"Please. You might give me two. My doctor says if I sit up late--thank
+you!"
+
+"I've never heard Mr. Chichester preach," said Malling.
+
+"He seems to have come on marvelously, to be quite another man."
+
+"Quite another man, does he?"
+
+"Yes. It's very trying for the Hardings naturally. If it continues I
+think there will have to be a change. I don't think things can go on as
+they are. My friend Sophia won't be able to stand it."
+
+"You mean--the contrast?"
+
+"Between her husband and Mr. Chichester. She's very highly strung and
+quite worships her husband; though, between you and me, _I_ think rather
+in the slave spirit. But some women are like that. They can't admire a
+man unless he beats them. Not that Mr. Harding ever dreamed of doing such
+a thing to Sophia, of course. But his will had to be law in everything.
+You know the type of man! It's scarcely my idea of what a clergyman
+should be. I think a man who professes to direct the souls of others
+should be more gentle and unselfish, especially to his wife. Another
+quail? Well, really, I think perhaps I will. They are so absurdly small
+this season, aren't they? There's scarcely anything on them."
+
+So that minute fraction of the world that knew of the existence of the
+Hardings began to utter itself concerning them, and Malling was fortified
+in his original belief which he had expressed to Professor Stepton.
+
+Among his many experiments made in connection with psychical research
+those which had interested him the most had been those in which the
+mystery of the human will had seemed to be deeply involved. Malling was
+essentially a psychologist. And man was to him the great mystery, because
+man contained surely something that belonged to, that was lent to, man,
+as it were, by another, the mind beyond, the _anima mundi_. When Malling
+drew mentally, or spiritually, very near to any man, however rude,
+however humble, he always had the feeling that he was approaching holy
+ground. Hidden beneath his generally imperturbable exterior, sunk beneath
+the surface incredulity of his mind, there was the deep sense of mighty
+truths waiting the appointed day of proclamation. Surely, he often
+thought, if there is God in anything, in the last rays of the sunset,
+in the silence of night upon the sea, in the waking of spring among the
+forests and the gardens, in the song of the nightingale which knows
+not lovers are listening, there is God in the will of man.
+
+And when he made investigations into the action of will upon will, or
+of will--as it seemed--upon matter, he was held, as he was not held by
+the appearance of so-called spirit faces and spirit forms, even when
+he could not connect these with trickery which he knew how to expose.
+Perhaps, however, his incredulity in regard to these latter phenomena was
+incurable, though he did not know it. For he knew nearly all the devices
+of the charlatans. And when the so-called spirits came, the medium was
+always entranced, that is, apparently will-less, and so to Malling not
+interesting.
+
+Now, from what Harding and Chichester had said to him, and from what
+he had observed for himself, Malling believed that the two clergymen
+must have had sittings together, probably with the usual tremendous
+object of the ignorant amateur, that merely of communicating with the
+other world. Considering who the two men were, Malling believed that in
+all probability they had sat alone and in secret. He also felt little
+doubt that from Mr. Harding's brain had come the suggestion of these
+practices, that his will had led Chichester on to them. Although he
+had not known the rector two years ago, he had gathered sufficient
+testimony to the fact that he had been a man of powerful, even perhaps
+of tyrannical, temperament, formed rather to rule than to be ruled. He
+knew that Chichester, on the contrary, had been gentle, kindly, yielding,
+and of somewhat weak, though of very amiable, nature. The physique of the
+two men accorded with these former temperaments. Harding's commanding
+height, large frame, big, powerful face and head, rather hard gray eyes,
+even his large white teeth, his bony, determined hands, his firmly
+treading feet, suggested force, a dominating will, the capacity, and
+the intention, to rule. Henry Chichester's fleshly envelop, on the other
+hand, cherubic, fair, and delicate, his blue eyes, small bones, the shape
+of forehead and chin, the line of the lips, hinted at--surely more than
+that, surely stated mildly--the existence within it of a nature retiring,
+meek, and ready to be ruled by others. No wonder if Chichester had been,
+as Lady Mansford had said, completely under the rector's thumb, no wonder
+if he had been unable to "call his soul his own" and had "worshiped
+Marcus."
+
+Yes, if there had been these secret sittings by these two men, it was
+Harding who had persuaded Chichester to take part in them. And what had
+these sittings led to, what had been their result?
+
+The ignorant outsider, the hastily skeptical, of course would say that
+there could have been no result. Malling, knowing more, knew better. He
+had seen strange cases of temporary confusion of a man's will brought
+about by sittings, of what had seemed temporary change even of a man's
+nature. When a hitherto sane man goes mad he often becomes the opposite
+of what he was. Those whom he formerly loved he specially singles out
+for hatred. That which he delighted to do he shrinks from with horror.
+Once good-natured, he is now of an evil temper, once gentle, he is
+fiercely obstinate, once gay, he cowers and weeps. So Malling had known
+a man, while retaining his sanity, to be transformed by the apparently
+trivial fact of sitting at a table with a friend, and placing his hands
+upon it with the hands of another man. He himself had sat with an Oxford
+friend,--who in later sittings became entranced,--and at the very first
+experiment this man had said to him, "It's so strange, now that I am
+sitting with you like this I feel filled with hatred toward you." This
+hatred, which had come upon this man at every successive sitting, had
+always faded away when the sitting was over. But was it certain that the
+feelings generated in sittings never persisted after they were broken
+up? Was it certain that in every case the waters that had been
+mysteriously troubled settled into their former stillness?
+
+Harding and Chichester, for instance! Had the strong man troubled the
+waters of the weaker man's soul, and were those waters still agitated?
+That was perhaps possible. But Malling thought it was possible also, and
+he had suggested this to Professor Stepton, that the weaker man had
+infused some of his weakness, his self-doubtings, his readiness to be
+affected by the opinion of others, into his dominating companion. Malling
+believed it possible that the wills of the two clergymen, in some
+mysterious and inexplicable way, had mingled during their sittings, and
+that they had never become completely disentangled. If this were so, the
+result was a different Harding from the former Harding, and a different
+Henry Chichester from the former Henry Chichester.
+
+What puzzled Malling, however, was the fact, if fact it were, that the
+difference in each man was not diminishing, but increasing.
+
+Could they be continuing the sittings, if there had ever been sittings?
+All was surmise. As the professor had said, he, Malling, was perhaps
+deducing a good deal from very little. And yet was he? His instinct told
+him he was not. Yet there might no doubt be some ordinary cause for the
+change in Mr. Harding. Some vice, such as love of drink, or morphia,
+something that disintegrates a man, might have laid its claw upon him.
+That was possible. What seemed to Malling much more unaccountable was the
+extraordinary change in the direction of strength in Chichester. And the
+relations between the two men, if indeed the curate had once worshiped
+his rector, were mysteriously transformed. For now, was it not almost as
+if something of Harding in Chichester watched, criticized, Chichester in
+Harding?
+
+But now--to study Lady Sophia! For if there was really anything in
+Malling's curious supposition, the woman must certainly be strangely
+affected. He remembered the expression in her eyes when her husband
+was preaching, her manner when she spoke of the curate as one of her
+husband's swans.
+
+And he longed to see her again. She had said that she hoped he would come
+again to St. Joseph's and to her house, but he knew well that any such
+desire in her had arisen from her wounded pride in her husband. She
+wished Malling to know what the rector could really do. When she thought
+that the rector had recovered his former powers, his hold upon the minds
+of men, then she would invite Malling to return to St. Joseph's, but not
+before.
+
+And when would that moment come?
+
+It might not come for weeks, for months. It might never come. Malling did
+not mean to await it. Nevertheless he did not want to do anything likely
+to surprise Lady Sophia, to lead her to think that he had any special
+object in view in furthering his acquaintance with her.
+
+While he was casting about in his mind what course to take, chance
+favored him.
+
+Four days later, when he was strolling round the rooms in Burlington
+House, he saw not far in front of him the tall and restless figure of
+a woman. She was alone. For some time Malling did not recognize her.
+She did not turn sufficiently for him to see her face, and her almost
+feverish movements, though they attracted and fixed his attention, did
+not strike him as familiar. His thought of her, as he slowly followed
+in the direction she was taking, was, "What a difficult woman that would
+be to live with!" For the hands were never still; the gait was uneasy;
+nervousness, almost a sort of pitiful irritation, seemed expressed by her
+every movement.
+
+In the big room this woman paused before the picture of the year, which
+happened to be a very bad one, and Malling, coming up, at last recognized
+her as Lady Sophia Harding.
+
+He took off his hat. She seemed startled, but greeted him pleasantly, and
+entered into a discussion of the demerits which fascinate the crowd.
+
+"You prefer seeing pictures alone, perhaps?" said Malling, presently.
+
+"Indeed I don't," she answered. "I was coming to-day with my husband. We
+drove up together. But at the last moment he thought he remembered
+something,--some appointment with Mr. Chichester,--and left me."
+
+There were irony and bitterness in her voice.
+
+"He said he'd come back and meet me in the tea-room presently," she
+added.
+
+"Shall we go there and wait for him?" asked Malling.
+
+"But I'm afraid I'm taking up your time."
+
+"I have no engagements this afternoon. I shall enjoy a quiet talk with
+you."
+
+"It's very good of you."
+
+They descended, and sat down in a quiet corner. In the distance a few
+respectable persons were slowly eating bath-buns with an air of fashion,
+their duly marked catalogues laid beside them on marble.
+
+Far-off waiters, standing with their knees bent, conversed in
+undertones. A sort of subterranean depression, peculiar to this
+fastness of Burlington House, brooded over the china and the provisions.
+
+"It reminds me of the British Museum tearoom," said Lady Sophia. "Here is
+tea! What a mercy! Modern pictures sap one's little strength."
+
+She looked haggard, and was obviously on the edge of her nerves.
+
+"Marcus might have come in," she added. "But of course he wouldn't--or
+couldn't."
+
+"Doesn't he care for pictures?"
+
+She slightly shrugged her shoulders.
+
+"He used to. But I don't know that he does now."
+
+"I suppose he has a tremendous amount to do."
+
+"He used to do much more at Liverpool. If a man wishes to come to the
+front he mustn't sit in an armchair with folded hands."
+
+There was a sharp sound of criticism in her voice which astonished
+Malling. At the luncheon, only about a fortnight ago, she had shown
+herself plainly as the adoring wife, anxious for her husband's success,
+nervously hostile to any one who interfered with it, who stood between
+him and the homage of his world. Now Malling noted, or thought he noted,
+a change in her mental attitude. He was instantly on the alert.
+
+"I'm sure that's the last thing Mr. Harding would do," he said.
+
+She shot a glance at him out of her discontented dark eyes.
+
+"Are you?" she said.
+
+And sarcasm crept in the words. She gave to Malling at this moment the
+impression of a woman so strung up as to be not her natural self, so
+tormented by some feeling, perhaps long repressed, that her temperament
+was almost furiously seeking an outlet, knowing instinctively, perhaps,
+that only there lay its salvation.
+
+"His record proves it," said Malling, with serenely smiling assurance.
+
+Lady Sophia twisted her lips. The Academy tea was very strong. Perhaps
+it had been standing. She drank a little, pulled at her long gloves
+restlessly, and looked at Malling. He knew she was longing to confide
+in somebody. If only he could induce her to confide in him!
+
+"Oh, my husband's been a very active man," she said. "Everybody knows
+that. But in this modern world of ours one must not walk, or even
+run along, one must keep on rushing along if one intends to reach the
+goal."
+
+"And by that you mean--?"
+
+"Mean! The topmost height of your profession, or business, of whatever
+career you are in."
+
+"You are ambitious," he said.
+
+"Not for myself," she answered quickly. "I have no ambition for myself."
+
+"But perhaps the ambition to spur on another successfully? That seems to
+me the truest, the most legitimate ambition of the woman all men worship
+in their hearts."
+
+Suddenly tears started into her eyes. She was sitting opposite Malling,
+the tea-table between them. Now she leaned forward across it. By nature
+she was very sensitive, but she was not a self-conscious, woman. She was
+not self-conscious now.
+
+"It is much better to be selfish," she said earnestly. "That is where we
+women make such a fatal mistake. Instead of trusting to ourselves, of
+relying on ourselves, and of having a personal ambition, we seek always
+another in whom we may trust; we are unhappy till we rely on another; it
+is for another we cherish, we hug, ambition. And then, when all founders,
+we realize too late what I dare say every man knows."
+
+"What is that?"
+
+"That we women are fools--fools!"
+
+"For being unselfish?"
+
+"For thinking we have power when we are impotent."
+
+She made a gesture that was surely one of despair.
+
+"No one--at any rate, no woman--has power for another," she added, with
+almost terrible conviction. "That is all a legend, made up to please us,
+I suppose. We draw a sword against darkness and think we are fighting.
+Isn't it too absurd?"
+
+With the last words she changed her tone, trying to make it light, and
+she smiled.
+
+"We take everything too seriously. That's the trouble!" she said. "And
+men pretend we take nothing seriously."
+
+"Very often they don't understand."
+
+"Oh, please say never!" she exclaimed. "They never understand."
+
+Suddenly Malling resolved on a very bold stroke.
+
+"But I'm a man," he said, as if that obvious fact shattered her
+contention.
+
+"What has that got to do with it?" she said, in obvious surprise.
+
+"Because I do not understand."
+
+For a moment she was silent. He thought he read what was passing through
+her mind, as he knew he had read her character. She was one of those
+women who must be proud of their men, who love to be ruled, but only
+by a conqueror, who delight to sink themselves, but in power, not in
+impotence. And now she was confronted by the shipwreck not merely of
+her hopes, but also of her belief. She saw a hulk drifting at the mercy
+of the waves that, perhaps, would soon engulf it. But she was not only
+despairing, she was raging too. For she was a woman with nervous force
+in her, and it is force that rages in the moments of despair, seeking,
+perhaps unconsciously, some means of action and finding none.
+
+"Why should there not be some hope?" asked Malling, quietly.
+
+"To-morrow is Sunday. If you go to morning church at St. Joseph's, and
+then to evening church, you will see if there is any hope."
+
+"To evening church?"
+
+"Yes, yes."
+
+She got up.
+
+"You are going?"
+
+"I must. Forgive me!"
+
+She held out her hand.
+
+"But--"
+
+"No, don't come with me, please."
+
+"If I go to St. Joseph's to-morrow, afterward may I see you again?"
+
+"If you think it's worth while."
+
+Her face twisted. Hastily she pulled down her veil, turned away and left
+him.
+
+
+
+
+VI
+
+
+Malling went the next day to morning and evening service at St. Joseph's.
+He was not invited to lunch in Onslow Gardens, and he did not see Lady
+Sophia. On the whole, he was glad of this. He had enough to keep in his
+mind that day. The matter in which he was interested seemed growing
+before his eyes, like a thing coming out of the earth, but now beginning
+to thrust itself up into regions where perhaps it would eventually be
+hidden in darkness, with the great company of mysteries whose unraveling
+is beyond the capacity of man.
+
+He had now, he felt sure, a clear comprehension of Lady Sophia. Their
+short interview at Burlington House had been illuminating. She was a
+typical example of the Adam's-rib woman; that is, of the woman who,
+intensely, almost exaggeratedly feminine, can live in any fullness only
+through another, and that other a man. Through Mr. Harding Lady Sophia
+had hitherto lived, and had doubtless, in her view, triumphed. Obviously
+a woman not free from a nervous vanity, and a woman of hungry ambition,
+her vanity and ambition had been fed by his growing notoriety, his
+increasing success and influence. The rib had thrilled with the body to
+which it belonged.
+
+But that time of happy emotion, of admiration, of keen looking forward,
+was the property of the past. Lawn sleeves, purple, perhaps,--for who
+is more hopeful than this type of woman in the golden moments of
+life?--perhaps even an archiepiscopal throne faded from before the eyes
+they had gladdened--the eyes of faith in a man.
+
+And a different woman was beginning to appear--a woman who might be as
+critical as she had formerly been admiring, a woman capable of becoming
+embittered.
+
+On the Sunday of Malling's visit to Onslow Gardens, Mr. Harding's failure
+in the pulpit had waked up in his wife eager sympathy and eager spite,
+the one directed toward the man who had failed, the other toward the man
+who, as Malling felt sure, had caused the failure.
+
+In Burlington House that woman, whom men with every reason adore, had
+given place to another less favorable toward him who had been her hero.
+
+It seemed to Malling as if in the future a strange thing might happen,
+almost as if it must happen: it seemed to him as if Chichester might
+convey his view of his rector to his rector's wife.
+
+"Study the link," Stepton had said. "There will be development in the
+link."
+
+Already the words had proved true. There had been a development in Lady
+Sophia such as Malling had certainly not anticipated. Where would it end?
+Again and again, as he listened to the morning and evening sermons,
+Malling had asked himself that question; again and again he had recalled
+his conversation at Burlington House with Lady Sophia.
+
+In the morning at St. Joseph's Mr. Harding had preached to a church
+that was half filled; in the evening Henry Chichester had preached to a
+church that was full to the doors. And each of the clergymen in turn had
+listened to the other, but how differently!
+
+Mr. Harding had ascended to the pulpit with failure staring him in
+the face, and whereas on the Sunday when Malling first heard him he
+had obviously fought against the malign influence which eventually
+had prevailed over him, this time he had not had the vigor to make a
+struggle. Certainly he had not broken down. It might be said of him,
+as it was once said of a nation, that he had "muddled through." He had
+preached a very poor sermon in a very poor way, nervously, indeed,
+almost timidly, and with the manner of a man who was cowed and hopeless.
+The powerful optimism for which he had once been distinguished had
+given way to an almost unhealthy pessimism, alien surely to the minds
+of all believers, of all who profess to look forward to that life of
+which, as Tolstoi long ago said, our present life is but a dream. Even
+when he was uttering truths he spoke them as if he had an uneasy
+suspicion that they were lies. At moments he seemed to be almost
+pleading with his hearers to tolerate him, to "bear with him." Indeed,
+several times during his disjointed remarks he made use of the latter
+expression, promising that his discourse should be a short one. Very
+carefully he included himself among those aware of sin, very humbly he
+declared the unworthiness of any man to set himself up as a teacher and
+leader of others.
+
+Now, humility is all very well, but if carried to excess, it suggests
+something less than a man. Mr. Harding almost cringed before his
+congregation. Malling did not feel that his humility was a pretense.
+On the contrary, it struck him as abominably real, but so excessive as
+to be not natural in any thorough man in a normal condition of mind and
+of body. It was the sort of humility that creates in the unregenerate a
+desire to offer a good kicking as a corrective.
+
+Very different was the effect created by Chichester's sermon in the
+evening. Malling, aware though he had become of the great strengthening
+of Chichester, was amazed when he heard him preach.
+
+Often it is said of a very fine preacher that he preached as one
+inspired. Chichester preached as one who knew. Never before had Malling
+been so impressed with the feeling that he was listening to truth,
+absolute truth, as he was while he listened to Chichester. There was
+something, though, that was almost deadly about it. It pierced like a
+lancet. It seared like a red-hot iron. It humbled almost too much.
+Here was no exaggerated humility, no pleading to be borne with, no
+cringing, and no doubt. A man who knew was standing up, and, with a
+sort of indifference to outside opinion that was almost frightening,
+was saying some of the things he knew about men, women--and surely God!
+
+The subject was somewhat akin to that of the first sermon of Mr. Harding
+which Malling had heard. The rector then had preached on self-knowledge.
+The curate, now, preached on hypocrisy. Incidentally he destroyed his
+rector's sermon, flung it away on the scrap-heap, and passed on. This was
+not done viciously, but it was done relentlessly. Indeed, that was the
+note of the whole sermon. It was relentless, as truth is relentless, as
+death is relentless. And besides being terribly true, it was imaginative.
+But the preacher almost succeeded in conveying the impression to his
+congregation that what is generally called imagination is really vision,
+that the true imagination is seeing what is, but is often hidden, knowing
+what is, but is often unknown. The latter part of the sermon struck
+Malling as very unusual, even as very daring.
+
+The preacher had spoken of the many varieties of hypocrisy. Finally he
+drew a picture of a finished hypocrite. And the man lived as a man lives
+in the pages of a great writer. One could walk round him, one knew him.
+And then Chichester treated him as the writer treats his creation; he
+proceeded to show his hypocrite in action.
+
+The man, happy, almost triumphant,--for he now often looked upon himself
+with the eyes of others who knew him not,--was walking to his home on a
+winter's evening along a country road, passing now and then rustics who
+respectfully saluted him, neighbors who grasped his hand, children who
+innocently smiled at him, women who whispered that he was a fine fellow,
+the clergyman of his parish, who gave him God-speed upon his way as to
+one who deserved that God should speed him because his way was right.
+Snow was upon the ground. Such light as there was began to fade. It was
+evident that the night, which was very still, was going to be very dark.
+And the man stepped out briskly. Presently, at a lonely part of the road,
+happening to look down, he saw footprints in the freshly fallen snow.
+They were of feet that had recently passed on the way he was following.
+They had attracted, they continued to attract, his attention, he knew not
+why. And as he went on, his eyes were often upon them.
+
+Presently he began to wonder about the feet which had made the prints he
+saw. Did they belong to a man or a woman? The prints were too large to
+have been made by the feet of a child. He gazed at them searchingly, and
+made up his mind that it was a man who had recently trodden this road.
+And what sort of man was it that thus preceded him not very far away? He
+became deeply engrossed with this question. His mind revolved about this
+unknown traveler, floating forward in surmises, till, by chance, he
+happened to set his right foot in one of the prints left in the snow.
+His foot exactly filled it. This fact, he knew not why, startled him.
+He stopped, bent down, examined the snow closely, measured very carefully
+his feet with the prints before him, now rather faintly discerned in
+the gathering darkness. The prints might have been made by his own feet.
+Having ascertained this, and reflected for a moment, he went forward, now
+assailed by a growing curiosity as to the personality and character of
+the stranger. But perhaps he was not a stranger. He might surely well be
+a neighbor, an acquaintance, perhaps even a friend. The man meant, if
+possible, to come up with him, whoever he was, and he now hurried along
+with the intention of joining the unknown whose footprints were the same
+as his own.
+
+At this point in his sermon Chichester paused for a moment. And
+Malling, who seldom felt any thrill at a séance, and who had often
+remained calmly watchful and alert during manifestations which amazed
+or terrified others, was aware of a feeling of cold, which seemed to
+pass like a breath through his spirit. The congregation about him,
+perhaps struck by the unusual form of the sermon, remained silent and
+motionless, waiting. In his stall sat the rector with downcast eyes.
+Malling could not at that moment discern his expression. His large
+figure and important powerful head and face showed almost like those
+of a carven effigy in the lowered light of the chancel. The choirboys
+did not stir, and the small, fair man in the pulpit, raising his thin
+hands, and resting them on the marble ledge, continued quietly, taking
+up his sermon with a repetition of the last words uttered, "whose
+footprints were the same as his own."
+
+Again the cold breath went through Malling's spirit. He leaned slightly
+forward and gazed at Chichester.
+
+For some time the man thus went onward, following the footprints in
+the snow, but not overtaking any one, and becoming momentarily more
+eager to satisfy his curiosity. Then, on a sudden, he started, stopped,
+and listened. It had now become very dark, and in this darkness, and
+the great stillness of night, he heard the faint sound of a footfall
+before him, brushing through the crisp snow, which lay lightly, and not
+very deep, on the hard highroad leading to the village on the farther
+outskirts of which his house was situated. He could not yet see any one,
+but he felt sure that the person who made this faint sound was no other
+than he in whose steps he had been treading. It would now be a matter of
+only a minute or two to come up with him. And the man went on, but more
+slowly, whether because he was now certain of attaining his object or
+for some other reason.
+
+The sound of the footfall persisted, and was certainly not far off. The
+prints in the snow were so fresh that they seemed not quite motionless,
+as if the snow were only now settling after the pressure it had just
+suffered. The man slackened his pace. He did not like the sound which
+he heard. He began to feel as if he by whom it was made would not prove
+a companion to his taste. Yet his curiosity continued. There began within
+him a struggle between his curiosity and another sensation, which was
+of repugnance, almost of fear. And so equal were the combatants that
+the lights of the village were in sight, and he had not decreased the
+distance between himself and the other. Seeing the lights, however, his
+curiosity got the upper hand. He slightly quickened his pace, and almost
+immediately beheld the shape of a man relieved against the night, and
+treading onward through the snow. And as the sound of the footsteps had
+been disagreeable to his nerves, so the contours of the moving blackness
+repelled him. He did not like the look of this man whose footprints were
+the same as his own, and he decided not to join him. But, moving rather
+cautiously, he gained a little upon him, in order to make sure, if
+possible, whether or not he was a neighbor or an acquaintance.
+
+The figure seemed somehow familiar to our man, indeed, oddly familiar.
+Nevertheless, he was unable to identify it. As he followed it, more and
+more certain did he become that he had seen it, that he knew it. And
+yet--did he know it? Had he seen it? It was almost as if one part of him
+denied while the other affirmed. He longed, yet feared, to see the face.
+But the face never looked back. And so, one at a little distance behind
+the other, they came into the village.
+
+Here a strange thing occurred.
+
+There were very few people about, but there were a few, and two or
+three of them, meeting the person our man was following, greeted him
+respectfully. But these same people, when immediately afterward they
+encountered the other, who had known them for years, and whom they of
+course knew, showed the greatest perturbation; one, a woman, even signs
+of terror. They gave him no greeting, shrank from him as he passed,
+and stared after him, as if bemused, when he was gone by. Their behavior
+was almost incredible. But he was so set on what was before him that he
+stopped to ask no questions.
+
+The village was a long one. Always one behind the other, walking at an
+even pace, the two men traversed it, approaching at last the outskirts,
+where, separated from the other habitations, and surrounded by a garden
+in which the trees were laden with snow, stood the house of the man who
+now watched and followed, with a growing wonder and curiosity, combined
+with an ever-growing repugnance, him who made the footprints, who had
+been saluted by the villagers, whose figure and general aspect seemed in
+somewise familiar to him, and yet whom he could not recognize. Where
+could this person be going? The man asked himself, and came to a resolve
+not to follow on into the darkness of the open country, not to proceed
+beyond his own home, of which now he saw the lights, but to make an
+effort to see the face of the other before the garden gate was reached.
+
+In this attempt, however, he was destined to be frustrated. For as he
+determinedly quickened his steps, so did the other, who gained the gate
+of the garden, unlatched it, turned in, and walked on among the trees
+going toward the principal door.
+
+A visitor, then! The man paused by his garden gate, whence he could see
+his house front, with the light from the window of his own sitting-room
+streaming over the porch. The stranger stood before it, made a movement
+as if searching in his pocket, drew out his hand, lifted it. The door
+opened at once. He disappeared within, and the door closed after him.
+
+He had opened the door with a key.
+
+The man at the gate felt overcome by a sensation almost of horror,
+which he could not explain to himself. It was not that he was horrified
+by the certainly extraordinary fact of some one possessing a key to his
+house, and using it in this familiar fashion. It was not even that he
+was horrified at seeing a man, perhaps a stranger, disappearing thus
+into his home by night, uninvited, unexpected. What horrified him was
+that this particular man, whose footprints he had followed and measured
+with his foot, whose footfalls he had heard, whose form he had seen
+outlined against the night, should be within his house, where his wife
+and his children were, and where his venerable mother was sitting beside
+the fire. That this man should be there! He knew now that from the first
+moment when he had been aware of his existence he had hated him, that his
+subconscious mind had hated him.
+
+But who was he? The natural thing would have been to follow quickly into
+the house, to see who had entered, to demand an explanation. But he could
+not do this. Why? He himself did not know why. But he knew that he dared
+not do this. And he waited, expecting he knew not what; a cry, a summons,
+perhaps, some manifestation that would force him to approach.
+
+None came. Steadily the lights shone from the house. There was no sound
+but the soft fall of a block of snow from an overladen fir branch in the
+garden. The man began to marvel. Who could this be whose familiar entry
+into his--_his_ home thus at night caused no disturbance? There were dogs
+within: they had not barked. There were servants: apparently they had not
+stirred. It was almost as if this stranger's permanence was accepted by
+the household. A long, long time had slipped by.
+
+The man at length, making an almost fierce effort, partly dominated the
+unreasoning sense of horror which possessed him. He opened the gate,
+stepped into the garden, and made his way slowly and softly toward the
+house door. But suddenly he stopped. Through the unshuttered window of
+his sitting-room, the room in which for years he had spent much of his
+time, in which he had concocted many schemes to throw dust in the
+eyes of his neighbors, and even of his own relatives, in which he had
+learned very perfectly to seem what he was not, and to hide what he
+really was, he perceived the figure of a man. It crossed the lighted
+space slowly, and disappeared with a downward movement. He knew it was
+the man he had been following and whom he had seen enter his house.
+
+For a long while he remained where he was on the path of the garden.
+The night deepened about him. A long way off, at the other end of the
+village, a clock chimed the hours. In the cottages the lights were
+extinguished. The few loungers disappeared from the one long street
+vanishing over the snow. And the man never moved. A numb terror possessed
+him. Yet, despite his many faults and his life of evil, he had never been
+physically a coward. Always the light shone steadily from the window of
+his study, making a patch of yellow upon the snow. Always the occupant
+of the room must be seated tranquilly there, like an owner. For no figure
+had risen, had repassed across the unshuttered space.
+
+The man told himself again and again that he must go forward till
+he gained the window, that he must at least look into the room; if he
+dared not enter the house to confront the intruder, to demand an
+explanation. But again and again something within him, which seemed to
+be a voice from the innermost chamber of his soul, whispered to him not
+to go, whispered to him to leave the intruder alone, to let the intruder
+do what he would, but not to approach him, above all, not to look upon
+his face. And the man obeyed the voice till a thing happened which roused
+in him a powerful beast, called by many the natural man.
+
+He saw his wife, whom he loved in his way, though he had tricked and
+deceived her again and again, cross the window space, smiling, and
+disappear with a downward movement, as the other had disappeared. Then
+she rose into his range of vision, and stood for a moment so that he
+could see her clearly, smiling, talking, making little gestures that
+he knew, carrying her hand to her face, stretching it out, dropping it.
+Finally she lifted it to her lips, half-closing her eyes at the same
+time, took it away quickly, with a sort of butterfly motion, and
+vanished, going toward the left, where the room door was.
+
+So had she many and many a time bidden him, her husband, good night.
+Instantly, with an impulse which seemed combined of rage and terror,
+both now full of a driving force which was irresistible, the man sprang
+forward to the window, seized the stone coping with his hands and stared
+into his room.
+
+Seated in a round chair at his writing-table, by a lamp with a green
+shade, was the man who had entered his house. He was writing busily in
+a book with a silver clasp that could be locked with a key, and he leaned
+a little over the table with his head turned away. The shape of his head,
+his posture, even the manner in which he used his pen as he traced line
+after line in the book, made an abominable impression upon the man
+staring in at the window. But the face--the face! He must see that! And
+he leaned forward, trembling, but fiercely, and, pressing his own face
+against the pane, he looked at the occupant of his room as men look
+sometimes with their souls.
+
+The man at the table lifted his head. He laid down the pen, blotted the
+book in which he had been writing, shut it up, clasped it, locked it with
+a tiny key, and put it carefully into a drawer of the table, which also
+he locked. He got up, stood for an instant by the table with one hand
+upon it, then turned slowly toward the window, smiling, as men smile to
+themselves when they are thinking of their own ingenuities.
+
+The man outside the window fell back into the snow as if God's hand had
+touched him. He had seen his own face! So he smiled sometimes at the end
+of a day, when he had finished writing down in his diary some of the
+hidden things of his life.
+
+He turned, and as the window through which he had been looking suddenly
+darkened, he fled away into the night.
+
+When the lights, which at St. Joseph's were always kept lowered during
+the sermon, once more strongly illuminated the chancel, Mr. Harding
+turned a ghastly face toward the pulpit. In the morning Chichester had
+listened to him, as a man of truth might listen to a man who is trying
+to lie, but who cannot deceive him. In the evening Mr. Harding had
+listened to Chichester--how? What had been the emotions only shadowed
+faintly forth in that ghastly face?
+
+When Malling got home, he asked himself why Chichester had made such
+an impression upon his mind. His story of the double, strange enough,
+no doubt, in a sermon, could not surely have come upon Malling with any
+of the force and the interest of the new. For years he had been familiar
+with tales of ghosts, of voices, of appearances at the hour of death, of
+doubles. Of course in the sermon there had been a special application of
+the story. It had been very short. Chichester had suggested that if, as
+by a miracle, the average self-contented man could look at himself with
+the eyes of his soul full of subliminal self-knowledge and with the
+bodily eyes, he would be stricken down by a great horror.
+
+And he had spoken as a man who knew. Indeed, it seemed to Malling that he
+had spoken as might have delivered himself the man who had followed his
+double through the snow, who had looked in upon him by night from the
+garden, if he had faced, instead of flying from, the truth; if he had
+stayed, if he had persistently watched his double leading the life he had
+led, if he had learned a great lesson that perhaps only his double could
+teach him.
+
+But if the man had stayed, what would have been the effect on the double?
+Malling sat till deep in the night pondering these things.
+
+
+
+
+VII
+
+
+Lady Sophia had said to Malling that if he went to the two services at
+St. Joseph's on the Sunday she would invite him to see her again. She
+was as good as her word. In the middle of the week he received a note
+from her, saying she would be at home at four on Thursday, if he was
+able to come. He went, and found her alone. But as soon as he entered
+the drawing-room and had taken her hand, she said:
+
+"I am expecting Mr. Chichester almost immediately. He's coming to tea."
+
+"I shall be glad to meet him," said Malling, concealing his surprise,
+which was great.
+
+Yet he did not know why it should be. For what more natural than that
+Chichester should be coming?
+
+"I heard of you at St. Joseph's," Lady Sophia continued. "A friend of
+mine, Lily Armitage, saw you there. I didn't. I was sitting at the back.
+I have taken to sitting quite at the back of the church. What did you
+think of it?"
+
+"Do you wish me to be frank, and do you mean the two sermons?"
+
+She hesitated for an instant. Then she said:
+
+"I do mean the sermons, and I do wish you to be frank."
+
+"I thought Mr. Chichester's sermon very remarkable indeed."
+
+"And my husband's sermon?"
+
+Her lips twisted almost as if with contempt when she said the words, "my
+husband's."
+
+"Why doesn't Mr. Harding take a long rest?" said Malling, speaking
+conventionally, a thing that he seldom did.
+
+"You think he needs one?"
+
+"He has a tiresome malady, I understand."
+
+"What malady?"
+
+"Doesn't he suffer very much from nervous dyspepsia?"
+
+She looked at him with irony, which changed almost instantly into serious
+reflection. But the irony returned.
+
+"Now and then he has a touch of it," she said. "Very few of us don't have
+something. But we have to go on, and we do go on, nevertheless."
+
+"I think a wise doctor would probably order your husband away," said
+Malling, though Mr. Harding's departure was the last thing he desired
+just then.
+
+"Even if he were ordered away, I don't know that he would go."
+
+"Why not?"
+
+"I don't think he would. I don't feel as if he could get away," she said,
+with what seemed to Malling a sort of odd obstinacy. "In fact, I know
+he's not going," she abruptly added. "I have an instinct."
+
+Malling felt sure that she had considered, perhaps long before he had
+suggested it, this very project of Mr. Harding's departure for a while
+for rest, and that she had rejected it. Her words recalled to his mind
+some other words of her husband, spoken in Mr. Harding's study: "Surely
+one ought to get out of such an atmosphere, to get out of it, and to keep
+out of it. But how extraordinary it is the difficulty men have in getting
+away from things!"
+
+Perhaps Lady Sophia was right. Perhaps the rector could not get away from
+the atmosphere which seemed to be destroying him.
+
+"I dare say he is afraid to trust everything to his curates," observed
+Malling, prosaically.
+
+"He needn't be--now," she replied.
+
+In that "now," as she said it, there lay surely a whole history. Malling
+understood that Lady Sophia, suddenly perhaps, had given her husband up.
+Since Malling had first encountered her she had cried, _"Le roi est
+mort!"_ in her heart. The way she had just uttered the word "now" made
+Malling wonder whether she was not about to utter the supplementary cry,
+_"Vive le roi!"_
+
+As he looked at her, with this wonder in his mind, Henry Chichester came
+into the room.
+
+There was an expression of profound sadness on his face, which seemed to
+dignify it, to make it more powerful, more manly, than it had been. The
+choir-boy look was gone. Malling of course knew how very much expression
+can change a human being; nevertheless, he was startled by the alteration
+in the curate's outward man. It seemed, to use the rector's phrase, that
+he had "shed his character." And now, perhaps, the new character,
+mysteriously using matter as the vehicle of its manifestation, was
+beginning to appear to the eyes of men. He showed no surprise at the
+sight of Malling, but rather a faint, though definite, pleasure. The
+way in which Lady Sophia greeted him was a revelation to Malling, and
+a curious exhibition of feminine psychology.
+
+She looked up at him from the low chair in which she was sitting, gave
+him her left hand, and said, "Are you very tired?" That was all. Yet
+it would have been impossible to express more clearly a woman's mental,
+not affectional, subjugation by a man, her instinctive yielding to power,
+her respect for authority, her recognition that the master of her master
+had come into the room.
+
+Her "_Vive le roi!_" was said.
+
+Chichester accepted Lady Sophia's subtle homage with an air of
+unconsciousness. His interior melancholy seemed to lift him above the
+small things that flatter small men. He acknowledged that he was tired,
+and would be glad of tea. He had been down in the East End. The rector
+had asked him to talk over something with Mr. Carlile of the Church Army.
+
+"You mean that you suggested to the rector that it would be wise to see
+Mr. Carlile," said Lady Sophia.
+
+"Is the rector coming in to tea?" asked Chichester.
+
+"Possibly he may," she replied. "He knew Mr. Malling was to be here. Did
+you tell him you were coming?"
+
+"No. I was not certain I should get away in time."
+
+"I think he will probably turn up."
+
+A footman brought in tea at this moment, and Malling told the curate he
+had heard him preach in the evening of last Sunday.
+
+"It was a deeply interesting sermon," he said.
+
+"Thank you," said Chichester, very impersonally.
+
+The footman went away, and Lady Sophia began to make tea.
+
+"When I went home," Malling continued, "I sat up till late thinking
+it over. Part of it suggested to my mind one or two rather curious
+speculations."
+
+"Which part?" asked Lady Sophia, dipping a spoon into a silver tea-caddy.
+
+"The part about the man and his double."
+
+She shivered, and some of the tea with which she had just filled the
+spoon was shaken out of it.
+
+"That was terrible," she said.
+
+"What were your speculations?" said Chichester, showing a sudden and
+definite waking up of keen interest.
+
+"One of them was this--"
+
+Before he could continue, the door opened again, and the tall and
+powerful form of the rector appeared. And as the outer man of Chichester
+seemed to Malling to have begun subtly to change, in obedience surely
+to the change of his inner man, so seemed Mr. Harding a little altered
+physically, as he now slowly came forward to greet his wife's two
+visitors. The power of his physique seemed to be struck at by something
+within, and to be slightly marred. One saw that largeness can become
+but a wide surface for the tragic exhibition of weakness. As the rector
+perceived the presence of Chichester, an expression of startled pain fled
+over his face and was gone in an instant. He greeted the two men and sat
+down.
+
+"Have you just begun tea?" he asked, looking now at his wife.
+
+"We are just going to begin it," she replied. "We are talking about the
+sermon of last Sunday."
+
+"Oh," rejoined the rector.
+
+He turned to Malling.
+
+"Did you come to hear me preach again?"
+
+There was a note as of slight reassurance in his voice.
+
+"Mr. Chichester's sermon," said Lady Sophia.
+
+"Oh, I see," said the rector. He glanced hastily from one to the other of
+the three people in the room, like a man searching for sympathy or help.
+"What were you saying about our friend Chichester's sermon?" he asked,
+with a forced air of interest.
+
+Lady Sophia distributed cups for tea.
+
+"I was speaking of that part of it which dealt with the man who followed
+his double," said Malling.
+
+"Ah?" said the rector.
+
+He was holding his tea-cup. His hand trembled slightly at this moment,
+and the china rattled. He set the cup down on the small table before
+him.
+
+"You said," observed Chichester--toward whom Lady Sophia immediately
+turned, with an almost rapt air--"that it suggested some curious
+speculations to your mind. I should very much like to know what they
+were."
+
+"One was this. Suppose the man in the garden, who looked in upon his
+double, had not fled away. Suppose he had had the courage to remain,
+and, in hiding--for the sake of argument we may assume the situation to
+be possible--"
+
+"Ah, indeed! And why not?" interrupted Chichester.
+
+His voice, profoundly melancholy, fell like a weight upon those who heard
+him. And again Malling thought of him almost as some one set apart from
+his fellows by some mysterious knowledge, some heavy burthen of truth.
+
+"--and in hiding had watched the life of his double. I sat up speculating
+what effect such an observation, terrible no doubt and grotesque, would
+be likely to have on the soul of the watching man. But there was another
+speculation with which I entertained my mind that night."
+
+"Let us have it," said Chichester, leaning forward, and, with the gesture
+characteristic of him, dropping his hands down between his knees. "Let us
+have it."
+
+"Suppose the man to remain and, in hiding, to watch the life of his
+double, what effect would such an observation be likely to have upon the
+double?"
+
+Malling paused. The rector, with an almost violent movement of his big
+hand and arm, took his cup from the table and drank his tea.
+
+"It didn't occur to you, I suppose, when composing your sermon to follow
+that train of thought?" said Malling to Chichester.
+
+"No," replied the curate, slowly, and like one thinking profoundly. "I
+was too engrossed with the feelings of the man. But, then, you thought
+of the double as a living man, with all the sensations of a man?"
+
+"That was your fault," said Malling.
+
+"His fault!" said Lady Sophia, with a sort of latent sharpness, and
+laying an emphasis on the second word.
+
+"Certainly; for making the narrative so vital and human."
+
+He addressed himself again to the curate.
+
+"Did you not give to the double the attributes of a man? Did you not
+make his wife come to bid him good night, bend down to kiss him, waft
+him a characteristic farewell?"
+
+"It is true. I did," said Chichester, still speaking like a man in deep
+thought.
+
+"That was the most terrible part of all," said Lady Sophia. In her voice
+there was an accent almost of horror. "It sickened me to the soul,"
+she continued--"the idea of a woman bidding a tender good night to an
+apparition."
+
+"I took it as a man," said Malling.
+
+They had all three, strangely, left the rector out of this discussion,
+and he seemed willing that it should be so. He now sat back in his chair
+listening to all that was being said, somewhat as he had listened to the
+sermon of Chichester, in a sort of ghastly silence.
+
+"How could a man's double be a man?" said Lady Sophia.
+
+"We are in the region of assumption and of speculation," returned
+Malling, quietly, "a not uninteresting region either, I think. The other
+night for a whole hour, having assumed the double man, I speculated on
+his existence, spied upon by his other self. And you never did that?"
+
+He looked at Chichester.
+
+"When I was making my sermon I was engrossed by the thought of the
+watching man."
+
+Malling's idea had evidently laid a grip upon Chichester's mind.
+
+"Tell me what the double's existence would be, according to you," he
+said. "Tell me."
+
+"You imagined the lesson learnt by the man so terrible that he fled away
+into the night."
+
+"Yes."
+
+"Had he been strong enough to stay--"
+
+"Strong enough!" interposed Chichester. "Better say, had he been obliged
+to stay."
+
+"Very well. Given that compulsion, in my imagination the double must have
+learnt a lesson, too. If we can learn by contemplation, can we not, must
+we not, learn by being contemplated? Life is permeated by reciprocity. I
+can imagine another sermon growing out of yours of last Sunday."
+
+"Yes, you are right--you are right," said Chichester.
+
+"The double, then, in my imagination, would gradually become uneasy
+under this secret observation. You described him as, his wife gone,
+sitting down comfortably to write some account of the hidden doings
+of his life, as, the writing finished, the diary committed to the
+drawer and safely locked away, rising up to go to rest with a smile of
+self-satisfaction. It seemed to me that, given my circumstance of the
+persistent observation, a few nights later matters would have been very
+different within that room. The hypocrite is happy, if he is happy at
+all, when he is convinced that his hypocrisy is successful. Take away
+that certainty, and he would be invaded by anxiety. Set any one to watch
+him closely, he would certainly suffer, if he knew it."
+
+"If he knew it! That is the point," said Chichester. "You put the man
+watching the double in hiding."
+
+"There are influences not yet fully understood which can traverse space,
+which can touch not as a hand touches, but as unmistakably. I imagined
+the soul of the double touched in this way, the waters troubled."
+
+"Troubled! Troubled!"
+
+It was Mr. Harding who had spoken, almost lamentably. His powerfully
+shaped head now drooped forward on his breast.
+
+"I imagined," continued Malling, "a sort of gradual disintegration
+beginning, and proceeding, in the double--a disintegration of the soul,
+if such a thing can be conceived of."
+
+His piercing eyes went from Chichester to Harding.
+
+"Or, no," he corrected himself. "Perhaps that is an incorrect description
+of my--very imaginative--flight through speculation the other night.
+Possibly I should say a gradual transference, instead of disintegration
+of soul. For it seemed to me as if the man who watched might gradually,
+as it were, absorb into himself the soul of the double, but purified. For
+the watcher has the tremendous advantage of seeing the hypocrite living
+the hypocrite's life, while the hypocrite is only seen. Might not the
+former, therefore, conceivably draw in strength, while the other faded
+into weakness? Ignorance is the terrible thing in life, I think. Now the
+man who watched would receive knowledge, fearful knowledge, but the man
+who was watched, while perhaps suffering first uneasiness, then possibly
+even terror, would not, in my conception, ever clearly understand. He
+would not any longer dare at night to sit down alone to fill up that
+dreadful diary. He would not any longer perhaps--I only say perhaps--dare
+to commit the deeds the record of which in the past the diary held. But
+his lesson would be one of fear, making for weakness, finally almost for
+nothingness. And the other night I conceived of him at last fading away
+in the gloom of his room with the darkened window."
+
+"That was your end!" said Mr. Harding, in a low voice.
+
+"Yes, that was my end."
+
+"Then," said Chichester, "you think the lesson men learn from being
+contemplated tends only to destroy them?"
+
+But Malling, now with a smiling change to greater lightness and ease,
+hastened to traverse this statement.
+
+"No, no," he replied. "For the contemplation of a man by his fellow-men
+must always be an utterly different thing from his own contemplation by
+himself. For our fellow-men always remain in a very delightful ignorance
+of us. Don't they, Lady Sophia? And so they can never destroy us, luckily
+for us."
+
+He had done what he wished to do, and he was now ready for other
+activities. But he found it was not easy to switch his companions off
+onto another trail. Lady Sophia, now that he looked at her closely, he
+saw to be under the influence of fear, provoked doubtless by the subject
+they had been discussing. Chichester, also, had a look as of fear in his
+eyes. As to the rector, he sat gazing at his curate, and there had come
+upon his countenance an expression of almost unnatural resolution, such
+as a coward's might wear if terror forced him into defiance.
+
+In reply to Malling's half-laughing question, Lady Sophia said:
+
+"You've studied all these things, haven't you?"
+
+"Do you mean what are sometimes called occult questions?"
+
+"Yes."
+
+"I have."
+
+"And do you believe in them?"
+
+"I'm afraid I must ask you to be a little more definite."
+
+"Do you believe that there are such things as doubles?"
+
+"I have no reason to believe that there are, unless you include wrongly
+in the term the merely physical replica. It appears to be established
+that now and then two human beings are born who, throughout their
+respective lives remain physically so much alike that it is difficult,
+if not impossible, to distinguish between them."
+
+"I didn't mean only that," she said quickly.
+
+"You meant the double in mind and soul as well as in body," said
+Chichester.
+
+"Yes."
+
+"How can one see if a soul is the double of another soul?" said Malling.
+
+"Then you think such a story as Mr. Chichester related in his sermon all
+nonsense?" said Lady Sophia, almost hotly, and yet, it seemed to Malling,
+with a slight lifting of the countenance, as if relief perhaps were
+stealing through her.
+
+"I thought it a legitimate and powerful invention introduced to point a
+moral."
+
+"Nothing more than that?" said Lady Sophia.
+
+Malling did not reply; for suddenly a strange question had risen up in
+him. Did he really think it nothing more than that? He glanced at
+Chichester, and the curate's eyes seemed asking him to say.
+
+The rector's heavy and powerful frame shifted in his chair, and his voice
+was heard saying:
+
+"My dear Sophy, I think you had better leave such things alone. You do
+not know where they might lead you."
+
+There was in his voice a sound of forced authority, as if he had been
+obliged to "screw himself up" to speak as he had just spoken. Lady Sophia
+was about to make a quick rejoinder when, still with a forced air of
+resolution, Mr. Harding addressed himself to Chichester.
+
+"Since I saw you this morning," he said, "I find that I shall not be here
+next Sunday."
+
+He looked about the circle at his wife and Malling.
+
+"The doctor has ordered me away for a week, and I've decided to go."
+
+His introduction of the subject had been abrupt. As if almost in despite
+of themselves, Lady Sophia and Malling exchanged glances. Chichester
+said nothing.
+
+"You can get on without me quite well, of course," continued the rector.
+
+"Are you going to be away long?" said Chichester.
+
+"No; I think only for a week or so. The doctor says I absolutely need a
+breath of fresh air."
+
+Malling got up to go.
+
+"I hope you'll enjoy your little holiday," he said. "Are you going far?"
+
+"Oh, dear, no. My doctor recommends Tankerton on the Kentish coast. It
+seems the air there is extraordinary. When the tide is down it comes off
+the mud flats. A kind parishioner of mine--" he turned slightly toward
+his wife: "Mrs. Amherst, Sophy--has a cottage there and has often offered
+me the use of it. I hope to accept her offer now."
+
+Lady Sophia expressed no surprise at the project, and did not inquire
+whether her husband wished her to accompany him.
+
+But when she shook hands with Malling, her dark eyes seemed to say to
+him, "I was wrong."
+
+And he thought she looked humbled.
+
+
+
+
+VIII
+
+
+_"Could you come down stay with me Saturday till Monday all alone air
+delicious feel rather solitary glad of your company Marcus Harding Minors
+Tankerton Kent."_
+
+Such was the telegram which Evelyn Malling was considering on the
+following Friday afternoon. The sender had paid an answer. The
+telegraph-boy was waiting in the hall. Malling only kept him five
+minutes. He went away with this reply:
+
+_"Accept with pleasure will take four twenty train at Victoria Saturday
+Malling."_
+
+Malling could not have said with truth that he had expected a summons
+from Mr. Harding, yet he found that he was not surprised to get it. The
+man was in a bad way. He needed sympathy, he needed help. That was
+certain. But whether he could help him was more than doubtful, Malling
+thought. Perhaps, really, a doctor and the wonderful air from the mud
+flats of Tankerton! But here Malling found that a strong incredulity
+checked him. He did not believe that the rector would be restored by a
+doctor's advice and a visit to the sea.
+
+That afternoon he went to Westminster, and asked for Professor Stepton.
+
+"He is away, sir," said the fair Scotch parlormaid.
+
+"For long?"
+
+"We don't know, sir. He has gone into Kent, on research business, I
+believe."
+
+Agnes had been for a long time in the professor's service, and was
+greatly trusted. The professor had come upon her originally when making
+investigations into "second sight," a faculty which she claimed to
+possess. By the way she was also an efficient parlor-maid.
+
+"Kent!" said Malling. "Do you know where he is staying?"
+
+"The address he left is the Tankerton Hotel, Tankerton, near
+Whitstable-on-Sea, sir."
+
+"Thank you, Agnes," said Malling.
+
+"It is a haunted house somewhere Birchington way the professor is after,
+I believe, sir."
+
+"Luck favors me!" said Malling to himself, unscientifically, as he walked
+away from the house.
+
+On the following day it was in a singularly expectant and almost
+joyously alert frame of mind that he bought a first-class ticket
+for Whitstable-on-Sea, which is the station for Tankerton.
+
+He would involve Stepton in this affair. There was a mystery in it.
+Malling was now convinced of that. And his original supposition did not
+satisfy him. But perhaps Mr. Harding meant to help him. Perhaps Mr.
+Harding intended to be explicit. The difficulty there was that he also
+was walking in darkness, as Malling believed. His telegram had come like
+a cry out of this darkness.
+
+"Faversham! Faversham!" the fair Kentish porters were calling. Only about
+twenty minutes now! Would the rector be at the station?
+
+He was. As the train ran in alongside the wooden platform, Mailing caught
+sight of the towering authoritative figure. Was it his fancy which made
+him think that it looked slightly bowed, even perhaps a little shrunken?
+
+"Good of you to come!" said the rector in a would-be hearty voice, but
+also with a genuine accent of pleasure. "All the afternoon I have been
+afraid of a telegram."
+
+"Why?" asked Malling, as they shook hands.
+
+"Oh, when one is anxious for a thing, one does not always get it. Ha,
+ha!"
+
+He broke into a covering laugh.
+
+"Here is a porter. You've only got this bag. Capital! I have a fly
+waiting. We go down these steps."
+
+As they descended, Malling remarked:
+
+"By the way, we have a friend staying here. Have you come across him?"
+
+"No, I have seen nobody--that is, no acquaintance. Who is it?"
+
+"Stepton."
+
+"The professor down here!" exclaimed Mr. Harding, as if startled.
+
+"At the hotel, I believe. He's come down to make some investigation."
+
+"I haven't seen him."
+
+They stepped into the fly, and drove through the long street of
+Whitstable toward the outlying houses of Tankerton, scattered over
+grassy downs above a quiet, brown sea.
+
+"The air is splendid, certainly," observed Malling, drinking it in almost
+like a gourmet savoring a wonderful wine.
+
+"It must do me good. Don't you think so?"
+
+The question sounded anxious to Malling's ears.
+
+"It ought to do every one good, I should think."
+
+"Here is Minors."
+
+The fly stopped before a delightfully gay little red doll's house--so
+Malling thought of it--standing in a garden surrounded by a wooden
+fence, with the downs undulating about it. Not far off, but behind it,
+was the sea. And the rector, pointing to a red building in the distance,
+on the left and much nearer to the beach, said:
+
+"That is the hotel where the professor must be staying, if he is here."
+
+"I'll go over presently and ask about him."
+
+"Oh," said Mr. Harding. "Bring in the bag, please, Jennings. The room on
+the right, at the top of the stairs."
+
+Malling had believed in London that Mr. Harding's telegram to him was a
+cry out of darkness. That first evening in the cheerful doll's house he
+knew his belief was well founded. When they sat at dinner, like two
+monsters, Malling thought, who had somehow managed to insert themselves
+into a doll's dining-room, it was obvious that the rector was ill at
+ease. Again and again he seemed to be on the verge of some remark,
+perhaps of some outburst of speech, and to check himself only when the
+words were almost visibly trembling on his lips. In his eyes Malling
+saw plainly his longing for utterance, his hesitation; reserve and a
+desire to liberate his soul, the one fighting against the other. And at
+moments the whole man seemed to be wrapped in weakness like a garment,
+the soul and the body of him. Then, as a light may dwindle till it seems
+certain to go out, all that was Marcus Harding seemed to Malling to
+dwindle. The large body, the powerful head and face, meant little, almost
+nothing, because the spirit was surely fading. But these moments passed.
+Then it was as if the light flared suddenly up again.
+
+When dinner was over, Mr. Harding asked Malling if he would like to take
+a stroll.
+
+"The sea air will help us to sleep," he said.
+
+"I should like nothing better," said Malling. "Haven't you been sleeping
+well lately?"
+
+"Very badly. We had better take our coats."
+
+They put the coats on, and went out, making their way to the broad,
+grassy walk raised above the shingle of the beach. The tide was far
+down, and the oozing flats were uncovered. So still, so waveless was
+the brown water that at this hour it was impossible to perceive where
+it met the brown land. In the distance, on the right, shone the lights
+of Herne Bay, with its pier stretching far out into the shallows. Away
+to the left was the lonely island of Sheppey, a dull shadow beyond the
+harbor, where the oyster-boats lay at rest. There were very few people
+about: some fisher-lads solemnly or jocosely escorting their girls, who
+giggled faintly as they passed Mr. Harding and Malling; two or three
+shopkeepers from Whitstable taking the air; a boatman or two vaguely
+hovering, with blue eyes turned from habit to the offing.
+
+The two men paced slowly up and down. And again Malling was aware of
+words trembling upon the rector's lips--words which he could not yet
+resolve frankly to utter. Whether it was the influence of the faintly
+sighing sea, of the almost sharply pure air, of the distant lights
+gleaming patiently, or whether an influence came out from the man beside
+him and moved him, Malling did not know; but he resolved to do a thing
+quite contrary to his usual practice. He resolved to try to force a
+thing on, instead of waiting till it came to him naturally. He became
+impatient, he who was generally a patient seeker.
+
+"You remember our former conversations with regard to Henry Chichester?"
+he said abruptly, changing the subject of their discourse.
+
+"Chichester? Yes--yes. What of him?"
+
+"I wish to tell you that I think you are right, that I think there is an
+extraordinary, even an amazing, change in Chichester."
+
+"There is, indeed," said Mr. Harding. "And--and it will increase."
+
+He spoke with a sort of despairing conviction.
+
+"What makes you think so?"
+
+"It must. It cannot be otherwise--unless--"
+
+He paused.
+
+"Yes," said Malling; "unless--"
+
+"A thing almost impossible were to happen."
+
+"May I, without indiscretion, ask what that is?"
+
+"Unless he were to leave St. Joseph's, to go quite away."
+
+"Surely that would not be impossible!"
+
+"I often think it is. Chichester will not wish to go."
+
+"Are you certain of that?" asked Malling, remembering the curate's remark
+in Horton Street, that perhaps he would not remain at St. Joseph's much
+longer.
+
+The rector turned his head and fixed his eyes upon Malling.
+
+"Has he said anything to you about leaving?" he asked, suddenly raising
+his voice, as if under the influence of excitement. "But of course he
+has not."
+
+"Surely it is probable that such a man may be offered a living."
+
+"He would not take it."
+
+They walked on a few steps in silence, turned, and strolled back. It was
+now growing dark. Their faces were set toward the distant gleam of the
+Herne Bay lights.
+
+"I am not so sure," at length dropped out Malling.
+
+"Why are you not so sure?"
+
+"Why do you think Chichester's departure from St. Joseph's impossible?"
+
+Malling spoke strongly to determine, if possible, the rector to speak, to
+say out all that was in his heart.
+
+"Can I tell you?" Mr. Harding almost murmured. "Can I tell you?"
+
+"I think you asked me here that you might tell me something."
+
+"It is true. I did."
+
+"Then--"
+
+"Let us sit down in this shelter. There is no one in it. People are going
+home."
+
+Malling followed him into a shelter, with a bench facing the sea.
+
+"I thought perhaps here I might be able to tell you," said Mr. Harding.
+"I am in great trouble, Mr. Malling, in great trouble. But I don't know
+whether you, or whether any one, can assist me."
+
+"If I may advise you, I should say--tell me plainly what your trouble
+is."
+
+"It began--" Mr. Harding spoke with a faltering voice--"it began a good
+while ago, some months after Mr. Chichester came as a curate to St.
+Joseph's. I was then a very different man from the man you see now.
+Often I feel really as if I were not the same man, as if I were radically
+changed. It may be health. I sometimes try to think so. And then I--" He
+broke off.
+
+The strange weakness that Malling had already noticed seemed again to be
+stealing over him, like a mist, concealing, attenuating.
+
+"Possibly it is a question of health," said Malling, rather sharply.
+"Tell me how it began."
+
+"When Chichester first joined me, I was a man of power and ambition. I
+was a man who could dominate others, and I loved to dominate."
+
+His strength seemed returning while he spoke, as if frankness were to him
+a restorative of the spirit.
+
+"It was indeed my passion. I loved authority. I loved to be in command.
+I was full of ecclesiastical ambition. Feeling that I had intellectual
+strength, I intended to rise to the top of the church, to become a bishop
+eventually, perhaps even something greater. When I was presented to St.
+Joseph's,--my wife's social influence had something to do with that,--I
+saw all the gates opening before me. I made a great effect in London.
+I may say with truth that no clergyman was more successful than I was--at
+one time. My wife spurred me on. She was immensely ambitious for me. I
+must tell you that in marrying me she had gone against all her family.
+They thought me quite unworthy of her notice. But from the first time I
+met her I meant to marry her. And as I dominated others, I completely
+dominated her. But she, once married to me, was desperately anxious that
+I should rise in the world, in order that her choice of me might be
+justified in the eyes of her people. You can understand the position, I
+dare say?"
+
+"Perfectly," said Malling.
+
+"I may say that she irritated my ambition, that she stung it into almost
+a furious activity. Women have great influence with us. I thought she was
+my slave almost, but I see now that she also influenced me. She worshiped
+me for my immediate success at St. Joseph's. You may think it very
+ridiculous, considering that I am merely the rector of a fashionable
+London church, but there was a time when I felt almost intoxicated by
+my wife's worship of me, and by my domination over the crowds who came to
+hear me preach. Domination! That was my fetish! That was what led me
+to--oh, sometimes I think it must end in my ruin!"
+
+"Perhaps not," said Malling, quietly. "Let us see."
+
+His words, perhaps even more his manner, seemed greatly to help Mr.
+Harding.
+
+"I will tell you everything," he exclaimed. "From the first I have
+felt as if you were the man to assist me, if any man could. I had
+always, since I was an undergraduate at Oxford,--I was a Magdalen
+man,--been interested in psychical matters, and followed carefully
+all the proceedings of the Society for Psychical Research. I had also
+at that time,--in Oxford,--made some experiments with my college
+friends, chiefly in connection with will power. My influence seemed to
+be specially strong. But I need not go into all that. After leaving
+Oxford and taking orders, for a long time I gave such matters up. I
+feared, if I showed my strong interest in psychical research, especially
+if I was known to attend séances or anything of that kind, it might be
+considered unsuitable in a clergyman, and might injure my prospects. It
+was not until Henry Chichester came to St. Joseph's that I was tempted
+again into paths which I had chosen to consider forbidden to me.
+Chichester tempted me! Chichester tempted me!"
+
+He spoke the last words with a sort of lamentable energy.
+
+"Such a gentle, yielding man as he was!"
+
+"It was just that. He came under my influence at once, and showed it in
+almost all he said and did. He looked up to me, he strove to model
+himself upon me, he almost worshiped me. One evening,--it was in the
+pulpit!--the idea shot through my brain, 'I could do what I like with
+that man, make of him just what I choose, use him just as I please.' And
+I turned my eyes toward the choir where Chichester sat in the last stall,
+hanging on my words. At that instant I can only suppose that what people
+sometimes call the _maladie de grandeur_--the mania for power--took
+hold upon me, and combined with my furtive longing after research in
+those mysterious regions where perhaps all we desire is hidden. Anyhow,
+at that instant I resolved to try to push my influence over Chichester to
+its utmost limit, and by illegitimate means."
+
+"Illegitimate?"
+
+"I call them so. Yes, yes, they are not legitimate. I know that now. And
+he--but I dare not think what he knows!"
+
+The rector was greatly moved. He half rose from the bench on which they
+were sitting, then, making a strong effort, controlled himself, sank
+back, and continued:
+
+"At that time, in the early days of his association with me, Chichester
+thought that everything I did, everything I suggested, even everything
+that came into my mind, must be good and right. He never dreamed of
+criticizing me. In his view, I was altogether above criticism. And if I
+approached him with any sort of intimacy he was in the greatest joy. You
+know, perhaps, Mr. Malling, how the worshiper receives any confidence
+from the one he worships. He looks upon it as the greatest compliment
+that can be paid him. I resolved to pay that compliment to Henry
+Chichester.
+
+"You must know that although I had entirely given up the occult
+practices--that may not be the exact term, but you will understand
+what I mean--I had indulged in at Oxford, I had never relaxed my deep,
+perhaps my almost morbid interest in the efforts that were being made
+by scientists and others to break through the barrier dividing us on
+earth from the spirit world. Although I had chosen the career of a
+clergyman,--alas! I looked upon the church, I suppose, as little more
+than a career!--I was not a very faithful man. I had many doubts which,
+as clergymen must, I concealed. By nature I suppose I had rather an
+incredulous mind. Not that I was a skeptic, but I was sometimes a
+doubter. Rather than faith, I should have much preferred to have
+knowledge, exact knowledge. Often I even felt ironical when confronted
+with the simple faith we clergymen should surely encourage, sustain, and
+humbly glory in, whereas with skepticism, even when openly expressed, I
+always felt some part of myself to be in secret sympathy. I continued to
+study works, both English and foreign, on psychical research. I followed
+the experiments of Lodge, William James, and others. Myers's great work
+on human personality was forever at my elbow. And the longer I was
+debarred--self-debarred because of my keen ambition and my determination
+to do nothing that could ever make me in any way suspect in the eyes of
+those to whom I looked confidently for preferment--from continuing the
+practices which had such a fascination for me, the more intensely I
+was secretly drawn toward them. The tug at my soul was at last almost
+unbearable. It was then I looked toward Chichester, and resolved to take
+him into my confidence--to a certain extent.
+
+"I approached the matter craftily. I dwelt first upon the great spread
+of infidelity in our days, and the necessity of combating it by every
+legitimate means. I spoke of the efforts being made by earnest men of
+science--such men as Professor Stepton, for instance--to get at the truth
+Christians are expected to take on trust, as it were. I said I respected
+such men. Chichester agreed,--when did he not agree with me at that
+time?--but remarked that he could not help pitying them for ignoring
+revelation and striving to obtain by difficult means what all Christians
+already possessed by a glorious and final deed of gift.
+
+"I saw that though Chichester was such a devoted worshiper of mine, if I
+wanted to persuade him to my secret purpose,--no other than the effort,
+to be made with him, to communicate with the spirit world,--I must be
+deceptive, I must mask my purpose with another.
+
+"I did so. I turned his attention to the subject of the human will. Now,
+at that time Chichester knew that his will was weak. He considered that
+fact one of his serious faults. I hinted that I agreed with him. I
+proposed to join with him in striving to strengthen it. He envied my
+strength of will. He looked up to me, worshiped me almost, because of it.
+I drew his mind to the close consideration of influence. I gave him two
+or three curious works that I possessed on this subject. In one of them,
+a pamphlet written by a Hindu who had been partly educated at Oxford,
+and whom I had personally known when I was an undergraduate, there was a
+course of will-exercises, much as in certain books on body-building there
+are courses of physical exercises. I related to Chichester some of the
+extraordinary and deeply interesting conversations I had had with this
+Hindu on the subject of the education of the will, and finally I told a
+lie. I told Chichester that I had gained my powerful will while at Oxford
+by drawing it from my Hindu friend in a series of sittings that we two
+had secretly undertaken together. This was false, because I had been born
+with a strong, even a tyrannical, will, and I had never sat with the
+Hindu.
+
+"Chichester, though at first startled, was fascinated by this untruth,
+and, to cut the matter short, I persuaded him to begin with me a series
+of secret sittings, in which I proposed to try to impart to him, to
+infuse into him, as it were, some of my undoubted power--the power which
+he daily saw me exercising in the pulpit and over the minds of men in my
+intercourse with them.
+
+"What I really wished to do, what I meant to do, if possible, was to use
+Chichester as a medium, and to try through him to communicate with the
+spirit world. I had taken it into my head--no doubt you will say quite
+unreasonably--that he must be entirely subject to my will in a sitting,
+and that if I willed him to be entranced, it was certain that he would
+become so. But my own entirely selfish desires I concealed under the
+cloak of an unselfish wish to give power to him. I even pretended, as you
+see, to have a highly moral purpose, though it is true I suggested trying
+to effect it in an unconventional and very unecclesiastical manner.
+
+"Chichester, though, as I have said, at first startled, of course
+eventually fell in with my view. We sat together in his room at Hornton
+Street.
+
+"Now, Mr. Malling, some of what I have told you may appear to be almost
+contradictory. I have spoken of my _maladie de grandeur_ as if it were
+a reason why I wished to sit with Henry Chichester, and then of my desire
+to communicate, if possible, with the spirit world as my reason."
+
+"I noticed that," observed Malling, "and purposed later to point it out
+to you."
+
+"How can I explain exactly? It is so difficult to unravel the web of
+motives in a mind. It was my _maladie de grandeur_, I think, that made
+me long to use my worshiper Chichester as a mere tool for the opening of
+that door which shuts off from us the region the dead have entered. My
+mind at that time was filled with a mingled conceit, amounting at moments
+almost to an intoxication, and a desire for knowledge. I reveled in my
+power when preaching, but was haunted by genuine doubts as to truth. My
+egoism longed to make an utter slave of Chichester (I nearly always
+lusted to push my influence to its limit). But my desire to know made me
+conceive the pushing of it in a direction, in this instance, which would
+perhaps gratify a less unworthy desire than that merely of subjugating
+another. The two birds and the one stone! I thought of them. I loved the
+idea of making a tool. I loved also the idea of using the tool when made.
+And I pretended I had only Chichester's moral interest at heart. I have
+been punished, terribly punished.
+
+"We sat, as I say, in Hornton Street, secretly, and of course at night.
+My wife knew nothing of it. I made excuses to get away--parish matters,
+meetings, work in the East End. I had no difficulty with her. She thought
+my many activities would bring me ever more and more into the public
+eye, and she encouraged them. The people in the house where Chichester
+lodged were simple folk, and were ready to go early to bed, leaving
+rector and curate discussing their work for the salvation of bodies and
+souls.
+
+"At first Chichester was reluctant, I know. I read his thoughts. He was
+not sure that it was right to approach such mysteries; but, as usual, I
+dominated him silently. And soon he fell completely under the fascination
+peculiar to sittings."
+
+Again Mr. Harding paused. For a moment his head sank, his powerful body
+drooped, he was immersed in reverie. Malling did not interrupt him. At
+last, with a deep sigh, and now speaking more slowly, more unevenly, he
+continued:
+
+"What happened exactly at those sittings I do not rightly know. Perhaps
+I shall never rightly know. What did not happen I can tell you. In the
+first place, although I secretly used my will upon Chichester, desiring,
+mentally insisting, that he should become entranced, he never was
+entranced when we sat together. Something within him--was it something
+holy? I have wondered--resisted my desire, of which, so far as I know,
+he was never aware. Perhaps 'beneath the threshold' he was aware. Who
+can say? But though my great desire was frustrated in our sittings, the
+desire of Chichester, so different, perhaps so much more admirable than
+mine, and, at any rate, not masked by any deceit, began, so it seemed,
+to be strangely gratified. He declared almost from the first that, when
+sitting with me, he felt his will power strengthened. 'You are doing me
+good,' he said. Now, as my professed object in contriving the sittings
+had been to lift up Chichester toward my level,"--with indescribable
+bitterness Mr. Harding dwelt on these last words,--"I could only express
+rejoicing. And this I did with successful hypocrisy. Nevertheless,
+I was greatly irritated. For it seemed to me that, when we sat,
+Chichester triumphed over me. He obtained his desire while mine remained
+ungratified. This was an outrage directed against my supremacy over him,
+which I had designed to increase. I gathered together my will power to
+check it. But in this attempt I failed.
+
+"Nothing is stranger, I think, Mr. Malling, than the fascination of a
+sitting. Even when nothing, or scarcely anything, happens, the mind, the
+whole nature seems to be mysteriously grasped and held. New senses in you
+seem to be released. Something is alert which is never alert--or, at
+all events, never alert in the same way--in other moments of life. One
+seems to become inexplicably different. Chichester was aware of all this.
+At the first sitting nothing happened, and I feared Chichester would wish
+to give the matter up. But, no! When we rose from our chairs late in the
+night he acknowledged that he had never known two hours to pass so
+quickly before. At following sittings there were slight manifestations
+such as, I suppose, are seldom absent from such affairs,--perfectly
+trivial to you, of course,--movements of the table, rappings, gusts of
+what seemed cold air, and so forth. All that is not worth talking about,
+and I don't mean to trouble you further with it. My difficulty is, when
+so little, apparently, took place, to make you understand the tremendous
+thing that did happen, that must have been happening gradually during
+our sittings.
+
+"At the very first, as I told you, or nearly so,--I wish to be
+absolutely accurate,--Chichester began to be aware of a strengthening
+of his will. At this time I was almost angrily unaware of any change
+either in him or in myself. At subsequent sittings--I speak of the
+earlier ones--Chichester reiterated more strongly his assertion of
+beneficent alteration in himself. I did not believe him, though I did
+believe he was absolutely sincere in his supposition. It seemed to me
+that he was 'suggestioned,' partly perhaps by his implicit trust in me,
+partly by his own desire that something curious should happen. However,
+still playing a part in pursuance of my resolve not to let Chichester
+know my real object in this matter, I pretended that I, too, perceived an
+alteration in him, as if his personality were strengthening. And not
+once, but on several occasions, I spoke of the change in him as almost
+exactly corresponding with the change that had taken place in me when
+I sat with my Hindu friend.
+
+"All this time, with a force encouraged by the secret anger within me,
+I violently, at last almost furiously, willed that Chichester should
+become entranced.
+
+"But at length, though I willed furiously, I felt as if I were not
+willing with genuine strength, as if I could not will with genuine
+strength any longer. It is difficult, almost impossible, to explain
+to you exactly the sensation that gradually overspread me; but it used
+always to seem to me, when I self-consciously exerted my will, as if
+I held within me some weapon almost irresistible, as if I forced it
+forward, as if its advance, caused by me, could not be withstood. I
+now felt as if I still possessed this weapon, but could not induce it
+to move. It was there, like a heavy, useless thing, almost like a burden
+upon me.
+
+"And Chichester continued to assert that he felt stronger, more resolute,
+less plastic.
+
+"Things went on thus till something within me, what we call instinct, I
+suppose, became uneasy. I heard a warning voice which said to me, 'Stop
+while there is time!' And I resolved to obey it.
+
+"One night, when very late Chichester and I took our hands from the
+table in his little room, I said that I thought we had had enough of
+the sittings, that very little happened, that perhaps he and I were not
+really _en rapport_, and that it seemed to me useless to continue them.
+I suppose I expected Chichester to acquiesce. I say I suppose so, because
+till that moment he had always acquiesced in any proposition of mine. Yet
+I remember that I did not feel genuine surprise at what actually
+happened."
+
+Mr. Harding stopped, took a handkerchief from his pocket, lifted the brim
+of his hat, and passed the handkerchief over his forehead two or three
+times.
+
+"What happened was this, that Chichester resisted my proposal, and that
+I found myself obliged to comply with his will instead of, as usual,
+imposing mine upon him.
+
+"This was the beginning--" the rector turned a little toward Malling,
+and spoke in a voice that was almost terrible in its sadness--"this was
+the beginning of what you have been witness of, my unspeakable decline.
+This was the definite beginning of my horrible subjection to Henry
+Chichester."
+
+He stopped abruptly. After waiting for a minute or two, expecting him to
+continue, Malling said:
+
+"You said that you found yourself _obliged_ to comply with Chichester's
+will. Can you explain the nature of that obligation?"
+
+"I cannot. I strove to resist. We argued the matter. He took his stand
+upon the moral ground that I was benefiting him enormously through our
+sittings. As I had suggested having them ostensibly for that very
+purpose, you will see my difficulty."
+
+"Certainly."
+
+"My yielding seemed perfectly natural, perhaps almost inevitable. The
+point is that, without drastic change in me, it was quite unnatural. My
+will was unaccustomed to brook any resistance, and troubled itself not
+at all with argument. Till then what I wished to do I did, and there was
+an end. I now for the first time found myself obliged to accept a moral
+bondage imposed upon me by my curate. The term may sound exaggerated;
+I can only say that was how the matter presented itself to me. From the
+moment I did so, I took second place to him.
+
+"We continued to sit from time to time. And the strange, to me
+inexplicable, situation rapidly developed.
+
+"To put it before you in few words and plainly: Chichester seemed to suck
+my will away from me gradually but surely, till my former strength was
+his. But that was not all. With the growth of his will there was another
+and more terrible growth: there rose in him a curiously observant
+faculty."
+
+Again the rector took out his handkerchief and wiped his brow.
+
+"A curiously critical faculty. How shall I say? Perhaps you may know,
+Mr. Malling, how the persistent attitude of one mind may influence
+another. For instance, if a man always expects ill of another--treachery,
+let us say, bad temper, hatred, fear, inducing trickery, perhaps, that
+other is turned toward just such evil manifestations in connection with
+that man. If some one with psychic force thinks all you do is wrong,
+soon you begin to do things wrongly. A fearful uneasiness is bred. The
+faculties begin to fail. The formerly sure-footed stumbles. The formerly
+self-confident takes on nervousness, presently fear.
+
+"So it came about between Chichester and me. I felt that his mind was
+beginning to watch me critically, and I became anxious about this
+criticism. Like some subtle acid it seemed to act destructively upon
+the metal, once so hard and resistant, of my self-confidence, of my
+belief in myself. Often I felt as if an eye were upon me, seeing too
+much, far too much, coldly, inexorably, persistently. This critical
+observation became hateful to me. I suffered under it. I suffered
+terribly. Mr. Malling, if I am to tell you all,--and I feel that unless
+I do no help can come to me,--I must tell you that I have not been in my
+life all that a clergyman should be. There have been occasions, and even
+since my marriage, when I have yielded to impulses that have prompted me
+to act very wrongly.
+
+"Now, Chichester was a saint. Hitherto I had neither been troubled by
+my own grave shortcomings nor by Chichester's excellence of character.
+I had always felt myself set far above him by my superior mental
+faculties and my greater will power over the crowd, though, alas! not
+always over my own demon. I began to writhe now under the thought of
+Chichester's crystal purity and of my own besmirched condition of soul.
+All self-confidence departed from me; but I endeavored, of course, to
+conceal this from the world, and especially from Chichester. With the
+world for a time no doubt I succeeded. But with Chichester--did I ever
+succeed? Could I ever succeed with such an one as he had become? It
+seemed to me, it seems to me far more terribly now, that nothing I did,
+or was, escaped him. He attended mentally, spiritually even, to
+everything that made up me. At first I felt this curiously, then
+anxiously, then often with bitter contempt and indignation, sometimes
+with a great melancholy, a sort of wide-spreading sadness in which I
+was involved as in an icy sea. I can never make you fully understand
+what I felt, how this mental and spiritual observation of Chichester
+affected me. It--it simply ate me away, Malling! It simply ate me away!"
+
+The last words came from Mr. Harding's lips almost in a cry.
+
+"And how long did you continue the sittings?"
+
+Very quietly Malling spoke, and he just touched the rector's arm.
+
+"For a long while."
+
+"Had you ceased from them when I first met you?"
+
+"On Westminster Bridge? No."
+
+"Have you ceased from them now?"
+
+The rector shifted as if in physical distress.
+
+"Chichester constrains me to them even now," he replied, like a man
+bitterly ashamed. "He constrains me to them. And is that goodness,
+righteousness? I said he was a saint; but now! Is it saintliness to
+torture a fellow-creature?"
+
+Malling remembered how he had once, and not long ago, asked himself
+whether Chichester's mouth and eyes looked good.
+
+"Have you ever told Chichester what grave distress he is causing you?"
+said Malling.
+
+"No, never, never! I can't!"
+
+"Why not?"
+
+"A great reserve has grown up between us. I could never try to break
+through it."
+
+"You say a great reserve. But does he never criticize you in words? Does
+he never express an adverse opinion upon what you say or do?"
+
+"Scarcely ever--after it is said or done. But sometimes--"
+
+"Yes?"
+
+"Sometimes--often I think--he tries to prevent me from saying or doing
+something. Often he checks me with a look when I am in the midst of
+some speech. It is intolerable. Why do I bear it? But I have to bear it.
+Sometimes I exert myself against him. Why, that first day I met you--you
+must have noticed it--he tried to prevent me from walking home with you."
+
+"I did notice it."
+
+"Then I resisted him, and he had to yield. But even when he yields in
+some slight matter it makes no difference in our relations. He is always
+there, at the window, watching me."
+
+"What do you say?"
+
+Malling's exclamation was sharp.
+
+"That sermon of his!" said the rector. "That fearful sermon! Ever since
+I heard it I have felt as if I were the double within that house, as
+if Chichester were the man regarding my life in hiding. Why you--you
+yourself put my feeling into words! You suggested to Chichester and
+my wife that if the man had stayed, had spied upon him who was within
+the room, the hypocrite--"
+
+He broke off. He got up from his seat.
+
+"Let us walk," he said. "I cannot sit here. The air--the lights--let
+us--"
+
+Almost as if blindly he went forth from the shelter, followed by Malling.
+
+"It's better here," he said. "Better here! Mr. Malling, forgive me,
+but just then a hideous knowledge seemed really to catch me by the
+throat. Chichester is turning my wife against me. There is a terrible
+change in her. She is beginning to observe me through Chichester's eyes.
+Till quite recently she worshiped me. She noticed the alteration in me,
+of course,--every one did,--but she hated Chichester for his attitude
+toward me. Till quite lately she hated him. Now she no longer hates him;
+for she begins to think he is right. At first I think she believed the
+excuse I put forward for my strange transformation."
+
+"Do you mean your nervous affection?"
+
+"Yes."
+
+"Just tell me, have you any trouble of that kind, or did you merely
+invent it as an excuse for any failure you made from time to time?"
+
+"I used it insincerely as an excuse. But I really do suffer from time
+to time physically. But physical suffering is nothing. Why should we
+waste a thought on such nonsense?"
+
+"In such a strange case as this I believe everything should be taken
+carefully into consideration," observed Malling in his most prosaic
+voice.
+
+The rector's attention seemed to be suddenly fixed and powerfully
+concentrated. The feverish excitement he had been displaying gave place
+to a calmer, more natural mood.
+
+"Tell me," he said, "do you think your knowledge can help me? I am aware
+that you have made many strange investigations. Is there anything to be
+done for me, anything that will restore me to my former powers? Will you
+credit me when I declare to you that it was only by making a terrible
+effort that I was able to get away from Chichester's companionship and
+to come down here? If I had not said that I meant to do so while you were
+in the room, I doubt if I should ever have had the courage. There is
+something inexplicable that seems to bind me to Chichester. Sometimes
+there have been moments when I have thought that he longed to be far
+away from me. And it has seemed to me that he, too, would find escape
+difficult, if not impossible."
+
+"You wish very much that Chichester should resign his curacy and go
+entirely out of your life?" asked Malling.
+
+"Wish!" cried Mr. Harding, almost fiercely. "Oh, the unutterable relief
+to me if he were to go! Even down here, away from him for a day or two,
+ I sometimes feel released. And yet--" he paused in his walk--"I shall
+have to go back--I know it--sooner than I meant to, very soon."
+
+He spoke with profound conviction.
+
+"Chichester will mean me to go back, and I shall not be able to stay."
+
+"And yet you say it has occurred to you that possibly Chichester may be
+as anxious as yourself to break away from the strange condition of things
+you have described to me."
+
+"Have you," exclaimed Mr. Harding--"have you some reason to believe
+Chichester has ever contemplated departure?"
+
+Malling moved slowly on, and the rector was forced to accompany him.
+
+"It has occurred to me," he said, evading the point, "that possibly Henry
+Chichester might be induced to go out of your life."
+
+"Never by me! I should never have the strength to attempt compulsion with
+Chichester."
+
+"Some one else might tackle him."
+
+"Who?" cried out Mr. Harding.
+
+"Some man with authority."
+
+"Do you mean ecclesiastical authority?"
+
+"Oh, dear, no! I was thinking of a man like, say, Professor Stepton."
+
+As Malling spoke, a curious figure seemed almost to dawn upon them,
+sidewise, becoming visible gently in the darkness; a short man, with
+hanging arms, a head poked forward, as if in sharp inquiry, and rather
+shambling legs, round which hung loosely a pair of very baggy, light
+trousers.
+
+"And here is the professor!" said Malling, stopping short.
+
+
+
+
+IX
+
+
+That night when, very late, Mr. Harding and Malling returned to the red
+doll's house and let themselves into it with a latch-key, they found
+lying upon the table in the little hall a brown envelop.
+
+"A telegram!" said the rector.
+
+He took it into his hand and read the name on the envelop.
+
+"It's for me. Malling, do you know whom this telegram is from?"
+
+"How can I, or you, for that matter?"
+
+"It is from Henry Chichester, and it is to recall me to London."
+
+"It may be so."
+
+"It is so. Open it for me."
+
+Malling took the telegram from him and tore it open, while he sat heavily
+down by the table.
+
+"_Please return if possible difficulties in the parish Benyon ill need
+your presence Chichester._"
+
+Malling looked down at the rector.
+
+"You see!" Mr. Harding said slowly.
+
+"What do you mean to do?"
+
+Mr. Harding got up from his chair with an effort like that of a weary
+man.
+
+"I wonder where the railway-guide is?" he said. "Excuse me for a moment,
+Mr. Malling."
+
+He went away into the drawing-room, and returned with the railway-guide
+open in his hand.
+
+"Malling," he said, using the greater familiarity he had for a moment
+discarded, "I am about to do a rude thing, but I ask you, I beg of
+you, to acquit me of any rude intention toward yourself. I have been
+looking up the Sunday trains. I find I can catch a good one at Faversham
+to-morrow morning. There is a motor I can hire in the town to get there.
+It stands just by the post-office, where the road branches." He paused,
+looking into Malling's face as if in search of some sign of vexation or
+irony. "With a large parish on my hands," he went on, "I have a great
+responsibility. And if Benyon, my second curate, is ill, they will
+be short-handed."
+
+"I see."
+
+"What distresses me greatly--greatly--is leaving you, my guest, at such
+short notice. I cannot say how I regret it."
+
+He stopped. Purposely, to test him, Malling said nothing, but waited with
+an expressionless face.
+
+"I cannot say. But how can I do otherwise? My duty to the parish must
+come before all things."
+
+"I see," said Malling again.
+
+Looking greatly disturbed, Mr. Harding continued:
+
+"I will ask you to do me a very great favor. Although I am obliged to go,
+I hope you will stay, I entreat you to stay till Monday. The professor is
+here. You will not be companionless. The servants will do everything to
+make you comfortable. As to food, wine--everything is provided for. Will
+you stay? I shall feel more at ease in going if I know my departure has
+not shortened your visit."
+
+"It is very good of you," Malling replied. "I'll accept your kind offer.
+To tell the truth, I'm in no hurry to leave the Tankerton air."
+
+"Thank you," said the rector, almost with fervor. "Thank you."
+
+So, the next morning, Mr. Harding went away in the hired motor, and
+Malling found himself alone in the red doll's house.
+
+He was not sorry. The rector's revelation on the previous night had well
+repaid him for his journey; then the air of Tankerton really rejoiced
+him; and he would have speech of the professor.
+
+"I shall lay it before Stepton," he had said to Mr. Harding the previous
+night, after they had parted from the professor.
+
+And he had spoken with authority. Mr. Harding's confidence, his
+self-abasement, and his almost despairing appeal, had surely given
+Malling certain rights. He intended to use them to the full. The
+rector's abrupt relapse into reserve, his pitiful return to subterfuge,
+after the receipt of that hypnotizing telegram, had not, in Malling's
+view, abrogated those rights.
+
+When the motor disappeared, he strolled across the grass with a towel
+and had a dip in the brown sea, going in off the long shoal that the
+Whitstable and Tankerton folk call "the Street." Then he set out to
+find the professor.
+
+His interview with Stepton on the previous night in the presence of
+Mr. Harding had been rather brief. Stepton had been preoccupied and
+monosyllabic. Agnes had been right as to his reason for honoring the
+coast of Kent with his company, but wrong as to the haunted house's
+location. It was not in Birchington, but lay inland, within easy reach
+of Tankerton. When he met Malling and Harding, the professor was going
+to his hotel, where a motor was waiting to convey him to the house, in
+which he intended to pass the night. His mind was fixed tenaciously upon
+the matter in hand. Malling had realized at once that it was not the
+moment to disturb him by the introduction of any other affair, however
+interesting. But his suggestion of a meeting the next morning was thus
+welcomed:
+
+"Right! I shall be at home at churchtime--as you're not preaching."
+
+The second half of the sentence was directed to Mr. Harding, who said
+nothing.
+
+"And you might give me a cup of tea in the afternoon," the professor
+had added, looking at the rector rather narrowly before shambling off
+to his hotel to get the plaid shawl which he often wore at night.
+
+"With the greatest pleasure. Minors is the name of the house," had been
+Mr. Harding's reply.
+
+Whereupon the professor had vanished, muttering to himself:
+
+"Minors! And why not Majors, if you come to that? Perhaps too suggestive
+of heart-breaking military men. Minors is safer in a respectable seaside
+place."
+
+The professor had been up all night, but looked much as usual, and was
+eating a hearty breakfast of bacon and eggs in the cheerful coffee-room
+when Malling arrived. He scarcely ever ate at orthodox hours, and had
+frequently been caught lunching at restaurants in London between four and
+five in the afternoon.
+
+"Where's the rector? At church?" was his greeting.
+
+"The rector has gone back to London," replied Malling, sitting down by
+the table.
+
+"What about my cup of tea, then?" snapped Stepton.
+
+"I will be your host. I'm here till to-morrow. Any interesting
+manifestations?"
+
+"A rat or two and a hysterical kitchen-maid seem to be the responsible
+agents in the building up of the reputation of the house I kept awake
+in last night."
+
+"I believe I have a more interesting problem for you."
+
+The professor stretched out a sinewy hand.
+
+"Cambridge marmalade! Most encouraging!" he muttered. "Have the reverend
+gentlemen of St. Joseph's been at it again--successfully?"
+
+"I want you to judge."
