summaryrefslogtreecommitdiff
path: root/1415-h
diff options
context:
space:
mode:
Diffstat (limited to '1415-h')
-rw-r--r--1415-h/1415-h.htm1454
1 files changed, 1454 insertions, 0 deletions
diff --git a/1415-h/1415-h.htm b/1415-h/1415-h.htm
new file mode 100644
index 0000000..aa49c0b
--- /dev/null
+++ b/1415-h/1415-h.htm
@@ -0,0 +1,1454 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>Doctor Marigold</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4 {
+ text-align: left;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+ // -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<h2>
+<a href="#startoftext">Doctor Marigold, by Charles Dickens</a>
+</h2>
+<pre>
+The Project Gutenberg eBook, Doctor Marigold, by Charles Dickens
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Doctor Marigold
+
+
+Author: Charles Dickens
+
+Release Date: April 3, 2005 [eBook #1415]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK DOCTOR MARIGOLD***
+</pre>
+<p><a name="startoftext"></a></p>
+<p>Transcribed from the 1894 Chapman and Hall &ldquo;Christmas Stories&rdquo;
+edition by David Price, email ccx074@coventry.ac.uk</p>
+<h1>DOCTOR MARIGOLD</h1>
+<p>I am a Cheap Jack, and my own father&rsquo;s name was Willum Marigold.&nbsp;
+It was in his lifetime supposed by some that his name was William, but
+my own father always consistently said, No, it was Willum.&nbsp; On
+which point I content myself with looking at the argument this way:
+If a man is not allowed to know his own name in a free country, how
+much is he allowed to know in a land of slavery?&nbsp; As to looking
+at the argument through the medium of the Register, Willum Marigold
+come into the world before Registers come up much,&mdash;and went out
+of it too.&nbsp; They wouldn&rsquo;t have been greatly in his line neither,
+if they had chanced to come up before him.</p>
+<p>I was born on the Queen&rsquo;s highway, but it was the King&rsquo;s
+at that time.&nbsp; A doctor was fetched to my own mother by my own
+father, when it took place on a common; and in consequence of his being
+a very kind gentleman, and accepting no fee but a tea-tray, I was named
+Doctor, out of gratitude and compliment to him.&nbsp; There you have
+me.&nbsp; Doctor Marigold.</p>
+<p>I am at present a middle-aged man of a broadish build, in cords,
+leggings, and a sleeved waistcoat the strings of which is always gone
+behind.&nbsp; Repair them how you will, they go like fiddle-strings.&nbsp;
+You have been to the theatre, and you have seen one of the wiolin-players
+screw up his wiolin, after listening to it as if it had been whispering
+the secret to him that it feared it was out of order, and then you have
+heard it snap.&nbsp; That&rsquo;s as exactly similar to my waistcoat
+as a waistcoat and a wiolin can be like one another.</p>
+<p>I am partial to a white hat, and I like a shawl round my neck wore
+loose and easy.&nbsp; Sitting down is my favourite posture.&nbsp; If
+I have a taste in point of personal jewelry, it is mother-of-pearl buttons.&nbsp;
+There you have me again, as large as life.</p>
+<p>The doctor having accepted a tea-tray, you&rsquo;ll guess that my
+father was a Cheap Jack before me.&nbsp; You are right.&nbsp; He was.&nbsp;
+It was a pretty tray.&nbsp; It represented a large lady going along
+a serpentining up-hill gravel-walk, to attend a little church.&nbsp;
+Two swans had likewise come astray with the same intentions.&nbsp; When
+I call her a large lady, I don&rsquo;t mean in point of breadth, for
+there she fell below my views, but she more than made it up in heighth;
+her heighth and slimness was&mdash;in short THE heighth of both.</p>
+<p>I often saw that tray, after I was the innocently smiling cause (or
+more likely screeching one) of the doctor&rsquo;s standing it up on
+a table against the wall in his consulting-room.&nbsp; Whenever my own
+father and mother were in that part of the country, I used to put my
+head (I have heard my own mother say it was flaxen curls at that time,
+though you wouldn&rsquo;t know an old hearth-broom from it now till
+you come to the handle, and found it wasn&rsquo;t me) in at the doctor&rsquo;s
+door, and the doctor was always glad to see me, and said, &ldquo;Aha,
+my brother practitioner!&nbsp; Come in, little M.D.&nbsp; How are your
+inclinations as to sixpence?&rdquo;</p>
+<p>You can&rsquo;t go on for ever, you&rsquo;ll find, nor yet could
+my father nor yet my mother.&nbsp; If you don&rsquo;t go off as a whole
+when you are about due, you&rsquo;re liable to go off in part, and two
+to one your head&rsquo;s the part.&nbsp; Gradually my father went off
+his, and my mother went off hers.&nbsp; It was in a harmless way, but
+it put out the family where I boarded them.&nbsp; The old couple, though
+retired, got to be wholly and solely devoted to the Cheap Jack business,
+and were always selling the family off.&nbsp; Whenever the cloth was
+laid for dinner, my father began rattling the plates and dishes, as
+we do in our line when we put up crockery for a bid, only he had lost
+the trick of it, and mostly let &rsquo;em drop and broke &rsquo;em.&nbsp;
+As the old lady had been used to sit in the cart, and hand the articles
+out one by one to the old gentleman on the footboard to sell, just in
+the same way she handed him every item of the family&rsquo;s property,
+and they disposed of it in their own imaginations from morning to night.&nbsp;
+At last the old gentleman, lying bedridden in the same room with the
+old lady, cries out in the old patter, fluent, after having been silent
+for two days and nights: &ldquo;Now here, my jolly companions every
+one,&mdash;which the Nightingale club in a village was held, At the
+sign of the Cabbage and Shears, Where the singers no doubt would have
+greatly excelled, But for want of taste, voices and ears,&mdash;now,
+here, my jolly companions, every one, is a working model of a used-up
+old Cheap Jack, without a tooth in his head, and with a pain in every
+bone: so like life that it would be just as good if it wasn&rsquo;t
+better, just as bad if it wasn&rsquo;t worse, and just as new if it
+wasn&rsquo;t worn out.&nbsp; Bid for the working model of the old Cheap
+Jack, who has drunk more gunpowder-tea with the ladies in his time than
+would blow the lid off a washerwoman&rsquo;s copper, and carry it as
+many thousands of miles higher than the moon as naught nix naught, divided
+by the national debt, carry nothing to the poor-rates, three under,
+and two over.&nbsp; Now, my hearts of oak and men of straw, what do
+you say for the lot?&nbsp; Two shillings, a shilling, tenpence, eightpence,
+sixpence, fourpence.&nbsp; Twopence?&nbsp; Who said twopence?&nbsp;
+The gentleman in the scarecrow&rsquo;s hat?&nbsp; I am ashamed of the
+gentleman in the scarecrow&rsquo;s hat.&nbsp; I really am ashamed of
+him for his want of public spirit.&nbsp; Now I&rsquo;ll tell you what
+I&rsquo;ll do with you.&nbsp; Come!&nbsp; I&rsquo;ll throw you in a
+working model of a old woman that was married to the old Cheap Jack
+so long ago that upon my word and honour it took place in Noah&rsquo;s
+Ark, before the Unicorn could get in to forbid the banns by blowing
+a tune upon his horn.&nbsp; There now!&nbsp; Come!&nbsp; What do you
+say for both?&nbsp; I&rsquo;ll tell you what I&rsquo;ll do with you.&nbsp;
+I don&rsquo;t bear you malice for being so backward.&nbsp; Here!&nbsp;
+If you make me a bid that&rsquo;ll only reflect a little credit on your
+town, I&rsquo;ll throw you in a warming-pan for nothing, and lend you
+a toasting-fork for life.&nbsp; Now come; what do you say after that
+splendid offer?&nbsp; Say two pound, say thirty shillings, say a pound,
+say ten shillings, say five, say two and six.&nbsp; You don&rsquo;t
+say even two and six?&nbsp; You say two and three?&nbsp; No.&nbsp; You
+shan&rsquo;t have the lot for two and three.&nbsp; I&rsquo;d sooner
+give it to you, if you was good-looking enough.&nbsp; Here!&nbsp; Missis!&nbsp;
+Chuck the old man and woman into the cart, put the horse to, and drive
+&rsquo;em away and bury &rsquo;em!&rdquo;&nbsp; Such were the last words
+of Willum Marigold, my own father, and they were carried out, by him
+and by his wife, my own mother, on one and the same day, as I ought
+to know, having followed as mourner.</p>
+<p>My father had been a lovely one in his time at the Cheap Jack work,
+as his dying observations went to prove.&nbsp; But I top him.&nbsp;
+I don&rsquo;t say it because it&rsquo;s myself, but because it has been
