diff options
Diffstat (limited to 'old/14147.txt')
| -rw-r--r-- | old/14147.txt | 1194 |
1 files changed, 1194 insertions, 0 deletions
diff --git a/old/14147.txt b/old/14147.txt new file mode 100644 index 0000000..e14bc07 --- /dev/null +++ b/old/14147.txt @@ -0,0 +1,1194 @@ +The Project Gutenberg eBook, Dew Drops, Vol. 37, No. 34, August 23, 1914, +by Various, Edited by David C. (Jr.) Cook + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Dew Drops, Vol. 37, No. 34, August 23, 1914 + +Author: Various + +Release Date: November 24, 2004 [eBook #14147] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK DEW DROPS, VOL. 37, NO. 34, AUGUST +23, 1914*** + + +E-text prepared by Juliet Sutherland, Suzanne Lybarger, and the Project +Gutenberg Online Distributed Proofreading Team + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 14147-h.htm or 14147-h.zip: + (https://www.gutenberg.org/dirs/1/4/1/4/14147/14147-h/14147-h.htm) + or + (https://www.gutenberg.org/dirs/1/4/1/4/14147/14147-h.zip) + + + + + +DEW DROPS + +VOL. 37, No. 34. Weekly + +David C. Cook Publishing Co., Elgin, Illinois + +David C. Cook, Jr., Managing Editor +Mabelle M. Carbaugh, Assistant Editor + +August 23, 1914 + + + + + + + +Billikens' Surprise + +By HELEN HAWLEY + + +Gilbert was a little boy who was going to have the first suit of +clothes, that were not homemade. Wasn't that an event! Gilbert thought +so. He was going to the city with father and mother to be fitted. + +Mr. Haywood said to his wife. "You'd better take the boy and go with me +as far as Branton. It's the best place I know of, for fitting out little +fellows like him. Maybe I can stop over long enough to help you. I'll +look up the time-table." + +That's the way it happened that Gilbert and his mother came back to +their home at midnight. For this story isn't about the hours in the +city, it's about the reaching home so very late. Maybe you'll like to +know, though, that the new clothes were all right, and Gilbert was a +very happy though a very sleepy boy by midnight. + +But he was wide-awake enough when the cab drew up at their own door, and +he heard his mother exclaim. "Why, the house is lighted! There's a +bright light in the living room, and in the dining room too!" Mrs. +Haywood had paid the driver and he whirled the cab away before she +thought. "I do wish I'd asked him to stay, until we could see what it +means." + +Gilbert was eager to press forward, but his mother put him behind her. +She fully expected to see burglars searching for silver, or taking money +from the desk. + +But the sight which actually greeted her made her drop into a chair and +laugh. And Gilbert! He threw up his cap, almost shouting. "That's great, +isn't it, mother? Wasn't it cute of Billikens to light up for us to get +in?" + +Now Billikens was a beautiful white Persian kitten, which had come to +Gilbert on his last birthday, and as full of mischief as a kitten could +be. Billikens sat perched on the back of an easy-chair under one of the +lights, looking for all the world as if he tried to say, "I did it, for +sure." + +[Illustration: Billikens sat perched on the back of an easy-chair.] + +It was this way: Gilbert had often held Billikens up to play with the +electric light cords, and once when the kitten had pulled just right, +the light flashed out. Afterward, it became a kind of game to take him +round to the brackets, and let him light up. + +"I'm afraid we'll have to stop his doing it," Gilbert's mother said. "I +doubt if you can teach a cat that what is done in play mustn't be done +in earnest." + +"That's too bad," Gilbert was quite grieved. "It's such fun to see him +put on the lights. He almost laughs, himself. We could shut him up if we +were away, mother dear." + +"Well, perhaps." + +Gilbert was a thoughtful little chap. Now he said, "I learned, didn't I, +mother? Grandfather liked to have me pull his whiskers when he was +awake, but once I pulled them when he was taking a nap, and he didn't +like it one bit. I never did it after that." + +[Illustration: Billikens] + + + + +DILLY AND HER DOUBLE-FACED DOLLY. + + +"I think you ought to invite Dilly to your party, Mildred," said Mrs. +Fuller. "She lives so near us, and you've invited every other little +girl on the street." + +"Why," said Mildred, "she'd be sure to bring that dreadful doll that she +loves so much. Some of the girls wouldn't come if she were invited. You +said, mamma, I might ask just whom I pleased." + +Mrs. Fuller said nothing more, and the dainty notes of invitation flew +here and there, but none stopped at Dilly's door. Dilly hardly expected +an invitation, but there were some bitter tears which fell down on +Arabella's face. + +Arabella was the name of one side of her doll. The doll was a +crooked-neck squash with a stick for its body. It had two