+
+And thereupon Malling laid the case faithfully before the professor,
+describing not only the dinner in Hornton Street and his interview with
+Lady Sophia, but also the two sermons he had heard at St. Joseph's, and
+the rector's lamentable outburst of the previous night. This last, having
+a remarkably retentive memory, he reproduced in the main in Mr. Harding's
+own words, omitting only the rector's reference to his moral lapses.
+During the whole time he was speaking Stepton was closely engaged with
+the Cambridge marmalade, and showed no symptoms of attention to anything
+else. When he ceased, Stepton remarked:
+
+"Really, clergymen are far more to be depended upon for valuable
+manifestations than a rat or two and a hysterical kitchen-maid. Come
+to my room, Malling."
+
+The professor had a bedroom facing the sea. He led Malling to it, shut
+the door, gave Malling a cane chair, sat down himself, in a peculiar,
+crab-like posture, upon the bed, and said:
+
+"Now give me as minute a psychological study of the former and actual
+Henry Chichester as you can."
+
+Malling complied with this request as lucidly and tersely as he could,
+wasting no words.
+
+"Any unusual change in his outward man since you knew him two years ago?"
+asked the professor, when he had finished.
+
+Malling mentioned the question as to the curate's eyes and mouth which
+had risen in his mind, and added:
+
+"But the character of the man is so changed that it may have suggestioned
+me into feeling as if there were physical change in him, too."
+
+"More than would be inevitable in any man in a couple of years. And now
+as to his digestive organs."
+
+"Good heavens!" exclaimed Malling.
+
+The apparent vagaries of his companion very seldom surprised him, but
+this time he was completely taken aback.
+
+"Are they what they were? Assuming, on your part, a knowledge of what
+they were."
+
+"I don't know either in what condition they are now, or in what condition
+they were once."
+
+"Ah! Now I must draw up a report about last night. I'll come for that cup
+of tea to Minors--might almost as well have been Majors, even granting
+the military flavor--about five."
+
+Malling took his departure.
+
+At a quarter to five he heard the click of the garden gate, and looking
+out at the latticed window of the hall, he saw the professor walking
+sidewise up the path, with a shawl round his shoulders. He went to let
+him in, and took him into the tiny drawing-room.
+
+"An odd shell for Harding!" observed the professor. "More suitable to a
+bantam than to a Cochin-China!"
+
+"It doesn't belong to him."
+
+"Nor he to it. Very wise and right of him to go back to Onslow Gardens."
+
+A maid brought in the tea, and the professor, spread strangely forth in a
+small, chintz-covered arm-chair, enjoyed it while he talked about oysters
+and oyster-beds. He was deeply interested in the oysters of Whitstable,
+and held forth almost romantically on their birth and upbringing, the
+fattening, the packing, the selling, and the eating of them--"with lemon,
+not vinegar, mind! To eat vinegar with a Whitstable native is as vicious
+as to offer a libation of catchup at the altar of a meadow mushroom just
+picked up out of the dew."
+
+Malling did not attempt to turn his mind from edibles. The professor had
+to be let alone. When tea was finished and cleared away, he observed:
+
+"And now, Malling, what is your view? Do you look upon it as a case of
+transferred personality? I rather gathered from your general tone that
+you were mentally drifting in that direction."
+
+"But are there such cases? Of double transfer, I mean?"
+
+"Personally I have never verified one. When you spoke of the reverend
+gentlemen for the first time, I said, 'Study the link!' There will be
+development in the link if--all the rest of it."
+
+"There has been development, as I told you. The link is on his side now."
+
+"That's remarkable, undoubtedly. Has it ever struck you that Harding was
+almost too successful a clergyman to be a genuinely holy man?"
+
+"What do you mean?"
+
+"There's a modesty in holiness that is hardly adapted to catch smart
+women."
+
+"You used to go to hear Harding preach."
+
+"And d'you know why I liked his sermons?"
+
+"Why?"
+
+"Because he understood doubt so well. That amused me. But the man who has
+such a comprehensive understanding of skepticism, is very seldom a true
+believer. One thing, though, Harding certainly does believe in, judging
+by a sermon I once heard him preach."
+
+"And that is?"
+
+"Manicheism. Chichester, you say, was a saint?"
+
+"He was, if a man can be a saint who has a certain amiable weakness of
+character."
+
+"And now? You think he would be a difficult customer to tackle now?"
+
+"Harding finds him so."
+
+"And Harding was an overwhelming chap, cocksure of himself. Chichester
+must be difficult. Shall I tackle him?"
+
+"I wish you would. But how? Do you wish me to introduce him to you?"
+
+"Let me see."
+
+The professor dropped his head and remained silent for a minute or two.
+
+"Tell me something," he at length remarked, lifting his head and assuming
+his most terrier-like aspect. "Do you think Harding a whited sepulcher?"
+
+"Possibly."
+
+"And do you think his saintly curate has found it out?"
+
+"Do you think that would supply a natural explanation of the mystery?"
+
+"Should you prefer to search for it in that malefic region which is the
+abiding-place of nervous dyspepsia?"
+
+"How could--"
+
+"Acute nervous dyspepsia, complicated by a series of sittings under the
+rose, might eat away the most brazen self-confidence. That's as certain
+as that I wear whiskers and you don't. Shall we do an addition sum? Shall
+we add Chichester's discovery of secret lapses in his worshiped rector's
+life, to the nervous dyspepsia and the sittings? Shall we do that?"
+
+"And Lady Sophia?"
+
+"There's a sunflower type of woman. The rising sun can't escape her
+inevitable worship."
+
+"The change in Harding may be a natural one. But there is something
+portentous in the change in Chichester," said Malling. "You know I'm
+a rather cool hand, and certainly not inclined to easy credulity. But
+there's something about Chichester which--well, Professor, I'll make a
+confession to you that isn't a pleasant one for any man to make. There's
+something about Chichester which shakes my nerves."
+
+"And you haven't got nervous dyspepsia?"
+
+"Should I be even a meliorist--as I am--if I had?"
+
+"I must know Chichester. It's a pity I didn't know him formerly."
+
+"I don't believe that matters," said Malling, with intense conviction.
+"There is that in him which must strike you and affect you, whether you
+knew him as he was or not."
+
+"So long as I don't turn tail and run from him, all's well. I will
+tackle Chichester. In the interests of science I will face this curate.
+But how shall I approach him? As in golf, the approach is much, if not
+everything."
+
+He sat thinking for some minutes, with his eyebrows twitching. Then he
+said:
+
+"The question is, Should the approach be casual or direct? Shall I
+describe a curve, or come to him as the crow comes when making for a
+given point--or is said to come, for I've never investigated that
+matter? What do you say?"
+
+"It's very difficult to say. On the day I dined in Hornton Street,
+Chichester certainly wanted to tell me something. He asked me to dine,
+I am almost sure, in order that he might tell it to me."
+
+"About the sittings with Harding, no doubt."
+
+"That, perhaps, and something more."
+
+"But he told you nothing."
+
+"Directly."
+
+"Do you think he would be more or less likely to unbosom himself now than
+he was then?"
+
+"Less likely."
+
+"You might give me his address."
+
+Malling did so. The professor wrote the address down on a slip of paper,
+pinned the slip carefully to the yellow lining of his jacket, and then
+got up to go.
+
+But Malling detained him.
+
+"Professor," he said, speaking with an unusual hesitation, "you know why
+I told you all this."
+
+"In the interests of science?"
+
+"No, in the interest of that miserable man, Marcus Harding. I want you
+to break the link that binds him to Henry Chichester--if there is one.
+I want you to effect his release."
+
+"I'm afraid you've come to the wrong man," returned Stepton, dryly. "My
+object in entering into this matter is merely to increase my knowledge,
+not to destroy my chance of increasing it."
+
+"But surely--"
+
+"We shall never get forward if we move in the midst of a fog of pity and
+sentiment."
+
+Malling said no more; but as he watched the professor shambling to the
+garden gate, he felt as if he had betrayed Marcus Harding.
+
+
+
+
+X
+
+
+Soon after Malling had returned to London, he received the following note
+from Mr. Harding:
+
+_Onslow Gardens_, June --th.
+
+_Dear Mr. Malling:_
+
+I seem to have some remembrance of your saying to me at Tankerton that
+you wished to speak to Professor Stepton with regard to a certain matter.
+I may be wrong in my recollection. If, however, I am right, I now beg
+you not to speak to the professor. I have, of course, the very highest
+regard for his discretion; nevertheless, one must not be selfish. One
+must not think only of one's self. I have obligations to others, and I
+fear, when we were together at Tankerton, I forgot them. A word of
+assurance from you that Professor Stepton knows nothing of our
+conversation will set at rest the mind of
+
+Yours sincerely,
+
+_Marcus Harding._
+
+As soon as he had read this communication, Malling realized that he
+had been right in his supposition that a new reserve was growing up
+in Henry Chichester. He was aware of Chichester's reserve in the letter
+of the rector. He was aware, too, of the latter's situation as he had
+never been aware of it before. Often a trifle illuminates a life, as a
+search-light brings some distant place from the darkness into a fierce
+radiance that makes it seem near. So it was now.
+
+"Poor Harding!" thought Malling, with an unusual softness. "But this
+letter comes too late."
+
+What answer should he return to the rector? He hated insincerity, but on
+this occasion he stooped to it. He had not only the fear of Stepton upon
+him; he had also the desire not to add to the deep misery of Marcus
+Harding. This was his answer:
+
+_Cadogan Square_, June --.
+
+_Dear Mr. Harding:_
+
+In reply to your letter, I will not now repeat our conversation of the
+other evening to Professor Stepton. He is, as you say, a man of the
+highest discretion, and should you feel inclined yourself to take him
+into your confidence at any time, I think you will not regret it.
+
+Yours sincerely,
+
+_Evelyn Malling_.
+
+As he put this note into an envelope, Malling said to himself:
+
+"Some day I'll let him know I deceived him; I'll let him know I had
+already told the professor."
+
+Two or three days later Malling heard of the professor having been at a
+party in Piccadilly at which Lady Sophia was a guest.
+
+"And do you know, really,"--Malling's informant, a lively married woman,
+concluded,--"those old scientific men are quite as bad as any of the boys
+who only want to have a good time. The professor sat in Lady Sophia's
+pocket the whole evening! Literally in her pocket!"
+
+"I didn't know modern women had pockets," returned Malling.
+
+"They don't, of course; but you know what I mean."
+
+Malling understood that the professor was beginning his "approach."
+
+A week went by, and at a man's dinner, Malling chanced to sit next to
+Blandford Sikes, one of the most noted physicians of the day. In the
+course of conversation the doctor remarked:
+
+"Is your friend Stepton going to set up in Harley Street?"
+
+"Not that I know of," said Malling. "What makes you ask?"
+
+"He came to consult me the other day, and when I told him he was as sound
+as Big Ben he sat with me for over half an hour pumping me unmercifully
+on the subject of nervous dyspepsia. The patient who followed, and who
+happened to be a clergyman, looked fairly sick when he was let in at
+last."
+
+Who happened to be a clergyman! Malling had longed to ask Blandford
+Sikes a question--who that clergyman was. But he refrained. To do so,
+would doubtless have seemed oddly inquisitive. It was surely enough for
+him to know that the professor was busily at work in his peculiar way.
+And Malling thought again of that "approach." Evidently the professor
+must be describing the curve he had spoken of. When would he arrive at
+Henry Chichester? There were moments when Malling felt irritated by
+Stepton's silence. That it was emulated by Marcus Harding, Lady Sophia,
+and Henry Chichester did not make matters easier for him. However, he
+had deliberately chosen to put this strange affair into Stepton's hands.
+Stepton had shown no special alacrity with regard to the matter. Malling
+felt that he could do nothing now but wait.
+
+He waited.
+
+Now and then rumors reached him of Marcus Harding's fading powers, now
+and then he heard people discussing one of Henry Chichester's "remarkable
+sermons," now and then in society some feminine gossip murmuring that
+"Sophia Harding seems to be perfectly sick of that husband of hers. She
+probably wishes now that she had taken all her people's advice and
+refused him. Of course if he had been made a _bishop_!"
+
+The season ended. Goodwood was over, and Malling went off to Munich and
+Bayreuth for music. Then he made a walking-tour with friends in the
+Oberammergau district, and returned to England only when the ruddy
+banners of autumn were streaming over the land.
+
+Still there was no communication from the professor. Malling might of
+course have written to him or sought him. He preferred to possess his
+soul in patience. Stepton was an arbitrary personage, and the last man
+in the world to consent to a process of pumping.
+
+Meanwhile Stepton had forgotten all about Malling. He was full of work
+of various kinds, but the work that most interested him was connected
+with the reverend gentlemen of St. Joseph's. As Malling surmised, he had
+lost little time in beginning his "approach," and that approach had been
+rather circuitous. He had taken his own advice and studied the link.
+This done, the intricate and fascinating subject of nervous dyspepsia
+had claimed his undivided attention. When he had finished his prolonged
+interview with Blandford Sikes, sidling back to the waiting-room to
+gather up various impedimenta, he had encountered the unfortunate
+clergyman whom he had kept waiting. Marcus Harding was the man. They
+exchanged only a couple of words, but the sight of the flaccid bulk,
+the hanging cheeks and hands, the eyes in which dwelt a sort of faded
+despair, whipped up into keen alertness every faculty of the professor's
+mind. As he walked into Cavendish Square he muttered to himself:
+
+"I never saw a clergyman look more promising for investigation, by Jove!
+Never! There's something in it. Malling was not entirely wrong. There's
+certainly something in it."
+
+But what? Now for Henry Chichester!
+
+Stepton was by nature unemotional, but he was an implicit believer in
+the hysteria of others, and he thought clergymen, as a class, more liable
+to that malady than other classes of men. Curates, being as a rule young
+clergymen, were, in his view, specially subject to the inroads of the
+cloudy complaint, which causes the mind to see mountains where only
+mole-hills exist, and to appreciate anything more readily and accurately
+than the naked truth. Henry Chichester was young and he was a curate.
+He was therefore likely to be emotional and to be attracted by the
+mysterious, more especially since he had recently been knocking on
+its door, according to Malling's statement.
+
+After a good deal of thought, the professor resolved to cast aside
+convention, and to make Chichester's acquaintance without any
+introduction; indeed, with the maximum of informality.
+
+He learned something about Chichester's habits, and managed to meet him
+several times when he was walking from the daily service at St. Joseph's
+to his rooms in Hornton Street. In this walk Chichester passed the South
+Kensington Museum. What more natural than that the professor should
+chance to be coming out of it?
+
+The first time they met, Stepton looked at the curate casually, the
+second time more sharply, the third time with scrutiny. He knew how to
+make a crescendo. The curate noticed it, as of course the professor
+intended. He did not know who Stepton was, but he began to wonder about
+this birdlike, sharp-looking man, who evidently took an interest in him.
+And presently his wonder changed into suspicion. This again accorded with
+the professor's intention.
+
+One day, after the even-song at St. Joseph's, Stepton saw flit across
+the face of the curate, whom he was meeting, a flicker of something
+like fear. The two men passed each other, and immediately, like one
+irresistibly compelled, the professor looked back. As he did so,
+Chichester also turned round to spy upon this unknown. Encountering
+the gaze of the professor, he started, flushed scarlet, and pursued his
+way, walking with a quickened step.
+
+The professor went homeward, chuckling.
+
+"To-day's Tuesday," he thought. "By Saturday, at latest, he'll have
+spoken to me. He'll have to speak to me to relieve the tension of his
+nerve-ganglions."
+
+Chichester did not wait till Saturday. On Friday afternoon, coming
+suddenly upon Stepton at a corner, he stopped abruptly, and said:
+
+"May I ask if you want anything of me?"
+
+"Sir!" barked Stepton. "Mr. Chichester!"
+
+"You know my name?" said the curate.
+
+"And probably you know mine--Professor Stepton."
+
+A relief that was evidently intense dawned in the curate's face.
+
+"You are Professor Stepton! You are Mr. Malling's friend!"
+
+"Exactly. Good day."
+
+And the professor marched on.
+
+Chichester did not follow, but the next day, on the pavement not far from
+the museum, he stopped once more in front of the professor with a "Good
+afternoon."
+
+"Good day," said Stepton.
+
+"Since you know who I am," began the curate, "and I have heard so much of
+you, I hope you will forgive me for asking you something."
+
+"Certainly."
+
+"What is it in me which has attracted your attention?"
+
+"I wish I knew," returned the professor.
+
+"You wish you knew! Do you mean that you don't know?"
+
+"I don't know at all."
+
+"But--but--you--I was not wrong in feeling sure that you were--that
+something in me had aroused your attention?"
+
+"Not wrong at all; but 'something' is not the word."
+
+"What is the word?"
+
+"Everything. Everything in you rouses my attention, Mr. Chichester. But
+I can't think why."
+
+"Did you know I was Mr. Harding's curate the first time you met me?"
+
+"Yes; I had seen you at St. Joseph's once or twice when I came to hear
+your rector preach. You didn't interest me at all then, I'm bound to
+say."
+
+Chichester stood in silence for a minute. Then he said:
+
+"I might walk a little way back with you, if you have no objection."
+
+Stepton jerked his head in assent. And so the acquaintance of these two
+men was begun. Their first conversation was a delight to the professor.
+After a short silence the curate said:
+
+"I could not help seeing each time we have met how your attention was
+fastened upon me."
+
+"Just so," rejoined Stepton, making no apology.
+
+"And I really think," continued Chichester, with a sort of pressure--"I
+really think I am entitled to ask for some explanation of the matter."
+
+"Certainly you are."
+
+"Well?" He paused, then said again, "Well, Professor Stepton?"
+
+"I'm afraid I've nothing to tell you, I like to stick to facts."
+
+"I only ask you for facts."
+
+"The facts amount to very little. Coming from the museum I ran across
+a man. You were the man. My attention was riveted at once. I said to
+myself, 'I must see that man again.' Next day I took my chance. I had
+luck. You were there at pretty much the same hour."
+
+"I always come from St. Joseph's--"
+
+"Exactly. And so it's happened on several days. And that's all I have to
+tell you."
+
+"But surely you can indicate why--"
+
+"No, I can't. All I can say is that for some reason, quite inexplicable
+by me, if I had come upon you in a crowd of a thousand, I should have had
+to attend to you."
+
+"That's very strange," said Chichester, in a low voice; "very strange
+indeed."
+
+"There's a reason for it, of course. There's a reason for everything, but
+very often it isn't found." At this point the professor thrust his head
+toward Chichester, and added, "you can't tell me the reason, I suppose?"
+
+Chichester looked much startled and taken aback.
+
+"I--oh, no!"
+
+"Then we must get along in the dark and make the best of it."
+
+Having said this, the professor abruptly dismissed the subject and began
+to talk of other things. When he chose he could be almost charming.
+He chose on this occasion. And when at last he hailed a bus, declaring
+that he was due at home, Chichester expressed a hope that some day
+he would find himself in Hornton Street, and visit number 4a.
+
+The professor assented, and was carried westward.
+
+Several days passed, but he did not find himself near Horton Street, and
+he had ceased to visit the South Kensington Museum. Then the curate
+wrote and invited him to tea. Despite a pretence at indifference in the
+phraseology of the note, the professor discovered a deep anxiety in the
+writing. Among other things he had studied, and minutely, graphology.
+
+He sat down and very politely refused the invitation.
+
+Then Chichester came to call on him, and caught him at home.
+
+It was six o'clock in the evening, and the heavens were opened. Agnes,
+the Scotch parlor-maid who claimed to have second sight, opened the door
+to Chichester, who, speaking from beneath a dripping umbrella, inquired
+for the professor.
+
+"He's in, sir, but he's busy."
+
+"Could you take him my card?"
+
+Agnes took it, much to her own surprise, and carried it to the
+professor's study.
+
+"A gentleman, sir."
+
+"I told you, Agnes--"
+
+"I couldn't say no to him, sir."
+
+"Why not? Here!" he took the card.
+
+"Why not?" he repeated, when he had read the name.
+
+"It wasn't in me to, sir."
+
+"Well, then I shall have to see him. Show him up. But never again will
+I call you by the proud name of Cerberus."
+
+So, putting the onus upon Agnes, the professor yielded, murmuring to
+himself:
+
+"It wasn't in her to! Very expressive! And Cerberus, by the way, was
+always ready to let 'em in. It was when they wanted to get out that--Good
+evening. I hope you don't mind climbing."
+
+"Thank you, no," said Chichester.
+
+"Sit down."
+
+"I am afraid I disturb you."
+
+"I'm bound to say you do. But what does it matter?"
+
+"As you didn't find your way to Hornton Street, I thought I would
+venture."
+
+"Very good of you. This is a soft chair."
+
+Chichester sat down. It had been evident to Stepton from the moment
+when his visitor came in that he was in great agony of mind. There was
+in his face a sort of still and abject misery which Stepton thought
+exceedingly promising. As he turned round, leaning his sharp elbow on
+his writing-table, Stepton was considering how to exploit this misery
+for the furthering of his purpose.
+
+"I want you to tell me something," Chichester began. "I want to know
+why your attention was first attracted to me. I feel sure that you must
+be able to give a reason. What is it?"
+
+"Well, now, I wish I could," returned Stepton.
+
+To himself he gave the swift admonition, "Play for hysteria, and see what
+comes of it."
+
+"I wish I could; but it's a mystery to me. But now--let's see."
+
+He knitted his heavy brows.
+
+"A long while ago I picked a man out, met him in a crowd, at the Crystal
+Palace, followed him about, couldn't get away from him. That same evening
+he was killed on the underground. I read of it in the paper, went to see
+the body, and there was my man."
+
+"Do you claim to have some special faculty?" asked Chichester.
+
+"Oh, dear, no. Besides, you haven't been killed on the underground--yet."
+
+A curious expression that seemed mingled of disappointment and of
+contempt passed across Chichester's face. Stepton saw it and told
+himself, "No hysteria."
+
+"Possibly the reason may be a more intellectual one," observed the
+professor. "I hear you have been preaching some very remarkable sermons.
+I haven't heard them. Still, others who have may have 'suggestioned' me.
+Three quarters of any man's fame, you know, are due to mere suggestion."
+
+"You're not the man to be the prey of that, I fancy--not the easy prey,
+at any rate."
+
+"Then we're left again with no explanation at all, unless, as I believe
+I hinted once before, you can give us one."
+
+Chichester looked down; without raising his eyes he presently said in a
+constrained voice:
+
+"If I were to give you one you might not accept it."
+
+"Probably not," said Stepton, briskly. "In my life I've been offered a
+great many explanations, and I'm bound to say I've accepted remarkably
+few."
+
+Chichester looked up quickly, and with the air of a man nettled.
+
+"You'll forgive me, I hope, for saying that you scientific men very often
+seem to have a great contempt for those who are more mystically minded,"
+he observed.
+
+"I've hit the line!" thought Stepton, with a touch of exultation, as he
+dropped out a negligent, "Forgive you--of course."
+
+"I dare say it seems to you extraordinary that any man should be able
+to be a clergyman, genuinely believing what he professes and what he
+preaches."
+
+"Very few things seem to me extraordinary."
+
+"Perhaps because you are skeptical of so much in which others believe."
+
+"That may be it. Quite likely."
+
+"And yet isn't there a saying of Newton's, 'A little science sends man
+far away from God, a great deal of science brings man back to God?'
+You'll forgive the apparent rudeness. All I mean is--"
+
+"That the sooner I try to get more science the better for me," snapped
+out Stepton, brusquely interrupting his visitor, but without heat.
+"Let me tell you that I pass the greater part of my time in that very
+effort--to acquire more exact knowledge than I possess. Well--now then!
+Now then!"
+
+Turning round still more toward the curate he looked almost as if he were
+about to "square up" to him. A dry aggressiveness informed him, and his
+voice had a rasping timbre as he continued:
+
+"But I decline to take leaps in the dark like--" Here he mentioned a
+well-known man of science--"and I decline to reject evidence like--" Here
+he named a professor even more famous.
+
+The mention of the last name evidently excited Chichester's curiosity.
+
+"What evidence has he rejected?" he exclaimed.
+
+"Last week he held a sitting to examine the pretensions of Mrs. Groeber,
+the German medium. Westcott was also present, a man on whose word the
+very devil--if there is such a person, which I don't yet know--would
+rely. Some apparently remarkable phenomena occurred.--" Here he mentioned
+the professor--"was convinced that they could only have been brought
+about by supernormal means. Unfortunately, or fortunately, Westcott had
+seen the trickery which produced them. When the séance was over he
+explained what it was to ----. What did this _so-called_ man of science
+do? Refused to accept Westcott's evidence, clung to his own ridiculous
+belief,--savage's fetish belief, nothing more,--and will include the
+Groeber manifestations as evidence of supernormal powers in his next
+volume. And I say, I say"--he raised his forefinger--"that clergymen are
+doing much the same thing pretty nearly every day of their lives. Seek
+for truth quietly, inexorably, and you may get it; but don't prod men
+into falsehood, or try to, as you've been trying to in this very room."
+
+"I!" cried out Chichester.
+
+"You. I told you I had no reason to give you as to why you attracted my
+attention in the street. Were you satisfied with that? Not at all. You
+must needs come here,--very glad to see you!--and say, 'I feel sure you
+must be able to give me a reason. What is it?' You clamor for a lie.
+And that's what men are perpetually doing--clamoring for lies. And they
+get 'em, from clergymen, from mediums, from so-called scientific men,
+and from the dear delightful politicians. There now!"
+
+And the professor dropped his forefinger and flung himself back in his
+chair.
+
+"And"--Chichester in his turn leaned forward, but he spoke with some
+hesitation--"and suppose I were to tell you a truth, a strange, an
+amazing truth?"
+
+He paused.
+
+"Go on!" said the professor.
+
+"Wouldn't you do just the opposite? You say men accept lies. I say you
+would probably reject truth."
+
+"_Cela dépend_. What you believed to be truth might not be truth at
+all. It might be hysteria, it might be nervous dyspepsia, it might be
+overwork, it might be a dozen things."
+
+"Just what I say," exclaimed Chichester. "Men of science delight in
+nothing so much as in finding excuses for rejecting the greatest truths."
+
+"Do you mean the greatest truths in the possession of Anglican
+clergymen?"
+
+"I dare say you think it impossible that a clergyman should know more
+than a scientific man?"
+
+"Oh, no. But he's out for faith, and I happen to be out for facts. I like
+hard facts that can be set down with a fountain-pen in my note-book, and
+that, taken together, are convincing to all men of reasonable intellect.
+Very dull, no doubt; but there you have it. Clergymen, as a rule, move in
+what are called lofty regions--the realms of heart, conscience, and what
+not. Now, I'm very fond of the region of gray matter--gray matter."
+
+"And yet you are one of the chief of the investigators in the field of
+psychical research."
+
+"Do you think there's no room for pencil and note-book there? What about
+Podmore,--there's a loss!--and a dozen others? Psychic matters have got
+to be lifted out of the hands of credulous fetish-worshiping fools, and
+the sooner the better."
+
+"It's easy to call people credulous," said Chichester, with decided heat.
+"By being so readily contemptuous, Professor Stepton, you may often keep
+back evidence that might be of inestimable value to your cause. A man in
+possession of a great truth may keep it to himself for fear of being
+laughed at or called a liar."
+
+"Then all I can say is that he's a coward--an arrant abject coward."
+
+Chichester sat in silence. Again he was looking down. Now that his eyes
+were hidden by their drooping lids, and that he was no longer speaking,
+the sadness of his aspect seemed more profound. It dignified his rather
+insignificant features. It even seemed, in some mysterious way, to infuse
+power into his slight and unimportant figure. After sitting thus for
+perhaps three minutes he raised his head and got up from his chair.
+
+"I must not take up your time any longer," he said. "It was very good of
+you to see me at all." He held out his hand, which Stepton took, and
+added, "I'll just say one thing."
+
+"Do!"
+
+"It isn't always cowardice which causes a man to keep a secret--a secret
+which might be of value to the world."
+
+"I never said it was."
+
+"No; but still--you spoke just now of my sermons. I preached one not very
+long ago which I have typed myself. If I send it to you do you think you
+could find time to read it?"
+
+"Certainly."
+
+"I will send it, then. Good night."
+
+"I'll come down with you."
+
+The professor let Chichester out. The rain was still falling in torrents.
+Shrouded in his mackintosh, protected by his umbrella, the curate walked
+away. Looking after him, Stepton thought:
+
+"Very odd! It isn't only in the face. Even the figure, all covered up and
+umbrella-roofed, seems to have something--he'll send me the sermon of the
+man and his double to-morrow."
+
+And on the morrow that sermon came by the first post. Having read it, the
+professor promptly returned it to Chichester with the following note:
+
+_The White House, Westminster.
+
+Dear Mr. Chichester:_
+
+Very glad to have had the opportunity of reading your interesting
+discourse. If I had not known it was yours, and a sermon, I should have
+said "a posthumous work of Robert Louis Stevenson." It does credit to
+your imagination. If you care to publish, I should suggest "The
+Cornhill." I know nothing about their terms.
+
+Yours faithfully,
+
+_G.R.E. Stepton._
+
+By return of post, there came an urgent invitation to the professor to
+visit Chichester's rooms in Hornton Street, "to continue a discussion
+which has a special interest for me at this moment."
+
+"Discussion!" thought Stepton, sitting down to accept, "What my man wants
+is for me to goad him into revelation; and I'll do it."
+
+The professor knew enough of psychology to be aware that in the very
+depths of the human heart there is a desire which may perhaps be called
+socialistic--the desire to share truth with one's fellow-men. Chichester
+was scourged by this desire. But whether what he wished to share was
+truth, or only what he believed to be truth, was the question. Anyhow,
+Stepton was determined to make him speak. And he set off to Hornton
+Street little doubting that he would find means to carry his
+determination into effect.
+
+He arrived about half-past five. He did not turn the corner into
+Kensington High Street on his homeward way until darkness had fallen,
+having passed through some of the most extraordinary moments that had
+ever been his.
+
+When he was shown into the curate's sitting-room, his first remark was:
+
+"Sent that very interesting story to 'The Cornhill' yet?"
+
+"I don't think you quite understand, Professor," replied Chichester.
+"I did not type it with a view to sending it in anywhere for publication.
+You'll have tea with me, I hope? Here it is, all ready."
+
+"Thank you."
+
+"Oh, Ellen!"
+
+Chichester went to the door, and Stepton heard the words, "Nobody, you
+understand," following on a subdued murmuring.
+
+"And Mr. Harding, sir?" said the maid's voice outside.
+
+"Mr. Harding won't come to-day. That will do, Ellen."
+
+The professor heard steps descending. His host shut the door and
+returned.
+
+"You typed it for your own use?" said Stepton.
+
+"That sermon? Yes. I wished to keep it by me as a record."
+
+He sat down, and poured out the tea.
+
+"A record of an imagined experience. Exactly. Then why not publish?"
+
+"It is not fiction."
+
+"Well, it isn't fact."
+
+The professor drank his tea, looking at his host narrowly over the cup.
+
+"Do you say such an experience as that described in my sermon is
+impossible?"
+
+"Do you say it is possible?"
+
+"If I were to say so would you believe me?"
+
+"Certainly not, unless I could make an investigation and personally
+satisfy myself that what you said was true. You wouldn't expect anything
+else, I'm sure."
+
+"You can believe nothing on the mere word of another?"
+
+"Very little. I am an investigator. I look for proof."
+
+"With your pencil in one hand, your note-book in the other."
+
+In Chichester's last remark there was a note of sarcasm which thoroughly
+roused Stepton, for it sounded like the sarcasm of knowledge addressed
+to ignorance. Stepton had a temper. This touch of superiority, not
+vulgar, but very definite, fell on it like a lash.
+
+"Now I'll go for the reverend gentleman of St. Joseph's!" he thought.
+
+And for a moment he forgot his aim in remembering himself. Afterward,
+in thinking matters over, he offered a pinch of incense at the altar
+of his egoism.
+
+"So, the modern clergyman still believes in slip-slop, does he?" he
+exclaimed in his most aggressive manner. "Even now hasn't he learnt the
+value of the matter-of-fact? The clergyman is the doctor of the soul,
+isn't he? And the doctor, isn't he the clergyman of the body? I wonder,
+I do wonder, how long the average doctor would keep together his practice
+if he worked with no more precision than the average clergyman. The
+contempt of the pencil and note-book! The contempt of proper care in
+getting together and coordinating facts! The contempt of proof--the
+appeal to reason! And so we get to the contempt of reason. And let me
+tell you--" he struck the tea-table with his lean hand till the curate's
+cups jumped--"that scarcely ever have I heard a sermon in which was not
+to be found somewhere the preacher's contempt for reason, the bread of
+the intellect of man."
+
+"The soul is not the intellect."
+
+"Don't you think it higher?"
+
+"I do."
+
+"And so you put it on slops!"
+
+The professor got up from his chair, and began to sidle up and down the
+small room.
+
+"You put it on slops, as if it were a thing with a disordered stomach.
+That's your way of showing it respect. You approach the shrine with an
+offering of water gruel. Now look ye here!"--The professor paused beside
+the tea-table--"The soul wants its bread, depends upon it, as much as
+the body, and the church that is free with the loaves is the church to
+get a real hold on real men. Flummery is no good to anybody. Rhetoric's
+no good to anybody. Claptrap and slipslop only make heads swim and
+stomachs turn. The pencil and note-book, observation and the taking down
+of it, these bring knowledge to the doors of men. And when you sneer at
+them, you sneer at bread, on the eating of which--or its equivalent,
+basis-nourishment--life depends."
+
+"I wonder whether you, and such as you, really know on what the true life
+of the soul depends," said Chichester, with an almost dreadful quietness.
+
+The professor sat down again.
+
+"Such as I?" he said. "You are good enough to do me the honor of putting
+me in a class?"
+
+"As you have so far honored me," returned Chichester.
+
+"Ha!" ejaculated Stepton.
+
+He had quite got the better of his egoism, but he by no means regretted
+his outburst.
+
+"Do you claim to stand outside the ranks of the clergy?" he asked.
+
+"Do you claim to stand outside the ranks of the scientists?"
+
+"Oh, dear, no. And now--you?"
+
+Chichester said nothing for a moment. Then, lifting up his head, and
+gazing at the professor with a sort of sternness of determination, he
+said:
+
+"Remember this! You yourself told me that in a crowd of a thousand you
+must have fixed your attention on me."
+
+For a moment the professor had it in his mind to say that this statement
+of his had been a lie invented to make an impression on Chichester. But
+he resisted the temptation to score--and lose. He preferred not to score,
+and to win, if possible.
+
+"I did," he said.
+
+"Could this be so if I were like other men, other clergymen?"
+
+"Well, then, what is the mighty difference between you and your reverend
+brethren--between you, let us say, and your rector, Mr. Harding?"
+
+Very casually and jerkily the professor threw out this question.
+
+Not casually did Chichester receive it. He moved almost like a man who
+had been unexpectedly struck, then seemed to recover himself, and to
+nerve himself for some ordeal. Leaning forward, and holding the edge of
+the table with one hand, he said:
+
+"How well do you know Mr. Harding?"
+
+"Pretty well. Not intimately."
+
+"You have seen him since he--altered?"
+
+"I saw him only the other day when I was at a specialist's in Harley
+Street."
+
+"A specialist's?"
+
+"For nervous dyspepsia."
+
+Again the look of contempt flickered over Chichester's face.
+
+"Do you think the alteration in Mr. Harding may be due to nervous
+dyspepsia?"
+
+"Probably. There are few maladies that so sap the self-confidence of a
+man."
+
+Chichester laughed.
+
+For the first time since he had entered the little room the professor
+felt a cold sensation of creeping uneasiness.
+
+"Apparently you don't agree with me," he said.
+
+"I am not a doctor, and I know very little about that matter."
+
+"Then I'm bound to say I don't know what you find to laugh at."
+
+"For a man who has spent so much time in psychical research you seem to
+have a rather material outlook upon--"
+
+"Mr. Harding?"
+
+"And all that he represents."
+
+"Suppose we stick to Mr. Harding," said the professor, grittily. "He is
+typical enough, even if you are not."
+
+"In what respect do you consider Mr. Harding typical?"
+
+"I am speaking of the Harding before the fall into the abysses of nervous
+dyspepsia."
+
+"Very well. In what respects was Mr. Harding typical?"
+
+"In the sublime self-confidence with which he proclaimed as facts, things
+that have never been proved to be facts."
+
+"Do men want facts?" said Chichester, almost as one speaking alone to
+himself.
+
+"I do. I want nothing else. Possibly Mr.
+Harding had none to give me. I don't blame
+him."
+
+"Perhaps it is a greater thing to give men faith than to give them
+facts."
+
+"Give them the first by giving them the second, if you can! And that,
+by the way, is the last thing the average clergyman is able to do."
+
+Chichester sat silent for nearly a minute looking at the professor with a
+strange expression, almost fiery, yet meditative, as if he were trying to
+appraise him, were weighing him in a balance.
+
+"Professor," he said at last, "I suppose your passion for facts has led
+men to put a great deal of faith in you. Hasn't it?"
+
+"I dare say my word carries some weight. I really don't know," responded
+Stepton, with an odd hint of something like modesty.
+
+"I had thought of Malling first," almost murmured Chichester.
+
+"What's that about Malling?"
+
+"I think he would have accepted what I have to give more readily than you
+would. There seems to me something in him which stretches out arms toward
+those things in which mystics believe. In you there seems to me something
+which would almost rather repel such things."
+
+"I beg your pardon. I am quiescent. I neither seek to summon nor to
+repel."
+
+"I couldn't tell Malling," said Chichester. "His readiness stopped me. It
+struck me like a blow."
+
+"Malling prides himself on being severely neutral in mind."
+
+"And you on being skeptical?"
+
+"I await facts."
+
+"Shall I give you some strange facts, the strangest perhaps you have ever
+met with?"
+
+Stepton smiled dryly.
+
+"You'll forgive me, but some such remark has been the prelude to so many
+figments."
+
+"Figments?"
+
+"Of the imagination."
+
+An expression of anger--almost like a noble anger it seemed--transformed
+Chichester's face. It was as a fine wrath which looked down from a
+height, and in an instant it melted into pity.
+
+"How much you must have missed because of your skepticism!" he said. "But
+I shall not let it affect me. You are a man of note-book and pencil. Will
+you promise me one thing? Will you give me your word not to share what I
+shall tell you with any one, unless, later on, I am willing that you
+should?"
+
+"Oh, dear, yes!" said the professor.
+
+And again he smiled. For even now he believed the curate to be wavering,
+swayed by conflicting emotions, and felt sure that a flick of the whip
+to his egoism would be likely to hasten the coming of what he, the
+professor, wanted.
+
+A loud call rose up from the street. A wandering vender of something
+was crying his ware. In his voice was a sound of fierce melancholy.
+Chichester went to the window and shut it down.
+
+"I wish it was night," he said as he turned.
+
+The professor jerked out his watch.
+
+"It must be getting late," he observed. "Past six! by Jove!"
+
+He made an abrupt movement.
+
+"What?" said Chichester. "You are going!"
+
+He came up to the table.
+
+"Sometimes I think," he said, "that men hate and dread nothing as they
+hate and dread facts which may upset the theories they cherish."
+
+"You're perfectly right. Well, very glad to have seen you in your
+own room." The professor got up. "By their rooms shall ye know them."
+He glanced round.
+
+"Ah, I see you have Rossetti's delightfully anemic Madonna, and Holman
+Hunt's 'Light of the World.' A day or two ago I was talking to a lady
+who pronounced that--" he extended his finger toward the Hunt--"the
+greatest work of art produced in the last hundred years. Her reason?
+Its comforting quality. I am sure you agree with her. Good-by."
+
+He made a sidling movement toward the door. Perhaps it was that movement
+which finally decided the curate to speak.
+
+"Professor," he said, "I don't want you to go yet."
+
+"Why not?" jerked out Stepton, with one hand on the door-knob.
+
+"You collect 'cases.' I have a case for you. You are a skeptic: you say
+men should be brought to faith by facts. Sit down. I will give you some
+facts."
+
+The professor came slowly back, looking dry and cold, and sat down by the
+table, facing the Rossetti Madonna.
+
+"Always ready for facts," he said.
+
+
+
+
+XI
+
+
+"You have heard of doubles, of course, Professor?" said Chichester,
+leaning his arms on the table and putting his hands one against the
+other, as if making a physical effort to be very calm.
+
+"Of course. There was an account of one in that sermon of yours."
+
+"Have you ever seen a double?"
+
+"No; not to my knowledge."
+
+"I suppose you disbelieve in them?"
+
+"I have no reason to believe in them. I have not collected enough
+evidence to convince me that there are such manifestations."
+
+"You know a double at this moment."
+
+"Do I, indeed? And may I ask the manifestation's name?"
+
+"Marcus Harding."
+
+"Marcus Harding is a double, you say. Whose?"
+
+"Mine," said Chichester in a low voice.
+
+He clasped and unclasped his hands.
+
+"I don't understand you," said Stepton, rather disdainfully.
+
+"I will try to make you." And Chichester began to speak, at first in a
+low, level voice. "That sermon of mine," he said, "was a sort of shadow
+of a truth that I wanted to reveal,--that I dared not fully reveal.
+Already I had tried to tell Evelyn Malling something of it. I had failed.
+When the moment came, when Malling was actually before me, I could not
+speak out. His mind was trying to track the truth that was in me. He
+got, as it were, upon the trail. Once he even struck into the truth. Then
+he went away to Marcus Harding. I remained in London. When I knew that
+those two were together I felt a sort of jealous fear of Malling. For
+there was pity in him. Despite his intense curiosity he had a capacity
+for pity. I realized that it might possibly interfere with--with
+something that I was doing. And I recalled Marcus Harding to London.
+From that moment I have avoided Malling. I could never tell him. But you,
+hard searcher after truth as you are--you could never find it in you to
+drag away another from the contemplation of truth. Could you? Could you?"
+
+"Probably not," said Stepton. "I usually let folks alone even when
+they're glaring at falsehood. Ha!"
+
+He settled himself in his chair, looking sidewise toward Chichester.
+
+"You, like every one else, have noticed the tremendous change in Marcus
+Harding," Chichester went on. "That change, the whole of that change, is
+solely owing to me."
+
+"Very glad to have your explanation of that."
+
+"I am going to give it you. The beginning of that change came about
+through the action of Marcus Harding. He wished for facts that are,
+perhaps,--indeed, probably,--withheld deliberately from the cognizance
+of man. You have sneered at those who live by faith, you have sneered at
+priests. Well, you can let that Marcus Harding go free of your sarcasm.
+Although a clergyman he was not a faithful man. And he wanted facts to
+convince him that there was a life beyond the grave. Henry Chichester--"
+
+"You! You!" interjected Stepton, harshly.
+
+"I, then, came into his life. He thought he would use me to further his
+purpose. He constrained me to sittings such as you have often taken part
+in, with a view to sending me into a trance and employing me, when in
+that condition, as a means of communication with the other world--if
+there was one. We sat secretly in this room, at this table."
+
+"You need not give me ordinary details of your sittings," said the
+professor. "I am familiar with them, of course."
+
+"Henry Chichester--"
+
+"You! You! Don't complicate matters!"
+
+"I never was entranced; but presently I felt myself changing subtly."
+
+"People very often imagine they are developing into something wonderful
+at séances. Nothing new in that."
+
+"Please try to realize the facts of my case without assuming that it
+resembles a thousand others. I believe, I feel sure, that it resembles no
+other case that has come under your observation. To grasp it you must
+grasp the characters of two men, Marcus Harding as he was--and myself,
+as I was."
+
+"Put them before me, then."
+
+"That Marcus Harding you knew. He was the type of the man who, sublimely
+self-confident, imposes his view of himself upon other men and especially
+upon women. He had strength--strength of body and strength of mind. And
+he had the strength which a devouring ambition sheds through a man. A
+fine type of the worldly clergyman he was, of the ardent climber up
+the ladder of preferment. To him the church was a career, and he meant
+to succeed in it. If he had to begin as a curate he meant to end as a
+bishop, perhaps as an archbishop. And he had will to help him, and
+vitality to help him, and the sort of talent that brings quick notice
+on a man. And he had also a woman to help him, his wife, Lady Sophia.
+He chose well when he chose her for his helpmate, though he may not think
+so now. He should have been content with what he had. But he wanted more,
+and he thought he might perhaps get what he wanted through me. Marcus
+Harding was a full-blooded type of the clerical autocrat. I once was an
+equally complete type of the clerical slave--slave to conscience, slave
+to humble-mindedness, slave to my rector as soon as I knew him.
+
+"St. Francis of Assisi was the character I worshiped. I strove after
+simple goodness. I desired no glories of this world, no praises of men.
+I did not wish to be clever or to shine, but only to do my duty to my
+fellow-men, and so toward God. When I was first to make the acquaintance
+of Marcus Harding, with a view to becoming his senior curate if he
+thought fit, I felt some alarm. I had heard so much of his great energy
+and his remarkable talents. The day came. I paid my visit to Onslow
+Gardens. For the first time I saw--" Chichester paused. His face became
+distorted. He turned toward the window as if anxious to hide his face
+from the professor's small, keen eyes. "I saw--that man," he continued,
+in a withdrawn and husky voice, and still looking away.
+
+Stepton sat motionless and silent, sidewise, with his arms hanging.
+
+Chichester, after another long pause, again faced him.
+
+"My very first impression was unfavorable. I attributed this to his
+great size, which had startled me. I now know I was wrong in thinking
+I took that impression from the outer man. It was the inner man who in
+that moment announced himself to me. But almost instantly he had surely
+withdrawn himself very far away, and I, then, had no means of following
+him. So he escaped from me, and I fell under the influence that Marcus
+Harding was able to exert at will.
+
+"I was dominated. Buoyancy, life, energy, self-confidence, radiated from
+that man. He steeped me in his vigor. He seemed kind, cordial. He won my
+heart. My intellect, of course, was dazzled. But--he won my heart. And I
+felt not only, 'Here is a man far greater than myself to whom I can look
+up,' but also, 'Here is a man to whom I must look up, because he is far
+better than myself.' At that interview it was settled that I should
+become senior curate at St. Joseph's.
+
+"As you know, I became, and still am, senior curate. As I grew to know
+Marcus Harding better I admired him more. In fact, my feeling for him
+was something greater than admiration. I almost worshiped him. His will
+was law to me in everything. His slightest wish I regarded as a behest.
+His talents amazed me. But I thought him not only the cleverest, but the
+best of men. It seemed to me right that such a man should be autocratic.
+A beneficent autocracy became my ideal of government. That my rector's
+will should be law to his wife, his servants, his curates, his organist,
+his choir, to those attached to his schools, to those who benefited by
+the charities he organized, seemed to me more than right and proper. I
+could have wished to see it law to all the world. If any one ventured
+to question any decision of his, or to speak a word against him, I felt
+almost hot with anger. In a word, I was at his feet, as the small and
+humble-minded man often is at the feet of the man who has talents and
+who is gifted with ambition and supreme self-confidence.
+
+"For a long time this condition of things continued, and I was happy in
+it. Probably it might have continued till now, if--if that accursed idea
+had not come to Marcus Harding."
+
+Again Chichester paused. In speaking he had evidently become gradually
+less aware of his companion's presence and personality. His subject
+had gripped him. Memory had grown warm within him. He lived in the days
+that were past.
+
+"That accursed idea," he repeated slowly, "to use me as his tool in an
+endeavor to break down the barrier which divides men from the other
+world.
+
+"As I told you, we began to sit secretly. Marcus Harding wished me to
+fall into the entranced condition. I did not know this at first, so at
+first I did not consciously resist his desire. He had told me a lie. He
+had told me that he desired only one thing in our sittings, to give to
+me something of the will power that made him a force in the world. He had
+declared that this was possible. I believed him unquestioningly. I
+thought he was trying to send some of his power into me. Soon I felt that
+he was succeeding in this supposed endeavor. Soon I felt that a strange
+new power was filtering into me."
+
+Chichester fixed his eyes on Stepton as he said the last words, and
+seemed to emerge from his former condition of self-absorption.
+
+"You have sat often. Have you ever felt such a sensation? It is like
+growth," he said.
+
+"When one first begins to sit at séances, one is apt to imagine all sorts
+of things in the darkness," returned Stepton. "I dare say I did, like
+other folk."
+
+"I understand," said Chichester, with a sort of strange condescension.
+"You think I was merely the victim of absurdity. The sense of this coming
+of power grew slowly, but steadily, within me. And presently it was
+complicated by another development, which involved--or began to involve,
+let me say at this point--my companion, Marcus Harding. I think I ought
+to tell you that in beginning the sittings I had had certain doubts,
+which were swept away by my admiration of, and faith in, my rector.
+Hitherto I had always thought that our human knowledge was deliberately
+limited by God, and that it was very wrong to strive to know too much.
+The man of science no doubt believes that it is impossible to know too
+much; but I have thought that many great truths are kept from us because
+we are not yet in a condition properly to understand them. I had,
+therefore, begun these practices with a certain tremor, and possibly a
+certain feeling of resistance, in the depths of my soul. As I felt the
+power coming to me I had put away my fears. They did not return. Yet
+surely the new development within me, of which I now became aware, was
+connected with those fears, however subtly. It was a sensation almost of
+hostility directed against Marcus Harding."
+
+"Ah, now!" ejaculated the professor, as if in despite of himself. "And
+where's the connection you speak of?"
+
+"Marcus Harding had constrained me to do a thing that in my soul I had
+believed to be wrong and that had roused my fear. As power dawned in me,
+directing itself upon everything about me, it was instinctively hostile
+to him who had dominated me before I had any power, and who, by
+dominating me, had for a moment made me afraid."
+
+"Retrospective enmity! Very well!" muttered the professor. "I understand
+you. Keep on!"
+
+"This hostility--if I may call a feeling at first not very definite by
+so definite a name--induced in me a critical attitude of mind. I found
+myself, to my surprise, secretly criticizing the man whom till now I had
+regarded as altogether beyond the reach of criticism. I felt that Marcus
+Harding was giving me power. I was grateful to him for doing so; yet I
+began to see him in a new, and at moments an unpleasant light. Presently,
+after trying in vain to combat this novel sensation, which seemed to me
+almost treacherous, almost disloyal, I sought about for a reason, to give
+myself at least some justification for it. I sought, and one night it
+seemed to me that I found.
+
+"On that night I was more than ever aware that strength of some kind was
+pouring into me. I had an almost heady sensation, such as one who drinks
+a generous wine may experience. When we rose from the table I told my
+rector so. He stared at me very strangely. Then he said: 'Good! Good!
+Didn't I tell you I would give you some of my power?' He paused. Then he
+added: 'It will come! It must come!' As he spoke the last words he
+frowned, and all his face seemed to harden, as if he were making a
+violent mental effort to which the body was obliged to respond. And at
+that instant I was aware that the reason Marcus Harding had given to me
+to persuade me to these sittings was not the true one, that his purpose
+was quite other than that which I had hitherto supposed it to be. I was
+suddenly aware of this, and I thought: 'I must already have been aware of
+it subconsciously, and that accounts for my sensation of hostility toward
+the rector.' A lie had been told to me. My new self-confidence resented
+this; and I said to myself, 'If Marcus Harding can tell a lie to me, who
+almost worshiped him, he must be an arrant hypocrite.'
+
+"We sat again, and again I knew that there was something in the mind
+of my companion which he concealed from me, something to which I should
+strongly object if I knew what it was, something which troubled the
+atmosphere, the mental atmosphere, of the sitting. Instead of being
+in accord, we were engaged in a silent, but violent, struggle. I was
+determined not to be overcome. A sort of fierce desire for tyranny
+sprang up in me. I longed to see Marcus Harding at my feet.
+
+"Again and again we sat. My hostile feeling grew. My critical feeling
+grew. My longing to tyrannize increased, till I was almost afraid of it,
+so cruel did I feel it to be. 'Down! Down under my feet!' That was what
+my soul was secretly saying now to the man whose will had been as law to
+me. And one night, as if he heard that ugly voice of my soul, he abruptly
+got up from the table and said: 'It seems to me that you and I are not
+_en rapport_. It seems to me that no more good can come of these
+sittings. We had better not sit again."
+
+"We must sit again," I replied.
+
+"Marcus Harding turned scarlet with anger. He looked at me. He opened his
+lips to speak. I let him speak. I even argued the question with him. I
+pointed out to him that his only design--the only design acknowledged by
+him, at any rate, in beginning these practices--had been to give me
+strength such as, he had declared to me, he himself had drawn while at
+Oxford from a Hindu comrade. In carrying out this design, I now told him,
+he was being successful. I felt that I was growing in power of will, in
+self-confidence. How, then, could he refuse to continue when success was
+already in sight? 'Unless,' I concluded, 'you had some other design in
+persuading me to sit, which I did in the first instance against my
+secret desire, and you feel that there is now no probability of carrying
+that design into effect.'
+
+"He gave in. I had him beaten. Hastily he muttered a good-night and left
+me. I let him out into the night. As soon as the street door had shut on
+him I ran upstairs. I went to that window,--" Chichester flung out his
+hand--"pushed it up, leaned out, and watched him down the street. I saw
+him pass under a gas-lamp and I said to myself: 'You have submitted to my
+will, and you shall submit again. I am the master now.'
+
+"In that moment all the domination which I had so joyously endured, which
+I had even surely reveled in,--for there are those who can revel in their
+slavery,--abruptly became in my mind a reason for revenge. Marcus Harding
+disappeared in the night; but still I leaned out, staring down the way he
+had gone, and thinking, 'You shall pay me back for it. You shall pay me
+back.'
+
+"From that night I made no effort to check the critical faculty, the
+exercise of which at first had seemed to me a sort of treachery. And as
+I let myself criticize, I saw more clearly. The scales fell from my eyes.
+I realized that I had been nothing less than blind in regard to Marcus
+Harding. I saw him now as he was, a victim of egomania, a worldling,
+tyrannical, falsely sentimental, and unfaithful steward, a liar--perhaps
+even an unbeliever. His whole desire--I knew it now--was not to be good,
+but to be successful. His charity, his pity for the poor, his generosity,
+his care for his church, for his schools--all was pretence. I saw Marcus
+Harding as he was. And what followed?"
+
+Chichester leaned forward to the professor.
+
+"Fear followed," he said in a withdrawn voice.
+
+"Fear!" said Stepton, clearing his throat with a loud, rasping noise.
+
+"Whenever I was with Marcus Harding in any public place I was now
+companioned by fear. I dreaded unspeakably lest others should begin to
+see what I saw. When he preached, I could hardly sit to listen: I felt
+as if any shame falling upon him would overwhelm me also. I strove in
+vain to combat this strange, this, then, inexplicable sensation. With
+every sitting this terror grew upon me. It tortured me. It obsessed me.
+It drove me into action. When I was with my rector, I tried perpetually
+to prevent him from exposing his true self to the world, by changing
+the conversation, by attenuating his remarks, by covering up his actions
+with my own, sometimes even by a brusque interruption. But in the pulpit
+he escaped from me. I was forced to sit silent and to listen while he
+preached doctrine in which he had no belief, and put forward theories
+of salvation, redemption by faith, and the like, which meant less than
+nothing to him. Finding this presently unendurable by me, I strove to
+govern him mentally when he was in the pulpit, to track him, as it were,
+with my mind, to head him off with my mind when he was beginning to take
+the wrong path."
+
+"Did you succeed in that effort?" interrupted the professor.
+
+"I made an impression, a terrible impression, upon him. I almost broke
+him down. I sapped his self-confidence. His power as a preacher deserted
+him, as his power outside the pulpit deserted him. With every day I felt
+that I saw more clearly into every recess, every cranny, of his mind and
+nature. Just at first this frightfully clear sight was mine only when we
+were sitting; but presently it was mine whenever I was with him. And he
+knew it, and went in fear of me. Gradually, very gradually, it came about
+that our former positions were reversed; for as he sank down in the human
+scale, I mounted. As he lost in power, I gained. And especially in the
+pulpit I felt that now I had force, that I could grip my hearers, could
+make a mighty impression upon those with whom I was brought into contact.
+
+"But I must tell you that now I gained no satisfaction from my own
+improvement, if so it may be called. My whole life was vitiated by my
+secret terror lest Marcus Harding should be found out, should ever be
+known for what he was. His actions, and even his thoughts, affected me
+with an intimacy that was inexplicable."
+
+"You were in telepathic communication with him!" interjected Stepton.
+
+"Call it so if you like. Often I felt what he was thinking, almost as if
+each thought of his were a hand laid upon me--a hand from which I shrank
+with an almost trembling repugnance. Sometimes when he thought something
+contemptible or evil, I shrank as if from a blow.
+
+"There was a link between us. Presently, soon, I knew it. We seemed in
+some dreadful way to belong to each other, so that whatever was thought,
+said, done by him, whatever happened to him, reacted upon me.
+
+"At this time Lady Sophia Harding hated me with a deadly hatred. Formerly
+she had been indifferent to me. Concentrated upon her husband, adoring
+him, vain of him, greedily ambitious for his advancement, she had had no
+time to bestow on a clerical nonentity. But as I grew to understand
+what her husband really was she grew to hate me. She was almost rude to
+me. She spoke ill of me behind my back. She even tried to oust me from my
+position as senior curate of St. Joseph's. Why did not she succeed? Are
+you thinking that?"
+
+"Well, what if I was?" snapped the professor, moving in his chair.
+
+"Marcus Harding could not make a move to get rid of me. There was a link
+between us which he could not even try to break.
+
+"One night--one night--I discovered what that link was."
+
+It was growing dark in the room. The Rossetti Madonna, thin, anemic,
+with hanging hair, seemed fading away on the somber, green wall. The
+window-panes looked spectral and white. The faint murmur of the city
+sounded a little deeper and much sadder than in the light of day.
+Stepton was aware of a furtive but strong desire for artificial light in
+the room, but he did not choose to mention it. And Chichester, whose
+voice--so it seemed to his hearer--began to have that peculiar almost
+alarming timbre which belongs to a voice speaking not for the ears of
+another, but for the satisfaction only of the soul which it expresses,
+continued his narrative, or confession, as if unaware of the dying of
+day.
+
+"During the day which preceded it I had been haunted by the thought of
+myself doing what Marcus Harding could not do. Why should not I of my own
+will leave St. Joseph's, get away from this dreadful contemplation which
+obsessed me, from this continual anxiety--almost amounting to terror at
+moments--which gnawed me? Why should not I break this mysterious link,
+impalpable yet strong? If I did, should I not again find peace? But my
+sittings with Marcus Harding would be at an end. Could I give them up?
+I asked myself that, and I felt as if I could not. Through them, by means
+of them, I felt as if I might attain to something wonderful--terrible
+perhaps, but wonderful. I felt as if I were approaching the threshold of
+absolute truth. A voice within me whispered, 'Go no further.' Was it the
+voice of conscience? I did not heed it. Something irresistible urged me
+forward. I thrust away from me with a sort of crude mental violence the
+haunting thought. And when the darkness came I greeted it.
+
+"For he came with the darkness."
+
+On the wall opposite to the professor the thin Madonna faded away.
+
+"As I heard his heavy step on the stairs that night I said to myself, 'At
+all hazards I will see, I will know, more. I will see, I will know--all.'
+When he entered at that door"--a thin darkness moved in the darkness as
+Chichester pointed--"he was dreadfully white and looked sad, almost
+terrified. He suggested that we should break through our plan and not
+sit. I refused. He then said he wished to sit in light. I refused. He was
+become my creature. He dared not disobey my desires! We placed our hands
+on this table, not touching. I could no longer endure the touch of his
+hand. We remained motionless. A long time passed. There were no rappings.
+A strange deadness seemed to prevail in the room. Presently it faded
+away, and I had the sensation that I was sitting quite alone.
+
+"At first it seemed to me that my companion must have crept out of the
+room silently, leaving me by myself in the darkness. I shuddered at the
+thought that I was alone. But then I said to myself that Marcus Harding
+must be there in the blackness opposite to me, and I moved my hands
+furtively on the table, thinking to prove his presence to myself by
+touch. I did not prove it. Suddenly I had no need to touch him in order
+to know that he was there."
+
+"Why not?" said the professor, and started at the sound of his own voice
+in the little room.
+
+"Something made me realize that he was still within the room.
+Nevertheless, I felt that I was alone. How could that be? I asked myself
+that question. This answer came as it were sluggishly into my mind, 'You
+are alone not because Marcus Harding is away, but because Henry
+Chichester is away.' For a long while I sat there stagnantly dwelling on
+this knowledge which had come to me in the blackness. It was as if I knew
+without understanding, as a man may know he is involved in a catastrophe
+without realizing how it has affected his own fate. And then slowly there
+came to me, or grew in me, an understanding of how I was alone. I was
+alone with Marcus Harding at that moment because I was Marcus Harding. A
+shutter seemed to slide back softly, and for the first time I, Marcus
+Harding, stared upon myself out of the body of another man, of Henry
+Chichester. I was alone with my soul double. Motionless, silent, I gazed
+upon it. Now I understood why I had been tortured with anxiety lest
+the world should learn to comprehend Marcus Harding as I comprehended
+him. Now I understood why neither he nor I had been able to break that
+mysterious link which our sittings had forged between us. I had been
+trying ignorantly to protect myself, to conceal my own shortcomings, to
+cover my own nakedness. I had sweated with fear lest my own truth should
+be discovered by all those to whom for so many years I had been
+presenting a lie. Yes, I had sweated with fear; but even then how little
+I had known! A voice cried out suddenly, 'Turn on the light!' It was
+the voice of my double. It seemed to awake, or to recall perhaps,--how
+can I say?--Henry Chichester. I was aware of a shock; it seemed strongly
+physical. I got up at once and turned the light on. Marcus Harding was
+before me, trembling, ashen. 'What is it? What has happened?' he said in
+a broken voice. I made no reply. He left me. I heard his step in the
+street--out there!"
+
+Chichester was silent. The professor said nothing for a moment, but
+passed his tongue twice over his lips and swallowed, sighing immediately
+afterward.
+
+"Transferred personality!" he muttered--"transferred personality. Is that
+what you'd have me believe?"
+
+"I'll tell you the rest. When Marcus Harding's steps died away down the
+street I remained here. Since that shock I have spoken of, I felt that I
+was again Henry Chichester, changed, as I had long been changed--charged
+with new force, new knowledge, new discrimination, new power over others,
+gifted with a penetrating vision into the very soul of the man I had
+worshiped, yet Henry Chichester. And as Henry Chichester I suffered; I
+condemned myself. This I said to myself that night, 'I was determined to
+see. I disregarded the voice within me which warned me that I was
+treading a forbidden path. God has punished me. He has allowed me to see.
+But this shall be the end. I will never sit again. I will give up my
+curacy. I will leave St. Joseph's at once. Never more will I set eyes on
+Marcus Harding.' I was in a condition of fierce excitement--"
+
+"Ah, exactly," muttered the professor, almost as if consoled--"fierce
+excitement!"
+
+"I could not think of sleep. For a long time I remained in here,
+sitting, standing, pacing, opening books; I scarcely know what I did
+or did not do. At last a sensation of terrible exhaustion crept over me.
+I undressed. I threw myself on my bed. I tried to sleep. I turned,
+shifted, got up, let in more air, again lay down, lay resolutely still
+in the dark, tried not to think. But always my mind dwelt on that matter.
+In those few frightful moments what had become of myself, of Henry
+Chichester? Had the powerful personality of that man whom once I had
+almost worshiped thrust him away, submerged him, stricken him down in a
+sort of deathlike trance? What I had seen I remembered now as Henry
+Chichester. What I had known in those moments I still knew now as Henry
+Chichester. In vain I revolved this matter in my feverish mind. It was
+too much for me. I was in deep waters.
+
+"I closed my eyes. The fatigue wrapped me more closely. Sleep at last was
+surely drawing near. But suddenly I knew--how I cannot exactly say--that
+once more the shutter was to be drawn back for me. This knowledge
+resembled a horrible physical sensation. The entry of it into my mind, or
+indeed into my very soul, was as the dawning of a dreadful and unnatural
+pain in the body. This pain increased till it became agony. Although I
+still lay motionless, I felt like one involved in a furious struggle in
+which the whole sum of me took violent part. And there came to me the
+simile of a man seized by tremendous hands, and held before a window
+opening into a room in which something frightful was about to take place.
+And the shutter slipped back from the window.
+
+"Again I looked upon myself. That was my exact sensation. The shutter
+drawn back, I assisted at the spectacle of Marcus Harding's life. And it
+was my life. I knew with such frightful intimacy that my knowledge was as
+vision. Therefore, I say, I saw. Not only my spirit seemed to be gazing,
+but also my bodily eyes.
+
+"I saw myself in the night slowly approaching my house in Onslow Gardens,
+ashen pale, shaken, terrified. At a corner I passed a policeman. He knew
+me and saluted me with respect. I made no gesture in response. He stared
+at me in surprise. Then a smile came into his face--the smile of a man
+who is suddenly able to think much less of another than he thought
+before. I left him smiling thus, reached my house, and stood before it.
+
+"Now I must tell you, and I rely absolutely on your regarding this as
+said in the strictest, most inviolable confidence--"
+
+"Certainly. Word of honor, and so forth!" said the professor, quickly and
+sharply.
+
+"I must tell you that Marcus Harding is a sinner, and not merely in the
+sense in which all men are sinners. There have been recurring moments in
+his life when he has committed actions which, if publicly known, would
+ruin him in the eyes of the world and put an end to his career. As I
+looked at myself standing before my house, I saw that I was hesitating
+whether to go in with my misery, or whether to seek for it the hideous
+alleviation of my beloved sin.
+
+"Professor,"--it seemed to Stepton at this moment as if Chichester's
+voice loomed upon him out of the darkness by which they were now
+enshrouded,--"it has been said that nothing shocks a man so terribly as
+the sight of his body-double; that to see what appears to be himself,
+even if only standing at a window or sitting before a fire, causes
+in a man a physical horror which seems to strike to the very roots of his
+physical being. I looked now upon my soul-double, piercing the fleshly
+envelop and it was my very soul that sweated and turned cold. For I
+perceived the dreadful action which, if known, would certainly ruin me,
+being committed by the spirit. The slavish body had not yet bowed down
+and done its part; but it was about to obey the impulse of the spirit.
+Slowly the body turned away from its home. The spirit was driving it. The
+demon with the whip was at work in the night. I looked till the dawn
+came. And only when at last my double crept, like a thief, into its
+house, did sleep take me for a little while--sleep that was alive with
+nightmare."
+
+Chichester was silent. The professor heard him breathing quickly, saw
+him, almost as a shadow just shown by the faint light that entered from
+the street through the two small windows, clasp and unclasp his hands,
+touch his forehead, his eyelids, move in his chair, like a man profoundly
+stirred and unable to be at ease.
+
+"When I woke," he continued, after a long pause, which the professor did
+not break by a word or a movement, "I woke to combat. As I told you, I
+had resolved at once to resign my curacy, and never to see that man
+again. In the light of the morning I sat down to write my letter of
+resignation; but I could not do it. A fearful compulsion to remain was
+upon me. I wrote a few words. I stopped, tore the note up, began again.
+But writing was impossible. Then I resolved to visit Marcus Harding and
+to tell him that I must go. I went to his house. He was at home. When I
+saw him I told him that I wished him to sit again that night. He strove
+to refuse. He did not understand the truth, but he was terrified. I
+ordered him to come to my rooms that night, and left him. As I was going
+away I met Lady Sophia. To my amazement, she stopped me, spoke to me
+kindly, even more than kindly, looked at me with an expression in her
+eyes that almost frightened me. I said to myself, 'But those are a
+slave's eyes!' as I left her. Never before had any woman looked at me
+like that. In that moment, I think, she began to turn from him toward
+me, to forsake weakness for strength. Yes, I say strength. I was rent by
+the tumult within me, but I had strength. I have it now. For, despite
+his hypocrisy, his unbelief, his active sinning, Marcus Harding had been
+a strong man. And even Henry Chichester, with all his humbleness, his
+readiness to yield to others, to think nothing of himself, had had the
+strength that belongs to purity of soul. And then there is the strength
+the soul draws from looking upon truth. There was strength, there is now,
+for the woman to follow. And instinct has surely guided her. She does
+not, she cannot know. And yet instinct sends her in search of the
+strength."
+
+"What do you mean by that? What do you claim?"
+
+"You read that sermon?"
+
+"I did."
+
+"Don't you understand? I am that man at the window. He did not flee
+away. He could not. He was, he is, compelled to remain. He watches that
+dreadful life. And the other within the room is fading. The strength,
+the authority, the power, are coming to me. Every sitting broadens that
+bridge across which the deserters are passing. When I preached that
+sermon my congregation sat as if numbed by terror. And he in the choir
+listened, never moving. I saw his spirit, dazed, stretching out to grasp
+the truth, slipping back powerless to do it. It was like a thing moving
+through the gloom of deep waters--of deep, deep waters."
+
+Again Chichester's voice died away. In the silence that followed the
+professor heard the faint ticking of a clock. He had not noticed it
+before. He could not tell now whether it came from within the room or
+from the room behind the folding-doors. It seemed to him as if this
+ticking destroyed his power to think clearly, as if it threw his brain
+into an unwonted confusion which made him feel strangely powerless. He
+was aware of a great uneasiness approaching, if not actually amounting to
+fear. This uneasiness made him long for light. Yet he knew that he
+dreaded light; for he was aware of an almost unconquerable reluctance to
+look upon the face of his companion. Beset by conflicting desires,
+therefore, and the prey of unwonted emotion, he sat like one paralyzed,
+listening always to the faint ticking of the clock, and striving to
+reduce what was almost like chaos to order in his brain.
+
+"Why have you selected me to be the hearer of this--this very
+extraordinary statement?" he forced himself at length to say prosaically.
+The sound of his own dry voice somewhat reassured him, and he added:
+"Though there is nothing very extraordinary in the facts you have
+related. Telepathic communication between one mind and another is a
+commonplace of to-day, an old story. Every one of course accepts it as
+possible. What novelty do you claim to present to startle science?"
+
+"I say that telepathy does not explain the link between Marcus Harding
+and myself."
+
+The professor struck his hand on the table. It seemed to him that if only
+he could get into an argument this strange confusion and fear might leave
+him. He would be on familiar ground.
+
+"What you call vision might be merely mind-reading, what you call
+perceiving the action of the spirit, mind-reading. Your terror lest
+others should find out bad truths about Marcus Harding would spring
+naturally enough from your lingering regard for him. Your acute anxiety
+when he is preaching arises of course from the fact that, owing to bodily
+causes, no doubt, his mental powers are failing him, and he is no longer
+able to do himself justice."
+
+"You don't understand. What I desired in our sittings was to draw into
+myself strength, power, will from--him. What have I done? I have drawn
+into myself the very man. That night when the shutter slipped back he
+looked out from the body of Henry Chichester. His mind worked, his soul
+was alive, within the cage of another man. And meanwhile Henry Chichester
+lay as if submerged, but presently stirred, and, however feebly, lived
+again. He lives now. But not from him comes my frightful comprehension of
+Marcus Harding. Not him does Marcus Harding fear. Not to him does she,
+the woman, look with the eyes of a slave. It is not he who dominates the
+crowds in St. Joseph's. It is not he who conceived that sermon of the man
+and his double. It is not he who has sometimes been terribly afraid."
+
+"Afraid! Afraid!"
+
+"There have been moments when I have been moved to snatch my double out
+of the sight of men. That day when we met Evelyn Malling I feared as I
+left them alone together; and when I found Malling intimately there in
+that house, I felt like one coming upon an ambush which might be
+destructive of his safety. My instinct was to detach Malling from my
+double, to attach him to myself. My conduct startled him. I saw that
+plainly. Yet I tried to win him over, as it were, to my side. He came to
+me. I strove to tell him, but something secret prevented me. And
+how could he assist me?"
+
+Chichester got up from the table. The professor saw a darkness moving as
+he went to stand by the empty fireplace.
+
+"I must look on truth," he continued; "I have to. The fascination of
+staring upon the truth of oneself is deadly, but it surpasses all other
+fascination. He sins more often now. I watch him sin. Sometimes under
+my contemplation I see him writhing like a thing in a trap--the semblance
+of myself. How the woman despises him now! Sometimes I feel deeply sad
+at my own ruthlessness. It is frightful to contemplate the physical wreck
+of a being whom, in some strange and hideous way, one always feels to
+be oneself. When I look at him it is as if his fallen face, his hanging
+nerveless hands, his down-drooping figure and eyes lit with despair were
+mine. His poses, his gestures, his physical tricks, they are all mine.
+I watch them with a cold, enveloping disgust, frozen in criticism of
+everything he does, anticipating every movement, every look, hating
+it when it comes, because it is bred out of the remnant of a spirit
+I despise as no man surely has ever despised before. Henry Chichester
+would pity, but he is overborne. He is in me as a drop may be in the
+ocean. I am most aware of him when my double sins. Only last night we
+sat"--Chichester came back to the table, and stood there, very faintly
+relieved against the darkness by the dim light which penetrated through
+the windows--"we sat in the darkness, and more deeply than ever before
+I went down into the darkness. I felt as if I were penetrating into the
+last recesses of a ruined temple. And there, in the ultimate chamber
+crouched all that was left of the inmate, terrified, helpless, and
+ignorant. As I looked upon him I understood why man is never permitted
+really to know himself unless, in an access of mad folly and overweening
+pride, he succeeds in crossing the boundary which to pass is sheer
+wickedness. And I tried to turn away, but I could not--I could not.
+I made a supreme effort. It was in vain.
+
+"I saw him go home. At last he was sick of his sin. There rose within him
+that strange longing for goodness, for purity and rest, that terrible,
+aching desire to be what those who once loved him for long had thought
+him to be, which perhaps never dies in the soul of a human being. Is it
+the instinct of the Creator burning like an undying spark in the created?
+And, as he drew near to his house, there came to him the resolve to
+speak, to acknowledge, to say, 'This is what I am. Know me as I am! Care
+for me still, in spite of what I am!' He went in, and sought her--the
+woman. She was alone. Sleep had not come to her. Perhaps some instinct
+had told her she must wake and be ready for something. Then he gathered
+together the little that was left to him of courage, and he strove to
+tell her, to make her understand some of the truth, to obtain from her
+the greatest of human gifts--the love of one from whom a man has no
+secrets that he can tell.
+
+"She listened for a moment, then she thrust out her hands as if to push
+the truth of him out of her life. And last night she left him--going in
+fear of him."
+
+The professor shook his narrow shoulders, and sprang abruptly to his
+feet. The ticking of the clock now sounded almost like a hammer beating
+in his ears.
+
+"It's time we had some light," he said in rather a loud voice.
+
+The darkness that was Chichester moved. A gleam of light shone in the
+little room, revealing the thin Madonna, "The Light of the World," the
+piano, the neatly bound books of the curate of St. Joseph's; revealing
+Chichester, who now stood facing the professor, white, drawn, lined, but
+with eyes full of almost hideous resolution and power.
+
+"I advise," said the professor--"I advise you from this time forward--"
+
+He stared into the eyes of the man opposite to him, and his voice died
+away in his throat.
+
+When, immediately afterward, he found himself walking hurriedly toward
+Kensington High Street the sweat was pouring down his face.
+
+
+
+
+XII
+
+
+One night of that autumn, driven by an overmastering impulse, Evelyn
+Malling set out toward Kensington. He felt that he must know something
+more of the matter between Marcus Harding and Henry Chichester. Stepton
+still kept silence. Malling had not approached him. But why should he not
+call upon Chichester, an acquaintance, almost a friend? It was true that
+he had resolved, having put the affair into Stepton's hands, to wait. It
+had come to this, then, to-night that he could be patient no longer? As
+he stood at the corner of Hornton Street, he asked himself that question.
+He drew out his watch. It was already past eleven, an unholy hour for an
+unannounced visit. But slowly he turned into Hornton Street, slowly went
+down that quiet thoroughfare till he was opposite to the windows of the
+curate's sitting-room. A light shone in one of them. The rest of the
+house was dark. Even the fanlight above the small front door displayed no
+yellow gleam. No doubt the household had retired to rest and Henry
+Chichester was sitting up alone. A rap would probably bring him down to
+open to his nocturnal visitor. But now Malling bethought himself
+seriously of the lateness of the hour, and paced slowly up and down,
+considering whether to seek speech of the curate or to abandon that idea
+and return to Cadogan Square. As in his mental debate he paused once more
+opposite to the solitary gleam in the first-floor window, an incident
+occurred which startled him, and gave a new bent to his thoughts. It was
+this: The light in the window was obscured for a moment as if by some
+solid body passing before it. Then the window was violently thrown up,
+the large figure of a man, only vaguely perceived by Malling, appeared at
+it, and a choking sound dropped out into the night. The man seemed to be
+leaning out as if in an effort to fill his lungs with air, or to obtain
+the relief of the cool night wind for his distracted nerves. His attitude
+struck Malling as peculiar and desperate. Suddenly he moved. The light
+showed, and Malling saw for an instant a second figure, small, slight,
+commanding. The big man seemed to be sucked back toward the center of the
+room. Down came the window; the tranquil gleam of the light shone as
+before; then abruptly all was dark.
+
+Malling realized at once what was happening in the curate's lodgings. As
+he paused, gazing at the dark house, he knew that the miserable Marcus
+Harding was within, constrained to endure the observation which, to use
+his own hideous but poignant phrase, was "eating him away." It was he who
+had appeared at the window, like a tortured being endeavoring to escape
+into the freedom of the night. It was Henry Chichester who had followed
+him, who had drawn him back, who had plunged him into darkness.
+
+The street was deserted. No policeman passed, regarding him with
+suspicion, and Mailing went on sentinel duty. The dark house fascinated
+him. More than once a desire came to him to make an effort for the
+release of Marcus Harding, to cross the street and to hammer brutally
+at the green door. He recalled Henry Chichester's strange sermon, and
+he felt as if he assisted at the torture of the double, which he himself
+had imaginatively suggested to the two clergymen in Lady Sophia's
+drawing-room. Ought he not to interrupt such a torture?
+
+Midnight struck, and he had not knocked. One o'clock struck; he had paced
+the street, but had never gone out of sight of the curate's door. It was
+nearly two, and Mailing was not far from the High Street end of the
+thoroughfare when he heard a door bang. He turned sharply. A heavy
+uncertain footstep rang on the pavement. Out of the darkness emerged a
+tall figure with bowed head. As it moved slowly forward once or twice it
+swayed, and a wavering arm shot out as if seeking for some support.
+Malling stood where he was till he saw the broad ghastliness of Marcus
+Harding's white face show under the ray of a lamp. He discerned no eyes.
+The eyes of the unhappy man seemed sunken out of recognition in the
+dreadful whiteness of his countenance. The gait was that of one who
+believes himself dogged, and who tries to slink furtively, but who has
+partly lost control of his bodily powers, and who starts in terror at his
+own too heavy and sounding footfalls.
+
+This figure went by Malling, and was lost in the lighted emptiness of the
+High Street. Malling did not follow it. Now he had a great desire, born
+out of his inmost humanity, to speak with Henry Chichester. He made up
+his mind to return to the curate's door: if he saw a light to knock and
+ask for admittance; if the window was dark to go on his way. He retraced
+his steps, looked up, and saw a light. Then it was to be. That man and he
+were to speak together. But as he looked, the light was extinguished.
+Nevertheless he struck upon the door.
+
+No one answered. He struck again, then stepped back into the roadway, and
+looked up at Chichester's window. The curate must surely have heard. Yes,
+for even as Malling gazed the window moved. No light appeared. But after
+a pause a voice above said:
+
+"Is that you, Mr. Harding?"
+
+The dim figure of a man was apparent, standing a little back and half
+concealed by a darkness of drooping curtains.
+
+"It is I--Evelyn Malling," said Malling.
+
+The form at the window started.
+
+"Mr. Malling!" the words came uncertainly. "What is it? Has--has anything
+happened to--why do you want me at such an hour?"
+
+"I chanced to be in your street and saw your light. I thought I would
+give you a hail."
+
+"Do you mean that you want to come in?"
+
+After a short pause Malling answered, "Yes."
+
+"I cannot let you in!" the voice above cried out lamentably.
+
+Then the window was shut very softly.
+
+ * * * * *
+
+Three days later Malling saw in the papers the news of the complete
+breakdown of Marcus Harding. "Nervous prostration," was the name given by
+the doctors to his malady, and it was announced that he had been ordered
+to take a sea voyage, and was preparing to start for Australia with a
+nurse.
+
+Soon afterward Malling was walking in the afternoon down Pall Mall,
+wondering deeply what would happen, whether the rector would ever start
+on that voyage, when he came upon Professor Stepton sidling out of the
+Athenaeum.
+
+"Heard about Harding?" jerked out the professor.
+
+"Yes. Has he sailed for Australia?"
+
+"Dead. Died at half-past three o'clock this morning."
+
+Malling turned cold.
+
+"Poor fellow!" he said. "Poor fellow!"
+
+The professor was drawing his plaid shawl round his shoulders. When it
+was properly adjusted, he began to walk on. Malling kept almost
+mechanically beside him.
+
+"Did you expect this?" Malling asked.
+
+"Well, I knew he was failing."
+
+"And Chichester? Have you seen Chichester since his death?"
+
+"No. Would you like to see him for me?"
+
+Malling was deep in thought and did not answer.
+
+"Do you think?" said the professor, "that Henry Chichester will be
+greatly affected by this death?"
+
+"Affected? Do you mean by grief?"
+
+"Yes."
+
+"I should suppose that to be highly improbable."
+
+The professor shot a very sharp glance at Malling.
+
+"I'm not sure that I agree with you," he observed dryly.
+
+"Have you seen him lately?" asked Malling.
+
+"Not quite recently. But if I had seen him, say, yesterday, I don't think
+that would greatly affect my present dubiety. I should, however, like to
+set that dubiety at rest. Are you busy to-day?"
+
+"No."
+
+"I am. Will you make a little investigation for me? Will you go and pay a
+visit of condolence to Chichester on the death of his rector, and then
+come round to the White House and report?"
+
+"I will if you wish it."
+
+"I shall be in after seven."
+
+"Very well."
+
+"I dare say you will be surprised," observed Stepton. "I see my bus."
+
+Malling left him imperatively waving his arm, and, turning, walked toward
+Kensington.
+
+What were his expectations? He did not know. Stepton had upset his mind.
+As he went on slowly he strove to regain his mental equilibrium. But he
+could not decide exactly what Stepton had meant. He felt inferior to the
+professor as he turned into Hornton Street.
+
+He did not hesitate, but went at once to the curate's door and rapped. No
+one answered. He rapped again, and touched the bell, half hoping, even
+while he did so, that there was no one within to hear.
+
+But an inquiring head appeared in the area, observed, and was sharply
+withdrawn. Steps sounded in the passage, and the maid Ellen presented
+herself, looking somewhat disordered.
+
+"Yes, sir?" she said.
+
+"Is Mr. Chichester at home?"
+
+"He is in, sir, poor gentleman," replied the maid. "Did you want to see
+him?"
+
+"Yes."
+
+"I'm sure I don't know whether he will see you, sir."
+
+"Is he ill?"
+
+"Not to say ill, sir. But haven't you heard?"
+
+"What?"
+
+"His poor rector's gone, sir, what used to come here to visit him so
+regular. I never see a gentleman in such a way. Why, he's so changed I
+don't hardly know him."
+
+"Have you been here long?" said Mailing, abruptly.
+
+"Only six months, sir."
+
+The maid began to look rather astonished.
+
+"And so Mr. Chichester is quite altered by his grief?"
+
+"You never did, sir! He was so firm, wasn't he, above every one! Even his
+rector used to look to him and be guided by him. And now he's as gentle
+and weak almost as a new-born child, as they say."
+
+Malling thought of Stepton. Had he looked forward to some such change?
+
+"Perhaps I could console Mr. Chichester in his grief," he said. "Will you
+take him this card and ask if I can see him? I knew Mr. Harding, too. I
+might be of use, possibly."
+
+"I'll ask him, sir. He's laying down on the bed, I do believe."
+
+Ellen hurried up-stairs with the card. It seemed to Malling that she was
+away for a long time. At last she returned.
+
+"If you please, sir, Mr. Chichester wants to know if it's anything
+important. He's feeling very bad, poor gentleman. But of course if it's
+anything important, he wouldn't for all the world say no."
+
+"It is important."
+
+"Then I was to ask you to walk in, sir, please."
+
+Chichester's sitting-room was empty when Malling came into it, and the
+folding-doors between it and the bedroom were shut. Ellen went away,
+and Malling heard a faint murmur of voices, and then Ellen's footstep
+retreating down the stairs. Silence followed. He waited, at first
+standing. Then he sat down near the piano. Not a sound reached him from
+the bedroom. On the curate's table lay a book. Malling took it up. The
+title was "God's Will be Done." The author was a well-known high-church
+divine, Father Rowton. To him, then, Henry Chichester betook himself for
+comfort. The piano stood open. On it was music. Malling looked and saw,
+"Oh, for the wings, for the wings of a dove!" by Mendelssohn. The little
+room seemed full of pious orthodoxy. Surely its atmosphere was utterly
+changed since Malling last was in it. The melody of "Oh, for the wings!"
+went through his brain. That the Henry Chichester he had recently known,
+that cruel searcher after and expounder of truth, that he should be
+helped by those words, by that melody, in an hour of sorrow!
+
+There was a movement in the bedroom. The folding-doors opened inward,
+and the curate appeared. He was very pale, and looked really ill. His
+face had fallen in. His fair hair was slightly disordered, and his blue
+eyes were surrounded by red rims. His expression suggested that he had
+recently undergone an extremely violent shock, which had shaken badly
+both body and mind. He looked dazed. Coming forward feebly, he held
+out his hand.
+
+"I believe it is something important," he said in a gentle, rather
+wavering voice; "otherwise--I am hardly fit, I fear, to be with my kind.
+I"--He sat down--"I have had a terrible shock, Mr. Malling. You have
+heard?"
+
+"You mean Mr. Harding's death?"
+
+"Yes."
+
+"I have just heard of it."
+
+"It occurred at half-past three o'clock last night, or, rather, this
+morning. He had been declining for a long while. At the last he just
+faded out, as it were. The strange thing is that I knew the exact moment
+when he entered into rest."
+
+"You weren't with him?"
+
+"Oh, no. I was here, asleep. But at three o'clock I awoke. I felt
+violently agitated. I can scarcely describe the sensation. It was
+as if I was torn, as if mind and body, or spirit and body, were torn,
+lacerated. I suffered the greatest conceivable agony. I tried to cry
+out, but I could not. Nor could I move. Then everything suddenly seemed
+to fail, all in a moment, and I was at peace. But it was like the peace
+of death, I think. And I was aware--I don't know how--that Mr. Harding
+was dead. I moved. I looked at my watch. It was a minute after half-past
+three. I noted down the time. And this morning--I heard."
+
+"And then?"
+
+"Only then I understood my loss--the loss to us all. Ah, Mr. Mailing,
+you knew him, but not as I did! Few or none knew him as I did. He was
+the greatest and best of men, full of power, but full of kindness and
+goodness, too. He guided me in everything. I can never tell you how I
+looked up to him, how I trusted him. His judgment was extraordinary, his
+reading of character was unerring. I do believe he knew me better than I
+knew myself. What shall I do without him?"
+
+The curate's grief was almost as genuine and unself-conscious as a
+child's, and Malling felt as if at that moment, like a child, he felt
+himself adrift in a difficult world. His gentle, kindly, but not strong
+face was distorted, but not hardened, by his distress, which seemed
+begging for sympathy. And Malling remembered the Henry Chichester he had
+known some years ago, before the days of St. Joseph's, the saintly but
+rather weak man, beloved by every one, but ruling no one. That man was
+surely before him, and that man knew not how to play a hypocrite's part.
+Yet Malling felt he must test him.
+
+"His death is very sad," he replied; "but surely his powers had been on
+the decline for a long while."
+
+"His powers, but not his capacity for goodness. His patience was
+angelic. Even when the cruelest blow of all fell upon him, even when
+his wife--whom, God forgive me! I don't think some of us can ever
+forgive--even when she deserted him in his hour of need, he never
+complained. He knew it was God's hand upon him, and he submitted.
+He has taught me what true patience is. What I owe to him! What I owe
+to him!"
+
+As if distressed beyond measure, the curate got up, almost wringing his
+thin hands.
+
+"It was he who sacrificed his time for me!" he continued, moving
+restlessly about the room. "But I seem to remember I told you. Didn't I
+tell you--or was it some one else?--how he gave up the hours which should
+have been hours of repose in order that my will might be strengthened,
+that I might be developed into a man more worthy to be his coadjutor?
+When I think, when I remember--"
+
+His light, tenor voice failed. Tears stood in his gentle, blue eyes.
+
+"If I am worth anything at all," he suddenly cried out, "if I have gained
+any force of character, any power for good at all, I owe it all to my
+rector's self-sacrificing endeavors on my behalf--of course, through
+God's blessing."
+
+"Then," said Malling, "you think that Mr. Harding changed you by his
+influence?"
+
+"He helped me to develop, he brought me on. Jealousy was unknown to him.
+I was a very poor preacher. He taught me how to hold people's attention.
+When I knew he was near me I sometimes seemed almost inspired. I was
+inspired by him. I preached almost as if out of his mouth. And now!"
+
+He made a despairing gesture.
+
+"Now it will all be different!" he exclaimed.
+
+And almost involuntarily Malling found himself echoing:
+
+"Yes, now it will all be different."
+
+He had seen, he had heard, enough to make his report to the professor,
+and he resolved to go. He held out his hand.
+
+"Oh, but," said Chichester, pressing one hand to his forehead, "I'm so
+selfish, so forgetful in my great grief! Surely you said you had come
+on some matter of importance."
+
+"It will wait," said Malling. "Another day. Go and rest now. You need
+rest. Any one can see that."
