summaryrefslogtreecommitdiff
path: root/1415.txt
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:06 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:17:06 -0700
commit59f11b5a436ca3cde5f97013116f10cb9660f3b5 (patch)
tree7f5df26afe6715722a8dccb69900aea2a24d3040 /1415.txt
initial commit of ebook 1415HEADmain
Diffstat (limited to '1415.txt')
-rw-r--r--1415.txt1438
1 files changed, 1438 insertions, 0 deletions
diff --git a/1415.txt b/1415.txt
new file mode 100644
index 0000000..d64d5b2
--- /dev/null
+++ b/1415.txt
@@ -0,0 +1,1438 @@
+The Project Gutenberg eBook, Doctor Marigold, by Charles Dickens
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Doctor Marigold
+
+
+Author: Charles Dickens
+
+Release Date: April 3, 2005 [eBook #1415]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK DOCTOR MARIGOLD***
+
+
+
+
+
+Transcribed from the 1894 Chapman and Hall "Christmas Stories" edition by
+David Price, email ccx074@coventry.ac.uk
+
+
+
+
+
+DOCTOR MARIGOLD
+
+
+I am a Cheap Jack, and my own father's name was Willum Marigold. It was
+in his lifetime supposed by some that his name was William, but my own
+father always consistently said, No, it was Willum. On which point I
+content myself with looking at the argument this way: If a man is not
+allowed to know his own name in a free country, how much is he allowed to
+know in a land of slavery? As to looking at the argument through the
+medium of the Register, Willum Marigold come into the world before
+Registers come up much,--and went out of it too. They wouldn't have been
+greatly in his line neither, if they had chanced to come up before him.
+
+I was born on the Queen's highway, but it was the King's at that time. A
+doctor was fetched to my own mother by my own father, when it took place
+on a common; and in consequence of his being a very kind gentleman, and
+accepting no fee but a tea-tray, I was named Doctor, out of gratitude and
+compliment to him. There you have me. Doctor Marigold.
+
+I am at present a middle-aged man of a broadish build, in cords,
+leggings, and a sleeved waistcoat the strings of which is always gone
+behind. Repair them how you will, they go like fiddle-strings. You have
+been to the theatre, and you have seen one of the wiolin-players screw up
+his wiolin, after listening to it as if it had been whispering the secret
+to him that it feared it was out of order, and then you have heard it
+snap. That's as exactly similar to my waistcoat as a waistcoat and a
+wiolin can be like one another.
+
+I am partial to a white hat, and I like a shawl round my neck wore loose
+and easy. Sitting down is my favourite posture. If I have a taste in
+point of personal jewelry, it is mother-of-pearl buttons. There you have
+me again, as large as life.
+
+The doctor having accepted a tea-tray, you'll guess that my father was a
+Cheap Jack before me. You are right. He was. It was a pretty tray. It
+represented a large lady going along a serpentining up-hill gravel-walk,
+to attend a little church. Two swans had likewise come astray with the
+same intentions. When I call her a large lady, I don't mean in point of
+breadth, for there she fell below my views, but she more than made it up
+in heighth; her heighth and slimness was--in short THE heighth of both.
+
+I often saw that tray, after I was the innocently smiling cause (or more
+likely screeching one) of the doctor's standing it up on a table against
+the wall in his consulting-room. Whenever my own father and mother were
+in that part of the country, I used to put my head (I have heard my own
+mother say it was flaxen curls at that time, though you wouldn't know an
+old hearth-broom from it now till you come to the handle, and found it
+wasn't me) in at the doctor's door, and the doctor was always glad to see
+me, and said, "Aha, my brother practitioner! Come in, little M.D. How
+are your inclinations as to sixpence?"
+
+You can't go on for ever, you'll find, nor yet could my father nor yet my
+mother. If you don't go off as a whole when you are about due, you're
+liable to go off in part, and two to one your head's the part. Gradually
+my father went off his, and my mother went off hers. It was in a
+harmless way, but it put out the family where I boarded them. The old
+couple, though retired, got to be wholly and solely devoted to the Cheap
+Jack business, and were always selling the family off. Whenever the
+cloth was laid for dinner, my father began rattling the plates and
+dishes, as we do in our line when we put up crockery for a bid, only he
+had lost the trick of it, and mostly let 'em drop and broke 'em. As the
+old lady had been used to sit in the cart, and hand the articles out one
+by one to the old gentleman on the footboard to sell, just in the same
+way she handed him every item of the family's property, and they disposed
+of it in their own imaginations from morning to night. At last the old
+gentleman, lying bedridden in the same room with the old lady, cries out
+in the old patter, fluent, after having been silent for two days and
+nights: "Now here, my jolly companions every one,--which the Nightingale
+club in a village was held, At the sign of the Cabbage and Shears, Where
+the singers no doubt would have greatly excelled, But for want of taste,
+voices and ears,--now, here, my jolly companions, every one, is a working
+model of a used-up old Cheap Jack, without a tooth in his head, and with
+a pain in every bone: so like life that it would be just as good if it
+wasn't better, just as bad if it wasn't worse, and just as new if it
+wasn't worn out. Bid for the working model of the old Cheap Jack, who
+has drunk more gunpowder-tea with the ladies in his time than would blow
+the lid off a washerwoman's copper, and carry it as many thousands of
+miles higher than the moon as naught nix naught, divided by the national
+debt, carry nothing to the poor-rates, three under, and two over. Now,
+my hearts of oak and men of straw, what do you say for the lot? Two
+shillings, a shilling, tenpence, eightpence, sixpence, fourpence.
+Twopence? Who said twopence? The gentleman in the scarecrow's hat? I
+am ashamed of the gentleman in the scarecrow's hat. I really am ashamed
+of him for his want of public spirit. Now I'll tell you what I'll do
+with you. Come! I'll throw you in a working model of a old woman that
+was married to the old Cheap Jack so long ago that upon my word and
+honour it took place in Noah's Ark, before the Unicorn could get in to
+forbid the banns by blowing a tune upon his horn. There now! Come! What
+do you say for both? I'll tell you what I'll do with you. I don't bear
+you malice for being so backward. Here! If you make me a bid that'll
+only reflect a little credit on your town, I'll throw you in a warming-
+pan for nothing, and lend you a toasting-fork for life. Now come; what
+do you say after that splendid offer? Say two pound, say thirty
+shillings, say a pound, say ten shillings, say five, say two and six. You
+don't say even two and six? You say two and three? No. You shan't have
+the lot for two and three. I'd sooner give it to you, if you was good-
+looking enough. Here! Missis! Chuck the old man and woman into the
+cart, put the horse to, and drive 'em away and bury 'em!" Such were the
+last words of Willum Marigold, my own father, and they were carried out,
+by him and by his wife, my own mother, on one and the same day, as I
+ought to know, having followed as mourner.