+universally acknowledged by all that has had the means of comparison.&nbsp;
+I have worked at it.&nbsp; I have measured myself against other public
+speakers,&mdash;Members of Parliament, Platforms, Pulpits, Counsel learned
+in the law,&mdash;and where I have found &rsquo;em good, I have took
+a bit of imagination from &rsquo;em, and where I have found &rsquo;em
+bad, I have let &rsquo;em alone.&nbsp; Now I&rsquo;ll tell you what.&nbsp;
+I mean to go down into my grave declaring that of all the callings ill
+used in Great Britain, the Cheap Jack calling is the worst used.&nbsp;
+Why ain&rsquo;t we a profession?&nbsp; Why ain&rsquo;t we endowed with
+privileges?&nbsp; Why are we forced to take out a hawker&rsquo;s license,
+when no such thing is expected of the political hawkers?&nbsp; Where&rsquo;s
+the difference betwixt us?&nbsp; Except that we are Cheap Jacks and
+they are Dear Jacks, <i>I</i> don&rsquo;t see any difference but what&rsquo;s
+in our favour.</p>
+<p>For look here!&nbsp; Say it&rsquo;s election time.&nbsp; I am on
+the footboard of my cart in the market-place, on a Saturday night.&nbsp;
+I put up a general miscellaneous lot.&nbsp; I say: &ldquo;Now here,
+my free and independent woters, I&rsquo;m a going to give you such a
+chance as you never had in all your born days, nor yet the days preceding.&nbsp;
+Now I&rsquo;ll show you what I am a going to do with you.&nbsp; Here&rsquo;s
+a pair of razors that&rsquo;ll shave you closer than the Board of Guardians;
+here&rsquo;s a flat-iron worth its weight in gold; here&rsquo;s a frying-pan
+artificially flavoured with essence of beefsteaks to that degree that
+you&rsquo;ve only got for the rest of your lives to fry bread and dripping
+in it and there you are replete with animal food; here&rsquo;s a genuine
+chronometer watch in such a solid silver case that you may knock at
+the door with it when you come home late from a social meeting, and
+rouse your wife and family, and save up your knocker for the postman;
+and here&rsquo;s half-a-dozen dinner plates that you may play the cymbals
+with to charm baby when it&rsquo;s fractious.&nbsp; Stop!&nbsp; I&rsquo;ll
+throw in another article, and I&rsquo;ll give you that, and it&rsquo;s
+a rolling-pin; and if the baby can only get it well into its mouth when
+its teeth is coming and rub the gums once with it, they&rsquo;ll come
+through double, in a fit of laughter equal to being tickled.&nbsp; Stop
+again!&nbsp; I&rsquo;ll throw you in another article, because I don&rsquo;t
+like the looks of you, for you haven&rsquo;t the appearance of buyers
+unless I lose by you, and because I&rsquo;d rather lose than not take
+money to-night, and that&rsquo;s a looking-glass in which you may see
+how ugly you look when you don&rsquo;t bid.&nbsp; What do you say now?&nbsp;
+Come!&nbsp; Do you say a pound?&nbsp; Not you, for you haven&rsquo;t
+got it.&nbsp; Do you say ten shillings?&nbsp; Not you, for you owe more
+to the tallyman.&nbsp; Well then, I&rsquo;ll tell you what I&rsquo;ll
+do with you.&nbsp; I&rsquo;ll heap &rsquo;em all on the footboard of
+the cart,&mdash;there they are! razors, flat watch, dinner plates, rolling-pin,
+and away for four shillings, and I&rsquo;ll give you sixpence for your
+trouble!&rdquo;&nbsp; This is me, the Cheap Jack.&nbsp; But on the Monday
+morning, in the same market-place, comes the Dear Jack on the hustings&mdash;<i>his</i>
+cart&mdash;and, what does <i>he</i> say?&nbsp; &ldquo;Now my free and
+independent woters, I am a going to give you such a chance&rdquo; (he
+begins just like me) &ldquo;as you never had in all your born days,
+and that&rsquo;s the chance of sending Myself to Parliament.&nbsp; Now
+I&rsquo;ll tell you what I am a going to do for you.&nbsp; Here&rsquo;s
+the interests of this magnificent town promoted above all the rest of
+the civilised and uncivilised earth.&nbsp; Here&rsquo;s your railways
+carried, and your neighbours&rsquo; railways jockeyed.&nbsp; Here&rsquo;s
+all your sons in the Post-office.&nbsp; Here&rsquo;s Britannia smiling
+on you.&nbsp; Here&rsquo;s the eyes of Europe on you.&nbsp; Here&rsquo;s
+uniwersal prosperity for you, repletion of animal food, golden cornfields,
+gladsome homesteads, and rounds of applause from your own hearts, all
+in one lot, and that&rsquo;s myself.&nbsp; Will you take me as I stand?&nbsp;
+You won&rsquo;t?&nbsp; Well, then, I&rsquo;ll tell you what I&rsquo;ll
+do with you.&nbsp; Come now!&nbsp; I&rsquo;ll throw you in anything
+you ask for.&nbsp; There!&nbsp; Church-rates, abolition of more malt
+tax, no malt tax, universal education to the highest mark, or uniwersal
+ignorance to the lowest, total abolition of flogging in the army or
+a dozen for every private once a month all round, Wrongs of Men or Rights
+of Women&mdash;only say which it shall be, take &rsquo;em or leave &rsquo;em,
+and I&rsquo;m of your opinion altogether, and the lot&rsquo;s your own
+on your own terms.&nbsp; There!&nbsp; You won&rsquo;t take it yet!&nbsp;
+Well, then, I&rsquo;ll tell you what I&rsquo;ll do with you.&nbsp; Come!&nbsp;
+You <i>are</i> such free and independent woters, and I am so proud of
+you,&mdash;you <i>are</i> such a noble and enlightened constituency,
+and I <i>am</i> so ambitious of the honour and dignity of being your
+member, which is by far the highest level to which the wings of the
+human mind can soar,&mdash;that I&rsquo;ll tell you what I&rsquo;ll
+do with you.&nbsp; I&rsquo;ll throw you in all the public-houses in
+your magnificent town for nothing.&nbsp; Will that content you?&nbsp;
+It won&rsquo;t?&nbsp; You won&rsquo;t take the lot yet?&nbsp; Well,
+then, before I put the horse in and drive away, and make the offer to
+the next most magnificent town that can be discovered, I&rsquo;ll tell
+you what I&rsquo;ll do.&nbsp; Take the lot, and I&rsquo;ll drop two
+thousand pound in the streets of your magnificent town for them to pick
+up that can.&nbsp; Not enough?&nbsp; Now look here.&nbsp; This is the
+very furthest that I&rsquo;m a going to.&nbsp; I&rsquo;ll make it two
+thousand five hundred.&nbsp; And still you won&rsquo;t?&nbsp; Here,
+missis!&nbsp; Put the horse&mdash;no, stop half a moment, I shouldn&rsquo;t
+like to turn my back upon you neither for a trifle, I&rsquo;ll make
+it two thousand seven hundred and fifty pound.&nbsp; There!&nbsp; Take
+the lot on your own terms, and I&rsquo;ll count out two thousand seven
+hundred and fifty pound on the footboard of the cart, to be dropped
+in the streets of your magnificent town for them to pick up that can.&nbsp;
+What do you say?&nbsp; Come now!&nbsp; You won&rsquo;t do better, and
+you may do worse.&nbsp; You take it?&nbsp; Hooray!&nbsp; Sold again,
+and got the seat!&rdquo;</p>
+<p>These Dear Jacks soap the people shameful, but we Cheap Jacks don&rsquo;t.&nbsp;
+We tell &rsquo;em the truth about themselves to their faces, and scorn
+to court &rsquo;em.&nbsp; As to wenturesomeness in the way of puffing
+up the lots, the Dear Jacks beat us hollow.&nbsp; It is considered in
+the Cheap Jack calling, that better patter can be made out of a gun
+than any article we put up from the cart, except a pair of spectacles.&nbsp;
+I often hold forth about a gun for a quarter of an hour, and feel as
+if I need never leave off.&nbsp; But when I tell &rsquo;em what the
+gun can do, and what the gun has brought down, I never go half so far
+as the Dear Jacks do when they make speeches in praise of <i>their</i>
+guns&mdash;their great guns that set &rsquo;em on to do it.&nbsp; Besides,
+I&rsquo;m in business for myself: I ain&rsquo;t sent down into the market-place
+to order, as they are.&nbsp; Besides, again, my guns don&rsquo;t know
+what I say in their laudation, and their guns do, and the whole concern
+of &rsquo;em have reason to be sick and ashamed all round.&nbsp; These
+are some of my arguments for declaring that the Cheap Jack calling is
+treated ill in Great Britain, and for turning warm when I think of the
+other Jacks in question setting themselves up to pretend to look down
+upon it.</p>
+<p>I courted my wife from the footboard of the cart.&nbsp; I did indeed.&nbsp;
+She was a Suffolk young woman, and it was in Ipswich market-place right
+opposite the corn-chandler&rsquo;s shop.&nbsp; I had noticed her up
+at a window last Saturday that was, appreciating highly.&nbsp; I had
+took to her, and I had said to myself, &ldquo;If not already disposed
+of, I&rsquo;ll have that lot.&rdquo;&nbsp; Next Saturday that come,