+
+"Thank you, thank you," said Chichester, with quivering lips. "You are
+very thoughtful, very good."
+
+Malling took his hand in farewell. As he did so there was a sharp knock
+at the front door. Chichester started violently.
+
+"Oh, I do hope it is no one for me!" he cried out. "I cannot--"
+
+He opened the door of the sitting-room a little way and listened. Voices
+were audible below, Ellen's voice and another woman's.
+
+"You, ma'am! Oh, of course he will see you!"
+
+"Of course."
+
+"I didn't know who it was, ma'am."
+
+"Is it this way?"
+
+"Yes, ma'am. I'll show you. We do feel it, ma'am. The poor gentleman used
+to come here so often of nights."
+
+"Did he? I didn't know that."
+
+Malling recognized the second voice as Lady Sophia's. A moment, and she
+was ushered into the room. She was dressed in black, but not in widow's
+weeds, and wore a veil which she pushed hastily up as she came in almost
+with a rush. When she saw Malling, for a moment she looked disconcerted.
+
+"Oh, I thought--" she began. She stood still. Chichester said nothing,
+and did not move. Malling went toward her.
+
+"I was very much grieved," he said, "at the news I heard to-day."
+
+She gave him her hand. He knew his words were conventional. How could
+they be anything else? But Lady Sophia's manner in giving him her hand
+was not conventional. She stretched it out without even looking at him.
+She said nothing. Her eyes were fixed upon Chichester, who stood on the
+other side of the little room in a rigid attitude, with his eyes cast
+down, as if he could not bear to see the woman who had just entered.
+
+"I offer you my sympathy," Malling added.
+
+"Sympathy!" said Lady Sophia, with a sharp note in her voice suggestive
+of intense, almost febrile excitement. "Then didn't you know?"
+
+She stared at him, turning her head swiftly.
+
+"Know?"
+
+"That I had left him? Yes, I left him, and now he is dead. Do you expect
+me to be sorry? Well, I am not sorry. Ah, I see you don't understand!"
+
+She made a movement toward Chichester. It was obvious that she was so
+intensely excited that she had lost the power of self-control.
+
+"Nobody understands me but you!" she cried out to Chichester. "You
+knew what he was, you knew what I endured, you know what I must feel
+now. Oh, it's no use pretending. I'm sick of pretence. You have taught me
+to care for absolute truth and only that. My relations, my friends--ah!
+to-day I have been almost suffocated with hypocrisy! And now, when I
+come here--" she flung out her hand toward Mailing--"to get away from it
+all--'grieved,' 'my sympathy!' I can't bear any more of that. Tell him!
+You tell him! You're so strong, so terribly sincere! One can rest upon
+your strength when all else fails one!"
+
+She tottered. For an instant it seemed to Malling that she was going to
+fall against Chichester's shoulder; but she caught at a chair, and saved
+herself.
+
+"Mr. Chichester!" she said, "tell him! Tell him for me!"
+
+"I have nothing to tell him," said Chichester, with a sort of mild,
+almost weak coldness, and wearily.
+
+"Nothing!" She went nearer to him. "But--you don't welcome me!"
+
+Chichester looked up, but immediately cast down his eyes again.
+
+"I cannot," he said. "At this moment I simply cannot."
+
+An expression of terrified surprise transformed Lady Sophia's face. She
+went close up to Chichester, staring at him.
+
+"Why not?" she asked.
+
+"You must know that."
+
+She stood still, always staring at him, as if searching for something
+which she did not find.
+
+"Why not?" she repeated.
+
+"You left--him when he needed you most. You left him to die alone."
+
+Lady Sophia suddenly turned round to Malling and scrutinized his face, as
+if demanding from him sympathy in her horrified amazement. He regarded
+her calmly, and she turned again to the curate.
+
+"What do you mean?" she said, and her voice had changed.
+
+"That his friends can never be yours", said Chichester, as if making a
+great effort, driven to it by some intense feeling.
+
+"You call yourself his friend!" said Lady Sophia. Her voice vibrated with
+scorn.
+
+"At any rate, he was mine, my best friend. And now he has gone forever!"
+
+Lady Sophia drew in her breath.
+
+"You hypocrite!" she said. "You hypocrite!"
+
+She spoke like one under the influence of an emotion so intense that it
+could not be gainsaid.
+
+"To pretend you admired him, loved him--_you_!"
+
+"I did admire and love him."
+
+She seemed to be struck dumb by his quiet manner, by the conviction in
+his voice. In a moment she turned round again toward Malling. Her face
+had quite changed. It was working nervously. The mouth quivered. She
+stood for a moment, then suddenly she made for the door. As she passed
+Malling, she whispered: "The strength--where is it? Oh, I'm afraid of
+him! I'm afraid of him!"
+
+She disappeared. Almost immediately Mailing heard the street door shut.
+
+"I--I cannot pretend to her," Chichester said, "even in my own house."
+
+He seemed greatly moved, almost on the verge of tears.
+
+"I'll leave you alone," said Mailing. "You need to be alone."
+
+"Thank you! Thank you!" said Chichester.
+
+And without another word he went into the bedroom, shutting the
+folding-doors behind him.
+
+At half-past seven that same evening Malling was with Professor Stepton,
+and made what the professor called his "report."
+
+"Ah!" said the professor when he had finished.
+
+"Did you expect Chichester to behave like that, to be like that?" asked
+Mailing.
+
+"I hoped he would."
+
+"Hoped! Why?"
+
+"Because it enables me to accept as facts certain things about which I
+must otherwise have remained in doubt. Of course I must see Chichester
+for myself. But he'll be just the same, just the same."
+
+The professor's eyes shone, and he poked his chin forward.
+
+"The reverend gentlemen of St. Joseph's have provided me with a basis,"
+he exclaimed emphatically.
+
+"A basis! For what?" asked Mailing.
+
+"For future experiments and investigations of a highly interesting
+nature. Ruskin was very often wrong, but he was right when he said, in a
+lucid moment, that every creature is precious. Well, good-night, Malling.
+I must get to work. I'll explain everything to you later."
+
+Almost joyously he shut the door on his friend. Almost joyously he sat
+down once more before his writing-table and seized his pen and his
+note-book.
+
+But he did not begin to write. His face suddenly changed. He put his pen
+down, pushed his note-book away, sat back in his chair, and let his
+pointed chin drop toward his breast. And presently he began to mutter to
+himself.
+
+"A little science!" he muttered. "A little science sends man far away
+from God. A great deal of science brings man back to God. Which is it
+now--you professor, you? Which is it now?"
+
+*** END OF THE PROJECT GUTENBERG EBOOK 14176 ***
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..afc6c4c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #14176 (https://www.gutenberg.org/ebooks/14176)
diff --git a/old/14176-8.txt b/old/14176-8.txt
new file mode 100644
index 0000000..5aa2b4d
--- /dev/null
+++ b/old/14176-8.txt
@@ -0,0 +1,7152 @@
+The Project Gutenberg eBook, The Dweller on the Threshold, by Robert
+Smythe Hichens
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Dweller on the Threshold
+
+Author: Robert Smythe Hichens
+
+Release Date: November 27, 2004 [eBook #14176]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE DWELLER ON THE THRESHOLD***
+
+
+E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,
+Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team
+
+
+
+THE DWELLER ON THE THRESHOLD
+
+by
+
+ROBERT HICHENS
+
+Author of _The Garden of Allah_, _Bella Donna_, _Egypt and Its
+Monuments_, _The Holy Land_, etc.
+
+1911
+
+
+
+
+
+
+
+I
+
+
+When Evelyn Malling, notorious because of his sustained interest in
+Psychical Research and his work for Professor Stepton, first met the
+Rev. Marcus Harding, that well-known clergyman was still in the full
+flow of his many activities. He had been translated from his labors in
+Liverpool to a West End church in London. There he had proved hitherto
+an astonishing success. On Hospital Sundays the total sums collected
+from his flock were by far the largest that came from the pockets of
+any congregation in London. The music in St. Joseph's was allowed by
+connoisseurs, who knew their Elgar as well as their Goss, their Perosi
+as well as their Bach, and their Wesley, to be remarkable. Critical
+persons, mostly men, who sat on the fence between Orthodoxy and Atheism,
+thought highly of Mr. Harding's sermons, and even sometimes came down
+on his side. And, of all signs surely the most promising for a West End
+clergyman's success, smart people flocked to him to be married, and Arum
+lilies were perpetually being carried in and out of his chancel, which
+was adorned with Morris windows. He was married to a woman who managed
+to be admirable without being dull, Lady Sophia, daughter of the late
+Earl of Mansford, and sister of the present peer. He was comfortably off.
+His health as a rule was good, though occasionally he suffered from some
+obscure form of dyspepsia. And he was still comparatively young, just
+forty-eight.
+
+Nevertheless, as Evelyn Malling immediately perceived, Mr. Harding was
+not a happy man.
+
+In appearance he was remarkable. Of commanding height, with a big frame,
+a striking head and countenance, and a pair of keen gray eyes, he looked
+like a man who was intended by nature to dominate. White threads appeared
+in his thick brown hair, which he wore parted in the middle. But his
+face, which was clean-shaven, had not many telltale lines. And he did not
+look more than his age.
+
+The sadness noted by Malling was at first evasive and fleeting, not
+indellibly fixed in the puckers of a forehead, or in the down-drawn
+corners of a mouth. It was as a thin, almost impalpable mist, that can
+scarcely be seen, yet that alters all the features in a landscape ever
+so faintly. Like a shadow it traveled across the eyes, obscured the
+forehead, lay about the lips. And as a shadow lifts it lifted. But it
+soon returned, like a thing uneasy that is becoming determined to
+discover an abiding-place.
+
+Malling's first meeting with the clergyman took place upon Westminster
+Bridge on an afternoon in early May, when London seemed, almost like
+a spirited child, to be flinging itself with abandon into the first
+gaieties of the season. Malling was alone, coming on foot from Waterloo.
+Mr. Harding was also on foot, with his senior curate, the Rev. Henry
+Chichester, who was an acquaintance of Malling, but whom Malling had
+not seen for a considerable period of time, having been out on his estate
+in Ceylon. At the moment when Malling arrived upon the bridge the two
+clergymen were standing by the parapet on the Parliament side, looking
+out over the river. As he drew near to them the curate glanced suddenly
+round, saw him, and uttered an involuntary exclamation which attracted
+Mr. Harding's attention.
+
+"Telepathy!" said Chichester, shaking Malling by the hand. "I believe I
+looked round because I knew I should see you. Yet I supposed you to be
+still in Ceylon." He glanced at the rector rather doubtfully, seemed to
+take a resolution, and with an air almost of doggedness added, "May I?"
+and introduced the two men to one another.
+
+Mr. Harding observed the new-comer with an interest that was
+unmistakable.
+
+"You are the Mr. Malling of whom Professor Stepton has spoken to me," he
+said,--"who has done so much experimental work for him?"
+
+"Yes."
+
+"The professor comes to my church now and then."
+
+"I have heard him say so."
+
+"You saw we were looking at the river? Before I came to London I was at
+Liverpool, and learned there to love great rivers. There is something in
+a great river that reminds us--"
+
+He caught his curate's eye and was silent.
+
+"Are you walking my way?" asked Malling. "I am going by the Abbey and
+Victoria Street to Cadogan Square."
+
+"Then we will accompany you as far as Victoria Station," said the rector.
+
+"You don't think it would be wiser to take a hansom?" began Chichester.
+"You remember--"
+
+"No, no, certainly not. Walking always does me good," rejoined Mr.
+Harding, almost in a tone of rebuke.
+
+The curate said nothing more, and the three men set out toward Parliament
+Square, Malling walking between the two clergymen.
+
+He felt embarrassed, and this surprised him, for he was an extremely
+self-reliant man and entirely free from shyness. At first he thought that
+possibly his odd discomfort arose from the fact that he was in company
+with two men who, perhaps, had quite recently had a difference which they
+were endeavoring out of courtesy to conceal from him. Perhaps there had
+been a slight quarrel over some parish matter. Certainly when he first
+spoke with them there had been something uneasy, a suspicion of strain,
+in the manner of both. But then he remembered how, before Chichester had
+turned round, they had been leaning amicably above the river.
+
+No, it could not be that. He sought mentally for some other reason. But
+while he did so he talked, and endeavored to rid himself promptly of the
+unwelcome feeling that beset him.
+
+In this effort, however, he did not at first succeed. The "conditions"
+were evidently unsatisfactory. He wondered whether if he were not walking
+between the two men he would feel more comfortable, and presently, at a
+crossing, he managed to change his place. He was now next to Mr. Harding,
+who had the curate on his other side, and at once he felt more at his
+ease. The rector of St. Joseph's led the conversation, in which Malling
+joined, and at first the curate was silent. But presently Malling noticed
+a thing that struck him as odd. Chichester began to "chip in" now and
+then, and whenever he did so it was either to modify what Mr. Harding
+had just said, or to check him in what he was saying, or abruptly to
+introduce a new topic of talk. Sometimes Mr. Harding did not appear to
+notice these interruptions; at other times he obviously resented them;
+at others again he yielded with an air of anxiety, almost of fear, to
+his curate's attenuations or hastened to follow his somewhat surprising
+leads down new conversational paths. Malling could not understand
+Chichester. But it became evident to him that for some reason or other
+the curate was painfully critical of his rector, as sometimes highly
+sensitive people are critical of members of their own family. And Mr.
+Harding was certainly aware of this critical attitude, and at moments
+seemed to be defiant of it, at other moments to be almost terrorized
+by it.
+
+All that passed, be it noted, passed as between gentlemen, rather
+glided in the form of nuance than trampled heavily in more blatant
+guise. But Evelyn Malling was a highly trained observer and a man in
+whom investigation had become a habit. Now that he was no longer ill at
+ease he became deeply interested in the relations between the two men
+with whom he was walking. He was unable to understand them, and this
+fact of course increased his interest. Moreover he was surprised by the
+change he observed in Chichester.
+
+Although he had never been intimate with Henry Chichester, he had known
+him fairly well, and had summed him up as a very good man and a decidedly
+attractive man, but marred, as Malling thought, by a definite weakness of
+character. He had been too amiable, too ready to take others on their own
+valuation of themselves, too kind-hearted, and too easily deceived. The
+gentleness of a saint had been his, but scarcely the firmness of a saint.
+Industrious, dutiful, and conscientious, he had not struck Malling as a
+man of strong intellect, though he was a cultivated and well-educated
+man. Though not governed by his own passions,--when one looked at him one
+had been inclined to doubt whether he had any,--he had seemed prone to be
+governed by those about him, at any rate in little matters of every day.
+His charm had consisted in his transparent goodness, and in an almost gay
+kindliness which had seemed to float round him like an atmosphere. To
+look into his face had been to look at the happiness which comes only to
+those who do right things, and are at peace with their own souls.
+
+What could have happened to change this charming, if too pliant,
+personality into the critical, watchful, almost--so at moments it seemed
+to Malling--aggressive curate who was now, always in a gentlemanly way,
+making things rather difficult for his rector?
+
+And the matter became the more mysterious when Malling considered Mr.
+Harding. For here was a man obviously of dominant personality. Despite
+his fleeting subservience to Chichester, inexplicable to Malling, he was
+surely by far the stronger of the two, both in intellect and character.
+Not so saintly, perhaps, he was more likely to influence others. Firmness
+showed in his forcible chin, energy in the large lines of his mouth,
+decision in his clear-cut features. Yet there was something contradictory
+in his face. And the flitting melancholy, already remarked, surely hinted
+at some secret instability, perhaps known only to Harding himself,
+perhaps known to Chichester also.
+
+When the three men came to the turning at the corner of the Grosvenor
+Hotel, Chichester stopped short.
+
+"Here is our way," he said, speaking across Mr. Harding to Malling.
+
+The rector looked at Malling.
+
+"Have you far to go?" he asked, with rather a tentative air.
+
+"I live in Cadogan Square."
+
+"Of course. I remember. You told us you were going there."
+
+"Good-by," said Chichester. "We are taking the underground to South
+Kensington."
+
+"I think I shall walk," said the rector.
+
+"But you know we are due--"
+
+"There is plenty of time. Tell them I shall be there at four."
+
+"But really--"
+
+"Punctually at four. I will walk on with Mr. Malling."
+
+"I really think you had better not," began Chichester. "Over-exertion--"
+
+"Am I an invalid?" exclaimed Mr. Harding, almost sharply.
+
+"No, no, of course not. But you remember that yesterday you were not
+quite well."
+
+"That is the very reason why I wish to walk. Exercise always does my
+dyspepsia good."
+
+"Let us all walk," said the curate, abruptly.
+
+But this was obviously not Mr. Harding's intention.
+
+"I want you to go through the minutes and the accounts before the
+meeting," he said, in a quieter but decisive voice. "We will meet at the
+School at four. You will have plenty of time if you take the train. And
+meanwhile Mr. Malling and I will go on foot together as far as Cadogan
+Square."
+
+Chichester stood for a moment staring into Mr. Harding's face, then he
+said, almost sulkily:
+
+"Very well. Good-by."
+
+He turned on his heel, and was lost in the throng near the station.
+
+It seemed to Malling that an expression of relief overspread his
+companion's face.
+
+"You don't mind my company for a little longer, I hope?" said the rector.
+
+"I shall be glad to have it."
+
+They set out on their walk to Cadogan Square. After two or three minutes
+of silence the rector remarked:
+
+"You know Chichester well?"
+
+"I can hardly say that. I used to meet him sometimes with some friends of
+mine, the Crespignys. But I haven't seen him for more than two years."
+
+"He's a very good fellow."
+
+"An excellent fellow."
+
+"Perhaps a little bit limited in his outlook. He has been with me at St.
+Joseph's exactly two years."
+
+The rector seemed about to say more, then shut his large mouth almost
+with a snap. Malling made no remark. He was quite certain that snap was
+merely the preliminary to some further remark about Chichester. And so it
+proved. As they came to St. Peter's Eaton Square, the rector resumed:
+
+"I often think that it is a man's limitations which make him critical
+of others. The more one knows, the wider one's outlook, the readier
+one is to shut one's eyes to the foibles, even to the faults, of one's
+neighbors. I have tried to impress that upon our friend Chichester."
+
+"Doesn't he agree with you?"
+
+"Well--it's difficult to say, difficult to say. Shall we go by Wilton
+Place, or--?"
+
+"Certainly."
+
+"Professor Stepton has talked to me about you from time to time, Mr.
+Malling."
+
+"He's a remarkable man," said Malling almost with enthusiasm.
+
+"Yes. He's finding his way to the truth rather by the pathway of science
+than by the pathway of faith. But he's a man I respect. And I believe
+he'll get out into the light. You've done a great deal of work for him, I
+understand, in--in occult directions."
+
+"I have made a good many careful investigations at his suggestion."
+
+"Exactly. Now"--Mr. Harding paused, seemed to make an effort, and
+continued--"we know very little even now, with all that has been done,
+as to--to the possibilities--I scarcely know how to put it--the
+possibilities of the soul."
+
+"Very little indeed," rejoined Malling.
+
+He was considerably surprised by his companion's manner, but was quite
+resolved not to help him out.
+
+"The possibilities of one soul, let us say, in connection with another,"
+continued the rector, almost in a faltering voice. "I often feel as if
+the soul were a sort of mysterious fluid, and that when we what is called
+influence another person, we, as it were, submerge his soul fluid in our
+own, as a drop of water might be submerged in an ocean."
+
+"Ah!" said Malling, laconically.
+
+Mr. Harding shot a rather sharp glance at him.
+
+"You don't object to my getting on this subject, I hope?" he observed.
+
+"Certainly not."
+
+"Perhaps you think it rather a strange one for a clergyman to select?"
+
+"Oh, no. I have known many clergymen deeply interested in Stepton's
+investigations."
+
+Mr. Harding's face, which had been cloudy, cleared.
+
+"It seems to me," he said, "that we clergymen have a special reason
+for desiring Stepton, and all Stepton's assistants, to make progress.
+It is true, of course, that we live by faith. And nothing can be more
+beautiful than a childlike faith in the Great Being who is above all
+worlds, in the _anima mundi_. But it would be unnatural in us if we did
+not earnestly desire that our faith be proved, scientifically proved,
+to be well-founded. I speak now of the faith we Christians hold in a
+life beyond the grave. I know many people who think it very wrong in a
+clergyman to mix himself up in any occult experiments. But I don't agree
+with them."
+
+It was now Malling's turn to look sharply at his companion.
+
+"Have you made many experiments yourself, may I ask?" he said very
+bluntly.
+
+The clergyman started, and was obviously embarrassed by the question.
+
+"I! Oh, I was speaking generally. I am a very busy man, you see. What
+with my church and my parish, and one thing and another, I get very
+little time for outside things. Still I am greatly interested, I confess,
+in all that Stepton is doing."
+
+"Does Mr. Chichester share your interest?" said Malling.
+
+"In a minor degree, in a minor degree," answered the rector, rather
+evasively.
+
+They were now in Sloane Street and Malling said:
+
+"I must turn off here."
+
+"I'll go with you as far as your door if you've no objection," said the
+rector, who seemed very loath to leave his companion. "It's odd how men
+change, isn't it?"
+
+"As they grow older? But surely development is natural and to be
+expected?"
+
+"Certainly. But when a man changes drastically, sheds his character and
+takes on another?"
+
+"You are talking perhaps of what is called conversion?"
+
+"Well, that would be an instance of what I mean, no doubt. But there
+are changes of another type. We clergymen, you know, mix intimately with
+so many men that we are almost bound to become psychologists if we are
+to do any good. It becomes a habit with many of us to study closely our
+fellow-men. Now I, for instance; I cannot live at close quarters with a
+man without, almost unconsciously, subjecting him to a minute scrutiny,
+and striving to sum him up. My curates, for example--"
+
+"Yes?" said Malling.
+
+"There are four of them, our friend Chichester being the senior one."
+
+"And you have 'placed' them all?"
+
+"I thought I had, I thought so--but--"
+
+Mr. Harding was silent. Then, with a strange abruptness, and the air of a
+man forced into an action against which something within him protested,
+he said:
+
+"Mr. Malling, you are the only person I know who, having been acquainted
+with Henry Chichester, has at last met him again after a prolonged
+interval of separation. Two years, you said. People who see a man from
+day to day observe very little or nothing. Changes occur and are not
+noticed by them. A man and his wife live together and grow old. But does
+either ever notice when the face of the other begins first to lose its
+bloom, to take on that peculiar, unmistakable stamp that the passage of
+the years sets on us all? Few of us really see what is always before us.
+But the man who comes back--he sees. Tell me the honest truth, I beg of
+you. Do you or do you not, see a great change in Henry Chichester?"
+
+The rector's voice had risen while he spoke, till it almost clamored for
+reply. His eyes were more clamorous still, insistent in their demand upon
+Malling. Nevertheless voice and eyes pushed Malling toward caution.
+Something within him said, "Be careful what you do!" and, acting
+surprise, he answered:
+
+"Chichester changed! In what way?"
+
+The rector's countenance fell.
+
+"You haven't observed it?"
+
+"Remember I've only seen him to-day and walking in the midst of crowds."
+
+"Quite true! Quite true!"
+
+Mr. Harding meditated for a minute, and then said:
+
+"Mr. Malling, I daresay my conduct to-day may surprise you. You may think
+it odd of me to be so frank, seeing that you and I have not met before.
+But Stepton has told me so much about you that I cannot feel we are quite
+strangers. I should like you to have an opportunity of observing Henry
+Chichester without prejudice. I will say nothing more. But if I invite
+you to meet him, in my house or elsewhere, will you promise me to come?"
+
+"Certainly, if I possibly can."
+
+"And your address?"
+
+Malling stopped and, smiling, pointed to the number outside a house.
+
+"You live here?"
+
+Mr. Harding took a small book and a pencil from his pocket and noted down
+the address.
+
+"Good-by," he said. "I live in Onslow Gardens--Number 89."
+
+"Thank you. Good-by."
+
+The two men shook hands. Then Mr. Harding went on his way toward South
+Kensington, while Malling inserted his latch-key into the door of Number
+7b, Cadogan Square.
+
+
+
+
+II
+
+
+Evelyn Malling was well accustomed to meeting with strange people and
+making investigations into strange occurrences. He was not easily
+surprised, nor was he easily puzzled. By nature more skeptical than
+credulous, he had a cool brain, and he was seldom, if ever, the victim
+of his imagination. But on the evening of the day in question he found
+himself continually dwelling, and with a curiously heated mind, upon the
+encounter of that afternoon. Mr. Harding's manner in the latter part of
+their walk together had--he scarcely knew why--profoundly impressed him.
+He longed to see the clergyman again. He longed, almost more ardently, to
+pay a visit to Henry Chichester. Although the instinct of caution, which
+had perhaps been developed in him by his work among mediums, cranks of
+various kinds, and charlatans, had prevented him from letting the rector
+know that he had been struck by the change in the senior curate, that
+change had greatly astonished him. Yet was it really so very marked? He
+had noticed it before his attention had been drawn to it. That he knew.
+But was he not now, perhaps, exaggerating its character, "suggestioned"
+as it were by the obvious turmoil of Mr. Harding? He wondered, and was
+disturbed by his wonderment. Two or three times he got up, with the
+intention of jumping into a cab, and going to Westminster to find out
+if Professor Stepton was in town. But he only got as far as the hall.
+Then something seemed to check him. He told himself that he was in no
+fit condition to meet the sharp eyes of the man of science, who delighted
+in his somewhat frigid attitude of mind toward all supposed supernormal
+manifestations, and he returned to his study and tried to occupy himself
+with a book.
+
+On the occasion of his last return, just as he was about to sit down,
+his eyes chanced to fall on an almanac framed in silver which stood on
+his writing-table. He took it up and stared at it. May 8, Friday--May 9,
+Saturday--May 10, Sunday. It was May 9. He put the almanac back on the
+table with a sudden sense of relief. For he had come to a decision.
+
+To-morrow he would attend morning service at St. Joseph's.
+
+Malling was not a regular church-goer. He belonged to the Stepton breed.
+But he was an earnest man and no scoffer, and some of his best friends
+were priests and clergymen. Nevertheless it was in a rather unusual
+go-to-meeting frame of mind that he got into a tail-coat and top hat, and
+set forth in a hansom to St. Joseph's the next morning.
+
+He had never been there before. As he drew near he found people flowing
+toward the great church on foot, in cabs and carriages. Evidently Mr.
+Harding had attractive powers, and Malling began to wonder whether he
+would have any difficulty in obtaining the seat he wanted, in some corner
+from which he could get a good view both of the chancel and the pulpit.
+Were vergers "bribable"? What an ignoramus he was about church matters!
+
+He smiled to himself as he paid the cabman and joined the stream of
+church-goers which was passing in through the open door.
+
+Just as he was entering the building someone in the crowd by accident
+jostled him, and he was pushed rather roughly against a tall lady
+immediately before him. She turned round with a startled face, and
+Malling hastily begged her pardon.
+
+"I was pushed," he said. "Forgive me."
+
+The lady smiled, her lips moved, doubtless in some words of conventional
+acceptance, then she disappeared in the throng, taking her way toward
+the left of the church. She was a slim woman, with a white streak in her
+dark hair just above the forehead. Her face, which was refined and
+handsome, had given to Malling a strong impression of anxiety. Even when
+it had smiled it had looked almost tragically anxious, he thought. The
+church was seated with chairs, and a man, evidently an attendant, told
+him that all the chairs in the right and left aisles were free. He made
+his way to the right, and was fortunate enough to get one not far from
+the pulpit. Unluckily, from it he could only see the left-hand side of
+the choir. But the preacher would be full in his view. The organ sounded;
+the procession appeared. Over the heads of worshipers--he was a tall
+man--Malling perceived both Mr. Harding and Chichester. The latter took
+his place at the end of the left-hand row of light-colored oaken stalls
+next to the congregation. Malling could see him well. But the rector was
+hidden from him. He fixed his eyes upon Chichester.
+
+The service went on its way. The music was excellent. A fair young man,
+who looked as if he might be a first-rate cricketer, one of the curates
+no doubt, read the lessons. Chichester intoned with an agreeable light
+tenor voice. During the third hymn, "Fight the Good Fight," Mr. Harding
+mounted into the pulpit. He let down the brass reading-desk. He had no
+notes in his hands. Evidently he was going to preach extempore. After
+the "In the name of the Father, and of the Son, and of the Holy Ghost"
+had been pronounced, Malling settled himself to listen. He felt tensely
+interested. Both Mr. Harding and Chichester were now before him, the
+one as performer--he used the word mentally, with no thought of
+irreverence--the other as audience. He could study both as he wished to
+study them at that moment.
+
+Chichester was a small, cherubic man, with blue eyes, fair hair, and neat
+features, the sort of man who looks as if when a boy he must have been
+the leading choir-boy in a cathedral. There was nothing powerful in his
+face, but much that was amiable and winning. His chin and his forehead
+were rather weak. His eyes and his mouth looked good. Or--did they?
+
+Malling found himself wondering as Mr. Harding preached.
+
+And was Mr. Harding the powerful preacher he was reputed to be?
+
+At first he held his congregation. That was evident. Rows of rapt faces
+gazed up at him, as he leaned over the edge of the pulpit, or stood
+upright with his hands pressed palm downward upon it. But it seemed to
+Malling that he held them rather because of his reputation, because of
+what they confidently expected of him, because of what he had done in
+the past, than because of what he was actually doing. And presently they
+slipped out of his grasp. He lost them.
+
+The first thing that is necessary in an orator, if he is to be successful
+with an audience, is confidence in himself, a conviction that he has
+something to say which is worth saying, which has to be said. Malling
+perceived that on this Sunday morning Mr. Harding possessed neither
+self-confidence nor conviction; though he made a determined, almost a
+violent, effort to pretend that he had both. He took as the theme of his
+discourse self-knowledge, and as his motto--so he called it---the words,
+"Know thyself." This was surely a promising subject. He began to treat it
+with vigor. But very soon it became evident that he was ill at ease, as
+an actor becomes who cannot get into touch with his audience. He stumbled
+now and then in his sentences, harked back, corrected a phrase, modified
+a thought, attenuated a statement. Then, evidently bracing himself up,
+almost aggressively he delivered a few passages that were eloquent
+enough. But the indecision returned, became more painful. He even
+contradicted himself. A "No, that is not so. I should say--" communicated
+grave doubts as to his powers of clear thinking to the now confused
+congregation. People began to cough and to shift about in their chairs. A
+lady just beneath the pulpit unfolded a large fan and waved it slowly to
+and fro. Mr. Harding paused, gazed at the fan, looked away from it, wiped
+his forehead with a handkerchief, grasped the pulpit ledge, and went on
+speaking, but now with almost a faltering voice.
+
+The congregation were doubtless ignorant of the cause of their pastor's
+perturbation, but Malling felt sure that he knew what it was.
+
+The cause was Henry Chichester.
+
+On the cherubic face of the senior curate, as he leaned back in his
+stall while Mr. Harding gave out the opening words of the sermon, there
+had been an expression that was surely one of anxiety, such as a master's
+face wears when his pupil is about to give some public exhibition. That
+simile came at once into Malling's mind. It was the master listening to
+the pupil, fearing for, criticizing, striving mentally to convey help to
+the pupil. And as the sermon went on it was obvious to Malling that the
+curate was not satisfied with it, and that his dissatisfaction was, as
+it were, breaking the rector down. At certain statements of Mr. Harding
+looks of contempt flashed over Chichester's face, transforming it.
+The anxiety of the master, product of vanity but also of sympathy,
+was overlaid by the powerful contempt of a man who longs to traverse
+misstatements but is forced by circumstances to keep silence. And so
+certain was Malling that the cause of Mr. Harding's perturbation lay in
+Chichester's mental attitude, that he longed to spring up, to take the
+curate by the shoulders and to thrust him out of the church. Then all
+would be well. He knew it. The rector's self-confidence would return and,
+with it, his natural powers.
+
+But now the situation was becoming painful, almost unbearable.
+
+With every sentence the rector became more involved, more hesitating,
+more impotent. The sweat ran down his face. Even his fine voice was
+affected. It grew husky. It seemed to be failing. Yet he would not
+cease. To Malling he gave the impression of a man governed by a secret
+obstinacy, fighting on though he knew it was no use, that he had lost
+the combat. Malling longed to cry out to him, "Give it up!"
+
+The congregation coughed more persistently, and the lady with the fan
+began to ply her instrument of torture almost hysterically.
+
+Suddenly Malling felt obliged to look toward the left of the crowded
+church. Sitting up very straight, and almost craning his neck, he stared
+over the heads of the fidgeting people and met the eyes of a woman, the
+lady with the streak of white hair against whom he had pushed when
+coming in.
+
+There was a look almost of anguish on her face. She turned her eyes
+toward Mr. Harding. At the same instant the rector saw Mailing in the
+congregation. He stopped short, muttered an uneven sentence, then,
+forcing his voice, uttered in unnaturally loud tones the "Now to God the
+Father," et cetera.
+
+Henry Chichester rose in his stall with an expression of intense
+thankfulness, which yet seemed somehow combined with a sneer.
+
+The collection was made.
+
+Before the celebration some of the choir and two of the clergy, of whom
+Mr. Harding was one, left the church. Henry Chichester and the fair,
+athletic-looking curate remained. Mailing took his hat and made his way
+slowly to the door. As he emerged a young man stopped him and said:
+
+"If you please, sir, the rector would like to speak to you if you could
+wait just a moment. You are Mr. Malling, I believe."
+
+"Yes. How could you know?"
+
+"Mr. Harding told me what you were like, sir, and that you were wearing
+a tie with a large green stone in it. Begging your pardon, sir."
+
+"I will wait," said Malling, marveling at the rector's rapid and accurate
+powers of observation.
+
+Those of the congregation who had not remained for the celebration were
+quickly dispersing, but Malling now noticed that the lady with the white
+lock was, like himself, waiting for some one. She stood not far from him.
+She was holding a parasol, and looking down; she moved its point to and
+fro on the ground. Several people greeted her. Almost as if startled she
+glanced up quickly, smiled, replied. Then, as they went on, she again
+looked down. There was a pucker in her brow. Her lips twitched now and
+then.
+
+Suddenly she lifted her head, turned and forced her quivering mouth to
+smile. Mr. Harding had come into sight round the corner of the church.
+
+"Ah, Mr. Malling," he said, "so you have stayed. Very good of you.
+Sophia, let me introduce Mr. Malling to you--my wife, Lady Sophia."
+
+The lady with the white lock held out her hand.
+
+"You have heard Professor Stepton speak of Mr. Malling, haven't you?"
+added the rector to his wife.
+
+"Indeed I have," she answered.
+
+She smiled again kindly, and as if resolved to throw off her depression
+began to talk with some animation as they all walked together toward the
+street. Directly they reached it the rector said:
+
+"Are you engaged to lunch to-day, Mr. Malling?"
+
+"No," answered Malling.
+
+Lady Sophia turned to him and said:
+
+"Then I shall be informal and beg you to lunch with us, if you don't mind
+our being alone. We lunch early, at one, as my husband is tired after his
+morning's work and eats virtually nothing at breakfast."
+
+"I shall be delighted," said Malling. "It's very kind of you."
+
+"We always walk home," said the rector.
+
+He sighed. It was obvious that he was in low spirits after the failure of
+the morning, but he tried to conceal the fact, and his wife tactfully
+helped him. Malling praised the music warmly, and remarked on the huge
+congregation.
+
+"I scarcely thought I should find a seat," he added.
+
+"It is always full to the doors in the morning," said Lady Sophia, with a
+cheerfulness that was slightly forced.
+
+She glanced at her husband, and suddenly added, not without a decided
+touch of feminine spite:
+
+"Unless Mr. Chichester, the senior curate, is preaching."
+
+"My dear Sophy!" exclaimed Mr. Harding.
+
+"Well, it is so!" she said, with a sort of petulance.
+
+"Perhaps Mr. Chichester is not gifted as a preacher," said Malling.
+
+"Oh, I wouldn't say that," said the rector.
+
+"My husband never criticizes his--swans," said Lady Sophia, with delicate
+malice, and a glance full of meaning at Malling. "But I'm a woman, and my
+principles are not so high as his."
+
+"You do yourself an injustice," said the rector. "Here we are."
+
+He drew out his latch-key.
+
+Before lunch Malling was left alone for a few minutes in the drawing-room
+with Lady Sophia. The rector had to see a parishioner who had called and
+was waiting for him in his study. Directly her husband had left the room
+Lady Sophia turned to Malling and said:
+
+"Had you ever heard my husband preach till this morning?"
+
+"No, never," Mailing answered. "I'm afraid I'm not a very regular
+church-goer. I must congratulate you again on the music at St. Joseph's.
+It is exceptional. Even at St. Anne's Soho--"
+
+Almost brusquely she interrupted him. She was obviously in a highly
+nervous condition; and scarcely able to control herself.
+
+"Yes, yes, our music is always good, of course. So glad you liked it.
+But what I want to say is that you haven't heard my husband preach this
+morning."
+
+Malling looked at her with curiosity, but without astonishment. He might
+have acted a part with her as he had the previous day with her husband.
+But, as he looked, he came to a rapid decision, to be more frank with the
+woman than he had been with the man.
+
+"You mean, of course, that your husband was not in his best vein," he
+said. "I won't pretend that I didn't realize that."
+
+"You didn't hear him at all. He wasn't himself--simply."
+
+She sat down on a sofa and clasped her hands together.
+
+"I cannot tell you what I was feeling," she added. "And he used to be so
+full of self-confidence. It was his great gift. His self-confidence
+carried him through everything. Nothing could have kept him back if--"
+
+Suddenly she checked herself and looked, with a sort of covert inquiry,
+at Malling.
+
+"You must think me quite mad to talk like this," she said, with a return
+to her manner when he first met her.
+
+"Shall I tell you what I really think?" he asked, leaning forward in the
+chair he had taken.
+
+"Yes, do, do!"
+
+"I think you are very ambitious for your husband and that your ambition
+for him has received a perhaps mysterious--check."
+
+Before she could reply the door opened and Mr. Harding reappeared.
+
+At lunch he carefully avoided any reference to church matters, and
+they talked on general subjects. Lady Sophia showed herself a nervously
+intelligent and ardent woman. It seemed to Malling obvious that she was
+devoted to her husband, "wrapped up in" him--to use an expressive phrase.
+Any failure on his part upset her even more than it did him. Secretly she
+must still be quivering from the public distresses of the morning. But
+she now strove to aid the rector's admirable effort to be serene, and
+proved herself a clever talker, and well informed on the events of the
+day. Of her Malling got a fairly clear impression.
+
+But his impression of her husband was confused and almost nebulous.
+
+"Do you smoke?" asked Mr. Harding, when lunch was over.
+
+Malling said that he did.
+
+"Then come and have a cigar in my study."
+
+"Yes, do go," said Lady Sophia. "A quiet talk with you will rest my
+husband."
+
+And she went away, leaving the two men together.
+
+Mr. Harding's study looked out at the back of the house upon a tiny strip
+of garden. It was very comfortably, though not luxuriously, furnished,
+and the walls were lined with bookcases. While his host went to a drawer
+to get the cigar-box, Malling idly cast his eyes over the books in the
+shelves nearest to him. He always liked to see what a man had to read.
+The first book his eyes rested upon was Myers's "Human Personality."
+Then came a series of works by Hudson, including "Psychic Phenomena,"
+then Oliver Lodge's "Survival of Man," "Man and the Universe," and "Life
+and Matter." Farther along were works by Lowes Dickinson and Professor
+William James, Bowden's "The Imitation of Buddha" and Inge's "Christian
+Mysticism." At the end of the shelf, bound in white vellum, was Don
+Lorenzo Scupoli's "The Spiritual Combat."
+
+A drawer shut, and Mailing turned about to take the cigar which Mr.
+Harding offered him.
+
+"The light is rather strong, don't you think?" Mr. Harding said, when the
+two men had lit up. "I'll lower the blind."
+
+He did so, and they sat down in a sort of agreeable twilight, aware of
+the blaze of an almost un-English sun without.
+
+Malling settled down to his cigar with a very definite intention to
+clear up his impressions of the rector. The essence of the man baffled
+him. He had known more about Lady Sophia in five minutes than he knew
+about Mr. Harding now, although he had talked with him, walked with him,
+heard him preach, and watched him intently while he was doing so. His
+confusion and distress of the morning were comprehended by Malling. They
+were undoubtedly caused by the preacher's painful consciousness of the
+presence and criticism of one whom, apparently, he feared, or of whose
+adverse opinion at any rate he was in peculiar dread. But what was the
+character of the man himself? Was he saint or sinner, or just ordinary,
+normal man, with a usual allowance of faults and virtues? Was he a man
+of real force, or was he painted lath? The Chichester episodes seemed
+to point to the latter conclusion. But Malling was too intelligent to
+take everything at its surface value. He knew much of the trickery of
+man, but that knowledge did not blind him to the mystery of man. He
+had exposed charlatans. Yet he had often said to himself, "Who can ever
+really expose another? Who can ever really expose himself?" Essentially
+he was the Seeker. And he was seldom or never dogmatic. A friend of his,
+who professed to believe in transmigration, had once said of him, "I'm
+quite certain Malling must have been a sleuth-hound once." Now he wished
+to get on a trail.
+
+But Mr. Harding, who on the previous day had been almost strangely frank
+about Henry Chichester, to-day had apparently no intention to be frank
+about himself. Though he had desired Malling's company, now that they
+were together alone he showed a reserve through which, Malling believed,
+he secretly wanted to break. But something held him back. He talked of
+politics, government and church, the spread of science, the follies of
+the day. And Malling got little nearer to him. But presently Malling
+happened to mention the modern craze for discussing intimately, or, as a
+Frenchwoman whom he knew expressed it, "_avec un luxe de détail_,"
+matters of health.
+
+"Yes, yes," responded Mr. Harding. "It is becoming almost objectionable,
+almost indecent. At the same time the health of the body is a very
+interesting subject because of its effect upon the mind, even, so it
+seems sometimes, upon the very nature of a man. Now I--" he struck the
+ash off the end of his cigar--"was, I might almost say, the victim of my
+stomach in the pulpit this morning."
+
+"You were feeling ill?"
+
+"Not exactly ill. I have a strong constitution. But I suffer at times
+from what the doctors call nervous dyspepsia. It is a very tiresome
+complaint, because it takes away for the time a man's confidence in
+himself, reduces him to the worm-level almost; and it gives him absurd
+ideas. Now this morning in the pulpit I had an attack of pain and
+uneasiness, and my nerve quite gave out. You must have noticed it."
+
+"I saw that you were troubled by something."
+
+"Something! It was that. My poor wife was thoroughly upset by it. You
+know how sensitive women are. To hold a crowd of people a man must be
+strong and well, in full possession of his powers. And I had a good
+subject."
+
+"Splendid."
+
+"I'll treat it again--treat it again."
+
+The rector shifted in his chair.
+
+"Do you think," he said after a pause, "that it is possible for another,
+an outsider, to know a man better than he knows himself?"
+
+"In some cases, yes," answered Malling.
+
+"But--as a rule?"
+
+"There is the saying that outsiders see most of the game."
+
+"Then why should we mind when all are subject to criticism!" exclaimed
+Mr. Harding, forcibly.
+
+Evidently he was startled by his own outburst, for instantly he set about
+to attenuate it.
+
+"What I mean is that men ought not to care so much as most of them
+undoubtedly do what others think about them."
+
+"It certainly is a sign of great weakness to care too much," said
+Malling. "But some people have a quite peculiar power of impressing their
+critical thoughts on others. These spread uneasiness around them like an
+atmosphere."
+
+"I know, I know," said the rector, with an almost hungry eagerness. "Now
+surely one ought to keep out of such an atmosphere, to get out of it, and
+to keep out of it."
+
+"Why not?"
+
+"But--but--how extraordinary it is, the difficulty men have in getting
+away from things! Haven't you noticed that?"
+
+"Want of moral strength," said Mailing, laconically.
+
+"You think so?"
+
+"Don't you?"
+
+At this moment there was a knock at the door. Mr. Harding started.
+
+"How impossible it is to get a quiet moment," he said with acute
+irritation. "Come in!" he called out.
+
+The footman appeared.
+
+"Mr. Chichester has called to see you, sir."
+
+The rector's manner changed. He beckoned to the man to come into the room
+and to shut the door. The footman, looking surprised, obeyed.
+
+"Where is he, Thomas?" asked Mr. Harding, in a lowered voice. "In the
+hall?"
+
+"No, sir. As you were engaged I showed him up into the drawing-room."
+
+"Oh, very well. Thank you. You can go."
+
+The footman went out, still looking surprised.
+
+Just as he was about to close the door his master said:
+
+"Wait a moment!"
+
+"Sir?"
+
+"Was her ladyship in the drawing-room?"
+
+"No, sir. Her ladyship is lying down in the boudoir."
+
+"Ah. That will do."
+
+The footman shut the door.
+
+Directly he was gone the rector got up with an air of decision.
+
+"Mr. Malling," he said, "perhaps I ought to apologize to you for treating
+you with the abruptness allowable in a friend, but surprising in an
+acquaintance, indeed in one who is almost a stranger. I do apologize. My
+only excuse is that I know you to be a man of exceptional trend of mind
+and unusual ability. I know this from Professor Stepton. But there's
+another thing. As I told you yesterday, you are the only person of my
+acquaintance who, having been fairly intimate with Henry Chichester, has
+not seen anything of him during the two years he has been with me as my
+coadjutor. Now what I want you to do is this: will you go upstairs and
+spend a few minutes alone with Chichester? Tell him I am detained, but
+am coming in a moment. I'll see to it that you are not interrupted. I'll
+explain to my wife. And, of course, I rely on you to make the matter
+appear natural to Chichester, not to rouse his--but I am sure you
+understand. Will you do this for me?"
+
+"Certainly," said Malling, with his most prosaic manner. "Why not?"
+
+"Why not? Exactly. There's nothing objectionable in the matter. But--"
+Mr. Harding's manner became very earnest, almost tragic. "I'll ask you
+one thing--afterward you will tell me the truth, exactly how Chichester
+impresses you now in comparison with the impression you got of him two
+years ago. You--you have no objection to promising to tell me?"
+
+Malling hesitated.
+
+"But is it quite fair to Chichester?" he said. "Suppose I obtained, for
+instance, a less favorable, or even an unfavorable impression of him
+now? You are his rector. I hardly think--"
+
+The rector interrupted him.
+
+"I'll leave it to you," he said. "Do just as you please. But, believe me,
+I have a very strong reason for wishing to know your opinion. I need it.
+I need it."
+
+There was a lamentable sound in his voice.
+
+"If I feel it is right I will give it to you," said Malling.
+
+The rector opened the door of the study.
+
+"You know your way?"
+
+"Yes."
+
+Malling went upstairs. Mr. Harding stood watching him from below till he
+disappeared.
+
+
+
+
+III
+
+
+When Malling opened the door of the drawing-room Chichester was standing
+by one of the windows, looking out into Onslow Gardens. He turned round,
+saw Malling, and uttered an exclamation.
+
+"You are here!"
+
+His light tenor voice sounded almost denunciatory, as if he had a right
+to demand an explanation of Malling's presence in Mr. Harding's house,
+and as he came away quickly from the window, he repeated, with still more
+emphasis:
+
+"You are here!"
+
+"Lunching--yes," replied Malling, imperturbably.
+
+He looked at Chichester and smiled.
+
+"You have no objection, I hope?"
+
+His words and manner evidently brought the curate to a sense of his own
+unconventionality. He held out his hand.
+
+"I beg your pardon. Your coming in surprised me. I had no idea"--his blue
+eyes went searchingly over Malling's calm face--"that you could be here.
+I thought you and the rector were complete strangers till I introduced
+you yesterday."
+
+"So we were."
+
+Malling sat down comfortably on a sofa. His action evidently recalled
+Chichester's mind to the fact that he was to see the rector.
+
+"Isn't the rector coming to see me?" he asked.
+
+"Almost directly. He's busy for a few minutes. We were smoking together
+in his study."
+
+"You seem to--you seem to have made great friends!" said Chichester, with
+a sort of forced jocularity.
+
+"Great friends! They're hardly made in a moment. I happened to be at
+church this morning--"
+
+"At church--where?" exclaimed the curate.
+
+"At St. Joseph's. And Mr. Harding kindly asked me to lunch."
+
+"You were at church at St. Joseph's this morning?" said Chichester.
+
+He sat down by Malling and stared into his face.
+
+"Did you--did you stay for the sermon?"
+
+"Certainly. I came for the sermon. I had never heard Mr. Harding preach."
+
+"No? No? Well, what did you think of it? What did you think of it?"
+
+The curate spoke nervously, and seemed to Malling to be regarding him
+with furtive anxiety.
+
+"It was obvious that Mr. Harding wasn't in good form this morning,"
+Malling said. "He explained the matter after lunch."
+
+"He _explained_ the matter!" said Chichester, with a rising voice, in
+which there was an almost shrill note of suspicion.
+
+"Yes. He told me he was often the victim of nervous dyspepsia, and that
+he had an attack of it while in the pulpit this morning."
+
+"He told you it was nervous dyspepsia!"
+
+"I have just said so."
+
+The curate looked down.
+
+"I advised him not to walk all the way home yesterday," he said gloomily.
+"You heard me."
+
+"You think it was that?"
+
+"He never will take advice from any one. That's his--one of his great
+faults. Whatever he thinks, whatever he says, must be right. You, as a
+layman, probably have no idea how a certain type of clergyman loves
+authority."
+
+This remark struck Malling as in such singularly bad taste--considering
+where they were, and that one of them was Mr. Harding's guest, the other
+his curate--that only his secret desire to make obscure things clear
+prevented him from resenting it.
+
+"It is one of the curses of the Church," continued Chichester, "this
+passion for authority, for ruling, for having all men under one's feet as
+it were. If men would only listen, take advice, see themselves as they
+really are, how much finer, how much greater, they might become!"
+
+"See themselves as others see them! Eh?" said Malling. "But do you mean
+that a rector should depend on his curate's advice rather than on his own
+judgment?"
+
+"And why not?" said Chichester. "Rector--curate--archbishop--what does it
+matter? The point is not what rank in the hierarchy a man has, but what,
+and how, does he see? A street boy may perceive a truth that a king is
+blind to. At that moment the street boy is greater than the king. Do you
+deny it?"
+
+"No," said Malling, amazed at the curate's excitement, but showing no
+astonishment.
+
+"But it's a terrible thing to see too clearly!" continued Chichester,
+almost as if talking to himself, absorbed. "A terrible thing!"
+
+He looked up at Malling, and almost solemnly he said:
+
+"Are you still going on with all those investigations?"
+
+"When I have any spare time, I often spend some of it in that sort of
+work," answered Malling, lightly.
+
+It was his way to make light of his research work, and indeed he seldom
+mentioned it unless he was forced to do so.
+
+"Do you think it is right?" said Chichester, earnestly.
+
+"Right?"
+
+"To strive to push one's way into hidden regions."
+
+"If I didn't think it right I shouldn't do it," retorted Malling, but
+without heat.
+
+"And--for clergymen?" questioned Chichester, leaning forward, and
+dropping his small, thin hands down between his knees.
+
+"What do you mean?"
+
+"Do you think it right for clergymen to indulge themselves--for it is
+indulgence--in investigations, in attempts to find out more than God
+has chosen to reveal to us?"
+
+The man of science in Malling felt impatient with the man of faith in
+Chichester.
+
+"Does it never occur to you that the _anima mundi_ may have hidden
+certain things from the minds of mortals just in order to provide them
+with a field to till?" he said, with a hint of sarcasm. "Wasn't the fact
+that the earth revolves round the sun, instead of the sun round the
+earth, hidden from every living creature till Galileo discovered it? Do
+you think Galileo deserved our censure?"
+
+"Saul was punished for consulting the witch of Endor," returned
+Chichester. "And the Roman Catholic Church forbids her children to deal
+in occult things."
+
+"You can't expect a man like me, a disciple of Stepton, to take the Roman
+Catholic view of such a matter."
+
+"You are not a clergyman," said Chichester.
+
+Malling could not help smiling.
+
+"You think the profession carries with it certain obligations," he said.
+"No doubt it does. But I shall never believe that one of them is to shut
+your eyes to any fact in the whole scheme of Creation. Harm can never
+come from truth."
+
+"If I could believe that!" Chichester cried out.
+
+"Do you mean to tell me you don't believe it?"
+
+Chichester looked at Malling for quite a minute without replying. Then he
+got up, and said, with a changed voice and manner:
+
+"If the rector doesn't come to see me I shall have to go. Sunday is not a
+holiday, you know, for us clergymen."
+
+He drew out his watch and looked at it.
+
+"I shall have to go. I'm taking the Children's Service."
+
+Malling got up too.
+
+"Is it getting late?" he said. "Perhaps--"
+
+At this moment the door was gently opened and Mr. Harding appeared.
+
+"Oh, Chichester," he said. "I'm sorry to have kept you waiting. What is
+it? Would you like to come to my study?"
+
+"I must be off," said Malling. "May I say good-by to Lady Sophia? Or
+perhaps she is resting and would rather not be disturbed."
+
+"I'm sure she would wish to say good-by to you," said the rector. "I'll
+just ask her."
+
+He shot a quick glance from one man to the other and went out of the
+room, leaving the door open behind him.
+
+Directly he was gone the curate said: "It has been such a pleasure to me
+to renew my acquaintance with you, Mr. Malling. Are you going to be long
+in London?"
+
+"All the season, I think."
+
+"Then I hope we may meet again soon, very soon."
+
+He hesitated, put one hand in his pocket, and brought out a card-case.
+
+"I should like to give you my address."
+
+"And let me give you mine."
+
+They exchanged cards.
+
+"I expect you'll be very busy," said the curate, rather doubtfully.
+
+Then he added, like a man urged on by some strong, almost overpowering
+desire to do a thing not quite natural to him:
+
+"But I wish you could spare an evening to come to dine with me. I live
+very modestly, of course. I'm in rooms, in Hornton Street--do you know
+it?--near Campden Hill?--Number 4a--as you'll see on my card. I wonder--"
+
+"I shall be delighted to come."
+
+"When?"
+
+"Whenever you are kind enough to ask me."
+
+"Could you come on Wednesday week? It's so unfortunate, I have such a
+quantity of parish engagements--that is my first evening free."
+
+"Wednesday week, with pleasure."
+
+"At half after seven?"
+
+"That will suit me perfectly."
+
+"And"--he looked toward the door--"I shall be greatly obliged to you if
+you won't mention to the rector the fact that you are coming. He--"
+
+"My wife's in the boudoir," said Mr. Harding, coming into the room at
+this moment.
+
+He stood by the door.
+
+Malling shook hands with Chichester, and went to say good-by to his
+hostess.
+
+Mr. Harding shut the drawing-room door.
+
+"This is the way," he said. "Well, Mr. Malling? Well?"
+
+"You mean you want to know--?"
+
+"Your impression of Chichester."
+
+The rector stopped on the landing.
+
+"Do you find him much changed?"
+
+Malling shrugged his shoulders.
+
+"Possibly--a little. He may have become rather firmer in manner, a trifle
+more decisive."
+
+"Firmer! More decisive, you say!"
+
+"But surely that is only natural, working--as he has done, I understand,
+under a man such as yourself for two years."
+
+"Such as myself! Then you think he's caught something of my manner and
+way of looking at things? You think--"
+
+"Really, it's difficult to say," interrupted Malling. "He's developed, no
+doubt. But very few people don't. I suppose you've trained him."
+
+"I!" said the rector. "I train a man like Chichester!"
+
+In his voice there was a bitter irony.
+
+"Is that you, Mr. Malling?" said the voice of Lady Sophia. "I was lying
+down with a book. This is my little room."
+
+She looked pale, almost haggard, as the sunshine fell upon her through
+the open window.
+
+Malling took his leave at once and she did not attempt to detain him.
+
+"I hope you'll come again," she said, as they shook hands. "Perhaps on
+another Sunday morning, to church and lunch. I'll let you know."
+
+She said the last words with a significance which made Malling understand
+that she did not wish him to come to church at St. Joseph's again till
+she gave him the word.
+
+The rector let him out of the house. Not another word was spoken about
+Henry Chichester. As his guest walked away the rector stood, bareheaded,
+looking after him, then, as Malling turned the corner of the gardens,
+with a heavy sigh, and the unconscious gesture of a man greatly troubled
+in mind, he stepped back into his hall and shut the door behind him.
+
+
+
+
+IV
+
+
+A week later, Mailing paid a visit to Professor Stepton. He had heard
+nothing of the Hardings and Chichester since the day of the luncheon in
+Onslow Gardens, but they had seldom been absent from his thoughts, and
+more than once he had looked at the words, "Dine with H.C." in his book
+of engagements, and had found himself wishing that "Hornton Street,
+Wednesday" was not so far distant.
+
+The professor lived in Westminster, in a house with Adam ceilings, not
+far from the Houses of Parliament. He was unmarried, and Malling found
+him alone after dinner, writing busily in his crowded library. He had but
+recently returned from Paris, whither he had traveled to take part in a
+series of "sittings" with the famous medium, Mrs. Groeber.
+
+In person the professor was odd, without being specially striking. He
+was of medium height, thin and sallow, with gray whiskers, thick gray
+hair, bushy eyebrows, and small, pointed and inquiring features which
+gave him rather the aspect of a prying bird. His eyes were little and
+sparkling. His mouth, strangely enough, was ecclesiastical. He nearly
+always wore very light-colored clothes. Even in winter he was often
+to be seen clad in yellow-gray tweeds, a yellow silk necktie, and a
+fawn-colored Homburg hat. And no human being had ever encountered him
+in a pair of boots unprotected by spats. One peculiarity of his was that
+he did not possess a walking-stick, another that he had never--so at
+least he declared--owned a pocket-handkerchief, having had no occasion
+to use one at any moment of his long and varied life. When it rained he
+sometimes carried an umbrella, generally shut. At other times he moved
+briskly along with his arms swinging at his sides.
+
+As Malling came in he looked up and nodded.
+
+"Putting down all about Mrs. Groeber," he observed.
+
+"Anything new or interesting?" asked Malling.
+
+"Just the usual manifestations, done in full light, though."
+
+He laid aside his pen, while Malling sat down.
+
+"A letter from Flammarion this morning," he said. "But all about Halley's
+comet, of course. What is it?"
+
+Now the professor's "What is it?" was not general, but particular, and
+was at once understood to be so by Malling. It did not mean "Why have you
+come?" but "Why are you obsessed at this moment, and by what?"
+
+"Let's have the mystery," he added, leaning his elbows on his just dried
+manuscript, and resting his sharp little chin on his doubled fists.
+
+Yet Malling had hinted at no mystery, and had come without saying he was
+coming.
+
+"You know a clergyman called Marcus Harding?" said Malling.
+
+"Of St. Joseph's. To be sure, I do."
+
+"Do you know also his senior curate, Henry Chichester?"
+
+"No."
+
+"Have you heard of him?"
+
+"Oh dear, yes. And I fancy I've seen him at a distance."
+
+"You heard of him from Harding, I suppose."
+
+"Exactly, and Harding's wife."
+
+"Oh, from Lady Sophia!"
+
+"Who hates him."
+
+"Since when?" said Malling, emphatically.
+
+"I couldn't say. But I was only aware of the fact about a month ago."
+
+"Have you any reason to suppose that Harding has been making any
+experiments?"
+
+"In church music, biblical criticism, or what?"
+
+"Say in psychical research?"
+
+"No."
+
+"Or that Chichester has?"
+
+"No."
+
+"Hasn't Harding ever talked to you on the subject?"
+
+"He has tried to," said the professor, rather grimly.
+
+"And you didn't encourage him?"
+
+"When do I encourage clergymen to talk about psychical research?"
+
+Malling could not help smiling.
+
+"I have some reason--at least I believe so--to suppose that Harding and
+his curate Chichester have been making some experiments in directions
+not entirely unknown to us," he observed. "And what is more"--he
+paused--"what is more," he continued, "I am inclined to think that
+those experiments may have been crowned with a success they little
+understand."
+
+Down went the professor's fists, his head was poked forward in Malling's
+direction, and his small eyes glittered almost like those of a glutton
+who sees a feast spread before him.
+
+"The experiments of two clergymen in psychical research crowned with
+success!" he barked out.
+
+"If so, I shall see what I can do in the pulpit--the Abbey pulpit!"
+
+He got up, and walking slightly sidewise, with his hands hanging, and his
+fingers opening and shutting, went over to a chair close to Malling's.
+
+"Get on!" he said.
+
+"I'm going to. I want your advice."
+
+When Malling had finished what he had to say, the professor, who had
+interrupted him two or three times to ask pertinent questions, put his
+hands on his knees and thrust his head forward.
+
+"You said you wanted advice," he said. "What about?"
+
+"I wish you to advise me how I had better proceed."
+
+"You really think the matter important?" asked the professor.
+
+Malling looked slightly disconcerted.
+
+"You don't?" he said.
+
+"You are deducing a great deal from not very much. That's certain,"
+observed the professor.
+
+"You never knew Chichester," retorted Malling. "I did--two years ago."
+
+"Suppose you are right, suppose these two reverend gentlemen have done
+something such as you suppose--and that there has been a result, a
+curious result, what have we to do with it? Tell me that."
+
+"You mean that I have no right to endeavor to make a secret investigation
+into the matter. But I'm positive both the men want help from me. I don't
+say either of them will ask it. But I'm certain both of them want it."
+
+"Two clergymen!" said the professor. "Two clergymen! That's the best of
+it--if there is an it, which there may not be."
+
+"Harding spoke very warmly of you."
+
+"Good-believing man! Now, I do wonder what he's been up to. I do
+wonder. Perhaps he'd have told me but for my confounded habit of
+sarcasm, my way of repelling the amateur--repelling!" His arms flew out.
+"There's so much silliness beyond all bearing, credulity beyond all the
+patience of science. Table-turning women, feminine men! 'The spirits
+guide me, Professor, in every smallest action of my life!'--Wuff!--the
+charlatan battens and breeds. And the bile rises in one till Carlyle on
+his worst day might have hailed one as a brother bilious, and so
+denunciatory--Jeremiah nervously dyspeptic! And when you opened your
+envelop and drew out a couple of clergymen, really, really! But perhaps
+I was in a hurry! Clergymen in a serious fix, too, because of unexpected
+and not understood success! And I talk of repelling the _amateur_!"
+
+Suddenly he paused and, with his bushy eyebrows twitching, looked
+steadily at Malling.
+
+"I leave it to you," he said. "Take your own line. But don't forget that,
+if there's anything in it, development will take place in the link. The
+link will be a center of combat. The link will be an interesting field
+for study."
+
+"The link?" said Malling, interrogatively.
+
+"Goodness gracious me! Her ladyship! Her ladyship!" cried out the
+professor. "What are you about, Malling?"
+
+And he refused to say another word on the matter till Malling, after much
+more conversation on other topics, got up to go. Then, accompanying him
+to the front door, the professor said:
+
+"You know _I_ think it's probably all great nonsense."
+
+"What?"
+
+"Your two black-coated friends. You bustle along at such a pace.
+Remember, I have made more experiments than you have, and I have never
+come upon an exactly similar case. I don't know whether such a thing
+can be. No more do you--you've guessed. Now, guessing is not at all
+scientific. At the same time you've proved you can be patient. If there
+is anything in this it's profoundly interesting, of course."
+
+"Then you advise me--?"
+
+"If in doubt, study Lady Sophia. Good night."
+
+As Malling went away into the darkness he heard the professor snapping
+out to himself, as he stood before his house bareheaded:
+
+"Out of the mouths of babes and sucklings! _Très bien!_ But--reverend
+gentlemen of St. Joseph's! I shall have to look for telergic power in my
+acquaintance Randall Cantuar, when I want it! By Jove!"
+
+"If in doubt, study Lady Sophia." As Malling thought over these
+parting words, he realized their wisdom and wondered at his own
+short-sightedness.
+
+He had sent his cards to Onslow Gardens after the luncheon with the
+Hardings. He wished now he had called and asked for Lady Sophia. But
+doubtless he would have an opportunity of being with her again. If she
+did not offer him one, he would make one for himself.
+
+He longed to see her with Henry Chichester.
+
+During the days that elapsed before "Hornton Street, Wednesday" he
+considered a certain matter with sedulous care. His interview with
+Stepton had not been fruitless. Stepton always made an effect on his
+mind. Casual and jerky though his manner was, obstinate as were his
+silences at certain moments, fragmentary as was his speech, he had a
+way of darting at the essential that set him apart from most men. Malling
+remembered a horrible thing he had once seen in the Sahara, a running
+gazelle killed by a falcon. The falcon, rising high in the blue air,
+had followed the gazelle, had circled, poised, then shot down and, with
+miraculous skill, struck into the gazelle's eye. Unerringly from above
+it had chosen out of the vast desert the home for its cruel beak.
+Somewhat in similar fashion, so Malling thought, Stepton rose above
+things, circled, poised, sank, and struck into the heart of the truth
+unerringly.
+
+Perhaps he was able to do this because he was able to mount, falconwise!
+
+Malling would have given a good deal to have Stepton with him in this
+affair, despite the professor's repellent attitude toward the amateur.
+Well, if there really was anything in it, if strangeness rose out of the
+orthodox bosom of St. Joseph's, if he--Malling--found himself walking in
+thick darkness, he meant to bring Stepton into the matter, whether at
+Stepton's desire or against it. Meanwhile he would see if there was
+enlightenment in Hornton Street.
+
+On the Wednesday the spell of fine weather which had made London look
+strangely vivacious broke up, and in the evening rain fell with a gentle
+persistence. Blank grayness took the town. A breath as of deep autumn was
+in the air. And the strange sadness of cities, which is like no other
+sadness, held the spirit of Evelyn Malling as he walked under an umbrella
+in the direction of Kensington High Street. He walked, to shake off
+depression. But in his effort he did not succeed. All that he saw
+deepened his melancholy; the soldiers starting out vaguely from barracks,
+not knowing what to do, but free for a time, and hoping, a little
+heavily, for some adventure to break the military monotony of their
+lives; the shopgirls, also in hope of something to "take them out of
+themselves"--pathetic desire of escape from the little prison, where the
+soul sits, picking its oakum sometimes, in its cell of flesh!--young
+men making for the parks, workmen for the public houses, an old woman,
+in a cap, peering out of an upper window in Prince's Gate; Italians with
+an organ, and a monkey that looked as if it were dying of nostalgia;
+women hurrying--whither?--with anxious faces, and bodies whose very
+shapes, and whose every movement, suggested, rather proclaimed, worry.
+
+Malling knew it was the rain, the possessive grayness, which troubled his
+body to-night, and through his body troubled his spirit. His nostrils
+inhaled the damp, and it seemed to go straight into his essence, into the
+mystery that was he. His eyes saw no more blue, and it was as if they
+drew a black shutter over all the blue in his heart, blotting it out.
+People became doomed phantoms, because the weather had changed and
+because London knows how to play Cassandra to the spirit of many a man.
+To Malling, as he presently turned to the right, Hornton Street looked
+like an alley leading straight to the pit of despair, and when he tapped
+on the blistered green door of the small house where the curate lived, it
+was as if he tapped seeking admittance to all the sorrowful things that
+had been brought into being to beset his life with blackness.
+
+A neat servant-girl opened the door. There was a smell of roast mutton in
+the passage. So far well. Malling took off his hat and coat, hung them up
+on a hook indicated by the plump red hand of the maid, and then followed
+her upstairs. The curate was in possession of the first floor.
+
+Malling knew that it would be a case of folding-doors and perhaps of
+curtains of imitation lace. It was a case of folding-doors. But there
+was a dull green hue on the walls that surely bespoke Henry Chichester's
+personal taste. There were bookcases, there were mezzotints, there were
+engravings of well-known pictures, and there were armchairs not covered
+with horsehair. There was also a cottage piano, severely nude. In the
+center of the room stood a small square table covered with a cloth and
+laid for two persons.
+
+"I'll tell Mr. Chichester, sir."
+
+The maid went out. From behind the folding-doors came to Malling's ears
+the sound of splashing water, then a voice saying, certainly to the maid,
+"Thank you, Ellen, I will come." And in three minutes Chichester was in
+the room, apologizing.
+
+"I was kept late in the parish. There's a good deal to do."
+
+"You're not overworked?" asked Malling.
+
+"Do I look so?" said Chichester, quickly.
+
+He turned round and gazed at himself in an oval Venetian mirror which
+was fixed to the wall just behind him. His manner for a moment was oddly
+absorbed as he examined his face.
+
+"London life tells on one, I suppose," he said, again turning. "We
+change, of course, in appearance as we go on."
+
+His blue eyes seemed to be seeking something in Malling's impenetrable
+face.
+
+"Do you think," he said, "I am much altered since we used to meet two
+years ago? It would of course be natural enough if I were."
+
+Malling looked at him for a minute steadily.
+
+"In appearance, you mean?"
+
+"Of course."
+
+"To-night it seems to me that you have altered a good deal."
+
+"To-night?" said the curate, as if with anxiety.
+
+"If there is any change,--and I think there is,--it seems to me more
+apparent to-night than it was when I saw you the other day."
+
+Ellen, the maid, entered the room bearing a tray on which was a
+soup-tureen.
+
+"Oh, dinner!" said Chichester. "Let us sit down. You won't mind simple
+fare, I hope. We are having soup, mutton,--I am not sure what else."
+
+"Stewed fruit, sir," interpolated Ellen.
+
+"To be sure! Stewed fruit and custard. Open the claret, Ellen, please."
+
+"Have you been in these rooms long?" asked Malling, as they unfolded
+their napkins.
+
+"Two years. All the time I have been at St. Joseph's. The rector told me
+of them. The curate who preceded me had occupied them."
+
+"What became of him?"
+
+"He has a living in Northampton now. But when he left he had nothing in
+view."
+
+"He was tired of work at St. Joseph's?"
+
+"I don't think he got on with the rector."
+
+The drip of the rain became audible outside, and a faint sound of
+footsteps on the pavement.
+
+"Possibly I shall not stay much longer," he added.
+
+"No doubt you'll take a living."
+
+"I don't know. I don't know. But, in any case, I may not stay much
+longer--perhaps. That will do, Ellen; you may go and fetch the mutton.
+Put the claret on the table, please."
+
+When the maid was gone, he added:
+
+"One doesn't want a servant in the room listening to all one says. As
+she was standing behind me I had forgotten she was here. How it rains
+to-night! I hate the sound of rain."
+
+"It is dismal," said Malling, thinking of his depression while he had
+walked to Hornton Street.
+
+"Do you mind," said the curate, slightly lowering his voice, "if I speak
+rather--rather confidentially to you?"
+
+"Not at all, if you wish to--"
+
+"Well, now, you are a man of the world, you've seen many people. I wish
+you would tell me something."
+
+"What is it?"
+
+Ellen appeared with the mutton. As soon as she had put it on the table
+and departed, Chichester continued:
+
+"How does Mr. Harding strike you? What impression does he make upon you?"
+
+Eagerness, even more, something that was surely anxiety, shone in his
+eyes as he asked the question.
+
+"He's a very agreeable man."
+
+"Of course, of course! Would you say he was a man to have much power over
+others, his fellow-men?"
+
+"Speaking quite confidentially--"
+
+"Nothing you say shall ever go beyond us two."
+
+"Then--I don't know that I should."
+
+"He doesn't strike you as a man of power?"
+
+"In the pulpit?"
+
+"And out of it--especially out of it?"
+
+"He may have been. But--perhaps he has lost in power. Dispersion, you
+know, does not make for strength."
+
+Suddenly the curate became very pale.
+
+"Dispersion--you say!" he almost stammered.
+
+As if to cover some emotion, he looked at Malling's plate, and added:
+
+"Have some more? You won't? Then--"
+
+He got up and rang the bell. Ellen reappeared, cleared away, and put the
+stewed fruit and custard on the table.
+
+"Bring the coffee in ten minutes, Ellen. I won't ring."
+
+"Very well, sir."
+
+"Dispersion," said Chichester to Malling in a firmer voice, as Ellen
+disappeared.
+
+"Concentration makes for strength. Mr. Harding seems to me mentally--what
+shall I say?--rather torn in pieces, as if preyed upon by some anxiety.
+Now, if you'll allow me to be personal, I should say that you have
+greatly gained in strength and power since I knew you two years ago."
+
+"You--you observe a difference?" asked Chichester, apparently in great
+perturbation.
+
+"A striking difference."
+
+"And--and would you say I looked a happier, as well as a--a stronger
+man?"
+
+"I couldn't with truth say that."
+
+"Very few of us are happy," said Chichester, with trembling lips. "Poor
+miserable sinners as we are! And we clergymen, who set up to direct
+others--" he broke off.
+
+He seemed greatly, strangely, moved.
+
+"You must forgive me. I have had a very hard day's work!" he murmured.
+"The coffee will do me good. Let us sit in the armchairs, and Ellen can
+clear away. I wish I had two sitting-rooms."
+
+He rang to make Ellen hurry. Till she came Malling talked about Italian
+pictures and looked at the curate's books. When she had cleared away,
+left the coffee, and finally departed, he sat down with an air of
+satisfaction. Chichester did not smoke, but begged Malling to light
+up, and gave him a cigar.
+
+"Coffee always does one good," he said. "It acts directly on the heart,
+and seems to strengthen the whole body. I have had a trying day."
+
+"You look tired," said Malling.
+
+The fact was that Chichester had never recovered the color he had so
+suddenly lost when they were discussing Mr. Harding.
+
+"It's no wonder if I do," rejoined Chichester, in a voice that sounded
+hopeless.
+
+He drank some coffee, seemed to make a strong effort to recover himself,
+and, with more energy, said:
+
+"I asked you here because I wanted to renew a pleasant acquaintanceship,
+but also--you won't think me discourteous, I know--because--well, I had
+a purpose in begging you to come."
+
+"Won't you tell me what it is?"
+
+The curate shifted in his armchair, clasped and unclasped his hands.
+A mental struggle was evidently going on within him. Indeed, during
+the whole evening Malling had received from him a strong impression of
+combat, of confusion.
+
+"I wanted to continue the discussion we began at Mr. Harding's the other
+day. You remember, I asked you not to tell him you were coming?"
+
+"Yes."
+
+"I think it's best to keep certain matters private. People so easily
+misunderstand one. And the rector has rather a jealous nature."
+
+Malling looked at his companion without speaking. At this moment he
+was so strongly interested that he simply forgot to speak. Never, even
+at a successful sitting when, the possibility of trickery having been
+eliminated, a hitherto hidden truth seemed about to lift a torch in the
+darkness and to illumine an unknown world, had he been more absorbed by
+the matter in hand. Chichester did not seem to be struck by his silence,
+and continued:
+
+"And then not every one is fitted to comprehend properly certain matters,
+to see things in their true light. Now the other day you said a thing
+that greatly impressed me, that I have never been able to get out of my
+mind since. You said, 'Harm can never come from truth.' I have been
+thinking about those words of yours, night and day, night and day. Tell
+me--did you mean them?"
+
+The question came from Chichester's lips with such force that Malling was
+almost startled.
+
+"Certainly I meant them," he answered.
+
+"And if truth slays?"
+
+"And is death the worst thing that can happen to a man, or to an
+idea--some wretched fallacy, perhaps, that has governed the minds of
+men, some gross superstition, some lie that darkens counsel?"
+
+"You think if a man lives by a lie he is better dead?"
+
+"Don't you think so?"
+
+"But don't we all need a crutch to help us along on the path of life?"
+
+"What! You, a clergyman, think that it is good to bolster up truth with
+lies?" said Malling, with genuine scorn.
+
+"I didn't say that."
+
+"You implied it, I think."
+
+"Perhaps if you had worked among men and women as much as I have you
+would know how much they need. If you went abroad, say to Italy, and saw
+how the poor, ignorant people live happily oftentimes by their blind
+belief in the efficacy of the saints, would you wish to tear it from
+them?"
+
+"I think we should live by the truth, and I would gladly strike away a
+lie from any human being who was using it as a crutch."
+
+"_I_ thought that once," said Chichester.
+
+The words were ordinary enough, but there was something either in the
+way they were said, or in Chichester's face as he said them, that made
+Malling turn cold.
+
+To cover his unusual emotion, which he was ashamed of, and which he
+greatly desired to hide from his companion, he blew out a puff of cigar
+smoke, lifted his cup, and drank the rest of his coffee.
+
+"May I have another cup?" he said. "It's excellent."
+
+The coffee-pot was on the table. Chichester poured out some more.
+
+"I will have another cup, too," he said. "How it wakes up the mind."
+
+He glanced at Mailing and added:
+
+"Almost terribly sometimes."
+
+"Yes. But--going back to our subject--don't you still think that men
+should live by the truth?"
+
+"I think," began Chichester--"I think--"
+
+It seemed as if something physical prevented him from continuing. He
+swallowed, as if forcing something down his throat.
+
+"I think," he got out at last, "that few men know how terrible the face
+of truth can be."
+
+His own countenance was contorted as he spoke, as if he were regarding
+something frightful.
+
+"I think"--he turned right round in his chair to confront Malling
+squarely--"that _you_ do not know."
+
+For the first time he completely dominated Malling, Chichester the
+gentle, cherubic clergyman, whom Malling had thought of as good, but
+weak, and certainly as a negligible quantity. He dominated, because at
+that moment he made Malling feel as if he had some great possession of
+knowledge which Malling lacked.
+
+"And you?" said Malling. "Do you know?"
+
+The curate's lips worked, but he made no answer.
+
+Malling was aware of a great struggle in his mind, as of a combat in
+which two forces were engaged. He got up, walked to the window, and
+stood as if listening to the rain.
+
+"If only Stepton were here!" thought Malling.
+
+There was a truth hidden from him, perhaps partly divined, obscurely half
+seen, but not thoroughly understood, as a whole invisible. Stepton would
+be the man to elucidate it, Malling thought. It lured him on, and baffled
+him.
+
+"How it rains!" said the curate at last, without turning.
+
+He bent down and opened the small window. The uneasy, almost sinister
+noise of rain in darkness entered the room, with the soft smell of
+moisture.
+
+"Do you mind if we have a little air?" he added.
+
+"I should like it," said Malling.
+
+Chichester came back and sat down again opposite Malling. His
+expression had now quite changed. He looked calmer, gentler, weaker,
+and much more uninteresting. Crossing his legs, and folding his thin
+hands on his knees, he began to talk in his light tenor voice. And
+he kept the conversation going on church music, sacred art in Italy,
+and other eminently safe and respectable topics till it was time for
+Malling to go.
+
+Only when he was letting his guest out into the night did he seem
+troubled once more. He clasped Malling's hand in his, as if almost
+unaware that he was doing so, and said with some hesitation:
+
+"Are you--are you going to see the rector again?"
+
+"Not that I know of," said Malling, speaking the strict truth, and
+virtually telling a lie at the same time.
+
+For he was determined, if possible, to see Mr. Harding, and that before
+very long.
+
+"If I may say so," Chichester said, shifting from one foot to another and
+looking down at the rain-sodden pavement, "I wouldn't see him."
+
+"May I ask you why?"
+
+"You may get a wrong impression. Two years ago he was another man.
+Strangers, of course, may not know it, not realize it. But we who have
+lived with him do know it. Mr. Harding is going down the hill."
+
+There was a note of deep sadness in his voice. Had he been speaking of
+himself, of his own decadence, his tone could scarcely have been more
+melancholy.
+
+And for long Malling remembered the look in his eyes as he drew back to
+shut his door.
+
+In the rain Malling walked home as he had come. But now it was deep in
+the night and his depression had deepened. He was a self-reliant man, and
+not easily felt himself small, though he was not conceited. To-night he
+felt diminished. The worm-sensation overcame him. That such a man as
+Chichester should have been able to convey to him such a sensation was
+strange, yet it was from Chichester that this mental chastisement had
+come. For a moment Chichester had towered, and at that moment Malling
+surely had dwindled, shrunk together, like a sheet of paper exposed to
+the heat of a flame.
+
+But that Chichester should have had such an effect on him--Malling!
+
+If Mr. Harding was going down the hill, Chichester surely was not. He had
+changed drastically since Malling had known him two years ago. In power,
+in force, he had gained. He now conveyed the impression of a man capable,
+if he chose, of imposing himself on others. Formerly he had been the wax
+that receives the impress. But whereas formerly he had been a contented
+man, obviously at peace with himself and with the world, now he was
+haunted by some great anxiety, by some strange grief, or perhaps even by
+some fear.
+
+"Few men know how terrible the face of the truth can be."
+
+Chichester had said that.
+
+Was he one of the few men?
+
+And was that why now, as Malling walked home in the darkness and rain, he
+felt himself humbled, diminished?
+
+For Malling loved knowledge and thought men should live by it. Had truth
+a Medusa face, still would he have desired to look into it once, would
+have been ready to endure a subsequent turning to stone.
+
+That Chichester should perhaps have seen what he had not seen--that
+troubled him, even humbled him.
+
+Some words of Professor Stepton came back to his mind: "If there's
+anything in it, development will take place in the link." And those last
+words: "If in doubt, study Lady Sophia."
+
+Mailing was in doubt. Why not follow Stepton's advice? Why not study Lady
+Sophia?
+
+He resolved to do it. And with the resolve came to him a sense of greater
+well-being. The worm-sensation departed from him. He lifted his head and
+walked more briskly.
+
+
+
+
+V
+
+
+On the night following the dinner in Hornton Street, Malling went to the
+Covent Garden Opera House to hear "La Traviata." The well-worn work did
+not grasp the attention of a man who was genuinely fond of the music of
+Richard Strauss, with its almost miraculous intricacies, and who was
+willingly captive to Debussy. He looked about the house from his stall,
+and very soon caught sight of Lady Mansford, Lady Sophia's sister-in-law,
+in a box on the Grand Tier. Malling knew Lady Mansford. He resolved to
+pay her a visit, and as soon as the curtain was down, and Tetrazzini had
+tripped before it, smiling not unlike a good-natured child, he made his
+way upstairs, and asked the attendant to tap at a door on which was
+printed, "The Earl of Mansford." The man did so, and opened the door,
+showing a domestic scene highly creditable to the much maligned British
+aristocracy--Lord Mansford seated alone with his wife, in evidently
+amicable conversation.
+
+After a few polite words he made Malling sit down beside her, and, saying
+he would have a cigarette in the foyer, he left them together.
+
+Lady Mansford was a pretty, dark woman, of the slightly irresponsible
+and little-bird type. She willingly turned her charmingly dressed head
+and chirped when noticed, and she was generally noticed because of her
+beauty. Now she chirped of Ceylon, where Malling had been, and then, more
+vivaciously, of Parisian milliners, where she had been. From these allied
+subjects Malling led her on to a slightly different topic--religion.
+
+"I went to St. Joseph's last Sunday week," he presently said.
+
+"St. who--what?" said Lady Mansford, who was busy with her
+opera-glasses, and had just noticed that Lady Sindon, a bird-like
+rival of hers, had changed the color of her hair, fortunately to
+her--Lady Sindon's--disadvantage.
+
+"To St. Joseph's, to hear your brother-in-law preach."
+
+"It doesn't do at all," murmured Lady Mansford. "It makes her look
+Chinese."
+
+"You said--?"
+
+"Mollie Sindon. But what were you talking about? Do tell me." She laid
+down her glasses.
+
+"I was saying that I went to church last Sunday week."
+
+"Why?"
+
+"To hear your brother-in-law preach at St. Joseph's."
+
+"Marcus!" exclaimed Lady Mansford.
+
+She pursed her lips.
+
+"I don't go to St. Joseph's. Poor Sophy! I'm sorry for her."
+
+"I lunched with Lady Sophia after the service."
+
+"Did you? Isn't it sad?"
+
+"Sad! I don't quite understand?" said Malling, interrogatively.
+
+"The change in him. Of course people say it's drink. Such nonsense! But
+they must say something, mustn't they?"
+
+"Is Mr. Harding so very much changed?"
+
+"Do you mean to say you didn't notice it?"
+
+"I never met him till within the last fortnight."
+
+"He's transformed--simply. He might have risen to anything, with his
+energy, his ambition, and his connections. And now! But the worst of it
+is no one can make out why it is. Even Sophia and Isinglass--my husband,
+you know!--haven't an idea. And it gets worse every day. Last Sunday I
+hear his sermon was too awful, a mere muddle of adjectives, such as one
+hears in Hyde Park, I believe. I never liked Marcus particularly. I
+always thought him too autocratic, too determined to dominate. He had
+that poor little Mr. Chichester--his curate--completely under his thumb.
+Mr. Chichester couldn't call his soul his own. He worshiped Marcus. But
+now they say even he is beginning to think that his god is of clay. What
+can it be? Do you think Marcus is losing his mind?"
+
+"Oh, I should hope not," returned Malling, vaguely. "Has it been going on
+long?"
+
+"Oh, for quite a time. But it all seemed to come on gradually--as things
+_do_, you know! Poor Sophy has always adored him, and given way to him in
+everything. In her eyes all that he does is right. She never says a word,
+I believe, but she must be suffering the tortures of--_you_ know! There's
+Winnie Rufford coming in! How astonishingly young she looks. Were you at
+the Huntingham's ball? Well--"
+
+Lady Mansford twittered no more about the Harding menage. But Malling
+felt that his visit had not been fruitless.
+
+After the opera he went to a party in Grosvenor Street where again he
+managed to produce talk of the Hardings. It seemed that Lady Mansford
+had not exaggerated very much. Among those who knew the Hardings a change
+in the rector of St. Joseph's had evidently been generally noticed.
+Malling took in to supper a Mrs. Armitage, a great friend of Lady
+Sophia's, and she made no secret of the fact that Lady Sophia was greatly
+distressed.
+
+"I thought she would have been here to-night," Mrs. Armitage said. "But
+she isn't. I suppose she felt she couldn't face it. So many of his
+congregation are here, or so many who were in his congregation."
+
+"The church was crammed to the doors last Sunday week when he preached,"
+observed Malling.
+
+"Was it? Curiosity, I suppose. It certainly can't have been the
+intellectual merit of the sermon. I heard it was quite deplorable. But
+last Sunday's, I was told, was worse still. No continuity at all, and
+the church not full. People say the curate, Mr. Chichester, who often
+preaches in the evening, is making a great effect, completely cutting out
+his rector. And he used to be almost unbearably dull."
+
+"Will you have a quail?"
+
+"Please. You might give me two. My doctor says if I sit up late--thank
+you!"
+
+"I've never heard Mr. Chichester preach," said Malling.
+
+"He seems to have come on marvelously, to be quite another man."
+
+"Quite another man, does he?"
+
+"Yes. It's very trying for the Hardings naturally. If it continues I
+think there will have to be a change. I don't think things can go on as
+they are. My friend Sophia won't be able to stand it."
+
+"You mean--the contrast?"
+
+"Between her husband and Mr. Chichester. She's very highly strung and
+quite worships her husband; though, between you and me, _I_ think rather
+in the slave spirit. But some women are like that. They can't admire a
+man unless he beats them. Not that Mr. Harding ever dreamed of doing such
+a thing to Sophia, of course. But his will had to be law in everything.
+You know the type of man! It's scarcely my idea of what a clergyman
+should be. I think a man who professes to direct the souls of others
+should be more gentle and unselfish, especially to his wife. Another
+quail? Well, really, I think perhaps I will. They are so absurdly small
+this season, aren't they? There's scarcely anything on them."
+
+So that minute fraction of the world that knew of the existence of the
+Hardings began to utter itself concerning them, and Malling was fortified
+in his original belief which he had expressed to Professor Stepton.
+
+Among his many experiments made in connection with psychical research
+those which had interested him the most had been those in which the
+mystery of the human will had seemed to be deeply involved. Malling was
+essentially a psychologist. And man was to him the great mystery, because
+man contained surely something that belonged to, that was lent to, man,
+as it were, by another, the mind beyond, the _anima mundi_. When Malling
+drew mentally, or spiritually, very near to any man, however rude,
+however humble, he always had the feeling that he was approaching holy
+ground. Hidden beneath his generally imperturbable exterior, sunk beneath
+the surface incredulity of his mind, there was the deep sense of mighty
+truths waiting the appointed day of proclamation. Surely, he often
+thought, if there is God in anything, in the last rays of the sunset,
+in the silence of night upon the sea, in the waking of spring among the
+forests and the gardens, in the song of the nightingale which knows
+not lovers are listening, there is God in the will of man.
+
+And when he made investigations into the action of will upon will, or
+of will--as it seemed--upon matter, he was held, as he was not held by
+the appearance of so-called spirit faces and spirit forms, even when
+he could not connect these with trickery which he knew how to expose.
+Perhaps, however, his incredulity in regard to these latter phenomena was
+incurable, though he did not know it. For he knew nearly all the devices
+of the charlatans. And when the so-called spirits came, the medium was
+always entranced, that is, apparently will-less, and so to Malling not
+interesting.
+
+Now, from what Harding and Chichester had said to him, and from what
+he had observed for himself, Malling believed that the two clergymen
+must have had sittings together, probably with the usual tremendous
+object of the ignorant amateur, that merely of communicating with the
+other world. Considering who the two men were, Malling believed that in
+all probability they had sat alone and in secret. He also felt little
+doubt that from Mr. Harding's brain had come the suggestion of these
+practices, that his will had led Chichester on to them. Although he
+had not known the rector two years ago, he had gathered sufficient
+testimony to the fact that he had been a man of powerful, even perhaps
+of tyrannical, temperament, formed rather to rule than to be ruled. He
+knew that Chichester, on the contrary, had been gentle, kindly, yielding,
+and of somewhat weak, though of very amiable, nature. The physique of the
+two men accorded with these former temperaments. Harding's commanding
+height, large frame, big, powerful face and head, rather hard gray eyes,
+even his large white teeth, his bony, determined hands, his firmly
+treading feet, suggested force, a dominating will, the capacity, and
+the intention, to rule. Henry Chichester's fleshly envelop, on the other
+hand, cherubic, fair, and delicate, his blue eyes, small bones, the shape
+of forehead and chin, the line of the lips, hinted at--surely more than
+that, surely stated mildly--the existence within it of a nature retiring,
+meek, and ready to be ruled by others. No wonder if Chichester had been,
+as Lady Mansford had said, completely under the rector's thumb, no wonder
+if he had been unable to "call his soul his own" and had "worshiped
+Marcus."