+
+My father had been a lovely one in his time at the Cheap Jack work, as
+his dying observations went to prove. But I top him. I don't say it
+because it's myself, but because it has been universally acknowledged by
+all that has had the means of comparison. I have worked at it. I have
+measured myself against other public speakers,--Members of Parliament,
+Platforms, Pulpits, Counsel learned in the law,--and where I have found
+'em good, I have took a bit of imagination from 'em, and where I have
+found 'em bad, I have let 'em alone. Now I'll tell you what. I mean to
+go down into my grave declaring that of all the callings ill used in
+Great Britain, the Cheap Jack calling is the worst used. Why ain't we a
+profession? Why ain't we endowed with privileges? Why are we forced to
+take out a hawker's license, when no such thing is expected of the
+political hawkers? Where's the difference betwixt us? Except that we
+are Cheap Jacks and they are Dear Jacks, _I_ don't see any difference but
+what's in our favour.
+
+For look here! Say it's election time. I am on the footboard of my cart
+in the market-place, on a Saturday night. I put up a general
+miscellaneous lot. I say: "Now here, my free and independent woters, I'm
+a going to give you such a chance as you never had in all your born days,
+nor yet the days preceding. Now I'll show you what I am a going to do
+with you. Here's a pair of razors that'll shave you closer than the
+Board of Guardians; here's a flat-iron worth its weight in gold; here's a
+frying-pan artificially flavoured with essence of beefsteaks to that
+degree that you've only got for the rest of your lives to fry bread and
+dripping in it and there you are replete with animal food; here's a
+genuine chronometer watch in such a solid silver case that you may knock
+at the door with it when you come home late from a social meeting, and
+rouse your wife and family, and save up your knocker for the postman; and
+here's half-a-dozen dinner plates that you may play the cymbals with to
+charm baby when it's fractious. Stop! I'll throw in another article,
+and I'll give you that, and it's a rolling-pin; and if the baby can only
+get it well into its mouth when its teeth is coming and rub the gums once
+with it, they'll come through double, in a fit of laughter equal to being
+tickled. Stop again! I'll throw you in another article, because I don't
+like the looks of you, for you haven't the appearance of buyers unless I
+lose by you, and because I'd rather lose than not take money to-night,
+and that's a looking-glass in which you may see how ugly you look when
+you don't bid. What do you say now? Come! Do you say a pound? Not
+you, for you haven't got it. Do you say ten shillings? Not you, for you
+owe more to the tallyman. Well then, I'll tell you what I'll do with
+you. I'll heap 'em all on the footboard of the cart,--there they are!
+razors, flat watch, dinner plates, rolling-pin, and away for four
+shillings, and I'll give you sixpence for your trouble!" This is me, the
+Cheap Jack. But on the Monday morning, in the same market-place, comes
+the Dear Jack on the hustings--_his_ cart--and, what does _he_ say? "Now
+my free and independent woters, I am a going to give you such a chance"
+(he begins just like me) "as you never had in all your born days, and
+that's the chance of sending Myself to Parliament. Now I'll tell you
+what I am a going to do for you. Here's the interests of this
+magnificent town promoted above all the rest of the civilised and
+uncivilised earth. Here's your railways carried, and your neighbours'
+railways jockeyed. Here's all your sons in the Post-office. Here's
+Britannia smiling on you. Here's the eyes of Europe on you. Here's
+uniwersal prosperity for you, repletion of animal food, golden
+cornfields, gladsome homesteads, and rounds of applause from your own
+hearts, all in one lot, and that's myself. Will you take me as I stand?
+You won't? Well, then, I'll tell you what I'll do with you. Come now!
+I'll throw you in anything you ask for. There! Church-rates, abolition
+of more malt tax, no malt tax, universal education to the highest mark,
+or uniwersal ignorance to the lowest, total abolition of flogging in the
+army or a dozen for every private once a month all round, Wrongs of Men
+or Rights of Women--only say which it shall be, take 'em or leave 'em,
+and I'm of your opinion altogether, and the lot's your own on your own
+terms. There! You won't take it yet! Well, then, I'll tell you what
+I'll do with you. Come! You _are_ such free and independent woters, and
+I am so proud of you,--you _are_ such a noble and enlightened
+constituency, and I _am_ so ambitious of the honour and dignity of being
+your member, which is by far the highest level to which the wings of the
+human mind can soar,--that I'll tell you what I'll do with you. I'll
+throw you in all the public-houses in your magnificent town for nothing.
+Will that content you? It won't? You won't take the lot yet? Well,
+then, before I put the horse in and drive away, and make the offer to the
+next most magnificent town that can be discovered, I'll tell you what
+I'll do. Take the lot, and I'll drop two thousand pound in the streets
+of your magnificent town for them to pick up that can. Not enough? Now
+look here. This is the very furthest that I'm a going to. I'll make it
+two thousand five hundred. And still you won't? Here, missis! Put the
+horse--no, stop half a moment, I shouldn't like to turn my back upon you
+neither for a trifle, I'll make it two thousand seven hundred and fifty
+pound. There! Take the lot on your own terms, and I'll count out two
+thousand seven hundred and fifty pound on the footboard of the cart, to
+be dropped in the streets of your magnificent town for them to pick up
+that can. What do you say? Come now! You won't do better, and you may
+do worse. You take it? Hooray! Sold again, and got the seat!"
+
+These Dear Jacks soap the people shameful, but we Cheap Jacks don't. We
+tell 'em the truth about themselves to their faces, and scorn to court
+'em. As to wenturesomeness in the way of puffing up the lots, the Dear
+Jacks beat us hollow. It is considered in the Cheap Jack calling, that
+better patter can be made out of a gun than any article we put up from
+the cart, except a pair of spectacles. I often hold forth about a gun
+for a quarter of an hour, and feel as if I need never leave off. But
+when I tell 'em what the gun can do, and what the gun has brought down, I
+never go half so far as the Dear Jacks do when they make speeches in
+praise of _their_ guns--their great guns that set 'em on to do it.
+Besides, I'm in business for myself: I ain't sent down into the market-
+place to order, as they are. Besides, again, my guns don't know what I
+say in their laudation, and their guns do, and the whole concern of 'em
+have reason to be sick and ashamed all round. These are some of my
+arguments for declaring that the Cheap Jack calling is treated ill in
+Great Britain, and for turning warm when I think of the other Jacks in
+question setting themselves up to pretend to look down upon it.
+
+I courted my wife from the footboard of the cart. I did indeed. She was
+a Suffolk young woman, and it was in Ipswich market-place right opposite
+the corn-chandler's shop. I had noticed her up at a window last Saturday
+that was, appreciating highly. I had took to her, and I had said to
+myself, "If not already disposed of, I'll have that lot." Next Saturday
+that come, I pitched the cart on the same pitch, and I was in very high
+feather indeed, keeping 'em laughing the whole of the time, and getting
+off the goods briskly. At last I took out of my waistcoat-pocket a small
+lot wrapped in soft paper, and I put it this way (looking up at the
+window where she was). "Now here, my blooming English maidens, is an
+article, the last article of the present evening's sale, which I offer to
+only you, the lovely Suffolk Dumplings biling over with beauty, and I
+won't take a bid of a thousand pounds for from any man alive. Now what
+is it? Why, I'll tell you what it is. It's made of fine gold, and it's
+not broke, though there's a hole in the middle of it, and it's stronger
+than any fetter that ever was forged, though it's smaller than any finger
+in my set of ten. Why ten? Because, when my parents made over my
+property to me, I tell you true, there was twelve sheets, twelve towels,
+twelve table-cloths, twelve knives, twelve forks, twelve tablespoons, and
+twelve teaspoons, but my set of fingers was two short of a dozen, and
+could never since be matched. Now what else is it? Come, I'll tell you.