faces--one on +each side of its head, and ink lines drawn round some of the yellow +warts, made very prominent features. + +This doll was the comfort of Dilly's life. The yellow noses were worn +quite flat with her kisses, and she never had a trouble which was not +poured into the two sympathizing ears, owned in common by Arabella and +Angelina. + +The afternoon of the party came, and Dilly, with her doll, watched the +gay little folks gather on the lawn in front of Mildred's home. She +soon became interested in their play, and quite forgot that she was not +one of them, in her excitement over a game of hide-and-seek. Presently +Mrs. Fuller called them for some pleasant surprise, and they all ran in, +leaving their dolls leaning against the piazza. + +There was nothing more to see. Dilly was gathering up her doll, when +something made her spring up and cry out. + +Rover, Johnny Cooper's dog, shot past her, barking loudly, his eyes +gleaming with mischief. + +Rover was the terror of every little girl in the neighborhood. Johnny +sometimes teased his sisters by sending Rover after their dolls. Rover +liked the sport, and came to think that dolls were his natural prey. +Next to a big bone, there was nothing that delighted him so much as to +shake a doll to pieces. He had seen the long row of dainty little +figures, and was dashing towards them. Dilly ran after him, threatening +and coaxing, but he did not notice her. Then she waved her turkey-red +handkerchief, and screamed as loudly as she could, to attract someone's +attention. But no one came. + +Dilly thought of just one thing she could do. A last kiss on Arabella's +face, and then--"Rover!" + +The cry sounded so sharp and strange that Rover turned his head. +S-w-i-s-h! Right down at his side there swooped such a queer-looking +doll as Rover, with all his varied experience, had never seen. He made a +dash for it. + +Dilly darted past him, and, gathering up the dolls, laid them in the +hall, and shut the door. Her apron was over her face when she went down +the walk, but a strange, crunching sound told her what had happened to +her doll. + +Mildred found Dilly at home a few minutes later, folding away a little, +ragged doll's cap, and drenching it with tears. + +Mildred put her arms around Dilly's neck. "Oh, Dilly," she said, "it was +so beautiful of you! Aunt Lou saw it all from the window. I'm so 'shamed +to think how I've treated you. Do you think you could forgive me? If you +could I'd love you all my life." + +Dilly forgave her, and, all in her ragged dress, went home with Mildred. +Every little girl kissed her, and she stopped to tea. + +Not long after, a beautiful doll came to Dilly. It was Mildred's gift, +and all the little girls who were at the party helped to dress it. + +Dilly loves it dearly, and though it will never take the place of the +dear, double-faced doll, she is very happy, for Mildred is her loyal +friend. + +--_Selected._ + + + + +A good cure for discontent--count your blessings every day. + + + + +WHAT JENNY SHOWED JEAN. + +BY ADELE E. THOMPSON. + + +It was a happy day for Jean when the cars started that were to take her +and Big Sister all the way to Grandpa's. + +When they left the train it was just as she had thought it would be. +There was grandpa waiting to meet them, the ride through the green +fields behind Prince, the big white house with dear grandma waiting at +the door, Tobias the gray cat, the speckled hens; all her friends, for +grandpa had even opened the pasture gate and let Jenny, the pretty +Jersey cow, come on the lawn to welcome Jean. + +And Jean! She had hardly taken off her hat before she ran out to see +them all. But Jenny was her especial favorite, because grandpa had +brought her up from a calf and she was so gentle that she had let Jean +take many a ride on her back. Jean had just given her a good hug when +grandpa came by leading Prince to pasture. "Please put me on her," she +begged. + +"All right," he answered. "Take hold of the strap round her neck and +don't ride far." + +"No, I won't. Jenny always stops for me to jump off when I want to." + +But when grandpa came back there was no little girl, no Jersey cow +anywhere to be seen. Grandma and Big Sister had been so busy talking +that they had not missed her, now when they called there was no answer. +Where could Jean be? + +But before anyone had time to be really frightened there was a patter of +feet and Jean herself came running. + +"Oh, oh," she cried, her eyes shining, "what do you think? Just as soon +as I was on Jenny's back she started for the barn. And when we came +round by the barnyard she stopped and said 'Moo, moo,' an' then a little +calf--just like Jenny--that I hadn't seen 'cause it was lying down, +jumped up, an' came running to the gate an' put its head through. Jenny +put