+
+Yes, if there had been these secret sittings by these two men, it was
+Harding who had persuaded Chichester to take part in them. And what had
+these sittings led to, what had been their result?
+
+The ignorant outsider, the hastily skeptical, of course would say that
+there could have been no result. Malling, knowing more, knew better. He
+had seen strange cases of temporary confusion of a man's will brought
+about by sittings, of what had seemed temporary change even of a man's
+nature. When a hitherto sane man goes mad he often becomes the opposite
+of what he was. Those whom he formerly loved he specially singles out
+for hatred. That which he delighted to do he shrinks from with horror.
+Once good-natured, he is now of an evil temper, once gentle, he is
+fiercely obstinate, once gay, he cowers and weeps. So Malling had known
+a man, while retaining his sanity, to be transformed by the apparently
+trivial fact of sitting at a table with a friend, and placing his hands
+upon it with the hands of another man. He himself had sat with an Oxford
+friend,--who in later sittings became entranced,--and at the very first
+experiment this man had said to him, "It's so strange, now that I am
+sitting with you like this I feel filled with hatred toward you." This
+hatred, which had come upon this man at every successive sitting, had
+always faded away when the sitting was over. But was it certain that the
+feelings generated in sittings never persisted after they were broken
+up? Was it certain that in every case the waters that had been
+mysteriously troubled settled into their former stillness?
+
+Harding and Chichester, for instance! Had the strong man troubled the
+waters of the weaker man's soul, and were those waters still agitated?
+That was perhaps possible. But Malling thought it was possible also, and
+he had suggested this to Professor Stepton, that the weaker man had
+infused some of his weakness, his self-doubtings, his readiness to be
+affected by the opinion of others, into his dominating companion. Malling
+believed it possible that the wills of the two clergymen, in some
+mysterious and inexplicable way, had mingled during their sittings, and
+that they had never become completely disentangled. If this were so, the
+result was a different Harding from the former Harding, and a different
+Henry Chichester from the former Henry Chichester.
+
+What puzzled Malling, however, was the fact, if fact it were, that the
+difference in each man was not diminishing, but increasing.
+
+Could they be continuing the sittings, if there had ever been sittings?
+All was surmise. As the professor had said, he, Malling, was perhaps
+deducing a good deal from very little. And yet was he? His instinct told
+him he was not. Yet there might no doubt be some ordinary cause for the
+change in Mr. Harding. Some vice, such as love of drink, or morphia,
+something that disintegrates a man, might have laid its claw upon him.
+That was possible. What seemed to Malling much more unaccountable was the
+extraordinary change in the direction of strength in Chichester. And the
+relations between the two men, if indeed the curate had once worshiped
+his rector, were mysteriously transformed. For now, was it not almost as
+if something of Harding in Chichester watched, criticized, Chichester in
+Harding?
+
+But now--to study Lady Sophia! For if there was really anything in
+Malling's curious supposition, the woman must certainly be strangely
+affected. He remembered the expression in her eyes when her husband
+was preaching, her manner when she spoke of the curate as one of her
+husband's swans.
+
+And he longed to see her again. She had said that she hoped he would come
+again to St. Joseph's and to her house, but he knew well that any such
+desire in her had arisen from her wounded pride in her husband. She
+wished Malling to know what the rector could really do. When she thought
+that the rector had recovered his former powers, his hold upon the minds
+of men, then she would invite Malling to return to St. Joseph's, but not
+before.
+
+And when would that moment come?
+
+It might not come for weeks, for months. It might never come. Malling did
+not mean to await it. Nevertheless he did not want to do anything likely
+to surprise Lady Sophia, to lead her to think that he had any special
+object in view in furthering his acquaintance with her.
+
+While he was casting about in his mind what course to take, chance
+favored him.
+
+Four days later, when he was strolling round the rooms in Burlington
+House, he saw not far in front of him the tall and restless figure of
+a woman. She was alone. For some time Malling did not recognize her.
+She did not turn sufficiently for him to see her face, and her almost
+feverish movements, though they attracted and fixed his attention, did
+not strike him as familiar. His thought of her, as he slowly followed
+in the direction she was taking, was, "What a difficult woman that would
+be to live with!" For the hands were never still; the gait was uneasy;
+nervousness, almost a sort of pitiful irritation, seemed expressed by her
+every movement.
+
+In the big room this woman paused before the picture of the year, which
+happened to be a very bad one, and Malling, coming up, at last recognized
+her as Lady Sophia Harding.
+
+He took off his hat. She seemed startled, but greeted him pleasantly, and
+entered into a discussion of the demerits which fascinate the crowd.
+
+"You prefer seeing pictures alone, perhaps?" said Malling, presently.
+
+"Indeed I don't," she answered. "I was coming to-day with my husband. We
+drove up together. But at the last moment he thought he remembered
+something,--some appointment with Mr. Chichester,--and left me."
+
+There were irony and bitterness in her voice.
+
+"He said he'd come back and meet me in the tea-room presently," she
+added.
+
+"Shall we go there and wait for him?" asked Malling.
+
+"But I'm afraid I'm taking up your time."
+
+"I have no engagements this afternoon. I shall enjoy a quiet talk with
+you."
+
+"It's very good of you."
+
+They descended, and sat down in a quiet corner. In the distance a few
+respectable persons were slowly eating bath-buns with an air of fashion,
+their duly marked catalogues laid beside them on marble.
+
+Far-off waiters, standing with their knees bent, conversed in
+undertones. A sort of subterranean depression, peculiar to this
+fastness of Burlington House, brooded over the china and the provisions.
+
+"It reminds me of the British Museum tearoom," said Lady Sophia. "Here is
+tea! What a mercy! Modern pictures sap one's little strength."
+
+She looked haggard, and was obviously on the edge of her nerves.
+
+"Marcus might have come in," she added. "But of course he wouldn't--or
+couldn't."
+
+"Doesn't he care for pictures?"
+
+She slightly shrugged her shoulders.
+
+"He used to. But I don't know that he does now."
+
+"I suppose he has a tremendous amount to do."
+
+"He used to do much more at Liverpool. If a man wishes to come to the
+front he mustn't sit in an armchair with folded hands."
+
+There was a sharp sound of criticism in her voice which astonished
+Malling. At the luncheon, only about a fortnight ago, she had shown
+herself plainly as the adoring wife, anxious for her husband's success,
+nervously hostile to any one who interfered with it, who stood between
+him and the homage of his world. Now Malling noted, or thought he noted,
+a change in her mental attitude. He was instantly on the alert.
+
+"I'm sure that's the last thing Mr. Harding would do," he said.
+
+She shot a glance at him out of her discontented dark eyes.
+
+"Are you?" she said.
+
+And sarcasm crept in the words. She gave to Malling at this moment the
+impression of a woman so strung up as to be not her natural self, so
+tormented by some feeling, perhaps long repressed, that her temperament
+was almost furiously seeking an outlet, knowing instinctively, perhaps,
+that only there lay its salvation.
+
+"His record proves it," said Malling, with serenely smiling assurance.
+
+Lady Sophia twisted her lips. The Academy tea was very strong. Perhaps
+it had been standing. She drank a little, pulled at her long gloves
+restlessly, and looked at Malling. He knew she was longing to confide
+in somebody. If only he could induce her to confide in him!
+
+"Oh, my husband's been a very active man," she said. "Everybody knows
+that. But in this modern world of ours one must not walk, or even
+run along, one must keep on rushing along if one intends to reach the
+goal."
+
+"And by that you mean--?"
+
+"Mean! The topmost height of your profession, or business, of whatever
+career you are in."
+
+"You are ambitious," he said.
+
+"Not for myself," she answered quickly. "I have no ambition for myself."
+
+"But perhaps the ambition to spur on another successfully? That seems to
+me the truest, the most legitimate ambition of the woman all men worship
+in their hearts."
+
+Suddenly tears started into her eyes. She was sitting opposite Malling,
+the tea-table between them. Now she leaned forward across it. By nature
+she was very sensitive, but she was not a self-conscious, woman. She was
+not self-conscious now.
+
+"It is much better to be selfish," she said earnestly. "That is where we
+women make such a fatal mistake. Instead of trusting to ourselves, of
+relying on ourselves, and of having a personal ambition, we seek always
+another in whom we may trust; we are unhappy till we rely on another; it
+is for another we cherish, we hug, ambition. And then, when all founders,
+we realize too late what I dare say every man knows."
+
+"What is that?"
+
+"That we women are fools--fools!"
+
+"For being unselfish?"
+
+"For thinking we have power when we are impotent."
+
+She made a gesture that was surely one of despair.
+
+"No one--at any rate, no woman--has power for another," she added, with
+almost terrible conviction. "That is all a legend, made up to please us,
+I suppose. We draw a sword against darkness and think we are fighting.
+Isn't it too absurd?"
+
+With the last words she changed her tone, trying to make it light, and
+she smiled.
+
+"We take everything too seriously. That's the trouble!" she said. "And
+men pretend we take nothing seriously."
+
+"Very often they don't understand."
+
+"Oh, please say never!" she exclaimed. "They never understand."
+
+Suddenly Malling resolved on a very bold stroke.
+
+"But I'm a man," he said, as if that obvious fact shattered her
+contention.
+
+"What has that got to do with it?" she said, in obvious surprise.
+
+"Because I do not understand."
+
+For a moment she was silent. He thought he read what was passing through
+her mind, as he knew he had read her character. She was one of those
+women who must be proud of their men, who love to be ruled, but only
+by a conqueror, who delight to sink themselves, but in power, not in
+impotence. And now she was confronted by the shipwreck not merely of
+her hopes, but also of her belief. She saw a hulk drifting at the mercy
+of the waves that, perhaps, would soon engulf it. But she was not only
+despairing, she was raging too. For she was a woman with nervous force
+in her, and it is force that rages in the moments of despair, seeking,
+perhaps unconsciously, some means of action and finding none.
+
+"Why should there not be some hope?" asked Malling, quietly.
+
+"To-morrow is Sunday. If you go to morning church at St. Joseph's, and
+then to evening church, you will see if there is any hope."
+
+"To evening church?"
+
+"Yes, yes."
+
+She got up.
+
+"You are going?"
+
+"I must. Forgive me!"
+
+She held out her hand.
+
+"But--"
+
+"No, don't come with me, please."
+
+"If I go to St. Joseph's to-morrow, afterward may I see you again?"
+
+"If you think it's worth while."
+
+Her face twisted. Hastily she pulled down her veil, turned away and left
+him.
+
+
+
+
+VI
+
+
+Malling went the next day to morning and evening service at St. Joseph's.
+He was not invited to lunch in Onslow Gardens, and he did not see Lady
+Sophia. On the whole, he was glad of this. He had enough to keep in his
+mind that day. The matter in which he was interested seemed growing
+before his eyes, like a thing coming out of the earth, but now beginning
+to thrust itself up into regions where perhaps it would eventually be
+hidden in darkness, with the great company of mysteries whose unraveling
+is beyond the capacity of man.
+
+He had now, he felt sure, a clear comprehension of Lady Sophia. Their
+short interview at Burlington House had been illuminating. She was a
+typical example of the Adam's-rib woman; that is, of the woman who,
+intensely, almost exaggeratedly feminine, can live in any fullness only
+through another, and that other a man. Through Mr. Harding Lady Sophia
+had hitherto lived, and had doubtless, in her view, triumphed. Obviously
+a woman not free from a nervous vanity, and a woman of hungry ambition,
+her vanity and ambition had been fed by his growing notoriety, his
+increasing success and influence. The rib had thrilled with the body to
+which it belonged.
+
+But that time of happy emotion, of admiration, of keen looking forward,
+was the property of the past. Lawn sleeves, purple, perhaps,--for who
+is more hopeful than this type of woman in the golden moments of
+life?--perhaps even an archiepiscopal throne faded from before the eyes
+they had gladdened--the eyes of faith in a man.
+
+And a different woman was beginning to appear--a woman who might be as
+critical as she had formerly been admiring, a woman capable of becoming
+embittered.
+
+On the Sunday of Malling's visit to Onslow Gardens, Mr. Harding's failure
+in the pulpit had waked up in his wife eager sympathy and eager spite,
+the one directed toward the man who had failed, the other toward the man
+who, as Malling felt sure, had caused the failure.
+
+In Burlington House that woman, whom men with every reason adore, had
+given place to another less favorable toward him who had been her hero.
+
+It seemed to Malling as if in the future a strange thing might happen,
+almost as if it must happen: it seemed to him as if Chichester might
+convey his view of his rector to his rector's wife.
+
+"Study the link," Stepton had said. "There will be development in the
+link."
+
+Already the words had proved true. There had been a development in Lady
+Sophia such as Malling had certainly not anticipated. Where would it end?
+Again and again, as he listened to the morning and evening sermons,
+Malling had asked himself that question; again and again he had recalled
+his conversation at Burlington House with Lady Sophia.
+
+In the morning at St. Joseph's Mr. Harding had preached to a church
+that was half filled; in the evening Henry Chichester had preached to a
+church that was full to the doors. And each of the clergymen in turn had
+listened to the other, but how differently!
+
+Mr. Harding had ascended to the pulpit with failure staring him in
+the face, and whereas on the Sunday when Malling first heard him he
+had obviously fought against the malign influence which eventually
+had prevailed over him, this time he had not had the vigor to make a
+struggle. Certainly he had not broken down. It might be said of him,
+as it was once said of a nation, that he had "muddled through." He had
+preached a very poor sermon in a very poor way, nervously, indeed,
+almost timidly, and with the manner of a man who was cowed and hopeless.
+The powerful optimism for which he had once been distinguished had
+given way to an almost unhealthy pessimism, alien surely to the minds
+of all believers, of all who profess to look forward to that life of
+which, as Tolstoi long ago said, our present life is but a dream. Even
+when he was uttering truths he spoke them as if he had an uneasy
+suspicion that they were lies. At moments he seemed to be almost
+pleading with his hearers to tolerate him, to "bear with him." Indeed,
+several times during his disjointed remarks he made use of the latter
+expression, promising that his discourse should be a short one. Very
+carefully he included himself among those aware of sin, very humbly he
+declared the unworthiness of any man to set himself up as a teacher and
+leader of others.
+
+Now, humility is all very well, but if carried to excess, it suggests
+something less than a man. Mr. Harding almost cringed before his
+congregation. Malling did not feel that his humility was a pretense.
+On the contrary, it struck him as abominably real, but so excessive as
+to be not natural in any thorough man in a normal condition of mind and
+of body. It was the sort of humility that creates in the unregenerate a
+desire to offer a good kicking as a corrective.
+
+Very different was the effect created by Chichester's sermon in the
+evening. Malling, aware though he had become of the great strengthening
+of Chichester, was amazed when he heard him preach.
+
+Often it is said of a very fine preacher that he preached as one
+inspired. Chichester preached as one who knew. Never before had Malling
+been so impressed with the feeling that he was listening to truth,
+absolute truth, as he was while he listened to Chichester. There was
+something, though, that was almost deadly about it. It pierced like a
+lancet. It seared like a red-hot iron. It humbled almost too much.
+Here was no exaggerated humility, no pleading to be borne with, no
+cringing, and no doubt. A man who knew was standing up, and, with a
+sort of indifference to outside opinion that was almost frightening,
+was saying some of the things he knew about men, women--and surely God!
+
+The subject was somewhat akin to that of the first sermon of Mr. Harding
+which Malling had heard. The rector then had preached on self-knowledge.
+The curate, now, preached on hypocrisy. Incidentally he destroyed his
+rector's sermon, flung it away on the scrap-heap, and passed on. This was
+not done viciously, but it was done relentlessly. Indeed, that was the
+note of the whole sermon. It was relentless, as truth is relentless, as
+death is relentless. And besides being terribly true, it was imaginative.
+But the preacher almost succeeded in conveying the impression to his
+congregation that what is generally called imagination is really vision,
+that the true imagination is seeing what is, but is often hidden, knowing
+what is, but is often unknown. The latter part of the sermon struck
+Malling as very unusual, even as very daring.
+
+The preacher had spoken of the many varieties of hypocrisy. Finally he
+drew a picture of a finished hypocrite. And the man lived as a man lives
+in the pages of a great writer. One could walk round him, one knew him.
+And then Chichester treated him as the writer treats his creation; he
+proceeded to show his hypocrite in action.
+
+The man, happy, almost triumphant,--for he now often looked upon himself
+with the eyes of others who knew him not,--was walking to his home on a
+winter's evening along a country road, passing now and then rustics who
+respectfully saluted him, neighbors who grasped his hand, children who
+innocently smiled at him, women who whispered that he was a fine fellow,
+the clergyman of his parish, who gave him God-speed upon his way as to
+one who deserved that God should speed him because his way was right.
+Snow was upon the ground. Such light as there was began to fade. It was
+evident that the night, which was very still, was going to be very dark.
+And the man stepped out briskly. Presently, at a lonely part of the road,
+happening to look down, he saw footprints in the freshly fallen snow.
+They were of feet that had recently passed on the way he was following.
+They had attracted, they continued to attract, his attention, he knew not
+why. And as he went on, his eyes were often upon them.
+
+Presently he began to wonder about the feet which had made the prints he
+saw. Did they belong to a man or a woman? The prints were too large to
+have been made by the feet of a child. He gazed at them searchingly, and
+made up his mind that it was a man who had recently trodden this road.
+And what sort of man was it that thus preceded him not very far away? He
+became deeply engrossed with this question. His mind revolved about this
+unknown traveler, floating forward in surmises, till, by chance, he
+happened to set his right foot in one of the prints left in the snow.
+His foot exactly filled it. This fact, he knew not why, startled him.
+He stopped, bent down, examined the snow closely, measured very carefully
+his feet with the prints before him, now rather faintly discerned in
+the gathering darkness. The prints might have been made by his own feet.
+Having ascertained this, and reflected for a moment, he went forward, now
+assailed by a growing curiosity as to the personality and character of
+the stranger. But perhaps he was not a stranger. He might surely well be
+a neighbor, an acquaintance, perhaps even a friend. The man meant, if
+possible, to come up with him, whoever he was, and he now hurried along
+with the intention of joining the unknown whose footprints were the same
+as his own.
+
+At this point in his sermon Chichester paused for a moment. And
+Malling, who seldom felt any thrill at a séance, and who had often
+remained calmly watchful and alert during manifestations which amazed
+or terrified others, was aware of a feeling of cold, which seemed to
+pass like a breath through his spirit. The congregation about him,
+perhaps struck by the unusual form of the sermon, remained silent and
+motionless, waiting. In his stall sat the rector with downcast eyes.
+Malling could not at that moment discern his expression. His large
+figure and important powerful head and face showed almost like those
+of a carven effigy in the lowered light of the chancel. The choirboys
+did not stir, and the small, fair man in the pulpit, raising his thin
+hands, and resting them on the marble ledge, continued quietly, taking
+up his sermon with a repetition of the last words uttered, "whose
+footprints were the same as his own."
+
+Again the cold breath went through Malling's spirit. He leaned slightly
+forward and gazed at Chichester.
+
+For some time the man thus went onward, following the footprints in
+the snow, but not overtaking any one, and becoming momentarily more
+eager to satisfy his curiosity. Then, on a sudden, he started, stopped,
+and listened. It had now become very dark, and in this darkness, and
+the great stillness of night, he heard the faint sound of a footfall
+before him, brushing through the crisp snow, which lay lightly, and not
+very deep, on the hard highroad leading to the village on the farther
+outskirts of which his house was situated. He could not yet see any one,
+but he felt sure that the person who made this faint sound was no other
+than he in whose steps he had been treading. It would now be a matter of
+only a minute or two to come up with him. And the man went on, but more
+slowly, whether because he was now certain of attaining his object or
+for some other reason.
+
+The sound of the footfall persisted, and was certainly not far off. The
+prints in the snow were so fresh that they seemed not quite motionless,
+as if the snow were only now settling after the pressure it had just
+suffered. The man slackened his pace. He did not like the sound which
+he heard. He began to feel as if he by whom it was made would not prove
+a companion to his taste. Yet his curiosity continued. There began within
+him a struggle between his curiosity and another sensation, which was
+of repugnance, almost of fear. And so equal were the combatants that
+the lights of the village were in sight, and he had not decreased the
+distance between himself and the other. Seeing the lights, however, his
+curiosity got the upper hand. He slightly quickened his pace, and almost
+immediately beheld the shape of a man relieved against the night, and
+treading onward through the snow. And as the sound of the footsteps had
+been disagreeable to his nerves, so the contours of the moving blackness
+repelled him. He did not like the look of this man whose footprints were
+the same as his own, and he decided not to join him. But, moving rather
+cautiously, he gained a little upon him, in order to make sure, if
+possible, whether or not he was a neighbor or an acquaintance.
+
+The figure seemed somehow familiar to our man, indeed, oddly familiar.
+Nevertheless, he was unable to identify it. As he followed it, more and
+more certain did he become that he had seen it, that he knew it. And
+yet--did he know it? Had he seen it? It was almost as if one part of him
+denied while the other affirmed. He longed, yet feared, to see the face.
+But the face never looked back. And so, one at a little distance behind
+the other, they came into the village.
+
+Here a strange thing occurred.
+
+There were very few people about, but there were a few, and two or
+three of them, meeting the person our man was following, greeted him
+respectfully. But these same people, when immediately afterward they
+encountered the other, who had known them for years, and whom they of
+course knew, showed the greatest perturbation; one, a woman, even signs
+of terror. They gave him no greeting, shrank from him as he passed,
+and stared after him, as if bemused, when he was gone by. Their behavior
+was almost incredible. But he was so set on what was before him that he
+stopped to ask no questions.
+
+The village was a long one. Always one behind the other, walking at an
+even pace, the two men traversed it, approaching at last the outskirts,
+where, separated from the other habitations, and surrounded by a garden
+in which the trees were laden with snow, stood the house of the man who
+now watched and followed, with a growing wonder and curiosity, combined
+with an ever-growing repugnance, him who made the footprints, who had
+been saluted by the villagers, whose figure and general aspect seemed in
+somewise familiar to him, and yet whom he could not recognize. Where
+could this person be going? The man asked himself, and came to a resolve
+not to follow on into the darkness of the open country, not to proceed
+beyond his own home, of which now he saw the lights, but to make an
+effort to see the face of the other before the garden gate was reached.
+
+In this attempt, however, he was destined to be frustrated. For as he
+determinedly quickened his steps, so did the other, who gained the gate
+of the garden, unlatched it, turned in, and walked on among the trees
+going toward the principal door.
+
+A visitor, then! The man paused by his garden gate, whence he could see
+his house front, with the light from the window of his own sitting-room
+streaming over the porch. The stranger stood before it, made a movement
+as if searching in his pocket, drew out his hand, lifted it. The door
+opened at once. He disappeared within, and the door closed after him.
+
+He had opened the door with a key.
+
+The man at the gate felt overcome by a sensation almost of horror,
+which he could not explain to himself. It was not that he was horrified
+by the certainly extraordinary fact of some one possessing a key to his
+house, and using it in this familiar fashion. It was not even that he
+was horrified at seeing a man, perhaps a stranger, disappearing thus
+into his home by night, uninvited, unexpected. What horrified him was
+that this particular man, whose footprints he had followed and measured
+with his foot, whose footfalls he had heard, whose form he had seen
+outlined against the night, should be within his house, where his wife
+and his children were, and where his venerable mother was sitting beside
+the fire. That this man should be there! He knew now that from the first
+moment when he had been aware of his existence he had hated him, that his
+subconscious mind had hated him.
+
+But who was he? The natural thing would have been to follow quickly into
+the house, to see who had entered, to demand an explanation. But he could
+not do this. Why? He himself did not know why. But he knew that he dared
+not do this. And he waited, expecting he knew not what; a cry, a summons,
+perhaps, some manifestation that would force him to approach.
+
+None came. Steadily the lights shone from the house. There was no sound
+but the soft fall of a block of snow from an overladen fir branch in the
+garden. The man began to marvel. Who could this be whose familiar entry
+into his--_his_ home thus at night caused no disturbance? There were dogs
+within: they had not barked. There were servants: apparently they had not
+stirred. It was almost as if this stranger's permanence was accepted by
+the household. A long, long time had slipped by.
+
+The man at length, making an almost fierce effort, partly dominated the
+unreasoning sense of horror which possessed him. He opened the gate,
+stepped into the garden, and made his way slowly and softly toward the
+house door. But suddenly he stopped. Through the unshuttered window of
+his sitting-room, the room in which for years he had spent much of his
+time, in which he had concocted many schemes to throw dust in the
+eyes of his neighbors, and even of his own relatives, in which he had
+learned very perfectly to seem what he was not, and to hide what he
+really was, he perceived the figure of a man. It crossed the lighted
+space slowly, and disappeared with a downward movement. He knew it was
+the man he had been following and whom he had seen enter his house.
+
+For a long while he remained where he was on the path of the garden.
+The night deepened about him. A long way off, at the other end of the
+village, a clock chimed the hours. In the cottages the lights were
+extinguished. The few loungers disappeared from the one long street
+vanishing over the snow. And the man never moved. A numb terror possessed
+him. Yet, despite his many faults and his life of evil, he had never been
+physically a coward. Always the light shone steadily from the window of
+his study, making a patch of yellow upon the snow. Always the occupant
+of the room must be seated tranquilly there, like an owner. For no figure
+had risen, had repassed across the unshuttered space.
+
+The man told himself again and again that he must go forward till
+he gained the window, that he must at least look into the room; if he
+dared not enter the house to confront the intruder, to demand an
+explanation. But again and again something within him, which seemed to
+be a voice from the innermost chamber of his soul, whispered to him not
+to go, whispered to him to leave the intruder alone, to let the intruder
+do what he would, but not to approach him, above all, not to look upon
+his face. And the man obeyed the voice till a thing happened which roused
+in him a powerful beast, called by many the natural man.
+
+He saw his wife, whom he loved in his way, though he had tricked and
+deceived her again and again, cross the window space, smiling, and
+disappear with a downward movement, as the other had disappeared. Then
+she rose into his range of vision, and stood for a moment so that he
+could see her clearly, smiling, talking, making little gestures that
+he knew, carrying her hand to her face, stretching it out, dropping it.
+Finally she lifted it to her lips, half-closing her eyes at the same
+time, took it away quickly, with a sort of butterfly motion, and
+vanished, going toward the left, where the room door was.
+
+So had she many and many a time bidden him, her husband, good night.
+Instantly, with an impulse which seemed combined of rage and terror,
+both now full of a driving force which was irresistible, the man sprang
+forward to the window, seized the stone coping with his hands and stared
+into his room.
+
+Seated in a round chair at his writing-table, by a lamp with a green
+shade, was the man who had entered his house. He was writing busily in
+a book with a silver clasp that could be locked with a key, and he leaned
+a little over the table with his head turned away. The shape of his head,
+his posture, even the manner in which he used his pen as he traced line
+after line in the book, made an abominable impression upon the man
+staring in at the window. But the face--the face! He must see that! And
+he leaned forward, trembling, but fiercely, and, pressing his own face
+against the pane, he looked at the occupant of his room as men look
+sometimes with their souls.
+
+The man at the table lifted his head. He laid down the pen, blotted the
+book in which he had been writing, shut it up, clasped it, locked it with
+a tiny key, and put it carefully into a drawer of the table, which also
+he locked. He got up, stood for an instant by the table with one hand
+upon it, then turned slowly toward the window, smiling, as men smile to
+themselves when they are thinking of their own ingenuities.
+
+The man outside the window fell back into the snow as if God's hand had
+touched him. He had seen his own face! So he smiled sometimes at the end
+of a day, when he had finished writing down in his diary some of the
+hidden things of his life.
+
+He turned, and as the window through which he had been looking suddenly
+darkened, he fled away into the night.
+
+When the lights, which at St. Joseph's were always kept lowered during
+the sermon, once more strongly illuminated the chancel, Mr. Harding
+turned a ghastly face toward the pulpit. In the morning Chichester had
+listened to him, as a man of truth might listen to a man who is trying
+to lie, but who cannot deceive him. In the evening Mr. Harding had
+listened to Chichester--how? What had been the emotions only shadowed
+faintly forth in that ghastly face?
+
+When Malling got home, he asked himself why Chichester had made such
+an impression upon his mind. His story of the double, strange enough,
+no doubt, in a sermon, could not surely have come upon Malling with any
+of the force and the interest of the new. For years he had been familiar
+with tales of ghosts, of voices, of appearances at the hour of death, of
+doubles. Of course in the sermon there had been a special application of
+the story. It had been very short. Chichester had suggested that if, as
+by a miracle, the average self-contented man could look at himself with
+the eyes of his soul full of subliminal self-knowledge and with the
+bodily eyes, he would be stricken down by a great horror.
+
+And he had spoken as a man who knew. Indeed, it seemed to Malling that he
+had spoken as might have delivered himself the man who had followed his
+double through the snow, who had looked in upon him by night from the
+garden, if he had faced, instead of flying from, the truth; if he had
+stayed, if he had persistently watched his double leading the life he had
+led, if he had learned a great lesson that perhaps only his double could
+teach him.
+
+But if the man had stayed, what would have been the effect on the double?
+Malling sat till deep in the night pondering these things.
+
+
+
+
+VII
+
+
+Lady Sophia had said to Malling that if he went to the two services at
+St. Joseph's on the Sunday she would invite him to see her again. She
+was as good as her word. In the middle of the week he received a note
+from her, saying she would be at home at four on Thursday, if he was
+able to come. He went, and found her alone. But as soon as he entered
+the drawing-room and had taken her hand, she said:
+
+"I am expecting Mr. Chichester almost immediately. He's coming to tea."
+
+"I shall be glad to meet him," said Malling, concealing his surprise,
+which was great.
+
+Yet he did not know why it should be. For what more natural than that
+Chichester should be coming?
+
+"I heard of you at St. Joseph's," Lady Sophia continued. "A friend of
+mine, Lily Armitage, saw you there. I didn't. I was sitting at the back.
+I have taken to sitting quite at the back of the church. What did you
+think of it?"
+
+"Do you wish me to be frank, and do you mean the two sermons?"
+
+She hesitated for an instant. Then she said:
+
+"I do mean the sermons, and I do wish you to be frank."
+
+"I thought Mr. Chichester's sermon very remarkable indeed."
+
+"And my husband's sermon?"
+
+Her lips twisted almost as if with contempt when she said the words, "my
+husband's."
+
+"Why doesn't Mr. Harding take a long rest?" said Malling, speaking
+conventionally, a thing that he seldom did.
+
+"You think he needs one?"
+
+"He has a tiresome malady, I understand."
+
+"What malady?"
+
+"Doesn't he suffer very much from nervous dyspepsia?"
+
+She looked at him with irony, which changed almost instantly into serious
+reflection. But the irony returned.
+
+"Now and then he has a touch of it," she said. "Very few of us don't have
+something. But we have to go on, and we do go on, nevertheless."
+
+"I think a wise doctor would probably order your husband away," said
+Malling, though Mr. Harding's departure was the last thing he desired
+just then.
+
+"Even if he were ordered away, I don't know that he would go."
+
+"Why not?"
+
+"I don't think he would. I don't feel as if he could get away," she said,
+with what seemed to Malling a sort of odd obstinacy. "In fact, I know
+he's not going," she abruptly added. "I have an instinct."
+
+Malling felt sure that she had considered, perhaps long before he had
+suggested it, this very project of Mr. Harding's departure for a while
+for rest, and that she had rejected it. Her words recalled to his mind
+some other words of her husband, spoken in Mr. Harding's study: "Surely
+one ought to get out of such an atmosphere, to get out of it, and to keep
+out of it. But how extraordinary it is the difficulty men have in getting
+away from things!"
+
+Perhaps Lady Sophia was right. Perhaps the rector could not get away from
+the atmosphere which seemed to be destroying him.
+
+"I dare say he is afraid to trust everything to his curates," observed
+Malling, prosaically.
+
+"He needn't be--now," she replied.
+
+In that "now," as she said it, there lay surely a whole history. Malling
+understood that Lady Sophia, suddenly perhaps, had given her husband up.
+Since Malling had first encountered her she had cried, _"Le roi est
+mort!"_ in her heart. The way she had just uttered the word "now" made
+Malling wonder whether she was not about to utter the supplementary cry,
+_"Vive le roi!"_
+
+As he looked at her, with this wonder in his mind, Henry Chichester came
+into the room.
+
+There was an expression of profound sadness on his face, which seemed to
+dignify it, to make it more powerful, more manly, than it had been. The
+choir-boy look was gone. Malling of course knew how very much expression
+can change a human being; nevertheless, he was startled by the alteration
+in the curate's outward man. It seemed, to use the rector's phrase, that
+he had "shed his character." And now, perhaps, the new character,
+mysteriously using matter as the vehicle of its manifestation, was
+beginning to appear to the eyes of men. He showed no surprise at the
+sight of Malling, but rather a faint, though definite, pleasure. The
+way in which Lady Sophia greeted him was a revelation to Malling, and
+a curious exhibition of feminine psychology.
+
+She looked up at him from the low chair in which she was sitting, gave
+him her left hand, and said, "Are you very tired?" That was all. Yet
+it would have been impossible to express more clearly a woman's mental,
+not affectional, subjugation by a man, her instinctive yielding to power,
+her respect for authority, her recognition that the master of her master
+had come into the room.
+
+Her "_Vive le roi!_" was said.
+
+Chichester accepted Lady Sophia's subtle homage with an air of
+unconsciousness. His interior melancholy seemed to lift him above the
+small things that flatter small men. He acknowledged that he was tired,
+and would be glad of tea. He had been down in the East End. The rector
+had asked him to talk over something with Mr. Carlile of the Church Army.
+
+"You mean that you suggested to the rector that it would be wise to see
+Mr. Carlile," said Lady Sophia.
+
+"Is the rector coming in to tea?" asked Chichester.
+
+"Possibly he may," she replied. "He knew Mr. Malling was to be here. Did
+you tell him you were coming?"
+
+"No. I was not certain I should get away in time."
+
+"I think he will probably turn up."
+
+A footman brought in tea at this moment, and Malling told the curate he
+had heard him preach in the evening of last Sunday.
+
+"It was a deeply interesting sermon," he said.
+
+"Thank you," said Chichester, very impersonally.
+
+The footman went away, and Lady Sophia began to make tea.
+
+"When I went home," Malling continued, "I sat up till late thinking
+it over. Part of it suggested to my mind one or two rather curious
+speculations."
+
+"Which part?" asked Lady Sophia, dipping a spoon into a silver tea-caddy.
+
+"The part about the man and his double."
+
+She shivered, and some of the tea with which she had just filled the
+spoon was shaken out of it.
+
+"That was terrible," she said.
+
+"What were your speculations?" said Chichester, showing a sudden and
+definite waking up of keen interest.
+
+"One of them was this--"
+
+Before he could continue, the door opened again, and the tall and
+powerful form of the rector appeared. And as the outer man of Chichester
+seemed to Malling to have begun subtly to change, in obedience surely
+to the change of his inner man, so seemed Mr. Harding a little altered
+physically, as he now slowly came forward to greet his wife's two
+visitors. The power of his physique seemed to be struck at by something
+within, and to be slightly marred. One saw that largeness can become
+but a wide surface for the tragic exhibition of weakness. As the rector
+perceived the presence of Chichester, an expression of startled pain fled
+over his face and was gone in an instant. He greeted the two men and sat
+down.
+
+"Have you just begun tea?" he asked, looking now at his wife.
+
+"We are just going to begin it," she replied. "We are talking about the
+sermon of last Sunday."
+
+"Oh," rejoined the rector.
+
+He turned to Malling.
+
+"Did you come to hear me preach again?"
+
+There was a note as of slight reassurance in his voice.
+
+"Mr. Chichester's sermon," said Lady Sophia.
+
+"Oh, I see," said the rector. He glanced hastily from one to the other of
+the three people in the room, like a man searching for sympathy or help.
+"What were you saying about our friend Chichester's sermon?" he asked,
+with a forced air of interest.
+
+Lady Sophia distributed cups for tea.
+
+"I was speaking of that part of it which dealt with the man who followed
+his double," said Malling.
+
+"Ah?" said the rector.
+
+He was holding his tea-cup. His hand trembled slightly at this moment,
+and the china rattled. He set the cup down on the small table before
+him.
+
+"You said," observed Chichester--toward whom Lady Sophia immediately
+turned, with an almost rapt air--"that it suggested some curious
+speculations to your mind. I should very much like to know what they
+were."
+
+"One was this. Suppose the man in the garden, who looked in upon his
+double, had not fled away. Suppose he had had the courage to remain,
+and, in hiding--for the sake of argument we may assume the situation to
+be possible--"
+
+"Ah, indeed! And why not?" interrupted Chichester.
+
+His voice, profoundly melancholy, fell like a weight upon those who heard
+him. And again Malling thought of him almost as some one set apart from
+his fellows by some mysterious knowledge, some heavy burthen of truth.
+
+"--and in hiding had watched the life of his double. I sat up speculating
+what effect such an observation, terrible no doubt and grotesque, would
+be likely to have on the soul of the watching man. But there was another
+speculation with which I entertained my mind that night."
+
+"Let us have it," said Chichester, leaning forward, and, with the gesture
+characteristic of him, dropping his hands down between his knees. "Let us
+have it."
+
+"Suppose the man to remain and, in hiding, to watch the life of his
+double, what effect would such an observation be likely to have upon the
+double?"
+
+Malling paused. The rector, with an almost violent movement of his big
+hand and arm, took his cup from the table and drank his tea.
+
+"It didn't occur to you, I suppose, when composing your sermon to follow
+that train of thought?" said Malling to Chichester.
+
+"No," replied the curate, slowly, and like one thinking profoundly. "I
+was too engrossed with the feelings of the man. But, then, you thought
+of the double as a living man, with all the sensations of a man?"
+
+"That was your fault," said Malling.
+
+"His fault!" said Lady Sophia, with a sort of latent sharpness, and
+laying an emphasis on the second word.
+
+"Certainly; for making the narrative so vital and human."
+
+He addressed himself again to the curate.
+
+"Did you not give to the double the attributes of a man? Did you not
+make his wife come to bid him good night, bend down to kiss him, waft
+him a characteristic farewell?"
+
+"It is true. I did," said Chichester, still speaking like a man in deep
+thought.
+
+"That was the most terrible part of all," said Lady Sophia. In her voice
+there was an accent almost of horror. "It sickened me to the soul,"
+she continued--"the idea of a woman bidding a tender good night to an
+apparition."
+
+"I took it as a man," said Malling.
+
+They had all three, strangely, left the rector out of this discussion,
+and he seemed willing that it should be so. He now sat back in his chair
+listening to all that was being said, somewhat as he had listened to the
+sermon of Chichester, in a sort of ghastly silence.
+
+"How could a man's double be a man?" said Lady Sophia.
+
+"We are in the region of assumption and of speculation," returned
+Malling, quietly, "a not uninteresting region either, I think. The other
+night for a whole hour, having assumed the double man, I speculated on
+his existence, spied upon by his other self. And you never did that?"
+
+He looked at Chichester.
+
+"When I was making my sermon I was engrossed by the thought of the
+watching man."
+
+Malling's idea had evidently laid a grip upon Chichester's mind.
+
+"Tell me what the double's existence would be, according to you," he
+said. "Tell me."
+
+"You imagined the lesson learnt by the man so terrible that he fled away
+into the night."
+
+"Yes."
+
+"Had he been strong enough to stay--"
+
+"Strong enough!" interposed Chichester. "Better say, had he been obliged
+to stay."
+
+"Very well. Given that compulsion, in my imagination the double must have
+learnt a lesson, too. If we can learn by contemplation, can we not, must
+we not, learn by being contemplated? Life is permeated by reciprocity. I
+can imagine another sermon growing out of yours of last Sunday."
+
+"Yes, you are right--you are right," said Chichester.
+
+"The double, then, in my imagination, would gradually become uneasy
+under this secret observation. You described him as, his wife gone,
+sitting down comfortably to write some account of the hidden doings
+of his life, as, the writing finished, the diary committed to the
+drawer and safely locked away, rising up to go to rest with a smile of
+self-satisfaction. It seemed to me that, given my circumstance of the
+persistent observation, a few nights later matters would have been very
+different within that room. The hypocrite is happy, if he is happy at
+all, when he is convinced that his hypocrisy is successful. Take away
+that certainty, and he would be invaded by anxiety. Set any one to watch
+him closely, he would certainly suffer, if he knew it."
+
+"If he knew it! That is the point," said Chichester. "You put the man
+watching the double in hiding."
+
+"There are influences not yet fully understood which can traverse space,
+which can touch not as a hand touches, but as unmistakably. I imagined
+the soul of the double touched in this way, the waters troubled."
+
+"Troubled! Troubled!"
+
+It was Mr. Harding who had spoken, almost lamentably. His powerfully
+shaped head now drooped forward on his breast.
+
+"I imagined," continued Malling, "a sort of gradual disintegration
+beginning, and proceeding, in the double--a disintegration of the soul,
+if such a thing can be conceived of."
+
+His piercing eyes went from Chichester to Harding.
+
+"Or, no," he corrected himself. "Perhaps that is an incorrect description
+of my--very imaginative--flight through speculation the other night.
+Possibly I should say a gradual transference, instead of disintegration
+of soul. For it seemed to me as if the man who watched might gradually,
+as it were, absorb into himself the soul of the double, but purified. For
+the watcher has the tremendous advantage of seeing the hypocrite living
+the hypocrite's life, while the hypocrite is only seen. Might not the
+former, therefore, conceivably draw in strength, while the other faded
+into weakness? Ignorance is the terrible thing in life, I think. Now the
+man who watched would receive knowledge, fearful knowledge, but the man
+who was watched, while perhaps suffering first uneasiness, then possibly
+even terror, would not, in my conception, ever clearly understand. He
+would not any longer dare at night to sit down alone to fill up that
+dreadful diary. He would not any longer perhaps--I only say perhaps--dare
+to commit the deeds the record of which in the past the diary held. But
+his lesson would be one of fear, making for weakness, finally almost for
+nothingness. And the other night I conceived of him at last fading away
+in the gloom of his room with the darkened window."
+
+"That was your end!" said Mr. Harding, in a low voice.
+
+"Yes, that was my end."
+
+"Then," said Chichester, "you think the lesson men learn from being
+contemplated tends only to destroy them?"
+
+But Malling, now with a smiling change to greater lightness and ease,
+hastened to traverse this statement.
+
+"No, no," he replied. "For the contemplation of a man by his fellow-men
+must always be an utterly different thing from his own contemplation by
+himself. For our fellow-men always remain in a very delightful ignorance
+of us. Don't they, Lady Sophia? And so they can never destroy us, luckily
+for us."
+
+He had done what he wished to do, and he was now ready for other
+activities. But he found it was not easy to switch his companions off
+onto another trail. Lady Sophia, now that he looked at her closely, he
+saw to be under the influence of fear, provoked doubtless by the subject
+they had been discussing. Chichester, also, had a look as of fear in his
+eyes. As to the rector, he sat gazing at his curate, and there had come
+upon his countenance an expression of almost unnatural resolution, such
+as a coward's might wear if terror forced him into defiance.
+
+In reply to Malling's half-laughing question, Lady Sophia said:
+
+"You've studied all these things, haven't you?"
+
+"Do you mean what are sometimes called occult questions?"
+
+"Yes."
+
+"I have."
+
+"And do you believe in them?"
+
+"I'm afraid I must ask you to be a little more definite."
+
+"Do you believe that there are such things as doubles?"
+
+"I have no reason to believe that there are, unless you include wrongly
+in the term the merely physical replica. It appears to be established
+that now and then two human beings are born who, throughout their
+respective lives remain physically so much alike that it is difficult,
+if not impossible, to distinguish between them."
+
+"I didn't mean only that," she said quickly.
+
+"You meant the double in mind and soul as well as in body," said
+Chichester.
+
+"Yes."
+
+"How can one see if a soul is the double of another soul?" said Malling.
+
+"Then you think such a story as Mr. Chichester related in his sermon all
+nonsense?" said Lady Sophia, almost hotly, and yet, it seemed to Malling,
+with a slight lifting of the countenance, as if relief perhaps were
+stealing through her.
+
+"I thought it a legitimate and powerful invention introduced to point a
+moral."
+
+"Nothing more than that?" said Lady Sophia.
+
+Malling did not reply; for suddenly a strange question had risen up in
+him. Did he really think it nothing more than that? He glanced at
+Chichester, and the curate's eyes seemed asking him to say.
+
+The rector's heavy and powerful frame shifted in his chair, and his voice
+was heard saying:
+
+"My dear Sophy, I think you had better leave such things alone. You do
+not know where they might lead you."
+
+There was in his voice a sound of forced authority, as if he had been
+obliged to "screw himself up" to speak as he had just spoken. Lady Sophia
+was about to make a quick rejoinder when, still with a forced air of
+resolution, Mr. Harding addressed himself to Chichester.
+
+"Since I saw you this morning," he said, "I find that I shall not be here
+next Sunday."
+
+He looked about the circle at his wife and Malling.
+
+"The doctor has ordered me away for a week, and I've decided to go."
+
+His introduction of the subject had been abrupt. As if almost in despite
+of themselves, Lady Sophia and Malling exchanged glances. Chichester
+said nothing.
+
+"You can get on without me quite well, of course," continued the rector.
+
+"Are you going to be away long?" said Chichester.
+
+"No; I think only for a week or so. The doctor says I absolutely need a
+breath of fresh air."
+
+Malling got up to go.
+
+"I hope you'll enjoy your little holiday," he said. "Are you going far?"
+
+"Oh, dear, no. My doctor recommends Tankerton on the Kentish coast. It
+seems the air there is extraordinary. When the tide is down it comes off
+the mud flats. A kind parishioner of mine--" he turned slightly toward
+his wife: "Mrs. Amherst, Sophy--has a cottage there and has often offered
+me the use of it. I hope to accept her offer now."
+
+Lady Sophia expressed no surprise at the project, and did not inquire
+whether her husband wished her to accompany him.
+
+But when she shook hands with Malling, her dark eyes seemed to say to
+him, "I was wrong."
+
+And he thought she looked humbled.
+
+
+
+
+VIII
+
+
+_"Could you come down stay with me Saturday till Monday all alone air
+delicious feel rather solitary glad of your company Marcus Harding Minors
+Tankerton Kent."_
+
+Such was the telegram which Evelyn Malling was considering on the
+following Friday afternoon. The sender had paid an answer. The
+telegraph-boy was waiting in the hall. Malling only kept him five
+minutes. He went away with this reply:
+
+_"Accept with pleasure will take four twenty train at Victoria Saturday
+Malling."_
+
+Malling could not have said with truth that he had expected a summons
+from Mr. Harding, yet he found that he was not surprised to get it. The
+man was in a bad way. He needed sympathy, he needed help. That was
+certain. But whether he could help him was more than doubtful, Malling
+thought. Perhaps, really, a doctor and the wonderful air from the mud
+flats of Tankerton! But here Malling found that a strong incredulity
+checked him. He did not believe that the rector would be restored by a
+doctor's advice and a visit to the sea.
+
+That afternoon he went to Westminster, and asked for Professor Stepton.
+
+"He is away, sir," said the fair Scotch parlormaid.
+
+"For long?"
+
+"We don't know, sir. He has gone into Kent, on research business, I
+believe."
+
+Agnes had been for a long time in the professor's service, and was
+greatly trusted. The professor had come upon her originally when making
+investigations into "second sight," a faculty which she claimed to
+possess. By the way she was also an efficient parlor-maid.
+
+"Kent!" said Malling. "Do you know where he is staying?"
+
+"The address he left is the Tankerton Hotel, Tankerton, near
+Whitstable-on-Sea, sir."
+
+"Thank you, Agnes," said Malling.
+
+"It is a haunted house somewhere Birchington way the professor is after,
+I believe, sir."
+
+"Luck favors me!" said Malling to himself, unscientifically, as he walked
+away from the house.
+
+On the following day it was in a singularly expectant and almost
+joyously alert frame of mind that he bought a first-class ticket
+for Whitstable-on-Sea, which is the station for Tankerton.
+
+He would involve Stepton in this affair. There was a mystery in it.
+Malling was now convinced of that. And his original supposition did not
+satisfy him. But perhaps Mr. Harding meant to help him. Perhaps Mr.
+Harding intended to be explicit. The difficulty there was that he also
+was walking in darkness, as Malling believed. His telegram had come like
+a cry out of this darkness.
+
+"Faversham! Faversham!" the fair Kentish porters were calling. Only about
+twenty minutes now! Would the rector be at the station?
+
+He was. As the train ran in alongside the wooden platform, Mailing caught
+sight of the towering authoritative figure. Was it his fancy which made
+him think that it looked slightly bowed, even perhaps a little shrunken?
+
+"Good of you to come!" said the rector in a would-be hearty voice, but
+also with a genuine accent of pleasure. "All the afternoon I have been
+afraid of a telegram."
+
+"Why?" asked Malling, as they shook hands.
+
+"Oh, when one is anxious for a thing, one does not always get it. Ha,
+ha!"
+
+He broke into a covering laugh.
+
+"Here is a porter. You've only got this bag. Capital! I have a fly
+waiting. We go down these steps."
+
+As they descended, Malling remarked:
+
+"By the way, we have a friend staying here. Have you come across him?"
+
+"No, I have seen nobody--that is, no acquaintance. Who is it?"
+
+"Stepton."
+
+"The professor down here!" exclaimed Mr. Harding, as if startled.
+
+"At the hotel, I believe. He's come down to make some investigation."
+
+"I haven't seen him."
+
+They stepped into the fly, and drove through the long street of
+Whitstable toward the outlying houses of Tankerton, scattered over
+grassy downs above a quiet, brown sea.
+
+"The air is splendid, certainly," observed Malling, drinking it in almost
+like a gourmet savoring a wonderful wine.
+
+"It must do me good. Don't you think so?"
+
+The question sounded anxious to Malling's ears.
+
+"It ought to do every one good, I should think."
+
+"Here is Minors."
+
+The fly stopped before a delightfully gay little red doll's house--so
+Malling thought of it--standing in a garden surrounded by a wooden
+fence, with the downs undulating about it. Not far off, but behind it,
+was the sea. And the rector, pointing to a red building in the distance,
+on the left and much nearer to the beach, said:
+
+"That is the hotel where the professor must be staying, if he is here."
+
+"I'll go over presently and ask about him."
+
+"Oh," said Mr. Harding. "Bring in the bag, please, Jennings. The room on
+the right, at the top of the stairs."
+
+Malling had believed in London that Mr. Harding's telegram to him was a
+cry out of darkness. That first evening in the cheerful doll's house he
+knew his belief was well founded. When they sat at dinner, like two
+monsters, Malling thought, who had somehow managed to insert themselves
+into a doll's dining-room, it was obvious that the rector was ill at
+ease. Again and again he seemed to be on the verge of some remark,
+perhaps of some outburst of speech, and to check himself only when the
+words were almost visibly trembling on his lips. In his eyes Malling
+saw plainly his longing for utterance, his hesitation; reserve and a
+desire to liberate his soul, the one fighting against the other. And at
+moments the whole man seemed to be wrapped in weakness like a garment,
+the soul and the body of him. Then, as a light may dwindle till it seems
+certain to go out, all that was Marcus Harding seemed to Malling to
+dwindle. The large body, the powerful head and face, meant little, almost
+nothing, because the spirit was surely fading. But these moments passed.
+Then it was as if the light flared suddenly up again.
+
+When dinner was over, Mr. Harding asked Malling if he would like to take
+a stroll.
+
+"The sea air will help us to sleep," he said.
+
+"I should like nothing better," said Malling. "Haven't you been sleeping
+well lately?"
+
+"Very badly. We had better take our coats."
+
+They put the coats on, and went out, making their way to the broad,
+grassy walk raised above the shingle of the beach. The tide was far
+down, and the oozing flats were uncovered. So still, so waveless was
+the brown water that at this hour it was impossible to perceive where
+it met the brown land. In the distance, on the right, shone the lights
+of Herne Bay, with its pier stretching far out into the shallows. Away
+to the left was the lonely island of Sheppey, a dull shadow beyond the
+harbor, where the oyster-boats lay at rest. There were very few people
+about: some fisher-lads solemnly or jocosely escorting their girls, who
+giggled faintly as they passed Mr. Harding and Malling; two or three
+shopkeepers from Whitstable taking the air; a boatman or two vaguely
+hovering, with blue eyes turned from habit to the offing.
+
+The two men paced slowly up and down. And again Malling was aware of
+words trembling upon the rector's lips--words which he could not yet
+resolve frankly to utter. Whether it was the influence of the faintly
+sighing sea, of the almost sharply pure air, of the distant lights
+gleaming patiently, or whether an influence came out from the man beside
+him and moved him, Malling did not know; but he resolved to do a thing
+quite contrary to his usual practice. He resolved to try to force a
+thing on, instead of waiting till it came to him naturally. He became
+impatient, he who was generally a patient seeker.
+
+"You remember our former conversations with regard to Henry Chichester?"
+he said abruptly, changing the subject of their discourse.
+
+"Chichester? Yes--yes. What of him?"
+
+"I wish to tell you that I think you are right, that I think there is an
+extraordinary, even an amazing, change in Chichester."
+
+"There is, indeed," said Mr. Harding. "And--and it will increase."
+
+He spoke with a sort of despairing conviction.
+
+"What makes you think so?"
+
+"It must. It cannot be otherwise--unless--"
+
+He paused.
+
+"Yes," said Malling; "unless--"
+
+"A thing almost impossible were to happen."
+
+"May I, without indiscretion, ask what that is?"
+
+"Unless he were to leave St. Joseph's, to go quite away."
+
+"Surely that would not be impossible!"
+
+"I often think it is. Chichester will not wish to go."
+
+"Are you certain of that?" asked Malling, remembering the curate's remark
+in Horton Street, that perhaps he would not remain at St. Joseph's much
+longer.
+
+The rector turned his head and fixed his eyes upon Malling.
+
+"Has he said anything to you about leaving?" he asked, suddenly raising
+his voice, as if under the influence of excitement. "But of course he
+has not."
+
+"Surely it is probable that such a man may be offered a living."
+
+"He would not take it."
+
+They walked on a few steps in silence, turned, and strolled back. It was
+now growing dark. Their faces were set toward the distant gleam of the
+Herne Bay lights.
+
+"I am not so sure," at length dropped out Malling.
+
+"Why are you not so sure?"
+
+"Why do you think Chichester's departure from St. Joseph's impossible?"
+
+Malling spoke strongly to determine, if possible, the rector to speak, to
+say out all that was in his heart.
+
+"Can I tell you?" Mr. Harding almost murmured. "Can I tell you?"
+
+"I think you asked me here that you might tell me something."
+
+"It is true. I did."
+
+"Then--"
+
+"Let us sit down in this shelter. There is no one in it. People are going
+home."
+
+Malling followed him into a shelter, with a bench facing the sea.
+
+"I thought perhaps here I might be able to tell you," said Mr. Harding.
+"I am in great trouble, Mr. Malling, in great trouble. But I don't know
+whether you, or whether any one, can assist me."
+
+"If I may advise you, I should say--tell me plainly what your trouble
+is."
+
+"It began--" Mr. Harding spoke with a faltering voice--"it began a good
+while ago, some months after Mr. Chichester came as a curate to St.
+Joseph's. I was then a very different man from the man you see now.
+Often I feel really as if I were not the same man, as if I were radically
+changed. It may be health. I sometimes try to think so. And then I--" He
+broke off.
+
+The strange weakness that Malling had already noticed seemed again to be
+stealing over him, like a mist, concealing, attenuating.
+
+"Possibly it is a question of health," said Malling, rather sharply.
+"Tell me how it began."
+
+"When Chichester first joined me, I was a man of power and ambition. I
+was a man who could dominate others, and I loved to dominate."
+
+His strength seemed returning while he spoke, as if frankness were to him
+a restorative of the spirit.
+
+"It was indeed my passion. I loved authority. I loved to be in command.
+I was full of ecclesiastical ambition. Feeling that I had intellectual
+strength, I intended to rise to the top of the church, to become a bishop
+eventually, perhaps even something greater. When I was presented to St.
+Joseph's,--my wife's social influence had something to do with that,--I
+saw all the gates opening before me. I made a great effect in London.
+I may say with truth that no clergyman was more successful than I was--at
+one time. My wife spurred me on. She was immensely ambitious for me. I
+must tell you that in marrying me she had gone against all her family.
+They thought me quite unworthy of her notice. But from the first time I
+met her I meant to marry her. And as I dominated others, I completely
+dominated her. But she, once married to me, was desperately anxious that
+I should rise in the world, in order that her choice of me might be
+justified in the eyes of her people. You can understand the position, I
+dare say?"
+
+"Perfectly," said Malling.
+
+"I may say that she irritated my ambition, that she stung it into almost
+a furious activity. Women have great influence with us. I thought she was
+my slave almost, but I see now that she also influenced me. She worshiped
+me for my immediate success at St. Joseph's. You may think it very
+ridiculous, considering that I am merely the rector of a fashionable
+London church, but there was a time when I felt almost intoxicated by
+my wife's worship of me, and by my domination over the crowds who came to
+hear me preach. Domination! That was my fetish! That was what led me
+to--oh, sometimes I think it must end in my ruin!"
+
+"Perhaps not," said Malling, quietly. "Let us see."
+
+His words, perhaps even more his manner, seemed greatly to help Mr.
+Harding.
+
+"I will tell you everything," he exclaimed. "From the first I have
+felt as if you were the man to assist me, if any man could. I had
+always, since I was an undergraduate at Oxford,--I was a Magdalen
+man,--been interested in psychical matters, and followed carefully
+all the proceedings of the Society for Psychical Research. I had also
+at that time,--in Oxford,--made some experiments with my college
+friends, chiefly in connection with will power. My influence seemed to
+be specially strong. But I need not go into all that. After leaving
+Oxford and taking orders, for a long time I gave such matters up. I
+feared, if I showed my strong interest in psychical research, especially
+if I was known to attend séances or anything of that kind, it might be
+considered unsuitable in a clergyman, and might injure my prospects. It
+was not until Henry Chichester came to St. Joseph's that I was tempted
+again into paths which I had chosen to consider forbidden to me.
+Chichester tempted me! Chichester tempted me!"
+
+He spoke the last words with a sort of lamentable energy.
+
+"Such a gentle, yielding man as he was!"
+
+"It was just that. He came under my influence at once, and showed it in
+almost all he said and did. He looked up to me, he strove to model
+himself upon me, he almost worshiped me. One evening,--it was in the
+pulpit!--the idea shot through my brain, 'I could do what I like with
+that man, make of him just what I choose, use him just as I please.' And
+I turned my eyes toward the choir where Chichester sat in the last stall,
+hanging on my words. At that instant I can only suppose that what people
+sometimes call the _maladie de grandeur_--the mania for power--took
+hold upon me, and combined with my furtive longing after research in
+those mysterious regions where perhaps all we desire is hidden. Anyhow,
+at that instant I resolved to try to push my influence over Chichester to
+its utmost limit, and by illegitimate means."
+
+"Illegitimate?"
+
+"I call them so. Yes, yes, they are not legitimate. I know that now. And
+he--but I dare not think what he knows!"
+
+The rector was greatly moved. He half rose from the bench on which they
+were sitting, then, making a strong effort, controlled himself, sank
+back, and continued:
+
+"At that time, in the early days of his association with me, Chichester
+thought that everything I did, everything I suggested, even everything
+that came into my mind, must be good and right. He never dreamed of
+criticizing me. In his view, I was altogether above criticism. And if I
+approached him with any sort of intimacy he was in the greatest joy. You
+know, perhaps, Mr. Malling, how the worshiper receives any confidence
+from the one he worships. He looks upon it as the greatest compliment
+that can be paid him. I resolved to pay that compliment to Henry
+Chichester.
+
+"You must know that although I had entirely given up the occult
+practices--that may not be the exact term, but you will understand
+what I mean--I had indulged in at Oxford, I had never relaxed my deep,
+perhaps my almost morbid interest in the efforts that were being made
+by scientists and others to break through the barrier dividing us on
+earth from the spirit world. Although I had chosen the career of a
+clergyman,--alas! I looked upon the church, I suppose, as little more
+than a career!--I was not a very faithful man. I had many doubts which,
+as clergymen must, I concealed. By nature I suppose I had rather an
+incredulous mind. Not that I was a skeptic, but I was sometimes a
+doubter. Rather than faith, I should have much preferred to have
+knowledge, exact knowledge. Often I even felt ironical when confronted
+with the simple faith we clergymen should surely encourage, sustain, and
+humbly glory in, whereas with skepticism, even when openly expressed, I
+always felt some part of myself to be in secret sympathy. I continued to
+study works, both English and foreign, on psychical research. I followed
+the experiments of Lodge, William James, and others. Myers's great work
+on human personality was forever at my elbow. And the longer I was
+debarred--self-debarred because of my keen ambition and my determination
+to do nothing that could ever make me in any way suspect in the eyes of
+those to whom I looked confidently for preferment--from continuing the
+practices which had such a fascination for me, the more intensely I
+was secretly drawn toward them. The tug at my soul was at last almost
+unbearable. It was then I looked toward Chichester, and resolved to take
+him into my confidence--to a certain extent.
+
+"I approached the matter craftily. I dwelt first upon the great spread
+of infidelity in our days, and the necessity of combating it by every
+legitimate means. I spoke of the efforts being made by earnest men of
+science--such men as Professor Stepton, for instance--to get at the truth
+Christians are expected to take on trust, as it were. I said I respected
+such men. Chichester agreed,--when did he not agree with me at that
+time?--but remarked that he could not help pitying them for ignoring
+revelation and striving to obtain by difficult means what all Christians
+already possessed by a glorious and final deed of gift.
+
+"I saw that though Chichester was such a devoted worshiper of mine, if I
+wanted to persuade him to my secret purpose,--no other than the effort,
+to be made with him, to communicate with the spirit world,--I must be
+deceptive, I must mask my purpose with another.
+
+"I did so. I turned his attention to the subject of the human will. Now,
+at that time Chichester knew that his will was weak. He considered that
+fact one of his serious faults. I hinted that I agreed with him. I
+proposed to join with him in striving to strengthen it. He envied my
+strength of will. He looked up to me, worshiped me almost, because of it.
+I drew his mind to the close consideration of influence. I gave him two
+or three curious works that I possessed on this subject. In one of them,
+a pamphlet written by a Hindu who had been partly educated at Oxford,
+and whom I had personally known when I was an undergraduate, there was a
+course of will-exercises, much as in certain books on body-building there
+are courses of physical exercises. I related to Chichester some of the
+extraordinary and deeply interesting conversations I had had with this
+Hindu on the subject of the education of the will, and finally I told a
+lie. I told Chichester that I had gained my powerful will while at Oxford
+by drawing it from my Hindu friend in a series of sittings that we two
+had secretly undertaken together. This was false, because I had been born
+with a strong, even a tyrannical, will, and I had never sat with the
+Hindu.
+
+"Chichester, though at first startled, was fascinated by this untruth,
+and, to cut the matter short, I persuaded him to begin with me a series
+of secret sittings, in which I proposed to try to impart to him, to
+infuse into him, as it were, some of my undoubted power--the power which
+he daily saw me exercising in the pulpit and over the minds of men in my
+intercourse with them.
+
+"What I really wished to do, what I meant to do, if possible, was to use
+Chichester as a medium, and to try through him to communicate with the
+spirit world. I had taken it into my head--no doubt you will say quite
+unreasonably--that he must be entirely subject to my will in a sitting,
+and that if I willed him to be entranced, it was certain that he would
+become so. But my own entirely selfish desires I concealed under the
+cloak of an unselfish wish to give power to him. I even pretended, as you
+see, to have a highly moral purpose, though it is true I suggested trying
+to effect it in an unconventional and very unecclesiastical manner.
+
+"Chichester, though, as I have said, at first startled, of course
+eventually fell in with my view. We sat together in his room at Hornton
+Street.
+
+"Now, Mr. Malling, some of what I have told you may appear to be almost
+contradictory. I have spoken of my _maladie de grandeur_ as if it were
+a reason why I wished to sit with Henry Chichester, and then of my desire
+to communicate, if possible, with the spirit world as my reason."
+
+"I noticed that," observed Malling, "and purposed later to point it out
+to you."
+
+"How can I explain exactly? It is so difficult to unravel the web of
+motives in a mind. It was my _maladie de grandeur_, I think, that made
+me long to use my worshiper Chichester as a mere tool for the opening of
+that door which shuts off from us the region the dead have entered. My
+mind at that time was filled with a mingled conceit, amounting at moments
+almost to an intoxication, and a desire for knowledge. I reveled in my
+power when preaching, but was haunted by genuine doubts as to truth. My
+egoism longed to make an utter slave of Chichester (I nearly always
+lusted to push my influence to its limit). But my desire to know made me
+conceive the pushing of it in a direction, in this instance, which would
+perhaps gratify a less unworthy desire than that merely of subjugating
+another. The two birds and the one stone! I thought of them. I loved the
+idea of making a tool. I loved also the idea of using the tool when made.
+And I pretended I had only Chichester's moral interest at heart. I have
+been punished, terribly punished.
+
+"We sat, as I say, in Hornton Street, secretly, and of course at night.
+My wife knew nothing of it. I made excuses to get away--parish matters,
+meetings, work in the East End. I had no difficulty with her. She thought
+my many activities would bring me ever more and more into the public
+eye, and she encouraged them. The people in the house where Chichester
+lodged were simple folk, and were ready to go early to bed, leaving
+rector and curate discussing their work for the salvation of bodies and
+souls.
+
+"At first Chichester was reluctant, I know. I read his thoughts. He was
+not sure that it was right to approach such mysteries; but, as usual, I
+dominated him silently. And soon he fell completely under the fascination
+peculiar to sittings."
+
+Again Mr. Harding paused. For a moment his head sank, his powerful body
+drooped, he was immersed in reverie. Malling did not interrupt him. At
+last, with a deep sigh, and now speaking more slowly, more unevenly, he
+continued:
+
+"What happened exactly at those sittings I do not rightly know. Perhaps
+I shall never rightly know. What did not happen I can tell you. In the
+first place, although I secretly used my will upon Chichester, desiring,
+mentally insisting, that he should become entranced, he never was
+entranced when we sat together. Something within him--was it something
+holy? I have wondered--resisted my desire, of which, so far as I know,
+he was never aware. Perhaps 'beneath the threshold' he was aware. Who
+can say? But though my great desire was frustrated in our sittings, the
+desire of Chichester, so different, perhaps so much more admirable than
+mine, and, at any rate, not masked by any deceit, began, so it seemed,
+to be strangely gratified. He declared almost from the first that, when
+sitting with me, he felt his will power strengthened. 'You are doing me
+good,' he said. Now, as my professed object in contriving the sittings
+had been to lift up Chichester toward my level,"--with indescribable
+bitterness Mr. Harding dwelt on these last words,--"I could only express
+rejoicing. And this I did with successful hypocrisy. Nevertheless,
+I was greatly irritated. For it seemed to me that, when we sat,
+Chichester triumphed over me. He obtained his desire while mine remained
+ungratified. This was an outrage directed against my supremacy over him,
+which I had designed to increase. I gathered together my will power to
+check it. But in this attempt I failed.
+
+"Nothing is stranger, I think, Mr. Malling, than the fascination of a
+sitting. Even when nothing, or scarcely anything, happens, the mind, the
+whole nature seems to be mysteriously grasped and held. New senses in you
+seem to be released. Something is alert which is never alert--or, at
+all events, never alert in the same way--in other moments of life. One
+seems to become inexplicably different. Chichester was aware of all this.
+At the first sitting nothing happened, and I feared Chichester would wish
+to give the matter up. But, no! When we rose from our chairs late in the
+night he acknowledged that he had never known two hours to pass so
+quickly before. At following sittings there were slight manifestations
+such as, I suppose, are seldom absent from such affairs,--perfectly
+trivial to you, of course,--movements of the table, rappings, gusts of
+what seemed cold air, and so forth. All that is not worth talking about,
+and I don't mean to trouble you further with it. My difficulty is, when
+so little, apparently, took place, to make you understand the tremendous
+thing that did happen, that must have been happening gradually during
+our sittings.
+
+"At the very first, as I told you, or nearly so,--I wish to be
+absolutely accurate,--Chichester began to be aware of a strengthening
+of his will. At this time I was almost angrily unaware of any change
+either in him or in myself. At subsequent sittings--I speak of the
+earlier ones--Chichester reiterated more strongly his assertion of
+beneficent alteration in himself. I did not believe him, though I did
+believe he was absolutely sincere in his supposition. It seemed to me
+that he was 'suggestioned,' partly perhaps by his implicit trust in me,
+partly by his own desire that something curious should happen. However,
+still playing a part in pursuance of my resolve not to let Chichester
+know my real object in this matter, I pretended that I, too, perceived an
+alteration in him, as if his personality were strengthening. And not
+once, but on several occasions, I spoke of the change in him as almost
+exactly corresponding with the change that had taken place in me when
+I sat with my Hindu friend.
+
+"All this time, with a force encouraged by the secret anger within me,
+I violently, at last almost furiously, willed that Chichester should
+become entranced.
+
+"But at length, though I willed furiously, I felt as if I were not
+willing with genuine strength, as if I could not will with genuine
+strength any longer. It is difficult, almost impossible, to explain
+to you exactly the sensation that gradually overspread me; but it used
+always to seem to me, when I self-consciously exerted my will, as if
+I held within me some weapon almost irresistible, as if I forced it
+forward, as if its advance, caused by me, could not be withstood. I
+now felt as if I still possessed this weapon, but could not induce it
+to move. It was there, like a heavy, useless thing, almost like a burden
+upon me.
+
+"And Chichester continued to assert that he felt stronger, more resolute,
+less plastic.
+
+"Things went on thus till something within me, what we call instinct, I
+suppose, became uneasy. I heard a warning voice which said to me, 'Stop
+while there is time!' And I resolved to obey it.
+
+"One night, when very late Chichester and I took our hands from the
+table in his little room, I said that I thought we had had enough of
+the sittings, that very little happened, that perhaps he and I were not
+really _en rapport_, and that it seemed to me useless to continue them.
+I suppose I expected Chichester to acquiesce. I say I suppose so, because
+till that moment he had always acquiesced in any proposition of mine. Yet
+I remember that I did not feel genuine surprise at what actually
+happened."
+
+Mr. Harding stopped, took a handkerchief from his pocket, lifted the brim
+of his hat, and passed the handkerchief over his forehead two or three
+times.
+
+"What happened was this, that Chichester resisted my proposal, and that
+I found myself obliged to comply with his will instead of, as usual,
+imposing mine upon him.
+
+"This was the beginning--" the rector turned a little toward Malling,
+and spoke in a voice that was almost terrible in its sadness--"this was
+the beginning of what you have been witness of, my unspeakable decline.
+This was the definite beginning of my horrible subjection to Henry
+Chichester."
+
+He stopped abruptly. After waiting for a minute or two, expecting him to
+continue, Malling said:
+
+"You said that you found yourself _obliged_ to comply with Chichester's
+will. Can you explain the nature of that obligation?"
+
+"I cannot. I strove to resist. We argued the matter. He took his stand
+upon the moral ground that I was benefiting him enormously through our
+sittings. As I had suggested having them ostensibly for that very
+purpose, you will see my difficulty."
+
+"Certainly."
+
+"My yielding seemed perfectly natural, perhaps almost inevitable. The
+point is that, without drastic change in me, it was quite unnatural. My
+will was unaccustomed to brook any resistance, and troubled itself not
+at all with argument. Till then what I wished to do I did, and there was
+an end. I now for the first time found myself obliged to accept a moral
+bondage imposed upon me by my curate. The term may sound exaggerated;
+I can only say that was how the matter presented itself to me. From the
+moment I did so, I took second place to him.
+
+"We continued to sit from time to time. And the strange, to me
+inexplicable, situation rapidly developed.
+
+"To put it before you in few words and plainly: Chichester seemed to suck
+my will away from me gradually but surely, till my former strength was
+his. But that was not all. With the growth of his will there was another
+and more terrible growth: there rose in him a curiously observant
+faculty."
+
+Again the rector took out his handkerchief and wiped his brow.
+
+"A curiously critical faculty. How shall I say? Perhaps you may know,
+Mr. Malling, how the persistent attitude of one mind may influence
+another. For instance, if a man always expects ill of another--treachery,
+let us say, bad temper, hatred, fear, inducing trickery, perhaps, that
+other is turned toward just such evil manifestations in connection with
+that man. If some one with psychic force thinks all you do is wrong,
+soon you begin to do things wrongly. A fearful uneasiness is bred. The
+faculties begin to fail. The formerly sure-footed stumbles. The formerly
+self-confident takes on nervousness, presently fear.
+
+"So it came about between Chichester and me. I felt that his mind was
+beginning to watch me critically, and I became anxious about this
+criticism. Like some subtle acid it seemed to act destructively upon
+the metal, once so hard and resistant, of my self-confidence, of my
+belief in myself. Often I felt as if an eye were upon me, seeing too
+much, far too much, coldly, inexorably, persistently. This critical
+observation became hateful to me. I suffered under it. I suffered
+terribly. Mr. Malling, if I am to tell you all,--and I feel that unless
+I do no help can come to me,--I must tell you that I have not been in my
+life all that a clergyman should be. There have been occasions, and even
+since my marriage, when I have yielded to impulses that have prompted me
+to act very wrongly.
+
+"Now, Chichester was a saint. Hitherto I had neither been troubled by
+my own grave shortcomings nor by Chichester's excellence of character.
+I had always felt myself set far above him by my superior mental
+faculties and my greater will power over the crowd, though, alas! not
+always over my own demon. I began to writhe now under the thought of
+Chichester's crystal purity and of my own besmirched condition of soul.
+All self-confidence departed from me; but I endeavored, of course, to
+conceal this from the world, and especially from Chichester. With the
+world for a time no doubt I succeeded. But with Chichester--did I ever
+succeed? Could I ever succeed with such an one as he had become? It
+seemed to me, it seems to me far more terribly now, that nothing I did,
+or was, escaped him. He attended mentally, spiritually even, to
+everything that made up me. At first I felt this curiously, then
+anxiously, then often with bitter contempt and indignation, sometimes
+with a great melancholy, a sort of wide-spreading sadness in which I
+was involved as in an icy sea. I can never make you fully understand
+what I felt, how this mental and spiritual observation of Chichester
+affected me. It--it simply ate me away, Malling! It simply ate me away!"
+
+The last words came from Mr. Harding's lips almost in a cry.
+
+"And how long did you continue the sittings?"
+
+Very quietly Malling spoke, and he just touched the rector's arm.
+
+"For a long while."
+
+"Had you ceased from them when I first met you?"
+
+"On Westminster Bridge? No."
+
+"Have you ceased from them now?"
+
+The rector shifted as if in physical distress.
+
+"Chichester constrains me to them even now," he replied, like a man
+bitterly ashamed. "He constrains me to them. And is that goodness,
+righteousness? I said he was a saint; but now! Is it saintliness to
+torture a fellow-creature?"
+
+Malling remembered how he had once, and not long ago, asked himself
+whether Chichester's mouth and eyes looked good.
+
+"Have you ever told Chichester what grave distress he is causing you?"
+said Malling.
+
+"No, never, never! I can't!"
+
+"Why not?"
+
+"A great reserve has grown up between us. I could never try to break
+through it."
+
+"You say a great reserve. But does he never criticize you in words? Does
+he never express an adverse opinion upon what you say or do?"
+
+"Scarcely ever--after it is said or done. But sometimes--"
+
+"Yes?"
+
+"Sometimes--often I think--he tries to prevent me from saying or doing
+something. Often he checks me with a look when I am in the midst of
+some speech. It is intolerable. Why do I bear it? But I have to bear it.
+Sometimes I exert myself against him. Why, that first day I met you--you
+must have noticed it--he tried to prevent me from walking home with you."
+
+"I did notice it."
+
+"Then I resisted him, and he had to yield. But even when he yields in
+some slight matter it makes no difference in our relations. He is always
+there, at the window, watching me."
+
+"What do you say?"
+
+Malling's exclamation was sharp.
+
+"That sermon of his!" said the rector. "That fearful sermon! Ever since
+I heard it I have felt as if I were the double within that house, as
+if Chichester were the man regarding my life in hiding. Why you--you
+yourself put my feeling into words! You suggested to Chichester and
+my wife that if the man had stayed, had spied upon him who was within
+the room, the hypocrite--"
+
+He broke off. He got up from his seat.
+
+"Let us walk," he said. "I cannot sit here. The air--the lights--let
+us--"
+
+Almost as if blindly he went forth from the shelter, followed by Malling.
+
+"It's better here," he said. "Better here! Mr. Malling, forgive me,
+but just then a hideous knowledge seemed really to catch me by the
+throat. Chichester is turning my wife against me. There is a terrible
+change in her. She is beginning to observe me through Chichester's eyes.
+Till quite recently she worshiped me. She noticed the alteration in me,
+of course,--every one did,--but she hated Chichester for his attitude
+toward me. Till quite lately she hated him. Now she no longer hates him;
+for she begins to think he is right. At first I think she believed the
+excuse I put forward for my strange transformation."
+
+"Do you mean your nervous affection?"
+
+"Yes."
+
+"Just tell me, have you any trouble of that kind, or did you merely
+invent it as an excuse for any failure you made from time to time?"
+
+"I used it insincerely as an excuse. But I really do suffer from time
+to time physically. But physical suffering is nothing. Why should we
+waste a thought on such nonsense?"
+
+"In such a strange case as this I believe everything should be taken
+carefully into consideration," observed Malling in his most prosaic
+voice.
+
+The rector's attention seemed to be suddenly fixed and powerfully
+concentrated. The feverish excitement he had been displaying gave place
+to a calmer, more natural mood.
+
+"Tell me," he said, "do you think your knowledge can help me? I am aware
+that you have made many strange investigations. Is there anything to be
+done for me, anything that will restore me to my former powers? Will you
+credit me when I declare to you that it was only by making a terrible
+effort that I was able to get away from Chichester's companionship and
+to come down here? If I had not said that I meant to do so while you were
+in the room, I doubt if I should ever have had the courage. There is
+something inexplicable that seems to bind me to Chichester. Sometimes
+there have been moments when I have thought that he longed to be far
+away from me. And it has seemed to me that he, too, would find escape
+difficult, if not impossible."
+
+"You wish very much that Chichester should resign his curacy and go
+entirely out of your life?" asked Malling.
+
+"Wish!" cried Mr. Harding, almost fiercely. "Oh, the unutterable relief
+to me if he were to go! Even down here, away from him for a day or two,
+ I sometimes feel released. And yet--" he paused in his walk--"I shall
+have to go back--I know it--sooner than I meant to, very soon."
+
+He spoke with profound conviction.
+
+"Chichester will mean me to go back, and I shall not be able to stay."
+
+"And yet you say it has occurred to you that possibly Chichester may be
+as anxious as yourself to break away from the strange condition of things
+you have described to me."
+
+"Have you," exclaimed Mr. Harding--"have you some reason to believe
+Chichester has ever contemplated departure?"
+
+Malling moved slowly on, and the rector was forced to accompany him.
+
+"It has occurred to me," he said, evading the point, "that possibly Henry
+Chichester might be induced to go out of your life."
+
+"Never by me! I should never have the strength to attempt compulsion with
+Chichester."
+
+"Some one else might tackle him."
+
+"Who?" cried out Mr. Harding.
+
+"Some man with authority."
+
+"Do you mean ecclesiastical authority?"
+
+"Oh, dear, no! I was thinking of a man like, say, Professor Stepton."
+
+As Malling spoke, a curious figure seemed almost to dawn upon them,
+sidewise, becoming visible gently in the darkness; a short man, with
+hanging arms, a head poked forward, as if in sharp inquiry, and rather
+shambling legs, round which hung loosely a pair of very baggy, light
+trousers.
+
+"And here is the professor!" said Malling, stopping short.
+
+
+
+
+IX
+
+
+That night when, very late, Mr. Harding and Malling returned to the red
+doll's house and let themselves into it with a latch-key, they found
+lying upon the table in the little hall a brown envelop.
+
+"A telegram!" said the rector.
+
+He took it into his hand and read the name on the envelop.
+
+"It's for me. Malling, do you know whom this telegram is from?"
+
+"How can I, or you, for that matter?"
+
+"It is from Henry Chichester, and it is to recall me to London."
+
+"It may be so."
+
+"It is so. Open it for me."
+
+Malling took the telegram from him and tore it open, while he sat heavily
+down by the table.
+
+"_Please return if possible difficulties in the parish Benyon ill need
+your presence Chichester._"
+
+Malling looked down at the rector.
+
+"You see!" Mr. Harding said slowly.
+
+"What do you mean to do?"
+
+Mr. Harding got up from his chair with an effort like that of a weary
+man.
+
+"I wonder where the railway-guide is?" he said. "Excuse me for a moment,
+Mr. Malling."
+
+He went away into the drawing-room, and returned with the railway-guide
+open in his hand.
+
+"Malling," he said, using the greater familiarity he had for a moment
+discarded, "I am about to do a rude thing, but I ask you, I beg of
+you, to acquit me of any rude intention toward yourself. I have been
+looking up the Sunday trains. I find I can catch a good one at Faversham
+to-morrow morning. There is a motor I can hire in the town to get there.
+It stands just by the post-office, where the road branches." He paused,
+looking into Malling's face as if in search of some sign of vexation or
+irony. "With a large parish on my hands," he went on, "I have a great
+responsibility. And if Benyon, my second curate, is ill, they will
+be short-handed."
+
+"I see."
+
+"What distresses me greatly--greatly--is leaving you, my guest, at such
+short notice. I cannot say how I regret it."
+
+He stopped. Purposely, to test him, Malling said nothing, but waited with
+an expressionless face.
+
+"I cannot say. But how can I do otherwise? My duty to the parish must
+come before all things."
+
+"I see," said Malling again.
+
+Looking greatly disturbed, Mr. Harding continued:
+
+"I will ask you to do me a very great favor. Although I am obliged to go,
+I hope you will stay, I entreat you to stay till Monday. The professor is
+here. You will not be companionless. The servants will do everything to
+make you comfortable. As to food, wine--everything is provided for. Will
+you stay? I shall feel more at ease in going if I know my departure has
+not shortened your visit."
+
+"It is very good of you," Malling replied. "I'll accept your kind offer.
+To tell the truth, I'm in no hurry to leave the Tankerton air."
+
+"Thank you," said the rector, almost with fervor. "Thank you."
+
+So, the next morning, Mr. Harding went away in the hired motor, and
+Malling found himself alone in the red doll's house.
+
+He was not sorry. The rector's revelation on the previous night had well
+repaid him for his journey; then the air of Tankerton really rejoiced
+him; and he would have speech of the professor.
+
+"I shall lay it before Stepton," he had said to Mr. Harding the previous
+night, after they had parted from the professor.
+
+And he had spoken with authority. Mr. Harding's confidence, his
+self-abasement, and his almost despairing appeal, had surely given
+Malling certain rights. He intended to use them to the full. The
+rector's abrupt relapse into reserve, his pitiful return to subterfuge,
+after the receipt of that hypnotizing telegram, had not, in Malling's
+view, abrogated those rights.
+
+When the motor disappeared, he strolled across the grass with a towel
+and had a dip in the brown sea, going in off the long shoal that the
+Whitstable and Tankerton folk call "the Street." Then he set out to
+find the professor.
+
+His interview with Stepton on the previous night in the presence of
+Mr. Harding had been rather brief. Stepton had been preoccupied and
+monosyllabic. Agnes had been right as to his reason for honoring the
+coast of Kent with his company, but wrong as to the haunted house's
+location. It was not in Birchington, but lay inland, within easy reach
+of Tankerton. When he met Malling and Harding, the professor was going
+to his hotel, where a motor was waiting to convey him to the house, in
+which he intended to pass the night. His mind was fixed tenaciously upon
+the matter in hand. Malling had realized at once that it was not the
+moment to disturb him by the introduction of any other affair, however
+interesting. But his suggestion of a meeting the next morning was thus
+welcomed:
+
+"Right! I shall be at home at churchtime--as you're not preaching."
+
+The second half of the sentence was directed to Mr. Harding, who said
+nothing.
+
+"And you might give me a cup of tea in the afternoon," the professor
+had added, looking at the rector rather narrowly before shambling off
+to his hotel to get the plaid shawl which he often wore at night.
+
+"With the greatest pleasure. Minors is the name of the house," had been
+Mr. Harding's reply.
+
+Whereupon the professor had vanished, muttering to himself:
+
+"Minors! And why not Majors, if you come to that? Perhaps too suggestive
+of heart-breaking military men. Minors is safer in a respectable seaside
+place."
+
+The professor had been up all night, but looked much as usual, and was
+eating a hearty breakfast of bacon and eggs in the cheerful coffee-room
+when Malling arrived. He scarcely ever ate at orthodox hours, and had
+frequently been caught lunching at restaurants in London between four and
+five in the afternoon.
+
+"Where's the rector? At church?" was his greeting.
+
+"The rector has gone back to London," replied Malling, sitting down by
+the table.
+
+"What about my cup of tea, then?" snapped Stepton.
+
+"I will be your host. I'm here till to-morrow. Any interesting
+manifestations?"
+
+"A rat or two and a hysterical kitchen-maid seem to be the responsible
+agents in the building up of the reputation of the house I kept awake
+in last night."
+
+"I believe I have a more interesting problem for you."
+
+The professor stretched out a sinewy hand.
+
+"Cambridge marmalade! Most encouraging!" he muttered. "Have the reverend
+gentlemen of St. Joseph's been at it again--successfully?"
+
+"I want you to judge."
+
+And thereupon Malling laid the case faithfully before the professor,
+describing not only the dinner in Hornton Street and his interview with
+Lady Sophia, but also the two sermons he had heard at St. Joseph's, and
+the rector's lamentable outburst of the previous night. This last, having
+a remarkably retentive memory, he reproduced in the main in Mr. Harding's
+own words, omitting only the rector's reference to his moral lapses.
+During the whole time he was speaking Stepton was closely engaged with
+the Cambridge marmalade, and showed no symptoms of attention to anything
+else. When he ceased, Stepton remarked:
+
+"Really, clergymen are far more to be depended upon for valuable
+manifestations than a rat or two and a hysterical kitchen-maid. Come
+to my room, Malling."
+
+The professor had a bedroom facing the sea. He led Malling to it, shut
+the door, gave Malling a cane chair, sat down himself, in a peculiar,
+crab-like posture, upon the bed, and said:
+
+"Now give me as minute a psychological study of the former and actual
+Henry Chichester as you can."
+
+Malling complied with this request as lucidly and tersely as he could,
+wasting no words.
+
+"Any unusual change in his outward man since you knew him two years ago?"
+asked the professor, when he had finished.
+
+Malling mentioned the question as to the curate's eyes and mouth which
+had risen in his mind, and added:
+
+"But the character of the man is so changed that it may have suggestioned
+me into feeling as if there were physical change in him, too."
+
+"More than would be inevitable in any man in a couple of years. And now
+as to his digestive organs."
+
+"Good heavens!" exclaimed Malling.
+
+The apparent vagaries of his companion very seldom surprised him, but
+this time he was completely taken aback.
+
+"Are they what they were? Assuming, on your part, a knowledge of what
+they were."
+
+"I don't know either in what condition they are now, or in what condition
+they were once."
+
+"Ah! Now I must draw up a report about last night. I'll come for that cup
+of tea to Minors--might almost as well have been Majors, even granting
+the military flavor--about five."
+
+Malling took his departure.
+
+At a quarter to five he heard the click of the garden gate, and looking
+out at the latticed window of the hall, he saw the professor walking
+sidewise up the path, with a shawl round his shoulders. He went to let
+him in, and took him into the tiny drawing-room.
+
+"An odd shell for Harding!" observed the professor. "More suitable to a
+bantam than to a Cochin-China!"
+
+"It doesn't belong to him."
+
+"Nor he to it. Very wise and right of him to go back to Onslow Gardens."
+
+A maid brought in the tea, and the professor, spread strangely forth in a
+small, chintz-covered arm-chair, enjoyed it while he talked about oysters
+and oyster-beds. He was deeply interested in the oysters of Whitstable,
+and held forth almost romantically on their birth and upbringing, the
+fattening, the packing, the selling, and the eating of them--"with lemon,
+not vinegar, mind! To eat vinegar with a Whitstable native is as vicious
+as to offer a libation of catchup at the altar of a meadow mushroom just
+picked up out of the dew."
+
+Malling did not attempt to turn his mind from edibles. The professor had
+to be let alone. When tea was finished and cleared away, he observed:
+
+"And now, Malling, what is your view? Do you look upon it as a case of
+transferred personality? I rather gathered from your general tone that
+you were mentally drifting in that direction."
+
+"But are there such cases? Of double transfer, I mean?"
+
+"Personally I have never verified one. When you spoke of the reverend
+gentlemen for the first time, I said, 'Study the link!' There will be
+development in the link if--all the rest of it."
+
+"There has been development, as I told you. The link is on his side now."
+
+"That's remarkable, undoubtedly. Has it ever struck you that Harding was
+almost too successful a clergyman to be a genuinely holy man?"