+It's a hoop of solid gold, wrapped in a silver curl-paper, that I myself
+took off the shining locks of the ever beautiful old lady in Threadneedle
+Street, London city; I wouldn't tell you so if I hadn't the paper to
+show, or you mightn't believe it even of me. Now what else is it? It's
+a man-trap and a handcuff, the parish stocks and a leg-lock, all in gold
+and all in one. Now what else is it? It's a wedding-ring. Now I'll
+tell you what I'm a going to do with it. I'm not a going to offer this
+lot for money; but I mean to give it to the next of you beauties that
+laughs, and I'll pay her a visit to-morrow morning at exactly half after
+nine o'clock as the chimes go, and I'll take her out for a walk to put up
+the banns." She laughed, and got the ring handed up to her. When I
+called in the morning, she says, "O dear! It's never you, and you never
+mean it?" "It's ever me," says I, "and I am ever yours, and I ever mean
+it." So we got married, after being put up three times--which, by the
+bye, is quite in the Cheap Jack way again, and shows once more how the
+Cheap Jack customs pervade society.
+
+She wasn't a bad wife, but she had a temper. If she could have parted
+with that one article at a sacrifice, I wouldn't have swopped her away in
+exchange for any other woman in England. Not that I ever did swop her
+away, for we lived together till she died, and that was thirteen year.
+Now, my lords and ladies and gentlefolks all, I'll let you into a secret,
+though you won't believe it. Thirteen year of temper in a Palace would
+try the worst of you, but thirteen year of temper in a Cart would try the
+best of you. You are kept so very close to it in a cart, you see.
+There's thousands of couples among you getting on like sweet ile upon a
+whetstone in houses five and six pairs of stairs high, that would go to
+the Divorce Court in a cart. Whether the jolting makes it worse, I don't
+undertake to decide; but in a cart it does come home to you, and stick to
+you. Wiolence in a cart is _so_ wiolent, and aggrawation in a cart is
+_so_ aggrawating.
+
+We might have had such a pleasant life! A roomy cart, with the large
+goods hung outside, and the bed slung underneath it when on the road, an
+iron pot and a kettle, a fireplace for the cold weather, a chimney for
+the smoke, a hanging-shelf and a cupboard, a dog and a horse. What more
+do you want? You draw off upon a bit of turf in a green lane or by the
+roadside, you hobble your old horse and turn him grazing, you light your
+fire upon the ashes of the last visitors, you cook your stew, and you
+wouldn't call the Emperor of France your father. But have a temper in
+the cart, flinging language and the hardest goods in stock at you, and
+where are you then? Put a name to your feelings.
+
+My dog knew as well when she was on the turn as I did. Before she broke
+out, he would give a howl, and bolt. How he knew it, was a mystery to
+me; but the sure and certain knowledge of it would wake him up out of his
+soundest sleep, and he would give a howl, and bolt. At such times I
+wished I was him.
+
+The worst of it was, we had a daughter born to us, and I love children
+with all my heart. When she was in her furies she beat the child. This
+got to be so shocking, as the child got to be four or five year old, that
+I have many a time gone on with my whip over my shoulder, at the old
+horse's head, sobbing and crying worse than ever little Sophy did. For
+how could I prevent it? Such a thing is not to be tried with such a
+temper--in a cart--without coming to a fight. It's in the natural size
+and formation of a cart to bring it to a fight. And then the poor child
+got worse terrified than before, as well as worse hurt generally, and her
+mother made complaints to the next people we lighted on, and the word
+went round, "Here's a wretch of a Cheap Jack been a beating his wife."
+
+Little Sophy was such a brave child! She grew to be quite devoted to her
+poor father, though he could do so little to help her. She had a
+wonderful quantity of shining dark hair, all curling natural about her.
+It is quite astonishing to me now, that I didn't go tearing mad when I
+used to see her run from her mother before the cart, and her mother catch
+her by this hair, and pull her down by it, and beat her.
+
+Such a brave child I said she was! Ah! with reason.
+
+"Don't you mind next time, father dear," she would whisper to me, with
+her little face still flushed, and her bright eyes still wet; "if I don't
+cry out, you may know I am not much hurt. And even if I do cry out, it
+will only be to get mother to let go and leave off." What I have seen
+the little spirit bear--for me--without crying out!
+
+Yet in other respects her mother took great care of her. Her clothes
+were always clean and neat, and her mother was never tired of working at
+'em. Such is the inconsistency in things. Our being down in the marsh
+country in unhealthy weather, I consider the cause of Sophy's taking bad
+low fever; but however she took it, once she got it she turned away from
+her mother for evermore, and nothing would persuade her to be touched by
+her mother's hand. She would shiver and say, "No, no, no," when it was
+offered at, and would hide her face on my shoulder, and hold me tighter
+round the neck.
+
+The Cheap Jack business had been worse than ever I had known it, what
+with one thing and what with another (and not least with railroads, which
+will cut it all to pieces, I expect, at last), and I was run dry of
+money. For which reason, one night at that period of little Sophy's
+being so bad, either we must have come to a dead-lock for victuals and
+drink, or I must have pitched the cart as I did.
+
+I couldn't get the dear child to lie down or leave go of me, and indeed I
+hadn't the heart to try, so I stepped out on the footboard with her
+holding round my neck. They all set up a laugh when they see us, and one
+chuckle-headed Joskin (that I hated for it) made the bidding, "Tuppence
+for her!"
+
+"Now, you country boobies," says I, feeling as if my heart was a heavy
+weight at the end of a broken sashline, "I give you notice that I am a
+going to charm the money out of your pockets, and to give you so much
+more than your money's worth that you'll only persuade yourselves to draw
+your Saturday night's wages ever again arterwards by the hopes of meeting
+me to lay 'em out with, which you never will, and why not? Because I've
+made my fortunes by selling my goods on a large scale for seventy-five
+per cent. less than I give for 'em, and I am consequently to be elevated
+to the House of Peers next week, by the title of the Duke of Cheap and
+Markis Jackaloorul. Now let's know what you want to-night, and you shall
+have it. But first of all, shall I tell you why I have got this little
+girl round my neck? You don't want to know? Then you shall. She
+belongs to the Fairies. She's a fortune-teller. She can tell me all
+about you in a whisper, and can put me up to whether you're going to buy
+a lot or leave it. Now do you want a saw? No, she says you don't,
+because you're too clumsy to use one. Else here's a saw which would be a
+lifelong blessing to a handy man, at four shillings, at three and six, at
+three, at two and six, at two, at eighteen-pence. But none of you shall
+have it at any price, on account of your well-known awkwardness, which
+would make it manslaughter. The same objection applies to this set of
+three planes which I won't let you have neither, so don't bid for 'em.
+Now I am a going to ask her what you do want." (Then I whispered, "Your
+head burns so, that I am afraid it hurts you bad, my pet," and she
+answered, without opening her heavy eyes, "Just a little, father.") "O!