+I pitched the cart on the same pitch, and I was in very high feather
+indeed, keeping &rsquo;em laughing the whole of the time, and getting
+off the goods briskly.&nbsp; At last I took out of my waistcoat-pocket
+a small lot wrapped in soft paper, and I put it this way (looking up
+at the window where she was).&nbsp; &ldquo;Now here, my blooming English
+maidens, is an article, the last article of the present evening&rsquo;s
+sale, which I offer to only you, the lovely Suffolk Dumplings biling
+over with beauty, and I won&rsquo;t take a bid of a thousand pounds
+for from any man alive.&nbsp; Now what is it?&nbsp; Why, I&rsquo;ll
+tell you what it is.&nbsp; It&rsquo;s made of fine gold, and it&rsquo;s
+not broke, though there&rsquo;s a hole in the middle of it, and it&rsquo;s
+stronger than any fetter that ever was forged, though it&rsquo;s smaller
+than any finger in my set of ten.&nbsp; Why ten?&nbsp; Because, when
+my parents made over my property to me, I tell you true, there was twelve
+sheets, twelve towels, twelve table-cloths, twelve knives, twelve forks,
+twelve tablespoons, and twelve teaspoons, but my set of fingers was
+two short of a dozen, and could never since be matched.&nbsp; Now what
+else is it?&nbsp; Come, I&rsquo;ll tell you.&nbsp; It&rsquo;s a hoop
+of solid gold, wrapped in a silver curl-paper, that I myself took off
+the shining locks of the ever beautiful old lady in Threadneedle Street,
+London city; I wouldn&rsquo;t tell you so if I hadn&rsquo;t the paper
+to show, or you mightn&rsquo;t believe it even of me.&nbsp; Now what
+else is it?&nbsp; It&rsquo;s a man-trap and a handcuff, the parish stocks
+and a leg-lock, all in gold and all in one.&nbsp; Now what else is it?&nbsp;
+It&rsquo;s a wedding-ring.&nbsp; Now I&rsquo;ll tell you what I&rsquo;m
+a going to do with it.&nbsp; I&rsquo;m not a going to offer this lot
+for money; but I mean to give it to the next of you beauties that laughs,
+and I&rsquo;ll pay her a visit to-morrow morning at exactly half after
+nine o&rsquo;clock as the chimes go, and I&rsquo;ll take her out for
+a walk to put up the banns.&rdquo;&nbsp; She laughed, and got the ring
+handed up to her.&nbsp; When I called in the morning, she says, &ldquo;O
+dear!&nbsp; It&rsquo;s never you, and you never mean it?&rdquo;&nbsp;
+&ldquo;It&rsquo;s ever me,&rdquo; says I, &ldquo;and I am ever yours,
+and I ever mean it.&rdquo;&nbsp; So we got married, after being put
+up three times&mdash;which, by the bye, is quite in the Cheap Jack way
+again, and shows once more how the Cheap Jack customs pervade society.</p>
+<p>She wasn&rsquo;t a bad wife, but she had a temper.&nbsp; If she could
+have parted with that one article at a sacrifice, I wouldn&rsquo;t have
+swopped her away in exchange for any other woman in England.&nbsp; Not
+that I ever did swop her away, for we lived together till she died,
+and that was thirteen year.&nbsp; Now, my lords and ladies and gentlefolks
+all, I&rsquo;ll let you into a secret, though you won&rsquo;t believe
+it.&nbsp; Thirteen year of temper in a Palace would try the worst of
+you, but thirteen year of temper in a Cart would try the best of you.&nbsp;
+You are kept so very close to it in a cart, you see.&nbsp; There&rsquo;s
+thousands of couples among you getting on like sweet ile upon a whetstone
+in houses five and six pairs of stairs high, that would go to the Divorce
+Court in a cart.&nbsp; Whether the jolting makes it worse, I don&rsquo;t
+undertake to decide; but in a cart it does come home to you, and stick
+to you.&nbsp; Wiolence in a cart is <i>so</i> wiolent, and aggrawation
+in a cart is <i>so</i> aggrawating.</p>
+<p>We might have had such a pleasant life!&nbsp; A roomy cart, with
+the large goods hung outside, and the bed slung underneath it when on
+the road, an iron pot and a kettle, a fireplace for the cold weather,
+a chimney for the smoke, a hanging-shelf and a cupboard, a dog and a
+horse.&nbsp; What more do you want?&nbsp; You draw off upon a bit of
+turf in a green lane or by the roadside, you hobble your old horse and
+turn him grazing, you light your fire upon the ashes of the last visitors,
+you cook your stew, and you wouldn&rsquo;t call the Emperor of France
+your father.&nbsp; But have a temper in the cart, flinging language
+and the hardest goods in stock at you, and where are you then?&nbsp;
+Put a name to your feelings.</p>
+<p>My dog knew as well when she was on the turn as I did.&nbsp; Before
+she broke out, he would give a howl, and bolt.&nbsp; How he knew it,
+was a mystery to me; but the sure and certain knowledge of it would
+wake him up out of his soundest sleep, and he would give a howl, and
+bolt.&nbsp; At such times I wished I was him.</p>
+<p>The worst of it was, we had a daughter born to us, and I love children
+with all my heart.&nbsp; When she was in her furies she beat the child.&nbsp;
+This got to be so shocking, as the child got to be four or five year
+old, that I have many a time gone on with my whip over my shoulder,
+at the old horse&rsquo;s head, sobbing and crying worse than ever little
+Sophy did.&nbsp; For how could I prevent it?&nbsp; Such a thing is not
+to be tried with such a temper&mdash;in a cart&mdash;without coming
+to a fight.&nbsp; It&rsquo;s in the natural size and formation of a
+cart to bring it to a fight.&nbsp; And then the poor child got worse
+terrified than before, as well as worse hurt generally, and her mother
+made complaints to the next people we lighted on, and the word went
+round, &ldquo;Here&rsquo;s a wretch of a Cheap Jack been a beating his
+wife.&rdquo;</p>
+<p>Little Sophy was such a brave child!&nbsp; She grew to be quite devoted
+to her poor father, though he could do so little to help her.&nbsp;
+She had a wonderful quantity of shining dark hair, all curling natural
+about her.&nbsp; It is quite astonishing to me now, that I didn&rsquo;t
+go tearing mad when I used to see her run from her mother before the
+cart, and her mother catch her by this hair, and pull her down by it,
+and beat her.</p>
+<p>Such a brave child I said she was!&nbsp; Ah! with reason.</p>
+<p>&ldquo;Don&rsquo;t you mind next time, father dear,&rdquo; she would
+whisper to me, with her little face still flushed, and her bright eyes
+still wet; &ldquo;if I don&rsquo;t cry out, you may know I am not much
+hurt.&nbsp; And even if I do cry out, it will only be to get mother
+to let go and leave off.&rdquo;&nbsp; What I have seen the little spirit
+bear&mdash;for me&mdash;without crying out!</p>
+<p>Yet in other respects her mother took great care of her.&nbsp; Her
+clothes were always clean and neat, and her mother was never tired of
+working at &rsquo;em.&nbsp; Such is the inconsistency in things.&nbsp;
+Our being down in the marsh country in unhealthy weather, I consider
+the cause of Sophy&rsquo;s taking bad low fever; but however she took
+it, once she got it she turned away from her mother for evermore, and
+nothing would persuade her to be touched by her mother&rsquo;s hand.&nbsp;
+She would shiver and say, &ldquo;No, no, no,&rdquo; when it was offered
+at, and would hide her face on my shoulder, and hold me tighter round
+the neck.</p>
+<p>The Cheap Jack business had been worse than ever I had known it,
+what with one thing and what with another (and not least with railroads,
+which will cut it all to pieces, I expect, at last), and I was run dry
+of money.&nbsp; For which reason, one night at that period of little
+Sophy&rsquo;s being so bad, either we must have come to a dead-lock
+for victuals and drink, or I must have pitched the cart as I did.</p>
+<p>I couldn&rsquo;t get the dear child to lie down or leave go of me,
+and indeed I hadn&rsquo;t the heart to try, so I stepped out on the
+footboard with her holding round my neck.&nbsp; They all set up a laugh
+when they see us, and one chuckle-headed Joskin (that I hated for it)
+made the bidding, &ldquo;Tuppence for her!&rdquo;</p>
+<p>&ldquo;Now, you country boobies,&rdquo; says I, feeling as if my
+heart was a heavy weight at the end of a broken sashline, &ldquo;I give
+you notice that I am a going to charm the money out of your pockets,
+and to give you so much more than your money&rsquo;s worth that you&rsquo;ll
+only persuade yourselves to draw your Saturday night&rsquo;s wages ever
+again arterwards by the hopes of meeting me to lay &rsquo;em out with,
+which you never will, and why not?&nbsp; Because I&rsquo;ve made my
+fortunes by selling my goods on a large scale for seventy-five per cent.
+less than I give for &rsquo;em, and I am consequently to be elevated
+to the House of Peers next week, by the title of the Duke of Cheap and
+Markis Jackaloorul.&nbsp; Now let&rsquo;s know what you want to-night,
+and you shall have it.&nbsp; But first of all, shall I tell you why
+I have got this little girl round my neck?&nbsp; You don&rsquo;t want
+to know?&nbsp; Then you shall.&nbsp; She belongs to the Fairies.&nbsp;
+She&rsquo;s a fortune-teller.&nbsp; She can tell me all about you in
+a whisper, and can put me up to whether you&rsquo;re going to buy a
+lot or leave it.&nbsp; Now do you want a saw?&nbsp; No, she says you
+don&rsquo;t, because you&rsquo;re too clumsy to use one.&nbsp; Else
+here&rsquo;s a saw which would be a lifelong blessing to a handy man,
+at four shillings, at three and six, at three, at two and six, at two,
+at eighteen-pence.&nbsp; But none of you shall have it at any price,
+on account of your well-known awkwardness, which would make it manslaughter.&nbsp;
+The same objection applies to this set of three planes which I won&rsquo;t
+let you have neither, so don&rsquo;t bid for &rsquo;em.&nbsp; Now I
+am a going to ask her what you do want.&rdquo;&nbsp; (Then I whispered,
+&ldquo;Your head burns so, that I am afraid it hurts you bad, my pet,&rdquo;
+and she answered, without opening her heavy eyes, &ldquo;Just a little,
+father.&rdquo;)&nbsp; &ldquo;O!&nbsp; This little fortune-teller says
+it&rsquo;s a memorandum-book you want.&nbsp; Then why didn&rsquo;t you
+mention it?&nbsp; Here it is.&nbsp; Look at it.&nbsp; Two hundred superfine
+hot-pressed wire-wove pages&mdash;if you don&rsquo;t believe me, count
+&rsquo;em&mdash;ready ruled for your expenses, an everlastingly pointed
+pencil to put &rsquo;em down with, a double-bladed penknife to scratch
+&rsquo;em out with, a book of printed tables to calculate your income
+with, and a camp-stool to sit down upon while you give your mind to
+it!&nbsp; Stop!&nbsp; And an umbrella to keep the moon off when you
+give your mind to it on a pitch-dark night.&nbsp; Now I won&rsquo;t
+ask you how much for the lot, but how little?&nbsp; How little are you
+thinking of?&nbsp; Don&rsquo;t be ashamed to mention it, because my
+fortune-teller knows already.&rdquo;&nbsp; (Then making believe to whisper,
+I kissed her,&mdash;and she kissed me.)&nbsp; &ldquo;Why, she says you
+are thinking of as little as three and threepence!&nbsp; I couldn&rsquo;t
+have believed it, even of you, unless she told me.&nbsp; Three and threepence!&nbsp;
+And a set of printed tables in the lot that&rsquo;ll calculate your
+income up to forty thousand a year!&nbsp; With an income of forty thousand
+a year, you grudge three and sixpence.&nbsp; Well then, I&rsquo;ll tell
+you my opinion.&nbsp; I so despise the threepence, that I&rsquo;d sooner
+take three shillings.&nbsp; There.&nbsp; For three shillings, three
+shillings, three shillings!&nbsp; Gone.&nbsp; Hand &rsquo;em over to
+the lucky man.&rdquo;</p>
+<p>As there had been no bid at all, everybody looked about and grinned
+at everybody, while I touched little Sophy&rsquo;s face and asked her
+if she felt faint, or giddy.&nbsp; &ldquo;Not very, father.&nbsp; It
+will soon be over.&rdquo;&nbsp; Then turning from the pretty patient
+eyes, which were opened now, and seeing nothing but grins across my
+lighted grease-pot, I went on again in my Cheap Jack style.&nbsp; &ldquo;Where&rsquo;s
+the butcher?&rdquo;&nbsp; (My sorrowful eye had just caught sight of
+a fat young butcher on the outside of the crowd.)&nbsp; &ldquo;She says
+the good luck is the butcher&rsquo;s.&nbsp; Where is he?&rdquo;&nbsp;
+Everybody handed on the blushing butcher to the front, and there was
+a roar, and the butcher felt himself obliged to put his hand in his
+pocket, and take the lot.&nbsp; The party so picked out, in general,
+does feel obliged to take the lot&mdash;good four times out of six.&nbsp;
+Then we had another lot, the counterpart of that one, and sold it sixpence
+cheaper, which is always wery much enjoyed.&nbsp; Then we had the spectacles.&nbsp;
+It ain&rsquo;t a special profitable lot, but I put &rsquo;em on, and
+I see what the Chancellor of the Exchequer is going to take off the
+taxes, and I see what the sweetheart of the young woman in the shawl
+is doing at home, and I see what the Bishops has got for dinner, and
+a deal more that seldom fails to fetch &rsquo;em &rsquo;up in their
+spirits; and the better their spirits, the better their bids.&nbsp;
+Then we had the ladies&rsquo; lot&mdash;the teapot, tea-caddy, glass
+sugar-basin, half-a-dozen spoons, and caudle-cup&mdash;and all the time
+I was making similar excuses to give a look or two and say a word or
+two to my poor child.&nbsp; It was while the second ladies&rsquo; lot
+was holding &rsquo;em enchained that I felt her lift herself a little
+on my shoulder, to look across the dark street.&nbsp; &ldquo;What troubles
+you, darling?&rdquo;&nbsp; &ldquo;Nothing troubles me, father.&nbsp;
+I am not at all troubled.&nbsp; But don&rsquo;t I see a pretty churchyard
+over there?&rdquo;&nbsp; &ldquo;Yes, my dear.&rdquo;&nbsp; &ldquo;Kiss
+me twice, dear father, and lay me down to rest upon that churchyard
+grass so soft and green.&rdquo;&nbsp; I staggered back into the cart
+with her head dropped on my shoulder, and I says to her mother, &ldquo;Quick.&nbsp;
+Shut the door!&nbsp; Don&rsquo;t let those laughing people see!&rdquo;&nbsp;
+&ldquo;What&rsquo;s the matter?&rdquo; she cries.&nbsp; &ldquo;O woman,
+woman,&rdquo; I tells her, &ldquo;you&rsquo;ll never catch my little
+Sophy by her hair again, for she has flown away from you!&rdquo;</p>
+<p>Maybe those were harder words than I meant &rsquo;em; but from that
+time forth my wife took to brooding, and would sit in the cart or walk
+beside it, hours at a stretch, with her arms crossed, and her eyes looking
+on the ground.&nbsp; When her furies took her (which was rather seldomer
+than before) they took her in a new way, and she banged herself about
+to that extent that I was forced to hold her.&nbsp; She got none the
+better for a little drink now and then, and through some years I used
+to wonder, as I plodded along at the old horse&rsquo;s head, whether
+there was many carts upon the road that held so much dreariness as mine,
+for all my being looked up to as the King of the Cheap Jacks.&nbsp;
+So sad our lives went on till one summer evening, when, as we were coming
+into Exeter, out of the farther West of England, we saw a woman beating
+a child in a cruel manner, who screamed, &ldquo;Don&rsquo;t beat me!&nbsp;
+O mother, mother, mother!&rdquo;&nbsp; Then my wife stopped her ears,
+and ran away like a wild thing, and next day she was found in the river.</p>
+<p>Me and my dog were all the company left in the cart now; and the
+dog learned to give a short bark when they wouldn&rsquo;t bid, and to
+give another and a nod of his head when I asked him, &ldquo;Who said
+half a crown?&nbsp; Are you the gentleman, sir, that offered half a
+crown?&rdquo;&nbsp; He attained to an immense height of popularity,
+and I shall always believe taught himself entirely out of his own head
+to growl at any person in the crowd that bid as low as sixpence.&nbsp;
+But he got to be well on in years, and one night when I was conwulsing
+York with the spectacles, he took a conwulsion on his own account upon
+the very footboard by me, and it finished him.</p>
+<p>Being naturally of a tender turn, I had dreadful lonely feelings
+on me arter this.&nbsp; I conquered &rsquo;em at selling times, having
+a reputation to keep (not to mention keeping myself), but they got me
+down in private, and rolled upon me.&nbsp; That&rsquo;s often the way
+with us public characters.&nbsp; See us on the footboard, and you&rsquo;d
+give pretty well anything you possess to be us.&nbsp; See us off the
+footboard, and you&rsquo;d add a trifle to be off your bargain.&nbsp;
+It was under those circumstances that I come acquainted with a giant.&nbsp;
+I might have been too high to fall into conversation with him, had it
+not been for my lonely feelings.&nbsp; For the general rule is, going
+round the country, to draw the line at dressing up.&nbsp; When a man
+can&rsquo;t trust his getting a living to his undisguised abilities,
+you consider him below your sort.&nbsp; And this giant when on view
+figured as a Roman.</p>
+<p>He was a languid young man, which I attribute to the distance betwixt
+his extremities.&nbsp; He had a little head and less in it, he had weak
+eyes and weak knees, and altogether you couldn&rsquo;t look at him without
+feeling that there was greatly too much of him both for his joints and
+his mind.&nbsp; But he was an amiable though timid young man (his mother
+let him out, and spent the money), and we come acquainted when he was
+walking to ease the horse betwixt two fairs.&nbsp; He was called Rinaldo
+di Velasco, his name being Pickleson.</p>
+<p>This giant, otherwise Pickleson, mentioned to me under the seal of
+confidence that, beyond his being a burden to himself, his life was
+made a burden to him by the cruelty of his master towards a step-daughter
+who was deaf and dumb.&nbsp; Her mother was dead, and she had no living
+soul to take her part, and was used most hard.&nbsp; She travelled with
+his master&rsquo;s caravan only because there was nowhere to leave her,