her head down an' kissed it, then she turned her head and looked at +me, an' I jumped right down off her back an' kissed it too. For I knew +it was Jenny's calf an' she had taken me out the first thing to show it +to me. Wasn't it nice of Jenny to want me to see her calf? an' grandpa, +can I name it?" + +Grandpa said he thought it was very nice indeed, of Jenny to show Jean +her baby, and they had been waiting for her to come and name it. + +"Oh, oh!" cried Jean again, "and I have a name all ready. It is Daisy." + + + + +VAIN WISHES. + +BY HELEN I. CASTELLA. + + + Sometimes I think I'd like to be + A duck to splash in the pond so free: + And then again I've pondered o'er + The hen that clucks near the barnyard door. + The guinea's life is freer than all, + She wanders off, nor listens to call, + But the pine cone chips that fall on me, + Remind me of squirrels far up in the tree-- + The nuts they're gath'ring to store away + 'Gainst skies of winter's cold and grey. + There's something else that skips so free + Through the brush with hardly a glance at me; + With his furry coat, he's quick as a wink, + Would I be a rabbit? I stop and think. + But between you and I-- + After all, what's the use + In spending my time regretting? + There's only one thing I'll turn into-- + A goose! + If I waste many moments in fretting! + + + + +The Things in the Garden + +By GERTRUDE WARNER + + +Rose and Marguerite were playing in the nursery when they heard a queer +bumping noise down in the back yard. + +"What's that?" asked Rose, stopping to listen. + +"That's Stubby, kicking his heels against the settee. He's awful cross +today," said Marguerite, and kept right on making the doll's bed. In a +second Rose had her head out of the window. There sat Stubby, kicking +his heels against the settee and looking dreadfully cross. + +"Why, Stubby dear, what's the matter?" she called sweetly. + +"Nuffin'," said Stubby. + +"Why don't you play with the things in the garden?" + +"What fings?" + +"Wait a minute and we'll come down and show you," Rose said, drawing her +head in. + +"How _can_ you play with that cross, _cross_ Stubby?" asked Marguerite. +"He isn't sick, and we've done everything to please him all day. He's +just plain cross. And if you play with him we can't finish arranging the +playhouse before five o'clock." + +[Illustration: Copyright by Underwood & Underwood, N.Y.] + +"Mother said I might stay till six," said Rose gently, "and I've thought +of something to keep him busy. Come!" + +Marguerite gave Rose a bear-hug and soon Stubby saw them coming across +the lawn. Rose stopped under the apple tree to look for green apples. + +"Muvver says not eat green apples," shouted Stubby. + +Rose held up a little one. "Come on," she called. "Find one the size of +that!" + +Stubby became interested in spite of himself, and more so, as Rose began +picking thorns off the rosebush and sticking them into the apple for +eyes, nose and mouth. + +Marguerite and Stubby began making one like Rose's. + +"Now, find a stick and push it in for the body," said Rose. + +Stubby rammed one in so hard that it came out at the top of his doll's +head. "That'll be good to stick a hat to," he said cheerfully. + +"They look pretty thin," said Marguerite holding hers at arms length. + +"But wait till they have clothes on," said Rose happily. "Hollyhocks are +fine for clothes." + +So Stubby raced off for hollyhocks, picking the short stems off very +carefully; first the large, silver-white ones, then shell-pink ones and +last of all, the dark, velvety, red ones. + +"Mine's going to be red," shouted Stubby, running back with his hands +full. + +"Then take three, one for the waist and two for the ruffly skirt," said +Rose. + +"I know what'll be good for a parasol," said Stubby, sitting down beside +Rose. + +"What?" asked Rose. + +Stubby pointed to the morning-glory vine climbing all over the arbor, +with its pink and violet blossoms rolled tightly up, _just_ like an +umbrella! Rose clapped her hands. + +"Just the thing," she cried. + +The children next made long braids of hair of striped grass, and +fastened them to the backs of the dolls' heads with thorns. Then they +bound broad sashes of satiny grass around the waists and used the flat +nasturtium leaves for sailor hats. + +"Now we must begin a house for them to live in," proceeded Rose. "Pick +up little stones and make squares on the piazza floor for rooms." + +Stubby soon made four rooms, leaving a door in each, with a hall down +the middle. + +"We can have grape leaves for blankets on the beds, and rose-petals for +pillows, can't we?" said Stubby excitedly, "and a big, flat stone for a +table and little stones for chairs!