+This little fortune-teller says it's a memorandum-book you want. Then
+why didn't you mention it? Here it is. Look at it. Two hundred
+superfine hot-pressed wire-wove pages--if you don't believe me, count
+'em--ready ruled for your expenses, an everlastingly pointed pencil to
+put 'em down with, a double-bladed penknife to scratch 'em out with, a
+book of printed tables to calculate your income with, and a camp-stool to
+sit down upon while you give your mind to it! Stop! And an umbrella to
+keep the moon off when you give your mind to it on a pitch-dark night.
+Now I won't ask you how much for the lot, but how little? How little are
+you thinking of? Don't be ashamed to mention it, because my
+fortune-teller knows already." (Then making believe to whisper, I kissed
+her,--and she kissed me.) "Why, she says you are thinking of as little
+as three and threepence! I couldn't have believed it, even of you,
+unless she told me. Three and threepence! And a set of printed tables
+in the lot that'll calculate your income up to forty thousand a year!
+With an income of forty thousand a year, you grudge three and sixpence.
+Well then, I'll tell you my opinion. I so despise the threepence, that
+I'd sooner take three shillings. There. For three shillings, three
+shillings, three shillings! Gone. Hand 'em over to the lucky man."
+
+As there had been no bid at all, everybody looked about and grinned at
+everybody, while I touched little Sophy's face and asked her if she felt
+faint, or giddy. "Not very, father. It will soon be over." Then
+turning from the pretty patient eyes, which were opened now, and seeing
+nothing but grins across my lighted grease-pot, I went on again in my
+Cheap Jack style. "Where's the butcher?" (My sorrowful eye had just
+caught sight of a fat young butcher on the outside of the crowd.) "She
+says the good luck is the butcher's. Where is he?" Everybody handed on
+the blushing butcher to the front, and there was a roar, and the butcher
+felt himself obliged to put his hand in his pocket, and take the lot. The
+party so picked out, in general, does feel obliged to take the lot--good
+four times out of six. Then we had another lot, the counterpart of that
+one, and sold it sixpence cheaper, which is always wery much enjoyed.
+Then we had the spectacles. It ain't a special profitable lot, but I put
+'em on, and I see what the Chancellor of the Exchequer is going to take
+off the taxes, and I see what the sweetheart of the young woman in the
+shawl is doing at home, and I see what the Bishops has got for dinner,
+and a deal more that seldom fails to fetch 'em 'up in their spirits; and
+the better their spirits, the better their bids. Then we had the ladies'
+lot--the teapot, tea-caddy, glass sugar-basin, half-a-dozen spoons, and
+caudle-cup--and all the time I was making similar excuses to give a look
+or two and say a word or two to my poor child. It was while the second
+ladies' lot was holding 'em enchained that I felt her lift herself a
+little on my shoulder, to look across the dark street. "What troubles
+you, darling?" "Nothing troubles me, father. I am not at all troubled.
+But don't I see a pretty churchyard over there?" "Yes, my dear." "Kiss
+me twice, dear father, and lay me down to rest upon that churchyard grass
+so soft and green." I staggered back into the cart with her head dropped
+on my shoulder, and I says to her mother, "Quick. Shut the door! Don't
+let those laughing people see!" "What's the matter?" she cries. "O
+woman, woman," I tells her, "you'll never catch my little Sophy by her
+hair again, for she has flown away from you!"
+
+Maybe those were harder words than I meant 'em; but from that time forth
+my wife took to brooding, and would sit in the cart or walk beside it,
+hours at a stretch, with her arms crossed, and her eyes looking on the
+ground. When her furies took her (which was rather seldomer than before)
+they took her in a new way, and she banged herself about to that extent
+that I was forced to hold her. She got none the better for a little
+drink now and then, and through some years I used to wonder, as I plodded
+along at the old horse's head, whether there was many carts upon the road
+that held so much dreariness as mine, for all my being looked up to as
+the King of the Cheap Jacks. So sad our lives went on till one summer
+evening, when, as we were coming into Exeter, out of the farther West of
+England, we saw a woman beating a child in a cruel manner, who screamed,
+"Don't beat me! O mother, mother, mother!" Then my wife stopped her
+ears, and ran away like a wild thing, and next day she was found in the
+river.
+
+Me and my dog were all the company left in the cart now; and the dog
+learned to give a short bark when they wouldn't bid, and to give another
+and a nod of his head when I asked him, "Who said half a crown? Are you
+the gentleman, sir, that offered half a crown?" He attained to an
+immense height of popularity, and I shall always believe taught himself
+entirely out of his own head to growl at any person in the crowd that bid
+as low as sixpence. But he got to be well on in years, and one night
+when I was conwulsing York with the spectacles, he took a conwulsion on
+his own account upon the very footboard by me, and it finished him.
+
+Being naturally of a tender turn, I had dreadful lonely feelings on me
+arter this. I conquered 'em at selling times, having a reputation to
+keep (not to mention keeping myself), but they got me down in private,
+and rolled upon me. That's often the way with us public characters. See
+us on the footboard, and you'd give pretty well anything you possess to
+be us. See us off the footboard, and you'd add a trifle to be off your
+bargain. It was under those circumstances that I come acquainted with a
+giant. I might have been too high to fall into conversation with him,
+had it not been for my lonely feelings. For the general rule is, going
+round the country, to draw the line at dressing up. When a man can't
+trust his getting a living to his undisguised abilities, you consider him
+below your sort. And this giant when on view figured as a Roman.
+
+He was a languid young man, which I attribute to the distance betwixt his
+extremities. He had a little head and less in it, he had weak eyes and
+weak knees, and altogether you couldn't look at him without feeling that
+there was greatly too much of him both for his joints and his mind. But
+he was an amiable though timid young man (his mother let him out, and
+spent the money), and we come acquainted when he was walking to ease the
+horse betwixt two fairs. He was called Rinaldo di Velasco, his name
+being Pickleson.
+
+This giant, otherwise Pickleson, mentioned to me under the seal of
+confidence that, beyond his being a burden to himself, his life was made
+a burden to him by the cruelty of his master towards a step-daughter who
+was deaf and dumb. Her mother was dead, and she had no living soul to
+take her part, and was used most hard. She travelled with his master's
+caravan only because there was nowhere to leave her, and this giant,
+otherwise Pickleson, did go so far as to believe that his master often
+tried to lose her. He was such a very languid young man, that I don't
+know how long it didn't take him to get this story out, but it passed
+through his defective circulation to his top extremity in course of time.
+
+When I heard this account from the giant, otherwise Pickleson, and
+likewise that the poor girl had beautiful long dark hair, and was often
+pulled down by it and beaten, I couldn't see the giant through what stood
+in my eyes. Having wiped 'em, I give him sixpence (for he was kept as
+short as he was long), and he laid it out in two three-penn'orths of gin-
+and-water, which so brisked him up, that he sang the Favourite Comic of
+Shivery Shakey, ain't it cold?--a popular effect which his master had
+tried every other means to get out of him as a Roman wholly in vain.
+
+His master's name was Mim, a wery hoarse man, and I knew him to speak to.
+I went to that Fair as a mere civilian, leaving the cart outside the
+town, and I looked about the back of the Vans while the performing was
+going on, and at last, sitting dozing against a muddy cart-wheel, I come
+upon the poor girl who was deaf and dumb. At the first look I might
+almost have judged that she had escaped from the Wild Beast Show; but at
+the second I thought better of her, and thought that if she was more
+cared for and more kindly used she would be like my child. She was just
+the same age that my own daughter would have been, if her pretty head had
+not fell down upon my shoulder that unfortunate night.
+
+To cut it short, I spoke confidential to Mim while he was beating the
+gong outside betwixt two lots of Pickleson's publics, and I put it to
+him, "She lies heavy on your own hands; what'll you take for her?" Mim
+was a most ferocious swearer. Suppressing that part of his reply which
+was much the longest part, his reply was, "A pair of braces." "Now I'll
+tell you," says I, "what I'm a going to do with you. I'm a going to
+fetch you half-a-dozen pair of the primest braces in the cart, and then
+to take her away with me." Says Mim (again ferocious), "I'll believe it
+when I've got the goods, and no sooner." I made all the haste I could,
+lest he should think twice of it, and the bargain was completed, which
+Pickleson he was thereby so relieved in his mind that he come out at his
+little back door, longways like a serpent, and give us Shivery Shakey in
+a whisper among the wheels at parting.
+
+It was happy days for both of us when Sophy and me began to travel in the
+cart. I at once give her the name of Sophy, to put her ever towards me
+in the attitude of my own daughter. We soon made out to begin to
+understand one another, through the goodness of the Heavens, when she
+knowed that I meant true and kind by her. In a very little time she was
+wonderful fond of me. You have no idea what it is to have anybody
+wonderful fond of you, unless you have been got down and rolled upon by
+the lonely feelings that I have mentioned as having once got the better
+of me.
+
+You'd have laughed--or the rewerse--it's according to your disposition--if
+you could have seen me trying to teach Sophy. At first I was
+helped--you'd never guess by what--milestones. I got some large
+alphabets in a box, all the letters separate on bits of bone, and saying
+we was going to WINDSOR, I give her those letters in that order, and then
+at every milestone I showed her those same letters in that same order
+again, and pointed towards the abode of royalty. Another time I give her
+CART, and then chalked the same upon the cart. Another time I give her
+DOCTOR MARIGOLD, and hung a corresponding inscription outside my
+waistcoat. People that met us might stare a bit and laugh, but what did
+_I_ care, if she caught the idea? She caught it after long patience and
+trouble, and then we did begin to get on swimmingly, I believe you! At
+first she was a little given to consider me the cart, and the cart the
+abode of royalty, but that soon wore off.
+
+We had our signs, too, and they was hundreds in number. Sometimes she
+would sit looking at me and considering hard how to communicate with me
+about something fresh,--how to ask me what she wanted explained,--and
+then she was (or I thought she was; what does it signify?) so like my
+child with those years added to her, that I half-believed it was herself,
+trying to tell me where she had been to up in the skies, and what she had
+seen since that unhappy night when she flied away. She had a pretty
+face, and now that there was no one to drag at her bright dark hair, and
+it was all in order, there was a something touching in her looks that
+made the cart most peaceful and most quiet, though not at all melancholy.
+[N.B. In the Cheap Jack patter, we generally sound it lemonjolly, and it
+gets a laugh.]
+
+The way she learnt to understand any look of mine was truly surprising.
+When I sold of a night, she would sit in the cart unseen by them outside,
+and would give a eager look into my eyes when I looked in, and would hand
+me straight the precise article or articles I wanted. And then she would
+clap her hands, and laugh for joy. And as for me, seeing her so bright,
+and remembering what she was when I first lighted on her, starved and
+beaten and ragged, leaning asleep against the muddy cart-wheel, it give
+me such heart that I gained a greater heighth of reputation than ever,
+and I put Pickleson down (by the name of Mim's Travelling Giant otherwise
+Pickleson) for a fypunnote in my will.
+
+This happiness went on in the cart till she was sixteen year old. By
+which time I began to feel not satisfied that I had done my whole duty by
+her, and to consider that she ought to have better teaching than I could
+give her. It drew a many tears on both sides when I commenced explaining
+my views to her; but what's right is right, and you can't neither by
+tears nor laughter do away with its character.
+
+So I took her hand in mine, and I went with her one day to the Deaf and
+Dumb Establishment in London, and when the gentleman come to speak to us,
+I says to him: "Now I'll tell you what I'll do with you, sir. I am
+nothing but a Cheap Jack, but of late years I have laid by for a rainy
+day notwithstanding. This is my only daughter (adopted), and you can't
+produce a deafer nor a dumber. Teach her the most that can be taught her
+in the shortest separation that can be named,--state the figure for
+it,--and I am game to put the money down. I won't bate you a single
+farthing, sir, but I'll put down the money here and now, and I'll
+thankfully throw you in a pound to take it. There!" The gentleman
+smiled, and then, "Well, well," says he, "I must first know what she has
+learned already. How do you communicate with her?" Then I showed him,
+and she wrote in printed writing many names of things and so forth; and
+we held some sprightly conversation, Sophy and me, about a little story
+in a book which the gentleman showed her, and which she was able to read.
+"This is most extraordinary," says the gentleman; "is it possible that
+you have been her only teacher?" "I have been her only teacher, sir," I
+says, "besides herself." "Then," says the gentleman, and more acceptable
+words was never spoke to me, "you're a clever fellow, and a good fellow."
+This he makes known to Sophy, who kisses his hands, claps her own, and
+laughs and cries upon it.
+
+We saw the gentleman four times in all, and when he took down my name and
+asked how in the world it ever chanced to be Doctor, it come out that he
+was own nephew by the sister's side, if you'll believe me, to the very
+Doctor that I was called after. This made our footing still easier, and
+he says to me:
+
+"Now, Marigold, tell me what more do you want your adopted daughter to
+know?"
+
+"I want her, sir, to be cut off from the world as little as can be,
+considering her deprivations, and therefore to be able to read whatever
+is wrote with perfect ease and pleasure."
+
+"My good fellow," urges the gentleman, opening his eyes wide, "why _I_
+can't do that myself!"
+
+I took his joke, and gave him a laugh (knowing by experience how flat you
+fall without it), and I mended my words accordingly.
+
+"What do you mean to do with her afterwards?" asks the gentleman, with a
+sort of a doubtful eye. "To take her about the country?"
+
+"In the cart, sir, but only in the cart. She will live a private life,
+you understand, in the cart. I should never think of bringing her
+infirmities before the public. I wouldn't make a show of her for any
+money."
+
+The gentleman nodded, and seemed to approve.
+
+"Well," says he, "can you part with her for two years?"
+
+"To do her that good,--yes, sir."
+
+"There's another question," says the gentleman, looking towards her,--"can
+she part with you for two years?"