+
+"What do you mean?"
+
+"There's a modesty in holiness that is hardly adapted to catch smart
+women."
+
+"You used to go to hear Harding preach."
+
+"And d'you know why I liked his sermons?"
+
+"Why?"
+
+"Because he understood doubt so well. That amused me. But the man who has
+such a comprehensive understanding of skepticism, is very seldom a true
+believer. One thing, though, Harding certainly does believe in, judging
+by a sermon I once heard him preach."
+
+"And that is?"
+
+"Manicheism. Chichester, you say, was a saint?"
+
+"He was, if a man can be a saint who has a certain amiable weakness of
+character."
+
+"And now? You think he would be a difficult customer to tackle now?"
+
+"Harding finds him so."
+
+"And Harding was an overwhelming chap, cocksure of himself. Chichester
+must be difficult. Shall I tackle him?"
+
+"I wish you would. But how? Do you wish me to introduce him to you?"
+
+"Let me see."
+
+The professor dropped his head and remained silent for a minute or two.
+
+"Tell me something," he at length remarked, lifting his head and assuming
+his most terrier-like aspect. "Do you think Harding a whited sepulcher?"
+
+"Possibly."
+
+"And do you think his saintly curate has found it out?"
+
+"Do you think that would supply a natural explanation of the mystery?"
+
+"Should you prefer to search for it in that malefic region which is the
+abiding-place of nervous dyspepsia?"
+
+"How could--"
+
+"Acute nervous dyspepsia, complicated by a series of sittings under the
+rose, might eat away the most brazen self-confidence. That's as certain
+as that I wear whiskers and you don't. Shall we do an addition sum? Shall
+we add Chichester's discovery of secret lapses in his worshiped rector's
+life, to the nervous dyspepsia and the sittings? Shall we do that?"
+
+"And Lady Sophia?"
+
+"There's a sunflower type of woman. The rising sun can't escape her
+inevitable worship."
+
+"The change in Harding may be a natural one. But there is something
+portentous in the change in Chichester," said Malling. "You know I'm
+a rather cool hand, and certainly not inclined to easy credulity. But
+there's something about Chichester which--well, Professor, I'll make a
+confession to you that isn't a pleasant one for any man to make. There's
+something about Chichester which shakes my nerves."
+
+"And you haven't got nervous dyspepsia?"
+
+"Should I be even a meliorist--as I am--if I had?"
+
+"I must know Chichester. It's a pity I didn't know him formerly."
+
+"I don't believe that matters," said Malling, with intense conviction.
+"There is that in him which must strike you and affect you, whether you
+knew him as he was or not."
+
+"So long as I don't turn tail and run from him, all's well. I will
+tackle Chichester. In the interests of science I will face this curate.
+But how shall I approach him? As in golf, the approach is much, if not
+everything."
+
+He sat thinking for some minutes, with his eyebrows twitching. Then he
+said:
+
+"The question is, Should the approach be casual or direct? Shall I
+describe a curve, or come to him as the crow comes when making for a
+given point--or is said to come, for I've never investigated that
+matter? What do you say?"
+
+"It's very difficult to say. On the day I dined in Hornton Street,
+Chichester certainly wanted to tell me something. He asked me to dine,
+I am almost sure, in order that he might tell it to me."
+
+"About the sittings with Harding, no doubt."
+
+"That, perhaps, and something more."
+
+"But he told you nothing."
+
+"Directly."
+
+"Do you think he would be more or less likely to unbosom himself now than
+he was then?"
+
+"Less likely."
+
+"You might give me his address."
+
+Malling did so. The professor wrote the address down on a slip of paper,
+pinned the slip carefully to the yellow lining of his jacket, and then
+got up to go.
+
+But Malling detained him.
+
+"Professor," he said, speaking with an unusual hesitation, "you know why
+I told you all this."
+
+"In the interests of science?"
+
+"No, in the interest of that miserable man, Marcus Harding. I want you
+to break the link that binds him to Henry Chichester--if there is one.
+I want you to effect his release."
+
+"I'm afraid you've come to the wrong man," returned Stepton, dryly. "My
+object in entering into this matter is merely to increase my knowledge,
+not to destroy my chance of increasing it."
+
+"But surely--"
+
+"We shall never get forward if we move in the midst of a fog of pity and
+sentiment."
+
+Malling said no more; but as he watched the professor shambling to the
+garden gate, he felt as if he had betrayed Marcus Harding.
+
+
+
+
+X
+
+
+Soon after Malling had returned to London, he received the following note
+from Mr. Harding:
+
+_Onslow Gardens_, June --th.
+
+_Dear Mr. Malling:_
+
+I seem to have some remembrance of your saying to me at Tankerton that
+you wished to speak to Professor Stepton with regard to a certain matter.
+I may be wrong in my recollection. If, however, I am right, I now beg
+you not to speak to the professor. I have, of course, the very highest
+regard for his discretion; nevertheless, one must not be selfish. One
+must not think only of one's self. I have obligations to others, and I
+fear, when we were together at Tankerton, I forgot them. A word of
+assurance from you that Professor Stepton knows nothing of our
+conversation will set at rest the mind of
+
+Yours sincerely,
+
+_Marcus Harding._
+
+As soon as he had read this communication, Malling realized that he
+had been right in his supposition that a new reserve was growing up
+in Henry Chichester. He was aware of Chichester's reserve in the letter
+of the rector. He was aware, too, of the latter's situation as he had
+never been aware of it before. Often a trifle illuminates a life, as a
+search-light brings some distant place from the darkness into a fierce
+radiance that makes it seem near. So it was now.
+
+"Poor Harding!" thought Malling, with an unusual softness. "But this
+letter comes too late."
+
+What answer should he return to the rector? He hated insincerity, but on
+this occasion he stooped to it. He had not only the fear of Stepton upon
+him; he had also the desire not to add to the deep misery of Marcus
+Harding. This was his answer:
+
+_Cadogan Square_, June --.
+
+_Dear Mr. Harding:_
+
+In reply to your letter, I will not now repeat our conversation of the
+other evening to Professor Stepton. He is, as you say, a man of the
+highest discretion, and should you feel inclined yourself to take him
+into your confidence at any time, I think you will not regret it.
+
+Yours sincerely,
+
+_Evelyn Malling_.
+
+As he put this note into an envelope, Malling said to himself:
+
+"Some day I'll let him know I deceived him; I'll let him know I had
+already told the professor."
+
+Two or three days later Malling heard of the professor having been at a
+party in Piccadilly at which Lady Sophia was a guest.
+
+"And do you know, really,"--Malling's informant, a lively married woman,
+concluded,--"those old scientific men are quite as bad as any of the boys
+who only want to have a good time. The professor sat in Lady Sophia's
+pocket the whole evening! Literally in her pocket!"
+
+"I didn't know modern women had pockets," returned Malling.
+
+"They don't, of course; but you know what I mean."
+
+Malling understood that the professor was beginning his "approach."
+
+A week went by, and at a man's dinner, Malling chanced to sit next to
+Blandford Sikes, one of the most noted physicians of the day. In the
+course of conversation the doctor remarked:
+
+"Is your friend Stepton going to set up in Harley Street?"
+
+"Not that I know of," said Malling. "What makes you ask?"
+
+"He came to consult me the other day, and when I told him he was as sound
+as Big Ben he sat with me for over half an hour pumping me unmercifully
+on the subject of nervous dyspepsia. The patient who followed, and who
+happened to be a clergyman, looked fairly sick when he was let in at
+last."
+
+Who happened to be a clergyman! Malling had longed to ask Blandford
+Sikes a question--who that clergyman was. But he refrained. To do so,
+would doubtless have seemed oddly inquisitive. It was surely enough for
+him to know that the professor was busily at work in his peculiar way.
+And Malling thought again of that "approach." Evidently the professor
+must be describing the curve he had spoken of. When would he arrive at
+Henry Chichester? There were moments when Malling felt irritated by
+Stepton's silence. That it was emulated by Marcus Harding, Lady Sophia,
+and Henry Chichester did not make matters easier for him. However, he
+had deliberately chosen to put this strange affair into Stepton's hands.
+Stepton had shown no special alacrity with regard to the matter. Malling
+felt that he could do nothing now but wait.
+
+He waited.
+
+Now and then rumors reached him of Marcus Harding's fading powers, now
+and then he heard people discussing one of Henry Chichester's "remarkable
+sermons," now and then in society some feminine gossip murmuring that
+"Sophia Harding seems to be perfectly sick of that husband of hers. She
+probably wishes now that she had taken all her people's advice and
+refused him. Of course if he had been made a _bishop_!"
+
+The season ended. Goodwood was over, and Malling went off to Munich and
+Bayreuth for music. Then he made a walking-tour with friends in the
+Oberammergau district, and returned to England only when the ruddy
+banners of autumn were streaming over the land.
+
+Still there was no communication from the professor. Malling might of
+course have written to him or sought him. He preferred to possess his
+soul in patience. Stepton was an arbitrary personage, and the last man
+in the world to consent to a process of pumping.
+
+Meanwhile Stepton had forgotten all about Malling. He was full of work
+of various kinds, but the work that most interested him was connected
+with the reverend gentlemen of St. Joseph's. As Malling surmised, he had
+lost little time in beginning his "approach," and that approach had been
+rather circuitous. He had taken his own advice and studied the link.
+This done, the intricate and fascinating subject of nervous dyspepsia
+had claimed his undivided attention. When he had finished his prolonged
+interview with Blandford Sikes, sidling back to the waiting-room to
+gather up various impedimenta, he had encountered the unfortunate
+clergyman whom he had kept waiting. Marcus Harding was the man. They
+exchanged only a couple of words, but the sight of the flaccid bulk,
+the hanging cheeks and hands, the eyes in which dwelt a sort of faded
+despair, whipped up into keen alertness every faculty of the professor's
+mind. As he walked into Cavendish Square he muttered to himself:
+
+"I never saw a clergyman look more promising for investigation, by Jove!
+Never! There's something in it. Malling was not entirely wrong. There's
+certainly something in it."
+
+But what? Now for Henry Chichester!
+
+Stepton was by nature unemotional, but he was an implicit believer in
+the hysteria of others, and he thought clergymen, as a class, more liable
+to that malady than other classes of men. Curates, being as a rule young
+clergymen, were, in his view, specially subject to the inroads of the
+cloudy complaint, which causes the mind to see mountains where only
+mole-hills exist, and to appreciate anything more readily and accurately
+than the naked truth. Henry Chichester was young and he was a curate.
+He was therefore likely to be emotional and to be attracted by the
+mysterious, more especially since he had recently been knocking on
+its door, according to Malling's statement.
+
+After a good deal of thought, the professor resolved to cast aside
+convention, and to make Chichester's acquaintance without any
+introduction; indeed, with the maximum of informality.
+
+He learned something about Chichester's habits, and managed to meet him
+several times when he was walking from the daily service at St. Joseph's
+to his rooms in Hornton Street. In this walk Chichester passed the South
+Kensington Museum. What more natural than that the professor should
+chance to be coming out of it?
+
+The first time they met, Stepton looked at the curate casually, the
+second time more sharply, the third time with scrutiny. He knew how to
+make a crescendo. The curate noticed it, as of course the professor
+intended. He did not know who Stepton was, but he began to wonder about
+this birdlike, sharp-looking man, who evidently took an interest in him.
+And presently his wonder changed into suspicion. This again accorded with
+the professor's intention.
+
+One day, after the even-song at St. Joseph's, Stepton saw flit across
+the face of the curate, whom he was meeting, a flicker of something
+like fear. The two men passed each other, and immediately, like one
+irresistibly compelled, the professor looked back. As he did so,
+Chichester also turned round to spy upon this unknown. Encountering
+the gaze of the professor, he started, flushed scarlet, and pursued his
+way, walking with a quickened step.
+
+The professor went homeward, chuckling.
+
+"To-day's Tuesday," he thought. "By Saturday, at latest, he'll have
+spoken to me. He'll have to speak to me to relieve the tension of his
+nerve-ganglions."
+
+Chichester did not wait till Saturday. On Friday afternoon, coming
+suddenly upon Stepton at a corner, he stopped abruptly, and said:
+
+"May I ask if you want anything of me?"
+
+"Sir!" barked Stepton. "Mr. Chichester!"
+
+"You know my name?" said the curate.
+
+"And probably you know mine--Professor Stepton."
+
+A relief that was evidently intense dawned in the curate's face.
+
+"You are Professor Stepton! You are Mr. Malling's friend!"
+
+"Exactly. Good day."
+
+And the professor marched on.
+
+Chichester did not follow, but the next day, on the pavement not far from
+the museum, he stopped once more in front of the professor with a "Good
+afternoon."
+
+"Good day," said Stepton.
+
+"Since you know who I am," began the curate, "and I have heard so much of
+you, I hope you will forgive me for asking you something."
+
+"Certainly."
+
+"What is it in me which has attracted your attention?"
+
+"I wish I knew," returned the professor.
+
+"You wish you knew! Do you mean that you don't know?"
+
+"I don't know at all."
+
+"But--but--you--I was not wrong in feeling sure that you were--that
+something in me had aroused your attention?"
+
+"Not wrong at all; but 'something' is not the word."
+
+"What is the word?"
+
+"Everything. Everything in you rouses my attention, Mr. Chichester. But
+I can't think why."
+
+"Did you know I was Mr. Harding's curate the first time you met me?"
+
+"Yes; I had seen you at St. Joseph's once or twice when I came to hear
+your rector preach. You didn't interest me at all then, I'm bound to
+say."
+
+Chichester stood in silence for a minute. Then he said:
+
+"I might walk a little way back with you, if you have no objection."
+
+Stepton jerked his head in assent. And so the acquaintance of these two
+men was begun. Their first conversation was a delight to the professor.
+After a short silence the curate said:
+
+"I could not help seeing each time we have met how your attention was
+fastened upon me."
+
+"Just so," rejoined Stepton, making no apology.
+
+"And I really think," continued Chichester, with a sort of pressure--"I
+really think I am entitled to ask for some explanation of the matter."
+
+"Certainly you are."
+
+"Well?" He paused, then said again, "Well, Professor Stepton?"
+
+"I'm afraid I've nothing to tell you, I like to stick to facts."
+
+"I only ask you for facts."
+
+"The facts amount to very little. Coming from the museum I ran across
+a man. You were the man. My attention was riveted at once. I said to
+myself, 'I must see that man again.' Next day I took my chance. I had
+luck. You were there at pretty much the same hour."
+
+"I always come from St. Joseph's--"
+
+"Exactly. And so it's happened on several days. And that's all I have to
+tell you."
+
+"But surely you can indicate why--"
+
+"No, I can't. All I can say is that for some reason, quite inexplicable
+by me, if I had come upon you in a crowd of a thousand, I should have had
+to attend to you."
+
+"That's very strange," said Chichester, in a low voice; "very strange
+indeed."
+
+"There's a reason for it, of course. There's a reason for everything, but
+very often it isn't found." At this point the professor thrust his head
+toward Chichester, and added, "you can't tell me the reason, I suppose?"
+
+Chichester looked much startled and taken aback.
+
+"I--oh, no!"
+
+"Then we must get along in the dark and make the best of it."
+
+Having said this, the professor abruptly dismissed the subject and began
+to talk of other things. When he chose he could be almost charming.
+He chose on this occasion. And when at last he hailed a bus, declaring
+that he was due at home, Chichester expressed a hope that some day
+he would find himself in Hornton Street, and visit number 4a.
+
+The professor assented, and was carried westward.
+
+Several days passed, but he did not find himself near Horton Street, and
+he had ceased to visit the South Kensington Museum. Then the curate
+wrote and invited him to tea. Despite a pretence at indifference in the
+phraseology of the note, the professor discovered a deep anxiety in the
+writing. Among other things he had studied, and minutely, graphology.
+
+He sat down and very politely refused the invitation.
+
+Then Chichester came to call on him, and caught him at home.
+
+It was six o'clock in the evening, and the heavens were opened. Agnes,
+the Scotch parlor-maid who claimed to have second sight, opened the door
+to Chichester, who, speaking from beneath a dripping umbrella, inquired
+for the professor.
+
+"He's in, sir, but he's busy."
+
+"Could you take him my card?"
+
+Agnes took it, much to her own surprise, and carried it to the
+professor's study.
+
+"A gentleman, sir."
+
+"I told you, Agnes--"
+
+"I couldn't say no to him, sir."
+
+"Why not? Here!" he took the card.
+
+"Why not?" he repeated, when he had read the name.
+
+"It wasn't in me to, sir."
+
+"Well, then I shall have to see him. Show him up. But never again will
+I call you by the proud name of Cerberus."
+
+So, putting the onus upon Agnes, the professor yielded, murmuring to
+himself:
+
+"It wasn't in her to! Very expressive! And Cerberus, by the way, was
+always ready to let 'em in. It was when they wanted to get out that--Good
+evening. I hope you don't mind climbing."
+
+"Thank you, no," said Chichester.
+
+"Sit down."
+
+"I am afraid I disturb you."
+
+"I'm bound to say you do. But what does it matter?"
+
+"As you didn't find your way to Hornton Street, I thought I would
+venture."
+
+"Very good of you. This is a soft chair."
+
+Chichester sat down. It had been evident to Stepton from the moment
+when his visitor came in that he was in great agony of mind. There was
+in his face a sort of still and abject misery which Stepton thought
+exceedingly promising. As he turned round, leaning his sharp elbow on
+his writing-table, Stepton was considering how to exploit this misery
+for the furthering of his purpose.
+
+"I want you to tell me something," Chichester began. "I want to know
+why your attention was first attracted to me. I feel sure that you must
+be able to give a reason. What is it?"
+
+"Well, now, I wish I could," returned Stepton.
+
+To himself he gave the swift admonition, "Play for hysteria, and see what
+comes of it."
+
+"I wish I could; but it's a mystery to me. But now--let's see."
+
+He knitted his heavy brows.
+
+"A long while ago I picked a man out, met him in a crowd, at the Crystal
+Palace, followed him about, couldn't get away from him. That same evening
+he was killed on the underground. I read of it in the paper, went to see
+the body, and there was my man."
+
+"Do you claim to have some special faculty?" asked Chichester.
+
+"Oh, dear, no. Besides, you haven't been killed on the underground--yet."
+
+A curious expression that seemed mingled of disappointment and of
+contempt passed across Chichester's face. Stepton saw it and told
+himself, "No hysteria."
+
+"Possibly the reason may be a more intellectual one," observed the
+professor. "I hear you have been preaching some very remarkable sermons.
+I haven't heard them. Still, others who have may have 'suggestioned' me.
+Three quarters of any man's fame, you know, are due to mere suggestion."
+
+"You're not the man to be the prey of that, I fancy--not the easy prey,
+at any rate."
+
+"Then we're left again with no explanation at all, unless, as I believe
+I hinted once before, you can give us one."
+
+Chichester looked down; without raising his eyes he presently said in a
+constrained voice:
+
+"If I were to give you one you might not accept it."
+
+"Probably not," said Stepton, briskly. "In my life I've been offered a
+great many explanations, and I'm bound to say I've accepted remarkably
+few."
+
+Chichester looked up quickly, and with the air of a man nettled.
+
+"You'll forgive me, I hope, for saying that you scientific men very often
+seem to have a great contempt for those who are more mystically minded,"
+he observed.
+
+"I've hit the line!" thought Stepton, with a touch of exultation, as he
+dropped out a negligent, "Forgive you--of course."
+
+"I dare say it seems to you extraordinary that any man should be able
+to be a clergyman, genuinely believing what he professes and what he
+preaches."
+
+"Very few things seem to me extraordinary."
+
+"Perhaps because you are skeptical of so much in which others believe."
+
+"That may be it. Quite likely."
+
+"And yet isn't there a saying of Newton's, 'A little science sends man
+far away from God, a great deal of science brings man back to God?'
+You'll forgive the apparent rudeness. All I mean is--"
+
+"That the sooner I try to get more science the better for me," snapped
+out Stepton, brusquely interrupting his visitor, but without heat.
+"Let me tell you that I pass the greater part of my time in that very
+effort--to acquire more exact knowledge than I possess. Well--now then!
+Now then!"
+
+Turning round still more toward the curate he looked almost as if he were
+about to "square up" to him. A dry aggressiveness informed him, and his
+voice had a rasping timbre as he continued:
+
+"But I decline to take leaps in the dark like--" Here he mentioned a
+well-known man of science--"and I decline to reject evidence like--" Here
+he named a professor even more famous.
+
+The mention of the last name evidently excited Chichester's curiosity.
+
+"What evidence has he rejected?" he exclaimed.
+
+"Last week he held a sitting to examine the pretensions of Mrs. Groeber,
+the German medium. Westcott was also present, a man on whose word the
+very devil--if there is such a person, which I don't yet know--would
+rely. Some apparently remarkable phenomena occurred.--" Here he mentioned
+the professor--"was convinced that they could only have been brought
+about by supernormal means. Unfortunately, or fortunately, Westcott had
+seen the trickery which produced them. When the séance was over he
+explained what it was to ----. What did this _so-called_ man of science
+do? Refused to accept Westcott's evidence, clung to his own ridiculous
+belief,--savage's fetish belief, nothing more,--and will include the
+Groeber manifestations as evidence of supernormal powers in his next
+volume. And I say, I say"--he raised his forefinger--"that clergymen are
+doing much the same thing pretty nearly every day of their lives. Seek
+for truth quietly, inexorably, and you may get it; but don't prod men
+into falsehood, or try to, as you've been trying to in this very room."
+
+"I!" cried out Chichester.
+
+"You. I told you I had no reason to give you as to why you attracted my
+attention in the street. Were you satisfied with that? Not at all. You
+must needs come here,--very glad to see you!--and say, 'I feel sure you
+must be able to give me a reason. What is it?' You clamor for a lie.
+And that's what men are perpetually doing--clamoring for lies. And they
+get 'em, from clergymen, from mediums, from so-called scientific men,
+and from the dear delightful politicians. There now!"
+
+And the professor dropped his forefinger and flung himself back in his
+chair.
+
+"And"--Chichester in his turn leaned forward, but he spoke with some
+hesitation--"and suppose I were to tell you a truth, a strange, an
+amazing truth?"
+
+He paused.
+
+"Go on!" said the professor.
+
+"Wouldn't you do just the opposite? You say men accept lies. I say you
+would probably reject truth."
+
+"_Cela dépend_. What you believed to be truth might not be truth at
+all. It might be hysteria, it might be nervous dyspepsia, it might be
+overwork, it might be a dozen things."
+
+"Just what I say," exclaimed Chichester. "Men of science delight in
+nothing so much as in finding excuses for rejecting the greatest truths."
+
+"Do you mean the greatest truths in the possession of Anglican
+clergymen?"
+
+"I dare say you think it impossible that a clergyman should know more
+than a scientific man?"
+
+"Oh, no. But he's out for faith, and I happen to be out for facts. I like
+hard facts that can be set down with a fountain-pen in my note-book, and
+that, taken together, are convincing to all men of reasonable intellect.
+Very dull, no doubt; but there you have it. Clergymen, as a rule, move in
+what are called lofty regions--the realms of heart, conscience, and what
+not. Now, I'm very fond of the region of gray matter--gray matter."
+
+"And yet you are one of the chief of the investigators in the field of
+psychical research."
+
+"Do you think there's no room for pencil and note-book there? What about
+Podmore,--there's a loss!--and a dozen others? Psychic matters have got
+to be lifted out of the hands of credulous fetish-worshiping fools, and
+the sooner the better."
+
+"It's easy to call people credulous," said Chichester, with decided heat.
+"By being so readily contemptuous, Professor Stepton, you may often keep
+back evidence that might be of inestimable value to your cause. A man in
+possession of a great truth may keep it to himself for fear of being
+laughed at or called a liar."
+
+"Then all I can say is that he's a coward--an arrant abject coward."
+
+Chichester sat in silence. Again he was looking down. Now that his eyes
+were hidden by their drooping lids, and that he was no longer speaking,
+the sadness of his aspect seemed more profound. It dignified his rather
+insignificant features. It even seemed, in some mysterious way, to infuse
+power into his slight and unimportant figure. After sitting thus for
+perhaps three minutes he raised his head and got up from his chair.
+
+"I must not take up your time any longer," he said. "It was very good of
+you to see me at all." He held out his hand, which Stepton took, and
+added, "I'll just say one thing."
+
+"Do!"
+
+"It isn't always cowardice which causes a man to keep a secret--a secret
+which might be of value to the world."
+
+"I never said it was."
+
+"No; but still--you spoke just now of my sermons. I preached one not very
+long ago which I have typed myself. If I send it to you do you think you
+could find time to read it?"
+
+"Certainly."
+
+"I will send it, then. Good night."
+
+"I'll come down with you."
+
+The professor let Chichester out. The rain was still falling in torrents.
+Shrouded in his mackintosh, protected by his umbrella, the curate walked
+away. Looking after him, Stepton thought:
+
+"Very odd! It isn't only in the face. Even the figure, all covered up and
+umbrella-roofed, seems to have something--he'll send me the sermon of the
+man and his double to-morrow."
+
+And on the morrow that sermon came by the first post. Having read it, the
+professor promptly returned it to Chichester with the following note:
+
+_The White House, Westminster.
+
+Dear Mr. Chichester:_
+
+Very glad to have had the opportunity of reading your interesting
+discourse. If I had not known it was yours, and a sermon, I should have
+said "a posthumous work of Robert Louis Stevenson." It does credit to
+your imagination. If you care to publish, I should suggest "The
+Cornhill." I know nothing about their terms.
+
+Yours faithfully,
+
+_G.R.E. Stepton._
+
+By return of post, there came an urgent invitation to the professor to
+visit Chichester's rooms in Hornton Street, "to continue a discussion
+which has a special interest for me at this moment."
+
+"Discussion!" thought Stepton, sitting down to accept, "What my man wants
+is for me to goad him into revelation; and I'll do it."
+
+The professor knew enough of psychology to be aware that in the very
+depths of the human heart there is a desire which may perhaps be called
+socialistic--the desire to share truth with one's fellow-men. Chichester
+was scourged by this desire. But whether what he wished to share was
+truth, or only what he believed to be truth, was the question. Anyhow,
+Stepton was determined to make him speak. And he set off to Hornton
+Street little doubting that he would find means to carry his
+determination into effect.
+
+He arrived about half-past five. He did not turn the corner into
+Kensington High Street on his homeward way until darkness had fallen,
+having passed through some of the most extraordinary moments that had
+ever been his.
+
+When he was shown into the curate's sitting-room, his first remark was:
+
+"Sent that very interesting story to 'The Cornhill' yet?"
+
+"I don't think you quite understand, Professor," replied Chichester.
+"I did not type it with a view to sending it in anywhere for publication.
+You'll have tea with me, I hope? Here it is, all ready."
+
+"Thank you."
+
+"Oh, Ellen!"
+
+Chichester went to the door, and Stepton heard the words, "Nobody, you
+understand," following on a subdued murmuring.
+
+"And Mr. Harding, sir?" said the maid's voice outside.
+
+"Mr. Harding won't come to-day. That will do, Ellen."
+
+The professor heard steps descending. His host shut the door and
+returned.
+
+"You typed it for your own use?" said Stepton.
+
+"That sermon? Yes. I wished to keep it by me as a record."
+
+He sat down, and poured out the tea.
+
+"A record of an imagined experience. Exactly. Then why not publish?"
+
+"It is not fiction."
+
+"Well, it isn't fact."
+
+The professor drank his tea, looking at his host narrowly over the cup.
+
+"Do you say such an experience as that described in my sermon is
+impossible?"
+
+"Do you say it is possible?"
+
+"If I were to say so would you believe me?"
+
+"Certainly not, unless I could make an investigation and personally
+satisfy myself that what you said was true. You wouldn't expect anything
+else, I'm sure."
+
+"You can believe nothing on the mere word of another?"
+
+"Very little. I am an investigator. I look for proof."
+
+"With your pencil in one hand, your note-book in the other."
+
+In Chichester's last remark there was a note of sarcasm which thoroughly
+roused Stepton, for it sounded like the sarcasm of knowledge addressed
+to ignorance. Stepton had a temper. This touch of superiority, not
+vulgar, but very definite, fell on it like a lash.
+
+"Now I'll go for the reverend gentleman of St. Joseph's!" he thought.
+
+And for a moment he forgot his aim in remembering himself. Afterward,
+in thinking matters over, he offered a pinch of incense at the altar
+of his egoism.
+
+"So, the modern clergyman still believes in slip-slop, does he?" he
+exclaimed in his most aggressive manner. "Even now hasn't he learnt the
+value of the matter-of-fact? The clergyman is the doctor of the soul,
+isn't he? And the doctor, isn't he the clergyman of the body? I wonder,
+I do wonder, how long the average doctor would keep together his practice
+if he worked with no more precision than the average clergyman. The
+contempt of the pencil and note-book! The contempt of proper care in
+getting together and coordinating facts! The contempt of proof--the
+appeal to reason! And so we get to the contempt of reason. And let me
+tell you--" he struck the tea-table with his lean hand till the curate's
+cups jumped--"that scarcely ever have I heard a sermon in which was not
+to be found somewhere the preacher's contempt for reason, the bread of
+the intellect of man."
+
+"The soul is not the intellect."
+
+"Don't you think it higher?"
+
+"I do."
+
+"And so you put it on slops!"
+
+The professor got up from his chair, and began to sidle up and down the
+small room.
+
+"You put it on slops, as if it were a thing with a disordered stomach.
+That's your way of showing it respect. You approach the shrine with an
+offering of water gruel. Now look ye here!"--The professor paused beside
+the tea-table--"The soul wants its bread, depends upon it, as much as
+the body, and the church that is free with the loaves is the church to
+get a real hold on real men. Flummery is no good to anybody. Rhetoric's
+no good to anybody. Claptrap and slipslop only make heads swim and
+stomachs turn. The pencil and note-book, observation and the taking down
+of it, these bring knowledge to the doors of men. And when you sneer at
+them, you sneer at bread, on the eating of which--or its equivalent,
+basis-nourishment--life depends."
+
+"I wonder whether you, and such as you, really know on what the true life
+of the soul depends," said Chichester, with an almost dreadful quietness.
+
+The professor sat down again.
+
+"Such as I?" he said. "You are good enough to do me the honor of putting
+me in a class?"
+
+"As you have so far honored me," returned Chichester.
+
+"Ha!" ejaculated Stepton.
+
+He had quite got the better of his egoism, but he by no means regretted
+his outburst.
+
+"Do you claim to stand outside the ranks of the clergy?" he asked.
+
+"Do you claim to stand outside the ranks of the scientists?"
+
+"Oh, dear, no. And now--you?"
+
+Chichester said nothing for a moment. Then, lifting up his head, and
+gazing at the professor with a sort of sternness of determination, he
+said:
+
+"Remember this! You yourself told me that in a crowd of a thousand you
+must have fixed your attention on me."
+
+For a moment the professor had it in his mind to say that this statement
+of his had been a lie invented to make an impression on Chichester. But
+he resisted the temptation to score--and lose. He preferred not to score,
+and to win, if possible.
+
+"I did," he said.
+
+"Could this be so if I were like other men, other clergymen?"
+
+"Well, then, what is the mighty difference between you and your reverend
+brethren--between you, let us say, and your rector, Mr. Harding?"
+
+Very casually and jerkily the professor threw out this question.
+
+Not casually did Chichester receive it. He moved almost like a man who
+had been unexpectedly struck, then seemed to recover himself, and to
+nerve himself for some ordeal. Leaning forward, and holding the edge of
+the table with one hand, he said:
+
+"How well do you know Mr. Harding?"
+
+"Pretty well. Not intimately."
+
+"You have seen him since he--altered?"
+
+"I saw him only the other day when I was at a specialist's in Harley
+Street."
+
+"A specialist's?"
+
+"For nervous dyspepsia."
+
+Again the look of contempt flickered over Chichester's face.
+
+"Do you think the alteration in Mr. Harding may be due to nervous
+dyspepsia?"
+
+"Probably. There are few maladies that so sap the self-confidence of a
+man."
+
+Chichester laughed.
+
+For the first time since he had entered the little room the professor
+felt a cold sensation of creeping uneasiness.
+
+"Apparently you don't agree with me," he said.
+
+"I am not a doctor, and I know very little about that matter."
+
+"Then I'm bound to say I don't know what you find to laugh at."
+
+"For a man who has spent so much time in psychical research you seem to
+have a rather material outlook upon--"
+
+"Mr. Harding?"
+
+"And all that he represents."
+
+"Suppose we stick to Mr. Harding," said the professor, grittily. "He is
+typical enough, even if you are not."
+
+"In what respect do you consider Mr. Harding typical?"
+
+"I am speaking of the Harding before the fall into the abysses of nervous
+dyspepsia."
+
+"Very well. In what respects was Mr. Harding typical?"
+
+"In the sublime self-confidence with which he proclaimed as facts, things
+that have never been proved to be facts."
+
+"Do men want facts?" said Chichester, almost as one speaking alone to
+himself.
+
+"I do. I want nothing else. Possibly Mr.
+Harding had none to give me. I don't blame
+him."
+
+"Perhaps it is a greater thing to give men faith than to give them
+facts."
+
+"Give them the first by giving them the second, if you can! And that,
+by the way, is the last thing the average clergyman is able to do."
+
+Chichester sat silent for nearly a minute looking at the professor with a
+strange expression, almost fiery, yet meditative, as if he were trying to
+appraise him, were weighing him in a balance.
+
+"Professor," he said at last, "I suppose your passion for facts has led
+men to put a great deal of faith in you. Hasn't it?"
+
+"I dare say my word carries some weight. I really don't know," responded
+Stepton, with an odd hint of something like modesty.
+
+"I had thought of Malling first," almost murmured Chichester.
+
+"What's that about Malling?"
+
+"I think he would have accepted what I have to give more readily than you
+would. There seems to me something in him which stretches out arms toward
+those things in which mystics believe. In you there seems to me something
+which would almost rather repel such things."
+
+"I beg your pardon. I am quiescent. I neither seek to summon nor to
+repel."
+
+"I couldn't tell Malling," said Chichester. "His readiness stopped me. It
+struck me like a blow."
+
+"Malling prides himself on being severely neutral in mind."
+
+"And you on being skeptical?"
+
+"I await facts."
+
+"Shall I give you some strange facts, the strangest perhaps you have ever
+met with?"
+
+Stepton smiled dryly.
+
+"You'll forgive me, but some such remark has been the prelude to so many
+figments."
+
+"Figments?"
+
+"Of the imagination."
+
+An expression of anger--almost like a noble anger it seemed--transformed
+Chichester's face. It was as a fine wrath which looked down from a
+height, and in an instant it melted into pity.
+
+"How much you must have missed because of your skepticism!" he said. "But
+I shall not let it affect me. You are a man of note-book and pencil. Will
+you promise me one thing? Will you give me your word not to share what I
+shall tell you with any one, unless, later on, I am willing that you
+should?"
+
+"Oh, dear, yes!" said the professor.
+
+And again he smiled. For even now he believed the curate to be wavering,
+swayed by conflicting emotions, and felt sure that a flick of the whip
+to his egoism would be likely to hasten the coming of what he, the
+professor, wanted.
+
+A loud call rose up from the street. A wandering vender of something
+was crying his ware. In his voice was a sound of fierce melancholy.
+Chichester went to the window and shut it down.
+
+"I wish it was night," he said as he turned.
+
+The professor jerked out his watch.
+
+"It must be getting late," he observed. "Past six! by Jove!"
+
+He made an abrupt movement.
+
+"What?" said Chichester. "You are going!"
+
+He came up to the table.
+
+"Sometimes I think," he said, "that men hate and dread nothing as they
+hate and dread facts which may upset the theories they cherish."
+
+"You're perfectly right. Well, very glad to have seen you in your
+own room." The professor got up. "By their rooms shall ye know them."
+He glanced round.
+
+"Ah, I see you have Rossetti's delightfully anemic Madonna, and Holman
+Hunt's 'Light of the World.' A day or two ago I was talking to a lady
+who pronounced that--" he extended his finger toward the Hunt--"the
+greatest work of art produced in the last hundred years. Her reason?
+Its comforting quality. I am sure you agree with her. Good-by."
+
+He made a sidling movement toward the door. Perhaps it was that movement
+which finally decided the curate to speak.
+
+"Professor," he said, "I don't want you to go yet."
+
+"Why not?" jerked out Stepton, with one hand on the door-knob.
+
+"You collect 'cases.' I have a case for you. You are a skeptic: you say
+men should be brought to faith by facts. Sit down. I will give you some
+facts."
+
+The professor came slowly back, looking dry and cold, and sat down by the
+table, facing the Rossetti Madonna.
+
+"Always ready for facts," he said.
+
+
+
+
+XI
+
+
+"You have heard of doubles, of course, Professor?" said Chichester,
+leaning his arms on the table and putting his hands one against the
+other, as if making a physical effort to be very calm.
+
+"Of course. There was an account of one in that sermon of yours."
+
+"Have you ever seen a double?"
+
+"No; not to my knowledge."
+
+"I suppose you disbelieve in them?"
+
+"I have no reason to believe in them. I have not collected enough
+evidence to convince me that there are such manifestations."
+
+"You know a double at this moment."
+
+"Do I, indeed? And may I ask the manifestation's name?"
+
+"Marcus Harding."
+
+"Marcus Harding is a double, you say. Whose?"
+
+"Mine," said Chichester in a low voice.
+
+He clasped and unclasped his hands.
+
+"I don't understand you," said Stepton, rather disdainfully.
+
+"I will try to make you." And Chichester began to speak, at first in a
+low, level voice. "That sermon of mine," he said, "was a sort of shadow
+of a truth that I wanted to reveal,--that I dared not fully reveal.
+Already I had tried to tell Evelyn Malling something of it. I had failed.
+When the moment came, when Malling was actually before me, I could not
+speak out. His mind was trying to track the truth that was in me. He
+got, as it were, upon the trail. Once he even struck into the truth. Then
+he went away to Marcus Harding. I remained in London. When I knew that
+those two were together I felt a sort of jealous fear of Malling. For
+there was pity in him. Despite his intense curiosity he had a capacity
+for pity. I realized that it might possibly interfere with--with
+something that I was doing. And I recalled Marcus Harding to London.
+From that moment I have avoided Malling. I could never tell him. But you,
+hard searcher after truth as you are--you could never find it in you to
+drag away another from the contemplation of truth. Could you? Could you?"
+
+"Probably not," said Stepton. "I usually let folks alone even when
+they're glaring at falsehood. Ha!"
+
+He settled himself in his chair, looking sidewise toward Chichester.
+
+"You, like every one else, have noticed the tremendous change in Marcus
+Harding," Chichester went on. "That change, the whole of that change, is
+solely owing to me."
+
+"Very glad to have your explanation of that."
+
+"I am going to give it you. The beginning of that change came about
+through the action of Marcus Harding. He wished for facts that are,
+perhaps,--indeed, probably,--withheld deliberately from the cognizance
+of man. You have sneered at those who live by faith, you have sneered at
+priests. Well, you can let that Marcus Harding go free of your sarcasm.
+Although a clergyman he was not a faithful man. And he wanted facts to
+convince him that there was a life beyond the grave. Henry Chichester--"
+
+"You! You!" interjected Stepton, harshly.
+
+"I, then, came into his life. He thought he would use me to further his
+purpose. He constrained me to sittings such as you have often taken part
+in, with a view to sending me into a trance and employing me, when in
+that condition, as a means of communication with the other world--if
+there was one. We sat secretly in this room, at this table."
+
+"You need not give me ordinary details of your sittings," said the
+professor. "I am familiar with them, of course."
+
+"Henry Chichester--"
+
+"You! You! Don't complicate matters!"
+
+"I never was entranced; but presently I felt myself changing subtly."
+
+"People very often imagine they are developing into something wonderful
+at séances. Nothing new in that."
+
+"Please try to realize the facts of my case without assuming that it
+resembles a thousand others. I believe, I feel sure, that it resembles no
+other case that has come under your observation. To grasp it you must
+grasp the characters of two men, Marcus Harding as he was--and myself,
+as I was."
+
+"Put them before me, then."
+
+"That Marcus Harding you knew. He was the type of the man who, sublimely
+self-confident, imposes his view of himself upon other men and especially
+upon women. He had strength--strength of body and strength of mind. And
+he had the strength which a devouring ambition sheds through a man. A
+fine type of the worldly clergyman he was, of the ardent climber up
+the ladder of preferment. To him the church was a career, and he meant
+to succeed in it. If he had to begin as a curate he meant to end as a
+bishop, perhaps as an archbishop. And he had will to help him, and
+vitality to help him, and the sort of talent that brings quick notice
+on a man. And he had also a woman to help him, his wife, Lady Sophia.
+He chose well when he chose her for his helpmate, though he may not think
+so now. He should have been content with what he had. But he wanted more,
+and he thought he might perhaps get what he wanted through me. Marcus
+Harding was a full-blooded type of the clerical autocrat. I once was an
+equally complete type of the clerical slave--slave to conscience, slave
+to humble-mindedness, slave to my rector as soon as I knew him.
+
+"St. Francis of Assisi was the character I worshiped. I strove after
+simple goodness. I desired no glories of this world, no praises of men.
+I did not wish to be clever or to shine, but only to do my duty to my
+fellow-men, and so toward God. When I was first to make the acquaintance
+of Marcus Harding, with a view to becoming his senior curate if he
+thought fit, I felt some alarm. I had heard so much of his great energy
+and his remarkable talents. The day came. I paid my visit to Onslow
+Gardens. For the first time I saw--" Chichester paused. His face became
+distorted. He turned toward the window as if anxious to hide his face
+from the professor's small, keen eyes. "I saw--that man," he continued,
+in a withdrawn and husky voice, and still looking away.
+
+Stepton sat motionless and silent, sidewise, with his arms hanging.
+
+Chichester, after another long pause, again faced him.
+
+"My very first impression was unfavorable. I attributed this to his
+great size, which had startled me. I now know I was wrong in thinking
+I took that impression from the outer man. It was the inner man who in
+that moment announced himself to me. But almost instantly he had surely
+withdrawn himself very far away, and I, then, had no means of following
+him. So he escaped from me, and I fell under the influence that Marcus
+Harding was able to exert at will.
+
+"I was dominated. Buoyancy, life, energy, self-confidence, radiated from
+that man. He steeped me in his vigor. He seemed kind, cordial. He won my
+heart. My intellect, of course, was dazzled. But--he won my heart. And I
+felt not only, 'Here is a man far greater than myself to whom I can look
+up,' but also, 'Here is a man to whom I must look up, because he is far
+better than myself.' At that interview it was settled that I should
+become senior curate at St. Joseph's.
+
+"As you know, I became, and still am, senior curate. As I grew to know
+Marcus Harding better I admired him more. In fact, my feeling for him
+was something greater than admiration. I almost worshiped him. His will
+was law to me in everything. His slightest wish I regarded as a behest.
+His talents amazed me. But I thought him not only the cleverest, but the
+best of men. It seemed to me right that such a man should be autocratic.
+A beneficent autocracy became my ideal of government. That my rector's
+will should be law to his wife, his servants, his curates, his organist,
+his choir, to those attached to his schools, to those who benefited by
+the charities he organized, seemed to me more than right and proper. I
+could have wished to see it law to all the world. If any one ventured
+to question any decision of his, or to speak a word against him, I felt
+almost hot with anger. In a word, I was at his feet, as the small and
+humble-minded man often is at the feet of the man who has talents and
+who is gifted with ambition and supreme self-confidence.
+
+"For a long time this condition of things continued, and I was happy in
+it. Probably it might have continued till now, if--if that accursed idea
+had not come to Marcus Harding."
+
+Again Chichester paused. In speaking he had evidently become gradually
+less aware of his companion's presence and personality. His subject
+had gripped him. Memory had grown warm within him. He lived in the days
+that were past.
+
+"That accursed idea," he repeated slowly, "to use me as his tool in an
+endeavor to break down the barrier which divides men from the other
+world.
+
+"As I told you, we began to sit secretly. Marcus Harding wished me to
+fall into the entranced condition. I did not know this at first, so at
+first I did not consciously resist his desire. He had told me a lie. He
+had told me that he desired only one thing in our sittings, to give to
+me something of the will power that made him a force in the world. He had
+declared that this was possible. I believed him unquestioningly. I
+thought he was trying to send some of his power into me. Soon I felt that
+he was succeeding in this supposed endeavor. Soon I felt that a strange
+new power was filtering into me."
+
+Chichester fixed his eyes on Stepton as he said the last words, and
+seemed to emerge from his former condition of self-absorption.
+
+"You have sat often. Have you ever felt such a sensation? It is like
+growth," he said.
+
+"When one first begins to sit at séances, one is apt to imagine all sorts
+of things in the darkness," returned Stepton. "I dare say I did, like
+other folk."
+
+"I understand," said Chichester, with a sort of strange condescension.
+"You think I was merely the victim of absurdity. The sense of this coming
+of power grew slowly, but steadily, within me. And presently it was
+complicated by another development, which involved--or began to involve,
+let me say at this point--my companion, Marcus Harding. I think I ought
+to tell you that in beginning the sittings I had had certain doubts,
+which were swept away by my admiration of, and faith in, my rector.
+Hitherto I had always thought that our human knowledge was deliberately
+limited by God, and that it was very wrong to strive to know too much.
+The man of science no doubt believes that it is impossible to know too
+much; but I have thought that many great truths are kept from us because
+we are not yet in a condition properly to understand them. I had,
+therefore, begun these practices with a certain tremor, and possibly a
+certain feeling of resistance, in the depths of my soul. As I felt the
+power coming to me I had put away my fears. They did not return. Yet
+surely the new development within me, of which I now became aware, was
+connected with those fears, however subtly. It was a sensation almost of
+hostility directed against Marcus Harding."
+
+"Ah, now!" ejaculated the professor, as if in despite of himself. "And
+where's the connection you speak of?"
+
+"Marcus Harding had constrained me to do a thing that in my soul I had
+believed to be wrong and that had roused my fear. As power dawned in me,
+directing itself upon everything about me, it was instinctively hostile
+to him who had dominated me before I had any power, and who, by
+dominating me, had for a moment made me afraid."
+
+"Retrospective enmity! Very well!" muttered the professor. "I understand
+you. Keep on!"
+
+"This hostility--if I may call a feeling at first not very definite by
+so definite a name--induced in me a critical attitude of mind. I found
+myself, to my surprise, secretly criticizing the man whom till now I had
+regarded as altogether beyond the reach of criticism. I felt that Marcus
+Harding was giving me power. I was grateful to him for doing so; yet I
+began to see him in a new, and at moments an unpleasant light. Presently,
+after trying in vain to combat this novel sensation, which seemed to me
+almost treacherous, almost disloyal, I sought about for a reason, to give
+myself at least some justification for it. I sought, and one night it
+seemed to me that I found.
+
+"On that night I was more than ever aware that strength of some kind was
+pouring into me. I had an almost heady sensation, such as one who drinks
+a generous wine may experience. When we rose from the table I told my
+rector so. He stared at me very strangely. Then he said: 'Good! Good!
+Didn't I tell you I would give you some of my power?' He paused. Then he
+added: 'It will come! It must come!' As he spoke the last words he
+frowned, and all his face seemed to harden, as if he were making a
+violent mental effort to which the body was obliged to respond. And at
+that instant I was aware that the reason Marcus Harding had given to me
+to persuade me to these sittings was not the true one, that his purpose
+was quite other than that which I had hitherto supposed it to be. I was
+suddenly aware of this, and I thought: 'I must already have been aware of
+it subconsciously, and that accounts for my sensation of hostility toward
+the rector.' A lie had been told to me. My new self-confidence resented
+this; and I said to myself, 'If Marcus Harding can tell a lie to me, who
+almost worshiped him, he must be an arrant hypocrite.'
+
+"We sat again, and again I knew that there was something in the mind
+of my companion which he concealed from me, something to which I should
+strongly object if I knew what it was, something which troubled the
+atmosphere, the mental atmosphere, of the sitting. Instead of being
+in accord, we were engaged in a silent, but violent, struggle. I was
+determined not to be overcome. A sort of fierce desire for tyranny
+sprang up in me. I longed to see Marcus Harding at my feet.
+
+"Again and again we sat. My hostile feeling grew. My critical feeling
+grew. My longing to tyrannize increased, till I was almost afraid of it,
+so cruel did I feel it to be. 'Down! Down under my feet!' That was what
+my soul was secretly saying now to the man whose will had been as law to
+me. And one night, as if he heard that ugly voice of my soul, he abruptly
+got up from the table and said: 'It seems to me that you and I are not
+_en rapport_. It seems to me that no more good can come of these
+sittings. We had better not sit again."
+
+"We must sit again," I replied.
+
+"Marcus Harding turned scarlet with anger. He looked at me. He opened his
+lips to speak. I let him speak. I even argued the question with him. I
+pointed out to him that his only design--the only design acknowledged by
+him, at any rate, in beginning these practices--had been to give me
+strength such as, he had declared to me, he himself had drawn while at
+Oxford from a Hindu comrade. In carrying out this design, I now told him,
+he was being successful. I felt that I was growing in power of will, in
+self-confidence. How, then, could he refuse to continue when success was
+already in sight? 'Unless,' I concluded, 'you had some other design in
+persuading me to sit, which I did in the first instance against my
+secret desire, and you feel that there is now no probability of carrying
+that design into effect.'
+
+"He gave in. I had him beaten. Hastily he muttered a good-night and left
+me. I let him out into the night. As soon as the street door had shut on
+him I ran upstairs. I went to that window,--" Chichester flung out his
+hand--"pushed it up, leaned out, and watched him down the street. I saw
+him pass under a gas-lamp and I said to myself: 'You have submitted to my
+will, and you shall submit again. I am the master now.'
+
+"In that moment all the domination which I had so joyously endured, which
+I had even surely reveled in,--for there are those who can revel in their
+slavery,--abruptly became in my mind a reason for revenge. Marcus Harding
+disappeared in the night; but still I leaned out, staring down the way he
+had gone, and thinking, 'You shall pay me back for it. You shall pay me
+back.'
+
+"From that night I made no effort to check the critical faculty, the
+exercise of which at first had seemed to me a sort of treachery. And as
+I let myself criticize, I saw more clearly. The scales fell from my eyes.
+I realized that I had been nothing less than blind in regard to Marcus
+Harding. I saw him now as he was, a victim of egomania, a worldling,
+tyrannical, falsely sentimental, and unfaithful steward, a liar--perhaps
+even an unbeliever. His whole desire--I knew it now--was not to be good,
+but to be successful. His charity, his pity for the poor, his generosity,
+his care for his church, for his schools--all was pretence. I saw Marcus
+Harding as he was. And what followed?"
+
+Chichester leaned forward to the professor.
+
+"Fear followed," he said in a withdrawn voice.
+
+"Fear!" said Stepton, clearing his throat with a loud, rasping noise.
+
+"Whenever I was with Marcus Harding in any public place I was now
+companioned by fear. I dreaded unspeakably lest others should begin to
+see what I saw. When he preached, I could hardly sit to listen: I felt
+as if any shame falling upon him would overwhelm me also. I strove in
+vain to combat this strange, this, then, inexplicable sensation. With
+every sitting this terror grew upon me. It tortured me. It obsessed me.
+It drove me into action. When I was with my rector, I tried perpetually
+to prevent him from exposing his true self to the world, by changing
+the conversation, by attenuating his remarks, by covering up his actions
+with my own, sometimes even by a brusque interruption. But in the pulpit
+he escaped from me. I was forced to sit silent and to listen while he
+preached doctrine in which he had no belief, and put forward theories
+of salvation, redemption by faith, and the like, which meant less than
+nothing to him. Finding this presently unendurable by me, I strove to
+govern him mentally when he was in the pulpit, to track him, as it were,
+with my mind, to head him off with my mind when he was beginning to take
+the wrong path."
+
+"Did you succeed in that effort?" interrupted the professor.
+
+"I made an impression, a terrible impression, upon him. I almost broke
+him down. I sapped his self-confidence. His power as a preacher deserted
+him, as his power outside the pulpit deserted him. With every day I felt
+that I saw more clearly into every recess, every cranny, of his mind and
+nature. Just at first this frightfully clear sight was mine only when we
+were sitting; but presently it was mine whenever I was with him. And he
+knew it, and went in fear of me. Gradually, very gradually, it came about
+that our former positions were reversed; for as he sank down in the human
+scale, I mounted. As he lost in power, I gained. And especially in the
+pulpit I felt that now I had force, that I could grip my hearers, could
+make a mighty impression upon those with whom I was brought into contact.
+
+"But I must tell you that now I gained no satisfaction from my own
+improvement, if so it may be called. My whole life was vitiated by my
+secret terror lest Marcus Harding should be found out, should ever be
+known for what he was. His actions, and even his thoughts, affected me
+with an intimacy that was inexplicable."
+
+"You were in telepathic communication with him!" interjected Stepton.
+
+"Call it so if you like. Often I felt what he was thinking, almost as if
+each thought of his were a hand laid upon me--a hand from which I shrank
+with an almost trembling repugnance. Sometimes when he thought something
+contemptible or evil, I shrank as if from a blow.
+
+"There was a link between us. Presently, soon, I knew it. We seemed in
+some dreadful way to belong to each other, so that whatever was thought,
+said, done by him, whatever happened to him, reacted upon me.
+
+"At this time Lady Sophia Harding hated me with a deadly hatred. Formerly
+she had been indifferent to me. Concentrated upon her husband, adoring
+him, vain of him, greedily ambitious for his advancement, she had had no
+time to bestow on a clerical nonentity. But as I grew to understand
+what her husband really was she grew to hate me. She was almost rude to
+me. She spoke ill of me behind my back. She even tried to oust me from my
+position as senior curate of St. Joseph's. Why did not she succeed? Are
+you thinking that?"
+
+"Well, what if I was?" snapped the professor, moving in his chair.
+
+"Marcus Harding could not make a move to get rid of me. There was a link
+between us which he could not even try to break.
+
+"One night--one night--I discovered what that link was."
+
+It was growing dark in the room. The Rossetti Madonna, thin, anemic,
+with hanging hair, seemed fading away on the somber, green wall. The
+window-panes looked spectral and white. The faint murmur of the city
+sounded a little deeper and much sadder than in the light of day.
+Stepton was aware of a furtive but strong desire for artificial light in
+the room, but he did not choose to mention it. And Chichester, whose
+voice--so it seemed to his hearer--began to have that peculiar almost
+alarming timbre which belongs to a voice speaking not for the ears of
+another, but for the satisfaction only of the soul which it expresses,
+continued his narrative, or confession, as if unaware of the dying of
+day.
+
+"During the day which preceded it I had been haunted by the thought of
+myself doing what Marcus Harding could not do. Why should not I of my own
+will leave St. Joseph's, get away from this dreadful contemplation which
+obsessed me, from this continual anxiety--almost amounting to terror at
+moments--which gnawed me? Why should not I break this mysterious link,
+impalpable yet strong? If I did, should I not again find peace? But my
+sittings with Marcus Harding would be at an end. Could I give them up?
+I asked myself that, and I felt as if I could not. Through them, by means
+of them, I felt as if I might attain to something wonderful--terrible
+perhaps, but wonderful. I felt as if I were approaching the threshold of
+absolute truth. A voice within me whispered, 'Go no further.' Was it the
+voice of conscience? I did not heed it. Something irresistible urged me
+forward. I thrust away from me with a sort of crude mental violence the
+haunting thought. And when the darkness came I greeted it.
+
+"For he came with the darkness."
+
+On the wall opposite to the professor the thin Madonna faded away.
+
+"As I heard his heavy step on the stairs that night I said to myself, 'At
+all hazards I will see, I will know, more. I will see, I will know--all.'
+When he entered at that door"--a thin darkness moved in the darkness as
+Chichester pointed--"he was dreadfully white and looked sad, almost
+terrified. He suggested that we should break through our plan and not
+sit. I refused. He then said he wished to sit in light. I refused. He was
+become my creature. He dared not disobey my desires! We placed our hands
+on this table, not touching. I could no longer endure the touch of his
+hand. We remained motionless. A long time passed. There were no rappings.
+A strange deadness seemed to prevail in the room. Presently it faded
+away, and I had the sensation that I was sitting quite alone.
+
+"At first it seemed to me that my companion must have crept out of the
+room silently, leaving me by myself in the darkness. I shuddered at the
+thought that I was alone. But then I said to myself that Marcus Harding
+must be there in the blackness opposite to me, and I moved my hands
+furtively on the table, thinking to prove his presence to myself by
+touch. I did not prove it. Suddenly I had no need to touch him in order
+to know that he was there."
+
+"Why not?" said the professor, and started at the sound of his own voice
+in the little room.
+
+"Something made me realize that he was still within the room.
+Nevertheless, I felt that I was alone. How could that be? I asked myself
+that question. This answer came as it were sluggishly into my mind, 'You
+are alone not because Marcus Harding is away, but because Henry
+Chichester is away.' For a long while I sat there stagnantly dwelling on
+this knowledge which had come to me in the blackness. It was as if I knew
+without understanding, as a man may know he is involved in a catastrophe
+without realizing how it has affected his own fate. And then slowly there
+came to me, or grew in me, an understanding of how I was alone. I was
+alone with Marcus Harding at that moment because I was Marcus Harding. A
+shutter seemed to slide back softly, and for the first time I, Marcus
+Harding, stared upon myself out of the body of another man, of Henry
+Chichester. I was alone with my soul double. Motionless, silent, I gazed
+upon it. Now I understood why I had been tortured with anxiety lest
+the world should learn to comprehend Marcus Harding as I comprehended
+him. Now I understood why neither he nor I had been able to break that
+mysterious link which our sittings had forged between us. I had been
+trying ignorantly to protect myself, to conceal my own shortcomings, to
+cover my own nakedness. I had sweated with fear lest my own truth should
+be discovered by all those to whom for so many years I had been
+presenting a lie. Yes, I had sweated with fear; but even then how little
+I had known! A voice cried out suddenly, 'Turn on the light!' It was
+the voice of my double. It seemed to awake, or to recall perhaps,--how
+can I say?--Henry Chichester. I was aware of a shock; it seemed strongly
+physical. I got up at once and turned the light on. Marcus Harding was
+before me, trembling, ashen. 'What is it? What has happened?' he said in
+a broken voice. I made no reply. He left me. I heard his step in the
+street--out there!"
+
+Chichester was silent. The professor said nothing for a moment, but
+passed his tongue twice over his lips and swallowed, sighing immediately
+afterward.
+
+"Transferred personality!" he muttered--"transferred personality. Is that
+what you'd have me believe?"
+
+"I'll tell you the rest. When Marcus Harding's steps died away down the
+street I remained here. Since that shock I have spoken of, I felt that I
+was again Henry Chichester, changed, as I had long been changed--charged
+with new force, new knowledge, new discrimination, new power over others,
+gifted with a penetrating vision into the very soul of the man I had
+worshiped, yet Henry Chichester. And as Henry Chichester I suffered; I
+condemned myself. This I said to myself that night, 'I was determined to
+see. I disregarded the voice within me which warned me that I was
+treading a forbidden path. God has punished me. He has allowed me to see.
+But this shall be the end. I will never sit again. I will give up my
+curacy. I will leave St. Joseph's at once. Never more will I set eyes on
+Marcus Harding.' I was in a condition of fierce excitement--"
+
+"Ah, exactly," muttered the professor, almost as if consoled--"fierce
+excitement!"
+
+"I could not think of sleep. For a long time I remained in here,
+sitting, standing, pacing, opening books; I scarcely know what I did
+or did not do. At last a sensation of terrible exhaustion crept over me.
+I undressed. I threw myself on my bed. I tried to sleep. I turned,
+shifted, got up, let in more air, again lay down, lay resolutely still
+in the dark, tried not to think. But always my mind dwelt on that matter.
+In those few frightful moments what had become of myself, of Henry
+Chichester? Had the powerful personality of that man whom once I had
+almost worshiped thrust him away, submerged him, stricken him down in a
+sort of deathlike trance? What I had seen I remembered now as Henry
+Chichester. What I had known in those moments I still knew now as Henry
+Chichester. In vain I revolved this matter in my feverish mind. It was
+too much for me. I was in deep waters.
+
+"I closed my eyes. The fatigue wrapped me more closely. Sleep at last was
+surely drawing near. But suddenly I knew--how I cannot exactly say--that
+once more the shutter was to be drawn back for me. This knowledge
+resembled a horrible physical sensation. The entry of it into my mind, or
+indeed into my very soul, was as the dawning of a dreadful and unnatural
+pain in the body. This pain increased till it became agony. Although I
+still lay motionless, I felt like one involved in a furious struggle in
+which the whole sum of me took violent part. And there came to me the
+simile of a man seized by tremendous hands, and held before a window
+opening into a room in which something frightful was about to take place.
+And the shutter slipped back from the window.
+
+"Again I looked upon myself. That was my exact sensation. The shutter
+drawn back, I assisted at the spectacle of Marcus Harding's life. And it
+was my life. I knew with such frightful intimacy that my knowledge was as
+vision. Therefore, I say, I saw. Not only my spirit seemed to be gazing,
+but also my bodily eyes.
+
+"I saw myself in the night slowly approaching my house in Onslow Gardens,
+ashen pale, shaken, terrified. At a corner I passed a policeman. He knew
+me and saluted me with respect. I made no gesture in response. He stared
+at me in surprise. Then a smile came into his face--the smile of a man
+who is suddenly able to think much less of another than he thought
+before. I left him smiling thus, reached my house, and stood before it.
+
+"Now I must tell you, and I rely absolutely on your regarding this as
+said in the strictest, most inviolable confidence--"
+
+"Certainly. Word of honor, and so forth!" said the professor, quickly and
+sharply.
+
+"I must tell you that Marcus Harding is a sinner, and not merely in the
+sense in which all men are sinners. There have been recurring moments in
+his life when he has committed actions which, if publicly known, would
+ruin him in the eyes of the world and put an end to his career. As I
+looked at myself standing before my house, I saw that I was hesitating
+whether to go in with my misery, or whether to seek for it the hideous
+alleviation of my beloved sin.
+
+"Professor,"--it seemed to Stepton at this moment as if Chichester's
+voice loomed upon him out of the darkness by which they were now
+enshrouded,--"it has been said that nothing shocks a man so terribly as
+the sight of his body-double; that to see what appears to be himself,
+even if only standing at a window or sitting before a fire, causes
+in a man a physical horror which seems to strike to the very roots of his
+physical being. I looked now upon my soul-double, piercing the fleshly
+envelop and it was my very soul that sweated and turned cold. For I
+perceived the dreadful action which, if known, would certainly ruin me,
+being committed by the spirit. The slavish body had not yet bowed down
+and done its part; but it was about to obey the impulse of the spirit.
+Slowly the body turned away from its home. The spirit was driving it. The
+demon with the whip was at work in the night. I looked till the dawn
+came. And only when at last my double crept, like a thief, into its
+house, did sleep take me for a little while--sleep that was alive with
+nightmare."
+
+Chichester was silent. The professor heard him breathing quickly, saw
+him, almost as a shadow just shown by the faint light that entered from
+the street through the two small windows, clasp and unclasp his hands,
+touch his forehead, his eyelids, move in his chair, like a man profoundly
+stirred and unable to be at ease.
+
+"When I woke," he continued, after a long pause, which the professor did
+not break by a word or a movement, "I woke to combat. As I told you, I
+had resolved at once to resign my curacy, and never to see that man
+again. In the light of the morning I sat down to write my letter of
+resignation; but I could not do it. A fearful compulsion to remain was
+upon me. I wrote a few words. I stopped, tore the note up, began again.
+But writing was impossible. Then I resolved to visit Marcus Harding and
+to tell him that I must go. I went to his house. He was at home. When I
+saw him I told him that I wished him to sit again that night. He strove
+to refuse. He did not understand the truth, but he was terrified. I
+ordered him to come to my rooms that night, and left him. As I was going
+away I met Lady Sophia. To my amazement, she stopped me, spoke to me
+kindly, even more than kindly, looked at me with an expression in her
+eyes that almost frightened me. I said to myself, 'But those are a
+slave's eyes!' as I left her. Never before had any woman looked at me
+like that. In that moment, I think, she began to turn from him toward
+me, to forsake weakness for strength. Yes, I say strength. I was rent by
+the tumult within me, but I had strength. I have it now. For, despite
+his hypocrisy, his unbelief, his active sinning, Marcus Harding had been
+a strong man. And even Henry Chichester, with all his humbleness, his
+readiness to yield to others, to think nothing of himself, had had the
+strength that belongs to purity of soul. And then there is the strength
+the soul draws from looking upon truth. There was strength, there is now,
+for the woman to follow. And instinct has surely guided her. She does
+not, she cannot know. And yet instinct sends her in search of the
+strength."
+
+"What do you mean by that? What do you claim?"
+
+"You read that sermon?"
+
+"I did."
+
+"Don't you understand? I am that man at the window. He did not flee
+away. He could not. He was, he is, compelled to remain. He watches that
+dreadful life. And the other within the room is fading. The strength,
+the authority, the power, are coming to me. Every sitting broadens that
+bridge across which the deserters are passing. When I preached that
+sermon my congregation sat as if numbed by terror. And he in the choir
+listened, never moving. I saw his spirit, dazed, stretching out to grasp
+the truth, slipping back powerless to do it. It was like a thing moving
+through the gloom of deep waters--of deep, deep waters."
+
+Again Chichester's voice died away. In the silence that followed the
+professor heard the faint ticking of a clock. He had not noticed it
+before. He could not tell now whether it came from within the room or
+from the room behind the folding-doors. It seemed to him as if this
+ticking destroyed his power to think clearly, as if it threw his brain
+into an unwonted confusion which made him feel strangely powerless. He
+was aware of a great uneasiness approaching, if not actually amounting to
+fear. This uneasiness made him long for light. Yet he knew that he
+dreaded light; for he was aware of an almost unconquerable reluctance to
+look upon the face of his companion. Beset by conflicting desires,
+therefore, and the prey of unwonted emotion, he sat like one paralyzed,
+listening always to the faint ticking of the clock, and striving to
+reduce what was almost like chaos to order in his brain.
+
+"Why have you selected me to be the hearer of this--this very
+extraordinary statement?" he forced himself at length to say prosaically.
+The sound of his own dry voice somewhat reassured him, and he added:
+"Though there is nothing very extraordinary in the facts you have
+related. Telepathic communication between one mind and another is a
+commonplace of to-day, an old story. Every one of course accepts it as
+possible. What novelty do you claim to present to startle science?"
+
+"I say that telepathy does not explain the link between Marcus Harding
+and myself."
+
+The professor struck his hand on the table. It seemed to him that if only
+he could get into an argument this strange confusion and fear might leave
+him. He would be on familiar ground.
+
+"What you call vision might be merely mind-reading, what you call
+perceiving the action of the spirit, mind-reading. Your terror lest
+others should find out bad truths about Marcus Harding would spring
+naturally enough from your lingering regard for him. Your acute anxiety
+when he is preaching arises of course from the fact that, owing to bodily
+causes, no doubt, his mental powers are failing him, and he is no longer
+able to do himself justice."
+
+"You don't understand. What I desired in our sittings was to draw into
+myself strength, power, will from--him. What have I done? I have drawn
+into myself the very man. That night when the shutter slipped back he
+looked out from the body of Henry Chichester. His mind worked, his soul
+was alive, within the cage of another man. And meanwhile Henry Chichester
+lay as if submerged, but presently stirred, and, however feebly, lived
+again. He lives now. But not from him comes my frightful comprehension of
+Marcus Harding. Not him does Marcus Harding fear. Not to him does she,
+the woman, look with the eyes of a slave. It is not he who dominates the
+crowds in St. Joseph's. It is not he who conceived that sermon of the man
+and his double. It is not he who has sometimes been terribly afraid."
+
+"Afraid! Afraid!"
+
+"There have been moments when I have been moved to snatch my double out
+of the sight of men. That day when we met Evelyn Malling I feared as I
+left them alone together; and when I found Malling intimately there in
+that house, I felt like one coming upon an ambush which might be
+destructive of his safety. My instinct was to detach Malling from my
+double, to attach him to myself. My conduct startled him. I saw that
+plainly. Yet I tried to win him over, as it were, to my side. He came to
+me. I strove to tell him, but something secret prevented me. And
+how could he assist me?"
+
+Chichester got up from the table. The professor saw a darkness moving as
+he went to stand by the empty fireplace.
+
+"I must look on truth," he continued; "I have to. The fascination of
+staring upon the truth of oneself is deadly, but it surpasses all other
+fascination. He sins more often now. I watch him sin. Sometimes under
+my contemplation I see him writhing like a thing in a trap--the semblance
+of myself. How the woman despises him now! Sometimes I feel deeply sad
+at my own ruthlessness. It is frightful to contemplate the physical wreck
+of a being whom, in some strange and hideous way, one always feels to
+be oneself. When I look at him it is as if his fallen face, his hanging
+nerveless hands, his down-drooping figure and eyes lit with despair were
+mine. His poses, his gestures, his physical tricks, they are all mine.
+I watch them with a cold, enveloping disgust, frozen in criticism of
+everything he does, anticipating every movement, every look, hating
+it when it comes, because it is bred out of the remnant of a spirit
+I despise as no man surely has ever despised before. Henry Chichester
+would pity, but he is overborne. He is in me as a drop may be in the
+ocean. I am most aware of him when my double sins. Only last night we
+sat"--Chichester came back to the table, and stood there, very faintly
+relieved against the darkness by the dim light which penetrated through
+the windows--"we sat in the darkness, and more deeply than ever before
+I went down into the darkness. I felt as if I were penetrating into the
+last recesses of a ruined temple. And there, in the ultimate chamber
+crouched all that was left of the inmate, terrified, helpless, and
+ignorant. As I looked upon him I understood why man is never permitted
+really to know himself unless, in an access of mad folly and overweening
+pride, he succeeds in crossing the boundary which to pass is sheer
+wickedness. And I tried to turn away, but I could not--I could not.
+I made a supreme effort. It was in vain.
+
+"I saw him go home. At last he was sick of his sin. There rose within him
+that strange longing for goodness, for purity and rest, that terrible,
+aching desire to be what those who once loved him for long had thought
+him to be, which perhaps never dies in the soul of a human being. Is it
+the instinct of the Creator burning like an undying spark in the created?
+And, as he drew near to his house, there came to him the resolve to
+speak, to acknowledge, to say, 'This is what I am. Know me as I am! Care
+for me still, in spite of what I am!' He went in, and sought her--the
+woman. She was alone. Sleep had not come to her. Perhaps some instinct
+had told her she must wake and be ready for something. Then he gathered
+together the little that was left to him of courage, and he strove to
+tell her, to make her understand some of the truth, to obtain from her
+the greatest of human gifts--the love of one from whom a man has no
+secrets that he can tell.
+
+"She listened for a moment, then she thrust out her hands as if to push
+the truth of him out of her life. And last night she left him--going in
+fear of him."
+
+The professor shook his narrow shoulders, and sprang abruptly to his
+feet. The ticking of the clock now sounded almost like a hammer beating
+in his ears.
+
+"It's time we had some light," he said in rather a loud voice.
+
+The darkness that was Chichester moved. A gleam of light shone in the
+little room, revealing the thin Madonna, "The Light of the World," the
+piano, the neatly bound books of the curate of St. Joseph's; revealing
+Chichester, who now stood facing the professor, white, drawn, lined, but
+with eyes full of almost hideous resolution and power.
+
+"I advise," said the professor--"I advise you from this time forward--"
+
+He stared into the eyes of the man opposite to him, and his voice died
+away in his throat.
+
+When, immediately afterward, he found himself walking hurriedly toward
+Kensington High Street the sweat was pouring down his face.
+
+
+
+
+XII
+
+
+One night of that autumn, driven by an overmastering impulse, Evelyn
+Malling set out toward Kensington. He felt that he must know something
+more of the matter between Marcus Harding and Henry Chichester. Stepton
+still kept silence. Malling had not approached him. But why should he not
+call upon Chichester, an acquaintance, almost a friend? It was true that
+he had resolved, having put the affair into Stepton's hands, to wait. It
+had come to this, then, to-night that he could be patient no longer? As
+he stood at the corner of Hornton Street, he asked himself that question.
+He drew out his watch. It was already past eleven, an unholy hour for an
+unannounced visit. But slowly he turned into Hornton Street, slowly went
+down that quiet thoroughfare till he was opposite to the windows of the
+curate's sitting-room. A light shone in one of them. The rest of the
+house was dark. Even the fanlight above the small front door displayed no
+yellow gleam. No doubt the household had retired to rest and Henry
+Chichester was sitting up alone. A rap would probably bring him down to
+open to his nocturnal visitor. But now Malling bethought himself
+seriously of the lateness of the hour, and paced slowly up and down,
+considering whether to seek speech of the curate or to abandon that idea
+and return to Cadogan Square. As in his mental debate he paused once more
+opposite to the solitary gleam in the first-floor window, an incident
+occurred which startled him, and gave a new bent to his thoughts. It was
+this: The light in the window was obscured for a moment as if by some
+solid body passing before it. Then the window was violently thrown up,
+the large figure of a man, only vaguely perceived by Malling, appeared at
+it, and a choking sound dropped out into the night. The man seemed to be
+leaning out as if in an effort to fill his lungs with air, or to obtain
+the relief of the cool night wind for his distracted nerves. His attitude
+struck Malling as peculiar and desperate. Suddenly he moved. The light
+showed, and Malling saw for an instant a second figure, small, slight,
+commanding. The big man seemed to be sucked back toward the center of the
+room. Down came the window; the tranquil gleam of the light shone as
+before; then abruptly all was dark.
+
+Malling realized at once what was happening in the curate's lodgings. As
+he paused, gazing at the dark house, he knew that the miserable Marcus
+Harding was within, constrained to endure the observation which, to use
+his own hideous but poignant phrase, was "eating him away." It was he who
+had appeared at the window, like a tortured being endeavoring to escape
+into the freedom of the night. It was Henry Chichester who had followed
+him, who had drawn him back, who had plunged him into darkness.
+
+The street was deserted. No policeman passed, regarding him with
+suspicion, and Mailing went on sentinel duty. The dark house fascinated
+him. More than once a desire came to him to make an effort for the
+release of Marcus Harding, to cross the street and to hammer brutally
+at the green door. He recalled Henry Chichester's strange sermon, and
+he felt as if he assisted at the torture of the double, which he himself
+had imaginatively suggested to the two clergymen in Lady Sophia's
+drawing-room. Ought he not to interrupt such a torture?
+
+Midnight struck, and he had not knocked. One o'clock struck; he had paced
+the street, but had never gone out of sight of the curate's door. It was
+nearly two, and Mailing was not far from the High Street end of the
+thoroughfare when he heard a door bang. He turned sharply. A heavy
+uncertain footstep rang on the pavement. Out of the darkness emerged a
+tall figure with bowed head. As it moved slowly forward once or twice it
+swayed, and a wavering arm shot out as if seeking for some support.
+Malling stood where he was till he saw the broad ghastliness of Marcus
+Harding's white face show under the ray of a lamp. He discerned no eyes.
+The eyes of the unhappy man seemed sunken out of recognition in the
+dreadful whiteness of his countenance. The gait was that of one who
+believes himself dogged, and who tries to slink furtively, but who has
+partly lost control of his bodily powers, and who starts in terror at his
+own too heavy and sounding footfalls.
+
+This figure went by Malling, and was lost in the lighted emptiness of the
+High Street. Malling did not follow it. Now he had a great desire, born
+out of his inmost humanity, to speak with Henry Chichester. He made up
+his mind to return to the curate's door: if he saw a light to knock and
+ask for admittance; if the window was dark to go on his way. He retraced
+his steps, looked up, and saw a light. Then it was to be. That man and he
+were to speak together. But as he looked, the light was extinguished.
+Nevertheless he struck upon the door.
+
+No one answered. He struck again, then stepped back into the roadway, and
+looked up at Chichester's window. The curate must surely have heard. Yes,
+for even as Malling gazed the window moved. No light appeared. But after
+a pause a voice above said:
+
+"Is that you, Mr. Harding?"
+
+The dim figure of a man was apparent, standing a little back and half
+concealed by a darkness of drooping curtains.
+
+"It is I--Evelyn Malling," said Malling.
+
+The form at the window started.
+
+"Mr. Malling!" the words came uncertainly. "What is it? Has--has anything
+happened to--why do you want me at such an hour?"
+
+"I chanced to be in your street and saw your light. I thought I would
+give you a hail."
+
+"Do you mean that you want to come in?"
+
+After a short pause Malling answered, "Yes."
+
+"I cannot let you in!" the voice above cried out lamentably.
+
+Then the window was shut very softly.
+
+ * * * * *
+
+Three days later Malling saw in the papers the news of the complete
+breakdown of Marcus Harding. "Nervous prostration," was the name given by
+the doctors to his malady, and it was announced that he had been ordered
+to take a sea voyage, and was preparing to start for Australia with a
+nurse.
+
+Soon afterward Malling was walking in the afternoon down Pall Mall,
+wondering deeply what would happen, whether the rector would ever start
+on that voyage, when he came upon Professor Stepton sidling out of the
+Athenaeum.
+
+"Heard about Harding?" jerked out the professor.
+
+"Yes. Has he sailed for Australia?"
+
+"Dead. Died at half-past three o'clock this morning."
+
+Malling turned cold.
+
+"Poor fellow!" he said. "Poor fellow!"
+
+The professor was drawing his plaid shawl round his shoulders. When it
+was properly adjusted, he began to walk on. Malling kept almost
+mechanically beside him.
+
+"Did you expect this?" Malling asked.
+
+"Well, I knew he was failing."
+
+"And Chichester? Have you seen Chichester since his death?"
+
+"No. Would you like to see him for me?"
+
+Malling was deep in thought and did not answer.
+
+"Do you think?" said the professor, "that Henry Chichester will be
+greatly affected by this death?"
+
+"Affected? Do you mean by grief?"
+
+"Yes."
+
+"I should suppose that to be highly improbable."
+
+The professor shot a very sharp glance at Malling.
+
+"I'm not sure that I agree with you," he observed dryly.
+
+"Have you seen him lately?" asked Malling.
+
+"Not quite recently. But if I had seen him, say, yesterday, I don't think
+that would greatly affect my present dubiety. I should, however, like to
+set that dubiety at rest. Are you busy to-day?"
+
+"No."
+
+"I am. Will you make a little investigation for me? Will you go and pay a
+visit of condolence to Chichester on the death of his rector, and then
+come round to the White House and report?"
+
+"I will if you wish it."
+
+"I shall be in after seven."
+
+"Very well."
+
+"I dare say you will be surprised," observed Stepton. "I see my bus."
+
+Malling left him imperatively waving his arm, and, turning, walked toward
+Kensington.
+
+What were his expectations? He did not know. Stepton had upset his mind.
+As he went on slowly he strove to regain his mental equilibrium. But he
+could not decide exactly what Stepton had meant. He felt inferior to the
+professor as he turned into Hornton Street.
+
+He did not hesitate, but went at once to the curate's door and rapped. No
+one answered. He rapped again, and touched the bell, half hoping, even
+while he did so, that there was no one within to hear.
+
+But an inquiring head appeared in the area, observed, and was sharply
+withdrawn. Steps sounded in the passage, and the maid Ellen presented
+herself, looking somewhat disordered.
+
+"Yes, sir?" she said.
+
+"Is Mr. Chichester at home?"
+
+"He is in, sir, poor gentleman," replied the maid. "Did you want to see
+him?"
+
+"Yes."
+
+"I'm sure I don't know whether he will see you, sir."
+
+"Is he ill?"
+
+"Not to say ill, sir. But haven't you heard?"
+
+"What?"
+
+"His poor rector's gone, sir, what used to come here to visit him so
+regular. I never see a gentleman in such a way. Why, he's so changed I
+don't hardly know him."
+
+"Have you been here long?" said Mailing, abruptly.
+
+"Only six months, sir."
+
+The maid began to look rather astonished.
+
+"And so Mr. Chichester is quite altered by his grief?"
+
+"You never did, sir! He was so firm, wasn't he, above every one! Even his
+rector used to look to him and be guided by him. And now he's as gentle
+and weak almost as a new-born child, as they say."
+
+Malling thought of Stepton. Had he looked forward to some such change?
+
+"Perhaps I could console Mr. Chichester in his grief," he said. "Will you
+take him this card and ask if I can see him? I knew Mr. Harding, too. I
+might be of use, possibly."
+
+"I'll ask him, sir. He's laying down on the bed, I do believe."
+
+Ellen hurried up-stairs with the card. It seemed to Malling that she was
+away for a long time. At last she returned.
+
+"If you please, sir, Mr. Chichester wants to know if it's anything
+important. He's feeling very bad, poor gentleman. But of course if it's
+anything important, he wouldn't for all the world say no."
+
+"It is important."
+
+"Then I was to ask you to walk in, sir, please."
+
+Chichester's sitting-room was empty when Malling came into it, and the
+folding-doors between it and the bedroom were shut. Ellen went away,
+and Malling heard a faint murmur of voices, and then Ellen's footstep
+retreating down the stairs. Silence followed. He waited, at first
+standing. Then he sat down near the piano. Not a sound reached him from
+the bedroom. On the curate's table lay a book. Malling took it up. The
+title was "God's Will be Done." The author was a well-known high-church
+divine, Father Rowton. To him, then, Henry Chichester betook himself for
+comfort. The piano stood open. On it was music. Malling looked and saw,
+"Oh, for the wings, for the wings of a dove!" by Mendelssohn. The little
+room seemed full of pious orthodoxy. Surely its atmosphere was utterly
+changed since Malling last was in it. The melody of "Oh, for the wings!"
+went through his brain. That the Henry Chichester he had recently known,
+that cruel searcher after and expounder of truth, that he should be
+helped by those words, by that melody, in an hour of sorrow!
+
+There was a movement in the bedroom. The folding-doors opened inward,
+and the curate appeared. He was very pale, and looked really ill. His
+face had fallen in. His fair hair was slightly disordered, and his blue
+eyes were surrounded by red rims. His expression suggested that he had
+recently undergone an extremely violent shock, which had shaken badly
+both body and mind. He looked dazed. Coming forward feebly, he held
+out his hand.
+
+"I believe it is something important," he said in a gentle, rather
+wavering voice; "otherwise--I am hardly fit, I fear, to be with my kind.
+I"--He sat down--"I have had a terrible shock, Mr. Malling. You have
+heard?"
+
+"You mean Mr. Harding's death?"
+
+"Yes."
+
+"I have just heard of it."
+
+"It occurred at half-past three o'clock last night, or, rather, this
+morning. He had been declining for a long while. At the last he just
+faded out, as it were. The strange thing is that I knew the exact moment
+when he entered into rest."
+
+"You weren't with him?"
+
+"Oh, no. I was here, asleep. But at three o'clock I awoke. I felt
+violently agitated. I can scarcely describe the sensation. It was
+as if I was torn, as if mind and body, or spirit and body, were torn,
+lacerated. I suffered the greatest conceivable agony. I tried to cry
+out, but I could not. Nor could I move. Then everything suddenly seemed
+to fail, all in a moment, and I was at peace. But it was like the peace
+of death, I think. And I was aware--I don't know how--that Mr. Harding
+was dead. I moved. I looked at my watch. It was a minute after half-past
+three. I noted down the time. And this morning--I heard."
+
+"And then?"
+
+"Only then I understood my loss--the loss to us all. Ah, Mr. Mailing,
+you knew him, but not as I did! Few or none knew him as I did. He was
+the greatest and best of men, full of power, but full of kindness and
+goodness, too. He guided me in everything. I can never tell you how I
+looked up to him, how I trusted him. His judgment was extraordinary, his
+reading of character was unerring. I do believe he knew me better than I
+knew myself. What shall I do without him?"
+
+The curate's grief was almost as genuine and unself-conscious as a
+child's, and Malling felt as if at that moment, like a child, he felt
+himself adrift in a difficult world. His gentle, kindly, but not strong
+face was distorted, but not hardened, by his distress, which seemed
+begging for sympathy. And Malling remembered the Henry Chichester he had
+known some years ago, before the days of St. Joseph's, the saintly but
+rather weak man, beloved by every one, but ruling no one. That man was
+surely before him, and that man knew not how to play a hypocrite's part.
+Yet Malling felt he must test him.
+
+"His death is very sad," he replied; "but surely his powers had been on
+the decline for a long while."
+
+"His powers, but not his capacity for goodness. His patience was
+angelic. Even when the cruelest blow of all fell upon him, even when
+his wife--whom, God forgive me! I don't think some of us can ever
+forgive--even when she deserted him in his hour of need, he never
+complained. He knew it was God's hand upon him, and he submitted.
+He has taught me what true patience is. What I owe to him! What I owe
+to him!"
+
+As if distressed beyond measure, the curate got up, almost wringing his
+thin hands.
+
+"It was he who sacrificed his time for me!" he continued, moving
+restlessly about the room. "But I seem to remember I told you. Didn't I
+tell you--or was it some one else?--how he gave up the hours which should
+have been hours of repose in order that my will might be strengthened,
+that I might be developed into a man more worthy to be his coadjutor?
+When I think, when I remember--"
+
+His light, tenor voice failed. Tears stood in his gentle, blue eyes.
+
+"If I am worth anything at all," he suddenly cried out, "if I have gained
+any force of character, any power for good at all, I owe it all to my
+rector's self-sacrificing endeavors on my behalf--of course, through
+God's blessing."
+
+"Then," said Malling, "you think that Mr. Harding changed you by his
+influence?"
+
+"He helped me to develop, he brought me on. Jealousy was unknown to him.
+I was a very poor preacher. He taught me how to hold people's attention.
+When I knew he was near me I sometimes seemed almost inspired. I was
+inspired by him. I preached almost as if out of his mouth. And now!"
+
+He made a despairing gesture.
+
+"Now it will all be different!" he exclaimed.
+
+And almost involuntarily Malling found himself echoing:
+
+"Yes, now it will all be different."
+
+He had seen, he had heard, enough to make his report to the professor,
+and he resolved to go. He held out his hand.
+
+"Oh, but," said Chichester, pressing one hand to his forehead, "I'm so
+selfish, so forgetful in my great grief! Surely you said you had come
+on some matter of importance."
+
+"It will wait," said Malling. "Another day. Go and rest now. You need
+rest. Any one can see that."
+
+"Thank you, thank you," said Chichester, with quivering lips. "You are
+very thoughtful, very good."
+
+Malling took his hand in farewell. As he did so there was a sharp knock
+at the front door. Chichester started violently.
+
+"Oh, I do hope it is no one for me!" he cried out. "I cannot--"
+
+He opened the door of the sitting-room a little way and listened. Voices
+were audible below, Ellen's voice and another woman's.
+
+"You, ma'am! Oh, of course he will see you!"
+
+"Of course."
+
+"I didn't know who it was, ma'am."
+
+"Is it this way?"
+
+"Yes, ma'am. I'll show you. We do feel it, ma'am. The poor gentleman used
+to come here so often of nights."
+
+"Did he? I didn't know that."
+
+Malling recognized the second voice as Lady Sophia's. A moment, and she
+was ushered into the room. She was dressed in black, but not in widow's
+weeds, and wore a veil which she pushed hastily up as she came in almost
+with a rush. When she saw Malling, for a moment she looked disconcerted.
+
+"Oh, I thought--" she began. She stood still. Chichester said nothing,
+and did not move. Malling went toward her.
+
+"I was very much grieved," he said, "at the news I heard to-day."
+
+She gave him her hand. He knew his words were conventional. How could
+they be anything else? But Lady Sophia's manner in giving him her hand
+was not conventional. She stretched it out without even looking at him.
+She said nothing. Her eyes were fixed upon Chichester, who stood on the
+other side of the little room in a rigid attitude, with his eyes cast
+down, as if he could not bear to see the woman who had just entered.
+
+"I offer you my sympathy," Malling added.
+
+"Sympathy!" said Lady Sophia, with a sharp note in her voice suggestive
+of intense, almost febrile excitement. "Then didn't you know?"
+
+She stared at him, turning her head swiftly.
+
+"Know?"
+
+"That I had left him? Yes, I left him, and now he is dead. Do you expect
+me to be sorry? Well, I am not sorry. Ah, I see you don't understand!"
+
+She made a movement toward Chichester. It was obvious that she was so
+intensely excited that she had lost the power of self-control.
+
+"Nobody understands me but you!" she cried out to Chichester. "You
+knew what he was, you knew what I endured, you know what I must feel
+now. Oh, it's no use pretending. I'm sick of pretence. You have taught me
+to care for absolute truth and only that. My relations, my friends--ah!
+to-day I have been almost suffocated with hypocrisy! And now, when I
+come here--" she flung out her hand toward Mailing--"to get away from it
+all--'grieved,' 'my sympathy!' I can't bear any more of that. Tell him!
+You tell him! You're so strong, so terribly sincere! One can rest upon
+your strength when all else fails one!"
+
+She tottered. For an instant it seemed to Malling that she was going to
+fall against Chichester's shoulder; but she caught at a chair, and saved
+herself.
+
+"Mr. Chichester!" she said, "tell him! Tell him for me!"
+
+"I have nothing to tell him," said Chichester, with a sort of mild,
+almost weak coldness, and wearily.
+
+"Nothing!" She went nearer to him. "But--you don't welcome me!"
+
+Chichester looked up, but immediately cast down his eyes again.
+
+"I cannot," he said. "At this moment I simply cannot."
+
+An expression of terrified surprise transformed Lady Sophia's face. She
+went close up to Chichester, staring at him.
+
+"Why not?" she asked.
+
+"You must know that."
+
+She stood still, always staring at him, as if searching for something
+which she did not find.
+
+"Why not?" she repeated.
+
+"You left--him when he needed you most. You left him to die alone."
+
+Lady Sophia suddenly turned round to Malling and scrutinized his face, as
+if demanding from him sympathy in her horrified amazement. He regarded
+her calmly, and she turned again to the curate.
+
+"What do you mean?" she said, and her voice had changed.
+
+"That his friends can never be yours", said Chichester, as if making a
+great effort, driven to it by some intense feeling.
+
+"You call yourself his friend!" said Lady Sophia. Her voice vibrated with
+scorn.
+
+"At any rate, he was mine, my best friend. And now he has gone forever!"
+
+Lady Sophia drew in her breath.
+
+"You hypocrite!" she said. "You hypocrite!"
+
+She spoke like one under the influence of an emotion so intense that it
+could not be gainsaid.
+
+"To pretend you admired him, loved him--_you_!"
+
+"I did admire and love him."
+
+She seemed to be struck dumb by his quiet manner, by the conviction in
+his voice. In a moment she turned round again toward Malling. Her face
+had quite changed. It was working nervously. The mouth quivered. She
+stood for a moment, then suddenly she made for the door. As she passed
+Malling, she whispered: "The strength--where is it? Oh, I'm afraid of
+him! I'm afraid of him!"
+
+She disappeared. Almost immediately Mailing heard the street door shut.
+
+"I--I cannot pretend to her," Chichester said, "even in my own house."
+
+He seemed greatly moved, almost on the verge of tears.
+
+"I'll leave you alone," said Mailing. "You need to be alone."
+
+"Thank you! Thank you!" said Chichester.
+
+And without another word he went into the bedroom, shutting the
+folding-doors behind him.
+
+At half-past seven that same evening Malling was with Professor Stepton,
+and made what the professor called his "report."
+
+"Ah!" said the professor when he had finished.
+
+"Did you expect Chichester to behave like that, to be like that?" asked
+Mailing.
+
+"I hoped he would."
+
+"Hoped! Why?"
+
+"Because it enables me to accept as facts certain things about which I
+must otherwise have remained in doubt. Of course I must see Chichester
+for myself. But he'll be just the same, just the same."
+
+The professor's eyes shone, and he poked his chin forward.
+
+"The reverend gentlemen of St. Joseph's have provided me with a basis,"
+he exclaimed emphatically.
+
+"A basis! For what?" asked Mailing.
+
+"For future experiments and investigations of a highly interesting
+nature. Ruskin was very often wrong, but he was right when he said, in a
+lucid moment, that every creature is precious. Well, good-night, Malling.
+I must get to work. I'll explain everything to you later."
+
+Almost joyously he shut the door on his friend. Almost joyously he sat
+down once more before his writing-table and seized his pen and his
+note-book.
+
+But he did not begin to write. His face suddenly changed. He put his pen
+down, pushed his note-book away, sat back in his chair, and let his
+pointed chin drop toward his breast. And presently he began to mutter to
+himself.
+
+"A little science!" he muttered. "A little science sends man far away
+from God. A great deal of science brings man back to God. Which is it
+now--you professor, you? Which is it now?"
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE DWELLER ON THE THRESHOLD***
+
+
+******* This file should be named 14176-8.txt or 14176-8.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/1/7/14176
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/old/14176-8.zip b/old/14176-8.zip
new file mode 100644
index 0000000..4959e1e
--- /dev/null
+++ b/old/14176-8.zip
Binary files differ
diff --git a/old/14176.txt b/old/14176.txt
new file mode 100644
index 0000000..6796a10
--- /dev/null
+++ b/old/14176.txt
@@ -0,0 +1,7152 @@
+The Project Gutenberg eBook, The Dweller on the Threshold, by Robert
+Smythe Hichens
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Dweller on the Threshold
+
+Author: Robert Smythe Hichens
+
+Release Date: November 27, 2004 [eBook #14176]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE DWELLER ON THE THRESHOLD***
+
+
+E-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,
+Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team
+
+
+
+THE DWELLER ON THE THRESHOLD
+
+by
+
+ROBERT HICHENS
+
+Author of _The Garden of Allah_, _Bella Donna_, _Egypt and Its
+Monuments_, _The Holy Land_, etc.
+
+1911
+
+
+
+
+
+
+
+I
+
+
+When Evelyn Malling, notorious because of his sustained interest in
+Psychical Research and his work for Professor Stepton, first met the
+Rev. Marcus Harding, that well-known clergyman was still in the full
+flow of his many activities. He had been translated from his labors in
+Liverpool to a West End church in London. There he had proved hitherto
+an astonishing success. On Hospital Sundays the total sums collected
+from his flock were by far the largest that came from the pockets of
+any congregation in London. The music in St. Joseph's was allowed by
+connoisseurs, who knew their Elgar as well as their Goss, their Perosi
+as well as their Bach, and their Wesley, to be remarkable. Critical
+persons, mostly men, who sat on the fence between Orthodoxy and Atheism,
+thought highly of Mr. Harding's sermons, and even sometimes came down
+on his side. And, of all signs surely the most promising for a West End
+clergyman's success, smart people flocked to him to be married, and Arum
+lilies were perpetually being carried in and out of his chancel, which
+was adorned with Morris windows. He was married to a woman who managed
+to be admirable without being dull, Lady Sophia, daughter of the late
+Earl of Mansford, and sister of the present peer. He was comfortably off.
+His health as a rule was good, though occasionally he suffered from some
+obscure form of dyspepsia. And he was still comparatively young, just
+forty-eight.
+
+Nevertheless, as Evelyn Malling immediately perceived, Mr. Harding was
+not a happy man.
+
+In appearance he was remarkable. Of commanding height, with a big frame,
+a striking head and countenance, and a pair of keen gray eyes, he looked
+like a man who was intended by nature to dominate. White threads appeared
+in his thick brown hair, which he wore parted in the middle. But his
+face, which was clean-shaven, had not many telltale lines. And he did not
+look more than his age.
+
+The sadness noted by Malling was at first evasive and fleeting, not
+indellibly fixed in the puckers of a forehead, or in the down-drawn
+corners of a mouth. It was as a thin, almost impalpable mist, that can
+scarcely be seen, yet that alters all the features in a landscape ever
+so faintly. Like a shadow it traveled across the eyes, obscured the
+forehead, lay about the lips. And as a shadow lifts it lifted. But it
+soon returned, like a thing uneasy that is becoming determined to
+discover an abiding-place.
+
+Malling's first meeting with the clergyman took place upon Westminster
+Bridge on an afternoon in early May, when London seemed, almost like
+a spirited child, to be flinging itself with abandon into the first
+gaieties of the season. Malling was alone, coming on foot from Waterloo.
+Mr. Harding was also on foot, with his senior curate, the Rev. Henry
+Chichester, who was an acquaintance of Malling, but whom Malling had
+not seen for a considerable period of time, having been out on his estate
+in Ceylon. At the moment when Malling arrived upon the bridge the two
+clergymen were standing by the parapet on the Parliament side, looking
+out over the river. As he drew near to them the curate glanced suddenly
+round, saw him, and uttered an involuntary exclamation which attracted
+Mr. Harding's attention.
+
+"Telepathy!" said Chichester, shaking Malling by the hand. "I believe I
+looked round because I knew I should see you. Yet I supposed you to be
+still in Ceylon." He glanced at the rector rather doubtfully, seemed to
+take a resolution, and with an air almost of doggedness added, "May I?"
+and introduced the two men to one another.
+
+Mr. Harding observed the new-comer with an interest that was
+unmistakable.
+
+"You are the Mr. Malling of whom Professor Stepton has spoken to me," he
+said,--"who has done so much experimental work for him?"
+
+"Yes."
+
+"The professor comes to my church now and then."
+
+"I have heard him say so."
+
+"You saw we were looking at the river? Before I came to London I was at
+Liverpool, and learned there to love great rivers. There is something in
+a great river that reminds us--"
+
+He caught his curate's eye and was silent.
+
+"Are you walking my way?" asked Malling. "I am going by the Abbey and
+Victoria Street to Cadogan Square."
+
+"Then we will accompany you as far as Victoria Station," said the rector.
+
+"You don't think it would be wiser to take a hansom?" began Chichester.
+"You remember--"
+
+"No, no, certainly not. Walking always does me good," rejoined Mr.
+Harding, almost in a tone of rebuke.
+
+The curate said nothing more, and the three men set out toward Parliament
+Square, Malling walking between the two clergymen.
+
+He felt embarrassed, and this surprised him, for he was an extremely
+self-reliant man and entirely free from shyness. At first he thought that
+possibly his odd discomfort arose from the fact that he was in company
+with two men who, perhaps, had quite recently had a difference which they
+were endeavoring out of courtesy to conceal from him. Perhaps there had
+been a slight quarrel over some parish matter. Certainly when he first
+spoke with them there had been something uneasy, a suspicion of strain,
+in the manner of both. But then he remembered how, before Chichester had
+turned round, they had been leaning amicably above the river.
+
+No, it could not be that. He sought mentally for some other reason. But
+while he did so he talked, and endeavored to rid himself promptly of the
+unwelcome feeling that beset him.
+
+In this effort, however, he did not at first succeed. The "conditions"
+were evidently unsatisfactory. He wondered whether if he were not walking
+between the two men he would feel more comfortable, and presently, at a
+crossing, he managed to change his place. He was now next to Mr. Harding,
+who had the curate on his other side, and at once he felt more at his
+ease. The rector of St. Joseph's led the conversation, in which Malling
+joined, and at first the curate was silent. But presently Malling noticed
+a thing that struck him as odd. Chichester began to "chip in" now and
+then, and whenever he did so it was either to modify what Mr. Harding
+had just said, or to check him in what he was saying, or abruptly to
+introduce a new topic of talk. Sometimes Mr. Harding did not appear to
+notice these interruptions; at other times he obviously resented them;
+at others again he yielded with an air of anxiety, almost of fear, to
+his curate's attenuations or hastened to follow his somewhat surprising
+leads down new conversational paths. Malling could not understand
+Chichester. But it became evident to him that for some reason or other
+the curate was painfully critical of his rector, as sometimes highly
+sensitive people are critical of members of their own family. And Mr.
+Harding was certainly aware of this critical attitude, and at moments
+seemed to be defiant of it, at other moments to be almost terrorized
+by it.
+
+All that passed, be it noted, passed as between gentlemen, rather
+glided in the form of nuance than trampled heavily in more blatant
+guise. But Evelyn Malling was a highly trained observer and a man in
+whom investigation had become a habit. Now that he was no longer ill at
+ease he became deeply interested in the relations between the two men
+with whom he was walking. He was unable to understand them, and this
+fact of course increased his interest. Moreover he was surprised by the
+change he observed in Chichester.
+
+Although he had never been intimate with Henry Chichester, he had known
+him fairly well, and had summed him up as a very good man and a decidedly
+attractive man, but marred, as Malling thought, by a definite weakness of
+character. He had been too amiable, too ready to take others on their own
+valuation of themselves, too kind-hearted, and too easily deceived. The
+gentleness of a saint had been his, but scarcely the firmness of a saint.
+Industrious, dutiful, and conscientious, he had not struck Malling as a
+man of strong intellect, though he was a cultivated and well-educated
+man. Though not governed by his own passions,--when one looked at him one
+had been inclined to doubt whether he had any,--he had seemed prone to be
+governed by those about him, at any rate in little matters of every day.
+His charm had consisted in his transparent goodness, and in an almost gay
+kindliness which had seemed to float round him like an atmosphere. To
+look into his face had been to look at the happiness which comes only to
+those who do right things, and are at peace with their own souls.
+
+What could have happened to change this charming, if too pliant,
+personality into the critical, watchful, almost--so at moments it seemed
+to Malling--aggressive curate who was now, always in a gentlemanly way,
+making things rather difficult for his rector?
+
+And the matter became the more mysterious when Malling considered Mr.
+Harding. For here was a man obviously of dominant personality. Despite
+his fleeting subservience to Chichester, inexplicable to Malling, he was
+surely by far the stronger of the two, both in intellect and character.
+Not so saintly, perhaps, he was more likely to influence others. Firmness
+showed in his forcible chin, energy in the large lines of his mouth,
+decision in his clear-cut features. Yet there was something contradictory
+in his face. And the flitting melancholy, already remarked, surely hinted
+at some secret instability, perhaps known only to Harding himself,
+perhaps known to Chichester also.
+
+When the three men came to the turning at the corner of the Grosvenor
+Hotel, Chichester stopped short.
+
+"Here is our way," he said, speaking across Mr. Harding to Malling.
+
+The rector looked at Malling.
+
+"Have you far to go?" he asked, with rather a tentative air.
+
+"I live in Cadogan Square."
+
+"Of course. I remember. You told us you were going there."
+
+"Good-by," said Chichester. "We are taking the underground to South
+Kensington."
+
+"I think I shall walk," said the rector.
+
+"But you know we are due--"
+
+"There is plenty of time. Tell them I shall be there at four."
+
+"But really--"
+
+"Punctually at four. I will walk on with Mr. Malling."
+
+"I really think you had better not," began Chichester. "Over-exertion--"
+
+"Am I an invalid?" exclaimed Mr. Harding, almost sharply.
+
+"No, no, of course not. But you remember that yesterday you were not
+quite well."
+
+"That is the very reason why I wish to walk. Exercise always does my
+dyspepsia good."
+
+"Let us all walk," said the curate, abruptly.
+
+But this was obviously not Mr. Harding's intention.
+
+"I want you to go through the minutes and the accounts before the
+meeting," he said, in a quieter but decisive voice. "We will meet at the
+School at four. You will have plenty of time if you take the train. And
+meanwhile Mr. Malling and I will go on foot together as far as Cadogan
+Square."
+
+Chichester stood for a moment staring into Mr. Harding's face, then he
+said, almost sulkily:
+
+"Very well. Good-by."
+
+He turned on his heel, and was lost in the throng near the station.
+
+It seemed to Malling that an expression of relief overspread his
+companion's face.
+
+"You don't mind my company for a little longer, I hope?" said the rector.
+
+"I shall be glad to have it."
+
+They set out on their walk to Cadogan Square. After two or three minutes
+of silence the rector remarked:
+
+"You know Chichester well?"
+
+"I can hardly say that. I used to meet him sometimes with some friends of
+mine, the Crespignys. But I haven't seen him for more than two years."
+
+"He's a very good fellow."
+
+"An excellent fellow."
+
+"Perhaps a little bit limited in his outlook. He has been with me at St.
+Joseph's exactly two years."
+
+The rector seemed about to say more, then shut his large mouth almost
+with a snap. Malling made no remark. He was quite certain that snap was
+merely the preliminary to some further remark about Chichester. And so it
+proved. As they came to St. Peter's Eaton Square, the rector resumed:
+
+"I often think that it is a man's limitations which make him critical
+of others. The more one knows, the wider one's outlook, the readier
+one is to shut one's eyes to the foibles, even to the faults, of one's
+neighbors. I have tried to impress that upon our friend Chichester."
+
+"Doesn't he agree with you?"
+
+"Well--it's difficult to say, difficult to say. Shall we go by Wilton
+Place, or--?"
+
+"Certainly."
+
+"Professor Stepton has talked to me about you from time to time, Mr.
+Malling."
+
+"He's a remarkable man," said Malling almost with enthusiasm.
+
+"Yes. He's finding his way to the truth rather by the pathway of science
+than by the pathway of faith. But he's a man I respect. And I believe
+he'll get out into the light. You've done a great deal of work for him, I
+understand, in--in occult directions."
+
+"I have made a good many careful investigations at his suggestion."
+
+"Exactly. Now"--Mr. Harding paused, seemed to make an effort, and
+continued--"we know very little even now, with all that has been done,
+as to--to the possibilities--I scarcely know how to put it--the
+possibilities of the soul."
+
+"Very little indeed," rejoined Malling.
+
+He was considerably surprised by his companion's manner, but was quite
+resolved not to help him out.
+
+"The possibilities of one soul, let us say, in connection with another,"
+continued the rector, almost in a faltering voice. "I often feel as if
+the soul were a sort of mysterious fluid, and that when we what is called
+influence another person, we, as it were, submerge his soul fluid in our
+own, as a drop of water might be submerged in an ocean."
+
+"Ah!" said Malling, laconically.
+
+Mr. Harding shot a rather sharp glance at him.
+
+"You don't object to my getting on this subject, I hope?" he observed.
+
+"Certainly not."
+
+"Perhaps you think it rather a strange one for a clergyman to select?"
+
+"Oh, no. I have known many clergymen deeply interested in Stepton's
+investigations."
+
+Mr. Harding's face, which had been cloudy, cleared.
+
+"It seems to me," he said, "that we clergymen have a special reason
+for desiring Stepton, and all Stepton's assistants, to make progress.
+It is true, of course, that we live by faith. And nothing can be more
+beautiful than a childlike faith in the Great Being who is above all
+worlds, in the _anima mundi_. But it would be unnatural in us if we did
+not earnestly desire that our faith be proved, scientifically proved,
+to be well-founded. I speak now of the faith we Christians hold in a
+life beyond the grave. I know many people who think it very wrong in a
+clergyman to mix himself up in any occult experiments. But I don't agree
+with them."
+
+It was now Malling's turn to look sharply at his companion.
+
+"Have you made many experiments yourself, may I ask?" he said very
+bluntly.
+
+The clergyman started, and was obviously embarrassed by the question.
+
+"I! Oh, I was speaking generally. I am a very busy man, you see. What
+with my church and my parish, and one thing and another, I get very
+little time for outside things. Still I am greatly interested, I confess,
+in all that Stepton is doing."
+
+"Does Mr. Chichester share your interest?" said Malling.
+
+"In a minor degree, in a minor degree," answered the rector, rather
+evasively.
+
+They were now in Sloane Street and Malling said:
+
+"I must turn off here."
+
+"I'll go with you as far as your door if you've no objection," said the
+rector, who seemed very loath to leave his companion. "It's odd how men
+change, isn't it?"
+
+"As they grow older? But surely development is natural and to be
+expected?"
+
+"Certainly. But when a man changes drastically, sheds his character and
+takes on another?"
+
+"You are talking perhaps of what is called conversion?"
+
+"Well, that would be an instance of what I mean, no doubt. But there
+are changes of another type. We clergymen, you know, mix intimately with
+so many men that we are almost bound to become psychologists if we are
+to do any good. It becomes a habit with many of us to study closely our
+fellow-men. Now I, for instance; I cannot live at close quarters with a
+man without, almost unconsciously, subjecting him to a minute scrutiny,
+and striving to sum him up. My curates, for example--"
+
+"Yes?" said Malling.
+
+"There are four of them, our friend Chichester being the senior one."
+
+"And you have 'placed' them all?"
+
+"I thought I had, I thought so--but--"
+
+Mr. Harding was silent. Then, with a strange abruptness, and the air of a
+man forced into an action against which something within him protested,
+he said:
+
+"Mr. Malling, you are the only person I know who, having been acquainted
+with Henry Chichester, has at last met him again after a prolonged
+interval of separation. Two years, you said. People who see a man from
+day to day observe very little or nothing. Changes occur and are not
+noticed by them. A man and his wife live together and grow old. But does
+either ever notice when the face of the other begins first to lose its
+bloom, to take on that peculiar, unmistakable stamp that the passage of
+the years sets on us all? Few of us really see what is always before us.
+But the man who comes back--he sees. Tell me the honest truth, I beg of
+you. Do you or do you not, see a great change in Henry Chichester?"
+
+The rector's voice had risen while he spoke, till it almost clamored for
+reply. His eyes were more clamorous still, insistent in their demand upon
+Malling. Nevertheless voice and eyes pushed Malling toward caution.
+Something within him said, "Be careful what you do!" and, acting
+surprise, he answered:
+
+"Chichester changed! In what way?"
+
+The rector's countenance fell.
+
+"You haven't observed it?"
+
+"Remember I've only seen him to-day and walking in the midst of crowds."
+
+"Quite true! Quite true!"
+
+Mr. Harding meditated for a minute, and then said:
+
+"Mr. Malling, I daresay my conduct to-day may surprise you. You may think
+it odd of me to be so frank, seeing that you and I have not met before.
+But Stepton has told me so much about you that I cannot feel we are quite
+strangers. I should like you to have an opportunity of observing Henry
+Chichester without prejudice. I will say nothing more. But if I invite
+you to meet him, in my house or elsewhere, will you promise me to come?"
+
+"Certainly, if I possibly can."
+
+"And your address?"
+
+Malling stopped and, smiling, pointed to the number outside a house.
+
+"You live here?"
+
+Mr. Harding took a small book and a pencil from his pocket and noted down
+the address.
+
+"Good-by," he said. "I live in Onslow Gardens--Number 89."
+
+"Thank you. Good-by."
+
+The two men shook hands. Then Mr. Harding went on his way toward South
+Kensington, while Malling inserted his latch-key into the door of Number
+7b, Cadogan Square.
+
+
+
+
+II
+
+
+Evelyn Malling was well accustomed to meeting with strange people and
+making investigations into strange occurrences. He was not easily
+surprised, nor was he easily puzzled. By nature more skeptical than
+credulous, he had a cool brain, and he was seldom, if ever, the victim
+of his imagination. But on the evening of the day in question he found
+himself continually dwelling, and with a curiously heated mind, upon the
+encounter of that afternoon. Mr. Harding's manner in the latter part of
+their walk together had--he scarcely knew why--profoundly impressed him.
+He longed to see the clergyman again. He longed, almost more ardently, to
+pay a visit to Henry Chichester. Although the instinct of caution, which
+had perhaps been developed in him by his work among mediums, cranks of
+various kinds, and charlatans, had prevented him from letting the rector
+know that he had been struck by the change in the senior curate, that
+change had greatly astonished him. Yet was it really so very marked? He
+had noticed it before his attention had been drawn to it. That he knew.
+But was he not now, perhaps, exaggerating its character, "suggestioned"
+as it were by the obvious turmoil of Mr. Harding? He wondered, and was
+disturbed by his wonderment. Two or three times he got up, with the
+intention of jumping into a cab, and going to Westminster to find out
+if Professor Stepton was in town. But he only got as far as the hall.
+Then something seemed to check him. He told himself that he was in no
+fit condition to meet the sharp eyes of the man of science, who delighted
+in his somewhat frigid attitude of mind toward all supposed supernormal
+manifestations, and he returned to his study and tried to occupy himself
+with a book.
+
+On the occasion of his last return, just as he was about to sit down,
+his eyes chanced to fall on an almanac framed in silver which stood on
+his writing-table. He took it up and stared at it. May 8, Friday--May 9,
+Saturday--May 10, Sunday. It was May 9. He put the almanac back on the
+table with a sudden sense of relief. For he had come to a decision.
+
+To-morrow he would attend morning service at St. Joseph's.
+
+Malling was not a regular church-goer. He belonged to the Stepton breed.
+But he was an earnest man and no scoffer, and some of his best friends
+were priests and clergymen. Nevertheless it was in a rather unusual
+go-to-meeting frame of mind that he got into a tail-coat and top hat, and
+set forth in a hansom to St. Joseph's the next morning.
+
+He had never been there before. As he drew near he found people flowing
+toward the great church on foot, in cabs and carriages. Evidently Mr.
+Harding had attractive powers, and Malling began to wonder whether he
+would have any difficulty in obtaining the seat he wanted, in some corner
+from which he could get a good view both of the chancel and the pulpit.
+Were vergers "bribable"? What an ignoramus he was about church matters!
+
+He smiled to himself as he paid the cabman and joined the stream of
+church-goers which was passing in through the open door.
+
+Just as he was entering the building someone in the crowd by accident
+jostled him, and he was pushed rather roughly against a tall lady
+immediately before him. She turned round with a startled face, and
+Malling hastily begged her pardon.
+
+"I was pushed," he said. "Forgive me."
+
+The lady smiled, her lips moved, doubtless in some words of conventional
+acceptance, then she disappeared in the throng, taking her way toward
+the left of the church. She was a slim woman, with a white streak in her
+dark hair just above the forehead. Her face, which was refined and
+handsome, had given to Malling a strong impression of anxiety. Even when
+it had smiled it had looked almost tragically anxious, he thought. The
+church was seated with chairs, and a man, evidently an attendant, told
+him that all the chairs in the right and left aisles were free. He made
+his way to the right, and was fortunate enough to get one not far from
+the pulpit. Unluckily, from it he could only see the left-hand side of
+the choir. But the preacher would be full in his view. The organ sounded;
+the procession appeared. Over the heads of worshipers--he was a tall
+man--Malling perceived both Mr. Harding and Chichester. The latter took
+his place at the end of the left-hand row of light-colored oaken stalls
+next to the congregation. Malling could see him well. But the rector was
+hidden from him. He fixed his eyes upon Chichester.
+
+The service went on its way. The music was excellent. A fair young man,
+who looked as if he might be a first-rate cricketer, one of the curates
+no doubt, read the lessons. Chichester intoned with an agreeable light
+tenor voice. During the third hymn, "Fight the Good Fight," Mr. Harding
+mounted into the pulpit. He let down the brass reading-desk. He had no
+notes in his hands. Evidently he was going to preach extempore. After
+the "In the name of the Father, and of the Son, and of the Holy Ghost"
+had been pronounced, Malling settled himself to listen. He felt tensely
+interested. Both Mr. Harding and Chichester were now before him, the
+one as performer--he used the word mentally, with no thought of
+irreverence--the other as audience. He could study both as he wished to
+study them at that moment.
+
+Chichester was a small, cherubic man, with blue eyes, fair hair, and neat
+features, the sort of man who looks as if when a boy he must have been
+the leading choir-boy in a cathedral. There was nothing powerful in his
+face, but much that was amiable and winning. His chin and his forehead
+were rather weak. His eyes and his mouth looked good. Or--did they?
+
+Malling found himself wondering as Mr. Harding preached.
+
+And was Mr. Harding the powerful preacher he was reputed to be?
+
+At first he held his congregation. That was evident. Rows of rapt faces
+gazed up at him, as he leaned over the edge of the pulpit, or stood
+upright with his hands pressed palm downward upon it. But it seemed to
+Malling that he held them rather because of his reputation, because of
+what they confidently expected of him, because of what he had done in
+the past, than because of what he was actually doing. And presently they
+slipped out of his grasp. He lost them.
+
+The first thing that is necessary in an orator, if he is to be successful
+with an audience, is confidence in himself, a conviction that he has
+something to say which is worth saying, which has to be said. Malling
+perceived that on this Sunday morning Mr. Harding possessed neither
+self-confidence nor conviction; though he made a determined, almost a
+violent, effort to pretend that he had both. He took as the theme of his
+discourse self-knowledge, and as his motto--so he called it---the words,
+"Know thyself." This was surely a promising subject. He began to treat it
+with vigor. But very soon it became evident that he was ill at ease, as
+an actor becomes who cannot get into touch with his audience. He stumbled
+now and then in his sentences, harked back, corrected a phrase, modified
+a thought, attenuated a statement. Then, evidently bracing himself up,
+almost aggressively he delivered a few passages that were eloquent
+enough. But the indecision returned, became more painful. He even
+contradicted himself. A "No, that is not so. I should say--" communicated
+grave doubts as to his powers of clear thinking to the now confused
+congregation. People began to cough and to shift about in their chairs. A
+lady just beneath the pulpit unfolded a large fan and waved it slowly to
+and fro. Mr. Harding paused, gazed at the fan, looked away from it, wiped
+his forehead with a handkerchief, grasped the pulpit ledge, and went on
+speaking, but now with almost a faltering voice.
+
+The congregation were doubtless ignorant of the cause of their pastor's
+perturbation, but Malling felt sure that he knew what it was.
+
+The cause was Henry Chichester.
+
+On the cherubic face of the senior curate, as he leaned back in his
+stall while Mr. Harding gave out the opening words of the sermon, there
+had been an expression that was surely one of anxiety, such as a master's
+face wears when his pupil is about to give some public exhibition. That
+simile came at once into Malling's mind. It was the master listening to
+the pupil, fearing for, criticizing, striving mentally to convey help to
+the pupil. And as the sermon went on it was obvious to Malling that the
+curate was not satisfied with it, and that his dissatisfaction was, as
+it were, breaking the rector down. At certain statements of Mr. Harding
+looks of contempt flashed over Chichester's face, transforming it.
+The anxiety of the master, product of vanity but also of sympathy,
+was overlaid by the powerful contempt of a man who longs to traverse
+misstatements but is forced by circumstances to keep silence. And so
+certain was Malling that the cause of Mr. Harding's perturbation lay in
+Chichester's mental attitude, that he longed to spring up, to take the
+curate by the shoulders and to thrust him out of the church. Then all
+would be well. He knew it. The rector's self-confidence would return and,
+with it, his natural powers.
+
+But now the situation was becoming painful, almost unbearable.
+
+With every sentence the rector became more involved, more hesitating,
+more impotent. The sweat ran down his face. Even his fine voice was
+affected. It grew husky. It seemed to be failing. Yet he would not
+cease. To Malling he gave the impression of a man governed by a secret
+obstinacy, fighting on though he knew it was no use, that he had lost
+the combat. Malling longed to cry out to him, "Give it up!"
+
+The congregation coughed more persistently, and the lady with the fan
+began to ply her instrument of torture almost hysterically.
+
+Suddenly Malling felt obliged to look toward the left of the crowded
+church. Sitting up very straight, and almost craning his neck, he stared
+over the heads of the fidgeting people and met the eyes of a woman, the
+lady with the streak of white hair against whom he had pushed when
+coming in.
+
+There was a look almost of anguish on her face. She turned her eyes
+toward Mr. Harding. At the same instant the rector saw Mailing in the
+congregation. He stopped short, muttered an uneven sentence, then,
+forcing his voice, uttered in unnaturally loud tones the "Now to God the
+Father," et cetera.
+
+Henry Chichester rose in his stall with an expression of intense
+thankfulness, which yet seemed somehow combined with a sneer.
+
+The collection was made.
+
+Before the celebration some of the choir and two of the clergy, of whom
+Mr. Harding was one, left the church. Henry Chichester and the fair,
+athletic-looking curate remained. Mailing took his hat and made his way
+slowly to the door. As he emerged a young man stopped him and said:
+
+"If you please, sir, the rector would like to speak to you if you could
+wait just a moment. You are Mr. Malling, I believe."
+
+"Yes. How could you know?"
+
+"Mr. Harding told me what you were like, sir, and that you were wearing
+a tie with a large green stone in it. Begging your pardon, sir."
+
+"I will wait," said Malling, marveling at the rector's rapid and accurate
+powers of observation.
+
+Those of the congregation who had not remained for the celebration were
+quickly dispersing, but Malling now noticed that the lady with the white
+lock was, like himself, waiting for some one. She stood not far from him.
+She was holding a parasol, and looking down; she moved its point to and
+fro on the ground. Several people greeted her. Almost as if startled she
+glanced up quickly, smiled, replied. Then, as they went on, she again
+looked down. There was a pucker in her brow. Her lips twitched now and
+then.
+
+Suddenly she lifted her head, turned and forced her quivering mouth to
+smile. Mr. Harding had come into sight round the corner of the church.
+
+"Ah, Mr. Malling," he said, "so you have stayed. Very good of you.
+Sophia, let me introduce Mr. Malling to you--my wife, Lady Sophia."
+
+The lady with the white lock held out her hand.
+
+"You have heard Professor Stepton speak of Mr. Malling, haven't you?"
+added the rector to his wife.
+
+"Indeed I have," she answered.
+
+She smiled again kindly, and as if resolved to throw off her depression
+began to talk with some animation as they all walked together toward the
+street. Directly they reached it the rector said:
+
+"Are you engaged to lunch to-day, Mr. Malling?"
+
+"No," answered Malling.
+
+Lady Sophia turned to him and said:
+
+"Then I shall be informal and beg you to lunch with us, if you don't mind
+our being alone. We lunch early, at one, as my husband is tired after his
+morning's work and eats virtually nothing at breakfast."
+
+"I shall be delighted," said Malling. "It's very kind of you."
+
+"We always walk home," said the rector.
+
+He sighed. It was obvious that he was in low spirits after the failure of
+the morning, but he tried to conceal the fact, and his wife tactfully
+helped him. Malling praised the music warmly, and remarked on the huge
+congregation.
+
+"I scarcely thought I should find a seat," he added.
+
+"It is always full to the doors in the morning," said Lady Sophia, with a
+cheerfulness that was slightly forced.
+
+She glanced at her husband, and suddenly added, not without a decided
+touch of feminine spite:
+
+"Unless Mr. Chichester, the senior curate, is preaching."
+
+"My dear Sophy!" exclaimed Mr. Harding.
+
+"Well, it is so!" she said, with a sort of petulance.
+
+"Perhaps Mr. Chichester is not gifted as a preacher," said Malling.
+
+"Oh, I wouldn't say that," said the rector.
+
+"My husband never criticizes his--swans," said Lady Sophia, with delicate
+malice, and a glance full of meaning at Malling. "But I'm a woman, and my
+principles are not so high as his."
+
+"You do yourself an injustice," said the rector. "Here we are."
+
+He drew out his latch-key.
+
+Before lunch Malling was left alone for a few minutes in the drawing-room
+with Lady Sophia. The rector had to see a parishioner who had called and
+was waiting for him in his study. Directly her husband had left the room
+Lady Sophia turned to Malling and said:
+
+"Had you ever heard my husband preach till this morning?"
+
+"No, never," Mailing answered. "I'm afraid I'm not a very regular
+church-goer. I must congratulate you again on the music at St. Joseph's.
+It is exceptional. Even at St. Anne's Soho--"
+
+Almost brusquely she interrupted him. She was obviously in a highly
+nervous condition; and scarcely able to control herself.
+
+"Yes, yes, our music is always good, of course. So glad you liked it.
+But what I want to say is that you haven't heard my husband preach this
+morning."
+
+Malling looked at her with curiosity, but without astonishment. He might
+have acted a part with her as he had the previous day with her husband.
+But, as he looked, he came to a rapid decision, to be more frank with the
+woman than he had been with the man.
+
+"You mean, of course, that your husband was not in his best vein," he
+said. "I won't pretend that I didn't realize that."
+
+"You didn't hear him at all. He wasn't himself--simply."
+
+She sat down on a sofa and clasped her hands together.
+
+"I cannot tell you what I was feeling," she added. "And he used to be so
+full of self-confidence. It was his great gift. His self-confidence
+carried him through everything. Nothing could have kept him back if--"
+
+Suddenly she checked herself and looked, with a sort of covert inquiry,
+at Malling.
+
+"You must think me quite mad to talk like this," she said, with a return
+to her manner when he first met her.
+
+"Shall I tell you what I really think?" he asked, leaning forward in the
+chair he had taken.
+
+"Yes, do, do!"
+
+"I think you are very ambitious for your husband and that your ambition
+for him has received a perhaps mysterious--check."
+
+Before she could reply the door opened and Mr. Harding reappeared.
+
+At lunch he carefully avoided any reference to church matters, and
+they talked on general subjects. Lady Sophia showed herself a nervously
+intelligent and ardent woman. It seemed to Malling obvious that she was
+devoted to her husband, "wrapped up in" him--to use an expressive phrase.
+Any failure on his part upset her even more than it did him. Secretly she
+must still be quivering from the public distresses of the morning. But
+she now strove to aid the rector's admirable effort to be serene, and
+proved herself a clever talker, and well informed on the events of the
+day. Of her Malling got a fairly clear impression.
+
+But his impression of her husband was confused and almost nebulous.
+
+"Do you smoke?" asked Mr. Harding, when lunch was over.
+
+Malling said that he did.
+
+"Then come and have a cigar in my study."
+
+"Yes, do go," said Lady Sophia. "A quiet talk with you will rest my
+husband."
+
+And she went away, leaving the two men together.
+
+Mr. Harding's study looked out at the back of the house upon a tiny strip
+of garden. It was very comfortably, though not luxuriously, furnished,
+and the walls were lined with bookcases. While his host went to a drawer
+to get the cigar-box, Malling idly cast his eyes over the books in the
+shelves nearest to him. He always liked to see what a man had to read.
+The first book his eyes rested upon was Myers's "Human Personality."
+Then came a series of works by Hudson, including "Psychic Phenomena,"
+then Oliver Lodge's "Survival of Man," "Man and the Universe," and "Life
+and Matter." Farther along were works by Lowes Dickinson and Professor
+William James, Bowden's "The Imitation of Buddha" and Inge's "Christian
+Mysticism." At the end of the shelf, bound in white vellum, was Don
+Lorenzo Scupoli's "The Spiritual Combat."
+
+A drawer shut, and Mailing turned about to take the cigar which Mr.
+Harding offered him.
+
+"The light is rather strong, don't you think?" Mr. Harding said, when the
+two men had lit up. "I'll lower the blind."
+
+He did so, and they sat down in a sort of agreeable twilight, aware of
+the blaze of an almost un-English sun without.
+
+Malling settled down to his cigar with a very definite intention to
+clear up his impressions of the rector. The essence of the man baffled
+him. He had known more about Lady Sophia in five minutes than he knew
+about Mr. Harding now, although he had talked with him, walked with him,
+heard him preach, and watched him intently while he was doing so. His
+confusion and distress of the morning were comprehended by Malling. They
+were undoubtedly caused by the preacher's painful consciousness of the
+presence and criticism of one whom, apparently, he feared, or of whose
+adverse opinion at any rate he was in peculiar dread. But what was the
+character of the man himself? Was he saint or sinner, or just ordinary,
+normal man, with a usual allowance of faults and virtues? Was he a man
+of real force, or was he painted lath? The Chichester episodes seemed
+to point to the latter conclusion. But Malling was too intelligent to
+take everything at its surface value. He knew much of the trickery of
+man, but that knowledge did not blind him to the mystery of man. He
+had exposed charlatans. Yet he had often said to himself, "Who can ever
+really expose another? Who can ever really expose himself?" Essentially
+he was the Seeker. And he was seldom or never dogmatic. A friend of his,
+who professed to believe in transmigration, had once said of him, "I'm
+quite certain Malling must have been a sleuth-hound once." Now he wished
+to get on a trail.
+
+But Mr. Harding, who on the previous day had been almost strangely frank
+about Henry Chichester, to-day had apparently no intention to be frank
+about himself. Though he had desired Malling's company, now that they
+were together alone he showed a reserve through which, Malling believed,
+he secretly wanted to break. But something held him back. He talked of
+politics, government and church, the spread of science, the follies of
+the day. And Malling got little nearer to him. But presently Malling
+happened to mention the modern craze for discussing intimately, or, as a
+Frenchwoman whom he knew expressed it, "_avec un luxe de detail_,"
+matters of health.
+
+"Yes, yes," responded Mr. Harding. "It is becoming almost objectionable,
+almost indecent. At the same time the health of the body is a very
+interesting subject because of its effect upon the mind, even, so it
+seems sometimes, upon the very nature of a man. Now I--" he struck the
+ash off the end of his cigar--"was, I might almost say, the victim of my
+stomach in the pulpit this morning."
+
+"You were feeling ill?"
+
+"Not exactly ill. I have a strong constitution. But I suffer at times
+from what the doctors call nervous dyspepsia. It is a very tiresome
+complaint, because it takes away for the time a man's confidence in
+himself, reduces him to the worm-level almost; and it gives him absurd
+ideas. Now this morning in the pulpit I had an attack of pain and
+uneasiness, and my nerve quite gave out. You must have noticed it."
+
+"I saw that you were troubled by something."
+
+"Something! It was that. My poor wife was thoroughly upset by it. You
+know how sensitive women are. To hold a crowd of people a man must be
+strong and well, in full possession of his powers. And I had a good
+subject."
+
+"Splendid."
+
+"I'll treat it again--treat it again."
+
+The rector shifted in his chair.
+
+"Do you think," he said after a pause, "that it is possible for another,
+an outsider, to know a man better than he knows himself?"
+
+"In some cases, yes," answered Malling.
+
+"But--as a rule?"
+
+"There is the saying that outsiders see most of the game."
+
+"Then why should we mind when all are subject to criticism!" exclaimed
+Mr. Harding, forcibly.
+
+Evidently he was startled by his own outburst, for instantly he set about
+to attenuate it.
+
+"What I mean is that men ought not to care so much as most of them
+undoubtedly do what others think about them."
+
+"It certainly is a sign of great weakness to care too much," said
+Malling. "But some people have a quite peculiar power of impressing their
+critical thoughts on others. These spread uneasiness around them like an
+atmosphere."
+
+"I know, I know," said the rector, with an almost hungry eagerness. "Now
+surely one ought to keep out of such an atmosphere, to get out of it, and
+to keep out of it."
+
+"Why not?"
+
+"But--but--how extraordinary it is, the difficulty men have in getting
+away from things! Haven't you noticed that?"
+
+"Want of moral strength," said Mailing, laconically.
+
+"You think so?"
+
+"Don't you?"
+
+At this moment there was a knock at the door. Mr. Harding started.
+
+"How impossible it is to get a quiet moment," he said with acute
+irritation. "Come in!" he called out.
+
+The footman appeared.
+
+"Mr. Chichester has called to see you, sir."
+
+The rector's manner changed. He beckoned to the man to come into the room
+and to shut the door. The footman, looking surprised, obeyed.
+
+"Where is he, Thomas?" asked Mr. Harding, in a lowered voice. "In the
+hall?"
+
+"No, sir. As you were engaged I showed him up into the drawing-room."
+
+"Oh, very well. Thank you. You can go."
+
+The footman went out, still looking surprised.
+
+Just as he was about to close the door his master said:
+
+"Wait a moment!"
+
+"Sir?"
+
+"Was her ladyship in the drawing-room?"
+
+"No, sir. Her ladyship is lying down in the boudoir."
+
+"Ah. That will do."
+
+The footman shut the door.
+
+Directly he was gone the rector got up with an air of decision.
+
+"Mr. Malling," he said, "perhaps I ought to apologize to you for treating
+you with the abruptness allowable in a friend, but surprising in an
+acquaintance, indeed in one who is almost a stranger. I do apologize. My
+only excuse is that I know you to be a man of exceptional trend of mind
+and unusual ability. I know this from Professor Stepton. But there's
+another thing. As I told you yesterday, you are the only person of my
+acquaintance who, having been fairly intimate with Henry Chichester, has
+not seen anything of him during the two years he has been with me as my
+coadjutor. Now what I want you to do is this: will you go upstairs and
+spend a few minutes alone with Chichester? Tell him I am detained, but
+am coming in a moment. I'll see to it that you are not interrupted. I'll
+explain to my wife. And, of course, I rely on you to make the matter
+appear natural to Chichester, not to rouse his--but I am sure you
+understand. Will you do this for me?"
+
+"Certainly," said Malling, with his most prosaic manner. "Why not?"
+
+"Why not? Exactly. There's nothing objectionable in the matter. But--"
+Mr. Harding's manner became very earnest, almost tragic. "I'll ask you
+one thing--afterward you will tell me the truth, exactly how Chichester
+impresses you now in comparison with the impression you got of him two
+years ago. You--you have no objection to promising to tell me?"
+
+Malling hesitated.
+
+"But is it quite fair to Chichester?" he said. "Suppose I obtained, for
+instance, a less favorable, or even an unfavorable impression of him
+now? You are his rector. I hardly think--"
+
+The rector interrupted him.
+
+"I'll leave it to you," he said. "Do just as you please. But, believe me,
+I have a very strong reason for wishing to know your opinion. I need it.
+I need it."
+
+There was a lamentable sound in his voice.
+
+"If I feel it is right I will give it to you," said Malling.
+
+The rector opened the door of the study.
+
+"You know your way?"
+
+"Yes."
+
+Malling went upstairs. Mr. Harding stood watching him from below till he
+disappeared.
+
+
+
+
+III
+
+
+When Malling opened the door of the drawing-room Chichester was standing
+by one of the windows, looking out into Onslow Gardens. He turned round,
+saw Malling, and uttered an exclamation.
+
+"You are here!"
+
+His light tenor voice sounded almost denunciatory, as if he had a right
+to demand an explanation of Malling's presence in Mr. Harding's house,
+and as he came away quickly from the window, he repeated, with still more
+emphasis:
+
+"You are here!"
+
+"Lunching--yes," replied Malling, imperturbably.
+
+He looked at Chichester and smiled.
+
+"You have no objection, I hope?"
+
+His words and manner evidently brought the curate to a sense of his own
+unconventionality. He held out his hand.
+
+"I beg your pardon. Your coming in surprised me. I had no idea"--his blue
+eyes went searchingly over Malling's calm face--"that you could be here.
+I thought you and the rector were complete strangers till I introduced
+you yesterday."
+
+"So we were."
+
+Malling sat down comfortably on a sofa. His action evidently recalled
+Chichester's mind to the fact that he was to see the rector.
+
+"Isn't the rector coming to see me?" he asked.
+
+"Almost directly. He's busy for a few minutes. We were smoking together
+in his study."
+
+"You seem to--you seem to have made great friends!" said Chichester, with
+a sort of forced jocularity.
+
+"Great friends! They're hardly made in a moment. I happened to be at
+church this morning--"
+
+"At church--where?" exclaimed the curate.
+
+"At St. Joseph's. And Mr. Harding kindly asked me to lunch."
+
+"You were at church at St. Joseph's this morning?" said Chichester.
+
+He sat down by Malling and stared into his face.
+
+"Did you--did you stay for the sermon?"
+
+"Certainly. I came for the sermon. I had never heard Mr. Harding preach."
+
+"No? No? Well, what did you think of it? What did you think of it?"
+
+The curate spoke nervously, and seemed to Malling to be regarding him
+with furtive anxiety.
+
+"It was obvious that Mr. Harding wasn't in good form this morning,"
+Malling said. "He explained the matter after lunch."
+
+"He _explained_ the matter!" said Chichester, with a rising voice, in
+which there was an almost shrill note of suspicion.
+
+"Yes. He told me he was often the victim of nervous dyspepsia, and that
+he had an attack of it while in the pulpit this morning."
+
+"He told you it was nervous dyspepsia!"
+
+"I have just said so."
+
+The curate looked down.
+
+"I advised him not to walk all the way home yesterday," he said gloomily.
+"You heard me."
+
+"You think it was that?"
+
+"He never will take advice from any one. That's his--one of his great
+faults. Whatever he thinks, whatever he says, must be right. You, as a
+layman, probably have no idea how a certain type of clergyman loves
+authority."
+
+This remark struck Malling as in such singularly bad taste--considering
+where they were, and that one of them was Mr. Harding's guest, the other
+his curate--that only his secret desire to make obscure things clear
+prevented him from resenting it.
+
+"It is one of the curses of the Church," continued Chichester, "this
+passion for authority, for ruling, for having all men under one's feet as
+it were. If men would only listen, take advice, see themselves as they
+really are, how much finer, how much greater, they might become!"
+
+"See themselves as others see them! Eh?" said Malling. "But do you mean
+that a rector should depend on his curate's advice rather than on his own
+judgment?"
+
+"And why not?" said Chichester. "Rector--curate--archbishop--what does it
+matter? The point is not what rank in the hierarchy a man has, but what,
+and how, does he see? A street boy may perceive a truth that a king is
+blind to. At that moment the street boy is greater than the king. Do you
+deny it?"
+
+"No," said Malling, amazed at the curate's excitement, but showing no
+astonishment.
+
+"But it's a terrible thing to see too clearly!" continued Chichester,
+almost as if talking to himself, absorbed. "A terrible thing!"
+
+He looked up at Malling, and almost solemnly he said:
+
+"Are you still going on with all those investigations?"
+
+"When I have any spare time, I often spend some of it in that sort of
+work," answered Malling, lightly.
+
+It was his way to make light of his research work, and indeed he seldom
+mentioned it unless he was forced to do so.
+
+"Do you think it is right?" said Chichester, earnestly.
+
+"Right?"
+
+"To strive to push one's way into hidden regions."
+
+"If I didn't think it right I shouldn't do it," retorted Malling, but
+without heat.
+
+"And--for clergymen?" questioned Chichester, leaning forward, and
+dropping his small, thin hands down between his knees.
+
+"What do you mean?"
+
+"Do you think it right for clergymen to indulge themselves--for it is
+indulgence--in investigations, in attempts to find out more than God
+has chosen to reveal to us?"
+
+The man of science in Malling felt impatient with the man of faith in
+Chichester.
+
+"Does it never occur to you that the _anima mundi_ may have hidden
+certain things from the minds of mortals just in order to provide them
+with a field to till?" he said, with a hint of sarcasm. "Wasn't the fact
+that the earth revolves round the sun, instead of the sun round the
+earth, hidden from every living creature till Galileo discovered it? Do
+you think Galileo deserved our censure?"
+
+"Saul was punished for consulting the witch of Endor," returned
+Chichester. "And the Roman Catholic Church forbids her children to deal
+in occult things."
+
+"You can't expect a man like me, a disciple of Stepton, to take the Roman
+Catholic view of such a matter."
+
+"You are not a clergyman," said Chichester.
+
+Malling could not help smiling.
+
+"You think the profession carries with it certain obligations," he said.
+"No doubt it does. But I shall never believe that one of them is to shut
+your eyes to any fact in the whole scheme of Creation. Harm can never
+come from truth."
+
+"If I could believe that!" Chichester cried out.
+
+"Do you mean to tell me you don't believe it?"
+
+Chichester looked at Malling for quite a minute without replying. Then he
+got up, and said, with a changed voice and manner:
+
+"If the rector doesn't come to see me I shall have to go. Sunday is not a
+holiday, you know, for us clergymen."
+
+He drew out his watch and looked at it.
+
+"I shall have to go. I'm taking the Children's Service."
+
+Malling got up too.
+
+"Is it getting late?" he said. "Perhaps--"
+
+At this moment the door was gently opened and Mr. Harding appeared.
+
+"Oh, Chichester," he said. "I'm sorry to have kept you waiting. What is
+it? Would you like to come to my study?"
+
+"I must be off," said Malling. "May I say good-by to Lady Sophia? Or
+perhaps she is resting and would rather not be disturbed."
+
+"I'm sure she would wish to say good-by to you," said the rector. "I'll
+just ask her."
+
+He shot a quick glance from one man to the other and went out of the
+room, leaving the door open behind him.
+
+Directly he was gone the curate said: "It has been such a pleasure to me
+to renew my acquaintance with you, Mr. Malling. Are you going to be long
+in London?"
+
+"All the season, I think."
+
+"Then I hope we may meet again soon, very soon."
+
+He hesitated, put one hand in his pocket, and brought out a card-case.
+
+"I should like to give you my address."
+
+"And let me give you mine."
+
+They exchanged cards.
+
+"I expect you'll be very busy," said the curate, rather doubtfully.
+
+Then he added, like a man urged on by some strong, almost overpowering
+desire to do a thing not quite natural to him:
+
+"But I wish you could spare an evening to come to dine with me. I live
+very modestly, of course. I'm in rooms, in Hornton Street--do you know
+it?--near Campden Hill?--Number 4a--as you'll see on my card. I wonder--"
+
+"I shall be delighted to come."
+
+"When?"
+
+"Whenever you are kind enough to ask me."
+
+"Could you come on Wednesday week? It's so unfortunate, I have such a
+quantity of parish engagements--that is my first evening free."
+
+"Wednesday week, with pleasure."
+
+"At half after seven?"
+
+"That will suit me perfectly."
+
+"And"--he looked toward the door--"I shall be greatly obliged to you if
+you won't mention to the rector the fact that you are coming. He--"
+
+"My wife's in the boudoir," said Mr. Harding, coming into the room at
+this moment.
+
+He stood by the door.
+
+Malling shook hands with Chichester, and went to say good-by to his
+hostess.
+
+Mr. Harding shut the drawing-room door.
+
+"This is the way," he said. "Well, Mr. Malling? Well?"
+
+"You mean you want to know--?"
+
+"Your impression of Chichester."
+
+The rector stopped on the landing.
+
+"Do you find him much changed?"
+
+Malling shrugged his shoulders.
+
+"Possibly--a little. He may have become rather firmer in manner, a trifle
+more decisive."
+
+"Firmer! More decisive, you say!"
+
+"But surely that is only natural, working--as he has done, I understand,
+under a man such as yourself for two years."
+
+"Such as myself! Then you think he's caught something of my manner and
+way of looking at things? You think--"
+
+"Really, it's difficult to say," interrupted Malling. "He's developed, no
+doubt. But very few people don't. I suppose you've trained him."
+
+"I!" said the rector. "I train a man like Chichester!"
+
+In his voice there was a bitter irony.
+
+"Is that you, Mr. Malling?" said the voice of Lady Sophia. "I was lying
+down with a book. This is my little room."
+
+She looked pale, almost haggard, as the sunshine fell upon her through
+the open window.
+
+Malling took his leave at once and she did not attempt to detain him.
+
+"I hope you'll come again," she said, as they shook hands. "Perhaps on
+another Sunday morning, to church and lunch. I'll let you know."
+
+She said the last words with a significance which made Malling understand
+that she did not wish him to come to church at St. Joseph's again till
+she gave him the word.
+
+The rector let him out of the house. Not another word was spoken about
+Henry Chichester. As his guest walked away the rector stood, bareheaded,
+looking after him, then, as Malling turned the corner of the gardens,
+with a heavy sigh, and the unconscious gesture of a man greatly troubled
+in mind, he stepped back into his hall and shut the door behind him.
+
+
+
+
+IV
+
+
+A week later, Mailing paid a visit to Professor Stepton. He had heard
+nothing of the Hardings and Chichester since the day of the luncheon in
+Onslow Gardens, but they had seldom been absent from his thoughts, and
+more than once he had looked at the words, "Dine with H.C." in his book
+of engagements, and had found himself wishing that "Hornton Street,
+Wednesday" was not so far distant.
+
+The professor lived in Westminster, in a house with Adam ceilings, not
+far from the Houses of Parliament. He was unmarried, and Malling found
+him alone after dinner, writing busily in his crowded library. He had but
+recently returned from Paris, whither he had traveled to take part in a
+series of "sittings" with the famous medium, Mrs. Groeber.
+
+In person the professor was odd, without being specially striking. He
+was of medium height, thin and sallow, with gray whiskers, thick gray
+hair, bushy eyebrows, and small, pointed and inquiring features which
+gave him rather the aspect of a prying bird. His eyes were little and
+sparkling. His mouth, strangely enough, was ecclesiastical. He nearly
+always wore very light-colored clothes. Even in winter he was often
+to be seen clad in yellow-gray tweeds, a yellow silk necktie, and a
+fawn-colored Homburg hat. And no human being had ever encountered him
+in a pair of boots unprotected by spats. One peculiarity of his was that
+he did not possess a walking-stick, another that he had never--so at
+least he declared--owned a pocket-handkerchief, having had no occasion
+to use one at any moment of his long and varied life. When it rained he
+sometimes carried an umbrella, generally shut. At other times he moved
+briskly along with his arms swinging at his sides.
+
+As Malling came in he looked up and nodded.
+
+"Putting down all about Mrs. Groeber," he observed.
+
+"Anything new or interesting?" asked Malling.
+
+"Just the usual manifestations, done in full light, though."
+
+He laid aside his pen, while Malling sat down.
+
+"A letter from Flammarion this morning," he said. "But all about Halley's
+comet, of course. What is it?"
+
+Now the professor's "What is it?" was not general, but particular, and
+was at once understood to be so by Malling. It did not mean "Why have you
+come?" but "Why are you obsessed at this moment, and by what?"
+
+"Let's have the mystery," he added, leaning his elbows on his just dried
+manuscript, and resting his sharp little chin on his doubled fists.
+
+Yet Malling had hinted at no mystery, and had come without saying he was
+coming.
+
+"You know a clergyman called Marcus Harding?" said Malling.
+
+"Of St. Joseph's. To be sure, I do."
+
+"Do you know also his senior curate, Henry Chichester?"
+
+"No."
+
+"Have you heard of him?"
+
+"Oh dear, yes. And I fancy I've seen him at a distance."
+
+"You heard of him from Harding, I suppose."
+
+"Exactly, and Harding's wife."
+
+"Oh, from Lady Sophia!"
+
+"Who hates him."
+
+"Since when?" said Malling, emphatically.
+
+"I couldn't say. But I was only aware of the fact about a month ago."
+
+"Have you any reason to suppose that Harding has been making any
+experiments?"
+
+"In church music, biblical criticism, or what?"
+
+"Say in psychical research?"
+
+"No."
+
+"Or that Chichester has?"
+
+"No."
+
+"Hasn't Harding ever talked to you on the subject?"
+
+"He has tried to," said the professor, rather grimly.
+
+"And you didn't encourage him?"
+
+"When do I encourage clergymen to talk about psychical research?"
+
+Malling could not help smiling.
+
+"I have some reason--at least I believe so--to suppose that Harding and
+his curate Chichester have been making some experiments in directions
+not entirely unknown to us," he observed. "And what is more"--he
+paused--"what is more," he continued, "I am inclined to think that
+those experiments may have been crowned with a success they little
+understand."
+
+Down went the professor's fists, his head was poked forward in Malling's
+direction, and his small eyes glittered almost like those of a glutton
+who sees a feast spread before him.
+
+"The experiments of two clergymen in psychical research crowned with
+success!" he barked out.
+
+"If so, I shall see what I can do in the pulpit--the Abbey pulpit!"
+
+He got up, and walking slightly sidewise, with his hands hanging, and his
+fingers opening and shutting, went over to a chair close to Malling's.
+
+"Get on!" he said.
+
+"I'm going to. I want your advice."
+
+When Malling had finished what he had to say, the professor, who had
+interrupted him two or three times to ask pertinent questions, put his
+hands on his knees and thrust his head forward.
+
+"You said you wanted advice," he said. "What about?"
+
+"I wish you to advise me how I had better proceed."
+
+"You really think the matter important?" asked the professor.
+
+Malling looked slightly disconcerted.
+
+"You don't?" he said.
+
+"You are deducing a great deal from not very much. That's certain,"
+observed the professor.
+
+"You never knew Chichester," retorted Malling. "I did--two years ago."
+
+"Suppose you are right, suppose these two reverend gentlemen have done
+something such as you suppose--and that there has been a result, a
+curious result, what have we to do with it? Tell me that."
+
+"You mean that I have no right to endeavor to make a secret investigation
+into the matter. But I'm positive both the men want help from me. I don't
+say either of them will ask it. But I'm certain both of them want it."
+
+"Two clergymen!" said the professor. "Two clergymen! That's the best of
+it--if there is an it, which there may not be."
+
+"Harding spoke very warmly of you."
+
+"Good-believing man! Now, I do wonder what he's been up to. I do
+wonder. Perhaps he'd have told me but for my confounded habit of
+sarcasm, my way of repelling the amateur--repelling!" His arms flew out.
+"There's so much silliness beyond all bearing, credulity beyond all the
+patience of science. Table-turning women, feminine men! 'The spirits
+guide me, Professor, in every smallest action of my life!'--Wuff!--the
+charlatan battens and breeds. And the bile rises in one till Carlyle on
+his worst day might have hailed one as a brother bilious, and so
+denunciatory--Jeremiah nervously dyspeptic! And when you opened your
+envelop and drew out a couple of clergymen, really, really! But perhaps
+I was in a hurry! Clergymen in a serious fix, too, because of unexpected
+and not understood success! And I talk of repelling the _amateur_!"
+
+Suddenly he paused and, with his bushy eyebrows twitching, looked
+steadily at Malling.
+
+"I leave it to you," he said. "Take your own line. But don't forget that,
+if there's anything in it, development will take place in the link. The
+link will be a center of combat. The link will be an interesting field
+for study."
+
+"The link?" said Malling, interrogatively.
+
+"Goodness gracious me! Her ladyship! Her ladyship!" cried out the
+professor. "What are you about, Malling?"
+
+And he refused to say another word on the matter till Malling, after much
+more conversation on other topics, got up to go. Then, accompanying him
+to the front door, the professor said:
+
+"You know _I_ think it's probably all great nonsense."
+
+"What?"
+
+"Your two black-coated friends. You bustle along at such a pace.
+Remember, I have made more experiments than you have, and I have never
+come upon an exactly similar case. I don't know whether such a thing
+can be. No more do you--you've guessed. Now, guessing is not at all
+scientific. At the same time you've proved you can be patient. If there
+is anything in this it's profoundly interesting, of course."
+
+"Then you advise me--?"
+
+"If in doubt, study Lady Sophia. Good night."
+
+As Malling went away into the darkness he heard the professor snapping
+out to himself, as he stood before his house bareheaded:
+
+"Out of the mouths of babes and sucklings! _Tres bien!_ But--reverend
+gentlemen of St. Joseph's! I shall have to look for telergic power in my
+acquaintance Randall Cantuar, when I want it! By Jove!"
+
+"If in doubt, study Lady Sophia." As Malling thought over these
+parting words, he realized their wisdom and wondered at his own
+short-sightedness.
+
+He had sent his cards to Onslow Gardens after the luncheon with the
+Hardings. He wished now he had called and asked for Lady Sophia. But
+doubtless he would have an opportunity of being with her again. If she
+did not offer him one, he would make one for himself.
+
+He longed to see her with Henry Chichester.
+
+During the days that elapsed before "Hornton Street, Wednesday" he
+considered a certain matter with sedulous care. His interview with
+Stepton had not been fruitless. Stepton always made an effect on his
+mind. Casual and jerky though his manner was, obstinate as were his
+silences at certain moments, fragmentary as was his speech, he had a
+way of darting at the essential that set him apart from most men. Malling
+remembered a horrible thing he had once seen in the Sahara, a running
+gazelle killed by a falcon. The falcon, rising high in the blue air,
+had followed the gazelle, had circled, poised, then shot down and, with
+miraculous skill, struck into the gazelle's eye. Unerringly from above
+it had chosen out of the vast desert the home for its cruel beak.
+Somewhat in similar fashion, so Malling thought, Stepton rose above
+things, circled, poised, sank, and struck into the heart of the truth
+unerringly.
+
+Perhaps he was able to do this because he was able to mount, falconwise!
+
+Malling would have given a good deal to have Stepton with him in this
+affair, despite the professor's repellent attitude toward the amateur.
+Well, if there really was anything in it, if strangeness rose out of the
+orthodox bosom of St. Joseph's, if he--Malling--found himself walking in
+thick darkness, he meant to bring Stepton into the matter, whether at
+Stepton's desire or against it. Meanwhile he would see if there was
+enlightenment in Hornton Street.
+
+On the Wednesday the spell of fine weather which had made London look
+strangely vivacious broke up, and in the evening rain fell with a gentle
+persistence. Blank grayness took the town. A breath as of deep autumn was
+in the air. And the strange sadness of cities, which is like no other
+sadness, held the spirit of Evelyn Malling as he walked under an umbrella
+in the direction of Kensington High Street. He walked, to shake off
+depression. But in his effort he did not succeed. All that he saw
+deepened his melancholy; the soldiers starting out vaguely from barracks,
+not knowing what to do, but free for a time, and hoping, a little
+heavily, for some adventure to break the military monotony of their
+lives; the shopgirls, also in hope of something to "take them out of
+themselves"--pathetic desire of escape from the little prison, where the
+soul sits, picking its oakum sometimes, in its cell of flesh!--young
+men making for the parks, workmen for the public houses, an old woman,
+in a cap, peering out of an upper window in Prince's Gate; Italians with
+an organ, and a monkey that looked as if it were dying of nostalgia;
+women hurrying--whither?--with anxious faces, and bodies whose very
+shapes, and whose every movement, suggested, rather proclaimed, worry.
+
+Malling knew it was the rain, the possessive grayness, which troubled his
+body to-night, and through his body troubled his spirit. His nostrils
+inhaled the damp, and it seemed to go straight into his essence, into the
+mystery that was he. His eyes saw no more blue, and it was as if they
+drew a black shutter over all the blue in his heart, blotting it out.
+People became doomed phantoms, because the weather had changed and
+because London knows how to play Cassandra to the spirit of many a man.
+To Malling, as he presently turned to the right, Hornton Street looked
+like an alley leading straight to the pit of despair, and when he tapped
+on the blistered green door of the small house where the curate lived, it
+was as if he tapped seeking admittance to all the sorrowful things that
+had been brought into being to beset his life with blackness.
+
+A neat servant-girl opened the door. There was a smell of roast mutton in
+the passage. So far well. Malling took off his hat and coat, hung them up
+on a hook indicated by the plump red hand of the maid, and then followed
+her upstairs. The curate was in possession of the first floor.
+
+Malling knew that it would be a case of folding-doors and perhaps of
+curtains of imitation lace. It was a case of folding-doors. But there
+was a dull green hue on the walls that surely bespoke Henry Chichester's
+personal taste. There were bookcases, there were mezzotints, there were
+engravings of well-known pictures, and there were armchairs not covered
+with horsehair. There was also a cottage piano, severely nude. In the
+center of the room stood a small square table covered with a cloth and
+laid for two persons.
+
+"I'll tell Mr. Chichester, sir."
+
+The maid went out. From behind the folding-doors came to Malling's ears
+the sound of splashing water, then a voice saying, certainly to the maid,
+"Thank you, Ellen, I will come." And in three minutes Chichester was in
+the room, apologizing.
+
+"I was kept late in the parish. There's a good deal to do."
+
+"You're not overworked?" asked Malling.
+
+"Do I look so?" said Chichester, quickly.
+
+He turned round and gazed at himself in an oval Venetian mirror which
+was fixed to the wall just behind him. His manner for a moment was oddly
+absorbed as he examined his face.
+
+"London life tells on one, I suppose," he said, again turning. "We
+change, of course, in appearance as we go on."
+
+His blue eyes seemed to be seeking something in Malling's impenetrable
+face.
+
+"Do you think," he said, "I am much altered since we used to meet two
+years ago? It would of course be natural enough if I were."
+
+Malling looked at him for a minute steadily.
+
+"In appearance, you mean?"
+
+"Of course."
+
+"To-night it seems to me that you have altered a good deal."
+
+"To-night?" said the curate, as if with anxiety.
+
+"If there is any change,--and I think there is,--it seems to me more
+apparent to-night than it was when I saw you the other day."
+
+Ellen, the maid, entered the room bearing a tray on which was a
+soup-tureen.
+
+"Oh, dinner!" said Chichester. "Let us sit down. You won't mind simple
+fare, I hope. We are having soup, mutton,--I am not sure what else."
+
+"Stewed fruit, sir," interpolated Ellen.
+
+"To be sure! Stewed fruit and custard. Open the claret, Ellen, please."
+
+"Have you been in these rooms long?" asked Malling, as they unfolded
+their napkins.
+
+"Two years. All the time I have been at St. Joseph's. The rector told me
+of them. The curate who preceded me had occupied them."
+
+"What became of him?"
+
+"He has a living in Northampton now. But when he left he had nothing in
+view."
+
+"He was tired of work at St. Joseph's?"
+
+"I don't think he got on with the rector."
+
+The drip of the rain became audible outside, and a faint sound of
+footsteps on the pavement.
+
+"Possibly I shall not stay much longer," he added.
+
+"No doubt you'll take a living."
+
+"I don't know. I don't know. But, in any case, I may not stay much
+longer--perhaps. That will do, Ellen; you may go and fetch the mutton.
+Put the claret on the table, please."
+
+When the maid was gone, he added:
+
+"One doesn't want a servant in the room listening to all one says. As
+she was standing behind me I had forgotten she was here. How it rains
+to-night! I hate the sound of rain."
+
+"It is dismal," said Malling, thinking of his depression while he had
+walked to Hornton Street.
+
+"Do you mind," said the curate, slightly lowering his voice, "if I speak
+rather--rather confidentially to you?"
+
+"Not at all, if you wish to--"
+
+"Well, now, you are a man of the world, you've seen many people. I wish
+you would tell me something."
+
+"What is it?"
+
+Ellen appeared with the mutton. As soon as she had put it on the table
+and departed, Chichester continued:
+
+"How does Mr. Harding strike you? What impression does he make upon you?"
+
+Eagerness, even more, something that was surely anxiety, shone in his
+eyes as he asked the question.
+
+"He's a very agreeable man."
+
+"Of course, of course! Would you say he was a man to have much power over
+others, his fellow-men?"
+
+"Speaking quite confidentially--"
+
+"Nothing you say shall ever go beyond us two."
+
+"Then--I don't know that I should."
+
+"He doesn't strike you as a man of power?"
+
+"In the pulpit?"
+
+"And out of it--especially out of it?"
+
+"He may have been. But--perhaps he has lost in power. Dispersion, you
+know, does not make for strength."
+
+Suddenly the curate became very pale.
+
+"Dispersion--you say!" he almost stammered.
+
+As if to cover some emotion, he looked at Malling's plate, and added:
+
+"Have some more? You won't? Then--"
+
+He got up and rang the bell. Ellen reappeared, cleared away, and put the
+stewed fruit and custard on the table.
+
+"Bring the coffee in ten minutes, Ellen. I won't ring."
+
+"Very well, sir."
+
+"Dispersion," said Chichester to Malling in a firmer voice, as Ellen
+disappeared.
+
+"Concentration makes for strength. Mr. Harding seems to me mentally--what
+shall I say?--rather torn in pieces, as if preyed upon by some anxiety.
+Now, if you'll allow me to be personal, I should say that you have
+greatly gained in strength and power since I knew you two years ago."
+
+"You--you observe a difference?" asked Chichester, apparently in great
+perturbation.
+
+"A striking difference."
+
+"And--and would you say I looked a happier, as well as a--a stronger
+man?"
+
+"I couldn't with truth say that."
+
+"Very few of us are happy," said Chichester, with trembling lips. "Poor
+miserable sinners as we are! And we clergymen, who set up to direct
+others--" he broke off.
+
+He seemed greatly, strangely, moved.
+
+"You must forgive me. I have had a very hard day's work!" he murmured.
+"The coffee will do me good. Let us sit in the armchairs, and Ellen can
+clear away. I wish I had two sitting-rooms."
+
+He rang to make Ellen hurry. Till she came Malling talked about Italian
+pictures and looked at the curate's books. When she had cleared away,
+left the coffee, and finally departed, he sat down with an air of
+satisfaction. Chichester did not smoke, but begged Malling to light
+up, and gave him a cigar.
+
+"Coffee always does one good," he said. "It acts directly on the heart,
+and seems to strengthen the whole body. I have had a trying day."
+
+"You look tired," said Malling.
+
+The fact was that Chichester had never recovered the color he had so
+suddenly lost when they were discussing Mr. Harding.
+
+"It's no wonder if I do," rejoined Chichester, in a voice that sounded
+hopeless.
+
+He drank some coffee, seemed to make a strong effort to recover himself,
+and, with more energy, said:
+
+"I asked you here because I wanted to renew a pleasant acquaintanceship,
+but also--you won't think me discourteous, I know--because--well, I had
+a purpose in begging you to come."
+
+"Won't you tell me what it is?"
+
+The curate shifted in his armchair, clasped and unclasped his hands.
+A mental struggle was evidently going on within him. Indeed, during
+the whole evening Malling had received from him a strong impression of
+combat, of confusion.
+
+"I wanted to continue the discussion we began at Mr. Harding's the other
+day. You remember, I asked you not to tell him you were coming?"
+
+"Yes."
+
+"I think it's best to keep certain matters private. People so easily
+misunderstand one. And the rector has rather a jealous nature."
+
+Malling looked at his companion without speaking. At this moment he
+was so strongly interested that he simply forgot to speak. Never, even
+at a successful sitting when, the possibility of trickery having been
+eliminated, a hitherto hidden truth seemed about to lift a torch in the
+darkness and to illumine an unknown world, had he been more absorbed by
+the matter in hand. Chichester did not seem to be struck by his silence,
+and continued:
+
+"And then not every one is fitted to comprehend properly certain matters,
+to see things in their true light. Now the other day you said a thing
+that greatly impressed me, that I have never been able to get out of my
+mind since. You said, 'Harm can never come from truth.' I have been
+thinking about those words of yours, night and day, night and day. Tell
+me--did you mean them?"
+
+The question came from Chichester's lips with such force that Malling was
+almost startled.
+
+"Certainly I meant them," he answered.
+
+"And if truth slays?"
+
+"And is death the worst thing that can happen to a man, or to an
+idea--some wretched fallacy, perhaps, that has governed the minds of
+men, some gross superstition, some lie that darkens counsel?"
+
+"You think if a man lives by a lie he is better dead?"
+
+"Don't you think so?"
+
+"But don't we all need a crutch to help us along on the path of life?"
+
+"What! You, a clergyman, think that it is good to bolster up truth with
+lies?" said Malling, with genuine scorn.
+
+"I didn't say that."
+
+"You implied it, I think."
+
+"Perhaps if you had worked among men and women as much as I have you
+would know how much they need. If you went abroad, say to Italy, and saw
+how the poor, ignorant people live happily oftentimes by their blind
+belief in the efficacy of the saints, would you wish to tear it from
+them?"
+
+"I think we should live by the truth, and I would gladly strike away a
+lie from any human being who was using it as a crutch."
+
+"_I_ thought that once," said Chichester.
+
+The words were ordinary enough, but there was something either in the
+way they were said, or in Chichester's face as he said them, that made
+Malling turn cold.
+
+To cover his unusual emotion, which he was ashamed of, and which he
+greatly desired to hide from his companion, he blew out a puff of cigar
+smoke, lifted his cup, and drank the rest of his coffee.
+
+"May I have another cup?" he said. "It's excellent."
+
+The coffee-pot was on the table. Chichester poured out some more.
+
+"I will have another cup, too," he said. "How it wakes up the mind."
+
+He glanced at Mailing and added:
+
+"Almost terribly sometimes."
+
+"Yes. But--going back to our subject--don't you still think that men
+should live by the truth?"
+
+"I think," began Chichester--"I think--"
+
+It seemed as if something physical prevented him from continuing. He
+swallowed, as if forcing something down his throat.
+
+"I think," he got out at last, "that few men know how terrible the face
+of truth can be."
+
+His own countenance was contorted as he spoke, as if he were regarding
+something frightful.
+
+"I think"--he turned right round in his chair to confront Malling
+squarely--"that _you_ do not know."
+
+For the first time he completely dominated Malling, Chichester the
+gentle, cherubic clergyman, whom Malling had thought of as good, but
+weak, and certainly as a negligible quantity. He dominated, because at
+that moment he made Malling feel as if he had some great possession of
+knowledge which Malling lacked.
+
+"And you?" said Malling. "Do you know?"
+
+The curate's lips worked, but he made no answer.
+
+Malling was aware of a great struggle in his mind, as of a combat in
+which two forces were engaged. He got up, walked to the window, and
+stood as if listening to the rain.
+
+"If only Stepton were here!" thought Malling.
+
+There was a truth hidden from him, perhaps partly divined, obscurely half
+seen, but not thoroughly understood, as a whole invisible. Stepton would
+be the man to elucidate it, Malling thought. It lured him on, and baffled
+him.
+
+"How it rains!" said the curate at last, without turning.
+
+He bent down and opened the small window. The uneasy, almost sinister
+noise of rain in darkness entered the room, with the soft smell of
+moisture.
+
+"Do you mind if we have a little air?" he added.
+
+"I should like it," said Malling.
+
+Chichester came back and sat down again opposite Malling. His
+expression had now quite changed. He looked calmer, gentler, weaker,
+and much more uninteresting. Crossing his legs, and folding his thin
+hands on his knees, he began to talk in his light tenor voice. And
+he kept the conversation going on church music, sacred art in Italy,
+and other eminently safe and respectable topics till it was time for
+Malling to go.
+
+Only when he was letting his guest out into the night did he seem
+troubled once more. He clasped Malling's hand in his, as if almost
+unaware that he was doing so, and said with some hesitation:
+
+"Are you--are you going to see the rector again?"
+
+"Not that I know of," said Malling, speaking the strict truth, and
+virtually telling a lie at the same time.
+
+For he was determined, if possible, to see Mr. Harding, and that before
+very long.
+
+"If I may say so," Chichester said, shifting from one foot to another and
+looking down at the rain-sodden pavement, "I wouldn't see him."
+
+"May I ask you why?"
+
+"You may get a wrong impression. Two years ago he was another man.
+Strangers, of course, may not know it, not realize it. But we who have
+lived with him do know it. Mr. Harding is going down the hill."
+
+There was a note of deep sadness in his voice. Had he been speaking of
+himself, of his own decadence, his tone could scarcely have been more
+melancholy.
+
+And for long Malling remembered the look in his eyes as he drew back to
+shut his door.
+
+In the rain Malling walked home as he had come. But now it was deep in
+the night and his depression had deepened. He was a self-reliant man, and
+not easily felt himself small, though he was not conceited. To-night he
+felt diminished. The worm-sensation overcame him. That such a man as
+Chichester should have been able to convey to him such a sensation was
+strange, yet it was from Chichester that this mental chastisement had
+come. For a moment Chichester had towered, and at that moment Malling
+surely had dwindled, shrunk together, like a sheet of paper exposed to
+the heat of a flame.
+
+But that Chichester should have had such an effect on him--Malling!
+
+If Mr. Harding was going down the hill, Chichester surely was not. He had
+changed drastically since Malling had known him two years ago. In power,
+in force, he had gained. He now conveyed the impression of a man capable,
+if he chose, of imposing himself on others. Formerly he had been the wax
+that receives the impress. But whereas formerly he had been a contented
+man, obviously at peace with himself and with the world, now he was
+haunted by some great anxiety, by some strange grief, or perhaps even by
+some fear.
+
+"Few men know how terrible the face of the truth can be."
+
+Chichester had said that.
+
+Was he one of the few men?
+
+And was that why now, as Malling walked home in the darkness and rain, he
+felt himself humbled, diminished?
+
+For Malling loved knowledge and thought men should live by it. Had truth
+a Medusa face, still would he have desired to look into it once, would
+have been ready to endure a subsequent turning to stone.
+
+That Chichester should perhaps have seen what he had not seen--that
+troubled him, even humbled him.
+
+Some words of Professor Stepton came back to his mind: "If there's
+anything in it, development will take place in the link." And those last
+words: "If in doubt, study Lady Sophia."
+
+Mailing was in doubt. Why not follow Stepton's advice? Why not study Lady
+Sophia?
+
+He resolved to do it. And with the resolve came to him a sense of greater
+well-being. The worm-sensation departed from him. He lifted his head and
+walked more briskly.
+
+
+
+
+V
+
+
+On the night following the dinner in Hornton Street, Malling went to the
+Covent Garden Opera House to hear "La Traviata." The well-worn work did
+not grasp the attention of a man who was genuinely fond of the music of
+Richard Strauss, with its almost miraculous intricacies, and who was
+willingly captive to Debussy. He looked about the house from his stall,
+and very soon caught sight of Lady Mansford, Lady Sophia's sister-in-law,
+in a box on the Grand Tier. Malling knew Lady Mansford. He resolved to
+pay her a visit, and as soon as the curtain was down, and Tetrazzini had
+tripped before it, smiling not unlike a good-natured child, he made his
+way upstairs, and asked the attendant to tap at a door on which was
+printed, "The Earl of Mansford." The man did so, and opened the door,
+showing a domestic scene highly creditable to the much maligned British
+aristocracy--Lord Mansford seated alone with his wife, in evidently
+amicable conversation.
+
+After a few polite words he made Malling sit down beside her, and, saying
+he would have a cigarette in the foyer, he left them together.
+
+Lady Mansford was a pretty, dark woman, of the slightly irresponsible
+and little-bird type. She willingly turned her charmingly dressed head
+and chirped when noticed, and she was generally noticed because of her
+beauty. Now she chirped of Ceylon, where Malling had been, and then, more
+vivaciously, of Parisian milliners, where she had been. From these allied
+subjects Malling led her on to a slightly different topic--religion.
+
+"I went to St. Joseph's last Sunday week," he presently said.
+
+"St. who--what?" said Lady Mansford, who was busy with her
+opera-glasses, and had just noticed that Lady Sindon, a bird-like
+rival of hers, had changed the color of her hair, fortunately to
+her--Lady Sindon's--disadvantage.
+
+"To St. Joseph's, to hear your brother-in-law preach."
+
+"It doesn't do at all," murmured Lady Mansford. "It makes her look
+Chinese."
+
+"You said--?"
+
+"Mollie Sindon. But what were you talking about? Do tell me." She laid
+down her glasses.
+
+"I was saying that I went to church last Sunday week."
+
+"Why?"
+
+"To hear your brother-in-law preach at St. Joseph's."
+
+"Marcus!" exclaimed Lady Mansford.
+
+She pursed her lips.
+
+"I don't go to St. Joseph's. Poor Sophy! I'm sorry for her."
+
+"I lunched with Lady Sophia after the service."
+
+"Did you? Isn't it sad?"
+
+"Sad! I don't quite understand?" said Malling, interrogatively.
+
+"The change in him. Of course people say it's drink. Such nonsense! But
+they must say something, mustn't they?"
+
+"Is Mr. Harding so very much changed?"
+
+"Do you mean to say you didn't notice it?"
+
+"I never met him till within the last fortnight."
+
+"He's transformed--simply. He might have risen to anything, with his
+energy, his ambition, and his connections. And now! But the worst of it
+is no one can make out why it is. Even Sophia and Isinglass--my husband,
+you know!--haven't an idea. And it gets worse every day. Last Sunday I
+hear his sermon was too awful, a mere muddle of adjectives, such as one
+hears in Hyde Park, I believe. I never liked Marcus particularly. I
+always thought him too autocratic, too determined to dominate. He had
+that poor little Mr. Chichester--his curate--completely under his thumb.
+Mr. Chichester couldn't call his soul his own. He worshiped Marcus. But
+now they say even he is beginning to think that his god is of clay. What
+can it be? Do you think Marcus is losing his mind?"
+
+"Oh, I should hope not," returned Malling, vaguely. "Has it been going on
+long?"
+
+"Oh, for quite a time. But it all seemed to come on gradually--as things
+_do_, you know! Poor Sophy has always adored him, and given way to him in
+everything. In her eyes all that he does is right. She never says a word,
+I believe, but she must be suffering the tortures of--_you_ know! There's
+Winnie Rufford coming in! How astonishingly young she looks. Were you at
+the Huntingham's ball? Well--"
+
+Lady Mansford twittered no more about the Harding menage. But Malling
+felt that his visit had not been fruitless.
+
+After the opera he went to a party in Grosvenor Street where again he
+managed to produce talk of the Hardings. It seemed that Lady Mansford
+had not exaggerated very much. Among those who knew the Hardings a change
+in the rector of St. Joseph's had evidently been generally noticed.
+Malling took in to supper a Mrs. Armitage, a great friend of Lady
+Sophia's, and she made no secret of the fact that Lady Sophia was greatly
+distressed.
+
+"I thought she would have been here to-night," Mrs. Armitage said. "But
+she isn't. I suppose she felt she couldn't face it. So many of his
+congregation are here, or so many who were in his congregation."
+
+"The church was crammed to the doors last Sunday week when he preached,"
+observed Malling.
+
+"Was it? Curiosity, I suppose. It certainly can't have been the
+intellectual merit of the sermon. I heard it was quite deplorable. But
+last Sunday's, I was told, was worse still. No continuity at all, and
+the church not full. People say the curate, Mr. Chichester, who often
+preaches in the evening, is making a great effect, completely cutting out
+his rector. And he used to be almost unbearably dull."
+
+"Will you have a quail?"
+
+"Please. You might give me two. My doctor says if I sit up late--thank
+you!"
+
+"I've never heard Mr. Chichester preach," said Malling.
+
+"He seems to have come on marvelously, to be quite another man."
+
+"Quite another man, does he?"
+
+"Yes. It's very trying for the Hardings naturally. If it continues I
+think there will have to be a change. I don't think things can go on as
+they are. My friend Sophia won't be able to stand it."
+
+"You mean--the contrast?"
+
+"Between her husband and Mr. Chichester. She's very highly strung and
+quite worships her husband; though, between you and me, _I_ think rather
+in the slave spirit. But some women are like that. They can't admire a
+man unless he beats them. Not that Mr. Harding ever dreamed of doing such
+a thing to Sophia, of course. But his will had to be law in everything.
+You know the type of man! It's scarcely my idea of what a clergyman
+should be. I think a man who professes to direct the souls of others
+should be more gentle and unselfish, especially to his wife. Another
+quail? Well, really, I think perhaps I will. They are so absurdly small
+this season, aren't they? There's scarcely anything on them."
+
+So that minute fraction of the world that knew of the existence of the
+Hardings began to utter itself concerning them, and Malling was fortified
+in his original belief which he had expressed to Professor Stepton.
+
+Among his many experiments made in connection with psychical research
+those which had interested him the most had been those in which the
+mystery of the human will had seemed to be deeply involved. Malling was
+essentially a psychologist. And man was to him the great mystery, because
+man contained surely something that belonged to, that was lent to, man,
+as it were, by another, the mind beyond, the _anima mundi_. When Malling
+drew mentally, or spiritually, very near to any man, however rude,
+however humble, he always had the feeling that he was approaching holy
+ground. Hidden beneath his generally imperturbable exterior, sunk beneath
+the surface incredulity of his mind, there was the deep sense of mighty
+truths waiting the appointed day of proclamation. Surely, he often
+thought, if there is God in anything, in the last rays of the sunset,
+in the silence of night upon the sea, in the waking of spring among the
+forests and the gardens, in the song of the nightingale which knows
+not lovers are listening, there is God in the will of man.
+
+And when he made investigations into the action of will upon will, or
+of will--as it seemed--upon matter, he was held, as he was not held by
+the appearance of so-called spirit faces and spirit forms, even when
+he could not connect these with trickery which he knew how to expose.
+Perhaps, however, his incredulity in regard to these latter phenomena was
+incurable, though he did not know it. For he knew nearly all the devices
+of the charlatans. And when the so-called spirits came, the medium was
+always entranced, that is, apparently will-less, and so to Malling not
+interesting.
+
+Now, from what Harding and Chichester had said to him, and from what
+he had observed for himself, Malling believed that the two clergymen
+must have had sittings together, probably with the usual tremendous
+object of the ignorant amateur, that merely of communicating with the
+other world. Considering who the two men were, Malling believed that in
+all probability they had sat alone and in secret. He also felt little
+doubt that from Mr. Harding's brain had come the suggestion of these
+practices, that his will had led Chichester on to them. Although he
+had not known the rector two years ago, he had gathered sufficient
+testimony to the fact that he had been a man of powerful, even perhaps
+of tyrannical, temperament, formed rather to rule than to be ruled. He
+knew that Chichester, on the contrary, had been gentle, kindly, yielding,
+and of somewhat weak, though of very amiable, nature. The physique of the
+two men accorded with these former temperaments. Harding's commanding
+height, large frame, big, powerful face and head, rather hard gray eyes,
+even his large white teeth, his bony, determined hands, his firmly
+treading feet, suggested force, a dominating will, the capacity, and
+the intention, to rule. Henry Chichester's fleshly envelop, on the other
+hand, cherubic, fair, and delicate, his blue eyes, small bones, the shape
+of forehead and chin, the line of the lips, hinted at--surely more than
+that, surely stated mildly--the existence within it of a nature retiring,
+meek, and ready to be ruled by others. No wonder if Chichester had been,
+as Lady Mansford had said, completely under the rector's thumb, no wonder
+if he had been unable to "call his soul his own" and had "worshiped
+Marcus."
+
+Yes, if there had been these secret sittings by these two men, it was
+Harding who had persuaded Chichester to take part in them. And what had
+these sittings led to, what had been their result?
+
+The ignorant outsider, the hastily skeptical, of course would say that
+there could have been no result. Malling, knowing more, knew better. He
+had seen strange cases of temporary confusion of a man's will brought
+about by sittings, of what had seemed temporary change even of a man's
+nature. When a hitherto sane man goes mad he often becomes the opposite
+of what he was. Those whom he formerly loved he specially singles out
+for hatred. That which he delighted to do he shrinks from with horror.
+Once good-natured, he is now of an evil temper, once gentle, he is
+fiercely obstinate, once gay, he cowers and weeps. So Malling had known
+a man, while retaining his sanity, to be transformed by the apparently
+trivial fact of sitting at a table with a friend, and placing his hands
+upon it with the hands of another man. He himself had sat with an Oxford
+friend,--who in later sittings became entranced,--and at the very first
+experiment this man had said to him, "It's so strange, now that I am
+sitting with you like this I feel filled with hatred toward you." This
+hatred, which had come upon this man at every successive sitting, had
+always faded away when the sitting was over. But was it certain that the
+feelings generated in sittings never persisted after they were broken
+up? Was it certain that in every case the waters that had been
+mysteriously troubled settled into their former stillness?
+
+Harding and Chichester, for instance! Had the strong man troubled the
+waters of the weaker man's soul, and were those waters still agitated?
+That was perhaps possible. But Malling thought it was possible also, and
+he had suggested this to Professor Stepton, that the weaker man had
+infused some of his weakness, his self-doubtings, his readiness to be
+affected by the opinion of others, into his dominating companion. Malling
+believed it possible that the wills of the two clergymen, in some
+mysterious and inexplicable way, had mingled during their sittings, and
+that they had never become completely disentangled. If this were so, the
+result was a different Harding from the former Harding, and a different
+Henry Chichester from the former Henry Chichester.
+
+What puzzled Malling, however, was the fact, if fact it were, that the
+difference in each man was not diminishing, but increasing.
+
+Could they be continuing the sittings, if there had ever been sittings?
+All was surmise. As the professor had said, he, Malling, was perhaps
+deducing a good deal from very little. And yet was he? His instinct told
+him he was not. Yet there might no doubt be some ordinary cause for the
+change in Mr. Harding. Some vice, such as love of drink, or morphia,
+something that disintegrates a man, might have laid its claw upon him.
+That was possible. What seemed to Malling much more unaccountable was the
+extraordinary change in the direction of strength in Chichester. And the
+relations between the two men, if indeed the curate had once worshiped
+his rector, were mysteriously transformed. For now, was it not almost as
+if something of Harding in Chichester watched, criticized, Chichester in
+Harding?
+
+But now--to study Lady Sophia! For if there was really anything in
+Malling's curious supposition, the woman must certainly be strangely
+affected. He remembered the expression in her eyes when her husband
+was preaching, her manner when she spoke of the curate as one of her
+husband's swans.
+
+And he longed to see her again. She had said that she hoped he would come
+again to St. Joseph's and to her house, but he knew well that any such
+desire in her had arisen from her wounded pride in her husband. She
+wished Malling to know what the rector could really do. When she thought
+that the rector had recovered his former powers, his hold upon the minds
+of men, then she would invite Malling to return to St. Joseph's, but not
+before.
+
+And when would that moment come?
+
+It might not come for weeks, for months. It might never come. Malling did
+not mean to await it. Nevertheless he did not want to do anything likely
+to surprise Lady Sophia, to lead her to think that he had any special
+object in view in furthering his acquaintance with her.
+
+While he was casting about in his mind what course to take, chance
+favored him.
+
+Four days later, when he was strolling round the rooms in Burlington
+House, he saw not far in front of him the tall and restless figure of
+a woman. She was alone. For some time Malling did not recognize her.
+She did not turn sufficiently for him to see her face, and her almost
+feverish movements, though they attracted and fixed his attention, did
+not strike him as familiar. His thought of her, as he slowly followed
+in the direction she was taking, was, "What a difficult woman that would
+be to live with!" For the hands were never still; the gait was uneasy;
+nervousness, almost a sort of pitiful irritation, seemed expressed by her
+every movement.
+
+In the big room this woman paused before the picture of the year, which
+happened to be a very bad one, and Malling, coming up, at last recognized
+her as Lady Sophia Harding.
+
+He took off his hat. She seemed startled, but greeted him pleasantly, and
+entered into a discussion of the demerits which fascinate the crowd.
+
+"You prefer seeing pictures alone, perhaps?" said Malling, presently.
+
+"Indeed I don't," she answered. "I was coming to-day with my husband. We
+drove up together. But at the last moment he thought he remembered
+something,--some appointment with Mr. Chichester,--and left me."
+
+There were irony and bitterness in her voice.
+
+"He said he'd come back and meet me in the tea-room presently," she
+added.
+
+"Shall we go there and wait for him?" asked Malling.
+
+"But I'm afraid I'm taking up your time."
+
+"I have no engagements this afternoon. I shall enjoy a quiet talk with
+you."
+
+"It's very good of you."
+
+They descended, and sat down in a quiet corner. In the distance a few
+respectable persons were slowly eating bath-buns with an air of fashion,
+their duly marked catalogues laid beside them on marble.
+
+Far-off waiters, standing with their knees bent, conversed in
+undertones. A sort of subterranean depression, peculiar to this
+fastness of Burlington House, brooded over the china and the provisions.
+
+"It reminds me of the British Museum tearoom," said Lady Sophia. "Here is
+tea! What a mercy! Modern pictures sap one's little strength."
+
+She looked haggard, and was obviously on the edge of her nerves.
+
+"Marcus might have come in," she added. "But of course he wouldn't--or
+couldn't."
+
+"Doesn't he care for pictures?"
+
+She slightly shrugged her shoulders.
+
+"He used to. But I don't know that he does now."
+
+"I suppose he has a tremendous amount to do."
+
+"He used to do much more at Liverpool. If a man wishes to come to the
+front he mustn't sit in an armchair with folded hands."
+
+There was a sharp sound of criticism in her voice which astonished
+Malling. At the luncheon, only about a fortnight ago, she had shown
+herself plainly as the adoring wife, anxious for her husband's success,
+nervously hostile to any one who interfered with it, who stood between
+him and the homage of his world. Now Malling noted, or thought he noted,
+a change in her mental attitude. He was instantly on the alert.
+
+"I'm sure that's the last thing Mr. Harding would do," he said.
+
+She shot a glance at him out of her discontented dark eyes.
+
+"Are you?" she said.
+
+And sarcasm crept in the words. She gave to Malling at this moment the
+impression of a woman so strung up as to be not her natural self, so
+tormented by some feeling, perhaps long repressed, that her temperament
+was almost furiously seeking an outlet, knowing instinctively, perhaps,
+that only there lay its salvation.
+
+"His record proves it," said Malling, with serenely smiling assurance.
+
+Lady Sophia twisted her lips. The Academy tea was very strong. Perhaps
+it had been standing. She drank a little, pulled at her long gloves
+restlessly, and looked at Malling. He knew she was longing to confide
+in somebody. If only he could induce her to confide in him!
+
+"Oh, my husband's been a very active man," she said. "Everybody knows
+that. But in this modern world of ours one must not walk, or even
+run along, one must keep on rushing along if one intends to reach the
+goal."
+
+"And by that you mean--?"
+
+"Mean! The topmost height of your profession, or business, of whatever
+career you are in."
+
+"You are ambitious," he said.
+
+"Not for myself," she answered quickly. "I have no ambition for myself."
+
+"But perhaps the ambition to spur on another successfully? That seems to
+me the truest, the most legitimate ambition of the woman all men worship
+in their hearts."
+
+Suddenly tears started into her eyes. She was sitting opposite Malling,
+the tea-table between them. Now she leaned forward across it. By nature
+she was very sensitive, but she was not a self-conscious, woman. She was
+not self-conscious now.
+
+"It is much better to be selfish," she said earnestly. "That is where we
+women make such a fatal mistake. Instead of trusting to ourselves, of
+relying on ourselves, and of having a personal ambition, we seek always
+another in whom we may trust; we are unhappy till we rely on another; it
+is for another we cherish, we hug, ambition. And then, when all founders,
+we realize too late what I dare say every man knows."
+
+"What is that?"
+
+"That we women are fools--fools!"
+
+"For being unselfish?"
+
+"For thinking we have power when we are impotent."
+
+She made a gesture that was surely one of despair.
+
+"No one--at any rate, no woman--has power for another," she added, with
+almost terrible conviction. "That is all a legend, made up to please us,
+I suppose. We draw a sword against darkness and think we are fighting.
+Isn't it too absurd?"
+
+With the last words she changed her tone, trying to make it light, and
+she smiled.
+
+"We take everything too seriously. That's the trouble!" she said. "And
+men pretend we take nothing seriously."
+
+"Very often they don't understand."
+
+"Oh, please say never!" she exclaimed. "They never understand."
+
+Suddenly Malling resolved on a very bold stroke.
+
+"But I'm a man," he said, as if that obvious fact shattered her
+contention.
+
+"What has that got to do with it?" she said, in obvious surprise.
+
+"Because I do not understand."
+
+For a moment she was silent. He thought he read what was passing through
+her mind, as he knew he had read her character. She was one of those
+women who must be proud of their men, who love to be ruled, but only
+by a conqueror, who delight to sink themselves, but in power, not in
+impotence. And now she was confronted by the shipwreck not merely of
+her hopes, but also of her belief. She saw a hulk drifting at the mercy
+of the waves that, perhaps, would soon engulf it. But she was not only
+despairing, she was raging too. For she was a woman with nervous force
+in her, and it is force that rages in the moments of despair, seeking,
+perhaps unconsciously, some means of action and finding none.
+
+"Why should there not be some hope?" asked Malling, quietly.
+
+"To-morrow is Sunday. If you go to morning church at St. Joseph's, and
+then to evening church, you will see if there is any hope."
+
+"To evening church?"
+
+"Yes, yes."
+
+She got up.
+
+"You are going?"
+
+"I must. Forgive me!"
+
+She held out her hand.
+
+"But--"
+
+"No, don't come with me, please."
+
+"If I go to St. Joseph's to-morrow, afterward may I see you again?"
+
+"If you think it's worth while."
+
+Her face twisted. Hastily she pulled down her veil, turned away and left
+him.
+
+
+
+
+VI
+
+
+Malling went the next day to morning and evening service at St. Joseph's.
+He was not invited to lunch in Onslow Gardens, and he did not see Lady
+Sophia. On the whole, he was glad of this. He had enough to keep in his
+mind that day. The matter in which he was interested seemed growing
+before his eyes, like a thing coming out of the earth, but now beginning
+to thrust itself up into regions where perhaps it would eventually be
+hidden in darkness, with the great company of mysteries whose unraveling
+is beyond the capacity of man.
+
+He had now, he felt sure, a clear comprehension of Lady Sophia. Their
+short interview at Burlington House had been illuminating. She was a
+typical example of the Adam's-rib woman; that is, of the woman who,
+intensely, almost exaggeratedly feminine, can live in any fullness only
+through another, and that other a man. Through Mr. Harding Lady Sophia
+had hitherto lived, and had doubtless, in her view, triumphed. Obviously
+a woman not free from a nervous vanity, and a woman of hungry ambition,
+her vanity and ambition had been fed by his growing notoriety, his
+increasing success and influence. The rib had thrilled with the body to
+which it belonged.
+
+But that time of happy emotion, of admiration, of keen looking forward,
+was the property of the past. Lawn sleeves, purple, perhaps,--for who
+is more hopeful than this type of woman in the golden moments of
+life?--perhaps even an archiepiscopal throne faded from before the eyes
+they had gladdened--the eyes of faith in a man.
+
+And a different woman was beginning to appear--a woman who might be as
+critical as she had formerly been admiring, a woman capable of becoming
+embittered.
+
+On the Sunday of Malling's visit to Onslow Gardens, Mr. Harding's failure
+in the pulpit had waked up in his wife eager sympathy and eager spite,
+the one directed toward the man who had failed, the other toward the man
+who, as Malling felt sure, had caused the failure.
+
+In Burlington House that woman, whom men with every reason adore, had
+given place to another less favorable toward him who had been her hero.
+
+It seemed to Malling as if in the future a strange thing might happen,
+almost as if it must happen: it seemed to him as if Chichester might
+convey his view of his rector to his rector's wife.
+
+"Study the link," Stepton had said. "There will be development in the
+link."
+
+Already the words had proved true. There had been a development in Lady
+Sophia such as Malling had certainly not anticipated. Where would it end?
+Again and again, as he listened to the morning and evening sermons,
+Malling had asked himself that question; again and again he had recalled
+his conversation at Burlington House with Lady Sophia.
+
+In the morning at St. Joseph's Mr. Harding had preached to a church
+that was half filled; in the evening Henry Chichester had preached to a
+church that was full to the doors. And each of the clergymen in turn had
+listened to the other, but how differently!
+
+Mr. Harding had ascended to the pulpit with failure staring him in
+the face, and whereas on the Sunday when Malling first heard him he
+had obviously fought against the malign influence which eventually
+had prevailed over him, this time he had not had the vigor to make a
+struggle. Certainly he had not broken down. It might be said of him,
+as it was once said of a nation, that he had "muddled through." He had
+preached a very poor sermon in a very poor way, nervously, indeed,
+almost timidly, and with the manner of a man who was cowed and hopeless.
+The powerful optimism for which he had once been distinguished had
+given way to an almost unhealthy pessimism, alien surely to the minds
+of all believers, of all who profess to look forward to that life of
+which, as Tolstoi long ago said, our present life is but a dream. Even
+when he was uttering truths he spoke them as if he had an uneasy
+suspicion that they were lies. At moments he seemed to be almost
+pleading with his hearers to tolerate him, to "bear with him." Indeed,
+several times during his disjointed remarks he made use of the latter
+expression, promising that his discourse should be a short one. Very
+carefully he included himself among those aware of sin, very humbly he
+declared the unworthiness of any man to set himself up as a teacher and
+leader of others.
+
+Now, humility is all very well, but if carried to excess, it suggests
+something less than a man. Mr. Harding almost cringed before his
+congregation. Malling did not feel that his humility was a pretense.
+On the contrary, it struck him as abominably real, but so excessive as
+to be not natural in any thorough man in a normal condition of mind and
+of body. It was the sort of humility that creates in the unregenerate a
+desire to offer a good kicking as a corrective.
+
+Very different was the effect created by Chichester's sermon in the
+evening. Malling, aware though he had become of the great strengthening
+of Chichester, was amazed when he heard him preach.
+
+Often it is said of a very fine preacher that he preached as one
+inspired. Chichester preached as one who knew. Never before had Malling
+been so impressed with the feeling that he was listening to truth,
+absolute truth, as he was while he listened to Chichester. There was
+something, though, that was almost deadly about it. It pierced like a
+lancet. It seared like a red-hot iron. It humbled almost too much.
+Here was no exaggerated humility, no pleading to be borne with, no
+cringing, and no doubt. A man who knew was standing up, and, with a
+sort of indifference to outside opinion that was almost frightening,
+was saying some of the things he knew about men, women--and surely God!
+
+The subject was somewhat akin to that of the first sermon of Mr. Harding
+which Malling had heard. The rector then had preached on self-knowledge.
+The curate, now, preached on hypocrisy. Incidentally he destroyed his
+rector's sermon, flung it away on the scrap-heap, and passed on. This was
+not done viciously, but it was done relentlessly. Indeed, that was the
+note of the whole sermon. It was relentless, as truth is relentless, as
+death is relentless. And besides being terribly true, it was imaginative.
+But the preacher almost succeeded in conveying the impression to his
+congregation that what is generally called imagination is really vision,
+that the true imagination is seeing what is, but is often hidden, knowing
+what is, but is often unknown. The latter part of the sermon struck
+Malling as very unusual, even as very daring.
+
+The preacher had spoken of the many varieties of hypocrisy. Finally he
+drew a picture of a finished hypocrite. And the man lived as a man lives
+in the pages of a great writer. One could walk round him, one knew him.
+And then Chichester treated him as the writer treats his creation; he
+proceeded to show his hypocrite in action.
+
+The man, happy, almost triumphant,--for he now often looked upon himself
+with the eyes of others who knew him not,--was walking to his home on a
+winter's evening along a country road, passing now and then rustics who
+respectfully saluted him, neighbors who grasped his hand, children who
+innocently smiled at him, women who whispered that he was a fine fellow,
+the clergyman of his parish, who gave him God-speed upon his way as to
+one who deserved that God should speed him because his way was right.
+Snow was upon the ground. Such light as there was began to fade. It was
+evident that the night, which was very still, was going to be very dark.
+And the man stepped out briskly. Presently, at a lonely part of the road,
+happening to look down, he saw footprints in the freshly fallen snow.
+They were of feet that had recently passed on the way he was following.
+They had attracted, they continued to attract, his attention, he knew not
+why. And as he went on, his eyes were often upon them.
+
+Presently he began to wonder about the feet which had made the prints he
+saw. Did they belong to a man or a woman? The prints were too large to
+have been made by the feet of a child. He gazed at them searchingly, and
+made up his mind that it was a man who had recently trodden this road.
+And what sort of man was it that thus preceded him not very far away? He
+became deeply engrossed with this question. His mind revolved about this
+unknown traveler, floating forward in surmises, till, by chance, he
+happened to set his right foot in one of the prints left in the snow.
+His foot exactly filled it. This fact, he knew not why, startled him.
+He stopped, bent down, examined the snow closely, measured very carefully
+his feet with the prints before him, now rather faintly discerned in
+the gathering darkness. The prints might have been made by his own feet.
+Having ascertained this, and reflected for a moment, he went forward, now
+assailed by a growing curiosity as to the personality and character of
+the stranger. But perhaps he was not a stranger. He might surely well be
+a neighbor, an acquaintance, perhaps even a friend. The man meant, if
+possible, to come up with him, whoever he was, and he now hurried along
+with the intention of joining the unknown whose footprints were the same
+as his own.
+
+At this point in his sermon Chichester paused for a moment. And
+Malling, who seldom felt any thrill at a seance, and who had often
+remained calmly watchful and alert during manifestations which amazed
+or terrified others, was aware of a feeling of cold, which seemed to
+pass like a breath through his spirit. The congregation about him,
+perhaps struck by the unusual form of the sermon, remained silent and
+motionless, waiting. In his stall sat the rector with downcast eyes.
+Malling could not at that moment discern his expression. His large
+figure and important powerful head and face showed almost like those
+of a carven effigy in the lowered light of the chancel. The choirboys
+did not stir, and the small, fair man in the pulpit, raising his thin
+hands, and resting them on the marble ledge, continued quietly, taking
+up his sermon with a repetition of the last words uttered, "whose
+footprints were the same as his own."
+
+Again the cold breath went through Malling's spirit. He leaned slightly
+forward and gazed at Chichester.
+
+For some time the man thus went onward, following the footprints in
+the snow, but not overtaking any one, and becoming momentarily more
+eager to satisfy his curiosity. Then, on a sudden, he started, stopped,
+and listened. It had now become very dark, and in this darkness, and
+the great stillness of night, he heard the faint sound of a footfall
+before him, brushing through the crisp snow, which lay lightly, and not
+very deep, on the hard highroad leading to the village on the farther
+outskirts of which his house was situated. He could not yet see any one,
+but he felt sure that the person who made this faint sound was no other
+than he in whose steps he had been treading. It would now be a matter of
+only a minute or two to come up with him. And the man went on, but more
+slowly, whether because he was now certain of attaining his object or
+for some other reason.
+
+The sound of the footfall persisted, and was certainly not far off. The
+prints in the snow were so fresh that they seemed not quite motionless,
+as if the snow were only now settling after the pressure it had just
+suffered. The man slackened his pace. He did not like the sound which
+he heard. He began to feel as if he by whom it was made would not prove
+a companion to his taste. Yet his curiosity continued. There began within
+him a struggle between his curiosity and another sensation, which was
+of repugnance, almost of fear. And so equal were the combatants that
+the lights of the village were in sight, and he had not decreased the
+distance between himself and the other. Seeing the lights, however, his
+curiosity got the upper hand. He slightly quickened his pace, and almost
+immediately beheld the shape of a man relieved against the night, and
+treading onward through the snow. And as the sound of the footsteps had
+been disagreeable to his nerves, so the contours of the moving blackness
+repelled him. He did not like the look of this man whose footprints were
+the same as his own, and he decided not to join him. But, moving rather
+cautiously, he gained a little upon him, in order to make sure, if
+possible, whether or not he was a neighbor or an acquaintance.
+
+The figure seemed somehow familiar to our man, indeed, oddly familiar.
+Nevertheless, he was unable to identify it. As he followed it, more and
+more certain did he become that he had seen it, that he knew it. And
+yet--did he know it? Had he seen it? It was almost as if one part of him
+denied while the other affirmed. He longed, yet feared, to see the face.
+But the face never looked back. And so, one at a little distance behind
+the other, they came into the village.
+
+Here a strange thing occurred.
+
+There were very few people about, but there were a few, and two or
+three of them, meeting the person our man was following, greeted him
+respectfully. But these same people, when immediately afterward they
+encountered the other, who had known them for years, and whom they of
+course knew, showed the greatest perturbation; one, a woman, even signs
+of terror. They gave him no greeting, shrank from him as he passed,
+and stared after him, as if bemused, when he was gone by. Their behavior
+was almost incredible. But he was so set on what was before him that he
+stopped to ask no questions.
+
+The village was a long one. Always one behind the other, walking at an
+even pace, the two men traversed it, approaching at last the outskirts,
+where, separated from the other habitations, and surrounded by a garden
+in which the trees were laden with snow, stood the house of the man who
+now watched and followed, with a growing wonder and curiosity, combined
+with an ever-growing repugnance, him who made the footprints, who had
+been saluted by the villagers, whose figure and general aspect seemed in
+somewise familiar to him, and yet whom he could not recognize. Where
+could this person be going? The man asked himself, and came to a resolve
+not to follow on into the darkness of the open country, not to proceed
+beyond his own home, of which now he saw the lights, but to make an
+effort to see the face of the other before the garden gate was reached.
+
+In this attempt, however, he was destined to be frustrated. For as he
+determinedly quickened his steps, so did the other, who gained the gate
+of the garden, unlatched it, turned in, and walked on among the trees
+going toward the principal door.
+
+A visitor, then! The man paused by his garden gate, whence he could see
+his house front, with the light from the window of his own sitting-room
+streaming over the porch. The stranger stood before it, made a movement
+as if searching in his pocket, drew out his hand, lifted it. The door
+opened at once. He disappeared within, and the door closed after him.
+
+He had opened the door with a key.
+
+The man at the gate felt overcome by a sensation almost of horror,
+which he could not explain to himself. It was not that he was horrified
+by the certainly extraordinary fact of some one possessing a key to his
+house, and using it in this familiar fashion. It was not even that he
+was horrified at seeing a man, perhaps a stranger, disappearing thus
+into his home by night, uninvited, unexpected. What horrified him was
+that this particular man, whose footprints he had followed and measured
+with his foot, whose footfalls he had heard, whose form he had seen
+outlined against the night, should be within his house, where his wife
+and his children were, and where his venerable mother was sitting beside
+the fire. That this man should be there! He knew now that from the first
+moment when he had been aware of his existence he had hated him, that his
+subconscious mind had hated him.
+
+But who was he? The natural thing would have been to follow quickly into
+the house, to see who had entered, to demand an explanation. But he could
+not do this. Why? He himself did not know why. But he knew that he dared
+not do this. And he waited, expecting he knew not what; a cry, a summons,
+perhaps, some manifestation that would force him to approach.
+
+None came. Steadily the lights shone from the house. There was no sound
+but the soft fall of a block of snow from an overladen fir branch in the
+garden. The man began to marvel. Who could this be whose familiar entry
+into his--_his_ home thus at night caused no disturbance? There were dogs
+within: they had not barked. There were servants: apparently they had not
+stirred. It was almost as if this stranger's permanence was accepted by
+the household. A long, long time had slipped by.
+
+The man at length, making an almost fierce effort, partly dominated the
+unreasoning sense of horror which possessed him. He opened the gate,
+stepped into the garden, and made his way slowly and softly toward the
+house door. But suddenly he stopped. Through the unshuttered window of
+his sitting-room, the room in which for years he had spent much of his
+time, in which he had concocted many schemes to throw dust in the
+eyes of his neighbors, and even of his own relatives, in which he had
+learned very perfectly to seem what he was not, and to hide what he
+really was, he perceived the figure of a man. It crossed the lighted
+space slowly, and disappeared with a downward movement. He knew it was
+the man he had been following and whom he had seen enter his house.
+
+For a long while he remained where he was on the path of the garden.
+The night deepened about him. A long way off, at the other end of the
+village, a clock chimed the hours. In the cottages the lights were
+extinguished. The few loungers disappeared from the one long street
+vanishing over the snow. And the man never moved. A numb terror possessed
+him. Yet, despite his many faults and his life of evil, he had never been
+physically a coward. Always the light shone steadily from the window of
+his study, making a patch of yellow upon the snow. Always the occupant
+of the room must be seated tranquilly there, like an owner. For no figure
+had risen, had repassed across the unshuttered space.
+
+The man told himself again and again that he must go forward till
+he gained the window, that he must at least look into the room; if he
+dared not enter the house to confront the intruder, to demand an
+explanation. But again and again something within him, which seemed to
+be a voice from the innermost chamber of his soul, whispered to him not
+to go, whispered to him to leave the intruder alone, to let the intruder
+do what he would, but not to approach him, above all, not to look upon
+his face. And the man obeyed the voice till a thing happened which roused
+in him a powerful beast, called by many the natural man.
+
+He saw his wife, whom he loved in his way, though he had tricked and
+deceived her again and again, cross the window space, smiling, and
+disappear with a downward movement, as the other had disappeared. Then
+she rose into his range of vision, and stood for a moment so that he
+could see her clearly, smiling, talking, making little gestures that
+he knew, carrying her hand to her face, stretching it out, dropping it.
+Finally she lifted it to her lips, half-closing her eyes at the same
+time, took it away quickly, with a sort of butterfly motion, and
+vanished, going toward the left, where the room door was.
+
+So had she many and many a time bidden him, her husband, good night.
+Instantly, with an impulse which seemed combined of rage and terror,
+both now full of a driving force which was irresistible, the man sprang
+forward to the window, seized the stone coping with his hands and stared
+into his room.
+
+Seated in a round chair at his writing-table, by a lamp with a green
+shade, was the man who had entered his house. He was writing busily in
+a book with a silver clasp that could be locked with a key, and he leaned
+a little over the table with his head turned away. The shape of his head,
+his posture, even the manner in which he used his pen as he traced line
+after line in the book, made an abominable impression upon the man
+staring in at the window. But the face--the face! He must see that! And
+he leaned forward, trembling, but fiercely, and, pressing his own face
+against the pane, he looked at the occupant of his room as men look
+sometimes with their souls.
+
+The man at the table lifted his head. He laid down the pen, blotted the
+book in which he had been writing, shut it up, clasped it, locked it with
+a tiny key, and put it carefully into a drawer of the table, which also
+he locked. He got up, stood for an instant by the table with one hand
+upon it, then turned slowly toward the window, smiling, as men smile to
+themselves when they are thinking of their own ingenuities.
+
+The man outside the window fell back into the snow as if God's hand had
+touched him. He had seen his own face! So he smiled sometimes at the end
+of a day, when he had finished writing down in his diary some of the
+hidden things of his life.
+
+He turned, and as the window through which he had been looking suddenly
+darkened, he fled away into the night.
+
+When the lights, which at St. Joseph's were always kept lowered during
+the sermon, once more strongly illuminated the chancel, Mr. Harding
+turned a ghastly face toward the pulpit. In the morning Chichester had
+listened to him, as a man of truth might listen to a man who is trying
+to lie, but who cannot deceive him. In the evening Mr. Harding had
+listened to Chichester--how? What had been the emotions only shadowed
+faintly forth in that ghastly face?
+
+When Malling got home, he asked himself why Chichester had made such
+an impression upon his mind. His story of the double, strange enough,
+no doubt, in a sermon, could not surely have come upon Malling with any
+of the force and the interest of the new. For years he had been familiar
+with tales of ghosts, of voices, of appearances at the hour of death, of
+doubles. Of course in the sermon there had been a special application of
+the story. It had been very short. Chichester had suggested that if, as
+by a miracle, the average self-contented man could look at himself with
+the eyes of his soul full of subliminal self-knowledge and with the
+bodily eyes, he would be stricken down by a great horror.
+
+And he had spoken as a man who knew. Indeed, it seemed to Malling that he
+had spoken as might have delivered himself the man who had followed his
+double through the snow, who had looked in upon him by night from the
+garden, if he had faced, instead of flying from, the truth; if he had
+stayed, if he had persistently watched his double leading the life he had
+led, if he had learned a great lesson that perhaps only his double could
+teach him.
+
+But if the man had stayed, what would have been the effect on the double?
+Malling sat till deep in the night pondering these things.
+
+
+
+
+VII
+
+
+Lady Sophia had said to Malling that if he went to the two services at
+St. Joseph's on the Sunday she would invite him to see her again. She
+was as good as her word. In the middle of the week he received a note
+from her, saying she would be at home at four on Thursday, if he was
+able to come. He went, and found her alone. But as soon as he entered
+the drawing-room and had taken her hand, she said:
+
+"I am expecting Mr. Chichester almost immediately. He's coming to tea."
+
+"I shall be glad to meet him," said Malling, concealing his surprise,
+which was great.
+
+Yet he did not know why it should be. For what more natural than that
+Chichester should be coming?
+
+"I heard of you at St. Joseph's," Lady Sophia continued. "A friend of
+mine, Lily Armitage, saw you there. I didn't. I was sitting at the back.
+I have taken to sitting quite at the back of the church. What did you
+think of it?"
+
+"Do you wish me to be frank, and do you mean the two sermons?"
+
+She hesitated for an instant. Then she said:
+
+"I do mean the sermons, and I do wish you to be frank."
+
+"I thought Mr. Chichester's sermon very remarkable indeed."
+
+"And my husband's sermon?"
+
+Her lips twisted almost as if with contempt when she said the words, "my
+husband's."
+
+"Why doesn't Mr. Harding take a long rest?" said Malling, speaking
+conventionally, a thing that he seldom did.
+
+"You think he needs one?"
+
+"He has a tiresome malady, I understand."
+
+"What malady?"
+
+"Doesn't he suffer very much from nervous dyspepsia?"
+
+She looked at him with irony, which changed almost instantly into serious
+reflection. But the irony returned.
+
+"Now and then he has a touch of it," she said. "Very few of us don't have
+something. But we have to go on, and we do go on, nevertheless."
+
+"I think a wise doctor would probably order your husband away," said
+Malling, though Mr. Harding's departure was the last thing he desired
+just then.
+
+"Even if he were ordered away, I don't know that he would go."
+
+"Why not?"
+
+"I don't think he would. I don't feel as if he could get away," she said,
+with what seemed to Malling a sort of odd obstinacy. "In fact, I know
+he's not going," she abruptly added. "I have an instinct."
+
+Malling felt sure that she had considered, perhaps long before he had
+suggested it, this very project of Mr. Harding's departure for a while
+for rest, and that she had rejected it. Her words recalled to his mind
+some other words of her husband, spoken in Mr. Harding's study: "Surely
+one ought to get out of such an atmosphere, to get out of it, and to keep
+out of it. But how extraordinary it is the difficulty men have in getting
+away from things!"
+
+Perhaps Lady Sophia was right. Perhaps the rector could not get away from
+the atmosphere which seemed to be destroying him.
+
+"I dare say he is afraid to trust everything to his curates," observed
+Malling, prosaically.
+
+"He needn't be--now," she replied.
+
+In that "now," as she said it, there lay surely a whole history. Malling
+understood that Lady Sophia, suddenly perhaps, had given her husband up.
+Since Malling had first encountered her she had cried, _"Le roi est
+mort!"_ in her heart. The way she had just uttered the word "now" made
+Malling wonder whether she was not about to utter the supplementary cry,
+_"Vive le roi!"_
+
+As he looked at her, with this wonder in his mind, Henry Chichester came
+into the room.
+
+There was an expression of profound sadness on his face, which seemed to
+dignify it, to make it more powerful, more manly, than it had been. The
+choir-boy look was gone. Malling of course knew how very much expression
+can change a human being; nevertheless, he was startled by the alteration
+in the curate's outward man. It seemed, to use the rector's phrase, that
+he had "shed his character." And now, perhaps, the new character,
+mysteriously using matter as the vehicle of its manifestation, was
+beginning to appear to the eyes of men. He showed no surprise at the
+sight of Malling, but rather a faint, though definite, pleasure. The
+way in which Lady Sophia greeted him was a revelation to Malling, and
+a curious exhibition of feminine psychology.
+
+She looked up at him from the low chair in which she was sitting, gave
+him her left hand, and said, "Are you very tired?" That was all. Yet
+it would have been impossible to express more clearly a woman's mental,
+not affectional, subjugation by a man, her instinctive yielding to power,
+her respect for authority, her recognition that the master of her master
+had come into the room.
+
+Her "_Vive le roi!_" was said.
+
+Chichester accepted Lady Sophia's subtle homage with an air of
+unconsciousness. His interior melancholy seemed to lift him above the
+small things that flatter small men. He acknowledged that he was tired,
+and would be glad of tea. He had been down in the East End. The rector
+had asked him to talk over something with Mr. Carlile of the Church Army.
+
+"You mean that you suggested to the rector that it would be wise to see
+Mr. Carlile," said Lady Sophia.
+
+"Is the rector coming in to tea?" asked Chichester.
+
+"Possibly he may," she replied. "He knew Mr. Malling was to be here. Did
+you tell him you were coming?"
+
+"No. I was not certain I should get away in time."
+
+"I think he will probably turn up."
+
+A footman brought in tea at this moment, and Malling told the curate he
+had heard him preach in the evening of last Sunday.
+
+"It was a deeply interesting sermon," he said.
+
+"Thank you," said Chichester, very impersonally.
+
+The footman went away, and Lady Sophia began to make tea.
+
+"When I went home," Malling continued, "I sat up till late thinking
+it over. Part of it suggested to my mind one or two rather curious
+speculations."
+
+"Which part?" asked Lady Sophia, dipping a spoon into a silver tea-caddy.
+
+"The part about the man and his double."
+
+She shivered, and some of the tea with which she had just filled the
+spoon was shaken out of it.
+
+"That was terrible," she said.
+
+"What were your speculations?" said Chichester, showing a sudden and
+definite waking up of keen interest.
+
+"One of them was this--"
+
+Before he could continue, the door opened again, and the tall and
+powerful form of the rector appeared. And as the outer man of Chichester
+seemed to Malling to have begun subtly to change, in obedience surely
+to the change of his inner man, so seemed Mr. Harding a little altered
+physically, as he now slowly came forward to greet his wife's two
+visitors. The power of his physique seemed to be struck at by something
+within, and to be slightly marred. One saw that largeness can become
+but a wide surface for the tragic exhibition of weakness. As the rector
+perceived the presence of Chichester, an expression of startled pain fled
+over his face and was gone in an instant. He greeted the two men and sat
+down.
+
+"Have you just begun tea?" he asked, looking now at his wife.
+
+"We are just going to begin it," she replied. "We are talking about the
+sermon of last Sunday."
+
+"Oh," rejoined the rector.
+
+He turned to Malling.
+
+"Did you come to hear me preach again?"
+
+There was a note as of slight reassurance in his voice.
+
+"Mr. Chichester's sermon," said Lady Sophia.
+
+"Oh, I see," said the rector. He glanced hastily from one to the other of
+the three people in the room, like a man searching for sympathy or help.
+"What were you saying about our friend Chichester's sermon?" he asked,
+with a forced air of interest.
+
+Lady Sophia distributed cups for tea.
+
+"I was speaking of that part of it which dealt with the man who followed
+his double," said Malling.
+
+"Ah?" said the rector.
+
+He was holding his tea-cup. His hand trembled slightly at this moment,
+and the china rattled. He set the cup down on the small table before
+him.
+
+"You said," observed Chichester--toward whom Lady Sophia immediately
+turned, with an almost rapt air--"that it suggested some curious
+speculations to your mind. I should very much like to know what they
+were."
+
+"One was this. Suppose the man in the garden, who looked in upon his
+double, had not fled away. Suppose he had had the courage to remain,
+and, in hiding--for the sake of argument we may assume the situation to
+be possible--"
+
+"Ah, indeed! And why not?" interrupted Chichester.
+
+His voice, profoundly melancholy, fell like a weight upon those who heard
+him. And again Malling thought of him almost as some one set apart from
+his fellows by some mysterious knowledge, some heavy burthen of truth.
+
+"--and in hiding had watched the life of his double. I sat up speculating
+what effect such an observation, terrible no doubt and grotesque, would
+be likely to have on the soul of the watching man. But there was another
+speculation with which I entertained my mind that night."
+
+"Let us have it," said Chichester, leaning forward, and, with the gesture
+characteristic of him, dropping his hands down between his knees. "Let us
+have it."
+
+"Suppose the man to remain and, in hiding, to watch the life of his
+double, what effect would such an observation be likely to have upon the
+double?"
+
+Malling paused. The rector, with an almost violent movement of his big
+hand and arm, took his cup from the table and drank his tea.
+
+"It didn't occur to you, I suppose, when composing your sermon to follow
+that train of thought?" said Malling to Chichester.
+
+"No," replied the curate, slowly, and like one thinking profoundly. "I
+was too engrossed with the feelings of the man. But, then, you thought
+of the double as a living man, with all the sensations of a man?"
+
+"That was your fault," said Malling.
+
+"His fault!" said Lady Sophia, with a sort of latent sharpness, and
+laying an emphasis on the second word.
+
+"Certainly; for making the narrative so vital and human."
+
+He addressed himself again to the curate.
+
+"Did you not give to the double the attributes of a man? Did you not
+make his wife come to bid him good night, bend down to kiss him, waft
+him a characteristic farewell?"
+
+"It is true. I did," said Chichester, still speaking like a man in deep
+thought.
+
+"That was the most terrible part of all," said Lady Sophia. In her voice
+there was an accent almost of horror. "It sickened me to the soul,"
+she continued--"the idea of a woman bidding a tender good night to an
+apparition."
+
+"I took it as a man," said Malling.
+
+They had all three, strangely, left the rector out of this discussion,
+and he seemed willing that it should be so. He now sat back in his chair
+listening to all that was being said, somewhat as he had listened to the
+sermon of Chichester, in a sort of ghastly silence.
+
+"How could a man's double be a man?" said Lady Sophia.
+
+"We are in the region of assumption and of speculation," returned
+Malling, quietly, "a not uninteresting region either, I think. The other
+night for a whole hour, having assumed the double man, I speculated on
+his existence, spied upon by his other self. And you never did that?"
+
+He looked at Chichester.
+
+"When I was making my sermon I was engrossed by the thought of the
+watching man."
+
+Malling's idea had evidently laid a grip upon Chichester's mind.
+
+"Tell me what the double's existence would be, according to you," he
+said. "Tell me."
+
+"You imagined the lesson learnt by the man so terrible that he fled away
+into the night."
+
+"Yes."
+
+"Had he been strong enough to stay--"
+
+"Strong enough!" interposed Chichester. "Better say, had he been obliged
+to stay."
+
+"Very well. Given that compulsion, in my imagination the double must have
+learnt a lesson, too. If we can learn by contemplation, can we not, must
+we not, learn by being contemplated? Life is permeated by reciprocity. I
+can imagine another sermon growing out of yours of last Sunday."
+
+"Yes, you are right--you are right," said Chichester.
+
+"The double, then, in my imagination, would gradually become uneasy
+under this secret observation. You described him as, his wife gone,
+sitting down comfortably to write some account of the hidden doings
+of his life, as, the writing finished, the diary committed to the
+drawer and safely locked away, rising up to go to rest with a smile of
+self-satisfaction. It seemed to me that, given my circumstance of the
+persistent observation, a few nights later matters would have been very
+different within that room. The hypocrite is happy, if he is happy at
+all, when he is convinced that his hypocrisy is successful. Take away
+that certainty, and he would be invaded by anxiety. Set any one to watch
+him closely, he would certainly suffer, if he knew it."
+
+"If he knew it! That is the point," said Chichester. "You put the man
+watching the double in hiding."
+
+"There are influences not yet fully understood which can traverse space,
+which can touch not as a hand touches, but as unmistakably. I imagined
+the soul of the double touched in this way, the waters troubled."
+
+"Troubled! Troubled!"
+
+It was Mr. Harding who had spoken, almost lamentably. His powerfully
+shaped head now drooped forward on his breast.
+
+"I imagined," continued Malling, "a sort of gradual disintegration
+beginning, and proceeding, in the double--a disintegration of the soul,
+if such a thing can be conceived of."
+
+His piercing eyes went from Chichester to Harding.
+
+"Or, no," he corrected himself. "Perhaps that is an incorrect description
+of my--very imaginative--flight through speculation the other night.
+Possibly I should say a gradual transference, instead of disintegration
+of soul. For it seemed to me as if the man who watched might gradually,
+as it were, absorb into himself the soul of the double, but purified. For
+the watcher has the tremendous advantage of seeing the hypocrite living
+the hypocrite's life, while the hypocrite is only seen. Might not the
+former, therefore, conceivably draw in strength, while the other faded
+into weakness? Ignorance is the terrible thing in life, I think. Now the
+man who watched would receive knowledge, fearful knowledge, but the man
+who was watched, while perhaps suffering first uneasiness, then possibly
+even terror, would not, in my conception, ever clearly understand. He
+would not any longer dare at night to sit down alone to fill up that
+dreadful diary. He would not any longer perhaps--I only say perhaps--dare
+to commit the deeds the record of which in the past the diary held. But
+his lesson would be one of fear, making for weakness, finally almost for
+nothingness. And the other night I conceived of him at last fading away
+in the gloom of his room with the darkened window."
+
+"That was your end!" said Mr. Harding, in a low voice.
+
+"Yes, that was my end."
+
+"Then," said Chichester, "you think the lesson men learn from being
+contemplated tends only to destroy them?"
+
+But Malling, now with a smiling change to greater lightness and ease,
+hastened to traverse this statement.
+
+"No, no," he replied. "For the contemplation of a man by his fellow-men
+must always be an utterly different thing from his own contemplation by
+himself. For our fellow-men always remain in a very delightful ignorance
+of us. Don't they, Lady Sophia? And so they can never destroy us, luckily
+for us."
+
+He had done what he wished to do, and he was now ready for other
+activities. But he found it was not easy to switch his companions off
+onto another trail. Lady Sophia, now that he looked at her closely, he
+saw to be under the influence of fear, provoked doubtless by the subject
+they had been discussing. Chichester, also, had a look as of fear in his
+eyes. As to the rector, he sat gazing at his curate, and there had come
+upon his countenance an expression of almost unnatural resolution, such
+as a coward's might wear if terror forced him into defiance.
+
+In reply to Malling's half-laughing question, Lady Sophia said:
+
+"You've studied all these things, haven't you?"
+
+"Do you mean what are sometimes called occult questions?"
+
+"Yes."
+
+"I have."
+
+"And do you believe in them?"
+
+"I'm afraid I must ask you to be a little more definite."
+
+"Do you believe that there are such things as doubles?"
+
+"I have no reason to believe that there are, unless you include wrongly
+in the term the merely physical replica. It appears to be established
+that now and then two human beings are born who, throughout their
+respective lives remain physically so much alike that it is difficult,
+if not impossible, to distinguish between them."
+
+"I didn't mean only that," she said quickly.
+
+"You meant the double in mind and soul as well as in body," said
+Chichester.
+
+"Yes."
+
+"How can one see if a soul is the double of another soul?" said Malling.
+
+"Then you think such a story as Mr. Chichester related in his sermon all
+nonsense?" said Lady Sophia, almost hotly, and yet, it seemed to Malling,
+with a slight lifting of the countenance, as if relief perhaps were
+stealing through her.
+
+"I thought it a legitimate and powerful invention introduced to point a
+moral."
+
+"Nothing more than that?" said Lady Sophia.
+
+Malling did not reply; for suddenly a strange question had risen up in
+him. Did he really think it nothing more than that? He glanced at
+Chichester, and the curate's eyes seemed asking him to say.
+
+The rector's heavy and powerful frame shifted in his chair, and his voice
+was heard saying:
+
+"My dear Sophy, I think you had better leave such things alone. You do
+not know where they might lead you."
+
+There was in his voice a sound of forced authority, as if he had been
+obliged to "screw himself up" to speak as he had just spoken. Lady Sophia
+was about to make a quick rejoinder when, still with a forced air of
+resolution, Mr. Harding addressed himself to Chichester.
+
+"Since I saw you this morning," he said, "I find that I shall not be here
+next Sunday."
+
+He looked about the circle at his wife and Malling.
+
+"The doctor has ordered me away for a week, and I've decided to go."
+
+His introduction of the subject had been abrupt. As if almost in despite
+of themselves, Lady Sophia and Malling exchanged glances. Chichester
+said nothing.
+
+"You can get on without me quite well, of course," continued the rector.
+
+"Are you going to be away long?" said Chichester.
+
+"No; I think only for a week or so. The doctor says I absolutely need a
+breath of fresh air."
+
+Malling got up to go.
+
+"I hope you'll enjoy your little holiday," he said. "Are you going far?"
+
+"Oh, dear, no. My doctor recommends Tankerton on the Kentish coast. It
+seems the air there is extraordinary. When the tide is down it comes off
+the mud flats. A kind parishioner of mine--" he turned slightly toward
+his wife: "Mrs. Amherst, Sophy--has a cottage there and has often offered
+me the use of it. I hope to accept her offer now."
+
+Lady Sophia expressed no surprise at the project, and did not inquire
+whether her husband wished her to accompany him.
+
+But when she shook hands with Malling, her dark eyes seemed to say to
+him, "I was wrong."
+
+And he thought she looked humbled.
+
+
+
+
+VIII
+
+
+_"Could you come down stay with me Saturday till Monday all alone air
+delicious feel rather solitary glad of your company Marcus Harding Minors
+Tankerton Kent."_
+
+Such was the telegram which Evelyn Malling was considering on the
+following Friday afternoon. The sender had paid an answer. The
+telegraph-boy was waiting in the hall. Malling only kept him five
+minutes. He went away with this reply:
+
+_"Accept with pleasure will take four twenty train at Victoria Saturday
+Malling."_
+
+Malling could not have said with truth that he had expected a summons
+from Mr. Harding, yet he found that he was not surprised to get it. The
+man was in a bad way. He needed sympathy, he needed help. That was
+certain. But whether he could help him was more than doubtful, Malling
+thought. Perhaps, really, a doctor and the wonderful air from the mud
+flats of Tankerton! But here Malling found that a strong incredulity
+checked him. He did not believe that the rector would be restored by a
+doctor's advice and a visit to the sea.
+
+That afternoon he went to Westminster, and asked for Professor Stepton.
+
+"He is away, sir," said the fair Scotch parlormaid.
+
+"For long?"
+
+"We don't know, sir. He has gone into Kent, on research business, I
+believe."
+
+Agnes had been for a long time in the professor's service, and was
+greatly trusted. The professor had come upon her originally when making
+investigations into "second sight," a faculty which she claimed to
+possess. By the way she was also an efficient parlor-maid.
+
+"Kent!" said Malling. "Do you know where he is staying?"
+
+"The address he left is the Tankerton Hotel, Tankerton, near
+Whitstable-on-Sea, sir."
+
+"Thank you, Agnes," said Malling.
+
+"It is a haunted house somewhere Birchington way the professor is after,
+I believe, sir."
+
+"Luck favors me!" said Malling to himself, unscientifically, as he walked
+away from the house.
+
+On the following day it was in a singularly expectant and almost
+joyously alert frame of mind that he bought a first-class ticket
+for Whitstable-on-Sea, which is the station for Tankerton.
+
+He would involve Stepton in this affair. There was a mystery in it.
+Malling was now convinced of that. And his original supposition did not
+satisfy him. But perhaps Mr. Harding meant to help him. Perhaps Mr.
+Harding intended to be explicit. The difficulty there was that he also
+was walking in darkness, as Malling believed. His telegram had come like
+a cry out of this darkness.
+
+"Faversham! Faversham!" the fair Kentish porters were calling. Only about
+twenty minutes now! Would the rector be at the station?
+
+He was. As the train ran in alongside the wooden platform, Mailing caught
+sight of the towering authoritative figure. Was it his fancy which made
+him think that it looked slightly bowed, even perhaps a little shrunken?
+
+"Good of you to come!" said the rector in a would-be hearty voice, but
+also with a genuine accent of pleasure. "All the afternoon I have been
+afraid of a telegram."
+
+"Why?" asked Malling, as they shook hands.
+
+"Oh, when one is anxious for a thing, one does not always get it. Ha,
+ha!"
+
+He broke into a covering laugh.
+
+"Here is a porter. You've only got this bag. Capital! I have a fly
+waiting. We go down these steps."
+
+As they descended, Malling remarked:
+
+"By the way, we have a friend staying here. Have you come across him?"
+
+"No, I have seen nobody--that is, no acquaintance. Who is it?"
+
+"Stepton."
+
+"The professor down here!" exclaimed Mr. Harding, as if startled.
+
+"At the hotel, I believe. He's come down to make some investigation."
+
+"I haven't seen him."
+
+They stepped into the fly, and drove through the long street of
+Whitstable toward the outlying houses of Tankerton, scattered over
+grassy downs above a quiet, brown sea.
+
+"The air is splendid, certainly," observed Malling, drinking it in almost
+like a gourmet savoring a wonderful wine.
+
+"It must do me good. Don't you think so?"
+
+The question sounded anxious to Malling's ears.
+
+"It ought to do every one good, I should think."
+
+"Here is Minors."
+
+The fly stopped before a delightfully gay little red doll's house--so
+Malling thought of it--standing in a garden surrounded by a wooden
+fence, with the downs undulating about it. Not far off, but behind it,
+was the sea. And the rector, pointing to a red building in the distance,
+on the left and much nearer to the beach, said:
+
+"That is the hotel where the professor must be staying, if he is here."
+
+"I'll go over presently and ask about him."
+
+"Oh," said Mr. Harding. "Bring in the bag, please, Jennings. The room on
+the right, at the top of the stairs."
+
+Malling had believed in London that Mr. Harding's telegram to him was a
+cry out of darkness. That first evening in the cheerful doll's house he
+knew his belief was well founded. When they sat at dinner, like two
+monsters, Malling thought, who had somehow managed to insert themselves
+into a doll's dining-room, it was obvious that the rector was ill at
+ease. Again and again he seemed to be on the verge of some remark,
+perhaps of some outburst of speech, and to check himself only when the
+words were almost visibly trembling on his lips. In his eyes Malling
+saw plainly his longing for utterance, his hesitation; reserve and a
+desire to liberate his soul, the one fighting against the other. And at
+moments the whole man seemed to be wrapped in weakness like a garment,
+the soul and the body of him. Then, as a light may dwindle till it seems
+certain to go out, all that was Marcus Harding seemed to Malling to
+dwindle. The large body, the powerful head and face, meant little, almost
+nothing, because the spirit was surely fading. But these moments passed.
+Then it was as if the light flared suddenly up again.
+
+When dinner was over, Mr. Harding asked Malling if he would like to take
+a stroll.
+
+"The sea air will help us to sleep," he said.
+
+"I should like nothing better," said Malling. "Haven't you been sleeping
+well lately?"
+
+"Very badly. We had better take our coats."
+
+They put the coats on, and went out, making their way to the broad,
+grassy walk raised above the shingle of the beach. The tide was far
+down, and the oozing flats were uncovered. So still, so waveless was
+the brown water that at this hour it was impossible to perceive where
+it met the brown land. In the distance, on the right, shone the lights
+of Herne Bay, with its pier stretching far out into the shallows. Away
+to the left was the lonely island of Sheppey, a dull shadow beyond the
+harbor, where the oyster-boats lay at rest. There were very few people
+about: some fisher-lads solemnly or jocosely escorting their girls, who
+giggled faintly as they passed Mr. Harding and Malling; two or three
+shopkeepers from Whitstable taking the air; a boatman or two vaguely
+hovering, with blue eyes turned from habit to the offing.
+
+The two men paced slowly up and down. And again Malling was aware of
+words trembling upon the rector's lips--words which he could not yet
+resolve frankly to utter. Whether it was the influence of the faintly
+sighing sea, of the almost sharply pure air, of the distant lights
+gleaming patiently, or whether an influence came out from the man beside
+him and moved him, Malling did not know; but he resolved to do a thing
+quite contrary to his usual practice. He resolved to try to force a
+thing on, instead of waiting till it came to him naturally. He became
+impatient, he who was generally a patient seeker.
+
+"You remember our former conversations with regard to Henry Chichester?"
+he said abruptly, changing the subject of their discourse.
+
+"Chichester? Yes--yes. What of him?"
+
+"I wish to tell you that I think you are right, that I think there is an
+extraordinary, even an amazing, change in Chichester."
+
+"There is, indeed," said Mr. Harding. "And--and it will increase."
+
+He spoke with a sort of despairing conviction.
+
+"What makes you think so?"
+
+"It must. It cannot be otherwise--unless--"
+
+He paused.
+
+"Yes," said Malling; "unless--"
+
+"A thing almost impossible were to happen."
+
+"May I, without indiscretion, ask what that is?"
+
+"Unless he were to leave St. Joseph's, to go quite away."
+
+"Surely that would not be impossible!"
+
+"I often think it is. Chichester will not wish to go."
+
+"Are you certain of that?" asked Malling, remembering the curate's remark
+in Horton Street, that perhaps he would not remain at St. Joseph's much
+longer.
+
+The rector turned his head and fixed his eyes upon Malling.
+
+"Has he said anything to you about leaving?" he asked, suddenly raising
+his voice, as if under the influence of excitement. "But of course he
+has not."
+
+"Surely it is probable that such a man may be offered a living."
+
+"He would not take it."
+
+They walked on a few steps in silence, turned, and strolled back. It was
+now growing dark. Their faces were set toward the distant gleam of the
+Herne Bay lights.
+
+"I am not so sure," at length dropped out Malling.
+
+"Why are you not so sure?"
+
+"Why do you think Chichester's departure from St. Joseph's impossible?"
+
+Malling spoke strongly to determine, if possible, the rector to speak, to
+say out all that was in his heart.
+
+"Can I tell you?" Mr. Harding almost murmured. "Can I tell you?"
+
+"I think you asked me here that you might tell me something."
+
+"It is true. I did."
+
+"Then--"
+
+"Let us sit down in this shelter. There is no one in it. People are going
+home."
+
+Malling followed him into a shelter, with a bench facing the sea.
+
+"I thought perhaps here I might be able to tell you," said Mr. Harding.
+"I am in great trouble, Mr. Malling, in great trouble. But I don't know
+whether you, or whether any one, can assist me."
+
+"If I may advise you, I should say--tell me plainly what your trouble
+is."
+
+"It began--" Mr. Harding spoke with a faltering voice--"it began a good
+while ago, some months after Mr. Chichester came as a curate to St.
+Joseph's. I was then a very different man from the man you see now.
+Often I feel really as if I were not the same man, as if I were radically
+changed. It may be health. I sometimes try to think so. And then I--" He
+broke off.
+
+The strange weakness that Malling had already noticed seemed again to be
+stealing over him, like a mist, concealing, attenuating.
+
+"Possibly it is a question of health," said Malling, rather sharply.
+"Tell me how it began."
+
+"When Chichester first joined me, I was a man of power and ambition. I
+was a man who could dominate others, and I loved to dominate."
+
+His strength seemed returning while he spoke, as if frankness were to him
+a restorative of the spirit.
+
+"It was indeed my passion. I loved authority. I loved to be in command.
+I was full of ecclesiastical ambition. Feeling that I had intellectual
+strength, I intended to rise to the top of the church, to become a bishop
+eventually, perhaps even something greater. When I was presented to St.
+Joseph's,--my wife's social influence had something to do with that,--I
+saw all the gates opening before me. I made a great effect in London.
+I may say with truth that no clergyman was more successful than I was--at
+one time. My wife spurred me on. She was immensely ambitious for me. I
+must tell you that in marrying me she had gone against all her family.
+They thought me quite unworthy of her notice. But from the first time I
+met her I meant to marry her. And as I dominated others, I completely
+dominated her. But she, once married to me, was desperately anxious that
+I should rise in the world, in order that her choice of me might be
+justified in the eyes of her people. You can understand the position, I
+dare say?"
+
+"Perfectly," said Malling.
+
+"I may say that she irritated my ambition, that she stung it into almost
+a furious activity. Women have great influence with us. I thought she was
+my slave almost, but I see now that she also influenced me. She worshiped
+me for my immediate success at St. Joseph's. You may think it very
+ridiculous, considering that I am merely the rector of a fashionable
+London church, but there was a time when I felt almost intoxicated by
+my wife's worship of me, and by my domination over the crowds who came to
+hear me preach. Domination! That was my fetish! That was what led me
+to--oh, sometimes I think it must end in my ruin!"
+
+"Perhaps not," said Malling, quietly. "Let us see."
+
+His words, perhaps even more his manner, seemed greatly to help Mr.
+Harding.
+
+"I will tell you everything," he exclaimed. "From the first I have
+felt as if you were the man to assist me, if any man could. I had
+always, since I was an undergraduate at Oxford,--I was a Magdalen
+man,--been interested in psychical matters, and followed carefully
+all the proceedings of the Society for Psychical Research. I had also
+at that time,--in Oxford,--made some experiments with my college
+friends, chiefly in connection with will power. My influence seemed to
+be specially strong. But I need not go into all that. After leaving
+Oxford and taking orders, for a long time I gave such matters up. I
+feared, if I showed my strong interest in psychical research, especially
+if I was known to attend seances or anything of that kind, it might be
+considered unsuitable in a clergyman, and might injure my prospects. It
+was not until Henry Chichester came to St. Joseph's that I was tempted
+again into paths which I had chosen to consider forbidden to me.
+Chichester tempted me! Chichester tempted me!"
+
+He spoke the last words with a sort of lamentable energy.
+
+"Such a gentle, yielding man as he was!"
+
+"It was just that. He came under my influence at once, and showed it in
+almost all he said and did. He looked up to me, he strove to model
+himself upon me, he almost worshiped me. One evening,--it was in the
+pulpit!--the idea shot through my brain, 'I could do what I like with
+that man, make of him just what I choose, use him just as I please.' And
+I turned my eyes toward the choir where Chichester sat in the last stall,
+hanging on my words. At that instant I can only suppose that what people
+sometimes call the _maladie de grandeur_--the mania for power--took
+hold upon me, and combined with my furtive longing after research in
+those mysterious regions where perhaps all we desire is hidden. Anyhow,
+at that instant I resolved to try to push my influence over Chichester to
+its utmost limit, and by illegitimate means."
+
+"Illegitimate?"
+
+"I call them so. Yes, yes, they are not legitimate. I know that now. And
+he--but I dare not think what he knows!"
+
+The rector was greatly moved. He half rose from the bench on which they
+were sitting, then, making a strong effort, controlled himself, sank
+back, and continued:
+
+"At that time, in the early days of his association with me, Chichester
+thought that everything I did, everything I suggested, even everything
+that came into my mind, must be good and right. He never dreamed of
+criticizing me. In his view, I was altogether above criticism. And if I
+approached him with any sort of intimacy he was in the greatest joy. You
+know, perhaps, Mr. Malling, how the worshiper receives any confidence
+from the one he worships. He looks upon it as the greatest compliment
+that can be paid him. I resolved to pay that compliment to Henry
+Chichester.
+
+"You must know that although I had entirely given up the occult
+practices--that may not be the exact term, but you will understand
+what I mean--I had indulged in at Oxford, I had never relaxed my deep,
+perhaps my almost morbid interest in the efforts that were being made
+by scientists and others to break through the barrier dividing us on
+earth from the spirit world. Although I had chosen the career of a
+clergyman,--alas! I looked upon the church, I suppose, as little more
+than a career!--I was not a very faithful man. I had many doubts which,
+as clergymen must, I concealed. By nature I suppose I had rather an
+incredulous mind. Not that I was a skeptic, but I was sometimes a
+doubter. Rather than faith, I should have much preferred to have
+knowledge, exact knowledge. Often I even felt ironical when confronted
+with the simple faith we clergymen should surely encourage, sustain, and
+humbly glory in, whereas with skepticism, even when openly expressed, I
+always felt some part of myself to be in secret sympathy. I continued to
+study works, both English and foreign, on psychical research. I followed
+the experiments of Lodge, William James, and others. Myers's great work
+on human personality was forever at my elbow. And the longer I was
+debarred--self-debarred because of my keen ambition and my determination
+to do nothing that could ever make me in any way suspect in the eyes of
+those to whom I looked confidently for preferment--from continuing the
+practices which had such a fascination for me, the more intensely I
+was secretly drawn toward them. The tug at my soul was at last almost
+unbearable. It was then I looked toward Chichester, and resolved to take
+him into my confidence--to a certain extent.
+
+"I approached the matter craftily. I dwelt first upon the great spread
+of infidelity in our days, and the necessity of combating it by every
+legitimate means. I spoke of the efforts being made by earnest men of
+science--such men as Professor Stepton, for instance--to get at the truth
+Christians are expected to take on trust, as it were. I said I respected
+such men. Chichester agreed,--when did he not agree with me at that
+time?--but remarked that he could not help pitying them for ignoring
+revelation and striving to obtain by difficult means what all Christians
+already possessed by a glorious and final deed of gift.
+
+"I saw that though Chichester was such a devoted worshiper of mine, if I
+wanted to persuade him to my secret purpose,--no other than the effort,
+to be made with him, to communicate with the spirit world,--I must be
+deceptive, I must mask my purpose with another.
+
+"I did so. I turned his attention to the subject of the human will. Now,
+at that time Chichester knew that his will was weak. He considered that
+fact one of his serious faults. I hinted that I agreed with him. I
+proposed to join with him in striving to strengthen it. He envied my
+strength of will. He looked up to me, worshiped me almost, because of it.
+I drew his mind to the close consideration of influence. I gave him two
+or three curious works that I possessed on this subject. In one of them,
+a pamphlet written by a Hindu who had been partly educated at Oxford,
+and whom I had personally known when I was an undergraduate, there was a
+course of will-exercises, much as in certain books on body-building there
+are courses of physical exercises. I related to Chichester some of the
+extraordinary and deeply interesting conversations I had had with this
+Hindu on the subject of the education of the will, and finally I told a
+lie. I told Chichester that I had gained my powerful will while at Oxford
+by drawing it from my Hindu friend in a series of sittings that we two
+had secretly undertaken together. This was false, because I had been born
+with a strong, even a tyrannical, will, and I had never sat with the
+Hindu.
+
+"Chichester, though at first startled, was fascinated by this untruth,
+and, to cut the matter short, I persuaded him to begin with me a series
+of secret sittings, in which I proposed to try to impart to him, to
+infuse into him, as it were, some of my undoubted power--the power which
+he daily saw me exercising in the pulpit and over the minds of men in my
+intercourse with them.
+
+"What I really wished to do, what I meant to do, if possible, was to use
+Chichester as a medium, and to try through him to communicate with the
+spirit world. I had taken it into my head--no doubt you will say quite
+unreasonably--that he must be entirely subject to my will in a sitting,
+and that if I willed him to be entranced, it was certain that he would
+become so. But my own entirely selfish desires I concealed under the
+cloak of an unselfish wish to give power to him. I even pretended, as you
+see, to have a highly moral purpose, though it is true I suggested trying
+to effect it in an unconventional and very unecclesiastical manner.
+
+"Chichester, though, as I have said, at first startled, of course
+eventually fell in with my view. We sat together in his room at Hornton
+Street.
+
+"Now, Mr. Malling, some of what I have told you may appear to be almost
+contradictory. I have spoken of my _maladie de grandeur_ as if it were
+a reason why I wished to sit with Henry Chichester, and then of my desire
+to communicate, if possible, with the spirit world as my reason."
+
+"I noticed that," observed Malling, "and purposed later to point it out
+to you."
+
+"How can I explain exactly? It is so difficult to unravel the web of
+motives in a mind. It was my _maladie de grandeur_, I think, that made
+me long to use my worshiper Chichester as a mere tool for the opening of
+that door which shuts off from us the region the dead have entered. My
+mind at that time was filled with a mingled conceit, amounting at moments
+almost to an intoxication, and a desire for knowledge. I reveled in my
+power when preaching, but was haunted by genuine doubts as to truth. My
+egoism longed to make an utter slave of Chichester (I nearly always
+lusted to push my influence to its limit). But my desire to know made me
+conceive the pushing of it in a direction, in this instance, which would
+perhaps gratify a less unworthy desire than that merely of subjugating
+another. The two birds and the one stone! I thought of them. I loved the
+idea of making a tool. I loved also the idea of using the tool when made.
+And I pretended I had only Chichester's moral interest at heart. I have
+been punished, terribly punished.
+
+"We sat, as I say, in Hornton Street, secretly, and of course at night.
+My wife knew nothing of it. I made excuses to get away--parish matters,
+meetings, work in the East End. I had no difficulty with her. She thought
+my many activities would bring me ever more and more into the public
+eye, and she encouraged them. The people in the house where Chichester
+lodged were simple folk, and were ready to go early to bed, leaving
+rector and curate discussing their work for the salvation of bodies and
+souls.
+
+"At first Chichester was reluctant, I know. I read his thoughts. He was
+not sure that it was right to approach such mysteries; but, as usual, I
+dominated him silently. And soon he fell completely under the fascination
+peculiar to sittings."
+
+Again Mr. Harding paused. For a moment his head sank, his powerful body
+drooped, he was immersed in reverie. Malling did not interrupt him. At
+last, with a deep sigh, and now speaking more slowly, more unevenly, he
+continued:
+
+"What happened exactly at those sittings I do not rightly know. Perhaps
+I shall never rightly know. What did not happen I can tell you. In the
+first place, although I secretly used my will upon Chichester, desiring,
+mentally insisting, that he should become entranced, he never was
+entranced when we sat together. Something within him--was it something
+holy? I have wondered--resisted my desire, of which, so far as I know,
+he was never aware. Perhaps 'beneath the threshold' he was aware. Who
+can say? But though my great desire was frustrated in our sittings, the
+desire of Chichester, so different, perhaps so much more admirable than
+mine, and, at any rate, not masked by any deceit, began, so it seemed,
+to be strangely gratified. He declared almost from the first that, when
+sitting with me, he felt his will power strengthened. 'You are doing me
+good,' he said. Now, as my professed object in contriving the sittings
+had been to lift up Chichester toward my level,"--with indescribable
+bitterness Mr. Harding dwelt on these last words,--"I could only express
+rejoicing. And this I did with successful hypocrisy. Nevertheless,
+I was greatly irritated. For it seemed to me that, when we sat,
+Chichester triumphed over me. He obtained his desire while mine remained
+ungratified. This was an outrage directed against my supremacy over him,
+which I had designed to increase. I gathered together my will power to
+check it. But in this attempt I failed.
+
+"Nothing is stranger, I think, Mr. Malling, than the fascination of a
+sitting. Even when nothing, or scarcely anything, happens, the mind, the
+whole nature seems to be mysteriously grasped and held. New senses in you
+seem to be released. Something is alert which is never alert--or, at
+all events, never alert in the same way--in other moments of life. One
+seems to become inexplicably different. Chichester was aware of all this.
+At the first sitting nothing happened, and I feared Chichester would wish
+to give the matter up. But, no! When we rose from our chairs late in the
+night he acknowledged that he had never known two hours to pass so
+quickly before. At following sittings there were slight manifestations
+such as, I suppose, are seldom absent from such affairs,--perfectly
+trivial to you, of course,--movements of the table, rappings, gusts of
+what seemed cold air, and so forth. All that is not worth talking about,
+and I don't mean to trouble you further with it. My difficulty is, when
+so little, apparently, took place, to make you understand the tremendous
+thing that did happen, that must have been happening gradually during
+our sittings.
+
+"At the very first, as I told you, or nearly so,--I wish to be
+absolutely accurate,--Chichester began to be aware of a strengthening
+of his will. At this time I was almost angrily unaware of any change
+either in him or in myself. At subsequent sittings--I speak of the
+earlier ones--Chichester reiterated more strongly his assertion of
+beneficent alteration in himself. I did not believe him, though I did
+believe he was absolutely sincere in his supposition. It seemed to me
+that he was 'suggestioned,' partly perhaps by his implicit trust in me,
+partly by his own desire that something curious should happen. However,
+still playing a part in pursuance of my resolve not to let Chichester
+know my real object in this matter, I pretended that I, too, perceived an
+alteration in him, as if his personality were strengthening. And not
+once, but on several occasions, I spoke of the change in him as almost
+exactly corresponding with the change that had taken place in me when
+I sat with my Hindu friend.
+
+"All this time, with a force encouraged by the secret anger within me,
+I violently, at last almost furiously, willed that Chichester should
+become entranced.
+
+"But at length, though I willed furiously, I felt as if I were not
+willing with genuine strength, as if I could not will with genuine
+strength any longer. It is difficult, almost impossible, to explain
+to you exactly the sensation that gradually overspread me; but it used
+always to seem to me, when I self-consciously exerted my will, as if
+I held within me some weapon almost irresistible, as if I forced it
+forward, as if its advance, caused by me, could not be withstood. I
+now felt as if I still possessed this weapon, but could not induce it
+to move. It was there, like a heavy, useless thing, almost like a burden
+upon me.
+
+"And Chichester continued to assert that he felt stronger, more resolute,
+less plastic.
+
+"Things went on thus till something within me, what we call instinct, I
+suppose, became uneasy. I heard a warning voice which said to me, 'Stop
+while there is time!' And I resolved to obey it.
+
+"One night, when very late Chichester and I took our hands from the
+table in his little room, I said that I thought we had had enough of
+the sittings, that very little happened, that perhaps he and I were not
+really _en rapport_, and that it seemed to me useless to continue them.
+I suppose I expected Chichester to acquiesce. I say I suppose so, because
+till that moment he had always acquiesced in any proposition of mine. Yet
+I remember that I did not feel genuine surprise at what actually
+happened."
+
+Mr. Harding stopped, took a handkerchief from his pocket, lifted the brim
+of his hat, and passed the handkerchief over his forehead two or three
+times.
+
+"What happened was this, that Chichester resisted my proposal, and that
+I found myself obliged to comply with his will instead of, as usual,
+imposing mine upon him.
+
+"This was the beginning--" the rector turned a little toward Malling,
+and spoke in a voice that was almost terrible in its sadness--"this was
+the beginning of what you have been witness of, my unspeakable decline.
+This was the definite beginning of my horrible subjection to Henry
+Chichester."
+
+He stopped abruptly. After waiting for a minute or two, expecting him to
+continue, Malling said:
+
+"You said that you found yourself _obliged_ to comply with Chichester's
+will. Can you explain the nature of that obligation?"
+
+"I cannot. I strove to resist. We argued the matter. He took his stand
+upon the moral ground that I was benefiting him enormously through our
+sittings. As I had suggested having them ostensibly for that very
+purpose, you will see my difficulty."
+
+"Certainly."
+
+"My yielding seemed perfectly natural, perhaps almost inevitable. The
+point is that, without drastic change in me, it was quite unnatural. My
+will was unaccustomed to brook any resistance, and troubled itself not
+at all with argument. Till then what I wished to do I did, and there was
+an end. I now for the first time found myself obliged to accept a moral
+bondage imposed upon me by my curate. The term may sound exaggerated;
+I can only say that was how the matter presented itself to me. From the
+moment I did so, I took second place to him.
+
+"We continued to sit from time to time. And the strange, to me
+inexplicable, situation rapidly developed.
+
+"To put it before you in few words and plainly: Chichester seemed to suck
+my will away from me gradually but surely, till my former strength was
+his. But that was not all. With the growth of his will there was another
+and more terrible growth: there rose in him a curiously observant
+faculty."
+
+Again the rector took out his handkerchief and wiped his brow.
+
+"A curiously critical faculty. How shall I say? Perhaps you may know,
+Mr. Malling, how the persistent attitude of one mind may influence
+another. For instance, if a man always expects ill of another--treachery,
+let us say, bad temper, hatred, fear, inducing trickery, perhaps, that
+other is turned toward just such evil manifestations in connection with
+that man. If some one with psychic force thinks all you do is wrong,
+soon you begin to do things wrongly. A fearful uneasiness is bred. The
+faculties begin to fail. The formerly sure-footed stumbles. The formerly
+self-confident takes on nervousness, presently fear.
+
+"So it came about between Chichester and me. I felt that his mind was
+beginning to watch me critically, and I became anxious about this
+criticism. Like some subtle acid it seemed to act destructively upon
+the metal, once so hard and resistant, of my self-confidence, of my
+belief in myself. Often I felt as if an eye were upon me, seeing too
+much, far too much, coldly, inexorably, persistently. This critical
+observation became hateful to me. I suffered under it. I suffered
+terribly. Mr. Malling, if I am to tell you all,--and I feel that unless
+I do no help can come to me,--I must tell you that I have not been in my
+life all that a clergyman should be. There have been occasions, and even
+since my marriage, when I have yielded to impulses that have prompted me
+to act very wrongly.
+
+"Now, Chichester was a saint. Hitherto I had neither been troubled by
+my own grave shortcomings nor by Chichester's excellence of character.
+I had always felt myself set far above him by my superior mental
+faculties and my greater will power over the crowd, though, alas! not
+always over my own demon. I began to writhe now under the thought of
+Chichester's crystal purity and of my own besmirched condition of soul.
+All self-confidence departed from me; but I endeavored, of course, to
+conceal this from the world, and especially from Chichester. With the
+world for a time no doubt I succeeded. But with Chichester--did I ever
+succeed? Could I ever succeed with such an one as he had become? It
+seemed to me, it seems to me far more terribly now, that nothing I did,
+or was, escaped him. He attended mentally, spiritually even, to
+everything that made up me. At first I felt this curiously, then
+anxiously, then often with bitter contempt and indignation, sometimes
+with a great melancholy, a sort of wide-spreading sadness in which I
+was involved as in an icy sea. I can never make you fully understand
+what I felt, how this mental and spiritual observation of Chichester
+affected me. It--it simply ate me away, Malling! It simply ate me away!"
+
+The last words came from Mr. Harding's lips almost in a cry.
+
+"And how long did you continue the sittings?"
+
+Very quietly Malling spoke, and he just touched the rector's arm.
+
+"For a long while."
+
+"Had you ceased from them when I first met you?"
+
+"On Westminster Bridge? No."
+
+"Have you ceased from them now?"
+
+The rector shifted as if in physical distress.
+
+"Chichester constrains me to them even now," he replied, like a man
+bitterly ashamed. "He constrains me to them. And is that goodness,
+righteousness? I said he was a saint; but now! Is it saintliness to
+torture a fellow-creature?"
+
+Malling remembered how he had once, and not long ago, asked himself
+whether Chichester's mouth and eyes looked good.
+
+"Have you ever told Chichester what grave distress he is causing you?"
+said Malling.
+
+"No, never, never! I can't!"
+
+"Why not?"
+
+"A great reserve has grown up between us. I could never try to break
+through it."
+
+"You say a great reserve. But does he never criticize you in words? Does
+he never express an adverse opinion upon what you say or do?"
+
+"Scarcely ever--after it is said or done. But sometimes--"
+
+"Yes?"
+
+"Sometimes--often I think--he tries to prevent me from saying or doing
+something. Often he checks me with a look when I am in the midst of
+some speech. It is intolerable. Why do I bear it? But I have to bear it.
+Sometimes I exert myself against him. Why, that first day I met you--you
+must have noticed it--he tried to prevent me from walking home with you."
+
+"I did notice it."
+
+"Then I resisted him, and he had to yield. But even when he yields in
+some slight matter it makes no difference in our relations. He is always
+there, at the window, watching me."
+
+"What do you say?"
+
+Malling's exclamation was sharp.
+
+"That sermon of his!" said the rector. "That fearful sermon! Ever since
+I heard it I have felt as if I were the double within that house, as
+if Chichester were the man regarding my life in hiding. Why you--you
+yourself put my feeling into words! You suggested to Chichester and
+my wife that if the man had stayed, had spied upon him who was within
+the room, the hypocrite--"
+
+He broke off. He got up from his seat.
+
+"Let us walk," he said. "I cannot sit here. The air--the lights--let
+us--"
+
+Almost as if blindly he went forth from the shelter, followed by Malling.
+
+"It's better here," he said. "Better here! Mr. Malling, forgive me,
+but just then a hideous knowledge seemed really to catch me by the
+throat. Chichester is turning my wife against me. There is a terrible
+change in her. She is beginning to observe me through Chichester's eyes.
+Till quite recently she worshiped me. She noticed the alteration in me,
+of course,--every one did,--but she hated Chichester for his attitude
+toward me. Till quite lately she hated him. Now she no longer hates him;
+for she begins to think he is right. At first I think she believed the
+excuse I put forward for my strange transformation."
+
+"Do you mean your nervous affection?"
+
+"Yes."
+
+"Just tell me, have you any trouble of that kind, or did you merely
+invent it as an excuse for any failure you made from time to time?"
+
+"I used it insincerely as an excuse. But I really do suffer from time
+to time physically. But physical suffering is nothing. Why should we
+waste a thought on such nonsense?"
+
+"In such a strange case as this I believe everything should be taken
+carefully into consideration," observed Malling in his most prosaic
+voice.
+
+The rector's attention seemed to be suddenly fixed and powerfully
+concentrated. The feverish excitement he had been displaying gave place
+to a calmer, more natural mood.
+
+"Tell me," he said, "do you think your knowledge can help me? I am aware
+that you have made many strange investigations. Is there anything to be
+done for me, anything that will restore me to my former powers? Will you
+credit me when I declare to you that it was only by making a terrible
+effort that I was able to get away from Chichester's companionship and
+to come down here? If I had not said that I meant to do so while you were
+in the room, I doubt if I should ever have had the courage. There is
+something inexplicable that seems to bind me to Chichester. Sometimes
+there have been moments when I have thought that he longed to be far
+away from me. And it has seemed to me that he, too, would find escape
+difficult, if not impossible."
+
+"You wish very much that Chichester should resign his curacy and go
+entirely out of your life?" asked Malling.
+
+"Wish!" cried Mr. Harding, almost fiercely. "Oh, the unutterable relief
+to me if he were to go! Even down here, away from him for a day or two,
+ I sometimes feel released. And yet--" he paused in his walk--"I shall
+have to go back--I know it--sooner than I meant to, very soon."
+
+He spoke with profound conviction.
+
+"Chichester will mean me to go back, and I shall not be able to stay."
+
+"And yet you say it has occurred to you that possibly Chichester may be
+as anxious as yourself to break away from the strange condition of things
+you have described to me."
+
+"Have you," exclaimed Mr. Harding--"have you some reason to believe
+Chichester has ever contemplated departure?"
+
+Malling moved slowly on, and the rector was forced to accompany him.
+
+"It has occurred to me," he said, evading the point, "that possibly Henry
+Chichester might be induced to go out of your life."
+
+"Never by me! I should never have the strength to attempt compulsion with
+Chichester."
+
+"Some one else might tackle him."
+
+"Who?" cried out Mr. Harding.
+
+"Some man with authority."
+
+"Do you mean ecclesiastical authority?"
+
+"Oh, dear, no! I was thinking of a man like, say, Professor Stepton."
+
+As Malling spoke, a curious figure seemed almost to dawn upon them,
+sidewise, becoming visible gently in the darkness; a short man, with
+hanging arms, a head poked forward, as if in sharp inquiry, and rather
+shambling legs, round which hung loosely a pair of very baggy, light
+trousers.
+
+"And here is the professor!" said Malling, stopping short.
+
+
+
+
+IX
+
+
+That night when, very late, Mr. Harding and Malling returned to the red
+doll's house and let themselves into it with a latch-key, they found
+lying upon the table in the little hall a brown envelop.
+
+"A telegram!" said the rector.
+
+He took it into his hand and read the name on the envelop.
+
+"It's for me. Malling, do you know whom this telegram is from?"
+
+"How can I, or you, for that matter?"
+
+"It is from Henry Chichester, and it is to recall me to London."
+
+"It may be so."
+
+"It is so. Open it for me."
+
+Malling took the telegram from him and tore it open, while he sat heavily
+down by the table.
+
+"_Please return if possible difficulties in the parish Benyon ill need
+your presence Chichester._"
+
+Malling looked down at the rector.
+
+"You see!" Mr. Harding said slowly.
+
+"What do you mean to do?"
+
+Mr. Harding got up from his chair with an effort like that of a weary
+man.
+
+"I wonder where the railway-guide is?" he said. "Excuse me for a moment,
+Mr. Malling."
+
+He went away into the drawing-room, and returned with the railway-guide
+open in his hand.
+
+"Malling," he said, using the greater familiarity he had for a moment
+discarded, "I am about to do a rude thing, but I ask you, I beg of
+you, to acquit me of any rude intention toward yourself. I have been
+looking up the Sunday trains. I find I can catch a good one at Faversham
+to-morrow morning. There is a motor I can hire in the town to get there.
+It stands just by the post-office, where the road branches." He paused,
+looking into Malling's face as if in search of some sign of vexation or
+irony. "With a large parish on my hands," he went on, "I have a great
+responsibility. And if Benyon, my second curate, is ill, they will
+be short-handed."
+
+"I see."
+
+"What distresses me greatly--greatly--is leaving you, my guest, at such
+short notice. I cannot say how I regret it."
+
+He stopped. Purposely, to test him, Malling said nothing, but waited with
+an expressionless face.
+
+"I cannot say. But how can I do otherwise? My duty to the parish must
+come before all things."
+
+"I see," said Malling again.
+
+Looking greatly disturbed, Mr. Harding continued:
+
+"I will ask you to do me a very great favor. Although I am obliged to go,
+I hope you will stay, I entreat you to stay till Monday. The professor is
+here. You will not be companionless. The servants will do everything to
+make you comfortable. As to food, wine--everything is provided for. Will
+you stay? I shall feel more at ease in going if I know my departure has
+not shortened your visit."
+
+"It is very good of you," Malling replied. "I'll accept your kind offer.
+To tell the truth, I'm in no hurry to leave the Tankerton air."
+
+"Thank you," said the rector, almost with fervor. "Thank you."
+
+So, the next morning, Mr. Harding went away in the hired motor, and
+Malling found himself alone in the red doll's house.
+
+He was not sorry. The rector's revelation on the previous night had well
+repaid him for his journey; then the air of Tankerton really rejoiced
+him; and he would have speech of the professor.
+
+"I shall lay it before Stepton," he had said to Mr. Harding the previous
+night, after they had parted from the professor.
+
+And he had spoken with authority. Mr. Harding's confidence, his
+self-abasement, and his almost despairing appeal, had surely given
+Malling certain rights. He intended to use them to the full. The
+rector's abrupt relapse into reserve, his pitiful return to subterfuge,
+after the receipt of that hypnotizing telegram, had not, in Malling's
+view, abrogated those rights.
+
+When the motor disappeared, he strolled across the grass with a towel
+and had a dip in the brown sea, going in off the long shoal that the
+Whitstable and Tankerton folk call "the Street." Then he set out to
+find the professor.
+
+His interview with Stepton on the previous night in the presence of
+Mr. Harding had been rather brief. Stepton had been preoccupied and
+monosyllabic. Agnes had been right as to his reason for honoring the
+coast of Kent with his company, but wrong as to the haunted house's
+location. It was not in Birchington, but lay inland, within easy reach
+of Tankerton. When he met Malling and Harding, the professor was going
+to his hotel, where a motor was waiting to convey him to the house, in
+which he intended to pass the night. His mind was fixed tenaciously upon
+the matter in hand. Malling had realized at once that it was not the
+moment to disturb him by the introduction of any other affair, however
+interesting. But his suggestion of a meeting the next morning was thus
+welcomed:
+
+"Right! I shall be at home at churchtime--as you're not preaching."
+
+The second half of the sentence was directed to Mr. Harding, who said
+nothing.
+
+"And you might give me a cup of tea in the afternoon," the professor
+had added, looking at the rector rather narrowly before shambling off
+to his hotel to get the plaid shawl which he often wore at night.
+
+"With the greatest pleasure. Minors is the name of the house," had been
+Mr. Harding's reply.
+
+Whereupon the professor had vanished, muttering to himself:
+
+"Minors! And why not Majors, if you come to that? Perhaps too suggestive
+of heart-breaking military men. Minors is safer in a respectable seaside
+place."
+
+The professor had been up all night, but looked much as usual, and was
+eating a hearty breakfast of bacon and eggs in the cheerful coffee-room
+when Malling arrived. He scarcely ever ate at orthodox hours, and had
+frequently been caught lunching at restaurants in London between four and
+five in the afternoon.
+
+"Where's the rector? At church?" was his greeting.
+
+"The rector has gone back to London," replied Malling, sitting down by
+the table.
+
+"What about my cup of tea, then?" snapped Stepton.
+
+"I will be your host. I'm here till to-morrow. Any interesting
+manifestations?"
+
+"A rat or two and a hysterical kitchen-maid seem to be the responsible
+agents in the building up of the reputation of the house I kept awake
+in last night."
+
+"I believe I have a more interesting problem for you."
+
+The professor stretched out a sinewy hand.
+
+"Cambridge marmalade! Most encouraging!" he muttered. "Have the reverend
+gentlemen of St. Joseph's been at it again--successfully?"
+
+"I want you to judge."
+
+And thereupon Malling laid the case faithfully before the professor,
+describing not only the dinner in Hornton Street and his interview with
+Lady Sophia, but also the two sermons he had heard at St. Joseph's, and
+the rector's lamentable outburst of the previous night. This last, having
+a remarkably retentive memory, he reproduced in the main in Mr. Harding's
+own words, omitting only the rector's reference to his moral lapses.
+During the whole time he was speaking Stepton was closely engaged with
+the Cambridge marmalade, and showed no symptoms of attention to anything
+else. When he ceased, Stepton remarked:
+
+"Really, clergymen are far more to be depended upon for valuable
+manifestations than a rat or two and a hysterical kitchen-maid. Come
+to my room, Malling."
+
+The professor had a bedroom facing the sea. He led Malling to it, shut
+the door, gave Malling a cane chair, sat down himself, in a peculiar,
+crab-like posture, upon the bed, and said:
+
+"Now give me as minute a psychological study of the former and actual
+Henry Chichester as you can."
+
+Malling complied with this request as lucidly and tersely as he could,
+wasting no words.
+
+"Any unusual change in his outward man since you knew him two years ago?"
+asked the professor, when he had finished.
+
+Malling mentioned the question as to the curate's eyes and mouth which
+had risen in his mind, and added:
+
+"But the character of the man is so changed that it may have suggestioned
+me into feeling as if there were physical change in him, too."
+
+"More than would be inevitable in any man in a couple of years. And now
+as to his digestive organs."
+
+"Good heavens!" exclaimed Malling.
+
+The apparent vagaries of his companion very seldom surprised him, but
+this time he was completely taken aback.
+
+"Are they what they were? Assuming, on your part, a knowledge of what
+they were."
+
+"I don't know either in what condition they are now, or in what condition
+they were once."
+
+"Ah! Now I must draw up a report about last night. I'll come for that cup
+of tea to Minors--might almost as well have been Majors, even granting
+the military flavor--about five."
+
+Malling took his departure.
+
+At a quarter to five he heard the click of the garden gate, and looking
+out at the latticed window of the hall, he saw the professor walking
+sidewise up the path, with a shawl round his shoulders. He went to let
+him in, and took him into the tiny drawing-room.
+
+"An odd shell for Harding!" observed the professor. "More suitable to a
+bantam than to a Cochin-China!"
+
+"It doesn't belong to him."
+
+"Nor he to it. Very wise and right of him to go back to Onslow Gardens."
+
+A maid brought in the tea, and the professor, spread strangely forth in a
+small, chintz-covered arm-chair, enjoyed it while he talked about oysters
+and oyster-beds. He was deeply interested in the oysters of Whitstable,
+and held forth almost romantically on their birth and upbringing, the
+fattening, the packing, the selling, and the eating of them--"with lemon,
+not vinegar, mind! To eat vinegar with a Whitstable native is as vicious
+as to offer a libation of catchup at the altar of a meadow mushroom just
+picked up out of the dew."
+
+Malling did not attempt to turn his mind from edibles. The professor had
+to be let alone. When tea was finished and cleared away, he observed:
+
+"And now, Malling, what is your view? Do you look upon it as a case of
+transferred personality? I rather gathered from your general tone that
+you were mentally drifting in that direction."
+
+"But are there such cases? Of double transfer, I mean?"
+
+"Personally I have never verified one. When you spoke of the reverend
+gentlemen for the first time, I said, 'Study the link!' There will be
+development in the link if--all the rest of it."
+
+"There has been development, as I told you. The link is on his side now."
+
+"That's remarkable, undoubtedly. Has it ever struck you that Harding was
+almost too successful a clergyman to be a genuinely holy man?"
+
+"What do you mean?"
+
+"There's a modesty in holiness that is hardly adapted to catch smart
+women."
+
+"You used to go to hear Harding preach."
+
+"And d'you know why I liked his sermons?"
+
+"Why?"
+
+"Because he understood doubt so well. That amused me. But the man who has
+such a comprehensive understanding of skepticism, is very seldom a true
+believer. One thing, though, Harding certainly does believe in, judging
+by a sermon I once heard him preach."
+
+"And that is?"
+
+"Manicheism. Chichester, you say, was a saint?"
+
+"He was, if a man can be a saint who has a certain amiable weakness of
+character."
+
+"And now? You think he would be a difficult customer to tackle now?"
+
+"Harding finds him so."
+
+"And Harding was an overwhelming chap, cocksure of himself. Chichester
+must be difficult. Shall I tackle him?"
+
+"I wish you would. But how? Do you wish me to introduce him to you?"
+
+"Let me see."
+
+The professor dropped his head and remained silent for a minute or two.
+
+"Tell me something," he at length remarked, lifting his head and assuming
+his most terrier-like aspect. "Do you think Harding a whited sepulcher?"
+
+"Possibly."
+
+"And do you think his saintly curate has found it out?"
+
+"Do you think that would supply a natural explanation of the mystery?"
+
+"Should you prefer to search for it in that malefic region which is the
+abiding-place of nervous dyspepsia?"
+
+"How could--"
+
+"Acute nervous dyspepsia, complicated by a series of sittings under the
+rose, might eat away the most brazen self-confidence. That's as certain
+as that I wear whiskers and you don't. Shall we do an addition sum? Shall
+we add Chichester's discovery of secret lapses in his worshiped rector's
+life, to the nervous dyspepsia and the sittings? Shall we do that?"
+
+"And Lady Sophia?"
+
+"There's a sunflower type of woman. The rising sun can't escape her
+inevitable worship."
+
+"The change in Harding may be a natural one. But there is something
+portentous in the change in Chichester," said Malling. "You know I'm
+a rather cool hand, and certainly not inclined to easy credulity. But
+there's something about Chichester which--well, Professor, I'll make a
+confession to you that isn't a pleasant one for any man to make. There's
+something about Chichester which shakes my nerves."
+
+"And you haven't got nervous dyspepsia?"
+
+"Should I be even a meliorist--as I am--if I had?"
+
+"I must know Chichester. It's a pity I didn't know him formerly."
+
+"I don't believe that matters," said Malling, with intense conviction.
+"There is that in him which must strike you and affect you, whether you
+knew him as he was or not."
+
+"So long as I don't turn tail and run from him, all's well. I will
+tackle Chichester. In the interests of science I will face this curate.
+But how shall I approach him? As in golf, the approach is much, if not
+everything."
+
+He sat thinking for some minutes, with his eyebrows twitching. Then he
+said:
+
+"The question is, Should the approach be casual or direct? Shall I
+describe a curve, or come to him as the crow comes when making for a
+given point--or is said to come, for I've never investigated that
+matter? What do you say?"
+
+"It's very difficult to say. On the day I dined in Hornton Street,
+Chichester certainly wanted to tell me something. He asked me to dine,
+I am almost sure, in order that he might tell it to me."
+
+"About the sittings with Harding, no doubt."
+
+"That, perhaps, and something more."