--and more rose petals for chair +cushions!" + +Marguerite was busily pinning a sweet-pea on her doll's head for a +bonnet, and Rose finished arranging an acorn cup full of tiny green +grapes for apples, before she replied. + +"Stubby," she said at last, "you're a very clever boy." + +She deftly cut a green apple in two as she spoke, and began hollowing +one half out with a sharp stick. "This will make a good set-bowl," she +said, getting very red in the face with so much digging. "Now, Stubby's +got the idea, we can go back and arrange the playhouse." + +"Oh, I'd rather do this!" cried Marguerite. "We can arrange that +playhouse any rainy day." + +"Well, if you want to, we'll keep on," said Rose, looking very happy, +and giving Stubby a bear-hug. + +Stubby didn't usually like being hugged, but this time he hugged Rose +back, and said, "My doll's name is going to be Rose." + + + + +THE PRINCESSES AND THE WOOD-CUTTER'S DAUGHTER. + +BY JANE WEST. + + +When the queen was riding in the forest she met the woodcutter's little +daughter, and she was so pleased with the child that she invited her to +visit at the palace. The child, Avis, came the next day, and she was +taken up to the royal nursery to play with the princesses. + +Before long the children were arguing about what game they should play. +Then Rose, who was the eldest, remembered her duty to the visitor. + +"What would you like to play, Avis?" she said. + +"I'd like to play whatever the rest of you like," said Avis with her +bright smile. + +After that the princesses were ashamed to argue about it. They agreed to +let Mignon, the smallest of them, choose. She chose Ring-around-a-rosy, +and they all played, and had a great deal of fun. + +When the queen came in for a few minutes Avis remembered to draw up the +best chair, and place a footstool for her feet. + +All day Avis was so sweet and good-natured that the princesses quite +hated to part with her. They said good-night, when she went, urging her +to come soon again. + +"How does Avis learn to be polite?" Rose asked the queen that night. +"She is only a poor woodcutter's daughter, and lives in a weed cottage. +But she has better manners than we, who live in the palace." + +"Why, my child, you have forgotten what politeness is. Mignon, my little +one, I just taught you yesterday, stand forth and tell your sisters." + +So Mignonette put her hands behind her, and chanted: + + "Politeness is to do, and say + The kindest thing, in the kindest way." + +"There, children," said the queen, "you see how it is. Politeness comes +from a kind heart, and it makes a child lovely, and beloved, whether she +lives in the hut or the palace." + + + + +THE VALLEY OF GRUMP. + +BY MARGARET COLTON. + + + The Valley of Grump is a sad, sad place, + And a dangerous pitfall, too, + So easy it seems to slip into its depths-- + And some of the little folks do! + Oh, I'm sorry for them when I witness their woe, + Their faces all wrinkle and twist about so; + And to their assistance I gladly would go-- + But I dread the sad Valley of Grump, my dears, + I dread the sad Valley of Grump! + + The sun never shines in the Valley of Grump; + The wind always blows from the east; + The air, I have noticed, is constantly chill, + And never warms up in the least. + As every one weeps, there are tears all the day; + And when people are cross, they have little to say; + And when faces are ugly, they look t'other way-- + So beware of the Valley of Grump, my dears, + Beware of the Valley of Grump! + +[Illustration: The sun never shines in the Valley of Grump] + + Yet sometimes they speak in the Valley of Grump, + And their language, I'm told, is a whine-- + You may have been troubled by sound of that speech, + But I hope that fate won't be mine. + And sometimes, from down in the depths of the vale, + The whine rises up in a terrible wail; + And the people who hear are like to turn pale, + And flee from the Valley of Grump, my dears, + Far away from the Valley of Grump! + + There the tears ever falling are turned into fog + That hangs o'er the vale damp and chill, + And in it the little folks shiver and shake + Till they really are well-nigh ill! + So I long to cry out to the sad little crew, + "Come up to the sunshine, you grumpy ones, do! + Your tears are all needless, if only you knew-- + Come out of the Valley of Grump, poor dears, + Come out of the Valley of Grump!" + + + + +THE "BITER'S" WAGON. + +By Mary E.Q. Brush. + + +I am sorry to say that little Chalmers Ashton was afraid of things! And +you know there was really nothing to be afraid of, for he lived in a +safe, comfortable house in the best part of town, and there were father +and mother and grandpa and Uncle James, Tilly the maid and Billy the +hired man to look after him--to say nothing of Mr. O'Brien, the burly +policeman in blue coat and brass buttons, who used to stroll up and down +the street after nightfall. + +But Chalmers used