+
+I don't know that it was a harder matter of itself (for the other was
+hard enough to me), but it was harder to get over. However, she was
+pacified to it at last, and the separation betwixt us was settled. How
+it cut up both of us when it took place, and when I left her at the door
+in the dark of an evening, I don't tell. But I know this; remembering
+that night, I shall never pass that same establishment without a
+heartache and a swelling in the throat; and I couldn't put you up the
+best of lots in sight of it with my usual spirit,--no, not even the gun,
+nor the pair of spectacles,--for five hundred pound reward from the
+Secretary of State for the Home Department, and throw in the honour of
+putting my legs under his mahogany arterwards.
+
+Still, the loneliness that followed in the cart was not the old
+loneliness, because there was a term put to it, however long to look
+forward to; and because I could think, when I was anyways down, that she
+belonged to me and I belonged to her. Always planning for her coming
+back, I bought in a few months' time another cart, and what do you think
+I planned to do with it? I'll tell you. I planned to fit it up with
+shelves and books for her reading, and to have a seat in it where I could
+sit and see her read, and think that I had been her first teacher. Not
+hurrying over the job, I had the fittings knocked together in contriving
+ways under my own inspection, and here was her bed in a berth with
+curtains, and there was her reading-table, and here was her writing-desk,
+and elsewhere was her books in rows upon rows, picters and no picters,
+bindings and no bindings, gilt-edged and plain, just as I could pick 'em
+up for her in lots up and down the country, North and South and West and
+East, Winds liked best and winds liked least, Here and there and gone
+astray, Over the hills and far away. And when I had got together pretty
+well as many books as the cart would neatly hold, a new scheme come into
+my head, which, as it turned out, kept my time and attention a good deal
+employed, and helped me over the two years' stile.
+
+Without being of an awaricious temper, I like to be the owner of things.
+I shouldn't wish, for instance, to go partners with yourself in the Cheap
+Jack cart. It's not that I mistrust you, but that I'd rather know it was
+mine. Similarly, very likely you'd rather know it was yours. Well! A
+kind of a jealousy began to creep into my mind when I reflected that all
+those books would have been read by other people long before they was
+read by her. It seemed to take away from her being the owner of 'em
+like. In this way, the question got into my head: Couldn't I have a book
+new-made express for her, which she should be the first to read?
+
+It pleased me, that thought did; and as I never was a man to let a
+thought sleep (you must wake up all the whole family of thoughts you've
+got and burn their nightcaps, or you won't do in the Cheap Jack line), I
+set to work at it. Considering that I was in the habit of changing so
+much about the country, and that I should have to find out a literary
+character here to make a deal with, and another literary character there
+to make a deal with, as opportunities presented, I hit on the plan that
+this same book should be a general miscellaneous lot,--like the razors,
+flat-iron, chronometer watch, dinner plates, rolling-pin, and looking-
+glass,--and shouldn't be offered as a single indiwidual article, like the
+spectacles or the gun. When I had come to that conclusion, I come to
+another, which shall likewise be yours.
+
+Often had I regretted that she never had heard me on the footboard, and
+that she never could hear me. It ain't that _I_ am vain, but that _you_
+don't like to put your own light under a bushel. What's the worth of
+your reputation, if you can't convey the reason for it to the person you
+most wish to value it? Now I'll put it to you. Is it worth sixpence,
+fippence, fourpence, threepence, twopence, a penny, a halfpenny, a
+farthing? No, it ain't. Not worth a farthing. Very well, then. My
+conclusion was that I would begin her book with some account of myself.
+So that, through reading a specimen or two of me on the footboard, she
+might form an idea of my merits there. I was aware that I couldn't do
+myself justice. A man can't write his eye (at least _I_ don't know how
+to), nor yet can a man write his voice, nor the rate of his talk, nor the
+quickness of his action, nor his general spicy way. But he can write his
+turns of speech, when he is a public speaker,--and indeed I have heard
+that he very often does, before he speaks 'em.
+
+Well! Having formed that resolution, then come the question of a name.
+How did I hammer that hot iron into shape? This way. The most difficult
+explanation I had ever had with her was, how I come to be called Doctor,
+and yet was no Doctor. After all, I felt that I had failed of getting it
+correctly into her mind, with my utmost pains. But trusting to her
+improvement in the two years, I thought that I might trust to her
+understanding it when she should come to read it as put down by my own
+hand. Then I thought I would try a joke with her and watch how it took,
+by which of itself I might fully judge of her understanding it. We had
+first discovered the mistake we had dropped into, through her having
+asked me to prescribe for her when she had supposed me to be a Doctor in
+a medical point of view; so thinks I, "Now, if I give this book the name
+of my Prescriptions, and if she catches the idea that my only
+Prescriptions are for her amusement and interest,--to make her laugh in a
+pleasant way, or to make her cry in a pleasant way,--it will be a
+delightful proof to both of us that we have got over our difficulty." It
+fell out to absolute perfection. For when she saw the book, as I had it
+got up,--the printed and pressed book,--lying on her desk in her cart,
+and saw the title, DOCTOR MARIGOLD'S PRESCRIPTIONS, she looked at me for
+a moment with astonishment, then fluttered the leaves, then broke out a
+laughing in the charmingest way, then felt her pulse and shook her head,
+then turned the pages pretending to read them most attentive, then kissed
+the book to me, and put it to her bosom with both her hands. I never was
+better pleased in all my life!
+
+But let me not anticipate. (I take that expression out of a lot of
+romances I bought for her. I never opened a single one of 'em--and I
+have opened many--but I found the romancer saying "let me not
+anticipate." Which being so, I wonder why he did anticipate, or who
+asked him to it.) Let me not, I say, anticipate. This same book took up
+all my spare time. It was no play to get the other articles together in
+the general miscellaneous lot, but when it come to my own article! There!
+I couldn't have believed the blotting, nor yet the buckling to at it, nor
+the patience over it. Which again is like the footboard. The public
+have no idea.
+
+At last it was done, and the two years' time was gone after all the other
+time before it, and where it's all gone to, who knows? The new cart was
+finished,--yellow outside, relieved with wermilion and brass
+fittings,--the old horse was put in it, a new 'un and a boy being laid on
+for the Cheap Jack cart,--and I cleaned myself up to go and fetch her.
+Bright cold weather it was, cart-chimneys smoking, carts pitched private
+on a piece of waste ground over at Wandsworth, where you may see 'em from
+the Sou'western Railway when not upon the road. (Look out of the right-
+hand window going down.)
+
+"Marigold," says the gentleman, giving his hand hearty, "I am very glad
+to see you."
+
+"Yet I have my doubts, sir," says I, "if you can be half as glad to see
+me as I am to see you."
+
+"The time has appeared so long,--has it, Marigold?"
+
+"I won't say that, sir, considering its real length; but--"
+
+"What a start, my good fellow!"
+
+Ah! I should think it was! Grown such a woman, so pretty, so
+intelligent, so expressive! I knew then that she must be really like my
+child, or I could never have known her, standing quiet by the door.
+
+"You are affected," says the gentleman in a kindly manner.
+
+"I feel, sir," says I, "that I am but a rough chap in a sleeved
+waistcoat."
+
+"I feel," says the gentleman, "that it was you who raised her from misery
+and degradation, and brought her into communication with her kind. But
+why do we converse alone together, when we can converse so well with her?
+Address her in your own way."
+
+"I am such a rough chap in a sleeved waistcoat, sir," says I, "and she is
+such a graceful woman, and she stands so quiet at the door!"
+
+"_Try_ if she moves at the old sign," says the gentleman.
+
+They had got it up together o' purpose to please me! For when I give her
+the old sign, she rushed to my feet, and dropped upon her knees, holding
+up her hands to me with pouring tears of love and joy; and when I took
+her hands and lifted her, she clasped me round the neck, and lay there;
+and I don't know what a fool I didn't make of myself, until we all three
+settled down into talking without sound, as if there was a something soft
+and pleasant spread over the whole world for us.
+
+* * * * *
+
+[A portion is here omitted from the text, having reference to the
+sketches contributed by other writers; but the reader will be pleased to
+have what follows retained in a note:
+
+"Now I'll tell you what I am a-going to do with you. I am a-going to
+offer you the general miscellaneous lot, her own book, never read by
+anybody else but me, added to and completed by me after her first reading
+of it, eight-and-forty printed pages, six-and-ninety columns, Whiting's
+own work, Beaufort House to wit, thrown off by the steam-ingine, best of
+paper, beautiful green wrapper, folded like clean linen come home from
+the clear-starcher's, and so exquisitely stitched that, regarded as a
+piece of needlework alone, it's better than the sampler of a seamstress
+undergoing a Competitive examination for Starvation before the Civil
+Service Commissioners--and I offer the lot for what? For eight pound?
+Not so much. For six pound? Less. For four pound. Why, I hardly
+expect you to believe me, but that's the sum. Four pound! The stitching
+alone cost half as much again. Here's forty-eight original pages, ninety-
+six original columns, for four pound. You want more for the money? Take
+it. Three whole pages of advertisements of thrilling interest thrown in
+for nothing. Read 'em and believe 'em. More? My best of wishes for
+your merry Christmases and your happy New Years, your long lives and your
+true prosperities. Worth twenty pound good if they are delivered as I
+send them. Remember! Here's a final prescription added, "To be taken
+for life," which will tell you how the cart broke down, and where the
+journey ended. You think Four Pound too much? And still you think so?
+Come! I'll tell you what then. Say Four Pence, and keep the secret."]
+
+* * * * *
+
+So every item of my plan was crowned with success. Our reunited life was
+more than all that we had looked forward to. Content and joy went with
+us as the wheels of the two carts went round, and the same stopped with
+us when the two carts stopped. I was as pleased and as proud as a Pug-
+Dog with his muzzle black-leaded for a evening party, and his tail extra
+curled by machinery.
+
+But I had left something out of my calculations. Now, what had I left
+out? To help you to guess I'll say, a figure. Come. Make a guess and
+guess right. Nought? No. Nine? No. Eight? No. Seven? No. Six?
+No. Five? No. Four? No. Three? No. Two? No. One? No. Now I'll
+tell you what I'll do with you. I'll say it's another sort of figure
+altogether. There. Why then, says you, it's a mortal figure. No, nor
+yet a mortal figure. By such means you got yourself penned into a
+corner, and you can't help guessing a _im_mortal figure. That's about
+it. Why didn't you say so sooner?
+
+Yes. It was a immortal figure that I had altogether left out of my
+Calculations. Neither man's, nor woman's, but a child's. Girl's or
+boy's? Boy's. "I, says the sparrow with my bow and arrow." Now you
+have got it.
+
+We were down at Lancaster, and I had done two nights more than fair
+average business (though I cannot in honour recommend them as a quick
+audience) in the open square there, near the end of the street where Mr.
+Sly's King's Arms and Royal Hotel stands. Mim's travelling giant,
+otherwise Pickleson, happened at the self-same time to be trying it on in
+the town. The genteel lay was adopted with him. No hint of a van. Green
+baize alcove leading up to Pickleson in a Auction Room. Printed poster,
+"Free list suspended, with the exception of that proud boast of an
+enlightened country, a free press. Schools admitted by private
+arrangement. Nothing to raise a blush in the cheek of youth or shock the
+most fastidious." Mim swearing most horrible and terrific, in a pink
+calico pay-place, at the slackness of the public. Serious handbill in
+the shops, importing that it was all but impossible to come to a right
+understanding of the history of David without seeing Pickleson.
+
+I went to the Auction Room in question, and I found it entirely empty of
+everything but echoes and mouldiness, with the single exception of
+Pickleson on a piece of red drugget. This suited my purpose, as I wanted
+a private and confidential word with him, which was: "Pickleson. Owing
+much happiness to you, I put you in my will for a fypunnote; but, to save
+trouble, here's fourpunten down, which may equally suit your views, and
+let us so conclude the transaction." Pickleson, who up to that remark
+had had the dejected appearance of a long Roman rushlight that couldn't
+anyhow get lighted, brightened up at his top extremity, and made his
+acknowledgments in a way which (for him) was parliamentary eloquence. He
+likewise did add, that, having ceased to draw as a Roman, Mim had made
+proposals for his going in as a conwerted Indian Giant worked upon by The
+Dairyman's Daughter. This, Pickleson, having no acquaintance with the
+tract named after that young woman, and not being willing to couple gag
+with his serious views, had declined to do, thereby leading to words and
+the total stoppage of the unfortunate young man's beer. All of which,
+during the whole of the interview, was confirmed by the ferocious
+growling of Mim down below in the pay-place, which shook the giant like a
+leaf.
+
+But what was to the present point in the remarks of the travelling giant,
+otherwise Pickleson, was this: "Doctor Marigold,"--I give his words
+without a hope of conweying their feebleness,--"who is the strange young
+man that hangs about your carts?"--"The strange young _man_?" I gives
+him back, thinking that he meant her, and his languid circulation had
+dropped a syllable. "Doctor," he returns, with a pathos calculated to
+draw a tear from even a manly eye, "I am weak, but not so weak yet as
+that I don't know my words. I repeat them, Doctor. The strange young
+man." It then appeared that Pickleson, being forced to stretch his legs
+(not that they wanted it) only at times when he couldn't be seen for
+nothing, to wit in the dead of the night and towards daybreak, had twice
+seen hanging about my carts, in that same town of Lancaster where I had
+been only two nights, this same unknown young man.
+
+It put me rather out of sorts. What it meant as to particulars I no more
+foreboded then than you forebode now, but it put me rather out of sorts.
+Howsoever, I made light of it to Pickleson, and I took leave of
+Pickleson, advising him to spend his legacy in getting up his stamina,
+and to continue to stand by his religion. Towards morning I kept a look
+out for the strange young man, and--what was more--I saw the strange
+young man. He was well dressed and well looking. He loitered very nigh
+my carts, watching them like as if he was taking care of them, and soon
+after daybreak turned and went away. I sent a hail after him, but he
+never started or looked round, or took the smallest notice.
+
+We left Lancaster within an hour or two, on our way towards Carlisle.
+Next morning, at daybreak, I looked out again for the strange young man.
+I did not see him. But next morning I looked out again, and there he was
+once more. I sent another hail after him, but as before he gave not the
+slightest sign of being anyways disturbed. This put a thought into my
+head. Acting on it I watched him in different manners and at different
+times not necessary to enter into, till I found that this strange young
+man was deaf and dumb.