+and this giant, otherwise Pickleson, did go so far as to believe that
+his master often tried to lose her.&nbsp; He was such a very languid
+young man, that I don&rsquo;t know how long it didn&rsquo;t take him
+to get this story out, but it passed through his defective circulation
+to his top extremity in course of time.</p>
+<p>When I heard this account from the giant, otherwise Pickleson, and
+likewise that the poor girl had beautiful long dark hair, and was often
+pulled down by it and beaten, I couldn&rsquo;t see the giant through
+what stood in my eyes.&nbsp; Having wiped &rsquo;em, I give him sixpence
+(for he was kept as short as he was long), and he laid it out in two
+three-penn&rsquo;orths of gin-and-water, which so brisked him up, that
+he sang the Favourite Comic of Shivery Shakey, ain&rsquo;t it cold?&mdash;a
+popular effect which his master had tried every other means to get out
+of him as a Roman wholly in vain.</p>
+<p>His master&rsquo;s name was Mim, a wery hoarse man, and I knew him
+to speak to.&nbsp; I went to that Fair as a mere civilian, leaving the
+cart outside the town, and I looked about the back of the Vans while
+the performing was going on, and at last, sitting dozing against a muddy
+cart-wheel, I come upon the poor girl who was deaf and dumb.&nbsp; At
+the first look I might almost have judged that she had escaped from
+the Wild Beast Show; but at the second I thought better of her, and
+thought that if she was more cared for and more kindly used she would
+be like my child.&nbsp; She was just the same age that my own daughter
+would have been, if her pretty head had not fell down upon my shoulder
+that unfortunate night.</p>
+<p>To cut it short, I spoke confidential to Mim while he was beating
+the gong outside betwixt two lots of Pickleson&rsquo;s publics, and
+I put it to him, &ldquo;She lies heavy on your own hands; what&rsquo;ll
+you take for her?&rdquo;&nbsp; Mim was a most ferocious swearer.&nbsp;
+Suppressing that part of his reply which was much the longest part,
+his reply was, &ldquo;A pair of braces.&rdquo;&nbsp; &ldquo;Now I&rsquo;ll
+tell you,&rdquo; says I, &ldquo;what I&rsquo;m a going to do with you.&nbsp;
+I&rsquo;m a going to fetch you half-a-dozen pair of the primest braces
+in the cart, and then to take her away with me.&rdquo;&nbsp; Says Mim
+(again ferocious), &ldquo;I&rsquo;ll believe it when I&rsquo;ve got
+the goods, and no sooner.&rdquo;&nbsp; I made all the haste I could,
+lest he should think twice of it, and the bargain was completed, which
+Pickleson he was thereby so relieved in his mind that he come out at
+his little back door, longways like a serpent, and give us Shivery Shakey
+in a whisper among the wheels at parting.</p>
+<p>It was happy days for both of us when Sophy and me began to travel
+in the cart.&nbsp; I at once give her the name of Sophy, to put her
+ever towards me in the attitude of my own daughter.&nbsp; We soon made
+out to begin to understand one another, through the goodness of the
+Heavens, when she knowed that I meant true and kind by her.&nbsp; In
+a very little time she was wonderful fond of me.&nbsp; You have no idea
+what it is to have anybody wonderful fond of you, unless you have been
+got down and rolled upon by the lonely feelings that I have mentioned
+as having once got the better of me.</p>
+<p>You&rsquo;d have laughed&mdash;or the rewerse&mdash;it&rsquo;s according
+to your disposition&mdash;if you could have seen me trying to teach
+Sophy.&nbsp; At first I was helped&mdash;you&rsquo;d never guess by
+what&mdash;milestones.&nbsp; I got some large alphabets in a box, all
+the letters separate on bits of bone, and saying we was going to WINDSOR,
+I give her those letters in that order, and then at every milestone
+I showed her those same letters in that same order again, and pointed
+towards the abode of royalty.&nbsp; Another time I give her CART, and
+then chalked the same upon the cart.&nbsp; Another time I give her DOCTOR
+MARIGOLD, and hung a corresponding inscription outside my waistcoat.&nbsp;
+People that met us might stare a bit and laugh, but what did <i>I</i>
+care, if she caught the idea?&nbsp; She caught it after long patience
+and trouble, and then we did begin to get on swimmingly, I believe you!&nbsp;
+At first she was a little given to consider me the cart, and the cart
+the abode of royalty, but that soon wore off.</p>
+<p>We had our signs, too, and they was hundreds in number.&nbsp; Sometimes
+she would sit looking at me and considering hard how to communicate
+with me about something fresh,&mdash;how to ask me what she wanted explained,&mdash;and
+then she was (or I thought she was; what does it signify?) so like my
+child with those years added to her, that I half-believed it was herself,
+trying to tell me where she had been to up in the skies, and what she
+had seen since that unhappy night when she flied away.&nbsp; She had
+a pretty face, and now that there was no one to drag at her bright dark
+hair, and it was all in order, there was a something touching in her
+looks that made the cart most peaceful and most quiet, though not at
+all melancholy.&nbsp; [N.B.&nbsp; In the Cheap Jack patter, we generally
+sound it lemonjolly, and it gets a laugh.]</p>
+<p>The way she learnt to understand any look of mine was truly surprising.&nbsp;
+When I sold of a night, she would sit in the cart unseen by them outside,
+and would give a eager look into my eyes when I looked in, and would
+hand me straight the precise article or articles I wanted.&nbsp; And
+then she would clap her hands, and laugh for joy.&nbsp; And as for me,
+seeing her so bright, and remembering what she was when I first lighted
+on her, starved and beaten and ragged, leaning asleep against the muddy
+cart-wheel, it give me such heart that I gained a greater heighth of
+reputation than ever, and I put Pickleson down (by the name of Mim&rsquo;s
+Travelling Giant otherwise Pickleson) for a fypunnote in my will.</p>
+<p>This happiness went on in the cart till she was sixteen year old.&nbsp;
+By which time I began to feel not satisfied that I had done my whole
+duty by her, and to consider that she ought to have better teaching
+than I could give her.&nbsp; It drew a many tears on both sides when
+I commenced explaining my views to her; but what&rsquo;s right is right,
+and you can&rsquo;t neither by tears nor laughter do away with its character.</p>
+<p>So I took her hand in mine, and I went with her one day to the Deaf
+and Dumb Establishment in London, and when the gentleman come to speak
+to us, I says to him: &ldquo;Now I&rsquo;ll tell you what I&rsquo;ll
+do with you, sir.&nbsp; I am nothing but a Cheap Jack, but of late years
+I have laid by for a rainy day notwithstanding.&nbsp; This is my only
+daughter (adopted), and you can&rsquo;t produce a deafer nor a dumber.&nbsp;
+Teach her the most that can be taught her in the shortest separation
+that can be named,&mdash;state the figure for it,&mdash;and I am game
+to put the money down.&nbsp; I won&rsquo;t bate you a single farthing,
+sir, but I&rsquo;ll put down the money here and now, and I&rsquo;ll
+thankfully throw you in a pound to take it.&nbsp; There!&rdquo;&nbsp;
+The gentleman smiled, and then, &ldquo;Well, well,&rdquo; says he, &ldquo;I
+must first know what she has learned already.&nbsp; How do you communicate
+with her?&rdquo;&nbsp; Then I showed him, and she wrote in printed writing
+many names of things and so forth; and we held some sprightly conversation,
+Sophy and me, about a little story in a book which the gentleman showed
+her, and which she was able to read.&nbsp; &ldquo;This is most extraordinary,&rdquo;
+says the gentleman; &ldquo;is it possible that you have been her only
+teacher?&rdquo;&nbsp; &ldquo;I have been her only teacher, sir,&rdquo;
+I says, &ldquo;besides herself.&rdquo;&nbsp; &ldquo;Then,&rdquo; says
+the gentleman, and more acceptable words was never spoke to me, &ldquo;you&rsquo;re
+a clever fellow, and a good fellow.&rdquo;&nbsp; This he makes known
+to Sophy, who kisses his hands, claps her own, and laughs and cries
+upon it.</p>
+<p>We saw the gentleman four times in all, and when he took down my
+name and asked how in the world it ever chanced to be Doctor, it come
+out that he was own nephew by the sister&rsquo;s side, if you&rsquo;ll
+believe me, to the very Doctor that I was called after.&nbsp; This made
+our footing still easier, and he says to me:</p>
+<p>&ldquo;Now, Marigold, tell me what more do you want your adopted
+daughter to know?&rdquo;</p>
+<p>&ldquo;I want her, sir, to be cut off from the world as little as
+can be, considering her deprivations, and therefore to be able to read
+whatever is wrote with perfect ease and pleasure.&rdquo;</p>
+<p>&ldquo;My good fellow,&rdquo; urges the gentleman, opening his eyes
+wide, &ldquo;why <i>I</i> can&rsquo;t do that myself!&rdquo;</p>
+<p>I took his joke, and gave him a laugh (knowing by experience how
+flat you fall without it), and I mended my words accordingly.</p>
+<p>&ldquo;What do you mean to do with her afterwards?&rdquo; asks the
+gentleman, with a sort of a doubtful eye.&nbsp; &ldquo;To take her about
+the country?&rdquo;</p>
+<p>&ldquo;In the cart, sir, but only in the cart.&nbsp; She will live
+a private life, you understand, in the cart.&nbsp; I should never think
+of bringing her infirmities before the public.&nbsp; I wouldn&rsquo;t
+make a show of her for any money.&rdquo;</p>
+<p>The gentleman nodded, and seemed to approve.</p>
+<p>&ldquo;Well,&rdquo; says he, &ldquo;can you part with her for two
+years?&rdquo;</p>
+<p>&ldquo;To do her that good,&mdash;yes, sir.&rdquo;</p>
+<p>&ldquo;There&rsquo;s another question,&rdquo; says the gentleman,
+looking towards her,&mdash;&ldquo;can she part with you for two years?&rdquo;</p>
+<p>I don&rsquo;t know that it was a harder matter of itself (for the
+other was hard enough to me), but it was harder to get over.&nbsp; However,
+she was pacified to it at last, and the separation betwixt us was settled.&nbsp;
+How it cut up both of us when it took place, and when I left her at
+the door in the dark of an evening, I don&rsquo;t tell.&nbsp; But I
+know this; remembering that night, I shall never pass that same establishment
+without a heartache and a swelling in the throat; and I couldn&rsquo;t
+put you up the best of lots in sight of it with my usual spirit,&mdash;no,
+not even the gun, nor the pair of spectacles,&mdash;for five hundred
+pound reward from the Secretary of State for the Home Department, and
+throw in the honour of putting my legs under his mahogany arterwards.</p>
+<p>Still, the loneliness that followed in the cart was not the old loneliness,
+because there was a term put to it, however long to look forward to;
+and because I could think, when I was anyways down, that she belonged
+to me and I belonged to her.&nbsp; Always planning for her coming back,
+I bought in a few months&rsquo; time another cart, and what do you think
+I planned to do with it?&nbsp; I&rsquo;ll tell you.&nbsp; I planned
+to fit it up with shelves and books for her reading, and to have a seat
+in it where I could sit and see her read, and think that I had been
+her first teacher.&nbsp; Not hurrying over the job, I had the fittings
+knocked together in contriving ways under my own inspection, and here
+was her bed in a berth with curtains, and there was her reading-table,
+and here was her writing-desk, and elsewhere was her books in rows upon
+rows, picters and no picters, bindings and no bindings, gilt-edged and
+plain, just as I could pick &rsquo;em up for her in lots up and down
+the country, North and South and West and East, Winds liked best and
+winds liked least, Here and there and gone astray, Over the hills and
+far away.&nbsp; And when I had got together pretty well as many books
+as the cart would neatly hold, a new scheme come into my head, which,
+as it turned out, kept my time and attention a good deal employed, and
+helped me over the two years&rsquo; stile.</p>
+<p>Without being of an awaricious temper, I like to be the owner of
+things.&nbsp; I shouldn&rsquo;t wish, for instance, to go partners with
+yourself in the Cheap Jack cart.&nbsp; It&rsquo;s not that I mistrust
+you, but that I&rsquo;d rather know it was mine.&nbsp; Similarly, very
+likely you&rsquo;d rather know it was yours.&nbsp; Well!&nbsp; A kind
+of a jealousy began to creep into my mind when I reflected that all
+those books would have been read by other people long before they was
+read by her.&nbsp; It seemed to take away from her being the owner of
+&rsquo;em like.&nbsp; In this way, the question got into my head: Couldn&rsquo;t
+I have a book new-made express for her, which she should be the first
+to read?</p>
+<p>It pleased me, that thought did; and as I never was a man to let
+a thought sleep (you must wake up all the whole family of thoughts you&rsquo;ve
+got and burn their nightcaps, or you won&rsquo;t do in the Cheap Jack
+line), I set to work at it.&nbsp; Considering that I was in the habit
+of changing so much about the country, and that I should have to find
+out a literary character here to make a deal with, and another literary
+character there to make a deal with, as opportunities presented, I hit
+on the plan that this same book should be a general miscellaneous lot,&mdash;like
+the razors, flat-iron, chronometer watch, dinner plates, rolling-pin,
+and looking-glass,&mdash;and shouldn&rsquo;t be offered as a single
+indiwidual article, like the spectacles or the gun.&nbsp; When I had
+come to that conclusion, I come to another, which shall likewise be
+yours.</p>
+<p>Often had I regretted that she never had heard me on the footboard,
+and that she never could hear me.&nbsp; It ain&rsquo;t that <i>I</i>
+am vain, but that <i>you</i> don&rsquo;t like to put your own light
+under a bushel.&nbsp; What&rsquo;s the worth of your reputation, if
+you can&rsquo;t convey the reason for it to the person you most wish
+to value it?&nbsp; Now I&rsquo;ll put it to you.&nbsp; Is it worth sixpence,
+fippence, fourpence, threepence, twopence, a penny, a halfpenny, a farthing?&nbsp;
+No, it ain&rsquo;t.&nbsp; Not worth a farthing.&nbsp; Very well, then.&nbsp;
+My conclusion was that I would begin her book with some account of myself.&nbsp;
+So that, through reading a specimen or two of me on the footboard, she
+might form an idea of my merits there.&nbsp; I was aware that I couldn&rsquo;t
+do myself justice.&nbsp; A man can&rsquo;t write his eye (at least <i>I</i>
+don&rsquo;t know how to), nor yet can a man write his voice, nor the
+rate of his talk, nor the quickness of his action, nor his general spicy
+way.&nbsp; But he can write his turns of speech, when he is a public
+speaker,&mdash;and indeed I have heard that he very often does, before
+he speaks &rsquo;em.</p>
+<p>Well!&nbsp; Having formed that resolution, then come the question
+of a name.&nbsp; How did I hammer that hot iron into shape?&nbsp; This
+way.&nbsp; The most difficult explanation I had ever had with her was,
+how I come to be called Doctor, and yet was no Doctor.&nbsp; After all,
+I felt that I had failed of getting it correctly into her mind, with
+my utmost pains.&nbsp; But trusting to her improvement in the two years,
+I thought that I might trust to her understanding it when she should
+come to read it as put down by my own hand.&nbsp; Then I thought I would
+try a joke with her and watch how it took, by which of itself I might
+fully judge of her understanding it.&nbsp; We had first discovered the
+mistake we had dropped into, through her having asked me to prescribe
+for her when she had supposed me to be a Doctor in a medical point of
+view; so thinks I, &ldquo;Now, if I give this book the name of my Prescriptions,
+and if she catches the idea that my only Prescriptions are for her amusement
+and interest,&mdash;to make her laugh in a pleasant way, or to make
+her cry in a pleasant way,&mdash;it will be a delightful proof to both
+of us that we have got over our difficulty.&rdquo;&nbsp; It fell out
+to absolute perfection.&nbsp; For when she saw the book, as I had it
+got up,&mdash;the printed and pressed book,&mdash;lying on her desk
+in her cart, and saw the title, DOCTOR MARIGOLD&rsquo;S PRESCRIPTIONS,
+she looked at me for a moment with astonishment, then fluttered the
+leaves, then broke out a laughing in the charmingest way, then felt
+her pulse and shook her head, then turned the pages pretending to read
+them most attentive, then kissed the book to me, and put it to her bosom
+with both her hands.&nbsp; I never was better pleased in all my life!</p>
+<p>But let me not anticipate.&nbsp; (I take that expression out of a
+lot of romances I bought for her.&nbsp; I never opened a single one
+of &rsquo;em&mdash;and I have opened many&mdash;but I found the romancer
+saying &ldquo;let me not anticipate.&rdquo;&nbsp; Which being so, I
+wonder why he did anticipate, or who asked him to it.)&nbsp; Let me
+not, I say, anticipate.&nbsp; This same book took up all my spare time.&nbsp;
+It was no play to get the other articles together in the general miscellaneous
+lot, but when it come to my own article!&nbsp; There!&nbsp; I couldn&rsquo;t
+have believed the blotting, nor yet the buckling to at it, nor the patience
+over it.&nbsp; Which again is like the footboard.&nbsp; The public have
+no idea.</p>
+<p>At last it was done, and the two years&rsquo; time was gone after
+all the other time before it, and where it&rsquo;s all gone to, who
+knows?&nbsp; The new cart was finished,&mdash;yellow outside, relieved
+with wermilion and brass fittings,&mdash;the old horse was put in it,
+a new &rsquo;un and a boy being laid on for the Cheap Jack cart,&mdash;and
+I cleaned myself up to go and fetch her.&nbsp; Bright cold weather it
+was, cart-chimneys smoking, carts pitched private on a piece of waste
+ground over at Wandsworth, where you may see &rsquo;em from the Sou&rsquo;western
+Railway when not upon the road.&nbsp; (Look out of the right-hand window
+going down.)</p>
+<p>&ldquo;Marigold,&rdquo; says the gentleman, giving his hand hearty,
+&ldquo;I am very glad to see you.&rdquo;</p>
+<p>&ldquo;Yet I have my doubts, sir,&rdquo; says I, &ldquo;if you can
+be half as glad to see me as I am to see you.&rdquo;</p>
+<p>&ldquo;The time has appeared so long,&mdash;has it, Marigold?&rdquo;</p>
+<p>&ldquo;I won&rsquo;t say that, sir, considering its real length;
+but&mdash;&rdquo;</p>
+<p>&ldquo;What a start, my good fellow!&rdquo;</p>
+<p>Ah!&nbsp; I should think it was!&nbsp; Grown such a woman, so pretty,
+so intelligent, so expressive!&nbsp; I knew then that she must be really
+like my child, or I could never have known her, standing quiet by the
+door.</p>
+<p>&ldquo;You are affected,&rdquo; says the gentleman in a kindly manner.</p>
+<p>&ldquo;I feel, sir,&rdquo; says I, &ldquo;that I am but a rough chap
+in a sleeved waistcoat.&rdquo;</p>
+<p>&ldquo;I feel,&rdquo; says the gentleman, &ldquo;that it was you
+who raised her from misery and degradation, and brought her into communication
+with her kind.&nbsp; But why do we converse alone together, when we
+can converse so well with her?&nbsp; Address her in your own way.&rdquo;</p>
+<p>&ldquo;I am such a rough chap in a sleeved waistcoat, sir,&rdquo;
+says I, &ldquo;and she is such a graceful woman, and she stands so quiet
+at the door!&rdquo;</p>
+<p>&ldquo;<i>Try</i> if she moves at the old sign,&rdquo; says the gentleman.</p>
+<p>They had got it up together o&rsquo; purpose to please me!&nbsp;
+For when I give her the old sign, she rushed to my feet, and dropped
+upon her knees, holding up her hands to me with pouring tears of love
+and joy; and when I took her hands and lifted her, she clasped me round
+the neck, and lay there; and I don&rsquo;t know what a fool I didn&rsquo;t
+make of myself, until we all three settled down into talking without
+sound, as if there was a something soft and pleasant spread over the
+whole world for us.</p>
+<p>* * * * *</p>
+<p>[A portion is here omitted from the text, having reference to the
+sketches contributed by other writers; but the reader will be pleased
+to have what follows retained in a note:</p>
+<p>&ldquo;Now I&rsquo;ll tell you what I am a-going to do with you.&nbsp;
+I am a-going to offer you the general miscellaneous lot, her own book,
+never read by anybody else but me, added to and completed by me after
+her first reading of it, eight-and-forty printed pages, six-and-ninety
+columns, Whiting&rsquo;s own work, Beaufort House to wit, thrown off
+by the steam-ingine, best of paper, beautiful green wrapper, folded
+like clean linen come home from the clear-starcher&rsquo;s, and so exquisitely
+stitched that, regarded as a piece of needlework alone, it&rsquo;s better
+than the sampler of a seamstress undergoing a Competitive examination
+for Starvation before the Civil Service Commissioners&mdash;and I offer
+the lot for what?&nbsp; For eight pound?&nbsp; Not so much.&nbsp; For
+six pound?&nbsp; Less.&nbsp; For four pound.&nbsp; Why, I hardly expect
+you to believe me, but that&rsquo;s the sum.&nbsp; Four pound!&nbsp;
+The stitching alone cost half as much again.&nbsp; Here&rsquo;s forty-eight
+original pages, ninety-six original columns, for four pound.&nbsp; You
+want more for the money?&nbsp; Take it.&nbsp; Three whole pages of advertisements
+of thrilling interest thrown in for nothing.&nbsp; Read &rsquo;em and
+believe &rsquo;em.&nbsp; More?&nbsp; My best of wishes for your merry
+Christmases and your happy New Years, your long lives and your true
+prosperities.&nbsp; Worth twenty pound good if they are delivered as
+I send them.&nbsp; Remember!&nbsp; Here&rsquo;s a final prescription
+added, &ldquo;To be taken for life,&rdquo; which will tell you how the
+cart broke down, and where the journey ended.&nbsp; You think Four Pound
+too much?&nbsp; And still you think so?&nbsp; Come!&nbsp; I&rsquo;ll
+tell you what then.&nbsp; Say Four Pence, and keep the secret.&rdquo;]</p>
+<p>* * * * *</p>
+<p>So every item of my plan was crowned with success.&nbsp; Our reunited
+life was more than all that we had looked forward to.&nbsp; Content
+and joy went with us as the wheels of the two carts went round, and
+the same stopped with us when the two carts stopped.&nbsp; I was as
+pleased and as proud as a Pug-Dog with his muzzle black-leaded for a
+evening party, and his tail extra curled by machinery.</p>
+<p>But I had left something out of my calculations.&nbsp; Now, what
+had I left out?&nbsp; To help you to guess I&rsquo;ll say, a figure.&nbsp;
+Come.&nbsp; Make a guess and guess right.&nbsp; Nought?&nbsp; No.&nbsp;
+Nine?&nbsp; No.&nbsp; Eight?&nbsp; No.&nbsp; Seven?&nbsp; No.&nbsp;
+Six?&nbsp; No.&nbsp; Five?&nbsp; No.&nbsp; Four?&nbsp; No.&nbsp; Three?&nbsp;
+No.&nbsp; Two?&nbsp; No.&nbsp; One?&nbsp; No.&nbsp; Now I&rsquo;ll tell
+you what I&rsquo;ll do with you.&nbsp; I&rsquo;ll say it&rsquo;s another
+sort of figure altogether.&nbsp; There.&nbsp; Why then, says you, it&rsquo;s
+a mortal figure.&nbsp; No, nor yet a mortal figure.&nbsp; By such means
+you got yourself penned into a corner, and you can&rsquo;t help guessing
+a <i>im</i>mortal figure.&nbsp; That&rsquo;s about it.&nbsp; Why didn&rsquo;t
+you say so sooner?</p>
+<p>Yes.&nbsp; It was a immortal figure that I had altogether left out
+of my Calculations.&nbsp; Neither man&rsquo;s, nor woman&rsquo;s, but
+a child&rsquo;s.&nbsp; Girl&rsquo;s or boy&rsquo;s?&nbsp; Boy&rsquo;s.&nbsp;
+&ldquo;I, says the sparrow with my bow and arrow.&rdquo;&nbsp; Now you
+have got it.</p>
+<p>We were down at Lancaster, and I had done two nights more than fair
+average business (though I cannot in honour recommend them as a quick
+audience) in the open square there, near the end of the street where
+Mr. Sly&rsquo;s King&rsquo;s Arms and Royal Hotel stands.&nbsp; Mim&rsquo;s
+travelling giant, otherwise Pickleson, happened at the self-same time
+to be trying it on in the town.&nbsp; The genteel lay was adopted with
+him.&nbsp; No hint of a van.&nbsp; Green baize alcove leading up to
+Pickleson in a Auction Room.&nbsp; Printed poster, &ldquo;Free list
+suspended, with the exception of that proud boast of an enlightened
+country, a free press.&nbsp; Schools admitted by private arrangement.&nbsp;
+Nothing to raise a blush in the cheek of youth or shock the most fastidious.&rdquo;&nbsp;
+Mim swearing most horrible and terrific, in a pink calico pay-place,
+at the slackness of the public.&nbsp; Serious handbill in the shops,
+importing that it was all but impossible to come to a right understanding
+of the history of David without seeing Pickleson.</p>
+<p>I went to the Auction Room in question, and I found it entirely empty
+of everything but echoes and mouldiness, with the single exception of
+Pickleson on a piece of red drugget.&nbsp; This suited my purpose, as
+I wanted a private and confidential word with him, which was: &ldquo;Pickleson.&nbsp;
+Owing much happiness to you, I put you in my will for a fypunnote; but,
+to save trouble, here&rsquo;s fourpunten down, which may equally suit
+your views, and let us so conclude the transaction.&rdquo;&nbsp; Pickleson,
+who up to that remark had had the dejected appearance of a long Roman
+rushlight that couldn&rsquo;t anyhow get lighted, brightened up at his
+top extremity, and made his acknowledgments in a way which (for him)
+was parliamentary eloquence.&nbsp; He likewise did add, that, having
+ceased to draw as a Roman, Mim had made proposals for his going in as
+a conwerted Indian Giant worked upon by The Dairyman&rsquo;s Daughter.&nbsp;
+This, Pickleson, having no acquaintance with the tract named after that
+young woman, and not being willing to couple gag with his serious views,
+had declined to do, thereby leading to words and the total stoppage
+of the unfortunate young man&rsquo;s beer.&nbsp; All of which, during
+the whole of the interview, was confirmed by the ferocious growling
+of Mim down below in the pay-place, which shook the giant like a leaf.</p>
+<p>But what was to the present point in the remarks of the travelling
+giant, otherwise Pickleson, was this: &ldquo;Doctor Marigold,&rdquo;&mdash;I
+give his words without a hope of conweying their feebleness,&mdash;&ldquo;who
+is the strange young man that hangs about your carts?&rdquo;&mdash;&ldquo;The
+strange young <i>man</i>?&rdquo;&nbsp; I gives him back, thinking that
+he meant her, and his languid circulation had dropped a syllable.&nbsp;
+&ldquo;Doctor,&rdquo; he returns, with a pathos calculated to draw a
+tear from even a manly eye, &ldquo;I am weak, but not so weak yet as
+that I don&rsquo;t know my words.&nbsp; I repeat them, Doctor.&nbsp;
+The strange young man.&rdquo;&nbsp; It then appeared that Pickleson,
+being forced to stretch his legs (not that they wanted it) only at times
+when he couldn&rsquo;t be seen for nothing, to wit in the dead of the
+night and towards daybreak, had twice seen hanging about my carts, in
+that same town of Lancaster where I had been only two nights, this same
+unknown young man.</p>
+<p>It put me rather out of sorts.&nbsp; What it meant as to particulars
+I no more foreboded then than you forebode now, but it put me rather
+out of sorts.&nbsp; Howsoever, I made light of it to Pickleson, and
+I took leave of Pickleson, advising him to spend his legacy in getting
+up his stamina, and to continue to stand by his religion.&nbsp; Towards
+morning I kept a look out for the strange young man, and&mdash;what
+was more&mdash;I saw the strange young man.&nbsp; He was well dressed
+and well looking.&nbsp; He loitered very nigh my carts, watching them
+like as if he was taking care of them, and soon after daybreak turned
+and went away.&nbsp; I sent a hail after him, but he never started or
+looked round, or took the smallest notice.</p>
+<p>We left Lancaster within an hour or two, on our way towards Carlisle.&nbsp;
+Next morning, at daybreak, I looked out again for the strange young