to "imagine things"--"think them up in his mind." I +can't begin to tell you just what they were--only some were like snakes +and some had horns and sharp teeth and glaring eyes and they growled +like everything. + +Chalmers made up a name for them; he called them "The Biters." Awful +silly wasn't it, to be afraid of made-up things? + +One day an animal show came to the town. For one whole day big white +tents were in the meadow at the rear of the orchard which belonged to +Chalmers' father, and, what with the rumbling red and yellow wagons, the +noise and confusion, the shouting of the men, the roaring of the lions +and howling and snarling of the other animals--well, really, it was +almost like being next door to a jungle! And it was after midnight +before everything was packed up and put on board the long train of cars. + +Now the show people left one of their smaller wagons behind them; it was +a very old one and something was the matter with it so that they didn't +think it worth while repairing. So the next morning, there it stood near +the elm tree out in the meadow. Then, what do you suppose? Well, it was +a very foolish thing to do, but Chalmers got it into his head that some +of the animals had been left in that wagon! + +"I dare say they are 'Biters,' and maybe, sometime if I go near them, +they'll pounce out and grab me!" the little boy said to himself, and not +a day passed that he didn't cast scared glances toward the tattered +cover of the wagon. Of course there were times when he felt quite brave +and actually wanted to peep into the wagon; more than once he had +visions of what a delightful time he might have with it, making believe +it was a street car, or playing with it as an omnibus--but he never +mustered up enough courage to do this. + +One day as he came home from school he happened to glance at the wagon +and his heart seemed to jump up into his throat. Surely there was +something stirring inside that wagon; he saw the canvas cover bulge +out--no, it wasn't the wind fluttering it! Besides he was positive that +he heard queer noises inside. + +"It's the 'Biters'--I know it is;" he gasped. + +At first he was tempted to run right into the house, then something +inside of him seemed to say, "Don't be such a coward, Chalmers! Don't +you remember what the teacher told you today about General Washington +and other brave men?" + +So Chalmers stood still a minute. + +"I'll not be a coward! Besides, there's mother sitting and sewing on the +side porch." + +So Chalmers climbed over into the meadow and went toward the wagon. When +he got to the rear of it and peeped in, what do you think he heard and +saw? Oh, such a lot of chuckles and giggles, and there, seated in a row +were his cousins--plump little Marjory, laughing Sharley and cute little +Jim! + +[Illustration: There seated in a row were his cousins!] + +"We've come to spend the day with you and we thought we'd hide and +surprise you!" cried Sharley, while Marjory added. "Oh, isn't this wagon +the jolliest old place to play in! You must have lots of fun with it." + +"Well, I'm going to have some fun with it now," Chalmers replied as he +climbed up to take a seat beside her. + + + + ++---------------+ +| | +| Knowledge Box | +| | ++---------------+ + +Ruth's Pretty Dress. + + +"My dress _is so pretty_," said Ruth, smoothing its soft fold and +patting her own curls as she looked at her pretty reflection in the big +mirror. "Yes," said the mother, "your dress _is_ pretty, dear, and let +mother tell you something about how many helped to make your dress. + +"First, a little brown seed baby was put into the ground and it grew up +to be a plant with flowers on it. Then the flowers dropped off and +little green pods came in their places. These pods made a nice little +house for the seed babies, but when the little seeds got ripe they burst +their house open and it was all full of soft, white cotton. Some little +boys and girls picked the cotton out, and then some men put it in a +machine and took the seed all out of the soft white stuff, and then it +went to another big house and was made into thread, and then into a +beautiful piece of cloth, and mother and auntie made your pretty dress +out of the seed babies' cotton blanket. Isn't it nice that everybody +helps Ruthie girl to have pretty things." + +--_Written for Dew Drops by Francis McKinnon Morton._ + + + + +OUR LESSON.--For August 23. + + * * * * * + +PREPARED BY MARGUERITE COOK. + + * * * * * + +Title.--The Wedding Feast.--Matt. 22:1-14. + +Golden Text.--O Jerusalem, how often would I have gathered thy children +together, even as a hen gathereth her own brood under her wings!--Luke +13:34. + +_Golden Text for Beginners._--_We love him, because he first loved +us._--1 John 4:19. + +Truth.