+
+The discovery turned me over, because I knew that a part of that
+establishment where she had been was allotted to young men (some of them
+well off), and I thought to myself, "If she favours him, where am I? and
+where is all that I have worked and planned for?" Hoping--I must confess
+to the selfishness--that she might _not_ favour him, I set myself to find
+out. At last I was by accident present at a meeting between them in the
+open air, looking on leaning behind a fir-tree without their knowing of
+it. It was a moving meeting for all the three parties concerned. I knew
+every syllable that passed between them as well as they did. I listened
+with my eyes, which had come to be as quick and true with deaf and dumb
+conversation as my ears with the talk of people that can speak. He was a-
+going out to China as clerk in a merchant's house, which his father had
+been before him. He was in circumstances to keep a wife, and he wanted
+her to marry him and go along with him. She persisted, no. He asked if
+she didn't love him. Yes, she loved him dearly, dearly; but she could
+never disappoint her beloved, good, noble, generous, and I-don't-know-
+what-all father (meaning me, the Cheap Jack in the sleeved waistcoat) and
+she would stay with him, Heaven bless him! though it was to break her
+heart. Then she cried most bitterly, and that made up my mind.
+
+While my mind had been in an unsettled state about her favouring this
+young man, I had felt that unreasonable towards Pickleson, that it was
+well for him he had got his legacy down. For I often thought, "If it
+hadn't been for this same weak-minded giant, I might never have come to
+trouble my head and wex my soul about the young man." But, once that I
+knew she loved him,--once that I had seen her weep for him,--it was a
+different thing. I made it right in my mind with Pickleson on the spot,
+and I shook myself together to do what was right by all.
+
+She had left the young man by that time (for it took a few minutes to get
+me thoroughly well shook together), and the young man was leaning against
+another of the fir-trees,--of which there was a cluster,--with his face
+upon his arm. I touched him on the back. Looking up and seeing me, he
+says, in our deaf-and-dumb talk, "Do not be angry."
+
+"I am not angry, good boy. I am your friend. Come with me."
+
+I left him at the foot of the steps of the Library Cart, and I went up
+alone. She was drying her eyes.
+
+"You have been crying, my dear."
+
+"Yes, father."
+
+"Why?"
+
+"A headache."
+
+"Not a heartache?"
+
+"I said a headache, father."
+
+"Doctor Marigold must prescribe for that headache."
+
+She took up the book of my Prescriptions, and held it up with a forced
+smile; but seeing me keep still and look earnest, she softly laid it down
+again, and her eyes were very attentive.
+
+"The Prescription is not there, Sophy."
+
+"Where is it?"
+
+"Here, my dear."
+
+I brought her young husband in, and I put her hand in his, and my only
+farther words to both of them were these: "Doctor Marigold's last
+Prescription. To be taken for life." After which I bolted.
+
+When the wedding come off, I mounted a coat (blue, and bright buttons),
+for the first and last time in all my days, and I give Sophy away with my
+own hand. There were only us three and the gentleman who had had charge
+of her for those two years. I give the wedding dinner of four in the
+Library Cart. Pigeon-pie, a leg of pickled pork, a pair of fowls, and
+suitable garden stuff. The best of drinks. I give them a speech, and
+the gentleman give us a speech, and all our jokes told, and the whole
+went off like a sky-rocket. In the course of the entertainment I
+explained to Sophy that I should keep the Library Cart as my living-cart
+when not upon the road, and that I should keep all her books for her just
+as they stood, till she come back to claim them. So she went to China
+with her young husband, and it was a parting sorrowful and heavy, and I
+got the boy I had another service; and so as of old, when my child and
+wife were gone, I went plodding along alone, with my whip over my
+shoulder, at the old horse's head.
+
+Sophy wrote me many letters, and I wrote her many letters. About the end
+of the first year she sent me one in an unsteady hand: "Dearest father,
+not a week ago I had a darling little daughter, but I am so well that
+they let me write these words to you. Dearest and best father, I hope my
+child may not be deaf and dumb, but I do not yet know." When I wrote
+back, I hinted the question; but as Sophy never answered that question, I
+felt it to be a sad one, and I never repeated it. For a long time our
+letters were regular, but then they got irregular, through Sophy's
+husband being moved to another station, and through my being always on
+the move. But we were in one another's thoughts, I was equally sure,
+letters or no letters.
+
+Five years, odd months, had gone since Sophy went away. I was still the
+King of the Cheap Jacks, and at a greater height of popularity than ever.
+I had had a first-rate autumn of it, and on the twenty-third of December,
+one thousand eight hundred and sixty-four, I found myself at Uxbridge,
+Middlesex, clean sold out. So I jogged up to London with the old horse,
+light and easy, to have my Christmas-eve and Christmas-day alone by the
+fire in the Library Cart, and then to buy a regular new stock of goods
+all round, to sell 'em again and get the money.
+
+I am a neat hand at cookery, and I'll tell you what I knocked up for my
+Christmas-eve dinner in the Library Cart. I knocked up a
+beefsteak-pudding for one, with two kidneys, a dozen oysters, and a
+couple of mushrooms thrown in. It's a pudding to put a man in good
+humour with everything, except the two bottom buttons of his waistcoat.
+Having relished that pudding and cleared away, I turned the lamp low, and
+sat down by the light of the fire, watching it as it shone upon the backs
+of Sophy's books.
+
+Sophy's books so brought Sophy's self, that I saw her touching face quite
+plainly, before I dropped off dozing by the fire. This may be a reason
+why Sophy, with her deaf-and-dumb child in her arms, seemed to stand
+silent by me all through my nap. I was on the road, off the road, in all
+sorts of places, North and South and West and East, Winds liked best and
+winds liked least, Here and there and gone astray, Over the hills and far
+away, and still she stood silent by me, with her silent child in her
+arms. Even when I woke with a start, she seemed to vanish, as if she had
+stood by me in that very place only a single instant before.
+
+I had started at a real sound, and the sound was on the steps of the
+cart. It was the light hurried tread of a child, coming clambering up.
+That tread of a child had once been so familiar to me, that for half a
+moment I believed I was a-going to see a little ghost.
+
+But the touch of a real child was laid upon the outer handle of the door,
+and the handle turned, and the door opened a little way, and a real child
+peeped in. A bright little comely girl with large dark eyes.
+
+Looking full at me, the tiny creature took off her mite of a straw hat,
+and a quantity of dark curls fell about her face. Then she opened her
+lips, and said in a pretty voice,
+
+"Grandfather!"
+
+"Ah, my God!" I cries out. "She can speak!"
+
+"Yes, dear grandfather. And I am to ask you whether there was ever any
+one that I remind you of?"
+
+In a moment Sophy was round my neck, as well as the child, and her
+husband was a-wringing my hand with his face hid, and we all had to shake
+ourselves together before we could get over it. And when we did begin to
+get over it, and I saw the pretty child a-talking, pleased and quick and
+eager and busy, to her mother, in the signs that I had first taught her
+mother, the happy and yet pitying tears fell rolling down my face.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK DOCTOR MARIGOLD***
+
+
+******* This file should be named 1415.txt or 1415.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/dirs/1/4/1/1415
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit:
+https://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+