+man.&nbsp; I did not see him.&nbsp; But next morning I looked out again,
+and there he was once more.&nbsp; I sent another hail after him, but
+as before he gave not the slightest sign of being anyways disturbed.&nbsp;
+This put a thought into my head.&nbsp; Acting on it I watched him in
+different manners and at different times not necessary to enter into,
+till I found that this strange young man was deaf and dumb.</p>
+<p>The discovery turned me over, because I knew that a part of that
+establishment where she had been was allotted to young men (some of
+them well off), and I thought to myself, &ldquo;If she favours him,
+where am I? and where is all that I have worked and planned for?&rdquo;&nbsp;
+Hoping&mdash;I must confess to the selfishness&mdash;that she might
+<i>not</i> favour him, I set myself to find out.&nbsp; At last I was
+by accident present at a meeting between them in the open air, looking
+on leaning behind a fir-tree without their knowing of it.&nbsp; It was
+a moving meeting for all the three parties concerned.&nbsp; I knew every
+syllable that passed between them as well as they did.&nbsp; I listened
+with my eyes, which had come to be as quick and true with deaf and dumb
+conversation as my ears with the talk of people that can speak.&nbsp;
+He was a-going out to China as clerk in a merchant&rsquo;s house, which
+his father had been before him.&nbsp; He was in circumstances to keep
+a wife, and he wanted her to marry him and go along with him.&nbsp;
+She persisted, no.&nbsp; He asked if she didn&rsquo;t love him.&nbsp;
+Yes, she loved him dearly, dearly; but she could never disappoint her
+beloved, good, noble, generous, and I-don&rsquo;t-know-what-all father
+(meaning me, the Cheap Jack in the sleeved waistcoat) and she would
+stay with him, Heaven bless him! though it was to break her heart.&nbsp;
+Then she cried most bitterly, and that made up my mind.</p>
+<p>While my mind had been in an unsettled state about her favouring
+this young man, I had felt that unreasonable towards Pickleson, that
+it was well for him he had got his legacy down.&nbsp; For I often thought,
+&ldquo;If it hadn&rsquo;t been for this same weak-minded giant, I might
+never have come to trouble my head and wex my soul about the young man.&rdquo;&nbsp;
+But, once that I knew she loved him,&mdash;once that I had seen her
+weep for him,&mdash;it was a different thing.&nbsp; I made it right
+in my mind with Pickleson on the spot, and I shook myself together to
+do what was right by all.</p>
+<p>She had left the young man by that time (for it took a few minutes
+to get me thoroughly well shook together), and the young man was leaning
+against another of the fir-trees,&mdash;of which there was a cluster,&mdash;with
+his face upon his arm.&nbsp; I touched him on the back.&nbsp; Looking
+up and seeing me, he says, in our deaf-and-dumb talk, &ldquo;Do not
+be angry.&rdquo;</p>
+<p>&ldquo;I am not angry, good boy.&nbsp; I am your friend.&nbsp; Come
+with me.&rdquo;</p>
+<p>I left him at the foot of the steps of the Library Cart, and I went
+up alone.&nbsp; She was drying her eyes.</p>
+<p>&ldquo;You have been crying, my dear.&rdquo;</p>
+<p>&ldquo;Yes, father.&rdquo;</p>
+<p>&ldquo;Why?&rdquo;</p>
+<p>&ldquo;A headache.&rdquo;</p>
+<p>&ldquo;Not a heartache?&rdquo;</p>
+<p>&ldquo;I said a headache, father.&rdquo;</p>
+<p>&ldquo;Doctor Marigold must prescribe for that headache.&rdquo;</p>
+<p>She took up the book of my Prescriptions, and held it up with a forced
+smile; but seeing me keep still and look earnest, she softly laid it
+down again, and her eyes were very attentive.</p>
+<p>&ldquo;The Prescription is not there, Sophy.&rdquo;</p>
+<p>&ldquo;Where is it?&rdquo;</p>
+<p>&ldquo;Here, my dear.&rdquo;</p>
+<p>I brought her young husband in, and I put her hand in his, and my
+only farther words to both of them were these: &ldquo;Doctor Marigold&rsquo;s
+last Prescription.&nbsp; To be taken for life.&rdquo;&nbsp; After which
+I bolted.</p>
+<p>When the wedding come off, I mounted a coat (blue, and bright buttons),
+for the first and last time in all my days, and I give Sophy away with
+my own hand.&nbsp; There were only us three and the gentleman who had
+had charge of her for those two years.&nbsp; I give the wedding dinner
+of four in the Library Cart.&nbsp; Pigeon-pie, a leg of pickled pork,
+a pair of fowls, and suitable garden stuff.&nbsp; The best of drinks.&nbsp;
+I give them a speech, and the gentleman give us a speech, and all our
+jokes told, and the whole went off like a sky-rocket.&nbsp; In the course
+of the entertainment I explained to Sophy that I should keep the Library
+Cart as my living-cart when not upon the road, and that I should keep
+all her books for her just as they stood, till she come back to claim
+them.&nbsp; So she went to China with her young husband, and it was
+a parting sorrowful and heavy, and I got the boy I had another service;
+and so as of old, when my child and wife were gone, I went plodding
+along alone, with my whip over my shoulder, at the old horse&rsquo;s
+head.</p>
+<p>Sophy wrote me many letters, and I wrote her many letters.&nbsp;
+About the end of the first year she sent me one in an unsteady hand:
+&ldquo;Dearest father, not a week ago I had a darling little daughter,
+but I am so well that they let me write these words to you.&nbsp; Dearest
+and best father, I hope my child may not be deaf and dumb, but I do
+not yet know.&rdquo;&nbsp; When I wrote back, I hinted the question;
+but as Sophy never answered that question, I felt it to be a sad one,
+and I never repeated it.&nbsp; For a long time our letters were regular,
+but then they got irregular, through Sophy&rsquo;s husband being moved
+to another station, and through my being always on the move.&nbsp; But
+we were in one another&rsquo;s thoughts, I was equally sure, letters
+or no letters.</p>
+<p>Five years, odd months, had gone since Sophy went away.&nbsp; I was
+still the King of the Cheap Jacks, and at a greater height of popularity
+than ever.&nbsp; I had had a first-rate autumn of it, and on the twenty-third
+of December, one thousand eight hundred and sixty-four, I found myself
+at Uxbridge, Middlesex, clean sold out.&nbsp; So I jogged up to London
+with the old horse, light and easy, to have my Christmas-eve and Christmas-day
+alone by the fire in the Library Cart, and then to buy a regular new
+stock of goods all round, to sell &rsquo;em again and get the money.</p>
+<p>I am a neat hand at cookery, and I&rsquo;ll tell you what I knocked
+up for my Christmas-eve dinner in the Library Cart.&nbsp; I knocked
+up a beefsteak-pudding for one, with two kidneys, a dozen oysters, and
+a couple of mushrooms thrown in.&nbsp; It&rsquo;s a pudding to put a
+man in good humour with everything, except the two bottom buttons of
+his waistcoat.&nbsp; Having relished that pudding and cleared away,
+I turned the lamp low, and sat down by the light of the fire, watching
+it as it shone upon the backs of Sophy&rsquo;s books.</p>
+<p>Sophy&rsquo;s books so brought Sophy&rsquo;s self, that I saw her
+touching face quite plainly, before I dropped off dozing by the fire.&nbsp;
+This may be a reason why Sophy, with her deaf-and-dumb child in her
+arms, seemed to stand silent by me all through my nap.&nbsp; I was on
+the road, off the road, in all sorts of places, North and South and
+West and East, Winds liked best and winds liked least, Here and there
+and gone astray, Over the hills and far away, and still she stood silent
+by me, with her silent child in her arms.&nbsp; Even when I woke with
+a start, she seemed to vanish, as if she had stood by me in that very
+place only a single instant before.</p>
+<p>I had started at a real sound, and the sound was on the steps of
+the cart.&nbsp; It was the light hurried tread of a child, coming clambering
+up.&nbsp; That tread of a child had once been so familiar to me, that
+for half a moment I believed I was a-going to see a little ghost.</p>
+<p>But the touch of a real child was laid upon the outer handle of the
+door, and the handle turned, and the door opened a little way, and a
+real child peeped in.&nbsp; A bright little comely girl with large dark
+eyes.</p>
+<p>Looking full at me, the tiny creature took off her mite of a straw
+hat, and a quantity of dark curls fell about her face.&nbsp; Then she
+opened her lips, and said in a pretty voice,</p>
+<p>&ldquo;Grandfather!&rdquo;</p>
+<p>&ldquo;Ah, my God!&rdquo; I cries out.&nbsp; &ldquo;She can speak!&rdquo;</p>
+<p>&ldquo;Yes, dear grandfather.&nbsp; And I am to ask you whether there
+was ever any one that I remind you of?&rdquo;</p>
+<p>In a moment Sophy was round my neck, as well as the child, and her
+husband was a-wringing my hand with his face hid, and we all had to
+shake ourselves together before we could get over it.&nbsp; And when
+we did begin to get over it, and I saw the pretty child a-talking, pleased
+and quick and eager and busy, to her mother, in the signs that I had
+first taught her mother, the happy and yet pitying tears fell rolling
+down my face.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK DOCTOR MARIGOLD***</p>
+<pre>
+
+
+***** This file should be named 1415-h.htm or 1415-h.zip******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/1/1415
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>