+
+"But he told you nothing."
+
+"Directly."
+
+"Do you think he would be more or less likely to unbosom himself now than
+he was then?"
+
+"Less likely."
+
+"You might give me his address."
+
+Malling did so. The professor wrote the address down on a slip of paper,
+pinned the slip carefully to the yellow lining of his jacket, and then
+got up to go.
+
+But Malling detained him.
+
+"Professor," he said, speaking with an unusual hesitation, "you know why
+I told you all this."
+
+"In the interests of science?"
+
+"No, in the interest of that miserable man, Marcus Harding. I want you
+to break the link that binds him to Henry Chichester--if there is one.
+I want you to effect his release."
+
+"I'm afraid you've come to the wrong man," returned Stepton, dryly. "My
+object in entering into this matter is merely to increase my knowledge,
+not to destroy my chance of increasing it."
+
+"But surely--"
+
+"We shall never get forward if we move in the midst of a fog of pity and
+sentiment."
+
+Malling said no more; but as he watched the professor shambling to the
+garden gate, he felt as if he had betrayed Marcus Harding.
+
+
+
+
+X
+
+
+Soon after Malling had returned to London, he received the following note
+from Mr. Harding:
+
+_Onslow Gardens_, June --th.
+
+_Dear Mr. Malling:_
+
+I seem to have some remembrance of your saying to me at Tankerton that
+you wished to speak to Professor Stepton with regard to a certain matter.
+I may be wrong in my recollection. If, however, I am right, I now beg
+you not to speak to the professor. I have, of course, the very highest
+regard for his discretion; nevertheless, one must not be selfish. One
+must not think only of one's self. I have obligations to others, and I
+fear, when we were together at Tankerton, I forgot them. A word of
+assurance from you that Professor Stepton knows nothing of our
+conversation will set at rest the mind of
+
+Yours sincerely,
+
+_Marcus Harding._
+
+As soon as he had read this communication, Malling realized that he
+had been right in his supposition that a new reserve was growing up
+in Henry Chichester. He was aware of Chichester's reserve in the letter
+of the rector. He was aware, too, of the latter's situation as he had
+never been aware of it before. Often a trifle illuminates a life, as a
+search-light brings some distant place from the darkness into a fierce
+radiance that makes it seem near. So it was now.
+
+"Poor Harding!" thought Malling, with an unusual softness. "But this
+letter comes too late."
+
+What answer should he return to the rector? He hated insincerity, but on
+this occasion he stooped to it. He had not only the fear of Stepton upon
+him; he had also the desire not to add to the deep misery of Marcus
+Harding. This was his answer:
+
+_Cadogan Square_, June --.
+
+_Dear Mr. Harding:_
+
+In reply to your letter, I will not now repeat our conversation of the
+other evening to Professor Stepton. He is, as you say, a man of the
+highest discretion, and should you feel inclined yourself to take him
+into your confidence at any time, I think you will not regret it.
+
+Yours sincerely,
+
+_Evelyn Malling_.
+
+As he put this note into an envelope, Malling said to himself:
+
+"Some day I'll let him know I deceived him; I'll let him know I had
+already told the professor."
+
+Two or three days later Malling heard of the professor having been at a
+party in Piccadilly at which Lady Sophia was a guest.
+
+"And do you know, really,"--Malling's informant, a lively married woman,
+concluded,--"those old scientific men are quite as bad as any of the boys
+who only want to have a good time. The professor sat in Lady Sophia's
+pocket the whole evening! Literally in her pocket!"
+
+"I didn't know modern women had pockets," returned Malling.
+
+"They don't, of course; but you know what I mean."
+
+Malling understood that the professor was beginning his "approach."
+
+A week went by, and at a man's dinner, Malling chanced to sit next to
+Blandford Sikes, one of the most noted physicians of the day. In the
+course of conversation the doctor remarked:
+
+"Is your friend Stepton going to set up in Harley Street?"
+
+"Not that I know of," said Malling. "What makes you ask?"
+
+"He came to consult me the other day, and when I told him he was as sound
+as Big Ben he sat with me for over half an hour pumping me unmercifully
+on the subject of nervous dyspepsia. The patient who followed, and who
+happened to be a clergyman, looked fairly sick when he was let in at
+last."
+
+Who happened to be a clergyman! Malling had longed to ask Blandford
+Sikes a question--who that clergyman was. But he refrained. To do so,
+would doubtless have seemed oddly inquisitive. It was surely enough for
+him to know that the professor was busily at work in his peculiar way.
+And Malling thought again of that "approach." Evidently the professor
+must be describing the curve he had spoken of. When would he arrive at
+Henry Chichester? There were moments when Malling felt irritated by
+Stepton's silence. That it was emulated by Marcus Harding, Lady Sophia,
+and Henry Chichester did not make matters easier for him. However, he
+had deliberately chosen to put this strange affair into Stepton's hands.
+Stepton had shown no special alacrity with regard to the matter. Malling
+felt that he could do nothing now but wait.
+
+He waited.
+
+Now and then rumors reached him of Marcus Harding's fading powers, now
+and then he heard people discussing one of Henry Chichester's "remarkable
+sermons," now and then in society some feminine gossip murmuring that
+"Sophia Harding seems to be perfectly sick of that husband of hers. She
+probably wishes now that she had taken all her people's advice and
+refused him. Of course if he had been made a _bishop_!"
+
+The season ended. Goodwood was over, and Malling went off to Munich and
+Bayreuth for music. Then he made a walking-tour with friends in the
+Oberammergau district, and returned to England only when the ruddy
+banners of autumn were streaming over the land.
+
+Still there was no communication from the professor. Malling might of
+course have written to him or sought him. He preferred to possess his
+soul in patience. Stepton was an arbitrary personage, and the last man
+in the world to consent to a process of pumping.
+
+Meanwhile Stepton had forgotten all about Malling. He was full of work
+of various kinds, but the work that most interested him was connected
+with the reverend gentlemen of St. Joseph's. As Malling surmised, he had
+lost little time in beginning his "approach," and that approach had been
+rather circuitous. He had taken his own advice and studied the link.
+This done, the intricate and fascinating subject of nervous dyspepsia
+had claimed his undivided attention. When he had finished his prolonged
+interview with Blandford Sikes, sidling back to the waiting-room to
+gather up various impedimenta, he had encountered the unfortunate
+clergyman whom he had kept waiting. Marcus Harding was the man. They
+exchanged only a couple of words, but the sight of the flaccid bulk,
+the hanging cheeks and hands, the eyes in which dwelt a sort of faded
+despair, whipped up into keen alertness every faculty of the professor's
+mind. As he walked into Cavendish Square he muttered to himself:
+
+"I never saw a clergyman look more promising for investigation, by Jove!
+Never! There's something in it. Malling was not entirely wrong. There's
+certainly something in it."
+
+But what? Now for Henry Chichester!
+
+Stepton was by nature unemotional, but he was an implicit believer in
+the hysteria of others, and he thought clergymen, as a class, more liable
+to that malady than other classes of men. Curates, being as a rule young
+clergymen, were, in his view, specially subject to the inroads of the
+cloudy complaint, which causes the mind to see mountains where only
+mole-hills exist, and to appreciate anything more readily and accurately
+than the naked truth. Henry Chichester was young and he was a curate.
+He was therefore likely to be emotional and to be attracted by the
+mysterious, more especially since he had recently been knocking on
+its door, according to Malling's statement.
+
+After a good deal of thought, the professor resolved to cast aside
+convention, and to make Chichester's acquaintance without any
+introduction; indeed, with the maximum of informality.
+
+He learned something about Chichester's habits, and managed to meet him
+several times when he was walking from the daily service at St. Joseph's
+to his rooms in Hornton Street. In this walk Chichester passed the South
+Kensington Museum. What more natural than that the professor should
+chance to be coming out of it?
+
+The first time they met, Stepton looked at the curate casually, the
+second time more sharply, the third time with scrutiny. He knew how to
+make a crescendo. The curate noticed it, as of course the professor
+intended. He did not know who Stepton was, but he began to wonder about
+this birdlike, sharp-looking man, who evidently took an interest in him.
+And presently his wonder changed into suspicion. This again accorded with
+the professor's intention.
+
+One day, after the even-song at St. Joseph's, Stepton saw flit across
+the face of the curate, whom he was meeting, a flicker of something
+like fear. The two men passed each other, and immediately, like one
+irresistibly compelled, the professor looked back. As he did so,
+Chichester also turned round to spy upon this unknown. Encountering
+the gaze of the professor, he started, flushed scarlet, and pursued his
+way, walking with a quickened step.
+
+The professor went homeward, chuckling.
+
+"To-day's Tuesday," he thought. "By Saturday, at latest, he'll have
+spoken to me. He'll have to speak to me to relieve the tension of his
+nerve-ganglions."
+
+Chichester did not wait till Saturday. On Friday afternoon, coming
+suddenly upon Stepton at a corner, he stopped abruptly, and said:
+
+"May I ask if you want anything of me?"
+
+"Sir!" barked Stepton. "Mr. Chichester!"
+
+"You know my name?" said the curate.
+
+"And probably you know mine--Professor Stepton."
+
+A relief that was evidently intense dawned in the curate's face.
+
+"You are Professor Stepton! You are Mr. Malling's friend!"
+
+"Exactly. Good day."
+
+And the professor marched on.
+
+Chichester did not follow, but the next day, on the pavement not far from
+the museum, he stopped once more in front of the professor with a "Good
+afternoon."
+
+"Good day," said Stepton.
+
+"Since you know who I am," began the curate, "and I have heard so much of
+you, I hope you will forgive me for asking you something."
+
+"Certainly."
+
+"What is it in me which has attracted your attention?"
+
+"I wish I knew," returned the professor.
+
+"You wish you knew! Do you mean that you don't know?"
+
+"I don't know at all."
+
+"But--but--you--I was not wrong in feeling sure that you were--that
+something in me had aroused your attention?"
+
+"Not wrong at all; but 'something' is not the word."
+
+"What is the word?"
+
+"Everything. Everything in you rouses my attention, Mr. Chichester. But
+I can't think why."
+
+"Did you know I was Mr. Harding's curate the first time you met me?"
+
+"Yes; I had seen you at St. Joseph's once or twice when I came to hear
+your rector preach. You didn't interest me at all then, I'm bound to
+say."
+
+Chichester stood in silence for a minute. Then he said:
+
+"I might walk a little way back with you, if you have no objection."
+
+Stepton jerked his head in assent. And so the acquaintance of these two
+men was begun. Their first conversation was a delight to the professor.
+After a short silence the curate said:
+
+"I could not help seeing each time we have met how your attention was
+fastened upon me."
+
+"Just so," rejoined Stepton, making no apology.
+
+"And I really think," continued Chichester, with a sort of pressure--"I
+really think I am entitled to ask for some explanation of the matter."
+
+"Certainly you are."
+
+"Well?" He paused, then said again, "Well, Professor Stepton?"
+
+"I'm afraid I've nothing to tell you, I like to stick to facts."
+
+"I only ask you for facts."
+
+"The facts amount to very little. Coming from the museum I ran across
+a man. You were the man. My attention was riveted at once. I said to
+myself, 'I must see that man again.' Next day I took my chance. I had
+luck. You were there at pretty much the same hour."
+
+"I always come from St. Joseph's--"
+
+"Exactly. And so it's happened on several days. And that's all I have to
+tell you."
+
+"But surely you can indicate why--"
+
+"No, I can't. All I can say is that for some reason, quite inexplicable
+by me, if I had come upon you in a crowd of a thousand, I should have had
+to attend to you."
+
+"That's very strange," said Chichester, in a low voice; "very strange
+indeed."
+
+"There's a reason for it, of course. There's a reason for everything, but
+very often it isn't found." At this point the professor thrust his head
+toward Chichester, and added, "you can't tell me the reason, I suppose?"
+
+Chichester looked much startled and taken aback.
+
+"I--oh, no!"
+
+"Then we must get along in the dark and make the best of it."
+
+Having said this, the professor abruptly dismissed the subject and began
+to talk of other things. When he chose he could be almost charming.
+He chose on this occasion. And when at last he hailed a bus, declaring
+that he was due at home, Chichester expressed a hope that some day
+he would find himself in Hornton Street, and visit number 4a.
+
+The professor assented, and was carried westward.
+
+Several days passed, but he did not find himself near Horton Street, and
+he had ceased to visit the South Kensington Museum. Then the curate
+wrote and invited him to tea. Despite a pretence at indifference in the
+phraseology of the note, the professor discovered a deep anxiety in the
+writing. Among other things he had studied, and minutely, graphology.
+
+He sat down and very politely refused the invitation.
+
+Then Chichester came to call on him, and caught him at home.
+
+It was six o'clock in the evening, and the heavens were opened. Agnes,
+the Scotch parlor-maid who claimed to have second sight, opened the door
+to Chichester, who, speaking from beneath a dripping umbrella, inquired
+for the professor.
+
+"He's in, sir, but he's busy."
+
+"Could you take him my card?"
+
+Agnes took it, much to her own surprise, and carried it to the
+professor's study.
+
+"A gentleman, sir."
+
+"I told you, Agnes--"
+
+"I couldn't say no to him, sir."
+
+"Why not? Here!" he took the card.
+
+"Why not?" he repeated, when he had read the name.
+
+"It wasn't in me to, sir."
+
+"Well, then I shall have to see him. Show him up. But never again will
+I call you by the proud name of Cerberus."
+
+So, putting the onus upon Agnes, the professor yielded, murmuring to
+himself:
+
+"It wasn't in her to! Very expressive! And Cerberus, by the way, was
+always ready to let 'em in. It was when they wanted to get out that--Good
+evening. I hope you don't mind climbing."
+
+"Thank you, no," said Chichester.
+
+"Sit down."
+
+"I am afraid I disturb you."
+
+"I'm bound to say you do. But what does it matter?"
+
+"As you didn't find your way to Hornton Street, I thought I would
+venture."
+
+"Very good of you. This is a soft chair."
+
+Chichester sat down. It had been evident to Stepton from the moment
+when his visitor came in that he was in great agony of mind. There was
+in his face a sort of still and abject misery which Stepton thought
+exceedingly promising. As he turned round, leaning his sharp elbow on
+his writing-table, Stepton was considering how to exploit this misery
+for the furthering of his purpose.
+
+"I want you to tell me something," Chichester began. "I want to know
+why your attention was first attracted to me. I feel sure that you must
+be able to give a reason. What is it?"
+
+"Well, now, I wish I could," returned Stepton.
+
+To himself he gave the swift admonition, "Play for hysteria, and see what
+comes of it."
+
+"I wish I could; but it's a mystery to me. But now--let's see."
+
+He knitted his heavy brows.
+
+"A long while ago I picked a man out, met him in a crowd, at the Crystal
+Palace, followed him about, couldn't get away from him. That same evening
+he was killed on the underground. I read of it in the paper, went to see
+the body, and there was my man."
+
+"Do you claim to have some special faculty?" asked Chichester.
+
+"Oh, dear, no. Besides, you haven't been killed on the underground--yet."
+
+A curious expression that seemed mingled of disappointment and of
+contempt passed across Chichester's face. Stepton saw it and told
+himself, "No hysteria."
+
+"Possibly the reason may be a more intellectual one," observed the
+professor. "I hear you have been preaching some very remarkable sermons.
+I haven't heard them. Still, others who have may have 'suggestioned' me.
+Three quarters of any man's fame, you know, are due to mere suggestion."
+
+"You're not the man to be the prey of that, I fancy--not the easy prey,
+at any rate."
+
+"Then we're left again with no explanation at all, unless, as I believe
+I hinted once before, you can give us one."
+
+Chichester looked down; without raising his eyes he presently said in a
+constrained voice:
+
+"If I were to give you one you might not accept it."
+
+"Probably not," said Stepton, briskly. "In my life I've been offered a
+great many explanations, and I'm bound to say I've accepted remarkably
+few."
+
+Chichester looked up quickly, and with the air of a man nettled.
+
+"You'll forgive me, I hope, for saying that you scientific men very often
+seem to have a great contempt for those who are more mystically minded,"
+he observed.
+
+"I've hit the line!" thought Stepton, with a touch of exultation, as he
+dropped out a negligent, "Forgive you--of course."
+
+"I dare say it seems to you extraordinary that any man should be able
+to be a clergyman, genuinely believing what he professes and what he
+preaches."
+
+"Very few things seem to me extraordinary."
+
+"Perhaps because you are skeptical of so much in which others believe."
+
+"That may be it. Quite likely."
+
+"And yet isn't there a saying of Newton's, 'A little science sends man
+far away from God, a great deal of science brings man back to God?'
+You'll forgive the apparent rudeness. All I mean is--"
+
+"That the sooner I try to get more science the better for me," snapped
+out Stepton, brusquely interrupting his visitor, but without heat.
+"Let me tell you that I pass the greater part of my time in that very
+effort--to acquire more exact knowledge than I possess. Well--now then!
+Now then!"
+
+Turning round still more toward the curate he looked almost as if he were
+about to "square up" to him. A dry aggressiveness informed him, and his
+voice had a rasping timbre as he continued:
+
+"But I decline to take leaps in the dark like--" Here he mentioned a
+well-known man of science--"and I decline to reject evidence like--" Here
+he named a professor even more famous.
+
+The mention of the last name evidently excited Chichester's curiosity.
+
+"What evidence has he rejected?" he exclaimed.
+
+"Last week he held a sitting to examine the pretensions of Mrs. Groeber,
+the German medium. Westcott was also present, a man on whose word the
+very devil--if there is such a person, which I don't yet know--would
+rely. Some apparently remarkable phenomena occurred.--" Here he mentioned
+the professor--"was convinced that they could only have been brought
+about by supernormal means. Unfortunately, or fortunately, Westcott had
+seen the trickery which produced them. When the seance was over he
+explained what it was to ----. What did this _so-called_ man of science
+do? Refused to accept Westcott's evidence, clung to his own ridiculous
+belief,--savage's fetish belief, nothing more,--and will include the
+Groeber manifestations as evidence of supernormal powers in his next
+volume. And I say, I say"--he raised his forefinger--"that clergymen are
+doing much the same thing pretty nearly every day of their lives. Seek
+for truth quietly, inexorably, and you may get it; but don't prod men
+into falsehood, or try to, as you've been trying to in this very room."
+
+"I!" cried out Chichester.
+
+"You. I told you I had no reason to give you as to why you attracted my
+attention in the street. Were you satisfied with that? Not at all. You
+must needs come here,--very glad to see you!--and say, 'I feel sure you
+must be able to give me a reason. What is it?' You clamor for a lie.
+And that's what men are perpetually doing--clamoring for lies. And they
+get 'em, from clergymen, from mediums, from so-called scientific men,
+and from the dear delightful politicians. There now!"
+
+And the professor dropped his forefinger and flung himself back in his
+chair.
+
+"And"--Chichester in his turn leaned forward, but he spoke with some
+hesitation--"and suppose I were to tell you a truth, a strange, an
+amazing truth?"
+
+He paused.
+
+"Go on!" said the professor.
+
+"Wouldn't you do just the opposite? You say men accept lies. I say you
+would probably reject truth."
+
+"_Cela depend_. What you believed to be truth might not be truth at
+all. It might be hysteria, it might be nervous dyspepsia, it might be
+overwork, it might be a dozen things."
+
+"Just what I say," exclaimed Chichester. "Men of science delight in
+nothing so much as in finding excuses for rejecting the greatest truths."
+
+"Do you mean the greatest truths in the possession of Anglican
+clergymen?"
+
+"I dare say you think it impossible that a clergyman should know more
+than a scientific man?"
+
+"Oh, no. But he's out for faith, and I happen to be out for facts. I like
+hard facts that can be set down with a fountain-pen in my note-book, and
+that, taken together, are convincing to all men of reasonable intellect.
+Very dull, no doubt; but there you have it. Clergymen, as a rule, move in
+what are called lofty regions--the realms of heart, conscience, and what
+not. Now, I'm very fond of the region of gray matter--gray matter."
+
+"And yet you are one of the chief of the investigators in the field of
+psychical research."
+
+"Do you think there's no room for pencil and note-book there? What about
+Podmore,--there's a loss!--and a dozen others? Psychic matters have got
+to be lifted out of the hands of credulous fetish-worshiping fools, and
+the sooner the better."
+
+"It's easy to call people credulous," said Chichester, with decided heat.
+"By being so readily contemptuous, Professor Stepton, you may often keep
+back evidence that might be of inestimable value to your cause. A man in
+possession of a great truth may keep it to himself for fear of being
+laughed at or called a liar."
+
+"Then all I can say is that he's a coward--an arrant abject coward."
+
+Chichester sat in silence. Again he was looking down. Now that his eyes
+were hidden by their drooping lids, and that he was no longer speaking,
+the sadness of his aspect seemed more profound. It dignified his rather
+insignificant features. It even seemed, in some mysterious way, to infuse
+power into his slight and unimportant figure. After sitting thus for
+perhaps three minutes he raised his head and got up from his chair.
+
+"I must not take up your time any longer," he said. "It was very good of
+you to see me at all." He held out his hand, which Stepton took, and
+added, "I'll just say one thing."
+
+"Do!"
+
+"It isn't always cowardice which causes a man to keep a secret--a secret
+which might be of value to the world."
+
+"I never said it was."
+
+"No; but still--you spoke just now of my sermons. I preached one not very
+long ago which I have typed myself. If I send it to you do you think you
+could find time to read it?"
+
+"Certainly."
+
+"I will send it, then. Good night."
+
+"I'll come down with you."
+
+The professor let Chichester out. The rain was still falling in torrents.
+Shrouded in his mackintosh, protected by his umbrella, the curate walked
+away. Looking after him, Stepton thought:
+
+"Very odd! It isn't only in the face. Even the figure, all covered up and
+umbrella-roofed, seems to have something--he'll send me the sermon of the
+man and his double to-morrow."
+
+And on the morrow that sermon came by the first post. Having read it, the
+professor promptly returned it to Chichester with the following note:
+
+_The White House, Westminster.
+
+Dear Mr. Chichester:_
+
+Very glad to have had the opportunity of reading your interesting
+discourse. If I had not known it was yours, and a sermon, I should have
+said "a posthumous work of Robert Louis Stevenson." It does credit to
+your imagination. If you care to publish, I should suggest "The
+Cornhill." I know nothing about their terms.
+
+Yours faithfully,
+
+_G.R.E. Stepton._
+
+By return of post, there came an urgent invitation to the professor to
+visit Chichester's rooms in Hornton Street, "to continue a discussion
+which has a special interest for me at this moment."
+
+"Discussion!" thought Stepton, sitting down to accept, "What my man wants
+is for me to goad him into revelation; and I'll do it."
+
+The professor knew enough of psychology to be aware that in the very
+depths of the human heart there is a desire which may perhaps be called
+socialistic--the desire to share truth with one's fellow-men. Chichester
+was scourged by this desire. But whether what he wished to share was
+truth, or only what he believed to be truth, was the question. Anyhow,
+Stepton was determined to make him speak. And he set off to Hornton
+Street little doubting that he would find means to carry his
+determination into effect.
+
+He arrived about half-past five. He did not turn the corner into
+Kensington High Street on his homeward way until darkness had fallen,
+having passed through some of the most extraordinary moments that had
+ever been his.
+
+When he was shown into the curate's sitting-room, his first remark was:
+
+"Sent that very interesting story to 'The Cornhill' yet?"
+
+"I don't think you quite understand, Professor," replied Chichester.
+"I did not type it with a view to sending it in anywhere for publication.
+You'll have tea with me, I hope? Here it is, all ready."
+
+"Thank you."
+
+"Oh, Ellen!"
+
+Chichester went to the door, and Stepton heard the words, "Nobody, you
+understand," following on a subdued murmuring.
+
+"And Mr. Harding, sir?" said the maid's voice outside.
+
+"Mr. Harding won't come to-day. That will do, Ellen."
+
+The professor heard steps descending. His host shut the door and
+returned.
+
+"You typed it for your own use?" said Stepton.
+
+"That sermon? Yes. I wished to keep it by me as a record."
+
+He sat down, and poured out the tea.
+
+"A record of an imagined experience. Exactly. Then why not publish?"
+
+"It is not fiction."
+
+"Well, it isn't fact."
+
+The professor drank his tea, looking at his host narrowly over the cup.
+
+"Do you say such an experience as that described in my sermon is
+impossible?"
+
+"Do you say it is possible?"
+
+"If I were to say so would you believe me?"
+
+"Certainly not, unless I could make an investigation and personally
+satisfy myself that what you said was true. You wouldn't expect anything
+else, I'm sure."
+
+"You can believe nothing on the mere word of another?"
+
+"Very little. I am an investigator. I look for proof."
+
+"With your pencil in one hand, your note-book in the other."
+
+In Chichester's last remark there was a note of sarcasm which thoroughly
+roused Stepton, for it sounded like the sarcasm of knowledge addressed
+to ignorance. Stepton had a temper. This touch of superiority, not
+vulgar, but very definite, fell on it like a lash.
+
+"Now I'll go for the reverend gentleman of St. Joseph's!" he thought.
+
+And for a moment he forgot his aim in remembering himself. Afterward,
+in thinking matters over, he offered a pinch of incense at the altar
+of his egoism.
+
+"So, the modern clergyman still believes in slip-slop, does he?" he
+exclaimed in his most aggressive manner. "Even now hasn't he learnt the
+value of the matter-of-fact? The clergyman is the doctor of the soul,
+isn't he? And the doctor, isn't he the clergyman of the body? I wonder,
+I do wonder, how long the average doctor would keep together his practice
+if he worked with no more precision than the average clergyman. The
+contempt of the pencil and note-book! The contempt of proper care in
+getting together and coordinating facts! The contempt of proof--the
+appeal to reason! And so we get to the contempt of reason. And let me
+tell you--" he struck the tea-table with his lean hand till the curate's
+cups jumped--"that scarcely ever have I heard a sermon in which was not
+to be found somewhere the preacher's contempt for reason, the bread of
+the intellect of man."
+
+"The soul is not the intellect."
+
+"Don't you think it higher?"
+
+"I do."
+
+"And so you put it on slops!"
+
+The professor got up from his chair, and began to sidle up and down the
+small room.
+
+"You put it on slops, as if it were a thing with a disordered stomach.
+That's your way of showing it respect. You approach the shrine with an
+offering of water gruel. Now look ye here!"--The professor paused beside
+the tea-table--"The soul wants its bread, depends upon it, as much as
+the body, and the church that is free with the loaves is the church to
+get a real hold on real men. Flummery is no good to anybody. Rhetoric's
+no good to anybody. Claptrap and slipslop only make heads swim and
+stomachs turn. The pencil and note-book, observation and the taking down
+of it, these bring knowledge to the doors of men. And when you sneer at
+them, you sneer at bread, on the eating of which--or its equivalent,
+basis-nourishment--life depends."
+
+"I wonder whether you, and such as you, really know on what the true life
+of the soul depends," said Chichester, with an almost dreadful quietness.
+
+The professor sat down again.
+
+"Such as I?" he said. "You are good enough to do me the honor of putting
+me in a class?"
+
+"As you have so far honored me," returned Chichester.
+
+"Ha!" ejaculated Stepton.
+
+He had quite got the better of his egoism, but he by no means regretted
+his outburst.
+
+"Do you claim to stand outside the ranks of the clergy?" he asked.
+
+"Do you claim to stand outside the ranks of the scientists?"
+
+"Oh, dear, no. And now--you?"
+
+Chichester said nothing for a moment. Then, lifting up his head, and
+gazing at the professor with a sort of sternness of determination, he
+said:
+
+"Remember this! You yourself told me that in a crowd of a thousand you
+must have fixed your attention on me."
+
+For a moment the professor had it in his mind to say that this statement
+of his had been a lie invented to make an impression on Chichester. But
+he resisted the temptation to score--and lose. He preferred not to score,
+and to win, if possible.
+
+"I did," he said.
+
+"Could this be so if I were like other men, other clergymen?"
+
+"Well, then, what is the mighty difference between you and your reverend
+brethren--between you, let us say, and your rector, Mr. Harding?"
+
+Very casually and jerkily the professor threw out this question.
+
+Not casually did Chichester receive it. He moved almost like a man who
+had been unexpectedly struck, then seemed to recover himself, and to
+nerve himself for some ordeal. Leaning forward, and holding the edge of
+the table with one hand, he said:
+
+"How well do you know Mr. Harding?"
+
+"Pretty well. Not intimately."
+
+"You have seen him since he--altered?"
+
+"I saw him only the other day when I was at a specialist's in Harley
+Street."
+
+"A specialist's?"
+
+"For nervous dyspepsia."
+
+Again the look of contempt flickered over Chichester's face.
+
+"Do you think the alteration in Mr. Harding may be due to nervous
+dyspepsia?"
+
+"Probably. There are few maladies that so sap the self-confidence of a
+man."
+
+Chichester laughed.
+
+For the first time since he had entered the little room the professor
+felt a cold sensation of creeping uneasiness.
+
+"Apparently you don't agree with me," he said.
+
+"I am not a doctor, and I know very little about that matter."
+
+"Then I'm bound to say I don't know what you find to laugh at."
+
+"For a man who has spent so much time in psychical research you seem to
+have a rather material outlook upon--"
+
+"Mr. Harding?"
+
+"And all that he represents."
+
+"Suppose we stick to Mr. Harding," said the professor, grittily. "He is
+typical enough, even if you are not."
+
+"In what respect do you consider Mr. Harding typical?"
+
+"I am speaking of the Harding before the fall into the abysses of nervous
+dyspepsia."
+
+"Very well. In what respects was Mr. Harding typical?"
+
+"In the sublime self-confidence with which he proclaimed as facts, things
+that have never been proved to be facts."
+
+"Do men want facts?" said Chichester, almost as one speaking alone to
+himself.
+
+"I do. I want nothing else. Possibly Mr.
+Harding had none to give me. I don't blame
+him."
+
+"Perhaps it is a greater thing to give men faith than to give them
+facts."
+
+"Give them the first by giving them the second, if you can! And that,
+by the way, is the last thing the average clergyman is able to do."
+
+Chichester sat silent for nearly a minute looking at the professor with a
+strange expression, almost fiery, yet meditative, as if he were trying to
+appraise him, were weighing him in a balance.
+
+"Professor," he said at last, "I suppose your passion for facts has led
+men to put a great deal of faith in you. Hasn't it?"
+
+"I dare say my word carries some weight. I really don't know," responded
+Stepton, with an odd hint of something like modesty.
+
+"I had thought of Malling first," almost murmured Chichester.
+
+"What's that about Malling?"
+
+"I think he would have accepted what I have to give more readily than you
+would. There seems to me something in him which stretches out arms toward
+those things in which mystics believe. In you there seems to me something
+which would almost rather repel such things."
+
+"I beg your pardon. I am quiescent. I neither seek to summon nor to
+repel."
+
+"I couldn't tell Malling," said Chichester. "His readiness stopped me. It
+struck me like a blow."
+
+"Malling prides himself on being severely neutral in mind."
+
+"And you on being skeptical?"
+
+"I await facts."
+
+"Shall I give you some strange facts, the strangest perhaps you have ever
+met with?"
+
+Stepton smiled dryly.
+
+"You'll forgive me, but some such remark has been the prelude to so many
+figments."
+
+"Figments?"
+
+"Of the imagination."
+
+An expression of anger--almost like a noble anger it seemed--transformed
+Chichester's face. It was as a fine wrath which looked down from a
+height, and in an instant it melted into pity.
+
+"How much you must have missed because of your skepticism!" he said. "But
+I shall not let it affect me. You are a man of note-book and pencil. Will
+you promise me one thing? Will you give me your word not to share what I
+shall tell you with any one, unless, later on, I am willing that you
+should?"
+
+"Oh, dear, yes!" said the professor.
+
+And again he smiled. For even now he believed the curate to be wavering,
+swayed by conflicting emotions, and felt sure that a flick of the whip
+to his egoism would be likely to hasten the coming of what he, the
+professor, wanted.
+
+A loud call rose up from the street. A wandering vender of something
+was crying his ware. In his voice was a sound of fierce melancholy.
+Chichester went to the window and shut it down.
+
+"I wish it was night," he said as he turned.
+
+The professor jerked out his watch.
+
+"It must be getting late," he observed. "Past six! by Jove!"
+
+He made an abrupt movement.
+
+"What?" said Chichester. "You are going!"
+
+He came up to the table.
+
+"Sometimes I think," he said, "that men hate and dread nothing as they
+hate and dread facts which may upset the theories they cherish."
+
+"You're perfectly right. Well, very glad to have seen you in your
+own room." The professor got up. "By their rooms shall ye know them."
+He glanced round.
+
+"Ah, I see you have Rossetti's delightfully anemic Madonna, and Holman
+Hunt's 'Light of the World.' A day or two ago I was talking to a lady
+who pronounced that--" he extended his finger toward the Hunt--"the
+greatest work of art produced in the last hundred years. Her reason?
+Its comforting quality. I am sure you agree with her. Good-by."
+
+He made a sidling movement toward the door. Perhaps it was that movement
+which finally decided the curate to speak.
+
+"Professor," he said, "I don't want you to go yet."
+
+"Why not?" jerked out Stepton, with one hand on the door-knob.
+
+"You collect 'cases.' I have a case for you. You are a skeptic: you say
+men should be brought to faith by facts. Sit down. I will give you some
+facts."
+
+The professor came slowly back, looking dry and cold, and sat down by the
+table, facing the Rossetti Madonna.
+
+"Always ready for facts," he said.
+
+
+
+
+XI
+
+
+"You have heard of doubles, of course, Professor?" said Chichester,
+leaning his arms on the table and putting his hands one against the
+other, as if making a physical effort to be very calm.
+
+"Of course. There was an account of one in that sermon of yours."
+
+"Have you ever seen a double?"
+
+"No; not to my knowledge."
+
+"I suppose you disbelieve in them?"
+
+"I have no reason to believe in them. I have not collected enough
+evidence to convince me that there are such manifestations."
+
+"You know a double at this moment."
+
+"Do I, indeed? And may I ask the manifestation's name?"
+
+"Marcus Harding."
+
+"Marcus Harding is a double, you say. Whose?"
+
+"Mine," said Chichester in a low voice.
+
+He clasped and unclasped his hands.
+
+"I don't understand you," said Stepton, rather disdainfully.
+
+"I will try to make you." And Chichester began to speak, at first in a
+low, level voice. "That sermon of mine," he said, "was a sort of shadow
+of a truth that I wanted to reveal,--that I dared not fully reveal.
+Already I had tried to tell Evelyn Malling something of it. I had failed.
+When the moment came, when Malling was actually before me, I could not
+speak out. His mind was trying to track the truth that was in me. He
+got, as it were, upon the trail. Once he even struck into the truth. Then
+he went away to Marcus Harding. I remained in London. When I knew that
+those two were together I felt a sort of jealous fear of Malling. For
+there was pity in him. Despite his intense curiosity he had a capacity
+for pity. I realized that it might possibly interfere with--with
+something that I was doing. And I recalled Marcus Harding to London.
+From that moment I have avoided Malling. I could never tell him. But you,
+hard searcher after truth as you are--you could never find it in you to
+drag away another from the contemplation of truth. Could you? Could you?"
+
+"Probably not," said Stepton. "I usually let folks alone even when
+they're glaring at falsehood. Ha!"
+
+He settled himself in his chair, looking sidewise toward Chichester.
+
+"You, like every one else, have noticed the tremendous change in Marcus
+Harding," Chichester went on. "That change, the whole of that change, is
+solely owing to me."
+
+"Very glad to have your explanation of that."
+
+"I am going to give it you. The beginning of that change came about
+through the action of Marcus Harding. He wished for facts that are,
+perhaps,--indeed, probably,--withheld deliberately from the cognizance
+of man. You have sneered at those who live by faith, you have sneered at
+priests. Well, you can let that Marcus Harding go free of your sarcasm.
+Although a clergyman he was not a faithful man. And he wanted facts to
+convince him that there was a life beyond the grave. Henry Chichester--"
+
+"You! You!" interjected Stepton, harshly.
+
+"I, then, came into his life. He thought he would use me to further his
+purpose. He constrained me to sittings such as you have often taken part
+in, with a view to sending me into a trance and employing me, when in
+that condition, as a means of communication with the other world--if
+there was one. We sat secretly in this room, at this table."
+
+"You need not give me ordinary details of your sittings," said the
+professor. "I am familiar with them, of course."
+
+"Henry Chichester--"
+
+"You! You! Don't complicate matters!"
+
+"I never was entranced; but presently I felt myself changing subtly."
+
+"People very often imagine they are developing into something wonderful
+at seances. Nothing new in that."
+
+"Please try to realize the facts of my case without assuming that it
+resembles a thousand others. I believe, I feel sure, that it resembles no
+other case that has come under your observation. To grasp it you must
+grasp the characters of two men, Marcus Harding as he was--and myself,
+as I was."
+
+"Put them before me, then."
+
+"That Marcus Harding you knew. He was the type of the man who, sublimely
+self-confident, imposes his view of himself upon other men and especially
+upon women. He had strength--strength of body and strength of mind. And
+he had the strength which a devouring ambition sheds through a man. A
+fine type of the worldly clergyman he was, of the ardent climber up
+the ladder of preferment. To him the church was a career, and he meant
+to succeed in it. If he had to begin as a curate he meant to end as a
+bishop, perhaps as an archbishop. And he had will to help him, and
+vitality to help him, and the sort of talent that brings quick notice
+on a man. And he had also a woman to help him, his wife, Lady Sophia.
+He chose well when he chose her for his helpmate, though he may not think
+so now. He should have been content with what he had. But he wanted more,
+and he thought he might perhaps get what he wanted through me. Marcus
+Harding was a full-blooded type of the clerical autocrat. I once was an
+equally complete type of the clerical slave--slave to conscience, slave
+to humble-mindedness, slave to my rector as soon as I knew him.
+
+"St. Francis of Assisi was the character I worshiped. I strove after
+simple goodness. I desired no glories of this world, no praises of men.
+I did not wish to be clever or to shine, but only to do my duty to my
+fellow-men, and so toward God. When I was first to make the acquaintance
+of Marcus Harding, with a view to becoming his senior curate if he
+thought fit, I felt some alarm. I had heard so much of his great energy
+and his remarkable talents. The day came. I paid my visit to Onslow
+Gardens. For the first time I saw--" Chichester paused. His face became
+distorted. He turned toward the window as if anxious to hide his face
+from the professor's small, keen eyes. "I saw--that man," he continued,
+in a withdrawn and husky voice, and still looking away.
+
+Stepton sat motionless and silent, sidewise, with his arms hanging.
+
+Chichester, after another long pause, again faced him.
+
+"My very first impression was unfavorable. I attributed this to his
+great size, which had startled me. I now know I was wrong in thinking
+I took that impression from the outer man. It was the inner man who in
+that moment announced himself to me. But almost instantly he had surely
+withdrawn himself very far away, and I, then, had no means of following
+him. So he escaped from me, and I fell under the influence that Marcus
+Harding was able to exert at will.
+
+"I was dominated. Buoyancy, life, energy, self-confidence, radiated from
+that man. He steeped me in his vigor. He seemed kind, cordial. He won my
+heart. My intellect, of course, was dazzled. But--he won my heart. And I
+felt not only, 'Here is a man far greater than myself to whom I can look
+up,' but also, 'Here is a man to whom I must look up, because he is far
+better than myself.' At that interview it was settled that I should
+become senior curate at St. Joseph's.
+
+"As you know, I became, and still am, senior curate. As I grew to know
+Marcus Harding better I admired him more. In fact, my feeling for him
+was something greater than admiration. I almost worshiped him. His will
+was law to me in everything. His slightest wish I regarded as a behest.
+His talents amazed me. But I thought him not only the cleverest, but the
+best of men. It seemed to me right that such a man should be autocratic.
+A beneficent autocracy became my ideal of government. That my rector's
+will should be law to his wife, his servants, his curates, his organist,
+his choir, to those attached to his schools, to those who benefited by
+the charities he organized, seemed to me more than right and proper. I
+could have wished to see it law to all the world. If any one ventured
+to question any decision of his, or to speak a word against him, I felt
+almost hot with anger. In a word, I was at his feet, as the small and
+humble-minded man often is at the feet of the man who has talents and
+who is gifted with ambition and supreme self-confidence.
+
+"For a long time this condition of things continued, and I was happy in
+it. Probably it might have continued till now, if--if that accursed idea
+had not come to Marcus Harding."
+
+Again Chichester paused. In speaking he had evidently become gradually
+less aware of his companion's presence and personality. His subject
+had gripped him. Memory had grown warm within him. He lived in the days
+that were past.
+
+"That accursed idea," he repeated slowly, "to use me as his tool in an
+endeavor to break down the barrier which divides men from the other
+world.
+
+"As I told you, we began to sit secretly. Marcus Harding wished me to
+fall into the entranced condition. I did not know this at first, so at
+first I did not consciously resist his desire. He had told me a lie. He
+had told me that he desired only one thing in our sittings, to give to
+me something of the will power that made him a force in the world. He had
+declared that this was possible. I believed him unquestioningly. I
+thought he was trying to send some of his power into me. Soon I felt that
+he was succeeding in this supposed endeavor. Soon I felt that a strange
+new power was filtering into me."
+
+Chichester fixed his eyes on Stepton as he said the last words, and
+seemed to emerge from his former condition of self-absorption.
+
+"You have sat often. Have you ever felt such a sensation? It is like
+growth," he said.
+
+"When one first begins to sit at seances, one is apt to imagine all sorts
+of things in the darkness," returned Stepton. "I dare say I did, like
+other folk."
+
+"I understand," said Chichester, with a sort of strange condescension.
+"You think I was merely the victim of absurdity. The sense of this coming
+of power grew slowly, but steadily, within me. And presently it was
+complicated by another development, which involved--or began to involve,
+let me say at this point--my companion, Marcus Harding. I think I ought
+to tell you that in beginning the sittings I had had certain doubts,
+which were swept away by my admiration of, and faith in, my rector.
+Hitherto I had always thought that our human knowledge was deliberately
+limited by God, and that it was very wrong to strive to know too much.
+The man of science no doubt believes that it is impossible to know too
+much; but I have thought that many great truths are kept from us because
+we are not yet in a condition properly to understand them. I had,
+therefore, begun these practices with a certain tremor, and possibly a
+certain feeling of resistance, in the depths of my soul. As I felt the
+power coming to me I had put away my fears. They did not return. Yet
+surely the new development within me, of which I now became aware, was
+connected with those fears, however subtly. It was a sensation almost of
+hostility directed against Marcus Harding."
+
+"Ah, now!" ejaculated the professor, as if in despite of himself. "And
+where's the connection you speak of?"
+
+"Marcus Harding had constrained me to do a thing that in my soul I had
+believed to be wrong and that had roused my fear. As power dawned in me,
+directing itself upon everything about me, it was instinctively hostile
+to him who had dominated me before I had any power, and who, by
+dominating me, had for a moment made me afraid."
+
+"Retrospective enmity! Very well!" muttered the professor. "I understand
+you. Keep on!"
+
+"This hostility--if I may call a feeling at first not very definite by
+so definite a name--induced in me a critical attitude of mind. I found
+myself, to my surprise, secretly criticizing the man whom till now I had
+regarded as altogether beyond the reach of criticism. I felt that Marcus
+Harding was giving me power. I was grateful to him for doing so; yet I
+began to see him in a new, and at moments an unpleasant light. Presently,
+after trying in vain to combat this novel sensation, which seemed to me
+almost treacherous, almost disloyal, I sought about for a reason, to give
+myself at least some justification for it. I sought, and one night it
+seemed to me that I found.
+
+"On that night I was more than ever aware that strength of some kind was
+pouring into me. I had an almost heady sensation, such as one who drinks
+a generous wine may experience. When we rose from the table I told my
+rector so. He stared at me very strangely. Then he said: 'Good! Good!
+Didn't I tell you I would give you some of my power?' He paused. Then he
+added: 'It will come! It must come!' As he spoke the last words he
+frowned, and all his face seemed to harden, as if he were making a
+violent mental effort to which the body was obliged to respond. And at
+that instant I was aware that the reason Marcus Harding had given to me
+to persuade me to these sittings was not the true one, that his purpose
+was quite other than that which I had hitherto supposed it to be. I was
+suddenly aware of this, and I thought: 'I must already have been aware of
+it subconsciously, and that accounts for my sensation of hostility toward
+the rector.' A lie had been told to me. My new self-confidence resented
+this; and I said to myself, 'If Marcus Harding can tell a lie to me, who
+almost worshiped him, he must be an arrant hypocrite.'
+
+"We sat again, and again I knew that there was something in the mind
+of my companion which he concealed from me, something to which I should
+strongly object if I knew what it was, something which troubled the
+atmosphere, the mental atmosphere, of the sitting. Instead of being
+in accord, we were engaged in a silent, but violent, struggle. I was
+determined not to be overcome. A sort of fierce desire for tyranny
+sprang up in me. I longed to see Marcus Harding at my feet.
+
+"Again and again we sat. My hostile feeling grew. My critical feeling
+grew. My longing to tyrannize increased, till I was almost afraid of it,
+so cruel did I feel it to be. 'Down! Down under my feet!' That was what
+my soul was secretly saying now to the man whose will had been as law to
+me. And one night, as if he heard that ugly voice of my soul, he abruptly
+got up from the table and said: 'It seems to me that you and I are not
+_en rapport_. It seems to me that no more good can come of these
+sittings. We had better not sit again."
+
+"We must sit again," I replied.
+
+"Marcus Harding turned scarlet with anger. He looked at me. He opened his
+lips to speak. I let him speak. I even argued the question with him. I
+pointed out to him that his only design--the only design acknowledged by
+him, at any rate, in beginning these practices--had been to give me
+strength such as, he had declared to me, he himself had drawn while at
+Oxford from a Hindu comrade. In carrying out this design, I now told him,
+he was being successful. I felt that I was growing in power of will, in
+self-confidence. How, then, could he refuse to continue when success was
+already in sight? 'Unless,' I concluded, 'you had some other design in
+persuading me to sit, which I did in the first instance against my
+secret desire, and you feel that there is now no probability of carrying
+that design into effect.'
+
+"He gave in. I had him beaten. Hastily he muttered a good-night and left
+me. I let him out into the night. As soon as the street door had shut on
+him I ran upstairs. I went to that window,--" Chichester flung out his
+hand--"pushed it up, leaned out, and watched him down the street. I saw
+him pass under a gas-lamp and I said to myself: 'You have submitted to my
+will, and you shall submit again. I am the master now.'
+
+"In that moment all the domination which I had so joyously endured, which
+I had even surely reveled in,--for there are those who can revel in their
+slavery,--abruptly became in my mind a reason for revenge. Marcus Harding
+disappeared in the night; but still I leaned out, staring down the way he
+had gone, and thinking, 'You shall pay me back for it. You shall pay me
+back.'
+
+"From that night I made no effort to check the critical faculty, the
+exercise of which at first had seemed to me a sort of treachery. And as
+I let myself criticize, I saw more clearly. The scales fell from my eyes.
+I realized that I had been nothing less than blind in regard to Marcus
+Harding. I saw him now as he was, a victim of egomania, a worldling,
+tyrannical, falsely sentimental, and unfaithful steward, a liar--perhaps
+even an unbeliever. His whole desire--I knew it now--was not to be good,
+but to be successful. His charity, his pity for the poor, his generosity,
+his care for his church, for his schools--all was pretence. I saw Marcus
+Harding as he was. And what followed?"
+
+Chichester leaned forward to the professor.
+
+"Fear followed," he said in a withdrawn voice.
+
+"Fear!" said Stepton, clearing his throat with a loud, rasping noise.
+
+"Whenever I was with Marcus Harding in any public place I was now
+companioned by fear. I dreaded unspeakably lest others should begin to
+see what I saw. When he preached, I could hardly sit to listen: I felt
+as if any shame falling upon him would overwhelm me also. I strove in
+vain to combat this strange, this, then, inexplicable sensation. With
+every sitting this terror grew upon me. It tortured me. It obsessed me.
+It drove me into action. When I was with my rector, I tried perpetually
+to prevent him from exposing his true self to the world, by changing
+the conversation, by attenuating his remarks, by covering up his actions
+with my own, sometimes even by a brusque interruption. But in the pulpit
+he escaped from me. I was forced to sit silent and to listen while he
+preached doctrine in which he had no belief, and put forward theories
+of salvation, redemption by faith, and the like, which meant less than
+nothing to him. Finding this presently unendurable by me, I strove to
+govern him mentally when he was in the pulpit, to track him, as it were,
+with my mind, to head him off with my mind when he was beginning to take
+the wrong path."
+
+"Did you succeed in that effort?" interrupted the professor.
+
+"I made an impression, a terrible impression, upon him. I almost broke
+him down. I sapped his self-confidence. His power as a preacher deserted
+him, as his power outside the pulpit deserted him. With every day I felt
+that I saw more clearly into every recess, every cranny, of his mind and
+nature. Just at first this frightfully clear sight was mine only when we
+were sitting; but presently it was mine whenever I was with him. And he
+knew it, and went in fear of me. Gradually, very gradually, it came about
+that our former positions were reversed; for as he sank down in the human
+scale, I mounted. As he lost in power, I gained. And especially in the
+pulpit I felt that now I had force, that I could grip my hearers, could
+make a mighty impression upon those with whom I was brought into contact.
+
+"But I must tell you that now I gained no satisfaction from my own
+improvement, if so it may be called. My whole life was vitiated by my
+secret terror lest Marcus Harding should be found out, should ever be
+known for what he was. His actions, and even his thoughts, affected me
+with an intimacy that was inexplicable."
+
+"You were in telepathic communication with him!" interjected Stepton.
+
+"Call it so if you like. Often I felt what he was thinking, almost as if
+each thought of his were a hand laid upon me--a hand from which I shrank
+with an almost trembling repugnance. Sometimes when he thought something
+contemptible or evil, I shrank as if from a blow.
+
+"There was a link between us. Presently, soon, I knew it. We seemed in
+some dreadful way to belong to each other, so that whatever was thought,
+said, done by him, whatever happened to him, reacted upon me.
+
+"At this time Lady Sophia Harding hated me with a deadly hatred. Formerly
+she had been indifferent to me. Concentrated upon her husband, adoring
+him, vain of him, greedily ambitious for his advancement, she had had no
+time to bestow on a clerical nonentity. But as I grew to understand
+what her husband really was she grew to hate me. She was almost rude to
+me. She spoke ill of me behind my back. She even tried to oust me from my
+position as senior curate of St. Joseph's. Why did not she succeed? Are
+you thinking that?"
+
+"Well, what if I was?" snapped the professor, moving in his chair.
+
+"Marcus Harding could not make a move to get rid of me. There was a link
+between us which he could not even try to break.
+
+"One night--one night--I discovered what that link was."
+
+It was growing dark in the room. The Rossetti Madonna, thin, anemic,
+with hanging hair, seemed fading away on the somber, green wall. The
+window-panes looked spectral and white. The faint murmur of the city
+sounded a little deeper and much sadder than in the light of day.
+Stepton was aware of a furtive but strong desire for artificial light in
+the room, but he did not choose to mention it. And Chichester, whose
+voice--so it seemed to his hearer--began to have that peculiar almost
+alarming timbre which belongs to a voice speaking not for the ears of
+another, but for the satisfaction only of the soul which it expresses,
+continued his narrative, or confession, as if unaware of the dying of
+day.
+
+"During the day which preceded it I had been haunted by the thought of
+myself doing what Marcus Harding could not do. Why should not I of my own
+will leave St. Joseph's, get away from this dreadful contemplation which
+obsessed me, from this continual anxiety--almost amounting to terror at
+moments--which gnawed me? Why should not I break this mysterious link,
+impalpable yet strong? If I did, should I not again find peace? But my
+sittings with Marcus Harding would be at an end. Could I give them up?
+I asked myself that, and I felt as if I could not. Through them, by means
+of them, I felt as if I might attain to something wonderful--terrible
+perhaps, but wonderful. I felt as if I were approaching the threshold of
+absolute truth. A voice within me whispered, 'Go no further.' Was it the
+voice of conscience? I did not heed it. Something irresistible urged me
+forward. I thrust away from me with a sort of crude mental violence the
+haunting thought. And when the darkness came I greeted it.
+
+"For he came with the darkness."
+
+On the wall opposite to the professor the thin Madonna faded away.
+
+"As I heard his heavy step on the stairs that night I said to myself, 'At
+all hazards I will see, I will know, more. I will see, I will know--all.'
+When he entered at that door"--a thin darkness moved in the darkness as
+Chichester pointed--"he was dreadfully white and looked sad, almost
+terrified. He suggested that we should break through our plan and not
+sit. I refused. He then said he wished to sit in light. I refused. He was
+become my creature. He dared not disobey my desires! We placed our hands
+on this table, not touching. I could no longer endure the touch of his
+hand. We remained motionless. A long time passed. There were no rappings.
+A strange deadness seemed to prevail in the room. Presently it faded
+away, and I had the sensation that I was sitting quite alone.
+
+"At first it seemed to me that my companion must have crept out of the
+room silently, leaving me by myself in the darkness. I shuddered at the
+thought that I was alone. But then I said to myself that Marcus Harding
+must be there in the blackness opposite to me, and I moved my hands
+furtively on the table, thinking to prove his presence to myself by
+touch. I did not prove it. Suddenly I had no need to touch him in order
+to know that he was there."
+
+"Why not?" said the professor, and started at the sound of his own voice
+in the little room.
+
+"Something made me realize that he was still within the room.
+Nevertheless, I felt that I was alone. How could that be? I asked myself
+that question. This answer came as it were sluggishly into my mind, 'You
+are alone not because Marcus Harding is away, but because Henry
+Chichester is away.' For a long while I sat there stagnantly dwelling on
+this knowledge which had come to me in the blackness. It was as if I knew
+without understanding, as a man may know he is involved in a catastrophe
+without realizing how it has affected his own fate. And then slowly there
+came to me, or grew in me, an understanding of how I was alone. I was
+alone with Marcus Harding at that moment because I was Marcus Harding. A
+shutter seemed to slide back softly, and for the first time I, Marcus
+Harding, stared upon myself out of the body of another man, of Henry
+Chichester. I was alone with my soul double. Motionless, silent, I gazed
+upon it. Now I understood why I had been tortured with anxiety lest
+the world should learn to comprehend Marcus Harding as I comprehended
+him. Now I understood why neither he nor I had been able to break that
+mysterious link which our sittings had forged between us. I had been
+trying ignorantly to protect myself, to conceal my own shortcomings, to
+cover my own nakedness. I had sweated with fear lest my own truth should
+be discovered by all those to whom for so many years I had been
+presenting a lie. Yes, I had sweated with fear; but even then how little
+I had known! A voice cried out suddenly, 'Turn on the light!' It was
+the voice of my double. It seemed to awake, or to recall perhaps,--how
+can I say?--Henry Chichester. I was aware of a shock; it seemed strongly
+physical. I got up at once and turned the light on. Marcus Harding was
+before me, trembling, ashen. 'What is it? What has happened?' he said in
+a broken voice. I made no reply. He left me. I heard his step in the
+street--out there!"
+
+Chichester was silent. The professor said nothing for a moment, but
+passed his tongue twice over his lips and swallowed, sighing immediately
+afterward.
+
+"Transferred personality!" he muttered--"transferred personality. Is that
+what you'd have me believe?"
+
+"I'll tell you the rest. When Marcus Harding's steps died away down the
+street I remained here. Since that shock I have spoken of, I felt that I
+was again Henry Chichester, changed, as I had long been changed--charged
+with new force, new knowledge, new discrimination, new power over others,
+gifted with a penetrating vision into the very soul of the man I had
+worshiped, yet Henry Chichester. And as Henry Chichester I suffered; I
+condemned myself. This I said to myself that night, 'I was determined to
+see. I disregarded the voice within me which warned me that I was
+treading a forbidden path. God has punished me. He has allowed me to see.
+But this shall be the end. I will never sit again. I will give up my
+curacy. I will leave St. Joseph's at once. Never more will I set eyes on
+Marcus Harding.' I was in a condition of fierce excitement--"
+
+"Ah, exactly," muttered the professor, almost as if consoled--"fierce
+excitement!"
+
+"I could not think of sleep. For a long time I remained in here,
+sitting, standing, pacing, opening books; I scarcely know what I did
+or did not do. At last a sensation of terrible exhaustion crept over me.
+I undressed. I threw myself on my bed. I tried to sleep. I turned,
+shifted, got up, let in more air, again lay down, lay resolutely still
+in the dark, tried not to think. But always my mind dwelt on that matter.
+In those few frightful moments what had become of myself, of Henry
+Chichester? Had the powerful personality of that man whom once I had
+almost worshiped thrust him away, submerged him, stricken him down in a
+sort of deathlike trance? What I had seen I remembered now as Henry
+Chichester. What I had known in those moments I still knew now as Henry
+Chichester. In vain I revolved this matter in my feverish mind. It was
+too much for me. I was in deep waters.
+
+"I closed my eyes. The fatigue wrapped me more closely. Sleep at last was
+surely drawing near. But suddenly I knew--how I cannot exactly say--that
+once more the shutter was to be drawn back for me. This knowledge
+resembled a horrible physical sensation. The entry of it into my mind, or
+indeed into my very soul, was as the dawning of a dreadful and unnatural
+pain in the body. This pain increased till it became agony. Although I
+still lay motionless, I felt like one involved in a furious struggle in
+which the whole sum of me took violent part. And there came to me the
+simile of a man seized by tremendous hands, and held before a window
+opening into a room in which something frightful was about to take place.
+And the shutter slipped back from the window.
+
+"Again I looked upon myself. That was my exact sensation. The shutter
+drawn back, I assisted at the spectacle of Marcus Harding's life. And it
+was my life. I knew with such frightful intimacy that my knowledge was as
+vision. Therefore, I say, I saw. Not only my spirit seemed to be gazing,
+but also my bodily eyes.
+
+"I saw myself in the night slowly approaching my house in Onslow Gardens,
+ashen pale, shaken, terrified. At a corner I passed a policeman. He knew
+me and saluted me with respect. I made no gesture in response. He stared
+at me in surprise. Then a smile came into his face--the smile of a man
+who is suddenly able to think much less of another than he thought
+before. I left him smiling thus, reached my house, and stood before it.
+
+"Now I must tell you, and I rely absolutely on your regarding this as
+said in the strictest, most inviolable confidence--"
+
+"Certainly. Word of honor, and so forth!" said the professor, quickly and
+sharply.
+
+"I must tell you that Marcus Harding is a sinner, and not merely in the
+sense in which all men are sinners. There have been recurring moments in
+his life when he has committed actions which, if publicly known, would
+ruin him in the eyes of the world and put an end to his career. As I
+looked at myself standing before my house, I saw that I was hesitating
+whether to go in with my misery, or whether to seek for it the hideous
+alleviation of my beloved sin.
+
+"Professor,"--it seemed to Stepton at this moment as if Chichester's
+voice loomed upon him out of the darkness by which they were now
+enshrouded,--"it has been said that nothing shocks a man so terribly as
+the sight of his body-double; that to see what appears to be himself,
+even if only standing at a window or sitting before a fire, causes
+in a man a physical horror which seems to strike to the very roots of his
+physical being. I looked now upon my soul-double, piercing the fleshly
+envelop and it was my very soul that sweated and turned cold. For I
+perceived the dreadful action which, if known, would certainly ruin me,
+being committed by the spirit. The slavish body had not yet bowed down
+and done its part; but it was about to obey the impulse of the spirit.
+Slowly the body turned away from its home. The spirit was driving it. The
+demon with the whip was at work in the night. I looked till the dawn
+came. And only when at last my double crept, like a thief, into its
+house, did sleep take me for a little while--sleep that was alive with
+nightmare."
+
+Chichester was silent. The professor heard him breathing quickly, saw
+him, almost as a shadow just shown by the faint light that entered from
+the street through the two small windows, clasp and unclasp his hands,
+touch his forehead, his eyelids, move in his chair, like a man profoundly
+stirred and unable to be at ease.
+
+"When I woke," he continued, after a long pause, which the professor did
+not break by a word or a movement, "I woke to combat. As I told you, I
+had resolved at once to resign my curacy, and never to see that man
+again. In the light of the morning I sat down to write my letter of
+resignation; but I could not do it. A fearful compulsion to remain was
+upon me. I wrote a few words. I stopped, tore the note up, began again.
+But writing was impossible. Then I resolved to visit Marcus Harding and
+to tell him that I must go. I went to his house. He was at home. When I
+saw him I told him that I wished him to sit again that night. He strove
+to refuse. He did not understand the truth, but he was terrified. I
+ordered him to come to my rooms that night, and left him. As I was going
+away I met Lady Sophia. To my amazement, she stopped me, spoke to me
+kindly, even more than kindly, looked at me with an expression in her
+eyes that almost frightened me. I said to myself, 'But those are a
+slave's eyes!' as I left her. Never before had any woman looked at me
+like that. In that moment, I think, she began to turn from him toward
+me, to forsake weakness for strength. Yes, I say strength. I was rent by
+the tumult within me, but I had strength. I have it now. For, despite
+his hypocrisy, his unbelief, his active sinning, Marcus Harding had been
+a strong man. And even Henry Chichester, with all his humbleness, his
+readiness to yield to others, to think nothing of himself, had had the
+strength that belongs to purity of soul. And then there is the strength
+the soul draws from looking upon truth. There was strength, there is now,
+for the woman to follow. And instinct has surely guided her. She does
+not, she cannot know. And yet instinct sends her in search of the
+strength."
+
+"What do you mean by that? What do you claim?"
+
+"You read that sermon?"
+
+"I did."
+
+"Don't you understand? I am that man at the window. He did not flee
+away. He could not. He was, he is, compelled to remain. He watches that
+dreadful life. And the other within the room is fading. The strength,
+the authority, the power, are coming to me. Every sitting broadens that
+bridge across which the deserters are passing. When I preached that
+sermon my congregation sat as if numbed by terror. And he in the choir
+listened, never moving. I saw his spirit, dazed, stretching out to grasp
+the truth, slipping back powerless to do it. It was like a thing moving
+through the gloom of deep waters--of deep, deep waters."
+
+Again Chichester's voice died away. In the silence that followed the
+professor heard the faint ticking of a clock. He had not noticed it
+before. He could not tell now whether it came from within the room or
+from the room behind the folding-doors. It seemed to him as if this
+ticking destroyed his power to think clearly, as if it threw his brain
+into an unwonted confusion which made him feel strangely powerless. He
+was aware of a great uneasiness approaching, if not actually amounting to
+fear. This uneasiness made him long for light. Yet he knew that he
+dreaded light; for he was aware of an almost unconquerable reluctance to
+look upon the face of his companion. Beset by conflicting desires,
+therefore, and the prey of unwonted emotion, he sat like one paralyzed,
+listening always to the faint ticking of the clock, and striving to
+reduce what was almost like chaos to order in his brain.
+
+"Why have you selected me to be the hearer of this--this very
+extraordinary statement?" he forced himself at length to say prosaically.
+The sound of his own dry voice somewhat reassured him, and he added:
+"Though there is nothing very extraordinary in the facts you have
+related. Telepathic communication between one mind and another is a
+commonplace of to-day, an old story. Every one of course accepts it as
+possible. What novelty do you claim to present to startle science?"
+
+"I say that telepathy does not explain the link between Marcus Harding
+and myself."
+
+The professor struck his hand on the table. It seemed to him that if only
+he could get into an argument this strange confusion and fear might leave
+him. He would be on familiar ground.
+
+"What you call vision might be merely mind-reading, what you call
+perceiving the action of the spirit, mind-reading. Your terror lest
+others should find out bad truths about Marcus Harding would spring
+naturally enough from your lingering regard for him. Your acute anxiety
+when he is preaching arises of course from the fact that, owing to bodily
+causes, no doubt, his mental powers are failing him, and he is no longer
+able to do himself justice."
+
+"You don't understand. What I desired in our sittings was to draw into
+myself strength, power, will from--him. What have I done? I have drawn
+into myself the very man. That night when the shutter slipped back he
+looked out from the body of Henry Chichester. His mind worked, his soul
+was alive, within the cage of another man. And meanwhile Henry Chichester
+lay as if submerged, but presently stirred, and, however feebly, lived
+again. He lives now. But not from him comes my frightful comprehension of
+Marcus Harding. Not him does Marcus Harding fear. Not to him does she,
+the woman, look with the eyes of a slave. It is not he who dominates the
+crowds in St. Joseph's. It is not he who conceived that sermon of the man
+and his double. It is not he who has sometimes been terribly afraid."
+
+"Afraid! Afraid!"
+
+"There have been moments when I have been moved to snatch my double out
+of the sight of men. That day when we met Evelyn Malling I feared as I
+left them alone together; and when I found Malling intimately there in
+that house, I felt like one coming upon an ambush which might be
+destructive of his safety. My instinct was to detach Malling from my
+double, to attach him to myself. My conduct startled him. I saw that
+plainly. Yet I tried to win him over, as it were, to my side. He came to
+me. I strove to tell him, but something secret prevented me. And
+how could he assist me?"
+
+Chichester got up from the table. The professor saw a darkness moving as
+he went to stand by the empty fireplace.
+
+"I must look on truth," he continued; "I have to. The fascination of
+staring upon the truth of oneself is deadly, but it surpasses all other
+fascination. He sins more often now. I watch him sin. Sometimes under
+my contemplation I see him writhing like a thing in a trap--the semblance
+of myself. How the woman despises him now! Sometimes I feel deeply sad
+at my own ruthlessness. It is frightful to contemplate the physical wreck
+of a being whom, in some strange and hideous way, one always feels to
+be oneself. When I look at him it is as if his fallen face, his hanging
+nerveless hands, his down-drooping figure and eyes lit with despair were
+mine. His poses, his gestures, his physical tricks, they are all mine.
+I watch them with a cold, enveloping disgust, frozen in criticism of
+everything he does, anticipating every movement, every look, hating
+it when it comes, because it is bred out of the remnant of a spirit
+I despise as no man surely has ever despised before. Henry Chichester
+would pity, but he is overborne. He is in me as a drop may be in the
+ocean. I am most aware of him when my double sins. Only last night we
+sat"--Chichester came back to the table, and stood there, very faintly
+relieved against the darkness by the dim light which penetrated through
+the windows--"we sat in the darkness, and more deeply than ever before
+I went down into the darkness. I felt as if I were penetrating into the
+last recesses of a ruined temple. And there, in the ultimate chamber
+crouched all that was left of the inmate, terrified, helpless, and
+ignorant. As I looked upon him I understood why man is never permitted
+really to know himself unless, in an access of mad folly and overweening
+pride, he succeeds in crossing the boundary which to pass is sheer
+wickedness. And I tried to turn away, but I could not--I could not.
+I made a supreme effort. It was in vain.
+
+"I saw him go home. At last he was sick of his sin. There rose within him
+that strange longing for goodness, for purity and rest, that terrible,
+aching desire to be what those who once loved him for long had thought
+him to be, which perhaps never dies in the soul of a human being. Is it
+the instinct of the Creator burning like an undying spark in the created?
+And, as he drew near to his house, there came to him the resolve to
+speak, to acknowledge, to say, 'This is what I am. Know me as I am! Care
+for me still, in spite of what I am!' He went in, and sought her--the
+woman. She was alone. Sleep had not come to her. Perhaps some instinct
+had told her she must wake and be ready for something. Then he gathered
+together the little that was left to him of courage, and he strove to
+tell her, to make her understand some of the truth, to obtain from her
+the greatest of human gifts--the love of one from whom a man has no
+secrets that he can tell.
+
+"She listened for a moment, then she thrust out her hands as if to push
+the truth of him out of her life. And last night she left him--going in
+fear of him."
+
+The professor shook his narrow shoulders, and sprang abruptly to his
+feet. The ticking of the clock now sounded almost like a hammer beating
+in his ears.
+
+"It's time we had some light," he said in rather a loud voice.
+
+The darkness that was Chichester moved. A gleam of light shone in the
+little room, revealing the thin Madonna, "The Light of the World," the
+piano, the neatly bound books of the curate of St. Joseph's; revealing
+Chichester, who now stood facing the professor, white, drawn, lined, but
+with eyes full of almost hideous resolution and power.
+
+"I advise," said the professor--"I advise you from this time forward--"
+
+He stared into the eyes of the man opposite to him, and his voice died
+away in his throat.
+
+When, immediately afterward, he found himself walking hurriedly toward
+Kensington High Street the sweat was pouring down his face.
+
+
+
+
+XII
+
+
+One night of that autumn, driven by an overmastering impulse, Evelyn
+Malling set out toward Kensington. He felt that he must know something
+more of the matter between Marcus Harding and Henry Chichester. Stepton
+still kept silence. Malling had not approached him. But why should he not
+call upon Chichester, an acquaintance, almost a friend? It was true that
+he had resolved, having put the affair into Stepton's hands, to wait. It
+had come to this, then, to-night that he could be patient no longer? As
+he stood at the corner of Hornton Street, he asked himself that question.
+He drew out his watch. It was already past eleven, an unholy hour for an
+unannounced visit. But slowly he turned into Hornton Street, slowly went
+down that quiet thoroughfare till he was opposite to the windows of the
+curate's sitting-room. A light shone in one of them. The rest of the
+house was dark. Even the fanlight above the small front door displayed no
+yellow gleam. No doubt the household had retired to rest and Henry
+Chichester was sitting up alone. A rap would probably bring him down to
+open to his nocturnal visitor. But now Malling bethought himself
+seriously of the lateness of the hour, and paced slowly up and down,
+considering whether to seek speech of the curate or to abandon that idea
+and return to Cadogan Square. As in his mental debate he paused once more
+opposite to the solitary gleam in the first-floor window, an incident
+occurred which startled him, and gave a new bent to his thoughts. It was
+this: The light in the window was obscured for a moment as if by some
+solid body passing before it. Then the window was violently thrown up,
+the large figure of a man, only vaguely perceived by Malling, appeared at
+it, and a choking sound dropped out into the night. The man seemed to be
+leaning out as if in an effort to fill his lungs with air, or to obtain
+the relief of the cool night wind for his distracted nerves. His attitude
+struck Malling as peculiar and desperate. Suddenly he moved. The light
+showed, and Malling saw for an instant a second figure, small, slight,
+commanding. The big man seemed to be sucked back toward the center of the
+room. Down came the window; the tranquil gleam of the light shone as
+before; then abruptly all was dark.
+
+Malling realized at once what was happening in the curate's lodgings. As
+he paused, gazing at the dark house, he knew that the miserable Marcus
+Harding was within, constrained to endure the observation which, to use
+his own hideous but poignant phrase, was "eating him away." It was he who
+had appeared at the window, like a tortured being endeavoring to escape
+into the freedom of the night. It was Henry Chichester who had followed
+him, who had drawn him back, who had plunged him into darkness.
+
+The street was deserted. No policeman passed, regarding him with
+suspicion, and Mailing went on sentinel duty. The dark house fascinated
+him. More than once a desire came to him to make an effort for the
+release of Marcus Harding, to cross the street and to hammer brutally
+at the green door. He recalled Henry Chichester's strange sermon, and
+he felt as if he assisted at the torture of the double, which he himself
+had imaginatively suggested to the two clergymen in Lady Sophia's
+drawing-room. Ought he not to interrupt such a torture?
+
+Midnight struck, and he had not knocked. One o'clock struck; he had paced
+the street, but had never gone out of sight of the curate's door. It was
+nearly two, and Mailing was not far from the High Street end of the
+thoroughfare when he heard a door bang. He turned sharply. A heavy
+uncertain footstep rang on the pavement. Out of the darkness emerged a
+tall figure with bowed head. As it moved slowly forward once or twice it
+swayed, and a wavering arm shot out as if seeking for some support.
+Malling stood where he was till he saw the broad ghastliness of Marcus
+Harding's white face show under the ray of a lamp. He discerned no eyes.
+The eyes of the unhappy man seemed sunken out of recognition in the
+dreadful whiteness of his countenance. The gait was that of one who
+believes himself dogged, and who tries to slink furtively, but who has
+partly lost control of his bodily powers, and who starts in terror at his
+own too heavy and sounding footfalls.
+
+This figure went by Malling, and was lost in the lighted emptiness of the
+High Street. Malling did not follow it. Now he had a great desire, born
+out of his inmost humanity, to speak with Henry Chichester. He made up
+his mind to return to the curate's door: if he saw a light to knock and
+ask for admittance; if the window was dark to go on his way. He retraced
+his steps, looked up, and saw a light. Then it was to be. That man and he
+were to speak together. But as he looked, the light was extinguished.
+Nevertheless he struck upon the door.
+
+No one answered. He struck again, then stepped back into the roadway, and
+looked up at Chichester's window. The curate must surely have heard. Yes,
+for even as Malling gazed the window moved. No light appeared. But after
+a pause a voice above said:
+
+"Is that you, Mr. Harding?"
+
+The dim figure of a man was apparent, standing a little back and half
+concealed by a darkness of drooping curtains.
+
+"It is I--Evelyn Malling," said Malling.
+
+The form at the window started.
+
+"Mr. Malling!" the words came uncertainly. "What is it? Has--has anything
+happened to--why do you want me at such an hour?"
+
+"I chanced to be in your street and saw your light. I thought I would
+give you a hail."
+
+"Do you mean that you want to come in?"
+
+After a short pause Malling answered, "Yes."
+
+"I cannot let you in!" the voice above cried out lamentably.
+
+Then the window was shut very softly.
+
+ * * * * *
+
+Three days later Malling saw in the papers the news of the complete
+breakdown of Marcus Harding. "Nervous prostration," was the name given by
+the doctors to his malady, and it was announced that he had been ordered
+to take a sea voyage, and was preparing to start for Australia with a
+nurse.
+
+Soon afterward Malling was walking in the afternoon down Pall Mall,
+wondering deeply what would happen, whether the rector would ever start
+on that voyage, when he came upon Professor Stepton sidling out of the
+Athenaeum.
+
+"Heard about Harding?" jerked out the professor.
+
+"Yes. Has he sailed for Australia?"
+
+"Dead. Died at half-past three o'clock this morning."
+
+Malling turned cold.
+
+"Poor fellow!" he said. "Poor fellow!"
+
+The professor was drawing his plaid shawl round his shoulders. When it
+was properly adjusted, he began to walk on. Malling kept almost
+mechanically beside him.
+
+"Did you expect this?" Malling asked.
+
+"Well, I knew he was failing."
+
+"And Chichester? Have you seen Chichester since his death?"
+
+"No. Would you like to see him for me?"
+
+Malling was deep in thought and did not answer.
+
+"Do you think?" said the professor, "that Henry Chichester will be
+greatly affected by this death?"
+
+"Affected? Do you mean by grief?"
+
+"Yes."
+
+"I should suppose that to be highly improbable."
+
+The professor shot a very sharp glance at Malling.
+
+"I'm not sure that I agree with you," he observed dryly.
+
+"Have you seen him lately?" asked Malling.
+
+"Not quite recently. But if I had seen him, say, yesterday, I don't think
+that would greatly affect my present dubiety. I should, however, like to
+set that dubiety at rest. Are you busy to-day?"
+
+"No."
+
+"I am. Will you make a little investigation for me? Will you go and pay a
+visit of condolence to Chichester on the death of his rector, and then
+come round to the White House and report?"
+
+"I will if you wish it."
+
+"I shall be in after seven."
+
+"Very well."
+
+"I dare say you will be surprised," observed Stepton. "I see my bus."
+
+Malling left him imperatively waving his arm, and, turning, walked toward
+Kensington.
+
+What were his expectations? He did not know. Stepton had upset his mind.
+As he went on slowly he strove to regain his mental equilibrium. But he
+could not decide exactly what Stepton had meant. He felt inferior to the
+professor as he turned into Hornton Street.
+
+He did not hesitate, but went at once to the curate's door and rapped. No
+one answered. He rapped again, and touched the bell, half hoping, even
+while he did so, that there was no one within to hear.
+
+But an inquiring head appeared in the area, observed, and was sharply
+withdrawn. Steps sounded in the passage, and the maid Ellen presented
+herself, looking somewhat disordered.
+
+"Yes, sir?" she said.
+
+"Is Mr. Chichester at home?"
+
+"He is in, sir, poor gentleman," replied the maid. "Did you want to see
+him?"
+
+"Yes."
+
+"I'm sure I don't know whether he will see you, sir."
+
+"Is he ill?"
+
+"Not to say ill, sir. But haven't you heard?"
+
+"What?"
+
+"His poor rector's gone, sir, what used to come here to visit him so
+regular. I never see a gentleman in such a way. Why, he's so changed I
+don't hardly know him."
+
+"Have you been here long?" said Mailing, abruptly.
+
+"Only six months, sir."
+
+The maid began to look rather astonished.
+
+"And so Mr. Chichester is quite altered by his grief?"
+
+"You never did, sir! He was so firm, wasn't he, above every one! Even his
+rector used to look to him and be guided by him. And now he's as gentle
+and weak almost as a new-born child, as they say."
+
+Malling thought of Stepton. Had he looked forward to some such change?
+
+"Perhaps I could console Mr. Chichester in his grief," he said. "Will you
+take him this card and ask if I can see him? I knew Mr. Harding, too. I
+might be of use, possibly."
+
+"I'll ask him, sir. He's laying down on the bed, I do believe."
+
+Ellen hurried up-stairs with the card. It seemed to Malling that she was
+away for a long time. At last she returned.
+
+"If you please, sir, Mr. Chichester wants to know if it's anything
+important. He's feeling very bad, poor gentleman. But of course if it's
+anything important, he wouldn't for all the world say no."
+
+"It is important."
+
+"Then I was to ask you to walk in, sir, please."
+
+Chichester's sitting-room was empty when Malling came into it, and the
+folding-doors between it and the bedroom were shut. Ellen went away,
+and Malling heard a faint murmur of voices, and then Ellen's footstep
+retreating down the stairs. Silence followed. He waited, at first
+standing. Then he sat down near the piano. Not a sound reached him from
+the bedroom. On the curate's table lay a book. Malling took it up. The
+title was "God's Will be Done." The author was a well-known high-church
+divine, Father Rowton. To him, then, Henry Chichester betook himself for
+comfort. The piano stood open. On it was music. Malling looked and saw,
+"Oh, for the wings, for the wings of a dove!" by Mendelssohn. The little
+room seemed full of pious orthodoxy. Surely its atmosphere was utterly
+changed since Malling last was in it. The melody of "Oh, for the wings!"
+went through his brain. That the Henry Chichester he had recently known,
+that cruel searcher after and expounder of truth, that he should be
+helped by those words, by that melody, in an hour of sorrow!
+
+There was a movement in the bedroom. The folding-doors opened inward,
+and the curate appeared. He was very pale, and looked really ill. His
+face had fallen in. His fair hair was slightly disordered, and his blue
+eyes were surrounded by red rims. His expression suggested that he had
+recently undergone an extremely violent shock, which had shaken badly
+both body and mind. He looked dazed. Coming forward feebly, he held
+out his hand.
+
+"I believe it is something important," he said in a gentle, rather
+wavering voice; "otherwise--I am hardly fit, I fear, to be with my kind.
+I"--He sat down--"I have had a terrible shock, Mr. Malling. You have
+heard?"
+
+"You mean Mr. Harding's death?"
+
+"Yes."
+
+"I have just heard of it."
+
+"It occurred at half-past three o'clock last night, or, rather, this
+morning. He had been declining for a long while. At the last he just
+faded out, as it were. The strange thing is that I knew the exact moment
+when he entered into rest."
+
+"You weren't with him?"
+
+"Oh, no. I was here, asleep. But at three o'clock I awoke. I felt
+violently agitated. I can scarcely describe the sensation. It was
+as if I was torn, as if mind and body, or spirit and body, were torn,
+lacerated. I suffered the greatest conceivable agony. I tried to cry
+out, but I could not. Nor could I move. Then everything suddenly seemed
+to fail, all in a moment, and I was at peace. But it was like the peace
+of death, I think. And I was aware--I don't know how--that Mr. Harding
+was dead. I moved. I looked at my watch. It was a minute after half-past
+three. I noted down the time. And this morning--I heard."
+
+"And then?"
+
+"Only then I understood my loss--the loss to us all. Ah, Mr. Mailing,
+you knew him, but not as I did! Few or none knew him as I did. He was
+the greatest and best of men, full of power, but full of kindness and
+goodness, too. He guided me in everything. I can never tell you how I
+looked up to him, how I trusted him. His judgment was extraordinary, his
+reading of character was unerring. I do believe he knew me better than I
+knew myself. What shall I do without him?"
+
+The curate's grief was almost as genuine and unself-conscious as a
+child's, and Malling felt as if at that moment, like a child, he felt
+himself adrift in a difficult world. His gentle, kindly, but not strong
+face was distorted, but not hardened, by his distress, which seemed
+begging for sympathy. And Malling remembered the Henry Chichester he had
+known some years ago, before the days of St. Joseph's, the saintly but
+rather weak man, beloved by every one, but ruling no one. That man was
+surely before him, and that man knew not how to play a hypocrite's part.
+Yet Malling felt he must test him.
+
+"His death is very sad," he replied; "but surely his powers had been on
+the decline for a long while."
+
+"His powers, but not his capacity for goodness. His patience was
+angelic. Even when the cruelest blow of all fell upon him, even when
+his wife--whom, God forgive me! I don't think some of us can ever
+forgive--even when she deserted him in his hour of need, he never
+complained. He knew it was God's hand upon him, and he submitted.
+He has taught me what true patience is. What I owe to him! What I owe
+to him!"
+
+As if distressed beyond measure, the curate got up, almost wringing his
+thin hands.
+
+"It was he who sacrificed his time for me!" he continued, moving
+restlessly about the room. "But I seem to remember I told you. Didn't I
+tell you--or was it some one else?--how he gave up the hours which should
+have been hours of repose in order that my will might be strengthened,
+that I might be developed into a man more worthy to be his coadjutor?
+When I think, when I remember--"
+
+His light, tenor voice failed. Tears stood in his gentle, blue eyes.
+
+"If I am worth anything at all," he suddenly cried out, "if I have gained
+any force of character, any power for good at all, I owe it all to my
+rector's self-sacrificing endeavors on my behalf--of course, through
+God's blessing."
+
+"Then," said Malling, "you think that Mr. Harding changed you by his
+influence?"
+
+"He helped me to develop, he brought me on. Jealousy was unknown to him.
+I was a very poor preacher. He taught me how to hold people's attention.
+When I knew he was near me I sometimes seemed almost inspired. I was
+inspired by him. I preached almost as if out of his mouth. And now!"
+
+He made a despairing gesture.
+
+"Now it will all be different!" he exclaimed.
+
+And almost involuntarily Malling found himself echoing:
+
+"Yes, now it will all be different."
+
+He had seen, he had heard, enough to make his report to the professor,
+and he resolved to go. He held out his hand.
+
+"Oh, but," said Chichester, pressing one hand to his forehead, "I'm so
+selfish, so forgetful in my great grief! Surely you said you had come
+on some matter of importance."
+
+"It will wait," said Malling. "Another day. Go and rest now. You need
+rest. Any one can see that."
+
+"Thank you, thank you," said Chichester, with quivering lips. "You are
+very thoughtful, very good."
+
+Malling took his hand in farewell. As he did so there was a sharp knock
+at the front door. Chichester started violently.
+
+"Oh, I do hope it is no one for me!" he cried out. "I cannot--"
+
+He opened the door of the sitting-room a little way and listened. Voices
+were audible below, Ellen's voice and another woman's.
+
+"You, ma'am! Oh, of course he will see you!"
+
+"Of course."
+
+"I didn't know who it was, ma'am."
+
+"Is it this way?"
+
+"Yes, ma'am. I'll show you. We do feel it, ma'am. The poor gentleman used
+to come here so often of nights."
+
+"Did he? I didn't know that."
+
+Malling recognized the second voice as Lady Sophia's. A moment, and she
+was ushered into the room. She was dressed in black, but not in widow's
+weeds, and wore a veil which she pushed hastily up as she came in almost
+with a rush. When she saw Malling, for a moment she looked disconcerted.
+
+"Oh, I thought--" she began. She stood still. Chichester said nothing,
+and did not move. Malling went toward her.
+
+"I was very much grieved," he said, "at the news I heard to-day."
+
+She gave him her hand. He knew his words were conventional. How could
+they be anything else? But Lady Sophia's manner in giving him her hand
+was not conventional. She stretched it out without even looking at him.
+She said nothing. Her eyes were fixed upon Chichester, who stood on the
+other side of the little room in a rigid attitude, with his eyes cast
+down, as if he could not bear to see the woman who had just entered.
+
+"I offer you my sympathy," Malling added.
+
+"Sympathy!" said Lady Sophia, with a sharp note in her voice suggestive
+of intense, almost febrile excitement. "Then didn't you know?"
+
+She stared at him, turning her head swiftly.
+
+"Know?"
+
+"That I had left him? Yes, I left him, and now he is dead. Do you expect
+me to be sorry? Well, I am not sorry. Ah, I see you don't understand!"
+
+She made a movement toward Chichester. It was obvious that she was so
+intensely excited that she had lost the power of self-control.
+
+"Nobody understands me but you!" she cried out to Chichester. "You
+knew what he was, you knew what I endured, you know what I must feel
+now. Oh, it's no use pretending. I'm sick of pretence. You have taught me
+to care for absolute truth and only that. My relations, my friends--ah!
+to-day I have been almost suffocated with hypocrisy! And now, when I
+come here--" she flung out her hand toward Mailing--"to get away from it
+all--'grieved,' 'my sympathy!' I can't bear any more of that. Tell him!
+You tell him! You're so strong, so terribly sincere! One can rest upon
+your strength when all else fails one!"
+
+She tottered. For an instant it seemed to Malling that she was going to
+fall against Chichester's shoulder; but she caught at a chair, and saved
+herself.
+
+"Mr. Chichester!" she said, "tell him! Tell him for me!"
+
+"I have nothing to tell him," said Chichester, with a sort of mild,
+almost weak coldness, and wearily.
+
+"Nothing!" She went nearer to him. "But--you don't welcome me!"
+
+Chichester looked up, but immediately cast down his eyes again.
+
+"I cannot," he said. "At this moment I simply cannot."
+
+An expression of terrified surprise transformed Lady Sophia's face. She
+went close up to Chichester, staring at him.
+
+"Why not?" she asked.
+
+"You must know that."
+
+She stood still, always staring at him, as if searching for something
+which she did not find.
+
+"Why not?" she repeated.
+
+"You left--him when he needed you most. You left him to die alone."
+
+Lady Sophia suddenly turned round to Malling and scrutinized his face, as
+if demanding from him sympathy in her horrified amazement. He regarded
+her calmly, and she turned again to the curate.
+
+"What do you mean?" she said, and her voice had changed.
+
+"That his friends can never be yours", said Chichester, as if making a
+great effort, driven to it by some intense feeling.
+
+"You call yourself his friend!" said Lady Sophia. Her voice vibrated with
+scorn.
+
+"At any rate, he was mine, my best friend. And now he has gone forever!"
+
+Lady Sophia drew in her breath.
+
+"You hypocrite!" she said. "You hypocrite!"
+
+She spoke like one under the influence of an emotion so intense that it
+could not be gainsaid.
+
+"To pretend you admired him, loved him--_you_!"
+
+"I did admire and love him."
+
+She seemed to be struck dumb by his quiet manner, by the conviction in
+his voice. In a moment she turned round again toward Malling. Her face
+had quite changed. It was working nervously. The mouth quivered. She
+stood for a moment, then suddenly she made for the door. As she passed
+Malling, she whispered: "The strength--where is it? Oh, I'm afraid of
+him! I'm afraid of him!"
+
+She disappeared. Almost immediately Mailing heard the street door shut.
+
+"I--I cannot pretend to her," Chichester said, "even in my own house."
+
+He seemed greatly moved, almost on the verge of tears.
+
+"I'll leave you alone," said Mailing. "You need to be alone."
+
+"Thank you! Thank you!" said Chichester.
+
+And without another word he went into the bedroom, shutting the
+folding-doors behind him.
+
+At half-past seven that same evening Malling was with Professor Stepton,
+and made what the professor called his "report."
+
+"Ah!" said the professor when he had finished.
+
+"Did you expect Chichester to behave like that, to be like that?" asked
+Mailing.
+
+"I hoped he would."
+
+"Hoped! Why?"
+
+"Because it enables me to accept as facts certain things about which I
+must otherwise have remained in doubt. Of course I must see Chichester
+for myself. But he'll be just the same, just the same."
+
+The professor's eyes shone, and he poked his chin forward.
+
+"The reverend gentlemen of St. Joseph's have provided me with a basis,"
+he exclaimed emphatically.
+
+"A basis! For what?" asked Mailing.
+
+"For future experiments and investigations of a highly interesting
+nature. Ruskin was very often wrong, but he was right when he said, in a
+lucid moment, that every creature is precious. Well, good-night, Malling.
+I must get to work. I'll explain everything to you later."
+
+Almost joyously he shut the door on his friend. Almost joyously he sat
+down once more before his writing-table and seized his pen and his
+note-book.
+
+But he did not begin to write. His face suddenly changed. He put his pen
+down, pushed his note-book away, sat back in his chair, and let his
+pointed chin drop toward his breast. And presently he began to mutter to
+himself.
+
+"A little science!" he muttered. "A little science sends man far away
+from God. A great deal of science brings man back to God. Which is it
+now--you professor, you? Which is it now?"
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK THE DWELLER ON THE THRESHOLD***
+
+
+******* This file should be named 14176.txt or 14176.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/1/7/14176
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/old/14176.zip b/old/14176.zip
new file mode 100644
index 0000000..d3f2a27
--- /dev/null
+++ b/old/14176.zip
Binary files differ