--The great love of Jesus is for even those who would harm him. + +1. Jesus told a parable about the kingdom of heaven. + +[Illustration] + +2. He said it is like a king who made a marriage feast for his son. + +3. When the feast was ready he sent messengers to ask his guests to come +to the feast. + +[Illustration] + +4. Some did not listen to the invitation, and others went about their +work. + +[Illustration] + +5. Still others abused the king's servants, and killed them. + +[Illustration] + +6. The king sent out his army to punish the murderers. + +7. The king then sent his servants out into the streets to invite +whoever could be found to come to the feast. + +8. They brought in the poor and rich, the good and bad. + +[Illustration] + +9. The king went in to the feast to see his guests. + +10. He found one man who showed his disrespect for the king by not +wearing his wedding garment as he should have done. + +11. The king sent him away from the feast. + +[Illustration] + +12. All are asked to come to God's feast, but few accept his invitation. + + * * * * * + +QUESTIONS. + +What is the Golden Text? + +What is the Truth? + +1. About what did Jesus tell a parable? + +2. What did he say the kingdom of heaven is like? + +3. When the feast was served for whom did the guests send? + +4. To what did some of them refuse to listen? + +5. What did still others do to the king's servants? + +6. What did the king do to these murderers? + +7. Whom did the king send his servants out into the streets to invite? + +8. Whom did they bring to the feast? + +9. Who went in to see his guests? + +10. Who was not wearing the wedding garment? + +11. What did the king do with him? + +12. Who are asked to come to God's feast? + + * * * * * + +LESSON HYMN. + +_Tune_--"Jesus loves me, this I know," omitting chorus (E flat). + + Come and love the Savior now, + Let us all before him bow; + We must not reject his call, + For he owns and loves us all. + + * * * * * + +Title of Lesson for Aug. 30. + +A Day of Questions.--Matt. 22:15-22. + + * * * * * + +Golden Text for Aug. 30. + +Render ... unto God the things that are God's.--Matt. 22:21. + + * * * * * + +Beginners Golden Text for Aug. 30. + +_We love him, because he first loved us._--1 John 4:19. + + + + ++--------------------------+ +| | +| Advice to Boys and Girls | +| | ++--------------------------+ + +A Rule That Worked Both Ways. + + +It is a poor rule that will not work both ways. At least, so thought +Mrs. Fletcher, though her son, Ralph Fletcher, did not seem to be of the +same opinion until he had first tasted some of his own medicine. + +"I wish you would pick up that book, Ralph. You have stepped over it +twice and have still left it on the floor," Mrs. Fletcher said to her +son one morning. + +"I did not drop it, mother; it was Grace," Ralph replied. + +"And because you did not drop it, you think you should not pick it up? +It would be a very unhappy world, Ralph, if all worked on that +principle. However, as you seem unwilling to be polite and brotherly, I +must ask Grace to place the book on the table again." + +A few mornings afterward, Ralph went to his mother, saying: + +"Mother, dear, will you take a stitch in this ball for me? I ripped it +playing with Frank Danver. Will you do it now? because I'm in a hurry." + +"I did not rip the ball, and so I see no reason why I should mend it," +Mrs. Fletcher said. "You did the damage; you must repair it." + +"Oh, mother--" Ralph began, then stopped suddenly. + +"Yes. It is not quite as nice a rule for others to work by, is it, +Ralph?" + +"No; and it won't be nice for me after this, if I can help it," Ralph +replied with a blush. + +After which, one may be sure, the mother's fingers went to work quickly +upon the ball. But that is a way mothers have, of ever standing ready to +give help and encouragement to their boys and girls. + + + + +SWINGING. + +BY ELIZABETH LINCOLN GOULD. + + + Swing, swing, under the apple tree, + Down in the orchard when apples are red; + Catch the rope tightly then up and away you go, + Up to the green, spreading boughs overhead. + + Swing, swing under the apple tree, + Up till you see the sky through the green; + Down till your feet sweep the grass growing under you, + Up, up again to the wide, leafy screen. + +--_Youth's Companion._ + + + + +[Entered at the Post Office at Elgin, Ill., as Second Class Mail +Matter.] + +Price of Dew Drops.--In lots of five or more, to one address, 20 cents +per copy per year, or 5-1/2 cents per copy per quarter. Address, + +David C. Cook Publishing Co., Elgin, Ill. + + + +***END OF THE PROJECT GUTENBERG EBOOK DEW DROPS, VOL. 37, NO. 34, AUGUST +23, 1914*** + + +******* This file should be named 14147.txt or 14147.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/4/1/4/14147 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + |
